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639 | the comedy death to smoochy is a rancorous curiosity : a movie without an apparent audience . | Subjective | (20 (24 (25 (22 (43 the) (2 (64 comedy) (1 (28 (40 death) (73 to)) (87 smoochy)))) (3 (89 is) (27 (52 a) (2 (44 [UNK]) (84 curiosity))))) (1 (49 :) (27 (81 a) (64 movie)))) (31 (1 (49 without) (27 (52 an) (2 (32 apparent) (84 audience)))) (77 .))) |
64 | i was perplexed to watch it unfold with an astonishing lack of passion or uniqueness . | Subjective | (20 (24 (25 (41 i) (3 (28 (3 (89 was) (45 [UNK])) (73 to)) (45 watch))) (1 (41 it) (59 [UNK]))) (31 (1 (49 with) (27 (52 an) (2 (68 astonishing) (11 (65 lack) (12 (74 of) (27 (54 passion) (8 (70 or) (61 [UNK])))))))) (77 .))) |
640 | it certainly won't win any awards in the plot department but it sets out with no pretensions and delivers big time . | Subjective | (20 (24 (25 (41 it) (3 (62 certainly) (3 (62 won) (3 (6 (28 (38 ') (67 t)) (57 win)) (27 (43 any) (0 (44 [UNK]) (12 (74 in) (27 (52 the) (2 (32 plot) (84 department)))))))))) (1 (39 but) (25 (41 it) (3 (59 sets) (47 out))))) (31 (1 (49 with) (27 (29 (52 no) (61 [UNK])) (8 (76 and) (2 (95 delivers) (2 (32 big) (84 time)))))) (77 .))) |
641 | has all the poignancy of a hallmark card and all the comedy of a gallagher stand-up act . | Subjective | (20 (3 (89 has) (27 (33 all) (27 (81 the) (11 (65 poignancy) (12 (74 of) (27 (52 a) (2 (44 [UNK]) (84 card)))))))) (31 (1 (49 and) (27 (33 all) (27 (81 the) (11 (65 comedy) (12 (74 of) (27 (52 a) (2 (61 [UNK]) (2 (68 stand) (8 (66 -) (23 (50 up) (84 act))))))))))) (77 .))) |
642 | " "" juwanna mann ? "" no thanks . wewannour money back , actually ." | Subjective | (20 (20 (55 ") (20 (55 ") (20 (55 ") (20 (24 (25 (13 (27 (61 [UNK]) (35 [UNK])) (48 ?)) (3 (28 (28 (55 ") (55 ")) (86 no)) (45 thanks))) (1 (39 .) (25 (44 [UNK]) (3 (59 money) (47 back))))) (31 (1 (70 ,) (37 actually)) (77 .)))))) (55 ")) |
643 | "the question hanging over the time machine is not , as the main character suggests , 'what if ? ' but rather , 'how can you charge money for this ? '" | Subjective | (20 (20 (55 ") (20 (24 (25 (13 (27 (81 the) (11 (65 question) (12 (74 hanging) (27 (33 over) (27 (81 the) (64 time)))))) (48 machine)) (3 (89 is) (45 not))) (1 (39 ,) (24 (25 (13 (88 as) (22 (43 the) (2 (32 main) (84 character)))) (3 (59 suggests) (1 (39 ,) (25 (38 ') (25 (88 what) (88 if)))))) (1 (31 (36 ?) (38 ')) (24 (25 (88 but) (25 (58 rather) (1 (39 ,) (25 (13 (38 ') (37 how)) (3 (6 (28 (89 can) (86 you)) (57 [UNK])) (83 money)))))) (1 (49 for) (56 this))))))) (31 (36 ?) (38 ')))) (55 ")) |
644 | "there is no solace here , no entertainment value , merely a fierce lesson in where filmmaking can take us ." | Subjective | (20 (20 (55 ") (20 (24 (25 (41 there) (3 (6 (28 (89 is) (86 no)) (57 [UNK])) (83 here))) (1 (39 ,) (25 (13 (27 (52 no) (2 (32 entertainment) (84 value))) (48 ,)) (3 (3 (57 merely) (27 (52 a) (2 (32 fierce) (84 lesson)))) (47 in))))) (31 (1 (39 where) (25 (41 filmmaking) (3 (62 can) (3 (59 take) (47 us))))) (77 .)))) (55 ")) |
645 | "massoud's story is an epic , but also a tragedy , the record of a tenacious , humane fighter who was also the prisoner ( and ultimately the victim ) of history ." | Subjective | (20 (20 (55 ") (20 (24 (25 (13 (61 [UNK]) (8 (28 (38 ') (67 s)) (51 story))) (3 (89 is) (27 (52 an) (2 (68 epic) (8 (8 (70 ,) (24 (25 (88 but) (25 (85 also) (27 (81 a) (64 tragedy)))) (1 (39 ,) (25 (13 (43 the) (11 (65 record) (12 (74 of) (27 (29 (52 a) (61 [UNK])) (8 (8 (70 ,) (61 [UNK])) (42 [UNK])))))) (3 (28 (28 (21 (8 (75 who) (3 (28 (89 was) (86 also)) (27 (81 the) (64 prisoner)))) (70 ()) (76 and)) (86 ultimately)) (27 (81 the) (64 victim))))))) (34 ))))))) (1 (74 of) (56 history))) (77 .))) (55 ")) |
646 | "not only are the film's sopranos gags incredibly dated and unfunny , they also demonstrate how desperate the makers of this 'we're -doing-it-for -the-cash' sequel were ." | Subjective | (20 (20 (55 ") (20 (24 (25 (86 not) (94 only)) (1 (39 are) (24 (25 (13 (43 the) (69 film)) (3 (28 (38 ') (67 s)) (27 (44 [UNK]) (92 gags)))) (1 (49 incredibly) (27 (35 [UNK]) (8 (76 and) (82 unfunny))))))) (31 (1 (39 ,) (24 (25 (41 they) (3 (62 also) (3 (42 [UNK]) (27 (37 how) (71 desperate))))) (1 (13 (43 the) (11 (65 makers) (12 (74 of) (27 (27 (52 this) (2 (38 ') (26 (41 we) (28 (38 ') (67 re))))) (8 (66 -) (23 (85 doing) (10 (66 -) (2 (68 it) (8 (66 -) (23 (74 for) (10 (66 -) (2 (81 the) (10 (66 -) (2 (68 cash) (8 (38 ') (51 sequel)))))))))))))))) (89 were)))) (77 .)))) (55 ")) |
647 | you may feel compelled to watch the film twice or pick up a book on the subject . | Subjective | (20 (24 (25 (41 you) (3 (3 (6 (28 (3 (28 (89 may) (86 feel)) (45 [UNK])) (73 to)) (57 watch)) (27 (81 the) (64 film))) (47 twice))) (1 (76 or) (3 (3 (59 pick) (47 up)) (27 (81 a) (64 book))))) (31 (1 (49 on) (27 (81 the) (64 subject))) (77 .))) |
648 | "hatosy establishes himself here not only as the bona fide star of this little ensemble film , but also as a talent to be watched ." | Subjective | (20 (20 (55 ") (20 (24 (25 (44 [UNK]) (3 (59 [UNK]) (47 himself))) (1 (39 here) (24 (25 (86 not) (94 only)) (1 (49 as) (27 (22 (43 the) (2 (61 [UNK]) (2 (44 [UNK]) (84 star)))) (12 (74 of) (27 (52 this) (2 (95 little) (2 (32 ensemble) (84 film)))))))))) (31 (1 (39 ,) (25 (13 (88 but) (80 also)) (3 (28 (28 (1 (49 as) (27 (81 a) (64 talent))) (73 to)) (86 be)) (45 watched)))) (77 .)))) (55 ")) |
649 | "caso vocк sinta necessidade de sair da sala antes do tйrmino da projeзгo , nгo se preocupe : ninguйm lhe enviarб penas simbolizando covardia ." | Subjective | (20 (20 (55 ") (20 (24 (25 (13 (61 [UNK]) (42 [UNK])) (3 (42 [UNK]) (27 (35 [UNK]) (8 (8 (21 (8 (70 de) (61 [UNK])) (70 da)) (44 [UNK])) (42 [UNK]))))) (1 (49 do) (27 (35 [UNK]) (8 (8 (8 (8 (8 (63 da) (8 (8 (42 [UNK]) (8 (21 (8 (70 ,) (15 (82 nгo) (8 (70 se) (61 [UNK])))) (70 :)) (44 [UNK]))) (42 [UNK]))) (42 [UNK])) (42 [UNK])) (42 [UNK])) (42 [UNK]))))) (77 .))) (55 ")) |
65 | "although mainstream american movies tend to exploit the familiar , every once in a while a film arrives from the margin that gives viewers a chance to learn , to grow , to travel ." | Subjective | (20 (20 (55 ") (20 (24 (25 (13 (88 although) (27 (52 mainstream) (2 (32 american) (84 movies)))) (3 (6 (28 (40 [UNK]) (73 to)) (57 exploit)) (27 (81 the) (64 familiar)))) (1 (39 ,) (25 (13 (27 (81 every) (11 (65 once) (12 (74 in) (27 (81 a) (64 while))))) (13 (25 (13 (43 a) (69 film)) (3 (59 arrives) (1 (49 from) (27 (81 the) (61 [UNK]))))) (75 that))) (3 (28 (3 (3 (59 gives) (47 viewers)) (27 (81 a) (64 chance))) (73 to)) (45 learn))))) (31 (1 (39 ,) (25 (73 to) (3 (59 grow) (1 (39 ,) (25 (73 to) (45 travel)))))) (77 .)))) (55 ")) |
650 | " "" auto focus "" works as an unusual biopic and document of male swingers in the playboy era" | Subjective | (20 (20 (55 ") (20 (55 ") (20 (55 ") (20 (24 (25 (13 (90 auto) (92 focus)) (3 (28 (55 ") (55 ")) (45 works))) (1 (49 as) (27 (52 an) (2 (68 unusual) (8 (42 [UNK]) (8 (76 and) (11 (65 document) (12 (74 of) (27 (90 male) (61 [UNK])))))))))) (1 (49 in) (27 (52 the) (2 (32 playboy) (84 era)))))))) (55 ")) |
651 | "strong filmmaking requires a clear sense of purpose , and in that oh-so-important category , the four feathers comes up short ." | Subjective | (20 (20 (55 ") (20 (24 (25 (13 (90 strong) (92 filmmaking)) (3 (89 requires) (27 (52 a) (2 (68 clear) (11 (65 sense) (12 (74 of) (27 (54 purpose) (8 (39 ,) (76 and))))))))) (1 (49 in) (27 (52 that) (2 (95 oh) (10 (66 -) (2 (37 so) (10 (66 -) (2 (32 important) (42 [UNK]))))))))) (31 (1 (39 ,) (25 (22 (43 the) (2 (32 four) (84 feathers))) (3 (3 (59 comes) (47 up)) (47 short)))) (77 .)))) (55 ")) |
652 | empire can't make up its mind whether it wants to be a gangster flick or an art film . it doesn't work as either . | Subjective | (20 (24 (25 (41 empire) (3 (62 can) (3 (28 (6 (28 (38 ') (67 t)) (57 make)) (47 up)) (27 (46 its) (51 mind))))) (1 (39 whether) (25 (41 it) (3 (6 (28 (40 wants) (73 to)) (57 be)) (27 (52 a) (2 (32 gangster) (84 flick))))))) (31 (1 (31 (1 (49 or) (27 (52 an) (2 (32 art) (84 film)))) (77 .)) (24 (25 (41 it) (3 (62 doesn) (3 (28 (38 ') (67 t)) (45 work)))) (1 (49 as) (56 either)))) (77 .))) |
653 | an incredibly irritating comedy about thoroughly vacuous people . . . manages to embody the worst excesses of nouvelle vague without any of its sense of fun or energy . | Subjective | (20 (24 (25 (27 (52 an) (2 (95 incredibly) (2 (44 [UNK]) (84 comedy)))) (31 (1 (49 about) (27 (52 thoroughly) (2 (44 [UNK]) (84 people)))) (77 .))) (1 (77 .) (77 .))) (31 (1 (6 (28 (40 manages) (73 to)) (57 [UNK])) (22 (43 the) (2 (68 worst) (0 (44 [UNK]) (12 (74 of) (27 (44 [UNK]) (1 (60 vague) (12 (74 without) (27 (91 any) (12 (74 of) (27 (81 its) (11 (65 sense) (12 (74 of) (27 (54 fun) (8 (76 or) (82 energy)))))))))))))))) (77 .))) |
654 | "in the not-too-distant future , movies like ghost ship will be used as analgesic balm for overstimulated minds . right now , they're merely signposts marking the slow , lingering death of imagination ." | Subjective | (20 (20 (55 ") (20 (24 (25 (85 in) (27 (52 the) (2 (86 not) (10 (66 -) (2 (37 too) (10 (66 -) (2 (32 distant) (84 future)))))))) (1 (39 ,) (24 (25 (58 movies) (1 (39 like) (25 (13 (90 ghost) (92 ship)) (3 (28 (89 will) (86 be)) (45 used))))) (1 (1 (39 as) (24 (25 (13 (13 (61 [UNK]) (42 [UNK])) (31 (1 (49 for) (27 (44 [UNK]) (92 minds))) (77 .))) (3 (59 right) (47 now))) (1 (39 ,) (24 (25 (41 they) (3 (6 (28 (38 ') (67 re)) (57 merely)) (83 [UNK]))) (1 (61 [UNK]) (22 (43 the) (2 (68 slow) (8 (70 ,) (61 [UNK]))))))))) (78 death))))) (31 (1 (74 of) (56 imagination)) (77 .)))) (55 ")) |
655 | "guzman's powerful and sometimes triumphant documentary is not only an excellent overview of the affair , but serves as the perfect finale to the monumental trilogy about the coup and its aftermath ." | Subjective | (20 (20 (55 ") (20 (24 (25 (13 (61 [UNK]) (8 (28 (38 ') (67 s)) (2 (68 powerful) (8 (76 and) (2 (95 sometimes) (2 (44 [UNK]) (84 documentary))))))) (3 (6 (28 (89 is) (86 not)) (57 only)) (27 (52 an) (2 (68 excellent) (0 (44 [UNK]) (12 (74 of) (27 (81 the) (64 affair)))))))) (1 (39 ,) (25 (41 but) (3 (28 (3 (59 serves) (1 (49 as) (27 (52 the) (2 (32 perfect) (42 [UNK]))))) (73 to)) (27 (52 the) (2 (61 [UNK]) (35 [UNK]))))))) (31 (1 (49 about) (27 (43 the) (0 (44 [UNK]) (12 (74 and) (27 (46 its) (51 aftermath)))))) (77 .)))) (55 ")) |
656 | "each story on its own could have been expanded and worked into a compelling single feature , but in its current incarnation , storytelling never quite gets over its rather lopsided conception ." | Subjective | (20 (20 (55 ") (20 (24 (25 (13 (46 each) (11 (65 story) (12 (74 on) (27 (46 its) (51 own))))) (3 (28 (3 (6 (28 (89 could) (86 have)) (57 been)) (83 [UNK])) (76 and)) (45 worked))) (1 (49 into) (27 (52 a) (2 (95 compelling) (2 (32 single) (84 feature)))))) (31 (1 (39 ,) (24 (25 (88 but) (24 (25 (85 in) (27 (52 its) (2 (32 current) (42 [UNK])))) (1 (39 ,) (25 (41 storytelling) (3 (62 never) (3 (62 quite) (59 gets))))))) (1 (49 over) (27 (52 its) (2 (95 rather) (2 (61 [UNK]) (35 [UNK]))))))) (77 .)))) (55 ")) |
657 | "an affable but undernourished romantic comedy that fails to match the freshness of the actress-producer and writer's previous collaboration , miss congeniality ." | Subjective | (20 (20 (55 ") (20 (24 (25 (13 (27 (29 (52 an) (61 [UNK])) (8 (76 but) (2 (61 [UNK]) (2 (32 romantic) (84 comedy))))) (48 that)) (3 (6 (28 (40 fails) (73 to)) (57 match)) (27 (43 the) (0 (44 [UNK]) (12 (74 of) (27 (52 the) (2 (68 actress) (8 (66 -) (50 producer))))))))) (1 (49 and) (27 (54 writer) (8 (28 (38 ') (67 s)) (2 (32 previous) (42 [UNK])))))) (31 (1 (48 ,) (3 (89 miss) (45 [UNK]))) (77 .)))) (55 ")) |
658 | "a splendid entertainment , young in spirit but accomplished in all aspects with the fullness of spirit and sense of ease that comes only with experience ." | Subjective | (20 (20 (55 ") (20 (24 (25 (27 (52 a) (2 (44 [UNK]) (84 entertainment))) (8 (70 ,) (82 young))) (1 (49 in) (56 spirit))) (31 (1 (1 (25 (88 but) (24 (25 (58 accomplished) (1 (49 in) (27 (53 all) (92 aspects)))) (1 (49 with) (27 (43 the) (0 (44 [UNK]) (12 (74 of) (27 (54 spirit) (8 (76 and) (11 (65 sense) (12 (74 of) (27 (35 [UNK]) (8 (75 that) (3 (59 comes) (47 only)))))))))))))) (49 with)) (78 experience)) (77 .)))) (55 ")) |
659 | "works hard to establish rounded characters , but then has nothing fresh or particularly interesting to say about them ." | Subjective | (20 (20 (55 ") (20 (24 (25 (41 works) (3 (6 (28 (40 hard) (73 to)) (57 [UNK])) (27 (44 [UNK]) (92 characters)))) (1 (39 ,) (25 (13 (88 but) (80 then)) (3 (28 (3 (28 (3 (89 has) (27 (37 nothing) (71 fresh))) (76 or)) (27 (37 particularly) (71 interesting))) (73 to)) (45 say))))) (31 (1 (49 about) (56 them)) (77 .)))) (55 ")) |
66 | the quirky and recessive charms of co-stars martin donovan and mary-louise parker help overcome the problematic script . | Subjective | (20 (24 (25 (27 (52 the) (2 (68 quirky) (8 (76 and) (2 (44 [UNK]) (84 charms))))) (12 (74 of) (27 (54 co) (8 (66 -) (23 (50 stars) (15 (82 martin) (8 (42 [UNK]) (8 (76 and) (82 mary))))))))) (1 (8 (66 -) (23 (61 [UNK]) (63 parker))) (78 help))) (31 (1 (49 overcome) (27 (52 the) (2 (32 problematic) (84 script)))) (77 .))) |
660 | "the film would have been more enjoyable had the balance shifted in favor of water-bound action over the land-based 'drama , ' but the emphasis on the latter leaves blue crush waterlogged ." | Subjective | (20 (20 (55 ") (20 (24 (25 (13 (43 the) (69 film)) (3 (6 (28 (89 would) (86 have)) (57 been)) (27 (37 more) (71 enjoyable)))) (1 (3 (89 had) (27 (81 the) (64 balance))) (27 (44 [UNK]) (1 (49 in) (27 (91 favor) (12 (74 of) (27 (54 water) (8 (66 -) (23 (61 [UNK]) (63 action)))))))))) (31 (1 (49 over) (27 (27 (81 the) (64 land)) (8 (8 (66 -) (23 (50 based) (2 (2 (38 ') (26 (50 drama) (26 (39 ,) (38 ')))) (1 (39 but) (25 (13 (43 the) (0 (44 [UNK]) (12 (74 on) (27 (81 the) (64 latter))))) (3 (89 leaves) (27 (53 blue) (92 crush)))))))) (42 [UNK])))) (77 .)))) (55 ")) |
661 | "a magnificent throwback to an almost vanished era of epic filmmaking by great filmmakers in thrall to their own passions , rather than to the studio bookkeepers ." | Subjective | (20 (20 (55 ") (20 (24 (25 (13 (43 a) (42 [UNK])) (3 (28 (40 throwback) (73 to)) (27 (52 an) (2 (2 (95 almost) (2 (42 [UNK]) (11 (65 era) (12 (74 of) (27 (53 epic) (92 filmmaking)))))) (1 (49 by) (27 (53 great) (92 filmmakers))))))) (1 (49 in) (27 (0 (44 [UNK]) (12 (74 to) (27 (46 their) (51 own)))) (63 passions)))) (31 (1 (39 ,) (25 (58 rather) (1 (39 than) (25 (49 to) (22 (43 the) (2 (32 studio) (42 [UNK]))))))) (77 .)))) (55 ")) |
662 | "the filmmakers wisely decided to let crocodile hunter steve irwin do what he does best , and fashion a story around him ." | Subjective | (20 (20 (55 ") (20 (24 (25 (13 (43 the) (69 filmmakers)) (3 (62 wisely) (3 (28 (40 decided) (73 to)) (27 (52 let) (2 (32 crocodile) (84 hunter)))))) (1 (13 (90 steve) (92 irwin)) (89 do))) (31 (1 (39 what) (24 (25 (41 he) (3 (89 does) (45 best))) (1 (39 ,) (24 (25 (41 and) (3 (89 fashion) (27 (81 a) (64 story)))) (1 (49 around) (56 him)))))) (77 .)))) (55 ")) |
663 | "[cuarуn has] created a substantive movie out of several cliched movie structures : the road movie , the coming-of-age movie , and the teenage sex comedy ." | Subjective | (20 (20 (55 ") (20 (24 (25 (13 (90 [) (44 [UNK])) (3 (28 (28 (89 has) (86 ])) (86 created)) (27 (52 a) (2 (44 [UNK]) (84 movie))))) (1 (18 (60 out) (12 (74 of) (27 (27 (52 several) (2 (44 [UNK]) (84 movie))) (44 [UNK])))) (1 (49 :) (27 (52 the) (2 (32 road) (84 movie)))))) (31 (1 (39 ,) (25 (13 (43 the) (69 coming)) (3 (28 (21 (8 (66 -) (23 (74 of) (10 (66 -) (2 (32 age) (84 movie))))) (70 ,)) (76 and)) (27 (52 the) (2 (95 teenage) (2 (32 sex) (84 comedy))))))) (77 .)))) (55 ")) |
664 | "when mr . hundert tells us in his narration that 'this is a story without surprises , ' we nod in agreement ." | Subjective | (20 (20 (55 ") (20 (24 (25 (13 (88 when) (27 (27 (72 mr) (77 .)) (44 [UNK]))) (3 (59 tells) (47 us))) (1 (49 in) (27 (46 his) (42 [UNK])))) (31 (1 (39 that) (24 (25 (13 (38 ') (26 (13 (24 (25 (41 this) (3 (89 is) (27 (81 a) (64 story)))) (1 (49 without) (56 surprises))) (39 ,)) (38 '))) (3 (62 we) (59 [UNK]))) (1 (49 in) (61 [UNK])))) (77 .)))) (55 ")) |
665 | "content merely to lionize its title character and exploit his anger - all for easy sanctimony , formulaic thrills and a ham-fisted sermon on the need for national health insurance ." | Subjective | (20 (20 (55 ") (20 (24 (25 (41 content) (3 (6 (28 (3 (6 (28 (40 merely) (73 to)) (57 [UNK])) (27 (52 its) (2 (32 title) (84 character)))) (76 and)) (57 exploit)) (27 (27 (46 his) (51 anger)) (8 (8 (8 (66 -) (23 (18 (60 all) (12 (74 for) (27 (90 easy) (61 [UNK])))) (4 (8 (8 (39 ,) (2 (32 formulaic) (84 thrills))) (8 (76 and) (29 (52 a) (61 [UNK])))) (66 -)))) (42 [UNK])) (42 [UNK]))))) (1 (49 on) (27 (81 the) (64 need)))) (31 (1 (1 (49 for) (27 (53 national) (92 health))) (78 insurance)) (77 .)))) (55 ")) |
666 | "the script is a disaster , with cloying messages and irksome characters ." | Subjective | (20 (20 (55 ") (20 (24 (25 (13 (43 the) (69 script)) (3 (89 is) (27 (81 a) (64 disaster)))) (1 (39 ,) (25 (85 with) (27 (54 cloying) (8 (63 messages) (8 (76 and) (2 (44 [UNK]) (84 characters)))))))) (77 .))) (55 ")) |
667 | even though the film runs a brief 71 minutes -- finishing off with footage of reno talking with new yorkers on the street in the aftermath of 9/11 -- reno shows enough gusto to make you a fan . | Subjective | (20 (24 (25 (88 even) (24 (25 (88 though) (24 (25 (13 (43 the) (69 film)) (3 (59 runs) (27 (27 (52 a) (2 (95 brief) (2 (44 [UNK]) (84 minutes)))) (8 (66 -) (23 (66 -) (27 (33 finishing) (47 off))))))) (1 (49 with) (27 (91 footage) (12 (74 of) (27 (44 [UNK]) (92 talking))))))) (1 (49 with) (27 (46 new) (51 yorkers))))) (1 (49 on) (27 (81 the) (64 street)))) (31 (1 (49 in) (27 (81 the) (11 (65 aftermath) (12 (74 of) (27 (54 9) (8 (70 /) (15 (82 11) (8 (66 -) (23 (66 -) (13 (61 [UNK]) (3 (28 (6 (28 (3 (89 shows) (27 (53 enough) (92 gusto))) (73 to)) (57 make)) (47 you)) (27 (81 a) (64 fan))))))))))))) (77 .))) |
668 | [seagal's] strenuous attempt at a change in expression could very well clinch him this year's razzie . | Subjective | (20 (24 (25 (13 (90 [) (92 seagal)) (3 (28 (38 ') (67 s)) (27 (52 ]) (2 (44 [UNK]) (84 attempt))))) (1 (49 at) (27 (81 a) (11 (65 change) (12 (74 in) (27 (56 expression) (3 (3 (3 (89 could) (27 (27 (37 very) (71 well)) (44 [UNK]))) (47 him)) (27 (81 this) (64 year))))))))) (31 (1 (28 (38 ') (67 s)) (35 [UNK])) (77 .))) |
669 | "there is something in full frontal , i guess , about artifice and acting and how it distorts reality for people who make movies and watch them , but like most movie riddles , it works only if you have an interest in the characters you see ." | Subjective | (20 (20 (55 ") (20 (24 (25 (41 there) (3 (89 is) (45 something))) (1 (49 in) (27 (53 full) (92 frontal)))) (31 (1 (39 ,) (24 (25 (41 i) (3 (59 guess) (1 (39 ,) (25 (85 about) (27 (35 [UNK]) (8 (76 and) (82 acting))))))) (1 (39 and) (24 (25 (13 (88 how) (80 it)) (3 (42 [UNK]) (27 (56 reality) (1 (49 for) (27 (54 people) (8 (75 who) (3 (6 (28 (3 (59 make) (47 movies)) (76 and)) (57 watch)) (83 them)))))))) (1 (39 ,) (24 (25 (88 but) (24 (25 (85 like) (27 (52 most) (2 (32 movie) (42 [UNK])))) (1 (39 ,) (25 (41 it) (3 (59 works) (47 only)))))) (1 (13 (25 (13 (88 if) (80 you)) (3 (89 have) (27 (81 an) (11 (65 interest) (12 (74 in) (27 (81 the) (64 characters))))))) (41 you)) (59 see)))))))) (77 .)))) (55 ")) |
67 | the lively appeal of the last kiss lies in the ease with which it integrates thoughtfulness and pasta-fagioli comedy . | Subjective | (20 (24 (25 (27 (52 the) (2 (68 lively) (11 (65 appeal) (12 (74 of) (27 (52 the) (2 (32 last) (84 kiss))))))) (79 lies)) (1 (49 in) (27 (81 the) (61 [UNK])))) (31 (1 (49 with) (27 (75 which) (25 (41 it) (3 (42 [UNK]) (27 (35 [UNK]) (8 (8 (76 and) (35 [UNK])) (8 (66 -) (23 (61 [UNK]) (63 comedy))))))))) (77 .))) |
670 | "welles groupie/scholar peter bogdanovich took a long time to do it , but he's finally provided his own broadside at publishing giant william randolph hearst ." | Subjective | (20 (20 (55 ") (20 (24 (25 (13 (61 [UNK]) (8 (21 (8 (42 [UNK]) (8 (70 /) (61 [UNK]))) (70 peter)) (44 [UNK]))) (3 (6 (28 (3 (59 took) (27 (52 a) (2 (32 long) (84 time)))) (73 to)) (57 do)) (83 it))) (1 (39 ,) (25 (13 (88 but) (80 he)) (3 (3 (28 (28 (38 ') (67 s)) (86 finally)) (45 provided)) (27 (27 (46 his) (51 own)) (44 [UNK])))))) (31 (1 (49 at) (27 (35 [UNK]) (8 (70 giant) (15 (82 william) (8 (70 randolph) (82 hearst)))))) (77 .)))) (55 ")) |
671 | "seagal ran out of movies years ago , and this is just the proof ." | Subjective | (20 (20 (55 ") (20 (24 (25 (41 seagal) (3 (59 [UNK]) (47 out))) (1 (1 (1 (74 of) (56 movies)) (78 years)) (78 ago))) (31 (1 (39 ,) (25 (13 (88 and) (80 this)) (3 (28 (89 is) (86 just)) (27 (81 the) (64 proof))))) (77 .)))) (55 ")) |
672 | "my 5-year-old niece emily was so thrilled by the first 20 minutes , she announced , "" i'm gonna try to stay awake through the whole movie ! "" , which she then proceeded to do ." | Subjective | (20 (20 (55 ") (20 (24 (25 (13 (27 (46 my) (51 5)) (21 (8 (66 -) (23 (50 year) (8 (66 -) (23 (50 old) (44 [UNK]))))) (70 emily))) (3 (28 (89 was) (86 so)) (45 [UNK]))) (1 (49 by) (27 (52 the) (2 (95 first) (2 (32 20) (84 minutes)))))) (31 (1 (39 ,) (25 (13 (13 (80 she) (44 [UNK])) (31 (70 ,) (20 (20 (20 (55 ") (20 (55 ") (20 (24 (25 (13 (80 i) (3 (28 (38 ') (67 m)) (45 [UNK]))) (3 (6 (28 (40 try) (73 to)) (57 stay)) (83 awake))) (1 (49 through) (27 (52 the) (2 (32 whole) (84 movie))))) (36 !)))) (55 ")) (55 ")))) (1 (39 ,) (25 (13 (88 which) (80 she)) (3 (62 then) (6 (28 (40 [UNK]) (73 to)) (57 do))))))) (77 .)))) (55 ")) |
673 | "the weird thing about the santa clause 2 , purportedly a children's movie , is that there is nothing in it to engage children emotionally ." | Subjective | (20 (20 (55 ") (20 (24 (25 (22 (43 the) (2 (32 weird) (84 thing))) (1 (49 about) (27 (22 (43 the) (2 (32 santa) (84 clause))) (2 (68 2) (8 (70 ,) (61 [UNK])))))) (1 (13 (27 (52 a) (2 (68 children) (8 (28 (38 ') (67 s)) (69 movie)))) (48 ,)) (89 is))) (31 (1 (39 that) (25 (41 there) (3 (6 (28 (3 (6 (28 (89 is) (86 nothing)) (57 in)) (83 it)) (73 to)) (57 engage)) (27 (37 children) (71 emotionally))))) (77 .)))) (55 ")) |
674 | gondry's direction is adequate . . . but what gives human nature its unique feel is kaufman's script . | Subjective | (20 (24 (25 (44 [UNK]) (3 (28 (38 ') (67 s)) (45 direction))) (1 (49 is) (61 [UNK]))) (31 (1 (31 (1 (77 .) (77 .)) (77 .)) (24 (25 (13 (88 but) (80 what)) (3 (89 gives) (27 (53 human) (92 nature)))) (1 (27 (52 its) (2 (68 unique) (11 (65 feel) (12 (74 is) (27 (80 kaufman) (28 (38 ') (67 s))))))) (78 script)))) (77 .))) |
675 | "pete's screenplay manages to find that real natural , even-flowing tone that few movies are able to accomplish ." | Subjective | (20 (20 (55 ") (20 (24 (25 (41 pete) (3 (28 (38 ') (67 s)) (45 screenplay))) (1 (6 (28 (40 manages) (73 to)) (57 find)) (22 (43 that) (2 (95 real) (2 (68 natural) (8 (39 ,) (2 (95 even) (10 (66 -) (2 (44 [UNK]) (84 tone)))))))))) (31 (1 (39 that) (25 (13 (90 few) (92 movies)) (3 (28 (3 (89 are) (45 able)) (73 to)) (45 [UNK])))) (77 .)))) (55 ")) |
676 | . . . think of it as american pie on valium . | Subjective | (20 (31 (1 (77 .) (77 .)) (77 .)) (20 (24 (25 (58 think) (1 (74 of) (56 it))) (1 (49 as) (27 (53 american) (92 pie)))) (31 (1 (49 on) (61 [UNK])) (77 .)))) |
677 | "the emperor's club is one of those films that possesses all the good intentions in the world , but . . ." | Subjective | (20 (20 (55 ") (20 (24 (25 (13 (43 the) (69 emperor)) (3 (28 (38 ') (67 s)) (45 club))) (1 (49 is) (27 (93 one) (12 (74 of) (27 (53 those) (92 films)))))) (31 (1 (39 that) (24 (25 (85 possesses) (27 (33 all) (27 (52 the) (2 (68 good) (11 (65 intentions) (12 (74 in) (27 (81 the) (64 world)))))))) (1 (39 ,) (25 (58 but) (1 (77 .) (77 .)))))) (77 .)))) (55 ")) |
678 | "when in doubt , the film ratchets up the stirring soundtrack , throws in a fish-out-of-water gag and lets the cliched dialogue rip . or else a doggie winks ." | Subjective | (20 (20 (55 ") (20 (24 (25 (88 when) (24 (25 (85 in) (27 (54 doubt) (8 (8 (70 ,) (13 (43 the) (69 film))) (42 [UNK])))) (1 (49 up) (27 (52 the) (2 (32 stirring) (84 soundtrack)))))) (1 (39 ,) (25 (58 throws) (1 (49 in) (27 (52 a) (2 (68 fish) (8 (66 -) (23 (50 out) (8 (66 -) (23 (74 of) (10 (66 -) (2 (32 water) (42 [UNK]))))))))))))) (31 (1 (76 and) (3 (3 (59 lets) (27 (29 (52 the) (61 [UNK])) (8 (63 dialogue) (8 (63 rip) (8 (39 .) (27 (37 or) (71 else))))))) (27 (52 a) (2 (61 [UNK]) (35 [UNK]))))) (77 .)))) (55 ")) |
679 | "though clearly well-intentioned , this cross-cultural soap opera is painfully formulaic and stilted ." | Subjective | (20 (20 (55 ") (20 (24 (25 (88 though) (25 (86 clearly) (94 well))) (1 (21 (8 (66 -) (50 intentioned)) (70 ,)) (22 (43 this) (2 (95 cross) (10 (66 -) (2 (95 cultural) (2 (32 soap) (84 opera)))))))) (31 (1 (49 is) (27 (52 painfully) (2 (68 formulaic) (8 (76 and) (82 stilted))))) (77 .)))) (55 ")) |
68 | "jason x has cheesy effects and a hoary plot , but its macabre , self-deprecating sense of humor makes up for a lot ." | Subjective | (20 (20 (55 ") (20 (24 (25 (13 (90 jason) (92 x)) (3 (89 has) (27 (44 [UNK]) (92 effects)))) (1 (49 and) (27 (52 a) (2 (44 [UNK]) (84 plot))))) (31 (1 (39 ,) (24 (25 (13 (88 but) (27 (52 its) (2 (2 (61 [UNK]) (8 (70 ,) (15 (82 self) (8 (66 -) (23 (50 deprecating) (84 sense)))))) (1 (74 of) (56 humor))))) (3 (59 makes) (47 up))) (1 (49 for) (27 (81 a) (64 lot))))) (77 .)))) (55 ")) |
680 | at 78 minutes it just zings along with vibrance and warmth . | Subjective | (20 (24 (25 (13 (25 (85 at) (27 (44 [UNK]) (92 minutes))) (41 it)) (3 (62 just) (3 (59 [UNK]) (47 along)))) (1 (49 with) (27 (35 [UNK]) (8 (76 and) (82 warmth))))) (77 .)) |
681 | "sparkles in its deft portrait of tinseltown's seasoned veterans of gossip , wealth , paranoia , and celebrityhood ." | Subjective | (20 (20 (55 ") (20 (24 (25 (58 [UNK]) (1 (49 in) (27 (52 its) (2 (68 deft) (11 (65 portrait) (12 (74 of) (27 (35 [UNK]) (8 (28 (38 ') (67 s)) (2 (61 [UNK]) (35 [UNK])))))))))) (1 (74 of) (61 [UNK]))) (31 (1 (39 ,) (25 (61 [UNK]) (8 (8 (70 ,) (15 (82 paranoia) (8 (39 ,) (76 and)))) (42 [UNK])))) (77 .)))) (55 ")) |
682 | "the filmmakers try to balance pointed , often incisive satire and unabashed sweetness , with results that are sometimes bracing , sometimes baffling and quite often , and in unexpected ways , touching ." | Subjective | (20 (20 (55 ") (20 (24 (25 (13 (43 the) (69 filmmakers)) (3 (6 (28 (40 try) (73 to)) (57 balance)) (27 (35 [UNK]) (8 (8 (39 ,) (2 (95 often) (2 (32 incisive) (84 satire)))) (8 (76 and) (2 (32 unabashed) (84 sweetness))))))) (1 (39 ,) (24 (25 (85 with) (27 (54 results) (8 (21 (8 (75 that) (3 (28 (89 are) (86 sometimes)) (45 bracing))) (70 ,)) (27 (37 sometimes) (71 baffling))))) (1 (39 and) (25 (86 quite) (94 often)))))) (31 (1 (39 ,) (25 (88 and) (25 (85 in) (27 (27 (53 unexpected) (92 ways)) (8 (70 ,) (82 touching)))))) (77 .)))) (55 ")) |
683 | "shiner can certainly go the distance , but isn't world championship material" | Subjective | (20 (20 (55 ") (20 (24 (25 (44 [UNK]) (3 (6 (28 (89 can) (86 certainly)) (57 go)) (27 (81 the) (64 distance)))) (1 (39 ,) (25 (41 but) (3 (62 isn) (28 (38 ') (67 t)))))) (31 (13 (90 world) (44 [UNK])) (69 material)))) (55 ")) |
684 | "despite suffering a sense-of-humour failure , the man who wrote rocky does not deserve to go down with a ship as leaky as this ." | Subjective | (20 (20 (55 ") (20 (24 (25 (85 despite) (27 (27 (33 suffering) (27 (81 a) (64 sense))) (8 (66 -) (23 (74 of) (10 (66 -) (2 (32 humour) (84 failure))))))) (1 (39 ,) (24 (25 (13 (27 (81 the) (64 man)) (48 who)) (3 (6 (28 (3 (59 wrote) (1 (41 [UNK]) (6 (28 (89 does) (86 not)) (57 deserve)))) (73 to)) (57 go)) (83 down))) (1 (49 with) (27 (81 a) (64 ship)))))) (31 (1 (49 as) (27 (44 [UNK]) (1 (49 as) (56 this)))) (77 .)))) (55 ")) |
685 | "it all starts to smack of a hallmark hall of fame , with a few four letter words thrown in that are generally not heard on television ." | Subjective | (20 (20 (55 ") (20 (24 (25 (41 it) (3 (62 all) (3 (28 (40 starts) (73 to)) (18 (60 smack) (12 (74 of) (27 (52 a) (2 (61 [UNK]) (35 [UNK])))))))) (1 (74 of) (56 fame))) (31 (1 (39 ,) (24 (25 (13 (24 (25 (85 with) (27 (27 (52 a) (2 (95 few) (2 (32 four) (84 letter)))) (78 words))) (1 (60 thrown) (49 in))) (75 that)) (3 (28 (28 (89 are) (86 generally)) (86 not)) (45 heard))) (1 (49 on) (56 television)))) (77 .)))) (55 ")) |
686 | sometimes makes less sense than the bruckheimeresque american action flicks it emulates . | Subjective | (20 (24 (25 (58 sometimes) (1 (3 (89 makes) (45 less)) (78 sense))) (1 (49 than) (27 (52 the) (2 (61 [UNK]) (2 (95 american) (2 (32 action) (84 flicks))))))) (31 (1 (41 it) (59 [UNK])) (77 .))) |
687 | ferrara directs the entire film with the kind of detachment that makes any given frame look like a family's custom-made christmas card . | Subjective | (20 (24 (25 (58 [UNK]) (1 (49 directs) (27 (52 the) (2 (32 entire) (84 film))))) (1 (49 with) (27 (81 the) (11 (65 kind) (12 (74 of) (27 (35 [UNK]) (8 (75 that) (3 (59 makes) (1 (49 any) (27 (33 given) (27 (81 frame) (64 look)))))))))))) (31 (1 (1 (49 like) (27 (27 (81 a) (64 family)) (8 (28 (38 ') (67 s)) (2 (61 [UNK]) (8 (66 -) (23 (50 made) (56 christmas))))))) (78 card)) (77 .))) |
688 | a flawed film but an admirable one that tries to immerse us in a world of artistic abandon and political madness and very nearly succeeds . | Subjective | (20 (24 (25 (13 (27 (52 a) (2 (68 flawed) (11 (65 film) (12 (74 but) (27 (52 an) (2 (32 admirable) (84 one))))))) (48 that)) (3 (6 (28 (40 tries) (73 to)) (57 [UNK])) (83 us))) (1 (49 in) (27 (81 a) (11 (65 world) (12 (74 of) (27 (54 artistic) (8 (63 abandon) (8 (76 and) (2 (32 political) (84 madness)))))))))) (31 (1 (1 (49 and) (27 (37 very) (71 nearly))) (78 succeeds)) (77 .))) |
689 | "with the exception of mccoist , the players don't have a clue on the park . the acting isn't much better ." | Subjective | (20 (20 (55 ") (20 (24 (25 (85 with) (27 (43 the) (0 (44 [UNK]) (12 (74 of) (27 (44 [UNK]) (1 (39 ,) (25 (13 (43 the) (69 players)) (3 (62 don) (3 (6 (28 (38 ') (67 t)) (57 have)) (27 (81 a) (64 clue))))))))))) (1 (49 on) (27 (81 the) (64 park)))) (31 (1 (39 .) (25 (13 (43 the) (69 acting)) (3 (62 isn) (3 (28 (38 ') (67 t)) (27 (37 much) (71 better)))))) (77 .)))) (55 ")) |
69 | "mature , graceful documentary on conservative christian parents with homosexual children ." | Subjective | (20 (20 (55 ") (20 (24 (25 (27 (35 [UNK]) (8 (70 ,) (61 [UNK]))) (79 documentary)) (1 (49 on) (27 (52 conservative) (2 (32 christian) (84 parents))))) (31 (1 (49 with) (27 (44 [UNK]) (92 children))) (77 .)))) (55 ")) |
690 | "miyazaki's nonstop images are so stunning , and his imagination so vivid , that the only possible complaint you could have about spirited away is that there is no rest period , no timeout ." | Subjective | (20 (20 (55 ") (20 (24 (25 (13 (61 [UNK]) (8 (28 (38 ') (67 s)) (2 (44 [UNK]) (84 images)))) (3 (89 are) (27 (37 so) (71 stunning)))) (1 (39 ,) (24 (25 (85 and) (27 (46 his) (51 imagination))) (1 (37 so) (68 vivid))))) (31 (1 (39 ,) (24 (25 (13 (88 that) (22 (43 the) (2 (32 only) (84 possible)))) (3 (42 [UNK]) (27 (80 you) (28 (89 could) (86 have))))) (1 (39 about) (24 (25 (27 (53 spirited) (92 away)) (79 is)) (1 (39 that) (25 (41 there) (3 (89 is) (27 (27 (81 no) (64 rest)) (8 (63 period) (8 (8 (70 ,) (82 no)) (42 [UNK]))))))))))) (77 .)))) (55 ")) |
691 | solondz may well be the only one laughing at his own joke | Subjective | (20 (24 (25 (41 solondz) (3 (6 (28 (89 may) (86 well)) (57 be)) (27 (27 (52 the) (2 (32 only) (84 one))) (44 [UNK])))) (1 (49 at) (27 (46 his) (51 own)))) (36 joke)) |
692 | the filmmakers needed more emphasis on the storytelling and less on the glamorous machine that thrusts the audience into a future they won't much care about . | Subjective | (20 (24 (25 (13 (24 (25 (13 (43 the) (69 filmmakers)) (3 (28 (3 (59 needed) (1 (37 more) (0 (44 [UNK]) (12 (74 on) (27 (81 the) (64 storytelling)))))) (76 and)) (45 less))) (1 (49 on) (27 (52 the) (2 (32 glamorous) (84 machine))))) (75 that)) (3 (89 thrusts) (27 (81 the) (64 audience)))) (1 (49 into) (27 (81 a) (64 future)))) (31 (1 (25 (41 they) (3 (62 won) (3 (28 (28 (38 ') (67 t)) (86 much)) (45 care)))) (49 about)) (77 .))) |
693 | "french director helene angel's dark but deftly handled fable about familial violence has a terrifying , fairy-tale atmosphere that's in perfect keeping with its unique point of view ." | Subjective | (20 (20 (55 ") (20 (24 (25 (13 (25 (13 (90 french) (15 (82 director) (8 (42 [UNK]) (8 (63 angel) (8 (28 (38 ') (67 s)) (2 (68 dark) (8 (76 but) (2 (95 deftly) (2 (68 handled) (11 (65 fable) (12 (74 about) (27 (44 [UNK]) (92 violence))))))))))))) (3 (89 has) (27 (52 a) (2 (68 terrifying) (8 (70 ,) (15 (82 fairy) (8 (66 -) (23 (50 tale) (56 atmosphere))))))))) (75 that)) (3 (28 (38 ') (67 s)) (27 (37 in) (71 perfect)))) (1 (60 keeping) (12 (74 with) (27 (52 its) (2 (32 unique) (84 point)))))) (31 (1 (74 of) (56 view)) (77 .)))) (55 ")) |
694 | "[t]his beguiling belgian fable , very much its own droll and delicate little film , has some touching things to say about what is important in life and why ." | Subjective | (20 (20 (55 ") (20 (24 (25 (90 [) (67 t)) (1 (39 ]) (25 (27 (52 his) (2 (61 [UNK]) (35 [UNK]))) (79 fable)))) (31 (1 (39 ,) (24 (25 (13 (27 (37 very) (71 much)) (13 (27 (46 its) (51 own)) (21 (8 (42 [UNK]) (8 (76 and) (2 (95 delicate) (2 (32 little) (84 film))))) (70 ,)))) (3 (28 (3 (89 has) (27 (52 some) (2 (32 touching) (84 things)))) (73 to)) (45 say))) (1 (39 about) (24 (25 (41 what) (3 (89 is) (45 important))) (1 (49 in) (27 (54 life) (8 (76 and) (82 why)))))))) (77 .)))) (55 ")) |
695 | the cast is top-notch and i predict there will be plenty of female audience members drooling over michael idemoto as michael . | Subjective | (20 (24 (25 (13 (25 (13 (43 the) (69 cast)) (3 (89 is) (27 (54 top) (8 (8 (66 -) (23 (50 notch) (8 (76 and) (82 i)))) (42 [UNK]))))) (41 there)) (3 (28 (89 will) (86 be)) (27 (91 plenty) (12 (74 of) (27 (54 female) (8 (8 (90 audience) (92 members)) (42 [UNK]))))))) (1 (49 over) (27 (90 michael) (61 [UNK])))) (31 (1 (49 as) (56 michael)) (77 .))) |
696 | " . . . with the candy-like taste of it fading faster than 25-cent bubble gum , i realized this is a throwaway movie that won't stand the test of time . it's a trifle ." | Subjective | (20 (20 (55 ") (20 (31 (1 (77 .) (77 .)) (77 .)) (20 (24 (25 (85 with) (27 (27 (81 the) (64 candy)) (8 (66 -) (23 (50 like) (2 (11 (65 taste) (12 (74 of) (27 (52 it) (2 (2 (44 [UNK]) (84 faster)) (1 (49 than) (56 25)))))) (8 (8 (66 -) (23 (35 [UNK]) (44 [UNK]))) (42 [UNK]))))))) (1 (39 ,) (24 (25 (13 (25 (41 i) (3 (59 [UNK]) (25 (41 this) (3 (89 is) (27 (52 a) (2 (44 [UNK]) (84 movie))))))) (75 that)) (3 (62 won) (3 (6 (28 (38 ') (67 t)) (57 stand)) (27 (81 the) (64 test))))) (1 (74 of) (56 time))))) (31 (1 (39 .) (25 (41 it) (3 (28 (38 ') (67 s)) (27 (81 a) (64 trifle))))) (77 .))))) (55 ")) |
697 | "my big fat greek wedding is that rare animal known as 'a perfect family film , ' because it's about family ." | Subjective | (20 (20 (55 ") (20 (24 (25 (22 (43 my) (2 (95 big) (2 (95 fat) (2 (32 greek) (84 wedding))))) (3 (89 is) (27 (52 that) (2 (95 rare) (2 (32 animal) (84 known)))))) (1 (49 as) (27 (38 ') (26 (13 (27 (52 a) (2 (2 (32 perfect) (84 family)) (69 film))) (48 ,)) (38 '))))) (31 (1 (1 (39 because) (25 (41 it) (3 (28 (38 ') (67 s)) (45 about)))) (78 family)) (77 .)))) (55 ")) |
698 | "vega and ulloa give strong performances as the leading lovers and there are some strong supporting turns , particularly from najwa nimri ." | Subjective | (20 (20 (55 ") (20 (24 (25 (13 (61 [UNK]) (8 (76 and) (35 [UNK]))) (3 (59 give) (27 (53 strong) (92 performances)))) (1 (49 as) (27 (52 the) (2 (32 leading) (84 lovers))))) (31 (1 (39 and) (25 (13 (80 there) (3 (89 are) (27 (52 some) (2 (32 strong) (42 [UNK]))))) (3 (59 turns) (1 (39 ,) (25 (58 particularly) (1 (49 from) (27 (61 [UNK]) (35 [UNK])))))))) (77 .)))) (55 ")) |
699 | "call it magic realism or surrealism , but miss wonton floats beyond reality with a certain degree of wit and dignity ." | Subjective | (20 (20 (55 ") (20 (24 (25 (13 (88 call) (80 it)) (3 (89 magic) (27 (35 [UNK]) (8 (70 or) (61 [UNK]))))) (1 (39 ,) (24 (25 (58 but) (1 (49 miss) (27 (61 [UNK]) (35 [UNK])))) (1 (49 beyond) (56 reality))))) (31 (1 (49 with) (27 (52 a) (2 (68 certain) (11 (65 degree) (12 (74 of) (27 (54 wit) (8 (76 and) (82 dignity)))))))) (77 .)))) (55 ")) |
7 | in comparison to his earlier films it seems a disappointingly thin slice of lower-class london life ; despite the title . . . amounts to surprisingly little . | Subjective | (20 (24 (25 (85 in) (27 (56 comparison) (1 (49 to) (27 (46 his) (51 earlier))))) (1 (39 films) (25 (41 it) (3 (89 seems) (27 (52 a) (2 (61 [UNK]) (2 (68 thin) (11 (65 slice) (12 (74 of) (27 (54 lower) (8 (66 -) (23 (50 class) (2 (32 london) (84 life)))))))))))))) (31 (1 (39 ;) (25 (13 (24 (25 (85 despite) (27 (81 the) (64 title))) (1 (77 .) (77 .))) (39 .)) (3 (28 (40 amounts) (73 to)) (27 (37 surprisingly) (71 little))))) (77 .))) |
70 | "while some will object to the idea of a vietnam picture with such a rah-rah , patriotic tone , soldiers ultimately achieves its main strategic objective : dramatizing the human cost of the conflict that came to define a generation ." | Subjective | (20 (20 (55 ") (20 (24 (25 (13 (88 while) (80 some)) (3 (28 (3 (89 will) (45 object)) (73 to)) (27 (81 the) (11 (65 idea) (12 (74 of) (27 (52 a) (2 (32 vietnam) (84 picture)))))))) (1 (49 with) (27 (33 such) (27 (29 (52 a) (61 [UNK])) (8 (8 (66 -) (61 [UNK])) (8 (39 ,) (2 (44 [UNK]) (84 tone)))))))) (31 (1 (39 ,) (24 (25 (41 soldiers) (3 (62 ultimately) (3 (89 achieves) (27 (27 (52 its) (2 (32 main) (42 [UNK]))) (44 [UNK]))))) (1 (39 :) (25 (13 (27 (44 [UNK]) (27 (22 (43 the) (2 (32 human) (84 cost))) (12 (74 of) (27 (81 the) (64 conflict))))) (48 that)) (3 (6 (28 (40 came) (73 to)) (57 [UNK])) (27 (81 a) (64 generation))))))) (77 .)))) (55 ")) |
700 | "apesar de nгo superar o original , o chamado й um suspense bem realizado que , а sua prуpria maneira , funciona de maneira exemplar ." | Subjective | (20 (20 (55 ") (20 (24 (25 (61 [UNK]) (8 (8 (70 de) (15 (82 nгo) (8 (42 [UNK]) (8 (70 o) (15 (82 original) (8 (8 (70 ,) (15 (82 o) (8 (42 [UNK]) (8 (42 [UNK]) (8 (8 (70 um) (15 (82 suspense) (8 (42 [UNK]) (8 (42 [UNK]) (8 (63 que) (8 (70 ,) (61 [UNK]))))))) (42 [UNK])))))) (42 [UNK]))))))) (42 [UNK]))) (1 (39 ,) (25 (61 [UNK]) (8 (8 (70 de) (61 [UNK])) (42 [UNK]))))) (77 .))) (55 ")) |
701 | "on its own , it's not very interesting . as a remake , it's a pale imitation ." | Subjective | (20 (20 (55 ") (20 (24 (25 (85 on) (27 (46 its) (51 own))) (1 (39 ,) (24 (25 (41 it) (3 (28 (28 (38 ') (67 s)) (86 not)) (27 (37 very) (71 interesting)))) (1 (39 .) (25 (85 as) (27 (81 a) (64 remake))))))) (31 (1 (39 ,) (25 (41 it) (3 (28 (38 ') (67 s)) (27 (52 a) (2 (32 pale) (84 imitation)))))) (77 .)))) (55 ")) |
702 | planet is as much sheer fun as its source material . | Subjective | (20 (24 (25 (92 planet) (79 is)) (1 (1 (49 as) (27 (37 much) (71 sheer))) (78 fun))) (31 (1 (49 as) (27 (52 its) (2 (32 source) (84 material)))) (77 .))) |
703 | blue crush is as predictable as the tides . . . . the movie feels stitched together from stock situations and characters from other movies . | Subjective | (20 (24 (25 (13 (90 blue) (92 crush)) (3 (89 is) (27 (37 as) (71 predictable)))) (1 (31 (1 (39 as) (25 (27 (81 the) (61 [UNK])) (31 (1 (77 .) (77 .)) (77 .)))) (77 .)) (24 (25 (13 (43 the) (69 movie)) (3 (3 (89 feels) (45 [UNK])) (47 together))) (1 (49 from) (27 (54 stock) (8 (63 situations) (8 (76 and) (82 characters)))))))) (31 (1 (49 from) (27 (53 other) (92 movies))) (77 .))) |
704 | "anything but a feel-good movie in its particulars , read my lips nonetheless communicates a liberating message as refreshing as it is peculiar ." | Subjective | (20 (20 (55 ") (20 (24 (25 (88 anything) (24 (25 (85 but) (27 (52 a) (2 (95 feel) (10 (66 -) (2 (32 good) (84 movie)))))) (1 (49 in) (27 (46 its) (42 [UNK]))))) (1 (39 ,) (25 (88 read) (24 (25 (13 (27 (46 my) (51 lips)) (48 nonetheless)) (3 (42 [UNK]) (27 (52 a) (2 (44 [UNK]) (84 message))))) (1 (49 as) (56 refreshing)))))) (31 (1 (39 as) (25 (41 it) (3 (89 is) (45 peculiar)))) (77 .)))) (55 ")) |
705 | schьtte's dramatic snapshot of the artist three days before his death offers an interesting bit of speculation as to the issues brecht faced as his life drew to a close . | Subjective | (20 (24 (25 (44 [UNK]) (3 (3 (28 (38 ') (67 s)) (27 (71 dramatic) (0 (44 [UNK]) (12 (74 of) (27 (81 the) (64 artist)))))) (27 (53 three) (92 days)))) (1 (49 before) (27 (46 his) (51 death)))) (31 (1 (49 offers) (27 (52 an) (2 (68 interesting) (11 (65 bit) (12 (74 of) (27 (44 [UNK]) (1 (39 as) (25 (13 (73 to) (13 (43 the) (69 issues))) (3 (28 (3 (44 [UNK]) (18 (60 faced) (12 (74 as) (27 (27 (46 his) (51 life)) (44 [UNK]))))) (73 to)) (27 (81 a) (64 close))))))))))) (77 .))) |
706 | "there's . . . tremendous energy from the cast , a sense of playfulness and excitement that seems appropriate ." | Subjective | (20 (20 (55 ") (20 (24 (25 (41 there) (3 (28 (38 ') (67 s)) (27 (31 (1 (77 .) (77 .)) (77 .)) (27 (44 [UNK]) (92 energy))))) (1 (49 from) (27 (81 the) (64 cast)))) (31 (1 (39 ,) (25 (13 (27 (81 a) (11 (65 sense) (12 (74 of) (27 (35 [UNK]) (8 (76 and) (82 excitement)))))) (48 that)) (3 (89 seems) (45 [UNK])))) (77 .)))) (55 ")) |
707 | "though everything might be literate and smart , it never took off and always seemed static ." | Subjective | (20 (20 (55 ") (20 (24 (25 (13 (88 though) (80 everything)) (3 (28 (89 might) (86 be)) (27 (54 literate) (8 (76 and) (82 smart))))) (1 (39 ,) (25 (41 it) (3 (62 never) (3 (59 took) (47 off)))))) (31 (1 (1 (39 and) (25 (86 always) (94 seemed))) (78 static)) (77 .)))) (55 ")) |
708 | "enough trivializes an important crisis , reduces it to an almost comic embarrassment ." | Subjective | (20 (20 (55 ") (20 (24 (25 (41 enough) (3 (42 [UNK]) (27 (52 an) (2 (32 important) (84 crisis))))) (1 (39 ,) (25 (42 [UNK]) (47 it)))) (31 (1 (49 to) (27 (52 an) (2 (95 almost) (2 (32 comic) (42 [UNK]))))) (77 .)))) (55 ")) |
709 | "ms . rampling , still beautiful well into her 50s , has an earth-bound weariness and lively spirit that convey a life fully and tragically lived ." | Subjective | (20 (20 (55 ") (20 (24 (25 (27 (72 ms) (77 .)) (79 [UNK])) (1 (39 ,) (25 (13 (24 (25 (58 still) (1 (94 beautiful) (94 well))) (1 (49 into) (27 (46 her) (51 50s)))) (39 ,)) (3 (3 (89 has) (27 (52 an) (2 (68 earth) (8 (8 (66 -) (23 (35 [UNK]) (44 [UNK]))) (8 (76 and) (2 (68 lively) (8 (63 spirit) (8 (75 that) (3 (42 [UNK]) (27 (81 a) (64 life))))))))))) (47 fully))))) (31 (1 (8 (76 and) (82 tragically)) (78 lived)) (77 .)))) (55 ")) |
71 | i can't remember the last time i saw a movie where i wanted so badly for the protagonist to fail . | Subjective | (20 (24 (25 (13 (25 (41 i) (3 (62 can) (3 (6 (28 (38 ') (67 t)) (57 remember)) (27 (52 the) (2 (32 last) (84 time)))))) (41 i)) (3 (89 saw) (27 (81 a) (64 movie)))) (1 (39 where) (24 (25 (41 i) (3 (89 wanted) (27 (37 so) (71 badly)))) (1 (49 for) (27 (81 the) (64 protagonist)))))) (31 (1 (73 to) (42 [UNK])) (77 .))) |
710 | "a gem of a romantic crime comedy that turns out to be clever , amusing and unpredictable ." | Subjective | (20 (20 (55 ") (20 (24 (25 (27 (81 a) (11 (65 gem) (12 (74 of) (27 (52 a) (2 (32 romantic) (84 crime)))))) (79 comedy)) (1 (48 that) (3 (6 (28 (3 (59 turns) (47 out)) (73 to)) (57 be)) (27 (54 clever) (8 (70 ,) (15 (82 amusing) (8 (76 and) (82 unpredictable)))))))) (77 .))) (55 ")) |
711 | "how many more times will indie filmmakers subject us to boring , self-important stories of how horrible we are to ourselves and each other ?" | Subjective | (20 (20 (55 ") (20 (24 (25 (13 (27 (37 how) (71 many)) (27 (37 more) (71 times))) (3 (28 (3 (3 (89 will) (27 (52 indie) (2 (32 filmmakers) (84 subject)))) (47 us)) (73 to)) (45 boring))) (1 (39 ,) (24 (25 (13 (25 (27 (54 self) (8 (66 -) (23 (50 important) (84 stories)))) (12 (74 of) (27 (37 how) (71 horrible)))) (41 we)) (3 (28 (40 are) (73 to)) (45 [UNK]))) (1 (49 and) (27 (46 each) (51 other)))))) (36 ?))) (55 ")) |
712 | "if the man from elysian fields is doomed by its smallness , it is also elevated by it--the kind of movie that you enjoy more because you're one of the lucky few who sought it out ." | Subjective | (20 (20 (55 ") (20 (24 (25 (13 (88 if) (22 (43 the) (2 (64 man) (1 (49 from) (27 (44 [UNK]) (92 fields)))))) (3 (89 is) (45 doomed))) (1 (49 by) (27 (46 its) (42 [UNK])))) (31 (1 (39 ,) (24 (25 (41 it) (3 (28 (89 is) (86 also)) (45 [UNK]))) (1 (49 by) (27 (54 it) (8 (66 -) (23 (66 -) (24 (25 (13 (27 (81 the) (11 (65 kind) (12 (74 of) (27 (69 movie) (48 that))))) (48 you)) (3 (89 enjoy) (45 more))) (1 (39 because) (25 (13 (25 (41 you) (3 (28 (38 ') (67 re)) (27 (93 one) (12 (74 of) (27 (52 the) (2 (32 lucky) (84 few))))))) (75 who)) (3 (3 (59 sought) (47 it)) (47 out))))))))))) (77 .)))) (55 ")) |
713 | . . . nothing scary here except for some awful acting and lame special effects . | Subjective | (20 (24 (25 (31 (1 (77 .) (77 .)) (77 .)) (27 (37 nothing) (71 scary))) (1 (94 here) (94 except))) (31 (1 (49 for) (27 (27 (52 some) (2 (32 awful) (84 acting))) (8 (76 and) (2 (95 lame) (2 (32 special) (84 effects)))))) (77 .))) |
714 | it's a glorious spectacle like those d . w . griffith made in the early days of silent film . | Subjective | (20 (24 (25 (41 it) (3 (28 (38 ') (67 s)) (27 (52 a) (2 (44 [UNK]) (84 spectacle))))) (1 (49 like) (27 (54 those) (8 (8 (72 d) (77 .)) (42 [UNK]))))) (31 (1 (39 .) (25 (44 [UNK]) (3 (59 made) (1 (49 in) (27 (22 (43 the) (2 (32 early) (84 days))) (12 (74 of) (27 (32 silent) (69 film)))))))) (77 .))) |
715 | "a tense , capably-made film that's exciting and realistic enough to satisfy filmgoers who've had their fill of hollywood's usual ultra-unrealistic blockbuster fare ." | Subjective | (20 (20 (55 ") (20 (24 (25 (13 (24 (25 (13 (27 (52 a) (2 (68 tense) (8 (8 (70 ,) (61 [UNK])) (8 (66 -) (23 (50 made) (84 film)))))) (48 that)) (3 (28 (38 ') (67 s)) (27 (54 exciting) (8 (76 and) (82 realistic))))) (1 (6 (28 (40 enough) (73 to)) (57 satisfy)) (42 [UNK]))) (75 who)) (3 (7 (6 (28 (38 ') (67 ve)) (57 had)) (46 their)) (42 [UNK]))) (1 (74 of) (56 hollywood))) (31 (1 (8 (28 (38 ') (67 s)) (2 (95 usual) (2 (95 ultra) (10 (66 -) (2 (61 [UNK]) (35 [UNK])))))) (78 fare)) (77 .)))) (55 ")) |
716 | holm . . . embodies the character with an effortlessly regal charisma . | Subjective | (20 (24 (25 (13 (42 [UNK]) (31 (1 (77 .) (77 .)) (77 .))) (3 (42 [UNK]) (27 (81 the) (64 character)))) (1 (1 (49 with) (27 (52 an) (2 (32 effortlessly) (42 [UNK])))) (78 charisma))) (77 .)) |
717 | "while most films these days are about nothing , this film seems to be about everything that's plaguing the human spirit in a relentlessly globalizing world ." | Subjective | (20 (20 (55 ") (20 (24 (25 (88 while) (25 (27 (91 most) (12 (74 films) (27 (53 these) (92 days)))) (79 are))) (1 (39 about) (25 (58 nothing) (1 (39 ,) (25 (13 (25 (13 (43 this) (69 film)) (3 (3 (6 (28 (40 seems) (73 to)) (57 be)) (83 about)) (47 everything))) (75 that)) (3 (6 (28 (38 ') (67 s)) (57 [UNK])) (27 (52 the) (2 (32 human) (84 spirit))))))))) (31 (1 (49 in) (27 (52 a) (2 (61 [UNK]) (2 (44 [UNK]) (84 world))))) (77 .)))) (55 ")) |
718 | "by applying definition to both sides of the man , the picture realizes a fullness that does not negate the subject ." | Subjective | (20 (20 (55 ") (20 (24 (25 (85 by) (27 (61 [UNK]) (35 [UNK]))) (1 (49 to) (27 (33 both) (27 (91 sides) (12 (74 of) (27 (81 the) (64 man))))))) (31 (1 (39 ,) (25 (13 (43 the) (69 picture)) (3 (59 realizes) (27 (29 (52 a) (61 [UNK])) (8 (75 that) (3 (6 (28 (89 does) (86 not)) (57 [UNK])) (27 (81 the) (64 subject)))))))) (77 .)))) (55 ")) |
719 | an odd drama set in the world of lingerie models and bar dancers in the midwest that held my interest precisely because it didn't try to . | Subjective | (20 (24 (25 (27 (52 an) (2 (32 odd) (84 drama))) (79 set)) (1 (49 in) (27 (81 the) (11 (65 world) (12 (74 of) (27 (35 [UNK]) (8 (8 (42 [UNK]) (8 (76 and) (82 bar))) (42 [UNK])))))))) (31 (1 (49 in) (27 (52 the) (2 (2 (61 [UNK]) (8 (8 (75 that) (3 (89 held) (27 (46 my) (51 interest)))) (42 [UNK]))) (1 (39 because) (25 (41 it) (3 (62 didn) (28 (3 (28 (38 ') (67 t)) (45 try)) (73 to)))))))) (77 .))) |
72 | the script feels as if it started to explore the obvious voyeuristic potential of 'hypertime' but then backed off when the producers saw the grosses for spy kids . | Subjective | (20 (24 (25 (13 (43 the) (69 script)) (3 (6 (28 (3 (59 feels) (1 (39 as) (25 (88 if) (25 (80 it) (59 started))))) (73 to)) (57 explore)) (27 (52 the) (2 (32 obvious) (42 [UNK]))))) (1 (18 (60 potential) (12 (74 of) (27 (38 ') (26 (44 [UNK]) (38 '))))) (24 (25 (13 (88 but) (80 then)) (3 (59 [UNK]) (47 off))) (1 (39 when) (25 (27 (81 the) (64 producers)) (3 (89 saw) (27 (81 the) (61 [UNK])))))))) (31 (1 (49 for) (27 (53 spy) (92 kids))) (77 .))) |
720 | "this cheery , down-to-earth film is warm with the cozy feeling of relaxing around old friends ." | Subjective | (20 (20 (55 ") (20 (24 (25 (22 (43 this) (2 (61 [UNK]) (8 (70 ,) (15 (82 down) (8 (66 -) (23 (73 to) (10 (66 -) (2 (32 earth) (84 film))))))))) (3 (89 is) (45 warm))) (1 (49 with) (27 (22 (43 the) (2 (44 [UNK]) (84 feeling))) (12 (74 of) (27 (44 [UNK]) (1 (49 around) (27 (53 old) (92 friends)))))))) (77 .))) (55 ")) |
721 | "while peterson and her ageless alter ego keep an ironic detachment from the melodramatics , there's no irony in the end-title dedication to price -- it obviously comes straight from the heart ." | Subjective | (20 (20 (55 ") (20 (24 (25 (13 (88 while) (35 [UNK])) (3 (6 (28 (76 and) (27 (27 (52 her) (2 (61 [UNK]) (35 [UNK]))) (78 ego))) (57 keep)) (27 (52 an) (2 (32 ironic) (42 [UNK]))))) (1 (49 from) (27 (81 the) (61 [UNK])))) (31 (1 (39 ,) (25 (41 there) (3 (28 (3 (28 (38 ') (67 s)) (27 (27 (81 no) (11 (65 irony) (12 (74 in) (27 (81 the) (64 end))))) (8 (66 -) (23 (50 title) (44 [UNK]))))) (73 to)) (27 (54 price) (8 (66 -) (23 (66 -) (24 (25 (41 it) (3 (62 obviously) (3 (59 comes) (47 straight)))) (1 (49 from) (27 (81 the) (64 heart)))))))))) (77 .)))) (55 ")) |
722 | "all right , so it's not a brilliant piece of filmmaking , but it is a funny ( sometimes hilarious ) comedy with a deft sense of humor about itself , a playful spirit and a game cast ." | Subjective | (20 (20 (55 ") (20 (24 (25 (88 all) (24 (25 (58 right) (1 (39 ,) (24 (25 (13 (88 so) (80 it)) (3 (28 (28 (38 ') (67 s)) (86 not)) (27 (52 a) (2 (68 brilliant) (11 (65 piece) (12 (74 of) (27 (56 filmmaking) (1 (1 (39 ,) (25 (13 (88 but) (80 it)) (3 (89 is) (27 (52 a) (2 (68 funny) (8 (5 (8 (70 () (82 sometimes)) (92 hilarious)) (34 )))))))) (78 comedy))))))))) (1 (49 with) (27 (52 a) (2 (32 deft) (84 sense))))))) (1 (74 of) (56 humor)))) (1 (49 about) (56 itself))) (31 (1 (39 ,) (25 (27 (52 a) (2 (32 playful) (84 spirit))) (12 (74 and) (27 (52 a) (2 (32 game) (84 cast)))))) (77 .)))) (55 ")) |
723 | a by-the-numbers patient/doctor pic that covers all the usual ground | Subjective | (20 (27 (52 a) (2 (49 by) (10 (66 -) (2 (81 the) (10 (66 -) (2 (32 numbers) (84 patient))))))) (31 (10 (66 /) (2 (32 doctor) (84 pic))) (8 (75 that) (3 (89 covers) (27 (33 all) (27 (52 the) (2 (32 usual) (84 ground)))))))) |
724 | "i like all four of the lead actors a lot and they manage to squeeze a few laughs out of the material , but they're treading water at best in this forgettable effort ." | Subjective | (20 (20 (55 ") (20 (24 (25 (41 i) (3 (3 (89 like) (27 (33 all) (27 (93 four) (12 (74 of) (27 (52 the) (2 (32 lead) (84 actors))))))) (27 (81 a) (64 lot)))) (1 (39 and) (24 (25 (41 they) (3 (6 (28 (40 manage) (73 to)) (57 squeeze)) (27 (52 a) (2 (32 few) (84 laughs))))) (1 (18 (60 out) (12 (74 of) (27 (81 the) (64 material)))) (1 (39 ,) (24 (25 (13 (88 but) (80 they)) (3 (6 (28 (38 ') (67 re)) (57 [UNK])) (83 water))) (1 (49 at) (56 best)))))))) (31 (1 (49 in) (27 (52 this) (2 (32 forgettable) (84 effort)))) (77 .)))) (55 ")) |
725 | "the attempt is courageous , even if the result is wildly uneven ." | Subjective | (20 (20 (55 ") (20 (24 (25 (13 (43 the) (69 attempt)) (3 (89 is) (45 [UNK]))) (1 (39 ,) (25 (88 even) (25 (88 if) (25 (13 (43 the) (69 result)) (3 (89 is) (27 (37 wildly) (71 uneven)))))))) (77 .))) (55 ")) |
726 | "the sequel is everything the original was not : contrived , overblown and tie-in ready ." | Subjective | (20 (20 (55 ") (20 (24 (25 (13 (43 the) (69 sequel)) (3 (89 is) (45 everything))) (1 (13 (43 the) (69 original)) (3 (6 (28 (28 (89 was) (86 not)) (4 (8 (8 (70 :) (15 (82 contrived) (8 (70 ,) (61 [UNK])))) (8 (76 and) (35 [UNK]))) (66 -))) (57 in)) (83 ready)))) (77 .))) (55 ")) |
727 | a cathartic work that honestly tries to make sense of the unimaginable . | Subjective | (20 (24 (25 (13 (27 (52 a) (2 (44 [UNK]) (84 work))) (48 that)) (3 (62 honestly) (6 (28 (40 tries) (73 to)) (57 make)))) (1 (60 sense) (12 (74 of) (27 (81 the) (61 [UNK]))))) (77 .)) |
728 | "anchored by a terrific performance by abbass , satin rouge shows that the idea of women's self-actualization knows few continental divides ." | Subjective | (20 (20 (55 ") (20 (24 (25 (58 [UNK]) (1 (49 by) (27 (52 a) (2 (32 terrific) (84 performance))))) (1 (49 by) (61 [UNK]))) (31 (1 (39 ,) (25 (13 (61 [UNK]) (42 [UNK])) (3 (59 shows) (1 (39 that) (25 (13 (43 the) (11 (65 idea) (12 (74 of) (27 (56 women) (3 (28 (38 ') (67 s)) (27 (54 self) (8 (66 -) (61 [UNK])))))))) (3 (59 knows) (27 (27 (90 few) (61 [UNK])) (44 [UNK])))))))) (77 .)))) (55 ")) |