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459 | a thinly veiled excuse for wilson to play his self-deprecating act against murphy's well-honed prima donna shtick . | Subjective | (20 (24 (25 (29 (52 a) (61 [UNK])) (2 (61 [UNK]) (35 [UNK]))) (1 (49 for) (27 (7 (6 (28 (40 [UNK]) (73 to)) (57 play)) (46 his)) (2 (68 self) (8 (66 -) (23 (50 deprecating) (84 act))))))) (31 (1 (49 against) (27 (54 murphy) (8 (8 (8 (28 (38 ') (67 s)) (2 (68 well) (8 (66 -) (23 (35 [UNK]) (44 [UNK]))))) (42 [UNK])) (42 [UNK])))) (77 .))) |
46 | "certain to be distasteful to children and adults alike , eight crazy nights is a total misfire ." | Subjective | (20 (20 (55 ") (20 (24 (25 (58 certain) (1 (28 (3 (28 (73 to) (57 be)) (45 [UNK])) (73 to)) (87 children))) (1 (1 (49 and) (56 adults)) (78 alike))) (31 (1 (39 ,) (25 (13 (27 (53 eight) (92 crazy)) (48 nights)) (3 (89 is) (27 (52 a) (2 (32 total) (42 [UNK])))))) (77 .)))) (55 ")) |
460 | director robert rodriguez has once again caught lightning in a bottle . | Subjective | (20 (24 (25 (88 director) (25 (13 (90 robert) (44 [UNK])) (3 (89 has) (27 (37 once) (71 again))))) (1 (49 caught) (56 lightning))) (31 (1 (49 in) (27 (81 a) (61 [UNK]))) (77 .))) |
461 | "try as you might to resist , if you've got a place in your heart for smokey robinson , this movie will worm its way there ." | Subjective | (20 (20 (55 ") (20 (24 (25 (58 try) (1 (39 as) (24 (25 (41 you) (3 (28 (40 might) (73 to)) (45 resist))) (1 (39 ,) (25 (13 (88 if) (80 you)) (3 (6 (28 (38 ') (67 ve)) (57 got)) (27 (81 a) (64 place)))))))) (1 (49 in) (27 (46 your) (51 heart)))) (31 (1 (49 for) (27 (35 [UNK]) (8 (63 robinson) (8 (70 ,) (13 (25 (13 (43 this) (69 movie)) (3 (89 will) (27 (44 [UNK]) (27 (46 its) (51 way))))) (41 there)))))) (77 .)))) (55 ")) |
462 | there's something fishy about a seasonal holiday kids' movie . . . that derives its moment of most convincing emotional gravity from a scene where santa gives gifts to grownups . | Subjective | (20 (24 (25 (41 there) (3 (28 (38 ') (67 s)) (27 (37 something) (61 [UNK])))) (1 (39 about) (24 (25 (13 (25 (27 (26 (27 (52 a) (2 (61 [UNK]) (2 (32 holiday) (84 kids)))) (38 ')) (69 movie)) (31 (1 (77 .) (77 .)) (77 .))) (75 that)) (3 (42 [UNK]) (27 (81 its) (11 (65 moment) (12 (74 of) (27 (52 most) (2 (95 convincing) (2 (32 emotional) (42 [UNK]))))))))) (1 (49 from) (27 (81 a) (64 scene)))))) (31 (1 (39 where) (25 (41 santa) (3 (28 (3 (89 gives) (45 [UNK])) (73 to)) (45 [UNK])))) (77 .))) |
463 | some remarkable achival film about how shanghai ( of all places ) served jews who escaped the holocaust . | Subjective | (20 (24 (25 (27 (52 some) (2 (32 remarkable) (42 [UNK]))) (79 film)) (1 (49 about) (27 (33 how) (27 (35 [UNK]) (8 (8 (70 () (12 (74 of) (27 (53 all) (92 places)))) (34 ))))))) (31 (1 (49 served) (27 (54 jews) (8 (75 who) (3 (59 escaped) (27 (81 the) (64 holocaust)))))) (77 .))) |
464 | an entertaining but unspectacular film . pretty goofy at times - but the slick and gleefully self-indulgent violence will not disappoint the action fan . | Subjective | (20 (24 (25 (27 (52 an) (2 (68 entertaining) (8 (76 but) (2 (44 [UNK]) (84 film))))) (8 (39 .) (27 (37 pretty) (71 goofy)))) (1 (49 at) (56 times))) (31 (1 (66 -) (25 (13 (88 but) (22 (43 the) (2 (68 slick) (8 (8 (76 and) (35 [UNK])) (8 (63 self) (8 (66 -) (23 (50 indulgent) (84 violence)))))))) (3 (6 (28 (89 will) (86 not)) (57 [UNK])) (27 (52 the) (2 (32 action) (84 fan)))))) (77 .))) |
465 | "the film , while not exactly assured in its execution , is notable for its sheer audacity and openness ." | Subjective | (20 (20 (55 ") (20 (24 (25 (13 (24 (25 (13 (43 the) (69 film)) (3 (6 (28 (28 (39 ,) (88 while)) (86 not)) (57 exactly)) (83 [UNK]))) (1 (49 in) (27 (46 its) (51 execution)))) (39 ,)) (3 (89 is) (45 [UNK]))) (1 (49 for) (27 (52 its) (2 (68 sheer) (8 (42 [UNK]) (8 (76 and) (35 [UNK]))))))) (77 .))) (55 ")) |
466 | . . . could easily be called the best korean film of 2002 . | Subjective | (20 (24 (25 (31 (1 (77 .) (77 .)) (77 .)) (3 (28 (89 could) (86 easily)) (45 be))) (1 (49 called) (27 (52 the) (2 (95 best) (2 (32 korean) (84 film)))))) (31 (1 (74 of) (56 2002)) (77 .))) |
467 | "while the finished product is still fun , never dull and the athletes themselves remarkable , inspired and apt , the production could have been improved ." | Subjective | (20 (20 (55 ") (20 (24 (25 (13 (88 while) (22 (43 the) (2 (32 finished) (84 product)))) (3 (28 (89 is) (86 still)) (45 fun))) (1 (39 ,) (25 (27 (37 never) (71 dull)) (3 (28 (76 and) (27 (81 the) (64 athletes))) (27 (54 themselves) (8 (63 remarkable) (8 (70 ,) (15 (82 inspired) (8 (76 and) (35 [UNK])))))))))) (31 (1 (39 ,) (25 (13 (43 the) (69 production)) (3 (6 (28 (89 could) (86 have)) (57 been)) (83 [UNK])))) (77 .)))) (55 ")) |
468 | "there are a few chuckles , but not a single gag sequence that really scores , and the stars seem to be in two different movies ." | Subjective | (20 (20 (55 ") (20 (24 (25 (41 there) (3 (89 are) (27 (52 a) (2 (32 few) (42 [UNK]))))) (1 (39 ,) (25 (88 but) (24 (25 (13 (25 (27 (33 not) (27 (52 a) (2 (32 single) (42 [UNK])))) (79 sequence)) (75 that)) (3 (62 really) (59 scores))) (1 (39 ,) (25 (13 (76 and) (13 (43 the) (69 stars))) (3 (28 (40 seem) (73 to)) (45 be)))))))) (31 (1 (49 in) (27 (52 two) (2 (32 different) (84 movies)))) (77 .)))) (55 ")) |
469 | "there's no real reason to see it , and no real reason not to ." | Subjective | (20 (20 (55 ") (20 (24 (25 (41 there) (3 (6 (28 (3 (28 (38 ') (67 s)) (27 (52 no) (2 (32 real) (84 reason)))) (73 to)) (57 see)) (83 it))) (1 (39 ,) (25 (85 and) (27 (52 no) (2 (32 real) (84 reason)))))) (31 (1 (37 not) (73 to)) (77 .)))) (55 ")) |
47 | this gorgeous epic is guaranteed to lift the spirits of the whole family . | Subjective | (20 (24 (25 (22 (43 this) (2 (32 gorgeous) (84 epic))) (3 (6 (28 (3 (89 is) (45 [UNK])) (73 to)) (57 [UNK])) (27 (81 the) (61 [UNK])))) (1 (49 of) (27 (52 the) (2 (32 whole) (84 family))))) (77 .)) |
470 | "the film's final hour , where nearly all the previous unseen material resides , is unconvincing soap opera that tornatore was right to cut ." | Subjective | (20 (20 (55 ") (20 (24 (25 (27 (81 the) (64 film)) (8 (28 (38 ') (67 s)) (2 (32 final) (84 hour)))) (1 (39 ,) (25 (88 where) (25 (13 (27 (27 (33 nearly) (27 (33 all) (27 (52 the) (2 (95 previous) (2 (32 unseen) (84 material)))))) (44 [UNK])) (48 ,)) (3 (89 is) (27 (52 [UNK]) (2 (32 soap) (84 opera)))))))) (31 (1 (39 that) (25 (44 [UNK]) (3 (28 (3 (89 was) (45 right)) (73 to)) (45 cut)))) (77 .)))) (55 ")) |
471 | "at once subtle and visceral , the film never succumbs to the trap of the maudlin or tearful , offering instead with its unflinching gaze a measure of faith in the future ." | Subjective | (20 (20 (55 ") (20 (24 (25 (85 at) (27 (27 (37 once) (71 subtle)) (8 (76 and) (82 visceral)))) (1 (39 ,) (25 (13 (43 the) (69 film)) (3 (62 never) (3 (28 (40 succumbs) (73 to)) (27 (43 the) (0 (44 [UNK]) (12 (74 of) (27 (52 the) (2 (68 maudlin) (8 (70 or) (61 [UNK])))))))))))) (31 (1 (39 ,) (25 (13 (88 offering) (27 (91 instead) (12 (74 with) (27 (46 its) (42 [UNK]))))) (3 (42 [UNK]) (27 (81 a) (11 (65 measure) (12 (74 of) (27 (91 faith) (12 (74 in) (27 (81 the) (64 future)))))))))) (77 .)))) (55 ")) |
472 | "a baffling subplot involving smuggling drugs inside danish cows falls flat , and if you're going to alter the bard's ending , you'd better have a good alternative ." | Subjective | (20 (20 (55 ") (20 (24 (25 (27 (52 a) (2 (2 (68 baffling) (0 (44 [UNK]) (12 (74 involving) (27 (44 [UNK]) (92 drugs))))) (1 (49 inside) (27 (61 [UNK]) (35 [UNK]))))) (3 (59 falls) (47 flat))) (1 (39 ,) (24 (25 (13 (76 and) (13 (88 if) (80 you))) (3 (6 (28 (3 (28 (38 ') (67 re)) (45 going)) (73 to)) (57 [UNK])) (27 (81 the) (64 bard)))) (1 (28 (38 ') (67 s)) (87 ending))))) (31 (1 (39 ,) (25 (13 (80 you) (3 (28 (38 ') (67 d)) (45 better))) (3 (89 have) (27 (52 a) (2 (32 good) (84 alternative)))))) (77 .)))) (55 ")) |
473 | broomfield reveals an ironic manifestation of institutionalized slavery that ties a black-owned record label with a white-empowered police force . | Subjective | (20 (24 (25 (41 broomfield) (3 (89 reveals) (27 (52 an) (2 (68 ironic) (0 (44 [UNK]) (12 (74 of) (27 (61 [UNK]) (35 [UNK])))))))) (1 (48 that) (3 (89 ties) (27 (52 a) (2 (68 black) (8 (8 (66 -) (23 (61 [UNK]) (63 record))) (42 [UNK]))))))) (31 (1 (49 with) (27 (52 a) (2 (95 white) (10 (66 -) (2 (61 [UNK]) (2 (32 police) (84 force))))))) (77 .))) |
474 | "on balance , i recommend the movie both for nicholson's performance and for the opportunity to spend some time with the kind of man that we often meet in real life , but rarely see on screen ." | Subjective | (20 (20 (55 ") (20 (24 (25 (88 on) (24 (25 (13 (24 (25 (58 balance) (1 (1 (39 ,) (25 (41 i) (3 (57 recommend) (27 (81 the) (64 movie))))) (78 both))) (1 (49 for) (27 (44 [UNK]) (1 (28 (38 ') (67 s)) (87 performance))))) (76 and)) (3 (6 (28 (1 (49 for) (27 (81 the) (64 opportunity))) (73 to)) (57 spend)) (27 (81 some) (64 time)))) (1 (49 with) (27 (81 the) (11 (65 kind) (12 (74 of) (27 (54 man) (8 (75 that) (3 (62 we) (3 (62 often) (59 meet))))))))))) (1 (49 in) (27 (46 real) (51 life)))) (31 (1 (39 ,) (25 (88 but) (25 (41 rarely) (3 (59 see) (1 (49 on) (56 screen)))))) (77 .)))) (55 ")) |
475 | "if you keep a list of films you want to see one way or another , you would be doing yourself a service by keeping this film high up on that list ." | Subjective | (20 (20 (55 ") (20 (24 (25 (13 (88 if) (80 you)) (3 (57 keep) (27 (81 a) (11 (65 list) (12 (74 of) (27 (75 films) (25 (41 you) (3 (6 (28 (40 want) (73 to)) (57 see)) (27 (93 one) (64 way)))))))))) (1 (49 or) (56 another))) (31 (1 (39 ,) (24 (25 (41 you) (3 (3 (3 (3 (28 (89 would) (86 be)) (27 (33 doing) (47 yourself))) (27 (81 a) (11 (65 service) (12 (74 by) (27 (33 keeping) (27 (81 this) (64 film))))))) (47 high)) (47 up))) (1 (49 on) (27 (75 that) (87 list))))) (77 .)))) (55 ")) |
476 | "it doesn't do a lot of deep thinking , but unlike many futuristic combos of sf and f/x , it does make a statement : freedom of opinion is a threat to totalitarian systems ." | Subjective | (20 (20 (55 ") (20 (24 (25 (41 it) (3 (62 doesn) (3 (6 (28 (38 ') (67 t)) (57 do)) (27 (81 a) (11 (65 lot) (12 (74 of) (27 (81 deep) (64 thinking)))))))) (1 (39 ,) (25 (88 but) (24 (25 (85 unlike) (27 (52 many) (2 (16 (61 [UNK]) (0 (44 [UNK]) (12 (74 of) (27 (35 [UNK]) (8 (76 and) (35 [UNK])))))) (8 (66 /) (50 x))))) (1 (39 ,) (25 (41 it) (3 (28 (89 does) (86 make)) (27 (81 a) (61 [UNK]))))))))) (31 (1 (49 :) (27 (91 freedom) (12 (74 of) (27 (35 [UNK]) (8 (28 (3 (89 is) (27 (81 a) (64 threat))) (73 to)) (2 (61 [UNK]) (35 [UNK]))))))) (77 .)))) (55 ")) |
477 | "like edward norton in american history x , ryan gosling ( murder by numbers ) delivers a magnetic performance ." | Subjective | (20 (20 (55 ") (20 (24 (25 (85 like) (27 (61 [UNK]) (35 [UNK]))) (1 (1 (49 in) (27 (53 american) (92 history))) (78 x))) (31 (1 (39 ,) (25 (13 (90 ryan) (15 (82 gosling) (8 (8 (70 () (15 (82 murder) (8 (70 by) (82 numbers)))) (34 ))))) (3 (89 delivers) (27 (52 a) (2 (44 [UNK]) (84 performance)))))) (77 .)))) (55 ")) |
478 | "nair's attention to detail creates an impeccable sense of place , while thurman and lewis give what can easily be considered career-best performances ." | Subjective | (20 (20 (55 ") (20 (24 (25 (41 nair) (3 (28 (3 (28 (38 ') (67 s)) (45 attention)) (73 to)) (45 detail))) (1 (49 creates) (27 (52 an) (2 (42 [UNK]) (11 (65 sense) (12 (74 of) (27 (56 place) (1 (39 ,) (24 (25 (13 (88 while) (35 [UNK])) (3 (6 (28 (76 and) (42 [UNK])) (57 give)) (83 what))) (1 (28 (28 (28 (89 can) (86 easily)) (86 be)) (86 considered)) (87 career))))))))))) (31 (1 (49 -) (27 (53 best) (92 performances))) (77 .)))) (55 ")) |
479 | the script was reportedly rewritten a dozen times -- either 11 times too many or else too few . | Subjective | (20 (24 (25 (13 (43 the) (69 script)) (3 (6 (28 (89 was) (86 [UNK])) (57 [UNK])) (27 (27 (52 a) (2 (32 dozen) (84 times))) (8 (66 -) (23 (66 -) (27 (53 either) (92 11))))))) (1 (49 times) (27 (37 too) (71 many)))) (31 (1 (76 or) (3 (89 else) (27 (37 too) (71 few)))) (77 .))) |
48 | presents a most persuasive vision of hell on earth . | Subjective | (20 (24 (25 (85 presents) (27 (52 a) (2 (95 most) (2 (44 [UNK]) (84 vision))))) (1 (74 of) (56 hell))) (31 (1 (49 on) (56 earth)) (77 .))) |
480 | "pc stability notwithstanding , the film suffers from a simplistic narrative and a pat , fairy-tale conclusion ." | Subjective | (20 (20 (55 ") (20 (24 (25 (13 (61 [UNK]) (42 [UNK])) (35 [UNK])) (1 (39 ,) (25 (13 (43 the) (69 film)) (3 (59 suffers) (1 (49 from) (27 (52 a) (2 (32 simplistic) (84 narrative)))))))) (31 (1 (49 and) (27 (52 a) (2 (68 pat) (8 (70 ,) (15 (82 fairy) (8 (66 -) (23 (50 tale) (84 conclusion)))))))) (77 .)))) (55 ")) |
481 | the talented and clever robert rodriguez perhaps put a little too much heart into his first film and didn't reserve enough for his second . | Subjective | (20 (24 (25 (22 (43 the) (2 (68 talented) (8 (76 and) (2 (68 clever) (8 (70 robert) (61 [UNK])))))) (3 (89 perhaps) (45 put))) (1 (13 (24 (25 (27 (52 a) (2 (95 little) (2 (37 too) (71 much)))) (79 heart)) (1 (49 into) (27 (52 his) (2 (32 first) (84 film))))) (76 and)) (3 (62 didn) (3 (6 (28 (38 ') (67 t)) (57 [UNK])) (83 enough))))) (31 (1 (49 for) (27 (46 his) (51 second))) (77 .))) |
482 | "tartakovsky's team has some freakish powers of visual charm , but the five writers slip into the modern rut of narrative banality ." | Subjective | (20 (20 (55 ") (20 (24 (25 (13 (61 [UNK]) (8 (28 (38 ') (67 s)) (51 team))) (3 (89 has) (27 (52 some) (2 (44 [UNK]) (84 powers))))) (1 (49 of) (27 (53 visual) (92 charm)))) (31 (1 (39 ,) (25 (13 (88 but) (22 (43 the) (2 (32 five) (84 writers)))) (3 (59 slip) (1 (49 into) (27 (52 the) (2 (68 modern) (0 (44 [UNK]) (12 (74 of) (27 (90 narrative) (61 [UNK])))))))))) (77 .)))) (55 ")) |
483 | "the film boasts dry humor and jarring shocks , plus moments of breathtaking mystery ." | Subjective | (20 (20 (55 ") (20 (24 (25 (13 (43 the) (69 film)) (3 (3 (89 boasts) (45 dry)) (27 (54 humor) (8 (21 (8 (8 (76 and) (35 [UNK])) (42 [UNK])) (70 ,)) (44 [UNK]))))) (1 (60 moments) (12 (74 of) (27 (53 breathtaking) (92 mystery))))) (77 .))) (55 ")) |
484 | you will emerge with a clearer view of how the gears of justice grind on and the death report comes to share airtime alongside the farm report . | Subjective | (20 (24 (25 (41 you) (3 (89 will) (45 emerge))) (1 (49 with) (27 (52 a) (2 (42 [UNK]) (11 (65 view) (12 (74 of) (27 (33 how) (27 (43 the) (0 (44 [UNK]) (12 (74 of) (27 (56 justice) (3 (59 [UNK]) (47 on))))))))))))) (31 (1 (39 and) (24 (25 (22 (43 the) (2 (32 death) (84 report))) (3 (6 (28 (40 comes) (73 to)) (57 share)) (83 [UNK]))) (1 (49 alongside) (27 (52 the) (2 (32 farm) (84 report)))))) (77 .))) |
485 | interesting both as a historical study and as a tragic love story . | Subjective | (20 (24 (25 (86 interesting) (94 both)) (1 (49 as) (27 (52 a) (2 (32 historical) (84 study))))) (31 (1 (39 and) (25 (85 as) (27 (52 a) (2 (95 tragic) (2 (32 love) (84 story)))))) (77 .))) |
486 | "its salient points are simultaneously buried , drowned and smothered in the excesses of writer-director roger avary ." | Subjective | (20 (20 (55 ") (20 (24 (25 (27 (52 its) (2 (44 [UNK]) (84 points))) (3 (28 (89 are) (86 [UNK])) (45 buried))) (1 (39 ,) (25 (61 [UNK]) (8 (76 and) (35 [UNK]))))) (31 (1 (49 in) (27 (43 the) (0 (44 [UNK]) (12 (74 of) (27 (54 writer) (8 (66 -) (23 (50 director) (8 (90 roger) (61 [UNK]))))))))) (77 .)))) (55 ")) |
487 | the emotional overload of female angst irreparably drags the film down . | Subjective | (20 (25 (22 (43 the) (2 (68 emotional) (0 (44 [UNK]) (12 (74 of) (27 (54 female) (8 (70 angst) (61 [UNK]))))))) (3 (3 (59 drags) (27 (81 the) (64 film))) (47 down))) (77 .)) |
488 | a lot rides on coincidence . or fate . or the magic pull of the moon . it all makes sense in the end . | Subjective | (20 (24 (25 (27 (81 a) (64 lot)) (79 [UNK])) (1 (49 on) (27 (72 coincidence) (77 .)))) (31 (1 (31 (1 (49 or) (56 fate)) (77 .)) (24 (25 (85 or) (27 (81 the) (64 magic))) (1 (31 (1 (60 pull) (12 (74 of) (27 (81 the) (64 moon)))) (77 .)) (24 (25 (41 it) (3 (62 all) (3 (59 makes) (47 sense)))) (1 (49 in) (27 (81 the) (64 end))))))) (77 .))) |
489 | i thought my own watch had stopped keeping time as i slogged my way through clockstoppers . | Subjective | (20 (24 (25 (41 i) (3 (59 thought) (25 (13 (27 (46 my) (51 own)) (48 watch)) (3 (89 had) (45 stopped))))) (1 (49 keeping) (56 time))) (31 (1 (39 as) (24 (25 (41 i) (3 (42 [UNK]) (27 (46 my) (51 way)))) (1 (49 through) (56 clockstoppers)))) (77 .))) |
49 | "no worse than a lot of the crap we've been offered this summer , and slightly better than men in black 2 as far as slapdash extraterrestrial comedies go ." | Subjective | (20 (20 (55 ") (20 (24 (25 (86 no) (94 worse)) (1 (39 than) (24 (25 (13 (27 (81 a) (11 (65 lot) (12 (74 of) (27 (81 the) (64 crap))))) (48 we)) (3 (6 (28 (38 ') (67 ve)) (57 been)) (27 (33 offered) (27 (81 this) (64 summer))))) (1 (39 ,) (24 (25 (88 and) (24 (25 (86 slightly) (94 better)) (1 (49 than) (56 men)))) (1 (49 in) (27 (53 black) (92 2)))))))) (31 (1 (39 as) (25 (58 far) (1 (39 as) (25 (13 (61 [UNK]) (42 [UNK])) (3 (89 comedies) (45 go)))))) (77 .)))) (55 ")) |
490 | "it challenges , this nervy oddity , like modern art should ." | Subjective | (20 (20 (55 ") (20 (24 (25 (80 it) (89 challenges)) (1 (39 ,) (25 (13 (43 this) (42 [UNK])) (35 [UNK])))) (31 (1 (39 ,) (25 (85 like) (27 (52 modern) (2 (32 art) (84 should))))) (77 .)))) (55 ")) |
491 | "an amusing , breezily apolitical documentary about life on the campaign trail ." | Subjective | (20 (20 (55 ") (20 (24 (25 (27 (52 an) (2 (68 amusing) (8 (8 (70 ,) (61 [UNK])) (42 [UNK])))) (79 documentary)) (1 (49 about) (56 life))) (31 (1 (49 on) (27 (52 the) (2 (32 campaign) (84 trail)))) (77 .)))) (55 ")) |
492 | there's not enough here to justify the almost two hours . | Subjective | (20 (24 (25 (41 there) (3 (28 (28 (38 ') (67 s)) (86 not)) (45 enough))) (1 (6 (28 (40 here) (73 to)) (57 justify)) (22 (43 the) (2 (95 almost) (2 (32 two) (84 hours)))))) (77 .)) |
493 | reeks of rot and hack work from start to finish . | Subjective | (20 (0 (44 [UNK]) (12 (74 of) (27 (35 [UNK]) (8 (76 and) (2 (44 [UNK]) (84 work)))))) (31 (1 (49 from) (27 (54 start) (8 (73 to) (57 finish)))) (77 .))) |
494 | "lillard and cardellini earn their scooby snacks , but not anyone else ." | Subjective | (20 (20 (55 ") (20 (24 (25 (61 [UNK]) (8 (76 and) (35 [UNK]))) (1 (49 earn) (27 (27 (46 their) (51 scooby)) (44 [UNK])))) (31 (1 (39 ,) (25 (88 but) (25 (85 not) (27 (37 anyone) (71 else))))) (77 .)))) (55 ")) |
495 | "an inept , tedious spoof of '70s kung fu pictures , it contains almost enough chuckles for a three-minute sketch , and no more ." | Subjective | (20 (20 (55 ") (20 (24 (25 (27 (27 (52 an) (2 (68 inept) (8 (70 ,) (82 tedious)))) (78 spoof)) (12 (74 of) (27 (38 ') (26 (72 70s) (5 (8 (66 kung) (50 fu)) (92 pictures)))))) (1 (39 ,) (24 (25 (41 it) (3 (6 (28 (89 contains) (86 almost)) (57 enough)) (83 [UNK]))) (1 (49 for) (27 (52 a) (2 (68 three) (8 (66 -) (23 (50 minute) (44 [UNK]))))))))) (31 (1 (39 ,) (25 (88 and) (25 (86 no) (94 more)))) (77 .)))) (55 ")) |
496 | you know you're in for a good ol' popcorn-munching time when the movie's tagline is a bad pun on the title of a piece of fine literature . | Subjective | (20 (24 (25 (13 (80 you) (3 (59 know) (47 you))) (3 (28 (38 ') (67 re)) (45 in))) (1 (49 for) (27 (26 (27 (52 a) (2 (32 good) (84 ol))) (38 ')) (2 (95 popcorn) (10 (66 -) (2 (44 [UNK]) (84 time))))))) (31 (1 (39 when) (24 (25 (13 (43 the) (69 movie)) (3 (28 (38 ') (67 s)) (27 (44 [UNK]) (1 (49 is) (27 (52 a) (2 (32 bad) (84 pun))))))) (1 (49 on) (27 (81 the) (11 (65 title) (12 (74 of) (27 (81 a) (11 (65 piece) (12 (74 of) (27 (53 fine) (92 literature))))))))))) (77 .))) |
497 | "an engaging and specific portrait of a culture in transition , even as it evokes humanity's most universal and timeless values ." | Subjective | (20 (20 (55 ") (20 (27 (52 an) (2 (68 engaging) (8 (76 and) (2 (42 [UNK]) (11 (65 portrait) (12 (74 of) (27 (81 a) (64 culture)))))))) (31 (1 (49 in) (27 (44 [UNK]) (1 (39 ,) (25 (88 even) (25 (13 (88 as) (80 it)) (3 (42 [UNK]) (27 (56 humanity) (3 (28 (38 ') (67 s)) (27 (52 most) (2 (68 universal) (8 (76 and) (2 (32 timeless) (84 values))))))))))))) (77 .)))) (55 ")) |
498 | "if this is the danish idea of a good time , prospective tourists might want to consider a different destination -- some jolly country embroiled in a bloody civil war , perhaps ." | Subjective | (20 (20 (55 ") (20 (24 (25 (13 (88 if) (80 this)) (3 (89 is) (27 (52 the) (2 (42 [UNK]) (11 (65 idea) (12 (74 of) (27 (52 a) (2 (32 good) (84 time))))))))) (1 (39 ,) (25 (13 (61 [UNK]) (42 [UNK])) (3 (6 (28 (3 (89 might) (45 want)) (73 to)) (57 consider)) (27 (52 a) (2 (68 different) (8 (42 [UNK]) (8 (8 (66 -) (23 (66 -) (27 (52 some) (2 (44 [UNK]) (84 country))))) (42 [UNK]))))))))) (31 (1 (49 in) (27 (27 (52 a) (2 (32 bloody) (42 [UNK]))) (8 (63 war) (8 (70 ,) (82 perhaps))))) (77 .)))) (55 ")) |
499 | i have a confession to make : i didn't particularly like e . t . the first time i saw it as a young boy . that is because - damn it ! - i also wanted a little alien as a friend ! | Subjective | (20 (24 (25 (41 i) (3 (6 (28 (3 (89 have) (27 (81 a) (61 [UNK]))) (73 to)) (57 make)) (27 (31 (1 (39 :) (24 (25 (41 i) (3 (62 didn) (3 (28 (38 ') (67 t)) (45 particularly)))) (1 (49 like) (27 (54 e) (8 (77 .) (67 t)))))) (77 .)) (25 (13 (27 (52 the) (2 (32 first) (84 time))) (48 i)) (3 (59 saw) (47 it)))))) (1 (31 (1 (49 as) (27 (52 a) (2 (32 young) (84 boy)))) (77 .)) (24 (25 (41 that) (3 (89 is) (27 (54 because) (8 (66 -) (23 (50 damn) (8 (41 it) (36 !))))))) (1 (66 -) (25 (41 i) (3 (62 also) (3 (89 wanted) (27 (52 a) (2 (32 little) (84 alien)))))))))) (31 (1 (49 as) (27 (81 a) (64 friend))) (36 !))) |
5 | " . . . too slow , too boring , and occasionally annoying ." | Subjective | (20 (20 (55 ") (20 (24 (25 (31 (1 (77 .) (77 .)) (77 .)) (27 (37 too) (71 slow))) (1 (49 ,) (27 (37 too) (71 boring)))) (31 (1 (39 ,) (25 (85 and) (27 (37 occasionally) (71 annoying)))) (77 .)))) (55 ")) |
50 | "elmo touts his drug as being 51 times stronger than coke . if you're looking for a tale of brits behaving badly , watch snatch again . it's 51 times better than this ." | Subjective | (20 (20 (55 ") (20 (24 (25 (44 [UNK]) (3 (42 [UNK]) (27 (46 his) (51 drug)))) (1 (1 (49 as) (27 (33 being) (27 (44 [UNK]) (92 times)))) (78 stronger))) (31 (1 (31 (1 (49 than) (61 [UNK])) (77 .)) (24 (25 (13 (88 if) (80 you)) (3 (28 (38 ') (67 re)) (45 looking))) (1 (31 (1 (1 (49 for) (27 (81 a) (11 (65 tale) (12 (74 of) (27 (35 [UNK]) (8 (8 (42 [UNK]) (8 (63 badly) (8 (70 ,) (82 watch)))) (42 [UNK]))))))) (78 again)) (77 .)) (24 (25 (41 it) (3 (3 (28 (38 ') (67 s)) (27 (44 [UNK]) (92 times))) (47 better))) (1 (49 than) (56 this)))))) (77 .)))) (55 ")) |
500 | the woods haven't been this creepy since the blair witch project . | Subjective | (20 (24 (25 (27 (81 the) (64 woods)) (3 (62 haven) (3 (6 (28 (38 ') (67 t)) (57 been)) (27 (81 this) (64 creepy))))) (1 (1 (49 since) (27 (52 the) (2 (32 blair) (84 witch)))) (78 project))) (77 .)) |
501 | "accuracy and realism are terrific , but if your film becomes boring , and your dialogue isn't smart , then you need to use more poetic license ." | Subjective | (20 (20 (55 ") (20 (24 (25 (13 (61 [UNK]) (8 (76 and) (35 [UNK]))) (3 (89 are) (45 terrific))) (1 (39 ,) (25 (88 but) (25 (88 if) (24 (25 (13 (43 your) (69 film)) (3 (89 becomes) (45 boring))) (1 (39 ,) (25 (13 (76 and) (13 (43 your) (69 dialogue))) (3 (62 isn) (3 (28 (38 ') (67 t)) (45 smart)))))))))) (31 (1 (39 ,) (25 (13 (88 then) (80 you)) (3 (6 (28 (40 need) (73 to)) (57 use)) (27 (27 (37 more) (71 poetic)) (44 [UNK]))))) (77 .)))) (55 ")) |
502 | "the dramatic scenes are frequently unintentionally funny , and the action sequences -- clearly the main event -- are surprisingly uninvolving ." | Subjective | (20 (20 (55 ") (20 (24 (25 (22 (43 the) (2 (32 dramatic) (84 scenes))) (3 (28 (89 are) (86 frequently)) (27 (37 unintentionally) (71 funny)))) (1 (39 ,) (25 (13 (88 and) (22 (43 the) (2 (68 action) (8 (4 (8 (63 sequences) (8 (66 -) (23 (66 -) (13 (62 clearly) (22 (43 the) (2 (32 main) (84 event))))))) (66 -)) (66 -))))) (3 (89 are) (27 (37 surprisingly) (71 uninvolving)))))) (77 .))) (55 ")) |
503 | "film can't quite maintain its initial momentum , but remains sporadically funny throughout ." | Subjective | (20 (20 (55 ") (20 (24 (25 (41 film) (3 (62 can) (3 (6 (28 (28 (38 ') (67 t)) (86 quite)) (57 maintain)) (27 (52 its) (2 (32 initial) (42 [UNK])))))) (1 (1 (39 ,) (25 (88 but) (25 (85 remains) (27 (37 [UNK]) (71 funny))))) (78 throughout))) (77 .))) (55 ")) |
504 | the soundtrack alone -- the literal pulse of the thing -- will rock you in your seat . | Subjective | (20 (24 (25 (13 (27 (81 the) (64 soundtrack)) (13 (30 (58 alone) (4 (8 (66 -) (23 (66 -) (27 (81 the) (16 (61 [UNK]) (0 (44 [UNK]) (12 (74 of) (27 (81 the) (64 thing)))))))) (66 -))) (66 -))) (3 (3 (89 will) (45 rock)) (47 you))) (1 (49 in) (27 (46 your) (51 seat)))) (77 .)) |
505 | "the production values are up there . the use of cgi and digital ink-and-paint make the thing look really slick . the voices are fine as well . the problem , it is with most of these things , is the script ." | Subjective | (20 (20 (55 ") (20 (24 (25 (13 (27 (81 the) (64 production)) (48 values)) (3 (3 (59 are) (47 up)) (47 there))) (1 (39 .) (25 (13 (43 the) (11 (65 use) (12 (74 of) (27 (35 [UNK]) (8 (8 (76 and) (2 (32 digital) (42 [UNK]))) (8 (66 -) (23 (76 and) (10 (66 -) (2 (64 paint) (1 (49 make) (27 (81 the) (64 thing)))))))))))) (3 (28 (89 look) (86 really)) (45 slick))))) (31 (1 (39 .) (24 (25 (13 (43 the) (69 voices)) (3 (89 are) (45 fine))) (1 (39 as) (25 (13 (24 (25 (58 well) (1 (39 .) (25 (13 (27 (81 the) (64 problem)) (48 ,)) (3 (41 it) (89 is))))) (1 (49 with) (27 (91 most) (12 (74 of) (27 (53 these) (92 things)))))) (39 ,)) (3 (89 is) (27 (81 the) (64 script))))))) (77 .)))) (55 ")) |
506 | "while the film really doesn't have anything new to say , it's still thoughtful and well-crafted ." | Subjective | (20 (20 (55 ") (20 (24 (25 (88 while) (25 (13 (43 the) (69 film)) (3 (62 really) (3 (28 (3 (62 doesn) (3 (6 (28 (38 ') (67 t)) (57 have)) (27 (37 anything) (71 new)))) (73 to)) (45 say))))) (1 (39 ,) (25 (41 it) (3 (28 (28 (38 ') (67 s)) (86 still)) (45 thoughtful))))) (31 (1 (49 and) (27 (54 well) (8 (66 -) (50 crafted)))) (77 .)))) (55 ")) |
507 | "moore's complex and important film is also , believe it or not , immensely entertaining , a david and goliath story that's still very much playing itself out ." | Subjective | (20 (20 (55 ") (20 (24 (25 (13 (80 moore) (3 (28 (38 ') (67 s)) (27 (54 complex) (8 (76 and) (2 (32 important) (84 film)))))) (3 (6 (28 (28 (89 is) (86 also)) (86 ,)) (57 believe)) (83 it))) (1 (39 or) (24 (25 (58 not) (1 (8 (70 ,) (61 [UNK])) (78 entertaining))) (1 (39 ,) (25 (13 (27 (52 a) (2 (15 (82 david) (8 (76 and) (35 [UNK]))) (69 story))) (48 that)) (3 (28 (28 (38 ') (67 s)) (86 still)) (27 (37 very) (71 much)))))))) (31 (1 (49 playing) (27 (33 itself) (47 out))) (77 .)))) (55 ")) |
508 | it's a shame that the storyline and its underlying themes . . . finally seem so impersonal or even shallow . | Subjective | (20 (24 (25 (41 it) (3 (28 (38 ') (67 s)) (27 (81 a) (11 (65 shame) (12 (74 that) (27 (81 the) (64 storyline))))))) (1 (49 and) (27 (52 its) (2 (44 [UNK]) (84 themes))))) (31 (1 (31 (1 (77 .) (77 .)) (77 .)) (24 (25 (58 finally) (1 (49 seem) (27 (37 so) (61 [UNK])))) (1 (28 (89 or) (86 even)) (87 shallow)))) (77 .))) |
509 | one of the best films of the year with its exploration of the obstacles to happiness faced by five contemporary individuals . . . a psychological masterpiece . | Subjective | (20 (24 (25 (27 (93 one) (12 (74 of) (27 (22 (43 the) (2 (32 best) (84 films))) (12 (74 of) (27 (81 the) (64 year)))))) (12 (74 with) (27 (81 its) (11 (65 exploration) (12 (74 of) (27 (81 the) (64 obstacles))))))) (1 (49 to) (56 happiness))) (31 (25 (31 (1 (18 (60 faced) (12 (74 by) (27 (52 five) (2 (32 contemporary) (84 individuals))))) (1 (77 .) (77 .))) (77 .)) (27 (52 a) (2 (32 psychological) (84 masterpiece)))) (77 .))) |
51 | hoffman's performance is authentic to the core of his being . | Subjective | (20 (24 (25 (13 (80 hoffman) (3 (28 (38 ') (67 s)) (45 performance))) (3 (89 is) (45 [UNK]))) (1 (49 to) (27 (81 the) (11 (65 core) (12 (74 of) (27 (46 his) (51 being))))))) (77 .)) |
510 | sensitive ensemble performances and good period reconstruction add up to a moving tragedy with some buoyant human moments . | Subjective | (20 (24 (25 (13 (15 (82 sensitive) (8 (90 ensemble) (92 performances))) (8 (8 (76 and) (2 (32 good) (84 period))) (42 [UNK]))) (3 (59 add) (47 up))) (1 (49 to) (27 (52 a) (2 (32 moving) (84 tragedy))))) (31 (1 (49 with) (27 (52 some) (2 (95 buoyant) (2 (32 human) (84 moments))))) (77 .))) |
511 | "as a good old-fashioned adventure for kids , spirit : stallion of the cimarron is a winner ." | Subjective | (20 (20 (55 ") (20 (24 (25 (85 as) (27 (52 a) (2 (68 good) (8 (63 old) (8 (66 -) (23 (50 fashioned) (84 adventure))))))) (1 (49 for) (56 kids))) (31 (1 (39 ,) (24 (25 (27 (54 spirit) (8 (70 :) (61 [UNK]))) (12 (74 of) (27 (81 the) (61 [UNK])))) (1 (49 is) (27 (81 a) (64 winner))))) (77 .)))) (55 ")) |
512 | "both grant and hoult carry the movie because they are believable as people -- flawed , assured of the wrong things , and scared to admit how much they may really need the company of others ." | Subjective | (20 (20 (55 ") (20 (24 (25 (13 (90 both) (15 (82 grant) (8 (76 and) (35 [UNK])))) (3 (59 carry) (27 (81 the) (64 movie)))) (1 (39 because) (25 (41 they) (3 (89 are) (45 believable))))) (31 (1 (49 as) (27 (54 people) (8 (66 -) (23 (66 -) (24 (25 (27 (54 flawed) (8 (70 ,) (61 [UNK]))) (12 (74 of) (27 (52 the) (2 (32 wrong) (84 things))))) (1 (39 ,) (24 (25 (13 (76 and) (13 (25 (58 scared) (1 (49 to) (27 (44 [UNK]) (27 (37 how) (71 much))))) (41 they))) (3 (6 (28 (89 may) (86 really)) (57 need)) (27 (81 the) (64 company)))) (1 (74 of) (56 others))))))))) (77 .)))) (55 ")) |
513 | less funny than it should be and less funny than it thinks it is . | Subjective | (20 (27 (37 less) (71 funny)) (31 (1 (39 than) (24 (25 (41 it) (3 (28 (3 (89 should) (45 be)) (76 and)) (27 (37 less) (71 funny)))) (1 (39 than) (25 (41 it) (3 (59 thinks) (27 (41 it) (89 is))))))) (77 .))) |
514 | "the problem , amazingly enough , is the screenplay ." | Subjective | (20 (20 (55 ") (20 (27 (81 the) (64 problem)) (31 (1 (39 ,) (25 (13 (27 (44 [UNK]) (92 enough)) (48 ,)) (3 (89 is) (27 (81 the) (64 screenplay))))) (77 .)))) (55 ")) |
515 | although commentary on nachtwey is provided . . . it's the image that really tells the tale . | Subjective | (20 (24 (25 (13 (88 although) (27 (44 [UNK]) (1 (49 on) (56 nachtwey)))) (3 (89 is) (45 provided))) (1 (77 .) (77 .))) (31 (1 (39 .) (25 (13 (25 (41 it) (3 (28 (38 ') (67 s)) (27 (81 the) (61 [UNK])))) (75 that)) (3 (62 really) (3 (89 tells) (27 (81 the) (64 tale)))))) (77 .))) |
516 | " "" the quiet american "" begins in saigon in 1952 . that's its first sign of trouble ." | Subjective | (20 (20 (55 ") (20 (55 ") (20 (55 ") (20 (24 (25 (27 (52 the) (2 (95 quiet) (2 (95 american) (2 (55 ") (55 "))))) (79 begins)) (1 (49 in) (61 [UNK]))) (31 (1 (31 (1 (49 in) (61 [UNK])) (77 .)) (24 (25 (41 that) (3 (28 (38 ') (67 s)) (27 (52 its) (2 (32 first) (84 sign))))) (1 (74 of) (56 trouble)))) (77 .)))))) (55 ")) |
517 | "it wants to be thought of as a subversive little indie film , but it has all the qualities of a modern situation comedy ." | Subjective | (20 (20 (55 ") (20 (24 (25 (41 it) (3 (6 (28 (40 wants) (73 to)) (57 be)) (27 (91 thought) (74 of)))) (1 (49 as) (27 (52 a) (2 (95 subversive) (2 (95 little) (2 (32 indie) (84 film))))))) (31 (1 (39 ,) (25 (13 (88 but) (80 it)) (3 (89 has) (27 (33 all) (27 (43 the) (0 (44 [UNK]) (12 (74 of) (27 (52 a) (2 (95 modern) (2 (32 situation) (84 comedy))))))))))) (77 .)))) (55 ")) |
518 | "this nickleby thing might have more homosexual undertones than an eddie murphy film . and just when you think it can't get any more gay , in pops nathan lane ." | Subjective | (20 (20 (55 ") (20 (24 (25 (22 (43 this) (2 (32 nickleby) (84 thing))) (3 (6 (28 (28 (89 might) (86 have)) (86 more)) (57 [UNK])) (83 [UNK]))) (1 (31 (1 (49 than) (27 (52 an) (2 (27 (53 eddie) (92 murphy)) (69 film)))) (77 .)) (24 (25 (88 and) (25 (58 just) (1 (39 when) (25 (41 you) (3 (59 think) (25 (41 it) (3 (62 can) (6 (28 (38 ') (67 t)) (57 get))))))))) (1 (49 any) (27 (37 more) (71 gay)))))) (31 (1 (39 ,) (25 (85 in) (27 (35 [UNK]) (8 (90 nathan) (92 lane))))) (77 .)))) (55 ")) |
519 | "surprisingly , considering that baird is a former film editor , the movie is rather choppy ." | Subjective | (20 (20 (55 ") (20 (24 (25 (13 (27 (54 surprisingly) (8 (70 ,) (61 [UNK]))) (48 that)) (35 [UNK])) (1 (49 is) (27 (27 (52 a) (2 (32 former) (84 film))) (44 [UNK])))) (31 (1 (39 ,) (25 (13 (43 the) (69 movie)) (3 (28 (89 is) (86 rather)) (45 [UNK])))) (77 .)))) (55 ")) |
52 | "i wish windtalkers had had more faith in the dramatic potential of this true story . this would have been better than the fiction it has concocted , and there still could have been room for the war scenes ." | Subjective | (20 (20 (55 ") (20 (24 (25 (41 i) (3 (59 wish) (25 (41 windtalkers) (3 (28 (89 had) (86 had)) (27 (37 more) (71 faith)))))) (1 (31 (1 (49 in) (27 (52 the) (2 (68 dramatic) (11 (65 potential) (12 (74 of) (27 (52 this) (2 (32 true) (84 story)))))))) (77 .)) (24 (25 (41 this) (3 (6 (28 (89 would) (86 have)) (57 been)) (83 better))) (1 (49 than) (27 (81 the) (64 fiction)))))) (31 (1 (25 (41 it) (3 (89 has) (27 (44 [UNK]) (1 (39 ,) (25 (13 (88 and) (80 there)) (3 (62 still) (3 (6 (28 (89 could) (86 have)) (57 been)) (27 (91 room) (12 (74 for) (27 (81 the) (64 war))))))))))) (78 scenes)) (77 .)))) (55 ")) |
520 | "fails to satisfactorily exploit its gender politics , genre thrills or inherent humor ." | Subjective | (20 (20 (55 ") (20 (24 (25 (7 (6 (28 (28 (40 fails) (73 to)) (86 [UNK])) (57 exploit)) (46 its)) (2 (44 [UNK]) (84 politics))) (1 (39 ,) (25 (27 (53 genre) (92 thrills)) (8 (76 or) (2 (32 inherent) (84 humor)))))) (77 .))) (55 ")) |
521 | "for the first time in years , de niro digs deep emotionally , perhaps because he's been stirred by the powerful work of his co-stars ." | Subjective | (20 (20 (55 ") (20 (24 (25 (49 for) (22 (43 the) (2 (32 first) (84 time)))) (1 (49 in) (56 years))) (31 (1 (39 ,) (24 (25 (13 (90 de) (92 niro)) (3 (59 digs) (27 (37 deep) (71 emotionally)))) (1 (39 ,) (25 (88 perhaps) (24 (25 (13 (88 because) (80 he)) (3 (6 (28 (38 ') (67 s)) (57 been)) (83 [UNK]))) (1 (49 by) (27 (52 the) (2 (68 powerful) (11 (65 work) (12 (74 of) (27 (52 his) (2 (68 co) (8 (66 -) (50 stars)))))))))))))) (77 .)))) (55 ")) |
522 | "the touch is generally light enough and the performances , for the most part , credible ." | Subjective | (20 (20 (55 ") (20 (24 (25 (27 (81 the) (64 touch)) (3 (28 (89 is) (86 generally)) (27 (53 light) (92 enough)))) (1 (49 and) (27 (81 the) (64 performances)))) (31 (1 (39 ,) (25 (49 for) (22 (43 the) (2 (95 most) (2 (68 part) (8 (70 ,) (61 [UNK]))))))) (77 .)))) (55 ")) |
523 | "the connected stories of breitbart and hanussen are actually fascinating , but the filmmaking in invincible is such that the movie does not do them justice ." | Subjective | (20 (20 (55 ") (20 (24 (25 (22 (43 the) (2 (42 [UNK]) (11 (65 stories) (12 (74 of) (27 (35 [UNK]) (8 (76 and) (35 [UNK]))))))) (3 (28 (89 are) (86 actually)) (45 fascinating))) (1 (39 ,) (25 (13 (88 but) (22 (43 the) (2 (64 filmmaking) (1 (49 in) (61 [UNK]))))) (3 (89 is) (45 such))))) (31 (1 (1 (39 that) (25 (13 (43 the) (69 movie)) (3 (6 (28 (89 does) (86 not)) (57 do)) (83 them)))) (78 justice)) (77 .)))) (55 ")) |
524 | "all ends well , sort of , but the frenzied comic moments never click ." | Subjective | (20 (20 (55 ") (20 (24 (25 (41 all) (3 (59 ends) (47 well))) (1 (39 ,) (25 (91 sort) (74 of)))) (31 (1 (39 ,) (25 (13 (88 but) (22 (43 the) (2 (61 [UNK]) (2 (32 comic) (84 moments))))) (3 (62 never) (59 [UNK])))) (77 .)))) (55 ")) |
525 | an effective portrait of a life in stasis -- of the power of inertia to arrest development in a dead-end existence . | Subjective | (20 (24 (25 (27 (52 an) (2 (68 effective) (11 (65 portrait) (12 (74 of) (27 (81 a) (11 (65 life) (12 (74 in) (27 (35 [UNK]) (8 (66 -) (66 -)))))))))) (12 (74 of) (27 (81 the) (11 (65 power) (12 (74 of) (27 (44 [UNK]) (1 (49 to) (27 (53 arrest) (92 development))))))))) (1 (49 in) (27 (52 a) (2 (68 dead) (8 (66 -) (23 (50 end) (84 existence))))))) (77 .)) |
526 | "rife with the rueful , wry humor springing out of yiddish culture and language ." | Subjective | (20 (20 (55 ") (20 (24 (25 (58 [UNK]) (1 (49 with) (27 (29 (52 the) (61 [UNK])) (8 (8 (39 ,) (2 (32 wry) (84 humor))) (42 [UNK]))))) (1 (28 (18 (60 out) (12 (74 of) (27 (44 [UNK]) (92 culture)))) (76 and)) (87 language))) (77 .))) (55 ")) |
527 | worth watching for dong jie's performance -- and for the way it documents a culture in the throes of rapid change . | Subjective | (20 (24 (25 (86 worth) (94 watching)) (1 (49 for) (27 (90 dong) (15 (82 jie) (8 (28 (38 ') (67 s)) (2 (68 performance) (8 (66 -) (23 (66 -) (13 (76 and) (13 (1 (49 for) (27 (81 the) (64 way))) (41 it))))))))))) (31 (1 (49 documents) (27 (81 a) (11 (65 culture) (12 (74 in) (27 (43 the) (0 (44 [UNK]) (12 (74 of) (27 (44 [UNK]) (92 change))))))))) (77 .))) |
528 | some body smacks of exhibitionism more than it does cathartic truth telling . | Subjective | (20 (24 (25 (13 (43 some) (69 body)) (35 [UNK])) (1 (1 (74 of) (61 [UNK])) (78 more))) (31 (1 (39 than) (25 (41 it) (3 (6 (28 (89 does) (86 [UNK])) (57 truth)) (83 telling)))) (77 .))) |
529 | "it tries too hard , and overreaches the logic of its own world ." | Subjective | (20 (20 (55 ") (20 (24 (25 (41 it) (3 (89 tries) (27 (37 too) (71 hard)))) (1 (1 (39 ,) (25 (41 and) (3 (42 [UNK]) (27 (81 the) (11 (65 logic) (12 (74 of) (27 (46 its) (51 own)))))))) (78 world))) (77 .))) (55 ")) |
53 | a quirky comedy set in newfoundland that cleverly captures the dry wit that's so prevalent on the rock . | Subjective | (20 (24 (25 (27 (52 a) (2 (32 quirky) (84 comedy))) (79 set)) (1 (49 in) (27 (44 [UNK]) (1 (39 that) (25 (13 (27 (44 [UNK]) (1 (49 captures) (27 (52 the) (2 (32 dry) (84 wit))))) (48 that)) (3 (28 (38 ') (67 s)) (27 (37 so) (61 [UNK])))))))) (31 (1 (49 on) (27 (81 the) (64 rock))) (77 .))) |
530 | a little objectivity could have gone a long way . | Subjective | (20 (27 (52 a) (2 (32 little) (42 [UNK]))) (31 (1 (3 (28 (89 could) (86 have)) (45 gone)) (27 (52 a) (2 (32 long) (84 way)))) (77 .))) |
531 | "we never truly come to care about the main characters and whether or not they'll wind up together , and michele's spiritual quest is neither amusing nor dramatic enough to sustain interest ." | Subjective | (20 (20 (55 ") (20 (24 (25 (41 we) (3 (62 never) (3 (62 truly) (3 (28 (40 come) (73 to)) (45 care))))) (1 (49 about) (27 (52 the) (2 (32 main) (84 characters))))) (31 (1 (39 and) (25 (88 whether) (25 (88 or) (24 (25 (13 (88 not) (80 they)) (3 (3 (3 (28 (38 ') (67 ll)) (45 wind)) (47 up)) (47 together))) (1 (39 ,) (25 (13 (76 and) (13 (61 [UNK]) (8 (28 (38 ') (67 s)) (2 (32 spiritual) (84 quest))))) (3 (6 (28 (3 (89 is) (27 (52 neither) (2 (68 amusing) (8 (70 nor) (13 (90 dramatic) (92 enough)))))) (73 to)) (57 sustain)) (83 interest)))))))) (77 .)))) (55 ")) |
532 | the pace of the film is very slow ( for obvious reasons ) and that too becomes off-putting . | Subjective | (20 (24 (25 (13 (43 the) (11 (65 pace) (12 (74 of) (27 (81 the) (64 film))))) (3 (89 is) (27 (37 very) (71 slow)))) (1 (1 (39 () (25 (85 for) (27 (53 obvious) (92 reasons)))) (78 )))) (31 (1 (76 and) (1 (39 that) (25 (41 too) (3 (89 becomes) (27 (54 off) (8 (66 -) (61 [UNK]))))))) (77 .))) |
533 | speaks eloquently about the symbiotic relationship between art and life . | Subjective | (20 (24 (25 (85 speaks) (27 (44 [UNK]) (1 (49 about) (27 (52 the) (2 (44 [UNK]) (84 relationship)))))) (1 (74 between) (56 art))) (31 (1 (49 and) (56 life)) (77 .))) |
534 | the film tries too hard to be funny and tries too hard to be hip . the end result is a film that's neither . | Subjective | (20 (24 (25 (13 (43 the) (69 film)) (3 (28 (28 (3 (89 tries) (27 (37 too) (71 hard))) (73 to)) (86 be)) (45 funny))) (1 (1 (76 and) (3 (28 (3 (89 tries) (27 (37 too) (71 hard))) (73 to)) (45 be))) (78 hip))) (31 (1 (39 .) (25 (13 (25 (13 (27 (81 the) (64 end)) (48 result)) (3 (89 is) (27 (81 a) (64 film)))) (75 that)) (3 (28 (38 ') (67 s)) (45 neither)))) (77 .))) |
535 | the obligatory break-ups and hook-ups don't seem to have much emotional impact on the characters . | Subjective | (20 (24 (25 (13 (22 (43 the) (2 (44 [UNK]) (84 break))) (8 (66 -) (23 (50 ups) (8 (76 and) (2 (68 hook) (8 (66 -) (50 ups))))))) (3 (6 (28 (3 (62 don) (3 (28 (38 ') (67 t)) (45 seem))) (73 to)) (57 have)) (27 (52 much) (2 (32 emotional) (84 impact))))) (1 (49 on) (27 (81 the) (64 characters)))) (77 .)) |
536 | "gangs of new york is an unapologetic mess , whose only saving grace is that it ends by blowing just about everything up ." | Subjective | (20 (20 (55 ") (20 (24 (25 (18 (60 gangs) (12 (74 of) (27 (46 new) (51 york)))) (3 (89 is) (27 (52 an) (2 (44 [UNK]) (84 mess))))) (1 (39 ,) (25 (13 (43 whose) (69 only)) (3 (57 saving) (27 (41 grace) (89 is)))))) (31 (1 (39 that) (25 (41 it) (3 (3 (59 ends) (1 (49 by) (27 (33 blowing) (27 (33 just) (27 (33 about) (47 everything)))))) (47 up)))) (77 .)))) (55 ")) |
537 | "good , -- * interviews with dp neihouse and astronaut susan helms *" | Subjective | (20 (20 (55 ") (20 (24 (25 (27 (54 good) (8 (39 ,) (21 (8 (66 -) (66 -)) (70 *)))) (79 interviews)) (1 (49 with) (27 (35 [UNK]) (8 (42 [UNK]) (8 (76 and) (35 [UNK])))))) (31 (63 susan) (23 (61 [UNK]) (63 *))))) (55 ")) |
538 | "evokes a palpable sense of disconnection , made all the more poignant by the incessant use of cell phones ." | Subjective | (20 (20 (55 ") (20 (24 (25 (85 [UNK]) (27 (52 a) (2 (42 [UNK]) (11 (65 sense) (12 (74 of) (27 (44 [UNK]) (1 (39 ,) (25 (58 made) (1 (49 all) (27 (52 the) (2 (37 more) (71 poignant)))))))))))) (1 (49 by) (27 (81 the) (61 [UNK])))) (31 (1 (60 use) (12 (74 of) (27 (53 cell) (92 phones)))) (77 .)))) (55 ")) |
539 | the movie would seem less of a trifle if ms . sugarman followed through on her defiance of the saccharine . | Subjective | (20 (24 (25 (13 (43 the) (69 movie)) (3 (89 would) (45 seem))) (1 (1 (18 (60 less) (12 (74 of) (27 (52 a) (2 (68 trifle) (8 (8 (39 if) (27 (72 ms) (77 .))) (42 [UNK])))))) (78 followed)) (78 through))) (31 (1 (49 on) (27 (52 her) (0 (44 [UNK]) (12 (74 of) (27 (81 the) (61 [UNK])))))) (77 .))) |
54 | "exploits [headbanger] stereotypes in good fun , while adding a bit of heart and unsettling subject matter ." | Subjective | (20 (20 (55 ") (20 (24 (25 (15 (82 exploits) (8 (90 [) (61 [UNK]))) (3 (62 ]) (59 stereotypes))) (1 (49 in) (27 (53 good) (92 fun)))) (31 (1 (1 (39 ,) (25 (88 while) (25 (85 adding) (27 (81 a) (11 (65 bit) (12 (74 of) (27 (54 heart) (8 (76 and) (2 (32 unsettling) (84 subject)))))))))) (78 matter)) (77 .)))) (55 ")) |
540 | "often self-consciously surreal , this award-winner scores high for originality ." | Subjective | (20 (20 (55 ") (20 (24 (25 (27 (52 often) (2 (68 self) (8 (66 -) (50 consciously)))) (79 surreal)) (1 (39 ,) (25 (22 (43 this) (2 (68 award) (8 (66 -) (50 winner)))) (3 (59 scores) (47 high))))) (31 (1 (49 for) (56 originality)) (77 .)))) (55 ")) |
541 | "were dylan thomas alive to witness first-time director ethan hawke's strained chelsea walls , he might have been tempted to change his landmark poem to , 'do not go gentle into that good theatre . '" | Subjective | (20 (20 (55 ") (20 (24 (25 (3 (28 (3 (89 were) (27 (27 (44 [UNK]) (92 thomas)) (78 alive))) (73 to)) (45 witness)) (1 (25 (13 (24 (25 (27 (54 first) (8 (8 (8 (66 -) (23 (50 time) (84 director))) (42 [UNK])) (42 [UNK]))) (3 (6 (28 (38 ') (67 s)) (57 [UNK])) (27 (53 chelsea) (92 walls)))) (1 (39 ,) (25 (41 he) (28 (3 (6 (28 (3 (6 (28 (89 might) (86 have)) (57 been)) (83 [UNK])) (73 to)) (57 change)) (27 (52 his) (2 (44 [UNK]) (84 poem)))) (73 to))))) (39 ,)) (3 (28 (28 (38 ') (67 do)) (86 not)) (45 go))) (78 gentle))) (1 (49 into) (27 (52 that) (2 (32 good) (84 theatre))))) (31 (77 .) (38 ')))) (55 ")) |
542 | harmless entertainment for kids and just smart enough to appeal to parents . | Subjective | (20 (27 (53 harmless) (92 entertainment)) (31 (1 (49 for) (27 (54 kids) (8 (76 and) (2 (95 just) (2 (68 smart) (8 (28 (3 (28 (40 enough) (73 to)) (45 appeal)) (73 to)) (51 parents))))))) (77 .))) |
543 | . . . too sappy for its own good . | Subjective | (20 (24 (25 (31 (1 (77 .) (77 .)) (77 .)) (27 (37 too) (61 [UNK]))) (1 (1 (49 for) (27 (46 its) (51 own))) (78 good))) (77 .)) |
544 | "no , the dangerous lives of altar boys does not exist in a state of perfect grace . however , its sins are forgivably venial , because its virtues are palpably human ." | Subjective | (20 (20 (55 ") (20 (24 (25 (58 no) (1 (39 ,) (25 (22 (43 the) (2 (68 dangerous) (11 (65 lives) (12 (74 of) (27 (44 [UNK]) (92 boys)))))) (3 (28 (89 does) (86 not)) (45 exist))))) (1 (49 in) (27 (81 a) (11 (65 state) (12 (74 of) (27 (53 perfect) (92 grace))))))) (31 (1 (39 .) (24 (25 (58 however) (1 (39 ,) (25 (13 (43 its) (69 sins)) (3 (89 are) (27 (61 [UNK]) (35 [UNK])))))) (1 (39 ,) (25 (13 (88 because) (27 (46 its) (51 virtues))) (3 (28 (89 are) (86 [UNK])) (45 human)))))) (77 .)))) (55 ")) |
545 | "the special effects and cgi , uneven in sorcerer's stone , are all spit-shine and shoe-polish in chamber of secrets . there isn't one hair out of place ." | Subjective | (20 (20 (55 ") (20 (24 (25 (13 (24 (25 (27 (52 the) (2 (32 special) (84 effects))) (8 (76 and) (35 [UNK]))) (1 (39 ,) (25 (58 uneven) (1 (49 in) (27 (35 [UNK]) (8 (28 (38 ') (67 s)) (51 stone))))))) (39 ,)) (3 (89 are) (27 (33 all) (27 (35 [UNK]) (8 (8 (66 -) (61 [UNK])) (8 (76 and) (2 (68 shoe) (8 (66 -) (50 polish))))))))) (1 (49 in) (56 chamber))) (31 (1 (31 (1 (74 of) (56 secrets)) (77 .)) (24 (25 (41 there) (3 (62 isn) (3 (3 (28 (38 ') (67 t)) (27 (93 one) (64 hair))) (47 out)))) (1 (74 of) (56 place)))) (77 .)))) (55 ")) |
546 | my wife is an actress is an utterly charming french comedy that feels so american in sensibility and style it's virtually its own hollywood remake . | Subjective | (20 (24 (25 (27 (46 my) (51 wife)) (3 (89 is) (27 (81 an) (64 actress)))) (1 (49 is) (27 (52 an) (2 (95 utterly) (2 (95 charming) (2 (32 french) (84 comedy))))))) (31 (1 (39 that) (25 (13 (25 (58 feels) (1 (49 so) (27 (54 american) (8 (70 in) (15 (82 sensibility) (8 (76 and) (82 style))))))) (41 it)) (3 (3 (28 (28 (38 ') (67 s)) (86 virtually)) (27 (46 its) (51 own))) (27 (53 hollywood) (92 remake))))) (77 .))) |
547 | chalk it up as the worst kind of hubristic folly . | Subjective | (20 (24 (25 (58 [UNK]) (1 (83 it) (47 up))) (1 (49 as) (27 (52 the) (2 (68 worst) (11 (65 kind) (12 (74 of) (27 (61 [UNK]) (35 [UNK])))))))) (77 .)) |
548 | "the movie wavers between hallmark card sentimentality and goofy , life-affirming moments straight out of a cellular phone commercial ." | Subjective | (20 (20 (55 ") (20 (24 (25 (13 (43 the) (69 movie)) (35 [UNK])) (1 (1 (49 between) (27 (35 [UNK]) (8 (21 (8 (70 card) (15 (82 sentimentality) (8 (76 and) (82 goofy)))) (70 ,)) (27 (54 life) (8 (66 -) (23 (50 affirming) (84 moments))))))) (78 straight))) (31 (1 (60 out) (12 (74 of) (27 (52 a) (2 (61 [UNK]) (2 (32 phone) (84 commercial)))))) (77 .)))) (55 ")) |