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729 | there's no denying that burns is a filmmaker with a bright future ahead of him . | Subjective | (20 (24 (25 (13 (25 (41 there) (3 (28 (38 ') (67 s)) (27 (81 no) (61 [UNK])))) (75 that)) (3 (62 burns) (3 (89 is) (27 (81 a) (64 filmmaker))))) (1 (1 (49 with) (27 (52 a) (2 (32 bright) (84 future)))) (78 ahead))) (31 (1 (74 of) (56 him)) (77 .))) |
73 | "the journey to the secret's eventual discovery is a separate adventure , and thrill enough ." | Subjective | (20 (20 (55 ") (20 (24 (25 (13 (43 the) (11 (65 journey) (12 (74 to) (27 (81 the) (64 secret))))) (3 (6 (28 (38 ') (67 s)) (57 [UNK])) (83 discovery))) (1 (49 is) (27 (52 a) (2 (32 separate) (84 adventure))))) (31 (1 (39 ,) (25 (85 and) (27 (44 [UNK]) (92 enough)))) (77 .)))) (55 ")) |
730 | "enigma is well-made , but it's just too dry and too placid ." | Subjective | (20 (20 (55 ") (20 (24 (25 (41 enigma) (3 (89 is) (27 (54 well) (8 (66 -) (50 made))))) (1 (39 ,) (25 (13 (88 but) (80 it)) (3 (6 (28 (38 ') (67 s)) (57 just)) (27 (37 too) (71 dry)))))) (31 (1 (49 and) (27 (37 too) (61 [UNK]))) (77 .)))) (55 ")) |
731 | the kind of film that grows on you upon reflection | Subjective | (20 (24 (25 (27 (81 the) (11 (65 kind) (12 (74 of) (27 (69 film) (48 that))))) (79 grows)) (1 (49 on) (56 you))) (31 (49 upon) (87 reflection))) |
732 | "[hayek] doesn't just act frida , she inhabits her ." | Subjective | (20 (20 (55 ") (20 (24 (25 (13 (90 [) (92 hayek)) (3 (62 ]) (3 (62 doesn) (3 (6 (28 (28 (38 ') (67 t)) (86 just)) (57 act)) (83 frida))))) (1 (39 ,) (25 (41 she) (3 (59 [UNK]) (47 her))))) (77 .))) (55 ")) |
733 | "downright transparent is the script's endless assault of embarrassingly ham-fisted sex jokes that reek of a script rewrite designed to garner the film a "" cooler "" pg-13 rating ." | Subjective | (20 (20 (55 ") (20 (24 (25 (13 (61 [UNK]) (42 [UNK])) (3 (59 is) (25 (13 (43 the) (69 script)) (3 (28 (38 ') (67 s)) (45 endless))))) (1 (11 (65 assault) (12 (74 of) (27 (35 [UNK]) (8 (42 [UNK]) (8 (66 -) (23 (61 [UNK]) (63 sex))))))) (69 jokes))) (31 (1 (39 that) (25 (13 (0 (44 [UNK]) (12 (74 of) (27 (81 a) (64 script)))) (44 [UNK])) (3 (3 (6 (28 (40 designed) (73 to)) (57 [UNK])) (27 (81 the) (64 film))) (27 (27 (52 a) (2 (55 ") (55 "))) (8 (8 (8 (44 [UNK]) (1 (55 ") (55 "))) (42 [UNK])) (8 (66 -) (23 (50 13) (44 [UNK])))))))) (77 .)))) (55 ")) |
734 | lawrence should stick to his day job . he's a better actor than a standup comedian . | Subjective | (20 (24 (25 (41 lawrence) (3 (28 (3 (89 should) (45 [UNK])) (73 to)) (27 (52 his) (2 (32 day) (84 job))))) (1 (39 .) (25 (41 he) (3 (28 (38 ') (67 s)) (27 (52 a) (2 (32 better) (84 actor))))))) (31 (1 (49 than) (27 (52 a) (2 (61 [UNK]) (35 [UNK])))) (77 .))) |
735 | "not only better than its predecessor , it may rate as the most magical and most fun family fare of this or any recent holiday season ." | Subjective | (20 (20 (55 ") (20 (24 (25 (88 not) (24 (25 (86 only) (94 better)) (1 (49 than) (27 (46 its) (51 predecessor))))) (1 (39 ,) (24 (25 (41 it) (3 (3 (89 may) (45 rate)) (1 (1 (49 as) (27 (52 the) (2 (95 most) (2 (68 magical) (8 (76 and) (2 (95 most) (2 (32 fun) (84 family)))))))) (78 fare)))) (1 (74 of) (56 this))))) (31 (1 (49 or) (27 (52 any) (2 (95 recent) (2 (32 holiday) (84 season))))) (77 .)))) (55 ")) |
736 | "the movie straddles the fence between escapism and social commentary , and on both sides it falls short ." | Subjective | (20 (20 (55 ") (20 (24 (25 (13 (43 the) (69 movie)) (3 (42 [UNK]) (27 (81 the) (64 fence)))) (1 (49 between) (27 (35 [UNK]) (8 (76 and) (2 (32 social) (42 [UNK])))))) (31 (1 (39 ,) (25 (13 (76 and) (13 (1 (49 on) (27 (46 both) (51 sides))) (41 it))) (3 (59 falls) (47 short)))) (77 .)))) (55 ")) |
737 | this gently retro story of a young morman missionary in the pacific islands of tonga loses some wholesomeness points due to some smug insularity . | Subjective | (20 (24 (25 (29 (52 this) (61 [UNK])) (2 (68 retro) (11 (65 story) (12 (74 of) (27 (52 a) (2 (95 young) (2 (61 [UNK]) (35 [UNK])))))))) (1 (49 in) (27 (81 the) (16 (61 [UNK]) (0 (44 [UNK]) (12 (74 of) (27 (61 [UNK]) (3 (3 (89 loses) (27 (52 some) (2 (44 [UNK]) (84 points)))) (47 due))))))))) (31 (1 (49 to) (27 (52 some) (2 (61 [UNK]) (35 [UNK])))) (77 .))) |
738 | "this is a fragmented film , once a good idea that was followed by the bad idea to turn it into a movie ." | Subjective | (20 (20 (55 ") (20 (24 (25 (41 this) (3 (89 is) (27 (52 a) (2 (44 [UNK]) (84 film))))) (1 (39 ,) (25 (88 once) (25 (13 (27 (52 a) (2 (32 good) (84 idea))) (48 that)) (3 (6 (28 (3 (89 was) (18 (60 followed) (12 (74 by) (27 (52 the) (2 (32 bad) (84 idea)))))) (73 to)) (57 turn)) (83 it)))))) (31 (1 (49 into) (27 (81 a) (64 movie))) (77 .)))) (55 ")) |
739 | "smart , sassy interpretation of the oscar wilde play ." | Subjective | (20 (20 (55 ") (20 (27 (54 smart) (8 (70 ,) (82 sassy))) (31 (1 (0 (44 [UNK]) (12 (74 of) (27 (52 the) (2 (32 oscar) (84 wilde))))) (78 play)) (77 .)))) (55 ")) |
74 | "the script covers huge , heavy topics in a bland , surfacey way that doesn't offer any insight into why , for instance , good things happen to bad people ." | Subjective | (20 (20 (55 ") (20 (24 (25 (13 (43 the) (69 script)) (3 (89 covers) (45 huge))) (1 (39 ,) (24 (25 (13 (27 (54 heavy) (8 (44 [UNK]) (1 (1 (49 in) (27 (52 a) (2 (68 bland) (8 (70 ,) (61 [UNK]))))) (78 way)))) (48 that)) (3 (62 doesn) (3 (6 (28 (38 ') (67 t)) (57 offer)) (27 (81 any) (64 insight))))) (1 (49 into) (56 why))))) (31 (1 (39 ,) (25 (85 for) (27 (44 [UNK]) (1 (39 ,) (25 (13 (90 good) (92 things)) (3 (28 (40 happen) (73 to)) (27 (53 bad) (92 people)))))))) (77 .)))) (55 ")) |
740 | "a positively thrilling combination of ethnography and all the intrigue , betrayal , deceit and murder of a shakespearean tragedy or a juicy soap opera ." | Subjective | (20 (20 (55 ") (20 (24 (25 (29 (52 a) (61 [UNK])) (2 (68 thrilling) (11 (65 combination) (12 (74 of) (27 (44 [UNK]) (1 (49 and) (27 (33 all) (27 (81 the) (64 intrigue))))))))) (1 (39 ,) (25 (27 (54 betrayal) (8 (70 ,) (15 (82 deceit) (8 (76 and) (82 murder))))) (12 (74 of) (27 (52 a) (2 (44 [UNK]) (84 tragedy))))))) (31 (1 (49 or) (27 (52 a) (2 (61 [UNK]) (2 (32 soap) (84 opera))))) (77 .)))) (55 ")) |
741 | most folks with a real stake in the american sexual landscape will find it either moderately amusing or just plain irrelevant . | Subjective | (20 (24 (25 (13 (27 (52 most) (2 (64 folks) (1 (49 with) (27 (52 a) (2 (68 real) (0 (44 [UNK]) (12 (74 in) (27 (52 the) (2 (95 american) (2 (32 sexual) (84 landscape))))))))))) (48 will)) (3 (59 find) (47 it))) (1 (49 either) (27 (44 [UNK]) (92 amusing)))) (31 (1 (6 (28 (89 or) (86 just)) (57 plain)) (42 [UNK])) (77 .))) |
742 | an original little film about one young woman's education . | Subjective | (20 (27 (52 an) (2 (95 original) (2 (32 little) (84 film)))) (31 (1 (39 about) (25 (22 (43 one) (2 (32 young) (84 woman))) (3 (28 (38 ') (67 s)) (45 education)))) (77 .))) |
743 | "though jones and snipes are enthralling , the movie bogs down in rhetoric and clichй ." | Subjective | (20 (20 (55 ") (20 (24 (25 (13 (88 though) (15 (82 jones) (8 (76 and) (82 snipes)))) (3 (89 are) (45 [UNK]))) (1 (39 ,) (25 (13 (43 the) (69 movie)) (3 (59 bogs) (47 down))))) (31 (1 (49 in) (27 (54 rhetoric) (8 (76 and) (82 clichи)))) (77 .)))) (55 ")) |
744 | "lindberg demonstrates a remarkable sense of place , a keen understanding that emotions are boiled into a concentrate , not diluted , in the rural setting ." | Subjective | (20 (20 (55 ") (20 (24 (25 (58 [UNK]) (1 (49 demonstrates) (27 (52 a) (2 (68 remarkable) (11 (65 sense) (12 (74 of) (27 (54 place) (8 (39 ,) (27 (52 a) (2 (44 [UNK]) (84 understanding))))))))))) (1 (39 that) (24 (25 (41 emotions) (3 (89 are) (45 [UNK]))) (1 (49 into) (27 (81 a) (61 [UNK])))))) (31 (1 (39 ,) (25 (85 not) (27 (44 [UNK]) (1 (39 ,) (25 (85 in) (27 (52 the) (2 (32 rural) (84 setting)))))))) (77 .)))) (55 ")) |
745 | "imperfect ? yes , but also intriguing and honorable , a worthwhile addition to a distinguished film legacy ." | Subjective | (20 (20 (55 ") (20 (24 (25 (58 [UNK]) (1 (39 ?) (25 (58 yes) (1 (39 ,) (25 (88 but) (25 (85 also) (27 (54 intriguing) (8 (76 and) (35 [UNK]))))))))) (1 (39 ,) (25 (27 (52 a) (2 (68 worthwhile) (11 (65 addition) (12 (74 to) (27 (52 a) (2 (32 distinguished) (84 film))))))) (79 legacy)))) (77 .))) (55 ")) |
746 | "has not so much been written as assembled , frankenstein-like , out of other , marginally better shoot-em-ups ." | Subjective | (20 (20 (55 ") (20 (3 (28 (89 has) (86 not)) (27 (37 so) (71 much))) (20 (24 (25 (86 been) (94 written)) (1 (49 as) (27 (35 [UNK]) (8 (8 (70 ,) (61 [UNK])) (8 (66 -) (50 like)))))) (31 (1 (39 ,) (25 (18 (60 out) (12 (74 of) (27 (54 other) (8 (70 ,) (61 [UNK]))))) (2 (95 better) (2 (68 shoot) (8 (66 -) (23 (50 em) (8 (66 -) (50 ups)))))))) (77 .))))) (55 ")) |
747 | "the word that comes to mind , while watching eric rohmer's tribute to a courageous scottish lady , is painterly ." | Subjective | (20 (20 (55 ") (20 (24 (25 (13 (27 (81 the) (64 word)) (48 that)) (3 (28 (40 comes) (73 to)) (45 mind))) (1 (1 (39 ,) (25 (88 while) (25 (88 watching) (25 (13 (90 eric) (15 (82 rohmer) (8 (38 ') (67 s)))) (3 (28 (40 tribute) (73 to)) (27 (52 a) (2 (61 [UNK]) (35 [UNK])))))))) (78 lady))) (31 (1 (48 ,) (3 (89 is) (45 [UNK]))) (77 .)))) (55 ")) |
748 | the film actually gets to tackle some larger questions than one normally finds in the average fireball drama . | Subjective | (20 (24 (25 (13 (43 the) (69 film)) (3 (6 (28 (3 (62 actually) (59 gets)) (73 to)) (57 [UNK])) (27 (52 some) (2 (32 larger) (84 questions))))) (1 (39 than) (25 (41 one) (3 (62 normally) (59 finds))))) (31 (1 (49 in) (27 (52 the) (2 (95 average) (2 (44 [UNK]) (84 drama))))) (77 .))) |
749 | the film starts out as competent but unremarkable . . . and gradually grows into something of considerable power . | Subjective | (20 (24 (25 (13 (43 the) (69 film)) (3 (59 starts) (47 out))) (1 (49 as) (27 (54 competent) (8 (70 but) (61 [UNK]))))) (31 (1 (31 (1 (77 .) (77 .)) (77 .)) (24 (25 (41 and) (3 (62 gradually) (59 grows))) (1 (49 into) (27 (91 something) (12 (74 of) (27 (53 considerable) (92 power))))))) (77 .))) |
75 | "mcgrath has deftly trimmed dickens' wonderfully sprawling soap opera , the better to focus on the hero's odyssey from cowering poverty to courage and happiness ." | Subjective | (20 (20 (55 ") (20 (24 (25 (41 mcgrath) (3 (6 (28 (89 has) (86 deftly)) (57 [UNK])) (27 (26 (87 dickens) (38 ')) (2 (95 wonderfully) (2 (61 [UNK]) (2 (32 soap) (84 opera))))))) (1 (39 ,) (25 (22 (43 the) (2 (68 better) (8 (73 to) (19 (87 focus) (12 (74 on) (27 (81 the) (64 hero))))))) (3 (28 (38 ') (67 s)) (45 [UNK]))))) (31 (1 (49 from) (27 (35 [UNK]) (8 (28 (3 (28 (40 poverty) (73 to)) (45 courage)) (76 and)) (51 happiness)))) (77 .)))) (55 ")) |
750 | "in adobo , ethnicity is not just the spice , but at the heart of more universal concerns ." | Subjective | (20 (20 (55 ") (20 (24 (25 (85 in) (27 (44 [UNK]) (1 (39 ,) (25 (44 [UNK]) (3 (6 (28 (89 is) (86 not)) (57 just)) (27 (81 the) (64 spice))))))) (1 (1 (39 ,) (25 (88 but) (25 (85 at) (27 (81 the) (11 (65 heart) (12 (74 of) (27 (37 more) (71 universal)))))))) (78 concerns))) (77 .))) (55 ")) |
751 | real women have curves doesn't offer any easy answers . | Subjective | (20 (24 (25 (13 (90 real) (92 women)) (3 (89 have) (45 curves))) (1 (28 (62 doesn) (28 (38 ') (67 t))) (87 offer))) (31 (1 (49 any) (27 (53 easy) (92 answers))) (77 .))) |
752 | "the asylum material is gripping , as are the scenes of jia with his family ." | Subjective | (20 (20 (55 ") (20 (24 (25 (22 (43 the) (2 (44 [UNK]) (84 material))) (3 (89 is) (45 gripping))) (1 (39 ,) (25 (41 as) (3 (89 are) (27 (81 the) (11 (65 scenes) (12 (74 of) (27 (44 [UNK]) (1 (49 with) (27 (46 his) (51 family))))))))))) (77 .))) (55 ")) |
753 | the way coppola professes his love for movies -- both colorful pop junk and the classics that unequivocally qualify as art -- is giddily entertaining . | Subjective | (20 (24 (25 (13 (27 (81 the) (64 way)) (48 coppola)) (3 (42 [UNK]) (27 (46 his) (51 love)))) (1 (49 for) (27 (54 movies) (8 (66 -) (23 (66 -) (24 (25 (85 both) (27 (54 colorful) (8 (90 pop) (61 [UNK])))) (1 (49 and) (27 (81 the) (64 classics))))))))) (31 (1 (1 (39 that) (25 (13 (30 (58 [UNK]) (4 (8 (44 [UNK]) (1 (49 as) (56 art))) (66 -))) (66 -)) (3 (89 is) (45 [UNK])))) (78 entertaining)) (77 .))) |
754 | "meyjes's movie , like max rothman's future , does not work ." | Subjective | (20 (20 (55 ") (20 (24 (25 (61 [UNK]) (8 (28 (38 ') (67 s)) (69 movie))) (1 (39 ,) (25 (13 (24 (25 (13 (88 like) (80 max)) (35 [UNK])) (1 (28 (38 ') (67 s)) (87 future))) (39 ,)) (3 (28 (89 does) (86 not)) (45 work))))) (77 .))) (55 ")) |
755 | "looking at the posters for blue crush , which show bosworth , rodriguez and lake posing with bikinis and surfboards , i expected another mindless surfing movie . blue crush is anything but ." | Subjective | (20 (20 (55 ") (20 (24 (25 (58 looking) (1 (49 at) (27 (43 the) (0 (44 [UNK]) (12 (74 for) (27 (53 blue) (92 crush))))))) (1 (39 ,) (24 (25 (41 which) (3 (28 (3 (59 show) (27 (35 [UNK]) (8 (70 ,) (61 [UNK])))) (76 and)) (27 (90 lake) (61 [UNK])))) (1 (49 with) (27 (35 [UNK]) (8 (76 and) (35 [UNK]))))))) (31 (1 (39 ,) (24 (25 (41 i) (3 (59 expected) (27 (52 another) (2 (95 mindless) (2 (32 surfing) (84 movie)))))) (1 (39 .) (25 (13 (90 blue) (92 crush)) (3 (89 is) (27 (56 anything) (39 but))))))) (77 .)))) (55 ")) |
756 | maudlin and melodramatic we expected . boring we didn't . | Subjective | (20 (24 (25 (71 maudlin) (8 (76 and) (82 melodramatic))) (1 (41 we) (59 expected))) (31 (1 (39 .) (25 (13 (88 boring) (80 we)) (3 (62 didn) (28 (38 ') (67 t))))) (77 .))) |
757 | "there's no emotional pulse to solaris . with an emotional sterility to match its outer space setting , soderbergh's spectacular swing for the fence yields only a spectacular whiff ." | Subjective | (20 (20 (55 ") (20 (24 (25 (41 there) (3 (6 (28 (3 (28 (3 (28 (38 ') (67 s)) (27 (52 no) (2 (32 emotional) (42 [UNK])))) (73 to)) (27 (44 [UNK]) (1 (39 .) (25 (85 with) (27 (52 an) (2 (32 emotional) (42 [UNK]))))))) (73 to)) (57 match)) (27 (29 (52 its) (61 [UNK])) (8 (70 space) (15 (82 setting) (8 (8 (70 ,) (15 (82 soderbergh) (8 (28 (38 ') (67 s)) (2 (68 spectacular) (0 (44 [UNK]) (12 (74 for) (27 (81 the) (64 fence)))))))) (42 [UNK]))))))) (1 (49 only) (27 (52 a) (2 (32 spectacular) (42 [UNK]))))) (77 .))) (55 ")) |
758 | "the film gets close to the chimps the same way goodall did , with a serious minded patience , respect and affection ." | Subjective | (20 (20 (55 ") (20 (24 (25 (13 (43 the) (69 film)) (3 (28 (3 (59 gets) (47 close)) (73 to)) (27 (81 the) (61 [UNK])))) (1 (13 (22 (43 the) (2 (32 same) (84 way))) (42 [UNK])) (89 did))) (31 (1 (39 ,) (25 (85 with) (27 (52 a) (2 (95 serious) (2 (95 minded) (2 (68 patience) (8 (70 ,) (15 (82 respect) (8 (76 and) (82 affection)))))))))) (77 .)))) (55 ")) |
759 | coral reef adventure is a heavyweight film that fights a good fight on behalf of the world's endangered reefs -- and it lets the pictures do the punching . | Subjective | (20 (24 (25 (13 (25 (13 (23 (35 [UNK]) (44 [UNK])) (91 adventure)) (3 (89 is) (27 (52 a) (2 (44 [UNK]) (84 film))))) (75 that)) (3 (89 fights) (27 (52 a) (2 (32 good) (84 fight))))) (1 (49 on) (27 (0 (44 [UNK]) (12 (74 of) (27 (81 the) (64 world)))) (8 (4 (8 (8 (28 (38 ') (67 s)) (51 endangered)) (42 [UNK])) (66 -)) (66 -))))) (31 (1 (39 and) (24 (25 (41 it) (3 (59 lets) (27 (81 the) (64 pictures)))) (1 (49 do) (27 (81 the) (61 [UNK]))))) (77 .))) |
76 | "it would be a mistake to write this movie off as yet another star is born-type biopic about the rise and fall of a latter‑ ; day celebrity . schrader is after something deeper here and even when he misses the mark , the film remains involving ." | Subjective | (20 (20 (55 ") (20 (24 (25 (41 it) (3 (3 (6 (28 (3 (28 (89 would) (86 be)) (27 (81 a) (64 mistake))) (73 to)) (57 write)) (27 (81 this) (64 movie))) (47 off))) (1 (39 as) (24 (25 (13 (88 yet) (27 (81 another) (64 star))) (3 (89 is) (27 (54 born) (8 (66 -) (23 (50 type) (0 (44 [UNK]) (12 (74 about) (27 (81 the) (64 rise))))))))) (1 (76 and) (18 (60 fall) (12 (74 of) (27 (81 a) (64 latter)))))))) (31 (1 (31 (1 (49 &) (27 (27 (81 #) (61 [UNK])) (8 (39 ;) (2 (32 day) (84 celebrity))))) (77 .)) (24 (25 (44 [UNK]) (3 (3 (89 is) (27 (33 after) (27 (37 something) (71 deeper)))) (47 here))) (1 (39 and) (25 (88 even) (24 (25 (13 (88 when) (80 he)) (3 (89 misses) (27 (81 the) (64 mark)))) (1 (39 ,) (25 (13 (43 the) (69 film)) (3 (89 remains) (45 involving))))))))) (77 .)))) (55 ")) |
760 | what puzzles me is the lack of emphasis on music in britney spears' first movie . | Subjective | (20 (24 (25 (41 what) (3 (59 [UNK]) (47 me))) (1 (49 is) (27 (26 (27 (81 the) (11 (65 lack) (12 (74 of) (27 (44 [UNK]) (1 (49 on) (27 (91 music) (12 (74 in) (27 (53 britney) (92 spears))))))))) (38 ')) (2 (32 first) (84 movie))))) (77 .)) |
761 | "its battle scenes are dynamic , its pageantry spectacular and its characters appealing ." | Subjective | (20 (20 (55 ") (20 (24 (25 (13 (27 (81 its) (64 battle)) (48 scenes)) (3 (89 are) (45 dynamic))) (1 (39 ,) (25 (29 (52 its) (61 [UNK])) (52 spectacular)))) (31 (1 (1 (49 and) (27 (46 its) (51 characters))) (78 appealing)) (77 .)))) (55 ")) |
762 | "with little visible talent and no energy , colin hanks is in bad need of major acting lessons and maybe a little coffee ." | Subjective | (20 (20 (55 ") (20 (24 (25 (85 with) (27 (52 little) (2 (42 [UNK]) (11 (65 talent) (12 (74 and) (27 (81 no) (64 energy))))))) (1 (1 (39 ,) (25 (13 (90 colin) (92 hanks)) (3 (89 is) (27 (52 in) (2 (68 bad) (11 (65 need) (12 (74 of) (27 (53 major) (92 acting))))))))) (78 lessons))) (31 (1 (39 and) (25 (85 maybe) (27 (52 a) (2 (32 little) (42 [UNK]))))) (77 .)))) (55 ")) |
763 | 'christian bale's quinn [is] a leather clad grunge-pirate with a hairdo like gandalf in a wind-tunnel and a simply astounding cor-blimey-luv-a-duck cockney accent . ' | Subjective | (20 (24 (25 (38 ') (25 (13 (27 (90 christian) (15 (82 bale) (8 (38 ') (67 s)))) (48 quinn)) (3 (62 [) (3 (28 (89 is) (86 ])) (27 (52 a) (2 (61 [UNK]) (35 [UNK]))))))) (1 (4 (8 (8 (42 [UNK]) (8 (66 -) (23 (4 (8 (70 pirate) (24 (25 (85 with) (27 (81 a) (61 [UNK]))) (1 (49 like) (27 (44 [UNK]) (1 (49 in) (27 (81 a) (64 wind))))))) (66 -)) (4 (8 (44 [UNK]) (1 (49 and) (27 (52 a) (2 (95 simply) (2 (32 astounding) (42 [UNK])))))) (66 -))))) (42 [UNK])) (66 -)) (8 (8 (42 [UNK]) (8 (66 -) (23 (52 a) (10 (66 -) (2 (61 [UNK]) (35 [UNK])))))) (42 [UNK])))) (31 (77 .) (38 '))) |
764 | "impresses as a skillfully assembled , highly polished and professional adaptation . . . just about as chilling and unsettling as 'manhunter' was ." | Subjective | (20 (20 (55 ") (20 (24 (25 (58 [UNK]) (1 (49 as) (27 (27 (81 a) (64 skillfully)) (8 (42 [UNK]) (8 (39 ,) (2 (95 highly) (2 (68 polished) (8 (76 and) (2 (32 professional) (84 adaptation)))))))))) (1 (77 .) (77 .))) (31 (1 (39 .) (24 (25 (58 just) (1 (39 about) (25 (85 as) (27 (54 chilling) (8 (76 and) (82 unsettling)))))) (1 (39 as) (25 (13 (38 ') (26 (44 [UNK]) (38 '))) (89 was))))) (77 .)))) (55 ")) |
765 | "straightforward and old-fashioned in the best possible senses of both those words , possession is a movie that puts itself squarely in the service of the lovers who inhabit it ." | Subjective | (20 (20 (55 ") (20 (24 (25 (58 straightforward) (1 (49 and) (27 (54 old) (8 (66 -) (50 fashioned))))) (1 (49 in) (27 (22 (43 the) (2 (95 best) (2 (32 possible) (84 senses)))) (12 (74 of) (27 (33 both) (27 (53 those) (92 words))))))) (31 (1 (39 ,) (25 (13 (24 (25 (44 [UNK]) (3 (89 is) (27 (27 (81 a) (64 movie)) (8 (8 (75 that) (3 (59 puts) (47 itself))) (42 [UNK]))))) (1 (49 in) (27 (81 the) (11 (65 service) (12 (74 of) (27 (81 the) (64 lovers))))))) (75 who)) (3 (59 [UNK]) (47 it)))) (77 .)))) (55 ")) |
766 | "the movie has no respect for laws , political correctness or common decency , but it displays something more important : respect for its flawed , crazy people ." | Subjective | (20 (20 (55 ") (20 (24 (25 (13 (43 the) (69 movie)) (3 (89 has) (27 (81 no) (64 respect)))) (1 (49 for) (27 (54 laws) (8 (8 (70 ,) (15 (82 political) (8 (44 [UNK]) (1 (49 or) (56 common))))) (42 [UNK]))))) (31 (1 (39 ,) (24 (25 (13 (88 but) (80 it)) (3 (42 [UNK]) (27 (27 (33 something) (27 (37 more) (71 important))) (8 (70 :) (82 respect))))) (1 (49 for) (27 (52 its) (2 (68 flawed) (8 (39 ,) (2 (32 crazy) (84 people)))))))) (77 .)))) (55 ")) |
767 | "morrissette has performed a difficult task indeed - he's taken one of the world's most fascinating stories and made it dull , lifeless , and irritating ." | Subjective | (20 (20 (55 ") (20 (24 (25 (44 [UNK]) (3 (89 has) (45 [UNK]))) (1 (27 (52 a) (2 (32 difficult) (84 task))) (78 indeed))) (31 (1 (66 -) (25 (13 (25 (41 he) (3 (28 (3 (6 (28 (38 ') (67 s)) (57 taken)) (27 (27 (93 one) (12 (74 of) (27 (81 the) (64 world)))) (8 (28 (38 ') (67 s)) (2 (95 most) (2 (32 fascinating) (84 stories)))))) (76 and)) (45 made))) (41 it)) (3 (28 (21 (8 (63 dull) (8 (70 ,) (82 lifeless))) (70 ,)) (76 and)) (45 [UNK])))) (77 .)))) (55 ")) |
768 | "a movie version of a paint-by-numbers picture . we can tell what it is supposed to be , but can't really call it a work of art ." | Subjective | (20 (20 (55 ") (20 (24 (25 (13 (13 (43 a) (69 movie)) (31 (1 (60 version) (12 (74 of) (27 (52 a) (2 (68 paint) (8 (66 -) (23 (74 by) (10 (66 -) (2 (32 numbers) (84 picture))))))))) (77 .))) (3 (62 we) (3 (62 can) (6 (28 (3 (59 tell) (25 (13 (88 what) (80 it)) (3 (89 is) (45 supposed)))) (73 to)) (57 be))))) (1 (39 ,) (25 (41 but) (3 (62 can) (3 (3 (6 (28 (28 (38 ') (67 t)) (86 really)) (57 call)) (83 it)) (27 (81 a) (64 work))))))) (31 (1 (74 of) (56 art)) (77 .)))) (55 ")) |
769 | overall tomfoolery like this is a matter of taste . | Subjective | (20 (27 (54 overall) (8 (44 [UNK]) (1 (39 like) (25 (41 this) (3 (89 is) (27 (81 a) (64 matter))))))) (31 (1 (74 of) (56 taste)) (77 .))) |
77 | one of those decades-spanning historical epics that strives to be intimate and socially encompassing but fails to do justice to either effort in three hours of screen time . | Subjective | (20 (24 (25 (13 (25 (13 (27 (93 one) (12 (74 of) (27 (52 those) (2 (95 decades) (10 (66 -) (2 (61 [UNK]) (8 (70 historical) (61 [UNK])))))))) (48 that)) (3 (6 (28 (40 [UNK]) (73 to)) (57 be)) (27 (54 intimate) (8 (8 (76 and) (35 [UNK])) (42 [UNK]))))) (41 but)) (3 (28 (3 (6 (28 (40 fails) (73 to)) (57 do)) (83 justice)) (73 to)) (27 (53 either) (92 effort)))) (1 (49 in) (27 (53 three) (92 hours)))) (31 (1 (1 (74 of) (56 screen)) (78 time)) (77 .))) |
770 | "until it goes off the rails in its final 10 or 15 minutes , wendigo , larry fessenden's spooky new thriller , is a refreshingly smart and newfangled variation on several themes derived from far less sophisticated and knowing horror films ." | Subjective | (20 (20 (55 ") (20 (24 (25 (13 (88 until) (80 it)) (3 (59 goes) (1 (49 off) (27 (43 the) (0 (44 [UNK]) (12 (74 in) (27 (52 its) (2 (32 final) (84 10))))))))) (1 (49 or) (27 (53 15) (92 minutes)))) (31 (1 (39 ,) (24 (25 (13 (27 (56 wendigo) (1 (39 ,) (25 (13 (80 larry) (44 [UNK])) (3 (28 (38 ') (67 s)) (27 (52 spooky) (2 (32 new) (84 thriller))))))) (48 ,)) (3 (89 is) (27 (52 a) (2 (95 refreshingly) (2 (68 smart) (8 (76 and) (2 (16 (61 [UNK]) (0 (44 [UNK]) (12 (74 on) (27 (53 several) (92 themes))))) (61 [UNK])))))))) (1 (49 from) (27 (27 (33 far) (27 (37 less) (71 sophisticated))) (8 (76 and) (2 (95 knowing) (2 (32 horror) (84 films)))))))) (77 .)))) (55 ")) |
771 | "payne constructs a hilarious ode to middle america and middle age with this unlikely odyssey , featuring a pathetic , endearing hero who is all too human ." | Subjective | (20 (20 (55 ") (20 (24 (25 (44 [UNK]) (3 (42 [UNK]) (27 (52 a) (2 (68 hilarious) (8 (28 (3 (28 (40 ode) (73 to)) (27 (53 middle) (92 america))) (76 and)) (2 (32 middle) (84 age))))))) (1 (49 with) (27 (52 this) (2 (32 unlikely) (42 [UNK]))))) (31 (1 (39 ,) (25 (85 featuring) (27 (52 a) (2 (68 pathetic) (8 (70 ,) (15 (82 endearing) (8 (63 hero) (8 (75 who) (3 (89 is) (27 (33 all) (27 (37 too) (71 human)))))))))))) (77 .)))) (55 ")) |
772 | "the latest installment in the pokemon canon , pokemon 4ever is surprising less moldy and trite than the last two , likely because much of the japanese anime is set in a scenic forest where pokemon graze in peace ." | Subjective | (20 (20 (55 ") (20 (24 (25 (22 (43 the) (2 (68 latest) (11 (65 installment) (12 (74 in) (27 (81 the) (64 pokemon)))))) (3 (28 (3 (59 [UNK]) (1 (39 ,) (24 (25 (27 (53 pokemon) (92 4ever)) (3 (89 is) (45 surprising))) (1 (37 less) (61 [UNK]))))) (76 and)) (45 trite))) (1 (49 than) (27 (52 the) (2 (32 last) (84 two))))) (31 (1 (39 ,) (24 (25 (58 likely) (1 (39 because) (25 (13 (93 much) (12 (74 of) (27 (52 the) (2 (32 japanese) (84 anime))))) (3 (89 is) (18 (60 set) (12 (74 in) (27 (52 a) (2 (44 [UNK]) (84 forest))))))))) (1 (49 where) (27 (54 pokemon) (8 (44 [UNK]) (1 (49 in) (56 peace))))))) (77 .)))) (55 ")) |
773 | "a delightful surprise because despite all the backstage drama , this is a movie that tells stories that work -- is charming , is moving , is funny and looks professional ." | Subjective | (20 (20 (55 ") (20 (27 (52 a) (2 (32 delightful) (84 surprise))) (31 (1 (39 because) (25 (13 (24 (25 (85 despite) (27 (33 all) (27 (52 the) (2 (44 [UNK]) (84 drama))))) (1 (39 ,) (25 (13 (24 (25 (13 (25 (41 this) (3 (89 is) (27 (81 a) (64 movie)))) (75 that)) (3 (89 tells) (45 stories))) (1 (39 that) (25 (13 (27 (54 work) (8 (66 -) (23 (66 -) (1 (49 is) (56 charming))))) (48 ,)) (3 (89 is) (45 moving))))) (39 ,)) (3 (89 is) (45 funny))))) (76 and)) (3 (89 looks) (45 professional)))) (77 .)))) (55 ")) |
774 | the film truly does rescue [the funk brothers] from motown's shadows . it's about time . | Subjective | (20 (24 (25 (13 (43 the) (69 film)) (3 (62 truly) (3 (89 does) (45 rescue)))) (1 (13 (88 [) (22 (43 the) (2 (44 [UNK]) (84 brothers)))) (89 ]))) (31 (1 (31 (1 (1 (49 from) (27 (35 [UNK]) (8 (38 ') (67 s)))) (78 shadows)) (77 .)) (24 (25 (41 it) (28 (38 ') (67 s))) (1 (49 about) (56 time)))) (77 .))) |
775 | what's most unusual about beijing bicycle in terms of recent chinese history is that any form of class conflict is depicted at all . | Subjective | (20 (24 (25 (41 what) (3 (28 (38 ') (67 s)) (27 (52 most) (2 (68 unusual) (8 (39 about) (2 (44 [UNK]) (84 bicycle))))))) (1 (49 in) (27 (91 terms) (12 (74 of) (27 (52 recent) (2 (32 chinese) (84 history))))))) (31 (1 (49 is) (27 (75 that) (25 (13 (43 any) (11 (65 form) (12 (74 of) (27 (81 class) (64 conflict))))) (3 (89 is) (27 (44 [UNK]) (1 (49 at) (56 all))))))) (77 .))) |
776 | the christ allegory doesn't work because there is no foundation for it | Subjective | (20 (22 (43 the) (2 (68 christ) (8 (42 [UNK]) (8 (28 (62 doesn) (28 (38 ') (67 t))) (51 work))))) (24 (25 (13 (88 because) (80 there)) (3 (28 (89 is) (86 no)) (45 [UNK]))) (1 (49 for) (56 it)))) |
777 | sits uneasily as a horror picture . . . but finds surprising depth in its look at the binds of a small family . | Subjective | (20 (24 (25 (42 [UNK]) (44 [UNK])) (1 (49 as) (27 (52 a) (2 (32 horror) (84 picture))))) (31 (1 (31 (1 (77 .) (77 .)) (77 .)) (24 (25 (41 but) (3 (59 finds) (27 (53 surprising) (92 depth)))) (1 (49 in) (27 (81 its) (11 (65 look) (12 (74 at) (27 (43 the) (0 (44 [UNK]) (12 (74 of) (27 (52 a) (2 (32 small) (84 family)))))))))))) (77 .))) |
778 | "i liked it because it was so endlessly , grotesquely , inventive ." | Subjective | (20 (20 (55 ") (20 (24 (25 (41 i) (3 (59 liked) (47 it))) (1 (39 because) (25 (41 it) (3 (28 (89 was) (86 so)) (45 [UNK]))))) (31 (1 (39 ,) (25 (61 [UNK]) (8 (70 ,) (82 inventive)))) (77 .)))) (55 ")) |
779 | "veteran actor serrault and rising newcomer seigner . . . pitch their performances perfectly , skilfully underplaying to match carion's understated direction ." | Subjective | (20 (20 (55 ") (20 (24 (25 (27 (54 veteran) (8 (8 (63 actor) (8 (42 [UNK]) (8 (76 and) (2 (32 rising) (42 [UNK]))))) (42 [UNK]))) (31 (1 (77 .) (77 .)) (77 .))) (1 (49 pitch) (27 (46 their) (51 performances)))) (31 (25 (15 (82 perfectly) (8 (70 ,) (61 [UNK]))) (3 (6 (28 (40 [UNK]) (73 to)) (57 match)) (27 (35 [UNK]) (8 (28 (38 ') (67 s)) (2 (32 understated) (84 direction)))))) (77 .)))) (55 ")) |
78 | "jones has crafted a natty narrative that , enhanced by erin nordstrom's editing , is filled with payoffs ." | Subjective | (20 (20 (55 ") (20 (24 (25 (41 jones) (3 (89 has) (27 (33 crafted) (27 (52 a) (2 (44 [UNK]) (84 narrative)))))) (1 (39 that) (25 (13 (1 (39 ,) (25 (13 (61 [UNK]) (8 (8 (70 by) (61 [UNK])) (42 [UNK]))) (3 (28 (38 ') (67 s)) (45 editing)))) (39 ,)) (3 (89 is) (45 filled))))) (31 (1 (49 with) (61 [UNK])) (77 .)))) (55 ")) |
780 | a near perfect fusion of computer and cel animation . | Subjective | (20 (25 (27 (52 a) (2 (95 near) (2 (68 perfect) (0 (44 [UNK]) (12 (74 of) (27 (54 computer) (8 (76 and) (35 [UNK])))))))) (79 animation)) (77 .)) |
781 | "a satisfying charmer that tells a compelling story , and then tops that by offering up a saucy sextet of britain's best veteran actors ." | Subjective | (20 (20 (55 ") (20 (24 (25 (13 (27 (52 a) (2 (32 satisfying) (84 charmer))) (48 that)) (3 (89 tells) (27 (52 a) (2 (32 compelling) (84 story))))) (1 (39 ,) (25 (13 (88 and) (80 then)) (35 [UNK])))) (31 (1 (39 that) (24 (25 (88 by) (24 (25 (58 offering) (1 (49 up) (27 (52 a) (2 (61 [UNK]) (35 [UNK]))))) (1 (74 of) (56 britain)))) (1 (28 (28 (38 ') (67 s)) (86 best)) (13 (43 veteran) (69 actors))))) (77 .)))) (55 ")) |
782 | exhibits the shallow sensationalism characteristic of soap opera . . . more salacious telenovela than serious drama . | Subjective | (20 (24 (25 (27 (44 [UNK]) (27 (22 (43 the) (2 (95 shallow) (2 (61 [UNK]) (35 [UNK])))) (12 (74 of) (27 (53 soap) (92 opera))))) (31 (1 (77 .) (77 .)) (77 .))) (1 (1 (37 more) (61 [UNK])) (61 [UNK]))) (31 (1 (49 than) (27 (53 serious) (92 drama))) (77 .))) |
783 | "this breezy caper movie becomes a soulful , incisive meditation on the way we were , and the way we are ." | Subjective | (20 (20 (55 ") (20 (24 (25 (22 (43 this) (2 (2 (44 [UNK]) (84 caper)) (69 movie))) (3 (89 becomes) (27 (52 a) (2 (68 soulful) (8 (39 ,) (2 (68 incisive) (11 (65 meditation) (12 (74 on) (27 (81 the) (64 way)))))))))) (1 (41 we) (59 were))) (31 (1 (39 ,) (25 (13 (88 and) (27 (81 the) (64 way))) (3 (41 we) (89 are)))) (77 .)))) (55 ")) |
784 | an unsophisticated sci-fi drama that takes itself all too seriously . | Subjective | (20 (24 (25 (13 (27 (52 an) (2 (61 [UNK]) (2 (68 sci) (8 (66 -) (23 (50 fi) (84 drama)))))) (48 that)) (3 (59 takes) (47 itself))) (1 (49 all) (27 (37 too) (71 seriously)))) (77 .)) |
785 | rare is the 'urban comedy' that even attempts the insight and honesty of this disarming indie . | Subjective | (20 (24 (25 (37 rare) (17 (89 is) (22 (43 the) (2 (38 ') (26 (2 (32 urban) (84 comedy)) (38 ')))))) (1 (39 that) (25 (58 even) (1 (49 attempts) (27 (81 the) (64 insight)))))) (31 (1 (1 (76 and) (18 (60 honesty) (12 (74 of) (27 (81 this) (61 [UNK]))))) (78 indie)) (77 .))) |
786 | "like a can of 2-day old coke . you can taste it , but there's no fizz ." | Subjective | (20 (20 (55 ") (20 (24 (25 (85 like) (27 (81 a) (11 (65 can) (12 (74 of) (27 (54 2) (8 (66 -) (23 (50 day) (2 (32 old) (42 [UNK]))))))))) (1 (39 .) (25 (41 you) (3 (62 can) (3 (59 taste) (47 it)))))) (31 (1 (39 ,) (25 (13 (88 but) (80 there)) (3 (28 (38 ') (67 s)) (27 (81 no) (61 [UNK]))))) (77 .)))) (55 ")) |
787 | the ingenuity that parker displays in freshening the play is almost in a class with that of wilde himself . | Subjective | (20 (24 (25 (22 (43 the) (2 (61 [UNK]) (1 (39 that) (25 (41 parker) (3 (59 [UNK]) (1 (49 in) (27 (44 [UNK]) (27 (81 the) (64 play))))))))) (3 (89 is) (45 almost))) (1 (49 in) (27 (81 a) (64 class)))) (31 (1 (49 with) (27 (75 that) (12 (74 of) (27 (33 wilde) (47 himself))))) (77 .))) |
788 | "its and pieces of the hot chick are so hilarious , and schneider's performance is so fine , it's a real shame that so much of the movie -- again , as in the animal -- is a slapdash mess ." | Subjective | (20 (20 (55 ") (20 (24 (25 (15 (82 its) (8 (76 and) (18 (60 pieces) (12 (74 of) (27 (52 the) (2 (32 hot) (84 chick))))))) (3 (89 are) (27 (37 so) (71 hilarious)))) (1 (39 ,) (24 (25 (13 (90 and) (92 schneider)) (3 (28 (38 ') (67 s)) (45 performance))) (1 (49 is) (27 (37 so) (71 fine)))))) (31 (1 (39 ,) (24 (25 (41 it) (3 (28 (38 ') (67 s)) (27 (52 a) (2 (32 real) (84 shame))))) (1 (39 that) (24 (25 (27 (37 so) (71 much)) (12 (74 of) (27 (27 (81 the) (64 movie)) (8 (66 -) (23 (66 -) (94 again)))))) (1 (39 ,) (25 (88 as) (24 (25 (85 in) (27 (52 the) (2 (68 animal) (8 (66 -) (66 -))))) (1 (49 is) (27 (52 a) (2 (44 [UNK]) (84 mess))))))))))) (77 .)))) (55 ")) |
789 | " . . . tara reid plays a college journalist , but she looks like the six-time winner of the miss hawaiian tropic pageant , so i don't know what she's doing in here . . ." | Subjective | (20 (20 (55 ") (20 (24 (25 (13 (1 (31 (1 (77 .) (77 .)) (77 .)) (24 (25 (13 (90 tara) (44 [UNK])) (3 (89 plays) (27 (52 a) (2 (32 college) (84 journalist))))) (1 (39 ,) (24 (25 (13 (88 but) (80 she)) (3 (59 looks) (1 (49 like) (27 (22 (43 the) (2 (68 six) (8 (66 -) (23 (50 time) (84 winner))))) (12 (74 of) (27 (52 the) (2 (68 miss) (8 (8 (61 [UNK]) (42 [UNK])) (42 [UNK]))))))))) (1 (39 ,) (25 (13 (88 so) (80 i)) (3 (62 don) (3 (6 (28 (38 ') (67 t)) (57 know)) (83 what))))))))) (41 she)) (3 (28 (38 ') (67 s)) (45 doing))) (1 (49 in) (56 here))) (31 (1 (77 .) (77 .)) (77 .)))) (55 ")) |
79 | "it's all gratuitous before long , as if schwentke were fulfilling a gross-out quota for an anticipated audience demographic instead of shaping the material to fit the story ." | Subjective | (20 (20 (55 ") (20 (24 (25 (41 it) (3 (6 (28 (38 ') (67 s)) (57 all)) (83 [UNK]))) (1 (39 before) (25 (58 long) (1 (39 ,) (25 (88 as) (25 (13 (88 if) (35 [UNK])) (3 (6 (28 (3 (89 were) (27 (44 [UNK]) (27 (29 (52 a) (61 [UNK])) (8 (5 (8 (66 -) (23 (50 out) (0 (44 [UNK]) (12 (74 for) (27 (52 an) (2 (44 [UNK]) (84 audience))))))) (92 demographic)) (18 (60 instead) (12 (74 of) (27 (44 [UNK]) (27 (81 the) (64 material))))))))) (73 to)) (57 fit)) (27 (81 the) (64 story))))))))) (77 .))) (55 ")) |
790 | "though a touch too arthouse 101 in its poetic symbolism , heaven proves to be a good match of the sensibilities of two directors ." | Subjective | (20 (20 (55 ") (20 (24 (25 (85 though) (27 (81 a) (64 touch))) (1 (1 (37 too) (61 [UNK])) (78 101))) (31 (1 (49 in) (27 (52 its) (2 (68 poetic) (8 (44 [UNK]) (1 (39 ,) (25 (41 heaven) (3 (6 (28 (40 proves) (73 to)) (57 be)) (27 (52 a) (2 (68 good) (11 (65 match) (12 (74 of) (27 (43 the) (0 (44 [UNK]) (12 (74 of) (27 (53 two) (92 directors)))))))))))))))) (77 .)))) (55 ")) |
791 | "tends to pile too many "" serious issues "" on its plate at times , yet remains fairly light , always entertaining , and smartly written ." | Subjective | (20 (20 (55 ") (20 (24 (25 (13 (61 [UNK]) (73 to)) (3 (59 pile) (27 (37 too) (71 many)))) (1 (55 ") (55 "))) (31 (27 (53 serious) (92 issues)) (20 (55 ") (20 (55 ") (20 (24 (25 (85 on) (27 (46 its) (42 [UNK]))) (1 (49 at) (56 times))) (31 (1 (39 ,) (24 (25 (58 yet) (1 (28 (89 remains) (86 fairly)) (87 light))) (1 (39 ,) (25 (27 (27 (37 always) (71 entertaining)) (8 (8 (39 ,) (76 and)) (42 [UNK]))) (79 written))))) (77 .)))))))) (55 ")) |
792 | "everything about the quiet american is good , except its timing ." | Subjective | (20 (20 (55 ") (20 (24 (25 (58 everything) (1 (39 about) (25 (22 (43 the) (2 (32 quiet) (84 american))) (3 (89 is) (45 good))))) (1 (39 ,) (25 (85 except) (27 (46 its) (42 [UNK]))))) (77 .))) (55 ")) |
793 | "de niro looks bored , murphy recycles murphy , and you mentally add showtime to the pile of hollywood dreck that represents nothing more than the art of the deal ." | Subjective | (20 (20 (55 ") (20 (24 (25 (13 (90 de) (92 niro)) (3 (28 (3 (89 looks) (27 (54 bored) (8 (70 ,) (15 (82 murphy) (8 (42 [UNK]) (8 (63 murphy) (8 (8 (70 ,) (25 (13 (88 and) (80 you)) (3 (89 mentally) (45 add)))) (42 [UNK])))))))) (73 to)) (27 (81 the) (11 (65 pile) (12 (74 of) (27 (53 hollywood) (92 dreck))))))) (1 (39 that) (25 (85 represents) (27 (37 nothing) (71 more))))) (31 (1 (49 than) (27 (81 the) (11 (65 art) (12 (74 of) (27 (81 the) (64 deal)))))) (77 .)))) (55 ")) |
794 | "i liked the movie , but i know i would have liked it more if it had just gone that one step further . i'm left slightly disappointed that it didn't ." | Subjective | (20 (20 (55 ") (20 (24 (25 (41 i) (3 (89 liked) (27 (81 the) (64 movie)))) (1 (39 ,) (25 (13 (88 but) (80 i)) (3 (3 (59 know) (25 (13 (80 i) (28 (89 would) (86 have))) (3 (59 liked) (47 it)))) (47 more))))) (31 (1 (39 if) (24 (25 (41 it) (3 (28 (89 had) (86 just)) (45 gone))) (1 (31 (1 (39 that) (25 (27 (93 one) (64 step)) (79 further))) (77 .)) (24 (25 (41 i) (3 (28 (28 (28 (38 ') (67 m)) (86 left)) (86 slightly)) (45 disappointed))) (1 (39 that) (25 (41 it) (3 (62 didn) (28 (38 ') (67 t))))))))) (77 .)))) (55 ")) |
795 | "featuring a dangerously seductive performance from the great daniel auteuil , "" sade "" covers the same period as kaufmann's "" quills "" with more unsettlingly realistic results ." | Subjective | (20 (20 (55 ") (20 (24 (25 (85 featuring) (27 (52 a) (2 (95 dangerously) (2 (44 [UNK]) (84 performance))))) (1 (49 from) (27 (52 the) (2 (68 great) (8 (70 daniel) (61 [UNK])))))) (31 (70 ,) (20 (55 ") (20 (55 ") (20 (24 (25 (41 sade) (3 (28 (1 (55 ") (55 ")) (89 covers)) (27 (52 the) (2 (32 same) (84 period))))) (1 (39 as) (24 (25 (44 [UNK]) (3 (28 (38 ') (67 s)) (27 (27 (55 ") (55 ")) (44 [UNK])))) (1 (55 ") (55 "))))) (31 (1 (49 with) (27 (83 more) (3 (42 [UNK]) (27 (53 realistic) (92 results))))) (77 .)))))))) (55 ")) |
796 | "sound the trumpets : for the first time since desperately seeking susan , madonna doesn't suck as an actress ." | Subjective | (20 (20 (55 ") (20 (24 (25 (85 sound) (27 (81 the) (61 [UNK]))) (1 (39 :) (25 (49 for) (22 (43 the) (2 (32 first) (84 time)))))) (31 (1 (39 since) (24 (25 (13 (90 desperately) (15 (82 seeking) (8 (63 susan) (8 (70 ,) (82 madonna))))) (3 (62 doesn) (6 (28 (38 ') (67 t)) (57 [UNK])))) (1 (49 as) (27 (81 an) (64 actress))))) (77 .)))) (55 ")) |
797 | "its story is delicate and moving , and the film is a wholly commendable effort , if not quite as successful as majidi's previous works ." | Subjective | (20 (20 (55 ") (20 (24 (25 (13 (43 its) (69 story)) (3 (89 is) (27 (54 delicate) (8 (76 and) (82 moving))))) (1 (39 ,) (25 (13 (76 and) (13 (43 the) (69 film))) (3 (89 is) (27 (52 a) (2 (61 [UNK]) (2 (44 [UNK]) (84 effort)))))))) (31 (1 (39 ,) (25 (88 if) (24 (25 (85 not) (27 (33 quite) (27 (37 as) (71 successful)))) (1 (1 (39 as) (25 (41 majidi) (3 (28 (38 ') (67 s)) (45 previous)))) (78 works))))) (77 .)))) (55 ")) |
798 | "it's a beautiful experience , nearly perfect with a fragile flowing fluid score ." | Subjective | (20 (20 (55 ") (20 (24 (25 (41 it) (3 (28 (38 ') (67 s)) (27 (52 a) (2 (32 beautiful) (84 experience))))) (1 (39 ,) (25 (27 (33 nearly) (27 (56 perfect) (1 (49 with) (27 (52 a) (2 (68 fragile) (8 (61 [UNK]) (42 [UNK]))))))) (79 score)))) (77 .))) (55 ")) |
799 | "blue crush follows the formula , but throws in too many conflicts to keep the story compelling ." | Subjective | (20 (20 (55 ") (20 (24 (25 (13 (90 blue) (92 crush)) (3 (89 follows) (27 (81 the) (64 formula)))) (1 (39 ,) (25 (88 but) (25 (58 throws) (1 (49 in) (27 (37 too) (71 many))))))) (31 (1 (3 (6 (28 (40 conflicts) (73 to)) (57 keep)) (27 (81 the) (64 story))) (78 compelling)) (77 .)))) (55 ")) |
8 | a bit of whimsically warped history elevated by the central performance of ian holm . | Subjective | (20 (24 (25 (27 (81 a) (11 (65 bit) (12 (74 of) (27 (44 [UNK]) (27 (44 [UNK]) (92 history)))))) (79 [UNK])) (1 (49 by) (27 (22 (43 the) (2 (32 central) (84 performance))) (12 (74 of) (27 (90 ian) (61 [UNK])))))) (77 .)) |
80 | there's not a comedic moment in this romantic comedy . | Subjective | (20 (24 (25 (41 there) (3 (28 (28 (38 ') (67 s)) (86 not)) (27 (52 a) (2 (32 comedic) (84 moment))))) (1 (49 in) (27 (52 this) (2 (32 romantic) (84 comedy))))) (77 .)) |
800 | "self-congratulatory , misguided , and ill-informed , if nonetheless compulsively watchable ." | Subjective | (20 (20 (55 ") (20 (24 (25 (27 (54 self) (8 (66 -) (61 [UNK]))) (8 (70 ,) (61 [UNK]))) (1 (39 ,) (25 (85 and) (27 (54 ill) (8 (66 -) (61 [UNK])))))) (31 (1 (1 (39 ,) (25 (13 (88 if) (80 nonetheless)) (35 [UNK]))) (78 watchable)) (77 .)))) (55 ")) |
801 | a surreal fairy tale that coils in on itself like a slow-motion whirlpool and achieves an atmosphere of sublime creepiness without ever precisely making sense . | Subjective | (20 (24 (25 (27 (52 a) (2 (32 surreal) (84 fairy))) (79 tale)) (1 (39 that) (24 (25 (13 (24 (25 (58 [UNK]) (1 (49 in) (27 (33 on) (47 itself)))) (1 (49 like) (27 (52 a) (2 (95 slow) (10 (66 -) (2 (32 motion) (42 [UNK]))))))) (76 and)) (3 (89 achieves) (27 (81 an) (11 (65 atmosphere) (12 (74 of) (27 (90 sublime) (61 [UNK]))))))) (1 (49 without) (56 ever))))) (31 (1 (49 [UNK]) (27 (33 making) (47 sense))) (77 .))) |
802 | "watching queen of the damned is like reading a research paper , with special effects tossed in ." | Subjective | (20 (20 (55 ") (20 (24 (25 (13 (88 watching) (27 (91 queen) (12 (74 of) (27 (81 the) (64 damned))))) (3 (89 is) (45 like))) (1 (49 reading) (27 (52 a) (2 (32 research) (84 paper))))) (31 (1 (39 ,) (25 (13 (85 with) (27 (53 special) (92 effects))) (3 (59 [UNK]) (47 in)))) (77 .)))) (55 ")) |
803 | " . . . an hour-and-a-half of inoffensive , unmemorable filler ." | Subjective | (20 (20 (55 ") (20 (24 (25 (31 (1 (77 .) (77 .)) (77 .)) (27 (52 an) (2 (68 hour) (8 (66 -) (23 (76 and) (10 (66 -) (2 (52 a) (66 -)))))))) (1 (60 half) (12 (74 of) (27 (35 [UNK]) (8 (8 (70 ,) (61 [UNK])) (42 [UNK])))))) (77 .))) (55 ")) |
804 | "… uma pena que , mais tarde , o prуprio filme abandone o tom de parуdia e passe a utilizar os mesmos clichкs que havia satirizado ." | Subjective | (20 (20 (55 ") (20 (24 (25 (61 [UNK]) (8 (8 (21 (8 (70 uma) (61 [UNK])) (70 que)) (8 (70 ,) (61 [UNK]))) (42 [UNK]))) (1 (1 (39 ,) (25 (13 (90 o) (44 [UNK])) (3 (42 [UNK]) (27 (35 [UNK]) (8 (70 o) (15 (82 tom) (8 (70 de) (61 [UNK])))))))) (78 e))) (31 (1 (49 [UNK]) (27 (29 (52 a) (61 [UNK])) (8 (8 (42 [UNK]) (8 (42 [UNK]) (8 (42 [UNK]) (8 (70 que) (61 [UNK]))))) (42 [UNK])))) (77 .)))) (55 ")) |
805 | the viewer takes great pleasure in watching the resourceful molly stay a step ahead of her pursuers . | Subjective | (20 (24 (25 (13 (43 the) (69 viewer)) (3 (89 takes) (27 (53 great) (92 pleasure)))) (1 (49 in) (27 (33 watching) (25 (22 (43 the) (2 (32 resourceful) (42 [UNK]))) (3 (57 stay) (27 (81 a) (64 step))))))) (31 (1 (60 ahead) (12 (74 of) (27 (46 her) (42 [UNK])))) (77 .))) |
806 | "the values that have held the enterprise crew together through previous adventures and perils do so again-courage , self-sacrifice and patience under pressure ." | Subjective | (20 (20 (55 ") (20 (24 (25 (13 (27 (81 the) (64 values)) (48 that)) (3 (3 (28 (89 have) (86 held)) (27 (27 (81 the) (64 enterprise)) (78 crew))) (47 together))) (1 (49 through) (27 (54 previous) (8 (63 adventures) (8 (76 and) (35 [UNK])))))) (31 (1 (39 do) (24 (25 (13 (37 so) (94 again)) (3 (28 (21 (8 (66 -) (23 (64 courage) (4 (8 (70 ,) (82 self)) (66 -)))) (70 sacrifice)) (76 and)) (45 patience))) (1 (49 under) (56 pressure)))) (77 .)))) (55 ")) |
807 | "fine acting but there is no sense of connecting the dots , just dots ." | Subjective | (20 (20 (55 ") (20 (24 (25 (13 (27 (53 fine) (92 acting)) (13 (88 but) (80 there))) (3 (89 is) (27 (81 no) (11 (65 sense) (12 (74 of) (27 (44 [UNK]) (27 (81 the) (61 [UNK])))))))) (1 (39 ,) (25 (86 just) (94 [UNK])))) (77 .))) (55 ")) |
808 | "the new insomnia is a surprisingly faithful remake of its chilly predecessor , and when it does elect to head off in its own direction , it employs changes that fit it well rather than ones that were imposed for the sake of commercial sensibilities ." | Subjective | (20 (20 (55 ") (20 (24 (25 (22 (43 the) (2 (32 new) (84 insomnia))) (3 (89 is) (27 (52 a) (2 (95 surprisingly) (2 (68 faithful) (11 (65 remake) (12 (74 of) (27 (52 its) (2 (44 [UNK]) (84 predecessor)))))))))) (1 (39 ,) (24 (25 (13 (76 and) (13 (88 when) (80 it))) (3 (28 (3 (89 does) (45 [UNK])) (73 to)) (45 head))) (1 (18 (60 off) (12 (74 in) (27 (46 its) (51 own)))) (78 direction))))) (31 (1 (39 ,) (24 (25 (13 (80 it) (44 [UNK])) (3 (59 changes) (1 (39 that) (24 (25 (58 fit) (1 (1 (83 it) (47 well)) (78 rather))) (1 (49 than) (27 (54 ones) (8 (75 that) (3 (89 were) (45 [UNK]))))))))) (1 (49 for) (27 (81 the) (11 (65 sake) (12 (74 of) (27 (90 commercial) (61 [UNK])))))))) (77 .)))) (55 ")) |
809 | "the son of the bride's humour is born out of an engaging storyline , which also isn't embarrassed to make you reach for the tissues . this movie is to be cherished ." | Subjective | (20 (20 (55 ") (20 (24 (25 (13 (43 the) (11 (65 son) (12 (74 of) (27 (81 the) (64 bride))))) (3 (28 (38 ') (67 s)) (27 (56 humour) (3 (89 is) (45 born))))) (1 (18 (60 out) (12 (74 of) (27 (52 an) (2 (32 engaging) (84 storyline))))) (1 (39 ,) (24 (25 (41 which) (3 (62 also) (6 (28 (6 (28 (3 (62 isn) (6 (28 (38 ') (67 t)) (57 [UNK]))) (73 to)) (57 make)) (47 you)) (57 reach)))) (1 (49 for) (27 (81 the) (61 [UNK]))))))) (31 (1 (39 .) (25 (13 (43 this) (69 movie)) (3 (6 (28 (40 is) (73 to)) (57 be)) (83 [UNK])))) (77 .)))) (55 ")) |
81 | "smith's approach is never to tease , except gently and in that way that makes us consider our own eccentricities and how they are expressed through our homes ." | Subjective | (20 (20 (55 ") (20 (24 (25 (41 smith) (3 (28 (38 ') (67 s)) (45 approach))) (1 (28 (3 (89 is) (45 never)) (73 to)) (35 [UNK]))) (31 (1 (39 ,) (24 (25 (88 except) (24 (25 (13 (27 (44 [UNK]) (1 (39 and) (25 (85 in) (27 (81 that) (64 way))))) (48 that)) (3 (59 makes) (47 us))) (1 (49 consider) (27 (27 (46 our) (51 own)) (44 [UNK]))))) (1 (39 and) (24 (25 (13 (88 how) (80 they)) (3 (89 are) (45 [UNK]))) (1 (49 through) (27 (46 our) (51 homes))))))) (77 .)))) (55 ")) |
810 | "far from a bad film , and at least two of its central trio of performances provide moments of disarming grace , but don't be surprised if a whiff of self-congratulation emanates from the screen ." | Subjective | (20 (20 (55 ") (20 (24 (25 (58 far) (1 (49 from) (27 (52 a) (2 (32 bad) (84 film))))) (1 (39 ,) (24 (25 (88 and) (24 (25 (85 at) (27 (33 least) (27 (93 two) (12 (74 of) (27 (52 its) (2 (32 central) (42 [UNK]))))))) (1 (74 of) (56 performances)))) (1 (49 provide) (27 (91 moments) (12 (74 of) (27 (44 [UNK]) (92 grace)))))))) (31 (1 (39 ,) (24 (25 (13 (88 but) (80 don)) (3 (28 (28 (38 ') (67 t)) (86 be)) (45 surprised))) (1 (39 if) (24 (25 (52 a) (0 (44 [UNK]) (12 (74 of) (27 (54 self) (8 (66 -) (23 (35 [UNK]) (44 [UNK]))))))) (1 (49 from) (27 (81 the) (64 screen))))))) (77 .)))) (55 ")) |
811 | "when you find yourself rooting for the monsters in a horror movie , you know the picture is in trouble ." | Subjective | (20 (20 (55 ") (20 (24 (25 (25 (13 (88 when) (80 you)) (3 (59 find) (47 yourself))) (44 [UNK])) (1 (49 for) (27 (81 the) (11 (65 monsters) (12 (74 in) (27 (52 a) (2 (32 horror) (84 movie)))))))) (31 (1 (39 ,) (24 (25 (41 you) (3 (59 know) (1 (13 (43 the) (69 picture)) (89 is)))) (1 (49 in) (56 trouble)))) (77 .)))) (55 ")) |
812 | "flawed but riveting , it won't be everyone's cocktail of choice , but if you can suspend disbelief long enough , you'll get a whopping good wallop without the hangover ." | Subjective | (20 (20 (55 ") (20 (24 (25 (58 flawed) (1 (39 but) (24 (25 (58 riveting) (1 (39 ,) (24 (25 (41 it) (3 (62 won) (3 (6 (28 (38 ') (67 t)) (57 be)) (83 everyone)))) (1 (28 (38 ') (67 s)) (87 cocktail))))) (1 (74 of) (56 choice))))) (1 (39 ,) (25 (88 but) (24 (25 (13 (88 if) (80 you)) (3 (6 (28 (89 can) (86 [UNK])) (57 [UNK])) (27 (53 long) (92 enough)))) (1 (39 ,) (25 (41 you) (3 (6 (28 (38 ') (67 ll)) (57 get)) (27 (52 a) (2 (61 [UNK]) (2 (32 good) (42 [UNK]))))))))))) (31 (1 (49 without) (27 (81 the) (61 [UNK]))) (77 .)))) (55 ")) |
813 | "bйart and berling are both superb , while huppert . . . is magnificent ." | Subjective | (20 (20 (55 ") (20 (24 (25 (13 (61 [UNK]) (8 (76 and) (82 berling))) (3 (28 (89 are) (86 both)) (45 superb))) (1 (39 ,) (25 (13 (13 (88 while) (80 huppert)) (31 (1 (77 .) (77 .)) (77 .))) (3 (89 is) (45 [UNK]))))) (77 .))) (55 ")) |
814 | "starts out with tremendous promise , introducing an intriguing and alluring premise , only to fall prey to a boatload of screenwriting cliches that sink it faster than a leaky freighter ." | Subjective | (20 (20 (55 ") (20 (24 (25 (58 starts) (1 (60 out) (12 (74 with) (27 (44 [UNK]) (92 promise))))) (1 (1 (39 ,) (25 (13 (25 (13 (27 (33 introducing) (27 (52 an) (2 (68 intriguing) (8 (76 and) (2 (32 alluring) (84 premise)))))) (48 ,)) (3 (28 (3 (3 (28 (40 only) (73 to)) (45 fall)) (47 prey)) (73 to)) (27 (52 a) (0 (44 [UNK]) (12 (74 of) (27 (53 screenwriting) (92 cliches))))))) (75 that)) (3 (59 sink) (47 it)))) (78 faster))) (31 (1 (49 than) (27 (52 a) (2 (61 [UNK]) (35 [UNK])))) (77 .)))) (55 ")) |
815 | "ultimately . . . the movie is too heady for children , and too preachy for adults ." | Subjective | (20 (20 (55 ") (20 (24 (25 (58 ultimately) (1 (31 (1 (77 .) (77 .)) (77 .)) (24 (25 (13 (43 the) (69 movie)) (3 (89 is) (27 (37 too) (61 [UNK])))) (1 (49 for) (56 children))))) (1 (39 ,) (25 (85 and) (27 (37 too) (71 preachy))))) (31 (1 (49 for) (56 adults)) (77 .)))) (55 ")) |
816 | "yes , i suppose it's lovely that cal works out his issues with his dad and comes to terms with his picture-perfect life -- but world traveler gave me no reason to care , so i didn't ." | Subjective | (20 (20 (55 ") (20 (24 (25 (58 yes) (1 (39 ,) (25 (41 i) (3 (59 [UNK]) (25 (41 it) (3 (28 (38 ') (67 s)) (45 lovely))))))) (1 (39 that) (25 (13 (24 (25 (44 [UNK]) (3 (3 (59 works) (47 out)) (27 (46 his) (51 issues)))) (1 (49 with) (27 (46 his) (51 dad)))) (76 and)) (3 (28 (40 comes) (73 to)) (45 terms))))) (31 (1 (49 with) (27 (27 (52 his) (2 (95 picture) (10 (66 -) (2 (32 perfect) (84 life))))) (8 (66 -) (23 (66 -) (24 (25 (88 but) (25 (13 (90 world) (44 [UNK])) (3 (28 (3 (3 (59 gave) (47 me)) (27 (81 no) (64 reason))) (73 to)) (45 care)))) (1 (39 ,) (25 (13 (88 so) (80 i)) (3 (62 didn) (28 (38 ') (67 t)))))))))) (77 .)))) (55 ")) |
817 | "though ganesh is successful in a midlevel sort of way , there's nothing so striking or fascinating or metaphorically significant about his career as to rate two hours of our attention ." | Subjective | (20 (20 (55 ") (20 (24 (25 (88 though) (24 (25 (44 [UNK]) (3 (89 is) (45 successful))) (1 (49 in) (27 (52 a) (2 (42 [UNK]) (11 (65 sort) (12 (74 of) (27 (56 way) (1 (1 (39 ,) (24 (25 (41 there) (3 (6 (28 (38 ') (67 s)) (57 nothing)) (27 (37 so) (71 striking)))) (1 (49 or) (27 (54 fascinating) (8 (70 or) (61 [UNK])))))) (78 significant)))))))))) (1 (49 about) (27 (46 his) (51 career)))) (31 (1 (39 as) (24 (25 (73 to) (3 (89 rate) (27 (53 two) (92 hours)))) (1 (49 of) (27 (46 our) (51 attention))))) (77 .)))) (55 ")) |
818 | this angst-ridden territory was covered earlier and much better in ordinary people . | Subjective | (20 (24 (25 (22 (43 this) (2 (68 angst) (8 (66 -) (23 (61 [UNK]) (63 territory))))) (3 (89 was) (45 [UNK]))) (1 (60 earlier) (12 (74 and) (27 (37 much) (71 better))))) (31 (1 (49 in) (27 (53 ordinary) (92 people))) (77 .))) |