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[ "Blink-182", "Lineup change, California, and future (2015-present)", "When did the lineup change", "Hoppus and Barker decided to continue on without DeLonge, and enlisted Alkaline Trio vocalist/guitarist Matt Skiba to \"fill in\"", "HOw long was Skiba with them", "Hoppus and Skiba had been wanting to work together musically for several years, so he was the first and only person considered for the role." ]

[ "Riding on the success of their previous two tours, Elton John and Billy Joel once again hit the stadiums in 1998. The production had previously only toured the United States and Canada, but this time they visited Australia, New Zealand, Japan, and Europe, avoiding any North American cities.\n\nOn 6 June, Joel pulled out of a concert at Wembley Stadium in London, England due to illness. John performed the show without him, playing several of Joel's songs. The same happened in Zurich, Switzerland at Letzigrund Stadium on 30 June; this was the last night of the 1998 tour.\n\nJoel stated in 2012 that he would no longer tour with John because it restricts his setlists.\n\nTour dates\n\nSetlists\n\nReferences\n\nExternal links\n\n Information Site with Tour Dates\n\n1998 concert tours\nBilly Joel concert tours\nCo-headlining concert tours\nElton John concert tours", "Armentarius (died 584) was a Jewish moneylender, active in Francia under the Merovingian dynasty. He was murdered in Tours, causing a controversy over who was responsible. The main source about him is Gregory of Tours. He should probably not be confused with the similarly named Armentarius, the archiatrus (chief physician) of Tours, who is mentioned treating Gregory in 573.\n\nMurder \n\nArmentarius was a Jew. His role as a moneylender can be deduced by his activities. He is recorded lending money to Eunomius and Iniuriosus. He would be paid by a portion of the public taxes (propter tributa publica, loaned against the public taxes). Eunomius was the Count of Tours (comes), Iniuriosus was his vicarius (deputy).\n\nArmentarius arrived in Tours to collect payment. He was accompanied \"by a man of his own religion and two Christians\". The first was obviously a fellow Jew. It is unclear if the other two were business partners of Armentarius or merely his bodyguards. The two leaders of Tours invited Armentarius into their dwelling, promising payment and gifts. Armentarius and Iniuriosus shared dinner, then the visitor left.\n\nWhat followed is uncertain. Armentarius was found murdered, his money and papers stolen. Servants of Iniuriosus were accused of the murder, implicating their master. Gregory suggests the tribune Medardus () as an alternative suspect, since the latter was also a client of the victim.\n\nIniuriosus denied any involvement in the murder. He swore a legal oath to that effect. The family of Armentarius demanded that Childebert II (r. 575–595) should decide on the case. Iniuriosus visited the royal court, presumably at Metz, for his hearing. He waited three days for his accusers to appear. Since Armentarius' relatives never appeared at court, the case was dismissed. Iniuriosus returned home with no further incident.\n\nInterpretation \nJonathan Elukin examined the case as part of the \"difficult ... to characterize ... Jewish experience in Merovingian society\". The narrative suggests a few things about the role of Armentarius in Merovingian society. He could travel freely, suggesting a right to freedom of movement. He seems to have had a long-established financial relationship with the authorities of Tours. His clients inviting him into their homes and even sharing a meal with him is not mentioned by Gregory as extraordinary. For Armentarius this suggests that his relations with Frankish leaders were \"casual and routine\". For Jews in general it suggests they could socialize with the Christians.\n\nAnother point of interest is the ability of Armentarius' family to bring the case to the monarch. Elukin deduces that this access to the monarch could mean they had \"real influence\". That Iniuriosus escaped, does not necessarily mean his accusers were \"powerless or abused\". They might have decided against pressing the case. Elukin suggests that they could have been thwarted by \"the lack of evidence\" on who was responsible.\n\nElukin also calls attention to some elements missing from the narrative. There is no sense that the story has a moral, a conveyed message. There is no criticism of the victim as greedy or devious. Typical stereotypes of Jews are absent, with Gregory reporting the case in an \"understated and straightforward manner\". He barely calls attention to the Jewish identity of the victim. The narrative is argued to be part of a longstanding theme of Gregory's history: \"the lawlesness and mystery of Frankish society\".\n\nReferences\n\nSources \n\n \n\n584 deaths\nPeople murdered in France\n6th-century Frankish Jews\nMedieval murder victims\nYear of birth unknown\n6th-century businesspeople" ]

[ "Blink-182 (stylized in all lowercase) is an American rock band formed in Poway, California, in 1992. Their current lineup consists of guitarist/vocalist Matt Skiba, bassist/vocalist Mark Hoppus, and drummer Travis Barker. Though their sound has diversified throughout their career, their musical style blends catchy pop melodies with fast-paced punk rock. Their lyrics center on relationships, adolescent frustration, and maturity—or lack thereof. The group emerged from a suburban, Southern California skate-punk scene and gained notoriety for high-energy live shows and irreverent humor.", "The group emerged from a suburban, Southern California skate-punk scene and gained notoriety for high-energy live shows and irreverent humor. After years of independent recording and touring, including stints on the Warped Tour, the group signed to MCA Records. Their biggest albums, Enema of the State (1999) and Take Off Your Pants and Jacket (2001), saw international success. Songs like \"All the Small Things\", \"Dammit\", \"I Miss You\", and \"What's My Age Again?\"", "Songs like \"All the Small Things\", \"Dammit\", \"I Miss You\", and \"What's My Age Again?\" became hit singles and MTV staples. Later efforts, including an untitled album (2003), marked stylistic shifts. DeLonge quit the group twice, both times a decade apart; since 2015, the band has included musician Matt Skiba, with whom they have continued to record and tour. Their most recent album, Nine, saw release in 2019.", "Their most recent album, Nine, saw release in 2019. Blink-182 is widely considered to be one of the most prominent and influential rock acts of the late twentieth century. Their straightforward approach and simple arrangements, which helped initiate pop-punk's mainstream rise, made them popular among generations of listeners.", "Their straightforward approach and simple arrangements, which helped initiate pop-punk's mainstream rise, made them popular among generations of listeners. Worldwide, the group has sold 50 million albums, and have moved 13 million copies in the U.S. History Formation and initial years (1992–1994) Blink-182 was formed in Poway, California, a suburb north of San Diego, in August 1992.", "Worldwide, the group has sold 50 million albums, and have moved 13 million copies in the U.S. History Formation and initial years (1992–1994) Blink-182 was formed in Poway, California, a suburb north of San Diego, in August 1992. Guitarist Tom DeLonge was expelled from Poway High for being inebriated at a basketball game, and was forced to attend another school, Rancho Bernardo High School, for one semester. There, he performed at a Battle of the Bands competition, where he was introduced to drummer Scott Raynor.", "There, he performed at a Battle of the Bands competition, where he was introduced to drummer Scott Raynor. He also befriended Kerry Key, who was also interested in punk rock music. Key was dating Anne Hoppus, sister of bassist Mark Hoppus, who had recently moved from Ridgecrest, California, to work at a record store and attend college. Both Hoppus and DeLonge grew up listening to punk rock music, with both particularly enamored by the Descendents.", "Both Hoppus and DeLonge grew up listening to punk rock music, with both particularly enamored by the Descendents. Southern California had a large punk population in the early 1990s, aided by an active surfing, skating, and snowboarding scene. In contrast to East Coast punk music, the West Coast wave of groups typically introduced more melodic aspects to the group's music. \"New York is gloomy, dark and cold. It makes different music. The Californian middle-class suburbs have nothing to be that bummed about,\" said DeLonge.", "The Californian middle-class suburbs have nothing to be that bummed about,\" said DeLonge. Anne introduced her brother to DeLonge on August 1, 1992. The pair instantly connected and played for hours in DeLonge's garage, exchanging lyrics and co-writing songs—one of which became fan favorite \"Carousel\". Hoppus, hoping to impress DeLonge, fell from a lamppost in front of DeLonge's home and cracked his ankles, putting him in crutches for three weeks.", "Hoppus, hoping to impress DeLonge, fell from a lamppost in front of DeLonge's home and cracked his ankles, putting him in crutches for three weeks. The trio began to practice together in Raynor's bedroom, spending time writing music, seeing movies and punk concerts, and playing practical jokes. The trio first operated under a variety of names, including Duck Tape and Figure 8, until DeLonge rechristened the band \"Blink\".", "The trio first operated under a variety of names, including Duck Tape and Figure 8, until DeLonge rechristened the band \"Blink\". Hoppus' girlfriend of the time was annoyed by his constant attention to the band, and demanded he make a choice between the band and her, which resulted in Hoppus leaving the band not long after its formation. Shortly thereafter, DeLonge and Raynor borrowed a four-track recorder from friend and collaborator Cam Jones and were preparing to record a demo tape, with Jones on bass.", "Shortly thereafter, DeLonge and Raynor borrowed a four-track recorder from friend and collaborator Cam Jones and were preparing to record a demo tape, with Jones on bass. Hoppus promptly broke up with his girlfriend and returned to the band. Flyswatter—a combination of original songs and punk covers—was recorded in Raynor's bedroom in May 1993. The band began booking shows, and were on stage nearly every weekend, even at Elks Lodges and YMCA centers.", "The band began booking shows, and were on stage nearly every weekend, even at Elks Lodges and YMCA centers. DeLonge called clubs constantly in San Diego asking for a spot to play, as well as local high schools, convincing them that Blink was a \"motivational band with a strong antidrug message\" in hopes to play at an assembly or lunch.", "DeLonge called clubs constantly in San Diego asking for a spot to play, as well as local high schools, convincing them that Blink was a \"motivational band with a strong antidrug message\" in hopes to play at an assembly or lunch. San Diego at this time was \"hardly a hotbed of [musical] activity\", according to journalist Joe Shooman, but the band's popularity grew as did punk rock concurrently in the mainstream.", "San Diego at this time was \"hardly a hotbed of [musical] activity\", according to journalist Joe Shooman, but the band's popularity grew as did punk rock concurrently in the mainstream. They quickly became part of a circuit that also included bands such as Ten Foot Pole and Unwritten Law, and Blink soon found its way onto the bill as the opening band for acts performing at Soma, a local all-ages venue.", "They quickly became part of a circuit that also included bands such as Ten Foot Pole and Unwritten Law, and Blink soon found its way onto the bill as the opening band for acts performing at Soma, a local all-ages venue. \"The biggest dreams we ever had when we started was to [headline] a show at Soma,\" Hoppus said later. Meanwhile, Hoppus' manager at the record store, Patrick Secor, fronted the group money to properly record another demo at a local studio Doubletime.", "Meanwhile, Hoppus' manager at the record store, Patrick Secor, fronted the group money to properly record another demo at a local studio Doubletime. The result was Buddha (1994), which the members of the band viewed as the band's first legitimate release. That year, however, Raynor's family relocated to Reno, Nevada, and he was briefly replaced by musician Mike Krull. The band saved money and began flying Raynor out to shows, and he eventually moved back and in with Hoppus in mid-1995.", "The band saved money and began flying Raynor out to shows, and he eventually moved back and in with Hoppus in mid-1995. During that time, the band would record its first album, first music video, and develop a larger following.", "During that time, the band would record its first album, first music video, and develop a larger following. Early releases and touring (1995–1998) The heart of the local independent music scene was Cargo Records, which offered to sign the band on a \"trial basis,\" with help from O, guitarist for local punk band Fluf, and Brahm Goodis, a friend of the band whose father was president of the label.", "Early releases and touring (1995–1998) The heart of the local independent music scene was Cargo Records, which offered to sign the band on a \"trial basis,\" with help from O, guitarist for local punk band Fluf, and Brahm Goodis, a friend of the band whose father was president of the label. Hoppus was the only member to sign the contract, as DeLonge was at work at the time and Raynor was still a minor.", "Hoppus was the only member to sign the contract, as DeLonge was at work at the time and Raynor was still a minor. The band recorded their debut album—Cheshire Cat, released in February 1995—in three days at Westbeach Recorders in Los Angeles, fueled by both new songs and re-recordings of songs from previous demos. \"M+M's\", the band's first single, garnered local radio airplay from 91X, and Cargo offered the band a small budget to film a music video for it.", "\"M+M's\", the band's first single, garnered local radio airplay from 91X, and Cargo offered the band a small budget to film a music video for it. Meanwhile, the record also drew the attention of Irish band Blink. Unwilling to engage in a legal battle, the band agreed to change their name. Cargo gave the band a week, but the trio put off the decision for more than two afterward.", "Cargo gave the band a week, but the trio put off the decision for more than two afterward. Eventually, Cargo called the trio, demanding that they \"change the name or [we'll] change it for you,\" after which the band decided on a random number, 182. The band soon hired a manager, Rick DeVoe, who had worked with larger bands such as NOFX, Pennywise and The Offspring.", "The band soon hired a manager, Rick DeVoe, who had worked with larger bands such as NOFX, Pennywise and The Offspring. In addition, the group drew the attention of Rick and Jean Bonde of the Tahoe booking agency, who were responsible for \"spreading the name of the band far and wide.\" In late 1995, the trio embarked on their first national tour, promoting the surf video GoodTimes with Unwritten Law, Sprung Monkey and 7 Seconds.", "In late 1995, the trio embarked on their first national tour, promoting the surf video GoodTimes with Unwritten Law, Sprung Monkey and 7 Seconds. GoodTimes was directed by filmmaker Taylor Steele, who was a friend of DeVoe. In preparation for the trek, the band members purchased their own tour van, which they nicknamed the Millennium Falcon. The GoodTimes tour extended outside the States with a leg in Australia; the trio were financially unable to go, but Pennywise's members paid for their plane tickets.", "The GoodTimes tour extended outside the States with a leg in Australia; the trio were financially unable to go, but Pennywise's members paid for their plane tickets. Fletcher Dragge, guitarist of Pennywise, believed in the band strongly. He demanded that Kevin Lyman, founder of the traveling rock-based Warped Tour, sign the band for its 1996 iteration, predicting they would become \"gigantic.\"", "He demanded that Kevin Lyman, founder of the traveling rock-based Warped Tour, sign the band for its 1996 iteration, predicting they would become \"gigantic.\" That year, the band toured heavily, with several domestic shows on and off the Warped Tour, trips to Canada and Japan, and more Australian dates. Australia were particularly receptive to the band and their humorous stage antics, which gained the band a reputation but also made them ostracized and considered a joke.", "Australia were particularly receptive to the band and their humorous stage antics, which gained the band a reputation but also made them ostracized and considered a joke. By March 1996, the trio began to accumulate a genuine buzz among major labels, resulting in a bidding war between Interscope, MCA and Epitaph. MCA promised the group complete artistic freedom and ultimately signed the band, but Raynor held a great affinity for Epitaph and began to feel half-invested in the band when they chose MCA.", "MCA promised the group complete artistic freedom and ultimately signed the band, but Raynor held a great affinity for Epitaph and began to feel half-invested in the band when they chose MCA. The group, discouraged by Cargo's lack of distribution and faith in the group, held no qualms about signing to a major label but were fiercely criticized in the punk community. After nonstop touring, the trio began recording their follow-up LP, Dude Ranch, over the period of a month in late 1996 with producer Mark Trombino.", "After nonstop touring, the trio began recording their follow-up LP, Dude Ranch, over the period of a month in late 1996 with producer Mark Trombino. The record saw release the following June, and the band headed out on the 1997 Warped Tour. \"Dammit\", the album's second single, received heavy airplay on modern rock stations. Dude Ranch shipped gold by 1998, but an exhaustive touring schedule brought tensions among the trio.", "Dude Ranch shipped gold by 1998, but an exhaustive touring schedule brought tensions among the trio. Raynor had been drinking heavily to offset personal issues, and he was fired by DeLonge and Hoppus in mid-1998 despite agreeing to attend rehab and quit drinking. Travis Barker, drummer for tour-mate The Aquabats, filled in for Raynor, learning the 20-song setlist in 45 minutes before the first show.", "Travis Barker, drummer for tour-mate The Aquabats, filled in for Raynor, learning the 20-song setlist in 45 minutes before the first show. By July, he joined the band full-time and later that year, the band entered the studio with producer Jerry Finn to begin work on their third album. Mainstream breakthrough and continued success (1999–2004) With the release of the group's third album Enema of the State in June 1999, Blink-182 was catapulted to stardom and became the biggest pop-punk act of the era.", "Mainstream breakthrough and continued success (1999–2004) With the release of the group's third album Enema of the State in June 1999, Blink-182 was catapulted to stardom and became the biggest pop-punk act of the era. Three singles were released from the record—\"What's My Age Again? \", \"All the Small Things\", and \"Adam's Song\"—which became major radio hits.", "\", \"All the Small Things\", and \"Adam's Song\"—which became major radio hits. \"All the Small Things\" became a number-one hit on the Modern Rock Tracks chart, and also became a crossover hit, peaking at number six on the Billboard Hot 100 chart. The band's relationship with MTV cemented their status as video stars; all three singles became staples on the network and TRL mainstays.", "The band's relationship with MTV cemented their status as video stars; all three singles became staples on the network and TRL mainstays. Enema of the State was an enormous commercial success, although the band was criticized as synthesized, manufactured pop only remotely resembling punk, and pigeonholed as a joke act due to the puerile slant of their singles and associated videos. The album has sold over 15 million copies worldwide and had a considerable effect on pop punk music, inspiring a \"second wave\" of the genre and numerous acolytes.", "The album has sold over 15 million copies worldwide and had a considerable effect on pop punk music, inspiring a \"second wave\" of the genre and numerous acolytes. Following that success, as well as their first arena tour and cameo appearances in film and TV (American Pie), the band recorded their fourth album, the comically titled Take Off Your Pants and Jacket (2001).", "Following that success, as well as their first arena tour and cameo appearances in film and TV (American Pie), the band recorded their fourth album, the comically titled Take Off Your Pants and Jacket (2001). It became their first number one album in the U.S., Canada, and Germany, and spawned the singles \"The Rock Show\", \"Stay Together for the Kids\" and \"First Date\".", "It became their first number one album in the U.S., Canada, and Germany, and spawned the singles \"The Rock Show\", \"Stay Together for the Kids\" and \"First Date\". Jerry Finn returned to produce the record and was a key architect of the \"polished\" pop punk sound; according to journalist James Montgomery, writing for MTV News, the veteran engineer \"served as an invaluable member of the Blink team: part adviser, part impartial observer, he helped smooth out tensions and hone their multiplatinum sound.\"", "Jerry Finn returned to produce the record and was a key architect of the \"polished\" pop punk sound; according to journalist James Montgomery, writing for MTV News, the veteran engineer \"served as an invaluable member of the Blink team: part adviser, part impartial observer, he helped smooth out tensions and hone their multiplatinum sound.\" Recording sessions were sometimes contentious, as DeLonge strove for heavier-sounding guitar riffs.", "Recording sessions were sometimes contentious, as DeLonge strove for heavier-sounding guitar riffs. With time off from touring, he felt a desire to broaden his musical palette, and channeled his chronic back pain and resulting frustration into Box Car Racer (2002), an LP that emulates his post-hardcore influences, such as Fugazi and Refused. He invited Barker to record drums for the project, in order to refrain from hiring a studio musician.", "He invited Barker to record drums for the project, in order to refrain from hiring a studio musician. Box Car Racer rapidly evolved into a side project for the duo, launching the singles \"I Feel So\" and \"There Is\", in addition to two national tours throughout 2002. Though DeLonge claimed Hoppus was not intentionally left out, Hoppus felt betrayed, and the event created great division within the trio for some time and was an unresolved tension at the forefront of the band's later hiatus.", "Though DeLonge claimed Hoppus was not intentionally left out, Hoppus felt betrayed, and the event created great division within the trio for some time and was an unresolved tension at the forefront of the band's later hiatus. In the meantime, Barker also parlayed his love of hip-hop into the rap rock outfit Transplants, a collaboration with Rancid's Tim Armstrong.", "In the meantime, Barker also parlayed his love of hip-hop into the rap rock outfit Transplants, a collaboration with Rancid's Tim Armstrong. The band regrouped in 2003 to record its fifth studio album, infusing experimentalist elements into its usual pop punk sound, inspired by lifestyle changes (the band members all became fathers before the album was released) and side projects. Blink-182 was released in November 2003 through Geffen Records, which absorbed sister label MCA earlier that year.", "Blink-182 was released in November 2003 through Geffen Records, which absorbed sister label MCA earlier that year. The worldwide touring schedule, which saw the band travel to Japan and Australia, also found the three performing for troops stationed in the Persian Gulf during the first year of the Iraq War.", "The worldwide touring schedule, which saw the band travel to Japan and Australia, also found the three performing for troops stationed in the Persian Gulf during the first year of the Iraq War. Critics generally complimented the new, more \"mature\" direction taken for the album and its lead singles \"Feeling This\" and \"I Miss You\" charted high, with the latter becoming the group's second number one hit on the Billboard Modern Rock Tracks chart.", "Critics generally complimented the new, more \"mature\" direction taken for the album and its lead singles \"Feeling This\" and \"I Miss You\" charted high, with the latter becoming the group's second number one hit on the Billboard Modern Rock Tracks chart. Fans, however, were split by the new direction, and tensions within the band—stemming from the grueling schedule and DeLonge's desire to spend more time with his family—started to become evident.", "Fans, however, were split by the new direction, and tensions within the band—stemming from the grueling schedule and DeLonge's desire to spend more time with his family—started to become evident. Hiatus, side projects, and Barker's plane crash (2005–2008) In February 2005, Geffen issued a press statement announcing the band's \"indefinite hiatus.\" The band had broken up after members' arguments regarding their future and recording process.", "The band had broken up after members' arguments regarding their future and recording process. DeLonge felt increasingly conflicted both about his creative freedom within the group and the toll touring was taking on his family life. He eventually expressed his desire to take a half-year respite from touring in order to spend more time with family. Hoppus and Barker were dismayed by his decision, which they felt was an overly long break. Rehearsals for a benefit concert grew contentious, rooted in the trio's increasing bitterness toward one another.", "Rehearsals for a benefit concert grew contentious, rooted in the trio's increasing bitterness toward one another. DeLonge considered his bandmates' priorities \"mad, mad different,\" coming to the conclusion that the trio had simply grown apart as they aged, had families, and reached fame. The breakdown in communication led to heated exchanges, resulting in his exit from the group.", "The breakdown in communication led to heated exchanges, resulting in his exit from the group. DeLonge briefly disappeared from public eye, making no appearances, granting no interviews and remaining silent until September 2005, when he announced his new project, Angels & Airwaves, promising \"the greatest rock and roll revolution for this generation.\" He later revealed he was addicted to painkillers at the time for his chronic back pain, noting that his grandiose statements seemed outlandish.", "He later revealed he was addicted to painkillers at the time for his chronic back pain, noting that his grandiose statements seemed outlandish. The group released two albums in 2006 and 2007: the RIAA gold-certified We Don't Need to Whisper and I-Empire. In the interim, Hoppus and Barker also continued playing music together in +44. +44's debut, When Your Heart Stops Beating, was released in 2006 but stalled commercially and received mixed reviews.", "+44's debut, When Your Heart Stops Beating, was released in 2006 but stalled commercially and received mixed reviews. Meanwhile, Barker starred in the MTV reality series Meet the Barkers with his then-wife, former Miss USA Shanna Moakler. The couple's later split, reconciliation and subsequent breakup made them tabloid favorites. Barker also launched a shoe line and worked on hip-hop remixs, as well as with the Transplants and TRV$DJAM, a collaboration with friend Adam Goldstein (DJ AM).", "Barker also launched a shoe line and worked on hip-hop remixs, as well as with the Transplants and TRV$DJAM, a collaboration with friend Adam Goldstein (DJ AM). During the hiatus, Hoppus shifted his attention to hosting a podcast and producing albums (most notably Commit This to Memory by former tour-mate Motion City Soundtrack). The band members did not speak from their breakup until 2008. That August, former producer Jerry Finn suffered a cerebral hemorrhage and died.", "That August, former producer Jerry Finn suffered a cerebral hemorrhage and died. The following month, Barker and Goldstein were involved in a plane crash that killed four people, leaving them the only two survivors. Barker sustained second and third degree burns and developed posttraumatic stress disorder, and the accident resulted in sixteen surgeries and multiple blood transfusions. Goldstein's injuries were less severe, but the following year, he died from a drug overdose.", "Goldstein's injuries were less severe, but the following year, he died from a drug overdose. Hoppus was alerted about Barker's accident by a phone call in the middle of the night and jumped on the next flight to the burn center. DeLonge quickly reached out to his former bandmate, mailing him a letter and photograph. The trio eventually met up in the hospital, laying the grounds for what was going to be the band's reunion.", "The trio eventually met up in the hospital, laying the grounds for what was going to be the band's reunion. Eventually, an arrangement was made for the trio to meet up at Hoppus and Barker's Los Angeles studio in October 2008. The three opened up, discussing the events of the hiatus and their break-up, and DeLonge was the first to approach the subject of reuniting. Hoppus remembered: \"I remember [Tom] said, 'So, what do you guys think? Where are your heads at?'", "Where are your heads at?' Where are your heads at?' And I said, 'I think we should continue with what we've been doing for the past 17 years. I think we should get back on the road and back in the studio and do what we love doing. Reunion years (2009–2014) For the first time in nearly five years, the band appeared on stage together as presenters at the February 2009 Grammy Awards, and announced their reunion.", "Reunion years (2009–2014) For the first time in nearly five years, the band appeared on stage together as presenters at the February 2009 Grammy Awards, and announced their reunion. The trio embarked on a reunion tour of North America from July to October 2009, with a European trek following from August to September 2010. Barker, suffering from a fear of flying after his accident, traveled via bus domestically and by an ocean liner for overseas dates.", "Barker, suffering from a fear of flying after his accident, traveled via bus domestically and by an ocean liner for overseas dates. The recording process for Neighborhoods, the band's sixth studio album, was stalled by its studio autonomy, tours, managers, and personal projects. DeLonge recorded at his studio in San Diego while Hoppus and Barker recorded in Los Angeles—an extension of their strained communication.", "DeLonge recorded at his studio in San Diego while Hoppus and Barker recorded in Los Angeles—an extension of their strained communication. The self-produced album—their first without Jerry Finn since Enema of the State—was released in September 2011 and peaked at number two on the Billboard 200. Its singles—\"Up All Night\" and \"After Midnight\"—only attracted modest chart success, and label Interscope was reportedly disappointed with album sales.", "Its singles—\"Up All Night\" and \"After Midnight\"—only attracted modest chart success, and label Interscope was reportedly disappointed with album sales. The band continued to tour in the early 2010s, \"despite growing evidence of remaining friction\" between the members, according to AllMusic biographer John Bush. They headlined the 10th Annual Honda Civic Tour in North America in 2011 with My Chemical Romance, and launched a 20th Anniversary Tour the next year.", "They headlined the 10th Annual Honda Civic Tour in North America in 2011 with My Chemical Romance, and launched a 20th Anniversary Tour the next year. For that tour, the band played in Europe twice, North America, and Australia; drummer Brooks Wackerman filled-in for Barker, as he was not yet ready to fly.", "For that tour, the band played in Europe twice, North America, and Australia; drummer Brooks Wackerman filled-in for Barker, as he was not yet ready to fly. Additionally, the trio pursued a tenth anniversary celebration of Blink-182 with a series of shows, and played the Reading and Leeds Festivals; it was the band's fourth appearance at the festival and second headlining slot. The band also parted ways with longtime label Interscope, self-releasing their next project, Dogs Eating Dogs, an EP.", "The band also parted ways with longtime label Interscope, self-releasing their next project, Dogs Eating Dogs, an EP. DeLonge's final performance with the group was at the Wine Amplified Festival in Las Vegas, Nevada on October 11, 2014. The reunion of the band has been characterized as dysfunctional by both Barker and DeLonge. Hoppus commented on this era of the band in a later interview: \"Everything was always very contentious. There was always just a strange vibe.", "There was always just a strange vibe. There was always just a strange vibe. [...] I knew there was something wrong.\" In his memoir, Can I Say, Barker claims DeLonge's behavior on tour was \"introverted\" until \"money started coming in,\" after which \"he'd get excited about Blink.\" He states DeLonge abruptly quit sometime in mid-2014, and rejoined the following day. The group planned to begin writing their seventh album in January 2015, which had continually seen delays.", "The group planned to begin writing their seventh album in January 2015, which had continually seen delays. \"I'd do interviews and I just felt awful for fans because they were promised albums for years and we couldn't do it,\" Barker later said. A record deal was finalized and sessions were booked before DeLonge's manager informed the band he intended to spend more time on \"non-musical activities\" and indefinitely depart the group.", "A record deal was finalized and sessions were booked before DeLonge's manager informed the band he intended to spend more time on \"non-musical activities\" and indefinitely depart the group. In his own statement, DeLonge remarked that he \"Never planned on quitting, [I] just find it hard as hell to commit.\" After these events, Barker summarized the band's reunion: \"Why Blink even got back together in the first place is questionable.\"", "After these events, Barker summarized the band's reunion: \"Why Blink even got back together in the first place is questionable.\" Lineup change and recent years (2015–present) Hoppus and Barker decided to continue on without DeLonge, and enlisted Alkaline Trio vocalist/guitarist Matt Skiba to \"fill in\" for three shows in March 2015. Hoppus and Skiba had been wanting to work together musically for several years, so he was the first and only person considered for the role.", "Hoppus and Skiba had been wanting to work together musically for several years, so he was the first and only person considered for the role. After legal battles with DeLonge were worked out, Skiba joined Blink-182 as an official member and began preparations for new music. Initially, it was not made clear behind DeLonge departure until Barker revealed in 2019 that the guitarist wanted to pursue his company To the Stars... Academy of Arts & Sciences full-time, which is devoted to investigating UFOs.", "Initially, it was not made clear behind DeLonge departure until Barker revealed in 2019 that the guitarist wanted to pursue his company To the Stars... Academy of Arts & Sciences full-time, which is devoted to investigating UFOs. DeLonge said \"from every ounce of my being\" that he was meant to do this. The resulting album, California, was produced by John Feldmann. He was the group's first new producer since longtime collaborator Jerry Finn. California was recorded between January and March 2016.", "California was recorded between January and March 2016. California was recorded between January and March 2016. The band, as well as Feldmann, would regularly spend \"18 hours\" in the studio a day, aiming to start and complete multiple songs in that timeframe. \"We all wanted to write the best record that we could [...] It does feel like a new beginning.", "\"We all wanted to write the best record that we could [...] It does feel like a new beginning. It feels like when we used to tour and sleep in the van because that's all we wanted to do is play rock music,\" said Hoppus. Upon its July 2016 release, California became the band's second number-one album on the Billboard 200, and first in 15 years; it also reached the top for the first time in the United Kingdom.", "Upon its July 2016 release, California became the band's second number-one album on the Billboard 200, and first in 15 years; it also reached the top for the first time in the United Kingdom. Its lead single, \"Bored to Death\", became the group's first number one single in 12 years. The band supported the album with a large headlining tour across North America between July and October 2016, and a European leg in June and July 2017.", "The band supported the album with a large headlining tour across North America between July and October 2016, and a European leg in June and July 2017. A deluxe edition of California—essentially a double album including songs left off the original album—was issued in 2017. California earned the band their first nomination for Best Rock Album at the Grammy Awards. Critical reviews of the album, however, were mixed; many considered Feldmann's input and the throwback nature of the songs as formulaic.", "Critical reviews of the album, however, were mixed; many considered Feldmann's input and the throwback nature of the songs as formulaic. The trio moved from independent service BMG to major-label Columbia for their eighth studio effort, Nine (2019). While Nine builds upon their partnership with Feldmann, it also utilizes additional outside producers and songwriters. Musically, the LP augments the band's pop punk sound with hip hop-inspired programming, as well as electronics.", "Musically, the LP augments the band's pop punk sound with hip hop-inspired programming, as well as electronics. In the interim, the trio embarked on a celebratory tour marking the twentieth anniversary of their breakthrough effort, Enema of the State. In recent years, each member has explored side projects as well. Skiba returned to Alkaline Trio for their ninth album, Is This Thing Cursed?", "Skiba returned to Alkaline Trio for their ninth album, Is This Thing Cursed? (2018), while Hoppus formed Simple Creatures, an electropop outfit with All Time Low frontman Alex Gaskarth, with whom he released two EPs throughout 2019. Lastly, Barker has focused his energies in collaborating with rappers Lil Nas X, Machine Gun Kelly, and XXXTentacion, among others.", "Lastly, Barker has focused his energies in collaborating with rappers Lil Nas X, Machine Gun Kelly, and XXXTentacion, among others. Blink have also worked with several artists, jointly issuing singles with XXXTentacion, Lil Wayne, Goody Grace, Steve Aoki, Powfu, Oliver Tree, and the Chainsmokers. That same year, The New York Times Magazine listed Blink-182 among hundreds of artists whose material was destroyed in the 2008 Universal fire.", "That same year, The New York Times Magazine listed Blink-182 among hundreds of artists whose material was destroyed in the 2008 Universal fire. On August 7, 2020, the band released a new single titled \"Quarantine\", which was recorded without Skiba's involvement due to lack of a home recording studio. Later in the same month, Hoppus stated that the band was working on a new EP scheduled for release in 2021, in addition to announcing a song with Juice Wrld — neither have been released at the moment.", "Later in the same month, Hoppus stated that the band was working on a new EP scheduled for release in 2021, in addition to announcing a song with Juice Wrld — neither have been released at the moment. Though Barker had confirmed a 2021 release, the year ended without one. On June 23, 2021, Hoppus confirmed that he had received a cancer diagnosis and had been receiving treatment in secret for the last three months.", "On June 23, 2021, Hoppus confirmed that he had received a cancer diagnosis and had been receiving treatment in secret for the last three months. After his cancer diagnosis, it was reported by sources that Hoppus had met with DeLonge and Barker together at his home to discuss old problems, personal issues, and Hoppus' cancer diagnosis. Hoppus was declared cancer-free later that year, but would continue screening every six months.", "Hoppus was declared cancer-free later that year, but would continue screening every six months. Musical style, lyrical themes, and influences Blink-182's musical style is mainly considered pop punk, a genre that combines influences of pop music with traditional punk rock. Throughout the band's career, though their sound has diversified, a large component of the band's music favors fast tempos, catchy melodies, prominent electric guitar with distortion, and power chord changes.", "Throughout the band's career, though their sound has diversified, a large component of the band's music favors fast tempos, catchy melodies, prominent electric guitar with distortion, and power chord changes. Earlier albums by the band have also been tagged with the label skate punk, owing to the skater subculture that was important to their youth. In addition, the band has also been classified under the umbrella of alternative rock as a whole.", "In addition, the band has also been classified under the umbrella of alternative rock as a whole. The band have claimed punk rock group the Descendents to be their greatest influence on a number of occasions. They have also named the Beatles, the Ramones, the Beach Boys, the Cure, Depeche Mode, U2, Stiff Little Fingers, All, Dinosaur Jr., NOFX, Bad Religion, Refused, Fugazi, Screeching Weasel, The Vandals, the Queers, and Jimmy Eat World as inspirations.", "They have also named the Beatles, the Ramones, the Beach Boys, the Cure, Depeche Mode, U2, Stiff Little Fingers, All, Dinosaur Jr., NOFX, Bad Religion, Refused, Fugazi, Screeching Weasel, The Vandals, the Queers, and Jimmy Eat World as inspirations. Common lyrical themes for the band involve relationships, suburbia, toilet humor, and teen angst. Hoppus and DeLonge, and later Skiba, split songwriting duty, and much of their lyrics tend toward autobiography.", "Hoppus and DeLonge, and later Skiba, split songwriting duty, and much of their lyrics tend toward autobiography. According to Nitsuh Abebe, of New York, the band's biggest recurring topic is maturity—\"more specifically, their lack of it, their attitude toward their lack of it, or their eventual wide-eyed exploration of it\". One of the band's biggest singles, \"What's My Age Again?", "One of the band's biggest singles, \"What's My Age Again? \", specifically addresses the Peter Pan syndrome, while \"Dammit\", the band's first mainstream hit single, contains the hook \"Well, I guess this is growing up.\" Albums such as Take Off Your Pants and Jacket near-exclusively deal in toilet humor and teen-centered lyrics, leading Rolling Stone to dub it a concept album chronicling adolescence.", "Albums such as Take Off Your Pants and Jacket near-exclusively deal in toilet humor and teen-centered lyrics, leading Rolling Stone to dub it a concept album chronicling adolescence. For Hoppus, these themes were not exclusively adolescent: \"The things that happen to you in high school are the same things that happen your entire life. You can fall in love at sixty; you can get rejected at eighty.\" Mid-career albums, such as Neighborhoods (2011), explore darker territory, such as depression and loss.", "Mid-career albums, such as Neighborhoods (2011), explore darker territory, such as depression and loss. More recent efforts, like California (2016), aim for universality but also focus on miscommunication and loss of identity. Musically, the band's sound has progressed throughout their 25-year career. Tom DeLonge's guitar style, which trades solos for riffs, is often down-stroked and power-chord heavy, with large amounts of palm muting. His later work guitar work heavily delves into effects, exploring ambience and delay prominently.", "His later work guitar work heavily delves into effects, exploring ambience and delay prominently. Many Blink songs center on the I–V–vi–IV progression. As a bassist, Hoppus is known for his well-defined midrange tone. Since the band is a trio, he approaches his role as a combination of being a rhythm guitarist and bassist. Early albums, such as Cheshire Cat (1995) and Dude Ranch (1997), were recorded with original drummer Scott Raynor, and consist of fast-paced, double-time songs.", "Early albums, such as Cheshire Cat (1995) and Dude Ranch (1997), were recorded with original drummer Scott Raynor, and consist of fast-paced, double-time songs. Drummer Travis Barker diversified the band's sound rhythmically when he joined in 1998. Throughout their discography, Barker's drumming references myriad musical genres, including Afro-Cuban music, bossa nova, reggae, and hip hop. Barker grew up playing in marching band, and it still influences his drum fills and kit setup.", "Barker grew up playing in marching band, and it still influences his drum fills and kit setup. Blink-182 were considered more radio-friendly than their predecessors. Jon Caramanica of The New York Times writes that the band \"[took] punk's already playful core and [gave] it a shiny, accessible polish.\" Luke Lewis, writing for Total Guitar in 2003, summarized it aptly: \"They wrote catchy songs, radio stations played them.\"", "Luke Lewis, writing for Total Guitar in 2003, summarized it aptly: \"They wrote catchy songs, radio stations played them.\" The band's biggest hit, \"All the Small Things\", was written partially because DeLonge figured the label might want a song for radio. \"It was obvious from the beginning it would fit that format,\" he told Lewis. \"There's nothing wrong with that. We don't want obstacles between us and our audience.\"", "We don't want obstacles between us and our audience.\" However, the band's conventional appeal, as well as partnerships with MTV, boardsport companies, and clothing brands, led to accusations that they were betraying the independent spirit of punk rock. DeLonge commented on the band's mainstream appeal in an interview in 2014: Legacy Blink-182 was one of the most popular rock bands at the turn of the millennium, and spearheaded the second wave of pop punk and its journey into the mainstream.", "DeLonge commented on the band's mainstream appeal in an interview in 2014: Legacy Blink-182 was one of the most popular rock bands at the turn of the millennium, and spearheaded the second wave of pop punk and its journey into the mainstream. The glossy production instantly set Blink-182 apart from the other crossover punk acts of the era, such as Green Day. Its third LP Enema of the State catapulted the band to stardom, creating what New York Abebe described as a \"blanket immersion among America's twenty-some million teenagers.\"", "Its third LP Enema of the State catapulted the band to stardom, creating what New York Abebe described as a \"blanket immersion among America's twenty-some million teenagers.\" At the band's commercial peak, albums such as Take Off Your Pants and Jacket and Enema sold over 14 and 15 million copies worldwide, respectively. According to Kelefa Sanneh of The New Yorker, Blink-182 \"spawned more imitators than any American rock band since Nirvana.", "According to Kelefa Sanneh of The New Yorker, Blink-182 \"spawned more imitators than any American rock band since Nirvana. Their seeming ordinariness convinced a generation of goofy punks that maybe they, too, could turn out deceptively simple songs as well constructed as anything on the pop chart. And their prankish camaraderie made fans feel like members of their extended social circle.\" Most Blink-182 songs are fairly straightforward and easy to play on guitar, making them perfect practice for beginner musicians.", "Most Blink-182 songs are fairly straightforward and easy to play on guitar, making them perfect practice for beginner musicians. Lewis of Total Guitar notes that this was key in influencing a generation of kids to \"pick up the guitar and form bands of their own.\" Despite this, the band never received particularly glowing reviews, with many reviewers dismissing them as a joke.", "Despite this, the band never received particularly glowing reviews, with many reviewers dismissing them as a joke. British publication NME was particularly critical of the trio, with reviewer Steven Wells begging them to \"fuck right off,\" comparing them to \"that sanitised, castrated, shrink-wrapped 'new wave' crap that the major US record companies pumped out circa 1981 in their belated attempt to jump on the 'punk' bandwagon.\" Nevertheless, subsequent reviews of the band's discography have been more positive.", "Nevertheless, subsequent reviews of the band's discography have been more positive. Andy Greenwald of Blender wrote, \"the quick transformation from nudists to near geniuses is down-right astonishing.\" James Montgomery of MTV said that \"despite their maturation, Blink never took themselves particularly seriously, which was another reason they were so accessible.\" A new generation of rock fans found the Blink sound \"hugely influential,\" according to Nicole Frehsée of Rolling Stone.", "A new generation of rock fans found the Blink sound \"hugely influential,\" according to Nicole Frehsée of Rolling Stone. Sanneh concurred: in his 2021 book Major Labels, he calls the band a \"generational touchstone\", arguing their sound and humor aged gracefully.", "Sanneh concurred: in his 2021 book Major Labels, he calls the band a \"generational touchstone\", arguing their sound and humor aged gracefully. In 2011, Jon Caramanica of The New York Times asserted that \"no punk band of the 1990s has been more influential than Blink-182,\" stating that even as the band receded after their initial 2005 split, \"its sound and style could be heard in the muscular pop punk of Fall Out Boy or in the current wave of high-gloss Warped Tour punk bands, like All Time Low and The Maine.\"", "In 2011, Jon Caramanica of The New York Times asserted that \"no punk band of the 1990s has been more influential than Blink-182,\" stating that even as the band receded after their initial 2005 split, \"its sound and style could be heard in the muscular pop punk of Fall Out Boy or in the current wave of high-gloss Warped Tour punk bands, like All Time Low and The Maine.\" Montgomery concurs: \"...without them, there'd be no Fall Out Boy, no Paramore, or no Fueled by Ramen Records.\"", "Montgomery concurs: \"...without them, there'd be no Fall Out Boy, no Paramore, or no Fueled by Ramen Records.\" Maria Sherman of The Village Voice took this a step further, writing \"Apart from the sound, Blink's ideology has been popularized [...] their presence is everywhere.\" \"When it comes to having inestimable influence, Blink-182 might well be contemporary punk's version of the Beatles\", wrote Scott Heisel in a 2009 Alternative Press cover story on the band.", "\"When it comes to having inestimable influence, Blink-182 might well be contemporary punk's version of the Beatles\", wrote Scott Heisel in a 2009 Alternative Press cover story on the band. The same magazine later ranked Blink the fourth of the \"30 Most Influential Bands of the Past 30 Years,\" just behind Radiohead, Fugazi, and Nirvana. Bands such as Panic!", "Bands such as Panic! Bands such as Panic! at the Disco and All Time Low originated covering Blink-182 songs, while You Me at Six, and 5 Seconds of Summer have also named the band as influences. \"Anyone in our genre would be lying if they said they weren't influenced by Blink-182,\" said Joel Madden of Good Charlotte.", "\"Anyone in our genre would be lying if they said they weren't influenced by Blink-182,\" said Joel Madden of Good Charlotte. The band's influence extends beyond pop-punk groups as well: the band has been cited as an influence by Avril Lavigne, Best Coast, DIIV, FIDLAR, Grimes, Male Bonding, Neck Deep, Mumford & Sons, A Day To Remember, Owl City, Charly Bliss, Tucker Beathard, Joyce Manor, Wavves, and the Chainsmokers; the latter even mentioned the band in the lyrics of their number-one hit song \"Closer\".", "The band's influence extends beyond pop-punk groups as well: the band has been cited as an influence by Avril Lavigne, Best Coast, DIIV, FIDLAR, Grimes, Male Bonding, Neck Deep, Mumford & Sons, A Day To Remember, Owl City, Charly Bliss, Tucker Beathard, Joyce Manor, Wavves, and the Chainsmokers; the latter even mentioned the band in the lyrics of their number-one hit song \"Closer\". Band members Current members Mark Hoppus – bass guitar, vocals Travis Barker – drums, percussion Matt Skiba – guitars, vocals Former members Scott Raynor – drums Tom DeLonge – guitars, vocals Former touring musicians Cam Jones – bass guitar Mike Krull – drums Byron McMackin – drums Josh Freese – drums Damon DeLaPaz – drums Brooks Wackerman – drums Timeline Discography Cheshire Cat (1995) Dude Ranch (1997) Enema of the State (1999) Take Off Your Pants and Jacket (2001) Blink-182 (2003) Neighborhoods (2011) California (2016) Nine (2019) Awards and nominations References Bibliography External links Alternative rock groups from California American musical trios Articles which contain graphical timelines Kerrang!", "Band members Current members Mark Hoppus – bass guitar, vocals Travis Barker – drums, percussion Matt Skiba – guitars, vocals Former members Scott Raynor – drums Tom DeLonge – guitars, vocals Former touring musicians Cam Jones – bass guitar Mike Krull – drums Byron McMackin – drums Josh Freese – drums Damon DeLaPaz – drums Brooks Wackerman – drums Timeline Discography Cheshire Cat (1995) Dude Ranch (1997) Enema of the State (1999) Take Off Your Pants and Jacket (2001) Blink-182 (2003) Neighborhoods (2011) California (2016) Nine (2019) Awards and nominations References Bibliography External links Alternative rock groups from California American musical trios Articles which contain graphical timelines Kerrang! Awards winners MCA Records artists MTV Europe Music Award winners Musical groups disestablished in 2005 Musical groups established in 1992 Musical groups from San Diego Musical groups reestablished in 2009 People from Poway, California Pop punk groups from California Punk rock groups from California Skate punk groups" ]

[ "Blink-182", "Lineup change, California, and future (2015-present)", "When did the lineup change", "Hoppus and Barker decided to continue on without DeLonge, and enlisted Alkaline Trio vocalist/guitarist Matt Skiba to \"fill in\"", "HOw long was Skiba with them", "Hoppus and Skiba had been wanting to work together musically for several years, so he was the first and only person considered for the role.", "Have they done any tours with him?", "The band supported the album with a large headlining tour across North America between July and October 2016," ]

[ "How Much for Happy is Canadian actress and singer-songwriter Cassie Steele's debut album. How Much for Happy was released in Canada on March 15, 2005, and in the US on April 26, 2005. The album was sold on iTunes in the US for a few months, but after having an argument with Rob'N'Steal Productions about the distribution of How Much for Happy, the album was removed from iTunes, yet was still available on Amazon.com. Physically, the album is now out of print in the US, but it was put back on iTunes. Steele wrote 12 out of the 13 tracks on her debut album. The thirteenth was a remake of the popular song by Jimi Hendrix, \"Hey Joe\".\n\nSales\nThe album was certified gold in Canada, selling more than 25,000 copies.\n\nSingles\nTwo singles, \"Blue Bird\" and \"Famous\", were released off of the album. A music video for \"Blue Bird\" was released as well, which featured Cassie recording the single along with photos of her.\n\nTrack listing\n\"Not Yours Truly\"\n\"Famous\"\n\"Fantasy\"\n\"Blue Bird\"\n\"Jaded\"\n\"Rock Your Bones\"\n\"Drink Me Dry\"\n\"Crimson Tears\"\n\"Broken (How Much for Happy)\"\n\"Empty Eyes\"\n\"A Sinner's Prayer\"\n\"Love Cost\"\n\"Hey Joe\"\n Unreleased track: \"Things That God Cannot Explain\"\n\n2005 debut albums\nCassie Steele albums", "How the West Was Won may refer to:\n How the West Was Won (film), a 1962 American Western film\n How the West Was Won (TV series), a 1970s television series loosely based on the film\n How the West Was Won (Bing Crosby album) (1959)\n How the West Was Won (Led Zeppelin album) (2003)\n How the West Was Won (Peter Perrett album) (2017)\n How the West Was Won, a 2002 album by Luni Coleone\n \"How the West Was Won\", a 1987 song by Laibach from Opus Dei\n \"How the West Was Won\", a 1996 song by the Romo band Plastic Fantastic\n\nSee also\n How the West Was Fun, a 1994 TV movie starring Mary-Kate and Ashley Olsen\n How the West Was One (disambiguation)\n \"How the West Was Won and Where It Got Us\", a 1997 song by R.E.M." ]

[ "Blink-182 (stylized in all lowercase) is an American rock band formed in Poway, California, in 1992. Their current lineup consists of guitarist/vocalist Matt Skiba, bassist/vocalist Mark Hoppus, and drummer Travis Barker. Though their sound has diversified throughout their career, their musical style blends catchy pop melodies with fast-paced punk rock. Their lyrics center on relationships, adolescent frustration, and maturity—or lack thereof. The group emerged from a suburban, Southern California skate-punk scene and gained notoriety for high-energy live shows and irreverent humor.", "The group emerged from a suburban, Southern California skate-punk scene and gained notoriety for high-energy live shows and irreverent humor. After years of independent recording and touring, including stints on the Warped Tour, the group signed to MCA Records. Their biggest albums, Enema of the State (1999) and Take Off Your Pants and Jacket (2001), saw international success. Songs like \"All the Small Things\", \"Dammit\", \"I Miss You\", and \"What's My Age Again?\"", "Songs like \"All the Small Things\", \"Dammit\", \"I Miss You\", and \"What's My Age Again?\" became hit singles and MTV staples. Later efforts, including an untitled album (2003), marked stylistic shifts. DeLonge quit the group twice, both times a decade apart; since 2015, the band has included musician Matt Skiba, with whom they have continued to record and tour. Their most recent album, Nine, saw release in 2019.", "Their most recent album, Nine, saw release in 2019. Blink-182 is widely considered to be one of the most prominent and influential rock acts of the late twentieth century. Their straightforward approach and simple arrangements, which helped initiate pop-punk's mainstream rise, made them popular among generations of listeners.", "Their straightforward approach and simple arrangements, which helped initiate pop-punk's mainstream rise, made them popular among generations of listeners. Worldwide, the group has sold 50 million albums, and have moved 13 million copies in the U.S. History Formation and initial years (1992–1994) Blink-182 was formed in Poway, California, a suburb north of San Diego, in August 1992.", "Worldwide, the group has sold 50 million albums, and have moved 13 million copies in the U.S. History Formation and initial years (1992–1994) Blink-182 was formed in Poway, California, a suburb north of San Diego, in August 1992. Guitarist Tom DeLonge was expelled from Poway High for being inebriated at a basketball game, and was forced to attend another school, Rancho Bernardo High School, for one semester. There, he performed at a Battle of the Bands competition, where he was introduced to drummer Scott Raynor.", "There, he performed at a Battle of the Bands competition, where he was introduced to drummer Scott Raynor. He also befriended Kerry Key, who was also interested in punk rock music. Key was dating Anne Hoppus, sister of bassist Mark Hoppus, who had recently moved from Ridgecrest, California, to work at a record store and attend college. Both Hoppus and DeLonge grew up listening to punk rock music, with both particularly enamored by the Descendents.", "Both Hoppus and DeLonge grew up listening to punk rock music, with both particularly enamored by the Descendents. Southern California had a large punk population in the early 1990s, aided by an active surfing, skating, and snowboarding scene. In contrast to East Coast punk music, the West Coast wave of groups typically introduced more melodic aspects to the group's music. \"New York is gloomy, dark and cold. It makes different music. The Californian middle-class suburbs have nothing to be that bummed about,\" said DeLonge.", "The Californian middle-class suburbs have nothing to be that bummed about,\" said DeLonge. Anne introduced her brother to DeLonge on August 1, 1992. The pair instantly connected and played for hours in DeLonge's garage, exchanging lyrics and co-writing songs—one of which became fan favorite \"Carousel\". Hoppus, hoping to impress DeLonge, fell from a lamppost in front of DeLonge's home and cracked his ankles, putting him in crutches for three weeks.", "Hoppus, hoping to impress DeLonge, fell from a lamppost in front of DeLonge's home and cracked his ankles, putting him in crutches for three weeks. The trio began to practice together in Raynor's bedroom, spending time writing music, seeing movies and punk concerts, and playing practical jokes. The trio first operated under a variety of names, including Duck Tape and Figure 8, until DeLonge rechristened the band \"Blink\".", "The trio first operated under a variety of names, including Duck Tape and Figure 8, until DeLonge rechristened the band \"Blink\". Hoppus' girlfriend of the time was annoyed by his constant attention to the band, and demanded he make a choice between the band and her, which resulted in Hoppus leaving the band not long after its formation. Shortly thereafter, DeLonge and Raynor borrowed a four-track recorder from friend and collaborator Cam Jones and were preparing to record a demo tape, with Jones on bass.", "Shortly thereafter, DeLonge and Raynor borrowed a four-track recorder from friend and collaborator Cam Jones and were preparing to record a demo tape, with Jones on bass. Hoppus promptly broke up with his girlfriend and returned to the band. Flyswatter—a combination of original songs and punk covers—was recorded in Raynor's bedroom in May 1993. The band began booking shows, and were on stage nearly every weekend, even at Elks Lodges and YMCA centers.", "The band began booking shows, and were on stage nearly every weekend, even at Elks Lodges and YMCA centers. DeLonge called clubs constantly in San Diego asking for a spot to play, as well as local high schools, convincing them that Blink was a \"motivational band with a strong antidrug message\" in hopes to play at an assembly or lunch.", "DeLonge called clubs constantly in San Diego asking for a spot to play, as well as local high schools, convincing them that Blink was a \"motivational band with a strong antidrug message\" in hopes to play at an assembly or lunch. San Diego at this time was \"hardly a hotbed of [musical] activity\", according to journalist Joe Shooman, but the band's popularity grew as did punk rock concurrently in the mainstream.", "San Diego at this time was \"hardly a hotbed of [musical] activity\", according to journalist Joe Shooman, but the band's popularity grew as did punk rock concurrently in the mainstream. They quickly became part of a circuit that also included bands such as Ten Foot Pole and Unwritten Law, and Blink soon found its way onto the bill as the opening band for acts performing at Soma, a local all-ages venue.", "They quickly became part of a circuit that also included bands such as Ten Foot Pole and Unwritten Law, and Blink soon found its way onto the bill as the opening band for acts performing at Soma, a local all-ages venue. \"The biggest dreams we ever had when we started was to [headline] a show at Soma,\" Hoppus said later. Meanwhile, Hoppus' manager at the record store, Patrick Secor, fronted the group money to properly record another demo at a local studio Doubletime.", "Meanwhile, Hoppus' manager at the record store, Patrick Secor, fronted the group money to properly record another demo at a local studio Doubletime. The result was Buddha (1994), which the members of the band viewed as the band's first legitimate release. That year, however, Raynor's family relocated to Reno, Nevada, and he was briefly replaced by musician Mike Krull. The band saved money and began flying Raynor out to shows, and he eventually moved back and in with Hoppus in mid-1995.", "The band saved money and began flying Raynor out to shows, and he eventually moved back and in with Hoppus in mid-1995. During that time, the band would record its first album, first music video, and develop a larger following.", "During that time, the band would record its first album, first music video, and develop a larger following. Early releases and touring (1995–1998) The heart of the local independent music scene was Cargo Records, which offered to sign the band on a \"trial basis,\" with help from O, guitarist for local punk band Fluf, and Brahm Goodis, a friend of the band whose father was president of the label.", "Early releases and touring (1995–1998) The heart of the local independent music scene was Cargo Records, which offered to sign the band on a \"trial basis,\" with help from O, guitarist for local punk band Fluf, and Brahm Goodis, a friend of the band whose father was president of the label. Hoppus was the only member to sign the contract, as DeLonge was at work at the time and Raynor was still a minor.", "Hoppus was the only member to sign the contract, as DeLonge was at work at the time and Raynor was still a minor. The band recorded their debut album—Cheshire Cat, released in February 1995—in three days at Westbeach Recorders in Los Angeles, fueled by both new songs and re-recordings of songs from previous demos. \"M+M's\", the band's first single, garnered local radio airplay from 91X, and Cargo offered the band a small budget to film a music video for it.", "\"M+M's\", the band's first single, garnered local radio airplay from 91X, and Cargo offered the band a small budget to film a music video for it. Meanwhile, the record also drew the attention of Irish band Blink. Unwilling to engage in a legal battle, the band agreed to change their name. Cargo gave the band a week, but the trio put off the decision for more than two afterward.", "Cargo gave the band a week, but the trio put off the decision for more than two afterward. Eventually, Cargo called the trio, demanding that they \"change the name or [we'll] change it for you,\" after which the band decided on a random number, 182. The band soon hired a manager, Rick DeVoe, who had worked with larger bands such as NOFX, Pennywise and The Offspring.", "The band soon hired a manager, Rick DeVoe, who had worked with larger bands such as NOFX, Pennywise and The Offspring. In addition, the group drew the attention of Rick and Jean Bonde of the Tahoe booking agency, who were responsible for \"spreading the name of the band far and wide.\" In late 1995, the trio embarked on their first national tour, promoting the surf video GoodTimes with Unwritten Law, Sprung Monkey and 7 Seconds.", "In late 1995, the trio embarked on their first national tour, promoting the surf video GoodTimes with Unwritten Law, Sprung Monkey and 7 Seconds. GoodTimes was directed by filmmaker Taylor Steele, who was a friend of DeVoe. In preparation for the trek, the band members purchased their own tour van, which they nicknamed the Millennium Falcon. The GoodTimes tour extended outside the States with a leg in Australia; the trio were financially unable to go, but Pennywise's members paid for their plane tickets.", "The GoodTimes tour extended outside the States with a leg in Australia; the trio were financially unable to go, but Pennywise's members paid for their plane tickets. Fletcher Dragge, guitarist of Pennywise, believed in the band strongly. He demanded that Kevin Lyman, founder of the traveling rock-based Warped Tour, sign the band for its 1996 iteration, predicting they would become \"gigantic.\"", "He demanded that Kevin Lyman, founder of the traveling rock-based Warped Tour, sign the band for its 1996 iteration, predicting they would become \"gigantic.\" That year, the band toured heavily, with several domestic shows on and off the Warped Tour, trips to Canada and Japan, and more Australian dates. Australia were particularly receptive to the band and their humorous stage antics, which gained the band a reputation but also made them ostracized and considered a joke.", "Australia were particularly receptive to the band and their humorous stage antics, which gained the band a reputation but also made them ostracized and considered a joke. By March 1996, the trio began to accumulate a genuine buzz among major labels, resulting in a bidding war between Interscope, MCA and Epitaph. MCA promised the group complete artistic freedom and ultimately signed the band, but Raynor held a great affinity for Epitaph and began to feel half-invested in the band when they chose MCA.", "MCA promised the group complete artistic freedom and ultimately signed the band, but Raynor held a great affinity for Epitaph and began to feel half-invested in the band when they chose MCA. The group, discouraged by Cargo's lack of distribution and faith in the group, held no qualms about signing to a major label but were fiercely criticized in the punk community. After nonstop touring, the trio began recording their follow-up LP, Dude Ranch, over the period of a month in late 1996 with producer Mark Trombino.", "After nonstop touring, the trio began recording their follow-up LP, Dude Ranch, over the period of a month in late 1996 with producer Mark Trombino. The record saw release the following June, and the band headed out on the 1997 Warped Tour. \"Dammit\", the album's second single, received heavy airplay on modern rock stations. Dude Ranch shipped gold by 1998, but an exhaustive touring schedule brought tensions among the trio.", "Dude Ranch shipped gold by 1998, but an exhaustive touring schedule brought tensions among the trio. Raynor had been drinking heavily to offset personal issues, and he was fired by DeLonge and Hoppus in mid-1998 despite agreeing to attend rehab and quit drinking. Travis Barker, drummer for tour-mate The Aquabats, filled in for Raynor, learning the 20-song setlist in 45 minutes before the first show.", "Travis Barker, drummer for tour-mate The Aquabats, filled in for Raynor, learning the 20-song setlist in 45 minutes before the first show. By July, he joined the band full-time and later that year, the band entered the studio with producer Jerry Finn to begin work on their third album. Mainstream breakthrough and continued success (1999–2004) With the release of the group's third album Enema of the State in June 1999, Blink-182 was catapulted to stardom and became the biggest pop-punk act of the era.", "Mainstream breakthrough and continued success (1999–2004) With the release of the group's third album Enema of the State in June 1999, Blink-182 was catapulted to stardom and became the biggest pop-punk act of the era. Three singles were released from the record—\"What's My Age Again? \", \"All the Small Things\", and \"Adam's Song\"—which became major radio hits.", "\", \"All the Small Things\", and \"Adam's Song\"—which became major radio hits. \"All the Small Things\" became a number-one hit on the Modern Rock Tracks chart, and also became a crossover hit, peaking at number six on the Billboard Hot 100 chart. The band's relationship with MTV cemented their status as video stars; all three singles became staples on the network and TRL mainstays.", "The band's relationship with MTV cemented their status as video stars; all three singles became staples on the network and TRL mainstays. Enema of the State was an enormous commercial success, although the band was criticized as synthesized, manufactured pop only remotely resembling punk, and pigeonholed as a joke act due to the puerile slant of their singles and associated videos. The album has sold over 15 million copies worldwide and had a considerable effect on pop punk music, inspiring a \"second wave\" of the genre and numerous acolytes.", "The album has sold over 15 million copies worldwide and had a considerable effect on pop punk music, inspiring a \"second wave\" of the genre and numerous acolytes. Following that success, as well as their first arena tour and cameo appearances in film and TV (American Pie), the band recorded their fourth album, the comically titled Take Off Your Pants and Jacket (2001).", "Following that success, as well as their first arena tour and cameo appearances in film and TV (American Pie), the band recorded their fourth album, the comically titled Take Off Your Pants and Jacket (2001). It became their first number one album in the U.S., Canada, and Germany, and spawned the singles \"The Rock Show\", \"Stay Together for the Kids\" and \"First Date\".", "It became their first number one album in the U.S., Canada, and Germany, and spawned the singles \"The Rock Show\", \"Stay Together for the Kids\" and \"First Date\". Jerry Finn returned to produce the record and was a key architect of the \"polished\" pop punk sound; according to journalist James Montgomery, writing for MTV News, the veteran engineer \"served as an invaluable member of the Blink team: part adviser, part impartial observer, he helped smooth out tensions and hone their multiplatinum sound.\"", "Jerry Finn returned to produce the record and was a key architect of the \"polished\" pop punk sound; according to journalist James Montgomery, writing for MTV News, the veteran engineer \"served as an invaluable member of the Blink team: part adviser, part impartial observer, he helped smooth out tensions and hone their multiplatinum sound.\" Recording sessions were sometimes contentious, as DeLonge strove for heavier-sounding guitar riffs.", "Recording sessions were sometimes contentious, as DeLonge strove for heavier-sounding guitar riffs. With time off from touring, he felt a desire to broaden his musical palette, and channeled his chronic back pain and resulting frustration into Box Car Racer (2002), an LP that emulates his post-hardcore influences, such as Fugazi and Refused. He invited Barker to record drums for the project, in order to refrain from hiring a studio musician.", "He invited Barker to record drums for the project, in order to refrain from hiring a studio musician. Box Car Racer rapidly evolved into a side project for the duo, launching the singles \"I Feel So\" and \"There Is\", in addition to two national tours throughout 2002. Though DeLonge claimed Hoppus was not intentionally left out, Hoppus felt betrayed, and the event created great division within the trio for some time and was an unresolved tension at the forefront of the band's later hiatus.", "Though DeLonge claimed Hoppus was not intentionally left out, Hoppus felt betrayed, and the event created great division within the trio for some time and was an unresolved tension at the forefront of the band's later hiatus. In the meantime, Barker also parlayed his love of hip-hop into the rap rock outfit Transplants, a collaboration with Rancid's Tim Armstrong.", "In the meantime, Barker also parlayed his love of hip-hop into the rap rock outfit Transplants, a collaboration with Rancid's Tim Armstrong. The band regrouped in 2003 to record its fifth studio album, infusing experimentalist elements into its usual pop punk sound, inspired by lifestyle changes (the band members all became fathers before the album was released) and side projects. Blink-182 was released in November 2003 through Geffen Records, which absorbed sister label MCA earlier that year.", "Blink-182 was released in November 2003 through Geffen Records, which absorbed sister label MCA earlier that year. The worldwide touring schedule, which saw the band travel to Japan and Australia, also found the three performing for troops stationed in the Persian Gulf during the first year of the Iraq War.", "The worldwide touring schedule, which saw the band travel to Japan and Australia, also found the three performing for troops stationed in the Persian Gulf during the first year of the Iraq War. Critics generally complimented the new, more \"mature\" direction taken for the album and its lead singles \"Feeling This\" and \"I Miss You\" charted high, with the latter becoming the group's second number one hit on the Billboard Modern Rock Tracks chart.", "Critics generally complimented the new, more \"mature\" direction taken for the album and its lead singles \"Feeling This\" and \"I Miss You\" charted high, with the latter becoming the group's second number one hit on the Billboard Modern Rock Tracks chart. Fans, however, were split by the new direction, and tensions within the band—stemming from the grueling schedule and DeLonge's desire to spend more time with his family—started to become evident.", "Fans, however, were split by the new direction, and tensions within the band—stemming from the grueling schedule and DeLonge's desire to spend more time with his family—started to become evident. Hiatus, side projects, and Barker's plane crash (2005–2008) In February 2005, Geffen issued a press statement announcing the band's \"indefinite hiatus.\" The band had broken up after members' arguments regarding their future and recording process.", "The band had broken up after members' arguments regarding their future and recording process. DeLonge felt increasingly conflicted both about his creative freedom within the group and the toll touring was taking on his family life. He eventually expressed his desire to take a half-year respite from touring in order to spend more time with family. Hoppus and Barker were dismayed by his decision, which they felt was an overly long break. Rehearsals for a benefit concert grew contentious, rooted in the trio's increasing bitterness toward one another.", "Rehearsals for a benefit concert grew contentious, rooted in the trio's increasing bitterness toward one another. DeLonge considered his bandmates' priorities \"mad, mad different,\" coming to the conclusion that the trio had simply grown apart as they aged, had families, and reached fame. The breakdown in communication led to heated exchanges, resulting in his exit from the group.", "The breakdown in communication led to heated exchanges, resulting in his exit from the group. DeLonge briefly disappeared from public eye, making no appearances, granting no interviews and remaining silent until September 2005, when he announced his new project, Angels & Airwaves, promising \"the greatest rock and roll revolution for this generation.\" He later revealed he was addicted to painkillers at the time for his chronic back pain, noting that his grandiose statements seemed outlandish.", "He later revealed he was addicted to painkillers at the time for his chronic back pain, noting that his grandiose statements seemed outlandish. The group released two albums in 2006 and 2007: the RIAA gold-certified We Don't Need to Whisper and I-Empire. In the interim, Hoppus and Barker also continued playing music together in +44. +44's debut, When Your Heart Stops Beating, was released in 2006 but stalled commercially and received mixed reviews.", "+44's debut, When Your Heart Stops Beating, was released in 2006 but stalled commercially and received mixed reviews. Meanwhile, Barker starred in the MTV reality series Meet the Barkers with his then-wife, former Miss USA Shanna Moakler. The couple's later split, reconciliation and subsequent breakup made them tabloid favorites. Barker also launched a shoe line and worked on hip-hop remixs, as well as with the Transplants and TRV$DJAM, a collaboration with friend Adam Goldstein (DJ AM).", "Barker also launched a shoe line and worked on hip-hop remixs, as well as with the Transplants and TRV$DJAM, a collaboration with friend Adam Goldstein (DJ AM). During the hiatus, Hoppus shifted his attention to hosting a podcast and producing albums (most notably Commit This to Memory by former tour-mate Motion City Soundtrack). The band members did not speak from their breakup until 2008. That August, former producer Jerry Finn suffered a cerebral hemorrhage and died.", "That August, former producer Jerry Finn suffered a cerebral hemorrhage and died. The following month, Barker and Goldstein were involved in a plane crash that killed four people, leaving them the only two survivors. Barker sustained second and third degree burns and developed posttraumatic stress disorder, and the accident resulted in sixteen surgeries and multiple blood transfusions. Goldstein's injuries were less severe, but the following year, he died from a drug overdose.", "Goldstein's injuries were less severe, but the following year, he died from a drug overdose. Hoppus was alerted about Barker's accident by a phone call in the middle of the night and jumped on the next flight to the burn center. DeLonge quickly reached out to his former bandmate, mailing him a letter and photograph. The trio eventually met up in the hospital, laying the grounds for what was going to be the band's reunion.", "The trio eventually met up in the hospital, laying the grounds for what was going to be the band's reunion. Eventually, an arrangement was made for the trio to meet up at Hoppus and Barker's Los Angeles studio in October 2008. The three opened up, discussing the events of the hiatus and their break-up, and DeLonge was the first to approach the subject of reuniting. Hoppus remembered: \"I remember [Tom] said, 'So, what do you guys think? Where are your heads at?'", "Where are your heads at?' Where are your heads at?' And I said, 'I think we should continue with what we've been doing for the past 17 years. I think we should get back on the road and back in the studio and do what we love doing. Reunion years (2009–2014) For the first time in nearly five years, the band appeared on stage together as presenters at the February 2009 Grammy Awards, and announced their reunion.", "Reunion years (2009–2014) For the first time in nearly five years, the band appeared on stage together as presenters at the February 2009 Grammy Awards, and announced their reunion. The trio embarked on a reunion tour of North America from July to October 2009, with a European trek following from August to September 2010. Barker, suffering from a fear of flying after his accident, traveled via bus domestically and by an ocean liner for overseas dates.", "Barker, suffering from a fear of flying after his accident, traveled via bus domestically and by an ocean liner for overseas dates. The recording process for Neighborhoods, the band's sixth studio album, was stalled by its studio autonomy, tours, managers, and personal projects. DeLonge recorded at his studio in San Diego while Hoppus and Barker recorded in Los Angeles—an extension of their strained communication.", "DeLonge recorded at his studio in San Diego while Hoppus and Barker recorded in Los Angeles—an extension of their strained communication. The self-produced album—their first without Jerry Finn since Enema of the State—was released in September 2011 and peaked at number two on the Billboard 200. Its singles—\"Up All Night\" and \"After Midnight\"—only attracted modest chart success, and label Interscope was reportedly disappointed with album sales.", "Its singles—\"Up All Night\" and \"After Midnight\"—only attracted modest chart success, and label Interscope was reportedly disappointed with album sales. The band continued to tour in the early 2010s, \"despite growing evidence of remaining friction\" between the members, according to AllMusic biographer John Bush. They headlined the 10th Annual Honda Civic Tour in North America in 2011 with My Chemical Romance, and launched a 20th Anniversary Tour the next year.", "They headlined the 10th Annual Honda Civic Tour in North America in 2011 with My Chemical Romance, and launched a 20th Anniversary Tour the next year. For that tour, the band played in Europe twice, North America, and Australia; drummer Brooks Wackerman filled-in for Barker, as he was not yet ready to fly.", "For that tour, the band played in Europe twice, North America, and Australia; drummer Brooks Wackerman filled-in for Barker, as he was not yet ready to fly. Additionally, the trio pursued a tenth anniversary celebration of Blink-182 with a series of shows, and played the Reading and Leeds Festivals; it was the band's fourth appearance at the festival and second headlining slot. The band also parted ways with longtime label Interscope, self-releasing their next project, Dogs Eating Dogs, an EP.", "The band also parted ways with longtime label Interscope, self-releasing their next project, Dogs Eating Dogs, an EP. DeLonge's final performance with the group was at the Wine Amplified Festival in Las Vegas, Nevada on October 11, 2014. The reunion of the band has been characterized as dysfunctional by both Barker and DeLonge. Hoppus commented on this era of the band in a later interview: \"Everything was always very contentious. There was always just a strange vibe.", "There was always just a strange vibe. There was always just a strange vibe. [...] I knew there was something wrong.\" In his memoir, Can I Say, Barker claims DeLonge's behavior on tour was \"introverted\" until \"money started coming in,\" after which \"he'd get excited about Blink.\" He states DeLonge abruptly quit sometime in mid-2014, and rejoined the following day. The group planned to begin writing their seventh album in January 2015, which had continually seen delays.", "The group planned to begin writing their seventh album in January 2015, which had continually seen delays. \"I'd do interviews and I just felt awful for fans because they were promised albums for years and we couldn't do it,\" Barker later said. A record deal was finalized and sessions were booked before DeLonge's manager informed the band he intended to spend more time on \"non-musical activities\" and indefinitely depart the group.", "A record deal was finalized and sessions were booked before DeLonge's manager informed the band he intended to spend more time on \"non-musical activities\" and indefinitely depart the group. In his own statement, DeLonge remarked that he \"Never planned on quitting, [I] just find it hard as hell to commit.\" After these events, Barker summarized the band's reunion: \"Why Blink even got back together in the first place is questionable.\"", "After these events, Barker summarized the band's reunion: \"Why Blink even got back together in the first place is questionable.\" Lineup change and recent years (2015–present) Hoppus and Barker decided to continue on without DeLonge, and enlisted Alkaline Trio vocalist/guitarist Matt Skiba to \"fill in\" for three shows in March 2015. Hoppus and Skiba had been wanting to work together musically for several years, so he was the first and only person considered for the role.", "Hoppus and Skiba had been wanting to work together musically for several years, so he was the first and only person considered for the role. After legal battles with DeLonge were worked out, Skiba joined Blink-182 as an official member and began preparations for new music. Initially, it was not made clear behind DeLonge departure until Barker revealed in 2019 that the guitarist wanted to pursue his company To the Stars... Academy of Arts & Sciences full-time, which is devoted to investigating UFOs.", "Initially, it was not made clear behind DeLonge departure until Barker revealed in 2019 that the guitarist wanted to pursue his company To the Stars... Academy of Arts & Sciences full-time, which is devoted to investigating UFOs. DeLonge said \"from every ounce of my being\" that he was meant to do this. The resulting album, California, was produced by John Feldmann. He was the group's first new producer since longtime collaborator Jerry Finn. California was recorded between January and March 2016.", "California was recorded between January and March 2016. California was recorded between January and March 2016. The band, as well as Feldmann, would regularly spend \"18 hours\" in the studio a day, aiming to start and complete multiple songs in that timeframe. \"We all wanted to write the best record that we could [...] It does feel like a new beginning.", "\"We all wanted to write the best record that we could [...] It does feel like a new beginning. It feels like when we used to tour and sleep in the van because that's all we wanted to do is play rock music,\" said Hoppus. Upon its July 2016 release, California became the band's second number-one album on the Billboard 200, and first in 15 years; it also reached the top for the first time in the United Kingdom.", "Upon its July 2016 release, California became the band's second number-one album on the Billboard 200, and first in 15 years; it also reached the top for the first time in the United Kingdom. Its lead single, \"Bored to Death\", became the group's first number one single in 12 years. The band supported the album with a large headlining tour across North America between July and October 2016, and a European leg in June and July 2017.", "The band supported the album with a large headlining tour across North America between July and October 2016, and a European leg in June and July 2017. A deluxe edition of California—essentially a double album including songs left off the original album—was issued in 2017. California earned the band their first nomination for Best Rock Album at the Grammy Awards. Critical reviews of the album, however, were mixed; many considered Feldmann's input and the throwback nature of the songs as formulaic.", "Critical reviews of the album, however, were mixed; many considered Feldmann's input and the throwback nature of the songs as formulaic. The trio moved from independent service BMG to major-label Columbia for their eighth studio effort, Nine (2019). While Nine builds upon their partnership with Feldmann, it also utilizes additional outside producers and songwriters. Musically, the LP augments the band's pop punk sound with hip hop-inspired programming, as well as electronics.", "Musically, the LP augments the band's pop punk sound with hip hop-inspired programming, as well as electronics. In the interim, the trio embarked on a celebratory tour marking the twentieth anniversary of their breakthrough effort, Enema of the State. In recent years, each member has explored side projects as well. Skiba returned to Alkaline Trio for their ninth album, Is This Thing Cursed?", "Skiba returned to Alkaline Trio for their ninth album, Is This Thing Cursed? (2018), while Hoppus formed Simple Creatures, an electropop outfit with All Time Low frontman Alex Gaskarth, with whom he released two EPs throughout 2019. Lastly, Barker has focused his energies in collaborating with rappers Lil Nas X, Machine Gun Kelly, and XXXTentacion, among others.", "Lastly, Barker has focused his energies in collaborating with rappers Lil Nas X, Machine Gun Kelly, and XXXTentacion, among others. Blink have also worked with several artists, jointly issuing singles with XXXTentacion, Lil Wayne, Goody Grace, Steve Aoki, Powfu, Oliver Tree, and the Chainsmokers. That same year, The New York Times Magazine listed Blink-182 among hundreds of artists whose material was destroyed in the 2008 Universal fire.", "That same year, The New York Times Magazine listed Blink-182 among hundreds of artists whose material was destroyed in the 2008 Universal fire. On August 7, 2020, the band released a new single titled \"Quarantine\", which was recorded without Skiba's involvement due to lack of a home recording studio. Later in the same month, Hoppus stated that the band was working on a new EP scheduled for release in 2021, in addition to announcing a song with Juice Wrld — neither have been released at the moment.", "Later in the same month, Hoppus stated that the band was working on a new EP scheduled for release in 2021, in addition to announcing a song with Juice Wrld — neither have been released at the moment. Though Barker had confirmed a 2021 release, the year ended without one. On June 23, 2021, Hoppus confirmed that he had received a cancer diagnosis and had been receiving treatment in secret for the last three months.", "On June 23, 2021, Hoppus confirmed that he had received a cancer diagnosis and had been receiving treatment in secret for the last three months. After his cancer diagnosis, it was reported by sources that Hoppus had met with DeLonge and Barker together at his home to discuss old problems, personal issues, and Hoppus' cancer diagnosis. Hoppus was declared cancer-free later that year, but would continue screening every six months.", "Hoppus was declared cancer-free later that year, but would continue screening every six months. Musical style, lyrical themes, and influences Blink-182's musical style is mainly considered pop punk, a genre that combines influences of pop music with traditional punk rock. Throughout the band's career, though their sound has diversified, a large component of the band's music favors fast tempos, catchy melodies, prominent electric guitar with distortion, and power chord changes.", "Throughout the band's career, though their sound has diversified, a large component of the band's music favors fast tempos, catchy melodies, prominent electric guitar with distortion, and power chord changes. Earlier albums by the band have also been tagged with the label skate punk, owing to the skater subculture that was important to their youth. In addition, the band has also been classified under the umbrella of alternative rock as a whole.", "In addition, the band has also been classified under the umbrella of alternative rock as a whole. The band have claimed punk rock group the Descendents to be their greatest influence on a number of occasions. They have also named the Beatles, the Ramones, the Beach Boys, the Cure, Depeche Mode, U2, Stiff Little Fingers, All, Dinosaur Jr., NOFX, Bad Religion, Refused, Fugazi, Screeching Weasel, The Vandals, the Queers, and Jimmy Eat World as inspirations.", "They have also named the Beatles, the Ramones, the Beach Boys, the Cure, Depeche Mode, U2, Stiff Little Fingers, All, Dinosaur Jr., NOFX, Bad Religion, Refused, Fugazi, Screeching Weasel, The Vandals, the Queers, and Jimmy Eat World as inspirations. Common lyrical themes for the band involve relationships, suburbia, toilet humor, and teen angst. Hoppus and DeLonge, and later Skiba, split songwriting duty, and much of their lyrics tend toward autobiography.", "Hoppus and DeLonge, and later Skiba, split songwriting duty, and much of their lyrics tend toward autobiography. According to Nitsuh Abebe, of New York, the band's biggest recurring topic is maturity—\"more specifically, their lack of it, their attitude toward their lack of it, or their eventual wide-eyed exploration of it\". One of the band's biggest singles, \"What's My Age Again?", "One of the band's biggest singles, \"What's My Age Again? \", specifically addresses the Peter Pan syndrome, while \"Dammit\", the band's first mainstream hit single, contains the hook \"Well, I guess this is growing up.\" Albums such as Take Off Your Pants and Jacket near-exclusively deal in toilet humor and teen-centered lyrics, leading Rolling Stone to dub it a concept album chronicling adolescence.", "Albums such as Take Off Your Pants and Jacket near-exclusively deal in toilet humor and teen-centered lyrics, leading Rolling Stone to dub it a concept album chronicling adolescence. For Hoppus, these themes were not exclusively adolescent: \"The things that happen to you in high school are the same things that happen your entire life. You can fall in love at sixty; you can get rejected at eighty.\" Mid-career albums, such as Neighborhoods (2011), explore darker territory, such as depression and loss.", "Mid-career albums, such as Neighborhoods (2011), explore darker territory, such as depression and loss. More recent efforts, like California (2016), aim for universality but also focus on miscommunication and loss of identity. Musically, the band's sound has progressed throughout their 25-year career. Tom DeLonge's guitar style, which trades solos for riffs, is often down-stroked and power-chord heavy, with large amounts of palm muting. His later work guitar work heavily delves into effects, exploring ambience and delay prominently.", "His later work guitar work heavily delves into effects, exploring ambience and delay prominently. Many Blink songs center on the I–V–vi–IV progression. As a bassist, Hoppus is known for his well-defined midrange tone. Since the band is a trio, he approaches his role as a combination of being a rhythm guitarist and bassist. Early albums, such as Cheshire Cat (1995) and Dude Ranch (1997), were recorded with original drummer Scott Raynor, and consist of fast-paced, double-time songs.", "Early albums, such as Cheshire Cat (1995) and Dude Ranch (1997), were recorded with original drummer Scott Raynor, and consist of fast-paced, double-time songs. Drummer Travis Barker diversified the band's sound rhythmically when he joined in 1998. Throughout their discography, Barker's drumming references myriad musical genres, including Afro-Cuban music, bossa nova, reggae, and hip hop. Barker grew up playing in marching band, and it still influences his drum fills and kit setup.", "Barker grew up playing in marching band, and it still influences his drum fills and kit setup. Blink-182 were considered more radio-friendly than their predecessors. Jon Caramanica of The New York Times writes that the band \"[took] punk's already playful core and [gave] it a shiny, accessible polish.\" Luke Lewis, writing for Total Guitar in 2003, summarized it aptly: \"They wrote catchy songs, radio stations played them.\"", "Luke Lewis, writing for Total Guitar in 2003, summarized it aptly: \"They wrote catchy songs, radio stations played them.\" The band's biggest hit, \"All the Small Things\", was written partially because DeLonge figured the label might want a song for radio. \"It was obvious from the beginning it would fit that format,\" he told Lewis. \"There's nothing wrong with that. We don't want obstacles between us and our audience.\"", "We don't want obstacles between us and our audience.\" However, the band's conventional appeal, as well as partnerships with MTV, boardsport companies, and clothing brands, led to accusations that they were betraying the independent spirit of punk rock. DeLonge commented on the band's mainstream appeal in an interview in 2014: Legacy Blink-182 was one of the most popular rock bands at the turn of the millennium, and spearheaded the second wave of pop punk and its journey into the mainstream.", "DeLonge commented on the band's mainstream appeal in an interview in 2014: Legacy Blink-182 was one of the most popular rock bands at the turn of the millennium, and spearheaded the second wave of pop punk and its journey into the mainstream. The glossy production instantly set Blink-182 apart from the other crossover punk acts of the era, such as Green Day. Its third LP Enema of the State catapulted the band to stardom, creating what New York Abebe described as a \"blanket immersion among America's twenty-some million teenagers.\"", "Its third LP Enema of the State catapulted the band to stardom, creating what New York Abebe described as a \"blanket immersion among America's twenty-some million teenagers.\" At the band's commercial peak, albums such as Take Off Your Pants and Jacket and Enema sold over 14 and 15 million copies worldwide, respectively. According to Kelefa Sanneh of The New Yorker, Blink-182 \"spawned more imitators than any American rock band since Nirvana.", "According to Kelefa Sanneh of The New Yorker, Blink-182 \"spawned more imitators than any American rock band since Nirvana. Their seeming ordinariness convinced a generation of goofy punks that maybe they, too, could turn out deceptively simple songs as well constructed as anything on the pop chart. And their prankish camaraderie made fans feel like members of their extended social circle.\" Most Blink-182 songs are fairly straightforward and easy to play on guitar, making them perfect practice for beginner musicians.", "Most Blink-182 songs are fairly straightforward and easy to play on guitar, making them perfect practice for beginner musicians. Lewis of Total Guitar notes that this was key in influencing a generation of kids to \"pick up the guitar and form bands of their own.\" Despite this, the band never received particularly glowing reviews, with many reviewers dismissing them as a joke.", "Despite this, the band never received particularly glowing reviews, with many reviewers dismissing them as a joke. British publication NME was particularly critical of the trio, with reviewer Steven Wells begging them to \"fuck right off,\" comparing them to \"that sanitised, castrated, shrink-wrapped 'new wave' crap that the major US record companies pumped out circa 1981 in their belated attempt to jump on the 'punk' bandwagon.\" Nevertheless, subsequent reviews of the band's discography have been more positive.", "Nevertheless, subsequent reviews of the band's discography have been more positive. Andy Greenwald of Blender wrote, \"the quick transformation from nudists to near geniuses is down-right astonishing.\" James Montgomery of MTV said that \"despite their maturation, Blink never took themselves particularly seriously, which was another reason they were so accessible.\" A new generation of rock fans found the Blink sound \"hugely influential,\" according to Nicole Frehsée of Rolling Stone.", "A new generation of rock fans found the Blink sound \"hugely influential,\" according to Nicole Frehsée of Rolling Stone. Sanneh concurred: in his 2021 book Major Labels, he calls the band a \"generational touchstone\", arguing their sound and humor aged gracefully.", "Sanneh concurred: in his 2021 book Major Labels, he calls the band a \"generational touchstone\", arguing their sound and humor aged gracefully. In 2011, Jon Caramanica of The New York Times asserted that \"no punk band of the 1990s has been more influential than Blink-182,\" stating that even as the band receded after their initial 2005 split, \"its sound and style could be heard in the muscular pop punk of Fall Out Boy or in the current wave of high-gloss Warped Tour punk bands, like All Time Low and The Maine.\"", "In 2011, Jon Caramanica of The New York Times asserted that \"no punk band of the 1990s has been more influential than Blink-182,\" stating that even as the band receded after their initial 2005 split, \"its sound and style could be heard in the muscular pop punk of Fall Out Boy or in the current wave of high-gloss Warped Tour punk bands, like All Time Low and The Maine.\" Montgomery concurs: \"...without them, there'd be no Fall Out Boy, no Paramore, or no Fueled by Ramen Records.\"", "Montgomery concurs: \"...without them, there'd be no Fall Out Boy, no Paramore, or no Fueled by Ramen Records.\" Maria Sherman of The Village Voice took this a step further, writing \"Apart from the sound, Blink's ideology has been popularized [...] their presence is everywhere.\" \"When it comes to having inestimable influence, Blink-182 might well be contemporary punk's version of the Beatles\", wrote Scott Heisel in a 2009 Alternative Press cover story on the band.", "\"When it comes to having inestimable influence, Blink-182 might well be contemporary punk's version of the Beatles\", wrote Scott Heisel in a 2009 Alternative Press cover story on the band. The same magazine later ranked Blink the fourth of the \"30 Most Influential Bands of the Past 30 Years,\" just behind Radiohead, Fugazi, and Nirvana. Bands such as Panic!", "Bands such as Panic! Bands such as Panic! at the Disco and All Time Low originated covering Blink-182 songs, while You Me at Six, and 5 Seconds of Summer have also named the band as influences. \"Anyone in our genre would be lying if they said they weren't influenced by Blink-182,\" said Joel Madden of Good Charlotte.", "\"Anyone in our genre would be lying if they said they weren't influenced by Blink-182,\" said Joel Madden of Good Charlotte. The band's influence extends beyond pop-punk groups as well: the band has been cited as an influence by Avril Lavigne, Best Coast, DIIV, FIDLAR, Grimes, Male Bonding, Neck Deep, Mumford & Sons, A Day To Remember, Owl City, Charly Bliss, Tucker Beathard, Joyce Manor, Wavves, and the Chainsmokers; the latter even mentioned the band in the lyrics of their number-one hit song \"Closer\".", "The band's influence extends beyond pop-punk groups as well: the band has been cited as an influence by Avril Lavigne, Best Coast, DIIV, FIDLAR, Grimes, Male Bonding, Neck Deep, Mumford & Sons, A Day To Remember, Owl City, Charly Bliss, Tucker Beathard, Joyce Manor, Wavves, and the Chainsmokers; the latter even mentioned the band in the lyrics of their number-one hit song \"Closer\". Band members Current members Mark Hoppus – bass guitar, vocals Travis Barker – drums, percussion Matt Skiba – guitars, vocals Former members Scott Raynor – drums Tom DeLonge – guitars, vocals Former touring musicians Cam Jones – bass guitar Mike Krull – drums Byron McMackin – drums Josh Freese – drums Damon DeLaPaz – drums Brooks Wackerman – drums Timeline Discography Cheshire Cat (1995) Dude Ranch (1997) Enema of the State (1999) Take Off Your Pants and Jacket (2001) Blink-182 (2003) Neighborhoods (2011) California (2016) Nine (2019) Awards and nominations References Bibliography External links Alternative rock groups from California American musical trios Articles which contain graphical timelines Kerrang!", "Band members Current members Mark Hoppus – bass guitar, vocals Travis Barker – drums, percussion Matt Skiba – guitars, vocals Former members Scott Raynor – drums Tom DeLonge – guitars, vocals Former touring musicians Cam Jones – bass guitar Mike Krull – drums Byron McMackin – drums Josh Freese – drums Damon DeLaPaz – drums Brooks Wackerman – drums Timeline Discography Cheshire Cat (1995) Dude Ranch (1997) Enema of the State (1999) Take Off Your Pants and Jacket (2001) Blink-182 (2003) Neighborhoods (2011) California (2016) Nine (2019) Awards and nominations References Bibliography External links Alternative rock groups from California American musical trios Articles which contain graphical timelines Kerrang! Awards winners MCA Records artists MTV Europe Music Award winners Musical groups disestablished in 2005 Musical groups established in 1992 Musical groups from San Diego Musical groups reestablished in 2009 People from Poway, California Pop punk groups from California Punk rock groups from California Skate punk groups" ]

[ "Stephen Roche", "Post-1987 career" ]

[ "Jean-Pierre Maurin (14 February 1822 – 16 March 1894) was a French violinist and pedagogue.\n\nCareer \nMaurin was a student of Baillot and Habeneck at the Conservatoire de Paris. In 1875 he succeeded to the post of Jean-Delphin Alard as a professor of violin at the same institution. Contemporary sources attest to the significance of his performance activities:...the cofounder of the Society for the Last Quartets of Beethoven... [he] and his string quartet contributed significantly to the growing understanding in Paris of Beethoven's late works. Richard Wagner, a severe critic, heard the Maurin Quartet in 1861 in Paris and described the performance as \"most perfect.\"The most famous of his pupils was Lucien Capet, who was to become the leader of the Capet Quartet and the teacher of Ivan Galamian.\n\nReferences \n\n1822 births\n1894 deaths\nMusicians from Avignon\n19th-century French male classical violinists\nConservatoire de Paris alumni\nConservatoire de Paris faculty", "The 13th Central Committee of the Chinese Communist Party was in session from 1987 to 1992. It held seven plenary sessions. It was preceded by the 12th Central Committee and succeeded by the 14th Central Committee. It elected the 13th Politburo of the Chinese Communist Party in 1987.\n\nList of members\nIn stroke order of surnames:\n\nChronology\n1st Plenary Session\nDate: November 2, 1987\nLocation: Beijing\nSignificance: Zhao Ziyang was elected General Secretary. 18-member Politburo, 5-member Politburo Standing Committee and 5-member Secretariat were elected. Deng Xiaoping was re-elected Chairman of the Central Military Commission, and Chen Yun replaced him as Chairman of the Central Advisory Commission. Jiang Zemin was elected to the Politburo for the first time.\n2nd Plenary Session\nDate: March 15–19, 1988\nLocation: Beijing\nSignificance: List of candidates for top State posts to be submitted to the 7th National People's Congress and the 7th National Committee of the Chinese People's Political Consultative Conference were adopted.\n3rd Plenary Session\nDate: September 26–30, 1988\nLocation: Beijing\nSignificance: A program on the reform of prices and wages was taken, urging the State Council to put inflation under strict control.\n4th Plenary Session\nDate: June 23–24, 1989\nLocation: Beijing\nSignificance: The meeting was held after the suppression of the Tian'anmen Square protests. Li Peng delivered a report strongly criticizing Zhao Ziyang for his attitude during the \"anti-party, anti-socialist turmoil\": he was accused of \"passive attitude toward the Four Cardinal Principles\" and the \"oppose bourgeois liberalization policy\", and neglecting \"party building, the spiritual civilization construction and ideological and political work\". He was thus removed from his capacities of General Secretary, Politburo Standing Committee member, Politburo member and Central Military Commission first vice-chairman, with Jiang Zemin filling his posts as General Secretary and Politburo Standing Committee member.\n5th Plenary Session\nDate: November 6–9, 1989\nLocation: Beijing\nSignificance: Deng Xiaoping resigned as Chairman of the Central Military Commission, and Jiang Zemin took over the post. Yang Shangkun was appointed CMC first vice-chairman.\n6th Plenary Session\nDate: March 9–12, 1990\nLocation: Beijing\nSignificance: In the official communique, the economic reform was exalted, but the growth of \"bureaucracy, subjectivism, formalisticism, passivity and corruption\" was denounced as well. \n7th Plenary Session\nDate: December 25–30, 1990\nLocation: Beijing\nSignificance: A decision on the \"Program of the National Economy and Society Development Decade\" and guidelines for the 8th Five-Year Plan were adopted.\n8th Plenary Session\nDate: November 25–29, 1991\nLocation: Beijing\nSignificance: A decision to enforce family household management of land was taken, in order to secure a bigger output of grain production.\n9th Plenary Session\nDate: October 5–9, 1992\nLocation: Beijing\nSignificance: Preparations for the Party's 14th National Congress were made. The critical assessment on Zhao Ziyang remained unchanged and so he was not listed as a candidate for the 14th Central Committee.\n\nExternal links\n 13th Central Committee of the CCP, People's Daily Online.\n\nCentral Committee of the Chinese Communist Party\n1987 establishments in China\n1992 disestablishments in China" ]

[ "Stephen Roche (; born 28 November 1959) is an Irish former professional road racing cyclist. In a 13-year professional career, he peaked in 1987, becoming the second of only two cyclists to win the Triple Crown of victories in the Tour de France and the Giro d'Italia general classification, plus the World road race championship, the first was Eddy Merckx. Roche's rise coincided with that of fellow Irishman Sean Kelly.", "Roche's rise coincided with that of fellow Irishman Sean Kelly. Although one of the finest cyclists of his generation and admired for his pedalling style, he struggled with knee injuries and never contended in the Grand Tours post-1987. He had 58 professional career wins. All of these wins still stand, despite Roche having been accused by an Italian judge of taking EPO in the later part of his career.", "All of these wins still stand, despite Roche having been accused by an Italian judge of taking EPO in the later part of his career. Early life and amateur career On completion of his apprenticeship as a machinist in a Dublin dairy and following a successful amateur career in Ireland with the \"Orwell Wheelers\" club coached by Noel O'Neill of Dundrum (which included winning the Irish Junior Championship in 1977 and the Rás Tailteann in 1979), Roche joined the Athletic Club de Boulogne-Billancourt amateur team in Paris to prepare for the 1980 Olympic games in Moscow.", "Early life and amateur career On completion of his apprenticeship as a machinist in a Dublin dairy and following a successful amateur career in Ireland with the \"Orwell Wheelers\" club coached by Noel O'Neill of Dundrum (which included winning the Irish Junior Championship in 1977 and the Rás Tailteann in 1979), Roche joined the Athletic Club de Boulogne-Billancourt amateur team in Paris to prepare for the 1980 Olympic games in Moscow. Soon after his arrival Roche won the amateur Paris–Roubaix, escaping with Dirk Demol and sprinting to victory on the track at Roubaix.", "Soon after his arrival Roche won the amateur Paris–Roubaix, escaping with Dirk Demol and sprinting to victory on the track at Roubaix. Roche was told by his directeur sportif that if he did not win he \"would be sent home to Ireland that day\". He also finished on the podium at the early-season Paris–Ezy road race and finished 14th overall in the Sealink International stage race which was won by Bob Downs.", "He also finished on the podium at the early-season Paris–Ezy road race and finished 14th overall in the Sealink International stage race which was won by Bob Downs. However, a knee injury caused by a poorly fitted shoe plate led to a disappointing ride in Moscow, where he finished 45th. However, on return to France, August to October saw Roche win 19 races. That led to a contract with the Peugeot professional cycling team for 1981.", "That led to a contract with the Peugeot professional cycling team for 1981. Professional career Roche scored his first professional victory by beating Bernard Hinault in the Tour of Corsica. Less than a month later he won Paris–Nice (where he became the first, and still the only, new pro to win Paris–Nice) despite illness following the descent from Mont Ventoux and finished his debut season with victories in the Tour de Corse, Circuit d'Indre-et-Loire and Étoile des Espoirs races with a second place behind Hinault in the Grand Prix des Nations.", "Less than a month later he won Paris–Nice (where he became the first, and still the only, new pro to win Paris–Nice) despite illness following the descent from Mont Ventoux and finished his debut season with victories in the Tour de Corse, Circuit d'Indre-et-Loire and Étoile des Espoirs races with a second place behind Hinault in the Grand Prix des Nations. In total, his debut yielded 10 victories.", "In total, his debut yielded 10 victories. In total, his debut yielded 10 victories. In 1982 his best performance was second in the Amstel Gold Race behind Jan Raas, but his rise continued in 1983 with victories in the Tour de Romandie, Grand Prix de Wallonie, Étoile des Espoirs and Paris–Bourges. In the 1983 Tour de France, Roche finished 13th and he finished the 1983 season with a bronze medal in the world cycling championship at Alterheim in Zurich.", "In the 1983 Tour de France, Roche finished 13th and he finished the 1983 season with a bronze medal in the world cycling championship at Alterheim in Zurich. In 1984, riding for La Redoute following contractual wrangles with Peugeot (the settlement of which led Roche to sport Peugeot shorts for two years before winning a court action against Vélo Club de Paris Peugeot) he repeated his Tour de Romandie win, won Nice-Alassio, Subida a Arrate and was second in Paris–Nice. He finished 25th in that year's Tour de France.", "He finished 25th in that year's Tour de France. In 1985, Roche won the Critérium International, the Route du Sud and came second in Paris–Nice and third in Liège–Bastogne–Liège. In the 1985 Tour de France Roche won stage 18 to the Aubisque and finished on the podium in 3rd position, 4 minutes and 29 seconds behind winner Bernard Hinault. Chronic knee injury In 1986 at a six-day event with UK professional Tony Doyle at Paris-Bercy, Roche crashed at speed and damaged his right knee.", "Chronic knee injury In 1986 at a six-day event with UK professional Tony Doyle at Paris-Bercy, Roche crashed at speed and damaged his right knee. This destroyed his 1986 season at new team with little to show other than second in a stage of the Giro. Roche finished the 1986 Tour de France 48th, 1h 32m behind Greg LeMond, a Tour that Roche described as like \"entering a dark tunnel\" of pain.", "Roche finished the 1986 Tour de France 48th, 1h 32m behind Greg LeMond, a Tour that Roche described as like \"entering a dark tunnel\" of pain. The injury and then associated back problems recurred throughout his career (for example in the 1989 Tour Roche abandoned after banging the problem knee on his handlebars) and a series of operations appeared to only address direct or consequential symptoms of the core injury. Later non-surgical intervention under Dr.Hans-Wilhelm Müller-Wohlfahrt in Munich made some difference but the injury required constant care.", "Later non-surgical intervention under Dr.Hans-Wilhelm Müller-Wohlfahrt in Munich made some difference but the injury required constant care. By the end of his career Roche was unable to compete at his best because of back problem which led to a loss of power in the left leg. In retirement he described riding the 1993 Tour de France \"just for fun\". He finished 13th, riding for Claudio Chiappucci). 1987 Triple Crown In 1987, Roche had a tremendous season.", "1987 Triple Crown In 1987, Roche had a tremendous season. In the spring, he won the Volta a la Comunitat Valenciana, taking a third victory in the Tour de Romandie and fourth place plus a stage win in Paris–Nice. He also finished second in Liège–Bastogne–Liège, the closest he got to winning a professional 'Monument' Classic. He blamed it on tactical naiveté and \"riding like an amateur\".", "He blamed it on tactical naiveté and \"riding like an amateur\". In the Giro d'Italia, Roche took three stage wins (including a team win with in the team time trial) en route to overall victory and became the first Giro victor from outside mainland Europe. Roche's stage wins that year in the Giro were stage 1b, the time trial downhill on the Poggio into San Remo and stage 22, a individual time trial into St. Vincent.", "Roche's stage wins that year in the Giro were stage 1b, the time trial downhill on the Poggio into San Remo and stage 22, a individual time trial into St. Vincent. Despite his stage wins, the race is remembered for the stage from Lido di Jesolo to Sappada, where Roche, contravening team orders, broke away alone early and despite being caught late in the race, had the strength to go with the counterattack and take the pink jersey from his teammate Roberto Visentini, who had been previously leading the classification.", "Despite his stage wins, the race is remembered for the stage from Lido di Jesolo to Sappada, where Roche, contravening team orders, broke away alone early and despite being caught late in the race, had the strength to go with the counterattack and take the pink jersey from his teammate Roberto Visentini, who had been previously leading the classification. His behaviour in the stage gained him the tifosi's hatred.", "His behaviour in the stage gained him the tifosi's hatred. It was said the only member of his team that Roche could rely on not to ride against him was his domestique Eddy Schepers, although Roche recruited Panasonic riders and old ACBB teammates Robert Millar and Australian Phil Anderson to protect him with Schepers on the Marmolada climb (a day known as the \"Marmolada Massacre\"). Roche finished the Giro exhausted but favourite for the Tour de France.", "Roche finished the Giro exhausted but favourite for the Tour de France. Following Bernard Hinault's retirement, Laurent Fignon's choppy form and with Greg LeMond injured following an accidental shooting while hunting, the 1987 Tour was open. It was also one of the most mountainous since the war, with 25 stages. Roche won the individual time trial stage 10 to Futuroscope and came second on stage 19.", "Roche won the individual time trial stage 10 to Futuroscope and came second on stage 19. On stage 21, crossing the Galibier and Madeleine and finishing at La Plagne, Roche attacked early, was away for several hours but was caught on the last climb. His nearest rival Pedro Delgado then attacked. Despite being almost one-and-a-half minutes in arrears midway up the last climb, Roche pulled the deficit back to 4 seconds. Roche collapsed and lost consciousness and was given oxygen.", "Roche collapsed and lost consciousness and was given oxygen. Roche collapsed and lost consciousness and was given oxygen. When asked when revived if he was okay, he replied \"Oui, mais pas de femme toute de suite\" (\"yes, but I am not ready for a woman straight away\").", "When asked when revived if he was okay, he replied \"Oui, mais pas de femme toute de suite\" (\"yes, but I am not ready for a woman straight away\"). The yellow jersey (worn by the leader of the general classification) changed hands several times with Charly Mottet, Roche, Jean François Bernard and Delgado all wearing it before Roche used the final time trial to overturn a half-minute gap and win the Tour by 40 seconds, which was at the time the second-narrowest margin (in 1968 Jan Janssen had beaten Herman Van Springel by 38 seconds; two years after Roche's victory, Greg LeMond beat Laurent Fignon by 8 seconds).", "The yellow jersey (worn by the leader of the general classification) changed hands several times with Charly Mottet, Roche, Jean François Bernard and Delgado all wearing it before Roche used the final time trial to overturn a half-minute gap and win the Tour by 40 seconds, which was at the time the second-narrowest margin (in 1968 Jan Janssen had beaten Herman Van Springel by 38 seconds; two years after Roche's victory, Greg LeMond beat Laurent Fignon by 8 seconds). Roche became only the fifth cyclist in history to win the Tour and the Giro in the same year.", "Roche became only the fifth cyclist in history to win the Tour and the Giro in the same year. He was also the only Irishman to win the Tour de France. Irish Taoiseach Charles Haughey joined Roche on the podium on the Champs-Élysées. Later that year, with victory at the World road race championship in Villach in Austria, Roche became only the second to win the Triple Crown of Cycling.", "Later that year, with victory at the World road race championship in Villach in Austria, Roche became only the second to win the Triple Crown of Cycling. Roche arrived with insufficient training although he worked during the 23-lap, undulating terrain for his teammate Sean Kelly and escaped in the race-winning break only while covering for his countryman.", "Roche arrived with insufficient training although he worked during the 23-lap, undulating terrain for his teammate Sean Kelly and escaped in the race-winning break only while covering for his countryman. With Moreno Argentin in the following group, Kelly did not chase and as the break slowed and jostling for position began for a sprint, Roche attacked from the finish and crossed the line with metres to spare. Victory in the season-long Super Prestige Pernod International competition was assured. Roche was given the freedom of Dublin in late September 1987.", "Roche was given the freedom of Dublin in late September 1987. Several days later the 1987 edition of the Nissan Classic began and Roche rode strongly to finish second behind Kelly. Post-1987 career At the close of 1987, Roche moved to Fagor MBK, bringing English riders Sean Yates and Malcolm Elliot, 1984 Tour de France King of the Mountains winner Robert Millar and domestique Eddy Schepers. The team was criticised for containing too many English speakers.", "The team was criticised for containing too many English speakers. The 1988 season began badly with a recurrence of the knee injury and Roche began a gradual decline. In 1989 he again took second in Paris–Nice (making four second places) and the Setmana Catalana de Ciclisme. Roche finished the 1989 Giro d'Italia ninth behind Laurent Fignon. During the 1989 Tour de France, Roche withdrew due to his knee. There were problems with his team in and he changed again.", "There were problems with his team in and he changed again. In 1990, racing for Histor Sigma, he won the Four Days of Dunkirk and 1991 riding for Roger De Vlaeminck's TonTon Tapis brought victories in the Setmana Catalana de Ciclisme and Critérium International. In the 1991 Tour de France, Roche missed the start for his team's Team time trial and was forced to withdraw due to controversially missing the time cut.", "In the 1991 Tour de France, Roche missed the start for his team's Team time trial and was forced to withdraw due to controversially missing the time cut. In the Grand Tours, he was ninth in the 1989 Giro, and won a stage of the 1992 Tour de France in appalling conditions into La Bourboule (again racing for but now in support of Claudio Chiappucci) and en route to a final ninth place.", "In the Grand Tours, he was ninth in the 1989 Giro, and won a stage of the 1992 Tour de France in appalling conditions into La Bourboule (again racing for but now in support of Claudio Chiappucci) and en route to a final ninth place. Riding the last edition of the Nissan Classic Tour of Ireland, Roche was in many breaks but finished fifth. A year later, he was again ninth in the 1993 Giro d'Italia and 13th in the 1993 Tour de France.", "A year later, he was again ninth in the 1993 Giro d'Italia and 13th in the 1993 Tour de France. Roche retired at the end of an anonymous 1993 which yielded a single win, in the post-Tour de France criterium at Chateau Chinon. Doping In May 1990, Paul Kimmage – a former professional and teammate of Roche at Fagor, as well as a fellow Dubliner – published an account of life in the peloton.", "Doping In May 1990, Paul Kimmage – a former professional and teammate of Roche at Fagor, as well as a fellow Dubliner – published an account of life in the peloton. His book Rough Ride exposed drug use apparently endemic in the peloton but spoke in fawning terms about Roche. Despite this, publication resulted in a threat of litigation from Roche.", "Despite this, publication resulted in a threat of litigation from Roche. It was reported in the Rome newspaper, La Repubblica, in January 2000 that Francesco Conconi, a professor at the University of Ferrara involved with administering erythropoietin (EPO) to riders on the Carrera team with which Roche had some of his best years, had provided riders including Roche with EPO. Roche denied the allegations. This was further reported in The Irish Times several days later, Roche again denying EPO.", "This was further reported in The Irish Times several days later, Roche again denying EPO. In March 2000 the Italian judge Franca Oliva published a report detailing the investigation into sports doctors including Conconi. This official judicial investigation unequivocally found that Roche was administered EPO in 1993, his last year in the peloton. Files from part of the investigation allegedly detail a number of aliases for Roche including Rocchi, Rossi, Rocca, Roncati, Righi and Rossini.", "Files from part of the investigation allegedly detail a number of aliases for Roche including Rocchi, Rossi, Rocca, Roncati, Righi and Rossini. In 2004 Judge Oliva again alleged that Roche had taken EPO during 1993 but due to the statute of limitations, neither Roche nor his teammates at Carrera would be prosecuted. Personal life Roche lives in Antibes on the Côte d'Azur. Roche remained involved in the sport by founding cycling camps in Majorca, by taking part in race organisations and working as a commentator on cycling events for Eurosport.", "Roche remained involved in the sport by founding cycling camps in Majorca, by taking part in race organisations and working as a commentator on cycling events for Eurosport. He has four children with his former wife Lydia; the couple divorced in 2004. One son, Nicolas Roche, was a professional until his retirement in 2021, and was the 2009 and 2016 Irish National Road Race Champion. Stephen's brother Lawrence Roche was also a professional cyclist who completed his only Tour de France in 1991.", "Stephen's brother Lawrence Roche was also a professional cyclist who completed his only Tour de France in 1991. They were teammates on the Tonton Tapis–GB team. Roche's nephew Dan Martin is also a professional cyclist with Israel Start-Up Nation, and was the 2008 Irish National Road Race Champion. Roche completed the 2008 ING New York Marathon in a time of 4:21:09. Advertisements Roche featured in a well-known Irish television advert for Galtee cheese in 1987, shortly after winning the Tour De France.", "Advertisements Roche featured in a well-known Irish television advert for Galtee cheese in 1987, shortly after winning the Tour De France. Career achievements Major results Main Source Amateur 1978 1st Road race, National Junior Road Championships 1st Isle of Man - Manx Viking Trophy 1979 1st Irish National Elite Cyclo-Cross Championships 1st Overall Rás Tailteann 1st Stages 2 & 9a 1980 1st Paris–Roubaix Espoirs 1st GP de France (ITT) 2nd Road race, National Road Championships 2nd Overall Route de France 2nd Paris-Mantes 2nd Grand Prix des Nations (amateurs) 3rd Paris – Ezy Source Professional 1981 1st Overall Paris–Nice 1st Stage 7b (ITT) 1st Overall Tour de Corse 1st Stage 2 1st Overall Étoile des Espoirs 1st Prologue 1st Stage 4b 1st Overall Tour d'Indre-et-Loire 1st Stage 3 1st Stage 7 (ITT) Tour de l'Avenir 2nd Grand Prix des Nations 2nd GP Monaco 3rd Critérium des As 3rd GP de Cannes 1982 2nd Amstel Gold Race 3rd Overall Four Days of Dunkirk 3rd Trofeo Baracchi 1983 1st Overall Tour de Romandie 1st Overall Étoile des Espoirs 1st Paris–Bourges 1st Grand Prix de Wallonie 2nd Tour du Haut Var 3rd Road race, UCI Road World Championships 3rd Overall Route du Sud 3rd GP Ouest–France 1984 1st Overall Tour de Romandie 1st Nice – Alassio 1st Subida a Arrate 2nd Overall Paris–Nice 1st Stage 6 2nd Overall Tour Méditerranéen 2nd Overall Tour de Picardie 3rd Overall Critérium International 3rd Grand Prix des Nations 1985 1st Overall Critérium International 1st Stage 3 (ITT) 1st Overall Tour Midi-Pyrénées 1st Stage 1a Critérium du Dauphiné Libéré 1st Prologue & Stage 9 (ITT) Tour of Ireland 1st Stages 3b & 4a 1st Bol d'or des Monédières 1st Critérium Loudéac 1st Critérium Les Ormes 2nd Overall Paris–Nice 1st Stage 7b (ITT) 3rd Overall Tour de France 1st Stage 18a 3rd Overall Tour Méditerranéen 3rd Liège–Bastogne–Liège 7th Road race, UCI Road World Championships 1986 2nd Cronostaffetta (TTT) 7th Trofeo Baracchi 1987 1st Road race, UCI Road World Championships 1st Overall Tour de France 1st Stages 2 (TTT) & 10 (ITT) 1st Overall Giro d'Italia 1st Combination classification 1st Stages 1b (ITT), 3 (TTT) & 22 (ITT) 1st Overall Tour de Romandie 1st Stages 5a & 5b (ITT) 1st Overall Volta a la Comunitat Valenciana 1st Stage 4 (ITT) 1st Stage 7b (ITT) Paris–Nice 1st Overall Super Prestige Pernod International 1st Critérium Dublin 1st Critérium Kortenhoef 1st Critérium Aalsmeer 2nd Overall Tour of Ireland 2nd Overall Critérium International 2nd Liège–Bastogne–Liège 1989 1st Overall Tour of the Basque Country 1st Stage 5b (ITT) 1st Stage 3a (ITT) Four Days of Dunkirk 2nd Overall Paris–Nice 1st Stage 7b (ITT) 3rd Overall Critérium International 9th Overall Giro d'Italia 1990 1st Overall Four Days of Dunkirk 1st Critérium Calais 2nd Overall Paris–Nice 1991 1st Overall Critérium International 1st Overall Setmana Catalana de Ciclisme 1st Critérium Brioude 1992 2nd Giro del Piemonte 2nd Critérium Vouneuil-sous-Biard 3rd Bol d'or des Monédières 9th Overall Tour de France 1st Stage 16 1993 1st Critérium Chateau-Chinon-Ville 9th Overall Giro d'Italia General classification results timeline References Further reading External links Official Tour de France results for Stephen Roche Stephen Roche's Cycling Camp in Majorca Stephen Roche's Charity Cycling Race Irish male cyclists Tour de France winners Irish Tour de France stage winners Giro d'Italia winners Irish Giro d'Italia stage winners UCI Road World Champions (elite men) Olympic cyclists of Ireland Cyclists at the 1980 Summer Olympics Doping cases in cycling Sportspeople from County Dublin 1959 births Living people Cycling announcers Alumni of Dublin Institute of Technology Irish expatriates in France RTÉ Sports Person of the Year winners People from Dundrum, Dublin Super Prestige Pernod winners" ]

[ "Stephen Roche", "Post-1987 career", "what was the significance of his post 1987 career", "The 1988 season began badly with a recurrence of the knee injury and Roche began a gradual decline." ]

[ "Diego Ramírez Deschamps (born October 4, 1981) is a Mexican former footballer and manager who last coached the Mexico under-20 national team. He is the son of former footballer and manager Jesús Ramírez.\n\nCareer\nRamírez began his career with Atlante, debuting on February 5, 2000 in a 4-0 loss to Puebla.\n\nHe was sent to Monterrey at the beginning of the Aperura 2006 tournament, but failed to see enough action. Ramírez returned to Atlante in 2008, however he suffered a knee injury during his time with Monterrey from which he could not fully recover, which ultimately forced him to retire from football.\n\nReferences\n\nExternal links\n \n Ascenso MX Profile\n\n1981 births\nLiving people\nLiga MX players\nAtlante F.C. footballers\nC.F. Monterrey players\nAssociation football defenders\nFootballers from Mexico City\nMexican footballers\nMexican people of French descent", "Roberto Laiseka Jaio (born 17 June 1969) is a Spanish former professional road bicycle racer. He retired in 2006, after 13 seasons as a professional with the team, after he could not recover from a knee injury suffered in the 2006 Giro d'Italia.\n\nMajor results \n\n1999\n 1st Subida al Txitxarro\n 1st Stage 18 Vuelta a España\n2000\n 6th Overall Vuelta a España\n1st Stage 11\n2001\n 1st Stage 14 Tour de France\n2004\n 2nd Overall Euskal Bizikleta\n1st Stage 5\n 3rd Overall Volta a Catalunya\n2005\n 1st Stage 11 Vuelta a España\n\nReferences\n\nExternal links\n Roberto Laiseka Palmarès by urtekaria.com \n\nSpanish Tour de France stage winners\nCyclists from the Basque Country (autonomous community)\nSpanish male cyclists\n1969 births\nLiving people\nSpanish Vuelta a España stage winners\nPeople from Guernica\nSportspeople from Biscay" ]

[ "Stephen Roche (; born 28 November 1959) is an Irish former professional road racing cyclist. In a 13-year professional career, he peaked in 1987, becoming the second of only two cyclists to win the Triple Crown of victories in the Tour de France and the Giro d'Italia general classification, plus the World road race championship, the first was Eddy Merckx. Roche's rise coincided with that of fellow Irishman Sean Kelly.", "Roche's rise coincided with that of fellow Irishman Sean Kelly. Although one of the finest cyclists of his generation and admired for his pedalling style, he struggled with knee injuries and never contended in the Grand Tours post-1987. He had 58 professional career wins. All of these wins still stand, despite Roche having been accused by an Italian judge of taking EPO in the later part of his career.", "All of these wins still stand, despite Roche having been accused by an Italian judge of taking EPO in the later part of his career. Early life and amateur career On completion of his apprenticeship as a machinist in a Dublin dairy and following a successful amateur career in Ireland with the \"Orwell Wheelers\" club coached by Noel O'Neill of Dundrum (which included winning the Irish Junior Championship in 1977 and the Rás Tailteann in 1979), Roche joined the Athletic Club de Boulogne-Billancourt amateur team in Paris to prepare for the 1980 Olympic games in Moscow.", "Early life and amateur career On completion of his apprenticeship as a machinist in a Dublin dairy and following a successful amateur career in Ireland with the \"Orwell Wheelers\" club coached by Noel O'Neill of Dundrum (which included winning the Irish Junior Championship in 1977 and the Rás Tailteann in 1979), Roche joined the Athletic Club de Boulogne-Billancourt amateur team in Paris to prepare for the 1980 Olympic games in Moscow. Soon after his arrival Roche won the amateur Paris–Roubaix, escaping with Dirk Demol and sprinting to victory on the track at Roubaix.", "Soon after his arrival Roche won the amateur Paris–Roubaix, escaping with Dirk Demol and sprinting to victory on the track at Roubaix. Roche was told by his directeur sportif that if he did not win he \"would be sent home to Ireland that day\". He also finished on the podium at the early-season Paris–Ezy road race and finished 14th overall in the Sealink International stage race which was won by Bob Downs.", "He also finished on the podium at the early-season Paris–Ezy road race and finished 14th overall in the Sealink International stage race which was won by Bob Downs. However, a knee injury caused by a poorly fitted shoe plate led to a disappointing ride in Moscow, where he finished 45th. However, on return to France, August to October saw Roche win 19 races. That led to a contract with the Peugeot professional cycling team for 1981.", "That led to a contract with the Peugeot professional cycling team for 1981. Professional career Roche scored his first professional victory by beating Bernard Hinault in the Tour of Corsica. Less than a month later he won Paris–Nice (where he became the first, and still the only, new pro to win Paris–Nice) despite illness following the descent from Mont Ventoux and finished his debut season with victories in the Tour de Corse, Circuit d'Indre-et-Loire and Étoile des Espoirs races with a second place behind Hinault in the Grand Prix des Nations.", "Less than a month later he won Paris–Nice (where he became the first, and still the only, new pro to win Paris–Nice) despite illness following the descent from Mont Ventoux and finished his debut season with victories in the Tour de Corse, Circuit d'Indre-et-Loire and Étoile des Espoirs races with a second place behind Hinault in the Grand Prix des Nations. In total, his debut yielded 10 victories.", "In total, his debut yielded 10 victories. In total, his debut yielded 10 victories. In 1982 his best performance was second in the Amstel Gold Race behind Jan Raas, but his rise continued in 1983 with victories in the Tour de Romandie, Grand Prix de Wallonie, Étoile des Espoirs and Paris–Bourges. In the 1983 Tour de France, Roche finished 13th and he finished the 1983 season with a bronze medal in the world cycling championship at Alterheim in Zurich.", "In the 1983 Tour de France, Roche finished 13th and he finished the 1983 season with a bronze medal in the world cycling championship at Alterheim in Zurich. In 1984, riding for La Redoute following contractual wrangles with Peugeot (the settlement of which led Roche to sport Peugeot shorts for two years before winning a court action against Vélo Club de Paris Peugeot) he repeated his Tour de Romandie win, won Nice-Alassio, Subida a Arrate and was second in Paris–Nice. He finished 25th in that year's Tour de France.", "He finished 25th in that year's Tour de France. In 1985, Roche won the Critérium International, the Route du Sud and came second in Paris–Nice and third in Liège–Bastogne–Liège. In the 1985 Tour de France Roche won stage 18 to the Aubisque and finished on the podium in 3rd position, 4 minutes and 29 seconds behind winner Bernard Hinault. Chronic knee injury In 1986 at a six-day event with UK professional Tony Doyle at Paris-Bercy, Roche crashed at speed and damaged his right knee.", "Chronic knee injury In 1986 at a six-day event with UK professional Tony Doyle at Paris-Bercy, Roche crashed at speed and damaged his right knee. This destroyed his 1986 season at new team with little to show other than second in a stage of the Giro. Roche finished the 1986 Tour de France 48th, 1h 32m behind Greg LeMond, a Tour that Roche described as like \"entering a dark tunnel\" of pain.", "Roche finished the 1986 Tour de France 48th, 1h 32m behind Greg LeMond, a Tour that Roche described as like \"entering a dark tunnel\" of pain. The injury and then associated back problems recurred throughout his career (for example in the 1989 Tour Roche abandoned after banging the problem knee on his handlebars) and a series of operations appeared to only address direct or consequential symptoms of the core injury. Later non-surgical intervention under Dr.Hans-Wilhelm Müller-Wohlfahrt in Munich made some difference but the injury required constant care.", "Later non-surgical intervention under Dr.Hans-Wilhelm Müller-Wohlfahrt in Munich made some difference but the injury required constant care. By the end of his career Roche was unable to compete at his best because of back problem which led to a loss of power in the left leg. In retirement he described riding the 1993 Tour de France \"just for fun\". He finished 13th, riding for Claudio Chiappucci). 1987 Triple Crown In 1987, Roche had a tremendous season.", "1987 Triple Crown In 1987, Roche had a tremendous season. In the spring, he won the Volta a la Comunitat Valenciana, taking a third victory in the Tour de Romandie and fourth place plus a stage win in Paris–Nice. He also finished second in Liège–Bastogne–Liège, the closest he got to winning a professional 'Monument' Classic. He blamed it on tactical naiveté and \"riding like an amateur\".", "He blamed it on tactical naiveté and \"riding like an amateur\". In the Giro d'Italia, Roche took three stage wins (including a team win with in the team time trial) en route to overall victory and became the first Giro victor from outside mainland Europe. Roche's stage wins that year in the Giro were stage 1b, the time trial downhill on the Poggio into San Remo and stage 22, a individual time trial into St. Vincent.", "Roche's stage wins that year in the Giro were stage 1b, the time trial downhill on the Poggio into San Remo and stage 22, a individual time trial into St. Vincent. Despite his stage wins, the race is remembered for the stage from Lido di Jesolo to Sappada, where Roche, contravening team orders, broke away alone early and despite being caught late in the race, had the strength to go with the counterattack and take the pink jersey from his teammate Roberto Visentini, who had been previously leading the classification.", "Despite his stage wins, the race is remembered for the stage from Lido di Jesolo to Sappada, where Roche, contravening team orders, broke away alone early and despite being caught late in the race, had the strength to go with the counterattack and take the pink jersey from his teammate Roberto Visentini, who had been previously leading the classification. His behaviour in the stage gained him the tifosi's hatred.", "His behaviour in the stage gained him the tifosi's hatred. It was said the only member of his team that Roche could rely on not to ride against him was his domestique Eddy Schepers, although Roche recruited Panasonic riders and old ACBB teammates Robert Millar and Australian Phil Anderson to protect him with Schepers on the Marmolada climb (a day known as the \"Marmolada Massacre\"). Roche finished the Giro exhausted but favourite for the Tour de France.", "Roche finished the Giro exhausted but favourite for the Tour de France. Following Bernard Hinault's retirement, Laurent Fignon's choppy form and with Greg LeMond injured following an accidental shooting while hunting, the 1987 Tour was open. It was also one of the most mountainous since the war, with 25 stages. Roche won the individual time trial stage 10 to Futuroscope and came second on stage 19.", "Roche won the individual time trial stage 10 to Futuroscope and came second on stage 19. On stage 21, crossing the Galibier and Madeleine and finishing at La Plagne, Roche attacked early, was away for several hours but was caught on the last climb. His nearest rival Pedro Delgado then attacked. Despite being almost one-and-a-half minutes in arrears midway up the last climb, Roche pulled the deficit back to 4 seconds. Roche collapsed and lost consciousness and was given oxygen.", "Roche collapsed and lost consciousness and was given oxygen. Roche collapsed and lost consciousness and was given oxygen. When asked when revived if he was okay, he replied \"Oui, mais pas de femme toute de suite\" (\"yes, but I am not ready for a woman straight away\").", "When asked when revived if he was okay, he replied \"Oui, mais pas de femme toute de suite\" (\"yes, but I am not ready for a woman straight away\"). The yellow jersey (worn by the leader of the general classification) changed hands several times with Charly Mottet, Roche, Jean François Bernard and Delgado all wearing it before Roche used the final time trial to overturn a half-minute gap and win the Tour by 40 seconds, which was at the time the second-narrowest margin (in 1968 Jan Janssen had beaten Herman Van Springel by 38 seconds; two years after Roche's victory, Greg LeMond beat Laurent Fignon by 8 seconds).", "The yellow jersey (worn by the leader of the general classification) changed hands several times with Charly Mottet, Roche, Jean François Bernard and Delgado all wearing it before Roche used the final time trial to overturn a half-minute gap and win the Tour by 40 seconds, which was at the time the second-narrowest margin (in 1968 Jan Janssen had beaten Herman Van Springel by 38 seconds; two years after Roche's victory, Greg LeMond beat Laurent Fignon by 8 seconds). Roche became only the fifth cyclist in history to win the Tour and the Giro in the same year.", "Roche became only the fifth cyclist in history to win the Tour and the Giro in the same year. He was also the only Irishman to win the Tour de France. Irish Taoiseach Charles Haughey joined Roche on the podium on the Champs-Élysées. Later that year, with victory at the World road race championship in Villach in Austria, Roche became only the second to win the Triple Crown of Cycling.", "Later that year, with victory at the World road race championship in Villach in Austria, Roche became only the second to win the Triple Crown of Cycling. Roche arrived with insufficient training although he worked during the 23-lap, undulating terrain for his teammate Sean Kelly and escaped in the race-winning break only while covering for his countryman.", "Roche arrived with insufficient training although he worked during the 23-lap, undulating terrain for his teammate Sean Kelly and escaped in the race-winning break only while covering for his countryman. With Moreno Argentin in the following group, Kelly did not chase and as the break slowed and jostling for position began for a sprint, Roche attacked from the finish and crossed the line with metres to spare. Victory in the season-long Super Prestige Pernod International competition was assured. Roche was given the freedom of Dublin in late September 1987.", "Roche was given the freedom of Dublin in late September 1987. Several days later the 1987 edition of the Nissan Classic began and Roche rode strongly to finish second behind Kelly. Post-1987 career At the close of 1987, Roche moved to Fagor MBK, bringing English riders Sean Yates and Malcolm Elliot, 1984 Tour de France King of the Mountains winner Robert Millar and domestique Eddy Schepers. The team was criticised for containing too many English speakers.", "The team was criticised for containing too many English speakers. The 1988 season began badly with a recurrence of the knee injury and Roche began a gradual decline. In 1989 he again took second in Paris–Nice (making four second places) and the Setmana Catalana de Ciclisme. Roche finished the 1989 Giro d'Italia ninth behind Laurent Fignon. During the 1989 Tour de France, Roche withdrew due to his knee. There were problems with his team in and he changed again.", "There were problems with his team in and he changed again. In 1990, racing for Histor Sigma, he won the Four Days of Dunkirk and 1991 riding for Roger De Vlaeminck's TonTon Tapis brought victories in the Setmana Catalana de Ciclisme and Critérium International. In the 1991 Tour de France, Roche missed the start for his team's Team time trial and was forced to withdraw due to controversially missing the time cut.", "In the 1991 Tour de France, Roche missed the start for his team's Team time trial and was forced to withdraw due to controversially missing the time cut. In the Grand Tours, he was ninth in the 1989 Giro, and won a stage of the 1992 Tour de France in appalling conditions into La Bourboule (again racing for but now in support of Claudio Chiappucci) and en route to a final ninth place.", "In the Grand Tours, he was ninth in the 1989 Giro, and won a stage of the 1992 Tour de France in appalling conditions into La Bourboule (again racing for but now in support of Claudio Chiappucci) and en route to a final ninth place. Riding the last edition of the Nissan Classic Tour of Ireland, Roche was in many breaks but finished fifth. A year later, he was again ninth in the 1993 Giro d'Italia and 13th in the 1993 Tour de France.", "A year later, he was again ninth in the 1993 Giro d'Italia and 13th in the 1993 Tour de France. Roche retired at the end of an anonymous 1993 which yielded a single win, in the post-Tour de France criterium at Chateau Chinon. Doping In May 1990, Paul Kimmage – a former professional and teammate of Roche at Fagor, as well as a fellow Dubliner – published an account of life in the peloton.", "Doping In May 1990, Paul Kimmage – a former professional and teammate of Roche at Fagor, as well as a fellow Dubliner – published an account of life in the peloton. His book Rough Ride exposed drug use apparently endemic in the peloton but spoke in fawning terms about Roche. Despite this, publication resulted in a threat of litigation from Roche.", "Despite this, publication resulted in a threat of litigation from Roche. It was reported in the Rome newspaper, La Repubblica, in January 2000 that Francesco Conconi, a professor at the University of Ferrara involved with administering erythropoietin (EPO) to riders on the Carrera team with which Roche had some of his best years, had provided riders including Roche with EPO. Roche denied the allegations. This was further reported in The Irish Times several days later, Roche again denying EPO.", "This was further reported in The Irish Times several days later, Roche again denying EPO. In March 2000 the Italian judge Franca Oliva published a report detailing the investigation into sports doctors including Conconi. This official judicial investigation unequivocally found that Roche was administered EPO in 1993, his last year in the peloton. Files from part of the investigation allegedly detail a number of aliases for Roche including Rocchi, Rossi, Rocca, Roncati, Righi and Rossini.", "Files from part of the investigation allegedly detail a number of aliases for Roche including Rocchi, Rossi, Rocca, Roncati, Righi and Rossini. In 2004 Judge Oliva again alleged that Roche had taken EPO during 1993 but due to the statute of limitations, neither Roche nor his teammates at Carrera would be prosecuted. Personal life Roche lives in Antibes on the Côte d'Azur. Roche remained involved in the sport by founding cycling camps in Majorca, by taking part in race organisations and working as a commentator on cycling events for Eurosport.", "Roche remained involved in the sport by founding cycling camps in Majorca, by taking part in race organisations and working as a commentator on cycling events for Eurosport. He has four children with his former wife Lydia; the couple divorced in 2004. One son, Nicolas Roche, was a professional until his retirement in 2021, and was the 2009 and 2016 Irish National Road Race Champion. Stephen's brother Lawrence Roche was also a professional cyclist who completed his only Tour de France in 1991.", "Stephen's brother Lawrence Roche was also a professional cyclist who completed his only Tour de France in 1991. They were teammates on the Tonton Tapis–GB team. Roche's nephew Dan Martin is also a professional cyclist with Israel Start-Up Nation, and was the 2008 Irish National Road Race Champion. Roche completed the 2008 ING New York Marathon in a time of 4:21:09. Advertisements Roche featured in a well-known Irish television advert for Galtee cheese in 1987, shortly after winning the Tour De France.", "Advertisements Roche featured in a well-known Irish television advert for Galtee cheese in 1987, shortly after winning the Tour De France. Career achievements Major results Main Source Amateur 1978 1st Road race, National Junior Road Championships 1st Isle of Man - Manx Viking Trophy 1979 1st Irish National Elite Cyclo-Cross Championships 1st Overall Rás Tailteann 1st Stages 2 & 9a 1980 1st Paris–Roubaix Espoirs 1st GP de France (ITT) 2nd Road race, National Road Championships 2nd Overall Route de France 2nd Paris-Mantes 2nd Grand Prix des Nations (amateurs) 3rd Paris – Ezy Source Professional 1981 1st Overall Paris–Nice 1st Stage 7b (ITT) 1st Overall Tour de Corse 1st Stage 2 1st Overall Étoile des Espoirs 1st Prologue 1st Stage 4b 1st Overall Tour d'Indre-et-Loire 1st Stage 3 1st Stage 7 (ITT) Tour de l'Avenir 2nd Grand Prix des Nations 2nd GP Monaco 3rd Critérium des As 3rd GP de Cannes 1982 2nd Amstel Gold Race 3rd Overall Four Days of Dunkirk 3rd Trofeo Baracchi 1983 1st Overall Tour de Romandie 1st Overall Étoile des Espoirs 1st Paris–Bourges 1st Grand Prix de Wallonie 2nd Tour du Haut Var 3rd Road race, UCI Road World Championships 3rd Overall Route du Sud 3rd GP Ouest–France 1984 1st Overall Tour de Romandie 1st Nice – Alassio 1st Subida a Arrate 2nd Overall Paris–Nice 1st Stage 6 2nd Overall Tour Méditerranéen 2nd Overall Tour de Picardie 3rd Overall Critérium International 3rd Grand Prix des Nations 1985 1st Overall Critérium International 1st Stage 3 (ITT) 1st Overall Tour Midi-Pyrénées 1st Stage 1a Critérium du Dauphiné Libéré 1st Prologue & Stage 9 (ITT) Tour of Ireland 1st Stages 3b & 4a 1st Bol d'or des Monédières 1st Critérium Loudéac 1st Critérium Les Ormes 2nd Overall Paris–Nice 1st Stage 7b (ITT) 3rd Overall Tour de France 1st Stage 18a 3rd Overall Tour Méditerranéen 3rd Liège–Bastogne–Liège 7th Road race, UCI Road World Championships 1986 2nd Cronostaffetta (TTT) 7th Trofeo Baracchi 1987 1st Road race, UCI Road World Championships 1st Overall Tour de France 1st Stages 2 (TTT) & 10 (ITT) 1st Overall Giro d'Italia 1st Combination classification 1st Stages 1b (ITT), 3 (TTT) & 22 (ITT) 1st Overall Tour de Romandie 1st Stages 5a & 5b (ITT) 1st Overall Volta a la Comunitat Valenciana 1st Stage 4 (ITT) 1st Stage 7b (ITT) Paris–Nice 1st Overall Super Prestige Pernod International 1st Critérium Dublin 1st Critérium Kortenhoef 1st Critérium Aalsmeer 2nd Overall Tour of Ireland 2nd Overall Critérium International 2nd Liège–Bastogne–Liège 1989 1st Overall Tour of the Basque Country 1st Stage 5b (ITT) 1st Stage 3a (ITT) Four Days of Dunkirk 2nd Overall Paris–Nice 1st Stage 7b (ITT) 3rd Overall Critérium International 9th Overall Giro d'Italia 1990 1st Overall Four Days of Dunkirk 1st Critérium Calais 2nd Overall Paris–Nice 1991 1st Overall Critérium International 1st Overall Setmana Catalana de Ciclisme 1st Critérium Brioude 1992 2nd Giro del Piemonte 2nd Critérium Vouneuil-sous-Biard 3rd Bol d'or des Monédières 9th Overall Tour de France 1st Stage 16 1993 1st Critérium Chateau-Chinon-Ville 9th Overall Giro d'Italia General classification results timeline References Further reading External links Official Tour de France results for Stephen Roche Stephen Roche's Cycling Camp in Majorca Stephen Roche's Charity Cycling Race Irish male cyclists Tour de France winners Irish Tour de France stage winners Giro d'Italia winners Irish Giro d'Italia stage winners UCI Road World Champions (elite men) Olympic cyclists of Ireland Cyclists at the 1980 Summer Olympics Doping cases in cycling Sportspeople from County Dublin 1959 births Living people Cycling announcers Alumni of Dublin Institute of Technology Irish expatriates in France RTÉ Sports Person of the Year winners People from Dundrum, Dublin Super Prestige Pernod winners" ]

[ "Stephen Roche", "Post-1987 career", "what was the significance of his post 1987 career", "The 1988 season began badly with a recurrence of the knee injury and Roche began a gradual decline.", "did he recover from his knee injury?", "During the 1989 Tour de France, Roche withdrew due to his knee.", "did he change his career post 1987", "I don't know." ]

[ "0x80 is a hacker interviewed by Brian Krebs of The Washington Post about his lucrative business in running \"botnets\", or networks of remotely controlled personal computers without the owner's consent. The article in the 2006 February Washington Post detailed 0x80's earnings of around $6,800 a month infecting controlled personal computers with adware and spyware in exchange for a per-computer commission.\n\nLeaked data \n\n0x80 agreed to be interviewed for the Post article under the condition that he'd not be identified by name or home town.\n\nAfter a link to the article on Slashdot, a reader used the IPTC information encoded into the image to learn that Roland, Oklahoma had been entered as the picture's location. The Washington Post removed all of the images from their site and commented \"As you know we take our obligations with sources very seriously and I don't want to comment about any speculation about sources\" in response to an interview question asking \"Are you aware that the Post failed to scrub the metadata from the images used in this article, leaving information about your town?\" (question text edited by The Washington Post to remove a specific referenced town name).\n\nReferences\n\nExternal links\n\n Washington Post article\n Slashdot comments exposing image metadata\n Post blog about victims of 0x80 hacking\n\nBotnets\nComputer criminals\nHackers\nUnidentified criminals", "Yes, Chef is chef Marcus Samuelsson's 2012 memoir written with journalist Veronica Chambers.\n\nPublished by Random House, Yes, Chef describes Samuelsson's early years in Ethiopia, adoption and childhood in Sweden and then culinary career, concluding with a chapter on his restaurant in Harlem, Red Rooster. In the Washington Post, Robin Shulman called the book as \"a sensitive and compelling account of his rise and his extraordinary life...searching for his place in the world through food.\" Reviewing Yes, Chef for The New York Times, Dwight Garner wrote, \"What lifts this book beyond being merely the plainly told story of an interesting life is Mr. Samuelsson’s filigreed yet often pointed observations about why so few black chefs have risen to the top of the culinary world.\"\n\nYes, Chef was a New York Times best-seller and won the 2013 James Beard Award for Writing and Literature.\n\nReferences\n\nMemoirs\n2012 books\nBooks about food and drink\nBooks about Ethiopia\nBooks about Sweden\nBooks about the United States" ]

[ "Stephen Roche (; born 28 November 1959) is an Irish former professional road racing cyclist. In a 13-year professional career, he peaked in 1987, becoming the second of only two cyclists to win the Triple Crown of victories in the Tour de France and the Giro d'Italia general classification, plus the World road race championship, the first was Eddy Merckx. Roche's rise coincided with that of fellow Irishman Sean Kelly.", "Roche's rise coincided with that of fellow Irishman Sean Kelly. Although one of the finest cyclists of his generation and admired for his pedalling style, he struggled with knee injuries and never contended in the Grand Tours post-1987. He had 58 professional career wins. All of these wins still stand, despite Roche having been accused by an Italian judge of taking EPO in the later part of his career.", "All of these wins still stand, despite Roche having been accused by an Italian judge of taking EPO in the later part of his career. Early life and amateur career On completion of his apprenticeship as a machinist in a Dublin dairy and following a successful amateur career in Ireland with the \"Orwell Wheelers\" club coached by Noel O'Neill of Dundrum (which included winning the Irish Junior Championship in 1977 and the Rás Tailteann in 1979), Roche joined the Athletic Club de Boulogne-Billancourt amateur team in Paris to prepare for the 1980 Olympic games in Moscow.", "Early life and amateur career On completion of his apprenticeship as a machinist in a Dublin dairy and following a successful amateur career in Ireland with the \"Orwell Wheelers\" club coached by Noel O'Neill of Dundrum (which included winning the Irish Junior Championship in 1977 and the Rás Tailteann in 1979), Roche joined the Athletic Club de Boulogne-Billancourt amateur team in Paris to prepare for the 1980 Olympic games in Moscow. Soon after his arrival Roche won the amateur Paris–Roubaix, escaping with Dirk Demol and sprinting to victory on the track at Roubaix.", "Soon after his arrival Roche won the amateur Paris–Roubaix, escaping with Dirk Demol and sprinting to victory on the track at Roubaix. Roche was told by his directeur sportif that if he did not win he \"would be sent home to Ireland that day\". He also finished on the podium at the early-season Paris–Ezy road race and finished 14th overall in the Sealink International stage race which was won by Bob Downs.", "He also finished on the podium at the early-season Paris–Ezy road race and finished 14th overall in the Sealink International stage race which was won by Bob Downs. However, a knee injury caused by a poorly fitted shoe plate led to a disappointing ride in Moscow, where he finished 45th. However, on return to France, August to October saw Roche win 19 races. That led to a contract with the Peugeot professional cycling team for 1981.", "That led to a contract with the Peugeot professional cycling team for 1981. Professional career Roche scored his first professional victory by beating Bernard Hinault in the Tour of Corsica. Less than a month later he won Paris–Nice (where he became the first, and still the only, new pro to win Paris–Nice) despite illness following the descent from Mont Ventoux and finished his debut season with victories in the Tour de Corse, Circuit d'Indre-et-Loire and Étoile des Espoirs races with a second place behind Hinault in the Grand Prix des Nations.", "Less than a month later he won Paris–Nice (where he became the first, and still the only, new pro to win Paris–Nice) despite illness following the descent from Mont Ventoux and finished his debut season with victories in the Tour de Corse, Circuit d'Indre-et-Loire and Étoile des Espoirs races with a second place behind Hinault in the Grand Prix des Nations. In total, his debut yielded 10 victories.", "In total, his debut yielded 10 victories. In total, his debut yielded 10 victories. In 1982 his best performance was second in the Amstel Gold Race behind Jan Raas, but his rise continued in 1983 with victories in the Tour de Romandie, Grand Prix de Wallonie, Étoile des Espoirs and Paris–Bourges. In the 1983 Tour de France, Roche finished 13th and he finished the 1983 season with a bronze medal in the world cycling championship at Alterheim in Zurich.", "In the 1983 Tour de France, Roche finished 13th and he finished the 1983 season with a bronze medal in the world cycling championship at Alterheim in Zurich. In 1984, riding for La Redoute following contractual wrangles with Peugeot (the settlement of which led Roche to sport Peugeot shorts for two years before winning a court action against Vélo Club de Paris Peugeot) he repeated his Tour de Romandie win, won Nice-Alassio, Subida a Arrate and was second in Paris–Nice. He finished 25th in that year's Tour de France.", "He finished 25th in that year's Tour de France. In 1985, Roche won the Critérium International, the Route du Sud and came second in Paris–Nice and third in Liège–Bastogne–Liège. In the 1985 Tour de France Roche won stage 18 to the Aubisque and finished on the podium in 3rd position, 4 minutes and 29 seconds behind winner Bernard Hinault. Chronic knee injury In 1986 at a six-day event with UK professional Tony Doyle at Paris-Bercy, Roche crashed at speed and damaged his right knee.", "Chronic knee injury In 1986 at a six-day event with UK professional Tony Doyle at Paris-Bercy, Roche crashed at speed and damaged his right knee. This destroyed his 1986 season at new team with little to show other than second in a stage of the Giro. Roche finished the 1986 Tour de France 48th, 1h 32m behind Greg LeMond, a Tour that Roche described as like \"entering a dark tunnel\" of pain.", "Roche finished the 1986 Tour de France 48th, 1h 32m behind Greg LeMond, a Tour that Roche described as like \"entering a dark tunnel\" of pain. The injury and then associated back problems recurred throughout his career (for example in the 1989 Tour Roche abandoned after banging the problem knee on his handlebars) and a series of operations appeared to only address direct or consequential symptoms of the core injury. Later non-surgical intervention under Dr.Hans-Wilhelm Müller-Wohlfahrt in Munich made some difference but the injury required constant care.", "Later non-surgical intervention under Dr.Hans-Wilhelm Müller-Wohlfahrt in Munich made some difference but the injury required constant care. By the end of his career Roche was unable to compete at his best because of back problem which led to a loss of power in the left leg. In retirement he described riding the 1993 Tour de France \"just for fun\". He finished 13th, riding for Claudio Chiappucci). 1987 Triple Crown In 1987, Roche had a tremendous season.", "1987 Triple Crown In 1987, Roche had a tremendous season. In the spring, he won the Volta a la Comunitat Valenciana, taking a third victory in the Tour de Romandie and fourth place plus a stage win in Paris–Nice. He also finished second in Liège–Bastogne–Liège, the closest he got to winning a professional 'Monument' Classic. He blamed it on tactical naiveté and \"riding like an amateur\".", "He blamed it on tactical naiveté and \"riding like an amateur\". In the Giro d'Italia, Roche took three stage wins (including a team win with in the team time trial) en route to overall victory and became the first Giro victor from outside mainland Europe. Roche's stage wins that year in the Giro were stage 1b, the time trial downhill on the Poggio into San Remo and stage 22, a individual time trial into St. Vincent.", "Roche's stage wins that year in the Giro were stage 1b, the time trial downhill on the Poggio into San Remo and stage 22, a individual time trial into St. Vincent. Despite his stage wins, the race is remembered for the stage from Lido di Jesolo to Sappada, where Roche, contravening team orders, broke away alone early and despite being caught late in the race, had the strength to go with the counterattack and take the pink jersey from his teammate Roberto Visentini, who had been previously leading the classification.", "Despite his stage wins, the race is remembered for the stage from Lido di Jesolo to Sappada, where Roche, contravening team orders, broke away alone early and despite being caught late in the race, had the strength to go with the counterattack and take the pink jersey from his teammate Roberto Visentini, who had been previously leading the classification. His behaviour in the stage gained him the tifosi's hatred.", "His behaviour in the stage gained him the tifosi's hatred. It was said the only member of his team that Roche could rely on not to ride against him was his domestique Eddy Schepers, although Roche recruited Panasonic riders and old ACBB teammates Robert Millar and Australian Phil Anderson to protect him with Schepers on the Marmolada climb (a day known as the \"Marmolada Massacre\"). Roche finished the Giro exhausted but favourite for the Tour de France.", "Roche finished the Giro exhausted but favourite for the Tour de France. Following Bernard Hinault's retirement, Laurent Fignon's choppy form and with Greg LeMond injured following an accidental shooting while hunting, the 1987 Tour was open. It was also one of the most mountainous since the war, with 25 stages. Roche won the individual time trial stage 10 to Futuroscope and came second on stage 19.", "Roche won the individual time trial stage 10 to Futuroscope and came second on stage 19. On stage 21, crossing the Galibier and Madeleine and finishing at La Plagne, Roche attacked early, was away for several hours but was caught on the last climb. His nearest rival Pedro Delgado then attacked. Despite being almost one-and-a-half minutes in arrears midway up the last climb, Roche pulled the deficit back to 4 seconds. Roche collapsed and lost consciousness and was given oxygen.", "Roche collapsed and lost consciousness and was given oxygen. Roche collapsed and lost consciousness and was given oxygen. When asked when revived if he was okay, he replied \"Oui, mais pas de femme toute de suite\" (\"yes, but I am not ready for a woman straight away\").", "When asked when revived if he was okay, he replied \"Oui, mais pas de femme toute de suite\" (\"yes, but I am not ready for a woman straight away\"). The yellow jersey (worn by the leader of the general classification) changed hands several times with Charly Mottet, Roche, Jean François Bernard and Delgado all wearing it before Roche used the final time trial to overturn a half-minute gap and win the Tour by 40 seconds, which was at the time the second-narrowest margin (in 1968 Jan Janssen had beaten Herman Van Springel by 38 seconds; two years after Roche's victory, Greg LeMond beat Laurent Fignon by 8 seconds).", "The yellow jersey (worn by the leader of the general classification) changed hands several times with Charly Mottet, Roche, Jean François Bernard and Delgado all wearing it before Roche used the final time trial to overturn a half-minute gap and win the Tour by 40 seconds, which was at the time the second-narrowest margin (in 1968 Jan Janssen had beaten Herman Van Springel by 38 seconds; two years after Roche's victory, Greg LeMond beat Laurent Fignon by 8 seconds). Roche became only the fifth cyclist in history to win the Tour and the Giro in the same year.", "Roche became only the fifth cyclist in history to win the Tour and the Giro in the same year. He was also the only Irishman to win the Tour de France. Irish Taoiseach Charles Haughey joined Roche on the podium on the Champs-Élysées. Later that year, with victory at the World road race championship in Villach in Austria, Roche became only the second to win the Triple Crown of Cycling.", "Later that year, with victory at the World road race championship in Villach in Austria, Roche became only the second to win the Triple Crown of Cycling. Roche arrived with insufficient training although he worked during the 23-lap, undulating terrain for his teammate Sean Kelly and escaped in the race-winning break only while covering for his countryman.", "Roche arrived with insufficient training although he worked during the 23-lap, undulating terrain for his teammate Sean Kelly and escaped in the race-winning break only while covering for his countryman. With Moreno Argentin in the following group, Kelly did not chase and as the break slowed and jostling for position began for a sprint, Roche attacked from the finish and crossed the line with metres to spare. Victory in the season-long Super Prestige Pernod International competition was assured. Roche was given the freedom of Dublin in late September 1987.", "Roche was given the freedom of Dublin in late September 1987. Several days later the 1987 edition of the Nissan Classic began and Roche rode strongly to finish second behind Kelly. Post-1987 career At the close of 1987, Roche moved to Fagor MBK, bringing English riders Sean Yates and Malcolm Elliot, 1984 Tour de France King of the Mountains winner Robert Millar and domestique Eddy Schepers. The team was criticised for containing too many English speakers.", "The team was criticised for containing too many English speakers. The 1988 season began badly with a recurrence of the knee injury and Roche began a gradual decline. In 1989 he again took second in Paris–Nice (making four second places) and the Setmana Catalana de Ciclisme. Roche finished the 1989 Giro d'Italia ninth behind Laurent Fignon. During the 1989 Tour de France, Roche withdrew due to his knee. There were problems with his team in and he changed again.", "There were problems with his team in and he changed again. In 1990, racing for Histor Sigma, he won the Four Days of Dunkirk and 1991 riding for Roger De Vlaeminck's TonTon Tapis brought victories in the Setmana Catalana de Ciclisme and Critérium International. In the 1991 Tour de France, Roche missed the start for his team's Team time trial and was forced to withdraw due to controversially missing the time cut.", "In the 1991 Tour de France, Roche missed the start for his team's Team time trial and was forced to withdraw due to controversially missing the time cut. In the Grand Tours, he was ninth in the 1989 Giro, and won a stage of the 1992 Tour de France in appalling conditions into La Bourboule (again racing for but now in support of Claudio Chiappucci) and en route to a final ninth place.", "In the Grand Tours, he was ninth in the 1989 Giro, and won a stage of the 1992 Tour de France in appalling conditions into La Bourboule (again racing for but now in support of Claudio Chiappucci) and en route to a final ninth place. Riding the last edition of the Nissan Classic Tour of Ireland, Roche was in many breaks but finished fifth. A year later, he was again ninth in the 1993 Giro d'Italia and 13th in the 1993 Tour de France.", "A year later, he was again ninth in the 1993 Giro d'Italia and 13th in the 1993 Tour de France. Roche retired at the end of an anonymous 1993 which yielded a single win, in the post-Tour de France criterium at Chateau Chinon. Doping In May 1990, Paul Kimmage – a former professional and teammate of Roche at Fagor, as well as a fellow Dubliner – published an account of life in the peloton.", "Doping In May 1990, Paul Kimmage – a former professional and teammate of Roche at Fagor, as well as a fellow Dubliner – published an account of life in the peloton. His book Rough Ride exposed drug use apparently endemic in the peloton but spoke in fawning terms about Roche. Despite this, publication resulted in a threat of litigation from Roche.", "Despite this, publication resulted in a threat of litigation from Roche. It was reported in the Rome newspaper, La Repubblica, in January 2000 that Francesco Conconi, a professor at the University of Ferrara involved with administering erythropoietin (EPO) to riders on the Carrera team with which Roche had some of his best years, had provided riders including Roche with EPO. Roche denied the allegations. This was further reported in The Irish Times several days later, Roche again denying EPO.", "This was further reported in The Irish Times several days later, Roche again denying EPO. In March 2000 the Italian judge Franca Oliva published a report detailing the investigation into sports doctors including Conconi. This official judicial investigation unequivocally found that Roche was administered EPO in 1993, his last year in the peloton. Files from part of the investigation allegedly detail a number of aliases for Roche including Rocchi, Rossi, Rocca, Roncati, Righi and Rossini.", "Files from part of the investigation allegedly detail a number of aliases for Roche including Rocchi, Rossi, Rocca, Roncati, Righi and Rossini. In 2004 Judge Oliva again alleged that Roche had taken EPO during 1993 but due to the statute of limitations, neither Roche nor his teammates at Carrera would be prosecuted. Personal life Roche lives in Antibes on the Côte d'Azur. Roche remained involved in the sport by founding cycling camps in Majorca, by taking part in race organisations and working as a commentator on cycling events for Eurosport.", "Roche remained involved in the sport by founding cycling camps in Majorca, by taking part in race organisations and working as a commentator on cycling events for Eurosport. He has four children with his former wife Lydia; the couple divorced in 2004. One son, Nicolas Roche, was a professional until his retirement in 2021, and was the 2009 and 2016 Irish National Road Race Champion. Stephen's brother Lawrence Roche was also a professional cyclist who completed his only Tour de France in 1991.", "Stephen's brother Lawrence Roche was also a professional cyclist who completed his only Tour de France in 1991. They were teammates on the Tonton Tapis–GB team. Roche's nephew Dan Martin is also a professional cyclist with Israel Start-Up Nation, and was the 2008 Irish National Road Race Champion. Roche completed the 2008 ING New York Marathon in a time of 4:21:09. Advertisements Roche featured in a well-known Irish television advert for Galtee cheese in 1987, shortly after winning the Tour De France.", "Advertisements Roche featured in a well-known Irish television advert for Galtee cheese in 1987, shortly after winning the Tour De France. Career achievements Major results Main Source Amateur 1978 1st Road race, National Junior Road Championships 1st Isle of Man - Manx Viking Trophy 1979 1st Irish National Elite Cyclo-Cross Championships 1st Overall Rás Tailteann 1st Stages 2 & 9a 1980 1st Paris–Roubaix Espoirs 1st GP de France (ITT) 2nd Road race, National Road Championships 2nd Overall Route de France 2nd Paris-Mantes 2nd Grand Prix des Nations (amateurs) 3rd Paris – Ezy Source Professional 1981 1st Overall Paris–Nice 1st Stage 7b (ITT) 1st Overall Tour de Corse 1st Stage 2 1st Overall Étoile des Espoirs 1st Prologue 1st Stage 4b 1st Overall Tour d'Indre-et-Loire 1st Stage 3 1st Stage 7 (ITT) Tour de l'Avenir 2nd Grand Prix des Nations 2nd GP Monaco 3rd Critérium des As 3rd GP de Cannes 1982 2nd Amstel Gold Race 3rd Overall Four Days of Dunkirk 3rd Trofeo Baracchi 1983 1st Overall Tour de Romandie 1st Overall Étoile des Espoirs 1st Paris–Bourges 1st Grand Prix de Wallonie 2nd Tour du Haut Var 3rd Road race, UCI Road World Championships 3rd Overall Route du Sud 3rd GP Ouest–France 1984 1st Overall Tour de Romandie 1st Nice – Alassio 1st Subida a Arrate 2nd Overall Paris–Nice 1st Stage 6 2nd Overall Tour Méditerranéen 2nd Overall Tour de Picardie 3rd Overall Critérium International 3rd Grand Prix des Nations 1985 1st Overall Critérium International 1st Stage 3 (ITT) 1st Overall Tour Midi-Pyrénées 1st Stage 1a Critérium du Dauphiné Libéré 1st Prologue & Stage 9 (ITT) Tour of Ireland 1st Stages 3b & 4a 1st Bol d'or des Monédières 1st Critérium Loudéac 1st Critérium Les Ormes 2nd Overall Paris–Nice 1st Stage 7b (ITT) 3rd Overall Tour de France 1st Stage 18a 3rd Overall Tour Méditerranéen 3rd Liège–Bastogne–Liège 7th Road race, UCI Road World Championships 1986 2nd Cronostaffetta (TTT) 7th Trofeo Baracchi 1987 1st Road race, UCI Road World Championships 1st Overall Tour de France 1st Stages 2 (TTT) & 10 (ITT) 1st Overall Giro d'Italia 1st Combination classification 1st Stages 1b (ITT), 3 (TTT) & 22 (ITT) 1st Overall Tour de Romandie 1st Stages 5a & 5b (ITT) 1st Overall Volta a la Comunitat Valenciana 1st Stage 4 (ITT) 1st Stage 7b (ITT) Paris–Nice 1st Overall Super Prestige Pernod International 1st Critérium Dublin 1st Critérium Kortenhoef 1st Critérium Aalsmeer 2nd Overall Tour of Ireland 2nd Overall Critérium International 2nd Liège–Bastogne–Liège 1989 1st Overall Tour of the Basque Country 1st Stage 5b (ITT) 1st Stage 3a (ITT) Four Days of Dunkirk 2nd Overall Paris–Nice 1st Stage 7b (ITT) 3rd Overall Critérium International 9th Overall Giro d'Italia 1990 1st Overall Four Days of Dunkirk 1st Critérium Calais 2nd Overall Paris–Nice 1991 1st Overall Critérium International 1st Overall Setmana Catalana de Ciclisme 1st Critérium Brioude 1992 2nd Giro del Piemonte 2nd Critérium Vouneuil-sous-Biard 3rd Bol d'or des Monédières 9th Overall Tour de France 1st Stage 16 1993 1st Critérium Chateau-Chinon-Ville 9th Overall Giro d'Italia General classification results timeline References Further reading External links Official Tour de France results for Stephen Roche Stephen Roche's Cycling Camp in Majorca Stephen Roche's Charity Cycling Race Irish male cyclists Tour de France winners Irish Tour de France stage winners Giro d'Italia winners Irish Giro d'Italia stage winners UCI Road World Champions (elite men) Olympic cyclists of Ireland Cyclists at the 1980 Summer Olympics Doping cases in cycling Sportspeople from County Dublin 1959 births Living people Cycling announcers Alumni of Dublin Institute of Technology Irish expatriates in France RTÉ Sports Person of the Year winners People from Dundrum, Dublin Super Prestige Pernod winners" ]

[ "Stephen Roche", "Post-1987 career", "what was the significance of his post 1987 career", "The 1988 season began badly with a recurrence of the knee injury and Roche began a gradual decline.", "did he recover from his knee injury?", "During the 1989 Tour de France, Roche withdrew due to his knee.", "did he change his career post 1987", "I don't know.", "any interesting information about his post 1987 career?", "Riding the last edition of the Nissan Classic Tour of Ireland, Roche was in many breaks but finished fifth." ]

[ "Lewis Roberts (born 2 July 1985) is an English professional snooker player. He became a professional in 2008, however he did not retain his place on the tour at the end of the 2008–09 season.\n\nCareer\n\nBorn in 1985, Roberts played in the Pontin's International Open Series (known as PIOS) in the 2000s, hoping to earn a place on the professional main tour. He was able to do this in 2008, but his first season was without any success; he won only three matches – 4–3 over Barry Pinches in the Masters qualifying event, 5–2 over Vincent Muldoon in the China Open and 10–8 over Aditya Mehta in the World Championship.\n\nIn his other nine matches, Roberts lost 1–5 to Wayne Cooper, Atthasit Mahitthi, Rod Lawler and Mark Joyce, 8–9 to Mahitthi in the 2008 UK Championship and 7–10 to Paul Davies in the World Championship, but never failed to win a frame in any tournament.\n\nRoberts was ranked 86th at the conclusion of the season, and was therefore relegated from the professional tour in 2009.\n\nHe attempted to regain his place by playing in the PIOS events during the 2009/2010 season, but won only one match, in Event 3. He compiled his first competitive century break, a 126, against Jamie Jones in Event 7, but lost the match 1–4 and did not enter a tournament thereafter.\n\nReferences\n\nExternal links\n \n World Snooker.com \n Profile on Pro Snooker Blog\n\nLiving people\nEnglish snooker players\n1985 births", "Dicky Thompson (born June 13, 1957) is an American professional golfer who played on the PGA Tour and the Nationwide Tour.\n\nThompson joined the Nationwide Tour in 1990. He won the Ben Hogan Baton Rouge Open and the Ben Hogan Elizabethtown Open en route to an 8th-place finish on the money list which earned him his PGA Tour card for 1991. He did not perform well enough on his rookie year on Tour to retain his card but got his Tour card for 1992 through qualifying school. After another poor year on the PGA Tour, he took a hiatus until earning his PGA Tour card for 1995 through qualifying school. He did not do well enough to retain his card but did record his best finish on the PGA Tour of his career, finishing in a tie for fourth at the Deposit Guaranty Golf Classic. He took another hiatus from Tour and rejoined the Nationwide Tour in 1999 where he recorded five top-10 finishes. He played on the Nationwide Tour again in 2000, his last season on Tour.\n\nThompson played on the NGA Hooters Tour in 1989, 1994 and from 1996 to 1999. He won six tournaments during that time.\n\nProfessional wins (10)\n\nBen Hogan Tour wins (2)\n\nBen Hogan Tour playoff record (1–0)\n\nOther wins (8)\n1998 Georgia Open\n1999 Georgia Open\n6 wins on the NGA Hooters Tour\n\nResults in major championships\n\nCUT = missed the half-way cut\nNote: Thompson never played in the Masters Tournament or the PGA Championship.\n\nSee also\n1990 PGA Tour Qualifying School graduates\n1991 PGA Tour Qualifying School graduates\n1994 PGA Tour Qualifying School graduates\n\nExternal links\n\nAmerican male golfers\nGeorgia Bulldogs men's golfers\nPGA Tour golfers\nGolfers from Atlanta\n1957 births\nLiving people" ]

[ "Stephen Roche (; born 28 November 1959) is an Irish former professional road racing cyclist. In a 13-year professional career, he peaked in 1987, becoming the second of only two cyclists to win the Triple Crown of victories in the Tour de France and the Giro d'Italia general classification, plus the World road race championship, the first was Eddy Merckx. Roche's rise coincided with that of fellow Irishman Sean Kelly.", "Roche's rise coincided with that of fellow Irishman Sean Kelly. Although one of the finest cyclists of his generation and admired for his pedalling style, he struggled with knee injuries and never contended in the Grand Tours post-1987. He had 58 professional career wins. All of these wins still stand, despite Roche having been accused by an Italian judge of taking EPO in the later part of his career.", "All of these wins still stand, despite Roche having been accused by an Italian judge of taking EPO in the later part of his career. Early life and amateur career On completion of his apprenticeship as a machinist in a Dublin dairy and following a successful amateur career in Ireland with the \"Orwell Wheelers\" club coached by Noel O'Neill of Dundrum (which included winning the Irish Junior Championship in 1977 and the Rás Tailteann in 1979), Roche joined the Athletic Club de Boulogne-Billancourt amateur team in Paris to prepare for the 1980 Olympic games in Moscow.", "Early life and amateur career On completion of his apprenticeship as a machinist in a Dublin dairy and following a successful amateur career in Ireland with the \"Orwell Wheelers\" club coached by Noel O'Neill of Dundrum (which included winning the Irish Junior Championship in 1977 and the Rás Tailteann in 1979), Roche joined the Athletic Club de Boulogne-Billancourt amateur team in Paris to prepare for the 1980 Olympic games in Moscow. Soon after his arrival Roche won the amateur Paris–Roubaix, escaping with Dirk Demol and sprinting to victory on the track at Roubaix.", "Soon after his arrival Roche won the amateur Paris–Roubaix, escaping with Dirk Demol and sprinting to victory on the track at Roubaix. Roche was told by his directeur sportif that if he did not win he \"would be sent home to Ireland that day\". He also finished on the podium at the early-season Paris–Ezy road race and finished 14th overall in the Sealink International stage race which was won by Bob Downs.", "He also finished on the podium at the early-season Paris–Ezy road race and finished 14th overall in the Sealink International stage race which was won by Bob Downs. However, a knee injury caused by a poorly fitted shoe plate led to a disappointing ride in Moscow, where he finished 45th. However, on return to France, August to October saw Roche win 19 races. That led to a contract with the Peugeot professional cycling team for 1981.", "That led to a contract with the Peugeot professional cycling team for 1981. Professional career Roche scored his first professional victory by beating Bernard Hinault in the Tour of Corsica. Less than a month later he won Paris–Nice (where he became the first, and still the only, new pro to win Paris–Nice) despite illness following the descent from Mont Ventoux and finished his debut season with victories in the Tour de Corse, Circuit d'Indre-et-Loire and Étoile des Espoirs races with a second place behind Hinault in the Grand Prix des Nations.", "Less than a month later he won Paris–Nice (where he became the first, and still the only, new pro to win Paris–Nice) despite illness following the descent from Mont Ventoux and finished his debut season with victories in the Tour de Corse, Circuit d'Indre-et-Loire and Étoile des Espoirs races with a second place behind Hinault in the Grand Prix des Nations. In total, his debut yielded 10 victories.", "In total, his debut yielded 10 victories. In total, his debut yielded 10 victories. In 1982 his best performance was second in the Amstel Gold Race behind Jan Raas, but his rise continued in 1983 with victories in the Tour de Romandie, Grand Prix de Wallonie, Étoile des Espoirs and Paris–Bourges. In the 1983 Tour de France, Roche finished 13th and he finished the 1983 season with a bronze medal in the world cycling championship at Alterheim in Zurich.", "In the 1983 Tour de France, Roche finished 13th and he finished the 1983 season with a bronze medal in the world cycling championship at Alterheim in Zurich. In 1984, riding for La Redoute following contractual wrangles with Peugeot (the settlement of which led Roche to sport Peugeot shorts for two years before winning a court action against Vélo Club de Paris Peugeot) he repeated his Tour de Romandie win, won Nice-Alassio, Subida a Arrate and was second in Paris–Nice. He finished 25th in that year's Tour de France.", "He finished 25th in that year's Tour de France. In 1985, Roche won the Critérium International, the Route du Sud and came second in Paris–Nice and third in Liège–Bastogne–Liège. In the 1985 Tour de France Roche won stage 18 to the Aubisque and finished on the podium in 3rd position, 4 minutes and 29 seconds behind winner Bernard Hinault. Chronic knee injury In 1986 at a six-day event with UK professional Tony Doyle at Paris-Bercy, Roche crashed at speed and damaged his right knee.", "Chronic knee injury In 1986 at a six-day event with UK professional Tony Doyle at Paris-Bercy, Roche crashed at speed and damaged his right knee. This destroyed his 1986 season at new team with little to show other than second in a stage of the Giro. Roche finished the 1986 Tour de France 48th, 1h 32m behind Greg LeMond, a Tour that Roche described as like \"entering a dark tunnel\" of pain.", "Roche finished the 1986 Tour de France 48th, 1h 32m behind Greg LeMond, a Tour that Roche described as like \"entering a dark tunnel\" of pain. The injury and then associated back problems recurred throughout his career (for example in the 1989 Tour Roche abandoned after banging the problem knee on his handlebars) and a series of operations appeared to only address direct or consequential symptoms of the core injury. Later non-surgical intervention under Dr.Hans-Wilhelm Müller-Wohlfahrt in Munich made some difference but the injury required constant care.", "Later non-surgical intervention under Dr.Hans-Wilhelm Müller-Wohlfahrt in Munich made some difference but the injury required constant care. By the end of his career Roche was unable to compete at his best because of back problem which led to a loss of power in the left leg. In retirement he described riding the 1993 Tour de France \"just for fun\". He finished 13th, riding for Claudio Chiappucci). 1987 Triple Crown In 1987, Roche had a tremendous season.", "1987 Triple Crown In 1987, Roche had a tremendous season. In the spring, he won the Volta a la Comunitat Valenciana, taking a third victory in the Tour de Romandie and fourth place plus a stage win in Paris–Nice. He also finished second in Liège–Bastogne–Liège, the closest he got to winning a professional 'Monument' Classic. He blamed it on tactical naiveté and \"riding like an amateur\".", "He blamed it on tactical naiveté and \"riding like an amateur\". In the Giro d'Italia, Roche took three stage wins (including a team win with in the team time trial) en route to overall victory and became the first Giro victor from outside mainland Europe. Roche's stage wins that year in the Giro were stage 1b, the time trial downhill on the Poggio into San Remo and stage 22, a individual time trial into St. Vincent.", "Roche's stage wins that year in the Giro were stage 1b, the time trial downhill on the Poggio into San Remo and stage 22, a individual time trial into St. Vincent. Despite his stage wins, the race is remembered for the stage from Lido di Jesolo to Sappada, where Roche, contravening team orders, broke away alone early and despite being caught late in the race, had the strength to go with the counterattack and take the pink jersey from his teammate Roberto Visentini, who had been previously leading the classification.", "Despite his stage wins, the race is remembered for the stage from Lido di Jesolo to Sappada, where Roche, contravening team orders, broke away alone early and despite being caught late in the race, had the strength to go with the counterattack and take the pink jersey from his teammate Roberto Visentini, who had been previously leading the classification. His behaviour in the stage gained him the tifosi's hatred.", "His behaviour in the stage gained him the tifosi's hatred. It was said the only member of his team that Roche could rely on not to ride against him was his domestique Eddy Schepers, although Roche recruited Panasonic riders and old ACBB teammates Robert Millar and Australian Phil Anderson to protect him with Schepers on the Marmolada climb (a day known as the \"Marmolada Massacre\"). Roche finished the Giro exhausted but favourite for the Tour de France.", "Roche finished the Giro exhausted but favourite for the Tour de France. Following Bernard Hinault's retirement, Laurent Fignon's choppy form and with Greg LeMond injured following an accidental shooting while hunting, the 1987 Tour was open. It was also one of the most mountainous since the war, with 25 stages. Roche won the individual time trial stage 10 to Futuroscope and came second on stage 19.", "Roche won the individual time trial stage 10 to Futuroscope and came second on stage 19. On stage 21, crossing the Galibier and Madeleine and finishing at La Plagne, Roche attacked early, was away for several hours but was caught on the last climb. His nearest rival Pedro Delgado then attacked. Despite being almost one-and-a-half minutes in arrears midway up the last climb, Roche pulled the deficit back to 4 seconds. Roche collapsed and lost consciousness and was given oxygen.", "Roche collapsed and lost consciousness and was given oxygen. Roche collapsed and lost consciousness and was given oxygen. When asked when revived if he was okay, he replied \"Oui, mais pas de femme toute de suite\" (\"yes, but I am not ready for a woman straight away\").", "When asked when revived if he was okay, he replied \"Oui, mais pas de femme toute de suite\" (\"yes, but I am not ready for a woman straight away\"). The yellow jersey (worn by the leader of the general classification) changed hands several times with Charly Mottet, Roche, Jean François Bernard and Delgado all wearing it before Roche used the final time trial to overturn a half-minute gap and win the Tour by 40 seconds, which was at the time the second-narrowest margin (in 1968 Jan Janssen had beaten Herman Van Springel by 38 seconds; two years after Roche's victory, Greg LeMond beat Laurent Fignon by 8 seconds).", "The yellow jersey (worn by the leader of the general classification) changed hands several times with Charly Mottet, Roche, Jean François Bernard and Delgado all wearing it before Roche used the final time trial to overturn a half-minute gap and win the Tour by 40 seconds, which was at the time the second-narrowest margin (in 1968 Jan Janssen had beaten Herman Van Springel by 38 seconds; two years after Roche's victory, Greg LeMond beat Laurent Fignon by 8 seconds). Roche became only the fifth cyclist in history to win the Tour and the Giro in the same year.", "Roche became only the fifth cyclist in history to win the Tour and the Giro in the same year. He was also the only Irishman to win the Tour de France. Irish Taoiseach Charles Haughey joined Roche on the podium on the Champs-Élysées. Later that year, with victory at the World road race championship in Villach in Austria, Roche became only the second to win the Triple Crown of Cycling.", "Later that year, with victory at the World road race championship in Villach in Austria, Roche became only the second to win the Triple Crown of Cycling. Roche arrived with insufficient training although he worked during the 23-lap, undulating terrain for his teammate Sean Kelly and escaped in the race-winning break only while covering for his countryman.", "Roche arrived with insufficient training although he worked during the 23-lap, undulating terrain for his teammate Sean Kelly and escaped in the race-winning break only while covering for his countryman. With Moreno Argentin in the following group, Kelly did not chase and as the break slowed and jostling for position began for a sprint, Roche attacked from the finish and crossed the line with metres to spare. Victory in the season-long Super Prestige Pernod International competition was assured. Roche was given the freedom of Dublin in late September 1987.", "Roche was given the freedom of Dublin in late September 1987. Several days later the 1987 edition of the Nissan Classic began and Roche rode strongly to finish second behind Kelly. Post-1987 career At the close of 1987, Roche moved to Fagor MBK, bringing English riders Sean Yates and Malcolm Elliot, 1984 Tour de France King of the Mountains winner Robert Millar and domestique Eddy Schepers. The team was criticised for containing too many English speakers.", "The team was criticised for containing too many English speakers. The 1988 season began badly with a recurrence of the knee injury and Roche began a gradual decline. In 1989 he again took second in Paris–Nice (making four second places) and the Setmana Catalana de Ciclisme. Roche finished the 1989 Giro d'Italia ninth behind Laurent Fignon. During the 1989 Tour de France, Roche withdrew due to his knee. There were problems with his team in and he changed again.", "There were problems with his team in and he changed again. In 1990, racing for Histor Sigma, he won the Four Days of Dunkirk and 1991 riding for Roger De Vlaeminck's TonTon Tapis brought victories in the Setmana Catalana de Ciclisme and Critérium International. In the 1991 Tour de France, Roche missed the start for his team's Team time trial and was forced to withdraw due to controversially missing the time cut.", "In the 1991 Tour de France, Roche missed the start for his team's Team time trial and was forced to withdraw due to controversially missing the time cut. In the Grand Tours, he was ninth in the 1989 Giro, and won a stage of the 1992 Tour de France in appalling conditions into La Bourboule (again racing for but now in support of Claudio Chiappucci) and en route to a final ninth place.", "In the Grand Tours, he was ninth in the 1989 Giro, and won a stage of the 1992 Tour de France in appalling conditions into La Bourboule (again racing for but now in support of Claudio Chiappucci) and en route to a final ninth place. Riding the last edition of the Nissan Classic Tour of Ireland, Roche was in many breaks but finished fifth. A year later, he was again ninth in the 1993 Giro d'Italia and 13th in the 1993 Tour de France.", "A year later, he was again ninth in the 1993 Giro d'Italia and 13th in the 1993 Tour de France. Roche retired at the end of an anonymous 1993 which yielded a single win, in the post-Tour de France criterium at Chateau Chinon. Doping In May 1990, Paul Kimmage – a former professional and teammate of Roche at Fagor, as well as a fellow Dubliner – published an account of life in the peloton.", "Doping In May 1990, Paul Kimmage – a former professional and teammate of Roche at Fagor, as well as a fellow Dubliner – published an account of life in the peloton. His book Rough Ride exposed drug use apparently endemic in the peloton but spoke in fawning terms about Roche. Despite this, publication resulted in a threat of litigation from Roche.", "Despite this, publication resulted in a threat of litigation from Roche. It was reported in the Rome newspaper, La Repubblica, in January 2000 that Francesco Conconi, a professor at the University of Ferrara involved with administering erythropoietin (EPO) to riders on the Carrera team with which Roche had some of his best years, had provided riders including Roche with EPO. Roche denied the allegations. This was further reported in The Irish Times several days later, Roche again denying EPO.", "This was further reported in The Irish Times several days later, Roche again denying EPO. In March 2000 the Italian judge Franca Oliva published a report detailing the investigation into sports doctors including Conconi. This official judicial investigation unequivocally found that Roche was administered EPO in 1993, his last year in the peloton. Files from part of the investigation allegedly detail a number of aliases for Roche including Rocchi, Rossi, Rocca, Roncati, Righi and Rossini.", "Files from part of the investigation allegedly detail a number of aliases for Roche including Rocchi, Rossi, Rocca, Roncati, Righi and Rossini. In 2004 Judge Oliva again alleged that Roche had taken EPO during 1993 but due to the statute of limitations, neither Roche nor his teammates at Carrera would be prosecuted. Personal life Roche lives in Antibes on the Côte d'Azur. Roche remained involved in the sport by founding cycling camps in Majorca, by taking part in race organisations and working as a commentator on cycling events for Eurosport.", "Roche remained involved in the sport by founding cycling camps in Majorca, by taking part in race organisations and working as a commentator on cycling events for Eurosport. He has four children with his former wife Lydia; the couple divorced in 2004. One son, Nicolas Roche, was a professional until his retirement in 2021, and was the 2009 and 2016 Irish National Road Race Champion. Stephen's brother Lawrence Roche was also a professional cyclist who completed his only Tour de France in 1991.", "Stephen's brother Lawrence Roche was also a professional cyclist who completed his only Tour de France in 1991. They were teammates on the Tonton Tapis–GB team. Roche's nephew Dan Martin is also a professional cyclist with Israel Start-Up Nation, and was the 2008 Irish National Road Race Champion. Roche completed the 2008 ING New York Marathon in a time of 4:21:09. Advertisements Roche featured in a well-known Irish television advert for Galtee cheese in 1987, shortly after winning the Tour De France.", "Advertisements Roche featured in a well-known Irish television advert for Galtee cheese in 1987, shortly after winning the Tour De France. Career achievements Major results Main Source Amateur 1978 1st Road race, National Junior Road Championships 1st Isle of Man - Manx Viking Trophy 1979 1st Irish National Elite Cyclo-Cross Championships 1st Overall Rás Tailteann 1st Stages 2 & 9a 1980 1st Paris–Roubaix Espoirs 1st GP de France (ITT) 2nd Road race, National Road Championships 2nd Overall Route de France 2nd Paris-Mantes 2nd Grand Prix des Nations (amateurs) 3rd Paris – Ezy Source Professional 1981 1st Overall Paris–Nice 1st Stage 7b (ITT) 1st Overall Tour de Corse 1st Stage 2 1st Overall Étoile des Espoirs 1st Prologue 1st Stage 4b 1st Overall Tour d'Indre-et-Loire 1st Stage 3 1st Stage 7 (ITT) Tour de l'Avenir 2nd Grand Prix des Nations 2nd GP Monaco 3rd Critérium des As 3rd GP de Cannes 1982 2nd Amstel Gold Race 3rd Overall Four Days of Dunkirk 3rd Trofeo Baracchi 1983 1st Overall Tour de Romandie 1st Overall Étoile des Espoirs 1st Paris–Bourges 1st Grand Prix de Wallonie 2nd Tour du Haut Var 3rd Road race, UCI Road World Championships 3rd Overall Route du Sud 3rd GP Ouest–France 1984 1st Overall Tour de Romandie 1st Nice – Alassio 1st Subida a Arrate 2nd Overall Paris–Nice 1st Stage 6 2nd Overall Tour Méditerranéen 2nd Overall Tour de Picardie 3rd Overall Critérium International 3rd Grand Prix des Nations 1985 1st Overall Critérium International 1st Stage 3 (ITT) 1st Overall Tour Midi-Pyrénées 1st Stage 1a Critérium du Dauphiné Libéré 1st Prologue & Stage 9 (ITT) Tour of Ireland 1st Stages 3b & 4a 1st Bol d'or des Monédières 1st Critérium Loudéac 1st Critérium Les Ormes 2nd Overall Paris–Nice 1st Stage 7b (ITT) 3rd Overall Tour de France 1st Stage 18a 3rd Overall Tour Méditerranéen 3rd Liège–Bastogne–Liège 7th Road race, UCI Road World Championships 1986 2nd Cronostaffetta (TTT) 7th Trofeo Baracchi 1987 1st Road race, UCI Road World Championships 1st Overall Tour de France 1st Stages 2 (TTT) & 10 (ITT) 1st Overall Giro d'Italia 1st Combination classification 1st Stages 1b (ITT), 3 (TTT) & 22 (ITT) 1st Overall Tour de Romandie 1st Stages 5a & 5b (ITT) 1st Overall Volta a la Comunitat Valenciana 1st Stage 4 (ITT) 1st Stage 7b (ITT) Paris–Nice 1st Overall Super Prestige Pernod International 1st Critérium Dublin 1st Critérium Kortenhoef 1st Critérium Aalsmeer 2nd Overall Tour of Ireland 2nd Overall Critérium International 2nd Liège–Bastogne–Liège 1989 1st Overall Tour of the Basque Country 1st Stage 5b (ITT) 1st Stage 3a (ITT) Four Days of Dunkirk 2nd Overall Paris–Nice 1st Stage 7b (ITT) 3rd Overall Critérium International 9th Overall Giro d'Italia 1990 1st Overall Four Days of Dunkirk 1st Critérium Calais 2nd Overall Paris–Nice 1991 1st Overall Critérium International 1st Overall Setmana Catalana de Ciclisme 1st Critérium Brioude 1992 2nd Giro del Piemonte 2nd Critérium Vouneuil-sous-Biard 3rd Bol d'or des Monédières 9th Overall Tour de France 1st Stage 16 1993 1st Critérium Chateau-Chinon-Ville 9th Overall Giro d'Italia General classification results timeline References Further reading External links Official Tour de France results for Stephen Roche Stephen Roche's Cycling Camp in Majorca Stephen Roche's Charity Cycling Race Irish male cyclists Tour de France winners Irish Tour de France stage winners Giro d'Italia winners Irish Giro d'Italia stage winners UCI Road World Champions (elite men) Olympic cyclists of Ireland Cyclists at the 1980 Summer Olympics Doping cases in cycling Sportspeople from County Dublin 1959 births Living people Cycling announcers Alumni of Dublin Institute of Technology Irish expatriates in France RTÉ Sports Person of the Year winners People from Dundrum, Dublin Super Prestige Pernod winners" ]

[ "Women in Syria", "History" ]

[ "Al-Qubaysiat, or Al-Qubaisiat (القبيسيات), is an Islamic women's organisation established in the early 1960s, based in Damascus-Syria, founded and led by Sheykha Munira al-Qubaysi in Syria.\n\nThe Qubaysi group is for women only and is an active part of Syria's Islamic revivalist movement. The group calls for an apolitical Islam. It aims at teaching Syrian young women and girls the Quran, al-Hadith (الحديث النبوي), Tafsir and Islamic values and traditions. It organizes religious lessons in homes and has been instrumental in spreading religious sentiment among young women. Since its early days, the movement has operated semi-openly until it was recognized by Syrian state under Bashar al-Asad government in 2003 and was allowed to openly operate its activities from official mosques.\n\nHistory\nThe activities of the Qubaysiat women started in the early 1960. Munira al-Qubaysi منيرة القبيسي the founder of group, is a certified school teacher in natural sciences. After graduation she was appointed as a teacher in various schools in Damascus. Her position as a school teacher enabled her to combine her education work with Islamic preaching. These preaching activities were the reason for her imprisonment a couple of time during the early 1960s. After Hama massacre of 1982 the group was forced to clandestinely carry out its preaching activities until 2003. The group has greatly benefited from the change in the Syrian government's policies towards Islamic revival in the Syrian society. First, Bashar al-Assad removed the law that forbids girls to wear hijab at public schools, then he recognized al-Qubaysiat and called them to openly carry out their activities in public mosques.\n\nIdeology\n\nThere is controversy surrounding the ideology of the group. Some claim that the group is influenced by the Sufi ideology of the Kuftariya Naqshbandiya order. The basis for this assumption is the fact that Munira al-Qubaysi herself was a discipline of Sheykh Ahmad Kuftaro. Also, the nature of the group's work has a Sufi characteristic; it calls for elevating religious and moral consciousness of society by stimulating individual's ethical habits and behavior. The other assumption is that al-Qubaysiat ideology is influenced by Baathism since some members of their groups are sisters and daughters of the Baath Party. This assumption is rather strong since the Group assumed Baathi posts after the 2011 Revolution.\n\nOrganization\n\nLike all Sufi orders, the group has a hierarchical organization. Women are distributed among various ranks within the organization. A rank of a member of the group is known by the color of her Hijab. Members of the group are often identified by their distinctive style of dress, a hijab tied with a large knot under the chin, buttoned overcoats coming down the mid-shin level. White hijab is worn by newly recruited members or members with a low degree of commitment to the group's activities. Light blue hijab is worn by members who have been upgraded and are in the middle rank. Besides working of recruiting new girls to the group, members of this rank are entitled with organizational and educational tasks. Organizational tasks range between organizing events and arranging meeting places. Educational tasks are mainly about reciting the Quran and the Sunna with young members of the group. Dark blue hijab is given for active and senior members; these members are entrusted with the task of teaching and preaching more sophisticated texts such as Fiqh, Shareea laws.\n\nReferences\n\nExternal links\n Islamic Revival in Syria Is Led by Women, New York Times 29 August 2006\n \"القبيسيات\" حركة إسلامية نسائية غامضة عضواتها يزدن عن 70 ألفا, Alarabiya, 1 November 2010\n https://www.nytimes.com/ref/world/middleeast/29syria.html, Islamic Revival in Syria Is Led by Women, New York Times, \n Islamic Revival Led by Women Tests Syria's Secular Identity, 3 September 2006\n http://carnegieendowment.org/sada/2013/04/25/rise-of-syrian-sisterhood/g187, The Rise of the Systerhoods, Carnegie Endowment for International Peace, Sada, 25 April 2013\nLine Khatib, Islamic Revival in Syria, The rise and fall of Ba'this secularism.\n\nIslam in Syria\nSufism in Asia", "Najah Al-Attar (; born 10 January 1933) is the Vice President of Syria, in office since 2006. She is the first Arab woman to have held the post. Previously she was Minister of Culture from 1976 to 2000.\n\nEarly life and education\nAttar was born on 10 January 1933 and raised in Damascus as a member of a Sunni Muslim family. Her father was among the first Arab nationalist leaders who took part in the 1925-1927 Syrian revolt against the French Mandate of Syria. She studied at the University of Damascus, graduating in 1954, and obtained a PhD in Arabic literature from the University of Edinburgh in the United Kingdom in 1958. She also received a number of certificates then in international relations and in literary and art criticism.\n\nCareer\nAttar is an accomplished translator and started teaching in high schools within Damascus after her return from Scotland, then worked in the Department of Translation of the Syrian Ministry of Culture. In 1976, she was appointed as Minister of Culture, serving in that post until 2000. On 23 March 2006, she was appointed as Vice President.\n\nPolitical alignment\nAlthough Attar is Vice President and served as a long-term minister in Syria, a state largely controlled by the secular Ba'ath Party, her brother, Issam al-Attar, is the leader of the Damascus faction of the Syrian Muslim Brotherhood and has lived in exile in Aachen, West Germany since the 1970s, which saw a government persecution of various Islamist political movements.\n\nReferences\n\n1933 births\nLiving people\nDamascus University alumni\nAlumni of the University of Edinburgh\nVice presidents of Syria\nSyrian ministers of culture\nArab Socialist Ba'ath Party – Syria Region politicians\nSyrian Sunni Muslims\nWomen government ministers of Syria\n20th-century Syrian women politicians\n21st-century Syrian women politicians\n21st-century Syrian politicians\nWomen vice presidents" ]

[ "Women in Syria constitute 49.4% of Syria's population, and are active participants not only in everyday life, but also in the socio-political fields. History In the 20th century a movement for women's rights developed in Syria, made up largely of upper-class, educated women. In 1919, Naziq al-Abid founded Noor al-Fayha (Light of Damascus), the city's first women's organization, alongside an affiliated publication of the same name.", "In 1919, Naziq al-Abid founded Noor al-Fayha (Light of Damascus), the city's first women's organization, alongside an affiliated publication of the same name. She was made an honorary general of the Syrian Army after fighting in the Battle of Maysaloun, and in 1922 she founded the Syrian Red Crescent.", "She was made an honorary general of the Syrian Army after fighting in the Battle of Maysaloun, and in 1922 she founded the Syrian Red Crescent. In 1928 Lebanese-Syrian feminist Nazira Zain al-Din, one of the first people to critically reinterpret the Quran from a feminist perspective, published a book condemning the practice of veiling or hijab, arguing that Islam requires women to be treated equally with men. In 1930, the First Eastern Women's Congress was hosted in Damascus.", "In 1930, the First Eastern Women's Congress was hosted in Damascus. In 1963 the Ba'ath Party took power in Syria, and pledged full equality between women and men as well as full workforce participation for women. In 1967 Syrian women formed a quasi-governmental organization called the General Union of Syrian Women (GUSW), a coalition of women's welfare societies, educational associations, and voluntary councils intended to achieve equal opportunity for women in Syria.", "In 1967 Syrian women formed a quasi-governmental organization called the General Union of Syrian Women (GUSW), a coalition of women's welfare societies, educational associations, and voluntary councils intended to achieve equal opportunity for women in Syria. The year 2011 marked the beginning of the Syrian Civil War, where many civilians have fallen victim to attacks targeted at hospitals, schools, and infrastructure. Extremist rebel groups, such as Jabhat al-Nusra and ISIS, have enforced strict policies restricting freedoms of women in territories they control.", "Extremist rebel groups, such as Jabhat al-Nusra and ISIS, have enforced strict policies restricting freedoms of women in territories they control. After the outbreak of civil war, some Syrian women have joined all-female brigade units in the Syrian Arab Army, the Democratic Union Party, and the Islamic State of Iraq and the Levant, taking on roles such as snipers, frontline units, or police.", "After the outbreak of civil war, some Syrian women have joined all-female brigade units in the Syrian Arab Army, the Democratic Union Party, and the Islamic State of Iraq and the Levant, taking on roles such as snipers, frontline units, or police. Legal rights While Syria has developed some fairly secular features during independence in the second half of the 20th century, personal status law is still based on Sharia and applied by Sharia Courts. Syria has a dual legal system which includes both secular and religious courts.", "Syria has a dual legal system which includes both secular and religious courts. Marriage contracts are between the groom and the bride's father, and Syrian law does not recognize the concept of marital rape. Syrian women are legally allowed to participate in everyday life, although they are not guaranteed a spot in being part of political, social, cultural and economic categories. The legal marriage for females in Syria is seventeen years old and eighteen for males.", "The legal marriage for females in Syria is seventeen years old and eighteen for males. Women are technically allowed to have a say in what the agreements are between them and the groom. Although, since this contract has to be signed by the groom and the male guardian of the bride, her wishes are rarely met. On the other hand, of marriage, the divorce laws are unique in Syria.", "On the other hand, of marriage, the divorce laws are unique in Syria. Women are in fact allowed to file for divorce except it is a long drawn out process and she must get consent from her husband. There are some circumstances in which the woman can apply for a divorce through the judicial system. In order to do this, she must prove that her husband has abused her or neglected his other duties as a husband.", "In order to do this, she must prove that her husband has abused her or neglected his other duties as a husband. If a man wants to divorce a woman, all he has to do is go to court and orally demand a divorce three times, then the court will order him a divorce. Education The early schooling in Syria starts at six years old and ends at the age of eighteen. In Syrian universities, women and men attend the same classes.", "In Syrian universities, women and men attend the same classes. Between 1970 and the late 1990s, the female population in schools dramatically increased. This increase included the early school years, along with the upper-level schools such as universities and higher education. Although the number of women has increased, there are still ninety five women to every one hundred men. Although many women start going to school, the dropout rate for women is much higher than for men.", "Although many women start going to school, the dropout rate for women is much higher than for men. The literacy rate for women is 74.2 percent and 91 percent for men. The rate of females over 25 with secondary education is 29.0 percent. Politics In Syria, women in Syria were first allowed to vote and received universal suffrage in 1953. In the 1950s, Thuraya Al-Hafez ran for Parliament, but was not elected. By 1971, women held four out of the 173 seats.", "By 1971, women held four out of the 173 seats. The current president of Syria is a male. There are also two vice presidents (including female vice president Najah al-Attar since 2006), a prime minister and a cabinet. As of 2012, in the national parliament men held 88% of the seats while women held 12%. The Syrian Parliament was previously led by female Speaker Hadiya Khalaf Abbas, the first woman to have held that position. President Assad's political and media adviser is Bouthaina Shaaban.", "President Assad's political and media adviser is Bouthaina Shaaban. Shaaban served as the first Minister of Expatriates for the Syrian Arab Republic, between 2003 and 2008, and she has been described as the Syrian government's face to the outside world. Of the civil society representatives among the 150 members of the Syrian Constitutional Committee, which was assembled in 2019 by the Syria Envoy of the United Nations, Syrian women comprise around 30%.", "Of the civil society representatives among the 150 members of the Syrian Constitutional Committee, which was assembled in 2019 by the Syria Envoy of the United Nations, Syrian women comprise around 30%. Several renowned Syrian women, such as academic Bassma Kodmani, Sabah Hallak of the Syrian Women's League, the law professor Amal Yazji or the judge Iman Shahoud, sit on the committee's influential 'Small' or Drafting Body.", "Several renowned Syrian women, such as academic Bassma Kodmani, Sabah Hallak of the Syrian Women's League, the law professor Amal Yazji or the judge Iman Shahoud, sit on the committee's influential 'Small' or Drafting Body. Role in economy and in the military In 1989 the Syrian government passed a law requiring factories and public institutions to provide on-site childcare. However, women's involvement in the workforce is low; according to World Bank, as of 2014, women made up 16.4% of the labor force.", "However, women's involvement in the workforce is low; according to World Bank, as of 2014, women made up 16.4% of the labor force. Women are not conscripted in the military, but may serve voluntarily. The female militias of Syria are trained to fight for the Syrian president, Bashar al-Assad. A video was found dating back to the 1980s with female soldiers showing their pride and protectiveness toward Assad's father.", "A video was found dating back to the 1980s with female soldiers showing their pride and protectiveness toward Assad's father. \"Because women are rarely involved in the armed side of the revolution, they are much less likely to get stopped, searched, or hassled at government checkpoints. This has proved crucial in distributing humanitarian aid throughout Syria.\" Women's health Between 2010 and 2015, the average life expectancy at birth for women in Syria is 77.7 years, compared with 74.5 years for men.", "Women's health Between 2010 and 2015, the average life expectancy at birth for women in Syria is 77.7 years, compared with 74.5 years for men. Impact of the conflict on Syria's women Since the conflict erupted in 2011, women in Syria, namely in conflict zones, have been facing violence, sexual assault, forced displacement, detension, domestic violence, child marriage and other violations of their rights. During the years of conflict, insecurity and the economic collapse significantly increased the vulnerability of women and girls.", "During the years of conflict, insecurity and the economic collapse significantly increased the vulnerability of women and girls. In addition, many girls were left without schooling or access to healthcare services. The enrolment rate for primary education was 61% in 2013, with 61.1% of the total number being female, while for secondary education, the rate was 44% in 2013 - 43.8% for female.", "The enrolment rate for primary education was 61% in 2013, with 61.1% of the total number being female, while for secondary education, the rate was 44% in 2013 - 43.8% for female. In 2015, the United Nations gathered evidence of systematic sexual assault of women and girls by combatants in Syria, and this was escalated by the Islamic State (ISIL) and other terrorist organizations.", "In 2015, the United Nations gathered evidence of systematic sexual assault of women and girls by combatants in Syria, and this was escalated by the Islamic State (ISIL) and other terrorist organizations. Crime against women Honor killings Honor killings take place in Syria in situations where women are deemed to have brought shame to the family, affecting the family's 'reputation' in the community. Some estimates suggest that more than 200 honor killings occur every year in Syria.", "Some estimates suggest that more than 200 honor killings occur every year in Syria. Forced and child marriage The conflict in Syria has led to an increase in child marriages. The harsh living conditions, the insecurity, and the fear of rape, have led families to force their daughters into early marriages. As a result of early marriage, many girls in Syria are forbidden from completing their studies because when a girl is married she is only expected to be a good wife and a good mother as well.", "As a result of early marriage, many girls in Syria are forbidden from completing their studies because when a girl is married she is only expected to be a good wife and a good mother as well. Child marriage can influence physical and mental health badly. Physical damage can be related to child bearing specially for women under 18 years old and the possibility for not being able to give birth later in life, and in extreme cases it can lead to death.", "Physical damage can be related to child bearing specially for women under 18 years old and the possibility for not being able to give birth later in life, and in extreme cases it can lead to death. Psychological factors can be defined as difficulties in interacting with the husband or not having enough awareness about marriage life and its responsibilities.", "Psychological factors can be defined as difficulties in interacting with the husband or not having enough awareness about marriage life and its responsibilities. Domestic Violence A study covering the low-income women in Aleppo, an area where domestic abuse is more likely due to the tribal nature of the area, shows that physical abuse (battering at least 3 times in the last year) was found in 23% of the investigated women in 2003, 26% amongst married women.", "Domestic Violence A study covering the low-income women in Aleppo, an area where domestic abuse is more likely due to the tribal nature of the area, shows that physical abuse (battering at least 3 times in the last year) was found in 23% of the investigated women in 2003, 26% amongst married women. Regular abuse (battering at least once weekly) was found in 3.3% of married women, with no regular abused reported by non-married women.", "Regular abuse (battering at least once weekly) was found in 3.3% of married women, with no regular abused reported by non-married women. The prevalence of physical abuse amongst country residents was 44.3% compared to 18.8% amongst city residents. In most cases (87.4%) the abuse was inflicted by the husband, and in 9.5% of cases, the abuse was inflicted by more than one person.", "In most cases (87.4%) the abuse was inflicted by the husband, and in 9.5% of cases, the abuse was inflicted by more than one person. Correlates of physical abuse were women's education, religion, age, marital status, economic status, mental distress, smoking and residence.", "Correlates of physical abuse were women's education, religion, age, marital status, economic status, mental distress, smoking and residence. Federation of Northern Syria - Rojava With the Syrian Civil War, the Kurdish populated area in Northern Syria has gained de facto autonomy as the Federation of Northern Syria - Rojava, with the leading political actor being the progressive Democratic Union Party (PYD).", "Federation of Northern Syria - Rojava With the Syrian Civil War, the Kurdish populated area in Northern Syria has gained de facto autonomy as the Federation of Northern Syria - Rojava, with the leading political actor being the progressive Democratic Union Party (PYD). Kurdish women have several armed and non-armed organizations in Rojava, and enhancing women's rights is a major focus of the political and societal agenda.", "Kurdish women have several armed and non-armed organizations in Rojava, and enhancing women's rights is a major focus of the political and societal agenda. Kurdish female fighters in the Women's Protection Units (YPJ) played a key role during the Siege of Kobani and in rescuing Yazidis trapped on Mount Sinjar, and their achievements have attracted international attention as a rare example of strong female achievement in a region in which women are heavily repressed.", "Kurdish female fighters in the Women's Protection Units (YPJ) played a key role during the Siege of Kobani and in rescuing Yazidis trapped on Mount Sinjar, and their achievements have attracted international attention as a rare example of strong female achievement in a region in which women are heavily repressed. The civil laws of Syria are valid in Rojava, as far as they do not conflict with the Constitution of Rojava.", "The civil laws of Syria are valid in Rojava, as far as they do not conflict with the Constitution of Rojava. One notable example for amendment is personal status law, in Syria still Sharia-based, where Rojava introduced civil law and proclaims absolute equality of women under the law and a ban on forced marriage as well as polygamy was introduced, while underage marriage was outlawed as well.", "One notable example for amendment is personal status law, in Syria still Sharia-based, where Rojava introduced civil law and proclaims absolute equality of women under the law and a ban on forced marriage as well as polygamy was introduced, while underage marriage was outlawed as well. For the first time in Syrian history, civil marriage is being allowed and promoted, a significant move towards a secular open society and intermarriage between people of different religious backgrounds.", "For the first time in Syrian history, civil marriage is being allowed and promoted, a significant move towards a secular open society and intermarriage between people of different religious backgrounds. The legal efforts to reduce cases of underage marriage, polygamy and honor killings are underpinned by comprehensive public awareness campaigns. In every town and village, a women's house is established. These are community centers run by women, providing services to survivors of domestic violence, sexual assault and other forms of harm.", "These are community centers run by women, providing services to survivors of domestic violence, sexual assault and other forms of harm. These services include counseling, family mediation, legal support, and coordinating safe houses for women and children. Classes on economic independence and social empowerment programs are also held at women's houses. All administrative organs in Rojava are required to have male and female co-chairs, and forty percent of the members of any governing body in Rojava must be female.", "All administrative organs in Rojava are required to have male and female co-chairs, and forty percent of the members of any governing body in Rojava must be female. An estimated 25 percent of the Asayish police force of the Rojava cantons are women, and joining the Asayish is described in international media as a huge act of personal and societal liberation from an extremely patriarchical background, for ethnic Kurdish and ethnic Arab women alike.", "An estimated 25 percent of the Asayish police force of the Rojava cantons are women, and joining the Asayish is described in international media as a huge act of personal and societal liberation from an extremely patriarchical background, for ethnic Kurdish and ethnic Arab women alike. The PYD's political agenda of \"trying to break the honor-based religious and tribal rules that confine women\" is controversial in conservative quarters of society. Notable women Hadiya Khalaf Abbas, Speaker of the People's Council of Syria (since 2016).", "Notable women Hadiya Khalaf Abbas, Speaker of the People's Council of Syria (since 2016). Asya Abdullah is the co-chairwoman of the Democratic Union Party (PYD), the leading political party in Rojava. Asma al-Assad, the First Lady of Syria and the wife of the current President Assad Najah al-Attar, Vice President of Syria (since 2006). Randa Kassis, President of The Astana Platform of the Syrian opposition. Suheir Atassi, Vice President of the opposition government.", "Suheir Atassi, Vice President of the opposition government. Suheir Atassi, Vice President of the opposition government. Samar Al Dayyoub, literary critic and writer Khawla Dunia, opposition activist and poet Îlham Ehmed is co-chairwoman of the Syrian Democratic Council. Hêvî Îbrahîm is the prime minister of Afrin Canton. Samira Khalil, dissident Ulfat Idilbi, best-selling Arabic-language novelist. Assala Nasri is a musical artist Souad Nawfal, opposition activist and schoolteacher.", "Assala Nasri is a musical artist Souad Nawfal, opposition activist and schoolteacher. Rasha Omran, poet Bouthaina Shaaban, Bashar al-Assad's political adviser and previous Minister of Expatriates Muna Wassef, theater, television, and film actress. Hediya Yousef is an ex-guerilla and co-chairwoman of the executive committee of the Federation of Northern Syria – Rojava. Razan Zaitouneh, human rights lawyer and activist. References External links Survey: Discrimination against Women in Syrian Society (I/II).", "References External links Survey: Discrimination against Women in Syrian Society (I/II). Awareness of Women Rights and Freedoms, The Day After Association, August 2017 Survey: Discrimination Against Women in Syrian Society (II/II): Perception of Domestic Violence, The Day After Association, August 2017 Asian women" ]

[ "Women in Syria", "History", "What is the history of women in Syria?", "1919, Naziq al-Abid founded Noor al-Fayha (Light of Damascus), the city's first women's organization, alongside an affiliated publication of the same name." ]

[ "\"Anybody (Movin' On)\" is a song recorded by German band Masterboy and was released in September 1995, as the second single from their fourth album, Generation of Love. It achieved success in several countries, particularly in Finland, where it peaked at number 8, and in Austria, Belgium and France, where it peaked within the top-20. The song was also a top-30 hit in Germany, Sweden and Switzerland. On the Eurochart Hot 100, it reached a respectable number 37. Outside Europe, it was a huge hit in Israel, peaking at number 5.\n\nCritical reception\nRoss Jones from The Guardian wrote, \"It's made in Germany, it's got a bouncy bassline, you can virtually smell the dry ice whooshing over its keyboards, and it asks you to \"Shake your body to the groove\" in a steely voice.\" Music Week rated the song three out of five, adding, \"German house-poppers Masterboy hope to repeat their European successes in the Uk with this slice of infectious dancefloor fodder, though the Europop bubble does seem to have burst.\"\n\nMusic video\nThe music video for \"Anybody (Movin' On)\" was directed by German film director Gregor Schnitzler.\n\nTrack listings\n CD maxi \n \"Anybody (Movin' On)\" (Friends Radio Edit) - 3:52\n \"Anybody (Movin' On)\" (Midnight Radio Edit) - 3:25\n \"Anybody (Movin' On)\" (Friends Mix) - 6:35\n \"Anybody (Movin' On)\" (Midnight Mix) - 5:30\n \"Anybody (Movin' On)\" (Midnight Mix-Rapless Version) - 5:30\n \"Anybody (Movin' On)\" (Instrumental) - 6:35\n\t\t\t\t\n CD maxi - Remixes\n \"Anybody (Movin' On)\" (Felix J. Gauder Radio RMX) - 4:07\n \"Anybody (Movin' On)\" (Felix J. Gauder Radio Rapless RMX) - 3:49\n \"Anybody (Movin' On)\" (Felix J. Gauder RMX) - 6:23\n \"Anybody (Movin' On)\" (La Casa Di Tokapi RMX) - 5:26\n \"Anybody (Movin' On)\" (Felix J. Gauder Rapless RMX) - 5:53\n \"Anybody (Movin' On)\" (Tokapi's Club Dub) - 5:20\n \"Anybody (Movin' On)\" (Neon Rave RMX)\t- 5:08\n\nCharts\n\nReferences\n\n1996 singles\n1996 songs\nMasterboy songs\nPolydor Records singles", "The Republic of Zakopane (or Commonwealth of Zakopane; ) refers to an area in Galicia centered on the city of Zakopane that created its own parliament (\"National Organisation\") on October 13, 1918. The parliament's principal goal was to join an independent state of Poland. On October 30, the Organisation officially declared its independence from Austria-Hungary and, two days later, made itself a \"National Council\". This was eventually disestablished on November 16 when the Polish Liquidation Committee took control of Galicia.\n\nThe Republic's only president was the Polish writer Stefan Żeromski.\n\nSee also\nGoralenvolk\n\nReferences\n\n \n\nZakopane\nFormer Slavic countries\nStates and territories established in 1918\nStates and territories disestablished in 1918\nZakopane" ]

[ "Women in Syria constitute 49.4% of Syria's population, and are active participants not only in everyday life, but also in the socio-political fields. History In the 20th century a movement for women's rights developed in Syria, made up largely of upper-class, educated women. In 1919, Naziq al-Abid founded Noor al-Fayha (Light of Damascus), the city's first women's organization, alongside an affiliated publication of the same name.", "In 1919, Naziq al-Abid founded Noor al-Fayha (Light of Damascus), the city's first women's organization, alongside an affiliated publication of the same name. She was made an honorary general of the Syrian Army after fighting in the Battle of Maysaloun, and in 1922 she founded the Syrian Red Crescent.", "She was made an honorary general of the Syrian Army after fighting in the Battle of Maysaloun, and in 1922 she founded the Syrian Red Crescent. In 1928 Lebanese-Syrian feminist Nazira Zain al-Din, one of the first people to critically reinterpret the Quran from a feminist perspective, published a book condemning the practice of veiling or hijab, arguing that Islam requires women to be treated equally with men. In 1930, the First Eastern Women's Congress was hosted in Damascus.", "In 1930, the First Eastern Women's Congress was hosted in Damascus. In 1963 the Ba'ath Party took power in Syria, and pledged full equality between women and men as well as full workforce participation for women. In 1967 Syrian women formed a quasi-governmental organization called the General Union of Syrian Women (GUSW), a coalition of women's welfare societies, educational associations, and voluntary councils intended to achieve equal opportunity for women in Syria.", "In 1967 Syrian women formed a quasi-governmental organization called the General Union of Syrian Women (GUSW), a coalition of women's welfare societies, educational associations, and voluntary councils intended to achieve equal opportunity for women in Syria. The year 2011 marked the beginning of the Syrian Civil War, where many civilians have fallen victim to attacks targeted at hospitals, schools, and infrastructure. Extremist rebel groups, such as Jabhat al-Nusra and ISIS, have enforced strict policies restricting freedoms of women in territories they control.", "Extremist rebel groups, such as Jabhat al-Nusra and ISIS, have enforced strict policies restricting freedoms of women in territories they control. After the outbreak of civil war, some Syrian women have joined all-female brigade units in the Syrian Arab Army, the Democratic Union Party, and the Islamic State of Iraq and the Levant, taking on roles such as snipers, frontline units, or police.", "After the outbreak of civil war, some Syrian women have joined all-female brigade units in the Syrian Arab Army, the Democratic Union Party, and the Islamic State of Iraq and the Levant, taking on roles such as snipers, frontline units, or police. Legal rights While Syria has developed some fairly secular features during independence in the second half of the 20th century, personal status law is still based on Sharia and applied by Sharia Courts. Syria has a dual legal system which includes both secular and religious courts.", "Syria has a dual legal system which includes both secular and religious courts. Marriage contracts are between the groom and the bride's father, and Syrian law does not recognize the concept of marital rape. Syrian women are legally allowed to participate in everyday life, although they are not guaranteed a spot in being part of political, social, cultural and economic categories. The legal marriage for females in Syria is seventeen years old and eighteen for males.", "The legal marriage for females in Syria is seventeen years old and eighteen for males. Women are technically allowed to have a say in what the agreements are between them and the groom. Although, since this contract has to be signed by the groom and the male guardian of the bride, her wishes are rarely met. On the other hand, of marriage, the divorce laws are unique in Syria.", "On the other hand, of marriage, the divorce laws are unique in Syria. Women are in fact allowed to file for divorce except it is a long drawn out process and she must get consent from her husband. There are some circumstances in which the woman can apply for a divorce through the judicial system. In order to do this, she must prove that her husband has abused her or neglected his other duties as a husband.", "In order to do this, she must prove that her husband has abused her or neglected his other duties as a husband. If a man wants to divorce a woman, all he has to do is go to court and orally demand a divorce three times, then the court will order him a divorce. Education The early schooling in Syria starts at six years old and ends at the age of eighteen. In Syrian universities, women and men attend the same classes.", "In Syrian universities, women and men attend the same classes. Between 1970 and the late 1990s, the female population in schools dramatically increased. This increase included the early school years, along with the upper-level schools such as universities and higher education. Although the number of women has increased, there are still ninety five women to every one hundred men. Although many women start going to school, the dropout rate for women is much higher than for men.", "Although many women start going to school, the dropout rate for women is much higher than for men. The literacy rate for women is 74.2 percent and 91 percent for men. The rate of females over 25 with secondary education is 29.0 percent. Politics In Syria, women in Syria were first allowed to vote and received universal suffrage in 1953. In the 1950s, Thuraya Al-Hafez ran for Parliament, but was not elected. By 1971, women held four out of the 173 seats.", "By 1971, women held four out of the 173 seats. The current president of Syria is a male. There are also two vice presidents (including female vice president Najah al-Attar since 2006), a prime minister and a cabinet. As of 2012, in the national parliament men held 88% of the seats while women held 12%. The Syrian Parliament was previously led by female Speaker Hadiya Khalaf Abbas, the first woman to have held that position. President Assad's political and media adviser is Bouthaina Shaaban.", "President Assad's political and media adviser is Bouthaina Shaaban. Shaaban served as the first Minister of Expatriates for the Syrian Arab Republic, between 2003 and 2008, and she has been described as the Syrian government's face to the outside world. Of the civil society representatives among the 150 members of the Syrian Constitutional Committee, which was assembled in 2019 by the Syria Envoy of the United Nations, Syrian women comprise around 30%.", "Of the civil society representatives among the 150 members of the Syrian Constitutional Committee, which was assembled in 2019 by the Syria Envoy of the United Nations, Syrian women comprise around 30%. Several renowned Syrian women, such as academic Bassma Kodmani, Sabah Hallak of the Syrian Women's League, the law professor Amal Yazji or the judge Iman Shahoud, sit on the committee's influential 'Small' or Drafting Body.", "Several renowned Syrian women, such as academic Bassma Kodmani, Sabah Hallak of the Syrian Women's League, the law professor Amal Yazji or the judge Iman Shahoud, sit on the committee's influential 'Small' or Drafting Body. Role in economy and in the military In 1989 the Syrian government passed a law requiring factories and public institutions to provide on-site childcare. However, women's involvement in the workforce is low; according to World Bank, as of 2014, women made up 16.4% of the labor force.", "However, women's involvement in the workforce is low; according to World Bank, as of 2014, women made up 16.4% of the labor force. Women are not conscripted in the military, but may serve voluntarily. The female militias of Syria are trained to fight for the Syrian president, Bashar al-Assad. A video was found dating back to the 1980s with female soldiers showing their pride and protectiveness toward Assad's father.", "A video was found dating back to the 1980s with female soldiers showing their pride and protectiveness toward Assad's father. \"Because women are rarely involved in the armed side of the revolution, they are much less likely to get stopped, searched, or hassled at government checkpoints. This has proved crucial in distributing humanitarian aid throughout Syria.\" Women's health Between 2010 and 2015, the average life expectancy at birth for women in Syria is 77.7 years, compared with 74.5 years for men.", "Women's health Between 2010 and 2015, the average life expectancy at birth for women in Syria is 77.7 years, compared with 74.5 years for men. Impact of the conflict on Syria's women Since the conflict erupted in 2011, women in Syria, namely in conflict zones, have been facing violence, sexual assault, forced displacement, detension, domestic violence, child marriage and other violations of their rights. During the years of conflict, insecurity and the economic collapse significantly increased the vulnerability of women and girls.", "During the years of conflict, insecurity and the economic collapse significantly increased the vulnerability of women and girls. In addition, many girls were left without schooling or access to healthcare services. The enrolment rate for primary education was 61% in 2013, with 61.1% of the total number being female, while for secondary education, the rate was 44% in 2013 - 43.8% for female.", "The enrolment rate for primary education was 61% in 2013, with 61.1% of the total number being female, while for secondary education, the rate was 44% in 2013 - 43.8% for female. In 2015, the United Nations gathered evidence of systematic sexual assault of women and girls by combatants in Syria, and this was escalated by the Islamic State (ISIL) and other terrorist organizations.", "In 2015, the United Nations gathered evidence of systematic sexual assault of women and girls by combatants in Syria, and this was escalated by the Islamic State (ISIL) and other terrorist organizations. Crime against women Honor killings Honor killings take place in Syria in situations where women are deemed to have brought shame to the family, affecting the family's 'reputation' in the community. Some estimates suggest that more than 200 honor killings occur every year in Syria.", "Some estimates suggest that more than 200 honor killings occur every year in Syria. Forced and child marriage The conflict in Syria has led to an increase in child marriages. The harsh living conditions, the insecurity, and the fear of rape, have led families to force their daughters into early marriages. As a result of early marriage, many girls in Syria are forbidden from completing their studies because when a girl is married she is only expected to be a good wife and a good mother as well.", "As a result of early marriage, many girls in Syria are forbidden from completing their studies because when a girl is married she is only expected to be a good wife and a good mother as well. Child marriage can influence physical and mental health badly. Physical damage can be related to child bearing specially for women under 18 years old and the possibility for not being able to give birth later in life, and in extreme cases it can lead to death.", "Physical damage can be related to child bearing specially for women under 18 years old and the possibility for not being able to give birth later in life, and in extreme cases it can lead to death. Psychological factors can be defined as difficulties in interacting with the husband or not having enough awareness about marriage life and its responsibilities.", "Psychological factors can be defined as difficulties in interacting with the husband or not having enough awareness about marriage life and its responsibilities. Domestic Violence A study covering the low-income women in Aleppo, an area where domestic abuse is more likely due to the tribal nature of the area, shows that physical abuse (battering at least 3 times in the last year) was found in 23% of the investigated women in 2003, 26% amongst married women.", "Domestic Violence A study covering the low-income women in Aleppo, an area where domestic abuse is more likely due to the tribal nature of the area, shows that physical abuse (battering at least 3 times in the last year) was found in 23% of the investigated women in 2003, 26% amongst married women. Regular abuse (battering at least once weekly) was found in 3.3% of married women, with no regular abused reported by non-married women.", "Regular abuse (battering at least once weekly) was found in 3.3% of married women, with no regular abused reported by non-married women. The prevalence of physical abuse amongst country residents was 44.3% compared to 18.8% amongst city residents. In most cases (87.4%) the abuse was inflicted by the husband, and in 9.5% of cases, the abuse was inflicted by more than one person.", "In most cases (87.4%) the abuse was inflicted by the husband, and in 9.5% of cases, the abuse was inflicted by more than one person. Correlates of physical abuse were women's education, religion, age, marital status, economic status, mental distress, smoking and residence.", "Correlates of physical abuse were women's education, religion, age, marital status, economic status, mental distress, smoking and residence. Federation of Northern Syria - Rojava With the Syrian Civil War, the Kurdish populated area in Northern Syria has gained de facto autonomy as the Federation of Northern Syria - Rojava, with the leading political actor being the progressive Democratic Union Party (PYD).", "Federation of Northern Syria - Rojava With the Syrian Civil War, the Kurdish populated area in Northern Syria has gained de facto autonomy as the Federation of Northern Syria - Rojava, with the leading political actor being the progressive Democratic Union Party (PYD). Kurdish women have several armed and non-armed organizations in Rojava, and enhancing women's rights is a major focus of the political and societal agenda.", "Kurdish women have several armed and non-armed organizations in Rojava, and enhancing women's rights is a major focus of the political and societal agenda. Kurdish female fighters in the Women's Protection Units (YPJ) played a key role during the Siege of Kobani and in rescuing Yazidis trapped on Mount Sinjar, and their achievements have attracted international attention as a rare example of strong female achievement in a region in which women are heavily repressed.", "Kurdish female fighters in the Women's Protection Units (YPJ) played a key role during the Siege of Kobani and in rescuing Yazidis trapped on Mount Sinjar, and their achievements have attracted international attention as a rare example of strong female achievement in a region in which women are heavily repressed. The civil laws of Syria are valid in Rojava, as far as they do not conflict with the Constitution of Rojava.", "The civil laws of Syria are valid in Rojava, as far as they do not conflict with the Constitution of Rojava. One notable example for amendment is personal status law, in Syria still Sharia-based, where Rojava introduced civil law and proclaims absolute equality of women under the law and a ban on forced marriage as well as polygamy was introduced, while underage marriage was outlawed as well.", "One notable example for amendment is personal status law, in Syria still Sharia-based, where Rojava introduced civil law and proclaims absolute equality of women under the law and a ban on forced marriage as well as polygamy was introduced, while underage marriage was outlawed as well. For the first time in Syrian history, civil marriage is being allowed and promoted, a significant move towards a secular open society and intermarriage between people of different religious backgrounds.", "For the first time in Syrian history, civil marriage is being allowed and promoted, a significant move towards a secular open society and intermarriage between people of different religious backgrounds. The legal efforts to reduce cases of underage marriage, polygamy and honor killings are underpinned by comprehensive public awareness campaigns. In every town and village, a women's house is established. These are community centers run by women, providing services to survivors of domestic violence, sexual assault and other forms of harm.", "These are community centers run by women, providing services to survivors of domestic violence, sexual assault and other forms of harm. These services include counseling, family mediation, legal support, and coordinating safe houses for women and children. Classes on economic independence and social empowerment programs are also held at women's houses. All administrative organs in Rojava are required to have male and female co-chairs, and forty percent of the members of any governing body in Rojava must be female.", "All administrative organs in Rojava are required to have male and female co-chairs, and forty percent of the members of any governing body in Rojava must be female. An estimated 25 percent of the Asayish police force of the Rojava cantons are women, and joining the Asayish is described in international media as a huge act of personal and societal liberation from an extremely patriarchical background, for ethnic Kurdish and ethnic Arab women alike.", "An estimated 25 percent of the Asayish police force of the Rojava cantons are women, and joining the Asayish is described in international media as a huge act of personal and societal liberation from an extremely patriarchical background, for ethnic Kurdish and ethnic Arab women alike. The PYD's political agenda of \"trying to break the honor-based religious and tribal rules that confine women\" is controversial in conservative quarters of society. Notable women Hadiya Khalaf Abbas, Speaker of the People's Council of Syria (since 2016).", "Notable women Hadiya Khalaf Abbas, Speaker of the People's Council of Syria (since 2016). Asya Abdullah is the co-chairwoman of the Democratic Union Party (PYD), the leading political party in Rojava. Asma al-Assad, the First Lady of Syria and the wife of the current President Assad Najah al-Attar, Vice President of Syria (since 2006). Randa Kassis, President of The Astana Platform of the Syrian opposition. Suheir Atassi, Vice President of the opposition government.", "Suheir Atassi, Vice President of the opposition government. Suheir Atassi, Vice President of the opposition government. Samar Al Dayyoub, literary critic and writer Khawla Dunia, opposition activist and poet Îlham Ehmed is co-chairwoman of the Syrian Democratic Council. Hêvî Îbrahîm is the prime minister of Afrin Canton. Samira Khalil, dissident Ulfat Idilbi, best-selling Arabic-language novelist. Assala Nasri is a musical artist Souad Nawfal, opposition activist and schoolteacher.", "Assala Nasri is a musical artist Souad Nawfal, opposition activist and schoolteacher. Rasha Omran, poet Bouthaina Shaaban, Bashar al-Assad's political adviser and previous Minister of Expatriates Muna Wassef, theater, television, and film actress. Hediya Yousef is an ex-guerilla and co-chairwoman of the executive committee of the Federation of Northern Syria – Rojava. Razan Zaitouneh, human rights lawyer and activist. References External links Survey: Discrimination against Women in Syrian Society (I/II).", "References External links Survey: Discrimination against Women in Syrian Society (I/II). Awareness of Women Rights and Freedoms, The Day After Association, August 2017 Survey: Discrimination Against Women in Syrian Society (II/II): Perception of Domestic Violence, The Day After Association, August 2017 Asian women" ]

[ "Women in Syria", "History", "What is the history of women in Syria?", "1919, Naziq al-Abid founded Noor al-Fayha (Light of Damascus), the city's first women's organization, alongside an affiliated publication of the same name.", "Did anybody join the organisation later on?", "In 1967 Syrian women formed a quasi-governmental organization called the General Union of Syrian Women (GUSW),", "What challenge did the organisation face?", "Throughout the 40 year reign, outbreaks of both nonviolent and violent acts emerged.", "Did the organisation stop or get stopped?", "Syrian officials and they knew in order to get the women and children to leave would need to fulfill their demands." ]

[ "In the programming language C++, unordered associative containers are a group of class templates in the C++ Standard Library that implement hash table variants. Being templates, they can be used to store arbitrary elements, such as integers or custom classes. The following containers are defined in the current revision of the C++ standard: unordered_set, unordered_map, unordered_multiset, unordered_multimap. Each of these containers differ only on constraints placed on their elements.\n\nThe unordered associative containers are similar to the associative containers in the C++ Standard Library but have different constraints. As their name implies, the elements in the unordered associative containers are not ordered. This is due to the use of hashing to store objects. The containers can still be iterated through like a regular associative container.\n\nHistory\n\nThe first widely used implementation of hash tables in the C++ language was hash_map, hash_set, hash_multimap, hash_multiset class templates of the Silicon Graphics (SGI) Standard Template Library (STL). Due to their usefulness, they were later included in several other implementations of the C++ Standard Library (e.g., the GNU Compiler Collection's (GCC) libstdc++ and the Visual C++ (MSVC) standard library).\n\nThe hash_* class templates were proposed into C++ Technical Report 1 (C++ TR1) and were accepted under names unordered_*. Later, they were incorporated into the C++11 revision of the C++ standard. An implementation is also available in the Boost C++ Libraries as <boost/unordered_map.hpp>.\n\nOverview of functions\n\nThe containers are defined in headers named after the names of the containers, e.g., unordered_set is defined in header <unordered_set>. All containers satisfy the requirements of the Container concept, which means they have begin(), end(), size(), max_size(), empty(), and swap() methods.\n\nUsage example\n#include <iostream>\n#include <string>\n#include <unordered_map>\n \nint main()\n{\n std::unordered_map<std::string, int> months;\n months[\"january\"] = 31;\n months[\"february\"] = 28;\n months[\"march\"] = 31;\n months[\"april\"] = 30;\n months[\"may\"] = 31;\n months[\"june\"] = 30;\n months[\"july\"] = 31;\n months[\"august\"] = 31;\n months[\"september\"] = 30;\n months[\"october\"] = 31;\n months[\"november\"] = 30;\n months[\"december\"] = 31;\n std::cout << \"september -> \" << months[\"september\"] << std::endl;\n std::cout << \"april -> \" << months[\"april\"] << std::endl;\n std::cout << \"december -> \" << months[\"december\"] << std::endl;\n std::cout << \"february -> \" << months[\"february\"] << std::endl;\n return 0;\n}\n\nCustom hash functions\nTo use custom objects in std::unordered_map, a custom hash function must be defined. This function takes a const reference to the custom type and returns a size_t\n#include <unordered_map>\n \nstruct X{int i,j,k;};\n\nstruct hash_X{\n size_t operator()(const X &x) const{\n return std::hash<int>()(x.i) ^ std::hash<int>()(x.j) ^ std::hash<int>()(x.k);\n }\n};\n\nThe user defined function can be used as is in std::unordered_map, by passing it as a template parameter \n std::unordered_map<X,int,hash_X> my_map;\n\nOr can be set as the default hash function by specializing the std::hash function\nnamespace std {\n template <>\n class hash<X>{\n public :\n size_t operator()(const X &x ) const{\n return hash<int>()(x.i) ^ hash<int>()(x.j) ^ hash<int>()(x.k);\n }\n };\n}\n\n//...\n std::unordered_map<X,int> my_map;\n\nReferences\n\nArticles with example C++ code\nC++ Standard Library", "The domain name int is a sponsored top-level domain (sTLD) in the Domain Name System of the Internet. Its name is derived from the word international, characterizing its use for international organizations and treaty-related purposes. The first use of this domain was by NATO, which had previously been assigned the top-level domain nato.\n\nAccording to Internet Assigned Numbers Authority (IANA) policy, based on RFC 1591, the sTLD int is reserved for international treaty-based organizations, United Nations agencies, and organizations or entities having observer status at the UN. int is considered to have the strictest application policies of all TLDs, as it implies that the holder is a subject of international law. For this reason, the application procedure requires the applicant to provide evidence that it is indeed treaty-based by providing a United Nations treaty registration number and that it has independent legal status.\n\nDelegations\n, the domain int consists of 166 subdomain delegations.\n\nThe subdomain eu.int was used by the European Union–affiliated institutions. However, the aforementioned institutions' domain names switched to the TLD eu on May 9, 2006 (Europe Day). All previous eu.int addresses continued to be accessible for a transitional period of at least one year. , the European Central Bank continues to use ecb.int in addition to ecb.eu and ecb.europa.eu, and the .int domain is still sometimes used for email addresses.\n\nThe Stockholm Convention on Persistent Organic Pollutants (POPS) saw its initial application for a domain name under int rejected on the grounds that the convention did not explicitly create an entity subject of international law. However, POPS appealed to the IANA Reconsideration Committee and obtained its domain (pops.int) on the grounds that other conventions lacking such specific language had nevertheless obtained a registration. The IANA granted the domain after the committee determined that (1) the organization was chartered by a treaty that was very likely to enter into force, and (2) despite lacking a legal track record, it met \"the requirement for independent international legal personality.\" This grant was subject to the provision that the status of eligibility be renewed if the treaty had not entered into force within four years of the registration.\n\nAdditionally, the domain int was historically also used for Internet infrastructure databases. The name space arpa had been slated to be moved into int, but in 2000 the Internet Architecture Board recommended that no new infrastructure databases should be added to int and that arpa retain its function. The only remaining technical role of int was for reverse translation of IPv6 addresses in the zone ip6.int. This zone was officially removed on 6 June 2006 in favor of ip6.arpa, also administered by IANA.\n\nGrandfathered delegations\nSeveral domains under int were granted prior to the application of the strict guidelines. World YMCA is an example of the loose guidelines applied in the early 1990s. IANA has not withdrawn the existing assignment from YMCA and other organisations such as The Phone Company (which has however not been available since 2011) who do not meet the current criteria.\n\nSee also\n Generic top-level domain\n List of organizations with .int domain names\n\nReferences\n\nExternal links\n Delegation Record for .INT, Internet Assigned Numbers Authority (IANA)\n IANA—Intergovernmental Treaty (.INT) Domains\n\nComputer-related introductions in 1988\nInternet Assigned Numbers Authority\nSponsored top-level domains\n\nsv:Toppdomän#Generiska toppdomäner" ]

[ "Women in Syria constitute 49.4% of Syria's population, and are active participants not only in everyday life, but also in the socio-political fields. History In the 20th century a movement for women's rights developed in Syria, made up largely of upper-class, educated women. In 1919, Naziq al-Abid founded Noor al-Fayha (Light of Damascus), the city's first women's organization, alongside an affiliated publication of the same name.", "In 1919, Naziq al-Abid founded Noor al-Fayha (Light of Damascus), the city's first women's organization, alongside an affiliated publication of the same name. She was made an honorary general of the Syrian Army after fighting in the Battle of Maysaloun, and in 1922 she founded the Syrian Red Crescent.", "She was made an honorary general of the Syrian Army after fighting in the Battle of Maysaloun, and in 1922 she founded the Syrian Red Crescent. In 1928 Lebanese-Syrian feminist Nazira Zain al-Din, one of the first people to critically reinterpret the Quran from a feminist perspective, published a book condemning the practice of veiling or hijab, arguing that Islam requires women to be treated equally with men. In 1930, the First Eastern Women's Congress was hosted in Damascus.", "In 1930, the First Eastern Women's Congress was hosted in Damascus. In 1963 the Ba'ath Party took power in Syria, and pledged full equality between women and men as well as full workforce participation for women. In 1967 Syrian women formed a quasi-governmental organization called the General Union of Syrian Women (GUSW), a coalition of women's welfare societies, educational associations, and voluntary councils intended to achieve equal opportunity for women in Syria.", "In 1967 Syrian women formed a quasi-governmental organization called the General Union of Syrian Women (GUSW), a coalition of women's welfare societies, educational associations, and voluntary councils intended to achieve equal opportunity for women in Syria. The year 2011 marked the beginning of the Syrian Civil War, where many civilians have fallen victim to attacks targeted at hospitals, schools, and infrastructure. Extremist rebel groups, such as Jabhat al-Nusra and ISIS, have enforced strict policies restricting freedoms of women in territories they control.", "Extremist rebel groups, such as Jabhat al-Nusra and ISIS, have enforced strict policies restricting freedoms of women in territories they control. After the outbreak of civil war, some Syrian women have joined all-female brigade units in the Syrian Arab Army, the Democratic Union Party, and the Islamic State of Iraq and the Levant, taking on roles such as snipers, frontline units, or police.", "After the outbreak of civil war, some Syrian women have joined all-female brigade units in the Syrian Arab Army, the Democratic Union Party, and the Islamic State of Iraq and the Levant, taking on roles such as snipers, frontline units, or police. Legal rights While Syria has developed some fairly secular features during independence in the second half of the 20th century, personal status law is still based on Sharia and applied by Sharia Courts. Syria has a dual legal system which includes both secular and religious courts.", "Syria has a dual legal system which includes both secular and religious courts. Marriage contracts are between the groom and the bride's father, and Syrian law does not recognize the concept of marital rape. Syrian women are legally allowed to participate in everyday life, although they are not guaranteed a spot in being part of political, social, cultural and economic categories. The legal marriage for females in Syria is seventeen years old and eighteen for males.", "The legal marriage for females in Syria is seventeen years old and eighteen for males. Women are technically allowed to have a say in what the agreements are between them and the groom. Although, since this contract has to be signed by the groom and the male guardian of the bride, her wishes are rarely met. On the other hand, of marriage, the divorce laws are unique in Syria.", "On the other hand, of marriage, the divorce laws are unique in Syria. Women are in fact allowed to file for divorce except it is a long drawn out process and she must get consent from her husband. There are some circumstances in which the woman can apply for a divorce through the judicial system. In order to do this, she must prove that her husband has abused her or neglected his other duties as a husband.", "In order to do this, she must prove that her husband has abused her or neglected his other duties as a husband. If a man wants to divorce a woman, all he has to do is go to court and orally demand a divorce three times, then the court will order him a divorce. Education The early schooling in Syria starts at six years old and ends at the age of eighteen. In Syrian universities, women and men attend the same classes.", "In Syrian universities, women and men attend the same classes. Between 1970 and the late 1990s, the female population in schools dramatically increased. This increase included the early school years, along with the upper-level schools such as universities and higher education. Although the number of women has increased, there are still ninety five women to every one hundred men. Although many women start going to school, the dropout rate for women is much higher than for men.", "Although many women start going to school, the dropout rate for women is much higher than for men. The literacy rate for women is 74.2 percent and 91 percent for men. The rate of females over 25 with secondary education is 29.0 percent. Politics In Syria, women in Syria were first allowed to vote and received universal suffrage in 1953. In the 1950s, Thuraya Al-Hafez ran for Parliament, but was not elected. By 1971, women held four out of the 173 seats.", "By 1971, women held four out of the 173 seats. The current president of Syria is a male. There are also two vice presidents (including female vice president Najah al-Attar since 2006), a prime minister and a cabinet. As of 2012, in the national parliament men held 88% of the seats while women held 12%. The Syrian Parliament was previously led by female Speaker Hadiya Khalaf Abbas, the first woman to have held that position. President Assad's political and media adviser is Bouthaina Shaaban.", "President Assad's political and media adviser is Bouthaina Shaaban. Shaaban served as the first Minister of Expatriates for the Syrian Arab Republic, between 2003 and 2008, and she has been described as the Syrian government's face to the outside world. Of the civil society representatives among the 150 members of the Syrian Constitutional Committee, which was assembled in 2019 by the Syria Envoy of the United Nations, Syrian women comprise around 30%.", "Of the civil society representatives among the 150 members of the Syrian Constitutional Committee, which was assembled in 2019 by the Syria Envoy of the United Nations, Syrian women comprise around 30%. Several renowned Syrian women, such as academic Bassma Kodmani, Sabah Hallak of the Syrian Women's League, the law professor Amal Yazji or the judge Iman Shahoud, sit on the committee's influential 'Small' or Drafting Body.", "Several renowned Syrian women, such as academic Bassma Kodmani, Sabah Hallak of the Syrian Women's League, the law professor Amal Yazji or the judge Iman Shahoud, sit on the committee's influential 'Small' or Drafting Body. Role in economy and in the military In 1989 the Syrian government passed a law requiring factories and public institutions to provide on-site childcare. However, women's involvement in the workforce is low; according to World Bank, as of 2014, women made up 16.4% of the labor force.", "However, women's involvement in the workforce is low; according to World Bank, as of 2014, women made up 16.4% of the labor force. Women are not conscripted in the military, but may serve voluntarily. The female militias of Syria are trained to fight for the Syrian president, Bashar al-Assad. A video was found dating back to the 1980s with female soldiers showing their pride and protectiveness toward Assad's father.", "A video was found dating back to the 1980s with female soldiers showing their pride and protectiveness toward Assad's father. \"Because women are rarely involved in the armed side of the revolution, they are much less likely to get stopped, searched, or hassled at government checkpoints. This has proved crucial in distributing humanitarian aid throughout Syria.\" Women's health Between 2010 and 2015, the average life expectancy at birth for women in Syria is 77.7 years, compared with 74.5 years for men.", "Women's health Between 2010 and 2015, the average life expectancy at birth for women in Syria is 77.7 years, compared with 74.5 years for men. Impact of the conflict on Syria's women Since the conflict erupted in 2011, women in Syria, namely in conflict zones, have been facing violence, sexual assault, forced displacement, detension, domestic violence, child marriage and other violations of their rights. During the years of conflict, insecurity and the economic collapse significantly increased the vulnerability of women and girls.", "During the years of conflict, insecurity and the economic collapse significantly increased the vulnerability of women and girls. In addition, many girls were left without schooling or access to healthcare services. The enrolment rate for primary education was 61% in 2013, with 61.1% of the total number being female, while for secondary education, the rate was 44% in 2013 - 43.8% for female.", "The enrolment rate for primary education was 61% in 2013, with 61.1% of the total number being female, while for secondary education, the rate was 44% in 2013 - 43.8% for female. In 2015, the United Nations gathered evidence of systematic sexual assault of women and girls by combatants in Syria, and this was escalated by the Islamic State (ISIL) and other terrorist organizations.", "In 2015, the United Nations gathered evidence of systematic sexual assault of women and girls by combatants in Syria, and this was escalated by the Islamic State (ISIL) and other terrorist organizations. Crime against women Honor killings Honor killings take place in Syria in situations where women are deemed to have brought shame to the family, affecting the family's 'reputation' in the community. Some estimates suggest that more than 200 honor killings occur every year in Syria.", "Some estimates suggest that more than 200 honor killings occur every year in Syria. Forced and child marriage The conflict in Syria has led to an increase in child marriages. The harsh living conditions, the insecurity, and the fear of rape, have led families to force their daughters into early marriages. As a result of early marriage, many girls in Syria are forbidden from completing their studies because when a girl is married she is only expected to be a good wife and a good mother as well.", "As a result of early marriage, many girls in Syria are forbidden from completing their studies because when a girl is married she is only expected to be a good wife and a good mother as well. Child marriage can influence physical and mental health badly. Physical damage can be related to child bearing specially for women under 18 years old and the possibility for not being able to give birth later in life, and in extreme cases it can lead to death.", "Physical damage can be related to child bearing specially for women under 18 years old and the possibility for not being able to give birth later in life, and in extreme cases it can lead to death. Psychological factors can be defined as difficulties in interacting with the husband or not having enough awareness about marriage life and its responsibilities.", "Psychological factors can be defined as difficulties in interacting with the husband or not having enough awareness about marriage life and its responsibilities. Domestic Violence A study covering the low-income women in Aleppo, an area where domestic abuse is more likely due to the tribal nature of the area, shows that physical abuse (battering at least 3 times in the last year) was found in 23% of the investigated women in 2003, 26% amongst married women.", "Domestic Violence A study covering the low-income women in Aleppo, an area where domestic abuse is more likely due to the tribal nature of the area, shows that physical abuse (battering at least 3 times in the last year) was found in 23% of the investigated women in 2003, 26% amongst married women. Regular abuse (battering at least once weekly) was found in 3.3% of married women, with no regular abused reported by non-married women.", "Regular abuse (battering at least once weekly) was found in 3.3% of married women, with no regular abused reported by non-married women. The prevalence of physical abuse amongst country residents was 44.3% compared to 18.8% amongst city residents. In most cases (87.4%) the abuse was inflicted by the husband, and in 9.5% of cases, the abuse was inflicted by more than one person.", "In most cases (87.4%) the abuse was inflicted by the husband, and in 9.5% of cases, the abuse was inflicted by more than one person. Correlates of physical abuse were women's education, religion, age, marital status, economic status, mental distress, smoking and residence.", "Correlates of physical abuse were women's education, religion, age, marital status, economic status, mental distress, smoking and residence. Federation of Northern Syria - Rojava With the Syrian Civil War, the Kurdish populated area in Northern Syria has gained de facto autonomy as the Federation of Northern Syria - Rojava, with the leading political actor being the progressive Democratic Union Party (PYD).", "Federation of Northern Syria - Rojava With the Syrian Civil War, the Kurdish populated area in Northern Syria has gained de facto autonomy as the Federation of Northern Syria - Rojava, with the leading political actor being the progressive Democratic Union Party (PYD). Kurdish women have several armed and non-armed organizations in Rojava, and enhancing women's rights is a major focus of the political and societal agenda.", "Kurdish women have several armed and non-armed organizations in Rojava, and enhancing women's rights is a major focus of the political and societal agenda. Kurdish female fighters in the Women's Protection Units (YPJ) played a key role during the Siege of Kobani and in rescuing Yazidis trapped on Mount Sinjar, and their achievements have attracted international attention as a rare example of strong female achievement in a region in which women are heavily repressed.", "Kurdish female fighters in the Women's Protection Units (YPJ) played a key role during the Siege of Kobani and in rescuing Yazidis trapped on Mount Sinjar, and their achievements have attracted international attention as a rare example of strong female achievement in a region in which women are heavily repressed. The civil laws of Syria are valid in Rojava, as far as they do not conflict with the Constitution of Rojava.", "The civil laws of Syria are valid in Rojava, as far as they do not conflict with the Constitution of Rojava. One notable example for amendment is personal status law, in Syria still Sharia-based, where Rojava introduced civil law and proclaims absolute equality of women under the law and a ban on forced marriage as well as polygamy was introduced, while underage marriage was outlawed as well.", "One notable example for amendment is personal status law, in Syria still Sharia-based, where Rojava introduced civil law and proclaims absolute equality of women under the law and a ban on forced marriage as well as polygamy was introduced, while underage marriage was outlawed as well. For the first time in Syrian history, civil marriage is being allowed and promoted, a significant move towards a secular open society and intermarriage between people of different religious backgrounds.", "For the first time in Syrian history, civil marriage is being allowed and promoted, a significant move towards a secular open society and intermarriage between people of different religious backgrounds. The legal efforts to reduce cases of underage marriage, polygamy and honor killings are underpinned by comprehensive public awareness campaigns. In every town and village, a women's house is established. These are community centers run by women, providing services to survivors of domestic violence, sexual assault and other forms of harm.", "These are community centers run by women, providing services to survivors of domestic violence, sexual assault and other forms of harm. These services include counseling, family mediation, legal support, and coordinating safe houses for women and children. Classes on economic independence and social empowerment programs are also held at women's houses. All administrative organs in Rojava are required to have male and female co-chairs, and forty percent of the members of any governing body in Rojava must be female.", "All administrative organs in Rojava are required to have male and female co-chairs, and forty percent of the members of any governing body in Rojava must be female. An estimated 25 percent of the Asayish police force of the Rojava cantons are women, and joining the Asayish is described in international media as a huge act of personal and societal liberation from an extremely patriarchical background, for ethnic Kurdish and ethnic Arab women alike.", "An estimated 25 percent of the Asayish police force of the Rojava cantons are women, and joining the Asayish is described in international media as a huge act of personal and societal liberation from an extremely patriarchical background, for ethnic Kurdish and ethnic Arab women alike. The PYD's political agenda of \"trying to break the honor-based religious and tribal rules that confine women\" is controversial in conservative quarters of society. Notable women Hadiya Khalaf Abbas, Speaker of the People's Council of Syria (since 2016).", "Notable women Hadiya Khalaf Abbas, Speaker of the People's Council of Syria (since 2016). Asya Abdullah is the co-chairwoman of the Democratic Union Party (PYD), the leading political party in Rojava. Asma al-Assad, the First Lady of Syria and the wife of the current President Assad Najah al-Attar, Vice President of Syria (since 2006). Randa Kassis, President of The Astana Platform of the Syrian opposition. Suheir Atassi, Vice President of the opposition government.", "Suheir Atassi, Vice President of the opposition government. Suheir Atassi, Vice President of the opposition government. Samar Al Dayyoub, literary critic and writer Khawla Dunia, opposition activist and poet Îlham Ehmed is co-chairwoman of the Syrian Democratic Council. Hêvî Îbrahîm is the prime minister of Afrin Canton. Samira Khalil, dissident Ulfat Idilbi, best-selling Arabic-language novelist. Assala Nasri is a musical artist Souad Nawfal, opposition activist and schoolteacher.", "Assala Nasri is a musical artist Souad Nawfal, opposition activist and schoolteacher. Rasha Omran, poet Bouthaina Shaaban, Bashar al-Assad's political adviser and previous Minister of Expatriates Muna Wassef, theater, television, and film actress. Hediya Yousef is an ex-guerilla and co-chairwoman of the executive committee of the Federation of Northern Syria – Rojava. Razan Zaitouneh, human rights lawyer and activist. References External links Survey: Discrimination against Women in Syrian Society (I/II).", "References External links Survey: Discrimination against Women in Syrian Society (I/II). Awareness of Women Rights and Freedoms, The Day After Association, August 2017 Survey: Discrimination Against Women in Syrian Society (II/II): Perception of Domestic Violence, The Day After Association, August 2017 Asian women" ]

[ "Women in Syria", "History", "What is the history of women in Syria?", "1919, Naziq al-Abid founded Noor al-Fayha (Light of Damascus), the city's first women's organization, alongside an affiliated publication of the same name.", "Did anybody join the organisation later on?", "In 1967 Syrian women formed a quasi-governmental organization called the General Union of Syrian Women (GUSW),", "What challenge did the organisation face?", "Throughout the 40 year reign, outbreaks of both nonviolent and violent acts emerged.", "Did the organisation stop or get stopped?", "Syrian officials and they knew in order to get the women and children to leave would need to fulfill their demands.", "Which other notable names were mentioned int he history?", "Bashar Al-Assad.", "What was his role in the history?", "In 2011, conflict was emerging throughout Syria due to the long reign of the Assad family.", "Was the conflict stopped?", "Assad reacted to these actions by increasing arrests and the killings of Syrian men and women.", "What ended the story of the conflict?", "The military came in with tanks and were making various threats" ]

[ "Přírodní park Třebíčsko (before Oblast klidu Třebíčsko) is a natural park near Třebíč in the Czech Republic. There are many interesting plants. The park was founded in 1983.\n\nKobylinec and Ptáčovský kopeček\n\nKobylinec is a natural monument situated ca 0,5 km from the village of Trnava.\nThe area of this monument is 0,44 ha. Pulsatilla grandis can be found here and in the Ptáčovský kopeček park near Ptáčov near Třebíč. Both monuments are very popular for tourists.\n\nPonds\n\nIn the natural park there are some interesting ponds such as Velký Bor, Malý Bor, Buršík near Přeckov and a brook Březinka. Dams on the brook are examples of European beaver activity.\n\nSyenitové skály near Pocoucov\n\nSyenitové skály (rocks of syenit) near Pocoucov is one of famed locations. There are interesting granite boulders. The area of the reservation is 0,77 ha.\n\nExternal links\nParts of this article or all article was translated from Czech. The original article is :cs:Přírodní park Třebíčsko.\n\nReferences\n\nExternal links\nNature near the village Trnava which is there\n\nTřebíč\nParks in the Czech Republic\nTourist attractions in the Vysočina Region", "Damn Interesting is an independent website founded by Alan Bellows in 2005. The website presents true stories from science, history, and psychology, primarily as long-form articles, often illustrated with original artwork. Works are written by various authors, and published at irregular intervals. The website openly rejects advertising, relying on reader and listener donations to cover operating costs.\n\nAs of October 2012, each article is also published as a podcast under the same name. In November 2019, a second podcast was launched under the title Damn Interesting Week, featuring unscripted commentary on an assortment of news articles featured on the website's \"Curated Links\" section that week. In mid-2020, a third podcast called Damn Interesting Curio Cabinet began highlighting the website's periodic short-form articles in the same radioplay format as the original podcast.\n\nIn July 2009, Damn Interesting published the print book Alien Hand Syndrome through Workman Publishing. It contains some favorites from the site and some exclusive content.\n\nAwards and recognition \nIn August 2007, PC Magazine named Damn Interesting one of the \"Top 100 Undiscovered Web Sites\".\nThe article \"The Zero-Armed Bandit\" by Alan Bellows won a 2015 Sidney Award from David Brooks in The New York Times.\nThe article \"Ghoulish Acts and Dastardly Deeds\" by Alan Bellows was cited as \"nonfiction journalism from 2017 that will stand the test of time\" by Conor Friedersdorf in The Atlantic.\nThe article \"Dupes and Duplicity\" by Jennifer Lee Noonan won a 2020 Sidney Award from David Brooks in the New York Times.\n\nAccusing The Dollop of plagiarism \n\nOn July 9, 2015, Bellows posted an open letter accusing The Dollop, a comedy podcast about history, of plagiarism due to their repeated use of verbatim text from Damn Interesting articles without permission or attribution. Dave Anthony, the writer of The Dollop, responded on reddit, admitting to using Damn Interesting content, but claiming that the use was protected by fair use, and that \"historical facts are not copyrightable.\" In an article about the controversy on Plagiarism Today, Jonathan Bailey concluded, \"Any way one looks at it, The Dollop failed its ethical obligations to all of the people, not just those writing for Damn Interesting, who put in the time, energy and expertise into writing the original content upon which their show is based.\"\n\nReferences\n\nExternal links \n Official website\n\n2005 podcast debuts" ]

[ "Women in Syria constitute 49.4% of Syria's population, and are active participants not only in everyday life, but also in the socio-political fields. History In the 20th century a movement for women's rights developed in Syria, made up largely of upper-class, educated women. In 1919, Naziq al-Abid founded Noor al-Fayha (Light of Damascus), the city's first women's organization, alongside an affiliated publication of the same name.", "In 1919, Naziq al-Abid founded Noor al-Fayha (Light of Damascus), the city's first women's organization, alongside an affiliated publication of the same name. She was made an honorary general of the Syrian Army after fighting in the Battle of Maysaloun, and in 1922 she founded the Syrian Red Crescent.", "She was made an honorary general of the Syrian Army after fighting in the Battle of Maysaloun, and in 1922 she founded the Syrian Red Crescent. In 1928 Lebanese-Syrian feminist Nazira Zain al-Din, one of the first people to critically reinterpret the Quran from a feminist perspective, published a book condemning the practice of veiling or hijab, arguing that Islam requires women to be treated equally with men. In 1930, the First Eastern Women's Congress was hosted in Damascus.", "In 1930, the First Eastern Women's Congress was hosted in Damascus. In 1963 the Ba'ath Party took power in Syria, and pledged full equality between women and men as well as full workforce participation for women. In 1967 Syrian women formed a quasi-governmental organization called the General Union of Syrian Women (GUSW), a coalition of women's welfare societies, educational associations, and voluntary councils intended to achieve equal opportunity for women in Syria.", "In 1967 Syrian women formed a quasi-governmental organization called the General Union of Syrian Women (GUSW), a coalition of women's welfare societies, educational associations, and voluntary councils intended to achieve equal opportunity for women in Syria. The year 2011 marked the beginning of the Syrian Civil War, where many civilians have fallen victim to attacks targeted at hospitals, schools, and infrastructure. Extremist rebel groups, such as Jabhat al-Nusra and ISIS, have enforced strict policies restricting freedoms of women in territories they control.", "Extremist rebel groups, such as Jabhat al-Nusra and ISIS, have enforced strict policies restricting freedoms of women in territories they control. After the outbreak of civil war, some Syrian women have joined all-female brigade units in the Syrian Arab Army, the Democratic Union Party, and the Islamic State of Iraq and the Levant, taking on roles such as snipers, frontline units, or police.", "After the outbreak of civil war, some Syrian women have joined all-female brigade units in the Syrian Arab Army, the Democratic Union Party, and the Islamic State of Iraq and the Levant, taking on roles such as snipers, frontline units, or police. Legal rights While Syria has developed some fairly secular features during independence in the second half of the 20th century, personal status law is still based on Sharia and applied by Sharia Courts. Syria has a dual legal system which includes both secular and religious courts.", "Syria has a dual legal system which includes both secular and religious courts. Marriage contracts are between the groom and the bride's father, and Syrian law does not recognize the concept of marital rape. Syrian women are legally allowed to participate in everyday life, although they are not guaranteed a spot in being part of political, social, cultural and economic categories. The legal marriage for females in Syria is seventeen years old and eighteen for males.", "The legal marriage for females in Syria is seventeen years old and eighteen for males. Women are technically allowed to have a say in what the agreements are between them and the groom. Although, since this contract has to be signed by the groom and the male guardian of the bride, her wishes are rarely met. On the other hand, of marriage, the divorce laws are unique in Syria.", "On the other hand, of marriage, the divorce laws are unique in Syria. Women are in fact allowed to file for divorce except it is a long drawn out process and she must get consent from her husband. There are some circumstances in which the woman can apply for a divorce through the judicial system. In order to do this, she must prove that her husband has abused her or neglected his other duties as a husband.", "In order to do this, she must prove that her husband has abused her or neglected his other duties as a husband. If a man wants to divorce a woman, all he has to do is go to court and orally demand a divorce three times, then the court will order him a divorce. Education The early schooling in Syria starts at six years old and ends at the age of eighteen. In Syrian universities, women and men attend the same classes.", "In Syrian universities, women and men attend the same classes. Between 1970 and the late 1990s, the female population in schools dramatically increased. This increase included the early school years, along with the upper-level schools such as universities and higher education. Although the number of women has increased, there are still ninety five women to every one hundred men. Although many women start going to school, the dropout rate for women is much higher than for men.", "Although many women start going to school, the dropout rate for women is much higher than for men. The literacy rate for women is 74.2 percent and 91 percent for men. The rate of females over 25 with secondary education is 29.0 percent. Politics In Syria, women in Syria were first allowed to vote and received universal suffrage in 1953. In the 1950s, Thuraya Al-Hafez ran for Parliament, but was not elected. By 1971, women held four out of the 173 seats.", "By 1971, women held four out of the 173 seats. The current president of Syria is a male. There are also two vice presidents (including female vice president Najah al-Attar since 2006), a prime minister and a cabinet. As of 2012, in the national parliament men held 88% of the seats while women held 12%. The Syrian Parliament was previously led by female Speaker Hadiya Khalaf Abbas, the first woman to have held that position. President Assad's political and media adviser is Bouthaina Shaaban.", "President Assad's political and media adviser is Bouthaina Shaaban. Shaaban served as the first Minister of Expatriates for the Syrian Arab Republic, between 2003 and 2008, and she has been described as the Syrian government's face to the outside world. Of the civil society representatives among the 150 members of the Syrian Constitutional Committee, which was assembled in 2019 by the Syria Envoy of the United Nations, Syrian women comprise around 30%.", "Of the civil society representatives among the 150 members of the Syrian Constitutional Committee, which was assembled in 2019 by the Syria Envoy of the United Nations, Syrian women comprise around 30%. Several renowned Syrian women, such as academic Bassma Kodmani, Sabah Hallak of the Syrian Women's League, the law professor Amal Yazji or the judge Iman Shahoud, sit on the committee's influential 'Small' or Drafting Body.", "Several renowned Syrian women, such as academic Bassma Kodmani, Sabah Hallak of the Syrian Women's League, the law professor Amal Yazji or the judge Iman Shahoud, sit on the committee's influential 'Small' or Drafting Body. Role in economy and in the military In 1989 the Syrian government passed a law requiring factories and public institutions to provide on-site childcare. However, women's involvement in the workforce is low; according to World Bank, as of 2014, women made up 16.4% of the labor force.", "However, women's involvement in the workforce is low; according to World Bank, as of 2014, women made up 16.4% of the labor force. Women are not conscripted in the military, but may serve voluntarily. The female militias of Syria are trained to fight for the Syrian president, Bashar al-Assad. A video was found dating back to the 1980s with female soldiers showing their pride and protectiveness toward Assad's father.", "A video was found dating back to the 1980s with female soldiers showing their pride and protectiveness toward Assad's father. \"Because women are rarely involved in the armed side of the revolution, they are much less likely to get stopped, searched, or hassled at government checkpoints. This has proved crucial in distributing humanitarian aid throughout Syria.\" Women's health Between 2010 and 2015, the average life expectancy at birth for women in Syria is 77.7 years, compared with 74.5 years for men.", "Women's health Between 2010 and 2015, the average life expectancy at birth for women in Syria is 77.7 years, compared with 74.5 years for men. Impact of the conflict on Syria's women Since the conflict erupted in 2011, women in Syria, namely in conflict zones, have been facing violence, sexual assault, forced displacement, detension, domestic violence, child marriage and other violations of their rights. During the years of conflict, insecurity and the economic collapse significantly increased the vulnerability of women and girls.", "During the years of conflict, insecurity and the economic collapse significantly increased the vulnerability of women and girls. In addition, many girls were left without schooling or access to healthcare services. The enrolment rate for primary education was 61% in 2013, with 61.1% of the total number being female, while for secondary education, the rate was 44% in 2013 - 43.8% for female.", "The enrolment rate for primary education was 61% in 2013, with 61.1% of the total number being female, while for secondary education, the rate was 44% in 2013 - 43.8% for female. In 2015, the United Nations gathered evidence of systematic sexual assault of women and girls by combatants in Syria, and this was escalated by the Islamic State (ISIL) and other terrorist organizations.", "In 2015, the United Nations gathered evidence of systematic sexual assault of women and girls by combatants in Syria, and this was escalated by the Islamic State (ISIL) and other terrorist organizations. Crime against women Honor killings Honor killings take place in Syria in situations where women are deemed to have brought shame to the family, affecting the family's 'reputation' in the community. Some estimates suggest that more than 200 honor killings occur every year in Syria.", "Some estimates suggest that more than 200 honor killings occur every year in Syria. Forced and child marriage The conflict in Syria has led to an increase in child marriages. The harsh living conditions, the insecurity, and the fear of rape, have led families to force their daughters into early marriages. As a result of early marriage, many girls in Syria are forbidden from completing their studies because when a girl is married she is only expected to be a good wife and a good mother as well.", "As a result of early marriage, many girls in Syria are forbidden from completing their studies because when a girl is married she is only expected to be a good wife and a good mother as well. Child marriage can influence physical and mental health badly. Physical damage can be related to child bearing specially for women under 18 years old and the possibility for not being able to give birth later in life, and in extreme cases it can lead to death.", "Physical damage can be related to child bearing specially for women under 18 years old and the possibility for not being able to give birth later in life, and in extreme cases it can lead to death. Psychological factors can be defined as difficulties in interacting with the husband or not having enough awareness about marriage life and its responsibilities.", "Psychological factors can be defined as difficulties in interacting with the husband or not having enough awareness about marriage life and its responsibilities. Domestic Violence A study covering the low-income women in Aleppo, an area where domestic abuse is more likely due to the tribal nature of the area, shows that physical abuse (battering at least 3 times in the last year) was found in 23% of the investigated women in 2003, 26% amongst married women.", "Domestic Violence A study covering the low-income women in Aleppo, an area where domestic abuse is more likely due to the tribal nature of the area, shows that physical abuse (battering at least 3 times in the last year) was found in 23% of the investigated women in 2003, 26% amongst married women. Regular abuse (battering at least once weekly) was found in 3.3% of married women, with no regular abused reported by non-married women.", "Regular abuse (battering at least once weekly) was found in 3.3% of married women, with no regular abused reported by non-married women. The prevalence of physical abuse amongst country residents was 44.3% compared to 18.8% amongst city residents. In most cases (87.4%) the abuse was inflicted by the husband, and in 9.5% of cases, the abuse was inflicted by more than one person.", "In most cases (87.4%) the abuse was inflicted by the husband, and in 9.5% of cases, the abuse was inflicted by more than one person. Correlates of physical abuse were women's education, religion, age, marital status, economic status, mental distress, smoking and residence.", "Correlates of physical abuse were women's education, religion, age, marital status, economic status, mental distress, smoking and residence. Federation of Northern Syria - Rojava With the Syrian Civil War, the Kurdish populated area in Northern Syria has gained de facto autonomy as the Federation of Northern Syria - Rojava, with the leading political actor being the progressive Democratic Union Party (PYD).", "Federation of Northern Syria - Rojava With the Syrian Civil War, the Kurdish populated area in Northern Syria has gained de facto autonomy as the Federation of Northern Syria - Rojava, with the leading political actor being the progressive Democratic Union Party (PYD). Kurdish women have several armed and non-armed organizations in Rojava, and enhancing women's rights is a major focus of the political and societal agenda.", "Kurdish women have several armed and non-armed organizations in Rojava, and enhancing women's rights is a major focus of the political and societal agenda. Kurdish female fighters in the Women's Protection Units (YPJ) played a key role during the Siege of Kobani and in rescuing Yazidis trapped on Mount Sinjar, and their achievements have attracted international attention as a rare example of strong female achievement in a region in which women are heavily repressed.", "Kurdish female fighters in the Women's Protection Units (YPJ) played a key role during the Siege of Kobani and in rescuing Yazidis trapped on Mount Sinjar, and their achievements have attracted international attention as a rare example of strong female achievement in a region in which women are heavily repressed. The civil laws of Syria are valid in Rojava, as far as they do not conflict with the Constitution of Rojava.", "The civil laws of Syria are valid in Rojava, as far as they do not conflict with the Constitution of Rojava. One notable example for amendment is personal status law, in Syria still Sharia-based, where Rojava introduced civil law and proclaims absolute equality of women under the law and a ban on forced marriage as well as polygamy was introduced, while underage marriage was outlawed as well.", "One notable example for amendment is personal status law, in Syria still Sharia-based, where Rojava introduced civil law and proclaims absolute equality of women under the law and a ban on forced marriage as well as polygamy was introduced, while underage marriage was outlawed as well. For the first time in Syrian history, civil marriage is being allowed and promoted, a significant move towards a secular open society and intermarriage between people of different religious backgrounds.", "For the first time in Syrian history, civil marriage is being allowed and promoted, a significant move towards a secular open society and intermarriage between people of different religious backgrounds. The legal efforts to reduce cases of underage marriage, polygamy and honor killings are underpinned by comprehensive public awareness campaigns. In every town and village, a women's house is established. These are community centers run by women, providing services to survivors of domestic violence, sexual assault and other forms of harm.", "These are community centers run by women, providing services to survivors of domestic violence, sexual assault and other forms of harm. These services include counseling, family mediation, legal support, and coordinating safe houses for women and children. Classes on economic independence and social empowerment programs are also held at women's houses. All administrative organs in Rojava are required to have male and female co-chairs, and forty percent of the members of any governing body in Rojava must be female.", "All administrative organs in Rojava are required to have male and female co-chairs, and forty percent of the members of any governing body in Rojava must be female. An estimated 25 percent of the Asayish police force of the Rojava cantons are women, and joining the Asayish is described in international media as a huge act of personal and societal liberation from an extremely patriarchical background, for ethnic Kurdish and ethnic Arab women alike.", "An estimated 25 percent of the Asayish police force of the Rojava cantons are women, and joining the Asayish is described in international media as a huge act of personal and societal liberation from an extremely patriarchical background, for ethnic Kurdish and ethnic Arab women alike. The PYD's political agenda of \"trying to break the honor-based religious and tribal rules that confine women\" is controversial in conservative quarters of society. Notable women Hadiya Khalaf Abbas, Speaker of the People's Council of Syria (since 2016).", "Notable women Hadiya Khalaf Abbas, Speaker of the People's Council of Syria (since 2016). Asya Abdullah is the co-chairwoman of the Democratic Union Party (PYD), the leading political party in Rojava. Asma al-Assad, the First Lady of Syria and the wife of the current President Assad Najah al-Attar, Vice President of Syria (since 2006). Randa Kassis, President of The Astana Platform of the Syrian opposition. Suheir Atassi, Vice President of the opposition government.", "Suheir Atassi, Vice President of the opposition government. Suheir Atassi, Vice President of the opposition government. Samar Al Dayyoub, literary critic and writer Khawla Dunia, opposition activist and poet Îlham Ehmed is co-chairwoman of the Syrian Democratic Council. Hêvî Îbrahîm is the prime minister of Afrin Canton. Samira Khalil, dissident Ulfat Idilbi, best-selling Arabic-language novelist. Assala Nasri is a musical artist Souad Nawfal, opposition activist and schoolteacher.", "Assala Nasri is a musical artist Souad Nawfal, opposition activist and schoolteacher. Rasha Omran, poet Bouthaina Shaaban, Bashar al-Assad's political adviser and previous Minister of Expatriates Muna Wassef, theater, television, and film actress. Hediya Yousef is an ex-guerilla and co-chairwoman of the executive committee of the Federation of Northern Syria – Rojava. Razan Zaitouneh, human rights lawyer and activist. References External links Survey: Discrimination against Women in Syrian Society (I/II).", "References External links Survey: Discrimination against Women in Syrian Society (I/II). Awareness of Women Rights and Freedoms, The Day After Association, August 2017 Survey: Discrimination Against Women in Syrian Society (II/II): Perception of Domestic Violence, The Day After Association, August 2017 Asian women" ]

[ "Michael Anthony (musician)", "(1996-2003) Diminishing role with Van Halen and side projects" ]

[ "The Van Halen Tour 2004 was a North American concert tour by hard rock band Van Halen. It was the band's first tour since 1998 and saw the return of lead singer Sammy Hagar, who left the band in 1996 after tensions with lead guitarist Eddie Van Halen.\n\nTensions between Hagar and Eddie Van Halen were rekindled during the rehearsals before the tour even started and continued until the last show. The 2004 tour marked the last time that Hagar would ever perform with Van Halen. Some points of contention between the two included Eddie's increased struggles with substance abuse and Sammy Hagar’s promotion of his personal Cabo Wabo tequila brand. The tour also signaled the declining relationship of bassist Michael Anthony with Eddie and Alex Van Halen. During the 2004 tour, Anthony was forced to lose his licensing rights to the band and to take a pay cut due to tensions with the Van Halen brothers.\n\nWhile commercially successful, the tour generally received poor reviews from critics, with some alleging that the Eddie was sloppy, unfocused, and past their prime. The tour’s legacy has been similarly poor as well, especially regarding the off-stage developments involving Sammy Hagar and Michael Anthony. Nick Deriso of Ultimate Classic Rock called the tour “disastrous.\"\n\nBackground \nThe 2004 tour was the first time that Van Halen had played together since 1998, with then lead singer Gary Cherone. In 2004, Van Halen reunited with Sammy Hagar, their second lead vocalist from 1985–1996, who had split with the band due to tensions with Eddie Van Halen. Hagar claimed that the 1996 split resulted from disagreements over recording new tracks for the movie Twister, after he was exhausted from touring in support of the band’s album Balance. According to Hagar, he was then informed that the songs the band had recorded would be released without his vocals and were not going to be used for the Twister soundtrack, but for a greatest-hits album, which Hagar opposed. However, Eddie Van Halen claimed that the tensions with Hagar stemmed from the singer’s decision to produce his own “solo best-of set,” which increased tensions when Hagar then refused to partake in the Van Halen greatest hits release. Van Halen turned to David Lee Roth, the band’s first lead singer, to replace Hagar as the band's lead singer.\n\nThe 2004 reunion tour resulted after Sammy Hagar decided to call drummer Alex Van Halen in 2003 and “hit it off like old times.\" After Hagar then called lead guitarist Eddie Van Halen, the band was once again reunited.\n\nOriginally, the band planned to release a full-length album, titled The Best of Both Worlds, which would have featured the instrumentals from the aborted second album with Gary Cherone, with Hagar on vocals. This plan was abandoned because Eddie Van Halen was only able to complete three of the tracks. They decided to release a new compilation double album featuring three new songs, which was to be followed by a reunion tour. The new songs were \"It's About Time\", \"Up for Breakfast\" and \"Learning to See\". Initially, 28 dates were announced, but the tour was extended to 80 across five months.\n\nMichael Anthony originally thought that the tour would expand to Europe, Japan, and South America, but the idea was abandoned because of Hagar's feud with Eddie Van Halen.\n\nControversies \nHagar’s reunion with the band, and relationship with Eddie Van Halen, began well. In August 2004, Hagar said that he and Eddie Van Halen were going to “Pretend like it [the feud] never happened. We’re going to rise above it.” In an early review of the tour, Hagar was described as “undeniably delighted to be back together” with Van Halen. However, Hagar and Van Halen’s feelings of good ended up being short-lived.\n\nHagar accused Eddie of drinking too much, despite Eddie's denials: \"It was horrible to know a person that was in that kind of shape.\" In his memoir, Hagar wrote that during the tour Van Halen was “unkempt, hunched over, frighteningly skinny” and “drinking wine straight out of a bottle.\" Van Halen was reported to have collapsed during the tour as well, in addition to playing poorly due to his struggles with substance abuse. Eddie Van Halen said that he was “an alcoholic” and that in 2004 he became a “very angry drunk,” although he claimed that Hagar’s memoir was “definitely embellished.\"\n\nAnother point of contention during the tour was Sammy Hagar’s promotion of his Cabo Wabo tequila brand, to the displeasure of Eddie Van Halen. Bassist Michael Anthony said that “he [Eddie Van Halen] was never happy about that, the whole Cabo Wabo thing.” Anthony claimed that Sammy independently contracted with arenas to sell the tequila, which “would create some tension onstage and offstage.\" Hagar claims he was told by the Van Halen brothers, before the tour, that he would not be allowed to promote his Cabo Wabo tequila, so he purposefully “got a Cabo Wabo tattoo” on his arm and “wore short sleeves.\"\n\nThe tour also caused controversy with Michael Anthony, the band's longtime bassist (performing with them until 2000 when they went on hiatus, but still officially a member in 2004). Anthony was hired as a touring musician rather than a 'real' member of the band, resulting in being paid a reduced commission. Initially, the Van Halen brothers did not want him on the tour at all, but Sammy Hagar refused to tour without him.\n\nThe tour also resulted in a legal dispute between Van Halen and the Baltimore Orioles. The Orioles had contracted Van Halen to perform a September 2 concert at Oriole Park at Camden Yards for $1.5 million, in addition to 80 percent of ticket and merchandise revenues. However, the Orioles later canceled this deal, causing Van Halen to file a lawsuit in the U.S. District Court in Los Angeles, suing for at least $2 million. Van Halen argued that they lost potential revenue in the Baltimore area from a non-compete clause and that they had to rearrange the 2004 tour for the show that the Orioles’ reneged on.\n\nReception \nAccording to Pollstar, the tour grossed $54.3 million, making it the sixth highest grossing tour of 2004. Pollstar reports that the tour had an average ticket price of $99.12 and sold 1,054,238 tickets over 83 shows. However, according to Billboard Boxscore, the tour grossed nearly $40 million.\n\nCritical reception for the tour was generally negative, with some reviews alleging that the tour was a watered-down version of the band’s past versions. Jason Bracelin, of the Houston Press, wrote that “In their prime, the guys in Van Halen were as sticky, sweaty, and accident-prone as the best keggers. Now, they’re hard-rock parental units approaching their fifties, and so are many of their fans.\" Kyle Munson, of The Des Moines Register, wrote that Van Halen sounded “sloppy” and alleged that Hagar seemed more focused with signing autographs than singing. However, Doug Fox, after a performance in Salt Lake City, wrote that the future of Van Halen “seems to be on firmer ground as well with the return of Hagar.\"\n\nLegacy \nOverall, the tour’s long term reputation has been similarly poor, being described as both “Disastrous” by Nick Deriso of Ultimate Classic Rock and “Ill-Fated” by Andy Greene of Rolling Stone. The tour also is notable for its lasting damage on the relationship between lead singer Sammy Hagar and lead guitarist Eddie Van Halen. Sammy Hagar, in his memoir, wrote that after the 2004 tour, his relationship with Eddie Van Halen was “irretrievably broken.\" By the end of the tour, Anthony and Hagar reportedly used “different jets, different hotels, different limos, different security details\" from the Van Halen brothers.\n\nThe tour also signaled the declining relationship between bassist Michael Anthony and the band. Allegedly, Alex and Eddie Van Halen did not want to tour with Anthony, while Hagar insisted upon his presence in the band. Anthony ended up being forced to relinquish his Van Halen licensing rights in addition to a pay cut. Anthony claims he accepted the deal because he thought it may have been the last time the band would ever perform together. In 2006, Eddie Van Halen fired Anthony from the band and replaced him with his son, Wolfgang Van Halen.\n\nSetlist\nTypical Setlist\n\n \"Jump\"\n \"Runaround\"\n \"Humans Being\"\n \"Up for Breakfast\"\n Bass solo\n \"Somebody Get Me a Doctor\"\n \"Poundcake\"\n \"It's About Time\"\n Drum solo\n \"Top of the World\"\n \"Unchained\"\n \"Why Can't This Be Love\"\n \"Eagles Fly\"\n \"Deeper Kinda Love\"\n \"Learning to See\"\n \"Best of Both Worlds\"\n Guitar solo\n \"Dreams\"\n \"Ain't Talkin' 'bout Love\"\n \"Right Now\"\n \"You Really Got Me\"\n \"Panama\"\n \"When It's Love\"\n \"Runnin' with the Devil\" (occasionally with Michael Anthony on vocals)\n \"The Seventh Seal\" (occasionally)\n \"Finish What Ya Started\" (occasionally)\n\nPersonnel\nSammy Hagar – lead vocals, guitar\nEddie Van Halen – lead guitar, keyboards, backing vocals\nWolfgang Van Halen - rhythm guitar (during \"316\")\nMichael Anthony – bass guitar, backing vocals\nAlex Van Halen – drums, percussion\n\nTour dates\n\nReferences\n\nExternal links \n Van-Halen.com – The official Van Halen website\n Van Halen NewsDesk\n\nVan Halen concert tours\n2004 concert tours", "\"Love Walks In\" is a song by American Rock band Van Halen released as the third single from the band's seventh studio album, 5150 (1986). It was the first song the band wrote with vocalist Sammy Hagar. It peaked at number 4 on the US Billboard Mainstream Rock Songs chart, and reached number 22 on the Billboard Hot 100.\n\nBackground\nTo quote Hagar:\n\nHagar wrote the lyrics on the spot and sang it live with a hand-held mic.\n\nCharts\n\nPersonnel \n Sammy Hagar — lead vocals, lead guitar (live version)\n Eddie Van Halen — guitar, keyboards, backing vocals\n Michael Anthony — bass guitar, backing vocals\n Alex Van Halen — drums\n\nReferences\n\nVan Halen songs\n1986 songs\n1986 singles\nSongs written by Sammy Hagar\nSongs written by Michael Anthony (musician)\nSongs written by Eddie Van Halen\nSongs written by Alex Van Halen\nSongs about extraterrestrial life\nSynth-pop songs\nWarner Records singles" ]

[ "Michael Anthony Sobolewski (born June 20, 1954) is an American musician who was the bassist and backing vocalist for the hard rock band Van Halen from 1974 to 2006. He performed on Van Halen's first 11 albums and was their longest-tenured bassist. Following his 2006 departure, Anthony has collaborated with fellow former Van Halen bandmate Sammy Hagar for the supergroups Chickenfoot and Sammy Hagar and the Circle. In addition to his music career, he markets a line of hot sauces named Mad Anthony and related products.", "In addition to his music career, he markets a line of hot sauces named Mad Anthony and related products. Anthony was inducted to the Rock and Roll Hall of Fame as a member of Van Halen in 2007. Early years Anthony got his interest in music from his father, who played trumpet. Anthony began by playing trumpet. Anthony was partly raised in Chicago.", "Anthony began by playing trumpet. Anthony was partly raised in Chicago. Anthony was partly raised in Chicago. The family moved to California twice in Anthony's early years, settling in 1966 in Arcadia, California (Arcadia being located next to Pasadena, where Alex and Edward Van Halen, with whom Anthony would later play in the band Van Halen, were raised). Anthony attended Dana Junior High School, in Arcadia, California, from 1967 to 1969. Anthony was in the marching band at the school.", "Anthony was in the marching band at the school. Anthony was in the marching band at the school. He ran track in junior high and also showed promise in baseball, as a catcher, but by the time he started high school he had ceased doing athletics to concentrate on music. Anthony graduated from Arcadia High in 1972. Music career (1967–1974) Early musical endeavors Anthony took an interest in guitar as a teenager, but picked up the bass instead since most of his other friends already played guitar or drums.", "Music career (1967–1974) Early musical endeavors Anthony took an interest in guitar as a teenager, but picked up the bass instead since most of his other friends already played guitar or drums. Anthony's friend Mike Hershey gave him a Fender Mustang electric guitar that Anthony converted by removing the two highest strings and playing it as a bass guitar. Eventually, his father bought him a Victoria copy of a Fender Precision Bass and a Gibson amplifier.", "Eventually, his father bought him a Victoria copy of a Fender Precision Bass and a Gibson amplifier. Anthony mostly modelled his bass playing after Jack Bruce of Cream, but also admired Led Zeppelin's John Paul Jones and Harvey Brooks of Electric Flag. His first band was called Poverty's Children. Other bands he played in included Black Opal, Balls, and Snake. Although Anthony is naturally left-handed, he plays right-handed.", "Although Anthony is naturally left-handed, he plays right-handed. Although Anthony is naturally left-handed, he plays right-handed. Snake, a three-piece group featuring Anthony on lead vocals and bass guitar, was the last band in which Anthony played before joining Van Halen. Snake played covers of ZZ Top, Lynyrd Skynyrd, and Foghat, along with some original songs. They played several of the same types of gigs as did the Van Halen brothers' band Mammoth. Snake once opened for Mammoth during a show at Pasadena High School.", "Snake once opened for Mammoth during a show at Pasadena High School. Mammoth's PA failed that night, so Anthony lent them Snake's PA. While attending Pasadena City College, majoring in music, Anthony met Eddie Van Halen, who also took classes there. During this time, bass player Mark Stone parted ways with Mammoth and the Van Halens auditioned Anthony as a replacement. Anthony was impressed by their skill during subsequent jam sessions even though he had heard the brothers play before.", "Anthony was impressed by their skill during subsequent jam sessions even though he had heard the brothers play before. After the session, the Van Halen brothers asked Anthony to join their band. One story claims that he first consulted Snake guitarist Tony Caggiano, who advised Anthony to join up with the guitar prodigy and his brother. However, according to Anthony's web site, he immediately accepted. This has become the accepted version of events.", "This has become the accepted version of events. This has become the accepted version of events. Anthony had planned to attend college in Santa Barbara after he graduated from Pasadena City College, but instead he dropped out of PCC just before he earned enough credits for a degree so that he could devote all his time to Van Halen.", "Anthony had planned to attend college in Santa Barbara after he graduated from Pasadena City College, but instead he dropped out of PCC just before he earned enough credits for a degree so that he could devote all his time to Van Halen. (1974–1996) Van Halen In 1974, Eddie Van Halen, Alex Van Halen, David Lee Roth and Anthony became known as Van Halen, dropping the name Mammoth when they discovered another local band using that moniker.", "(1974–1996) Van Halen In 1974, Eddie Van Halen, Alex Van Halen, David Lee Roth and Anthony became known as Van Halen, dropping the name Mammoth when they discovered another local band using that moniker. After successfully navigating the Los Angeles & West Hollywood club scene and a 29 track demo produced by Kiss's Gene Simmons, Van Halen was signed to Warner Bros. in 1977 and released their self-titled debut album on February 10, 1978.", "After successfully navigating the Los Angeles & West Hollywood club scene and a 29 track demo produced by Kiss's Gene Simmons, Van Halen was signed to Warner Bros. in 1977 and released their self-titled debut album on February 10, 1978. Anthony was a 20% member (manager Noel Monk being the 5th) of all debts and profits, including merchandise, until midway through the 1984 tour, when tensions rose to the point that Roth and the Van Halen brothers insisted that he sign away all future songwriting credit and royalties, retroactive with the current 1984 LP.", "Anthony was a 20% member (manager Noel Monk being the 5th) of all debts and profits, including merchandise, until midway through the 1984 tour, when tensions rose to the point that Roth and the Van Halen brothers insisted that he sign away all future songwriting credit and royalties, retroactive with the current 1984 LP. Noel Monk later wrote of the event, \"If I were Mike, I would have told them to 'fuck off' and not played that night, to show them my worth.", "Noel Monk later wrote of the event, \"If I were Mike, I would have told them to 'fuck off' and not played that night, to show them my worth. Instead Mike didn't say a word and signed away millions of dollars, as the three stood over him, lying on the floor.\" The band released a total of ten studio albums from 1978 - 1995, a live album in 1993, as well as two greatest hits compilations during Anthony's tenure with the band.", "The band released a total of ten studio albums from 1978 - 1995, a live album in 1993, as well as two greatest hits compilations during Anthony's tenure with the band. Anthony produced a 1988 demo for his brother (Robert Lee Sobolewski) Bobby Leigh's band Asylum Suite, which was formed in 1984 and featured singer Michael Thomas Fiore.", "Anthony produced a 1988 demo for his brother (Robert Lee Sobolewski) Bobby Leigh's band Asylum Suite, which was formed in 1984 and featured singer Michael Thomas Fiore. (1996–2003) Diminishing role with Van Halen and side projects As early as 1996, rumors periodically surfaced that Anthony had been fired from Van Halen, despite claims to the contrary. Anthony continued working with the band although the rumors persisted until his actual departure following the 2004 reunion tour with Hagar.", "Anthony continued working with the band although the rumors persisted until his actual departure following the 2004 reunion tour with Hagar. Anthony's involvement in recording the 1998 album Van Halen III was dramatically less than previous albums. Anthony played bass on three songs, with Eddie playing the bass parts for the remainder. Anthony is credited as a songwriter for the album along with the rest of the band. Anthony performed with the band for the 1998 tour, and was credited on messages from the band thereafter.", "Anthony performed with the band for the 1998 tour, and was credited on messages from the band thereafter. He participated in the band's three reunion efforts with David Lee Roth in 1996, 2000 and 2001 (with the latter resulting in early versions of A Different Kind of Truth tracks). Anthony's name was also credited in a few band newsletters and appeared in band interviews during this time. Sometime after this, Anthony disappeared from public view until the 2004 reunion.", "Sometime after this, Anthony disappeared from public view until the 2004 reunion. Anthony began periodic appearances with Sammy Hagar during his solo tours. He usually played as part of both the Waboritas and Los Tres Gusanos, two of Hagar's bands. During 2002's Roth/Hagar tour (otherwise known as the \"Sans Halen\" or \"Sam and Dave\" tour), both Anthony and ex-Van Halen vocalist Gary Cherone made guest appearances at concerts, sometimes together.", "During 2002's Roth/Hagar tour (otherwise known as the \"Sans Halen\" or \"Sam and Dave\" tour), both Anthony and ex-Van Halen vocalist Gary Cherone made guest appearances at concerts, sometimes together. In 2002, Anthony, Hagar, Neal Schon, Deen Castronovo, and Joe Satriani formed the supergroup Planet Us and Anthony began making more frequent performances at Hagar concerts. Planet Us recorded two songs, including \"Psycho Vertigo\", which was intended for the original Spider-Man soundtrack but ultimately did not make the album.", "Planet Us recorded two songs, including \"Psycho Vertigo\", which was intended for the original Spider-Man soundtrack but ultimately did not make the album. That and the other Planet Us song written for the band, \"Peephole\", were later released on the 2008 Hagar solo album Cosmic Universal Fashion. (2003–2005) Van Halen reunion Initially when Eddie and Alex asked Hagar to rejoin at the end of 2003 for a 2004 tour, the plan was to not invite Anthony back.", "(2003–2005) Van Halen reunion Initially when Eddie and Alex asked Hagar to rejoin at the end of 2003 for a 2004 tour, the plan was to not invite Anthony back. Hagar, however, refused to perform if Anthony did not rejoin, and Anthony agreed to play but on a reduced royalties contract. The contract drawn up was for the duration of the tour only. In 2004, Van Halen released the compilation album The Best of Both Worlds which included three new songs.", "In 2004, Van Halen released the compilation album The Best of Both Worlds which included three new songs. Anthony did not participate in the writing of nor did he play bass on the new songs and was not credited on the album for the new material, although he did sing backup vocals on all of them. Anthony now states in media interviews that he has not spoken to the Van Halen brothers since the 2004 tour, except to Alex at the funeral of Van Halen drum tech Greg Emerson.", "Anthony now states in media interviews that he has not spoken to the Van Halen brothers since the 2004 tour, except to Alex at the funeral of Van Halen drum tech Greg Emerson. He has also speculated that since the brothers were not pleased with Hagar's commercial ventures such as the Cabo Wabo product line, their similar displeasure with Anthony's hot sauce brand may have caused the rift that ultimately separated Hagar and Anthony from the band.", "He has also speculated that since the brothers were not pleased with Hagar's commercial ventures such as the Cabo Wabo product line, their similar displeasure with Anthony's hot sauce brand may have caused the rift that ultimately separated Hagar and Anthony from the band. (2006–present) Departure from Van Halen and formation of Chickenfoot Anthony spent the summer of 2006 touring as a member of the Other Half during a segment of the Sammy Hagar and the Waboritas tour.", "(2006–present) Departure from Van Halen and formation of Chickenfoot Anthony spent the summer of 2006 touring as a member of the Other Half during a segment of the Sammy Hagar and the Waboritas tour. The Other Half featured Anthony and Hagar performing classic Van Halen songs from both the Roth and Hagar periods. On September 8, 2006, Eddie Van Halen announced that his son Wolfgang was replacing Anthony as Van Halen's bass player.", "On September 8, 2006, Eddie Van Halen announced that his son Wolfgang was replacing Anthony as Van Halen's bass player. On February 2, 2007, Van Halen announced that they were reuniting for a tour with original vocalist David Lee Roth. Their tour began on September 27, 2007. Anthony commented that he heard about his replacement \"on the Internet\" and added, \"I'm a little miffed that they're calling it a Van Halen reunion.", "Anthony commented that he heard about his replacement \"on the Internet\" and added, \"I'm a little miffed that they're calling it a Van Halen reunion. If I was dead and they needed someone to play, that's one thing, but to me this is not a reunion.\" At the tour press conference David Lee Roth stated, \"This is not a reunion, this is a revision.\"", "At the tour press conference David Lee Roth stated, \"This is not a reunion, this is a revision.\" Anthony joined Hagar on live national television on February 25, 2007, during a pre-race performance for the California NASCAR race on Fox television. Anthony jumped onstage and joined Hagar during a performance of \"I Can't Drive 55.\" Anthony and Hagar were the only members, former or current, to appear at Van Halen's induction into the Rock and Roll Hall of Fame on March 12, 2007.", "Anthony and Hagar were the only members, former or current, to appear at Van Halen's induction into the Rock and Roll Hall of Fame on March 12, 2007. Eddie Van Halen was in rehab at the time, and Alex Van Halen and David Lee Roth declined to appear. Anthony is a founding member, bassist and backing vocalist for the band Chickenfoot with Sammy Hagar, Red Hot Chili Peppers drummer Chad Smith and guitarist Joe Satriani.", "Anthony is a founding member, bassist and backing vocalist for the band Chickenfoot with Sammy Hagar, Red Hot Chili Peppers drummer Chad Smith and guitarist Joe Satriani. The band released their first studio album in Europe on June 5, 2009, followed by the North American release on June 9. Chickenfoot released their sophomore effort, Chickenfoot III, on September 27, 2011.", "Chickenfoot released their sophomore effort, Chickenfoot III, on September 27, 2011. Anthony is a member of Sammy Hagar and the Circle, a supergroup that formed in 2014 and features Hagar as well as guitarist Vic Johnson and drummer Jason Bonham. Personal life Anthony met Sue Hendry when both attended Arcadia High School. They married in 1981. They have two daughters: Elisha (born 1985) and Taylor (born 1992). Anthony and his family reside in Newport Beach, California.", "Anthony and his family reside in Newport Beach, California. He can be seen during televised car shows, often being interviewed regarding his love and knowledge for classic motorcycles and cars. Anthony mostly stayed on the sidelines of the rockstar \"party hard\" lifestyle, though he was often seen and photographed with a cigarette and a Jack Daniel's (whiskey logo) bass guitar.", "Anthony mostly stayed on the sidelines of the rockstar \"party hard\" lifestyle, though he was often seen and photographed with a cigarette and a Jack Daniel's (whiskey logo) bass guitar. Discography with Van Halen Van Halen (1978) Van Halen II (1979) Women and Children First (1980) Fair Warning (1981) Diver Down (1982) 1984 (1984) 5150 (1986) OU812 (1988) For Unlawful Carnal Knowledge (1991) Balance (1995) Van Halen III (1998) with Chickenfoot Chickenfoot (2009) Chickenfoot III (2011) with the Circle Space Between (2019) Lockdown 2020 (2021) Commercial ventures Anthony maintains a personal website titled \"Mad Anthony's Cafe\" where he markets and sells a number of signature products including hot sauce, BBQ sauce, and hot mustard.", "Discography with Van Halen Van Halen (1978) Van Halen II (1979) Women and Children First (1980) Fair Warning (1981) Diver Down (1982) 1984 (1984) 5150 (1986) OU812 (1988) For Unlawful Carnal Knowledge (1991) Balance (1995) Van Halen III (1998) with Chickenfoot Chickenfoot (2009) Chickenfoot III (2011) with the Circle Space Between (2019) Lockdown 2020 (2021) Commercial ventures Anthony maintains a personal website titled \"Mad Anthony's Cafe\" where he markets and sells a number of signature products including hot sauce, BBQ sauce, and hot mustard. His line of commercial foods is the result of a collaboration with a San Diego, California restaurant noted for its hot sauces.", "His line of commercial foods is the result of a collaboration with a San Diego, California restaurant noted for its hot sauces. His hot sauce brand, \"Mad Anthony,\" has been noted on local news segments and on the Food Network for being \"high-end\" due to the quality of its ingredients and manufacturing process. The site also provides information on Anthony's Schecter Guitar Research bass guitar series. Chickenfoot bandmate Sammy Hagar carries the bassist's hot sauces at his Sammy's Beach Bar & Grill locations.", "Chickenfoot bandmate Sammy Hagar carries the bassist's hot sauces at his Sammy's Beach Bar & Grill locations. References References External links Official Web site Van Halen Store Van Halen News Desk People from the San Gabriel Valley Planet Us members 1954 births American heavy metal bass guitarists American male bass guitarists Living people Van Halen members Chickenfoot members American people of Polish descent American rock bass guitarists Pasadena City College alumni 20th-century American bass guitarists 21st-century American guitarists Sammy Hagar and the Circle members" ]

[ "Michael Anthony (musician)", "(1996-2003) Diminishing role with Van Halen and side projects", "What projects did Michael Anthony do with Van Halen?", "Anthony's involvement in recording the 1998 album Van Halen III was dramatically less than previous albums.", "What was the first album he recorded with Van Halen?", "I don't know.", "Why did he have less involvement with Van Halen III?", "albums. Anthony played bass on only three songs, with Eddie Van Halen playing the bass parts for the remainder." ]

[ "Van Halen 2007–2008 Tour was a North American concert tour occurring in the fall of 2007 and winter and spring of 2008 for hard rock band Van Halen. It was Van Halen's first tour since 2004 (which itself was the band's only tour since 1998), and the first one with original singer David Lee Roth since he left the band in 1985. Roth was with the band from 1974 to 1985, when the band rose to prominence.\n\nThe tour was originally going to be a fifty date summer tour in 2007. When rescheduled, it was announced as a twenty-five date tour in Winter 2007. Gradually, dates were added, bringing it up to forty dates. In November 2007, the band announced an extension of the tour into 2008, eventually adding thirty-four new dates to the tour, bringing the total up to seventy-four, ending in April . Ultimately, the tour was then re-branded as the \"Van Halen 2007–2008 North American Tour\". A number of dates were postponed in early March, due to a reported illness Eddie Van Halen appeared to be suffering from.\n\nHistory\nA Van Halen tour with Roth was rumoured for months beforehand, and there had been discussions about a reunion with him for years (in part fueled by Roth's first public attempt at a reunion with Van Halen going wrong) but with no success. \"Ed and Al hated that guy,\" noted Sammy Hagar. \"Really hated him. I would never have believed they'd get back together.\" Three times in 2000–2001, Roth entered the 5150 studio (Eddie Van Halen's personal recording studio) with the Van Halen brothers to jam.\n\nAn angle to the tour was that Eddie Van Halen's 16-year-old son Wolfgang Van Halen was the new bassist; the first time any slot other than the vocalist had changed since 1974. This offended many fans because original bassist Michael Anthony was not asked to be a part of this reunion. Wolfgang was a mere 17 years old at the time. However the tour sold well, selling out several dates. Initially 25 dates across the USA/Canada were announced, but 50 more were added due to the demand.\n\nThe tour started on September 27, 2007 and finished on July 3, 2008 with a total of 76 dates. The band's last tour, with Sammy Hagar in 2004 (against which this tour was compared directly), was originally set to be 50 dates and was extended to 80.\n\nKy-Mani Marley, son of reggae artist Bob Marley, opened each show bar the final two during the first three legs of the tour. R&B singer Ryan Shaw announced that, beginning on February 22, he would be the opening act for the remainder of the tour. Shaw began to tour with the band starting with the Las Vegas show on April 19.\n\nThe tour was officially named the \"Van Halen Fall 2007 Tour\" during early announcements. A \"Merry Christmas\" message on the Van Halen website referred to the \"2007 tour\", with no new title given for the 2008 leg. The website merely stated, \"As Van Halen readies for a much needed holiday break, it's back on the road in 2008 to continue the tour.\" Extra dates were added repeatedly, and all postponed dates were made up for at later stages, with no information on if the \"2007 tour\" actually had a scheduled ending.\n\nUltimately, the tour grossed over $93 million, the band's most profitable to date.\n\nSetlist\n\n\"You Really Got Me\" (The Kinks cover)\n\"I'm the One\"\n\"Runnin' with the Devil\"\n\"Romeo Delight\"\n\"Somebody Get Me a Doctor\"\n\"Beautiful Girls\"\n\"Dance the Night Away\"\n\"Atomic Punk\"\n\"Everybody Wants Some!!\"\n\"So This Is Love?\"\n\"Mean Street\"\n\"Oh, Pretty Woman\" (Roy Orbison cover)\nAlex Van Halen drum solo\n\"Unchained\"\n\"I'll Wait\"\n\"And the Cradle Will Rock...\"\n\"Hot for Teacher\"\n\"Little Dreamer\"\n\"Little Guitars\"\n\"Jamie's Cryin'\"\n\"Ice Cream Man\" (John Brim cover)\n\"Panama\"\nEddie Van Halen guitar solo\" [and \"Eruption\", \"Spanish Fly\", \"Cathedral\", \"Women in Love...\" (Intro), and \"316\"]\n\"Ain't Talkin' 'Bout Love\"\n\"1984\" and \"Jump\" [Encore]\n\nInformation\n \"Little Guitars\" (Dropped from the setlist after the second leg.)\n\nPersonnel\nVan Halen\nDavid Lee Roth – lead vocals\nEddie Van Halen – lead guitar, keyboards, backing vocals\nWolfgang Van Halen – bass guitar, backing vocals\nAlex Van Halen – drums, percussion\n\nSupport acts\nKy-Mani Marley\nThe Tragically Hip\nPassafire\nRyan Shaw\n\nTour dates\n\n David Lee Roth's first show with Van Halen since September 2, 1984.\n Private BlackBerry Limited show.\n\nReferences\n\nExternal links\n Van-Halen.com – The official Van Halen website\n Van Halen NewsDesk\n\nVan Halen concert tours\n2007 concert tours\n2008 concert tours\nReunion concert tours", "The Van Halen Tour 2004 was a North American concert tour by hard rock band Van Halen. It was the band's first tour since 1998 and saw the return of lead singer Sammy Hagar, who left the band in 1996 after tensions with lead guitarist Eddie Van Halen.\n\nTensions between Hagar and Eddie Van Halen were rekindled during the rehearsals before the tour even started and continued until the last show. The 2004 tour marked the last time that Hagar would ever perform with Van Halen. Some points of contention between the two included Eddie's increased struggles with substance abuse and Sammy Hagar’s promotion of his personal Cabo Wabo tequila brand. The tour also signaled the declining relationship of bassist Michael Anthony with Eddie and Alex Van Halen. During the 2004 tour, Anthony was forced to lose his licensing rights to the band and to take a pay cut due to tensions with the Van Halen brothers.\n\nWhile commercially successful, the tour generally received poor reviews from critics, with some alleging that the Eddie was sloppy, unfocused, and past their prime. The tour’s legacy has been similarly poor as well, especially regarding the off-stage developments involving Sammy Hagar and Michael Anthony. Nick Deriso of Ultimate Classic Rock called the tour “disastrous.\"\n\nBackground \nThe 2004 tour was the first time that Van Halen had played together since 1998, with then lead singer Gary Cherone. In 2004, Van Halen reunited with Sammy Hagar, their second lead vocalist from 1985–1996, who had split with the band due to tensions with Eddie Van Halen. Hagar claimed that the 1996 split resulted from disagreements over recording new tracks for the movie Twister, after he was exhausted from touring in support of the band’s album Balance. According to Hagar, he was then informed that the songs the band had recorded would be released without his vocals and were not going to be used for the Twister soundtrack, but for a greatest-hits album, which Hagar opposed. However, Eddie Van Halen claimed that the tensions with Hagar stemmed from the singer’s decision to produce his own “solo best-of set,” which increased tensions when Hagar then refused to partake in the Van Halen greatest hits release. Van Halen turned to David Lee Roth, the band’s first lead singer, to replace Hagar as the band's lead singer.\n\nThe 2004 reunion tour resulted after Sammy Hagar decided to call drummer Alex Van Halen in 2003 and “hit it off like old times.\" After Hagar then called lead guitarist Eddie Van Halen, the band was once again reunited.\n\nOriginally, the band planned to release a full-length album, titled The Best of Both Worlds, which would have featured the instrumentals from the aborted second album with Gary Cherone, with Hagar on vocals. This plan was abandoned because Eddie Van Halen was only able to complete three of the tracks. They decided to release a new compilation double album featuring three new songs, which was to be followed by a reunion tour. The new songs were \"It's About Time\", \"Up for Breakfast\" and \"Learning to See\". Initially, 28 dates were announced, but the tour was extended to 80 across five months.\n\nMichael Anthony originally thought that the tour would expand to Europe, Japan, and South America, but the idea was abandoned because of Hagar's feud with Eddie Van Halen.\n\nControversies \nHagar’s reunion with the band, and relationship with Eddie Van Halen, began well. In August 2004, Hagar said that he and Eddie Van Halen were going to “Pretend like it [the feud] never happened. We’re going to rise above it.” In an early review of the tour, Hagar was described as “undeniably delighted to be back together” with Van Halen. However, Hagar and Van Halen’s feelings of good ended up being short-lived.\n\nHagar accused Eddie of drinking too much, despite Eddie's denials: \"It was horrible to know a person that was in that kind of shape.\" In his memoir, Hagar wrote that during the tour Van Halen was “unkempt, hunched over, frighteningly skinny” and “drinking wine straight out of a bottle.\" Van Halen was reported to have collapsed during the tour as well, in addition to playing poorly due to his struggles with substance abuse. Eddie Van Halen said that he was “an alcoholic” and that in 2004 he became a “very angry drunk,” although he claimed that Hagar’s memoir was “definitely embellished.\"\n\nAnother point of contention during the tour was Sammy Hagar’s promotion of his Cabo Wabo tequila brand, to the displeasure of Eddie Van Halen. Bassist Michael Anthony said that “he [Eddie Van Halen] was never happy about that, the whole Cabo Wabo thing.” Anthony claimed that Sammy independently contracted with arenas to sell the tequila, which “would create some tension onstage and offstage.\" Hagar claims he was told by the Van Halen brothers, before the tour, that he would not be allowed to promote his Cabo Wabo tequila, so he purposefully “got a Cabo Wabo tattoo” on his arm and “wore short sleeves.\"\n\nThe tour also caused controversy with Michael Anthony, the band's longtime bassist (performing with them until 2000 when they went on hiatus, but still officially a member in 2004). Anthony was hired as a touring musician rather than a 'real' member of the band, resulting in being paid a reduced commission. Initially, the Van Halen brothers did not want him on the tour at all, but Sammy Hagar refused to tour without him.\n\nThe tour also resulted in a legal dispute between Van Halen and the Baltimore Orioles. The Orioles had contracted Van Halen to perform a September 2 concert at Oriole Park at Camden Yards for $1.5 million, in addition to 80 percent of ticket and merchandise revenues. However, the Orioles later canceled this deal, causing Van Halen to file a lawsuit in the U.S. District Court in Los Angeles, suing for at least $2 million. Van Halen argued that they lost potential revenue in the Baltimore area from a non-compete clause and that they had to rearrange the 2004 tour for the show that the Orioles’ reneged on.\n\nReception \nAccording to Pollstar, the tour grossed $54.3 million, making it the sixth highest grossing tour of 2004. Pollstar reports that the tour had an average ticket price of $99.12 and sold 1,054,238 tickets over 83 shows. However, according to Billboard Boxscore, the tour grossed nearly $40 million.\n\nCritical reception for the tour was generally negative, with some reviews alleging that the tour was a watered-down version of the band’s past versions. Jason Bracelin, of the Houston Press, wrote that “In their prime, the guys in Van Halen were as sticky, sweaty, and accident-prone as the best keggers. Now, they’re hard-rock parental units approaching their fifties, and so are many of their fans.\" Kyle Munson, of The Des Moines Register, wrote that Van Halen sounded “sloppy” and alleged that Hagar seemed more focused with signing autographs than singing. However, Doug Fox, after a performance in Salt Lake City, wrote that the future of Van Halen “seems to be on firmer ground as well with the return of Hagar.\"\n\nLegacy \nOverall, the tour’s long term reputation has been similarly poor, being described as both “Disastrous” by Nick Deriso of Ultimate Classic Rock and “Ill-Fated” by Andy Greene of Rolling Stone. The tour also is notable for its lasting damage on the relationship between lead singer Sammy Hagar and lead guitarist Eddie Van Halen. Sammy Hagar, in his memoir, wrote that after the 2004 tour, his relationship with Eddie Van Halen was “irretrievably broken.\" By the end of the tour, Anthony and Hagar reportedly used “different jets, different hotels, different limos, different security details\" from the Van Halen brothers.\n\nThe tour also signaled the declining relationship between bassist Michael Anthony and the band. Allegedly, Alex and Eddie Van Halen did not want to tour with Anthony, while Hagar insisted upon his presence in the band. Anthony ended up being forced to relinquish his Van Halen licensing rights in addition to a pay cut. Anthony claims he accepted the deal because he thought it may have been the last time the band would ever perform together. In 2006, Eddie Van Halen fired Anthony from the band and replaced him with his son, Wolfgang Van Halen.\n\nSetlist\nTypical Setlist\n\n \"Jump\"\n \"Runaround\"\n \"Humans Being\"\n \"Up for Breakfast\"\n Bass solo\n \"Somebody Get Me a Doctor\"\n \"Poundcake\"\n \"It's About Time\"\n Drum solo\n \"Top of the World\"\n \"Unchained\"\n \"Why Can't This Be Love\"\n \"Eagles Fly\"\n \"Deeper Kinda Love\"\n \"Learning to See\"\n \"Best of Both Worlds\"\n Guitar solo\n \"Dreams\"\n \"Ain't Talkin' 'bout Love\"\n \"Right Now\"\n \"You Really Got Me\"\n \"Panama\"\n \"When It's Love\"\n \"Runnin' with the Devil\" (occasionally with Michael Anthony on vocals)\n \"The Seventh Seal\" (occasionally)\n \"Finish What Ya Started\" (occasionally)\n\nPersonnel\nSammy Hagar – lead vocals, guitar\nEddie Van Halen – lead guitar, keyboards, backing vocals\nWolfgang Van Halen - rhythm guitar (during \"316\")\nMichael Anthony – bass guitar, backing vocals\nAlex Van Halen – drums, percussion\n\nTour dates\n\nReferences\n\nExternal links \n Van-Halen.com – The official Van Halen website\n Van Halen NewsDesk\n\nVan Halen concert tours\n2004 concert tours" ]

[ "Michael Anthony Sobolewski (born June 20, 1954) is an American musician who was the bassist and backing vocalist for the hard rock band Van Halen from 1974 to 2006. He performed on Van Halen's first 11 albums and was their longest-tenured bassist. Following his 2006 departure, Anthony has collaborated with fellow former Van Halen bandmate Sammy Hagar for the supergroups Chickenfoot and Sammy Hagar and the Circle. In addition to his music career, he markets a line of hot sauces named Mad Anthony and related products.", "In addition to his music career, he markets a line of hot sauces named Mad Anthony and related products. Anthony was inducted to the Rock and Roll Hall of Fame as a member of Van Halen in 2007. Early years Anthony got his interest in music from his father, who played trumpet. Anthony began by playing trumpet. Anthony was partly raised in Chicago.", "Anthony began by playing trumpet. Anthony was partly raised in Chicago. Anthony was partly raised in Chicago. The family moved to California twice in Anthony's early years, settling in 1966 in Arcadia, California (Arcadia being located next to Pasadena, where Alex and Edward Van Halen, with whom Anthony would later play in the band Van Halen, were raised). Anthony attended Dana Junior High School, in Arcadia, California, from 1967 to 1969. Anthony was in the marching band at the school.", "Anthony was in the marching band at the school. Anthony was in the marching band at the school. He ran track in junior high and also showed promise in baseball, as a catcher, but by the time he started high school he had ceased doing athletics to concentrate on music. Anthony graduated from Arcadia High in 1972. Music career (1967–1974) Early musical endeavors Anthony took an interest in guitar as a teenager, but picked up the bass instead since most of his other friends already played guitar or drums.", "Music career (1967–1974) Early musical endeavors Anthony took an interest in guitar as a teenager, but picked up the bass instead since most of his other friends already played guitar or drums. Anthony's friend Mike Hershey gave him a Fender Mustang electric guitar that Anthony converted by removing the two highest strings and playing it as a bass guitar. Eventually, his father bought him a Victoria copy of a Fender Precision Bass and a Gibson amplifier.", "Eventually, his father bought him a Victoria copy of a Fender Precision Bass and a Gibson amplifier. Anthony mostly modelled his bass playing after Jack Bruce of Cream, but also admired Led Zeppelin's John Paul Jones and Harvey Brooks of Electric Flag. His first band was called Poverty's Children. Other bands he played in included Black Opal, Balls, and Snake. Although Anthony is naturally left-handed, he plays right-handed.", "Although Anthony is naturally left-handed, he plays right-handed. Although Anthony is naturally left-handed, he plays right-handed. Snake, a three-piece group featuring Anthony on lead vocals and bass guitar, was the last band in which Anthony played before joining Van Halen. Snake played covers of ZZ Top, Lynyrd Skynyrd, and Foghat, along with some original songs. They played several of the same types of gigs as did the Van Halen brothers' band Mammoth. Snake once opened for Mammoth during a show at Pasadena High School.", "Snake once opened for Mammoth during a show at Pasadena High School. Mammoth's PA failed that night, so Anthony lent them Snake's PA. While attending Pasadena City College, majoring in music, Anthony met Eddie Van Halen, who also took classes there. During this time, bass player Mark Stone parted ways with Mammoth and the Van Halens auditioned Anthony as a replacement. Anthony was impressed by their skill during subsequent jam sessions even though he had heard the brothers play before.", "Anthony was impressed by their skill during subsequent jam sessions even though he had heard the brothers play before. After the session, the Van Halen brothers asked Anthony to join their band. One story claims that he first consulted Snake guitarist Tony Caggiano, who advised Anthony to join up with the guitar prodigy and his brother. However, according to Anthony's web site, he immediately accepted. This has become the accepted version of events.", "This has become the accepted version of events. This has become the accepted version of events. Anthony had planned to attend college in Santa Barbara after he graduated from Pasadena City College, but instead he dropped out of PCC just before he earned enough credits for a degree so that he could devote all his time to Van Halen.", "Anthony had planned to attend college in Santa Barbara after he graduated from Pasadena City College, but instead he dropped out of PCC just before he earned enough credits for a degree so that he could devote all his time to Van Halen. (1974–1996) Van Halen In 1974, Eddie Van Halen, Alex Van Halen, David Lee Roth and Anthony became known as Van Halen, dropping the name Mammoth when they discovered another local band using that moniker.", "(1974–1996) Van Halen In 1974, Eddie Van Halen, Alex Van Halen, David Lee Roth and Anthony became known as Van Halen, dropping the name Mammoth when they discovered another local band using that moniker. After successfully navigating the Los Angeles & West Hollywood club scene and a 29 track demo produced by Kiss's Gene Simmons, Van Halen was signed to Warner Bros. in 1977 and released their self-titled debut album on February 10, 1978.", "After successfully navigating the Los Angeles & West Hollywood club scene and a 29 track demo produced by Kiss's Gene Simmons, Van Halen was signed to Warner Bros. in 1977 and released their self-titled debut album on February 10, 1978. Anthony was a 20% member (manager Noel Monk being the 5th) of all debts and profits, including merchandise, until midway through the 1984 tour, when tensions rose to the point that Roth and the Van Halen brothers insisted that he sign away all future songwriting credit and royalties, retroactive with the current 1984 LP.", "Anthony was a 20% member (manager Noel Monk being the 5th) of all debts and profits, including merchandise, until midway through the 1984 tour, when tensions rose to the point that Roth and the Van Halen brothers insisted that he sign away all future songwriting credit and royalties, retroactive with the current 1984 LP. Noel Monk later wrote of the event, \"If I were Mike, I would have told them to 'fuck off' and not played that night, to show them my worth.", "Noel Monk later wrote of the event, \"If I were Mike, I would have told them to 'fuck off' and not played that night, to show them my worth. Instead Mike didn't say a word and signed away millions of dollars, as the three stood over him, lying on the floor.\" The band released a total of ten studio albums from 1978 - 1995, a live album in 1993, as well as two greatest hits compilations during Anthony's tenure with the band.", "The band released a total of ten studio albums from 1978 - 1995, a live album in 1993, as well as two greatest hits compilations during Anthony's tenure with the band. Anthony produced a 1988 demo for his brother (Robert Lee Sobolewski) Bobby Leigh's band Asylum Suite, which was formed in 1984 and featured singer Michael Thomas Fiore.", "Anthony produced a 1988 demo for his brother (Robert Lee Sobolewski) Bobby Leigh's band Asylum Suite, which was formed in 1984 and featured singer Michael Thomas Fiore. (1996–2003) Diminishing role with Van Halen and side projects As early as 1996, rumors periodically surfaced that Anthony had been fired from Van Halen, despite claims to the contrary. Anthony continued working with the band although the rumors persisted until his actual departure following the 2004 reunion tour with Hagar.", "Anthony continued working with the band although the rumors persisted until his actual departure following the 2004 reunion tour with Hagar. Anthony's involvement in recording the 1998 album Van Halen III was dramatically less than previous albums. Anthony played bass on three songs, with Eddie playing the bass parts for the remainder. Anthony is credited as a songwriter for the album along with the rest of the band. Anthony performed with the band for the 1998 tour, and was credited on messages from the band thereafter.", "Anthony performed with the band for the 1998 tour, and was credited on messages from the band thereafter. He participated in the band's three reunion efforts with David Lee Roth in 1996, 2000 and 2001 (with the latter resulting in early versions of A Different Kind of Truth tracks). Anthony's name was also credited in a few band newsletters and appeared in band interviews during this time. Sometime after this, Anthony disappeared from public view until the 2004 reunion.", "Sometime after this, Anthony disappeared from public view until the 2004 reunion. Anthony began periodic appearances with Sammy Hagar during his solo tours. He usually played as part of both the Waboritas and Los Tres Gusanos, two of Hagar's bands. During 2002's Roth/Hagar tour (otherwise known as the \"Sans Halen\" or \"Sam and Dave\" tour), both Anthony and ex-Van Halen vocalist Gary Cherone made guest appearances at concerts, sometimes together.", "During 2002's Roth/Hagar tour (otherwise known as the \"Sans Halen\" or \"Sam and Dave\" tour), both Anthony and ex-Van Halen vocalist Gary Cherone made guest appearances at concerts, sometimes together. In 2002, Anthony, Hagar, Neal Schon, Deen Castronovo, and Joe Satriani formed the supergroup Planet Us and Anthony began making more frequent performances at Hagar concerts. Planet Us recorded two songs, including \"Psycho Vertigo\", which was intended for the original Spider-Man soundtrack but ultimately did not make the album.", "Planet Us recorded two songs, including \"Psycho Vertigo\", which was intended for the original Spider-Man soundtrack but ultimately did not make the album. That and the other Planet Us song written for the band, \"Peephole\", were later released on the 2008 Hagar solo album Cosmic Universal Fashion. (2003–2005) Van Halen reunion Initially when Eddie and Alex asked Hagar to rejoin at the end of 2003 for a 2004 tour, the plan was to not invite Anthony back.", "(2003–2005) Van Halen reunion Initially when Eddie and Alex asked Hagar to rejoin at the end of 2003 for a 2004 tour, the plan was to not invite Anthony back. Hagar, however, refused to perform if Anthony did not rejoin, and Anthony agreed to play but on a reduced royalties contract. The contract drawn up was for the duration of the tour only. In 2004, Van Halen released the compilation album The Best of Both Worlds which included three new songs.", "In 2004, Van Halen released the compilation album The Best of Both Worlds which included three new songs. Anthony did not participate in the writing of nor did he play bass on the new songs and was not credited on the album for the new material, although he did sing backup vocals on all of them. Anthony now states in media interviews that he has not spoken to the Van Halen brothers since the 2004 tour, except to Alex at the funeral of Van Halen drum tech Greg Emerson.", "Anthony now states in media interviews that he has not spoken to the Van Halen brothers since the 2004 tour, except to Alex at the funeral of Van Halen drum tech Greg Emerson. He has also speculated that since the brothers were not pleased with Hagar's commercial ventures such as the Cabo Wabo product line, their similar displeasure with Anthony's hot sauce brand may have caused the rift that ultimately separated Hagar and Anthony from the band.", "He has also speculated that since the brothers were not pleased with Hagar's commercial ventures such as the Cabo Wabo product line, their similar displeasure with Anthony's hot sauce brand may have caused the rift that ultimately separated Hagar and Anthony from the band. (2006–present) Departure from Van Halen and formation of Chickenfoot Anthony spent the summer of 2006 touring as a member of the Other Half during a segment of the Sammy Hagar and the Waboritas tour.", "(2006–present) Departure from Van Halen and formation of Chickenfoot Anthony spent the summer of 2006 touring as a member of the Other Half during a segment of the Sammy Hagar and the Waboritas tour. The Other Half featured Anthony and Hagar performing classic Van Halen songs from both the Roth and Hagar periods. On September 8, 2006, Eddie Van Halen announced that his son Wolfgang was replacing Anthony as Van Halen's bass player.", "On September 8, 2006, Eddie Van Halen announced that his son Wolfgang was replacing Anthony as Van Halen's bass player. On February 2, 2007, Van Halen announced that they were reuniting for a tour with original vocalist David Lee Roth. Their tour began on September 27, 2007. Anthony commented that he heard about his replacement \"on the Internet\" and added, \"I'm a little miffed that they're calling it a Van Halen reunion.", "Anthony commented that he heard about his replacement \"on the Internet\" and added, \"I'm a little miffed that they're calling it a Van Halen reunion. If I was dead and they needed someone to play, that's one thing, but to me this is not a reunion.\" At the tour press conference David Lee Roth stated, \"This is not a reunion, this is a revision.\"", "At the tour press conference David Lee Roth stated, \"This is not a reunion, this is a revision.\" Anthony joined Hagar on live national television on February 25, 2007, during a pre-race performance for the California NASCAR race on Fox television. Anthony jumped onstage and joined Hagar during a performance of \"I Can't Drive 55.\" Anthony and Hagar were the only members, former or current, to appear at Van Halen's induction into the Rock and Roll Hall of Fame on March 12, 2007.", "Anthony and Hagar were the only members, former or current, to appear at Van Halen's induction into the Rock and Roll Hall of Fame on March 12, 2007. Eddie Van Halen was in rehab at the time, and Alex Van Halen and David Lee Roth declined to appear. Anthony is a founding member, bassist and backing vocalist for the band Chickenfoot with Sammy Hagar, Red Hot Chili Peppers drummer Chad Smith and guitarist Joe Satriani.", "Anthony is a founding member, bassist and backing vocalist for the band Chickenfoot with Sammy Hagar, Red Hot Chili Peppers drummer Chad Smith and guitarist Joe Satriani. The band released their first studio album in Europe on June 5, 2009, followed by the North American release on June 9. Chickenfoot released their sophomore effort, Chickenfoot III, on September 27, 2011.", "Chickenfoot released their sophomore effort, Chickenfoot III, on September 27, 2011. Anthony is a member of Sammy Hagar and the Circle, a supergroup that formed in 2014 and features Hagar as well as guitarist Vic Johnson and drummer Jason Bonham. Personal life Anthony met Sue Hendry when both attended Arcadia High School. They married in 1981. They have two daughters: Elisha (born 1985) and Taylor (born 1992). Anthony and his family reside in Newport Beach, California.", "Anthony and his family reside in Newport Beach, California. He can be seen during televised car shows, often being interviewed regarding his love and knowledge for classic motorcycles and cars. Anthony mostly stayed on the sidelines of the rockstar \"party hard\" lifestyle, though he was often seen and photographed with a cigarette and a Jack Daniel's (whiskey logo) bass guitar.", "Anthony mostly stayed on the sidelines of the rockstar \"party hard\" lifestyle, though he was often seen and photographed with a cigarette and a Jack Daniel's (whiskey logo) bass guitar. Discography with Van Halen Van Halen (1978) Van Halen II (1979) Women and Children First (1980) Fair Warning (1981) Diver Down (1982) 1984 (1984) 5150 (1986) OU812 (1988) For Unlawful Carnal Knowledge (1991) Balance (1995) Van Halen III (1998) with Chickenfoot Chickenfoot (2009) Chickenfoot III (2011) with the Circle Space Between (2019) Lockdown 2020 (2021) Commercial ventures Anthony maintains a personal website titled \"Mad Anthony's Cafe\" where he markets and sells a number of signature products including hot sauce, BBQ sauce, and hot mustard.", "Discography with Van Halen Van Halen (1978) Van Halen II (1979) Women and Children First (1980) Fair Warning (1981) Diver Down (1982) 1984 (1984) 5150 (1986) OU812 (1988) For Unlawful Carnal Knowledge (1991) Balance (1995) Van Halen III (1998) with Chickenfoot Chickenfoot (2009) Chickenfoot III (2011) with the Circle Space Between (2019) Lockdown 2020 (2021) Commercial ventures Anthony maintains a personal website titled \"Mad Anthony's Cafe\" where he markets and sells a number of signature products including hot sauce, BBQ sauce, and hot mustard. His line of commercial foods is the result of a collaboration with a San Diego, California restaurant noted for its hot sauces.", "His line of commercial foods is the result of a collaboration with a San Diego, California restaurant noted for its hot sauces. His hot sauce brand, \"Mad Anthony,\" has been noted on local news segments and on the Food Network for being \"high-end\" due to the quality of its ingredients and manufacturing process. The site also provides information on Anthony's Schecter Guitar Research bass guitar series. Chickenfoot bandmate Sammy Hagar carries the bassist's hot sauces at his Sammy's Beach Bar & Grill locations.", "Chickenfoot bandmate Sammy Hagar carries the bassist's hot sauces at his Sammy's Beach Bar & Grill locations. References References External links Official Web site Van Halen Store Van Halen News Desk People from the San Gabriel Valley Planet Us members 1954 births American heavy metal bass guitarists American male bass guitarists Living people Van Halen members Chickenfoot members American people of Polish descent American rock bass guitarists Pasadena City College alumni 20th-century American bass guitarists 21st-century American guitarists Sammy Hagar and the Circle members" ]

[ "Michael Anthony (musician)", "(1996-2003) Diminishing role with Van Halen and side projects", "What projects did Michael Anthony do with Van Halen?", "Anthony's involvement in recording the 1998 album Van Halen III was dramatically less than previous albums.", "What was the first album he recorded with Van Halen?", "I don't know.", "Why did he have less involvement with Van Halen III?", "albums. Anthony played bass on only three songs, with Eddie Van Halen playing the bass parts for the remainder.", "Did he go on tour with van Halen?", "Anthony performed with the band for the 1998 tour," ]

[ "The Bigger Than Life Tour was a co- headlining tour by American rock bands, Daughtry and 3 Doors Down. The tour supported Daughtry's third studio album, Break the Spell, and 3 Doors Down's The Greatest Hits album.\n\nBackground\nThe tour was announced on October 8, 2012. Chris Daughtry said, \"It's an honor to be able to go on the road with 3 Doors Down. We are excited to give fans an energetic rock show every night sharing songs from both our catalogs...we can't wait to hit the road to share it with our fans.\" The second leg of the tour was announced on December 10, 2012, and the third leg on April 23, 2013.\n\nOpening acts\nP.O.D. \nAranda \nHalestorm \nBad Seed Rising\n\nSet list\n\nTour dates\n\nFestivals and other miscellaneous performances\nThis concert is a part of Innsbrook After Hours.\nThis concert is a part of Freedom Fest at University of Wisconsin – La Crosse\n\nBox office score date\n\nReferences\n\n2012 concert tours\n2013 concert tours\nCo-headlining concert tours\nDaughtry (band) concert tours\n3 Doors Down", "star-crossed:unveiled was the seventh concert tour by American singer-songwriter Kacey Musgraves in support of her fifth studio album, star-crossed (2021). It began on January 19, 2022, in Saint Paul, Minnesota and concluded in Los Angeles, California on February 20, 2022, comprising of 14 arena shows. King Princess and MUNA served as opening acts.\n\nBackground\nThe tour was announced on August 30, 2021, ahead of the release of star-crossed.\n\nThe show in Toronto, initially scheduled for January 24, 2022, was postponed to February 25, 2022 due to COVID-19 restrictions in Canada. The new show date was to be limited to 50% capacity based on regulations in Ontario. On February 25, Kacey and Scotiabank Arena announced the shows cancellation, as vital production elements were not able to arrive at the venue in time due to inclement weather.\n\nSetlist\nThis set list is from the concert on January 19, 2022, in Saint Paul, Minnesota. It is not intended to represent all shows from the tour.\n\n \"Star-Crossed\"\n \"Good Wife\"\n \"Cherry Blossom\n \"Simple Times\"\n \"Breadwinner\"\n \"Golden Hour\"\n \"Butterflies\"\n \"Lonely Weekend\"\n \"Space Cowboy\"\n \"High Horse\"\n \"Camera Roll\"\n \"Hookup Scene\"\n \"Merry Go 'Round\"\n \"No Scrubs\"\n \"Justified\"\n \"There Is a Light\"\n \"Gracias a la Vida\" \nEncore\n \"Slow Burn\"\n \"Rainbow\"\n\nShows\n\nCancelled shows\n\nReferences\n\n2022 concert tours\nConcert tours of Canada\nConcert tours of North America\nConcert tours of the United States" ]

[ "Michael Anthony Sobolewski (born June 20, 1954) is an American musician who was the bassist and backing vocalist for the hard rock band Van Halen from 1974 to 2006. He performed on Van Halen's first 11 albums and was their longest-tenured bassist. Following his 2006 departure, Anthony has collaborated with fellow former Van Halen bandmate Sammy Hagar for the supergroups Chickenfoot and Sammy Hagar and the Circle. In addition to his music career, he markets a line of hot sauces named Mad Anthony and related products.", "In addition to his music career, he markets a line of hot sauces named Mad Anthony and related products. Anthony was inducted to the Rock and Roll Hall of Fame as a member of Van Halen in 2007. Early years Anthony got his interest in music from his father, who played trumpet. Anthony began by playing trumpet. Anthony was partly raised in Chicago.", "Anthony began by playing trumpet. Anthony was partly raised in Chicago. Anthony was partly raised in Chicago. The family moved to California twice in Anthony's early years, settling in 1966 in Arcadia, California (Arcadia being located next to Pasadena, where Alex and Edward Van Halen, with whom Anthony would later play in the band Van Halen, were raised). Anthony attended Dana Junior High School, in Arcadia, California, from 1967 to 1969. Anthony was in the marching band at the school.", "Anthony was in the marching band at the school. Anthony was in the marching band at the school. He ran track in junior high and also showed promise in baseball, as a catcher, but by the time he started high school he had ceased doing athletics to concentrate on music. Anthony graduated from Arcadia High in 1972. Music career (1967–1974) Early musical endeavors Anthony took an interest in guitar as a teenager, but picked up the bass instead since most of his other friends already played guitar or drums.", "Music career (1967–1974) Early musical endeavors Anthony took an interest in guitar as a teenager, but picked up the bass instead since most of his other friends already played guitar or drums. Anthony's friend Mike Hershey gave him a Fender Mustang electric guitar that Anthony converted by removing the two highest strings and playing it as a bass guitar. Eventually, his father bought him a Victoria copy of a Fender Precision Bass and a Gibson amplifier.", "Eventually, his father bought him a Victoria copy of a Fender Precision Bass and a Gibson amplifier. Anthony mostly modelled his bass playing after Jack Bruce of Cream, but also admired Led Zeppelin's John Paul Jones and Harvey Brooks of Electric Flag. His first band was called Poverty's Children. Other bands he played in included Black Opal, Balls, and Snake. Although Anthony is naturally left-handed, he plays right-handed.", "Although Anthony is naturally left-handed, he plays right-handed. Although Anthony is naturally left-handed, he plays right-handed. Snake, a three-piece group featuring Anthony on lead vocals and bass guitar, was the last band in which Anthony played before joining Van Halen. Snake played covers of ZZ Top, Lynyrd Skynyrd, and Foghat, along with some original songs. They played several of the same types of gigs as did the Van Halen brothers' band Mammoth. Snake once opened for Mammoth during a show at Pasadena High School.", "Snake once opened for Mammoth during a show at Pasadena High School. Mammoth's PA failed that night, so Anthony lent them Snake's PA. While attending Pasadena City College, majoring in music, Anthony met Eddie Van Halen, who also took classes there. During this time, bass player Mark Stone parted ways with Mammoth and the Van Halens auditioned Anthony as a replacement. Anthony was impressed by their skill during subsequent jam sessions even though he had heard the brothers play before.", "Anthony was impressed by their skill during subsequent jam sessions even though he had heard the brothers play before. After the session, the Van Halen brothers asked Anthony to join their band. One story claims that he first consulted Snake guitarist Tony Caggiano, who advised Anthony to join up with the guitar prodigy and his brother. However, according to Anthony's web site, he immediately accepted. This has become the accepted version of events.", "This has become the accepted version of events. This has become the accepted version of events. Anthony had planned to attend college in Santa Barbara after he graduated from Pasadena City College, but instead he dropped out of PCC just before he earned enough credits for a degree so that he could devote all his time to Van Halen.", "Anthony had planned to attend college in Santa Barbara after he graduated from Pasadena City College, but instead he dropped out of PCC just before he earned enough credits for a degree so that he could devote all his time to Van Halen. (1974–1996) Van Halen In 1974, Eddie Van Halen, Alex Van Halen, David Lee Roth and Anthony became known as Van Halen, dropping the name Mammoth when they discovered another local band using that moniker.", "(1974–1996) Van Halen In 1974, Eddie Van Halen, Alex Van Halen, David Lee Roth and Anthony became known as Van Halen, dropping the name Mammoth when they discovered another local band using that moniker. After successfully navigating the Los Angeles & West Hollywood club scene and a 29 track demo produced by Kiss's Gene Simmons, Van Halen was signed to Warner Bros. in 1977 and released their self-titled debut album on February 10, 1978.", "After successfully navigating the Los Angeles & West Hollywood club scene and a 29 track demo produced by Kiss's Gene Simmons, Van Halen was signed to Warner Bros. in 1977 and released their self-titled debut album on February 10, 1978. Anthony was a 20% member (manager Noel Monk being the 5th) of all debts and profits, including merchandise, until midway through the 1984 tour, when tensions rose to the point that Roth and the Van Halen brothers insisted that he sign away all future songwriting credit and royalties, retroactive with the current 1984 LP.", "Anthony was a 20% member (manager Noel Monk being the 5th) of all debts and profits, including merchandise, until midway through the 1984 tour, when tensions rose to the point that Roth and the Van Halen brothers insisted that he sign away all future songwriting credit and royalties, retroactive with the current 1984 LP. Noel Monk later wrote of the event, \"If I were Mike, I would have told them to 'fuck off' and not played that night, to show them my worth.", "Noel Monk later wrote of the event, \"If I were Mike, I would have told them to 'fuck off' and not played that night, to show them my worth. Instead Mike didn't say a word and signed away millions of dollars, as the three stood over him, lying on the floor.\" The band released a total of ten studio albums from 1978 - 1995, a live album in 1993, as well as two greatest hits compilations during Anthony's tenure with the band.", "The band released a total of ten studio albums from 1978 - 1995, a live album in 1993, as well as two greatest hits compilations during Anthony's tenure with the band. Anthony produced a 1988 demo for his brother (Robert Lee Sobolewski) Bobby Leigh's band Asylum Suite, which was formed in 1984 and featured singer Michael Thomas Fiore.", "Anthony produced a 1988 demo for his brother (Robert Lee Sobolewski) Bobby Leigh's band Asylum Suite, which was formed in 1984 and featured singer Michael Thomas Fiore. (1996–2003) Diminishing role with Van Halen and side projects As early as 1996, rumors periodically surfaced that Anthony had been fired from Van Halen, despite claims to the contrary. Anthony continued working with the band although the rumors persisted until his actual departure following the 2004 reunion tour with Hagar.", "Anthony continued working with the band although the rumors persisted until his actual departure following the 2004 reunion tour with Hagar. Anthony's involvement in recording the 1998 album Van Halen III was dramatically less than previous albums. Anthony played bass on three songs, with Eddie playing the bass parts for the remainder. Anthony is credited as a songwriter for the album along with the rest of the band. Anthony performed with the band for the 1998 tour, and was credited on messages from the band thereafter.", "Anthony performed with the band for the 1998 tour, and was credited on messages from the band thereafter. He participated in the band's three reunion efforts with David Lee Roth in 1996, 2000 and 2001 (with the latter resulting in early versions of A Different Kind of Truth tracks). Anthony's name was also credited in a few band newsletters and appeared in band interviews during this time. Sometime after this, Anthony disappeared from public view until the 2004 reunion.", "Sometime after this, Anthony disappeared from public view until the 2004 reunion. Anthony began periodic appearances with Sammy Hagar during his solo tours. He usually played as part of both the Waboritas and Los Tres Gusanos, two of Hagar's bands. During 2002's Roth/Hagar tour (otherwise known as the \"Sans Halen\" or \"Sam and Dave\" tour), both Anthony and ex-Van Halen vocalist Gary Cherone made guest appearances at concerts, sometimes together.", "During 2002's Roth/Hagar tour (otherwise known as the \"Sans Halen\" or \"Sam and Dave\" tour), both Anthony and ex-Van Halen vocalist Gary Cherone made guest appearances at concerts, sometimes together. In 2002, Anthony, Hagar, Neal Schon, Deen Castronovo, and Joe Satriani formed the supergroup Planet Us and Anthony began making more frequent performances at Hagar concerts. Planet Us recorded two songs, including \"Psycho Vertigo\", which was intended for the original Spider-Man soundtrack but ultimately did not make the album.", "Planet Us recorded two songs, including \"Psycho Vertigo\", which was intended for the original Spider-Man soundtrack but ultimately did not make the album. That and the other Planet Us song written for the band, \"Peephole\", were later released on the 2008 Hagar solo album Cosmic Universal Fashion. (2003–2005) Van Halen reunion Initially when Eddie and Alex asked Hagar to rejoin at the end of 2003 for a 2004 tour, the plan was to not invite Anthony back.", "(2003–2005) Van Halen reunion Initially when Eddie and Alex asked Hagar to rejoin at the end of 2003 for a 2004 tour, the plan was to not invite Anthony back. Hagar, however, refused to perform if Anthony did not rejoin, and Anthony agreed to play but on a reduced royalties contract. The contract drawn up was for the duration of the tour only. In 2004, Van Halen released the compilation album The Best of Both Worlds which included three new songs.", "In 2004, Van Halen released the compilation album The Best of Both Worlds which included three new songs. Anthony did not participate in the writing of nor did he play bass on the new songs and was not credited on the album for the new material, although he did sing backup vocals on all of them. Anthony now states in media interviews that he has not spoken to the Van Halen brothers since the 2004 tour, except to Alex at the funeral of Van Halen drum tech Greg Emerson.", "Anthony now states in media interviews that he has not spoken to the Van Halen brothers since the 2004 tour, except to Alex at the funeral of Van Halen drum tech Greg Emerson. He has also speculated that since the brothers were not pleased with Hagar's commercial ventures such as the Cabo Wabo product line, their similar displeasure with Anthony's hot sauce brand may have caused the rift that ultimately separated Hagar and Anthony from the band.", "He has also speculated that since the brothers were not pleased with Hagar's commercial ventures such as the Cabo Wabo product line, their similar displeasure with Anthony's hot sauce brand may have caused the rift that ultimately separated Hagar and Anthony from the band. (2006–present) Departure from Van Halen and formation of Chickenfoot Anthony spent the summer of 2006 touring as a member of the Other Half during a segment of the Sammy Hagar and the Waboritas tour.", "(2006–present) Departure from Van Halen and formation of Chickenfoot Anthony spent the summer of 2006 touring as a member of the Other Half during a segment of the Sammy Hagar and the Waboritas tour. The Other Half featured Anthony and Hagar performing classic Van Halen songs from both the Roth and Hagar periods. On September 8, 2006, Eddie Van Halen announced that his son Wolfgang was replacing Anthony as Van Halen's bass player.", "On September 8, 2006, Eddie Van Halen announced that his son Wolfgang was replacing Anthony as Van Halen's bass player. On February 2, 2007, Van Halen announced that they were reuniting for a tour with original vocalist David Lee Roth. Their tour began on September 27, 2007. Anthony commented that he heard about his replacement \"on the Internet\" and added, \"I'm a little miffed that they're calling it a Van Halen reunion.", "Anthony commented that he heard about his replacement \"on the Internet\" and added, \"I'm a little miffed that they're calling it a Van Halen reunion. If I was dead and they needed someone to play, that's one thing, but to me this is not a reunion.\" At the tour press conference David Lee Roth stated, \"This is not a reunion, this is a revision.\"", "At the tour press conference David Lee Roth stated, \"This is not a reunion, this is a revision.\" Anthony joined Hagar on live national television on February 25, 2007, during a pre-race performance for the California NASCAR race on Fox television. Anthony jumped onstage and joined Hagar during a performance of \"I Can't Drive 55.\" Anthony and Hagar were the only members, former or current, to appear at Van Halen's induction into the Rock and Roll Hall of Fame on March 12, 2007.", "Anthony and Hagar were the only members, former or current, to appear at Van Halen's induction into the Rock and Roll Hall of Fame on March 12, 2007. Eddie Van Halen was in rehab at the time, and Alex Van Halen and David Lee Roth declined to appear. Anthony is a founding member, bassist and backing vocalist for the band Chickenfoot with Sammy Hagar, Red Hot Chili Peppers drummer Chad Smith and guitarist Joe Satriani.", "Anthony is a founding member, bassist and backing vocalist for the band Chickenfoot with Sammy Hagar, Red Hot Chili Peppers drummer Chad Smith and guitarist Joe Satriani. The band released their first studio album in Europe on June 5, 2009, followed by the North American release on June 9. Chickenfoot released their sophomore effort, Chickenfoot III, on September 27, 2011.", "Chickenfoot released their sophomore effort, Chickenfoot III, on September 27, 2011. Anthony is a member of Sammy Hagar and the Circle, a supergroup that formed in 2014 and features Hagar as well as guitarist Vic Johnson and drummer Jason Bonham. Personal life Anthony met Sue Hendry when both attended Arcadia High School. They married in 1981. They have two daughters: Elisha (born 1985) and Taylor (born 1992). Anthony and his family reside in Newport Beach, California.", "Anthony and his family reside in Newport Beach, California. He can be seen during televised car shows, often being interviewed regarding his love and knowledge for classic motorcycles and cars. Anthony mostly stayed on the sidelines of the rockstar \"party hard\" lifestyle, though he was often seen and photographed with a cigarette and a Jack Daniel's (whiskey logo) bass guitar.", "Anthony mostly stayed on the sidelines of the rockstar \"party hard\" lifestyle, though he was often seen and photographed with a cigarette and a Jack Daniel's (whiskey logo) bass guitar. Discography with Van Halen Van Halen (1978) Van Halen II (1979) Women and Children First (1980) Fair Warning (1981) Diver Down (1982) 1984 (1984) 5150 (1986) OU812 (1988) For Unlawful Carnal Knowledge (1991) Balance (1995) Van Halen III (1998) with Chickenfoot Chickenfoot (2009) Chickenfoot III (2011) with the Circle Space Between (2019) Lockdown 2020 (2021) Commercial ventures Anthony maintains a personal website titled \"Mad Anthony's Cafe\" where he markets and sells a number of signature products including hot sauce, BBQ sauce, and hot mustard.", "Discography with Van Halen Van Halen (1978) Van Halen II (1979) Women and Children First (1980) Fair Warning (1981) Diver Down (1982) 1984 (1984) 5150 (1986) OU812 (1988) For Unlawful Carnal Knowledge (1991) Balance (1995) Van Halen III (1998) with Chickenfoot Chickenfoot (2009) Chickenfoot III (2011) with the Circle Space Between (2019) Lockdown 2020 (2021) Commercial ventures Anthony maintains a personal website titled \"Mad Anthony's Cafe\" where he markets and sells a number of signature products including hot sauce, BBQ sauce, and hot mustard. His line of commercial foods is the result of a collaboration with a San Diego, California restaurant noted for its hot sauces.", "His line of commercial foods is the result of a collaboration with a San Diego, California restaurant noted for its hot sauces. His hot sauce brand, \"Mad Anthony,\" has been noted on local news segments and on the Food Network for being \"high-end\" due to the quality of its ingredients and manufacturing process. The site also provides information on Anthony's Schecter Guitar Research bass guitar series. Chickenfoot bandmate Sammy Hagar carries the bassist's hot sauces at his Sammy's Beach Bar & Grill locations.", "Chickenfoot bandmate Sammy Hagar carries the bassist's hot sauces at his Sammy's Beach Bar & Grill locations. References References External links Official Web site Van Halen Store Van Halen News Desk People from the San Gabriel Valley Planet Us members 1954 births American heavy metal bass guitarists American male bass guitarists Living people Van Halen members Chickenfoot members American people of Polish descent American rock bass guitarists Pasadena City College alumni 20th-century American bass guitarists 21st-century American guitarists Sammy Hagar and the Circle members" ]

[ "Mary Surratt", "Burial" ]

[ "The Zvejnieki burial ground is an archaeological site consisting of a large Stone Age (i.e. Mesolithic and Neolithic cemetery with over 400 burials and associated grave goods. It is located along a drumlin on the northern shore of Lake Burtnieks in northern Latvia.\n\nThe site had been known among archaeologists since the nineteenth century. However, it was first explored archaeologically through excavations led by Francis Zagorskis between 1964 and 1978. Before the discovery of a human skull in 1964, the site was used primarily for quarrying gravel. Archaeologists estimate that the site originally contained over 400 burials.\n\nThe cemetery contains 330 recorded burials, with roughly equal numbers of male and females. About one third of the burials are children. The principal grave goods are animal tooth pendants, occurring in both adult and child graves. A smaller number of male and female graves contain hunting and fishing equipment, including harpoons, spears, arrowheads and fish-hooks. The earliest burials are dated to the Middle Mesolithic, 8th millennium BCE, but they continue throughout the Stone Age, extending over at least four millennia.\n\nTwo sites representing settlements have been identified close to the cemetery: Zvejnieki I (Neolithic) and Zvejnieki II (Mesolithic).\n\nArchaeogenetics\nIn 2017, researchers successfully extracted the ancient DNA from the petrous bone of six adult individuals buried at Zvejnieki. DNA analysis showed that Burial 121, which was previously thought to be female, was actually male, and that Burials 221 and 137, which were previously thought to male, were actually female.\n\nDNA analysis shows that the people from Zvejnieki appear to have maintained genetic continuity from the Mesolithic to the Neolithic and likely adopted Neolithic practices through cultural diffusion, as the populations showed little genetic affinity for the Anatolian farmers that migrated to large parts of Europe during the Neolithic. However, a late Neolithic individual from Zvejnieki, Burial 137, appears to show some genetic affinity for the Caucasus hunter-gathers typified by an ancient DNA sample from Satsurblia Cave.\n\nIn 2018, Mathieson et al. published an analysis of a large number of individuals buried at the Zvejnieki burial ground from ca. 7500 BC to 2700 BC. The Y-DNA of 15 males was extracted, with 8 carrying haplogroup R1b1a1a, 6 carrying I2a1 and various subclades of it (particularly I2a1a1), and one carrying Q1a2. With regards to mtDNA, every individual successfully analysed (both male and female) carried subclades of haplogroup U (particularly subclades of U2, U4 and U5).\n\nBurials\nThe burials at Zvejnieki include evidence for secondary burial: that people were intentionally using remains left by previous generations in their graves. The most typical way of burying their dead was in an oval shaped pit with grey fill. There were instances of darker soil from previous graves and burials that cut into other ones. This could be because of the want for the dead to be connected to their ancestors in the afterlife. By being dug into a previous grave, they can remain with their loved ones forever. The darker soil from other graves can be an indication that they were of higher status. It can also mean that this grave is not to be disturbed any further (see Burial 316 and 317). Disturbing previous graves at Zvejneiki was done more often than not. This could be in part due to the fact that they did not build permanent buildings. By incorporating their dead, or the past, into their burials, they were making it as permanent as it could be.\n\nThe most recent burials are listed here with what is known about them. Due to looting that has taken place, many do not have confirmations on what gender or age they were. Artifacts appear in some, as well as what was once clothing in a few. Some graves have multiple individuals within them, but it is still hard to say whether they were related or just buried together.\n\nBurial 309\nThis was a secondary burial. The individual had been disturbed, and there is no conclusion on gender or age. Only the skull and upper part of the thoracic cage was present.\n\nBurial 310\nThis burial had been disturbed, and there is no conclusion on what gender or age the individual was. Only lower limbs and the pelvis were preserved.\n\nBurial 311\nThis burial had been greatly disturbed but with the placement of the vertebrae, as well as help from the presence of phalanges from the left hand they know that it was a primary burial.\n\nBurial 312\nThis burial was found in the first excavation but could not be completed. Before they got back to it, it was looted. From the first excavation they determined that it contained four individuals, three adults and one child. There were also flint artifacts found, but it is unclear what their use was.\n\nBurial 313\nThis burial was 33 to 37 years old, and a female. They found a full skeleton that was placed on its back. She was a primary deposit, and the space was filled. There were a few animal bones found, but these may have just been a coincidence.\n\nBurial 314\nThis burial was over 35 years old, and a female. This was a primary deposit, and the space was filled.\n\nBurial 315\nThere was no gender or age determined for this burial. While they know that the individual was placed on their back, the remains were not well preserved.\n\nBurials 316 and 317\nThe most well-known is the double burial of 316 and 317. Archaeologists have determined it to be one female (on the left) and one male (on the right). Their grave was dug into five older burials on the site. They were then covered with a darker, older soil which would have been from an ancestors’ grave nearby, roughly 20 to 100 meters away. The darker soil may have been an indication of higher status or a way to show the grave should no longer be disturbed.\n\nThe female, Burial 316, was 36 to 40 years old. She was found with a plethora of grave goods. She had 120 amber pendants that went from the upper part of her body to just above the knees, two amber rings that were near her jaw, and 40 bone beads that were near the knees as well as other places. The collection she was buried with makes her one of the richest amber graves in the Baltic area.\n\nThe male, Burial 317, was 25 to 30 years old. He shows signs of being wrapped tightly when buried. His bones had limited movement, and are compressed.1 Around his cranium, they found a large presence of ochre which they believe could be from a clay mask that was painted. This individual was lying on top of a stone that was 15 cm. It was situated under his pelvic bone.\n\nBurial 318\nThis burial only yielded a forearm and hand, and so no age or gender has been determined. They think that this might have been disturbed when Burials 316 and 317 were dug.\n\nBurials 319 and 320\nThis double burial was of young children, neither of the genders were determined though. Burial 319 was around five years old, and Burial 320 was around two and a half years old. Eleven tooth pendants were found around them, and they were covered in ochre.\n\nBurial 321\nThis individual was between 16 and 17 years old, but the gender is undetermined. It was a primary deposition.\n\nBurial 322\nThis individual was between 35 and 40 years old, and a female. This burial was a primary deposit, but there have been disturbances from secondary burials around and on top of it.\n\nBurials 323 and 325\nThis burial also consists of two individuals but is not as lavish as the previous. Burial 323 is of a child around the age of four. The sex cannot be determined for this young individual.\n\nBurial 325 is of a male that was 30 to 35 years old. This double burial was a primary deposit, and there were no artifacts found with them in the grave. While there is no obvious reason to think they were deposited at the same time, there has been no disturbances after placement. There was also little movement of the bones for Burial 325 which could indicate that it was wrapped or covered.\n\nBurial 324\nThis burial has two individuals, but they were believed to be immature. 324a was a newborn and 324b was between two and three years old. Neither have a determined sex.\n\nBurial 326\nThis burial does not have a determined age or gender. They have determined that it was a primary deposit, and most likely was disturbed by the building of a house.\n\nBurial 328\nThis individual was a male between the ages of 20 and 25. It was a filled-in burial and no artifacts were found with him.\n\nBurial 329\nThis individual has no confirmed sex or age, but from their fully erupted third molars we know that it is an adult. It was a primary burial.\n\nBurial 330\nThis burial was found while excavating Burial 323-325. They concluded that this grave was dug into while depositing 323-325.\n\nSee also\n Deriivka\n Motala#Archaeogenetics\n Khvalynsk#Archaeogenetics\n Iron Gates Mesolithic\n Samara culture#Genetics\n\nReferences\n\n \n\nArchaeological sites in Latvia\nStone Age Latvia\nCorded Ware culture", "The African Burial Ground, (Shockoe Bottom African Burial Ground) known historically as the \"Burial Ground for Negroes\", is the older of two municipal burial grounds established for the interment of free people of color and the enslaved in the city of Richmond, Virginia. It is located at 1540 E Broad St., in the area known as Shockoe Bottom.\n\nHistory\nThe African Burial Ground (a.k.a Burial Ground for Negroes) may have been established around 1750, or as late as 1799. It was closed to new burials in 1816 after the opening of the Shockoe Hill African Burying Ground (Richmond's 2nd African Burial Ground) located at 5th and Marshall St. (now called Hospital St.).\n\nThe Burial Ground for Negroes was also the site of the city gallows. It is where the leader of a famous slave rebellion Gabriel Prosser, and 25 of his followers were executed in 1800.\n\nReferences\n\nExternal links\nSacred Ground Historical Reclamation Project: Richmond African Burial Ground\nRichmond Cemeteries: African Burial Ground\nCemeteries in Richmond, Virginia\nAfrican-American cemeteries\nAfrican-American history in Richmond, Virginia\nHistory of slavery in Virginia\nAfrican-American historic places" ]

[ "Mary Elizabeth Jenkins Surratt (1820 or May 1823 – July 7, 1865) was an American boarding house owner in Washington, D.C., who was convicted of taking part in the conspiracy which led to the assassination of U.S. President Abraham Lincoln in 1865. Sentenced to death, she was hanged and became the first woman executed by the US federal government. She maintained her innocence until her death, and the case against her was and is controversial.", "She maintained her innocence until her death, and the case against her was and is controversial. Surratt was the mother of John Surratt, who was later tried, but due to statute of limitations, was not convicted. Born in Maryland in the 1820s, Surratt converted to Catholicism at a young age and remained a practicing Catholic for the rest of her life. She wed John Harrison Surratt in 1840 and had three children with him.", "She wed John Harrison Surratt in 1840 and had three children with him. An entrepreneur, John became the owner of a tavern, an inn, and a hotel. The Surratts were sympathetic to the Confederate States of America and often hosted fellow Confederate sympathizers at their tavern. Upon her husband's death in 1862, Surratt had to manage his estate. Tired of doing so without help, Surratt moved to her townhouse in Washington, D.C., which she then ran as a boardinghouse.", "Tired of doing so without help, Surratt moved to her townhouse in Washington, D.C., which she then ran as a boardinghouse. There, she was introduced to John Wilkes Booth. Booth visited the boardinghouse numerous times, as did George Atzerodt and Lewis Powell, Booth's co-conspirators in the Lincoln assassination. Shortly before killing Lincoln, Booth spoke with Surratt and handed her a package containing binoculars for one of her tenants, John M. Lloyd.", "Shortly before killing Lincoln, Booth spoke with Surratt and handed her a package containing binoculars for one of her tenants, John M. Lloyd. After Lincoln was assassinated, Surratt was arrested, then tried by a military tribunal the following month, along with the other conspirators. She was convicted primarily due to the testimonies of Lloyd, who said that she told him to have the \"shooting irons\" ready, and Louis J. Weichmann, who testified about Surratt's relationships with Confederate groups and sympathizers.", "She was convicted primarily due to the testimonies of Lloyd, who said that she told him to have the \"shooting irons\" ready, and Louis J. Weichmann, who testified about Surratt's relationships with Confederate groups and sympathizers. Five of the nine judges at her trial asked that Surratt be granted clemency by President Andrew Johnson because of her age and gender. Johnson did not grant her clemency, though accounts differ as to whether or not he received the clemency request.", "Johnson did not grant her clemency, though accounts differ as to whether or not he received the clemency request. Surratt was hanged on July 7, 1865, and later buried in Mount Olivet Cemetery. She has since been portrayed in film, theater, and television. Early life Mary Elizabeth Jenkins (baptismal name, Maria Eugenia) was born to Archibald and Elizabeth Anne (née Webster) Jenkins on a tobacco plantation near the southern Maryland town of Waterloo (now known as Clinton).", "Early life Mary Elizabeth Jenkins (baptismal name, Maria Eugenia) was born to Archibald and Elizabeth Anne (née Webster) Jenkins on a tobacco plantation near the southern Maryland town of Waterloo (now known as Clinton). Sources differ as to whether she was born in 1820 or 1823. There is uncertainty as to the month as well, but most sources say May. She had two brothers: John Jenkins, born in 1822, and James Jenkins, born in 1825.", "She had two brothers: John Jenkins, born in 1822, and James Jenkins, born in 1825. Her father died in the fall of 1825 when Mary was either two or five years old, and Mary's mother then inherited their property (originally part of the His Lordship's Kindness estate). Although her father was a nondenominational Protestant and her mother Episcopalian, Surratt was enrolled in a private Roman Catholic girls' boarding school, the Academy for Young Ladies in Alexandria, Virginia, on November 25, 1835.", "Although her father was a nondenominational Protestant and her mother Episcopalian, Surratt was enrolled in a private Roman Catholic girls' boarding school, the Academy for Young Ladies in Alexandria, Virginia, on November 25, 1835. Mary's maternal aunt, Sarah Latham Webster, was a Catholic, which may have influenced where she was sent to school. Within two years, Mary converted to Roman Catholicism and adopted the baptismal name of Maria Eugenia.", "Within two years, Mary converted to Roman Catholicism and adopted the baptismal name of Maria Eugenia. She stayed at the Academy for Young Ladies for four years, leaving in 1839, when the school closed. She remained an observant Catholic for the rest of her life. Married life Mary Jenkins met John Harrison Surratt in 1839, when she was 16 or 19 and he was 26. His family had settled in Maryland in the late 1600s.", "His family had settled in Maryland in the late 1600s. An orphan, he was adopted by Richard and Sarah Neale of Washington, D.C., a wealthy couple who owned a farm. The Neales divided their farm among their children, and Surratt inherited a portion of it. His background has been described by historian Kate Clifford Larson as \"questionable\", and he had fathered at least one child out of wedlock. They wed in August 1840.", "They wed in August 1840. They wed in August 1840. John converted to Roman Catholicism prior to the marriage, and the couple may have wed at a Catholic church in Washington, D.C. John purchased a mill in Oxon Hill, Maryland, and the couple moved there. The Surratts had three children over the next few years: Isaac (born June 2, 1841), Elizabeth Susanna (nicknamed \"Anna\", born January 1, 1843), and John, Jr. (born April 1844).", "The Surratts had three children over the next few years: Isaac (born June 2, 1841), Elizabeth Susanna (nicknamed \"Anna\", born January 1, 1843), and John, Jr. (born April 1844). In 1843, John Surratt purchased from his adoptive father of land straddling the DC/Maryland border, a parcel named \"Foxhall\" (approximately the area between Wheeler Road and Owens Road today). Richard Neale died in September 1843, and a month later, John purchased of land adjoining Foxhall.", "Richard Neale died in September 1843, and a month later, John purchased of land adjoining Foxhall. John and Mary Surratt and their children moved back to John's childhood home in the District of Columbia in 1845 to help John's mother run the Neale farm. But Sarah Neale fell ill and died in August 1845, having shortly before her death deeded the remainder of the Neale farm to John.", "But Sarah Neale fell ill and died in August 1845, having shortly before her death deeded the remainder of the Neale farm to John. Mary Surratt became involved in raising funds to build St. Ignatius Church in Oxon Hill (it was constructed in 1850), but John was increasingly unhappy with his wife's religious activities. His behavior deteriorated over the next few years. John drank heavily, often failed to pay his debts, and his temper was increasingly volatile and violent.", "John drank heavily, often failed to pay his debts, and his temper was increasingly volatile and violent. In 1851, the Neale farmhouse burned to the ground (an escaped family slave was suspected of setting the blaze). John found work on the Orange and Alexandria Railroad. Mary moved with her children into the home of her cousin, Thomas Jenkins, in nearby Clinton. Within a year, John purchased of farmland near what is now Clinton, and by 1853, he constructed a tavern and an inn there.", "Within a year, John purchased of farmland near what is now Clinton, and by 1853, he constructed a tavern and an inn there. Mary initially refused to move herself and the children into the new residence. She took up residence on the old Neale farm, but John sold both the Neale farm and Foxhall in May 1853 to pay debts and she was forced to move back in with him in December.", "She took up residence on the old Neale farm, but John sold both the Neale farm and Foxhall in May 1853 to pay debts and she was forced to move back in with him in December. With the money he earned from the tavern and sale of his other property, on December 6, 1853, John Surratt bought a townhouse at 541 H Street in Washington, D.C., and began renting it out to tenants.", "With the money he earned from the tavern and sale of his other property, on December 6, 1853, John Surratt bought a townhouse at 541 H Street in Washington, D.C., and began renting it out to tenants. In 1854, John built a hotel as an addition to his tavern and called it Surratt's Hotel. The area around the tavern was officially named Surrattsville that same year.", "The area around the tavern was officially named Surrattsville that same year. Travelers could take Branch Road (now Branch Avenue) north into Washington, D.C.; Piscataway Road southwest to Piscataway; or Woodyard Road northeast to Upper Marlboro. Although Surrattsville was a well-known crossroads, the community did not amount to much: just the tavern, a post office (inside the tavern), a forge, and a dozen or so houses (some of them log cabins). John Surratt was the hamlet's first postmaster.", "John Surratt was the hamlet's first postmaster. John Surratt was the hamlet's first postmaster. He expanded his family's holdings by selling off land, paying down debt, and starting new businesses. Over the next few years, Surratt acquired or built a carriage house, corn crib, general store, forge, granary, gristmill, stable, tobacco curing house, and wheelwright's shop. The family had enough money to send all three children to nearby Roman Catholic boarding schools.", "The family had enough money to send all three children to nearby Roman Catholic boarding schools. Isaac and John Jr. attended the school at St. Thomas Manor, and Anna enrolled at the Academy for Young Ladies (Mary's alma mater). The family's debts continued to mount, however, and John Sr.'s drinking worsened. John sold another of land in 1856 to pay debts. By 1857, Surratt had sold all but of the family's formerly extensive holdings (which represented about half the he had originally owned).", "By 1857, Surratt had sold all but of the family's formerly extensive holdings (which represented about half the he had originally owned). Most of the family's slaves were also sold to pay debts. Still, his alcoholism worsened. In 1858, Mary wrote a letter to her local priest, telling him that Surratt was drunk every single day. In 1860, St. Thomas Manor School closed, and Isaac found work in Baltimore, Maryland.", "In 1860, St. Thomas Manor School closed, and Isaac found work in Baltimore, Maryland. The Surratts sold off another of land, which enabled Anna to remain at the Academy for Young Ladies and for John Jr. to enroll at St. Charles College, Maryland (a Catholic seminary and boarding school in Ellicott's Mills). The couple also borrowed money that same year against their townhouse in Washington, DC, and at some point used the property as collateral for a $1,000 loan.", "The couple also borrowed money that same year against their townhouse in Washington, DC, and at some point used the property as collateral for a $1,000 loan. Civil War and widowhood The American Civil War began on April 12, 1861. The border state of Maryland remained part of the United States (\"the Union\"), but the Surratts were Confederate sympathizers, and their tavern regularly hosted fellow sympathizers.", "The border state of Maryland remained part of the United States (\"the Union\"), but the Surratts were Confederate sympathizers, and their tavern regularly hosted fellow sympathizers. The Surratt tavern was being used as a safe house for Confederate spies, and at least one author concludes that Mary had \"de facto\" knowledge of this. Confederate scout and spy Thomas Nelson Conrad visited Surratt's boarding house before and during the Civil War.", "Confederate scout and spy Thomas Nelson Conrad visited Surratt's boarding house before and during the Civil War. On March 7, 1861, three days after Abraham Lincoln's inauguration as President of the United States, Isaac left Maryland and traveled to Texas, where he enlisted in the Confederate States Army (serving in the 33rd Cavalry, or Duff's Partisan Rangers, 14th Cavalry Battalion).", "On March 7, 1861, three days after Abraham Lincoln's inauguration as President of the United States, Isaac left Maryland and traveled to Texas, where he enlisted in the Confederate States Army (serving in the 33rd Cavalry, or Duff's Partisan Rangers, 14th Cavalry Battalion). John Jr. quit his studies at St. Charles College in July 1861 and became a courier for the Confederate Secret Service, moving messages, cash, and contraband back and forth across enemy lines.", "John Jr. quit his studies at St. Charles College in July 1861 and became a courier for the Confederate Secret Service, moving messages, cash, and contraband back and forth across enemy lines. The Confederate activities in and around Surrattsville drew the attention of the Union government. In late 1861, Lafayette C. Baker, a detective with the Union Intelligence Service, and 300 Union soldiers camped in Surrattsville and investigated the Surratts and others for Confederate activities.", "In late 1861, Lafayette C. Baker, a detective with the Union Intelligence Service, and 300 Union soldiers camped in Surrattsville and investigated the Surratts and others for Confederate activities. He quickly uncovered evidence of a large Confederate courier network operating in the area, but despite some arrests and warnings, the courier network remained intact. John Surratt collapsed suddenly and died on either August 25 or August 26 in 1862 (sources differ as to the date). The cause of death was a stroke.", "The cause of death was a stroke. The cause of death was a stroke. The Surratt family affairs were in serious financial difficulties. John Jr. and Anna both left school to help their mother run the family's remaining farmland and businesses. On September 10, 1862, John Jr. was appointed postmaster of the Surrattsville post office. Lafayette Baker swept through Surrattsville again in 1862, and several postmasters were dismissed for disloyalty, but John Jr. was not one of them.", "Lafayette Baker swept through Surrattsville again in 1862, and several postmasters were dismissed for disloyalty, but John Jr. was not one of them. In August 1863, he sought a job in the paymaster's department in the United States Department of War, but his application caused federal agents to be suspicious about his family's loyalties to the Union. On November 17, 1863, he was dismissed as postmaster for disloyalty. The loss of John Jr.'s job as postmaster caused a financial crisis for the Surratt family.", "The loss of John Jr.'s job as postmaster caused a financial crisis for the Surratt family. When John Sr.'s estate was probated in late November 1862, the family owned only two middle-age male slaves. However, by 1863, Louis J. Weichmann, a friend of John Jr. from St. Charles College, observed that the family had six or more slaves working on the property. By 1864, Mary Surratt found that her husband's unpaid debts and bad business deals had left her with many creditors.", "By 1864, Mary Surratt found that her husband's unpaid debts and bad business deals had left her with many creditors. Several of her slaves ran away. When he was not meeting with Confederate sympathizers in the city, her son was selling vegetables to raise cash for the family. Mary was tired of running the farm, tavern, and other businesses without her son's help. In the fall of 1864, she began considering moving to her townhouse in the city.", "In the fall of 1864, she began considering moving to her townhouse in the city. On October 1, 1864, she took possession of the townhouse at 604 H Street NW in Washington, D.C. The house was made of gray brick, wide, deep, and had four stories. The first floor, which was level with the street, had two large rooms, used as the kitchen and dining room.", "The first floor, which was level with the street, had two large rooms, used as the kitchen and dining room. The second floor had a front and back parlor, with the room in the rear used as Mary Surratt's bedroom. The third floor had three rooms: two in the front and a larger one at the back. The fourth floor, which was considered an attic, had two large and one small room, occupied by a servant.", "The fourth floor, which was considered an attic, had two large and one small room, occupied by a servant. Surratt began moving her belongings into the townhouse that month, and on November 1, 1864, Anna and John Jr. took up residence there. Mary Surratt herself moved into the home on December 1. That same day, she leased the tavern in Surrattsville to a former Washington, D.C., policeman and Confederate sympathizer John M. Lloyd for $500 a year.", "That same day, she leased the tavern in Surrattsville to a former Washington, D.C., policeman and Confederate sympathizer John M. Lloyd for $500 a year. On November 30, December 8, and December 27, Mary Surratt advertised for lodgers in the Daily Evening Star newspaper. She had initially said that she wanted only lodgers who were known to her personally or were recommended by friends, but in her advertisements, she said rooms were \"available for 4 gentlemen.\"", "She had initially said that she wanted only lodgers who were known to her personally or were recommended by friends, but in her advertisements, she said rooms were \"available for 4 gentlemen.\" Some scholars have raised questions about Surratt's move into the city. Historians Kate Larson and Roy Chamlee have noted that although there is no definite proof, a case can be made that Surratt made the move into the city in furtherance of her and her son's espionage activities.", "Historians Kate Larson and Roy Chamlee have noted that although there is no definite proof, a case can be made that Surratt made the move into the city in furtherance of her and her son's espionage activities. For example, Larson and Chamlee say that on September 21, 1864, John Surratt wrote to Louis J. Weichmann, observing that the family's plans to move into the city were advancing rapidly \"on account of certain events having turned up,\" perhaps a cryptic reference to either his Confederate activities in general or the conspiracy to kidnap or kill Lincoln.", "For example, Larson and Chamlee say that on September 21, 1864, John Surratt wrote to Louis J. Weichmann, observing that the family's plans to move into the city were advancing rapidly \"on account of certain events having turned up,\" perhaps a cryptic reference to either his Confederate activities in general or the conspiracy to kidnap or kill Lincoln. Larson has observed that although the move made long-term economic sense for Surratt, it also, in the short term, would have meant moving expenses and furnishing up to 10 rooms in the townhouse, money that she did not have.", "Larson has observed that although the move made long-term economic sense for Surratt, it also, in the short term, would have meant moving expenses and furnishing up to 10 rooms in the townhouse, money that she did not have. Chamlee, too, found little economic reason to move into the city and concluded that it would have been more profitable to rent the H Street boarding house entirely to lodgers. During her time in the city, Surratt tried to keep her daughter away from what she felt were negative influences.", "During her time in the city, Surratt tried to keep her daughter away from what she felt were negative influences. Moreover, Surratt still owed money on both the tavern and the townhouse and would take out yet another mortgage against the townhouse in January 1865. John Jr. transferred all his title to the family property to his mother in January 1865. That act may have additional implications. A traitor's property could be seized, and John's spy knowledge was certainly his motivation for relinquishing his title to the houses and land.", "A traitor's property could be seized, and John's spy knowledge was certainly his motivation for relinquishing his title to the houses and land. Mary may have known of his motivation as well or at least suspected. If she did, she would have possessed at least de facto knowledge of the conspiracy. Conspiracy Louis J. Weichmann moved into Surratt's boarding house on November 1, 1864. On December 23, 1864, Dr. Samuel Mudd introduced John Surratt Jr. to John Wilkes Booth.", "On December 23, 1864, Dr. Samuel Mudd introduced John Surratt Jr. to John Wilkes Booth. Booth recruited John Jr. into his conspiracy to kidnap Lincoln. Confederate agents began frequenting the boarding house. Booth visited the boarding house many times over the next few months, sometimes at Mary's request. George Atzerodt and Lewis Powell boarded at the townhouse for short periods.", "George Atzerodt and Lewis Powell boarded at the townhouse for short periods. Atzerodt, a friend of both John Jr. and Booth and a co-conspirator in the plot to kidnap Lincoln, visited the boarding house several times in the first two months of 1865. He stayed at the Surratt boarding house in February 1865 (for one night or several, sources differ), but he proved to be a heavy drinker, and Surratt evicted him after just a few days. He continued to visit the townhouse frequently afterward, however.", "He continued to visit the townhouse frequently afterward, however. Powell posed as a Baptist preacher and stayed at the boarding house for three days in March 1865. David Herold also called at the home several times. As part of the plot to kidnap Lincoln in March 1865, John, Atzerodt, and Herold hid two Spencer carbines, ammunition, and some other supplies at the Surratt tavern in Surrattsville. On April 11, Mary Surratt rented a carriage and drove to the Surratt tavern.", "On April 11, Mary Surratt rented a carriage and drove to the Surratt tavern. She said that she made the trip to collect a debt owed her by a former neighbor. However, according to her tenant, John Lloyd, Surratt told him to get the \"shooting irons\" ready to be picked up. On April 14, Surratt said that she would once again visit the family tavern in Surrattsville to collect a debt. Shortly before she left the city, Booth visited the boarding house and spoke privately with her.", "Shortly before she left the city, Booth visited the boarding house and spoke privately with her. He gave her a package, later found to contain binoculars, for Lloyd to pick up later that evening. Surratt did so and, according to Lloyd, again told Lloyd to have the \"shooting irons\" ready for pickup and handed him a wrapped package from Booth. Booth's plan was to assassinate Lincoln and have Atzerodt kill Vice President Andrew Johnson and Powell kill Secretary of State William H. Seward.", "Booth's plan was to assassinate Lincoln and have Atzerodt kill Vice President Andrew Johnson and Powell kill Secretary of State William H. Seward. Booth killed Lincoln, Atzerodt never attempted to kill Johnson, and Powell stabbed Seward repeatedly but failed to murder him. As they fled the city after Lincoln's assassination, Booth and Herold picked up the rifles and binoculars from Surratt's tavern. Lloyd repaired a broken spring on Surratt's wagon before they left.", "Lloyd repaired a broken spring on Surratt's wagon before they left. Arrest and incarceration Around 2 a.m. on April 15, 1865, members of the District of Columbia police visited the Surratt boarding house, seeking John Wilkes Booth and John Surratt. Why the police came to the house is not entirely clear. Most historians conclude that Weichmann's friend, Department of War employee Daniel Gleason, had alerted federal authorities to Confederate activity centered on the Surratt house, but that does not explain why police rather than federal agents appeared there.", "Most historians conclude that Weichmann's friend, Department of War employee Daniel Gleason, had alerted federal authorities to Confederate activity centered on the Surratt house, but that does not explain why police rather than federal agents appeared there. (Historian Roy Chamlee, however, says that there is evidence that Gleason did not tell police about his suspicions of Weichmann for several days.) Within 45 minutes of the attack on Lincoln, John Surratt's name had become associated with the attack on Secretary of State William H. Seward.", "Within 45 minutes of the attack on Lincoln, John Surratt's name had become associated with the attack on Secretary of State William H. Seward. The police as well as the Provost Marshal's office both had files on John Surratt Jr. and knew he was a close friend of Booth.", "The police as well as the Provost Marshal's office both had files on John Surratt Jr. and knew he was a close friend of Booth. (It is possible that either James L. Maddox, property supervisor at Ford's Theatre and a friend of Booth's, or actor John Matthews, both of whom may have known about the plot to attack government officials, mentioned Surratt's name.)", "(It is possible that either James L. Maddox, property supervisor at Ford's Theatre and a friend of Booth's, or actor John Matthews, both of whom may have known about the plot to attack government officials, mentioned Surratt's name.) Historian Otto Eisenschiml has argued that David Herold's attempt to steal a horse from John Fletcher may have led them to the Surratt boarding house, but at least one other scholar has called the link uncertain.", "Historian Otto Eisenschiml has argued that David Herold's attempt to steal a horse from John Fletcher may have led them to the Surratt boarding house, but at least one other scholar has called the link uncertain. Other sources claim that eyewitnesses had identified Booth as Lincoln's attacker, and the detectives had information (a tip from an unnamed actor and a bartender) linking John, Jr., to Booth. Mary lied to the detectives that her son had been in Canada for two weeks.", "Mary lied to the detectives that her son had been in Canada for two weeks. She also did not reveal that she had delivered a package to the tavern on Booth's behalf only hours earlier. On April 17, a Surratt neighbor told U.S. military authorities that he overheard one of the Surratt's servants saying that three men had come to the house on the night of Lincoln's assassination and that one of the men had mentioned Booth in a theater.", "On April 17, a Surratt neighbor told U.S. military authorities that he overheard one of the Surratt's servants saying that three men had come to the house on the night of Lincoln's assassination and that one of the men had mentioned Booth in a theater. (The servant was mistaken about the date, as John Surratt, Jr. had indeed been in Elmira, New York, on a mission for a Confederate general). Other pieces of information also mentioned the boarding house as a key meeting place of the possible conspirators.", "Other pieces of information also mentioned the boarding house as a key meeting place of the possible conspirators. Either Colonel Henry H. Wells, Provost Marshal (head of the military police) of the District of Columbia, or General Christopher C. Augur told Colonel Henry Steel Olcott to arrest everyone in the house. Federal soldiers visited the Surratt boarding house again late on the evening of April 17.", "Federal soldiers visited the Surratt boarding house again late on the evening of April 17. John Jr. could not be found, but after a search of the house, the agents found in Mary's room a picture of Booth, hidden behind another photograph, pictures of Confederate leaders including Jefferson Davis, a pistol, a mold for making bullets, and percussion caps. As Mary was being arrested for conspiracy to assassinate Lincoln, Powell appeared at her door in disguise.", "As Mary was being arrested for conspiracy to assassinate Lincoln, Powell appeared at her door in disguise. Although Surratt denied knowing him, Powell claimed that he was a laborer hired by Surratt to dig a ditch the next morning. The discrepancy and Powell's unusually well-groomed appearance, quite unlike a ditch-digger, prompted his arrest. He was later identified as the man who had attempted to assassinate Secretary of State William Seward.", "He was later identified as the man who had attempted to assassinate Secretary of State William Seward. After her arrest, she was held at an annex to the Old Capitol Prison before being transferred to the Washington Arsenal on April 30. Two armed guards stood before the door to her cell from the beginning of her imprisonment until her death. Her cell, while airy and larger than the others, was sparsely furnished, with a straw mattress, table, wash basin, chair, and a bucket.", "Her cell, while airy and larger than the others, was sparsely furnished, with a straw mattress, table, wash basin, chair, and a bucket. Food was served four times a day, always of bread; salt pork, beef, or beef soup; and coffee or water. The other arrested conspirators had their heads enclosed in a padded canvas bag to prevent a suicide attempt. Sources disagree as to whether Surratt was also forced to wear it.", "Sources disagree as to whether Surratt was also forced to wear it. Although the others wore iron manacles on their feet and ankles, she was not manacled. (Rumors to the contrary were raised by reporters at the trial who could not see her or \"heard\" the clank of chains about her feet. The rumors were repeatedly investigated and denied.) She began to suffer menstrual bleeding and became weak during her detention. She was given a rocking chair and allowed visits from her daughter, Anna.", "She was given a rocking chair and allowed visits from her daughter, Anna. She and Powell received the most attention from the press. The Northern press was also highly critical of her, claiming that she had a \"criminal face\" due to her small mouth and dark eyes. John Surratt Jr. was in Elmira at the time of the assassination, delivering messages on behalf of a Confederate general. After learning of Lincoln's death, he fled to Montreal, Quebec, Canada.", "After learning of Lincoln's death, he fled to Montreal, Quebec, Canada. Trial The trial for the alleged conspirators began on May 9. A military tribunal, rather than a civilian court, was chosen as the venue because government officials thought that its more lenient rules of evidence would enable the court to get to the bottom of what was then perceived by the public as a vast conspiracy. All eight alleged conspirators were tried simultaneously. Historians have conflicting views regarding Surratt's innocence.", "Historians have conflicting views regarding Surratt's innocence. Historians have conflicting views regarding Surratt's innocence. Historian Laurie Verge commented, \"Only in the case of Dr. Samuel Alexander Mudd is there as much controversy as to the guilt or innocence of one of the defendants.\" Lincoln assassination scholar Thomas Reed Turner says that of the eight people accused of plotting to kill Lincoln, the case against Surratt remains \"the most controversial... at that time and since.\"", "Lincoln assassination scholar Thomas Reed Turner says that of the eight people accused of plotting to kill Lincoln, the case against Surratt remains \"the most controversial... at that time and since.\" A room on the northeast corner of the third floor of the Arsenal was made into a courtroom, and the prisoners were brought into the room through a side door, which prevented them from passing by or being harassed by spectators. Surratt was given special considerations during the trial because of her illness and gender.", "Surratt was given special considerations during the trial because of her illness and gender. In the courtroom, she sat apart from the other prisoners. Sources differ as to whether an armed guard sat on either side of her, as was done for other prisoners during the trial. While the others wore wrist and ankle manacles in the courtroom, she did not. She was also permitted a bonnet, fan, and veil to hide her face from spectators.", "She was also permitted a bonnet, fan, and veil to hide her face from spectators. As her illness worsened during the trial, she was moved to a larger and more comfortable prison cell. Surratt was charged with abetting, aiding, concealing, counseling, and harboring her co-defendants. The federal government initially attempted to find legal counsel for her and the others, but almost no attorneys were willing to take the job for fear they would be accused of disloyalty to the Union.", "The federal government initially attempted to find legal counsel for her and the others, but almost no attorneys were willing to take the job for fear they would be accused of disloyalty to the Union. Surratt retained Reverdy Johnson as her legal counsel. A member of the military commission trying the conspirators challenged Johnson's right to defend Surratt, as he had objected to requiring loyalty oaths from voters in the 1864 presidential election.", "A member of the military commission trying the conspirators challenged Johnson's right to defend Surratt, as he had objected to requiring loyalty oaths from voters in the 1864 presidential election. After much discussion, this objection was withdrawn, but damage had been done to his influence, and he did not attend most of the court sessions. Most of Surratt's legal defense was presented by two other lawyers: Frederick Aiken and John Wesley Clampitt. The prosecution's strategy was to tie Surratt to the conspiracy.", "The prosecution's strategy was to tie Surratt to the conspiracy. Powell's arrival at her boarding house, three days after the president's murder, was critical evidence against her, the government argued. The prosecution presented nine witnesses, but most of their case rested on the testimony of just two men: John M. Lloyd and Louis J. Weichmann.", "The prosecution presented nine witnesses, but most of their case rested on the testimony of just two men: John M. Lloyd and Louis J. Weichmann. Lloyd testified on May 13 and 15, 1865 on the hiding of the carbines and other supplies at the tavern in March and the two conversations he had with her in which she told him to get the \"shooting irons\" ready. Weichmann's testimony was important, as it established an intimate relationship between her and the other conspirators.", "Weichmann's testimony was important, as it established an intimate relationship between her and the other conspirators. Weichmann testified May 16 to 19 and said that he had resided at the boarding house since November 1864. He had seen or overheard John Jr. meeting and talking with Atzerodt, Booth, and Powell many times over the past four and a half months.", "He had seen or overheard John Jr. meeting and talking with Atzerodt, Booth, and Powell many times over the past four and a half months. Weichmann had driven Surratt to the tavern on April 11 and 14, confirmed that she and Lloyd had spent much time in private conversation, testified that he saw Booth give her the package of binoculars, and attested that she had turned the package over to Lloyd.", "Weichmann had driven Surratt to the tavern on April 11 and 14, confirmed that she and Lloyd had spent much time in private conversation, testified that he saw Booth give her the package of binoculars, and attested that she had turned the package over to Lloyd. Weichmann also testified at length about the Surratt family's ties to the Confederate spy and courier rings operating in the area and their relationships with Atzerodt and Powell.", "Weichmann also testified at length about the Surratt family's ties to the Confederate spy and courier rings operating in the area and their relationships with Atzerodt and Powell. He also testified about the December 23 meeting with Booth and John (which he also attended) and their subsequent meeting with Booth at Booth's room at the National Hotel. Finally, he told the military tribunal about the general excitement in the boarding house in March 1865 after the failed attempt to kidnap Lincoln. Other prosecution witnesses reinforced Weichmann's testimony.", "Other prosecution witnesses reinforced Weichmann's testimony. Other prosecution witnesses reinforced Weichmann's testimony. Lodger Honora Fitzpatrick confirmed visits by Atzerodt, Booth, and Powell to the boarding house. Emma Offut, Lloyd's sister-in-law, testified that she saw (but did not hear) Surratt speaking for long periods of time with Lloyd on April 11 and 14. Government agents testified about their arrest of Surratt, Powell's arrival, and her denial that she knew Powell.", "Government agents testified about their arrest of Surratt, Powell's arrival, and her denial that she knew Powell. The fact that Powell sought refuge in the boarding house after Lincoln's murder left a bad impression of her. Surratt's refusal (or failure) to recognize him also weighed against her. The agents also testified about their search of the house, and the evidence (the photographs, the weapons, etc.) discovered there.", "discovered there. discovered there. Lloyd's testimony was the most important for the prosecution's case, for it indicated that she had played an active role in the conspiracy in the days before Lincoln's death. The prosecution rested its case on May 22. The defense strategy was to impeach the testimony of the key prosecution witnesses: Lloyd and Weichmann.", "The defense strategy was to impeach the testimony of the key prosecution witnesses: Lloyd and Weichmann. It also wished to show that she was loyal to the Union, her trips to Surrattsville were of an innocent nature, and she had not been aware of Booth's plans. There were 31 witnesses who testified for the defense.", "There were 31 witnesses who testified for the defense. There were 31 witnesses who testified for the defense. George H. Calvert testified that he had pressed Surratt to pay a debt, Bennett Gwynn said Surratt had sought payment from John Nothey to satisfy the Calvert debt, and Nothey agreed that he had received a letter from Surratt for him to appear at the tavern on April 11 to pay what was owed.", "George H. Calvert testified that he had pressed Surratt to pay a debt, Bennett Gwynn said Surratt had sought payment from John Nothey to satisfy the Calvert debt, and Nothey agreed that he had received a letter from Surratt for him to appear at the tavern on April 11 to pay what was owed. Several witnesses impugned Lloyd's character by testifying about his alcoholism, while others said he was too intoxicated on the day of Lincoln's assassination to remember that day clearly.", "Several witnesses impugned Lloyd's character by testifying about his alcoholism, while others said he was too intoxicated on the day of Lincoln's assassination to remember that day clearly. Augustus Howell, a Confederate agent, testified Weichmann was an untrustworthy witness, as he had sought to become a Confederate spy himself. (The prosecution had attempted to show that Howell was a Confederate spy and should not be trusted.)", "(The prosecution had attempted to show that Howell was a Confederate spy and should not be trusted.) Anna Surratt testified that it was Weichmann who had brought Atzerodt into the boarding house, that the photograph of Booth was hers, and that she owned photographs of Union political and military leaders. Anna denied ever overhearing any discussions of disloyal activities or ideas in the boarding house, and that Booth's visits to the house were always short.", "Anna denied ever overhearing any discussions of disloyal activities or ideas in the boarding house, and that Booth's visits to the house were always short. Anna explained her mother's failure to recognize Powell by asserting she could not see well. Augusta Howell, a former servant, and Honora Fitzpatrick, a former slave, testified to Mary's poor eyesight as well. The former servant and the former slave both said Surratt had given Union soldiers food.", "The former servant and the former slave both said Surratt had given Union soldiers food. Numerous witnesses were called at the end of the defense's case to testify to her loyalty to the Union, her deep Christian faith, and her kindness. During the prosecution's rebuttal, government lawyers called four witnesses to the stand, who testified as to Weichmann's unimpeachable character. Johnson and Aiken presented the closing arguments for the defense. Johnson attacked the jurisdiction of a military tribunal over civilians, as had Mudd's attorney.", "Johnson attacked the jurisdiction of a military tribunal over civilians, as had Mudd's attorney. Aiken also challenged the court's jurisdiction. He also reiterated that Lloyd and Weichmann were unreliable witnesses and that the evidence against her was all circumstantial. The only evidence linking Surratt to the conspiracy to kill Lincoln, he said, came from Lloyd and Weichmann, and neither man was telling the truth. (Dorothy Kunhardt has written that there is evidence the latter's perjured testimony was suborned by Secretary of War Edwin M. Stanton.)", "Stanton.) Stanton.) Judge Advocate John Bingham presented the closing argument for the prosecution. The military tribunal had jurisdiction, he said, not only because the court itself had ruled at the beginning of the trials that it did but because they were crimes committed in a military zone, during a time of war, and against high government officials in carrying out treasonous activities. Bingham pointed out that the Surratt boarding house was where the conspiracy was planned, and Atzerodt, Booth, and Powell had all met with Surratt.", "Bingham pointed out that the Surratt boarding house was where the conspiracy was planned, and Atzerodt, Booth, and Powell had all met with Surratt. Booth had paid for the rental of the carriage that took Surratt to Surrattsville each time, and Bingham said that was evidence that Surratt's trips were critical to the conspiracy. Bingham also said that Lloyd's testimony had been corroborated by others and that his unwillingness to reveal the cache of weapons in the tavern was prompted by his subservient tenant relationship to Surratt.", "Bingham also said that Lloyd's testimony had been corroborated by others and that his unwillingness to reveal the cache of weapons in the tavern was prompted by his subservient tenant relationship to Surratt. Bingham concluded by reiterating the government's key point: Powell had returned to the Surratt house seeking Surratt, and that alone was proof of her guilt. Bingham also pointed out for the tribunal that the charge a person was indicted for was irrelevant.", "Bingham also pointed out for the tribunal that the charge a person was indicted for was irrelevant. Under the law of conspiracy, if one person carries out a crime, all conspirators are guilty of the same crime. The trial ended on June 28, 1865. Surratt was so ill the last four days of the trial that she was permitted to stay in her cell.", "Surratt was so ill the last four days of the trial that she was permitted to stay in her cell. In the opinion of historian Roy Z. Chamlee, both legal teams appeared to have flaws in their cases, and except for Reverdy Johnson, neither team employed highly skilled attorneys.", "In the opinion of historian Roy Z. Chamlee, both legal teams appeared to have flaws in their cases, and except for Reverdy Johnson, neither team employed highly skilled attorneys. The government's case was hindered by its failure to call as a witness the man who shared Lloyd's carriage when he talked with Surratt and could have verified Lloyd's version of the \"shooting irons\" story or Metropolitan Police Chief A.C. Richards whose investigation had had the most success in the early days of the investigation.", "The government's case was hindered by its failure to call as a witness the man who shared Lloyd's carriage when he talked with Surratt and could have verified Lloyd's version of the \"shooting irons\" story or Metropolitan Police Chief A.C. Richards whose investigation had had the most success in the early days of the investigation. The government did not fully investigate Booth's meetings with Surratt at noon or the evening of the murder, and its questioning and cross-examination of witnesses was poorly prepared and weak.", "The government did not fully investigate Booth's meetings with Surratt at noon or the evening of the murder, and its questioning and cross-examination of witnesses was poorly prepared and weak. What is most important, according to historian Roy Z. Chamber Jr., is that the government had botched the attempt to apprehend John Jr. The defense's case, too, had a problem. The defense never followed up on inconsistencies in Weichmann's chronology of Mary's last visit to the tavern, which could have undermined Weichmann's entire credibility.", "The defense never followed up on inconsistencies in Weichmann's chronology of Mary's last visit to the tavern, which could have undermined Weichmann's entire credibility. The military tribunal considered guilt and sentencing on June 29 and 30. Surratt's guilt was the second-last to be considered, as her case had problems of evidence and witness reliability. The sentence was handed down on June 30. The military tribunal found her guilty on all charges but two. A death sentence required six of the nine votes of the judges.", "A death sentence required six of the nine votes of the judges. Surratt was sentenced to death, the first woman executed by the federal government. The sentence was announced publicly on July 5. When Powell learned of his sentence, he declared that she was completely innocent of all charges. The night before the execution, Surratt's priests and Anna Surratt both visited Powell and elicited from him a strong statement declaring Mary innocent.", "The night before the execution, Surratt's priests and Anna Surratt both visited Powell and elicited from him a strong statement declaring Mary innocent. Although it was delivered to Captain Christian Rath, who was overseeing the execution, Powell's statement had no effect on anyone with authority to prevent Surratt's death. George Atzerodt bitterly condemned her, implicating her even further in the conspiracy. Powell's was the only statement by any conspirator exonerating Surratt.", "Powell's was the only statement by any conspirator exonerating Surratt. Anna Surratt pleaded repeatedly for her mother's life with Judge Advocate General Joseph Holt, but he refused to consider clemency. She also attempted to see President Andrew Johnson several times to beg for mercy but was not granted permission to see him. Five of the nine judges signed a letter asking President Johnson to give Surratt clemency and commute her sentence to life in prison because of her age and sex.", "Five of the nine judges signed a letter asking President Johnson to give Surratt clemency and commute her sentence to life in prison because of her age and sex. Holt did not deliver the recommendation to Johnson until July 5, two days before Surratt and the others were to hang. Johnson signed the order for execution but did not sign the order for clemency. Johnson later said he never saw the clemency request; Holt said he showed it to Johnson, who refused to sign it.", "Johnson later said he never saw the clemency request; Holt said he showed it to Johnson, who refused to sign it. Johnson, according to Holt, said in signing the death warrant that she had \"kept the nest that hatched the egg.\" Execution Construction of the gallows for the hanging of the conspirators condemned to death began immediately on July 5, after the execution order was signed. It was constructed in the south part of the Arsenal courtyard, was high and about in size.", "It was constructed in the south part of the Arsenal courtyard, was high and about in size. Rath, who oversaw the preparations for the executions, made the nooses. Tired of making nooses and thinking that the government would never hang a woman, he made Surratt's noose the night before the execution with five loops rather than the regulation seven. He tested the nooses that night by tying them to a tree limb and a bag of buckshot and then tossing the bag to the ground (the ropes held).", "He tested the nooses that night by tying them to a tree limb and a bag of buckshot and then tossing the bag to the ground (the ropes held). Civilian workers did not want to dig the graves out of superstitious fear, so Rath asked for volunteers among the soldiers at the Arsenal and received more help than he needed. At noon on July 6, Surratt was informed she would be hanged the next day. She wept profusely.", "She wept profusely. She wept profusely. She was joined by two Catholic priests (Jacob Walter and B.F. Wiget) and her daughter Anna. Father Jacob remained with her almost until her death. Her menstrual problems had worsened, and she was in such pain and suffered from such severe cramps that the prison doctor gave her wine and medication. She repeatedly asserted her innocence. She spent the night on her mattress, weeping and moaning in pain and grief, ministered to by the priests.", "She spent the night on her mattress, weeping and moaning in pain and grief, ministered to by the priests. Anna left her mother's side at 8 A.M. on July 7 and went to the White House to beg for her mother's life one last time. Her entreaty rejected, she returned to the prison and her mother's cell at about 11 A.M. The soldiers began testing the gallows about 11:25 A.M.; the sound of the tests unnerved all the prisoners.", "The soldiers began testing the gallows about 11:25 A.M.; the sound of the tests unnerved all the prisoners. Shortly before noon, Mary Surratt was taken from her cell and then allowed to sit in a chair near the entrance to the courtyard. The heat in the city that day was oppressive. By noon, it had already reached . The guards ordered all visitors to leave at 12:30 P.M. When she was forced to part from her mother, Anna's hysterical screams of grief could be heard throughout the prison.", "When she was forced to part from her mother, Anna's hysterical screams of grief could be heard throughout the prison. Clampitt and Aiken had not finished trying to save their client, however. On the morning of July 7, they asked a District of Columbia court for a writ of habeas corpus, arguing that the military tribunal had no jurisdiction over their client. The court issued the writ at 3 A.M., and it was served on General Winfield Scott Hancock.", "The court issued the writ at 3 A.M., and it was served on General Winfield Scott Hancock. Hancock was ordered to produce Surratt by 10 A.M. General Hancock sent an aide to General John F. Hartranft, who commanded the Old Capitol Prison, ordering him not to admit any US marshal, as that would prevent the marshal from serving a similar writ on Hartranft.", "Hancock was ordered to produce Surratt by 10 A.M. General Hancock sent an aide to General John F. Hartranft, who commanded the Old Capitol Prison, ordering him not to admit any US marshal, as that would prevent the marshal from serving a similar writ on Hartranft. Johnson was informed that the court had issued the writ and promptly cancelled it at 11:30 A.M. under the authority granted to him by the Habeas Corpus Suspension Act of 1863.", "Johnson was informed that the court had issued the writ and promptly cancelled it at 11:30 A.M. under the authority granted to him by the Habeas Corpus Suspension Act of 1863. General Hancock and United States Attorney General James Speed personally appeared in court and informed the judge of the cancellation of the writ. On July 7, 1865, at 1:15 P.M., a procession led by General Hartranft escorted the four condemned prisoners through the courtyard and up the steps to the gallows. Each prisoner's ankles and wrists were bound by manacles.", "Each prisoner's ankles and wrists were bound by manacles. Surratt led the way, wearing a black bombazine dress, black bonnet, and black veil. More than 1,000 people, including government officials, members of the US armed forces, friends and family of the accused, official witnesses, and reporters, watched. General Hancock limited attendance to those who had a ticket, and only those who had a good reason to be present were given a ticket.", "General Hancock limited attendance to those who had a ticket, and only those who had a good reason to be present were given a ticket. (Most of those present were military officers and soldiers, as fewer than 200 tickets had been printed.) Alexander Gardner, who had photographed the body of Booth and taken portraits of several of the male conspirators while they were imprisoned aboard naval ships, photographed the execution for the government. Hartranft read the order for their execution.", "Hartranft read the order for their execution. Hartranft read the order for their execution. Surratt, either weak from her illness or swooning in fear (perhaps both), had to be supported by two soldiers and her priests. The condemned were seated in chairs, Surratt almost collapsing into hers. She was seated to the right of the others, the traditional \"seat of honor\" in an execution. White cloth was used to bind their arms to their sides and their ankles and thighs together.", "White cloth was used to bind their arms to their sides and their ankles and thighs together. The cloths around Surratt's legs were tied around her dress below the knees. Each person was ministered to by a member of the clergy. From the scaffold, Powell said, \"Mrs. Surratt is innocent. She doesn't deserve to die with the rest of us.\" Fathers Jacob and Wiget prayed over her and held a crucifix to her lips.", "Fathers Jacob and Wiget prayed over her and held a crucifix to her lips. About 16 minutes elapsed from the time the prisoners entered the courtyard until they were ready for execution. A white bag was placed over the head of each prisoner after the noose was put in place. Surratt's bonnet was removed, and the noose put around her neck by a U.S. Secret Service officer. She complained that the bindings about her arms hurt, and the officer preparing said, \"Well, it won't hurt long.\"", "She complained that the bindings about her arms hurt, and the officer preparing said, \"Well, it won't hurt long.\" Finally, the prisoners were asked to stand and move forward a few feet to the nooses. The chairs were removed. Her last words, spoken to a guard as he moved her forward to the drop, were \"Please don't let me fall.\" Surratt and the others stood on the drop for about 10 seconds, and then Captain Rath clapped his hands.", "Surratt and the others stood on the drop for about 10 seconds, and then Captain Rath clapped his hands. Four soldiers of Company F of the 14th Veteran Reserves knocked out the supports holding the drops in place, and the condemned fell. Surratt, who had moved forward enough to barely step onto the drop, lurched forward and slid partway down the drop, her body snapping tight at the end of the rope, swinging back and forth. She appeared to die relatively quickly with little struggle.", "She appeared to die relatively quickly with little struggle. She appeared to die relatively quickly with little struggle. Atzerodt's stomach heaved once and his legs quivered; then, he was still. Herold and Powell struggled for nearly five minutes, strangling to death. Burial Each body was inspected by a physician to ensure that death had occurred.", "Burial Each body was inspected by a physician to ensure that death had occurred. The bodies of the executed were allowed to hang for about 30 minutes and soldiers began to cut them down at 1:53 p.m. A corporal raced to the top of the gallows and cut down Atzerodt's body, which fell to the ground with a thud. He was reprimanded, and the other bodies were cut down more gently. Herold's body was next, followed by Powell's.", "Herold's body was next, followed by Powell's. Surratt's body was cut down at 1:58 p.m. As Surratt's body was cut loose, her head fell forward. A soldier joked, \"She makes a good bow\" and was rebuked by an officer for his poor use of humor. Upon examination, the military surgeons determined that no one's neck had been broken by the fall. The manacles and cloth bindings were removed but not the white execution masks, and the bodies were placed into the pine coffins.", "The manacles and cloth bindings were removed but not the white execution masks, and the bodies were placed into the pine coffins. The name of each person was written on a piece of paper by acting Assistant Adjutant R. A. Watts, and inserted in a glass vial, which was placed into the coffin. The coffins were buried against the prison wall in shallow graves, just a few feet from the gallows. A white picket fence marked the burial site.", "A white picket fence marked the burial site. A white picket fence marked the burial site. The night that she died, a mob attacked the Surratt boarding house and began stripping it of souvenirs until the police stopped them. Anna Surratt unsuccessfully asked for her mother's body for four years. In 1867, the War Department decided to tear down the portion of the Washington Arsenal where the bodies of Surratt and the other executed conspirators lay. On October 1, 1867, the coffins were disinterred and reburied in Warehouse No.", "On October 1, 1867, the coffins were disinterred and reburied in Warehouse No. 1 at the Arsenal, with a wooden marker placed at the head of each burial vault. Booth's body lay alongside them. In February 1869, Edwin Booth asked Johnson for the body of his brother. Johnson agreed to turn the body over to the Booth family, and on February 8 Surratt's body was turned over to the Surratt family.", "Johnson agreed to turn the body over to the Booth family, and on February 8 Surratt's body was turned over to the Surratt family. She was buried in Mount Olivet Cemetery in Washington, D.C., on February 9, 1869. Lloyd is buried from her grave in the same cemetery. Surviving family and home Anna Surratt moved from the townhouse on H Street and lived with friends for a few years, ostracized from society. She married William Tonry, a government clerk.", "She married William Tonry, a government clerk. She married William Tonry, a government clerk. They lived in poverty for a while after he was dismissed from his job, but in time, he became a professor of chemistry in Baltimore and the couple became better off. The strain of her mother's death left Anna mentally unbalanced, and she suffered from periods of extreme fear that bordered on insanity. She died in 1904.", "She died in 1904. She died in 1904. After the dismissal of charges against him, John Jr. married and he and his family lived in Baltimore near his sister, Anna. Isaac Surratt also returned to the United States and lived in Baltimore. He died unmarried in 1907. Isaac and Anna were buried on either side of their mother in Mount Olivet Cemetery. John Jr. was buried in Baltimore in 1916.", "John Jr. was buried in Baltimore in 1916. John Jr. was buried in Baltimore in 1916. In 1968, a new headstone with a brass plaque replaced the old, defaced headstone over Mary Surratt's grave. Mary Surratt's boarding house still stands and was listed on the National Register of Historic Places in 2009. Those interested in Mary Surratt formed the Surratt Society. The Surrattsville tavern and house are historical sites run today by the Surratt Society. The Washington Arsenal is now Fort Lesley J. McNair.", "The Washington Arsenal is now Fort Lesley J. McNair. 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Encyclopedia of the American Civil War: A Political, Social, and Military History. New York: W.W. Norton & Co., 2000. Isacsson, Alfred. The Travels, Arrest and Trial of John H. Surratt. Middletown, N.Y.: Vestigium Press, 2003. James, Edward T. Notable American Women: A Biographical Dictionary.", "James, Edward T. Notable American Women: A Biographical Dictionary. Cambridge, Mass. : Belknap Press of Harvard University Press, 2004. Jampoler, Andrew C.A. The Last Lincoln Conspirator: John Surratt's Flight From the Gallows. Annapolis, Md. : Naval Institute Press, 2008. Johnson, Andrew. The Papers of Andrew Johnson: September 1868 – April 1869. Paul H. Bergeron, ed. Knoxville, Tenn.: University of Tennessee Press, 1999. Johnson, Scott Patrick.", "Johnson, Scott Patrick. Johnson, Scott Patrick. Trials of the Century: An Encyclopedia of Popular Culture and the Law. Santa Barbara, Calif.: ABC-CLIO, 2011. Jones, John P. Dr. Mudd and the Lincoln Assassination: The Case Reopened. Conshohocken, Pa.: Combined Books, 1995. Jordan, David M. Winfield Scott Hancock: A Soldier's Life. Bloomington, Ind. : Indiana University Press, 1988. Katz, D. Mark.", ": Indiana University Press, 1988. Katz, D. Mark. Katz, D. Mark. Witness to an Era: The Life and Photographs of Alexander Gardner: The Civil War, Lincoln, and the West. New York: Viking, 1991. Kauffman, Michael W. American Brutus. New York: Random House, 2004. Klement, Frank. Lincoln's Critics: The Copperheads of the North. Shippensburg, W.Va.: White Mane Books, 1999. Kuhn, Annette.", "Shippensburg, W.Va.: White Mane Books, 1999. Kuhn, Annette. Kuhn, Annette. Queen of the 'B's: Ida Lupino Behind the Camera. Westport, Conn.: Greenwood Press, 1995. Larson, Kate Clifford. The Assassin's Accomplice: Mary Surratt and the Plot to Kill Abraham Lincoln. Basic Books, 2008. Latimer, Christopher P. Civil Liberties and the State: A Documentary and Reference Guide. Santa Barbara, Calif.: Greenwood, 2011.", "Santa Barbara, Calif.: Greenwood, 2011. Santa Barbara, Calif.: Greenwood, 2011. Leonard, Elizabeth D. Lincoln's Avengers: Justice, Revenge, and Reunion After the Civil War. New York: Norton, 2004. MacHenry, Robert. Liberty's Women. Springfield, Mass. : G.C. Merriam Co., 1980. Miller, Edward A. Lincoln's Abolitionist General: The Biography of David Hunter. Columbia, S.C.: University of South Carolina Press, 1997.", "Columbia, S.C.: University of South Carolina Press, 1997. Morseberger, Robert E. and Morsberger, Katharine M. Lew Wallace, Militant Romantic. New York: McGraw-Hill, 1980. Oldroyd, Osborn H. The Assassination of Abraham Lincoln: Flight, Pursuit, Capture, and Punishment of the Conspirators. Washington, D.C.: O.H. Oldroyd, 1901. Ownsbey, Betty J. Alias 'Paine': Lewis Thorthon Powell, the Mystery Man of the Lincoln Conspiracy. Jefferson, N.C.: McFarland & Company, 2006. Phelps, Shirelle.", "Jefferson, N.C.: McFarland & Company, 2006. Phelps, Shirelle. Phelps, Shirelle. World of Criminal Justice, Vol. 2: N-Z. Detroit: Gale Group, 2001. Phillips, Larissa. Women Civil War Spies of the Confederacy. New York: Rosen Publishing Group, 2004. Pittman, Benn. The Assassination of President Lincoln and the Trial of the Conspirators. Cincinnati: Moore, Wilstach & Baldwin, 1865. Rehnquist, William H. All the Laws But One: Civil Liberties in Wartime.", "Rehnquist, William H. All the Laws But One: Civil Liberties in Wartime. New York: Vintage Books, 2000. Roscoe, Theodore. The Web of Conspiracy: The Complete Story of the Men Who Murdered Abraham Lincoln. Englewood Cliffs, N.J.: Prentice-Hall, 1959. Sachsman, David B.; Rushing, S. Kittrell; and Morris, Roy. Seeking A Voice: Images of Race and Gender in the 19th Century Press. West Lafayette, Ind. : Purdue University Press, 2009.", "West Lafayette, Ind. : Purdue University Press, 2009. : Purdue University Press, 2009. Schroeder-Lein, Glenna R. and Zuczek, Richard. Andrew Johnson: A Biographical Companion. Santa Barbara, Calif.: ABC-CLIO, 2001. Steers, Jr., Edward. Blood on the Moon. Lexington: University Press of Kentucky, 2001. Steers, Jr., Edward. \"'Let the Stain of Innocent Blood Be Removed from the Land': The Military Trial of the Lincoln Conspirators.\"", "\"'Let the Stain of Innocent Blood Be Removed from the Land': The Military Trial of the Lincoln Conspirators.\" In The Lincoln Assassination: Crime and Punishment, Myth and Memory. Harold Holzer, Craig L. Symonds, and Frank J. Williams, eds. New York: Fordham University Press, 2010. Steers, Jr., Edward. The Lincoln Assassination Encyclopedia. New York: Harper Perennial, 2010. Steers, Jr., Edward. Lincoln Legends: Myths, Hoaxes, and Confabulations Associated With Our Greatest President.", "Lincoln Legends: Myths, Hoaxes, and Confabulations Associated With Our Greatest President. Lexington, Ky.: University Press of Kentucky, 2007. Steers, Jr. Edward and Holzer, Harold. The Lincoln Assassination Conspirators: Their Confinement and Execution, as Recorded in the Letterbook of John Frederick Hartranft. Baton Rouge, La. : Louisiana State University Press, 2009. Stern, Philip Van Doren. An End to Valor: The Last Days of the Civil War. Boston: Houghton Mifflin, 1958. \"Surratt, Mary.\"", "Boston: Houghton Mifflin, 1958. \"Surratt, Mary.\" \"Surratt, Mary.\" In The New Encyclopædia Britannica. Chicago: Encyclopædia Britannica, 1998. \"Surratt, Mary E. Jenkins (1823–1865).\" In Women in the American Civil War. Lisa Tendrich Frank, ed. Santa Barbara, Calif.: ABC-CLIO, 2008. \"Surratt, Mary Eugenia Jenkins (1817–1865).\" In Historical Dictionary of Reconstruction. Hans Louis Trefousse, ed. New York: Greenwood Press, 1991.", "New York: Greenwood Press, 1991. New York: Greenwood Press, 1991. Swanson, James L. Manhunt: The Twelve Day Chase for Lincoln's Killer. New York: HarperCollins, 2007. Swanson, James L. and Weinberg, Daniel R. Lincoln's Assassins: Their Trial and Execution. New York: Harper Perennial, 2008. Townsend, George Alfred. The Life, Crime and Capture of John Wilkes Booth. New York: Dick and Fitzgerald, Publishers, 1886. Townsend, George Alfred.", "Townsend, George Alfred. Townsend, George Alfred. Washington, Outside and Inside: A Picture and a Narrative of the Origin, Growth, Excellencies, Abuses, Beauties, and Personages of Our Governing City. Hartford, Conn.: S.M. Betts & Co., 1874. Trindal, Elizabeth Steger. Mary Surratt: An American Tragedy. Pelican Pub. Co., 1996. Turner, Thomas Reed. Beware the People Weeping: Public Opinion and the Assassination of Abraham Lincoln. Baton Rouge: Louisiana State University Press, 1982.", "Baton Rouge: Louisiana State University Press, 1982. Baton Rouge: Louisiana State University Press, 1982. Van Doren, Charles Lincoln and McHenry, Robert. Webster's American Biographies. Springfield, Mass. : Merriam-Webster, 1984. Verge, Laurie. \"Mary Elizabeth Surratt\". In The Trial: The Assassination of President Lincoln and the Trial of the Conspirators. Lexington, Ky.: University Press of Kentucky, 2003. Watts, R.A. \"Trial and Execution of the Lincoln Conspirators.\" Michigan History Magazine.", "Michigan History Magazine. Michigan History Magazine. 6:1 (1922). Weichmann, Louis J. and Richards, A.C. A True History of the Assassination of Abraham Lincoln and of the Conspiracy of 1865. New York: Knopf, 1975. Zanca, Kenneth J.. The Catholics and Mrs. Mary Surratt: How They Responded to the Trial and Execution of the Lincoln Conspirator. University Press of America, 2008.", "University Press of America, 2008. University Press of America, 2008. External links Anna Surratt, daughter Surratt Society and Museum Read through the Lincoln Assassination Papers about evidence against Mary Surratt Historic Marker at the Surratt Boarding House Brief Mary Surratt Biography (written by a retired teacher especially for students and schools) 1820s births 1865 deaths 19th-century American women 19th-century executions by the United States 19th-century executions of American people American slave owners Burials at Mount Olivet Cemetery (Washington, D.C.) Converts to Roman Catholicism Executed American women Executed people from Maryland Lincoln assassination conspirators People executed by the United States federal government by hanging People from Clinton, Maryland People of Maryland in the American Civil War Women in the American Civil War Catholics from Maryland" ]

[ "Mary Surratt", "Burial", "Where was the burial?", "the Washington Arsenal" ]

[ "\"There Was An Old Woman\" may refer to:\n\nNursery rhyme\n \"There was an Old Woman Who Lived in a Shoe\", a popular English language nursery rhyme\n \"There Was an Old Woman Who Lived Under a Hill\", a nursery rhyme which dates back to at least its first known printing in 1714\n\nOther\n There Was an Old Woman (novel), 1943 mystery novel by Ellery Queen\n \"There Was an Old Woman Who Swallowed a Fly\", 1950s children's song by Alan Mills\n \"There Was an Old Woman\" (The Twilight Zone), 1988 The New Twilight Zone television episode\n\nSee also\n Old woman (disambiguation)", "Thomas Ashby was an English religious dissident who was executed at Tyburn on 29 March 1544.\n\nHe was originally included in the process for canonising the English Martyrs, as he had been executed for denying the King's Supremacy. However this was later rejected as there was some doubt that he died as a Catholic. \"And the xix. day of March [1544] was draune from the tower unto Tyborne . . . . . Ascheby, that was some tyme a prest and forsoke it, and there was hongyd and qwarterd and there byrryd.\"\n\nReferences\n\nYear of birth missing\n1544 deaths\nPeople executed at Tyburn\nEnglish martyrs" ]

[ "Mary Elizabeth Jenkins Surratt (1820 or May 1823 – July 7, 1865) was an American boarding house owner in Washington, D.C., who was convicted of taking part in the conspiracy which led to the assassination of U.S. President Abraham Lincoln in 1865. Sentenced to death, she was hanged and became the first woman executed by the US federal government. She maintained her innocence until her death, and the case against her was and is controversial.", "She maintained her innocence until her death, and the case against her was and is controversial. Surratt was the mother of John Surratt, who was later tried, but due to statute of limitations, was not convicted. Born in Maryland in the 1820s, Surratt converted to Catholicism at a young age and remained a practicing Catholic for the rest of her life. She wed John Harrison Surratt in 1840 and had three children with him.", "She wed John Harrison Surratt in 1840 and had three children with him. An entrepreneur, John became the owner of a tavern, an inn, and a hotel. The Surratts were sympathetic to the Confederate States of America and often hosted fellow Confederate sympathizers at their tavern. Upon her husband's death in 1862, Surratt had to manage his estate. Tired of doing so without help, Surratt moved to her townhouse in Washington, D.C., which she then ran as a boardinghouse.", "Tired of doing so without help, Surratt moved to her townhouse in Washington, D.C., which she then ran as a boardinghouse. There, she was introduced to John Wilkes Booth. Booth visited the boardinghouse numerous times, as did George Atzerodt and Lewis Powell, Booth's co-conspirators in the Lincoln assassination. Shortly before killing Lincoln, Booth spoke with Surratt and handed her a package containing binoculars for one of her tenants, John M. Lloyd.", "Shortly before killing Lincoln, Booth spoke with Surratt and handed her a package containing binoculars for one of her tenants, John M. Lloyd. After Lincoln was assassinated, Surratt was arrested, then tried by a military tribunal the following month, along with the other conspirators. She was convicted primarily due to the testimonies of Lloyd, who said that she told him to have the \"shooting irons\" ready, and Louis J. Weichmann, who testified about Surratt's relationships with Confederate groups and sympathizers.", "She was convicted primarily due to the testimonies of Lloyd, who said that she told him to have the \"shooting irons\" ready, and Louis J. Weichmann, who testified about Surratt's relationships with Confederate groups and sympathizers. Five of the nine judges at her trial asked that Surratt be granted clemency by President Andrew Johnson because of her age and gender. Johnson did not grant her clemency, though accounts differ as to whether or not he received the clemency request.", "Johnson did not grant her clemency, though accounts differ as to whether or not he received the clemency request. Surratt was hanged on July 7, 1865, and later buried in Mount Olivet Cemetery. She has since been portrayed in film, theater, and television. Early life Mary Elizabeth Jenkins (baptismal name, Maria Eugenia) was born to Archibald and Elizabeth Anne (née Webster) Jenkins on a tobacco plantation near the southern Maryland town of Waterloo (now known as Clinton).", "Early life Mary Elizabeth Jenkins (baptismal name, Maria Eugenia) was born to Archibald and Elizabeth Anne (née Webster) Jenkins on a tobacco plantation near the southern Maryland town of Waterloo (now known as Clinton). Sources differ as to whether she was born in 1820 or 1823. There is uncertainty as to the month as well, but most sources say May. She had two brothers: John Jenkins, born in 1822, and James Jenkins, born in 1825.", "She had two brothers: John Jenkins, born in 1822, and James Jenkins, born in 1825. Her father died in the fall of 1825 when Mary was either two or five years old, and Mary's mother then inherited their property (originally part of the His Lordship's Kindness estate). Although her father was a nondenominational Protestant and her mother Episcopalian, Surratt was enrolled in a private Roman Catholic girls' boarding school, the Academy for Young Ladies in Alexandria, Virginia, on November 25, 1835.", "Although her father was a nondenominational Protestant and her mother Episcopalian, Surratt was enrolled in a private Roman Catholic girls' boarding school, the Academy for Young Ladies in Alexandria, Virginia, on November 25, 1835. Mary's maternal aunt, Sarah Latham Webster, was a Catholic, which may have influenced where she was sent to school. Within two years, Mary converted to Roman Catholicism and adopted the baptismal name of Maria Eugenia.", "Within two years, Mary converted to Roman Catholicism and adopted the baptismal name of Maria Eugenia. She stayed at the Academy for Young Ladies for four years, leaving in 1839, when the school closed. She remained an observant Catholic for the rest of her life. Married life Mary Jenkins met John Harrison Surratt in 1839, when she was 16 or 19 and he was 26. His family had settled in Maryland in the late 1600s.", "His family had settled in Maryland in the late 1600s. An orphan, he was adopted by Richard and Sarah Neale of Washington, D.C., a wealthy couple who owned a farm. The Neales divided their farm among their children, and Surratt inherited a portion of it. His background has been described by historian Kate Clifford Larson as \"questionable\", and he had fathered at least one child out of wedlock. They wed in August 1840.", "They wed in August 1840. They wed in August 1840. John converted to Roman Catholicism prior to the marriage, and the couple may have wed at a Catholic church in Washington, D.C. John purchased a mill in Oxon Hill, Maryland, and the couple moved there. The Surratts had three children over the next few years: Isaac (born June 2, 1841), Elizabeth Susanna (nicknamed \"Anna\", born January 1, 1843), and John, Jr. (born April 1844).", "The Surratts had three children over the next few years: Isaac (born June 2, 1841), Elizabeth Susanna (nicknamed \"Anna\", born January 1, 1843), and John, Jr. (born April 1844). In 1843, John Surratt purchased from his adoptive father of land straddling the DC/Maryland border, a parcel named \"Foxhall\" (approximately the area between Wheeler Road and Owens Road today). Richard Neale died in September 1843, and a month later, John purchased of land adjoining Foxhall.", "Richard Neale died in September 1843, and a month later, John purchased of land adjoining Foxhall. John and Mary Surratt and their children moved back to John's childhood home in the District of Columbia in 1845 to help John's mother run the Neale farm. But Sarah Neale fell ill and died in August 1845, having shortly before her death deeded the remainder of the Neale farm to John.", "But Sarah Neale fell ill and died in August 1845, having shortly before her death deeded the remainder of the Neale farm to John. Mary Surratt became involved in raising funds to build St. Ignatius Church in Oxon Hill (it was constructed in 1850), but John was increasingly unhappy with his wife's religious activities. His behavior deteriorated over the next few years. John drank heavily, often failed to pay his debts, and his temper was increasingly volatile and violent.", "John drank heavily, often failed to pay his debts, and his temper was increasingly volatile and violent. In 1851, the Neale farmhouse burned to the ground (an escaped family slave was suspected of setting the blaze). John found work on the Orange and Alexandria Railroad. Mary moved with her children into the home of her cousin, Thomas Jenkins, in nearby Clinton. Within a year, John purchased of farmland near what is now Clinton, and by 1853, he constructed a tavern and an inn there.", "Within a year, John purchased of farmland near what is now Clinton, and by 1853, he constructed a tavern and an inn there. Mary initially refused to move herself and the children into the new residence. She took up residence on the old Neale farm, but John sold both the Neale farm and Foxhall in May 1853 to pay debts and she was forced to move back in with him in December.", "She took up residence on the old Neale farm, but John sold both the Neale farm and Foxhall in May 1853 to pay debts and she was forced to move back in with him in December. With the money he earned from the tavern and sale of his other property, on December 6, 1853, John Surratt bought a townhouse at 541 H Street in Washington, D.C., and began renting it out to tenants.", "With the money he earned from the tavern and sale of his other property, on December 6, 1853, John Surratt bought a townhouse at 541 H Street in Washington, D.C., and began renting it out to tenants. In 1854, John built a hotel as an addition to his tavern and called it Surratt's Hotel. The area around the tavern was officially named Surrattsville that same year.", "The area around the tavern was officially named Surrattsville that same year. Travelers could take Branch Road (now Branch Avenue) north into Washington, D.C.; Piscataway Road southwest to Piscataway; or Woodyard Road northeast to Upper Marlboro. Although Surrattsville was a well-known crossroads, the community did not amount to much: just the tavern, a post office (inside the tavern), a forge, and a dozen or so houses (some of them log cabins). John Surratt was the hamlet's first postmaster.", "John Surratt was the hamlet's first postmaster. John Surratt was the hamlet's first postmaster. He expanded his family's holdings by selling off land, paying down debt, and starting new businesses. Over the next few years, Surratt acquired or built a carriage house, corn crib, general store, forge, granary, gristmill, stable, tobacco curing house, and wheelwright's shop. The family had enough money to send all three children to nearby Roman Catholic boarding schools.", "The family had enough money to send all three children to nearby Roman Catholic boarding schools. Isaac and John Jr. attended the school at St. Thomas Manor, and Anna enrolled at the Academy for Young Ladies (Mary's alma mater). The family's debts continued to mount, however, and John Sr.'s drinking worsened. John sold another of land in 1856 to pay debts. By 1857, Surratt had sold all but of the family's formerly extensive holdings (which represented about half the he had originally owned).", "By 1857, Surratt had sold all but of the family's formerly extensive holdings (which represented about half the he had originally owned). Most of the family's slaves were also sold to pay debts. Still, his alcoholism worsened. In 1858, Mary wrote a letter to her local priest, telling him that Surratt was drunk every single day. In 1860, St. Thomas Manor School closed, and Isaac found work in Baltimore, Maryland.", "In 1860, St. Thomas Manor School closed, and Isaac found work in Baltimore, Maryland. The Surratts sold off another of land, which enabled Anna to remain at the Academy for Young Ladies and for John Jr. to enroll at St. Charles College, Maryland (a Catholic seminary and boarding school in Ellicott's Mills). The couple also borrowed money that same year against their townhouse in Washington, DC, and at some point used the property as collateral for a $1,000 loan.", "The couple also borrowed money that same year against their townhouse in Washington, DC, and at some point used the property as collateral for a $1,000 loan. Civil War and widowhood The American Civil War began on April 12, 1861. The border state of Maryland remained part of the United States (\"the Union\"), but the Surratts were Confederate sympathizers, and their tavern regularly hosted fellow sympathizers.", "The border state of Maryland remained part of the United States (\"the Union\"), but the Surratts were Confederate sympathizers, and their tavern regularly hosted fellow sympathizers. The Surratt tavern was being used as a safe house for Confederate spies, and at least one author concludes that Mary had \"de facto\" knowledge of this. Confederate scout and spy Thomas Nelson Conrad visited Surratt's boarding house before and during the Civil War.", "Confederate scout and spy Thomas Nelson Conrad visited Surratt's boarding house before and during the Civil War. On March 7, 1861, three days after Abraham Lincoln's inauguration as President of the United States, Isaac left Maryland and traveled to Texas, where he enlisted in the Confederate States Army (serving in the 33rd Cavalry, or Duff's Partisan Rangers, 14th Cavalry Battalion).", "On March 7, 1861, three days after Abraham Lincoln's inauguration as President of the United States, Isaac left Maryland and traveled to Texas, where he enlisted in the Confederate States Army (serving in the 33rd Cavalry, or Duff's Partisan Rangers, 14th Cavalry Battalion). John Jr. quit his studies at St. Charles College in July 1861 and became a courier for the Confederate Secret Service, moving messages, cash, and contraband back and forth across enemy lines.", "John Jr. quit his studies at St. Charles College in July 1861 and became a courier for the Confederate Secret Service, moving messages, cash, and contraband back and forth across enemy lines. The Confederate activities in and around Surrattsville drew the attention of the Union government. In late 1861, Lafayette C. Baker, a detective with the Union Intelligence Service, and 300 Union soldiers camped in Surrattsville and investigated the Surratts and others for Confederate activities.", "In late 1861, Lafayette C. Baker, a detective with the Union Intelligence Service, and 300 Union soldiers camped in Surrattsville and investigated the Surratts and others for Confederate activities. He quickly uncovered evidence of a large Confederate courier network operating in the area, but despite some arrests and warnings, the courier network remained intact. John Surratt collapsed suddenly and died on either August 25 or August 26 in 1862 (sources differ as to the date). The cause of death was a stroke.", "The cause of death was a stroke. The cause of death was a stroke. The Surratt family affairs were in serious financial difficulties. John Jr. and Anna both left school to help their mother run the family's remaining farmland and businesses. On September 10, 1862, John Jr. was appointed postmaster of the Surrattsville post office. Lafayette Baker swept through Surrattsville again in 1862, and several postmasters were dismissed for disloyalty, but John Jr. was not one of them.", "Lafayette Baker swept through Surrattsville again in 1862, and several postmasters were dismissed for disloyalty, but John Jr. was not one of them. In August 1863, he sought a job in the paymaster's department in the United States Department of War, but his application caused federal agents to be suspicious about his family's loyalties to the Union. On November 17, 1863, he was dismissed as postmaster for disloyalty. The loss of John Jr.'s job as postmaster caused a financial crisis for the Surratt family.", "The loss of John Jr.'s job as postmaster caused a financial crisis for the Surratt family. When John Sr.'s estate was probated in late November 1862, the family owned only two middle-age male slaves. However, by 1863, Louis J. Weichmann, a friend of John Jr. from St. Charles College, observed that the family had six or more slaves working on the property. By 1864, Mary Surratt found that her husband's unpaid debts and bad business deals had left her with many creditors.", "By 1864, Mary Surratt found that her husband's unpaid debts and bad business deals had left her with many creditors. Several of her slaves ran away. When he was not meeting with Confederate sympathizers in the city, her son was selling vegetables to raise cash for the family. Mary was tired of running the farm, tavern, and other businesses without her son's help. In the fall of 1864, she began considering moving to her townhouse in the city.", "In the fall of 1864, she began considering moving to her townhouse in the city. On October 1, 1864, she took possession of the townhouse at 604 H Street NW in Washington, D.C. The house was made of gray brick, wide, deep, and had four stories. The first floor, which was level with the street, had two large rooms, used as the kitchen and dining room.", "The first floor, which was level with the street, had two large rooms, used as the kitchen and dining room. The second floor had a front and back parlor, with the room in the rear used as Mary Surratt's bedroom. The third floor had three rooms: two in the front and a larger one at the back. The fourth floor, which was considered an attic, had two large and one small room, occupied by a servant.", "The fourth floor, which was considered an attic, had two large and one small room, occupied by a servant. Surratt began moving her belongings into the townhouse that month, and on November 1, 1864, Anna and John Jr. took up residence there. Mary Surratt herself moved into the home on December 1. That same day, she leased the tavern in Surrattsville to a former Washington, D.C., policeman and Confederate sympathizer John M. Lloyd for $500 a year.", "That same day, she leased the tavern in Surrattsville to a former Washington, D.C., policeman and Confederate sympathizer John M. Lloyd for $500 a year. On November 30, December 8, and December 27, Mary Surratt advertised for lodgers in the Daily Evening Star newspaper. She had initially said that she wanted only lodgers who were known to her personally or were recommended by friends, but in her advertisements, she said rooms were \"available for 4 gentlemen.\"", "She had initially said that she wanted only lodgers who were known to her personally or were recommended by friends, but in her advertisements, she said rooms were \"available for 4 gentlemen.\" Some scholars have raised questions about Surratt's move into the city. Historians Kate Larson and Roy Chamlee have noted that although there is no definite proof, a case can be made that Surratt made the move into the city in furtherance of her and her son's espionage activities.", "Historians Kate Larson and Roy Chamlee have noted that although there is no definite proof, a case can be made that Surratt made the move into the city in furtherance of her and her son's espionage activities. For example, Larson and Chamlee say that on September 21, 1864, John Surratt wrote to Louis J. Weichmann, observing that the family's plans to move into the city were advancing rapidly \"on account of certain events having turned up,\" perhaps a cryptic reference to either his Confederate activities in general or the conspiracy to kidnap or kill Lincoln.", "For example, Larson and Chamlee say that on September 21, 1864, John Surratt wrote to Louis J. Weichmann, observing that the family's plans to move into the city were advancing rapidly \"on account of certain events having turned up,\" perhaps a cryptic reference to either his Confederate activities in general or the conspiracy to kidnap or kill Lincoln. Larson has observed that although the move made long-term economic sense for Surratt, it also, in the short term, would have meant moving expenses and furnishing up to 10 rooms in the townhouse, money that she did not have.", "Larson has observed that although the move made long-term economic sense for Surratt, it also, in the short term, would have meant moving expenses and furnishing up to 10 rooms in the townhouse, money that she did not have. Chamlee, too, found little economic reason to move into the city and concluded that it would have been more profitable to rent the H Street boarding house entirely to lodgers. During her time in the city, Surratt tried to keep her daughter away from what she felt were negative influences.", "During her time in the city, Surratt tried to keep her daughter away from what she felt were negative influences. Moreover, Surratt still owed money on both the tavern and the townhouse and would take out yet another mortgage against the townhouse in January 1865. John Jr. transferred all his title to the family property to his mother in January 1865. That act may have additional implications. A traitor's property could be seized, and John's spy knowledge was certainly his motivation for relinquishing his title to the houses and land.", "A traitor's property could be seized, and John's spy knowledge was certainly his motivation for relinquishing his title to the houses and land. Mary may have known of his motivation as well or at least suspected. If she did, she would have possessed at least de facto knowledge of the conspiracy. Conspiracy Louis J. Weichmann moved into Surratt's boarding house on November 1, 1864. On December 23, 1864, Dr. Samuel Mudd introduced John Surratt Jr. to John Wilkes Booth.", "On December 23, 1864, Dr. Samuel Mudd introduced John Surratt Jr. to John Wilkes Booth. Booth recruited John Jr. into his conspiracy to kidnap Lincoln. Confederate agents began frequenting the boarding house. Booth visited the boarding house many times over the next few months, sometimes at Mary's request. George Atzerodt and Lewis Powell boarded at the townhouse for short periods.", "George Atzerodt and Lewis Powell boarded at the townhouse for short periods. Atzerodt, a friend of both John Jr. and Booth and a co-conspirator in the plot to kidnap Lincoln, visited the boarding house several times in the first two months of 1865. He stayed at the Surratt boarding house in February 1865 (for one night or several, sources differ), but he proved to be a heavy drinker, and Surratt evicted him after just a few days. He continued to visit the townhouse frequently afterward, however.", "He continued to visit the townhouse frequently afterward, however. Powell posed as a Baptist preacher and stayed at the boarding house for three days in March 1865. David Herold also called at the home several times. As part of the plot to kidnap Lincoln in March 1865, John, Atzerodt, and Herold hid two Spencer carbines, ammunition, and some other supplies at the Surratt tavern in Surrattsville. On April 11, Mary Surratt rented a carriage and drove to the Surratt tavern.", "On April 11, Mary Surratt rented a carriage and drove to the Surratt tavern. She said that she made the trip to collect a debt owed her by a former neighbor. However, according to her tenant, John Lloyd, Surratt told him to get the \"shooting irons\" ready to be picked up. On April 14, Surratt said that she would once again visit the family tavern in Surrattsville to collect a debt. Shortly before she left the city, Booth visited the boarding house and spoke privately with her.", "Shortly before she left the city, Booth visited the boarding house and spoke privately with her. He gave her a package, later found to contain binoculars, for Lloyd to pick up later that evening. Surratt did so and, according to Lloyd, again told Lloyd to have the \"shooting irons\" ready for pickup and handed him a wrapped package from Booth. Booth's plan was to assassinate Lincoln and have Atzerodt kill Vice President Andrew Johnson and Powell kill Secretary of State William H. Seward.", "Booth's plan was to assassinate Lincoln and have Atzerodt kill Vice President Andrew Johnson and Powell kill Secretary of State William H. Seward. Booth killed Lincoln, Atzerodt never attempted to kill Johnson, and Powell stabbed Seward repeatedly but failed to murder him. As they fled the city after Lincoln's assassination, Booth and Herold picked up the rifles and binoculars from Surratt's tavern. Lloyd repaired a broken spring on Surratt's wagon before they left.", "Lloyd repaired a broken spring on Surratt's wagon before they left. Arrest and incarceration Around 2 a.m. on April 15, 1865, members of the District of Columbia police visited the Surratt boarding house, seeking John Wilkes Booth and John Surratt. Why the police came to the house is not entirely clear. Most historians conclude that Weichmann's friend, Department of War employee Daniel Gleason, had alerted federal authorities to Confederate activity centered on the Surratt house, but that does not explain why police rather than federal agents appeared there.", "Most historians conclude that Weichmann's friend, Department of War employee Daniel Gleason, had alerted federal authorities to Confederate activity centered on the Surratt house, but that does not explain why police rather than federal agents appeared there. (Historian Roy Chamlee, however, says that there is evidence that Gleason did not tell police about his suspicions of Weichmann for several days.) Within 45 minutes of the attack on Lincoln, John Surratt's name had become associated with the attack on Secretary of State William H. Seward.", "Within 45 minutes of the attack on Lincoln, John Surratt's name had become associated with the attack on Secretary of State William H. Seward. The police as well as the Provost Marshal's office both had files on John Surratt Jr. and knew he was a close friend of Booth.", "The police as well as the Provost Marshal's office both had files on John Surratt Jr. and knew he was a close friend of Booth. (It is possible that either James L. Maddox, property supervisor at Ford's Theatre and a friend of Booth's, or actor John Matthews, both of whom may have known about the plot to attack government officials, mentioned Surratt's name.)", "(It is possible that either James L. Maddox, property supervisor at Ford's Theatre and a friend of Booth's, or actor John Matthews, both of whom may have known about the plot to attack government officials, mentioned Surratt's name.) Historian Otto Eisenschiml has argued that David Herold's attempt to steal a horse from John Fletcher may have led them to the Surratt boarding house, but at least one other scholar has called the link uncertain.", "Historian Otto Eisenschiml has argued that David Herold's attempt to steal a horse from John Fletcher may have led them to the Surratt boarding house, but at least one other scholar has called the link uncertain. Other sources claim that eyewitnesses had identified Booth as Lincoln's attacker, and the detectives had information (a tip from an unnamed actor and a bartender) linking John, Jr., to Booth. Mary lied to the detectives that her son had been in Canada for two weeks.", "Mary lied to the detectives that her son had been in Canada for two weeks. She also did not reveal that she had delivered a package to the tavern on Booth's behalf only hours earlier. On April 17, a Surratt neighbor told U.S. military authorities that he overheard one of the Surratt's servants saying that three men had come to the house on the night of Lincoln's assassination and that one of the men had mentioned Booth in a theater.", "On April 17, a Surratt neighbor told U.S. military authorities that he overheard one of the Surratt's servants saying that three men had come to the house on the night of Lincoln's assassination and that one of the men had mentioned Booth in a theater. (The servant was mistaken about the date, as John Surratt, Jr. had indeed been in Elmira, New York, on a mission for a Confederate general). Other pieces of information also mentioned the boarding house as a key meeting place of the possible conspirators.", "Other pieces of information also mentioned the boarding house as a key meeting place of the possible conspirators. Either Colonel Henry H. Wells, Provost Marshal (head of the military police) of the District of Columbia, or General Christopher C. Augur told Colonel Henry Steel Olcott to arrest everyone in the house. Federal soldiers visited the Surratt boarding house again late on the evening of April 17.", "Federal soldiers visited the Surratt boarding house again late on the evening of April 17. John Jr. could not be found, but after a search of the house, the agents found in Mary's room a picture of Booth, hidden behind another photograph, pictures of Confederate leaders including Jefferson Davis, a pistol, a mold for making bullets, and percussion caps. As Mary was being arrested for conspiracy to assassinate Lincoln, Powell appeared at her door in disguise.", "As Mary was being arrested for conspiracy to assassinate Lincoln, Powell appeared at her door in disguise. Although Surratt denied knowing him, Powell claimed that he was a laborer hired by Surratt to dig a ditch the next morning. The discrepancy and Powell's unusually well-groomed appearance, quite unlike a ditch-digger, prompted his arrest. He was later identified as the man who had attempted to assassinate Secretary of State William Seward.", "He was later identified as the man who had attempted to assassinate Secretary of State William Seward. After her arrest, she was held at an annex to the Old Capitol Prison before being transferred to the Washington Arsenal on April 30. Two armed guards stood before the door to her cell from the beginning of her imprisonment until her death. Her cell, while airy and larger than the others, was sparsely furnished, with a straw mattress, table, wash basin, chair, and a bucket.", "Her cell, while airy and larger than the others, was sparsely furnished, with a straw mattress, table, wash basin, chair, and a bucket. Food was served four times a day, always of bread; salt pork, beef, or beef soup; and coffee or water. The other arrested conspirators had their heads enclosed in a padded canvas bag to prevent a suicide attempt. Sources disagree as to whether Surratt was also forced to wear it.", "Sources disagree as to whether Surratt was also forced to wear it. Although the others wore iron manacles on their feet and ankles, she was not manacled. (Rumors to the contrary were raised by reporters at the trial who could not see her or \"heard\" the clank of chains about her feet. The rumors were repeatedly investigated and denied.) She began to suffer menstrual bleeding and became weak during her detention. She was given a rocking chair and allowed visits from her daughter, Anna.", "She was given a rocking chair and allowed visits from her daughter, Anna. She and Powell received the most attention from the press. The Northern press was also highly critical of her, claiming that she had a \"criminal face\" due to her small mouth and dark eyes. John Surratt Jr. was in Elmira at the time of the assassination, delivering messages on behalf of a Confederate general. After learning of Lincoln's death, he fled to Montreal, Quebec, Canada.", "After learning of Lincoln's death, he fled to Montreal, Quebec, Canada. Trial The trial for the alleged conspirators began on May 9. A military tribunal, rather than a civilian court, was chosen as the venue because government officials thought that its more lenient rules of evidence would enable the court to get to the bottom of what was then perceived by the public as a vast conspiracy. All eight alleged conspirators were tried simultaneously. Historians have conflicting views regarding Surratt's innocence.", "Historians have conflicting views regarding Surratt's innocence. Historians have conflicting views regarding Surratt's innocence. Historian Laurie Verge commented, \"Only in the case of Dr. Samuel Alexander Mudd is there as much controversy as to the guilt or innocence of one of the defendants.\" Lincoln assassination scholar Thomas Reed Turner says that of the eight people accused of plotting to kill Lincoln, the case against Surratt remains \"the most controversial... at that time and since.\"", "Lincoln assassination scholar Thomas Reed Turner says that of the eight people accused of plotting to kill Lincoln, the case against Surratt remains \"the most controversial... at that time and since.\" A room on the northeast corner of the third floor of the Arsenal was made into a courtroom, and the prisoners were brought into the room through a side door, which prevented them from passing by or being harassed by spectators. Surratt was given special considerations during the trial because of her illness and gender.", "Surratt was given special considerations during the trial because of her illness and gender. In the courtroom, she sat apart from the other prisoners. Sources differ as to whether an armed guard sat on either side of her, as was done for other prisoners during the trial. While the others wore wrist and ankle manacles in the courtroom, she did not. She was also permitted a bonnet, fan, and veil to hide her face from spectators.", "She was also permitted a bonnet, fan, and veil to hide her face from spectators. As her illness worsened during the trial, she was moved to a larger and more comfortable prison cell. Surratt was charged with abetting, aiding, concealing, counseling, and harboring her co-defendants. The federal government initially attempted to find legal counsel for her and the others, but almost no attorneys were willing to take the job for fear they would be accused of disloyalty to the Union.", "The federal government initially attempted to find legal counsel for her and the others, but almost no attorneys were willing to take the job for fear they would be accused of disloyalty to the Union. Surratt retained Reverdy Johnson as her legal counsel. A member of the military commission trying the conspirators challenged Johnson's right to defend Surratt, as he had objected to requiring loyalty oaths from voters in the 1864 presidential election.", "A member of the military commission trying the conspirators challenged Johnson's right to defend Surratt, as he had objected to requiring loyalty oaths from voters in the 1864 presidential election. After much discussion, this objection was withdrawn, but damage had been done to his influence, and he did not attend most of the court sessions. Most of Surratt's legal defense was presented by two other lawyers: Frederick Aiken and John Wesley Clampitt. The prosecution's strategy was to tie Surratt to the conspiracy.", "The prosecution's strategy was to tie Surratt to the conspiracy. Powell's arrival at her boarding house, three days after the president's murder, was critical evidence against her, the government argued. The prosecution presented nine witnesses, but most of their case rested on the testimony of just two men: John M. Lloyd and Louis J. Weichmann.", "The prosecution presented nine witnesses, but most of their case rested on the testimony of just two men: John M. Lloyd and Louis J. Weichmann. Lloyd testified on May 13 and 15, 1865 on the hiding of the carbines and other supplies at the tavern in March and the two conversations he had with her in which she told him to get the \"shooting irons\" ready. Weichmann's testimony was important, as it established an intimate relationship between her and the other conspirators.", "Weichmann's testimony was important, as it established an intimate relationship between her and the other conspirators. Weichmann testified May 16 to 19 and said that he had resided at the boarding house since November 1864. He had seen or overheard John Jr. meeting and talking with Atzerodt, Booth, and Powell many times over the past four and a half months.", "He had seen or overheard John Jr. meeting and talking with Atzerodt, Booth, and Powell many times over the past four and a half months. Weichmann had driven Surratt to the tavern on April 11 and 14, confirmed that she and Lloyd had spent much time in private conversation, testified that he saw Booth give her the package of binoculars, and attested that she had turned the package over to Lloyd.", "Weichmann had driven Surratt to the tavern on April 11 and 14, confirmed that she and Lloyd had spent much time in private conversation, testified that he saw Booth give her the package of binoculars, and attested that she had turned the package over to Lloyd. Weichmann also testified at length about the Surratt family's ties to the Confederate spy and courier rings operating in the area and their relationships with Atzerodt and Powell.", "Weichmann also testified at length about the Surratt family's ties to the Confederate spy and courier rings operating in the area and their relationships with Atzerodt and Powell. He also testified about the December 23 meeting with Booth and John (which he also attended) and their subsequent meeting with Booth at Booth's room at the National Hotel. Finally, he told the military tribunal about the general excitement in the boarding house in March 1865 after the failed attempt to kidnap Lincoln. Other prosecution witnesses reinforced Weichmann's testimony.", "Other prosecution witnesses reinforced Weichmann's testimony. Other prosecution witnesses reinforced Weichmann's testimony. Lodger Honora Fitzpatrick confirmed visits by Atzerodt, Booth, and Powell to the boarding house. Emma Offut, Lloyd's sister-in-law, testified that she saw (but did not hear) Surratt speaking for long periods of time with Lloyd on April 11 and 14. Government agents testified about their arrest of Surratt, Powell's arrival, and her denial that she knew Powell.", "Government agents testified about their arrest of Surratt, Powell's arrival, and her denial that she knew Powell. The fact that Powell sought refuge in the boarding house after Lincoln's murder left a bad impression of her. Surratt's refusal (or failure) to recognize him also weighed against her. The agents also testified about their search of the house, and the evidence (the photographs, the weapons, etc.) discovered there.", "discovered there. discovered there. Lloyd's testimony was the most important for the prosecution's case, for it indicated that she had played an active role in the conspiracy in the days before Lincoln's death. The prosecution rested its case on May 22. The defense strategy was to impeach the testimony of the key prosecution witnesses: Lloyd and Weichmann.", "The defense strategy was to impeach the testimony of the key prosecution witnesses: Lloyd and Weichmann. It also wished to show that she was loyal to the Union, her trips to Surrattsville were of an innocent nature, and she had not been aware of Booth's plans. There were 31 witnesses who testified for the defense.", "There were 31 witnesses who testified for the defense. There were 31 witnesses who testified for the defense. George H. Calvert testified that he had pressed Surratt to pay a debt, Bennett Gwynn said Surratt had sought payment from John Nothey to satisfy the Calvert debt, and Nothey agreed that he had received a letter from Surratt for him to appear at the tavern on April 11 to pay what was owed.", "George H. Calvert testified that he had pressed Surratt to pay a debt, Bennett Gwynn said Surratt had sought payment from John Nothey to satisfy the Calvert debt, and Nothey agreed that he had received a letter from Surratt for him to appear at the tavern on April 11 to pay what was owed. Several witnesses impugned Lloyd's character by testifying about his alcoholism, while others said he was too intoxicated on the day of Lincoln's assassination to remember that day clearly.", "Several witnesses impugned Lloyd's character by testifying about his alcoholism, while others said he was too intoxicated on the day of Lincoln's assassination to remember that day clearly. Augustus Howell, a Confederate agent, testified Weichmann was an untrustworthy witness, as he had sought to become a Confederate spy himself. (The prosecution had attempted to show that Howell was a Confederate spy and should not be trusted.)", "(The prosecution had attempted to show that Howell was a Confederate spy and should not be trusted.) Anna Surratt testified that it was Weichmann who had brought Atzerodt into the boarding house, that the photograph of Booth was hers, and that she owned photographs of Union political and military leaders. Anna denied ever overhearing any discussions of disloyal activities or ideas in the boarding house, and that Booth's visits to the house were always short.", "Anna denied ever overhearing any discussions of disloyal activities or ideas in the boarding house, and that Booth's visits to the house were always short. Anna explained her mother's failure to recognize Powell by asserting she could not see well. Augusta Howell, a former servant, and Honora Fitzpatrick, a former slave, testified to Mary's poor eyesight as well. The former servant and the former slave both said Surratt had given Union soldiers food.", "The former servant and the former slave both said Surratt had given Union soldiers food. Numerous witnesses were called at the end of the defense's case to testify to her loyalty to the Union, her deep Christian faith, and her kindness. During the prosecution's rebuttal, government lawyers called four witnesses to the stand, who testified as to Weichmann's unimpeachable character. Johnson and Aiken presented the closing arguments for the defense. Johnson attacked the jurisdiction of a military tribunal over civilians, as had Mudd's attorney.", "Johnson attacked the jurisdiction of a military tribunal over civilians, as had Mudd's attorney. Aiken also challenged the court's jurisdiction. He also reiterated that Lloyd and Weichmann were unreliable witnesses and that the evidence against her was all circumstantial. The only evidence linking Surratt to the conspiracy to kill Lincoln, he said, came from Lloyd and Weichmann, and neither man was telling the truth. (Dorothy Kunhardt has written that there is evidence the latter's perjured testimony was suborned by Secretary of War Edwin M. Stanton.)", "Stanton.) Stanton.) Judge Advocate John Bingham presented the closing argument for the prosecution. The military tribunal had jurisdiction, he said, not only because the court itself had ruled at the beginning of the trials that it did but because they were crimes committed in a military zone, during a time of war, and against high government officials in carrying out treasonous activities. Bingham pointed out that the Surratt boarding house was where the conspiracy was planned, and Atzerodt, Booth, and Powell had all met with Surratt.", "Bingham pointed out that the Surratt boarding house was where the conspiracy was planned, and Atzerodt, Booth, and Powell had all met with Surratt. Booth had paid for the rental of the carriage that took Surratt to Surrattsville each time, and Bingham said that was evidence that Surratt's trips were critical to the conspiracy. Bingham also said that Lloyd's testimony had been corroborated by others and that his unwillingness to reveal the cache of weapons in the tavern was prompted by his subservient tenant relationship to Surratt.", "Bingham also said that Lloyd's testimony had been corroborated by others and that his unwillingness to reveal the cache of weapons in the tavern was prompted by his subservient tenant relationship to Surratt. Bingham concluded by reiterating the government's key point: Powell had returned to the Surratt house seeking Surratt, and that alone was proof of her guilt. Bingham also pointed out for the tribunal that the charge a person was indicted for was irrelevant.", "Bingham also pointed out for the tribunal that the charge a person was indicted for was irrelevant. Under the law of conspiracy, if one person carries out a crime, all conspirators are guilty of the same crime. The trial ended on June 28, 1865. Surratt was so ill the last four days of the trial that she was permitted to stay in her cell.", "Surratt was so ill the last four days of the trial that she was permitted to stay in her cell. In the opinion of historian Roy Z. Chamlee, both legal teams appeared to have flaws in their cases, and except for Reverdy Johnson, neither team employed highly skilled attorneys.", "In the opinion of historian Roy Z. Chamlee, both legal teams appeared to have flaws in their cases, and except for Reverdy Johnson, neither team employed highly skilled attorneys. The government's case was hindered by its failure to call as a witness the man who shared Lloyd's carriage when he talked with Surratt and could have verified Lloyd's version of the \"shooting irons\" story or Metropolitan Police Chief A.C. Richards whose investigation had had the most success in the early days of the investigation.", "The government's case was hindered by its failure to call as a witness the man who shared Lloyd's carriage when he talked with Surratt and could have verified Lloyd's version of the \"shooting irons\" story or Metropolitan Police Chief A.C. Richards whose investigation had had the most success in the early days of the investigation. The government did not fully investigate Booth's meetings with Surratt at noon or the evening of the murder, and its questioning and cross-examination of witnesses was poorly prepared and weak.", "The government did not fully investigate Booth's meetings with Surratt at noon or the evening of the murder, and its questioning and cross-examination of witnesses was poorly prepared and weak. What is most important, according to historian Roy Z. Chamber Jr., is that the government had botched the attempt to apprehend John Jr. The defense's case, too, had a problem. The defense never followed up on inconsistencies in Weichmann's chronology of Mary's last visit to the tavern, which could have undermined Weichmann's entire credibility.", "The defense never followed up on inconsistencies in Weichmann's chronology of Mary's last visit to the tavern, which could have undermined Weichmann's entire credibility. The military tribunal considered guilt and sentencing on June 29 and 30. Surratt's guilt was the second-last to be considered, as her case had problems of evidence and witness reliability. The sentence was handed down on June 30. The military tribunal found her guilty on all charges but two. A death sentence required six of the nine votes of the judges.", "A death sentence required six of the nine votes of the judges. Surratt was sentenced to death, the first woman executed by the federal government. The sentence was announced publicly on July 5. When Powell learned of his sentence, he declared that she was completely innocent of all charges. The night before the execution, Surratt's priests and Anna Surratt both visited Powell and elicited from him a strong statement declaring Mary innocent.", "The night before the execution, Surratt's priests and Anna Surratt both visited Powell and elicited from him a strong statement declaring Mary innocent. Although it was delivered to Captain Christian Rath, who was overseeing the execution, Powell's statement had no effect on anyone with authority to prevent Surratt's death. George Atzerodt bitterly condemned her, implicating her even further in the conspiracy. Powell's was the only statement by any conspirator exonerating Surratt.", "Powell's was the only statement by any conspirator exonerating Surratt. Anna Surratt pleaded repeatedly for her mother's life with Judge Advocate General Joseph Holt, but he refused to consider clemency. She also attempted to see President Andrew Johnson several times to beg for mercy but was not granted permission to see him. Five of the nine judges signed a letter asking President Johnson to give Surratt clemency and commute her sentence to life in prison because of her age and sex.", "Five of the nine judges signed a letter asking President Johnson to give Surratt clemency and commute her sentence to life in prison because of her age and sex. Holt did not deliver the recommendation to Johnson until July 5, two days before Surratt and the others were to hang. Johnson signed the order for execution but did not sign the order for clemency. Johnson later said he never saw the clemency request; Holt said he showed it to Johnson, who refused to sign it.", "Johnson later said he never saw the clemency request; Holt said he showed it to Johnson, who refused to sign it. Johnson, according to Holt, said in signing the death warrant that she had \"kept the nest that hatched the egg.\" Execution Construction of the gallows for the hanging of the conspirators condemned to death began immediately on July 5, after the execution order was signed. It was constructed in the south part of the Arsenal courtyard, was high and about in size.", "It was constructed in the south part of the Arsenal courtyard, was high and about in size. Rath, who oversaw the preparations for the executions, made the nooses. Tired of making nooses and thinking that the government would never hang a woman, he made Surratt's noose the night before the execution with five loops rather than the regulation seven. He tested the nooses that night by tying them to a tree limb and a bag of buckshot and then tossing the bag to the ground (the ropes held).", "He tested the nooses that night by tying them to a tree limb and a bag of buckshot and then tossing the bag to the ground (the ropes held). Civilian workers did not want to dig the graves out of superstitious fear, so Rath asked for volunteers among the soldiers at the Arsenal and received more help than he needed. At noon on July 6, Surratt was informed she would be hanged the next day. She wept profusely.", "She wept profusely. She wept profusely. She was joined by two Catholic priests (Jacob Walter and B.F. Wiget) and her daughter Anna. Father Jacob remained with her almost until her death. Her menstrual problems had worsened, and she was in such pain and suffered from such severe cramps that the prison doctor gave her wine and medication. She repeatedly asserted her innocence. She spent the night on her mattress, weeping and moaning in pain and grief, ministered to by the priests.", "She spent the night on her mattress, weeping and moaning in pain and grief, ministered to by the priests. Anna left her mother's side at 8 A.M. on July 7 and went to the White House to beg for her mother's life one last time. Her entreaty rejected, she returned to the prison and her mother's cell at about 11 A.M. The soldiers began testing the gallows about 11:25 A.M.; the sound of the tests unnerved all the prisoners.", "The soldiers began testing the gallows about 11:25 A.M.; the sound of the tests unnerved all the prisoners. Shortly before noon, Mary Surratt was taken from her cell and then allowed to sit in a chair near the entrance to the courtyard. The heat in the city that day was oppressive. By noon, it had already reached . The guards ordered all visitors to leave at 12:30 P.M. When she was forced to part from her mother, Anna's hysterical screams of grief could be heard throughout the prison.", "When she was forced to part from her mother, Anna's hysterical screams of grief could be heard throughout the prison. Clampitt and Aiken had not finished trying to save their client, however. On the morning of July 7, they asked a District of Columbia court for a writ of habeas corpus, arguing that the military tribunal had no jurisdiction over their client. The court issued the writ at 3 A.M., and it was served on General Winfield Scott Hancock.", "The court issued the writ at 3 A.M., and it was served on General Winfield Scott Hancock. Hancock was ordered to produce Surratt by 10 A.M. General Hancock sent an aide to General John F. Hartranft, who commanded the Old Capitol Prison, ordering him not to admit any US marshal, as that would prevent the marshal from serving a similar writ on Hartranft.", "Hancock was ordered to produce Surratt by 10 A.M. General Hancock sent an aide to General John F. Hartranft, who commanded the Old Capitol Prison, ordering him not to admit any US marshal, as that would prevent the marshal from serving a similar writ on Hartranft. Johnson was informed that the court had issued the writ and promptly cancelled it at 11:30 A.M. under the authority granted to him by the Habeas Corpus Suspension Act of 1863.", "Johnson was informed that the court had issued the writ and promptly cancelled it at 11:30 A.M. under the authority granted to him by the Habeas Corpus Suspension Act of 1863. General Hancock and United States Attorney General James Speed personally appeared in court and informed the judge of the cancellation of the writ. On July 7, 1865, at 1:15 P.M., a procession led by General Hartranft escorted the four condemned prisoners through the courtyard and up the steps to the gallows. Each prisoner's ankles and wrists were bound by manacles.", "Each prisoner's ankles and wrists were bound by manacles. Surratt led the way, wearing a black bombazine dress, black bonnet, and black veil. More than 1,000 people, including government officials, members of the US armed forces, friends and family of the accused, official witnesses, and reporters, watched. General Hancock limited attendance to those who had a ticket, and only those who had a good reason to be present were given a ticket.", "General Hancock limited attendance to those who had a ticket, and only those who had a good reason to be present were given a ticket. (Most of those present were military officers and soldiers, as fewer than 200 tickets had been printed.) Alexander Gardner, who had photographed the body of Booth and taken portraits of several of the male conspirators while they were imprisoned aboard naval ships, photographed the execution for the government. Hartranft read the order for their execution.", "Hartranft read the order for their execution. Hartranft read the order for their execution. Surratt, either weak from her illness or swooning in fear (perhaps both), had to be supported by two soldiers and her priests. The condemned were seated in chairs, Surratt almost collapsing into hers. She was seated to the right of the others, the traditional \"seat of honor\" in an execution. White cloth was used to bind their arms to their sides and their ankles and thighs together.", "White cloth was used to bind their arms to their sides and their ankles and thighs together. The cloths around Surratt's legs were tied around her dress below the knees. Each person was ministered to by a member of the clergy. From the scaffold, Powell said, \"Mrs. Surratt is innocent. She doesn't deserve to die with the rest of us.\" Fathers Jacob and Wiget prayed over her and held a crucifix to her lips.", "Fathers Jacob and Wiget prayed over her and held a crucifix to her lips. About 16 minutes elapsed from the time the prisoners entered the courtyard until they were ready for execution. A white bag was placed over the head of each prisoner after the noose was put in place. Surratt's bonnet was removed, and the noose put around her neck by a U.S. Secret Service officer. She complained that the bindings about her arms hurt, and the officer preparing said, \"Well, it won't hurt long.\"", "She complained that the bindings about her arms hurt, and the officer preparing said, \"Well, it won't hurt long.\" Finally, the prisoners were asked to stand and move forward a few feet to the nooses. The chairs were removed. Her last words, spoken to a guard as he moved her forward to the drop, were \"Please don't let me fall.\" Surratt and the others stood on the drop for about 10 seconds, and then Captain Rath clapped his hands.", "Surratt and the others stood on the drop for about 10 seconds, and then Captain Rath clapped his hands. Four soldiers of Company F of the 14th Veteran Reserves knocked out the supports holding the drops in place, and the condemned fell. Surratt, who had moved forward enough to barely step onto the drop, lurched forward and slid partway down the drop, her body snapping tight at the end of the rope, swinging back and forth. She appeared to die relatively quickly with little struggle.", "She appeared to die relatively quickly with little struggle. She appeared to die relatively quickly with little struggle. Atzerodt's stomach heaved once and his legs quivered; then, he was still. Herold and Powell struggled for nearly five minutes, strangling to death. Burial Each body was inspected by a physician to ensure that death had occurred.", "Burial Each body was inspected by a physician to ensure that death had occurred. The bodies of the executed were allowed to hang for about 30 minutes and soldiers began to cut them down at 1:53 p.m. A corporal raced to the top of the gallows and cut down Atzerodt's body, which fell to the ground with a thud. He was reprimanded, and the other bodies were cut down more gently. Herold's body was next, followed by Powell's.", "Herold's body was next, followed by Powell's. Surratt's body was cut down at 1:58 p.m. As Surratt's body was cut loose, her head fell forward. A soldier joked, \"She makes a good bow\" and was rebuked by an officer for his poor use of humor. Upon examination, the military surgeons determined that no one's neck had been broken by the fall. The manacles and cloth bindings were removed but not the white execution masks, and the bodies were placed into the pine coffins.", "The manacles and cloth bindings were removed but not the white execution masks, and the bodies were placed into the pine coffins. The name of each person was written on a piece of paper by acting Assistant Adjutant R. A. Watts, and inserted in a glass vial, which was placed into the coffin. The coffins were buried against the prison wall in shallow graves, just a few feet from the gallows. A white picket fence marked the burial site.", "A white picket fence marked the burial site. A white picket fence marked the burial site. The night that she died, a mob attacked the Surratt boarding house and began stripping it of souvenirs until the police stopped them. Anna Surratt unsuccessfully asked for her mother's body for four years. In 1867, the War Department decided to tear down the portion of the Washington Arsenal where the bodies of Surratt and the other executed conspirators lay. On October 1, 1867, the coffins were disinterred and reburied in Warehouse No.", "On October 1, 1867, the coffins were disinterred and reburied in Warehouse No. 1 at the Arsenal, with a wooden marker placed at the head of each burial vault. Booth's body lay alongside them. In February 1869, Edwin Booth asked Johnson for the body of his brother. Johnson agreed to turn the body over to the Booth family, and on February 8 Surratt's body was turned over to the Surratt family.", "Johnson agreed to turn the body over to the Booth family, and on February 8 Surratt's body was turned over to the Surratt family. She was buried in Mount Olivet Cemetery in Washington, D.C., on February 9, 1869. Lloyd is buried from her grave in the same cemetery. Surviving family and home Anna Surratt moved from the townhouse on H Street and lived with friends for a few years, ostracized from society. She married William Tonry, a government clerk.", "She married William Tonry, a government clerk. She married William Tonry, a government clerk. They lived in poverty for a while after he was dismissed from his job, but in time, he became a professor of chemistry in Baltimore and the couple became better off. The strain of her mother's death left Anna mentally unbalanced, and she suffered from periods of extreme fear that bordered on insanity. She died in 1904.", "She died in 1904. She died in 1904. After the dismissal of charges against him, John Jr. married and he and his family lived in Baltimore near his sister, Anna. Isaac Surratt also returned to the United States and lived in Baltimore. He died unmarried in 1907. Isaac and Anna were buried on either side of their mother in Mount Olivet Cemetery. John Jr. was buried in Baltimore in 1916.", "John Jr. was buried in Baltimore in 1916. John Jr. was buried in Baltimore in 1916. In 1968, a new headstone with a brass plaque replaced the old, defaced headstone over Mary Surratt's grave. Mary Surratt's boarding house still stands and was listed on the National Register of Historic Places in 2009. Those interested in Mary Surratt formed the Surratt Society. The Surrattsville tavern and house are historical sites run today by the Surratt Society. The Washington Arsenal is now Fort Lesley J. McNair.", "The Washington Arsenal is now Fort Lesley J. McNair. The Washington Arsenal is now Fort Lesley J. McNair. Portrayals Surratt was portrayed by actress Virginia Gregg in the 1956 episode \"The Mary Surratt Case,\" telecast as part of the NBC anthology series The Joseph Cotten Show. She was portrayed by Robin Wright in the 2011 film The Conspirator, which was directed by Robert Redford. References Sources Boritt, G.S. and Forness, Norman O. The Historian's Lincoln: Pseudohistory, Psychohistory, and History.", "The Historian's Lincoln: Pseudohistory, Psychohistory, and History. Urbana, Ill.: University of Illinois Press, 1996. Bryer, Jackson R. New Essays on F. Scott Fitzgerald's Neglected Stories. Columbia, Mo. : University of Missouri Press, 1996. Buchanan, Paul D. The American Women's Rights Movement: A Chronology of Events and of Opportunities From 1600 to 2008. Boston: Branden Books, 2009. Bucklee, Sally Mitchell. A Church and Its Village: St. Philip's Episcopal Church, Laurel, Maryland.", "A Church and Its Village: St. Philip's Episcopal Church, Laurel, Maryland. Baltimore, Md. : Gateway Press, 2001. Busch, Francis X. Enemies of the state: An Account of the Trials of the Mary Eugenia Surrat Case, the Teapot Dome Cases, the Alphonse Capone Case and the Rosenburg Case. Indianapolis: Bobbs-Merrill, 1954. Cashin, Joan. The War Was You and Me: Civilians in the American Civil War. Princeton, N.J.: Princeton Univ. Press, 2002.", "Princeton, N.J.: Princeton Univ. Press, 2002. Press, 2002. Chaconas, Joan L. \"John H. Surratt, Jr.\" In The Trial: The Assassination of President Lincoln and the Trial of the Conspirators. Lexington, Ky.: University Press of Kentucky, 2003. Chamlee, Jr., Roy Z. Lincoln's Assassins: A Complete Account of Their Capture, Trial, and Punishment. Jefferson, N.C.: McFarland & Co., 1989. Commire, Anne and Klezmer, Deborah.", "Commire, Anne and Klezmer, Deborah. Commire, Anne and Klezmer, Deborah. Women in World History: A Biographical Encyclopedia. Waterford, Conn.: Yorkin Publications, 2001. DeWitt, David Miller. The Judicial Murder of Mary E. Surratt. J. Murphy & Co., 1894. Eisenschiml, Otto. Why Was Lincoln Murdered? New York: Grosset & Dunlap, 1937. Evans, Eli N. Judah P. Benjamin, the Jewish Confederate. New York: Simon and Schuster, 1989. Federal Writers' Project.", "New York: Simon and Schuster, 1989. Federal Writers' Project. Federal Writers' Project. Washington, D.C.: A Guide to the Nation's Capital. New York: Hastings House, 1942. Fishel, Edwin C. Secret War for the Union. New York: Houghton Mifflin, 1996. Gamber, Wendy. The Boardinghouse in Nineteenth-Century America. Baltimore: Johns Hopkins University Press, 2007. Gillespie, L. Kay. Executed Women of the 20th and 21st Centuries. Lanham, Md.", "Executed Women of the 20th and 21st Centuries. Lanham, Md. Lanham, Md. : University Press of America, 2009. Goodrich, Thomas. The Darkest Dawn: Lincoln, Booth, and the Great American Tragedy. Bloomington, Ind. : Indiana University Press, 2005. Griffin, John Chandler. Abraham Lincoln's Execution. Gretna, La. : Pelican Publishing Co., 2006. Harris, Thomas Mealey.", ": Pelican Publishing Co., 2006. Harris, Thomas Mealey. Harris, Thomas Mealey. Assassination of Lincoln: A History of the Great Conspiracy, Trial of the Conspirators by a Military Commission, and a Review of the Trial of John H. Surratt. Boston: American Citizen Company, 1892. Hartranft, John F.; Steers, Edward; and Holzer, Harold. The Lincoln Assassination Conspirators: Their Confinement and Execution, As Recorded in the Letterbook of John Frederick Hartranft. Baton Rouge: Louisiana State University Press, 2009.", "Baton Rouge: Louisiana State University Press, 2009. Baton Rouge: Louisiana State University Press, 2009. Heidler, David Stephen; Heidler, Jeanne T.; and Coles, David J. Encyclopedia of the American Civil War: A Political, Social, and Military History. New York: W.W. Norton & Co., 2000. Isacsson, Alfred. The Travels, Arrest and Trial of John H. Surratt. Middletown, N.Y.: Vestigium Press, 2003. James, Edward T. Notable American Women: A Biographical Dictionary.", "James, Edward T. Notable American Women: A Biographical Dictionary. Cambridge, Mass. : Belknap Press of Harvard University Press, 2004. Jampoler, Andrew C.A. The Last Lincoln Conspirator: John Surratt's Flight From the Gallows. Annapolis, Md. : Naval Institute Press, 2008. Johnson, Andrew. The Papers of Andrew Johnson: September 1868 – April 1869. Paul H. Bergeron, ed. Knoxville, Tenn.: University of Tennessee Press, 1999. Johnson, Scott Patrick.", "Johnson, Scott Patrick. Johnson, Scott Patrick. Trials of the Century: An Encyclopedia of Popular Culture and the Law. Santa Barbara, Calif.: ABC-CLIO, 2011. Jones, John P. Dr. Mudd and the Lincoln Assassination: The Case Reopened. Conshohocken, Pa.: Combined Books, 1995. Jordan, David M. Winfield Scott Hancock: A Soldier's Life. Bloomington, Ind. : Indiana University Press, 1988. Katz, D. Mark.", ": Indiana University Press, 1988. Katz, D. Mark. Katz, D. Mark. Witness to an Era: The Life and Photographs of Alexander Gardner: The Civil War, Lincoln, and the West. New York: Viking, 1991. Kauffman, Michael W. American Brutus. New York: Random House, 2004. Klement, Frank. Lincoln's Critics: The Copperheads of the North. Shippensburg, W.Va.: White Mane Books, 1999. Kuhn, Annette.", "Shippensburg, W.Va.: White Mane Books, 1999. Kuhn, Annette. Kuhn, Annette. Queen of the 'B's: Ida Lupino Behind the Camera. Westport, Conn.: Greenwood Press, 1995. Larson, Kate Clifford. The Assassin's Accomplice: Mary Surratt and the Plot to Kill Abraham Lincoln. Basic Books, 2008. Latimer, Christopher P. Civil Liberties and the State: A Documentary and Reference Guide. Santa Barbara, Calif.: Greenwood, 2011.", "Santa Barbara, Calif.: Greenwood, 2011. Santa Barbara, Calif.: Greenwood, 2011. Leonard, Elizabeth D. Lincoln's Avengers: Justice, Revenge, and Reunion After the Civil War. New York: Norton, 2004. MacHenry, Robert. Liberty's Women. Springfield, Mass. : G.C. Merriam Co., 1980. Miller, Edward A. Lincoln's Abolitionist General: The Biography of David Hunter. Columbia, S.C.: University of South Carolina Press, 1997.", "Columbia, S.C.: University of South Carolina Press, 1997. Morseberger, Robert E. and Morsberger, Katharine M. Lew Wallace, Militant Romantic. New York: McGraw-Hill, 1980. Oldroyd, Osborn H. The Assassination of Abraham Lincoln: Flight, Pursuit, Capture, and Punishment of the Conspirators. Washington, D.C.: O.H. Oldroyd, 1901. Ownsbey, Betty J. Alias 'Paine': Lewis Thorthon Powell, the Mystery Man of the Lincoln Conspiracy. Jefferson, N.C.: McFarland & Company, 2006. Phelps, Shirelle.", "Jefferson, N.C.: McFarland & Company, 2006. Phelps, Shirelle. Phelps, Shirelle. World of Criminal Justice, Vol. 2: N-Z. Detroit: Gale Group, 2001. Phillips, Larissa. Women Civil War Spies of the Confederacy. New York: Rosen Publishing Group, 2004. Pittman, Benn. The Assassination of President Lincoln and the Trial of the Conspirators. Cincinnati: Moore, Wilstach & Baldwin, 1865. Rehnquist, William H. All the Laws But One: Civil Liberties in Wartime.", "Rehnquist, William H. All the Laws But One: Civil Liberties in Wartime. New York: Vintage Books, 2000. Roscoe, Theodore. The Web of Conspiracy: The Complete Story of the Men Who Murdered Abraham Lincoln. Englewood Cliffs, N.J.: Prentice-Hall, 1959. Sachsman, David B.; Rushing, S. Kittrell; and Morris, Roy. Seeking A Voice: Images of Race and Gender in the 19th Century Press. West Lafayette, Ind. : Purdue University Press, 2009.", "West Lafayette, Ind. : Purdue University Press, 2009. : Purdue University Press, 2009. Schroeder-Lein, Glenna R. and Zuczek, Richard. Andrew Johnson: A Biographical Companion. Santa Barbara, Calif.: ABC-CLIO, 2001. Steers, Jr., Edward. Blood on the Moon. Lexington: University Press of Kentucky, 2001. Steers, Jr., Edward. \"'Let the Stain of Innocent Blood Be Removed from the Land': The Military Trial of the Lincoln Conspirators.\"", "\"'Let the Stain of Innocent Blood Be Removed from the Land': The Military Trial of the Lincoln Conspirators.\" In The Lincoln Assassination: Crime and Punishment, Myth and Memory. Harold Holzer, Craig L. Symonds, and Frank J. Williams, eds. New York: Fordham University Press, 2010. Steers, Jr., Edward. The Lincoln Assassination Encyclopedia. New York: Harper Perennial, 2010. Steers, Jr., Edward. Lincoln Legends: Myths, Hoaxes, and Confabulations Associated With Our Greatest President.", "Lincoln Legends: Myths, Hoaxes, and Confabulations Associated With Our Greatest President. Lexington, Ky.: University Press of Kentucky, 2007. Steers, Jr. Edward and Holzer, Harold. The Lincoln Assassination Conspirators: Their Confinement and Execution, as Recorded in the Letterbook of John Frederick Hartranft. Baton Rouge, La. : Louisiana State University Press, 2009. Stern, Philip Van Doren. An End to Valor: The Last Days of the Civil War. Boston: Houghton Mifflin, 1958. \"Surratt, Mary.\"", "Boston: Houghton Mifflin, 1958. \"Surratt, Mary.\" \"Surratt, Mary.\" In The New Encyclopædia Britannica. Chicago: Encyclopædia Britannica, 1998. \"Surratt, Mary E. Jenkins (1823–1865).\" In Women in the American Civil War. Lisa Tendrich Frank, ed. Santa Barbara, Calif.: ABC-CLIO, 2008. \"Surratt, Mary Eugenia Jenkins (1817–1865).\" In Historical Dictionary of Reconstruction. Hans Louis Trefousse, ed. New York: Greenwood Press, 1991.", "New York: Greenwood Press, 1991. New York: Greenwood Press, 1991. Swanson, James L. Manhunt: The Twelve Day Chase for Lincoln's Killer. New York: HarperCollins, 2007. Swanson, James L. and Weinberg, Daniel R. Lincoln's Assassins: Their Trial and Execution. New York: Harper Perennial, 2008. Townsend, George Alfred. The Life, Crime and Capture of John Wilkes Booth. New York: Dick and Fitzgerald, Publishers, 1886. Townsend, George Alfred.", "Townsend, George Alfred. Townsend, George Alfred. Washington, Outside and Inside: A Picture and a Narrative of the Origin, Growth, Excellencies, Abuses, Beauties, and Personages of Our Governing City. Hartford, Conn.: S.M. Betts & Co., 1874. Trindal, Elizabeth Steger. Mary Surratt: An American Tragedy. Pelican Pub. Co., 1996. Turner, Thomas Reed. Beware the People Weeping: Public Opinion and the Assassination of Abraham Lincoln. Baton Rouge: Louisiana State University Press, 1982.", "Baton Rouge: Louisiana State University Press, 1982. Baton Rouge: Louisiana State University Press, 1982. Van Doren, Charles Lincoln and McHenry, Robert. Webster's American Biographies. Springfield, Mass. : Merriam-Webster, 1984. Verge, Laurie. \"Mary Elizabeth Surratt\". In The Trial: The Assassination of President Lincoln and the Trial of the Conspirators. Lexington, Ky.: University Press of Kentucky, 2003. Watts, R.A. \"Trial and Execution of the Lincoln Conspirators.\" Michigan History Magazine.", "Michigan History Magazine. Michigan History Magazine. 6:1 (1922). Weichmann, Louis J. and Richards, A.C. A True History of the Assassination of Abraham Lincoln and of the Conspiracy of 1865. New York: Knopf, 1975. Zanca, Kenneth J.. The Catholics and Mrs. Mary Surratt: How They Responded to the Trial and Execution of the Lincoln Conspirator. University Press of America, 2008.", "University Press of America, 2008. University Press of America, 2008. External links Anna Surratt, daughter Surratt Society and Museum Read through the Lincoln Assassination Papers about evidence against Mary Surratt Historic Marker at the Surratt Boarding House Brief Mary Surratt Biography (written by a retired teacher especially for students and schools) 1820s births 1865 deaths 19th-century American women 19th-century executions by the United States 19th-century executions of American people American slave owners Burials at Mount Olivet Cemetery (Washington, D.C.) Converts to Roman Catholicism Executed American women Executed people from Maryland Lincoln assassination conspirators People executed by the United States federal government by hanging People from Clinton, Maryland People of Maryland in the American Civil War Women in the American Civil War Catholics from Maryland" ]

[ "Mary Surratt", "Burial", "Where was the burial?", "the Washington Arsenal", "Who was there?", "Herold's body was next, followed by Powell's. Surratt's body was cut down at 1:58 P.M." ]

[ "The is a correctional facility in Katsushika, Tokyo. A part of the penal system of Japan, it is operated by the Ministry of Justice. It is one of seven detention houses in Japan, which detain people awaiting trial, as well as those who have been sentenced to death and await execution.\n\nHistory\nThe TDH has a tactical response unit, the Special Security Response Team, established on April 1, 2019.\n\nExecution chamber\n\nOne of Japan's seven execution chambers is in this facility. All executions in Japan are carried out by hanging. The execution chamber in Tokyo has a trap door, which is opened by one of the three buttons in the next-door room, which are simultaneously pressed by three prison staff members so that none of them will know for certain which of them pressed the real button. \n\nAs the condemned dies, their body falls into a room below the execution chamber, and in that room the death is confirmed. Before the condemned is executed, they pass a statue of Amida Nyorai (Amitābha), one of the Buddhas. The execution room is in two sections, with both of them together the size of a 15 tatami mat room.\n\nNotable prisoners\n Carlos Ghosn\nKiyoshi Miki\n Shoko Asahara (hanged 6 July 2018)\n Richard Sorge\n Prime Minister Kakuei Tanaka\nNorio Nagayama (hanged 1 August 1997)\nTsutomu Miyazaki (hanged on 17 June 2008)\nMasahiro Kanagawa (hanged 21 February 2013)\nSeiichi Endo (hanged 6 July 2018)\nYukio Seki (hanged 26 November 1993)\nTeruhiko Seki (hanged 19 December 2017)\nHideki Kanda (hanged 1 August 1997)\nToru Toyoda (hanged 26 July 2018)\nKenichi Hirose (hanged 26 July 2018)\nSeiha Fujima (hanged 7 December 2007)\nMitsuo Yabe (hanged 30 September 1987)\nKoichi Shoji (hanged 2 August 2019)\nYoshio Iwamoto (hanged 27 August 2007)\n\nReferences\n\nExternal links\n\n 法務省矯正局 \n 東京拘置所 \n\nBuildings and structures in Tokyo\nPrisons in Japan\nExecution sites in Japan\nKatsushika\n1879 establishments in Japan", "This is a list of people executed in Australia, sorted geographically by state. As state boundaries have changed during Australia's history, this article lists executions according to state and territory boundaries as they have existed since 1989.\n\nBefore the arrival of Europeans, death sentences were carried out in Australia under Aboriginal customary law, either directly or through sorcery. The first executions under European law occurred on 2 October 1629 on Long Island in the Houtman Abrolhos of Western Australia, where seven crew members of the Dutch East India Company ship Batavia were hanged for mutiny and the subsequent massacre of 125 passengers and crew.\n\nWithin weeks of the arrival of the First Fleet in 1788 and the establishment of Sydney, New South Wales as the first permanent European settlement, Thomas Barrett became the first person to be executed in Australia under British law. Since Federation in 1901, 114 people have been legally executed in Australia.\n\nNew South Wales\n \nTo assist those working to make the list more complete, the following information is added. According to one source, total numbers executed in NSW prior to 1820 per period were as follow. 1788-99: 43 (list below complete); 1800-09: 98 (list below as complete as possible because the fact of some executions are in doubt); 1810-19: 92.\nAccording to another source, total numbers executed in NSW during certain periods after 1820 were as follows: 1820-29: 170; 1830-39: 288; 1840-49: 99; 1850-59: 36; 1860-69: 51; 1870-79: 23; 1880-89: 26; 1890-99: 67; 1900-39: 24.\n\nFrom 1788 to 1830\n\nLocation of execution not indicated\n Samuel Mobbs – 16 March 1797 – Hanged for burglary.\n James Reece – 8 February 1799 – Hanged for bestiality with a sow. Reece tried to cut his own throat on the morning of his execution. \n John Hardy – 2 June 1800 – Hanged for vagrancy and theft.\n William Jones – March 1803 – Hanged for robbing Thomas Harley, a settler from Prospect.\n James Lovell – 22 February 1805 – Hanged for forging and uttering.\n George Holland – 11 October 1806 – Hanged for breaking into the house of Laughlane Gallighcoghan at Parramatta and stealing 10 shillings. Holland had assaulted the occupant of the home, described as a \"feeble old man\".\n Dennis Kaneen – 27 November 1806 – Hanged for breaking into the house of James Hogsen and stealing six bushels of maize, some meat, sugar and a copper coin amounting to nine shillings and three pence.\n William Page – 15 December 1806 – Hanged for burglary from the house of William Tracey at Fennel Farm.\n Abraham Smith – 15 December 1806 – Hanged for burglary from the house of William Tracey at Fennel Farm.\n William Poxam – 4 April 1807 – Hanged for sheep stealing.\n John Hughes – 4 April 1807 – Hanged for entering the house of Edward Redmond and stealing a chest containing cash, bills and other property.\n Hugh Dowling – 28 September 1808 – Hanged for armed burglary of the house of William Styles at Nepean and stealing cash and clothing.\n William Davis – 11 June 1813 – Hanged for cutting and maiming William Mason with a knife during a drunken brawl at Ultimo.\n Thomas Thorpe – September 1813 – Hanged for assaulting and robbing John Galligan of a silver watch on the King's Highway.\n William Gray – March or April 1814 – Hanged for highway robbery. Stopped the cart of Edward Powell Jr and John Beckwith on the King's Highway and robbed them of ten gallons of spirits and other items.\n Dennis Donovan – 12 July 1814 – Hanged for burglary of the house of John Cowley at Surry Hills, the murders of William Alder, Thomas White and Hannah Sculler on the Hawkesbury, and for rape. His body was handed over for anatomisation and dissection.\n Patrick Dawson – 9 February 1816 – Hanged for the robbery and murder of Edward Pugh at his home in Richmond. His body was dissected and anatomised.\n Philip McGee – 9 February 1816 – Hanged for the robbery and murder of Edward Pugh at his home in Richmond. His body was dissected and anatomised.\n Henry Laycock – 9 February 1816 – Hanged for the robbery and murder of Edward Pugh at his home in Richmond. His body was dissected and anatomised.\n Thomas Hill – 1 March 1816 – Hanged for cutting and maiming police constable Thomas Smith near Parramatta.\n William Langford – 1 March 1816 – Hanged for highway robbery on the Parramatta Road, robbing William Wright of a silver watch.\n Elizabeth Anderson – 19 July 1816 – Hanged for the murder of her husband, John Anderson, at Pitt Town. Her body was handed over to surgeons to be dissected and anatomised.\n James Stock – 19 July 1816 – Hanged for the murder of John Anderson at Pitt Town. His body was handed over for dissection and anatomisation.\n Nicholas Knight – 19 July 1816 – Hanged for highway robbery of Mrs Pearce on the Liverpool Rd, of two gallons of rum and a quantity of barley.\n Thomas Collins – 1 November 1816 – Hanged for highway robbery having violently assaulted and robbed the cart of John Andrews on the Parramatta Road.\n Hugh MacAlaire – 1 November 1816 – Hanged for highway robbery having violently assaulted and robbed the cart of John Andrews on the Parramatta Road.\n Moowattin (also called Daniel Mowatty) – 1 November 1816 – Hanged for the rape of a fifteen-year-old girl at Parramatta. The first indigenous person legally hanged in Australia.\n Patrick Ryan – 19 December 1825 – Hanged for arson in setting fire to the house of Richard Thompson at Bathurst.\n John Judd – 30 April 1830 – Hanged for robbery and putting in fear of John Smith in the Singleton area. After receiving sentence of death from Judge Dowling, Judd remarked to the court \"My Lord and Gentlemen of the Jury, it is only five minutes choking.\"\n John Roach – 30 April 1830 – Hanged for burglary and putting in fear in the Singleton area.\n\nSydney Cove\n Thomas Barrett – 27 February 1788 – Barrett was publicly hanged at Sydney Cove for stealing or conspiring to steal from government stores. He was the first person hanged in the colony of New South Wales.\n John Bennett – 2 May 1788 – A 20-year-old convict who was publicly hanged at Sydney Cove for theft.\n Samuel Payton – 28 June 1788 – Hanged at Sydney Cove for stealing shirts, stockings and combs. He was a 20-year-old convict and stonemason. \n Edward Corbett – 28 June 1788 – Hanged at Sydney Cove for the theft of four cows.\n James Daly – December 1788 – Hanged at Sydney Cove for theft of a handkerchief from a fellow convict using force and arms.\n James Baker – 27 March 1789 – One of six Marines hanged at Sydney Cove for theft of government stores.\n James Brown – 27 March 1789 – One of six Marines hanged at Sydney Cove for theft of government stores.\n Richard Lukes – 27 March 1789 – One of six Marines hanged at Sydney Cove for theft of government stores.\n Thomas Jones – 27 March 1789 – One of six Marines hanged at Sydney Cove for theft of government stores.\n Luke Haines/Haynes – 27 March 1789 – One of six Marines hanged at Sydney Cove for theft of government stores.\n Richard Askew/Asky – 27 March 1789 – One of six Marines hanged at Sydney Cove for theft of government stores.\n Ann/Anne Davis (alias Judith Jones) – 23 November 1789 – The first woman hanged in Australia. A First Fleet convict, she was found guilty of theft from a fellow convict at Sydney Cove. She claimed to be pregnant to avoid the noose and some old women were instructed to inspect her. One of the women told the court, \"Gentlemen, she is as much with child as I am.\"\n\nSydney\n\n1790s\n Thomas Sanderson – 10 January 1790 – Hanged at Sydney for stealing with force of arms flour, beef, pork, associated chattels and goods from Thomas Steel and Joseph Bishop.\n William Chafe – 20 April 1790 – Hanged at Sydney for burglary from the house of James Sunnyhill in Sydney Cove. \n Hugh Low – 24 August 1790 – Hanged at Sydney for sheep stealing. He had behaved with merit during the shipwreck of the Guardian; a letter of pardon arrived from His Majesty 12 months after his execution.\n James Chapman – 28 July 1791 – Hanged at Sydney for breaking into the house of John Patree and stealing a shirt. \n James Collington – 8 February 1792 – Hanged at Sydney for breaking into the hut of the baker John Campbell and stealing bread, flour and a check apron. At the hanging tree he addressed the assembled convicts before his execution, warning them to avoid the path he had pursued; but said that he was induced by hunger to commit the crime for which he suffered. \n John Crowe/Crow – 10 December 1793 – Hanged at Sydney for burglary.\n Archibald Macdonald – 14 July 1794 – Hanged at Sydney for burglary.\n John Hemming – 17 July 1794 – Hanged at Sydney for burglary from the house of Robert Spriggs.\n John Bevan – 6 October 1794 – Hanged at Sydney for burglary from the house of William Fielder. \n John Hill – 16 October 1794 – Hanged at Sydney for murder in the course of robbery. He had fatally stabbed Simon Burn in the left side of the chest at Parramatta.\n William Smith – 16 November 1795 – Hanged at Sydney for burglary from the house of William Parrish at Prospect Hill.\n John Fenlow – 8 August 1796 – Hanged at Sydney for the murder of his servant David Lane at Mulgrave, on the Hawkesbury.\n Francis Morgan – 30 November 1796 – Hanged at Sydney for the murder of Simon Raven. Following his execution his body was gibbeted on Pinchgut Island in Sydney Harbour. His skeleton was still hanging there four years after his execution.\n John Lawler/Lawor – 30 November 1796 – Hanged at Sydney for robbing the public stores.\n Martin McEwan – 30 November 1796 – Soldier, hanged at Sydney for robbing the public stores.\n John Rayner – 31 July 1797 – Hanged at Sydney for burglary.\n Johnathan Boroughbridge – April 1798 – Hanged at Sydney for piracy after he and accomplices stole two boats with the intent of escaping the colony.\n Michael Gibson – April 1798 – Hanged at Sydney for piracy after he and accomplices stole two boats with the intent of escaping the colony.\n Samuel Wright – February 1799 – Hanged at Sydney for burglary from the house of Simeon Lord in High St (Lower George St). Wright had been reprieved at the gallows in 1793, when previously sentenced to hang for burglary.\n Thomas Jones – 6 July 1799 – Publicly hanged in Sydney on the site of the crime for the murder of missionary Samuel Clode in the brickfields. A soldier in the NSW Corps, he had owed the missionary money but when the man came to collect he was murdered by Jones with his wife and two neighbours as accomplices. Clode was stabbed, his throat cut and his skull fractured with an axe. The Jones house was pulled down and burned on orders of the governor, the gallows were erected on its spot and he and two of his accomplices were hanged. Jones' corpse was later gibbeted.\n Elizabeth Jones – 6 July 1799 – Wife of Thomas Jones. Hanged at Sydney for her part in the murder of missionary Samuel Clode at the brickfields in Sydney. After being hanged her body was handed over for surgical dissection.\n William Elberry – 6 July 1799 – Hanged at Sydney for his part in the murder of Samuel Clode, executed where the murder took place then gibbeted.\n\n1800s\n William Meredeth – 4 July 1800 – Hanged at Sydney for escaping from custody.\n Thomas Thompson – 4 July 1800 – A corporal in the New South Wales Corps. Hanged at Sydney for forgery.\n James Riley - December 1800 - Hanged at Sydney for burglary. However another source indicates that he may not in fact have been executed.\n Charles Davis - February 1801 - Hanged at Sydney\n David Burton - 5 December 1801 - Hanged at Sydney for the murder of Mary Hailey\n Laughlan Doyle – 14 March 1803 – Hanged at Sydney for robbery of Thomas Neal of Richmond Hill.\n John Lynch – March 1803 – Hanged at Sydney for feloniously entering the house of Thomas Neal of Richmond Hill.\n John Francis Morgan – March 1803 – Hanged at Sydney for feloniously entering the house of Thomas Neal of Richmond Hill.\n Patrick Ross – March 1803 – Hanged at Sydney for feloniously entering the house of Thomas Neal of Richmond Hill.\n Thomas Shanks – March 1803 – Hanged at Sydney for feloniously entering the house of Thomas Neal of Richmond Hill.\n Michael Wollaghan – March 1803 – Hanged at Sydney for feloniously entering the house of Thomas Neal of Richmond Hill.\n Laurence Dempsey – 19 March 1803 – Hanged at Sydney for feloniously entering the house of Thomas Neal of Richmond Hill.\n Timothy Mulch/Mulcahy/Malahoy – 25 March 1803 – Hanged at Sydney for feloniously entering the house of Thomas Neal of Richmond Hill.\n John Brown – 26 March 1803 – Hanged at Sydney for feloniously entering the house of Thomas Neal of Richmond Hill.\n James Connors – 26 March 1803 – Hanged at Sydney for feloniously entering the house of Thomas Neal of Richmond Hill.\n Charles Crump – 20 February 1804 – Hanged in Sydney for the theft of nine pieces of chintzes and printed calicoes from William Tough in Sydney Cove.\n John Brannan – 10 March 1804 – Convict who participated in the Castle Hill Rebellion. Hanged at Sydney.\n Timothy Hogan – 10 March 1804 – Convict who participated in the Castle Hill Rebellion. Hanged at Sydney.\n James Bevan (known as 'Warminster') – 21 May 1804 – Hanged at Sydney for the rape of eight-year-old Elizabeth Douglas.\n John Green – 21 November 1804 – Hanged at Sydney for rape near Parramatta on 11 November 1804. Green was African-American, born in Pennsylvania.\n William Miller – 30 September 1805 – Hanged at Sydney for the murder of Bridget Kean at Hawkesbury.\n Herbert Keeling – 28 April 1806 – Hanged at Sydney for forging and uttering two promissory notes purporting to be drawn by Henry Kable.\n James Dabbs – 16 May 1806 – Hanged at Sydney for burglary from the home of Rowland Hassall at Parramatta.\n Elias Davis - 4 September 1806 - Hanged at Sydney for breaking and entering the dwelling house of Robert Broughton, Parramatta.\n William Organ – 11 October 1806 – Hanged at Sydney for stealing nine sheep from his employer John Palmer between the Hawkesbury and Sydney.\n Joseph Moreton – 27 November 1806 – Hanged at Sydney for burglary of Henry Williams near Castle Hill.\n William Mason – 27 November 1806 – Hanged at Sydney for breaking and entering the house of John Prosser and stealing a cart and an article of clothing.\n John Murphey – 27 November 1806 – Hanged at Sydney for breaking and entering the house of Michael Connor at North Boundary. \n James Halfpenny – 17 December 1806 – Hanged at Sydney for bushranging and theft of livestock, four muskets and a chest.\n Stephen Halfpenny – 17 December 1806 – Hanged at Sydney for bushranging and theft of livestock, four muskets and a chest.\n Joseph Eades – 3 July 1807 – Hanged at Sydney for robbing a cart of alcohol and clothing items.\n John Higgins – 3 July 1807 – Hanged at Sydney for robbing a cart of alcohol and clothing items.\n William Morgan – 3 July 1807 – Hanged at Sydney for robbing a cart of alcohol and clothing items.\n Robert Murray – 3 July 1807 – Hanged at Sydney for sheep stealing from the property of James Larratts.\n Benjamin Yeates – 3 July 1807 – Hanged at Sydney for sheep stealing from the property of James Larratts.\n John Brown – 30 May 1808 – Hanged at Sydney. A convict who escaped from custody and remained at large in the Van Diemen's Land wilderness for some 20 months. During this time, with John Lemon (Lemon was shot dead while resisting capture) he was involved in the murder of three soldiers, Corporal John Curry, Private Robert Grindstone and Private James Daniels. For his involvement in the crimes Brown was transported from Van Diemen's Land to Sydney to stand trial. His body was dissected and gibbeted.\n Alexander Wilson (alias Charles Boyle) – 18 June 1808 – Hanged at Sydney for burglary from the house of William Moad.\n John MacNeal – 18 June 1808 – Hanged at Sydney for burglary and robbery upon his master, having stolen two half casks and two quarter casks of gunpowder from the house of Robert Campbell.\n Mary Grady – 18 June 1808 – Hanged at Sydney for burglary from the house of Charles Stuart at Parramatta.\n Richard Broughton – 29 August 1808 – Hanged in Sydney for stealing two head of horned cattle from John Palmer at Hawkesbury.\n John Cheeseman – 29 August 1808 – Hanged in Sydney for stealing two head of horned cattle from John Palmer at Hawkesbury.\n Charles Flynn – 29 August 1808 – Hanged in Sydney for stealing from on board the ship Hero, lying in Sydney Cove, two spy glasses valued at 40 shillings and a table cloth valued at 10 shillings.\n Joseph Moreton – 29 August 1808 – Hanged in Sydney for forging and uttering a promissory note thereby defrauding Benjamin South of Richmond Hill the sum of £21.\n Thomas Doolan (Dowlan) – 26 August 1809 – Hanged at Sydney for burglary from the house of John Styles on the Hawkesbury.\n\n1810s\n John Campbell – June 1810 – Hanged at Sydney for burglary from the house of Elizabeth Macarthur.\n James Hutchinson – 26 February 1811 – Hanged at Sydney for stealing from the shop of Thomas Abbott. Hutchinson was originally condemned to death in June 1810 for burglary however he escaped from custody, upon being recaptured his sentence was reduced to hard labour. In February 1811 he was convicted along with James Ratty of stealing from commercial premises and both were hanged together.\n James Ratty – 26 February 1811 – Hanged at Sydney for stealing cloth, muslin etc. from the shop of Thomas Abbott.\n Martin Egan – 10 May 1811 – Hanged at Sydney for the murder of Thomas Cooney. After being executed his body was handed over to surgeons for dissection and anatomisation.\n Thomas Clough – 13 May 1811 – Hanged at Sydney for the murder of Thomas Cooney. After being executed his body was handed over to surgeons for dissection and anatomisation.\n John Gould – 9 March 1812 – A soldier of the 73rd Regiment of Foot. Hanged in Sydney for the murder of Margaret Finnie, the wife of a fellow soldier.\n Peter Gory – 21 January 1813 – Hanged at Sydney for robbery at arms of William Parish in Hobart, Van Diemen's Land.\n John McCabe – 21 January 1813 – Hanged at Sydney for robbery at arms of William Parish in Hobart, Van Diemen's Land.\n John Townsend – 21 January 1813 – Hanged at Sydney for robbery at arms of William Parish in Hobart, Van Diemen's Land.\n Matthew Kearns – 24 March 1813 – Hanged at Sydney for aiding and abetting the murder of Joseph Sutton, body handed over for dissection and anatomisation.\n John Kearns (the Elder) – 24 March 1813 – (Brother of Matthew Kearns). Hanged at Sydney for aiding and abetting the murder of Joseph Sutton, body handed over for dissection and anatomisation.\n John Kearns (the Younger) – 24 March 1813 – Hanged at Sydney for aiding and abetting the murder of Joseph Sutton, body handed over for dissection and anatomisation.\n Richard Berry – 31 March 1813 – Hanged at Sydney for cattle stealing.\n John Mahony – 31 March 1813 – Hanged at Sydney for cattle stealing (brother of Thomas Mahony who was hanged on 24 March 1813 in Paramatta for a separate offence).\n Angelo (Giuseppe) LeRose – 13 April 1814 – Hanged at Sydney for the assault and robbery of Samuel Larkin on Parramatta Road, Iron Cove.\n Francis Barry – 13 April 1814 – Hanged at Sydney for stealing three oxen that were the property of the crown.\n Richard Dowling – 13 April 1814 – Hanged at Sydney for stealing three oxen that were the property of the crown.\n Thomas John Turner – 12 July 1814 – Hanged at Sydney for the murder of his wife Elizabeth, whom he stabbed to death at Port Dalrymple, Van Diemen's Land. His body was given up for dissection and anatomisation.\n Bartholomew Foley – 14 July 1814 – Hanged at Sydney for sheep stealing at Launceston, Van Diemen's Land.\n John White – 22 July 1814 – Hanged for his part in the murders of Rowland Edwards and William Jenkins during a botched robbery of the house at the Parramatta Toll Gate. He was accompanied by Dennis Donovan (hanged for other offences on 12 July 1814); it was Donovan who fired the fatal shots. But for his part in the robbery John White was found equally guilty. His body was handed over for dissection and anatomisation.\n Patrick Collins – 20 December 1814 – Hanged at Sydney for his part in the murder of William Alder & Thomas White on the Hawkesbury. Body dissected and anatomised.\n John Shepherd – 20 December 1814 – Hanged at Sydney for the murder of Mary Bryant in The Rocks, Sydney. His body was handed over to surgeons for dissection and anatomisation.\n John Styles – 7 July 1815 – Hanged at Sydney for the murder of Thomas Roberts at Botany Bay. His body was handed over for dissection and anatomisation.\n Colin Hunter – 4 November 1816 – Hanged in Sydney for the murder at Canterbury of John Miller who was shot during a burglary of his home. Body was dissected and anatomised pursuant to sentence.\n Thomas Dooley – 4 November 1816 – Hanged in Sydney for aiding and abetting the murder of John Miller. The prisoner's body was handed over for dissection and anatomisation after he was executed.\n Michael Ryan (real name John Mahony) – 4 November 1816 – Hanged at Sydney for aiding and abetting the murder of John Miller. Body was dissected and anatomised pursuant to sentence.\n James Flavell – 15 November 1816 – Hanged at Sydney for burglary of the house of Thomas Reeds in Castlereagh St.\n William Tripp – 15 November 1816 – Hanged at Sydney for burglary of the house of Thomas Reeds in Castlereagh St.\n John Palmer – 15 November 1816 – Hanged at Sydney for stealing a bullock from the herd of Capt. Eber Bunker at Liverpool.\n Samuel Smith - 3 October 1817 - Hanged at Sydney for the murder of John Randall at George Town, Van Diemen's Land\n John Walker – 10 October 1817 – Hanged at Sydney for the murder of John Suddis at Wilberforce.\n Ralph Pearson – 10 October 1817 – Hanged at Sydney for the murder of John Suddis at Wilberforce.\n Thomas McGiff – 7 November 1817 – Hanged at Sydney for burglary of the house of John Parkes at Petersham.\n Thomas Brown – 7 November 1817 – Hanged at Sydney for stealing a mare, the property of Thomas Arkill.\n Patrick Ducey – 7 November 1817 – Hanged at Sydney for stealing a cow, the property of Patrick Devoy.\n Bartholomew Roach – 7 November 1817 – Hanged at Sydney for stealing two heifers, the property of John Croker.\n William Wallis – 27 February 1818 – Hanged at Sydney for robbery in the house of John Harris.\n Edward Haley – 27 February 1818 – Hanged at Sydney for stealing a horse, cart and other sundries near Parramatta.\n Samuel Pollock – 27 February 1818 – Hanged at Sydney for stealing a horse, cart and other sundries near Parramatta.\n James Fitzpatrick – 27 February 1818 – Hanged at Sydney for burglary in the house of John Brown at Portland Head.\n Pedro Aldanoes (also called Peter Adams) – 7 December 1818 – Hanged at Sydney for the murder of Joseph Yeates outside Parramatta.\n Timothy Buckley – 9 April 1819 – Hanged at Sydney for the murder of district constable William Cosgrove at South Creek.\n David Brown – 9 April 1819 – Hanged at Sydney for aiding and abetting the murder of William Cosgrove.\n Timothy Ford – 9 April 1819 – Hanged at Sydney for aiding and abetting the murder of William Cosgrove.\n Thomas Ray – 16 April 1819 – Hanged at Sydney for highway robbery.\n John Jones – 16 April 1819 – Hanged at Sydney for highway robbery.\n Thomas Smith – 16 April 1819 – Hanged at Sydney for highway robbery.\n John Green – 23 April 1819 – Hanged at Sydney for housebreaking and attempted murder at Cockle Bay.\n John Brennan – 23 April 1819 – Hanged at Sydney for housebreaking and attempted murder at Cockle Bay.\n John Petree (alias McIntosh) – 23 April 1819 – Hanged at Sydney for highway robbery outside Liverpool.\n Matthew Dace - 31 December 1819 - Hanged at Sydney for robbery of Dennis Guiney on the Parramatta Road.\n Robert Parsons - 31 December 1819 - Hanged at Sydney for robbery of Dennis Guiney on the Parramatta Road.\n\n1820 to 1821\n William Taylor - 14 July 1820 - Hanged at Sydney for burglary in Castlereagh Street.\n James Ingley - 14 July 1820 - Hanged at Sydney for burglary in Castlereagh Street.\n James Garland - 14 July 1820 - Hanged at Sydney for forgery of store receipts at Parramatta.\n Thomas McGowran – 18 August 1820 – Hanged at Sydney for cattle stealing.\n Daniel (or David) Bell – 18 August 1820 – Hanged at Sydney for cattle stealing. Originally transported on the Friendship (1800) for his role in the Irish Rebellion.\n Annesley McGrath – 18 August 1820 – Hanged at Sydney for cattle stealing.\n George Rouse - 25 August 1820 - Hanged at Sydney for burglary from the residence of Lieutenant Hector Macquarie.\n Dennis Malloy - 25 August 1820 - Hanged at Sydney for stealing cattle.\n Thomas Ford (alias Ward) - 25 August 1820 - Hanged at Sydney for burglary from the residence of Anne Robinson on the Parramatta Road.\n John Kirby – 18 December 1820 – Hanged at Sydney for the murder of Burragong, also called Jack, an indigenous tracker, in the Newcastle district.\n George Bowerman – 22 December 1820 – Hanged at Sydney for highway robbery at the eighteen-mile stone on the Windsor Road.\n James Bowerman – 22 December 1820 – Hanged at Sydney for highway robbery at the eighteen-mile stone on the Windsor Road.\n Solomon Bowerman – 22 December 1820 – Hanged at Sydney for highway robbery at the eighteen-mile stone on the Windsor Road.\n James Clancy (Clency) – 22 December 1820 – Hanged at Sydney for stealing from a house and violent robbery of a child.\n John Bagnell – 22 December 1820 – Hanged at Sydney for house-breaking and highway robbery.\n Nicholas Cooke – 22 December 1820 – Hanged at Sydney for stealing from the house of James Seville near Constitution Hill, and assaulting Constable Edward Dillon with a stone.\n Edward Luffin – 23 December 1820 – Hanged at Sydney for cattle duffing.\n Michael Tracey – 23 December 1820 – Hanged at Sydney for burglary at the house of John Waite.\n John Sullivan – 23 December 1820 – Hanged at Sydney for burglary.\n Daniel O'Brien – 23 December 1820 – Hanged at Sydney for robbery.\n John O'Brien – 23 December 1820 – Hanged at Sydney for cattle duffing.\n William Swift – 17 August 1821 – Hanged at Sydney for the murder of Maria Minton at Richmond.\n James Robinson – 17 August 1821 – Hanged at Sydney for the murder of his overseer Charles Linton. Robinson was from Angola.\n Francis Pascoe – 22 August 1821 – Hanged at Sydney for burglary from the house of Michael Donnelly.\n John Ryan – 22 August 1821 – Hanged at Sydney for highway robbery.\n Miles Jordan – 22 August 1821 – Hanged at Sydney for highway robbery in the Hawkesbury district.\n Pasco Haddycott – 22 August 1821 – Hanged at Sydney for burglary from the house of Michael Donnelly.\n William McGeary (Geary) – 24 August 1821 – Hanged at Sydney for a string of highway robberies on the Windsor Road.\n Thomas Smith – 24 August 1821 – Hanged at Sydney for highway robbery on the Windsor Road.\n John Whiteman – 24 August 1821 – Hanged at Sydney for highway robbery on the Windsor Road.\n William Kennedy – 24 August 1821 – Hanged at Sydney for burglary & theft of a hat, comb and razor from Henry McAlister near Prospect.\n John Mills – 24 August 1821 – Hanged at Sydney for highway robbery on the Windsor Road.\n Charles Young – 24 August 1821 – Hanged at Sydney for highway robbery on the Windsor Road.\n John Cochrane – 24 August 1821 – Hanged at Sydney for highway robbery on the Windsor Road.\n\n1822 to 1824\n Francis Murphy – 6 April 1822 – Hanged at Sydney for burglary from the house of Nicholas Devine (former Superintendent of Convicts) at what is now Erskineville.\n William Harris – 6 April 1822 – Hanged at Sydney for robbery of James Cribb on the Parramatta Road.\n John Maloney – 1 May 1822 – Hanged at Sydney for robbing the house of John McKenzie at Pitt Town.\n William Varley – 1 May 1822 – Hanged at Sydney for robbing the house of John McKenzie at Pitt Town.\n Thomas Roach – 1 May 1822 – Hanged at Sydney for robbing the house of John McKenzie at Pitt Town.\n George Young – 5 July 1822 – Hanged at Sydney for highway robbery of a cart belonging to John Blaxland at South Creek.\n James Dowden – 5 July 1822 – Hanged at Sydney for burglary from the house of John Sunderland, south of Parramatta.\n Joseph Knowles – 5 July 1822 – Hanged at Sydney for burglary from John Price's residence at the Parramatta Toll-House.\n George Barke – 5 July 1822 – Hanged at Sydney for burglary from John Price's residence at the Parramatta Toll-House.\n Thomas Barry – 14 October 1822 – Hanged at Sydney for the murder of Samuel and Esther Bradley at Birchgrove.\n Valentine Wood – 8 November 1822 – Hanged at Sydney for robbing Sergeant Barlow on the Prospect Road.\n William Baxter – 8 November 1822 – Hanged at Sydney for attempted murder of Robert Hawkins on the Dog Trap Road.\n Thomas Till – 8 November 1822 – Hanged at Sydney for stealing a boat at Port Macquarie.\n William Poole – 22 May 1823 – Hanged at Sydney for returning from Port Macquarie in defiance of his commuted sentence. Originally sentenced to death for leading a party of convicts in escape into the hinterland, in the hope they could walk to Timor.\n Edward Gorman – 13 October 1823 – Hanged at Sydney for the murder of William Wells during a robbery at Minto. Gorman was recognisable for his \"remarkable tooth\".\n Robert Grant – 15 January 1824 – Hanged at Sydney for returning from Port Macquarie in defiance of his commuted sentence. Originally condemned to death in 1822 for horse theft.\n Thomas Harley – 4 March 1824 – Hanged at Sydney for returning from Port Macquarie in defiance of his commuted sentence. Originally sentenced to death in 1822 for burglary from the house of Robert Campbell in George St.\n Cornelius Fitzpatrick – 28 June 1824 – Hanged at Sydney for the murder of John Bentley outside Newcastle.\n John Donovan – 23 August 1824 – Hanged at Sydney for the murder of Tom Brown at Emu Plains.\n John Hand – 30 August 1824 – Hanged at Sydney for the murder of Michael Minton at Richmond.\n James Stack – 30 August 1824 – Hanged at Sydney for the murder of Michael Minton at Richmond.\n\n1825 to 1826\n Martin Benson – 23 January 1825 – Hanged at Sydney for the murder of his master John Brackfield at South Creek near Windsor.\n Eliza Campbell – 23 January 1825 – Hanged at Sydney for the murder of her master John Brackfield at South Creek, near Windsor.\n James Coogan – 23 January 1825 – Hanged at Sydney for the murder of his master John Brackfield at South Creek, near Windsor.\n Anthony Rodney – 23 January 1825 – Hanged at Sydney for the murder of his master John Brackfield at South Creek, near Windsor.\n John Sprole – 23 January 1825 – Hanged at Sydney for the murder of his master John Brackfield at South Creek, near Windsor.\n Jeremiah Buckley – 4 April 1825 – Hanged at Sydney for burglary at Canterbury.\n Edmond Bates – 11 April 1825 – Hanged at Sydney for beating his wife Julia to death during a Christmas Day drunken rage at Kissing Point.\n James Wright – 30 May 1825 – Hanged at Sydney for the axe murder of his wife Mary Ann at the Hawkesbury.\n James Webb – 19 August 1825 – Hanged at Sydney for the murder of Robert Collett at Toongabbie.\n Patrick Moloney – 12 September 1825 – Hanged at Sydney for the murder of William Elliott at Port Macquarie.\n Daniel Leary - 12 December 1825 - Hanged at Sydney for rape of Mary Grainger at Wallis Plains.\n John Burke – 6 March 1826 – Hanged at Sydney for the murder of John Cogan at Mulgoa.\n William Corbett – 6 March 1826 – Hanged at Sydney for highway robbery on the Great Western Road.\n Duncan McCallum – 7 March 1826 – Hanged at Sydney for robbery at South Creek.\n Peter Roberts – 7 March 1826 – Hanged at Sydney for robbery at South Creek.\n William Patient – 7 March 1826 – Hanged at Sydney for robbery at South Creek.\n William Morrison – 7 March 1826 – Hanged at Sydney for robbery at South Creek.\n Andrew White – 1 May 1826 – Hanged at Sydney for the murder of Patrick Taggart at Grant's Creek, outside Bathurst.\n William Cusack – 3 July 1826 – Hanged at Sydney for burglary at Campbelltown.\n John Hossle – 3 July 1826 – Hanged at Sydney for burglary of John Blackman at Bathurst.\n Bridget Fairless – 12 July 1826 – Hanged at Sydney for highway robbery in what is now the Leichhardt section of Parramatta Road.\n John Connolly (Collins) – 12 July 1826 – Hanged at Sydney for highway robbery in what is now the Leichhardt section of Parramatta Road.\n Charles Butler – 3 August 1826 – Hanged at Sydney for the murder of Kitty Carman (Catherine Collins) at Portland Head.\n Joseph Lockett – 7 August 1826 – Hanged at Sydney for highway robbery on the Liverpool Road near Cabramatta.\n Isaac Smith – 11 September 1826 – Hanged at Sydney for the murder of Constable William Green at Captain John Brabyn's estate, Clifton, Windsor.\n\n1827\n George Worrall (Fisher's Ghost Murder) – 5 February 1827 – Hanged at Sydney for the murder of Frederick Fisher at Campbelltown.\n William Leddington – 12 March 1827 – Hanged at Sydney for piracy on the brig Wellington at Norfolk Island\n James Smith – 12 March 1827 – Hanged at Sydney for piracy on the brig Wellington at Norfolk Island\n John Edwards – 12 March 1827 – Hanged at Sydney for piracy on the brig Wellington at Norfolk Island\n Richard Johnson – 12 March 1827 – Hanged at Sydney for piracy on the brig Wellington at Norfolk Island\n Edward Coulthurst – 12 March 1827 – Hanged at Sydney for piracy on the brig Wellington at Norfolk Island\n William Ward - 21 May 1827 - Hanged at Sydney for the armed robbery of Michael Foley at Bringelly\n Thomas Power - 21 May 1827 - Hanged at Sydney for the armed robbery of Michael Foley at Bringelly\n John Curry - 21 May 1827 - Hanged at Sydney for highway robbery of Joseph Cox on the road between Liverpool and Parramatta\n William Webb - 21 May 1827 - Hanged at Sydney for the armed robbery and putting in fear of the house of Timothy Beard at Carnes Hill\n John Lynch - 18 June 1827 - Hanged at Sydney for the burglary of the house of Thomas Parnell at Richmond. Lynch was also involved in the Wellington mutiny.\n Michael Coogan - 18 June 1827 - Hanged at Sydney for forgery. Coogan was an American who had also attempted piracy of a ship called The Liberty\n Thomas Quinn - 18 June 1827 - Hanged at Sydney for burglary from the house of Timothy Beard at Carnes Hill. Before the noose was fastened Quinn kicked off his boots \"and they fell with a hollow sound on his coffin, which lay directly under\".\n Patrick Geary - 18 June 1827 - Hanged at Sydney for burglary from the house of Timothy Beard at Carnes Hill\n John Goff - 24 September 1827 - Hanged at Sydney for murder while attempting escape on Norfolk Island.\n Edward Moore - 24 September 1827 - Hanged at Sydney for murder while attempting escape on Norfolk Island.\n William Watson - 24 September 1827 - Hanged at Sydney for murder while attempting escape on Norfolk Island.\n Black Tommy – 31 December 1827 – (sometimes called Jackey-Jackey) Wiradjuri man from Bathurst district, hanged at Sydney for the murder of Geoffrey Connell at Reedy Swamp, near Bathurst.\n William Lee – 31 December 1827 – Hanged at Sydney for stealing in the dwelling-house of John Coghill, and putting the inmates in bodily fear.\n Jon Carrington – 31 December 1827 – Hanged at Sydney for stealing in the dwelling-house of John Coghill, and putting the inmates in bodily fear.\n James Charlton – 31 December 1827 – Hanged at Sydney for stealing in the dwelling-house of John Coghill, and putting the inmates in bodily fear.\n William (or Michael) Pearce – 31 December 1827 – Hanged at Sydney for burglary and robbery in the house of Francis Forbes at Liverpool.\n\n1828\n Charles Connor – 13 March 1828 – Hanged at Sydney for burglary from the house of James Mackenzie at Windsor.\n Lot McNamara – 17 March 1828 – Hanged at Sydney for the murder of Janet Mackellar at Minto.\n William Johnson – 24 March 1828 – Hanged at Sydney Gaol for the murder of Morris Morgan at Moreton Bay.\n George Kilroy (Kildray, Gilroy, Kilray) – 24 March 1828 – An associate of Jack Donahue. Hanged at Sydney for highway robbery of George Plomer on the Richmond Road.\n William Smith – 24 March 1828 – An associate of Jack Donahue. Hanged at Sydney for highway robbery of George Plomer on the Richmond road. On the first attempt the rope snapped and Smith fell to the ground. He was taken away until Kilroy and Johnson were declared dead and their corpses removed, then he was hanged again.\n William Regan – 5 May 1828 – Hanged at Sydney for the murder of James Davis in Castlereagh St.\n John Timmins – 11 June 1828 – Hanged at Sydney for robbery of Stephen Hunter at Cornwallis.\n Thomas Ford – 11 June 1828 – Hanged at Sydney for robbery of Stephen Hunter at Cornwallis.\n John Curtis – 16 June 1828 – Hanged at Sydney for the theft of a cow from the herd of William Wentworth, at Bringelly.\n James (or Joseph) Johnson (also called Philip Macauley, Phillip Gawley) – 16 June 1828 – Hanged at Sydney for highway robbery and assault of George Tills outside Liverpool.\n John Welsh – 20 October 1828 – Hanged at Sydney for the robbery and attempted murder of George Barber at Picton.\n Joseph Bradley – 20 October 1828 – Hanged at Sydney for forgery.\n Patrick Troy – 20 October 1828 – Hanged at Sydney for forgery.\n Patrick Kegney (sometimes Stegney) – 20 October 1828 – Hanged at Sydney for putting in fear and robbery.\n Joseph (John) Spicer – 20 October 1828 – Hanged at Sydney for putting in fear and robbery.\n John (James) Tomlins – 20 October 1828 – Hanged at Sydney for putting in fear and robbery.\n James Henry – 20 October 1828 – Hanged at Sydney for the theft of a cow at Stone Quarry Creek.\n Samuel Clarke – 20 October 1828 – Hanged at Sydney for putting in fear and burglary from the house of Stephen Hunter at Cornwallis.\n Thomas Quigley – 20 October 1828 – Hanged at Sydney for putting in fear and burglary from the house of Stephen Hunter at Cornwallis.\n Alexander Browne – 22 December 1828 – Hanged at Sydney for sodomy with William Lyster on the whaler Royal Sovereign.\n John Welch – 22 December 1828 – Hanged at Sydney for highway robbery and the armed assault of Constable William Wade at Bong Bong. Welch was about sixteen at the time of his execution. \"He cried bitterly\".\n William Bayne – 22 December 1828 – Hanged at Sydney for highway robbery and armed assault of Constable Wade at Bong Bong.\n Thomas Whisken (or Wiscott) – 22 December 1828 – Hanged at Sydney for the armed robbery of the home of James Hassall at Bathurst.\n William Owens – 22 December 1828 – Hanged at Sydney for the armed robbery of the home of James Hassall at Bathurst.\n James Holmes – 22 December 1828 – Hanged at Sydney for the armed robbery of the home of James Hassall at Bathurst.\n John Iron – 22 December 1828 – Hanged at Sydney for the robbery of John Browne at Botany.\n Thomas Ryan – 29 December 1828 – Hanged at Sydney for the murder of James McGrath just north of Richmond.\n\n1829\n Michael Green – 12 January 1829 – Hanged at Sydney for burglary from the house of Susannah Smith at Windsor.\n John Payne (sometimes Paid) – 12 January 1829 – Hanged at Sydney for putting in fear and robbery from the house of Timothy Beard at Carnes Hill.\n Edward Whelan – 12 January 1829 – Hanged at Sydney for putting in fear and robbery from the house of Timothy Beard at Carnes Hill.\n George Skinner – 12 January 1829 – Hanged at Sydney for burglary from the house of Susannah Smith at Windsor.\n John Price – 12 January 1829 – Hanged at Sydney for burglary from the house of Susannah Smith at Windsor.\n Michael Lynch – 12 January 1829 – Hanged at Sydney for burglary from the house of Thomas Kendall at Pitt Town.\n Florence (or Henry) Driscoll – 12 January 1829 – Hanged at Sydney for burglary from the house of Isaac Cornwall at Richmond.\n Lot Molds – 12 January 1829 – Hanged at Sydney for burglary from the house of Thomas Kendall at Pitt Town.\n William Riddell – 23 March 1829 – Hanged at Sydney for the murder of John Heley in the Muswellbrook district. Riddell apparently desired Heley's wife; Heley was found dismembered in a stump hole. Riddell was an atheist, republican, radical, autodidact. He ran up the steps to the gallows, took snuff and said \"I prefer death to living in chains and fetters in such a country as this\".\n Charles White – 8 April 1829 – Hanged at Sydney for the murder of Thomas Murphy at Luskintyre.\n John Brunger (also called Brugan/Burgen) – 18 Apr 1829 – Hanged at Sydney for the murder of William Perfoot (also called Parfitt) at Moreton Bay.\n Thomas Matthews – 18 April 1829 – Hanged at Sydney for the murder of Connolly, a fellow work-gang member, at Moreton Bay.\n Thomas Allen – 18 April 1829 – Hanged at Sydney for the murder of Connolly, a fellow work-gang member, at Moreton Bay.\n Patrick Sullivan – 20 April 1829 – Hanged at Sydney for the murder of Michael Condron at Moreton Bay.\n William Bowen – 27 April 1829 – Hanged at Sydney for putting in fear and burglary from the house of Leslie Duguid at Wallis Plains (East Maitland).\n Peter Reilly – 27 April 1829 – Hanged at Sydney for putting in fear and burglary from the house of Ellis Hall at Wallis Plains.\n James Smart – 27 April 1829 – Hanged at Sydney for putting in fear and burglary from the home of John Thomas at Wallis Plains.\n James Gallagher – 27 April 1829 – Hanged at Sydney for putting in fear and burglary from the house of John Thomas at Wallis Plains.\n John Crowther – 27 April 1829 – Hanged at Sydney for putting in fear and burglary from the house of John Thomas at Wallis Plains.\n Thomas Slater – 27 April 1829 – Hanged at Sydney for assault on Betty Griffiths with a tomahawk in Cumberland St. Sydney.\n William Yemms (Jems) – 27 April 1829 – Hanged at Sydney for putting in fear and burglary from the government stores at Port Macquarie.\n James Gardiner – 27 April 1829 – Hanged at Sydney for putting in fear and burglary from the government stores at Port Macquarie.\n William Davison – 4 May 1829 – Hanged at Sydney for stealing cattle from James Laidley at Bathurst.\n John Whelan – 4 May 1829 – Hanged at Sydney for stealing cattle from James Laidley at Bathurst.\n John Shorter – 4 May 1829 – Hanged at Sydney for stealing cattle from James Laidley at Bathurst.\n George Smith – 4 May 1829 – Hanged at Sydney for burglary in the Illawarra district.\n John Allwright – 4 May 1829 – Hanged at Sydney for burglary in the Illawarra district.\n George McDonald – 4 May 1829 – Hanged at Sydney for burglary and putting in fear in the Illawarra district.\n James Naughton – 25 May 1829 – Hanged at Sydney for the murder of Elizabeth Watson. He was previously charged, with Edward Gorman, with murder in 1823.\n Timothy Murphy – 1 June 1829 – Hanged at Sydney for the axe-murder of fellow-convict John Monaghan at Mt York while they were working on the road to Bathurst.\n John Slack (alias York) – 22 June 1829 – Hanged at Sydney for putting in fear and burglary at the house of Timothy Beard at Cabramatta.\n George Groves – 8 July 1829 – Hanged at Sydney for burglary of the house of Richard Brooks at Denham Court.\n James McColville – 8 July 1829 – Hanged at Sydney for burglary of the house of Richard Brooks at Denham Court.\n John Salt – 8 July 1829 – Hanged at Sydney for highway robbery of Ben Crow in the Bargo Brush.\n Richard Peacock – 8 July 1829 – Hanged at Sydney for highway robbery of Ben Crow in the Bargo Brush.\n William Pitts – 8 July 1829 – Hanged at Sydney for highway robbery of Ben Crow in the Bargo Brush.\n John Neilson – 8 July 1829 – Hanged at Sydney for burglary at Windsor.\n James Barnes – 13 July 1829 – Hanged at Sydney for highway robbery of Joshua Moore on the Liverpool Road.\n Joseph Stephenson – 13 July 1829 – Hanged at Sydney for highway robbery of Joshua Moore on the Liverpool Road.\n Daniel Grier – 28 September 1829 – Hanged at Sydney for burglary.\n Charles Penson (Tinson, Tinsal) – 28 September 1829 – Hanged at Sydney for burglary\n Joseph Parker – 28 September 1829 – Hanged at Sydney for the murder of John \"Kangaroo Jack\" Hazeldine at Gibraltar Creek in the Cox's River district. \n George Williams – 22 October 1829 – Hanged at Sydney for the highway robbery, assault and battery of William Hickey\n John Sly – 28 December 1829 – Hanged at Sydney for forgery\n\n1830\n Thomas Finley – 11 January 1830 – Hanged at Sydney for the murder of overseer Edward Walsh at Bathurst. \n Stephen Smith – 5 April 1830 – Hanged at Sydney for the axe-murder of fellow convict William Davis at Moreton Bay\n John Hawes – 5 April 1830 – Hanged at Sydney for the axe-murder of fellow convict William Davis at Moreton Bay\n Henry Muggleton – 31 May 1830 – Hanged at Sydney for the murder of Mark King at Moreton Bay\n Daniel Kirwan (Curwen) – 7 June 1830 – Hanged at Sydney for the murder of a constable on the Windsor Road\n John Martin – 7 June 1830 – Known as 'Jack the Drummer'. Hanged at Sydney for the rape of seven-year-old Eliza Deering in a yard off George Street\n Michael Toole – 7 June 1830 – Hanged at Sydney for burglary and putting in fear at Pitt Water\n Thomas McCormick – 21 June 1830 – Hanged at Sydney for burglary and putting the occupants in fear\n Jack Field – 23 June 1830 – Hanged at Sydney for highway robbery of John Pike between Parramatta and Toongabbie\n Henry O'Neil – 23 June 1830 – Hanged at Sydney for highway robbery of John Pike between Parramatta and Toongabbie\n Harry Cade – 23 June 1830 – Hanged at Sydney for highway robbery of John Pike between Parramatta and Prospect. Cade was transported at the age of fourteen and executed after he turned sixteen\n William Dalton – 28 June 1830 – Hanged at Sydney for highway robbery of John Ellison near Parramatta\n William Coleman – 13 December 1830 – Hanged at Sydney for robbing his master Samuel Terry. Coleman stole money and buried it in a bottle in Terry's garden.\n\nParramatta\n(Rose Hill was officially renamed Parramatta in June 1791)\n\n George Mitton – 1788 – Hanged at Rose Hill (Parramatta) for robbery.\n William Harris – 28 October 1790 – Broke into a house in Rose Hill and assaulted one of the occupants, stole three pounds of beef and one pound of flour, a frock and a book. He was publicly hanged at Rose Hill.\n Edward Wildblood – 28 October 1790 – A co-offender with the aforementioned William Harris, he was convicted of breaking into a house in Rose Hill, assaulting one of the occupants and stealing three pounds of beef and one pound of flour, a frock and a book. He was publicly hanged at Rose Hill.\n James Derry – 19 September 1796 – Hanged at Parramatta for robbing the public stores.\n Matthew McNally – 1 December 1796 – Hanged at Parramatta for robbing the public stores.\n Thomas Doyle – 1 December 1796 – Hanged at Parramatta for robbing the public stores.\n Simon Taylor – 20 May 1799 – Hanged at Parramatta for the murder of his wife Anne Taylor.\n Richard Weston – May or June 1800 – Hanged at Parramatta for vagrancy and theft. \n Charles Hill – 8 March 1804 – Freeman who participated in the Castle Hill Rebellion. Hanged at Parramatta\n Samuel Humes/Hughes – 8 March 1804 – Convict, a principal and informant who participated in the Castle Hill Rebellion. Executed at Parramatta, then gibbeted.\n John Place – 8 March 1804 – Convict who participated in the Castle Hill Rebellion. Hanged at Parramatta. \n Patrick McDermot – 19 May 1806 – Hanged at Parramatta for burglary from the house of Matthew Pearce at Seven Hills and theft of clothing items. \n John Kenny – 24 January 1807 – Hanged and gibbetted at the scene of the crime in Parramatta for the murder of Mary Smith.\n Michael Bagan – 20 June 1808 – Entered the house of Jane Codd near Parramatta, assaulted her and stole items from her home. Hanged at the Parramatta brickfields.\n Felix Donnelly – 20 June 1808 – Entered the house of Jane Codd near Parramatta, assaulted her and stole items from her home. Hanged at the Parramatta brickfields.\n John Dunn – 25 August 1811 – Hanged at Parramatta for the murder of Mary Rowe, his body was handed over to the medical officer at Parramatta General Hospital for dissection and anatomisation.\n Pearce Conden – 24 March 1813 – Publicly hanged at the site of the crime in George St Parramatta for the murder of Joseph Sutton. Body handed over for dissection and anatomisation.\n Thomas Mahony – 24 March 1813 – Publicly hanged at the site of the crime in George St Parramatta for the murder of Joseph Sutton. Body handed over for dissection and anatomisation.\n Matthew Craven – 16 October 1826 – Publicly hanged outside Parramatta for 'divers robberies'.\n Thomas Cavanaugh – 16 October 1826 – Publicly hanged outside Parramatta for armed robberies.\n Thomas (John) Ashton – 2 December 1829 – Hanged at Parramatta for rape of ten-year-old Elizabeth Price.\n\nCastle Hill\n Patrick Gannon – 23 March 1803 – Hanged at Castle Hill for rape, attempted murder and robbery.\n Francis Simpson – 23 March 1803 – Hanged along with Patrick Gannon at Castle Hill for robbery.\n John Lynch – 27 September 1803 – Hanged at Castle Hill for the assault and robbery of Samuel Phelps at Hawkesbury.\n James Tracey – 27 September 1803 – Hanged at Castle Hill for the assault and robbery of Samuel Phelps at Hawkesbury.\n William Johnston – 9 March 1804 – Convict, a principal along with Phillip Cunningham in the Castle Hill Rebellion. Executed at Castle Hill, then gibbeted.\n John Neal – 9 March 1804 – Convict who participated in the Castle Hill Rebellion. Hanged at the Government Farm, Castle Hill.\n George Harrington – 9 March 1804 – Convict who participated in the Castle Hill Rebellion. Hanged at the Government Farm, Castle Hill.\n\nHawkesbury & Windsor\n Thomas McLaughlane (the elder) – 7 October 1803 – Hanged at Hawkesbury, for robbery with violence at the house of John Palmer at Hawkesbury.\n Phillip Cunningham – 5 March 1804 – Convict, leader of the Castle Hill Rebellion. Summarily hanged on the steps of the government storehouse at Greenhills (present day Windsor). \n James Davis – 19 June 1810 – Hanged at Portland Head (Hawkesbury) for burglary from the house of John Cox.\n Thomas Begley – 31 August 1829 – Hanged at Windsor for burglary at Mulgoa.\n Michael Rafter – 29 January 1830 – Hanged at Windsor for a litany of burglaries in the Portland Head district.\n John Smith – 29 January 1830 – Hanged at Windsor for rape of his seven-year-old daughter.\n John Tiernan – 25 August 1830 – Hanged at Windsor for highway robbery, horse theft and stealing. Aged seventeen, Tiernan objected to being interrupted in his prayers on the scaffold and wrestled the executioner over the edge of the platform.\n\nNewcastle\n John Pagan – 7 January 1820 – Hanged at Newcastle for the murder of James White.\n William Smith – 7 January 1820 – Hanged at Newcastle for the murder of James White.\n\nBurwood\n Daniel Watkins – 16 October 1826 – Publicly hanged at Burwood for the armed robbery of Thomas Bartie Clay at Burwood.\n Thomas Mustin (Muston) – 16 October 1826 – Publicly hanged at Burwood for robbery and putting in fear at the house of Richard Morgan on the Liverpool Road.\n John Brown – 16 October 1826 – Publicly hanged at Burwood for robbery and putting in fear at the house of Richard Morgan on the Liverpool Road.\n\nBankstown\n Patrick Sullivan – 18 October 1826 – Publicly hanged on gallows constructed in Bankstown ('Irish Town', now Bass Hill) for bushranging.\n James Moran – 18 October 1826 – Publicly hanged on gallows constructed in Bankstown ('Irish Town', now Bass Hill) for bushranging.\n\nCampbelltown\n John Holmes – 21 August 1829 – Hanged at Campbelltown for setting fire to a barn belonging to James Bean at Campbelltown.\n Richard McCann – 6 February 1830 – Hanged at Campbelltown for theft, assault and putting in fear in the Goulburn district\n Thomas Beasley - 8 February 1830 - Hanged at Campbelltown for burglary with assault in the Airds district\n Joseph Moorbee (Mowerby, alias Nuttall) - 8 February 1830 - Hanged at Campbelltown for burglary with assault in the Airds district\n Mark Byfield – 8 March 1830 – Hanged at Sydney for the theft of a silver watch\n Broger – 30 August 1830 – Indigenous. Publicly hanged at Campbelltown for the murder of John Rivett at Kangaroo Valley\n Peter Dew (alias Saunders) – 31 August 1830 – Hanged at Campbelltown for burglary and putting in fear at Goulburn\n William Haggerty – 31 August 1830 – Hanged at Campbelltown for cattle theft from Francis Lawless in the Liverpool district\n John Spellary – 31 August 1830 – Hanged at Campbelltown for cattle theft from Francis Lawless in the Liverpool district\n James Welsh – 31 August 1830 – Hanged at Campbelltown for burglary from the house of David Reece at Burra Burra, near Taralga.\n\nMaitland\n Michael Brown – 1 September 1829 – Hanged at Maitland for burglary and putting in fear at the house of William Forsyth.\n Patrick Corcoran – 1 September 1829 – Hanged at Maitland for burglary and putting in fear at the house of William Forsyth.\n Andrew Cullen – 1 September 1829 – Hanged at Maitland for burglary and putting in fear at the house of William Forsyth.\n Richard Turnstyle – 1 September 1829 – Hanged at Maitland for burglary and putting in fear at the house of William Forsyth.\n William Chandler – 1 September 1829 – Hanged at Maitland for horse theft from Peter Cunningham at Merton (near Denman).\n\nLiverpool\n Jean Herman Maas – 1 September 1830 – Hanged at Liverpool for forgery.\n James McGibbon – 1 September 1830 – Hanged at Liverpool for forgery.\n\nBathurst\n Ralph Entwistle (\"The Ribbon Gang\") – 2 November 1830 – Hanged at Bathurst for the murder of John Greenwood near present-day Georges Plains, bushranging and horse theft\n Thomas Dunne (\"The Ribbon Gang\")- 2 November 1830 – Hanged at Bathurst for the murder of John Greenwood, bushranging and horse theft\n Dominic Daley (\"The Ribbon Gang\") – 2 November 1830 – Hanged at Bathurst for plundering houses, bushranging and horse theft\n James Driver (\"The Ribbon Gang\") – 2 November 1830 – Hanged at Bathurst for plundering houses, bushranging and horse theft\n William Gahan (\"The Ribbon Gang\") – 2 November 1830 – Hanged at Bathurst for the murder of John Greenwood, bushranging and horse theft\n Patrick Gleeson (\"The Ribbon Gang\") – 2 November 1830 – Hanged at Bathurst for the murder of John Greenwood, bushranging and horse theft\n Michael Kearney (\"The Ribbon Gang\")- 2 November 1830 – Hanged at Bathurst for the murder of John Greenwood, bushranging and horse theft\n John Kenny (\"The Ribbon Gang\") – 2 November 1830 – Hanged at Bathurst for plundering houses, bushranging and horse theft\n John Shepherd (\"The Ribbon Gang\") – 2 November 1830 – Hanged at Bathurst for the murder of John Greenwood, bushranging and horse theft\n Robert Webster (\"The Ribbon Gang\") – 2 November 1830 – Hanged at Bathurst for plundering houses, bushranging and horse theft.\n\n1831\n\n William Bubb – 10 January 1831 – Hanged at Sydney for the murder of Adam Oliver at Norfolk Island.\n John Cook – 10 January 1831 – Hanged at Sydney for the murder of Adam Oliver at Norfolk Island.\n James Murphy – 10 January 1831 – Hanged at Sydney for the murder of Adam Oliver at Norfolk Island\n John Mason - 15 January 1831 - Hanged at Sydney for armed robberies at Kingdon Ponds (near Scone) and Liverpool Plains\n Edward Bowen – 15 January 1831 – Hanged at Sydney for burglary and putting in fear in the house of John Town, Upper Hunter (Goulburn River).\n Hugh Duffy – 15 January 1831 – Hanged for burglary and putting in fear at the house of John Town.\n Patrick Feeney – 15 January 1831 – Hanged for burglary and putting in fear at the house of John Town.\n Lawrence Moore – 11 July 1831 – Hanged at Sydney Gaol for burglary and putting in fear, at the farm of Gregory Blaxland at Wollongong\n Thomas Kite – 11 July 1831 – Hanged at Sydney Gaol for burglary and putting in fear, at the farm of Gregory Blaxland at Wollongong\n Dennis Kelly – 11 July 1831 – Hanged at Sydney Gaol for burglary and putting in fear, at the farm of Gregory Blaxland at Wollongong\n Anthony Connor – 11 July 1831 – Hanged at Sydney Gaol for burglary and putting in fear, at the farm of Gregory Blaxland at Wollongong.\n David O'Hara – 11 July 1831 – Hanged at Sydney Gaol for burglary and putting in fear at the house of James Raymond.\n Thomas Woolley – 11 July 1831 – Hanged at Sydney Gaol for burglary and putting in fear at the house of James Raymond.\n John Welch – 11 July 1831 – Hanged at Sydney Gaol for attempted murder at Norfolk Island.\n Joseph Crampton – 11 July 1831 – Hanged at Sydney Gaol for highway robbery with violence of George Cubitt at Parramatta.\n Charles McManus – 18 July 1831 – Hanged at Sydney for the attempted murder of John Norman at Moreton Bay.\n John Thomas – 18 July 1831 – Hanged at Sydney for cattle stealing in the Menangle Park area.\n James Ready – 18 July 1831 – Hanged at Sydney for burglary at Annandale.\n William Webber – 18 July 1831 – Hanged at Sydney for highway robbery on the road from South Creek to Parramatta.\n John Roberts – 5 September 1831 – Hanged at Sydney for the murder of James McIlroy (James Michael Roy) at Patterson's Plains. Roberts was Welsh and spoke little English. His corpse was sent for dissection but the remains were crudely discarded and were found scattered in the Domain.\n John Leadbeater (alias Onions) – 23 September 1831 – Hanged at Sydney for the murder of John Maxwell at Patterson's Plains.\n Thomas Lucas – 23 September 1831 – Hanged for the murder of Constable Robert \"Long Bob\" Watersworth in the West Pennant Hills area.\n David Pegg – 26 September 1831 – Hanged at Sydney for burglary and putting in fear in the Hunter Valley.\n Richard Anscombe – 26 September 1831 – Hanged at Sydney for burglary and putting in fear in the Hunter Valley.\n Hugh Carberry – 26 September 1831 – Hanged at Sydney for theft of a horse and cattle.\n\n William Mooney – 16 November 1831 – Publicly hanged on the outskirts of Goulburn for the murder of his overseer Maurice Roach near Crookwell. Body hung in gibbet until ordered buried by Governor Bourne in 1833. \n John White – 16 November 1831 – Publicly hanged on the outskirts of Goulburn for the murder of his overseer Maurice Roach near Crookwell. Body hung in gibbet until ordered buried by Governor Bourne in 1833.\n Edward Slingsby – 21 November 1831 – Hanged at Sydney Gaol for the murder of William Payne at Dunn's Plains, outside Rockley.\n Michael Lynch – 21 November 1831 – Hanged at Sydney Gaol for aiding and abetting the murder of William Payne.\n Denis O'Brien – 21 November 1831 – Hanged at Sydney Gaol for aiding and abetting the murder of William Payne.\n\n1832 to 1833\n\n Charles Smithwick – 27 February 1832 – Hanged at Sydney for the murder of George Miller at Razorback.\n Patrick McGuire – 5 March 1832 – Hanged at Sydney for the murder of fellow convict Matthew Gallagher at Moreton Bay.\n Thomas Wood (alias Carberry) – 8 March 1832 – Hanged for highway robbery outside Parramatta.\n Patrick Burke – 14 March 1832 – Bushranger. Publicly hanged at the scene of his crime for highway robbery at Appin.\n Thomas Brennan – 6 April 1832 – Shot by military firing squad at Dawes Battery, Sydney. A private soldier of His Majesty's 39th Regiment of Foot, Brennan had fired at his sergeant with the intent of killing him.\n John Hammell – 7 May 1832 – Hanged at Sydney for the murder of his overseer George Williamson with a spade at Grose Farm (today Sydney University).\n John Fitzsimmons – 14 June 1832 – Hanged at Sydney for arson. (Fitzsimmons set ablaze a stack of wheat at Penrith).\n John Troy – 18 August 1832 – Hanged at Sydney for highway robbery and burglary at Canterbury.\n Thomas Smith – 18 August 1832 – Hanged at Sydney for highway robbery and burglary at Canterbury.\n Edward Kennedy – 23 August 1832 – Hanged at Sydney for divers highway robberies at Parramatta and Cabramatta.\n Edward Fordham – 5 November 1832 – Hanged at Sydney for the murder of Thomas Bradford at Lower Minto.\n Russell Crawford – 8 December 1832 – Hanged at Sydney for highway robbery of George Suttor on the Windsor Road.\n James Lockhard – 4 February 1833 – Hanged at Sydney for the murder of Murdoch Campbell in the Narellan area.\n Patrick Brady – 11 February 1833 – Hanged at Sydney for the murder of Daniel Stewart at Webb's Creek, Windsor.\n John Walsh – 11 February 1833 – Hanged at Sydney for the murder of Henry Kenyon at Bathurst.\n James Dwyer – 11 February 1833 – Hanged at Sydney for the murder of Henry Dawkins at Bathurst.\n John Bowen – 7 March 1833 – Hanged at Sydney for burglary and putting in fear at Inverary.\n Joseph Coleman – 18 March 1833 – Hanged at Old Banks, Paterson Plains for the attempted murder of Edward Cory.\n William Carney – 20 May 1833 – Hanged at Sydney for the murder of Michael Keith at Penrith.\n William Jones – 23 May 1833 – Hanged at Sydney for highway robbery on the Liverpool Road.\n Robert Mullins – 23 May 1833 – Hanged at Sydney for highway robbery on the Liverpool Road.\n Patrick Neagle (Nangle, Naigle)– 23 May 1833 – Hanged at Sydney for highway robbery on the Liverpool Road\n Edward Green – 27 May 1833 – Hanged at Sydney for the murder of Edward Edwards at a shop in Pitt St.\n Richard Long – 11 July 1833 – Hanged at Sydney for highway robbery on the Dog Trap Road.\n Henry Cook – 11 July 1833 – Hanged at Sydney for highway robbery on the Dog Trap Road.\n John Richardson – 5 August 1833 – Hanged at Sydney for highway robbery at Maitland.\n Henry Beard – 5 August 1833 – Hanged at Sydney for highway robbery at Maitland.\n William Johnstone – 6 August 1833 – Hanged at Sydney for highway robbery at Prospect Hill.\n Joseph Clifford – 6 August 1833 – Hanged at Sydney for highway robbery at Prospect Hill.\n Terence Byrne – 12 August 1833 – Hanged at Sydney for the murder of Ann Davis at Lane Cove.\n Edward Giles – 12 September 1833 – Hanged at Sydney for robbery at Sutton Forest.\n Jonathan Jones – 12 September 1833 – Hanged at Sydney for robbery of an elderly lady, Mary Larkin, of silver, handkerchiefs and jewellery on the Liverpool Road. \n John (\"Flash Kiddy\") Elliott – 12 September 1833 – Hanged at Sydney for robbery of a butcher named Mason in Liverpool St.\n George Giddons – 28 November 1833 – Hanged for attempted murder of Thomas Millbourne at Port Macquarie.\n Anthony Hitchcock (\"Castle Forbes Gang\") – 21 December 1833 – Hanged at Castle Forbes for shooting with intent to kill John Larnach at Patrick's Plains, Hunter Valley.\n John Poole (\"Castle Forbes Gang\") – 21 December 1833 – Hanged at Castle Forbes for shooting with intent to kill John Larnach at Patrick's Plains, Hunter Valley.\n James Riley (\"Castle Forbes Gang\") – 21 December 1833 – Hanged at Sydney for shooting with intent to kill John Larnach\n John Perry (\"Castle Forbes Gang\") – 21 December 1833 – Hanged at Sydney for shooting with intent to kill John Larnach\n James Ryan (\"Castle Forbes Gang\") – 21 December 1833 – Hanged at Sydney for shooting with intent to kill John Larnach.\n Michael Kearns – 21 December 1833 – Hanged at Sydney for highway robbery and assault on the person of James Podman at Bathurst.\n\n1834\n\n Bryant Kyne – 13 January 1834 – Hanged at Sydney for the murder of James Gavarin (Gevan, Gavan, Gavanagh, Govarin) at the Balmain residence of the solicitor-general, John Plunkett.\n Patrick Gallagher – 23 January 1834 – Hanged at Sydney for the rape of Ellen Walsh in the vicinity of St Mary's Rd, Domain.\n William Elliott - 6 March 1834 - Hanged at Sydney for attempted murder of police corporal James McNally on Parramatta Road near Concord.\n William Gills - 6 March 1834 - Hanged at Sydney for the attempted murder of Donald McIntyre at Invermein, near Scone.\n William \"Blue Stockings\" Johnson - 6 March 1834 - Hanged at Sydney for the armed robbery of David Ramsay at Fish River in the Bathurst district.\n John Elliott - 14 March 1834 - Hanged at Sydney for the rape of Frances Cunningham at Sutton Forest\n Michael Carey – 19 May 1834 – Hanged at Sydney for sexual assault on ten-year-old Michael Minton (son of Michael Minton, murdered in the Richmond district in 1824) on the Parramatta Rd. Minton and his younger friend (who was witness to the crime) were ordered by the magistrate to attend the hanging.\n William Chapman - 18 August 1834 - Hanged at Sydney for the murder of Samuel Chapman (alias Priest) at Snails Bay in 1831\n Henry Mills - 18 August 1834 - Hanged at Sydney for the murder of Samuel Chapman (alias Priest) at Snails Bay in 1831\n Thomas Tattersdale – 10 November 1834 – Hanged at Sydney for the murder of Dr Robert Wardell in the Marrickville-Petersham area.\n John Jenkins – 19 November 1834 – Hanged at Sydney for the murder of Dr Robert Wardell.\n Michael Gallagher – 11 December 1834 – Hanged at Sydney for attempted murder of John Hinton in the Bargo Brush.\n John Edwards – 11 December 1834 – Hanged at Sydney for attempted murder of Corporal John Cock of the Mounted Police in the Lake Bathurst area.\n John Walton – 11 December 1834 – Hanged at Sydney for aiding and abetting the attempted murder of Corporal Cock.\n\n1835\n\n Edward McManus – 9 February 1835 – Hanged at Sydney for the murder of sly-grog providore Alice Cooper (Bunton) at Emu Plains.\n William Weatherwick – 13 February 1835 – Hanged at Sydney for the murder of John Smith on the North Shore.\n William Phineas Bowles – 16 February 1835 – Hanged at Sydney for the murder of his wife Sarah in Bathurst St.\n Charles Norford – 20 February 1835 – Hanged at Sydney for the attempted murder of Patrick Lynch. Norford was shaving Lynch when he suddenly cut his throat.\n Mickey Mickey – 28 February 1835 – Indigenous. Hanged at Sydney for the rape of Margaret Hanswall at Watagan.\n John McCarthy – 4 May 1835 – Hanged at Sydney for the murder of Constable Duncan Kennedy near Carcoar.\n Patrick Kilmartin – 11 May 1835 – Hanged at Sydney for the murder of James Hamilton on the Botany Road.\n Henry Barlow – 26 May 1835 – Hanged at Sydney for the highway robbery of Captain Clarke and Edye Manning on the Liverpool Road at Punchbowl.\n John Carter – 26 May 1835 – Hanged at Sydney for the highway robbery of Captain Clarke and Edye Manning on the Liverpool Road at Punchbowl.\n John Bryant – 26 May 1835 – Hanged at Sydney for the highway robbery of Captain Clarke and Edye Manning on the Liverpool Road at Punchbowl.\n James Barton – 26 May 1835 – Hanged at Sydney for highway robbery on the Liverpool coach at Penrith.\n William Scannell (alias Daniel Hughes) – 26 May 1835 – Hanged at Sydney for the highway robbery of Captain Clarke and Edye Manning on the Liverpool Road at Punchbowl.\n John Molloy – 2 June 1835 – Hanged at Sydney for highway robbery and assault of Alexander Paine.\n John Stocking – 2 June 1835 – Hanged at Sydney for highway robbery and assault of Alexander Paine.\n Lawrence Whelahan – 2 June 1835 – Hanged at Sydney for assault on Mary Kelly at Canterbury.\n Joseph Keys – 2 June 1835 – Hanged at Sydney for the attempted murder of Charles Fisher Shepherd at Long Flats, Monaro.\n James Masterman – 5 June 1835 – Hanged at Sydney for highway robbery at Ultimo (Stonemason's Arms).\n William Salter (Sawder, Solder) – 5 June 1835 – Hanged at Sydney for highway robbery at Ultimo.\n James Thompson – 5 June 1835 – Hanged at Sydney for highway robbery at Ultimo.\n James Green – 5 June 1835 – Hanged at Sydney for shooting at Constable James Brown in the Braidwood district.\n John Gould (Joseph Gold) – 24 August 1835 – Hanged at Sydney for the murder of his wife at Bar Point. \"One of the children of this unfortunate man was carried on the shoulders of a spectator, to witness the dying struggles of his parent.\"\n Charley – 4 September 1835 – Gringai man, actual name not recorded. Hanged at Dungog for his involvement in the murder of five white settlers at Rawdon Vale as part of the frontier conflict in the Barrington River district (\"The Mackenzie Murders\"). In Charley's case, he was named specifically for being responsible for the death of Fred Simmons.\n George Bagley – 15 September 1835 – Hanged at Newcastle for the attempted murder of Hugh McIntyre near Maitland.\n Patrick Cassidy – 15 September 1835 – Hanged at Newcastle for the attempted murder of Hugh McIntyre near Maitland.\n William O'Neill – 15 September 1835 – Hanged at Sydney for burglary and robbery.\n Thomas Solder – 15 September 1835 – Hanged at Sydney for burglary.\n Hugh Caffey – 15 September 1835 – Hanged at Sydney for burglary.\n Peter Doyle – 15 September 1835 – Hanged at Sydney for the assault and robbery of William Akers outside Bathurst.\n Martin Byrne – 15 September 1835 – Hanged at Sydney for the assault and robbery of William Akers outside Bathurst.\n William Jeffries – 9 November 1835 – Hanged at Sydney for the murder of Richard Somerville at Port Macquarie.\n Richard Bayliss – 8 December 1835 – Hanged for burglary at sundry houses at Field of Mars and elsewhere.\n John Williams – 8 December 1835 – Hanged for burglary at sundry houses at Field of Mars and elsewhere.\n Thomas Connolly – 8 December 1835 – Hanged for burglary at sundry houses at Field of Mars and elsewhere.\n John Maher – 8 December 1835 – Hanged at Sydney for the attempted murder of Peter Robinson at Maitland.\n\n1836\n\n Thomas Arundell – 8 February 1836 – Hanged at Sydney for the murder of Margaret Fitzpatrick at Lewis Ponds, near Bathurst.\n Edward Jones – 8 February 1836 – Hanged at Sydney for the murder of Margaret Fitzpatrick at Lewis Ponds, near Bathurst.\n William Doyle – 8 February 1836 – Hanged at Sydney for the murder of John Molloy near Mount York.\n William Baker – 8 February 1836 – Hanged at Sydney for the murder of his wife Mary at Penrith.\n Robert Duffy – 15 February 1836 – Hanged at Sydney for the stabbing murder of his wife Mary Duffy in Phillip St.\n John Whitehead – 4 March 1836 – Hanged at Sydney for highway robbery at Lane Cove.\n John Hare – 4 March 1836 – Hanged at Sydney for the attempted murder of Major William Elrington at Bathurst.\n John Treish (Frisk, Fish, Trish, Frish) – 4 March 1836 – Hanged at Sydney for highway robbery at Lane Cove.\n John Smith – 4 March 1836 – Hanged at Sydney for burglary in the Hunter Valley.\n William Kitchen – 9 May 1836 – Hanged at Sydney for the murder of his wife Ann in Harrington St.\n John Wales (also called Watt) - 10 May 1836 – Hanged at Sydney for the assault and putting in bodily fear of Constable Daniel Riley near Bong Bong.\n Timothy Pickering – 10 May 1836 – Hanged at Sydney for the assault and putting in bodily fear of Daniel Riley near Bong Bong.\n Joseph Free – 11 May 1836 – Hanged at Sydney for the murder of Edward Brown at Invermein.\n James Tobin – 16 May 1836 – Hanged at Sydney for the murder of Patrick Fox at Marks' Farm, Illawarra.\n Michael Maloney – 17 June 1836 – Hanged at Sydney for burglary from the house of Richard Hamlyn at Goulburn.\n James Hare – 17 June 1836 – Hanged at Sydney for burglary from the house of Richard Hamlyn at Goulburn.\n Terence Lavell – 21 June 1836 – Hanged at Sydney for burglary from the house of Honora Davey at Williams River.\n James Sproule (alias Fraser) – 21 June 1836 – Hanged at Sydney for burglary from the house of Honora Davey at Williams River.\n John Gore – 10 August 1836 – Hanged at Sydney for aiding and abetting the murder of Thomas Wood at Cassilis.\n William Walker – 10 August 1836 – Hanged at Sydney for the murder of Thomas Wood at Cassilis.\n John Gregg – 2 September 1836 – Hanged at Sydney for highway robbery in the Penrith district.\n James Smith – 14 November 1836 – Hanged at Sydney for the murder of Jack Haydon between Marulan & Bungonia. Smith was the first non-Indigenous Australian-born person to be executed.\n Thomas (or James) Walker - 18 November 1836 - Hanged for murder of fellow bushranger John Poole in the Hunter Valley.\n John Mead – 29 November 1836 – Hanged at Sydney for the rape and sodomy of Julius Rudder, aged ten, on the Old Botany Road.\n William (or James or Thomas) Cook – 29 November 1836 – Hanged at Sydney for the rape of Alice Kent in the Upper Hunter Valley.\n\n1837 to 1838\n\n Andrew Gillies – 15 February 1837 – Hanged at Sydney for the murder of James Kelly near Yass.\n George Capsey – 7 March 1837 – Hanged at Sydney for the robbery and assault of Henry Jarvis near Berrima.\n John Jones – 8 May 1837 – Hanged at Sydney for the murder of Private Thomas O'Brien, a soldier of the 50th Regiment, on the highway outside Berrima.\n John Cooper – 9 June 1837 – Hanged at Sydney for attempted murder on Dominic Gannon at Port Macquarie.\n William Taylor – 9 June 1837 – Hanged at Sydney for aggravated highway robbery of Mr Thomas Hyacinth Macquoid on the road between Berrima and Mittagong.\n Michael Cagney (or Cogner) – 1 September 1837 – Hanged at Sydney for the murder of Edward Hughes at Maitland.\n Louis Williams – 1 September 1837 – Hanged at Sydney for the murder of John McCormick at the Gwydir River.\n Philip Hennessy – 5 September 1837 – Hanged at Sydney for highway robbery of Alexander Hamilton in the Hunter Valley.\n Dennis Broslughan (sometimes Brossley) – 5 September 1837 – Hanged at Sydney for highway robbery of Alexander Hamilton in the Hunter Valley.\n John Cary Willis – 8 December 1837 – Hanged at Sydney for the murder of Dennis Maloney at Port Macquarie.\n Edward Doyle – 8 December 1837 – Hanged at Sydney for robbery and putting in fear at the house of James Wright, Bay of Islands, New Zealand.\n George Woolf – 8 December 1837 – Hanged at Sydney for shooting and wounding with intent to kill Patrick Sheedy, a police corporal who was attempting to arrest him at Bathurst.\n William Moore – 22 February 1838 – Publicly hanged in High St, Maitland for the murder of his master John Hoskyns.\n Patrick Cuffy – 20 March 1838 – Hanged at Sydney for robbery and assault on William Vivers at Bureen.\n John Toole – 20 March 1838 – Hanged at Sydney for robbery and assault on William Vivers at Bureen.\n Edward Tufts – 29 April 1838 – Hanged at Sydney for the murder of John Jones at Taree.\n George Comerford – 30 May 1838 – Bushranger. Hanged at Sydney for the murder of Constable Matthew Thompkins at Deep Creek, near Eganstown in the Port Phillip District. Comerford had murdered (or been involved in the murder of) at least seven men.\n Bryant Flannigan – 15 June 1838 – Hanged at Sydney for the murder of John Nagle, \"Big Mary\" Nagle and Patrick Riley at Bunbejong, near Mudgee.\n Daniel Maloney – 15 June 1838 – Hanged at Sydney for the murder of Thomas Mahoney at Hassan's Walls.\n Dennis Haberlin (Haverden) – 15 June 1838 – Hanged at Sydney for robbery at the house of John and Sarah Rawles and the attempted rape of Sarah Rawles, at Woodford Bay, Longueville.\n Thomas Ribbands – 15 June 1838 – Hanged at Sydney for putting in fear and burglary from the house of Ann Jones, at Taree. Ann's husband John had been stabbed to death by one of their servants, Edward Tufts, earlier that year. \n William Wilkins – 4 September 1838 – Hanged at Sydney for assault and robbery of Thomas Humphries near Maitland.\n William Worthington (\"Bumblefoot\") – 4 September 1838 – Hanged at Sydney for the axe murder of Jack Swan at Port Macquarie.\n William Hawkins – 18 December 1838 – Hanged at Sydney Gaol for his part in the Myall Creek Massacre.\n John Johnson – 18 December 1838 – Hanged at Sydney Gaol for his part in the Myall Creek Massacre.\n Edward Foley – 18 December 1838 – Hanged at Sydney Gaol for his part in the Myall Creek Massacre.\n Jim Oates – 18 December 1838 – Hanged at Sydney Gaol for his part in the Myall Creek Massacre.\n James Parry – 18 December 1838 – Hanged at Sydney Gaol for his part in the Myall Creek Massacre.\n Charlie Kilmeister – 18 December 1838 – Hanged at Sydney Gaol for his part in the Myall Creek Massacre.\n John Russell – 18 December 1838 – Hanged at Sydney Gaol for his part in the Myall Creek Massacre.\n William Price – 21 December 1838 – Hanged at Sydney for the murder of John \"My Lord\" Dunn in Sorrell Street Parramatta. The victim was well known in the district at the time; he was seventy years old, a convict who had been in the colony thirty years, \"very deformed\" and less than a metre tall.\n\n1839\n\n Timothy O'Donnell – 7 June 1839 – Hanged at Sydney for the murder of Alexander McEdwards at Mt Campbell.\n Michael Walsh – 7 June 1839 – Hanged at Sydney for the murder of Alexander McEdwards at Mt Campbell.\n Edward Hall – 7 June 1839 – Hanged at Sydney for the murder of Patrick Fitzpatrick at Currawang.\n James Mayne – 7 June 1839 – Hanged at Sydney for the murder of Patrick Fitzpatrick at Currawang\n James Magee – 7 June 1839 – Hanged at Sydney for the murder of his wife Catherine at Cowpastures (Camden)\n Thomas Sumner – 23 June 1839 – Hanged at Sydney for robbery with violence at the house of William Woods and rape of Ann Amlin at King's Plains (Blayney)\n George Cooke – 23 June 1839 – Hanged at Sydney for robbery with violence at the house of William Woods and rape of Ann Amlin at King's Plains (Blayney)\n Ryder Gorman – 23 June 1839 – Hanged at Sydney for robbery with violence at the house of William Woods and rape of Ann Amlin at King's Plains (Blayney)\n Dennis Dacey – 23 June 1839 – Hanged at Sydney for robbery with violence at the house of William Woods and rape of Ann Amlin at King's Plains (Blayney)\n Thomas Finney – 20 August 1839 – Hanged at Sydney for the murder of his wife Elizabeth at Cockfighter's Creek (Wollombi)\n Patrick Quilken – 6 September 1839 – Hanged at Sydney for the murder of William MacLaren at Barrington Tops\n William Morris – 26 November 1839 – Hanged at Sydney for murder of Thomas Renton at the Bargon River\n Peter Scullion (Scallyen) – 26 November 1839 – Hanged at Sydney for the robbery and murder of Andrew Shanley at Sutton Forest\n Joseph Saunders – 26 November 1839 – Hanged at Sydney for aiding and abetting the murder of Andrew Shanley\n George Carey – 26 November 1839 – Hanged at Sydney for having stolen property in possession and abetting the murder of Shanley\n George (John) Gorman – 26 November 1839 – Hanged at Sydney for the murder of Ann Daly at Maitland\n James Davies – 29 November 1839 – Hanged at Sydney for the murder of James Maher at Black Creek (Branxton)\n Alexander Telford – 29 November 1839 – Hanged at Sydney for aiding and abetting the murder of James Maher\n Archibald Taylor – 29 November 1839 – Hanged at Sydney for aiding and abetting the murder of James Maher\n Llewellyn Powell – 29 November 1839 – Hanged at Sydney for the murder of Abraham Meares near Gilgandra\n James Lynch – 29 November 1839 – Hanged at Sydney for aiding & abetting the Meares murder\n Charles Clipp – 29 November 1839 – Hanged at Sydney for aiding & abetting the Meares murder.\n\n1840s\n\n John (or James) Hunt (\"The Doctor\") – 10 March 1840 – Hanged at Sydney for murder of Dan McCarthy at Regentville\n Thomas Whitton – 19 March 1840 – Publicly hanged at Goulburn for the murder of John Hawker and arson at Oak Park, Crookwell. Whitton had earlier murdered John Kennedy Hume, brother of the explorer Hamilton Hume\n William Newman – 8 December 1840 – Hanged at Sydney for the murder of Harry Hodgson at Rosemount station, Patrick's Plains (Singleton).\n James Martin – 8 December 1840 – Bushranger. Hanged at Sydney for the murder of Jack Johnston at Gammon Plains\n James Mason – 8 December 1840 – Bushranger. Hanged at Sydney for being an accessory to the murder of Jack Johnston\n Michael Monaghan (sometimes recorded as Hinnigan, Minighan) – 11 December 1840 – Hanged at Sydney for the murder of his overseer Robert Archer at Glendon\n Enoch Bradley – 11 December 1840 – Hanged at Sydney for the murder of George Woodman at Yass\n John Francis Legge – 11 December 1840 – Hanged at Sydney for the rape of Sarah Brooks, his wife's four-year-old child\n John Shea (\"Jew Boy Gang\") – 16 March 1841 – Hanged at Sydney for the murder of John Graham at Scone\n Edward Davis (\"Teddy the Jew Boy\") – 16 March 1841 – Hanged at Sydney for his role in the murder of John Graham. The \"Jew Boy\" Gang terrorised the Hunter River district with numerous robberies and murders.\n Robert Chitty (\"Jew Boy Gang\") – 16 March 1841 – Hanged at Sydney for his role in the murder of John Graham\n James Everett (\"Jew Boy Gang\") – 16 March 1841 – Hanged at Sydney for his role in the murder of John Graham\n John Marshall (\"Jew Boy Gang\") – 16 March 1841 – Hanged at Sydney for his role in the murder of John Graham\n James Bryant (\"Jew Boy Gang\") – 16 March 1841 – Hanged at Sydney for his role in the murder of John Graham\n Richard Glanville (\"Jew Boy Gang\") – 16 March 1841 – Hanged at Sydney for his role in the murder of John Graham\n Michael Bradley – 5 April 1841 – Hanged at Newcastle for the murder of Catherine Harrison near Morpeth\n Charles Cannon – 25 May 1841 – Hanged at Bathurst for the murder of Robert Bulmer at Cherry Tree Hill, near Carcoar\n Michael Lynch – 4 June 1841 – Hanged for murder of Matthew Sullivan near Jamberoo. Lynch is assumed to be the last person hanged on the gallows at the Old Sydney Gaol, George Street\n Patrick Curran – 21 October 1841 – Bushranger. Hanged at Berrima for attempted murder of constable Patrick McGuire at the Black Range, Molonglo, and rape of Mary Wilsmore at Bungendore\n Robert Hudson – 29 October 1841 – Publicly hanged outside Darlinghurst Gaol for murdering fellow convict Dean West at the hospital, Macquarie St \n George Stroud (Stroode) – 29 October 1841 – Publicly hanged outside Darlinghurst Gaol for murdering his wife Sarah at Concord. Stroud and Hudson were the first men executed at Darlinghurst Gaol\n Thomas Horner – 5 April 1842 – Hanged at Newcastle for the murder of his overseer James Stone near Shannon Vale. Stone was the former wrestler known as \"Little Elephant\"\n Patrick Kleighran (Clearehan, Clerehan, Clearham) – 22 April 1842 – Hanged at Berrima for the murder of Timothy Murphy on the Murrumbidgee.\n John Lynch (alias Dunleavy) – 22 April 1842 – Hanged at Berrima for the murder of Kearns Landregan near the Ironstone Bridge on the edge of Berrima. Confessed to ten murders.\n John Walsh – 3 May 1842 – Hanged at Bathurst for the murder of Catherine Collitt at Mt Victoria.\n Henry Sears (Seen) – 8 November 1842 – Hanged at Darlinghurst for piracy and assault with intent to murder, off Norfolk Island.\n John Jones – 8 November 1842 – Hanged at Darlinghurst for piracy and assault with intent to murder, off Norfolk Island.\n Nicholas Lewis – 8 November 1842 – Hanged at Darlinghurst for piracy and assault with intent to murder, off Norfolk Island.\n George Beavers – 8 November 1842 – Hanged at Darlinghurst for piracy and assault with intent to murder, off Norfolk Island.\n Stephen Brennan – 9 November 1842 – Hanged at Darlinghurst Gaol for the murder of Pat Lynch on Norfolk Island.\n George Wilson – 24 April 1843 – Hanged at Newcastle for the malicious wounding of Francis Bigge at the Peel River.\n Thomas Forrester (\"Long Tom\") – 24 April 1843 – Hanged at Newcastle for aiding and abetting the malicious wounding of Francis Bigge at the Peel River.\n Matthew Whittle – 2 May 1843 – Bushranger. Hanged at Bathurst for the attempted murder of Patrick Grady near Oberon.\n Benjamin Harris – 17 October 1843 – Hanged at Newcastle for the murder of Constable John Rutledge near Denman.\n Lucretia Dunkley – 22 October 1843 – Hanged at Berrima Gaol for the murder of her husband Henry Dunkley near Gunning.\n Martin Beech – 22 October 1843 – Hanged at Berrima Gaol for the murder of Henry Dunkley near Gunning.\n Therramitchie – 24 October 1843 – Indigenous. Confessed to at least two murders. Publicly hanged at Port Macquarie for the murder of John Pocock.\n Harry – 8 November 1843 – Indigenous. Hanged at Maitland Gaol for the murder of a baby named Michael Keoghue near Glendon.\n Melville – 8 November 1843 – Indigenous. Hanged at Maitland for the murder of a baby named Michael Keoghue near Glendon.\n John Knatchbull – 13 February 1844 – Former Royal Navy captain, publicly hanged in front of Darlinghurst Gaol for the murder of shopkeeper Ellen Jamieson with a tomahawk in Margaret Street.\n Joseph Vale – 17 April 1844 – Hanged at Newcastle for the murder of John Thornton near Mulbring.\n Mary Thornton – 17 April 1844 – Hanged at Newcastle for the murder of her husband John Thornton near Mulbring.\n Frederick (or Abraham) Gasten (or Gaston) – 31 October 1844 – Hanged at Bathurst for the murder of Elizabeth Price near Kanimbla.\n George Vigors – 13 August 1844 – Hanged at Darlinghurst for the murder of James Noble in Clarence St.\n Thomas Burdett – 13 August 1844 – Hanged at Darlinghurst for the murder of James Noble in Clarence St.\n Henry Atkins – 8 October 1844 – Hanged at Berrima for the murder of John Daly near Tumut.\n Benjamin Stanley – 7 November 1844 – Hanged at Newcastle for the murder of Robert Campbell at Williams River.\n John Vidall – 7 February 1845 – Hanged at Darlinghurst for the murder of Thomas Warne in George St.\n John Ahern – 12 August 1845 – Publicly hanged at Darlinghurst for the murder of his niece Mary-Anne Clark in the area that subsequently became Railway Square.\n James Fitzpatrick – 24 October 1845 – Hanged at Newcastle for the murder of Peter McCormick, a fellow-convict at the Newcastle Stockade.\n William Shea – 17 April 1846 – Hanged at Newcastle for the murder of Andrew Menzies at Hillsborough.\n John Kean (Liddell) – 30 April 1847 – Hanged at Darlinghurst for the murder of Ellen Hyndes near Campbelltown.\n Peter Pigeon – 4 November 1847 – Hanged at Newcastle for the murder of William \"Coachey\" Taylor at Morpeth.\n William Fyfe (Foyle in Prison Records) – 4 July 1848 – Publicly hanged at Darlinghurst for murder of Robert Cox at Kangaroo Point, Moreton Bay.\n Francis Dermott (or Diamond or Durham) – 22 September 1848 – African-American. Hanged at Darlinghurst for the rape of Mary Green on the Shoalhaven.\n Patrick Bryan – 1 November 1848 – Hanged at Newcastle for the murder of Eliza Neilson at Clarence Town.\n Charles Henry Mackie – 10 November 1848 – Hanged at Bathurst for the rape of a nine-year-old girl.\n George Waters Ward – 19 March 1849 – Hanged at Maitland for the murder of Richard Connolly (or King) at Muswellbrook.\n James Richardson – 7 May 1849 – Hanged at Darlinghurst for the murder of his wife Elizabeth Richardson at Campbelltown. He had also murdered Elizabeth's daughter and nine-month-old grandchild and attempted to murder a four-year-old grandchild.\n Owen Molloy – 18 September 1849 – Publicly hanged at Darlinghurst for the murder of John Leonard at Moreton Bay.\n Patrick Walsh – 2 November 1849 – Hanged at Bathurst for the murder of Benjamin Fox on the Turon River.\n\n1850s \n\n Mogo Gar – 5 November 1850 – Bundjalung man, hanged at Darlinghurst for the murder of Daniel Page at the Bellinger River.\n James Whelan – 5 November 1850 – Hanged at Darlinghurst for the murder of Catherine Byrnes near Kent St.\n William Hayes – 26 April 1851 – Hanged at Maitland Gaol for the murder of Benjamin Cott near present-day Gillieston.\n Michael Collihane (alias \"Mickey Bad-English\") - 8 October 1851 – Publicly hanged at Maitland for the rape of Anne Milsom at Aberdeen.\n Patrick McNamara – 29 March 1852 – Hanged at Maitland for the murder of his wife Rose McNamara at Aberglasslyn.\n Thomas Wilmore – 14 April 1852 – Hanged at Goulburn Gaol for the murder of Phillip Alger in the Wellington District.\n Francis Thomas Green – 21 September 1852 – Publicly hanged outside Darlinghurst Gaol for the murder of John Jones at Buckley's Creek. This was the last public hanging in NSW.\n Timothy Sullivan – 30 September 1852 – Hanged at Bathurst for the murder of Daniel Harrington at King's Plains, near Carcoar. This execution was badly botched.\n John Newing – 30 September 1852 – Hanged at Bathurst for the murder of Hing, another Chinese man, on 17 October 1851, at Brown's Station on the Castlereagh\n Paddy – 8 April 1853 – Wiradjuri man, hanged at Bathurst for the rape of Catherine Schmidt at Oakey Creek in the Mudgee district.\n Patrick McCarthy – 8 April 1853 – Hanged at Bathurst for the murder of Henry Williamson at Bookimbla.\n Billy Palmer – 9 May 1854 – Hanged at Bathurst for the murder of Jane Bradley near Obley.\n James McLaughlan – 9 May 1854 – Hanged at Bathurst for the murder of Sarah Atkins at Kikiamah, near Grenfell.\n James Talbot – 30 May 1854 – Hanged at Goulburn for the murder of James Barry at Kangaloola Creek, near Yass.\n Daniel Gardiner – 4 April 1854 – Hanged at Maitland for the murder of his wife Catherine at Rocky River.\n Christopher Walsh – 28 September 1854 – Hanged at Maitland for the murder of his wife Mary Walsh at Lidney Park, near Millers Forest.\n William Ryan – 28 February 1855 – Hanged at Darlinghurst for the murder of his wife Catherine near the corner of Hay and Castlereagh Sts.\n William Rodgers – 5 July 1855 – Hanged at Darlinghurst for the murder of Joseph Allsopp at Baulkham Hills.\n Samuel Wilcox – 5 July 1855 – Hanged at Darlinghurst for the murder of Johanna Smith in Liverpool St, Sydney.\n Mary-Ann Brownlow −11 November 1855 – Hanged at Goulburn Gaol for the murder of her husband George Moore Brownlow at Gundaroo.\n Henry Curran – 12 May 1857 – Hanged at Bathurst for the rape and violent assault of Bridget Watkins at Dirty Swamp (Locksley).\n Addison Mitchell – 12 May 1857 – Hanged at Bathurst for the murder of William Ablett between Carcoar and Cowra.\n Patrick Walsh – 4 November 1857 – Hanged at Goulburn for the murder of William Graham at Balranald.\n James Moyes – 7 September 1858 – Hanged at Darlinghurst for the murder of William Alden on board the Oliver Jordan, berthed at Sydney.\n John Arrow – 11 May 1859 – Hanged at Bathurst for the murder of Catherine Leary at Summer Hill Creek, Orange.\n Thomas Ryan (alias William Martin) – 11 May 1859 – Hanged at Bathurst for the rape of Leah England in the Wellington Valley.\n Harry – 18 May 1859 – Indigenous. Hanged at Goulburn for the rape and attempted murder of fifteen-year-old Margaret McMahon at Coolamatong near Berridale.\n John Norris – 22 July 1859 – Hanged at Darlinghurst for the rape of six-year-old Harriet Curren near Prospect.\n Robert Davis – 3 November 1859 – Hanged at Bathurst for the murder of Roger Flood (or Robert Quinn) at Dubbo.\n William Ross – 22 November 1859 – Hanged at Maitland for the murder of Jack Hamilton at Walcha.\n Jemmy – 22 November 1859 – Hanged at Maitland for the murder of Sam Pong at Gunnedah.\n\n1860s \n\n John Jones – 26 April 1860 – Hanged at Maitland for the murder of Rebecca Bailey outside Maitland.\n Jim Crow – 26 April 1860 – Indigenous. Hanged at Maitland for the rape of Jane Delantry at Thalaba, outside Dungog.\n Ellen Monks – 8 May 1860 – Hanged at Goulburn for the hammer murder of her husband Thomas Monks at Longnose Creek, near Crookwell.\n Frederick Clarke – 8 May 1860 – Hanged at Goulburn for the murder of Walter Angel in the Moppity Range, near Murringo.\n William Goodson – 16 May 1860 – Hanged at Darlinghurst for the murder of his wife Mary Goodson at Kissing Point.\n Black Harry (also called Sippey Shippy, Sippy, Sheepy, Lippy) – 6 November 1861 – Indigenous. Hanged at Maitland for the murder of Mary Mills at Hall's Creek, near Merriwa.\n William Johnson (Baldwin) – 3 December 1861 – Hanged at Goulburn for the rape of Alice Hutchings at Rossiville, outside Goulburn.\n Jackey Bullfrog (alias \"Flash Jack\") – 25 April 1862 – Indigenous. Hanged at Bathurst for the murder of William Clark near Condobolin.\n John Peisley – 25 April 1862 – Bushranger. Hanged at Bathurst for the murder (fatal wounding) of William Benyon at Bigga. An associate of the Ben Hall - Frank Gardiner Gang.\n Henry Keene – 5 May 1862 – Bushranger. Hanged at Goulburn for the murder of James Lawrie on Billabong Creek.\n Benjamin Allerton – 5 May 1862 – Bushranger. Hanged at Goulburn for the robbery and wounding with intent of David Elliott at Wakool.\n John Smith (alias Regan) – 4 June 1862 – Hanged at Goulburn for attempted murder on Alfred Bishop at Tipperary Gully, near Young.\n Jackey – 23 October 1862 – Indigenous. Hanged at Bathurst for the rape of Louisa Brown at Winburndale.\n Alexander Ross – 18 March 1863 – Bushranger. Hanged at Darlinghurst for highway robbery and the attempted murder of Harry Stephens at Caloola, near Blayney.\n Charles Ross – 18 March 1863 – Bushranger. Hanged at Darlinghurst for highway robbery and the attempted murder of Harry Stephens at Caloola, near Blayney. \n Henry Manns – 26 March 1863 – Bushranger. Hanged at Darlinghurst for his part in the highway robbery of the gold escort at Eugowra Rocks. An associate of the Ben Hall - Frank Gardiner Gang.\n Charles Robardy – 20 May 1863 – Hanged at Goulburn for the murder of Daniel Crotty on the Boorowa-Murringo Road, near Willawong Creek.\n Mahommed Cassim – 2 June 1863 – Circus Juggler, born in India. Hanged at Goulburn for the murder of a fellow juggler (name lost) at Sawpit Gully, near Queanbeyan.\n Henry Wilson – 2 October 1863 – Bushranger. Hanged at Maitland for the murder of Peter Clarke near Murrurundi.\n Thomas McCann – 1 February 1864 – Hanged at Darlinghurst for highway robbery and the attempted murder of William Saville near Cordeaux Creek, Berrima.\n James Stewart – 22 November 1864 – Hanged at Bathurst for the murder of Charles Verdhun near Bourke.\n George Gibson (alias Paddy Tom) – 20 May 1865 – Bushranger. Hanged at Bathurst for the murder of Alec Musson at Pyramul.\n Sam Poo – 19 September 1865 – Bushranger. Hanged at Bathurst for the murder of Snr Constable John Ward at Barney's Reef near Birriwa.\n Ah Luan – 21 November 1865 – Hanged at Bathurst for the murder of Nee Jack at Bald Hills Creek.\n John Dunn – 19 March 1866 – Bushranger, member of the Ben Hall Gang. Hanged at Darlinghurst for robbery and the murder of Constable Sam Nelson at Collector\n James Crookwell – 14 April 1866 – Bushranger. Hanged at Darlinghurst for the murder of Constable William Raymond in the Bargo Brush.\n Michael Green – 11 June 1866 – Hanged at Darlinghurst for the murder of Andrew Shearer at Rushcutter's Bay.\n Spider – 26 November 1866 – Indigenous. Hanged at Bathurst for the rape of Elizabeth Anderson at Canonbar, near Nyngan.\n Michael Maher – 3 December 1866 – Hanged at Bathurst for the murder of Richard Higgins at Garrawilla, near Coonabarabran.\n Harry Suis – 10 December 1866 – Hanged at Goulburn for the murder of Ah Wong at Goulburn.\n William Henry Scott – 18 March 1867 – Hanged at Darlinghurst for the murder of Anne Ramsden (Scott) in Sussex St.\n Thomas Clarke – 25 June 1867 – Bushranger. Hanged at Darlinghurst for the attempted murder of Constable William Walsh at Jinden.\n John Clarke – 25 June 1867 – Bushranger. Hanged at Darlinghurst for the attempted murder of Constable William Walsh at Jinden. \n William Peters – 26 June 1867 – Hanged in Bathurst for the attempted murder of eight-year-old Faith Perkins at Orange.\n Henry James O'Farrell – 21 April 1868 – Hanged at Darlinghurst Gaol for the attempted assassination of Prince Alfred Duke of Edinburgh on 12 March 1868 at Clontarf.\n Albert Barnes – 26 May 1868 – Hanged in the old gaol at Bathurst for the murder of James Casey at Hassan's Walls.\n John McEvitt – 26 May 1868 – Hanged in the old gaol at Bathurst for the murder of a boy named Francis Evans at Clark's Creek.\n John Munday (alias Collins)- 2 June 1868 – Hanged at Goulburn for the murder of John Conroy, Bridget Conroy, Thomas Smith, a shepherd surnamed White and another shepherd, name not recorded, near Bowning.\n Ah Sung – 24 November 1868 – Hanged at Bathurst for the murder of Ralph Lee and Amelia Lee (aged five), near Avisford.\n\n1870s\n\n John Baker - 1871 - Bushranger hanged at Bathurst for murder and other crimes. A partner of Wiliam Bertam, who was hanged at Toowoomba on 29 August 1870. They stuck up Mount Murchison Station, Cobham's station and a Poolamacca resident and stole horses, etc. Also committed other robberies on the road and entered homes; in Oct 1869 on the Barrier Ranges they bailed up a hawker, Charles Young, whom they murdered.\n Robert Campbell (alias Palmer) – 10 January 1871 – Hanged at Wagga Wagga for the murder of John and Louis Pohlman at Yanco.\n Chong Gow – 6 June 1871 – Hanged at Deniliquin for the murder of Tommy Ah Gun at Hay.\n Michael McMahon – 12 December 1871 – Hanged at Maitland for the murder of Jack Jones at Hall's Creek.\n Thomas Kelly – 2 January 1872 – Hanged at Darlinghurst for the attempted murder of Superintendent William McLaren at Parramatta Gaol.\n George Robert Nichols (The Parramatta River Murders) – 18 June 1872 – Hanged at Darlinghurst for the murder of William Percy Walker (and John Bridger) in upper Sydney Harbour.\n Alfred Lester (alias Froude)(The Parramatta River Murders) – 18 June 1872 – Hanged at Darlinghurst for the murder of William Percy Walker (and John Bridger) in upper Sydney Harbour.\n John Conn – 11 June 1872 – Hanged at Bathurst for the murder of Aveline Littler near Wyndeyer.\n William McCrow – 8 April 1873 – Hanged at Darlinghurst Gaol for the murder of Margaret Ward at a residence on the corner of Crown and Stanley streets, Woolloomooloo.\n John Scource – 8 April 1873 – Hanged at Darlinghurst Gaol for the murder of Elizabeth Lee on Sydney Harbour.\n Julius Krauss (also called William Cross) – 1 July 1873 – Hanged at Darlinghurst Gaol for the murder of Captain John Longmuir on board HMS Rifleman.\n Henry Vincent Jarvis – 23 December 1873 – Hanged at Darlinghurst Gaol for the murder of James Muggeridge on the Orange-Bathurst Road near Evans Plains Creek.\n John Hawthorne (alias Perry, real name Sherrin) – 19 May 1874 – Bushranger. Believed to have committed at least four murders. Hanged at Goulburn for the robbery & attempted murder of James Slocombe near Wheeo.\n John Glover – 19 May 1874 – Hanged at Goulburn for the murder of William Piety at Bolaro, near Adaminaby.\n Gottlieb Eichhorn – 23 June 1874 – Hanged at Armidale Gaol for the rape of seventy-two-year-old Eliza Chapman at Saumarez Ponds. Mrs Chapman died from the injuries received. Eichhorn was sixteen at the time of the crime.\n John McGrath – 10 September 1875 – Indigenous. Hanged at Darlinghurst Gaol for rape of Sarah Murfin at Warragubra, near Bega.\n George Rope – 7 December 1875 – Hanged at Mudgee Gaol for the murder of his sister-in-law Hannah Rope at Lawson's Creek.\n Ah Chong – 18 April 1876 – Hanged at Darlinghurst Gaol for the murder of Po Tie at Parramatta Gaol.\n George Pitt – 21 June 1876 – Hanged at Mudgee for the murder of Ann Martin at Guntawang.\n Michael Connelly – 28 June 1876 – Hanged at Tamworth Gaol for the murder of his wife Mary Connelly at Carroll Gap.\n Daniel Boon – 19 July 1876 – Hanged at Wagga Wagga for the murder of Alexander McMullan at North Wagga.\n Thomas Newman – 29 May 1877 – Hanged at Old Dubbo Gaol for the murder of a child, Mary-Ann McGregor, near Coonabarabran.\n Peter Murdoch (Murdick, alias Higgins) – 18 December 1877 – Hanged at Wagga Wagga for the murder of Henry Ford near Cartwright's Hill.\n Ing Chee – 28 May 1878 – Hanged at Goulburn Gaol for the murder of Li Dock in Goulburn.\n Alfred – 10 June 1879 – Indigenous. Hanged at Mudgee for the rape of Jane Dowd at Three Mile Flat, near Wellington.\n\n1880s \n Andrew George Scott (Captain Moonlite) – 20 January 1880 – (Bushranger) Hanged at Darlinghurst Gaol for the murder of Constable Webb-Bowen at Wantabadgery.\n Thomas Rogan – 20 January 1880 – (Bushranger) A member of the Moonlite Gang, hanged at Darlinghurst Gaol for the murder of Constable Webb-Bowen at Wantabadgery.\n Albert – 26 May 1880 – Indigenous stockman, hanged at Old Dubbo Gaol for the shooting murders of Nugle Jack and Sally at a camp at Baradine.\n Daniel King – 11 June 1880 – Hanged at Tamworth Gaol for the murder of Lizzie Hart (alias Rolk, alias Betts) at Tamworth.\n William Brown – 29 March 1881 – Hanged at Darlinghurst Gaol for the rape of his twelve-year-old daughter Ann at Yappa Brush, The Bight, across the Manning from Wingham.\n Henry Wilkinson – 1 June 1881 – Hanged at Albury Gaol for the murder of Mary Pumpa at Lyster's Gap, near Jindera.\n John McGuane – 22 November 1882 – Hanged at Armidale for the murder of Thomas Smith at Inverell.\n Charles Cunningham – 29 November 1882 – Hanged at Goulburn for the attempted murder of his warder Walter Izard at Berrima Gaol. \"His last moments were marked by the expression of undiminished hatred to authority, which he personified to Her Majesty the Queen.\"\n Henry Tester – 7 December 1882 – Hanged at Deniliquin for the murder of seven-year-old Louisa Preston at Moira.\n George Ruxbourne – 23 May 1883 – Hanged at Armidale for the murder of Jimmy Young at Armidale.\n William Rice- 23 April 1884 – Hanged at Darlinghurst for the murder of James Griffin at 51 Phelps St, Surry Hills.\n Joseph Cordini – 13 June 1884 – Hanged at Deniliquin Gaol for the murder of George Mizon on the Hay road outside Deniliquin.\n Charles Watson – 14 April 1885 – Hanged at Darlinghurst for the murder of William Matthews at Wyadra, near Hillston.\n Frank Johns – 14 July 1885 – (Bushranger) A member of the Moonlite Gang, hanged at Darlinghurst Gaol for the attempted murder of William Roberts at Parramatta Gaol.\n Matthew Friske – 10 December 1885 – Hanged at Grafton Gaol for the murder of Matt Matteson at Coffs Harbour.\n William Liddiard – 8 June 1886 – Hanged at Grafton for the murder of Pat Noonan at Wardell.\n Alfred Reynolds – 8 October 1886 – Hanged at Darlinghurst for the murder of his wife Rhoda at Gowrie St, Newtown.\n Robert Read – 7 January 1887 – Hanged at Darlinghurst for his involvement in the Mount Rennie rape case.\n George Duffy - 7 January 1887 – Hanged at Darlinghurst for his involvement in the Mount Rennie rape case.\n William Boyce - 7 January 1887 – Hanged at Darlinghurst for his involvement in the Mount Rennie rape case.\n Joseph Martin - 7 January 1887 – Hanged at Darlinghurst for his involvement in the Mount Rennie rape case.\n John Creighan (alias Grace) – 29 May 1888 – Hanged at Armidale for the murder of Jack Stapleton at Hillgrove.\n Robert Hewart – 11 September 1888 – Hanged at Darlinghurst for the murder of Thomas Park in a cell at the Central Police Court.\n Louisa Collins – 22 January 1889 – Hanged at Darlinghurst for the poisoning of her husband at Botany. She was the last woman hanged in New South Wales.\n James Morrison – 19 July 1889 – Hanged at Darlinghurst for the murder of Constable David Sutherland in Macleay St, Potts Point.\n Thomas Reilly – 6 November 1889 – Hanged at Wagga Wagga for the murder of Christian Eppel on the Wagga Common. Reilly was a cousin of Ned Kelly.\n\n1890s \n\n Albert Schmidt – 18 November 1890 – Hanged at Wagga Wagga for the murder of John Young Taylor near Old Junee. Believed to have committed at least two other murders.\n Lars Peter Hansen – 2 June 1891 – Hanged at Old Dubbo Gaol for the murder of Charles Duncker on the Peak Hill road.\n Maurice Dalton – 17 November 1891 – Hanged at Darlinghurst for the murder of his wife Catherine at 1 Foveaux St Surry Hills.\n Harold Dutton Mallalieu – 26 November 1891 – Hanged at Old Dubbo Gaol for the murder of Jerome Casey on the Moonagee Road near Nyngan.\n Jimmy Tong – 29 November 1892 – Hanged at Armidale for the murder of Harry Hing at Walcha.\n Edward Smedley – 14 June 1893 – Hanged at Darlinghurst for the murder of his wife Phoebe at Quirindi. \n George Archer – 11 July 1893 – Hanged at Darlinghurst for the murder of Emma Harrison at a house on the corner of Burton and Bourke streets, Darlinghurst. This hanging was mishandled and Archer suffocated to death on the rope.\n John Makin – 15 August 1893 – (\"The Macdonaldtown Baby Farmer\"). Hanged at Darlinghurst for the murder of the infant Horace Murray.\n Woy Hoy (Jimmy Ah Hoy) – 24 November 1893 – Hanged at Mudgee for the murder of Ah Fook in Lewis St, Mudgee.\n Herbert Edward 'Bertie' Glasson (sometimes Edwin Hubert) – 29 November 1893 – Hanged at Bathurst for the murder of John William Phillips and Frances Letitia 'Fanny' Cavanough at Carcoar on 23 September 1893. The first prisoner executed at Bathurst Gaol on its present site (opened 1888).\n Charles Montgomery – 31 May 1894 – Hanged at Darlinghurst for the attempted murder of Constable Fred Bowden near the corner of Bridge and Macquarie streets.\n Thomas Williams – 31 May 1894 – Hanged at Darlinghurst for the attempted murder of Constable Fred Bowden near the corner of Bridge and Macquarie streets.\n Alexander Lee – 20 July 1894 – Hanged at Tamworth for the murder of William McKay at the CBC bank at Barraba.\n John Cummins – 20 July 1894 – Hanged at Tamworth for the murder of William McKay at the CBC bank at Barraba.\n Frederick Paton (alias Frederick Dennis) – 11 December 1894 – Hanged at Bathurst Gaol for the murder of John Hall at Fifield on 6 May 1894.\n Alfred Grenon – 7 February 1895 – Hanged at Darlinghurst for the attempted murder of Thomas Heavey at Elizabeth Bay.\n Thomas Meredith Sheridan – 7 January 1896 – Hanged at Darlinghurst for the murder of Jessie Nicholls, who died at Castlereagh St from the effects of an illegal abortion.\n Charles Hines – 21 May 1897 – Hanged at Maitland for the rape of his thirteen-year-old stepdaughter Mary Emily Hayne at Gundy\n Thomas Moore – 24 June 1897 – Hanged at Dubbo for the murder of Edward (or Edwin) Smith at Brennan's Bend on the Darling River below Bourke in November, 1896.\n Frank Butler – 17 July 1897 – (\"The Glenbrook Murders\") Hanged at Darlinghurst for the murder of Arthur Preston and Lee Weller at Penrith and Glenbrook.\n Wong Min – 13 December 1898 – Hanged at Dubbo for the murder of Joe Mong Jong (or Woung) at Warren, New South Wales on 16 August 1898. Also stabbed Alice Spong during same incident.\n Stewart Wilson Christopher Briggs – 5 April 1899 – Hanged at Darlinghurst for the murder of Margaret Miller and Margaret Dutt at 89 Douglas St Petersham (now Stanmore).\n\n1900s \n John Sleigh (alias Ward) – 6 December 1900 – Hanged at Goulburn for the murder of Frank \"Bones\" Curran at Back Creek, near Bombala.\n Jackie Underwood – 14 January 1901 – Indigenous. Hanged at Dubbo for the murder of Percival Mawbey at Breelong. He and Jimmy Governor also killed Helen Josephine Kerz, Mrs Sarah Mawbey, Grace Mawbey and Hilda Mawbey in the same incident.\n Jimmy Governor – 18 January 1901 – Indigenous. Hanged at Darlinghurst for the murder of Helen Josephine Kerz at Breelong. In the same incident he and Jackie Underwood also killed Mrs. Sarah Mawbey, Grace Mawbey, Percival Mawbey and Hilda Mawbey. Jimmy and his brother Joe also killed Alexander McKay near Ulan, Elizabeth O'Brien and her baby son at Poggie, near Merriwa, and Keiran Fitzpatrick near Wollar.\n Joseph Campbell – 20 December 1901 – Hanged at Darlinghurst for the rape of nine-year-old Violet Oldfield at Queanbeyan. He had also raped another nine-year-old at Ramsay's Bush (Haberfield)\n Thomas Moore – 14 April 1903 – Indigenous. Hanged at Darlinghurst for the rape and murder of ten-year-old Janet Irene Smith at Ramsay's Bush, Leichhardt (now Haberfield).\n Digby Grand – 7 July 1903 – Hanged at Darlinghurst for the murder of Police Constable Samuel Long at Auburn.\n Henry Jones – 7 July 1903 – Hanged at Darlinghurst for the murder of Police Constable Samuel Long at Auburn.\n Ah Check – 28 June 1904 – Hanged at Dubbo for the murder of William Tregaskis at Peak Hill, NSW. He was the last person executed at Old Dubbo Gaol.\n John Raymond Brown – 11 December 1906 – Hanged at Grafton Gaol for the murders of Daniel O'Keefe, Margaret O'Keefe and Patrick Gillick at German Creek, near Ballina (now called Empire Vale).\n Peter Sadeek – 11 June 1907 – Hanged at Broken Hill Gaol for the murder of Mary Cooney (or Jewson) at White Cliffs.\n Nicholas Baxter – 29 October 1907 – Hanged at Darlinghurst for the murder of Mary MacNamara at 2 Sarah St Enmore.\n George Toffts – 26 November 1907 – Hanged at Tamworth Gaol for the murder of Eliza Maud Fletcher at Quirindi.\n\n1910 onwards\n William Frederick Ball – 17 June 1912 – Hanged at Armidale Gaol for the murder of Louisa Ball at Bingara.\n Frank Franz – 20 December 1916 – Hanged at Bathurst for the murder of Police Constable George Joss Duncan at Tottenham.\n Roland Nicholas Kennedy – 20 December 1916 – Hanged at Bathurst for the murder of Police Constable George Joss Duncan at Tottenham.\n James Wilson – 31 May 1917 – Hanged at Long Bay Gaol for the murder of George Pappageorgi at Haymarket, Sydney.\n Christian William Benzing – 16 June 1917 – Hanged at Long Bay for the rape and murder of eleven-year-old Dorothy Myra Small at Rockdale.\n Edward Williams – 29 April 1924 – Hanged at Long Bay for the murder of his three children, five-year-old Rosalie, three-year-old Mary and two-year-old Cecillia at Underwood St Paddington.\n William George Gordon Simpson – 10 December 1924 – Hanged at Long Bay for the murders of Guy Chalmers Clift and Police Constable James Flynn at Appin.\n William Cyril Moxley – 17 August 1932 – Hanged at Long Bay for the murders of Dorothy Ruth Denzel and Frank Barnby Wilkinson at Moorebank.\n Edwin John Hickey – 14 May 1936 – Hanged at Long Bay for the murder of former Conciliation Commissioner Montague Henwood on the train between Faulconbridge and Linden. Hickey was seventeen at the time of the crime.\n James Leighton Massey – 15 June 1936 – Hanged at Long Bay for the murder of Norman Samuel McLaren Stead at Darlinghurst.\n Alfred Spicer – 26 May 1938 – Hanged at Long Bay for the rape and murder of six-year-old Marcia Hayes at Windsor.\n John Trevor Kelly – 24 August 1939 – Hanged at Long Bay for the murder of Marjorie Constance Sommerlad at Tenterfield. He was the last person to be judicially executed in the state of New South Wales.\n\nNorfolk Island\n\n1800s to 1830s\n Peter McLean – 14 December 1800 – Irish convict and political prisoner, hanged without trial for conspiracy to mutiny\n John Houlahan – 14 December 1800 – Irish convict and political prisoner, hanged without trial for conspiracy to mutiny\n John McDonald - 13 April 1832 - Hanged for the attempted murder of fellow-convict Thomas Smith\n Thomas Reilly - 23 September 1833 - Hanged for the murder of fellow-convict Edward Doolan\n Matthew Connor - 23 September 1833 - Hanged for the attempted murder of constable Patrick Sullivan\n James Reynolds - 23 September 1833 - Hanged for the attempted murder of constable Patrick Sullivan\n Robert Douglas - 23 September 1834 - Hanged for mutiny\n Henry Drummond - 23 September 1834 - Hanged for mutiny\n James Bell - 23 September 1834 - Hanged for mutiny\n Joseph Butler - 23 September 1834 - Hanged for mutiny\n Robert Glennie - 23 September 1834 - Hanged for mutiny\n Walter Burke - 23 September 1834 - Hanged for mutiny\n Joseph Snell - 23 September 1834 - Hanged for mutiny\n William McCulloch - 23 September 1834 - Hanged for mutiny\n Michael Andrews - 23 September 1834 - Hanged for mutiny\n William Groves - 23 September 1834 - Hanged for mutiny\n Thomas Freshwater - 23 September 1834 - Hanged for mutiny\n Henry Knowles - 23 September 1834 - Hanged for mutiny\n Robert Ryan - 23 September 1834 - Hanged for mutiny\n James Burrows - 26 December 1835 - Hanged for the murder of fellow-convict John Dursley\n George Thompson - 26 December 1835 - Hanged for the attempted murder of fellow-convict John Fell at Longridge\nWilliam Westwood (Jackey Jackey) – 13 October 1846 - Hanged for mutiny and the murder of convict constables John Morris, John Dinon, Thomas Saxton and police runner Stephen Smith, on 1 July 1846, known as the \"Cooking Pot Uprising\"\n\n1840s\nJohn Davies (or Davis) – 13 October 1846 - Hanged for his involvement in the Cooking-Pot Uprising.\nSamuel Kenyon – 13 October 1846 - Hanged for his involvement in the Cooking-Pot Uprising. \nDennis Pendergast – 13 October 1846 - Hanged for his involvement in the Cooking-Pot Uprising.\nOwen Commuskey – 13 October 1846 - Hanged for his involvement in the Cooking-Pot Uprising.\nHenry Whiting – 13 October 1846 - Hanged for his involvement in the Cooking-Pot Uprising.\nWilliam Pearson – 13 October 1846 - Hanged for his involvement in the Cooking-Pot Uprising.\nJames Cairns – 13 October 1846 - Hanged for his involvement in the Cooking-Pot Uprising.\nWilliam Westwood ('Jackey Jackey') - 13 October 1846 - Hanged for his involvement in the Cooking-Pot uprising.\nWilliam Pickthorne – 13 October 1846 - Hanged for his involvement in the Cooking-Pot Uprising.\nLawrence Kavenagh – 13 October 1846 - Hanged for his involvement in the Cooking-Pot Uprising.\nWilliam Scrimshaw – 13 October 1846 - Hanged for his involvement in the Cooking-Pot Uprising.\nEdward McGinniss – 13 October 1846 - Hanged for his involvement in the Cooking-Pot Uprising.\nWilliam Brown ('Doggie') - 19 October 1846 - Hanged for his involvement in the Cooking-Pot Uprising.\nJohn Liddall - 3 November 1846 - Hanged for murder of Henry Clarke.\nBernard Macartney - 3 November 1846 - Hanged for murder of Henry Clarke.\n\nNorthern Territory\n Charles Flannagan – 15 July 1893 – Hanged at Fannie Bay Gaol for the murder of Samuel Croker at Auvergne Station.\n Wandy Wandy – 25 July 1893 – Hanged on gallows constructed at the scene of the crime at Malay Bay for his part in the murder of six unnamed Malays.\n Moolooloorun (Aboriginal male, no given surname) – 17 January 1895 – Hanged on gallows constructed at Crescent Lagoon in the presence of other members of his aboriginal community for the murder of an unnamed Chinese man near the Roper River.\n Chung Yeung – 10 August 1899 – Hanged at Fannie Bay Gaol for the murder of Chee Hang at Yam Creek.\n Lem Kai – 10 August 1899 – Hanged at Fannie Bay Gaol for the murder of Chee Hang at Yam Creek.\n Jimmie (Aboriginal male, no given surname) – 8 April 1901 – Hanged on gallows constructed at Shaw's Creek, Victoria River, for the murder of John Larsen at Daly River.\n Tommy (Aboriginal male, no given surname) – 21 December 1905 – Hanged at Fannie Bay Gaol for the murders of Henry Edwards, Richard Frost and Nowra at Victoria River district.\n Koppio (Aboriginal male, no given surname) – 15 July 1913 – Hanged at Fannie Bay Gaol for the murders of Ching Loy and Lo Sin at the old Howley Mine.\n Jaroslav Koci – 8 August 1952 – Hanged at Fannie Bay Gaol for the murder of Darwin taxi-driver George Thomas Grantham.\n Jan Novotny – 8 August 1952 – Hanged at Fannie Bay Gaol for the murder of Darwin taxi-driver George Thomas Grantham.\n\nQueensland\n\n1830s to 1850s\n John Bulbridge – 18 December 1830 – Hanged at Moreton Bay for absconding from the penal colony there and committing a robbery at Port Macquarie\n Charles Fagan - 18 December 1830 - Hanged at Moreton Bay for absconding and committing a robbery at Port Macquarie\n Mullan – 3 July 1841 – Indigenous. Hanged at the Windmill, Wickham Terrace, Brisbane, for the murder of surveyor Granville William Chetwynd Stapylton at Mount Lindesay\n Ningavil - 3 July 1841 - Indigenous. Hanged at the Windmill, Wickham Terrace, Brisbane, for the murder of surveyor Granville Chetwynd Stapylton at Mount Lindsay\n Patrick Fitzgerald - 8 July 1850 - Hanged in front of Brisbane Gaol, Petrie Terrace, for the murder of James Marsden at Gigooman\n Jacob Wagner – 8 July 1850 – Hanged in front of Brisbane Gaol for the murder of James Marsden at Gigooman\n Angee (An Gee) – 6 January 1852 – Chinese. Hanged in front of Brisbane Gaol for the murder of James Holbert in the Burnett district\n Davy – 22 August 1854 – Indigenous. Hanged in front of Brisbane Gaol for the murder of Adolphus Trevethan on Rawbelle station in the Burnett district\n Dundalli – 5 January 1855 – Indigenous. Hanged in front of Brisbane Gaol for the murders of Andrew Gregor and William Boller. This was the last official public execution in Queensland\n William Teagle - 28 July 1857 - Hanged at Brisbane Gaol for the murder of his wife Mary Leighton at Drayton\n Chamery - 4 August 1859 - Indigenous. Hanged at Brisbane for the rape of Mary Treatroff at Dugandan\n Dick - 4 August 1859 - Indigenous. Hanged at Brisbane for the rape of Mary Treatroff at Dugandan\n\n1860s\n Thomas Woods - 7 December 1860 - Hanged at Brisbane for the murder of Gabriel Morell at Coonambula\n Georgie – 12 Dec 1861 – Indigenous. Hanged at Brisbane for the rape of Bridget Ryan at Little Ipswich\n Tommy - 2 April 1862 - Chinese, real name not recorded. Hanged at Brisbane for the murder of George Lang at Nebo\n Matthew McGuinness - 8 April 1862 - Hanged at Brisbane for the murder of a shepherd named Schaff between Gayndah and Mundubbera\n Alexander Ritchie – 1 August 1864 – Hanged at Toowoomba Gaol for the murder of Charles Owen at Yandilla\n Jackey - 3 November 1865 - Indigenous. Hanged at Brisbane for the murder of Ann Mee at Degilbo\n Rudolf Mornberger - 13 December 1865 - German. Hanged at Brisbane for the murder of Heinrich Bode on the Logan River\n Thomas John Griffin – 1 June 1868 – Police officer and gold commissioner hanged at Rockhampton Gaol for the murder of troopers John Power and Patrick Cahill on the banks of the Mackenzie River while they were on duty escorting a large sum of money from Rockhampton to Clermont\n Billy - 7 December 1868 - Indigenous. Hanged at Brisbane for the rape of Mary Thompson at Tivoli\n Jacob - 17 May 1869 - Indigenous. Hanged at Brisbane for the rape of Jane Knott and Amelia Reichmann at Ideraway\n John Williams – 24 November 1869 – Hanged at Rockhampton for the murder of Patrick Halligan at Eight Mile Island\n George C.F. Palmer – 24 November 1869 – Hanged at Rockhampton for the murder of Patrick Halligan at Eight Mile Island\n Alexander Archibald – 22 December 1869 – Hanged at Rockhampton for abetting the murder of Patrick Halligan at Eight Mile Island.\n\n1870s\n Gee Lee – 7 March 1870 – Chinese. Hanged at Toowoomba for the murder of Louis Vernon at Caroline sheep station on the Burenda run, in the Warrego district.\n Jacky Whitton – 7 March 1870 – Indigenous. Hanged at Toowoomba for the rape of thirteen-year-old Henrietta Reiss at Bodumba station near Warwick.\n William Prendergast – 28 March 1870 – Hanged at Brisbane for the murder of Patrick Hartnett at Fortitude Valley.\n William Brown (or Bertram) – 29 August 1870 – Hanged at Toowoomba for robbery under arms at Mangalore.\n Donald Ross – 21 November 1870 – Hanged at Rockhampton for the murder of George Rose at Springsure.\n George – 15 May 1871 – Indigenous. Hanged at Rockhampton for the rape of Ellen Manning at Gracemere.\n Dugald - 28 May 1872 - Indigenous. Hanged at Brisbane for the rape of twelve-year-old Catherine Hutchinson south of Gympie.\n Patrick Collins - 29 May 1872 - Hanged at Brisbane for the murder of Simon Zieman at Gunde Gunda Creek near Surat.\n John Garbett - 10 March 1874 - Hanged at Brisbane for the murder of Tom Conroy at Taroom.\n Alick (alias Johnny) - 29 December 1874 - Pacific Islander. Hanged at Brisbane for the rape of eleven-year-old Gertrude Brauer at Doughboy Creek.\n Johnny Clayson – 14 April 1875 – Indigenous. Hanged at Rockhampton for the rape of Johanna Kopp at Palmerville.\n Johann (John) Wenzell - 29 August 1876 - German. Hanged at Brisbane for the murder of Joel Martin at Gabbinbar, Toowoomba.\n George - 18 May 1877 - Pacific Islander. Hanged at Maryborough Gaol for the rape of Mrs McBride.\n Tommy Ah Mow – 18 May 1877 – Pacific Islander. Hanged at Maryborough for the rape of Mrs. McBride.\n James Cunningham - 14 January 1878 - Hanged at Brisbane for the murder of Frank Steinebecker near Cairns.\n Sam Ah Poo - 19 August 1878 - Chinese. Hanged at Brisbane for the murder of M. Fisher McMichael at Bundaleer Plains, near Noorama.\n Ervora (alias Johnny) - 23 December 1878 - Pacific Islander. Hanged at Brisbane for the murder of Charles \"the Swede\" Andrews near Tambo.\n Joseph Mutter - 9 June 1879 - German. Hanged at Brisbane for the murder of Maria Josephina Steffen at Ravenswood. \"When the drop fell the convict's head was completely severed from the body. The executioner attributed this horrible result to the hard condition of the rope, caused by the frost\".\n\n1880s\n Joseph Wells - 22 March 1880 - Hanged at Brisbane for armed robbery and attempted murder at Cunnamulla\n James Elsdale (alias Munro) - 31 May 1880 - Hanged at Brisbane for the murder of Michael McEvoy at Belltopper Creek, Aramac\n Jimmy Ah Sue - 31 May 1880 - Chinese. Hanged at Brisbane for the murder of Ah Coo Wah at Copperfield (Clermont)\n Maximus 'Pedro' Gomez - 21 June 1880 - Filipino. Hanged at Brisbane for the murder of William Clarke on Possession Island (Bedanug), Torres Strait\n Kagariu (Johnny Campbell) - 16 August 1880 - Indigenous. Bushranger. Hanged at Brisbane for the rape of Jane MacAlister at Kipper Creek, Northbrook\n Ah Que - 12 December 1881 - Chinese. Hanged at Brisbane for the murder of Ah Wah and Geon Ching at Palmerville\n George Byrne - 22 May 1882 - Hanged at Brisbane for the rape of Susan Isaacs in Elizabeth Street, Brisbane\n Towolar (Jemmy) - 5 June 1882 - From Ambae, New Hebrides. Hanged at Brisbane for the murder of Jeremiah Worth at Bundaberg\n Jango – 15 October 1883 – Indigenous. Hanged at Boggo Road Gaol for the murder of Eliza Mills at Dingo. He was sixteen at the time of his crime\n George – 15 October 1883 – Indigenous. Hanged at Boggo Road Gaol for the rape of thirteen-year-old Johanna Anderson at Gracemere\n James Gardiner (alias McMahon) – 15 October 1883 – Hanged at Boggo Road Gaol for the murder of 'German Ada' at Rockhampton\n Walter Edward Gordon – 25 October 1885 – Hanged at Boggo Road Gaol for the murder of Walter Bunning near Rockhampton\n Tim Tee – 5 April 1886 – Chinese. Hanged at Boggo Road Gaol for the murder of Jimmy Ah Fook at Dulvadilla\n Wong Tong – 21 June 1886 – Chinese. Hanged at Boggo Road Gaol for the murder of Kok Tow near Bundaberg\n Christopher Pickford – 30 May 1887 – Hanged at Boggo Road Gaol for the murder of Martin Emmerson at Ravenswood Junction\n John Harrison – 13 June 1887 – Hanged at Boggo Road Gaol for the murder of William Thompson\n Ellen Thompson – 13 June 1887 – Hanged at Boggo Road Gaol for the murder of her husband William. She was the only woman hanged in Queensland\n Sedin - 12 November 1888 - Malay. Hanged at Boggo Road Gaol for the murder of John Fitzgerald and Christian Meyriga at Normanton\n Edmond Duhamel - 12 November 1888 - Hanged at Boggo Road Gaol for the murder of Sarah Ann Descury at Croydon\n\n1890s\n Michael Barry – 2 June 1890 – Hanged at Rockhampton (Wandal) for the murder of his wife Mary. He was the last person to be hanged in Queensland outside of Brisbane\n Donald – 25 April 1892 – Indigenous. Hanged at Boggo Road Gaol for the rape of Eva Scott at Hornet Bank Station near Taroom\n Frank Charles Horrocks – 26 September 1892 – Hanged at Boggo Road Gaol for the murder of Rudolph Weissmüller at Mooraree near Brisbane \n Charles Gleeson – 24 October 1892 – Hanged at Boggo Road Gaol for the murder of Patrick McKiernan at Prince of Wales Island (Muralug), Torres Strait\n Leonardo William Moncado – 24 October 1892 – Hanged at Boggo Road Gaol for the murder of Bob, an Indigenous cabin-boy, on board the Northern coastal trading vessel Sketty Belle\n George Thomas Blantern – 23 October 1893 – Hanged at Boggo Road Gaol for the murder of Flora McDonald at Marlborough Station\n Hatsuro Abe – 28 May 1894 – Japanese. Hanged at Boggo Road Gaol for the murder of a Japanese widow, Omatzie, on Thursday Island\n Miore - 20 May 1895 - Pacific Islander. Hanged at Boggo Road Gaol for the murder of Francis Macartney at Avondale. See Narasemai below\n Narasemai – 20 May 1895 – Pacific Islander. Hanged at Boggo Road Gaol for the murder of Francis Macartney at Avondale\n Sayer (also called Safhour) – 22 July 1895 – Hanged at Boggo Road Gaol for the murder of Peter Anderson near Etowrie near Mackay.\n Jackey – 4 November 1895 – Indigenous. Hanged at Boggo Road Gaol for the murder of Jacky Williams near Mount Morgan. \n Frank Tinyana – 4 November 1895 – Filipino. Hanged at Boggo Road Gaol for the attempted murder of his wife Amelia and the murder of Constable William Conroy on Thursday Island.\n\n1900 onwards\n William Broome – 11 June 1900 – Indigenous. Hanged at Boggo Road Gaol for the murder of Mary Le Blowitz near Bundaberg\n Charles Beckman – 13 May 1901 – Hanged at Boggo Road Gaol for the murder of Alfred Anderson at Bowen\n Wandee (or Wantee) – 27 May 1901 – Pacific Islander. Hanged at Boggo Road Gaol for the murder of Alfred Burnstead near Townsville\n John Rheuben – 30 September 1901 – Hanged at Boggo Road Gaol for the murder of Fanny Hardwick at Rockhampton\n Arafau (or Orifough) – 3 December 1901 – Pacific Islander. Hanged at Boggo Road Gaol for the murder of Morris Summers near Farleigh\n David Alexander Brown - 9 December 1901 - Hanged at Boggo Road Gaol for the murder of Graham Haygarth at Charters Towers\n Patrick Kenniff – 12 January 1903 – Hanged at Boggo Road Gaol for the murder of Constable George Doyle at Lethbridge's Pocket near Carnarvon\n Sow Too Low (or Sotulo) – 22 June 1903 – From Malaita (now part of Solomon Islands). Hanged at Boggo Road Gaol for the murder of John Martin and Sergeant David Johnston at Mackay Gaol. He was also thought responsible for the murder of 12-year-old Alice Gunning near Mackay \n Gosano (also called 'Kanalso called Charlie') – 17 April 1905 – From Malaita (now part of Solomon Islands). Hanged at Boggo Road Gaol for the murder of John Parsons at Ingham \n James Wharton – 17 July 1905 – Hanged at Boggo Road Gaol for the murder of William Munday at Toowong \n Johannes – 14 May 1906 – From Ceylon (Sri Lanka). Hanged at Boggo Road Gaol for the murder of Constable Albert Price \n Twadiga – 14 May 1906 – From Gawa Island (now in Papua New Guinea). Hanged at Boggo Road Gaol for the murder of five-year-old William Baulch, at Homebush, near Mackay \n Look Kow (or Lee Kow) – 31 December 1906 – Chinese. Hanged at Boggo Road Gaol for the murder of Lee Chay Yuen in Townsville \n August Millewski – 16 December 1907 – Hanged at Boggo Road Gaol for the murder of an Indian man, Wallum Nabby, near Nananga \n Bismarck – 19 April 1909 – Indigenous. Hanged at Boggo Road Gaol for the murder of Janet Evitts at Jundah\n Arthur Ross – 7 June 1909 – Hanged at Boggo Road Gaol for the murder of bank clerk James Muir\n Alexander Joseph Bradshaw – 13 June 1910 – Hanged at Boggo Road Gaol for the murder of George and Alice Sutherland at Carron River, near Croydon\nGeorge David Silva – 10 June 1912 – Hanged at Boggo Road Gaol for the murder of seventeen-year-old Maud Ching at Alligator Creek, near Hay Point. On the same occasion he also murdered Maud's younger siblings Teddy, Dolly, Hugh and Winnie, and their mother Agnes\n Charles Deen - 5 May 1913 - From Ceylon (Sri Lanka). Hanged at Boggo Road Gaol for the murder of Peter Dana (Dina, Dinna) at Innisfail\nErnest Austin- 22 September 1913 – Hanged at Boggo Road Gaol for the murder of Ivy Alexandra Mitchell. He was the last person executed in Queensland\n\nSouth Australia\n\n1830s to 1850s\nMichael Magee – 2 May 1838 – The first public execution in South Australia. A runaway convict, hanged from a tree on Montefiore Hill for shooting at with intent to kill Sheriff Smart\nWang Nucha (Tommy Roundhead) – 31 May 1839 – Hanged in front of the government iron stores (very close to the site of Magee's hanging) for the murder of James Thompson on the Para\nYerr-i-Cha (George) – 31 May 1839 – Hanged for the murder of William Duffield in the Gilles Plains area\nGeorge Hughes – 16 March 1840 – Hanged outside the Horse Police Barracks for theft and firing with murderous intent at the Para River\nHenry Curran – 16 March 1840 – Hanged outside the Horse Police Barracks for theft and firing with murderous intent at the Para River\nMongarawata – 25 August 1840 – Hanged by Major O'Halloran on the Coorong in retribution for the massacre of over fifteen passengers wrecked on the Maria\nPilgarie (Moorcan-gac) – 25 August 1840 – Hanged by Major O'Halloran on the Coorong in retribution for the massacre of fifteen passengers wrecked on the Maria\nJoseph Stagg – 18 November 1840 - Hanged for the murder of John Gofton near Torrens Island. The first public execution to be conducted outside Adelaide Gaol, with a crowd of roughly seven hundred in attendance.\nNgarbi (Nultia) – 1 August 1843 – Hanged outside Adelaide Gaol for the murder of Elizabeth Stubbs at Port Lincoln\nWera Maldera – 28 March 1845 – Hanged outside Adelaide Gaol for the murder of George McGrath at McGrath's Flat, on the Coorong\nThomas Donnelly – 29 March 1847 – Hanged outside Adelaide Gaol for the murder of Kingberrie, an indigenous local, at Rivoli Bay\nKeelgulla – 9 November 1849 – Hanged at the scene of the crime for the murder of Captain James Beevor at Mount Drummond\nNeulalta – 9 November 1849 – Hanged at the scene of the crime for the murder of Captain James Beevor at Mount Drummond\nJames Yates – 5 September 1850 – Hanged outside Adelaide Gaol for the murder of a shepherd named Jack Mansforth at Skillagolee Creek\nWilliam Wright – 12 March 1853 – Hanged outside Adelaide Gaol for the murder of a man known as Robert Head, committed at East Wellington\nWilliam Bell – 27 December 1854 – Hanged outside Adelaide Gaol for the murder of Augustus Valrecht at Port Adelaide. This was the last public execution at Adelaide Gaol, with approximately three thousand onlookers. \nWeenpulta – 14 January 1856 – Hanged at Franklin Harbour for the murder of Peter Brown\nWeellanna – 14 January 1856 – Hanged at Franklin Harbour for the murder of Peter Brown\nYardulunulkarna – 14 January 1856 – Hanged at Franklin Harbour for the murder of Peter Brown\nEelanna – 14 January 1856 – Hanged at Franklin Harbour for the murder of Peter Brown\n\n1860s to 1890s\nManyetta – 5 October 1860 – Hanged at Streaky Bay for the murder of John Jones at Mount Joy\nPilti Miltinda (Bobby) – 7 June 1861 – Hanged at Adelaide Gaol for the murder of Mary Ann Rainberd (sometimes Reinbert) and her two children near Kapunda\nTankaworty (Alick or Jimmy) – 7 June 1861 – Hanged at Adelaide Gaol for the murder of Mary Ann Rainberd and her two children near Kapunda\nWarretya (Kop Robert) – 7 June 1861 – Hanged at Adelaide Gaol for the murder of Mary Ann Rainberd and her two children near Kapunda\nWarretya (Gogeye Jimmy) – 7 June 1861 – Hanged at Adelaide Gaol for the murder of Mary Ann Rainberd and her two children near Kapunda\nNilgerie – 1861 – Hanged near the scene of the crime at Fowler's Bay for the murder of Thomas Berggoist\nTilcherie – 1861 – Hanged near the scene of the crime at Fowler's Bay for the murder of Thomas Berggoist\nMangiltie – 1861 – Hanged at Port Lincoln for the murder of Margaret Impey (Impett) at Mount Wedge\nKarabidnie – 1861 – Hanged at Port Lincoln for the murder of Margaret Impey at Mount Wedge\nJohn Seaver – 11 March 1862 – Hanged at Adelaide Gaol for the murder of Police Inspector Richard Pettinger at a ball at Government House, Adelaide\nMagnultie – 1862 – Hanged at Venus Bay for the murder of William Walker near Cherado\nMalachi Martin – 24 December 1862 – Hanged at Adelaide Gaol for the murder of Jane Macmanamin at Salt Creek\nCarl Jung – 10 November 1871 – Hanged at Mount Gambier for the murder of Assistant Bailiff Thomas Garraway at Deep Gully, near Mount Gambier\nElizabeth Woolcock – 30 December 1873 – Hanged at Adelaide Gaol for the murder of Thomas Woolcock at North Yelta. The only woman executed in South Australia. \nWilliam Ridgeway – 1 January 1874 – Hanged at Adelaide Gaol for the murder of Frederick Burt at Coonatto\nWilliam Page – 27 October 1875 – Hanged at Mount Gambier for the murder of Mary Julia Buchan\nCharles Streitman - 24 July 1877 - Hanged at Adelaide Gaol for the murder of Robert Woodhead at Wallaroo\nHugh Fagan (alias James Lynch) - 15 April 1878 - Hanged at Adelaide Gaol for the murder of Patrick Bannon at Saltire\nJonathan Prest - 16 July 1878 - Hanged at Adelaide Gaol for the murder of his wife Mary Prest near Port Adelaide\nRobert Johnson (alias William Nugent) – 18 November 1881 – Hanged at Mount Gambier for the murder of Trooper Harry Pearce\nWilliam Burns – 18 January 1883 – Hanged at Adelaide Gaol for the murder of Henry Loton on the high seas, off the Cape Verde Islands. \"While waiting his doom, he formed an attachment to a young sparrow, which he tamed perfectly. He was greatly affected by the sight of the bird flitting about the scaffold while the preparations for his execution were in progress\"\nMah Poo (alias Charlie Bow) – 10 November 1883 – Hanged at Adelaide Gaol for the murder of Tommy Ah Fook in Hindley Street\nWilliam Brown (alias Allen, alias Lane)– 24 August 1894 – Hanged at Adelaide Gaol for the murder of George Morowsky at Waukaringa \nGeorge Lynch – 6 November 1895 – Hanged at Adelaide Gaol for the murder of Donald Ross at Balaklava \nJoshua Beard – 10 July 1897 – Hanged at Adelaide Gaol for the murder of Walter Hall at Streaky Bay\n\n1900 onwards\nLolli Kayser Singh – 17 January 1900 – Hanged at Adelaide Gaol for the murder of Sunda Singh at Denial Bay\nThomas Horton – 12 May 1904 - Hanged at Adelaide Gaol for the murder of his wife Florence in Rundle Street\nAlbert Bonfield – 5 January 1905 – Hanged at Adelaide Gaol for the murder of Caroline Hinds at Kensington Gardens\nNotella Habibulla – 16 November 1906 – Hanged at Adelaide Gaol for the murder of his wife Edith in Bristol Street (off Cardwell St)\nJames (Joe) Coleman – 2 July 1908 – Hanged at Adelaide Gaol for the murder of Constable Albert Ring at Glenelg\nJohn Robins – 16 March 1910 – Hanged at Adelaide Gaol for the murder of Robert Ownsworth in Moonta St Adelaide\nHadji Khan – 5 April 1910 – Hanged at Adelaide Gaol for the murder of Said Mahommed at Frome Creek\nCarlos Augustus Bonello – 5 May 1910 – Hanged at Adelaide Gaol for the murder of Norma Plush at Siegersdorf\nPercival Budd – 24 April 1919 – Hanged at Adelaide Gaol for the murder of Harold Jacques at Crystal Brook\nAlexander Newland Lee – 15 July 1920 – Hanged at Adelaide Gaol for the murder of his wife Muriel at Rhynie. Lee was the nephew of Martha Needle\nWilliam Francis – 22 November 1927 – Hanged at Adelaide Gaol for the murder of his wife Myra at Rosaville, Mount Gambier\nWilliam Haines – 16 December 1927 – Hanged at Adelaide Gaol for the murder of Devina Schmidt at Bridgewater\nFrederick Carr – 12 November 1929 – Hanged at Adelaide Gaol for the murder of his wife Maude at Birkenhead\nThomas Blythe – 9 January 1930 – Hanged at Adelaide Gaol for the murder of his wife Sarah at Unley\nHarold James Box – 26 April 1944 – Hanged at Adelaide Gaol for the murder of Albert Edmund (Lance) Brown at Gawler Place, Adelaide\nCharles O'Leary – 14 November 1946 – Hanged at Adelaide Gaol for the murder of Walter 'Spoggy' Ballard at Nangwarry, near Penola\nAlfred Griffin – 22 March 1950 – Hanged at Adelaide Gaol for the murder of Elsie Wheeler at a Hutt Street boarding house\nJohn Balaban – 26 August 1953 – Murdered at least four people. Hanged at Adelaide Gaol for the murder of Zora Kusic at Torrensville\nWilliam Feast – 23 March 1956 – Hanged at Adelaide Gaol for the murder of Eunice Gwynne at Wingfield\nRaymond John Bailey – 24 June 1958 – Convicted for the Sundown Murders. Hanged at Adelaide Gaol for the murder of Thyra Bowman\nGlen Sabre Valance – 24 November 1964 – Hanged at Adelaide Gaol for the murder of Richard Stang at Kooroon Station. Last person to be executed in South Australia.\n\nTasmania\n\n1800s to 1810s\nThomas England - April 1806 - Private of 102nd Regiment, hanged at Port Dalrymple for his part in theft from Government Stores at Port Dalrymple on 18 Jan 1806.\nJames Keating - 14 April 1806 - Hanged at Hobart for his part in theft from Government Stores at Port Dalrymple on 18 Jan 1806.\nTerence Flynn - 14 July 1810 - Hanged in the Queenborough district (Sandy Bay) for murder\nJob Stokes - 14 July 1810 - Hanged in the Queenborough district for housebreaking\nJohn McCabe - 21 January 1813 - Hanged at Hobart for robbery of William Parish\nJohn Townshend - 21 January 1813 - Hanged at Hobart for robbery of William Parish\nPeter Gory - 21 January 1813 - Hanged at Hobart for robbery of William Parish\nWilliam Stephens (Steel) - 25 May 1815 - Hanged at Hobart for bushranging\nThomas Mauley - 6 June 1815 - Hanged at Hobart for murder\nRichard McGuire (McGwire) - June 1815 - Hanged at Hobart for his part in the murder of William Carlisle and James O'Byrne at New Norfolk\nHugh Byrne - June or early July 1815 - Hanged at Hobart for his part in the murder of William Carlisle and James O'Byrne at New Norfolk\nRichard Collyer - 26 January 1818 - Hanged on the New Town road, Hobart, for the murder in 1815 of Carlisle and O'Byrne at New Norfolk\nGeorge Gray - 11 June 1818 - Hanged at Hobart for murder of John Evans (real name Charles Bell) at York Plains\nWilliam Trimm - 11 June 1818 - Hanged at Hobart for sheep-stealing in the Richmond district\n\n1820 to 1822\nThomas Bailey - 28 July 1820 - Hanged at Hobart for sheep stealing\nJohn Brady - 28 July 1820 - Hanged at Hobart for sheep stealing\nRobert Hunter - 28 April 1821 - Publicly hanged at scaffold erected at the top of Macquarie Street, Hobart Town, for robbery of Alfred Thrupp's property at Risdon\nEdward Brady - 28 April 1821 - Hanged at Hobart for robbery of Alfred Thrupp's property at Risdon\nJames Flynn - 28 April 1821 - Hanged at Hobart for robbery of Alfred Thrupp's property at Risdon\nJoseph Potaski - 28 April 1821 - Hanged at Hobart for robbery of Alfred Thrupp's property at Risdon\nJohn Oliver - 28 April 1821 - Hanged at Hobart for cattle-stealing\nJohn McGuinness – 28 April 1821 – Hanged at Hobart for sheep-stealing\nMichael Riley – 28 April 1821 – Hanged at Hobart for bushranging\nThomas Kenny – 28 April 1821 – Hanged at Hobart for bushranging\nJohn Higgins – 28 April 1821 – Hanged at Hobart for bushranging \nJohn Hill – 28 April 1821 – Hanged at Hobart for bushranging\nJohn Morell – 30 May 1821 – Hanged at Launceston for stealing in the Norfolk Plains district\nDaniel McCarthy – 30 May 1821 – Hanged at Launceston\nRobert Gillaird – 30 May 1821 – Hanged at Launceston\nWilliam Lloyd – 30 May 1821 – Hanged at Launceston\nPatrick Kane – 30 May 1821 – Hanged at Launceston\nWilliam Hyder – 3 June 1821 – Hanged at George Town for diverse robberies in the Paterson's Plains district\nJames Norris – 3 June 1821 – Hanged at George Town\nEdward McCracken – 3 June 1821 – Hanged at George Town\nThomas Gutteridge – 3 June 1821 – Hanged at George Town for stealing at Norfolk Plains\nWilliam Smith - 25 April 1822 - Publicly hanged at the Cascade end of Macquarie Street, Hobart, for sheep stealing.\nJohn Williams - 25 April 1822 - Publicly hanged at the Cascade end of Macquarie Street, Hobart, for sheep stealing.\n\n1823 to 1824\nJames Smith – 12 April 1823 – Hanged at Hobart for sheep-stealing. (Smith actually cheated the hangman by \"suspending himself by a silk handkerchief from a bar...in the room in which he was confined\")\nGeorge Richardson – 14 April 1823 – Hanged at Hobart for sheep-stealing\nRobert Oldham – 14 April 1823– Hanged at Hobart for sheep-stealing \nWilliam Davis – 14 April 1823 – Hanged at Hobart for sheep-stealing \nRalph Churlton – 14 April 1823 – Hanged at Hobart for sheep-stealing\nAlexander Pearce – 19 July 1824 – Murderer and cannibal. Hanged at Hobart\nThomas Butler – 22 July 1824 – Hanged at Hobart for bushranging and robberies\nPatrick Connolly – 22 July 1824 – Hanged at Hobart for bushranging and robberies\nJames Tierney – 22 July 1824 – Hanged at Hobart for bushranging and robberies\nIsaac Walker – 22 July 1824 – Hanged at Hobart for bushranging and robberies\nJohn Thomson – 22 July 1824 – Hanged at Hobart for bushranging and robberies\nGeorge Gardner - 8 September 1824 - Hanged at George Town for killing a steer with intent to steal \nArthur Dicker - 8 September 1824 - Hanged at George Town for killing a steer with intent to steal \nThomas Taylor - 8 September 1824 - Hanged at George Town for the murder of John Street at Abbotsfield\nLuke Fowler - 8 September 1824 - Hanged at George Town for the murder of John Street at Abbotsfield\nCharles Kimberley - 8 September 1824 - Hanged at George Town for the murder of Judith Burke\nJames Crawford - 8 September 1824 - Hanged at George Town for robbery and putting in fear\nJohn Bimms - 8 September 1824 - Hanged at George Town for robbery and putting in fear\nJob Corfield – 8 September 1824 – Hanged at George Town for robbery and putting in fear\nMatthew Stephenson - 15 September 1824 - Hanged at George Town for robbery and putting in fear\nJohn Twiggs - 15 September 1824 - Hanged at George Town for robbery and putting in fear\n\n1825 to 1826\nThomas Hudson – 28 January 1825 – Hanged at Macquarie Harbour for the murder of Robert Esk\nRichard Allen – 28 January 1825 - Hanged at Macquarie Harbour for the murder of William Saul at Birch's Bay\nFrancis Oates – 28 January 1825 - Hanged at Macquarie Harbour for the murder of James Williamson\nHenry McConnell – 25 February 1825 – Hanged at Hobart for robbery\nJeremiah Ryan – 25 February 1825 – Hanged at Hobart for murder and robbery\nCharles Ryder – 25 February 1825 – Hanged at Hobart for murder and robbery\nJames Bryant – 25 February 1825 – Hanged at Hobart for murder and robbery\nBlack Jack (or Jack Roberts) – 25 February 1825 – Indigenous. Hanged at Hobart for the murder of Patrick McCarthy\nMusquito – 25 February 1825 – Indigenous (Eora). Hanged at Hobart for a murder at Grindstone Bay\nPeter Thackery – 25 February 1825 – Hanged at Hobart for bushranging and robbery\nJohn Logan – 25 February 1825 – Hanged at Hobart for attempted shooting murder of William Shoobridge. The victim was saved because the bullet struck a ruler in his pocket.\nSamuel Fielding – 26 February 1825 – Hanged at Hobart for sheep-stealing\nJames Chamberlain – 26 February 1825 – Hanged at Hobart for sheep-stealing\nStephen Lear – 26 February 1825 – Hanged at Hobart for burglary at the Surveyor-General's\nHenry Fry – 26 February 1825 – Hanged at Hobart for burglary at the Surveyor-General's \nJohn Reid Riddel – 31 August 1825 – Hanged at Hobart for murder of George Fildes in Goulburn St. He confessed to the murder of both his ex-wives.\nThomas Peacock – 31 August 1825 – Hanged at Hobart for murder of Constable Craggs \nWilliam Buckley – 31 August 1825 – Hanged at Hobart for bushranging and robbery\nJoseph Broadhead – 31 August 1825 – Hanged at Hobart for bushranging and robbery\nJohn Everiss – 31 August 1825 – Hanged at Hobart for bushranging and robbery\nJohn Godliman – 7 September 1825 – Hanged at Hobart for the murder of Samuel Hunt at Fourteen-Tree Plain, near Jericho.\nJonas Dobson – 12 December 1825 – Hanged at Hobart for murder of his overseer\nJohn Johnson – 6 January 1826 - Hanged at Hobart for burglary at Mr. Barnes' \nSamuel Longman – 6 January 1826 – Hanged at Hobart for burglary\nCharles Wigley – 6 January 1826 – Hanged at Hobart for burglary\nJames Major – 6 January 1826 – Hanged at Hobart for stealing an ox\nWilliam Pollock – 6 January 1826 – Hanged at Hobart for sheep-stealing\nGeorge Harden – 6 January 1826 – Hanged at Hobart for sheep-stealing\nWilliam Preece – 6 January 1826 – Hanged at Hobart for robberies and bushranging\nJames McCabe – 7 January 1826 – Hanged at Hobart for murder, robberies and bushranging\nRichard Brown – 7 January 1826 – Hanged at Hobart for sheep-stealing\nJames Brown – 7 January 1826 – Hanged at Hobart for sheep-stealing\nJohn Green – 7 January 1826 – Hanged at Hobart for sheep-stealing\nThomas Bosworth – 7 January 1826 – Hanged at Hobart for stealing a boat\nRichard Miller – 7 January 1826 – Hanged at Hobart for stealing a boat\nRichard Craven – 7 January 1826 – Hanged at Hobart for stealing a boat\nJames Eales – 17 February 1826 – Hanged at Hobart for sheep-stealing and robbery\nWilliam Eales – 17 February 1826 – Hanged at Hobart for sheep-stealing and robbery\nMatthew Brady – 4 May 1826 – Hanged at Hobart for Murder, robberies and bushranging\nPatrick Bryant – 4 May 1826 – Hanged at Hobart for Murder, robberies and bushranging\nThomas Jeffries – 4 May 1826 – Hanged at Hobart for Murder, robberies and bushranging\nJohn Perry – 4 May 1826 – Hanged at Hobart for Murder, robberies and bushranging\nJohn Thompson – 4 May 1826 – Hanged at Hobart for the murder of Margaret Smith at the Watch-House\nSamuel Hodgetts – 5 May 1826 – Hanged at Hobart for Murder, robberies and bushranging\nJames McKenney – 5 May 1826 – Hanged at Hobart for Murder, robberies and bushranging\nJames Goodwin – 5 May 1826 – Hanged at Hobart for Murder, robberies and bushranging\nJohn Gregory – 5 May 1826 – Hanged at Hobart for Murder, robberies and bushranging\nWilliam Tilley – 5 May 1826 – Hanged at Hobart for Murder, robberies and bushranging\nWilliam Brown – 5 May 1826 – Hanged at Hobart for Murder, robberies and bushranging\nThomas Dunnings – 13 September 1826 – Hanged at Hobart for the murder of Alexander Simpson at Pittwater\nEdward Everett – 13 September 1826 – Hanged at Hobart for the murder of Alexander Simpson at Pittwater\nWilliam Smith – 13 September 1826 – Hanged at Hobart for the murder of Alexander Simpson at Pittwater\nJohn Taylor – 13 September 1826 – Hanged at Hobart for absconding from Macquarie Harbour and robbing soldiers of their arms\nGeorge Watters – 13 September 1826 – Hanged at Hobart for absconding from Macquarie Harbour and robbing soldiers of their arms \nJack – 13 September 1826 – Indigenous. Hanged for the murder of Thomas Colley at Oyster Bay. Jack was kept apart before the execution as he was suffering from leprosy.\nDick – 13 September 1826 – Indigenous. Hanged for the murder of Thomas Colley at Oyster Bay\nGeorge Brace – 15 September 1826 – Hanged at Hobart for robbery and bushranging\nJohn McFarlane – 15 September 1826 – Hanged at Hobart for absconding into the woods and robbing William Holdship at Browns River\nJames Edwards – 15 September 1826 – Hanged at Hobart for absconding into the woods and robbing William Holdship at Browns River\nThomas Balfour – 15 September 1826 – Hanged at Hobart for absconding into the woods and robbing William Holdship at Browns River\nJohn Dadd – 15 September 1826 – Hanged at Hobart for burglary at Ross\nJohn Clark – 15 September 1826 – Hanged at Hobart for burglary at Ross\nPatrick Brown – 15 September 1826 – Hanged at Hobart for sheep-stealing\nJohn Pearson (Penson) – 18 September 1826 – Hanged at Hobart for burglary from Richard Worley, butcher, Elizabeth St\nJames Rowles – 18 September 1826 – Hanged at Hobart for robbing his employer John Dunn's shop, Elizabeth St\nTimothy Swinscow – 18 September 1826 – Hanged at Hobart for robbing Mrs. Till at New Norfolk\nWilliam Wickens – 18 September 1826 – Hanged at Hobart for robbing Mrs. Till at New Norfolk\nGeorge Farquharson – 18 September 1826 – Hanged at Hobart for sheep-stealing at Jericho\nRobert Cable – 18 September 1826 – Hanged at Hobart for sheep-stealing from the Sherwin flock on the Clyde\nThomas Savell – 18 September 1826 – Hanged at Hobart for sheep-stealing from David Lord in the Pitt Water district\nJohn Davis – 18 September 1826 – Hanged at Hobart for sheep-stealing from David Lord in the Pitt Water district\nJohn Cruitt – 18 September 1826 – Hanged at Hobart for sheep-stealing from David Lord in the Pitt Water district\n\n1827\nRobert Grant - 8 January 1827 - Hanged at Hobart for sheep stealing from Edmund Bryant near Jericho\nGeorge Bentley - 8 January 1827 - Hanged at Hobart for sheep stealing from Edmund Bryant near Jericho\nWilliam Crest - 8 January 1827 - Hanged at Hobart for sheep stealing from Edmund Bryant near Jericho\nWilliam Evans - 8 January 1827 - Hanged at Hobart for assault and robbery at New Town of John Sayers 'the broom-maker'.\nPeter Rice - 8 January 1827 - Hanged at Hobart for shooting at John Swift in Murray Street, Hobart\nPatrick Dunne - 8 January 1827 - Bushranger. Hanged at Hobart for armed robbery at Kingston\nCharles Burgh - 9 January 1827 - Hanged at Hobart for horse stealing\nHenry Strong - 9 January 1827 - Hanged at Hobart for escaping, bushranging and robbery\nMichael Brown - 9 January 1827 - Hanged at Hobart for escaping, bushranging and robbery\nGeorge Ellis - 9 January 1827 - Hanged at Hobart for escaping, bushranging and robbery\nWilliam Birt - 9 January 1827 - Hanged at Hobart for escaping, bushranging and robbery\nWilliam Hoadley - 9 January 1827 - Hanged at Hobart for escaping, bushranging and robbery\nWilliam Tuffnell - 19 February 1827 - Hanged at Launceston for the rape of nine-year-old Ellen Briggs\nRichard Gill - 19 February 1827 - Hanged at Launceston for burglary\nEdward Howe - 19 February 1827 - Hanged at Launceston for highway robbery near Scottsdale\nJoseph Horsefield - 19 February 1827 - Hanged at Launceston for burglary\nJames Gurd - 19 February 1827 - Hanged at Launceston for burglary in the Norfolk Plains district\nWilliam Ashford - 19 February 1827 - Hanged at Launceston for burglary in the Norfolk Plains district\nAndrew Winchester - 19 February 1827 - Hanged at Launceston for burglary in the Macquarie River district\nWilliam Haywood - 19 February 1827 - Hanged at Launceston for the murder of Christopher McRae at Lake River \nHenry Oakley – 3 July 1827 - Hanged at Hobart for burglary from Mr Brodie on the Clyde\nThomas Bidwell Child – 3 July 1827 – Hanged at Hobart for forgery\nJohn Wright – 3 July 1827 – Hanged at Hobart for robbery at Old Beach\nJohn Clayton – 3 July 1827 – Hanged at Hobart for sheep-stealing\nGeorge Dunning – 3 July 1827 – Hanged at Hobart for sheep-stealing\nWilliam Longhurst – 3 July 1827 – Hanged at Hobart for sheep-stealing\nDaniel McPherson – 3 July 1827 – Hanged at Hobart for burglary of the home of Henry Bye, North Hobart\nMartin Higgins – 3 July 1827 – Hanged at Hobart for \"stealing in a dwelling house at noon-day\" from Henry Bye, North Hobart\nJames Horsefield - 23 August 1827 - Bushranger. Hanged at Hobart for armed robbery at Stanfield's, Ralph's Bay\nGeorge Metcalfe - 23 August 1827 - Bushranger. Hanged at Hobart for armed robbery at Stanfield's, Ralph's Bay\nJames Coates - 23 August 1827 - Bushranger. Hanged at Hobart for armed robbery at Stanfield's, Ralph's Bay\nJohn Brown (the Mariner) - 23 August 1827 - Bushranger. Hanged at Hobart for armed robbery at Stanfield's, Ralph's Bay\nJohn Lee - 23 August 1827 - Bushranger. Hanged at Hobart for armed robbery at Stanfield's, Ralph's Bay\nGeorge Braithwaite - 23 August 1827 - Bushranger. Hanged at Hobart for armed robbery at Stanfield's, Ralph's Bay\nJohn Brown (the Bricklayer) - 23 August 1827 - Bushranger. Hanged at Hobart for armed robbery at Stanfield's, Ralph's Bay\nThomas Davis (real name Roberts) - 23 August 1827 - Bushranger. Hanged at Hobart for armed robbery at Stanfield's, Ralph's Bay\nMatthew McCullum - 23 August 1827 - Bushranger. Hanged at Hobart for armed robbery at Stanfield's, Ralph's Bay\nHumphrey Oulton - 15 November 1827 - Hanged at Launceston for the theft of a sheep\nAbraham Abrahams - 15 November 1827 - Hanged at Launceston for the theft of a mare from the Gourlay property on the Clyde\nWilliam Shepherd - 15 November 1827 - Hanged at Launceston for burglary from the home of Ralph Compton on the Norfolk Plains (Longford)\nGeorge Lacey - 17 December 1827 - Hanged at Hobart for murder of Constable George Rex at Macquarie Harbour\nJohn Ward (\"Flash Jack\") - 17 December 1827 - Hanged at Hobart for his role in the Rex murder\nSamuel Measures - 17 December 1827 - Hanged at Hobart for his role in the Rex murder\nWilliam Jenkins - 17 December 1827 - Hanged at Hobart for his role in the Rex murder\nJames Conhope - 17 December 1827 - Hanged at Hobart for the rape of a six-year-old (convict per Minerva)\nJames Reid - 17 December 1827 - Hanged at Hobart for his role in the Rex murder\nThomas Williams - 17 December 1827 - Hanged at Hobart for his role in the Rex murder\nJames Kirk - 17 December 1827 - Hanged at Hobart for his role in the Rex murder\nJohn McMillan - 17 December 1827- Hanged at Hobart for his role in the Rex murder\nJohn Maguire - 17 December 1827 - Hanged at Hobart for his role in the Rex murder\n\n1828 to 1829\nGeorge Driver - 30 January 1828 - Hanged at Hobart for the murder of John Onely at Macquarie Harbour\nSamuel Higgins - 30 January 1828 - Hanged at Hobart for the murder of John Onely at Macquarie Harbour\nWilliam Fowler - 1 March 1828 - Hanged at Hobart for the murder of a little girl named Emma Groom\nHenry Williamson - 1 March 1828 - Hanged at Hobart for the murder of Malcolm Logan at Green Ponds (Kempton)\nThomas Pearson - 26 May 1828 - Hanged at Hobart for bushranging and burglary at Cross Marsh (Melton Mowbray)\nPhelim Bonner (real name Crampsey) - 26 May 1828 - Hanged at Hobart for assault and robbery on James Collins\nEdward Hangan - 26 May 1828 - Hanged at Hobart for robbery of a gun from James McLanachan\nJohn Grimes - 26 May 1828 - Hanged at Hobart for shooting with intent at George Marshall near Sorell\nThomas Collins - 26 May 1828 - Hanged at Hobart for burglary at the home of George Cartwright\nEdward Burke - 26 May 1828 - Hanged at Hobart for robbery\nAbraham Aaron - 1 August 1828 - Hanged at Hobart for robbery at Maria Island \nPhilip Large - 15 February 1829 - Hanged at Launceston for the rape of eleven year-old Margaret Stewart\nJohn Morrison - 15 February 1829 - Hanged at Launceston for arson\nJohn Gibson - 15 February 1829 - Hanged at Launceston for robbery\nCharles Williams - 15 February 1829 - Hanged at Launceston for armed robbery\nWilliam Ashton - 15 February 1829 - Hanged at Launceston for robbery\nJoseph Moulds - 15 February 1829 - Hanged at Launceston for robbery\nWilliam Baker - 15 February 1829 - Hanged at Launceston for robbery\nJohn Baker - 17 Feb 1829 - Hanged at Launceston for sheep stealing\nBernard Shields - 17 Feb 1829 - Hanged at Launceston for sheep stealing (convict per Minerva) \nDaniel Mackie - 17 Feb 1829 - Hanged at Launceston for sheep stealing\nDaniel Leary - 17 Feb 1829 - Hanged at Launceston for bullock stealing\nThomas Rogers - 17 Feb 1829 - Hanged at Launceston for burglary\nGeorge Palmer - 17 Feb 1829 - Hanged at Launceston for armed robbery\nDaniel Brown - 2 March 1829 - Hanged at Hobart for murder of a fellow-convict named Stopford at Macquarie Harbour\nJohn Salmon - 2 March 1829 - Hanged at Hobart for murder of a fellow-convict named Stopford at Macquarie Harbour\nJohn Leach - 7 March 1829 - Hanged at Hobart for the murder of his common-law wife\nRobert Bourke - 12 July 1829 - Hanged at Hobart for escaping and stealing a boat at Macquarie Harbour\nWilliam Madden - 12 July 1829 - Hanged at Hobart for armed robbery\nWilliam Herring - 12 July 1829 - Hanged at Hobart for escaping and stealing a boat at Macquarie Harbour\n\n1830 to 1831\nJohn Mayo – 11 January 1830 – Hanged at Hobart Gaol for the murder of James Bailey at Macquarie Harbour\nWilliam Wilkes - 23 January 1830 - Hanged at Hobart for the murder of Dennis Alcoloret on Bruny Island in Oct 1827\nHugh Campbell – 3 February 1830 – Soldier of the 63rd Regiment, hanged at Hobart for the murder of Jonathan Brett\nMichael Best - 11 February 1830 - Hanged at Hobart for the murder of Richard Garner at Hamilton\nJohn Oxley – 24 February 1830 – Hanged at Hobart for the murder of Susan Corfield\nSamuel Killen – 26 February 1830 – Hanged at Hobart for sheep stealing\nJohn Jones – 26 February 1830 – Hanged at Hobart for sheep stealing\nJoseph Fogg – 26 February 1830 – Hanged at Hobart for an unnatural crime\nThomas Goodwin – 26 February 1830 – Hanged at Hobart for cutting the throat of Ann Hamilton with intent to kill\nMary McLauchlan – 19 April 1830 – Hanged at Hobart for the murder of her infant son. The first woman executed in Van Diemen's Land/Tasmania.\nEdmund Daniels - 14 May 1830 - Hanged at Hobart for bushranging. (Convict, Asia 3rd) \nJohn Dighton - 14 May 1830 - Hanged at Hobart for bushranging. (Convict - Earl St Vincent) \nJames Child - 14 May 1830 - Hanged at Hobart for bushranging. (Convict - Chapman 2nd) \nAndrew Bates - 14 May 1830 - Hanged at Hobart for bushranging. (Convict - Phoenix) \nEdward Ladywig - 14 May 1830 - Hanged at Hobart for robbery (Convict - Phoenix) \nJoseph Ellis - 14 May 1830 - Hanged at Hobart for sheep stealing (Convict - Dromedary) \nAndrew McCue - 14 May 1830 - Hanged at Hobart for burglary of clothing and money from the house of John Robins\nGeorge Thomson – 17 May 1830 - Hanged at Hobart for housebreaking, theft of silver plate and two pistols (Convict - Lady Harewood) \nEdward Sweeney – 30 June 1830 – Hanged at Launceston for the murder of his wife Mary Sweeney\nWilliam Thomas – 30 June 1830 – Hanged at Launceston for the murder of John 'Smutty Jack' Warne\nWilliam Messenger - 10 July 1830 - Hanged at Launceston for the rape of a five-year-old child\nJohn Brady - 10 July 1830 - Hanged at Launceston for the rape of a five-year-old child\nRichard Udall - 10 July 1830 - Hanged at Launceston for the rape of a five-year-old child\nCharles Routley - 17 September 1830 - Hanged at Hobart for the murder of John \"Pretty Jack\" Buckley at Carlton River\nHenry Strong - 9 January 1831 - Bushranger. Hanged at Hobart for armed robbery at the property of James Reid on the Macquarie River\nWilliam Hoadley - 9 January 1831 - Bushranger. Hanged at Hobart for armed robbery at the property of James Reid on the Macquarie River\nMichael Brown - 9 January 1831 - Bushranger. Hanged at Hobart for armed robbery at the property of James Reid on the Macquarie River\nWilliam Birt - 9 January 1831 - Bushranger. Hanged at Hobart for armed robbery at the property of James Reid on the Macquarie River\nGeorge Ellis - 9 January 1831 - Bushranger. Hanged at Hobart for armed robbery at the property of James Reid on the Macquarie River\nCharles Burgh (alias Sutton) - 9 January 1831 - Hanged at Hobart for the theft of a horse from Captain Andrew Barclay near Launceston\nEdward Broughton (28) - 5 August 1831- Hanged at Hobart for absconding from Macquarie Harbour; while on the run he had murdered and cannibalised William Coventry and two others\nMatthew Macavoy - 5 August 1831 - Hanged at Hobart for absconding from Macquarie Harbour; while on the run he had murdered and cannibalised William Coventry and two others\nJohn Somers - 23 December 1831 - Hanged at Hobart for rape\n\n1832 to 1834\nJames Camm – 30 April 1832 – Hanged at Hobart for piracy; he was involved in the Cyprus mutiny in 1829\nJames Metcalfe – 30 April 1832 - Hanged at Hobart for assault of John Munn\nRobert Gordon – 30 April 1832 – Hanged at Hobart for burglary\nJohn Gow - 14 May 1832 - Hanged at Hobart for the shooting murder of Patrick Carrigan, a soldier of the 63rd\nJoseph Colvin - 14 May 1832 - Hanged at Hobart for aiding and abetting the murder of Patrick Carrigan\nElijah Alder - 16 March 1832 - Hanged at Hobart for the murder of Benjamin Horne at Ross\nJohn Towers – 5 June 1832 – Hanged at Hobart for the murder of two hawkers named Patrick Fitzgibbon and John Kellerman on the St Paul's Plains\nJames Fletcher – 5 June 1832 – Hanged at Hobart for the murder of Patrick Fitzgibbon and John Kellerman on the St Paul's Plains\nThomas Fleet – 17 October 1832 - Hanged at Hobart for the attempted axe murder of William Waring Saxton at Port Arthur\nWilliam Evans – 17 October 1832 - Hanged at Hobart for the attempted knife murder of George Edwards at Granton\nWilliam Higham - 5 January 1833 - Bushranger. Hanged at Hobart for armed robberies in the Ross area\nSimon Gowan (Going) - 5 January 1833 - Hanged at Hobart for the rape of eight-year-old Mary Ann Bowman at Jericho\nJohn Glover - 5 January 1833 - Hanged at Hobart for the rape of eight-year-old Mary Ann Bowman at Jericho\nRobert Dutchess - 5 January 1833 - Hanged at Hobart for bestiality with a mare\nJohn Clements ('Jack the Lagger') - 5 January 1833 - Bushranger. Hanged at Hobart for armed robbery and putting in fear\nRichard (John) Jones - 15 April 1833 - Hanged at Hobart for bestiality on board the Circassian\nThomas Ansell – 1 November 1833 – Hanged at Hobart for robbery\nJonathan Dark - 1 November 1833 - Hanged at Hobart for burglary in Argyle St\nWilliam Ward – 10 March 1834 – Hanged at Launceston for burglary\nSamuel Newman – 10 March 1834 – Hanged at Launceston for burglary\nThomas Dawson – 10 March 1834 – Hanged at Launceston for burglary\nJoseph Deane – 26 March 1834 – Bushranger. Hanged at Hobart for robbery at Green Ponds (Kempton)\nHenry Rutland – 26 March 1834 – Bushranger. Hanged at Hobart for robbery at Green Ponds (Kempton)\nSamuel (a 'man of colour') – 26 March 1834 – Hanged at Hobart for the attempted murder at Port Arthur of Chief Constable Richard Newman\nJoseph Greenwood – 16 April 1834 – Hanged at Hobart for the attempted murder of Constable Thomas Terry at New Town racecourse. \nBenjamin Davidson - 17 June 1834 - Hanged at Hobart for the murder of Ann Howell at Norfolk Plains (Longford)\nWilliam Hurlock (Hislop) - 17 June 1834 - Hanged at Hobart for aiding and abetting the murder of Ann Howell\nHenry Street - 17 June 1834 - Hanged at Hobart for aiding and abetting the murder of Ann Howell\n\n1835 to 1839\nJohn Burke – 13 February 1835 – Hanged at Hobart for burglary at Ross\nWilliam Weston – 13 February 1835 – Hanged at Hobart for burglary at Ross\nJohn Ashton – 13 February 1835 – Hanged at Hobart for burglary at Ross\nThomas Kirkham – 13 February 1835 – Hanged at Hobart for burglary at Ross\nJohn Dunn - 11 August 1835 - Hanged at Hobart for armed robbery of William Evans at Lemon Springs, near Oatlands\nGeorge Clarke - 11 August 1835 - Hanged at Hobart for armed robbery of William Evans at Lemon Springs, near Oatlands\nSamuel Hibbill (Hibbell) - 10 March 1836 - Hanged at Hobart for the murder of Capt. Sibson Bragg, by throwing him overboard the schooner Industry in the Tasman Sea\nThomas Harris - 10 March 1836 - Hanged at Hobart for the murder of Capt. Sibson Bragg, by throwing him overboard the schooner Industry in the Tasman Sea\nRobert Smith - 10 March 1836 - Hanged at Hobart for the murder of Capt. Sibson Bragg, by throwing him overboard the schooner Industry in the Tasman Sea\nSamuel Guillem - 16 March 1837 - Hanged at Hobart for the murder of Mary Mills at New Norfolk\nJohn McKay – first five days of May 1837 – Hanged at Hobart for the 1 April 1837 murder of Joseph Edward Wilson near Perth. His corpse was later gibbeted at Perth.\nJohn Gardiner – 10 November 1837 – Hanged at Launceston Gaol for the murder of George Mogg on the Tamar\nJohn Hudson – 10 November 1837 – Hanged at Launceston for cutting and maiming with intent to murder Isaac Schofield, the overseer of a chain-gang\nJames Hawes – 10 November 1837 - Hanged at Launceston for burglary and assault on Valentine Soper at Windmill Hill, Launceston\nHenry Stewart – 10 November 1837 - Hanged at Launceston for burglary and assault on Valentine Soper at Windmill Hill, Launceston\nJames Atterall - 21 June 1838 - Hanged at Hobart for the armed robbery of Vincent's Hotel, Epping Forest\nJames Regan - 21 June 1838 - Hanged at Hobart for the armed robbery of Vincent's Hotel, Epping Forest\nAnthony Banks - 21 June 1838 - Hanged at Hobart for the armed robbery of Vincent's Hotel, Epping Forest. Banks was the first native-born Vandemonian executed in the colony\n\n1840 to 1844\nJohn Riley - 8 June 1840 - Hanged at Hobart for the murder of James Matthews in Warwick St. Hobart\nJohn Davis - 8 June 1840 - Hanged at Hobart for the murder of James Matthews in Warwick St. Hobart\nGeorge Pettit - 8 June 1840 - Hanged at Hobart for the murder of John Paul at York Plains\nJohn Martin - 8 June 1840 - Hanged at Hobart for the attempted murder of Sergeant George Newman (of the 51st) on board the government brig Tamar\nJohn Watson - 30 January 1841 - Bushranger. Hanged at Launceston for the armed robbery of John Holding at Ashby, near Ross\nPatrick Wallace - 30 January 1841 - Bushranger. Hanged at Launceston for the armed robbery of John Holding at Ashby, near Ross. Wallace and Watson were hangman Solomon Blay's first executions.\nJoseph Broom - 19 February 1841 - Hanged at Hobart for armed robbery of Joseph Bailey near Campbell Town\nJames McKay - 27 May 1841 - Hanged at Hobart for the murder of William Trusson at the Great Lake\nWilliam Hill - 27 May 1841 - Hanged at Hobart for the murder of William Trusson at the Great Lake\nPatrick Minnighan - 25 June 1841 - Hanged at Hobart for the murder of James Travers at Port Arthur\nEdward Allen - 31 July 1841 - Hanged at Launceston for the murder of Samuel Brewell at Muddy Creek, on the west bank of the Tamar\nThomas Dooner - 6 August 1841 - Hanged at Hobart for the armed robbery of Joseph Walker at a hut on the Macquarie River\nJames Broomfield - 25 October 1841 - Bushranger. Hanged at Launceston for armed robbery at Tarleton\nJames Williamson - 4 January 1842 - Hanged at Hobart for the murder of Thomas Lord at Swanport (Swansea)\nGeorge Bailey - 4 January 1842 - Hanged at Hobart for the murder of Thomas Lord at Swanport (Swansea)\nHenry Belfield - 20 January 1842 - Hanged at Hobart for the murder of Thomas Broadman at Port Arthur\nElijah Ainsworth - 6 June 1842 - Hanged at Hobart for the rape of five-year-old Mary Jeffery \nThomas Turner - 9 June 1842 - Hanged at Hobart for the murder of his wife Hannah at Moonah\nWilliam Langham - 10 August 1842 - Hanged at Hobart for the attempted murder of the Doctor at Port Arthur and the stabbing of a boy named Thomas Cooke\nSamuel Williams - 27 December 1842 - Hanged at Hobart for the murder of James Harkness at Port Arthur\nJames Littleton - 27 December 1842 - Hanged at Hobart for the murder of Henry Seaton at Broadmarsh\nHenry Smith - 11 May 1843 - Hanged at Hobart for the murder of Henry Childs (Childe) at Sandy Bay\nJames Bowtell - 16 May 1843 - Hanged at Hobart for the armed robbery of William Marks on the highway at Dysart\nRiley Jeffs – 26 July 1843 – Bushranger. Publicly hanged at Launceston for the murder of District Constable William Ward at Campbell Town\nJohn Conway – 26 July 1843 – Bushranger. Publicly hanged at Launceston for the murder of District Constable William Ward at Campbell Town\nJohn Woolley – 5 April 1844 – Hanged at Hobart for robbery and attempting to kill special constable William Hobart Wells\nGeorge Churchward – 5 April 1844 – Hanged at Hobart for robbery\nWilliam Thomas – 5 April 1844 – Hanged at Hobart for robbery\nGeorge Bristol – 5 April 1844 – Hanged at Hobart for robbery\nJohn Walker – 5 April 1844 – Hanged at Hobart for robbery\nAlexander Reid - 24 April 1844 – Hanged at Oatlands for shooting and wounding Constable Murray\nThomas Marshall – 24 April 1844 – Hanged At Oatlands for the murder of Ben Smith\nGeorge Jones – 30 April 1844 – Hanged at Hobart for armed robbery \nJames Platt – 30 April 1844 – Hanged at Hobart for armed robbery\nIsaac Tidburrow (Tidbury) - 9 July 1844 - Hanged at Hobart for the rape of seven-year-old Mary-Ann Gangell\nThomas Wicksett - 9 July 1844 - Hanged at Hobart for the murder of John Ayres at Port Arthur\nJames Gannon - 7 August 1844 - Hanged at Hobart for a rape committed near Richmond\nThomas Smith - 7 August 1844 - Hanged at Hobart for the attempted murder of overseer William Perry at Port Arthur\nJames Boyle - 7 August 1844 - Hanged at Hobart for the attempted murder of overseer William Perry at Port Arthur\n\n1845 to 1849\nRichard Jackson - 1 May 1845 - Hanged at Oatlands for the rape of Elizabeth Davis\nAnthony Kedge - 8 August 1845 - Hanged at Launceston for the murder of Charles Shepherd between George Town and Low Head\nFrancis Maxfield - 12 August 1845 - Hanged at Hobart for the attempted murder of sub-overseer Joseph Ellis at Port Arthur\nThomas Gomm – 23 September 1845 – Hanged at Hobart for his part in the murder of Jane Saunders at New Norfolk\nWilliam Taylor - 23 September 1845 – Hanged at Hobart for his part in the murder of Jane Saunders at New Norfolk\nIsaac Lockwood – 23 September 1845 – Hanged at Hobart for his part in the murder of Jane Saunders at New Norfolk\nEliza Benwell – 2 October 1845 – Hanged at Hobart for aiding and abetting the murder of Jane Saunders at New Norfolk\nThomas Gillan - 1 November 1845 - Hanged at Launceston for armed robbery at Breadalbane (Cocked Hat)\nMichael Keegan (Keogan) - 31 December 1845 - Hanged at Hobart for attempted murder of sub-overseer Joseph Ellis at Port Arthur\nJob Harris - 31 December 1845 - Hanged at Hobart for his involvement in the pack-rape of a fellow-convict at the Coal Mines, Saltwater River\nWilliam Collier - 31 December 1845 - Hanged at Hobart for his involvement in the pack-rape of a fellow-convict at the Coal Mines, Saltwater River\nJohn Phillips – 4 February 1846 – Hanged at Oatlands for setting fire to the magistrate's oatstacks following a conviction for sly grog selling\nDaniel McCabe - 24 March 1846 - Hanged at Hobart for cutting and wounding, with intent to kill, Francis Scott at Impression Bay\nCharles Woodman - 24 March 1846 - Hanged at Hobart for assault and attempted murder of Elizabeth Jones in Davey Street\nHenry Food - 28 April 1846 - Hanged at Launceston for the armed robbery of Revd Dr Browne\nHenry Cooper - 13 May 1846 - Hanged at Hobart for the attempted murder of Richard Beech at Impression Bay\nMichael Roach - 24 September 1846 - Hanged at Hobart for wounding with intent to murder catechist Roger Boyle at Port Arthur\nMichael Lyons - 11 November 1846 - Hanged at Hobart for committing an 'unnatural crime' with a goat at Port Cygnet\nPeter Kenny - 24 March 1847 - Hanged at Hobart for the attempted murder of James Goodall Francis at Battery Point. Kenny, a former Point Puer boy, attacked Francis with a tomahawk while attempting burglary. Francis went on to become Premier of Victoria twenty-five years later\nWilliam Bennett - 24 March 1847 - Hanged at Hobart for the murder of fellow-prisoner Thomas Shand at Port Arthur\nGeorge Wood - 29 June 1847 - Hanged at Hobart for the murder of William Taylor at Port Arthur\nCharles Benwell – 14 September 1847 – Hanged at Hobart for murder of George Lowe near Bagdad. He was the brother of Eliza Benwell, hanged in 1845.\nLaban Gower - 23 November 1847 - Hanged at Hobart for the attempted murder of Ann Mayfield at Old Beach\nHugh Glacken – 25 November 1847 – Hanged at Launceston for bushranging\nJames Hill - 4 January 1848 - Hanged at Hobart for the murder of an elderly lady named Alice Martin at Brighton\nHenry Whelan - 4 January 1848 - Hanged at Hobart for the murder of Robert Mann at Berriedale\nJames Kennedy - 4 January 1848 - Hanged at Hobart for the attempted murder of William Millar at Port Arthur\nJames Connolly - 22 February 1848 - Publicly hanged at Hobart for arson (setting a barn on fire) at Impression Bay. \nNathaniel Westerman (Weston) - 4 April 1848 - Hanged at Hobart for the murder of fellow-prisoner Joseph Blundell at Port Arthur\nJames Sullivan – 9 May 1848 – Hanged at Oatlands for the attempted murder of Constable James Kelly at Swanston, near Andover\nPatrick Shea – 9 May 1848 – Hanged at Oatlands for the attempted murder of Constable James Kelly at Swanston\nJames McGough – 9 May 1848 – Hanged at Oatlands for the attempted murder of Constable James Kelly at Swanston\nJohn Shale – 9 May 1848 - Hanged at Oatlands for wounding John Connell with intent to murder\nThomas Smith – 4 August 1848 – Hanged at Oatlands for stabbing with intent to murder Constable Clough at Jericho\nJeremiah Maher – 4 August 1848 – Hanged at Oatlands for stabbing with intent to murder Constable Clough at Jericho\nThomas Liner – 8 August 1848 - Hanged at Hobart for the stabbing murder of Hugh Gilmore in Kelly St\nJohn Jordan – 7 November 1848 – Hanged at Launceston for the murder of Zimran Youram at Norfolk Plains\nMatthew Mahide – 7 November 1848 – Hanged at Launceston for armed robbery at Snake Banks (present-day Powranna)\nMichael Rogers- 3 January 1849 - Bushranger. Hanged at Hobart for the murder of Joseph Howard at Port Sorell\nWilliam Stamford - 3 January 1849 - Hanged at Hobart for the armed robbery of Thomas Lovell at Brushy Plains (Runnymede)\nJohn Russell Dickers - 20 March 1849 - Hanged at Hobart for attempted murder of Constable Samuel Withers on the corner of Fitzroy Crescent and Davey St, South Hobart\nJames Holloway - 25 June 1849 - Bushranger. Hanged at Hobart for armed robbery of Edwin Beckett at Prosser's Plains (present-day Buckland)\nJohn Stevens – 24 July 1849 – Hanged at Launceston for the murder of Margaret Buttery at Longford\nJames McKechnie - 31 December 1849 - Hanged at Hobart for the murder of Francis Sockett in Davey St, Hobart\n\n1850 to 1854\nJohn King - 21 March 1850 - Hanged at Hobart for attempted murder of Alexander Smith at Port Arthur\nJames Howarth - 21 March 1850 - Hanged at Hobart for the attempted murder of Joshua Jennings at New Town\nJames Mullay - 26 July 1850 - Hanged at Launceston for the murder of fellow-constable John McNamara at Perth\nJoseph Squires - 26 July 1850 - Hanged at Launceston for the rape of four-year-old Horatio James\nChristopher Hollis - 24 September 1850 - Hanged at Hobart for the murder of Thomas Couchman at Bridgewater\nJohn Woods - 6 November 1850 - Hanged at Hobart for the murder of Constable Bernard Mulholland at Franklin\nJoseph Brewer - 11 February 1851 - Hanged at Hobart for the murder of Ann Hefford at Campbell Town\nThomas Burrows - 13 February 1851 - Hanged at Launceston for the armed robbery of Thomas Parsons at Nile\nWilliam Parker - 13 February 1851 - Hanged at Launceston for the armed robbery of Thomas Parsons at Nile\nHenry Hart - 13 February 1851 - Hanged at Launceston for the attempted murder of Harriet Grubb at Cressy\nThomas Dalton - 21 March 1851 - Bushranger. Hanged at Hobart for highway robbery of William Corrigan at Constitution Hill\nWilliam Henry Stevens - 25 April 1851 - Convict. Hanged at Oatlands for Assaulting James Moore, being armed with a gun on the high road between Antill Ponds and Tunbridge\nBuchanan Wilson - 3 May 1851 - Hanged at Hobart for the armed robbery of Patrick Cooney on the Huon Road, two miles out of Hobart\nGeorge Mackie – 21 July 1851 – Hanged at Oatlands for the murder of Thomas Gilbert at Waters Meeting, near Cranbrook\nJohn Crisp – 27 October 1851 – Hanged at Oatlands for Wounding with Intent Constable William Donohoo at Swansea\nFrancis Duke – 31 October 1851 – Hanged at Launceston for the murder of William Smith at Fern Tree Hill, near Deloraine\nJames Yardley – 31 October 1851 – Hanged at Launceston for attempted murder of Robert Hudson at Deloraine\nWilliam Henry Stephens – 25 April 1851 – Hanged at Oatlands for the attempted murder of Thomas Moore at Antill Ponds\nThomas Callaghan (Callaher, Gallagher, Collahon, Collohan, Callahan) - 6 October 1851 - Hanged at Hobart for the rape of Ann Curtis at Grasstree Hill\nMichael Conlan - 22 December 1851 - Hanged at Hobart for the murder of Francis Burt at Franklin\nPatrick Callaghan - 22 December 1851 - Hanged at Hobart for the murder of Francis Burt at Franklin\nWilliam Porter - 29 December 1851 - Hanged at Hobart for the attempted murder of William Andrews at Sandy Bay\nCharles Lockwood - 28 January 1852 - Hanged at Launceston for the attempted murder of William Gaffney at Longford\nJohn Castles - 22 June 1852 - Hanged at Hobart for the murder of William Hibbard at Kangaroo Point\nMary Sullivan - 5 August 1852 - Hanged at Hobart for the murder of two-year-old Clara Adeline Fraser in Campbell St. Sullivan was sixteen when she went to the gallows.\nPatrick McMahon – 28 October 1852 – Hanged at Oatlands for rape of a child\nJohn Kilburn - 11 February 1853 - Hanged at Hobart for attempted murder of overseer Charles Weatherall at Pittwater\nJohn Wood - 11 February 1853 - Hanged at Hobart for the murder of Kate Toole in Goulburn St\nJames Dalton – 26 April 1853 – Hanged at Launceston for the murder of Constable Tom Buckmaster at Avoca\nAndrew Kelly – 26 April 1853 – Hanged at Launceston for the murder of Constable Tom Buckmaster at Avoca\nSamuel Jacobs - 29 April 1853 - Hanged at Launceston for the rape of six-year-old Nathaniel Poole at Deloraine\nSamuel Maberley - 18 May 1853 - Hanged at Hobart for the attempted murder of the Rev Dr Stephen Aldhouse in Church St\nFrancis McManus - 21 June 1853 - Hanged at Hobart for the rape of Elizabeth Roscoe on Bruny Island\nLevi McAlister - 21 June 1853 - Hanged at Hobart for the rape of six-year-old Jane Hughes at Bridgewater\nWilliam Brown (alias Stockton) – 25 October 1853 – Hanged at Launceston for stabbing with intent to murder James Stephens\nThomas Kenney – 31 July 1854 – Hanged at Launceston for setting fire to a haystack at Kings Meadows\nThomas Hall - 31 July 1854 - Hanged at Launceston for the attempted murder of his wife Jane Hall at Table Cape\nGeorge Whiley – 3 November 1854 – Hanged at Launceston for the robbery and assault of James Smith near Westbury\n\n1855 to 1859\nPeter Connolly – 26 June 1855 – Bushranger. Hanged at Hobart for assault and robbery of William Kearney\nJohn \"Rocky\" Whelan – 26 June 1855 – Bushranger. Confessed to five murders. Hanged at Hobart\nEdward Heylin – 26 June 1855 – Hanged at Hobart for shooting with intent at Constable Robert Allison in Victoria St, Hobart\nJohn Parsons Knights – 26 June 1855 – Hanged at Hobart for burglary of the house of Thomas Nicholson in Victoria St, Hobart\nJohn Mellor - 19 Feb 1856 - Hanged at Hobart for bushranging and attempted murder of Hugh Simpson at St Peter's Pass, near York Plains\nThomas Rushton - 19 Feb 1856 - Hanged at Hobart for bushranging and attempted murder of Hugh Simpson at St Peter's Pass, near York Plains\nRichard Rowley - 25 June 1856 - Hanged at Hobart for the rape of nine-year-old Isabelle Johnson in Brisbane St\nMichael Casey – 5 August 1856 – Hanged at Oatlands for the attempted murder of John Hewitt at Falmouth\nGeorge Langridge - 19 September 1856 - Hanged at Hobart for the murder of his wife Jane Langridge at Richmond\nJohn O'Neill - 19 September 1856 - Hanged at Hobart for assault and robbery of James Rowland at Constitution Dock\nAnthony Clarke - 12 November 1856 - Hanged at Launceston for murder of John Kendall near Deloraine\nMichael Barry (alias Moloney) - 25 November 1856 - Hanged at Hobart for the assault and robbery of Edward Adams at Old Beach\nWilliam Woolford - 25 November 1856 - Hanged at Hobart for the attempted murder of Constable William Burton at Port Arthur\nGeorge Nixon – 3 March 1857 - Hanged at Hobart for the murder of fourteen-year-old Henry Chamberlayne at Kingston\nJohn Higgins - 12 August 1857 - Hanged at Launceston for the armed robbery of Henry Dales on the Evandale Road near Clairville\nJames Waldron - 12 August 1857 - Hanged at Launceston for the armed robbery of Henry Dales on the Evandale Road near Clairville\nAlexander Cullen – 18 August 1857 – Hanged at Campbell Street Gaol for the murder of Betsy Ross in a house behind the Red Lion, Liverpool St\nAbraham Munday – 27 October 1857 – Hanged at Oatlands for attempted murder by poison of George White at Courland Bay\nRichard \"Long Mick\" Ennis – 27 October 1857 – Hanged at Oatlands for the murder of George Sturgeon at Kitty's Corner, near Antill Ponds\nJames Kelly – 28 November 1857 – Hanged at Campbell Street Gaol for the murder of Coleman O'Loughlin at Avoca\nTimothy Kelly - 28 November 1857 - Hanged at Campbell Street Gaol for the murder of Coleman O'Loughlin at Avoca\nWilliam Maher – 28 November 1857 – Hanged at Campbell Street Gaol for the murder of his wife Catherine Maher at Brown's River, Kingborough\nThomas Callinan - 20 April 1858 - Hanged at Campbell Street Gaol for the murder of Amelia Murray at Three Hut Point\nHenry Madigan – 5 May 1858 – Hanged at Launceston for the murder of his brother John Madigan at Prosser's Forest, Ravenswood\nMatthew Burns (Breen) – 5 August 1858 – Hanged at Launceston for the rape of three-year-old Eliza MacDonald at Avoca\nGeorge Young – 5 August 1858 – Hanged at Launceston for the murder of Esther Scott in High Street Windmill Hill\nThomas Gault – 21 December 1858 – Hanged at Campbell Street Gaol for Felonious Assault and Robbery of John Duffy, Isabella Brown and Archibald Stacey at the Mount Nelson Signal Station\nWilliam Anderson - 31 January 1859 - Hanged at Launceston for the armed robbery of James Chapman at Distillery Creek\nJohn McLaughlin - 31 January 1859 - Hanged at Launceston for the armed robbery of George Cooper on Westbury Road\nWilliam Gibson - 31 January 1859 - Hanged at Launceston for committing sodomy on ten-year-old Tom Gilligan on the road between Fingal and Avoca\nJohn King – 16 February 1859 – Hanged at Campbell Street Gaol for the murder of Rebecca Hall at the Bull's Head, Goulburn Street\nPeter Haley (\"Black Peter\") – 16 February 1859 – Bushranger. Hanged at Campbell Street Gaol for Shooting with Intent at Richard Propsting on the road between Ross and Tunbridge\nDaniel (\"Wingy\") Stewart – 16 February 1859 – Bushranger. Hanged at Campbell Street Gaol for Shooting with Intent at Richard Propsting on the road between Ross and Tunbridge\nWilliam Ferns (alias Flowers) – 16 February 1859 – Bushranger. Hanged at Campbell Street Gaol for Shooting with Intent at Richard Propsting on the road between Ross and Tunbridge.\nWilliam Davis – 16 February 1859 – Hanged at Campbell Street Gaol for the murder of Andre Cassavant at Black River\nRobert Brown – 4 May 1859 – Hanged at Campbell Street Gaol for the rape of a three-year-old at Triabunna\nBernard Donahue – 12 July 1859 – Hanged at Campbell Street Gaol for the murder of James Burton near Kingston\n\n1860s\nJohn Vigors – 31 January 1860 – Hanged at Oatlands for Shooting with Intent at John Baker at Ellerslie\nHenry Baker - 7 February 1860 - Hanged at Launceston for the murder of Ellen Gibson at Sandhill\nJohn Nash – 4 May 1860 – Hanged at Campbell Street Gaol for the murder of William Iles near Cleveland\nJulius Baker – 10 May 1860 – Hanged at Campbell Street Gaol for shooting with intent at Port Arthur. Baker was a constable who took money from two prisoners Stretton and Donohue to assist their escape, he then shot them in their attempt\nMichael Walsh - 29 May 1860 - Hanged at Launceston for the assault and rape of Eleanor Ward at Longford\nMartin Lydon – 25 September 1860 – Hanged at Campbell Street Gaol for the rape of nine-year-old Hannah Norah Handley at Port Cygnet\nThomas Ross - 30 January 1861 - Hanged at Launceston for an 'unnatural crime' on a boy named William Saunders at Bishopsbourne\nJohn Hailey – 23 May 1861 – Hanged at Launceston for the murder of William Wilson at Cullenswood\nJohn Chapman – 23 May 1861 – Hanged at Launceston for assault with intent to murder Daniel Webb at Avoca\nPatrick Maloney – 23 May 1861 – Hanged at Launceston for the murder of Richard Furlong at Evandale\nMargaret Coghlan – 18 February 1862 – Hanged at Campbell Street Gaol for the murder of her husband John Coghlan in Goulburn St, Hobart, near the corner of Harrington St \nCharles Flanders - 24 June 1862 – Hanged at Campbell Street Gaol for the murder of ten-year-old Mary Ann Riley at Bagdad\nWilliam Mulligan – 18 November 1862 – Hanged at Campbell Street Gaol for the rape and robbery of Johanna Harrbach at Bagdad \nHendrick Whitnalder – 20 February 1863 – (Described as a 'little Kaffir'). Hanged at Campbell Street Gaol for sodomy with fourteen-year-old Cornwall Collins (Collard)\nDennis Collins - 11 August 1863 - Hanged at Launceston for 'an unnatural crime' with seven-year-old Joseph Palmer \nRobert McKavor – 16 February 1864 – Hanged at Campbell Street Gaol for the felonious assault and robbery of Edward Coningsby on the Oatlands Road\nJames Lynch – 23 May 1865 – Hanged at Launceston for the rape of his ten-year-old step-daughter Cathy Nichols at Port Sorell\nWilliam Griffiths – 2 December 1865 – Hanged at Campbell Street Gaol for the murder of eight-year-old George and six-year-old Sarah Johnson at Glenorchy\nDaniel \"Little Dan\" Connors – 17 March 1868 – Hanged at Launceston for the murder of Ellen Moriarty at Longford\nPatrick Kiely - 17 November 1869 - Hanged at Launceston for the murder of his wife Bridget at Paddy's Scrub, Deloraine\n\n1870 onwards\nJohn Regan (46) – 28 June 1870 – Hanged at Launceston for the murder of his sixteen-year-old wife Emma on the Westbury Road\nJob Smith (55) – 31 May 1875 – Hanged at Campbell Street Gaol for the rape of Margaret Ayres, the chaplain's housemaid, at Port Arthur\nJohn Bishnahan (46) - 19 November 1877 - Hanged at Launceston for the murder of Thomas Rudge at Evandale\nRichard Copping (19) – 21 October 1878 – Hanged at Campbell Street Gaol for the murder of Susannah Stacey at Bream Creek\nGeorge Braxton (60) – 10 July 1882 – Hanged at Launceston for the murder of Ellen Sneezwell in York Street\nJames Ogden (20) – 4 June 1883 – Hanged at Campbell Street Gaol for the murder of William Wilson at Cleveland\nJames Sutherland (18) – 4 June 1883 – Hanged at Campbell Street Gaol for the murder of William Wilson at Cleveland\nHenry Stock (22) – 13 October 1884 – Hanged at Campbell Street Gaol for the murder of Elizabeth Kent and her daughter near Ouse\nTimothy Walker (76) - 10 January 1887 - Hanged at Campbell Street Gaol for the murder of Benjamin Hamilton at Deloraine. Walker was the last transported convict to be executed in Tasmania. This was hangman Solomon Blay's last execution\nArthur Cooley (19) – 17 August 1891 – Hanged at Campbell Street Gaol for the murder of Mary Camille Ogilvy near Richmond\nJoseph Belbin (19) – 11 March 1914 – Hanged at Campbell Street Gaol for the murder of Margaret Ledwell at Deloraine\nGeorge Carpenter (27) – 27 December 1922 – Murdered three people at Swansea. Hanged at Campbell Street Gaol for the murder of his cousin Thomas Carpenter\nFrederick Thompson (32) - 14 February 1946 - Hanged at Campbell Street Gaol for the murder of eight year old Evelyn Maughan. The last person executed in Tasmania.\n\nVictoria\n\n1840s\nTunnerminnerwait – Hanged at Melbourne on 20 January 1842 for the murder of two whalers at Cape Paterson\nMaulboyheenner – Hanged at Melbourne on 20 January 1842 for the murder of two whalers at Cape Paterson\nCharles Ellis – Hanged at Melbourne Gaol on 28 June 1842 for \"shooting with intent to maim or disable\" (\"The Plenty Trio\")\nMartin Fogarty – Bushranger. Hanged at Melbourne Gaol on 28 June 1842 for \"shooting with intent to maim or disable\" (\"The Plenty Trio\")\nDaniel (\"Yankee Jack\") Jepps – Bushranger. Hanged at Melbourne Gaol on 28 June 1842 for \"shooting with intent to maim or disable\" (\"The Plenty Trio\")\nAlkepurata (\"Roger\") – 5 September 1842 – From Port Fairy. Hanged at Melbourne for murder of Patrick Codd at Mount Rouse, Hamilton\nJeremiah Connell - 27 January 1847 – Hanged at Melbourne Gaol for the murder of Edward Martin at Buninyong\nBobby – 30 April 1847 – Hanged at Melbourne Gaol for the killing by spear of Andrew Beveridge at Piangil\nPtolemy – 30 April 1847 – Hanged at Melbourne Gaol for the killing by spear of Andrew Beveridge at Piangil\nJohn (\"Pretty Boy\") Healey – 29 November 1847 – Hanged at Melbourne Gaol for the murder of Jemmy Ritchie at Tarraville, Gippsland\nAugustus Dancey 19 – 1 August 1848 – Hanged at Melbourne Gaol for the murder of Matthew Luck at Stony Creek (Spotswood)\n\n1850s\nPatrick Kennedy – 1 October 1851 – Hanged at Melbourne Gaol for the murder of his wife Mary at Penshurst\nJames Barlow – 22 May 1852 – Hanged at Melbourne Gaol for murder by stabbing William Jones at a boarding house in Flinders Street, Melbourne\nJohn Riches (Richie) – 3 November 1852 – Hanged at Melbourne Gaol for the murder of Harry Webb in the Black Forest, near Macedon\nGeorge Pinkerton – 4 April 1853 – Hanged at Melbourne Gaol for the murder of Bridget Smith, 8 months pregnant, and her one-year-old son Charles at Brighton\nAaron Durant – 11 July 1853 – Hanged at Melbourne Gaol for robbery with violence and sexual assault of Mr & Mrs John Wright at Bendigo\nJohn Smith – 23 August 1853 – Hanged at Melbourne Gaol for Robbery With Violence at Fryer's Creek\nHenry Turner – 23 August 1853 – Hanged at Melbourne Gaol for Robbery With Violence at Fryer's Creek\nWilliam Atkins (or Atkyns) – 3 October 1853 – Bushranger. Hanged at Melbourne Gaol for the robbery of the Private Escort, near Kalkallo\nGeorge (\"Frenchy\") Melville – 3 October 1853 – Bushranger. Hanged at Melbourne Gaol for the robbery of the Private Escort\nGeorge Wilson – 3 October 1853 – Bushranger. Hanged at Melbourne Gaol for the robbery of an Escort\nPatrick O'Connor (or Connor) – 24 October 1853 – Bushranger. Hanged at Melbourne Gaol for the attempted murder of Edward Thompson near Kilmore\nHenry Bradley – 24 October 1853 – Bushranger. Hanged at Melbourne Gaol for the attempted murder of Edward Thompson near Kilmore\nMichael Fennessy – 25 October 1853 – Hanged at Melbourne Gaol for murder of his wife Eliza Fennessy off Little Bourke Street\nAlexander Ram – 25 October 1853 – Hanged at Melbourne Gaol for the murder of Kitty Finessy at Prahran\nJohn Smith – 25 November 1853 – Hanged at Melbourne Gaol for being accessory to rape of Mary-Ann Brown on the Goulburn River Diggings\nJoseph West – 27 December 1853 – Hanged at Melbourne Gaol for rape of eight-year-old Elizabeth Fraser near Chewton\nJames Button – 28 March 1854 – Bushranger. Hanged at Melbourne Gaol for Shooting With Intent on the Goulburn River Diggings\nDavid Magee – 25 April 1854 – Hanged at Melbourne Gaol for murder of a man named McCarthy on the Avoca River\nWilliam Thoroughgood – 23 May 1854 – Hanged at Melbourne Gaol for the rape of seven-year-old Sarah Bishop\nJohn Hughes – 25 September 1854 – Hanged At Melbourne Gaol for the murder of Abraham Marcus at Yackandandah\nJohn Gunn – 9 November 1854 – Hanged at Geelong Gaol for the murder of Samuel Harris at Warrnambool\nGeorge (John) Roberts – 9 November 1854 – Hanged at Geelong for attempting to poison George Kelly at Native Creek, near Inverleigh\nLuke Lucas – 24 November 1854 – Hanged for murder of his wife Mary off Little Bourke Street\nJames McAlister – 25 July 1855 – Hanged at Melbourne Gaol for murder of Jane Jones at the Exchange Hotel, Swanston Street, Melbourne\nJames Condon (alias Arthur Somerville) - 24 November 1855 – Bushranger. Hanged at Melbourne Gaol for Robbery With Violence near Bacchus Marsh\nJohn Dixon – 24 November 1855 – Bushranger. Hanged at Melbourne Gaol for Robbery With Violence near Bacchus Marsh\nAlfred Henry Jackson – 24 November 1855 – Bushranger. Hanged at Melbourne Gaol for Robbery With Violence near Bacchus Marsh\nJames Ross (alias Griffiths) – 22 April 1856 – Hanged at Geelong Gaol for the murder of his son and Eliza Sayer near Horsham\nWilliam Twigham (or Twiggem, alias Lexton)33 – 11 March 1857 – Hanged at Melbourne Gaol for the murder of Sergeant John McNally at the Cathcart Diggings, near Ararat\nChu-Ah-Luk 30 – 2 March 1857 – Hanged at Melbourne Gaol for the murder of Ah Pat at Campbell's Creek\nJames Cornick – 16 March 1857 – Hanged at Melbourne Gaol for murder of Agnes McCallum (Horne) at Eaglehawk\nFrederick Turner 22 – 27 April 1857 – Bushranger. Hanged at Melbourne Gaol for Robbery Under Arms on the Flemington Road\nThomas Williams – 28 April 1857 – Hanged at Melbourne Gaol for his part in the murder of Inspector-General John Giles Price\nHenry Smith (alias Brennan) – 28 April 1857 – Hanged at Melbourne Gaol for his part in the murder of Inspector-General John Giles Price\nThomas Moloney – 28 April 1857 – Hanged at Melbourne Gaol for his part in the murder of Inspector-General John Giles Price\nFrancis Brannigan – 29 April 1857 – Hanged at Melbourne Gaol for his part in the murder of Inspector-General John Giles Price\nWilliam Brown – 29 April 1857 – Hanged at Melbourne Gaol for his part in the murder of Inspector-General John Giles Price\nRichard Bryant – 29 April 1857 – Hanged at Melbourne Gaol for his part in the murder of Inspector-General John Giles Price\nJohn Chisley – 30 April 1857 – Hanged at Melbourne Gaol for his part in the murder of Inspector-General John Giles Price\nJames Woodlock – 1 June 1857 – Hanged at Melbourne Gaol for murder of Charles Vick in Castlemaine\nChong Sigh – 3 September 1857 – Hanged at Melbourne Gaol for murder of Sophia \"The Chinawoman\" Lewis in a brothel in Stephen Street (Exhibition Street) Melbourne\nHing Tzan – 3 September 1857 – Hanged at Melbourne Gaol for murder of Sophia Lewis in a brothel in Stephen Street (Exhibition Street) Melbourne\nJohn Mason – 6 November 1857 – Hanged at Melbourne Gaol for murder of \"Big George\" Beynor at Ballan\nEdward Brown – 1 March 1858 – Hanged at Melbourne Gaol for Robbery With Violence at Ararat Racecourse\nWilliam Jones – 1 March 1858 – Hanged at Melbourne Gaol for Robbery With Violence at Ararat Racecourse\nGeorge Robinson – 16 March 1858 – Hanged for the murder of Margaret Brown at Maryborough\nEdward Cardana (alias John Nelson alias Michael Ferrara) – 19 March 1858 – Hanged at Bendigo for the murder of John Armstrong at Long Gully\nOwen McQueeny – 20 October 1858 – Hanged at Geelong for the murder of Elizabeth Lowe near Meredith (\"The Green Tent Murder\")\nSamuel Gibbs – 12 November 1858 – Hanged at Melbourne Gaol for the murder of his wife Anne at Ararat. This execution was botched; the rope snapped tumbling Gibbs to the floor. He had to be carried back up the scaffold and hanged again with a fresh rope.\nGeorge Thompson – 12 November 1858 – Hanged at Melbourne Gaol for the murder of Hugh Anderson at Ballarat\nEdward Hitchcock – 29 November 1858 – Hanged at Melbourne Gaol for the murder of his wife Ann at Strathloddon, near Campbell's Creek. This execution was also botched; Hitchcock failed to die and remained struggling on the rope. The executioner had to grab Hitchcock by the knees and use his weight to ensure death.\nChristian Von Sie (or Von See) – 29 November 1858 – Hanged at Melbourne Gaol for the murder of Martin Loemann near Mitiamo\nThomas Ryan – 11 April 1859 – Hanged at Melbourne Gaol for the murder of Joe Hartwig in the Indigo Valley\nWilliam (\"Plaguey Billy\") Armstrong – 12 July 1859 – Hanged at Melbourne Gaol for shooting with intent, Omeo\nGeorge (\"The Butcher\") Chamberlain 24 – 12 July 1859 – Hanged at Melbourne Gaol for shooting with intent, Omeo\nRichard Rowley – 26 July 1859 – Hanged at Melbourne Gaol for violent assault with intent to murder his overseers at the Pentridge Stockade\nWilliam Siddons – 7 November 1859 – Hanged at Melbourne Gaol for the rape of eight-year-old Mary-Anne Smith at Doctor's Creek, near Lexton\nHenry Brown – 21 November 1859 – Hanged for murder of George James Tickner at Mount Korong, near Wedderburn\n\n1860s\nGeorge Waines -16 July 1860 – Hanged at Melbourne Gaol for the murder of Mary Hunt at Casterton\nEdward Fenlow (alias Reynolds) – 20 August 1860 – Hanged at Melbourne Gaol for the murder of George Plummer (alias Gardiner) at Inglewood\nJohn McDonald – 30 September 1860 – Hanged at Melbourne Gaol for murder of his wife Sarah at Ironbark Gully, Bendigo\nWilliam Smith – 22 April 1861 – Hanged at Melbourne Gaol for the murder of his wife Ellen near Wangaratta\nHenry Cooley – 11 July 1861 – Hanged at Melbourne Gaol for murder of his wife Harriet at Heathcote\nNathaniel Horatio Ruby – 5 August 1861 – Hanged at Melbourne Gaol for the murder of Joe Watson at the Great Western Reef, Tarnagulla\nMartin Rice – 30 September 1861 – Hanged at Melbourne Gaol for the murder of Anthony Green off Bourke Street, Melbourne\nThomas Sanders – 31 October 1861 – Hanged at Melbourne Gaol for the rape of Mary Egan at Keilor\nSamuel Pollett – 29 December 1862 – Hanged at Melbourne Gaol for the rape of his ten-year-old daughter Sarah at Prahran\nThomas McGee – 19 February 1863 – Hanged at Melbourne Gaol for the murder of Alexander Brown at Maiden Gully\nJames Murphy – 6 November 1863 – Hanged at Geelong for the murder of Senior Constable Daniel O'Boyle at Warrnambool\nJulian Cross – 11 November 1863 – From Macao. Hanged at Melbourne Gaol for the murder of Robert Scott in the Wappan district (near Mansfield)\nDavid Gedge – 11 November 1863 – Hanged at Melbourne Gaol for the murder of Robert Scott in the Wappan district (near Mansfield)\nElizabeth Scott – 11 November 1863 – Hanged at Melbourne Gaol for the murder of her husband in the Wappan district (near Mansfield)\nJames Barrett (also called Birmingham) – 1 December 1863 - Hanged at Melbourne Gaol for the murder of Elizabeth Beckinsale at Woodstock\nAlexander Davis – 29 February 1864 – Hanged at Ballarat Gaol for the murder of George Sims at Smythesdale\nWilliam Carver (also called Thornby, Foster) – 3 August 1864 – Hanged at Melbourne Gaol for an attempted bank robbery at Fitzroy\nSamuel Woods (also called Abraham Salmonie) – 3 August 1864 - Hanged at Melbourne Gaol for Shooting With Intent in an attempted bank robbery at Fitzroy\nChristopher Harrison – 3 August 1864 – Hanged at Melbourne Gaol for the murder of James Marsh in William St.\nJohn Stacey (real name Casey) – 5 April 1865 – Hanged at Melbourne Gaol for the murder of two-year-old Danny Gleeson at South Melbourne\nJoseph (\"Quiet Joe\") Brown – 4 May 1865 – Hanged at Melbourne Gaol for the murder of Emmanuel \"Dodger\" Jacobs at the Whittington Tavern, Bourke Street Melbourne\nPeter Dotsalaere – 6 July 1865 – Hanged at Melbourne Gaol for the murder of Catherine Jacobs at 106 LaTrobe Street Melbourne\nDavid Young – 21 August 1865 – Hanged at Castlemaine Gaol for the murder of Margaret Graham at Daylesford\nThomas (\"Yankee Tom\") Menard – 28 October 1865 – Hanged at Geelong for the murder of James Sweeney at Warrnambool\nPatrick Sheehan – 6 November 1865 – Hanged at Beechworth for the murder of James Kennedy at Rowdy Flat Yackandandah\nLong Poy – 10 March 1866 – Hanged at Castlemaine for the murder of Ah Yong at Emu Flat\nJames Jones – 19 March 1866 – Hanged at Ballarat for the murder of Dr Julius Saenger, committed at Scarsdale\nRobert Bourke (alias Cluskey) – 29 November 1866 – Bushranger. Hanged at Melbourne Gaol for the murder of Harry Facey Hurst at Diamond Creek\nDenis Murphy – 16 April 1867 – Hanged at Ballarat for the murder of Patrick O'Meara at Bullarook\nJohn Kelly – 4 May 1867 – Hanged at Beechworth for sodomy on eighteen-month-old James Strack at Wangaratta\nWilliam Terry – 31 July 1867 – Hanged at Castlemaine for the murder of a man named Peter Reddick or Redyk on the Coliban near Taradale\nGeorge Searle – 7 August 1867 – Hanged at Ballarat for the murder of Thomas Burke at Piggoreet\nJoseph Ballan – 7 August 1867 – Hanged at Ballarat for the murder of Thomas Burke at Piggoreet\nBernard Cunningham – 31 March 1868 – Confederate Army veteran. Hanged at Melbourne Gaol for the murder of John Fairweather at Green Gully, near Keilor\nJoseph Whelan – 31 March 1868 – Hanged at Melbourne Gaol for the murder of farmer Tom Branley at Rokewood\nJohn Hogan – 14 August 1868 – Hanged at Castlemaine for the murder of Martin Rooney, committed at Bullock Creek, outside Marong\nMichael Flannigan (Flannagan) – 31 March 1869 – Hanged at Melbourne Gaol for the murder of Sgt Thomas Hull at Hamilton\nJames Ritson – 3 August 1869 – Hanged at Melbourne Gaol for the murder of the Methodist Minister William Hill, who was visiting him at A Division, Pentridge\nPeter Higgins (alias James Smith) – 11 November 1869 – Hanged at Beechworth for the murder of his wife Elizabeth Wheelahan near Springhurst\n\n1870s\nAh Pew – 23 May 1870 – Hanged at Castlemaine for the murder of nine-year-old Elizabeth Hunt at Glenluce, near Vaughan\nPatrick Smith – 4 August 1870 – Hanged at Melbourne Gaol for the murder of his wife Mary at North Melbourne\nAndrew Vair (Vere) – 15 August 1870 – Hanged at Ararat for murder of Amos Cheale at St Arnaud\nJames Cusack – 30 August 1870 – Hanged at Melbourne Gaol for the murder of his wife Anne at Woods Point\nJames Seery – 14 November 1870 – Hanged at Melbourne Gaol for the murder of August Tepfar at Crooked River, Gippsland\nJames Quinn – 10 November 1871 – Hanged at Beechworth for the murder of Ah Woo, near Myrtleford\nPatrick Geary – 4 December 1871 – Hanged at Melbourne Gaol for the murder of a shepherd named Thomas Brookhouse near Colac in 1854\nEdward Feeney – 14 May 1872 – Hanged at Melbourne Gaol for the murder of Charles Marks in the Treasury Gardens\nJames Wilkie – 20 May 1872 – Hanged at Castlemaine for the murder of Henry Pensom at Daylesford\nSamuel Wright – 11 March 1873 – Hanged at Castlemaine for the attempted murder of Arthur Hagan (or Hogan) at Dead Horse Flat, near Eaglehawk\nThomas Brady – 12 May 1873 – Hanged at Beechworth for the murder of John Watt (\"The Wooragee Murder\")\nJames Smith – 12 May 1873 – Hanged at Beechworth for the murder of John Watt (\"The Wooragee Murder\")\nPierre Borbun (Barburn, Borhuu) – 20 May 1873 – Hanged at Castlemaine for the murder of Sarah Smith, the publican's wife at the White Swan Hotel, Sunrise Gully, Kangaroo Flat\nOscar (or Hasker) Wallace - 11 August 1873 - Hanged at Ballarat for the rape of Mary Cook at Mount Beckworth, near Clunes\nAh Kat (Ah Cat) – 9 August 1875 – Hanged at Castlemaine for the murder of Friedrich Renzelmann at Bet Bet, near Dunolly\nAn Gaa – 30 August 1875 – Hanged at Melbourne Gaol for the murder of Pooey Waugh, committed at Vaughan\nHenry Howard – 4 October 1875 – Hanged at Melbourne Gaol for the murder of Elizabeth Wright, licensee of the Frankston Hotel\nJohn Weachurch (alias Taylor) – 6 December 1875 – Hanged at Melbourne Gaol for attempted murder of Warder Patrick Moran\nJohn Duffus – 22 May 1876 – Hanged at Castlemaine, having been handed in by his wife for the rape of his eleven-year-old daughter Mary Ann near Goornong\nJames (\"Donegal Jim\") Ashe – 21 August 1876 – Hanged at Ballarat for the rape of Elizabeth Reece at Burrumbeet\nBasileo Bondietto – 11 December 1876 – Hanged at Melbourne Gaol for the murder of Carlo Comisto near Tallarook\nWilliam Hastings – 14 March 1877 – Hanged at Melbourne Gaol for the murder of his wife Annie near Mount Eliza\nThomas Hogan – 9 June 1879 – Hanged at Beechworth for fratricide at Bundalong, near Yarrawonga\n\n1880s\nNed Kelly 25 – 11 November 1880 – Bushranger. Hanged at Melbourne Gaol for the murder of Constable Thomas Lonigan\nRobert Rohan – 6 June 1881 – Hanged at Beechworth for the murder of John Shea at Yalca\nRobert Francis Burns – 25 September 1883 – Confessed to eight murders. Hanged at Ararat for the murder of Michael Quinliven at Wickliffe\nHenry Morgan – 6 June 1884 – Hanged at Ararat for the rape and murder of ten-year-old Margaret Nolan at Panmure\nJames Hawthorn – 21 August 1884 – Hanged at Melbourne Gaol for fratricide at Brighton\nWilliam O'Brien – 24 October 1884 – Hanged at Melbourne Gaol for the murder of farmer Peter McAinsh at Lancefield\nWilliam Barnes – 15 May 1885 – Hanged at Melbourne Gaol for the murder of Joe Slack at South Melbourne\nCharles Bushby (alias Baker) – 3 September 1885 – Hanged at Ballarat for attempted murder of Det Sgt Richard Hyland near Gong Gong\nEdward (\"The Fiddler\") Hunter – 27 November 1885 – Hanged at Bendigo Prison for the murder of Jim Power at the Golden Fleece Hotel, Charlton\nFreeland Morell – 7 January 1886 – Hanged at Melbourne Gaol for murder of fellow sailor John Anderson on the docks at Port Melbourne\nGeorge Syme – 9 November 1888 – Hanged at Melbourne Gaol for the murder of his mother-in-law Margaret Clifford at Lilydale\nWilliam Harrison – 18 March 1889 – Hanged at Bendigo for the murder of 'Corky Jack' Duggan at Elmore\nFilipe Castillo - 16 September 1889 – Hanged at Melbourne Gaol for the murder of Annie Thornton at North Carlton\nRobert Landells – 16 October 1889 – Hanged at Melbourne Gaol for the murder of Peter Sherlock at Chamber's Paddock, about 6 km from Ringwood\n\n1890s\nJohn Thomas Phelan – 16 March 1891 – Hanged at Melbourne Gaol for the murder of his de facto wife Ada Hatton at St.James' Place (now Ellis St) South Yarra\nJohn Wilson – 23 March 1891 – Hanged at Melbourne Gaol for the murder of his fiancée Estella Marks at Darling Gardens, Clifton Hill\nCornelius Bourke – 20 April 1891 – Hanged at Ballarat for the murder of an elderly prisoner named Peter Stewart in the gaol at Hamilton\nFatta Chand – 27 April 1891 – Hanged at Melbourne Gaol for the murder of Juggo Mull at Healesville\nFrank Spearin (also called John Wilson) – 11 May 1891 – Hanged at Ballarat for the rape of six-year-old Adeline Shepherd at Eastern Oval, Ballarat\nJames Johnston – 18 May 1891 – Hanged at Ballarat Gaol for murdering his wife Mary and their four children in Drummond Street North, Ballarat\nWilliam Coulston (Colston) – 21 August 1891 – Hanged at Melbourne Gaol for the murder of Mary & William Davis at Narbethong\nFrederick Bailey Deeming – Murdered at least six people. Hanged at Melbourne Gaol for the murder of Emily Mather at Windsor – 23 May 1892\nJohn Conder – 28 August 1893 – Hanged at Melbourne Gaol for the murder of Karamjit Singh near Buchan\nFrances Knorr – 15 January 1894 – \"The Brunswick Baby Farmer\" – Hanged at Melbourne Gaol for the murder of two infants\nErnest Knox – 19 March 1894 – Hanged at Melbourne Gaol for the murder of Isaac Crawcour while in the act of burglary at Williamstown\nFred Jordan – 20 August 1894 – Hanged at Melbourne Gaol for the murder of his girlfriend Minnie Crabtree at Port Melbourne\nMartha Needle – 22 October 1894 – Murdered five people by poison. Hanged at Melbourne Gaol for the murder of Louis Juncken at 137 Bridge Road Richmond\nElijah Cockroft – 12 November 1894 – Hanged at Ballarat for the murder of Fanny Mutt at Noradjuha, near Natimuk\nArthur Buck – 1 July 1895 – Hanged at Melbourne Gaol for the murder of Catherine Norton at South Melbourne\nEmma Williams – 4 November 1895 – Hanged at Melbourne Gaol for the murder of her two-year-old son John at Port Melbourne\nCharles Henry Strange – 13 January 1896 – Hanged at Melbourne Gaol for the murder of Fred Dowse at Lakes Entrance\nCharles John Hall – 13 September 1897 – Hanged at Bendigo for the murder of his wife Minnie at Eaglehawk\nAlfred Archer – 21 November 1898 – Hanged at Melbourne Gaol for the murder of William Matthews at Strathmerton\n\n1900s to 1920s\nWilliam Robert Jones – 26 March 1900 – Hanged at Melbourne Gaol for murdering eight-year-old Rita Jones at Broadford\nAlbert Edward McNamara – 14 April 1902 – Hanged at Melbourne Gaol for arson causing death of his four-year-old son Bert at Carlton\nAugust Tisler (Sippol) – 20 October 1902 – Hanged at Melbourne Gaol for the murder of Edward Sangal at Dandenong\nJames Coleman Williams – 8 September 1904 – Hanged at Melbourne Gaol for the murder of his employer's wife Mary Veitch at O'Grady Street Clifton Hill\nCharles Deutschmann – 29 June 1908 – Hanged at Ballarat for the murder of his wife Isabella Deutschmann at Dobie, near Ararat\nJoseph Pfeiffer – 29 April 1912 – Hanged at Melbourne Gaol for shooting his sister-in-law Florence Whitely at 102 Mills Street, Middle Park\nJohn Jackson – 24 January 1916 – Hanged at Melbourne Gaol for the murder of Constable David McGrath while in the act of robbing the Trades Hall\nAntonio Picone – 18 September 1916 – Hanged at Melbourne Gaol for the murder of Giuseppe Lauricella at Queen Victoria Market\nAlbert Edward Budd (39) – 29 January 1918 – Hanged at Melbourne Gaol for the murder of his foster-sister Annie Samson at Port Melbourne\nGeorge Farrow Blunderfield – 15 April 1918 – Hanged at Melbourne Gaol for the murder of mother and daughter Margaret & Rose Taylor at Trawool\nColin Campbell Ross – 24 April 1922 – Hanged at Melbourne Gaol for the Gun Alley Murder. Posthumously pardoned in 2007, the only instance of a pardon for a judicially executed person in Australia\nAngus Murray (real name Henry Donnelly) – 14 April 1924 – Hanged at Melbourne Gaol for the murder of Thomas Berriman at Glenferrie Station\n\n1930 onwards\nDavid Bennett – 26 September 1932 – Hanged at Pentridge Prison for the rape of a four-year-old girl at North Carlton (sentenced to death for a similar offence in WA in 1911). The first execution at Pentridge.\nArnold Sodeman – 1 June 1936 – \"The Schoolgirl Strangler\" – Confessed to the murder of four girls. Hanged at Pentridge.\nEdward Cornelius – 22 June 1936 – Hanged at Pentridge for the murder of the Reverend Laceby Cecil at St. Saviour's Collingwood (\"The Vicarage Murder\").\nThomas William ('Nugget') Johnson – 23 January 1939 – Hanged at Pentridge for the murder of Chares Bunney and Robert Gray at the former Windsor Castle Hotel, Dunolly.\nGeorge Green – 17 April 1939 – Hanged at Pentridge for the murder of Phyllis and Annie Wiseman at Glenroy.\nAlfred Bye – 22 December 1941 – Hanged at Pentridge for stabbing to death Thomas Walker off Treasury Place. Bye took over twenty-two minutes to die.\nEddie Leonski – 9 November 1942 – \"The Brownout Strangler\" – Hanged at Pentridge for the murders of Ivy McLeod (at Victoria Avenue, Albert Park), Pauline Thompson (at Spring Street, Melbourne) and Gladys Hosking (at Gatehouse Street, Parkville).\nJean Lee – 19 February 1951 – Hanged at Pentridge for the murder of 'Pop' Kent in Dorrit Street, Carlton. The last woman executed in Australia.\nNorman Andrews – 19 February 1951 – Hanged at Pentridge for the murder of 'Pop' Kent.\nRobert David Clayton – 19 February 1951 – Hanged at Pentridge for the murder of 'Pop' Kent.\nRonald Ryan – 3 February 1967 – Hanged at Pentridge for the murder of Prison Officer George Hodson. The last person executed in Australia.\n\nWestern Australia\n\nLong Island, Houtman Abrolhos\n Jeronimus Corneliszoon - 2 October 1629 - Hanged as party to the murder of 125 men, women and children\n Lenert Michielsz - 2 October 1629 - Hanged as party to the murder of 125 men, women and children\n Mattys Beijr - 2 October 1629 - Hanged as party to the murder of 125 men, women and children\n Jan Hendricx - 2 October 1629 - Hanged as party to the murder of 125 men, women and children\n Allert Janssen - 2 October 1629 - Hanged as party to the murder of 125 men, women and children\n Rutger Fredericxsz - 2 October 1629 - Hanged as party to the murder of 125 men, women and children\n Andries Jonas - 2 October 1629 - Hanged as party to the murder of 125 men, women and children\n\nYork\n Doodjeep – 7 July 1840 – Hanged in chains at the site of the crime, for the murders of Sarah Cook and her 8-month-old child on 18 May 1839 at Norrilong, York\n Barrabong – 7 July 1840 – Hanged in chains at the site of the crime for the murders of Sarah Cook and her 8-month-old child on 18 May 1839 at Norrilong, York\n\nMullewa\n Wangayackoo – 28 January 1865 - Hanged at Butterabby, the site of the crime, for the spearing of Thomas Bott\n Yermakarra – 28 January 1865 - Hanged at Butterabby, the site of the crime, for the spearing of Thomas Bott\n Garolee – 28 January 1865 - Hanged at Butterabby, the site of the crime, for the spearing of Thomas Bott\n Charlakarra – 28 January 1865 - Hanged at Butterabby, the site of the crime, for the spearing of Thomas Bott\n Williakarra – 28 January 1865 - Hanged at Butterabby, the site of the crime, for the spearing of Thomas Bott\n\nKellerberrin\n Ngowee - 19 January 1866 - For the murder of Edward Clarkson on 21 August 1865, hanged at the site of the crime, at Dalbercuttin, near Kellerberrin\n Egup (Condor) - 21 April 1866 - For the murder of Edward Clarkson on 21 August 1865, hanged at the site of the crime, at Dalbercuttin, near Kellerberrin\n\nRoebourne\n Cooperabiddy – 20 March 1893 – Hanged for murder of James Coppin, described as a 'half-caste', at the Hamersley Ranges\n Doulga – 28 December 1896 – Hanged for the murder of John Horrigan at Lagrange Bay on 28 March 1896 \n Caroling – 14 May 1900 – Hanged for the murder of Dr Edward Vines at Braeside station\n Poeling – 14 May 1900 – Hanged for the murder of Dr Edward Vines at Braeside station\n Weedabong – 14 May 1900 – Hanged for the murder of Dr Edward Vines at Braeside station\n\nDerby\n Lillimara – 21 October 1899 – hanged at Derby Gaol for murder of Thomas Jasper on 17 March 1897 on Oscar Range Station, Fitzroy Crossing\n Mullabudden – 12 May 1900 – hanged at Derby Gaol for murder of John Dobbie on 12 March 1899 at Mount Broome\n Woolmillamah – 12 May 1900 – hanged at Derby Gaol for murder of John Dobbie on 12 March 1899 at Mount Broome\n\nHalls Creek\n Tomahawk – 18 March 1892 – Hanged at Mount Dockerell, the site of the crime, for the murder of William Miller on 26 June 1891\n Dicky – 18 March 1892 – Hanged at Mount Dockerell, the site of the crime, for the murder of William Miller on 26 June 1891\n Chinaman (Jerringo) – 18 March 1892 – Hanged at Mount Dockerell, the site of the crime, for the murder of William Miller on 26 June 1891\n\nGeraldton\n Sing Ong – 29 October 1884 – Hanged for the murder of Chung Ah Foo on 11 May 1884 at Shark Bay\n\nAlbany\n Peter McKean (alias William McDonald) – 12 October 1872 – Hanged for the murder of William \"Yorkie\" Marriott on 30 June 1872 at Slab Hut Gully (Tunney), between Kojonup and Cranbrook\n\nPerth\n Midgegooroo – 22 May 1833 – Executed at the Perth Gaol by firing squad on a death warrant issued summarily by Lieutenant Governor Frederick Irwin, for the murders of Thomas and John Velvick at Bull's Creek on 31 March 1833\n Mendik – 14 October 1841 – Hanged at the site of the crime for the murder of twelve-year-old John Burtenshaw on the Canning River at Maddington on 16 July 1839\n Buckas (a lascar) – January 1845 – Hanged at Perth for rape on a child under ten years of age\n James Malcolm – 14 April 1847 – Hanged at the site of the crime, the Burswood Estate (Victoria Park), for highway robbery and murder of Clark Gordon on 6 January 1847\n Kanyin – 12 April 1850 – Hanged at Redcliffe for the murder of Yadupwert at York. This was the first public execution in Western Australia for inter se murder\n Edward Bishop - 12 October 1854 - Hanged at South Perth for the murder of Ah Chong, a chinaman, at York. Protested his innocence to the end. Three years later William Voss confessed to the crime. Voss was hanged in 1862 at Perth Gaol for the murder of his wife\n Samuel Stanley – 18 April 1855 – Hanged at Victoria Park for the murder of Catherine Dayly on the York Road\n Jacob – 18 April 1855 – Hanged at Victoria Park for the murder of Bijare at Gingin on 25 September 1854\n Yoongal – 14 July 1855 – Hanged at Victoria Park for the murder of Kanip at the Hotham River\n Yandan – 14 July 1855 – Hanged at Victoria Park for the murder by spearing of a ten-year-old girl named Yangerdan near York\n\nHanged at the Perth Gaol:\n Bridget Hurford – 15 October 1855 – for the murder of her husband John Hurford at Vasse\n William Dodd – 15 October 1855 – for the murder of John Hurford at Vasse\n George Williams – 15 October 1855 – for wounding Warder James McEvoy with a shovel at the Convict Establishment on 26 September 1855 \n John Scott – 14 January 1856 – for the murder of William Longmate at Vasse\n Daniel Lewis (Convict # 2972)- January 1857 - for the rape of Ellen Horton at Woorooloo\n John Lloyd – 29 October 1857 – for wounding with intent to kill John Brown at Port Gregory in June 1857\n Richard Bibbey – 17 October 1859 – for the murder of Billamarra at Upper Irwin in March 1859. First European executed for murder of an aboriginal in Western Australia\n Thomas Airey - 13 October 1860 - for the rape of five-year-old Lydia Farmer at Perth in July. Had been granted ticket-of-leave 4 June 1860.\n John Caldwell - 13 October 1860 - for rape and murder of an aboriginal girl at Champion Bay. A ticket-of-leave man.\n Thomas Clancy – 10 January 1861 – for the rape of seven-year-old Ellen Jane White at Bunbury\n Joseph McDonald – 10 January 1861 – for rape at Toodyay\n Robert Thomas Palin – 6 July 1861 – for robbery with violence of Susan Harding at Fremantle\n William Voss – 9 January 1862 – for the murder of his wife Mary Moir at York on 11 November 1861\n Kewacan (Larry) – 24 January 1862 – for the murder of Charles Storey at Jacup on 23 July 1861\n Long Jimmy – 24 January 1862 – for the murder of Charles Storey at Jacup on 23 July 1861 \n Narreen – 10 April 1862 – for the murder of an Indigenous girl called Nelly at Victoria Plains\n Eenue – 10 April 1862 – for the murder of an Indigenous girl called Nelly at Victoria Plains\n Finger – 10 April 1862 – for the murder of Charles Storey at Jacup on 23 July 1861\n Thomas Pedder – 21 March 1863 – for the murder of Thomas Sweeny, a shepherd, at Irwin River on 1 December 1862\n John Thomas – 8 September 1863 – for the murder of Duncan Urquhart at Peninsula Farm on 6 June 1863\n Joseph White – 21 October 1863 – for rape of 13 yo Jane Rhodes, at Greenough on 18 August 1863\n Teelup – 21 October 1863 – for the murder of Charles Storey at Jacup on 23 July 1861\n Narrigalt – 18 July 1865 – for the murder of Martha Farling, a 3 year-old 'half-caste' girl, near York on 26 May 1865\n Youndalt – 18 July 1865 – for the murder of Martha Farling, a 3 yo 'half-caste' girl, near York on 26 May 1865 \n Nandingbert – 18 July 1865 – for the murder of Quatcull near Albany on 14 May 1865\n Yardalgene (also called Jackey Howson) – 18 July 1865 – for the murder of Quatcull near Albany on 14 May 1865 \n Daniel Duffy - 11 January 1866 - an escaped convict, hanged for the murder of Edward Johnson on 5 November 1865 at Northam \n Matthew Brooks - 11 January 1866 - an escaped convict, hanged for the murder of Edward Johnson on 5 November 1865 at Northam\n Bernard Wootton (also called MacNulty) - 8 October 1867 - an escaped convict, hanged for the attempted murder of Police Sgt. John Moye after his recapture at Murramine, near Beverley. Hanged at Perth Gaol.\n James Fanning – 14 April 1871 – for the rape of thirteen-year-old Mary Dawes on the Albany Road on 24 November 1870. The first private execution and the last execution for rape in the colony\n Margaret Cody – 15 July 1871 – for the murder of James Holditch, at North Fremantle on 4 March 1871\n William Davis – 15 July 1871 – for the murder of James Holditch, at North Fremantle on 4 March 1871\n Briley (Briarly) – 13 October 1871 – for the murder of Charley (Wickin) at Albany\n Noorbung – 13 October 1871 – for the murder of Margaret Mary McGowan at Boyanup on 30 June 1871\n Charcoal (Mullandaridgee) – 15 February 1872 – for the murder of Samuel Wells Lazenby at Port Walcott on 7 August 1871\n Tommy (Mullandee) – 15 February 1872 – for the murder of Samuel Wells Lazenby at Port Walcott on 7 August 1871\n Yarradeee – 16 October 1873 – for the murder and cannibalism of three-year-old Edward William Dunn at Yanganooka, Port Gregory on 5 October 1865\n Muregelly – 16 October 1873 – for the murder and cannibalism of three-year-old Edward William Dunn at Yanganooka, Port Gregory on 5 October 1865\n Robert Goswell – 13 January 1874 – for murder of Mary Anne Lloyd at Stapelford, Beverley on 1 December 1873\n John Gill – 4 April 1874 – hanged for the murder of William Foster at Narrogin on 13 February 1874\n Bobbinett – 22 April 1875 – for the murder of Police Lance-Corporal William Archibald Armstrong near Kojonup on 14 January 1875\n Wanaba (or Wallaby) – 22 April 1875 – for the murder of Tommy Howell (or Moul), a police native assistant, near Yalgoo on 10 July 1874\n Wandagary – 22 April 1875 – for the murder of Tommy Howell (or Moul), a police native assistant, near Yalgoo on 10 July 1874\n Kenneth Brown – 10 June 1876 – for the murder of his wife Mary Ann on 3 January 1876 at Geraldton\n Yarndu – 16 October 1876 \n Chilagorah – 29 April 1879 – for the murder of Pintagorah at Cossack on 31 January 1879\n Ah Kett – 27 January 1883 – for the murder of Foo Ah Moy, at Cheritah Station, Roebourne on 2 July 1883 \n John Collins – 27 January 1883 – for the murder of John King at the Kalgan River near Albany on 2 October 1882\n John Maroney – 25 October 1883 – for the murder of James Watson at Yellenup, Kojonup on 1 May 1883\n William Watkins – 25 October 1883 – for the murder of James Watson at Yellenup, Kojonup on 1 May 1883\n Henry Benjamin Haynes – 23 January 1884 – for the murder of his wife Mary Ann Haynes at Perth on 12 October 1883\n Thomas Henry Carbury – 23 October 1884 – for the murder of Constable Hackett at Beverley on 12 September 1884 \n John Duffy – 28 January 1885 – for the murder of his wife Mary Sultana McGann at Fremantle on 21 November 1884\n Henry Sherry – 27 October 1885 – for the murder of Catherine Waldock at Quinderring, Williams on 16 September 1885\n Franz Erdmann – 4 April 1887 – for the murder of Anthony Johnson at McPhee's Creek, Kimberley on 27 October 1886\n William Conroy – 18 November 1887 – for the murder of John Snook at Fremantle Town Hall on 23 June 1887\n\nRottnest\n Tampin – 16 July 1879 – Hanged for the murder of John Moir at Stokes Inlet on 29 March 1877\n Wangabiddi – 18 Jun 1883 – Hanged for the murder of Charles Redfern at Minni-Minni on the Gascoyne River in May 1882 \n Guerilla – 18 June 1883 – Hanged for the murder of Anthony Cornish at Fitzroy River on 12 December 1882\n Naracorie – 3 August 1883 – Hanged for the murder of Charles Brackell at Wandagee on the Minilya River on 31 July 1882 \n Calabungamarra – 13 June 1888 – Hanged for the murder of a Chinese man, Indyco, at Hamersley Range\n\nFremantle\n\nHanged at the Round House:\n John Gaven – 6 April 1844 – Hanged for the murder of George Pollard at South Dandalup\n\nHanged at Fremantle Prison:\n Long Jimmy (alias Jimmy Long) – 2 March 1889 – A Malay, hanged for the murder of Claude Kerr on board the pearling lugger 'Dawn' at Cossack on 7 September 1888\n Ahle Pres (alias Harry Pres) – 8 November 1889 – A Singapore Malay, hanged for the murder of Louis, a Filipino, near Halls Creek, on 9 June 1889\n Ah Chi (alias Li Ki Hong) – 16 April 1891 – Hanged for the murder of Ah Gin at Daliak, York on 3 March 1891\n Chew Fong – 29 April 1892 – Hanged for the murder of Ah Pang at Meka Station on 23 Dec 1891\n Lyee Nyee – 29 April 1892 – Hanged for the murder of Ah Pang at Meka Station on 23 Dec 1891\n Yung Quonk (Young Quong) – 29 April 1892 – Hanged for the murder of Ah Pang at Meka Station on 23 Dec 1891\n Sin Cho Chi – 29 April 1892 – Hanged for the murder of George E.B Fairhead, at a Mill Stream out-station, near Roebourne\n Goulam Mahomet – 2 May 1896 – Hanged for the murder of Tagh Mahomet in the mosque at Coolgardie on 10 January 1896\n Jumna Khan – 31 March 1897 – Hanged for the murder of William Griffiths in High Street, Fremantle on 3 December 1896\n Pedro De La Cruz – 19 July 1900 – Hanged for the murder of Captain John Arthur Reddell of the brigantine Ethel, his 19-year-old son Leslie, the mate James Taylor, and two crew-members (Ando, who was Japanese, and Jimmy, who was Indigenous), at the La Grange Bay pearling grounds, near Broome, on 19 October 1899\n Peter Perez – 19 July 1900 – Hanged for the murder of Captain John Arthur Reddell of the brigantine Ethel, his 19-year-old son Leslie, the mate James Taylor, and two crew-members (Ando, who was Japanese, and Jimmy, who was Indigenous), at the La Grange Bay pearling grounds, near Broome, on 19 October 1899\n Samuel Peters – 9 September 1902 – Hanged for the murder of his wife Trevenna Peters at Leederville on 3 July 1903 \n Stelios Psichitas – 15 April 1903 – Greek national, hanged for the rape and murder of his sister-in-law Sophia Psichitas (nee Leadakis) and murder of his 4-month-old nephew Emanuel at Lawlers on 20 December 1902\n Fredric Maillat – 21 April 1903 – French national, hanged for the murder of Charles Lauffer, at Smith's Mill, Glen Forest, on 4 February 1903\n Sebaro Rokka – 7 July 1903 – Hanged for the murder of Dollah and another Malay at Point Cunningham, near Derby on 20 February 1903\n Ah Hook – 11 January 1904 – Hanged for the murder of Yanoo, a Japanese laundryman, at Carnarvon on 26 August 1903\n Manoor Mohomet – 4 May 1904 – Hanged for the murder of Meer, an Afghan, at Kensington, near Menzies on 16 November 1903\n Simeon Espada – 14 December 1905 – Hanged for the murder of Mark Lieblig at Broome on 30 August 1905\n Charles Hagen – 14 December 1905 – Hanged for the murder of Mark Lieblig at Broome on 30 August 1905\n Pablo Marquez – 14 December 1905 – Hanged for the murder of Mark Lieblig at Broome on 30 August 1905\n Antonio Sala – 19 November 1906 – Hanged for the murder of Battista Gregorini at Mt Jackson on 13 September 1906\n Augustin De Kitchilan – 23 October 1907 – Hanged for the murder of Leah Fouracre at Peppermint Grove Farm, Waroona on 15 or 16 August 1907 \n Harry G. Smith – 23 March 1908 – Hanged for the murder of William John Clinton at Day Dawn on 5 January 1908\n Iwakichi Oki – 22 October 1908 – Hanged for the murder of James Henry Shaw at West Murray, Pinjarra on 23 August 1908\n Martha Rendell – 6 October 1909 – Hanged for the murder of her 14-year-old stepson Arthur Morris by poisoning on 8 October 1908, suspected of killing two younger stepchildren\n Peter Robustelli – 9 February 1910 – Hanged for the murder of Giovanni Forsatti in a lane between Bayley and Woodward streets, Coolgardie on 19 October 1909 \n Alexander Smart – 7 March 1911 – Hanged for the murder of Ethel May Harris at 5 Cowle Street, West Perth on 10 March 1910\n David H Smithson – 25 July 1911 – Hanged for the rape and murder of 18-year-old Elizabeth Frances Compton at Woodlupine on 13 May 1911\n Charles Spargo – 1 July 1913 – Hanged for the murder of Gilbert Pickering Jones at Broome on 23 January 1913\n Charles H. Odgers – 14 January 1914 – Hanged for the murder of Edith Molyneaux at Balgobin, Dandalup on 3 October 1913; also charged with murder of Richard Thomas Williams at Waroona on 14 September 1913\n Andrea Sacheri (alias Joseph Cutay) - 12 April 1915 – Hanged for the murder of 11-year-old Jean Bell at Marrinup, near Dwellingup, on 12 January 1915 \n Frank Matamin (alias Rosland) – 12 March 1923 – Hanged for the murder of Zareen at Nullagine on 27 August 1922\n Royston Rennie – 2 August 1926 – Hanged for the murder of John Roger Greville on the train between East Perth and Perth stations on 3 June 1926\n William Coulter – 25 October 1926 – Hanged for the murders of Inspector John Walsh and Sergeant Alexander Pitman near Boulder on 28 April 1926\n Phillip J. Trefene – 25 October 1926 – Hanged for the murders of Inspector John Walsh and Sergeant Alexander Pitman near Boulder on 28 April 1926\n John Sumpter Milner – 21 May 1928 – Hanged for the rape and murder of 11-year-old Ivy Lewis at Darkan on 28 February 1928\n Clifford Hulme – 3 September 1928 – Hanged for the murder of Harold Eaton Smith at Wubin on 22 June 1928\n Antonio Fanto – 18 May 1931 – Hanged for the murder of Cosimo Nesci (sometimes Nexi, Xesci) at Latham on 20 March 1931\n John Thomas Smith (Snowy Rowles) – 13 June 1932 – Hanged for the murder of Louis George Carron near the 183 mile gate on the No. 1 Rabbit-proof fence, near Youanmi, on or about 20 May 1930 \n Karol Tapci – 23 June 1952 – Hanged for the murder of Norman Alfred Perfect at Wubin on 17 March\n Robert Jeremiah Thomas – 18 July 1960 – Hanged for the murder of taxi-driver Keith Mervyn Campbell Wedd at Claremont on 22 June 1959. Also charged with the murder of John and Kaye O'Hara in Jimbell St, Mosman Park.\n Mervyn Fallows – 6 June 1961 – Hanged for the rape and murder of 11-year-old Sandra Dorothea Smith at North Beach on or before 29 December 1960\n Brian William Robinson – 20 January 1964 – Hanged for the murder of Constable Noel Ileson at Belmont on 9 February 1963\n Eric Edgar Cooke – 26 October 1964 – Hanged for murder of John Lindsay Sturkey at Nedlands on 27 January 1963\n\nReferences\n\nFurther reading \n Purdue, Brian Legal Executions in Western Australia, Foundation Press, Victoria Park, WA, 1993. \n Heaton, J.H. Australian Dictionary of Dates and Men of the Time, S.W. Silver & Son, London, 1879. Part 2, pages 90–94.\n\nAustralian crime-related lists\nExecuted\nAustralia\n \nExecutions\nExecutions" ]

[ "Mary Elizabeth Jenkins Surratt (1820 or May 1823 – July 7, 1865) was an American boarding house owner in Washington, D.C., who was convicted of taking part in the conspiracy which led to the assassination of U.S. President Abraham Lincoln in 1865. Sentenced to death, she was hanged and became the first woman executed by the US federal government. She maintained her innocence until her death, and the case against her was and is controversial.", "She maintained her innocence until her death, and the case against her was and is controversial. Surratt was the mother of John Surratt, who was later tried, but due to statute of limitations, was not convicted. Born in Maryland in the 1820s, Surratt converted to Catholicism at a young age and remained a practicing Catholic for the rest of her life. She wed John Harrison Surratt in 1840 and had three children with him.", "She wed John Harrison Surratt in 1840 and had three children with him. An entrepreneur, John became the owner of a tavern, an inn, and a hotel. The Surratts were sympathetic to the Confederate States of America and often hosted fellow Confederate sympathizers at their tavern. Upon her husband's death in 1862, Surratt had to manage his estate. Tired of doing so without help, Surratt moved to her townhouse in Washington, D.C., which she then ran as a boardinghouse.", "Tired of doing so without help, Surratt moved to her townhouse in Washington, D.C., which she then ran as a boardinghouse. There, she was introduced to John Wilkes Booth. Booth visited the boardinghouse numerous times, as did George Atzerodt and Lewis Powell, Booth's co-conspirators in the Lincoln assassination. Shortly before killing Lincoln, Booth spoke with Surratt and handed her a package containing binoculars for one of her tenants, John M. Lloyd.", "Shortly before killing Lincoln, Booth spoke with Surratt and handed her a package containing binoculars for one of her tenants, John M. Lloyd. After Lincoln was assassinated, Surratt was arrested, then tried by a military tribunal the following month, along with the other conspirators. She was convicted primarily due to the testimonies of Lloyd, who said that she told him to have the \"shooting irons\" ready, and Louis J. Weichmann, who testified about Surratt's relationships with Confederate groups and sympathizers.", "She was convicted primarily due to the testimonies of Lloyd, who said that she told him to have the \"shooting irons\" ready, and Louis J. Weichmann, who testified about Surratt's relationships with Confederate groups and sympathizers. Five of the nine judges at her trial asked that Surratt be granted clemency by President Andrew Johnson because of her age and gender. Johnson did not grant her clemency, though accounts differ as to whether or not he received the clemency request.", "Johnson did not grant her clemency, though accounts differ as to whether or not he received the clemency request. Surratt was hanged on July 7, 1865, and later buried in Mount Olivet Cemetery. She has since been portrayed in film, theater, and television. Early life Mary Elizabeth Jenkins (baptismal name, Maria Eugenia) was born to Archibald and Elizabeth Anne (née Webster) Jenkins on a tobacco plantation near the southern Maryland town of Waterloo (now known as Clinton).", "Early life Mary Elizabeth Jenkins (baptismal name, Maria Eugenia) was born to Archibald and Elizabeth Anne (née Webster) Jenkins on a tobacco plantation near the southern Maryland town of Waterloo (now known as Clinton). Sources differ as to whether she was born in 1820 or 1823. There is uncertainty as to the month as well, but most sources say May. She had two brothers: John Jenkins, born in 1822, and James Jenkins, born in 1825.", "She had two brothers: John Jenkins, born in 1822, and James Jenkins, born in 1825. Her father died in the fall of 1825 when Mary was either two or five years old, and Mary's mother then inherited their property (originally part of the His Lordship's Kindness estate). Although her father was a nondenominational Protestant and her mother Episcopalian, Surratt was enrolled in a private Roman Catholic girls' boarding school, the Academy for Young Ladies in Alexandria, Virginia, on November 25, 1835.", "Although her father was a nondenominational Protestant and her mother Episcopalian, Surratt was enrolled in a private Roman Catholic girls' boarding school, the Academy for Young Ladies in Alexandria, Virginia, on November 25, 1835. Mary's maternal aunt, Sarah Latham Webster, was a Catholic, which may have influenced where she was sent to school. Within two years, Mary converted to Roman Catholicism and adopted the baptismal name of Maria Eugenia.", "Within two years, Mary converted to Roman Catholicism and adopted the baptismal name of Maria Eugenia. She stayed at the Academy for Young Ladies for four years, leaving in 1839, when the school closed. She remained an observant Catholic for the rest of her life. Married life Mary Jenkins met John Harrison Surratt in 1839, when she was 16 or 19 and he was 26. His family had settled in Maryland in the late 1600s.", "His family had settled in Maryland in the late 1600s. An orphan, he was adopted by Richard and Sarah Neale of Washington, D.C., a wealthy couple who owned a farm. The Neales divided their farm among their children, and Surratt inherited a portion of it. His background has been described by historian Kate Clifford Larson as \"questionable\", and he had fathered at least one child out of wedlock. They wed in August 1840.", "They wed in August 1840. They wed in August 1840. John converted to Roman Catholicism prior to the marriage, and the couple may have wed at a Catholic church in Washington, D.C. John purchased a mill in Oxon Hill, Maryland, and the couple moved there. The Surratts had three children over the next few years: Isaac (born June 2, 1841), Elizabeth Susanna (nicknamed \"Anna\", born January 1, 1843), and John, Jr. (born April 1844).", "The Surratts had three children over the next few years: Isaac (born June 2, 1841), Elizabeth Susanna (nicknamed \"Anna\", born January 1, 1843), and John, Jr. (born April 1844). In 1843, John Surratt purchased from his adoptive father of land straddling the DC/Maryland border, a parcel named \"Foxhall\" (approximately the area between Wheeler Road and Owens Road today). Richard Neale died in September 1843, and a month later, John purchased of land adjoining Foxhall.", "Richard Neale died in September 1843, and a month later, John purchased of land adjoining Foxhall. John and Mary Surratt and their children moved back to John's childhood home in the District of Columbia in 1845 to help John's mother run the Neale farm. But Sarah Neale fell ill and died in August 1845, having shortly before her death deeded the remainder of the Neale farm to John.", "But Sarah Neale fell ill and died in August 1845, having shortly before her death deeded the remainder of the Neale farm to John. Mary Surratt became involved in raising funds to build St. Ignatius Church in Oxon Hill (it was constructed in 1850), but John was increasingly unhappy with his wife's religious activities. His behavior deteriorated over the next few years. John drank heavily, often failed to pay his debts, and his temper was increasingly volatile and violent.", "John drank heavily, often failed to pay his debts, and his temper was increasingly volatile and violent. In 1851, the Neale farmhouse burned to the ground (an escaped family slave was suspected of setting the blaze). John found work on the Orange and Alexandria Railroad. Mary moved with her children into the home of her cousin, Thomas Jenkins, in nearby Clinton. Within a year, John purchased of farmland near what is now Clinton, and by 1853, he constructed a tavern and an inn there.", "Within a year, John purchased of farmland near what is now Clinton, and by 1853, he constructed a tavern and an inn there. Mary initially refused to move herself and the children into the new residence. She took up residence on the old Neale farm, but John sold both the Neale farm and Foxhall in May 1853 to pay debts and she was forced to move back in with him in December.", "She took up residence on the old Neale farm, but John sold both the Neale farm and Foxhall in May 1853 to pay debts and she was forced to move back in with him in December. With the money he earned from the tavern and sale of his other property, on December 6, 1853, John Surratt bought a townhouse at 541 H Street in Washington, D.C., and began renting it out to tenants.", "With the money he earned from the tavern and sale of his other property, on December 6, 1853, John Surratt bought a townhouse at 541 H Street in Washington, D.C., and began renting it out to tenants. In 1854, John built a hotel as an addition to his tavern and called it Surratt's Hotel. The area around the tavern was officially named Surrattsville that same year.", "The area around the tavern was officially named Surrattsville that same year. Travelers could take Branch Road (now Branch Avenue) north into Washington, D.C.; Piscataway Road southwest to Piscataway; or Woodyard Road northeast to Upper Marlboro. Although Surrattsville was a well-known crossroads, the community did not amount to much: just the tavern, a post office (inside the tavern), a forge, and a dozen or so houses (some of them log cabins). John Surratt was the hamlet's first postmaster.", "John Surratt was the hamlet's first postmaster. John Surratt was the hamlet's first postmaster. He expanded his family's holdings by selling off land, paying down debt, and starting new businesses. Over the next few years, Surratt acquired or built a carriage house, corn crib, general store, forge, granary, gristmill, stable, tobacco curing house, and wheelwright's shop. The family had enough money to send all three children to nearby Roman Catholic boarding schools.", "The family had enough money to send all three children to nearby Roman Catholic boarding schools. Isaac and John Jr. attended the school at St. Thomas Manor, and Anna enrolled at the Academy for Young Ladies (Mary's alma mater). The family's debts continued to mount, however, and John Sr.'s drinking worsened. John sold another of land in 1856 to pay debts. By 1857, Surratt had sold all but of the family's formerly extensive holdings (which represented about half the he had originally owned).", "By 1857, Surratt had sold all but of the family's formerly extensive holdings (which represented about half the he had originally owned). Most of the family's slaves were also sold to pay debts. Still, his alcoholism worsened. In 1858, Mary wrote a letter to her local priest, telling him that Surratt was drunk every single day. In 1860, St. Thomas Manor School closed, and Isaac found work in Baltimore, Maryland.", "In 1860, St. Thomas Manor School closed, and Isaac found work in Baltimore, Maryland. The Surratts sold off another of land, which enabled Anna to remain at the Academy for Young Ladies and for John Jr. to enroll at St. Charles College, Maryland (a Catholic seminary and boarding school in Ellicott's Mills). The couple also borrowed money that same year against their townhouse in Washington, DC, and at some point used the property as collateral for a $1,000 loan.", "The couple also borrowed money that same year against their townhouse in Washington, DC, and at some point used the property as collateral for a $1,000 loan. Civil War and widowhood The American Civil War began on April 12, 1861. The border state of Maryland remained part of the United States (\"the Union\"), but the Surratts were Confederate sympathizers, and their tavern regularly hosted fellow sympathizers.", "The border state of Maryland remained part of the United States (\"the Union\"), but the Surratts were Confederate sympathizers, and their tavern regularly hosted fellow sympathizers. The Surratt tavern was being used as a safe house for Confederate spies, and at least one author concludes that Mary had \"de facto\" knowledge of this. Confederate scout and spy Thomas Nelson Conrad visited Surratt's boarding house before and during the Civil War.", "Confederate scout and spy Thomas Nelson Conrad visited Surratt's boarding house before and during the Civil War. On March 7, 1861, three days after Abraham Lincoln's inauguration as President of the United States, Isaac left Maryland and traveled to Texas, where he enlisted in the Confederate States Army (serving in the 33rd Cavalry, or Duff's Partisan Rangers, 14th Cavalry Battalion).", "On March 7, 1861, three days after Abraham Lincoln's inauguration as President of the United States, Isaac left Maryland and traveled to Texas, where he enlisted in the Confederate States Army (serving in the 33rd Cavalry, or Duff's Partisan Rangers, 14th Cavalry Battalion). John Jr. quit his studies at St. Charles College in July 1861 and became a courier for the Confederate Secret Service, moving messages, cash, and contraband back and forth across enemy lines.", "John Jr. quit his studies at St. Charles College in July 1861 and became a courier for the Confederate Secret Service, moving messages, cash, and contraband back and forth across enemy lines. The Confederate activities in and around Surrattsville drew the attention of the Union government. In late 1861, Lafayette C. Baker, a detective with the Union Intelligence Service, and 300 Union soldiers camped in Surrattsville and investigated the Surratts and others for Confederate activities.", "In late 1861, Lafayette C. Baker, a detective with the Union Intelligence Service, and 300 Union soldiers camped in Surrattsville and investigated the Surratts and others for Confederate activities. He quickly uncovered evidence of a large Confederate courier network operating in the area, but despite some arrests and warnings, the courier network remained intact. John Surratt collapsed suddenly and died on either August 25 or August 26 in 1862 (sources differ as to the date). The cause of death was a stroke.", "The cause of death was a stroke. The cause of death was a stroke. The Surratt family affairs were in serious financial difficulties. John Jr. and Anna both left school to help their mother run the family's remaining farmland and businesses. On September 10, 1862, John Jr. was appointed postmaster of the Surrattsville post office. Lafayette Baker swept through Surrattsville again in 1862, and several postmasters were dismissed for disloyalty, but John Jr. was not one of them.", "Lafayette Baker swept through Surrattsville again in 1862, and several postmasters were dismissed for disloyalty, but John Jr. was not one of them. In August 1863, he sought a job in the paymaster's department in the United States Department of War, but his application caused federal agents to be suspicious about his family's loyalties to the Union. On November 17, 1863, he was dismissed as postmaster for disloyalty. The loss of John Jr.'s job as postmaster caused a financial crisis for the Surratt family.", "The loss of John Jr.'s job as postmaster caused a financial crisis for the Surratt family. When John Sr.'s estate was probated in late November 1862, the family owned only two middle-age male slaves. However, by 1863, Louis J. Weichmann, a friend of John Jr. from St. Charles College, observed that the family had six or more slaves working on the property. By 1864, Mary Surratt found that her husband's unpaid debts and bad business deals had left her with many creditors.", "By 1864, Mary Surratt found that her husband's unpaid debts and bad business deals had left her with many creditors. Several of her slaves ran away. When he was not meeting with Confederate sympathizers in the city, her son was selling vegetables to raise cash for the family. Mary was tired of running the farm, tavern, and other businesses without her son's help. In the fall of 1864, she began considering moving to her townhouse in the city.", "In the fall of 1864, she began considering moving to her townhouse in the city. On October 1, 1864, she took possession of the townhouse at 604 H Street NW in Washington, D.C. The house was made of gray brick, wide, deep, and had four stories. The first floor, which was level with the street, had two large rooms, used as the kitchen and dining room.", "The first floor, which was level with the street, had two large rooms, used as the kitchen and dining room. The second floor had a front and back parlor, with the room in the rear used as Mary Surratt's bedroom. The third floor had three rooms: two in the front and a larger one at the back. The fourth floor, which was considered an attic, had two large and one small room, occupied by a servant.", "The fourth floor, which was considered an attic, had two large and one small room, occupied by a servant. Surratt began moving her belongings into the townhouse that month, and on November 1, 1864, Anna and John Jr. took up residence there. Mary Surratt herself moved into the home on December 1. That same day, she leased the tavern in Surrattsville to a former Washington, D.C., policeman and Confederate sympathizer John M. Lloyd for $500 a year.", "That same day, she leased the tavern in Surrattsville to a former Washington, D.C., policeman and Confederate sympathizer John M. Lloyd for $500 a year. On November 30, December 8, and December 27, Mary Surratt advertised for lodgers in the Daily Evening Star newspaper. She had initially said that she wanted only lodgers who were known to her personally or were recommended by friends, but in her advertisements, she said rooms were \"available for 4 gentlemen.\"", "She had initially said that she wanted only lodgers who were known to her personally or were recommended by friends, but in her advertisements, she said rooms were \"available for 4 gentlemen.\" Some scholars have raised questions about Surratt's move into the city. Historians Kate Larson and Roy Chamlee have noted that although there is no definite proof, a case can be made that Surratt made the move into the city in furtherance of her and her son's espionage activities.", "Historians Kate Larson and Roy Chamlee have noted that although there is no definite proof, a case can be made that Surratt made the move into the city in furtherance of her and her son's espionage activities. For example, Larson and Chamlee say that on September 21, 1864, John Surratt wrote to Louis J. Weichmann, observing that the family's plans to move into the city were advancing rapidly \"on account of certain events having turned up,\" perhaps a cryptic reference to either his Confederate activities in general or the conspiracy to kidnap or kill Lincoln.", "For example, Larson and Chamlee say that on September 21, 1864, John Surratt wrote to Louis J. Weichmann, observing that the family's plans to move into the city were advancing rapidly \"on account of certain events having turned up,\" perhaps a cryptic reference to either his Confederate activities in general or the conspiracy to kidnap or kill Lincoln. Larson has observed that although the move made long-term economic sense for Surratt, it also, in the short term, would have meant moving expenses and furnishing up to 10 rooms in the townhouse, money that she did not have.", "Larson has observed that although the move made long-term economic sense for Surratt, it also, in the short term, would have meant moving expenses and furnishing up to 10 rooms in the townhouse, money that she did not have. Chamlee, too, found little economic reason to move into the city and concluded that it would have been more profitable to rent the H Street boarding house entirely to lodgers. During her time in the city, Surratt tried to keep her daughter away from what she felt were negative influences.", "During her time in the city, Surratt tried to keep her daughter away from what she felt were negative influences. Moreover, Surratt still owed money on both the tavern and the townhouse and would take out yet another mortgage against the townhouse in January 1865. John Jr. transferred all his title to the family property to his mother in January 1865. That act may have additional implications. A traitor's property could be seized, and John's spy knowledge was certainly his motivation for relinquishing his title to the houses and land.", "A traitor's property could be seized, and John's spy knowledge was certainly his motivation for relinquishing his title to the houses and land. Mary may have known of his motivation as well or at least suspected. If she did, she would have possessed at least de facto knowledge of the conspiracy. Conspiracy Louis J. Weichmann moved into Surratt's boarding house on November 1, 1864. On December 23, 1864, Dr. Samuel Mudd introduced John Surratt Jr. to John Wilkes Booth.", "On December 23, 1864, Dr. Samuel Mudd introduced John Surratt Jr. to John Wilkes Booth. Booth recruited John Jr. into his conspiracy to kidnap Lincoln. Confederate agents began frequenting the boarding house. Booth visited the boarding house many times over the next few months, sometimes at Mary's request. George Atzerodt and Lewis Powell boarded at the townhouse for short periods.", "George Atzerodt and Lewis Powell boarded at the townhouse for short periods. Atzerodt, a friend of both John Jr. and Booth and a co-conspirator in the plot to kidnap Lincoln, visited the boarding house several times in the first two months of 1865. He stayed at the Surratt boarding house in February 1865 (for one night or several, sources differ), but he proved to be a heavy drinker, and Surratt evicted him after just a few days. He continued to visit the townhouse frequently afterward, however.", "He continued to visit the townhouse frequently afterward, however. Powell posed as a Baptist preacher and stayed at the boarding house for three days in March 1865. David Herold also called at the home several times. As part of the plot to kidnap Lincoln in March 1865, John, Atzerodt, and Herold hid two Spencer carbines, ammunition, and some other supplies at the Surratt tavern in Surrattsville. On April 11, Mary Surratt rented a carriage and drove to the Surratt tavern.", "On April 11, Mary Surratt rented a carriage and drove to the Surratt tavern. She said that she made the trip to collect a debt owed her by a former neighbor. However, according to her tenant, John Lloyd, Surratt told him to get the \"shooting irons\" ready to be picked up. On April 14, Surratt said that she would once again visit the family tavern in Surrattsville to collect a debt. Shortly before she left the city, Booth visited the boarding house and spoke privately with her.", "Shortly before she left the city, Booth visited the boarding house and spoke privately with her. He gave her a package, later found to contain binoculars, for Lloyd to pick up later that evening. Surratt did so and, according to Lloyd, again told Lloyd to have the \"shooting irons\" ready for pickup and handed him a wrapped package from Booth. Booth's plan was to assassinate Lincoln and have Atzerodt kill Vice President Andrew Johnson and Powell kill Secretary of State William H. Seward.", "Booth's plan was to assassinate Lincoln and have Atzerodt kill Vice President Andrew Johnson and Powell kill Secretary of State William H. Seward. Booth killed Lincoln, Atzerodt never attempted to kill Johnson, and Powell stabbed Seward repeatedly but failed to murder him. As they fled the city after Lincoln's assassination, Booth and Herold picked up the rifles and binoculars from Surratt's tavern. Lloyd repaired a broken spring on Surratt's wagon before they left.", "Lloyd repaired a broken spring on Surratt's wagon before they left. Arrest and incarceration Around 2 a.m. on April 15, 1865, members of the District of Columbia police visited the Surratt boarding house, seeking John Wilkes Booth and John Surratt. Why the police came to the house is not entirely clear. Most historians conclude that Weichmann's friend, Department of War employee Daniel Gleason, had alerted federal authorities to Confederate activity centered on the Surratt house, but that does not explain why police rather than federal agents appeared there.", "Most historians conclude that Weichmann's friend, Department of War employee Daniel Gleason, had alerted federal authorities to Confederate activity centered on the Surratt house, but that does not explain why police rather than federal agents appeared there. (Historian Roy Chamlee, however, says that there is evidence that Gleason did not tell police about his suspicions of Weichmann for several days.) Within 45 minutes of the attack on Lincoln, John Surratt's name had become associated with the attack on Secretary of State William H. Seward.", "Within 45 minutes of the attack on Lincoln, John Surratt's name had become associated with the attack on Secretary of State William H. Seward. The police as well as the Provost Marshal's office both had files on John Surratt Jr. and knew he was a close friend of Booth.", "The police as well as the Provost Marshal's office both had files on John Surratt Jr. and knew he was a close friend of Booth. (It is possible that either James L. Maddox, property supervisor at Ford's Theatre and a friend of Booth's, or actor John Matthews, both of whom may have known about the plot to attack government officials, mentioned Surratt's name.)", "(It is possible that either James L. Maddox, property supervisor at Ford's Theatre and a friend of Booth's, or actor John Matthews, both of whom may have known about the plot to attack government officials, mentioned Surratt's name.) Historian Otto Eisenschiml has argued that David Herold's attempt to steal a horse from John Fletcher may have led them to the Surratt boarding house, but at least one other scholar has called the link uncertain.", "Historian Otto Eisenschiml has argued that David Herold's attempt to steal a horse from John Fletcher may have led them to the Surratt boarding house, but at least one other scholar has called the link uncertain. Other sources claim that eyewitnesses had identified Booth as Lincoln's attacker, and the detectives had information (a tip from an unnamed actor and a bartender) linking John, Jr., to Booth. Mary lied to the detectives that her son had been in Canada for two weeks.", "Mary lied to the detectives that her son had been in Canada for two weeks. She also did not reveal that she had delivered a package to the tavern on Booth's behalf only hours earlier. On April 17, a Surratt neighbor told U.S. military authorities that he overheard one of the Surratt's servants saying that three men had come to the house on the night of Lincoln's assassination and that one of the men had mentioned Booth in a theater.", "On April 17, a Surratt neighbor told U.S. military authorities that he overheard one of the Surratt's servants saying that three men had come to the house on the night of Lincoln's assassination and that one of the men had mentioned Booth in a theater. (The servant was mistaken about the date, as John Surratt, Jr. had indeed been in Elmira, New York, on a mission for a Confederate general). Other pieces of information also mentioned the boarding house as a key meeting place of the possible conspirators.", "Other pieces of information also mentioned the boarding house as a key meeting place of the possible conspirators. Either Colonel Henry H. Wells, Provost Marshal (head of the military police) of the District of Columbia, or General Christopher C. Augur told Colonel Henry Steel Olcott to arrest everyone in the house. Federal soldiers visited the Surratt boarding house again late on the evening of April 17.", "Federal soldiers visited the Surratt boarding house again late on the evening of April 17. John Jr. could not be found, but after a search of the house, the agents found in Mary's room a picture of Booth, hidden behind another photograph, pictures of Confederate leaders including Jefferson Davis, a pistol, a mold for making bullets, and percussion caps. As Mary was being arrested for conspiracy to assassinate Lincoln, Powell appeared at her door in disguise.", "As Mary was being arrested for conspiracy to assassinate Lincoln, Powell appeared at her door in disguise. Although Surratt denied knowing him, Powell claimed that he was a laborer hired by Surratt to dig a ditch the next morning. The discrepancy and Powell's unusually well-groomed appearance, quite unlike a ditch-digger, prompted his arrest. He was later identified as the man who had attempted to assassinate Secretary of State William Seward.", "He was later identified as the man who had attempted to assassinate Secretary of State William Seward. After her arrest, she was held at an annex to the Old Capitol Prison before being transferred to the Washington Arsenal on April 30. Two armed guards stood before the door to her cell from the beginning of her imprisonment until her death. Her cell, while airy and larger than the others, was sparsely furnished, with a straw mattress, table, wash basin, chair, and a bucket.", "Her cell, while airy and larger than the others, was sparsely furnished, with a straw mattress, table, wash basin, chair, and a bucket. Food was served four times a day, always of bread; salt pork, beef, or beef soup; and coffee or water. The other arrested conspirators had their heads enclosed in a padded canvas bag to prevent a suicide attempt. Sources disagree as to whether Surratt was also forced to wear it.", "Sources disagree as to whether Surratt was also forced to wear it. Although the others wore iron manacles on their feet and ankles, she was not manacled. (Rumors to the contrary were raised by reporters at the trial who could not see her or \"heard\" the clank of chains about her feet. The rumors were repeatedly investigated and denied.) She began to suffer menstrual bleeding and became weak during her detention. She was given a rocking chair and allowed visits from her daughter, Anna.", "She was given a rocking chair and allowed visits from her daughter, Anna. She and Powell received the most attention from the press. The Northern press was also highly critical of her, claiming that she had a \"criminal face\" due to her small mouth and dark eyes. John Surratt Jr. was in Elmira at the time of the assassination, delivering messages on behalf of a Confederate general. After learning of Lincoln's death, he fled to Montreal, Quebec, Canada.", "After learning of Lincoln's death, he fled to Montreal, Quebec, Canada. Trial The trial for the alleged conspirators began on May 9. A military tribunal, rather than a civilian court, was chosen as the venue because government officials thought that its more lenient rules of evidence would enable the court to get to the bottom of what was then perceived by the public as a vast conspiracy. All eight alleged conspirators were tried simultaneously. Historians have conflicting views regarding Surratt's innocence.", "Historians have conflicting views regarding Surratt's innocence. Historians have conflicting views regarding Surratt's innocence. Historian Laurie Verge commented, \"Only in the case of Dr. Samuel Alexander Mudd is there as much controversy as to the guilt or innocence of one of the defendants.\" Lincoln assassination scholar Thomas Reed Turner says that of the eight people accused of plotting to kill Lincoln, the case against Surratt remains \"the most controversial... at that time and since.\"", "Lincoln assassination scholar Thomas Reed Turner says that of the eight people accused of plotting to kill Lincoln, the case against Surratt remains \"the most controversial... at that time and since.\" A room on the northeast corner of the third floor of the Arsenal was made into a courtroom, and the prisoners were brought into the room through a side door, which prevented them from passing by or being harassed by spectators. Surratt was given special considerations during the trial because of her illness and gender.", "Surratt was given special considerations during the trial because of her illness and gender. In the courtroom, she sat apart from the other prisoners. Sources differ as to whether an armed guard sat on either side of her, as was done for other prisoners during the trial. While the others wore wrist and ankle manacles in the courtroom, she did not. She was also permitted a bonnet, fan, and veil to hide her face from spectators.", "She was also permitted a bonnet, fan, and veil to hide her face from spectators. As her illness worsened during the trial, she was moved to a larger and more comfortable prison cell. Surratt was charged with abetting, aiding, concealing, counseling, and harboring her co-defendants. The federal government initially attempted to find legal counsel for her and the others, but almost no attorneys were willing to take the job for fear they would be accused of disloyalty to the Union.", "The federal government initially attempted to find legal counsel for her and the others, but almost no attorneys were willing to take the job for fear they would be accused of disloyalty to the Union. Surratt retained Reverdy Johnson as her legal counsel. A member of the military commission trying the conspirators challenged Johnson's right to defend Surratt, as he had objected to requiring loyalty oaths from voters in the 1864 presidential election.", "A member of the military commission trying the conspirators challenged Johnson's right to defend Surratt, as he had objected to requiring loyalty oaths from voters in the 1864 presidential election. After much discussion, this objection was withdrawn, but damage had been done to his influence, and he did not attend most of the court sessions. Most of Surratt's legal defense was presented by two other lawyers: Frederick Aiken and John Wesley Clampitt. The prosecution's strategy was to tie Surratt to the conspiracy.", "The prosecution's strategy was to tie Surratt to the conspiracy. Powell's arrival at her boarding house, three days after the president's murder, was critical evidence against her, the government argued. The prosecution presented nine witnesses, but most of their case rested on the testimony of just two men: John M. Lloyd and Louis J. Weichmann.", "The prosecution presented nine witnesses, but most of their case rested on the testimony of just two men: John M. Lloyd and Louis J. Weichmann. Lloyd testified on May 13 and 15, 1865 on the hiding of the carbines and other supplies at the tavern in March and the two conversations he had with her in which she told him to get the \"shooting irons\" ready. Weichmann's testimony was important, as it established an intimate relationship between her and the other conspirators.", "Weichmann's testimony was important, as it established an intimate relationship between her and the other conspirators. Weichmann testified May 16 to 19 and said that he had resided at the boarding house since November 1864. He had seen or overheard John Jr. meeting and talking with Atzerodt, Booth, and Powell many times over the past four and a half months.", "He had seen or overheard John Jr. meeting and talking with Atzerodt, Booth, and Powell many times over the past four and a half months. Weichmann had driven Surratt to the tavern on April 11 and 14, confirmed that she and Lloyd had spent much time in private conversation, testified that he saw Booth give her the package of binoculars, and attested that she had turned the package over to Lloyd.", "Weichmann had driven Surratt to the tavern on April 11 and 14, confirmed that she and Lloyd had spent much time in private conversation, testified that he saw Booth give her the package of binoculars, and attested that she had turned the package over to Lloyd. Weichmann also testified at length about the Surratt family's ties to the Confederate spy and courier rings operating in the area and their relationships with Atzerodt and Powell.", "Weichmann also testified at length about the Surratt family's ties to the Confederate spy and courier rings operating in the area and their relationships with Atzerodt and Powell. He also testified about the December 23 meeting with Booth and John (which he also attended) and their subsequent meeting with Booth at Booth's room at the National Hotel. Finally, he told the military tribunal about the general excitement in the boarding house in March 1865 after the failed attempt to kidnap Lincoln. Other prosecution witnesses reinforced Weichmann's testimony.", "Other prosecution witnesses reinforced Weichmann's testimony. Other prosecution witnesses reinforced Weichmann's testimony. Lodger Honora Fitzpatrick confirmed visits by Atzerodt, Booth, and Powell to the boarding house. Emma Offut, Lloyd's sister-in-law, testified that she saw (but did not hear) Surratt speaking for long periods of time with Lloyd on April 11 and 14. Government agents testified about their arrest of Surratt, Powell's arrival, and her denial that she knew Powell.", "Government agents testified about their arrest of Surratt, Powell's arrival, and her denial that she knew Powell. The fact that Powell sought refuge in the boarding house after Lincoln's murder left a bad impression of her. Surratt's refusal (or failure) to recognize him also weighed against her. The agents also testified about their search of the house, and the evidence (the photographs, the weapons, etc.) discovered there.", "discovered there. discovered there. Lloyd's testimony was the most important for the prosecution's case, for it indicated that she had played an active role in the conspiracy in the days before Lincoln's death. The prosecution rested its case on May 22. The defense strategy was to impeach the testimony of the key prosecution witnesses: Lloyd and Weichmann.", "The defense strategy was to impeach the testimony of the key prosecution witnesses: Lloyd and Weichmann. It also wished to show that she was loyal to the Union, her trips to Surrattsville were of an innocent nature, and she had not been aware of Booth's plans. There were 31 witnesses who testified for the defense.", "There were 31 witnesses who testified for the defense. There were 31 witnesses who testified for the defense. George H. Calvert testified that he had pressed Surratt to pay a debt, Bennett Gwynn said Surratt had sought payment from John Nothey to satisfy the Calvert debt, and Nothey agreed that he had received a letter from Surratt for him to appear at the tavern on April 11 to pay what was owed.", "George H. Calvert testified that he had pressed Surratt to pay a debt, Bennett Gwynn said Surratt had sought payment from John Nothey to satisfy the Calvert debt, and Nothey agreed that he had received a letter from Surratt for him to appear at the tavern on April 11 to pay what was owed. Several witnesses impugned Lloyd's character by testifying about his alcoholism, while others said he was too intoxicated on the day of Lincoln's assassination to remember that day clearly.", "Several witnesses impugned Lloyd's character by testifying about his alcoholism, while others said he was too intoxicated on the day of Lincoln's assassination to remember that day clearly. Augustus Howell, a Confederate agent, testified Weichmann was an untrustworthy witness, as he had sought to become a Confederate spy himself. (The prosecution had attempted to show that Howell was a Confederate spy and should not be trusted.)", "(The prosecution had attempted to show that Howell was a Confederate spy and should not be trusted.) Anna Surratt testified that it was Weichmann who had brought Atzerodt into the boarding house, that the photograph of Booth was hers, and that she owned photographs of Union political and military leaders. Anna denied ever overhearing any discussions of disloyal activities or ideas in the boarding house, and that Booth's visits to the house were always short.", "Anna denied ever overhearing any discussions of disloyal activities or ideas in the boarding house, and that Booth's visits to the house were always short. Anna explained her mother's failure to recognize Powell by asserting she could not see well. Augusta Howell, a former servant, and Honora Fitzpatrick, a former slave, testified to Mary's poor eyesight as well. The former servant and the former slave both said Surratt had given Union soldiers food.", "The former servant and the former slave both said Surratt had given Union soldiers food. Numerous witnesses were called at the end of the defense's case to testify to her loyalty to the Union, her deep Christian faith, and her kindness. During the prosecution's rebuttal, government lawyers called four witnesses to the stand, who testified as to Weichmann's unimpeachable character. Johnson and Aiken presented the closing arguments for the defense. Johnson attacked the jurisdiction of a military tribunal over civilians, as had Mudd's attorney.", "Johnson attacked the jurisdiction of a military tribunal over civilians, as had Mudd's attorney. Aiken also challenged the court's jurisdiction. He also reiterated that Lloyd and Weichmann were unreliable witnesses and that the evidence against her was all circumstantial. The only evidence linking Surratt to the conspiracy to kill Lincoln, he said, came from Lloyd and Weichmann, and neither man was telling the truth. (Dorothy Kunhardt has written that there is evidence the latter's perjured testimony was suborned by Secretary of War Edwin M. Stanton.)", "Stanton.) Stanton.) Judge Advocate John Bingham presented the closing argument for the prosecution. The military tribunal had jurisdiction, he said, not only because the court itself had ruled at the beginning of the trials that it did but because they were crimes committed in a military zone, during a time of war, and against high government officials in carrying out treasonous activities. Bingham pointed out that the Surratt boarding house was where the conspiracy was planned, and Atzerodt, Booth, and Powell had all met with Surratt.", "Bingham pointed out that the Surratt boarding house was where the conspiracy was planned, and Atzerodt, Booth, and Powell had all met with Surratt. Booth had paid for the rental of the carriage that took Surratt to Surrattsville each time, and Bingham said that was evidence that Surratt's trips were critical to the conspiracy. Bingham also said that Lloyd's testimony had been corroborated by others and that his unwillingness to reveal the cache of weapons in the tavern was prompted by his subservient tenant relationship to Surratt.", "Bingham also said that Lloyd's testimony had been corroborated by others and that his unwillingness to reveal the cache of weapons in the tavern was prompted by his subservient tenant relationship to Surratt. Bingham concluded by reiterating the government's key point: Powell had returned to the Surratt house seeking Surratt, and that alone was proof of her guilt. Bingham also pointed out for the tribunal that the charge a person was indicted for was irrelevant.", "Bingham also pointed out for the tribunal that the charge a person was indicted for was irrelevant. Under the law of conspiracy, if one person carries out a crime, all conspirators are guilty of the same crime. The trial ended on June 28, 1865. Surratt was so ill the last four days of the trial that she was permitted to stay in her cell.", "Surratt was so ill the last four days of the trial that she was permitted to stay in her cell. In the opinion of historian Roy Z. Chamlee, both legal teams appeared to have flaws in their cases, and except for Reverdy Johnson, neither team employed highly skilled attorneys.", "In the opinion of historian Roy Z. Chamlee, both legal teams appeared to have flaws in their cases, and except for Reverdy Johnson, neither team employed highly skilled attorneys. The government's case was hindered by its failure to call as a witness the man who shared Lloyd's carriage when he talked with Surratt and could have verified Lloyd's version of the \"shooting irons\" story or Metropolitan Police Chief A.C. Richards whose investigation had had the most success in the early days of the investigation.", "The government's case was hindered by its failure to call as a witness the man who shared Lloyd's carriage when he talked with Surratt and could have verified Lloyd's version of the \"shooting irons\" story or Metropolitan Police Chief A.C. Richards whose investigation had had the most success in the early days of the investigation. The government did not fully investigate Booth's meetings with Surratt at noon or the evening of the murder, and its questioning and cross-examination of witnesses was poorly prepared and weak.", "The government did not fully investigate Booth's meetings with Surratt at noon or the evening of the murder, and its questioning and cross-examination of witnesses was poorly prepared and weak. What is most important, according to historian Roy Z. Chamber Jr., is that the government had botched the attempt to apprehend John Jr. The defense's case, too, had a problem. The defense never followed up on inconsistencies in Weichmann's chronology of Mary's last visit to the tavern, which could have undermined Weichmann's entire credibility.", "The defense never followed up on inconsistencies in Weichmann's chronology of Mary's last visit to the tavern, which could have undermined Weichmann's entire credibility. The military tribunal considered guilt and sentencing on June 29 and 30. Surratt's guilt was the second-last to be considered, as her case had problems of evidence and witness reliability. The sentence was handed down on June 30. The military tribunal found her guilty on all charges but two. A death sentence required six of the nine votes of the judges.", "A death sentence required six of the nine votes of the judges. Surratt was sentenced to death, the first woman executed by the federal government. The sentence was announced publicly on July 5. When Powell learned of his sentence, he declared that she was completely innocent of all charges. The night before the execution, Surratt's priests and Anna Surratt both visited Powell and elicited from him a strong statement declaring Mary innocent.", "The night before the execution, Surratt's priests and Anna Surratt both visited Powell and elicited from him a strong statement declaring Mary innocent. Although it was delivered to Captain Christian Rath, who was overseeing the execution, Powell's statement had no effect on anyone with authority to prevent Surratt's death. George Atzerodt bitterly condemned her, implicating her even further in the conspiracy. Powell's was the only statement by any conspirator exonerating Surratt.", "Powell's was the only statement by any conspirator exonerating Surratt. Anna Surratt pleaded repeatedly for her mother's life with Judge Advocate General Joseph Holt, but he refused to consider clemency. She also attempted to see President Andrew Johnson several times to beg for mercy but was not granted permission to see him. Five of the nine judges signed a letter asking President Johnson to give Surratt clemency and commute her sentence to life in prison because of her age and sex.", "Five of the nine judges signed a letter asking President Johnson to give Surratt clemency and commute her sentence to life in prison because of her age and sex. Holt did not deliver the recommendation to Johnson until July 5, two days before Surratt and the others were to hang. Johnson signed the order for execution but did not sign the order for clemency. Johnson later said he never saw the clemency request; Holt said he showed it to Johnson, who refused to sign it.", "Johnson later said he never saw the clemency request; Holt said he showed it to Johnson, who refused to sign it. Johnson, according to Holt, said in signing the death warrant that she had \"kept the nest that hatched the egg.\" Execution Construction of the gallows for the hanging of the conspirators condemned to death began immediately on July 5, after the execution order was signed. It was constructed in the south part of the Arsenal courtyard, was high and about in size.", "It was constructed in the south part of the Arsenal courtyard, was high and about in size. Rath, who oversaw the preparations for the executions, made the nooses. Tired of making nooses and thinking that the government would never hang a woman, he made Surratt's noose the night before the execution with five loops rather than the regulation seven. He tested the nooses that night by tying them to a tree limb and a bag of buckshot and then tossing the bag to the ground (the ropes held).", "He tested the nooses that night by tying them to a tree limb and a bag of buckshot and then tossing the bag to the ground (the ropes held). Civilian workers did not want to dig the graves out of superstitious fear, so Rath asked for volunteers among the soldiers at the Arsenal and received more help than he needed. At noon on July 6, Surratt was informed she would be hanged the next day. She wept profusely.", "She wept profusely. She wept profusely. She was joined by two Catholic priests (Jacob Walter and B.F. Wiget) and her daughter Anna. Father Jacob remained with her almost until her death. Her menstrual problems had worsened, and she was in such pain and suffered from such severe cramps that the prison doctor gave her wine and medication. She repeatedly asserted her innocence. She spent the night on her mattress, weeping and moaning in pain and grief, ministered to by the priests.", "She spent the night on her mattress, weeping and moaning in pain and grief, ministered to by the priests. Anna left her mother's side at 8 A.M. on July 7 and went to the White House to beg for her mother's life one last time. Her entreaty rejected, she returned to the prison and her mother's cell at about 11 A.M. The soldiers began testing the gallows about 11:25 A.M.; the sound of the tests unnerved all the prisoners.", "The soldiers began testing the gallows about 11:25 A.M.; the sound of the tests unnerved all the prisoners. Shortly before noon, Mary Surratt was taken from her cell and then allowed to sit in a chair near the entrance to the courtyard. The heat in the city that day was oppressive. By noon, it had already reached . The guards ordered all visitors to leave at 12:30 P.M. When she was forced to part from her mother, Anna's hysterical screams of grief could be heard throughout the prison.", "When she was forced to part from her mother, Anna's hysterical screams of grief could be heard throughout the prison. Clampitt and Aiken had not finished trying to save their client, however. On the morning of July 7, they asked a District of Columbia court for a writ of habeas corpus, arguing that the military tribunal had no jurisdiction over their client. The court issued the writ at 3 A.M., and it was served on General Winfield Scott Hancock.", "The court issued the writ at 3 A.M., and it was served on General Winfield Scott Hancock. Hancock was ordered to produce Surratt by 10 A.M. General Hancock sent an aide to General John F. Hartranft, who commanded the Old Capitol Prison, ordering him not to admit any US marshal, as that would prevent the marshal from serving a similar writ on Hartranft.", "Hancock was ordered to produce Surratt by 10 A.M. General Hancock sent an aide to General John F. Hartranft, who commanded the Old Capitol Prison, ordering him not to admit any US marshal, as that would prevent the marshal from serving a similar writ on Hartranft. Johnson was informed that the court had issued the writ and promptly cancelled it at 11:30 A.M. under the authority granted to him by the Habeas Corpus Suspension Act of 1863.", "Johnson was informed that the court had issued the writ and promptly cancelled it at 11:30 A.M. under the authority granted to him by the Habeas Corpus Suspension Act of 1863. General Hancock and United States Attorney General James Speed personally appeared in court and informed the judge of the cancellation of the writ. On July 7, 1865, at 1:15 P.M., a procession led by General Hartranft escorted the four condemned prisoners through the courtyard and up the steps to the gallows. Each prisoner's ankles and wrists were bound by manacles.", "Each prisoner's ankles and wrists were bound by manacles. Surratt led the way, wearing a black bombazine dress, black bonnet, and black veil. More than 1,000 people, including government officials, members of the US armed forces, friends and family of the accused, official witnesses, and reporters, watched. General Hancock limited attendance to those who had a ticket, and only those who had a good reason to be present were given a ticket.", "General Hancock limited attendance to those who had a ticket, and only those who had a good reason to be present were given a ticket. (Most of those present were military officers and soldiers, as fewer than 200 tickets had been printed.) Alexander Gardner, who had photographed the body of Booth and taken portraits of several of the male conspirators while they were imprisoned aboard naval ships, photographed the execution for the government. Hartranft read the order for their execution.", "Hartranft read the order for their execution. Hartranft read the order for their execution. Surratt, either weak from her illness or swooning in fear (perhaps both), had to be supported by two soldiers and her priests. The condemned were seated in chairs, Surratt almost collapsing into hers. She was seated to the right of the others, the traditional \"seat of honor\" in an execution. White cloth was used to bind their arms to their sides and their ankles and thighs together.", "White cloth was used to bind their arms to their sides and their ankles and thighs together. The cloths around Surratt's legs were tied around her dress below the knees. Each person was ministered to by a member of the clergy. From the scaffold, Powell said, \"Mrs. Surratt is innocent. She doesn't deserve to die with the rest of us.\" Fathers Jacob and Wiget prayed over her and held a crucifix to her lips.", "Fathers Jacob and Wiget prayed over her and held a crucifix to her lips. About 16 minutes elapsed from the time the prisoners entered the courtyard until they were ready for execution. A white bag was placed over the head of each prisoner after the noose was put in place. Surratt's bonnet was removed, and the noose put around her neck by a U.S. Secret Service officer. She complained that the bindings about her arms hurt, and the officer preparing said, \"Well, it won't hurt long.\"", "She complained that the bindings about her arms hurt, and the officer preparing said, \"Well, it won't hurt long.\" Finally, the prisoners were asked to stand and move forward a few feet to the nooses. The chairs were removed. Her last words, spoken to a guard as he moved her forward to the drop, were \"Please don't let me fall.\" Surratt and the others stood on the drop for about 10 seconds, and then Captain Rath clapped his hands.", "Surratt and the others stood on the drop for about 10 seconds, and then Captain Rath clapped his hands. Four soldiers of Company F of the 14th Veteran Reserves knocked out the supports holding the drops in place, and the condemned fell. Surratt, who had moved forward enough to barely step onto the drop, lurched forward and slid partway down the drop, her body snapping tight at the end of the rope, swinging back and forth. She appeared to die relatively quickly with little struggle.", "She appeared to die relatively quickly with little struggle. She appeared to die relatively quickly with little struggle. Atzerodt's stomach heaved once and his legs quivered; then, he was still. Herold and Powell struggled for nearly five minutes, strangling to death. Burial Each body was inspected by a physician to ensure that death had occurred.", "Burial Each body was inspected by a physician to ensure that death had occurred. The bodies of the executed were allowed to hang for about 30 minutes and soldiers began to cut them down at 1:53 p.m. A corporal raced to the top of the gallows and cut down Atzerodt's body, which fell to the ground with a thud. He was reprimanded, and the other bodies were cut down more gently. Herold's body was next, followed by Powell's.", "Herold's body was next, followed by Powell's. Surratt's body was cut down at 1:58 p.m. As Surratt's body was cut loose, her head fell forward. A soldier joked, \"She makes a good bow\" and was rebuked by an officer for his poor use of humor. Upon examination, the military surgeons determined that no one's neck had been broken by the fall. The manacles and cloth bindings were removed but not the white execution masks, and the bodies were placed into the pine coffins.", "The manacles and cloth bindings were removed but not the white execution masks, and the bodies were placed into the pine coffins. The name of each person was written on a piece of paper by acting Assistant Adjutant R. A. Watts, and inserted in a glass vial, which was placed into the coffin. The coffins were buried against the prison wall in shallow graves, just a few feet from the gallows. A white picket fence marked the burial site.", "A white picket fence marked the burial site. A white picket fence marked the burial site. The night that she died, a mob attacked the Surratt boarding house and began stripping it of souvenirs until the police stopped them. Anna Surratt unsuccessfully asked for her mother's body for four years. In 1867, the War Department decided to tear down the portion of the Washington Arsenal where the bodies of Surratt and the other executed conspirators lay. On October 1, 1867, the coffins were disinterred and reburied in Warehouse No.", "On October 1, 1867, the coffins were disinterred and reburied in Warehouse No. 1 at the Arsenal, with a wooden marker placed at the head of each burial vault. Booth's body lay alongside them. In February 1869, Edwin Booth asked Johnson for the body of his brother. Johnson agreed to turn the body over to the Booth family, and on February 8 Surratt's body was turned over to the Surratt family.", "Johnson agreed to turn the body over to the Booth family, and on February 8 Surratt's body was turned over to the Surratt family. She was buried in Mount Olivet Cemetery in Washington, D.C., on February 9, 1869. Lloyd is buried from her grave in the same cemetery. Surviving family and home Anna Surratt moved from the townhouse on H Street and lived with friends for a few years, ostracized from society. She married William Tonry, a government clerk.", "She married William Tonry, a government clerk. She married William Tonry, a government clerk. They lived in poverty for a while after he was dismissed from his job, but in time, he became a professor of chemistry in Baltimore and the couple became better off. The strain of her mother's death left Anna mentally unbalanced, and she suffered from periods of extreme fear that bordered on insanity. She died in 1904.", "She died in 1904. She died in 1904. After the dismissal of charges against him, John Jr. married and he and his family lived in Baltimore near his sister, Anna. Isaac Surratt also returned to the United States and lived in Baltimore. He died unmarried in 1907. Isaac and Anna were buried on either side of their mother in Mount Olivet Cemetery. John Jr. was buried in Baltimore in 1916.", "John Jr. was buried in Baltimore in 1916. John Jr. was buried in Baltimore in 1916. In 1968, a new headstone with a brass plaque replaced the old, defaced headstone over Mary Surratt's grave. Mary Surratt's boarding house still stands and was listed on the National Register of Historic Places in 2009. Those interested in Mary Surratt formed the Surratt Society. The Surrattsville tavern and house are historical sites run today by the Surratt Society. The Washington Arsenal is now Fort Lesley J. McNair.", "The Washington Arsenal is now Fort Lesley J. McNair. The Washington Arsenal is now Fort Lesley J. McNair. Portrayals Surratt was portrayed by actress Virginia Gregg in the 1956 episode \"The Mary Surratt Case,\" telecast as part of the NBC anthology series The Joseph Cotten Show. She was portrayed by Robin Wright in the 2011 film The Conspirator, which was directed by Robert Redford. References Sources Boritt, G.S. and Forness, Norman O. The Historian's Lincoln: Pseudohistory, Psychohistory, and History.", "The Historian's Lincoln: Pseudohistory, Psychohistory, and History. Urbana, Ill.: University of Illinois Press, 1996. Bryer, Jackson R. New Essays on F. Scott Fitzgerald's Neglected Stories. Columbia, Mo. : University of Missouri Press, 1996. Buchanan, Paul D. The American Women's Rights Movement: A Chronology of Events and of Opportunities From 1600 to 2008. Boston: Branden Books, 2009. Bucklee, Sally Mitchell. 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Phelps, Shirelle. Phelps, Shirelle. World of Criminal Justice, Vol. 2: N-Z. Detroit: Gale Group, 2001. Phillips, Larissa. Women Civil War Spies of the Confederacy. New York: Rosen Publishing Group, 2004. Pittman, Benn. The Assassination of President Lincoln and the Trial of the Conspirators. Cincinnati: Moore, Wilstach & Baldwin, 1865. Rehnquist, William H. All the Laws But One: Civil Liberties in Wartime.", "Rehnquist, William H. All the Laws But One: Civil Liberties in Wartime. New York: Vintage Books, 2000. Roscoe, Theodore. The Web of Conspiracy: The Complete Story of the Men Who Murdered Abraham Lincoln. Englewood Cliffs, N.J.: Prentice-Hall, 1959. Sachsman, David B.; Rushing, S. Kittrell; and Morris, Roy. Seeking A Voice: Images of Race and Gender in the 19th Century Press. West Lafayette, Ind. : Purdue University Press, 2009.", "West Lafayette, Ind. : Purdue University Press, 2009. : Purdue University Press, 2009. Schroeder-Lein, Glenna R. and Zuczek, Richard. Andrew Johnson: A Biographical Companion. Santa Barbara, Calif.: ABC-CLIO, 2001. Steers, Jr., Edward. Blood on the Moon. Lexington: University Press of Kentucky, 2001. Steers, Jr., Edward. \"'Let the Stain of Innocent Blood Be Removed from the Land': The Military Trial of the Lincoln Conspirators.\"", "\"'Let the Stain of Innocent Blood Be Removed from the Land': The Military Trial of the Lincoln Conspirators.\" In The Lincoln Assassination: Crime and Punishment, Myth and Memory. Harold Holzer, Craig L. Symonds, and Frank J. Williams, eds. New York: Fordham University Press, 2010. Steers, Jr., Edward. The Lincoln Assassination Encyclopedia. New York: Harper Perennial, 2010. Steers, Jr., Edward. Lincoln Legends: Myths, Hoaxes, and Confabulations Associated With Our Greatest President.", "Lincoln Legends: Myths, Hoaxes, and Confabulations Associated With Our Greatest President. Lexington, Ky.: University Press of Kentucky, 2007. Steers, Jr. Edward and Holzer, Harold. 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External links Anna Surratt, daughter Surratt Society and Museum Read through the Lincoln Assassination Papers about evidence against Mary Surratt Historic Marker at the Surratt Boarding House Brief Mary Surratt Biography (written by a retired teacher especially for students and schools) 1820s births 1865 deaths 19th-century American women 19th-century executions by the United States 19th-century executions of American people American slave owners Burials at Mount Olivet Cemetery (Washington, D.C.) Converts to Roman Catholicism Executed American women Executed people from Maryland Lincoln assassination conspirators People executed by the United States federal government by hanging People from Clinton, Maryland People of Maryland in the American Civil War Women in the American Civil War Catholics from Maryland" ]

[ "Mary Surratt", "Burial", "Where was the burial?", "the Washington Arsenal", "Who was there?", "Herold's body was next, followed by Powell's. Surratt's body was cut down at 1:58 P.M.", "Were they hanged?", "The bodies of the executed were allowed to hang for about 30 minutes and soldiers began to cut them down at 1:53 P.M.", "Why were they hanged?", "I don't know.", "What year was it?", "I don't know." ]

[ "Přírodní park Třebíčsko (before Oblast klidu Třebíčsko) is a natural park near Třebíč in the Czech Republic. There are many interesting plants. The park was founded in 1983.\n\nKobylinec and Ptáčovský kopeček\n\nKobylinec is a natural monument situated ca 0,5 km from the village of Trnava.\nThe area of this monument is 0,44 ha. Pulsatilla grandis can be found here and in the Ptáčovský kopeček park near Ptáčov near Třebíč. Both monuments are very popular for tourists.\n\nPonds\n\nIn the natural park there are some interesting ponds such as Velký Bor, Malý Bor, Buršík near Přeckov and a brook Březinka. Dams on the brook are examples of European beaver activity.\n\nSyenitové skály near Pocoucov\n\nSyenitové skály (rocks of syenit) near Pocoucov is one of famed locations. There are interesting granite boulders. The area of the reservation is 0,77 ha.\n\nExternal links\nParts of this article or all article was translated from Czech. The original article is :cs:Přírodní park Třebíčsko.\n\nReferences\n\nExternal links\nNature near the village Trnava which is there\n\nTřebíč\nParks in the Czech Republic\nTourist attractions in the Vysočina Region", "Damn Interesting is an independent website founded by Alan Bellows in 2005. The website presents true stories from science, history, and psychology, primarily as long-form articles, often illustrated with original artwork. Works are written by various authors, and published at irregular intervals. The website openly rejects advertising, relying on reader and listener donations to cover operating costs.\n\nAs of October 2012, each article is also published as a podcast under the same name. In November 2019, a second podcast was launched under the title Damn Interesting Week, featuring unscripted commentary on an assortment of news articles featured on the website's \"Curated Links\" section that week. In mid-2020, a third podcast called Damn Interesting Curio Cabinet began highlighting the website's periodic short-form articles in the same radioplay format as the original podcast.\n\nIn July 2009, Damn Interesting published the print book Alien Hand Syndrome through Workman Publishing. It contains some favorites from the site and some exclusive content.\n\nAwards and recognition \nIn August 2007, PC Magazine named Damn Interesting one of the \"Top 100 Undiscovered Web Sites\".\nThe article \"The Zero-Armed Bandit\" by Alan Bellows won a 2015 Sidney Award from David Brooks in The New York Times.\nThe article \"Ghoulish Acts and Dastardly Deeds\" by Alan Bellows was cited as \"nonfiction journalism from 2017 that will stand the test of time\" by Conor Friedersdorf in The Atlantic.\nThe article \"Dupes and Duplicity\" by Jennifer Lee Noonan won a 2020 Sidney Award from David Brooks in the New York Times.\n\nAccusing The Dollop of plagiarism \n\nOn July 9, 2015, Bellows posted an open letter accusing The Dollop, a comedy podcast about history, of plagiarism due to their repeated use of verbatim text from Damn Interesting articles without permission or attribution. Dave Anthony, the writer of The Dollop, responded on reddit, admitting to using Damn Interesting content, but claiming that the use was protected by fair use, and that \"historical facts are not copyrightable.\" In an article about the controversy on Plagiarism Today, Jonathan Bailey concluded, \"Any way one looks at it, The Dollop failed its ethical obligations to all of the people, not just those writing for Damn Interesting, who put in the time, energy and expertise into writing the original content upon which their show is based.\"\n\nReferences\n\nExternal links \n Official website\n\n2005 podcast debuts" ]

[ "Mary Elizabeth Jenkins Surratt (1820 or May 1823 – July 7, 1865) was an American boarding house owner in Washington, D.C., who was convicted of taking part in the conspiracy which led to the assassination of U.S. President Abraham Lincoln in 1865. Sentenced to death, she was hanged and became the first woman executed by the US federal government. She maintained her innocence until her death, and the case against her was and is controversial.", "She maintained her innocence until her death, and the case against her was and is controversial. Surratt was the mother of John Surratt, who was later tried, but due to statute of limitations, was not convicted. Born in Maryland in the 1820s, Surratt converted to Catholicism at a young age and remained a practicing Catholic for the rest of her life. She wed John Harrison Surratt in 1840 and had three children with him.", "She wed John Harrison Surratt in 1840 and had three children with him. An entrepreneur, John became the owner of a tavern, an inn, and a hotel. The Surratts were sympathetic to the Confederate States of America and often hosted fellow Confederate sympathizers at their tavern. Upon her husband's death in 1862, Surratt had to manage his estate. Tired of doing so without help, Surratt moved to her townhouse in Washington, D.C., which she then ran as a boardinghouse.", "Tired of doing so without help, Surratt moved to her townhouse in Washington, D.C., which she then ran as a boardinghouse. There, she was introduced to John Wilkes Booth. Booth visited the boardinghouse numerous times, as did George Atzerodt and Lewis Powell, Booth's co-conspirators in the Lincoln assassination. Shortly before killing Lincoln, Booth spoke with Surratt and handed her a package containing binoculars for one of her tenants, John M. Lloyd.", "Shortly before killing Lincoln, Booth spoke with Surratt and handed her a package containing binoculars for one of her tenants, John M. Lloyd. After Lincoln was assassinated, Surratt was arrested, then tried by a military tribunal the following month, along with the other conspirators. She was convicted primarily due to the testimonies of Lloyd, who said that she told him to have the \"shooting irons\" ready, and Louis J. Weichmann, who testified about Surratt's relationships with Confederate groups and sympathizers.", "She was convicted primarily due to the testimonies of Lloyd, who said that she told him to have the \"shooting irons\" ready, and Louis J. Weichmann, who testified about Surratt's relationships with Confederate groups and sympathizers. Five of the nine judges at her trial asked that Surratt be granted clemency by President Andrew Johnson because of her age and gender. Johnson did not grant her clemency, though accounts differ as to whether or not he received the clemency request.", "Johnson did not grant her clemency, though accounts differ as to whether or not he received the clemency request. Surratt was hanged on July 7, 1865, and later buried in Mount Olivet Cemetery. She has since been portrayed in film, theater, and television. Early life Mary Elizabeth Jenkins (baptismal name, Maria Eugenia) was born to Archibald and Elizabeth Anne (née Webster) Jenkins on a tobacco plantation near the southern Maryland town of Waterloo (now known as Clinton).", "Early life Mary Elizabeth Jenkins (baptismal name, Maria Eugenia) was born to Archibald and Elizabeth Anne (née Webster) Jenkins on a tobacco plantation near the southern Maryland town of Waterloo (now known as Clinton). Sources differ as to whether she was born in 1820 or 1823. There is uncertainty as to the month as well, but most sources say May. She had two brothers: John Jenkins, born in 1822, and James Jenkins, born in 1825.", "She had two brothers: John Jenkins, born in 1822, and James Jenkins, born in 1825. Her father died in the fall of 1825 when Mary was either two or five years old, and Mary's mother then inherited their property (originally part of the His Lordship's Kindness estate). Although her father was a nondenominational Protestant and her mother Episcopalian, Surratt was enrolled in a private Roman Catholic girls' boarding school, the Academy for Young Ladies in Alexandria, Virginia, on November 25, 1835.", "Although her father was a nondenominational Protestant and her mother Episcopalian, Surratt was enrolled in a private Roman Catholic girls' boarding school, the Academy for Young Ladies in Alexandria, Virginia, on November 25, 1835. Mary's maternal aunt, Sarah Latham Webster, was a Catholic, which may have influenced where she was sent to school. Within two years, Mary converted to Roman Catholicism and adopted the baptismal name of Maria Eugenia.", "Within two years, Mary converted to Roman Catholicism and adopted the baptismal name of Maria Eugenia. She stayed at the Academy for Young Ladies for four years, leaving in 1839, when the school closed. She remained an observant Catholic for the rest of her life. Married life Mary Jenkins met John Harrison Surratt in 1839, when she was 16 or 19 and he was 26. His family had settled in Maryland in the late 1600s.", "His family had settled in Maryland in the late 1600s. An orphan, he was adopted by Richard and Sarah Neale of Washington, D.C., a wealthy couple who owned a farm. The Neales divided their farm among their children, and Surratt inherited a portion of it. His background has been described by historian Kate Clifford Larson as \"questionable\", and he had fathered at least one child out of wedlock. They wed in August 1840.", "They wed in August 1840. They wed in August 1840. John converted to Roman Catholicism prior to the marriage, and the couple may have wed at a Catholic church in Washington, D.C. John purchased a mill in Oxon Hill, Maryland, and the couple moved there. The Surratts had three children over the next few years: Isaac (born June 2, 1841), Elizabeth Susanna (nicknamed \"Anna\", born January 1, 1843), and John, Jr. (born April 1844).", "The Surratts had three children over the next few years: Isaac (born June 2, 1841), Elizabeth Susanna (nicknamed \"Anna\", born January 1, 1843), and John, Jr. (born April 1844). In 1843, John Surratt purchased from his adoptive father of land straddling the DC/Maryland border, a parcel named \"Foxhall\" (approximately the area between Wheeler Road and Owens Road today). Richard Neale died in September 1843, and a month later, John purchased of land adjoining Foxhall.", "Richard Neale died in September 1843, and a month later, John purchased of land adjoining Foxhall. John and Mary Surratt and their children moved back to John's childhood home in the District of Columbia in 1845 to help John's mother run the Neale farm. But Sarah Neale fell ill and died in August 1845, having shortly before her death deeded the remainder of the Neale farm to John.", "But Sarah Neale fell ill and died in August 1845, having shortly before her death deeded the remainder of the Neale farm to John. Mary Surratt became involved in raising funds to build St. Ignatius Church in Oxon Hill (it was constructed in 1850), but John was increasingly unhappy with his wife's religious activities. His behavior deteriorated over the next few years. John drank heavily, often failed to pay his debts, and his temper was increasingly volatile and violent.", "John drank heavily, often failed to pay his debts, and his temper was increasingly volatile and violent. In 1851, the Neale farmhouse burned to the ground (an escaped family slave was suspected of setting the blaze). John found work on the Orange and Alexandria Railroad. Mary moved with her children into the home of her cousin, Thomas Jenkins, in nearby Clinton. Within a year, John purchased of farmland near what is now Clinton, and by 1853, he constructed a tavern and an inn there.", "Within a year, John purchased of farmland near what is now Clinton, and by 1853, he constructed a tavern and an inn there. Mary initially refused to move herself and the children into the new residence. She took up residence on the old Neale farm, but John sold both the Neale farm and Foxhall in May 1853 to pay debts and she was forced to move back in with him in December.", "She took up residence on the old Neale farm, but John sold both the Neale farm and Foxhall in May 1853 to pay debts and she was forced to move back in with him in December. With the money he earned from the tavern and sale of his other property, on December 6, 1853, John Surratt bought a townhouse at 541 H Street in Washington, D.C., and began renting it out to tenants.", "With the money he earned from the tavern and sale of his other property, on December 6, 1853, John Surratt bought a townhouse at 541 H Street in Washington, D.C., and began renting it out to tenants. In 1854, John built a hotel as an addition to his tavern and called it Surratt's Hotel. The area around the tavern was officially named Surrattsville that same year.", "The area around the tavern was officially named Surrattsville that same year. Travelers could take Branch Road (now Branch Avenue) north into Washington, D.C.; Piscataway Road southwest to Piscataway; or Woodyard Road northeast to Upper Marlboro. Although Surrattsville was a well-known crossroads, the community did not amount to much: just the tavern, a post office (inside the tavern), a forge, and a dozen or so houses (some of them log cabins). John Surratt was the hamlet's first postmaster.", "John Surratt was the hamlet's first postmaster. John Surratt was the hamlet's first postmaster. He expanded his family's holdings by selling off land, paying down debt, and starting new businesses. Over the next few years, Surratt acquired or built a carriage house, corn crib, general store, forge, granary, gristmill, stable, tobacco curing house, and wheelwright's shop. The family had enough money to send all three children to nearby Roman Catholic boarding schools.", "The family had enough money to send all three children to nearby Roman Catholic boarding schools. Isaac and John Jr. attended the school at St. Thomas Manor, and Anna enrolled at the Academy for Young Ladies (Mary's alma mater). The family's debts continued to mount, however, and John Sr.'s drinking worsened. John sold another of land in 1856 to pay debts. By 1857, Surratt had sold all but of the family's formerly extensive holdings (which represented about half the he had originally owned).", "By 1857, Surratt had sold all but of the family's formerly extensive holdings (which represented about half the he had originally owned). Most of the family's slaves were also sold to pay debts. Still, his alcoholism worsened. In 1858, Mary wrote a letter to her local priest, telling him that Surratt was drunk every single day. In 1860, St. Thomas Manor School closed, and Isaac found work in Baltimore, Maryland.", "In 1860, St. Thomas Manor School closed, and Isaac found work in Baltimore, Maryland. The Surratts sold off another of land, which enabled Anna to remain at the Academy for Young Ladies and for John Jr. to enroll at St. Charles College, Maryland (a Catholic seminary and boarding school in Ellicott's Mills). The couple also borrowed money that same year against their townhouse in Washington, DC, and at some point used the property as collateral for a $1,000 loan.", "The couple also borrowed money that same year against their townhouse in Washington, DC, and at some point used the property as collateral for a $1,000 loan. Civil War and widowhood The American Civil War began on April 12, 1861. The border state of Maryland remained part of the United States (\"the Union\"), but the Surratts were Confederate sympathizers, and their tavern regularly hosted fellow sympathizers.", "The border state of Maryland remained part of the United States (\"the Union\"), but the Surratts were Confederate sympathizers, and their tavern regularly hosted fellow sympathizers. The Surratt tavern was being used as a safe house for Confederate spies, and at least one author concludes that Mary had \"de facto\" knowledge of this. Confederate scout and spy Thomas Nelson Conrad visited Surratt's boarding house before and during the Civil War.", "Confederate scout and spy Thomas Nelson Conrad visited Surratt's boarding house before and during the Civil War. On March 7, 1861, three days after Abraham Lincoln's inauguration as President of the United States, Isaac left Maryland and traveled to Texas, where he enlisted in the Confederate States Army (serving in the 33rd Cavalry, or Duff's Partisan Rangers, 14th Cavalry Battalion).", "On March 7, 1861, three days after Abraham Lincoln's inauguration as President of the United States, Isaac left Maryland and traveled to Texas, where he enlisted in the Confederate States Army (serving in the 33rd Cavalry, or Duff's Partisan Rangers, 14th Cavalry Battalion). John Jr. quit his studies at St. Charles College in July 1861 and became a courier for the Confederate Secret Service, moving messages, cash, and contraband back and forth across enemy lines.", "John Jr. quit his studies at St. Charles College in July 1861 and became a courier for the Confederate Secret Service, moving messages, cash, and contraband back and forth across enemy lines. The Confederate activities in and around Surrattsville drew the attention of the Union government. In late 1861, Lafayette C. Baker, a detective with the Union Intelligence Service, and 300 Union soldiers camped in Surrattsville and investigated the Surratts and others for Confederate activities.", "In late 1861, Lafayette C. Baker, a detective with the Union Intelligence Service, and 300 Union soldiers camped in Surrattsville and investigated the Surratts and others for Confederate activities. He quickly uncovered evidence of a large Confederate courier network operating in the area, but despite some arrests and warnings, the courier network remained intact. John Surratt collapsed suddenly and died on either August 25 or August 26 in 1862 (sources differ as to the date). The cause of death was a stroke.", "The cause of death was a stroke. The cause of death was a stroke. The Surratt family affairs were in serious financial difficulties. John Jr. and Anna both left school to help their mother run the family's remaining farmland and businesses. On September 10, 1862, John Jr. was appointed postmaster of the Surrattsville post office. Lafayette Baker swept through Surrattsville again in 1862, and several postmasters were dismissed for disloyalty, but John Jr. was not one of them.", "Lafayette Baker swept through Surrattsville again in 1862, and several postmasters were dismissed for disloyalty, but John Jr. was not one of them. In August 1863, he sought a job in the paymaster's department in the United States Department of War, but his application caused federal agents to be suspicious about his family's loyalties to the Union. On November 17, 1863, he was dismissed as postmaster for disloyalty. The loss of John Jr.'s job as postmaster caused a financial crisis for the Surratt family.", "The loss of John Jr.'s job as postmaster caused a financial crisis for the Surratt family. When John Sr.'s estate was probated in late November 1862, the family owned only two middle-age male slaves. However, by 1863, Louis J. Weichmann, a friend of John Jr. from St. Charles College, observed that the family had six or more slaves working on the property. By 1864, Mary Surratt found that her husband's unpaid debts and bad business deals had left her with many creditors.", "By 1864, Mary Surratt found that her husband's unpaid debts and bad business deals had left her with many creditors. Several of her slaves ran away. When he was not meeting with Confederate sympathizers in the city, her son was selling vegetables to raise cash for the family. Mary was tired of running the farm, tavern, and other businesses without her son's help. In the fall of 1864, she began considering moving to her townhouse in the city.", "In the fall of 1864, she began considering moving to her townhouse in the city. On October 1, 1864, she took possession of the townhouse at 604 H Street NW in Washington, D.C. The house was made of gray brick, wide, deep, and had four stories. The first floor, which was level with the street, had two large rooms, used as the kitchen and dining room.", "The first floor, which was level with the street, had two large rooms, used as the kitchen and dining room. The second floor had a front and back parlor, with the room in the rear used as Mary Surratt's bedroom. The third floor had three rooms: two in the front and a larger one at the back. The fourth floor, which was considered an attic, had two large and one small room, occupied by a servant.", "The fourth floor, which was considered an attic, had two large and one small room, occupied by a servant. Surratt began moving her belongings into the townhouse that month, and on November 1, 1864, Anna and John Jr. took up residence there. Mary Surratt herself moved into the home on December 1. That same day, she leased the tavern in Surrattsville to a former Washington, D.C., policeman and Confederate sympathizer John M. Lloyd for $500 a year.", "That same day, she leased the tavern in Surrattsville to a former Washington, D.C., policeman and Confederate sympathizer John M. Lloyd for $500 a year. On November 30, December 8, and December 27, Mary Surratt advertised for lodgers in the Daily Evening Star newspaper. She had initially said that she wanted only lodgers who were known to her personally or were recommended by friends, but in her advertisements, she said rooms were \"available for 4 gentlemen.\"", "She had initially said that she wanted only lodgers who were known to her personally or were recommended by friends, but in her advertisements, she said rooms were \"available for 4 gentlemen.\" Some scholars have raised questions about Surratt's move into the city. Historians Kate Larson and Roy Chamlee have noted that although there is no definite proof, a case can be made that Surratt made the move into the city in furtherance of her and her son's espionage activities.", "Historians Kate Larson and Roy Chamlee have noted that although there is no definite proof, a case can be made that Surratt made the move into the city in furtherance of her and her son's espionage activities. For example, Larson and Chamlee say that on September 21, 1864, John Surratt wrote to Louis J. Weichmann, observing that the family's plans to move into the city were advancing rapidly \"on account of certain events having turned up,\" perhaps a cryptic reference to either his Confederate activities in general or the conspiracy to kidnap or kill Lincoln.", "For example, Larson and Chamlee say that on September 21, 1864, John Surratt wrote to Louis J. Weichmann, observing that the family's plans to move into the city were advancing rapidly \"on account of certain events having turned up,\" perhaps a cryptic reference to either his Confederate activities in general or the conspiracy to kidnap or kill Lincoln. Larson has observed that although the move made long-term economic sense for Surratt, it also, in the short term, would have meant moving expenses and furnishing up to 10 rooms in the townhouse, money that she did not have.", "Larson has observed that although the move made long-term economic sense for Surratt, it also, in the short term, would have meant moving expenses and furnishing up to 10 rooms in the townhouse, money that she did not have. Chamlee, too, found little economic reason to move into the city and concluded that it would have been more profitable to rent the H Street boarding house entirely to lodgers. During her time in the city, Surratt tried to keep her daughter away from what she felt were negative influences.", "During her time in the city, Surratt tried to keep her daughter away from what she felt were negative influences. Moreover, Surratt still owed money on both the tavern and the townhouse and would take out yet another mortgage against the townhouse in January 1865. John Jr. transferred all his title to the family property to his mother in January 1865. That act may have additional implications. A traitor's property could be seized, and John's spy knowledge was certainly his motivation for relinquishing his title to the houses and land.", "A traitor's property could be seized, and John's spy knowledge was certainly his motivation for relinquishing his title to the houses and land. Mary may have known of his motivation as well or at least suspected. If she did, she would have possessed at least de facto knowledge of the conspiracy. Conspiracy Louis J. Weichmann moved into Surratt's boarding house on November 1, 1864. On December 23, 1864, Dr. Samuel Mudd introduced John Surratt Jr. to John Wilkes Booth.", "On December 23, 1864, Dr. Samuel Mudd introduced John Surratt Jr. to John Wilkes Booth. Booth recruited John Jr. into his conspiracy to kidnap Lincoln. Confederate agents began frequenting the boarding house. Booth visited the boarding house many times over the next few months, sometimes at Mary's request. George Atzerodt and Lewis Powell boarded at the townhouse for short periods.", "George Atzerodt and Lewis Powell boarded at the townhouse for short periods. Atzerodt, a friend of both John Jr. and Booth and a co-conspirator in the plot to kidnap Lincoln, visited the boarding house several times in the first two months of 1865. He stayed at the Surratt boarding house in February 1865 (for one night or several, sources differ), but he proved to be a heavy drinker, and Surratt evicted him after just a few days. He continued to visit the townhouse frequently afterward, however.", "He continued to visit the townhouse frequently afterward, however. Powell posed as a Baptist preacher and stayed at the boarding house for three days in March 1865. David Herold also called at the home several times. As part of the plot to kidnap Lincoln in March 1865, John, Atzerodt, and Herold hid two Spencer carbines, ammunition, and some other supplies at the Surratt tavern in Surrattsville. On April 11, Mary Surratt rented a carriage and drove to the Surratt tavern.", "On April 11, Mary Surratt rented a carriage and drove to the Surratt tavern. She said that she made the trip to collect a debt owed her by a former neighbor. However, according to her tenant, John Lloyd, Surratt told him to get the \"shooting irons\" ready to be picked up. On April 14, Surratt said that she would once again visit the family tavern in Surrattsville to collect a debt. Shortly before she left the city, Booth visited the boarding house and spoke privately with her.", "Shortly before she left the city, Booth visited the boarding house and spoke privately with her. He gave her a package, later found to contain binoculars, for Lloyd to pick up later that evening. Surratt did so and, according to Lloyd, again told Lloyd to have the \"shooting irons\" ready for pickup and handed him a wrapped package from Booth. Booth's plan was to assassinate Lincoln and have Atzerodt kill Vice President Andrew Johnson and Powell kill Secretary of State William H. Seward.", "Booth's plan was to assassinate Lincoln and have Atzerodt kill Vice President Andrew Johnson and Powell kill Secretary of State William H. Seward. Booth killed Lincoln, Atzerodt never attempted to kill Johnson, and Powell stabbed Seward repeatedly but failed to murder him. As they fled the city after Lincoln's assassination, Booth and Herold picked up the rifles and binoculars from Surratt's tavern. Lloyd repaired a broken spring on Surratt's wagon before they left.", "Lloyd repaired a broken spring on Surratt's wagon before they left. Arrest and incarceration Around 2 a.m. on April 15, 1865, members of the District of Columbia police visited the Surratt boarding house, seeking John Wilkes Booth and John Surratt. Why the police came to the house is not entirely clear. Most historians conclude that Weichmann's friend, Department of War employee Daniel Gleason, had alerted federal authorities to Confederate activity centered on the Surratt house, but that does not explain why police rather than federal agents appeared there.", "Most historians conclude that Weichmann's friend, Department of War employee Daniel Gleason, had alerted federal authorities to Confederate activity centered on the Surratt house, but that does not explain why police rather than federal agents appeared there. (Historian Roy Chamlee, however, says that there is evidence that Gleason did not tell police about his suspicions of Weichmann for several days.) Within 45 minutes of the attack on Lincoln, John Surratt's name had become associated with the attack on Secretary of State William H. Seward.", "Within 45 minutes of the attack on Lincoln, John Surratt's name had become associated with the attack on Secretary of State William H. Seward. The police as well as the Provost Marshal's office both had files on John Surratt Jr. and knew he was a close friend of Booth.", "The police as well as the Provost Marshal's office both had files on John Surratt Jr. and knew he was a close friend of Booth. (It is possible that either James L. Maddox, property supervisor at Ford's Theatre and a friend of Booth's, or actor John Matthews, both of whom may have known about the plot to attack government officials, mentioned Surratt's name.)", "(It is possible that either James L. Maddox, property supervisor at Ford's Theatre and a friend of Booth's, or actor John Matthews, both of whom may have known about the plot to attack government officials, mentioned Surratt's name.) Historian Otto Eisenschiml has argued that David Herold's attempt to steal a horse from John Fletcher may have led them to the Surratt boarding house, but at least one other scholar has called the link uncertain.", "Historian Otto Eisenschiml has argued that David Herold's attempt to steal a horse from John Fletcher may have led them to the Surratt boarding house, but at least one other scholar has called the link uncertain. Other sources claim that eyewitnesses had identified Booth as Lincoln's attacker, and the detectives had information (a tip from an unnamed actor and a bartender) linking John, Jr., to Booth. Mary lied to the detectives that her son had been in Canada for two weeks.", "Mary lied to the detectives that her son had been in Canada for two weeks. She also did not reveal that she had delivered a package to the tavern on Booth's behalf only hours earlier. On April 17, a Surratt neighbor told U.S. military authorities that he overheard one of the Surratt's servants saying that three men had come to the house on the night of Lincoln's assassination and that one of the men had mentioned Booth in a theater.", "On April 17, a Surratt neighbor told U.S. military authorities that he overheard one of the Surratt's servants saying that three men had come to the house on the night of Lincoln's assassination and that one of the men had mentioned Booth in a theater. (The servant was mistaken about the date, as John Surratt, Jr. had indeed been in Elmira, New York, on a mission for a Confederate general). Other pieces of information also mentioned the boarding house as a key meeting place of the possible conspirators.", "Other pieces of information also mentioned the boarding house as a key meeting place of the possible conspirators. Either Colonel Henry H. Wells, Provost Marshal (head of the military police) of the District of Columbia, or General Christopher C. Augur told Colonel Henry Steel Olcott to arrest everyone in the house. Federal soldiers visited the Surratt boarding house again late on the evening of April 17.", "Federal soldiers visited the Surratt boarding house again late on the evening of April 17. John Jr. could not be found, but after a search of the house, the agents found in Mary's room a picture of Booth, hidden behind another photograph, pictures of Confederate leaders including Jefferson Davis, a pistol, a mold for making bullets, and percussion caps. As Mary was being arrested for conspiracy to assassinate Lincoln, Powell appeared at her door in disguise.", "As Mary was being arrested for conspiracy to assassinate Lincoln, Powell appeared at her door in disguise. Although Surratt denied knowing him, Powell claimed that he was a laborer hired by Surratt to dig a ditch the next morning. The discrepancy and Powell's unusually well-groomed appearance, quite unlike a ditch-digger, prompted his arrest. He was later identified as the man who had attempted to assassinate Secretary of State William Seward.", "He was later identified as the man who had attempted to assassinate Secretary of State William Seward. After her arrest, she was held at an annex to the Old Capitol Prison before being transferred to the Washington Arsenal on April 30. Two armed guards stood before the door to her cell from the beginning of her imprisonment until her death. Her cell, while airy and larger than the others, was sparsely furnished, with a straw mattress, table, wash basin, chair, and a bucket.", "Her cell, while airy and larger than the others, was sparsely furnished, with a straw mattress, table, wash basin, chair, and a bucket. Food was served four times a day, always of bread; salt pork, beef, or beef soup; and coffee or water. The other arrested conspirators had their heads enclosed in a padded canvas bag to prevent a suicide attempt. Sources disagree as to whether Surratt was also forced to wear it.", "Sources disagree as to whether Surratt was also forced to wear it. Although the others wore iron manacles on their feet and ankles, she was not manacled. (Rumors to the contrary were raised by reporters at the trial who could not see her or \"heard\" the clank of chains about her feet. The rumors were repeatedly investigated and denied.) She began to suffer menstrual bleeding and became weak during her detention. She was given a rocking chair and allowed visits from her daughter, Anna.", "She was given a rocking chair and allowed visits from her daughter, Anna. She and Powell received the most attention from the press. The Northern press was also highly critical of her, claiming that she had a \"criminal face\" due to her small mouth and dark eyes. John Surratt Jr. was in Elmira at the time of the assassination, delivering messages on behalf of a Confederate general. After learning of Lincoln's death, he fled to Montreal, Quebec, Canada.", "After learning of Lincoln's death, he fled to Montreal, Quebec, Canada. Trial The trial for the alleged conspirators began on May 9. A military tribunal, rather than a civilian court, was chosen as the venue because government officials thought that its more lenient rules of evidence would enable the court to get to the bottom of what was then perceived by the public as a vast conspiracy. All eight alleged conspirators were tried simultaneously. Historians have conflicting views regarding Surratt's innocence.", "Historians have conflicting views regarding Surratt's innocence. Historians have conflicting views regarding Surratt's innocence. Historian Laurie Verge commented, \"Only in the case of Dr. Samuel Alexander Mudd is there as much controversy as to the guilt or innocence of one of the defendants.\" Lincoln assassination scholar Thomas Reed Turner says that of the eight people accused of plotting to kill Lincoln, the case against Surratt remains \"the most controversial... at that time and since.\"", "Lincoln assassination scholar Thomas Reed Turner says that of the eight people accused of plotting to kill Lincoln, the case against Surratt remains \"the most controversial... at that time and since.\" A room on the northeast corner of the third floor of the Arsenal was made into a courtroom, and the prisoners were brought into the room through a side door, which prevented them from passing by or being harassed by spectators. Surratt was given special considerations during the trial because of her illness and gender.", "Surratt was given special considerations during the trial because of her illness and gender. In the courtroom, she sat apart from the other prisoners. Sources differ as to whether an armed guard sat on either side of her, as was done for other prisoners during the trial. While the others wore wrist and ankle manacles in the courtroom, she did not. She was also permitted a bonnet, fan, and veil to hide her face from spectators.", "She was also permitted a bonnet, fan, and veil to hide her face from spectators. As her illness worsened during the trial, she was moved to a larger and more comfortable prison cell. Surratt was charged with abetting, aiding, concealing, counseling, and harboring her co-defendants. The federal government initially attempted to find legal counsel for her and the others, but almost no attorneys were willing to take the job for fear they would be accused of disloyalty to the Union.", "The federal government initially attempted to find legal counsel for her and the others, but almost no attorneys were willing to take the job for fear they would be accused of disloyalty to the Union. Surratt retained Reverdy Johnson as her legal counsel. A member of the military commission trying the conspirators challenged Johnson's right to defend Surratt, as he had objected to requiring loyalty oaths from voters in the 1864 presidential election.", "A member of the military commission trying the conspirators challenged Johnson's right to defend Surratt, as he had objected to requiring loyalty oaths from voters in the 1864 presidential election. After much discussion, this objection was withdrawn, but damage had been done to his influence, and he did not attend most of the court sessions. Most of Surratt's legal defense was presented by two other lawyers: Frederick Aiken and John Wesley Clampitt. The prosecution's strategy was to tie Surratt to the conspiracy.", "The prosecution's strategy was to tie Surratt to the conspiracy. Powell's arrival at her boarding house, three days after the president's murder, was critical evidence against her, the government argued. The prosecution presented nine witnesses, but most of their case rested on the testimony of just two men: John M. Lloyd and Louis J. Weichmann.", "The prosecution presented nine witnesses, but most of their case rested on the testimony of just two men: John M. Lloyd and Louis J. Weichmann. Lloyd testified on May 13 and 15, 1865 on the hiding of the carbines and other supplies at the tavern in March and the two conversations he had with her in which she told him to get the \"shooting irons\" ready. Weichmann's testimony was important, as it established an intimate relationship between her and the other conspirators.", "Weichmann's testimony was important, as it established an intimate relationship between her and the other conspirators. Weichmann testified May 16 to 19 and said that he had resided at the boarding house since November 1864. He had seen or overheard John Jr. meeting and talking with Atzerodt, Booth, and Powell many times over the past four and a half months.", "He had seen or overheard John Jr. meeting and talking with Atzerodt, Booth, and Powell many times over the past four and a half months. Weichmann had driven Surratt to the tavern on April 11 and 14, confirmed that she and Lloyd had spent much time in private conversation, testified that he saw Booth give her the package of binoculars, and attested that she had turned the package over to Lloyd.", "Weichmann had driven Surratt to the tavern on April 11 and 14, confirmed that she and Lloyd had spent much time in private conversation, testified that he saw Booth give her the package of binoculars, and attested that she had turned the package over to Lloyd. Weichmann also testified at length about the Surratt family's ties to the Confederate spy and courier rings operating in the area and their relationships with Atzerodt and Powell.", "Weichmann also testified at length about the Surratt family's ties to the Confederate spy and courier rings operating in the area and their relationships with Atzerodt and Powell. He also testified about the December 23 meeting with Booth and John (which he also attended) and their subsequent meeting with Booth at Booth's room at the National Hotel. Finally, he told the military tribunal about the general excitement in the boarding house in March 1865 after the failed attempt to kidnap Lincoln. Other prosecution witnesses reinforced Weichmann's testimony.", "Other prosecution witnesses reinforced Weichmann's testimony. Other prosecution witnesses reinforced Weichmann's testimony. Lodger Honora Fitzpatrick confirmed visits by Atzerodt, Booth, and Powell to the boarding house. Emma Offut, Lloyd's sister-in-law, testified that she saw (but did not hear) Surratt speaking for long periods of time with Lloyd on April 11 and 14. Government agents testified about their arrest of Surratt, Powell's arrival, and her denial that she knew Powell.", "Government agents testified about their arrest of Surratt, Powell's arrival, and her denial that she knew Powell. The fact that Powell sought refuge in the boarding house after Lincoln's murder left a bad impression of her. Surratt's refusal (or failure) to recognize him also weighed against her. The agents also testified about their search of the house, and the evidence (the photographs, the weapons, etc.) discovered there.", "discovered there. discovered there. Lloyd's testimony was the most important for the prosecution's case, for it indicated that she had played an active role in the conspiracy in the days before Lincoln's death. The prosecution rested its case on May 22. The defense strategy was to impeach the testimony of the key prosecution witnesses: Lloyd and Weichmann.", "The defense strategy was to impeach the testimony of the key prosecution witnesses: Lloyd and Weichmann. It also wished to show that she was loyal to the Union, her trips to Surrattsville were of an innocent nature, and she had not been aware of Booth's plans. There were 31 witnesses who testified for the defense.", "There were 31 witnesses who testified for the defense. There were 31 witnesses who testified for the defense. George H. Calvert testified that he had pressed Surratt to pay a debt, Bennett Gwynn said Surratt had sought payment from John Nothey to satisfy the Calvert debt, and Nothey agreed that he had received a letter from Surratt for him to appear at the tavern on April 11 to pay what was owed.", "George H. Calvert testified that he had pressed Surratt to pay a debt, Bennett Gwynn said Surratt had sought payment from John Nothey to satisfy the Calvert debt, and Nothey agreed that he had received a letter from Surratt for him to appear at the tavern on April 11 to pay what was owed. Several witnesses impugned Lloyd's character by testifying about his alcoholism, while others said he was too intoxicated on the day of Lincoln's assassination to remember that day clearly.", "Several witnesses impugned Lloyd's character by testifying about his alcoholism, while others said he was too intoxicated on the day of Lincoln's assassination to remember that day clearly. Augustus Howell, a Confederate agent, testified Weichmann was an untrustworthy witness, as he had sought to become a Confederate spy himself. (The prosecution had attempted to show that Howell was a Confederate spy and should not be trusted.)", "(The prosecution had attempted to show that Howell was a Confederate spy and should not be trusted.) Anna Surratt testified that it was Weichmann who had brought Atzerodt into the boarding house, that the photograph of Booth was hers, and that she owned photographs of Union political and military leaders. Anna denied ever overhearing any discussions of disloyal activities or ideas in the boarding house, and that Booth's visits to the house were always short.", "Anna denied ever overhearing any discussions of disloyal activities or ideas in the boarding house, and that Booth's visits to the house were always short. Anna explained her mother's failure to recognize Powell by asserting she could not see well. Augusta Howell, a former servant, and Honora Fitzpatrick, a former slave, testified to Mary's poor eyesight as well. The former servant and the former slave both said Surratt had given Union soldiers food.", "The former servant and the former slave both said Surratt had given Union soldiers food. Numerous witnesses were called at the end of the defense's case to testify to her loyalty to the Union, her deep Christian faith, and her kindness. During the prosecution's rebuttal, government lawyers called four witnesses to the stand, who testified as to Weichmann's unimpeachable character. Johnson and Aiken presented the closing arguments for the defense. Johnson attacked the jurisdiction of a military tribunal over civilians, as had Mudd's attorney.", "Johnson attacked the jurisdiction of a military tribunal over civilians, as had Mudd's attorney. Aiken also challenged the court's jurisdiction. He also reiterated that Lloyd and Weichmann were unreliable witnesses and that the evidence against her was all circumstantial. The only evidence linking Surratt to the conspiracy to kill Lincoln, he said, came from Lloyd and Weichmann, and neither man was telling the truth. (Dorothy Kunhardt has written that there is evidence the latter's perjured testimony was suborned by Secretary of War Edwin M. Stanton.)", "Stanton.) Stanton.) Judge Advocate John Bingham presented the closing argument for the prosecution. The military tribunal had jurisdiction, he said, not only because the court itself had ruled at the beginning of the trials that it did but because they were crimes committed in a military zone, during a time of war, and against high government officials in carrying out treasonous activities. Bingham pointed out that the Surratt boarding house was where the conspiracy was planned, and Atzerodt, Booth, and Powell had all met with Surratt.", "Bingham pointed out that the Surratt boarding house was where the conspiracy was planned, and Atzerodt, Booth, and Powell had all met with Surratt. Booth had paid for the rental of the carriage that took Surratt to Surrattsville each time, and Bingham said that was evidence that Surratt's trips were critical to the conspiracy. Bingham also said that Lloyd's testimony had been corroborated by others and that his unwillingness to reveal the cache of weapons in the tavern was prompted by his subservient tenant relationship to Surratt.", "Bingham also said that Lloyd's testimony had been corroborated by others and that his unwillingness to reveal the cache of weapons in the tavern was prompted by his subservient tenant relationship to Surratt. Bingham concluded by reiterating the government's key point: Powell had returned to the Surratt house seeking Surratt, and that alone was proof of her guilt. Bingham also pointed out for the tribunal that the charge a person was indicted for was irrelevant.", "Bingham also pointed out for the tribunal that the charge a person was indicted for was irrelevant. Under the law of conspiracy, if one person carries out a crime, all conspirators are guilty of the same crime. The trial ended on June 28, 1865. Surratt was so ill the last four days of the trial that she was permitted to stay in her cell.", "Surratt was so ill the last four days of the trial that she was permitted to stay in her cell. In the opinion of historian Roy Z. Chamlee, both legal teams appeared to have flaws in their cases, and except for Reverdy Johnson, neither team employed highly skilled attorneys.", "In the opinion of historian Roy Z. Chamlee, both legal teams appeared to have flaws in their cases, and except for Reverdy Johnson, neither team employed highly skilled attorneys. The government's case was hindered by its failure to call as a witness the man who shared Lloyd's carriage when he talked with Surratt and could have verified Lloyd's version of the \"shooting irons\" story or Metropolitan Police Chief A.C. Richards whose investigation had had the most success in the early days of the investigation.", "The government's case was hindered by its failure to call as a witness the man who shared Lloyd's carriage when he talked with Surratt and could have verified Lloyd's version of the \"shooting irons\" story or Metropolitan Police Chief A.C. Richards whose investigation had had the most success in the early days of the investigation. The government did not fully investigate Booth's meetings with Surratt at noon or the evening of the murder, and its questioning and cross-examination of witnesses was poorly prepared and weak.", "The government did not fully investigate Booth's meetings with Surratt at noon or the evening of the murder, and its questioning and cross-examination of witnesses was poorly prepared and weak. What is most important, according to historian Roy Z. Chamber Jr., is that the government had botched the attempt to apprehend John Jr. The defense's case, too, had a problem. The defense never followed up on inconsistencies in Weichmann's chronology of Mary's last visit to the tavern, which could have undermined Weichmann's entire credibility.", "The defense never followed up on inconsistencies in Weichmann's chronology of Mary's last visit to the tavern, which could have undermined Weichmann's entire credibility. The military tribunal considered guilt and sentencing on June 29 and 30. Surratt's guilt was the second-last to be considered, as her case had problems of evidence and witness reliability. The sentence was handed down on June 30. The military tribunal found her guilty on all charges but two. A death sentence required six of the nine votes of the judges.", "A death sentence required six of the nine votes of the judges. Surratt was sentenced to death, the first woman executed by the federal government. The sentence was announced publicly on July 5. When Powell learned of his sentence, he declared that she was completely innocent of all charges. The night before the execution, Surratt's priests and Anna Surratt both visited Powell and elicited from him a strong statement declaring Mary innocent.", "The night before the execution, Surratt's priests and Anna Surratt both visited Powell and elicited from him a strong statement declaring Mary innocent. Although it was delivered to Captain Christian Rath, who was overseeing the execution, Powell's statement had no effect on anyone with authority to prevent Surratt's death. George Atzerodt bitterly condemned her, implicating her even further in the conspiracy. Powell's was the only statement by any conspirator exonerating Surratt.", "Powell's was the only statement by any conspirator exonerating Surratt. Anna Surratt pleaded repeatedly for her mother's life with Judge Advocate General Joseph Holt, but he refused to consider clemency. She also attempted to see President Andrew Johnson several times to beg for mercy but was not granted permission to see him. Five of the nine judges signed a letter asking President Johnson to give Surratt clemency and commute her sentence to life in prison because of her age and sex.", "Five of the nine judges signed a letter asking President Johnson to give Surratt clemency and commute her sentence to life in prison because of her age and sex. Holt did not deliver the recommendation to Johnson until July 5, two days before Surratt and the others were to hang. Johnson signed the order for execution but did not sign the order for clemency. Johnson later said he never saw the clemency request; Holt said he showed it to Johnson, who refused to sign it.", "Johnson later said he never saw the clemency request; Holt said he showed it to Johnson, who refused to sign it. Johnson, according to Holt, said in signing the death warrant that she had \"kept the nest that hatched the egg.\" Execution Construction of the gallows for the hanging of the conspirators condemned to death began immediately on July 5, after the execution order was signed. It was constructed in the south part of the Arsenal courtyard, was high and about in size.", "It was constructed in the south part of the Arsenal courtyard, was high and about in size. Rath, who oversaw the preparations for the executions, made the nooses. Tired of making nooses and thinking that the government would never hang a woman, he made Surratt's noose the night before the execution with five loops rather than the regulation seven. He tested the nooses that night by tying them to a tree limb and a bag of buckshot and then tossing the bag to the ground (the ropes held).", "He tested the nooses that night by tying them to a tree limb and a bag of buckshot and then tossing the bag to the ground (the ropes held). Civilian workers did not want to dig the graves out of superstitious fear, so Rath asked for volunteers among the soldiers at the Arsenal and received more help than he needed. At noon on July 6, Surratt was informed she would be hanged the next day. She wept profusely.", "She wept profusely. She wept profusely. She was joined by two Catholic priests (Jacob Walter and B.F. Wiget) and her daughter Anna. Father Jacob remained with her almost until her death. Her menstrual problems had worsened, and she was in such pain and suffered from such severe cramps that the prison doctor gave her wine and medication. She repeatedly asserted her innocence. She spent the night on her mattress, weeping and moaning in pain and grief, ministered to by the priests.", "She spent the night on her mattress, weeping and moaning in pain and grief, ministered to by the priests. Anna left her mother's side at 8 A.M. on July 7 and went to the White House to beg for her mother's life one last time. Her entreaty rejected, she returned to the prison and her mother's cell at about 11 A.M. The soldiers began testing the gallows about 11:25 A.M.; the sound of the tests unnerved all the prisoners.", "The soldiers began testing the gallows about 11:25 A.M.; the sound of the tests unnerved all the prisoners. Shortly before noon, Mary Surratt was taken from her cell and then allowed to sit in a chair near the entrance to the courtyard. The heat in the city that day was oppressive. By noon, it had already reached . The guards ordered all visitors to leave at 12:30 P.M. When she was forced to part from her mother, Anna's hysterical screams of grief could be heard throughout the prison.", "When she was forced to part from her mother, Anna's hysterical screams of grief could be heard throughout the prison. Clampitt and Aiken had not finished trying to save their client, however. On the morning of July 7, they asked a District of Columbia court for a writ of habeas corpus, arguing that the military tribunal had no jurisdiction over their client. The court issued the writ at 3 A.M., and it was served on General Winfield Scott Hancock.", "The court issued the writ at 3 A.M., and it was served on General Winfield Scott Hancock. Hancock was ordered to produce Surratt by 10 A.M. General Hancock sent an aide to General John F. Hartranft, who commanded the Old Capitol Prison, ordering him not to admit any US marshal, as that would prevent the marshal from serving a similar writ on Hartranft.", "Hancock was ordered to produce Surratt by 10 A.M. General Hancock sent an aide to General John F. Hartranft, who commanded the Old Capitol Prison, ordering him not to admit any US marshal, as that would prevent the marshal from serving a similar writ on Hartranft. Johnson was informed that the court had issued the writ and promptly cancelled it at 11:30 A.M. under the authority granted to him by the Habeas Corpus Suspension Act of 1863.", "Johnson was informed that the court had issued the writ and promptly cancelled it at 11:30 A.M. under the authority granted to him by the Habeas Corpus Suspension Act of 1863. General Hancock and United States Attorney General James Speed personally appeared in court and informed the judge of the cancellation of the writ. On July 7, 1865, at 1:15 P.M., a procession led by General Hartranft escorted the four condemned prisoners through the courtyard and up the steps to the gallows. Each prisoner's ankles and wrists were bound by manacles.", "Each prisoner's ankles and wrists were bound by manacles. Surratt led the way, wearing a black bombazine dress, black bonnet, and black veil. More than 1,000 people, including government officials, members of the US armed forces, friends and family of the accused, official witnesses, and reporters, watched. General Hancock limited attendance to those who had a ticket, and only those who had a good reason to be present were given a ticket.", "General Hancock limited attendance to those who had a ticket, and only those who had a good reason to be present were given a ticket. (Most of those present were military officers and soldiers, as fewer than 200 tickets had been printed.) Alexander Gardner, who had photographed the body of Booth and taken portraits of several of the male conspirators while they were imprisoned aboard naval ships, photographed the execution for the government. Hartranft read the order for their execution.", "Hartranft read the order for their execution. Hartranft read the order for their execution. Surratt, either weak from her illness or swooning in fear (perhaps both), had to be supported by two soldiers and her priests. The condemned were seated in chairs, Surratt almost collapsing into hers. She was seated to the right of the others, the traditional \"seat of honor\" in an execution. White cloth was used to bind their arms to their sides and their ankles and thighs together.", "White cloth was used to bind their arms to their sides and their ankles and thighs together. The cloths around Surratt's legs were tied around her dress below the knees. Each person was ministered to by a member of the clergy. From the scaffold, Powell said, \"Mrs. Surratt is innocent. She doesn't deserve to die with the rest of us.\" Fathers Jacob and Wiget prayed over her and held a crucifix to her lips.", "Fathers Jacob and Wiget prayed over her and held a crucifix to her lips. About 16 minutes elapsed from the time the prisoners entered the courtyard until they were ready for execution. A white bag was placed over the head of each prisoner after the noose was put in place. Surratt's bonnet was removed, and the noose put around her neck by a U.S. Secret Service officer. She complained that the bindings about her arms hurt, and the officer preparing said, \"Well, it won't hurt long.\"", "She complained that the bindings about her arms hurt, and the officer preparing said, \"Well, it won't hurt long.\" Finally, the prisoners were asked to stand and move forward a few feet to the nooses. The chairs were removed. Her last words, spoken to a guard as he moved her forward to the drop, were \"Please don't let me fall.\" Surratt and the others stood on the drop for about 10 seconds, and then Captain Rath clapped his hands.", "Surratt and the others stood on the drop for about 10 seconds, and then Captain Rath clapped his hands. Four soldiers of Company F of the 14th Veteran Reserves knocked out the supports holding the drops in place, and the condemned fell. Surratt, who had moved forward enough to barely step onto the drop, lurched forward and slid partway down the drop, her body snapping tight at the end of the rope, swinging back and forth. She appeared to die relatively quickly with little struggle.", "She appeared to die relatively quickly with little struggle. She appeared to die relatively quickly with little struggle. Atzerodt's stomach heaved once and his legs quivered; then, he was still. Herold and Powell struggled for nearly five minutes, strangling to death. Burial Each body was inspected by a physician to ensure that death had occurred.", "Burial Each body was inspected by a physician to ensure that death had occurred. The bodies of the executed were allowed to hang for about 30 minutes and soldiers began to cut them down at 1:53 p.m. A corporal raced to the top of the gallows and cut down Atzerodt's body, which fell to the ground with a thud. He was reprimanded, and the other bodies were cut down more gently. Herold's body was next, followed by Powell's.", "Herold's body was next, followed by Powell's. Surratt's body was cut down at 1:58 p.m. As Surratt's body was cut loose, her head fell forward. A soldier joked, \"She makes a good bow\" and was rebuked by an officer for his poor use of humor. Upon examination, the military surgeons determined that no one's neck had been broken by the fall. The manacles and cloth bindings were removed but not the white execution masks, and the bodies were placed into the pine coffins.", "The manacles and cloth bindings were removed but not the white execution masks, and the bodies were placed into the pine coffins. The name of each person was written on a piece of paper by acting Assistant Adjutant R. A. Watts, and inserted in a glass vial, which was placed into the coffin. The coffins were buried against the prison wall in shallow graves, just a few feet from the gallows. A white picket fence marked the burial site.", "A white picket fence marked the burial site. A white picket fence marked the burial site. The night that she died, a mob attacked the Surratt boarding house and began stripping it of souvenirs until the police stopped them. Anna Surratt unsuccessfully asked for her mother's body for four years. In 1867, the War Department decided to tear down the portion of the Washington Arsenal where the bodies of Surratt and the other executed conspirators lay. On October 1, 1867, the coffins were disinterred and reburied in Warehouse No.", "On October 1, 1867, the coffins were disinterred and reburied in Warehouse No. 1 at the Arsenal, with a wooden marker placed at the head of each burial vault. Booth's body lay alongside them. In February 1869, Edwin Booth asked Johnson for the body of his brother. Johnson agreed to turn the body over to the Booth family, and on February 8 Surratt's body was turned over to the Surratt family.", "Johnson agreed to turn the body over to the Booth family, and on February 8 Surratt's body was turned over to the Surratt family. She was buried in Mount Olivet Cemetery in Washington, D.C., on February 9, 1869. Lloyd is buried from her grave in the same cemetery. Surviving family and home Anna Surratt moved from the townhouse on H Street and lived with friends for a few years, ostracized from society. She married William Tonry, a government clerk.", "She married William Tonry, a government clerk. She married William Tonry, a government clerk. They lived in poverty for a while after he was dismissed from his job, but in time, he became a professor of chemistry in Baltimore and the couple became better off. The strain of her mother's death left Anna mentally unbalanced, and she suffered from periods of extreme fear that bordered on insanity. She died in 1904.", "She died in 1904. She died in 1904. After the dismissal of charges against him, John Jr. married and he and his family lived in Baltimore near his sister, Anna. Isaac Surratt also returned to the United States and lived in Baltimore. He died unmarried in 1907. Isaac and Anna were buried on either side of their mother in Mount Olivet Cemetery. John Jr. was buried in Baltimore in 1916.", "John Jr. was buried in Baltimore in 1916. John Jr. was buried in Baltimore in 1916. In 1968, a new headstone with a brass plaque replaced the old, defaced headstone over Mary Surratt's grave. Mary Surratt's boarding house still stands and was listed on the National Register of Historic Places in 2009. Those interested in Mary Surratt formed the Surratt Society. The Surrattsville tavern and house are historical sites run today by the Surratt Society. The Washington Arsenal is now Fort Lesley J. McNair.", "The Washington Arsenal is now Fort Lesley J. McNair. 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Encyclopedia of the American Civil War: A Political, Social, and Military History. New York: W.W. Norton & Co., 2000. Isacsson, Alfred. The Travels, Arrest and Trial of John H. Surratt. Middletown, N.Y.: Vestigium Press, 2003. James, Edward T. Notable American Women: A Biographical Dictionary.", "James, Edward T. Notable American Women: A Biographical Dictionary. Cambridge, Mass. : Belknap Press of Harvard University Press, 2004. Jampoler, Andrew C.A. The Last Lincoln Conspirator: John Surratt's Flight From the Gallows. Annapolis, Md. : Naval Institute Press, 2008. Johnson, Andrew. The Papers of Andrew Johnson: September 1868 – April 1869. Paul H. Bergeron, ed. Knoxville, Tenn.: University of Tennessee Press, 1999. Johnson, Scott Patrick.", "Johnson, Scott Patrick. Johnson, Scott Patrick. Trials of the Century: An Encyclopedia of Popular Culture and the Law. Santa Barbara, Calif.: ABC-CLIO, 2011. Jones, John P. Dr. Mudd and the Lincoln Assassination: The Case Reopened. Conshohocken, Pa.: Combined Books, 1995. Jordan, David M. Winfield Scott Hancock: A Soldier's Life. Bloomington, Ind. : Indiana University Press, 1988. Katz, D. Mark.", ": Indiana University Press, 1988. Katz, D. Mark. Katz, D. Mark. Witness to an Era: The Life and Photographs of Alexander Gardner: The Civil War, Lincoln, and the West. New York: Viking, 1991. Kauffman, Michael W. American Brutus. New York: Random House, 2004. Klement, Frank. Lincoln's Critics: The Copperheads of the North. Shippensburg, W.Va.: White Mane Books, 1999. Kuhn, Annette.", "Shippensburg, W.Va.: White Mane Books, 1999. Kuhn, Annette. Kuhn, Annette. Queen of the 'B's: Ida Lupino Behind the Camera. Westport, Conn.: Greenwood Press, 1995. Larson, Kate Clifford. The Assassin's Accomplice: Mary Surratt and the Plot to Kill Abraham Lincoln. Basic Books, 2008. Latimer, Christopher P. Civil Liberties and the State: A Documentary and Reference Guide. Santa Barbara, Calif.: Greenwood, 2011.", "Santa Barbara, Calif.: Greenwood, 2011. Santa Barbara, Calif.: Greenwood, 2011. Leonard, Elizabeth D. Lincoln's Avengers: Justice, Revenge, and Reunion After the Civil War. New York: Norton, 2004. MacHenry, Robert. Liberty's Women. Springfield, Mass. : G.C. Merriam Co., 1980. Miller, Edward A. Lincoln's Abolitionist General: The Biography of David Hunter. Columbia, S.C.: University of South Carolina Press, 1997.", "Columbia, S.C.: University of South Carolina Press, 1997. Morseberger, Robert E. and Morsberger, Katharine M. Lew Wallace, Militant Romantic. New York: McGraw-Hill, 1980. Oldroyd, Osborn H. The Assassination of Abraham Lincoln: Flight, Pursuit, Capture, and Punishment of the Conspirators. Washington, D.C.: O.H. Oldroyd, 1901. Ownsbey, Betty J. Alias 'Paine': Lewis Thorthon Powell, the Mystery Man of the Lincoln Conspiracy. Jefferson, N.C.: McFarland & Company, 2006. Phelps, Shirelle.", "Jefferson, N.C.: McFarland & Company, 2006. Phelps, Shirelle. Phelps, Shirelle. World of Criminal Justice, Vol. 2: N-Z. Detroit: Gale Group, 2001. Phillips, Larissa. Women Civil War Spies of the Confederacy. New York: Rosen Publishing Group, 2004. Pittman, Benn. The Assassination of President Lincoln and the Trial of the Conspirators. Cincinnati: Moore, Wilstach & Baldwin, 1865. Rehnquist, William H. All the Laws But One: Civil Liberties in Wartime.", "Rehnquist, William H. All the Laws But One: Civil Liberties in Wartime. New York: Vintage Books, 2000. Roscoe, Theodore. The Web of Conspiracy: The Complete Story of the Men Who Murdered Abraham Lincoln. Englewood Cliffs, N.J.: Prentice-Hall, 1959. Sachsman, David B.; Rushing, S. Kittrell; and Morris, Roy. Seeking A Voice: Images of Race and Gender in the 19th Century Press. West Lafayette, Ind. : Purdue University Press, 2009.", "West Lafayette, Ind. : Purdue University Press, 2009. : Purdue University Press, 2009. Schroeder-Lein, Glenna R. and Zuczek, Richard. Andrew Johnson: A Biographical Companion. Santa Barbara, Calif.: ABC-CLIO, 2001. Steers, Jr., Edward. Blood on the Moon. Lexington: University Press of Kentucky, 2001. Steers, Jr., Edward. \"'Let the Stain of Innocent Blood Be Removed from the Land': The Military Trial of the Lincoln Conspirators.\"", "\"'Let the Stain of Innocent Blood Be Removed from the Land': The Military Trial of the Lincoln Conspirators.\" In The Lincoln Assassination: Crime and Punishment, Myth and Memory. Harold Holzer, Craig L. Symonds, and Frank J. Williams, eds. New York: Fordham University Press, 2010. Steers, Jr., Edward. The Lincoln Assassination Encyclopedia. New York: Harper Perennial, 2010. Steers, Jr., Edward. Lincoln Legends: Myths, Hoaxes, and Confabulations Associated With Our Greatest President.", "Lincoln Legends: Myths, Hoaxes, and Confabulations Associated With Our Greatest President. Lexington, Ky.: University Press of Kentucky, 2007. Steers, Jr. Edward and Holzer, Harold. The Lincoln Assassination Conspirators: Their Confinement and Execution, as Recorded in the Letterbook of John Frederick Hartranft. Baton Rouge, La. : Louisiana State University Press, 2009. Stern, Philip Van Doren. An End to Valor: The Last Days of the Civil War. Boston: Houghton Mifflin, 1958. \"Surratt, Mary.\"", "Boston: Houghton Mifflin, 1958. \"Surratt, Mary.\" \"Surratt, Mary.\" In The New Encyclopædia Britannica. Chicago: Encyclopædia Britannica, 1998. \"Surratt, Mary E. Jenkins (1823–1865).\" In Women in the American Civil War. Lisa Tendrich Frank, ed. Santa Barbara, Calif.: ABC-CLIO, 2008. \"Surratt, Mary Eugenia Jenkins (1817–1865).\" In Historical Dictionary of Reconstruction. Hans Louis Trefousse, ed. New York: Greenwood Press, 1991.", "New York: Greenwood Press, 1991. New York: Greenwood Press, 1991. Swanson, James L. Manhunt: The Twelve Day Chase for Lincoln's Killer. New York: HarperCollins, 2007. Swanson, James L. and Weinberg, Daniel R. Lincoln's Assassins: Their Trial and Execution. New York: Harper Perennial, 2008. Townsend, George Alfred. The Life, Crime and Capture of John Wilkes Booth. New York: Dick and Fitzgerald, Publishers, 1886. Townsend, George Alfred.", "Townsend, George Alfred. Townsend, George Alfred. Washington, Outside and Inside: A Picture and a Narrative of the Origin, Growth, Excellencies, Abuses, Beauties, and Personages of Our Governing City. Hartford, Conn.: S.M. Betts & Co., 1874. Trindal, Elizabeth Steger. Mary Surratt: An American Tragedy. Pelican Pub. Co., 1996. Turner, Thomas Reed. Beware the People Weeping: Public Opinion and the Assassination of Abraham Lincoln. Baton Rouge: Louisiana State University Press, 1982.", "Baton Rouge: Louisiana State University Press, 1982. Baton Rouge: Louisiana State University Press, 1982. Van Doren, Charles Lincoln and McHenry, Robert. Webster's American Biographies. Springfield, Mass. : Merriam-Webster, 1984. Verge, Laurie. \"Mary Elizabeth Surratt\". In The Trial: The Assassination of President Lincoln and the Trial of the Conspirators. Lexington, Ky.: University Press of Kentucky, 2003. Watts, R.A. \"Trial and Execution of the Lincoln Conspirators.\" Michigan History Magazine.", "Michigan History Magazine. Michigan History Magazine. 6:1 (1922). Weichmann, Louis J. and Richards, A.C. A True History of the Assassination of Abraham Lincoln and of the Conspiracy of 1865. New York: Knopf, 1975. Zanca, Kenneth J.. The Catholics and Mrs. Mary Surratt: How They Responded to the Trial and Execution of the Lincoln Conspirator. University Press of America, 2008.", "University Press of America, 2008. University Press of America, 2008. External links Anna Surratt, daughter Surratt Society and Museum Read through the Lincoln Assassination Papers about evidence against Mary Surratt Historic Marker at the Surratt Boarding House Brief Mary Surratt Biography (written by a retired teacher especially for students and schools) 1820s births 1865 deaths 19th-century American women 19th-century executions by the United States 19th-century executions of American people American slave owners Burials at Mount Olivet Cemetery (Washington, D.C.) Converts to Roman Catholicism Executed American women Executed people from Maryland Lincoln assassination conspirators People executed by the United States federal government by hanging People from Clinton, Maryland People of Maryland in the American Civil War Women in the American Civil War Catholics from Maryland" ]

[ "Mary Surratt", "Burial", "Where was the burial?", "the Washington Arsenal", "Who was there?", "Herold's body was next, followed by Powell's. Surratt's body was cut down at 1:58 P.M.", "Were they hanged?", "The bodies of the executed were allowed to hang for about 30 minutes and soldiers began to cut them down at 1:53 P.M.", "Why were they hanged?", "I don't know.", "What year was it?", "I don't know.", "Are there any other interesting aspects about this article?", "The coffins were buried against the prison wall in shallow graves, just a few feet from the gallows." ]

[ "C. G. Jung, in his book \"Memories, Dreams, Reflections\", recalls a conversation he had with a Native American man, one Ochwiay Biano an elder of the Taos Pueblo in New Mexico. [Mr. Biano is also known by the English name \"Chief Mountain Lake.\"] Ochwiay Biano said,\n\n“How cruel the whites are: their lips are thin, their noses sharp, their faces furrowed and distorted by holes. Their eyes have a staring expression. They are always seeking something. What are they seeking? The whites always want something, they are always uneasy and restless. We do not know what they want, we do not understand them, we think that they are mad.” I asked him why he thought the whites were all mad. “They say they think with their heads,” he replied.\n\n“Why, of course. What do you think with?” I asked him in surprise.\n\n“We think here,” he said, indicating his heart.^ \n\nLater in the 1925 visit, he learned from the Chief that his people, like the Elongyi tribe of Kenya, rose in the morning and spit in their palms, thereby presenting their soul-stuff to the sun to welcome it in an expression of sympathetic magic. Jung marveled that the people of the pueblo knew why they were there.\n\nNotes\n\nPueblo people", "With Days Like This As Cheap As Chewing Gum, Why Would Anyone Want To Work? is the third offering from English indie band Hot Club De Paris. It was released on Moshi Moshi records on hand numbered limited 10\" vinyl and digital formats.\n\nTrack listing\nAll of the videos of six songs maybe add all of the songs list on With Days Like This as Cheap as Chewing Gum, Why Would Anyone Want to Work?, he produced by Amelia Robona.\nDance A Ragged Dance\nFuck You, The Truth!\nDog Tired At The Spring Dance Marathon\nThey Shoot Horses Don't They?\nNoses Blazing\nExtra Time, Sudden Death\n\nReferences\n\nHot Club de Paris albums\n2010 EPs" ]

[ "Mary Elizabeth Jenkins Surratt (1820 or May 1823 – July 7, 1865) was an American boarding house owner in Washington, D.C., who was convicted of taking part in the conspiracy which led to the assassination of U.S. President Abraham Lincoln in 1865. Sentenced to death, she was hanged and became the first woman executed by the US federal government. She maintained her innocence until her death, and the case against her was and is controversial.", "She maintained her innocence until her death, and the case against her was and is controversial. Surratt was the mother of John Surratt, who was later tried, but due to statute of limitations, was not convicted. Born in Maryland in the 1820s, Surratt converted to Catholicism at a young age and remained a practicing Catholic for the rest of her life. She wed John Harrison Surratt in 1840 and had three children with him.", "She wed John Harrison Surratt in 1840 and had three children with him. An entrepreneur, John became the owner of a tavern, an inn, and a hotel. The Surratts were sympathetic to the Confederate States of America and often hosted fellow Confederate sympathizers at their tavern. Upon her husband's death in 1862, Surratt had to manage his estate. Tired of doing so without help, Surratt moved to her townhouse in Washington, D.C., which she then ran as a boardinghouse.", "Tired of doing so without help, Surratt moved to her townhouse in Washington, D.C., which she then ran as a boardinghouse. There, she was introduced to John Wilkes Booth. Booth visited the boardinghouse numerous times, as did George Atzerodt and Lewis Powell, Booth's co-conspirators in the Lincoln assassination. Shortly before killing Lincoln, Booth spoke with Surratt and handed her a package containing binoculars for one of her tenants, John M. Lloyd.", "Shortly before killing Lincoln, Booth spoke with Surratt and handed her a package containing binoculars for one of her tenants, John M. Lloyd. After Lincoln was assassinated, Surratt was arrested, then tried by a military tribunal the following month, along with the other conspirators. She was convicted primarily due to the testimonies of Lloyd, who said that she told him to have the \"shooting irons\" ready, and Louis J. Weichmann, who testified about Surratt's relationships with Confederate groups and sympathizers.", "She was convicted primarily due to the testimonies of Lloyd, who said that she told him to have the \"shooting irons\" ready, and Louis J. Weichmann, who testified about Surratt's relationships with Confederate groups and sympathizers. Five of the nine judges at her trial asked that Surratt be granted clemency by President Andrew Johnson because of her age and gender. Johnson did not grant her clemency, though accounts differ as to whether or not he received the clemency request.", "Johnson did not grant her clemency, though accounts differ as to whether or not he received the clemency request. Surratt was hanged on July 7, 1865, and later buried in Mount Olivet Cemetery. She has since been portrayed in film, theater, and television. Early life Mary Elizabeth Jenkins (baptismal name, Maria Eugenia) was born to Archibald and Elizabeth Anne (née Webster) Jenkins on a tobacco plantation near the southern Maryland town of Waterloo (now known as Clinton).", "Early life Mary Elizabeth Jenkins (baptismal name, Maria Eugenia) was born to Archibald and Elizabeth Anne (née Webster) Jenkins on a tobacco plantation near the southern Maryland town of Waterloo (now known as Clinton). Sources differ as to whether she was born in 1820 or 1823. There is uncertainty as to the month as well, but most sources say May. She had two brothers: John Jenkins, born in 1822, and James Jenkins, born in 1825.", "She had two brothers: John Jenkins, born in 1822, and James Jenkins, born in 1825. Her father died in the fall of 1825 when Mary was either two or five years old, and Mary's mother then inherited their property (originally part of the His Lordship's Kindness estate). Although her father was a nondenominational Protestant and her mother Episcopalian, Surratt was enrolled in a private Roman Catholic girls' boarding school, the Academy for Young Ladies in Alexandria, Virginia, on November 25, 1835.", "Although her father was a nondenominational Protestant and her mother Episcopalian, Surratt was enrolled in a private Roman Catholic girls' boarding school, the Academy for Young Ladies in Alexandria, Virginia, on November 25, 1835. Mary's maternal aunt, Sarah Latham Webster, was a Catholic, which may have influenced where she was sent to school. Within two years, Mary converted to Roman Catholicism and adopted the baptismal name of Maria Eugenia.", "Within two years, Mary converted to Roman Catholicism and adopted the baptismal name of Maria Eugenia. She stayed at the Academy for Young Ladies for four years, leaving in 1839, when the school closed. She remained an observant Catholic for the rest of her life. Married life Mary Jenkins met John Harrison Surratt in 1839, when she was 16 or 19 and he was 26. His family had settled in Maryland in the late 1600s.", "His family had settled in Maryland in the late 1600s. An orphan, he was adopted by Richard and Sarah Neale of Washington, D.C., a wealthy couple who owned a farm. The Neales divided their farm among their children, and Surratt inherited a portion of it. His background has been described by historian Kate Clifford Larson as \"questionable\", and he had fathered at least one child out of wedlock. They wed in August 1840.", "They wed in August 1840. They wed in August 1840. John converted to Roman Catholicism prior to the marriage, and the couple may have wed at a Catholic church in Washington, D.C. John purchased a mill in Oxon Hill, Maryland, and the couple moved there. The Surratts had three children over the next few years: Isaac (born June 2, 1841), Elizabeth Susanna (nicknamed \"Anna\", born January 1, 1843), and John, Jr. (born April 1844).", "The Surratts had three children over the next few years: Isaac (born June 2, 1841), Elizabeth Susanna (nicknamed \"Anna\", born January 1, 1843), and John, Jr. (born April 1844). In 1843, John Surratt purchased from his adoptive father of land straddling the DC/Maryland border, a parcel named \"Foxhall\" (approximately the area between Wheeler Road and Owens Road today). Richard Neale died in September 1843, and a month later, John purchased of land adjoining Foxhall.", "Richard Neale died in September 1843, and a month later, John purchased of land adjoining Foxhall. John and Mary Surratt and their children moved back to John's childhood home in the District of Columbia in 1845 to help John's mother run the Neale farm. But Sarah Neale fell ill and died in August 1845, having shortly before her death deeded the remainder of the Neale farm to John.", "But Sarah Neale fell ill and died in August 1845, having shortly before her death deeded the remainder of the Neale farm to John. Mary Surratt became involved in raising funds to build St. Ignatius Church in Oxon Hill (it was constructed in 1850), but John was increasingly unhappy with his wife's religious activities. His behavior deteriorated over the next few years. John drank heavily, often failed to pay his debts, and his temper was increasingly volatile and violent.", "John drank heavily, often failed to pay his debts, and his temper was increasingly volatile and violent. In 1851, the Neale farmhouse burned to the ground (an escaped family slave was suspected of setting the blaze). John found work on the Orange and Alexandria Railroad. Mary moved with her children into the home of her cousin, Thomas Jenkins, in nearby Clinton. Within a year, John purchased of farmland near what is now Clinton, and by 1853, he constructed a tavern and an inn there.", "Within a year, John purchased of farmland near what is now Clinton, and by 1853, he constructed a tavern and an inn there. Mary initially refused to move herself and the children into the new residence. She took up residence on the old Neale farm, but John sold both the Neale farm and Foxhall in May 1853 to pay debts and she was forced to move back in with him in December.", "She took up residence on the old Neale farm, but John sold both the Neale farm and Foxhall in May 1853 to pay debts and she was forced to move back in with him in December. With the money he earned from the tavern and sale of his other property, on December 6, 1853, John Surratt bought a townhouse at 541 H Street in Washington, D.C., and began renting it out to tenants.", "With the money he earned from the tavern and sale of his other property, on December 6, 1853, John Surratt bought a townhouse at 541 H Street in Washington, D.C., and began renting it out to tenants. In 1854, John built a hotel as an addition to his tavern and called it Surratt's Hotel. The area around the tavern was officially named Surrattsville that same year.", "The area around the tavern was officially named Surrattsville that same year. Travelers could take Branch Road (now Branch Avenue) north into Washington, D.C.; Piscataway Road southwest to Piscataway; or Woodyard Road northeast to Upper Marlboro. Although Surrattsville was a well-known crossroads, the community did not amount to much: just the tavern, a post office (inside the tavern), a forge, and a dozen or so houses (some of them log cabins). John Surratt was the hamlet's first postmaster.", "John Surratt was the hamlet's first postmaster. John Surratt was the hamlet's first postmaster. He expanded his family's holdings by selling off land, paying down debt, and starting new businesses. Over the next few years, Surratt acquired or built a carriage house, corn crib, general store, forge, granary, gristmill, stable, tobacco curing house, and wheelwright's shop. The family had enough money to send all three children to nearby Roman Catholic boarding schools.", "The family had enough money to send all three children to nearby Roman Catholic boarding schools. Isaac and John Jr. attended the school at St. Thomas Manor, and Anna enrolled at the Academy for Young Ladies (Mary's alma mater). The family's debts continued to mount, however, and John Sr.'s drinking worsened. John sold another of land in 1856 to pay debts. By 1857, Surratt had sold all but of the family's formerly extensive holdings (which represented about half the he had originally owned).", "By 1857, Surratt had sold all but of the family's formerly extensive holdings (which represented about half the he had originally owned). Most of the family's slaves were also sold to pay debts. Still, his alcoholism worsened. In 1858, Mary wrote a letter to her local priest, telling him that Surratt was drunk every single day. In 1860, St. Thomas Manor School closed, and Isaac found work in Baltimore, Maryland.", "In 1860, St. Thomas Manor School closed, and Isaac found work in Baltimore, Maryland. The Surratts sold off another of land, which enabled Anna to remain at the Academy for Young Ladies and for John Jr. to enroll at St. Charles College, Maryland (a Catholic seminary and boarding school in Ellicott's Mills). The couple also borrowed money that same year against their townhouse in Washington, DC, and at some point used the property as collateral for a $1,000 loan.", "The couple also borrowed money that same year against their townhouse in Washington, DC, and at some point used the property as collateral for a $1,000 loan. Civil War and widowhood The American Civil War began on April 12, 1861. The border state of Maryland remained part of the United States (\"the Union\"), but the Surratts were Confederate sympathizers, and their tavern regularly hosted fellow sympathizers.", "The border state of Maryland remained part of the United States (\"the Union\"), but the Surratts were Confederate sympathizers, and their tavern regularly hosted fellow sympathizers. The Surratt tavern was being used as a safe house for Confederate spies, and at least one author concludes that Mary had \"de facto\" knowledge of this. Confederate scout and spy Thomas Nelson Conrad visited Surratt's boarding house before and during the Civil War.", "Confederate scout and spy Thomas Nelson Conrad visited Surratt's boarding house before and during the Civil War. On March 7, 1861, three days after Abraham Lincoln's inauguration as President of the United States, Isaac left Maryland and traveled to Texas, where he enlisted in the Confederate States Army (serving in the 33rd Cavalry, or Duff's Partisan Rangers, 14th Cavalry Battalion).", "On March 7, 1861, three days after Abraham Lincoln's inauguration as President of the United States, Isaac left Maryland and traveled to Texas, where he enlisted in the Confederate States Army (serving in the 33rd Cavalry, or Duff's Partisan Rangers, 14th Cavalry Battalion). John Jr. quit his studies at St. Charles College in July 1861 and became a courier for the Confederate Secret Service, moving messages, cash, and contraband back and forth across enemy lines.", "John Jr. quit his studies at St. Charles College in July 1861 and became a courier for the Confederate Secret Service, moving messages, cash, and contraband back and forth across enemy lines. The Confederate activities in and around Surrattsville drew the attention of the Union government. In late 1861, Lafayette C. Baker, a detective with the Union Intelligence Service, and 300 Union soldiers camped in Surrattsville and investigated the Surratts and others for Confederate activities.", "In late 1861, Lafayette C. Baker, a detective with the Union Intelligence Service, and 300 Union soldiers camped in Surrattsville and investigated the Surratts and others for Confederate activities. He quickly uncovered evidence of a large Confederate courier network operating in the area, but despite some arrests and warnings, the courier network remained intact. John Surratt collapsed suddenly and died on either August 25 or August 26 in 1862 (sources differ as to the date). The cause of death was a stroke.", "The cause of death was a stroke. The cause of death was a stroke. The Surratt family affairs were in serious financial difficulties. John Jr. and Anna both left school to help their mother run the family's remaining farmland and businesses. On September 10, 1862, John Jr. was appointed postmaster of the Surrattsville post office. Lafayette Baker swept through Surrattsville again in 1862, and several postmasters were dismissed for disloyalty, but John Jr. was not one of them.", "Lafayette Baker swept through Surrattsville again in 1862, and several postmasters were dismissed for disloyalty, but John Jr. was not one of them. In August 1863, he sought a job in the paymaster's department in the United States Department of War, but his application caused federal agents to be suspicious about his family's loyalties to the Union. On November 17, 1863, he was dismissed as postmaster for disloyalty. The loss of John Jr.'s job as postmaster caused a financial crisis for the Surratt family.", "The loss of John Jr.'s job as postmaster caused a financial crisis for the Surratt family. When John Sr.'s estate was probated in late November 1862, the family owned only two middle-age male slaves. However, by 1863, Louis J. Weichmann, a friend of John Jr. from St. Charles College, observed that the family had six or more slaves working on the property. By 1864, Mary Surratt found that her husband's unpaid debts and bad business deals had left her with many creditors.", "By 1864, Mary Surratt found that her husband's unpaid debts and bad business deals had left her with many creditors. Several of her slaves ran away. When he was not meeting with Confederate sympathizers in the city, her son was selling vegetables to raise cash for the family. Mary was tired of running the farm, tavern, and other businesses without her son's help. In the fall of 1864, she began considering moving to her townhouse in the city.", "In the fall of 1864, she began considering moving to her townhouse in the city. On October 1, 1864, she took possession of the townhouse at 604 H Street NW in Washington, D.C. The house was made of gray brick, wide, deep, and had four stories. The first floor, which was level with the street, had two large rooms, used as the kitchen and dining room.", "The first floor, which was level with the street, had two large rooms, used as the kitchen and dining room. The second floor had a front and back parlor, with the room in the rear used as Mary Surratt's bedroom. The third floor had three rooms: two in the front and a larger one at the back. The fourth floor, which was considered an attic, had two large and one small room, occupied by a servant.", "The fourth floor, which was considered an attic, had two large and one small room, occupied by a servant. Surratt began moving her belongings into the townhouse that month, and on November 1, 1864, Anna and John Jr. took up residence there. Mary Surratt herself moved into the home on December 1. That same day, she leased the tavern in Surrattsville to a former Washington, D.C., policeman and Confederate sympathizer John M. Lloyd for $500 a year.", "That same day, she leased the tavern in Surrattsville to a former Washington, D.C., policeman and Confederate sympathizer John M. Lloyd for $500 a year. On November 30, December 8, and December 27, Mary Surratt advertised for lodgers in the Daily Evening Star newspaper. She had initially said that she wanted only lodgers who were known to her personally or were recommended by friends, but in her advertisements, she said rooms were \"available for 4 gentlemen.\"", "She had initially said that she wanted only lodgers who were known to her personally or were recommended by friends, but in her advertisements, she said rooms were \"available for 4 gentlemen.\" Some scholars have raised questions about Surratt's move into the city. Historians Kate Larson and Roy Chamlee have noted that although there is no definite proof, a case can be made that Surratt made the move into the city in furtherance of her and her son's espionage activities.", "Historians Kate Larson and Roy Chamlee have noted that although there is no definite proof, a case can be made that Surratt made the move into the city in furtherance of her and her son's espionage activities. For example, Larson and Chamlee say that on September 21, 1864, John Surratt wrote to Louis J. Weichmann, observing that the family's plans to move into the city were advancing rapidly \"on account of certain events having turned up,\" perhaps a cryptic reference to either his Confederate activities in general or the conspiracy to kidnap or kill Lincoln.", "For example, Larson and Chamlee say that on September 21, 1864, John Surratt wrote to Louis J. Weichmann, observing that the family's plans to move into the city were advancing rapidly \"on account of certain events having turned up,\" perhaps a cryptic reference to either his Confederate activities in general or the conspiracy to kidnap or kill Lincoln. Larson has observed that although the move made long-term economic sense for Surratt, it also, in the short term, would have meant moving expenses and furnishing up to 10 rooms in the townhouse, money that she did not have.", "Larson has observed that although the move made long-term economic sense for Surratt, it also, in the short term, would have meant moving expenses and furnishing up to 10 rooms in the townhouse, money that she did not have. Chamlee, too, found little economic reason to move into the city and concluded that it would have been more profitable to rent the H Street boarding house entirely to lodgers. During her time in the city, Surratt tried to keep her daughter away from what she felt were negative influences.", "During her time in the city, Surratt tried to keep her daughter away from what she felt were negative influences. Moreover, Surratt still owed money on both the tavern and the townhouse and would take out yet another mortgage against the townhouse in January 1865. John Jr. transferred all his title to the family property to his mother in January 1865. That act may have additional implications. A traitor's property could be seized, and John's spy knowledge was certainly his motivation for relinquishing his title to the houses and land.", "A traitor's property could be seized, and John's spy knowledge was certainly his motivation for relinquishing his title to the houses and land. Mary may have known of his motivation as well or at least suspected. If she did, she would have possessed at least de facto knowledge of the conspiracy. Conspiracy Louis J. Weichmann moved into Surratt's boarding house on November 1, 1864. On December 23, 1864, Dr. Samuel Mudd introduced John Surratt Jr. to John Wilkes Booth.", "On December 23, 1864, Dr. Samuel Mudd introduced John Surratt Jr. to John Wilkes Booth. Booth recruited John Jr. into his conspiracy to kidnap Lincoln. Confederate agents began frequenting the boarding house. Booth visited the boarding house many times over the next few months, sometimes at Mary's request. George Atzerodt and Lewis Powell boarded at the townhouse for short periods.", "George Atzerodt and Lewis Powell boarded at the townhouse for short periods. Atzerodt, a friend of both John Jr. and Booth and a co-conspirator in the plot to kidnap Lincoln, visited the boarding house several times in the first two months of 1865. He stayed at the Surratt boarding house in February 1865 (for one night or several, sources differ), but he proved to be a heavy drinker, and Surratt evicted him after just a few days. He continued to visit the townhouse frequently afterward, however.", "He continued to visit the townhouse frequently afterward, however. Powell posed as a Baptist preacher and stayed at the boarding house for three days in March 1865. David Herold also called at the home several times. As part of the plot to kidnap Lincoln in March 1865, John, Atzerodt, and Herold hid two Spencer carbines, ammunition, and some other supplies at the Surratt tavern in Surrattsville. On April 11, Mary Surratt rented a carriage and drove to the Surratt tavern.", "On April 11, Mary Surratt rented a carriage and drove to the Surratt tavern. She said that she made the trip to collect a debt owed her by a former neighbor. However, according to her tenant, John Lloyd, Surratt told him to get the \"shooting irons\" ready to be picked up. On April 14, Surratt said that she would once again visit the family tavern in Surrattsville to collect a debt. Shortly before she left the city, Booth visited the boarding house and spoke privately with her.", "Shortly before she left the city, Booth visited the boarding house and spoke privately with her. He gave her a package, later found to contain binoculars, for Lloyd to pick up later that evening. Surratt did so and, according to Lloyd, again told Lloyd to have the \"shooting irons\" ready for pickup and handed him a wrapped package from Booth. Booth's plan was to assassinate Lincoln and have Atzerodt kill Vice President Andrew Johnson and Powell kill Secretary of State William H. Seward.", "Booth's plan was to assassinate Lincoln and have Atzerodt kill Vice President Andrew Johnson and Powell kill Secretary of State William H. Seward. Booth killed Lincoln, Atzerodt never attempted to kill Johnson, and Powell stabbed Seward repeatedly but failed to murder him. As they fled the city after Lincoln's assassination, Booth and Herold picked up the rifles and binoculars from Surratt's tavern. Lloyd repaired a broken spring on Surratt's wagon before they left.", "Lloyd repaired a broken spring on Surratt's wagon before they left. Arrest and incarceration Around 2 a.m. on April 15, 1865, members of the District of Columbia police visited the Surratt boarding house, seeking John Wilkes Booth and John Surratt. Why the police came to the house is not entirely clear. Most historians conclude that Weichmann's friend, Department of War employee Daniel Gleason, had alerted federal authorities to Confederate activity centered on the Surratt house, but that does not explain why police rather than federal agents appeared there.", "Most historians conclude that Weichmann's friend, Department of War employee Daniel Gleason, had alerted federal authorities to Confederate activity centered on the Surratt house, but that does not explain why police rather than federal agents appeared there. (Historian Roy Chamlee, however, says that there is evidence that Gleason did not tell police about his suspicions of Weichmann for several days.) Within 45 minutes of the attack on Lincoln, John Surratt's name had become associated with the attack on Secretary of State William H. Seward.", "Within 45 minutes of the attack on Lincoln, John Surratt's name had become associated with the attack on Secretary of State William H. Seward. The police as well as the Provost Marshal's office both had files on John Surratt Jr. and knew he was a close friend of Booth.", "The police as well as the Provost Marshal's office both had files on John Surratt Jr. and knew he was a close friend of Booth. (It is possible that either James L. Maddox, property supervisor at Ford's Theatre and a friend of Booth's, or actor John Matthews, both of whom may have known about the plot to attack government officials, mentioned Surratt's name.)", "(It is possible that either James L. Maddox, property supervisor at Ford's Theatre and a friend of Booth's, or actor John Matthews, both of whom may have known about the plot to attack government officials, mentioned Surratt's name.) Historian Otto Eisenschiml has argued that David Herold's attempt to steal a horse from John Fletcher may have led them to the Surratt boarding house, but at least one other scholar has called the link uncertain.", "Historian Otto Eisenschiml has argued that David Herold's attempt to steal a horse from John Fletcher may have led them to the Surratt boarding house, but at least one other scholar has called the link uncertain. Other sources claim that eyewitnesses had identified Booth as Lincoln's attacker, and the detectives had information (a tip from an unnamed actor and a bartender) linking John, Jr., to Booth. Mary lied to the detectives that her son had been in Canada for two weeks.", "Mary lied to the detectives that her son had been in Canada for two weeks. She also did not reveal that she had delivered a package to the tavern on Booth's behalf only hours earlier. On April 17, a Surratt neighbor told U.S. military authorities that he overheard one of the Surratt's servants saying that three men had come to the house on the night of Lincoln's assassination and that one of the men had mentioned Booth in a theater.", "On April 17, a Surratt neighbor told U.S. military authorities that he overheard one of the Surratt's servants saying that three men had come to the house on the night of Lincoln's assassination and that one of the men had mentioned Booth in a theater. (The servant was mistaken about the date, as John Surratt, Jr. had indeed been in Elmira, New York, on a mission for a Confederate general). Other pieces of information also mentioned the boarding house as a key meeting place of the possible conspirators.", "Other pieces of information also mentioned the boarding house as a key meeting place of the possible conspirators. Either Colonel Henry H. Wells, Provost Marshal (head of the military police) of the District of Columbia, or General Christopher C. Augur told Colonel Henry Steel Olcott to arrest everyone in the house. Federal soldiers visited the Surratt boarding house again late on the evening of April 17.", "Federal soldiers visited the Surratt boarding house again late on the evening of April 17. John Jr. could not be found, but after a search of the house, the agents found in Mary's room a picture of Booth, hidden behind another photograph, pictures of Confederate leaders including Jefferson Davis, a pistol, a mold for making bullets, and percussion caps. As Mary was being arrested for conspiracy to assassinate Lincoln, Powell appeared at her door in disguise.", "As Mary was being arrested for conspiracy to assassinate Lincoln, Powell appeared at her door in disguise. Although Surratt denied knowing him, Powell claimed that he was a laborer hired by Surratt to dig a ditch the next morning. The discrepancy and Powell's unusually well-groomed appearance, quite unlike a ditch-digger, prompted his arrest. He was later identified as the man who had attempted to assassinate Secretary of State William Seward.", "He was later identified as the man who had attempted to assassinate Secretary of State William Seward. After her arrest, she was held at an annex to the Old Capitol Prison before being transferred to the Washington Arsenal on April 30. Two armed guards stood before the door to her cell from the beginning of her imprisonment until her death. Her cell, while airy and larger than the others, was sparsely furnished, with a straw mattress, table, wash basin, chair, and a bucket.", "Her cell, while airy and larger than the others, was sparsely furnished, with a straw mattress, table, wash basin, chair, and a bucket. Food was served four times a day, always of bread; salt pork, beef, or beef soup; and coffee or water. The other arrested conspirators had their heads enclosed in a padded canvas bag to prevent a suicide attempt. Sources disagree as to whether Surratt was also forced to wear it.", "Sources disagree as to whether Surratt was also forced to wear it. Although the others wore iron manacles on their feet and ankles, she was not manacled. (Rumors to the contrary were raised by reporters at the trial who could not see her or \"heard\" the clank of chains about her feet. The rumors were repeatedly investigated and denied.) She began to suffer menstrual bleeding and became weak during her detention. She was given a rocking chair and allowed visits from her daughter, Anna.", "She was given a rocking chair and allowed visits from her daughter, Anna. She and Powell received the most attention from the press. The Northern press was also highly critical of her, claiming that she had a \"criminal face\" due to her small mouth and dark eyes. John Surratt Jr. was in Elmira at the time of the assassination, delivering messages on behalf of a Confederate general. After learning of Lincoln's death, he fled to Montreal, Quebec, Canada.", "After learning of Lincoln's death, he fled to Montreal, Quebec, Canada. Trial The trial for the alleged conspirators began on May 9. A military tribunal, rather than a civilian court, was chosen as the venue because government officials thought that its more lenient rules of evidence would enable the court to get to the bottom of what was then perceived by the public as a vast conspiracy. All eight alleged conspirators were tried simultaneously. Historians have conflicting views regarding Surratt's innocence.", "Historians have conflicting views regarding Surratt's innocence. Historians have conflicting views regarding Surratt's innocence. Historian Laurie Verge commented, \"Only in the case of Dr. Samuel Alexander Mudd is there as much controversy as to the guilt or innocence of one of the defendants.\" Lincoln assassination scholar Thomas Reed Turner says that of the eight people accused of plotting to kill Lincoln, the case against Surratt remains \"the most controversial... at that time and since.\"", "Lincoln assassination scholar Thomas Reed Turner says that of the eight people accused of plotting to kill Lincoln, the case against Surratt remains \"the most controversial... at that time and since.\" A room on the northeast corner of the third floor of the Arsenal was made into a courtroom, and the prisoners were brought into the room through a side door, which prevented them from passing by or being harassed by spectators. Surratt was given special considerations during the trial because of her illness and gender.", "Surratt was given special considerations during the trial because of her illness and gender. In the courtroom, she sat apart from the other prisoners. Sources differ as to whether an armed guard sat on either side of her, as was done for other prisoners during the trial. While the others wore wrist and ankle manacles in the courtroom, she did not. She was also permitted a bonnet, fan, and veil to hide her face from spectators.", "She was also permitted a bonnet, fan, and veil to hide her face from spectators. As her illness worsened during the trial, she was moved to a larger and more comfortable prison cell. Surratt was charged with abetting, aiding, concealing, counseling, and harboring her co-defendants. The federal government initially attempted to find legal counsel for her and the others, but almost no attorneys were willing to take the job for fear they would be accused of disloyalty to the Union.", "The federal government initially attempted to find legal counsel for her and the others, but almost no attorneys were willing to take the job for fear they would be accused of disloyalty to the Union. Surratt retained Reverdy Johnson as her legal counsel. A member of the military commission trying the conspirators challenged Johnson's right to defend Surratt, as he had objected to requiring loyalty oaths from voters in the 1864 presidential election.", "A member of the military commission trying the conspirators challenged Johnson's right to defend Surratt, as he had objected to requiring loyalty oaths from voters in the 1864 presidential election. After much discussion, this objection was withdrawn, but damage had been done to his influence, and he did not attend most of the court sessions. Most of Surratt's legal defense was presented by two other lawyers: Frederick Aiken and John Wesley Clampitt. The prosecution's strategy was to tie Surratt to the conspiracy.", "The prosecution's strategy was to tie Surratt to the conspiracy. Powell's arrival at her boarding house, three days after the president's murder, was critical evidence against her, the government argued. The prosecution presented nine witnesses, but most of their case rested on the testimony of just two men: John M. Lloyd and Louis J. Weichmann.", "The prosecution presented nine witnesses, but most of their case rested on the testimony of just two men: John M. Lloyd and Louis J. Weichmann. Lloyd testified on May 13 and 15, 1865 on the hiding of the carbines and other supplies at the tavern in March and the two conversations he had with her in which she told him to get the \"shooting irons\" ready. Weichmann's testimony was important, as it established an intimate relationship between her and the other conspirators.", "Weichmann's testimony was important, as it established an intimate relationship between her and the other conspirators. Weichmann testified May 16 to 19 and said that he had resided at the boarding house since November 1864. He had seen or overheard John Jr. meeting and talking with Atzerodt, Booth, and Powell many times over the past four and a half months.", "He had seen or overheard John Jr. meeting and talking with Atzerodt, Booth, and Powell many times over the past four and a half months. Weichmann had driven Surratt to the tavern on April 11 and 14, confirmed that she and Lloyd had spent much time in private conversation, testified that he saw Booth give her the package of binoculars, and attested that she had turned the package over to Lloyd.", "Weichmann had driven Surratt to the tavern on April 11 and 14, confirmed that she and Lloyd had spent much time in private conversation, testified that he saw Booth give her the package of binoculars, and attested that she had turned the package over to Lloyd. Weichmann also testified at length about the Surratt family's ties to the Confederate spy and courier rings operating in the area and their relationships with Atzerodt and Powell.", "Weichmann also testified at length about the Surratt family's ties to the Confederate spy and courier rings operating in the area and their relationships with Atzerodt and Powell. He also testified about the December 23 meeting with Booth and John (which he also attended) and their subsequent meeting with Booth at Booth's room at the National Hotel. Finally, he told the military tribunal about the general excitement in the boarding house in March 1865 after the failed attempt to kidnap Lincoln. Other prosecution witnesses reinforced Weichmann's testimony.", "Other prosecution witnesses reinforced Weichmann's testimony. Other prosecution witnesses reinforced Weichmann's testimony. Lodger Honora Fitzpatrick confirmed visits by Atzerodt, Booth, and Powell to the boarding house. Emma Offut, Lloyd's sister-in-law, testified that she saw (but did not hear) Surratt speaking for long periods of time with Lloyd on April 11 and 14. Government agents testified about their arrest of Surratt, Powell's arrival, and her denial that she knew Powell.", "Government agents testified about their arrest of Surratt, Powell's arrival, and her denial that she knew Powell. The fact that Powell sought refuge in the boarding house after Lincoln's murder left a bad impression of her. Surratt's refusal (or failure) to recognize him also weighed against her. The agents also testified about their search of the house, and the evidence (the photographs, the weapons, etc.) discovered there.", "discovered there. discovered there. Lloyd's testimony was the most important for the prosecution's case, for it indicated that she had played an active role in the conspiracy in the days before Lincoln's death. The prosecution rested its case on May 22. The defense strategy was to impeach the testimony of the key prosecution witnesses: Lloyd and Weichmann.", "The defense strategy was to impeach the testimony of the key prosecution witnesses: Lloyd and Weichmann. It also wished to show that she was loyal to the Union, her trips to Surrattsville were of an innocent nature, and she had not been aware of Booth's plans. There were 31 witnesses who testified for the defense.", "There were 31 witnesses who testified for the defense. There were 31 witnesses who testified for the defense. George H. Calvert testified that he had pressed Surratt to pay a debt, Bennett Gwynn said Surratt had sought payment from John Nothey to satisfy the Calvert debt, and Nothey agreed that he had received a letter from Surratt for him to appear at the tavern on April 11 to pay what was owed.", "George H. Calvert testified that he had pressed Surratt to pay a debt, Bennett Gwynn said Surratt had sought payment from John Nothey to satisfy the Calvert debt, and Nothey agreed that he had received a letter from Surratt for him to appear at the tavern on April 11 to pay what was owed. Several witnesses impugned Lloyd's character by testifying about his alcoholism, while others said he was too intoxicated on the day of Lincoln's assassination to remember that day clearly.", "Several witnesses impugned Lloyd's character by testifying about his alcoholism, while others said he was too intoxicated on the day of Lincoln's assassination to remember that day clearly. Augustus Howell, a Confederate agent, testified Weichmann was an untrustworthy witness, as he had sought to become a Confederate spy himself. (The prosecution had attempted to show that Howell was a Confederate spy and should not be trusted.)", "(The prosecution had attempted to show that Howell was a Confederate spy and should not be trusted.) Anna Surratt testified that it was Weichmann who had brought Atzerodt into the boarding house, that the photograph of Booth was hers, and that she owned photographs of Union political and military leaders. Anna denied ever overhearing any discussions of disloyal activities or ideas in the boarding house, and that Booth's visits to the house were always short.", "Anna denied ever overhearing any discussions of disloyal activities or ideas in the boarding house, and that Booth's visits to the house were always short. Anna explained her mother's failure to recognize Powell by asserting she could not see well. Augusta Howell, a former servant, and Honora Fitzpatrick, a former slave, testified to Mary's poor eyesight as well. The former servant and the former slave both said Surratt had given Union soldiers food.", "The former servant and the former slave both said Surratt had given Union soldiers food. Numerous witnesses were called at the end of the defense's case to testify to her loyalty to the Union, her deep Christian faith, and her kindness. During the prosecution's rebuttal, government lawyers called four witnesses to the stand, who testified as to Weichmann's unimpeachable character. Johnson and Aiken presented the closing arguments for the defense. Johnson attacked the jurisdiction of a military tribunal over civilians, as had Mudd's attorney.", "Johnson attacked the jurisdiction of a military tribunal over civilians, as had Mudd's attorney. Aiken also challenged the court's jurisdiction. He also reiterated that Lloyd and Weichmann were unreliable witnesses and that the evidence against her was all circumstantial. The only evidence linking Surratt to the conspiracy to kill Lincoln, he said, came from Lloyd and Weichmann, and neither man was telling the truth. (Dorothy Kunhardt has written that there is evidence the latter's perjured testimony was suborned by Secretary of War Edwin M. Stanton.)", "Stanton.) Stanton.) Judge Advocate John Bingham presented the closing argument for the prosecution. The military tribunal had jurisdiction, he said, not only because the court itself had ruled at the beginning of the trials that it did but because they were crimes committed in a military zone, during a time of war, and against high government officials in carrying out treasonous activities. Bingham pointed out that the Surratt boarding house was where the conspiracy was planned, and Atzerodt, Booth, and Powell had all met with Surratt.", "Bingham pointed out that the Surratt boarding house was where the conspiracy was planned, and Atzerodt, Booth, and Powell had all met with Surratt. Booth had paid for the rental of the carriage that took Surratt to Surrattsville each time, and Bingham said that was evidence that Surratt's trips were critical to the conspiracy. Bingham also said that Lloyd's testimony had been corroborated by others and that his unwillingness to reveal the cache of weapons in the tavern was prompted by his subservient tenant relationship to Surratt.", "Bingham also said that Lloyd's testimony had been corroborated by others and that his unwillingness to reveal the cache of weapons in the tavern was prompted by his subservient tenant relationship to Surratt. Bingham concluded by reiterating the government's key point: Powell had returned to the Surratt house seeking Surratt, and that alone was proof of her guilt. Bingham also pointed out for the tribunal that the charge a person was indicted for was irrelevant.", "Bingham also pointed out for the tribunal that the charge a person was indicted for was irrelevant. Under the law of conspiracy, if one person carries out a crime, all conspirators are guilty of the same crime. The trial ended on June 28, 1865. Surratt was so ill the last four days of the trial that she was permitted to stay in her cell.", "Surratt was so ill the last four days of the trial that she was permitted to stay in her cell. In the opinion of historian Roy Z. Chamlee, both legal teams appeared to have flaws in their cases, and except for Reverdy Johnson, neither team employed highly skilled attorneys.", "In the opinion of historian Roy Z. Chamlee, both legal teams appeared to have flaws in their cases, and except for Reverdy Johnson, neither team employed highly skilled attorneys. The government's case was hindered by its failure to call as a witness the man who shared Lloyd's carriage when he talked with Surratt and could have verified Lloyd's version of the \"shooting irons\" story or Metropolitan Police Chief A.C. Richards whose investigation had had the most success in the early days of the investigation.", "The government's case was hindered by its failure to call as a witness the man who shared Lloyd's carriage when he talked with Surratt and could have verified Lloyd's version of the \"shooting irons\" story or Metropolitan Police Chief A.C. Richards whose investigation had had the most success in the early days of the investigation. The government did not fully investigate Booth's meetings with Surratt at noon or the evening of the murder, and its questioning and cross-examination of witnesses was poorly prepared and weak.", "The government did not fully investigate Booth's meetings with Surratt at noon or the evening of the murder, and its questioning and cross-examination of witnesses was poorly prepared and weak. What is most important, according to historian Roy Z. Chamber Jr., is that the government had botched the attempt to apprehend John Jr. The defense's case, too, had a problem. The defense never followed up on inconsistencies in Weichmann's chronology of Mary's last visit to the tavern, which could have undermined Weichmann's entire credibility.", "The defense never followed up on inconsistencies in Weichmann's chronology of Mary's last visit to the tavern, which could have undermined Weichmann's entire credibility. The military tribunal considered guilt and sentencing on June 29 and 30. Surratt's guilt was the second-last to be considered, as her case had problems of evidence and witness reliability. The sentence was handed down on June 30. The military tribunal found her guilty on all charges but two. A death sentence required six of the nine votes of the judges.", "A death sentence required six of the nine votes of the judges. Surratt was sentenced to death, the first woman executed by the federal government. The sentence was announced publicly on July 5. When Powell learned of his sentence, he declared that she was completely innocent of all charges. The night before the execution, Surratt's priests and Anna Surratt both visited Powell and elicited from him a strong statement declaring Mary innocent.", "The night before the execution, Surratt's priests and Anna Surratt both visited Powell and elicited from him a strong statement declaring Mary innocent. Although it was delivered to Captain Christian Rath, who was overseeing the execution, Powell's statement had no effect on anyone with authority to prevent Surratt's death. George Atzerodt bitterly condemned her, implicating her even further in the conspiracy. Powell's was the only statement by any conspirator exonerating Surratt.", "Powell's was the only statement by any conspirator exonerating Surratt. Anna Surratt pleaded repeatedly for her mother's life with Judge Advocate General Joseph Holt, but he refused to consider clemency. She also attempted to see President Andrew Johnson several times to beg for mercy but was not granted permission to see him. Five of the nine judges signed a letter asking President Johnson to give Surratt clemency and commute her sentence to life in prison because of her age and sex.", "Five of the nine judges signed a letter asking President Johnson to give Surratt clemency and commute her sentence to life in prison because of her age and sex. Holt did not deliver the recommendation to Johnson until July 5, two days before Surratt and the others were to hang. Johnson signed the order for execution but did not sign the order for clemency. Johnson later said he never saw the clemency request; Holt said he showed it to Johnson, who refused to sign it.", "Johnson later said he never saw the clemency request; Holt said he showed it to Johnson, who refused to sign it. Johnson, according to Holt, said in signing the death warrant that she had \"kept the nest that hatched the egg.\" Execution Construction of the gallows for the hanging of the conspirators condemned to death began immediately on July 5, after the execution order was signed. It was constructed in the south part of the Arsenal courtyard, was high and about in size.", "It was constructed in the south part of the Arsenal courtyard, was high and about in size. Rath, who oversaw the preparations for the executions, made the nooses. Tired of making nooses and thinking that the government would never hang a woman, he made Surratt's noose the night before the execution with five loops rather than the regulation seven. He tested the nooses that night by tying them to a tree limb and a bag of buckshot and then tossing the bag to the ground (the ropes held).", "He tested the nooses that night by tying them to a tree limb and a bag of buckshot and then tossing the bag to the ground (the ropes held). Civilian workers did not want to dig the graves out of superstitious fear, so Rath asked for volunteers among the soldiers at the Arsenal and received more help than he needed. At noon on July 6, Surratt was informed she would be hanged the next day. She wept profusely.", "She wept profusely. She wept profusely. She was joined by two Catholic priests (Jacob Walter and B.F. Wiget) and her daughter Anna. Father Jacob remained with her almost until her death. Her menstrual problems had worsened, and she was in such pain and suffered from such severe cramps that the prison doctor gave her wine and medication. She repeatedly asserted her innocence. She spent the night on her mattress, weeping and moaning in pain and grief, ministered to by the priests.", "She spent the night on her mattress, weeping and moaning in pain and grief, ministered to by the priests. Anna left her mother's side at 8 A.M. on July 7 and went to the White House to beg for her mother's life one last time. Her entreaty rejected, she returned to the prison and her mother's cell at about 11 A.M. The soldiers began testing the gallows about 11:25 A.M.; the sound of the tests unnerved all the prisoners.", "The soldiers began testing the gallows about 11:25 A.M.; the sound of the tests unnerved all the prisoners. Shortly before noon, Mary Surratt was taken from her cell and then allowed to sit in a chair near the entrance to the courtyard. The heat in the city that day was oppressive. By noon, it had already reached . The guards ordered all visitors to leave at 12:30 P.M. When she was forced to part from her mother, Anna's hysterical screams of grief could be heard throughout the prison.", "When she was forced to part from her mother, Anna's hysterical screams of grief could be heard throughout the prison. Clampitt and Aiken had not finished trying to save their client, however. On the morning of July 7, they asked a District of Columbia court for a writ of habeas corpus, arguing that the military tribunal had no jurisdiction over their client. The court issued the writ at 3 A.M., and it was served on General Winfield Scott Hancock.", "The court issued the writ at 3 A.M., and it was served on General Winfield Scott Hancock. Hancock was ordered to produce Surratt by 10 A.M. General Hancock sent an aide to General John F. Hartranft, who commanded the Old Capitol Prison, ordering him not to admit any US marshal, as that would prevent the marshal from serving a similar writ on Hartranft.", "Hancock was ordered to produce Surratt by 10 A.M. General Hancock sent an aide to General John F. Hartranft, who commanded the Old Capitol Prison, ordering him not to admit any US marshal, as that would prevent the marshal from serving a similar writ on Hartranft. Johnson was informed that the court had issued the writ and promptly cancelled it at 11:30 A.M. under the authority granted to him by the Habeas Corpus Suspension Act of 1863.", "Johnson was informed that the court had issued the writ and promptly cancelled it at 11:30 A.M. under the authority granted to him by the Habeas Corpus Suspension Act of 1863. General Hancock and United States Attorney General James Speed personally appeared in court and informed the judge of the cancellation of the writ. On July 7, 1865, at 1:15 P.M., a procession led by General Hartranft escorted the four condemned prisoners through the courtyard and up the steps to the gallows. Each prisoner's ankles and wrists were bound by manacles.", "Each prisoner's ankles and wrists were bound by manacles. Surratt led the way, wearing a black bombazine dress, black bonnet, and black veil. More than 1,000 people, including government officials, members of the US armed forces, friends and family of the accused, official witnesses, and reporters, watched. General Hancock limited attendance to those who had a ticket, and only those who had a good reason to be present were given a ticket.", "General Hancock limited attendance to those who had a ticket, and only those who had a good reason to be present were given a ticket. (Most of those present were military officers and soldiers, as fewer than 200 tickets had been printed.) Alexander Gardner, who had photographed the body of Booth and taken portraits of several of the male conspirators while they were imprisoned aboard naval ships, photographed the execution for the government. Hartranft read the order for their execution.", "Hartranft read the order for their execution. Hartranft read the order for their execution. Surratt, either weak from her illness or swooning in fear (perhaps both), had to be supported by two soldiers and her priests. The condemned were seated in chairs, Surratt almost collapsing into hers. She was seated to the right of the others, the traditional \"seat of honor\" in an execution. White cloth was used to bind their arms to their sides and their ankles and thighs together.", "White cloth was used to bind their arms to their sides and their ankles and thighs together. The cloths around Surratt's legs were tied around her dress below the knees. Each person was ministered to by a member of the clergy. From the scaffold, Powell said, \"Mrs. Surratt is innocent. She doesn't deserve to die with the rest of us.\" Fathers Jacob and Wiget prayed over her and held a crucifix to her lips.", "Fathers Jacob and Wiget prayed over her and held a crucifix to her lips. About 16 minutes elapsed from the time the prisoners entered the courtyard until they were ready for execution. A white bag was placed over the head of each prisoner after the noose was put in place. Surratt's bonnet was removed, and the noose put around her neck by a U.S. Secret Service officer. She complained that the bindings about her arms hurt, and the officer preparing said, \"Well, it won't hurt long.\"", "She complained that the bindings about her arms hurt, and the officer preparing said, \"Well, it won't hurt long.\" Finally, the prisoners were asked to stand and move forward a few feet to the nooses. The chairs were removed. Her last words, spoken to a guard as he moved her forward to the drop, were \"Please don't let me fall.\" Surratt and the others stood on the drop for about 10 seconds, and then Captain Rath clapped his hands.", "Surratt and the others stood on the drop for about 10 seconds, and then Captain Rath clapped his hands. Four soldiers of Company F of the 14th Veteran Reserves knocked out the supports holding the drops in place, and the condemned fell. Surratt, who had moved forward enough to barely step onto the drop, lurched forward and slid partway down the drop, her body snapping tight at the end of the rope, swinging back and forth. She appeared to die relatively quickly with little struggle.", "She appeared to die relatively quickly with little struggle. She appeared to die relatively quickly with little struggle. Atzerodt's stomach heaved once and his legs quivered; then, he was still. Herold and Powell struggled for nearly five minutes, strangling to death. Burial Each body was inspected by a physician to ensure that death had occurred.", "Burial Each body was inspected by a physician to ensure that death had occurred. The bodies of the executed were allowed to hang for about 30 minutes and soldiers began to cut them down at 1:53 p.m. A corporal raced to the top of the gallows and cut down Atzerodt's body, which fell to the ground with a thud. He was reprimanded, and the other bodies were cut down more gently. Herold's body was next, followed by Powell's.", "Herold's body was next, followed by Powell's. Surratt's body was cut down at 1:58 p.m. As Surratt's body was cut loose, her head fell forward. A soldier joked, \"She makes a good bow\" and was rebuked by an officer for his poor use of humor. Upon examination, the military surgeons determined that no one's neck had been broken by the fall. The manacles and cloth bindings were removed but not the white execution masks, and the bodies were placed into the pine coffins.", "The manacles and cloth bindings were removed but not the white execution masks, and the bodies were placed into the pine coffins. The name of each person was written on a piece of paper by acting Assistant Adjutant R. A. Watts, and inserted in a glass vial, which was placed into the coffin. The coffins were buried against the prison wall in shallow graves, just a few feet from the gallows. A white picket fence marked the burial site.", "A white picket fence marked the burial site. A white picket fence marked the burial site. The night that she died, a mob attacked the Surratt boarding house and began stripping it of souvenirs until the police stopped them. Anna Surratt unsuccessfully asked for her mother's body for four years. In 1867, the War Department decided to tear down the portion of the Washington Arsenal where the bodies of Surratt and the other executed conspirators lay. On October 1, 1867, the coffins were disinterred and reburied in Warehouse No.", "On October 1, 1867, the coffins were disinterred and reburied in Warehouse No. 1 at the Arsenal, with a wooden marker placed at the head of each burial vault. Booth's body lay alongside them. In February 1869, Edwin Booth asked Johnson for the body of his brother. Johnson agreed to turn the body over to the Booth family, and on February 8 Surratt's body was turned over to the Surratt family.", "Johnson agreed to turn the body over to the Booth family, and on February 8 Surratt's body was turned over to the Surratt family. She was buried in Mount Olivet Cemetery in Washington, D.C., on February 9, 1869. Lloyd is buried from her grave in the same cemetery. Surviving family and home Anna Surratt moved from the townhouse on H Street and lived with friends for a few years, ostracized from society. She married William Tonry, a government clerk.", "She married William Tonry, a government clerk. She married William Tonry, a government clerk. They lived in poverty for a while after he was dismissed from his job, but in time, he became a professor of chemistry in Baltimore and the couple became better off. The strain of her mother's death left Anna mentally unbalanced, and she suffered from periods of extreme fear that bordered on insanity. She died in 1904.", "She died in 1904. She died in 1904. After the dismissal of charges against him, John Jr. married and he and his family lived in Baltimore near his sister, Anna. Isaac Surratt also returned to the United States and lived in Baltimore. He died unmarried in 1907. Isaac and Anna were buried on either side of their mother in Mount Olivet Cemetery. John Jr. was buried in Baltimore in 1916.", "John Jr. was buried in Baltimore in 1916. John Jr. was buried in Baltimore in 1916. In 1968, a new headstone with a brass plaque replaced the old, defaced headstone over Mary Surratt's grave. Mary Surratt's boarding house still stands and was listed on the National Register of Historic Places in 2009. Those interested in Mary Surratt formed the Surratt Society. The Surrattsville tavern and house are historical sites run today by the Surratt Society. The Washington Arsenal is now Fort Lesley J. McNair.", "The Washington Arsenal is now Fort Lesley J. McNair. The Washington Arsenal is now Fort Lesley J. McNair. Portrayals Surratt was portrayed by actress Virginia Gregg in the 1956 episode \"The Mary Surratt Case,\" telecast as part of the NBC anthology series The Joseph Cotten Show. She was portrayed by Robin Wright in the 2011 film The Conspirator, which was directed by Robert Redford. References Sources Boritt, G.S. and Forness, Norman O. The Historian's Lincoln: Pseudohistory, Psychohistory, and History.", "The Historian's Lincoln: Pseudohistory, Psychohistory, and History. Urbana, Ill.: University of Illinois Press, 1996. Bryer, Jackson R. New Essays on F. Scott Fitzgerald's Neglected Stories. Columbia, Mo. : University of Missouri Press, 1996. Buchanan, Paul D. The American Women's Rights Movement: A Chronology of Events and of Opportunities From 1600 to 2008. Boston: Branden Books, 2009. Bucklee, Sally Mitchell. A Church and Its Village: St. Philip's Episcopal Church, Laurel, Maryland.", "A Church and Its Village: St. Philip's Episcopal Church, Laurel, Maryland. Baltimore, Md. : Gateway Press, 2001. Busch, Francis X. Enemies of the state: An Account of the Trials of the Mary Eugenia Surrat Case, the Teapot Dome Cases, the Alphonse Capone Case and the Rosenburg Case. Indianapolis: Bobbs-Merrill, 1954. Cashin, Joan. The War Was You and Me: Civilians in the American Civil War. Princeton, N.J.: Princeton Univ. Press, 2002.", "Princeton, N.J.: Princeton Univ. Press, 2002. Press, 2002. Chaconas, Joan L. \"John H. Surratt, Jr.\" In The Trial: The Assassination of President Lincoln and the Trial of the Conspirators. Lexington, Ky.: University Press of Kentucky, 2003. Chamlee, Jr., Roy Z. Lincoln's Assassins: A Complete Account of Their Capture, Trial, and Punishment. Jefferson, N.C.: McFarland & Co., 1989. Commire, Anne and Klezmer, Deborah.", "Commire, Anne and Klezmer, Deborah. Commire, Anne and Klezmer, Deborah. Women in World History: A Biographical Encyclopedia. Waterford, Conn.: Yorkin Publications, 2001. DeWitt, David Miller. The Judicial Murder of Mary E. Surratt. J. Murphy & Co., 1894. Eisenschiml, Otto. Why Was Lincoln Murdered? New York: Grosset & Dunlap, 1937. Evans, Eli N. Judah P. Benjamin, the Jewish Confederate. New York: Simon and Schuster, 1989. Federal Writers' Project.", "New York: Simon and Schuster, 1989. Federal Writers' Project. Federal Writers' Project. Washington, D.C.: A Guide to the Nation's Capital. New York: Hastings House, 1942. Fishel, Edwin C. Secret War for the Union. New York: Houghton Mifflin, 1996. Gamber, Wendy. The Boardinghouse in Nineteenth-Century America. Baltimore: Johns Hopkins University Press, 2007. Gillespie, L. Kay. Executed Women of the 20th and 21st Centuries. Lanham, Md.", "Executed Women of the 20th and 21st Centuries. Lanham, Md. Lanham, Md. : University Press of America, 2009. Goodrich, Thomas. The Darkest Dawn: Lincoln, Booth, and the Great American Tragedy. Bloomington, Ind. : Indiana University Press, 2005. Griffin, John Chandler. Abraham Lincoln's Execution. Gretna, La. : Pelican Publishing Co., 2006. Harris, Thomas Mealey.", ": Pelican Publishing Co., 2006. Harris, Thomas Mealey. Harris, Thomas Mealey. Assassination of Lincoln: A History of the Great Conspiracy, Trial of the Conspirators by a Military Commission, and a Review of the Trial of John H. Surratt. Boston: American Citizen Company, 1892. Hartranft, John F.; Steers, Edward; and Holzer, Harold. The Lincoln Assassination Conspirators: Their Confinement and Execution, As Recorded in the Letterbook of John Frederick Hartranft. Baton Rouge: Louisiana State University Press, 2009.", "Baton Rouge: Louisiana State University Press, 2009. Baton Rouge: Louisiana State University Press, 2009. Heidler, David Stephen; Heidler, Jeanne T.; and Coles, David J. Encyclopedia of the American Civil War: A Political, Social, and Military History. New York: W.W. Norton & Co., 2000. Isacsson, Alfred. The Travels, Arrest and Trial of John H. Surratt. Middletown, N.Y.: Vestigium Press, 2003. James, Edward T. Notable American Women: A Biographical Dictionary.", "James, Edward T. Notable American Women: A Biographical Dictionary. Cambridge, Mass. : Belknap Press of Harvard University Press, 2004. Jampoler, Andrew C.A. The Last Lincoln Conspirator: John Surratt's Flight From the Gallows. Annapolis, Md. : Naval Institute Press, 2008. Johnson, Andrew. The Papers of Andrew Johnson: September 1868 – April 1869. Paul H. Bergeron, ed. Knoxville, Tenn.: University of Tennessee Press, 1999. Johnson, Scott Patrick.", "Johnson, Scott Patrick. Johnson, Scott Patrick. Trials of the Century: An Encyclopedia of Popular Culture and the Law. Santa Barbara, Calif.: ABC-CLIO, 2011. Jones, John P. Dr. Mudd and the Lincoln Assassination: The Case Reopened. Conshohocken, Pa.: Combined Books, 1995. Jordan, David M. Winfield Scott Hancock: A Soldier's Life. Bloomington, Ind. : Indiana University Press, 1988. Katz, D. Mark.", ": Indiana University Press, 1988. Katz, D. Mark. Katz, D. Mark. Witness to an Era: The Life and Photographs of Alexander Gardner: The Civil War, Lincoln, and the West. New York: Viking, 1991. Kauffman, Michael W. American Brutus. New York: Random House, 2004. Klement, Frank. Lincoln's Critics: The Copperheads of the North. Shippensburg, W.Va.: White Mane Books, 1999. Kuhn, Annette.", "Shippensburg, W.Va.: White Mane Books, 1999. Kuhn, Annette. Kuhn, Annette. Queen of the 'B's: Ida Lupino Behind the Camera. Westport, Conn.: Greenwood Press, 1995. Larson, Kate Clifford. The Assassin's Accomplice: Mary Surratt and the Plot to Kill Abraham Lincoln. Basic Books, 2008. Latimer, Christopher P. Civil Liberties and the State: A Documentary and Reference Guide. Santa Barbara, Calif.: Greenwood, 2011.", "Santa Barbara, Calif.: Greenwood, 2011. Santa Barbara, Calif.: Greenwood, 2011. Leonard, Elizabeth D. Lincoln's Avengers: Justice, Revenge, and Reunion After the Civil War. New York: Norton, 2004. MacHenry, Robert. Liberty's Women. Springfield, Mass. : G.C. Merriam Co., 1980. Miller, Edward A. Lincoln's Abolitionist General: The Biography of David Hunter. Columbia, S.C.: University of South Carolina Press, 1997.", "Columbia, S.C.: University of South Carolina Press, 1997. Morseberger, Robert E. and Morsberger, Katharine M. Lew Wallace, Militant Romantic. New York: McGraw-Hill, 1980. Oldroyd, Osborn H. The Assassination of Abraham Lincoln: Flight, Pursuit, Capture, and Punishment of the Conspirators. Washington, D.C.: O.H. Oldroyd, 1901. Ownsbey, Betty J. Alias 'Paine': Lewis Thorthon Powell, the Mystery Man of the Lincoln Conspiracy. Jefferson, N.C.: McFarland & Company, 2006. Phelps, Shirelle.", "Jefferson, N.C.: McFarland & Company, 2006. Phelps, Shirelle. Phelps, Shirelle. World of Criminal Justice, Vol. 2: N-Z. Detroit: Gale Group, 2001. Phillips, Larissa. Women Civil War Spies of the Confederacy. New York: Rosen Publishing Group, 2004. Pittman, Benn. The Assassination of President Lincoln and the Trial of the Conspirators. Cincinnati: Moore, Wilstach & Baldwin, 1865. Rehnquist, William H. All the Laws But One: Civil Liberties in Wartime.", "Rehnquist, William H. All the Laws But One: Civil Liberties in Wartime. New York: Vintage Books, 2000. Roscoe, Theodore. The Web of Conspiracy: The Complete Story of the Men Who Murdered Abraham Lincoln. Englewood Cliffs, N.J.: Prentice-Hall, 1959. Sachsman, David B.; Rushing, S. Kittrell; and Morris, Roy. Seeking A Voice: Images of Race and Gender in the 19th Century Press. West Lafayette, Ind. : Purdue University Press, 2009.", "West Lafayette, Ind. : Purdue University Press, 2009. : Purdue University Press, 2009. Schroeder-Lein, Glenna R. and Zuczek, Richard. Andrew Johnson: A Biographical Companion. Santa Barbara, Calif.: ABC-CLIO, 2001. Steers, Jr., Edward. Blood on the Moon. Lexington: University Press of Kentucky, 2001. Steers, Jr., Edward. \"'Let the Stain of Innocent Blood Be Removed from the Land': The Military Trial of the Lincoln Conspirators.\"", "\"'Let the Stain of Innocent Blood Be Removed from the Land': The Military Trial of the Lincoln Conspirators.\" In The Lincoln Assassination: Crime and Punishment, Myth and Memory. Harold Holzer, Craig L. Symonds, and Frank J. Williams, eds. New York: Fordham University Press, 2010. Steers, Jr., Edward. The Lincoln Assassination Encyclopedia. New York: Harper Perennial, 2010. Steers, Jr., Edward. Lincoln Legends: Myths, Hoaxes, and Confabulations Associated With Our Greatest President.", "Lincoln Legends: Myths, Hoaxes, and Confabulations Associated With Our Greatest President. Lexington, Ky.: University Press of Kentucky, 2007. Steers, Jr. Edward and Holzer, Harold. The Lincoln Assassination Conspirators: Their Confinement and Execution, as Recorded in the Letterbook of John Frederick Hartranft. Baton Rouge, La. : Louisiana State University Press, 2009. Stern, Philip Van Doren. An End to Valor: The Last Days of the Civil War. Boston: Houghton Mifflin, 1958. \"Surratt, Mary.\"", "Boston: Houghton Mifflin, 1958. \"Surratt, Mary.\" \"Surratt, Mary.\" In The New Encyclopædia Britannica. Chicago: Encyclopædia Britannica, 1998. \"Surratt, Mary E. Jenkins (1823–1865).\" In Women in the American Civil War. Lisa Tendrich Frank, ed. Santa Barbara, Calif.: ABC-CLIO, 2008. \"Surratt, Mary Eugenia Jenkins (1817–1865).\" In Historical Dictionary of Reconstruction. Hans Louis Trefousse, ed. New York: Greenwood Press, 1991.", "New York: Greenwood Press, 1991. New York: Greenwood Press, 1991. Swanson, James L. Manhunt: The Twelve Day Chase for Lincoln's Killer. New York: HarperCollins, 2007. Swanson, James L. and Weinberg, Daniel R. Lincoln's Assassins: Their Trial and Execution. New York: Harper Perennial, 2008. Townsend, George Alfred. The Life, Crime and Capture of John Wilkes Booth. New York: Dick and Fitzgerald, Publishers, 1886. Townsend, George Alfred.", "Townsend, George Alfred. Townsend, George Alfred. Washington, Outside and Inside: A Picture and a Narrative of the Origin, Growth, Excellencies, Abuses, Beauties, and Personages of Our Governing City. Hartford, Conn.: S.M. Betts & Co., 1874. Trindal, Elizabeth Steger. Mary Surratt: An American Tragedy. Pelican Pub. Co., 1996. Turner, Thomas Reed. Beware the People Weeping: Public Opinion and the Assassination of Abraham Lincoln. Baton Rouge: Louisiana State University Press, 1982.", "Baton Rouge: Louisiana State University Press, 1982. Baton Rouge: Louisiana State University Press, 1982. Van Doren, Charles Lincoln and McHenry, Robert. Webster's American Biographies. Springfield, Mass. : Merriam-Webster, 1984. Verge, Laurie. \"Mary Elizabeth Surratt\". In The Trial: The Assassination of President Lincoln and the Trial of the Conspirators. Lexington, Ky.: University Press of Kentucky, 2003. Watts, R.A. \"Trial and Execution of the Lincoln Conspirators.\" Michigan History Magazine.", "Michigan History Magazine. Michigan History Magazine. 6:1 (1922). Weichmann, Louis J. and Richards, A.C. A True History of the Assassination of Abraham Lincoln and of the Conspiracy of 1865. New York: Knopf, 1975. Zanca, Kenneth J.. The Catholics and Mrs. Mary Surratt: How They Responded to the Trial and Execution of the Lincoln Conspirator. University Press of America, 2008.", "University Press of America, 2008. University Press of America, 2008. External links Anna Surratt, daughter Surratt Society and Museum Read through the Lincoln Assassination Papers about evidence against Mary Surratt Historic Marker at the Surratt Boarding House Brief Mary Surratt Biography (written by a retired teacher especially for students and schools) 1820s births 1865 deaths 19th-century American women 19th-century executions by the United States 19th-century executions of American people American slave owners Burials at Mount Olivet Cemetery (Washington, D.C.) Converts to Roman Catholicism Executed American women Executed people from Maryland Lincoln assassination conspirators People executed by the United States federal government by hanging People from Clinton, Maryland People of Maryland in the American Civil War Women in the American Civil War Catholics from Maryland" ]

[ "Lord Voldemort", "Character development" ]

[ "Hugh Culber is a fictional character in the Star Trek franchise. He appears in the television series Star Trek: Discovery. Culber is portrayed by actor Wilson Cruz. Originally introduced as a recurring character in the first season of the series, Culber is promoted to a main character in the second season. Within Discoverys narrative, he is the ship's senior medical doctor and partner to its engineer Paul Stamets (Anthony Rapp).\n\nConcept and casting \nIn July 2016, Wilson Cruz was cast as Culber, Paul Stamets' love interest, after having previously worked with Anthony Rapp on the musical Rent. Cruz was revealed to be reprising his role of Culber for the series' second season, as well as being promoted to the main cast, in July 23, 2018. The character's appearance in the third season was confirmed in October 2019, a year before its premiere. In October 2020, just prior to the third season's premiere, Culber's role in the fourth season was confirmed, when it was announced that the series was renewed.\n\nCharacterization \nAbout the character in an interview about being promoted to the main cast in season two with Anthony Pascale, Cruz said: \"this season for this couple [Culber and Stamets] is really about deepening them individually. We get to find out a lot about Culber–who he is, what he wants, what makes him tick, what his ambitions are–separate and apart from this relationship. But we get to learn a lot about this relationship and it is put through the test.\" Cruz also confirmed that the reason he was only in the recurring cast because he was in 13 Reasons Why at the same time.\n\nCulber is one-half of the first openly gay regular character couple in a Star Trek television series. On creating the first gay couple in a Star Trek series, Cruz said he \"felt like it was a long time coming ... What's great about the way that the show is handling it is it's not like we are having a special two-hour episode about gay relationships in space. It's not that. They just happen to be in love, and they happen to be coworkers. And, I hope by the time we get to [the 23rd] century that it will be exactly like that.\" In the season three episode \"Su'Kal\", Culber appears a member of the Bajoran alien race briefly in a hologram simulation.\n\nTalking toward the fourth season, Michelle Paradise noted that Stamets and Culber would form a \"really lovely\" family unit with the non-binary Adira Tal, who was introduced in the previous season, and their transgender boyfriend Gray.\n\nFictional biography\nIn the first season, Culber treats Ash Tyler, who is struggling to contain his alternate Klingon personality, but is later killed by his patient. In the second season, Stamets travels into the mycelium to find a copy of Culber, and brings him back to life.\n\nReception \nVarious publications described how the character set a precedent in both the Star Trek world and generally in media as a depiction of a gay character. In 2019, Hugh Culber was ranked the 10th-sexiest Star Trek character by Syfy.\n\nReferences\n\nExternal links\n\nFictional characters displaced in time\nFictional LGBT characters in television\nFictional lieutenant commanders\nFictional scientists\nLGBT Star Trek characters\nStar Trek: Discovery characters\nTelevision characters introduced in 2017\nTime travelers\nStarfleet medical personnel", "Reham Abdel Ghafour () (born 6 September 1978 in El Mahalla El Kubra) is an Egyptian actress and the daughter of famous Egyptian actor Ashraf Abdel Ghafour. She is graduated from Faculty of Commerce-English section. She appeared with Mohamed Henedi and Ashraf Abdel Baki in the film Saheb Sahbo.\n\nReham acts in many TV series and films like Mallaki Eskinderiya, Kan yom Hobak, Gayy fel Saree''', BelAraby cinderella. She also participated in plays like Bint Bonoot, AlMalek Lear (i.e. King Lear) with the star Yehia El-Fakharany and Hamlet play at Egyptian theaters.\n\n Films \n The Academy (2009)\n Alghaba (i.e. The Wild) (2008) her character was named \"Gamila\",streets princess\n Alia ElTarab bel3 (2007) her character was named \"Mona\"\n Ga'alatny Mogreman (i.e. She made me a criminal) (2006) her character was named \"Saly\"\n Zay ElHawa (i.e. Same as the air) (2006) her character was named \"Nour\"\n BelAraby Cindrella (i.e. Arabic cinderella) (2006) her character was named \"Tokka\" (Starring role)\n Gy Fe ElSaree3 (i.e. Coming fast) (2005) her character was named \"Abeer\" (Starring role)\n Hareem Kareem (i.e. Kareem's girls) (2005) her character was named \"Nevien\" featuring Moustafa Amar.\n Malaky Eskendria (i.e. Private Alex) (2005) her character was named \"Rasha Nos-hi\"\n Kan Yom Hobak (i.e. The day I loved you) her character was named \"Hannan\"\n Sehr El oyon (i.e. Eyes' Magic) her character was named \"Dina\"\n Saheb Sahbo (i.e. true friend or Friend of his Friend)) her character was named \"Shapinam\" (Starring role)\n\n TV series Shekh El Arab Hammam (i.e. Hammam the Arab's Shekh) (2010) her character was named \"Ward Elyaman\", Hammam's daughterMesh Alf Lella w Lella (i.e. Not 1001 Nights) (2010) her character was \"Shahrazad\" the famous literature character of One Thousand and One NightsBent Bonot (i.e. Virgin) (2006) her character was named \"Noha\"Mn Gher Ma'ad (i.e. Without arrangement) (2006) her character was named \"Sahar\" (starring role)Andaleb Hekayet Sha'b (i.e. Abdel Halim Hafez's Biography ) (2006) She portrays Faten Hamama, the Egyptian actressAmeel 1001 (i.e. Client 1001) (2006) her character was named \"Rachel\"Amaken Fe ElAlb (i.e. Places in my heart) (2005) her character was named \"Margeret\"\nBent Mn Shubra (i.e. Girl from Shubra) her character was named \"Lena\"\nAlHakeka w AlSarab (i.e. The reality and the fantasy ) her character was named \"Salwa\"\nAlAmma Nour (i.e. Aunt Nour)\nHadith ElSabah W AlMasa' (i.e. Morning and Evening stories) her character was named \"Sedriah\"\nMas'alet Mabda2 (i.e. Just a Principle)\nFares Bela Gawad (i.e. A Knight Without a Horse)\nShams Yom Gedid (i.e. New future)\nZizenia\nAlA'ela w AlNas (i.e. The Family and the community)\n\n Plays King Lear her character was the youngest daughter CordeliaHamlet'' her character was Olivia\n\nReferences\n\n1978 births\nReham\nLiving people\nEgyptian television actresses\nEgyptian stage actresses\nPeople from El Mahalla El Kubra" ]

[ "Lord Voldemort (, in the films) is a sobriquet for Tom Marvolo Riddle, a character and the main antagonist in J. K. Rowling's series of Harry Potter novels. The character first appeared in Harry Potter and the Philosopher's Stone, which was published in 1997, and returned either in person or in flashbacks in each book and its film adaptation in the series except the third, Harry Potter and the Prisoner of Azkaban, in which he is only mentioned.", "The character first appeared in Harry Potter and the Philosopher's Stone, which was published in 1997, and returned either in person or in flashbacks in each book and its film adaptation in the series except the third, Harry Potter and the Prisoner of Azkaban, in which he is only mentioned. Voldemort is the archenemy of Harry Potter, who according to a prophecy has \"the power to vanquish the Dark Lord\".", "Voldemort is the archenemy of Harry Potter, who according to a prophecy has \"the power to vanquish the Dark Lord\". He attempts to murder the boy, but instead kills his parents, Lily and James Potter, and leaves Harry with a scar on his forehead in the shape of a lightning bolt. Nearly every witch or wizard dares not utter his name and refers to him instead with such monikers as \"You-Know-Who\", \"He Who Must Not Be Named\", or \"the Dark Lord\".", "Nearly every witch or wizard dares not utter his name and refers to him instead with such monikers as \"You-Know-Who\", \"He Who Must Not Be Named\", or \"the Dark Lord\". Voldemort's obsession with blood purity signifies his aim to rid the wizarding world of Muggle (non-magical) heritage and to conquer both worlds, Muggle and wizarding, to achieve pure-blood dominance.", "Voldemort's obsession with blood purity signifies his aim to rid the wizarding world of Muggle (non-magical) heritage and to conquer both worlds, Muggle and wizarding, to achieve pure-blood dominance. Through his mother's family, he is the last descendant of the wizard Salazar Slytherin, one of the four founders of Hogwarts School of Witchcraft and Wizardry. He is the leader of the Death Eaters, a group of evil wizards and witches dedicated to ridding the Wizarding World of Muggles and establishing Voldemort as its supreme ruler.", "He is the leader of the Death Eaters, a group of evil wizards and witches dedicated to ridding the Wizarding World of Muggles and establishing Voldemort as its supreme ruler. Character development In a 1999 interview, Rowling said Voldemort was invented as a nemesis for Harry Potter, and she intentionally did not flesh out Voldemort's backstory at first.", "Character development In a 1999 interview, Rowling said Voldemort was invented as a nemesis for Harry Potter, and she intentionally did not flesh out Voldemort's backstory at first. \"The basic idea [was that Harry] didn't know he was a wizard ... And so then I kind of worked backwards from that position to find out how that could be, that he wouldn't know what he was. ... When he was one year old, the most evil wizard for hundreds and hundreds of years attempted to kill him.", "When he was one year old, the most evil wizard for hundreds and hundreds of years attempted to kill him. He killed Harry's parents, and then he tried to kill Harry—he tried to curse him. ... Harry has to find out, before we find out. And—so—but for some mysterious reason the curse didn't work on Harry. So he's left with this lightning bolt-shaped scar on his forehead and the curse rebounded upon the evil wizard, who has been in hiding ever since.\"", "So he's left with this lightning bolt-shaped scar on his forehead and the curse rebounded upon the evil wizard, who has been in hiding ever since.\" In the second book, Rowling establishes that Voldemort hates non-pure-blood wizards, despite being a half-blood himself.", "In the second book, Rowling establishes that Voldemort hates non-pure-blood wizards, despite being a half-blood himself. In a 2000 interview with the BBC, Rowling described Voldemort as a self-hating bully: \"Well I think it is often the case that the biggest bullies take what they know to be their own defects, as they see it, and they put them right on someone else and then they try and destroy the other and that's what Voldemort does.\" In the same year, Rowling became more precise about Voldemort.", "In the same year, Rowling became more precise about Voldemort. She began to link him to real-life tyrants, describing him as \"a raging psychopath, devoid of the normal human responses to other people's suffering\". In 2004, though, Rowling said that she did not base Voldemort on any real person. In 2006, Rowling told an interviewer that Voldemort at his core has a human fear: the fear of death. She said: \"Voldemort's fear is death, ignominious death.", "She said: \"Voldemort's fear is death, ignominious death. I mean, he regards death itself as ignominious. He thinks that it's a shameful human weakness, as you know. His worst fear is death.\" Throughout the series, Rowling establishes that Voldemort is so feared in the wizarding world that it is considered dangerous even to speak his name. Most characters in the novels refer to him as \"You-Know-Who\" or \"He-Who-Must-Not-Be-Named\" rather than say his name aloud.", "Most characters in the novels refer to him as \"You-Know-Who\" or \"He-Who-Must-Not-Be-Named\" rather than say his name aloud. In Harry Potter and the Deathly Hallows, a \"taboo\" spell is placed upon the name, such that Voldemort or his followers may trace anyone who utters it. By this means, his followers eventually find and capture Harry and his friends Ron Weasley and Hermione Granger.", "By this means, his followers eventually find and capture Harry and his friends Ron Weasley and Hermione Granger. In the second book, Rowling reveals that I am Lord Voldemort is an anagram of the character's birth name, Tom Marvolo Riddle. According to the author, Voldemort's name is an invented word. The name Voldemort is derived from the French vol de mort which means \"flight of death\" or \"theft of death\".", "The name Voldemort is derived from the French vol de mort which means \"flight of death\" or \"theft of death\". Appearances Harry Potter and the Philosopher's Stone Voldemort makes his debut in Harry Potter and the Philosopher's Stone. In this story, Rowling introduces him as the Dark Lord who tried to kill Harry Potter because the boy was prophesied to destroy him.", "In this story, Rowling introduces him as the Dark Lord who tried to kill Harry Potter because the boy was prophesied to destroy him. Voldemort murdered Harry's parents, James and Lily, but as a result of his mother's love and willingness to sacrifice herself for him, baby Harry survived when Voldemort tried to murder him with a Killing Curse. Voldemort was disembodied, and Harry was left with a mysterious, lightning bolt-shaped scar on his forehead as a result.", "Voldemort was disembodied, and Harry was left with a mysterious, lightning bolt-shaped scar on his forehead as a result. In the book, Voldemort unsuccessfully tries to regain his dissolved body by stealing the titular Philosopher's Stone. To achieve his objective, Voldemort uses Professor Quirrell's aid by latching onto the back of the latter's head. However, at the climax of the book, Harry manages to prevent Voldemort from stealing the stone.", "However, at the climax of the book, Harry manages to prevent Voldemort from stealing the stone. Harry Potter and the Chamber of Secrets In the second instalment, Harry Potter and the Chamber of Secrets, Rowling introduces Tom Marvolo Riddle, a manifestation of a teenage Voldemort that resides inside a magical diary found by Ginny Weasley. In this book, Ginny is written as a shy girl with a crush on Harry.", "In this book, Ginny is written as a shy girl with a crush on Harry. Feeling anxious and lonely, she begins to write into the diary and shares her deepest fears with the sympathetic Tom. However, at the climax of the story, when Riddle rearranges the letters in his name to write \"I am Lord Voldemort\", Riddle is revealed as a magical manifestation of the boy who would later grow up to become the Dark Lord.", "However, at the climax of the story, when Riddle rearranges the letters in his name to write \"I am Lord Voldemort\", Riddle is revealed as a magical manifestation of the boy who would later grow up to become the Dark Lord. Riddle states he has grown strong on Ginny's fears and eventually possesses her, using her as a pawn to unlock the Chamber of Secrets, whence a basilisk is set free and petrifies several Hogwarts students. Harry defeats the manifestation of Riddle from the diary and the basilisk.", "Harry defeats the manifestation of Riddle from the diary and the basilisk. In Harry Potter and the Half-Blood Prince, Albus Dumbledore reveals to Harry that the diary was one of Voldemort's Horcruxes. Harry Potter and the Prisoner of Azkaban Voldemort does not appear in the third book, Harry Potter and the Prisoner of Azkaban, either in person or as a magical manifestation. He is, however, heard when Harry passes out from the harsh effects of a Dementor.", "He is, however, heard when Harry passes out from the harsh effects of a Dementor. Towards the end of the story, Sybill Trelawney, the Divination professor, makes a rare genuine prophecy: \"The Dark Lord lies alone and friendless, abandoned by his followers. His servant has been chained these twelve years. Tonight, before midnight, the servant will break free and set out to rejoin his master. The Dark Lord will rise again with his servant's aid, greater and more terrible than ever before.", "The Dark Lord will rise again with his servant's aid, greater and more terrible than ever before. Tonight... before midnight... the servant... will set out... to rejoin... his master...\" Though it is initially implied that the prophecy refers to Sirius Black, the book's ostensible antagonist, the servant is eventually revealed to be Peter Pettigrew, who, for the 12 years since Voldemort's fall, has been disguised as Ron's pet rat, Scabbers.", "Tonight... before midnight... the servant... will set out... to rejoin... his master...\" Though it is initially implied that the prophecy refers to Sirius Black, the book's ostensible antagonist, the servant is eventually revealed to be Peter Pettigrew, who, for the 12 years since Voldemort's fall, has been disguised as Ron's pet rat, Scabbers. Harry Potter and the Goblet of Fire In the fourth instalment of the series, Harry Potter and the Goblet of Fire, Voldemort reappears at the start and the climax of the book.", "Harry Potter and the Goblet of Fire In the fourth instalment of the series, Harry Potter and the Goblet of Fire, Voldemort reappears at the start and the climax of the book. Rowling lets many seemingly unrelated plot elements fall into order. It is revealed that Voldemort's minion Barty Crouch Jr, disguised as Hogwarts professor Mad-Eye Moody, has manipulated the events of the Triwizard Tournament in Harry's favour.", "It is revealed that Voldemort's minion Barty Crouch Jr, disguised as Hogwarts professor Mad-Eye Moody, has manipulated the events of the Triwizard Tournament in Harry's favour. Voldemort's goal is to teleport Harry under Dumbledore's watch as a reluctant participant to the Little Hangleton graveyard, where the Riddle family is buried. Harry is captured and, after Pettigrew uses Harry's blood to fulfil a gruesome magical ritual, Voldemort regains his body and is restored to his full power.", "Harry is captured and, after Pettigrew uses Harry's blood to fulfil a gruesome magical ritual, Voldemort regains his body and is restored to his full power. For the first time in the series, Rowling describes his appearance: \"tall and skeletally thin\", with a face \"whiter than a skull, with wide, livid scarlet eyes and a nose that was as flat as a snake's with slits for nostrils\".", "For the first time in the series, Rowling describes his appearance: \"tall and skeletally thin\", with a face \"whiter than a skull, with wide, livid scarlet eyes and a nose that was as flat as a snake's with slits for nostrils\". Rowling writes that his \"hands were like large, pale spiders; his long white fingers caressed his own chest, his arms, his face; the red eyes, whose pupils were slits, like a cat's, gleamed still more brightly through the darkness\".", "Rowling writes that his \"hands were like large, pale spiders; his long white fingers caressed his own chest, his arms, his face; the red eyes, whose pupils were slits, like a cat's, gleamed still more brightly through the darkness\". It was revealed that, while in Albania, Pettigrew had captured the Ministry of Magic official Bertha Jorkins, who was tortured for information about the Ministry.", "It was revealed that, while in Albania, Pettigrew had captured the Ministry of Magic official Bertha Jorkins, who was tortured for information about the Ministry. After they learned that Barty Crouch Jr, a faithful Death Eater, had been smuggled out of Azkaban and was privately confined at his father's house, they killed her. With Pettigrew's help, Voldemort creates a small, rudimentary body, corporeal enough to travel and perform magic, and formulated a plan to restore his own body by capturing Harry.", "With Pettigrew's help, Voldemort creates a small, rudimentary body, corporeal enough to travel and perform magic, and formulated a plan to restore his own body by capturing Harry. A portion of the plan had been overheard by Frank Bryce, a gardener, whom Voldemort then killed. Voldemort then completes his plan and returns to life in his full body as a result of the ritual with Harry's blood.", "Voldemort then completes his plan and returns to life in his full body as a result of the ritual with Harry's blood. He then summons his Death Eaters to the graveyard to witness the death of Harry as he challenges Harry to a duel. However, when Voldemort duels Harry, their wands become magically locked together due to the twin Phoenix feather cores of the wands.", "However, when Voldemort duels Harry, their wands become magically locked together due to the twin Phoenix feather cores of the wands. Because of a phenomenon later revealed as Priori Incantatem, ghost-like manifestations of Voldemort's most recent victims (including Harry's parents) then appear and distract Voldemort, allowing Harry just enough time to escape via Portkey with the body of fellow-student, Cedric Diggory, who was murdered by Pettigrew on Voldemort's orders.", "Because of a phenomenon later revealed as Priori Incantatem, ghost-like manifestations of Voldemort's most recent victims (including Harry's parents) then appear and distract Voldemort, allowing Harry just enough time to escape via Portkey with the body of fellow-student, Cedric Diggory, who was murdered by Pettigrew on Voldemort's orders. Harry Potter and the Order of the Phoenix Voldemort appears at the climax of the fifth book, Harry Potter and the Order of the Phoenix, having again plotted against Harry.", "Harry Potter and the Order of the Phoenix Voldemort appears at the climax of the fifth book, Harry Potter and the Order of the Phoenix, having again plotted against Harry. In this book, Harry goes through extreme emotional stress, and according to Rowling, it was necessary to prove that Harry is emotionally vulnerable and thus human, in contrast to his nemesis Voldemort, who is emotionally invulnerable and thus inhuman: \"[Harry is] a very human hero, and this is, obviously, there's a contrast, between him, as a very human hero, and Voldemort, who has deliberately dehumanised himself.", "In this book, Harry goes through extreme emotional stress, and according to Rowling, it was necessary to prove that Harry is emotionally vulnerable and thus human, in contrast to his nemesis Voldemort, who is emotionally invulnerable and thus inhuman: \"[Harry is] a very human hero, and this is, obviously, there's a contrast, between him, as a very human hero, and Voldemort, who has deliberately dehumanised himself. […] and Harry, therefore, did have to reach a point where he did almost break down.\"", "[…] and Harry, therefore, did have to reach a point where he did almost break down.\" In this book, Voldemort makes liberal use of the Ministry of Magic's refusal to believe that he has returned. Voldemort engineers a plot to free Bellatrix Lestrange and other Death Eaters from Azkaban and then embarks on a scheme to retrieve the full record of a prophecy stored in the Department of Mysteries regarding Harry and himself.", "Voldemort engineers a plot to free Bellatrix Lestrange and other Death Eaters from Azkaban and then embarks on a scheme to retrieve the full record of a prophecy stored in the Department of Mysteries regarding Harry and himself. He sends a group of Death Eaters to retrieve the prophecy, where the Order of the Phoenix meets them. All but Bellatrix are captured, and Voldemort engages in a ferocious duel with Dumbledore.", "All but Bellatrix are captured, and Voldemort engages in a ferocious duel with Dumbledore. When Dumbledore gets the upper hand, Voldemort attempts to possess Harry but finds that he cannot; Harry is too full of that which Voldemort finds incomprehensible, and which he detests as weakness: love. Sensing that Dumbledore could win, Voldemort disapparates, but not before the Minister for Magic sees him in person, making his return to life public knowledge in the next book.", "Sensing that Dumbledore could win, Voldemort disapparates, but not before the Minister for Magic sees him in person, making his return to life public knowledge in the next book. Harry Potter and the Half-Blood Prince Voldemort does not appear in Harry Potter and the Half-Blood Prince, although his presence and actions are felt: he once again declares war, and begins to rise to power once more.", "Harry Potter and the Half-Blood Prince Voldemort does not appear in Harry Potter and the Half-Blood Prince, although his presence and actions are felt: he once again declares war, and begins to rise to power once more. He murders Amelia Bones of the Department of Magical Law Enforcement, and begins to target members of the Order of the Phoenix, including Emmeline Vance. Rowling uses several chapters as exposition to establish Voldemort's backstory.", "Rowling uses several chapters as exposition to establish Voldemort's backstory. In a series of flashbacks, using the pensieve as a plot device, she reveals that Voldemort was the son of the witch Merope Gaunt and a Muggle called Tom Riddle. Riddle abandoned Merope before their child's birth, soon after which Merope died. After living in an orphanage, young Riddle met Dumbledore, who told him he was a wizard and arranged for him to attend Hogwarts.", "After living in an orphanage, young Riddle met Dumbledore, who told him he was a wizard and arranged for him to attend Hogwarts. Riddle was outwardly a model student, but was in reality a psychopath who took sadistic pleasure in using his powers to harm and control people. He eventually murdered his father and grandparents as revenge for abandoning him. The book also discusses Riddle's hatred of Muggles, his obsession with Horcruxes, and his desire to split his soul to achieve immortality.", "The book also discusses Riddle's hatred of Muggles, his obsession with Horcruxes, and his desire to split his soul to achieve immortality. Rowling stated Voldemort's conception under the influence of a love potion symbolises the coercive circumstances under which he was brought into the world. In the main plot of the book, Voldemort's next step is to engineer an assault on Hogwarts, and to kill Dumbledore.", "In the main plot of the book, Voldemort's next step is to engineer an assault on Hogwarts, and to kill Dumbledore. This is accomplished by Draco Malfoy, who arranges transportation of Death Eaters into Hogwarts by a pair of Vanishing Cabinets, which bypass the extensive protective enchantments placed around the school. The cabinets allow Voldemort's Death Eaters to enter Hogwarts, where battle commences and Dumbledore is cornered.", "The cabinets allow Voldemort's Death Eaters to enter Hogwarts, where battle commences and Dumbledore is cornered. Hogwarts professor (and re-doubled agent) Severus Snape uses the Killing Curse against Dumbledore when Draco could not force himself to do so. Harry Potter and the Deathly Hallows In Harry Potter and the Deathly Hallows, Voldemort furthers his quest for ultimate power. He disposes of the Minister for Magic and replaces him with Pius Thicknesse, who is under the Imperius Curse.", "He disposes of the Minister for Magic and replaces him with Pius Thicknesse, who is under the Imperius Curse. Establishing a totalitarian police state, he has Muggle-borns persecuted and arrested for \"stealing magic\" from the \"pure blood\" wizards.", "Establishing a totalitarian police state, he has Muggle-borns persecuted and arrested for \"stealing magic\" from the \"pure blood\" wizards. After failing to kill Harry with Draco's father Lucius Malfoy's borrowed wand (to avoid the effect of Priori Incantatem), he goes on a murderous search for the Elder Wand, the most powerful wand ever created, seeing it as the weapon he needs to overcome Harry's wand and make him truly invincible.", "After failing to kill Harry with Draco's father Lucius Malfoy's borrowed wand (to avoid the effect of Priori Incantatem), he goes on a murderous search for the Elder Wand, the most powerful wand ever created, seeing it as the weapon he needs to overcome Harry's wand and make him truly invincible. He goes on a quest that takes him out of the country to Gregorovitch's wand shop, where he kills the old wandmaker.", "He goes on a quest that takes him out of the country to Gregorovitch's wand shop, where he kills the old wandmaker. His journey also takes him to Nurmengard, the prison where Gellert Grindelwald is kept, and he kills Grindelwald as well. He finally locates the Elder Wand and steals it from Dumbledore's tomb. Later, Voldemort finds out that Harry and his friends are hunting and destroying his Horcruxes when informed of their heist on the Lestranges' vault at Gringotts in search for Hufflepuff's Cup.", "Later, Voldemort finds out that Harry and his friends are hunting and destroying his Horcruxes when informed of their heist on the Lestranges' vault at Gringotts in search for Hufflepuff's Cup. After offering the occupants of Hogwarts mercy if they give up Harry, he assembles a large army and launches an invasion of the castle, where Harry is searching for Ravenclaw's Diadem. Voldemort orders his pet snake Nagini to execute Snape, believing it would make him the true master of the Elder Wand, since Snape killed Dumbledore.", "Voldemort orders his pet snake Nagini to execute Snape, believing it would make him the true master of the Elder Wand, since Snape killed Dumbledore. He then calls an hour's armistice, in exchange for Harry. When Harry willingly walks into Voldemort's camp in the Forbidden Forest, Voldemort strikes him down with the Elder Wand.", "When Harry willingly walks into Voldemort's camp in the Forbidden Forest, Voldemort strikes him down with the Elder Wand. However, the use of Harry's blood to resurrect Voldemort's body proves to be a major setback: while Harry's blood runs in Voldemort's veins, Harry cannot be killed as his mother's protection lives on now in Voldemort too. Instead, Voldemort destroys the part of his own soul that resides in Harry's body.", "Instead, Voldemort destroys the part of his own soul that resides in Harry's body. Voldemort forces Rubeus Hagrid to carry Harry's apparently lifeless body back to the castle as a trophy, sparking another battle during which Nagini, his last Horcrux, is destroyed by Neville Longbottom. The battle then moves into the Great Hall, where Voldemort fights Minerva McGonagall, Kingsley Shacklebolt, and Horace Slughorn simultaneously.", "The battle then moves into the Great Hall, where Voldemort fights Minerva McGonagall, Kingsley Shacklebolt, and Horace Slughorn simultaneously. Harry then reveals himself and explains to Voldemort that Draco became the true master of the Elder Wand when he disarmed Dumbledore; Harry, in turn, won the wand's allegiance when he took Draco's wand.", "Harry then reveals himself and explains to Voldemort that Draco became the true master of the Elder Wand when he disarmed Dumbledore; Harry, in turn, won the wand's allegiance when he took Draco's wand. Refusing to believe this, Voldemort casts the Killing Curse with the Elder Wand while Harry uses a Disarming Charm with Draco's, but the Elder Wand refuses to kill its master and the spell rebounds on Voldemort who, with all of his Horcruxes destroyed, finally dies.", "Refusing to believe this, Voldemort casts the Killing Curse with the Elder Wand while Harry uses a Disarming Charm with Draco's, but the Elder Wand refuses to kill its master and the spell rebounds on Voldemort who, with all of his Horcruxes destroyed, finally dies. His body is laid in a different chamber from all the others who died battling him.", "His body is laid in a different chamber from all the others who died battling him. Rowling stated that after his death, Voldemort is forced to exist in the stunted infant-like form that Harry sees in the King's Cross-like Limbo after his confrontation with Voldemort in the Forbidden Forest. Rowling also mentioned that, despite his extreme fear of death, he cannot become a ghost.", "Rowling also mentioned that, despite his extreme fear of death, he cannot become a ghost. Appearances in other material In Harry Potter and the Cursed Child, it is revealed that Bellatrix gave birth to Voldemort's daughter Delphi in Malfoy Manor before the Battle of Hogwarts.", "Appearances in other material In Harry Potter and the Cursed Child, it is revealed that Bellatrix gave birth to Voldemort's daughter Delphi in Malfoy Manor before the Battle of Hogwarts. Twenty-two years later, Delphi poses as Cedric's cousin and manipulates Harry and Ginny's second son Albus Severus Potter and his friend, Draco and Astoria Greengrass's son Scorpius Malfoy, into stealing a prototype Time Turner with which she hopes to resurrect her father.", "Twenty-two years later, Delphi poses as Cedric's cousin and manipulates Harry and Ginny's second son Albus Severus Potter and his friend, Draco and Astoria Greengrass's son Scorpius Malfoy, into stealing a prototype Time Turner with which she hopes to resurrect her father. Using the Time Turner, Scorpius accidentally creates an alternative timeline where Voldemort killed Harry at the battle and now rules the wizarding world.", "Using the Time Turner, Scorpius accidentally creates an alternative timeline where Voldemort killed Harry at the battle and now rules the wizarding world. In an attempt to achieve this future, Delphi travels to Godric's Hollow on the night Voldemort killed Harry's parents, hoping to avert the prophecy that led to her father's downfall.", "In an attempt to achieve this future, Delphi travels to Godric's Hollow on the night Voldemort killed Harry's parents, hoping to avert the prophecy that led to her father's downfall. After receiving a message from his son, Harry, together with Ron, Hermione and Draco (who by now has become friends with Harry after they join forces to save their respective sons) transfigures himself into Voldemort so that he can distract Delphi, allowing them to overpower her.", "After receiving a message from his son, Harry, together with Ron, Hermione and Draco (who by now has become friends with Harry after they join forces to save their respective sons) transfigures himself into Voldemort so that he can distract Delphi, allowing them to overpower her. The real Voldemort kills Harry's parents as prophesied, and Delphi is sent to Azkaban. Portrayals within films Voldemort appears in every Harry Potter film, with the exception of Harry Potter and the Prisoner of Azkaban.", "Portrayals within films Voldemort appears in every Harry Potter film, with the exception of Harry Potter and the Prisoner of Azkaban. Several actors have portrayed him in his varying incarnations and ages. In Harry Potter and the Philosopher's Stone, Voldemort's manifestation is as a face on the back of Quirrell's head, an effect achieved by computer generated imagery. Ian Hart, the actor who played Quirrell in the same film, provided the voice and the facial source for this character.", "Ian Hart, the actor who played Quirrell in the same film, provided the voice and the facial source for this character. Voldemort also appears in a scene in the Forbidden Forest where he is seen drinking the blood of a unicorn. As Voldemort's face was altered enough by CG work, and Hart's voice was affected enough, there was no confusion by Hart's playing of the two roles.", "As Voldemort's face was altered enough by CG work, and Hart's voice was affected enough, there was no confusion by Hart's playing of the two roles. In that film, he was also shown in a flashback sequence when he arrived at the home of James and Lily Potter to kill them. In this scene Voldemort is played by Richard Bremmer, though his face is never seen.", "In this scene Voldemort is played by Richard Bremmer, though his face is never seen. His next appearance would be in Harry Potter and the Chamber of Secrets as the 16-year-old Tom Marvolo Riddle (portrayed by Christian Coulson). In Harry Potter and the Goblet of Fire, Voldemort is initially only heard, possessing the scratchy, weak voice heard in the first film. By the film's climax, however, he appears in his physical form for the first time, played by Ralph Fiennes.", "By the film's climax, however, he appears in his physical form for the first time, played by Ralph Fiennes. As in the book, Voldemort is shown clad in dark black robes, being tall and emaciated, with no hair and yellowish teeth; his wand has a white tone and the handle appears to be made of bone; his finger nails are long and pale blue while his toe nails appear to be infected.", "As in the book, Voldemort is shown clad in dark black robes, being tall and emaciated, with no hair and yellowish teeth; his wand has a white tone and the handle appears to be made of bone; his finger nails are long and pale blue while his toe nails appear to be infected. Unlike in the book, his pupils are not cat-like and his eyes are blue, because producer David Heyman felt that his evil would not be able to be seen and would not fill the audience with fear (his eyes do briefly take on a snake-like appearance when he opens them after turning human, but quickly turn normal).", "Unlike in the book, his pupils are not cat-like and his eyes are blue, because producer David Heyman felt that his evil would not be able to be seen and would not fill the audience with fear (his eyes do briefly take on a snake-like appearance when he opens them after turning human, but quickly turn normal). As in the book, the film version of Voldemort has snake-like slit nostrils with the flesh of his nose significantly pressed back.", "As in the book, the film version of Voldemort has snake-like slit nostrils with the flesh of his nose significantly pressed back. Ralph Fiennes' nose was not covered in makeup on the set, but was digitally removed in post-production. In this first appearance, Voldemort also has a forked tongue, but this element was removed for the subsequent films. Fiennes stated that he had two weeks to shoot the climactic showdown scene where he is gloating over a terrified Harry, played by Daniel Radcliffe.", "Fiennes stated that he had two weeks to shoot the climactic showdown scene where he is gloating over a terrified Harry, played by Daniel Radcliffe. Fiennes said with a chuckle: \"I have no doubt children will be afraid of me now if they weren't before.\"", "Fiennes said with a chuckle: \"I have no doubt children will be afraid of me now if they weren't before.\" In preparation, he read the novel Goblet of Fire, but jokingly conceded: \"I was only interested in my scene, and I had to go through thousands and thousands of other scenes which I did, dutifully, until I got to my scene and I read it many, many, many, many, many times and that was my research.\"", "In preparation, he read the novel Goblet of Fire, but jokingly conceded: \"I was only interested in my scene, and I had to go through thousands and thousands of other scenes which I did, dutifully, until I got to my scene and I read it many, many, many, many, many times and that was my research.\" Fiennes reprised his role as Voldemort in Harry Potter and the Order of the Phoenix and Harry Potter and the Deathly Hallows – Part 1 and Part 2.", "Fiennes reprised his role as Voldemort in Harry Potter and the Order of the Phoenix and Harry Potter and the Deathly Hallows – Part 1 and Part 2. Fiennes's nephew, Hero Fiennes-Tiffin, portrayed Tom Riddle as a child in Harry Potter and the Half-Blood Prince. By the time filming arrived Christian Coulson was 29, and not considered suitable to return as the adolescent Riddle. Thomas James Longley was originally scheduled to take over the role, but last minute renegotiations saw Frank Dillane cast instead.", "Thomas James Longley was originally scheduled to take over the role, but last minute renegotiations saw Frank Dillane cast instead. Characterisation Outward appearance After he regains his body in the fourth book, Rowling describes Voldemort as having pale skin, a chalk-white, skull-like face, snake-like slits for nostrils, red eyes and cat-like slits for pupils, a skeletally thin body and long, thin hands with unnaturally long fingers. As mentioned in the first chapter of the seventh book, he also has no hair or lips.", "As mentioned in the first chapter of the seventh book, he also has no hair or lips. Earlier in life, as seen through flashbacks contained in the second and sixth books, Tom Marvolo Riddle was handsome and tall with pale skin, jet black hair, and dark brown eyes. He could charm many people with his looks. The transformation into his monstrous state is believed to have been the result of creating his Horcruxes and becoming less human as he continued to divide his soul.", "The transformation into his monstrous state is believed to have been the result of creating his Horcruxes and becoming less human as he continued to divide his soul. In the films, Voldemort's eyes are blue with round pupils. Personality Rowling described Voldemort as \"the most evil wizard for hundreds and hundreds of years\". She elaborated that he is a \"raging psychopath, devoid of the normal human responses to other people's suffering\", and whose only ambition in life is to become all-powerful and immortal.", "She elaborated that he is a \"raging psychopath, devoid of the normal human responses to other people's suffering\", and whose only ambition in life is to become all-powerful and immortal. He is also a sadist who hurts and murders people—especially Muggles—for his own amusement. He has no conscience, feels no remorse or empathy, and does not recognise the worth and humanity of anybody except himself. He feels no need for human companionship or friendship, and cannot comprehend love or affection for another.", "He feels no need for human companionship or friendship, and cannot comprehend love or affection for another. He believes he is superior to everyone around him, to the point that he frequently refers to himself in the third person as \"Lord Voldemort\". Rowling also stated that Voldemort is \"incredibly power hungry. Racist, really\", and that if Voldemort were to look into the Mirror of Erised, in which one sees one's greatest desire, he would see \"Himself, all-powerful and eternal.", "Racist, really\", and that if Voldemort were to look into the Mirror of Erised, in which one sees one's greatest desire, he would see \"Himself, all-powerful and eternal. That's what he wants.\"", "That's what he wants.\" That's what he wants.\" Rowling also stated that Voldemort's conception by influence of Amortentia—a love potion administered by his mother, a witch named Merope Gaunt, to the Muggle Tom Riddle—is related to his inability to understand love; it is \"a symbolic way of showing that he came from a loveless union—but of course, everything would have changed if Merope had survived and raised him herself and loved him.", "Rowling also stated that Voldemort's conception by influence of Amortentia—a love potion administered by his mother, a witch named Merope Gaunt, to the Muggle Tom Riddle—is related to his inability to understand love; it is \"a symbolic way of showing that he came from a loveless union—but of course, everything would have changed if Merope had survived and raised him herself and loved him. The enchantment under which Tom Riddle fathered Voldemort is important because it shows coercion, and there can't be many more prejudicial ways to enter the world than as the result of such a union\".", "The enchantment under which Tom Riddle fathered Voldemort is important because it shows coercion, and there can't be many more prejudicial ways to enter the world than as the result of such a union\". Like most archetypical villains, Voldemort's arrogance leads to his downfall. He also suffers from a pathological fear of death, which he regards as a shameful and ignominious human weakness. According to Rowling, his Boggart would be his own corpse.", "According to Rowling, his Boggart would be his own corpse. Rowling also said that the difference between Harry and Voldemort is that Harry accepts mortality, and thus Harry is, in the end, stronger than his nemesis. Magical abilities and skills Rowling establishes Voldemort throughout the series as an extremely powerful, intelligent, and ruthless dark wizard, described as the greatest and most powerful Dark Wizard of all time.", "Magical abilities and skills Rowling establishes Voldemort throughout the series as an extremely powerful, intelligent, and ruthless dark wizard, described as the greatest and most powerful Dark Wizard of all time. He is known as one of the greatest Legilimens in the world and a highly accomplished Occlumens; he can read minds and shield his own from penetration. Besides Dumbledore, he is also the only wizard ever known to be able to apparate silently. Voldemort was also said to fear one wizard alone, Dumbledore.", "Voldemort was also said to fear one wizard alone, Dumbledore. In the final book, Voldemort flies unsupported, something that amazes those who see it. Voldemort, like his ancestral family, the Gaunts, is a Parselmouth, meaning he can converse with serpents. This skill was inherited from his ancestor, Salazar Slytherin. The Gaunt family speak Parseltongue among themselves. This highly unusual trait may be preserved through inbreeding, a practice employed by the Gaunt Family to maintain their blood's purity.", "This highly unusual trait may be preserved through inbreeding, a practice employed by the Gaunt Family to maintain their blood's purity. When Voldemort attempts to kill Harry his ability to speak Parseltongue is passed to Harry through the small bit of the former's soul. After that bit of soul is destroyed, Harry loses this ability. In a flashback in the sixth novel, Voldemort boasts to Dumbledore during a job interview that he has \"pushed the boundaries of magic farther than they had ever before\".", "In a flashback in the sixth novel, Voldemort boasts to Dumbledore during a job interview that he has \"pushed the boundaries of magic farther than they had ever before\". Dumbledore states that Voldemort's knowledge of magic is more extensive than any wizard alive and that even Dumbledore's most powerful protective spells and charms would likely be insufficient if Voldemort returned to full power. Dumbledore also said that Voldemort was probably the most brilliant student Hogwarts has ever seen.", "Dumbledore also said that Voldemort was probably the most brilliant student Hogwarts has ever seen. Although Voldemort remains highly accomplished and prodigious in skill, he is enormously lacking and highly inept in the most powerful magic, love. This inability to love and trust others proves to be Voldemort's greatest weakness in the series.", "This inability to love and trust others proves to be Voldemort's greatest weakness in the series. Voldemort initially voices scepticism that his own magic might not be the most powerful, but upon returning to power, he admits to his Death Eaters that he had overlooked the ancient and powerful magic which Lily Potter invoked and that would protect Harry from harm. On her website, Rowling wrote that Voldemort's wand is made of yew, whose sap is poisonous and which symbolises death.", "On her website, Rowling wrote that Voldemort's wand is made of yew, whose sap is poisonous and which symbolises death. It forms a deliberate contrast to Harry's wand, which is made of holly, which she chose because holly is alleged to repel evil. Rowling establishes in the books that Voldemort is magically connected to Harry via Harry's forehead scar. He disembodies himself when his Killing Curse targeting Harry rebounds on him, leaving the scar on Harry's forehead.", "He disembodies himself when his Killing Curse targeting Harry rebounds on him, leaving the scar on Harry's forehead. In the books, and to a lesser extent in the films, Harry's scar serves as an indicator of Voldemort's presence: it burns when the Dark Lord is near or when Voldemort is feeling murderous or exultant.", "In the books, and to a lesser extent in the films, Harry's scar serves as an indicator of Voldemort's presence: it burns when the Dark Lord is near or when Voldemort is feeling murderous or exultant. According to Rowling, by attacking Harry when he was a baby Voldemort gave him \"tools [that] no other wizard possessed—the scar and the ability it conferred, a magical window into Voldemort's mind\". Family Notes: The names 'Thomas' and 'Mary' Riddle are taken from the films.", "Family Notes: The names 'Thomas' and 'Mary' Riddle are taken from the films. The Potter Family is not shown. Riddle family The Riddle family, an old gentry family, consisted of Thomas and Mary Riddle and their son, Tom Riddle, Esq. They owned over half of the valley that the town of Little Hangleton lay in, and Thomas was the most prominent inhabitant of that town. They lived in a large house with fine gardens, but were unpopular amongst the local residents due to their snobbish attitudes.", "They lived in a large house with fine gardens, but were unpopular amongst the local residents due to their snobbish attitudes. Tom, the only child of Thomas and Mary, was known as a playboy, his main interests being womanizing and horse-riding. Rowling revealed in Harry Potter and the Half-Blood Prince that young Merope Gaunt fell in love with Riddle, peering at him through the windows and bushes at every opportunity.", "Rowling revealed in Harry Potter and the Half-Blood Prince that young Merope Gaunt fell in love with Riddle, peering at him through the windows and bushes at every opportunity. Merope's brother Morfin disapproved of his sister's affection for Tom and hexed him as he rode by, covering him in hives. This breach of wizarding law, and the ensuing violent struggle with Ministry of Magic officials, led to Marvolo and Morfin being imprisoned in Azkaban.", "This breach of wizarding law, and the ensuing violent struggle with Ministry of Magic officials, led to Marvolo and Morfin being imprisoned in Azkaban. As surmised by Dumbledore, once Merope was alone and no longer dominated by her father, she could make her move for Tom. She offered him a drink laced with a love potion, and he became infatuated with her; they soon eloped and, within three months of the marriage, Merope became pregnant.", "She offered him a drink laced with a love potion, and he became infatuated with her; they soon eloped and, within three months of the marriage, Merope became pregnant. Merope decided to stop giving Tom the love potion, having come to the belief such enchantment of a man was tantamount to slavery. She also revealed her witch status to Tom, believing either that he had fallen in love with her on his own or he would at least stay for their unborn child.", "She also revealed her witch status to Tom, believing either that he had fallen in love with her on his own or he would at least stay for their unborn child. She was wrong, and Tom quickly left his pregnant wife and went home to his parents, claiming to have been \"hoodwinked\" and tricked into marrying Merope. Tom Marvolo Riddle, their son, was born on 31 December 1926 Merope died in childbirth, leaving the baby to grow up alone in an orphanage.", "Tom Marvolo Riddle, their son, was born on 31 December 1926 Merope died in childbirth, leaving the baby to grow up alone in an orphanage. In Harry Potter and the Goblet of Fire, it is revealed that Voldemort murdered his father and grandparents, leaving himself the only surviving member of the Riddle family. House of Gaunt Most of the exposition of the House of Gaunts background occurs in Harry Potter and the Half-Blood Prince, through the medium of Dumbledore's Pensieve.", "House of Gaunt Most of the exposition of the House of Gaunts background occurs in Harry Potter and the Half-Blood Prince, through the medium of Dumbledore's Pensieve. The Gaunts were once a powerful and influential family, and are the last known descendants of Salazar Slytherin. However, a vein of mental instability and violence within the family, reinforced through cousin marriages intended to preserve the pureblood line, had reduced them to poverty and squalor, as shown in the Pensieve's \"memory\" that Harry and Dumbledore witnessed.", "However, a vein of mental instability and violence within the family, reinforced through cousin marriages intended to preserve the pureblood line, had reduced them to poverty and squalor, as shown in the Pensieve's \"memory\" that Harry and Dumbledore witnessed. Like Salazar Slytherin, the Gaunts spoke Parseltongue. At the time of the story, the Gaunts' only material asset is a ramshackle shanty in Little Hangleton, that stood in a thicket in a valley opposite the Riddle House.", "At the time of the story, the Gaunts' only material asset is a ramshackle shanty in Little Hangleton, that stood in a thicket in a valley opposite the Riddle House. Like the Riddles, the Gaunts were also unpopular with the local residents, with a reputation for being vulgar and intimidating. Marvolo Gaunt was the last family patriarch. He was sentenced to a short term in Azkaban for his and his son's assault upon a Ministry of Magic official; this affected his health and he died soon after returning home.", "He was sentenced to a short term in Azkaban for his and his son's assault upon a Ministry of Magic official; this affected his health and he died soon after returning home. His signet ring passed to his son, Morfin Gaunt, who was convicted of assaulting a Muggle, and later died in Azkaban, convicted this time as a party to the murder of Tom Riddle Jr. and Riddle's parents. Dumbledore discovers the real culprit while visiting Morfin in Azkaban to gather information about Voldemort.", "Dumbledore discovers the real culprit while visiting Morfin in Azkaban to gather information about Voldemort. After Dumbledore successfully extracts Morfin's memory of his encounter with his nephew, he tries to use the evidence to have Morfin released, but Morfin dies before the decision can be made. The House of Gaunt ended with Morfin's death. Merope Gaunt () was the daughter of Marvolo, and sister of Morfin. Harry's first impression of her was that she looked \"like the most defeated person he had ever seen\".", "Harry's first impression of her was that she looked \"like the most defeated person he had ever seen\". She married Tom Riddle Jr and became pregnant within three months of the wedding. It is suggested that she tricked her husband into loving her by using a love potion, but when she became pregnant, she chose to stop administering the potion.", "It is suggested that she tricked her husband into loving her by using a love potion, but when she became pregnant, she chose to stop administering the potion. It is implied that Merope had grown tired of living the lie and thought that her husband might have grown to love her, or that he might have stayed for the sake of their unborn child; however, he left her. Desperate, Merope wandered through the streets of London.", "Desperate, Merope wandered through the streets of London. Desperate, Merope wandered through the streets of London. The only thing she had left was the heavy gold locket that had once belonged to Salazar Slytherin, one of her family's most treasured items, which she sold for a small amount. When she was due to give birth, she stumbled into a Muggle orphanage, where she gave birth to her only son. She died within the next hour.", "She died within the next hour. She died within the next hour. Gormlaith Gaunt was a 17th-century descendant of Salazar Slytherin, and like Salazar, a Parselmouth. Her wand was that which once belonged to Salazar himself. Educated at Hogwarts, Gormlaith lived in Ireland in the early 1600s.", "Educated at Hogwarts, Gormlaith lived in Ireland in the early 1600s. In about 1608, Gormlaith killed her estranged unnamed sister, and her sister's husband, William Sayre (a descendant of the Irish witch Morrigan), and kidnapped their five-year-old daughter, Isolt Sayre, raising her in the neighbouring valley of Coomcallee, or \"Hag's Glen\", because she felt that her parents' association with Muggles would badly influence Isolt.", "In about 1608, Gormlaith killed her estranged unnamed sister, and her sister's husband, William Sayre (a descendant of the Irish witch Morrigan), and kidnapped their five-year-old daughter, Isolt Sayre, raising her in the neighbouring valley of Coomcallee, or \"Hag's Glen\", because she felt that her parents' association with Muggles would badly influence Isolt. Fanatical and cruel, Gormlaith used Dark magic to isolate Isolt from others, forbade her a wand, and did not allow her to attend Hogwarts as she herself had, disgusted that it was now filled with Muggle-borns.", "Fanatical and cruel, Gormlaith used Dark magic to isolate Isolt from others, forbade her a wand, and did not allow her to attend Hogwarts as she herself had, disgusted that it was now filled with Muggle-borns. After twelve years with Gormlaith, Isolt stole Gormlaith's wand and fled to the Colonies and settled in Massachusetts, where she founded the Ilvermorny School of Witchcraft and Wizardry.", "After twelve years with Gormlaith, Isolt stole Gormlaith's wand and fled to the Colonies and settled in Massachusetts, where she founded the Ilvermorny School of Witchcraft and Wizardry. When Gormlaith learned of the school, she pursued her niece in Massachusetts, where she was killed by Isolt's friend, William the Pukwudgie, with a venom-tipped arrow. The Gaunts, including Voldemort, are distantly related to Harry because they are descendants of the Peverell brothers. Reception Several people have drawn a parallel between Voldemort and some politicians.", "Reception Several people have drawn a parallel between Voldemort and some politicians. Rowling has said that Voldemort was \"a sort of\" Adolf Hitler, and that there is some parallel with Nazism in her books. Rowling also compared Voldemort to Joseph Stalin. Alfonso Cuarón, director of Harry Potter and the Prisoner of Azkaban compared Voldemort to George W. Bush and Saddam Hussein, who he said \"...have selfish interests and are very much in love with power. Also, a disregard for the environment.", "Also, a disregard for the environment. Also, a disregard for the environment. A love for manipulating people.\" Andrew Slack and the Harry Potter Alliance compare media consolidation in the US to Voldemort's regime in Deathly Hallows and its control over the Daily Prophet and other media saying that \"Once Voldemort took over every form of media in the wizarding world, Dumbledore's Army and the Order of the Phoenix formed an independent media movement called 'Potterwatch'.", "Andrew Slack and the Harry Potter Alliance compare media consolidation in the US to Voldemort's regime in Deathly Hallows and its control over the Daily Prophet and other media saying that \"Once Voldemort took over every form of media in the wizarding world, Dumbledore's Army and the Order of the Phoenix formed an independent media movement called 'Potterwatch'. Now the HP Alliance and Wizard Rock have come together to fight for a Potterwatch movement in the real world to fight back against Big VoldeMedia from further pushing out local and foreign news, minority representation, and the right to a Free Press.\"", "Now the HP Alliance and Wizard Rock have come together to fight for a Potterwatch movement in the real world to fight back against Big VoldeMedia from further pushing out local and foreign news, minority representation, and the right to a Free Press.\" Julia Turner of Slate Magazine also noted similarities between the events of Harry Potter and the Half-Blood Prince and the War on Terror. She said that Voldemort commits acts of terrorism such as destroying bridges, murdering innocents, and forcing children to kill their elders.", "She said that Voldemort commits acts of terrorism such as destroying bridges, murdering innocents, and forcing children to kill their elders. Voldemort has also been compared with other characters within fiction, for example Sauron from The Lord of the Rings; they are, during the time when the main plot takes place, seeking to recover their lost power after having been considered dead or at least no longer a threat, and are also so feared that they are sometimes unnamed.", "Voldemort has also been compared with other characters within fiction, for example Sauron from The Lord of the Rings; they are, during the time when the main plot takes place, seeking to recover their lost power after having been considered dead or at least no longer a threat, and are also so feared that they are sometimes unnamed. IGN listed Voldemort as their seventh favourite Harry Potter character, calling him \"truly frightening\".", "IGN listed Voldemort as their seventh favourite Harry Potter character, calling him \"truly frightening\". In popular culture Several campaigns have used Voldemort to compare his evil to the influence of politicians, large media and corporations. \"Lord Voldemort\" is a nickname sometimes used for Peter Mandelson. Voldemort is also a recurring theme among wizard rock bands. Voldemort Can't Stop the Rock!", "Voldemort Can't Stop the Rock! Voldemort Can't Stop the Rock! is the second album from Harry and the Potters, and the character is mentioned in songs such as \"The Dark Lord Lament\" and \"Flesh, Blood, and Bone\". Voldemort has been parodied in various venues. In The Simpsons 13th season's premiere, \"Treehouse of Horror XII\", Montgomery Burns appears as \"Lord Montymort\".", "In The Simpsons 13th season's premiere, \"Treehouse of Horror XII\", Montgomery Burns appears as \"Lord Montymort\". A parody of Voldemort appears in The Grim Adventures of Billy and Mandy as \"Lord Moldybutt\", an enemy of Nigel Planter (a parody of Harry). Voldemort also appears in the Potter Puppet Pals sketches by Neil Cicierega.", "Voldemort also appears in the Potter Puppet Pals sketches by Neil Cicierega. One of the episodes including him was the seventeenth most viewed video of all time as of 2008 and the winner for \"Best Comedy\" of the year 2007 at YouTube. \"Continuing the Magic\", an article in the 21 May 2007 issue of Time, includes mock book covers designed by author Lon Tweeten, laced with pop culture references.", "\"Continuing the Magic\", an article in the 21 May 2007 issue of Time, includes mock book covers designed by author Lon Tweeten, laced with pop culture references. One of them, the \"Dark Lord of the Dance\", shows Voldemort teaming up with Harry on Broadway. In the MAD Magazine parodies of the films, the character is called Lord Druckermort, a backwards reference to the magazine's longtime caricaturist Mort Drucker.", "In the MAD Magazine parodies of the films, the character is called Lord Druckermort, a backwards reference to the magazine's longtime caricaturist Mort Drucker. In Alan Moore's League of Extraordinary Gentlemen: 1969, a young Tom Marvolo Riddle (introduced as \"Tom\", whose middle name is a \"marvel\" and last name is a \"conundrum\") appears, and becomes the new avatar of Oliver Haddo at the story's conclusion. In A Very Potter Musical, Voldemort is played by actor Joe Walker.", "In A Very Potter Musical, Voldemort is played by actor Joe Walker. In a segment celebrating British children's literature at the 2012 Summer Olympics opening ceremony in London, an inflatable Voldemort appeared alongside other villains, The Queen of Hearts, Captain Hook, and Cruella de Vil, to haunt children's dreams, before the arrival of a group of over thirty Mary Poppins who descended with their umbrellas to defeat them.", "In a segment celebrating British children's literature at the 2012 Summer Olympics opening ceremony in London, an inflatable Voldemort appeared alongside other villains, The Queen of Hearts, Captain Hook, and Cruella de Vil, to haunt children's dreams, before the arrival of a group of over thirty Mary Poppins who descended with their umbrellas to defeat them. During the 2016 United States elections, Daniel Radcliffe was asked by Sky News journalist Craig Dillon if he would compare Donald Trump to Lord Voldemort; Radcliffe responded, \"Trump is worse\".", "During the 2016 United States elections, Daniel Radcliffe was asked by Sky News journalist Craig Dillon if he would compare Donald Trump to Lord Voldemort; Radcliffe responded, \"Trump is worse\". Voldemort appears in The Lego Batman Movie as one of the prisoners in the Phantom Zone that Joker recruits to take over Gotham City. Though Ralph Fiennes is featured in this movie as the voice of the British butler Alfred Pennyworth, he does not reprise his role as Voldemort. Instead, Voldemort is voiced by Eddie Izzard.", "Instead, Voldemort is voiced by Eddie Izzard. Instead, Voldemort is voiced by Eddie Izzard. Outside of the Harry Potter video games, Voldemort is also a playable character in Lego Dimensions, with archive audio of Fiennes' portrayal in the films used for his voiceovers. A 2018 Italian fan film titled Voldemort: Origins of the Heir depicts the story of Tom Riddle's rise to power. Voldemort appears in Space Jam: A New Legacy, in the crowd for the game between the Tune Squad and the Goon Squad.", "Voldemort appears in Space Jam: A New Legacy, in the crowd for the game between the Tune Squad and the Goon Squad. An upcoming French fan-made short-film titled The House of Gaunt - Lord Voldemort Origins explores the origin story of Voldemort and The Gaunt family.", "An upcoming French fan-made short-film titled The House of Gaunt - Lord Voldemort Origins explores the origin story of Voldemort and The Gaunt family. Notes References External links Lord Voldemort at Harry Potter Lexicon Fictional characters with disfigurements Fictional characters with immortality Fictional characters with spirit possession or body swapping abilities Fictional dictators Fictional English people Fictional hypnotists and indoctrinators Fictional illeists Fictional mass murderers Fictional necromancers Fictional offspring of rape Fictional patricides Fictional terrorists Fictional torturers Harry Potter characters Literary characters introduced in 1997 Male film villains Male literary villains Orphan characters in film Orphan characters in literature Psychopathy in fiction Film supervillains" ]

[ "Lord Voldemort", "Character development", "What was Voldermort's character like?", "Voldemort was invented as a nemesis for Harry Potter" ]

[ "Moral character or character is an analysis of an individual's steady moral qualities. The concept of character can express a variety of attributes including the presence or lack of virtues such as empathy, courage, fortitude, honesty, and loyalty, or of good behaviors or habits, these attributes are also a part of one's soft skills. Moral character primarily refers to the collection of qualities that differentiate one individual from anotheralthough on a cultural level, the group of moral behaviors to which a social group adheres can be said to unite and define it culturally as distinct from others. Psychologist Lawrence Pervin defines moral character as \"a disposition to express behavior in consistent patterns of functions across a range of situations\". Same as, the philosopher Marie I. George refers to moral character as the \"sum of one’s moral habits and dispositions\". Aristotle has said, \"we must take as a sign of states of character the pleasure or pain that ensues on acts.\"\n\nOverview\nThe word \"character\" is derived from the Ancient Greek word \"charaktêr\", referring to a mark impressed upon a coin. Later it came to mean a point by which one thing was told apart from others. There are two approaches when dealing with moral character: Normative ethics involve moral standards that exhibit right and wrong conduct. It is a test of proper behavior and determining what is right and wrong. Applied ethics involve specific and controversial issues along with a moral choice, and tend to involve situations where people are either for or against the issue.\n\nIn 1982 V. Campbell and R. Bond proposed the following as major sources in influencing character and moral development: heredity, early childhood experience, modeling by important adults and older youth, peer influence, the general physical and social environment, the communications media, the teachings of schools and other institutions, and specific situations and roles that elicit corresponding behavior.\n\nThe field of business ethics examines moral controversies relating to the social responsibilities of capitalist business practices, the moral status of corporate entities, deceptive advertising, insider trading, employee rights, job discrimination, affirmative action and drug testing.\n\nIn the military field, character is considered particularly relevant in the leadership development area. Military leaders should not only \"know\" theoretically the moral values but they must embody these values.\n\nHistory\n\nThe Stanford Encyclopedia of Philosophy provides a historical account of some important developments in philosophical approaches to moral character. A lot of attention is given to Plato, Aristotle, and Karl Marx's views, since they all follow the idea of moral character after the Greeks. Marx accepts Aristotle's insight that virtue and good character are based on a sense of self-esteem and self-confidence.\n\nPlato believed that the soul is divided into three parts of desire: Rational, Appetitive, or Spirited. In order to have moral character, we must understand what contributes to our overall good and have our spirited and appetitive desires educated properly, so that they can agree with the guidance provided by the rational part of the soul.\n\nAristotle tells us that there are good people in the world. These are those who exhibit excellences – excellences of thought and excellences of character. His phrase for excellences of character – êthikai aretai – we usually translate as moral virtue or moral excellence. When we speak of a moral virtue or an excellence of character, the emphasis is on the combination of qualities that make an individual the sort of ethically admirable person that he is. Aristotle defines virtuous character at the beginning of Book II in Nicomachean Ethics: \"Excellence of character, then, is a state concerned with choice, lying in a mean relative to us, this being determined by reason and in the way in which the man of practical wisdom would determine it. Now it is a mean between two vices, that which depends on excess and that which depends on defect”. In Aristotle's view, good character is based on two naturally occurring psychological responses that most people experience without difficulty: our tendency to take pleasure from self-realizing activity and our tendency to form friendly feelings toward others under specific circumstances. Based on his view, virtually everyone is capable of becoming better and they are the ones responsible for actions that express (or could express) their character.\n\nAbraham Lincoln once said, \"Character is like a tree and reputation like its shadow. The shadow is what we think of it; the tree is the real thing.\"\n\nIn 1919, Albert Einstein wrote in a letter to his friend, Dutch physicist Hendrik Lorentz, about his disillusionment concerning the inhumane consequences of World War I. He noted “We must remember that, on the average, men’s moral qualities do not greatly vary from country to country”.\n\nReligious views\n\nChristian character is also defined as presenting the \"Fruit of the Holy Spirit\": love, joy, peace, patience, kindness, goodness, faithfulness, gentleness and self-control. Doctrines of grace and total depravity assert that – due to original sin – mankind, entirely or in part, was unable to be good without God's intervention; otherwise at best, one could only ape good behavior for selfish reasons.\n\nScientific experiments\nIn one experiment that was done in the United States in 1985, the moral character of a person was based on whether or not a person had found a dime in a public phone booth. The findings were that 87% of subjects who found a dime in a phone booth mailed a sealed and addressed envelope that was left at the booth in an apparent mistake by someone else, while only 4% of those who did not find a dime helped. Some found it very troubling that people would be influenced by such morally trivial factors in their choice whether to provide low-cost assistance to others. John M. Doris raises the issue of ecological validity – do experimental findings reflect phenomena found in natural contexts. He recognizes that these results are counterintuitive to the way most of us think about morally relevant behavior.\n\nAnother experiment that was done that asked college students at Cornell to predict how they would behave when faced with one of several moral dilemmas, and to make the same predictions for their peers. Again and again, people predicted that they would be more generous and kind than others. Yet when put into the moral dilemma, the subjects did not behave as generously or as kindly as they had predicted. In psychological terms, the experimental subjects were successfully anticipating the base rate of moral behavior and accurately predicting how often others, in general, would be self-sacrificing.\n\nCriticism\nIn the 1990s and 2000s, a number of philosophers and social scientists began to question the very presuppositions that theories of moral character and moral character traits are based on. Due to the importance of moral character to issues in philosophy, it is unlikely that the debates over the nature of moral character will end anytime soon.\n\nSituationism can be understood as composed of three central claims:\n Non-robustness Claim: moral character traits are not consistent across a wide spectrum of trait-relevant situations. Whatever moral character traits an individual has are situation specific.\n Consistency Claim: while a person's moral character traits are relatively stable over time, this should be understood as consistency of situation specific traits, rather than robust traits.\n Fragmentation Claim: a person's moral character traits do not have the evaluative integrity suggested by the Integrity Claim. There may be considerable disunity in a person's moral character among his or her situation-specific character traits.\n\nAccording to Situationists, the empirical evidence favors their view of moral character over the Traditional View. Hugh Hartshorne and M. A. May's study of the trait of honesty among school children found no cross-situational correlation. A child may be consistently honest with his friends, but not with his parents or teachers. From this and other studies, Hartshorne and May concluded that character traits are not robust but rather \"specific functions of life situations\".\n\nThese recent challenges to the Traditional View have not gone unnoticed. Some have attempted to modify the Traditional View to insulate it from these challenges, while others have tried to show how these challenges fail to undermine the Traditional View at all. For example, Dana Nelkin (2005), Christian Miller (2003), Gopal Sreenivasan (2002), and John Sabini and Maury Silver (2005), among others, have argued that the empirical evidence cited by the Situationists does not show that individuals lack robust character traits.\n\nA second challenge to the traditional view can be found in the idea of moral luck. This idea is that moral luck occurs when the moral judgment of an agent depends on factors beyond the agent's control. Fiery Cushman clarifies that this is judgement of an outcome comprising both the agent's character and an unanticipated circumstance, rather than an agent's intent. There are number of ways that moral luck can motivate criticisms of moral character. It is similar to \"the kind of problems and situations one faces\" If all of an agent's moral character traits are situation-specific rather than robust, what traits an agent manifests will depend on the situation that she finds herself in. But what situations an agent finds herself in is often beyond her control and thus a matter of situational luck. Whether moral character traits are robust or situation-specific, some have suggested that what character traits one has is itself a matter of luck. If our having certain traits is itself a matter of luck, this would seem to undermine one's moral responsibility for one's moral character, and thus the concept of moral character altogether. As Owen Flanagan and Amélie Oksenberg Rorty write:\n\nA moral character trait is a character trait for which the agent is morally responsible. If moral responsibility is impossible, however, then agents cannot be held responsible, depending on age, for their character traits or for the behaviors that they do as a result of those character traits.\n\nA similar argument has also recently been advocated by Bruce Waller. According to Waller, no one is \"morally responsible for her character or deliberative powers, or for the results that flow from them.… Given the fact that she was shaped to have such characteristics by environmental (or evolutionary) forces far beyond her control, she deserves no blame [nor praise]\".\n\nSee also\n\n Character education\n Ethics\n Moral enhancement\n Moral identity\n Moral psychology\n\nReferences\n\nBibliography\n Blum, Lawrence (2003). \"Review of Doris's Lack of Character\", Notre Dame Philosophical Reviews.\n Homiak, Marcia (2008). \"Moral Character\", The Stanford Encyclopedia of Philosophy (Fall Edition), Edward N. Zalta (ed.).\n Huitt, William (2004). \n Pervin, Lawrence (1994). \"A Critical Analysis of Current Trait Theory\", Psychological Inquiry 5, pp. 103–113.\n\nExternal links\n \n\nCharacter\nMoral psychology\nChristian ethics\nVirtue ethics\nLeadership", "Character orientation is how people relate to the world by acquiring and using things (assimilation) and by relating to self and others (socialization), and they can do so either nonproductively or productively. Erich Fromm is a theorist who came up with six different character orientations; Receptive, Exploitative, Hoarding, Necrophilous, Marketing and Productive.\n\nHistory \nGerman-American psychoanalyst Erich Fromm was influenced by Freudian ideologies when coming up with the theory of character orientation. The basis of character orientation comes from Freud who said that character traits underlie behavior and that they must be inferred from it. These character traits can be powerful forces which are totally unconscious to the person. Fromm along with Freud believed that the most important aspect in one's character was not a single character trait, but rather, the total character organization from where many single character traits follow. These character traits can be understood as a syndrome resulting from a particular character orientation. In other words, the character of any given person is a blend of all, or some of the orientations, but where one is more predominant.\n\nNonproductive orientation\n\nReceptive orientation\nThey receive satisfaction from outside factors, and thus they passively wait for others to provide them with things that they need. For example, they want someone to provide them with love and attention. They are not the ones to give these things away and often lose loved ones who are close to them because of their inabilities to talk about their feelings or troubles. They find it hard to let go of past issues, often trivial, and develop a feeling of a secure present and future. They tend to see minor, innocent things as a threat to their security with a spouse or loved one. A receptive person is known for his huge lack of creativity.\n\nExploitative orientation\nExploitative-oriented people aggressively take what they want rather than passively receiving it. These types of people do whatever they can to get what they want; even if it includes stealing, or snatching something away from somebody else just to get it.\n\nHoarding orientation\nHoarding-oriented people save what they already have obtained, including their opinions, feelings, and material possessions. It may be love, power, or someone’s time.\n\nMarketing orientation\nPeople who are marketing orientated see themselves as commodities and value themselves against the criterion of their ability to sell themselves. They have fewer positive qualities than the other orientations because they are essentially empty.\n\nNecrophilous orientation\nConcerning this, Fromm wrote:\nThe capacity for the attraction to death is one which is given in any human being if he fails in development of what I would call his primary potentiality, namely to be related to life as something which is interesting, something which is joyful, or to develop his powers of love and reason. If all of these things remain incomplete, then man is prone to develop another form of relatedness, that of destroying life.\n\nProductive orientation\nThere is a healthy personality as well, which Erich Fromm occasionally refers to as \"the person without a mask\". This is the type of person who, without disavowing his or her biological and social nature, does not avoid freedom and responsibility. This person most likely comes out of a family that loves, which prefers reason to rules, and freedom to conformity.\n\nSee also\n Erich Fromm\n Personality\n\nReferences\n\nExternal links \nBoeree, C. George. Personality Theories: Erich Fromm 1997, 2006.\nFromm, E. (1947). Man For Himself. Canada:Holt, Rinehart, and Winston of Canada Limited.\n (Fromm online)\n\nPersonality traits" ]

[ "Lord Voldemort (, in the films) is a sobriquet for Tom Marvolo Riddle, a character and the main antagonist in J. K. Rowling's series of Harry Potter novels. The character first appeared in Harry Potter and the Philosopher's Stone, which was published in 1997, and returned either in person or in flashbacks in each book and its film adaptation in the series except the third, Harry Potter and the Prisoner of Azkaban, in which he is only mentioned.", "The character first appeared in Harry Potter and the Philosopher's Stone, which was published in 1997, and returned either in person or in flashbacks in each book and its film adaptation in the series except the third, Harry Potter and the Prisoner of Azkaban, in which he is only mentioned. Voldemort is the archenemy of Harry Potter, who according to a prophecy has \"the power to vanquish the Dark Lord\".", "Voldemort is the archenemy of Harry Potter, who according to a prophecy has \"the power to vanquish the Dark Lord\". He attempts to murder the boy, but instead kills his parents, Lily and James Potter, and leaves Harry with a scar on his forehead in the shape of a lightning bolt. Nearly every witch or wizard dares not utter his name and refers to him instead with such monikers as \"You-Know-Who\", \"He Who Must Not Be Named\", or \"the Dark Lord\".", "Nearly every witch or wizard dares not utter his name and refers to him instead with such monikers as \"You-Know-Who\", \"He Who Must Not Be Named\", or \"the Dark Lord\". Voldemort's obsession with blood purity signifies his aim to rid the wizarding world of Muggle (non-magical) heritage and to conquer both worlds, Muggle and wizarding, to achieve pure-blood dominance.", "Voldemort's obsession with blood purity signifies his aim to rid the wizarding world of Muggle (non-magical) heritage and to conquer both worlds, Muggle and wizarding, to achieve pure-blood dominance. Through his mother's family, he is the last descendant of the wizard Salazar Slytherin, one of the four founders of Hogwarts School of Witchcraft and Wizardry. He is the leader of the Death Eaters, a group of evil wizards and witches dedicated to ridding the Wizarding World of Muggles and establishing Voldemort as its supreme ruler.", "He is the leader of the Death Eaters, a group of evil wizards and witches dedicated to ridding the Wizarding World of Muggles and establishing Voldemort as its supreme ruler. Character development In a 1999 interview, Rowling said Voldemort was invented as a nemesis for Harry Potter, and she intentionally did not flesh out Voldemort's backstory at first.", "Character development In a 1999 interview, Rowling said Voldemort was invented as a nemesis for Harry Potter, and she intentionally did not flesh out Voldemort's backstory at first. \"The basic idea [was that Harry] didn't know he was a wizard ... And so then I kind of worked backwards from that position to find out how that could be, that he wouldn't know what he was. ... When he was one year old, the most evil wizard for hundreds and hundreds of years attempted to kill him.", "When he was one year old, the most evil wizard for hundreds and hundreds of years attempted to kill him. He killed Harry's parents, and then he tried to kill Harry—he tried to curse him. ... Harry has to find out, before we find out. And—so—but for some mysterious reason the curse didn't work on Harry. So he's left with this lightning bolt-shaped scar on his forehead and the curse rebounded upon the evil wizard, who has been in hiding ever since.\"", "So he's left with this lightning bolt-shaped scar on his forehead and the curse rebounded upon the evil wizard, who has been in hiding ever since.\" In the second book, Rowling establishes that Voldemort hates non-pure-blood wizards, despite being a half-blood himself.", "In the second book, Rowling establishes that Voldemort hates non-pure-blood wizards, despite being a half-blood himself. In a 2000 interview with the BBC, Rowling described Voldemort as a self-hating bully: \"Well I think it is often the case that the biggest bullies take what they know to be their own defects, as they see it, and they put them right on someone else and then they try and destroy the other and that's what Voldemort does.\" In the same year, Rowling became more precise about Voldemort.", "In the same year, Rowling became more precise about Voldemort. She began to link him to real-life tyrants, describing him as \"a raging psychopath, devoid of the normal human responses to other people's suffering\". In 2004, though, Rowling said that she did not base Voldemort on any real person. In 2006, Rowling told an interviewer that Voldemort at his core has a human fear: the fear of death. She said: \"Voldemort's fear is death, ignominious death.", "She said: \"Voldemort's fear is death, ignominious death. I mean, he regards death itself as ignominious. He thinks that it's a shameful human weakness, as you know. His worst fear is death.\" Throughout the series, Rowling establishes that Voldemort is so feared in the wizarding world that it is considered dangerous even to speak his name. Most characters in the novels refer to him as \"You-Know-Who\" or \"He-Who-Must-Not-Be-Named\" rather than say his name aloud.", "Most characters in the novels refer to him as \"You-Know-Who\" or \"He-Who-Must-Not-Be-Named\" rather than say his name aloud. In Harry Potter and the Deathly Hallows, a \"taboo\" spell is placed upon the name, such that Voldemort or his followers may trace anyone who utters it. By this means, his followers eventually find and capture Harry and his friends Ron Weasley and Hermione Granger.", "By this means, his followers eventually find and capture Harry and his friends Ron Weasley and Hermione Granger. In the second book, Rowling reveals that I am Lord Voldemort is an anagram of the character's birth name, Tom Marvolo Riddle. According to the author, Voldemort's name is an invented word. The name Voldemort is derived from the French vol de mort which means \"flight of death\" or \"theft of death\".", "The name Voldemort is derived from the French vol de mort which means \"flight of death\" or \"theft of death\". Appearances Harry Potter and the Philosopher's Stone Voldemort makes his debut in Harry Potter and the Philosopher's Stone. In this story, Rowling introduces him as the Dark Lord who tried to kill Harry Potter because the boy was prophesied to destroy him.", "In this story, Rowling introduces him as the Dark Lord who tried to kill Harry Potter because the boy was prophesied to destroy him. Voldemort murdered Harry's parents, James and Lily, but as a result of his mother's love and willingness to sacrifice herself for him, baby Harry survived when Voldemort tried to murder him with a Killing Curse. Voldemort was disembodied, and Harry was left with a mysterious, lightning bolt-shaped scar on his forehead as a result.", "Voldemort was disembodied, and Harry was left with a mysterious, lightning bolt-shaped scar on his forehead as a result. In the book, Voldemort unsuccessfully tries to regain his dissolved body by stealing the titular Philosopher's Stone. To achieve his objective, Voldemort uses Professor Quirrell's aid by latching onto the back of the latter's head. However, at the climax of the book, Harry manages to prevent Voldemort from stealing the stone.", "However, at the climax of the book, Harry manages to prevent Voldemort from stealing the stone. Harry Potter and the Chamber of Secrets In the second instalment, Harry Potter and the Chamber of Secrets, Rowling introduces Tom Marvolo Riddle, a manifestation of a teenage Voldemort that resides inside a magical diary found by Ginny Weasley. In this book, Ginny is written as a shy girl with a crush on Harry.", "In this book, Ginny is written as a shy girl with a crush on Harry. Feeling anxious and lonely, she begins to write into the diary and shares her deepest fears with the sympathetic Tom. However, at the climax of the story, when Riddle rearranges the letters in his name to write \"I am Lord Voldemort\", Riddle is revealed as a magical manifestation of the boy who would later grow up to become the Dark Lord.", "However, at the climax of the story, when Riddle rearranges the letters in his name to write \"I am Lord Voldemort\", Riddle is revealed as a magical manifestation of the boy who would later grow up to become the Dark Lord. Riddle states he has grown strong on Ginny's fears and eventually possesses her, using her as a pawn to unlock the Chamber of Secrets, whence a basilisk is set free and petrifies several Hogwarts students. Harry defeats the manifestation of Riddle from the diary and the basilisk.", "Harry defeats the manifestation of Riddle from the diary and the basilisk. In Harry Potter and the Half-Blood Prince, Albus Dumbledore reveals to Harry that the diary was one of Voldemort's Horcruxes. Harry Potter and the Prisoner of Azkaban Voldemort does not appear in the third book, Harry Potter and the Prisoner of Azkaban, either in person or as a magical manifestation. He is, however, heard when Harry passes out from the harsh effects of a Dementor.", "He is, however, heard when Harry passes out from the harsh effects of a Dementor. Towards the end of the story, Sybill Trelawney, the Divination professor, makes a rare genuine prophecy: \"The Dark Lord lies alone and friendless, abandoned by his followers. His servant has been chained these twelve years. Tonight, before midnight, the servant will break free and set out to rejoin his master. The Dark Lord will rise again with his servant's aid, greater and more terrible than ever before.", "The Dark Lord will rise again with his servant's aid, greater and more terrible than ever before. Tonight... before midnight... the servant... will set out... to rejoin... his master...\" Though it is initially implied that the prophecy refers to Sirius Black, the book's ostensible antagonist, the servant is eventually revealed to be Peter Pettigrew, who, for the 12 years since Voldemort's fall, has been disguised as Ron's pet rat, Scabbers.", "Tonight... before midnight... the servant... will set out... to rejoin... his master...\" Though it is initially implied that the prophecy refers to Sirius Black, the book's ostensible antagonist, the servant is eventually revealed to be Peter Pettigrew, who, for the 12 years since Voldemort's fall, has been disguised as Ron's pet rat, Scabbers. Harry Potter and the Goblet of Fire In the fourth instalment of the series, Harry Potter and the Goblet of Fire, Voldemort reappears at the start and the climax of the book.", "Harry Potter and the Goblet of Fire In the fourth instalment of the series, Harry Potter and the Goblet of Fire, Voldemort reappears at the start and the climax of the book. Rowling lets many seemingly unrelated plot elements fall into order. It is revealed that Voldemort's minion Barty Crouch Jr, disguised as Hogwarts professor Mad-Eye Moody, has manipulated the events of the Triwizard Tournament in Harry's favour.", "It is revealed that Voldemort's minion Barty Crouch Jr, disguised as Hogwarts professor Mad-Eye Moody, has manipulated the events of the Triwizard Tournament in Harry's favour. Voldemort's goal is to teleport Harry under Dumbledore's watch as a reluctant participant to the Little Hangleton graveyard, where the Riddle family is buried. Harry is captured and, after Pettigrew uses Harry's blood to fulfil a gruesome magical ritual, Voldemort regains his body and is restored to his full power.", "Harry is captured and, after Pettigrew uses Harry's blood to fulfil a gruesome magical ritual, Voldemort regains his body and is restored to his full power. For the first time in the series, Rowling describes his appearance: \"tall and skeletally thin\", with a face \"whiter than a skull, with wide, livid scarlet eyes and a nose that was as flat as a snake's with slits for nostrils\".", "For the first time in the series, Rowling describes his appearance: \"tall and skeletally thin\", with a face \"whiter than a skull, with wide, livid scarlet eyes and a nose that was as flat as a snake's with slits for nostrils\". Rowling writes that his \"hands were like large, pale spiders; his long white fingers caressed his own chest, his arms, his face; the red eyes, whose pupils were slits, like a cat's, gleamed still more brightly through the darkness\".", "Rowling writes that his \"hands were like large, pale spiders; his long white fingers caressed his own chest, his arms, his face; the red eyes, whose pupils were slits, like a cat's, gleamed still more brightly through the darkness\". It was revealed that, while in Albania, Pettigrew had captured the Ministry of Magic official Bertha Jorkins, who was tortured for information about the Ministry.", "It was revealed that, while in Albania, Pettigrew had captured the Ministry of Magic official Bertha Jorkins, who was tortured for information about the Ministry. After they learned that Barty Crouch Jr, a faithful Death Eater, had been smuggled out of Azkaban and was privately confined at his father's house, they killed her. With Pettigrew's help, Voldemort creates a small, rudimentary body, corporeal enough to travel and perform magic, and formulated a plan to restore his own body by capturing Harry.", "With Pettigrew's help, Voldemort creates a small, rudimentary body, corporeal enough to travel and perform magic, and formulated a plan to restore his own body by capturing Harry. A portion of the plan had been overheard by Frank Bryce, a gardener, whom Voldemort then killed. Voldemort then completes his plan and returns to life in his full body as a result of the ritual with Harry's blood.", "Voldemort then completes his plan and returns to life in his full body as a result of the ritual with Harry's blood. He then summons his Death Eaters to the graveyard to witness the death of Harry as he challenges Harry to a duel. However, when Voldemort duels Harry, their wands become magically locked together due to the twin Phoenix feather cores of the wands.", "However, when Voldemort duels Harry, their wands become magically locked together due to the twin Phoenix feather cores of the wands. Because of a phenomenon later revealed as Priori Incantatem, ghost-like manifestations of Voldemort's most recent victims (including Harry's parents) then appear and distract Voldemort, allowing Harry just enough time to escape via Portkey with the body of fellow-student, Cedric Diggory, who was murdered by Pettigrew on Voldemort's orders.", "Because of a phenomenon later revealed as Priori Incantatem, ghost-like manifestations of Voldemort's most recent victims (including Harry's parents) then appear and distract Voldemort, allowing Harry just enough time to escape via Portkey with the body of fellow-student, Cedric Diggory, who was murdered by Pettigrew on Voldemort's orders. Harry Potter and the Order of the Phoenix Voldemort appears at the climax of the fifth book, Harry Potter and the Order of the Phoenix, having again plotted against Harry.", "Harry Potter and the Order of the Phoenix Voldemort appears at the climax of the fifth book, Harry Potter and the Order of the Phoenix, having again plotted against Harry. In this book, Harry goes through extreme emotional stress, and according to Rowling, it was necessary to prove that Harry is emotionally vulnerable and thus human, in contrast to his nemesis Voldemort, who is emotionally invulnerable and thus inhuman: \"[Harry is] a very human hero, and this is, obviously, there's a contrast, between him, as a very human hero, and Voldemort, who has deliberately dehumanised himself.", "In this book, Harry goes through extreme emotional stress, and according to Rowling, it was necessary to prove that Harry is emotionally vulnerable and thus human, in contrast to his nemesis Voldemort, who is emotionally invulnerable and thus inhuman: \"[Harry is] a very human hero, and this is, obviously, there's a contrast, between him, as a very human hero, and Voldemort, who has deliberately dehumanised himself. […] and Harry, therefore, did have to reach a point where he did almost break down.\"", "[…] and Harry, therefore, did have to reach a point where he did almost break down.\" In this book, Voldemort makes liberal use of the Ministry of Magic's refusal to believe that he has returned. Voldemort engineers a plot to free Bellatrix Lestrange and other Death Eaters from Azkaban and then embarks on a scheme to retrieve the full record of a prophecy stored in the Department of Mysteries regarding Harry and himself.", "Voldemort engineers a plot to free Bellatrix Lestrange and other Death Eaters from Azkaban and then embarks on a scheme to retrieve the full record of a prophecy stored in the Department of Mysteries regarding Harry and himself. He sends a group of Death Eaters to retrieve the prophecy, where the Order of the Phoenix meets them. All but Bellatrix are captured, and Voldemort engages in a ferocious duel with Dumbledore.", "All but Bellatrix are captured, and Voldemort engages in a ferocious duel with Dumbledore. When Dumbledore gets the upper hand, Voldemort attempts to possess Harry but finds that he cannot; Harry is too full of that which Voldemort finds incomprehensible, and which he detests as weakness: love. Sensing that Dumbledore could win, Voldemort disapparates, but not before the Minister for Magic sees him in person, making his return to life public knowledge in the next book.", "Sensing that Dumbledore could win, Voldemort disapparates, but not before the Minister for Magic sees him in person, making his return to life public knowledge in the next book. Harry Potter and the Half-Blood Prince Voldemort does not appear in Harry Potter and the Half-Blood Prince, although his presence and actions are felt: he once again declares war, and begins to rise to power once more.", "Harry Potter and the Half-Blood Prince Voldemort does not appear in Harry Potter and the Half-Blood Prince, although his presence and actions are felt: he once again declares war, and begins to rise to power once more. He murders Amelia Bones of the Department of Magical Law Enforcement, and begins to target members of the Order of the Phoenix, including Emmeline Vance. Rowling uses several chapters as exposition to establish Voldemort's backstory.", "Rowling uses several chapters as exposition to establish Voldemort's backstory. In a series of flashbacks, using the pensieve as a plot device, she reveals that Voldemort was the son of the witch Merope Gaunt and a Muggle called Tom Riddle. Riddle abandoned Merope before their child's birth, soon after which Merope died. After living in an orphanage, young Riddle met Dumbledore, who told him he was a wizard and arranged for him to attend Hogwarts.", "After living in an orphanage, young Riddle met Dumbledore, who told him he was a wizard and arranged for him to attend Hogwarts. Riddle was outwardly a model student, but was in reality a psychopath who took sadistic pleasure in using his powers to harm and control people. He eventually murdered his father and grandparents as revenge for abandoning him. The book also discusses Riddle's hatred of Muggles, his obsession with Horcruxes, and his desire to split his soul to achieve immortality.", "The book also discusses Riddle's hatred of Muggles, his obsession with Horcruxes, and his desire to split his soul to achieve immortality. Rowling stated Voldemort's conception under the influence of a love potion symbolises the coercive circumstances under which he was brought into the world. In the main plot of the book, Voldemort's next step is to engineer an assault on Hogwarts, and to kill Dumbledore.", "In the main plot of the book, Voldemort's next step is to engineer an assault on Hogwarts, and to kill Dumbledore. This is accomplished by Draco Malfoy, who arranges transportation of Death Eaters into Hogwarts by a pair of Vanishing Cabinets, which bypass the extensive protective enchantments placed around the school. The cabinets allow Voldemort's Death Eaters to enter Hogwarts, where battle commences and Dumbledore is cornered.", "The cabinets allow Voldemort's Death Eaters to enter Hogwarts, where battle commences and Dumbledore is cornered. Hogwarts professor (and re-doubled agent) Severus Snape uses the Killing Curse against Dumbledore when Draco could not force himself to do so. Harry Potter and the Deathly Hallows In Harry Potter and the Deathly Hallows, Voldemort furthers his quest for ultimate power. He disposes of the Minister for Magic and replaces him with Pius Thicknesse, who is under the Imperius Curse.", "He disposes of the Minister for Magic and replaces him with Pius Thicknesse, who is under the Imperius Curse. Establishing a totalitarian police state, he has Muggle-borns persecuted and arrested for \"stealing magic\" from the \"pure blood\" wizards.", "Establishing a totalitarian police state, he has Muggle-borns persecuted and arrested for \"stealing magic\" from the \"pure blood\" wizards. After failing to kill Harry with Draco's father Lucius Malfoy's borrowed wand (to avoid the effect of Priori Incantatem), he goes on a murderous search for the Elder Wand, the most powerful wand ever created, seeing it as the weapon he needs to overcome Harry's wand and make him truly invincible.", "After failing to kill Harry with Draco's father Lucius Malfoy's borrowed wand (to avoid the effect of Priori Incantatem), he goes on a murderous search for the Elder Wand, the most powerful wand ever created, seeing it as the weapon he needs to overcome Harry's wand and make him truly invincible. He goes on a quest that takes him out of the country to Gregorovitch's wand shop, where he kills the old wandmaker.", "He goes on a quest that takes him out of the country to Gregorovitch's wand shop, where he kills the old wandmaker. His journey also takes him to Nurmengard, the prison where Gellert Grindelwald is kept, and he kills Grindelwald as well. He finally locates the Elder Wand and steals it from Dumbledore's tomb. Later, Voldemort finds out that Harry and his friends are hunting and destroying his Horcruxes when informed of their heist on the Lestranges' vault at Gringotts in search for Hufflepuff's Cup.", "Later, Voldemort finds out that Harry and his friends are hunting and destroying his Horcruxes when informed of their heist on the Lestranges' vault at Gringotts in search for Hufflepuff's Cup. After offering the occupants of Hogwarts mercy if they give up Harry, he assembles a large army and launches an invasion of the castle, where Harry is searching for Ravenclaw's Diadem. Voldemort orders his pet snake Nagini to execute Snape, believing it would make him the true master of the Elder Wand, since Snape killed Dumbledore.", "Voldemort orders his pet snake Nagini to execute Snape, believing it would make him the true master of the Elder Wand, since Snape killed Dumbledore. He then calls an hour's armistice, in exchange for Harry. When Harry willingly walks into Voldemort's camp in the Forbidden Forest, Voldemort strikes him down with the Elder Wand.", "When Harry willingly walks into Voldemort's camp in the Forbidden Forest, Voldemort strikes him down with the Elder Wand. However, the use of Harry's blood to resurrect Voldemort's body proves to be a major setback: while Harry's blood runs in Voldemort's veins, Harry cannot be killed as his mother's protection lives on now in Voldemort too. Instead, Voldemort destroys the part of his own soul that resides in Harry's body.", "Instead, Voldemort destroys the part of his own soul that resides in Harry's body. Voldemort forces Rubeus Hagrid to carry Harry's apparently lifeless body back to the castle as a trophy, sparking another battle during which Nagini, his last Horcrux, is destroyed by Neville Longbottom. The battle then moves into the Great Hall, where Voldemort fights Minerva McGonagall, Kingsley Shacklebolt, and Horace Slughorn simultaneously.", "The battle then moves into the Great Hall, where Voldemort fights Minerva McGonagall, Kingsley Shacklebolt, and Horace Slughorn simultaneously. Harry then reveals himself and explains to Voldemort that Draco became the true master of the Elder Wand when he disarmed Dumbledore; Harry, in turn, won the wand's allegiance when he took Draco's wand.", "Harry then reveals himself and explains to Voldemort that Draco became the true master of the Elder Wand when he disarmed Dumbledore; Harry, in turn, won the wand's allegiance when he took Draco's wand. Refusing to believe this, Voldemort casts the Killing Curse with the Elder Wand while Harry uses a Disarming Charm with Draco's, but the Elder Wand refuses to kill its master and the spell rebounds on Voldemort who, with all of his Horcruxes destroyed, finally dies.", "Refusing to believe this, Voldemort casts the Killing Curse with the Elder Wand while Harry uses a Disarming Charm with Draco's, but the Elder Wand refuses to kill its master and the spell rebounds on Voldemort who, with all of his Horcruxes destroyed, finally dies. His body is laid in a different chamber from all the others who died battling him.", "His body is laid in a different chamber from all the others who died battling him. Rowling stated that after his death, Voldemort is forced to exist in the stunted infant-like form that Harry sees in the King's Cross-like Limbo after his confrontation with Voldemort in the Forbidden Forest. Rowling also mentioned that, despite his extreme fear of death, he cannot become a ghost.", "Rowling also mentioned that, despite his extreme fear of death, he cannot become a ghost. Appearances in other material In Harry Potter and the Cursed Child, it is revealed that Bellatrix gave birth to Voldemort's daughter Delphi in Malfoy Manor before the Battle of Hogwarts.", "Appearances in other material In Harry Potter and the Cursed Child, it is revealed that Bellatrix gave birth to Voldemort's daughter Delphi in Malfoy Manor before the Battle of Hogwarts. Twenty-two years later, Delphi poses as Cedric's cousin and manipulates Harry and Ginny's second son Albus Severus Potter and his friend, Draco and Astoria Greengrass's son Scorpius Malfoy, into stealing a prototype Time Turner with which she hopes to resurrect her father.", "Twenty-two years later, Delphi poses as Cedric's cousin and manipulates Harry and Ginny's second son Albus Severus Potter and his friend, Draco and Astoria Greengrass's son Scorpius Malfoy, into stealing a prototype Time Turner with which she hopes to resurrect her father. Using the Time Turner, Scorpius accidentally creates an alternative timeline where Voldemort killed Harry at the battle and now rules the wizarding world.", "Using the Time Turner, Scorpius accidentally creates an alternative timeline where Voldemort killed Harry at the battle and now rules the wizarding world. In an attempt to achieve this future, Delphi travels to Godric's Hollow on the night Voldemort killed Harry's parents, hoping to avert the prophecy that led to her father's downfall.", "In an attempt to achieve this future, Delphi travels to Godric's Hollow on the night Voldemort killed Harry's parents, hoping to avert the prophecy that led to her father's downfall. After receiving a message from his son, Harry, together with Ron, Hermione and Draco (who by now has become friends with Harry after they join forces to save their respective sons) transfigures himself into Voldemort so that he can distract Delphi, allowing them to overpower her.", "After receiving a message from his son, Harry, together with Ron, Hermione and Draco (who by now has become friends with Harry after they join forces to save their respective sons) transfigures himself into Voldemort so that he can distract Delphi, allowing them to overpower her. The real Voldemort kills Harry's parents as prophesied, and Delphi is sent to Azkaban. Portrayals within films Voldemort appears in every Harry Potter film, with the exception of Harry Potter and the Prisoner of Azkaban.", "Portrayals within films Voldemort appears in every Harry Potter film, with the exception of Harry Potter and the Prisoner of Azkaban. Several actors have portrayed him in his varying incarnations and ages. In Harry Potter and the Philosopher's Stone, Voldemort's manifestation is as a face on the back of Quirrell's head, an effect achieved by computer generated imagery. Ian Hart, the actor who played Quirrell in the same film, provided the voice and the facial source for this character.", "Ian Hart, the actor who played Quirrell in the same film, provided the voice and the facial source for this character. Voldemort also appears in a scene in the Forbidden Forest where he is seen drinking the blood of a unicorn. As Voldemort's face was altered enough by CG work, and Hart's voice was affected enough, there was no confusion by Hart's playing of the two roles.", "As Voldemort's face was altered enough by CG work, and Hart's voice was affected enough, there was no confusion by Hart's playing of the two roles. In that film, he was also shown in a flashback sequence when he arrived at the home of James and Lily Potter to kill them. In this scene Voldemort is played by Richard Bremmer, though his face is never seen.", "In this scene Voldemort is played by Richard Bremmer, though his face is never seen. His next appearance would be in Harry Potter and the Chamber of Secrets as the 16-year-old Tom Marvolo Riddle (portrayed by Christian Coulson). In Harry Potter and the Goblet of Fire, Voldemort is initially only heard, possessing the scratchy, weak voice heard in the first film. By the film's climax, however, he appears in his physical form for the first time, played by Ralph Fiennes.", "By the film's climax, however, he appears in his physical form for the first time, played by Ralph Fiennes. As in the book, Voldemort is shown clad in dark black robes, being tall and emaciated, with no hair and yellowish teeth; his wand has a white tone and the handle appears to be made of bone; his finger nails are long and pale blue while his toe nails appear to be infected.", "As in the book, Voldemort is shown clad in dark black robes, being tall and emaciated, with no hair and yellowish teeth; his wand has a white tone and the handle appears to be made of bone; his finger nails are long and pale blue while his toe nails appear to be infected. Unlike in the book, his pupils are not cat-like and his eyes are blue, because producer David Heyman felt that his evil would not be able to be seen and would not fill the audience with fear (his eyes do briefly take on a snake-like appearance when he opens them after turning human, but quickly turn normal).", "Unlike in the book, his pupils are not cat-like and his eyes are blue, because producer David Heyman felt that his evil would not be able to be seen and would not fill the audience with fear (his eyes do briefly take on a snake-like appearance when he opens them after turning human, but quickly turn normal). As in the book, the film version of Voldemort has snake-like slit nostrils with the flesh of his nose significantly pressed back.", "As in the book, the film version of Voldemort has snake-like slit nostrils with the flesh of his nose significantly pressed back. Ralph Fiennes' nose was not covered in makeup on the set, but was digitally removed in post-production. In this first appearance, Voldemort also has a forked tongue, but this element was removed for the subsequent films. Fiennes stated that he had two weeks to shoot the climactic showdown scene where he is gloating over a terrified Harry, played by Daniel Radcliffe.", "Fiennes stated that he had two weeks to shoot the climactic showdown scene where he is gloating over a terrified Harry, played by Daniel Radcliffe. Fiennes said with a chuckle: \"I have no doubt children will be afraid of me now if they weren't before.\"", "Fiennes said with a chuckle: \"I have no doubt children will be afraid of me now if they weren't before.\" In preparation, he read the novel Goblet of Fire, but jokingly conceded: \"I was only interested in my scene, and I had to go through thousands and thousands of other scenes which I did, dutifully, until I got to my scene and I read it many, many, many, many, many times and that was my research.\"", "In preparation, he read the novel Goblet of Fire, but jokingly conceded: \"I was only interested in my scene, and I had to go through thousands and thousands of other scenes which I did, dutifully, until I got to my scene and I read it many, many, many, many, many times and that was my research.\" Fiennes reprised his role as Voldemort in Harry Potter and the Order of the Phoenix and Harry Potter and the Deathly Hallows – Part 1 and Part 2.", "Fiennes reprised his role as Voldemort in Harry Potter and the Order of the Phoenix and Harry Potter and the Deathly Hallows – Part 1 and Part 2. Fiennes's nephew, Hero Fiennes-Tiffin, portrayed Tom Riddle as a child in Harry Potter and the Half-Blood Prince. By the time filming arrived Christian Coulson was 29, and not considered suitable to return as the adolescent Riddle. Thomas James Longley was originally scheduled to take over the role, but last minute renegotiations saw Frank Dillane cast instead.", "Thomas James Longley was originally scheduled to take over the role, but last minute renegotiations saw Frank Dillane cast instead. Characterisation Outward appearance After he regains his body in the fourth book, Rowling describes Voldemort as having pale skin, a chalk-white, skull-like face, snake-like slits for nostrils, red eyes and cat-like slits for pupils, a skeletally thin body and long, thin hands with unnaturally long fingers. As mentioned in the first chapter of the seventh book, he also has no hair or lips.", "As mentioned in the first chapter of the seventh book, he also has no hair or lips. Earlier in life, as seen through flashbacks contained in the second and sixth books, Tom Marvolo Riddle was handsome and tall with pale skin, jet black hair, and dark brown eyes. He could charm many people with his looks. The transformation into his monstrous state is believed to have been the result of creating his Horcruxes and becoming less human as he continued to divide his soul.", "The transformation into his monstrous state is believed to have been the result of creating his Horcruxes and becoming less human as he continued to divide his soul. In the films, Voldemort's eyes are blue with round pupils. Personality Rowling described Voldemort as \"the most evil wizard for hundreds and hundreds of years\". She elaborated that he is a \"raging psychopath, devoid of the normal human responses to other people's suffering\", and whose only ambition in life is to become all-powerful and immortal.", "She elaborated that he is a \"raging psychopath, devoid of the normal human responses to other people's suffering\", and whose only ambition in life is to become all-powerful and immortal. He is also a sadist who hurts and murders people—especially Muggles—for his own amusement. He has no conscience, feels no remorse or empathy, and does not recognise the worth and humanity of anybody except himself. He feels no need for human companionship or friendship, and cannot comprehend love or affection for another.", "He feels no need for human companionship or friendship, and cannot comprehend love or affection for another. He believes he is superior to everyone around him, to the point that he frequently refers to himself in the third person as \"Lord Voldemort\". Rowling also stated that Voldemort is \"incredibly power hungry. Racist, really\", and that if Voldemort were to look into the Mirror of Erised, in which one sees one's greatest desire, he would see \"Himself, all-powerful and eternal.", "Racist, really\", and that if Voldemort were to look into the Mirror of Erised, in which one sees one's greatest desire, he would see \"Himself, all-powerful and eternal. That's what he wants.\"", "That's what he wants.\" That's what he wants.\" Rowling also stated that Voldemort's conception by influence of Amortentia—a love potion administered by his mother, a witch named Merope Gaunt, to the Muggle Tom Riddle—is related to his inability to understand love; it is \"a symbolic way of showing that he came from a loveless union—but of course, everything would have changed if Merope had survived and raised him herself and loved him.", "Rowling also stated that Voldemort's conception by influence of Amortentia—a love potion administered by his mother, a witch named Merope Gaunt, to the Muggle Tom Riddle—is related to his inability to understand love; it is \"a symbolic way of showing that he came from a loveless union—but of course, everything would have changed if Merope had survived and raised him herself and loved him. The enchantment under which Tom Riddle fathered Voldemort is important because it shows coercion, and there can't be many more prejudicial ways to enter the world than as the result of such a union\".", "The enchantment under which Tom Riddle fathered Voldemort is important because it shows coercion, and there can't be many more prejudicial ways to enter the world than as the result of such a union\". Like most archetypical villains, Voldemort's arrogance leads to his downfall. He also suffers from a pathological fear of death, which he regards as a shameful and ignominious human weakness. According to Rowling, his Boggart would be his own corpse.", "According to Rowling, his Boggart would be his own corpse. Rowling also said that the difference between Harry and Voldemort is that Harry accepts mortality, and thus Harry is, in the end, stronger than his nemesis. Magical abilities and skills Rowling establishes Voldemort throughout the series as an extremely powerful, intelligent, and ruthless dark wizard, described as the greatest and most powerful Dark Wizard of all time.", "Magical abilities and skills Rowling establishes Voldemort throughout the series as an extremely powerful, intelligent, and ruthless dark wizard, described as the greatest and most powerful Dark Wizard of all time. He is known as one of the greatest Legilimens in the world and a highly accomplished Occlumens; he can read minds and shield his own from penetration. Besides Dumbledore, he is also the only wizard ever known to be able to apparate silently. Voldemort was also said to fear one wizard alone, Dumbledore.", "Voldemort was also said to fear one wizard alone, Dumbledore. In the final book, Voldemort flies unsupported, something that amazes those who see it. Voldemort, like his ancestral family, the Gaunts, is a Parselmouth, meaning he can converse with serpents. This skill was inherited from his ancestor, Salazar Slytherin. The Gaunt family speak Parseltongue among themselves. This highly unusual trait may be preserved through inbreeding, a practice employed by the Gaunt Family to maintain their blood's purity.", "This highly unusual trait may be preserved through inbreeding, a practice employed by the Gaunt Family to maintain their blood's purity. When Voldemort attempts to kill Harry his ability to speak Parseltongue is passed to Harry through the small bit of the former's soul. After that bit of soul is destroyed, Harry loses this ability. In a flashback in the sixth novel, Voldemort boasts to Dumbledore during a job interview that he has \"pushed the boundaries of magic farther than they had ever before\".", "In a flashback in the sixth novel, Voldemort boasts to Dumbledore during a job interview that he has \"pushed the boundaries of magic farther than they had ever before\". Dumbledore states that Voldemort's knowledge of magic is more extensive than any wizard alive and that even Dumbledore's most powerful protective spells and charms would likely be insufficient if Voldemort returned to full power. Dumbledore also said that Voldemort was probably the most brilliant student Hogwarts has ever seen.", "Dumbledore also said that Voldemort was probably the most brilliant student Hogwarts has ever seen. Although Voldemort remains highly accomplished and prodigious in skill, he is enormously lacking and highly inept in the most powerful magic, love. This inability to love and trust others proves to be Voldemort's greatest weakness in the series.", "This inability to love and trust others proves to be Voldemort's greatest weakness in the series. Voldemort initially voices scepticism that his own magic might not be the most powerful, but upon returning to power, he admits to his Death Eaters that he had overlooked the ancient and powerful magic which Lily Potter invoked and that would protect Harry from harm. On her website, Rowling wrote that Voldemort's wand is made of yew, whose sap is poisonous and which symbolises death.", "On her website, Rowling wrote that Voldemort's wand is made of yew, whose sap is poisonous and which symbolises death. It forms a deliberate contrast to Harry's wand, which is made of holly, which she chose because holly is alleged to repel evil. Rowling establishes in the books that Voldemort is magically connected to Harry via Harry's forehead scar. He disembodies himself when his Killing Curse targeting Harry rebounds on him, leaving the scar on Harry's forehead.", "He disembodies himself when his Killing Curse targeting Harry rebounds on him, leaving the scar on Harry's forehead. In the books, and to a lesser extent in the films, Harry's scar serves as an indicator of Voldemort's presence: it burns when the Dark Lord is near or when Voldemort is feeling murderous or exultant.", "In the books, and to a lesser extent in the films, Harry's scar serves as an indicator of Voldemort's presence: it burns when the Dark Lord is near or when Voldemort is feeling murderous or exultant. According to Rowling, by attacking Harry when he was a baby Voldemort gave him \"tools [that] no other wizard possessed—the scar and the ability it conferred, a magical window into Voldemort's mind\". Family Notes: The names 'Thomas' and 'Mary' Riddle are taken from the films.", "Family Notes: The names 'Thomas' and 'Mary' Riddle are taken from the films. The Potter Family is not shown. Riddle family The Riddle family, an old gentry family, consisted of Thomas and Mary Riddle and their son, Tom Riddle, Esq. They owned over half of the valley that the town of Little Hangleton lay in, and Thomas was the most prominent inhabitant of that town. They lived in a large house with fine gardens, but were unpopular amongst the local residents due to their snobbish attitudes.", "They lived in a large house with fine gardens, but were unpopular amongst the local residents due to their snobbish attitudes. Tom, the only child of Thomas and Mary, was known as a playboy, his main interests being womanizing and horse-riding. Rowling revealed in Harry Potter and the Half-Blood Prince that young Merope Gaunt fell in love with Riddle, peering at him through the windows and bushes at every opportunity.", "Rowling revealed in Harry Potter and the Half-Blood Prince that young Merope Gaunt fell in love with Riddle, peering at him through the windows and bushes at every opportunity. Merope's brother Morfin disapproved of his sister's affection for Tom and hexed him as he rode by, covering him in hives. This breach of wizarding law, and the ensuing violent struggle with Ministry of Magic officials, led to Marvolo and Morfin being imprisoned in Azkaban.", "This breach of wizarding law, and the ensuing violent struggle with Ministry of Magic officials, led to Marvolo and Morfin being imprisoned in Azkaban. As surmised by Dumbledore, once Merope was alone and no longer dominated by her father, she could make her move for Tom. She offered him a drink laced with a love potion, and he became infatuated with her; they soon eloped and, within three months of the marriage, Merope became pregnant.", "She offered him a drink laced with a love potion, and he became infatuated with her; they soon eloped and, within three months of the marriage, Merope became pregnant. Merope decided to stop giving Tom the love potion, having come to the belief such enchantment of a man was tantamount to slavery. She also revealed her witch status to Tom, believing either that he had fallen in love with her on his own or he would at least stay for their unborn child.", "She also revealed her witch status to Tom, believing either that he had fallen in love with her on his own or he would at least stay for their unborn child. She was wrong, and Tom quickly left his pregnant wife and went home to his parents, claiming to have been \"hoodwinked\" and tricked into marrying Merope. Tom Marvolo Riddle, their son, was born on 31 December 1926 Merope died in childbirth, leaving the baby to grow up alone in an orphanage.", "Tom Marvolo Riddle, their son, was born on 31 December 1926 Merope died in childbirth, leaving the baby to grow up alone in an orphanage. In Harry Potter and the Goblet of Fire, it is revealed that Voldemort murdered his father and grandparents, leaving himself the only surviving member of the Riddle family. House of Gaunt Most of the exposition of the House of Gaunts background occurs in Harry Potter and the Half-Blood Prince, through the medium of Dumbledore's Pensieve.", "House of Gaunt Most of the exposition of the House of Gaunts background occurs in Harry Potter and the Half-Blood Prince, through the medium of Dumbledore's Pensieve. The Gaunts were once a powerful and influential family, and are the last known descendants of Salazar Slytherin. However, a vein of mental instability and violence within the family, reinforced through cousin marriages intended to preserve the pureblood line, had reduced them to poverty and squalor, as shown in the Pensieve's \"memory\" that Harry and Dumbledore witnessed.", "However, a vein of mental instability and violence within the family, reinforced through cousin marriages intended to preserve the pureblood line, had reduced them to poverty and squalor, as shown in the Pensieve's \"memory\" that Harry and Dumbledore witnessed. Like Salazar Slytherin, the Gaunts spoke Parseltongue. At the time of the story, the Gaunts' only material asset is a ramshackle shanty in Little Hangleton, that stood in a thicket in a valley opposite the Riddle House.", "At the time of the story, the Gaunts' only material asset is a ramshackle shanty in Little Hangleton, that stood in a thicket in a valley opposite the Riddle House. Like the Riddles, the Gaunts were also unpopular with the local residents, with a reputation for being vulgar and intimidating. Marvolo Gaunt was the last family patriarch. He was sentenced to a short term in Azkaban for his and his son's assault upon a Ministry of Magic official; this affected his health and he died soon after returning home.", "He was sentenced to a short term in Azkaban for his and his son's assault upon a Ministry of Magic official; this affected his health and he died soon after returning home. His signet ring passed to his son, Morfin Gaunt, who was convicted of assaulting a Muggle, and later died in Azkaban, convicted this time as a party to the murder of Tom Riddle Jr. and Riddle's parents. Dumbledore discovers the real culprit while visiting Morfin in Azkaban to gather information about Voldemort.", "Dumbledore discovers the real culprit while visiting Morfin in Azkaban to gather information about Voldemort. After Dumbledore successfully extracts Morfin's memory of his encounter with his nephew, he tries to use the evidence to have Morfin released, but Morfin dies before the decision can be made. The House of Gaunt ended with Morfin's death. Merope Gaunt () was the daughter of Marvolo, and sister of Morfin. Harry's first impression of her was that she looked \"like the most defeated person he had ever seen\".", "Harry's first impression of her was that she looked \"like the most defeated person he had ever seen\". She married Tom Riddle Jr and became pregnant within three months of the wedding. It is suggested that she tricked her husband into loving her by using a love potion, but when she became pregnant, she chose to stop administering the potion.", "It is suggested that she tricked her husband into loving her by using a love potion, but when she became pregnant, she chose to stop administering the potion. It is implied that Merope had grown tired of living the lie and thought that her husband might have grown to love her, or that he might have stayed for the sake of their unborn child; however, he left her. Desperate, Merope wandered through the streets of London.", "Desperate, Merope wandered through the streets of London. Desperate, Merope wandered through the streets of London. The only thing she had left was the heavy gold locket that had once belonged to Salazar Slytherin, one of her family's most treasured items, which she sold for a small amount. When she was due to give birth, she stumbled into a Muggle orphanage, where she gave birth to her only son. She died within the next hour.", "She died within the next hour. She died within the next hour. Gormlaith Gaunt was a 17th-century descendant of Salazar Slytherin, and like Salazar, a Parselmouth. Her wand was that which once belonged to Salazar himself. Educated at Hogwarts, Gormlaith lived in Ireland in the early 1600s.", "Educated at Hogwarts, Gormlaith lived in Ireland in the early 1600s. In about 1608, Gormlaith killed her estranged unnamed sister, and her sister's husband, William Sayre (a descendant of the Irish witch Morrigan), and kidnapped their five-year-old daughter, Isolt Sayre, raising her in the neighbouring valley of Coomcallee, or \"Hag's Glen\", because she felt that her parents' association with Muggles would badly influence Isolt.", "In about 1608, Gormlaith killed her estranged unnamed sister, and her sister's husband, William Sayre (a descendant of the Irish witch Morrigan), and kidnapped their five-year-old daughter, Isolt Sayre, raising her in the neighbouring valley of Coomcallee, or \"Hag's Glen\", because she felt that her parents' association with Muggles would badly influence Isolt. Fanatical and cruel, Gormlaith used Dark magic to isolate Isolt from others, forbade her a wand, and did not allow her to attend Hogwarts as she herself had, disgusted that it was now filled with Muggle-borns.", "Fanatical and cruel, Gormlaith used Dark magic to isolate Isolt from others, forbade her a wand, and did not allow her to attend Hogwarts as she herself had, disgusted that it was now filled with Muggle-borns. After twelve years with Gormlaith, Isolt stole Gormlaith's wand and fled to the Colonies and settled in Massachusetts, where she founded the Ilvermorny School of Witchcraft and Wizardry.", "After twelve years with Gormlaith, Isolt stole Gormlaith's wand and fled to the Colonies and settled in Massachusetts, where she founded the Ilvermorny School of Witchcraft and Wizardry. When Gormlaith learned of the school, she pursued her niece in Massachusetts, where she was killed by Isolt's friend, William the Pukwudgie, with a venom-tipped arrow. The Gaunts, including Voldemort, are distantly related to Harry because they are descendants of the Peverell brothers. Reception Several people have drawn a parallel between Voldemort and some politicians.", "Reception Several people have drawn a parallel between Voldemort and some politicians. Rowling has said that Voldemort was \"a sort of\" Adolf Hitler, and that there is some parallel with Nazism in her books. Rowling also compared Voldemort to Joseph Stalin. Alfonso Cuarón, director of Harry Potter and the Prisoner of Azkaban compared Voldemort to George W. Bush and Saddam Hussein, who he said \"...have selfish interests and are very much in love with power. Also, a disregard for the environment.", "Also, a disregard for the environment. Also, a disregard for the environment. A love for manipulating people.\" Andrew Slack and the Harry Potter Alliance compare media consolidation in the US to Voldemort's regime in Deathly Hallows and its control over the Daily Prophet and other media saying that \"Once Voldemort took over every form of media in the wizarding world, Dumbledore's Army and the Order of the Phoenix formed an independent media movement called 'Potterwatch'.", "Andrew Slack and the Harry Potter Alliance compare media consolidation in the US to Voldemort's regime in Deathly Hallows and its control over the Daily Prophet and other media saying that \"Once Voldemort took over every form of media in the wizarding world, Dumbledore's Army and the Order of the Phoenix formed an independent media movement called 'Potterwatch'. Now the HP Alliance and Wizard Rock have come together to fight for a Potterwatch movement in the real world to fight back against Big VoldeMedia from further pushing out local and foreign news, minority representation, and the right to a Free Press.\"", "Now the HP Alliance and Wizard Rock have come together to fight for a Potterwatch movement in the real world to fight back against Big VoldeMedia from further pushing out local and foreign news, minority representation, and the right to a Free Press.\" Julia Turner of Slate Magazine also noted similarities between the events of Harry Potter and the Half-Blood Prince and the War on Terror. She said that Voldemort commits acts of terrorism such as destroying bridges, murdering innocents, and forcing children to kill their elders.", "She said that Voldemort commits acts of terrorism such as destroying bridges, murdering innocents, and forcing children to kill their elders. Voldemort has also been compared with other characters within fiction, for example Sauron from The Lord of the Rings; they are, during the time when the main plot takes place, seeking to recover their lost power after having been considered dead or at least no longer a threat, and are also so feared that they are sometimes unnamed.", "Voldemort has also been compared with other characters within fiction, for example Sauron from The Lord of the Rings; they are, during the time when the main plot takes place, seeking to recover their lost power after having been considered dead or at least no longer a threat, and are also so feared that they are sometimes unnamed. IGN listed Voldemort as their seventh favourite Harry Potter character, calling him \"truly frightening\".", "IGN listed Voldemort as their seventh favourite Harry Potter character, calling him \"truly frightening\". In popular culture Several campaigns have used Voldemort to compare his evil to the influence of politicians, large media and corporations. \"Lord Voldemort\" is a nickname sometimes used for Peter Mandelson. Voldemort is also a recurring theme among wizard rock bands. Voldemort Can't Stop the Rock!", "Voldemort Can't Stop the Rock! Voldemort Can't Stop the Rock! is the second album from Harry and the Potters, and the character is mentioned in songs such as \"The Dark Lord Lament\" and \"Flesh, Blood, and Bone\". Voldemort has been parodied in various venues. In The Simpsons 13th season's premiere, \"Treehouse of Horror XII\", Montgomery Burns appears as \"Lord Montymort\".", "In The Simpsons 13th season's premiere, \"Treehouse of Horror XII\", Montgomery Burns appears as \"Lord Montymort\". A parody of Voldemort appears in The Grim Adventures of Billy and Mandy as \"Lord Moldybutt\", an enemy of Nigel Planter (a parody of Harry). Voldemort also appears in the Potter Puppet Pals sketches by Neil Cicierega.", "Voldemort also appears in the Potter Puppet Pals sketches by Neil Cicierega. One of the episodes including him was the seventeenth most viewed video of all time as of 2008 and the winner for \"Best Comedy\" of the year 2007 at YouTube. \"Continuing the Magic\", an article in the 21 May 2007 issue of Time, includes mock book covers designed by author Lon Tweeten, laced with pop culture references.", "\"Continuing the Magic\", an article in the 21 May 2007 issue of Time, includes mock book covers designed by author Lon Tweeten, laced with pop culture references. One of them, the \"Dark Lord of the Dance\", shows Voldemort teaming up with Harry on Broadway. In the MAD Magazine parodies of the films, the character is called Lord Druckermort, a backwards reference to the magazine's longtime caricaturist Mort Drucker.", "In the MAD Magazine parodies of the films, the character is called Lord Druckermort, a backwards reference to the magazine's longtime caricaturist Mort Drucker. In Alan Moore's League of Extraordinary Gentlemen: 1969, a young Tom Marvolo Riddle (introduced as \"Tom\", whose middle name is a \"marvel\" and last name is a \"conundrum\") appears, and becomes the new avatar of Oliver Haddo at the story's conclusion. In A Very Potter Musical, Voldemort is played by actor Joe Walker.", "In A Very Potter Musical, Voldemort is played by actor Joe Walker. In a segment celebrating British children's literature at the 2012 Summer Olympics opening ceremony in London, an inflatable Voldemort appeared alongside other villains, The Queen of Hearts, Captain Hook, and Cruella de Vil, to haunt children's dreams, before the arrival of a group of over thirty Mary Poppins who descended with their umbrellas to defeat them.", "In a segment celebrating British children's literature at the 2012 Summer Olympics opening ceremony in London, an inflatable Voldemort appeared alongside other villains, The Queen of Hearts, Captain Hook, and Cruella de Vil, to haunt children's dreams, before the arrival of a group of over thirty Mary Poppins who descended with their umbrellas to defeat them. During the 2016 United States elections, Daniel Radcliffe was asked by Sky News journalist Craig Dillon if he would compare Donald Trump to Lord Voldemort; Radcliffe responded, \"Trump is worse\".", "During the 2016 United States elections, Daniel Radcliffe was asked by Sky News journalist Craig Dillon if he would compare Donald Trump to Lord Voldemort; Radcliffe responded, \"Trump is worse\". Voldemort appears in The Lego Batman Movie as one of the prisoners in the Phantom Zone that Joker recruits to take over Gotham City. Though Ralph Fiennes is featured in this movie as the voice of the British butler Alfred Pennyworth, he does not reprise his role as Voldemort. Instead, Voldemort is voiced by Eddie Izzard.", "Instead, Voldemort is voiced by Eddie Izzard. Instead, Voldemort is voiced by Eddie Izzard. Outside of the Harry Potter video games, Voldemort is also a playable character in Lego Dimensions, with archive audio of Fiennes' portrayal in the films used for his voiceovers. A 2018 Italian fan film titled Voldemort: Origins of the Heir depicts the story of Tom Riddle's rise to power. Voldemort appears in Space Jam: A New Legacy, in the crowd for the game between the Tune Squad and the Goon Squad.", "Voldemort appears in Space Jam: A New Legacy, in the crowd for the game between the Tune Squad and the Goon Squad. An upcoming French fan-made short-film titled The House of Gaunt - Lord Voldemort Origins explores the origin story of Voldemort and The Gaunt family.", "An upcoming French fan-made short-film titled The House of Gaunt - Lord Voldemort Origins explores the origin story of Voldemort and The Gaunt family. Notes References External links Lord Voldemort at Harry Potter Lexicon Fictional characters with disfigurements Fictional characters with immortality Fictional characters with spirit possession or body swapping abilities Fictional dictators Fictional English people Fictional hypnotists and indoctrinators Fictional illeists Fictional mass murderers Fictional necromancers Fictional offspring of rape Fictional patricides Fictional terrorists Fictional torturers Harry Potter characters Literary characters introduced in 1997 Male film villains Male literary villains Orphan characters in film Orphan characters in literature Psychopathy in fiction Film supervillains" ]

[ "Lord Voldemort", "Character development", "What was Voldermort's character like?", "Voldemort was invented as a nemesis for Harry Potter", "What are some of his character traits?", "Voldemort hates non-pure-blood wizards, despite being a half-blood himself.", "How did they base decide what his character was going to be like?", "I don't know.", "What did Voldemort accomplish?", "I don't know." ]

[ "DiscoveryBox is a children's magazine by Bayard Presse. It is targeted at children from 9 to 12 years old. Inside there are topics about science, animals, current events, nature, history and the world. It also includes games and quizzes. It is designed for the completely independent reader and is the 3rd and final instalment of the Box series (after StoryBox and AdventureBox).\n\nDiscoveryBox is mostly non fictional and is designed to answer questions and expand the knowledge of its readers in the subjects that it covers each month.\n\nThere is a current shortage in this type of information rich magazine for this age group at the moment and children find the magazine very interesting. It is designed to build on what they have learned in School and it takes many of its subjects from the British Curriculum so reinforces what they have learned as well as adding additional interesting facts that they may not have previously known about.\n\nBecause there is a shortage of information magazines for children this age, both ESL and English speaking students like to read this book as the information is specially presented for them. As it is specifically designed for the ages 9 to 12 the magazine takes subjects that they would find interesting such as The Olympic Games, Space Exploration and Avalanches being just a few of the previous topics covered.\n\nIn July 2009 DiscoveryBox collaborated with the movie Ice Age: Dawn of the Dinosaurs with a behind-the-scenes look at 3D animation.\n\nReferences\n\nExternal links\n DiscoveryBox Website\n DiscoveryBox Information Page\n Bayard English magazine Website\n\nChildren's magazines published in France\nFrench-language magazines\nMonthly magazines published in France\nMagazines established in 1995", "\"What Else Is There?\" is the third single from the Norwegian duo Röyksopp's second album The Understanding. It features the vocals of Karin Dreijer from the Swedish electronica duo The Knife. The album was released in the UK with the help of Astralwerks.\n\nThe single was used in an O2 television advertisement in the Czech Republic and in Slovakia during 2008. It was also used in the 2006 film Cashback and the 2007 film, Meet Bill. Trentemøller's remix of \"What Else is There?\" was featured in an episode of the HBO show Entourage.\n\nThe song was covered by extreme metal band Enslaved as a bonus track for their album E.\n\nThe song was listed as the 375th best song of the 2000s by Pitchfork Media.\n\nOfficial versions\n\"What Else Is There?\" (Album Version) – 5:17\n\"What Else Is There?\" (Radio Edit) – 3:38\n\"What Else Is There?\" (Jacques Lu Cont Radio Mix) – 3:46\n\"What Else Is There?\" (The Emperor Machine Vocal Version) – 8:03\n\"What Else Is There?\" (The Emperor Machine Dub Version) – 7:51\n\"What Else Is There?\" (Thin White Duke Mix) – 8:25\n\"What Else Is There?\" (Thin White Duke Edit) – 4:50\n\"What Else Is There?\" (Thin White Duke Remix) (Radio Edit) – 3:06\n\"What Else Is There?\" (Trentemøller Remix) – 7:42\n\"What Else Is There?\" (Vitalic Remix) – 5:14\n\nResponse\nThe single was officially released on 5 December 2005 in the UK. The single had a limited release on 21 November 2005 to promote the upcoming album. On the UK Singles Chart, it peaked at number 32, while on the UK Dance Chart, it reached number one.\n\nMusic video\nThe music video was directed by Martin de Thurah. It features Norwegian model Marianne Schröder who is shown lip-syncing Dreijer's voice. Schröder is depicted as a floating woman traveling across stormy landscapes and within empty houses. Dreijer makes a cameo appearance as a woman wearing an Elizabethan ruff while dining alone at a festive table.\n\nMovie spots\n\nThe song is also featured in the movie Meet Bill as characters played by Jessica Alba and Aaron Eckhart smoke marijuana while listening to it. It is also part of the end credits music of the film Cashback.\n\nCharts\n\nReferences\n\n2005 singles\nRöyksopp songs\nAstralwerks singles\nSongs written by Svein Berge\nSongs written by Torbjørn Brundtland\n2004 songs\nSongs written by Roger Greenaway\nSongs written by Olof Dreijer\nSongs written by Karin Dreijer" ]

[ "Lord Voldemort (, in the films) is a sobriquet for Tom Marvolo Riddle, a character and the main antagonist in J. K. Rowling's series of Harry Potter novels. The character first appeared in Harry Potter and the Philosopher's Stone, which was published in 1997, and returned either in person or in flashbacks in each book and its film adaptation in the series except the third, Harry Potter and the Prisoner of Azkaban, in which he is only mentioned.", "The character first appeared in Harry Potter and the Philosopher's Stone, which was published in 1997, and returned either in person or in flashbacks in each book and its film adaptation in the series except the third, Harry Potter and the Prisoner of Azkaban, in which he is only mentioned. Voldemort is the archenemy of Harry Potter, who according to a prophecy has \"the power to vanquish the Dark Lord\".", "Voldemort is the archenemy of Harry Potter, who according to a prophecy has \"the power to vanquish the Dark Lord\". He attempts to murder the boy, but instead kills his parents, Lily and James Potter, and leaves Harry with a scar on his forehead in the shape of a lightning bolt. Nearly every witch or wizard dares not utter his name and refers to him instead with such monikers as \"You-Know-Who\", \"He Who Must Not Be Named\", or \"the Dark Lord\".", "Nearly every witch or wizard dares not utter his name and refers to him instead with such monikers as \"You-Know-Who\", \"He Who Must Not Be Named\", or \"the Dark Lord\". Voldemort's obsession with blood purity signifies his aim to rid the wizarding world of Muggle (non-magical) heritage and to conquer both worlds, Muggle and wizarding, to achieve pure-blood dominance.", "Voldemort's obsession with blood purity signifies his aim to rid the wizarding world of Muggle (non-magical) heritage and to conquer both worlds, Muggle and wizarding, to achieve pure-blood dominance. Through his mother's family, he is the last descendant of the wizard Salazar Slytherin, one of the four founders of Hogwarts School of Witchcraft and Wizardry. He is the leader of the Death Eaters, a group of evil wizards and witches dedicated to ridding the Wizarding World of Muggles and establishing Voldemort as its supreme ruler.", "He is the leader of the Death Eaters, a group of evil wizards and witches dedicated to ridding the Wizarding World of Muggles and establishing Voldemort as its supreme ruler. Character development In a 1999 interview, Rowling said Voldemort was invented as a nemesis for Harry Potter, and she intentionally did not flesh out Voldemort's backstory at first.", "Character development In a 1999 interview, Rowling said Voldemort was invented as a nemesis for Harry Potter, and she intentionally did not flesh out Voldemort's backstory at first. \"The basic idea [was that Harry] didn't know he was a wizard ... And so then I kind of worked backwards from that position to find out how that could be, that he wouldn't know what he was. ... When he was one year old, the most evil wizard for hundreds and hundreds of years attempted to kill him.", "When he was one year old, the most evil wizard for hundreds and hundreds of years attempted to kill him. He killed Harry's parents, and then he tried to kill Harry—he tried to curse him. ... Harry has to find out, before we find out. And—so—but for some mysterious reason the curse didn't work on Harry. So he's left with this lightning bolt-shaped scar on his forehead and the curse rebounded upon the evil wizard, who has been in hiding ever since.\"", "So he's left with this lightning bolt-shaped scar on his forehead and the curse rebounded upon the evil wizard, who has been in hiding ever since.\" In the second book, Rowling establishes that Voldemort hates non-pure-blood wizards, despite being a half-blood himself.", "In the second book, Rowling establishes that Voldemort hates non-pure-blood wizards, despite being a half-blood himself. In a 2000 interview with the BBC, Rowling described Voldemort as a self-hating bully: \"Well I think it is often the case that the biggest bullies take what they know to be their own defects, as they see it, and they put them right on someone else and then they try and destroy the other and that's what Voldemort does.\" In the same year, Rowling became more precise about Voldemort.", "In the same year, Rowling became more precise about Voldemort. She began to link him to real-life tyrants, describing him as \"a raging psychopath, devoid of the normal human responses to other people's suffering\". In 2004, though, Rowling said that she did not base Voldemort on any real person. In 2006, Rowling told an interviewer that Voldemort at his core has a human fear: the fear of death. She said: \"Voldemort's fear is death, ignominious death.", "She said: \"Voldemort's fear is death, ignominious death. I mean, he regards death itself as ignominious. He thinks that it's a shameful human weakness, as you know. His worst fear is death.\" Throughout the series, Rowling establishes that Voldemort is so feared in the wizarding world that it is considered dangerous even to speak his name. Most characters in the novels refer to him as \"You-Know-Who\" or \"He-Who-Must-Not-Be-Named\" rather than say his name aloud.", "Most characters in the novels refer to him as \"You-Know-Who\" or \"He-Who-Must-Not-Be-Named\" rather than say his name aloud. In Harry Potter and the Deathly Hallows, a \"taboo\" spell is placed upon the name, such that Voldemort or his followers may trace anyone who utters it. By this means, his followers eventually find and capture Harry and his friends Ron Weasley and Hermione Granger.", "By this means, his followers eventually find and capture Harry and his friends Ron Weasley and Hermione Granger. In the second book, Rowling reveals that I am Lord Voldemort is an anagram of the character's birth name, Tom Marvolo Riddle. According to the author, Voldemort's name is an invented word. The name Voldemort is derived from the French vol de mort which means \"flight of death\" or \"theft of death\".", "The name Voldemort is derived from the French vol de mort which means \"flight of death\" or \"theft of death\". Appearances Harry Potter and the Philosopher's Stone Voldemort makes his debut in Harry Potter and the Philosopher's Stone. In this story, Rowling introduces him as the Dark Lord who tried to kill Harry Potter because the boy was prophesied to destroy him.", "In this story, Rowling introduces him as the Dark Lord who tried to kill Harry Potter because the boy was prophesied to destroy him. Voldemort murdered Harry's parents, James and Lily, but as a result of his mother's love and willingness to sacrifice herself for him, baby Harry survived when Voldemort tried to murder him with a Killing Curse. Voldemort was disembodied, and Harry was left with a mysterious, lightning bolt-shaped scar on his forehead as a result.", "Voldemort was disembodied, and Harry was left with a mysterious, lightning bolt-shaped scar on his forehead as a result. In the book, Voldemort unsuccessfully tries to regain his dissolved body by stealing the titular Philosopher's Stone. To achieve his objective, Voldemort uses Professor Quirrell's aid by latching onto the back of the latter's head. However, at the climax of the book, Harry manages to prevent Voldemort from stealing the stone.", "However, at the climax of the book, Harry manages to prevent Voldemort from stealing the stone. Harry Potter and the Chamber of Secrets In the second instalment, Harry Potter and the Chamber of Secrets, Rowling introduces Tom Marvolo Riddle, a manifestation of a teenage Voldemort that resides inside a magical diary found by Ginny Weasley. In this book, Ginny is written as a shy girl with a crush on Harry.", "In this book, Ginny is written as a shy girl with a crush on Harry. Feeling anxious and lonely, she begins to write into the diary and shares her deepest fears with the sympathetic Tom. However, at the climax of the story, when Riddle rearranges the letters in his name to write \"I am Lord Voldemort\", Riddle is revealed as a magical manifestation of the boy who would later grow up to become the Dark Lord.", "However, at the climax of the story, when Riddle rearranges the letters in his name to write \"I am Lord Voldemort\", Riddle is revealed as a magical manifestation of the boy who would later grow up to become the Dark Lord. Riddle states he has grown strong on Ginny's fears and eventually possesses her, using her as a pawn to unlock the Chamber of Secrets, whence a basilisk is set free and petrifies several Hogwarts students. Harry defeats the manifestation of Riddle from the diary and the basilisk.", "Harry defeats the manifestation of Riddle from the diary and the basilisk. In Harry Potter and the Half-Blood Prince, Albus Dumbledore reveals to Harry that the diary was one of Voldemort's Horcruxes. Harry Potter and the Prisoner of Azkaban Voldemort does not appear in the third book, Harry Potter and the Prisoner of Azkaban, either in person or as a magical manifestation. He is, however, heard when Harry passes out from the harsh effects of a Dementor.", "He is, however, heard when Harry passes out from the harsh effects of a Dementor. Towards the end of the story, Sybill Trelawney, the Divination professor, makes a rare genuine prophecy: \"The Dark Lord lies alone and friendless, abandoned by his followers. His servant has been chained these twelve years. Tonight, before midnight, the servant will break free and set out to rejoin his master. The Dark Lord will rise again with his servant's aid, greater and more terrible than ever before.", "The Dark Lord will rise again with his servant's aid, greater and more terrible than ever before. Tonight... before midnight... the servant... will set out... to rejoin... his master...\" Though it is initially implied that the prophecy refers to Sirius Black, the book's ostensible antagonist, the servant is eventually revealed to be Peter Pettigrew, who, for the 12 years since Voldemort's fall, has been disguised as Ron's pet rat, Scabbers.", "Tonight... before midnight... the servant... will set out... to rejoin... his master...\" Though it is initially implied that the prophecy refers to Sirius Black, the book's ostensible antagonist, the servant is eventually revealed to be Peter Pettigrew, who, for the 12 years since Voldemort's fall, has been disguised as Ron's pet rat, Scabbers. Harry Potter and the Goblet of Fire In the fourth instalment of the series, Harry Potter and the Goblet of Fire, Voldemort reappears at the start and the climax of the book.", "Harry Potter and the Goblet of Fire In the fourth instalment of the series, Harry Potter and the Goblet of Fire, Voldemort reappears at the start and the climax of the book. Rowling lets many seemingly unrelated plot elements fall into order. It is revealed that Voldemort's minion Barty Crouch Jr, disguised as Hogwarts professor Mad-Eye Moody, has manipulated the events of the Triwizard Tournament in Harry's favour.", "It is revealed that Voldemort's minion Barty Crouch Jr, disguised as Hogwarts professor Mad-Eye Moody, has manipulated the events of the Triwizard Tournament in Harry's favour. Voldemort's goal is to teleport Harry under Dumbledore's watch as a reluctant participant to the Little Hangleton graveyard, where the Riddle family is buried. Harry is captured and, after Pettigrew uses Harry's blood to fulfil a gruesome magical ritual, Voldemort regains his body and is restored to his full power.", "Harry is captured and, after Pettigrew uses Harry's blood to fulfil a gruesome magical ritual, Voldemort regains his body and is restored to his full power. For the first time in the series, Rowling describes his appearance: \"tall and skeletally thin\", with a face \"whiter than a skull, with wide, livid scarlet eyes and a nose that was as flat as a snake's with slits for nostrils\".", "For the first time in the series, Rowling describes his appearance: \"tall and skeletally thin\", with a face \"whiter than a skull, with wide, livid scarlet eyes and a nose that was as flat as a snake's with slits for nostrils\". Rowling writes that his \"hands were like large, pale spiders; his long white fingers caressed his own chest, his arms, his face; the red eyes, whose pupils were slits, like a cat's, gleamed still more brightly through the darkness\".", "Rowling writes that his \"hands were like large, pale spiders; his long white fingers caressed his own chest, his arms, his face; the red eyes, whose pupils were slits, like a cat's, gleamed still more brightly through the darkness\". It was revealed that, while in Albania, Pettigrew had captured the Ministry of Magic official Bertha Jorkins, who was tortured for information about the Ministry.", "It was revealed that, while in Albania, Pettigrew had captured the Ministry of Magic official Bertha Jorkins, who was tortured for information about the Ministry. After they learned that Barty Crouch Jr, a faithful Death Eater, had been smuggled out of Azkaban and was privately confined at his father's house, they killed her. With Pettigrew's help, Voldemort creates a small, rudimentary body, corporeal enough to travel and perform magic, and formulated a plan to restore his own body by capturing Harry.", "With Pettigrew's help, Voldemort creates a small, rudimentary body, corporeal enough to travel and perform magic, and formulated a plan to restore his own body by capturing Harry. A portion of the plan had been overheard by Frank Bryce, a gardener, whom Voldemort then killed. Voldemort then completes his plan and returns to life in his full body as a result of the ritual with Harry's blood.", "Voldemort then completes his plan and returns to life in his full body as a result of the ritual with Harry's blood. He then summons his Death Eaters to the graveyard to witness the death of Harry as he challenges Harry to a duel. However, when Voldemort duels Harry, their wands become magically locked together due to the twin Phoenix feather cores of the wands.", "However, when Voldemort duels Harry, their wands become magically locked together due to the twin Phoenix feather cores of the wands. Because of a phenomenon later revealed as Priori Incantatem, ghost-like manifestations of Voldemort's most recent victims (including Harry's parents) then appear and distract Voldemort, allowing Harry just enough time to escape via Portkey with the body of fellow-student, Cedric Diggory, who was murdered by Pettigrew on Voldemort's orders.", "Because of a phenomenon later revealed as Priori Incantatem, ghost-like manifestations of Voldemort's most recent victims (including Harry's parents) then appear and distract Voldemort, allowing Harry just enough time to escape via Portkey with the body of fellow-student, Cedric Diggory, who was murdered by Pettigrew on Voldemort's orders. Harry Potter and the Order of the Phoenix Voldemort appears at the climax of the fifth book, Harry Potter and the Order of the Phoenix, having again plotted against Harry.", "Harry Potter and the Order of the Phoenix Voldemort appears at the climax of the fifth book, Harry Potter and the Order of the Phoenix, having again plotted against Harry. In this book, Harry goes through extreme emotional stress, and according to Rowling, it was necessary to prove that Harry is emotionally vulnerable and thus human, in contrast to his nemesis Voldemort, who is emotionally invulnerable and thus inhuman: \"[Harry is] a very human hero, and this is, obviously, there's a contrast, between him, as a very human hero, and Voldemort, who has deliberately dehumanised himself.", "In this book, Harry goes through extreme emotional stress, and according to Rowling, it was necessary to prove that Harry is emotionally vulnerable and thus human, in contrast to his nemesis Voldemort, who is emotionally invulnerable and thus inhuman: \"[Harry is] a very human hero, and this is, obviously, there's a contrast, between him, as a very human hero, and Voldemort, who has deliberately dehumanised himself. […] and Harry, therefore, did have to reach a point where he did almost break down.\"", "[…] and Harry, therefore, did have to reach a point where he did almost break down.\" In this book, Voldemort makes liberal use of the Ministry of Magic's refusal to believe that he has returned. Voldemort engineers a plot to free Bellatrix Lestrange and other Death Eaters from Azkaban and then embarks on a scheme to retrieve the full record of a prophecy stored in the Department of Mysteries regarding Harry and himself.", "Voldemort engineers a plot to free Bellatrix Lestrange and other Death Eaters from Azkaban and then embarks on a scheme to retrieve the full record of a prophecy stored in the Department of Mysteries regarding Harry and himself. He sends a group of Death Eaters to retrieve the prophecy, where the Order of the Phoenix meets them. All but Bellatrix are captured, and Voldemort engages in a ferocious duel with Dumbledore.", "All but Bellatrix are captured, and Voldemort engages in a ferocious duel with Dumbledore. When Dumbledore gets the upper hand, Voldemort attempts to possess Harry but finds that he cannot; Harry is too full of that which Voldemort finds incomprehensible, and which he detests as weakness: love. Sensing that Dumbledore could win, Voldemort disapparates, but not before the Minister for Magic sees him in person, making his return to life public knowledge in the next book.", "Sensing that Dumbledore could win, Voldemort disapparates, but not before the Minister for Magic sees him in person, making his return to life public knowledge in the next book. Harry Potter and the Half-Blood Prince Voldemort does not appear in Harry Potter and the Half-Blood Prince, although his presence and actions are felt: he once again declares war, and begins to rise to power once more.", "Harry Potter and the Half-Blood Prince Voldemort does not appear in Harry Potter and the Half-Blood Prince, although his presence and actions are felt: he once again declares war, and begins to rise to power once more. He murders Amelia Bones of the Department of Magical Law Enforcement, and begins to target members of the Order of the Phoenix, including Emmeline Vance. Rowling uses several chapters as exposition to establish Voldemort's backstory.", "Rowling uses several chapters as exposition to establish Voldemort's backstory. In a series of flashbacks, using the pensieve as a plot device, she reveals that Voldemort was the son of the witch Merope Gaunt and a Muggle called Tom Riddle. Riddle abandoned Merope before their child's birth, soon after which Merope died. After living in an orphanage, young Riddle met Dumbledore, who told him he was a wizard and arranged for him to attend Hogwarts.", "After living in an orphanage, young Riddle met Dumbledore, who told him he was a wizard and arranged for him to attend Hogwarts. Riddle was outwardly a model student, but was in reality a psychopath who took sadistic pleasure in using his powers to harm and control people. He eventually murdered his father and grandparents as revenge for abandoning him. The book also discusses Riddle's hatred of Muggles, his obsession with Horcruxes, and his desire to split his soul to achieve immortality.", "The book also discusses Riddle's hatred of Muggles, his obsession with Horcruxes, and his desire to split his soul to achieve immortality. Rowling stated Voldemort's conception under the influence of a love potion symbolises the coercive circumstances under which he was brought into the world. In the main plot of the book, Voldemort's next step is to engineer an assault on Hogwarts, and to kill Dumbledore.", "In the main plot of the book, Voldemort's next step is to engineer an assault on Hogwarts, and to kill Dumbledore. This is accomplished by Draco Malfoy, who arranges transportation of Death Eaters into Hogwarts by a pair of Vanishing Cabinets, which bypass the extensive protective enchantments placed around the school. The cabinets allow Voldemort's Death Eaters to enter Hogwarts, where battle commences and Dumbledore is cornered.", "The cabinets allow Voldemort's Death Eaters to enter Hogwarts, where battle commences and Dumbledore is cornered. Hogwarts professor (and re-doubled agent) Severus Snape uses the Killing Curse against Dumbledore when Draco could not force himself to do so. Harry Potter and the Deathly Hallows In Harry Potter and the Deathly Hallows, Voldemort furthers his quest for ultimate power. He disposes of the Minister for Magic and replaces him with Pius Thicknesse, who is under the Imperius Curse.", "He disposes of the Minister for Magic and replaces him with Pius Thicknesse, who is under the Imperius Curse. Establishing a totalitarian police state, he has Muggle-borns persecuted and arrested for \"stealing magic\" from the \"pure blood\" wizards.", "Establishing a totalitarian police state, he has Muggle-borns persecuted and arrested for \"stealing magic\" from the \"pure blood\" wizards. After failing to kill Harry with Draco's father Lucius Malfoy's borrowed wand (to avoid the effect of Priori Incantatem), he goes on a murderous search for the Elder Wand, the most powerful wand ever created, seeing it as the weapon he needs to overcome Harry's wand and make him truly invincible.", "After failing to kill Harry with Draco's father Lucius Malfoy's borrowed wand (to avoid the effect of Priori Incantatem), he goes on a murderous search for the Elder Wand, the most powerful wand ever created, seeing it as the weapon he needs to overcome Harry's wand and make him truly invincible. He goes on a quest that takes him out of the country to Gregorovitch's wand shop, where he kills the old wandmaker.", "He goes on a quest that takes him out of the country to Gregorovitch's wand shop, where he kills the old wandmaker. His journey also takes him to Nurmengard, the prison where Gellert Grindelwald is kept, and he kills Grindelwald as well. He finally locates the Elder Wand and steals it from Dumbledore's tomb. Later, Voldemort finds out that Harry and his friends are hunting and destroying his Horcruxes when informed of their heist on the Lestranges' vault at Gringotts in search for Hufflepuff's Cup.", "Later, Voldemort finds out that Harry and his friends are hunting and destroying his Horcruxes when informed of their heist on the Lestranges' vault at Gringotts in search for Hufflepuff's Cup. After offering the occupants of Hogwarts mercy if they give up Harry, he assembles a large army and launches an invasion of the castle, where Harry is searching for Ravenclaw's Diadem. Voldemort orders his pet snake Nagini to execute Snape, believing it would make him the true master of the Elder Wand, since Snape killed Dumbledore.", "Voldemort orders his pet snake Nagini to execute Snape, believing it would make him the true master of the Elder Wand, since Snape killed Dumbledore. He then calls an hour's armistice, in exchange for Harry. When Harry willingly walks into Voldemort's camp in the Forbidden Forest, Voldemort strikes him down with the Elder Wand.", "When Harry willingly walks into Voldemort's camp in the Forbidden Forest, Voldemort strikes him down with the Elder Wand. However, the use of Harry's blood to resurrect Voldemort's body proves to be a major setback: while Harry's blood runs in Voldemort's veins, Harry cannot be killed as his mother's protection lives on now in Voldemort too. Instead, Voldemort destroys the part of his own soul that resides in Harry's body.", "Instead, Voldemort destroys the part of his own soul that resides in Harry's body. Voldemort forces Rubeus Hagrid to carry Harry's apparently lifeless body back to the castle as a trophy, sparking another battle during which Nagini, his last Horcrux, is destroyed by Neville Longbottom. The battle then moves into the Great Hall, where Voldemort fights Minerva McGonagall, Kingsley Shacklebolt, and Horace Slughorn simultaneously.", "The battle then moves into the Great Hall, where Voldemort fights Minerva McGonagall, Kingsley Shacklebolt, and Horace Slughorn simultaneously. Harry then reveals himself and explains to Voldemort that Draco became the true master of the Elder Wand when he disarmed Dumbledore; Harry, in turn, won the wand's allegiance when he took Draco's wand.", "Harry then reveals himself and explains to Voldemort that Draco became the true master of the Elder Wand when he disarmed Dumbledore; Harry, in turn, won the wand's allegiance when he took Draco's wand. Refusing to believe this, Voldemort casts the Killing Curse with the Elder Wand while Harry uses a Disarming Charm with Draco's, but the Elder Wand refuses to kill its master and the spell rebounds on Voldemort who, with all of his Horcruxes destroyed, finally dies.", "Refusing to believe this, Voldemort casts the Killing Curse with the Elder Wand while Harry uses a Disarming Charm with Draco's, but the Elder Wand refuses to kill its master and the spell rebounds on Voldemort who, with all of his Horcruxes destroyed, finally dies. His body is laid in a different chamber from all the others who died battling him.", "His body is laid in a different chamber from all the others who died battling him. Rowling stated that after his death, Voldemort is forced to exist in the stunted infant-like form that Harry sees in the King's Cross-like Limbo after his confrontation with Voldemort in the Forbidden Forest. Rowling also mentioned that, despite his extreme fear of death, he cannot become a ghost.", "Rowling also mentioned that, despite his extreme fear of death, he cannot become a ghost. Appearances in other material In Harry Potter and the Cursed Child, it is revealed that Bellatrix gave birth to Voldemort's daughter Delphi in Malfoy Manor before the Battle of Hogwarts.", "Appearances in other material In Harry Potter and the Cursed Child, it is revealed that Bellatrix gave birth to Voldemort's daughter Delphi in Malfoy Manor before the Battle of Hogwarts. Twenty-two years later, Delphi poses as Cedric's cousin and manipulates Harry and Ginny's second son Albus Severus Potter and his friend, Draco and Astoria Greengrass's son Scorpius Malfoy, into stealing a prototype Time Turner with which she hopes to resurrect her father.", "Twenty-two years later, Delphi poses as Cedric's cousin and manipulates Harry and Ginny's second son Albus Severus Potter and his friend, Draco and Astoria Greengrass's son Scorpius Malfoy, into stealing a prototype Time Turner with which she hopes to resurrect her father. Using the Time Turner, Scorpius accidentally creates an alternative timeline where Voldemort killed Harry at the battle and now rules the wizarding world.", "Using the Time Turner, Scorpius accidentally creates an alternative timeline where Voldemort killed Harry at the battle and now rules the wizarding world. In an attempt to achieve this future, Delphi travels to Godric's Hollow on the night Voldemort killed Harry's parents, hoping to avert the prophecy that led to her father's downfall.", "In an attempt to achieve this future, Delphi travels to Godric's Hollow on the night Voldemort killed Harry's parents, hoping to avert the prophecy that led to her father's downfall. After receiving a message from his son, Harry, together with Ron, Hermione and Draco (who by now has become friends with Harry after they join forces to save their respective sons) transfigures himself into Voldemort so that he can distract Delphi, allowing them to overpower her.", "After receiving a message from his son, Harry, together with Ron, Hermione and Draco (who by now has become friends with Harry after they join forces to save their respective sons) transfigures himself into Voldemort so that he can distract Delphi, allowing them to overpower her. The real Voldemort kills Harry's parents as prophesied, and Delphi is sent to Azkaban. Portrayals within films Voldemort appears in every Harry Potter film, with the exception of Harry Potter and the Prisoner of Azkaban.", "Portrayals within films Voldemort appears in every Harry Potter film, with the exception of Harry Potter and the Prisoner of Azkaban. Several actors have portrayed him in his varying incarnations and ages. In Harry Potter and the Philosopher's Stone, Voldemort's manifestation is as a face on the back of Quirrell's head, an effect achieved by computer generated imagery. Ian Hart, the actor who played Quirrell in the same film, provided the voice and the facial source for this character.", "Ian Hart, the actor who played Quirrell in the same film, provided the voice and the facial source for this character. Voldemort also appears in a scene in the Forbidden Forest where he is seen drinking the blood of a unicorn. As Voldemort's face was altered enough by CG work, and Hart's voice was affected enough, there was no confusion by Hart's playing of the two roles.", "As Voldemort's face was altered enough by CG work, and Hart's voice was affected enough, there was no confusion by Hart's playing of the two roles. In that film, he was also shown in a flashback sequence when he arrived at the home of James and Lily Potter to kill them. In this scene Voldemort is played by Richard Bremmer, though his face is never seen.", "In this scene Voldemort is played by Richard Bremmer, though his face is never seen. His next appearance would be in Harry Potter and the Chamber of Secrets as the 16-year-old Tom Marvolo Riddle (portrayed by Christian Coulson). In Harry Potter and the Goblet of Fire, Voldemort is initially only heard, possessing the scratchy, weak voice heard in the first film. By the film's climax, however, he appears in his physical form for the first time, played by Ralph Fiennes.", "By the film's climax, however, he appears in his physical form for the first time, played by Ralph Fiennes. As in the book, Voldemort is shown clad in dark black robes, being tall and emaciated, with no hair and yellowish teeth; his wand has a white tone and the handle appears to be made of bone; his finger nails are long and pale blue while his toe nails appear to be infected.", "As in the book, Voldemort is shown clad in dark black robes, being tall and emaciated, with no hair and yellowish teeth; his wand has a white tone and the handle appears to be made of bone; his finger nails are long and pale blue while his toe nails appear to be infected. Unlike in the book, his pupils are not cat-like and his eyes are blue, because producer David Heyman felt that his evil would not be able to be seen and would not fill the audience with fear (his eyes do briefly take on a snake-like appearance when he opens them after turning human, but quickly turn normal).", "Unlike in the book, his pupils are not cat-like and his eyes are blue, because producer David Heyman felt that his evil would not be able to be seen and would not fill the audience with fear (his eyes do briefly take on a snake-like appearance when he opens them after turning human, but quickly turn normal). As in the book, the film version of Voldemort has snake-like slit nostrils with the flesh of his nose significantly pressed back.", "As in the book, the film version of Voldemort has snake-like slit nostrils with the flesh of his nose significantly pressed back. Ralph Fiennes' nose was not covered in makeup on the set, but was digitally removed in post-production. In this first appearance, Voldemort also has a forked tongue, but this element was removed for the subsequent films. Fiennes stated that he had two weeks to shoot the climactic showdown scene where he is gloating over a terrified Harry, played by Daniel Radcliffe.", "Fiennes stated that he had two weeks to shoot the climactic showdown scene where he is gloating over a terrified Harry, played by Daniel Radcliffe. Fiennes said with a chuckle: \"I have no doubt children will be afraid of me now if they weren't before.\"", "Fiennes said with a chuckle: \"I have no doubt children will be afraid of me now if they weren't before.\" In preparation, he read the novel Goblet of Fire, but jokingly conceded: \"I was only interested in my scene, and I had to go through thousands and thousands of other scenes which I did, dutifully, until I got to my scene and I read it many, many, many, many, many times and that was my research.\"", "In preparation, he read the novel Goblet of Fire, but jokingly conceded: \"I was only interested in my scene, and I had to go through thousands and thousands of other scenes which I did, dutifully, until I got to my scene and I read it many, many, many, many, many times and that was my research.\" Fiennes reprised his role as Voldemort in Harry Potter and the Order of the Phoenix and Harry Potter and the Deathly Hallows – Part 1 and Part 2.", "Fiennes reprised his role as Voldemort in Harry Potter and the Order of the Phoenix and Harry Potter and the Deathly Hallows – Part 1 and Part 2. Fiennes's nephew, Hero Fiennes-Tiffin, portrayed Tom Riddle as a child in Harry Potter and the Half-Blood Prince. By the time filming arrived Christian Coulson was 29, and not considered suitable to return as the adolescent Riddle. Thomas James Longley was originally scheduled to take over the role, but last minute renegotiations saw Frank Dillane cast instead.", "Thomas James Longley was originally scheduled to take over the role, but last minute renegotiations saw Frank Dillane cast instead. Characterisation Outward appearance After he regains his body in the fourth book, Rowling describes Voldemort as having pale skin, a chalk-white, skull-like face, snake-like slits for nostrils, red eyes and cat-like slits for pupils, a skeletally thin body and long, thin hands with unnaturally long fingers. As mentioned in the first chapter of the seventh book, he also has no hair or lips.", "As mentioned in the first chapter of the seventh book, he also has no hair or lips. Earlier in life, as seen through flashbacks contained in the second and sixth books, Tom Marvolo Riddle was handsome and tall with pale skin, jet black hair, and dark brown eyes. He could charm many people with his looks. The transformation into his monstrous state is believed to have been the result of creating his Horcruxes and becoming less human as he continued to divide his soul.", "The transformation into his monstrous state is believed to have been the result of creating his Horcruxes and becoming less human as he continued to divide his soul. In the films, Voldemort's eyes are blue with round pupils. Personality Rowling described Voldemort as \"the most evil wizard for hundreds and hundreds of years\". She elaborated that he is a \"raging psychopath, devoid of the normal human responses to other people's suffering\", and whose only ambition in life is to become all-powerful and immortal.", "She elaborated that he is a \"raging psychopath, devoid of the normal human responses to other people's suffering\", and whose only ambition in life is to become all-powerful and immortal. He is also a sadist who hurts and murders people—especially Muggles—for his own amusement. He has no conscience, feels no remorse or empathy, and does not recognise the worth and humanity of anybody except himself. He feels no need for human companionship or friendship, and cannot comprehend love or affection for another.", "He feels no need for human companionship or friendship, and cannot comprehend love or affection for another. He believes he is superior to everyone around him, to the point that he frequently refers to himself in the third person as \"Lord Voldemort\". Rowling also stated that Voldemort is \"incredibly power hungry. Racist, really\", and that if Voldemort were to look into the Mirror of Erised, in which one sees one's greatest desire, he would see \"Himself, all-powerful and eternal.", "Racist, really\", and that if Voldemort were to look into the Mirror of Erised, in which one sees one's greatest desire, he would see \"Himself, all-powerful and eternal. That's what he wants.\"", "That's what he wants.\" That's what he wants.\" Rowling also stated that Voldemort's conception by influence of Amortentia—a love potion administered by his mother, a witch named Merope Gaunt, to the Muggle Tom Riddle—is related to his inability to understand love; it is \"a symbolic way of showing that he came from a loveless union—but of course, everything would have changed if Merope had survived and raised him herself and loved him.", "Rowling also stated that Voldemort's conception by influence of Amortentia—a love potion administered by his mother, a witch named Merope Gaunt, to the Muggle Tom Riddle—is related to his inability to understand love; it is \"a symbolic way of showing that he came from a loveless union—but of course, everything would have changed if Merope had survived and raised him herself and loved him. The enchantment under which Tom Riddle fathered Voldemort is important because it shows coercion, and there can't be many more prejudicial ways to enter the world than as the result of such a union\".", "The enchantment under which Tom Riddle fathered Voldemort is important because it shows coercion, and there can't be many more prejudicial ways to enter the world than as the result of such a union\". Like most archetypical villains, Voldemort's arrogance leads to his downfall. He also suffers from a pathological fear of death, which he regards as a shameful and ignominious human weakness. According to Rowling, his Boggart would be his own corpse.", "According to Rowling, his Boggart would be his own corpse. Rowling also said that the difference between Harry and Voldemort is that Harry accepts mortality, and thus Harry is, in the end, stronger than his nemesis. Magical abilities and skills Rowling establishes Voldemort throughout the series as an extremely powerful, intelligent, and ruthless dark wizard, described as the greatest and most powerful Dark Wizard of all time.", "Magical abilities and skills Rowling establishes Voldemort throughout the series as an extremely powerful, intelligent, and ruthless dark wizard, described as the greatest and most powerful Dark Wizard of all time. He is known as one of the greatest Legilimens in the world and a highly accomplished Occlumens; he can read minds and shield his own from penetration. Besides Dumbledore, he is also the only wizard ever known to be able to apparate silently. Voldemort was also said to fear one wizard alone, Dumbledore.", "Voldemort was also said to fear one wizard alone, Dumbledore. In the final book, Voldemort flies unsupported, something that amazes those who see it. Voldemort, like his ancestral family, the Gaunts, is a Parselmouth, meaning he can converse with serpents. This skill was inherited from his ancestor, Salazar Slytherin. The Gaunt family speak Parseltongue among themselves. This highly unusual trait may be preserved through inbreeding, a practice employed by the Gaunt Family to maintain their blood's purity.", "This highly unusual trait may be preserved through inbreeding, a practice employed by the Gaunt Family to maintain their blood's purity. When Voldemort attempts to kill Harry his ability to speak Parseltongue is passed to Harry through the small bit of the former's soul. After that bit of soul is destroyed, Harry loses this ability. In a flashback in the sixth novel, Voldemort boasts to Dumbledore during a job interview that he has \"pushed the boundaries of magic farther than they had ever before\".", "In a flashback in the sixth novel, Voldemort boasts to Dumbledore during a job interview that he has \"pushed the boundaries of magic farther than they had ever before\". Dumbledore states that Voldemort's knowledge of magic is more extensive than any wizard alive and that even Dumbledore's most powerful protective spells and charms would likely be insufficient if Voldemort returned to full power. Dumbledore also said that Voldemort was probably the most brilliant student Hogwarts has ever seen.", "Dumbledore also said that Voldemort was probably the most brilliant student Hogwarts has ever seen. Although Voldemort remains highly accomplished and prodigious in skill, he is enormously lacking and highly inept in the most powerful magic, love. This inability to love and trust others proves to be Voldemort's greatest weakness in the series.", "This inability to love and trust others proves to be Voldemort's greatest weakness in the series. Voldemort initially voices scepticism that his own magic might not be the most powerful, but upon returning to power, he admits to his Death Eaters that he had overlooked the ancient and powerful magic which Lily Potter invoked and that would protect Harry from harm. On her website, Rowling wrote that Voldemort's wand is made of yew, whose sap is poisonous and which symbolises death.", "On her website, Rowling wrote that Voldemort's wand is made of yew, whose sap is poisonous and which symbolises death. It forms a deliberate contrast to Harry's wand, which is made of holly, which she chose because holly is alleged to repel evil. Rowling establishes in the books that Voldemort is magically connected to Harry via Harry's forehead scar. He disembodies himself when his Killing Curse targeting Harry rebounds on him, leaving the scar on Harry's forehead.", "He disembodies himself when his Killing Curse targeting Harry rebounds on him, leaving the scar on Harry's forehead. In the books, and to a lesser extent in the films, Harry's scar serves as an indicator of Voldemort's presence: it burns when the Dark Lord is near or when Voldemort is feeling murderous or exultant.", "In the books, and to a lesser extent in the films, Harry's scar serves as an indicator of Voldemort's presence: it burns when the Dark Lord is near or when Voldemort is feeling murderous or exultant. According to Rowling, by attacking Harry when he was a baby Voldemort gave him \"tools [that] no other wizard possessed—the scar and the ability it conferred, a magical window into Voldemort's mind\". Family Notes: The names 'Thomas' and 'Mary' Riddle are taken from the films.", "Family Notes: The names 'Thomas' and 'Mary' Riddle are taken from the films. The Potter Family is not shown. Riddle family The Riddle family, an old gentry family, consisted of Thomas and Mary Riddle and their son, Tom Riddle, Esq. They owned over half of the valley that the town of Little Hangleton lay in, and Thomas was the most prominent inhabitant of that town. They lived in a large house with fine gardens, but were unpopular amongst the local residents due to their snobbish attitudes.", "They lived in a large house with fine gardens, but were unpopular amongst the local residents due to their snobbish attitudes. Tom, the only child of Thomas and Mary, was known as a playboy, his main interests being womanizing and horse-riding. Rowling revealed in Harry Potter and the Half-Blood Prince that young Merope Gaunt fell in love with Riddle, peering at him through the windows and bushes at every opportunity.", "Rowling revealed in Harry Potter and the Half-Blood Prince that young Merope Gaunt fell in love with Riddle, peering at him through the windows and bushes at every opportunity. Merope's brother Morfin disapproved of his sister's affection for Tom and hexed him as he rode by, covering him in hives. This breach of wizarding law, and the ensuing violent struggle with Ministry of Magic officials, led to Marvolo and Morfin being imprisoned in Azkaban.", "This breach of wizarding law, and the ensuing violent struggle with Ministry of Magic officials, led to Marvolo and Morfin being imprisoned in Azkaban. As surmised by Dumbledore, once Merope was alone and no longer dominated by her father, she could make her move for Tom. She offered him a drink laced with a love potion, and he became infatuated with her; they soon eloped and, within three months of the marriage, Merope became pregnant.", "She offered him a drink laced with a love potion, and he became infatuated with her; they soon eloped and, within three months of the marriage, Merope became pregnant. Merope decided to stop giving Tom the love potion, having come to the belief such enchantment of a man was tantamount to slavery. She also revealed her witch status to Tom, believing either that he had fallen in love with her on his own or he would at least stay for their unborn child.", "She also revealed her witch status to Tom, believing either that he had fallen in love with her on his own or he would at least stay for their unborn child. She was wrong, and Tom quickly left his pregnant wife and went home to his parents, claiming to have been \"hoodwinked\" and tricked into marrying Merope. Tom Marvolo Riddle, their son, was born on 31 December 1926 Merope died in childbirth, leaving the baby to grow up alone in an orphanage.", "Tom Marvolo Riddle, their son, was born on 31 December 1926 Merope died in childbirth, leaving the baby to grow up alone in an orphanage. In Harry Potter and the Goblet of Fire, it is revealed that Voldemort murdered his father and grandparents, leaving himself the only surviving member of the Riddle family. House of Gaunt Most of the exposition of the House of Gaunts background occurs in Harry Potter and the Half-Blood Prince, through the medium of Dumbledore's Pensieve.", "House of Gaunt Most of the exposition of the House of Gaunts background occurs in Harry Potter and the Half-Blood Prince, through the medium of Dumbledore's Pensieve. The Gaunts were once a powerful and influential family, and are the last known descendants of Salazar Slytherin. However, a vein of mental instability and violence within the family, reinforced through cousin marriages intended to preserve the pureblood line, had reduced them to poverty and squalor, as shown in the Pensieve's \"memory\" that Harry and Dumbledore witnessed.", "However, a vein of mental instability and violence within the family, reinforced through cousin marriages intended to preserve the pureblood line, had reduced them to poverty and squalor, as shown in the Pensieve's \"memory\" that Harry and Dumbledore witnessed. Like Salazar Slytherin, the Gaunts spoke Parseltongue. At the time of the story, the Gaunts' only material asset is a ramshackle shanty in Little Hangleton, that stood in a thicket in a valley opposite the Riddle House.", "At the time of the story, the Gaunts' only material asset is a ramshackle shanty in Little Hangleton, that stood in a thicket in a valley opposite the Riddle House. Like the Riddles, the Gaunts were also unpopular with the local residents, with a reputation for being vulgar and intimidating. Marvolo Gaunt was the last family patriarch. He was sentenced to a short term in Azkaban for his and his son's assault upon a Ministry of Magic official; this affected his health and he died soon after returning home.", "He was sentenced to a short term in Azkaban for his and his son's assault upon a Ministry of Magic official; this affected his health and he died soon after returning home. His signet ring passed to his son, Morfin Gaunt, who was convicted of assaulting a Muggle, and later died in Azkaban, convicted this time as a party to the murder of Tom Riddle Jr. and Riddle's parents. Dumbledore discovers the real culprit while visiting Morfin in Azkaban to gather information about Voldemort.", "Dumbledore discovers the real culprit while visiting Morfin in Azkaban to gather information about Voldemort. After Dumbledore successfully extracts Morfin's memory of his encounter with his nephew, he tries to use the evidence to have Morfin released, but Morfin dies before the decision can be made. The House of Gaunt ended with Morfin's death. Merope Gaunt () was the daughter of Marvolo, and sister of Morfin. Harry's first impression of her was that she looked \"like the most defeated person he had ever seen\".", "Harry's first impression of her was that she looked \"like the most defeated person he had ever seen\". She married Tom Riddle Jr and became pregnant within three months of the wedding. It is suggested that she tricked her husband into loving her by using a love potion, but when she became pregnant, she chose to stop administering the potion.", "It is suggested that she tricked her husband into loving her by using a love potion, but when she became pregnant, she chose to stop administering the potion. It is implied that Merope had grown tired of living the lie and thought that her husband might have grown to love her, or that he might have stayed for the sake of their unborn child; however, he left her. Desperate, Merope wandered through the streets of London.", "Desperate, Merope wandered through the streets of London. Desperate, Merope wandered through the streets of London. The only thing she had left was the heavy gold locket that had once belonged to Salazar Slytherin, one of her family's most treasured items, which she sold for a small amount. When she was due to give birth, she stumbled into a Muggle orphanage, where she gave birth to her only son. She died within the next hour.", "She died within the next hour. She died within the next hour. Gormlaith Gaunt was a 17th-century descendant of Salazar Slytherin, and like Salazar, a Parselmouth. Her wand was that which once belonged to Salazar himself. Educated at Hogwarts, Gormlaith lived in Ireland in the early 1600s.", "Educated at Hogwarts, Gormlaith lived in Ireland in the early 1600s. In about 1608, Gormlaith killed her estranged unnamed sister, and her sister's husband, William Sayre (a descendant of the Irish witch Morrigan), and kidnapped their five-year-old daughter, Isolt Sayre, raising her in the neighbouring valley of Coomcallee, or \"Hag's Glen\", because she felt that her parents' association with Muggles would badly influence Isolt.", "In about 1608, Gormlaith killed her estranged unnamed sister, and her sister's husband, William Sayre (a descendant of the Irish witch Morrigan), and kidnapped their five-year-old daughter, Isolt Sayre, raising her in the neighbouring valley of Coomcallee, or \"Hag's Glen\", because she felt that her parents' association with Muggles would badly influence Isolt. Fanatical and cruel, Gormlaith used Dark magic to isolate Isolt from others, forbade her a wand, and did not allow her to attend Hogwarts as she herself had, disgusted that it was now filled with Muggle-borns.", "Fanatical and cruel, Gormlaith used Dark magic to isolate Isolt from others, forbade her a wand, and did not allow her to attend Hogwarts as she herself had, disgusted that it was now filled with Muggle-borns. After twelve years with Gormlaith, Isolt stole Gormlaith's wand and fled to the Colonies and settled in Massachusetts, where she founded the Ilvermorny School of Witchcraft and Wizardry.", "After twelve years with Gormlaith, Isolt stole Gormlaith's wand and fled to the Colonies and settled in Massachusetts, where she founded the Ilvermorny School of Witchcraft and Wizardry. When Gormlaith learned of the school, she pursued her niece in Massachusetts, where she was killed by Isolt's friend, William the Pukwudgie, with a venom-tipped arrow. The Gaunts, including Voldemort, are distantly related to Harry because they are descendants of the Peverell brothers. Reception Several people have drawn a parallel between Voldemort and some politicians.", "Reception Several people have drawn a parallel between Voldemort and some politicians. Rowling has said that Voldemort was \"a sort of\" Adolf Hitler, and that there is some parallel with Nazism in her books. Rowling also compared Voldemort to Joseph Stalin. Alfonso Cuarón, director of Harry Potter and the Prisoner of Azkaban compared Voldemort to George W. Bush and Saddam Hussein, who he said \"...have selfish interests and are very much in love with power. Also, a disregard for the environment.", "Also, a disregard for the environment. Also, a disregard for the environment. A love for manipulating people.\" Andrew Slack and the Harry Potter Alliance compare media consolidation in the US to Voldemort's regime in Deathly Hallows and its control over the Daily Prophet and other media saying that \"Once Voldemort took over every form of media in the wizarding world, Dumbledore's Army and the Order of the Phoenix formed an independent media movement called 'Potterwatch'.", "Andrew Slack and the Harry Potter Alliance compare media consolidation in the US to Voldemort's regime in Deathly Hallows and its control over the Daily Prophet and other media saying that \"Once Voldemort took over every form of media in the wizarding world, Dumbledore's Army and the Order of the Phoenix formed an independent media movement called 'Potterwatch'. Now the HP Alliance and Wizard Rock have come together to fight for a Potterwatch movement in the real world to fight back against Big VoldeMedia from further pushing out local and foreign news, minority representation, and the right to a Free Press.\"", "Now the HP Alliance and Wizard Rock have come together to fight for a Potterwatch movement in the real world to fight back against Big VoldeMedia from further pushing out local and foreign news, minority representation, and the right to a Free Press.\" Julia Turner of Slate Magazine also noted similarities between the events of Harry Potter and the Half-Blood Prince and the War on Terror. She said that Voldemort commits acts of terrorism such as destroying bridges, murdering innocents, and forcing children to kill their elders.", "She said that Voldemort commits acts of terrorism such as destroying bridges, murdering innocents, and forcing children to kill their elders. Voldemort has also been compared with other characters within fiction, for example Sauron from The Lord of the Rings; they are, during the time when the main plot takes place, seeking to recover their lost power after having been considered dead or at least no longer a threat, and are also so feared that they are sometimes unnamed.", "Voldemort has also been compared with other characters within fiction, for example Sauron from The Lord of the Rings; they are, during the time when the main plot takes place, seeking to recover their lost power after having been considered dead or at least no longer a threat, and are also so feared that they are sometimes unnamed. IGN listed Voldemort as their seventh favourite Harry Potter character, calling him \"truly frightening\".", "IGN listed Voldemort as their seventh favourite Harry Potter character, calling him \"truly frightening\". In popular culture Several campaigns have used Voldemort to compare his evil to the influence of politicians, large media and corporations. \"Lord Voldemort\" is a nickname sometimes used for Peter Mandelson. Voldemort is also a recurring theme among wizard rock bands. Voldemort Can't Stop the Rock!", "Voldemort Can't Stop the Rock! Voldemort Can't Stop the Rock! is the second album from Harry and the Potters, and the character is mentioned in songs such as \"The Dark Lord Lament\" and \"Flesh, Blood, and Bone\". Voldemort has been parodied in various venues. In The Simpsons 13th season's premiere, \"Treehouse of Horror XII\", Montgomery Burns appears as \"Lord Montymort\".", "In The Simpsons 13th season's premiere, \"Treehouse of Horror XII\", Montgomery Burns appears as \"Lord Montymort\". A parody of Voldemort appears in The Grim Adventures of Billy and Mandy as \"Lord Moldybutt\", an enemy of Nigel Planter (a parody of Harry). Voldemort also appears in the Potter Puppet Pals sketches by Neil Cicierega.", "Voldemort also appears in the Potter Puppet Pals sketches by Neil Cicierega. One of the episodes including him was the seventeenth most viewed video of all time as of 2008 and the winner for \"Best Comedy\" of the year 2007 at YouTube. \"Continuing the Magic\", an article in the 21 May 2007 issue of Time, includes mock book covers designed by author Lon Tweeten, laced with pop culture references.", "\"Continuing the Magic\", an article in the 21 May 2007 issue of Time, includes mock book covers designed by author Lon Tweeten, laced with pop culture references. One of them, the \"Dark Lord of the Dance\", shows Voldemort teaming up with Harry on Broadway. In the MAD Magazine parodies of the films, the character is called Lord Druckermort, a backwards reference to the magazine's longtime caricaturist Mort Drucker.", "In the MAD Magazine parodies of the films, the character is called Lord Druckermort, a backwards reference to the magazine's longtime caricaturist Mort Drucker. In Alan Moore's League of Extraordinary Gentlemen: 1969, a young Tom Marvolo Riddle (introduced as \"Tom\", whose middle name is a \"marvel\" and last name is a \"conundrum\") appears, and becomes the new avatar of Oliver Haddo at the story's conclusion. In A Very Potter Musical, Voldemort is played by actor Joe Walker.", "In A Very Potter Musical, Voldemort is played by actor Joe Walker. In a segment celebrating British children's literature at the 2012 Summer Olympics opening ceremony in London, an inflatable Voldemort appeared alongside other villains, The Queen of Hearts, Captain Hook, and Cruella de Vil, to haunt children's dreams, before the arrival of a group of over thirty Mary Poppins who descended with their umbrellas to defeat them.", "In a segment celebrating British children's literature at the 2012 Summer Olympics opening ceremony in London, an inflatable Voldemort appeared alongside other villains, The Queen of Hearts, Captain Hook, and Cruella de Vil, to haunt children's dreams, before the arrival of a group of over thirty Mary Poppins who descended with their umbrellas to defeat them. During the 2016 United States elections, Daniel Radcliffe was asked by Sky News journalist Craig Dillon if he would compare Donald Trump to Lord Voldemort; Radcliffe responded, \"Trump is worse\".", "During the 2016 United States elections, Daniel Radcliffe was asked by Sky News journalist Craig Dillon if he would compare Donald Trump to Lord Voldemort; Radcliffe responded, \"Trump is worse\". Voldemort appears in The Lego Batman Movie as one of the prisoners in the Phantom Zone that Joker recruits to take over Gotham City. Though Ralph Fiennes is featured in this movie as the voice of the British butler Alfred Pennyworth, he does not reprise his role as Voldemort. Instead, Voldemort is voiced by Eddie Izzard.", "Instead, Voldemort is voiced by Eddie Izzard. Instead, Voldemort is voiced by Eddie Izzard. Outside of the Harry Potter video games, Voldemort is also a playable character in Lego Dimensions, with archive audio of Fiennes' portrayal in the films used for his voiceovers. A 2018 Italian fan film titled Voldemort: Origins of the Heir depicts the story of Tom Riddle's rise to power. Voldemort appears in Space Jam: A New Legacy, in the crowd for the game between the Tune Squad and the Goon Squad.", "Voldemort appears in Space Jam: A New Legacy, in the crowd for the game between the Tune Squad and the Goon Squad. An upcoming French fan-made short-film titled The House of Gaunt - Lord Voldemort Origins explores the origin story of Voldemort and The Gaunt family.", "An upcoming French fan-made short-film titled The House of Gaunt - Lord Voldemort Origins explores the origin story of Voldemort and The Gaunt family. Notes References External links Lord Voldemort at Harry Potter Lexicon Fictional characters with disfigurements Fictional characters with immortality Fictional characters with spirit possession or body swapping abilities Fictional dictators Fictional English people Fictional hypnotists and indoctrinators Fictional illeists Fictional mass murderers Fictional necromancers Fictional offspring of rape Fictional patricides Fictional terrorists Fictional torturers Harry Potter characters Literary characters introduced in 1997 Male film villains Male literary villains Orphan characters in film Orphan characters in literature Psychopathy in fiction Film supervillains" ]

[ "Cito Gaston", "Post-World Series", "What did Gaston do after the world series?", "Gaston was a final candidate for the Detroit Tigers manager's job in the 1999-2000 season", "Where did he work?", "Gaston rejoined the team as a hitting coach after the 1999 season but was not retained after a disappointing 2001 campaign" ]

[ "Where Did They Go is a 1971 album by Peggy Lee. It was arranged and conducted by Don Sebesky and Al Capps.\n\nTrack listing\n\"Where Did They Go\" (Harry Lloyd, Gloria Sklerov) - 3:53\n\"My Rock and Foundation\" (Burt Bacharach, Hal David) - 2:37\n\"Help Me Make It Through the Night\" (Kris Kristofferson) - 2:45\n\"All I Want\" (Steve Clayton [aka P. Tedesco], Gladys Shelley) - 2:40\n\"I Don't Know How to Love Him\" (Tim Rice, Andrew Lloyd Webber) - 3:24\n\"Goodbye Again\" (Donald J. Addrissi, Richard P. Addrissi) - 2:33\n\"Sing\" (Joe Raposo) - 2:25\n\"I Was Born in Love with You\" (Alan Bergman, Marilyn Bergman, Michel Legrand) - 4:01\n\"Losing My Mind\" (Stephen Sondheim) - 2:43\n\"My Sweet Lord\" (George Harrison) - 2:55\n\nNotes\nThe recording sessions for this album took place at the Capitol Tower in Hollywood, California.\n\nWhere Did They Go was Peggy Lee's first album not to make the Billboard 200 chart since her Grammy-winning hit \"Is That All There Is?\" in 1969.\n\nBurt Bacharach and Hal David wrote the song \"My Rock And Foundation\" specifically for Lee.\n\nCapitol Records released \"Where Did They Go\" (backed by \"All I Want\") as a 45\" single in 1971. The single did not make the charts.\n\nLee performed songs from this album, including \"Where Did They Go\" and \"My Sweet Lord,\" during her June 1971 engagement at The Frontier Hotel in Las Vegas, Nevada.\n\nAfter completing work on Where Did They Go, Peggy Lee did not return to the recording studio again until nearly a year later, when she began recording Norma Deloris Egstrom from Jamestown, North Dakota in April 1972.\n\nThis album was released on 8-track, along with LP.\n\nReferences\n\nExternal links \n Peggy Lee Discography\n\n1971 albums\nCapitol Records albums\nPeggy Lee albums\nAlbums arranged by Don Sebesky\nAlbums produced by Snuff Garrett", "\"Go, Jimmy, Go\" is a song written by Doc Pomus and Mort Shuman and performed by Jimmy Clanton. It reached #5 on the U.S. pop chart on July 12, 1959, and #19 on the U.S. R&B chart. It was featured on Clanton's 1961 album My Best to You. The song ranked #33 on Billboard magazine's Top 100 singles of 1960.\n\nProduction\nDoc Pomus and Mort Shuman originally wrote a song titled \"Go, Bobby, Go\" for Bobby Rydell who sung it \"half-heartedly\" due to not being interested in singing a song with his name in it. Rydell did record the song, but he did not release it. Pomus later rode in a taxi to Fox Theater in Brooklyn where a rock and roll show with Alan Freed was happening, wbere he offered the song to Jimmy Clanton while he was backstage. Pomus changed the title to \"Go, Jimmy, Go\" and said that the song was written for Clanton. Wayne Harada wrote in The Honolulu Advertiser that the song is \"one of the few upbeat tunes in Jim's repertoire.\"\n\nReception\nA Billboard review said, \"Go, Jimmy, Go\" is a swinging side that that finds Clanton in fine form. The rocker has lots to attract teens, and the side appears a likely winner.\" Charles J. Schreiber wrote a negative review in The Gazette stating, \"Although Jimmy can do better, this will still be a big hit. His public doesn't care so long as Jimmy sings.\"\n\nIn November 1959, Clanton told the Hawaii Tribune-Herald that \"his most recent release, \"Go, Jimmy, Go\", has given indications on the Mainland of being a potential hit.\" The title of the 1959 musical comedy film Go, Johnny, Go! was inspired by the song's title.\n\nReferences\n\n1959 songs\n1959 singles\nJimmy Clanton songs\nSongs with lyrics by Doc Pomus\nSongs with music by Mort Shuman\nNumber-one singles in Canada\nAce Records (United States) singles" ]

[ "Clarence Edwin \"Cito\" Gaston (; born March 17, 1944) is a former Major League Baseball outfielder and manager. His major league career as a player lasted from 1967 to 1978, most notably with the San Diego Padres and Atlanta Braves. He spent his entire managerial career with the Toronto Blue Jays, becoming the first African-American manager in Major League Baseball history to win a World Series title. Cito Gaston managed the Toronto Blue Jays from 1989 to 1997, then again from 2008 to 2010.", "Cito Gaston managed the Toronto Blue Jays from 1989 to 1997, then again from 2008 to 2010. During this time, he managed the Blue Jays to four American League East division titles (1989, 1991, 1992 and 1993), two American League pennants (1992 and 1993) and two World Series titles (1992 and 1993). Personal life Gaston grew up in San Antonio and Corpus Christi, Texas, where his father was a semi-truck driver.", "Personal life Gaston grew up in San Antonio and Corpus Christi, Texas, where his father was a semi-truck driver. His career ambitions were either to be a truck driver like his father, or make it into the Major Leagues. He adopted his nickname 'Cito' in preference to his given name 'Clarence'. Gaston later told Toronto Blue Jays broadcasters the name was taken from a Mexican-American wrestler he watched as a young man in Texas.", "Gaston later told Toronto Blue Jays broadcasters the name was taken from a Mexican-American wrestler he watched as a young man in Texas. Other reports state Gaston was given this nickname from a friend named Carlos Thompson who thought Gaston resembled a well known Mexican wrestler named \"Cito\". As a player with the Atlanta Braves, he was the roommate of Hank Aaron. Gaston credits Aaron with teaching him \"how to be a man; how to stand on my own.\" Gaston has been married three times.", "Gaston has been married three times. Gaston has been married three times. His first marriage ended in divorce with Gaston citing his baseball career as the reason. His second marriage to a Canadian woman, Denise, lasted from the early 80s to the early 2000s. Since 2003, Gaston has been married to Lynda, both residing in Oldsmar, Florida. When in Toronto, Gaston lives in a downtown condominium which he sublets to former Toronto Maple Leafs assistant coach Tim Hunter.", "When in Toronto, Gaston lives in a downtown condominium which he sublets to former Toronto Maple Leafs assistant coach Tim Hunter. Playing career United States Primarily a center fielder, Gaston began his decade-long playing career in with the Atlanta Braves, appearing in nine games. The following year he was selected by the San Diego Padres in the expansion draft, first playing for them in .", "The following year he was selected by the San Diego Padres in the expansion draft, first playing for them in . He had his best individual season in , when he batted .318 (the highest batting average by a Padre prior to Tony Gwynn's arrival) with 29 home runs, 92 runs scored and 93 RBI, and was selected to the National League All-Star team. The rest of Gaston's career did not live up to his All-Star season success.", "The rest of Gaston's career did not live up to his All-Star season success. Gaston never hit more than 17 home runs or knocked in more than 61 runs in any season with the Padres (until ) or the Braves (–). Venezuela In the Venezuelan Professional Baseball League, Cito Gaston played with the Cardenales de Lara (1967–68), the Navegantes del Magallanes (1968–72, 1975–76) and the Tiburones de La Guaira (1976–77).", "Venezuela In the Venezuelan Professional Baseball League, Cito Gaston played with the Cardenales de Lara (1967–68), the Navegantes del Magallanes (1968–72, 1975–76) and the Tiburones de La Guaira (1976–77). Gaston hit 31 home runs and drove in 207 runs in 310 games (regular season).", "Gaston hit 31 home runs and drove in 207 runs in 310 games (regular season). Managerial career Pre-World Series seasons Gaston became the hitting coach for the Toronto Blue Jays in , and remained the hitting instructor until 15 May , when he took over managerial duties from Jimy Williams, when the team was suffering through an unexpectedly bad start. Gaston originally declined the offer to be manager when Williams was fired. He told Ebony magazine: \"When I was offered the job as manager, I didn't want it.", "He told Ebony magazine: \"When I was offered the job as manager, I didn't want it. I was happy working as the team's hitting instructor\". It was only when his players encouraged him to take the job did he reconsider the offer. The Blue Jays won their first division title in 1985 with Gaston as hitting coach. Gaston was able to take superstars and mold them into a team.", "Gaston was able to take superstars and mold them into a team. Under Gaston's leadership, Toronto transformed from a sub-.500 team (12–24 under Jimy Williams) to the eventual division winners, going 89–73 (77–49 under Gaston). Toronto's success under Gaston was not short-lived, as they finished second in the division behind Boston the following year and won the division again in , and . World Series seasons As a coach and manager, Gaston was considered a player's manager.", "World Series seasons As a coach and manager, Gaston was considered a player's manager. He was a soft-spoken and steady influence during years that saw a large group of talented, high-salaried players grace the Blue Jays uniform. The franchise led the Major Leagues in attendance each year from 1989 to 1992, setting new records each of the latter three years, riding high from a dedicated fan base and following the Blue Jays' move into the SkyDome a few weeks after Gaston became manager.", "The franchise led the Major Leagues in attendance each year from 1989 to 1992, setting new records each of the latter three years, riding high from a dedicated fan base and following the Blue Jays' move into the SkyDome a few weeks after Gaston became manager. The resulting financial success allowed for major free agent signings, including Jack Morris and Dave Winfield ahead of the 1992 season, and Dave Stewart and Paul Molitor for 1993.", "The resulting financial success allowed for major free agent signings, including Jack Morris and Dave Winfield ahead of the 1992 season, and Dave Stewart and Paul Molitor for 1993. The Blue Jays also retained core All-Stars such as Joe Carter, Devon White, Roberto Alomar, and John Olerud. Carter credits Gaston for the team's championships: Cito knows how to work with each individual, treating everyone like a human being.", "Carter credits Gaston for the team's championships: Cito knows how to work with each individual, treating everyone like a human being. He knows exactly what to say, when to say it, what to do and how to go about doing it. When you have a manager like that, it makes you want to play for the guy. We'd go to war for him. What Cito has done for the Blue Jays can't be taken lightly.", "What Cito has done for the Blue Jays can't be taken lightly. Gaston had worked with players at an individual level as a hitting instructor and did the same as manager. He was known for his open communication with his players. He was a successful game strategist, effectively handling National League rules during World Series games in Atlanta and Philadelphia. In the six road games during World Series play, the Jays went 4–2, including the title clincher in Game 6 of the 1992 World Series in Atlanta.", "In the six road games during World Series play, the Jays went 4–2, including the title clincher in Game 6 of the 1992 World Series in Atlanta. The 1992 World Series victory was the first for a non-American team, and Gaston was the first African-American manager to win a World Series.", "The 1992 World Series victory was the first for a non-American team, and Gaston was the first African-American manager to win a World Series. The Blue Jays followed their 1992 success with a repeat victory in the 1993 World Series, an impressive feat, given that the Jays had lost starting position players Manuel Lee, Kelly Gruber, Candy Maldonado and Dave Winfield, starting pitchers Jimmy Key, David Cone and Dave Stieb, relievers Tom Henke and David Wells and bench players Derek Bell and Pat Tabler during the off-season following 1992.", "The Blue Jays followed their 1992 success with a repeat victory in the 1993 World Series, an impressive feat, given that the Jays had lost starting position players Manuel Lee, Kelly Gruber, Candy Maldonado and Dave Winfield, starting pitchers Jimmy Key, David Cone and Dave Stieb, relievers Tom Henke and David Wells and bench players Derek Bell and Pat Tabler during the off-season following 1992. All-Star manager Gaston managed the American League team in the 1993 and 1994 All-Star Games, since he was the manager of the American League champions in 1992 and 1993.", "All-Star manager Gaston managed the American League team in the 1993 and 1994 All-Star Games, since he was the manager of the American League champions in 1992 and 1993. He was criticized for selecting six Blue Jays to the 1993 roster, but was unapologetic, stating all six were World Champions and two were future Hall of Famers. Gaston's prediction proved correct, as two of those players (Roberto Alomar and Paul Molitor) have been voted into the National Baseball Hall of Fame.", "Gaston's prediction proved correct, as two of those players (Roberto Alomar and Paul Molitor) have been voted into the National Baseball Hall of Fame. In the 1993 All-Star Game held at Oriole Park at Camden Yards, he was criticized for not getting Orioles pitcher Mike Mussina into the game. Mussina got up in the ninth inning to warm up in the bullpen. Mussina later claimed that he was simply doing a between-start workout, but some interpreted it as an attempt to force Gaston to put him into the game.", "Mussina later claimed that he was simply doing a between-start workout, but some interpreted it as an attempt to force Gaston to put him into the game. As angry fans jeered in dismay, incredulous that Gaston would not use the popular local player and believing Mussina had been sent to warm up for no reason, Gaston instead allowed Blue Jays pitcher Duane Ward to close out the victory for the American League.", "As angry fans jeered in dismay, incredulous that Gaston would not use the popular local player and believing Mussina had been sent to warm up for no reason, Gaston instead allowed Blue Jays pitcher Duane Ward to close out the victory for the American League. Orioles fans did not like this perceived snub, later wearing T-shirts that said \"Cito sucks\" and carrying signs with the phrase, \"Will Rogers never met Cito Gaston\", referencing Rogers' famous line, \"I never met a man yet that I didn't like.\"", "Orioles fans did not like this perceived snub, later wearing T-shirts that said \"Cito sucks\" and carrying signs with the phrase, \"Will Rogers never met Cito Gaston\", referencing Rogers' famous line, \"I never met a man yet that I didn't like.\" Post-World Series Gaston's fortunes, like those of the Blue Jays franchise as a whole, faded after the championship years.", "Post-World Series Gaston's fortunes, like those of the Blue Jays franchise as a whole, faded after the championship years. The World Series winning clubs had dissipated because of aging players, increased post-Series salary demands, and the failure of new owner Interbrew (which acquired founding owner Labatt in 1995) to raise the budget substantially.", "The World Series winning clubs had dissipated because of aging players, increased post-Series salary demands, and the failure of new owner Interbrew (which acquired founding owner Labatt in 1995) to raise the budget substantially. After Major League Baseball solved its labor problems in 1994, Pat Gillick and eventually Paul Beeston left the organization and annual attendance began to drop considerably, but the Blue Jays were still trying to compete in the American League East and in 1997 signed free agent Roger Clemens.", "After Major League Baseball solved its labor problems in 1994, Pat Gillick and eventually Paul Beeston left the organization and annual attendance began to drop considerably, but the Blue Jays were still trying to compete in the American League East and in 1997 signed free agent Roger Clemens. When the team could barely break the .500 mark all season, Gaston was fired by Gillick's successor as general manager, Gord Ash. He had failed to lead the team to a winning record since 1993 and seemed uninterested in keeping his position.", "He had failed to lead the team to a winning record since 1993 and seemed uninterested in keeping his position. Gaston forced Ash's hand by telling his boss that he was taking a vacation at season's end and would not be around for the usual post season evaluation process. He was replaced by then-pitching coach Mel Queen on an interim basis for the last week of the season. Joe Carter wore Gaston's No.", "Joe Carter wore Gaston's No. Joe Carter wore Gaston's No. 43 on his jersey for the remainder of the season in part to honor him and in part to express his displeasure at his firing. Gaston finished his first stint as manager with a 683–636 regular season record and 18–16 post–season record. Gaston was a final candidate for the Detroit Tigers manager's job in the 1999–2000 season and was the runner-up in the Chicago White Sox manager position in the 2003–2004 off season.", "Gaston was a final candidate for the Detroit Tigers manager's job in the 1999–2000 season and was the runner-up in the Chicago White Sox manager position in the 2003–2004 off season. Sox GM Kenny Williams, who had played under Gaston in Toronto, had him as of two finalists for the job but decided to hire Ozzie Guillén. Gaston had several offers to rejoin major league teams as a hitting instructor, namely the Kansas City Royals, but declined offers.", "Gaston had several offers to rejoin major league teams as a hitting instructor, namely the Kansas City Royals, but declined offers. After interviewing unsuccessfully for several other managerial jobs, Gaston said that he would only manage again if he were hired directly without an interview. Gaston turned down an opportunity with the Los Angeles Dodgers in 2004. Gaston rejoined the team as a hitting coach after the season under manager Buck Martinez but was not retained after a disappointing campaign and the sale of the franchise to Rogers Communications.", "Gaston rejoined the team as a hitting coach after the season under manager Buck Martinez but was not retained after a disappointing campaign and the sale of the franchise to Rogers Communications. In 2002, he was hired by the Jays for a third time, as special assistant to president and chief executive officer Paul Godfrey. Managerial return On June 20, 2008, Gaston was rehired as the manager of the Blue Jays to replace John Gibbons.", "Managerial return On June 20, 2008, Gaston was rehired as the manager of the Blue Jays to replace John Gibbons. It was his first managerial job at the major-league level since being fired by the Blue Jays 11 years earlier, which was unusual for a World Series-winning manager. The team's record was 35–39 when Gaston and his coaching staff took over, after which the Blue Jays went 51–37 for the remainder of the season which included a late ten-game winning streak and the team finished fourth in the American League East.", "The team's record was 35–39 when Gaston and his coaching staff took over, after which the Blue Jays went 51–37 for the remainder of the season which included a late ten-game winning streak and the team finished fourth in the American League East. On September 25, 2008, it was announced that Gaston had signed a two-year extension that would keep him as manager until 2010. He announced on October 30, 2009 that he would retire after the 2010 season.", "He announced on October 30, 2009 that he would retire after the 2010 season. Managerial record Controversies In April 1997, during a pre-game interview, Gaston accused specific members of Toronto's sports media (Toronto Sun columnist Steve Simmons, The Globe and Mail sports editor Dave Langford, and Fan 590 sports talk show host Bob McCown) of racism against him, stating \"There's a couple (of sports writers) who continue to take shots at me for no reason at all.", "Managerial record Controversies In April 1997, during a pre-game interview, Gaston accused specific members of Toronto's sports media (Toronto Sun columnist Steve Simmons, The Globe and Mail sports editor Dave Langford, and Fan 590 sports talk show host Bob McCown) of racism against him, stating \"There's a couple (of sports writers) who continue to take shots at me for no reason at all. I just wonder if they would take the same shot at me if I was white.\"", "I just wonder if they would take the same shot at me if I was white.\" After the game against the Oakland A's on April 17, Gaston spoke briefly about his pre-game comments. \"I've got one statement that I'm going to say, and I'm not going to say another word\", Gaston said. \"Whatever has been said, whatever has been written, if it has offended someone and it's unjustly offended them, I apologize.", "\"Whatever has been said, whatever has been written, if it has offended someone and it's unjustly offended them, I apologize. If it hasn't, then I don't apologize.\" On October 3, 2009, an online column by Fox Sports baseball writer Ken Rosenthal reported of a mutiny in the Blue Jays' clubhouse against Gaston by his players and some members of his coaching staff.", "On October 3, 2009, an online column by Fox Sports baseball writer Ken Rosenthal reported of a mutiny in the Blue Jays' clubhouse against Gaston by his players and some members of his coaching staff. Rosenthal cited unnamed sources who claimed that the mutiny was a result of his impatience with the players after they started losing, partially reflected with players getting less playing time, his lack of communication, including his inability to properly communicate substitutions, and his negativity, especially when it came to the younger players who required more positive reinforcement.", "Rosenthal cited unnamed sources who claimed that the mutiny was a result of his impatience with the players after they started losing, partially reflected with players getting less playing time, his lack of communication, including his inability to properly communicate substitutions, and his negativity, especially when it came to the younger players who required more positive reinforcement. A day after the report, Blue Jays first baseman Lyle Overbay was quoted as being one of the players who was surprised over his lack of playing time as well as wanting Gaston to improve his communication.", "A day after the report, Blue Jays first baseman Lyle Overbay was quoted as being one of the players who was surprised over his lack of playing time as well as wanting Gaston to improve his communication. \"More than anything, I want to try to figure out what to expect for next year. It kind of caught me off-guard a little bit when I wasn't playing. ... (Gaston) never really said a lot.", "... (Gaston) never really said a lot. ... (Gaston) never really said a lot. As we were winning, he was kind of sitting on the back burner, watching us play good.\" When asked about the report on the clubhouse mutiny, Gaston replied that he was surprised that such criticism existed. \"If you've got two or three or four guys in there that have a problem, then you don't have to win anything, do you?", "\"If you've got two or three or four guys in there that have a problem, then you don't have to win anything, do you? You might have to certainly deal with those guys, but you don't have to win the clubhouse back. I don't think that you can ... rely (on a few) players to find out (if there's a problem). I think you need to talk to all of them.", "I think you need to talk to all of them. If it comes up to 50 percent, then, hey, maybe we've got a problem. I'd like to know what the problem is because I can't be any fairer than I've been.\" On June 1, 2010, Fan 590 broadcaster Mike Wilner had an argument during a media scrum with Gaston about his field level decision making. Wilner detailed the confrontation on his blog.", "Wilner detailed the confrontation on his blog. Wilner detailed the confrontation on his blog. The following day, Fan 590 - a station of Blue Jays owner Rogers Communications - announced he would not be covering the team for several days, but refused to specify the reason. Awards and honors In 1970, Gaston was selected for the All-Star Game as a reserve outfielder. Also in 1970, Gaston received the San Diego Padres team MVP award. In 1989, Gaston was the \"Baseball Man of the Year\" in Canada.", "In 1989, Gaston was the \"Baseball Man of the Year\" in Canada. In 1993, Gaston was voted \"Sportsman of the Year\". Managed the American League team in the 1993 Major League Baseball All-Star Game. Managed the American League team in the 1994 Major League Baseball All-Star Game. The University of Toronto granted Gaston an Honorary Doctor of Laws degree in June 1994.", "The University of Toronto granted Gaston an Honorary Doctor of Laws degree in June 1994. In 1999, Gaston's Blue Jays uniform name and number (#43) were honoured by addition to the Rogers Centre's Blue Jays \"Level of Excellence\". In 2002, Gaston was elected into the Canadian Baseball Hall of Fame. Gaston was inducted into the San Antonio Sports Hall of Fame in 2006. In 2008, Gaston was presented a Negro League Hall of Fame Legacy Award (Jackie Robinson Award).", "In 2008, Gaston was presented a Negro League Hall of Fame Legacy Award (Jackie Robinson Award). In 2011, Gaston was inducted into the Ontario Sports Hall of Fame.", "In 2011, Gaston was inducted into the Ontario Sports Hall of Fame. Notes External links Canadian Press article SABR Biography Project 1944 births Living people African-American baseball coaches African-American baseball managers African-American baseball players American expatriate baseball people in Canada American expatriate baseball players in Mexico Arizona Instructional League Athletics players Arizona Instructional League Braves players Atlanta Braves players Austin Braves players Baseball coaches from Texas Baseball players from San Antonio Batavia Trojans players Binghamton Triplets players Bravos de León players Cachorros de León players Canadian Baseball Hall of Fame inductees Cardenales de Lara players Greenville Braves players Major League Baseball outfielders National League All-Stars Navegantes del Magallanes players American expatriate baseball players in Venezuela People from Oldsmar, Florida Pittsburgh Pirates players Richmond Braves players San Diego Padres players Santo Domingo Azucareros players Shreveport Braves players Tiburones de La Guaira players Toronto Blue Jays coaches Toronto Blue Jays managers West Palm Beach Braves players World Series-winning managers 21st-century African-American people 20th-century African-American sportspeople" ]

[ "Skunk Anansie", "Reunion: 2009-2010" ]

[ "Reunion is genealogy software made by Leister Productions, Inc., a privately held firm established by Frank Leister in 1984 located in Mechanicsburg, Pennsylvania. The company operates as a genealogy (family tree) software developer exclusively for macOS and iOS. Reunion was initially a Macintosh application, programmed in Apple's HyperCard. Version 4 was available for Windows and Macintosh until the Windows version was sold to Sierra in 1997.\n\nReunion provides methods to create, manipulate and generate reports about a family history. It has the capability to produce charts depicting family relationships and the ability to produce Web pages for publishing a family history online. Reunion can also be used to gather family statistics. It allows integration of images and movies into Reunion family files.\n\nReunion version history \nThe announcement pages for the respective versions offer more details as to the exact changes.\n\nReunion 13 was announced in November 2020. Updates added MacOS Big Sur support and native support for Apple M1 CPUs.\n\nReunion 12 was updated in May 2018. New features include a new Duplicate Check, further improvements to syncing with Reunion's mobile app \"ReunionTouch\" for iOS, a new Citations List, improvements to Sorting, and a number of other upgrades.\n\nReunion 11 was announced in April 2015. New features include better syncing with Reunion's mobile app, Book creator to automatically generate PDF books, improved editing, and \"on-the-fly\" relationships identification.\n\nReunion 10 was announced in May 2012. New features include web searching, mapping of places, a tree view, a nav bar and a sidebar, image dragging from a web browser, side-by-side matching and merging people, and graphic relationship charts.\n\nReunion 9 was announced in March 2007. This version became a universal binary Cocoa-based application, which runs under OS X. New features include Unicode support and a less \"modal\" design, allowing index and source windows to remain open for easier access.\n\nReunion 8 was announced in September 2002. This version became a Mac OS X native application, providing users of OS X and prior versions of the Macintosh operating system the ability to utilize the software. Charting was significantly enhanced with the move to Reunion 8.\n\nReunion 7 was announced in May 2000 and among the changes seen at this time was the integration of SuperChart into a single Reunion application and the ability to have multiple family files open at one time.\n\nReunion 6 was announced in November 1998 and saw the genealogy software change to include pictures into the family card view and introduced the Match & Merge tool that can be used to detect and remove duplicate records in the family file.\n\nReunion 5 was announced in September 1997 and saw the introduction of drag and drop capabilities when working with the family card. Editing also became easier with start of tabbed windows to allow for faster, more efficient data entry.\n\nReunion 4 was the last version available for Windows.\n\nLanguages \n English\n The following translations have been completed by Reunion users:\n Dutch (version 8 & 9)\n French (version 8 & 9)\n German\n Norwegian\n Swedish\n\nExternal Tools \nThird party utilities/add-ons - for Reunion.\n\nReferences\n\nExternal links \nReunion Software - for macOS and iOS\nReunionTalk - Forum\nSoftware Review on GenealogyTools.com\n\nReunion", "The Porsche Rennsport Reunion is an automotive event and the world's largest meeting of classic Porsche racing cars and their drivers. Porsche has been organising the Rennsport Reunion since 2001 to honour its own motorsport tradition. The event has been conceived by the former British racing driver Brian Redman and former Porsche Cars North America’s press spokesperson Bob Carlson.\n\nHistory \nRennsport Reunion is an event hosted since 2001 every 3 to 4 years in the United States. After the first three events were held on the east coast of the US, two events at Daytona International Speedway in Daytona Beach, Florida in 2004 and 2007 followed, before the event moved for Rennsport Reunion IV to the west coast in 2011.\n\nRennsport Reunion I \nThe first Porsche Rennsport Reunion event was held at Lime Rock Park, Connecticut in 2001.\n\nRennsport Reunion II \nThe Porsche Rennsport Reunion II was held at the Daytona International Speedway in 2004.\n\nRennsport Reunion III \nThe Porsche Rennsport Reunion III was held at the Daytona International Speedway in 2007.\n\nRennsport Reunion IV \n\nThe Porsche Rennsport Reunion IV was held at Laguna Seca in Monterey, California in 2011.\n\nRennsport Reunion V \n\nThe Porsche Rennsport Reunion V was held at Laguna Seca in Monterey, California in 2015.\n\nRennsport Reunion VI \nThe Porsche Rennsport Reunion VI was held at Laguna Seca in Monterey, California in September 2018 with 81,550 attendees.\n\nReferences\n\nExternal links \n\nPorsche in motorsport\nAuto shows in the United States" ]

[ "Skunk Anansie are a British rock band whose members include Skin (lead vocals, guitar), Cass (bass, guitar, backing vocals), Ace (guitar, backing vocals) and Mark Richardson (drums and percussion). Skunk Anansie formed in 1994, disbanded in 2001 and reformed in 2009. The name \"Skunk Anansie\" is taken from Akan folk tales of Anansi the spider-man of Ghana, with \"Skunk\" added to \"make the name nastier\".", "The name \"Skunk Anansie\" is taken from Akan folk tales of Anansi the spider-man of Ghana, with \"Skunk\" added to \"make the name nastier\". They have released six studio albums: Paranoid & Sunburnt (1995), Stoosh (1996), Post Orgasmic Chill (1999), Wonderlustre (2010), Black Traffic (2012) and Anarchytecture (2016); one compilation album, Smashes and Trashes (2009); and several hit singles, including \"Charity\", \"Hedonism\", \"Selling Jesus\" and \"Weak\".", "They have released six studio albums: Paranoid & Sunburnt (1995), Stoosh (1996), Post Orgasmic Chill (1999), Wonderlustre (2010), Black Traffic (2012) and Anarchytecture (2016); one compilation album, Smashes and Trashes (2009); and several hit singles, including \"Charity\", \"Hedonism\", \"Selling Jesus\" and \"Weak\". They are often grouped as part of the Britrock movement, as opposed to the contemporary Britpop of their early years due to their overall harder sound.", "They are often grouped as part of the Britrock movement, as opposed to the contemporary Britpop of their early years due to their overall harder sound. The band, in 2004, was named as one of the most successful UK chart acts between 1952 and 2003 by the Guinness Book of British Hit Singles & Albums, with a total of 142 weeks on both the singles and album charts ranking them at No. 491.", "491. 491. When the book first published this annual top 500 list in 2000, it only involved weeks spent on the singles chart until 2004's 17th edition. History Formation and early career: 1994–2001 The group played its first gig at London's Splash club in March 1994. In 1995 they were voted Best New British Band by the readers of Kerrang! magazine.", "In 1995 they were voted Best New British Band by the readers of Kerrang! magazine. magazine. At the award ceremony that year drummer Mark Richardson met the band who were looking for a permanent replacement for Robbie France, so an audition was set up and the band was reformed. Soon after that, two of their songs, \"Feed\" and \"Selling Jesus\", appeared on the soundtrack of the film Strange Days in 1995.", "Soon after that, two of their songs, \"Feed\" and \"Selling Jesus\", appeared on the soundtrack of the film Strange Days in 1995. \"Selling Jesus\" became Skunk Anansie's controversial second song to receive radio play, following their first radio release \"Little Baby Swastikkka\". After hearing this song, radio personality Howard Stern claimed that the band would become a huge hit. Success continued for the band and they were also voted Kerrang! 's Best British Live Act in 1996.", "'s Best British Live Act in 1996. 's Best British Live Act in 1996. In 1997 they were nominated for Best Live Act and Best Group at the MTV Europe Music Awards. The group played its first gig at London's Splash club in March 1994, subsequently taking six weeks to record its debut album, Paranoid & Sunburnt, with producer Sylvia Massy at a \"haunted house\" outside the city.", "The group played its first gig at London's Splash club in March 1994, subsequently taking six weeks to record its debut album, Paranoid & Sunburnt, with producer Sylvia Massy at a \"haunted house\" outside the city. The band's first single, \"Selling Jesus,\" was featured on the soundtrack of the film Strange Days; Stoosh followed in 1996. Both albums were released by One Little Indian Records.", "Both albums were released by One Little Indian Records. Both albums were released by One Little Indian Records. After switching to the Virgin label in 1998, their third album, Post Orgasmic Chill, was released in 1999. In 1996, the band played a set at the Coppid Beech Hotel, Bracknell during a record label event. In 1999, the band were the last band of the 20th Century to headline Glastonbury Festival; closing the Pyramid Stage on Sunday 27 June.", "In 1999, the band were the last band of the 20th Century to headline Glastonbury Festival; closing the Pyramid Stage on Sunday 27 June. Throughout the 1990s, the group toured globally with such bands as U2, Aerosmith, Feeder, Lenny Kravitz, Bad Religion, Rollins Band, Therapy?, Rammstein, Killing Joke, Soulfly, Sevendust, Oomph!, Muse, Staind, Powerman 5000, Veruca Salt, Marion and A Perfect Circle.", "Throughout the 1990s, the group toured globally with such bands as U2, Aerosmith, Feeder, Lenny Kravitz, Bad Religion, Rollins Band, Therapy?, Rammstein, Killing Joke, Soulfly, Sevendust, Oomph!, Muse, Staind, Powerman 5000, Veruca Salt, Marion and A Perfect Circle. Side projects: 2002–2008 After their split in 2001, Skin embarked on a solo career.", "Side projects: 2002–2008 After their split in 2001, Skin embarked on a solo career. Her debut solo album Fleshwounds, co-written with longtime songwriting partner Len Arran was released in September 2003 and Fake Chemical State was released in March 2006. She has also provided vocals for a number of other acts' songs. Ace released a low-key album, Still Hungry, under the name Ace Sounds, which featured many collaborations including Shingai Shoniwa from Noisettes and Skye from Morcheeba. He later joined a band called \"Inner Mantra\".", "He later joined a band called \"Inner Mantra\". Ace is also a tutor at the Brighton Institute of Modern Music In 2002 Cass recorded the album Scars with Gary Moore, and played bass and performed backing vocals. Cass also played various instruments on Skin's first solo album. When not recording he concentrates on photography. Mark recorded sessions for various artists including Skin before joining Feeder after the death of their original drummer, Jon Lee. Mark has also been tutoring at the Brighton Institute with bandmate Ace.", "Mark has also been tutoring at the Brighton Institute with bandmate Ace. Reunion: 2009–2010 Mark Richardson confirmed reports that the band was reforming in an interview with Drummer Magazine (November 2008 issue), and said that the band planned to release a \"best of\" compilation as well as new material. Ace later set up an official page for the band on MySpace.", "Ace later set up an official page for the band on MySpace. On 2 and 3 April 2009, two shows took place at the Monto Water Rats (the former venue of the Splash Club) in London, under the alias SCAM (Skin, Cass, Ace, Mark) and sold out in 20 minutes. The band began their \"Greatest Hits\" tour on Friday, 9 October 2009 at the Ancienne Belgique in Brussels, with other dates across Europe. It was their first actual tour in eight years.", "It was their first actual tour in eight years. It was their first actual tour in eight years. A \"greatest hits\" album, Smashes and Trashes, was released 2 November 2009. It is a 15-track career-embracing album and includes three brand new tracks: \"Because of You\", \"Tear the Place Up\" and \"Squander\". A best-of remixes companion album was also released digitally.", "A best-of remixes companion album was also released digitally. A best-of remixes companion album was also released digitally. On 3 July 2009, the music video for \"Tear the Place Up\" was presented exclusively on MySpace, before on 10 August 2009, a new video for \"Because of You\" was presented exclusively on Kerrang.com. It was released 14 September 2009 in the UK and was the first single to be released from Smashes and Trashes.", "It was released 14 September 2009 in the UK and was the first single to be released from Smashes and Trashes. The single was a top 10 hit in Italy, before its follow-up \"Squander\" was a top 75 success in Flanders, the Dutch-speaking part of Belgium. Their fifth album Wonderlustre was released internationally on 13 September 2010, preceded by the first single \"My Ugly Boy\", which was released in the UK on 16 August 2010 and in Europe July/August.", "Their fifth album Wonderlustre was released internationally on 13 September 2010, preceded by the first single \"My Ugly Boy\", which was released in the UK on 16 August 2010 and in Europe July/August. The video for \"My Ugly Boy\" was presented exclusively on Kerrang.com on 23 July 2010. Wonderlustre reached number one on the Italian albums chart on 1 October 2010 and placed in the top 10 in charts all over Europe including in Germany, the Netherlands, France and Poland.", "Wonderlustre reached number one on the Italian albums chart on 1 October 2010 and placed in the top 10 in charts all over Europe including in Germany, the Netherlands, France and Poland. In May 2010 they were a supporting act for Rammstein, during two concerts in Berlin. The second single from Wonderlustre, \"Over the Love\" was released internationally in November 2010. In November 2010 the band played on Ídolos, a Portuguese equivalent to the UK's Pop Idol.", "In November 2010 the band played on Ídolos, a Portuguese equivalent to the UK's Pop Idol. \"You Saved Me\", the third single from Wonderlustre was released internationally in March 2011. Continuing career: 2011–present On 12 June 2011, the band performed at an open air 'Rock over Volga' at Samara, Russia. The performance was exceptionally well-received. The band also appeared on Friday 12 August at Sziget Festival in Budapest, Hungary playing a mixed set of hits and newer material.", "The band also appeared on Friday 12 August at Sziget Festival in Budapest, Hungary playing a mixed set of hits and newer material. This was their first appearance at Sziget. Sziget's own website reporting \"nobody had any doubts who the Queen of this year's Sziget turned out to be\". Skunk Anansie was on stage when the tragedy occurred at Pukkelpop in Belgium on 18 August 2011. As the band was performing a small tornado hit the venue and artists and revellers alike were sent running for their lives.", "As the band was performing a small tornado hit the venue and artists and revellers alike were sent running for their lives. Five were killed whilst several more were injured. Singer Skin described the incident as the most terrifying of her life. Former drummer Robbie France died on 14 January 2012 in Spain. He was 52. On 11 June 2012, Skunk Anansie revealed the title for their 5th studio album: Black Traffic.", "On 11 June 2012, Skunk Anansie revealed the title for their 5th studio album: Black Traffic. The band's follow-up to 2010's critically acclaimed Wonderlustre was recorded in London and produced by Skunk Anansie and Chris Sheldon and mixed by Jeremy Wheatley and Adrian Bushby. Black Traffic became the band's first independent release via their own label working in partnership with 100% Records. The album was released in September 2012 release and was backed by the first leg of an extensive 20 date European Tour.", "The album was released in September 2012 release and was backed by the first leg of an extensive 20 date European Tour. On 29 June 2012, the band released the lyric video for a new track called 'Sad, Sad, Sad'.", "On 29 June 2012, the band released the lyric video for a new track called 'Sad, Sad, Sad'. Nick Bassett praised the track on his site The Re-View: \"Thrashing percussion and Skin's vocal - she remains one of the UK's greatest and most underrated female vocalists - are all in check as the band return to the heavy rock sound that first shot them into the mainstream in the mid-nineties.\"", "Nick Bassett praised the track on his site The Re-View: \"Thrashing percussion and Skin's vocal - she remains one of the UK's greatest and most underrated female vocalists - are all in check as the band return to the heavy rock sound that first shot them into the mainstream in the mid-nineties.\" In September 2013, the band released their seventh album, An acoustic Skunk Anansie - Live in London which was recorded live at Cadogan Hall in April of that year.", "In September 2013, the band released their seventh album, An acoustic Skunk Anansie - Live in London which was recorded live at Cadogan Hall in April of that year. The album was also released as a live DVD and was described by the band as 'a family affair' as it featured Skin's longtime writing partner Len Arran on guitar and Erika Footman, Mark's wife on backing vocals and keyboards.", "The album was also released as a live DVD and was described by the band as 'a family affair' as it featured Skin's longtime writing partner Len Arran on guitar and Erika Footman, Mark's wife on backing vocals and keyboards. On 15 January 2016, Skunk Anansie released their sixth studio album Anarchytecture, and embarked upon an extensive European tour in February 2016 and throughout Summer 2016.", "On 15 January 2016, Skunk Anansie released their sixth studio album Anarchytecture, and embarked upon an extensive European tour in February 2016 and throughout Summer 2016. In 2017, Skunk Anansie turned their influence to help young aspiring musicians and launched the first ever Skunk Anansie scholarship in conjunction with The Academy of Contemporary Music. The band pick one successful applicant from either ACM Guildford, ACM London or ACM Birmingham and offer them £27,000 of funding for their degree course. The scholarship was again awarded the following year.", "The scholarship was again awarded the following year. The scholarship was again awarded the following year. In September 2018, the band announced they’d be releasing the very special live album, 25LIVE@25 through Republic of Music in celebration of their forthcoming 25th anniversary. It was released 25 January 2019 and features 25 tracks taken from across their six studio albums, which were captured live from various performances on their 2017 tour.", "It was released 25 January 2019 and features 25 tracks taken from across their six studio albums, which were captured live from various performances on their 2017 tour. Continuing the 25th anniversary celebrations Skunk Anansie will be touring Europe throughout the summer of 2019, headlining festivals and their own shows, finishing with a string of UK shows Across the UK and European media the importance of the band in today's culture has been given renewed prominence.", "Continuing the 25th anniversary celebrations Skunk Anansie will be touring Europe throughout the summer of 2019, headlining festivals and their own shows, finishing with a string of UK shows Across the UK and European media the importance of the band in today's culture has been given renewed prominence. The UK media have embraced the band once more with Skin appearing in interviews for the likes of Channel 4 News, Newsnight, The One Show, ITN, and Radio 2 discussing current political and social issues.", "The UK media have embraced the band once more with Skin appearing in interviews for the likes of Channel 4 News, Newsnight, The One Show, ITN, and Radio 2 discussing current political and social issues. The band have also been hailed as one of the most important rock bands of the modern age rock across a broad spectrum of UK press titles, and were the recipients of the Hall of Fame Award at the 2019 Kerrang! Awards on 19 June 2019.", "Awards on 19 June 2019. Awards on 19 June 2019. 2019 saw the release of the single \"What You Do For Love\". The black and white video for the song shows Skunk Anansie in concert. This was followed by the single \"This Means War\" in 2020. At the beginning of 2022, a new single - \"Piggy\" - was released.", "At the beginning of 2022, a new single - \"Piggy\" - was released. Influences Skin has described Skunk Anansie as a \"clit-rock\" group, which Allmusic clarifies as \"an amalgam of heavy metal and black feminist rage\". Members Skin and Ace have mentioned the Sex Pistols, Blondie, dub, reggae, electronica, hip-hop and world music as significant influences.", "Members Skin and Ace have mentioned the Sex Pistols, Blondie, dub, reggae, electronica, hip-hop and world music as significant influences. Other media The band also covered The Stooges' song \"Search and Destroy\" specifically for the soundtrack of Zack Snyder's film Sucker Punch, released on 25 March 2011. The soundtrack also includes a Skunk Anansie remix of the song \"Army of Me\" by Björk.", "The soundtrack also includes a Skunk Anansie remix of the song \"Army of Me\" by Björk. Band members Deborah \"Skin\" Dyer – lead vocals, guitar, theremin (1994–2001; 2009–present) Martin \"Ace\" Kent – guitar, backing vocals (1994–2001; 2009–present) Richard \"Cass\" Lewis – bass, guitar, backing vocals (1994–2001; 2009–present) Mark Richardson – drums, percussion, backing vocals (1995–2001; 2009–present) Former members Robbie France – drums, percussion (1994–1995; died 2012) Touring members Erika Footman – keyboards Discography Studio albums Paranoid & Sunburnt (1995) Stoosh (1996) Post Orgasmic Chill (1999) Wonderlustre (2010) Black Traffic (2012) Anarchytecture (2016) References External links Review of 'Squander' on the Daily Music Guide Official Website Review of 'Because Of You' on the Daily Music Guide Skinmusic.net - Lead singer's official site containing Skunk Anansie content Lisbon concert review English alternative rock groups English hard rock musical groups British alternative metal musical groups English heavy metal musical groups Musical groups disestablished in 2001 Musical groups established in 1994 Musical groups from London Musical groups reestablished in 2009 One Little Independent Records artists Virgin Records artists Epic Records artists V2 Records artists Musical quartets" ]

[ "Skunk Anansie", "Reunion: 2009-2010", "When was the reunion?", "Mark Richardson confirmed reports that the band was reforming in an interview with Drummer Magazine (November 2008 issue)," ]

[ "Get Into It is the seventh album by rapper/DJ, The Egyptian Lover. The album was released on June 2, 1998 for Egyptian Empire Records and was produced by Egytpian Lover. The album was a mild success and marked the first time since 1988's Filthy that Egyptian Lover made it to the Billboard Charts, making it to #72 on the Top R&B/Hip-Hop Albums chart. The album, however, did not produce any hit singles.\n\nTrack listing\n\"Love Theme\" – 4:16\n\"Got Me Goin' (Crazy)\" – 6:49\n\"\"Me\"\" – 3:32\n\"90's Ladies\" – 3:26\n\"Let's Get It On\" – 3:47\n\"Get Into It\" – 2:42\n\"$\" – 5:09\n\"Tear The Roof Off\" – 4:36\n\"Dance Music\" – 5:13\n\"Jam\" – 4:09\n\nReferences\n\nEgyptian Lover albums\n1990 albums\nAlbums produced by Egyptian Lover", "Back From the Tomb is the fourth studio album and fifth overall by rapper/DJ, Egyptian Lover. The album was released in 1994 for Egyptian Empire Records and was produced by Egyptian Lover. The album was Egyptian Lover's first since 1988's Filthy, however due to Gangsta rap dominating the charts and air waves, the album was a critical and commercial failure and did not make it on any billboard charts or produce any singles.\n\nTrack listing\n\"I'm So Freaky\" – 4:19\n\"Bounce That Bootie\" – 3:50\n\"I Need a Freak\" – 4:51\n\"Gotta Have Ya\" – 4:24\n\"My Lil Telephone Freak (Dial-A-Freak, Pt. 2)\" – 4:32\n\"Make It Talk to Me Baby\" – 3:35\n\"Work, Freak, Pump That Body\" – 7:52\n\"Yea!\" – 4:39\n\"World of Girls\" – 5:18\n\"Release to the Beat\" – 4:39\n\nReferences \n\nEgyptian Lover albums\n1994 albums\nAlbums produced by Egyptian Lover" ]

[ "Skunk Anansie are a British rock band whose members include Skin (lead vocals, guitar), Cass (bass, guitar, backing vocals), Ace (guitar, backing vocals) and Mark Richardson (drums and percussion). Skunk Anansie formed in 1994, disbanded in 2001 and reformed in 2009. The name \"Skunk Anansie\" is taken from Akan folk tales of Anansi the spider-man of Ghana, with \"Skunk\" added to \"make the name nastier\".", "The name \"Skunk Anansie\" is taken from Akan folk tales of Anansi the spider-man of Ghana, with \"Skunk\" added to \"make the name nastier\". They have released six studio albums: Paranoid & Sunburnt (1995), Stoosh (1996), Post Orgasmic Chill (1999), Wonderlustre (2010), Black Traffic (2012) and Anarchytecture (2016); one compilation album, Smashes and Trashes (2009); and several hit singles, including \"Charity\", \"Hedonism\", \"Selling Jesus\" and \"Weak\".", "They have released six studio albums: Paranoid & Sunburnt (1995), Stoosh (1996), Post Orgasmic Chill (1999), Wonderlustre (2010), Black Traffic (2012) and Anarchytecture (2016); one compilation album, Smashes and Trashes (2009); and several hit singles, including \"Charity\", \"Hedonism\", \"Selling Jesus\" and \"Weak\". They are often grouped as part of the Britrock movement, as opposed to the contemporary Britpop of their early years due to their overall harder sound.", "They are often grouped as part of the Britrock movement, as opposed to the contemporary Britpop of their early years due to their overall harder sound. The band, in 2004, was named as one of the most successful UK chart acts between 1952 and 2003 by the Guinness Book of British Hit Singles & Albums, with a total of 142 weeks on both the singles and album charts ranking them at No. 491.", "491. 491. When the book first published this annual top 500 list in 2000, it only involved weeks spent on the singles chart until 2004's 17th edition. History Formation and early career: 1994–2001 The group played its first gig at London's Splash club in March 1994. In 1995 they were voted Best New British Band by the readers of Kerrang! magazine.", "In 1995 they were voted Best New British Band by the readers of Kerrang! magazine. magazine. At the award ceremony that year drummer Mark Richardson met the band who were looking for a permanent replacement for Robbie France, so an audition was set up and the band was reformed. Soon after that, two of their songs, \"Feed\" and \"Selling Jesus\", appeared on the soundtrack of the film Strange Days in 1995.", "Soon after that, two of their songs, \"Feed\" and \"Selling Jesus\", appeared on the soundtrack of the film Strange Days in 1995. \"Selling Jesus\" became Skunk Anansie's controversial second song to receive radio play, following their first radio release \"Little Baby Swastikkka\". After hearing this song, radio personality Howard Stern claimed that the band would become a huge hit. Success continued for the band and they were also voted Kerrang! 's Best British Live Act in 1996.", "'s Best British Live Act in 1996. 's Best British Live Act in 1996. In 1997 they were nominated for Best Live Act and Best Group at the MTV Europe Music Awards. The group played its first gig at London's Splash club in March 1994, subsequently taking six weeks to record its debut album, Paranoid & Sunburnt, with producer Sylvia Massy at a \"haunted house\" outside the city.", "The group played its first gig at London's Splash club in March 1994, subsequently taking six weeks to record its debut album, Paranoid & Sunburnt, with producer Sylvia Massy at a \"haunted house\" outside the city. The band's first single, \"Selling Jesus,\" was featured on the soundtrack of the film Strange Days; Stoosh followed in 1996. Both albums were released by One Little Indian Records.", "Both albums were released by One Little Indian Records. Both albums were released by One Little Indian Records. After switching to the Virgin label in 1998, their third album, Post Orgasmic Chill, was released in 1999. In 1996, the band played a set at the Coppid Beech Hotel, Bracknell during a record label event. In 1999, the band were the last band of the 20th Century to headline Glastonbury Festival; closing the Pyramid Stage on Sunday 27 June.", "In 1999, the band were the last band of the 20th Century to headline Glastonbury Festival; closing the Pyramid Stage on Sunday 27 June. Throughout the 1990s, the group toured globally with such bands as U2, Aerosmith, Feeder, Lenny Kravitz, Bad Religion, Rollins Band, Therapy?, Rammstein, Killing Joke, Soulfly, Sevendust, Oomph!, Muse, Staind, Powerman 5000, Veruca Salt, Marion and A Perfect Circle.", "Throughout the 1990s, the group toured globally with such bands as U2, Aerosmith, Feeder, Lenny Kravitz, Bad Religion, Rollins Band, Therapy?, Rammstein, Killing Joke, Soulfly, Sevendust, Oomph!, Muse, Staind, Powerman 5000, Veruca Salt, Marion and A Perfect Circle. Side projects: 2002–2008 After their split in 2001, Skin embarked on a solo career.", "Side projects: 2002–2008 After their split in 2001, Skin embarked on a solo career. Her debut solo album Fleshwounds, co-written with longtime songwriting partner Len Arran was released in September 2003 and Fake Chemical State was released in March 2006. She has also provided vocals for a number of other acts' songs. Ace released a low-key album, Still Hungry, under the name Ace Sounds, which featured many collaborations including Shingai Shoniwa from Noisettes and Skye from Morcheeba. He later joined a band called \"Inner Mantra\".", "He later joined a band called \"Inner Mantra\". Ace is also a tutor at the Brighton Institute of Modern Music In 2002 Cass recorded the album Scars with Gary Moore, and played bass and performed backing vocals. Cass also played various instruments on Skin's first solo album. When not recording he concentrates on photography. Mark recorded sessions for various artists including Skin before joining Feeder after the death of their original drummer, Jon Lee. Mark has also been tutoring at the Brighton Institute with bandmate Ace.", "Mark has also been tutoring at the Brighton Institute with bandmate Ace. Reunion: 2009–2010 Mark Richardson confirmed reports that the band was reforming in an interview with Drummer Magazine (November 2008 issue), and said that the band planned to release a \"best of\" compilation as well as new material. Ace later set up an official page for the band on MySpace.", "Ace later set up an official page for the band on MySpace. On 2 and 3 April 2009, two shows took place at the Monto Water Rats (the former venue of the Splash Club) in London, under the alias SCAM (Skin, Cass, Ace, Mark) and sold out in 20 minutes. The band began their \"Greatest Hits\" tour on Friday, 9 October 2009 at the Ancienne Belgique in Brussels, with other dates across Europe. It was their first actual tour in eight years.", "It was their first actual tour in eight years. It was their first actual tour in eight years. A \"greatest hits\" album, Smashes and Trashes, was released 2 November 2009. It is a 15-track career-embracing album and includes three brand new tracks: \"Because of You\", \"Tear the Place Up\" and \"Squander\". A best-of remixes companion album was also released digitally.", "A best-of remixes companion album was also released digitally. A best-of remixes companion album was also released digitally. On 3 July 2009, the music video for \"Tear the Place Up\" was presented exclusively on MySpace, before on 10 August 2009, a new video for \"Because of You\" was presented exclusively on Kerrang.com. It was released 14 September 2009 in the UK and was the first single to be released from Smashes and Trashes.", "It was released 14 September 2009 in the UK and was the first single to be released from Smashes and Trashes. The single was a top 10 hit in Italy, before its follow-up \"Squander\" was a top 75 success in Flanders, the Dutch-speaking part of Belgium. Their fifth album Wonderlustre was released internationally on 13 September 2010, preceded by the first single \"My Ugly Boy\", which was released in the UK on 16 August 2010 and in Europe July/August.", "Their fifth album Wonderlustre was released internationally on 13 September 2010, preceded by the first single \"My Ugly Boy\", which was released in the UK on 16 August 2010 and in Europe July/August. The video for \"My Ugly Boy\" was presented exclusively on Kerrang.com on 23 July 2010. Wonderlustre reached number one on the Italian albums chart on 1 October 2010 and placed in the top 10 in charts all over Europe including in Germany, the Netherlands, France and Poland.", "Wonderlustre reached number one on the Italian albums chart on 1 October 2010 and placed in the top 10 in charts all over Europe including in Germany, the Netherlands, France and Poland. In May 2010 they were a supporting act for Rammstein, during two concerts in Berlin. The second single from Wonderlustre, \"Over the Love\" was released internationally in November 2010. In November 2010 the band played on Ídolos, a Portuguese equivalent to the UK's Pop Idol.", "In November 2010 the band played on Ídolos, a Portuguese equivalent to the UK's Pop Idol. \"You Saved Me\", the third single from Wonderlustre was released internationally in March 2011. Continuing career: 2011–present On 12 June 2011, the band performed at an open air 'Rock over Volga' at Samara, Russia. The performance was exceptionally well-received. The band also appeared on Friday 12 August at Sziget Festival in Budapest, Hungary playing a mixed set of hits and newer material.", "The band also appeared on Friday 12 August at Sziget Festival in Budapest, Hungary playing a mixed set of hits and newer material. This was their first appearance at Sziget. Sziget's own website reporting \"nobody had any doubts who the Queen of this year's Sziget turned out to be\". Skunk Anansie was on stage when the tragedy occurred at Pukkelpop in Belgium on 18 August 2011. As the band was performing a small tornado hit the venue and artists and revellers alike were sent running for their lives.", "As the band was performing a small tornado hit the venue and artists and revellers alike were sent running for their lives. Five were killed whilst several more were injured. Singer Skin described the incident as the most terrifying of her life. Former drummer Robbie France died on 14 January 2012 in Spain. He was 52. On 11 June 2012, Skunk Anansie revealed the title for their 5th studio album: Black Traffic.", "On 11 June 2012, Skunk Anansie revealed the title for their 5th studio album: Black Traffic. The band's follow-up to 2010's critically acclaimed Wonderlustre was recorded in London and produced by Skunk Anansie and Chris Sheldon and mixed by Jeremy Wheatley and Adrian Bushby. Black Traffic became the band's first independent release via their own label working in partnership with 100% Records. The album was released in September 2012 release and was backed by the first leg of an extensive 20 date European Tour.", "The album was released in September 2012 release and was backed by the first leg of an extensive 20 date European Tour. On 29 June 2012, the band released the lyric video for a new track called 'Sad, Sad, Sad'.", "On 29 June 2012, the band released the lyric video for a new track called 'Sad, Sad, Sad'. Nick Bassett praised the track on his site The Re-View: \"Thrashing percussion and Skin's vocal - she remains one of the UK's greatest and most underrated female vocalists - are all in check as the band return to the heavy rock sound that first shot them into the mainstream in the mid-nineties.\"", "Nick Bassett praised the track on his site The Re-View: \"Thrashing percussion and Skin's vocal - she remains one of the UK's greatest and most underrated female vocalists - are all in check as the band return to the heavy rock sound that first shot them into the mainstream in the mid-nineties.\" In September 2013, the band released their seventh album, An acoustic Skunk Anansie - Live in London which was recorded live at Cadogan Hall in April of that year.", "In September 2013, the band released their seventh album, An acoustic Skunk Anansie - Live in London which was recorded live at Cadogan Hall in April of that year. The album was also released as a live DVD and was described by the band as 'a family affair' as it featured Skin's longtime writing partner Len Arran on guitar and Erika Footman, Mark's wife on backing vocals and keyboards.", "The album was also released as a live DVD and was described by the band as 'a family affair' as it featured Skin's longtime writing partner Len Arran on guitar and Erika Footman, Mark's wife on backing vocals and keyboards. On 15 January 2016, Skunk Anansie released their sixth studio album Anarchytecture, and embarked upon an extensive European tour in February 2016 and throughout Summer 2016.", "On 15 January 2016, Skunk Anansie released their sixth studio album Anarchytecture, and embarked upon an extensive European tour in February 2016 and throughout Summer 2016. In 2017, Skunk Anansie turned their influence to help young aspiring musicians and launched the first ever Skunk Anansie scholarship in conjunction with The Academy of Contemporary Music. The band pick one successful applicant from either ACM Guildford, ACM London or ACM Birmingham and offer them £27,000 of funding for their degree course. The scholarship was again awarded the following year.", "The scholarship was again awarded the following year. The scholarship was again awarded the following year. In September 2018, the band announced they’d be releasing the very special live album, 25LIVE@25 through Republic of Music in celebration of their forthcoming 25th anniversary. It was released 25 January 2019 and features 25 tracks taken from across their six studio albums, which were captured live from various performances on their 2017 tour.", "It was released 25 January 2019 and features 25 tracks taken from across their six studio albums, which were captured live from various performances on their 2017 tour. Continuing the 25th anniversary celebrations Skunk Anansie will be touring Europe throughout the summer of 2019, headlining festivals and their own shows, finishing with a string of UK shows Across the UK and European media the importance of the band in today's culture has been given renewed prominence.", "Continuing the 25th anniversary celebrations Skunk Anansie will be touring Europe throughout the summer of 2019, headlining festivals and their own shows, finishing with a string of UK shows Across the UK and European media the importance of the band in today's culture has been given renewed prominence. The UK media have embraced the band once more with Skin appearing in interviews for the likes of Channel 4 News, Newsnight, The One Show, ITN, and Radio 2 discussing current political and social issues.", "The UK media have embraced the band once more with Skin appearing in interviews for the likes of Channel 4 News, Newsnight, The One Show, ITN, and Radio 2 discussing current political and social issues. The band have also been hailed as one of the most important rock bands of the modern age rock across a broad spectrum of UK press titles, and were the recipients of the Hall of Fame Award at the 2019 Kerrang! Awards on 19 June 2019.", "Awards on 19 June 2019. Awards on 19 June 2019. 2019 saw the release of the single \"What You Do For Love\". The black and white video for the song shows Skunk Anansie in concert. This was followed by the single \"This Means War\" in 2020. At the beginning of 2022, a new single - \"Piggy\" - was released.", "At the beginning of 2022, a new single - \"Piggy\" - was released. Influences Skin has described Skunk Anansie as a \"clit-rock\" group, which Allmusic clarifies as \"an amalgam of heavy metal and black feminist rage\". Members Skin and Ace have mentioned the Sex Pistols, Blondie, dub, reggae, electronica, hip-hop and world music as significant influences.", "Members Skin and Ace have mentioned the Sex Pistols, Blondie, dub, reggae, electronica, hip-hop and world music as significant influences. Other media The band also covered The Stooges' song \"Search and Destroy\" specifically for the soundtrack of Zack Snyder's film Sucker Punch, released on 25 March 2011. The soundtrack also includes a Skunk Anansie remix of the song \"Army of Me\" by Björk.", "The soundtrack also includes a Skunk Anansie remix of the song \"Army of Me\" by Björk. Band members Deborah \"Skin\" Dyer – lead vocals, guitar, theremin (1994–2001; 2009–present) Martin \"Ace\" Kent – guitar, backing vocals (1994–2001; 2009–present) Richard \"Cass\" Lewis – bass, guitar, backing vocals (1994–2001; 2009–present) Mark Richardson – drums, percussion, backing vocals (1995–2001; 2009–present) Former members Robbie France – drums, percussion (1994–1995; died 2012) Touring members Erika Footman – keyboards Discography Studio albums Paranoid & Sunburnt (1995) Stoosh (1996) Post Orgasmic Chill (1999) Wonderlustre (2010) Black Traffic (2012) Anarchytecture (2016) References External links Review of 'Squander' on the Daily Music Guide Official Website Review of 'Because Of You' on the Daily Music Guide Skinmusic.net - Lead singer's official site containing Skunk Anansie content Lisbon concert review English alternative rock groups English hard rock musical groups British alternative metal musical groups English heavy metal musical groups Musical groups disestablished in 2001 Musical groups established in 1994 Musical groups from London Musical groups reestablished in 2009 One Little Independent Records artists Virgin Records artists Epic Records artists V2 Records artists Musical quartets" ]

[ "Skunk Anansie", "Reunion: 2009-2010", "When was the reunion?", "Mark Richardson confirmed reports that the band was reforming in an interview with Drummer Magazine (November 2008 issue),", "Did they produce any albums?", "A \"greatest hits\" album, Smashes and Trashes, was released 2 November 2009." ]

[ "Andrew Butterfield (born 7 January 1972) is an English professional golfer who plays on the Challenge Tour.\n\nCareer\nButterfield was born in London, England. He turned professional in 1993 and joined the Challenge Tour in 1996. He played on the Challenge Tour until qualifying for the European Tour through Q-School in 1999. Butterfield did not perform well enough on tour in 2000 to retain his card and had to go back to the Challenge Tour in 2001. He got his European Tour card back through Q-School again in 2001 and played on the European Tour in 2002 but did not find any success on tour. He returned to the Challenge Tour and played there until 2005 when he finished 4th on the Challenge Tour's Order of Merit which earned him his European Tour card for 2006. He did not play well enough in 2006 to retain his tour card but was able to get temporary status on tour for 2007 by finishing 129th on the Order of Merit. He played on the European Tour and the Challenge Tour in 2007 and has played only on the Challenge Tour since 2008. He picked up his first win on the Challenge Tour in Sweden at The Princess in June 2009. He also won an event on the PGA EuroPro Tour in 2004.\n\nProfessional wins (2)\n\nChallenge Tour wins (1)\n\nChallenge Tour playoff record (0–1)\n\nPGA EuroPro Tour wins (1)\n2004 Matchroom Golf Management International at Owston Hall\n\nPlayoff record\nEuropean Tour playoff record (0–1)\n\nResults in major championships\n\nNote: Butterfield only played in The Open Championship.\nCUT = missed the half-way cut\n\nSee also\n2005 Challenge Tour graduates\n2009 Challenge Tour graduates\n\nExternal links\n\nEnglish male golfers\nEuropean Tour golfers\nSportspeople from London\nPeople from the London Borough of Bromley\n1972 births\nLiving people", "The Bob Dylan England Tour 1965 was a concert tour by American singer-songwriter Bob Dylan during late April and early May 1965. The tour was widely documented by filmmaker D. A. Pennebaker, who used the footage of the tour in his documentary Dont Look Back.\n\nTour dates\n\nSet lists \nAs Dylan was still playing exclusively folk music live, much of the material performed during this tour was written pre-1965. Each show was divided into two halves, with seven songs performed during the first, and eight during the second. The set consisted of two songs from The Freewheelin' Bob Dylan, three from The Times They Are a-Changin', three from Another Side of Bob Dylan, a comic-relief concert staple; \"If You Gotta Go, Go Now\", issued as a single in Europe, and six songs off his then-recent album, Bringing It All Back Home, including the second side in its entirety.\n\n First half\n\"The Times They Are a-Changin'\"\n\"To Ramona\"\n\"Gates of Eden\"\n\"If You Gotta Go, Go Now (or Else You Got to Stay All Night)\"\n\"It's Alright, Ma (I'm Only Bleeding)\"\n\"Love Minus Zero/No Limit\"\n\"Mr. Tambourine Man\"\n\nSecond Half\n\"Talkin' World War III Blues\"\n\"Don't Think Twice, It's All Right\"\n\"With God on Our Side\"\n\"She Belongs to Me\"\n\"It Ain't Me Babe\"\n\"The Lonesome Death of Hattie Carroll\"\n\"All I Really Want to Do\"\n\"It's All Over Now, Baby Blue\"\n\nSet list per Olof Bjorner.\n\nAftermath \nJoan Baez accompanied him on the tour, but she was never invited to play with him in concert. In fact, they did not tour together again until 1975. After this tour, Dylan was hailed as a hero of folk music, but two months later, at the 1965 Newport Folk Festival, he would alienate his fans and go electric. Dylan was the only artist apart from the Beatles to sell out the De Montfort Hall in the 1960s. Even the Rolling Stones did not sell out this venue.\n\nReferences \n\nHoward Sounes: Down the Highway. The Life of Bob Dylan.. 2001.\n\nExternal links \n Bjorner's Still on the Road 1965: Tour dates & set lists\n\nBob Dylan concert tours\n1965 concert tours\nConcert tours of the United Kingdom\n1965 in England" ]

[ "Skunk Anansie are a British rock band whose members include Skin (lead vocals, guitar), Cass (bass, guitar, backing vocals), Ace (guitar, backing vocals) and Mark Richardson (drums and percussion). Skunk Anansie formed in 1994, disbanded in 2001 and reformed in 2009. The name \"Skunk Anansie\" is taken from Akan folk tales of Anansi the spider-man of Ghana, with \"Skunk\" added to \"make the name nastier\".", "The name \"Skunk Anansie\" is taken from Akan folk tales of Anansi the spider-man of Ghana, with \"Skunk\" added to \"make the name nastier\". They have released six studio albums: Paranoid & Sunburnt (1995), Stoosh (1996), Post Orgasmic Chill (1999), Wonderlustre (2010), Black Traffic (2012) and Anarchytecture (2016); one compilation album, Smashes and Trashes (2009); and several hit singles, including \"Charity\", \"Hedonism\", \"Selling Jesus\" and \"Weak\".", "They have released six studio albums: Paranoid & Sunburnt (1995), Stoosh (1996), Post Orgasmic Chill (1999), Wonderlustre (2010), Black Traffic (2012) and Anarchytecture (2016); one compilation album, Smashes and Trashes (2009); and several hit singles, including \"Charity\", \"Hedonism\", \"Selling Jesus\" and \"Weak\". They are often grouped as part of the Britrock movement, as opposed to the contemporary Britpop of their early years due to their overall harder sound.", "They are often grouped as part of the Britrock movement, as opposed to the contemporary Britpop of their early years due to their overall harder sound. The band, in 2004, was named as one of the most successful UK chart acts between 1952 and 2003 by the Guinness Book of British Hit Singles & Albums, with a total of 142 weeks on both the singles and album charts ranking them at No. 491.", "491. 491. When the book first published this annual top 500 list in 2000, it only involved weeks spent on the singles chart until 2004's 17th edition. History Formation and early career: 1994–2001 The group played its first gig at London's Splash club in March 1994. In 1995 they were voted Best New British Band by the readers of Kerrang! magazine.", "In 1995 they were voted Best New British Band by the readers of Kerrang! magazine. magazine. At the award ceremony that year drummer Mark Richardson met the band who were looking for a permanent replacement for Robbie France, so an audition was set up and the band was reformed. Soon after that, two of their songs, \"Feed\" and \"Selling Jesus\", appeared on the soundtrack of the film Strange Days in 1995.", "Soon after that, two of their songs, \"Feed\" and \"Selling Jesus\", appeared on the soundtrack of the film Strange Days in 1995. \"Selling Jesus\" became Skunk Anansie's controversial second song to receive radio play, following their first radio release \"Little Baby Swastikkka\". After hearing this song, radio personality Howard Stern claimed that the band would become a huge hit. Success continued for the band and they were also voted Kerrang! 's Best British Live Act in 1996.", "'s Best British Live Act in 1996. 's Best British Live Act in 1996. In 1997 they were nominated for Best Live Act and Best Group at the MTV Europe Music Awards. The group played its first gig at London's Splash club in March 1994, subsequently taking six weeks to record its debut album, Paranoid & Sunburnt, with producer Sylvia Massy at a \"haunted house\" outside the city.", "The group played its first gig at London's Splash club in March 1994, subsequently taking six weeks to record its debut album, Paranoid & Sunburnt, with producer Sylvia Massy at a \"haunted house\" outside the city. The band's first single, \"Selling Jesus,\" was featured on the soundtrack of the film Strange Days; Stoosh followed in 1996. Both albums were released by One Little Indian Records.", "Both albums were released by One Little Indian Records. Both albums were released by One Little Indian Records. After switching to the Virgin label in 1998, their third album, Post Orgasmic Chill, was released in 1999. In 1996, the band played a set at the Coppid Beech Hotel, Bracknell during a record label event. In 1999, the band were the last band of the 20th Century to headline Glastonbury Festival; closing the Pyramid Stage on Sunday 27 June.", "In 1999, the band were the last band of the 20th Century to headline Glastonbury Festival; closing the Pyramid Stage on Sunday 27 June. Throughout the 1990s, the group toured globally with such bands as U2, Aerosmith, Feeder, Lenny Kravitz, Bad Religion, Rollins Band, Therapy?, Rammstein, Killing Joke, Soulfly, Sevendust, Oomph!, Muse, Staind, Powerman 5000, Veruca Salt, Marion and A Perfect Circle.", "Throughout the 1990s, the group toured globally with such bands as U2, Aerosmith, Feeder, Lenny Kravitz, Bad Religion, Rollins Band, Therapy?, Rammstein, Killing Joke, Soulfly, Sevendust, Oomph!, Muse, Staind, Powerman 5000, Veruca Salt, Marion and A Perfect Circle. Side projects: 2002–2008 After their split in 2001, Skin embarked on a solo career.", "Side projects: 2002–2008 After their split in 2001, Skin embarked on a solo career. Her debut solo album Fleshwounds, co-written with longtime songwriting partner Len Arran was released in September 2003 and Fake Chemical State was released in March 2006. She has also provided vocals for a number of other acts' songs. Ace released a low-key album, Still Hungry, under the name Ace Sounds, which featured many collaborations including Shingai Shoniwa from Noisettes and Skye from Morcheeba. He later joined a band called \"Inner Mantra\".", "He later joined a band called \"Inner Mantra\". Ace is also a tutor at the Brighton Institute of Modern Music In 2002 Cass recorded the album Scars with Gary Moore, and played bass and performed backing vocals. Cass also played various instruments on Skin's first solo album. When not recording he concentrates on photography. Mark recorded sessions for various artists including Skin before joining Feeder after the death of their original drummer, Jon Lee. Mark has also been tutoring at the Brighton Institute with bandmate Ace.", "Mark has also been tutoring at the Brighton Institute with bandmate Ace. Reunion: 2009–2010 Mark Richardson confirmed reports that the band was reforming in an interview with Drummer Magazine (November 2008 issue), and said that the band planned to release a \"best of\" compilation as well as new material. Ace later set up an official page for the band on MySpace.", "Ace later set up an official page for the band on MySpace. On 2 and 3 April 2009, two shows took place at the Monto Water Rats (the former venue of the Splash Club) in London, under the alias SCAM (Skin, Cass, Ace, Mark) and sold out in 20 minutes. The band began their \"Greatest Hits\" tour on Friday, 9 October 2009 at the Ancienne Belgique in Brussels, with other dates across Europe. It was their first actual tour in eight years.", "It was their first actual tour in eight years. It was their first actual tour in eight years. A \"greatest hits\" album, Smashes and Trashes, was released 2 November 2009. It is a 15-track career-embracing album and includes three brand new tracks: \"Because of You\", \"Tear the Place Up\" and \"Squander\". A best-of remixes companion album was also released digitally.", "A best-of remixes companion album was also released digitally. A best-of remixes companion album was also released digitally. On 3 July 2009, the music video for \"Tear the Place Up\" was presented exclusively on MySpace, before on 10 August 2009, a new video for \"Because of You\" was presented exclusively on Kerrang.com. It was released 14 September 2009 in the UK and was the first single to be released from Smashes and Trashes.", "It was released 14 September 2009 in the UK and was the first single to be released from Smashes and Trashes. The single was a top 10 hit in Italy, before its follow-up \"Squander\" was a top 75 success in Flanders, the Dutch-speaking part of Belgium. Their fifth album Wonderlustre was released internationally on 13 September 2010, preceded by the first single \"My Ugly Boy\", which was released in the UK on 16 August 2010 and in Europe July/August.", "Their fifth album Wonderlustre was released internationally on 13 September 2010, preceded by the first single \"My Ugly Boy\", which was released in the UK on 16 August 2010 and in Europe July/August. The video for \"My Ugly Boy\" was presented exclusively on Kerrang.com on 23 July 2010. Wonderlustre reached number one on the Italian albums chart on 1 October 2010 and placed in the top 10 in charts all over Europe including in Germany, the Netherlands, France and Poland.", "Wonderlustre reached number one on the Italian albums chart on 1 October 2010 and placed in the top 10 in charts all over Europe including in Germany, the Netherlands, France and Poland. In May 2010 they were a supporting act for Rammstein, during two concerts in Berlin. The second single from Wonderlustre, \"Over the Love\" was released internationally in November 2010. In November 2010 the band played on Ídolos, a Portuguese equivalent to the UK's Pop Idol.", "In November 2010 the band played on Ídolos, a Portuguese equivalent to the UK's Pop Idol. \"You Saved Me\", the third single from Wonderlustre was released internationally in March 2011. Continuing career: 2011–present On 12 June 2011, the band performed at an open air 'Rock over Volga' at Samara, Russia. The performance was exceptionally well-received. The band also appeared on Friday 12 August at Sziget Festival in Budapest, Hungary playing a mixed set of hits and newer material.", "The band also appeared on Friday 12 August at Sziget Festival in Budapest, Hungary playing a mixed set of hits and newer material. This was their first appearance at Sziget. Sziget's own website reporting \"nobody had any doubts who the Queen of this year's Sziget turned out to be\". Skunk Anansie was on stage when the tragedy occurred at Pukkelpop in Belgium on 18 August 2011. As the band was performing a small tornado hit the venue and artists and revellers alike were sent running for their lives.", "As the band was performing a small tornado hit the venue and artists and revellers alike were sent running for their lives. Five were killed whilst several more were injured. Singer Skin described the incident as the most terrifying of her life. Former drummer Robbie France died on 14 January 2012 in Spain. He was 52. On 11 June 2012, Skunk Anansie revealed the title for their 5th studio album: Black Traffic.", "On 11 June 2012, Skunk Anansie revealed the title for their 5th studio album: Black Traffic. The band's follow-up to 2010's critically acclaimed Wonderlustre was recorded in London and produced by Skunk Anansie and Chris Sheldon and mixed by Jeremy Wheatley and Adrian Bushby. Black Traffic became the band's first independent release via their own label working in partnership with 100% Records. The album was released in September 2012 release and was backed by the first leg of an extensive 20 date European Tour.", "The album was released in September 2012 release and was backed by the first leg of an extensive 20 date European Tour. On 29 June 2012, the band released the lyric video for a new track called 'Sad, Sad, Sad'.", "On 29 June 2012, the band released the lyric video for a new track called 'Sad, Sad, Sad'. Nick Bassett praised the track on his site The Re-View: \"Thrashing percussion and Skin's vocal - she remains one of the UK's greatest and most underrated female vocalists - are all in check as the band return to the heavy rock sound that first shot them into the mainstream in the mid-nineties.\"", "Nick Bassett praised the track on his site The Re-View: \"Thrashing percussion and Skin's vocal - she remains one of the UK's greatest and most underrated female vocalists - are all in check as the band return to the heavy rock sound that first shot them into the mainstream in the mid-nineties.\" In September 2013, the band released their seventh album, An acoustic Skunk Anansie - Live in London which was recorded live at Cadogan Hall in April of that year.", "In September 2013, the band released their seventh album, An acoustic Skunk Anansie - Live in London which was recorded live at Cadogan Hall in April of that year. The album was also released as a live DVD and was described by the band as 'a family affair' as it featured Skin's longtime writing partner Len Arran on guitar and Erika Footman, Mark's wife on backing vocals and keyboards.", "The album was also released as a live DVD and was described by the band as 'a family affair' as it featured Skin's longtime writing partner Len Arran on guitar and Erika Footman, Mark's wife on backing vocals and keyboards. On 15 January 2016, Skunk Anansie released their sixth studio album Anarchytecture, and embarked upon an extensive European tour in February 2016 and throughout Summer 2016.", "On 15 January 2016, Skunk Anansie released their sixth studio album Anarchytecture, and embarked upon an extensive European tour in February 2016 and throughout Summer 2016. In 2017, Skunk Anansie turned their influence to help young aspiring musicians and launched the first ever Skunk Anansie scholarship in conjunction with The Academy of Contemporary Music. The band pick one successful applicant from either ACM Guildford, ACM London or ACM Birmingham and offer them £27,000 of funding for their degree course. The scholarship was again awarded the following year.", "The scholarship was again awarded the following year. The scholarship was again awarded the following year. In September 2018, the band announced they’d be releasing the very special live album, 25LIVE@25 through Republic of Music in celebration of their forthcoming 25th anniversary. It was released 25 January 2019 and features 25 tracks taken from across their six studio albums, which were captured live from various performances on their 2017 tour.", "It was released 25 January 2019 and features 25 tracks taken from across their six studio albums, which were captured live from various performances on their 2017 tour. Continuing the 25th anniversary celebrations Skunk Anansie will be touring Europe throughout the summer of 2019, headlining festivals and their own shows, finishing with a string of UK shows Across the UK and European media the importance of the band in today's culture has been given renewed prominence.", "Continuing the 25th anniversary celebrations Skunk Anansie will be touring Europe throughout the summer of 2019, headlining festivals and their own shows, finishing with a string of UK shows Across the UK and European media the importance of the band in today's culture has been given renewed prominence. The UK media have embraced the band once more with Skin appearing in interviews for the likes of Channel 4 News, Newsnight, The One Show, ITN, and Radio 2 discussing current political and social issues.", "The UK media have embraced the band once more with Skin appearing in interviews for the likes of Channel 4 News, Newsnight, The One Show, ITN, and Radio 2 discussing current political and social issues. The band have also been hailed as one of the most important rock bands of the modern age rock across a broad spectrum of UK press titles, and were the recipients of the Hall of Fame Award at the 2019 Kerrang! Awards on 19 June 2019.", "Awards on 19 June 2019. Awards on 19 June 2019. 2019 saw the release of the single \"What You Do For Love\". The black and white video for the song shows Skunk Anansie in concert. This was followed by the single \"This Means War\" in 2020. At the beginning of 2022, a new single - \"Piggy\" - was released.", "At the beginning of 2022, a new single - \"Piggy\" - was released. Influences Skin has described Skunk Anansie as a \"clit-rock\" group, which Allmusic clarifies as \"an amalgam of heavy metal and black feminist rage\". Members Skin and Ace have mentioned the Sex Pistols, Blondie, dub, reggae, electronica, hip-hop and world music as significant influences.", "Members Skin and Ace have mentioned the Sex Pistols, Blondie, dub, reggae, electronica, hip-hop and world music as significant influences. Other media The band also covered The Stooges' song \"Search and Destroy\" specifically for the soundtrack of Zack Snyder's film Sucker Punch, released on 25 March 2011. The soundtrack also includes a Skunk Anansie remix of the song \"Army of Me\" by Björk.", "The soundtrack also includes a Skunk Anansie remix of the song \"Army of Me\" by Björk. Band members Deborah \"Skin\" Dyer – lead vocals, guitar, theremin (1994–2001; 2009–present) Martin \"Ace\" Kent – guitar, backing vocals (1994–2001; 2009–present) Richard \"Cass\" Lewis – bass, guitar, backing vocals (1994–2001; 2009–present) Mark Richardson – drums, percussion, backing vocals (1995–2001; 2009–present) Former members Robbie France – drums, percussion (1994–1995; died 2012) Touring members Erika Footman – keyboards Discography Studio albums Paranoid & Sunburnt (1995) Stoosh (1996) Post Orgasmic Chill (1999) Wonderlustre (2010) Black Traffic (2012) Anarchytecture (2016) References External links Review of 'Squander' on the Daily Music Guide Official Website Review of 'Because Of You' on the Daily Music Guide Skinmusic.net - Lead singer's official site containing Skunk Anansie content Lisbon concert review English alternative rock groups English hard rock musical groups British alternative metal musical groups English heavy metal musical groups Musical groups disestablished in 2001 Musical groups established in 1994 Musical groups from London Musical groups reestablished in 2009 One Little Independent Records artists Virgin Records artists Epic Records artists V2 Records artists Musical quartets" ]

[ "Skunk Anansie", "Reunion: 2009-2010", "When was the reunion?", "Mark Richardson confirmed reports that the band was reforming in an interview with Drummer Magazine (November 2008 issue),", "Did they produce any albums?", "A \"greatest hits\" album, Smashes and Trashes, was released 2 November 2009.", "Did they go on tour?", "The band began their \"Greatest Hits\" tour on Friday, 9 October 2009" ]

[ "\"What Did I Do to You?\" is a song recorded by British singer Lisa Stansfield for her 1989 album, Affection. It was written by Stansfield, Ian Devaney and Andy Morris, and produced by Devaney and Morris. The song was released as the fourth European single on 30 April 1990. It included three previously unreleased songs written by Stansfield, Devaney and Morris: \"My Apple Heart,\" \"Lay Me Down\" and \"Something's Happenin'.\" \"What Did I Do to You?\" was remixed by Mark Saunders and by the Grammy Award-winning American house music DJ and producer, David Morales. The single became a top forty hit in the European countries reaching number eighteen in Finland, number twenty in Ireland and number twenty-five in the United Kingdom. \"What Did I Do to You?\" was also released in Japan.\n\nIn 2014, the remixes of \"What Did I Do to You?\" were included on the deluxe 2CD + DVD re-release of Affection and on People Hold On ... The Remix Anthology. They were also featured on The Collection 1989–2003 box set (2014), including previously unreleased Red Zone Mix by David Morales.\n\nCritical reception\nThe song received positive reviews from music critics. Matthew Hocter from Albumism viewed it as a \"upbeat offering\". David Giles from Music Week said it is \"beautifully performed\" by Stansfield. A reviewer from Reading Eagle wrote that \"What Did I Do to You?\" \"would be right at home on the \"Saturday Night Fever\" soundtrack.\"\n\nMusic video\nA music video was produced to promote the single, directed by Philip Richardson, who had previously directed the videos for \"All Around the World\" and \"Live Together\". It features Stansfield with her kiss curls, dressed in a white outfit and performing with her band on a stage in front of a jumping audience. The video was later published on Stansfield's official YouTube channel in November 2009. It has amassed more than 1,6 million views as of October 2021.\n\nTrack listings\n\n European/UK 7\" single\n\"What Did I Do to You?\" (Mark Saunders Remix Edit) – 4:20\n\"Something's Happenin'\" – 3:59\n\n European/UK/Japanese CD single\n\"What Did I Do to You?\" (Mark Saunders Remix Edit) – 4:20\n\"My Apple Heart\" – 5:19\n\"Lay Me Down\" – 4:17\n\"Something's Happenin'\" – 3:59\n\n UK 10\" single\n\"What Did I Do to You?\" (Mark Saunders Remix) – 5:52\n\"My Apple Heart\" – 5:19\n\"Lay Me Down\" – 4:17\n\"Something's Happenin'\" – 3:59\n\n European/UK 12\" single\n\"What Did I Do to You?\" (Morales Mix) – 7:59\n\"My Apple Heart\" – 4:22\n\"Lay Me Down\" – 3:19\n\"Something's Happenin'\" – 3:15\n\n UK 12\" promotional single\n\"What Did I Do to You?\" (Morales Mix) – 7:59\n\"What Did I Do to You?\" (Anti Poll Tax Dub) – 6:31\n\n Other remixes\n\"What Did I Do to You?\" (Red Zone Mix) – 7:45\n\nCharts\n\nReferences\n\nLisa Stansfield songs\n1990 singles\nSongs written by Lisa Stansfield\n1989 songs\nArista Records singles\nSongs written by Ian Devaney\nSongs written by Andy Morris (musician)", "\"What Would Steve Do?\" is the second single released by Mumm-Ra on Columbia Records, which was released on February 19, 2007. It is a re-recorded version of the self-release they did in April 2006. It reached #40 in the UK Singles Chart, making it their highest charting single.\n\nTrack listings\nAll songs written by Mumm-Ra.\n\nCD\n\"What Would Steve Do?\"\n\"Cute As\"\n\"Without You\"\n\n7\"\n\"What Would Steve Do?\"\n\"What Would Steve Do? (Floorboard Mix)\"\n\nGatefold 7\"\n\"What Would Steve Do?\"\n\"Cute As\"\n\nReferences\n\n2007 singles\nMumm-Ra (band) songs\n2006 songs\nColumbia Records singles" ]

[ "Skunk Anansie are a British rock band whose members include Skin (lead vocals, guitar), Cass (bass, guitar, backing vocals), Ace (guitar, backing vocals) and Mark Richardson (drums and percussion). Skunk Anansie formed in 1994, disbanded in 2001 and reformed in 2009. The name \"Skunk Anansie\" is taken from Akan folk tales of Anansi the spider-man of Ghana, with \"Skunk\" added to \"make the name nastier\".", "The name \"Skunk Anansie\" is taken from Akan folk tales of Anansi the spider-man of Ghana, with \"Skunk\" added to \"make the name nastier\". They have released six studio albums: Paranoid & Sunburnt (1995), Stoosh (1996), Post Orgasmic Chill (1999), Wonderlustre (2010), Black Traffic (2012) and Anarchytecture (2016); one compilation album, Smashes and Trashes (2009); and several hit singles, including \"Charity\", \"Hedonism\", \"Selling Jesus\" and \"Weak\".", "They have released six studio albums: Paranoid & Sunburnt (1995), Stoosh (1996), Post Orgasmic Chill (1999), Wonderlustre (2010), Black Traffic (2012) and Anarchytecture (2016); one compilation album, Smashes and Trashes (2009); and several hit singles, including \"Charity\", \"Hedonism\", \"Selling Jesus\" and \"Weak\". They are often grouped as part of the Britrock movement, as opposed to the contemporary Britpop of their early years due to their overall harder sound.", "They are often grouped as part of the Britrock movement, as opposed to the contemporary Britpop of their early years due to their overall harder sound. The band, in 2004, was named as one of the most successful UK chart acts between 1952 and 2003 by the Guinness Book of British Hit Singles & Albums, with a total of 142 weeks on both the singles and album charts ranking them at No. 491.", "491. 491. When the book first published this annual top 500 list in 2000, it only involved weeks spent on the singles chart until 2004's 17th edition. History Formation and early career: 1994–2001 The group played its first gig at London's Splash club in March 1994. In 1995 they were voted Best New British Band by the readers of Kerrang! magazine.", "In 1995 they were voted Best New British Band by the readers of Kerrang! magazine. magazine. At the award ceremony that year drummer Mark Richardson met the band who were looking for a permanent replacement for Robbie France, so an audition was set up and the band was reformed. Soon after that, two of their songs, \"Feed\" and \"Selling Jesus\", appeared on the soundtrack of the film Strange Days in 1995.", "Soon after that, two of their songs, \"Feed\" and \"Selling Jesus\", appeared on the soundtrack of the film Strange Days in 1995. \"Selling Jesus\" became Skunk Anansie's controversial second song to receive radio play, following their first radio release \"Little Baby Swastikkka\". After hearing this song, radio personality Howard Stern claimed that the band would become a huge hit. Success continued for the band and they were also voted Kerrang! 's Best British Live Act in 1996.", "'s Best British Live Act in 1996. 's Best British Live Act in 1996. In 1997 they were nominated for Best Live Act and Best Group at the MTV Europe Music Awards. The group played its first gig at London's Splash club in March 1994, subsequently taking six weeks to record its debut album, Paranoid & Sunburnt, with producer Sylvia Massy at a \"haunted house\" outside the city.", "The group played its first gig at London's Splash club in March 1994, subsequently taking six weeks to record its debut album, Paranoid & Sunburnt, with producer Sylvia Massy at a \"haunted house\" outside the city. The band's first single, \"Selling Jesus,\" was featured on the soundtrack of the film Strange Days; Stoosh followed in 1996. Both albums were released by One Little Indian Records.", "Both albums were released by One Little Indian Records. Both albums were released by One Little Indian Records. After switching to the Virgin label in 1998, their third album, Post Orgasmic Chill, was released in 1999. In 1996, the band played a set at the Coppid Beech Hotel, Bracknell during a record label event. In 1999, the band were the last band of the 20th Century to headline Glastonbury Festival; closing the Pyramid Stage on Sunday 27 June.", "In 1999, the band were the last band of the 20th Century to headline Glastonbury Festival; closing the Pyramid Stage on Sunday 27 June. Throughout the 1990s, the group toured globally with such bands as U2, Aerosmith, Feeder, Lenny Kravitz, Bad Religion, Rollins Band, Therapy?, Rammstein, Killing Joke, Soulfly, Sevendust, Oomph!, Muse, Staind, Powerman 5000, Veruca Salt, Marion and A Perfect Circle.", "Throughout the 1990s, the group toured globally with such bands as U2, Aerosmith, Feeder, Lenny Kravitz, Bad Religion, Rollins Band, Therapy?, Rammstein, Killing Joke, Soulfly, Sevendust, Oomph!, Muse, Staind, Powerman 5000, Veruca Salt, Marion and A Perfect Circle. Side projects: 2002–2008 After their split in 2001, Skin embarked on a solo career.", "Side projects: 2002–2008 After their split in 2001, Skin embarked on a solo career. Her debut solo album Fleshwounds, co-written with longtime songwriting partner Len Arran was released in September 2003 and Fake Chemical State was released in March 2006. She has also provided vocals for a number of other acts' songs. Ace released a low-key album, Still Hungry, under the name Ace Sounds, which featured many collaborations including Shingai Shoniwa from Noisettes and Skye from Morcheeba. He later joined a band called \"Inner Mantra\".", "He later joined a band called \"Inner Mantra\". Ace is also a tutor at the Brighton Institute of Modern Music In 2002 Cass recorded the album Scars with Gary Moore, and played bass and performed backing vocals. Cass also played various instruments on Skin's first solo album. When not recording he concentrates on photography. Mark recorded sessions for various artists including Skin before joining Feeder after the death of their original drummer, Jon Lee. Mark has also been tutoring at the Brighton Institute with bandmate Ace.", "Mark has also been tutoring at the Brighton Institute with bandmate Ace. Reunion: 2009–2010 Mark Richardson confirmed reports that the band was reforming in an interview with Drummer Magazine (November 2008 issue), and said that the band planned to release a \"best of\" compilation as well as new material. Ace later set up an official page for the band on MySpace.", "Ace later set up an official page for the band on MySpace. On 2 and 3 April 2009, two shows took place at the Monto Water Rats (the former venue of the Splash Club) in London, under the alias SCAM (Skin, Cass, Ace, Mark) and sold out in 20 minutes. The band began their \"Greatest Hits\" tour on Friday, 9 October 2009 at the Ancienne Belgique in Brussels, with other dates across Europe. It was their first actual tour in eight years.", "It was their first actual tour in eight years. It was their first actual tour in eight years. A \"greatest hits\" album, Smashes and Trashes, was released 2 November 2009. It is a 15-track career-embracing album and includes three brand new tracks: \"Because of You\", \"Tear the Place Up\" and \"Squander\". A best-of remixes companion album was also released digitally.", "A best-of remixes companion album was also released digitally. A best-of remixes companion album was also released digitally. On 3 July 2009, the music video for \"Tear the Place Up\" was presented exclusively on MySpace, before on 10 August 2009, a new video for \"Because of You\" was presented exclusively on Kerrang.com. It was released 14 September 2009 in the UK and was the first single to be released from Smashes and Trashes.", "It was released 14 September 2009 in the UK and was the first single to be released from Smashes and Trashes. The single was a top 10 hit in Italy, before its follow-up \"Squander\" was a top 75 success in Flanders, the Dutch-speaking part of Belgium. Their fifth album Wonderlustre was released internationally on 13 September 2010, preceded by the first single \"My Ugly Boy\", which was released in the UK on 16 August 2010 and in Europe July/August.", "Their fifth album Wonderlustre was released internationally on 13 September 2010, preceded by the first single \"My Ugly Boy\", which was released in the UK on 16 August 2010 and in Europe July/August. The video for \"My Ugly Boy\" was presented exclusively on Kerrang.com on 23 July 2010. Wonderlustre reached number one on the Italian albums chart on 1 October 2010 and placed in the top 10 in charts all over Europe including in Germany, the Netherlands, France and Poland.", "Wonderlustre reached number one on the Italian albums chart on 1 October 2010 and placed in the top 10 in charts all over Europe including in Germany, the Netherlands, France and Poland. In May 2010 they were a supporting act for Rammstein, during two concerts in Berlin. The second single from Wonderlustre, \"Over the Love\" was released internationally in November 2010. In November 2010 the band played on Ídolos, a Portuguese equivalent to the UK's Pop Idol.", "In November 2010 the band played on Ídolos, a Portuguese equivalent to the UK's Pop Idol. \"You Saved Me\", the third single from Wonderlustre was released internationally in March 2011. Continuing career: 2011–present On 12 June 2011, the band performed at an open air 'Rock over Volga' at Samara, Russia. The performance was exceptionally well-received. The band also appeared on Friday 12 August at Sziget Festival in Budapest, Hungary playing a mixed set of hits and newer material.", "The band also appeared on Friday 12 August at Sziget Festival in Budapest, Hungary playing a mixed set of hits and newer material. This was their first appearance at Sziget. Sziget's own website reporting \"nobody had any doubts who the Queen of this year's Sziget turned out to be\". Skunk Anansie was on stage when the tragedy occurred at Pukkelpop in Belgium on 18 August 2011. As the band was performing a small tornado hit the venue and artists and revellers alike were sent running for their lives.", "As the band was performing a small tornado hit the venue and artists and revellers alike were sent running for their lives. Five were killed whilst several more were injured. Singer Skin described the incident as the most terrifying of her life. Former drummer Robbie France died on 14 January 2012 in Spain. He was 52. On 11 June 2012, Skunk Anansie revealed the title for their 5th studio album: Black Traffic.", "On 11 June 2012, Skunk Anansie revealed the title for their 5th studio album: Black Traffic. The band's follow-up to 2010's critically acclaimed Wonderlustre was recorded in London and produced by Skunk Anansie and Chris Sheldon and mixed by Jeremy Wheatley and Adrian Bushby. Black Traffic became the band's first independent release via their own label working in partnership with 100% Records. The album was released in September 2012 release and was backed by the first leg of an extensive 20 date European Tour.", "The album was released in September 2012 release and was backed by the first leg of an extensive 20 date European Tour. On 29 June 2012, the band released the lyric video for a new track called 'Sad, Sad, Sad'.", "On 29 June 2012, the band released the lyric video for a new track called 'Sad, Sad, Sad'. Nick Bassett praised the track on his site The Re-View: \"Thrashing percussion and Skin's vocal - she remains one of the UK's greatest and most underrated female vocalists - are all in check as the band return to the heavy rock sound that first shot them into the mainstream in the mid-nineties.\"", "Nick Bassett praised the track on his site The Re-View: \"Thrashing percussion and Skin's vocal - she remains one of the UK's greatest and most underrated female vocalists - are all in check as the band return to the heavy rock sound that first shot them into the mainstream in the mid-nineties.\" In September 2013, the band released their seventh album, An acoustic Skunk Anansie - Live in London which was recorded live at Cadogan Hall in April of that year.", "In September 2013, the band released their seventh album, An acoustic Skunk Anansie - Live in London which was recorded live at Cadogan Hall in April of that year. The album was also released as a live DVD and was described by the band as 'a family affair' as it featured Skin's longtime writing partner Len Arran on guitar and Erika Footman, Mark's wife on backing vocals and keyboards.", "The album was also released as a live DVD and was described by the band as 'a family affair' as it featured Skin's longtime writing partner Len Arran on guitar and Erika Footman, Mark's wife on backing vocals and keyboards. On 15 January 2016, Skunk Anansie released their sixth studio album Anarchytecture, and embarked upon an extensive European tour in February 2016 and throughout Summer 2016.", "On 15 January 2016, Skunk Anansie released their sixth studio album Anarchytecture, and embarked upon an extensive European tour in February 2016 and throughout Summer 2016. In 2017, Skunk Anansie turned their influence to help young aspiring musicians and launched the first ever Skunk Anansie scholarship in conjunction with The Academy of Contemporary Music. The band pick one successful applicant from either ACM Guildford, ACM London or ACM Birmingham and offer them £27,000 of funding for their degree course. The scholarship was again awarded the following year.", "The scholarship was again awarded the following year. The scholarship was again awarded the following year. In September 2018, the band announced they’d be releasing the very special live album, 25LIVE@25 through Republic of Music in celebration of their forthcoming 25th anniversary. It was released 25 January 2019 and features 25 tracks taken from across their six studio albums, which were captured live from various performances on their 2017 tour.", "It was released 25 January 2019 and features 25 tracks taken from across their six studio albums, which were captured live from various performances on their 2017 tour. Continuing the 25th anniversary celebrations Skunk Anansie will be touring Europe throughout the summer of 2019, headlining festivals and their own shows, finishing with a string of UK shows Across the UK and European media the importance of the band in today's culture has been given renewed prominence.", "Continuing the 25th anniversary celebrations Skunk Anansie will be touring Europe throughout the summer of 2019, headlining festivals and their own shows, finishing with a string of UK shows Across the UK and European media the importance of the band in today's culture has been given renewed prominence. The UK media have embraced the band once more with Skin appearing in interviews for the likes of Channel 4 News, Newsnight, The One Show, ITN, and Radio 2 discussing current political and social issues.", "The UK media have embraced the band once more with Skin appearing in interviews for the likes of Channel 4 News, Newsnight, The One Show, ITN, and Radio 2 discussing current political and social issues. The band have also been hailed as one of the most important rock bands of the modern age rock across a broad spectrum of UK press titles, and were the recipients of the Hall of Fame Award at the 2019 Kerrang! Awards on 19 June 2019.", "Awards on 19 June 2019. Awards on 19 June 2019. 2019 saw the release of the single \"What You Do For Love\". The black and white video for the song shows Skunk Anansie in concert. This was followed by the single \"This Means War\" in 2020. At the beginning of 2022, a new single - \"Piggy\" - was released.", "At the beginning of 2022, a new single - \"Piggy\" - was released. Influences Skin has described Skunk Anansie as a \"clit-rock\" group, which Allmusic clarifies as \"an amalgam of heavy metal and black feminist rage\". Members Skin and Ace have mentioned the Sex Pistols, Blondie, dub, reggae, electronica, hip-hop and world music as significant influences.", "Members Skin and Ace have mentioned the Sex Pistols, Blondie, dub, reggae, electronica, hip-hop and world music as significant influences. Other media The band also covered The Stooges' song \"Search and Destroy\" specifically for the soundtrack of Zack Snyder's film Sucker Punch, released on 25 March 2011. The soundtrack also includes a Skunk Anansie remix of the song \"Army of Me\" by Björk.", "The soundtrack also includes a Skunk Anansie remix of the song \"Army of Me\" by Björk. Band members Deborah \"Skin\" Dyer – lead vocals, guitar, theremin (1994–2001; 2009–present) Martin \"Ace\" Kent – guitar, backing vocals (1994–2001; 2009–present) Richard \"Cass\" Lewis – bass, guitar, backing vocals (1994–2001; 2009–present) Mark Richardson – drums, percussion, backing vocals (1995–2001; 2009–present) Former members Robbie France – drums, percussion (1994–1995; died 2012) Touring members Erika Footman – keyboards Discography Studio albums Paranoid & Sunburnt (1995) Stoosh (1996) Post Orgasmic Chill (1999) Wonderlustre (2010) Black Traffic (2012) Anarchytecture (2016) References External links Review of 'Squander' on the Daily Music Guide Official Website Review of 'Because Of You' on the Daily Music Guide Skinmusic.net - Lead singer's official site containing Skunk Anansie content Lisbon concert review English alternative rock groups English hard rock musical groups British alternative metal musical groups English heavy metal musical groups Musical groups disestablished in 2001 Musical groups established in 1994 Musical groups from London Musical groups reestablished in 2009 One Little Independent Records artists Virgin Records artists Epic Records artists V2 Records artists Musical quartets" ]

[ "Skunk Anansie", "Reunion: 2009-2010", "When was the reunion?", "Mark Richardson confirmed reports that the band was reforming in an interview with Drummer Magazine (November 2008 issue),", "Did they produce any albums?", "A \"greatest hits\" album, Smashes and Trashes, was released 2 November 2009.", "Did they go on tour?", "The band began their \"Greatest Hits\" tour on Friday, 9 October 2009", "What did they do in 2010?", "Their fifth album Wonderlustre was released internationally on 13 September 2010," ]

[ "Running to Follow is the debut studio album from the American-Christian praise & worship group Fellowship Creative. This is the band's third album overall, but first with label partners Fair Trade Services. The album released on May 13, 2014, and it was produced by C.J. Eiriksson. It charted on two Billboard charts, and received a four star reviews from New Release Tuesday and a two star review by CCM Magazine.\n\nBackground\nThis album is the follow to the commercially success second independent album by the group entitled, Always Been about You that released in 2013. This album was the band first with new label partners Fair Trade Services, and its production was handled by C.J. Eiriksson. The album released on May 13, 2014.\n\nCritical reception\n\nRunning to Follow received generally positive reception from the ratings and reviews of music critics. At New Release Tuesday, Kevin Davis rated the album four stars out of five, calling this a \"solid gourmet worship album\". Grace S. Aspinwall of CCM Magazine rated the album two stars out of five, indicating how the release \"feels incredibly disjointed.\" At 365 Days of Inspiring Media, Joshua Andre rated the album four stars out of five, stating how this is \"a fantastic label debut.\" David Bunce of CM Addict rated the album a perfect five stars, remarking how \"Not only are the instruments combined to create a high quality sound in every song, but the lyrics are well thought out and beautifully written.\" At Alpha Omega News, Rob Snyder graded the album an A-, writing how \"This is buoyant, well-produced rock/pop worship.\"\n\nCommercial performance\nFor the Billboard charting week of May 31, 2014, Running to Follow was the No. 22 most sold of the Christian Albums, and it was the No. 11 most sold in the breaking-and-entry chart of the Heatseekers Albums.\n\nTrack listing\n\nCharts\n\nReferences\n\n2014 debut albums\nFair Trade Services albums", "How the West Was Won may refer to:\n How the West Was Won (film), a 1962 American Western film\n How the West Was Won (TV series), a 1970s television series loosely based on the film\n How the West Was Won (Bing Crosby album) (1959)\n How the West Was Won (Led Zeppelin album) (2003)\n How the West Was Won (Peter Perrett album) (2017)\n How the West Was Won, a 2002 album by Luni Coleone\n \"How the West Was Won\", a 1987 song by Laibach from Opus Dei\n \"How the West Was Won\", a 1996 song by the Romo band Plastic Fantastic\n\nSee also\n How the West Was Fun, a 1994 TV movie starring Mary-Kate and Ashley Olsen\n How the West Was One (disambiguation)\n \"How the West Was Won and Where It Got Us\", a 1997 song by R.E.M." ]

[ "Skunk Anansie are a British rock band whose members include Skin (lead vocals, guitar), Cass (bass, guitar, backing vocals), Ace (guitar, backing vocals) and Mark Richardson (drums and percussion). Skunk Anansie formed in 1994, disbanded in 2001 and reformed in 2009. The name \"Skunk Anansie\" is taken from Akan folk tales of Anansi the spider-man of Ghana, with \"Skunk\" added to \"make the name nastier\".", "The name \"Skunk Anansie\" is taken from Akan folk tales of Anansi the spider-man of Ghana, with \"Skunk\" added to \"make the name nastier\". They have released six studio albums: Paranoid & Sunburnt (1995), Stoosh (1996), Post Orgasmic Chill (1999), Wonderlustre (2010), Black Traffic (2012) and Anarchytecture (2016); one compilation album, Smashes and Trashes (2009); and several hit singles, including \"Charity\", \"Hedonism\", \"Selling Jesus\" and \"Weak\".", "They have released six studio albums: Paranoid & Sunburnt (1995), Stoosh (1996), Post Orgasmic Chill (1999), Wonderlustre (2010), Black Traffic (2012) and Anarchytecture (2016); one compilation album, Smashes and Trashes (2009); and several hit singles, including \"Charity\", \"Hedonism\", \"Selling Jesus\" and \"Weak\". They are often grouped as part of the Britrock movement, as opposed to the contemporary Britpop of their early years due to their overall harder sound.", "They are often grouped as part of the Britrock movement, as opposed to the contemporary Britpop of their early years due to their overall harder sound. The band, in 2004, was named as one of the most successful UK chart acts between 1952 and 2003 by the Guinness Book of British Hit Singles & Albums, with a total of 142 weeks on both the singles and album charts ranking them at No. 491.", "491. 491. When the book first published this annual top 500 list in 2000, it only involved weeks spent on the singles chart until 2004's 17th edition. History Formation and early career: 1994–2001 The group played its first gig at London's Splash club in March 1994. In 1995 they were voted Best New British Band by the readers of Kerrang! magazine.", "In 1995 they were voted Best New British Band by the readers of Kerrang! magazine. magazine. At the award ceremony that year drummer Mark Richardson met the band who were looking for a permanent replacement for Robbie France, so an audition was set up and the band was reformed. Soon after that, two of their songs, \"Feed\" and \"Selling Jesus\", appeared on the soundtrack of the film Strange Days in 1995.", "Soon after that, two of their songs, \"Feed\" and \"Selling Jesus\", appeared on the soundtrack of the film Strange Days in 1995. \"Selling Jesus\" became Skunk Anansie's controversial second song to receive radio play, following their first radio release \"Little Baby Swastikkka\". After hearing this song, radio personality Howard Stern claimed that the band would become a huge hit. Success continued for the band and they were also voted Kerrang! 's Best British Live Act in 1996.", "'s Best British Live Act in 1996. 's Best British Live Act in 1996. In 1997 they were nominated for Best Live Act and Best Group at the MTV Europe Music Awards. The group played its first gig at London's Splash club in March 1994, subsequently taking six weeks to record its debut album, Paranoid & Sunburnt, with producer Sylvia Massy at a \"haunted house\" outside the city.", "The group played its first gig at London's Splash club in March 1994, subsequently taking six weeks to record its debut album, Paranoid & Sunburnt, with producer Sylvia Massy at a \"haunted house\" outside the city. The band's first single, \"Selling Jesus,\" was featured on the soundtrack of the film Strange Days; Stoosh followed in 1996. Both albums were released by One Little Indian Records.", "Both albums were released by One Little Indian Records. Both albums were released by One Little Indian Records. After switching to the Virgin label in 1998, their third album, Post Orgasmic Chill, was released in 1999. In 1996, the band played a set at the Coppid Beech Hotel, Bracknell during a record label event. In 1999, the band were the last band of the 20th Century to headline Glastonbury Festival; closing the Pyramid Stage on Sunday 27 June.", "In 1999, the band were the last band of the 20th Century to headline Glastonbury Festival; closing the Pyramid Stage on Sunday 27 June. Throughout the 1990s, the group toured globally with such bands as U2, Aerosmith, Feeder, Lenny Kravitz, Bad Religion, Rollins Band, Therapy?, Rammstein, Killing Joke, Soulfly, Sevendust, Oomph!, Muse, Staind, Powerman 5000, Veruca Salt, Marion and A Perfect Circle.", "Throughout the 1990s, the group toured globally with such bands as U2, Aerosmith, Feeder, Lenny Kravitz, Bad Religion, Rollins Band, Therapy?, Rammstein, Killing Joke, Soulfly, Sevendust, Oomph!, Muse, Staind, Powerman 5000, Veruca Salt, Marion and A Perfect Circle. Side projects: 2002–2008 After their split in 2001, Skin embarked on a solo career.", "Side projects: 2002–2008 After their split in 2001, Skin embarked on a solo career. Her debut solo album Fleshwounds, co-written with longtime songwriting partner Len Arran was released in September 2003 and Fake Chemical State was released in March 2006. She has also provided vocals for a number of other acts' songs. Ace released a low-key album, Still Hungry, under the name Ace Sounds, which featured many collaborations including Shingai Shoniwa from Noisettes and Skye from Morcheeba. He later joined a band called \"Inner Mantra\".", "He later joined a band called \"Inner Mantra\". Ace is also a tutor at the Brighton Institute of Modern Music In 2002 Cass recorded the album Scars with Gary Moore, and played bass and performed backing vocals. Cass also played various instruments on Skin's first solo album. When not recording he concentrates on photography. Mark recorded sessions for various artists including Skin before joining Feeder after the death of their original drummer, Jon Lee. Mark has also been tutoring at the Brighton Institute with bandmate Ace.", "Mark has also been tutoring at the Brighton Institute with bandmate Ace. Reunion: 2009–2010 Mark Richardson confirmed reports that the band was reforming in an interview with Drummer Magazine (November 2008 issue), and said that the band planned to release a \"best of\" compilation as well as new material. Ace later set up an official page for the band on MySpace.", "Ace later set up an official page for the band on MySpace. On 2 and 3 April 2009, two shows took place at the Monto Water Rats (the former venue of the Splash Club) in London, under the alias SCAM (Skin, Cass, Ace, Mark) and sold out in 20 minutes. The band began their \"Greatest Hits\" tour on Friday, 9 October 2009 at the Ancienne Belgique in Brussels, with other dates across Europe. It was their first actual tour in eight years.", "It was their first actual tour in eight years. It was their first actual tour in eight years. A \"greatest hits\" album, Smashes and Trashes, was released 2 November 2009. It is a 15-track career-embracing album and includes three brand new tracks: \"Because of You\", \"Tear the Place Up\" and \"Squander\". A best-of remixes companion album was also released digitally.", "A best-of remixes companion album was also released digitally. A best-of remixes companion album was also released digitally. On 3 July 2009, the music video for \"Tear the Place Up\" was presented exclusively on MySpace, before on 10 August 2009, a new video for \"Because of You\" was presented exclusively on Kerrang.com. It was released 14 September 2009 in the UK and was the first single to be released from Smashes and Trashes.", "It was released 14 September 2009 in the UK and was the first single to be released from Smashes and Trashes. The single was a top 10 hit in Italy, before its follow-up \"Squander\" was a top 75 success in Flanders, the Dutch-speaking part of Belgium. Their fifth album Wonderlustre was released internationally on 13 September 2010, preceded by the first single \"My Ugly Boy\", which was released in the UK on 16 August 2010 and in Europe July/August.", "Their fifth album Wonderlustre was released internationally on 13 September 2010, preceded by the first single \"My Ugly Boy\", which was released in the UK on 16 August 2010 and in Europe July/August. The video for \"My Ugly Boy\" was presented exclusively on Kerrang.com on 23 July 2010. Wonderlustre reached number one on the Italian albums chart on 1 October 2010 and placed in the top 10 in charts all over Europe including in Germany, the Netherlands, France and Poland.", "Wonderlustre reached number one on the Italian albums chart on 1 October 2010 and placed in the top 10 in charts all over Europe including in Germany, the Netherlands, France and Poland. In May 2010 they were a supporting act for Rammstein, during two concerts in Berlin. The second single from Wonderlustre, \"Over the Love\" was released internationally in November 2010. In November 2010 the band played on Ídolos, a Portuguese equivalent to the UK's Pop Idol.", "In November 2010 the band played on Ídolos, a Portuguese equivalent to the UK's Pop Idol. \"You Saved Me\", the third single from Wonderlustre was released internationally in March 2011. Continuing career: 2011–present On 12 June 2011, the band performed at an open air 'Rock over Volga' at Samara, Russia. The performance was exceptionally well-received. The band also appeared on Friday 12 August at Sziget Festival in Budapest, Hungary playing a mixed set of hits and newer material.", "The band also appeared on Friday 12 August at Sziget Festival in Budapest, Hungary playing a mixed set of hits and newer material. This was their first appearance at Sziget. Sziget's own website reporting \"nobody had any doubts who the Queen of this year's Sziget turned out to be\". Skunk Anansie was on stage when the tragedy occurred at Pukkelpop in Belgium on 18 August 2011. As the band was performing a small tornado hit the venue and artists and revellers alike were sent running for their lives.", "As the band was performing a small tornado hit the venue and artists and revellers alike were sent running for their lives. Five were killed whilst several more were injured. Singer Skin described the incident as the most terrifying of her life. Former drummer Robbie France died on 14 January 2012 in Spain. He was 52. On 11 June 2012, Skunk Anansie revealed the title for their 5th studio album: Black Traffic.", "On 11 June 2012, Skunk Anansie revealed the title for their 5th studio album: Black Traffic. The band's follow-up to 2010's critically acclaimed Wonderlustre was recorded in London and produced by Skunk Anansie and Chris Sheldon and mixed by Jeremy Wheatley and Adrian Bushby. Black Traffic became the band's first independent release via their own label working in partnership with 100% Records. The album was released in September 2012 release and was backed by the first leg of an extensive 20 date European Tour.", "The album was released in September 2012 release and was backed by the first leg of an extensive 20 date European Tour. On 29 June 2012, the band released the lyric video for a new track called 'Sad, Sad, Sad'.", "On 29 June 2012, the band released the lyric video for a new track called 'Sad, Sad, Sad'. Nick Bassett praised the track on his site The Re-View: \"Thrashing percussion and Skin's vocal - she remains one of the UK's greatest and most underrated female vocalists - are all in check as the band return to the heavy rock sound that first shot them into the mainstream in the mid-nineties.\"", "Nick Bassett praised the track on his site The Re-View: \"Thrashing percussion and Skin's vocal - she remains one of the UK's greatest and most underrated female vocalists - are all in check as the band return to the heavy rock sound that first shot them into the mainstream in the mid-nineties.\" In September 2013, the band released their seventh album, An acoustic Skunk Anansie - Live in London which was recorded live at Cadogan Hall in April of that year.", "In September 2013, the band released their seventh album, An acoustic Skunk Anansie - Live in London which was recorded live at Cadogan Hall in April of that year. The album was also released as a live DVD and was described by the band as 'a family affair' as it featured Skin's longtime writing partner Len Arran on guitar and Erika Footman, Mark's wife on backing vocals and keyboards.", "The album was also released as a live DVD and was described by the band as 'a family affair' as it featured Skin's longtime writing partner Len Arran on guitar and Erika Footman, Mark's wife on backing vocals and keyboards. On 15 January 2016, Skunk Anansie released their sixth studio album Anarchytecture, and embarked upon an extensive European tour in February 2016 and throughout Summer 2016.", "On 15 January 2016, Skunk Anansie released their sixth studio album Anarchytecture, and embarked upon an extensive European tour in February 2016 and throughout Summer 2016. In 2017, Skunk Anansie turned their influence to help young aspiring musicians and launched the first ever Skunk Anansie scholarship in conjunction with The Academy of Contemporary Music. The band pick one successful applicant from either ACM Guildford, ACM London or ACM Birmingham and offer them £27,000 of funding for their degree course. The scholarship was again awarded the following year.", "The scholarship was again awarded the following year. The scholarship was again awarded the following year. In September 2018, the band announced they’d be releasing the very special live album, 25LIVE@25 through Republic of Music in celebration of their forthcoming 25th anniversary. It was released 25 January 2019 and features 25 tracks taken from across their six studio albums, which were captured live from various performances on their 2017 tour.", "It was released 25 January 2019 and features 25 tracks taken from across their six studio albums, which were captured live from various performances on their 2017 tour. Continuing the 25th anniversary celebrations Skunk Anansie will be touring Europe throughout the summer of 2019, headlining festivals and their own shows, finishing with a string of UK shows Across the UK and European media the importance of the band in today's culture has been given renewed prominence.", "Continuing the 25th anniversary celebrations Skunk Anansie will be touring Europe throughout the summer of 2019, headlining festivals and their own shows, finishing with a string of UK shows Across the UK and European media the importance of the band in today's culture has been given renewed prominence. The UK media have embraced the band once more with Skin appearing in interviews for the likes of Channel 4 News, Newsnight, The One Show, ITN, and Radio 2 discussing current political and social issues.", "The UK media have embraced the band once more with Skin appearing in interviews for the likes of Channel 4 News, Newsnight, The One Show, ITN, and Radio 2 discussing current political and social issues. The band have also been hailed as one of the most important rock bands of the modern age rock across a broad spectrum of UK press titles, and were the recipients of the Hall of Fame Award at the 2019 Kerrang! Awards on 19 June 2019.", "Awards on 19 June 2019. Awards on 19 June 2019. 2019 saw the release of the single \"What You Do For Love\". The black and white video for the song shows Skunk Anansie in concert. This was followed by the single \"This Means War\" in 2020. At the beginning of 2022, a new single - \"Piggy\" - was released.", "At the beginning of 2022, a new single - \"Piggy\" - was released. Influences Skin has described Skunk Anansie as a \"clit-rock\" group, which Allmusic clarifies as \"an amalgam of heavy metal and black feminist rage\". Members Skin and Ace have mentioned the Sex Pistols, Blondie, dub, reggae, electronica, hip-hop and world music as significant influences.", "Members Skin and Ace have mentioned the Sex Pistols, Blondie, dub, reggae, electronica, hip-hop and world music as significant influences. Other media The band also covered The Stooges' song \"Search and Destroy\" specifically for the soundtrack of Zack Snyder's film Sucker Punch, released on 25 March 2011. The soundtrack also includes a Skunk Anansie remix of the song \"Army of Me\" by Björk.", "The soundtrack also includes a Skunk Anansie remix of the song \"Army of Me\" by Björk. Band members Deborah \"Skin\" Dyer – lead vocals, guitar, theremin (1994–2001; 2009–present) Martin \"Ace\" Kent – guitar, backing vocals (1994–2001; 2009–present) Richard \"Cass\" Lewis – bass, guitar, backing vocals (1994–2001; 2009–present) Mark Richardson – drums, percussion, backing vocals (1995–2001; 2009–present) Former members Robbie France – drums, percussion (1994–1995; died 2012) Touring members Erika Footman – keyboards Discography Studio albums Paranoid & Sunburnt (1995) Stoosh (1996) Post Orgasmic Chill (1999) Wonderlustre (2010) Black Traffic (2012) Anarchytecture (2016) References External links Review of 'Squander' on the Daily Music Guide Official Website Review of 'Because Of You' on the Daily Music Guide Skinmusic.net - Lead singer's official site containing Skunk Anansie content Lisbon concert review English alternative rock groups English hard rock musical groups British alternative metal musical groups English heavy metal musical groups Musical groups disestablished in 2001 Musical groups established in 1994 Musical groups from London Musical groups reestablished in 2009 One Little Independent Records artists Virgin Records artists Epic Records artists V2 Records artists Musical quartets" ]

[ "Skunk Anansie", "Reunion: 2009-2010", "When was the reunion?", "Mark Richardson confirmed reports that the band was reforming in an interview with Drummer Magazine (November 2008 issue),", "Did they produce any albums?", "A \"greatest hits\" album, Smashes and Trashes, was released 2 November 2009.", "Did they go on tour?", "The band began their \"Greatest Hits\" tour on Friday, 9 October 2009", "What did they do in 2010?", "Their fifth album Wonderlustre was released internationally on 13 September 2010,", "How well was this album recieved?", "Wonderlustre reached number one on the Italian albums chart" ]

[ "Followers is an album by the American contemporary Christian music (CCM) band Tenth Avenue North. It was released by Provident Label Group, a division of Sony Music Entertainment, under its Reunion Records label, on October 14, 2016. The album reached No. 5 on the Billboard Christian Albums chart, and No. 151 on the Billboard 200. Three singles from the album were released: \"What You Want\" in 2016, and \"I Have This Hope\" and \"Control (Somehow You Want Me)\" in 2017, all of which appeared on the Billboard Hot Christian Songs chart.\n\nRelease and performance \n\nFollowers was released on October 14, 2016, by Provident Label Group LLC, a division of Sony Music Entertainment. It first charted on both the US Billboard Christian Albums and Billboard 200 on the week of November 5, 2016, peaking that week on both charts at No. 5 and No. 151, respectively.\n\nThree singles were released from the album. The first, \"What You Want\", was released five months in advance of the album on May 13, 2016, and charted on the Billboard Hot Christian Songs list, peaking at No. 17 on September 3, 2016. The other two were released in 2017 after the album, and reached the top 10 on Hot Christian Songs: \"I Have This Hope\" peaked at No. 5 on June 10, 2017, and \"Control (Somehow You Want Me)\" peaked at No. 7 on January 13, 2018.\n\nReception \n\nCCM Magazine gave the album 4 out of 5 stars, and cited its \"killer vocal work on honest, relatable lyrics paired with ... strong songwriting.\"\n\nChristian review website JesusFreakHideout rated the album 3.5 out of 5 stars. The review said the album was \"pretty much what you would expect from a CCM release\" and wrote that \"What You Want\" was \"the most energetic song on the album\". It singled out the opening track as \"excellent\" and the closing track as \"powerful\", and characterized the remaining songs as \"eight solid but otherwise ordinary tracks.\"\n\nTrack listing\n\"Afraid\" (3:48)\n\"What You Want\" (3:37)\n\"Overflow\" (3:40)\n\"I Have This Hope\" (3:24)\n\"One Thing\" (3:28)\n\"Sparrow (Under Heaven's Eyes)\" (3:59)\n\"No One Can Steal Our Joy\" (3:40)\n\"Control (Somehow You Want Me)\" (4:08)\n\"Fighting for You\" (3:22)\n\"I Confess\" (5:15)\n\nChart performance\n\nReferences\n\n2016 albums\nTenth Avenue North albums", "\"What's Forever For\" is a song written by Rafe Van Hoy and first recorded by England Dan & John Ford Coley on their 1979 album Dr. Heckle and Mr. Jive.\n\nThe song saw its biggest success when it was recorded by American country music artist Michael Martin Murphey. It was released in June 1982 as the second single from his album, Michael Martin Murphey. \"What's Forever For\" was Murphey's first of two number ones on the country chart. The single went to number one for one week and spent 16 weeks in the country top 40. On the Hot 100, \"What's Forever For\" was his final Top 40 hit, peaking at number 19. The song is also one of his most well known in the Philippines, along with \"Maybe This Time\".\n\nCharts\n\nWeekly charts\n\nYear-end charts\n\nCover versions\nAnne Murray on her 1980 album Somebody's Waiting, released by Capitol Records. \"What's Forever For\" was also included as the B-side of her Beatles cover hit, \"I'm Happy Just to Dance with You\".\nT. G. Sheppard on his 1981 album I Love 'Em All, released by Warner Bros. Records.\nDaryl Somers on his 1982 single.\nJohnny Mathis on his 1982 album Friends in Love, released on Columbia Records.\nBilly Gilman on his 2000 album One Voice, released by Epic Records.\nFilipino acoustic singer Nyoy Volante covered the song on his 2008 album, Heartstrings.\nJeff Trachta and Bobbie Eakes, on the soap opera The Bold and the Beautiful.\nTonny Willé and Marco Bakker.\nJohn Conlee on the album With Love in 1981 on MCA.\nB.J. Thomas on his 2000 album You Call That a Mountain.\n\nReferences\n\n1982 singles\nEngland Dan & John Ford Coley songs\nAnne Murray songs\nJohn Conlee songs\nT. G. Sheppard songs\nMichael Martin Murphey songs\nBilly Gilman songs\nB. J. Thomas songs\nSong recordings produced by Jim Ed Norman\nLiberty Records singles\nSongs written by Rafe Van Hoy\n1979 songs" ]

[ "Skunk Anansie are a British rock band whose members include Skin (lead vocals, guitar), Cass (bass, guitar, backing vocals), Ace (guitar, backing vocals) and Mark Richardson (drums and percussion). Skunk Anansie formed in 1994, disbanded in 2001 and reformed in 2009. The name \"Skunk Anansie\" is taken from Akan folk tales of Anansi the spider-man of Ghana, with \"Skunk\" added to \"make the name nastier\".", "The name \"Skunk Anansie\" is taken from Akan folk tales of Anansi the spider-man of Ghana, with \"Skunk\" added to \"make the name nastier\". They have released six studio albums: Paranoid & Sunburnt (1995), Stoosh (1996), Post Orgasmic Chill (1999), Wonderlustre (2010), Black Traffic (2012) and Anarchytecture (2016); one compilation album, Smashes and Trashes (2009); and several hit singles, including \"Charity\", \"Hedonism\", \"Selling Jesus\" and \"Weak\".", "They have released six studio albums: Paranoid & Sunburnt (1995), Stoosh (1996), Post Orgasmic Chill (1999), Wonderlustre (2010), Black Traffic (2012) and Anarchytecture (2016); one compilation album, Smashes and Trashes (2009); and several hit singles, including \"Charity\", \"Hedonism\", \"Selling Jesus\" and \"Weak\". They are often grouped as part of the Britrock movement, as opposed to the contemporary Britpop of their early years due to their overall harder sound.", "They are often grouped as part of the Britrock movement, as opposed to the contemporary Britpop of their early years due to their overall harder sound. The band, in 2004, was named as one of the most successful UK chart acts between 1952 and 2003 by the Guinness Book of British Hit Singles & Albums, with a total of 142 weeks on both the singles and album charts ranking them at No. 491.", "491. 491. When the book first published this annual top 500 list in 2000, it only involved weeks spent on the singles chart until 2004's 17th edition. History Formation and early career: 1994–2001 The group played its first gig at London's Splash club in March 1994. In 1995 they were voted Best New British Band by the readers of Kerrang! magazine.", "In 1995 they were voted Best New British Band by the readers of Kerrang! magazine. magazine. At the award ceremony that year drummer Mark Richardson met the band who were looking for a permanent replacement for Robbie France, so an audition was set up and the band was reformed. Soon after that, two of their songs, \"Feed\" and \"Selling Jesus\", appeared on the soundtrack of the film Strange Days in 1995.", "Soon after that, two of their songs, \"Feed\" and \"Selling Jesus\", appeared on the soundtrack of the film Strange Days in 1995. \"Selling Jesus\" became Skunk Anansie's controversial second song to receive radio play, following their first radio release \"Little Baby Swastikkka\". After hearing this song, radio personality Howard Stern claimed that the band would become a huge hit. Success continued for the band and they were also voted Kerrang! 's Best British Live Act in 1996.", "'s Best British Live Act in 1996. 's Best British Live Act in 1996. In 1997 they were nominated for Best Live Act and Best Group at the MTV Europe Music Awards. The group played its first gig at London's Splash club in March 1994, subsequently taking six weeks to record its debut album, Paranoid & Sunburnt, with producer Sylvia Massy at a \"haunted house\" outside the city.", "The group played its first gig at London's Splash club in March 1994, subsequently taking six weeks to record its debut album, Paranoid & Sunburnt, with producer Sylvia Massy at a \"haunted house\" outside the city. The band's first single, \"Selling Jesus,\" was featured on the soundtrack of the film Strange Days; Stoosh followed in 1996. Both albums were released by One Little Indian Records.", "Both albums were released by One Little Indian Records. Both albums were released by One Little Indian Records. After switching to the Virgin label in 1998, their third album, Post Orgasmic Chill, was released in 1999. In 1996, the band played a set at the Coppid Beech Hotel, Bracknell during a record label event. In 1999, the band were the last band of the 20th Century to headline Glastonbury Festival; closing the Pyramid Stage on Sunday 27 June.", "In 1999, the band were the last band of the 20th Century to headline Glastonbury Festival; closing the Pyramid Stage on Sunday 27 June. Throughout the 1990s, the group toured globally with such bands as U2, Aerosmith, Feeder, Lenny Kravitz, Bad Religion, Rollins Band, Therapy?, Rammstein, Killing Joke, Soulfly, Sevendust, Oomph!, Muse, Staind, Powerman 5000, Veruca Salt, Marion and A Perfect Circle.", "Throughout the 1990s, the group toured globally with such bands as U2, Aerosmith, Feeder, Lenny Kravitz, Bad Religion, Rollins Band, Therapy?, Rammstein, Killing Joke, Soulfly, Sevendust, Oomph!, Muse, Staind, Powerman 5000, Veruca Salt, Marion and A Perfect Circle. Side projects: 2002–2008 After their split in 2001, Skin embarked on a solo career.", "Side projects: 2002–2008 After their split in 2001, Skin embarked on a solo career. Her debut solo album Fleshwounds, co-written with longtime songwriting partner Len Arran was released in September 2003 and Fake Chemical State was released in March 2006. She has also provided vocals for a number of other acts' songs. Ace released a low-key album, Still Hungry, under the name Ace Sounds, which featured many collaborations including Shingai Shoniwa from Noisettes and Skye from Morcheeba. He later joined a band called \"Inner Mantra\".", "He later joined a band called \"Inner Mantra\". Ace is also a tutor at the Brighton Institute of Modern Music In 2002 Cass recorded the album Scars with Gary Moore, and played bass and performed backing vocals. Cass also played various instruments on Skin's first solo album. When not recording he concentrates on photography. Mark recorded sessions for various artists including Skin before joining Feeder after the death of their original drummer, Jon Lee. Mark has also been tutoring at the Brighton Institute with bandmate Ace.", "Mark has also been tutoring at the Brighton Institute with bandmate Ace. Reunion: 2009–2010 Mark Richardson confirmed reports that the band was reforming in an interview with Drummer Magazine (November 2008 issue), and said that the band planned to release a \"best of\" compilation as well as new material. Ace later set up an official page for the band on MySpace.", "Ace later set up an official page for the band on MySpace. On 2 and 3 April 2009, two shows took place at the Monto Water Rats (the former venue of the Splash Club) in London, under the alias SCAM (Skin, Cass, Ace, Mark) and sold out in 20 minutes. The band began their \"Greatest Hits\" tour on Friday, 9 October 2009 at the Ancienne Belgique in Brussels, with other dates across Europe. It was their first actual tour in eight years.", "It was their first actual tour in eight years. It was their first actual tour in eight years. A \"greatest hits\" album, Smashes and Trashes, was released 2 November 2009. It is a 15-track career-embracing album and includes three brand new tracks: \"Because of You\", \"Tear the Place Up\" and \"Squander\". A best-of remixes companion album was also released digitally.", "A best-of remixes companion album was also released digitally. A best-of remixes companion album was also released digitally. On 3 July 2009, the music video for \"Tear the Place Up\" was presented exclusively on MySpace, before on 10 August 2009, a new video for \"Because of You\" was presented exclusively on Kerrang.com. It was released 14 September 2009 in the UK and was the first single to be released from Smashes and Trashes.", "It was released 14 September 2009 in the UK and was the first single to be released from Smashes and Trashes. The single was a top 10 hit in Italy, before its follow-up \"Squander\" was a top 75 success in Flanders, the Dutch-speaking part of Belgium. Their fifth album Wonderlustre was released internationally on 13 September 2010, preceded by the first single \"My Ugly Boy\", which was released in the UK on 16 August 2010 and in Europe July/August.", "Their fifth album Wonderlustre was released internationally on 13 September 2010, preceded by the first single \"My Ugly Boy\", which was released in the UK on 16 August 2010 and in Europe July/August. The video for \"My Ugly Boy\" was presented exclusively on Kerrang.com on 23 July 2010. Wonderlustre reached number one on the Italian albums chart on 1 October 2010 and placed in the top 10 in charts all over Europe including in Germany, the Netherlands, France and Poland.", "Wonderlustre reached number one on the Italian albums chart on 1 October 2010 and placed in the top 10 in charts all over Europe including in Germany, the Netherlands, France and Poland. In May 2010 they were a supporting act for Rammstein, during two concerts in Berlin. The second single from Wonderlustre, \"Over the Love\" was released internationally in November 2010. In November 2010 the band played on Ídolos, a Portuguese equivalent to the UK's Pop Idol.", "In November 2010 the band played on Ídolos, a Portuguese equivalent to the UK's Pop Idol. \"You Saved Me\", the third single from Wonderlustre was released internationally in March 2011. Continuing career: 2011–present On 12 June 2011, the band performed at an open air 'Rock over Volga' at Samara, Russia. The performance was exceptionally well-received. The band also appeared on Friday 12 August at Sziget Festival in Budapest, Hungary playing a mixed set of hits and newer material.", "The band also appeared on Friday 12 August at Sziget Festival in Budapest, Hungary playing a mixed set of hits and newer material. This was their first appearance at Sziget. Sziget's own website reporting \"nobody had any doubts who the Queen of this year's Sziget turned out to be\". Skunk Anansie was on stage when the tragedy occurred at Pukkelpop in Belgium on 18 August 2011. As the band was performing a small tornado hit the venue and artists and revellers alike were sent running for their lives.", "As the band was performing a small tornado hit the venue and artists and revellers alike were sent running for their lives. Five were killed whilst several more were injured. Singer Skin described the incident as the most terrifying of her life. Former drummer Robbie France died on 14 January 2012 in Spain. He was 52. On 11 June 2012, Skunk Anansie revealed the title for their 5th studio album: Black Traffic.", "On 11 June 2012, Skunk Anansie revealed the title for their 5th studio album: Black Traffic. The band's follow-up to 2010's critically acclaimed Wonderlustre was recorded in London and produced by Skunk Anansie and Chris Sheldon and mixed by Jeremy Wheatley and Adrian Bushby. Black Traffic became the band's first independent release via their own label working in partnership with 100% Records. The album was released in September 2012 release and was backed by the first leg of an extensive 20 date European Tour.", "The album was released in September 2012 release and was backed by the first leg of an extensive 20 date European Tour. On 29 June 2012, the band released the lyric video for a new track called 'Sad, Sad, Sad'.", "On 29 June 2012, the band released the lyric video for a new track called 'Sad, Sad, Sad'. Nick Bassett praised the track on his site The Re-View: \"Thrashing percussion and Skin's vocal - she remains one of the UK's greatest and most underrated female vocalists - are all in check as the band return to the heavy rock sound that first shot them into the mainstream in the mid-nineties.\"", "Nick Bassett praised the track on his site The Re-View: \"Thrashing percussion and Skin's vocal - she remains one of the UK's greatest and most underrated female vocalists - are all in check as the band return to the heavy rock sound that first shot them into the mainstream in the mid-nineties.\" In September 2013, the band released their seventh album, An acoustic Skunk Anansie - Live in London which was recorded live at Cadogan Hall in April of that year.", "In September 2013, the band released their seventh album, An acoustic Skunk Anansie - Live in London which was recorded live at Cadogan Hall in April of that year. The album was also released as a live DVD and was described by the band as 'a family affair' as it featured Skin's longtime writing partner Len Arran on guitar and Erika Footman, Mark's wife on backing vocals and keyboards.", "The album was also released as a live DVD and was described by the band as 'a family affair' as it featured Skin's longtime writing partner Len Arran on guitar and Erika Footman, Mark's wife on backing vocals and keyboards. On 15 January 2016, Skunk Anansie released their sixth studio album Anarchytecture, and embarked upon an extensive European tour in February 2016 and throughout Summer 2016.", "On 15 January 2016, Skunk Anansie released their sixth studio album Anarchytecture, and embarked upon an extensive European tour in February 2016 and throughout Summer 2016. In 2017, Skunk Anansie turned their influence to help young aspiring musicians and launched the first ever Skunk Anansie scholarship in conjunction with The Academy of Contemporary Music. The band pick one successful applicant from either ACM Guildford, ACM London or ACM Birmingham and offer them £27,000 of funding for their degree course. The scholarship was again awarded the following year.", "The scholarship was again awarded the following year. The scholarship was again awarded the following year. In September 2018, the band announced they’d be releasing the very special live album, 25LIVE@25 through Republic of Music in celebration of their forthcoming 25th anniversary. It was released 25 January 2019 and features 25 tracks taken from across their six studio albums, which were captured live from various performances on their 2017 tour.", "It was released 25 January 2019 and features 25 tracks taken from across their six studio albums, which were captured live from various performances on their 2017 tour. Continuing the 25th anniversary celebrations Skunk Anansie will be touring Europe throughout the summer of 2019, headlining festivals and their own shows, finishing with a string of UK shows Across the UK and European media the importance of the band in today's culture has been given renewed prominence.", "Continuing the 25th anniversary celebrations Skunk Anansie will be touring Europe throughout the summer of 2019, headlining festivals and their own shows, finishing with a string of UK shows Across the UK and European media the importance of the band in today's culture has been given renewed prominence. The UK media have embraced the band once more with Skin appearing in interviews for the likes of Channel 4 News, Newsnight, The One Show, ITN, and Radio 2 discussing current political and social issues.", "The UK media have embraced the band once more with Skin appearing in interviews for the likes of Channel 4 News, Newsnight, The One Show, ITN, and Radio 2 discussing current political and social issues. The band have also been hailed as one of the most important rock bands of the modern age rock across a broad spectrum of UK press titles, and were the recipients of the Hall of Fame Award at the 2019 Kerrang! Awards on 19 June 2019.", "Awards on 19 June 2019. Awards on 19 June 2019. 2019 saw the release of the single \"What You Do For Love\". The black and white video for the song shows Skunk Anansie in concert. This was followed by the single \"This Means War\" in 2020. At the beginning of 2022, a new single - \"Piggy\" - was released.", "At the beginning of 2022, a new single - \"Piggy\" - was released. Influences Skin has described Skunk Anansie as a \"clit-rock\" group, which Allmusic clarifies as \"an amalgam of heavy metal and black feminist rage\". Members Skin and Ace have mentioned the Sex Pistols, Blondie, dub, reggae, electronica, hip-hop and world music as significant influences.", "Members Skin and Ace have mentioned the Sex Pistols, Blondie, dub, reggae, electronica, hip-hop and world music as significant influences. Other media The band also covered The Stooges' song \"Search and Destroy\" specifically for the soundtrack of Zack Snyder's film Sucker Punch, released on 25 March 2011. The soundtrack also includes a Skunk Anansie remix of the song \"Army of Me\" by Björk.", "The soundtrack also includes a Skunk Anansie remix of the song \"Army of Me\" by Björk. Band members Deborah \"Skin\" Dyer – lead vocals, guitar, theremin (1994–2001; 2009–present) Martin \"Ace\" Kent – guitar, backing vocals (1994–2001; 2009–present) Richard \"Cass\" Lewis – bass, guitar, backing vocals (1994–2001; 2009–present) Mark Richardson – drums, percussion, backing vocals (1995–2001; 2009–present) Former members Robbie France – drums, percussion (1994–1995; died 2012) Touring members Erika Footman – keyboards Discography Studio albums Paranoid & Sunburnt (1995) Stoosh (1996) Post Orgasmic Chill (1999) Wonderlustre (2010) Black Traffic (2012) Anarchytecture (2016) References External links Review of 'Squander' on the Daily Music Guide Official Website Review of 'Because Of You' on the Daily Music Guide Skinmusic.net - Lead singer's official site containing Skunk Anansie content Lisbon concert review English alternative rock groups English hard rock musical groups British alternative metal musical groups English heavy metal musical groups Musical groups disestablished in 2001 Musical groups established in 1994 Musical groups from London Musical groups reestablished in 2009 One Little Independent Records artists Virgin Records artists Epic Records artists V2 Records artists Musical quartets" ]

[ "Mary Shelley", "Lake Geneva and Frankenstein" ]

[ "Frankenstein is a novel by Mary Shelley.\n\nMary Shelley's Frankenstein may refer to:\nMary Shelley's Frankenstein (film), 1994 film adaptation of Mary Shelley's novel Frankenstein\nMary Shelley's Frankenstein (pinball), 1995 pinball machine based on the film\nMary Shelley's Frankenstein (video game), video game for multiple platforms based on the film\n\nSee also\nFrankenstein (disambiguation)", "\"On Frankenstein\" is a review of the 1818 novel Frankenstein; or, The Modern Prometheus written by Percy Bysshe Shelley in 1817 but not published until 1832.\n\nBackground\nThe review was written by Percy Bysshe Shelley in 1817 to help promote the novel and to counter expected negative reviews. It remained unpublished, however, until after the third edition of Frankenstein appeared in 1831.<ref>[http://knarf.english.upenn.edu/PShelley/frankrev.html \"On Frankenstein.\"]</ref> Percy Bysshe Shelley's cousin Thomas Medwin submitted it to the British literary magazine The Athenaeum for the Saturday, November 10, 1832 issue on page 730. It was part of the series \"The Shelley Papers\" which appeared in The Athenaeum starting in September, 1832. \n\nIn his biography Life of Shelley, Medwin had written that he sought to have the review published to demonstrate that, contrary to claims, Shelley did not write the novel and did not have any role in its creation: \"I have heard it asserted that the idea [of Frankenstein] was [Percy Bysshe] Shelley's, and that he assisted much in the development of the plot.\" Notwithstanding Medwin's own claims, the drafts and proofs of the novel showed that this statement was accurate. Shelley had come up with the idea for the novel, as Mary herself acknowledged in the 1831 Introduction, and he had, at the very least, made substantial contributions to the writing of the novel. Mary had not, however, included the review in her compilations and publications of Shelley's prose works. John Lauritsen in The Man Who Wrote Frankenstein argued that Mary suppressed the review because she feared it would expose Shelley as the true author of the novel.\n\nThe review was republished in Thomas Medwin's Memoir of Percy Bysshe Shelley; and Original Poems and Papers by Percy Bysshe Shelley: Now First Collected in 1833. The review also appeared in The Prose Works of Percy Bysshe Shelley edited by E. B. Murray in 1993.\n\nThe review was republished in The Man Who Wrote Frankenstein by John Lauritsin in 2007 and The Original Frankenstein edited by Charles E. Robinson in 2008.\n\nSummary\n\nShelley wrote that the dialogues between the Being and De Lacey were the most powerful and moving in the novel. He wrote that the central moral of the novel is intolerance, describing innocent victims of prejudice in society, \"who are best qualified to be its benefactors and its ornaments.\" Shelley argued that the Being was a product of a xenophobic society: \"Treat a person ill, and he will become wicked.\"\n\nShelley referred to the monster as the \"Being\" five times in his review. He also referred to the anonymous author using a masculine pronoun, \"he\".\n\nThe British Library analysis noted the direct connection to Shelley's poem \"Mont Blanc\" which was published in 1817 in History of a Six Weeks' Tour. Frankenstein develops the theme of \"necessity\" which Shelley wrote about in that poem. It is a philosophical idea of the novel.\n\nThe review related Frankenstein to Percy Bysshe Shelley's own works: \n\n\"The environment is an aspect Shelley also emphasises in his preface to the 1818 edition. He examines the way the monster turns against the world as a direct result of his treatment. For Shelley this is an example of the philosophical idea he defined as necessity, 'an immense and uninterrupted chain of causes and effects', which is explored in 'Mont Blanc' and is 'the direct moral' of Frankenstein. He points out that the monster’s mind is formed by impressions, and thus a conflict is created between Frankenstein monster’s good intentions (moments at which he is 'affectionate and full of moral sensibility') and the reactions of those around him to his 'tremendous' (frightening) appearance.\"\n\nShelley concluded that the novel was \"one of the most original and complete productions of the age.\"\n\nReferences\n\nSources\nGrande, James. \"The Original Frankenstein, By Mary Shelley with Percy Shelley ed Charles E Robinson. To what extent did Percy Bysshe Shelley work on 'Frankenstein'? A new analysis reveals all.\" 16 November, 2008, The Independent. Retrieved 30 September, 2018.\nLauritsen, John. The Man Who Wrote Frankenstein. Dorchester, MA: Pagan Press, 2007.\nMedwin, Thomas. Memoir of Percy Bysshe Shelley; and Original Poems and Papers by Percy Bysshe Shelley: Now First Collected. London: Whittaker, Treacher, & Co., 1833, pp. 165-70.\nRobinson, Charles E., ed. The Original Frankenstein by Mary Wollstonecraft Shelley (with Percy Bysshe Shelley). New York: Vintage Books, 2008, pp. 434-36.\nRobinson, Charles E. \"Percy Bysshe Shelley's Text(s) in Mary Wollstonecraft Shelley's Frankenstein\", in The Neglected Shelley edited by Alan M. Weinberg and Timothy Webb. London and New York: Routledge, 2015, pp. 117-136.\nShelley, Percy Bysshe. \"On Frankenstein.\" The Athenaeum: Journal of English and Foreign Literature, Science, and the Fine Arts'', Saturday, November 10, 1832. No. 263, page 730.\n\nLiterature controversies\nWorks by Percy Bysshe Shelley\n Gothic fiction\n1832 works\nFrankenstein" ]

[ "Mary Wollstonecraft Shelley (; ; 30 August 1797 – 1 February 1851) was an English novelist who wrote the Gothic novel Frankenstein; or, The Modern Prometheus (1818), which is considered an early example of science fiction. She also edited and promoted the works of her husband, the Romantic poet and philosopher Percy Bysshe Shelley. Her father was the political philosopher William Godwin and her mother was the philosopher and feminist activist Mary Wollstonecraft. Shelley's mother died less than a month after giving birth to her.", "Shelley's mother died less than a month after giving birth to her. She was raised by her father, who provided her with a rich if informal education, encouraging her to adhere to his own anarchist political theories. When she was four, her father married a neighbour, Mary Jane Clairmont, with whom Shelley came to have a troubled relationship. In 1814, Shelley began a romance with one of her father's political followers, Percy Bysshe Shelley, who was already married.", "In 1814, Shelley began a romance with one of her father's political followers, Percy Bysshe Shelley, who was already married. Together with her stepsister, Claire Clairmont, she and Percy left for France and travelled through Europe. Upon their return to England, Shelley was pregnant with Percy's child. Over the next two years, she and Percy faced ostracism, constant debt and the death of their prematurely born daughter. They married in late 1816, after the suicide of Percy Shelley's first wife, Harriet.", "They married in late 1816, after the suicide of Percy Shelley's first wife, Harriet. In 1816, the couple and Mary's stepsister famously spent a summer with Lord Byron and John William Polidori near Geneva, Switzerland, where Shelley conceived the idea for her novel Frankenstein. The Shelleys left Britain in 1818 for Italy, where their second and third children died before Shelley gave birth to her last and only surviving child, Percy Florence Shelley.", "The Shelleys left Britain in 1818 for Italy, where their second and third children died before Shelley gave birth to her last and only surviving child, Percy Florence Shelley. In 1822, her husband drowned when his sailing boat sank during a storm near Viareggio. A year later, Shelley returned to England and from then on devoted herself to the upbringing of her son and a career as a professional author.", "A year later, Shelley returned to England and from then on devoted herself to the upbringing of her son and a career as a professional author. The last decade of her life was dogged by illness, most likely caused by the brain tumour which killed her at age 53. Until the 1970s, Shelley was known mainly for her efforts to publish her husband's works and for her novel Frankenstein, which remains widely read and has inspired many theatrical and film adaptations.", "Until the 1970s, Shelley was known mainly for her efforts to publish her husband's works and for her novel Frankenstein, which remains widely read and has inspired many theatrical and film adaptations. Recent scholarship has yielded a more comprehensive view of Shelley's achievements.", "Recent scholarship has yielded a more comprehensive view of Shelley's achievements. Scholars have shown increasing interest in her literary output, particularly in her novels, which include the historical novels Valperga (1823) and Perkin Warbeck (1830), the apocalyptic novel The Last Man (1826) and her final two novels, Lodore (1835) and Falkner (1837).", "Scholars have shown increasing interest in her literary output, particularly in her novels, which include the historical novels Valperga (1823) and Perkin Warbeck (1830), the apocalyptic novel The Last Man (1826) and her final two novels, Lodore (1835) and Falkner (1837). Studies of her lesser-known works, such as the travel book Rambles in Germany and Italy (1844) and the biographical articles for Dionysius Lardner's Cabinet Cyclopaedia (1829–1846), support the growing view that Shelley remained a political radical throughout her life.", "Studies of her lesser-known works, such as the travel book Rambles in Germany and Italy (1844) and the biographical articles for Dionysius Lardner's Cabinet Cyclopaedia (1829–1846), support the growing view that Shelley remained a political radical throughout her life. Shelley's works often argue that cooperation and sympathy, particularly as practised by women in the family, were the ways to reform civil society.", "Shelley's works often argue that cooperation and sympathy, particularly as practised by women in the family, were the ways to reform civil society. This view was a direct challenge to the individualistic Romantic ethos promoted by Percy Shelley and the Enlightenment political theories articulated by her father, William Godwin. Life and career Early life Mary Shelley was born Mary Wollstonecraft Godwin in Somers Town, London, in 1797.", "Life and career Early life Mary Shelley was born Mary Wollstonecraft Godwin in Somers Town, London, in 1797. She was the second child of the feminist philosopher, educator, and writer Mary Wollstonecraft and the first child of the philosopher, novelist, and journalist William Godwin. Wollstonecraft died of puerperal fever shortly after Mary was born. Godwin was left to bring up Mary, along with her older half-sister, Fanny Imlay, Wollstonecraft's child by the American speculator Gilbert Imlay.", "Godwin was left to bring up Mary, along with her older half-sister, Fanny Imlay, Wollstonecraft's child by the American speculator Gilbert Imlay. A year after Wollstonecraft's death, Godwin published his Memoirs of the Author of A Vindication of the Rights of Woman (1798), which he intended as a sincere and compassionate tribute. However, because the Memoirs revealed Wollstonecraft's affairs and her illegitimate child, they were seen as shocking.", "However, because the Memoirs revealed Wollstonecraft's affairs and her illegitimate child, they were seen as shocking. Mary Godwin read these memoirs and her mother's books, and was brought up to cherish her mother's memory. Mary's earliest years were happy, judging from the letters of William Godwin's housekeeper and nurse, Louisa Jones. But Godwin was often deeply in debt; feeling that he could not raise the children by himself, he cast about for a second wife.", "But Godwin was often deeply in debt; feeling that he could not raise the children by himself, he cast about for a second wife. In December 1801, he married Mary Jane Clairmont, a well-educated woman with two young children of her own—Charles and Claire. Most of Godwin's friends disliked his new wife, describing her as quick-tempered and quarrelsome; but Godwin was devoted to her, and the marriage was a success. Mary Godwin, on the other hand, came to detest her stepmother.", "Mary Godwin, on the other hand, came to detest her stepmother. William Godwin's 19th-century biographer Charles Kegan Paul later suggested that Mrs Godwin had favoured her own children over those of Mary Wollstonecraft. Together, the Godwins started a publishing firm called M. J. Godwin, which sold children's books as well as stationery, maps, and games. However, the business did not turn a profit, and Godwin was forced to borrow substantial sums to keep it going.", "However, the business did not turn a profit, and Godwin was forced to borrow substantial sums to keep it going. He continued to borrow to pay off earlier loans, compounding his problems. By 1809, Godwin's business was close to failure, and he was \"near to despair\". Godwin was saved from debtor's prison by philosophical devotees such as Francis Place, who lent him further money. Though Mary Godwin received little formal education, her father tutored her in a broad range of subjects.", "Though Mary Godwin received little formal education, her father tutored her in a broad range of subjects. He often took the children on educational outings, and they had access to his library and to the many intellectuals who visited him, including the Romantic poet Samuel Taylor Coleridge and the former vice-president of the United States Aaron Burr.", "He often took the children on educational outings, and they had access to his library and to the many intellectuals who visited him, including the Romantic poet Samuel Taylor Coleridge and the former vice-president of the United States Aaron Burr. Godwin admitted he was not educating the children according to Mary Wollstonecraft's philosophy as outlined in works such as A Vindication of the Rights of Woman (1792), but Mary Godwin nonetheless received an unusual and advanced education for a girl of the time.", "Godwin admitted he was not educating the children according to Mary Wollstonecraft's philosophy as outlined in works such as A Vindication of the Rights of Woman (1792), but Mary Godwin nonetheless received an unusual and advanced education for a girl of the time. She had a governess, a daily tutor, and read many of her father's children's books on Roman and Greek history in manuscript. For six months in 1811, she also attended a boarding school in Ramsgate.", "For six months in 1811, she also attended a boarding school in Ramsgate. Her father described her at age 15 as \"singularly bold, somewhat imperious, and active of mind. Her desire of knowledge is great, and her perseverance in everything she undertakes almost invincible.\" In June 1812, Mary's father sent her to stay with the dissenting family of the radical William Baxter, near Dundee, Scotland.", "In June 1812, Mary's father sent her to stay with the dissenting family of the radical William Baxter, near Dundee, Scotland. To Baxter, he wrote, \"I am anxious that she should be brought up ... like a philosopher, even like a cynic.\" Scholars have speculated that she may have been sent away for her health, to remove her from the seamy side of the business, or to introduce her to radical politics.", "Scholars have speculated that she may have been sent away for her health, to remove her from the seamy side of the business, or to introduce her to radical politics. Mary Godwin revelled in the spacious surroundings of Baxter's house and in the companionship of his four daughters, and she returned north in the summer of 1813 for a further stay of 10 months. In the 1831 introduction to Frankenstein, she recalled: \"I wrote then—but in a most common-place style.", "In the 1831 introduction to Frankenstein, she recalled: \"I wrote then—but in a most common-place style. It was beneath the trees of the grounds belonging to our house, or on the bleak sides of the woodless mountains near, that my true compositions, the airy flights of my imagination, were born and fostered.\" Percy Bysshe Shelley Mary Godwin may have first met the radical poet-philosopher Percy Bysshe Shelley in the interval between her two stays in Scotland.", "Percy Bysshe Shelley Mary Godwin may have first met the radical poet-philosopher Percy Bysshe Shelley in the interval between her two stays in Scotland. By the time she returned home for a second time on 30 March 1814, Percy Shelley had become estranged from his wife and was regularly visiting William Godwin, whom he had agreed to bail out of debt.", "By the time she returned home for a second time on 30 March 1814, Percy Shelley had become estranged from his wife and was regularly visiting William Godwin, whom he had agreed to bail out of debt. Percy Shelley's radicalism, particularly his economic views, which he had imbibed from William Godwin's Political Justice (1793), had alienated him from his wealthy aristocratic family: they wanted him to follow traditional models of the landed aristocracy, and he wanted to donate large amounts of the family's money to schemes intended to help the disadvantaged.", "Percy Shelley's radicalism, particularly his economic views, which he had imbibed from William Godwin's Political Justice (1793), had alienated him from his wealthy aristocratic family: they wanted him to follow traditional models of the landed aristocracy, and he wanted to donate large amounts of the family's money to schemes intended to help the disadvantaged. Percy Shelley, therefore, had difficulty gaining access to money until he inherited his estate because his family did not want him wasting it on projects of \"political justice\".", "Percy Shelley, therefore, had difficulty gaining access to money until he inherited his estate because his family did not want him wasting it on projects of \"political justice\". After several months of promises, Shelley announced that he either could not or would not pay off all of Godwin's debts. Godwin was angry and felt betrayed.", "Godwin was angry and felt betrayed. Godwin was angry and felt betrayed. Mary and Percy began meeting each other secretly at her mother Mary Wollstonecraft's grave in the churchyard of St Pancras Old Church, and they fell in love—she was 16, and he was 21.", "Mary and Percy began meeting each other secretly at her mother Mary Wollstonecraft's grave in the churchyard of St Pancras Old Church, and they fell in love—she was 16, and he was 21. On 26 June 1814, Shelley and Godwin declared their love for one another as Shelley announced he could not hide his \"ardent passion\", leading her in a \"sublime and rapturous moment\" to say she felt the same way; on either that day or the next, Godwin lost her virginity to Shelley, which tradition claims happened in the churchyard.", "On 26 June 1814, Shelley and Godwin declared their love for one another as Shelley announced he could not hide his \"ardent passion\", leading her in a \"sublime and rapturous moment\" to say she felt the same way; on either that day or the next, Godwin lost her virginity to Shelley, which tradition claims happened in the churchyard. Godwin described herself as attracted to Shelley's \"wild, intellectual, unearthly looks\".", "Godwin described herself as attracted to Shelley's \"wild, intellectual, unearthly looks\". To Mary's dismay, her father disapproved, and tried to thwart the relationship and salvage the \"spotless fame\" of his daughter. At about the same time, Mary's father learned of Shelley's inability to pay off the father's debts. Mary, who later wrote of \"my excessive and romantic attachment to my father\", was confused.", "Mary, who later wrote of \"my excessive and romantic attachment to my father\", was confused. She saw Percy Shelley as an embodiment of her parents' liberal and reformist ideas of the 1790s, particularly Godwin's view that marriage was a repressive monopoly, which he had argued in his 1793 edition of Political Justice but later retracted. On 28 July 1814, the couple eloped and secretly left for France, taking Mary's stepsister, Claire Clairmont, with them.", "On 28 July 1814, the couple eloped and secretly left for France, taking Mary's stepsister, Claire Clairmont, with them. After convincing Mary Jane Godwin, who had pursued them to Calais, that they did not wish to return, the trio travelled to Paris, and then, by donkey, mule, carriage, and foot, through a France recently ravaged by war, to Switzerland. \"It was acting in a novel, being an incarnate romance,\" Mary Shelley recalled in 1826.", "\"It was acting in a novel, being an incarnate romance,\" Mary Shelley recalled in 1826. Godwin wrote about France in 1814: \"The distress of the inhabitants, whose houses had been burned, their cattle killed and all their wealth destroyed, has given a sting to my detestation of war...\". As they travelled, Mary and Percy read works by Mary Wollstonecraft and others, kept a joint journal, and continued their own writing. At Lucerne, lack of money forced the three to turn back.", "At Lucerne, lack of money forced the three to turn back. They travelled down the Rhine and by land to the Dutch port of Maassluis, arriving at Gravesend, Kent, on 13 September 1814. The situation awaiting Mary Godwin in England was fraught with complications, some of which she had not foreseen. Either before or during the journey, she had become pregnant. She and Percy now found themselves penniless, and, to Mary's genuine surprise, her father refused to have anything to do with her.", "She and Percy now found themselves penniless, and, to Mary's genuine surprise, her father refused to have anything to do with her. The couple moved with Claire into lodgings at Somers Town, and later, Nelson Square. They maintained their intense programme of reading and writing, and entertained Percy Shelley's friends, such as Thomas Jefferson Hogg and the writer Thomas Love Peacock. Percy Shelley sometimes left home for short periods to dodge creditors. The couple's distraught letters reveal their pain at these separations.", "The couple's distraught letters reveal their pain at these separations. Pregnant and often ill, Mary Godwin had to cope with Percy's joy at the birth of his son by Harriet Shelley in late 1814 and his constant outings with Claire Clairmont. Shelley and Clairmont were almost certainly lovers, which caused much jealousy on Godwin's part. Shelley greatly offended Godwin at one point when during a walk in the French countryside he suggested that they both take the plunge into a stream naked as it offended her principles.", "Shelley greatly offended Godwin at one point when during a walk in the French countryside he suggested that they both take the plunge into a stream naked as it offended her principles. She was partly consoled by the visits of Hogg, whom she disliked at first but soon considered a close friend. Percy Shelley seems to have wanted Mary Godwin and Hogg to become lovers; Mary did not dismiss the idea, since in principle she believed in free love.", "Percy Shelley seems to have wanted Mary Godwin and Hogg to become lovers; Mary did not dismiss the idea, since in principle she believed in free love. In practice, however, she loved only Percy Shelley and seems to have ventured no further than flirting with Hogg. On 22 February 1815, she gave birth to a two-month premature baby girl, who was not expected to survive.", "On 22 February 1815, she gave birth to a two-month premature baby girl, who was not expected to survive. On 6 March, she wrote to Hogg: My dearest Hogg my baby is dead—will you come to see me as soon as you can. I wish to see you—It was perfectly well when I went to bed—I awoke in the night to give it suck it appeared to be sleeping so quietly that I would not awake it.", "I wish to see you—It was perfectly well when I went to bed—I awoke in the night to give it suck it appeared to be sleeping so quietly that I would not awake it. It was dead then, but we did not find that out till morning—from its appearance it evidently died of convulsions—Will you come—you are so calm a creature & Shelley is afraid of a fever from the milk—for I am no longer a mother now.", "It was dead then, but we did not find that out till morning—from its appearance it evidently died of convulsions—Will you come—you are so calm a creature & Shelley is afraid of a fever from the milk—for I am no longer a mother now. The loss of her child induced acute depression in Mary Godwin, who was haunted by visions of the baby; but she conceived again and had recovered by the summer.", "The loss of her child induced acute depression in Mary Godwin, who was haunted by visions of the baby; but she conceived again and had recovered by the summer. With a revival in Percy Shelley's finances after the death of his grandfather, Sir Bysshe Shelley, the couple holidayed in Torquay and then rented a two-storey cottage at Bishopsgate, on the edge of Windsor Great Park. Little is known about this period in Mary Godwin's life, since her journal from May 1815 to July 1816 is lost.", "Little is known about this period in Mary Godwin's life, since her journal from May 1815 to July 1816 is lost. At Bishopsgate, Percy wrote his poem Alastor, or The Spirit of Solitude; and on 24 January 1816, Mary gave birth to a second child, William, named after her father, and soon nicknamed \"Willmouse\". In her novel The Last Man, she later imagined Windsor as a Garden of Eden.", "In her novel The Last Man, she later imagined Windsor as a Garden of Eden. Lake Geneva and Frankenstein In May 1816, Mary Godwin, Percy Shelley, and their son travelled to Geneva with Claire Clairmont. They planned to spend the summer with the poet Lord Byron, whose recent affair with Claire had left her pregnant. In History of a Six Weeks’ Tour through a part of France, Switzerland, Germany and Holland (1817), she describes the particularly desolate landscape in crossing from France into Switzerland.", "In History of a Six Weeks’ Tour through a part of France, Switzerland, Germany and Holland (1817), she describes the particularly desolate landscape in crossing from France into Switzerland. The party arrived in Geneva on 14 May 1816, where Mary called herself \"Mrs Shelley\".", "The party arrived in Geneva on 14 May 1816, where Mary called herself \"Mrs Shelley\". Byron joined them on 25 May, with his young physician, John William Polidori, and rented the Villa Diodati, close to Lake Geneva at the village of Cologny; Percy Shelley rented a smaller building called Maison Chapuis on the waterfront nearby. They spent their time writing, boating on the lake, and talking late into the night.", "They spent their time writing, boating on the lake, and talking late into the night. \"It proved a wet, ungenial summer\", Mary Shelley remembered in 1831, \"and incessant rain often confined us for days to the house\". Sitting around a log fire at Byron's villa, the company amused themselves with German ghost stories, which prompted Byron to propose that they \"each write a ghost story\".", "Sitting around a log fire at Byron's villa, the company amused themselves with German ghost stories, which prompted Byron to propose that they \"each write a ghost story\". Unable to think of a story, young Mary Godwin became anxious: \"Have you thought of a story? I was asked each morning, and each morning I was forced to reply with a mortifying negative.\" During one mid-June evening, the discussions turned to the nature of the principle of life.", "During one mid-June evening, the discussions turned to the nature of the principle of life. \"Perhaps a corpse would be re-animated\", Mary noted; \"galvanism had given token of such things\". It was after midnight before they retired, and unable to sleep, she became possessed by her imagination as she beheld the grim terrors of her \"waking dream\", her ghost story: She began writing what she assumed would be a short story.", "It was after midnight before they retired, and unable to sleep, she became possessed by her imagination as she beheld the grim terrors of her \"waking dream\", her ghost story: She began writing what she assumed would be a short story. With Percy Shelley's encouragement, she expanded this tale into her first novel, Frankenstein; or, The Modern Prometheus, published in 1818. She later described that summer in Switzerland as the moment \"when I first stepped out from childhood into life\".", "She later described that summer in Switzerland as the moment \"when I first stepped out from childhood into life\". The story of the writing of Frankenstein has been fictionalised several times and formed the basis for a number of films.", "The story of the writing of Frankenstein has been fictionalised several times and formed the basis for a number of films. In September 2011, the astronomer Donald Olson, after a visit to the Lake Geneva villa the previous year, and inspecting data about the motion of the moon and stars, concluded that her waking dream took place \"between 2am and 3am\" 16 June 1816, several days after the initial idea by Lord Byron that they each write a ghost story.", "In September 2011, the astronomer Donald Olson, after a visit to the Lake Geneva villa the previous year, and inspecting data about the motion of the moon and stars, concluded that her waking dream took place \"between 2am and 3am\" 16 June 1816, several days after the initial idea by Lord Byron that they each write a ghost story. Authorship of Frankenstein While her husband Percy encouraged her writing, the extent of Percy's contribution to the novel is unknown and has been argued over by readers and critics.", "Authorship of Frankenstein While her husband Percy encouraged her writing, the extent of Percy's contribution to the novel is unknown and has been argued over by readers and critics. Mary Shelley wrote, \"I certainly did not owe the suggestion of one incident, nor scarcely of one train of feeling, to my husband, and yet but for his incitement, it would never have taken the form in which it was presented to the world.\"", "Mary Shelley wrote, \"I certainly did not owe the suggestion of one incident, nor scarcely of one train of feeling, to my husband, and yet but for his incitement, it would never have taken the form in which it was presented to the world.\" She wrote that the preface to the first edition was Percy's work \"as far as I can recollect.\" There are differences in the 1818, 1823 and 1831 editions, which have been attributed to Percy's editing.", "There are differences in the 1818, 1823 and 1831 editions, which have been attributed to Percy's editing. James Rieger concluded Percy's \"assistance at every point in the book's manufacture was so extensive that one hardly knows whether to regard him as editor or minor collaborator\", while Anne K. Mellor later argued Percy only \"made many technical corrections and several times clarified the narrative and thematic continuity of the text.\"", "James Rieger concluded Percy's \"assistance at every point in the book's manufacture was so extensive that one hardly knows whether to regard him as editor or minor collaborator\", while Anne K. Mellor later argued Percy only \"made many technical corrections and several times clarified the narrative and thematic continuity of the text.\" Charles E. Robinson, editor of a facsimile edition of the Frankenstein manuscripts, concluded that Percy's contributions to the book \"were no more than what most publishers' editors have provided new (or old) authors or, in fact, what colleagues have provided to each other after reading each other's works in progress.\"", "Charles E. Robinson, editor of a facsimile edition of the Frankenstein manuscripts, concluded that Percy's contributions to the book \"were no more than what most publishers' editors have provided new (or old) authors or, in fact, what colleagues have provided to each other after reading each other's works in progress.\" Writing on the 200th anniversary of Frankenstein, literary scholar and poet Fiona Sampson asked, \"Why hasn't Mary Shelley gotten the respect she deserves?\"", "Writing on the 200th anniversary of Frankenstein, literary scholar and poet Fiona Sampson asked, \"Why hasn't Mary Shelley gotten the respect she deserves?\" She noted that \"In recent years Percy's corrections, visible in the Frankenstein notebooks held at the Bodleian Library in Oxford, have been seized on as evidence that he must have at least co-authored the novel. In fact, when I examined the notebooks myself, I realized that Percy did rather less than any line editor working in publishing today.\"", "In fact, when I examined the notebooks myself, I realized that Percy did rather less than any line editor working in publishing today.\" Sampson published her findings in In Search of Mary Shelley (2018), one of many biographies written about Shelley. Bath and Marlow On their return to England in September, Mary and Percy moved—with Claire Clairmont, who took lodgings nearby—to Bath, where they hoped to keep Claire's pregnancy secret.", "Bath and Marlow On their return to England in September, Mary and Percy moved—with Claire Clairmont, who took lodgings nearby—to Bath, where they hoped to keep Claire's pregnancy secret. At Cologny, Mary Godwin had received two letters from her half-sister, Fanny Imlay, who alluded to her \"unhappy life\"; on 9 October, Fanny wrote an \"alarming letter\" from Bristol that sent Percy Shelley racing off to search for her, without success.", "At Cologny, Mary Godwin had received two letters from her half-sister, Fanny Imlay, who alluded to her \"unhappy life\"; on 9 October, Fanny wrote an \"alarming letter\" from Bristol that sent Percy Shelley racing off to search for her, without success. On the morning of 10 October, Fanny Imlay was found dead in a room at a Swansea inn, along with a suicide note and a laudanum bottle.", "On the morning of 10 October, Fanny Imlay was found dead in a room at a Swansea inn, along with a suicide note and a laudanum bottle. On 10 December, Percy Shelley's wife, Harriet, was discovered drowned in the Serpentine, a lake in Hyde Park, London. Both suicides were hushed up. Harriet's family obstructed Percy Shelley's efforts—fully supported by Mary Godwin—to assume custody of his two children by Harriet.", "Harriet's family obstructed Percy Shelley's efforts—fully supported by Mary Godwin—to assume custody of his two children by Harriet. His lawyers advised him to improve his case by marrying; so he and Mary, who was pregnant again, married on 30 December 1816 at St Mildred's Church, Bread Street, London. Mr and Mrs Godwin were present and the marriage ended the family rift. Claire Clairmont gave birth to a baby girl on 13 January, at first called Alba, later Allegra.", "Claire Clairmont gave birth to a baby girl on 13 January, at first called Alba, later Allegra. In March of that year, the Chancery Court ruled Percy Shelley morally unfit to assume custody of his children and later placed them with a clergyman's family. Also in March, the Shelleys moved with Claire and Alba to Albion House at Marlow, Buckinghamshire, a large, damp building on the river Thames. There Mary Shelley gave birth to her third child, Clara, on 2 September.", "There Mary Shelley gave birth to her third child, Clara, on 2 September. At Marlow, they entertained their new friends Marianne and Leigh Hunt, worked hard at their writing, and often discussed politics. Early in the summer of 1817, Mary Shelley finished Frankenstein, which was published anonymously in January 1818. Reviewers and readers assumed that Percy Shelley was the author, since the book was published with his preface and dedicated to his political hero William Godwin.", "Reviewers and readers assumed that Percy Shelley was the author, since the book was published with his preface and dedicated to his political hero William Godwin. At Marlow, Mary edited the joint journal of the group's 1814 Continental journey, adding material written in Switzerland in 1816, along with Percy's poem \"Mont Blanc\". The result was the History of a Six Weeks' Tour, published in November 1817. That autumn, Percy Shelley often lived away from home in London to evade creditors.", "That autumn, Percy Shelley often lived away from home in London to evade creditors. The threat of a debtor's prison, combined with their ill health and fears of losing custody of their children, contributed to the couple's decision to leave England for Italy on 12 March 1818, taking Claire Clairmont and Alba with them. They had no intention of returning. Italy One of the party's first tasks on arriving in Italy was to hand Alba over to Byron, who was living in Venice.", "Italy One of the party's first tasks on arriving in Italy was to hand Alba over to Byron, who was living in Venice. He had agreed to raise her so long as Claire had nothing more to do with her. The Shelleys then embarked on a roving existence, never settling in any one place for long. Along the way, they accumulated a circle of friends and acquaintances who often moved with them. The couple devoted their time to writing, reading, learning, sightseeing, and socialising.", "The couple devoted their time to writing, reading, learning, sightseeing, and socialising. The Italian adventure was, however, blighted for Mary Shelley by the deaths of both her children—Clara, in September 1818 in Venice, and William, in June 1819 in Rome. These losses left her in a deep depression that isolated her from Percy Shelley, who wrote in his notebook: My dearest Mary, wherefore hast thou gone, And left me in this dreary world alone?", "These losses left her in a deep depression that isolated her from Percy Shelley, who wrote in his notebook: My dearest Mary, wherefore hast thou gone, And left me in this dreary world alone? Thy form is here indeed—a lovely one— But thou art fled, gone down a dreary road That leads to Sorrow's most obscure abode. For thine own sake I cannot follow thee Do thou return for mine. For a time, Mary Shelley found comfort only in her writing.", "For a time, Mary Shelley found comfort only in her writing. The birth of her fourth child, Percy Florence, on 12 November 1819, finally lifted her spirits, though she nursed the memory of her lost children till the end of her life. Italy provided the Shelleys, Byron, and other exiles with political freedom unattainable at home. Despite its associations with personal loss, Italy became for Mary Shelley \"a country which memory painted as paradise\".", "Despite its associations with personal loss, Italy became for Mary Shelley \"a country which memory painted as paradise\". Their Italian years were a time of intense intellectual and creative activity for both Shelleys. While Percy composed a series of major poems, Mary wrote the novel Matilda, the historical novel Valperga, and the plays Proserpine and Midas. Mary wrote Valperga to help alleviate her father's financial difficulties, as Percy refused to assist him further. She was often physically ill, however, and prone to depressions.", "She was often physically ill, however, and prone to depressions. She also had to cope with Percy's interest in other women, such as Sophia Stacey, Emilia Viviani, and Jane Williams. Since Mary Shelley shared his belief in the non-exclusivity of marriage, she formed emotional ties of her own among the men and women of their circle. She became particularly fond of the Greek revolutionary Prince Alexandros Mavrokordatos and of Jane and Edward Williams.", "She became particularly fond of the Greek revolutionary Prince Alexandros Mavrokordatos and of Jane and Edward Williams. In December 1818, the Shelleys travelled south with Claire Clairmont and their servants to Naples, where they stayed for three months, receiving only one visitor, a physician. In 1820, they found themselves plagued by accusations and threats from Paolo and Elise Foggi, former servants whom Percy Shelley had dismissed in Naples shortly after the Foggis had married.", "In 1820, they found themselves plagued by accusations and threats from Paolo and Elise Foggi, former servants whom Percy Shelley had dismissed in Naples shortly after the Foggis had married. The pair revealed that on 27 February 1819 in Naples, Percy Shelley had registered as his child by Mary Shelley a two-month-old baby girl named Elena Adelaide Shelley. The Foggis also claimed that Claire Clairmont was the baby's mother.", "The Foggis also claimed that Claire Clairmont was the baby's mother. Biographers have offered various interpretations of these events: that Percy Shelley decided to adopt a local child; that the baby was his by Elise, Claire, or an unknown woman; or that she was Elise's by Byron. Mary Shelley insisted she would have known if Claire had been pregnant, but it is unclear how much she really knew.", "Mary Shelley insisted she would have known if Claire had been pregnant, but it is unclear how much she really knew. The events in Naples, a city Mary Shelley later called a paradise inhabited by devils, remain shrouded in mystery. The only certainty is that she herself was not the child's mother. Elena Adelaide Shelley died in Naples on 9 June 1820.", "Elena Adelaide Shelley died in Naples on 9 June 1820. After leaving Naples, the Shelleys settled in Rome, the city where her husband wrote where \"the meanest streets were strewed with truncated columns, broken capitals...and sparkling fragments of granite or porphyry...The voice of dead time, in still vibrations, is breathed from these dumb things, animated and glorified as they were by man\".", "After leaving Naples, the Shelleys settled in Rome, the city where her husband wrote where \"the meanest streets were strewed with truncated columns, broken capitals...and sparkling fragments of granite or porphyry...The voice of dead time, in still vibrations, is breathed from these dumb things, animated and glorified as they were by man\". Rome inspired her to begin writing the unfinished novel Valerius, the Reanimated Roman, where the eponymous hero resists the decay of Rome and the machinations of \"superstitious\" Catholicism.", "Rome inspired her to begin writing the unfinished novel Valerius, the Reanimated Roman, where the eponymous hero resists the decay of Rome and the machinations of \"superstitious\" Catholicism. The writing of her novel was broken off when her son William died of malaria.", "The writing of her novel was broken off when her son William died of malaria. Shelley bitterly commented that she had come to Italy to improve her husband's health, and instead the Italian climate had just killed her two children, leading her to write: \"May you my dear Marianne never know what it is to lose two only and lovely children in one year—to watch their dying moments—and then at last to be left childless and forever miserable\".", "Shelley bitterly commented that she had come to Italy to improve her husband's health, and instead the Italian climate had just killed her two children, leading her to write: \"May you my dear Marianne never know what it is to lose two only and lovely children in one year—to watch their dying moments—and then at last to be left childless and forever miserable\". To deal with her grief, Shelley wrote the novella The Fields of Fancy, which became Matilda, dealing with a young woman whose beauty inspired incestuous love in her father, who ultimately commits suicide to stop himself from acting on his passion for his daughter, while she spends the rest of her life full of despair about \"the unnatural love I had inspired\".", "To deal with her grief, Shelley wrote the novella The Fields of Fancy, which became Matilda, dealing with a young woman whose beauty inspired incestuous love in her father, who ultimately commits suicide to stop himself from acting on his passion for his daughter, while she spends the rest of her life full of despair about \"the unnatural love I had inspired\". The novella offered a feminist critique of a patriarchal society as Matilda is punished in the afterlife, though she did nothing to encourage her father's feelings.", "The novella offered a feminist critique of a patriarchal society as Matilda is punished in the afterlife, though she did nothing to encourage her father's feelings. In the summer of 1822, a pregnant Mary moved with Percy, Claire, and Edward and Jane Williams to the isolated Villa Magni, at the sea's edge near the hamlet of San Terenzo in the Bay of Lerici.", "In the summer of 1822, a pregnant Mary moved with Percy, Claire, and Edward and Jane Williams to the isolated Villa Magni, at the sea's edge near the hamlet of San Terenzo in the Bay of Lerici. Once they were settled in, Percy broke the \"evil news\" to Claire that her daughter Allegra had died of typhus in a convent at Bagnacavallo. Mary Shelley was distracted and unhappy in the cramped and remote Villa Magni, which she came to regard as a dungeon.", "Mary Shelley was distracted and unhappy in the cramped and remote Villa Magni, which she came to regard as a dungeon. On 16 June, she miscarried, losing so much blood that she nearly died. Rather than wait for a doctor, Percy sat her in a bath of ice to stanch the bleeding, an act the doctor later told him saved her life. All was not well between the couple that summer, however, and Percy spent more time with Jane Williams than with his depressed and debilitated wife.", "All was not well between the couple that summer, however, and Percy spent more time with Jane Williams than with his depressed and debilitated wife. Much of the short poetry Shelley wrote at San Terenzo involved Jane rather than Mary. The coast offered Percy Shelley and Edward Williams the chance to enjoy their \"perfect plaything for the summer\", a new sailing boat. The boat had been designed by Daniel Roberts and Edward Trelawny, an admirer of Byron's who had joined the party in January 1822.", "The boat had been designed by Daniel Roberts and Edward Trelawny, an admirer of Byron's who had joined the party in January 1822. On 1 July 1822, Percy Shelley, Edward Ellerker Williams, and Captain Daniel Roberts sailed south down the coast to Livorno. There Percy Shelley discussed with Byron and Leigh Hunt the launch of a radical magazine called The Liberal. On 8 July, he and Edward Williams set out on the return journey to Lerici with their eighteen-year-old boat boy, Charles Vivian. They never reached their destination.", "They never reached their destination. They never reached their destination. A letter arrived at Villa Magni from Hunt to Percy Shelley, dated 8 July, saying, \"pray write to tell us how you got home, for they say you had bad weather after you sailed Monday & we are anxious\". \"The paper fell from me,\" Mary told a friend later. \"I trembled all over.\"", "\"I trembled all over.\" \"I trembled all over.\" She and Jane Williams rushed desperately to Livorno and then to Pisa in the fading hope that their husbands were still alive. Ten days after the storm, three bodies washed up on the coast near Viareggio, midway between Livorno and Lerici. Trelawny, Byron, and Hunt cremated Percy Shelley's corpse on the beach at Viareggio.", "Trelawny, Byron, and Hunt cremated Percy Shelley's corpse on the beach at Viareggio. Return to England and writing career After her husband's death, Mary Shelley lived for a year with Leigh Hunt and his family in Genoa, where she often saw Byron and transcribed his poems. She resolved to live by her pen and for her son, but her financial situation was precarious.", "She resolved to live by her pen and for her son, but her financial situation was precarious. On 23 July 1823, she left Genoa for England and stayed with her father and stepmother in the Strand until a small advance from her father-in-law enabled her to lodge nearby. Sir Timothy Shelley had at first agreed to support his grandson, Percy Florence, only if he were handed over to an appointed guardian. Mary Shelley rejected this idea instantly.", "Mary Shelley rejected this idea instantly. Mary Shelley rejected this idea instantly. She managed instead to wring out of Sir Timothy a limited annual allowance (which she had to repay when Percy Florence inherited the estate), but to the end of his days, he refused to meet her in person and dealt with her only through lawyers. Mary Shelley busied herself with editing her husband's poems, among other literary endeavours, but concern for her son restricted her options.", "Mary Shelley busied herself with editing her husband's poems, among other literary endeavours, but concern for her son restricted her options. Sir Timothy threatened to stop the allowance if any biography of the poet were published. In 1826, Percy Florence became the legal heir of the Shelley estate after the death of his half-brother Charles Shelley, his father's son by Harriet Shelley. Sir Timothy raised Mary's allowance from £100 a year to £250 but remained as difficult as ever.", "Sir Timothy raised Mary's allowance from £100 a year to £250 but remained as difficult as ever. Mary Shelley enjoyed the stimulating society of William Godwin's circle, but poverty prevented her from socialising as she wished. She also felt ostracised by those who, like Sir Timothy, still disapproved of her relationship with Percy Bysshe Shelley. In the summer of 1824, Mary Shelley moved to Kentish Town in north London to be near Jane Williams.", "In the summer of 1824, Mary Shelley moved to Kentish Town in north London to be near Jane Williams. She may have been, in the words of her biographer Muriel Spark, \"a little in love\" with Jane. Jane later disillusioned her by gossiping that Percy had preferred her to Mary, owing to Mary's inadequacy as a wife.", "Jane later disillusioned her by gossiping that Percy had preferred her to Mary, owing to Mary's inadequacy as a wife. At around this time, Mary Shelley was working on her novel, The Last Man (1826); and she assisted a series of friends who were writing memoirs of Byron and Percy Shelley—the beginnings of her attempts to immortalise her husband. She also met the American actor John Howard Payne and the American writer Washington Irving, who intrigued her.", "She also met the American actor John Howard Payne and the American writer Washington Irving, who intrigued her. Payne fell in love with her and in 1826 asked her to marry him. She refused, saying that after being married to one genius, she could only marry another. Payne accepted the rejection and tried without success to talk his friend Irving into proposing himself. Mary Shelley was aware of Payne's plan, but how seriously she took it is unclear.", "Mary Shelley was aware of Payne's plan, but how seriously she took it is unclear. In 1827, Mary Shelley was party to a scheme that enabled her friend Isabel Robinson and Isabel's lover, Mary Diana Dods, who wrote under the name David Lyndsay, to embark on a life together in France as husband and wife. With the help of Payne, whom she kept in the dark about the details, Mary Shelley obtained false passports for the couple.", "With the help of Payne, whom she kept in the dark about the details, Mary Shelley obtained false passports for the couple. In 1828, she fell ill with smallpox while visiting them in Paris. Weeks later she recovered, unscarred but without her youthful beauty. During the period 1827–40, Mary Shelley was busy as an editor and writer. She wrote the novels The Fortunes of Perkin Warbeck (1830), Lodore (1835), and Falkner (1837).", "She wrote the novels The Fortunes of Perkin Warbeck (1830), Lodore (1835), and Falkner (1837). She contributed five volumes of Lives of Italian, Spanish, Portuguese, and French authors to Lardner's Cabinet Cyclopaedia. She also wrote stories for ladies' magazines. She was still helping to support her father, and they looked out for publishers for each other.", "She was still helping to support her father, and they looked out for publishers for each other. In 1830, she sold the copyright for a new edition of Frankenstein for £60 to Henry Colburn and Richard Bentley for their new Standard Novels series. After her father's death in 1836 at the age of eighty, she began assembling his letters and a memoir for publication, as he had requested in his will; but after two years of work, she abandoned the project.", "After her father's death in 1836 at the age of eighty, she began assembling his letters and a memoir for publication, as he had requested in his will; but after two years of work, she abandoned the project. Throughout this period, she also championed Percy Shelley's poetry, promoting its publication and quoting it in her writing. By 1837, Percy's works were well-known and increasingly admired.", "By 1837, Percy's works were well-known and increasingly admired. In the summer of 1838 Edward Moxon, the publisher of Tennyson and the son-in-law of Charles Lamb, proposed publishing a collected works of Percy Shelley. Mary was paid £500 to edit the Poetical Works (1838), which Sir Timothy insisted should not include a biography. Mary found a way to tell the story of Percy's life, nonetheless: she included extensive biographical notes about the poems.", "Mary found a way to tell the story of Percy's life, nonetheless: she included extensive biographical notes about the poems. Shelley continued to practice her mother's feminist principles by extending aid to women whom society disapproved of. For instance, Shelley extended financial aid to Mary Diana Dods, a single mother and illegitimate herself who appears to have been a lesbian and gave her the new identity of Walter Sholto Douglas, husband of her lover Isabel Robinson.", "For instance, Shelley extended financial aid to Mary Diana Dods, a single mother and illegitimate herself who appears to have been a lesbian and gave her the new identity of Walter Sholto Douglas, husband of her lover Isabel Robinson. Shelley also assisted Georgiana Paul, a woman disallowed for by her husband for alleged adultery.", "Shelley also assisted Georgiana Paul, a woman disallowed for by her husband for alleged adultery. Shelley in her diary about her assistance to the latter: \"I do not make a boast-I do not say aloud-behold my generosity and greatness of mind-for in truth it is simple justice I perform-and so I am still reviled for being worldly\". Mary Shelley continued to treat potential romantic partners with caution.", "Mary Shelley continued to treat potential romantic partners with caution. In 1828, she met and flirted with the French writer Prosper Mérimée, but her one surviving letter to him appears to be a deflection of his declaration of love. She was delighted when her old friend from Italy, Edward Trelawny, returned to England, and they joked about marriage in their letters.", "She was delighted when her old friend from Italy, Edward Trelawny, returned to England, and they joked about marriage in their letters. Their friendship had altered, however, following her refusal to cooperate with his proposed biography of Percy Shelley; and he later reacted angrily to her omission of the atheistic section of Queen Mab from Percy Shelley's poems.", "Their friendship had altered, however, following her refusal to cooperate with his proposed biography of Percy Shelley; and he later reacted angrily to her omission of the atheistic section of Queen Mab from Percy Shelley's poems. Oblique references in her journals, from the early 1830s until the early 1840s, suggest that Mary Shelley had feelings for the radical politician Aubrey Beauclerk, who may have disappointed her by twice marrying others. Mary Shelley's first concern during these years was the welfare of Percy Florence.", "Mary Shelley's first concern during these years was the welfare of Percy Florence. She honoured her late husband's wish that his son attend public school and, with Sir Timothy's grudging help, had him educated at Harrow. To avoid boarding fees, she moved to Harrow on the Hill herself so that Percy could attend as a day scholar. Though Percy went on to Trinity College, Cambridge, and dabbled in politics and the law, he showed no sign of his parents' gifts.", "Though Percy went on to Trinity College, Cambridge, and dabbled in politics and the law, he showed no sign of his parents' gifts. He was devoted to his mother, and after he left university in 1841, he came to live with her. Final years and death In 1840 and 1842, mother and son travelled together on the continent, journeys that Mary Shelley recorded in Rambles in Germany and Italy in 1840, 1842 and 1843 (1844).", "Final years and death In 1840 and 1842, mother and son travelled together on the continent, journeys that Mary Shelley recorded in Rambles in Germany and Italy in 1840, 1842 and 1843 (1844). In 1844, Sir Timothy Shelley finally died at the age of ninety, \"falling from the stalk like an overblown flower\", as Mary put it. For the first time, she and her son were financially independent, though the estate proved less valuable than they had hoped.", "For the first time, she and her son were financially independent, though the estate proved less valuable than they had hoped. In the mid-1840s, Mary Shelley found herself the target of three separate blackmailers. In 1845, an Italian political exile called Gatteschi, whom she had met in Paris, threatened to publish letters she had sent him. A friend of her son's bribed a police chief into seizing Gatteschi's papers, including the letters, which were then destroyed.", "A friend of her son's bribed a police chief into seizing Gatteschi's papers, including the letters, which were then destroyed. Shortly afterwards, Mary Shelley bought some letters written by herself and Percy Bysshe Shelley from a man calling himself G. Byron and posing as the illegitimate son of the late Lord Byron. Also in 1845, Percy Bysshe Shelley's cousin Thomas Medwin approached her claiming to have written a damaging biography of Percy Shelley. He said he would suppress it in return for £250, but Mary Shelley refused.", "He said he would suppress it in return for £250, but Mary Shelley refused. In 1848, Percy Florence married Jane Gibson St John. The marriage proved a happy one, and Mary Shelley and Jane were fond of each other. Mary lived with her son and daughter-in-law at Field Place, Sussex, the Shelleys' ancestral home, and at Chester Square, London, and accompanied them on travels abroad. Mary Shelley's last years were blighted by illness.", "Mary Shelley's last years were blighted by illness. Mary Shelley's last years were blighted by illness. From 1839, she suffered from headaches and bouts of paralysis in parts of her body, which sometimes prevented her from reading and writing. On 1 February 1851, at Chester Square, she died at the age of fifty-three from what her physician suspected was a brain tumour.", "On 1 February 1851, at Chester Square, she died at the age of fifty-three from what her physician suspected was a brain tumour. According to Jane Shelley, Mary Shelley had asked to be buried with her mother and father; but Percy and Jane, judging the graveyard at St Pancras to be \"dreadful\", chose to bury her instead at St Peter's Church, Bournemouth, near their new home at Boscombe. On the first anniversary of Mary Shelley's death, the Shelleys opened her box-desk.", "On the first anniversary of Mary Shelley's death, the Shelleys opened her box-desk. Inside they found locks of her dead children's hair, a notebook she had shared with Percy Bysshe Shelley, and a copy of his poem Adonaïs with one page folded round a silk parcel containing some of his ashes and the remains of his heart. Literary themes and styles Mary Shelley lived a literary life. Her father encouraged her to learn to write by composing letters, and her favourite occupation as a child was writing stories.", "Her father encouraged her to learn to write by composing letters, and her favourite occupation as a child was writing stories. Unfortunately, all of Mary's juvenilia were lost when she ran off with Percy in 1814, and none of her surviving manuscripts can be definitively dated before that year.", "Unfortunately, all of Mary's juvenilia were lost when she ran off with Percy in 1814, and none of her surviving manuscripts can be definitively dated before that year. Her first published work is often thought to have been Mounseer Nongtongpaw, comic verses written for Godwin's Juvenile Library when she was ten and a half; however, the poem is attributed to another writer in the most recent authoritative collection of her works.", "Her first published work is often thought to have been Mounseer Nongtongpaw, comic verses written for Godwin's Juvenile Library when she was ten and a half; however, the poem is attributed to another writer in the most recent authoritative collection of her works. Percy Shelley enthusiastically encouraged Mary Shelley's writing: \"My husband was, from the first, very anxious that I should prove myself worthy of my parentage, and enrol myself on the page of fame. He was forever inciting me to obtain literary reputation.\"", "He was forever inciting me to obtain literary reputation.\" Novels Autobiographical elements Certain sections of Mary Shelley's novels are often interpreted as masked rewritings of her life. Critics have pointed to the recurrence of the father–daughter motif in particular as evidence of this autobiographical style. For example, commentators frequently read Mathilda (1820) autobiographically, identifying the three central characters as versions of Mary Shelley, William Godwin, and Percy Shelley. Mary Shelley herself confided that she modelled the central characters of The Last Man on her Italian circle.", "Mary Shelley herself confided that she modelled the central characters of The Last Man on her Italian circle. Lord Raymond, who leaves England to fight for the Greeks and dies in Constantinople, is based on Lord Byron; and the utopian Adrian, Earl of Windsor, who leads his followers in search of a natural paradise and dies when his boat sinks in a storm, is a fictional portrait of Percy Bysshe Shelley.", "Lord Raymond, who leaves England to fight for the Greeks and dies in Constantinople, is based on Lord Byron; and the utopian Adrian, Earl of Windsor, who leads his followers in search of a natural paradise and dies when his boat sinks in a storm, is a fictional portrait of Percy Bysshe Shelley. However, as she wrote in her review of Godwin's novel Cloudesley (1830), she did not believe that authors \"were merely copying from our own hearts\".", "However, as she wrote in her review of Godwin's novel Cloudesley (1830), she did not believe that authors \"were merely copying from our own hearts\". William Godwin regarded his daughter's characters as types rather than portraits from real life. Some modern critics, such as Patricia Clemit and Jane Blumberg, have taken the same view, resisting autobiographical readings of Mary Shelley's works.", "Some modern critics, such as Patricia Clemit and Jane Blumberg, have taken the same view, resisting autobiographical readings of Mary Shelley's works. Novelistic genres Mary Shelley employed the techniques of many different novelistic genres, most vividly the Godwinian novel, Walter Scott's new historical novel, and the Gothic novel.", "Novelistic genres Mary Shelley employed the techniques of many different novelistic genres, most vividly the Godwinian novel, Walter Scott's new historical novel, and the Gothic novel. The Godwinian novel, made popular during the 1790s with works such as Godwin's Caleb Williams (1794), \"employed a Rousseauvian confessional form to explore the contradictory relations between the self and society\", and Frankenstein exhibits many of the same themes and literary devices as Godwin's novel. However, Shelley critiques those Enlightenment ideals that Godwin promotes in his works.", "However, Shelley critiques those Enlightenment ideals that Godwin promotes in his works. In The Last Man, she uses the philosophical form of the Godwinian novel to demonstrate the ultimate meaninglessness of the world. While earlier Godwinian novels had shown how rational individuals could slowly improve society, The Last Man and Frankenstein demonstrate the individual's lack of control over history. Shelley uses the historical novel to comment on gender relations; for example, Valperga is a feminist version of Scott's masculinist genre.", "Shelley uses the historical novel to comment on gender relations; for example, Valperga is a feminist version of Scott's masculinist genre. Introducing women into the story who are not part of the historical record, Shelley uses their narratives to question established theological and political institutions. Shelley sets the male protagonist's compulsive greed for conquest in opposition to a female alternative: reason and sensibility. In Perkin Warbeck, Shelley's other historical novel, Lady Gordon stands for the values of friendship, domesticity, and equality.", "In Perkin Warbeck, Shelley's other historical novel, Lady Gordon stands for the values of friendship, domesticity, and equality. Through her, Shelley offers a feminine alternative to the masculine power politics that destroy the male characters. The novel provides a more inclusive historical narrative to challenge the one which usually relates only masculine events. Gender With the rise of feminist literary criticism in the 1970s, Mary Shelley's works, particularly Frankenstein, began to attract much more attention from scholars.", "Gender With the rise of feminist literary criticism in the 1970s, Mary Shelley's works, particularly Frankenstein, began to attract much more attention from scholars. Feminist and psychoanalytic critics were largely responsible for the recovery from neglect of Shelley as a writer. Ellen Moers was one of the first to claim that Shelley's loss of a baby was a crucial influence on the writing of Frankenstein.", "Ellen Moers was one of the first to claim that Shelley's loss of a baby was a crucial influence on the writing of Frankenstein. She argues that the novel is a \"birth myth\" in which Shelley comes to terms with her guilt for causing her mother's death as well as for failing as a parent.", "She argues that the novel is a \"birth myth\" in which Shelley comes to terms with her guilt for causing her mother's death as well as for failing as a parent. Shelley scholar Anne K. Mellor suggests that, from a feminist viewpoint, it is a story \"about what happens when a man tries to have a baby without a woman ... [Frankenstein] is profoundly concerned with natural as opposed to unnatural modes of production and reproduction\".", "Shelley scholar Anne K. Mellor suggests that, from a feminist viewpoint, it is a story \"about what happens when a man tries to have a baby without a woman ... [Frankenstein] is profoundly concerned with natural as opposed to unnatural modes of production and reproduction\". Victor Frankenstein's failure as a \"parent\" in the novel has been read as an expression of the anxieties which accompany pregnancy, giving birth, and particularly maternity.", "Victor Frankenstein's failure as a \"parent\" in the novel has been read as an expression of the anxieties which accompany pregnancy, giving birth, and particularly maternity. Sandra Gilbert and Susan Gubar argue in their seminal book The Madwoman in the Attic (1979) that in Frankenstein in particular, Shelley responded to the masculine literary tradition represented by John Milton's Paradise Lost.", "Sandra Gilbert and Susan Gubar argue in their seminal book The Madwoman in the Attic (1979) that in Frankenstein in particular, Shelley responded to the masculine literary tradition represented by John Milton's Paradise Lost. In their interpretation, Shelley reaffirms this masculine tradition, including the misogyny inherent in it, but at the same time \"conceal[s] fantasies of equality that occasionally erupt in monstrous images of rage\".", "In their interpretation, Shelley reaffirms this masculine tradition, including the misogyny inherent in it, but at the same time \"conceal[s] fantasies of equality that occasionally erupt in monstrous images of rage\". Mary Poovey reads the first edition of Frankenstein as part of a larger pattern in Shelley's writing, which begins with literary self-assertion and ends with conventional femininity. Poovey suggests that Frankenstein's multiple narratives enable Shelley to split her artistic persona: she can \"express and efface herself at the same time\".", "Poovey suggests that Frankenstein's multiple narratives enable Shelley to split her artistic persona: she can \"express and efface herself at the same time\". Shelley's fear of self-assertion is reflected in the fate of Frankenstein, who is punished for his egotism by losing all his domestic ties. Feminist critics often focus on how authorship itself, particularly female authorship, is represented in and through Shelley's novels.", "Feminist critics often focus on how authorship itself, particularly female authorship, is represented in and through Shelley's novels. As Mellor explains, Shelley uses the Gothic style not only to explore repressed female sexual desire but also as way to \"censor her own speech in Frankenstein\". According to Poovey and Mellor, Shelley did not want to promote her own authorial persona and felt deeply inadequate as a writer, and \"this shame contributed to the generation of her fictional images of abnormality, perversion, and destruction\".", "According to Poovey and Mellor, Shelley did not want to promote her own authorial persona and felt deeply inadequate as a writer, and \"this shame contributed to the generation of her fictional images of abnormality, perversion, and destruction\". Shelley's writings focus on the role of the family in society and women's role within that family. She celebrates the \"feminine affections and compassion\" associated with the family and suggests that civil society will fail without them.", "She celebrates the \"feminine affections and compassion\" associated with the family and suggests that civil society will fail without them. Shelley was \"profoundly committed to an ethic of cooperation, mutual dependence, and self-sacrifice\". In Lodore, for example, the central story follows the fortunes of the wife and daughter of the title character, Lord Lodore, who is killed in a duel at the end of the first volume, leaving a trail of legal, financial, and familial obstacles for the two \"heroines\" to negotiate.", "In Lodore, for example, the central story follows the fortunes of the wife and daughter of the title character, Lord Lodore, who is killed in a duel at the end of the first volume, leaving a trail of legal, financial, and familial obstacles for the two \"heroines\" to negotiate. The novel is engaged with political and ideological issues, particularly the education and social role of women. It dissects a patriarchal culture that separated the sexes and pressured women into dependence on men.", "It dissects a patriarchal culture that separated the sexes and pressured women into dependence on men. In the view of Shelley scholar Betty T. Bennett, \"the novel proposes egalitarian educational paradigms for women and men, which would bring social justice as well as the spiritual and intellectual means by which to meet the challenges life invariably brings\". However, Falkner is the only one of Mary Shelley's novels in which the heroine's agenda triumphs.", "However, Falkner is the only one of Mary Shelley's novels in which the heroine's agenda triumphs. The novel's resolution proposes that when female values triumph over violent and destructive masculinity, men will be freed to express the \"compassion, sympathy, and generosity\" of their better natures. Enlightenment and Romanticism Frankenstein, like much Gothic fiction of the period, mixes a visceral and alienating subject matter with speculative and thought-provoking themes.", "Enlightenment and Romanticism Frankenstein, like much Gothic fiction of the period, mixes a visceral and alienating subject matter with speculative and thought-provoking themes. Rather than focusing on the twists and turns of the plot, however, the novel foregrounds the mental and moral struggles of the protagonist, Victor Frankenstein, and Shelley imbues the text with her own brand of politicised Romanticism, one that criticised the individualism and egotism of traditional Romanticism.", "Rather than focusing on the twists and turns of the plot, however, the novel foregrounds the mental and moral struggles of the protagonist, Victor Frankenstein, and Shelley imbues the text with her own brand of politicised Romanticism, one that criticised the individualism and egotism of traditional Romanticism. Victor Frankenstein is like Satan in Paradise Lost, and Prometheus: he rebels against tradition; he creates life; and he shapes his own destiny.", "Victor Frankenstein is like Satan in Paradise Lost, and Prometheus: he rebels against tradition; he creates life; and he shapes his own destiny. These traits are not portrayed positively; as Blumberg writes, \"his relentless ambition is a self-delusion, clothed as quest for truth\". He must abandon his family to fulfill his ambition. Mary Shelley believed in the Enlightenment idea that people could improve society through the responsible exercise of political power, but she feared that the irresponsible exercise of power would lead to chaos.", "Mary Shelley believed in the Enlightenment idea that people could improve society through the responsible exercise of political power, but she feared that the irresponsible exercise of power would lead to chaos. In practice, her works largely criticise the way 18th-century thinkers such as her parents believed such change could be brought about. The creature in Frankenstein, for example, reads books associated with radical ideals but the education he gains from them is ultimately useless.", "The creature in Frankenstein, for example, reads books associated with radical ideals but the education he gains from them is ultimately useless. Shelley's works reveal her as less optimistic than Godwin and Wollstonecraft; she lacks faith in Godwin's theory that humanity could eventually be perfected.", "Shelley's works reveal her as less optimistic than Godwin and Wollstonecraft; she lacks faith in Godwin's theory that humanity could eventually be perfected. As literary scholar Kari Lokke writes, The Last Man, more so than Frankenstein, \"in its refusal to place humanity at the centre of the universe, its questioning of our privileged position in relation to nature ... constitutes a profound and prophetic challenge to Western humanism.\"", "As literary scholar Kari Lokke writes, The Last Man, more so than Frankenstein, \"in its refusal to place humanity at the centre of the universe, its questioning of our privileged position in relation to nature ... constitutes a profound and prophetic challenge to Western humanism.\" Specifically, Mary Shelley's allusions to what radicals believed was a failed revolution in France and the Godwinian, Wollstonecraftian, and Burkean responses to it, challenge \"Enlightenment faith in the inevitability of progress through collective efforts\".", "Specifically, Mary Shelley's allusions to what radicals believed was a failed revolution in France and the Godwinian, Wollstonecraftian, and Burkean responses to it, challenge \"Enlightenment faith in the inevitability of progress through collective efforts\". As in Frankenstein, Shelley \"offers a profoundly disenchanted commentary on the age of revolution, which ends in a total rejection of the progressive ideals of her own generation\".", "As in Frankenstein, Shelley \"offers a profoundly disenchanted commentary on the age of revolution, which ends in a total rejection of the progressive ideals of her own generation\". Not only does she reject these Enlightenment political ideals, but she also rejects the Romantic notion that the poetic or literary imagination can offer an alternative. Politics There is a new scholarly emphasis on Shelley as a lifelong reformer, deeply engaged in the liberal and feminist concerns of her day.", "Politics There is a new scholarly emphasis on Shelley as a lifelong reformer, deeply engaged in the liberal and feminist concerns of her day. In 1820, she was thrilled by the Liberal uprising in Spain which forced the king to grant a constitution. In 1823, she wrote articles for Leigh Hunt's periodical The Liberal and played an active role in the formulation of its outlook. She was delighted when the Whigs came back to power in 1830 and at the prospect of the 1832 Reform Act.", "She was delighted when the Whigs came back to power in 1830 and at the prospect of the 1832 Reform Act. Critics have until recently cited Lodore and Falkner as evidence of increasing conservatism in Mary Shelley's later works. In 1984, Mary Poovey influentially identified the retreat of Mary Shelley's reformist politics into the \"separate sphere\" of the domestic. Poovey suggested that Mary Shelley wrote Falkner to resolve her conflicted response to her father's combination of libertarian radicalism and stern insistence on social decorum.", "Poovey suggested that Mary Shelley wrote Falkner to resolve her conflicted response to her father's combination of libertarian radicalism and stern insistence on social decorum. Mellor largely agreed, arguing that \"Mary Shelley grounded her alternative political ideology on the metaphor of the peaceful, loving, bourgeois family. She thereby implicitly endorsed a conservative vision of gradual evolutionary reform.\" This vision allowed women to participate in the public sphere but it inherited the inequalities inherent in the bourgeois family.", "This vision allowed women to participate in the public sphere but it inherited the inequalities inherent in the bourgeois family. However, in the last decade or so this view has been challenged. For example, Bennett claims that Mary Shelley's works reveal a consistent commitment to Romantic idealism and political reform and Jane Blumberg's study of Shelley's early novels argues that her career cannot be easily divided into radical and conservative halves.", "For example, Bennett claims that Mary Shelley's works reveal a consistent commitment to Romantic idealism and political reform and Jane Blumberg's study of Shelley's early novels argues that her career cannot be easily divided into radical and conservative halves. She contends that \"Shelley was never a passionate radical like her husband and her later lifestyle was not abruptly assumed nor was it a betrayal. She was in fact challenging the political and literary influences of her circle in her first work.\"", "She was in fact challenging the political and literary influences of her circle in her first work.\" In this reading, Shelley's early works are interpreted as a challenge to Godwin and Percy Bysshe Shelley's radicalism. Victor Frankenstein's \"thoughtless rejection of family\", for example, is seen as evidence of Shelley's constant concern for the domestic.", "Victor Frankenstein's \"thoughtless rejection of family\", for example, is seen as evidence of Shelley's constant concern for the domestic. Short stories In the 1820s and 1830s, Mary Shelley frequently wrote short stories for gift books or annuals, including sixteen for The Keepsake, which was aimed at middle-class women and bound in silk, with gilt-edged pages. Mary Shelley's work in this genre has been described as that of a \"hack writer\" and \"wordy and pedestrian\".", "Mary Shelley's work in this genre has been described as that of a \"hack writer\" and \"wordy and pedestrian\". However, critic Charlotte Sussman points out that other leading writers of the day, such as the Romantic poets William Wordsworth and Samuel Taylor Coleridge, also took advantage of this profitable market. She explains that \"the annuals were a major mode of literary production in the 1820s and 1830s\", with The Keepsake the most successful.", "She explains that \"the annuals were a major mode of literary production in the 1820s and 1830s\", with The Keepsake the most successful. Many of Shelley's stories are set in places or times far removed from early 19th-century Britain, such as Greece and the reign of Henry IV of France.", "Many of Shelley's stories are set in places or times far removed from early 19th-century Britain, such as Greece and the reign of Henry IV of France. Shelley was particularly interested in \"the fragility of individual identity\" and often depicted \"the way a person's role in the world can be cataclysmically altered either by an internal emotional upheaval, or by some supernatural occurrence that mirrors an internal schism\".", "Shelley was particularly interested in \"the fragility of individual identity\" and often depicted \"the way a person's role in the world can be cataclysmically altered either by an internal emotional upheaval, or by some supernatural occurrence that mirrors an internal schism\". In her stories, female identity is tied to a woman's short-lived value in the marriage market while male identity can be sustained and transformed through the use of money.", "In her stories, female identity is tied to a woman's short-lived value in the marriage market while male identity can be sustained and transformed through the use of money. Although Mary Shelley wrote twenty-one short stories for the annuals between 1823 and 1839, she always saw herself, above all, as a novelist. She wrote to Leigh Hunt, \"I write bad articles which help to make me miserable—but I am going to plunge into a novel and hope that its clear water will wash off the mud of the magazines.\"", "She wrote to Leigh Hunt, \"I write bad articles which help to make me miserable—but I am going to plunge into a novel and hope that its clear water will wash off the mud of the magazines.\" Travelogues When they ran off to France in the summer of 1814, Mary Godwin and Percy Shelley began a joint journal, which they published in 1817 under the title History of a Six Weeks' Tour, adding four letters, two by each of them, based on their visit to Geneva in 1816, along with Percy Shelley's poem \"Mont Blanc\".", "Travelogues When they ran off to France in the summer of 1814, Mary Godwin and Percy Shelley began a joint journal, which they published in 1817 under the title History of a Six Weeks' Tour, adding four letters, two by each of them, based on their visit to Geneva in 1816, along with Percy Shelley's poem \"Mont Blanc\". The work celebrates youthful love and political idealism and consciously follows the example of Mary Wollstonecraft and others who had combined travelling with writing.", "The work celebrates youthful love and political idealism and consciously follows the example of Mary Wollstonecraft and others who had combined travelling with writing. The perspective of the History is philosophical and reformist rather than that of a conventional travelogue; in particular, it addresses the effects of politics and war on France. The letters the couple wrote on the second journey confront the \"great and extraordinary events\" of the final defeat of Napoleon at Waterloo after his \"Hundred Days\" return in 1815.", "The letters the couple wrote on the second journey confront the \"great and extraordinary events\" of the final defeat of Napoleon at Waterloo after his \"Hundred Days\" return in 1815. They also explore the sublimity of Lake Geneva and Mont Blanc as well as the revolutionary legacy of the philosopher and novelist Jean-Jacques Rousseau.", "They also explore the sublimity of Lake Geneva and Mont Blanc as well as the revolutionary legacy of the philosopher and novelist Jean-Jacques Rousseau. Mary Shelley's last full-length book, written in the form of letters and published in 1844, was Rambles in Germany and Italy in 1840, 1842 and 1843, which recorded her travels with her son Percy Florence and his university friends.", "Mary Shelley's last full-length book, written in the form of letters and published in 1844, was Rambles in Germany and Italy in 1840, 1842 and 1843, which recorded her travels with her son Percy Florence and his university friends. In Rambles, Shelley follows the tradition of Mary Wollstonecraft's Letters Written in Sweden, Norway, and Denmark and her own A History of a Six Weeks' Tour in mapping her personal and political landscape through the discourse of sensibility and sympathy.", "In Rambles, Shelley follows the tradition of Mary Wollstonecraft's Letters Written in Sweden, Norway, and Denmark and her own A History of a Six Weeks' Tour in mapping her personal and political landscape through the discourse of sensibility and sympathy. For Shelley, building sympathetic connections between people is the way to build civil society and to increase knowledge: \"knowledge, to enlighten and free the mind from clinging deadening prejudices—a wider circle of sympathy with our fellow-creatures;—these are the uses of travel\".", "For Shelley, building sympathetic connections between people is the way to build civil society and to increase knowledge: \"knowledge, to enlighten and free the mind from clinging deadening prejudices—a wider circle of sympathy with our fellow-creatures;—these are the uses of travel\". Between observations on scenery, culture, and \"the people, especially in a political point of view\", she uses the travelogue form to explore her roles as a widow and mother and to reflect on revolutionary nationalism in Italy.", "Between observations on scenery, culture, and \"the people, especially in a political point of view\", she uses the travelogue form to explore her roles as a widow and mother and to reflect on revolutionary nationalism in Italy. She also records her \"pilgrimage\" to scenes associated with Percy Shelley. According to critic Clarissa Orr, Mary Shelley's adoption of a persona of philosophical motherhood gives Rambles the unity of a prose poem, with \"death and memory as central themes\".", "According to critic Clarissa Orr, Mary Shelley's adoption of a persona of philosophical motherhood gives Rambles the unity of a prose poem, with \"death and memory as central themes\". At the same time, Shelley makes an egalitarian case against monarchy, class distinctions, slavery, and war. Biographies Between 1832 and 1839, Mary Shelley wrote many biographies of notable Italian, Spanish, Portuguese, and French men and a few women for Dionysius Lardner's Lives of the Most Eminent Literary and Scientific Men.", "Biographies Between 1832 and 1839, Mary Shelley wrote many biographies of notable Italian, Spanish, Portuguese, and French men and a few women for Dionysius Lardner's Lives of the Most Eminent Literary and Scientific Men. These formed part of Lardner's Cabinet Cyclopaedia, one of the best of many such series produced in the 1820s and 1830s in response to growing middle-class demand for self-education. Until the republication of these essays in 2002, their significance within her body of work was not appreciated.", "Until the republication of these essays in 2002, their significance within her body of work was not appreciated. In the view of literary scholar Greg Kucich, they reveal Mary Shelley's \"prodigious research across several centuries and in multiple languages\", her gift for biographical narrative, and her interest in the \"emerging forms of feminist historiography\". Shelley wrote in a biographical style popularised by the 18th-century critic Samuel Johnson in his Lives of the Poets (1779–81), combining secondary sources, memoir and anecdote, and authorial evaluation.", "Shelley wrote in a biographical style popularised by the 18th-century critic Samuel Johnson in his Lives of the Poets (1779–81), combining secondary sources, memoir and anecdote, and authorial evaluation. She records details of each writer's life and character, quotes their writing in the original as well as in translation, and ends with a critical assessment of their achievement.", "She records details of each writer's life and character, quotes their writing in the original as well as in translation, and ends with a critical assessment of their achievement. For Shelley, biographical writing was supposed to, in her words, \"form as it were a school in which to study the philosophy of history\", and to teach \"lessons\". Most frequently and importantly, these lessons consisted of criticisms of male-dominated institutions such as primogeniture.", "Most frequently and importantly, these lessons consisted of criticisms of male-dominated institutions such as primogeniture. Shelley emphasises domesticity, romance, family, sympathy, and compassion in the lives of her subjects. Her conviction that such forces could improve society connects her biographical approach with that of other early feminist historians such as Mary Hays and Anna Jameson.", "Her conviction that such forces could improve society connects her biographical approach with that of other early feminist historians such as Mary Hays and Anna Jameson. Unlike her novels, most of which had an original print run of several hundred copies, the Lives had a print run of about 4,000 for each volume: thus, according to Kucich, Mary Shelley's \"use of biography to forward the social agenda of women's historiography became one of her most influential political interventions\".", "Unlike her novels, most of which had an original print run of several hundred copies, the Lives had a print run of about 4,000 for each volume: thus, according to Kucich, Mary Shelley's \"use of biography to forward the social agenda of women's historiography became one of her most influential political interventions\". Editorial work Soon after Percy Shelley's death, Mary Shelley determined to write his biography.", "Editorial work Soon after Percy Shelley's death, Mary Shelley determined to write his biography. In a letter of 17 November 1822, she announced: \"I shall write his life—& thus occupy myself in the only manner from which I can derive consolation.\" However, her father-in-law, Sir Timothy Shelley, effectively banned her from doing so. Mary began her fostering of Percy's poetic reputation in 1824 with the publication of his Posthumous Poems.", "Mary began her fostering of Percy's poetic reputation in 1824 with the publication of his Posthumous Poems. In 1839, while she was working on the Lives, she prepared a new edition of his poetry, which became, in the words of literary scholar Susan J. Wolfson, \"the canonizing event\" in the history of her husband's reputation.", "In 1839, while she was working on the Lives, she prepared a new edition of his poetry, which became, in the words of literary scholar Susan J. Wolfson, \"the canonizing event\" in the history of her husband's reputation. The following year, Mary Shelley edited a volume of her husband's essays, letters, translations, and fragments, and throughout the 1830s, she introduced his poetry to a wider audience by publishing assorted works in the annual The Keepsake.", "The following year, Mary Shelley edited a volume of her husband's essays, letters, translations, and fragments, and throughout the 1830s, she introduced his poetry to a wider audience by publishing assorted works in the annual The Keepsake. Evading Sir Timothy's ban on a biography, Mary Shelley often included in these editions her own annotations and reflections on her husband's life and work.", "Evading Sir Timothy's ban on a biography, Mary Shelley often included in these editions her own annotations and reflections on her husband's life and work. \"I am to justify his ways,\" she had declared in 1824; \"I am to make him beloved to all posterity.\" It was this goal, argues Blumberg, that led her to present Percy's work to the public in the \"most popular form possible\".", "It was this goal, argues Blumberg, that led her to present Percy's work to the public in the \"most popular form possible\". To tailor his works for a Victorian audience, she cast Percy Shelley as a lyrical rather than a political poet. As Mary Favret writes, \"the disembodied Percy identifies the spirit of poetry itself\". Mary glossed Percy's political radicalism as a form of sentimentalism, arguing that his republicanism arose from sympathy for those who were suffering.", "Mary glossed Percy's political radicalism as a form of sentimentalism, arguing that his republicanism arose from sympathy for those who were suffering. She inserted romantic anecdotes of his benevolence, domesticity, and love of the natural world. Portraying herself as Percy's \"practical muse\", she also noted how she had suggested revisions as he wrote. Despite the emotions stirred by this task, Mary Shelley arguably proved herself in many respects a professional and scholarly editor.", "Despite the emotions stirred by this task, Mary Shelley arguably proved herself in many respects a professional and scholarly editor. Working from Percy's messy, sometimes indecipherable, notebooks, she attempted to form a chronology for his writings, and she included poems, such as Epipsychidion, addressed to Emilia Viviani, which she would rather have left out.", "Working from Percy's messy, sometimes indecipherable, notebooks, she attempted to form a chronology for his writings, and she included poems, such as Epipsychidion, addressed to Emilia Viviani, which she would rather have left out. She was forced, however, into several compromises, and, as Blumberg notes, \"modern critics have found fault with the edition and claim variously that she miscopied, misinterpreted, purposely obscured, and attempted to turn the poet into something he was not\".", "She was forced, however, into several compromises, and, as Blumberg notes, \"modern critics have found fault with the edition and claim variously that she miscopied, misinterpreted, purposely obscured, and attempted to turn the poet into something he was not\". According to Wolfson, Donald Reiman, a modern editor of Percy Bysshe Shelley's works, still refers to Mary Shelley's editions, while acknowledging that her editing style belongs \"to an age of editing when the aim was not to establish accurate texts and scholarly apparatus but to present a full record of a writer's career for the general reader\".", "According to Wolfson, Donald Reiman, a modern editor of Percy Bysshe Shelley's works, still refers to Mary Shelley's editions, while acknowledging that her editing style belongs \"to an age of editing when the aim was not to establish accurate texts and scholarly apparatus but to present a full record of a writer's career for the general reader\". In principle, Mary Shelley believed in publishing every last word of her husband's work; but she found herself obliged to omit certain passages, either by pressure from her publisher, Edward Moxon, or in deference to public propriety.", "In principle, Mary Shelley believed in publishing every last word of her husband's work; but she found herself obliged to omit certain passages, either by pressure from her publisher, Edward Moxon, or in deference to public propriety. For example, she removed the atheistic passages from Queen Mab for the first edition. After she restored them in the second edition, Moxon was prosecuted and convicted of blasphemous libel, though the prosecution was brought out of principle by the Chartist publisher Henry Hetherington, and no punishment was sought.", "After she restored them in the second edition, Moxon was prosecuted and convicted of blasphemous libel, though the prosecution was brought out of principle by the Chartist publisher Henry Hetherington, and no punishment was sought. Mary Shelley's omissions provoked criticism, often stinging, from members of Percy Shelley's former circle, and reviewers accused her of, among other things, indiscriminate inclusions. Her notes have nevertheless remained an essential source for the study of Percy Shelley's work.", "Her notes have nevertheless remained an essential source for the study of Percy Shelley's work. As Bennett explains, \"biographers and critics agree that Mary Shelley's commitment to bring Shelley the notice she believed his works merited was the single, major force that established Shelley's reputation during a period when he almost certainly would have faded from public view\". Reputation In her own lifetime, Mary Shelley was taken seriously as a writer, though reviewers often missed her writings' political edge.", "Reputation In her own lifetime, Mary Shelley was taken seriously as a writer, though reviewers often missed her writings' political edge. After her death, however, she was chiefly remembered as the wife of Percy Bysshe Shelley and as the author of Frankenstein. In fact, in the introduction to her letters published in 1945, editor Frederick Jones wrote, \"a collection of the present size could not be justified by the general quality of the letters or by Mary Shelley's importance as a writer.", "In fact, in the introduction to her letters published in 1945, editor Frederick Jones wrote, \"a collection of the present size could not be justified by the general quality of the letters or by Mary Shelley's importance as a writer. It is as the wife of [Percy Bysshe Shelley] that she excites our interest.\" This attitude had not disappeared by 1980 when Betty T. Bennett published the first volume of Mary Shelley's complete letters.", "This attitude had not disappeared by 1980 when Betty T. Bennett published the first volume of Mary Shelley's complete letters. As she explains, \"the fact is that until recent years scholars have generally regarded Mary Wollstonecraft Shelley as a result: William Godwin's and Mary Wollstonecraft's daughter who became Shelley's Pygmalion.\" It was not until Emily Sunstein's Mary Shelley: Romance and Reality in 1989 that a full-length scholarly biography was published.", "It was not until Emily Sunstein's Mary Shelley: Romance and Reality in 1989 that a full-length scholarly biography was published. The attempts of Mary Shelley's son and daughter-in-law to \"Victorianise\" her memory by censoring biographical documents contributed to a perception of Mary Shelley as a more conventional, less reformist figure than her works suggest. Her own timid omissions from Percy Shelley's works and her quiet avoidance of public controversy in her later years added to this impression.", "Her own timid omissions from Percy Shelley's works and her quiet avoidance of public controversy in her later years added to this impression. Commentary by Hogg, Trelawny, and other admirers of Percy Shelley also tended to downplay Mary Shelley's radicalism. Trelawny's Records of Shelley, Byron, and the Author (1878) praised Percy Shelley at the expense of Mary, questioning her intelligence and even her authorship of Frankenstein.", "Trelawny's Records of Shelley, Byron, and the Author (1878) praised Percy Shelley at the expense of Mary, questioning her intelligence and even her authorship of Frankenstein. Lady Shelley, Percy Florence's wife, responded in part by presenting a severely edited collection of letters she had inherited, published privately as Shelley and Mary in 1882.", "Lady Shelley, Percy Florence's wife, responded in part by presenting a severely edited collection of letters she had inherited, published privately as Shelley and Mary in 1882. From Frankenstein'''s first theatrical adaptation in 1823 to the cinematic adaptations of the 20th century, including the first cinematic version in 1910 and now-famous versions such as James Whale's 1931 Frankenstein, Mel Brooks' satirical 1974 Young Frankenstein, and Kenneth Branagh's 1994 Mary Shelley's Frankenstein, many audiences first encounter the work of Mary Shelley through adaptation.", "From Frankenstein'''s first theatrical adaptation in 1823 to the cinematic adaptations of the 20th century, including the first cinematic version in 1910 and now-famous versions such as James Whale's 1931 Frankenstein, Mel Brooks' satirical 1974 Young Frankenstein, and Kenneth Branagh's 1994 Mary Shelley's Frankenstein, many audiences first encounter the work of Mary Shelley through adaptation. Over the course of the 19th century, Mary Shelley came to be seen as a one-novel author at best, rather than as the professional writer she was; most of her works have remained out of print until the last thirty years, obstructing a larger view of her achievement.", "Over the course of the 19th century, Mary Shelley came to be seen as a one-novel author at best, rather than as the professional writer she was; most of her works have remained out of print until the last thirty years, obstructing a larger view of her achievement. In recent decades, the republication of almost all her writing has stimulated a new recognition of its value. Her habit of intensive reading and study, revealed in her journals and letters and reflected in her works, is now better appreciated.", "Her habit of intensive reading and study, revealed in her journals and letters and reflected in her works, is now better appreciated. Shelley's conception of herself as an author has also been recognised; after Percy's death, she wrote of her authorial ambitions: \"I think that I can maintain myself, and there is something inspiriting in the idea.\" Scholars now consider Mary Shelley to be a major Romantic figure, significant for her literary achievement and her political voice as a woman and a liberal.", "Scholars now consider Mary Shelley to be a major Romantic figure, significant for her literary achievement and her political voice as a woman and a liberal. Selected works History of a Six Weeks' Tour (1817) Frankenstein; or, The Modern Prometheus (1818) Mathilda (1819) Valperga; or, The Life and Adventures of Castruccio, Prince of Lucca (1823) Posthumous Poems of Percy Bysshe Shelley (1824) The Last Man (1826) The Fortunes of Perkin Warbeck (1830) Lodore (1835) Falkner (1837) The Poetical Works of Percy Bysshe Shelley (1839) Contributions to Lives of the Most Eminent Literary and Scientific Men (1835–39), part of Lardner's Cabinet Cyclopaedia Rambles in Germany and Italy in 1840, 1842, and 1843 (1844) Collections of Mary Shelley's papers are housed in Lord Abinger's Shelley Collection on deposit at the Bodleian Library, the New York Public Library (particularly The Carl H. Pforzheimer Collection of Shelley and His Circle), the Huntington Library, the British Library, and in the John Murray Collection.", "Selected works History of a Six Weeks' Tour (1817) Frankenstein; or, The Modern Prometheus (1818) Mathilda (1819) Valperga; or, The Life and Adventures of Castruccio, Prince of Lucca (1823) Posthumous Poems of Percy Bysshe Shelley (1824) The Last Man (1826) The Fortunes of Perkin Warbeck (1830) Lodore (1835) Falkner (1837) The Poetical Works of Percy Bysshe Shelley (1839) Contributions to Lives of the Most Eminent Literary and Scientific Men (1835–39), part of Lardner's Cabinet Cyclopaedia Rambles in Germany and Italy in 1840, 1842, and 1843 (1844) Collections of Mary Shelley's papers are housed in Lord Abinger's Shelley Collection on deposit at the Bodleian Library, the New York Public Library (particularly The Carl H. Pforzheimer Collection of Shelley and His Circle), the Huntington Library, the British Library, and in the John Murray Collection. See also Mary Shelley (2017 film) Godwin–Shelley family tree Map of 1814 and 1816 European journeys Map of 1840s European journeys Notes References All essays from The Cambridge Companion to Mary Shelley are marked with a \"(CC)\" and those from The Other Mary Shelley with an \"(OMS)\".", "See also Mary Shelley (2017 film) Godwin–Shelley family tree Map of 1814 and 1816 European journeys Map of 1840s European journeys Notes References All essays from The Cambridge Companion to Mary Shelley are marked with a \"(CC)\" and those from The Other Mary Shelley with an \"(OMS)\". Bibliography Primary sources Shelley, Mary. Collected Tales and Stories. Ed. Charles E. Robinson. Baltimore: Johns Hopkins University Press, 1976. . Shelley, Mary. Frankenstein; or, The Modern Prometheus. Ed.", "Shelley, Mary. Frankenstein; or, The Modern Prometheus. Ed. Ed. Susan J. Wolfson. New York: Pearson Longman, 2007. . Shelley, Mary. The Journals of Mary Shelley, 1814–44. Ed. Paula R. Feldman and Diana Scott-Kilvert. Baltimore: Johns Hopkins University Press, 1995. . Shelley, Mary. The Last Man. Ed. Morton D. Paley. Oxford: Oxford Paperbacks, 1998. . Shelley, Mary. Lodore. Ed. Lisa Vargo. Ontario: Broadview Press, 1997. .", "Ed. Lisa Vargo. Ontario: Broadview Press, 1997. . Ontario: Broadview Press, 1997. . Shelley, Mary. Mary Shelley's Literary Lives and Other Writings. 4 vols. Ed. Tilar J. Mazzeo. London: Pickering & Chatto, 2002. . Shelley, Mary. Mathilda . Ed. Elizabeth Nitchie. Chapel Hill: University of North Carolina Press, 1959. Project Gutenberg. Retrieved 16 February 2008. Shelley, Mary. Matilda; with Mary and Maria, by Mary Wollstonecraft. Ed. Janet Todd.", "Matilda; with Mary and Maria, by Mary Wollstonecraft. Ed. Janet Todd. Janet Todd. London: Penguin, 1992. . Shelley, Mary, ed. The Poetical Works of Percy Bysshe Shelley . London: Edward Moxon, 1840. Google Books. Retrieved 6 April 2008. Shelley, Mary. Selected Letters of Mary Wollstonecraft Shelley. Ed. Betty T. Bennett. Baltimore: Johns Hopkins University Press, 1995. . Shelley, Mary. Valperga; or, The Life and Adventures of Castruccio, Prince of Lucca.", "Valperga; or, The Life and Adventures of Castruccio, Prince of Lucca. Ed. Michael Rossington. Oxford: Oxford Paperbacks, 2000. . Shelley, Percy Bysshe. Shelley's Poetry and Prose. Eds. Donald H. Reiman and Neil Fraistat. 2nd ed. New York: W. W. Norton and Co., 2002. . Secondary sources Bennett, Betty T. \"Finding Mary Shelley in her Letters\". Romantic Revisions. Ed. Robert Brinkley and Keith Hanley. Cambridge: Cambridge University Press, 1992. .", "Cambridge: Cambridge University Press, 1992. . Cambridge: Cambridge University Press, 1992. . Bennett, Betty T., ed. Mary Shelley in her Times. Baltimore: Johns Hopkins University Press, 2003. . Bennett, Betty T. Mary Wollstonecraft Shelley: An Introduction. Baltimore: Johns Hopkins University Press, 1998. . Bennett, Betty T. \"The Political Philosophy of Mary Shelley's Historical Novels: Valperga and Perkin Warbeck\". The Evidence of the Imagination. Ed. Donald H. Reiman, Michael C. Jaye, and Betty T. Bennett.", "Donald H. Reiman, Michael C. Jaye, and Betty T. Bennett. New York: New York University Press, 1978. . Bieri, James. Percy Bysshe Shelley, a Biography: Exile of Unfulfilled Renown, 1816–1822. Newark: University of Delaware Press, 2005. . Blumberg, Jane. Mary Shelley's Early Novels: \"This Child of Imagination and Misery\". Iowa City: University of Iowa Press, 1993. . Bunnell, Charlene E. \"All the World's a Stage\": Dramatic Sensibility in Mary Shelley's Novels.", "Bunnell, Charlene E. \"All the World's a Stage\": Dramatic Sensibility in Mary Shelley's Novels. New York: Routledge, 2002. . Carlson, J. A. England's First Family of Writers: Mary Wollstonecraft, William Godwin, Mary Shelley. Baltimore: Johns Hopkins University Press, 2007. . Clemit, Pamela. \"From The Fields of Fancy to Matilda.\" Mary Shelley in her Times. Ed. Betty T. Bennett. Baltimore: Johns Hopkins University Press, 2003. . Clemit, Pamela.", "Baltimore: Johns Hopkins University Press, 2003. . Clemit, Pamela. Clemit, Pamela. The Godwinian Novel: The Rational Fictions of Godwin, Brockden Brown, Mary Shelley. Oxford: Clarendon Press, 1993. . Conger, Syndy M., Frederick S. Frank, and Gregory O'Dea, eds. Iconoclastic Departures: Mary Shelley after \"Frankenstein\". Essays in Honor of the Bicentenary of Mary Shelley's Birth. Madison, NJ: Farleigh Dickinson University Press, 1997. . Eberle-Sinatra, Michael, ed.", "Eberle-Sinatra, Michael, ed. Eberle-Sinatra, Michael, ed. Mary Shelley's Fictions: From Frankenstein to Falkner. New York: St. Martin's Press/Palgrave, 2000. . Fisch, Audrey A., Anne K. Mellor, and Esther H. Schorr, eds. The Other Mary Shelley: Beyond \"Frankenstein\". New York: Oxford University Press, 1993. . Frank, Frederick S. \"Mary Shelley's Other Fictions: A Bibliographic Consensus\". Iconoclastic Departures: Mary Shelley after \"Frankenstein\".", "Iconoclastic Departures: Mary Shelley after \"Frankenstein\". Iconoclastic Departures: Mary Shelley after \"Frankenstein\". Essays in Honor of the Bicentenary of Mary Shelley's Birth. Ed. Syndy M. Conger, Frederick S. Frank, and Gregory O'Dea. Madison, NJ: Farleigh Dickinson University Press, 1997. . Garrett, Martin Mary Shelley. Oxford: Oxford University Press. 2002. Gilbert, Sandra M. and Susan Gubar. The Madwoman in the Attic: The Woman Writer and the Nineteenth-Century Literary Imagination. 1979.", "The Madwoman in the Attic: The Woman Writer and the Nineteenth-Century Literary Imagination. 1979. 1979. New Haven: Yale University Press, 1984. . Gittings, Robert and Jo Manton. Claire Clairmont and the Shelleys. Oxford: Oxford University Press, 1992. . Holmes, Richard. Shelley: The Pursuit. 1974. London: Harper Perennial, 2003. . Jones, Steven. \"Charles E. Robinson, Ed. The Frankenstein Notebooks: A Facsimile Edition of Mary Shelley's Novel, 1816–17 (Parts One and Two)\".", "The Frankenstein Notebooks: A Facsimile Edition of Mary Shelley's Novel, 1816–17 (Parts One and Two)\". (Book Review). Romantic Circles website, 1 January 1998. Retrieved 15 September 2016. Jump, Harriet Devine, Pamela Clemit, and Betty T. Bennett, eds. Lives of the Great Romantics III: Godwin, Wollstonecraft & Mary Shelley by Their Contemporaries. London: Pickering & Chatto, 1999. . Levine, George and U. C. Knoepflmacher, eds.", "Levine, George and U. C. Knoepflmacher, eds. Levine, George and U. C. Knoepflmacher, eds. The Endurance of Frankenstein: Essays on Mary Shelley's novel. Berkeley: University of California Press, 1979. . Mellor, Anne K. Mary Shelley: Her Life, her Fiction, Her Monsters. London: Routledge, 1990. . Myers, Mitzi. \"Mary Wollstonecraft Godwin Shelley: The Female Author between Public and Private Spheres.\" Mary Shelley in her Times. Ed. Betty T. Bennett.", "Mary Shelley in her Times. Ed. Betty T. Bennett. Betty T. Bennett. Baltimore: Johns Hopkins University Press, 2003. . Orr, Clarissa Campbell. \"Mary Shelley's Rambles in Germany and Italy, the Celebrity Author, and the Undiscovered Country of the Human Heart\". Romanticism on the Net 11 (August 1998). Retrieved 22 February 2008. Poovey, Mary. The Proper Lady and the Woman Writer: Ideology as Style in the Works of Mary Wollstonecraft, Mary Shelley and Jane Austen.", "The Proper Lady and the Woman Writer: Ideology as Style in the Works of Mary Wollstonecraft, Mary Shelley and Jane Austen. Chicago: University of Chicago Press, 1985. . Robinson, Charles E., ed. The Frankenstein Notebooks: A Facsimile Edition of Mary Shelley's Novel, 1816–17 (Parts One and Two). The Manuscripts of the Younger Romantics, Volume IX, Donald H. Reiman, general ed. Garland Publishing, 1996. . Schor, Esther, ed. The Cambridge Companion to Mary Shelley.", "Schor, Esther, ed. The Cambridge Companion to Mary Shelley. The Cambridge Companion to Mary Shelley. Cambridge: Cambridge University Press, 2003. . Seymour, Miranda. Mary Shelley. London: John Murray, 2000. . Sites, Melissa. \"Re/membering Home: Utopian Domesticity in Mary Shelley's Lodore\". A Brighter Morn: The Shelley Circle's Utopian Project. Ed. Darby Lewes. Lanham, MD: Lexington Books, 2003. . Smith, Johanna M. \"A Critical History of Frankenstein\". Frankenstein.", "Smith, Johanna M. \"A Critical History of Frankenstein\". Frankenstein. Frankenstein. Case Studies in Contemporary Criticism. New York: Palgrave Macmillan, 2000. . Spark, Muriel. Mary Shelley. London: Cardinal, 1987. . St Clair, William. The Godwins and the Shelleys: The Biography of a Family. London: Faber & Faber, 1989. . Sterrenburg, Lee. \"The Last Man: Anatomy of Failed Revolutions\". Nineteenth Century Fiction 33 (1978): 324–47.", "Nineteenth Century Fiction 33 (1978): 324–47. Nineteenth Century Fiction 33 (1978): 324–47. Sunstein, Emily W. Mary Shelley: Romance and Reality. 1989. Baltimore: Johns Hopkins University Press, 1991. . Townsend, William C. Modern State Trials. London: Longman, Brown, Green and Longmans, 1850. Wake, Ann M Frank. \"Women in the Active Voice: Recovering Female History in Mary Shelley's Valperga and Perkin Warbeck\". Iconoclastic Departures: Mary Shelley after \"Frankenstein\".", "Iconoclastic Departures: Mary Shelley after \"Frankenstein\". Iconoclastic Departures: Mary Shelley after \"Frankenstein\". Essays in Honor of the Bicentenary of Mary Shelley's Birth. Ed. Syndy M. Conger, Frederick S. Frank, and Gregory O'Dea. Madison, NJ: Farleigh Dickinson University Press, 1997. . White, Daniel E. \"'The god undeified': Mary Shelley's Valperga, Italy, and the Aesthetic of Desire \". Romanticism on the Net 6 (May 1997). Retrieved 22 February 2008.", "Romanticism on the Net 6 (May 1997). Retrieved 22 February 2008. Retrieved 22 February 2008. Further reading Goulding, Christopher. \"The Real Doctor Frankenstein?\" Journal of the Royal Society of Medicine. The Royal Society of Medicine, May 2002.", "The Royal Society of Medicine, May 2002. The Royal Society of Medicine, May 2002. Richard Holmes, \"Out of Control\" (review of Mary Shelley, Frankenstein, Or, The Modern Prometheus: Annotated for Scientists, Engineers, and Creators of All Kinds, edited by David H. Guston, Ed Finn, and Jason Scott Robert, MIT Press, 277 pp. ; and Mary Shelley, The New Annotated Frankenstein, edited and with a foreword and notes by Leslie S. Klinger, Liveright, 352 pp.", "; and Mary Shelley, The New Annotated Frankenstein, edited and with a foreword and notes by Leslie S. Klinger, Liveright, 352 pp. ), The New York Review of Books, vol. LXIV, no. 20 (21 December 2017), pp. 38, 40–41. Gordon, Charlotte (2016). Romantic Outlaws: The Extraordinary Lives of Mary Wollstonecraft & Mary Shelley'', Random House.", "Romantic Outlaws: The Extraordinary Lives of Mary Wollstonecraft & Mary Shelley'', Random House. External links Mary Shelley chronology and bibliography – part of Romantic Circles Mary Wollstonecraft Shelley manuscript material, 1815–1850, held by the Carl H. Pforzheimer Collection of Shelley and His Circle, New York Public Library Mary Shelley at the British Library Exhibits relating to Mary Shelley at the Bodleian Library, University of Oxford 1797 births 1851 deaths 19th-century English women writers 19th-century English novelists 19th-century British short story writers British expatriates in Italy British expatriates in Switzerland British feminists British horror writers British science fiction writers Deaths from brain tumor Deaths from cancer in England English expatriates in Italy English expatriates in Switzerland English feminists English horror writers English science fiction writers English travel writers English women novelists Frankenstein Godwin family People from Bournemouth People from Somers Town, London Romanticism Science Fiction Hall of Fame inductees Victorian novelists Women historical novelists Women horror writers Women of the Regency era Women science fiction and fantasy writers British women travel writers Writers of Gothic fiction Shelley family Weird fiction writers" ]

[ "Mary Shelley", "Lake Geneva and Frankenstein", "When did Mary Shelley write Frankenstein?", "Mary Shelley remembered in 1831," ]

[ "Big Foot (Potawatomi: Maungeezik, meaning “Big Foot”) was a leader of the Prairie Band of Potawatomi on Kishwauketoe (today Geneva Lake) in what would become the U.S. State of Wisconsin.\n\nBig Foot likely led his band in the Battle of Fort Dearborn in Chicago, part of the War of 1812, in which a Potawatomi war band killed 38 American soldiers, 14 civilians, captured dozens more, and burned Fort Dearborn to the ground. Following the War of 1812, the United States regularly sent agents to Geneva Lake to spy on Big Foot, including the Ottawa leader Shabbona and the British-Potawatomi fur trader Billy Caldwell, which interfered with Big Foot's plans to make further war against the United States. He spent several decades preparing for further hostilities against the United States that never materialized.\n\nAfter the Potawatomi’s defeat in the Black Hawk War of 1832, in which Big Foot did not participate, he negotiated and signed the 1833 Treaty of Chicago, which sold much of southeastern Wisconsin and northeastern Illinois to the United States. Under the treaty, the United States forcibly removed Big Foot and the Potawatomi band from Geneva Lake to the Platte River in Missouri and later to Lawrence, Kansas.\n\nSeveral modern locations around Geneva Lake bear Big Foot's name, including the community of Big Foot Prairie in Wisconsin and Illinois, Big Foot Beach State Park in Lake Geneva, Wisconsin, Big Foot High School in Walworth, Wisconsin, and Big Foot Country Club in Fontana-on-Geneva Lake, Wisconsin. The original settler name for Geneva Lake in Wisconsin was Big Foot Lake.\n\nReferences \n\n19th-century Native Americans\n\nYear of birth missing (living people)", "State Trunk Highway 36 (often called Highway 36, STH-36 or WIS 36) is a state highway in the U.S. state of Wisconsin. It runs in a diagonal southwest–northeast direction across southeastern Wisconsin from Springfield which is north of Lake Geneva to Milwaukee.\n\nRoute description \n\nWIS 36 begins at its intersection with WIS 120 and travels in a general northeasterly direction to an intersection with WIS 11 in Burlington. The road continues northeast, passing through Waterford where it connects with WIS 164, then to Wind Lake and Muskego before heading to Franklin, where it runs concurrently with US Highway 45 (US 45) for a short distance, and crosses WIS 100. The highway then follows Loomis Road through Greendale and Greenfield, where it intersects with Interstate 43 (I-43) and I-894 before terminating at WIS 241 in Milwaukee.\n\nHistory\nWIS 36 is unusual in that its route has seen few changes since it was designated in 1918. The road originally began in Lake Geneva, approximately south of its current terminus, and ended near downtown Milwaukee. In 1921, the route was shortened to end at the junction with what was then WIS 57, which later became US 41, and is now WIS 241. In 1919, WIS 36 was extended to the west along WIS 50 to Williams Bay, then turned to the south into Walworth County to join WIS 89 (now US 14) to its end at the Illinois state line.\n\nThe route would change again in 1968; WIS 36 terminated at Lake Geneva, and the portion from Williams Bay to Walworth was redesignated as WIS 67. Later, in 1987–1988, WIS 120 was extended north from Lake Geneva via WIS 36 to Springfield, and then north along County Trunk Highway G (CTH-G) toward East Troy, placing the end of the highway at its present location.\n\nMajor intersections\n\nSee also\n\nReferences\n\nExternal links\n\n036\nTransportation in Walworth County, Wisconsin\nTransportation in Racine County, Wisconsin\nTransportation in Waukesha County, Wisconsin\nTransportation in Milwaukee County, Wisconsin" ]

[ "Mary Wollstonecraft Shelley (; ; 30 August 1797 – 1 February 1851) was an English novelist who wrote the Gothic novel Frankenstein; or, The Modern Prometheus (1818), which is considered an early example of science fiction. She also edited and promoted the works of her husband, the Romantic poet and philosopher Percy Bysshe Shelley. Her father was the political philosopher William Godwin and her mother was the philosopher and feminist activist Mary Wollstonecraft. Shelley's mother died less than a month after giving birth to her.", "Shelley's mother died less than a month after giving birth to her. She was raised by her father, who provided her with a rich if informal education, encouraging her to adhere to his own anarchist political theories. When she was four, her father married a neighbour, Mary Jane Clairmont, with whom Shelley came to have a troubled relationship. In 1814, Shelley began a romance with one of her father's political followers, Percy Bysshe Shelley, who was already married.", "In 1814, Shelley began a romance with one of her father's political followers, Percy Bysshe Shelley, who was already married. Together with her stepsister, Claire Clairmont, she and Percy left for France and travelled through Europe. Upon their return to England, Shelley was pregnant with Percy's child. Over the next two years, she and Percy faced ostracism, constant debt and the death of their prematurely born daughter. They married in late 1816, after the suicide of Percy Shelley's first wife, Harriet.", "They married in late 1816, after the suicide of Percy Shelley's first wife, Harriet. In 1816, the couple and Mary's stepsister famously spent a summer with Lord Byron and John William Polidori near Geneva, Switzerland, where Shelley conceived the idea for her novel Frankenstein. The Shelleys left Britain in 1818 for Italy, where their second and third children died before Shelley gave birth to her last and only surviving child, Percy Florence Shelley.", "The Shelleys left Britain in 1818 for Italy, where their second and third children died before Shelley gave birth to her last and only surviving child, Percy Florence Shelley. In 1822, her husband drowned when his sailing boat sank during a storm near Viareggio. A year later, Shelley returned to England and from then on devoted herself to the upbringing of her son and a career as a professional author.", "A year later, Shelley returned to England and from then on devoted herself to the upbringing of her son and a career as a professional author. The last decade of her life was dogged by illness, most likely caused by the brain tumour which killed her at age 53. Until the 1970s, Shelley was known mainly for her efforts to publish her husband's works and for her novel Frankenstein, which remains widely read and has inspired many theatrical and film adaptations.", "Until the 1970s, Shelley was known mainly for her efforts to publish her husband's works and for her novel Frankenstein, which remains widely read and has inspired many theatrical and film adaptations. Recent scholarship has yielded a more comprehensive view of Shelley's achievements.", "Recent scholarship has yielded a more comprehensive view of Shelley's achievements. Scholars have shown increasing interest in her literary output, particularly in her novels, which include the historical novels Valperga (1823) and Perkin Warbeck (1830), the apocalyptic novel The Last Man (1826) and her final two novels, Lodore (1835) and Falkner (1837).", "Scholars have shown increasing interest in her literary output, particularly in her novels, which include the historical novels Valperga (1823) and Perkin Warbeck (1830), the apocalyptic novel The Last Man (1826) and her final two novels, Lodore (1835) and Falkner (1837). Studies of her lesser-known works, such as the travel book Rambles in Germany and Italy (1844) and the biographical articles for Dionysius Lardner's Cabinet Cyclopaedia (1829–1846), support the growing view that Shelley remained a political radical throughout her life.", "Studies of her lesser-known works, such as the travel book Rambles in Germany and Italy (1844) and the biographical articles for Dionysius Lardner's Cabinet Cyclopaedia (1829–1846), support the growing view that Shelley remained a political radical throughout her life. Shelley's works often argue that cooperation and sympathy, particularly as practised by women in the family, were the ways to reform civil society.", "Shelley's works often argue that cooperation and sympathy, particularly as practised by women in the family, were the ways to reform civil society. This view was a direct challenge to the individualistic Romantic ethos promoted by Percy Shelley and the Enlightenment political theories articulated by her father, William Godwin. Life and career Early life Mary Shelley was born Mary Wollstonecraft Godwin in Somers Town, London, in 1797.", "Life and career Early life Mary Shelley was born Mary Wollstonecraft Godwin in Somers Town, London, in 1797. She was the second child of the feminist philosopher, educator, and writer Mary Wollstonecraft and the first child of the philosopher, novelist, and journalist William Godwin. Wollstonecraft died of puerperal fever shortly after Mary was born. Godwin was left to bring up Mary, along with her older half-sister, Fanny Imlay, Wollstonecraft's child by the American speculator Gilbert Imlay.", "Godwin was left to bring up Mary, along with her older half-sister, Fanny Imlay, Wollstonecraft's child by the American speculator Gilbert Imlay. A year after Wollstonecraft's death, Godwin published his Memoirs of the Author of A Vindication of the Rights of Woman (1798), which he intended as a sincere and compassionate tribute. However, because the Memoirs revealed Wollstonecraft's affairs and her illegitimate child, they were seen as shocking.", "However, because the Memoirs revealed Wollstonecraft's affairs and her illegitimate child, they were seen as shocking. Mary Godwin read these memoirs and her mother's books, and was brought up to cherish her mother's memory. Mary's earliest years were happy, judging from the letters of William Godwin's housekeeper and nurse, Louisa Jones. But Godwin was often deeply in debt; feeling that he could not raise the children by himself, he cast about for a second wife.", "But Godwin was often deeply in debt; feeling that he could not raise the children by himself, he cast about for a second wife. In December 1801, he married Mary Jane Clairmont, a well-educated woman with two young children of her own—Charles and Claire. Most of Godwin's friends disliked his new wife, describing her as quick-tempered and quarrelsome; but Godwin was devoted to her, and the marriage was a success. Mary Godwin, on the other hand, came to detest her stepmother.", "Mary Godwin, on the other hand, came to detest her stepmother. William Godwin's 19th-century biographer Charles Kegan Paul later suggested that Mrs Godwin had favoured her own children over those of Mary Wollstonecraft. Together, the Godwins started a publishing firm called M. J. Godwin, which sold children's books as well as stationery, maps, and games. However, the business did not turn a profit, and Godwin was forced to borrow substantial sums to keep it going.", "However, the business did not turn a profit, and Godwin was forced to borrow substantial sums to keep it going. He continued to borrow to pay off earlier loans, compounding his problems. By 1809, Godwin's business was close to failure, and he was \"near to despair\". Godwin was saved from debtor's prison by philosophical devotees such as Francis Place, who lent him further money. Though Mary Godwin received little formal education, her father tutored her in a broad range of subjects.", "Though Mary Godwin received little formal education, her father tutored her in a broad range of subjects. He often took the children on educational outings, and they had access to his library and to the many intellectuals who visited him, including the Romantic poet Samuel Taylor Coleridge and the former vice-president of the United States Aaron Burr.", "He often took the children on educational outings, and they had access to his library and to the many intellectuals who visited him, including the Romantic poet Samuel Taylor Coleridge and the former vice-president of the United States Aaron Burr. Godwin admitted he was not educating the children according to Mary Wollstonecraft's philosophy as outlined in works such as A Vindication of the Rights of Woman (1792), but Mary Godwin nonetheless received an unusual and advanced education for a girl of the time.", "Godwin admitted he was not educating the children according to Mary Wollstonecraft's philosophy as outlined in works such as A Vindication of the Rights of Woman (1792), but Mary Godwin nonetheless received an unusual and advanced education for a girl of the time. She had a governess, a daily tutor, and read many of her father's children's books on Roman and Greek history in manuscript. For six months in 1811, she also attended a boarding school in Ramsgate.", "For six months in 1811, she also attended a boarding school in Ramsgate. Her father described her at age 15 as \"singularly bold, somewhat imperious, and active of mind. Her desire of knowledge is great, and her perseverance in everything she undertakes almost invincible.\" In June 1812, Mary's father sent her to stay with the dissenting family of the radical William Baxter, near Dundee, Scotland.", "In June 1812, Mary's father sent her to stay with the dissenting family of the radical William Baxter, near Dundee, Scotland. To Baxter, he wrote, \"I am anxious that she should be brought up ... like a philosopher, even like a cynic.\" Scholars have speculated that she may have been sent away for her health, to remove her from the seamy side of the business, or to introduce her to radical politics.", "Scholars have speculated that she may have been sent away for her health, to remove her from the seamy side of the business, or to introduce her to radical politics. Mary Godwin revelled in the spacious surroundings of Baxter's house and in the companionship of his four daughters, and she returned north in the summer of 1813 for a further stay of 10 months. In the 1831 introduction to Frankenstein, she recalled: \"I wrote then—but in a most common-place style.", "In the 1831 introduction to Frankenstein, she recalled: \"I wrote then—but in a most common-place style. It was beneath the trees of the grounds belonging to our house, or on the bleak sides of the woodless mountains near, that my true compositions, the airy flights of my imagination, were born and fostered.\" Percy Bysshe Shelley Mary Godwin may have first met the radical poet-philosopher Percy Bysshe Shelley in the interval between her two stays in Scotland.", "Percy Bysshe Shelley Mary Godwin may have first met the radical poet-philosopher Percy Bysshe Shelley in the interval between her two stays in Scotland. By the time she returned home for a second time on 30 March 1814, Percy Shelley had become estranged from his wife and was regularly visiting William Godwin, whom he had agreed to bail out of debt.", "By the time she returned home for a second time on 30 March 1814, Percy Shelley had become estranged from his wife and was regularly visiting William Godwin, whom he had agreed to bail out of debt. Percy Shelley's radicalism, particularly his economic views, which he had imbibed from William Godwin's Political Justice (1793), had alienated him from his wealthy aristocratic family: they wanted him to follow traditional models of the landed aristocracy, and he wanted to donate large amounts of the family's money to schemes intended to help the disadvantaged.", "Percy Shelley's radicalism, particularly his economic views, which he had imbibed from William Godwin's Political Justice (1793), had alienated him from his wealthy aristocratic family: they wanted him to follow traditional models of the landed aristocracy, and he wanted to donate large amounts of the family's money to schemes intended to help the disadvantaged. Percy Shelley, therefore, had difficulty gaining access to money until he inherited his estate because his family did not want him wasting it on projects of \"political justice\".", "Percy Shelley, therefore, had difficulty gaining access to money until he inherited his estate because his family did not want him wasting it on projects of \"political justice\". After several months of promises, Shelley announced that he either could not or would not pay off all of Godwin's debts. Godwin was angry and felt betrayed.", "Godwin was angry and felt betrayed. Godwin was angry and felt betrayed. Mary and Percy began meeting each other secretly at her mother Mary Wollstonecraft's grave in the churchyard of St Pancras Old Church, and they fell in love—she was 16, and he was 21.", "Mary and Percy began meeting each other secretly at her mother Mary Wollstonecraft's grave in the churchyard of St Pancras Old Church, and they fell in love—she was 16, and he was 21. On 26 June 1814, Shelley and Godwin declared their love for one another as Shelley announced he could not hide his \"ardent passion\", leading her in a \"sublime and rapturous moment\" to say she felt the same way; on either that day or the next, Godwin lost her virginity to Shelley, which tradition claims happened in the churchyard.", "On 26 June 1814, Shelley and Godwin declared their love for one another as Shelley announced he could not hide his \"ardent passion\", leading her in a \"sublime and rapturous moment\" to say she felt the same way; on either that day or the next, Godwin lost her virginity to Shelley, which tradition claims happened in the churchyard. Godwin described herself as attracted to Shelley's \"wild, intellectual, unearthly looks\".", "Godwin described herself as attracted to Shelley's \"wild, intellectual, unearthly looks\". To Mary's dismay, her father disapproved, and tried to thwart the relationship and salvage the \"spotless fame\" of his daughter. At about the same time, Mary's father learned of Shelley's inability to pay off the father's debts. Mary, who later wrote of \"my excessive and romantic attachment to my father\", was confused.", "Mary, who later wrote of \"my excessive and romantic attachment to my father\", was confused. She saw Percy Shelley as an embodiment of her parents' liberal and reformist ideas of the 1790s, particularly Godwin's view that marriage was a repressive monopoly, which he had argued in his 1793 edition of Political Justice but later retracted. On 28 July 1814, the couple eloped and secretly left for France, taking Mary's stepsister, Claire Clairmont, with them.", "On 28 July 1814, the couple eloped and secretly left for France, taking Mary's stepsister, Claire Clairmont, with them. After convincing Mary Jane Godwin, who had pursued them to Calais, that they did not wish to return, the trio travelled to Paris, and then, by donkey, mule, carriage, and foot, through a France recently ravaged by war, to Switzerland. \"It was acting in a novel, being an incarnate romance,\" Mary Shelley recalled in 1826.", "\"It was acting in a novel, being an incarnate romance,\" Mary Shelley recalled in 1826. Godwin wrote about France in 1814: \"The distress of the inhabitants, whose houses had been burned, their cattle killed and all their wealth destroyed, has given a sting to my detestation of war...\". As they travelled, Mary and Percy read works by Mary Wollstonecraft and others, kept a joint journal, and continued their own writing. At Lucerne, lack of money forced the three to turn back.", "At Lucerne, lack of money forced the three to turn back. They travelled down the Rhine and by land to the Dutch port of Maassluis, arriving at Gravesend, Kent, on 13 September 1814. The situation awaiting Mary Godwin in England was fraught with complications, some of which she had not foreseen. Either before or during the journey, she had become pregnant. She and Percy now found themselves penniless, and, to Mary's genuine surprise, her father refused to have anything to do with her.", "She and Percy now found themselves penniless, and, to Mary's genuine surprise, her father refused to have anything to do with her. The couple moved with Claire into lodgings at Somers Town, and later, Nelson Square. They maintained their intense programme of reading and writing, and entertained Percy Shelley's friends, such as Thomas Jefferson Hogg and the writer Thomas Love Peacock. Percy Shelley sometimes left home for short periods to dodge creditors. The couple's distraught letters reveal their pain at these separations.", "The couple's distraught letters reveal their pain at these separations. Pregnant and often ill, Mary Godwin had to cope with Percy's joy at the birth of his son by Harriet Shelley in late 1814 and his constant outings with Claire Clairmont. Shelley and Clairmont were almost certainly lovers, which caused much jealousy on Godwin's part. Shelley greatly offended Godwin at one point when during a walk in the French countryside he suggested that they both take the plunge into a stream naked as it offended her principles.", "Shelley greatly offended Godwin at one point when during a walk in the French countryside he suggested that they both take the plunge into a stream naked as it offended her principles. She was partly consoled by the visits of Hogg, whom she disliked at first but soon considered a close friend. Percy Shelley seems to have wanted Mary Godwin and Hogg to become lovers; Mary did not dismiss the idea, since in principle she believed in free love.", "Percy Shelley seems to have wanted Mary Godwin and Hogg to become lovers; Mary did not dismiss the idea, since in principle she believed in free love. In practice, however, she loved only Percy Shelley and seems to have ventured no further than flirting with Hogg. On 22 February 1815, she gave birth to a two-month premature baby girl, who was not expected to survive.", "On 22 February 1815, she gave birth to a two-month premature baby girl, who was not expected to survive. On 6 March, she wrote to Hogg: My dearest Hogg my baby is dead—will you come to see me as soon as you can. I wish to see you—It was perfectly well when I went to bed—I awoke in the night to give it suck it appeared to be sleeping so quietly that I would not awake it.", "I wish to see you—It was perfectly well when I went to bed—I awoke in the night to give it suck it appeared to be sleeping so quietly that I would not awake it. It was dead then, but we did not find that out till morning—from its appearance it evidently died of convulsions—Will you come—you are so calm a creature & Shelley is afraid of a fever from the milk—for I am no longer a mother now.", "It was dead then, but we did not find that out till morning—from its appearance it evidently died of convulsions—Will you come—you are so calm a creature & Shelley is afraid of a fever from the milk—for I am no longer a mother now. The loss of her child induced acute depression in Mary Godwin, who was haunted by visions of the baby; but she conceived again and had recovered by the summer.", "The loss of her child induced acute depression in Mary Godwin, who was haunted by visions of the baby; but she conceived again and had recovered by the summer. With a revival in Percy Shelley's finances after the death of his grandfather, Sir Bysshe Shelley, the couple holidayed in Torquay and then rented a two-storey cottage at Bishopsgate, on the edge of Windsor Great Park. Little is known about this period in Mary Godwin's life, since her journal from May 1815 to July 1816 is lost.", "Little is known about this period in Mary Godwin's life, since her journal from May 1815 to July 1816 is lost. At Bishopsgate, Percy wrote his poem Alastor, or The Spirit of Solitude; and on 24 January 1816, Mary gave birth to a second child, William, named after her father, and soon nicknamed \"Willmouse\". In her novel The Last Man, she later imagined Windsor as a Garden of Eden.", "In her novel The Last Man, she later imagined Windsor as a Garden of Eden. Lake Geneva and Frankenstein In May 1816, Mary Godwin, Percy Shelley, and their son travelled to Geneva with Claire Clairmont. They planned to spend the summer with the poet Lord Byron, whose recent affair with Claire had left her pregnant. In History of a Six Weeks’ Tour through a part of France, Switzerland, Germany and Holland (1817), she describes the particularly desolate landscape in crossing from France into Switzerland.", "In History of a Six Weeks’ Tour through a part of France, Switzerland, Germany and Holland (1817), she describes the particularly desolate landscape in crossing from France into Switzerland. The party arrived in Geneva on 14 May 1816, where Mary called herself \"Mrs Shelley\".", "The party arrived in Geneva on 14 May 1816, where Mary called herself \"Mrs Shelley\". Byron joined them on 25 May, with his young physician, John William Polidori, and rented the Villa Diodati, close to Lake Geneva at the village of Cologny; Percy Shelley rented a smaller building called Maison Chapuis on the waterfront nearby. They spent their time writing, boating on the lake, and talking late into the night.", "They spent their time writing, boating on the lake, and talking late into the night. \"It proved a wet, ungenial summer\", Mary Shelley remembered in 1831, \"and incessant rain often confined us for days to the house\". Sitting around a log fire at Byron's villa, the company amused themselves with German ghost stories, which prompted Byron to propose that they \"each write a ghost story\".", "Sitting around a log fire at Byron's villa, the company amused themselves with German ghost stories, which prompted Byron to propose that they \"each write a ghost story\". Unable to think of a story, young Mary Godwin became anxious: \"Have you thought of a story? I was asked each morning, and each morning I was forced to reply with a mortifying negative.\" During one mid-June evening, the discussions turned to the nature of the principle of life.", "During one mid-June evening, the discussions turned to the nature of the principle of life. \"Perhaps a corpse would be re-animated\", Mary noted; \"galvanism had given token of such things\". It was after midnight before they retired, and unable to sleep, she became possessed by her imagination as she beheld the grim terrors of her \"waking dream\", her ghost story: She began writing what she assumed would be a short story.", "It was after midnight before they retired, and unable to sleep, she became possessed by her imagination as she beheld the grim terrors of her \"waking dream\", her ghost story: She began writing what she assumed would be a short story. With Percy Shelley's encouragement, she expanded this tale into her first novel, Frankenstein; or, The Modern Prometheus, published in 1818. She later described that summer in Switzerland as the moment \"when I first stepped out from childhood into life\".", "She later described that summer in Switzerland as the moment \"when I first stepped out from childhood into life\". The story of the writing of Frankenstein has been fictionalised several times and formed the basis for a number of films.", "The story of the writing of Frankenstein has been fictionalised several times and formed the basis for a number of films. In September 2011, the astronomer Donald Olson, after a visit to the Lake Geneva villa the previous year, and inspecting data about the motion of the moon and stars, concluded that her waking dream took place \"between 2am and 3am\" 16 June 1816, several days after the initial idea by Lord Byron that they each write a ghost story.", "In September 2011, the astronomer Donald Olson, after a visit to the Lake Geneva villa the previous year, and inspecting data about the motion of the moon and stars, concluded that her waking dream took place \"between 2am and 3am\" 16 June 1816, several days after the initial idea by Lord Byron that they each write a ghost story. Authorship of Frankenstein While her husband Percy encouraged her writing, the extent of Percy's contribution to the novel is unknown and has been argued over by readers and critics.", "Authorship of Frankenstein While her husband Percy encouraged her writing, the extent of Percy's contribution to the novel is unknown and has been argued over by readers and critics. Mary Shelley wrote, \"I certainly did not owe the suggestion of one incident, nor scarcely of one train of feeling, to my husband, and yet but for his incitement, it would never have taken the form in which it was presented to the world.\"", "Mary Shelley wrote, \"I certainly did not owe the suggestion of one incident, nor scarcely of one train of feeling, to my husband, and yet but for his incitement, it would never have taken the form in which it was presented to the world.\" She wrote that the preface to the first edition was Percy's work \"as far as I can recollect.\" There are differences in the 1818, 1823 and 1831 editions, which have been attributed to Percy's editing.", "There are differences in the 1818, 1823 and 1831 editions, which have been attributed to Percy's editing. James Rieger concluded Percy's \"assistance at every point in the book's manufacture was so extensive that one hardly knows whether to regard him as editor or minor collaborator\", while Anne K. Mellor later argued Percy only \"made many technical corrections and several times clarified the narrative and thematic continuity of the text.\"", "James Rieger concluded Percy's \"assistance at every point in the book's manufacture was so extensive that one hardly knows whether to regard him as editor or minor collaborator\", while Anne K. Mellor later argued Percy only \"made many technical corrections and several times clarified the narrative and thematic continuity of the text.\" Charles E. Robinson, editor of a facsimile edition of the Frankenstein manuscripts, concluded that Percy's contributions to the book \"were no more than what most publishers' editors have provided new (or old) authors or, in fact, what colleagues have provided to each other after reading each other's works in progress.\"", "Charles E. Robinson, editor of a facsimile edition of the Frankenstein manuscripts, concluded that Percy's contributions to the book \"were no more than what most publishers' editors have provided new (or old) authors or, in fact, what colleagues have provided to each other after reading each other's works in progress.\" Writing on the 200th anniversary of Frankenstein, literary scholar and poet Fiona Sampson asked, \"Why hasn't Mary Shelley gotten the respect she deserves?\"", "Writing on the 200th anniversary of Frankenstein, literary scholar and poet Fiona Sampson asked, \"Why hasn't Mary Shelley gotten the respect she deserves?\" She noted that \"In recent years Percy's corrections, visible in the Frankenstein notebooks held at the Bodleian Library in Oxford, have been seized on as evidence that he must have at least co-authored the novel. In fact, when I examined the notebooks myself, I realized that Percy did rather less than any line editor working in publishing today.\"", "In fact, when I examined the notebooks myself, I realized that Percy did rather less than any line editor working in publishing today.\" Sampson published her findings in In Search of Mary Shelley (2018), one of many biographies written about Shelley. Bath and Marlow On their return to England in September, Mary and Percy moved—with Claire Clairmont, who took lodgings nearby—to Bath, where they hoped to keep Claire's pregnancy secret.", "Bath and Marlow On their return to England in September, Mary and Percy moved—with Claire Clairmont, who took lodgings nearby—to Bath, where they hoped to keep Claire's pregnancy secret. At Cologny, Mary Godwin had received two letters from her half-sister, Fanny Imlay, who alluded to her \"unhappy life\"; on 9 October, Fanny wrote an \"alarming letter\" from Bristol that sent Percy Shelley racing off to search for her, without success.", "At Cologny, Mary Godwin had received two letters from her half-sister, Fanny Imlay, who alluded to her \"unhappy life\"; on 9 October, Fanny wrote an \"alarming letter\" from Bristol that sent Percy Shelley racing off to search for her, without success. On the morning of 10 October, Fanny Imlay was found dead in a room at a Swansea inn, along with a suicide note and a laudanum bottle.", "On the morning of 10 October, Fanny Imlay was found dead in a room at a Swansea inn, along with a suicide note and a laudanum bottle. On 10 December, Percy Shelley's wife, Harriet, was discovered drowned in the Serpentine, a lake in Hyde Park, London. Both suicides were hushed up. Harriet's family obstructed Percy Shelley's efforts—fully supported by Mary Godwin—to assume custody of his two children by Harriet.", "Harriet's family obstructed Percy Shelley's efforts—fully supported by Mary Godwin—to assume custody of his two children by Harriet. His lawyers advised him to improve his case by marrying; so he and Mary, who was pregnant again, married on 30 December 1816 at St Mildred's Church, Bread Street, London. Mr and Mrs Godwin were present and the marriage ended the family rift. Claire Clairmont gave birth to a baby girl on 13 January, at first called Alba, later Allegra.", "Claire Clairmont gave birth to a baby girl on 13 January, at first called Alba, later Allegra. In March of that year, the Chancery Court ruled Percy Shelley morally unfit to assume custody of his children and later placed them with a clergyman's family. Also in March, the Shelleys moved with Claire and Alba to Albion House at Marlow, Buckinghamshire, a large, damp building on the river Thames. There Mary Shelley gave birth to her third child, Clara, on 2 September.", "There Mary Shelley gave birth to her third child, Clara, on 2 September. At Marlow, they entertained their new friends Marianne and Leigh Hunt, worked hard at their writing, and often discussed politics. Early in the summer of 1817, Mary Shelley finished Frankenstein, which was published anonymously in January 1818. Reviewers and readers assumed that Percy Shelley was the author, since the book was published with his preface and dedicated to his political hero William Godwin.", "Reviewers and readers assumed that Percy Shelley was the author, since the book was published with his preface and dedicated to his political hero William Godwin. At Marlow, Mary edited the joint journal of the group's 1814 Continental journey, adding material written in Switzerland in 1816, along with Percy's poem \"Mont Blanc\". The result was the History of a Six Weeks' Tour, published in November 1817. That autumn, Percy Shelley often lived away from home in London to evade creditors.", "That autumn, Percy Shelley often lived away from home in London to evade creditors. The threat of a debtor's prison, combined with their ill health and fears of losing custody of their children, contributed to the couple's decision to leave England for Italy on 12 March 1818, taking Claire Clairmont and Alba with them. They had no intention of returning. Italy One of the party's first tasks on arriving in Italy was to hand Alba over to Byron, who was living in Venice.", "Italy One of the party's first tasks on arriving in Italy was to hand Alba over to Byron, who was living in Venice. He had agreed to raise her so long as Claire had nothing more to do with her. The Shelleys then embarked on a roving existence, never settling in any one place for long. Along the way, they accumulated a circle of friends and acquaintances who often moved with them. The couple devoted their time to writing, reading, learning, sightseeing, and socialising.", "The couple devoted their time to writing, reading, learning, sightseeing, and socialising. The Italian adventure was, however, blighted for Mary Shelley by the deaths of both her children—Clara, in September 1818 in Venice, and William, in June 1819 in Rome. These losses left her in a deep depression that isolated her from Percy Shelley, who wrote in his notebook: My dearest Mary, wherefore hast thou gone, And left me in this dreary world alone?", "These losses left her in a deep depression that isolated her from Percy Shelley, who wrote in his notebook: My dearest Mary, wherefore hast thou gone, And left me in this dreary world alone? Thy form is here indeed—a lovely one— But thou art fled, gone down a dreary road That leads to Sorrow's most obscure abode. For thine own sake I cannot follow thee Do thou return for mine. For a time, Mary Shelley found comfort only in her writing.", "For a time, Mary Shelley found comfort only in her writing. The birth of her fourth child, Percy Florence, on 12 November 1819, finally lifted her spirits, though she nursed the memory of her lost children till the end of her life. Italy provided the Shelleys, Byron, and other exiles with political freedom unattainable at home. Despite its associations with personal loss, Italy became for Mary Shelley \"a country which memory painted as paradise\".", "Despite its associations with personal loss, Italy became for Mary Shelley \"a country which memory painted as paradise\". Their Italian years were a time of intense intellectual and creative activity for both Shelleys. While Percy composed a series of major poems, Mary wrote the novel Matilda, the historical novel Valperga, and the plays Proserpine and Midas. Mary wrote Valperga to help alleviate her father's financial difficulties, as Percy refused to assist him further. She was often physically ill, however, and prone to depressions.", "She was often physically ill, however, and prone to depressions. She also had to cope with Percy's interest in other women, such as Sophia Stacey, Emilia Viviani, and Jane Williams. Since Mary Shelley shared his belief in the non-exclusivity of marriage, she formed emotional ties of her own among the men and women of their circle. She became particularly fond of the Greek revolutionary Prince Alexandros Mavrokordatos and of Jane and Edward Williams.", "She became particularly fond of the Greek revolutionary Prince Alexandros Mavrokordatos and of Jane and Edward Williams. In December 1818, the Shelleys travelled south with Claire Clairmont and their servants to Naples, where they stayed for three months, receiving only one visitor, a physician. In 1820, they found themselves plagued by accusations and threats from Paolo and Elise Foggi, former servants whom Percy Shelley had dismissed in Naples shortly after the Foggis had married.", "In 1820, they found themselves plagued by accusations and threats from Paolo and Elise Foggi, former servants whom Percy Shelley had dismissed in Naples shortly after the Foggis had married. The pair revealed that on 27 February 1819 in Naples, Percy Shelley had registered as his child by Mary Shelley a two-month-old baby girl named Elena Adelaide Shelley. The Foggis also claimed that Claire Clairmont was the baby's mother.", "The Foggis also claimed that Claire Clairmont was the baby's mother. Biographers have offered various interpretations of these events: that Percy Shelley decided to adopt a local child; that the baby was his by Elise, Claire, or an unknown woman; or that she was Elise's by Byron. Mary Shelley insisted she would have known if Claire had been pregnant, but it is unclear how much she really knew.", "Mary Shelley insisted she would have known if Claire had been pregnant, but it is unclear how much she really knew. The events in Naples, a city Mary Shelley later called a paradise inhabited by devils, remain shrouded in mystery. The only certainty is that she herself was not the child's mother. Elena Adelaide Shelley died in Naples on 9 June 1820.", "Elena Adelaide Shelley died in Naples on 9 June 1820. After leaving Naples, the Shelleys settled in Rome, the city where her husband wrote where \"the meanest streets were strewed with truncated columns, broken capitals...and sparkling fragments of granite or porphyry...The voice of dead time, in still vibrations, is breathed from these dumb things, animated and glorified as they were by man\".", "After leaving Naples, the Shelleys settled in Rome, the city where her husband wrote where \"the meanest streets were strewed with truncated columns, broken capitals...and sparkling fragments of granite or porphyry...The voice of dead time, in still vibrations, is breathed from these dumb things, animated and glorified as they were by man\". Rome inspired her to begin writing the unfinished novel Valerius, the Reanimated Roman, where the eponymous hero resists the decay of Rome and the machinations of \"superstitious\" Catholicism.", "Rome inspired her to begin writing the unfinished novel Valerius, the Reanimated Roman, where the eponymous hero resists the decay of Rome and the machinations of \"superstitious\" Catholicism. The writing of her novel was broken off when her son William died of malaria.", "The writing of her novel was broken off when her son William died of malaria. Shelley bitterly commented that she had come to Italy to improve her husband's health, and instead the Italian climate had just killed her two children, leading her to write: \"May you my dear Marianne never know what it is to lose two only and lovely children in one year—to watch their dying moments—and then at last to be left childless and forever miserable\".", "Shelley bitterly commented that she had come to Italy to improve her husband's health, and instead the Italian climate had just killed her two children, leading her to write: \"May you my dear Marianne never know what it is to lose two only and lovely children in one year—to watch their dying moments—and then at last to be left childless and forever miserable\". To deal with her grief, Shelley wrote the novella The Fields of Fancy, which became Matilda, dealing with a young woman whose beauty inspired incestuous love in her father, who ultimately commits suicide to stop himself from acting on his passion for his daughter, while she spends the rest of her life full of despair about \"the unnatural love I had inspired\".", "To deal with her grief, Shelley wrote the novella The Fields of Fancy, which became Matilda, dealing with a young woman whose beauty inspired incestuous love in her father, who ultimately commits suicide to stop himself from acting on his passion for his daughter, while she spends the rest of her life full of despair about \"the unnatural love I had inspired\". The novella offered a feminist critique of a patriarchal society as Matilda is punished in the afterlife, though she did nothing to encourage her father's feelings.", "The novella offered a feminist critique of a patriarchal society as Matilda is punished in the afterlife, though she did nothing to encourage her father's feelings. In the summer of 1822, a pregnant Mary moved with Percy, Claire, and Edward and Jane Williams to the isolated Villa Magni, at the sea's edge near the hamlet of San Terenzo in the Bay of Lerici.", "In the summer of 1822, a pregnant Mary moved with Percy, Claire, and Edward and Jane Williams to the isolated Villa Magni, at the sea's edge near the hamlet of San Terenzo in the Bay of Lerici. Once they were settled in, Percy broke the \"evil news\" to Claire that her daughter Allegra had died of typhus in a convent at Bagnacavallo. Mary Shelley was distracted and unhappy in the cramped and remote Villa Magni, which she came to regard as a dungeon.", "Mary Shelley was distracted and unhappy in the cramped and remote Villa Magni, which she came to regard as a dungeon. On 16 June, she miscarried, losing so much blood that she nearly died. Rather than wait for a doctor, Percy sat her in a bath of ice to stanch the bleeding, an act the doctor later told him saved her life. All was not well between the couple that summer, however, and Percy spent more time with Jane Williams than with his depressed and debilitated wife.", "All was not well between the couple that summer, however, and Percy spent more time with Jane Williams than with his depressed and debilitated wife. Much of the short poetry Shelley wrote at San Terenzo involved Jane rather than Mary. The coast offered Percy Shelley and Edward Williams the chance to enjoy their \"perfect plaything for the summer\", a new sailing boat. The boat had been designed by Daniel Roberts and Edward Trelawny, an admirer of Byron's who had joined the party in January 1822.", "The boat had been designed by Daniel Roberts and Edward Trelawny, an admirer of Byron's who had joined the party in January 1822. On 1 July 1822, Percy Shelley, Edward Ellerker Williams, and Captain Daniel Roberts sailed south down the coast to Livorno. There Percy Shelley discussed with Byron and Leigh Hunt the launch of a radical magazine called The Liberal. On 8 July, he and Edward Williams set out on the return journey to Lerici with their eighteen-year-old boat boy, Charles Vivian. They never reached their destination.", "They never reached their destination. They never reached their destination. A letter arrived at Villa Magni from Hunt to Percy Shelley, dated 8 July, saying, \"pray write to tell us how you got home, for they say you had bad weather after you sailed Monday & we are anxious\". \"The paper fell from me,\" Mary told a friend later. \"I trembled all over.\"", "\"I trembled all over.\" \"I trembled all over.\" She and Jane Williams rushed desperately to Livorno and then to Pisa in the fading hope that their husbands were still alive. Ten days after the storm, three bodies washed up on the coast near Viareggio, midway between Livorno and Lerici. Trelawny, Byron, and Hunt cremated Percy Shelley's corpse on the beach at Viareggio.", "Trelawny, Byron, and Hunt cremated Percy Shelley's corpse on the beach at Viareggio. Return to England and writing career After her husband's death, Mary Shelley lived for a year with Leigh Hunt and his family in Genoa, where she often saw Byron and transcribed his poems. She resolved to live by her pen and for her son, but her financial situation was precarious.", "She resolved to live by her pen and for her son, but her financial situation was precarious. On 23 July 1823, she left Genoa for England and stayed with her father and stepmother in the Strand until a small advance from her father-in-law enabled her to lodge nearby. Sir Timothy Shelley had at first agreed to support his grandson, Percy Florence, only if he were handed over to an appointed guardian. Mary Shelley rejected this idea instantly.", "Mary Shelley rejected this idea instantly. Mary Shelley rejected this idea instantly. She managed instead to wring out of Sir Timothy a limited annual allowance (which she had to repay when Percy Florence inherited the estate), but to the end of his days, he refused to meet her in person and dealt with her only through lawyers. Mary Shelley busied herself with editing her husband's poems, among other literary endeavours, but concern for her son restricted her options.", "Mary Shelley busied herself with editing her husband's poems, among other literary endeavours, but concern for her son restricted her options. Sir Timothy threatened to stop the allowance if any biography of the poet were published. In 1826, Percy Florence became the legal heir of the Shelley estate after the death of his half-brother Charles Shelley, his father's son by Harriet Shelley. Sir Timothy raised Mary's allowance from £100 a year to £250 but remained as difficult as ever.", "Sir Timothy raised Mary's allowance from £100 a year to £250 but remained as difficult as ever. Mary Shelley enjoyed the stimulating society of William Godwin's circle, but poverty prevented her from socialising as she wished. She also felt ostracised by those who, like Sir Timothy, still disapproved of her relationship with Percy Bysshe Shelley. In the summer of 1824, Mary Shelley moved to Kentish Town in north London to be near Jane Williams.", "In the summer of 1824, Mary Shelley moved to Kentish Town in north London to be near Jane Williams. She may have been, in the words of her biographer Muriel Spark, \"a little in love\" with Jane. Jane later disillusioned her by gossiping that Percy had preferred her to Mary, owing to Mary's inadequacy as a wife.", "Jane later disillusioned her by gossiping that Percy had preferred her to Mary, owing to Mary's inadequacy as a wife. At around this time, Mary Shelley was working on her novel, The Last Man (1826); and she assisted a series of friends who were writing memoirs of Byron and Percy Shelley—the beginnings of her attempts to immortalise her husband. She also met the American actor John Howard Payne and the American writer Washington Irving, who intrigued her.", "She also met the American actor John Howard Payne and the American writer Washington Irving, who intrigued her. Payne fell in love with her and in 1826 asked her to marry him. She refused, saying that after being married to one genius, she could only marry another. Payne accepted the rejection and tried without success to talk his friend Irving into proposing himself. Mary Shelley was aware of Payne's plan, but how seriously she took it is unclear.", "Mary Shelley was aware of Payne's plan, but how seriously she took it is unclear. In 1827, Mary Shelley was party to a scheme that enabled her friend Isabel Robinson and Isabel's lover, Mary Diana Dods, who wrote under the name David Lyndsay, to embark on a life together in France as husband and wife. With the help of Payne, whom she kept in the dark about the details, Mary Shelley obtained false passports for the couple.", "With the help of Payne, whom she kept in the dark about the details, Mary Shelley obtained false passports for the couple. In 1828, she fell ill with smallpox while visiting them in Paris. Weeks later she recovered, unscarred but without her youthful beauty. During the period 1827–40, Mary Shelley was busy as an editor and writer. She wrote the novels The Fortunes of Perkin Warbeck (1830), Lodore (1835), and Falkner (1837).", "She wrote the novels The Fortunes of Perkin Warbeck (1830), Lodore (1835), and Falkner (1837). She contributed five volumes of Lives of Italian, Spanish, Portuguese, and French authors to Lardner's Cabinet Cyclopaedia. She also wrote stories for ladies' magazines. She was still helping to support her father, and they looked out for publishers for each other.", "She was still helping to support her father, and they looked out for publishers for each other. In 1830, she sold the copyright for a new edition of Frankenstein for £60 to Henry Colburn and Richard Bentley for their new Standard Novels series. After her father's death in 1836 at the age of eighty, she began assembling his letters and a memoir for publication, as he had requested in his will; but after two years of work, she abandoned the project.", "After her father's death in 1836 at the age of eighty, she began assembling his letters and a memoir for publication, as he had requested in his will; but after two years of work, she abandoned the project. Throughout this period, she also championed Percy Shelley's poetry, promoting its publication and quoting it in her writing. By 1837, Percy's works were well-known and increasingly admired.", "By 1837, Percy's works were well-known and increasingly admired. In the summer of 1838 Edward Moxon, the publisher of Tennyson and the son-in-law of Charles Lamb, proposed publishing a collected works of Percy Shelley. Mary was paid £500 to edit the Poetical Works (1838), which Sir Timothy insisted should not include a biography. Mary found a way to tell the story of Percy's life, nonetheless: she included extensive biographical notes about the poems.", "Mary found a way to tell the story of Percy's life, nonetheless: she included extensive biographical notes about the poems. Shelley continued to practice her mother's feminist principles by extending aid to women whom society disapproved of. For instance, Shelley extended financial aid to Mary Diana Dods, a single mother and illegitimate herself who appears to have been a lesbian and gave her the new identity of Walter Sholto Douglas, husband of her lover Isabel Robinson.", "For instance, Shelley extended financial aid to Mary Diana Dods, a single mother and illegitimate herself who appears to have been a lesbian and gave her the new identity of Walter Sholto Douglas, husband of her lover Isabel Robinson. Shelley also assisted Georgiana Paul, a woman disallowed for by her husband for alleged adultery.", "Shelley also assisted Georgiana Paul, a woman disallowed for by her husband for alleged adultery. Shelley in her diary about her assistance to the latter: \"I do not make a boast-I do not say aloud-behold my generosity and greatness of mind-for in truth it is simple justice I perform-and so I am still reviled for being worldly\". Mary Shelley continued to treat potential romantic partners with caution.", "Mary Shelley continued to treat potential romantic partners with caution. In 1828, she met and flirted with the French writer Prosper Mérimée, but her one surviving letter to him appears to be a deflection of his declaration of love. She was delighted when her old friend from Italy, Edward Trelawny, returned to England, and they joked about marriage in their letters.", "She was delighted when her old friend from Italy, Edward Trelawny, returned to England, and they joked about marriage in their letters. Their friendship had altered, however, following her refusal to cooperate with his proposed biography of Percy Shelley; and he later reacted angrily to her omission of the atheistic section of Queen Mab from Percy Shelley's poems.", "Their friendship had altered, however, following her refusal to cooperate with his proposed biography of Percy Shelley; and he later reacted angrily to her omission of the atheistic section of Queen Mab from Percy Shelley's poems. Oblique references in her journals, from the early 1830s until the early 1840s, suggest that Mary Shelley had feelings for the radical politician Aubrey Beauclerk, who may have disappointed her by twice marrying others. Mary Shelley's first concern during these years was the welfare of Percy Florence.", "Mary Shelley's first concern during these years was the welfare of Percy Florence. She honoured her late husband's wish that his son attend public school and, with Sir Timothy's grudging help, had him educated at Harrow. To avoid boarding fees, she moved to Harrow on the Hill herself so that Percy could attend as a day scholar. Though Percy went on to Trinity College, Cambridge, and dabbled in politics and the law, he showed no sign of his parents' gifts.", "Though Percy went on to Trinity College, Cambridge, and dabbled in politics and the law, he showed no sign of his parents' gifts. He was devoted to his mother, and after he left university in 1841, he came to live with her. Final years and death In 1840 and 1842, mother and son travelled together on the continent, journeys that Mary Shelley recorded in Rambles in Germany and Italy in 1840, 1842 and 1843 (1844).", "Final years and death In 1840 and 1842, mother and son travelled together on the continent, journeys that Mary Shelley recorded in Rambles in Germany and Italy in 1840, 1842 and 1843 (1844). In 1844, Sir Timothy Shelley finally died at the age of ninety, \"falling from the stalk like an overblown flower\", as Mary put it. For the first time, she and her son were financially independent, though the estate proved less valuable than they had hoped.", "For the first time, she and her son were financially independent, though the estate proved less valuable than they had hoped. In the mid-1840s, Mary Shelley found herself the target of three separate blackmailers. In 1845, an Italian political exile called Gatteschi, whom she had met in Paris, threatened to publish letters she had sent him. A friend of her son's bribed a police chief into seizing Gatteschi's papers, including the letters, which were then destroyed.", "A friend of her son's bribed a police chief into seizing Gatteschi's papers, including the letters, which were then destroyed. Shortly afterwards, Mary Shelley bought some letters written by herself and Percy Bysshe Shelley from a man calling himself G. Byron and posing as the illegitimate son of the late Lord Byron. Also in 1845, Percy Bysshe Shelley's cousin Thomas Medwin approached her claiming to have written a damaging biography of Percy Shelley. He said he would suppress it in return for £250, but Mary Shelley refused.", "He said he would suppress it in return for £250, but Mary Shelley refused. In 1848, Percy Florence married Jane Gibson St John. The marriage proved a happy one, and Mary Shelley and Jane were fond of each other. Mary lived with her son and daughter-in-law at Field Place, Sussex, the Shelleys' ancestral home, and at Chester Square, London, and accompanied them on travels abroad. Mary Shelley's last years were blighted by illness.", "Mary Shelley's last years were blighted by illness. Mary Shelley's last years were blighted by illness. From 1839, she suffered from headaches and bouts of paralysis in parts of her body, which sometimes prevented her from reading and writing. On 1 February 1851, at Chester Square, she died at the age of fifty-three from what her physician suspected was a brain tumour.", "On 1 February 1851, at Chester Square, she died at the age of fifty-three from what her physician suspected was a brain tumour. According to Jane Shelley, Mary Shelley had asked to be buried with her mother and father; but Percy and Jane, judging the graveyard at St Pancras to be \"dreadful\", chose to bury her instead at St Peter's Church, Bournemouth, near their new home at Boscombe. On the first anniversary of Mary Shelley's death, the Shelleys opened her box-desk.", "On the first anniversary of Mary Shelley's death, the Shelleys opened her box-desk. Inside they found locks of her dead children's hair, a notebook she had shared with Percy Bysshe Shelley, and a copy of his poem Adonaïs with one page folded round a silk parcel containing some of his ashes and the remains of his heart. Literary themes and styles Mary Shelley lived a literary life. Her father encouraged her to learn to write by composing letters, and her favourite occupation as a child was writing stories.", "Her father encouraged her to learn to write by composing letters, and her favourite occupation as a child was writing stories. Unfortunately, all of Mary's juvenilia were lost when she ran off with Percy in 1814, and none of her surviving manuscripts can be definitively dated before that year.", "Unfortunately, all of Mary's juvenilia were lost when she ran off with Percy in 1814, and none of her surviving manuscripts can be definitively dated before that year. Her first published work is often thought to have been Mounseer Nongtongpaw, comic verses written for Godwin's Juvenile Library when she was ten and a half; however, the poem is attributed to another writer in the most recent authoritative collection of her works.", "Her first published work is often thought to have been Mounseer Nongtongpaw, comic verses written for Godwin's Juvenile Library when she was ten and a half; however, the poem is attributed to another writer in the most recent authoritative collection of her works. Percy Shelley enthusiastically encouraged Mary Shelley's writing: \"My husband was, from the first, very anxious that I should prove myself worthy of my parentage, and enrol myself on the page of fame. He was forever inciting me to obtain literary reputation.\"", "He was forever inciting me to obtain literary reputation.\" Novels Autobiographical elements Certain sections of Mary Shelley's novels are often interpreted as masked rewritings of her life. Critics have pointed to the recurrence of the father–daughter motif in particular as evidence of this autobiographical style. For example, commentators frequently read Mathilda (1820) autobiographically, identifying the three central characters as versions of Mary Shelley, William Godwin, and Percy Shelley. Mary Shelley herself confided that she modelled the central characters of The Last Man on her Italian circle.", "Mary Shelley herself confided that she modelled the central characters of The Last Man on her Italian circle. Lord Raymond, who leaves England to fight for the Greeks and dies in Constantinople, is based on Lord Byron; and the utopian Adrian, Earl of Windsor, who leads his followers in search of a natural paradise and dies when his boat sinks in a storm, is a fictional portrait of Percy Bysshe Shelley.", "Lord Raymond, who leaves England to fight for the Greeks and dies in Constantinople, is based on Lord Byron; and the utopian Adrian, Earl of Windsor, who leads his followers in search of a natural paradise and dies when his boat sinks in a storm, is a fictional portrait of Percy Bysshe Shelley. However, as she wrote in her review of Godwin's novel Cloudesley (1830), she did not believe that authors \"were merely copying from our own hearts\".", "However, as she wrote in her review of Godwin's novel Cloudesley (1830), she did not believe that authors \"were merely copying from our own hearts\". William Godwin regarded his daughter's characters as types rather than portraits from real life. Some modern critics, such as Patricia Clemit and Jane Blumberg, have taken the same view, resisting autobiographical readings of Mary Shelley's works.", "Some modern critics, such as Patricia Clemit and Jane Blumberg, have taken the same view, resisting autobiographical readings of Mary Shelley's works. Novelistic genres Mary Shelley employed the techniques of many different novelistic genres, most vividly the Godwinian novel, Walter Scott's new historical novel, and the Gothic novel.", "Novelistic genres Mary Shelley employed the techniques of many different novelistic genres, most vividly the Godwinian novel, Walter Scott's new historical novel, and the Gothic novel. The Godwinian novel, made popular during the 1790s with works such as Godwin's Caleb Williams (1794), \"employed a Rousseauvian confessional form to explore the contradictory relations between the self and society\", and Frankenstein exhibits many of the same themes and literary devices as Godwin's novel. However, Shelley critiques those Enlightenment ideals that Godwin promotes in his works.", "However, Shelley critiques those Enlightenment ideals that Godwin promotes in his works. In The Last Man, she uses the philosophical form of the Godwinian novel to demonstrate the ultimate meaninglessness of the world. While earlier Godwinian novels had shown how rational individuals could slowly improve society, The Last Man and Frankenstein demonstrate the individual's lack of control over history. Shelley uses the historical novel to comment on gender relations; for example, Valperga is a feminist version of Scott's masculinist genre.", "Shelley uses the historical novel to comment on gender relations; for example, Valperga is a feminist version of Scott's masculinist genre. Introducing women into the story who are not part of the historical record, Shelley uses their narratives to question established theological and political institutions. Shelley sets the male protagonist's compulsive greed for conquest in opposition to a female alternative: reason and sensibility. In Perkin Warbeck, Shelley's other historical novel, Lady Gordon stands for the values of friendship, domesticity, and equality.", "In Perkin Warbeck, Shelley's other historical novel, Lady Gordon stands for the values of friendship, domesticity, and equality. Through her, Shelley offers a feminine alternative to the masculine power politics that destroy the male characters. The novel provides a more inclusive historical narrative to challenge the one which usually relates only masculine events. Gender With the rise of feminist literary criticism in the 1970s, Mary Shelley's works, particularly Frankenstein, began to attract much more attention from scholars.", "Gender With the rise of feminist literary criticism in the 1970s, Mary Shelley's works, particularly Frankenstein, began to attract much more attention from scholars. Feminist and psychoanalytic critics were largely responsible for the recovery from neglect of Shelley as a writer. Ellen Moers was one of the first to claim that Shelley's loss of a baby was a crucial influence on the writing of Frankenstein.", "Ellen Moers was one of the first to claim that Shelley's loss of a baby was a crucial influence on the writing of Frankenstein. She argues that the novel is a \"birth myth\" in which Shelley comes to terms with her guilt for causing her mother's death as well as for failing as a parent.", "She argues that the novel is a \"birth myth\" in which Shelley comes to terms with her guilt for causing her mother's death as well as for failing as a parent. Shelley scholar Anne K. Mellor suggests that, from a feminist viewpoint, it is a story \"about what happens when a man tries to have a baby without a woman ... [Frankenstein] is profoundly concerned with natural as opposed to unnatural modes of production and reproduction\".", "Shelley scholar Anne K. Mellor suggests that, from a feminist viewpoint, it is a story \"about what happens when a man tries to have a baby without a woman ... [Frankenstein] is profoundly concerned with natural as opposed to unnatural modes of production and reproduction\". Victor Frankenstein's failure as a \"parent\" in the novel has been read as an expression of the anxieties which accompany pregnancy, giving birth, and particularly maternity.", "Victor Frankenstein's failure as a \"parent\" in the novel has been read as an expression of the anxieties which accompany pregnancy, giving birth, and particularly maternity. Sandra Gilbert and Susan Gubar argue in their seminal book The Madwoman in the Attic (1979) that in Frankenstein in particular, Shelley responded to the masculine literary tradition represented by John Milton's Paradise Lost.", "Sandra Gilbert and Susan Gubar argue in their seminal book The Madwoman in the Attic (1979) that in Frankenstein in particular, Shelley responded to the masculine literary tradition represented by John Milton's Paradise Lost. In their interpretation, Shelley reaffirms this masculine tradition, including the misogyny inherent in it, but at the same time \"conceal[s] fantasies of equality that occasionally erupt in monstrous images of rage\".", "In their interpretation, Shelley reaffirms this masculine tradition, including the misogyny inherent in it, but at the same time \"conceal[s] fantasies of equality that occasionally erupt in monstrous images of rage\". Mary Poovey reads the first edition of Frankenstein as part of a larger pattern in Shelley's writing, which begins with literary self-assertion and ends with conventional femininity. Poovey suggests that Frankenstein's multiple narratives enable Shelley to split her artistic persona: she can \"express and efface herself at the same time\".", "Poovey suggests that Frankenstein's multiple narratives enable Shelley to split her artistic persona: she can \"express and efface herself at the same time\". Shelley's fear of self-assertion is reflected in the fate of Frankenstein, who is punished for his egotism by losing all his domestic ties. Feminist critics often focus on how authorship itself, particularly female authorship, is represented in and through Shelley's novels.", "Feminist critics often focus on how authorship itself, particularly female authorship, is represented in and through Shelley's novels. As Mellor explains, Shelley uses the Gothic style not only to explore repressed female sexual desire but also as way to \"censor her own speech in Frankenstein\". According to Poovey and Mellor, Shelley did not want to promote her own authorial persona and felt deeply inadequate as a writer, and \"this shame contributed to the generation of her fictional images of abnormality, perversion, and destruction\".", "According to Poovey and Mellor, Shelley did not want to promote her own authorial persona and felt deeply inadequate as a writer, and \"this shame contributed to the generation of her fictional images of abnormality, perversion, and destruction\". Shelley's writings focus on the role of the family in society and women's role within that family. She celebrates the \"feminine affections and compassion\" associated with the family and suggests that civil society will fail without them.", "She celebrates the \"feminine affections and compassion\" associated with the family and suggests that civil society will fail without them. Shelley was \"profoundly committed to an ethic of cooperation, mutual dependence, and self-sacrifice\". In Lodore, for example, the central story follows the fortunes of the wife and daughter of the title character, Lord Lodore, who is killed in a duel at the end of the first volume, leaving a trail of legal, financial, and familial obstacles for the two \"heroines\" to negotiate.", "In Lodore, for example, the central story follows the fortunes of the wife and daughter of the title character, Lord Lodore, who is killed in a duel at the end of the first volume, leaving a trail of legal, financial, and familial obstacles for the two \"heroines\" to negotiate. The novel is engaged with political and ideological issues, particularly the education and social role of women. It dissects a patriarchal culture that separated the sexes and pressured women into dependence on men.", "It dissects a patriarchal culture that separated the sexes and pressured women into dependence on men. In the view of Shelley scholar Betty T. Bennett, \"the novel proposes egalitarian educational paradigms for women and men, which would bring social justice as well as the spiritual and intellectual means by which to meet the challenges life invariably brings\". However, Falkner is the only one of Mary Shelley's novels in which the heroine's agenda triumphs.", "However, Falkner is the only one of Mary Shelley's novels in which the heroine's agenda triumphs. The novel's resolution proposes that when female values triumph over violent and destructive masculinity, men will be freed to express the \"compassion, sympathy, and generosity\" of their better natures. Enlightenment and Romanticism Frankenstein, like much Gothic fiction of the period, mixes a visceral and alienating subject matter with speculative and thought-provoking themes.", "Enlightenment and Romanticism Frankenstein, like much Gothic fiction of the period, mixes a visceral and alienating subject matter with speculative and thought-provoking themes. Rather than focusing on the twists and turns of the plot, however, the novel foregrounds the mental and moral struggles of the protagonist, Victor Frankenstein, and Shelley imbues the text with her own brand of politicised Romanticism, one that criticised the individualism and egotism of traditional Romanticism.", "Rather than focusing on the twists and turns of the plot, however, the novel foregrounds the mental and moral struggles of the protagonist, Victor Frankenstein, and Shelley imbues the text with her own brand of politicised Romanticism, one that criticised the individualism and egotism of traditional Romanticism. Victor Frankenstein is like Satan in Paradise Lost, and Prometheus: he rebels against tradition; he creates life; and he shapes his own destiny.", "Victor Frankenstein is like Satan in Paradise Lost, and Prometheus: he rebels against tradition; he creates life; and he shapes his own destiny. These traits are not portrayed positively; as Blumberg writes, \"his relentless ambition is a self-delusion, clothed as quest for truth\". He must abandon his family to fulfill his ambition. Mary Shelley believed in the Enlightenment idea that people could improve society through the responsible exercise of political power, but she feared that the irresponsible exercise of power would lead to chaos.", "Mary Shelley believed in the Enlightenment idea that people could improve society through the responsible exercise of political power, but she feared that the irresponsible exercise of power would lead to chaos. In practice, her works largely criticise the way 18th-century thinkers such as her parents believed such change could be brought about. The creature in Frankenstein, for example, reads books associated with radical ideals but the education he gains from them is ultimately useless.", "The creature in Frankenstein, for example, reads books associated with radical ideals but the education he gains from them is ultimately useless. Shelley's works reveal her as less optimistic than Godwin and Wollstonecraft; she lacks faith in Godwin's theory that humanity could eventually be perfected.", "Shelley's works reveal her as less optimistic than Godwin and Wollstonecraft; she lacks faith in Godwin's theory that humanity could eventually be perfected. As literary scholar Kari Lokke writes, The Last Man, more so than Frankenstein, \"in its refusal to place humanity at the centre of the universe, its questioning of our privileged position in relation to nature ... constitutes a profound and prophetic challenge to Western humanism.\"", "As literary scholar Kari Lokke writes, The Last Man, more so than Frankenstein, \"in its refusal to place humanity at the centre of the universe, its questioning of our privileged position in relation to nature ... constitutes a profound and prophetic challenge to Western humanism.\" Specifically, Mary Shelley's allusions to what radicals believed was a failed revolution in France and the Godwinian, Wollstonecraftian, and Burkean responses to it, challenge \"Enlightenment faith in the inevitability of progress through collective efforts\".", "Specifically, Mary Shelley's allusions to what radicals believed was a failed revolution in France and the Godwinian, Wollstonecraftian, and Burkean responses to it, challenge \"Enlightenment faith in the inevitability of progress through collective efforts\". As in Frankenstein, Shelley \"offers a profoundly disenchanted commentary on the age of revolution, which ends in a total rejection of the progressive ideals of her own generation\".", "As in Frankenstein, Shelley \"offers a profoundly disenchanted commentary on the age of revolution, which ends in a total rejection of the progressive ideals of her own generation\". Not only does she reject these Enlightenment political ideals, but she also rejects the Romantic notion that the poetic or literary imagination can offer an alternative. Politics There is a new scholarly emphasis on Shelley as a lifelong reformer, deeply engaged in the liberal and feminist concerns of her day.", "Politics There is a new scholarly emphasis on Shelley as a lifelong reformer, deeply engaged in the liberal and feminist concerns of her day. In 1820, she was thrilled by the Liberal uprising in Spain which forced the king to grant a constitution. In 1823, she wrote articles for Leigh Hunt's periodical The Liberal and played an active role in the formulation of its outlook. She was delighted when the Whigs came back to power in 1830 and at the prospect of the 1832 Reform Act.", "She was delighted when the Whigs came back to power in 1830 and at the prospect of the 1832 Reform Act. Critics have until recently cited Lodore and Falkner as evidence of increasing conservatism in Mary Shelley's later works. In 1984, Mary Poovey influentially identified the retreat of Mary Shelley's reformist politics into the \"separate sphere\" of the domestic. Poovey suggested that Mary Shelley wrote Falkner to resolve her conflicted response to her father's combination of libertarian radicalism and stern insistence on social decorum.", "Poovey suggested that Mary Shelley wrote Falkner to resolve her conflicted response to her father's combination of libertarian radicalism and stern insistence on social decorum. Mellor largely agreed, arguing that \"Mary Shelley grounded her alternative political ideology on the metaphor of the peaceful, loving, bourgeois family. She thereby implicitly endorsed a conservative vision of gradual evolutionary reform.\" This vision allowed women to participate in the public sphere but it inherited the inequalities inherent in the bourgeois family.", "This vision allowed women to participate in the public sphere but it inherited the inequalities inherent in the bourgeois family. However, in the last decade or so this view has been challenged. For example, Bennett claims that Mary Shelley's works reveal a consistent commitment to Romantic idealism and political reform and Jane Blumberg's study of Shelley's early novels argues that her career cannot be easily divided into radical and conservative halves.", "For example, Bennett claims that Mary Shelley's works reveal a consistent commitment to Romantic idealism and political reform and Jane Blumberg's study of Shelley's early novels argues that her career cannot be easily divided into radical and conservative halves. She contends that \"Shelley was never a passionate radical like her husband and her later lifestyle was not abruptly assumed nor was it a betrayal. She was in fact challenging the political and literary influences of her circle in her first work.\"", "She was in fact challenging the political and literary influences of her circle in her first work.\" In this reading, Shelley's early works are interpreted as a challenge to Godwin and Percy Bysshe Shelley's radicalism. Victor Frankenstein's \"thoughtless rejection of family\", for example, is seen as evidence of Shelley's constant concern for the domestic.", "Victor Frankenstein's \"thoughtless rejection of family\", for example, is seen as evidence of Shelley's constant concern for the domestic. Short stories In the 1820s and 1830s, Mary Shelley frequently wrote short stories for gift books or annuals, including sixteen for The Keepsake, which was aimed at middle-class women and bound in silk, with gilt-edged pages. Mary Shelley's work in this genre has been described as that of a \"hack writer\" and \"wordy and pedestrian\".", "Mary Shelley's work in this genre has been described as that of a \"hack writer\" and \"wordy and pedestrian\". However, critic Charlotte Sussman points out that other leading writers of the day, such as the Romantic poets William Wordsworth and Samuel Taylor Coleridge, also took advantage of this profitable market. She explains that \"the annuals were a major mode of literary production in the 1820s and 1830s\", with The Keepsake the most successful.", "She explains that \"the annuals were a major mode of literary production in the 1820s and 1830s\", with The Keepsake the most successful. Many of Shelley's stories are set in places or times far removed from early 19th-century Britain, such as Greece and the reign of Henry IV of France.", "Many of Shelley's stories are set in places or times far removed from early 19th-century Britain, such as Greece and the reign of Henry IV of France. Shelley was particularly interested in \"the fragility of individual identity\" and often depicted \"the way a person's role in the world can be cataclysmically altered either by an internal emotional upheaval, or by some supernatural occurrence that mirrors an internal schism\".", "Shelley was particularly interested in \"the fragility of individual identity\" and often depicted \"the way a person's role in the world can be cataclysmically altered either by an internal emotional upheaval, or by some supernatural occurrence that mirrors an internal schism\". In her stories, female identity is tied to a woman's short-lived value in the marriage market while male identity can be sustained and transformed through the use of money.", "In her stories, female identity is tied to a woman's short-lived value in the marriage market while male identity can be sustained and transformed through the use of money. Although Mary Shelley wrote twenty-one short stories for the annuals between 1823 and 1839, she always saw herself, above all, as a novelist. She wrote to Leigh Hunt, \"I write bad articles which help to make me miserable—but I am going to plunge into a novel and hope that its clear water will wash off the mud of the magazines.\"", "She wrote to Leigh Hunt, \"I write bad articles which help to make me miserable—but I am going to plunge into a novel and hope that its clear water will wash off the mud of the magazines.\" Travelogues When they ran off to France in the summer of 1814, Mary Godwin and Percy Shelley began a joint journal, which they published in 1817 under the title History of a Six Weeks' Tour, adding four letters, two by each of them, based on their visit to Geneva in 1816, along with Percy Shelley's poem \"Mont Blanc\".", "Travelogues When they ran off to France in the summer of 1814, Mary Godwin and Percy Shelley began a joint journal, which they published in 1817 under the title History of a Six Weeks' Tour, adding four letters, two by each of them, based on their visit to Geneva in 1816, along with Percy Shelley's poem \"Mont Blanc\". The work celebrates youthful love and political idealism and consciously follows the example of Mary Wollstonecraft and others who had combined travelling with writing.", "The work celebrates youthful love and political idealism and consciously follows the example of Mary Wollstonecraft and others who had combined travelling with writing. The perspective of the History is philosophical and reformist rather than that of a conventional travelogue; in particular, it addresses the effects of politics and war on France. The letters the couple wrote on the second journey confront the \"great and extraordinary events\" of the final defeat of Napoleon at Waterloo after his \"Hundred Days\" return in 1815.", "The letters the couple wrote on the second journey confront the \"great and extraordinary events\" of the final defeat of Napoleon at Waterloo after his \"Hundred Days\" return in 1815. They also explore the sublimity of Lake Geneva and Mont Blanc as well as the revolutionary legacy of the philosopher and novelist Jean-Jacques Rousseau.", "They also explore the sublimity of Lake Geneva and Mont Blanc as well as the revolutionary legacy of the philosopher and novelist Jean-Jacques Rousseau. Mary Shelley's last full-length book, written in the form of letters and published in 1844, was Rambles in Germany and Italy in 1840, 1842 and 1843, which recorded her travels with her son Percy Florence and his university friends.", "Mary Shelley's last full-length book, written in the form of letters and published in 1844, was Rambles in Germany and Italy in 1840, 1842 and 1843, which recorded her travels with her son Percy Florence and his university friends. In Rambles, Shelley follows the tradition of Mary Wollstonecraft's Letters Written in Sweden, Norway, and Denmark and her own A History of a Six Weeks' Tour in mapping her personal and political landscape through the discourse of sensibility and sympathy.", "In Rambles, Shelley follows the tradition of Mary Wollstonecraft's Letters Written in Sweden, Norway, and Denmark and her own A History of a Six Weeks' Tour in mapping her personal and political landscape through the discourse of sensibility and sympathy. For Shelley, building sympathetic connections between people is the way to build civil society and to increase knowledge: \"knowledge, to enlighten and free the mind from clinging deadening prejudices—a wider circle of sympathy with our fellow-creatures;—these are the uses of travel\".", "For Shelley, building sympathetic connections between people is the way to build civil society and to increase knowledge: \"knowledge, to enlighten and free the mind from clinging deadening prejudices—a wider circle of sympathy with our fellow-creatures;—these are the uses of travel\". Between observations on scenery, culture, and \"the people, especially in a political point of view\", she uses the travelogue form to explore her roles as a widow and mother and to reflect on revolutionary nationalism in Italy.", "Between observations on scenery, culture, and \"the people, especially in a political point of view\", she uses the travelogue form to explore her roles as a widow and mother and to reflect on revolutionary nationalism in Italy. She also records her \"pilgrimage\" to scenes associated with Percy Shelley. According to critic Clarissa Orr, Mary Shelley's adoption of a persona of philosophical motherhood gives Rambles the unity of a prose poem, with \"death and memory as central themes\".", "According to critic Clarissa Orr, Mary Shelley's adoption of a persona of philosophical motherhood gives Rambles the unity of a prose poem, with \"death and memory as central themes\". At the same time, Shelley makes an egalitarian case against monarchy, class distinctions, slavery, and war. Biographies Between 1832 and 1839, Mary Shelley wrote many biographies of notable Italian, Spanish, Portuguese, and French men and a few women for Dionysius Lardner's Lives of the Most Eminent Literary and Scientific Men.", "Biographies Between 1832 and 1839, Mary Shelley wrote many biographies of notable Italian, Spanish, Portuguese, and French men and a few women for Dionysius Lardner's Lives of the Most Eminent Literary and Scientific Men. These formed part of Lardner's Cabinet Cyclopaedia, one of the best of many such series produced in the 1820s and 1830s in response to growing middle-class demand for self-education. Until the republication of these essays in 2002, their significance within her body of work was not appreciated.", "Until the republication of these essays in 2002, their significance within her body of work was not appreciated. In the view of literary scholar Greg Kucich, they reveal Mary Shelley's \"prodigious research across several centuries and in multiple languages\", her gift for biographical narrative, and her interest in the \"emerging forms of feminist historiography\". Shelley wrote in a biographical style popularised by the 18th-century critic Samuel Johnson in his Lives of the Poets (1779–81), combining secondary sources, memoir and anecdote, and authorial evaluation.", "Shelley wrote in a biographical style popularised by the 18th-century critic Samuel Johnson in his Lives of the Poets (1779–81), combining secondary sources, memoir and anecdote, and authorial evaluation. She records details of each writer's life and character, quotes their writing in the original as well as in translation, and ends with a critical assessment of their achievement.", "She records details of each writer's life and character, quotes their writing in the original as well as in translation, and ends with a critical assessment of their achievement. For Shelley, biographical writing was supposed to, in her words, \"form as it were a school in which to study the philosophy of history\", and to teach \"lessons\". Most frequently and importantly, these lessons consisted of criticisms of male-dominated institutions such as primogeniture.", "Most frequently and importantly, these lessons consisted of criticisms of male-dominated institutions such as primogeniture. Shelley emphasises domesticity, romance, family, sympathy, and compassion in the lives of her subjects. Her conviction that such forces could improve society connects her biographical approach with that of other early feminist historians such as Mary Hays and Anna Jameson.", "Her conviction that such forces could improve society connects her biographical approach with that of other early feminist historians such as Mary Hays and Anna Jameson. Unlike her novels, most of which had an original print run of several hundred copies, the Lives had a print run of about 4,000 for each volume: thus, according to Kucich, Mary Shelley's \"use of biography to forward the social agenda of women's historiography became one of her most influential political interventions\".", "Unlike her novels, most of which had an original print run of several hundred copies, the Lives had a print run of about 4,000 for each volume: thus, according to Kucich, Mary Shelley's \"use of biography to forward the social agenda of women's historiography became one of her most influential political interventions\". Editorial work Soon after Percy Shelley's death, Mary Shelley determined to write his biography.", "Editorial work Soon after Percy Shelley's death, Mary Shelley determined to write his biography. In a letter of 17 November 1822, she announced: \"I shall write his life—& thus occupy myself in the only manner from which I can derive consolation.\" However, her father-in-law, Sir Timothy Shelley, effectively banned her from doing so. Mary began her fostering of Percy's poetic reputation in 1824 with the publication of his Posthumous Poems.", "Mary began her fostering of Percy's poetic reputation in 1824 with the publication of his Posthumous Poems. In 1839, while she was working on the Lives, she prepared a new edition of his poetry, which became, in the words of literary scholar Susan J. Wolfson, \"the canonizing event\" in the history of her husband's reputation.", "In 1839, while she was working on the Lives, she prepared a new edition of his poetry, which became, in the words of literary scholar Susan J. Wolfson, \"the canonizing event\" in the history of her husband's reputation. The following year, Mary Shelley edited a volume of her husband's essays, letters, translations, and fragments, and throughout the 1830s, she introduced his poetry to a wider audience by publishing assorted works in the annual The Keepsake.", "The following year, Mary Shelley edited a volume of her husband's essays, letters, translations, and fragments, and throughout the 1830s, she introduced his poetry to a wider audience by publishing assorted works in the annual The Keepsake. Evading Sir Timothy's ban on a biography, Mary Shelley often included in these editions her own annotations and reflections on her husband's life and work.", "Evading Sir Timothy's ban on a biography, Mary Shelley often included in these editions her own annotations and reflections on her husband's life and work. \"I am to justify his ways,\" she had declared in 1824; \"I am to make him beloved to all posterity.\" It was this goal, argues Blumberg, that led her to present Percy's work to the public in the \"most popular form possible\".", "It was this goal, argues Blumberg, that led her to present Percy's work to the public in the \"most popular form possible\". To tailor his works for a Victorian audience, she cast Percy Shelley as a lyrical rather than a political poet. As Mary Favret writes, \"the disembodied Percy identifies the spirit of poetry itself\". Mary glossed Percy's political radicalism as a form of sentimentalism, arguing that his republicanism arose from sympathy for those who were suffering.", "Mary glossed Percy's political radicalism as a form of sentimentalism, arguing that his republicanism arose from sympathy for those who were suffering. She inserted romantic anecdotes of his benevolence, domesticity, and love of the natural world. Portraying herself as Percy's \"practical muse\", she also noted how she had suggested revisions as he wrote. Despite the emotions stirred by this task, Mary Shelley arguably proved herself in many respects a professional and scholarly editor.", "Despite the emotions stirred by this task, Mary Shelley arguably proved herself in many respects a professional and scholarly editor. Working from Percy's messy, sometimes indecipherable, notebooks, she attempted to form a chronology for his writings, and she included poems, such as Epipsychidion, addressed to Emilia Viviani, which she would rather have left out.", "Working from Percy's messy, sometimes indecipherable, notebooks, she attempted to form a chronology for his writings, and she included poems, such as Epipsychidion, addressed to Emilia Viviani, which she would rather have left out. She was forced, however, into several compromises, and, as Blumberg notes, \"modern critics have found fault with the edition and claim variously that she miscopied, misinterpreted, purposely obscured, and attempted to turn the poet into something he was not\".", "She was forced, however, into several compromises, and, as Blumberg notes, \"modern critics have found fault with the edition and claim variously that she miscopied, misinterpreted, purposely obscured, and attempted to turn the poet into something he was not\". According to Wolfson, Donald Reiman, a modern editor of Percy Bysshe Shelley's works, still refers to Mary Shelley's editions, while acknowledging that her editing style belongs \"to an age of editing when the aim was not to establish accurate texts and scholarly apparatus but to present a full record of a writer's career for the general reader\".", "According to Wolfson, Donald Reiman, a modern editor of Percy Bysshe Shelley's works, still refers to Mary Shelley's editions, while acknowledging that her editing style belongs \"to an age of editing when the aim was not to establish accurate texts and scholarly apparatus but to present a full record of a writer's career for the general reader\". In principle, Mary Shelley believed in publishing every last word of her husband's work; but she found herself obliged to omit certain passages, either by pressure from her publisher, Edward Moxon, or in deference to public propriety.", "In principle, Mary Shelley believed in publishing every last word of her husband's work; but she found herself obliged to omit certain passages, either by pressure from her publisher, Edward Moxon, or in deference to public propriety. For example, she removed the atheistic passages from Queen Mab for the first edition. After she restored them in the second edition, Moxon was prosecuted and convicted of blasphemous libel, though the prosecution was brought out of principle by the Chartist publisher Henry Hetherington, and no punishment was sought.", "After she restored them in the second edition, Moxon was prosecuted and convicted of blasphemous libel, though the prosecution was brought out of principle by the Chartist publisher Henry Hetherington, and no punishment was sought. Mary Shelley's omissions provoked criticism, often stinging, from members of Percy Shelley's former circle, and reviewers accused her of, among other things, indiscriminate inclusions. Her notes have nevertheless remained an essential source for the study of Percy Shelley's work.", "Her notes have nevertheless remained an essential source for the study of Percy Shelley's work. As Bennett explains, \"biographers and critics agree that Mary Shelley's commitment to bring Shelley the notice she believed his works merited was the single, major force that established Shelley's reputation during a period when he almost certainly would have faded from public view\". Reputation In her own lifetime, Mary Shelley was taken seriously as a writer, though reviewers often missed her writings' political edge.", "Reputation In her own lifetime, Mary Shelley was taken seriously as a writer, though reviewers often missed her writings' political edge. After her death, however, she was chiefly remembered as the wife of Percy Bysshe Shelley and as the author of Frankenstein. In fact, in the introduction to her letters published in 1945, editor Frederick Jones wrote, \"a collection of the present size could not be justified by the general quality of the letters or by Mary Shelley's importance as a writer.", "In fact, in the introduction to her letters published in 1945, editor Frederick Jones wrote, \"a collection of the present size could not be justified by the general quality of the letters or by Mary Shelley's importance as a writer. It is as the wife of [Percy Bysshe Shelley] that she excites our interest.\" This attitude had not disappeared by 1980 when Betty T. Bennett published the first volume of Mary Shelley's complete letters.", "This attitude had not disappeared by 1980 when Betty T. Bennett published the first volume of Mary Shelley's complete letters. As she explains, \"the fact is that until recent years scholars have generally regarded Mary Wollstonecraft Shelley as a result: William Godwin's and Mary Wollstonecraft's daughter who became Shelley's Pygmalion.\" It was not until Emily Sunstein's Mary Shelley: Romance and Reality in 1989 that a full-length scholarly biography was published.", "It was not until Emily Sunstein's Mary Shelley: Romance and Reality in 1989 that a full-length scholarly biography was published. The attempts of Mary Shelley's son and daughter-in-law to \"Victorianise\" her memory by censoring biographical documents contributed to a perception of Mary Shelley as a more conventional, less reformist figure than her works suggest. Her own timid omissions from Percy Shelley's works and her quiet avoidance of public controversy in her later years added to this impression.", "Her own timid omissions from Percy Shelley's works and her quiet avoidance of public controversy in her later years added to this impression. Commentary by Hogg, Trelawny, and other admirers of Percy Shelley also tended to downplay Mary Shelley's radicalism. Trelawny's Records of Shelley, Byron, and the Author (1878) praised Percy Shelley at the expense of Mary, questioning her intelligence and even her authorship of Frankenstein.", "Trelawny's Records of Shelley, Byron, and the Author (1878) praised Percy Shelley at the expense of Mary, questioning her intelligence and even her authorship of Frankenstein. Lady Shelley, Percy Florence's wife, responded in part by presenting a severely edited collection of letters she had inherited, published privately as Shelley and Mary in 1882.", "Lady Shelley, Percy Florence's wife, responded in part by presenting a severely edited collection of letters she had inherited, published privately as Shelley and Mary in 1882. From Frankenstein'''s first theatrical adaptation in 1823 to the cinematic adaptations of the 20th century, including the first cinematic version in 1910 and now-famous versions such as James Whale's 1931 Frankenstein, Mel Brooks' satirical 1974 Young Frankenstein, and Kenneth Branagh's 1994 Mary Shelley's Frankenstein, many audiences first encounter the work of Mary Shelley through adaptation.", "From Frankenstein'''s first theatrical adaptation in 1823 to the cinematic adaptations of the 20th century, including the first cinematic version in 1910 and now-famous versions such as James Whale's 1931 Frankenstein, Mel Brooks' satirical 1974 Young Frankenstein, and Kenneth Branagh's 1994 Mary Shelley's Frankenstein, many audiences first encounter the work of Mary Shelley through adaptation. Over the course of the 19th century, Mary Shelley came to be seen as a one-novel author at best, rather than as the professional writer she was; most of her works have remained out of print until the last thirty years, obstructing a larger view of her achievement.", "Over the course of the 19th century, Mary Shelley came to be seen as a one-novel author at best, rather than as the professional writer she was; most of her works have remained out of print until the last thirty years, obstructing a larger view of her achievement. In recent decades, the republication of almost all her writing has stimulated a new recognition of its value. Her habit of intensive reading and study, revealed in her journals and letters and reflected in her works, is now better appreciated.", "Her habit of intensive reading and study, revealed in her journals and letters and reflected in her works, is now better appreciated. Shelley's conception of herself as an author has also been recognised; after Percy's death, she wrote of her authorial ambitions: \"I think that I can maintain myself, and there is something inspiriting in the idea.\" Scholars now consider Mary Shelley to be a major Romantic figure, significant for her literary achievement and her political voice as a woman and a liberal.", "Scholars now consider Mary Shelley to be a major Romantic figure, significant for her literary achievement and her political voice as a woman and a liberal. Selected works History of a Six Weeks' Tour (1817) Frankenstein; or, The Modern Prometheus (1818) Mathilda (1819) Valperga; or, The Life and Adventures of Castruccio, Prince of Lucca (1823) Posthumous Poems of Percy Bysshe Shelley (1824) The Last Man (1826) The Fortunes of Perkin Warbeck (1830) Lodore (1835) Falkner (1837) The Poetical Works of Percy Bysshe Shelley (1839) Contributions to Lives of the Most Eminent Literary and Scientific Men (1835–39), part of Lardner's Cabinet Cyclopaedia Rambles in Germany and Italy in 1840, 1842, and 1843 (1844) Collections of Mary Shelley's papers are housed in Lord Abinger's Shelley Collection on deposit at the Bodleian Library, the New York Public Library (particularly The Carl H. Pforzheimer Collection of Shelley and His Circle), the Huntington Library, the British Library, and in the John Murray Collection.", "Selected works History of a Six Weeks' Tour (1817) Frankenstein; or, The Modern Prometheus (1818) Mathilda (1819) Valperga; or, The Life and Adventures of Castruccio, Prince of Lucca (1823) Posthumous Poems of Percy Bysshe Shelley (1824) The Last Man (1826) The Fortunes of Perkin Warbeck (1830) Lodore (1835) Falkner (1837) The Poetical Works of Percy Bysshe Shelley (1839) Contributions to Lives of the Most Eminent Literary and Scientific Men (1835–39), part of Lardner's Cabinet Cyclopaedia Rambles in Germany and Italy in 1840, 1842, and 1843 (1844) Collections of Mary Shelley's papers are housed in Lord Abinger's Shelley Collection on deposit at the Bodleian Library, the New York Public Library (particularly The Carl H. Pforzheimer Collection of Shelley and His Circle), the Huntington Library, the British Library, and in the John Murray Collection. See also Mary Shelley (2017 film) Godwin–Shelley family tree Map of 1814 and 1816 European journeys Map of 1840s European journeys Notes References All essays from The Cambridge Companion to Mary Shelley are marked with a \"(CC)\" and those from The Other Mary Shelley with an \"(OMS)\".", "See also Mary Shelley (2017 film) Godwin–Shelley family tree Map of 1814 and 1816 European journeys Map of 1840s European journeys Notes References All essays from The Cambridge Companion to Mary Shelley are marked with a \"(CC)\" and those from The Other Mary Shelley with an \"(OMS)\". Bibliography Primary sources Shelley, Mary. Collected Tales and Stories. Ed. Charles E. Robinson. Baltimore: Johns Hopkins University Press, 1976. . Shelley, Mary. Frankenstein; or, The Modern Prometheus. Ed.", "Shelley, Mary. Frankenstein; or, The Modern Prometheus. Ed. Ed. Susan J. Wolfson. New York: Pearson Longman, 2007. . Shelley, Mary. The Journals of Mary Shelley, 1814–44. Ed. Paula R. Feldman and Diana Scott-Kilvert. Baltimore: Johns Hopkins University Press, 1995. . Shelley, Mary. The Last Man. Ed. Morton D. Paley. Oxford: Oxford Paperbacks, 1998. . Shelley, Mary. Lodore. Ed. Lisa Vargo. Ontario: Broadview Press, 1997. .", "Ed. Lisa Vargo. Ontario: Broadview Press, 1997. . Ontario: Broadview Press, 1997. . Shelley, Mary. Mary Shelley's Literary Lives and Other Writings. 4 vols. Ed. Tilar J. Mazzeo. London: Pickering & Chatto, 2002. . Shelley, Mary. Mathilda . Ed. Elizabeth Nitchie. Chapel Hill: University of North Carolina Press, 1959. Project Gutenberg. Retrieved 16 February 2008. Shelley, Mary. Matilda; with Mary and Maria, by Mary Wollstonecraft. Ed. Janet Todd.", "Matilda; with Mary and Maria, by Mary Wollstonecraft. Ed. Janet Todd. Janet Todd. London: Penguin, 1992. . Shelley, Mary, ed. The Poetical Works of Percy Bysshe Shelley . London: Edward Moxon, 1840. Google Books. Retrieved 6 April 2008. Shelley, Mary. Selected Letters of Mary Wollstonecraft Shelley. Ed. Betty T. Bennett. Baltimore: Johns Hopkins University Press, 1995. . Shelley, Mary. Valperga; or, The Life and Adventures of Castruccio, Prince of Lucca.", "Valperga; or, The Life and Adventures of Castruccio, Prince of Lucca. Ed. Michael Rossington. Oxford: Oxford Paperbacks, 2000. . Shelley, Percy Bysshe. Shelley's Poetry and Prose. Eds. Donald H. Reiman and Neil Fraistat. 2nd ed. New York: W. W. Norton and Co., 2002. . Secondary sources Bennett, Betty T. \"Finding Mary Shelley in her Letters\". Romantic Revisions. Ed. Robert Brinkley and Keith Hanley. Cambridge: Cambridge University Press, 1992. .", "Cambridge: Cambridge University Press, 1992. . Cambridge: Cambridge University Press, 1992. . Bennett, Betty T., ed. Mary Shelley in her Times. Baltimore: Johns Hopkins University Press, 2003. . Bennett, Betty T. Mary Wollstonecraft Shelley: An Introduction. Baltimore: Johns Hopkins University Press, 1998. . Bennett, Betty T. \"The Political Philosophy of Mary Shelley's Historical Novels: Valperga and Perkin Warbeck\". The Evidence of the Imagination. Ed. Donald H. Reiman, Michael C. Jaye, and Betty T. Bennett.", "Donald H. Reiman, Michael C. Jaye, and Betty T. Bennett. New York: New York University Press, 1978. . Bieri, James. Percy Bysshe Shelley, a Biography: Exile of Unfulfilled Renown, 1816–1822. Newark: University of Delaware Press, 2005. . Blumberg, Jane. Mary Shelley's Early Novels: \"This Child of Imagination and Misery\". Iowa City: University of Iowa Press, 1993. . Bunnell, Charlene E. \"All the World's a Stage\": Dramatic Sensibility in Mary Shelley's Novels.", "Bunnell, Charlene E. \"All the World's a Stage\": Dramatic Sensibility in Mary Shelley's Novels. New York: Routledge, 2002. . Carlson, J. A. England's First Family of Writers: Mary Wollstonecraft, William Godwin, Mary Shelley. Baltimore: Johns Hopkins University Press, 2007. . Clemit, Pamela. \"From The Fields of Fancy to Matilda.\" Mary Shelley in her Times. Ed. Betty T. Bennett. Baltimore: Johns Hopkins University Press, 2003. . Clemit, Pamela.", "Baltimore: Johns Hopkins University Press, 2003. . Clemit, Pamela. Clemit, Pamela. The Godwinian Novel: The Rational Fictions of Godwin, Brockden Brown, Mary Shelley. Oxford: Clarendon Press, 1993. . Conger, Syndy M., Frederick S. Frank, and Gregory O'Dea, eds. Iconoclastic Departures: Mary Shelley after \"Frankenstein\". Essays in Honor of the Bicentenary of Mary Shelley's Birth. Madison, NJ: Farleigh Dickinson University Press, 1997. . Eberle-Sinatra, Michael, ed.", "Eberle-Sinatra, Michael, ed. Eberle-Sinatra, Michael, ed. Mary Shelley's Fictions: From Frankenstein to Falkner. New York: St. Martin's Press/Palgrave, 2000. . Fisch, Audrey A., Anne K. Mellor, and Esther H. Schorr, eds. The Other Mary Shelley: Beyond \"Frankenstein\". New York: Oxford University Press, 1993. . Frank, Frederick S. \"Mary Shelley's Other Fictions: A Bibliographic Consensus\". Iconoclastic Departures: Mary Shelley after \"Frankenstein\".", "Iconoclastic Departures: Mary Shelley after \"Frankenstein\". Iconoclastic Departures: Mary Shelley after \"Frankenstein\". Essays in Honor of the Bicentenary of Mary Shelley's Birth. Ed. Syndy M. Conger, Frederick S. Frank, and Gregory O'Dea. Madison, NJ: Farleigh Dickinson University Press, 1997. . Garrett, Martin Mary Shelley. Oxford: Oxford University Press. 2002. Gilbert, Sandra M. and Susan Gubar. The Madwoman in the Attic: The Woman Writer and the Nineteenth-Century Literary Imagination. 1979.", "The Madwoman in the Attic: The Woman Writer and the Nineteenth-Century Literary Imagination. 1979. 1979. New Haven: Yale University Press, 1984. . Gittings, Robert and Jo Manton. Claire Clairmont and the Shelleys. Oxford: Oxford University Press, 1992. . Holmes, Richard. Shelley: The Pursuit. 1974. London: Harper Perennial, 2003. . Jones, Steven. \"Charles E. Robinson, Ed. The Frankenstein Notebooks: A Facsimile Edition of Mary Shelley's Novel, 1816–17 (Parts One and Two)\".", "The Frankenstein Notebooks: A Facsimile Edition of Mary Shelley's Novel, 1816–17 (Parts One and Two)\". (Book Review). Romantic Circles website, 1 January 1998. Retrieved 15 September 2016. Jump, Harriet Devine, Pamela Clemit, and Betty T. Bennett, eds. Lives of the Great Romantics III: Godwin, Wollstonecraft & Mary Shelley by Their Contemporaries. London: Pickering & Chatto, 1999. . Levine, George and U. C. Knoepflmacher, eds.", "Levine, George and U. C. Knoepflmacher, eds. Levine, George and U. C. Knoepflmacher, eds. The Endurance of Frankenstein: Essays on Mary Shelley's novel. Berkeley: University of California Press, 1979. . Mellor, Anne K. Mary Shelley: Her Life, her Fiction, Her Monsters. London: Routledge, 1990. . Myers, Mitzi. \"Mary Wollstonecraft Godwin Shelley: The Female Author between Public and Private Spheres.\" Mary Shelley in her Times. Ed. Betty T. Bennett.", "Mary Shelley in her Times. Ed. Betty T. Bennett. Betty T. Bennett. Baltimore: Johns Hopkins University Press, 2003. . Orr, Clarissa Campbell. \"Mary Shelley's Rambles in Germany and Italy, the Celebrity Author, and the Undiscovered Country of the Human Heart\". Romanticism on the Net 11 (August 1998). Retrieved 22 February 2008. Poovey, Mary. The Proper Lady and the Woman Writer: Ideology as Style in the Works of Mary Wollstonecraft, Mary Shelley and Jane Austen.", "The Proper Lady and the Woman Writer: Ideology as Style in the Works of Mary Wollstonecraft, Mary Shelley and Jane Austen. Chicago: University of Chicago Press, 1985. . Robinson, Charles E., ed. The Frankenstein Notebooks: A Facsimile Edition of Mary Shelley's Novel, 1816–17 (Parts One and Two). The Manuscripts of the Younger Romantics, Volume IX, Donald H. Reiman, general ed. Garland Publishing, 1996. . Schor, Esther, ed. The Cambridge Companion to Mary Shelley.", "Schor, Esther, ed. The Cambridge Companion to Mary Shelley. The Cambridge Companion to Mary Shelley. Cambridge: Cambridge University Press, 2003. . Seymour, Miranda. Mary Shelley. London: John Murray, 2000. . Sites, Melissa. \"Re/membering Home: Utopian Domesticity in Mary Shelley's Lodore\". A Brighter Morn: The Shelley Circle's Utopian Project. Ed. Darby Lewes. Lanham, MD: Lexington Books, 2003. . Smith, Johanna M. \"A Critical History of Frankenstein\". Frankenstein.", "Smith, Johanna M. \"A Critical History of Frankenstein\". Frankenstein. Frankenstein. Case Studies in Contemporary Criticism. New York: Palgrave Macmillan, 2000. . Spark, Muriel. Mary Shelley. London: Cardinal, 1987. . St Clair, William. The Godwins and the Shelleys: The Biography of a Family. London: Faber & Faber, 1989. . Sterrenburg, Lee. \"The Last Man: Anatomy of Failed Revolutions\". Nineteenth Century Fiction 33 (1978): 324–47.", "Nineteenth Century Fiction 33 (1978): 324–47. Nineteenth Century Fiction 33 (1978): 324–47. Sunstein, Emily W. Mary Shelley: Romance and Reality. 1989. Baltimore: Johns Hopkins University Press, 1991. . Townsend, William C. Modern State Trials. London: Longman, Brown, Green and Longmans, 1850. Wake, Ann M Frank. \"Women in the Active Voice: Recovering Female History in Mary Shelley's Valperga and Perkin Warbeck\". Iconoclastic Departures: Mary Shelley after \"Frankenstein\".", "Iconoclastic Departures: Mary Shelley after \"Frankenstein\". Iconoclastic Departures: Mary Shelley after \"Frankenstein\". Essays in Honor of the Bicentenary of Mary Shelley's Birth. Ed. Syndy M. Conger, Frederick S. Frank, and Gregory O'Dea. Madison, NJ: Farleigh Dickinson University Press, 1997. . White, Daniel E. \"'The god undeified': Mary Shelley's Valperga, Italy, and the Aesthetic of Desire \". Romanticism on the Net 6 (May 1997). Retrieved 22 February 2008.", "Romanticism on the Net 6 (May 1997). Retrieved 22 February 2008. Retrieved 22 February 2008. Further reading Goulding, Christopher. \"The Real Doctor Frankenstein?\" Journal of the Royal Society of Medicine. The Royal Society of Medicine, May 2002.", "The Royal Society of Medicine, May 2002. The Royal Society of Medicine, May 2002. Richard Holmes, \"Out of Control\" (review of Mary Shelley, Frankenstein, Or, The Modern Prometheus: Annotated for Scientists, Engineers, and Creators of All Kinds, edited by David H. Guston, Ed Finn, and Jason Scott Robert, MIT Press, 277 pp. ; and Mary Shelley, The New Annotated Frankenstein, edited and with a foreword and notes by Leslie S. Klinger, Liveright, 352 pp.", "; and Mary Shelley, The New Annotated Frankenstein, edited and with a foreword and notes by Leslie S. Klinger, Liveright, 352 pp. ), The New York Review of Books, vol. LXIV, no. 20 (21 December 2017), pp. 38, 40–41. Gordon, Charlotte (2016). Romantic Outlaws: The Extraordinary Lives of Mary Wollstonecraft & Mary Shelley'', Random House.", "Romantic Outlaws: The Extraordinary Lives of Mary Wollstonecraft & Mary Shelley'', Random House. External links Mary Shelley chronology and bibliography – part of Romantic Circles Mary Wollstonecraft Shelley manuscript material, 1815–1850, held by the Carl H. Pforzheimer Collection of Shelley and His Circle, New York Public Library Mary Shelley at the British Library Exhibits relating to Mary Shelley at the Bodleian Library, University of Oxford 1797 births 1851 deaths 19th-century English women writers 19th-century English novelists 19th-century British short story writers British expatriates in Italy British expatriates in Switzerland British feminists British horror writers British science fiction writers Deaths from brain tumor Deaths from cancer in England English expatriates in Italy English expatriates in Switzerland English feminists English horror writers English science fiction writers English travel writers English women novelists Frankenstein Godwin family People from Bournemouth People from Somers Town, London Romanticism Science Fiction Hall of Fame inductees Victorian novelists Women historical novelists Women horror writers Women of the Regency era Women science fiction and fantasy writers British women travel writers Writers of Gothic fiction Shelley family Weird fiction writers" ]

[ "Mary Shelley", "Lake Geneva and Frankenstein", "When did Mary Shelley write Frankenstein?", "Mary Shelley remembered in 1831,", "What did she have to do with Lake Geneva?", "close to Lake Geneva at the village of Cologny; Percy Shelley rented a smaller building called Maison Chapuis", "what did they do while they were there?", "They spent their time writing, boating on the lake, and talking late into the night. \"" ]

[ "Flight MH370: The Mystery is a 2014 book by the American-born-British author Nigel Cawthorne concerning the disappearance of Malaysia Airlines Flight 370.\n\nSynopsis\nThe book is critical of official accounts of the disappearance of Malaysia Airlines Flight 370, noting 'In a world where we can be tracked by our mobile phones, CCTV and spy cameras, things do not just disappear. Especially not a big thing like a jumbo jet'. The book questions alleged failure by governments and organisations to share information concerning Flight MH370. The author suggests a cover up has occurred because the United States Military shot down the plane during military exercises in the region.\n\nReception\nThe book was fiercely criticised in The Australian by David Free, who described it as an 'information gumbo' that 'reproduces the slapdash atmosphere of the worst kind of 24-hour news show' and advised readers 'Next time you're in one (a shop), buy any book other than this. I guarantee it won't be worse' while The Daily Telegraph reported some relatives of the victims were angered by the book\n\nIn a May 2014 segment of the Australian television program Today, co-host Karl Stefanovic also took issue with guest Cawthorne.“You write in the book: ‘They’ll never be sure, the families, what happened to their loved ones. Did they die painlessly unaware of their fate or did they die in terror in a flaming wreck crashing from the sky at the hands of a madman?’ Stefanovic characterized the book as \"disgusting\" and insensitive to the families. When asked \"why would you write the book?\", the author replied, “I’m afraid it’s what I do for a living.\"\n\nReferences\n\n2014 non-fiction books\nMalaysia Airlines Flight 370\nBooks about conspiracy theories\nBooks by Nigel Cawthorne", "\n\nTrack listing\n Opening Overture\n \"I Get a Kick Out of You\" (Cole Porter)\n \"You Are the Sunshine of My Life\" (Stevie Wonder)\n \"You Will Be My Music\" (Joe Raposo)\n \"Don't Worry 'bout Me\" (Ted Koehler, Rube Bloom)\n \"If\" (David Gates)\n \"Bad, Bad Leroy Brown\" (Jim Croce)\n \"Ol' Man River\" (Jerome Kern, Oscar Hammerstein II)\n Famous Monologue\n Saloon Trilogy: \"Last Night When We Were Young\"/\"Violets for Your Furs\"/\"Here's That Rainy Day\" (Harold Arlen, E.Y. Harburg)/(Matt Dennis, Tom Adair)/(Jimmy Van Heusen, Johnny Burke)\n \"I've Got You Under My Skin\" (Porter)\n \"My Kind of Town\" (Sammy Cahn, Van Heusen)\n \"Let Me Try Again\" (Paul Anka, Cahn, Michel Jourdan)\n \"The Lady Is a Tramp\" (Richard Rodgers, Lorenz Hart)\n \"My Way\" (Anka, Claude Francois, Jacques Revaux, Gilles Thibaut)\n\nFrank Sinatra's Monologue About the Australian Press\nI do believe this is my interval, as we say... We've been having a marvelous time being chased around the country for three days. You know, I think it's worth mentioning because it's so idiotic, it's so ridiculous what's been happening. We came all the way to Australia because I chose to come here. I haven't been here for a long time and I wanted to come back for a few days. Wait now, wait. I'm not buttering anybody at all. I don't have to. I really don't have to. I like coming here. I like the people. I love your attitude. I like the booze and the beer and everything else that comes into the scene. I also like the way the country's growing and it's a swinging place.\n\nSo we come here and what happens? We gotta run all day long because of the parasites who chase us with automobiles. That's dangerous, too, on the road, you know. Might cause an accident. They won't quit. They wonder why I won't talk to them. I wouldn't drink their water, let alone talk to them. And if any of you folks in the press are in the audience, please quote me properly. Don't mix it up, do it exactly as I'm saying it, please. Write it down very clearly. One idiot called me up and he wanted to know what I had for breakfast. What the hell does he care what I had for breakfast? I was about to tell him what I did after breakfast. Oh, boy, they're murder! We have a name in the States for their counterparts: They're called parasites. Because they take and take and take and never give, absolutely, never give. I don't care what you think about any press in the world, I say they're bums and they'll always be bums, everyone of them. There are just a few exceptions to the rule. Some good editorial writers who don't go out in the street and chase people around. Critics don't bother me, because if I do badly, I know I'm bad before they even write it, and if I'm good, I know I'm good before they write it. It's true. I know best about myself. So, a critic is a critic. He doesn't anger me. It's the scandal man who bugs you, drives you crazy. It's the two-bit-type work that they do. They're pimps. They're just crazy, you know. And the broads who work in the press are the hookers of the press. Need I explain that to you? I might offer them a buck and a half... I'm not sure. I once gave a chick in Washington $2 and I overpaid her, I found out. She didn't even bathe. Imagine what that was like, ha, ha.\n\nNow, it's a good thing I'm not angry. Really. It's a good thing I'm not angry. I couldn't care less. The press of the world never made a person a star who was untalented, nor did they ever hurt any artist who was talented. So we, who have God-given talent, say, \"To hell with them.\" It doesn't make any difference, you know. And I want to say one more thing. From what I see what's happened since I was last here... what, 16 years ago? Twelve years ago. From what I've seen to happen with the type of news that they print in this town shocked me. And do you know what is devastating? It's old-fashioned. It was done in America and England twenty years ago. And they're catching up with it now, with the scandal sheet. They're rags, that's what they are. You use them to train your dog and your parrot. What else do I have to say? Oh, I guess that's it. That'll keep them talking to themselves for a while. I think most of them are a bunch of fags anyway. Never did a hard day's work in their life. I love when they say, \"What do you mean, you won't stand still when I take your picture?\" All of a sudden, they're God. We gotta do what they want us to do. It's incredible. A pox on them... Now, let's get down to some serious business here...\n\nSee also\nConcerts of Frank Sinatra\n\nFrank Sinatra" ]

[ "Mary Wollstonecraft Shelley (; ; 30 August 1797 – 1 February 1851) was an English novelist who wrote the Gothic novel Frankenstein; or, The Modern Prometheus (1818), which is considered an early example of science fiction. She also edited and promoted the works of her husband, the Romantic poet and philosopher Percy Bysshe Shelley. Her father was the political philosopher William Godwin and her mother was the philosopher and feminist activist Mary Wollstonecraft. Shelley's mother died less than a month after giving birth to her.", "Shelley's mother died less than a month after giving birth to her. She was raised by her father, who provided her with a rich if informal education, encouraging her to adhere to his own anarchist political theories. When she was four, her father married a neighbour, Mary Jane Clairmont, with whom Shelley came to have a troubled relationship. In 1814, Shelley began a romance with one of her father's political followers, Percy Bysshe Shelley, who was already married.", "In 1814, Shelley began a romance with one of her father's political followers, Percy Bysshe Shelley, who was already married. Together with her stepsister, Claire Clairmont, she and Percy left for France and travelled through Europe. Upon their return to England, Shelley was pregnant with Percy's child. Over the next two years, she and Percy faced ostracism, constant debt and the death of their prematurely born daughter. They married in late 1816, after the suicide of Percy Shelley's first wife, Harriet.", "They married in late 1816, after the suicide of Percy Shelley's first wife, Harriet. In 1816, the couple and Mary's stepsister famously spent a summer with Lord Byron and John William Polidori near Geneva, Switzerland, where Shelley conceived the idea for her novel Frankenstein. The Shelleys left Britain in 1818 for Italy, where their second and third children died before Shelley gave birth to her last and only surviving child, Percy Florence Shelley.", "The Shelleys left Britain in 1818 for Italy, where their second and third children died before Shelley gave birth to her last and only surviving child, Percy Florence Shelley. In 1822, her husband drowned when his sailing boat sank during a storm near Viareggio. A year later, Shelley returned to England and from then on devoted herself to the upbringing of her son and a career as a professional author.", "A year later, Shelley returned to England and from then on devoted herself to the upbringing of her son and a career as a professional author. The last decade of her life was dogged by illness, most likely caused by the brain tumour which killed her at age 53. Until the 1970s, Shelley was known mainly for her efforts to publish her husband's works and for her novel Frankenstein, which remains widely read and has inspired many theatrical and film adaptations.", "Until the 1970s, Shelley was known mainly for her efforts to publish her husband's works and for her novel Frankenstein, which remains widely read and has inspired many theatrical and film adaptations. Recent scholarship has yielded a more comprehensive view of Shelley's achievements.", "Recent scholarship has yielded a more comprehensive view of Shelley's achievements. Scholars have shown increasing interest in her literary output, particularly in her novels, which include the historical novels Valperga (1823) and Perkin Warbeck (1830), the apocalyptic novel The Last Man (1826) and her final two novels, Lodore (1835) and Falkner (1837).", "Scholars have shown increasing interest in her literary output, particularly in her novels, which include the historical novels Valperga (1823) and Perkin Warbeck (1830), the apocalyptic novel The Last Man (1826) and her final two novels, Lodore (1835) and Falkner (1837). Studies of her lesser-known works, such as the travel book Rambles in Germany and Italy (1844) and the biographical articles for Dionysius Lardner's Cabinet Cyclopaedia (1829–1846), support the growing view that Shelley remained a political radical throughout her life.", "Studies of her lesser-known works, such as the travel book Rambles in Germany and Italy (1844) and the biographical articles for Dionysius Lardner's Cabinet Cyclopaedia (1829–1846), support the growing view that Shelley remained a political radical throughout her life. Shelley's works often argue that cooperation and sympathy, particularly as practised by women in the family, were the ways to reform civil society.", "Shelley's works often argue that cooperation and sympathy, particularly as practised by women in the family, were the ways to reform civil society. This view was a direct challenge to the individualistic Romantic ethos promoted by Percy Shelley and the Enlightenment political theories articulated by her father, William Godwin. Life and career Early life Mary Shelley was born Mary Wollstonecraft Godwin in Somers Town, London, in 1797.", "Life and career Early life Mary Shelley was born Mary Wollstonecraft Godwin in Somers Town, London, in 1797. She was the second child of the feminist philosopher, educator, and writer Mary Wollstonecraft and the first child of the philosopher, novelist, and journalist William Godwin. Wollstonecraft died of puerperal fever shortly after Mary was born. Godwin was left to bring up Mary, along with her older half-sister, Fanny Imlay, Wollstonecraft's child by the American speculator Gilbert Imlay.", "Godwin was left to bring up Mary, along with her older half-sister, Fanny Imlay, Wollstonecraft's child by the American speculator Gilbert Imlay. A year after Wollstonecraft's death, Godwin published his Memoirs of the Author of A Vindication of the Rights of Woman (1798), which he intended as a sincere and compassionate tribute. However, because the Memoirs revealed Wollstonecraft's affairs and her illegitimate child, they were seen as shocking.", "However, because the Memoirs revealed Wollstonecraft's affairs and her illegitimate child, they were seen as shocking. Mary Godwin read these memoirs and her mother's books, and was brought up to cherish her mother's memory. Mary's earliest years were happy, judging from the letters of William Godwin's housekeeper and nurse, Louisa Jones. But Godwin was often deeply in debt; feeling that he could not raise the children by himself, he cast about for a second wife.", "But Godwin was often deeply in debt; feeling that he could not raise the children by himself, he cast about for a second wife. In December 1801, he married Mary Jane Clairmont, a well-educated woman with two young children of her own—Charles and Claire. Most of Godwin's friends disliked his new wife, describing her as quick-tempered and quarrelsome; but Godwin was devoted to her, and the marriage was a success. Mary Godwin, on the other hand, came to detest her stepmother.", "Mary Godwin, on the other hand, came to detest her stepmother. William Godwin's 19th-century biographer Charles Kegan Paul later suggested that Mrs Godwin had favoured her own children over those of Mary Wollstonecraft. Together, the Godwins started a publishing firm called M. J. Godwin, which sold children's books as well as stationery, maps, and games. However, the business did not turn a profit, and Godwin was forced to borrow substantial sums to keep it going.", "However, the business did not turn a profit, and Godwin was forced to borrow substantial sums to keep it going. He continued to borrow to pay off earlier loans, compounding his problems. By 1809, Godwin's business was close to failure, and he was \"near to despair\". Godwin was saved from debtor's prison by philosophical devotees such as Francis Place, who lent him further money. Though Mary Godwin received little formal education, her father tutored her in a broad range of subjects.", "Though Mary Godwin received little formal education, her father tutored her in a broad range of subjects. He often took the children on educational outings, and they had access to his library and to the many intellectuals who visited him, including the Romantic poet Samuel Taylor Coleridge and the former vice-president of the United States Aaron Burr.", "He often took the children on educational outings, and they had access to his library and to the many intellectuals who visited him, including the Romantic poet Samuel Taylor Coleridge and the former vice-president of the United States Aaron Burr. Godwin admitted he was not educating the children according to Mary Wollstonecraft's philosophy as outlined in works such as A Vindication of the Rights of Woman (1792), but Mary Godwin nonetheless received an unusual and advanced education for a girl of the time.", "Godwin admitted he was not educating the children according to Mary Wollstonecraft's philosophy as outlined in works such as A Vindication of the Rights of Woman (1792), but Mary Godwin nonetheless received an unusual and advanced education for a girl of the time. She had a governess, a daily tutor, and read many of her father's children's books on Roman and Greek history in manuscript. For six months in 1811, she also attended a boarding school in Ramsgate.", "For six months in 1811, she also attended a boarding school in Ramsgate. Her father described her at age 15 as \"singularly bold, somewhat imperious, and active of mind. Her desire of knowledge is great, and her perseverance in everything she undertakes almost invincible.\" In June 1812, Mary's father sent her to stay with the dissenting family of the radical William Baxter, near Dundee, Scotland.", "In June 1812, Mary's father sent her to stay with the dissenting family of the radical William Baxter, near Dundee, Scotland. To Baxter, he wrote, \"I am anxious that she should be brought up ... like a philosopher, even like a cynic.\" Scholars have speculated that she may have been sent away for her health, to remove her from the seamy side of the business, or to introduce her to radical politics.", "Scholars have speculated that she may have been sent away for her health, to remove her from the seamy side of the business, or to introduce her to radical politics. Mary Godwin revelled in the spacious surroundings of Baxter's house and in the companionship of his four daughters, and she returned north in the summer of 1813 for a further stay of 10 months. In the 1831 introduction to Frankenstein, she recalled: \"I wrote then—but in a most common-place style.", "In the 1831 introduction to Frankenstein, she recalled: \"I wrote then—but in a most common-place style. It was beneath the trees of the grounds belonging to our house, or on the bleak sides of the woodless mountains near, that my true compositions, the airy flights of my imagination, were born and fostered.\" Percy Bysshe Shelley Mary Godwin may have first met the radical poet-philosopher Percy Bysshe Shelley in the interval between her two stays in Scotland.", "Percy Bysshe Shelley Mary Godwin may have first met the radical poet-philosopher Percy Bysshe Shelley in the interval between her two stays in Scotland. By the time she returned home for a second time on 30 March 1814, Percy Shelley had become estranged from his wife and was regularly visiting William Godwin, whom he had agreed to bail out of debt.", "By the time she returned home for a second time on 30 March 1814, Percy Shelley had become estranged from his wife and was regularly visiting William Godwin, whom he had agreed to bail out of debt. Percy Shelley's radicalism, particularly his economic views, which he had imbibed from William Godwin's Political Justice (1793), had alienated him from his wealthy aristocratic family: they wanted him to follow traditional models of the landed aristocracy, and he wanted to donate large amounts of the family's money to schemes intended to help the disadvantaged.", "Percy Shelley's radicalism, particularly his economic views, which he had imbibed from William Godwin's Political Justice (1793), had alienated him from his wealthy aristocratic family: they wanted him to follow traditional models of the landed aristocracy, and he wanted to donate large amounts of the family's money to schemes intended to help the disadvantaged. Percy Shelley, therefore, had difficulty gaining access to money until he inherited his estate because his family did not want him wasting it on projects of \"political justice\".", "Percy Shelley, therefore, had difficulty gaining access to money until he inherited his estate because his family did not want him wasting it on projects of \"political justice\". After several months of promises, Shelley announced that he either could not or would not pay off all of Godwin's debts. Godwin was angry and felt betrayed.", "Godwin was angry and felt betrayed. Godwin was angry and felt betrayed. Mary and Percy began meeting each other secretly at her mother Mary Wollstonecraft's grave in the churchyard of St Pancras Old Church, and they fell in love—she was 16, and he was 21.", "Mary and Percy began meeting each other secretly at her mother Mary Wollstonecraft's grave in the churchyard of St Pancras Old Church, and they fell in love—she was 16, and he was 21. On 26 June 1814, Shelley and Godwin declared their love for one another as Shelley announced he could not hide his \"ardent passion\", leading her in a \"sublime and rapturous moment\" to say she felt the same way; on either that day or the next, Godwin lost her virginity to Shelley, which tradition claims happened in the churchyard.", "On 26 June 1814, Shelley and Godwin declared their love for one another as Shelley announced he could not hide his \"ardent passion\", leading her in a \"sublime and rapturous moment\" to say she felt the same way; on either that day or the next, Godwin lost her virginity to Shelley, which tradition claims happened in the churchyard. Godwin described herself as attracted to Shelley's \"wild, intellectual, unearthly looks\".", "Godwin described herself as attracted to Shelley's \"wild, intellectual, unearthly looks\". To Mary's dismay, her father disapproved, and tried to thwart the relationship and salvage the \"spotless fame\" of his daughter. At about the same time, Mary's father learned of Shelley's inability to pay off the father's debts. Mary, who later wrote of \"my excessive and romantic attachment to my father\", was confused.", "Mary, who later wrote of \"my excessive and romantic attachment to my father\", was confused. She saw Percy Shelley as an embodiment of her parents' liberal and reformist ideas of the 1790s, particularly Godwin's view that marriage was a repressive monopoly, which he had argued in his 1793 edition of Political Justice but later retracted. On 28 July 1814, the couple eloped and secretly left for France, taking Mary's stepsister, Claire Clairmont, with them.", "On 28 July 1814, the couple eloped and secretly left for France, taking Mary's stepsister, Claire Clairmont, with them. After convincing Mary Jane Godwin, who had pursued them to Calais, that they did not wish to return, the trio travelled to Paris, and then, by donkey, mule, carriage, and foot, through a France recently ravaged by war, to Switzerland. \"It was acting in a novel, being an incarnate romance,\" Mary Shelley recalled in 1826.", "\"It was acting in a novel, being an incarnate romance,\" Mary Shelley recalled in 1826. Godwin wrote about France in 1814: \"The distress of the inhabitants, whose houses had been burned, their cattle killed and all their wealth destroyed, has given a sting to my detestation of war...\". As they travelled, Mary and Percy read works by Mary Wollstonecraft and others, kept a joint journal, and continued their own writing. At Lucerne, lack of money forced the three to turn back.", "At Lucerne, lack of money forced the three to turn back. They travelled down the Rhine and by land to the Dutch port of Maassluis, arriving at Gravesend, Kent, on 13 September 1814. The situation awaiting Mary Godwin in England was fraught with complications, some of which she had not foreseen. Either before or during the journey, she had become pregnant. She and Percy now found themselves penniless, and, to Mary's genuine surprise, her father refused to have anything to do with her.", "She and Percy now found themselves penniless, and, to Mary's genuine surprise, her father refused to have anything to do with her. The couple moved with Claire into lodgings at Somers Town, and later, Nelson Square. They maintained their intense programme of reading and writing, and entertained Percy Shelley's friends, such as Thomas Jefferson Hogg and the writer Thomas Love Peacock. Percy Shelley sometimes left home for short periods to dodge creditors. The couple's distraught letters reveal their pain at these separations.", "The couple's distraught letters reveal their pain at these separations. Pregnant and often ill, Mary Godwin had to cope with Percy's joy at the birth of his son by Harriet Shelley in late 1814 and his constant outings with Claire Clairmont. Shelley and Clairmont were almost certainly lovers, which caused much jealousy on Godwin's part. Shelley greatly offended Godwin at one point when during a walk in the French countryside he suggested that they both take the plunge into a stream naked as it offended her principles.", "Shelley greatly offended Godwin at one point when during a walk in the French countryside he suggested that they both take the plunge into a stream naked as it offended her principles. She was partly consoled by the visits of Hogg, whom she disliked at first but soon considered a close friend. Percy Shelley seems to have wanted Mary Godwin and Hogg to become lovers; Mary did not dismiss the idea, since in principle she believed in free love.", "Percy Shelley seems to have wanted Mary Godwin and Hogg to become lovers; Mary did not dismiss the idea, since in principle she believed in free love. In practice, however, she loved only Percy Shelley and seems to have ventured no further than flirting with Hogg. On 22 February 1815, she gave birth to a two-month premature baby girl, who was not expected to survive.", "On 22 February 1815, she gave birth to a two-month premature baby girl, who was not expected to survive. On 6 March, she wrote to Hogg: My dearest Hogg my baby is dead—will you come to see me as soon as you can. I wish to see you—It was perfectly well when I went to bed—I awoke in the night to give it suck it appeared to be sleeping so quietly that I would not awake it.", "I wish to see you—It was perfectly well when I went to bed—I awoke in the night to give it suck it appeared to be sleeping so quietly that I would not awake it. It was dead then, but we did not find that out till morning—from its appearance it evidently died of convulsions—Will you come—you are so calm a creature & Shelley is afraid of a fever from the milk—for I am no longer a mother now.", "It was dead then, but we did not find that out till morning—from its appearance it evidently died of convulsions—Will you come—you are so calm a creature & Shelley is afraid of a fever from the milk—for I am no longer a mother now. The loss of her child induced acute depression in Mary Godwin, who was haunted by visions of the baby; but she conceived again and had recovered by the summer.", "The loss of her child induced acute depression in Mary Godwin, who was haunted by visions of the baby; but she conceived again and had recovered by the summer. With a revival in Percy Shelley's finances after the death of his grandfather, Sir Bysshe Shelley, the couple holidayed in Torquay and then rented a two-storey cottage at Bishopsgate, on the edge of Windsor Great Park. Little is known about this period in Mary Godwin's life, since her journal from May 1815 to July 1816 is lost.", "Little is known about this period in Mary Godwin's life, since her journal from May 1815 to July 1816 is lost. At Bishopsgate, Percy wrote his poem Alastor, or The Spirit of Solitude; and on 24 January 1816, Mary gave birth to a second child, William, named after her father, and soon nicknamed \"Willmouse\". In her novel The Last Man, she later imagined Windsor as a Garden of Eden.", "In her novel The Last Man, she later imagined Windsor as a Garden of Eden. Lake Geneva and Frankenstein In May 1816, Mary Godwin, Percy Shelley, and their son travelled to Geneva with Claire Clairmont. They planned to spend the summer with the poet Lord Byron, whose recent affair with Claire had left her pregnant. In History of a Six Weeks’ Tour through a part of France, Switzerland, Germany and Holland (1817), she describes the particularly desolate landscape in crossing from France into Switzerland.", "In History of a Six Weeks’ Tour through a part of France, Switzerland, Germany and Holland (1817), she describes the particularly desolate landscape in crossing from France into Switzerland. The party arrived in Geneva on 14 May 1816, where Mary called herself \"Mrs Shelley\".", "The party arrived in Geneva on 14 May 1816, where Mary called herself \"Mrs Shelley\". Byron joined them on 25 May, with his young physician, John William Polidori, and rented the Villa Diodati, close to Lake Geneva at the village of Cologny; Percy Shelley rented a smaller building called Maison Chapuis on the waterfront nearby. They spent their time writing, boating on the lake, and talking late into the night.", "They spent their time writing, boating on the lake, and talking late into the night. \"It proved a wet, ungenial summer\", Mary Shelley remembered in 1831, \"and incessant rain often confined us for days to the house\". Sitting around a log fire at Byron's villa, the company amused themselves with German ghost stories, which prompted Byron to propose that they \"each write a ghost story\".", "Sitting around a log fire at Byron's villa, the company amused themselves with German ghost stories, which prompted Byron to propose that they \"each write a ghost story\". Unable to think of a story, young Mary Godwin became anxious: \"Have you thought of a story? I was asked each morning, and each morning I was forced to reply with a mortifying negative.\" During one mid-June evening, the discussions turned to the nature of the principle of life.", "During one mid-June evening, the discussions turned to the nature of the principle of life. \"Perhaps a corpse would be re-animated\", Mary noted; \"galvanism had given token of such things\". It was after midnight before they retired, and unable to sleep, she became possessed by her imagination as she beheld the grim terrors of her \"waking dream\", her ghost story: She began writing what she assumed would be a short story.", "It was after midnight before they retired, and unable to sleep, she became possessed by her imagination as she beheld the grim terrors of her \"waking dream\", her ghost story: She began writing what she assumed would be a short story. With Percy Shelley's encouragement, she expanded this tale into her first novel, Frankenstein; or, The Modern Prometheus, published in 1818. She later described that summer in Switzerland as the moment \"when I first stepped out from childhood into life\".", "She later described that summer in Switzerland as the moment \"when I first stepped out from childhood into life\". The story of the writing of Frankenstein has been fictionalised several times and formed the basis for a number of films.", "The story of the writing of Frankenstein has been fictionalised several times and formed the basis for a number of films. In September 2011, the astronomer Donald Olson, after a visit to the Lake Geneva villa the previous year, and inspecting data about the motion of the moon and stars, concluded that her waking dream took place \"between 2am and 3am\" 16 June 1816, several days after the initial idea by Lord Byron that they each write a ghost story.", "In September 2011, the astronomer Donald Olson, after a visit to the Lake Geneva villa the previous year, and inspecting data about the motion of the moon and stars, concluded that her waking dream took place \"between 2am and 3am\" 16 June 1816, several days after the initial idea by Lord Byron that they each write a ghost story. Authorship of Frankenstein While her husband Percy encouraged her writing, the extent of Percy's contribution to the novel is unknown and has been argued over by readers and critics.", "Authorship of Frankenstein While her husband Percy encouraged her writing, the extent of Percy's contribution to the novel is unknown and has been argued over by readers and critics. Mary Shelley wrote, \"I certainly did not owe the suggestion of one incident, nor scarcely of one train of feeling, to my husband, and yet but for his incitement, it would never have taken the form in which it was presented to the world.\"", "Mary Shelley wrote, \"I certainly did not owe the suggestion of one incident, nor scarcely of one train of feeling, to my husband, and yet but for his incitement, it would never have taken the form in which it was presented to the world.\" She wrote that the preface to the first edition was Percy's work \"as far as I can recollect.\" There are differences in the 1818, 1823 and 1831 editions, which have been attributed to Percy's editing.", "There are differences in the 1818, 1823 and 1831 editions, which have been attributed to Percy's editing. James Rieger concluded Percy's \"assistance at every point in the book's manufacture was so extensive that one hardly knows whether to regard him as editor or minor collaborator\", while Anne K. Mellor later argued Percy only \"made many technical corrections and several times clarified the narrative and thematic continuity of the text.\"", "James Rieger concluded Percy's \"assistance at every point in the book's manufacture was so extensive that one hardly knows whether to regard him as editor or minor collaborator\", while Anne K. Mellor later argued Percy only \"made many technical corrections and several times clarified the narrative and thematic continuity of the text.\" Charles E. Robinson, editor of a facsimile edition of the Frankenstein manuscripts, concluded that Percy's contributions to the book \"were no more than what most publishers' editors have provided new (or old) authors or, in fact, what colleagues have provided to each other after reading each other's works in progress.\"", "Charles E. Robinson, editor of a facsimile edition of the Frankenstein manuscripts, concluded that Percy's contributions to the book \"were no more than what most publishers' editors have provided new (or old) authors or, in fact, what colleagues have provided to each other after reading each other's works in progress.\" Writing on the 200th anniversary of Frankenstein, literary scholar and poet Fiona Sampson asked, \"Why hasn't Mary Shelley gotten the respect she deserves?\"", "Writing on the 200th anniversary of Frankenstein, literary scholar and poet Fiona Sampson asked, \"Why hasn't Mary Shelley gotten the respect she deserves?\" She noted that \"In recent years Percy's corrections, visible in the Frankenstein notebooks held at the Bodleian Library in Oxford, have been seized on as evidence that he must have at least co-authored the novel. In fact, when I examined the notebooks myself, I realized that Percy did rather less than any line editor working in publishing today.\"", "In fact, when I examined the notebooks myself, I realized that Percy did rather less than any line editor working in publishing today.\" Sampson published her findings in In Search of Mary Shelley (2018), one of many biographies written about Shelley. Bath and Marlow On their return to England in September, Mary and Percy moved—with Claire Clairmont, who took lodgings nearby—to Bath, where they hoped to keep Claire's pregnancy secret.", "Bath and Marlow On their return to England in September, Mary and Percy moved—with Claire Clairmont, who took lodgings nearby—to Bath, where they hoped to keep Claire's pregnancy secret. At Cologny, Mary Godwin had received two letters from her half-sister, Fanny Imlay, who alluded to her \"unhappy life\"; on 9 October, Fanny wrote an \"alarming letter\" from Bristol that sent Percy Shelley racing off to search for her, without success.", "At Cologny, Mary Godwin had received two letters from her half-sister, Fanny Imlay, who alluded to her \"unhappy life\"; on 9 October, Fanny wrote an \"alarming letter\" from Bristol that sent Percy Shelley racing off to search for her, without success. On the morning of 10 October, Fanny Imlay was found dead in a room at a Swansea inn, along with a suicide note and a laudanum bottle.", "On the morning of 10 October, Fanny Imlay was found dead in a room at a Swansea inn, along with a suicide note and a laudanum bottle. On 10 December, Percy Shelley's wife, Harriet, was discovered drowned in the Serpentine, a lake in Hyde Park, London. Both suicides were hushed up. Harriet's family obstructed Percy Shelley's efforts—fully supported by Mary Godwin—to assume custody of his two children by Harriet.", "Harriet's family obstructed Percy Shelley's efforts—fully supported by Mary Godwin—to assume custody of his two children by Harriet. His lawyers advised him to improve his case by marrying; so he and Mary, who was pregnant again, married on 30 December 1816 at St Mildred's Church, Bread Street, London. Mr and Mrs Godwin were present and the marriage ended the family rift. Claire Clairmont gave birth to a baby girl on 13 January, at first called Alba, later Allegra.", "Claire Clairmont gave birth to a baby girl on 13 January, at first called Alba, later Allegra. In March of that year, the Chancery Court ruled Percy Shelley morally unfit to assume custody of his children and later placed them with a clergyman's family. Also in March, the Shelleys moved with Claire and Alba to Albion House at Marlow, Buckinghamshire, a large, damp building on the river Thames. There Mary Shelley gave birth to her third child, Clara, on 2 September.", "There Mary Shelley gave birth to her third child, Clara, on 2 September. At Marlow, they entertained their new friends Marianne and Leigh Hunt, worked hard at their writing, and often discussed politics. Early in the summer of 1817, Mary Shelley finished Frankenstein, which was published anonymously in January 1818. Reviewers and readers assumed that Percy Shelley was the author, since the book was published with his preface and dedicated to his political hero William Godwin.", "Reviewers and readers assumed that Percy Shelley was the author, since the book was published with his preface and dedicated to his political hero William Godwin. At Marlow, Mary edited the joint journal of the group's 1814 Continental journey, adding material written in Switzerland in 1816, along with Percy's poem \"Mont Blanc\". The result was the History of a Six Weeks' Tour, published in November 1817. That autumn, Percy Shelley often lived away from home in London to evade creditors.", "That autumn, Percy Shelley often lived away from home in London to evade creditors. The threat of a debtor's prison, combined with their ill health and fears of losing custody of their children, contributed to the couple's decision to leave England for Italy on 12 March 1818, taking Claire Clairmont and Alba with them. They had no intention of returning. Italy One of the party's first tasks on arriving in Italy was to hand Alba over to Byron, who was living in Venice.", "Italy One of the party's first tasks on arriving in Italy was to hand Alba over to Byron, who was living in Venice. He had agreed to raise her so long as Claire had nothing more to do with her. The Shelleys then embarked on a roving existence, never settling in any one place for long. Along the way, they accumulated a circle of friends and acquaintances who often moved with them. The couple devoted their time to writing, reading, learning, sightseeing, and socialising.", "The couple devoted their time to writing, reading, learning, sightseeing, and socialising. The Italian adventure was, however, blighted for Mary Shelley by the deaths of both her children—Clara, in September 1818 in Venice, and William, in June 1819 in Rome. These losses left her in a deep depression that isolated her from Percy Shelley, who wrote in his notebook: My dearest Mary, wherefore hast thou gone, And left me in this dreary world alone?", "These losses left her in a deep depression that isolated her from Percy Shelley, who wrote in his notebook: My dearest Mary, wherefore hast thou gone, And left me in this dreary world alone? Thy form is here indeed—a lovely one— But thou art fled, gone down a dreary road That leads to Sorrow's most obscure abode. For thine own sake I cannot follow thee Do thou return for mine. For a time, Mary Shelley found comfort only in her writing.", "For a time, Mary Shelley found comfort only in her writing. The birth of her fourth child, Percy Florence, on 12 November 1819, finally lifted her spirits, though she nursed the memory of her lost children till the end of her life. Italy provided the Shelleys, Byron, and other exiles with political freedom unattainable at home. Despite its associations with personal loss, Italy became for Mary Shelley \"a country which memory painted as paradise\".", "Despite its associations with personal loss, Italy became for Mary Shelley \"a country which memory painted as paradise\". Their Italian years were a time of intense intellectual and creative activity for both Shelleys. While Percy composed a series of major poems, Mary wrote the novel Matilda, the historical novel Valperga, and the plays Proserpine and Midas. Mary wrote Valperga to help alleviate her father's financial difficulties, as Percy refused to assist him further. She was often physically ill, however, and prone to depressions.", "She was often physically ill, however, and prone to depressions. She also had to cope with Percy's interest in other women, such as Sophia Stacey, Emilia Viviani, and Jane Williams. Since Mary Shelley shared his belief in the non-exclusivity of marriage, she formed emotional ties of her own among the men and women of their circle. She became particularly fond of the Greek revolutionary Prince Alexandros Mavrokordatos and of Jane and Edward Williams.", "She became particularly fond of the Greek revolutionary Prince Alexandros Mavrokordatos and of Jane and Edward Williams. In December 1818, the Shelleys travelled south with Claire Clairmont and their servants to Naples, where they stayed for three months, receiving only one visitor, a physician. In 1820, they found themselves plagued by accusations and threats from Paolo and Elise Foggi, former servants whom Percy Shelley had dismissed in Naples shortly after the Foggis had married.", "In 1820, they found themselves plagued by accusations and threats from Paolo and Elise Foggi, former servants whom Percy Shelley had dismissed in Naples shortly after the Foggis had married. The pair revealed that on 27 February 1819 in Naples, Percy Shelley had registered as his child by Mary Shelley a two-month-old baby girl named Elena Adelaide Shelley. The Foggis also claimed that Claire Clairmont was the baby's mother.", "The Foggis also claimed that Claire Clairmont was the baby's mother. Biographers have offered various interpretations of these events: that Percy Shelley decided to adopt a local child; that the baby was his by Elise, Claire, or an unknown woman; or that she was Elise's by Byron. Mary Shelley insisted she would have known if Claire had been pregnant, but it is unclear how much she really knew.", "Mary Shelley insisted she would have known if Claire had been pregnant, but it is unclear how much she really knew. The events in Naples, a city Mary Shelley later called a paradise inhabited by devils, remain shrouded in mystery. The only certainty is that she herself was not the child's mother. Elena Adelaide Shelley died in Naples on 9 June 1820.", "Elena Adelaide Shelley died in Naples on 9 June 1820. After leaving Naples, the Shelleys settled in Rome, the city where her husband wrote where \"the meanest streets were strewed with truncated columns, broken capitals...and sparkling fragments of granite or porphyry...The voice of dead time, in still vibrations, is breathed from these dumb things, animated and glorified as they were by man\".", "After leaving Naples, the Shelleys settled in Rome, the city where her husband wrote where \"the meanest streets were strewed with truncated columns, broken capitals...and sparkling fragments of granite or porphyry...The voice of dead time, in still vibrations, is breathed from these dumb things, animated and glorified as they were by man\". Rome inspired her to begin writing the unfinished novel Valerius, the Reanimated Roman, where the eponymous hero resists the decay of Rome and the machinations of \"superstitious\" Catholicism.", "Rome inspired her to begin writing the unfinished novel Valerius, the Reanimated Roman, where the eponymous hero resists the decay of Rome and the machinations of \"superstitious\" Catholicism. The writing of her novel was broken off when her son William died of malaria.", "The writing of her novel was broken off when her son William died of malaria. Shelley bitterly commented that she had come to Italy to improve her husband's health, and instead the Italian climate had just killed her two children, leading her to write: \"May you my dear Marianne never know what it is to lose two only and lovely children in one year—to watch their dying moments—and then at last to be left childless and forever miserable\".", "Shelley bitterly commented that she had come to Italy to improve her husband's health, and instead the Italian climate had just killed her two children, leading her to write: \"May you my dear Marianne never know what it is to lose two only and lovely children in one year—to watch their dying moments—and then at last to be left childless and forever miserable\". To deal with her grief, Shelley wrote the novella The Fields of Fancy, which became Matilda, dealing with a young woman whose beauty inspired incestuous love in her father, who ultimately commits suicide to stop himself from acting on his passion for his daughter, while she spends the rest of her life full of despair about \"the unnatural love I had inspired\".", "To deal with her grief, Shelley wrote the novella The Fields of Fancy, which became Matilda, dealing with a young woman whose beauty inspired incestuous love in her father, who ultimately commits suicide to stop himself from acting on his passion for his daughter, while she spends the rest of her life full of despair about \"the unnatural love I had inspired\". The novella offered a feminist critique of a patriarchal society as Matilda is punished in the afterlife, though she did nothing to encourage her father's feelings.", "The novella offered a feminist critique of a patriarchal society as Matilda is punished in the afterlife, though she did nothing to encourage her father's feelings. In the summer of 1822, a pregnant Mary moved with Percy, Claire, and Edward and Jane Williams to the isolated Villa Magni, at the sea's edge near the hamlet of San Terenzo in the Bay of Lerici.", "In the summer of 1822, a pregnant Mary moved with Percy, Claire, and Edward and Jane Williams to the isolated Villa Magni, at the sea's edge near the hamlet of San Terenzo in the Bay of Lerici. Once they were settled in, Percy broke the \"evil news\" to Claire that her daughter Allegra had died of typhus in a convent at Bagnacavallo. Mary Shelley was distracted and unhappy in the cramped and remote Villa Magni, which she came to regard as a dungeon.", "Mary Shelley was distracted and unhappy in the cramped and remote Villa Magni, which she came to regard as a dungeon. On 16 June, she miscarried, losing so much blood that she nearly died. Rather than wait for a doctor, Percy sat her in a bath of ice to stanch the bleeding, an act the doctor later told him saved her life. All was not well between the couple that summer, however, and Percy spent more time with Jane Williams than with his depressed and debilitated wife.", "All was not well between the couple that summer, however, and Percy spent more time with Jane Williams than with his depressed and debilitated wife. Much of the short poetry Shelley wrote at San Terenzo involved Jane rather than Mary. The coast offered Percy Shelley and Edward Williams the chance to enjoy their \"perfect plaything for the summer\", a new sailing boat. The boat had been designed by Daniel Roberts and Edward Trelawny, an admirer of Byron's who had joined the party in January 1822.", "The boat had been designed by Daniel Roberts and Edward Trelawny, an admirer of Byron's who had joined the party in January 1822. On 1 July 1822, Percy Shelley, Edward Ellerker Williams, and Captain Daniel Roberts sailed south down the coast to Livorno. There Percy Shelley discussed with Byron and Leigh Hunt the launch of a radical magazine called The Liberal. On 8 July, he and Edward Williams set out on the return journey to Lerici with their eighteen-year-old boat boy, Charles Vivian. They never reached their destination.", "They never reached their destination. They never reached their destination. A letter arrived at Villa Magni from Hunt to Percy Shelley, dated 8 July, saying, \"pray write to tell us how you got home, for they say you had bad weather after you sailed Monday & we are anxious\". \"The paper fell from me,\" Mary told a friend later. \"I trembled all over.\"", "\"I trembled all over.\" \"I trembled all over.\" She and Jane Williams rushed desperately to Livorno and then to Pisa in the fading hope that their husbands were still alive. Ten days after the storm, three bodies washed up on the coast near Viareggio, midway between Livorno and Lerici. Trelawny, Byron, and Hunt cremated Percy Shelley's corpse on the beach at Viareggio.", "Trelawny, Byron, and Hunt cremated Percy Shelley's corpse on the beach at Viareggio. Return to England and writing career After her husband's death, Mary Shelley lived for a year with Leigh Hunt and his family in Genoa, where she often saw Byron and transcribed his poems. She resolved to live by her pen and for her son, but her financial situation was precarious.", "She resolved to live by her pen and for her son, but her financial situation was precarious. On 23 July 1823, she left Genoa for England and stayed with her father and stepmother in the Strand until a small advance from her father-in-law enabled her to lodge nearby. Sir Timothy Shelley had at first agreed to support his grandson, Percy Florence, only if he were handed over to an appointed guardian. Mary Shelley rejected this idea instantly.", "Mary Shelley rejected this idea instantly. Mary Shelley rejected this idea instantly. She managed instead to wring out of Sir Timothy a limited annual allowance (which she had to repay when Percy Florence inherited the estate), but to the end of his days, he refused to meet her in person and dealt with her only through lawyers. Mary Shelley busied herself with editing her husband's poems, among other literary endeavours, but concern for her son restricted her options.", "Mary Shelley busied herself with editing her husband's poems, among other literary endeavours, but concern for her son restricted her options. Sir Timothy threatened to stop the allowance if any biography of the poet were published. In 1826, Percy Florence became the legal heir of the Shelley estate after the death of his half-brother Charles Shelley, his father's son by Harriet Shelley. Sir Timothy raised Mary's allowance from £100 a year to £250 but remained as difficult as ever.", "Sir Timothy raised Mary's allowance from £100 a year to £250 but remained as difficult as ever. Mary Shelley enjoyed the stimulating society of William Godwin's circle, but poverty prevented her from socialising as she wished. She also felt ostracised by those who, like Sir Timothy, still disapproved of her relationship with Percy Bysshe Shelley. In the summer of 1824, Mary Shelley moved to Kentish Town in north London to be near Jane Williams.", "In the summer of 1824, Mary Shelley moved to Kentish Town in north London to be near Jane Williams. She may have been, in the words of her biographer Muriel Spark, \"a little in love\" with Jane. Jane later disillusioned her by gossiping that Percy had preferred her to Mary, owing to Mary's inadequacy as a wife.", "Jane later disillusioned her by gossiping that Percy had preferred her to Mary, owing to Mary's inadequacy as a wife. At around this time, Mary Shelley was working on her novel, The Last Man (1826); and she assisted a series of friends who were writing memoirs of Byron and Percy Shelley—the beginnings of her attempts to immortalise her husband. She also met the American actor John Howard Payne and the American writer Washington Irving, who intrigued her.", "She also met the American actor John Howard Payne and the American writer Washington Irving, who intrigued her. Payne fell in love with her and in 1826 asked her to marry him. She refused, saying that after being married to one genius, she could only marry another. Payne accepted the rejection and tried without success to talk his friend Irving into proposing himself. Mary Shelley was aware of Payne's plan, but how seriously she took it is unclear.", "Mary Shelley was aware of Payne's plan, but how seriously she took it is unclear. In 1827, Mary Shelley was party to a scheme that enabled her friend Isabel Robinson and Isabel's lover, Mary Diana Dods, who wrote under the name David Lyndsay, to embark on a life together in France as husband and wife. With the help of Payne, whom she kept in the dark about the details, Mary Shelley obtained false passports for the couple.", "With the help of Payne, whom she kept in the dark about the details, Mary Shelley obtained false passports for the couple. In 1828, she fell ill with smallpox while visiting them in Paris. Weeks later she recovered, unscarred but without her youthful beauty. During the period 1827–40, Mary Shelley was busy as an editor and writer. She wrote the novels The Fortunes of Perkin Warbeck (1830), Lodore (1835), and Falkner (1837).", "She wrote the novels The Fortunes of Perkin Warbeck (1830), Lodore (1835), and Falkner (1837). She contributed five volumes of Lives of Italian, Spanish, Portuguese, and French authors to Lardner's Cabinet Cyclopaedia. She also wrote stories for ladies' magazines. She was still helping to support her father, and they looked out for publishers for each other.", "She was still helping to support her father, and they looked out for publishers for each other. In 1830, she sold the copyright for a new edition of Frankenstein for £60 to Henry Colburn and Richard Bentley for their new Standard Novels series. After her father's death in 1836 at the age of eighty, she began assembling his letters and a memoir for publication, as he had requested in his will; but after two years of work, she abandoned the project.", "After her father's death in 1836 at the age of eighty, she began assembling his letters and a memoir for publication, as he had requested in his will; but after two years of work, she abandoned the project. Throughout this period, she also championed Percy Shelley's poetry, promoting its publication and quoting it in her writing. By 1837, Percy's works were well-known and increasingly admired.", "By 1837, Percy's works were well-known and increasingly admired. In the summer of 1838 Edward Moxon, the publisher of Tennyson and the son-in-law of Charles Lamb, proposed publishing a collected works of Percy Shelley. Mary was paid £500 to edit the Poetical Works (1838), which Sir Timothy insisted should not include a biography. Mary found a way to tell the story of Percy's life, nonetheless: she included extensive biographical notes about the poems.", "Mary found a way to tell the story of Percy's life, nonetheless: she included extensive biographical notes about the poems. Shelley continued to practice her mother's feminist principles by extending aid to women whom society disapproved of. For instance, Shelley extended financial aid to Mary Diana Dods, a single mother and illegitimate herself who appears to have been a lesbian and gave her the new identity of Walter Sholto Douglas, husband of her lover Isabel Robinson.", "For instance, Shelley extended financial aid to Mary Diana Dods, a single mother and illegitimate herself who appears to have been a lesbian and gave her the new identity of Walter Sholto Douglas, husband of her lover Isabel Robinson. Shelley also assisted Georgiana Paul, a woman disallowed for by her husband for alleged adultery.", "Shelley also assisted Georgiana Paul, a woman disallowed for by her husband for alleged adultery. Shelley in her diary about her assistance to the latter: \"I do not make a boast-I do not say aloud-behold my generosity and greatness of mind-for in truth it is simple justice I perform-and so I am still reviled for being worldly\". Mary Shelley continued to treat potential romantic partners with caution.", "Mary Shelley continued to treat potential romantic partners with caution. In 1828, she met and flirted with the French writer Prosper Mérimée, but her one surviving letter to him appears to be a deflection of his declaration of love. She was delighted when her old friend from Italy, Edward Trelawny, returned to England, and they joked about marriage in their letters.", "She was delighted when her old friend from Italy, Edward Trelawny, returned to England, and they joked about marriage in their letters. Their friendship had altered, however, following her refusal to cooperate with his proposed biography of Percy Shelley; and he later reacted angrily to her omission of the atheistic section of Queen Mab from Percy Shelley's poems.", "Their friendship had altered, however, following her refusal to cooperate with his proposed biography of Percy Shelley; and he later reacted angrily to her omission of the atheistic section of Queen Mab from Percy Shelley's poems. Oblique references in her journals, from the early 1830s until the early 1840s, suggest that Mary Shelley had feelings for the radical politician Aubrey Beauclerk, who may have disappointed her by twice marrying others. Mary Shelley's first concern during these years was the welfare of Percy Florence.", "Mary Shelley's first concern during these years was the welfare of Percy Florence. She honoured her late husband's wish that his son attend public school and, with Sir Timothy's grudging help, had him educated at Harrow. To avoid boarding fees, she moved to Harrow on the Hill herself so that Percy could attend as a day scholar. Though Percy went on to Trinity College, Cambridge, and dabbled in politics and the law, he showed no sign of his parents' gifts.", "Though Percy went on to Trinity College, Cambridge, and dabbled in politics and the law, he showed no sign of his parents' gifts. He was devoted to his mother, and after he left university in 1841, he came to live with her. Final years and death In 1840 and 1842, mother and son travelled together on the continent, journeys that Mary Shelley recorded in Rambles in Germany and Italy in 1840, 1842 and 1843 (1844).", "Final years and death In 1840 and 1842, mother and son travelled together on the continent, journeys that Mary Shelley recorded in Rambles in Germany and Italy in 1840, 1842 and 1843 (1844). In 1844, Sir Timothy Shelley finally died at the age of ninety, \"falling from the stalk like an overblown flower\", as Mary put it. For the first time, she and her son were financially independent, though the estate proved less valuable than they had hoped.", "For the first time, she and her son were financially independent, though the estate proved less valuable than they had hoped. In the mid-1840s, Mary Shelley found herself the target of three separate blackmailers. In 1845, an Italian political exile called Gatteschi, whom she had met in Paris, threatened to publish letters she had sent him. A friend of her son's bribed a police chief into seizing Gatteschi's papers, including the letters, which were then destroyed.", "A friend of her son's bribed a police chief into seizing Gatteschi's papers, including the letters, which were then destroyed. Shortly afterwards, Mary Shelley bought some letters written by herself and Percy Bysshe Shelley from a man calling himself G. Byron and posing as the illegitimate son of the late Lord Byron. Also in 1845, Percy Bysshe Shelley's cousin Thomas Medwin approached her claiming to have written a damaging biography of Percy Shelley. He said he would suppress it in return for £250, but Mary Shelley refused.", "He said he would suppress it in return for £250, but Mary Shelley refused. In 1848, Percy Florence married Jane Gibson St John. The marriage proved a happy one, and Mary Shelley and Jane were fond of each other. Mary lived with her son and daughter-in-law at Field Place, Sussex, the Shelleys' ancestral home, and at Chester Square, London, and accompanied them on travels abroad. Mary Shelley's last years were blighted by illness.", "Mary Shelley's last years were blighted by illness. Mary Shelley's last years were blighted by illness. From 1839, she suffered from headaches and bouts of paralysis in parts of her body, which sometimes prevented her from reading and writing. On 1 February 1851, at Chester Square, she died at the age of fifty-three from what her physician suspected was a brain tumour.", "On 1 February 1851, at Chester Square, she died at the age of fifty-three from what her physician suspected was a brain tumour. According to Jane Shelley, Mary Shelley had asked to be buried with her mother and father; but Percy and Jane, judging the graveyard at St Pancras to be \"dreadful\", chose to bury her instead at St Peter's Church, Bournemouth, near their new home at Boscombe. On the first anniversary of Mary Shelley's death, the Shelleys opened her box-desk.", "On the first anniversary of Mary Shelley's death, the Shelleys opened her box-desk. Inside they found locks of her dead children's hair, a notebook she had shared with Percy Bysshe Shelley, and a copy of his poem Adonaïs with one page folded round a silk parcel containing some of his ashes and the remains of his heart. Literary themes and styles Mary Shelley lived a literary life. Her father encouraged her to learn to write by composing letters, and her favourite occupation as a child was writing stories.", "Her father encouraged her to learn to write by composing letters, and her favourite occupation as a child was writing stories. Unfortunately, all of Mary's juvenilia were lost when she ran off with Percy in 1814, and none of her surviving manuscripts can be definitively dated before that year.", "Unfortunately, all of Mary's juvenilia were lost when she ran off with Percy in 1814, and none of her surviving manuscripts can be definitively dated before that year. Her first published work is often thought to have been Mounseer Nongtongpaw, comic verses written for Godwin's Juvenile Library when she was ten and a half; however, the poem is attributed to another writer in the most recent authoritative collection of her works.", "Her first published work is often thought to have been Mounseer Nongtongpaw, comic verses written for Godwin's Juvenile Library when she was ten and a half; however, the poem is attributed to another writer in the most recent authoritative collection of her works. Percy Shelley enthusiastically encouraged Mary Shelley's writing: \"My husband was, from the first, very anxious that I should prove myself worthy of my parentage, and enrol myself on the page of fame. He was forever inciting me to obtain literary reputation.\"", "He was forever inciting me to obtain literary reputation.\" Novels Autobiographical elements Certain sections of Mary Shelley's novels are often interpreted as masked rewritings of her life. Critics have pointed to the recurrence of the father–daughter motif in particular as evidence of this autobiographical style. For example, commentators frequently read Mathilda (1820) autobiographically, identifying the three central characters as versions of Mary Shelley, William Godwin, and Percy Shelley. Mary Shelley herself confided that she modelled the central characters of The Last Man on her Italian circle.", "Mary Shelley herself confided that she modelled the central characters of The Last Man on her Italian circle. Lord Raymond, who leaves England to fight for the Greeks and dies in Constantinople, is based on Lord Byron; and the utopian Adrian, Earl of Windsor, who leads his followers in search of a natural paradise and dies when his boat sinks in a storm, is a fictional portrait of Percy Bysshe Shelley.", "Lord Raymond, who leaves England to fight for the Greeks and dies in Constantinople, is based on Lord Byron; and the utopian Adrian, Earl of Windsor, who leads his followers in search of a natural paradise and dies when his boat sinks in a storm, is a fictional portrait of Percy Bysshe Shelley. However, as she wrote in her review of Godwin's novel Cloudesley (1830), she did not believe that authors \"were merely copying from our own hearts\".", "However, as she wrote in her review of Godwin's novel Cloudesley (1830), she did not believe that authors \"were merely copying from our own hearts\". William Godwin regarded his daughter's characters as types rather than portraits from real life. Some modern critics, such as Patricia Clemit and Jane Blumberg, have taken the same view, resisting autobiographical readings of Mary Shelley's works.", "Some modern critics, such as Patricia Clemit and Jane Blumberg, have taken the same view, resisting autobiographical readings of Mary Shelley's works. Novelistic genres Mary Shelley employed the techniques of many different novelistic genres, most vividly the Godwinian novel, Walter Scott's new historical novel, and the Gothic novel.", "Novelistic genres Mary Shelley employed the techniques of many different novelistic genres, most vividly the Godwinian novel, Walter Scott's new historical novel, and the Gothic novel. The Godwinian novel, made popular during the 1790s with works such as Godwin's Caleb Williams (1794), \"employed a Rousseauvian confessional form to explore the contradictory relations between the self and society\", and Frankenstein exhibits many of the same themes and literary devices as Godwin's novel. However, Shelley critiques those Enlightenment ideals that Godwin promotes in his works.", "However, Shelley critiques those Enlightenment ideals that Godwin promotes in his works. In The Last Man, she uses the philosophical form of the Godwinian novel to demonstrate the ultimate meaninglessness of the world. While earlier Godwinian novels had shown how rational individuals could slowly improve society, The Last Man and Frankenstein demonstrate the individual's lack of control over history. Shelley uses the historical novel to comment on gender relations; for example, Valperga is a feminist version of Scott's masculinist genre.", "Shelley uses the historical novel to comment on gender relations; for example, Valperga is a feminist version of Scott's masculinist genre. Introducing women into the story who are not part of the historical record, Shelley uses their narratives to question established theological and political institutions. Shelley sets the male protagonist's compulsive greed for conquest in opposition to a female alternative: reason and sensibility. In Perkin Warbeck, Shelley's other historical novel, Lady Gordon stands for the values of friendship, domesticity, and equality.", "In Perkin Warbeck, Shelley's other historical novel, Lady Gordon stands for the values of friendship, domesticity, and equality. Through her, Shelley offers a feminine alternative to the masculine power politics that destroy the male characters. The novel provides a more inclusive historical narrative to challenge the one which usually relates only masculine events. Gender With the rise of feminist literary criticism in the 1970s, Mary Shelley's works, particularly Frankenstein, began to attract much more attention from scholars.", "Gender With the rise of feminist literary criticism in the 1970s, Mary Shelley's works, particularly Frankenstein, began to attract much more attention from scholars. Feminist and psychoanalytic critics were largely responsible for the recovery from neglect of Shelley as a writer. Ellen Moers was one of the first to claim that Shelley's loss of a baby was a crucial influence on the writing of Frankenstein.", "Ellen Moers was one of the first to claim that Shelley's loss of a baby was a crucial influence on the writing of Frankenstein. She argues that the novel is a \"birth myth\" in which Shelley comes to terms with her guilt for causing her mother's death as well as for failing as a parent.", "She argues that the novel is a \"birth myth\" in which Shelley comes to terms with her guilt for causing her mother's death as well as for failing as a parent. Shelley scholar Anne K. Mellor suggests that, from a feminist viewpoint, it is a story \"about what happens when a man tries to have a baby without a woman ... [Frankenstein] is profoundly concerned with natural as opposed to unnatural modes of production and reproduction\".", "Shelley scholar Anne K. Mellor suggests that, from a feminist viewpoint, it is a story \"about what happens when a man tries to have a baby without a woman ... [Frankenstein] is profoundly concerned with natural as opposed to unnatural modes of production and reproduction\". Victor Frankenstein's failure as a \"parent\" in the novel has been read as an expression of the anxieties which accompany pregnancy, giving birth, and particularly maternity.", "Victor Frankenstein's failure as a \"parent\" in the novel has been read as an expression of the anxieties which accompany pregnancy, giving birth, and particularly maternity. Sandra Gilbert and Susan Gubar argue in their seminal book The Madwoman in the Attic (1979) that in Frankenstein in particular, Shelley responded to the masculine literary tradition represented by John Milton's Paradise Lost.", "Sandra Gilbert and Susan Gubar argue in their seminal book The Madwoman in the Attic (1979) that in Frankenstein in particular, Shelley responded to the masculine literary tradition represented by John Milton's Paradise Lost. In their interpretation, Shelley reaffirms this masculine tradition, including the misogyny inherent in it, but at the same time \"conceal[s] fantasies of equality that occasionally erupt in monstrous images of rage\".", "In their interpretation, Shelley reaffirms this masculine tradition, including the misogyny inherent in it, but at the same time \"conceal[s] fantasies of equality that occasionally erupt in monstrous images of rage\". Mary Poovey reads the first edition of Frankenstein as part of a larger pattern in Shelley's writing, which begins with literary self-assertion and ends with conventional femininity. Poovey suggests that Frankenstein's multiple narratives enable Shelley to split her artistic persona: she can \"express and efface herself at the same time\".", "Poovey suggests that Frankenstein's multiple narratives enable Shelley to split her artistic persona: she can \"express and efface herself at the same time\". Shelley's fear of self-assertion is reflected in the fate of Frankenstein, who is punished for his egotism by losing all his domestic ties. Feminist critics often focus on how authorship itself, particularly female authorship, is represented in and through Shelley's novels.", "Feminist critics often focus on how authorship itself, particularly female authorship, is represented in and through Shelley's novels. As Mellor explains, Shelley uses the Gothic style not only to explore repressed female sexual desire but also as way to \"censor her own speech in Frankenstein\". According to Poovey and Mellor, Shelley did not want to promote her own authorial persona and felt deeply inadequate as a writer, and \"this shame contributed to the generation of her fictional images of abnormality, perversion, and destruction\".", "According to Poovey and Mellor, Shelley did not want to promote her own authorial persona and felt deeply inadequate as a writer, and \"this shame contributed to the generation of her fictional images of abnormality, perversion, and destruction\". Shelley's writings focus on the role of the family in society and women's role within that family. She celebrates the \"feminine affections and compassion\" associated with the family and suggests that civil society will fail without them.", "She celebrates the \"feminine affections and compassion\" associated with the family and suggests that civil society will fail without them. Shelley was \"profoundly committed to an ethic of cooperation, mutual dependence, and self-sacrifice\". In Lodore, for example, the central story follows the fortunes of the wife and daughter of the title character, Lord Lodore, who is killed in a duel at the end of the first volume, leaving a trail of legal, financial, and familial obstacles for the two \"heroines\" to negotiate.", "In Lodore, for example, the central story follows the fortunes of the wife and daughter of the title character, Lord Lodore, who is killed in a duel at the end of the first volume, leaving a trail of legal, financial, and familial obstacles for the two \"heroines\" to negotiate. The novel is engaged with political and ideological issues, particularly the education and social role of women. It dissects a patriarchal culture that separated the sexes and pressured women into dependence on men.", "It dissects a patriarchal culture that separated the sexes and pressured women into dependence on men. In the view of Shelley scholar Betty T. Bennett, \"the novel proposes egalitarian educational paradigms for women and men, which would bring social justice as well as the spiritual and intellectual means by which to meet the challenges life invariably brings\". However, Falkner is the only one of Mary Shelley's novels in which the heroine's agenda triumphs.", "However, Falkner is the only one of Mary Shelley's novels in which the heroine's agenda triumphs. The novel's resolution proposes that when female values triumph over violent and destructive masculinity, men will be freed to express the \"compassion, sympathy, and generosity\" of their better natures. Enlightenment and Romanticism Frankenstein, like much Gothic fiction of the period, mixes a visceral and alienating subject matter with speculative and thought-provoking themes.", "Enlightenment and Romanticism Frankenstein, like much Gothic fiction of the period, mixes a visceral and alienating subject matter with speculative and thought-provoking themes. Rather than focusing on the twists and turns of the plot, however, the novel foregrounds the mental and moral struggles of the protagonist, Victor Frankenstein, and Shelley imbues the text with her own brand of politicised Romanticism, one that criticised the individualism and egotism of traditional Romanticism.", "Rather than focusing on the twists and turns of the plot, however, the novel foregrounds the mental and moral struggles of the protagonist, Victor Frankenstein, and Shelley imbues the text with her own brand of politicised Romanticism, one that criticised the individualism and egotism of traditional Romanticism. Victor Frankenstein is like Satan in Paradise Lost, and Prometheus: he rebels against tradition; he creates life; and he shapes his own destiny.", "Victor Frankenstein is like Satan in Paradise Lost, and Prometheus: he rebels against tradition; he creates life; and he shapes his own destiny. These traits are not portrayed positively; as Blumberg writes, \"his relentless ambition is a self-delusion, clothed as quest for truth\". He must abandon his family to fulfill his ambition. Mary Shelley believed in the Enlightenment idea that people could improve society through the responsible exercise of political power, but she feared that the irresponsible exercise of power would lead to chaos.", "Mary Shelley believed in the Enlightenment idea that people could improve society through the responsible exercise of political power, but she feared that the irresponsible exercise of power would lead to chaos. In practice, her works largely criticise the way 18th-century thinkers such as her parents believed such change could be brought about. The creature in Frankenstein, for example, reads books associated with radical ideals but the education he gains from them is ultimately useless.", "The creature in Frankenstein, for example, reads books associated with radical ideals but the education he gains from them is ultimately useless. Shelley's works reveal her as less optimistic than Godwin and Wollstonecraft; she lacks faith in Godwin's theory that humanity could eventually be perfected.", "Shelley's works reveal her as less optimistic than Godwin and Wollstonecraft; she lacks faith in Godwin's theory that humanity could eventually be perfected. As literary scholar Kari Lokke writes, The Last Man, more so than Frankenstein, \"in its refusal to place humanity at the centre of the universe, its questioning of our privileged position in relation to nature ... constitutes a profound and prophetic challenge to Western humanism.\"", "As literary scholar Kari Lokke writes, The Last Man, more so than Frankenstein, \"in its refusal to place humanity at the centre of the universe, its questioning of our privileged position in relation to nature ... constitutes a profound and prophetic challenge to Western humanism.\" Specifically, Mary Shelley's allusions to what radicals believed was a failed revolution in France and the Godwinian, Wollstonecraftian, and Burkean responses to it, challenge \"Enlightenment faith in the inevitability of progress through collective efforts\".", "Specifically, Mary Shelley's allusions to what radicals believed was a failed revolution in France and the Godwinian, Wollstonecraftian, and Burkean responses to it, challenge \"Enlightenment faith in the inevitability of progress through collective efforts\". As in Frankenstein, Shelley \"offers a profoundly disenchanted commentary on the age of revolution, which ends in a total rejection of the progressive ideals of her own generation\".", "As in Frankenstein, Shelley \"offers a profoundly disenchanted commentary on the age of revolution, which ends in a total rejection of the progressive ideals of her own generation\". Not only does she reject these Enlightenment political ideals, but she also rejects the Romantic notion that the poetic or literary imagination can offer an alternative. Politics There is a new scholarly emphasis on Shelley as a lifelong reformer, deeply engaged in the liberal and feminist concerns of her day.", "Politics There is a new scholarly emphasis on Shelley as a lifelong reformer, deeply engaged in the liberal and feminist concerns of her day. In 1820, she was thrilled by the Liberal uprising in Spain which forced the king to grant a constitution. In 1823, she wrote articles for Leigh Hunt's periodical The Liberal and played an active role in the formulation of its outlook. She was delighted when the Whigs came back to power in 1830 and at the prospect of the 1832 Reform Act.", "She was delighted when the Whigs came back to power in 1830 and at the prospect of the 1832 Reform Act. Critics have until recently cited Lodore and Falkner as evidence of increasing conservatism in Mary Shelley's later works. In 1984, Mary Poovey influentially identified the retreat of Mary Shelley's reformist politics into the \"separate sphere\" of the domestic. Poovey suggested that Mary Shelley wrote Falkner to resolve her conflicted response to her father's combination of libertarian radicalism and stern insistence on social decorum.", "Poovey suggested that Mary Shelley wrote Falkner to resolve her conflicted response to her father's combination of libertarian radicalism and stern insistence on social decorum. Mellor largely agreed, arguing that \"Mary Shelley grounded her alternative political ideology on the metaphor of the peaceful, loving, bourgeois family. She thereby implicitly endorsed a conservative vision of gradual evolutionary reform.\" This vision allowed women to participate in the public sphere but it inherited the inequalities inherent in the bourgeois family.", "This vision allowed women to participate in the public sphere but it inherited the inequalities inherent in the bourgeois family. However, in the last decade or so this view has been challenged. For example, Bennett claims that Mary Shelley's works reveal a consistent commitment to Romantic idealism and political reform and Jane Blumberg's study of Shelley's early novels argues that her career cannot be easily divided into radical and conservative halves.", "For example, Bennett claims that Mary Shelley's works reveal a consistent commitment to Romantic idealism and political reform and Jane Blumberg's study of Shelley's early novels argues that her career cannot be easily divided into radical and conservative halves. She contends that \"Shelley was never a passionate radical like her husband and her later lifestyle was not abruptly assumed nor was it a betrayal. She was in fact challenging the political and literary influences of her circle in her first work.\"", "She was in fact challenging the political and literary influences of her circle in her first work.\" In this reading, Shelley's early works are interpreted as a challenge to Godwin and Percy Bysshe Shelley's radicalism. Victor Frankenstein's \"thoughtless rejection of family\", for example, is seen as evidence of Shelley's constant concern for the domestic.", "Victor Frankenstein's \"thoughtless rejection of family\", for example, is seen as evidence of Shelley's constant concern for the domestic. Short stories In the 1820s and 1830s, Mary Shelley frequently wrote short stories for gift books or annuals, including sixteen for The Keepsake, which was aimed at middle-class women and bound in silk, with gilt-edged pages. Mary Shelley's work in this genre has been described as that of a \"hack writer\" and \"wordy and pedestrian\".", "Mary Shelley's work in this genre has been described as that of a \"hack writer\" and \"wordy and pedestrian\". However, critic Charlotte Sussman points out that other leading writers of the day, such as the Romantic poets William Wordsworth and Samuel Taylor Coleridge, also took advantage of this profitable market. She explains that \"the annuals were a major mode of literary production in the 1820s and 1830s\", with The Keepsake the most successful.", "She explains that \"the annuals were a major mode of literary production in the 1820s and 1830s\", with The Keepsake the most successful. Many of Shelley's stories are set in places or times far removed from early 19th-century Britain, such as Greece and the reign of Henry IV of France.", "Many of Shelley's stories are set in places or times far removed from early 19th-century Britain, such as Greece and the reign of Henry IV of France. Shelley was particularly interested in \"the fragility of individual identity\" and often depicted \"the way a person's role in the world can be cataclysmically altered either by an internal emotional upheaval, or by some supernatural occurrence that mirrors an internal schism\".", "Shelley was particularly interested in \"the fragility of individual identity\" and often depicted \"the way a person's role in the world can be cataclysmically altered either by an internal emotional upheaval, or by some supernatural occurrence that mirrors an internal schism\". In her stories, female identity is tied to a woman's short-lived value in the marriage market while male identity can be sustained and transformed through the use of money.", "In her stories, female identity is tied to a woman's short-lived value in the marriage market while male identity can be sustained and transformed through the use of money. Although Mary Shelley wrote twenty-one short stories for the annuals between 1823 and 1839, she always saw herself, above all, as a novelist. She wrote to Leigh Hunt, \"I write bad articles which help to make me miserable—but I am going to plunge into a novel and hope that its clear water will wash off the mud of the magazines.\"", "She wrote to Leigh Hunt, \"I write bad articles which help to make me miserable—but I am going to plunge into a novel and hope that its clear water will wash off the mud of the magazines.\" Travelogues When they ran off to France in the summer of 1814, Mary Godwin and Percy Shelley began a joint journal, which they published in 1817 under the title History of a Six Weeks' Tour, adding four letters, two by each of them, based on their visit to Geneva in 1816, along with Percy Shelley's poem \"Mont Blanc\".", "Travelogues When they ran off to France in the summer of 1814, Mary Godwin and Percy Shelley began a joint journal, which they published in 1817 under the title History of a Six Weeks' Tour, adding four letters, two by each of them, based on their visit to Geneva in 1816, along with Percy Shelley's poem \"Mont Blanc\". The work celebrates youthful love and political idealism and consciously follows the example of Mary Wollstonecraft and others who had combined travelling with writing.", "The work celebrates youthful love and political idealism and consciously follows the example of Mary Wollstonecraft and others who had combined travelling with writing. The perspective of the History is philosophical and reformist rather than that of a conventional travelogue; in particular, it addresses the effects of politics and war on France. The letters the couple wrote on the second journey confront the \"great and extraordinary events\" of the final defeat of Napoleon at Waterloo after his \"Hundred Days\" return in 1815.", "The letters the couple wrote on the second journey confront the \"great and extraordinary events\" of the final defeat of Napoleon at Waterloo after his \"Hundred Days\" return in 1815. They also explore the sublimity of Lake Geneva and Mont Blanc as well as the revolutionary legacy of the philosopher and novelist Jean-Jacques Rousseau.", "They also explore the sublimity of Lake Geneva and Mont Blanc as well as the revolutionary legacy of the philosopher and novelist Jean-Jacques Rousseau. Mary Shelley's last full-length book, written in the form of letters and published in 1844, was Rambles in Germany and Italy in 1840, 1842 and 1843, which recorded her travels with her son Percy Florence and his university friends.", "Mary Shelley's last full-length book, written in the form of letters and published in 1844, was Rambles in Germany and Italy in 1840, 1842 and 1843, which recorded her travels with her son Percy Florence and his university friends. In Rambles, Shelley follows the tradition of Mary Wollstonecraft's Letters Written in Sweden, Norway, and Denmark and her own A History of a Six Weeks' Tour in mapping her personal and political landscape through the discourse of sensibility and sympathy.", "In Rambles, Shelley follows the tradition of Mary Wollstonecraft's Letters Written in Sweden, Norway, and Denmark and her own A History of a Six Weeks' Tour in mapping her personal and political landscape through the discourse of sensibility and sympathy. For Shelley, building sympathetic connections between people is the way to build civil society and to increase knowledge: \"knowledge, to enlighten and free the mind from clinging deadening prejudices—a wider circle of sympathy with our fellow-creatures;—these are the uses of travel\".", "For Shelley, building sympathetic connections between people is the way to build civil society and to increase knowledge: \"knowledge, to enlighten and free the mind from clinging deadening prejudices—a wider circle of sympathy with our fellow-creatures;—these are the uses of travel\". Between observations on scenery, culture, and \"the people, especially in a political point of view\", she uses the travelogue form to explore her roles as a widow and mother and to reflect on revolutionary nationalism in Italy.", "Between observations on scenery, culture, and \"the people, especially in a political point of view\", she uses the travelogue form to explore her roles as a widow and mother and to reflect on revolutionary nationalism in Italy. She also records her \"pilgrimage\" to scenes associated with Percy Shelley. According to critic Clarissa Orr, Mary Shelley's adoption of a persona of philosophical motherhood gives Rambles the unity of a prose poem, with \"death and memory as central themes\".", "According to critic Clarissa Orr, Mary Shelley's adoption of a persona of philosophical motherhood gives Rambles the unity of a prose poem, with \"death and memory as central themes\". At the same time, Shelley makes an egalitarian case against monarchy, class distinctions, slavery, and war. Biographies Between 1832 and 1839, Mary Shelley wrote many biographies of notable Italian, Spanish, Portuguese, and French men and a few women for Dionysius Lardner's Lives of the Most Eminent Literary and Scientific Men.", "Biographies Between 1832 and 1839, Mary Shelley wrote many biographies of notable Italian, Spanish, Portuguese, and French men and a few women for Dionysius Lardner's Lives of the Most Eminent Literary and Scientific Men. These formed part of Lardner's Cabinet Cyclopaedia, one of the best of many such series produced in the 1820s and 1830s in response to growing middle-class demand for self-education. Until the republication of these essays in 2002, their significance within her body of work was not appreciated.", "Until the republication of these essays in 2002, their significance within her body of work was not appreciated. In the view of literary scholar Greg Kucich, they reveal Mary Shelley's \"prodigious research across several centuries and in multiple languages\", her gift for biographical narrative, and her interest in the \"emerging forms of feminist historiography\". Shelley wrote in a biographical style popularised by the 18th-century critic Samuel Johnson in his Lives of the Poets (1779–81), combining secondary sources, memoir and anecdote, and authorial evaluation.", "Shelley wrote in a biographical style popularised by the 18th-century critic Samuel Johnson in his Lives of the Poets (1779–81), combining secondary sources, memoir and anecdote, and authorial evaluation. She records details of each writer's life and character, quotes their writing in the original as well as in translation, and ends with a critical assessment of their achievement.", "She records details of each writer's life and character, quotes their writing in the original as well as in translation, and ends with a critical assessment of their achievement. For Shelley, biographical writing was supposed to, in her words, \"form as it were a school in which to study the philosophy of history\", and to teach \"lessons\". Most frequently and importantly, these lessons consisted of criticisms of male-dominated institutions such as primogeniture.", "Most frequently and importantly, these lessons consisted of criticisms of male-dominated institutions such as primogeniture. Shelley emphasises domesticity, romance, family, sympathy, and compassion in the lives of her subjects. Her conviction that such forces could improve society connects her biographical approach with that of other early feminist historians such as Mary Hays and Anna Jameson.", "Her conviction that such forces could improve society connects her biographical approach with that of other early feminist historians such as Mary Hays and Anna Jameson. Unlike her novels, most of which had an original print run of several hundred copies, the Lives had a print run of about 4,000 for each volume: thus, according to Kucich, Mary Shelley's \"use of biography to forward the social agenda of women's historiography became one of her most influential political interventions\".", "Unlike her novels, most of which had an original print run of several hundred copies, the Lives had a print run of about 4,000 for each volume: thus, according to Kucich, Mary Shelley's \"use of biography to forward the social agenda of women's historiography became one of her most influential political interventions\". Editorial work Soon after Percy Shelley's death, Mary Shelley determined to write his biography.", "Editorial work Soon after Percy Shelley's death, Mary Shelley determined to write his biography. In a letter of 17 November 1822, she announced: \"I shall write his life—& thus occupy myself in the only manner from which I can derive consolation.\" However, her father-in-law, Sir Timothy Shelley, effectively banned her from doing so. Mary began her fostering of Percy's poetic reputation in 1824 with the publication of his Posthumous Poems.", "Mary began her fostering of Percy's poetic reputation in 1824 with the publication of his Posthumous Poems. In 1839, while she was working on the Lives, she prepared a new edition of his poetry, which became, in the words of literary scholar Susan J. Wolfson, \"the canonizing event\" in the history of her husband's reputation.", "In 1839, while she was working on the Lives, she prepared a new edition of his poetry, which became, in the words of literary scholar Susan J. Wolfson, \"the canonizing event\" in the history of her husband's reputation. The following year, Mary Shelley edited a volume of her husband's essays, letters, translations, and fragments, and throughout the 1830s, she introduced his poetry to a wider audience by publishing assorted works in the annual The Keepsake.", "The following year, Mary Shelley edited a volume of her husband's essays, letters, translations, and fragments, and throughout the 1830s, she introduced his poetry to a wider audience by publishing assorted works in the annual The Keepsake. Evading Sir Timothy's ban on a biography, Mary Shelley often included in these editions her own annotations and reflections on her husband's life and work.", "Evading Sir Timothy's ban on a biography, Mary Shelley often included in these editions her own annotations and reflections on her husband's life and work. \"I am to justify his ways,\" she had declared in 1824; \"I am to make him beloved to all posterity.\" It was this goal, argues Blumberg, that led her to present Percy's work to the public in the \"most popular form possible\".", "It was this goal, argues Blumberg, that led her to present Percy's work to the public in the \"most popular form possible\". To tailor his works for a Victorian audience, she cast Percy Shelley as a lyrical rather than a political poet. As Mary Favret writes, \"the disembodied Percy identifies the spirit of poetry itself\". Mary glossed Percy's political radicalism as a form of sentimentalism, arguing that his republicanism arose from sympathy for those who were suffering.", "Mary glossed Percy's political radicalism as a form of sentimentalism, arguing that his republicanism arose from sympathy for those who were suffering. She inserted romantic anecdotes of his benevolence, domesticity, and love of the natural world. Portraying herself as Percy's \"practical muse\", she also noted how she had suggested revisions as he wrote. Despite the emotions stirred by this task, Mary Shelley arguably proved herself in many respects a professional and scholarly editor.", "Despite the emotions stirred by this task, Mary Shelley arguably proved herself in many respects a professional and scholarly editor. Working from Percy's messy, sometimes indecipherable, notebooks, she attempted to form a chronology for his writings, and she included poems, such as Epipsychidion, addressed to Emilia Viviani, which she would rather have left out.", "Working from Percy's messy, sometimes indecipherable, notebooks, she attempted to form a chronology for his writings, and she included poems, such as Epipsychidion, addressed to Emilia Viviani, which she would rather have left out. She was forced, however, into several compromises, and, as Blumberg notes, \"modern critics have found fault with the edition and claim variously that she miscopied, misinterpreted, purposely obscured, and attempted to turn the poet into something he was not\".", "She was forced, however, into several compromises, and, as Blumberg notes, \"modern critics have found fault with the edition and claim variously that she miscopied, misinterpreted, purposely obscured, and attempted to turn the poet into something he was not\". According to Wolfson, Donald Reiman, a modern editor of Percy Bysshe Shelley's works, still refers to Mary Shelley's editions, while acknowledging that her editing style belongs \"to an age of editing when the aim was not to establish accurate texts and scholarly apparatus but to present a full record of a writer's career for the general reader\".", "According to Wolfson, Donald Reiman, a modern editor of Percy Bysshe Shelley's works, still refers to Mary Shelley's editions, while acknowledging that her editing style belongs \"to an age of editing when the aim was not to establish accurate texts and scholarly apparatus but to present a full record of a writer's career for the general reader\". In principle, Mary Shelley believed in publishing every last word of her husband's work; but she found herself obliged to omit certain passages, either by pressure from her publisher, Edward Moxon, or in deference to public propriety.", "In principle, Mary Shelley believed in publishing every last word of her husband's work; but she found herself obliged to omit certain passages, either by pressure from her publisher, Edward Moxon, or in deference to public propriety. For example, she removed the atheistic passages from Queen Mab for the first edition. After she restored them in the second edition, Moxon was prosecuted and convicted of blasphemous libel, though the prosecution was brought out of principle by the Chartist publisher Henry Hetherington, and no punishment was sought.", "After she restored them in the second edition, Moxon was prosecuted and convicted of blasphemous libel, though the prosecution was brought out of principle by the Chartist publisher Henry Hetherington, and no punishment was sought. Mary Shelley's omissions provoked criticism, often stinging, from members of Percy Shelley's former circle, and reviewers accused her of, among other things, indiscriminate inclusions. Her notes have nevertheless remained an essential source for the study of Percy Shelley's work.", "Her notes have nevertheless remained an essential source for the study of Percy Shelley's work. As Bennett explains, \"biographers and critics agree that Mary Shelley's commitment to bring Shelley the notice she believed his works merited was the single, major force that established Shelley's reputation during a period when he almost certainly would have faded from public view\". Reputation In her own lifetime, Mary Shelley was taken seriously as a writer, though reviewers often missed her writings' political edge.", "Reputation In her own lifetime, Mary Shelley was taken seriously as a writer, though reviewers often missed her writings' political edge. After her death, however, she was chiefly remembered as the wife of Percy Bysshe Shelley and as the author of Frankenstein. In fact, in the introduction to her letters published in 1945, editor Frederick Jones wrote, \"a collection of the present size could not be justified by the general quality of the letters or by Mary Shelley's importance as a writer.", "In fact, in the introduction to her letters published in 1945, editor Frederick Jones wrote, \"a collection of the present size could not be justified by the general quality of the letters or by Mary Shelley's importance as a writer. It is as the wife of [Percy Bysshe Shelley] that she excites our interest.\" This attitude had not disappeared by 1980 when Betty T. Bennett published the first volume of Mary Shelley's complete letters.", "This attitude had not disappeared by 1980 when Betty T. Bennett published the first volume of Mary Shelley's complete letters. As she explains, \"the fact is that until recent years scholars have generally regarded Mary Wollstonecraft Shelley as a result: William Godwin's and Mary Wollstonecraft's daughter who became Shelley's Pygmalion.\" It was not until Emily Sunstein's Mary Shelley: Romance and Reality in 1989 that a full-length scholarly biography was published.", "It was not until Emily Sunstein's Mary Shelley: Romance and Reality in 1989 that a full-length scholarly biography was published. The attempts of Mary Shelley's son and daughter-in-law to \"Victorianise\" her memory by censoring biographical documents contributed to a perception of Mary Shelley as a more conventional, less reformist figure than her works suggest. Her own timid omissions from Percy Shelley's works and her quiet avoidance of public controversy in her later years added to this impression.", "Her own timid omissions from Percy Shelley's works and her quiet avoidance of public controversy in her later years added to this impression. Commentary by Hogg, Trelawny, and other admirers of Percy Shelley also tended to downplay Mary Shelley's radicalism. Trelawny's Records of Shelley, Byron, and the Author (1878) praised Percy Shelley at the expense of Mary, questioning her intelligence and even her authorship of Frankenstein.", "Trelawny's Records of Shelley, Byron, and the Author (1878) praised Percy Shelley at the expense of Mary, questioning her intelligence and even her authorship of Frankenstein. Lady Shelley, Percy Florence's wife, responded in part by presenting a severely edited collection of letters she had inherited, published privately as Shelley and Mary in 1882.", "Lady Shelley, Percy Florence's wife, responded in part by presenting a severely edited collection of letters she had inherited, published privately as Shelley and Mary in 1882. From Frankenstein'''s first theatrical adaptation in 1823 to the cinematic adaptations of the 20th century, including the first cinematic version in 1910 and now-famous versions such as James Whale's 1931 Frankenstein, Mel Brooks' satirical 1974 Young Frankenstein, and Kenneth Branagh's 1994 Mary Shelley's Frankenstein, many audiences first encounter the work of Mary Shelley through adaptation.", "From Frankenstein'''s first theatrical adaptation in 1823 to the cinematic adaptations of the 20th century, including the first cinematic version in 1910 and now-famous versions such as James Whale's 1931 Frankenstein, Mel Brooks' satirical 1974 Young Frankenstein, and Kenneth Branagh's 1994 Mary Shelley's Frankenstein, many audiences first encounter the work of Mary Shelley through adaptation. Over the course of the 19th century, Mary Shelley came to be seen as a one-novel author at best, rather than as the professional writer she was; most of her works have remained out of print until the last thirty years, obstructing a larger view of her achievement.", "Over the course of the 19th century, Mary Shelley came to be seen as a one-novel author at best, rather than as the professional writer she was; most of her works have remained out of print until the last thirty years, obstructing a larger view of her achievement. In recent decades, the republication of almost all her writing has stimulated a new recognition of its value. Her habit of intensive reading and study, revealed in her journals and letters and reflected in her works, is now better appreciated.", "Her habit of intensive reading and study, revealed in her journals and letters and reflected in her works, is now better appreciated. Shelley's conception of herself as an author has also been recognised; after Percy's death, she wrote of her authorial ambitions: \"I think that I can maintain myself, and there is something inspiriting in the idea.\" Scholars now consider Mary Shelley to be a major Romantic figure, significant for her literary achievement and her political voice as a woman and a liberal.", "Scholars now consider Mary Shelley to be a major Romantic figure, significant for her literary achievement and her political voice as a woman and a liberal. Selected works History of a Six Weeks' Tour (1817) Frankenstein; or, The Modern Prometheus (1818) Mathilda (1819) Valperga; or, The Life and Adventures of Castruccio, Prince of Lucca (1823) Posthumous Poems of Percy Bysshe Shelley (1824) The Last Man (1826) The Fortunes of Perkin Warbeck (1830) Lodore (1835) Falkner (1837) The Poetical Works of Percy Bysshe Shelley (1839) Contributions to Lives of the Most Eminent Literary and Scientific Men (1835–39), part of Lardner's Cabinet Cyclopaedia Rambles in Germany and Italy in 1840, 1842, and 1843 (1844) Collections of Mary Shelley's papers are housed in Lord Abinger's Shelley Collection on deposit at the Bodleian Library, the New York Public Library (particularly The Carl H. Pforzheimer Collection of Shelley and His Circle), the Huntington Library, the British Library, and in the John Murray Collection.", "Selected works History of a Six Weeks' Tour (1817) Frankenstein; or, The Modern Prometheus (1818) Mathilda (1819) Valperga; or, The Life and Adventures of Castruccio, Prince of Lucca (1823) Posthumous Poems of Percy Bysshe Shelley (1824) The Last Man (1826) The Fortunes of Perkin Warbeck (1830) Lodore (1835) Falkner (1837) The Poetical Works of Percy Bysshe Shelley (1839) Contributions to Lives of the Most Eminent Literary and Scientific Men (1835–39), part of Lardner's Cabinet Cyclopaedia Rambles in Germany and Italy in 1840, 1842, and 1843 (1844) Collections of Mary Shelley's papers are housed in Lord Abinger's Shelley Collection on deposit at the Bodleian Library, the New York Public Library (particularly The Carl H. Pforzheimer Collection of Shelley and His Circle), the Huntington Library, the British Library, and in the John Murray Collection. See also Mary Shelley (2017 film) Godwin–Shelley family tree Map of 1814 and 1816 European journeys Map of 1840s European journeys Notes References All essays from The Cambridge Companion to Mary Shelley are marked with a \"(CC)\" and those from The Other Mary Shelley with an \"(OMS)\".", "See also Mary Shelley (2017 film) Godwin–Shelley family tree Map of 1814 and 1816 European journeys Map of 1840s European journeys Notes References All essays from The Cambridge Companion to Mary Shelley are marked with a \"(CC)\" and those from The Other Mary Shelley with an \"(OMS)\". Bibliography Primary sources Shelley, Mary. Collected Tales and Stories. Ed. Charles E. Robinson. Baltimore: Johns Hopkins University Press, 1976. . Shelley, Mary. Frankenstein; or, The Modern Prometheus. Ed.", "Shelley, Mary. Frankenstein; or, The Modern Prometheus. Ed. Ed. Susan J. Wolfson. New York: Pearson Longman, 2007. . Shelley, Mary. The Journals of Mary Shelley, 1814–44. Ed. Paula R. Feldman and Diana Scott-Kilvert. Baltimore: Johns Hopkins University Press, 1995. . Shelley, Mary. The Last Man. Ed. Morton D. Paley. Oxford: Oxford Paperbacks, 1998. . Shelley, Mary. Lodore. Ed. Lisa Vargo. Ontario: Broadview Press, 1997. .", "Ed. Lisa Vargo. Ontario: Broadview Press, 1997. . Ontario: Broadview Press, 1997. . Shelley, Mary. Mary Shelley's Literary Lives and Other Writings. 4 vols. Ed. Tilar J. Mazzeo. London: Pickering & Chatto, 2002. . Shelley, Mary. Mathilda . Ed. Elizabeth Nitchie. Chapel Hill: University of North Carolina Press, 1959. Project Gutenberg. Retrieved 16 February 2008. Shelley, Mary. Matilda; with Mary and Maria, by Mary Wollstonecraft. Ed. Janet Todd.", "Matilda; with Mary and Maria, by Mary Wollstonecraft. Ed. Janet Todd. Janet Todd. London: Penguin, 1992. . Shelley, Mary, ed. The Poetical Works of Percy Bysshe Shelley . London: Edward Moxon, 1840. Google Books. Retrieved 6 April 2008. Shelley, Mary. Selected Letters of Mary Wollstonecraft Shelley. Ed. Betty T. Bennett. Baltimore: Johns Hopkins University Press, 1995. . Shelley, Mary. Valperga; or, The Life and Adventures of Castruccio, Prince of Lucca.", "Valperga; or, The Life and Adventures of Castruccio, Prince of Lucca. Ed. Michael Rossington. Oxford: Oxford Paperbacks, 2000. . Shelley, Percy Bysshe. Shelley's Poetry and Prose. Eds. Donald H. Reiman and Neil Fraistat. 2nd ed. New York: W. W. Norton and Co., 2002. . Secondary sources Bennett, Betty T. \"Finding Mary Shelley in her Letters\". Romantic Revisions. Ed. Robert Brinkley and Keith Hanley. Cambridge: Cambridge University Press, 1992. .", "Cambridge: Cambridge University Press, 1992. . Cambridge: Cambridge University Press, 1992. . Bennett, Betty T., ed. Mary Shelley in her Times. Baltimore: Johns Hopkins University Press, 2003. . Bennett, Betty T. Mary Wollstonecraft Shelley: An Introduction. Baltimore: Johns Hopkins University Press, 1998. . Bennett, Betty T. \"The Political Philosophy of Mary Shelley's Historical Novels: Valperga and Perkin Warbeck\". The Evidence of the Imagination. Ed. Donald H. Reiman, Michael C. Jaye, and Betty T. Bennett.", "Donald H. Reiman, Michael C. Jaye, and Betty T. Bennett. New York: New York University Press, 1978. . Bieri, James. Percy Bysshe Shelley, a Biography: Exile of Unfulfilled Renown, 1816–1822. Newark: University of Delaware Press, 2005. . Blumberg, Jane. Mary Shelley's Early Novels: \"This Child of Imagination and Misery\". Iowa City: University of Iowa Press, 1993. . Bunnell, Charlene E. \"All the World's a Stage\": Dramatic Sensibility in Mary Shelley's Novels.", "Bunnell, Charlene E. \"All the World's a Stage\": Dramatic Sensibility in Mary Shelley's Novels. New York: Routledge, 2002. . Carlson, J. A. England's First Family of Writers: Mary Wollstonecraft, William Godwin, Mary Shelley. Baltimore: Johns Hopkins University Press, 2007. . Clemit, Pamela. \"From The Fields of Fancy to Matilda.\" Mary Shelley in her Times. Ed. Betty T. Bennett. Baltimore: Johns Hopkins University Press, 2003. . Clemit, Pamela.", "Baltimore: Johns Hopkins University Press, 2003. . Clemit, Pamela. Clemit, Pamela. The Godwinian Novel: The Rational Fictions of Godwin, Brockden Brown, Mary Shelley. Oxford: Clarendon Press, 1993. . Conger, Syndy M., Frederick S. Frank, and Gregory O'Dea, eds. Iconoclastic Departures: Mary Shelley after \"Frankenstein\". Essays in Honor of the Bicentenary of Mary Shelley's Birth. Madison, NJ: Farleigh Dickinson University Press, 1997. . Eberle-Sinatra, Michael, ed.", "Eberle-Sinatra, Michael, ed. Eberle-Sinatra, Michael, ed. Mary Shelley's Fictions: From Frankenstein to Falkner. New York: St. Martin's Press/Palgrave, 2000. . Fisch, Audrey A., Anne K. Mellor, and Esther H. Schorr, eds. The Other Mary Shelley: Beyond \"Frankenstein\". New York: Oxford University Press, 1993. . Frank, Frederick S. \"Mary Shelley's Other Fictions: A Bibliographic Consensus\". Iconoclastic Departures: Mary Shelley after \"Frankenstein\".", "Iconoclastic Departures: Mary Shelley after \"Frankenstein\". Iconoclastic Departures: Mary Shelley after \"Frankenstein\". Essays in Honor of the Bicentenary of Mary Shelley's Birth. Ed. Syndy M. Conger, Frederick S. Frank, and Gregory O'Dea. Madison, NJ: Farleigh Dickinson University Press, 1997. . Garrett, Martin Mary Shelley. Oxford: Oxford University Press. 2002. Gilbert, Sandra M. and Susan Gubar. The Madwoman in the Attic: The Woman Writer and the Nineteenth-Century Literary Imagination. 1979.", "The Madwoman in the Attic: The Woman Writer and the Nineteenth-Century Literary Imagination. 1979. 1979. New Haven: Yale University Press, 1984. . Gittings, Robert and Jo Manton. Claire Clairmont and the Shelleys. Oxford: Oxford University Press, 1992. . Holmes, Richard. Shelley: The Pursuit. 1974. London: Harper Perennial, 2003. . Jones, Steven. \"Charles E. Robinson, Ed. The Frankenstein Notebooks: A Facsimile Edition of Mary Shelley's Novel, 1816–17 (Parts One and Two)\".", "The Frankenstein Notebooks: A Facsimile Edition of Mary Shelley's Novel, 1816–17 (Parts One and Two)\". (Book Review). Romantic Circles website, 1 January 1998. Retrieved 15 September 2016. Jump, Harriet Devine, Pamela Clemit, and Betty T. Bennett, eds. Lives of the Great Romantics III: Godwin, Wollstonecraft & Mary Shelley by Their Contemporaries. London: Pickering & Chatto, 1999. . Levine, George and U. C. Knoepflmacher, eds.", "Levine, George and U. C. Knoepflmacher, eds. Levine, George and U. C. Knoepflmacher, eds. The Endurance of Frankenstein: Essays on Mary Shelley's novel. Berkeley: University of California Press, 1979. . Mellor, Anne K. Mary Shelley: Her Life, her Fiction, Her Monsters. London: Routledge, 1990. . Myers, Mitzi. \"Mary Wollstonecraft Godwin Shelley: The Female Author between Public and Private Spheres.\" Mary Shelley in her Times. Ed. Betty T. Bennett.", "Mary Shelley in her Times. Ed. Betty T. Bennett. Betty T. Bennett. Baltimore: Johns Hopkins University Press, 2003. . Orr, Clarissa Campbell. \"Mary Shelley's Rambles in Germany and Italy, the Celebrity Author, and the Undiscovered Country of the Human Heart\". Romanticism on the Net 11 (August 1998). Retrieved 22 February 2008. Poovey, Mary. The Proper Lady and the Woman Writer: Ideology as Style in the Works of Mary Wollstonecraft, Mary Shelley and Jane Austen.", "The Proper Lady and the Woman Writer: Ideology as Style in the Works of Mary Wollstonecraft, Mary Shelley and Jane Austen. Chicago: University of Chicago Press, 1985. . Robinson, Charles E., ed. The Frankenstein Notebooks: A Facsimile Edition of Mary Shelley's Novel, 1816–17 (Parts One and Two). The Manuscripts of the Younger Romantics, Volume IX, Donald H. Reiman, general ed. Garland Publishing, 1996. . Schor, Esther, ed. The Cambridge Companion to Mary Shelley.", "Schor, Esther, ed. The Cambridge Companion to Mary Shelley. The Cambridge Companion to Mary Shelley. Cambridge: Cambridge University Press, 2003. . Seymour, Miranda. Mary Shelley. London: John Murray, 2000. . Sites, Melissa. \"Re/membering Home: Utopian Domesticity in Mary Shelley's Lodore\". A Brighter Morn: The Shelley Circle's Utopian Project. Ed. Darby Lewes. Lanham, MD: Lexington Books, 2003. . Smith, Johanna M. \"A Critical History of Frankenstein\". Frankenstein.", "Smith, Johanna M. \"A Critical History of Frankenstein\". Frankenstein. Frankenstein. Case Studies in Contemporary Criticism. New York: Palgrave Macmillan, 2000. . Spark, Muriel. Mary Shelley. London: Cardinal, 1987. . St Clair, William. The Godwins and the Shelleys: The Biography of a Family. London: Faber & Faber, 1989. . Sterrenburg, Lee. \"The Last Man: Anatomy of Failed Revolutions\". Nineteenth Century Fiction 33 (1978): 324–47.", "Nineteenth Century Fiction 33 (1978): 324–47. Nineteenth Century Fiction 33 (1978): 324–47. Sunstein, Emily W. Mary Shelley: Romance and Reality. 1989. Baltimore: Johns Hopkins University Press, 1991. . Townsend, William C. Modern State Trials. London: Longman, Brown, Green and Longmans, 1850. Wake, Ann M Frank. \"Women in the Active Voice: Recovering Female History in Mary Shelley's Valperga and Perkin Warbeck\". Iconoclastic Departures: Mary Shelley after \"Frankenstein\".", "Iconoclastic Departures: Mary Shelley after \"Frankenstein\". Iconoclastic Departures: Mary Shelley after \"Frankenstein\". Essays in Honor of the Bicentenary of Mary Shelley's Birth. Ed. Syndy M. Conger, Frederick S. Frank, and Gregory O'Dea. Madison, NJ: Farleigh Dickinson University Press, 1997. . White, Daniel E. \"'The god undeified': Mary Shelley's Valperga, Italy, and the Aesthetic of Desire \". Romanticism on the Net 6 (May 1997). Retrieved 22 February 2008.", "Romanticism on the Net 6 (May 1997). Retrieved 22 February 2008. Retrieved 22 February 2008. Further reading Goulding, Christopher. \"The Real Doctor Frankenstein?\" Journal of the Royal Society of Medicine. The Royal Society of Medicine, May 2002.", "The Royal Society of Medicine, May 2002. The Royal Society of Medicine, May 2002. Richard Holmes, \"Out of Control\" (review of Mary Shelley, Frankenstein, Or, The Modern Prometheus: Annotated for Scientists, Engineers, and Creators of All Kinds, edited by David H. Guston, Ed Finn, and Jason Scott Robert, MIT Press, 277 pp. ; and Mary Shelley, The New Annotated Frankenstein, edited and with a foreword and notes by Leslie S. Klinger, Liveright, 352 pp.", "; and Mary Shelley, The New Annotated Frankenstein, edited and with a foreword and notes by Leslie S. Klinger, Liveright, 352 pp. ), The New York Review of Books, vol. LXIV, no. 20 (21 December 2017), pp. 38, 40–41. Gordon, Charlotte (2016). Romantic Outlaws: The Extraordinary Lives of Mary Wollstonecraft & Mary Shelley'', Random House.", "Romantic Outlaws: The Extraordinary Lives of Mary Wollstonecraft & Mary Shelley'', Random House. External links Mary Shelley chronology and bibliography – part of Romantic Circles Mary Wollstonecraft Shelley manuscript material, 1815–1850, held by the Carl H. Pforzheimer Collection of Shelley and His Circle, New York Public Library Mary Shelley at the British Library Exhibits relating to Mary Shelley at the Bodleian Library, University of Oxford 1797 births 1851 deaths 19th-century English women writers 19th-century English novelists 19th-century British short story writers British expatriates in Italy British expatriates in Switzerland British feminists British horror writers British science fiction writers Deaths from brain tumor Deaths from cancer in England English expatriates in Italy English expatriates in Switzerland English feminists English horror writers English science fiction writers English travel writers English women novelists Frankenstein Godwin family People from Bournemouth People from Somers Town, London Romanticism Science Fiction Hall of Fame inductees Victorian novelists Women historical novelists Women horror writers Women of the Regency era Women science fiction and fantasy writers British women travel writers Writers of Gothic fiction Shelley family Weird fiction writers" ]

[ "Mary Shelley", "Lake Geneva and Frankenstein", "When did Mary Shelley write Frankenstein?", "Mary Shelley remembered in 1831,", "What did she have to do with Lake Geneva?", "close to Lake Geneva at the village of Cologny; Percy Shelley rented a smaller building called Maison Chapuis", "what did they do while they were there?", "They spent their time writing, boating on the lake, and talking late into the night. \"", "What did they write while they were there?", "Byron to propose that they \"each write a ghost story\"." ]

[ "14 Vileyrey (English: fourteenth night) is a 2011 Maldivian romantic horror film directed by Abdul Faththaah. Produced by Hassan under Dash Studio, the film stars Ali Seezan, Mariyam Nisha and Aishath Rishmy in pivotal roles. The film was released on 27 June 2011. Upon release, the film received mixed response from critics, did good business at box office and was ultimately declared a \"Hit\".\n\nCast \n Ali Seezan\n Mariyam Nisha\n Aishath Rishmy as Nazima\n Fauziyya Hassan\n Arifa Ibrahim\n Roanu Hassan Manik\n\nDevelopment\nAbdul Faththaah assigned Ibrahim Waheed to write the story and script for the film in 2010. Initially Fatthah, wanted the story to involve a ghost and a spirit, though Waheed and Fatthah later came to a conclusion to omit the involvement of ghost in script since \"its a challenge to incorporate both ghost and spirit simultaneously\". The project faced controversy when the team of Kuhveriakee Kaakuhey? accuses Fatthah for \"purloining their plot\" which also features Aishath Rishmy.\n\nSoundtrack\n\nAccolades\n\nReferences\n\n2011 films\nMaldivian films\nMaldivian horror films\n2011 horror films\nRomantic horror films", "Roald Dahl's Book of Ghost Stories (1983) is a collection of ghost stories chosen by Roald Dahl.\n\nDahl read 749 supernatural tales from an array of writers at the British Museum before choosing 14 that he considered the best. In the book Dahl writes; \"Spookiness is, after all, the real purpose of the ghost story\". He initially did this while working to develop an American television programme that would feature dramatisations of these stories. He wrote a pilot based on E. F. Benson's \"The Hanging of Alfred Wadham\", that was then filmed, but when producers saw the film they were concerned that it would offend American Catholics, due to the story being about the stipulations of confession. As a result, the show was cancelled, and years later Dahl decided to use his research to make a book.\n\nContents\nW.S. (1952) by L.P. Hartley\nHarry (1955) by Rosemary Timperley\nThe Corner Shop (1926) by Lady Cynthia Asquith\nIn the Tube (1922) by E.F. Benson\nChristmas Meeting (1952) by Rosemary Timperley\nElias and the Draug (1902) by Jonas Lie\nPlaymates (1927) by A. M. Burrage\nRinging the Changes (1955) by Robert Aickman\nThe Telephone (1955) by Mary Treadgold\nThe Ghost of a Hand (1962) by Sheridan Le Fanu\nThe Sweeper (1931) by A. M. Burrage\nAfterward (1910) by Edith Wharton\nOn the Brighton Road (1912) by Richard Barham Middleton\nThe Upper Berth (1885) by Francis Marion Crawford\n\nReferences\n\n1983 short story collections\nShort story collections by Roald Dahl\nJonathan Cape books\nGhost stories\nHorror short story collections\nFantasy short story collections\nFarrar, Straus and Giroux books" ]

[ "Mary Wollstonecraft Shelley (; ; 30 August 1797 – 1 February 1851) was an English novelist who wrote the Gothic novel Frankenstein; or, The Modern Prometheus (1818), which is considered an early example of science fiction. She also edited and promoted the works of her husband, the Romantic poet and philosopher Percy Bysshe Shelley. Her father was the political philosopher William Godwin and her mother was the philosopher and feminist activist Mary Wollstonecraft. Shelley's mother died less than a month after giving birth to her.", "Shelley's mother died less than a month after giving birth to her. She was raised by her father, who provided her with a rich if informal education, encouraging her to adhere to his own anarchist political theories. When she was four, her father married a neighbour, Mary Jane Clairmont, with whom Shelley came to have a troubled relationship. In 1814, Shelley began a romance with one of her father's political followers, Percy Bysshe Shelley, who was already married.", "In 1814, Shelley began a romance with one of her father's political followers, Percy Bysshe Shelley, who was already married. Together with her stepsister, Claire Clairmont, she and Percy left for France and travelled through Europe. Upon their return to England, Shelley was pregnant with Percy's child. Over the next two years, she and Percy faced ostracism, constant debt and the death of their prematurely born daughter. They married in late 1816, after the suicide of Percy Shelley's first wife, Harriet.", "They married in late 1816, after the suicide of Percy Shelley's first wife, Harriet. In 1816, the couple and Mary's stepsister famously spent a summer with Lord Byron and John William Polidori near Geneva, Switzerland, where Shelley conceived the idea for her novel Frankenstein. The Shelleys left Britain in 1818 for Italy, where their second and third children died before Shelley gave birth to her last and only surviving child, Percy Florence Shelley.", "The Shelleys left Britain in 1818 for Italy, where their second and third children died before Shelley gave birth to her last and only surviving child, Percy Florence Shelley. In 1822, her husband drowned when his sailing boat sank during a storm near Viareggio. A year later, Shelley returned to England and from then on devoted herself to the upbringing of her son and a career as a professional author.", "A year later, Shelley returned to England and from then on devoted herself to the upbringing of her son and a career as a professional author. The last decade of her life was dogged by illness, most likely caused by the brain tumour which killed her at age 53. Until the 1970s, Shelley was known mainly for her efforts to publish her husband's works and for her novel Frankenstein, which remains widely read and has inspired many theatrical and film adaptations.", "Until the 1970s, Shelley was known mainly for her efforts to publish her husband's works and for her novel Frankenstein, which remains widely read and has inspired many theatrical and film adaptations. Recent scholarship has yielded a more comprehensive view of Shelley's achievements.", "Recent scholarship has yielded a more comprehensive view of Shelley's achievements. Scholars have shown increasing interest in her literary output, particularly in her novels, which include the historical novels Valperga (1823) and Perkin Warbeck (1830), the apocalyptic novel The Last Man (1826) and her final two novels, Lodore (1835) and Falkner (1837).", "Scholars have shown increasing interest in her literary output, particularly in her novels, which include the historical novels Valperga (1823) and Perkin Warbeck (1830), the apocalyptic novel The Last Man (1826) and her final two novels, Lodore (1835) and Falkner (1837). Studies of her lesser-known works, such as the travel book Rambles in Germany and Italy (1844) and the biographical articles for Dionysius Lardner's Cabinet Cyclopaedia (1829–1846), support the growing view that Shelley remained a political radical throughout her life.", "Studies of her lesser-known works, such as the travel book Rambles in Germany and Italy (1844) and the biographical articles for Dionysius Lardner's Cabinet Cyclopaedia (1829–1846), support the growing view that Shelley remained a political radical throughout her life. Shelley's works often argue that cooperation and sympathy, particularly as practised by women in the family, were the ways to reform civil society.", "Shelley's works often argue that cooperation and sympathy, particularly as practised by women in the family, were the ways to reform civil society. This view was a direct challenge to the individualistic Romantic ethos promoted by Percy Shelley and the Enlightenment political theories articulated by her father, William Godwin. Life and career Early life Mary Shelley was born Mary Wollstonecraft Godwin in Somers Town, London, in 1797.", "Life and career Early life Mary Shelley was born Mary Wollstonecraft Godwin in Somers Town, London, in 1797. She was the second child of the feminist philosopher, educator, and writer Mary Wollstonecraft and the first child of the philosopher, novelist, and journalist William Godwin. Wollstonecraft died of puerperal fever shortly after Mary was born. Godwin was left to bring up Mary, along with her older half-sister, Fanny Imlay, Wollstonecraft's child by the American speculator Gilbert Imlay.", "Godwin was left to bring up Mary, along with her older half-sister, Fanny Imlay, Wollstonecraft's child by the American speculator Gilbert Imlay. A year after Wollstonecraft's death, Godwin published his Memoirs of the Author of A Vindication of the Rights of Woman (1798), which he intended as a sincere and compassionate tribute. However, because the Memoirs revealed Wollstonecraft's affairs and her illegitimate child, they were seen as shocking.", "However, because the Memoirs revealed Wollstonecraft's affairs and her illegitimate child, they were seen as shocking. Mary Godwin read these memoirs and her mother's books, and was brought up to cherish her mother's memory. Mary's earliest years were happy, judging from the letters of William Godwin's housekeeper and nurse, Louisa Jones. But Godwin was often deeply in debt; feeling that he could not raise the children by himself, he cast about for a second wife.", "But Godwin was often deeply in debt; feeling that he could not raise the children by himself, he cast about for a second wife. In December 1801, he married Mary Jane Clairmont, a well-educated woman with two young children of her own—Charles and Claire. Most of Godwin's friends disliked his new wife, describing her as quick-tempered and quarrelsome; but Godwin was devoted to her, and the marriage was a success. Mary Godwin, on the other hand, came to detest her stepmother.", "Mary Godwin, on the other hand, came to detest her stepmother. William Godwin's 19th-century biographer Charles Kegan Paul later suggested that Mrs Godwin had favoured her own children over those of Mary Wollstonecraft. Together, the Godwins started a publishing firm called M. J. Godwin, which sold children's books as well as stationery, maps, and games. However, the business did not turn a profit, and Godwin was forced to borrow substantial sums to keep it going.", "However, the business did not turn a profit, and Godwin was forced to borrow substantial sums to keep it going. He continued to borrow to pay off earlier loans, compounding his problems. By 1809, Godwin's business was close to failure, and he was \"near to despair\". Godwin was saved from debtor's prison by philosophical devotees such as Francis Place, who lent him further money. Though Mary Godwin received little formal education, her father tutored her in a broad range of subjects.", "Though Mary Godwin received little formal education, her father tutored her in a broad range of subjects. He often took the children on educational outings, and they had access to his library and to the many intellectuals who visited him, including the Romantic poet Samuel Taylor Coleridge and the former vice-president of the United States Aaron Burr.", "He often took the children on educational outings, and they had access to his library and to the many intellectuals who visited him, including the Romantic poet Samuel Taylor Coleridge and the former vice-president of the United States Aaron Burr. Godwin admitted he was not educating the children according to Mary Wollstonecraft's philosophy as outlined in works such as A Vindication of the Rights of Woman (1792), but Mary Godwin nonetheless received an unusual and advanced education for a girl of the time.", "Godwin admitted he was not educating the children according to Mary Wollstonecraft's philosophy as outlined in works such as A Vindication of the Rights of Woman (1792), but Mary Godwin nonetheless received an unusual and advanced education for a girl of the time. She had a governess, a daily tutor, and read many of her father's children's books on Roman and Greek history in manuscript. For six months in 1811, she also attended a boarding school in Ramsgate.", "For six months in 1811, she also attended a boarding school in Ramsgate. Her father described her at age 15 as \"singularly bold, somewhat imperious, and active of mind. Her desire of knowledge is great, and her perseverance in everything she undertakes almost invincible.\" In June 1812, Mary's father sent her to stay with the dissenting family of the radical William Baxter, near Dundee, Scotland.", "In June 1812, Mary's father sent her to stay with the dissenting family of the radical William Baxter, near Dundee, Scotland. To Baxter, he wrote, \"I am anxious that she should be brought up ... like a philosopher, even like a cynic.\" Scholars have speculated that she may have been sent away for her health, to remove her from the seamy side of the business, or to introduce her to radical politics.", "Scholars have speculated that she may have been sent away for her health, to remove her from the seamy side of the business, or to introduce her to radical politics. Mary Godwin revelled in the spacious surroundings of Baxter's house and in the companionship of his four daughters, and she returned north in the summer of 1813 for a further stay of 10 months. In the 1831 introduction to Frankenstein, she recalled: \"I wrote then—but in a most common-place style.", "In the 1831 introduction to Frankenstein, she recalled: \"I wrote then—but in a most common-place style. It was beneath the trees of the grounds belonging to our house, or on the bleak sides of the woodless mountains near, that my true compositions, the airy flights of my imagination, were born and fostered.\" Percy Bysshe Shelley Mary Godwin may have first met the radical poet-philosopher Percy Bysshe Shelley in the interval between her two stays in Scotland.", "Percy Bysshe Shelley Mary Godwin may have first met the radical poet-philosopher Percy Bysshe Shelley in the interval between her two stays in Scotland. By the time she returned home for a second time on 30 March 1814, Percy Shelley had become estranged from his wife and was regularly visiting William Godwin, whom he had agreed to bail out of debt.", "By the time she returned home for a second time on 30 March 1814, Percy Shelley had become estranged from his wife and was regularly visiting William Godwin, whom he had agreed to bail out of debt. Percy Shelley's radicalism, particularly his economic views, which he had imbibed from William Godwin's Political Justice (1793), had alienated him from his wealthy aristocratic family: they wanted him to follow traditional models of the landed aristocracy, and he wanted to donate large amounts of the family's money to schemes intended to help the disadvantaged.", "Percy Shelley's radicalism, particularly his economic views, which he had imbibed from William Godwin's Political Justice (1793), had alienated him from his wealthy aristocratic family: they wanted him to follow traditional models of the landed aristocracy, and he wanted to donate large amounts of the family's money to schemes intended to help the disadvantaged. Percy Shelley, therefore, had difficulty gaining access to money until he inherited his estate because his family did not want him wasting it on projects of \"political justice\".", "Percy Shelley, therefore, had difficulty gaining access to money until he inherited his estate because his family did not want him wasting it on projects of \"political justice\". After several months of promises, Shelley announced that he either could not or would not pay off all of Godwin's debts. Godwin was angry and felt betrayed.", "Godwin was angry and felt betrayed. Godwin was angry and felt betrayed. Mary and Percy began meeting each other secretly at her mother Mary Wollstonecraft's grave in the churchyard of St Pancras Old Church, and they fell in love—she was 16, and he was 21.", "Mary and Percy began meeting each other secretly at her mother Mary Wollstonecraft's grave in the churchyard of St Pancras Old Church, and they fell in love—she was 16, and he was 21. On 26 June 1814, Shelley and Godwin declared their love for one another as Shelley announced he could not hide his \"ardent passion\", leading her in a \"sublime and rapturous moment\" to say she felt the same way; on either that day or the next, Godwin lost her virginity to Shelley, which tradition claims happened in the churchyard.", "On 26 June 1814, Shelley and Godwin declared their love for one another as Shelley announced he could not hide his \"ardent passion\", leading her in a \"sublime and rapturous moment\" to say she felt the same way; on either that day or the next, Godwin lost her virginity to Shelley, which tradition claims happened in the churchyard. Godwin described herself as attracted to Shelley's \"wild, intellectual, unearthly looks\".", "Godwin described herself as attracted to Shelley's \"wild, intellectual, unearthly looks\". To Mary's dismay, her father disapproved, and tried to thwart the relationship and salvage the \"spotless fame\" of his daughter. At about the same time, Mary's father learned of Shelley's inability to pay off the father's debts. Mary, who later wrote of \"my excessive and romantic attachment to my father\", was confused.", "Mary, who later wrote of \"my excessive and romantic attachment to my father\", was confused. She saw Percy Shelley as an embodiment of her parents' liberal and reformist ideas of the 1790s, particularly Godwin's view that marriage was a repressive monopoly, which he had argued in his 1793 edition of Political Justice but later retracted. On 28 July 1814, the couple eloped and secretly left for France, taking Mary's stepsister, Claire Clairmont, with them.", "On 28 July 1814, the couple eloped and secretly left for France, taking Mary's stepsister, Claire Clairmont, with them. After convincing Mary Jane Godwin, who had pursued them to Calais, that they did not wish to return, the trio travelled to Paris, and then, by donkey, mule, carriage, and foot, through a France recently ravaged by war, to Switzerland. \"It was acting in a novel, being an incarnate romance,\" Mary Shelley recalled in 1826.", "\"It was acting in a novel, being an incarnate romance,\" Mary Shelley recalled in 1826. Godwin wrote about France in 1814: \"The distress of the inhabitants, whose houses had been burned, their cattle killed and all their wealth destroyed, has given a sting to my detestation of war...\". As they travelled, Mary and Percy read works by Mary Wollstonecraft and others, kept a joint journal, and continued their own writing. At Lucerne, lack of money forced the three to turn back.", "At Lucerne, lack of money forced the three to turn back. They travelled down the Rhine and by land to the Dutch port of Maassluis, arriving at Gravesend, Kent, on 13 September 1814. The situation awaiting Mary Godwin in England was fraught with complications, some of which she had not foreseen. Either before or during the journey, she had become pregnant. She and Percy now found themselves penniless, and, to Mary's genuine surprise, her father refused to have anything to do with her.", "She and Percy now found themselves penniless, and, to Mary's genuine surprise, her father refused to have anything to do with her. The couple moved with Claire into lodgings at Somers Town, and later, Nelson Square. They maintained their intense programme of reading and writing, and entertained Percy Shelley's friends, such as Thomas Jefferson Hogg and the writer Thomas Love Peacock. Percy Shelley sometimes left home for short periods to dodge creditors. The couple's distraught letters reveal their pain at these separations.", "The couple's distraught letters reveal their pain at these separations. Pregnant and often ill, Mary Godwin had to cope with Percy's joy at the birth of his son by Harriet Shelley in late 1814 and his constant outings with Claire Clairmont. Shelley and Clairmont were almost certainly lovers, which caused much jealousy on Godwin's part. Shelley greatly offended Godwin at one point when during a walk in the French countryside he suggested that they both take the plunge into a stream naked as it offended her principles.", "Shelley greatly offended Godwin at one point when during a walk in the French countryside he suggested that they both take the plunge into a stream naked as it offended her principles. She was partly consoled by the visits of Hogg, whom she disliked at first but soon considered a close friend. Percy Shelley seems to have wanted Mary Godwin and Hogg to become lovers; Mary did not dismiss the idea, since in principle she believed in free love.", "Percy Shelley seems to have wanted Mary Godwin and Hogg to become lovers; Mary did not dismiss the idea, since in principle she believed in free love. In practice, however, she loved only Percy Shelley and seems to have ventured no further than flirting with Hogg. On 22 February 1815, she gave birth to a two-month premature baby girl, who was not expected to survive.", "On 22 February 1815, she gave birth to a two-month premature baby girl, who was not expected to survive. On 6 March, she wrote to Hogg: My dearest Hogg my baby is dead—will you come to see me as soon as you can. I wish to see you—It was perfectly well when I went to bed—I awoke in the night to give it suck it appeared to be sleeping so quietly that I would not awake it.", "I wish to see you—It was perfectly well when I went to bed—I awoke in the night to give it suck it appeared to be sleeping so quietly that I would not awake it. It was dead then, but we did not find that out till morning—from its appearance it evidently died of convulsions—Will you come—you are so calm a creature & Shelley is afraid of a fever from the milk—for I am no longer a mother now.", "It was dead then, but we did not find that out till morning—from its appearance it evidently died of convulsions—Will you come—you are so calm a creature & Shelley is afraid of a fever from the milk—for I am no longer a mother now. The loss of her child induced acute depression in Mary Godwin, who was haunted by visions of the baby; but she conceived again and had recovered by the summer.", "The loss of her child induced acute depression in Mary Godwin, who was haunted by visions of the baby; but she conceived again and had recovered by the summer. With a revival in Percy Shelley's finances after the death of his grandfather, Sir Bysshe Shelley, the couple holidayed in Torquay and then rented a two-storey cottage at Bishopsgate, on the edge of Windsor Great Park. Little is known about this period in Mary Godwin's life, since her journal from May 1815 to July 1816 is lost.", "Little is known about this period in Mary Godwin's life, since her journal from May 1815 to July 1816 is lost. At Bishopsgate, Percy wrote his poem Alastor, or The Spirit of Solitude; and on 24 January 1816, Mary gave birth to a second child, William, named after her father, and soon nicknamed \"Willmouse\". In her novel The Last Man, she later imagined Windsor as a Garden of Eden.", "In her novel The Last Man, she later imagined Windsor as a Garden of Eden. Lake Geneva and Frankenstein In May 1816, Mary Godwin, Percy Shelley, and their son travelled to Geneva with Claire Clairmont. They planned to spend the summer with the poet Lord Byron, whose recent affair with Claire had left her pregnant. In History of a Six Weeks’ Tour through a part of France, Switzerland, Germany and Holland (1817), she describes the particularly desolate landscape in crossing from France into Switzerland.", "In History of a Six Weeks’ Tour through a part of France, Switzerland, Germany and Holland (1817), she describes the particularly desolate landscape in crossing from France into Switzerland. The party arrived in Geneva on 14 May 1816, where Mary called herself \"Mrs Shelley\".", "The party arrived in Geneva on 14 May 1816, where Mary called herself \"Mrs Shelley\". Byron joined them on 25 May, with his young physician, John William Polidori, and rented the Villa Diodati, close to Lake Geneva at the village of Cologny; Percy Shelley rented a smaller building called Maison Chapuis on the waterfront nearby. They spent their time writing, boating on the lake, and talking late into the night.", "They spent their time writing, boating on the lake, and talking late into the night. \"It proved a wet, ungenial summer\", Mary Shelley remembered in 1831, \"and incessant rain often confined us for days to the house\". Sitting around a log fire at Byron's villa, the company amused themselves with German ghost stories, which prompted Byron to propose that they \"each write a ghost story\".", "Sitting around a log fire at Byron's villa, the company amused themselves with German ghost stories, which prompted Byron to propose that they \"each write a ghost story\". Unable to think of a story, young Mary Godwin became anxious: \"Have you thought of a story? I was asked each morning, and each morning I was forced to reply with a mortifying negative.\" During one mid-June evening, the discussions turned to the nature of the principle of life.", "During one mid-June evening, the discussions turned to the nature of the principle of life. \"Perhaps a corpse would be re-animated\", Mary noted; \"galvanism had given token of such things\". It was after midnight before they retired, and unable to sleep, she became possessed by her imagination as she beheld the grim terrors of her \"waking dream\", her ghost story: She began writing what she assumed would be a short story.", "It was after midnight before they retired, and unable to sleep, she became possessed by her imagination as she beheld the grim terrors of her \"waking dream\", her ghost story: She began writing what she assumed would be a short story. With Percy Shelley's encouragement, she expanded this tale into her first novel, Frankenstein; or, The Modern Prometheus, published in 1818. She later described that summer in Switzerland as the moment \"when I first stepped out from childhood into life\".", "She later described that summer in Switzerland as the moment \"when I first stepped out from childhood into life\". The story of the writing of Frankenstein has been fictionalised several times and formed the basis for a number of films.", "The story of the writing of Frankenstein has been fictionalised several times and formed the basis for a number of films. In September 2011, the astronomer Donald Olson, after a visit to the Lake Geneva villa the previous year, and inspecting data about the motion of the moon and stars, concluded that her waking dream took place \"between 2am and 3am\" 16 June 1816, several days after the initial idea by Lord Byron that they each write a ghost story.", "In September 2011, the astronomer Donald Olson, after a visit to the Lake Geneva villa the previous year, and inspecting data about the motion of the moon and stars, concluded that her waking dream took place \"between 2am and 3am\" 16 June 1816, several days after the initial idea by Lord Byron that they each write a ghost story. Authorship of Frankenstein While her husband Percy encouraged her writing, the extent of Percy's contribution to the novel is unknown and has been argued over by readers and critics.", "Authorship of Frankenstein While her husband Percy encouraged her writing, the extent of Percy's contribution to the novel is unknown and has been argued over by readers and critics. Mary Shelley wrote, \"I certainly did not owe the suggestion of one incident, nor scarcely of one train of feeling, to my husband, and yet but for his incitement, it would never have taken the form in which it was presented to the world.\"", "Mary Shelley wrote, \"I certainly did not owe the suggestion of one incident, nor scarcely of one train of feeling, to my husband, and yet but for his incitement, it would never have taken the form in which it was presented to the world.\" She wrote that the preface to the first edition was Percy's work \"as far as I can recollect.\" There are differences in the 1818, 1823 and 1831 editions, which have been attributed to Percy's editing.", "There are differences in the 1818, 1823 and 1831 editions, which have been attributed to Percy's editing. James Rieger concluded Percy's \"assistance at every point in the book's manufacture was so extensive that one hardly knows whether to regard him as editor or minor collaborator\", while Anne K. Mellor later argued Percy only \"made many technical corrections and several times clarified the narrative and thematic continuity of the text.\"", "James Rieger concluded Percy's \"assistance at every point in the book's manufacture was so extensive that one hardly knows whether to regard him as editor or minor collaborator\", while Anne K. Mellor later argued Percy only \"made many technical corrections and several times clarified the narrative and thematic continuity of the text.\" Charles E. Robinson, editor of a facsimile edition of the Frankenstein manuscripts, concluded that Percy's contributions to the book \"were no more than what most publishers' editors have provided new (or old) authors or, in fact, what colleagues have provided to each other after reading each other's works in progress.\"", "Charles E. Robinson, editor of a facsimile edition of the Frankenstein manuscripts, concluded that Percy's contributions to the book \"were no more than what most publishers' editors have provided new (or old) authors or, in fact, what colleagues have provided to each other after reading each other's works in progress.\" Writing on the 200th anniversary of Frankenstein, literary scholar and poet Fiona Sampson asked, \"Why hasn't Mary Shelley gotten the respect she deserves?\"", "Writing on the 200th anniversary of Frankenstein, literary scholar and poet Fiona Sampson asked, \"Why hasn't Mary Shelley gotten the respect she deserves?\" She noted that \"In recent years Percy's corrections, visible in the Frankenstein notebooks held at the Bodleian Library in Oxford, have been seized on as evidence that he must have at least co-authored the novel. In fact, when I examined the notebooks myself, I realized that Percy did rather less than any line editor working in publishing today.\"", "In fact, when I examined the notebooks myself, I realized that Percy did rather less than any line editor working in publishing today.\" Sampson published her findings in In Search of Mary Shelley (2018), one of many biographies written about Shelley. Bath and Marlow On their return to England in September, Mary and Percy moved—with Claire Clairmont, who took lodgings nearby—to Bath, where they hoped to keep Claire's pregnancy secret.", "Bath and Marlow On their return to England in September, Mary and Percy moved—with Claire Clairmont, who took lodgings nearby—to Bath, where they hoped to keep Claire's pregnancy secret. At Cologny, Mary Godwin had received two letters from her half-sister, Fanny Imlay, who alluded to her \"unhappy life\"; on 9 October, Fanny wrote an \"alarming letter\" from Bristol that sent Percy Shelley racing off to search for her, without success.", "At Cologny, Mary Godwin had received two letters from her half-sister, Fanny Imlay, who alluded to her \"unhappy life\"; on 9 October, Fanny wrote an \"alarming letter\" from Bristol that sent Percy Shelley racing off to search for her, without success. On the morning of 10 October, Fanny Imlay was found dead in a room at a Swansea inn, along with a suicide note and a laudanum bottle.", "On the morning of 10 October, Fanny Imlay was found dead in a room at a Swansea inn, along with a suicide note and a laudanum bottle. On 10 December, Percy Shelley's wife, Harriet, was discovered drowned in the Serpentine, a lake in Hyde Park, London. Both suicides were hushed up. Harriet's family obstructed Percy Shelley's efforts—fully supported by Mary Godwin—to assume custody of his two children by Harriet.", "Harriet's family obstructed Percy Shelley's efforts—fully supported by Mary Godwin—to assume custody of his two children by Harriet. His lawyers advised him to improve his case by marrying; so he and Mary, who was pregnant again, married on 30 December 1816 at St Mildred's Church, Bread Street, London. Mr and Mrs Godwin were present and the marriage ended the family rift. Claire Clairmont gave birth to a baby girl on 13 January, at first called Alba, later Allegra.", "Claire Clairmont gave birth to a baby girl on 13 January, at first called Alba, later Allegra. In March of that year, the Chancery Court ruled Percy Shelley morally unfit to assume custody of his children and later placed them with a clergyman's family. Also in March, the Shelleys moved with Claire and Alba to Albion House at Marlow, Buckinghamshire, a large, damp building on the river Thames. There Mary Shelley gave birth to her third child, Clara, on 2 September.", "There Mary Shelley gave birth to her third child, Clara, on 2 September. At Marlow, they entertained their new friends Marianne and Leigh Hunt, worked hard at their writing, and often discussed politics. Early in the summer of 1817, Mary Shelley finished Frankenstein, which was published anonymously in January 1818. Reviewers and readers assumed that Percy Shelley was the author, since the book was published with his preface and dedicated to his political hero William Godwin.", "Reviewers and readers assumed that Percy Shelley was the author, since the book was published with his preface and dedicated to his political hero William Godwin. At Marlow, Mary edited the joint journal of the group's 1814 Continental journey, adding material written in Switzerland in 1816, along with Percy's poem \"Mont Blanc\". The result was the History of a Six Weeks' Tour, published in November 1817. That autumn, Percy Shelley often lived away from home in London to evade creditors.", "That autumn, Percy Shelley often lived away from home in London to evade creditors. The threat of a debtor's prison, combined with their ill health and fears of losing custody of their children, contributed to the couple's decision to leave England for Italy on 12 March 1818, taking Claire Clairmont and Alba with them. They had no intention of returning. Italy One of the party's first tasks on arriving in Italy was to hand Alba over to Byron, who was living in Venice.", "Italy One of the party's first tasks on arriving in Italy was to hand Alba over to Byron, who was living in Venice. He had agreed to raise her so long as Claire had nothing more to do with her. The Shelleys then embarked on a roving existence, never settling in any one place for long. Along the way, they accumulated a circle of friends and acquaintances who often moved with them. The couple devoted their time to writing, reading, learning, sightseeing, and socialising.", "The couple devoted their time to writing, reading, learning, sightseeing, and socialising. The Italian adventure was, however, blighted for Mary Shelley by the deaths of both her children—Clara, in September 1818 in Venice, and William, in June 1819 in Rome. These losses left her in a deep depression that isolated her from Percy Shelley, who wrote in his notebook: My dearest Mary, wherefore hast thou gone, And left me in this dreary world alone?", "These losses left her in a deep depression that isolated her from Percy Shelley, who wrote in his notebook: My dearest Mary, wherefore hast thou gone, And left me in this dreary world alone? Thy form is here indeed—a lovely one— But thou art fled, gone down a dreary road That leads to Sorrow's most obscure abode. For thine own sake I cannot follow thee Do thou return for mine. For a time, Mary Shelley found comfort only in her writing.", "For a time, Mary Shelley found comfort only in her writing. The birth of her fourth child, Percy Florence, on 12 November 1819, finally lifted her spirits, though she nursed the memory of her lost children till the end of her life. Italy provided the Shelleys, Byron, and other exiles with political freedom unattainable at home. Despite its associations with personal loss, Italy became for Mary Shelley \"a country which memory painted as paradise\".", "Despite its associations with personal loss, Italy became for Mary Shelley \"a country which memory painted as paradise\". Their Italian years were a time of intense intellectual and creative activity for both Shelleys. While Percy composed a series of major poems, Mary wrote the novel Matilda, the historical novel Valperga, and the plays Proserpine and Midas. Mary wrote Valperga to help alleviate her father's financial difficulties, as Percy refused to assist him further. She was often physically ill, however, and prone to depressions.", "She was often physically ill, however, and prone to depressions. She also had to cope with Percy's interest in other women, such as Sophia Stacey, Emilia Viviani, and Jane Williams. Since Mary Shelley shared his belief in the non-exclusivity of marriage, she formed emotional ties of her own among the men and women of their circle. She became particularly fond of the Greek revolutionary Prince Alexandros Mavrokordatos and of Jane and Edward Williams.", "She became particularly fond of the Greek revolutionary Prince Alexandros Mavrokordatos and of Jane and Edward Williams. In December 1818, the Shelleys travelled south with Claire Clairmont and their servants to Naples, where they stayed for three months, receiving only one visitor, a physician. In 1820, they found themselves plagued by accusations and threats from Paolo and Elise Foggi, former servants whom Percy Shelley had dismissed in Naples shortly after the Foggis had married.", "In 1820, they found themselves plagued by accusations and threats from Paolo and Elise Foggi, former servants whom Percy Shelley had dismissed in Naples shortly after the Foggis had married. The pair revealed that on 27 February 1819 in Naples, Percy Shelley had registered as his child by Mary Shelley a two-month-old baby girl named Elena Adelaide Shelley. The Foggis also claimed that Claire Clairmont was the baby's mother.", "The Foggis also claimed that Claire Clairmont was the baby's mother. Biographers have offered various interpretations of these events: that Percy Shelley decided to adopt a local child; that the baby was his by Elise, Claire, or an unknown woman; or that she was Elise's by Byron. Mary Shelley insisted she would have known if Claire had been pregnant, but it is unclear how much she really knew.", "Mary Shelley insisted she would have known if Claire had been pregnant, but it is unclear how much she really knew. The events in Naples, a city Mary Shelley later called a paradise inhabited by devils, remain shrouded in mystery. The only certainty is that she herself was not the child's mother. Elena Adelaide Shelley died in Naples on 9 June 1820.", "Elena Adelaide Shelley died in Naples on 9 June 1820. After leaving Naples, the Shelleys settled in Rome, the city where her husband wrote where \"the meanest streets were strewed with truncated columns, broken capitals...and sparkling fragments of granite or porphyry...The voice of dead time, in still vibrations, is breathed from these dumb things, animated and glorified as they were by man\".", "After leaving Naples, the Shelleys settled in Rome, the city where her husband wrote where \"the meanest streets were strewed with truncated columns, broken capitals...and sparkling fragments of granite or porphyry...The voice of dead time, in still vibrations, is breathed from these dumb things, animated and glorified as they were by man\". Rome inspired her to begin writing the unfinished novel Valerius, the Reanimated Roman, where the eponymous hero resists the decay of Rome and the machinations of \"superstitious\" Catholicism.", "Rome inspired her to begin writing the unfinished novel Valerius, the Reanimated Roman, where the eponymous hero resists the decay of Rome and the machinations of \"superstitious\" Catholicism. The writing of her novel was broken off when her son William died of malaria.", "The writing of her novel was broken off when her son William died of malaria. Shelley bitterly commented that she had come to Italy to improve her husband's health, and instead the Italian climate had just killed her two children, leading her to write: \"May you my dear Marianne never know what it is to lose two only and lovely children in one year—to watch their dying moments—and then at last to be left childless and forever miserable\".", "Shelley bitterly commented that she had come to Italy to improve her husband's health, and instead the Italian climate had just killed her two children, leading her to write: \"May you my dear Marianne never know what it is to lose two only and lovely children in one year—to watch their dying moments—and then at last to be left childless and forever miserable\". To deal with her grief, Shelley wrote the novella The Fields of Fancy, which became Matilda, dealing with a young woman whose beauty inspired incestuous love in her father, who ultimately commits suicide to stop himself from acting on his passion for his daughter, while she spends the rest of her life full of despair about \"the unnatural love I had inspired\".", "To deal with her grief, Shelley wrote the novella The Fields of Fancy, which became Matilda, dealing with a young woman whose beauty inspired incestuous love in her father, who ultimately commits suicide to stop himself from acting on his passion for his daughter, while she spends the rest of her life full of despair about \"the unnatural love I had inspired\". The novella offered a feminist critique of a patriarchal society as Matilda is punished in the afterlife, though she did nothing to encourage her father's feelings.", "The novella offered a feminist critique of a patriarchal society as Matilda is punished in the afterlife, though she did nothing to encourage her father's feelings. In the summer of 1822, a pregnant Mary moved with Percy, Claire, and Edward and Jane Williams to the isolated Villa Magni, at the sea's edge near the hamlet of San Terenzo in the Bay of Lerici.", "In the summer of 1822, a pregnant Mary moved with Percy, Claire, and Edward and Jane Williams to the isolated Villa Magni, at the sea's edge near the hamlet of San Terenzo in the Bay of Lerici. Once they were settled in, Percy broke the \"evil news\" to Claire that her daughter Allegra had died of typhus in a convent at Bagnacavallo. Mary Shelley was distracted and unhappy in the cramped and remote Villa Magni, which she came to regard as a dungeon.", "Mary Shelley was distracted and unhappy in the cramped and remote Villa Magni, which she came to regard as a dungeon. On 16 June, she miscarried, losing so much blood that she nearly died. Rather than wait for a doctor, Percy sat her in a bath of ice to stanch the bleeding, an act the doctor later told him saved her life. All was not well between the couple that summer, however, and Percy spent more time with Jane Williams than with his depressed and debilitated wife.", "All was not well between the couple that summer, however, and Percy spent more time with Jane Williams than with his depressed and debilitated wife. Much of the short poetry Shelley wrote at San Terenzo involved Jane rather than Mary. The coast offered Percy Shelley and Edward Williams the chance to enjoy their \"perfect plaything for the summer\", a new sailing boat. The boat had been designed by Daniel Roberts and Edward Trelawny, an admirer of Byron's who had joined the party in January 1822.", "The boat had been designed by Daniel Roberts and Edward Trelawny, an admirer of Byron's who had joined the party in January 1822. On 1 July 1822, Percy Shelley, Edward Ellerker Williams, and Captain Daniel Roberts sailed south down the coast to Livorno. There Percy Shelley discussed with Byron and Leigh Hunt the launch of a radical magazine called The Liberal. On 8 July, he and Edward Williams set out on the return journey to Lerici with their eighteen-year-old boat boy, Charles Vivian. They never reached their destination.", "They never reached their destination. They never reached their destination. A letter arrived at Villa Magni from Hunt to Percy Shelley, dated 8 July, saying, \"pray write to tell us how you got home, for they say you had bad weather after you sailed Monday & we are anxious\". \"The paper fell from me,\" Mary told a friend later. \"I trembled all over.\"", "\"I trembled all over.\" \"I trembled all over.\" She and Jane Williams rushed desperately to Livorno and then to Pisa in the fading hope that their husbands were still alive. Ten days after the storm, three bodies washed up on the coast near Viareggio, midway between Livorno and Lerici. Trelawny, Byron, and Hunt cremated Percy Shelley's corpse on the beach at Viareggio.", "Trelawny, Byron, and Hunt cremated Percy Shelley's corpse on the beach at Viareggio. Return to England and writing career After her husband's death, Mary Shelley lived for a year with Leigh Hunt and his family in Genoa, where she often saw Byron and transcribed his poems. She resolved to live by her pen and for her son, but her financial situation was precarious.", "She resolved to live by her pen and for her son, but her financial situation was precarious. On 23 July 1823, she left Genoa for England and stayed with her father and stepmother in the Strand until a small advance from her father-in-law enabled her to lodge nearby. Sir Timothy Shelley had at first agreed to support his grandson, Percy Florence, only if he were handed over to an appointed guardian. Mary Shelley rejected this idea instantly.", "Mary Shelley rejected this idea instantly. Mary Shelley rejected this idea instantly. She managed instead to wring out of Sir Timothy a limited annual allowance (which she had to repay when Percy Florence inherited the estate), but to the end of his days, he refused to meet her in person and dealt with her only through lawyers. Mary Shelley busied herself with editing her husband's poems, among other literary endeavours, but concern for her son restricted her options.", "Mary Shelley busied herself with editing her husband's poems, among other literary endeavours, but concern for her son restricted her options. Sir Timothy threatened to stop the allowance if any biography of the poet were published. In 1826, Percy Florence became the legal heir of the Shelley estate after the death of his half-brother Charles Shelley, his father's son by Harriet Shelley. Sir Timothy raised Mary's allowance from £100 a year to £250 but remained as difficult as ever.", "Sir Timothy raised Mary's allowance from £100 a year to £250 but remained as difficult as ever. Mary Shelley enjoyed the stimulating society of William Godwin's circle, but poverty prevented her from socialising as she wished. She also felt ostracised by those who, like Sir Timothy, still disapproved of her relationship with Percy Bysshe Shelley. In the summer of 1824, Mary Shelley moved to Kentish Town in north London to be near Jane Williams.", "In the summer of 1824, Mary Shelley moved to Kentish Town in north London to be near Jane Williams. She may have been, in the words of her biographer Muriel Spark, \"a little in love\" with Jane. Jane later disillusioned her by gossiping that Percy had preferred her to Mary, owing to Mary's inadequacy as a wife.", "Jane later disillusioned her by gossiping that Percy had preferred her to Mary, owing to Mary's inadequacy as a wife. At around this time, Mary Shelley was working on her novel, The Last Man (1826); and she assisted a series of friends who were writing memoirs of Byron and Percy Shelley—the beginnings of her attempts to immortalise her husband. She also met the American actor John Howard Payne and the American writer Washington Irving, who intrigued her.", "She also met the American actor John Howard Payne and the American writer Washington Irving, who intrigued her. Payne fell in love with her and in 1826 asked her to marry him. She refused, saying that after being married to one genius, she could only marry another. Payne accepted the rejection and tried without success to talk his friend Irving into proposing himself. Mary Shelley was aware of Payne's plan, but how seriously she took it is unclear.", "Mary Shelley was aware of Payne's plan, but how seriously she took it is unclear. In 1827, Mary Shelley was party to a scheme that enabled her friend Isabel Robinson and Isabel's lover, Mary Diana Dods, who wrote under the name David Lyndsay, to embark on a life together in France as husband and wife. With the help of Payne, whom she kept in the dark about the details, Mary Shelley obtained false passports for the couple.", "With the help of Payne, whom she kept in the dark about the details, Mary Shelley obtained false passports for the couple. In 1828, she fell ill with smallpox while visiting them in Paris. Weeks later she recovered, unscarred but without her youthful beauty. During the period 1827–40, Mary Shelley was busy as an editor and writer. She wrote the novels The Fortunes of Perkin Warbeck (1830), Lodore (1835), and Falkner (1837).", "She wrote the novels The Fortunes of Perkin Warbeck (1830), Lodore (1835), and Falkner (1837). She contributed five volumes of Lives of Italian, Spanish, Portuguese, and French authors to Lardner's Cabinet Cyclopaedia. She also wrote stories for ladies' magazines. She was still helping to support her father, and they looked out for publishers for each other.", "She was still helping to support her father, and they looked out for publishers for each other. In 1830, she sold the copyright for a new edition of Frankenstein for £60 to Henry Colburn and Richard Bentley for their new Standard Novels series. After her father's death in 1836 at the age of eighty, she began assembling his letters and a memoir for publication, as he had requested in his will; but after two years of work, she abandoned the project.", "After her father's death in 1836 at the age of eighty, she began assembling his letters and a memoir for publication, as he had requested in his will; but after two years of work, she abandoned the project. Throughout this period, she also championed Percy Shelley's poetry, promoting its publication and quoting it in her writing. By 1837, Percy's works were well-known and increasingly admired.", "By 1837, Percy's works were well-known and increasingly admired. In the summer of 1838 Edward Moxon, the publisher of Tennyson and the son-in-law of Charles Lamb, proposed publishing a collected works of Percy Shelley. Mary was paid £500 to edit the Poetical Works (1838), which Sir Timothy insisted should not include a biography. Mary found a way to tell the story of Percy's life, nonetheless: she included extensive biographical notes about the poems.", "Mary found a way to tell the story of Percy's life, nonetheless: she included extensive biographical notes about the poems. Shelley continued to practice her mother's feminist principles by extending aid to women whom society disapproved of. For instance, Shelley extended financial aid to Mary Diana Dods, a single mother and illegitimate herself who appears to have been a lesbian and gave her the new identity of Walter Sholto Douglas, husband of her lover Isabel Robinson.", "For instance, Shelley extended financial aid to Mary Diana Dods, a single mother and illegitimate herself who appears to have been a lesbian and gave her the new identity of Walter Sholto Douglas, husband of her lover Isabel Robinson. Shelley also assisted Georgiana Paul, a woman disallowed for by her husband for alleged adultery.", "Shelley also assisted Georgiana Paul, a woman disallowed for by her husband for alleged adultery. Shelley in her diary about her assistance to the latter: \"I do not make a boast-I do not say aloud-behold my generosity and greatness of mind-for in truth it is simple justice I perform-and so I am still reviled for being worldly\". Mary Shelley continued to treat potential romantic partners with caution.", "Mary Shelley continued to treat potential romantic partners with caution. In 1828, she met and flirted with the French writer Prosper Mérimée, but her one surviving letter to him appears to be a deflection of his declaration of love. She was delighted when her old friend from Italy, Edward Trelawny, returned to England, and they joked about marriage in their letters.", "She was delighted when her old friend from Italy, Edward Trelawny, returned to England, and they joked about marriage in their letters. Their friendship had altered, however, following her refusal to cooperate with his proposed biography of Percy Shelley; and he later reacted angrily to her omission of the atheistic section of Queen Mab from Percy Shelley's poems.", "Their friendship had altered, however, following her refusal to cooperate with his proposed biography of Percy Shelley; and he later reacted angrily to her omission of the atheistic section of Queen Mab from Percy Shelley's poems. Oblique references in her journals, from the early 1830s until the early 1840s, suggest that Mary Shelley had feelings for the radical politician Aubrey Beauclerk, who may have disappointed her by twice marrying others. Mary Shelley's first concern during these years was the welfare of Percy Florence.", "Mary Shelley's first concern during these years was the welfare of Percy Florence. She honoured her late husband's wish that his son attend public school and, with Sir Timothy's grudging help, had him educated at Harrow. To avoid boarding fees, she moved to Harrow on the Hill herself so that Percy could attend as a day scholar. Though Percy went on to Trinity College, Cambridge, and dabbled in politics and the law, he showed no sign of his parents' gifts.", "Though Percy went on to Trinity College, Cambridge, and dabbled in politics and the law, he showed no sign of his parents' gifts. He was devoted to his mother, and after he left university in 1841, he came to live with her. Final years and death In 1840 and 1842, mother and son travelled together on the continent, journeys that Mary Shelley recorded in Rambles in Germany and Italy in 1840, 1842 and 1843 (1844).", "Final years and death In 1840 and 1842, mother and son travelled together on the continent, journeys that Mary Shelley recorded in Rambles in Germany and Italy in 1840, 1842 and 1843 (1844). In 1844, Sir Timothy Shelley finally died at the age of ninety, \"falling from the stalk like an overblown flower\", as Mary put it. For the first time, she and her son were financially independent, though the estate proved less valuable than they had hoped.", "For the first time, she and her son were financially independent, though the estate proved less valuable than they had hoped. In the mid-1840s, Mary Shelley found herself the target of three separate blackmailers. In 1845, an Italian political exile called Gatteschi, whom she had met in Paris, threatened to publish letters she had sent him. A friend of her son's bribed a police chief into seizing Gatteschi's papers, including the letters, which were then destroyed.", "A friend of her son's bribed a police chief into seizing Gatteschi's papers, including the letters, which were then destroyed. Shortly afterwards, Mary Shelley bought some letters written by herself and Percy Bysshe Shelley from a man calling himself G. Byron and posing as the illegitimate son of the late Lord Byron. Also in 1845, Percy Bysshe Shelley's cousin Thomas Medwin approached her claiming to have written a damaging biography of Percy Shelley. He said he would suppress it in return for £250, but Mary Shelley refused.", "He said he would suppress it in return for £250, but Mary Shelley refused. In 1848, Percy Florence married Jane Gibson St John. The marriage proved a happy one, and Mary Shelley and Jane were fond of each other. Mary lived with her son and daughter-in-law at Field Place, Sussex, the Shelleys' ancestral home, and at Chester Square, London, and accompanied them on travels abroad. Mary Shelley's last years were blighted by illness.", "Mary Shelley's last years were blighted by illness. Mary Shelley's last years were blighted by illness. From 1839, she suffered from headaches and bouts of paralysis in parts of her body, which sometimes prevented her from reading and writing. On 1 February 1851, at Chester Square, she died at the age of fifty-three from what her physician suspected was a brain tumour.", "On 1 February 1851, at Chester Square, she died at the age of fifty-three from what her physician suspected was a brain tumour. According to Jane Shelley, Mary Shelley had asked to be buried with her mother and father; but Percy and Jane, judging the graveyard at St Pancras to be \"dreadful\", chose to bury her instead at St Peter's Church, Bournemouth, near their new home at Boscombe. On the first anniversary of Mary Shelley's death, the Shelleys opened her box-desk.", "On the first anniversary of Mary Shelley's death, the Shelleys opened her box-desk. Inside they found locks of her dead children's hair, a notebook she had shared with Percy Bysshe Shelley, and a copy of his poem Adonaïs with one page folded round a silk parcel containing some of his ashes and the remains of his heart. Literary themes and styles Mary Shelley lived a literary life. Her father encouraged her to learn to write by composing letters, and her favourite occupation as a child was writing stories.", "Her father encouraged her to learn to write by composing letters, and her favourite occupation as a child was writing stories. Unfortunately, all of Mary's juvenilia were lost when she ran off with Percy in 1814, and none of her surviving manuscripts can be definitively dated before that year.", "Unfortunately, all of Mary's juvenilia were lost when she ran off with Percy in 1814, and none of her surviving manuscripts can be definitively dated before that year. Her first published work is often thought to have been Mounseer Nongtongpaw, comic verses written for Godwin's Juvenile Library when she was ten and a half; however, the poem is attributed to another writer in the most recent authoritative collection of her works.", "Her first published work is often thought to have been Mounseer Nongtongpaw, comic verses written for Godwin's Juvenile Library when she was ten and a half; however, the poem is attributed to another writer in the most recent authoritative collection of her works. Percy Shelley enthusiastically encouraged Mary Shelley's writing: \"My husband was, from the first, very anxious that I should prove myself worthy of my parentage, and enrol myself on the page of fame. He was forever inciting me to obtain literary reputation.\"", "He was forever inciting me to obtain literary reputation.\" Novels Autobiographical elements Certain sections of Mary Shelley's novels are often interpreted as masked rewritings of her life. Critics have pointed to the recurrence of the father–daughter motif in particular as evidence of this autobiographical style. For example, commentators frequently read Mathilda (1820) autobiographically, identifying the three central characters as versions of Mary Shelley, William Godwin, and Percy Shelley. Mary Shelley herself confided that she modelled the central characters of The Last Man on her Italian circle.", "Mary Shelley herself confided that she modelled the central characters of The Last Man on her Italian circle. Lord Raymond, who leaves England to fight for the Greeks and dies in Constantinople, is based on Lord Byron; and the utopian Adrian, Earl of Windsor, who leads his followers in search of a natural paradise and dies when his boat sinks in a storm, is a fictional portrait of Percy Bysshe Shelley.", "Lord Raymond, who leaves England to fight for the Greeks and dies in Constantinople, is based on Lord Byron; and the utopian Adrian, Earl of Windsor, who leads his followers in search of a natural paradise and dies when his boat sinks in a storm, is a fictional portrait of Percy Bysshe Shelley. However, as she wrote in her review of Godwin's novel Cloudesley (1830), she did not believe that authors \"were merely copying from our own hearts\".", "However, as she wrote in her review of Godwin's novel Cloudesley (1830), she did not believe that authors \"were merely copying from our own hearts\". William Godwin regarded his daughter's characters as types rather than portraits from real life. Some modern critics, such as Patricia Clemit and Jane Blumberg, have taken the same view, resisting autobiographical readings of Mary Shelley's works.", "Some modern critics, such as Patricia Clemit and Jane Blumberg, have taken the same view, resisting autobiographical readings of Mary Shelley's works. Novelistic genres Mary Shelley employed the techniques of many different novelistic genres, most vividly the Godwinian novel, Walter Scott's new historical novel, and the Gothic novel.", "Novelistic genres Mary Shelley employed the techniques of many different novelistic genres, most vividly the Godwinian novel, Walter Scott's new historical novel, and the Gothic novel. The Godwinian novel, made popular during the 1790s with works such as Godwin's Caleb Williams (1794), \"employed a Rousseauvian confessional form to explore the contradictory relations between the self and society\", and Frankenstein exhibits many of the same themes and literary devices as Godwin's novel. However, Shelley critiques those Enlightenment ideals that Godwin promotes in his works.", "However, Shelley critiques those Enlightenment ideals that Godwin promotes in his works. In The Last Man, she uses the philosophical form of the Godwinian novel to demonstrate the ultimate meaninglessness of the world. While earlier Godwinian novels had shown how rational individuals could slowly improve society, The Last Man and Frankenstein demonstrate the individual's lack of control over history. Shelley uses the historical novel to comment on gender relations; for example, Valperga is a feminist version of Scott's masculinist genre.", "Shelley uses the historical novel to comment on gender relations; for example, Valperga is a feminist version of Scott's masculinist genre. Introducing women into the story who are not part of the historical record, Shelley uses their narratives to question established theological and political institutions. Shelley sets the male protagonist's compulsive greed for conquest in opposition to a female alternative: reason and sensibility. In Perkin Warbeck, Shelley's other historical novel, Lady Gordon stands for the values of friendship, domesticity, and equality.", "In Perkin Warbeck, Shelley's other historical novel, Lady Gordon stands for the values of friendship, domesticity, and equality. Through her, Shelley offers a feminine alternative to the masculine power politics that destroy the male characters. The novel provides a more inclusive historical narrative to challenge the one which usually relates only masculine events. Gender With the rise of feminist literary criticism in the 1970s, Mary Shelley's works, particularly Frankenstein, began to attract much more attention from scholars.", "Gender With the rise of feminist literary criticism in the 1970s, Mary Shelley's works, particularly Frankenstein, began to attract much more attention from scholars. Feminist and psychoanalytic critics were largely responsible for the recovery from neglect of Shelley as a writer. Ellen Moers was one of the first to claim that Shelley's loss of a baby was a crucial influence on the writing of Frankenstein.", "Ellen Moers was one of the first to claim that Shelley's loss of a baby was a crucial influence on the writing of Frankenstein. She argues that the novel is a \"birth myth\" in which Shelley comes to terms with her guilt for causing her mother's death as well as for failing as a parent.", "She argues that the novel is a \"birth myth\" in which Shelley comes to terms with her guilt for causing her mother's death as well as for failing as a parent. Shelley scholar Anne K. Mellor suggests that, from a feminist viewpoint, it is a story \"about what happens when a man tries to have a baby without a woman ... [Frankenstein] is profoundly concerned with natural as opposed to unnatural modes of production and reproduction\".", "Shelley scholar Anne K. Mellor suggests that, from a feminist viewpoint, it is a story \"about what happens when a man tries to have a baby without a woman ... [Frankenstein] is profoundly concerned with natural as opposed to unnatural modes of production and reproduction\". Victor Frankenstein's failure as a \"parent\" in the novel has been read as an expression of the anxieties which accompany pregnancy, giving birth, and particularly maternity.", "Victor Frankenstein's failure as a \"parent\" in the novel has been read as an expression of the anxieties which accompany pregnancy, giving birth, and particularly maternity. Sandra Gilbert and Susan Gubar argue in their seminal book The Madwoman in the Attic (1979) that in Frankenstein in particular, Shelley responded to the masculine literary tradition represented by John Milton's Paradise Lost.", "Sandra Gilbert and Susan Gubar argue in their seminal book The Madwoman in the Attic (1979) that in Frankenstein in particular, Shelley responded to the masculine literary tradition represented by John Milton's Paradise Lost. In their interpretation, Shelley reaffirms this masculine tradition, including the misogyny inherent in it, but at the same time \"conceal[s] fantasies of equality that occasionally erupt in monstrous images of rage\".", "In their interpretation, Shelley reaffirms this masculine tradition, including the misogyny inherent in it, but at the same time \"conceal[s] fantasies of equality that occasionally erupt in monstrous images of rage\". Mary Poovey reads the first edition of Frankenstein as part of a larger pattern in Shelley's writing, which begins with literary self-assertion and ends with conventional femininity. Poovey suggests that Frankenstein's multiple narratives enable Shelley to split her artistic persona: she can \"express and efface herself at the same time\".", "Poovey suggests that Frankenstein's multiple narratives enable Shelley to split her artistic persona: she can \"express and efface herself at the same time\". Shelley's fear of self-assertion is reflected in the fate of Frankenstein, who is punished for his egotism by losing all his domestic ties. Feminist critics often focus on how authorship itself, particularly female authorship, is represented in and through Shelley's novels.", "Feminist critics often focus on how authorship itself, particularly female authorship, is represented in and through Shelley's novels. As Mellor explains, Shelley uses the Gothic style not only to explore repressed female sexual desire but also as way to \"censor her own speech in Frankenstein\". According to Poovey and Mellor, Shelley did not want to promote her own authorial persona and felt deeply inadequate as a writer, and \"this shame contributed to the generation of her fictional images of abnormality, perversion, and destruction\".", "According to Poovey and Mellor, Shelley did not want to promote her own authorial persona and felt deeply inadequate as a writer, and \"this shame contributed to the generation of her fictional images of abnormality, perversion, and destruction\". Shelley's writings focus on the role of the family in society and women's role within that family. She celebrates the \"feminine affections and compassion\" associated with the family and suggests that civil society will fail without them.", "She celebrates the \"feminine affections and compassion\" associated with the family and suggests that civil society will fail without them. Shelley was \"profoundly committed to an ethic of cooperation, mutual dependence, and self-sacrifice\". In Lodore, for example, the central story follows the fortunes of the wife and daughter of the title character, Lord Lodore, who is killed in a duel at the end of the first volume, leaving a trail of legal, financial, and familial obstacles for the two \"heroines\" to negotiate.", "In Lodore, for example, the central story follows the fortunes of the wife and daughter of the title character, Lord Lodore, who is killed in a duel at the end of the first volume, leaving a trail of legal, financial, and familial obstacles for the two \"heroines\" to negotiate. The novel is engaged with political and ideological issues, particularly the education and social role of women. It dissects a patriarchal culture that separated the sexes and pressured women into dependence on men.", "It dissects a patriarchal culture that separated the sexes and pressured women into dependence on men. In the view of Shelley scholar Betty T. Bennett, \"the novel proposes egalitarian educational paradigms for women and men, which would bring social justice as well as the spiritual and intellectual means by which to meet the challenges life invariably brings\". However, Falkner is the only one of Mary Shelley's novels in which the heroine's agenda triumphs.", "However, Falkner is the only one of Mary Shelley's novels in which the heroine's agenda triumphs. The novel's resolution proposes that when female values triumph over violent and destructive masculinity, men will be freed to express the \"compassion, sympathy, and generosity\" of their better natures. Enlightenment and Romanticism Frankenstein, like much Gothic fiction of the period, mixes a visceral and alienating subject matter with speculative and thought-provoking themes.", "Enlightenment and Romanticism Frankenstein, like much Gothic fiction of the period, mixes a visceral and alienating subject matter with speculative and thought-provoking themes. Rather than focusing on the twists and turns of the plot, however, the novel foregrounds the mental and moral struggles of the protagonist, Victor Frankenstein, and Shelley imbues the text with her own brand of politicised Romanticism, one that criticised the individualism and egotism of traditional Romanticism.", "Rather than focusing on the twists and turns of the plot, however, the novel foregrounds the mental and moral struggles of the protagonist, Victor Frankenstein, and Shelley imbues the text with her own brand of politicised Romanticism, one that criticised the individualism and egotism of traditional Romanticism. Victor Frankenstein is like Satan in Paradise Lost, and Prometheus: he rebels against tradition; he creates life; and he shapes his own destiny.", "Victor Frankenstein is like Satan in Paradise Lost, and Prometheus: he rebels against tradition; he creates life; and he shapes his own destiny. These traits are not portrayed positively; as Blumberg writes, \"his relentless ambition is a self-delusion, clothed as quest for truth\". He must abandon his family to fulfill his ambition. Mary Shelley believed in the Enlightenment idea that people could improve society through the responsible exercise of political power, but she feared that the irresponsible exercise of power would lead to chaos.", "Mary Shelley believed in the Enlightenment idea that people could improve society through the responsible exercise of political power, but she feared that the irresponsible exercise of power would lead to chaos. In practice, her works largely criticise the way 18th-century thinkers such as her parents believed such change could be brought about. The creature in Frankenstein, for example, reads books associated with radical ideals but the education he gains from them is ultimately useless.", "The creature in Frankenstein, for example, reads books associated with radical ideals but the education he gains from them is ultimately useless. Shelley's works reveal her as less optimistic than Godwin and Wollstonecraft; she lacks faith in Godwin's theory that humanity could eventually be perfected.", "Shelley's works reveal her as less optimistic than Godwin and Wollstonecraft; she lacks faith in Godwin's theory that humanity could eventually be perfected. As literary scholar Kari Lokke writes, The Last Man, more so than Frankenstein, \"in its refusal to place humanity at the centre of the universe, its questioning of our privileged position in relation to nature ... constitutes a profound and prophetic challenge to Western humanism.\"", "As literary scholar Kari Lokke writes, The Last Man, more so than Frankenstein, \"in its refusal to place humanity at the centre of the universe, its questioning of our privileged position in relation to nature ... constitutes a profound and prophetic challenge to Western humanism.\" Specifically, Mary Shelley's allusions to what radicals believed was a failed revolution in France and the Godwinian, Wollstonecraftian, and Burkean responses to it, challenge \"Enlightenment faith in the inevitability of progress through collective efforts\".", "Specifically, Mary Shelley's allusions to what radicals believed was a failed revolution in France and the Godwinian, Wollstonecraftian, and Burkean responses to it, challenge \"Enlightenment faith in the inevitability of progress through collective efforts\". As in Frankenstein, Shelley \"offers a profoundly disenchanted commentary on the age of revolution, which ends in a total rejection of the progressive ideals of her own generation\".", "As in Frankenstein, Shelley \"offers a profoundly disenchanted commentary on the age of revolution, which ends in a total rejection of the progressive ideals of her own generation\". Not only does she reject these Enlightenment political ideals, but she also rejects the Romantic notion that the poetic or literary imagination can offer an alternative. Politics There is a new scholarly emphasis on Shelley as a lifelong reformer, deeply engaged in the liberal and feminist concerns of her day.", "Politics There is a new scholarly emphasis on Shelley as a lifelong reformer, deeply engaged in the liberal and feminist concerns of her day. In 1820, she was thrilled by the Liberal uprising in Spain which forced the king to grant a constitution. In 1823, she wrote articles for Leigh Hunt's periodical The Liberal and played an active role in the formulation of its outlook. She was delighted when the Whigs came back to power in 1830 and at the prospect of the 1832 Reform Act.", "She was delighted when the Whigs came back to power in 1830 and at the prospect of the 1832 Reform Act. Critics have until recently cited Lodore and Falkner as evidence of increasing conservatism in Mary Shelley's later works. In 1984, Mary Poovey influentially identified the retreat of Mary Shelley's reformist politics into the \"separate sphere\" of the domestic. Poovey suggested that Mary Shelley wrote Falkner to resolve her conflicted response to her father's combination of libertarian radicalism and stern insistence on social decorum.", "Poovey suggested that Mary Shelley wrote Falkner to resolve her conflicted response to her father's combination of libertarian radicalism and stern insistence on social decorum. Mellor largely agreed, arguing that \"Mary Shelley grounded her alternative political ideology on the metaphor of the peaceful, loving, bourgeois family. She thereby implicitly endorsed a conservative vision of gradual evolutionary reform.\" This vision allowed women to participate in the public sphere but it inherited the inequalities inherent in the bourgeois family.", "This vision allowed women to participate in the public sphere but it inherited the inequalities inherent in the bourgeois family. However, in the last decade or so this view has been challenged. For example, Bennett claims that Mary Shelley's works reveal a consistent commitment to Romantic idealism and political reform and Jane Blumberg's study of Shelley's early novels argues that her career cannot be easily divided into radical and conservative halves.", "For example, Bennett claims that Mary Shelley's works reveal a consistent commitment to Romantic idealism and political reform and Jane Blumberg's study of Shelley's early novels argues that her career cannot be easily divided into radical and conservative halves. She contends that \"Shelley was never a passionate radical like her husband and her later lifestyle was not abruptly assumed nor was it a betrayal. She was in fact challenging the political and literary influences of her circle in her first work.\"", "She was in fact challenging the political and literary influences of her circle in her first work.\" In this reading, Shelley's early works are interpreted as a challenge to Godwin and Percy Bysshe Shelley's radicalism. Victor Frankenstein's \"thoughtless rejection of family\", for example, is seen as evidence of Shelley's constant concern for the domestic.", "Victor Frankenstein's \"thoughtless rejection of family\", for example, is seen as evidence of Shelley's constant concern for the domestic. Short stories In the 1820s and 1830s, Mary Shelley frequently wrote short stories for gift books or annuals, including sixteen for The Keepsake, which was aimed at middle-class women and bound in silk, with gilt-edged pages. Mary Shelley's work in this genre has been described as that of a \"hack writer\" and \"wordy and pedestrian\".", "Mary Shelley's work in this genre has been described as that of a \"hack writer\" and \"wordy and pedestrian\". However, critic Charlotte Sussman points out that other leading writers of the day, such as the Romantic poets William Wordsworth and Samuel Taylor Coleridge, also took advantage of this profitable market. She explains that \"the annuals were a major mode of literary production in the 1820s and 1830s\", with The Keepsake the most successful.", "She explains that \"the annuals were a major mode of literary production in the 1820s and 1830s\", with The Keepsake the most successful. Many of Shelley's stories are set in places or times far removed from early 19th-century Britain, such as Greece and the reign of Henry IV of France.", "Many of Shelley's stories are set in places or times far removed from early 19th-century Britain, such as Greece and the reign of Henry IV of France. Shelley was particularly interested in \"the fragility of individual identity\" and often depicted \"the way a person's role in the world can be cataclysmically altered either by an internal emotional upheaval, or by some supernatural occurrence that mirrors an internal schism\".", "Shelley was particularly interested in \"the fragility of individual identity\" and often depicted \"the way a person's role in the world can be cataclysmically altered either by an internal emotional upheaval, or by some supernatural occurrence that mirrors an internal schism\". In her stories, female identity is tied to a woman's short-lived value in the marriage market while male identity can be sustained and transformed through the use of money.", "In her stories, female identity is tied to a woman's short-lived value in the marriage market while male identity can be sustained and transformed through the use of money. Although Mary Shelley wrote twenty-one short stories for the annuals between 1823 and 1839, she always saw herself, above all, as a novelist. She wrote to Leigh Hunt, \"I write bad articles which help to make me miserable—but I am going to plunge into a novel and hope that its clear water will wash off the mud of the magazines.\"", "She wrote to Leigh Hunt, \"I write bad articles which help to make me miserable—but I am going to plunge into a novel and hope that its clear water will wash off the mud of the magazines.\" Travelogues When they ran off to France in the summer of 1814, Mary Godwin and Percy Shelley began a joint journal, which they published in 1817 under the title History of a Six Weeks' Tour, adding four letters, two by each of them, based on their visit to Geneva in 1816, along with Percy Shelley's poem \"Mont Blanc\".", "Travelogues When they ran off to France in the summer of 1814, Mary Godwin and Percy Shelley began a joint journal, which they published in 1817 under the title History of a Six Weeks' Tour, adding four letters, two by each of them, based on their visit to Geneva in 1816, along with Percy Shelley's poem \"Mont Blanc\". The work celebrates youthful love and political idealism and consciously follows the example of Mary Wollstonecraft and others who had combined travelling with writing.", "The work celebrates youthful love and political idealism and consciously follows the example of Mary Wollstonecraft and others who had combined travelling with writing. The perspective of the History is philosophical and reformist rather than that of a conventional travelogue; in particular, it addresses the effects of politics and war on France. The letters the couple wrote on the second journey confront the \"great and extraordinary events\" of the final defeat of Napoleon at Waterloo after his \"Hundred Days\" return in 1815.", "The letters the couple wrote on the second journey confront the \"great and extraordinary events\" of the final defeat of Napoleon at Waterloo after his \"Hundred Days\" return in 1815. They also explore the sublimity of Lake Geneva and Mont Blanc as well as the revolutionary legacy of the philosopher and novelist Jean-Jacques Rousseau.", "They also explore the sublimity of Lake Geneva and Mont Blanc as well as the revolutionary legacy of the philosopher and novelist Jean-Jacques Rousseau. Mary Shelley's last full-length book, written in the form of letters and published in 1844, was Rambles in Germany and Italy in 1840, 1842 and 1843, which recorded her travels with her son Percy Florence and his university friends.", "Mary Shelley's last full-length book, written in the form of letters and published in 1844, was Rambles in Germany and Italy in 1840, 1842 and 1843, which recorded her travels with her son Percy Florence and his university friends. In Rambles, Shelley follows the tradition of Mary Wollstonecraft's Letters Written in Sweden, Norway, and Denmark and her own A History of a Six Weeks' Tour in mapping her personal and political landscape through the discourse of sensibility and sympathy.", "In Rambles, Shelley follows the tradition of Mary Wollstonecraft's Letters Written in Sweden, Norway, and Denmark and her own A History of a Six Weeks' Tour in mapping her personal and political landscape through the discourse of sensibility and sympathy. For Shelley, building sympathetic connections between people is the way to build civil society and to increase knowledge: \"knowledge, to enlighten and free the mind from clinging deadening prejudices—a wider circle of sympathy with our fellow-creatures;—these are the uses of travel\".", "For Shelley, building sympathetic connections between people is the way to build civil society and to increase knowledge: \"knowledge, to enlighten and free the mind from clinging deadening prejudices—a wider circle of sympathy with our fellow-creatures;—these are the uses of travel\". Between observations on scenery, culture, and \"the people, especially in a political point of view\", she uses the travelogue form to explore her roles as a widow and mother and to reflect on revolutionary nationalism in Italy.", "Between observations on scenery, culture, and \"the people, especially in a political point of view\", she uses the travelogue form to explore her roles as a widow and mother and to reflect on revolutionary nationalism in Italy. She also records her \"pilgrimage\" to scenes associated with Percy Shelley. According to critic Clarissa Orr, Mary Shelley's adoption of a persona of philosophical motherhood gives Rambles the unity of a prose poem, with \"death and memory as central themes\".", "According to critic Clarissa Orr, Mary Shelley's adoption of a persona of philosophical motherhood gives Rambles the unity of a prose poem, with \"death and memory as central themes\". At the same time, Shelley makes an egalitarian case against monarchy, class distinctions, slavery, and war. Biographies Between 1832 and 1839, Mary Shelley wrote many biographies of notable Italian, Spanish, Portuguese, and French men and a few women for Dionysius Lardner's Lives of the Most Eminent Literary and Scientific Men.", "Biographies Between 1832 and 1839, Mary Shelley wrote many biographies of notable Italian, Spanish, Portuguese, and French men and a few women for Dionysius Lardner's Lives of the Most Eminent Literary and Scientific Men. These formed part of Lardner's Cabinet Cyclopaedia, one of the best of many such series produced in the 1820s and 1830s in response to growing middle-class demand for self-education. Until the republication of these essays in 2002, their significance within her body of work was not appreciated.", "Until the republication of these essays in 2002, their significance within her body of work was not appreciated. In the view of literary scholar Greg Kucich, they reveal Mary Shelley's \"prodigious research across several centuries and in multiple languages\", her gift for biographical narrative, and her interest in the \"emerging forms of feminist historiography\". Shelley wrote in a biographical style popularised by the 18th-century critic Samuel Johnson in his Lives of the Poets (1779–81), combining secondary sources, memoir and anecdote, and authorial evaluation.", "Shelley wrote in a biographical style popularised by the 18th-century critic Samuel Johnson in his Lives of the Poets (1779–81), combining secondary sources, memoir and anecdote, and authorial evaluation. She records details of each writer's life and character, quotes their writing in the original as well as in translation, and ends with a critical assessment of their achievement.", "She records details of each writer's life and character, quotes their writing in the original as well as in translation, and ends with a critical assessment of their achievement. For Shelley, biographical writing was supposed to, in her words, \"form as it were a school in which to study the philosophy of history\", and to teach \"lessons\". Most frequently and importantly, these lessons consisted of criticisms of male-dominated institutions such as primogeniture.", "Most frequently and importantly, these lessons consisted of criticisms of male-dominated institutions such as primogeniture. Shelley emphasises domesticity, romance, family, sympathy, and compassion in the lives of her subjects. Her conviction that such forces could improve society connects her biographical approach with that of other early feminist historians such as Mary Hays and Anna Jameson.", "Her conviction that such forces could improve society connects her biographical approach with that of other early feminist historians such as Mary Hays and Anna Jameson. Unlike her novels, most of which had an original print run of several hundred copies, the Lives had a print run of about 4,000 for each volume: thus, according to Kucich, Mary Shelley's \"use of biography to forward the social agenda of women's historiography became one of her most influential political interventions\".", "Unlike her novels, most of which had an original print run of several hundred copies, the Lives had a print run of about 4,000 for each volume: thus, according to Kucich, Mary Shelley's \"use of biography to forward the social agenda of women's historiography became one of her most influential political interventions\". Editorial work Soon after Percy Shelley's death, Mary Shelley determined to write his biography.", "Editorial work Soon after Percy Shelley's death, Mary Shelley determined to write his biography. In a letter of 17 November 1822, she announced: \"I shall write his life—& thus occupy myself in the only manner from which I can derive consolation.\" However, her father-in-law, Sir Timothy Shelley, effectively banned her from doing so. Mary began her fostering of Percy's poetic reputation in 1824 with the publication of his Posthumous Poems.", "Mary began her fostering of Percy's poetic reputation in 1824 with the publication of his Posthumous Poems. In 1839, while she was working on the Lives, she prepared a new edition of his poetry, which became, in the words of literary scholar Susan J. Wolfson, \"the canonizing event\" in the history of her husband's reputation.", "In 1839, while she was working on the Lives, she prepared a new edition of his poetry, which became, in the words of literary scholar Susan J. Wolfson, \"the canonizing event\" in the history of her husband's reputation. The following year, Mary Shelley edited a volume of her husband's essays, letters, translations, and fragments, and throughout the 1830s, she introduced his poetry to a wider audience by publishing assorted works in the annual The Keepsake.", "The following year, Mary Shelley edited a volume of her husband's essays, letters, translations, and fragments, and throughout the 1830s, she introduced his poetry to a wider audience by publishing assorted works in the annual The Keepsake. Evading Sir Timothy's ban on a biography, Mary Shelley often included in these editions her own annotations and reflections on her husband's life and work.", "Evading Sir Timothy's ban on a biography, Mary Shelley often included in these editions her own annotations and reflections on her husband's life and work. \"I am to justify his ways,\" she had declared in 1824; \"I am to make him beloved to all posterity.\" It was this goal, argues Blumberg, that led her to present Percy's work to the public in the \"most popular form possible\".", "It was this goal, argues Blumberg, that led her to present Percy's work to the public in the \"most popular form possible\". To tailor his works for a Victorian audience, she cast Percy Shelley as a lyrical rather than a political poet. As Mary Favret writes, \"the disembodied Percy identifies the spirit of poetry itself\". Mary glossed Percy's political radicalism as a form of sentimentalism, arguing that his republicanism arose from sympathy for those who were suffering.", "Mary glossed Percy's political radicalism as a form of sentimentalism, arguing that his republicanism arose from sympathy for those who were suffering. She inserted romantic anecdotes of his benevolence, domesticity, and love of the natural world. Portraying herself as Percy's \"practical muse\", she also noted how she had suggested revisions as he wrote. Despite the emotions stirred by this task, Mary Shelley arguably proved herself in many respects a professional and scholarly editor.", "Despite the emotions stirred by this task, Mary Shelley arguably proved herself in many respects a professional and scholarly editor. Working from Percy's messy, sometimes indecipherable, notebooks, she attempted to form a chronology for his writings, and she included poems, such as Epipsychidion, addressed to Emilia Viviani, which she would rather have left out.", "Working from Percy's messy, sometimes indecipherable, notebooks, she attempted to form a chronology for his writings, and she included poems, such as Epipsychidion, addressed to Emilia Viviani, which she would rather have left out. She was forced, however, into several compromises, and, as Blumberg notes, \"modern critics have found fault with the edition and claim variously that she miscopied, misinterpreted, purposely obscured, and attempted to turn the poet into something he was not\".", "She was forced, however, into several compromises, and, as Blumberg notes, \"modern critics have found fault with the edition and claim variously that she miscopied, misinterpreted, purposely obscured, and attempted to turn the poet into something he was not\". According to Wolfson, Donald Reiman, a modern editor of Percy Bysshe Shelley's works, still refers to Mary Shelley's editions, while acknowledging that her editing style belongs \"to an age of editing when the aim was not to establish accurate texts and scholarly apparatus but to present a full record of a writer's career for the general reader\".", "According to Wolfson, Donald Reiman, a modern editor of Percy Bysshe Shelley's works, still refers to Mary Shelley's editions, while acknowledging that her editing style belongs \"to an age of editing when the aim was not to establish accurate texts and scholarly apparatus but to present a full record of a writer's career for the general reader\". In principle, Mary Shelley believed in publishing every last word of her husband's work; but she found herself obliged to omit certain passages, either by pressure from her publisher, Edward Moxon, or in deference to public propriety.", "In principle, Mary Shelley believed in publishing every last word of her husband's work; but she found herself obliged to omit certain passages, either by pressure from her publisher, Edward Moxon, or in deference to public propriety. For example, she removed the atheistic passages from Queen Mab for the first edition. After she restored them in the second edition, Moxon was prosecuted and convicted of blasphemous libel, though the prosecution was brought out of principle by the Chartist publisher Henry Hetherington, and no punishment was sought.", "After she restored them in the second edition, Moxon was prosecuted and convicted of blasphemous libel, though the prosecution was brought out of principle by the Chartist publisher Henry Hetherington, and no punishment was sought. Mary Shelley's omissions provoked criticism, often stinging, from members of Percy Shelley's former circle, and reviewers accused her of, among other things, indiscriminate inclusions. Her notes have nevertheless remained an essential source for the study of Percy Shelley's work.", "Her notes have nevertheless remained an essential source for the study of Percy Shelley's work. As Bennett explains, \"biographers and critics agree that Mary Shelley's commitment to bring Shelley the notice she believed his works merited was the single, major force that established Shelley's reputation during a period when he almost certainly would have faded from public view\". Reputation In her own lifetime, Mary Shelley was taken seriously as a writer, though reviewers often missed her writings' political edge.", "Reputation In her own lifetime, Mary Shelley was taken seriously as a writer, though reviewers often missed her writings' political edge. After her death, however, she was chiefly remembered as the wife of Percy Bysshe Shelley and as the author of Frankenstein. In fact, in the introduction to her letters published in 1945, editor Frederick Jones wrote, \"a collection of the present size could not be justified by the general quality of the letters or by Mary Shelley's importance as a writer.", "In fact, in the introduction to her letters published in 1945, editor Frederick Jones wrote, \"a collection of the present size could not be justified by the general quality of the letters or by Mary Shelley's importance as a writer. It is as the wife of [Percy Bysshe Shelley] that she excites our interest.\" This attitude had not disappeared by 1980 when Betty T. Bennett published the first volume of Mary Shelley's complete letters.", "This attitude had not disappeared by 1980 when Betty T. Bennett published the first volume of Mary Shelley's complete letters. As she explains, \"the fact is that until recent years scholars have generally regarded Mary Wollstonecraft Shelley as a result: William Godwin's and Mary Wollstonecraft's daughter who became Shelley's Pygmalion.\" It was not until Emily Sunstein's Mary Shelley: Romance and Reality in 1989 that a full-length scholarly biography was published.", "It was not until Emily Sunstein's Mary Shelley: Romance and Reality in 1989 that a full-length scholarly biography was published. The attempts of Mary Shelley's son and daughter-in-law to \"Victorianise\" her memory by censoring biographical documents contributed to a perception of Mary Shelley as a more conventional, less reformist figure than her works suggest. Her own timid omissions from Percy Shelley's works and her quiet avoidance of public controversy in her later years added to this impression.", "Her own timid omissions from Percy Shelley's works and her quiet avoidance of public controversy in her later years added to this impression. Commentary by Hogg, Trelawny, and other admirers of Percy Shelley also tended to downplay Mary Shelley's radicalism. Trelawny's Records of Shelley, Byron, and the Author (1878) praised Percy Shelley at the expense of Mary, questioning her intelligence and even her authorship of Frankenstein.", "Trelawny's Records of Shelley, Byron, and the Author (1878) praised Percy Shelley at the expense of Mary, questioning her intelligence and even her authorship of Frankenstein. Lady Shelley, Percy Florence's wife, responded in part by presenting a severely edited collection of letters she had inherited, published privately as Shelley and Mary in 1882.", "Lady Shelley, Percy Florence's wife, responded in part by presenting a severely edited collection of letters she had inherited, published privately as Shelley and Mary in 1882. From Frankenstein'''s first theatrical adaptation in 1823 to the cinematic adaptations of the 20th century, including the first cinematic version in 1910 and now-famous versions such as James Whale's 1931 Frankenstein, Mel Brooks' satirical 1974 Young Frankenstein, and Kenneth Branagh's 1994 Mary Shelley's Frankenstein, many audiences first encounter the work of Mary Shelley through adaptation.", "From Frankenstein'''s first theatrical adaptation in 1823 to the cinematic adaptations of the 20th century, including the first cinematic version in 1910 and now-famous versions such as James Whale's 1931 Frankenstein, Mel Brooks' satirical 1974 Young Frankenstein, and Kenneth Branagh's 1994 Mary Shelley's Frankenstein, many audiences first encounter the work of Mary Shelley through adaptation. Over the course of the 19th century, Mary Shelley came to be seen as a one-novel author at best, rather than as the professional writer she was; most of her works have remained out of print until the last thirty years, obstructing a larger view of her achievement.", "Over the course of the 19th century, Mary Shelley came to be seen as a one-novel author at best, rather than as the professional writer she was; most of her works have remained out of print until the last thirty years, obstructing a larger view of her achievement. In recent decades, the republication of almost all her writing has stimulated a new recognition of its value. Her habit of intensive reading and study, revealed in her journals and letters and reflected in her works, is now better appreciated.", "Her habit of intensive reading and study, revealed in her journals and letters and reflected in her works, is now better appreciated. Shelley's conception of herself as an author has also been recognised; after Percy's death, she wrote of her authorial ambitions: \"I think that I can maintain myself, and there is something inspiriting in the idea.\" Scholars now consider Mary Shelley to be a major Romantic figure, significant for her literary achievement and her political voice as a woman and a liberal.", "Scholars now consider Mary Shelley to be a major Romantic figure, significant for her literary achievement and her political voice as a woman and a liberal. Selected works History of a Six Weeks' Tour (1817) Frankenstein; or, The Modern Prometheus (1818) Mathilda (1819) Valperga; or, The Life and Adventures of Castruccio, Prince of Lucca (1823) Posthumous Poems of Percy Bysshe Shelley (1824) The Last Man (1826) The Fortunes of Perkin Warbeck (1830) Lodore (1835) Falkner (1837) The Poetical Works of Percy Bysshe Shelley (1839) Contributions to Lives of the Most Eminent Literary and Scientific Men (1835–39), part of Lardner's Cabinet Cyclopaedia Rambles in Germany and Italy in 1840, 1842, and 1843 (1844) Collections of Mary Shelley's papers are housed in Lord Abinger's Shelley Collection on deposit at the Bodleian Library, the New York Public Library (particularly The Carl H. Pforzheimer Collection of Shelley and His Circle), the Huntington Library, the British Library, and in the John Murray Collection.", "Selected works History of a Six Weeks' Tour (1817) Frankenstein; or, The Modern Prometheus (1818) Mathilda (1819) Valperga; or, The Life and Adventures of Castruccio, Prince of Lucca (1823) Posthumous Poems of Percy Bysshe Shelley (1824) The Last Man (1826) The Fortunes of Perkin Warbeck (1830) Lodore (1835) Falkner (1837) The Poetical Works of Percy Bysshe Shelley (1839) Contributions to Lives of the Most Eminent Literary and Scientific Men (1835–39), part of Lardner's Cabinet Cyclopaedia Rambles in Germany and Italy in 1840, 1842, and 1843 (1844) Collections of Mary Shelley's papers are housed in Lord Abinger's Shelley Collection on deposit at the Bodleian Library, the New York Public Library (particularly The Carl H. Pforzheimer Collection of Shelley and His Circle), the Huntington Library, the British Library, and in the John Murray Collection. See also Mary Shelley (2017 film) Godwin–Shelley family tree Map of 1814 and 1816 European journeys Map of 1840s European journeys Notes References All essays from The Cambridge Companion to Mary Shelley are marked with a \"(CC)\" and those from The Other Mary Shelley with an \"(OMS)\".", "See also Mary Shelley (2017 film) Godwin–Shelley family tree Map of 1814 and 1816 European journeys Map of 1840s European journeys Notes References All essays from The Cambridge Companion to Mary Shelley are marked with a \"(CC)\" and those from The Other Mary Shelley with an \"(OMS)\". Bibliography Primary sources Shelley, Mary. Collected Tales and Stories. Ed. Charles E. Robinson. Baltimore: Johns Hopkins University Press, 1976. . Shelley, Mary. Frankenstein; or, The Modern Prometheus. Ed.", "Shelley, Mary. Frankenstein; or, The Modern Prometheus. Ed. Ed. Susan J. Wolfson. New York: Pearson Longman, 2007. . Shelley, Mary. The Journals of Mary Shelley, 1814–44. Ed. Paula R. Feldman and Diana Scott-Kilvert. Baltimore: Johns Hopkins University Press, 1995. . Shelley, Mary. The Last Man. Ed. Morton D. Paley. Oxford: Oxford Paperbacks, 1998. . Shelley, Mary. Lodore. Ed. Lisa Vargo. Ontario: Broadview Press, 1997. .", "Ed. Lisa Vargo. Ontario: Broadview Press, 1997. . Ontario: Broadview Press, 1997. . Shelley, Mary. Mary Shelley's Literary Lives and Other Writings. 4 vols. Ed. Tilar J. Mazzeo. London: Pickering & Chatto, 2002. . Shelley, Mary. Mathilda . Ed. Elizabeth Nitchie. Chapel Hill: University of North Carolina Press, 1959. Project Gutenberg. Retrieved 16 February 2008. Shelley, Mary. Matilda; with Mary and Maria, by Mary Wollstonecraft. Ed. Janet Todd.", "Matilda; with Mary and Maria, by Mary Wollstonecraft. Ed. Janet Todd. Janet Todd. London: Penguin, 1992. . Shelley, Mary, ed. The Poetical Works of Percy Bysshe Shelley . London: Edward Moxon, 1840. Google Books. Retrieved 6 April 2008. Shelley, Mary. Selected Letters of Mary Wollstonecraft Shelley. Ed. Betty T. Bennett. Baltimore: Johns Hopkins University Press, 1995. . Shelley, Mary. Valperga; or, The Life and Adventures of Castruccio, Prince of Lucca.", "Valperga; or, The Life and Adventures of Castruccio, Prince of Lucca. Ed. Michael Rossington. Oxford: Oxford Paperbacks, 2000. . Shelley, Percy Bysshe. Shelley's Poetry and Prose. Eds. Donald H. Reiman and Neil Fraistat. 2nd ed. New York: W. W. Norton and Co., 2002. . Secondary sources Bennett, Betty T. \"Finding Mary Shelley in her Letters\". Romantic Revisions. Ed. Robert Brinkley and Keith Hanley. Cambridge: Cambridge University Press, 1992. .", "Cambridge: Cambridge University Press, 1992. . Cambridge: Cambridge University Press, 1992. . Bennett, Betty T., ed. Mary Shelley in her Times. Baltimore: Johns Hopkins University Press, 2003. . Bennett, Betty T. Mary Wollstonecraft Shelley: An Introduction. Baltimore: Johns Hopkins University Press, 1998. . Bennett, Betty T. \"The Political Philosophy of Mary Shelley's Historical Novels: Valperga and Perkin Warbeck\". The Evidence of the Imagination. Ed. Donald H. Reiman, Michael C. Jaye, and Betty T. Bennett.", "Donald H. Reiman, Michael C. Jaye, and Betty T. Bennett. New York: New York University Press, 1978. . Bieri, James. Percy Bysshe Shelley, a Biography: Exile of Unfulfilled Renown, 1816–1822. Newark: University of Delaware Press, 2005. . Blumberg, Jane. Mary Shelley's Early Novels: \"This Child of Imagination and Misery\". Iowa City: University of Iowa Press, 1993. . Bunnell, Charlene E. \"All the World's a Stage\": Dramatic Sensibility in Mary Shelley's Novels.", "Bunnell, Charlene E. \"All the World's a Stage\": Dramatic Sensibility in Mary Shelley's Novels. New York: Routledge, 2002. . Carlson, J. A. England's First Family of Writers: Mary Wollstonecraft, William Godwin, Mary Shelley. Baltimore: Johns Hopkins University Press, 2007. . Clemit, Pamela. \"From The Fields of Fancy to Matilda.\" Mary Shelley in her Times. Ed. Betty T. Bennett. Baltimore: Johns Hopkins University Press, 2003. . Clemit, Pamela.", "Baltimore: Johns Hopkins University Press, 2003. . Clemit, Pamela. Clemit, Pamela. The Godwinian Novel: The Rational Fictions of Godwin, Brockden Brown, Mary Shelley. Oxford: Clarendon Press, 1993. . Conger, Syndy M., Frederick S. Frank, and Gregory O'Dea, eds. Iconoclastic Departures: Mary Shelley after \"Frankenstein\". Essays in Honor of the Bicentenary of Mary Shelley's Birth. Madison, NJ: Farleigh Dickinson University Press, 1997. . Eberle-Sinatra, Michael, ed.", "Eberle-Sinatra, Michael, ed. Eberle-Sinatra, Michael, ed. Mary Shelley's Fictions: From Frankenstein to Falkner. New York: St. Martin's Press/Palgrave, 2000. . Fisch, Audrey A., Anne K. Mellor, and Esther H. Schorr, eds. The Other Mary Shelley: Beyond \"Frankenstein\". New York: Oxford University Press, 1993. . Frank, Frederick S. \"Mary Shelley's Other Fictions: A Bibliographic Consensus\". Iconoclastic Departures: Mary Shelley after \"Frankenstein\".", "Iconoclastic Departures: Mary Shelley after \"Frankenstein\". Iconoclastic Departures: Mary Shelley after \"Frankenstein\". Essays in Honor of the Bicentenary of Mary Shelley's Birth. Ed. Syndy M. Conger, Frederick S. Frank, and Gregory O'Dea. Madison, NJ: Farleigh Dickinson University Press, 1997. . Garrett, Martin Mary Shelley. Oxford: Oxford University Press. 2002. Gilbert, Sandra M. and Susan Gubar. The Madwoman in the Attic: The Woman Writer and the Nineteenth-Century Literary Imagination. 1979.", "The Madwoman in the Attic: The Woman Writer and the Nineteenth-Century Literary Imagination. 1979. 1979. New Haven: Yale University Press, 1984. . Gittings, Robert and Jo Manton. Claire Clairmont and the Shelleys. Oxford: Oxford University Press, 1992. . Holmes, Richard. Shelley: The Pursuit. 1974. London: Harper Perennial, 2003. . Jones, Steven. \"Charles E. Robinson, Ed. The Frankenstein Notebooks: A Facsimile Edition of Mary Shelley's Novel, 1816–17 (Parts One and Two)\".", "The Frankenstein Notebooks: A Facsimile Edition of Mary Shelley's Novel, 1816–17 (Parts One and Two)\". (Book Review). Romantic Circles website, 1 January 1998. Retrieved 15 September 2016. Jump, Harriet Devine, Pamela Clemit, and Betty T. Bennett, eds. Lives of the Great Romantics III: Godwin, Wollstonecraft & Mary Shelley by Their Contemporaries. London: Pickering & Chatto, 1999. . Levine, George and U. C. Knoepflmacher, eds.", "Levine, George and U. C. Knoepflmacher, eds. Levine, George and U. C. Knoepflmacher, eds. The Endurance of Frankenstein: Essays on Mary Shelley's novel. Berkeley: University of California Press, 1979. . Mellor, Anne K. Mary Shelley: Her Life, her Fiction, Her Monsters. London: Routledge, 1990. . Myers, Mitzi. \"Mary Wollstonecraft Godwin Shelley: The Female Author between Public and Private Spheres.\" Mary Shelley in her Times. Ed. Betty T. Bennett.", "Mary Shelley in her Times. Ed. Betty T. Bennett. Betty T. Bennett. Baltimore: Johns Hopkins University Press, 2003. . Orr, Clarissa Campbell. \"Mary Shelley's Rambles in Germany and Italy, the Celebrity Author, and the Undiscovered Country of the Human Heart\". Romanticism on the Net 11 (August 1998). Retrieved 22 February 2008. Poovey, Mary. The Proper Lady and the Woman Writer: Ideology as Style in the Works of Mary Wollstonecraft, Mary Shelley and Jane Austen.", "The Proper Lady and the Woman Writer: Ideology as Style in the Works of Mary Wollstonecraft, Mary Shelley and Jane Austen. Chicago: University of Chicago Press, 1985. . Robinson, Charles E., ed. The Frankenstein Notebooks: A Facsimile Edition of Mary Shelley's Novel, 1816–17 (Parts One and Two). The Manuscripts of the Younger Romantics, Volume IX, Donald H. Reiman, general ed. Garland Publishing, 1996. . Schor, Esther, ed. The Cambridge Companion to Mary Shelley.", "Schor, Esther, ed. The Cambridge Companion to Mary Shelley. The Cambridge Companion to Mary Shelley. Cambridge: Cambridge University Press, 2003. . Seymour, Miranda. Mary Shelley. London: John Murray, 2000. . Sites, Melissa. \"Re/membering Home: Utopian Domesticity in Mary Shelley's Lodore\". A Brighter Morn: The Shelley Circle's Utopian Project. Ed. Darby Lewes. Lanham, MD: Lexington Books, 2003. . Smith, Johanna M. \"A Critical History of Frankenstein\". Frankenstein.", "Smith, Johanna M. \"A Critical History of Frankenstein\". Frankenstein. Frankenstein. Case Studies in Contemporary Criticism. New York: Palgrave Macmillan, 2000. . Spark, Muriel. Mary Shelley. London: Cardinal, 1987. . St Clair, William. The Godwins and the Shelleys: The Biography of a Family. London: Faber & Faber, 1989. . Sterrenburg, Lee. \"The Last Man: Anatomy of Failed Revolutions\". Nineteenth Century Fiction 33 (1978): 324–47.", "Nineteenth Century Fiction 33 (1978): 324–47. Nineteenth Century Fiction 33 (1978): 324–47. Sunstein, Emily W. Mary Shelley: Romance and Reality. 1989. Baltimore: Johns Hopkins University Press, 1991. . Townsend, William C. Modern State Trials. London: Longman, Brown, Green and Longmans, 1850. Wake, Ann M Frank. \"Women in the Active Voice: Recovering Female History in Mary Shelley's Valperga and Perkin Warbeck\". Iconoclastic Departures: Mary Shelley after \"Frankenstein\".", "Iconoclastic Departures: Mary Shelley after \"Frankenstein\". Iconoclastic Departures: Mary Shelley after \"Frankenstein\". Essays in Honor of the Bicentenary of Mary Shelley's Birth. Ed. Syndy M. Conger, Frederick S. Frank, and Gregory O'Dea. Madison, NJ: Farleigh Dickinson University Press, 1997. . White, Daniel E. \"'The god undeified': Mary Shelley's Valperga, Italy, and the Aesthetic of Desire \". Romanticism on the Net 6 (May 1997). Retrieved 22 February 2008.", "Romanticism on the Net 6 (May 1997). Retrieved 22 February 2008. Retrieved 22 February 2008. Further reading Goulding, Christopher. \"The Real Doctor Frankenstein?\" Journal of the Royal Society of Medicine. The Royal Society of Medicine, May 2002.", "The Royal Society of Medicine, May 2002. The Royal Society of Medicine, May 2002. Richard Holmes, \"Out of Control\" (review of Mary Shelley, Frankenstein, Or, The Modern Prometheus: Annotated for Scientists, Engineers, and Creators of All Kinds, edited by David H. Guston, Ed Finn, and Jason Scott Robert, MIT Press, 277 pp. ; and Mary Shelley, The New Annotated Frankenstein, edited and with a foreword and notes by Leslie S. Klinger, Liveright, 352 pp.", "; and Mary Shelley, The New Annotated Frankenstein, edited and with a foreword and notes by Leslie S. Klinger, Liveright, 352 pp. ), The New York Review of Books, vol. LXIV, no. 20 (21 December 2017), pp. 38, 40–41. Gordon, Charlotte (2016). Romantic Outlaws: The Extraordinary Lives of Mary Wollstonecraft & Mary Shelley'', Random House.", "Romantic Outlaws: The Extraordinary Lives of Mary Wollstonecraft & Mary Shelley'', Random House. External links Mary Shelley chronology and bibliography – part of Romantic Circles Mary Wollstonecraft Shelley manuscript material, 1815–1850, held by the Carl H. Pforzheimer Collection of Shelley and His Circle, New York Public Library Mary Shelley at the British Library Exhibits relating to Mary Shelley at the Bodleian Library, University of Oxford 1797 births 1851 deaths 19th-century English women writers 19th-century English novelists 19th-century British short story writers British expatriates in Italy British expatriates in Switzerland British feminists British horror writers British science fiction writers Deaths from brain tumor Deaths from cancer in England English expatriates in Italy English expatriates in Switzerland English feminists English horror writers English science fiction writers English travel writers English women novelists Frankenstein Godwin family People from Bournemouth People from Somers Town, London Romanticism Science Fiction Hall of Fame inductees Victorian novelists Women historical novelists Women horror writers Women of the Regency era Women science fiction and fantasy writers British women travel writers Writers of Gothic fiction Shelley family Weird fiction writers" ]

[ "Mary Shelley", "Lake Geneva and Frankenstein", "When did Mary Shelley write Frankenstein?", "Mary Shelley remembered in 1831,", "What did she have to do with Lake Geneva?", "close to Lake Geneva at the village of Cologny; Percy Shelley rented a smaller building called Maison Chapuis", "what did they do while they were there?", "They spent their time writing, boating on the lake, and talking late into the night. \"", "What did they write while they were there?", "Byron to propose that they \"each write a ghost story\".", "Did they write the ghost story?", "she became possessed by her imagination as she beheld the grim terrors of her \"waking dream\", her ghost story:", "how did that end for her?", "She began writing what she assumed would be a short story. With Percy Shelley's encouragement, she expanded this tale into her first novel, Frankenstein:" ]

[ "Frankenstein Day is an annual holiday celebrated on August 30, Mary Shelley's birthday, in celebration of her 1818 novel Frankenstein; or, The Modern Prometheus.\n\nHistory \nMary Wollstonecraft Shelley was born on August 30, 1797. She wrote the novel Frankenstein in 1816, and published it in 1818. The holiday Frankenstein Day was created to honor Mary Shelley and Frankenstein, every year on the anniversary of her birthday. Frankenstein Day has also been known as National Frankenstein Day.\n\nSee also \n\n Frankenstein: Day of the Beast\n\nReferences \n\nHolidays\nFrankenstein\nBirthdays\nMary Shelley", "Henry M. Milner was a 19th-century British playwright and author of melodramas and popular tragedies. Milner wrote numerous plays, including two popular equestrian dramas/hippodramas featuring live horses on stage. These are: Mazeppa; or, the Wild Horse of Tartary (which was based on Lord Byron's 1819 poem), which kicked off a wave of interest in the legend and Dick Turpin's Ride to York; or, Bonny black Bess, about the famous highwayman and his horse. Both of these plays included great spectacle in performance and enjoyed great popular success during the mid to late nineteenth century. ' 'Mazeppa' ' was extremely popular and often produced; it is recalled as one of, if not the most, significant and popular equestrian drama of all time.\n\nAnother of Milner's noteworthy and successful works is, The Man and The Monster; or The Fate of Frankenstein, opened on 3 July 1826 at the Royal Coburg Theatre (now known as The Old Vic), eight years after Mary Shelley's Frankenstein was published. subsequent film adaptations follow Milner's example, in making Frankenstein's monstrous creation a pivotal scene.\n\nSee also\nDick Turpin's Ride to York, 1922 film\n\nPartial list of works\n\n \n \n (See Cultural legacy of Mazeppa#The 1830s-1860s)\n\nReferences\n\nExternal links\n \"Frankenstein: or The Man and the Monster.\" A Romantic Melo-Drama, in Two Acts. FOUNDED PRINCIPALLY ON MRS. SHELLEY'S SINGULAR WORK ENTITLED \"FRANKENSTEIN; OR, THE MODERN PROMETHEUS\" And partly on the French piece, \"Le Magicien et le Monstre.\"- at University of Pennsylvania\n\nBritish dramatists and playwrights\nYear of birth missing\nYear of death missing\nBritish male dramatists and playwrights" ]

[ "Mary Wollstonecraft Shelley (; ; 30 August 1797 – 1 February 1851) was an English novelist who wrote the Gothic novel Frankenstein; or, The Modern Prometheus (1818), which is considered an early example of science fiction. She also edited and promoted the works of her husband, the Romantic poet and philosopher Percy Bysshe Shelley. Her father was the political philosopher William Godwin and her mother was the philosopher and feminist activist Mary Wollstonecraft. Shelley's mother died less than a month after giving birth to her.", "Shelley's mother died less than a month after giving birth to her. She was raised by her father, who provided her with a rich if informal education, encouraging her to adhere to his own anarchist political theories. When she was four, her father married a neighbour, Mary Jane Clairmont, with whom Shelley came to have a troubled relationship. In 1814, Shelley began a romance with one of her father's political followers, Percy Bysshe Shelley, who was already married.", "In 1814, Shelley began a romance with one of her father's political followers, Percy Bysshe Shelley, who was already married. Together with her stepsister, Claire Clairmont, she and Percy left for France and travelled through Europe. Upon their return to England, Shelley was pregnant with Percy's child. Over the next two years, she and Percy faced ostracism, constant debt and the death of their prematurely born daughter. They married in late 1816, after the suicide of Percy Shelley's first wife, Harriet.", "They married in late 1816, after the suicide of Percy Shelley's first wife, Harriet. In 1816, the couple and Mary's stepsister famously spent a summer with Lord Byron and John William Polidori near Geneva, Switzerland, where Shelley conceived the idea for her novel Frankenstein. The Shelleys left Britain in 1818 for Italy, where their second and third children died before Shelley gave birth to her last and only surviving child, Percy Florence Shelley.", "The Shelleys left Britain in 1818 for Italy, where their second and third children died before Shelley gave birth to her last and only surviving child, Percy Florence Shelley. In 1822, her husband drowned when his sailing boat sank during a storm near Viareggio. A year later, Shelley returned to England and from then on devoted herself to the upbringing of her son and a career as a professional author.", "A year later, Shelley returned to England and from then on devoted herself to the upbringing of her son and a career as a professional author. The last decade of her life was dogged by illness, most likely caused by the brain tumour which killed her at age 53. Until the 1970s, Shelley was known mainly for her efforts to publish her husband's works and for her novel Frankenstein, which remains widely read and has inspired many theatrical and film adaptations.", "Until the 1970s, Shelley was known mainly for her efforts to publish her husband's works and for her novel Frankenstein, which remains widely read and has inspired many theatrical and film adaptations. Recent scholarship has yielded a more comprehensive view of Shelley's achievements.", "Recent scholarship has yielded a more comprehensive view of Shelley's achievements. Scholars have shown increasing interest in her literary output, particularly in her novels, which include the historical novels Valperga (1823) and Perkin Warbeck (1830), the apocalyptic novel The Last Man (1826) and her final two novels, Lodore (1835) and Falkner (1837).", "Scholars have shown increasing interest in her literary output, particularly in her novels, which include the historical novels Valperga (1823) and Perkin Warbeck (1830), the apocalyptic novel The Last Man (1826) and her final two novels, Lodore (1835) and Falkner (1837). Studies of her lesser-known works, such as the travel book Rambles in Germany and Italy (1844) and the biographical articles for Dionysius Lardner's Cabinet Cyclopaedia (1829–1846), support the growing view that Shelley remained a political radical throughout her life.", "Studies of her lesser-known works, such as the travel book Rambles in Germany and Italy (1844) and the biographical articles for Dionysius Lardner's Cabinet Cyclopaedia (1829–1846), support the growing view that Shelley remained a political radical throughout her life. Shelley's works often argue that cooperation and sympathy, particularly as practised by women in the family, were the ways to reform civil society.", "Shelley's works often argue that cooperation and sympathy, particularly as practised by women in the family, were the ways to reform civil society. This view was a direct challenge to the individualistic Romantic ethos promoted by Percy Shelley and the Enlightenment political theories articulated by her father, William Godwin. Life and career Early life Mary Shelley was born Mary Wollstonecraft Godwin in Somers Town, London, in 1797.", "Life and career Early life Mary Shelley was born Mary Wollstonecraft Godwin in Somers Town, London, in 1797. She was the second child of the feminist philosopher, educator, and writer Mary Wollstonecraft and the first child of the philosopher, novelist, and journalist William Godwin. Wollstonecraft died of puerperal fever shortly after Mary was born. Godwin was left to bring up Mary, along with her older half-sister, Fanny Imlay, Wollstonecraft's child by the American speculator Gilbert Imlay.", "Godwin was left to bring up Mary, along with her older half-sister, Fanny Imlay, Wollstonecraft's child by the American speculator Gilbert Imlay. A year after Wollstonecraft's death, Godwin published his Memoirs of the Author of A Vindication of the Rights of Woman (1798), which he intended as a sincere and compassionate tribute. However, because the Memoirs revealed Wollstonecraft's affairs and her illegitimate child, they were seen as shocking.", "However, because the Memoirs revealed Wollstonecraft's affairs and her illegitimate child, they were seen as shocking. Mary Godwin read these memoirs and her mother's books, and was brought up to cherish her mother's memory. Mary's earliest years were happy, judging from the letters of William Godwin's housekeeper and nurse, Louisa Jones. But Godwin was often deeply in debt; feeling that he could not raise the children by himself, he cast about for a second wife.", "But Godwin was often deeply in debt; feeling that he could not raise the children by himself, he cast about for a second wife. In December 1801, he married Mary Jane Clairmont, a well-educated woman with two young children of her own—Charles and Claire. Most of Godwin's friends disliked his new wife, describing her as quick-tempered and quarrelsome; but Godwin was devoted to her, and the marriage was a success. Mary Godwin, on the other hand, came to detest her stepmother.", "Mary Godwin, on the other hand, came to detest her stepmother. William Godwin's 19th-century biographer Charles Kegan Paul later suggested that Mrs Godwin had favoured her own children over those of Mary Wollstonecraft. Together, the Godwins started a publishing firm called M. J. Godwin, which sold children's books as well as stationery, maps, and games. However, the business did not turn a profit, and Godwin was forced to borrow substantial sums to keep it going.", "However, the business did not turn a profit, and Godwin was forced to borrow substantial sums to keep it going. He continued to borrow to pay off earlier loans, compounding his problems. By 1809, Godwin's business was close to failure, and he was \"near to despair\". Godwin was saved from debtor's prison by philosophical devotees such as Francis Place, who lent him further money. Though Mary Godwin received little formal education, her father tutored her in a broad range of subjects.", "Though Mary Godwin received little formal education, her father tutored her in a broad range of subjects. He often took the children on educational outings, and they had access to his library and to the many intellectuals who visited him, including the Romantic poet Samuel Taylor Coleridge and the former vice-president of the United States Aaron Burr.", "He often took the children on educational outings, and they had access to his library and to the many intellectuals who visited him, including the Romantic poet Samuel Taylor Coleridge and the former vice-president of the United States Aaron Burr. Godwin admitted he was not educating the children according to Mary Wollstonecraft's philosophy as outlined in works such as A Vindication of the Rights of Woman (1792), but Mary Godwin nonetheless received an unusual and advanced education for a girl of the time.", "Godwin admitted he was not educating the children according to Mary Wollstonecraft's philosophy as outlined in works such as A Vindication of the Rights of Woman (1792), but Mary Godwin nonetheless received an unusual and advanced education for a girl of the time. She had a governess, a daily tutor, and read many of her father's children's books on Roman and Greek history in manuscript. For six months in 1811, she also attended a boarding school in Ramsgate.", "For six months in 1811, she also attended a boarding school in Ramsgate. Her father described her at age 15 as \"singularly bold, somewhat imperious, and active of mind. Her desire of knowledge is great, and her perseverance in everything she undertakes almost invincible.\" In June 1812, Mary's father sent her to stay with the dissenting family of the radical William Baxter, near Dundee, Scotland.", "In June 1812, Mary's father sent her to stay with the dissenting family of the radical William Baxter, near Dundee, Scotland. To Baxter, he wrote, \"I am anxious that she should be brought up ... like a philosopher, even like a cynic.\" Scholars have speculated that she may have been sent away for her health, to remove her from the seamy side of the business, or to introduce her to radical politics.", "Scholars have speculated that she may have been sent away for her health, to remove her from the seamy side of the business, or to introduce her to radical politics. Mary Godwin revelled in the spacious surroundings of Baxter's house and in the companionship of his four daughters, and she returned north in the summer of 1813 for a further stay of 10 months. In the 1831 introduction to Frankenstein, she recalled: \"I wrote then—but in a most common-place style.", "In the 1831 introduction to Frankenstein, she recalled: \"I wrote then—but in a most common-place style. It was beneath the trees of the grounds belonging to our house, or on the bleak sides of the woodless mountains near, that my true compositions, the airy flights of my imagination, were born and fostered.\" Percy Bysshe Shelley Mary Godwin may have first met the radical poet-philosopher Percy Bysshe Shelley in the interval between her two stays in Scotland.", "Percy Bysshe Shelley Mary Godwin may have first met the radical poet-philosopher Percy Bysshe Shelley in the interval between her two stays in Scotland. By the time she returned home for a second time on 30 March 1814, Percy Shelley had become estranged from his wife and was regularly visiting William Godwin, whom he had agreed to bail out of debt.", "By the time she returned home for a second time on 30 March 1814, Percy Shelley had become estranged from his wife and was regularly visiting William Godwin, whom he had agreed to bail out of debt. Percy Shelley's radicalism, particularly his economic views, which he had imbibed from William Godwin's Political Justice (1793), had alienated him from his wealthy aristocratic family: they wanted him to follow traditional models of the landed aristocracy, and he wanted to donate large amounts of the family's money to schemes intended to help the disadvantaged.", "Percy Shelley's radicalism, particularly his economic views, which he had imbibed from William Godwin's Political Justice (1793), had alienated him from his wealthy aristocratic family: they wanted him to follow traditional models of the landed aristocracy, and he wanted to donate large amounts of the family's money to schemes intended to help the disadvantaged. Percy Shelley, therefore, had difficulty gaining access to money until he inherited his estate because his family did not want him wasting it on projects of \"political justice\".", "Percy Shelley, therefore, had difficulty gaining access to money until he inherited his estate because his family did not want him wasting it on projects of \"political justice\". After several months of promises, Shelley announced that he either could not or would not pay off all of Godwin's debts. Godwin was angry and felt betrayed.", "Godwin was angry and felt betrayed. Godwin was angry and felt betrayed. Mary and Percy began meeting each other secretly at her mother Mary Wollstonecraft's grave in the churchyard of St Pancras Old Church, and they fell in love—she was 16, and he was 21.", "Mary and Percy began meeting each other secretly at her mother Mary Wollstonecraft's grave in the churchyard of St Pancras Old Church, and they fell in love—she was 16, and he was 21. On 26 June 1814, Shelley and Godwin declared their love for one another as Shelley announced he could not hide his \"ardent passion\", leading her in a \"sublime and rapturous moment\" to say she felt the same way; on either that day or the next, Godwin lost her virginity to Shelley, which tradition claims happened in the churchyard.", "On 26 June 1814, Shelley and Godwin declared their love for one another as Shelley announced he could not hide his \"ardent passion\", leading her in a \"sublime and rapturous moment\" to say she felt the same way; on either that day or the next, Godwin lost her virginity to Shelley, which tradition claims happened in the churchyard. Godwin described herself as attracted to Shelley's \"wild, intellectual, unearthly looks\".", "Godwin described herself as attracted to Shelley's \"wild, intellectual, unearthly looks\". To Mary's dismay, her father disapproved, and tried to thwart the relationship and salvage the \"spotless fame\" of his daughter. At about the same time, Mary's father learned of Shelley's inability to pay off the father's debts. Mary, who later wrote of \"my excessive and romantic attachment to my father\", was confused.", "Mary, who later wrote of \"my excessive and romantic attachment to my father\", was confused. She saw Percy Shelley as an embodiment of her parents' liberal and reformist ideas of the 1790s, particularly Godwin's view that marriage was a repressive monopoly, which he had argued in his 1793 edition of Political Justice but later retracted. On 28 July 1814, the couple eloped and secretly left for France, taking Mary's stepsister, Claire Clairmont, with them.", "On 28 July 1814, the couple eloped and secretly left for France, taking Mary's stepsister, Claire Clairmont, with them. After convincing Mary Jane Godwin, who had pursued them to Calais, that they did not wish to return, the trio travelled to Paris, and then, by donkey, mule, carriage, and foot, through a France recently ravaged by war, to Switzerland. \"It was acting in a novel, being an incarnate romance,\" Mary Shelley recalled in 1826.", "\"It was acting in a novel, being an incarnate romance,\" Mary Shelley recalled in 1826. Godwin wrote about France in 1814: \"The distress of the inhabitants, whose houses had been burned, their cattle killed and all their wealth destroyed, has given a sting to my detestation of war...\". As they travelled, Mary and Percy read works by Mary Wollstonecraft and others, kept a joint journal, and continued their own writing. At Lucerne, lack of money forced the three to turn back.", "At Lucerne, lack of money forced the three to turn back. They travelled down the Rhine and by land to the Dutch port of Maassluis, arriving at Gravesend, Kent, on 13 September 1814. The situation awaiting Mary Godwin in England was fraught with complications, some of which she had not foreseen. Either before or during the journey, she had become pregnant. She and Percy now found themselves penniless, and, to Mary's genuine surprise, her father refused to have anything to do with her.", "She and Percy now found themselves penniless, and, to Mary's genuine surprise, her father refused to have anything to do with her. The couple moved with Claire into lodgings at Somers Town, and later, Nelson Square. They maintained their intense programme of reading and writing, and entertained Percy Shelley's friends, such as Thomas Jefferson Hogg and the writer Thomas Love Peacock. Percy Shelley sometimes left home for short periods to dodge creditors. The couple's distraught letters reveal their pain at these separations.", "The couple's distraught letters reveal their pain at these separations. Pregnant and often ill, Mary Godwin had to cope with Percy's joy at the birth of his son by Harriet Shelley in late 1814 and his constant outings with Claire Clairmont. Shelley and Clairmont were almost certainly lovers, which caused much jealousy on Godwin's part. Shelley greatly offended Godwin at one point when during a walk in the French countryside he suggested that they both take the plunge into a stream naked as it offended her principles.", "Shelley greatly offended Godwin at one point when during a walk in the French countryside he suggested that they both take the plunge into a stream naked as it offended her principles. She was partly consoled by the visits of Hogg, whom she disliked at first but soon considered a close friend. Percy Shelley seems to have wanted Mary Godwin and Hogg to become lovers; Mary did not dismiss the idea, since in principle she believed in free love.", "Percy Shelley seems to have wanted Mary Godwin and Hogg to become lovers; Mary did not dismiss the idea, since in principle she believed in free love. In practice, however, she loved only Percy Shelley and seems to have ventured no further than flirting with Hogg. On 22 February 1815, she gave birth to a two-month premature baby girl, who was not expected to survive.", "On 22 February 1815, she gave birth to a two-month premature baby girl, who was not expected to survive. On 6 March, she wrote to Hogg: My dearest Hogg my baby is dead—will you come to see me as soon as you can. I wish to see you—It was perfectly well when I went to bed—I awoke in the night to give it suck it appeared to be sleeping so quietly that I would not awake it.", "I wish to see you—It was perfectly well when I went to bed—I awoke in the night to give it suck it appeared to be sleeping so quietly that I would not awake it. It was dead then, but we did not find that out till morning—from its appearance it evidently died of convulsions—Will you come—you are so calm a creature & Shelley is afraid of a fever from the milk—for I am no longer a mother now.", "It was dead then, but we did not find that out till morning—from its appearance it evidently died of convulsions—Will you come—you are so calm a creature & Shelley is afraid of a fever from the milk—for I am no longer a mother now. The loss of her child induced acute depression in Mary Godwin, who was haunted by visions of the baby; but she conceived again and had recovered by the summer.", "The loss of her child induced acute depression in Mary Godwin, who was haunted by visions of the baby; but she conceived again and had recovered by the summer. With a revival in Percy Shelley's finances after the death of his grandfather, Sir Bysshe Shelley, the couple holidayed in Torquay and then rented a two-storey cottage at Bishopsgate, on the edge of Windsor Great Park. Little is known about this period in Mary Godwin's life, since her journal from May 1815 to July 1816 is lost.", "Little is known about this period in Mary Godwin's life, since her journal from May 1815 to July 1816 is lost. At Bishopsgate, Percy wrote his poem Alastor, or The Spirit of Solitude; and on 24 January 1816, Mary gave birth to a second child, William, named after her father, and soon nicknamed \"Willmouse\". In her novel The Last Man, she later imagined Windsor as a Garden of Eden.", "In her novel The Last Man, she later imagined Windsor as a Garden of Eden. Lake Geneva and Frankenstein In May 1816, Mary Godwin, Percy Shelley, and their son travelled to Geneva with Claire Clairmont. They planned to spend the summer with the poet Lord Byron, whose recent affair with Claire had left her pregnant. In History of a Six Weeks’ Tour through a part of France, Switzerland, Germany and Holland (1817), she describes the particularly desolate landscape in crossing from France into Switzerland.", "In History of a Six Weeks’ Tour through a part of France, Switzerland, Germany and Holland (1817), she describes the particularly desolate landscape in crossing from France into Switzerland. The party arrived in Geneva on 14 May 1816, where Mary called herself \"Mrs Shelley\".", "The party arrived in Geneva on 14 May 1816, where Mary called herself \"Mrs Shelley\". Byron joined them on 25 May, with his young physician, John William Polidori, and rented the Villa Diodati, close to Lake Geneva at the village of Cologny; Percy Shelley rented a smaller building called Maison Chapuis on the waterfront nearby. They spent their time writing, boating on the lake, and talking late into the night.", "They spent their time writing, boating on the lake, and talking late into the night. \"It proved a wet, ungenial summer\", Mary Shelley remembered in 1831, \"and incessant rain often confined us for days to the house\". Sitting around a log fire at Byron's villa, the company amused themselves with German ghost stories, which prompted Byron to propose that they \"each write a ghost story\".", "Sitting around a log fire at Byron's villa, the company amused themselves with German ghost stories, which prompted Byron to propose that they \"each write a ghost story\". Unable to think of a story, young Mary Godwin became anxious: \"Have you thought of a story? I was asked each morning, and each morning I was forced to reply with a mortifying negative.\" During one mid-June evening, the discussions turned to the nature of the principle of life.", "During one mid-June evening, the discussions turned to the nature of the principle of life. \"Perhaps a corpse would be re-animated\", Mary noted; \"galvanism had given token of such things\". It was after midnight before they retired, and unable to sleep, she became possessed by her imagination as she beheld the grim terrors of her \"waking dream\", her ghost story: She began writing what she assumed would be a short story.", "It was after midnight before they retired, and unable to sleep, she became possessed by her imagination as she beheld the grim terrors of her \"waking dream\", her ghost story: She began writing what she assumed would be a short story. With Percy Shelley's encouragement, she expanded this tale into her first novel, Frankenstein; or, The Modern Prometheus, published in 1818. She later described that summer in Switzerland as the moment \"when I first stepped out from childhood into life\".", "She later described that summer in Switzerland as the moment \"when I first stepped out from childhood into life\". The story of the writing of Frankenstein has been fictionalised several times and formed the basis for a number of films.", "The story of the writing of Frankenstein has been fictionalised several times and formed the basis for a number of films. In September 2011, the astronomer Donald Olson, after a visit to the Lake Geneva villa the previous year, and inspecting data about the motion of the moon and stars, concluded that her waking dream took place \"between 2am and 3am\" 16 June 1816, several days after the initial idea by Lord Byron that they each write a ghost story.", "In September 2011, the astronomer Donald Olson, after a visit to the Lake Geneva villa the previous year, and inspecting data about the motion of the moon and stars, concluded that her waking dream took place \"between 2am and 3am\" 16 June 1816, several days after the initial idea by Lord Byron that they each write a ghost story. Authorship of Frankenstein While her husband Percy encouraged her writing, the extent of Percy's contribution to the novel is unknown and has been argued over by readers and critics.", "Authorship of Frankenstein While her husband Percy encouraged her writing, the extent of Percy's contribution to the novel is unknown and has been argued over by readers and critics. Mary Shelley wrote, \"I certainly did not owe the suggestion of one incident, nor scarcely of one train of feeling, to my husband, and yet but for his incitement, it would never have taken the form in which it was presented to the world.\"", "Mary Shelley wrote, \"I certainly did not owe the suggestion of one incident, nor scarcely of one train of feeling, to my husband, and yet but for his incitement, it would never have taken the form in which it was presented to the world.\" She wrote that the preface to the first edition was Percy's work \"as far as I can recollect.\" There are differences in the 1818, 1823 and 1831 editions, which have been attributed to Percy's editing.", "There are differences in the 1818, 1823 and 1831 editions, which have been attributed to Percy's editing. James Rieger concluded Percy's \"assistance at every point in the book's manufacture was so extensive that one hardly knows whether to regard him as editor or minor collaborator\", while Anne K. Mellor later argued Percy only \"made many technical corrections and several times clarified the narrative and thematic continuity of the text.\"", "James Rieger concluded Percy's \"assistance at every point in the book's manufacture was so extensive that one hardly knows whether to regard him as editor or minor collaborator\", while Anne K. Mellor later argued Percy only \"made many technical corrections and several times clarified the narrative and thematic continuity of the text.\" Charles E. Robinson, editor of a facsimile edition of the Frankenstein manuscripts, concluded that Percy's contributions to the book \"were no more than what most publishers' editors have provided new (or old) authors or, in fact, what colleagues have provided to each other after reading each other's works in progress.\"", "Charles E. Robinson, editor of a facsimile edition of the Frankenstein manuscripts, concluded that Percy's contributions to the book \"were no more than what most publishers' editors have provided new (or old) authors or, in fact, what colleagues have provided to each other after reading each other's works in progress.\" Writing on the 200th anniversary of Frankenstein, literary scholar and poet Fiona Sampson asked, \"Why hasn't Mary Shelley gotten the respect she deserves?\"", "Writing on the 200th anniversary of Frankenstein, literary scholar and poet Fiona Sampson asked, \"Why hasn't Mary Shelley gotten the respect she deserves?\" She noted that \"In recent years Percy's corrections, visible in the Frankenstein notebooks held at the Bodleian Library in Oxford, have been seized on as evidence that he must have at least co-authored the novel. In fact, when I examined the notebooks myself, I realized that Percy did rather less than any line editor working in publishing today.\"", "In fact, when I examined the notebooks myself, I realized that Percy did rather less than any line editor working in publishing today.\" Sampson published her findings in In Search of Mary Shelley (2018), one of many biographies written about Shelley. Bath and Marlow On their return to England in September, Mary and Percy moved—with Claire Clairmont, who took lodgings nearby—to Bath, where they hoped to keep Claire's pregnancy secret.", "Bath and Marlow On their return to England in September, Mary and Percy moved—with Claire Clairmont, who took lodgings nearby—to Bath, where they hoped to keep Claire's pregnancy secret. At Cologny, Mary Godwin had received two letters from her half-sister, Fanny Imlay, who alluded to her \"unhappy life\"; on 9 October, Fanny wrote an \"alarming letter\" from Bristol that sent Percy Shelley racing off to search for her, without success.", "At Cologny, Mary Godwin had received two letters from her half-sister, Fanny Imlay, who alluded to her \"unhappy life\"; on 9 October, Fanny wrote an \"alarming letter\" from Bristol that sent Percy Shelley racing off to search for her, without success. On the morning of 10 October, Fanny Imlay was found dead in a room at a Swansea inn, along with a suicide note and a laudanum bottle.", "On the morning of 10 October, Fanny Imlay was found dead in a room at a Swansea inn, along with a suicide note and a laudanum bottle. On 10 December, Percy Shelley's wife, Harriet, was discovered drowned in the Serpentine, a lake in Hyde Park, London. Both suicides were hushed up. Harriet's family obstructed Percy Shelley's efforts—fully supported by Mary Godwin—to assume custody of his two children by Harriet.", "Harriet's family obstructed Percy Shelley's efforts—fully supported by Mary Godwin—to assume custody of his two children by Harriet. His lawyers advised him to improve his case by marrying; so he and Mary, who was pregnant again, married on 30 December 1816 at St Mildred's Church, Bread Street, London. Mr and Mrs Godwin were present and the marriage ended the family rift. Claire Clairmont gave birth to a baby girl on 13 January, at first called Alba, later Allegra.", "Claire Clairmont gave birth to a baby girl on 13 January, at first called Alba, later Allegra. In March of that year, the Chancery Court ruled Percy Shelley morally unfit to assume custody of his children and later placed them with a clergyman's family. Also in March, the Shelleys moved with Claire and Alba to Albion House at Marlow, Buckinghamshire, a large, damp building on the river Thames. There Mary Shelley gave birth to her third child, Clara, on 2 September.", "There Mary Shelley gave birth to her third child, Clara, on 2 September. At Marlow, they entertained their new friends Marianne and Leigh Hunt, worked hard at their writing, and often discussed politics. Early in the summer of 1817, Mary Shelley finished Frankenstein, which was published anonymously in January 1818. Reviewers and readers assumed that Percy Shelley was the author, since the book was published with his preface and dedicated to his political hero William Godwin.", "Reviewers and readers assumed that Percy Shelley was the author, since the book was published with his preface and dedicated to his political hero William Godwin. At Marlow, Mary edited the joint journal of the group's 1814 Continental journey, adding material written in Switzerland in 1816, along with Percy's poem \"Mont Blanc\". The result was the History of a Six Weeks' Tour, published in November 1817. That autumn, Percy Shelley often lived away from home in London to evade creditors.", "That autumn, Percy Shelley often lived away from home in London to evade creditors. The threat of a debtor's prison, combined with their ill health and fears of losing custody of their children, contributed to the couple's decision to leave England for Italy on 12 March 1818, taking Claire Clairmont and Alba with them. They had no intention of returning. Italy One of the party's first tasks on arriving in Italy was to hand Alba over to Byron, who was living in Venice.", "Italy One of the party's first tasks on arriving in Italy was to hand Alba over to Byron, who was living in Venice. He had agreed to raise her so long as Claire had nothing more to do with her. The Shelleys then embarked on a roving existence, never settling in any one place for long. Along the way, they accumulated a circle of friends and acquaintances who often moved with them. The couple devoted their time to writing, reading, learning, sightseeing, and socialising.", "The couple devoted their time to writing, reading, learning, sightseeing, and socialising. The Italian adventure was, however, blighted for Mary Shelley by the deaths of both her children—Clara, in September 1818 in Venice, and William, in June 1819 in Rome. These losses left her in a deep depression that isolated her from Percy Shelley, who wrote in his notebook: My dearest Mary, wherefore hast thou gone, And left me in this dreary world alone?", "These losses left her in a deep depression that isolated her from Percy Shelley, who wrote in his notebook: My dearest Mary, wherefore hast thou gone, And left me in this dreary world alone? Thy form is here indeed—a lovely one— But thou art fled, gone down a dreary road That leads to Sorrow's most obscure abode. For thine own sake I cannot follow thee Do thou return for mine. For a time, Mary Shelley found comfort only in her writing.", "For a time, Mary Shelley found comfort only in her writing. The birth of her fourth child, Percy Florence, on 12 November 1819, finally lifted her spirits, though she nursed the memory of her lost children till the end of her life. Italy provided the Shelleys, Byron, and other exiles with political freedom unattainable at home. Despite its associations with personal loss, Italy became for Mary Shelley \"a country which memory painted as paradise\".", "Despite its associations with personal loss, Italy became for Mary Shelley \"a country which memory painted as paradise\". Their Italian years were a time of intense intellectual and creative activity for both Shelleys. While Percy composed a series of major poems, Mary wrote the novel Matilda, the historical novel Valperga, and the plays Proserpine and Midas. Mary wrote Valperga to help alleviate her father's financial difficulties, as Percy refused to assist him further. She was often physically ill, however, and prone to depressions.", "She was often physically ill, however, and prone to depressions. She also had to cope with Percy's interest in other women, such as Sophia Stacey, Emilia Viviani, and Jane Williams. Since Mary Shelley shared his belief in the non-exclusivity of marriage, she formed emotional ties of her own among the men and women of their circle. She became particularly fond of the Greek revolutionary Prince Alexandros Mavrokordatos and of Jane and Edward Williams.", "She became particularly fond of the Greek revolutionary Prince Alexandros Mavrokordatos and of Jane and Edward Williams. In December 1818, the Shelleys travelled south with Claire Clairmont and their servants to Naples, where they stayed for three months, receiving only one visitor, a physician. In 1820, they found themselves plagued by accusations and threats from Paolo and Elise Foggi, former servants whom Percy Shelley had dismissed in Naples shortly after the Foggis had married.", "In 1820, they found themselves plagued by accusations and threats from Paolo and Elise Foggi, former servants whom Percy Shelley had dismissed in Naples shortly after the Foggis had married. The pair revealed that on 27 February 1819 in Naples, Percy Shelley had registered as his child by Mary Shelley a two-month-old baby girl named Elena Adelaide Shelley. The Foggis also claimed that Claire Clairmont was the baby's mother.", "The Foggis also claimed that Claire Clairmont was the baby's mother. Biographers have offered various interpretations of these events: that Percy Shelley decided to adopt a local child; that the baby was his by Elise, Claire, or an unknown woman; or that she was Elise's by Byron. Mary Shelley insisted she would have known if Claire had been pregnant, but it is unclear how much she really knew.", "Mary Shelley insisted she would have known if Claire had been pregnant, but it is unclear how much she really knew. The events in Naples, a city Mary Shelley later called a paradise inhabited by devils, remain shrouded in mystery. The only certainty is that she herself was not the child's mother. Elena Adelaide Shelley died in Naples on 9 June 1820.", "Elena Adelaide Shelley died in Naples on 9 June 1820. After leaving Naples, the Shelleys settled in Rome, the city where her husband wrote where \"the meanest streets were strewed with truncated columns, broken capitals...and sparkling fragments of granite or porphyry...The voice of dead time, in still vibrations, is breathed from these dumb things, animated and glorified as they were by man\".", "After leaving Naples, the Shelleys settled in Rome, the city where her husband wrote where \"the meanest streets were strewed with truncated columns, broken capitals...and sparkling fragments of granite or porphyry...The voice of dead time, in still vibrations, is breathed from these dumb things, animated and glorified as they were by man\". Rome inspired her to begin writing the unfinished novel Valerius, the Reanimated Roman, where the eponymous hero resists the decay of Rome and the machinations of \"superstitious\" Catholicism.", "Rome inspired her to begin writing the unfinished novel Valerius, the Reanimated Roman, where the eponymous hero resists the decay of Rome and the machinations of \"superstitious\" Catholicism. The writing of her novel was broken off when her son William died of malaria.", "The writing of her novel was broken off when her son William died of malaria. Shelley bitterly commented that she had come to Italy to improve her husband's health, and instead the Italian climate had just killed her two children, leading her to write: \"May you my dear Marianne never know what it is to lose two only and lovely children in one year—to watch their dying moments—and then at last to be left childless and forever miserable\".", "Shelley bitterly commented that she had come to Italy to improve her husband's health, and instead the Italian climate had just killed her two children, leading her to write: \"May you my dear Marianne never know what it is to lose two only and lovely children in one year—to watch their dying moments—and then at last to be left childless and forever miserable\". To deal with her grief, Shelley wrote the novella The Fields of Fancy, which became Matilda, dealing with a young woman whose beauty inspired incestuous love in her father, who ultimately commits suicide to stop himself from acting on his passion for his daughter, while she spends the rest of her life full of despair about \"the unnatural love I had inspired\".", "To deal with her grief, Shelley wrote the novella The Fields of Fancy, which became Matilda, dealing with a young woman whose beauty inspired incestuous love in her father, who ultimately commits suicide to stop himself from acting on his passion for his daughter, while she spends the rest of her life full of despair about \"the unnatural love I had inspired\". The novella offered a feminist critique of a patriarchal society as Matilda is punished in the afterlife, though she did nothing to encourage her father's feelings.", "The novella offered a feminist critique of a patriarchal society as Matilda is punished in the afterlife, though she did nothing to encourage her father's feelings. In the summer of 1822, a pregnant Mary moved with Percy, Claire, and Edward and Jane Williams to the isolated Villa Magni, at the sea's edge near the hamlet of San Terenzo in the Bay of Lerici.", "In the summer of 1822, a pregnant Mary moved with Percy, Claire, and Edward and Jane Williams to the isolated Villa Magni, at the sea's edge near the hamlet of San Terenzo in the Bay of Lerici. Once they were settled in, Percy broke the \"evil news\" to Claire that her daughter Allegra had died of typhus in a convent at Bagnacavallo. Mary Shelley was distracted and unhappy in the cramped and remote Villa Magni, which she came to regard as a dungeon.", "Mary Shelley was distracted and unhappy in the cramped and remote Villa Magni, which she came to regard as a dungeon. On 16 June, she miscarried, losing so much blood that she nearly died. Rather than wait for a doctor, Percy sat her in a bath of ice to stanch the bleeding, an act the doctor later told him saved her life. All was not well between the couple that summer, however, and Percy spent more time with Jane Williams than with his depressed and debilitated wife.", "All was not well between the couple that summer, however, and Percy spent more time with Jane Williams than with his depressed and debilitated wife. Much of the short poetry Shelley wrote at San Terenzo involved Jane rather than Mary. The coast offered Percy Shelley and Edward Williams the chance to enjoy their \"perfect plaything for the summer\", a new sailing boat. The boat had been designed by Daniel Roberts and Edward Trelawny, an admirer of Byron's who had joined the party in January 1822.", "The boat had been designed by Daniel Roberts and Edward Trelawny, an admirer of Byron's who had joined the party in January 1822. On 1 July 1822, Percy Shelley, Edward Ellerker Williams, and Captain Daniel Roberts sailed south down the coast to Livorno. There Percy Shelley discussed with Byron and Leigh Hunt the launch of a radical magazine called The Liberal. On 8 July, he and Edward Williams set out on the return journey to Lerici with their eighteen-year-old boat boy, Charles Vivian. They never reached their destination.", "They never reached their destination. They never reached their destination. A letter arrived at Villa Magni from Hunt to Percy Shelley, dated 8 July, saying, \"pray write to tell us how you got home, for they say you had bad weather after you sailed Monday & we are anxious\". \"The paper fell from me,\" Mary told a friend later. \"I trembled all over.\"", "\"I trembled all over.\" \"I trembled all over.\" She and Jane Williams rushed desperately to Livorno and then to Pisa in the fading hope that their husbands were still alive. Ten days after the storm, three bodies washed up on the coast near Viareggio, midway between Livorno and Lerici. Trelawny, Byron, and Hunt cremated Percy Shelley's corpse on the beach at Viareggio.", "Trelawny, Byron, and Hunt cremated Percy Shelley's corpse on the beach at Viareggio. Return to England and writing career After her husband's death, Mary Shelley lived for a year with Leigh Hunt and his family in Genoa, where she often saw Byron and transcribed his poems. She resolved to live by her pen and for her son, but her financial situation was precarious.", "She resolved to live by her pen and for her son, but her financial situation was precarious. On 23 July 1823, she left Genoa for England and stayed with her father and stepmother in the Strand until a small advance from her father-in-law enabled her to lodge nearby. Sir Timothy Shelley had at first agreed to support his grandson, Percy Florence, only if he were handed over to an appointed guardian. Mary Shelley rejected this idea instantly.", "Mary Shelley rejected this idea instantly. Mary Shelley rejected this idea instantly. She managed instead to wring out of Sir Timothy a limited annual allowance (which she had to repay when Percy Florence inherited the estate), but to the end of his days, he refused to meet her in person and dealt with her only through lawyers. Mary Shelley busied herself with editing her husband's poems, among other literary endeavours, but concern for her son restricted her options.", "Mary Shelley busied herself with editing her husband's poems, among other literary endeavours, but concern for her son restricted her options. Sir Timothy threatened to stop the allowance if any biography of the poet were published. In 1826, Percy Florence became the legal heir of the Shelley estate after the death of his half-brother Charles Shelley, his father's son by Harriet Shelley. Sir Timothy raised Mary's allowance from £100 a year to £250 but remained as difficult as ever.", "Sir Timothy raised Mary's allowance from £100 a year to £250 but remained as difficult as ever. Mary Shelley enjoyed the stimulating society of William Godwin's circle, but poverty prevented her from socialising as she wished. She also felt ostracised by those who, like Sir Timothy, still disapproved of her relationship with Percy Bysshe Shelley. In the summer of 1824, Mary Shelley moved to Kentish Town in north London to be near Jane Williams.", "In the summer of 1824, Mary Shelley moved to Kentish Town in north London to be near Jane Williams. She may have been, in the words of her biographer Muriel Spark, \"a little in love\" with Jane. Jane later disillusioned her by gossiping that Percy had preferred her to Mary, owing to Mary's inadequacy as a wife.", "Jane later disillusioned her by gossiping that Percy had preferred her to Mary, owing to Mary's inadequacy as a wife. At around this time, Mary Shelley was working on her novel, The Last Man (1826); and she assisted a series of friends who were writing memoirs of Byron and Percy Shelley—the beginnings of her attempts to immortalise her husband. She also met the American actor John Howard Payne and the American writer Washington Irving, who intrigued her.", "She also met the American actor John Howard Payne and the American writer Washington Irving, who intrigued her. Payne fell in love with her and in 1826 asked her to marry him. She refused, saying that after being married to one genius, she could only marry another. Payne accepted the rejection and tried without success to talk his friend Irving into proposing himself. Mary Shelley was aware of Payne's plan, but how seriously she took it is unclear.", "Mary Shelley was aware of Payne's plan, but how seriously she took it is unclear. In 1827, Mary Shelley was party to a scheme that enabled her friend Isabel Robinson and Isabel's lover, Mary Diana Dods, who wrote under the name David Lyndsay, to embark on a life together in France as husband and wife. With the help of Payne, whom she kept in the dark about the details, Mary Shelley obtained false passports for the couple.", "With the help of Payne, whom she kept in the dark about the details, Mary Shelley obtained false passports for the couple. In 1828, she fell ill with smallpox while visiting them in Paris. Weeks later she recovered, unscarred but without her youthful beauty. During the period 1827–40, Mary Shelley was busy as an editor and writer. She wrote the novels The Fortunes of Perkin Warbeck (1830), Lodore (1835), and Falkner (1837).", "She wrote the novels The Fortunes of Perkin Warbeck (1830), Lodore (1835), and Falkner (1837). She contributed five volumes of Lives of Italian, Spanish, Portuguese, and French authors to Lardner's Cabinet Cyclopaedia. She also wrote stories for ladies' magazines. She was still helping to support her father, and they looked out for publishers for each other.", "She was still helping to support her father, and they looked out for publishers for each other. In 1830, she sold the copyright for a new edition of Frankenstein for £60 to Henry Colburn and Richard Bentley for their new Standard Novels series. After her father's death in 1836 at the age of eighty, she began assembling his letters and a memoir for publication, as he had requested in his will; but after two years of work, she abandoned the project.", "After her father's death in 1836 at the age of eighty, she began assembling his letters and a memoir for publication, as he had requested in his will; but after two years of work, she abandoned the project. Throughout this period, she also championed Percy Shelley's poetry, promoting its publication and quoting it in her writing. By 1837, Percy's works were well-known and increasingly admired.", "By 1837, Percy's works were well-known and increasingly admired. In the summer of 1838 Edward Moxon, the publisher of Tennyson and the son-in-law of Charles Lamb, proposed publishing a collected works of Percy Shelley. Mary was paid £500 to edit the Poetical Works (1838), which Sir Timothy insisted should not include a biography. Mary found a way to tell the story of Percy's life, nonetheless: she included extensive biographical notes about the poems.", "Mary found a way to tell the story of Percy's life, nonetheless: she included extensive biographical notes about the poems. Shelley continued to practice her mother's feminist principles by extending aid to women whom society disapproved of. For instance, Shelley extended financial aid to Mary Diana Dods, a single mother and illegitimate herself who appears to have been a lesbian and gave her the new identity of Walter Sholto Douglas, husband of her lover Isabel Robinson.", "For instance, Shelley extended financial aid to Mary Diana Dods, a single mother and illegitimate herself who appears to have been a lesbian and gave her the new identity of Walter Sholto Douglas, husband of her lover Isabel Robinson. Shelley also assisted Georgiana Paul, a woman disallowed for by her husband for alleged adultery.", "Shelley also assisted Georgiana Paul, a woman disallowed for by her husband for alleged adultery. Shelley in her diary about her assistance to the latter: \"I do not make a boast-I do not say aloud-behold my generosity and greatness of mind-for in truth it is simple justice I perform-and so I am still reviled for being worldly\". Mary Shelley continued to treat potential romantic partners with caution.", "Mary Shelley continued to treat potential romantic partners with caution. In 1828, she met and flirted with the French writer Prosper Mérimée, but her one surviving letter to him appears to be a deflection of his declaration of love. She was delighted when her old friend from Italy, Edward Trelawny, returned to England, and they joked about marriage in their letters.", "She was delighted when her old friend from Italy, Edward Trelawny, returned to England, and they joked about marriage in their letters. Their friendship had altered, however, following her refusal to cooperate with his proposed biography of Percy Shelley; and he later reacted angrily to her omission of the atheistic section of Queen Mab from Percy Shelley's poems.", "Their friendship had altered, however, following her refusal to cooperate with his proposed biography of Percy Shelley; and he later reacted angrily to her omission of the atheistic section of Queen Mab from Percy Shelley's poems. Oblique references in her journals, from the early 1830s until the early 1840s, suggest that Mary Shelley had feelings for the radical politician Aubrey Beauclerk, who may have disappointed her by twice marrying others. Mary Shelley's first concern during these years was the welfare of Percy Florence.", "Mary Shelley's first concern during these years was the welfare of Percy Florence. She honoured her late husband's wish that his son attend public school and, with Sir Timothy's grudging help, had him educated at Harrow. To avoid boarding fees, she moved to Harrow on the Hill herself so that Percy could attend as a day scholar. Though Percy went on to Trinity College, Cambridge, and dabbled in politics and the law, he showed no sign of his parents' gifts.", "Though Percy went on to Trinity College, Cambridge, and dabbled in politics and the law, he showed no sign of his parents' gifts. He was devoted to his mother, and after he left university in 1841, he came to live with her. Final years and death In 1840 and 1842, mother and son travelled together on the continent, journeys that Mary Shelley recorded in Rambles in Germany and Italy in 1840, 1842 and 1843 (1844).", "Final years and death In 1840 and 1842, mother and son travelled together on the continent, journeys that Mary Shelley recorded in Rambles in Germany and Italy in 1840, 1842 and 1843 (1844). In 1844, Sir Timothy Shelley finally died at the age of ninety, \"falling from the stalk like an overblown flower\", as Mary put it. For the first time, she and her son were financially independent, though the estate proved less valuable than they had hoped.", "For the first time, she and her son were financially independent, though the estate proved less valuable than they had hoped. In the mid-1840s, Mary Shelley found herself the target of three separate blackmailers. In 1845, an Italian political exile called Gatteschi, whom she had met in Paris, threatened to publish letters she had sent him. A friend of her son's bribed a police chief into seizing Gatteschi's papers, including the letters, which were then destroyed.", "A friend of her son's bribed a police chief into seizing Gatteschi's papers, including the letters, which were then destroyed. Shortly afterwards, Mary Shelley bought some letters written by herself and Percy Bysshe Shelley from a man calling himself G. Byron and posing as the illegitimate son of the late Lord Byron. Also in 1845, Percy Bysshe Shelley's cousin Thomas Medwin approached her claiming to have written a damaging biography of Percy Shelley. He said he would suppress it in return for £250, but Mary Shelley refused.", "He said he would suppress it in return for £250, but Mary Shelley refused. In 1848, Percy Florence married Jane Gibson St John. The marriage proved a happy one, and Mary Shelley and Jane were fond of each other. Mary lived with her son and daughter-in-law at Field Place, Sussex, the Shelleys' ancestral home, and at Chester Square, London, and accompanied them on travels abroad. Mary Shelley's last years were blighted by illness.", "Mary Shelley's last years were blighted by illness. Mary Shelley's last years were blighted by illness. From 1839, she suffered from headaches and bouts of paralysis in parts of her body, which sometimes prevented her from reading and writing. On 1 February 1851, at Chester Square, she died at the age of fifty-three from what her physician suspected was a brain tumour.", "On 1 February 1851, at Chester Square, she died at the age of fifty-three from what her physician suspected was a brain tumour. According to Jane Shelley, Mary Shelley had asked to be buried with her mother and father; but Percy and Jane, judging the graveyard at St Pancras to be \"dreadful\", chose to bury her instead at St Peter's Church, Bournemouth, near their new home at Boscombe. On the first anniversary of Mary Shelley's death, the Shelleys opened her box-desk.", "On the first anniversary of Mary Shelley's death, the Shelleys opened her box-desk. Inside they found locks of her dead children's hair, a notebook she had shared with Percy Bysshe Shelley, and a copy of his poem Adonaïs with one page folded round a silk parcel containing some of his ashes and the remains of his heart. Literary themes and styles Mary Shelley lived a literary life. Her father encouraged her to learn to write by composing letters, and her favourite occupation as a child was writing stories.", "Her father encouraged her to learn to write by composing letters, and her favourite occupation as a child was writing stories. Unfortunately, all of Mary's juvenilia were lost when she ran off with Percy in 1814, and none of her surviving manuscripts can be definitively dated before that year.", "Unfortunately, all of Mary's juvenilia were lost when she ran off with Percy in 1814, and none of her surviving manuscripts can be definitively dated before that year. Her first published work is often thought to have been Mounseer Nongtongpaw, comic verses written for Godwin's Juvenile Library when she was ten and a half; however, the poem is attributed to another writer in the most recent authoritative collection of her works.", "Her first published work is often thought to have been Mounseer Nongtongpaw, comic verses written for Godwin's Juvenile Library when she was ten and a half; however, the poem is attributed to another writer in the most recent authoritative collection of her works. Percy Shelley enthusiastically encouraged Mary Shelley's writing: \"My husband was, from the first, very anxious that I should prove myself worthy of my parentage, and enrol myself on the page of fame. He was forever inciting me to obtain literary reputation.\"", "He was forever inciting me to obtain literary reputation.\" Novels Autobiographical elements Certain sections of Mary Shelley's novels are often interpreted as masked rewritings of her life. Critics have pointed to the recurrence of the father–daughter motif in particular as evidence of this autobiographical style. For example, commentators frequently read Mathilda (1820) autobiographically, identifying the three central characters as versions of Mary Shelley, William Godwin, and Percy Shelley. Mary Shelley herself confided that she modelled the central characters of The Last Man on her Italian circle.", "Mary Shelley herself confided that she modelled the central characters of The Last Man on her Italian circle. Lord Raymond, who leaves England to fight for the Greeks and dies in Constantinople, is based on Lord Byron; and the utopian Adrian, Earl of Windsor, who leads his followers in search of a natural paradise and dies when his boat sinks in a storm, is a fictional portrait of Percy Bysshe Shelley.", "Lord Raymond, who leaves England to fight for the Greeks and dies in Constantinople, is based on Lord Byron; and the utopian Adrian, Earl of Windsor, who leads his followers in search of a natural paradise and dies when his boat sinks in a storm, is a fictional portrait of Percy Bysshe Shelley. However, as she wrote in her review of Godwin's novel Cloudesley (1830), she did not believe that authors \"were merely copying from our own hearts\".", "However, as she wrote in her review of Godwin's novel Cloudesley (1830), she did not believe that authors \"were merely copying from our own hearts\". William Godwin regarded his daughter's characters as types rather than portraits from real life. Some modern critics, such as Patricia Clemit and Jane Blumberg, have taken the same view, resisting autobiographical readings of Mary Shelley's works.", "Some modern critics, such as Patricia Clemit and Jane Blumberg, have taken the same view, resisting autobiographical readings of Mary Shelley's works. Novelistic genres Mary Shelley employed the techniques of many different novelistic genres, most vividly the Godwinian novel, Walter Scott's new historical novel, and the Gothic novel.", "Novelistic genres Mary Shelley employed the techniques of many different novelistic genres, most vividly the Godwinian novel, Walter Scott's new historical novel, and the Gothic novel. The Godwinian novel, made popular during the 1790s with works such as Godwin's Caleb Williams (1794), \"employed a Rousseauvian confessional form to explore the contradictory relations between the self and society\", and Frankenstein exhibits many of the same themes and literary devices as Godwin's novel. However, Shelley critiques those Enlightenment ideals that Godwin promotes in his works.", "However, Shelley critiques those Enlightenment ideals that Godwin promotes in his works. In The Last Man, she uses the philosophical form of the Godwinian novel to demonstrate the ultimate meaninglessness of the world. While earlier Godwinian novels had shown how rational individuals could slowly improve society, The Last Man and Frankenstein demonstrate the individual's lack of control over history. Shelley uses the historical novel to comment on gender relations; for example, Valperga is a feminist version of Scott's masculinist genre.", "Shelley uses the historical novel to comment on gender relations; for example, Valperga is a feminist version of Scott's masculinist genre. Introducing women into the story who are not part of the historical record, Shelley uses their narratives to question established theological and political institutions. Shelley sets the male protagonist's compulsive greed for conquest in opposition to a female alternative: reason and sensibility. In Perkin Warbeck, Shelley's other historical novel, Lady Gordon stands for the values of friendship, domesticity, and equality.", "In Perkin Warbeck, Shelley's other historical novel, Lady Gordon stands for the values of friendship, domesticity, and equality. Through her, Shelley offers a feminine alternative to the masculine power politics that destroy the male characters. The novel provides a more inclusive historical narrative to challenge the one which usually relates only masculine events. Gender With the rise of feminist literary criticism in the 1970s, Mary Shelley's works, particularly Frankenstein, began to attract much more attention from scholars.", "Gender With the rise of feminist literary criticism in the 1970s, Mary Shelley's works, particularly Frankenstein, began to attract much more attention from scholars. Feminist and psychoanalytic critics were largely responsible for the recovery from neglect of Shelley as a writer. Ellen Moers was one of the first to claim that Shelley's loss of a baby was a crucial influence on the writing of Frankenstein.", "Ellen Moers was one of the first to claim that Shelley's loss of a baby was a crucial influence on the writing of Frankenstein. She argues that the novel is a \"birth myth\" in which Shelley comes to terms with her guilt for causing her mother's death as well as for failing as a parent.", "She argues that the novel is a \"birth myth\" in which Shelley comes to terms with her guilt for causing her mother's death as well as for failing as a parent. Shelley scholar Anne K. Mellor suggests that, from a feminist viewpoint, it is a story \"about what happens when a man tries to have a baby without a woman ... [Frankenstein] is profoundly concerned with natural as opposed to unnatural modes of production and reproduction\".", "Shelley scholar Anne K. Mellor suggests that, from a feminist viewpoint, it is a story \"about what happens when a man tries to have a baby without a woman ... [Frankenstein] is profoundly concerned with natural as opposed to unnatural modes of production and reproduction\". Victor Frankenstein's failure as a \"parent\" in the novel has been read as an expression of the anxieties which accompany pregnancy, giving birth, and particularly maternity.", "Victor Frankenstein's failure as a \"parent\" in the novel has been read as an expression of the anxieties which accompany pregnancy, giving birth, and particularly maternity. Sandra Gilbert and Susan Gubar argue in their seminal book The Madwoman in the Attic (1979) that in Frankenstein in particular, Shelley responded to the masculine literary tradition represented by John Milton's Paradise Lost.", "Sandra Gilbert and Susan Gubar argue in their seminal book The Madwoman in the Attic (1979) that in Frankenstein in particular, Shelley responded to the masculine literary tradition represented by John Milton's Paradise Lost. In their interpretation, Shelley reaffirms this masculine tradition, including the misogyny inherent in it, but at the same time \"conceal[s] fantasies of equality that occasionally erupt in monstrous images of rage\".", "In their interpretation, Shelley reaffirms this masculine tradition, including the misogyny inherent in it, but at the same time \"conceal[s] fantasies of equality that occasionally erupt in monstrous images of rage\". Mary Poovey reads the first edition of Frankenstein as part of a larger pattern in Shelley's writing, which begins with literary self-assertion and ends with conventional femininity. Poovey suggests that Frankenstein's multiple narratives enable Shelley to split her artistic persona: she can \"express and efface herself at the same time\".", "Poovey suggests that Frankenstein's multiple narratives enable Shelley to split her artistic persona: she can \"express and efface herself at the same time\". Shelley's fear of self-assertion is reflected in the fate of Frankenstein, who is punished for his egotism by losing all his domestic ties. Feminist critics often focus on how authorship itself, particularly female authorship, is represented in and through Shelley's novels.", "Feminist critics often focus on how authorship itself, particularly female authorship, is represented in and through Shelley's novels. As Mellor explains, Shelley uses the Gothic style not only to explore repressed female sexual desire but also as way to \"censor her own speech in Frankenstein\". According to Poovey and Mellor, Shelley did not want to promote her own authorial persona and felt deeply inadequate as a writer, and \"this shame contributed to the generation of her fictional images of abnormality, perversion, and destruction\".", "According to Poovey and Mellor, Shelley did not want to promote her own authorial persona and felt deeply inadequate as a writer, and \"this shame contributed to the generation of her fictional images of abnormality, perversion, and destruction\". Shelley's writings focus on the role of the family in society and women's role within that family. She celebrates the \"feminine affections and compassion\" associated with the family and suggests that civil society will fail without them.", "She celebrates the \"feminine affections and compassion\" associated with the family and suggests that civil society will fail without them. Shelley was \"profoundly committed to an ethic of cooperation, mutual dependence, and self-sacrifice\". In Lodore, for example, the central story follows the fortunes of the wife and daughter of the title character, Lord Lodore, who is killed in a duel at the end of the first volume, leaving a trail of legal, financial, and familial obstacles for the two \"heroines\" to negotiate.", "In Lodore, for example, the central story follows the fortunes of the wife and daughter of the title character, Lord Lodore, who is killed in a duel at the end of the first volume, leaving a trail of legal, financial, and familial obstacles for the two \"heroines\" to negotiate. The novel is engaged with political and ideological issues, particularly the education and social role of women. It dissects a patriarchal culture that separated the sexes and pressured women into dependence on men.", "It dissects a patriarchal culture that separated the sexes and pressured women into dependence on men. In the view of Shelley scholar Betty T. Bennett, \"the novel proposes egalitarian educational paradigms for women and men, which would bring social justice as well as the spiritual and intellectual means by which to meet the challenges life invariably brings\". However, Falkner is the only one of Mary Shelley's novels in which the heroine's agenda triumphs.", "However, Falkner is the only one of Mary Shelley's novels in which the heroine's agenda triumphs. The novel's resolution proposes that when female values triumph over violent and destructive masculinity, men will be freed to express the \"compassion, sympathy, and generosity\" of their better natures. Enlightenment and Romanticism Frankenstein, like much Gothic fiction of the period, mixes a visceral and alienating subject matter with speculative and thought-provoking themes.", "Enlightenment and Romanticism Frankenstein, like much Gothic fiction of the period, mixes a visceral and alienating subject matter with speculative and thought-provoking themes. Rather than focusing on the twists and turns of the plot, however, the novel foregrounds the mental and moral struggles of the protagonist, Victor Frankenstein, and Shelley imbues the text with her own brand of politicised Romanticism, one that criticised the individualism and egotism of traditional Romanticism.", "Rather than focusing on the twists and turns of the plot, however, the novel foregrounds the mental and moral struggles of the protagonist, Victor Frankenstein, and Shelley imbues the text with her own brand of politicised Romanticism, one that criticised the individualism and egotism of traditional Romanticism. Victor Frankenstein is like Satan in Paradise Lost, and Prometheus: he rebels against tradition; he creates life; and he shapes his own destiny.", "Victor Frankenstein is like Satan in Paradise Lost, and Prometheus: he rebels against tradition; he creates life; and he shapes his own destiny. These traits are not portrayed positively; as Blumberg writes, \"his relentless ambition is a self-delusion, clothed as quest for truth\". He must abandon his family to fulfill his ambition. Mary Shelley believed in the Enlightenment idea that people could improve society through the responsible exercise of political power, but she feared that the irresponsible exercise of power would lead to chaos.", "Mary Shelley believed in the Enlightenment idea that people could improve society through the responsible exercise of political power, but she feared that the irresponsible exercise of power would lead to chaos. In practice, her works largely criticise the way 18th-century thinkers such as her parents believed such change could be brought about. The creature in Frankenstein, for example, reads books associated with radical ideals but the education he gains from them is ultimately useless.", "The creature in Frankenstein, for example, reads books associated with radical ideals but the education he gains from them is ultimately useless. Shelley's works reveal her as less optimistic than Godwin and Wollstonecraft; she lacks faith in Godwin's theory that humanity could eventually be perfected.", "Shelley's works reveal her as less optimistic than Godwin and Wollstonecraft; she lacks faith in Godwin's theory that humanity could eventually be perfected. As literary scholar Kari Lokke writes, The Last Man, more so than Frankenstein, \"in its refusal to place humanity at the centre of the universe, its questioning of our privileged position in relation to nature ... constitutes a profound and prophetic challenge to Western humanism.\"", "As literary scholar Kari Lokke writes, The Last Man, more so than Frankenstein, \"in its refusal to place humanity at the centre of the universe, its questioning of our privileged position in relation to nature ... constitutes a profound and prophetic challenge to Western humanism.\" Specifically, Mary Shelley's allusions to what radicals believed was a failed revolution in France and the Godwinian, Wollstonecraftian, and Burkean responses to it, challenge \"Enlightenment faith in the inevitability of progress through collective efforts\".", "Specifically, Mary Shelley's allusions to what radicals believed was a failed revolution in France and the Godwinian, Wollstonecraftian, and Burkean responses to it, challenge \"Enlightenment faith in the inevitability of progress through collective efforts\". As in Frankenstein, Shelley \"offers a profoundly disenchanted commentary on the age of revolution, which ends in a total rejection of the progressive ideals of her own generation\".", "As in Frankenstein, Shelley \"offers a profoundly disenchanted commentary on the age of revolution, which ends in a total rejection of the progressive ideals of her own generation\". Not only does she reject these Enlightenment political ideals, but she also rejects the Romantic notion that the poetic or literary imagination can offer an alternative. Politics There is a new scholarly emphasis on Shelley as a lifelong reformer, deeply engaged in the liberal and feminist concerns of her day.", "Politics There is a new scholarly emphasis on Shelley as a lifelong reformer, deeply engaged in the liberal and feminist concerns of her day. In 1820, she was thrilled by the Liberal uprising in Spain which forced the king to grant a constitution. In 1823, she wrote articles for Leigh Hunt's periodical The Liberal and played an active role in the formulation of its outlook. She was delighted when the Whigs came back to power in 1830 and at the prospect of the 1832 Reform Act.", "She was delighted when the Whigs came back to power in 1830 and at the prospect of the 1832 Reform Act. Critics have until recently cited Lodore and Falkner as evidence of increasing conservatism in Mary Shelley's later works. In 1984, Mary Poovey influentially identified the retreat of Mary Shelley's reformist politics into the \"separate sphere\" of the domestic. Poovey suggested that Mary Shelley wrote Falkner to resolve her conflicted response to her father's combination of libertarian radicalism and stern insistence on social decorum.", "Poovey suggested that Mary Shelley wrote Falkner to resolve her conflicted response to her father's combination of libertarian radicalism and stern insistence on social decorum. Mellor largely agreed, arguing that \"Mary Shelley grounded her alternative political ideology on the metaphor of the peaceful, loving, bourgeois family. She thereby implicitly endorsed a conservative vision of gradual evolutionary reform.\" This vision allowed women to participate in the public sphere but it inherited the inequalities inherent in the bourgeois family.", "This vision allowed women to participate in the public sphere but it inherited the inequalities inherent in the bourgeois family. However, in the last decade or so this view has been challenged. For example, Bennett claims that Mary Shelley's works reveal a consistent commitment to Romantic idealism and political reform and Jane Blumberg's study of Shelley's early novels argues that her career cannot be easily divided into radical and conservative halves.", "For example, Bennett claims that Mary Shelley's works reveal a consistent commitment to Romantic idealism and political reform and Jane Blumberg's study of Shelley's early novels argues that her career cannot be easily divided into radical and conservative halves. She contends that \"Shelley was never a passionate radical like her husband and her later lifestyle was not abruptly assumed nor was it a betrayal. She was in fact challenging the political and literary influences of her circle in her first work.\"", "She was in fact challenging the political and literary influences of her circle in her first work.\" In this reading, Shelley's early works are interpreted as a challenge to Godwin and Percy Bysshe Shelley's radicalism. Victor Frankenstein's \"thoughtless rejection of family\", for example, is seen as evidence of Shelley's constant concern for the domestic.", "Victor Frankenstein's \"thoughtless rejection of family\", for example, is seen as evidence of Shelley's constant concern for the domestic. Short stories In the 1820s and 1830s, Mary Shelley frequently wrote short stories for gift books or annuals, including sixteen for The Keepsake, which was aimed at middle-class women and bound in silk, with gilt-edged pages. Mary Shelley's work in this genre has been described as that of a \"hack writer\" and \"wordy and pedestrian\".", "Mary Shelley's work in this genre has been described as that of a \"hack writer\" and \"wordy and pedestrian\". However, critic Charlotte Sussman points out that other leading writers of the day, such as the Romantic poets William Wordsworth and Samuel Taylor Coleridge, also took advantage of this profitable market. She explains that \"the annuals were a major mode of literary production in the 1820s and 1830s\", with The Keepsake the most successful.", "She explains that \"the annuals were a major mode of literary production in the 1820s and 1830s\", with The Keepsake the most successful. Many of Shelley's stories are set in places or times far removed from early 19th-century Britain, such as Greece and the reign of Henry IV of France.", "Many of Shelley's stories are set in places or times far removed from early 19th-century Britain, such as Greece and the reign of Henry IV of France. Shelley was particularly interested in \"the fragility of individual identity\" and often depicted \"the way a person's role in the world can be cataclysmically altered either by an internal emotional upheaval, or by some supernatural occurrence that mirrors an internal schism\".", "Shelley was particularly interested in \"the fragility of individual identity\" and often depicted \"the way a person's role in the world can be cataclysmically altered either by an internal emotional upheaval, or by some supernatural occurrence that mirrors an internal schism\". In her stories, female identity is tied to a woman's short-lived value in the marriage market while male identity can be sustained and transformed through the use of money.", "In her stories, female identity is tied to a woman's short-lived value in the marriage market while male identity can be sustained and transformed through the use of money. Although Mary Shelley wrote twenty-one short stories for the annuals between 1823 and 1839, she always saw herself, above all, as a novelist. She wrote to Leigh Hunt, \"I write bad articles which help to make me miserable—but I am going to plunge into a novel and hope that its clear water will wash off the mud of the magazines.\"", "She wrote to Leigh Hunt, \"I write bad articles which help to make me miserable—but I am going to plunge into a novel and hope that its clear water will wash off the mud of the magazines.\" Travelogues When they ran off to France in the summer of 1814, Mary Godwin and Percy Shelley began a joint journal, which they published in 1817 under the title History of a Six Weeks' Tour, adding four letters, two by each of them, based on their visit to Geneva in 1816, along with Percy Shelley's poem \"Mont Blanc\".", "Travelogues When they ran off to France in the summer of 1814, Mary Godwin and Percy Shelley began a joint journal, which they published in 1817 under the title History of a Six Weeks' Tour, adding four letters, two by each of them, based on their visit to Geneva in 1816, along with Percy Shelley's poem \"Mont Blanc\". The work celebrates youthful love and political idealism and consciously follows the example of Mary Wollstonecraft and others who had combined travelling with writing.", "The work celebrates youthful love and political idealism and consciously follows the example of Mary Wollstonecraft and others who had combined travelling with writing. The perspective of the History is philosophical and reformist rather than that of a conventional travelogue; in particular, it addresses the effects of politics and war on France. The letters the couple wrote on the second journey confront the \"great and extraordinary events\" of the final defeat of Napoleon at Waterloo after his \"Hundred Days\" return in 1815.", "The letters the couple wrote on the second journey confront the \"great and extraordinary events\" of the final defeat of Napoleon at Waterloo after his \"Hundred Days\" return in 1815. They also explore the sublimity of Lake Geneva and Mont Blanc as well as the revolutionary legacy of the philosopher and novelist Jean-Jacques Rousseau.", "They also explore the sublimity of Lake Geneva and Mont Blanc as well as the revolutionary legacy of the philosopher and novelist Jean-Jacques Rousseau. Mary Shelley's last full-length book, written in the form of letters and published in 1844, was Rambles in Germany and Italy in 1840, 1842 and 1843, which recorded her travels with her son Percy Florence and his university friends.", "Mary Shelley's last full-length book, written in the form of letters and published in 1844, was Rambles in Germany and Italy in 1840, 1842 and 1843, which recorded her travels with her son Percy Florence and his university friends. In Rambles, Shelley follows the tradition of Mary Wollstonecraft's Letters Written in Sweden, Norway, and Denmark and her own A History of a Six Weeks' Tour in mapping her personal and political landscape through the discourse of sensibility and sympathy.", "In Rambles, Shelley follows the tradition of Mary Wollstonecraft's Letters Written in Sweden, Norway, and Denmark and her own A History of a Six Weeks' Tour in mapping her personal and political landscape through the discourse of sensibility and sympathy. For Shelley, building sympathetic connections between people is the way to build civil society and to increase knowledge: \"knowledge, to enlighten and free the mind from clinging deadening prejudices—a wider circle of sympathy with our fellow-creatures;—these are the uses of travel\".", "For Shelley, building sympathetic connections between people is the way to build civil society and to increase knowledge: \"knowledge, to enlighten and free the mind from clinging deadening prejudices—a wider circle of sympathy with our fellow-creatures;—these are the uses of travel\". Between observations on scenery, culture, and \"the people, especially in a political point of view\", she uses the travelogue form to explore her roles as a widow and mother and to reflect on revolutionary nationalism in Italy.", "Between observations on scenery, culture, and \"the people, especially in a political point of view\", she uses the travelogue form to explore her roles as a widow and mother and to reflect on revolutionary nationalism in Italy. She also records her \"pilgrimage\" to scenes associated with Percy Shelley. According to critic Clarissa Orr, Mary Shelley's adoption of a persona of philosophical motherhood gives Rambles the unity of a prose poem, with \"death and memory as central themes\".", "According to critic Clarissa Orr, Mary Shelley's adoption of a persona of philosophical motherhood gives Rambles the unity of a prose poem, with \"death and memory as central themes\". At the same time, Shelley makes an egalitarian case against monarchy, class distinctions, slavery, and war. Biographies Between 1832 and 1839, Mary Shelley wrote many biographies of notable Italian, Spanish, Portuguese, and French men and a few women for Dionysius Lardner's Lives of the Most Eminent Literary and Scientific Men.", "Biographies Between 1832 and 1839, Mary Shelley wrote many biographies of notable Italian, Spanish, Portuguese, and French men and a few women for Dionysius Lardner's Lives of the Most Eminent Literary and Scientific Men. These formed part of Lardner's Cabinet Cyclopaedia, one of the best of many such series produced in the 1820s and 1830s in response to growing middle-class demand for self-education. Until the republication of these essays in 2002, their significance within her body of work was not appreciated.", "Until the republication of these essays in 2002, their significance within her body of work was not appreciated. In the view of literary scholar Greg Kucich, they reveal Mary Shelley's \"prodigious research across several centuries and in multiple languages\", her gift for biographical narrative, and her interest in the \"emerging forms of feminist historiography\". Shelley wrote in a biographical style popularised by the 18th-century critic Samuel Johnson in his Lives of the Poets (1779–81), combining secondary sources, memoir and anecdote, and authorial evaluation.", "Shelley wrote in a biographical style popularised by the 18th-century critic Samuel Johnson in his Lives of the Poets (1779–81), combining secondary sources, memoir and anecdote, and authorial evaluation. She records details of each writer's life and character, quotes their writing in the original as well as in translation, and ends with a critical assessment of their achievement.", "She records details of each writer's life and character, quotes their writing in the original as well as in translation, and ends with a critical assessment of their achievement. For Shelley, biographical writing was supposed to, in her words, \"form as it were a school in which to study the philosophy of history\", and to teach \"lessons\". Most frequently and importantly, these lessons consisted of criticisms of male-dominated institutions such as primogeniture.", "Most frequently and importantly, these lessons consisted of criticisms of male-dominated institutions such as primogeniture. Shelley emphasises domesticity, romance, family, sympathy, and compassion in the lives of her subjects. Her conviction that such forces could improve society connects her biographical approach with that of other early feminist historians such as Mary Hays and Anna Jameson.", "Her conviction that such forces could improve society connects her biographical approach with that of other early feminist historians such as Mary Hays and Anna Jameson. Unlike her novels, most of which had an original print run of several hundred copies, the Lives had a print run of about 4,000 for each volume: thus, according to Kucich, Mary Shelley's \"use of biography to forward the social agenda of women's historiography became one of her most influential political interventions\".", "Unlike her novels, most of which had an original print run of several hundred copies, the Lives had a print run of about 4,000 for each volume: thus, according to Kucich, Mary Shelley's \"use of biography to forward the social agenda of women's historiography became one of her most influential political interventions\". Editorial work Soon after Percy Shelley's death, Mary Shelley determined to write his biography.", "Editorial work Soon after Percy Shelley's death, Mary Shelley determined to write his biography. In a letter of 17 November 1822, she announced: \"I shall write his life—& thus occupy myself in the only manner from which I can derive consolation.\" However, her father-in-law, Sir Timothy Shelley, effectively banned her from doing so. Mary began her fostering of Percy's poetic reputation in 1824 with the publication of his Posthumous Poems.", "Mary began her fostering of Percy's poetic reputation in 1824 with the publication of his Posthumous Poems. In 1839, while she was working on the Lives, she prepared a new edition of his poetry, which became, in the words of literary scholar Susan J. Wolfson, \"the canonizing event\" in the history of her husband's reputation.", "In 1839, while she was working on the Lives, she prepared a new edition of his poetry, which became, in the words of literary scholar Susan J. Wolfson, \"the canonizing event\" in the history of her husband's reputation. The following year, Mary Shelley edited a volume of her husband's essays, letters, translations, and fragments, and throughout the 1830s, she introduced his poetry to a wider audience by publishing assorted works in the annual The Keepsake.", "The following year, Mary Shelley edited a volume of her husband's essays, letters, translations, and fragments, and throughout the 1830s, she introduced his poetry to a wider audience by publishing assorted works in the annual The Keepsake. Evading Sir Timothy's ban on a biography, Mary Shelley often included in these editions her own annotations and reflections on her husband's life and work.", "Evading Sir Timothy's ban on a biography, Mary Shelley often included in these editions her own annotations and reflections on her husband's life and work. \"I am to justify his ways,\" she had declared in 1824; \"I am to make him beloved to all posterity.\" It was this goal, argues Blumberg, that led her to present Percy's work to the public in the \"most popular form possible\".", "It was this goal, argues Blumberg, that led her to present Percy's work to the public in the \"most popular form possible\". To tailor his works for a Victorian audience, she cast Percy Shelley as a lyrical rather than a political poet. As Mary Favret writes, \"the disembodied Percy identifies the spirit of poetry itself\". Mary glossed Percy's political radicalism as a form of sentimentalism, arguing that his republicanism arose from sympathy for those who were suffering.", "Mary glossed Percy's political radicalism as a form of sentimentalism, arguing that his republicanism arose from sympathy for those who were suffering. She inserted romantic anecdotes of his benevolence, domesticity, and love of the natural world. Portraying herself as Percy's \"practical muse\", she also noted how she had suggested revisions as he wrote. Despite the emotions stirred by this task, Mary Shelley arguably proved herself in many respects a professional and scholarly editor.", "Despite the emotions stirred by this task, Mary Shelley arguably proved herself in many respects a professional and scholarly editor. Working from Percy's messy, sometimes indecipherable, notebooks, she attempted to form a chronology for his writings, and she included poems, such as Epipsychidion, addressed to Emilia Viviani, which she would rather have left out.", "Working from Percy's messy, sometimes indecipherable, notebooks, she attempted to form a chronology for his writings, and she included poems, such as Epipsychidion, addressed to Emilia Viviani, which she would rather have left out. She was forced, however, into several compromises, and, as Blumberg notes, \"modern critics have found fault with the edition and claim variously that she miscopied, misinterpreted, purposely obscured, and attempted to turn the poet into something he was not\".", "She was forced, however, into several compromises, and, as Blumberg notes, \"modern critics have found fault with the edition and claim variously that she miscopied, misinterpreted, purposely obscured, and attempted to turn the poet into something he was not\". According to Wolfson, Donald Reiman, a modern editor of Percy Bysshe Shelley's works, still refers to Mary Shelley's editions, while acknowledging that her editing style belongs \"to an age of editing when the aim was not to establish accurate texts and scholarly apparatus but to present a full record of a writer's career for the general reader\".", "According to Wolfson, Donald Reiman, a modern editor of Percy Bysshe Shelley's works, still refers to Mary Shelley's editions, while acknowledging that her editing style belongs \"to an age of editing when the aim was not to establish accurate texts and scholarly apparatus but to present a full record of a writer's career for the general reader\". In principle, Mary Shelley believed in publishing every last word of her husband's work; but she found herself obliged to omit certain passages, either by pressure from her publisher, Edward Moxon, or in deference to public propriety.", "In principle, Mary Shelley believed in publishing every last word of her husband's work; but she found herself obliged to omit certain passages, either by pressure from her publisher, Edward Moxon, or in deference to public propriety. For example, she removed the atheistic passages from Queen Mab for the first edition. After she restored them in the second edition, Moxon was prosecuted and convicted of blasphemous libel, though the prosecution was brought out of principle by the Chartist publisher Henry Hetherington, and no punishment was sought.", "After she restored them in the second edition, Moxon was prosecuted and convicted of blasphemous libel, though the prosecution was brought out of principle by the Chartist publisher Henry Hetherington, and no punishment was sought. Mary Shelley's omissions provoked criticism, often stinging, from members of Percy Shelley's former circle, and reviewers accused her of, among other things, indiscriminate inclusions. Her notes have nevertheless remained an essential source for the study of Percy Shelley's work.", "Her notes have nevertheless remained an essential source for the study of Percy Shelley's work. As Bennett explains, \"biographers and critics agree that Mary Shelley's commitment to bring Shelley the notice she believed his works merited was the single, major force that established Shelley's reputation during a period when he almost certainly would have faded from public view\". Reputation In her own lifetime, Mary Shelley was taken seriously as a writer, though reviewers often missed her writings' political edge.", "Reputation In her own lifetime, Mary Shelley was taken seriously as a writer, though reviewers often missed her writings' political edge. After her death, however, she was chiefly remembered as the wife of Percy Bysshe Shelley and as the author of Frankenstein. In fact, in the introduction to her letters published in 1945, editor Frederick Jones wrote, \"a collection of the present size could not be justified by the general quality of the letters or by Mary Shelley's importance as a writer.", "In fact, in the introduction to her letters published in 1945, editor Frederick Jones wrote, \"a collection of the present size could not be justified by the general quality of the letters or by Mary Shelley's importance as a writer. It is as the wife of [Percy Bysshe Shelley] that she excites our interest.\" This attitude had not disappeared by 1980 when Betty T. Bennett published the first volume of Mary Shelley's complete letters.", "This attitude had not disappeared by 1980 when Betty T. Bennett published the first volume of Mary Shelley's complete letters. As she explains, \"the fact is that until recent years scholars have generally regarded Mary Wollstonecraft Shelley as a result: William Godwin's and Mary Wollstonecraft's daughter who became Shelley's Pygmalion.\" It was not until Emily Sunstein's Mary Shelley: Romance and Reality in 1989 that a full-length scholarly biography was published.", "It was not until Emily Sunstein's Mary Shelley: Romance and Reality in 1989 that a full-length scholarly biography was published. The attempts of Mary Shelley's son and daughter-in-law to \"Victorianise\" her memory by censoring biographical documents contributed to a perception of Mary Shelley as a more conventional, less reformist figure than her works suggest. Her own timid omissions from Percy Shelley's works and her quiet avoidance of public controversy in her later years added to this impression.", "Her own timid omissions from Percy Shelley's works and her quiet avoidance of public controversy in her later years added to this impression. Commentary by Hogg, Trelawny, and other admirers of Percy Shelley also tended to downplay Mary Shelley's radicalism. Trelawny's Records of Shelley, Byron, and the Author (1878) praised Percy Shelley at the expense of Mary, questioning her intelligence and even her authorship of Frankenstein.", "Trelawny's Records of Shelley, Byron, and the Author (1878) praised Percy Shelley at the expense of Mary, questioning her intelligence and even her authorship of Frankenstein. Lady Shelley, Percy Florence's wife, responded in part by presenting a severely edited collection of letters she had inherited, published privately as Shelley and Mary in 1882.", "Lady Shelley, Percy Florence's wife, responded in part by presenting a severely edited collection of letters she had inherited, published privately as Shelley and Mary in 1882. From Frankenstein'''s first theatrical adaptation in 1823 to the cinematic adaptations of the 20th century, including the first cinematic version in 1910 and now-famous versions such as James Whale's 1931 Frankenstein, Mel Brooks' satirical 1974 Young Frankenstein, and Kenneth Branagh's 1994 Mary Shelley's Frankenstein, many audiences first encounter the work of Mary Shelley through adaptation.", "From Frankenstein'''s first theatrical adaptation in 1823 to the cinematic adaptations of the 20th century, including the first cinematic version in 1910 and now-famous versions such as James Whale's 1931 Frankenstein, Mel Brooks' satirical 1974 Young Frankenstein, and Kenneth Branagh's 1994 Mary Shelley's Frankenstein, many audiences first encounter the work of Mary Shelley through adaptation. Over the course of the 19th century, Mary Shelley came to be seen as a one-novel author at best, rather than as the professional writer she was; most of her works have remained out of print until the last thirty years, obstructing a larger view of her achievement.", "Over the course of the 19th century, Mary Shelley came to be seen as a one-novel author at best, rather than as the professional writer she was; most of her works have remained out of print until the last thirty years, obstructing a larger view of her achievement. In recent decades, the republication of almost all her writing has stimulated a new recognition of its value. Her habit of intensive reading and study, revealed in her journals and letters and reflected in her works, is now better appreciated.", "Her habit of intensive reading and study, revealed in her journals and letters and reflected in her works, is now better appreciated. Shelley's conception of herself as an author has also been recognised; after Percy's death, she wrote of her authorial ambitions: \"I think that I can maintain myself, and there is something inspiriting in the idea.\" Scholars now consider Mary Shelley to be a major Romantic figure, significant for her literary achievement and her political voice as a woman and a liberal.", "Scholars now consider Mary Shelley to be a major Romantic figure, significant for her literary achievement and her political voice as a woman and a liberal. Selected works History of a Six Weeks' Tour (1817) Frankenstein; or, The Modern Prometheus (1818) Mathilda (1819) Valperga; or, The Life and Adventures of Castruccio, Prince of Lucca (1823) Posthumous Poems of Percy Bysshe Shelley (1824) The Last Man (1826) The Fortunes of Perkin Warbeck (1830) Lodore (1835) Falkner (1837) The Poetical Works of Percy Bysshe Shelley (1839) Contributions to Lives of the Most Eminent Literary and Scientific Men (1835–39), part of Lardner's Cabinet Cyclopaedia Rambles in Germany and Italy in 1840, 1842, and 1843 (1844) Collections of Mary Shelley's papers are housed in Lord Abinger's Shelley Collection on deposit at the Bodleian Library, the New York Public Library (particularly The Carl H. Pforzheimer Collection of Shelley and His Circle), the Huntington Library, the British Library, and in the John Murray Collection.", "Selected works History of a Six Weeks' Tour (1817) Frankenstein; or, The Modern Prometheus (1818) Mathilda (1819) Valperga; or, The Life and Adventures of Castruccio, Prince of Lucca (1823) Posthumous Poems of Percy Bysshe Shelley (1824) The Last Man (1826) The Fortunes of Perkin Warbeck (1830) Lodore (1835) Falkner (1837) The Poetical Works of Percy Bysshe Shelley (1839) Contributions to Lives of the Most Eminent Literary and Scientific Men (1835–39), part of Lardner's Cabinet Cyclopaedia Rambles in Germany and Italy in 1840, 1842, and 1843 (1844) Collections of Mary Shelley's papers are housed in Lord Abinger's Shelley Collection on deposit at the Bodleian Library, the New York Public Library (particularly The Carl H. Pforzheimer Collection of Shelley and His Circle), the Huntington Library, the British Library, and in the John Murray Collection. See also Mary Shelley (2017 film) Godwin–Shelley family tree Map of 1814 and 1816 European journeys Map of 1840s European journeys Notes References All essays from The Cambridge Companion to Mary Shelley are marked with a \"(CC)\" and those from The Other Mary Shelley with an \"(OMS)\".", "See also Mary Shelley (2017 film) Godwin–Shelley family tree Map of 1814 and 1816 European journeys Map of 1840s European journeys Notes References All essays from The Cambridge Companion to Mary Shelley are marked with a \"(CC)\" and those from The Other Mary Shelley with an \"(OMS)\". Bibliography Primary sources Shelley, Mary. Collected Tales and Stories. Ed. Charles E. Robinson. Baltimore: Johns Hopkins University Press, 1976. . Shelley, Mary. Frankenstein; or, The Modern Prometheus. Ed.", "Shelley, Mary. Frankenstein; or, The Modern Prometheus. Ed. Ed. Susan J. Wolfson. New York: Pearson Longman, 2007. . Shelley, Mary. The Journals of Mary Shelley, 1814–44. Ed. Paula R. Feldman and Diana Scott-Kilvert. Baltimore: Johns Hopkins University Press, 1995. . Shelley, Mary. The Last Man. Ed. Morton D. Paley. Oxford: Oxford Paperbacks, 1998. . Shelley, Mary. Lodore. Ed. Lisa Vargo. Ontario: Broadview Press, 1997. .", "Ed. Lisa Vargo. Ontario: Broadview Press, 1997. . Ontario: Broadview Press, 1997. . Shelley, Mary. Mary Shelley's Literary Lives and Other Writings. 4 vols. Ed. Tilar J. Mazzeo. London: Pickering & Chatto, 2002. . Shelley, Mary. Mathilda . Ed. Elizabeth Nitchie. Chapel Hill: University of North Carolina Press, 1959. Project Gutenberg. Retrieved 16 February 2008. Shelley, Mary. Matilda; with Mary and Maria, by Mary Wollstonecraft. Ed. Janet Todd.", "Matilda; with Mary and Maria, by Mary Wollstonecraft. Ed. Janet Todd. Janet Todd. London: Penguin, 1992. . Shelley, Mary, ed. The Poetical Works of Percy Bysshe Shelley . London: Edward Moxon, 1840. Google Books. Retrieved 6 April 2008. Shelley, Mary. Selected Letters of Mary Wollstonecraft Shelley. Ed. Betty T. Bennett. Baltimore: Johns Hopkins University Press, 1995. . Shelley, Mary. Valperga; or, The Life and Adventures of Castruccio, Prince of Lucca.", "Valperga; or, The Life and Adventures of Castruccio, Prince of Lucca. Ed. Michael Rossington. Oxford: Oxford Paperbacks, 2000. . Shelley, Percy Bysshe. Shelley's Poetry and Prose. Eds. Donald H. Reiman and Neil Fraistat. 2nd ed. New York: W. W. Norton and Co., 2002. . Secondary sources Bennett, Betty T. \"Finding Mary Shelley in her Letters\". Romantic Revisions. Ed. Robert Brinkley and Keith Hanley. Cambridge: Cambridge University Press, 1992. .", "Cambridge: Cambridge University Press, 1992. . Cambridge: Cambridge University Press, 1992. . Bennett, Betty T., ed. Mary Shelley in her Times. Baltimore: Johns Hopkins University Press, 2003. . Bennett, Betty T. Mary Wollstonecraft Shelley: An Introduction. Baltimore: Johns Hopkins University Press, 1998. . Bennett, Betty T. \"The Political Philosophy of Mary Shelley's Historical Novels: Valperga and Perkin Warbeck\". The Evidence of the Imagination. Ed. Donald H. Reiman, Michael C. Jaye, and Betty T. Bennett.", "Donald H. Reiman, Michael C. Jaye, and Betty T. Bennett. New York: New York University Press, 1978. . Bieri, James. Percy Bysshe Shelley, a Biography: Exile of Unfulfilled Renown, 1816–1822. Newark: University of Delaware Press, 2005. . Blumberg, Jane. Mary Shelley's Early Novels: \"This Child of Imagination and Misery\". Iowa City: University of Iowa Press, 1993. . Bunnell, Charlene E. \"All the World's a Stage\": Dramatic Sensibility in Mary Shelley's Novels.", "Bunnell, Charlene E. \"All the World's a Stage\": Dramatic Sensibility in Mary Shelley's Novels. New York: Routledge, 2002. . Carlson, J. A. England's First Family of Writers: Mary Wollstonecraft, William Godwin, Mary Shelley. Baltimore: Johns Hopkins University Press, 2007. . Clemit, Pamela. \"From The Fields of Fancy to Matilda.\" Mary Shelley in her Times. Ed. Betty T. Bennett. Baltimore: Johns Hopkins University Press, 2003. . Clemit, Pamela.", "Baltimore: Johns Hopkins University Press, 2003. . Clemit, Pamela. Clemit, Pamela. The Godwinian Novel: The Rational Fictions of Godwin, Brockden Brown, Mary Shelley. Oxford: Clarendon Press, 1993. . Conger, Syndy M., Frederick S. Frank, and Gregory O'Dea, eds. Iconoclastic Departures: Mary Shelley after \"Frankenstein\". Essays in Honor of the Bicentenary of Mary Shelley's Birth. Madison, NJ: Farleigh Dickinson University Press, 1997. . Eberle-Sinatra, Michael, ed.", "Eberle-Sinatra, Michael, ed. Eberle-Sinatra, Michael, ed. Mary Shelley's Fictions: From Frankenstein to Falkner. New York: St. Martin's Press/Palgrave, 2000. . Fisch, Audrey A., Anne K. Mellor, and Esther H. Schorr, eds. The Other Mary Shelley: Beyond \"Frankenstein\". New York: Oxford University Press, 1993. . Frank, Frederick S. \"Mary Shelley's Other Fictions: A Bibliographic Consensus\". Iconoclastic Departures: Mary Shelley after \"Frankenstein\".", "Iconoclastic Departures: Mary Shelley after \"Frankenstein\". Iconoclastic Departures: Mary Shelley after \"Frankenstein\". Essays in Honor of the Bicentenary of Mary Shelley's Birth. Ed. Syndy M. Conger, Frederick S. Frank, and Gregory O'Dea. Madison, NJ: Farleigh Dickinson University Press, 1997. . Garrett, Martin Mary Shelley. Oxford: Oxford University Press. 2002. Gilbert, Sandra M. and Susan Gubar. The Madwoman in the Attic: The Woman Writer and the Nineteenth-Century Literary Imagination. 1979.", "The Madwoman in the Attic: The Woman Writer and the Nineteenth-Century Literary Imagination. 1979. 1979. New Haven: Yale University Press, 1984. . Gittings, Robert and Jo Manton. Claire Clairmont and the Shelleys. Oxford: Oxford University Press, 1992. . Holmes, Richard. Shelley: The Pursuit. 1974. London: Harper Perennial, 2003. . Jones, Steven. \"Charles E. Robinson, Ed. The Frankenstein Notebooks: A Facsimile Edition of Mary Shelley's Novel, 1816–17 (Parts One and Two)\".", "The Frankenstein Notebooks: A Facsimile Edition of Mary Shelley's Novel, 1816–17 (Parts One and Two)\". (Book Review). Romantic Circles website, 1 January 1998. Retrieved 15 September 2016. Jump, Harriet Devine, Pamela Clemit, and Betty T. Bennett, eds. Lives of the Great Romantics III: Godwin, Wollstonecraft & Mary Shelley by Their Contemporaries. London: Pickering & Chatto, 1999. . Levine, George and U. C. Knoepflmacher, eds.", "Levine, George and U. C. Knoepflmacher, eds. Levine, George and U. C. Knoepflmacher, eds. The Endurance of Frankenstein: Essays on Mary Shelley's novel. Berkeley: University of California Press, 1979. . Mellor, Anne K. Mary Shelley: Her Life, her Fiction, Her Monsters. London: Routledge, 1990. . Myers, Mitzi. \"Mary Wollstonecraft Godwin Shelley: The Female Author between Public and Private Spheres.\" Mary Shelley in her Times. Ed. Betty T. Bennett.", "Mary Shelley in her Times. Ed. Betty T. Bennett. Betty T. Bennett. Baltimore: Johns Hopkins University Press, 2003. . Orr, Clarissa Campbell. \"Mary Shelley's Rambles in Germany and Italy, the Celebrity Author, and the Undiscovered Country of the Human Heart\". Romanticism on the Net 11 (August 1998). Retrieved 22 February 2008. Poovey, Mary. The Proper Lady and the Woman Writer: Ideology as Style in the Works of Mary Wollstonecraft, Mary Shelley and Jane Austen.", "The Proper Lady and the Woman Writer: Ideology as Style in the Works of Mary Wollstonecraft, Mary Shelley and Jane Austen. Chicago: University of Chicago Press, 1985. . Robinson, Charles E., ed. The Frankenstein Notebooks: A Facsimile Edition of Mary Shelley's Novel, 1816–17 (Parts One and Two). The Manuscripts of the Younger Romantics, Volume IX, Donald H. Reiman, general ed. Garland Publishing, 1996. . Schor, Esther, ed. The Cambridge Companion to Mary Shelley.", "Schor, Esther, ed. The Cambridge Companion to Mary Shelley. The Cambridge Companion to Mary Shelley. Cambridge: Cambridge University Press, 2003. . Seymour, Miranda. Mary Shelley. London: John Murray, 2000. . Sites, Melissa. \"Re/membering Home: Utopian Domesticity in Mary Shelley's Lodore\". A Brighter Morn: The Shelley Circle's Utopian Project. Ed. Darby Lewes. Lanham, MD: Lexington Books, 2003. . Smith, Johanna M. \"A Critical History of Frankenstein\". Frankenstein.", "Smith, Johanna M. \"A Critical History of Frankenstein\". Frankenstein. Frankenstein. Case Studies in Contemporary Criticism. New York: Palgrave Macmillan, 2000. . Spark, Muriel. Mary Shelley. London: Cardinal, 1987. . St Clair, William. The Godwins and the Shelleys: The Biography of a Family. London: Faber & Faber, 1989. . Sterrenburg, Lee. \"The Last Man: Anatomy of Failed Revolutions\". Nineteenth Century Fiction 33 (1978): 324–47.", "Nineteenth Century Fiction 33 (1978): 324–47. Nineteenth Century Fiction 33 (1978): 324–47. Sunstein, Emily W. Mary Shelley: Romance and Reality. 1989. Baltimore: Johns Hopkins University Press, 1991. . Townsend, William C. Modern State Trials. London: Longman, Brown, Green and Longmans, 1850. Wake, Ann M Frank. \"Women in the Active Voice: Recovering Female History in Mary Shelley's Valperga and Perkin Warbeck\". Iconoclastic Departures: Mary Shelley after \"Frankenstein\".", "Iconoclastic Departures: Mary Shelley after \"Frankenstein\". Iconoclastic Departures: Mary Shelley after \"Frankenstein\". Essays in Honor of the Bicentenary of Mary Shelley's Birth. Ed. Syndy M. Conger, Frederick S. Frank, and Gregory O'Dea. Madison, NJ: Farleigh Dickinson University Press, 1997. . White, Daniel E. \"'The god undeified': Mary Shelley's Valperga, Italy, and the Aesthetic of Desire \". Romanticism on the Net 6 (May 1997). Retrieved 22 February 2008.", "Romanticism on the Net 6 (May 1997). Retrieved 22 February 2008. Retrieved 22 February 2008. Further reading Goulding, Christopher. \"The Real Doctor Frankenstein?\" Journal of the Royal Society of Medicine. The Royal Society of Medicine, May 2002.", "The Royal Society of Medicine, May 2002. The Royal Society of Medicine, May 2002. Richard Holmes, \"Out of Control\" (review of Mary Shelley, Frankenstein, Or, The Modern Prometheus: Annotated for Scientists, Engineers, and Creators of All Kinds, edited by David H. Guston, Ed Finn, and Jason Scott Robert, MIT Press, 277 pp. ; and Mary Shelley, The New Annotated Frankenstein, edited and with a foreword and notes by Leslie S. Klinger, Liveright, 352 pp.", "; and Mary Shelley, The New Annotated Frankenstein, edited and with a foreword and notes by Leslie S. Klinger, Liveright, 352 pp. ), The New York Review of Books, vol. LXIV, no. 20 (21 December 2017), pp. 38, 40–41. Gordon, Charlotte (2016). Romantic Outlaws: The Extraordinary Lives of Mary Wollstonecraft & Mary Shelley'', Random House.", "Romantic Outlaws: The Extraordinary Lives of Mary Wollstonecraft & Mary Shelley'', Random House. External links Mary Shelley chronology and bibliography – part of Romantic Circles Mary Wollstonecraft Shelley manuscript material, 1815–1850, held by the Carl H. Pforzheimer Collection of Shelley and His Circle, New York Public Library Mary Shelley at the British Library Exhibits relating to Mary Shelley at the Bodleian Library, University of Oxford 1797 births 1851 deaths 19th-century English women writers 19th-century English novelists 19th-century British short story writers British expatriates in Italy British expatriates in Switzerland British feminists British horror writers British science fiction writers Deaths from brain tumor Deaths from cancer in England English expatriates in Italy English expatriates in Switzerland English feminists English horror writers English science fiction writers English travel writers English women novelists Frankenstein Godwin family People from Bournemouth People from Somers Town, London Romanticism Science Fiction Hall of Fame inductees Victorian novelists Women historical novelists Women horror writers Women of the Regency era Women science fiction and fantasy writers British women travel writers Writers of Gothic fiction Shelley family Weird fiction writers" ]

[ "Mary Shelley", "Lake Geneva and Frankenstein", "When did Mary Shelley write Frankenstein?", "Mary Shelley remembered in 1831,", "What did she have to do with Lake Geneva?", "close to Lake Geneva at the village of Cologny; Percy Shelley rented a smaller building called Maison Chapuis", "what did they do while they were there?", "They spent their time writing, boating on the lake, and talking late into the night. \"", "What did they write while they were there?", "Byron to propose that they \"each write a ghost story\".", "Did they write the ghost story?", "she became possessed by her imagination as she beheld the grim terrors of her \"waking dream\", her ghost story:", "how did that end for her?", "She began writing what she assumed would be a short story. With Percy Shelley's encouragement, she expanded this tale into her first novel, Frankenstein:", "was Frankenstein successful?", "The story of the writing of Frankenstein has been fictionalised several times and formed the basis for a number of films." ]

[ "Do Women Have a Higher Sex Drive? is a 2018 documentary film by Dutch media producer Jan-Willem Breure. It is presented by Cheyenne Löhnen and covers the topics of female sexuality, gender and feminism.\n\nSynopsis\nThe documentary explores female sexuality and challenges many long had beliefs society has had about women. The film also explores the polarization and growing tensions between men and women and the fundamental reasons behind these problems. How to rise of women has impacted society and how this new power has transformed mate selection. The film also goes into great detail examining issues such as female orgasms, lust, women's pornography, female sex toys, evolutionary biology and the many misconceptions both genders have about each other. It looks had how society conditions women from a young age to act and behave a certain way and looks at the consequences of this conditioning. How women navigate in these contradicting environments, where on the one hand the media encourage sexual freedom for women, but on the other hand family encourages abstinence.\n\nSee also\n Feminism\nHuman female sexuality\n Sex drive \nSexual arousal\nVibrator (sex toy)\n\nReferences\n\nExternal links\n \n \n\nDutch documentary films\nDutch films\n2018 films\nEnglish-language films\nDocumentary films about sexuality\nCinema of the Netherlands\nAmsterdam\n2018 documentary films", "Anita B. is a 2014 Italian drama film directed by Roberto Faenza. It is loosely based on the 2009 autobiographic novel Quanta stella c'è nel cielo (How Many Stars Twinkle in the Sky) by Edith Bruck.\n\nCast \n Eline Powell: Anita\n Robert Sheehan: Eli\n Andrea Osvárt: Monica\n Antonio Cupo: Aron\n Nico Mirallegro: David \n Moni Ovadia: Uncle Jacob\n Jane Alexander: Sarah\n\nReferences\n\nExternal links\n\n2014 films\n2014 drama films\nEnglish-language Italian films\nFilms directed by Roberto Faenza\nItalian films\nItalian drama films" ]

[ "Mary Wollstonecraft Shelley (; ; 30 August 1797 – 1 February 1851) was an English novelist who wrote the Gothic novel Frankenstein; or, The Modern Prometheus (1818), which is considered an early example of science fiction. She also edited and promoted the works of her husband, the Romantic poet and philosopher Percy Bysshe Shelley. Her father was the political philosopher William Godwin and her mother was the philosopher and feminist activist Mary Wollstonecraft. Shelley's mother died less than a month after giving birth to her.", "Shelley's mother died less than a month after giving birth to her. She was raised by her father, who provided her with a rich if informal education, encouraging her to adhere to his own anarchist political theories. When she was four, her father married a neighbour, Mary Jane Clairmont, with whom Shelley came to have a troubled relationship. In 1814, Shelley began a romance with one of her father's political followers, Percy Bysshe Shelley, who was already married.", "In 1814, Shelley began a romance with one of her father's political followers, Percy Bysshe Shelley, who was already married. Together with her stepsister, Claire Clairmont, she and Percy left for France and travelled through Europe. Upon their return to England, Shelley was pregnant with Percy's child. Over the next two years, she and Percy faced ostracism, constant debt and the death of their prematurely born daughter. They married in late 1816, after the suicide of Percy Shelley's first wife, Harriet.", "They married in late 1816, after the suicide of Percy Shelley's first wife, Harriet. In 1816, the couple and Mary's stepsister famously spent a summer with Lord Byron and John William Polidori near Geneva, Switzerland, where Shelley conceived the idea for her novel Frankenstein. The Shelleys left Britain in 1818 for Italy, where their second and third children died before Shelley gave birth to her last and only surviving child, Percy Florence Shelley.", "The Shelleys left Britain in 1818 for Italy, where their second and third children died before Shelley gave birth to her last and only surviving child, Percy Florence Shelley. In 1822, her husband drowned when his sailing boat sank during a storm near Viareggio. A year later, Shelley returned to England and from then on devoted herself to the upbringing of her son and a career as a professional author.", "A year later, Shelley returned to England and from then on devoted herself to the upbringing of her son and a career as a professional author. The last decade of her life was dogged by illness, most likely caused by the brain tumour which killed her at age 53. Until the 1970s, Shelley was known mainly for her efforts to publish her husband's works and for her novel Frankenstein, which remains widely read and has inspired many theatrical and film adaptations.", "Until the 1970s, Shelley was known mainly for her efforts to publish her husband's works and for her novel Frankenstein, which remains widely read and has inspired many theatrical and film adaptations. Recent scholarship has yielded a more comprehensive view of Shelley's achievements.", "Recent scholarship has yielded a more comprehensive view of Shelley's achievements. Scholars have shown increasing interest in her literary output, particularly in her novels, which include the historical novels Valperga (1823) and Perkin Warbeck (1830), the apocalyptic novel The Last Man (1826) and her final two novels, Lodore (1835) and Falkner (1837).", "Scholars have shown increasing interest in her literary output, particularly in her novels, which include the historical novels Valperga (1823) and Perkin Warbeck (1830), the apocalyptic novel The Last Man (1826) and her final two novels, Lodore (1835) and Falkner (1837). Studies of her lesser-known works, such as the travel book Rambles in Germany and Italy (1844) and the biographical articles for Dionysius Lardner's Cabinet Cyclopaedia (1829–1846), support the growing view that Shelley remained a political radical throughout her life.", "Studies of her lesser-known works, such as the travel book Rambles in Germany and Italy (1844) and the biographical articles for Dionysius Lardner's Cabinet Cyclopaedia (1829–1846), support the growing view that Shelley remained a political radical throughout her life. Shelley's works often argue that cooperation and sympathy, particularly as practised by women in the family, were the ways to reform civil society.", "Shelley's works often argue that cooperation and sympathy, particularly as practised by women in the family, were the ways to reform civil society. This view was a direct challenge to the individualistic Romantic ethos promoted by Percy Shelley and the Enlightenment political theories articulated by her father, William Godwin. Life and career Early life Mary Shelley was born Mary Wollstonecraft Godwin in Somers Town, London, in 1797.", "Life and career Early life Mary Shelley was born Mary Wollstonecraft Godwin in Somers Town, London, in 1797. She was the second child of the feminist philosopher, educator, and writer Mary Wollstonecraft and the first child of the philosopher, novelist, and journalist William Godwin. Wollstonecraft died of puerperal fever shortly after Mary was born. Godwin was left to bring up Mary, along with her older half-sister, Fanny Imlay, Wollstonecraft's child by the American speculator Gilbert Imlay.", "Godwin was left to bring up Mary, along with her older half-sister, Fanny Imlay, Wollstonecraft's child by the American speculator Gilbert Imlay. A year after Wollstonecraft's death, Godwin published his Memoirs of the Author of A Vindication of the Rights of Woman (1798), which he intended as a sincere and compassionate tribute. However, because the Memoirs revealed Wollstonecraft's affairs and her illegitimate child, they were seen as shocking.", "However, because the Memoirs revealed Wollstonecraft's affairs and her illegitimate child, they were seen as shocking. Mary Godwin read these memoirs and her mother's books, and was brought up to cherish her mother's memory. Mary's earliest years were happy, judging from the letters of William Godwin's housekeeper and nurse, Louisa Jones. But Godwin was often deeply in debt; feeling that he could not raise the children by himself, he cast about for a second wife.", "But Godwin was often deeply in debt; feeling that he could not raise the children by himself, he cast about for a second wife. In December 1801, he married Mary Jane Clairmont, a well-educated woman with two young children of her own—Charles and Claire. Most of Godwin's friends disliked his new wife, describing her as quick-tempered and quarrelsome; but Godwin was devoted to her, and the marriage was a success. Mary Godwin, on the other hand, came to detest her stepmother.", "Mary Godwin, on the other hand, came to detest her stepmother. William Godwin's 19th-century biographer Charles Kegan Paul later suggested that Mrs Godwin had favoured her own children over those of Mary Wollstonecraft. Together, the Godwins started a publishing firm called M. J. Godwin, which sold children's books as well as stationery, maps, and games. However, the business did not turn a profit, and Godwin was forced to borrow substantial sums to keep it going.", "However, the business did not turn a profit, and Godwin was forced to borrow substantial sums to keep it going. He continued to borrow to pay off earlier loans, compounding his problems. By 1809, Godwin's business was close to failure, and he was \"near to despair\". Godwin was saved from debtor's prison by philosophical devotees such as Francis Place, who lent him further money. Though Mary Godwin received little formal education, her father tutored her in a broad range of subjects.", "Though Mary Godwin received little formal education, her father tutored her in a broad range of subjects. He often took the children on educational outings, and they had access to his library and to the many intellectuals who visited him, including the Romantic poet Samuel Taylor Coleridge and the former vice-president of the United States Aaron Burr.", "He often took the children on educational outings, and they had access to his library and to the many intellectuals who visited him, including the Romantic poet Samuel Taylor Coleridge and the former vice-president of the United States Aaron Burr. Godwin admitted he was not educating the children according to Mary Wollstonecraft's philosophy as outlined in works such as A Vindication of the Rights of Woman (1792), but Mary Godwin nonetheless received an unusual and advanced education for a girl of the time.", "Godwin admitted he was not educating the children according to Mary Wollstonecraft's philosophy as outlined in works such as A Vindication of the Rights of Woman (1792), but Mary Godwin nonetheless received an unusual and advanced education for a girl of the time. She had a governess, a daily tutor, and read many of her father's children's books on Roman and Greek history in manuscript. For six months in 1811, she also attended a boarding school in Ramsgate.", "For six months in 1811, she also attended a boarding school in Ramsgate. Her father described her at age 15 as \"singularly bold, somewhat imperious, and active of mind. Her desire of knowledge is great, and her perseverance in everything she undertakes almost invincible.\" In June 1812, Mary's father sent her to stay with the dissenting family of the radical William Baxter, near Dundee, Scotland.", "In June 1812, Mary's father sent her to stay with the dissenting family of the radical William Baxter, near Dundee, Scotland. To Baxter, he wrote, \"I am anxious that she should be brought up ... like a philosopher, even like a cynic.\" Scholars have speculated that she may have been sent away for her health, to remove her from the seamy side of the business, or to introduce her to radical politics.", "Scholars have speculated that she may have been sent away for her health, to remove her from the seamy side of the business, or to introduce her to radical politics. Mary Godwin revelled in the spacious surroundings of Baxter's house and in the companionship of his four daughters, and she returned north in the summer of 1813 for a further stay of 10 months. In the 1831 introduction to Frankenstein, she recalled: \"I wrote then—but in a most common-place style.", "In the 1831 introduction to Frankenstein, she recalled: \"I wrote then—but in a most common-place style. It was beneath the trees of the grounds belonging to our house, or on the bleak sides of the woodless mountains near, that my true compositions, the airy flights of my imagination, were born and fostered.\" Percy Bysshe Shelley Mary Godwin may have first met the radical poet-philosopher Percy Bysshe Shelley in the interval between her two stays in Scotland.", "Percy Bysshe Shelley Mary Godwin may have first met the radical poet-philosopher Percy Bysshe Shelley in the interval between her two stays in Scotland. By the time she returned home for a second time on 30 March 1814, Percy Shelley had become estranged from his wife and was regularly visiting William Godwin, whom he had agreed to bail out of debt.", "By the time she returned home for a second time on 30 March 1814, Percy Shelley had become estranged from his wife and was regularly visiting William Godwin, whom he had agreed to bail out of debt. Percy Shelley's radicalism, particularly his economic views, which he had imbibed from William Godwin's Political Justice (1793), had alienated him from his wealthy aristocratic family: they wanted him to follow traditional models of the landed aristocracy, and he wanted to donate large amounts of the family's money to schemes intended to help the disadvantaged.", "Percy Shelley's radicalism, particularly his economic views, which he had imbibed from William Godwin's Political Justice (1793), had alienated him from his wealthy aristocratic family: they wanted him to follow traditional models of the landed aristocracy, and he wanted to donate large amounts of the family's money to schemes intended to help the disadvantaged. Percy Shelley, therefore, had difficulty gaining access to money until he inherited his estate because his family did not want him wasting it on projects of \"political justice\".", "Percy Shelley, therefore, had difficulty gaining access to money until he inherited his estate because his family did not want him wasting it on projects of \"political justice\". After several months of promises, Shelley announced that he either could not or would not pay off all of Godwin's debts. Godwin was angry and felt betrayed.", "Godwin was angry and felt betrayed. Godwin was angry and felt betrayed. Mary and Percy began meeting each other secretly at her mother Mary Wollstonecraft's grave in the churchyard of St Pancras Old Church, and they fell in love—she was 16, and he was 21.", "Mary and Percy began meeting each other secretly at her mother Mary Wollstonecraft's grave in the churchyard of St Pancras Old Church, and they fell in love—she was 16, and he was 21. On 26 June 1814, Shelley and Godwin declared their love for one another as Shelley announced he could not hide his \"ardent passion\", leading her in a \"sublime and rapturous moment\" to say she felt the same way; on either that day or the next, Godwin lost her virginity to Shelley, which tradition claims happened in the churchyard.", "On 26 June 1814, Shelley and Godwin declared their love for one another as Shelley announced he could not hide his \"ardent passion\", leading her in a \"sublime and rapturous moment\" to say she felt the same way; on either that day or the next, Godwin lost her virginity to Shelley, which tradition claims happened in the churchyard. Godwin described herself as attracted to Shelley's \"wild, intellectual, unearthly looks\".", "Godwin described herself as attracted to Shelley's \"wild, intellectual, unearthly looks\". To Mary's dismay, her father disapproved, and tried to thwart the relationship and salvage the \"spotless fame\" of his daughter. At about the same time, Mary's father learned of Shelley's inability to pay off the father's debts. Mary, who later wrote of \"my excessive and romantic attachment to my father\", was confused.", "Mary, who later wrote of \"my excessive and romantic attachment to my father\", was confused. She saw Percy Shelley as an embodiment of her parents' liberal and reformist ideas of the 1790s, particularly Godwin's view that marriage was a repressive monopoly, which he had argued in his 1793 edition of Political Justice but later retracted. On 28 July 1814, the couple eloped and secretly left for France, taking Mary's stepsister, Claire Clairmont, with them.", "On 28 July 1814, the couple eloped and secretly left for France, taking Mary's stepsister, Claire Clairmont, with them. After convincing Mary Jane Godwin, who had pursued them to Calais, that they did not wish to return, the trio travelled to Paris, and then, by donkey, mule, carriage, and foot, through a France recently ravaged by war, to Switzerland. \"It was acting in a novel, being an incarnate romance,\" Mary Shelley recalled in 1826.", "\"It was acting in a novel, being an incarnate romance,\" Mary Shelley recalled in 1826. Godwin wrote about France in 1814: \"The distress of the inhabitants, whose houses had been burned, their cattle killed and all their wealth destroyed, has given a sting to my detestation of war...\". As they travelled, Mary and Percy read works by Mary Wollstonecraft and others, kept a joint journal, and continued their own writing. At Lucerne, lack of money forced the three to turn back.", "At Lucerne, lack of money forced the three to turn back. They travelled down the Rhine and by land to the Dutch port of Maassluis, arriving at Gravesend, Kent, on 13 September 1814. The situation awaiting Mary Godwin in England was fraught with complications, some of which she had not foreseen. Either before or during the journey, she had become pregnant. She and Percy now found themselves penniless, and, to Mary's genuine surprise, her father refused to have anything to do with her.", "She and Percy now found themselves penniless, and, to Mary's genuine surprise, her father refused to have anything to do with her. The couple moved with Claire into lodgings at Somers Town, and later, Nelson Square. They maintained their intense programme of reading and writing, and entertained Percy Shelley's friends, such as Thomas Jefferson Hogg and the writer Thomas Love Peacock. Percy Shelley sometimes left home for short periods to dodge creditors. The couple's distraught letters reveal their pain at these separations.", "The couple's distraught letters reveal their pain at these separations. Pregnant and often ill, Mary Godwin had to cope with Percy's joy at the birth of his son by Harriet Shelley in late 1814 and his constant outings with Claire Clairmont. Shelley and Clairmont were almost certainly lovers, which caused much jealousy on Godwin's part. Shelley greatly offended Godwin at one point when during a walk in the French countryside he suggested that they both take the plunge into a stream naked as it offended her principles.", "Shelley greatly offended Godwin at one point when during a walk in the French countryside he suggested that they both take the plunge into a stream naked as it offended her principles. She was partly consoled by the visits of Hogg, whom she disliked at first but soon considered a close friend. Percy Shelley seems to have wanted Mary Godwin and Hogg to become lovers; Mary did not dismiss the idea, since in principle she believed in free love.", "Percy Shelley seems to have wanted Mary Godwin and Hogg to become lovers; Mary did not dismiss the idea, since in principle she believed in free love. In practice, however, she loved only Percy Shelley and seems to have ventured no further than flirting with Hogg. On 22 February 1815, she gave birth to a two-month premature baby girl, who was not expected to survive.", "On 22 February 1815, she gave birth to a two-month premature baby girl, who was not expected to survive. On 6 March, she wrote to Hogg: My dearest Hogg my baby is dead—will you come to see me as soon as you can. I wish to see you—It was perfectly well when I went to bed—I awoke in the night to give it suck it appeared to be sleeping so quietly that I would not awake it.", "I wish to see you—It was perfectly well when I went to bed—I awoke in the night to give it suck it appeared to be sleeping so quietly that I would not awake it. It was dead then, but we did not find that out till morning—from its appearance it evidently died of convulsions—Will you come—you are so calm a creature & Shelley is afraid of a fever from the milk—for I am no longer a mother now.", "It was dead then, but we did not find that out till morning—from its appearance it evidently died of convulsions—Will you come—you are so calm a creature & Shelley is afraid of a fever from the milk—for I am no longer a mother now. The loss of her child induced acute depression in Mary Godwin, who was haunted by visions of the baby; but she conceived again and had recovered by the summer.", "The loss of her child induced acute depression in Mary Godwin, who was haunted by visions of the baby; but she conceived again and had recovered by the summer. With a revival in Percy Shelley's finances after the death of his grandfather, Sir Bysshe Shelley, the couple holidayed in Torquay and then rented a two-storey cottage at Bishopsgate, on the edge of Windsor Great Park. Little is known about this period in Mary Godwin's life, since her journal from May 1815 to July 1816 is lost.", "Little is known about this period in Mary Godwin's life, since her journal from May 1815 to July 1816 is lost. At Bishopsgate, Percy wrote his poem Alastor, or The Spirit of Solitude; and on 24 January 1816, Mary gave birth to a second child, William, named after her father, and soon nicknamed \"Willmouse\". In her novel The Last Man, she later imagined Windsor as a Garden of Eden.", "In her novel The Last Man, she later imagined Windsor as a Garden of Eden. Lake Geneva and Frankenstein In May 1816, Mary Godwin, Percy Shelley, and their son travelled to Geneva with Claire Clairmont. They planned to spend the summer with the poet Lord Byron, whose recent affair with Claire had left her pregnant. In History of a Six Weeks’ Tour through a part of France, Switzerland, Germany and Holland (1817), she describes the particularly desolate landscape in crossing from France into Switzerland.", "In History of a Six Weeks’ Tour through a part of France, Switzerland, Germany and Holland (1817), she describes the particularly desolate landscape in crossing from France into Switzerland. The party arrived in Geneva on 14 May 1816, where Mary called herself \"Mrs Shelley\".", "The party arrived in Geneva on 14 May 1816, where Mary called herself \"Mrs Shelley\". Byron joined them on 25 May, with his young physician, John William Polidori, and rented the Villa Diodati, close to Lake Geneva at the village of Cologny; Percy Shelley rented a smaller building called Maison Chapuis on the waterfront nearby. They spent their time writing, boating on the lake, and talking late into the night.", "They spent their time writing, boating on the lake, and talking late into the night. \"It proved a wet, ungenial summer\", Mary Shelley remembered in 1831, \"and incessant rain often confined us for days to the house\". Sitting around a log fire at Byron's villa, the company amused themselves with German ghost stories, which prompted Byron to propose that they \"each write a ghost story\".", "Sitting around a log fire at Byron's villa, the company amused themselves with German ghost stories, which prompted Byron to propose that they \"each write a ghost story\". Unable to think of a story, young Mary Godwin became anxious: \"Have you thought of a story? I was asked each morning, and each morning I was forced to reply with a mortifying negative.\" During one mid-June evening, the discussions turned to the nature of the principle of life.", "During one mid-June evening, the discussions turned to the nature of the principle of life. \"Perhaps a corpse would be re-animated\", Mary noted; \"galvanism had given token of such things\". It was after midnight before they retired, and unable to sleep, she became possessed by her imagination as she beheld the grim terrors of her \"waking dream\", her ghost story: She began writing what she assumed would be a short story.", "It was after midnight before they retired, and unable to sleep, she became possessed by her imagination as she beheld the grim terrors of her \"waking dream\", her ghost story: She began writing what she assumed would be a short story. With Percy Shelley's encouragement, she expanded this tale into her first novel, Frankenstein; or, The Modern Prometheus, published in 1818. She later described that summer in Switzerland as the moment \"when I first stepped out from childhood into life\".", "She later described that summer in Switzerland as the moment \"when I first stepped out from childhood into life\". The story of the writing of Frankenstein has been fictionalised several times and formed the basis for a number of films.", "The story of the writing of Frankenstein has been fictionalised several times and formed the basis for a number of films. In September 2011, the astronomer Donald Olson, after a visit to the Lake Geneva villa the previous year, and inspecting data about the motion of the moon and stars, concluded that her waking dream took place \"between 2am and 3am\" 16 June 1816, several days after the initial idea by Lord Byron that they each write a ghost story.", "In September 2011, the astronomer Donald Olson, after a visit to the Lake Geneva villa the previous year, and inspecting data about the motion of the moon and stars, concluded that her waking dream took place \"between 2am and 3am\" 16 June 1816, several days after the initial idea by Lord Byron that they each write a ghost story. Authorship of Frankenstein While her husband Percy encouraged her writing, the extent of Percy's contribution to the novel is unknown and has been argued over by readers and critics.", "Authorship of Frankenstein While her husband Percy encouraged her writing, the extent of Percy's contribution to the novel is unknown and has been argued over by readers and critics. Mary Shelley wrote, \"I certainly did not owe the suggestion of one incident, nor scarcely of one train of feeling, to my husband, and yet but for his incitement, it would never have taken the form in which it was presented to the world.\"", "Mary Shelley wrote, \"I certainly did not owe the suggestion of one incident, nor scarcely of one train of feeling, to my husband, and yet but for his incitement, it would never have taken the form in which it was presented to the world.\" She wrote that the preface to the first edition was Percy's work \"as far as I can recollect.\" There are differences in the 1818, 1823 and 1831 editions, which have been attributed to Percy's editing.", "There are differences in the 1818, 1823 and 1831 editions, which have been attributed to Percy's editing. James Rieger concluded Percy's \"assistance at every point in the book's manufacture was so extensive that one hardly knows whether to regard him as editor or minor collaborator\", while Anne K. Mellor later argued Percy only \"made many technical corrections and several times clarified the narrative and thematic continuity of the text.\"", "James Rieger concluded Percy's \"assistance at every point in the book's manufacture was so extensive that one hardly knows whether to regard him as editor or minor collaborator\", while Anne K. Mellor later argued Percy only \"made many technical corrections and several times clarified the narrative and thematic continuity of the text.\" Charles E. Robinson, editor of a facsimile edition of the Frankenstein manuscripts, concluded that Percy's contributions to the book \"were no more than what most publishers' editors have provided new (or old) authors or, in fact, what colleagues have provided to each other after reading each other's works in progress.\"", "Charles E. Robinson, editor of a facsimile edition of the Frankenstein manuscripts, concluded that Percy's contributions to the book \"were no more than what most publishers' editors have provided new (or old) authors or, in fact, what colleagues have provided to each other after reading each other's works in progress.\" Writing on the 200th anniversary of Frankenstein, literary scholar and poet Fiona Sampson asked, \"Why hasn't Mary Shelley gotten the respect she deserves?\"", "Writing on the 200th anniversary of Frankenstein, literary scholar and poet Fiona Sampson asked, \"Why hasn't Mary Shelley gotten the respect she deserves?\" She noted that \"In recent years Percy's corrections, visible in the Frankenstein notebooks held at the Bodleian Library in Oxford, have been seized on as evidence that he must have at least co-authored the novel. In fact, when I examined the notebooks myself, I realized that Percy did rather less than any line editor working in publishing today.\"", "In fact, when I examined the notebooks myself, I realized that Percy did rather less than any line editor working in publishing today.\" Sampson published her findings in In Search of Mary Shelley (2018), one of many biographies written about Shelley. Bath and Marlow On their return to England in September, Mary and Percy moved—with Claire Clairmont, who took lodgings nearby—to Bath, where they hoped to keep Claire's pregnancy secret.", "Bath and Marlow On their return to England in September, Mary and Percy moved—with Claire Clairmont, who took lodgings nearby—to Bath, where they hoped to keep Claire's pregnancy secret. At Cologny, Mary Godwin had received two letters from her half-sister, Fanny Imlay, who alluded to her \"unhappy life\"; on 9 October, Fanny wrote an \"alarming letter\" from Bristol that sent Percy Shelley racing off to search for her, without success.", "At Cologny, Mary Godwin had received two letters from her half-sister, Fanny Imlay, who alluded to her \"unhappy life\"; on 9 October, Fanny wrote an \"alarming letter\" from Bristol that sent Percy Shelley racing off to search for her, without success. On the morning of 10 October, Fanny Imlay was found dead in a room at a Swansea inn, along with a suicide note and a laudanum bottle.", "On the morning of 10 October, Fanny Imlay was found dead in a room at a Swansea inn, along with a suicide note and a laudanum bottle. On 10 December, Percy Shelley's wife, Harriet, was discovered drowned in the Serpentine, a lake in Hyde Park, London. Both suicides were hushed up. Harriet's family obstructed Percy Shelley's efforts—fully supported by Mary Godwin—to assume custody of his two children by Harriet.", "Harriet's family obstructed Percy Shelley's efforts—fully supported by Mary Godwin—to assume custody of his two children by Harriet. His lawyers advised him to improve his case by marrying; so he and Mary, who was pregnant again, married on 30 December 1816 at St Mildred's Church, Bread Street, London. Mr and Mrs Godwin were present and the marriage ended the family rift. Claire Clairmont gave birth to a baby girl on 13 January, at first called Alba, later Allegra.", "Claire Clairmont gave birth to a baby girl on 13 January, at first called Alba, later Allegra. In March of that year, the Chancery Court ruled Percy Shelley morally unfit to assume custody of his children and later placed them with a clergyman's family. Also in March, the Shelleys moved with Claire and Alba to Albion House at Marlow, Buckinghamshire, a large, damp building on the river Thames. There Mary Shelley gave birth to her third child, Clara, on 2 September.", "There Mary Shelley gave birth to her third child, Clara, on 2 September. At Marlow, they entertained their new friends Marianne and Leigh Hunt, worked hard at their writing, and often discussed politics. Early in the summer of 1817, Mary Shelley finished Frankenstein, which was published anonymously in January 1818. Reviewers and readers assumed that Percy Shelley was the author, since the book was published with his preface and dedicated to his political hero William Godwin.", "Reviewers and readers assumed that Percy Shelley was the author, since the book was published with his preface and dedicated to his political hero William Godwin. At Marlow, Mary edited the joint journal of the group's 1814 Continental journey, adding material written in Switzerland in 1816, along with Percy's poem \"Mont Blanc\". The result was the History of a Six Weeks' Tour, published in November 1817. That autumn, Percy Shelley often lived away from home in London to evade creditors.", "That autumn, Percy Shelley often lived away from home in London to evade creditors. The threat of a debtor's prison, combined with their ill health and fears of losing custody of their children, contributed to the couple's decision to leave England for Italy on 12 March 1818, taking Claire Clairmont and Alba with them. They had no intention of returning. Italy One of the party's first tasks on arriving in Italy was to hand Alba over to Byron, who was living in Venice.", "Italy One of the party's first tasks on arriving in Italy was to hand Alba over to Byron, who was living in Venice. He had agreed to raise her so long as Claire had nothing more to do with her. The Shelleys then embarked on a roving existence, never settling in any one place for long. Along the way, they accumulated a circle of friends and acquaintances who often moved with them. The couple devoted their time to writing, reading, learning, sightseeing, and socialising.", "The couple devoted their time to writing, reading, learning, sightseeing, and socialising. The Italian adventure was, however, blighted for Mary Shelley by the deaths of both her children—Clara, in September 1818 in Venice, and William, in June 1819 in Rome. These losses left her in a deep depression that isolated her from Percy Shelley, who wrote in his notebook: My dearest Mary, wherefore hast thou gone, And left me in this dreary world alone?", "These losses left her in a deep depression that isolated her from Percy Shelley, who wrote in his notebook: My dearest Mary, wherefore hast thou gone, And left me in this dreary world alone? Thy form is here indeed—a lovely one— But thou art fled, gone down a dreary road That leads to Sorrow's most obscure abode. For thine own sake I cannot follow thee Do thou return for mine. For a time, Mary Shelley found comfort only in her writing.", "For a time, Mary Shelley found comfort only in her writing. The birth of her fourth child, Percy Florence, on 12 November 1819, finally lifted her spirits, though she nursed the memory of her lost children till the end of her life. Italy provided the Shelleys, Byron, and other exiles with political freedom unattainable at home. Despite its associations with personal loss, Italy became for Mary Shelley \"a country which memory painted as paradise\".", "Despite its associations with personal loss, Italy became for Mary Shelley \"a country which memory painted as paradise\". Their Italian years were a time of intense intellectual and creative activity for both Shelleys. While Percy composed a series of major poems, Mary wrote the novel Matilda, the historical novel Valperga, and the plays Proserpine and Midas. Mary wrote Valperga to help alleviate her father's financial difficulties, as Percy refused to assist him further. She was often physically ill, however, and prone to depressions.", "She was often physically ill, however, and prone to depressions. She also had to cope with Percy's interest in other women, such as Sophia Stacey, Emilia Viviani, and Jane Williams. Since Mary Shelley shared his belief in the non-exclusivity of marriage, she formed emotional ties of her own among the men and women of their circle. She became particularly fond of the Greek revolutionary Prince Alexandros Mavrokordatos and of Jane and Edward Williams.", "She became particularly fond of the Greek revolutionary Prince Alexandros Mavrokordatos and of Jane and Edward Williams. In December 1818, the Shelleys travelled south with Claire Clairmont and their servants to Naples, where they stayed for three months, receiving only one visitor, a physician. In 1820, they found themselves plagued by accusations and threats from Paolo and Elise Foggi, former servants whom Percy Shelley had dismissed in Naples shortly after the Foggis had married.", "In 1820, they found themselves plagued by accusations and threats from Paolo and Elise Foggi, former servants whom Percy Shelley had dismissed in Naples shortly after the Foggis had married. The pair revealed that on 27 February 1819 in Naples, Percy Shelley had registered as his child by Mary Shelley a two-month-old baby girl named Elena Adelaide Shelley. The Foggis also claimed that Claire Clairmont was the baby's mother.", "The Foggis also claimed that Claire Clairmont was the baby's mother. Biographers have offered various interpretations of these events: that Percy Shelley decided to adopt a local child; that the baby was his by Elise, Claire, or an unknown woman; or that she was Elise's by Byron. Mary Shelley insisted she would have known if Claire had been pregnant, but it is unclear how much she really knew.", "Mary Shelley insisted she would have known if Claire had been pregnant, but it is unclear how much she really knew. The events in Naples, a city Mary Shelley later called a paradise inhabited by devils, remain shrouded in mystery. The only certainty is that she herself was not the child's mother. Elena Adelaide Shelley died in Naples on 9 June 1820.", "Elena Adelaide Shelley died in Naples on 9 June 1820. After leaving Naples, the Shelleys settled in Rome, the city where her husband wrote where \"the meanest streets were strewed with truncated columns, broken capitals...and sparkling fragments of granite or porphyry...The voice of dead time, in still vibrations, is breathed from these dumb things, animated and glorified as they were by man\".", "After leaving Naples, the Shelleys settled in Rome, the city where her husband wrote where \"the meanest streets were strewed with truncated columns, broken capitals...and sparkling fragments of granite or porphyry...The voice of dead time, in still vibrations, is breathed from these dumb things, animated and glorified as they were by man\". Rome inspired her to begin writing the unfinished novel Valerius, the Reanimated Roman, where the eponymous hero resists the decay of Rome and the machinations of \"superstitious\" Catholicism.", "Rome inspired her to begin writing the unfinished novel Valerius, the Reanimated Roman, where the eponymous hero resists the decay of Rome and the machinations of \"superstitious\" Catholicism. The writing of her novel was broken off when her son William died of malaria.", "The writing of her novel was broken off when her son William died of malaria. Shelley bitterly commented that she had come to Italy to improve her husband's health, and instead the Italian climate had just killed her two children, leading her to write: \"May you my dear Marianne never know what it is to lose two only and lovely children in one year—to watch their dying moments—and then at last to be left childless and forever miserable\".", "Shelley bitterly commented that she had come to Italy to improve her husband's health, and instead the Italian climate had just killed her two children, leading her to write: \"May you my dear Marianne never know what it is to lose two only and lovely children in one year—to watch their dying moments—and then at last to be left childless and forever miserable\". To deal with her grief, Shelley wrote the novella The Fields of Fancy, which became Matilda, dealing with a young woman whose beauty inspired incestuous love in her father, who ultimately commits suicide to stop himself from acting on his passion for his daughter, while she spends the rest of her life full of despair about \"the unnatural love I had inspired\".", "To deal with her grief, Shelley wrote the novella The Fields of Fancy, which became Matilda, dealing with a young woman whose beauty inspired incestuous love in her father, who ultimately commits suicide to stop himself from acting on his passion for his daughter, while she spends the rest of her life full of despair about \"the unnatural love I had inspired\". The novella offered a feminist critique of a patriarchal society as Matilda is punished in the afterlife, though she did nothing to encourage her father's feelings.", "The novella offered a feminist critique of a patriarchal society as Matilda is punished in the afterlife, though she did nothing to encourage her father's feelings. In the summer of 1822, a pregnant Mary moved with Percy, Claire, and Edward and Jane Williams to the isolated Villa Magni, at the sea's edge near the hamlet of San Terenzo in the Bay of Lerici.", "In the summer of 1822, a pregnant Mary moved with Percy, Claire, and Edward and Jane Williams to the isolated Villa Magni, at the sea's edge near the hamlet of San Terenzo in the Bay of Lerici. Once they were settled in, Percy broke the \"evil news\" to Claire that her daughter Allegra had died of typhus in a convent at Bagnacavallo. Mary Shelley was distracted and unhappy in the cramped and remote Villa Magni, which she came to regard as a dungeon.", "Mary Shelley was distracted and unhappy in the cramped and remote Villa Magni, which she came to regard as a dungeon. On 16 June, she miscarried, losing so much blood that she nearly died. Rather than wait for a doctor, Percy sat her in a bath of ice to stanch the bleeding, an act the doctor later told him saved her life. All was not well between the couple that summer, however, and Percy spent more time with Jane Williams than with his depressed and debilitated wife.", "All was not well between the couple that summer, however, and Percy spent more time with Jane Williams than with his depressed and debilitated wife. Much of the short poetry Shelley wrote at San Terenzo involved Jane rather than Mary. The coast offered Percy Shelley and Edward Williams the chance to enjoy their \"perfect plaything for the summer\", a new sailing boat. The boat had been designed by Daniel Roberts and Edward Trelawny, an admirer of Byron's who had joined the party in January 1822.", "The boat had been designed by Daniel Roberts and Edward Trelawny, an admirer of Byron's who had joined the party in January 1822. On 1 July 1822, Percy Shelley, Edward Ellerker Williams, and Captain Daniel Roberts sailed south down the coast to Livorno. There Percy Shelley discussed with Byron and Leigh Hunt the launch of a radical magazine called The Liberal. On 8 July, he and Edward Williams set out on the return journey to Lerici with their eighteen-year-old boat boy, Charles Vivian. They never reached their destination.", "They never reached their destination. They never reached their destination. A letter arrived at Villa Magni from Hunt to Percy Shelley, dated 8 July, saying, \"pray write to tell us how you got home, for they say you had bad weather after you sailed Monday & we are anxious\". \"The paper fell from me,\" Mary told a friend later. \"I trembled all over.\"", "\"I trembled all over.\" \"I trembled all over.\" She and Jane Williams rushed desperately to Livorno and then to Pisa in the fading hope that their husbands were still alive. Ten days after the storm, three bodies washed up on the coast near Viareggio, midway between Livorno and Lerici. Trelawny, Byron, and Hunt cremated Percy Shelley's corpse on the beach at Viareggio.", "Trelawny, Byron, and Hunt cremated Percy Shelley's corpse on the beach at Viareggio. Return to England and writing career After her husband's death, Mary Shelley lived for a year with Leigh Hunt and his family in Genoa, where she often saw Byron and transcribed his poems. She resolved to live by her pen and for her son, but her financial situation was precarious.", "She resolved to live by her pen and for her son, but her financial situation was precarious. On 23 July 1823, she left Genoa for England and stayed with her father and stepmother in the Strand until a small advance from her father-in-law enabled her to lodge nearby. Sir Timothy Shelley had at first agreed to support his grandson, Percy Florence, only if he were handed over to an appointed guardian. Mary Shelley rejected this idea instantly.", "Mary Shelley rejected this idea instantly. Mary Shelley rejected this idea instantly. She managed instead to wring out of Sir Timothy a limited annual allowance (which she had to repay when Percy Florence inherited the estate), but to the end of his days, he refused to meet her in person and dealt with her only through lawyers. Mary Shelley busied herself with editing her husband's poems, among other literary endeavours, but concern for her son restricted her options.", "Mary Shelley busied herself with editing her husband's poems, among other literary endeavours, but concern for her son restricted her options. Sir Timothy threatened to stop the allowance if any biography of the poet were published. In 1826, Percy Florence became the legal heir of the Shelley estate after the death of his half-brother Charles Shelley, his father's son by Harriet Shelley. Sir Timothy raised Mary's allowance from £100 a year to £250 but remained as difficult as ever.", "Sir Timothy raised Mary's allowance from £100 a year to £250 but remained as difficult as ever. Mary Shelley enjoyed the stimulating society of William Godwin's circle, but poverty prevented her from socialising as she wished. She also felt ostracised by those who, like Sir Timothy, still disapproved of her relationship with Percy Bysshe Shelley. In the summer of 1824, Mary Shelley moved to Kentish Town in north London to be near Jane Williams.", "In the summer of 1824, Mary Shelley moved to Kentish Town in north London to be near Jane Williams. She may have been, in the words of her biographer Muriel Spark, \"a little in love\" with Jane. Jane later disillusioned her by gossiping that Percy had preferred her to Mary, owing to Mary's inadequacy as a wife.", "Jane later disillusioned her by gossiping that Percy had preferred her to Mary, owing to Mary's inadequacy as a wife. At around this time, Mary Shelley was working on her novel, The Last Man (1826); and she assisted a series of friends who were writing memoirs of Byron and Percy Shelley—the beginnings of her attempts to immortalise her husband. She also met the American actor John Howard Payne and the American writer Washington Irving, who intrigued her.", "She also met the American actor John Howard Payne and the American writer Washington Irving, who intrigued her. Payne fell in love with her and in 1826 asked her to marry him. She refused, saying that after being married to one genius, she could only marry another. Payne accepted the rejection and tried without success to talk his friend Irving into proposing himself. Mary Shelley was aware of Payne's plan, but how seriously she took it is unclear.", "Mary Shelley was aware of Payne's plan, but how seriously she took it is unclear. In 1827, Mary Shelley was party to a scheme that enabled her friend Isabel Robinson and Isabel's lover, Mary Diana Dods, who wrote under the name David Lyndsay, to embark on a life together in France as husband and wife. With the help of Payne, whom she kept in the dark about the details, Mary Shelley obtained false passports for the couple.", "With the help of Payne, whom she kept in the dark about the details, Mary Shelley obtained false passports for the couple. In 1828, she fell ill with smallpox while visiting them in Paris. Weeks later she recovered, unscarred but without her youthful beauty. During the period 1827–40, Mary Shelley was busy as an editor and writer. She wrote the novels The Fortunes of Perkin Warbeck (1830), Lodore (1835), and Falkner (1837).", "She wrote the novels The Fortunes of Perkin Warbeck (1830), Lodore (1835), and Falkner (1837). She contributed five volumes of Lives of Italian, Spanish, Portuguese, and French authors to Lardner's Cabinet Cyclopaedia. She also wrote stories for ladies' magazines. She was still helping to support her father, and they looked out for publishers for each other.", "She was still helping to support her father, and they looked out for publishers for each other. In 1830, she sold the copyright for a new edition of Frankenstein for £60 to Henry Colburn and Richard Bentley for their new Standard Novels series. After her father's death in 1836 at the age of eighty, she began assembling his letters and a memoir for publication, as he had requested in his will; but after two years of work, she abandoned the project.", "After her father's death in 1836 at the age of eighty, she began assembling his letters and a memoir for publication, as he had requested in his will; but after two years of work, she abandoned the project. Throughout this period, she also championed Percy Shelley's poetry, promoting its publication and quoting it in her writing. By 1837, Percy's works were well-known and increasingly admired.", "By 1837, Percy's works were well-known and increasingly admired. In the summer of 1838 Edward Moxon, the publisher of Tennyson and the son-in-law of Charles Lamb, proposed publishing a collected works of Percy Shelley. Mary was paid £500 to edit the Poetical Works (1838), which Sir Timothy insisted should not include a biography. Mary found a way to tell the story of Percy's life, nonetheless: she included extensive biographical notes about the poems.", "Mary found a way to tell the story of Percy's life, nonetheless: she included extensive biographical notes about the poems. Shelley continued to practice her mother's feminist principles by extending aid to women whom society disapproved of. For instance, Shelley extended financial aid to Mary Diana Dods, a single mother and illegitimate herself who appears to have been a lesbian and gave her the new identity of Walter Sholto Douglas, husband of her lover Isabel Robinson.", "For instance, Shelley extended financial aid to Mary Diana Dods, a single mother and illegitimate herself who appears to have been a lesbian and gave her the new identity of Walter Sholto Douglas, husband of her lover Isabel Robinson. Shelley also assisted Georgiana Paul, a woman disallowed for by her husband for alleged adultery.", "Shelley also assisted Georgiana Paul, a woman disallowed for by her husband for alleged adultery. Shelley in her diary about her assistance to the latter: \"I do not make a boast-I do not say aloud-behold my generosity and greatness of mind-for in truth it is simple justice I perform-and so I am still reviled for being worldly\". Mary Shelley continued to treat potential romantic partners with caution.", "Mary Shelley continued to treat potential romantic partners with caution. In 1828, she met and flirted with the French writer Prosper Mérimée, but her one surviving letter to him appears to be a deflection of his declaration of love. She was delighted when her old friend from Italy, Edward Trelawny, returned to England, and they joked about marriage in their letters.", "She was delighted when her old friend from Italy, Edward Trelawny, returned to England, and they joked about marriage in their letters. Their friendship had altered, however, following her refusal to cooperate with his proposed biography of Percy Shelley; and he later reacted angrily to her omission of the atheistic section of Queen Mab from Percy Shelley's poems.", "Their friendship had altered, however, following her refusal to cooperate with his proposed biography of Percy Shelley; and he later reacted angrily to her omission of the atheistic section of Queen Mab from Percy Shelley's poems. Oblique references in her journals, from the early 1830s until the early 1840s, suggest that Mary Shelley had feelings for the radical politician Aubrey Beauclerk, who may have disappointed her by twice marrying others. Mary Shelley's first concern during these years was the welfare of Percy Florence.", "Mary Shelley's first concern during these years was the welfare of Percy Florence. She honoured her late husband's wish that his son attend public school and, with Sir Timothy's grudging help, had him educated at Harrow. To avoid boarding fees, she moved to Harrow on the Hill herself so that Percy could attend as a day scholar. Though Percy went on to Trinity College, Cambridge, and dabbled in politics and the law, he showed no sign of his parents' gifts.", "Though Percy went on to Trinity College, Cambridge, and dabbled in politics and the law, he showed no sign of his parents' gifts. He was devoted to his mother, and after he left university in 1841, he came to live with her. Final years and death In 1840 and 1842, mother and son travelled together on the continent, journeys that Mary Shelley recorded in Rambles in Germany and Italy in 1840, 1842 and 1843 (1844).", "Final years and death In 1840 and 1842, mother and son travelled together on the continent, journeys that Mary Shelley recorded in Rambles in Germany and Italy in 1840, 1842 and 1843 (1844). In 1844, Sir Timothy Shelley finally died at the age of ninety, \"falling from the stalk like an overblown flower\", as Mary put it. For the first time, she and her son were financially independent, though the estate proved less valuable than they had hoped.", "For the first time, she and her son were financially independent, though the estate proved less valuable than they had hoped. In the mid-1840s, Mary Shelley found herself the target of three separate blackmailers. In 1845, an Italian political exile called Gatteschi, whom she had met in Paris, threatened to publish letters she had sent him. A friend of her son's bribed a police chief into seizing Gatteschi's papers, including the letters, which were then destroyed.", "A friend of her son's bribed a police chief into seizing Gatteschi's papers, including the letters, which were then destroyed. Shortly afterwards, Mary Shelley bought some letters written by herself and Percy Bysshe Shelley from a man calling himself G. Byron and posing as the illegitimate son of the late Lord Byron. Also in 1845, Percy Bysshe Shelley's cousin Thomas Medwin approached her claiming to have written a damaging biography of Percy Shelley. He said he would suppress it in return for £250, but Mary Shelley refused.", "He said he would suppress it in return for £250, but Mary Shelley refused. In 1848, Percy Florence married Jane Gibson St John. The marriage proved a happy one, and Mary Shelley and Jane were fond of each other. Mary lived with her son and daughter-in-law at Field Place, Sussex, the Shelleys' ancestral home, and at Chester Square, London, and accompanied them on travels abroad. Mary Shelley's last years were blighted by illness.", "Mary Shelley's last years were blighted by illness. Mary Shelley's last years were blighted by illness. From 1839, she suffered from headaches and bouts of paralysis in parts of her body, which sometimes prevented her from reading and writing. On 1 February 1851, at Chester Square, she died at the age of fifty-three from what her physician suspected was a brain tumour.", "On 1 February 1851, at Chester Square, she died at the age of fifty-three from what her physician suspected was a brain tumour. According to Jane Shelley, Mary Shelley had asked to be buried with her mother and father; but Percy and Jane, judging the graveyard at St Pancras to be \"dreadful\", chose to bury her instead at St Peter's Church, Bournemouth, near their new home at Boscombe. On the first anniversary of Mary Shelley's death, the Shelleys opened her box-desk.", "On the first anniversary of Mary Shelley's death, the Shelleys opened her box-desk. Inside they found locks of her dead children's hair, a notebook she had shared with Percy Bysshe Shelley, and a copy of his poem Adonaïs with one page folded round a silk parcel containing some of his ashes and the remains of his heart. Literary themes and styles Mary Shelley lived a literary life. Her father encouraged her to learn to write by composing letters, and her favourite occupation as a child was writing stories.", "Her father encouraged her to learn to write by composing letters, and her favourite occupation as a child was writing stories. Unfortunately, all of Mary's juvenilia were lost when she ran off with Percy in 1814, and none of her surviving manuscripts can be definitively dated before that year.", "Unfortunately, all of Mary's juvenilia were lost when she ran off with Percy in 1814, and none of her surviving manuscripts can be definitively dated before that year. Her first published work is often thought to have been Mounseer Nongtongpaw, comic verses written for Godwin's Juvenile Library when she was ten and a half; however, the poem is attributed to another writer in the most recent authoritative collection of her works.", "Her first published work is often thought to have been Mounseer Nongtongpaw, comic verses written for Godwin's Juvenile Library when she was ten and a half; however, the poem is attributed to another writer in the most recent authoritative collection of her works. Percy Shelley enthusiastically encouraged Mary Shelley's writing: \"My husband was, from the first, very anxious that I should prove myself worthy of my parentage, and enrol myself on the page of fame. He was forever inciting me to obtain literary reputation.\"", "He was forever inciting me to obtain literary reputation.\" Novels Autobiographical elements Certain sections of Mary Shelley's novels are often interpreted as masked rewritings of her life. Critics have pointed to the recurrence of the father–daughter motif in particular as evidence of this autobiographical style. For example, commentators frequently read Mathilda (1820) autobiographically, identifying the three central characters as versions of Mary Shelley, William Godwin, and Percy Shelley. Mary Shelley herself confided that she modelled the central characters of The Last Man on her Italian circle.", "Mary Shelley herself confided that she modelled the central characters of The Last Man on her Italian circle. Lord Raymond, who leaves England to fight for the Greeks and dies in Constantinople, is based on Lord Byron; and the utopian Adrian, Earl of Windsor, who leads his followers in search of a natural paradise and dies when his boat sinks in a storm, is a fictional portrait of Percy Bysshe Shelley.", "Lord Raymond, who leaves England to fight for the Greeks and dies in Constantinople, is based on Lord Byron; and the utopian Adrian, Earl of Windsor, who leads his followers in search of a natural paradise and dies when his boat sinks in a storm, is a fictional portrait of Percy Bysshe Shelley. However, as she wrote in her review of Godwin's novel Cloudesley (1830), she did not believe that authors \"were merely copying from our own hearts\".", "However, as she wrote in her review of Godwin's novel Cloudesley (1830), she did not believe that authors \"were merely copying from our own hearts\". William Godwin regarded his daughter's characters as types rather than portraits from real life. Some modern critics, such as Patricia Clemit and Jane Blumberg, have taken the same view, resisting autobiographical readings of Mary Shelley's works.", "Some modern critics, such as Patricia Clemit and Jane Blumberg, have taken the same view, resisting autobiographical readings of Mary Shelley's works. Novelistic genres Mary Shelley employed the techniques of many different novelistic genres, most vividly the Godwinian novel, Walter Scott's new historical novel, and the Gothic novel.", "Novelistic genres Mary Shelley employed the techniques of many different novelistic genres, most vividly the Godwinian novel, Walter Scott's new historical novel, and the Gothic novel. The Godwinian novel, made popular during the 1790s with works such as Godwin's Caleb Williams (1794), \"employed a Rousseauvian confessional form to explore the contradictory relations between the self and society\", and Frankenstein exhibits many of the same themes and literary devices as Godwin's novel. However, Shelley critiques those Enlightenment ideals that Godwin promotes in his works.", "However, Shelley critiques those Enlightenment ideals that Godwin promotes in his works. In The Last Man, she uses the philosophical form of the Godwinian novel to demonstrate the ultimate meaninglessness of the world. While earlier Godwinian novels had shown how rational individuals could slowly improve society, The Last Man and Frankenstein demonstrate the individual's lack of control over history. Shelley uses the historical novel to comment on gender relations; for example, Valperga is a feminist version of Scott's masculinist genre.", "Shelley uses the historical novel to comment on gender relations; for example, Valperga is a feminist version of Scott's masculinist genre. Introducing women into the story who are not part of the historical record, Shelley uses their narratives to question established theological and political institutions. Shelley sets the male protagonist's compulsive greed for conquest in opposition to a female alternative: reason and sensibility. In Perkin Warbeck, Shelley's other historical novel, Lady Gordon stands for the values of friendship, domesticity, and equality.", "In Perkin Warbeck, Shelley's other historical novel, Lady Gordon stands for the values of friendship, domesticity, and equality. Through her, Shelley offers a feminine alternative to the masculine power politics that destroy the male characters. The novel provides a more inclusive historical narrative to challenge the one which usually relates only masculine events. Gender With the rise of feminist literary criticism in the 1970s, Mary Shelley's works, particularly Frankenstein, began to attract much more attention from scholars.", "Gender With the rise of feminist literary criticism in the 1970s, Mary Shelley's works, particularly Frankenstein, began to attract much more attention from scholars. Feminist and psychoanalytic critics were largely responsible for the recovery from neglect of Shelley as a writer. Ellen Moers was one of the first to claim that Shelley's loss of a baby was a crucial influence on the writing of Frankenstein.", "Ellen Moers was one of the first to claim that Shelley's loss of a baby was a crucial influence on the writing of Frankenstein. She argues that the novel is a \"birth myth\" in which Shelley comes to terms with her guilt for causing her mother's death as well as for failing as a parent.", "She argues that the novel is a \"birth myth\" in which Shelley comes to terms with her guilt for causing her mother's death as well as for failing as a parent. Shelley scholar Anne K. Mellor suggests that, from a feminist viewpoint, it is a story \"about what happens when a man tries to have a baby without a woman ... [Frankenstein] is profoundly concerned with natural as opposed to unnatural modes of production and reproduction\".", "Shelley scholar Anne K. Mellor suggests that, from a feminist viewpoint, it is a story \"about what happens when a man tries to have a baby without a woman ... [Frankenstein] is profoundly concerned with natural as opposed to unnatural modes of production and reproduction\". Victor Frankenstein's failure as a \"parent\" in the novel has been read as an expression of the anxieties which accompany pregnancy, giving birth, and particularly maternity.", "Victor Frankenstein's failure as a \"parent\" in the novel has been read as an expression of the anxieties which accompany pregnancy, giving birth, and particularly maternity. Sandra Gilbert and Susan Gubar argue in their seminal book The Madwoman in the Attic (1979) that in Frankenstein in particular, Shelley responded to the masculine literary tradition represented by John Milton's Paradise Lost.", "Sandra Gilbert and Susan Gubar argue in their seminal book The Madwoman in the Attic (1979) that in Frankenstein in particular, Shelley responded to the masculine literary tradition represented by John Milton's Paradise Lost. In their interpretation, Shelley reaffirms this masculine tradition, including the misogyny inherent in it, but at the same time \"conceal[s] fantasies of equality that occasionally erupt in monstrous images of rage\".", "In their interpretation, Shelley reaffirms this masculine tradition, including the misogyny inherent in it, but at the same time \"conceal[s] fantasies of equality that occasionally erupt in monstrous images of rage\". Mary Poovey reads the first edition of Frankenstein as part of a larger pattern in Shelley's writing, which begins with literary self-assertion and ends with conventional femininity. Poovey suggests that Frankenstein's multiple narratives enable Shelley to split her artistic persona: she can \"express and efface herself at the same time\".", "Poovey suggests that Frankenstein's multiple narratives enable Shelley to split her artistic persona: she can \"express and efface herself at the same time\". Shelley's fear of self-assertion is reflected in the fate of Frankenstein, who is punished for his egotism by losing all his domestic ties. Feminist critics often focus on how authorship itself, particularly female authorship, is represented in and through Shelley's novels.", "Feminist critics often focus on how authorship itself, particularly female authorship, is represented in and through Shelley's novels. As Mellor explains, Shelley uses the Gothic style not only to explore repressed female sexual desire but also as way to \"censor her own speech in Frankenstein\". According to Poovey and Mellor, Shelley did not want to promote her own authorial persona and felt deeply inadequate as a writer, and \"this shame contributed to the generation of her fictional images of abnormality, perversion, and destruction\".", "According to Poovey and Mellor, Shelley did not want to promote her own authorial persona and felt deeply inadequate as a writer, and \"this shame contributed to the generation of her fictional images of abnormality, perversion, and destruction\". Shelley's writings focus on the role of the family in society and women's role within that family. She celebrates the \"feminine affections and compassion\" associated with the family and suggests that civil society will fail without them.", "She celebrates the \"feminine affections and compassion\" associated with the family and suggests that civil society will fail without them. Shelley was \"profoundly committed to an ethic of cooperation, mutual dependence, and self-sacrifice\". In Lodore, for example, the central story follows the fortunes of the wife and daughter of the title character, Lord Lodore, who is killed in a duel at the end of the first volume, leaving a trail of legal, financial, and familial obstacles for the two \"heroines\" to negotiate.", "In Lodore, for example, the central story follows the fortunes of the wife and daughter of the title character, Lord Lodore, who is killed in a duel at the end of the first volume, leaving a trail of legal, financial, and familial obstacles for the two \"heroines\" to negotiate. The novel is engaged with political and ideological issues, particularly the education and social role of women. It dissects a patriarchal culture that separated the sexes and pressured women into dependence on men.", "It dissects a patriarchal culture that separated the sexes and pressured women into dependence on men. In the view of Shelley scholar Betty T. Bennett, \"the novel proposes egalitarian educational paradigms for women and men, which would bring social justice as well as the spiritual and intellectual means by which to meet the challenges life invariably brings\". However, Falkner is the only one of Mary Shelley's novels in which the heroine's agenda triumphs.", "However, Falkner is the only one of Mary Shelley's novels in which the heroine's agenda triumphs. The novel's resolution proposes that when female values triumph over violent and destructive masculinity, men will be freed to express the \"compassion, sympathy, and generosity\" of their better natures. Enlightenment and Romanticism Frankenstein, like much Gothic fiction of the period, mixes a visceral and alienating subject matter with speculative and thought-provoking themes.", "Enlightenment and Romanticism Frankenstein, like much Gothic fiction of the period, mixes a visceral and alienating subject matter with speculative and thought-provoking themes. Rather than focusing on the twists and turns of the plot, however, the novel foregrounds the mental and moral struggles of the protagonist, Victor Frankenstein, and Shelley imbues the text with her own brand of politicised Romanticism, one that criticised the individualism and egotism of traditional Romanticism.", "Rather than focusing on the twists and turns of the plot, however, the novel foregrounds the mental and moral struggles of the protagonist, Victor Frankenstein, and Shelley imbues the text with her own brand of politicised Romanticism, one that criticised the individualism and egotism of traditional Romanticism. Victor Frankenstein is like Satan in Paradise Lost, and Prometheus: he rebels against tradition; he creates life; and he shapes his own destiny.", "Victor Frankenstein is like Satan in Paradise Lost, and Prometheus: he rebels against tradition; he creates life; and he shapes his own destiny. These traits are not portrayed positively; as Blumberg writes, \"his relentless ambition is a self-delusion, clothed as quest for truth\". He must abandon his family to fulfill his ambition. Mary Shelley believed in the Enlightenment idea that people could improve society through the responsible exercise of political power, but she feared that the irresponsible exercise of power would lead to chaos.", "Mary Shelley believed in the Enlightenment idea that people could improve society through the responsible exercise of political power, but she feared that the irresponsible exercise of power would lead to chaos. In practice, her works largely criticise the way 18th-century thinkers such as her parents believed such change could be brought about. The creature in Frankenstein, for example, reads books associated with radical ideals but the education he gains from them is ultimately useless.", "The creature in Frankenstein, for example, reads books associated with radical ideals but the education he gains from them is ultimately useless. Shelley's works reveal her as less optimistic than Godwin and Wollstonecraft; she lacks faith in Godwin's theory that humanity could eventually be perfected.", "Shelley's works reveal her as less optimistic than Godwin and Wollstonecraft; she lacks faith in Godwin's theory that humanity could eventually be perfected. As literary scholar Kari Lokke writes, The Last Man, more so than Frankenstein, \"in its refusal to place humanity at the centre of the universe, its questioning of our privileged position in relation to nature ... constitutes a profound and prophetic challenge to Western humanism.\"", "As literary scholar Kari Lokke writes, The Last Man, more so than Frankenstein, \"in its refusal to place humanity at the centre of the universe, its questioning of our privileged position in relation to nature ... constitutes a profound and prophetic challenge to Western humanism.\" Specifically, Mary Shelley's allusions to what radicals believed was a failed revolution in France and the Godwinian, Wollstonecraftian, and Burkean responses to it, challenge \"Enlightenment faith in the inevitability of progress through collective efforts\".", "Specifically, Mary Shelley's allusions to what radicals believed was a failed revolution in France and the Godwinian, Wollstonecraftian, and Burkean responses to it, challenge \"Enlightenment faith in the inevitability of progress through collective efforts\". As in Frankenstein, Shelley \"offers a profoundly disenchanted commentary on the age of revolution, which ends in a total rejection of the progressive ideals of her own generation\".", "As in Frankenstein, Shelley \"offers a profoundly disenchanted commentary on the age of revolution, which ends in a total rejection of the progressive ideals of her own generation\". Not only does she reject these Enlightenment political ideals, but she also rejects the Romantic notion that the poetic or literary imagination can offer an alternative. Politics There is a new scholarly emphasis on Shelley as a lifelong reformer, deeply engaged in the liberal and feminist concerns of her day.", "Politics There is a new scholarly emphasis on Shelley as a lifelong reformer, deeply engaged in the liberal and feminist concerns of her day. In 1820, she was thrilled by the Liberal uprising in Spain which forced the king to grant a constitution. In 1823, she wrote articles for Leigh Hunt's periodical The Liberal and played an active role in the formulation of its outlook. She was delighted when the Whigs came back to power in 1830 and at the prospect of the 1832 Reform Act.", "She was delighted when the Whigs came back to power in 1830 and at the prospect of the 1832 Reform Act. Critics have until recently cited Lodore and Falkner as evidence of increasing conservatism in Mary Shelley's later works. In 1984, Mary Poovey influentially identified the retreat of Mary Shelley's reformist politics into the \"separate sphere\" of the domestic. Poovey suggested that Mary Shelley wrote Falkner to resolve her conflicted response to her father's combination of libertarian radicalism and stern insistence on social decorum.", "Poovey suggested that Mary Shelley wrote Falkner to resolve her conflicted response to her father's combination of libertarian radicalism and stern insistence on social decorum. Mellor largely agreed, arguing that \"Mary Shelley grounded her alternative political ideology on the metaphor of the peaceful, loving, bourgeois family. She thereby implicitly endorsed a conservative vision of gradual evolutionary reform.\" This vision allowed women to participate in the public sphere but it inherited the inequalities inherent in the bourgeois family.", "This vision allowed women to participate in the public sphere but it inherited the inequalities inherent in the bourgeois family. However, in the last decade or so this view has been challenged. For example, Bennett claims that Mary Shelley's works reveal a consistent commitment to Romantic idealism and political reform and Jane Blumberg's study of Shelley's early novels argues that her career cannot be easily divided into radical and conservative halves.", "For example, Bennett claims that Mary Shelley's works reveal a consistent commitment to Romantic idealism and political reform and Jane Blumberg's study of Shelley's early novels argues that her career cannot be easily divided into radical and conservative halves. She contends that \"Shelley was never a passionate radical like her husband and her later lifestyle was not abruptly assumed nor was it a betrayal. She was in fact challenging the political and literary influences of her circle in her first work.\"", "She was in fact challenging the political and literary influences of her circle in her first work.\" In this reading, Shelley's early works are interpreted as a challenge to Godwin and Percy Bysshe Shelley's radicalism. Victor Frankenstein's \"thoughtless rejection of family\", for example, is seen as evidence of Shelley's constant concern for the domestic.", "Victor Frankenstein's \"thoughtless rejection of family\", for example, is seen as evidence of Shelley's constant concern for the domestic. Short stories In the 1820s and 1830s, Mary Shelley frequently wrote short stories for gift books or annuals, including sixteen for The Keepsake, which was aimed at middle-class women and bound in silk, with gilt-edged pages. Mary Shelley's work in this genre has been described as that of a \"hack writer\" and \"wordy and pedestrian\".", "Mary Shelley's work in this genre has been described as that of a \"hack writer\" and \"wordy and pedestrian\". However, critic Charlotte Sussman points out that other leading writers of the day, such as the Romantic poets William Wordsworth and Samuel Taylor Coleridge, also took advantage of this profitable market. She explains that \"the annuals were a major mode of literary production in the 1820s and 1830s\", with The Keepsake the most successful.", "She explains that \"the annuals were a major mode of literary production in the 1820s and 1830s\", with The Keepsake the most successful. Many of Shelley's stories are set in places or times far removed from early 19th-century Britain, such as Greece and the reign of Henry IV of France.", "Many of Shelley's stories are set in places or times far removed from early 19th-century Britain, such as Greece and the reign of Henry IV of France. Shelley was particularly interested in \"the fragility of individual identity\" and often depicted \"the way a person's role in the world can be cataclysmically altered either by an internal emotional upheaval, or by some supernatural occurrence that mirrors an internal schism\".", "Shelley was particularly interested in \"the fragility of individual identity\" and often depicted \"the way a person's role in the world can be cataclysmically altered either by an internal emotional upheaval, or by some supernatural occurrence that mirrors an internal schism\". In her stories, female identity is tied to a woman's short-lived value in the marriage market while male identity can be sustained and transformed through the use of money.", "In her stories, female identity is tied to a woman's short-lived value in the marriage market while male identity can be sustained and transformed through the use of money. Although Mary Shelley wrote twenty-one short stories for the annuals between 1823 and 1839, she always saw herself, above all, as a novelist. She wrote to Leigh Hunt, \"I write bad articles which help to make me miserable—but I am going to plunge into a novel and hope that its clear water will wash off the mud of the magazines.\"", "She wrote to Leigh Hunt, \"I write bad articles which help to make me miserable—but I am going to plunge into a novel and hope that its clear water will wash off the mud of the magazines.\" Travelogues When they ran off to France in the summer of 1814, Mary Godwin and Percy Shelley began a joint journal, which they published in 1817 under the title History of a Six Weeks' Tour, adding four letters, two by each of them, based on their visit to Geneva in 1816, along with Percy Shelley's poem \"Mont Blanc\".", "Travelogues When they ran off to France in the summer of 1814, Mary Godwin and Percy Shelley began a joint journal, which they published in 1817 under the title History of a Six Weeks' Tour, adding four letters, two by each of them, based on their visit to Geneva in 1816, along with Percy Shelley's poem \"Mont Blanc\". The work celebrates youthful love and political idealism and consciously follows the example of Mary Wollstonecraft and others who had combined travelling with writing.", "The work celebrates youthful love and political idealism and consciously follows the example of Mary Wollstonecraft and others who had combined travelling with writing. The perspective of the History is philosophical and reformist rather than that of a conventional travelogue; in particular, it addresses the effects of politics and war on France. The letters the couple wrote on the second journey confront the \"great and extraordinary events\" of the final defeat of Napoleon at Waterloo after his \"Hundred Days\" return in 1815.", "The letters the couple wrote on the second journey confront the \"great and extraordinary events\" of the final defeat of Napoleon at Waterloo after his \"Hundred Days\" return in 1815. They also explore the sublimity of Lake Geneva and Mont Blanc as well as the revolutionary legacy of the philosopher and novelist Jean-Jacques Rousseau.", "They also explore the sublimity of Lake Geneva and Mont Blanc as well as the revolutionary legacy of the philosopher and novelist Jean-Jacques Rousseau. Mary Shelley's last full-length book, written in the form of letters and published in 1844, was Rambles in Germany and Italy in 1840, 1842 and 1843, which recorded her travels with her son Percy Florence and his university friends.", "Mary Shelley's last full-length book, written in the form of letters and published in 1844, was Rambles in Germany and Italy in 1840, 1842 and 1843, which recorded her travels with her son Percy Florence and his university friends. In Rambles, Shelley follows the tradition of Mary Wollstonecraft's Letters Written in Sweden, Norway, and Denmark and her own A History of a Six Weeks' Tour in mapping her personal and political landscape through the discourse of sensibility and sympathy.", "In Rambles, Shelley follows the tradition of Mary Wollstonecraft's Letters Written in Sweden, Norway, and Denmark and her own A History of a Six Weeks' Tour in mapping her personal and political landscape through the discourse of sensibility and sympathy. For Shelley, building sympathetic connections between people is the way to build civil society and to increase knowledge: \"knowledge, to enlighten and free the mind from clinging deadening prejudices—a wider circle of sympathy with our fellow-creatures;—these are the uses of travel\".", "For Shelley, building sympathetic connections between people is the way to build civil society and to increase knowledge: \"knowledge, to enlighten and free the mind from clinging deadening prejudices—a wider circle of sympathy with our fellow-creatures;—these are the uses of travel\". Between observations on scenery, culture, and \"the people, especially in a political point of view\", she uses the travelogue form to explore her roles as a widow and mother and to reflect on revolutionary nationalism in Italy.", "Between observations on scenery, culture, and \"the people, especially in a political point of view\", she uses the travelogue form to explore her roles as a widow and mother and to reflect on revolutionary nationalism in Italy. She also records her \"pilgrimage\" to scenes associated with Percy Shelley. According to critic Clarissa Orr, Mary Shelley's adoption of a persona of philosophical motherhood gives Rambles the unity of a prose poem, with \"death and memory as central themes\".", "According to critic Clarissa Orr, Mary Shelley's adoption of a persona of philosophical motherhood gives Rambles the unity of a prose poem, with \"death and memory as central themes\". At the same time, Shelley makes an egalitarian case against monarchy, class distinctions, slavery, and war. Biographies Between 1832 and 1839, Mary Shelley wrote many biographies of notable Italian, Spanish, Portuguese, and French men and a few women for Dionysius Lardner's Lives of the Most Eminent Literary and Scientific Men.", "Biographies Between 1832 and 1839, Mary Shelley wrote many biographies of notable Italian, Spanish, Portuguese, and French men and a few women for Dionysius Lardner's Lives of the Most Eminent Literary and Scientific Men. These formed part of Lardner's Cabinet Cyclopaedia, one of the best of many such series produced in the 1820s and 1830s in response to growing middle-class demand for self-education. Until the republication of these essays in 2002, their significance within her body of work was not appreciated.", "Until the republication of these essays in 2002, their significance within her body of work was not appreciated. In the view of literary scholar Greg Kucich, they reveal Mary Shelley's \"prodigious research across several centuries and in multiple languages\", her gift for biographical narrative, and her interest in the \"emerging forms of feminist historiography\". Shelley wrote in a biographical style popularised by the 18th-century critic Samuel Johnson in his Lives of the Poets (1779–81), combining secondary sources, memoir and anecdote, and authorial evaluation.", "Shelley wrote in a biographical style popularised by the 18th-century critic Samuel Johnson in his Lives of the Poets (1779–81), combining secondary sources, memoir and anecdote, and authorial evaluation. She records details of each writer's life and character, quotes their writing in the original as well as in translation, and ends with a critical assessment of their achievement.", "She records details of each writer's life and character, quotes their writing in the original as well as in translation, and ends with a critical assessment of their achievement. For Shelley, biographical writing was supposed to, in her words, \"form as it were a school in which to study the philosophy of history\", and to teach \"lessons\". Most frequently and importantly, these lessons consisted of criticisms of male-dominated institutions such as primogeniture.", "Most frequently and importantly, these lessons consisted of criticisms of male-dominated institutions such as primogeniture. Shelley emphasises domesticity, romance, family, sympathy, and compassion in the lives of her subjects. Her conviction that such forces could improve society connects her biographical approach with that of other early feminist historians such as Mary Hays and Anna Jameson.", "Her conviction that such forces could improve society connects her biographical approach with that of other early feminist historians such as Mary Hays and Anna Jameson. Unlike her novels, most of which had an original print run of several hundred copies, the Lives had a print run of about 4,000 for each volume: thus, according to Kucich, Mary Shelley's \"use of biography to forward the social agenda of women's historiography became one of her most influential political interventions\".", "Unlike her novels, most of which had an original print run of several hundred copies, the Lives had a print run of about 4,000 for each volume: thus, according to Kucich, Mary Shelley's \"use of biography to forward the social agenda of women's historiography became one of her most influential political interventions\". Editorial work Soon after Percy Shelley's death, Mary Shelley determined to write his biography.", "Editorial work Soon after Percy Shelley's death, Mary Shelley determined to write his biography. In a letter of 17 November 1822, she announced: \"I shall write his life—& thus occupy myself in the only manner from which I can derive consolation.\" However, her father-in-law, Sir Timothy Shelley, effectively banned her from doing so. Mary began her fostering of Percy's poetic reputation in 1824 with the publication of his Posthumous Poems.", "Mary began her fostering of Percy's poetic reputation in 1824 with the publication of his Posthumous Poems. In 1839, while she was working on the Lives, she prepared a new edition of his poetry, which became, in the words of literary scholar Susan J. Wolfson, \"the canonizing event\" in the history of her husband's reputation.", "In 1839, while she was working on the Lives, she prepared a new edition of his poetry, which became, in the words of literary scholar Susan J. Wolfson, \"the canonizing event\" in the history of her husband's reputation. The following year, Mary Shelley edited a volume of her husband's essays, letters, translations, and fragments, and throughout the 1830s, she introduced his poetry to a wider audience by publishing assorted works in the annual The Keepsake.", "The following year, Mary Shelley edited a volume of her husband's essays, letters, translations, and fragments, and throughout the 1830s, she introduced his poetry to a wider audience by publishing assorted works in the annual The Keepsake. Evading Sir Timothy's ban on a biography, Mary Shelley often included in these editions her own annotations and reflections on her husband's life and work.", "Evading Sir Timothy's ban on a biography, Mary Shelley often included in these editions her own annotations and reflections on her husband's life and work. \"I am to justify his ways,\" she had declared in 1824; \"I am to make him beloved to all posterity.\" It was this goal, argues Blumberg, that led her to present Percy's work to the public in the \"most popular form possible\".", "It was this goal, argues Blumberg, that led her to present Percy's work to the public in the \"most popular form possible\". To tailor his works for a Victorian audience, she cast Percy Shelley as a lyrical rather than a political poet. As Mary Favret writes, \"the disembodied Percy identifies the spirit of poetry itself\". Mary glossed Percy's political radicalism as a form of sentimentalism, arguing that his republicanism arose from sympathy for those who were suffering.", "Mary glossed Percy's political radicalism as a form of sentimentalism, arguing that his republicanism arose from sympathy for those who were suffering. She inserted romantic anecdotes of his benevolence, domesticity, and love of the natural world. Portraying herself as Percy's \"practical muse\", she also noted how she had suggested revisions as he wrote. Despite the emotions stirred by this task, Mary Shelley arguably proved herself in many respects a professional and scholarly editor.", "Despite the emotions stirred by this task, Mary Shelley arguably proved herself in many respects a professional and scholarly editor. Working from Percy's messy, sometimes indecipherable, notebooks, she attempted to form a chronology for his writings, and she included poems, such as Epipsychidion, addressed to Emilia Viviani, which she would rather have left out.", "Working from Percy's messy, sometimes indecipherable, notebooks, she attempted to form a chronology for his writings, and she included poems, such as Epipsychidion, addressed to Emilia Viviani, which she would rather have left out. She was forced, however, into several compromises, and, as Blumberg notes, \"modern critics have found fault with the edition and claim variously that she miscopied, misinterpreted, purposely obscured, and attempted to turn the poet into something he was not\".", "She was forced, however, into several compromises, and, as Blumberg notes, \"modern critics have found fault with the edition and claim variously that she miscopied, misinterpreted, purposely obscured, and attempted to turn the poet into something he was not\". According to Wolfson, Donald Reiman, a modern editor of Percy Bysshe Shelley's works, still refers to Mary Shelley's editions, while acknowledging that her editing style belongs \"to an age of editing when the aim was not to establish accurate texts and scholarly apparatus but to present a full record of a writer's career for the general reader\".", "According to Wolfson, Donald Reiman, a modern editor of Percy Bysshe Shelley's works, still refers to Mary Shelley's editions, while acknowledging that her editing style belongs \"to an age of editing when the aim was not to establish accurate texts and scholarly apparatus but to present a full record of a writer's career for the general reader\". In principle, Mary Shelley believed in publishing every last word of her husband's work; but she found herself obliged to omit certain passages, either by pressure from her publisher, Edward Moxon, or in deference to public propriety.", "In principle, Mary Shelley believed in publishing every last word of her husband's work; but she found herself obliged to omit certain passages, either by pressure from her publisher, Edward Moxon, or in deference to public propriety. For example, she removed the atheistic passages from Queen Mab for the first edition. After she restored them in the second edition, Moxon was prosecuted and convicted of blasphemous libel, though the prosecution was brought out of principle by the Chartist publisher Henry Hetherington, and no punishment was sought.", "After she restored them in the second edition, Moxon was prosecuted and convicted of blasphemous libel, though the prosecution was brought out of principle by the Chartist publisher Henry Hetherington, and no punishment was sought. Mary Shelley's omissions provoked criticism, often stinging, from members of Percy Shelley's former circle, and reviewers accused her of, among other things, indiscriminate inclusions. Her notes have nevertheless remained an essential source for the study of Percy Shelley's work.", "Her notes have nevertheless remained an essential source for the study of Percy Shelley's work. As Bennett explains, \"biographers and critics agree that Mary Shelley's commitment to bring Shelley the notice she believed his works merited was the single, major force that established Shelley's reputation during a period when he almost certainly would have faded from public view\". Reputation In her own lifetime, Mary Shelley was taken seriously as a writer, though reviewers often missed her writings' political edge.", "Reputation In her own lifetime, Mary Shelley was taken seriously as a writer, though reviewers often missed her writings' political edge. After her death, however, she was chiefly remembered as the wife of Percy Bysshe Shelley and as the author of Frankenstein. In fact, in the introduction to her letters published in 1945, editor Frederick Jones wrote, \"a collection of the present size could not be justified by the general quality of the letters or by Mary Shelley's importance as a writer.", "In fact, in the introduction to her letters published in 1945, editor Frederick Jones wrote, \"a collection of the present size could not be justified by the general quality of the letters or by Mary Shelley's importance as a writer. It is as the wife of [Percy Bysshe Shelley] that she excites our interest.\" This attitude had not disappeared by 1980 when Betty T. Bennett published the first volume of Mary Shelley's complete letters.", "This attitude had not disappeared by 1980 when Betty T. Bennett published the first volume of Mary Shelley's complete letters. As she explains, \"the fact is that until recent years scholars have generally regarded Mary Wollstonecraft Shelley as a result: William Godwin's and Mary Wollstonecraft's daughter who became Shelley's Pygmalion.\" It was not until Emily Sunstein's Mary Shelley: Romance and Reality in 1989 that a full-length scholarly biography was published.", "It was not until Emily Sunstein's Mary Shelley: Romance and Reality in 1989 that a full-length scholarly biography was published. The attempts of Mary Shelley's son and daughter-in-law to \"Victorianise\" her memory by censoring biographical documents contributed to a perception of Mary Shelley as a more conventional, less reformist figure than her works suggest. Her own timid omissions from Percy Shelley's works and her quiet avoidance of public controversy in her later years added to this impression.", "Her own timid omissions from Percy Shelley's works and her quiet avoidance of public controversy in her later years added to this impression. Commentary by Hogg, Trelawny, and other admirers of Percy Shelley also tended to downplay Mary Shelley's radicalism. Trelawny's Records of Shelley, Byron, and the Author (1878) praised Percy Shelley at the expense of Mary, questioning her intelligence and even her authorship of Frankenstein.", "Trelawny's Records of Shelley, Byron, and the Author (1878) praised Percy Shelley at the expense of Mary, questioning her intelligence and even her authorship of Frankenstein. Lady Shelley, Percy Florence's wife, responded in part by presenting a severely edited collection of letters she had inherited, published privately as Shelley and Mary in 1882.", "Lady Shelley, Percy Florence's wife, responded in part by presenting a severely edited collection of letters she had inherited, published privately as Shelley and Mary in 1882. From Frankenstein'''s first theatrical adaptation in 1823 to the cinematic adaptations of the 20th century, including the first cinematic version in 1910 and now-famous versions such as James Whale's 1931 Frankenstein, Mel Brooks' satirical 1974 Young Frankenstein, and Kenneth Branagh's 1994 Mary Shelley's Frankenstein, many audiences first encounter the work of Mary Shelley through adaptation.", "From Frankenstein'''s first theatrical adaptation in 1823 to the cinematic adaptations of the 20th century, including the first cinematic version in 1910 and now-famous versions such as James Whale's 1931 Frankenstein, Mel Brooks' satirical 1974 Young Frankenstein, and Kenneth Branagh's 1994 Mary Shelley's Frankenstein, many audiences first encounter the work of Mary Shelley through adaptation. Over the course of the 19th century, Mary Shelley came to be seen as a one-novel author at best, rather than as the professional writer she was; most of her works have remained out of print until the last thirty years, obstructing a larger view of her achievement.", "Over the course of the 19th century, Mary Shelley came to be seen as a one-novel author at best, rather than as the professional writer she was; most of her works have remained out of print until the last thirty years, obstructing a larger view of her achievement. In recent decades, the republication of almost all her writing has stimulated a new recognition of its value. Her habit of intensive reading and study, revealed in her journals and letters and reflected in her works, is now better appreciated.", "Her habit of intensive reading and study, revealed in her journals and letters and reflected in her works, is now better appreciated. Shelley's conception of herself as an author has also been recognised; after Percy's death, she wrote of her authorial ambitions: \"I think that I can maintain myself, and there is something inspiriting in the idea.\" Scholars now consider Mary Shelley to be a major Romantic figure, significant for her literary achievement and her political voice as a woman and a liberal.", "Scholars now consider Mary Shelley to be a major Romantic figure, significant for her literary achievement and her political voice as a woman and a liberal. Selected works History of a Six Weeks' Tour (1817) Frankenstein; or, The Modern Prometheus (1818) Mathilda (1819) Valperga; or, The Life and Adventures of Castruccio, Prince of Lucca (1823) Posthumous Poems of Percy Bysshe Shelley (1824) The Last Man (1826) The Fortunes of Perkin Warbeck (1830) Lodore (1835) Falkner (1837) The Poetical Works of Percy Bysshe Shelley (1839) Contributions to Lives of the Most Eminent Literary and Scientific Men (1835–39), part of Lardner's Cabinet Cyclopaedia Rambles in Germany and Italy in 1840, 1842, and 1843 (1844) Collections of Mary Shelley's papers are housed in Lord Abinger's Shelley Collection on deposit at the Bodleian Library, the New York Public Library (particularly The Carl H. Pforzheimer Collection of Shelley and His Circle), the Huntington Library, the British Library, and in the John Murray Collection.", "Selected works History of a Six Weeks' Tour (1817) Frankenstein; or, The Modern Prometheus (1818) Mathilda (1819) Valperga; or, The Life and Adventures of Castruccio, Prince of Lucca (1823) Posthumous Poems of Percy Bysshe Shelley (1824) The Last Man (1826) The Fortunes of Perkin Warbeck (1830) Lodore (1835) Falkner (1837) The Poetical Works of Percy Bysshe Shelley (1839) Contributions to Lives of the Most Eminent Literary and Scientific Men (1835–39), part of Lardner's Cabinet Cyclopaedia Rambles in Germany and Italy in 1840, 1842, and 1843 (1844) Collections of Mary Shelley's papers are housed in Lord Abinger's Shelley Collection on deposit at the Bodleian Library, the New York Public Library (particularly The Carl H. Pforzheimer Collection of Shelley and His Circle), the Huntington Library, the British Library, and in the John Murray Collection. See also Mary Shelley (2017 film) Godwin–Shelley family tree Map of 1814 and 1816 European journeys Map of 1840s European journeys Notes References All essays from The Cambridge Companion to Mary Shelley are marked with a \"(CC)\" and those from The Other Mary Shelley with an \"(OMS)\".", "See also Mary Shelley (2017 film) Godwin–Shelley family tree Map of 1814 and 1816 European journeys Map of 1840s European journeys Notes References All essays from The Cambridge Companion to Mary Shelley are marked with a \"(CC)\" and those from The Other Mary Shelley with an \"(OMS)\". Bibliography Primary sources Shelley, Mary. Collected Tales and Stories. Ed. Charles E. Robinson. Baltimore: Johns Hopkins University Press, 1976. . Shelley, Mary. Frankenstein; or, The Modern Prometheus. Ed.", "Shelley, Mary. Frankenstein; or, The Modern Prometheus. Ed. Ed. Susan J. Wolfson. New York: Pearson Longman, 2007. . Shelley, Mary. The Journals of Mary Shelley, 1814–44. Ed. Paula R. Feldman and Diana Scott-Kilvert. Baltimore: Johns Hopkins University Press, 1995. . Shelley, Mary. The Last Man. Ed. Morton D. Paley. Oxford: Oxford Paperbacks, 1998. . Shelley, Mary. Lodore. Ed. Lisa Vargo. Ontario: Broadview Press, 1997. .", "Ed. Lisa Vargo. Ontario: Broadview Press, 1997. . Ontario: Broadview Press, 1997. . Shelley, Mary. Mary Shelley's Literary Lives and Other Writings. 4 vols. Ed. Tilar J. Mazzeo. London: Pickering & Chatto, 2002. . Shelley, Mary. Mathilda . Ed. Elizabeth Nitchie. Chapel Hill: University of North Carolina Press, 1959. Project Gutenberg. Retrieved 16 February 2008. Shelley, Mary. Matilda; with Mary and Maria, by Mary Wollstonecraft. Ed. Janet Todd.", "Matilda; with Mary and Maria, by Mary Wollstonecraft. Ed. Janet Todd. Janet Todd. London: Penguin, 1992. . Shelley, Mary, ed. The Poetical Works of Percy Bysshe Shelley . London: Edward Moxon, 1840. Google Books. Retrieved 6 April 2008. Shelley, Mary. Selected Letters of Mary Wollstonecraft Shelley. Ed. Betty T. Bennett. Baltimore: Johns Hopkins University Press, 1995. . Shelley, Mary. Valperga; or, The Life and Adventures of Castruccio, Prince of Lucca.", "Valperga; or, The Life and Adventures of Castruccio, Prince of Lucca. Ed. Michael Rossington. Oxford: Oxford Paperbacks, 2000. . Shelley, Percy Bysshe. Shelley's Poetry and Prose. Eds. Donald H. Reiman and Neil Fraistat. 2nd ed. New York: W. W. Norton and Co., 2002. . Secondary sources Bennett, Betty T. \"Finding Mary Shelley in her Letters\". Romantic Revisions. Ed. Robert Brinkley and Keith Hanley. Cambridge: Cambridge University Press, 1992. .", "Cambridge: Cambridge University Press, 1992. . Cambridge: Cambridge University Press, 1992. . Bennett, Betty T., ed. Mary Shelley in her Times. Baltimore: Johns Hopkins University Press, 2003. . Bennett, Betty T. Mary Wollstonecraft Shelley: An Introduction. Baltimore: Johns Hopkins University Press, 1998. . Bennett, Betty T. \"The Political Philosophy of Mary Shelley's Historical Novels: Valperga and Perkin Warbeck\". The Evidence of the Imagination. Ed. Donald H. Reiman, Michael C. Jaye, and Betty T. Bennett.", "Donald H. Reiman, Michael C. Jaye, and Betty T. Bennett. New York: New York University Press, 1978. . Bieri, James. Percy Bysshe Shelley, a Biography: Exile of Unfulfilled Renown, 1816–1822. Newark: University of Delaware Press, 2005. . Blumberg, Jane. Mary Shelley's Early Novels: \"This Child of Imagination and Misery\". Iowa City: University of Iowa Press, 1993. . Bunnell, Charlene E. \"All the World's a Stage\": Dramatic Sensibility in Mary Shelley's Novels.", "Bunnell, Charlene E. \"All the World's a Stage\": Dramatic Sensibility in Mary Shelley's Novels. New York: Routledge, 2002. . Carlson, J. A. England's First Family of Writers: Mary Wollstonecraft, William Godwin, Mary Shelley. Baltimore: Johns Hopkins University Press, 2007. . Clemit, Pamela. \"From The Fields of Fancy to Matilda.\" Mary Shelley in her Times. Ed. Betty T. Bennett. Baltimore: Johns Hopkins University Press, 2003. . Clemit, Pamela.", "Baltimore: Johns Hopkins University Press, 2003. . Clemit, Pamela. Clemit, Pamela. The Godwinian Novel: The Rational Fictions of Godwin, Brockden Brown, Mary Shelley. Oxford: Clarendon Press, 1993. . Conger, Syndy M., Frederick S. Frank, and Gregory O'Dea, eds. Iconoclastic Departures: Mary Shelley after \"Frankenstein\". Essays in Honor of the Bicentenary of Mary Shelley's Birth. Madison, NJ: Farleigh Dickinson University Press, 1997. . Eberle-Sinatra, Michael, ed.", "Eberle-Sinatra, Michael, ed. Eberle-Sinatra, Michael, ed. Mary Shelley's Fictions: From Frankenstein to Falkner. New York: St. Martin's Press/Palgrave, 2000. . Fisch, Audrey A., Anne K. Mellor, and Esther H. Schorr, eds. The Other Mary Shelley: Beyond \"Frankenstein\". New York: Oxford University Press, 1993. . Frank, Frederick S. \"Mary Shelley's Other Fictions: A Bibliographic Consensus\". Iconoclastic Departures: Mary Shelley after \"Frankenstein\".", "Iconoclastic Departures: Mary Shelley after \"Frankenstein\". Iconoclastic Departures: Mary Shelley after \"Frankenstein\". Essays in Honor of the Bicentenary of Mary Shelley's Birth. Ed. Syndy M. Conger, Frederick S. Frank, and Gregory O'Dea. Madison, NJ: Farleigh Dickinson University Press, 1997. . Garrett, Martin Mary Shelley. Oxford: Oxford University Press. 2002. Gilbert, Sandra M. and Susan Gubar. The Madwoman in the Attic: The Woman Writer and the Nineteenth-Century Literary Imagination. 1979.", "The Madwoman in the Attic: The Woman Writer and the Nineteenth-Century Literary Imagination. 1979. 1979. New Haven: Yale University Press, 1984. . Gittings, Robert and Jo Manton. Claire Clairmont and the Shelleys. Oxford: Oxford University Press, 1992. . Holmes, Richard. Shelley: The Pursuit. 1974. London: Harper Perennial, 2003. . Jones, Steven. \"Charles E. Robinson, Ed. The Frankenstein Notebooks: A Facsimile Edition of Mary Shelley's Novel, 1816–17 (Parts One and Two)\".", "The Frankenstein Notebooks: A Facsimile Edition of Mary Shelley's Novel, 1816–17 (Parts One and Two)\". (Book Review). Romantic Circles website, 1 January 1998. Retrieved 15 September 2016. Jump, Harriet Devine, Pamela Clemit, and Betty T. Bennett, eds. Lives of the Great Romantics III: Godwin, Wollstonecraft & Mary Shelley by Their Contemporaries. London: Pickering & Chatto, 1999. . Levine, George and U. C. Knoepflmacher, eds.", "Levine, George and U. C. Knoepflmacher, eds. Levine, George and U. C. Knoepflmacher, eds. The Endurance of Frankenstein: Essays on Mary Shelley's novel. Berkeley: University of California Press, 1979. . Mellor, Anne K. Mary Shelley: Her Life, her Fiction, Her Monsters. London: Routledge, 1990. . Myers, Mitzi. \"Mary Wollstonecraft Godwin Shelley: The Female Author between Public and Private Spheres.\" Mary Shelley in her Times. Ed. Betty T. Bennett.", "Mary Shelley in her Times. Ed. Betty T. Bennett. Betty T. Bennett. Baltimore: Johns Hopkins University Press, 2003. . Orr, Clarissa Campbell. \"Mary Shelley's Rambles in Germany and Italy, the Celebrity Author, and the Undiscovered Country of the Human Heart\". Romanticism on the Net 11 (August 1998). Retrieved 22 February 2008. Poovey, Mary. The Proper Lady and the Woman Writer: Ideology as Style in the Works of Mary Wollstonecraft, Mary Shelley and Jane Austen.", "The Proper Lady and the Woman Writer: Ideology as Style in the Works of Mary Wollstonecraft, Mary Shelley and Jane Austen. Chicago: University of Chicago Press, 1985. . Robinson, Charles E., ed. The Frankenstein Notebooks: A Facsimile Edition of Mary Shelley's Novel, 1816–17 (Parts One and Two). The Manuscripts of the Younger Romantics, Volume IX, Donald H. Reiman, general ed. Garland Publishing, 1996. . Schor, Esther, ed. The Cambridge Companion to Mary Shelley.", "Schor, Esther, ed. The Cambridge Companion to Mary Shelley. The Cambridge Companion to Mary Shelley. Cambridge: Cambridge University Press, 2003. . Seymour, Miranda. Mary Shelley. London: John Murray, 2000. . Sites, Melissa. \"Re/membering Home: Utopian Domesticity in Mary Shelley's Lodore\". A Brighter Morn: The Shelley Circle's Utopian Project. Ed. Darby Lewes. Lanham, MD: Lexington Books, 2003. . Smith, Johanna M. \"A Critical History of Frankenstein\". Frankenstein.", "Smith, Johanna M. \"A Critical History of Frankenstein\". Frankenstein. Frankenstein. Case Studies in Contemporary Criticism. New York: Palgrave Macmillan, 2000. . Spark, Muriel. Mary Shelley. London: Cardinal, 1987. . St Clair, William. The Godwins and the Shelleys: The Biography of a Family. London: Faber & Faber, 1989. . Sterrenburg, Lee. \"The Last Man: Anatomy of Failed Revolutions\". Nineteenth Century Fiction 33 (1978): 324–47.", "Nineteenth Century Fiction 33 (1978): 324–47. Nineteenth Century Fiction 33 (1978): 324–47. Sunstein, Emily W. Mary Shelley: Romance and Reality. 1989. Baltimore: Johns Hopkins University Press, 1991. . Townsend, William C. Modern State Trials. London: Longman, Brown, Green and Longmans, 1850. Wake, Ann M Frank. \"Women in the Active Voice: Recovering Female History in Mary Shelley's Valperga and Perkin Warbeck\". Iconoclastic Departures: Mary Shelley after \"Frankenstein\".", "Iconoclastic Departures: Mary Shelley after \"Frankenstein\". Iconoclastic Departures: Mary Shelley after \"Frankenstein\". Essays in Honor of the Bicentenary of Mary Shelley's Birth. Ed. Syndy M. Conger, Frederick S. Frank, and Gregory O'Dea. Madison, NJ: Farleigh Dickinson University Press, 1997. . White, Daniel E. \"'The god undeified': Mary Shelley's Valperga, Italy, and the Aesthetic of Desire \". Romanticism on the Net 6 (May 1997). Retrieved 22 February 2008.", "Romanticism on the Net 6 (May 1997). Retrieved 22 February 2008. Retrieved 22 February 2008. Further reading Goulding, Christopher. \"The Real Doctor Frankenstein?\" Journal of the Royal Society of Medicine. The Royal Society of Medicine, May 2002.", "The Royal Society of Medicine, May 2002. The Royal Society of Medicine, May 2002. Richard Holmes, \"Out of Control\" (review of Mary Shelley, Frankenstein, Or, The Modern Prometheus: Annotated for Scientists, Engineers, and Creators of All Kinds, edited by David H. Guston, Ed Finn, and Jason Scott Robert, MIT Press, 277 pp. ; and Mary Shelley, The New Annotated Frankenstein, edited and with a foreword and notes by Leslie S. Klinger, Liveright, 352 pp.", "; and Mary Shelley, The New Annotated Frankenstein, edited and with a foreword and notes by Leslie S. Klinger, Liveright, 352 pp. ), The New York Review of Books, vol. LXIV, no. 20 (21 December 2017), pp. 38, 40–41. Gordon, Charlotte (2016). Romantic Outlaws: The Extraordinary Lives of Mary Wollstonecraft & Mary Shelley'', Random House.", "Romantic Outlaws: The Extraordinary Lives of Mary Wollstonecraft & Mary Shelley'', Random House. External links Mary Shelley chronology and bibliography – part of Romantic Circles Mary Wollstonecraft Shelley manuscript material, 1815–1850, held by the Carl H. Pforzheimer Collection of Shelley and His Circle, New York Public Library Mary Shelley at the British Library Exhibits relating to Mary Shelley at the Bodleian Library, University of Oxford 1797 births 1851 deaths 19th-century English women writers 19th-century English novelists 19th-century British short story writers British expatriates in Italy British expatriates in Switzerland British feminists British horror writers British science fiction writers Deaths from brain tumor Deaths from cancer in England English expatriates in Italy English expatriates in Switzerland English feminists English horror writers English science fiction writers English travel writers English women novelists Frankenstein Godwin family People from Bournemouth People from Somers Town, London Romanticism Science Fiction Hall of Fame inductees Victorian novelists Women historical novelists Women horror writers Women of the Regency era Women science fiction and fantasy writers British women travel writers Writers of Gothic fiction Shelley family Weird fiction writers" ]

[ "Mary Shelley", "Lake Geneva and Frankenstein", "When did Mary Shelley write Frankenstein?", "Mary Shelley remembered in 1831,", "What did she have to do with Lake Geneva?", "close to Lake Geneva at the village of Cologny; Percy Shelley rented a smaller building called Maison Chapuis", "what did they do while they were there?", "They spent their time writing, boating on the lake, and talking late into the night. \"", "What did they write while they were there?", "Byron to propose that they \"each write a ghost story\".", "Did they write the ghost story?", "she became possessed by her imagination as she beheld the grim terrors of her \"waking dream\", her ghost story:", "how did that end for her?", "She began writing what she assumed would be a short story. With Percy Shelley's encouragement, she expanded this tale into her first novel, Frankenstein:", "was Frankenstein successful?", "The story of the writing of Frankenstein has been fictionalised several times and formed the basis for a number of films.", "how many films?", "a number of films.", "did percy also publish a ghost story?", "I don't know.", "Was she famous for writing anything else?", "I don't know." ]

[ "Damn Interesting is an independent website founded by Alan Bellows in 2005. The website presents true stories from science, history, and psychology, primarily as long-form articles, often illustrated with original artwork. Works are written by various authors, and published at irregular intervals. The website openly rejects advertising, relying on reader and listener donations to cover operating costs.\n\nAs of October 2012, each article is also published as a podcast under the same name. In November 2019, a second podcast was launched under the title Damn Interesting Week, featuring unscripted commentary on an assortment of news articles featured on the website's \"Curated Links\" section that week. In mid-2020, a third podcast called Damn Interesting Curio Cabinet began highlighting the website's periodic short-form articles in the same radioplay format as the original podcast.\n\nIn July 2009, Damn Interesting published the print book Alien Hand Syndrome through Workman Publishing. It contains some favorites from the site and some exclusive content.\n\nAwards and recognition \nIn August 2007, PC Magazine named Damn Interesting one of the \"Top 100 Undiscovered Web Sites\".\nThe article \"The Zero-Armed Bandit\" by Alan Bellows won a 2015 Sidney Award from David Brooks in The New York Times.\nThe article \"Ghoulish Acts and Dastardly Deeds\" by Alan Bellows was cited as \"nonfiction journalism from 2017 that will stand the test of time\" by Conor Friedersdorf in The Atlantic.\nThe article \"Dupes and Duplicity\" by Jennifer Lee Noonan won a 2020 Sidney Award from David Brooks in the New York Times.\n\nAccusing The Dollop of plagiarism \n\nOn July 9, 2015, Bellows posted an open letter accusing The Dollop, a comedy podcast about history, of plagiarism due to their repeated use of verbatim text from Damn Interesting articles without permission or attribution. Dave Anthony, the writer of The Dollop, responded on reddit, admitting to using Damn Interesting content, but claiming that the use was protected by fair use, and that \"historical facts are not copyrightable.\" In an article about the controversy on Plagiarism Today, Jonathan Bailey concluded, \"Any way one looks at it, The Dollop failed its ethical obligations to all of the people, not just those writing for Damn Interesting, who put in the time, energy and expertise into writing the original content upon which their show is based.\"\n\nReferences\n\nExternal links \n Official website\n\n2005 podcast debuts", "\"What Else Is There?\" is the third single from the Norwegian duo Röyksopp's second album The Understanding. It features the vocals of Karin Dreijer from the Swedish electronica duo The Knife. The album was released in the UK with the help of Astralwerks.\n\nThe single was used in an O2 television advertisement in the Czech Republic and in Slovakia during 2008. It was also used in the 2006 film Cashback and the 2007 film, Meet Bill. Trentemøller's remix of \"What Else is There?\" was featured in an episode of the HBO show Entourage.\n\nThe song was covered by extreme metal band Enslaved as a bonus track for their album E.\n\nThe song was listed as the 375th best song of the 2000s by Pitchfork Media.\n\nOfficial versions\n\"What Else Is There?\" (Album Version) – 5:17\n\"What Else Is There?\" (Radio Edit) – 3:38\n\"What Else Is There?\" (Jacques Lu Cont Radio Mix) – 3:46\n\"What Else Is There?\" (The Emperor Machine Vocal Version) – 8:03\n\"What Else Is There?\" (The Emperor Machine Dub Version) – 7:51\n\"What Else Is There?\" (Thin White Duke Mix) – 8:25\n\"What Else Is There?\" (Thin White Duke Edit) – 4:50\n\"What Else Is There?\" (Thin White Duke Remix) (Radio Edit) – 3:06\n\"What Else Is There?\" (Trentemøller Remix) – 7:42\n\"What Else Is There?\" (Vitalic Remix) – 5:14\n\nResponse\nThe single was officially released on 5 December 2005 in the UK. The single had a limited release on 21 November 2005 to promote the upcoming album. On the UK Singles Chart, it peaked at number 32, while on the UK Dance Chart, it reached number one.\n\nMusic video\nThe music video was directed by Martin de Thurah. It features Norwegian model Marianne Schröder who is shown lip-syncing Dreijer's voice. Schröder is depicted as a floating woman traveling across stormy landscapes and within empty houses. Dreijer makes a cameo appearance as a woman wearing an Elizabethan ruff while dining alone at a festive table.\n\nMovie spots\n\nThe song is also featured in the movie Meet Bill as characters played by Jessica Alba and Aaron Eckhart smoke marijuana while listening to it. It is also part of the end credits music of the film Cashback.\n\nCharts\n\nReferences\n\n2005 singles\nRöyksopp songs\nAstralwerks singles\nSongs written by Svein Berge\nSongs written by Torbjørn Brundtland\n2004 songs\nSongs written by Roger Greenaway\nSongs written by Olof Dreijer\nSongs written by Karin Dreijer" ]

[ "Mary Wollstonecraft Shelley (; ; 30 August 1797 – 1 February 1851) was an English novelist who wrote the Gothic novel Frankenstein; or, The Modern Prometheus (1818), which is considered an early example of science fiction. She also edited and promoted the works of her husband, the Romantic poet and philosopher Percy Bysshe Shelley. Her father was the political philosopher William Godwin and her mother was the philosopher and feminist activist Mary Wollstonecraft. Shelley's mother died less than a month after giving birth to her.", "Shelley's mother died less than a month after giving birth to her. She was raised by her father, who provided her with a rich if informal education, encouraging her to adhere to his own anarchist political theories. When she was four, her father married a neighbour, Mary Jane Clairmont, with whom Shelley came to have a troubled relationship. In 1814, Shelley began a romance with one of her father's political followers, Percy Bysshe Shelley, who was already married.", "In 1814, Shelley began a romance with one of her father's political followers, Percy Bysshe Shelley, who was already married. Together with her stepsister, Claire Clairmont, she and Percy left for France and travelled through Europe. Upon their return to England, Shelley was pregnant with Percy's child. Over the next two years, she and Percy faced ostracism, constant debt and the death of their prematurely born daughter. They married in late 1816, after the suicide of Percy Shelley's first wife, Harriet.", "They married in late 1816, after the suicide of Percy Shelley's first wife, Harriet. In 1816, the couple and Mary's stepsister famously spent a summer with Lord Byron and John William Polidori near Geneva, Switzerland, where Shelley conceived the idea for her novel Frankenstein. The Shelleys left Britain in 1818 for Italy, where their second and third children died before Shelley gave birth to her last and only surviving child, Percy Florence Shelley.", "The Shelleys left Britain in 1818 for Italy, where their second and third children died before Shelley gave birth to her last and only surviving child, Percy Florence Shelley. In 1822, her husband drowned when his sailing boat sank during a storm near Viareggio. A year later, Shelley returned to England and from then on devoted herself to the upbringing of her son and a career as a professional author.", "A year later, Shelley returned to England and from then on devoted herself to the upbringing of her son and a career as a professional author. The last decade of her life was dogged by illness, most likely caused by the brain tumour which killed her at age 53. Until the 1970s, Shelley was known mainly for her efforts to publish her husband's works and for her novel Frankenstein, which remains widely read and has inspired many theatrical and film adaptations.", "Until the 1970s, Shelley was known mainly for her efforts to publish her husband's works and for her novel Frankenstein, which remains widely read and has inspired many theatrical and film adaptations. Recent scholarship has yielded a more comprehensive view of Shelley's achievements.", "Recent scholarship has yielded a more comprehensive view of Shelley's achievements. Scholars have shown increasing interest in her literary output, particularly in her novels, which include the historical novels Valperga (1823) and Perkin Warbeck (1830), the apocalyptic novel The Last Man (1826) and her final two novels, Lodore (1835) and Falkner (1837).", "Scholars have shown increasing interest in her literary output, particularly in her novels, which include the historical novels Valperga (1823) and Perkin Warbeck (1830), the apocalyptic novel The Last Man (1826) and her final two novels, Lodore (1835) and Falkner (1837). Studies of her lesser-known works, such as the travel book Rambles in Germany and Italy (1844) and the biographical articles for Dionysius Lardner's Cabinet Cyclopaedia (1829–1846), support the growing view that Shelley remained a political radical throughout her life.", "Studies of her lesser-known works, such as the travel book Rambles in Germany and Italy (1844) and the biographical articles for Dionysius Lardner's Cabinet Cyclopaedia (1829–1846), support the growing view that Shelley remained a political radical throughout her life. Shelley's works often argue that cooperation and sympathy, particularly as practised by women in the family, were the ways to reform civil society.", "Shelley's works often argue that cooperation and sympathy, particularly as practised by women in the family, were the ways to reform civil society. This view was a direct challenge to the individualistic Romantic ethos promoted by Percy Shelley and the Enlightenment political theories articulated by her father, William Godwin. Life and career Early life Mary Shelley was born Mary Wollstonecraft Godwin in Somers Town, London, in 1797.", "Life and career Early life Mary Shelley was born Mary Wollstonecraft Godwin in Somers Town, London, in 1797. She was the second child of the feminist philosopher, educator, and writer Mary Wollstonecraft and the first child of the philosopher, novelist, and journalist William Godwin. Wollstonecraft died of puerperal fever shortly after Mary was born. Godwin was left to bring up Mary, along with her older half-sister, Fanny Imlay, Wollstonecraft's child by the American speculator Gilbert Imlay.", "Godwin was left to bring up Mary, along with her older half-sister, Fanny Imlay, Wollstonecraft's child by the American speculator Gilbert Imlay. A year after Wollstonecraft's death, Godwin published his Memoirs of the Author of A Vindication of the Rights of Woman (1798), which he intended as a sincere and compassionate tribute. However, because the Memoirs revealed Wollstonecraft's affairs and her illegitimate child, they were seen as shocking.", "However, because the Memoirs revealed Wollstonecraft's affairs and her illegitimate child, they were seen as shocking. Mary Godwin read these memoirs and her mother's books, and was brought up to cherish her mother's memory. Mary's earliest years were happy, judging from the letters of William Godwin's housekeeper and nurse, Louisa Jones. But Godwin was often deeply in debt; feeling that he could not raise the children by himself, he cast about for a second wife.", "But Godwin was often deeply in debt; feeling that he could not raise the children by himself, he cast about for a second wife. In December 1801, he married Mary Jane Clairmont, a well-educated woman with two young children of her own—Charles and Claire. Most of Godwin's friends disliked his new wife, describing her as quick-tempered and quarrelsome; but Godwin was devoted to her, and the marriage was a success. Mary Godwin, on the other hand, came to detest her stepmother.", "Mary Godwin, on the other hand, came to detest her stepmother. William Godwin's 19th-century biographer Charles Kegan Paul later suggested that Mrs Godwin had favoured her own children over those of Mary Wollstonecraft. Together, the Godwins started a publishing firm called M. J. Godwin, which sold children's books as well as stationery, maps, and games. However, the business did not turn a profit, and Godwin was forced to borrow substantial sums to keep it going.", "However, the business did not turn a profit, and Godwin was forced to borrow substantial sums to keep it going. He continued to borrow to pay off earlier loans, compounding his problems. By 1809, Godwin's business was close to failure, and he was \"near to despair\". Godwin was saved from debtor's prison by philosophical devotees such as Francis Place, who lent him further money. Though Mary Godwin received little formal education, her father tutored her in a broad range of subjects.", "Though Mary Godwin received little formal education, her father tutored her in a broad range of subjects. He often took the children on educational outings, and they had access to his library and to the many intellectuals who visited him, including the Romantic poet Samuel Taylor Coleridge and the former vice-president of the United States Aaron Burr.", "He often took the children on educational outings, and they had access to his library and to the many intellectuals who visited him, including the Romantic poet Samuel Taylor Coleridge and the former vice-president of the United States Aaron Burr. Godwin admitted he was not educating the children according to Mary Wollstonecraft's philosophy as outlined in works such as A Vindication of the Rights of Woman (1792), but Mary Godwin nonetheless received an unusual and advanced education for a girl of the time.", "Godwin admitted he was not educating the children according to Mary Wollstonecraft's philosophy as outlined in works such as A Vindication of the Rights of Woman (1792), but Mary Godwin nonetheless received an unusual and advanced education for a girl of the time. She had a governess, a daily tutor, and read many of her father's children's books on Roman and Greek history in manuscript. For six months in 1811, she also attended a boarding school in Ramsgate.", "For six months in 1811, she also attended a boarding school in Ramsgate. Her father described her at age 15 as \"singularly bold, somewhat imperious, and active of mind. Her desire of knowledge is great, and her perseverance in everything she undertakes almost invincible.\" In June 1812, Mary's father sent her to stay with the dissenting family of the radical William Baxter, near Dundee, Scotland.", "In June 1812, Mary's father sent her to stay with the dissenting family of the radical William Baxter, near Dundee, Scotland. To Baxter, he wrote, \"I am anxious that she should be brought up ... like a philosopher, even like a cynic.\" Scholars have speculated that she may have been sent away for her health, to remove her from the seamy side of the business, or to introduce her to radical politics.", "Scholars have speculated that she may have been sent away for her health, to remove her from the seamy side of the business, or to introduce her to radical politics. Mary Godwin revelled in the spacious surroundings of Baxter's house and in the companionship of his four daughters, and she returned north in the summer of 1813 for a further stay of 10 months. In the 1831 introduction to Frankenstein, she recalled: \"I wrote then—but in a most common-place style.", "In the 1831 introduction to Frankenstein, she recalled: \"I wrote then—but in a most common-place style. It was beneath the trees of the grounds belonging to our house, or on the bleak sides of the woodless mountains near, that my true compositions, the airy flights of my imagination, were born and fostered.\" Percy Bysshe Shelley Mary Godwin may have first met the radical poet-philosopher Percy Bysshe Shelley in the interval between her two stays in Scotland.", "Percy Bysshe Shelley Mary Godwin may have first met the radical poet-philosopher Percy Bysshe Shelley in the interval between her two stays in Scotland. By the time she returned home for a second time on 30 March 1814, Percy Shelley had become estranged from his wife and was regularly visiting William Godwin, whom he had agreed to bail out of debt.", "By the time she returned home for a second time on 30 March 1814, Percy Shelley had become estranged from his wife and was regularly visiting William Godwin, whom he had agreed to bail out of debt. Percy Shelley's radicalism, particularly his economic views, which he had imbibed from William Godwin's Political Justice (1793), had alienated him from his wealthy aristocratic family: they wanted him to follow traditional models of the landed aristocracy, and he wanted to donate large amounts of the family's money to schemes intended to help the disadvantaged.", "Percy Shelley's radicalism, particularly his economic views, which he had imbibed from William Godwin's Political Justice (1793), had alienated him from his wealthy aristocratic family: they wanted him to follow traditional models of the landed aristocracy, and he wanted to donate large amounts of the family's money to schemes intended to help the disadvantaged. Percy Shelley, therefore, had difficulty gaining access to money until he inherited his estate because his family did not want him wasting it on projects of \"political justice\".", "Percy Shelley, therefore, had difficulty gaining access to money until he inherited his estate because his family did not want him wasting it on projects of \"political justice\". After several months of promises, Shelley announced that he either could not or would not pay off all of Godwin's debts. Godwin was angry and felt betrayed.", "Godwin was angry and felt betrayed. Godwin was angry and felt betrayed. Mary and Percy began meeting each other secretly at her mother Mary Wollstonecraft's grave in the churchyard of St Pancras Old Church, and they fell in love—she was 16, and he was 21.", "Mary and Percy began meeting each other secretly at her mother Mary Wollstonecraft's grave in the churchyard of St Pancras Old Church, and they fell in love—she was 16, and he was 21. On 26 June 1814, Shelley and Godwin declared their love for one another as Shelley announced he could not hide his \"ardent passion\", leading her in a \"sublime and rapturous moment\" to say she felt the same way; on either that day or the next, Godwin lost her virginity to Shelley, which tradition claims happened in the churchyard.", "On 26 June 1814, Shelley and Godwin declared their love for one another as Shelley announced he could not hide his \"ardent passion\", leading her in a \"sublime and rapturous moment\" to say she felt the same way; on either that day or the next, Godwin lost her virginity to Shelley, which tradition claims happened in the churchyard. Godwin described herself as attracted to Shelley's \"wild, intellectual, unearthly looks\".", "Godwin described herself as attracted to Shelley's \"wild, intellectual, unearthly looks\". To Mary's dismay, her father disapproved, and tried to thwart the relationship and salvage the \"spotless fame\" of his daughter. At about the same time, Mary's father learned of Shelley's inability to pay off the father's debts. Mary, who later wrote of \"my excessive and romantic attachment to my father\", was confused.", "Mary, who later wrote of \"my excessive and romantic attachment to my father\", was confused. She saw Percy Shelley as an embodiment of her parents' liberal and reformist ideas of the 1790s, particularly Godwin's view that marriage was a repressive monopoly, which he had argued in his 1793 edition of Political Justice but later retracted. On 28 July 1814, the couple eloped and secretly left for France, taking Mary's stepsister, Claire Clairmont, with them.", "On 28 July 1814, the couple eloped and secretly left for France, taking Mary's stepsister, Claire Clairmont, with them. After convincing Mary Jane Godwin, who had pursued them to Calais, that they did not wish to return, the trio travelled to Paris, and then, by donkey, mule, carriage, and foot, through a France recently ravaged by war, to Switzerland. \"It was acting in a novel, being an incarnate romance,\" Mary Shelley recalled in 1826.", "\"It was acting in a novel, being an incarnate romance,\" Mary Shelley recalled in 1826. Godwin wrote about France in 1814: \"The distress of the inhabitants, whose houses had been burned, their cattle killed and all their wealth destroyed, has given a sting to my detestation of war...\". As they travelled, Mary and Percy read works by Mary Wollstonecraft and others, kept a joint journal, and continued their own writing. At Lucerne, lack of money forced the three to turn back.", "At Lucerne, lack of money forced the three to turn back. They travelled down the Rhine and by land to the Dutch port of Maassluis, arriving at Gravesend, Kent, on 13 September 1814. The situation awaiting Mary Godwin in England was fraught with complications, some of which she had not foreseen. Either before or during the journey, she had become pregnant. She and Percy now found themselves penniless, and, to Mary's genuine surprise, her father refused to have anything to do with her.", "She and Percy now found themselves penniless, and, to Mary's genuine surprise, her father refused to have anything to do with her. The couple moved with Claire into lodgings at Somers Town, and later, Nelson Square. They maintained their intense programme of reading and writing, and entertained Percy Shelley's friends, such as Thomas Jefferson Hogg and the writer Thomas Love Peacock. Percy Shelley sometimes left home for short periods to dodge creditors. The couple's distraught letters reveal their pain at these separations.", "The couple's distraught letters reveal their pain at these separations. Pregnant and often ill, Mary Godwin had to cope with Percy's joy at the birth of his son by Harriet Shelley in late 1814 and his constant outings with Claire Clairmont. Shelley and Clairmont were almost certainly lovers, which caused much jealousy on Godwin's part. Shelley greatly offended Godwin at one point when during a walk in the French countryside he suggested that they both take the plunge into a stream naked as it offended her principles.", "Shelley greatly offended Godwin at one point when during a walk in the French countryside he suggested that they both take the plunge into a stream naked as it offended her principles. She was partly consoled by the visits of Hogg, whom she disliked at first but soon considered a close friend. Percy Shelley seems to have wanted Mary Godwin and Hogg to become lovers; Mary did not dismiss the idea, since in principle she believed in free love.", "Percy Shelley seems to have wanted Mary Godwin and Hogg to become lovers; Mary did not dismiss the idea, since in principle she believed in free love. In practice, however, she loved only Percy Shelley and seems to have ventured no further than flirting with Hogg. On 22 February 1815, she gave birth to a two-month premature baby girl, who was not expected to survive.", "On 22 February 1815, she gave birth to a two-month premature baby girl, who was not expected to survive. On 6 March, she wrote to Hogg: My dearest Hogg my baby is dead—will you come to see me as soon as you can. I wish to see you—It was perfectly well when I went to bed—I awoke in the night to give it suck it appeared to be sleeping so quietly that I would not awake it.", "I wish to see you—It was perfectly well when I went to bed—I awoke in the night to give it suck it appeared to be sleeping so quietly that I would not awake it. It was dead then, but we did not find that out till morning—from its appearance it evidently died of convulsions—Will you come—you are so calm a creature & Shelley is afraid of a fever from the milk—for I am no longer a mother now.", "It was dead then, but we did not find that out till morning—from its appearance it evidently died of convulsions—Will you come—you are so calm a creature & Shelley is afraid of a fever from the milk—for I am no longer a mother now. The loss of her child induced acute depression in Mary Godwin, who was haunted by visions of the baby; but she conceived again and had recovered by the summer.", "The loss of her child induced acute depression in Mary Godwin, who was haunted by visions of the baby; but she conceived again and had recovered by the summer. With a revival in Percy Shelley's finances after the death of his grandfather, Sir Bysshe Shelley, the couple holidayed in Torquay and then rented a two-storey cottage at Bishopsgate, on the edge of Windsor Great Park. Little is known about this period in Mary Godwin's life, since her journal from May 1815 to July 1816 is lost.", "Little is known about this period in Mary Godwin's life, since her journal from May 1815 to July 1816 is lost. At Bishopsgate, Percy wrote his poem Alastor, or The Spirit of Solitude; and on 24 January 1816, Mary gave birth to a second child, William, named after her father, and soon nicknamed \"Willmouse\". In her novel The Last Man, she later imagined Windsor as a Garden of Eden.", "In her novel The Last Man, she later imagined Windsor as a Garden of Eden. Lake Geneva and Frankenstein In May 1816, Mary Godwin, Percy Shelley, and their son travelled to Geneva with Claire Clairmont. They planned to spend the summer with the poet Lord Byron, whose recent affair with Claire had left her pregnant. In History of a Six Weeks’ Tour through a part of France, Switzerland, Germany and Holland (1817), she describes the particularly desolate landscape in crossing from France into Switzerland.", "In History of a Six Weeks’ Tour through a part of France, Switzerland, Germany and Holland (1817), she describes the particularly desolate landscape in crossing from France into Switzerland. The party arrived in Geneva on 14 May 1816, where Mary called herself \"Mrs Shelley\".", "The party arrived in Geneva on 14 May 1816, where Mary called herself \"Mrs Shelley\". Byron joined them on 25 May, with his young physician, John William Polidori, and rented the Villa Diodati, close to Lake Geneva at the village of Cologny; Percy Shelley rented a smaller building called Maison Chapuis on the waterfront nearby. They spent their time writing, boating on the lake, and talking late into the night.", "They spent their time writing, boating on the lake, and talking late into the night. \"It proved a wet, ungenial summer\", Mary Shelley remembered in 1831, \"and incessant rain often confined us for days to the house\". Sitting around a log fire at Byron's villa, the company amused themselves with German ghost stories, which prompted Byron to propose that they \"each write a ghost story\".", "Sitting around a log fire at Byron's villa, the company amused themselves with German ghost stories, which prompted Byron to propose that they \"each write a ghost story\". Unable to think of a story, young Mary Godwin became anxious: \"Have you thought of a story? I was asked each morning, and each morning I was forced to reply with a mortifying negative.\" During one mid-June evening, the discussions turned to the nature of the principle of life.", "During one mid-June evening, the discussions turned to the nature of the principle of life. \"Perhaps a corpse would be re-animated\", Mary noted; \"galvanism had given token of such things\". It was after midnight before they retired, and unable to sleep, she became possessed by her imagination as she beheld the grim terrors of her \"waking dream\", her ghost story: She began writing what she assumed would be a short story.", "It was after midnight before they retired, and unable to sleep, she became possessed by her imagination as she beheld the grim terrors of her \"waking dream\", her ghost story: She began writing what she assumed would be a short story. With Percy Shelley's encouragement, she expanded this tale into her first novel, Frankenstein; or, The Modern Prometheus, published in 1818. She later described that summer in Switzerland as the moment \"when I first stepped out from childhood into life\".", "She later described that summer in Switzerland as the moment \"when I first stepped out from childhood into life\". The story of the writing of Frankenstein has been fictionalised several times and formed the basis for a number of films.", "The story of the writing of Frankenstein has been fictionalised several times and formed the basis for a number of films. In September 2011, the astronomer Donald Olson, after a visit to the Lake Geneva villa the previous year, and inspecting data about the motion of the moon and stars, concluded that her waking dream took place \"between 2am and 3am\" 16 June 1816, several days after the initial idea by Lord Byron that they each write a ghost story.", "In September 2011, the astronomer Donald Olson, after a visit to the Lake Geneva villa the previous year, and inspecting data about the motion of the moon and stars, concluded that her waking dream took place \"between 2am and 3am\" 16 June 1816, several days after the initial idea by Lord Byron that they each write a ghost story. Authorship of Frankenstein While her husband Percy encouraged her writing, the extent of Percy's contribution to the novel is unknown and has been argued over by readers and critics.", "Authorship of Frankenstein While her husband Percy encouraged her writing, the extent of Percy's contribution to the novel is unknown and has been argued over by readers and critics. Mary Shelley wrote, \"I certainly did not owe the suggestion of one incident, nor scarcely of one train of feeling, to my husband, and yet but for his incitement, it would never have taken the form in which it was presented to the world.\"", "Mary Shelley wrote, \"I certainly did not owe the suggestion of one incident, nor scarcely of one train of feeling, to my husband, and yet but for his incitement, it would never have taken the form in which it was presented to the world.\" She wrote that the preface to the first edition was Percy's work \"as far as I can recollect.\" There are differences in the 1818, 1823 and 1831 editions, which have been attributed to Percy's editing.", "There are differences in the 1818, 1823 and 1831 editions, which have been attributed to Percy's editing. James Rieger concluded Percy's \"assistance at every point in the book's manufacture was so extensive that one hardly knows whether to regard him as editor or minor collaborator\", while Anne K. Mellor later argued Percy only \"made many technical corrections and several times clarified the narrative and thematic continuity of the text.\"", "James Rieger concluded Percy's \"assistance at every point in the book's manufacture was so extensive that one hardly knows whether to regard him as editor or minor collaborator\", while Anne K. Mellor later argued Percy only \"made many technical corrections and several times clarified the narrative and thematic continuity of the text.\" Charles E. Robinson, editor of a facsimile edition of the Frankenstein manuscripts, concluded that Percy's contributions to the book \"were no more than what most publishers' editors have provided new (or old) authors or, in fact, what colleagues have provided to each other after reading each other's works in progress.\"", "Charles E. Robinson, editor of a facsimile edition of the Frankenstein manuscripts, concluded that Percy's contributions to the book \"were no more than what most publishers' editors have provided new (or old) authors or, in fact, what colleagues have provided to each other after reading each other's works in progress.\" Writing on the 200th anniversary of Frankenstein, literary scholar and poet Fiona Sampson asked, \"Why hasn't Mary Shelley gotten the respect she deserves?\"", "Writing on the 200th anniversary of Frankenstein, literary scholar and poet Fiona Sampson asked, \"Why hasn't Mary Shelley gotten the respect she deserves?\" She noted that \"In recent years Percy's corrections, visible in the Frankenstein notebooks held at the Bodleian Library in Oxford, have been seized on as evidence that he must have at least co-authored the novel. In fact, when I examined the notebooks myself, I realized that Percy did rather less than any line editor working in publishing today.\"", "In fact, when I examined the notebooks myself, I realized that Percy did rather less than any line editor working in publishing today.\" Sampson published her findings in In Search of Mary Shelley (2018), one of many biographies written about Shelley. Bath and Marlow On their return to England in September, Mary and Percy moved—with Claire Clairmont, who took lodgings nearby—to Bath, where they hoped to keep Claire's pregnancy secret.", "Bath and Marlow On their return to England in September, Mary and Percy moved—with Claire Clairmont, who took lodgings nearby—to Bath, where they hoped to keep Claire's pregnancy secret. At Cologny, Mary Godwin had received two letters from her half-sister, Fanny Imlay, who alluded to her \"unhappy life\"; on 9 October, Fanny wrote an \"alarming letter\" from Bristol that sent Percy Shelley racing off to search for her, without success.", "At Cologny, Mary Godwin had received two letters from her half-sister, Fanny Imlay, who alluded to her \"unhappy life\"; on 9 October, Fanny wrote an \"alarming letter\" from Bristol that sent Percy Shelley racing off to search for her, without success. On the morning of 10 October, Fanny Imlay was found dead in a room at a Swansea inn, along with a suicide note and a laudanum bottle.", "On the morning of 10 October, Fanny Imlay was found dead in a room at a Swansea inn, along with a suicide note and a laudanum bottle. On 10 December, Percy Shelley's wife, Harriet, was discovered drowned in the Serpentine, a lake in Hyde Park, London. Both suicides were hushed up. Harriet's family obstructed Percy Shelley's efforts—fully supported by Mary Godwin—to assume custody of his two children by Harriet.", "Harriet's family obstructed Percy Shelley's efforts—fully supported by Mary Godwin—to assume custody of his two children by Harriet. His lawyers advised him to improve his case by marrying; so he and Mary, who was pregnant again, married on 30 December 1816 at St Mildred's Church, Bread Street, London. Mr and Mrs Godwin were present and the marriage ended the family rift. Claire Clairmont gave birth to a baby girl on 13 January, at first called Alba, later Allegra.", "Claire Clairmont gave birth to a baby girl on 13 January, at first called Alba, later Allegra. In March of that year, the Chancery Court ruled Percy Shelley morally unfit to assume custody of his children and later placed them with a clergyman's family. Also in March, the Shelleys moved with Claire and Alba to Albion House at Marlow, Buckinghamshire, a large, damp building on the river Thames. There Mary Shelley gave birth to her third child, Clara, on 2 September.", "There Mary Shelley gave birth to her third child, Clara, on 2 September. At Marlow, they entertained their new friends Marianne and Leigh Hunt, worked hard at their writing, and often discussed politics. Early in the summer of 1817, Mary Shelley finished Frankenstein, which was published anonymously in January 1818. Reviewers and readers assumed that Percy Shelley was the author, since the book was published with his preface and dedicated to his political hero William Godwin.", "Reviewers and readers assumed that Percy Shelley was the author, since the book was published with his preface and dedicated to his political hero William Godwin. At Marlow, Mary edited the joint journal of the group's 1814 Continental journey, adding material written in Switzerland in 1816, along with Percy's poem \"Mont Blanc\". The result was the History of a Six Weeks' Tour, published in November 1817. That autumn, Percy Shelley often lived away from home in London to evade creditors.", "That autumn, Percy Shelley often lived away from home in London to evade creditors. The threat of a debtor's prison, combined with their ill health and fears of losing custody of their children, contributed to the couple's decision to leave England for Italy on 12 March 1818, taking Claire Clairmont and Alba with them. They had no intention of returning. Italy One of the party's first tasks on arriving in Italy was to hand Alba over to Byron, who was living in Venice.", "Italy One of the party's first tasks on arriving in Italy was to hand Alba over to Byron, who was living in Venice. He had agreed to raise her so long as Claire had nothing more to do with her. The Shelleys then embarked on a roving existence, never settling in any one place for long. Along the way, they accumulated a circle of friends and acquaintances who often moved with them. The couple devoted their time to writing, reading, learning, sightseeing, and socialising.", "The couple devoted their time to writing, reading, learning, sightseeing, and socialising. The Italian adventure was, however, blighted for Mary Shelley by the deaths of both her children—Clara, in September 1818 in Venice, and William, in June 1819 in Rome. These losses left her in a deep depression that isolated her from Percy Shelley, who wrote in his notebook: My dearest Mary, wherefore hast thou gone, And left me in this dreary world alone?", "These losses left her in a deep depression that isolated her from Percy Shelley, who wrote in his notebook: My dearest Mary, wherefore hast thou gone, And left me in this dreary world alone? Thy form is here indeed—a lovely one— But thou art fled, gone down a dreary road That leads to Sorrow's most obscure abode. For thine own sake I cannot follow thee Do thou return for mine. For a time, Mary Shelley found comfort only in her writing.", "For a time, Mary Shelley found comfort only in her writing. The birth of her fourth child, Percy Florence, on 12 November 1819, finally lifted her spirits, though she nursed the memory of her lost children till the end of her life. Italy provided the Shelleys, Byron, and other exiles with political freedom unattainable at home. Despite its associations with personal loss, Italy became for Mary Shelley \"a country which memory painted as paradise\".", "Despite its associations with personal loss, Italy became for Mary Shelley \"a country which memory painted as paradise\". Their Italian years were a time of intense intellectual and creative activity for both Shelleys. While Percy composed a series of major poems, Mary wrote the novel Matilda, the historical novel Valperga, and the plays Proserpine and Midas. Mary wrote Valperga to help alleviate her father's financial difficulties, as Percy refused to assist him further. She was often physically ill, however, and prone to depressions.", "She was often physically ill, however, and prone to depressions. She also had to cope with Percy's interest in other women, such as Sophia Stacey, Emilia Viviani, and Jane Williams. Since Mary Shelley shared his belief in the non-exclusivity of marriage, she formed emotional ties of her own among the men and women of their circle. She became particularly fond of the Greek revolutionary Prince Alexandros Mavrokordatos and of Jane and Edward Williams.", "She became particularly fond of the Greek revolutionary Prince Alexandros Mavrokordatos and of Jane and Edward Williams. In December 1818, the Shelleys travelled south with Claire Clairmont and their servants to Naples, where they stayed for three months, receiving only one visitor, a physician. In 1820, they found themselves plagued by accusations and threats from Paolo and Elise Foggi, former servants whom Percy Shelley had dismissed in Naples shortly after the Foggis had married.", "In 1820, they found themselves plagued by accusations and threats from Paolo and Elise Foggi, former servants whom Percy Shelley had dismissed in Naples shortly after the Foggis had married. The pair revealed that on 27 February 1819 in Naples, Percy Shelley had registered as his child by Mary Shelley a two-month-old baby girl named Elena Adelaide Shelley. The Foggis also claimed that Claire Clairmont was the baby's mother.", "The Foggis also claimed that Claire Clairmont was the baby's mother. Biographers have offered various interpretations of these events: that Percy Shelley decided to adopt a local child; that the baby was his by Elise, Claire, or an unknown woman; or that she was Elise's by Byron. Mary Shelley insisted she would have known if Claire had been pregnant, but it is unclear how much she really knew.", "Mary Shelley insisted she would have known if Claire had been pregnant, but it is unclear how much she really knew. The events in Naples, a city Mary Shelley later called a paradise inhabited by devils, remain shrouded in mystery. The only certainty is that she herself was not the child's mother. Elena Adelaide Shelley died in Naples on 9 June 1820.", "Elena Adelaide Shelley died in Naples on 9 June 1820. After leaving Naples, the Shelleys settled in Rome, the city where her husband wrote where \"the meanest streets were strewed with truncated columns, broken capitals...and sparkling fragments of granite or porphyry...The voice of dead time, in still vibrations, is breathed from these dumb things, animated and glorified as they were by man\".", "After leaving Naples, the Shelleys settled in Rome, the city where her husband wrote where \"the meanest streets were strewed with truncated columns, broken capitals...and sparkling fragments of granite or porphyry...The voice of dead time, in still vibrations, is breathed from these dumb things, animated and glorified as they were by man\". Rome inspired her to begin writing the unfinished novel Valerius, the Reanimated Roman, where the eponymous hero resists the decay of Rome and the machinations of \"superstitious\" Catholicism.", "Rome inspired her to begin writing the unfinished novel Valerius, the Reanimated Roman, where the eponymous hero resists the decay of Rome and the machinations of \"superstitious\" Catholicism. The writing of her novel was broken off when her son William died of malaria.", "The writing of her novel was broken off when her son William died of malaria. Shelley bitterly commented that she had come to Italy to improve her husband's health, and instead the Italian climate had just killed her two children, leading her to write: \"May you my dear Marianne never know what it is to lose two only and lovely children in one year—to watch their dying moments—and then at last to be left childless and forever miserable\".", "Shelley bitterly commented that she had come to Italy to improve her husband's health, and instead the Italian climate had just killed her two children, leading her to write: \"May you my dear Marianne never know what it is to lose two only and lovely children in one year—to watch their dying moments—and then at last to be left childless and forever miserable\". To deal with her grief, Shelley wrote the novella The Fields of Fancy, which became Matilda, dealing with a young woman whose beauty inspired incestuous love in her father, who ultimately commits suicide to stop himself from acting on his passion for his daughter, while she spends the rest of her life full of despair about \"the unnatural love I had inspired\".", "To deal with her grief, Shelley wrote the novella The Fields of Fancy, which became Matilda, dealing with a young woman whose beauty inspired incestuous love in her father, who ultimately commits suicide to stop himself from acting on his passion for his daughter, while she spends the rest of her life full of despair about \"the unnatural love I had inspired\". The novella offered a feminist critique of a patriarchal society as Matilda is punished in the afterlife, though she did nothing to encourage her father's feelings.", "The novella offered a feminist critique of a patriarchal society as Matilda is punished in the afterlife, though she did nothing to encourage her father's feelings. In the summer of 1822, a pregnant Mary moved with Percy, Claire, and Edward and Jane Williams to the isolated Villa Magni, at the sea's edge near the hamlet of San Terenzo in the Bay of Lerici.", "In the summer of 1822, a pregnant Mary moved with Percy, Claire, and Edward and Jane Williams to the isolated Villa Magni, at the sea's edge near the hamlet of San Terenzo in the Bay of Lerici. Once they were settled in, Percy broke the \"evil news\" to Claire that her daughter Allegra had died of typhus in a convent at Bagnacavallo. Mary Shelley was distracted and unhappy in the cramped and remote Villa Magni, which she came to regard as a dungeon.", "Mary Shelley was distracted and unhappy in the cramped and remote Villa Magni, which she came to regard as a dungeon. On 16 June, she miscarried, losing so much blood that she nearly died. Rather than wait for a doctor, Percy sat her in a bath of ice to stanch the bleeding, an act the doctor later told him saved her life. All was not well between the couple that summer, however, and Percy spent more time with Jane Williams than with his depressed and debilitated wife.", "All was not well between the couple that summer, however, and Percy spent more time with Jane Williams than with his depressed and debilitated wife. Much of the short poetry Shelley wrote at San Terenzo involved Jane rather than Mary. The coast offered Percy Shelley and Edward Williams the chance to enjoy their \"perfect plaything for the summer\", a new sailing boat. The boat had been designed by Daniel Roberts and Edward Trelawny, an admirer of Byron's who had joined the party in January 1822.", "The boat had been designed by Daniel Roberts and Edward Trelawny, an admirer of Byron's who had joined the party in January 1822. On 1 July 1822, Percy Shelley, Edward Ellerker Williams, and Captain Daniel Roberts sailed south down the coast to Livorno. There Percy Shelley discussed with Byron and Leigh Hunt the launch of a radical magazine called The Liberal. On 8 July, he and Edward Williams set out on the return journey to Lerici with their eighteen-year-old boat boy, Charles Vivian. They never reached their destination.", "They never reached their destination. They never reached their destination. A letter arrived at Villa Magni from Hunt to Percy Shelley, dated 8 July, saying, \"pray write to tell us how you got home, for they say you had bad weather after you sailed Monday & we are anxious\". \"The paper fell from me,\" Mary told a friend later. \"I trembled all over.\"", "\"I trembled all over.\" \"I trembled all over.\" She and Jane Williams rushed desperately to Livorno and then to Pisa in the fading hope that their husbands were still alive. Ten days after the storm, three bodies washed up on the coast near Viareggio, midway between Livorno and Lerici. Trelawny, Byron, and Hunt cremated Percy Shelley's corpse on the beach at Viareggio.", "Trelawny, Byron, and Hunt cremated Percy Shelley's corpse on the beach at Viareggio. Return to England and writing career After her husband's death, Mary Shelley lived for a year with Leigh Hunt and his family in Genoa, where she often saw Byron and transcribed his poems. She resolved to live by her pen and for her son, but her financial situation was precarious.", "She resolved to live by her pen and for her son, but her financial situation was precarious. On 23 July 1823, she left Genoa for England and stayed with her father and stepmother in the Strand until a small advance from her father-in-law enabled her to lodge nearby. Sir Timothy Shelley had at first agreed to support his grandson, Percy Florence, only if he were handed over to an appointed guardian. Mary Shelley rejected this idea instantly.", "Mary Shelley rejected this idea instantly. Mary Shelley rejected this idea instantly. She managed instead to wring out of Sir Timothy a limited annual allowance (which she had to repay when Percy Florence inherited the estate), but to the end of his days, he refused to meet her in person and dealt with her only through lawyers. Mary Shelley busied herself with editing her husband's poems, among other literary endeavours, but concern for her son restricted her options.", "Mary Shelley busied herself with editing her husband's poems, among other literary endeavours, but concern for her son restricted her options. Sir Timothy threatened to stop the allowance if any biography of the poet were published. In 1826, Percy Florence became the legal heir of the Shelley estate after the death of his half-brother Charles Shelley, his father's son by Harriet Shelley. Sir Timothy raised Mary's allowance from £100 a year to £250 but remained as difficult as ever.", "Sir Timothy raised Mary's allowance from £100 a year to £250 but remained as difficult as ever. Mary Shelley enjoyed the stimulating society of William Godwin's circle, but poverty prevented her from socialising as she wished. She also felt ostracised by those who, like Sir Timothy, still disapproved of her relationship with Percy Bysshe Shelley. In the summer of 1824, Mary Shelley moved to Kentish Town in north London to be near Jane Williams.", "In the summer of 1824, Mary Shelley moved to Kentish Town in north London to be near Jane Williams. She may have been, in the words of her biographer Muriel Spark, \"a little in love\" with Jane. Jane later disillusioned her by gossiping that Percy had preferred her to Mary, owing to Mary's inadequacy as a wife.", "Jane later disillusioned her by gossiping that Percy had preferred her to Mary, owing to Mary's inadequacy as a wife. At around this time, Mary Shelley was working on her novel, The Last Man (1826); and she assisted a series of friends who were writing memoirs of Byron and Percy Shelley—the beginnings of her attempts to immortalise her husband. She also met the American actor John Howard Payne and the American writer Washington Irving, who intrigued her.", "She also met the American actor John Howard Payne and the American writer Washington Irving, who intrigued her. Payne fell in love with her and in 1826 asked her to marry him. She refused, saying that after being married to one genius, she could only marry another. Payne accepted the rejection and tried without success to talk his friend Irving into proposing himself. Mary Shelley was aware of Payne's plan, but how seriously she took it is unclear.", "Mary Shelley was aware of Payne's plan, but how seriously she took it is unclear. In 1827, Mary Shelley was party to a scheme that enabled her friend Isabel Robinson and Isabel's lover, Mary Diana Dods, who wrote under the name David Lyndsay, to embark on a life together in France as husband and wife. With the help of Payne, whom she kept in the dark about the details, Mary Shelley obtained false passports for the couple.", "With the help of Payne, whom she kept in the dark about the details, Mary Shelley obtained false passports for the couple. In 1828, she fell ill with smallpox while visiting them in Paris. Weeks later she recovered, unscarred but without her youthful beauty. During the period 1827–40, Mary Shelley was busy as an editor and writer. She wrote the novels The Fortunes of Perkin Warbeck (1830), Lodore (1835), and Falkner (1837).", "She wrote the novels The Fortunes of Perkin Warbeck (1830), Lodore (1835), and Falkner (1837). She contributed five volumes of Lives of Italian, Spanish, Portuguese, and French authors to Lardner's Cabinet Cyclopaedia. She also wrote stories for ladies' magazines. She was still helping to support her father, and they looked out for publishers for each other.", "She was still helping to support her father, and they looked out for publishers for each other. In 1830, she sold the copyright for a new edition of Frankenstein for £60 to Henry Colburn and Richard Bentley for their new Standard Novels series. After her father's death in 1836 at the age of eighty, she began assembling his letters and a memoir for publication, as he had requested in his will; but after two years of work, she abandoned the project.", "After her father's death in 1836 at the age of eighty, she began assembling his letters and a memoir for publication, as he had requested in his will; but after two years of work, she abandoned the project. Throughout this period, she also championed Percy Shelley's poetry, promoting its publication and quoting it in her writing. By 1837, Percy's works were well-known and increasingly admired.", "By 1837, Percy's works were well-known and increasingly admired. In the summer of 1838 Edward Moxon, the publisher of Tennyson and the son-in-law of Charles Lamb, proposed publishing a collected works of Percy Shelley. Mary was paid £500 to edit the Poetical Works (1838), which Sir Timothy insisted should not include a biography. Mary found a way to tell the story of Percy's life, nonetheless: she included extensive biographical notes about the poems.", "Mary found a way to tell the story of Percy's life, nonetheless: she included extensive biographical notes about the poems. Shelley continued to practice her mother's feminist principles by extending aid to women whom society disapproved of. For instance, Shelley extended financial aid to Mary Diana Dods, a single mother and illegitimate herself who appears to have been a lesbian and gave her the new identity of Walter Sholto Douglas, husband of her lover Isabel Robinson.", "For instance, Shelley extended financial aid to Mary Diana Dods, a single mother and illegitimate herself who appears to have been a lesbian and gave her the new identity of Walter Sholto Douglas, husband of her lover Isabel Robinson. Shelley also assisted Georgiana Paul, a woman disallowed for by her husband for alleged adultery.", "Shelley also assisted Georgiana Paul, a woman disallowed for by her husband for alleged adultery. Shelley in her diary about her assistance to the latter: \"I do not make a boast-I do not say aloud-behold my generosity and greatness of mind-for in truth it is simple justice I perform-and so I am still reviled for being worldly\". Mary Shelley continued to treat potential romantic partners with caution.", "Mary Shelley continued to treat potential romantic partners with caution. In 1828, she met and flirted with the French writer Prosper Mérimée, but her one surviving letter to him appears to be a deflection of his declaration of love. She was delighted when her old friend from Italy, Edward Trelawny, returned to England, and they joked about marriage in their letters.", "She was delighted when her old friend from Italy, Edward Trelawny, returned to England, and they joked about marriage in their letters. Their friendship had altered, however, following her refusal to cooperate with his proposed biography of Percy Shelley; and he later reacted angrily to her omission of the atheistic section of Queen Mab from Percy Shelley's poems.", "Their friendship had altered, however, following her refusal to cooperate with his proposed biography of Percy Shelley; and he later reacted angrily to her omission of the atheistic section of Queen Mab from Percy Shelley's poems. Oblique references in her journals, from the early 1830s until the early 1840s, suggest that Mary Shelley had feelings for the radical politician Aubrey Beauclerk, who may have disappointed her by twice marrying others. Mary Shelley's first concern during these years was the welfare of Percy Florence.", "Mary Shelley's first concern during these years was the welfare of Percy Florence. She honoured her late husband's wish that his son attend public school and, with Sir Timothy's grudging help, had him educated at Harrow. To avoid boarding fees, she moved to Harrow on the Hill herself so that Percy could attend as a day scholar. Though Percy went on to Trinity College, Cambridge, and dabbled in politics and the law, he showed no sign of his parents' gifts.", "Though Percy went on to Trinity College, Cambridge, and dabbled in politics and the law, he showed no sign of his parents' gifts. He was devoted to his mother, and after he left university in 1841, he came to live with her. Final years and death In 1840 and 1842, mother and son travelled together on the continent, journeys that Mary Shelley recorded in Rambles in Germany and Italy in 1840, 1842 and 1843 (1844).", "Final years and death In 1840 and 1842, mother and son travelled together on the continent, journeys that Mary Shelley recorded in Rambles in Germany and Italy in 1840, 1842 and 1843 (1844). In 1844, Sir Timothy Shelley finally died at the age of ninety, \"falling from the stalk like an overblown flower\", as Mary put it. For the first time, she and her son were financially independent, though the estate proved less valuable than they had hoped.", "For the first time, she and her son were financially independent, though the estate proved less valuable than they had hoped. In the mid-1840s, Mary Shelley found herself the target of three separate blackmailers. In 1845, an Italian political exile called Gatteschi, whom she had met in Paris, threatened to publish letters she had sent him. A friend of her son's bribed a police chief into seizing Gatteschi's papers, including the letters, which were then destroyed.", "A friend of her son's bribed a police chief into seizing Gatteschi's papers, including the letters, which were then destroyed. Shortly afterwards, Mary Shelley bought some letters written by herself and Percy Bysshe Shelley from a man calling himself G. Byron and posing as the illegitimate son of the late Lord Byron. Also in 1845, Percy Bysshe Shelley's cousin Thomas Medwin approached her claiming to have written a damaging biography of Percy Shelley. He said he would suppress it in return for £250, but Mary Shelley refused.", "He said he would suppress it in return for £250, but Mary Shelley refused. In 1848, Percy Florence married Jane Gibson St John. The marriage proved a happy one, and Mary Shelley and Jane were fond of each other. Mary lived with her son and daughter-in-law at Field Place, Sussex, the Shelleys' ancestral home, and at Chester Square, London, and accompanied them on travels abroad. Mary Shelley's last years were blighted by illness.", "Mary Shelley's last years were blighted by illness. Mary Shelley's last years were blighted by illness. From 1839, she suffered from headaches and bouts of paralysis in parts of her body, which sometimes prevented her from reading and writing. On 1 February 1851, at Chester Square, she died at the age of fifty-three from what her physician suspected was a brain tumour.", "On 1 February 1851, at Chester Square, she died at the age of fifty-three from what her physician suspected was a brain tumour. According to Jane Shelley, Mary Shelley had asked to be buried with her mother and father; but Percy and Jane, judging the graveyard at St Pancras to be \"dreadful\", chose to bury her instead at St Peter's Church, Bournemouth, near their new home at Boscombe. On the first anniversary of Mary Shelley's death, the Shelleys opened her box-desk.", "On the first anniversary of Mary Shelley's death, the Shelleys opened her box-desk. Inside they found locks of her dead children's hair, a notebook she had shared with Percy Bysshe Shelley, and a copy of his poem Adonaïs with one page folded round a silk parcel containing some of his ashes and the remains of his heart. Literary themes and styles Mary Shelley lived a literary life. Her father encouraged her to learn to write by composing letters, and her favourite occupation as a child was writing stories.", "Her father encouraged her to learn to write by composing letters, and her favourite occupation as a child was writing stories. Unfortunately, all of Mary's juvenilia were lost when she ran off with Percy in 1814, and none of her surviving manuscripts can be definitively dated before that year.", "Unfortunately, all of Mary's juvenilia were lost when she ran off with Percy in 1814, and none of her surviving manuscripts can be definitively dated before that year. Her first published work is often thought to have been Mounseer Nongtongpaw, comic verses written for Godwin's Juvenile Library when she was ten and a half; however, the poem is attributed to another writer in the most recent authoritative collection of her works.", "Her first published work is often thought to have been Mounseer Nongtongpaw, comic verses written for Godwin's Juvenile Library when she was ten and a half; however, the poem is attributed to another writer in the most recent authoritative collection of her works. Percy Shelley enthusiastically encouraged Mary Shelley's writing: \"My husband was, from the first, very anxious that I should prove myself worthy of my parentage, and enrol myself on the page of fame. He was forever inciting me to obtain literary reputation.\"", "He was forever inciting me to obtain literary reputation.\" Novels Autobiographical elements Certain sections of Mary Shelley's novels are often interpreted as masked rewritings of her life. Critics have pointed to the recurrence of the father–daughter motif in particular as evidence of this autobiographical style. For example, commentators frequently read Mathilda (1820) autobiographically, identifying the three central characters as versions of Mary Shelley, William Godwin, and Percy Shelley. Mary Shelley herself confided that she modelled the central characters of The Last Man on her Italian circle.", "Mary Shelley herself confided that she modelled the central characters of The Last Man on her Italian circle. Lord Raymond, who leaves England to fight for the Greeks and dies in Constantinople, is based on Lord Byron; and the utopian Adrian, Earl of Windsor, who leads his followers in search of a natural paradise and dies when his boat sinks in a storm, is a fictional portrait of Percy Bysshe Shelley.", "Lord Raymond, who leaves England to fight for the Greeks and dies in Constantinople, is based on Lord Byron; and the utopian Adrian, Earl of Windsor, who leads his followers in search of a natural paradise and dies when his boat sinks in a storm, is a fictional portrait of Percy Bysshe Shelley. However, as she wrote in her review of Godwin's novel Cloudesley (1830), she did not believe that authors \"were merely copying from our own hearts\".", "However, as she wrote in her review of Godwin's novel Cloudesley (1830), she did not believe that authors \"were merely copying from our own hearts\". William Godwin regarded his daughter's characters as types rather than portraits from real life. Some modern critics, such as Patricia Clemit and Jane Blumberg, have taken the same view, resisting autobiographical readings of Mary Shelley's works.", "Some modern critics, such as Patricia Clemit and Jane Blumberg, have taken the same view, resisting autobiographical readings of Mary Shelley's works. Novelistic genres Mary Shelley employed the techniques of many different novelistic genres, most vividly the Godwinian novel, Walter Scott's new historical novel, and the Gothic novel.", "Novelistic genres Mary Shelley employed the techniques of many different novelistic genres, most vividly the Godwinian novel, Walter Scott's new historical novel, and the Gothic novel. The Godwinian novel, made popular during the 1790s with works such as Godwin's Caleb Williams (1794), \"employed a Rousseauvian confessional form to explore the contradictory relations between the self and society\", and Frankenstein exhibits many of the same themes and literary devices as Godwin's novel. However, Shelley critiques those Enlightenment ideals that Godwin promotes in his works.", "However, Shelley critiques those Enlightenment ideals that Godwin promotes in his works. In The Last Man, she uses the philosophical form of the Godwinian novel to demonstrate the ultimate meaninglessness of the world. While earlier Godwinian novels had shown how rational individuals could slowly improve society, The Last Man and Frankenstein demonstrate the individual's lack of control over history. Shelley uses the historical novel to comment on gender relations; for example, Valperga is a feminist version of Scott's masculinist genre.", "Shelley uses the historical novel to comment on gender relations; for example, Valperga is a feminist version of Scott's masculinist genre. Introducing women into the story who are not part of the historical record, Shelley uses their narratives to question established theological and political institutions. Shelley sets the male protagonist's compulsive greed for conquest in opposition to a female alternative: reason and sensibility. In Perkin Warbeck, Shelley's other historical novel, Lady Gordon stands for the values of friendship, domesticity, and equality.", "In Perkin Warbeck, Shelley's other historical novel, Lady Gordon stands for the values of friendship, domesticity, and equality. Through her, Shelley offers a feminine alternative to the masculine power politics that destroy the male characters. The novel provides a more inclusive historical narrative to challenge the one which usually relates only masculine events. Gender With the rise of feminist literary criticism in the 1970s, Mary Shelley's works, particularly Frankenstein, began to attract much more attention from scholars.", "Gender With the rise of feminist literary criticism in the 1970s, Mary Shelley's works, particularly Frankenstein, began to attract much more attention from scholars. Feminist and psychoanalytic critics were largely responsible for the recovery from neglect of Shelley as a writer. Ellen Moers was one of the first to claim that Shelley's loss of a baby was a crucial influence on the writing of Frankenstein.", "Ellen Moers was one of the first to claim that Shelley's loss of a baby was a crucial influence on the writing of Frankenstein. She argues that the novel is a \"birth myth\" in which Shelley comes to terms with her guilt for causing her mother's death as well as for failing as a parent.", "She argues that the novel is a \"birth myth\" in which Shelley comes to terms with her guilt for causing her mother's death as well as for failing as a parent. Shelley scholar Anne K. Mellor suggests that, from a feminist viewpoint, it is a story \"about what happens when a man tries to have a baby without a woman ... [Frankenstein] is profoundly concerned with natural as opposed to unnatural modes of production and reproduction\".", "Shelley scholar Anne K. Mellor suggests that, from a feminist viewpoint, it is a story \"about what happens when a man tries to have a baby without a woman ... [Frankenstein] is profoundly concerned with natural as opposed to unnatural modes of production and reproduction\". Victor Frankenstein's failure as a \"parent\" in the novel has been read as an expression of the anxieties which accompany pregnancy, giving birth, and particularly maternity.", "Victor Frankenstein's failure as a \"parent\" in the novel has been read as an expression of the anxieties which accompany pregnancy, giving birth, and particularly maternity. Sandra Gilbert and Susan Gubar argue in their seminal book The Madwoman in the Attic (1979) that in Frankenstein in particular, Shelley responded to the masculine literary tradition represented by John Milton's Paradise Lost.", "Sandra Gilbert and Susan Gubar argue in their seminal book The Madwoman in the Attic (1979) that in Frankenstein in particular, Shelley responded to the masculine literary tradition represented by John Milton's Paradise Lost. In their interpretation, Shelley reaffirms this masculine tradition, including the misogyny inherent in it, but at the same time \"conceal[s] fantasies of equality that occasionally erupt in monstrous images of rage\".", "In their interpretation, Shelley reaffirms this masculine tradition, including the misogyny inherent in it, but at the same time \"conceal[s] fantasies of equality that occasionally erupt in monstrous images of rage\". Mary Poovey reads the first edition of Frankenstein as part of a larger pattern in Shelley's writing, which begins with literary self-assertion and ends with conventional femininity. Poovey suggests that Frankenstein's multiple narratives enable Shelley to split her artistic persona: she can \"express and efface herself at the same time\".", "Poovey suggests that Frankenstein's multiple narratives enable Shelley to split her artistic persona: she can \"express and efface herself at the same time\". Shelley's fear of self-assertion is reflected in the fate of Frankenstein, who is punished for his egotism by losing all his domestic ties. Feminist critics often focus on how authorship itself, particularly female authorship, is represented in and through Shelley's novels.", "Feminist critics often focus on how authorship itself, particularly female authorship, is represented in and through Shelley's novels. As Mellor explains, Shelley uses the Gothic style not only to explore repressed female sexual desire but also as way to \"censor her own speech in Frankenstein\". According to Poovey and Mellor, Shelley did not want to promote her own authorial persona and felt deeply inadequate as a writer, and \"this shame contributed to the generation of her fictional images of abnormality, perversion, and destruction\".", "According to Poovey and Mellor, Shelley did not want to promote her own authorial persona and felt deeply inadequate as a writer, and \"this shame contributed to the generation of her fictional images of abnormality, perversion, and destruction\". Shelley's writings focus on the role of the family in society and women's role within that family. She celebrates the \"feminine affections and compassion\" associated with the family and suggests that civil society will fail without them.", "She celebrates the \"feminine affections and compassion\" associated with the family and suggests that civil society will fail without them. Shelley was \"profoundly committed to an ethic of cooperation, mutual dependence, and self-sacrifice\". In Lodore, for example, the central story follows the fortunes of the wife and daughter of the title character, Lord Lodore, who is killed in a duel at the end of the first volume, leaving a trail of legal, financial, and familial obstacles for the two \"heroines\" to negotiate.", "In Lodore, for example, the central story follows the fortunes of the wife and daughter of the title character, Lord Lodore, who is killed in a duel at the end of the first volume, leaving a trail of legal, financial, and familial obstacles for the two \"heroines\" to negotiate. The novel is engaged with political and ideological issues, particularly the education and social role of women. It dissects a patriarchal culture that separated the sexes and pressured women into dependence on men.", "It dissects a patriarchal culture that separated the sexes and pressured women into dependence on men. In the view of Shelley scholar Betty T. Bennett, \"the novel proposes egalitarian educational paradigms for women and men, which would bring social justice as well as the spiritual and intellectual means by which to meet the challenges life invariably brings\". However, Falkner is the only one of Mary Shelley's novels in which the heroine's agenda triumphs.", "However, Falkner is the only one of Mary Shelley's novels in which the heroine's agenda triumphs. The novel's resolution proposes that when female values triumph over violent and destructive masculinity, men will be freed to express the \"compassion, sympathy, and generosity\" of their better natures. Enlightenment and Romanticism Frankenstein, like much Gothic fiction of the period, mixes a visceral and alienating subject matter with speculative and thought-provoking themes.", "Enlightenment and Romanticism Frankenstein, like much Gothic fiction of the period, mixes a visceral and alienating subject matter with speculative and thought-provoking themes. Rather than focusing on the twists and turns of the plot, however, the novel foregrounds the mental and moral struggles of the protagonist, Victor Frankenstein, and Shelley imbues the text with her own brand of politicised Romanticism, one that criticised the individualism and egotism of traditional Romanticism.", "Rather than focusing on the twists and turns of the plot, however, the novel foregrounds the mental and moral struggles of the protagonist, Victor Frankenstein, and Shelley imbues the text with her own brand of politicised Romanticism, one that criticised the individualism and egotism of traditional Romanticism. Victor Frankenstein is like Satan in Paradise Lost, and Prometheus: he rebels against tradition; he creates life; and he shapes his own destiny.", "Victor Frankenstein is like Satan in Paradise Lost, and Prometheus: he rebels against tradition; he creates life; and he shapes his own destiny. These traits are not portrayed positively; as Blumberg writes, \"his relentless ambition is a self-delusion, clothed as quest for truth\". He must abandon his family to fulfill his ambition. Mary Shelley believed in the Enlightenment idea that people could improve society through the responsible exercise of political power, but she feared that the irresponsible exercise of power would lead to chaos.", "Mary Shelley believed in the Enlightenment idea that people could improve society through the responsible exercise of political power, but she feared that the irresponsible exercise of power would lead to chaos. In practice, her works largely criticise the way 18th-century thinkers such as her parents believed such change could be brought about. The creature in Frankenstein, for example, reads books associated with radical ideals but the education he gains from them is ultimately useless.", "The creature in Frankenstein, for example, reads books associated with radical ideals but the education he gains from them is ultimately useless. Shelley's works reveal her as less optimistic than Godwin and Wollstonecraft; she lacks faith in Godwin's theory that humanity could eventually be perfected.", "Shelley's works reveal her as less optimistic than Godwin and Wollstonecraft; she lacks faith in Godwin's theory that humanity could eventually be perfected. As literary scholar Kari Lokke writes, The Last Man, more so than Frankenstein, \"in its refusal to place humanity at the centre of the universe, its questioning of our privileged position in relation to nature ... constitutes a profound and prophetic challenge to Western humanism.\"", "As literary scholar Kari Lokke writes, The Last Man, more so than Frankenstein, \"in its refusal to place humanity at the centre of the universe, its questioning of our privileged position in relation to nature ... constitutes a profound and prophetic challenge to Western humanism.\" Specifically, Mary Shelley's allusions to what radicals believed was a failed revolution in France and the Godwinian, Wollstonecraftian, and Burkean responses to it, challenge \"Enlightenment faith in the inevitability of progress through collective efforts\".", "Specifically, Mary Shelley's allusions to what radicals believed was a failed revolution in France and the Godwinian, Wollstonecraftian, and Burkean responses to it, challenge \"Enlightenment faith in the inevitability of progress through collective efforts\". As in Frankenstein, Shelley \"offers a profoundly disenchanted commentary on the age of revolution, which ends in a total rejection of the progressive ideals of her own generation\".", "As in Frankenstein, Shelley \"offers a profoundly disenchanted commentary on the age of revolution, which ends in a total rejection of the progressive ideals of her own generation\". Not only does she reject these Enlightenment political ideals, but she also rejects the Romantic notion that the poetic or literary imagination can offer an alternative. Politics There is a new scholarly emphasis on Shelley as a lifelong reformer, deeply engaged in the liberal and feminist concerns of her day.", "Politics There is a new scholarly emphasis on Shelley as a lifelong reformer, deeply engaged in the liberal and feminist concerns of her day. In 1820, she was thrilled by the Liberal uprising in Spain which forced the king to grant a constitution. In 1823, she wrote articles for Leigh Hunt's periodical The Liberal and played an active role in the formulation of its outlook. She was delighted when the Whigs came back to power in 1830 and at the prospect of the 1832 Reform Act.", "She was delighted when the Whigs came back to power in 1830 and at the prospect of the 1832 Reform Act. Critics have until recently cited Lodore and Falkner as evidence of increasing conservatism in Mary Shelley's later works. In 1984, Mary Poovey influentially identified the retreat of Mary Shelley's reformist politics into the \"separate sphere\" of the domestic. Poovey suggested that Mary Shelley wrote Falkner to resolve her conflicted response to her father's combination of libertarian radicalism and stern insistence on social decorum.", "Poovey suggested that Mary Shelley wrote Falkner to resolve her conflicted response to her father's combination of libertarian radicalism and stern insistence on social decorum. Mellor largely agreed, arguing that \"Mary Shelley grounded her alternative political ideology on the metaphor of the peaceful, loving, bourgeois family. She thereby implicitly endorsed a conservative vision of gradual evolutionary reform.\" This vision allowed women to participate in the public sphere but it inherited the inequalities inherent in the bourgeois family.", "This vision allowed women to participate in the public sphere but it inherited the inequalities inherent in the bourgeois family. However, in the last decade or so this view has been challenged. For example, Bennett claims that Mary Shelley's works reveal a consistent commitment to Romantic idealism and political reform and Jane Blumberg's study of Shelley's early novels argues that her career cannot be easily divided into radical and conservative halves.", "For example, Bennett claims that Mary Shelley's works reveal a consistent commitment to Romantic idealism and political reform and Jane Blumberg's study of Shelley's early novels argues that her career cannot be easily divided into radical and conservative halves. She contends that \"Shelley was never a passionate radical like her husband and her later lifestyle was not abruptly assumed nor was it a betrayal. She was in fact challenging the political and literary influences of her circle in her first work.\"", "She was in fact challenging the political and literary influences of her circle in her first work.\" In this reading, Shelley's early works are interpreted as a challenge to Godwin and Percy Bysshe Shelley's radicalism. Victor Frankenstein's \"thoughtless rejection of family\", for example, is seen as evidence of Shelley's constant concern for the domestic.", "Victor Frankenstein's \"thoughtless rejection of family\", for example, is seen as evidence of Shelley's constant concern for the domestic. Short stories In the 1820s and 1830s, Mary Shelley frequently wrote short stories for gift books or annuals, including sixteen for The Keepsake, which was aimed at middle-class women and bound in silk, with gilt-edged pages. Mary Shelley's work in this genre has been described as that of a \"hack writer\" and \"wordy and pedestrian\".", "Mary Shelley's work in this genre has been described as that of a \"hack writer\" and \"wordy and pedestrian\". However, critic Charlotte Sussman points out that other leading writers of the day, such as the Romantic poets William Wordsworth and Samuel Taylor Coleridge, also took advantage of this profitable market. She explains that \"the annuals were a major mode of literary production in the 1820s and 1830s\", with The Keepsake the most successful.", "She explains that \"the annuals were a major mode of literary production in the 1820s and 1830s\", with The Keepsake the most successful. Many of Shelley's stories are set in places or times far removed from early 19th-century Britain, such as Greece and the reign of Henry IV of France.", "Many of Shelley's stories are set in places or times far removed from early 19th-century Britain, such as Greece and the reign of Henry IV of France. Shelley was particularly interested in \"the fragility of individual identity\" and often depicted \"the way a person's role in the world can be cataclysmically altered either by an internal emotional upheaval, or by some supernatural occurrence that mirrors an internal schism\".", "Shelley was particularly interested in \"the fragility of individual identity\" and often depicted \"the way a person's role in the world can be cataclysmically altered either by an internal emotional upheaval, or by some supernatural occurrence that mirrors an internal schism\". In her stories, female identity is tied to a woman's short-lived value in the marriage market while male identity can be sustained and transformed through the use of money.", "In her stories, female identity is tied to a woman's short-lived value in the marriage market while male identity can be sustained and transformed through the use of money. Although Mary Shelley wrote twenty-one short stories for the annuals between 1823 and 1839, she always saw herself, above all, as a novelist. She wrote to Leigh Hunt, \"I write bad articles which help to make me miserable—but I am going to plunge into a novel and hope that its clear water will wash off the mud of the magazines.\"", "She wrote to Leigh Hunt, \"I write bad articles which help to make me miserable—but I am going to plunge into a novel and hope that its clear water will wash off the mud of the magazines.\" Travelogues When they ran off to France in the summer of 1814, Mary Godwin and Percy Shelley began a joint journal, which they published in 1817 under the title History of a Six Weeks' Tour, adding four letters, two by each of them, based on their visit to Geneva in 1816, along with Percy Shelley's poem \"Mont Blanc\".", "Travelogues When they ran off to France in the summer of 1814, Mary Godwin and Percy Shelley began a joint journal, which they published in 1817 under the title History of a Six Weeks' Tour, adding four letters, two by each of them, based on their visit to Geneva in 1816, along with Percy Shelley's poem \"Mont Blanc\". The work celebrates youthful love and political idealism and consciously follows the example of Mary Wollstonecraft and others who had combined travelling with writing.", "The work celebrates youthful love and political idealism and consciously follows the example of Mary Wollstonecraft and others who had combined travelling with writing. The perspective of the History is philosophical and reformist rather than that of a conventional travelogue; in particular, it addresses the effects of politics and war on France. The letters the couple wrote on the second journey confront the \"great and extraordinary events\" of the final defeat of Napoleon at Waterloo after his \"Hundred Days\" return in 1815.", "The letters the couple wrote on the second journey confront the \"great and extraordinary events\" of the final defeat of Napoleon at Waterloo after his \"Hundred Days\" return in 1815. They also explore the sublimity of Lake Geneva and Mont Blanc as well as the revolutionary legacy of the philosopher and novelist Jean-Jacques Rousseau.", "They also explore the sublimity of Lake Geneva and Mont Blanc as well as the revolutionary legacy of the philosopher and novelist Jean-Jacques Rousseau. Mary Shelley's last full-length book, written in the form of letters and published in 1844, was Rambles in Germany and Italy in 1840, 1842 and 1843, which recorded her travels with her son Percy Florence and his university friends.", "Mary Shelley's last full-length book, written in the form of letters and published in 1844, was Rambles in Germany and Italy in 1840, 1842 and 1843, which recorded her travels with her son Percy Florence and his university friends. In Rambles, Shelley follows the tradition of Mary Wollstonecraft's Letters Written in Sweden, Norway, and Denmark and her own A History of a Six Weeks' Tour in mapping her personal and political landscape through the discourse of sensibility and sympathy.", "In Rambles, Shelley follows the tradition of Mary Wollstonecraft's Letters Written in Sweden, Norway, and Denmark and her own A History of a Six Weeks' Tour in mapping her personal and political landscape through the discourse of sensibility and sympathy. For Shelley, building sympathetic connections between people is the way to build civil society and to increase knowledge: \"knowledge, to enlighten and free the mind from clinging deadening prejudices—a wider circle of sympathy with our fellow-creatures;—these are the uses of travel\".", "For Shelley, building sympathetic connections between people is the way to build civil society and to increase knowledge: \"knowledge, to enlighten and free the mind from clinging deadening prejudices—a wider circle of sympathy with our fellow-creatures;—these are the uses of travel\". Between observations on scenery, culture, and \"the people, especially in a political point of view\", she uses the travelogue form to explore her roles as a widow and mother and to reflect on revolutionary nationalism in Italy.", "Between observations on scenery, culture, and \"the people, especially in a political point of view\", she uses the travelogue form to explore her roles as a widow and mother and to reflect on revolutionary nationalism in Italy. She also records her \"pilgrimage\" to scenes associated with Percy Shelley. According to critic Clarissa Orr, Mary Shelley's adoption of a persona of philosophical motherhood gives Rambles the unity of a prose poem, with \"death and memory as central themes\".", "According to critic Clarissa Orr, Mary Shelley's adoption of a persona of philosophical motherhood gives Rambles the unity of a prose poem, with \"death and memory as central themes\". At the same time, Shelley makes an egalitarian case against monarchy, class distinctions, slavery, and war. Biographies Between 1832 and 1839, Mary Shelley wrote many biographies of notable Italian, Spanish, Portuguese, and French men and a few women for Dionysius Lardner's Lives of the Most Eminent Literary and Scientific Men.", "Biographies Between 1832 and 1839, Mary Shelley wrote many biographies of notable Italian, Spanish, Portuguese, and French men and a few women for Dionysius Lardner's Lives of the Most Eminent Literary and Scientific Men. These formed part of Lardner's Cabinet Cyclopaedia, one of the best of many such series produced in the 1820s and 1830s in response to growing middle-class demand for self-education. Until the republication of these essays in 2002, their significance within her body of work was not appreciated.", "Until the republication of these essays in 2002, their significance within her body of work was not appreciated. In the view of literary scholar Greg Kucich, they reveal Mary Shelley's \"prodigious research across several centuries and in multiple languages\", her gift for biographical narrative, and her interest in the \"emerging forms of feminist historiography\". Shelley wrote in a biographical style popularised by the 18th-century critic Samuel Johnson in his Lives of the Poets (1779–81), combining secondary sources, memoir and anecdote, and authorial evaluation.", "Shelley wrote in a biographical style popularised by the 18th-century critic Samuel Johnson in his Lives of the Poets (1779–81), combining secondary sources, memoir and anecdote, and authorial evaluation. She records details of each writer's life and character, quotes their writing in the original as well as in translation, and ends with a critical assessment of their achievement.", "She records details of each writer's life and character, quotes their writing in the original as well as in translation, and ends with a critical assessment of their achievement. For Shelley, biographical writing was supposed to, in her words, \"form as it were a school in which to study the philosophy of history\", and to teach \"lessons\". Most frequently and importantly, these lessons consisted of criticisms of male-dominated institutions such as primogeniture.", "Most frequently and importantly, these lessons consisted of criticisms of male-dominated institutions such as primogeniture. Shelley emphasises domesticity, romance, family, sympathy, and compassion in the lives of her subjects. Her conviction that such forces could improve society connects her biographical approach with that of other early feminist historians such as Mary Hays and Anna Jameson.", "Her conviction that such forces could improve society connects her biographical approach with that of other early feminist historians such as Mary Hays and Anna Jameson. Unlike her novels, most of which had an original print run of several hundred copies, the Lives had a print run of about 4,000 for each volume: thus, according to Kucich, Mary Shelley's \"use of biography to forward the social agenda of women's historiography became one of her most influential political interventions\".", "Unlike her novels, most of which had an original print run of several hundred copies, the Lives had a print run of about 4,000 for each volume: thus, according to Kucich, Mary Shelley's \"use of biography to forward the social agenda of women's historiography became one of her most influential political interventions\". Editorial work Soon after Percy Shelley's death, Mary Shelley determined to write his biography.", "Editorial work Soon after Percy Shelley's death, Mary Shelley determined to write his biography. In a letter of 17 November 1822, she announced: \"I shall write his life—& thus occupy myself in the only manner from which I can derive consolation.\" However, her father-in-law, Sir Timothy Shelley, effectively banned her from doing so. Mary began her fostering of Percy's poetic reputation in 1824 with the publication of his Posthumous Poems.", "Mary began her fostering of Percy's poetic reputation in 1824 with the publication of his Posthumous Poems. In 1839, while she was working on the Lives, she prepared a new edition of his poetry, which became, in the words of literary scholar Susan J. Wolfson, \"the canonizing event\" in the history of her husband's reputation.", "In 1839, while she was working on the Lives, she prepared a new edition of his poetry, which became, in the words of literary scholar Susan J. Wolfson, \"the canonizing event\" in the history of her husband's reputation. The following year, Mary Shelley edited a volume of her husband's essays, letters, translations, and fragments, and throughout the 1830s, she introduced his poetry to a wider audience by publishing assorted works in the annual The Keepsake.", "The following year, Mary Shelley edited a volume of her husband's essays, letters, translations, and fragments, and throughout the 1830s, she introduced his poetry to a wider audience by publishing assorted works in the annual The Keepsake. Evading Sir Timothy's ban on a biography, Mary Shelley often included in these editions her own annotations and reflections on her husband's life and work.", "Evading Sir Timothy's ban on a biography, Mary Shelley often included in these editions her own annotations and reflections on her husband's life and work. \"I am to justify his ways,\" she had declared in 1824; \"I am to make him beloved to all posterity.\" It was this goal, argues Blumberg, that led her to present Percy's work to the public in the \"most popular form possible\".", "It was this goal, argues Blumberg, that led her to present Percy's work to the public in the \"most popular form possible\". To tailor his works for a Victorian audience, she cast Percy Shelley as a lyrical rather than a political poet. As Mary Favret writes, \"the disembodied Percy identifies the spirit of poetry itself\". Mary glossed Percy's political radicalism as a form of sentimentalism, arguing that his republicanism arose from sympathy for those who were suffering.", "Mary glossed Percy's political radicalism as a form of sentimentalism, arguing that his republicanism arose from sympathy for those who were suffering. She inserted romantic anecdotes of his benevolence, domesticity, and love of the natural world. Portraying herself as Percy's \"practical muse\", she also noted how she had suggested revisions as he wrote. Despite the emotions stirred by this task, Mary Shelley arguably proved herself in many respects a professional and scholarly editor.", "Despite the emotions stirred by this task, Mary Shelley arguably proved herself in many respects a professional and scholarly editor. Working from Percy's messy, sometimes indecipherable, notebooks, she attempted to form a chronology for his writings, and she included poems, such as Epipsychidion, addressed to Emilia Viviani, which she would rather have left out.", "Working from Percy's messy, sometimes indecipherable, notebooks, she attempted to form a chronology for his writings, and she included poems, such as Epipsychidion, addressed to Emilia Viviani, which she would rather have left out. She was forced, however, into several compromises, and, as Blumberg notes, \"modern critics have found fault with the edition and claim variously that she miscopied, misinterpreted, purposely obscured, and attempted to turn the poet into something he was not\".", "She was forced, however, into several compromises, and, as Blumberg notes, \"modern critics have found fault with the edition and claim variously that she miscopied, misinterpreted, purposely obscured, and attempted to turn the poet into something he was not\". According to Wolfson, Donald Reiman, a modern editor of Percy Bysshe Shelley's works, still refers to Mary Shelley's editions, while acknowledging that her editing style belongs \"to an age of editing when the aim was not to establish accurate texts and scholarly apparatus but to present a full record of a writer's career for the general reader\".", "According to Wolfson, Donald Reiman, a modern editor of Percy Bysshe Shelley's works, still refers to Mary Shelley's editions, while acknowledging that her editing style belongs \"to an age of editing when the aim was not to establish accurate texts and scholarly apparatus but to present a full record of a writer's career for the general reader\". In principle, Mary Shelley believed in publishing every last word of her husband's work; but she found herself obliged to omit certain passages, either by pressure from her publisher, Edward Moxon, or in deference to public propriety.", "In principle, Mary Shelley believed in publishing every last word of her husband's work; but she found herself obliged to omit certain passages, either by pressure from her publisher, Edward Moxon, or in deference to public propriety. For example, she removed the atheistic passages from Queen Mab for the first edition. After she restored them in the second edition, Moxon was prosecuted and convicted of blasphemous libel, though the prosecution was brought out of principle by the Chartist publisher Henry Hetherington, and no punishment was sought.", "After she restored them in the second edition, Moxon was prosecuted and convicted of blasphemous libel, though the prosecution was brought out of principle by the Chartist publisher Henry Hetherington, and no punishment was sought. Mary Shelley's omissions provoked criticism, often stinging, from members of Percy Shelley's former circle, and reviewers accused her of, among other things, indiscriminate inclusions. Her notes have nevertheless remained an essential source for the study of Percy Shelley's work.", "Her notes have nevertheless remained an essential source for the study of Percy Shelley's work. As Bennett explains, \"biographers and critics agree that Mary Shelley's commitment to bring Shelley the notice she believed his works merited was the single, major force that established Shelley's reputation during a period when he almost certainly would have faded from public view\". Reputation In her own lifetime, Mary Shelley was taken seriously as a writer, though reviewers often missed her writings' political edge.", "Reputation In her own lifetime, Mary Shelley was taken seriously as a writer, though reviewers often missed her writings' political edge. After her death, however, she was chiefly remembered as the wife of Percy Bysshe Shelley and as the author of Frankenstein. In fact, in the introduction to her letters published in 1945, editor Frederick Jones wrote, \"a collection of the present size could not be justified by the general quality of the letters or by Mary Shelley's importance as a writer.", "In fact, in the introduction to her letters published in 1945, editor Frederick Jones wrote, \"a collection of the present size could not be justified by the general quality of the letters or by Mary Shelley's importance as a writer. It is as the wife of [Percy Bysshe Shelley] that she excites our interest.\" This attitude had not disappeared by 1980 when Betty T. Bennett published the first volume of Mary Shelley's complete letters.", "This attitude had not disappeared by 1980 when Betty T. Bennett published the first volume of Mary Shelley's complete letters. As she explains, \"the fact is that until recent years scholars have generally regarded Mary Wollstonecraft Shelley as a result: William Godwin's and Mary Wollstonecraft's daughter who became Shelley's Pygmalion.\" It was not until Emily Sunstein's Mary Shelley: Romance and Reality in 1989 that a full-length scholarly biography was published.", "It was not until Emily Sunstein's Mary Shelley: Romance and Reality in 1989 that a full-length scholarly biography was published. The attempts of Mary Shelley's son and daughter-in-law to \"Victorianise\" her memory by censoring biographical documents contributed to a perception of Mary Shelley as a more conventional, less reformist figure than her works suggest. Her own timid omissions from Percy Shelley's works and her quiet avoidance of public controversy in her later years added to this impression.", "Her own timid omissions from Percy Shelley's works and her quiet avoidance of public controversy in her later years added to this impression. Commentary by Hogg, Trelawny, and other admirers of Percy Shelley also tended to downplay Mary Shelley's radicalism. Trelawny's Records of Shelley, Byron, and the Author (1878) praised Percy Shelley at the expense of Mary, questioning her intelligence and even her authorship of Frankenstein.", "Trelawny's Records of Shelley, Byron, and the Author (1878) praised Percy Shelley at the expense of Mary, questioning her intelligence and even her authorship of Frankenstein. Lady Shelley, Percy Florence's wife, responded in part by presenting a severely edited collection of letters she had inherited, published privately as Shelley and Mary in 1882.", "Lady Shelley, Percy Florence's wife, responded in part by presenting a severely edited collection of letters she had inherited, published privately as Shelley and Mary in 1882. From Frankenstein'''s first theatrical adaptation in 1823 to the cinematic adaptations of the 20th century, including the first cinematic version in 1910 and now-famous versions such as James Whale's 1931 Frankenstein, Mel Brooks' satirical 1974 Young Frankenstein, and Kenneth Branagh's 1994 Mary Shelley's Frankenstein, many audiences first encounter the work of Mary Shelley through adaptation.", "From Frankenstein'''s first theatrical adaptation in 1823 to the cinematic adaptations of the 20th century, including the first cinematic version in 1910 and now-famous versions such as James Whale's 1931 Frankenstein, Mel Brooks' satirical 1974 Young Frankenstein, and Kenneth Branagh's 1994 Mary Shelley's Frankenstein, many audiences first encounter the work of Mary Shelley through adaptation. Over the course of the 19th century, Mary Shelley came to be seen as a one-novel author at best, rather than as the professional writer she was; most of her works have remained out of print until the last thirty years, obstructing a larger view of her achievement.", "Over the course of the 19th century, Mary Shelley came to be seen as a one-novel author at best, rather than as the professional writer she was; most of her works have remained out of print until the last thirty years, obstructing a larger view of her achievement. In recent decades, the republication of almost all her writing has stimulated a new recognition of its value. Her habit of intensive reading and study, revealed in her journals and letters and reflected in her works, is now better appreciated.", "Her habit of intensive reading and study, revealed in her journals and letters and reflected in her works, is now better appreciated. Shelley's conception of herself as an author has also been recognised; after Percy's death, she wrote of her authorial ambitions: \"I think that I can maintain myself, and there is something inspiriting in the idea.\" Scholars now consider Mary Shelley to be a major Romantic figure, significant for her literary achievement and her political voice as a woman and a liberal.", "Scholars now consider Mary Shelley to be a major Romantic figure, significant for her literary achievement and her political voice as a woman and a liberal. Selected works History of a Six Weeks' Tour (1817) Frankenstein; or, The Modern Prometheus (1818) Mathilda (1819) Valperga; or, The Life and Adventures of Castruccio, Prince of Lucca (1823) Posthumous Poems of Percy Bysshe Shelley (1824) The Last Man (1826) The Fortunes of Perkin Warbeck (1830) Lodore (1835) Falkner (1837) The Poetical Works of Percy Bysshe Shelley (1839) Contributions to Lives of the Most Eminent Literary and Scientific Men (1835–39), part of Lardner's Cabinet Cyclopaedia Rambles in Germany and Italy in 1840, 1842, and 1843 (1844) Collections of Mary Shelley's papers are housed in Lord Abinger's Shelley Collection on deposit at the Bodleian Library, the New York Public Library (particularly The Carl H. Pforzheimer Collection of Shelley and His Circle), the Huntington Library, the British Library, and in the John Murray Collection.", "Selected works History of a Six Weeks' Tour (1817) Frankenstein; or, The Modern Prometheus (1818) Mathilda (1819) Valperga; or, The Life and Adventures of Castruccio, Prince of Lucca (1823) Posthumous Poems of Percy Bysshe Shelley (1824) The Last Man (1826) The Fortunes of Perkin Warbeck (1830) Lodore (1835) Falkner (1837) The Poetical Works of Percy Bysshe Shelley (1839) Contributions to Lives of the Most Eminent Literary and Scientific Men (1835–39), part of Lardner's Cabinet Cyclopaedia Rambles in Germany and Italy in 1840, 1842, and 1843 (1844) Collections of Mary Shelley's papers are housed in Lord Abinger's Shelley Collection on deposit at the Bodleian Library, the New York Public Library (particularly The Carl H. Pforzheimer Collection of Shelley and His Circle), the Huntington Library, the British Library, and in the John Murray Collection. See also Mary Shelley (2017 film) Godwin–Shelley family tree Map of 1814 and 1816 European journeys Map of 1840s European journeys Notes References All essays from The Cambridge Companion to Mary Shelley are marked with a \"(CC)\" and those from The Other Mary Shelley with an \"(OMS)\".", "See also Mary Shelley (2017 film) Godwin–Shelley family tree Map of 1814 and 1816 European journeys Map of 1840s European journeys Notes References All essays from The Cambridge Companion to Mary Shelley are marked with a \"(CC)\" and those from The Other Mary Shelley with an \"(OMS)\". Bibliography Primary sources Shelley, Mary. Collected Tales and Stories. Ed. Charles E. Robinson. Baltimore: Johns Hopkins University Press, 1976. . Shelley, Mary. Frankenstein; or, The Modern Prometheus. Ed.", "Shelley, Mary. Frankenstein; or, The Modern Prometheus. Ed. Ed. Susan J. Wolfson. New York: Pearson Longman, 2007. . Shelley, Mary. The Journals of Mary Shelley, 1814–44. Ed. Paula R. Feldman and Diana Scott-Kilvert. Baltimore: Johns Hopkins University Press, 1995. . Shelley, Mary. The Last Man. Ed. Morton D. Paley. Oxford: Oxford Paperbacks, 1998. . Shelley, Mary. Lodore. Ed. Lisa Vargo. Ontario: Broadview Press, 1997. .", "Ed. Lisa Vargo. Ontario: Broadview Press, 1997. . Ontario: Broadview Press, 1997. . Shelley, Mary. Mary Shelley's Literary Lives and Other Writings. 4 vols. Ed. Tilar J. Mazzeo. London: Pickering & Chatto, 2002. . Shelley, Mary. Mathilda . Ed. Elizabeth Nitchie. Chapel Hill: University of North Carolina Press, 1959. Project Gutenberg. Retrieved 16 February 2008. Shelley, Mary. Matilda; with Mary and Maria, by Mary Wollstonecraft. Ed. Janet Todd.", "Matilda; with Mary and Maria, by Mary Wollstonecraft. Ed. Janet Todd. Janet Todd. London: Penguin, 1992. . Shelley, Mary, ed. The Poetical Works of Percy Bysshe Shelley . London: Edward Moxon, 1840. Google Books. Retrieved 6 April 2008. Shelley, Mary. Selected Letters of Mary Wollstonecraft Shelley. Ed. Betty T. Bennett. Baltimore: Johns Hopkins University Press, 1995. . Shelley, Mary. Valperga; or, The Life and Adventures of Castruccio, Prince of Lucca.", "Valperga; or, The Life and Adventures of Castruccio, Prince of Lucca. Ed. Michael Rossington. Oxford: Oxford Paperbacks, 2000. . Shelley, Percy Bysshe. Shelley's Poetry and Prose. Eds. Donald H. Reiman and Neil Fraistat. 2nd ed. New York: W. W. Norton and Co., 2002. . Secondary sources Bennett, Betty T. \"Finding Mary Shelley in her Letters\". Romantic Revisions. Ed. Robert Brinkley and Keith Hanley. Cambridge: Cambridge University Press, 1992. .", "Cambridge: Cambridge University Press, 1992. . Cambridge: Cambridge University Press, 1992. . Bennett, Betty T., ed. Mary Shelley in her Times. Baltimore: Johns Hopkins University Press, 2003. . Bennett, Betty T. Mary Wollstonecraft Shelley: An Introduction. Baltimore: Johns Hopkins University Press, 1998. . Bennett, Betty T. \"The Political Philosophy of Mary Shelley's Historical Novels: Valperga and Perkin Warbeck\". The Evidence of the Imagination. Ed. Donald H. Reiman, Michael C. Jaye, and Betty T. Bennett.", "Donald H. Reiman, Michael C. Jaye, and Betty T. Bennett. New York: New York University Press, 1978. . Bieri, James. Percy Bysshe Shelley, a Biography: Exile of Unfulfilled Renown, 1816–1822. Newark: University of Delaware Press, 2005. . Blumberg, Jane. Mary Shelley's Early Novels: \"This Child of Imagination and Misery\". Iowa City: University of Iowa Press, 1993. . Bunnell, Charlene E. \"All the World's a Stage\": Dramatic Sensibility in Mary Shelley's Novels.", "Bunnell, Charlene E. \"All the World's a Stage\": Dramatic Sensibility in Mary Shelley's Novels. New York: Routledge, 2002. . Carlson, J. A. England's First Family of Writers: Mary Wollstonecraft, William Godwin, Mary Shelley. Baltimore: Johns Hopkins University Press, 2007. . Clemit, Pamela. \"From The Fields of Fancy to Matilda.\" Mary Shelley in her Times. Ed. Betty T. Bennett. Baltimore: Johns Hopkins University Press, 2003. . Clemit, Pamela.", "Baltimore: Johns Hopkins University Press, 2003. . Clemit, Pamela. Clemit, Pamela. The Godwinian Novel: The Rational Fictions of Godwin, Brockden Brown, Mary Shelley. Oxford: Clarendon Press, 1993. . Conger, Syndy M., Frederick S. Frank, and Gregory O'Dea, eds. Iconoclastic Departures: Mary Shelley after \"Frankenstein\". Essays in Honor of the Bicentenary of Mary Shelley's Birth. Madison, NJ: Farleigh Dickinson University Press, 1997. . Eberle-Sinatra, Michael, ed.", "Eberle-Sinatra, Michael, ed. Eberle-Sinatra, Michael, ed. Mary Shelley's Fictions: From Frankenstein to Falkner. New York: St. Martin's Press/Palgrave, 2000. . Fisch, Audrey A., Anne K. Mellor, and Esther H. Schorr, eds. The Other Mary Shelley: Beyond \"Frankenstein\". New York: Oxford University Press, 1993. . Frank, Frederick S. \"Mary Shelley's Other Fictions: A Bibliographic Consensus\". Iconoclastic Departures: Mary Shelley after \"Frankenstein\".", "Iconoclastic Departures: Mary Shelley after \"Frankenstein\". Iconoclastic Departures: Mary Shelley after \"Frankenstein\". Essays in Honor of the Bicentenary of Mary Shelley's Birth. Ed. Syndy M. Conger, Frederick S. Frank, and Gregory O'Dea. Madison, NJ: Farleigh Dickinson University Press, 1997. . Garrett, Martin Mary Shelley. Oxford: Oxford University Press. 2002. Gilbert, Sandra M. and Susan Gubar. The Madwoman in the Attic: The Woman Writer and the Nineteenth-Century Literary Imagination. 1979.", "The Madwoman in the Attic: The Woman Writer and the Nineteenth-Century Literary Imagination. 1979. 1979. New Haven: Yale University Press, 1984. . Gittings, Robert and Jo Manton. Claire Clairmont and the Shelleys. Oxford: Oxford University Press, 1992. . Holmes, Richard. Shelley: The Pursuit. 1974. London: Harper Perennial, 2003. . Jones, Steven. \"Charles E. Robinson, Ed. The Frankenstein Notebooks: A Facsimile Edition of Mary Shelley's Novel, 1816–17 (Parts One and Two)\".", "The Frankenstein Notebooks: A Facsimile Edition of Mary Shelley's Novel, 1816–17 (Parts One and Two)\". (Book Review). Romantic Circles website, 1 January 1998. Retrieved 15 September 2016. Jump, Harriet Devine, Pamela Clemit, and Betty T. Bennett, eds. Lives of the Great Romantics III: Godwin, Wollstonecraft & Mary Shelley by Their Contemporaries. London: Pickering & Chatto, 1999. . Levine, George and U. C. Knoepflmacher, eds.", "Levine, George and U. C. Knoepflmacher, eds. Levine, George and U. C. Knoepflmacher, eds. The Endurance of Frankenstein: Essays on Mary Shelley's novel. Berkeley: University of California Press, 1979. . Mellor, Anne K. Mary Shelley: Her Life, her Fiction, Her Monsters. London: Routledge, 1990. . Myers, Mitzi. \"Mary Wollstonecraft Godwin Shelley: The Female Author between Public and Private Spheres.\" Mary Shelley in her Times. Ed. Betty T. Bennett.", "Mary Shelley in her Times. Ed. Betty T. Bennett. Betty T. Bennett. Baltimore: Johns Hopkins University Press, 2003. . Orr, Clarissa Campbell. \"Mary Shelley's Rambles in Germany and Italy, the Celebrity Author, and the Undiscovered Country of the Human Heart\". Romanticism on the Net 11 (August 1998). Retrieved 22 February 2008. Poovey, Mary. The Proper Lady and the Woman Writer: Ideology as Style in the Works of Mary Wollstonecraft, Mary Shelley and Jane Austen.", "The Proper Lady and the Woman Writer: Ideology as Style in the Works of Mary Wollstonecraft, Mary Shelley and Jane Austen. Chicago: University of Chicago Press, 1985. . Robinson, Charles E., ed. The Frankenstein Notebooks: A Facsimile Edition of Mary Shelley's Novel, 1816–17 (Parts One and Two). The Manuscripts of the Younger Romantics, Volume IX, Donald H. Reiman, general ed. Garland Publishing, 1996. . Schor, Esther, ed. The Cambridge Companion to Mary Shelley.", "Schor, Esther, ed. The Cambridge Companion to Mary Shelley. The Cambridge Companion to Mary Shelley. Cambridge: Cambridge University Press, 2003. . Seymour, Miranda. Mary Shelley. London: John Murray, 2000. . Sites, Melissa. \"Re/membering Home: Utopian Domesticity in Mary Shelley's Lodore\". A Brighter Morn: The Shelley Circle's Utopian Project. Ed. Darby Lewes. Lanham, MD: Lexington Books, 2003. . Smith, Johanna M. \"A Critical History of Frankenstein\". Frankenstein.", "Smith, Johanna M. \"A Critical History of Frankenstein\". Frankenstein. Frankenstein. Case Studies in Contemporary Criticism. New York: Palgrave Macmillan, 2000. . Spark, Muriel. Mary Shelley. London: Cardinal, 1987. . St Clair, William. The Godwins and the Shelleys: The Biography of a Family. London: Faber & Faber, 1989. . Sterrenburg, Lee. \"The Last Man: Anatomy of Failed Revolutions\". Nineteenth Century Fiction 33 (1978): 324–47.", "Nineteenth Century Fiction 33 (1978): 324–47. Nineteenth Century Fiction 33 (1978): 324–47. Sunstein, Emily W. Mary Shelley: Romance and Reality. 1989. Baltimore: Johns Hopkins University Press, 1991. . Townsend, William C. Modern State Trials. London: Longman, Brown, Green and Longmans, 1850. Wake, Ann M Frank. \"Women in the Active Voice: Recovering Female History in Mary Shelley's Valperga and Perkin Warbeck\". Iconoclastic Departures: Mary Shelley after \"Frankenstein\".", "Iconoclastic Departures: Mary Shelley after \"Frankenstein\". Iconoclastic Departures: Mary Shelley after \"Frankenstein\". Essays in Honor of the Bicentenary of Mary Shelley's Birth. Ed. Syndy M. Conger, Frederick S. Frank, and Gregory O'Dea. Madison, NJ: Farleigh Dickinson University Press, 1997. . White, Daniel E. \"'The god undeified': Mary Shelley's Valperga, Italy, and the Aesthetic of Desire \". Romanticism on the Net 6 (May 1997). Retrieved 22 February 2008.", "Romanticism on the Net 6 (May 1997). Retrieved 22 February 2008. Retrieved 22 February 2008. Further reading Goulding, Christopher. \"The Real Doctor Frankenstein?\" Journal of the Royal Society of Medicine. The Royal Society of Medicine, May 2002.", "The Royal Society of Medicine, May 2002. The Royal Society of Medicine, May 2002. Richard Holmes, \"Out of Control\" (review of Mary Shelley, Frankenstein, Or, The Modern Prometheus: Annotated for Scientists, Engineers, and Creators of All Kinds, edited by David H. Guston, Ed Finn, and Jason Scott Robert, MIT Press, 277 pp. ; and Mary Shelley, The New Annotated Frankenstein, edited and with a foreword and notes by Leslie S. Klinger, Liveright, 352 pp.", "; and Mary Shelley, The New Annotated Frankenstein, edited and with a foreword and notes by Leslie S. Klinger, Liveright, 352 pp. ), The New York Review of Books, vol. LXIV, no. 20 (21 December 2017), pp. 38, 40–41. Gordon, Charlotte (2016). Romantic Outlaws: The Extraordinary Lives of Mary Wollstonecraft & Mary Shelley'', Random House.", "Romantic Outlaws: The Extraordinary Lives of Mary Wollstonecraft & Mary Shelley'', Random House. External links Mary Shelley chronology and bibliography – part of Romantic Circles Mary Wollstonecraft Shelley manuscript material, 1815–1850, held by the Carl H. Pforzheimer Collection of Shelley and His Circle, New York Public Library Mary Shelley at the British Library Exhibits relating to Mary Shelley at the Bodleian Library, University of Oxford 1797 births 1851 deaths 19th-century English women writers 19th-century English novelists 19th-century British short story writers British expatriates in Italy British expatriates in Switzerland British feminists British horror writers British science fiction writers Deaths from brain tumor Deaths from cancer in England English expatriates in Italy English expatriates in Switzerland English feminists English horror writers English science fiction writers English travel writers English women novelists Frankenstein Godwin family People from Bournemouth People from Somers Town, London Romanticism Science Fiction Hall of Fame inductees Victorian novelists Women historical novelists Women horror writers Women of the Regency era Women science fiction and fantasy writers British women travel writers Writers of Gothic fiction Shelley family Weird fiction writers" ]

[ "Babrak Karmal", "Communist politics" ]

[ "Mir Akbar Khyber () (sometimes spelled Khaibar) (January 11, 1925 – April 17, 1978) was an Afghan left-wing intellectual and a leader of the Parcham faction of People's Democratic Party of Afghanistan (PDPA). His assassination by an unidentified person or people led to the overthrow of Mohammed Daoud Khan's republic, and to the advent of a socialist regime in Afghanistan, the Democratic Republic of Afghanistan.\n\nHistory\nBorn on March 11, 1925 in Logar Province. Khyber graduated from Harbi Pohantoon Military University in 1947. In 1950, he was imprisoned for his revolutionary activities. Later he was employed by the Ministry of Education, until he was expelled from Paktia for taking part in a riot in 1965. After returning to Kabul, he became editor of the Parcham newspaper, Parcham, and oversaw the Parchams recruitment program in the Afghan Army. He was a close confidant of the Parcham leader Babrak Karmal.\n\nAssassination\nHe was assassinated outside his home on 17 April 1978. The Daoud regime attempted to put the blame for Khyber's death on Gulbuddin Hekmatyar's Hezbi Islami, but Nur Mohammad Taraki of the PDPA charged that the government itself was responsible, a belief that was shared by much of the Kabul intelligentsia. Louis Dupree, an American historian and specialist of Afghanistan, concluded that interior minister Mohammed Issa Nuristani, a virulent anti-communist, had ordered the killing. However, several sources, including fellow Parchamites Babrak Karmal and Anahita Ratebzad, claimed that Hafizullah Amin, a leader of the rival Khalq faction, was the instigator of the assassination. But some former ministers of Khalq faction claim that the assassination was ordered by the Soviet Union and Karmal. Daoud's confidant, Abdul Samad Ghaus, suggested that a strong rivalry existed between Amin and Khyber as they both attempted to infiltrate the military for their respective factions. Also, Khyber's attempts to reunite Khalq and Parcham cells within the military would have undermined Amin's power, according to communist sources. Mr. Ghaus suggest that Amin's henchmen, Siddiq Alamyar and his brother, are responsible for assassination of both Khyber and Inamulhaq Gran (mistakenly thought to be Karmal) upon order from Amin. Alamyar became Amin's minister of planning and his brother president of the general transportation authority. \n\nAt Khyber's funeral on April 19, some 15,000 PDPA sympathizers gathered in Kabul, and paraded through the streets chanting slogans against the CIA and the SAVAK, the Shah of Iran's secret police. Alarmed by this demonstration of communist strength, Daoud ordered a crackdown on the PDPA leadership, which in turn prompted the PDPA to launch a military coup that became known as the Saur Revolution, during which Daoud was killed, and the PDPA took power.\n\nReferences\n\nPeople's Democratic Party of Afghanistan politicians\nAfghan communists\nAssassinated Afghan politicians\n1925 births\n1978 deaths\nPashtun people", "Sultan Ali Keshtmand (; born May 22, 1935 in Kabul), sometimes transliterated Kishtmand, was an Afghan politician. He served twice as Chairman of the Council of Ministers during the 1980s, from 1981 to 1988 and from 1989 to 1990 in the Democratic Republic of Afghanistan.\n\nEarly years\nKeshtmand was born in Kabul. He is a member of the Hazara ethnic group. He studied economics at Kabul University and became involved in the People's Democratic Party of Afghanistan. He joined the Parcham Faction of that party, which was led by Babrak Karmal. He sought and received political asylum from the British Prime Minister John Major. He lives in the UK.\n\nRole in politics\nImmediately after the April 1978 coup d'état in which the People's Democratic Party came to power, Keshtmand became the minister of planning in the newly formed Democratic Republic of Afghanistan.\n\nHe lost that post in August 1978 when he was arrested for an alleged plot against President Nur Mohammad Taraki, a member of the rival Khalq faction of the party. The PDPA Politburo ordered the arrest of Keshtmand and Public Works Minister Muhammad Rafi'i for their part in the possible anti-regime conspiracy. He and the other inmates went through severe torture and long imprisonment. He remained in prison and was sentenced to death, but this decision was revoked and he was resentenced to 15 years in prison.\n\nOn December 1979, the Soviet Union invaded Afghanistan, bringing Babrak Karmal and the Parcham faction to power. Keshtmand was released from jail, and was once again joined the Politburo.\n\nFriction among the People's Party members rose in 1980 when Karmal removed Assadullah Sarwari from his position as First Deputy Chairman of the Council of Ministers and replaced him with Sultan Ali Keshtmand. Keshtmand, a Parchami, soon became one of the most important leaders of the regime. In June 1981, Karmal retained his other offices, but resigned as Council of Ministers chairman and was succeeded by Keshtmand. A 21-member Supreme Defense Council headed by Mohammad Najibullah effectively assumed power.\n\nThe rise in the deficit greatly concerned the government, and as Council of Ministers chairman Keshtmand noted in April 1983, the tax collections were inadequate in view of the increased state spending. The security situation in the country, however, prevented the government from improving its tax collections.\n\nIn September 1987, the Kabul government sponsored a large convocation of Hazaras from various parts of the country and offered them autonomy. In his speech to the group, Keshtmand said that the government was going to set up several new provinces in the Hazarajat that would be administered by the local inhabitants.\n\nRise and fall of power\nHe served as Chairman of the Council of Ministers from 1981 to 1988 and 1989 to 1990, and as one of the vice presidents from May 1990 until April 1991, when he was dismissed shortly before the fall of the government.\n\nA mujaheddin radio station reports intra-Parcham (a faction of the PDPA) (P) clashes in Kabul between supporters of Najibullah and Keshtmand, Chairman of the Executive Committee of the Council of Ministers.\n\nNon-PDPA member Mohammad Hassan Sharq was selected by President Najibullah to be the new Council of Ministers chairman, replacing Keshtmand. This move was made in order to free spaces in the new government for nonparty candidates.\n\nHe then left Afghanistan, first moving to Russia and then to England. There he became an outspoken defender of the rights of Hazaras and other minorities, claiming that the Pashtun majority in Afghanistan had had too much power in all of Afghanistan's regimes, past and present. After the communist Saur Revolution, which toppled Daud Khan's first Afghan Republic, he reportedly said, \"Brothers, today the five long centuries of Pashtun political domination has come to an end.\"\n\nReferences\n\n1935 births\nLiving people\nAfghan Muslims\nVice presidents of Afghanistan\nPrime Ministers of Afghanistan\nCommunist rulers of Afghanistan\nPeople's Democratic Party of Afghanistan politicians\nGovernment ministers of Afghanistan\nHazara politicians\nAfghan exiles\nAfghan emigrants to England\nAfghan expatriates in Russia" ]

[ "Babrak Karmal (Dari/Pashto , born Sultan Hussein; 6 January 1929 – 1 or 3 December 1996) was an Afghan revolutionary and politician who was the leader of Afghanistan, serving in the post of General Secretary of the People's Democratic Party of Afghanistan for seven years. Born in Kabul Province into a Tajikized family of Kashmiri origin, Karmal attended Kabul University and developed openly leftist views there, having been introduced to Marxism by Mir Akbar Khyber during his imprisonment for activities deemed too radical by the government.", "Born in Kabul Province into a Tajikized family of Kashmiri origin, Karmal attended Kabul University and developed openly leftist views there, having been introduced to Marxism by Mir Akbar Khyber during his imprisonment for activities deemed too radical by the government. He became a founding member of the People's Democratic Party of Afghanistan (PDPA) and eventually became the leader of the Parcham faction when the PDPA split in 1967, with their ideological nemesis being the Khalq faction.", "He became a founding member of the People's Democratic Party of Afghanistan (PDPA) and eventually became the leader of the Parcham faction when the PDPA split in 1967, with their ideological nemesis being the Khalq faction. Karmal was elected to the Lower House after the 1965 parliamentary election, serving in parliament until losing his seat in the 1969 parliamentary election. Under Karmal's leadership, the Parchamite PDPA participated in Mohammad Daoud Khan's rise to power in 1973, and his subsequent regime.", "Under Karmal's leadership, the Parchamite PDPA participated in Mohammad Daoud Khan's rise to power in 1973, and his subsequent regime. While relations were good at the beginning, Daoud began a major purge of leftist influence in the mid-1970s. This in turn led to the reformation of the PDPA in 1977, and Karmal played a role in the 1978 Saur Revolution when the PDPA took power. Karmal was appointed Deputy Chairman of the Revolutionary Council, synonymous with vice head of state, in the communist government.", "Karmal was appointed Deputy Chairman of the Revolutionary Council, synonymous with vice head of state, in the communist government. The Parchamite faction found itself under significant pressure by the Khalqists soon after taking power. In June 1978, a PDPA Central Committee meeting voted in favor of giving the Khalqist faction exclusive control over PDPA policy. This decision was followed by a failed Parchamite coup, after which Hafizullah Amin, a Khalqist, initiated a purge against the Parchamites.", "This decision was followed by a failed Parchamite coup, after which Hafizullah Amin, a Khalqist, initiated a purge against the Parchamites. Karmal survived this purge but was exiled to Prague and eventually dismissed from his post. Instead of returning to Kabul, he feared for his life and lived with his family in the forests protected by the Czechoslovak secret police StB. The Afghan secret police KHAD had allegedly sent members to Czechoslovakia to assassinate Karmal.", "The Afghan secret police KHAD had allegedly sent members to Czechoslovakia to assassinate Karmal. In late 1979 he was brought to Moscow by the KGB and eventually, in December 1979, the Soviet Union intervened in Afghanistan (with the consent of Amin's government) to stabilize the country. The Soviet troops staged a coup and assassinated Amin, replacing him with Karmal. Karmal was promoted to Chairman of the Revolutionary Council and Chairman of the Council of Ministers on 27 December 1979.", "Karmal was promoted to Chairman of the Revolutionary Council and Chairman of the Council of Ministers on 27 December 1979. He remained in the latter office until 1981, when he was succeeded by Sultan Ali Keshtmand. Throughout his term, Karmal worked to establish a support base for the PDPA by introducing several reforms. Among these were the \"Fundamental Principles of the Democratic Republic of Afghanistan\", introducing a general amnesty for those people imprisoned during Nur Mohammad Taraki's and Amin's rule.", "Among these were the \"Fundamental Principles of the Democratic Republic of Afghanistan\", introducing a general amnesty for those people imprisoned during Nur Mohammad Taraki's and Amin's rule. He also replaced the red Khalqist flag with a more traditional one. These policies failed to increase the PDPA's legitimacy in the eyes of the Afghan people and the Afghan mujahideen rebels - he was widely seen as a Soviet puppet amongst the populace.", "These policies failed to increase the PDPA's legitimacy in the eyes of the Afghan people and the Afghan mujahideen rebels - he was widely seen as a Soviet puppet amongst the populace. These policy failures, and the stalemate that ensued after the Soviet intervention, led the Soviet leadership to become highly critical of Karmal's leadership. Under Mikhail Gorbachev, the Soviet Union deposed Karmal in 1986 and replaced him with Mohammad Najibullah. Following his loss of power, he was again exiled, this time to Moscow.", "Following his loss of power, he was again exiled, this time to Moscow. It was Anahita Ratebzad who persuaded Najibullah to allow Babrak Karmal to return to Afghanistan in 1991, where Karmal became an associate of Abdul Rashid Dostum and possibly helped remove the Najibullah government from power in 1992. He eventually left Afghanistan again for Moscow. Not long after, in 1996, Karmal died from liver cancer. Early life and career Karmal was born Sultan Hussein on 6 January 1929 in Kamari, a village close to Kabul.", "Early life and career Karmal was born Sultan Hussein on 6 January 1929 in Kamari, a village close to Kabul. He was the son of Muhammad Hussein Hashem, a Major General in the Afghan Army and former governor of the province of Paktia, and was the second of five siblings. His family was one of the wealthier families in Kabul. His ethnic background was publicly disputed at the time, with many sources reporting he was a Tajik of Kabul.", "His ethnic background was publicly disputed at the time, with many sources reporting he was a Tajik of Kabul. In 1986, Karmal declared that he and his brother Mahmud Baryalay were Pashtuns as their mother was a linguistically Persianized Pashtun of the Khilji tribe. This declaration was considered to be political as descent comes from the patriarchal line in Afghan society. Karmal's forefathers came to Kabul from Kashmir, and his original name Sultan Hussein (which is associated with Indian Muslims) reinforces his Kashmiri roots.", "Karmal's forefathers came to Kabul from Kashmir, and his original name Sultan Hussein (which is associated with Indian Muslims) reinforces his Kashmiri roots. He attended Nejat High School, a German-speaking school, and graduated from it in 1948, and applied to enter the Faculty of Law and Political Science of Kabul University. Karmal's application was initially denied admission to Kabul University because of his student political activist and his openly leftist views.", "Karmal's application was initially denied admission to Kabul University because of his student political activist and his openly leftist views. He was always a charismatic speaker and became involved in the student union and the Wikh-i-Zalmayan (Awakened Youth Movement), a progressive and leftist organization. He studied at the College of Law and Political Science at Kabul University from 1951 to 1953. In 1953 Karmal was arrested because of his student union activities, but was released three years later in 1956 in an amnesty by Muhammad Daoud Khan.", "In 1953 Karmal was arrested because of his student union activities, but was released three years later in 1956 in an amnesty by Muhammad Daoud Khan. Shortly after, in 1957, Karmal found work as an English and German translator, before quitting and leaving for military training. Karmal graduated from the College of Law and Political Science in 1960, and in 1961, he found work as an employee in the Compilation and Translation Department of the Ministry of Education. From 1961 to 1963 he worked in the Ministry of Planning.", "From 1961 to 1963 he worked in the Ministry of Planning. When his mother died, Karmal left with his maternal aunt to live somewhere else. His father disowned him because of his leftist views. Karmal was involved in much debauchery, which was controversial in the mostly conservative Afghan society. Communist politics Imprisoned from 1953 to 1956, Karmal befriended fellow inmate Mir Akbar Khyber, who introduced Karmal to Marxism.", "Communist politics Imprisoned from 1953 to 1956, Karmal befriended fellow inmate Mir Akbar Khyber, who introduced Karmal to Marxism. Karmal changed his name from Sultan Hussein to Babrak Karmal, which means \"Comrade of the Workers'\" in Pashtun, to disassociate himself from his bourgeois background. When he was released from prison, he continued his activities in the student union, and began to promote Marxism.", "When he was released from prison, he continued his activities in the student union, and began to promote Marxism. Karmal spent the rest of the 1950s and the early 1960s becoming involved with Marxist organizations, of which there were at least four in Afghanistan at the time; two of the four were established by Karmal. When the 1964 Afghan Provisional Constitution, which legalised the establishment of new political entities, was introduced several prominent Marxists agreed to establish a communist political party.", "When the 1964 Afghan Provisional Constitution, which legalised the establishment of new political entities, was introduced several prominent Marxists agreed to establish a communist political party. The People's Democratic Party of Afghanistan (PDPA, the Communist Party) was established in January 1965 in Nur Muhammad Taraki's home. Factionalism within the PDPA quickly became a problem; the party split into the Khalq led by Taraki alongside Hafizullah Amin, and the Parcham led by Karmal.", "Factionalism within the PDPA quickly became a problem; the party split into the Khalq led by Taraki alongside Hafizullah Amin, and the Parcham led by Karmal. During the 1965 parliamentary election Karmal was one of four PDPA members elected to the lower house of parliament; the three others were Anahita Ratebzad, Nur Ahmed Nur and Fezanul Haq Fezan. No Khalqists were elected; however, Amin was 50 votes short of being elected.", "No Khalqists were elected; however, Amin was 50 votes short of being elected. The Parchamite victory may be explained by the simple fact that Karmal could contribute financially to the PDPA electoral campaign. Karmal became a leading figure within the student movement in the 1960s, electing Mohammad Hashim Maiwandwal as Prime Minister after a student demonstration (called for by Karmal) concluded with three deaths under the former leadership. In 1966 inside parliament, Karmal was physically assaulted by an Islamist MP, Mohammad Nabi Mohammadi.", "In 1966 inside parliament, Karmal was physically assaulted by an Islamist MP, Mohammad Nabi Mohammadi. In 1967, the PDPA unofficially split into two formal parties, one Khalqist and one Parchamist. The dissolution of the PDPA was initiated by the closing down of the Khalqist newspaper, Khalq. Karmal criticised the Khalq for being too communist, and believed that its leadership should have hidden its Marxist orientation instead of promoting it. According to the official version of events, the majority of the PDPA Central Committee rejected Karmal's criticism.", "According to the official version of events, the majority of the PDPA Central Committee rejected Karmal's criticism. The vote was a close one, and it is reported that Taraki expanded the Central Committee to win the vote; this plan resulted in eight of the new members becoming politically unaligned with and one switching to the Parchamite side. Karmal and half the PDPA Central Committee left the PDPA to establish a Parchamite-led PDPA.", "Karmal and half the PDPA Central Committee left the PDPA to establish a Parchamite-led PDPA. Officially the split was caused by ideological differences, but the party may have divided between the different leadership styles and plans of Taraki versus Karmal. Taraki wanted to model the party after Leninist norms while Karmal wanted to establish a democratic front. Other differences were socioeconomic. The majority of Khalqists came from rural areas; hence they were poorer, and were of Pashtun origin.", "The majority of Khalqists came from rural areas; hence they were poorer, and were of Pashtun origin. The Parchamites were urban, richer, and spoke Dari more often than not. The Khalqists accused the Parchamites of having a connection with the monarchy, and because of it, referred to the Parchamite PDPA as the \"Royal Communist Party\". Both Karmal and Amin retained their seats in the lower house of parliament in the 1969 parliamentary election.", "Both Karmal and Amin retained their seats in the lower house of parliament in the 1969 parliamentary election. The Daoud era Mohammed Daoud Khan, in collaboration with the Parchamite PDPA and radical military officers, overthrew the monarchy and instituted the Republic of Afghanistan in 1973. After Daoud's seizure of power, an American embassy cable stated that the new government had established a Soviet-style Central Committee, in which Karmal and Mir Akbar Khyber were given leading positions.", "After Daoud's seizure of power, an American embassy cable stated that the new government had established a Soviet-style Central Committee, in which Karmal and Mir Akbar Khyber were given leading positions. Most ministries were given to Parchamites; Hassan Sharq became Deputy Prime Minister, Major Faiz Mohammad became Minister of Internal Affairs and Niamatullah Pazhwak became Minister of Education. The Parchamites took control over the ministries of finance, agriculture, communications and border affairs. The new government quickly suppressed the opposition, and secured their power base.", "The new government quickly suppressed the opposition, and secured their power base. At first, the National Front government between Daoud and the Parchamites seemed to work. By 1975, Daoud had strengthened his position by enhancing the executive, legislative and judicial powers of the Presidency. To the dismay of the Parchamites, all parties other than the National Revolutionary Party (NRP, established by Daoud) were made illegal. Shortly after the ban on opposition to the NRP, Daoud began a massive purge of Parchamites in government.", "Shortly after the ban on opposition to the NRP, Daoud began a massive purge of Parchamites in government. Mohammad lost his position as interior minister, Abdul Qadir was demoted, and Karmal was put under government surveillance. To mitigate Daoud's suddenly anti-communist directives, the Soviet Union reestablished the PDPA; Taraki was elected its General Secretary and Karmal, Second Secretary.", "To mitigate Daoud's suddenly anti-communist directives, the Soviet Union reestablished the PDPA; Taraki was elected its General Secretary and Karmal, Second Secretary. While the Saur Revolution (literally the April Revolution) was planned for August, the assassination of Khyber led to a chain of events which ended with the communists seizing power. Karmal, when taking power in 1979, accused Amin of ordering the assassination of Khyber.", "Karmal, when taking power in 1979, accused Amin of ordering the assassination of Khyber. Taraki–Amin rule Taraki was appointed Chairman of the Presidium of the Revolutionary Council and Chairman of the Council of Ministers, retaining his post as PDPA general secretary. Taraki initially formed a government which consisted of both Khalqists and Parchamites; Karmal became Deputy Chairman of the Revolutionary Council, while Amin became Minister of Foreign Affairs and Deputy Chairman of the Council of Ministers.Mohammad Aslam Watanjar became Deputy Chairman of the Council of Ministers.", "Taraki initially formed a government which consisted of both Khalqists and Parchamites; Karmal became Deputy Chairman of the Revolutionary Council, while Amin became Minister of Foreign Affairs and Deputy Chairman of the Council of Ministers.Mohammad Aslam Watanjar became Deputy Chairman of the Council of Ministers. The two Parchamites Abdul Qadir and Mohammad Rafi, became Minister of Defence and Minister of Public Works, respectively.", "The two Parchamites Abdul Qadir and Mohammad Rafi, became Minister of Defence and Minister of Public Works, respectively. The appointment of Amin, Karmal and Watanjar led to splits within the Council of Ministers: the Khalqists answered to Amin; Karmal led the civilian Parchamites; and the military officers (who were Parchamites) were answerable to Watanjar (a Khalqist).", "The appointment of Amin, Karmal and Watanjar led to splits within the Council of Ministers: the Khalqists answered to Amin; Karmal led the civilian Parchamites; and the military officers (who were Parchamites) were answerable to Watanjar (a Khalqist). The first conflict arose when the Khalqists wanted to give PDPA Central Committee membership to military officers who had participated in the Saur Revolution; Karmal opposed such a move but was overruled. A PDPA Politburo meeting voted in favour of giving Central Committee membership to the officers.", "A PDPA Politburo meeting voted in favour of giving Central Committee membership to the officers. On 27 June, three months after the Saur Revolution, Amin outmaneuvered the Parchamites at a Central Committee meeting, giving the Khalqists exclusive right over formulating and deciding policy. A purge against the Parchamites was initiated by Amin and supported by Taraki on 1 July 1979. Karmal, fearing for his safety, went into hiding in one of his Soviet friends' homes.", "Karmal, fearing for his safety, went into hiding in one of his Soviet friends' homes. Karmal tried to contact Alexander Puzanov, the Soviet ambassador to Afghanistan, to talk about the situation. Puzanov refused, and revealed Karmal's location to Amin. The Soviets probably saved Karmal's life by sending him to the Socialist Republic of Czechoslovakia. In exile, Karmal established a network with the remaining Parchamites in government. A coup to overthrow Amin was planned for 4 September 1979.", "A coup to overthrow Amin was planned for 4 September 1979. Its leading members in Afghanistan were Qadir and the Army Chief of Staff General Shahpur Ahmedzai. The coup was planned for the Festival of Eid, in anticipation of relaxed military vigilance. The conspiracy failed when the Afghan ambassador to India told the Afghan leadership about the plan. Another purge was initiated, and Parchamite ambassadors were recalled. Few returned to Afghanistan; Karmal and Mohammad Najibullah stayed in their respective countries.", "Few returned to Afghanistan; Karmal and Mohammad Najibullah stayed in their respective countries. The Soviets decided that Amin should be removed to make way for a Karmal-Taraki coalition government. However Amin managed to order the arrest and later the murder of Taraki. Amin was informed of the Soviet decision to intervene in Afghanistan and was initially supportive, but was assassinated. Under the command of the Soviets, Karmal ascended to power.", "Under the command of the Soviets, Karmal ascended to power. On 27 December 1979, Karmal's pre-recorded speech to the Afghan people was broadcast via Radio Kabul from Tashkent in the Uzbek SSR (the radio wavelength was changed to that of Kabul), saying: \"Today the torture machine of Amin has been smashed, his accomplices – the primitive executioners, usurpers and murderers of tens of thousand of our fellow countrymen – fathers, mothers, sisters, brothers, sons and daughters, children and old people ...\" Karmal was not in Kabul when the speech was broadcast; he was in Bagram, protected by the KGB.", "On 27 December 1979, Karmal's pre-recorded speech to the Afghan people was broadcast via Radio Kabul from Tashkent in the Uzbek SSR (the radio wavelength was changed to that of Kabul), saying: \"Today the torture machine of Amin has been smashed, his accomplices – the primitive executioners, usurpers and murderers of tens of thousand of our fellow countrymen – fathers, mothers, sisters, brothers, sons and daughters, children and old people ...\" Karmal was not in Kabul when the speech was broadcast; he was in Bagram, protected by the KGB. That evening Yuri Andropov, the KGB Chairman, congratulated Karmal on his rise to the Chairmanship of the Presidium of the Revolutionary Council, some time before Karmal received an official appointment.", "That evening Yuri Andropov, the KGB Chairman, congratulated Karmal on his rise to the Chairmanship of the Presidium of the Revolutionary Council, some time before Karmal received an official appointment. Karmal returned to Kabul on 28 December. He travelled alongside a Soviet military column. For the next few days Karmal lived in a villa on the outskirts of Kabul under the protection of the KGB.", "For the next few days Karmal lived in a villa on the outskirts of Kabul under the protection of the KGB. On 1 January 1980 Leonid Brezhnev, the General Secretary of the Central Committee of the Communist Party of the Soviet Union, and Alexei Kosygin, the Soviet Chairman of the Council of Ministers, congratulated Karmal on his \"election\" as leader. Leadership Domestic policies Karmal's ascension was quickly troubled as he was effectively installed by the invading Soviet Union, delegitimizing him.", "Leadership Domestic policies Karmal's ascension was quickly troubled as he was effectively installed by the invading Soviet Union, delegitimizing him. Unrest in the country quickly escalated, and in Kabul two major uprisings, on 3 Hoot (22 February) and the months long students' protests were early signs of trouble. The \"Fundamental Principles\" and amnesty When he came to power, Karmal promised an end to executions, the establishment of democratic institutions and free elections, the creation of a constitution, and legalization of alternative political parties.", "The \"Fundamental Principles\" and amnesty When he came to power, Karmal promised an end to executions, the establishment of democratic institutions and free elections, the creation of a constitution, and legalization of alternative political parties. Prisoners incarcerated under the two previous governments would be freed in a general amnesty (which occurred on 6 January). He promised the creation of a coalition government which would not espouse socialism.", "He promised the creation of a coalition government which would not espouse socialism. At the same time, he told the Afghan people that he had negotiated with the Soviet Union to give economic, military and political assistance. The mistrust most Afghans felt towards the government was a problem for Karmal. Many still remembered he had said he would protect private capital in 1978—a promise later proven to be a lie.", "Many still remembered he had said he would protect private capital in 1978—a promise later proven to be a lie. Karmal's three most important promises were the general amnesty of prisoners, the promulgation of the Fundamental Principles of the Democratic Republic of Afghanistan and the adoption of a new flag containing the traditional black, red and green (the flag of Taraki and Amin was red). His government granted concessions to religious leaders and the restoration of confiscated property.", "His government granted concessions to religious leaders and the restoration of confiscated property. Some property, which was confiscated during earlier land reforms, was also partially restored. All these measures, with the exception of the general amnesty of prisoners, were introduced gradually. Of 2,700 prisoners, 2,600 were released from prison; 600 of these were Parchamites. The general amnesty was greatly publicized by the government.", "The general amnesty was greatly publicized by the government. The general amnesty was greatly publicized by the government. While the event was hailed with enthusiasm by some, many others greeted the event with disdain, since their loved ones or associates had died during earlier purges. Amin had planned to introduce a general amnesty on 1 January 1980, to coincide with the PDPA's sixteenth anniversary.", "Amin had planned to introduce a general amnesty on 1 January 1980, to coincide with the PDPA's sixteenth anniversary. Work on the Fundamental Principles had started under Amin: it guaranteed democratic rights such as freedom of speech, the right to security and life, the right to peaceful association, the right to demonstrate and the right that \"no one would be accused of crime but in accord with the provisions of law\" and that the accused had the right to a fair trial.", "Work on the Fundamental Principles had started under Amin: it guaranteed democratic rights such as freedom of speech, the right to security and life, the right to peaceful association, the right to demonstrate and the right that \"no one would be accused of crime but in accord with the provisions of law\" and that the accused had the right to a fair trial. The Fundamental Principles envisaged a democratic state led by the PDPA, the only party then permitted by law.", "The Fundamental Principles envisaged a democratic state led by the PDPA, the only party then permitted by law. The Revolutionary Council, the organ of supreme power, would convene twice every year. The Revolutionary Council in turn elected a Presidium which would take decisions on behalf of the Revolutionary Council when it was not in session. The Presidium consisted mostly of PDPA Politburo members. The state would safeguard three kinds of property: state, cooperative and private property.", "The state would safeguard three kinds of property: state, cooperative and private property. The Fundamental Principles said that the state had the right to change the Afghan economy from an economy where man was exploited to an economy where man was free. Another clause stated that the state had the right to take \"families, both parents and children, under its supervision.\" While it looked democratic at the outset, the Fundamental Principles was based on contradictions.", "While it looked democratic at the outset, the Fundamental Principles was based on contradictions. The Fundamental Principles led to the establishment of two important state organs: the Special Revolutionary Court, a specialized court for crimes against national security and territorial integrity, and the Institute for Legal and Scientific Research and Legislative Affairs, the supreme legislative organ of state, This body could amend and draft laws, and introduce regulations and decrees on behalf of the government.", "The Fundamental Principles led to the establishment of two important state organs: the Special Revolutionary Court, a specialized court for crimes against national security and territorial integrity, and the Institute for Legal and Scientific Research and Legislative Affairs, the supreme legislative organ of state, This body could amend and draft laws, and introduce regulations and decrees on behalf of the government. The introduction of more Soviet-style institutions led the Afghan people to distrust the communist government even more. The Fundamental Principles constitution came into power on 22 April 1980.", "The Fundamental Principles constitution came into power on 22 April 1980. Dividing power: Khalq–Parcham With Karmal's ascension to power, Parchamites began to \"settle old scores\". Revolutionary Troikas were created to arrest, sentence and execute people. Amin's guard were the first victims of the terror which ensued. Those commanders who had stayed loyal to Amin were arrested, filling the prisons.", "Those commanders who had stayed loyal to Amin were arrested, filling the prisons. The Soviets protested, and Karmal replied, \"As long as you keep my hands bound and do not let me deal with the Khalq faction there will be no unity in the PDPA and the government cannot become strong ... They tortured and killed us. They still hate us!", "They tortured and killed us. They still hate us! They still hate us! They are the enemies of the party ...\" Amin's daughter, along with her baby, was imprisoned for twelve years, until Mohammad Najibullah, then leader of the PDPA, released her. When Karmal took power, leading posts in the Party and Government bureaucracy were taken over by Parchamites.", "When Karmal took power, leading posts in the Party and Government bureaucracy were taken over by Parchamites. The Khalq faction was removed from power, and only technocrats, opportunists and individuals which the Soviets trusted would be appointed to the higher echelons of government. Khalqists remained in control of the Ministry of Interior, but Parchamites were given control over KHAD and the secret police. The Parchamites and the Khalqists controlled an equal share of the military. Two out of Karmal's three Council of Ministers deputy chairmen were Khalqists.", "Two out of Karmal's three Council of Ministers deputy chairmen were Khalqists. Khalqists controlled the Ministry of Communications and the interior ministry. Parchamites, on the other hand, controlled the Ministry of Foreign Affairs and the Ministry of Defence. In addition to the changes in government, the Parchamites held clear majority in the PDPA Central Committee. Only one Khalqi, Saleh Mohammad Zeary, was a member of the PDPA Secretariat during Karmal's rule.", "Only one Khalqi, Saleh Mohammad Zeary, was a member of the PDPA Secretariat during Karmal's rule. Over 14 and 15 March 1982 the PDPA held a party conference at the Kabul Polytechnic Institute instead of a party congress, since a party congress would have given the Khalq faction a majority and could have led to a Khalqist takeover of the PDPA. The rules of holding a party conference were different, and the Parchamites had a three-fifths majority. This infuriated several Khalqists; the threat of expulsion did not lessen their anger.", "This infuriated several Khalqists; the threat of expulsion did not lessen their anger. The conference was not successful, but it was portrayed as such by the official media. The conference broke up after one and a half days of a 3-day long program, because of the inter-party struggle for power between the Khalqists and the Parchamites. A \"program of action\" was introduced, and party rules were given minor changes.", "A \"program of action\" was introduced, and party rules were given minor changes. As an explanation of the low party membership, the official media also made it seem hard to become a member of the party. PDPA base When Karmal took power, he began expanding the support base of the PDPA. Karmal tried to persuade certain groups, which had been referred to class enemies of the revolution during Taraki and Amin's rule, to support the PDPA. Karmal appointed several non-communists to top positions.", "Karmal appointed several non-communists to top positions. Karmal appointed several non-communists to top positions. Between March and May 1980, 78 out of the 191 people appointed to government posts were not members of the PDPA. Karmal reintroduced the old Afghan custom of having an Islamic invocation every time the government issued a proclamation. In his first live speech to the Afghan people, Karmal called for the establishment of the National Fatherland Front (NFF); the NFF's founding congress was held in June 1981.", "In his first live speech to the Afghan people, Karmal called for the establishment of the National Fatherland Front (NFF); the NFF's founding congress was held in June 1981. Unfortunately for Karmal, his policies did not lead to a notable increase in support for his regime, and it did not help Karmal that most Afghans saw the Soviet intervention as an invasion. By 1981, the government gave up on political solutions to the conflict.", "By 1981, the government gave up on political solutions to the conflict. At the fifth PDPA Central Committee plenum in June, Karmal resigned from his Council of Ministers chairmanship and was replaced by Sultan Ali Keshtmand, while Nur Ahmad Nur was given a bigger role in the Revolutionary Council. This was seen as \"base broadening\". The previous weight given to non-PDPA members in top positions ceased to be an important matter in the media by June 1981.", "The previous weight given to non-PDPA members in top positions ceased to be an important matter in the media by June 1981. This was significant, considering that up to five members of the Revolutionary Council were non-PDPA members. By the end of 1981, the previous contenders, who had been heavily presented in the media, were all gone; two were given ambassadorships, two ceased to be active in politics, and one continued as an advisor to the government.", "By the end of 1981, the previous contenders, who had been heavily presented in the media, were all gone; two were given ambassadorships, two ceased to be active in politics, and one continued as an advisor to the government. The other three changed sides, and began to work for the opposition.", "The other three changed sides, and began to work for the opposition. The national policy of reconciliation continued: in January 1984 the land reform introduced by Taraki and Amin was drastically modified, the limits of landholdings were increased to win the support of middle class peasants, the literacy programme was continued, and concessions to women were made. In 1985 the Loya Jirga was reconvened. The 1985 Loya Jirga was followed by a tribal jirga in September.", "The 1985 Loya Jirga was followed by a tribal jirga in September. In 1986 Abdul Rahim Hatef, a non-PDPA member, was elected to the NFF chairmanship. During the 1985–86 elections it was said that 60 percent of the elected officials were non-PDPA members. By the end of Karmal's rule, several non-PDPA members had high-level government positions. Civil war and military In March 1979, the military budget was 6.4 million US$, which was 8.3 percent of the government budget, but only 2.2 of gross national product.", "Civil war and military In March 1979, the military budget was 6.4 million US$, which was 8.3 percent of the government budget, but only 2.2 of gross national product. After the Soviet intervention, the defence budget increased to 208 million US$ in 1980, and 325 million US$ by 1981. In 1982 it was reported that the government spent around 22 percent of total expenditure.", "In 1982 it was reported that the government spent around 22 percent of total expenditure. When the political solution failed (see \"PDPA base\" section), the Afghan government and the Soviet military decided to solve the conflict militarily. The change from a political to a military solution did not come suddenly. It began in January 1981, as Karmal doubled wages for military personnel, issued several promotions, and decorated one general and thirteen colonels.", "It began in January 1981, as Karmal doubled wages for military personnel, issued several promotions, and decorated one general and thirteen colonels. The draft age was lowered, the obligatory length of arms duty was extended and the age for reservists was increased to thirty-five years of age. In June 1981, Assadullah Sarwari lost his seat in the PDPA Politburo, replaced by Mohammad Aslam Watanjar, a former tank commander and Minister of Communications, Major General Mohammad Rafi was made Minister of Defence and Mohammad Najibullah appointed KHAD Chairman.", "In June 1981, Assadullah Sarwari lost his seat in the PDPA Politburo, replaced by Mohammad Aslam Watanjar, a former tank commander and Minister of Communications, Major General Mohammad Rafi was made Minister of Defence and Mohammad Najibullah appointed KHAD Chairman. These measures were introduced due to the collapse of the army during the Soviet intervention. Before the intervention the army could field 100,000 troops, after the intervention only 25,000. Desertions were pandemic, and the recruitment campaigns for young people often drove them to the opposition.", "Desertions were pandemic, and the recruitment campaigns for young people often drove them to the opposition. To better organize the military, seven military zones were established, each with its own Defence Council. The Defence Councils were established at the national, provincial and district level to empower the local PDPA. It is estimated that the Afghan government spent as much as 40 percent of government revenue on defense.", "It is estimated that the Afghan government spent as much as 40 percent of government revenue on defense. Karmal refused to recognize the rebels as genuine, saying in an interview: Economy During the civil war and the ensuing Soviet–Afghan War, most of the country's infrastructure was destroyed. Normal patterns of economic activity were disrupted. The Gross national product (GNP) fell substantially during Karmal's rule because of the conflict; trade and transport was disrupted with loss of labor and capital.", "The Gross national product (GNP) fell substantially during Karmal's rule because of the conflict; trade and transport was disrupted with loss of labor and capital. In 1981 the Afghan GDP stood at 154.3 billion Afghan afghanis, a drop from 159.7 billion in 1978. GNP per capita decreased from 7,370 in 1978 to 6,852 in 1981. The dominant form of economic activity was in the agricultural sector.", "The dominant form of economic activity was in the agricultural sector. Agriculture accounted for 63 percent of gross domestic product (GDP) in 1981; 56 percent of the labor force was working in agriculture in 1982. Industry accounted for 21 percent of GDP in 1982, and employed 10 percent of the labor force. All industrial enterprises were government-owned. The service sector, the smallest of the three, accounted for 10 percent of GDP in 1981, and employed an estimated one-third of the labour force.", "The service sector, the smallest of the three, accounted for 10 percent of GDP in 1981, and employed an estimated one-third of the labour force. The balance of payments, which had grown in the pre-communist administration of Muhammad Daoud Khan, decreased, turning negative by 1982 at 70.3 million $US. The only economic activity which grew substantially during Karmal's rule was export and import.", "The only economic activity which grew substantially during Karmal's rule was export and import. Foreign policy Karmal observed in early 1983 that without Soviet intervention, \"It is unknown what the destiny of the Afghan Revolution would be ... We are realists and we clearly realize that in store for us yet lie trials and deprivations, losses and difficulties.\" Two weeks before this statement Sultan Ali Keshtmand, the Chairman of the Council of Ministers, lamented the fact that half the schools and three-quarters of communications had been destroyed since 1979.", "Two weeks before this statement Sultan Ali Keshtmand, the Chairman of the Council of Ministers, lamented the fact that half the schools and three-quarters of communications had been destroyed since 1979. The Soviet Union rejected several Western-made peace plans, such as the Carrington Plan, since they did not take into consideration the PDPA government. Most Western peace plans had been made in collaboration with the Afghan opposition forces.", "Most Western peace plans had been made in collaboration with the Afghan opposition forces. At the 26th Congress of the Communist Party of the Soviet Union (CPSU) Leonid Brezhnev, the General Secretary of the CPSU Central Committee, stated; The stance of the Pakistani government was clear, demanding complete Soviet withdrawal from Afghanistan and the establishment of a non-PDPA government. Karmal, summarizing his discussions with Iran and Pakistan, said \"Iran and Pakistan have so far not opted for concrete and constructive positions.\"", "Karmal, summarizing his discussions with Iran and Pakistan, said \"Iran and Pakistan have so far not opted for concrete and constructive positions.\" During Karmal's rule Afghan–Pakistani relations remained hostile; the Soviet intervention in Afghanistan was the catalyst for the hostile relationship. The increasing numbers of Afghan refugees in Pakistan challenged the PDPA's legitimacy to rule. The Soviet Union threatened in 1985 that it would support the Baloch separatist movement in Pakistan if the Pakistani government continued to aid the Afghan mujahideen.", "The Soviet Union threatened in 1985 that it would support the Baloch separatist movement in Pakistan if the Pakistani government continued to aid the Afghan mujahideen. Karmal, problematically for the Soviets, did not want a Soviet withdrawal, and he hampered attempts to improve relations with Pakistan since the Pakistani government had refused to recognise the PDPA government. Public image Because Karmal was put into power without a formal ceremony as in Afghan tradition, he was seen as an illegitimate leader in many eyes of his people.", "Public image Because Karmal was put into power without a formal ceremony as in Afghan tradition, he was seen as an illegitimate leader in many eyes of his people. A poor performance in foreign interviews also didn't help his public image where he was noted to speak like an \"exhibitionist\" rather than a statesman. Karmal was widely viewed as a puppet leader of the Soviet Union by Afghans and the Western press.", "Karmal was widely viewed as a puppet leader of the Soviet Union by Afghans and the Western press. Despite his position, Karmal was apparently not permitted to make key decisions as he was following advice from Soviet advisers.", "Despite his position, Karmal was apparently not permitted to make key decisions as he was following advice from Soviet advisers. The Soviet control of the Afghan state was apparently so much that Karmal himself admitted to a friend of his unfree life, telling him: “The Soviet comrades love me boundlessly, and for the sake of my personal safety, they don’t obey even my own orders.” Fall from power and succession Mikhail Gorbachev, then General Secretary of the Central Committee of the Communist Party of the Soviet Union, said, \"The main reason that there has been no national consolidation so far is that Comrade Karmal is hoping to continue sitting in Kabul with our help.\"", "The Soviet control of the Afghan state was apparently so much that Karmal himself admitted to a friend of his unfree life, telling him: “The Soviet comrades love me boundlessly, and for the sake of my personal safety, they don’t obey even my own orders.” Fall from power and succession Mikhail Gorbachev, then General Secretary of the Central Committee of the Communist Party of the Soviet Union, said, \"The main reason that there has been no national consolidation so far is that Comrade Karmal is hoping to continue sitting in Kabul with our help.\" Karmal's position became less secure when the Soviet leadership began blaming him for the failures in Afghanistan.", "Karmal's position became less secure when the Soviet leadership began blaming him for the failures in Afghanistan. Gorbachev, worried over the situation, told the Soviet Politburo \"If we don't change approaches [to evacuate Afghanistan], we will be fighting there for another 20 or 30 years.\" It is not clear when the Soviet leadership began to campaign for Karmal's dismissal, but Andrei Gromyko discussed the possibility of Karmal's resignation with Javier Pérez de Cuéllar, the Secretary-General of the United Nations in 1982.", "It is not clear when the Soviet leadership began to campaign for Karmal's dismissal, but Andrei Gromyko discussed the possibility of Karmal's resignation with Javier Pérez de Cuéllar, the Secretary-General of the United Nations in 1982. While it was Gorbachev who would dismiss Karmal, there may have been a consensus within the Soviet leadership in 1983 that Karmal should resign. Gorbachev's own plan was to replace Karmal with Mohammad Najibullah, who had joined the PDPA at its creation.", "Gorbachev's own plan was to replace Karmal with Mohammad Najibullah, who had joined the PDPA at its creation. Najibullah was thought highly of by Yuri Andropov, Boris Ponomarev and Dmitriy Ustinov, and negotiations for his succession may have started in 1983. Najibullah was not the Soviet leadership's only choice for Karmal's succession; a GRU report noted that the majority of the PDPA leadership would support Assadullah Sarwari's ascension to leadership.", "Najibullah was not the Soviet leadership's only choice for Karmal's succession; a GRU report noted that the majority of the PDPA leadership would support Assadullah Sarwari's ascension to leadership. According to the GRU, Sarwari was a better candidate as he could balance between the Pashtuns, Tajiks and Uzbeks; Najibullah was a Pashtun nationalist. Another viable candidate was Abdul Qadir, who had been a participant in the Saur Revolution. Najibullah was appointed to the PDPA Secretariat in November 1985.", "Najibullah was appointed to the PDPA Secretariat in November 1985. During Karmal's March 1986 visit to the Soviet Union, the Soviets tried to persuade Karmal that he was too ill to govern, and that he should resign. This backfired, as a Soviet doctor attending to Karmal told him he was in good health. Karmal asked to return home to Kabul, and said that he understood and would listen to the Soviet recommendations. Before leaving, Karmal promised he would step down as PDPA General Secretary.", "Before leaving, Karmal promised he would step down as PDPA General Secretary. The Soviets did not trust him and sent Vladimir Kryuchkov, the head of intelligence (FCD) in the KGB, into Afghanistan. At a meeting in Kabul, Karmal confessed his undying love for the Soviet Union, comparing his ardor to his Muslim faith. Kryuchkov, concluding that he could not persuade Karmal to resign, left the meeting.", "Kryuchkov, concluding that he could not persuade Karmal to resign, left the meeting. After Kryuchkov left the room, the Afghan defence minister and the state security minister visited Karmal's office, telling him that he had to resign from one of his posts. Understanding that his Soviet support had been eliminated, Karmal resigned from the office of the General Secretary at the 18th PDPA Central Committee plenum. He was succeeded in his post by Najibullah.", "He was succeeded in his post by Najibullah. He was succeeded in his post by Najibullah. Karmal still had support within the party, and used his base to curb Najibullah's powers. He began spreading rumors that he would be reappointed General Secretary. Najibullah's power base was in the KHAD, the Afghan equivalent to the KGB, and not the party. Considering the fact that the Soviet Union had supported Karmal for over six years, the Soviet leadership wanted to ease him out of power gradually.", "Considering the fact that the Soviet Union had supported Karmal for over six years, the Soviet leadership wanted to ease him out of power gradually. Yuli Vorontsov, the Soviet ambassador to Afghanistan, told Najibullah to begin undermining Karmal's power slowly. Najibullah complained to the Soviet leadership that Karmal used most of his spare time looking for errors and \"speaking against the National Reconciliation [programme]\".", "Najibullah complained to the Soviet leadership that Karmal used most of his spare time looking for errors and \"speaking against the National Reconciliation [programme]\". At a meeting of the Soviet Politburo on 13 November 1986 it was decided that Najibullah should remove Karmal; this motion was supported by Gromyko, Vorontsov, Eduard Shevardnadze, Anatoly Dobrynin and Viktor Chebrikov. A PDPA meeting in November relieved Karmal of his Revolutionary Council chairmanship, and exiled him to Moscow where he was given a state-owned apartment and a dacha.", "A PDPA meeting in November relieved Karmal of his Revolutionary Council chairmanship, and exiled him to Moscow where he was given a state-owned apartment and a dacha. Karmal was succeeded as Revolutionary Council chairman by Haji Mohammad Chamkani, who was not a member of the PDPA. Later life and death Many years after the end of his leadership, he denounced the Saur Revolution of 1978 in which he took part, taking aim at the Khalq governments of Taraki and Amin.", "Later life and death Many years after the end of his leadership, he denounced the Saur Revolution of 1978 in which he took part, taking aim at the Khalq governments of Taraki and Amin. He told a Soviet reporter: It was the greatest crime against the people of Afghanistan. Parcham's leaders were against armed actions because the country was not ready for a revolution... I knew that people would not support us if we decided to keep power without such support.", "I knew that people would not support us if we decided to keep power without such support. For unknown reasons, Karmal was invited back to Kabul by Najibullah, and \"for equally obscure reasons Karmal accepted\", returning on 20 June 1991. (this could have been on the recommendation of Anahita Ratebzad who was very close to Karmal and also respected by Najibullah).", "(this could have been on the recommendation of Anahita Ratebzad who was very close to Karmal and also respected by Najibullah). If Najibullah's plan was to strengthen his position within the Watan Party (the renamed PDPA) by appeasing the pro-Karmal Parchamites, he failed – Karmal's apartment became a center for opposition to Najibullah's government. When Najibullah was toppled in 1992, Karmal became the most powerful politician in Kabul through leadership of the Parcham.", "When Najibullah was toppled in 1992, Karmal became the most powerful politician in Kabul through leadership of the Parcham. However, his negotiations with the rebels collapsed quickly, and on 16 April 1992 the rebels, led by Gulbuddin Hekmatyar, took Kabul. After the fall of Najibullah's government, Karmal was based in Hairatan. There, it is alleged, Karmal used most of his time either trying to establish a new party, or advising people to join the secular National Islamic Movement (Junbish-i-Milli).", "There, it is alleged, Karmal used most of his time either trying to establish a new party, or advising people to join the secular National Islamic Movement (Junbish-i-Milli). Abdul Rashid Dostum, the leader of Junbish-i-Milli, was a supporter of Karmal during his rule. It is unknown how much control Karmal had over Dostum, but there is little evidence that Karmal was in any commanding position. Karmal's influence over Dostum appeared indirect – some of his former associates supported Dostum.", "Karmal's influence over Dostum appeared indirect – some of his former associates supported Dostum. Those who spoke with Karmal during this period noted his lack of interest in politics. In June 1992 it was reported that he had died in a plane crash along with Dostum, although these reports later proved to be false. In early December 1996, Karmal died in Moscow's Central Clinical Hospital from liver cancer. The date of his death was reported by some sources as 1 December and by others as 3 December.", "The date of his death was reported by some sources as 1 December and by others as 3 December. The Taliban summed up his rule as follows: [he] committed all kinds of crimes during his illegitimate rule ... God inflicted on him various kinds of hardship and pain. Eventually he died of cancer in a hospital belonging to his paymasters, the Russians.", "Eventually he died of cancer in a hospital belonging to his paymasters, the Russians. Notes References Bibliography External links Biography of President Babrak Karmal 1929 births 1996 deaths 20th-century heads of state of Afghanistan Communist rulers of Afghanistan Afghan atheists Presidents of Afghanistan Prime Ministers of Afghanistan People's Democratic Party of Afghanistan politicians Afghan prisoners and detainees Prisoners and detainees of Afghanistan Afghan emigrants to the Soviet Union Collaborators with the Soviet Union Afghan emigrants to Russia People granted political asylum in the Soviet Union Deaths from cancer in Russia Deaths from liver cancer Democratic Republic of Afghanistan 1970s in Afghanistan 1980s in Afghanistan Afghan revolutionaries" ]

[ "Babrak Karmal", "Communist politics", "How was Karmal involved in Communist politics?", "befriended fellow inmate Mir Akbar Khyber," ]

[ "The 8th Central Committee of the Chinese Communist Party was in session from 1956 to 1969. It was preceded by the 7th Central Committee of the Chinese Communist Party. It held 12 plenary sessions in this period of 13 years. It was the longest serving central committee ever held by the Communist Party.\n\nIt elected the 8th Politburo of the Chinese Communist Party in 1956. This politburo was dysfunctional from 1967 -1969. This committee was succeeded by the 9th Central Committee of the Chinese Communist Party.\n\nMembers\nOrdered according to the numbers of ballots:\n\nChronology\n1st Plenary Session\nDate: September 28, 1956\nLocation: Beijing\nSignificance: Mao Zedong was appointed Chairman of the CCP Central Committee, with Liu Shaoqi, Zhou Enlai, Zhu De and Chen Yun as vice-chairmen and Deng Xiaoping as general secretary. A 23-members Politburo, the 6-members Politburo Standing Committee and other central organs were elected.\n2nd Plenary Session\nDate: November 10–15, 1956\nLocation: Beijing\nSignificance: Liu Shaoqi made a report on the Suez Crisis and the anti-communist revolts in Hungary and Poland; Zhou Enlai made a report on the 1957 economic plan; Chen Yun made a report on food issues. Mao Zedong delivered a closing speech focusing on the relations with the Soviet Union and upholding Joseph Stalin's legacy.\n3rd Plenary Session\nDate: September 20–October 9, 1957\nLocation: Beijing\nSignificance: Deng Xiaoping made a report on the Anti-Rightist Campaign; Chen Yun made a report on State governance and development of agriculture; Zhou Enlai made a report on labor insurances. The Great Leap Forward was first outlined.\n4th Plenary Session\nDate: May 3, 1958\nLocation: Beijing\nSignificance: The meeting approved the report which was to be delivered to the 2nd Session of the Party's 8th National Congress as well as a resolution on the meeting of communist and workers' parties held in Moscow in 1957.\n5th Plenary Session\nDate: May 25, 1958\nLocation: Beijing\nSignificance: The meeting focused on organizational issues, particularly appointing Lin Biao an additional vice-chairman of the CCP Central Committee, and starting the publication of Hongqi with Chen Boda as editor-in-chief.\n6th Plenary Session\nDate: November 28–December 10, 1958\nLocation: Beijing\nSignificance: The people's commune were proclaimed. Mao Zedong decided not propose himself as President of the People's Republic of China to the 2nd National People's Congress, paving the way for Liu Shaoqi.\n7th Plenary Session\nDate: April 2–5, 1959\nLocation: Shanghai\nSignificance: Meeting focused on economic and financial work. Reports were submitted by Bo Yibo, Li Xiannian, Deng Xiaoping and Li Fuchun.\n8th Plenary Session\nDate: August 2–16, 1959\nLocation: Lushan\nSignificance: Also known as \"Lushan Conference\", a debate on the Great Leap Forward occurred. In the end, Peng Dehuai (who criticized the Leap and the people's commune) was accused of being a counter-revolutionary and removed along with other Party leaders like PLA Chief-of-Staff Huang Kecheng and former General Secretary Zhang Wentian. The plenary meeting followed a central conference started on July 2. \n9th Plenary Session\nDate: January 14–18, 1961\nLocation: Beijing\nSignificance: Chen Yun made a report on the 1961 economic plan; Deng Xiaoping made a report on the 1960 Moscow meeting of communist parties. Regional bureaux of the CCP Central Committee were established at this session.\n10th Plenary Session\nDate: September 24–27, 1962\nLocation: Beijing\nSignificance: The meeting repeated Mao Zedong's assessment that Chinese economy was to take agriculture as basis to develop industry. The session's official communique also started to outline Mao Zedong's \"theory of continued revolution under proletarian dictatorship\" which led to the Cultural Revolution.\n11th Plenary Session\nDate: August 1–12, 1966\nLocation: Beijing\nSignificance: First plenary meeting after 4 years. It approved the Decision of the Central Committee of the Chinese Communist Party Concerning the Great Proletarian Cultural Revolution, setting the course for the Cultural Revolution, which had started in May. The Politburo Standing Committee was expanded from 7 to 11 members, with Lin Biao as the single vice-chairman and Liu Shaoqi severely demoted.\n12th Plenary Session\nDate: October 13–31, 1968\nLocation: Beijing\nSignificance: Liu Shaoqi—the main target of the Cultural Revolution—was condemned as \"renegade, traitor and scab\" and expelled from the Party. A decision to convene the Party's 9th National Congress (after 12 years since the 8th Congress) was adopted.\n\nReferences\n\nExternal links\n 8th Central Committee of the CCP, People's Daily Online.\n\nCentral Committee of the Chinese Communist Party\n1956 establishments in China\n1969 disestablishments in China\n\nit:VIII Congresso nazionale del Partito Comunista Cinese\nru:VIII съезд КПК", "The 7th Central Committee of the Chinese Communist Party was in session from 1945 to 1956. It was a product of the convening of the 7th National Congress of the Chinese Communist Party. It held six plenary sessions in this 11-year period. It began in June 1945, before the end of the Second Sino-Japanese War, and the resumption of the Chinese Civil War. This committee would be succeeded by the 8th Central Committee.\n\nIt had 44 members and 33 alternate members.\n\nIts first plenary session elected the 7th Politburo of the Chinese Communist Party in 1945.\n\nIts second plenary session was held in 1949, at about the same time as the establishment of the People's Republic of China.\n\nMembers\nOrdered according to the numbers of ballots:\n\nChronology\n1st Plenary Session\nDate: June 19, 1945\nLocation: Yan'an\nSignificance: Mao Zedong was appointed Chairman of the CCP Central Committee, aided by a Secretariat made up by Zhou Enlai, Ren Bishi, Liu Shaoqi and Zhu De. A 13-members Politburo and other central organs were elected.\n2nd Plenary Session\nDate: March 5–13, 1949\nLocation: Xibaipo, Pingshan County\nSignificance: This meeting was held just before the victory over the Kuomintang. Mao Zedong delivered a report focusing on the post-victory activity of the Communist Party, emphasizing the need to guard from \"unarmed enemies\" and \"sugar-covered bullets\". The decision to convene the Chinese People's Political Consultative Conference with \"democratic parties\" was also taken.\n3rd Plenary Session\nDate: June 6–9, 1950\nLocation: Beijing\nSignificance: First meeting of the CCP Central Committee to be held in Beijing and after the nationwide victory. It focused on the Central People's Government work, with reports delivered by Mao Zedong, Liu Shaoqi and Chen Yun. Nie Rongzhen made a report on the reorganization of the People's Liberation Army from guerilla formations towards becoming the armed forces of the new Republic.\n4th Plenary Session\nDate: February 6–10, 1954\nLocation: Beijing\nSignificance: Gao Gang was criticized. Mao Zedong did not participate, and the report by the Politburo was delivered by Liu Shaoqi.\n5th Plenary Session\nDate: April 4, 1955\nLocation: Beijing\nSignificance: The meeting was held after a Party national conference held in March. It approved the conference's resolutions on the Five-Year Plan and expelling Gao Gang (posthumously) and Rao Shushi. Lin Biao and Deng Xiaoping were elected to the Politburo for the first time.\n6th Plenary Session\nDate: October 4–11, 1955\nLocation: Beijing\nSignificance: Resolutions on the collectivization and socialist transformation of agriculture were taken. A decision on the convening of the Party's 8th National Congress was adopted.\n7th Plenary Session\nDate: August 22–September 13, 1956\nLocation: Beijing\nSignificance: Preparations for the 8th Congress were made.\n\nNotes\n\nExternal links\n 7th Central Committee of the CCP, People's Daily Online.\n\nCentral Committee of the Chinese Communist Party\n1945 establishments in China\n1956 disestablishments in China" ]

[ "Babrak Karmal (Dari/Pashto , born Sultan Hussein; 6 January 1929 – 1 or 3 December 1996) was an Afghan revolutionary and politician who was the leader of Afghanistan, serving in the post of General Secretary of the People's Democratic Party of Afghanistan for seven years. Born in Kabul Province into a Tajikized family of Kashmiri origin, Karmal attended Kabul University and developed openly leftist views there, having been introduced to Marxism by Mir Akbar Khyber during his imprisonment for activities deemed too radical by the government.", "Born in Kabul Province into a Tajikized family of Kashmiri origin, Karmal attended Kabul University and developed openly leftist views there, having been introduced to Marxism by Mir Akbar Khyber during his imprisonment for activities deemed too radical by the government. He became a founding member of the People's Democratic Party of Afghanistan (PDPA) and eventually became the leader of the Parcham faction when the PDPA split in 1967, with their ideological nemesis being the Khalq faction.", "He became a founding member of the People's Democratic Party of Afghanistan (PDPA) and eventually became the leader of the Parcham faction when the PDPA split in 1967, with their ideological nemesis being the Khalq faction. Karmal was elected to the Lower House after the 1965 parliamentary election, serving in parliament until losing his seat in the 1969 parliamentary election. Under Karmal's leadership, the Parchamite PDPA participated in Mohammad Daoud Khan's rise to power in 1973, and his subsequent regime.", "Under Karmal's leadership, the Parchamite PDPA participated in Mohammad Daoud Khan's rise to power in 1973, and his subsequent regime. While relations were good at the beginning, Daoud began a major purge of leftist influence in the mid-1970s. This in turn led to the reformation of the PDPA in 1977, and Karmal played a role in the 1978 Saur Revolution when the PDPA took power. Karmal was appointed Deputy Chairman of the Revolutionary Council, synonymous with vice head of state, in the communist government.", "Karmal was appointed Deputy Chairman of the Revolutionary Council, synonymous with vice head of state, in the communist government. The Parchamite faction found itself under significant pressure by the Khalqists soon after taking power. In June 1978, a PDPA Central Committee meeting voted in favor of giving the Khalqist faction exclusive control over PDPA policy. This decision was followed by a failed Parchamite coup, after which Hafizullah Amin, a Khalqist, initiated a purge against the Parchamites.", "This decision was followed by a failed Parchamite coup, after which Hafizullah Amin, a Khalqist, initiated a purge against the Parchamites. Karmal survived this purge but was exiled to Prague and eventually dismissed from his post. Instead of returning to Kabul, he feared for his life and lived with his family in the forests protected by the Czechoslovak secret police StB. The Afghan secret police KHAD had allegedly sent members to Czechoslovakia to assassinate Karmal.", "The Afghan secret police KHAD had allegedly sent members to Czechoslovakia to assassinate Karmal. In late 1979 he was brought to Moscow by the KGB and eventually, in December 1979, the Soviet Union intervened in Afghanistan (with the consent of Amin's government) to stabilize the country. The Soviet troops staged a coup and assassinated Amin, replacing him with Karmal. Karmal was promoted to Chairman of the Revolutionary Council and Chairman of the Council of Ministers on 27 December 1979.", "Karmal was promoted to Chairman of the Revolutionary Council and Chairman of the Council of Ministers on 27 December 1979. He remained in the latter office until 1981, when he was succeeded by Sultan Ali Keshtmand. Throughout his term, Karmal worked to establish a support base for the PDPA by introducing several reforms. Among these were the \"Fundamental Principles of the Democratic Republic of Afghanistan\", introducing a general amnesty for those people imprisoned during Nur Mohammad Taraki's and Amin's rule.", "Among these were the \"Fundamental Principles of the Democratic Republic of Afghanistan\", introducing a general amnesty for those people imprisoned during Nur Mohammad Taraki's and Amin's rule. He also replaced the red Khalqist flag with a more traditional one. These policies failed to increase the PDPA's legitimacy in the eyes of the Afghan people and the Afghan mujahideen rebels - he was widely seen as a Soviet puppet amongst the populace.", "These policies failed to increase the PDPA's legitimacy in the eyes of the Afghan people and the Afghan mujahideen rebels - he was widely seen as a Soviet puppet amongst the populace. These policy failures, and the stalemate that ensued after the Soviet intervention, led the Soviet leadership to become highly critical of Karmal's leadership. Under Mikhail Gorbachev, the Soviet Union deposed Karmal in 1986 and replaced him with Mohammad Najibullah. Following his loss of power, he was again exiled, this time to Moscow.", "Following his loss of power, he was again exiled, this time to Moscow. It was Anahita Ratebzad who persuaded Najibullah to allow Babrak Karmal to return to Afghanistan in 1991, where Karmal became an associate of Abdul Rashid Dostum and possibly helped remove the Najibullah government from power in 1992. He eventually left Afghanistan again for Moscow. Not long after, in 1996, Karmal died from liver cancer. Early life and career Karmal was born Sultan Hussein on 6 January 1929 in Kamari, a village close to Kabul.", "Early life and career Karmal was born Sultan Hussein on 6 January 1929 in Kamari, a village close to Kabul. He was the son of Muhammad Hussein Hashem, a Major General in the Afghan Army and former governor of the province of Paktia, and was the second of five siblings. His family was one of the wealthier families in Kabul. His ethnic background was publicly disputed at the time, with many sources reporting he was a Tajik of Kabul.", "His ethnic background was publicly disputed at the time, with many sources reporting he was a Tajik of Kabul. In 1986, Karmal declared that he and his brother Mahmud Baryalay were Pashtuns as their mother was a linguistically Persianized Pashtun of the Khilji tribe. This declaration was considered to be political as descent comes from the patriarchal line in Afghan society. Karmal's forefathers came to Kabul from Kashmir, and his original name Sultan Hussein (which is associated with Indian Muslims) reinforces his Kashmiri roots.", "Karmal's forefathers came to Kabul from Kashmir, and his original name Sultan Hussein (which is associated with Indian Muslims) reinforces his Kashmiri roots. He attended Nejat High School, a German-speaking school, and graduated from it in 1948, and applied to enter the Faculty of Law and Political Science of Kabul University. Karmal's application was initially denied admission to Kabul University because of his student political activist and his openly leftist views.", "Karmal's application was initially denied admission to Kabul University because of his student political activist and his openly leftist views. He was always a charismatic speaker and became involved in the student union and the Wikh-i-Zalmayan (Awakened Youth Movement), a progressive and leftist organization. He studied at the College of Law and Political Science at Kabul University from 1951 to 1953. In 1953 Karmal was arrested because of his student union activities, but was released three years later in 1956 in an amnesty by Muhammad Daoud Khan.", "In 1953 Karmal was arrested because of his student union activities, but was released three years later in 1956 in an amnesty by Muhammad Daoud Khan. Shortly after, in 1957, Karmal found work as an English and German translator, before quitting and leaving for military training. Karmal graduated from the College of Law and Political Science in 1960, and in 1961, he found work as an employee in the Compilation and Translation Department of the Ministry of Education. From 1961 to 1963 he worked in the Ministry of Planning.", "From 1961 to 1963 he worked in the Ministry of Planning. When his mother died, Karmal left with his maternal aunt to live somewhere else. His father disowned him because of his leftist views. Karmal was involved in much debauchery, which was controversial in the mostly conservative Afghan society. Communist politics Imprisoned from 1953 to 1956, Karmal befriended fellow inmate Mir Akbar Khyber, who introduced Karmal to Marxism.", "Communist politics Imprisoned from 1953 to 1956, Karmal befriended fellow inmate Mir Akbar Khyber, who introduced Karmal to Marxism. Karmal changed his name from Sultan Hussein to Babrak Karmal, which means \"Comrade of the Workers'\" in Pashtun, to disassociate himself from his bourgeois background. When he was released from prison, he continued his activities in the student union, and began to promote Marxism.", "When he was released from prison, he continued his activities in the student union, and began to promote Marxism. Karmal spent the rest of the 1950s and the early 1960s becoming involved with Marxist organizations, of which there were at least four in Afghanistan at the time; two of the four were established by Karmal. When the 1964 Afghan Provisional Constitution, which legalised the establishment of new political entities, was introduced several prominent Marxists agreed to establish a communist political party.", "When the 1964 Afghan Provisional Constitution, which legalised the establishment of new political entities, was introduced several prominent Marxists agreed to establish a communist political party. The People's Democratic Party of Afghanistan (PDPA, the Communist Party) was established in January 1965 in Nur Muhammad Taraki's home. Factionalism within the PDPA quickly became a problem; the party split into the Khalq led by Taraki alongside Hafizullah Amin, and the Parcham led by Karmal.", "Factionalism within the PDPA quickly became a problem; the party split into the Khalq led by Taraki alongside Hafizullah Amin, and the Parcham led by Karmal. During the 1965 parliamentary election Karmal was one of four PDPA members elected to the lower house of parliament; the three others were Anahita Ratebzad, Nur Ahmed Nur and Fezanul Haq Fezan. No Khalqists were elected; however, Amin was 50 votes short of being elected.", "No Khalqists were elected; however, Amin was 50 votes short of being elected. The Parchamite victory may be explained by the simple fact that Karmal could contribute financially to the PDPA electoral campaign. Karmal became a leading figure within the student movement in the 1960s, electing Mohammad Hashim Maiwandwal as Prime Minister after a student demonstration (called for by Karmal) concluded with three deaths under the former leadership. In 1966 inside parliament, Karmal was physically assaulted by an Islamist MP, Mohammad Nabi Mohammadi.", "In 1966 inside parliament, Karmal was physically assaulted by an Islamist MP, Mohammad Nabi Mohammadi. In 1967, the PDPA unofficially split into two formal parties, one Khalqist and one Parchamist. The dissolution of the PDPA was initiated by the closing down of the Khalqist newspaper, Khalq. Karmal criticised the Khalq for being too communist, and believed that its leadership should have hidden its Marxist orientation instead of promoting it. According to the official version of events, the majority of the PDPA Central Committee rejected Karmal's criticism.", "According to the official version of events, the majority of the PDPA Central Committee rejected Karmal's criticism. The vote was a close one, and it is reported that Taraki expanded the Central Committee to win the vote; this plan resulted in eight of the new members becoming politically unaligned with and one switching to the Parchamite side. Karmal and half the PDPA Central Committee left the PDPA to establish a Parchamite-led PDPA.", "Karmal and half the PDPA Central Committee left the PDPA to establish a Parchamite-led PDPA. Officially the split was caused by ideological differences, but the party may have divided between the different leadership styles and plans of Taraki versus Karmal. Taraki wanted to model the party after Leninist norms while Karmal wanted to establish a democratic front. Other differences were socioeconomic. The majority of Khalqists came from rural areas; hence they were poorer, and were of Pashtun origin.", "The majority of Khalqists came from rural areas; hence they were poorer, and were of Pashtun origin. The Parchamites were urban, richer, and spoke Dari more often than not. The Khalqists accused the Parchamites of having a connection with the monarchy, and because of it, referred to the Parchamite PDPA as the \"Royal Communist Party\". Both Karmal and Amin retained their seats in the lower house of parliament in the 1969 parliamentary election.", "Both Karmal and Amin retained their seats in the lower house of parliament in the 1969 parliamentary election. The Daoud era Mohammed Daoud Khan, in collaboration with the Parchamite PDPA and radical military officers, overthrew the monarchy and instituted the Republic of Afghanistan in 1973. After Daoud's seizure of power, an American embassy cable stated that the new government had established a Soviet-style Central Committee, in which Karmal and Mir Akbar Khyber were given leading positions.", "After Daoud's seizure of power, an American embassy cable stated that the new government had established a Soviet-style Central Committee, in which Karmal and Mir Akbar Khyber were given leading positions. Most ministries were given to Parchamites; Hassan Sharq became Deputy Prime Minister, Major Faiz Mohammad became Minister of Internal Affairs and Niamatullah Pazhwak became Minister of Education. The Parchamites took control over the ministries of finance, agriculture, communications and border affairs. The new government quickly suppressed the opposition, and secured their power base.", "The new government quickly suppressed the opposition, and secured their power base. At first, the National Front government between Daoud and the Parchamites seemed to work. By 1975, Daoud had strengthened his position by enhancing the executive, legislative and judicial powers of the Presidency. To the dismay of the Parchamites, all parties other than the National Revolutionary Party (NRP, established by Daoud) were made illegal. Shortly after the ban on opposition to the NRP, Daoud began a massive purge of Parchamites in government.", "Shortly after the ban on opposition to the NRP, Daoud began a massive purge of Parchamites in government. Mohammad lost his position as interior minister, Abdul Qadir was demoted, and Karmal was put under government surveillance. To mitigate Daoud's suddenly anti-communist directives, the Soviet Union reestablished the PDPA; Taraki was elected its General Secretary and Karmal, Second Secretary.", "To mitigate Daoud's suddenly anti-communist directives, the Soviet Union reestablished the PDPA; Taraki was elected its General Secretary and Karmal, Second Secretary. While the Saur Revolution (literally the April Revolution) was planned for August, the assassination of Khyber led to a chain of events which ended with the communists seizing power. Karmal, when taking power in 1979, accused Amin of ordering the assassination of Khyber.", "Karmal, when taking power in 1979, accused Amin of ordering the assassination of Khyber. Taraki–Amin rule Taraki was appointed Chairman of the Presidium of the Revolutionary Council and Chairman of the Council of Ministers, retaining his post as PDPA general secretary. Taraki initially formed a government which consisted of both Khalqists and Parchamites; Karmal became Deputy Chairman of the Revolutionary Council, while Amin became Minister of Foreign Affairs and Deputy Chairman of the Council of Ministers.Mohammad Aslam Watanjar became Deputy Chairman of the Council of Ministers.", "Taraki initially formed a government which consisted of both Khalqists and Parchamites; Karmal became Deputy Chairman of the Revolutionary Council, while Amin became Minister of Foreign Affairs and Deputy Chairman of the Council of Ministers.Mohammad Aslam Watanjar became Deputy Chairman of the Council of Ministers. The two Parchamites Abdul Qadir and Mohammad Rafi, became Minister of Defence and Minister of Public Works, respectively.", "The two Parchamites Abdul Qadir and Mohammad Rafi, became Minister of Defence and Minister of Public Works, respectively. The appointment of Amin, Karmal and Watanjar led to splits within the Council of Ministers: the Khalqists answered to Amin; Karmal led the civilian Parchamites; and the military officers (who were Parchamites) were answerable to Watanjar (a Khalqist).", "The appointment of Amin, Karmal and Watanjar led to splits within the Council of Ministers: the Khalqists answered to Amin; Karmal led the civilian Parchamites; and the military officers (who were Parchamites) were answerable to Watanjar (a Khalqist). The first conflict arose when the Khalqists wanted to give PDPA Central Committee membership to military officers who had participated in the Saur Revolution; Karmal opposed such a move but was overruled. A PDPA Politburo meeting voted in favour of giving Central Committee membership to the officers.", "A PDPA Politburo meeting voted in favour of giving Central Committee membership to the officers. On 27 June, three months after the Saur Revolution, Amin outmaneuvered the Parchamites at a Central Committee meeting, giving the Khalqists exclusive right over formulating and deciding policy. A purge against the Parchamites was initiated by Amin and supported by Taraki on 1 July 1979. Karmal, fearing for his safety, went into hiding in one of his Soviet friends' homes.", "Karmal, fearing for his safety, went into hiding in one of his Soviet friends' homes. Karmal tried to contact Alexander Puzanov, the Soviet ambassador to Afghanistan, to talk about the situation. Puzanov refused, and revealed Karmal's location to Amin. The Soviets probably saved Karmal's life by sending him to the Socialist Republic of Czechoslovakia. In exile, Karmal established a network with the remaining Parchamites in government. A coup to overthrow Amin was planned for 4 September 1979.", "A coup to overthrow Amin was planned for 4 September 1979. Its leading members in Afghanistan were Qadir and the Army Chief of Staff General Shahpur Ahmedzai. The coup was planned for the Festival of Eid, in anticipation of relaxed military vigilance. The conspiracy failed when the Afghan ambassador to India told the Afghan leadership about the plan. Another purge was initiated, and Parchamite ambassadors were recalled. Few returned to Afghanistan; Karmal and Mohammad Najibullah stayed in their respective countries.", "Few returned to Afghanistan; Karmal and Mohammad Najibullah stayed in their respective countries. The Soviets decided that Amin should be removed to make way for a Karmal-Taraki coalition government. However Amin managed to order the arrest and later the murder of Taraki. Amin was informed of the Soviet decision to intervene in Afghanistan and was initially supportive, but was assassinated. Under the command of the Soviets, Karmal ascended to power.", "Under the command of the Soviets, Karmal ascended to power. On 27 December 1979, Karmal's pre-recorded speech to the Afghan people was broadcast via Radio Kabul from Tashkent in the Uzbek SSR (the radio wavelength was changed to that of Kabul), saying: \"Today the torture machine of Amin has been smashed, his accomplices – the primitive executioners, usurpers and murderers of tens of thousand of our fellow countrymen – fathers, mothers, sisters, brothers, sons and daughters, children and old people ...\" Karmal was not in Kabul when the speech was broadcast; he was in Bagram, protected by the KGB.", "On 27 December 1979, Karmal's pre-recorded speech to the Afghan people was broadcast via Radio Kabul from Tashkent in the Uzbek SSR (the radio wavelength was changed to that of Kabul), saying: \"Today the torture machine of Amin has been smashed, his accomplices – the primitive executioners, usurpers and murderers of tens of thousand of our fellow countrymen – fathers, mothers, sisters, brothers, sons and daughters, children and old people ...\" Karmal was not in Kabul when the speech was broadcast; he was in Bagram, protected by the KGB. That evening Yuri Andropov, the KGB Chairman, congratulated Karmal on his rise to the Chairmanship of the Presidium of the Revolutionary Council, some time before Karmal received an official appointment.", "That evening Yuri Andropov, the KGB Chairman, congratulated Karmal on his rise to the Chairmanship of the Presidium of the Revolutionary Council, some time before Karmal received an official appointment. Karmal returned to Kabul on 28 December. He travelled alongside a Soviet military column. For the next few days Karmal lived in a villa on the outskirts of Kabul under the protection of the KGB.", "For the next few days Karmal lived in a villa on the outskirts of Kabul under the protection of the KGB. On 1 January 1980 Leonid Brezhnev, the General Secretary of the Central Committee of the Communist Party of the Soviet Union, and Alexei Kosygin, the Soviet Chairman of the Council of Ministers, congratulated Karmal on his \"election\" as leader. Leadership Domestic policies Karmal's ascension was quickly troubled as he was effectively installed by the invading Soviet Union, delegitimizing him.", "Leadership Domestic policies Karmal's ascension was quickly troubled as he was effectively installed by the invading Soviet Union, delegitimizing him. Unrest in the country quickly escalated, and in Kabul two major uprisings, on 3 Hoot (22 February) and the months long students' protests were early signs of trouble. The \"Fundamental Principles\" and amnesty When he came to power, Karmal promised an end to executions, the establishment of democratic institutions and free elections, the creation of a constitution, and legalization of alternative political parties.", "The \"Fundamental Principles\" and amnesty When he came to power, Karmal promised an end to executions, the establishment of democratic institutions and free elections, the creation of a constitution, and legalization of alternative political parties. Prisoners incarcerated under the two previous governments would be freed in a general amnesty (which occurred on 6 January). He promised the creation of a coalition government which would not espouse socialism.", "He promised the creation of a coalition government which would not espouse socialism. At the same time, he told the Afghan people that he had negotiated with the Soviet Union to give economic, military and political assistance. The mistrust most Afghans felt towards the government was a problem for Karmal. Many still remembered he had said he would protect private capital in 1978—a promise later proven to be a lie.", "Many still remembered he had said he would protect private capital in 1978—a promise later proven to be a lie. Karmal's three most important promises were the general amnesty of prisoners, the promulgation of the Fundamental Principles of the Democratic Republic of Afghanistan and the adoption of a new flag containing the traditional black, red and green (the flag of Taraki and Amin was red). His government granted concessions to religious leaders and the restoration of confiscated property.", "His government granted concessions to religious leaders and the restoration of confiscated property. Some property, which was confiscated during earlier land reforms, was also partially restored. All these measures, with the exception of the general amnesty of prisoners, were introduced gradually. Of 2,700 prisoners, 2,600 were released from prison; 600 of these were Parchamites. The general amnesty was greatly publicized by the government.", "The general amnesty was greatly publicized by the government. The general amnesty was greatly publicized by the government. While the event was hailed with enthusiasm by some, many others greeted the event with disdain, since their loved ones or associates had died during earlier purges. Amin had planned to introduce a general amnesty on 1 January 1980, to coincide with the PDPA's sixteenth anniversary.", "Amin had planned to introduce a general amnesty on 1 January 1980, to coincide with the PDPA's sixteenth anniversary. Work on the Fundamental Principles had started under Amin: it guaranteed democratic rights such as freedom of speech, the right to security and life, the right to peaceful association, the right to demonstrate and the right that \"no one would be accused of crime but in accord with the provisions of law\" and that the accused had the right to a fair trial.", "Work on the Fundamental Principles had started under Amin: it guaranteed democratic rights such as freedom of speech, the right to security and life, the right to peaceful association, the right to demonstrate and the right that \"no one would be accused of crime but in accord with the provisions of law\" and that the accused had the right to a fair trial. The Fundamental Principles envisaged a democratic state led by the PDPA, the only party then permitted by law.", "The Fundamental Principles envisaged a democratic state led by the PDPA, the only party then permitted by law. The Revolutionary Council, the organ of supreme power, would convene twice every year. The Revolutionary Council in turn elected a Presidium which would take decisions on behalf of the Revolutionary Council when it was not in session. The Presidium consisted mostly of PDPA Politburo members. The state would safeguard three kinds of property: state, cooperative and private property.", "The state would safeguard three kinds of property: state, cooperative and private property. The Fundamental Principles said that the state had the right to change the Afghan economy from an economy where man was exploited to an economy where man was free. Another clause stated that the state had the right to take \"families, both parents and children, under its supervision.\" While it looked democratic at the outset, the Fundamental Principles was based on contradictions.", "While it looked democratic at the outset, the Fundamental Principles was based on contradictions. The Fundamental Principles led to the establishment of two important state organs: the Special Revolutionary Court, a specialized court for crimes against national security and territorial integrity, and the Institute for Legal and Scientific Research and Legislative Affairs, the supreme legislative organ of state, This body could amend and draft laws, and introduce regulations and decrees on behalf of the government.", "The Fundamental Principles led to the establishment of two important state organs: the Special Revolutionary Court, a specialized court for crimes against national security and territorial integrity, and the Institute for Legal and Scientific Research and Legislative Affairs, the supreme legislative organ of state, This body could amend and draft laws, and introduce regulations and decrees on behalf of the government. The introduction of more Soviet-style institutions led the Afghan people to distrust the communist government even more. The Fundamental Principles constitution came into power on 22 April 1980.", "The Fundamental Principles constitution came into power on 22 April 1980. Dividing power: Khalq–Parcham With Karmal's ascension to power, Parchamites began to \"settle old scores\". Revolutionary Troikas were created to arrest, sentence and execute people. Amin's guard were the first victims of the terror which ensued. Those commanders who had stayed loyal to Amin were arrested, filling the prisons.", "Those commanders who had stayed loyal to Amin were arrested, filling the prisons. The Soviets protested, and Karmal replied, \"As long as you keep my hands bound and do not let me deal with the Khalq faction there will be no unity in the PDPA and the government cannot become strong ... They tortured and killed us. They still hate us!", "They tortured and killed us. They still hate us! They still hate us! They are the enemies of the party ...\" Amin's daughter, along with her baby, was imprisoned for twelve years, until Mohammad Najibullah, then leader of the PDPA, released her. When Karmal took power, leading posts in the Party and Government bureaucracy were taken over by Parchamites.", "When Karmal took power, leading posts in the Party and Government bureaucracy were taken over by Parchamites. The Khalq faction was removed from power, and only technocrats, opportunists and individuals which the Soviets trusted would be appointed to the higher echelons of government. Khalqists remained in control of the Ministry of Interior, but Parchamites were given control over KHAD and the secret police. The Parchamites and the Khalqists controlled an equal share of the military. Two out of Karmal's three Council of Ministers deputy chairmen were Khalqists.", "Two out of Karmal's three Council of Ministers deputy chairmen were Khalqists. Khalqists controlled the Ministry of Communications and the interior ministry. Parchamites, on the other hand, controlled the Ministry of Foreign Affairs and the Ministry of Defence. In addition to the changes in government, the Parchamites held clear majority in the PDPA Central Committee. Only one Khalqi, Saleh Mohammad Zeary, was a member of the PDPA Secretariat during Karmal's rule.", "Only one Khalqi, Saleh Mohammad Zeary, was a member of the PDPA Secretariat during Karmal's rule. Over 14 and 15 March 1982 the PDPA held a party conference at the Kabul Polytechnic Institute instead of a party congress, since a party congress would have given the Khalq faction a majority and could have led to a Khalqist takeover of the PDPA. The rules of holding a party conference were different, and the Parchamites had a three-fifths majority. This infuriated several Khalqists; the threat of expulsion did not lessen their anger.", "This infuriated several Khalqists; the threat of expulsion did not lessen their anger. The conference was not successful, but it was portrayed as such by the official media. The conference broke up after one and a half days of a 3-day long program, because of the inter-party struggle for power between the Khalqists and the Parchamites. A \"program of action\" was introduced, and party rules were given minor changes.", "A \"program of action\" was introduced, and party rules were given minor changes. As an explanation of the low party membership, the official media also made it seem hard to become a member of the party. PDPA base When Karmal took power, he began expanding the support base of the PDPA. Karmal tried to persuade certain groups, which had been referred to class enemies of the revolution during Taraki and Amin's rule, to support the PDPA. Karmal appointed several non-communists to top positions.", "Karmal appointed several non-communists to top positions. Karmal appointed several non-communists to top positions. Between March and May 1980, 78 out of the 191 people appointed to government posts were not members of the PDPA. Karmal reintroduced the old Afghan custom of having an Islamic invocation every time the government issued a proclamation. In his first live speech to the Afghan people, Karmal called for the establishment of the National Fatherland Front (NFF); the NFF's founding congress was held in June 1981.", "In his first live speech to the Afghan people, Karmal called for the establishment of the National Fatherland Front (NFF); the NFF's founding congress was held in June 1981. Unfortunately for Karmal, his policies did not lead to a notable increase in support for his regime, and it did not help Karmal that most Afghans saw the Soviet intervention as an invasion. By 1981, the government gave up on political solutions to the conflict.", "By 1981, the government gave up on political solutions to the conflict. At the fifth PDPA Central Committee plenum in June, Karmal resigned from his Council of Ministers chairmanship and was replaced by Sultan Ali Keshtmand, while Nur Ahmad Nur was given a bigger role in the Revolutionary Council. This was seen as \"base broadening\". The previous weight given to non-PDPA members in top positions ceased to be an important matter in the media by June 1981.", "The previous weight given to non-PDPA members in top positions ceased to be an important matter in the media by June 1981. This was significant, considering that up to five members of the Revolutionary Council were non-PDPA members. By the end of 1981, the previous contenders, who had been heavily presented in the media, were all gone; two were given ambassadorships, two ceased to be active in politics, and one continued as an advisor to the government.", "By the end of 1981, the previous contenders, who had been heavily presented in the media, were all gone; two were given ambassadorships, two ceased to be active in politics, and one continued as an advisor to the government. The other three changed sides, and began to work for the opposition.", "The other three changed sides, and began to work for the opposition. The national policy of reconciliation continued: in January 1984 the land reform introduced by Taraki and Amin was drastically modified, the limits of landholdings were increased to win the support of middle class peasants, the literacy programme was continued, and concessions to women were made. In 1985 the Loya Jirga was reconvened. The 1985 Loya Jirga was followed by a tribal jirga in September.", "The 1985 Loya Jirga was followed by a tribal jirga in September. In 1986 Abdul Rahim Hatef, a non-PDPA member, was elected to the NFF chairmanship. During the 1985–86 elections it was said that 60 percent of the elected officials were non-PDPA members. By the end of Karmal's rule, several non-PDPA members had high-level government positions. Civil war and military In March 1979, the military budget was 6.4 million US$, which was 8.3 percent of the government budget, but only 2.2 of gross national product.", "Civil war and military In March 1979, the military budget was 6.4 million US$, which was 8.3 percent of the government budget, but only 2.2 of gross national product. After the Soviet intervention, the defence budget increased to 208 million US$ in 1980, and 325 million US$ by 1981. In 1982 it was reported that the government spent around 22 percent of total expenditure.", "In 1982 it was reported that the government spent around 22 percent of total expenditure. When the political solution failed (see \"PDPA base\" section), the Afghan government and the Soviet military decided to solve the conflict militarily. The change from a political to a military solution did not come suddenly. It began in January 1981, as Karmal doubled wages for military personnel, issued several promotions, and decorated one general and thirteen colonels.", "It began in January 1981, as Karmal doubled wages for military personnel, issued several promotions, and decorated one general and thirteen colonels. The draft age was lowered, the obligatory length of arms duty was extended and the age for reservists was increased to thirty-five years of age. In June 1981, Assadullah Sarwari lost his seat in the PDPA Politburo, replaced by Mohammad Aslam Watanjar, a former tank commander and Minister of Communications, Major General Mohammad Rafi was made Minister of Defence and Mohammad Najibullah appointed KHAD Chairman.", "In June 1981, Assadullah Sarwari lost his seat in the PDPA Politburo, replaced by Mohammad Aslam Watanjar, a former tank commander and Minister of Communications, Major General Mohammad Rafi was made Minister of Defence and Mohammad Najibullah appointed KHAD Chairman. These measures were introduced due to the collapse of the army during the Soviet intervention. Before the intervention the army could field 100,000 troops, after the intervention only 25,000. Desertions were pandemic, and the recruitment campaigns for young people often drove them to the opposition.", "Desertions were pandemic, and the recruitment campaigns for young people often drove them to the opposition. To better organize the military, seven military zones were established, each with its own Defence Council. The Defence Councils were established at the national, provincial and district level to empower the local PDPA. It is estimated that the Afghan government spent as much as 40 percent of government revenue on defense.", "It is estimated that the Afghan government spent as much as 40 percent of government revenue on defense. Karmal refused to recognize the rebels as genuine, saying in an interview: Economy During the civil war and the ensuing Soviet–Afghan War, most of the country's infrastructure was destroyed. Normal patterns of economic activity were disrupted. The Gross national product (GNP) fell substantially during Karmal's rule because of the conflict; trade and transport was disrupted with loss of labor and capital.", "The Gross national product (GNP) fell substantially during Karmal's rule because of the conflict; trade and transport was disrupted with loss of labor and capital. In 1981 the Afghan GDP stood at 154.3 billion Afghan afghanis, a drop from 159.7 billion in 1978. GNP per capita decreased from 7,370 in 1978 to 6,852 in 1981. The dominant form of economic activity was in the agricultural sector.", "The dominant form of economic activity was in the agricultural sector. Agriculture accounted for 63 percent of gross domestic product (GDP) in 1981; 56 percent of the labor force was working in agriculture in 1982. Industry accounted for 21 percent of GDP in 1982, and employed 10 percent of the labor force. All industrial enterprises were government-owned. The service sector, the smallest of the three, accounted for 10 percent of GDP in 1981, and employed an estimated one-third of the labour force.", "The service sector, the smallest of the three, accounted for 10 percent of GDP in 1981, and employed an estimated one-third of the labour force. The balance of payments, which had grown in the pre-communist administration of Muhammad Daoud Khan, decreased, turning negative by 1982 at 70.3 million $US. The only economic activity which grew substantially during Karmal's rule was export and import.", "The only economic activity which grew substantially during Karmal's rule was export and import. Foreign policy Karmal observed in early 1983 that without Soviet intervention, \"It is unknown what the destiny of the Afghan Revolution would be ... We are realists and we clearly realize that in store for us yet lie trials and deprivations, losses and difficulties.\" Two weeks before this statement Sultan Ali Keshtmand, the Chairman of the Council of Ministers, lamented the fact that half the schools and three-quarters of communications had been destroyed since 1979.", "Two weeks before this statement Sultan Ali Keshtmand, the Chairman of the Council of Ministers, lamented the fact that half the schools and three-quarters of communications had been destroyed since 1979. The Soviet Union rejected several Western-made peace plans, such as the Carrington Plan, since they did not take into consideration the PDPA government. Most Western peace plans had been made in collaboration with the Afghan opposition forces.", "Most Western peace plans had been made in collaboration with the Afghan opposition forces. At the 26th Congress of the Communist Party of the Soviet Union (CPSU) Leonid Brezhnev, the General Secretary of the CPSU Central Committee, stated; The stance of the Pakistani government was clear, demanding complete Soviet withdrawal from Afghanistan and the establishment of a non-PDPA government. Karmal, summarizing his discussions with Iran and Pakistan, said \"Iran and Pakistan have so far not opted for concrete and constructive positions.\"", "Karmal, summarizing his discussions with Iran and Pakistan, said \"Iran and Pakistan have so far not opted for concrete and constructive positions.\" During Karmal's rule Afghan–Pakistani relations remained hostile; the Soviet intervention in Afghanistan was the catalyst for the hostile relationship. The increasing numbers of Afghan refugees in Pakistan challenged the PDPA's legitimacy to rule. The Soviet Union threatened in 1985 that it would support the Baloch separatist movement in Pakistan if the Pakistani government continued to aid the Afghan mujahideen.", "The Soviet Union threatened in 1985 that it would support the Baloch separatist movement in Pakistan if the Pakistani government continued to aid the Afghan mujahideen. Karmal, problematically for the Soviets, did not want a Soviet withdrawal, and he hampered attempts to improve relations with Pakistan since the Pakistani government had refused to recognise the PDPA government. Public image Because Karmal was put into power without a formal ceremony as in Afghan tradition, he was seen as an illegitimate leader in many eyes of his people.", "Public image Because Karmal was put into power without a formal ceremony as in Afghan tradition, he was seen as an illegitimate leader in many eyes of his people. A poor performance in foreign interviews also didn't help his public image where he was noted to speak like an \"exhibitionist\" rather than a statesman. Karmal was widely viewed as a puppet leader of the Soviet Union by Afghans and the Western press.", "Karmal was widely viewed as a puppet leader of the Soviet Union by Afghans and the Western press. Despite his position, Karmal was apparently not permitted to make key decisions as he was following advice from Soviet advisers.", "Despite his position, Karmal was apparently not permitted to make key decisions as he was following advice from Soviet advisers. The Soviet control of the Afghan state was apparently so much that Karmal himself admitted to a friend of his unfree life, telling him: “The Soviet comrades love me boundlessly, and for the sake of my personal safety, they don’t obey even my own orders.” Fall from power and succession Mikhail Gorbachev, then General Secretary of the Central Committee of the Communist Party of the Soviet Union, said, \"The main reason that there has been no national consolidation so far is that Comrade Karmal is hoping to continue sitting in Kabul with our help.\"", "The Soviet control of the Afghan state was apparently so much that Karmal himself admitted to a friend of his unfree life, telling him: “The Soviet comrades love me boundlessly, and for the sake of my personal safety, they don’t obey even my own orders.” Fall from power and succession Mikhail Gorbachev, then General Secretary of the Central Committee of the Communist Party of the Soviet Union, said, \"The main reason that there has been no national consolidation so far is that Comrade Karmal is hoping to continue sitting in Kabul with our help.\" Karmal's position became less secure when the Soviet leadership began blaming him for the failures in Afghanistan.", "Karmal's position became less secure when the Soviet leadership began blaming him for the failures in Afghanistan. Gorbachev, worried over the situation, told the Soviet Politburo \"If we don't change approaches [to evacuate Afghanistan], we will be fighting there for another 20 or 30 years.\" It is not clear when the Soviet leadership began to campaign for Karmal's dismissal, but Andrei Gromyko discussed the possibility of Karmal's resignation with Javier Pérez de Cuéllar, the Secretary-General of the United Nations in 1982.", "It is not clear when the Soviet leadership began to campaign for Karmal's dismissal, but Andrei Gromyko discussed the possibility of Karmal's resignation with Javier Pérez de Cuéllar, the Secretary-General of the United Nations in 1982. While it was Gorbachev who would dismiss Karmal, there may have been a consensus within the Soviet leadership in 1983 that Karmal should resign. Gorbachev's own plan was to replace Karmal with Mohammad Najibullah, who had joined the PDPA at its creation.", "Gorbachev's own plan was to replace Karmal with Mohammad Najibullah, who had joined the PDPA at its creation. Najibullah was thought highly of by Yuri Andropov, Boris Ponomarev and Dmitriy Ustinov, and negotiations for his succession may have started in 1983. Najibullah was not the Soviet leadership's only choice for Karmal's succession; a GRU report noted that the majority of the PDPA leadership would support Assadullah Sarwari's ascension to leadership.", "Najibullah was not the Soviet leadership's only choice for Karmal's succession; a GRU report noted that the majority of the PDPA leadership would support Assadullah Sarwari's ascension to leadership. According to the GRU, Sarwari was a better candidate as he could balance between the Pashtuns, Tajiks and Uzbeks; Najibullah was a Pashtun nationalist. Another viable candidate was Abdul Qadir, who had been a participant in the Saur Revolution. Najibullah was appointed to the PDPA Secretariat in November 1985.", "Najibullah was appointed to the PDPA Secretariat in November 1985. During Karmal's March 1986 visit to the Soviet Union, the Soviets tried to persuade Karmal that he was too ill to govern, and that he should resign. This backfired, as a Soviet doctor attending to Karmal told him he was in good health. Karmal asked to return home to Kabul, and said that he understood and would listen to the Soviet recommendations. Before leaving, Karmal promised he would step down as PDPA General Secretary.", "Before leaving, Karmal promised he would step down as PDPA General Secretary. The Soviets did not trust him and sent Vladimir Kryuchkov, the head of intelligence (FCD) in the KGB, into Afghanistan. At a meeting in Kabul, Karmal confessed his undying love for the Soviet Union, comparing his ardor to his Muslim faith. Kryuchkov, concluding that he could not persuade Karmal to resign, left the meeting.", "Kryuchkov, concluding that he could not persuade Karmal to resign, left the meeting. After Kryuchkov left the room, the Afghan defence minister and the state security minister visited Karmal's office, telling him that he had to resign from one of his posts. Understanding that his Soviet support had been eliminated, Karmal resigned from the office of the General Secretary at the 18th PDPA Central Committee plenum. He was succeeded in his post by Najibullah.", "He was succeeded in his post by Najibullah. He was succeeded in his post by Najibullah. Karmal still had support within the party, and used his base to curb Najibullah's powers. He began spreading rumors that he would be reappointed General Secretary. Najibullah's power base was in the KHAD, the Afghan equivalent to the KGB, and not the party. Considering the fact that the Soviet Union had supported Karmal for over six years, the Soviet leadership wanted to ease him out of power gradually.", "Considering the fact that the Soviet Union had supported Karmal for over six years, the Soviet leadership wanted to ease him out of power gradually. Yuli Vorontsov, the Soviet ambassador to Afghanistan, told Najibullah to begin undermining Karmal's power slowly. Najibullah complained to the Soviet leadership that Karmal used most of his spare time looking for errors and \"speaking against the National Reconciliation [programme]\".", "Najibullah complained to the Soviet leadership that Karmal used most of his spare time looking for errors and \"speaking against the National Reconciliation [programme]\". At a meeting of the Soviet Politburo on 13 November 1986 it was decided that Najibullah should remove Karmal; this motion was supported by Gromyko, Vorontsov, Eduard Shevardnadze, Anatoly Dobrynin and Viktor Chebrikov. A PDPA meeting in November relieved Karmal of his Revolutionary Council chairmanship, and exiled him to Moscow where he was given a state-owned apartment and a dacha.", "A PDPA meeting in November relieved Karmal of his Revolutionary Council chairmanship, and exiled him to Moscow where he was given a state-owned apartment and a dacha. Karmal was succeeded as Revolutionary Council chairman by Haji Mohammad Chamkani, who was not a member of the PDPA. Later life and death Many years after the end of his leadership, he denounced the Saur Revolution of 1978 in which he took part, taking aim at the Khalq governments of Taraki and Amin.", "Later life and death Many years after the end of his leadership, he denounced the Saur Revolution of 1978 in which he took part, taking aim at the Khalq governments of Taraki and Amin. He told a Soviet reporter: It was the greatest crime against the people of Afghanistan. Parcham's leaders were against armed actions because the country was not ready for a revolution... I knew that people would not support us if we decided to keep power without such support.", "I knew that people would not support us if we decided to keep power without such support. For unknown reasons, Karmal was invited back to Kabul by Najibullah, and \"for equally obscure reasons Karmal accepted\", returning on 20 June 1991. (this could have been on the recommendation of Anahita Ratebzad who was very close to Karmal and also respected by Najibullah).", "(this could have been on the recommendation of Anahita Ratebzad who was very close to Karmal and also respected by Najibullah). If Najibullah's plan was to strengthen his position within the Watan Party (the renamed PDPA) by appeasing the pro-Karmal Parchamites, he failed – Karmal's apartment became a center for opposition to Najibullah's government. When Najibullah was toppled in 1992, Karmal became the most powerful politician in Kabul through leadership of the Parcham.", "When Najibullah was toppled in 1992, Karmal became the most powerful politician in Kabul through leadership of the Parcham. However, his negotiations with the rebels collapsed quickly, and on 16 April 1992 the rebels, led by Gulbuddin Hekmatyar, took Kabul. After the fall of Najibullah's government, Karmal was based in Hairatan. There, it is alleged, Karmal used most of his time either trying to establish a new party, or advising people to join the secular National Islamic Movement (Junbish-i-Milli).", "There, it is alleged, Karmal used most of his time either trying to establish a new party, or advising people to join the secular National Islamic Movement (Junbish-i-Milli). Abdul Rashid Dostum, the leader of Junbish-i-Milli, was a supporter of Karmal during his rule. It is unknown how much control Karmal had over Dostum, but there is little evidence that Karmal was in any commanding position. Karmal's influence over Dostum appeared indirect – some of his former associates supported Dostum.", "Karmal's influence over Dostum appeared indirect – some of his former associates supported Dostum. Those who spoke with Karmal during this period noted his lack of interest in politics. In June 1992 it was reported that he had died in a plane crash along with Dostum, although these reports later proved to be false. In early December 1996, Karmal died in Moscow's Central Clinical Hospital from liver cancer. The date of his death was reported by some sources as 1 December and by others as 3 December.", "The date of his death was reported by some sources as 1 December and by others as 3 December. The Taliban summed up his rule as follows: [he] committed all kinds of crimes during his illegitimate rule ... God inflicted on him various kinds of hardship and pain. Eventually he died of cancer in a hospital belonging to his paymasters, the Russians.", "Eventually he died of cancer in a hospital belonging to his paymasters, the Russians. Notes References Bibliography External links Biography of President Babrak Karmal 1929 births 1996 deaths 20th-century heads of state of Afghanistan Communist rulers of Afghanistan Afghan atheists Presidents of Afghanistan Prime Ministers of Afghanistan People's Democratic Party of Afghanistan politicians Afghan prisoners and detainees Prisoners and detainees of Afghanistan Afghan emigrants to the Soviet Union Collaborators with the Soviet Union Afghan emigrants to Russia People granted political asylum in the Soviet Union Deaths from cancer in Russia Deaths from liver cancer Democratic Republic of Afghanistan 1970s in Afghanistan 1980s in Afghanistan Afghan revolutionaries" ]

[ "Babrak Karmal", "Communist politics", "How was Karmal involved in Communist politics?", "befriended fellow inmate Mir Akbar Khyber,", "What was the significance of communist politics?", "Comrade of the Workers'\"" ]

[ "Chester C. Platt (1869–1934) operated a drugstore in Ithaca, New York, and was credited with the invention of the ice cream sundae. He was the owner of the Ithaca Democrat, the Batavia Times, and the Madison Wisconsin Leader. He was secretary to New York Governor William Sulzer, and was involved in Democratic state and national politics from 1910 to 1920. In Ithaca, he was active in the Unitarian Church and in local politics.\n\nReferences\n\nExternal links\n \n\n1869 births\n1934 deaths", "Ragnhild Barland (29 September 1934 – 27 November 2015) was a Norwegian politician for the Labour Party.\n\nBarland was born in Holla, Telemark. She was elected to the Norwegian Parliament from Telemark in 1985, and was re-elected on two occasions.\n\nBarland was involved in local politics in Skien municipality council from 1975 to 1985, serving as deputy mayor in 1983–1985.\n\nOutside politics she worked as a high school teacher from 1957. In 1975 he was promoted to school inspector. She was involved in the teachers' union Norsk lektorlag, and was board chairman of the sports club Gjerpen IF from 1972 to 1975.\n\nReferences\n\n1934 births\n2015 deaths\nLabour Party (Norway) politicians\nMembers of the Storting\nPoliticians from Skien\nWomen members of the Storting\n20th-century Norwegian politicians\n20th-century Norwegian women politicians\nPeople from Nome, Norway" ]

[ "Babrak Karmal (Dari/Pashto , born Sultan Hussein; 6 January 1929 – 1 or 3 December 1996) was an Afghan revolutionary and politician who was the leader of Afghanistan, serving in the post of General Secretary of the People's Democratic Party of Afghanistan for seven years. Born in Kabul Province into a Tajikized family of Kashmiri origin, Karmal attended Kabul University and developed openly leftist views there, having been introduced to Marxism by Mir Akbar Khyber during his imprisonment for activities deemed too radical by the government.", "Born in Kabul Province into a Tajikized family of Kashmiri origin, Karmal attended Kabul University and developed openly leftist views there, having been introduced to Marxism by Mir Akbar Khyber during his imprisonment for activities deemed too radical by the government. He became a founding member of the People's Democratic Party of Afghanistan (PDPA) and eventually became the leader of the Parcham faction when the PDPA split in 1967, with their ideological nemesis being the Khalq faction.", "He became a founding member of the People's Democratic Party of Afghanistan (PDPA) and eventually became the leader of the Parcham faction when the PDPA split in 1967, with their ideological nemesis being the Khalq faction. Karmal was elected to the Lower House after the 1965 parliamentary election, serving in parliament until losing his seat in the 1969 parliamentary election. Under Karmal's leadership, the Parchamite PDPA participated in Mohammad Daoud Khan's rise to power in 1973, and his subsequent regime.", "Under Karmal's leadership, the Parchamite PDPA participated in Mohammad Daoud Khan's rise to power in 1973, and his subsequent regime. While relations were good at the beginning, Daoud began a major purge of leftist influence in the mid-1970s. This in turn led to the reformation of the PDPA in 1977, and Karmal played a role in the 1978 Saur Revolution when the PDPA took power. Karmal was appointed Deputy Chairman of the Revolutionary Council, synonymous with vice head of state, in the communist government.", "Karmal was appointed Deputy Chairman of the Revolutionary Council, synonymous with vice head of state, in the communist government. The Parchamite faction found itself under significant pressure by the Khalqists soon after taking power. In June 1978, a PDPA Central Committee meeting voted in favor of giving the Khalqist faction exclusive control over PDPA policy. This decision was followed by a failed Parchamite coup, after which Hafizullah Amin, a Khalqist, initiated a purge against the Parchamites.", "This decision was followed by a failed Parchamite coup, after which Hafizullah Amin, a Khalqist, initiated a purge against the Parchamites. Karmal survived this purge but was exiled to Prague and eventually dismissed from his post. Instead of returning to Kabul, he feared for his life and lived with his family in the forests protected by the Czechoslovak secret police StB. The Afghan secret police KHAD had allegedly sent members to Czechoslovakia to assassinate Karmal.", "The Afghan secret police KHAD had allegedly sent members to Czechoslovakia to assassinate Karmal. In late 1979 he was brought to Moscow by the KGB and eventually, in December 1979, the Soviet Union intervened in Afghanistan (with the consent of Amin's government) to stabilize the country. The Soviet troops staged a coup and assassinated Amin, replacing him with Karmal. Karmal was promoted to Chairman of the Revolutionary Council and Chairman of the Council of Ministers on 27 December 1979.", "Karmal was promoted to Chairman of the Revolutionary Council and Chairman of the Council of Ministers on 27 December 1979. He remained in the latter office until 1981, when he was succeeded by Sultan Ali Keshtmand. Throughout his term, Karmal worked to establish a support base for the PDPA by introducing several reforms. Among these were the \"Fundamental Principles of the Democratic Republic of Afghanistan\", introducing a general amnesty for those people imprisoned during Nur Mohammad Taraki's and Amin's rule.", "Among these were the \"Fundamental Principles of the Democratic Republic of Afghanistan\", introducing a general amnesty for those people imprisoned during Nur Mohammad Taraki's and Amin's rule. He also replaced the red Khalqist flag with a more traditional one. These policies failed to increase the PDPA's legitimacy in the eyes of the Afghan people and the Afghan mujahideen rebels - he was widely seen as a Soviet puppet amongst the populace.", "These policies failed to increase the PDPA's legitimacy in the eyes of the Afghan people and the Afghan mujahideen rebels - he was widely seen as a Soviet puppet amongst the populace. These policy failures, and the stalemate that ensued after the Soviet intervention, led the Soviet leadership to become highly critical of Karmal's leadership. Under Mikhail Gorbachev, the Soviet Union deposed Karmal in 1986 and replaced him with Mohammad Najibullah. Following his loss of power, he was again exiled, this time to Moscow.", "Following his loss of power, he was again exiled, this time to Moscow. It was Anahita Ratebzad who persuaded Najibullah to allow Babrak Karmal to return to Afghanistan in 1991, where Karmal became an associate of Abdul Rashid Dostum and possibly helped remove the Najibullah government from power in 1992. He eventually left Afghanistan again for Moscow. Not long after, in 1996, Karmal died from liver cancer. Early life and career Karmal was born Sultan Hussein on 6 January 1929 in Kamari, a village close to Kabul.", "Early life and career Karmal was born Sultan Hussein on 6 January 1929 in Kamari, a village close to Kabul. He was the son of Muhammad Hussein Hashem, a Major General in the Afghan Army and former governor of the province of Paktia, and was the second of five siblings. His family was one of the wealthier families in Kabul. His ethnic background was publicly disputed at the time, with many sources reporting he was a Tajik of Kabul.", "His ethnic background was publicly disputed at the time, with many sources reporting he was a Tajik of Kabul. In 1986, Karmal declared that he and his brother Mahmud Baryalay were Pashtuns as their mother was a linguistically Persianized Pashtun of the Khilji tribe. This declaration was considered to be political as descent comes from the patriarchal line in Afghan society. Karmal's forefathers came to Kabul from Kashmir, and his original name Sultan Hussein (which is associated with Indian Muslims) reinforces his Kashmiri roots.", "Karmal's forefathers came to Kabul from Kashmir, and his original name Sultan Hussein (which is associated with Indian Muslims) reinforces his Kashmiri roots. He attended Nejat High School, a German-speaking school, and graduated from it in 1948, and applied to enter the Faculty of Law and Political Science of Kabul University. Karmal's application was initially denied admission to Kabul University because of his student political activist and his openly leftist views.", "Karmal's application was initially denied admission to Kabul University because of his student political activist and his openly leftist views. He was always a charismatic speaker and became involved in the student union and the Wikh-i-Zalmayan (Awakened Youth Movement), a progressive and leftist organization. He studied at the College of Law and Political Science at Kabul University from 1951 to 1953. In 1953 Karmal was arrested because of his student union activities, but was released three years later in 1956 in an amnesty by Muhammad Daoud Khan.", "In 1953 Karmal was arrested because of his student union activities, but was released three years later in 1956 in an amnesty by Muhammad Daoud Khan. Shortly after, in 1957, Karmal found work as an English and German translator, before quitting and leaving for military training. Karmal graduated from the College of Law and Political Science in 1960, and in 1961, he found work as an employee in the Compilation and Translation Department of the Ministry of Education. From 1961 to 1963 he worked in the Ministry of Planning.", "From 1961 to 1963 he worked in the Ministry of Planning. When his mother died, Karmal left with his maternal aunt to live somewhere else. His father disowned him because of his leftist views. Karmal was involved in much debauchery, which was controversial in the mostly conservative Afghan society. Communist politics Imprisoned from 1953 to 1956, Karmal befriended fellow inmate Mir Akbar Khyber, who introduced Karmal to Marxism.", "Communist politics Imprisoned from 1953 to 1956, Karmal befriended fellow inmate Mir Akbar Khyber, who introduced Karmal to Marxism. Karmal changed his name from Sultan Hussein to Babrak Karmal, which means \"Comrade of the Workers'\" in Pashtun, to disassociate himself from his bourgeois background. When he was released from prison, he continued his activities in the student union, and began to promote Marxism.", "When he was released from prison, he continued his activities in the student union, and began to promote Marxism. Karmal spent the rest of the 1950s and the early 1960s becoming involved with Marxist organizations, of which there were at least four in Afghanistan at the time; two of the four were established by Karmal. When the 1964 Afghan Provisional Constitution, which legalised the establishment of new political entities, was introduced several prominent Marxists agreed to establish a communist political party.", "When the 1964 Afghan Provisional Constitution, which legalised the establishment of new political entities, was introduced several prominent Marxists agreed to establish a communist political party. The People's Democratic Party of Afghanistan (PDPA, the Communist Party) was established in January 1965 in Nur Muhammad Taraki's home. Factionalism within the PDPA quickly became a problem; the party split into the Khalq led by Taraki alongside Hafizullah Amin, and the Parcham led by Karmal.", "Factionalism within the PDPA quickly became a problem; the party split into the Khalq led by Taraki alongside Hafizullah Amin, and the Parcham led by Karmal. During the 1965 parliamentary election Karmal was one of four PDPA members elected to the lower house of parliament; the three others were Anahita Ratebzad, Nur Ahmed Nur and Fezanul Haq Fezan. No Khalqists were elected; however, Amin was 50 votes short of being elected.", "No Khalqists were elected; however, Amin was 50 votes short of being elected. The Parchamite victory may be explained by the simple fact that Karmal could contribute financially to the PDPA electoral campaign. Karmal became a leading figure within the student movement in the 1960s, electing Mohammad Hashim Maiwandwal as Prime Minister after a student demonstration (called for by Karmal) concluded with three deaths under the former leadership. In 1966 inside parliament, Karmal was physically assaulted by an Islamist MP, Mohammad Nabi Mohammadi.", "In 1966 inside parliament, Karmal was physically assaulted by an Islamist MP, Mohammad Nabi Mohammadi. In 1967, the PDPA unofficially split into two formal parties, one Khalqist and one Parchamist. The dissolution of the PDPA was initiated by the closing down of the Khalqist newspaper, Khalq. Karmal criticised the Khalq for being too communist, and believed that its leadership should have hidden its Marxist orientation instead of promoting it. According to the official version of events, the majority of the PDPA Central Committee rejected Karmal's criticism.", "According to the official version of events, the majority of the PDPA Central Committee rejected Karmal's criticism. The vote was a close one, and it is reported that Taraki expanded the Central Committee to win the vote; this plan resulted in eight of the new members becoming politically unaligned with and one switching to the Parchamite side. Karmal and half the PDPA Central Committee left the PDPA to establish a Parchamite-led PDPA.", "Karmal and half the PDPA Central Committee left the PDPA to establish a Parchamite-led PDPA. Officially the split was caused by ideological differences, but the party may have divided between the different leadership styles and plans of Taraki versus Karmal. Taraki wanted to model the party after Leninist norms while Karmal wanted to establish a democratic front. Other differences were socioeconomic. The majority of Khalqists came from rural areas; hence they were poorer, and were of Pashtun origin.", "The majority of Khalqists came from rural areas; hence they were poorer, and were of Pashtun origin. The Parchamites were urban, richer, and spoke Dari more often than not. The Khalqists accused the Parchamites of having a connection with the monarchy, and because of it, referred to the Parchamite PDPA as the \"Royal Communist Party\". Both Karmal and Amin retained their seats in the lower house of parliament in the 1969 parliamentary election.", "Both Karmal and Amin retained their seats in the lower house of parliament in the 1969 parliamentary election. The Daoud era Mohammed Daoud Khan, in collaboration with the Parchamite PDPA and radical military officers, overthrew the monarchy and instituted the Republic of Afghanistan in 1973. After Daoud's seizure of power, an American embassy cable stated that the new government had established a Soviet-style Central Committee, in which Karmal and Mir Akbar Khyber were given leading positions.", "After Daoud's seizure of power, an American embassy cable stated that the new government had established a Soviet-style Central Committee, in which Karmal and Mir Akbar Khyber were given leading positions. Most ministries were given to Parchamites; Hassan Sharq became Deputy Prime Minister, Major Faiz Mohammad became Minister of Internal Affairs and Niamatullah Pazhwak became Minister of Education. The Parchamites took control over the ministries of finance, agriculture, communications and border affairs. The new government quickly suppressed the opposition, and secured their power base.", "The new government quickly suppressed the opposition, and secured their power base. At first, the National Front government between Daoud and the Parchamites seemed to work. By 1975, Daoud had strengthened his position by enhancing the executive, legislative and judicial powers of the Presidency. To the dismay of the Parchamites, all parties other than the National Revolutionary Party (NRP, established by Daoud) were made illegal. Shortly after the ban on opposition to the NRP, Daoud began a massive purge of Parchamites in government.", "Shortly after the ban on opposition to the NRP, Daoud began a massive purge of Parchamites in government. Mohammad lost his position as interior minister, Abdul Qadir was demoted, and Karmal was put under government surveillance. To mitigate Daoud's suddenly anti-communist directives, the Soviet Union reestablished the PDPA; Taraki was elected its General Secretary and Karmal, Second Secretary.", "To mitigate Daoud's suddenly anti-communist directives, the Soviet Union reestablished the PDPA; Taraki was elected its General Secretary and Karmal, Second Secretary. While the Saur Revolution (literally the April Revolution) was planned for August, the assassination of Khyber led to a chain of events which ended with the communists seizing power. Karmal, when taking power in 1979, accused Amin of ordering the assassination of Khyber.", "Karmal, when taking power in 1979, accused Amin of ordering the assassination of Khyber. Taraki–Amin rule Taraki was appointed Chairman of the Presidium of the Revolutionary Council and Chairman of the Council of Ministers, retaining his post as PDPA general secretary. Taraki initially formed a government which consisted of both Khalqists and Parchamites; Karmal became Deputy Chairman of the Revolutionary Council, while Amin became Minister of Foreign Affairs and Deputy Chairman of the Council of Ministers.Mohammad Aslam Watanjar became Deputy Chairman of the Council of Ministers.", "Taraki initially formed a government which consisted of both Khalqists and Parchamites; Karmal became Deputy Chairman of the Revolutionary Council, while Amin became Minister of Foreign Affairs and Deputy Chairman of the Council of Ministers.Mohammad Aslam Watanjar became Deputy Chairman of the Council of Ministers. The two Parchamites Abdul Qadir and Mohammad Rafi, became Minister of Defence and Minister of Public Works, respectively.", "The two Parchamites Abdul Qadir and Mohammad Rafi, became Minister of Defence and Minister of Public Works, respectively. The appointment of Amin, Karmal and Watanjar led to splits within the Council of Ministers: the Khalqists answered to Amin; Karmal led the civilian Parchamites; and the military officers (who were Parchamites) were answerable to Watanjar (a Khalqist).", "The appointment of Amin, Karmal and Watanjar led to splits within the Council of Ministers: the Khalqists answered to Amin; Karmal led the civilian Parchamites; and the military officers (who were Parchamites) were answerable to Watanjar (a Khalqist). The first conflict arose when the Khalqists wanted to give PDPA Central Committee membership to military officers who had participated in the Saur Revolution; Karmal opposed such a move but was overruled. A PDPA Politburo meeting voted in favour of giving Central Committee membership to the officers.", "A PDPA Politburo meeting voted in favour of giving Central Committee membership to the officers. On 27 June, three months after the Saur Revolution, Amin outmaneuvered the Parchamites at a Central Committee meeting, giving the Khalqists exclusive right over formulating and deciding policy. A purge against the Parchamites was initiated by Amin and supported by Taraki on 1 July 1979. Karmal, fearing for his safety, went into hiding in one of his Soviet friends' homes.", "Karmal, fearing for his safety, went into hiding in one of his Soviet friends' homes. Karmal tried to contact Alexander Puzanov, the Soviet ambassador to Afghanistan, to talk about the situation. Puzanov refused, and revealed Karmal's location to Amin. The Soviets probably saved Karmal's life by sending him to the Socialist Republic of Czechoslovakia. In exile, Karmal established a network with the remaining Parchamites in government. A coup to overthrow Amin was planned for 4 September 1979.", "A coup to overthrow Amin was planned for 4 September 1979. Its leading members in Afghanistan were Qadir and the Army Chief of Staff General Shahpur Ahmedzai. The coup was planned for the Festival of Eid, in anticipation of relaxed military vigilance. The conspiracy failed when the Afghan ambassador to India told the Afghan leadership about the plan. Another purge was initiated, and Parchamite ambassadors were recalled. Few returned to Afghanistan; Karmal and Mohammad Najibullah stayed in their respective countries.", "Few returned to Afghanistan; Karmal and Mohammad Najibullah stayed in their respective countries. The Soviets decided that Amin should be removed to make way for a Karmal-Taraki coalition government. However Amin managed to order the arrest and later the murder of Taraki. Amin was informed of the Soviet decision to intervene in Afghanistan and was initially supportive, but was assassinated. Under the command of the Soviets, Karmal ascended to power.", "Under the command of the Soviets, Karmal ascended to power. On 27 December 1979, Karmal's pre-recorded speech to the Afghan people was broadcast via Radio Kabul from Tashkent in the Uzbek SSR (the radio wavelength was changed to that of Kabul), saying: \"Today the torture machine of Amin has been smashed, his accomplices – the primitive executioners, usurpers and murderers of tens of thousand of our fellow countrymen – fathers, mothers, sisters, brothers, sons and daughters, children and old people ...\" Karmal was not in Kabul when the speech was broadcast; he was in Bagram, protected by the KGB.", "On 27 December 1979, Karmal's pre-recorded speech to the Afghan people was broadcast via Radio Kabul from Tashkent in the Uzbek SSR (the radio wavelength was changed to that of Kabul), saying: \"Today the torture machine of Amin has been smashed, his accomplices – the primitive executioners, usurpers and murderers of tens of thousand of our fellow countrymen – fathers, mothers, sisters, brothers, sons and daughters, children and old people ...\" Karmal was not in Kabul when the speech was broadcast; he was in Bagram, protected by the KGB. That evening Yuri Andropov, the KGB Chairman, congratulated Karmal on his rise to the Chairmanship of the Presidium of the Revolutionary Council, some time before Karmal received an official appointment.", "That evening Yuri Andropov, the KGB Chairman, congratulated Karmal on his rise to the Chairmanship of the Presidium of the Revolutionary Council, some time before Karmal received an official appointment. Karmal returned to Kabul on 28 December. He travelled alongside a Soviet military column. For the next few days Karmal lived in a villa on the outskirts of Kabul under the protection of the KGB.", "For the next few days Karmal lived in a villa on the outskirts of Kabul under the protection of the KGB. On 1 January 1980 Leonid Brezhnev, the General Secretary of the Central Committee of the Communist Party of the Soviet Union, and Alexei Kosygin, the Soviet Chairman of the Council of Ministers, congratulated Karmal on his \"election\" as leader. Leadership Domestic policies Karmal's ascension was quickly troubled as he was effectively installed by the invading Soviet Union, delegitimizing him.", "Leadership Domestic policies Karmal's ascension was quickly troubled as he was effectively installed by the invading Soviet Union, delegitimizing him. Unrest in the country quickly escalated, and in Kabul two major uprisings, on 3 Hoot (22 February) and the months long students' protests were early signs of trouble. The \"Fundamental Principles\" and amnesty When he came to power, Karmal promised an end to executions, the establishment of democratic institutions and free elections, the creation of a constitution, and legalization of alternative political parties.", "The \"Fundamental Principles\" and amnesty When he came to power, Karmal promised an end to executions, the establishment of democratic institutions and free elections, the creation of a constitution, and legalization of alternative political parties. Prisoners incarcerated under the two previous governments would be freed in a general amnesty (which occurred on 6 January). He promised the creation of a coalition government which would not espouse socialism.", "He promised the creation of a coalition government which would not espouse socialism. At the same time, he told the Afghan people that he had negotiated with the Soviet Union to give economic, military and political assistance. The mistrust most Afghans felt towards the government was a problem for Karmal. Many still remembered he had said he would protect private capital in 1978—a promise later proven to be a lie.", "Many still remembered he had said he would protect private capital in 1978—a promise later proven to be a lie. Karmal's three most important promises were the general amnesty of prisoners, the promulgation of the Fundamental Principles of the Democratic Republic of Afghanistan and the adoption of a new flag containing the traditional black, red and green (the flag of Taraki and Amin was red). His government granted concessions to religious leaders and the restoration of confiscated property.", "His government granted concessions to religious leaders and the restoration of confiscated property. Some property, which was confiscated during earlier land reforms, was also partially restored. All these measures, with the exception of the general amnesty of prisoners, were introduced gradually. Of 2,700 prisoners, 2,600 were released from prison; 600 of these were Parchamites. The general amnesty was greatly publicized by the government.", "The general amnesty was greatly publicized by the government. The general amnesty was greatly publicized by the government. While the event was hailed with enthusiasm by some, many others greeted the event with disdain, since their loved ones or associates had died during earlier purges. Amin had planned to introduce a general amnesty on 1 January 1980, to coincide with the PDPA's sixteenth anniversary.", "Amin had planned to introduce a general amnesty on 1 January 1980, to coincide with the PDPA's sixteenth anniversary. Work on the Fundamental Principles had started under Amin: it guaranteed democratic rights such as freedom of speech, the right to security and life, the right to peaceful association, the right to demonstrate and the right that \"no one would be accused of crime but in accord with the provisions of law\" and that the accused had the right to a fair trial.", "Work on the Fundamental Principles had started under Amin: it guaranteed democratic rights such as freedom of speech, the right to security and life, the right to peaceful association, the right to demonstrate and the right that \"no one would be accused of crime but in accord with the provisions of law\" and that the accused had the right to a fair trial. The Fundamental Principles envisaged a democratic state led by the PDPA, the only party then permitted by law.", "The Fundamental Principles envisaged a democratic state led by the PDPA, the only party then permitted by law. The Revolutionary Council, the organ of supreme power, would convene twice every year. The Revolutionary Council in turn elected a Presidium which would take decisions on behalf of the Revolutionary Council when it was not in session. The Presidium consisted mostly of PDPA Politburo members. The state would safeguard three kinds of property: state, cooperative and private property.", "The state would safeguard three kinds of property: state, cooperative and private property. The Fundamental Principles said that the state had the right to change the Afghan economy from an economy where man was exploited to an economy where man was free. Another clause stated that the state had the right to take \"families, both parents and children, under its supervision.\" While it looked democratic at the outset, the Fundamental Principles was based on contradictions.", "While it looked democratic at the outset, the Fundamental Principles was based on contradictions. The Fundamental Principles led to the establishment of two important state organs: the Special Revolutionary Court, a specialized court for crimes against national security and territorial integrity, and the Institute for Legal and Scientific Research and Legislative Affairs, the supreme legislative organ of state, This body could amend and draft laws, and introduce regulations and decrees on behalf of the government.", "The Fundamental Principles led to the establishment of two important state organs: the Special Revolutionary Court, a specialized court for crimes against national security and territorial integrity, and the Institute for Legal and Scientific Research and Legislative Affairs, the supreme legislative organ of state, This body could amend and draft laws, and introduce regulations and decrees on behalf of the government. The introduction of more Soviet-style institutions led the Afghan people to distrust the communist government even more. The Fundamental Principles constitution came into power on 22 April 1980.", "The Fundamental Principles constitution came into power on 22 April 1980. Dividing power: Khalq–Parcham With Karmal's ascension to power, Parchamites began to \"settle old scores\". Revolutionary Troikas were created to arrest, sentence and execute people. Amin's guard were the first victims of the terror which ensued. Those commanders who had stayed loyal to Amin were arrested, filling the prisons.", "Those commanders who had stayed loyal to Amin were arrested, filling the prisons. The Soviets protested, and Karmal replied, \"As long as you keep my hands bound and do not let me deal with the Khalq faction there will be no unity in the PDPA and the government cannot become strong ... They tortured and killed us. They still hate us!", "They tortured and killed us. They still hate us! They still hate us! They are the enemies of the party ...\" Amin's daughter, along with her baby, was imprisoned for twelve years, until Mohammad Najibullah, then leader of the PDPA, released her. When Karmal took power, leading posts in the Party and Government bureaucracy were taken over by Parchamites.", "When Karmal took power, leading posts in the Party and Government bureaucracy were taken over by Parchamites. The Khalq faction was removed from power, and only technocrats, opportunists and individuals which the Soviets trusted would be appointed to the higher echelons of government. Khalqists remained in control of the Ministry of Interior, but Parchamites were given control over KHAD and the secret police. The Parchamites and the Khalqists controlled an equal share of the military. Two out of Karmal's three Council of Ministers deputy chairmen were Khalqists.", "Two out of Karmal's three Council of Ministers deputy chairmen were Khalqists. Khalqists controlled the Ministry of Communications and the interior ministry. Parchamites, on the other hand, controlled the Ministry of Foreign Affairs and the Ministry of Defence. In addition to the changes in government, the Parchamites held clear majority in the PDPA Central Committee. Only one Khalqi, Saleh Mohammad Zeary, was a member of the PDPA Secretariat during Karmal's rule.", "Only one Khalqi, Saleh Mohammad Zeary, was a member of the PDPA Secretariat during Karmal's rule. Over 14 and 15 March 1982 the PDPA held a party conference at the Kabul Polytechnic Institute instead of a party congress, since a party congress would have given the Khalq faction a majority and could have led to a Khalqist takeover of the PDPA. The rules of holding a party conference were different, and the Parchamites had a three-fifths majority. This infuriated several Khalqists; the threat of expulsion did not lessen their anger.", "This infuriated several Khalqists; the threat of expulsion did not lessen their anger. The conference was not successful, but it was portrayed as such by the official media. The conference broke up after one and a half days of a 3-day long program, because of the inter-party struggle for power between the Khalqists and the Parchamites. A \"program of action\" was introduced, and party rules were given minor changes.", "A \"program of action\" was introduced, and party rules were given minor changes. As an explanation of the low party membership, the official media also made it seem hard to become a member of the party. PDPA base When Karmal took power, he began expanding the support base of the PDPA. Karmal tried to persuade certain groups, which had been referred to class enemies of the revolution during Taraki and Amin's rule, to support the PDPA. Karmal appointed several non-communists to top positions.", "Karmal appointed several non-communists to top positions. Karmal appointed several non-communists to top positions. Between March and May 1980, 78 out of the 191 people appointed to government posts were not members of the PDPA. Karmal reintroduced the old Afghan custom of having an Islamic invocation every time the government issued a proclamation. In his first live speech to the Afghan people, Karmal called for the establishment of the National Fatherland Front (NFF); the NFF's founding congress was held in June 1981.", "In his first live speech to the Afghan people, Karmal called for the establishment of the National Fatherland Front (NFF); the NFF's founding congress was held in June 1981. Unfortunately for Karmal, his policies did not lead to a notable increase in support for his regime, and it did not help Karmal that most Afghans saw the Soviet intervention as an invasion. By 1981, the government gave up on political solutions to the conflict.", "By 1981, the government gave up on political solutions to the conflict. At the fifth PDPA Central Committee plenum in June, Karmal resigned from his Council of Ministers chairmanship and was replaced by Sultan Ali Keshtmand, while Nur Ahmad Nur was given a bigger role in the Revolutionary Council. This was seen as \"base broadening\". The previous weight given to non-PDPA members in top positions ceased to be an important matter in the media by June 1981.", "The previous weight given to non-PDPA members in top positions ceased to be an important matter in the media by June 1981. This was significant, considering that up to five members of the Revolutionary Council were non-PDPA members. By the end of 1981, the previous contenders, who had been heavily presented in the media, were all gone; two were given ambassadorships, two ceased to be active in politics, and one continued as an advisor to the government.", "By the end of 1981, the previous contenders, who had been heavily presented in the media, were all gone; two were given ambassadorships, two ceased to be active in politics, and one continued as an advisor to the government. The other three changed sides, and began to work for the opposition.", "The other three changed sides, and began to work for the opposition. The national policy of reconciliation continued: in January 1984 the land reform introduced by Taraki and Amin was drastically modified, the limits of landholdings were increased to win the support of middle class peasants, the literacy programme was continued, and concessions to women were made. In 1985 the Loya Jirga was reconvened. The 1985 Loya Jirga was followed by a tribal jirga in September.", "The 1985 Loya Jirga was followed by a tribal jirga in September. In 1986 Abdul Rahim Hatef, a non-PDPA member, was elected to the NFF chairmanship. During the 1985–86 elections it was said that 60 percent of the elected officials were non-PDPA members. By the end of Karmal's rule, several non-PDPA members had high-level government positions. Civil war and military In March 1979, the military budget was 6.4 million US$, which was 8.3 percent of the government budget, but only 2.2 of gross national product.", "Civil war and military In March 1979, the military budget was 6.4 million US$, which was 8.3 percent of the government budget, but only 2.2 of gross national product. After the Soviet intervention, the defence budget increased to 208 million US$ in 1980, and 325 million US$ by 1981. In 1982 it was reported that the government spent around 22 percent of total expenditure.", "In 1982 it was reported that the government spent around 22 percent of total expenditure. When the political solution failed (see \"PDPA base\" section), the Afghan government and the Soviet military decided to solve the conflict militarily. The change from a political to a military solution did not come suddenly. It began in January 1981, as Karmal doubled wages for military personnel, issued several promotions, and decorated one general and thirteen colonels.", "It began in January 1981, as Karmal doubled wages for military personnel, issued several promotions, and decorated one general and thirteen colonels. The draft age was lowered, the obligatory length of arms duty was extended and the age for reservists was increased to thirty-five years of age. In June 1981, Assadullah Sarwari lost his seat in the PDPA Politburo, replaced by Mohammad Aslam Watanjar, a former tank commander and Minister of Communications, Major General Mohammad Rafi was made Minister of Defence and Mohammad Najibullah appointed KHAD Chairman.", "In June 1981, Assadullah Sarwari lost his seat in the PDPA Politburo, replaced by Mohammad Aslam Watanjar, a former tank commander and Minister of Communications, Major General Mohammad Rafi was made Minister of Defence and Mohammad Najibullah appointed KHAD Chairman. These measures were introduced due to the collapse of the army during the Soviet intervention. Before the intervention the army could field 100,000 troops, after the intervention only 25,000. Desertions were pandemic, and the recruitment campaigns for young people often drove them to the opposition.", "Desertions were pandemic, and the recruitment campaigns for young people often drove them to the opposition. To better organize the military, seven military zones were established, each with its own Defence Council. The Defence Councils were established at the national, provincial and district level to empower the local PDPA. It is estimated that the Afghan government spent as much as 40 percent of government revenue on defense.", "It is estimated that the Afghan government spent as much as 40 percent of government revenue on defense. Karmal refused to recognize the rebels as genuine, saying in an interview: Economy During the civil war and the ensuing Soviet–Afghan War, most of the country's infrastructure was destroyed. Normal patterns of economic activity were disrupted. The Gross national product (GNP) fell substantially during Karmal's rule because of the conflict; trade and transport was disrupted with loss of labor and capital.", "The Gross national product (GNP) fell substantially during Karmal's rule because of the conflict; trade and transport was disrupted with loss of labor and capital. In 1981 the Afghan GDP stood at 154.3 billion Afghan afghanis, a drop from 159.7 billion in 1978. GNP per capita decreased from 7,370 in 1978 to 6,852 in 1981. The dominant form of economic activity was in the agricultural sector.", "The dominant form of economic activity was in the agricultural sector. Agriculture accounted for 63 percent of gross domestic product (GDP) in 1981; 56 percent of the labor force was working in agriculture in 1982. Industry accounted for 21 percent of GDP in 1982, and employed 10 percent of the labor force. All industrial enterprises were government-owned. The service sector, the smallest of the three, accounted for 10 percent of GDP in 1981, and employed an estimated one-third of the labour force.", "The service sector, the smallest of the three, accounted for 10 percent of GDP in 1981, and employed an estimated one-third of the labour force. The balance of payments, which had grown in the pre-communist administration of Muhammad Daoud Khan, decreased, turning negative by 1982 at 70.3 million $US. The only economic activity which grew substantially during Karmal's rule was export and import.", "The only economic activity which grew substantially during Karmal's rule was export and import. Foreign policy Karmal observed in early 1983 that without Soviet intervention, \"It is unknown what the destiny of the Afghan Revolution would be ... We are realists and we clearly realize that in store for us yet lie trials and deprivations, losses and difficulties.\" Two weeks before this statement Sultan Ali Keshtmand, the Chairman of the Council of Ministers, lamented the fact that half the schools and three-quarters of communications had been destroyed since 1979.", "Two weeks before this statement Sultan Ali Keshtmand, the Chairman of the Council of Ministers, lamented the fact that half the schools and three-quarters of communications had been destroyed since 1979. The Soviet Union rejected several Western-made peace plans, such as the Carrington Plan, since they did not take into consideration the PDPA government. Most Western peace plans had been made in collaboration with the Afghan opposition forces.", "Most Western peace plans had been made in collaboration with the Afghan opposition forces. At the 26th Congress of the Communist Party of the Soviet Union (CPSU) Leonid Brezhnev, the General Secretary of the CPSU Central Committee, stated; The stance of the Pakistani government was clear, demanding complete Soviet withdrawal from Afghanistan and the establishment of a non-PDPA government. Karmal, summarizing his discussions with Iran and Pakistan, said \"Iran and Pakistan have so far not opted for concrete and constructive positions.\"", "Karmal, summarizing his discussions with Iran and Pakistan, said \"Iran and Pakistan have so far not opted for concrete and constructive positions.\" During Karmal's rule Afghan–Pakistani relations remained hostile; the Soviet intervention in Afghanistan was the catalyst for the hostile relationship. The increasing numbers of Afghan refugees in Pakistan challenged the PDPA's legitimacy to rule. The Soviet Union threatened in 1985 that it would support the Baloch separatist movement in Pakistan if the Pakistani government continued to aid the Afghan mujahideen.", "The Soviet Union threatened in 1985 that it would support the Baloch separatist movement in Pakistan if the Pakistani government continued to aid the Afghan mujahideen. Karmal, problematically for the Soviets, did not want a Soviet withdrawal, and he hampered attempts to improve relations with Pakistan since the Pakistani government had refused to recognise the PDPA government. Public image Because Karmal was put into power without a formal ceremony as in Afghan tradition, he was seen as an illegitimate leader in many eyes of his people.", "Public image Because Karmal was put into power without a formal ceremony as in Afghan tradition, he was seen as an illegitimate leader in many eyes of his people. A poor performance in foreign interviews also didn't help his public image where he was noted to speak like an \"exhibitionist\" rather than a statesman. Karmal was widely viewed as a puppet leader of the Soviet Union by Afghans and the Western press.", "Karmal was widely viewed as a puppet leader of the Soviet Union by Afghans and the Western press. Despite his position, Karmal was apparently not permitted to make key decisions as he was following advice from Soviet advisers.", "Despite his position, Karmal was apparently not permitted to make key decisions as he was following advice from Soviet advisers. The Soviet control of the Afghan state was apparently so much that Karmal himself admitted to a friend of his unfree life, telling him: “The Soviet comrades love me boundlessly, and for the sake of my personal safety, they don’t obey even my own orders.” Fall from power and succession Mikhail Gorbachev, then General Secretary of the Central Committee of the Communist Party of the Soviet Union, said, \"The main reason that there has been no national consolidation so far is that Comrade Karmal is hoping to continue sitting in Kabul with our help.\"", "The Soviet control of the Afghan state was apparently so much that Karmal himself admitted to a friend of his unfree life, telling him: “The Soviet comrades love me boundlessly, and for the sake of my personal safety, they don’t obey even my own orders.” Fall from power and succession Mikhail Gorbachev, then General Secretary of the Central Committee of the Communist Party of the Soviet Union, said, \"The main reason that there has been no national consolidation so far is that Comrade Karmal is hoping to continue sitting in Kabul with our help.\" Karmal's position became less secure when the Soviet leadership began blaming him for the failures in Afghanistan.", "Karmal's position became less secure when the Soviet leadership began blaming him for the failures in Afghanistan. Gorbachev, worried over the situation, told the Soviet Politburo \"If we don't change approaches [to evacuate Afghanistan], we will be fighting there for another 20 or 30 years.\" It is not clear when the Soviet leadership began to campaign for Karmal's dismissal, but Andrei Gromyko discussed the possibility of Karmal's resignation with Javier Pérez de Cuéllar, the Secretary-General of the United Nations in 1982.", "It is not clear when the Soviet leadership began to campaign for Karmal's dismissal, but Andrei Gromyko discussed the possibility of Karmal's resignation with Javier Pérez de Cuéllar, the Secretary-General of the United Nations in 1982. While it was Gorbachev who would dismiss Karmal, there may have been a consensus within the Soviet leadership in 1983 that Karmal should resign. Gorbachev's own plan was to replace Karmal with Mohammad Najibullah, who had joined the PDPA at its creation.", "Gorbachev's own plan was to replace Karmal with Mohammad Najibullah, who had joined the PDPA at its creation. Najibullah was thought highly of by Yuri Andropov, Boris Ponomarev and Dmitriy Ustinov, and negotiations for his succession may have started in 1983. Najibullah was not the Soviet leadership's only choice for Karmal's succession; a GRU report noted that the majority of the PDPA leadership would support Assadullah Sarwari's ascension to leadership.", "Najibullah was not the Soviet leadership's only choice for Karmal's succession; a GRU report noted that the majority of the PDPA leadership would support Assadullah Sarwari's ascension to leadership. According to the GRU, Sarwari was a better candidate as he could balance between the Pashtuns, Tajiks and Uzbeks; Najibullah was a Pashtun nationalist. Another viable candidate was Abdul Qadir, who had been a participant in the Saur Revolution. Najibullah was appointed to the PDPA Secretariat in November 1985.", "Najibullah was appointed to the PDPA Secretariat in November 1985. During Karmal's March 1986 visit to the Soviet Union, the Soviets tried to persuade Karmal that he was too ill to govern, and that he should resign. This backfired, as a Soviet doctor attending to Karmal told him he was in good health. Karmal asked to return home to Kabul, and said that he understood and would listen to the Soviet recommendations. Before leaving, Karmal promised he would step down as PDPA General Secretary.", "Before leaving, Karmal promised he would step down as PDPA General Secretary. The Soviets did not trust him and sent Vladimir Kryuchkov, the head of intelligence (FCD) in the KGB, into Afghanistan. At a meeting in Kabul, Karmal confessed his undying love for the Soviet Union, comparing his ardor to his Muslim faith. Kryuchkov, concluding that he could not persuade Karmal to resign, left the meeting.", "Kryuchkov, concluding that he could not persuade Karmal to resign, left the meeting. After Kryuchkov left the room, the Afghan defence minister and the state security minister visited Karmal's office, telling him that he had to resign from one of his posts. Understanding that his Soviet support had been eliminated, Karmal resigned from the office of the General Secretary at the 18th PDPA Central Committee plenum. He was succeeded in his post by Najibullah.", "He was succeeded in his post by Najibullah. He was succeeded in his post by Najibullah. Karmal still had support within the party, and used his base to curb Najibullah's powers. He began spreading rumors that he would be reappointed General Secretary. Najibullah's power base was in the KHAD, the Afghan equivalent to the KGB, and not the party. Considering the fact that the Soviet Union had supported Karmal for over six years, the Soviet leadership wanted to ease him out of power gradually.", "Considering the fact that the Soviet Union had supported Karmal for over six years, the Soviet leadership wanted to ease him out of power gradually. Yuli Vorontsov, the Soviet ambassador to Afghanistan, told Najibullah to begin undermining Karmal's power slowly. Najibullah complained to the Soviet leadership that Karmal used most of his spare time looking for errors and \"speaking against the National Reconciliation [programme]\".", "Najibullah complained to the Soviet leadership that Karmal used most of his spare time looking for errors and \"speaking against the National Reconciliation [programme]\". At a meeting of the Soviet Politburo on 13 November 1986 it was decided that Najibullah should remove Karmal; this motion was supported by Gromyko, Vorontsov, Eduard Shevardnadze, Anatoly Dobrynin and Viktor Chebrikov. A PDPA meeting in November relieved Karmal of his Revolutionary Council chairmanship, and exiled him to Moscow where he was given a state-owned apartment and a dacha.", "A PDPA meeting in November relieved Karmal of his Revolutionary Council chairmanship, and exiled him to Moscow where he was given a state-owned apartment and a dacha. Karmal was succeeded as Revolutionary Council chairman by Haji Mohammad Chamkani, who was not a member of the PDPA. Later life and death Many years after the end of his leadership, he denounced the Saur Revolution of 1978 in which he took part, taking aim at the Khalq governments of Taraki and Amin.", "Later life and death Many years after the end of his leadership, he denounced the Saur Revolution of 1978 in which he took part, taking aim at the Khalq governments of Taraki and Amin. He told a Soviet reporter: It was the greatest crime against the people of Afghanistan. Parcham's leaders were against armed actions because the country was not ready for a revolution... I knew that people would not support us if we decided to keep power without such support.", "I knew that people would not support us if we decided to keep power without such support. For unknown reasons, Karmal was invited back to Kabul by Najibullah, and \"for equally obscure reasons Karmal accepted\", returning on 20 June 1991. (this could have been on the recommendation of Anahita Ratebzad who was very close to Karmal and also respected by Najibullah).", "(this could have been on the recommendation of Anahita Ratebzad who was very close to Karmal and also respected by Najibullah). If Najibullah's plan was to strengthen his position within the Watan Party (the renamed PDPA) by appeasing the pro-Karmal Parchamites, he failed – Karmal's apartment became a center for opposition to Najibullah's government. When Najibullah was toppled in 1992, Karmal became the most powerful politician in Kabul through leadership of the Parcham.", "When Najibullah was toppled in 1992, Karmal became the most powerful politician in Kabul through leadership of the Parcham. However, his negotiations with the rebels collapsed quickly, and on 16 April 1992 the rebels, led by Gulbuddin Hekmatyar, took Kabul. After the fall of Najibullah's government, Karmal was based in Hairatan. There, it is alleged, Karmal used most of his time either trying to establish a new party, or advising people to join the secular National Islamic Movement (Junbish-i-Milli).", "There, it is alleged, Karmal used most of his time either trying to establish a new party, or advising people to join the secular National Islamic Movement (Junbish-i-Milli). Abdul Rashid Dostum, the leader of Junbish-i-Milli, was a supporter of Karmal during his rule. It is unknown how much control Karmal had over Dostum, but there is little evidence that Karmal was in any commanding position. Karmal's influence over Dostum appeared indirect – some of his former associates supported Dostum.", "Karmal's influence over Dostum appeared indirect – some of his former associates supported Dostum. Those who spoke with Karmal during this period noted his lack of interest in politics. In June 1992 it was reported that he had died in a plane crash along with Dostum, although these reports later proved to be false. In early December 1996, Karmal died in Moscow's Central Clinical Hospital from liver cancer. The date of his death was reported by some sources as 1 December and by others as 3 December.", "The date of his death was reported by some sources as 1 December and by others as 3 December. The Taliban summed up his rule as follows: [he] committed all kinds of crimes during his illegitimate rule ... God inflicted on him various kinds of hardship and pain. Eventually he died of cancer in a hospital belonging to his paymasters, the Russians.", "Eventually he died of cancer in a hospital belonging to his paymasters, the Russians. Notes References Bibliography External links Biography of President Babrak Karmal 1929 births 1996 deaths 20th-century heads of state of Afghanistan Communist rulers of Afghanistan Afghan atheists Presidents of Afghanistan Prime Ministers of Afghanistan People's Democratic Party of Afghanistan politicians Afghan prisoners and detainees Prisoners and detainees of Afghanistan Afghan emigrants to the Soviet Union Collaborators with the Soviet Union Afghan emigrants to Russia People granted political asylum in the Soviet Union Deaths from cancer in Russia Deaths from liver cancer Democratic Republic of Afghanistan 1970s in Afghanistan 1980s in Afghanistan Afghan revolutionaries" ]

[ "Babrak Karmal", "Communist politics", "How was Karmal involved in Communist politics?", "befriended fellow inmate Mir Akbar Khyber,", "What was the significance of communist politics?", "Comrade of the Workers'\"", "Was he involved in politics?", "his bourgeois background." ]

[ "The following lists events that happened during 1980 in Afghanistan.\n\nKarmal faces increasing friction within the Revolutionary Council and other wings of the government. One of the most striking evidences of Khalq-Parcham feuding comes when Karmal removes his deputy prime minister, Assadullah Sarwari, a prominent Khalqi, and three other Khalq followers from the scene by appointing them as ambassadors. Sarwari, who was once considered a potential Soviet choice to replace Karmal, is named envoy to Mongolia after a sojourn in the Soviet Union. There are reports of assassinations of Khalqis by Parchamites and vice versa, and bitter interparty fighting is said to have spread to army units and government agencies in various parts of the country. Karmal reshuffles his cabinet, promoting Sultan Ali Keshtmand, a trusted Parchamite colleague, to replace Sarwari as first deputy prime minister.\n\nIncumbents\n General Secretary of the People's Democratic Party of Afghanistan: Babrak Karmal\n Chairman of the Revolutionary Council: Babrak Karmal\n Chairman of the Council of Ministers: Babrak Karmal\n\nJanuary 14, 1980\nA special session of the UN General Assembly passes a resolution (104-18) calling for the immediate withdrawal of \"foreign troops\" in Afghanistan. Similar resolutions are passed in subsequent years until November 10, 1987, when the vote in favour reaches a record 123.\n\nJanuary 29, 1980\nAn emergency session of the Conference of Islamic States, convening in Islamabad, Pakistan, condemns the \"Soviet military aggression against the Afghan people\" and demands that all Soviet troops be withdrawn immediately. The foreign ministers also suspend Afghanistan from their organization and ask that their respective governments sever diplomatic relations with it.\n\nFebruary 1980\n\nAnti-Soviet feeling among the Afghans rises to a high pitch, when a general strike and violent demonstrations are staged against the Soviet presence in Kabul and other major cities. The mass uprising is quelled as Afghan armed forces and Communist militia inflict heavy casualties on the demonstrators. As cases of Soviet soldiers disappearing begin to increase, the Soviet troops assume more and more direct control of the security situation from the Afghan Army. The Soviets unleash a series of offensives against insurgents in the provinces of Paktia, Konarha, Ghazni, Herat, Kandahar, and Badakhshan.\n\nApril 1980\n\nThe demonstrations are repeated at the end of April, this time staged by students from Kabul University and other educational institutions. The April demonstrations, which occur during the anniversary celebrations of the Saur (April) Revolution launched by former leader Taraki on April 27, 1978, result in the brutal killings of more than 50 students.\n\nMay 1980\nAttempts to bring about a peaceful solution of the Afghan crisis and Soviet withdrawal from the country are made by the Islamic Conference in Islamabad, Pakistan. No headway can be made, however. Pakistan refuses to have any direct talks with the Karmal regime, since this would involve recognition of the Soviet-backed government. Karmal insists that all subversive activities against his country must stop before any international discussion on the crisis could be held.\n\nJune 1980\nThe Soviet Union announces a token withdrawal of one of its divisions, but this fails to placate the Afghans. Despite intense propaganda by General Secretary Karmal, Afghan state organs, and the Soviet government to the effect that the Soviet presence had a \"limited\" purpose and the troops would pull out as soon as peace was restored, the Karmal regime is finding itself more and more isolated from the people. Except for a small percentage consisting of ruling PDPA cadres, bureaucrats, and intellectuals, no section of the population accepts the government's thesis: that all the country's ills either are caused by saboteurs and agents from Pakistan and the U.S. or result from the tyrannical measures adopted by the short-lived regime of Karmal's predecessor, Hafizullah Amin. Increasingly, Karmal is finding himself in a dilemma, because the very Soviet troops who are arousing such resistance from his countrymen are the only force preventing the collapse of his government. Meanwhile, several regional groups, collectively known as Mujahideen (from the Persian word meaning \"warriors\"), have united inside Afghanistan, or across the border in Peshawar, to resist the Soviet invaders and the Soviet-backed Afghan Army.\n\nThe Afghan Army's strength is down to 32,000 from an estimated 80,000 at the time of the Soviet intervention, due to large-scale desertions.\n\nSeptember 1980\nOutside estimates place the number of Afghans seeking shelter in Pakistan at over 900,000.\n\nOctober 16, 1980\nKarmal begins an extended visit to Moscow, where he is welcomed by Soviet Pres. Leonid Brezhnev. Their subsequent discussion and joint signature of a document in the Kremlin is seen as a formal acknowledgment of the Afghan government's puppet status.\n\nNovember 1980\nIt is disclosed that Egypt is sending arms to the Mujahideen.\n\n \nAfghanistan\nYears of the 20th century in Afghanistan\nAfghanistan\n1980s in Afghanistan", "Ghulam Dastagir Panjsheri (Pashtu: غلام دستگير پنجشېری) was an Afghan communist politician and public servant. Panjsheri was usually identified as a Khalq by fellow Afghan politicians, while outside observers said he was creating his own PDPA group under the name Gruhi Kar.\n\nEarly career \nPanjsheri studied at Kabul Teachers College and was the faculty of letters at the Kabul University. After working in a journal under the name, Anis and teaching literature at the Kabul Teachers College he started working for the Ministry of Information and Culture. In 1965, he became a member of the Central Committee of the PDPA at their first congress meeting on January 1, 1965. When Babrak Karmal left the PDPA because of the power struggle between the Khalq and the Parchams, Panjsheri left the party with Karmal and the rest of his supporters, he eventually returned to his original position in the PDPA and became a member of the Khalqi faction again. Later on, he tried to establish his own splinter communist party, which turned out to be unsuccessful. Between 1969-1972 he was imprisoned for political activities.\n\nIt is unknown what position he held or what he did under the rule of Mohammad Daoud Khan's Daoud's Republic of Afghanistan (1973–1978).\n\nDemocratic Republic of Afghanistan \nAfter the People's Democratic Party of Afghanistan (PDPA) sized power after the Saur Revolution (1978), he was Minister of Education and later Minister of Public Works under Nur Mohammad Taraki. He held the job as Minister of Public Works until Hafizullah Amin rose to power in 1979 after his assassination of Taraki. Under the rule of Babrak Karmal he was promoted to the Central Committee's Politburo. While seen by many as a Khalqi, he was given the position of Chairman of the Party Control Commission.\n\nAccording to rumours at that time Panjsheri was establishing his own political group within the PDPA with help from the Soviet government in Moscow. The name of his political group was Kar.\n\nReferences \n\nPeople's Democratic Party of Afghanistan politicians\nLiving people\nGovernment ministers of Afghanistan\n1933 births" ]

[ "Babrak Karmal (Dari/Pashto , born Sultan Hussein; 6 January 1929 – 1 or 3 December 1996) was an Afghan revolutionary and politician who was the leader of Afghanistan, serving in the post of General Secretary of the People's Democratic Party of Afghanistan for seven years. Born in Kabul Province into a Tajikized family of Kashmiri origin, Karmal attended Kabul University and developed openly leftist views there, having been introduced to Marxism by Mir Akbar Khyber during his imprisonment for activities deemed too radical by the government.", "Born in Kabul Province into a Tajikized family of Kashmiri origin, Karmal attended Kabul University and developed openly leftist views there, having been introduced to Marxism by Mir Akbar Khyber during his imprisonment for activities deemed too radical by the government. He became a founding member of the People's Democratic Party of Afghanistan (PDPA) and eventually became the leader of the Parcham faction when the PDPA split in 1967, with their ideological nemesis being the Khalq faction.", "He became a founding member of the People's Democratic Party of Afghanistan (PDPA) and eventually became the leader of the Parcham faction when the PDPA split in 1967, with their ideological nemesis being the Khalq faction. Karmal was elected to the Lower House after the 1965 parliamentary election, serving in parliament until losing his seat in the 1969 parliamentary election. Under Karmal's leadership, the Parchamite PDPA participated in Mohammad Daoud Khan's rise to power in 1973, and his subsequent regime.", "Under Karmal's leadership, the Parchamite PDPA participated in Mohammad Daoud Khan's rise to power in 1973, and his subsequent regime. While relations were good at the beginning, Daoud began a major purge of leftist influence in the mid-1970s. This in turn led to the reformation of the PDPA in 1977, and Karmal played a role in the 1978 Saur Revolution when the PDPA took power. Karmal was appointed Deputy Chairman of the Revolutionary Council, synonymous with vice head of state, in the communist government.", "Karmal was appointed Deputy Chairman of the Revolutionary Council, synonymous with vice head of state, in the communist government. The Parchamite faction found itself under significant pressure by the Khalqists soon after taking power. In June 1978, a PDPA Central Committee meeting voted in favor of giving the Khalqist faction exclusive control over PDPA policy. This decision was followed by a failed Parchamite coup, after which Hafizullah Amin, a Khalqist, initiated a purge against the Parchamites.", "This decision was followed by a failed Parchamite coup, after which Hafizullah Amin, a Khalqist, initiated a purge against the Parchamites. Karmal survived this purge but was exiled to Prague and eventually dismissed from his post. Instead of returning to Kabul, he feared for his life and lived with his family in the forests protected by the Czechoslovak secret police StB. The Afghan secret police KHAD had allegedly sent members to Czechoslovakia to assassinate Karmal.", "The Afghan secret police KHAD had allegedly sent members to Czechoslovakia to assassinate Karmal. In late 1979 he was brought to Moscow by the KGB and eventually, in December 1979, the Soviet Union intervened in Afghanistan (with the consent of Amin's government) to stabilize the country. The Soviet troops staged a coup and assassinated Amin, replacing him with Karmal. Karmal was promoted to Chairman of the Revolutionary Council and Chairman of the Council of Ministers on 27 December 1979.", "Karmal was promoted to Chairman of the Revolutionary Council and Chairman of the Council of Ministers on 27 December 1979. He remained in the latter office until 1981, when he was succeeded by Sultan Ali Keshtmand. Throughout his term, Karmal worked to establish a support base for the PDPA by introducing several reforms. Among these were the \"Fundamental Principles of the Democratic Republic of Afghanistan\", introducing a general amnesty for those people imprisoned during Nur Mohammad Taraki's and Amin's rule.", "Among these were the \"Fundamental Principles of the Democratic Republic of Afghanistan\", introducing a general amnesty for those people imprisoned during Nur Mohammad Taraki's and Amin's rule. He also replaced the red Khalqist flag with a more traditional one. These policies failed to increase the PDPA's legitimacy in the eyes of the Afghan people and the Afghan mujahideen rebels - he was widely seen as a Soviet puppet amongst the populace.", "These policies failed to increase the PDPA's legitimacy in the eyes of the Afghan people and the Afghan mujahideen rebels - he was widely seen as a Soviet puppet amongst the populace. These policy failures, and the stalemate that ensued after the Soviet intervention, led the Soviet leadership to become highly critical of Karmal's leadership. Under Mikhail Gorbachev, the Soviet Union deposed Karmal in 1986 and replaced him with Mohammad Najibullah. Following his loss of power, he was again exiled, this time to Moscow.", "Following his loss of power, he was again exiled, this time to Moscow. It was Anahita Ratebzad who persuaded Najibullah to allow Babrak Karmal to return to Afghanistan in 1991, where Karmal became an associate of Abdul Rashid Dostum and possibly helped remove the Najibullah government from power in 1992. He eventually left Afghanistan again for Moscow. Not long after, in 1996, Karmal died from liver cancer. Early life and career Karmal was born Sultan Hussein on 6 January 1929 in Kamari, a village close to Kabul.", "Early life and career Karmal was born Sultan Hussein on 6 January 1929 in Kamari, a village close to Kabul. He was the son of Muhammad Hussein Hashem, a Major General in the Afghan Army and former governor of the province of Paktia, and was the second of five siblings. His family was one of the wealthier families in Kabul. His ethnic background was publicly disputed at the time, with many sources reporting he was a Tajik of Kabul.", "His ethnic background was publicly disputed at the time, with many sources reporting he was a Tajik of Kabul. In 1986, Karmal declared that he and his brother Mahmud Baryalay were Pashtuns as their mother was a linguistically Persianized Pashtun of the Khilji tribe. This declaration was considered to be political as descent comes from the patriarchal line in Afghan society. Karmal's forefathers came to Kabul from Kashmir, and his original name Sultan Hussein (which is associated with Indian Muslims) reinforces his Kashmiri roots.", "Karmal's forefathers came to Kabul from Kashmir, and his original name Sultan Hussein (which is associated with Indian Muslims) reinforces his Kashmiri roots. He attended Nejat High School, a German-speaking school, and graduated from it in 1948, and applied to enter the Faculty of Law and Political Science of Kabul University. Karmal's application was initially denied admission to Kabul University because of his student political activist and his openly leftist views.", "Karmal's application was initially denied admission to Kabul University because of his student political activist and his openly leftist views. He was always a charismatic speaker and became involved in the student union and the Wikh-i-Zalmayan (Awakened Youth Movement), a progressive and leftist organization. He studied at the College of Law and Political Science at Kabul University from 1951 to 1953. In 1953 Karmal was arrested because of his student union activities, but was released three years later in 1956 in an amnesty by Muhammad Daoud Khan.", "In 1953 Karmal was arrested because of his student union activities, but was released three years later in 1956 in an amnesty by Muhammad Daoud Khan. Shortly after, in 1957, Karmal found work as an English and German translator, before quitting and leaving for military training. Karmal graduated from the College of Law and Political Science in 1960, and in 1961, he found work as an employee in the Compilation and Translation Department of the Ministry of Education. From 1961 to 1963 he worked in the Ministry of Planning.", "From 1961 to 1963 he worked in the Ministry of Planning. When his mother died, Karmal left with his maternal aunt to live somewhere else. His father disowned him because of his leftist views. Karmal was involved in much debauchery, which was controversial in the mostly conservative Afghan society. Communist politics Imprisoned from 1953 to 1956, Karmal befriended fellow inmate Mir Akbar Khyber, who introduced Karmal to Marxism.", "Communist politics Imprisoned from 1953 to 1956, Karmal befriended fellow inmate Mir Akbar Khyber, who introduced Karmal to Marxism. Karmal changed his name from Sultan Hussein to Babrak Karmal, which means \"Comrade of the Workers'\" in Pashtun, to disassociate himself from his bourgeois background. When he was released from prison, he continued his activities in the student union, and began to promote Marxism.", "When he was released from prison, he continued his activities in the student union, and began to promote Marxism. Karmal spent the rest of the 1950s and the early 1960s becoming involved with Marxist organizations, of which there were at least four in Afghanistan at the time; two of the four were established by Karmal. When the 1964 Afghan Provisional Constitution, which legalised the establishment of new political entities, was introduced several prominent Marxists agreed to establish a communist political party.", "When the 1964 Afghan Provisional Constitution, which legalised the establishment of new political entities, was introduced several prominent Marxists agreed to establish a communist political party. The People's Democratic Party of Afghanistan (PDPA, the Communist Party) was established in January 1965 in Nur Muhammad Taraki's home. Factionalism within the PDPA quickly became a problem; the party split into the Khalq led by Taraki alongside Hafizullah Amin, and the Parcham led by Karmal.", "Factionalism within the PDPA quickly became a problem; the party split into the Khalq led by Taraki alongside Hafizullah Amin, and the Parcham led by Karmal. During the 1965 parliamentary election Karmal was one of four PDPA members elected to the lower house of parliament; the three others were Anahita Ratebzad, Nur Ahmed Nur and Fezanul Haq Fezan. No Khalqists were elected; however, Amin was 50 votes short of being elected.", "No Khalqists were elected; however, Amin was 50 votes short of being elected. The Parchamite victory may be explained by the simple fact that Karmal could contribute financially to the PDPA electoral campaign. Karmal became a leading figure within the student movement in the 1960s, electing Mohammad Hashim Maiwandwal as Prime Minister after a student demonstration (called for by Karmal) concluded with three deaths under the former leadership. In 1966 inside parliament, Karmal was physically assaulted by an Islamist MP, Mohammad Nabi Mohammadi.", "In 1966 inside parliament, Karmal was physically assaulted by an Islamist MP, Mohammad Nabi Mohammadi. In 1967, the PDPA unofficially split into two formal parties, one Khalqist and one Parchamist. The dissolution of the PDPA was initiated by the closing down of the Khalqist newspaper, Khalq. Karmal criticised the Khalq for being too communist, and believed that its leadership should have hidden its Marxist orientation instead of promoting it. According to the official version of events, the majority of the PDPA Central Committee rejected Karmal's criticism.", "According to the official version of events, the majority of the PDPA Central Committee rejected Karmal's criticism. The vote was a close one, and it is reported that Taraki expanded the Central Committee to win the vote; this plan resulted in eight of the new members becoming politically unaligned with and one switching to the Parchamite side. Karmal and half the PDPA Central Committee left the PDPA to establish a Parchamite-led PDPA.", "Karmal and half the PDPA Central Committee left the PDPA to establish a Parchamite-led PDPA. Officially the split was caused by ideological differences, but the party may have divided between the different leadership styles and plans of Taraki versus Karmal. Taraki wanted to model the party after Leninist norms while Karmal wanted to establish a democratic front. Other differences were socioeconomic. The majority of Khalqists came from rural areas; hence they were poorer, and were of Pashtun origin.", "The majority of Khalqists came from rural areas; hence they were poorer, and were of Pashtun origin. The Parchamites were urban, richer, and spoke Dari more often than not. The Khalqists accused the Parchamites of having a connection with the monarchy, and because of it, referred to the Parchamite PDPA as the \"Royal Communist Party\". Both Karmal and Amin retained their seats in the lower house of parliament in the 1969 parliamentary election.", "Both Karmal and Amin retained their seats in the lower house of parliament in the 1969 parliamentary election. The Daoud era Mohammed Daoud Khan, in collaboration with the Parchamite PDPA and radical military officers, overthrew the monarchy and instituted the Republic of Afghanistan in 1973. After Daoud's seizure of power, an American embassy cable stated that the new government had established a Soviet-style Central Committee, in which Karmal and Mir Akbar Khyber were given leading positions.", "After Daoud's seizure of power, an American embassy cable stated that the new government had established a Soviet-style Central Committee, in which Karmal and Mir Akbar Khyber were given leading positions. Most ministries were given to Parchamites; Hassan Sharq became Deputy Prime Minister, Major Faiz Mohammad became Minister of Internal Affairs and Niamatullah Pazhwak became Minister of Education. The Parchamites took control over the ministries of finance, agriculture, communications and border affairs. The new government quickly suppressed the opposition, and secured their power base.", "The new government quickly suppressed the opposition, and secured their power base. At first, the National Front government between Daoud and the Parchamites seemed to work. By 1975, Daoud had strengthened his position by enhancing the executive, legislative and judicial powers of the Presidency. To the dismay of the Parchamites, all parties other than the National Revolutionary Party (NRP, established by Daoud) were made illegal. Shortly after the ban on opposition to the NRP, Daoud began a massive purge of Parchamites in government.", "Shortly after the ban on opposition to the NRP, Daoud began a massive purge of Parchamites in government. Mohammad lost his position as interior minister, Abdul Qadir was demoted, and Karmal was put under government surveillance. To mitigate Daoud's suddenly anti-communist directives, the Soviet Union reestablished the PDPA; Taraki was elected its General Secretary and Karmal, Second Secretary.", "To mitigate Daoud's suddenly anti-communist directives, the Soviet Union reestablished the PDPA; Taraki was elected its General Secretary and Karmal, Second Secretary. While the Saur Revolution (literally the April Revolution) was planned for August, the assassination of Khyber led to a chain of events which ended with the communists seizing power. Karmal, when taking power in 1979, accused Amin of ordering the assassination of Khyber.", "Karmal, when taking power in 1979, accused Amin of ordering the assassination of Khyber. Taraki–Amin rule Taraki was appointed Chairman of the Presidium of the Revolutionary Council and Chairman of the Council of Ministers, retaining his post as PDPA general secretary. Taraki initially formed a government which consisted of both Khalqists and Parchamites; Karmal became Deputy Chairman of the Revolutionary Council, while Amin became Minister of Foreign Affairs and Deputy Chairman of the Council of Ministers.Mohammad Aslam Watanjar became Deputy Chairman of the Council of Ministers.", "Taraki initially formed a government which consisted of both Khalqists and Parchamites; Karmal became Deputy Chairman of the Revolutionary Council, while Amin became Minister of Foreign Affairs and Deputy Chairman of the Council of Ministers.Mohammad Aslam Watanjar became Deputy Chairman of the Council of Ministers. The two Parchamites Abdul Qadir and Mohammad Rafi, became Minister of Defence and Minister of Public Works, respectively.", "The two Parchamites Abdul Qadir and Mohammad Rafi, became Minister of Defence and Minister of Public Works, respectively. The appointment of Amin, Karmal and Watanjar led to splits within the Council of Ministers: the Khalqists answered to Amin; Karmal led the civilian Parchamites; and the military officers (who were Parchamites) were answerable to Watanjar (a Khalqist).", "The appointment of Amin, Karmal and Watanjar led to splits within the Council of Ministers: the Khalqists answered to Amin; Karmal led the civilian Parchamites; and the military officers (who were Parchamites) were answerable to Watanjar (a Khalqist). The first conflict arose when the Khalqists wanted to give PDPA Central Committee membership to military officers who had participated in the Saur Revolution; Karmal opposed such a move but was overruled. A PDPA Politburo meeting voted in favour of giving Central Committee membership to the officers.", "A PDPA Politburo meeting voted in favour of giving Central Committee membership to the officers. On 27 June, three months after the Saur Revolution, Amin outmaneuvered the Parchamites at a Central Committee meeting, giving the Khalqists exclusive right over formulating and deciding policy. A purge against the Parchamites was initiated by Amin and supported by Taraki on 1 July 1979. Karmal, fearing for his safety, went into hiding in one of his Soviet friends' homes.", "Karmal, fearing for his safety, went into hiding in one of his Soviet friends' homes. Karmal tried to contact Alexander Puzanov, the Soviet ambassador to Afghanistan, to talk about the situation. Puzanov refused, and revealed Karmal's location to Amin. The Soviets probably saved Karmal's life by sending him to the Socialist Republic of Czechoslovakia. In exile, Karmal established a network with the remaining Parchamites in government. A coup to overthrow Amin was planned for 4 September 1979.", "A coup to overthrow Amin was planned for 4 September 1979. Its leading members in Afghanistan were Qadir and the Army Chief of Staff General Shahpur Ahmedzai. The coup was planned for the Festival of Eid, in anticipation of relaxed military vigilance. The conspiracy failed when the Afghan ambassador to India told the Afghan leadership about the plan. Another purge was initiated, and Parchamite ambassadors were recalled. Few returned to Afghanistan; Karmal and Mohammad Najibullah stayed in their respective countries.", "Few returned to Afghanistan; Karmal and Mohammad Najibullah stayed in their respective countries. The Soviets decided that Amin should be removed to make way for a Karmal-Taraki coalition government. However Amin managed to order the arrest and later the murder of Taraki. Amin was informed of the Soviet decision to intervene in Afghanistan and was initially supportive, but was assassinated. Under the command of the Soviets, Karmal ascended to power.", "Under the command of the Soviets, Karmal ascended to power. On 27 December 1979, Karmal's pre-recorded speech to the Afghan people was broadcast via Radio Kabul from Tashkent in the Uzbek SSR (the radio wavelength was changed to that of Kabul), saying: \"Today the torture machine of Amin has been smashed, his accomplices – the primitive executioners, usurpers and murderers of tens of thousand of our fellow countrymen – fathers, mothers, sisters, brothers, sons and daughters, children and old people ...\" Karmal was not in Kabul when the speech was broadcast; he was in Bagram, protected by the KGB.", "On 27 December 1979, Karmal's pre-recorded speech to the Afghan people was broadcast via Radio Kabul from Tashkent in the Uzbek SSR (the radio wavelength was changed to that of Kabul), saying: \"Today the torture machine of Amin has been smashed, his accomplices – the primitive executioners, usurpers and murderers of tens of thousand of our fellow countrymen – fathers, mothers, sisters, brothers, sons and daughters, children and old people ...\" Karmal was not in Kabul when the speech was broadcast; he was in Bagram, protected by the KGB. That evening Yuri Andropov, the KGB Chairman, congratulated Karmal on his rise to the Chairmanship of the Presidium of the Revolutionary Council, some time before Karmal received an official appointment.", "That evening Yuri Andropov, the KGB Chairman, congratulated Karmal on his rise to the Chairmanship of the Presidium of the Revolutionary Council, some time before Karmal received an official appointment. Karmal returned to Kabul on 28 December. He travelled alongside a Soviet military column. For the next few days Karmal lived in a villa on the outskirts of Kabul under the protection of the KGB.", "For the next few days Karmal lived in a villa on the outskirts of Kabul under the protection of the KGB. On 1 January 1980 Leonid Brezhnev, the General Secretary of the Central Committee of the Communist Party of the Soviet Union, and Alexei Kosygin, the Soviet Chairman of the Council of Ministers, congratulated Karmal on his \"election\" as leader. Leadership Domestic policies Karmal's ascension was quickly troubled as he was effectively installed by the invading Soviet Union, delegitimizing him.", "Leadership Domestic policies Karmal's ascension was quickly troubled as he was effectively installed by the invading Soviet Union, delegitimizing him. Unrest in the country quickly escalated, and in Kabul two major uprisings, on 3 Hoot (22 February) and the months long students' protests were early signs of trouble. The \"Fundamental Principles\" and amnesty When he came to power, Karmal promised an end to executions, the establishment of democratic institutions and free elections, the creation of a constitution, and legalization of alternative political parties.", "The \"Fundamental Principles\" and amnesty When he came to power, Karmal promised an end to executions, the establishment of democratic institutions and free elections, the creation of a constitution, and legalization of alternative political parties. Prisoners incarcerated under the two previous governments would be freed in a general amnesty (which occurred on 6 January). He promised the creation of a coalition government which would not espouse socialism.", "He promised the creation of a coalition government which would not espouse socialism. At the same time, he told the Afghan people that he had negotiated with the Soviet Union to give economic, military and political assistance. The mistrust most Afghans felt towards the government was a problem for Karmal. Many still remembered he had said he would protect private capital in 1978—a promise later proven to be a lie.", "Many still remembered he had said he would protect private capital in 1978—a promise later proven to be a lie. Karmal's three most important promises were the general amnesty of prisoners, the promulgation of the Fundamental Principles of the Democratic Republic of Afghanistan and the adoption of a new flag containing the traditional black, red and green (the flag of Taraki and Amin was red). His government granted concessions to religious leaders and the restoration of confiscated property.", "His government granted concessions to religious leaders and the restoration of confiscated property. Some property, which was confiscated during earlier land reforms, was also partially restored. All these measures, with the exception of the general amnesty of prisoners, were introduced gradually. Of 2,700 prisoners, 2,600 were released from prison; 600 of these were Parchamites. The general amnesty was greatly publicized by the government.", "The general amnesty was greatly publicized by the government. The general amnesty was greatly publicized by the government. While the event was hailed with enthusiasm by some, many others greeted the event with disdain, since their loved ones or associates had died during earlier purges. Amin had planned to introduce a general amnesty on 1 January 1980, to coincide with the PDPA's sixteenth anniversary.", "Amin had planned to introduce a general amnesty on 1 January 1980, to coincide with the PDPA's sixteenth anniversary. Work on the Fundamental Principles had started under Amin: it guaranteed democratic rights such as freedom of speech, the right to security and life, the right to peaceful association, the right to demonstrate and the right that \"no one would be accused of crime but in accord with the provisions of law\" and that the accused had the right to a fair trial.", "Work on the Fundamental Principles had started under Amin: it guaranteed democratic rights such as freedom of speech, the right to security and life, the right to peaceful association, the right to demonstrate and the right that \"no one would be accused of crime but in accord with the provisions of law\" and that the accused had the right to a fair trial. The Fundamental Principles envisaged a democratic state led by the PDPA, the only party then permitted by law.", "The Fundamental Principles envisaged a democratic state led by the PDPA, the only party then permitted by law. The Revolutionary Council, the organ of supreme power, would convene twice every year. The Revolutionary Council in turn elected a Presidium which would take decisions on behalf of the Revolutionary Council when it was not in session. The Presidium consisted mostly of PDPA Politburo members. The state would safeguard three kinds of property: state, cooperative and private property.", "The state would safeguard three kinds of property: state, cooperative and private property. The Fundamental Principles said that the state had the right to change the Afghan economy from an economy where man was exploited to an economy where man was free. Another clause stated that the state had the right to take \"families, both parents and children, under its supervision.\" While it looked democratic at the outset, the Fundamental Principles was based on contradictions.", "While it looked democratic at the outset, the Fundamental Principles was based on contradictions. The Fundamental Principles led to the establishment of two important state organs: the Special Revolutionary Court, a specialized court for crimes against national security and territorial integrity, and the Institute for Legal and Scientific Research and Legislative Affairs, the supreme legislative organ of state, This body could amend and draft laws, and introduce regulations and decrees on behalf of the government.", "The Fundamental Principles led to the establishment of two important state organs: the Special Revolutionary Court, a specialized court for crimes against national security and territorial integrity, and the Institute for Legal and Scientific Research and Legislative Affairs, the supreme legislative organ of state, This body could amend and draft laws, and introduce regulations and decrees on behalf of the government. The introduction of more Soviet-style institutions led the Afghan people to distrust the communist government even more. The Fundamental Principles constitution came into power on 22 April 1980.", "The Fundamental Principles constitution came into power on 22 April 1980. Dividing power: Khalq–Parcham With Karmal's ascension to power, Parchamites began to \"settle old scores\". Revolutionary Troikas were created to arrest, sentence and execute people. Amin's guard were the first victims of the terror which ensued. Those commanders who had stayed loyal to Amin were arrested, filling the prisons.", "Those commanders who had stayed loyal to Amin were arrested, filling the prisons. The Soviets protested, and Karmal replied, \"As long as you keep my hands bound and do not let me deal with the Khalq faction there will be no unity in the PDPA and the government cannot become strong ... They tortured and killed us. They still hate us!", "They tortured and killed us. They still hate us! They still hate us! They are the enemies of the party ...\" Amin's daughter, along with her baby, was imprisoned for twelve years, until Mohammad Najibullah, then leader of the PDPA, released her. When Karmal took power, leading posts in the Party and Government bureaucracy were taken over by Parchamites.", "When Karmal took power, leading posts in the Party and Government bureaucracy were taken over by Parchamites. The Khalq faction was removed from power, and only technocrats, opportunists and individuals which the Soviets trusted would be appointed to the higher echelons of government. Khalqists remained in control of the Ministry of Interior, but Parchamites were given control over KHAD and the secret police. The Parchamites and the Khalqists controlled an equal share of the military. Two out of Karmal's three Council of Ministers deputy chairmen were Khalqists.", "Two out of Karmal's three Council of Ministers deputy chairmen were Khalqists. Khalqists controlled the Ministry of Communications and the interior ministry. Parchamites, on the other hand, controlled the Ministry of Foreign Affairs and the Ministry of Defence. In addition to the changes in government, the Parchamites held clear majority in the PDPA Central Committee. Only one Khalqi, Saleh Mohammad Zeary, was a member of the PDPA Secretariat during Karmal's rule.", "Only one Khalqi, Saleh Mohammad Zeary, was a member of the PDPA Secretariat during Karmal's rule. Over 14 and 15 March 1982 the PDPA held a party conference at the Kabul Polytechnic Institute instead of a party congress, since a party congress would have given the Khalq faction a majority and could have led to a Khalqist takeover of the PDPA. The rules of holding a party conference were different, and the Parchamites had a three-fifths majority. This infuriated several Khalqists; the threat of expulsion did not lessen their anger.", "This infuriated several Khalqists; the threat of expulsion did not lessen their anger. The conference was not successful, but it was portrayed as such by the official media. The conference broke up after one and a half days of a 3-day long program, because of the inter-party struggle for power between the Khalqists and the Parchamites. A \"program of action\" was introduced, and party rules were given minor changes.", "A \"program of action\" was introduced, and party rules were given minor changes. As an explanation of the low party membership, the official media also made it seem hard to become a member of the party. PDPA base When Karmal took power, he began expanding the support base of the PDPA. Karmal tried to persuade certain groups, which had been referred to class enemies of the revolution during Taraki and Amin's rule, to support the PDPA. Karmal appointed several non-communists to top positions.", "Karmal appointed several non-communists to top positions. Karmal appointed several non-communists to top positions. Between March and May 1980, 78 out of the 191 people appointed to government posts were not members of the PDPA. Karmal reintroduced the old Afghan custom of having an Islamic invocation every time the government issued a proclamation. In his first live speech to the Afghan people, Karmal called for the establishment of the National Fatherland Front (NFF); the NFF's founding congress was held in June 1981.", "In his first live speech to the Afghan people, Karmal called for the establishment of the National Fatherland Front (NFF); the NFF's founding congress was held in June 1981. Unfortunately for Karmal, his policies did not lead to a notable increase in support for his regime, and it did not help Karmal that most Afghans saw the Soviet intervention as an invasion. By 1981, the government gave up on political solutions to the conflict.", "By 1981, the government gave up on political solutions to the conflict. At the fifth PDPA Central Committee plenum in June, Karmal resigned from his Council of Ministers chairmanship and was replaced by Sultan Ali Keshtmand, while Nur Ahmad Nur was given a bigger role in the Revolutionary Council. This was seen as \"base broadening\". The previous weight given to non-PDPA members in top positions ceased to be an important matter in the media by June 1981.", "The previous weight given to non-PDPA members in top positions ceased to be an important matter in the media by June 1981. This was significant, considering that up to five members of the Revolutionary Council were non-PDPA members. By the end of 1981, the previous contenders, who had been heavily presented in the media, were all gone; two were given ambassadorships, two ceased to be active in politics, and one continued as an advisor to the government.", "By the end of 1981, the previous contenders, who had been heavily presented in the media, were all gone; two were given ambassadorships, two ceased to be active in politics, and one continued as an advisor to the government. The other three changed sides, and began to work for the opposition.", "The other three changed sides, and began to work for the opposition. The national policy of reconciliation continued: in January 1984 the land reform introduced by Taraki and Amin was drastically modified, the limits of landholdings were increased to win the support of middle class peasants, the literacy programme was continued, and concessions to women were made. In 1985 the Loya Jirga was reconvened. The 1985 Loya Jirga was followed by a tribal jirga in September.", "The 1985 Loya Jirga was followed by a tribal jirga in September. In 1986 Abdul Rahim Hatef, a non-PDPA member, was elected to the NFF chairmanship. During the 1985–86 elections it was said that 60 percent of the elected officials were non-PDPA members. By the end of Karmal's rule, several non-PDPA members had high-level government positions. Civil war and military In March 1979, the military budget was 6.4 million US$, which was 8.3 percent of the government budget, but only 2.2 of gross national product.", "Civil war and military In March 1979, the military budget was 6.4 million US$, which was 8.3 percent of the government budget, but only 2.2 of gross national product. After the Soviet intervention, the defence budget increased to 208 million US$ in 1980, and 325 million US$ by 1981. In 1982 it was reported that the government spent around 22 percent of total expenditure.", "In 1982 it was reported that the government spent around 22 percent of total expenditure. When the political solution failed (see \"PDPA base\" section), the Afghan government and the Soviet military decided to solve the conflict militarily. The change from a political to a military solution did not come suddenly. It began in January 1981, as Karmal doubled wages for military personnel, issued several promotions, and decorated one general and thirteen colonels.", "It began in January 1981, as Karmal doubled wages for military personnel, issued several promotions, and decorated one general and thirteen colonels. The draft age was lowered, the obligatory length of arms duty was extended and the age for reservists was increased to thirty-five years of age. In June 1981, Assadullah Sarwari lost his seat in the PDPA Politburo, replaced by Mohammad Aslam Watanjar, a former tank commander and Minister of Communications, Major General Mohammad Rafi was made Minister of Defence and Mohammad Najibullah appointed KHAD Chairman.", "In June 1981, Assadullah Sarwari lost his seat in the PDPA Politburo, replaced by Mohammad Aslam Watanjar, a former tank commander and Minister of Communications, Major General Mohammad Rafi was made Minister of Defence and Mohammad Najibullah appointed KHAD Chairman. These measures were introduced due to the collapse of the army during the Soviet intervention. Before the intervention the army could field 100,000 troops, after the intervention only 25,000. Desertions were pandemic, and the recruitment campaigns for young people often drove them to the opposition.", "Desertions were pandemic, and the recruitment campaigns for young people often drove them to the opposition. To better organize the military, seven military zones were established, each with its own Defence Council. The Defence Councils were established at the national, provincial and district level to empower the local PDPA. It is estimated that the Afghan government spent as much as 40 percent of government revenue on defense.", "It is estimated that the Afghan government spent as much as 40 percent of government revenue on defense. Karmal refused to recognize the rebels as genuine, saying in an interview: Economy During the civil war and the ensuing Soviet–Afghan War, most of the country's infrastructure was destroyed. Normal patterns of economic activity were disrupted. The Gross national product (GNP) fell substantially during Karmal's rule because of the conflict; trade and transport was disrupted with loss of labor and capital.", "The Gross national product (GNP) fell substantially during Karmal's rule because of the conflict; trade and transport was disrupted with loss of labor and capital. In 1981 the Afghan GDP stood at 154.3 billion Afghan afghanis, a drop from 159.7 billion in 1978. GNP per capita decreased from 7,370 in 1978 to 6,852 in 1981. The dominant form of economic activity was in the agricultural sector.", "The dominant form of economic activity was in the agricultural sector. Agriculture accounted for 63 percent of gross domestic product (GDP) in 1981; 56 percent of the labor force was working in agriculture in 1982. Industry accounted for 21 percent of GDP in 1982, and employed 10 percent of the labor force. All industrial enterprises were government-owned. The service sector, the smallest of the three, accounted for 10 percent of GDP in 1981, and employed an estimated one-third of the labour force.", "The service sector, the smallest of the three, accounted for 10 percent of GDP in 1981, and employed an estimated one-third of the labour force. The balance of payments, which had grown in the pre-communist administration of Muhammad Daoud Khan, decreased, turning negative by 1982 at 70.3 million $US. The only economic activity which grew substantially during Karmal's rule was export and import.", "The only economic activity which grew substantially during Karmal's rule was export and import. Foreign policy Karmal observed in early 1983 that without Soviet intervention, \"It is unknown what the destiny of the Afghan Revolution would be ... We are realists and we clearly realize that in store for us yet lie trials and deprivations, losses and difficulties.\" Two weeks before this statement Sultan Ali Keshtmand, the Chairman of the Council of Ministers, lamented the fact that half the schools and three-quarters of communications had been destroyed since 1979.", "Two weeks before this statement Sultan Ali Keshtmand, the Chairman of the Council of Ministers, lamented the fact that half the schools and three-quarters of communications had been destroyed since 1979. The Soviet Union rejected several Western-made peace plans, such as the Carrington Plan, since they did not take into consideration the PDPA government. Most Western peace plans had been made in collaboration with the Afghan opposition forces.", "Most Western peace plans had been made in collaboration with the Afghan opposition forces. At the 26th Congress of the Communist Party of the Soviet Union (CPSU) Leonid Brezhnev, the General Secretary of the CPSU Central Committee, stated; The stance of the Pakistani government was clear, demanding complete Soviet withdrawal from Afghanistan and the establishment of a non-PDPA government. Karmal, summarizing his discussions with Iran and Pakistan, said \"Iran and Pakistan have so far not opted for concrete and constructive positions.\"", "Karmal, summarizing his discussions with Iran and Pakistan, said \"Iran and Pakistan have so far not opted for concrete and constructive positions.\" During Karmal's rule Afghan–Pakistani relations remained hostile; the Soviet intervention in Afghanistan was the catalyst for the hostile relationship. The increasing numbers of Afghan refugees in Pakistan challenged the PDPA's legitimacy to rule. The Soviet Union threatened in 1985 that it would support the Baloch separatist movement in Pakistan if the Pakistani government continued to aid the Afghan mujahideen.", "The Soviet Union threatened in 1985 that it would support the Baloch separatist movement in Pakistan if the Pakistani government continued to aid the Afghan mujahideen. Karmal, problematically for the Soviets, did not want a Soviet withdrawal, and he hampered attempts to improve relations with Pakistan since the Pakistani government had refused to recognise the PDPA government. Public image Because Karmal was put into power without a formal ceremony as in Afghan tradition, he was seen as an illegitimate leader in many eyes of his people.", "Public image Because Karmal was put into power without a formal ceremony as in Afghan tradition, he was seen as an illegitimate leader in many eyes of his people. A poor performance in foreign interviews also didn't help his public image where he was noted to speak like an \"exhibitionist\" rather than a statesman. Karmal was widely viewed as a puppet leader of the Soviet Union by Afghans and the Western press.", "Karmal was widely viewed as a puppet leader of the Soviet Union by Afghans and the Western press. Despite his position, Karmal was apparently not permitted to make key decisions as he was following advice from Soviet advisers.", "Despite his position, Karmal was apparently not permitted to make key decisions as he was following advice from Soviet advisers. The Soviet control of the Afghan state was apparently so much that Karmal himself admitted to a friend of his unfree life, telling him: “The Soviet comrades love me boundlessly, and for the sake of my personal safety, they don’t obey even my own orders.” Fall from power and succession Mikhail Gorbachev, then General Secretary of the Central Committee of the Communist Party of the Soviet Union, said, \"The main reason that there has been no national consolidation so far is that Comrade Karmal is hoping to continue sitting in Kabul with our help.\"", "The Soviet control of the Afghan state was apparently so much that Karmal himself admitted to a friend of his unfree life, telling him: “The Soviet comrades love me boundlessly, and for the sake of my personal safety, they don’t obey even my own orders.” Fall from power and succession Mikhail Gorbachev, then General Secretary of the Central Committee of the Communist Party of the Soviet Union, said, \"The main reason that there has been no national consolidation so far is that Comrade Karmal is hoping to continue sitting in Kabul with our help.\" Karmal's position became less secure when the Soviet leadership began blaming him for the failures in Afghanistan.", "Karmal's position became less secure when the Soviet leadership began blaming him for the failures in Afghanistan. Gorbachev, worried over the situation, told the Soviet Politburo \"If we don't change approaches [to evacuate Afghanistan], we will be fighting there for another 20 or 30 years.\" It is not clear when the Soviet leadership began to campaign for Karmal's dismissal, but Andrei Gromyko discussed the possibility of Karmal's resignation with Javier Pérez de Cuéllar, the Secretary-General of the United Nations in 1982.", "It is not clear when the Soviet leadership began to campaign for Karmal's dismissal, but Andrei Gromyko discussed the possibility of Karmal's resignation with Javier Pérez de Cuéllar, the Secretary-General of the United Nations in 1982. While it was Gorbachev who would dismiss Karmal, there may have been a consensus within the Soviet leadership in 1983 that Karmal should resign. Gorbachev's own plan was to replace Karmal with Mohammad Najibullah, who had joined the PDPA at its creation.", "Gorbachev's own plan was to replace Karmal with Mohammad Najibullah, who had joined the PDPA at its creation. Najibullah was thought highly of by Yuri Andropov, Boris Ponomarev and Dmitriy Ustinov, and negotiations for his succession may have started in 1983. Najibullah was not the Soviet leadership's only choice for Karmal's succession; a GRU report noted that the majority of the PDPA leadership would support Assadullah Sarwari's ascension to leadership.", "Najibullah was not the Soviet leadership's only choice for Karmal's succession; a GRU report noted that the majority of the PDPA leadership would support Assadullah Sarwari's ascension to leadership. According to the GRU, Sarwari was a better candidate as he could balance between the Pashtuns, Tajiks and Uzbeks; Najibullah was a Pashtun nationalist. Another viable candidate was Abdul Qadir, who had been a participant in the Saur Revolution. Najibullah was appointed to the PDPA Secretariat in November 1985.", "Najibullah was appointed to the PDPA Secretariat in November 1985. During Karmal's March 1986 visit to the Soviet Union, the Soviets tried to persuade Karmal that he was too ill to govern, and that he should resign. This backfired, as a Soviet doctor attending to Karmal told him he was in good health. Karmal asked to return home to Kabul, and said that he understood and would listen to the Soviet recommendations. Before leaving, Karmal promised he would step down as PDPA General Secretary.", "Before leaving, Karmal promised he would step down as PDPA General Secretary. The Soviets did not trust him and sent Vladimir Kryuchkov, the head of intelligence (FCD) in the KGB, into Afghanistan. At a meeting in Kabul, Karmal confessed his undying love for the Soviet Union, comparing his ardor to his Muslim faith. Kryuchkov, concluding that he could not persuade Karmal to resign, left the meeting.", "Kryuchkov, concluding that he could not persuade Karmal to resign, left the meeting. After Kryuchkov left the room, the Afghan defence minister and the state security minister visited Karmal's office, telling him that he had to resign from one of his posts. Understanding that his Soviet support had been eliminated, Karmal resigned from the office of the General Secretary at the 18th PDPA Central Committee plenum. He was succeeded in his post by Najibullah.", "He was succeeded in his post by Najibullah. He was succeeded in his post by Najibullah. Karmal still had support within the party, and used his base to curb Najibullah's powers. He began spreading rumors that he would be reappointed General Secretary. Najibullah's power base was in the KHAD, the Afghan equivalent to the KGB, and not the party. Considering the fact that the Soviet Union had supported Karmal for over six years, the Soviet leadership wanted to ease him out of power gradually.", "Considering the fact that the Soviet Union had supported Karmal for over six years, the Soviet leadership wanted to ease him out of power gradually. Yuli Vorontsov, the Soviet ambassador to Afghanistan, told Najibullah to begin undermining Karmal's power slowly. Najibullah complained to the Soviet leadership that Karmal used most of his spare time looking for errors and \"speaking against the National Reconciliation [programme]\".", "Najibullah complained to the Soviet leadership that Karmal used most of his spare time looking for errors and \"speaking against the National Reconciliation [programme]\". At a meeting of the Soviet Politburo on 13 November 1986 it was decided that Najibullah should remove Karmal; this motion was supported by Gromyko, Vorontsov, Eduard Shevardnadze, Anatoly Dobrynin and Viktor Chebrikov. A PDPA meeting in November relieved Karmal of his Revolutionary Council chairmanship, and exiled him to Moscow where he was given a state-owned apartment and a dacha.", "A PDPA meeting in November relieved Karmal of his Revolutionary Council chairmanship, and exiled him to Moscow where he was given a state-owned apartment and a dacha. Karmal was succeeded as Revolutionary Council chairman by Haji Mohammad Chamkani, who was not a member of the PDPA. Later life and death Many years after the end of his leadership, he denounced the Saur Revolution of 1978 in which he took part, taking aim at the Khalq governments of Taraki and Amin.", "Later life and death Many years after the end of his leadership, he denounced the Saur Revolution of 1978 in which he took part, taking aim at the Khalq governments of Taraki and Amin. He told a Soviet reporter: It was the greatest crime against the people of Afghanistan. Parcham's leaders were against armed actions because the country was not ready for a revolution... I knew that people would not support us if we decided to keep power without such support.", "I knew that people would not support us if we decided to keep power without such support. For unknown reasons, Karmal was invited back to Kabul by Najibullah, and \"for equally obscure reasons Karmal accepted\", returning on 20 June 1991. (this could have been on the recommendation of Anahita Ratebzad who was very close to Karmal and also respected by Najibullah).", "(this could have been on the recommendation of Anahita Ratebzad who was very close to Karmal and also respected by Najibullah). If Najibullah's plan was to strengthen his position within the Watan Party (the renamed PDPA) by appeasing the pro-Karmal Parchamites, he failed – Karmal's apartment became a center for opposition to Najibullah's government. When Najibullah was toppled in 1992, Karmal became the most powerful politician in Kabul through leadership of the Parcham.", "When Najibullah was toppled in 1992, Karmal became the most powerful politician in Kabul through leadership of the Parcham. However, his negotiations with the rebels collapsed quickly, and on 16 April 1992 the rebels, led by Gulbuddin Hekmatyar, took Kabul. After the fall of Najibullah's government, Karmal was based in Hairatan. There, it is alleged, Karmal used most of his time either trying to establish a new party, or advising people to join the secular National Islamic Movement (Junbish-i-Milli).", "There, it is alleged, Karmal used most of his time either trying to establish a new party, or advising people to join the secular National Islamic Movement (Junbish-i-Milli). Abdul Rashid Dostum, the leader of Junbish-i-Milli, was a supporter of Karmal during his rule. It is unknown how much control Karmal had over Dostum, but there is little evidence that Karmal was in any commanding position. Karmal's influence over Dostum appeared indirect – some of his former associates supported Dostum.", "Karmal's influence over Dostum appeared indirect – some of his former associates supported Dostum. Those who spoke with Karmal during this period noted his lack of interest in politics. In June 1992 it was reported that he had died in a plane crash along with Dostum, although these reports later proved to be false. In early December 1996, Karmal died in Moscow's Central Clinical Hospital from liver cancer. The date of his death was reported by some sources as 1 December and by others as 3 December.", "The date of his death was reported by some sources as 1 December and by others as 3 December. The Taliban summed up his rule as follows: [he] committed all kinds of crimes during his illegitimate rule ... God inflicted on him various kinds of hardship and pain. Eventually he died of cancer in a hospital belonging to his paymasters, the Russians.", "Eventually he died of cancer in a hospital belonging to his paymasters, the Russians. Notes References Bibliography External links Biography of President Babrak Karmal 1929 births 1996 deaths 20th-century heads of state of Afghanistan Communist rulers of Afghanistan Afghan atheists Presidents of Afghanistan Prime Ministers of Afghanistan People's Democratic Party of Afghanistan politicians Afghan prisoners and detainees Prisoners and detainees of Afghanistan Afghan emigrants to the Soviet Union Collaborators with the Soviet Union Afghan emigrants to Russia People granted political asylum in the Soviet Union Deaths from cancer in Russia Deaths from liver cancer Democratic Republic of Afghanistan 1970s in Afghanistan 1980s in Afghanistan Afghan revolutionaries" ]

[ "Mumtaz Mahal", "Marriage", "When did she marry?", "30 April 1612" ]

[ "I Told You So is a 1970 Ghanaian movie. The movie portrays Ghanaians and their way of life in a satirical style. It also gives insight into the life of a young lady who did not take the advice of her father when about to marry a man, she did not know anything about the man she was going to marry, but rather took her mother's and uncle's advice because of the wealth and power the man has.\n\nThe young lady later finds out that the man she is supposed to marry was an armed robber. She was unhappy of the whole incident. When her dad ask what had happened, she replied that the man she was supposed to marry is an armed robber; her father ended by saying \"I told you so\".\n\nCast\nBobe Cole\nMargret Quainoo (Araba Stamp)\nKweku Crankson (Osuo Abrobor)\n\nReferences\n\nExternal links\n \n I TOLD YOU SO GHANAIAN MOVIE\n\n1970 films\nGhanaian films", "Lucia Rosa was a girl from the 19th century who wanted to marry a poor farmer and instead was forced by her father to marry a wealthy man she did not want. In despair, she threw herself into the Tyrrhenian Sea on the northwest side of the island of Ponza, Italy. She is viewed by some women as a martyr for women's rights and a symbol for human rights. A beach and a group of tall rock stacks (the 'faraglioni di Lucia Rossa') are named after her, at the place where she died.\n\nReferences\n\nExternal links \nLucia Rosa Stacks Google Maps\nPicture and description of Lucia Rosa beach\n\nItalian children\nPeople from the Province of Latina\nSuicides by drowning\n19th-century deaths\nSuicides in Italy\nYear of birth unknown" ]

[ "Mumtaz Mahal (, ), born Arjumand Banu Begum (; 27 April 1593 – 17 June 1631) was the empress consort of the Mughal Empire from 19 January 1628 to 17 June 1631 as the chief consort of the Mughal emperor Shah Jahan. The Taj Mahal in Agra, often cited as one of the Wonders of the World, was commissioned by her husband to act as her tomb. Mumtaz Mahal was born Arjumand Banu Begum in Agra to a family of Persian nobility.", "Mumtaz Mahal was born Arjumand Banu Begum in Agra to a family of Persian nobility. She was the daughter of Abu'l-Hasan Asaf Khan, a wealthy Persian noble who held high office in the Mughal Empire, and the niece of Empress Nur Jahan, the chief wife of Emperor Jahangir and the power behind the emperor.", "She was the daughter of Abu'l-Hasan Asaf Khan, a wealthy Persian noble who held high office in the Mughal Empire, and the niece of Empress Nur Jahan, the chief wife of Emperor Jahangir and the power behind the emperor. She was married at the age of 19 on 10 May 1612 or 16 June 1612 to Prince Khurram, later known by his regnal name Shah Jahan, who conferred upon her the title \"Mumtaz Mahal\" (Persian: the exalted one of the palace).", "She was married at the age of 19 on 10 May 1612 or 16 June 1612 to Prince Khurram, later known by his regnal name Shah Jahan, who conferred upon her the title \"Mumtaz Mahal\" (Persian: the exalted one of the palace). Although betrothed to Shah Jahan since 1607, she ultimately became his second wife in 1612.", "Although betrothed to Shah Jahan since 1607, she ultimately became his second wife in 1612. Mumtaz and her husband had 14 children, including Jahanara Begum (Shah Jahan's favourite daughter), and the Crown prince Dara Shikoh, the heir-apparent, anointed by his father, who temporarily succeeded him, until deposed by Mumtaz Mahal's sixth child, Aurangzeb, who ultimately succeeded his father as the sixth Mughal emperor in 1658.", "Mumtaz and her husband had 14 children, including Jahanara Begum (Shah Jahan's favourite daughter), and the Crown prince Dara Shikoh, the heir-apparent, anointed by his father, who temporarily succeeded him, until deposed by Mumtaz Mahal's sixth child, Aurangzeb, who ultimately succeeded his father as the sixth Mughal emperor in 1658. Mumtaz Mahal died in 1631 in Burhanpur, Deccan (present-day Madhya Pradesh), during the birth of her 14th child, a daughter named Gauhar Ara Begum.", "Mumtaz Mahal died in 1631 in Burhanpur, Deccan (present-day Madhya Pradesh), during the birth of her 14th child, a daughter named Gauhar Ara Begum. Shah Jahan had the Taj Mahal built as a tomb for her, which is considered to be a monument of undying love. As with other Mughal royal ladies, no contemporary likenesses of her are accepted, but numerous imagined portraits were created from the 19th century onwards.", "As with other Mughal royal ladies, no contemporary likenesses of her are accepted, but numerous imagined portraits were created from the 19th century onwards. She is wrongly referred to as \"Taj Bibi\" which was the corrupted of her title Mumtaz and was in reality the title of her mother-in-law, Jagat Gosain. Family and early life Mumtaz Mahal was born as Arjumand Banu on 27 April 1593 in Agra to Abu'l-Hasan Asaf Khan and his wife Diwanji Begum, the daughter of a Persian noble, Khwaja Ghias-ud-din of Qazvin.", "Family and early life Mumtaz Mahal was born as Arjumand Banu on 27 April 1593 in Agra to Abu'l-Hasan Asaf Khan and his wife Diwanji Begum, the daughter of a Persian noble, Khwaja Ghias-ud-din of Qazvin. Asaf Khan was a wealthy Persian noble who held high office in the Mughal Empire. His family had come to India impoverished in 1577, when his father Mirza Ghias Beg (popularly known by his title of I'timad-ud-Daulah), was taken into the service of Emperor Akbar in Agra.", "His family had come to India impoverished in 1577, when his father Mirza Ghias Beg (popularly known by his title of I'timad-ud-Daulah), was taken into the service of Emperor Akbar in Agra. Asaf Khan was also the older brother of Empress Nur Jahan, making Mumtaz a niece, and later, a step daughter-in-law of Nur Jahan, the chief consort of Emperor Jahangir, Shah Jahan's father.", "Asaf Khan was also the older brother of Empress Nur Jahan, making Mumtaz a niece, and later, a step daughter-in-law of Nur Jahan, the chief consort of Emperor Jahangir, Shah Jahan's father. Her older sister, Parwar Khanum, married Sheikh Farid, the son of Nawab Qutubuddin Koka, the governor of Badaun, who was also the emperor Jahangir's foster brother.", "Her older sister, Parwar Khanum, married Sheikh Farid, the son of Nawab Qutubuddin Koka, the governor of Badaun, who was also the emperor Jahangir's foster brother. Mumtaz also had a brother, Shaista Khan, who served as the governor of Bengal and various other provinces in the empire during Shah Jahan's reign. Mumtaz was remarkable in the field of learning and was a talented and cultured lady. She was well-versed in Arabic and Persian languages and could compose poems in the latter.", "She was well-versed in Arabic and Persian languages and could compose poems in the latter. She was reputed to have a combination of modesty and candor, a woman warmly straightforward yet bemusedly self-possessed. Early in adolescence, she attracted the attention of important nobles of the realm. Jahangir must have heard about her, since he readily consented to Shah Jahan's engagement with her. Marriage Mumtaz Mahal was betrothed to Shah Jahan around 5 April 1607, when she was 14 years old at the time and he was 15.", "Marriage Mumtaz Mahal was betrothed to Shah Jahan around 5 April 1607, when she was 14 years old at the time and he was 15. They were, however, married five years after the year of their betrothal on 10 May 1612 or 7 June 1612 in Agra. After their wedding celebrations, Shah Jahan, \"finding her in appearance and character elect among all the women of the time\", gave her the title \"Mumtaz Mahal\" Begum (\"the Exalted One of the Palace\").", "After their wedding celebrations, Shah Jahan, \"finding her in appearance and character elect among all the women of the time\", gave her the title \"Mumtaz Mahal\" Begum (\"the Exalted One of the Palace\"). During the intervening years between their betrothal and marriage, Shah Jahan had married his first wife, Princess Kandahari Begum in 1610 and in 1617, after marrying Mumtaz, took a third wife, Izz-un-Nissa Begum (titled Akbarabadi Mahal), the daughter of a prominent Mughal courtier.", "During the intervening years between their betrothal and marriage, Shah Jahan had married his first wife, Princess Kandahari Begum in 1610 and in 1617, after marrying Mumtaz, took a third wife, Izz-un-Nissa Begum (titled Akbarabadi Mahal), the daughter of a prominent Mughal courtier. According to the official court historians, both the marriages were political alliances.", "According to the official court historians, both the marriages were political alliances. By all accounts, Shah Jahan was so taken with Mumtaz that he showed little interest in exercising his polygamous rights with his two other wives, other than dutifully siring a child with each. According to the official court chronicler, Motamid Khan, as recorded in his Iqbal Namah-e-Jahangiri, the relationship with his other wives \"had nothing more than the status of marriage.", "According to the official court chronicler, Motamid Khan, as recorded in his Iqbal Namah-e-Jahangiri, the relationship with his other wives \"had nothing more than the status of marriage. The intimacy, deep affection, attention and favour which Shah Jahan had for Mumtaz exceeded what he felt for his other wives.\" Likewise, Shah Jahan's historian Inayat Khan commented that 'his whole delight was centered on this illustrious lady [Mumtaz], to such an extent that he did not feel towards the others [i.e.", "Likewise, Shah Jahan's historian Inayat Khan commented that 'his whole delight was centered on this illustrious lady [Mumtaz], to such an extent that he did not feel towards the others [i.e. his other wives] one-thousandth part of the affection that he did for her.' Mumtaz had a loving marriage with Shah Jahan. Even during her lifetime, poets would extol her beauty, grace, and compassion.", "Even during her lifetime, poets would extol her beauty, grace, and compassion. Despite her frequent pregnancies, Mumtaz travelled with Shah Jahan's entourage throughout his earlier military campaigns and the subsequent rebellion against his father. She was his constant companion and trusted confidant, leading court historians to go to unheard lengths to document the intimate and erotic relationship the couple enjoyed.", "She was his constant companion and trusted confidant, leading court historians to go to unheard lengths to document the intimate and erotic relationship the couple enjoyed. In their 19 years of marriage, they had 14 children together (eight sons and six daughters), seven of whom died at birth or at a very young age.", "In their 19 years of marriage, they had 14 children together (eight sons and six daughters), seven of whom died at birth or at a very young age. Mughal empress Upon his accession to the throne in 1628 after subduing his half brother, Shahryar Mirza, Shah Jahan designated Mumtaz as his chief empress with the title of Padshah Begum '(Lady Emperor)', 'Malika-i-Jahan' (\"Queen of the World\") and 'Malika-uz-Zamani' (\"Queen of the Age\") and 'Malika-i-hindustan' (\"Queen of the Hindustan\").", "Mughal empress Upon his accession to the throne in 1628 after subduing his half brother, Shahryar Mirza, Shah Jahan designated Mumtaz as his chief empress with the title of Padshah Begum '(Lady Emperor)', 'Malika-i-Jahan' (\"Queen of the World\") and 'Malika-uz-Zamani' (\"Queen of the Age\") and 'Malika-i-hindustan' (\"Queen of the Hindustan\"). Mumtaz's tenure as empress was brief, spanning a period of only three years due to her untimely death, nonetheless, Shah Jahan bestowed her with luxuries that no other empress was given before her.", "Mumtaz's tenure as empress was brief, spanning a period of only three years due to her untimely death, nonetheless, Shah Jahan bestowed her with luxuries that no other empress was given before her. She was also the only wife of Shah Jahan to be addressed as \" Hazrat \". For example, no other empress' residence was as decorated as Khas Mahal (part of Agra Fort), where Mumtaz lived with Shah Jahan. It was decorated with pure gold and precious stones and had rose-water fountains of its own.", "It was decorated with pure gold and precious stones and had rose-water fountains of its own. Each wife of the Mughal emperor was given a regular monthly allowance for her gastos (housekeeping or travelling expenses); the highest such allowance on record is the one million rupees per year given to Mumtaz Mahal by Shah Jahan. Apart from this income, he gave her a lot of high-income lands and properties.", "Apart from this income, he gave her a lot of high-income lands and properties. Shah Jahan consulted Mumtaz in both private matters and the affairs of the state, and she served as his close confidant and trusted adviser. Whenever an official sent matters or the people made a request, he first reported the matter to the Empress and made the decision with the knowledge of understanding and consultation with her. At her intercession, he forgave enemies or commuted death sentences.", "At her intercession, he forgave enemies or commuted death sentences. His trust in her was so great that he gave her the highest honour of the land – his imperial seal, the Mehr Uzaz, which validated imperial decrees. Mumtaz was portrayed as having no aspirations to political power, in contrast to her aunt, Empress Nur Jahan, the chief consort of Emperor Jahangir, who had wielded considerable influence in the previous reign.", "Mumtaz was portrayed as having no aspirations to political power, in contrast to her aunt, Empress Nur Jahan, the chief consort of Emperor Jahangir, who had wielded considerable influence in the previous reign. A uncontested and great influence on him, often intervening on behalf of the poor and destitute, she also enjoyed watching elephant and combat fights performed for the court. Mumtaz also patronized a number of poets, scholars and other talented persons. A noted Sanskrit poet, Vansidhara Mishra, was the Empress's favourite.", "A noted Sanskrit poet, Vansidhara Mishra, was the Empress's favourite. On the recommendation of her principal lady-in-waiting, Sati-un-Nissa, Mumtaz Mahal provided pensions and donations to the daughters of poor scholars, theologians, and pious men. It was quite common for women of noble birth to commission architecture in the Mughal Empire, so Mumtaz devoted some time to a riverside garden in Agra, which is now known as Zahara Bagh. It is the only architectural foundation which can be connected to her patronage.", "It is the only architectural foundation which can be connected to her patronage. Death and aftermath Mumtaz Mahal died from postpartum hemorrhage in Burhanpur on 17 June 1631 while giving birth to her 14th child, after a prolonged labor around 30 hours. She had been accompanying her husband while he was fighting a campaign in the Deccan Plateau. Her body was temporarily buried at Burhanpur in a walled pleasure garden known as Zainabad originally constructed by Shah Jahan's uncle Daniyal on the bank of the Tapti River.", "Her body was temporarily buried at Burhanpur in a walled pleasure garden known as Zainabad originally constructed by Shah Jahan's uncle Daniyal on the bank of the Tapti River. The contemporary court chroniclers paid an unusual amount of attention to Mumtaz Mahal's death and Shah Jahan's grief at her demise. In the immediate aftermath of his bereavement, the emperor was reportedly inconsolable. Apparently, after her death, he went into secluded mourning for a year.", "Apparently, after her death, he went into secluded mourning for a year. When he appeared again, his hair had turned white, his back was bent, and his face worn. Mumtaz's eldest daughter, Jahanara Begum, gradually brought her father out of grief and took her mother's place at court. Mumtaz Mahal's personal fortune (valued at 10 million rupees) was divided by Shah Jahan between Jahanara Begum, who received half, and the rest of her surviving children.", "Mumtaz Mahal's personal fortune (valued at 10 million rupees) was divided by Shah Jahan between Jahanara Begum, who received half, and the rest of her surviving children. Burhanpur was never intended by her husband as his wife's final resting spot. As a result, her body was disinterred in December 1631 and transported in a golden casket escorted by her son Shah Shuja, the deceased empress's head lady-in-waiting, and the distinguished courtier Wazir Khan, back to Agra.", "As a result, her body was disinterred in December 1631 and transported in a golden casket escorted by her son Shah Shuja, the deceased empress's head lady-in-waiting, and the distinguished courtier Wazir Khan, back to Agra. There, it was interred in a small building on the banks of the Yamuna River. Shah Jahan stayed behind in Burhanpur to conclude the military campaign that had originally brought him to the region.", "Shah Jahan stayed behind in Burhanpur to conclude the military campaign that had originally brought him to the region. While there, he began planning the design and construction of a suitable mausoleum and funerary garden in Agra for his wife. It was a task that would take 22 years to complete, the Taj Mahal. Taj Mahal The Taj Mahal was commissioned by Shah Jahan to be built as a mausoleum for Mumtaz Mahal. It is seen as an embodiment of undying love and marital devotion.", "It is seen as an embodiment of undying love and marital devotion. English poet Sir Edwin Arnold describes it as \"Not a piece of architecture, as other buildings are, but the proud passion of an emperor's love wrought in living stones.\" The beauty of the monument is also taken as a representation of Mumtaz Mahal's beauty and this association leads many to describe the Taj Mahal as feminine.", "The beauty of the monument is also taken as a representation of Mumtaz Mahal's beauty and this association leads many to describe the Taj Mahal as feminine. Since Muslim tradition forbids elaborate decorations on graves, the bodies of Mumtaz and Shah Jahan are placed in a relatively plain crypt beneath the inner chamber with their faces turned to the right and towards Mecca.", "Since Muslim tradition forbids elaborate decorations on graves, the bodies of Mumtaz and Shah Jahan are placed in a relatively plain crypt beneath the inner chamber with their faces turned to the right and towards Mecca. The Ninety Nine Names of God are found as calligraphic inscriptions on the sides of the tomb of Mumtaz Mahal in the crypt including, \"O Noble, O Magnificent, O Majestic, O Unique, O Eternal, O Glorious…\".", "The Ninety Nine Names of God are found as calligraphic inscriptions on the sides of the tomb of Mumtaz Mahal in the crypt including, \"O Noble, O Magnificent, O Majestic, O Unique, O Eternal, O Glorious…\". There are many theories about the origin of the name of this tomb and one of them suggests that 'Taj' is an abbreviation of the name Mumtaz. European travelers, such as François Bernier, who observed its construction, were among the first to call it the Taj Mahal.", "European travelers, such as François Bernier, who observed its construction, were among the first to call it the Taj Mahal. Since they are unlikely to have come up with the name, they might have picked it up from the locals of Agra who called the Empress 'Taj Mahal' and thought the tomb was named after her and the name began to be used interchangeably, but no firm evidence suggests this.", "Since they are unlikely to have come up with the name, they might have picked it up from the locals of Agra who called the Empress 'Taj Mahal' and thought the tomb was named after her and the name began to be used interchangeably, but no firm evidence suggests this. Shah Jahan had not intended to entomb another person in the Taj Mahal; however, Aurangzeb had Shah Jahan buried next to the tomb of Mumtaz Mahal rather than build a separate tomb for his father.", "Shah Jahan had not intended to entomb another person in the Taj Mahal; however, Aurangzeb had Shah Jahan buried next to the tomb of Mumtaz Mahal rather than build a separate tomb for his father. This is evident from the asymmetrical placement of Shah Jahan's grave on one side of his wife's grave which is in the centre. In popular culture Astronomy A crater was named in her honour on asteroid 433 Eros, along with another one after her husband. A crater on the planet Venus is named after her.", "A crater on the planet Venus is named after her. Literature A cat named after Mumtaz Mahal (\"Princess Arjumand\") plays a major role in Connie Willis's 1997 novel To Say Nothing of the Dog. Arjumand Banu (Mumtaz Mahal) is a principal character in Indu Sundaresan's novel The Feast of Roses (2003) and its sequel, Shadow Princess (2010), begins with her death. Mumtaz Mahal is a main character in Sonja Chandrachud's novel Trouble at the Taj (2011).", "Mumtaz Mahal is a main character in Sonja Chandrachud's novel Trouble at the Taj (2011). She appears in the book as a ghost. In John Shors' novel Beneath a Marble Sky (2013), Mahal's daughter, Princess Jahanara, tells the extraordinary story of how the Taj Mahal came to be, describing her own life as an agent in its creation and as a witness to the fateful events surrounding its completion. Films Mumtaz Mahal is a 1926 Indian silent film by Homi Master.", "Films Mumtaz Mahal is a 1926 Indian silent film by Homi Master. Actress Enakshi Rama Rau played the role of Mumtaz Mahal in Shiraz (1928). Mumtaz Mahal, a 1944 Indian film was based on her life. Actress Suraiya played the role of young Mumtaz Mahal in Nanubhai Vakil's film Taj Mahal (1941). Mumtaz Mahal was portrayed by actress Nasreen in Abdul Rashid Kardar's film Shahjehan (1946). Mumtaz Mahal is a 1957 Indian Hindi-language drama film by Ram Daryani, starring Veena in the titular role.", "Mumtaz Mahal is a 1957 Indian Hindi-language drama film by Ram Daryani, starring Veena in the titular role. Bina Rai portrayed Mumtaz Mahal in M. Sadiq's film Taj Mahal (1963). Shahzadi Mumtaz, an Indian film starring Asokan and Shakuntala released in 1977. Purnima Patwardhan portrayed her role in the 2003 Indian historical drama film, Taj Mahal: A Monument of Love. Sonya Jehan portrayed Mumtaz Mahal in Akbar Khan's film Taj Mahal: An Eternal Love Story (2005).", "Sonya Jehan portrayed Mumtaz Mahal in Akbar Khan's film Taj Mahal: An Eternal Love Story (2005). Other Mumtaz Mahal was the inspiration behind the popular Guerlain perfume Shalimar (1921). Issue Ancestry References Bibliography External links Mumtaz Mahal 1593 births 1631 deaths Deaths in childbirth Indian Shia Muslims People from Agra Taj Mahal 16th-century Indian women 16th-century Indian people 17th-century Indian women 17th-century Indian people 16th-century Iranian people 17th-century Iranian people Indian people of Iranian descent Wives of Shah Jahan" ]

[ "Mumtaz Mahal", "Marriage", "When did she marry?", "30 April 1612", "Who did she marry?", "Shah Jahan" ]

[ "Přírodní park Třebíčsko (before Oblast klidu Třebíčsko) is a natural park near Třebíč in the Czech Republic. There are many interesting plants. The park was founded in 1983.\n\nKobylinec and Ptáčovský kopeček\n\nKobylinec is a natural monument situated ca 0,5 km from the village of Trnava.\nThe area of this monument is 0,44 ha. Pulsatilla grandis can be found here and in the Ptáčovský kopeček park near Ptáčov near Třebíč. Both monuments are very popular for tourists.\n\nPonds\n\nIn the natural park there are some interesting ponds such as Velký Bor, Malý Bor, Buršík near Přeckov and a brook Březinka. Dams on the brook are examples of European beaver activity.\n\nSyenitové skály near Pocoucov\n\nSyenitové skály (rocks of syenit) near Pocoucov is one of famed locations. There are interesting granite boulders. The area of the reservation is 0,77 ha.\n\nExternal links\nParts of this article or all article was translated from Czech. The original article is :cs:Přírodní park Třebíčsko.\n\nReferences\n\nExternal links\nNature near the village Trnava which is there\n\nTřebíč\nParks in the Czech Republic\nTourist attractions in the Vysočina Region", "Damn Interesting is an independent website founded by Alan Bellows in 2005. The website presents true stories from science, history, and psychology, primarily as long-form articles, often illustrated with original artwork. Works are written by various authors, and published at irregular intervals. The website openly rejects advertising, relying on reader and listener donations to cover operating costs.\n\nAs of October 2012, each article is also published as a podcast under the same name. In November 2019, a second podcast was launched under the title Damn Interesting Week, featuring unscripted commentary on an assortment of news articles featured on the website's \"Curated Links\" section that week. In mid-2020, a third podcast called Damn Interesting Curio Cabinet began highlighting the website's periodic short-form articles in the same radioplay format as the original podcast.\n\nIn July 2009, Damn Interesting published the print book Alien Hand Syndrome through Workman Publishing. It contains some favorites from the site and some exclusive content.\n\nAwards and recognition \nIn August 2007, PC Magazine named Damn Interesting one of the \"Top 100 Undiscovered Web Sites\".\nThe article \"The Zero-Armed Bandit\" by Alan Bellows won a 2015 Sidney Award from David Brooks in The New York Times.\nThe article \"Ghoulish Acts and Dastardly Deeds\" by Alan Bellows was cited as \"nonfiction journalism from 2017 that will stand the test of time\" by Conor Friedersdorf in The Atlantic.\nThe article \"Dupes and Duplicity\" by Jennifer Lee Noonan won a 2020 Sidney Award from David Brooks in the New York Times.\n\nAccusing The Dollop of plagiarism \n\nOn July 9, 2015, Bellows posted an open letter accusing The Dollop, a comedy podcast about history, of plagiarism due to their repeated use of verbatim text from Damn Interesting articles without permission or attribution. Dave Anthony, the writer of The Dollop, responded on reddit, admitting to using Damn Interesting content, but claiming that the use was protected by fair use, and that \"historical facts are not copyrightable.\" In an article about the controversy on Plagiarism Today, Jonathan Bailey concluded, \"Any way one looks at it, The Dollop failed its ethical obligations to all of the people, not just those writing for Damn Interesting, who put in the time, energy and expertise into writing the original content upon which their show is based.\"\n\nReferences\n\nExternal links \n Official website\n\n2005 podcast debuts" ]

[ "Mumtaz Mahal (, ), born Arjumand Banu Begum (; 27 April 1593 – 17 June 1631) was the empress consort of the Mughal Empire from 19 January 1628 to 17 June 1631 as the chief consort of the Mughal emperor Shah Jahan. The Taj Mahal in Agra, often cited as one of the Wonders of the World, was commissioned by her husband to act as her tomb. Mumtaz Mahal was born Arjumand Banu Begum in Agra to a family of Persian nobility.", "Mumtaz Mahal was born Arjumand Banu Begum in Agra to a family of Persian nobility. She was the daughter of Abu'l-Hasan Asaf Khan, a wealthy Persian noble who held high office in the Mughal Empire, and the niece of Empress Nur Jahan, the chief wife of Emperor Jahangir and the power behind the emperor.", "She was the daughter of Abu'l-Hasan Asaf Khan, a wealthy Persian noble who held high office in the Mughal Empire, and the niece of Empress Nur Jahan, the chief wife of Emperor Jahangir and the power behind the emperor. She was married at the age of 19 on 10 May 1612 or 16 June 1612 to Prince Khurram, later known by his regnal name Shah Jahan, who conferred upon her the title \"Mumtaz Mahal\" (Persian: the exalted one of the palace).", "She was married at the age of 19 on 10 May 1612 or 16 June 1612 to Prince Khurram, later known by his regnal name Shah Jahan, who conferred upon her the title \"Mumtaz Mahal\" (Persian: the exalted one of the palace). Although betrothed to Shah Jahan since 1607, she ultimately became his second wife in 1612.", "Although betrothed to Shah Jahan since 1607, she ultimately became his second wife in 1612. Mumtaz and her husband had 14 children, including Jahanara Begum (Shah Jahan's favourite daughter), and the Crown prince Dara Shikoh, the heir-apparent, anointed by his father, who temporarily succeeded him, until deposed by Mumtaz Mahal's sixth child, Aurangzeb, who ultimately succeeded his father as the sixth Mughal emperor in 1658.", "Mumtaz and her husband had 14 children, including Jahanara Begum (Shah Jahan's favourite daughter), and the Crown prince Dara Shikoh, the heir-apparent, anointed by his father, who temporarily succeeded him, until deposed by Mumtaz Mahal's sixth child, Aurangzeb, who ultimately succeeded his father as the sixth Mughal emperor in 1658. Mumtaz Mahal died in 1631 in Burhanpur, Deccan (present-day Madhya Pradesh), during the birth of her 14th child, a daughter named Gauhar Ara Begum.", "Mumtaz Mahal died in 1631 in Burhanpur, Deccan (present-day Madhya Pradesh), during the birth of her 14th child, a daughter named Gauhar Ara Begum. Shah Jahan had the Taj Mahal built as a tomb for her, which is considered to be a monument of undying love. As with other Mughal royal ladies, no contemporary likenesses of her are accepted, but numerous imagined portraits were created from the 19th century onwards.", "As with other Mughal royal ladies, no contemporary likenesses of her are accepted, but numerous imagined portraits were created from the 19th century onwards. She is wrongly referred to as \"Taj Bibi\" which was the corrupted of her title Mumtaz and was in reality the title of her mother-in-law, Jagat Gosain. Family and early life Mumtaz Mahal was born as Arjumand Banu on 27 April 1593 in Agra to Abu'l-Hasan Asaf Khan and his wife Diwanji Begum, the daughter of a Persian noble, Khwaja Ghias-ud-din of Qazvin.", "Family and early life Mumtaz Mahal was born as Arjumand Banu on 27 April 1593 in Agra to Abu'l-Hasan Asaf Khan and his wife Diwanji Begum, the daughter of a Persian noble, Khwaja Ghias-ud-din of Qazvin. Asaf Khan was a wealthy Persian noble who held high office in the Mughal Empire. His family had come to India impoverished in 1577, when his father Mirza Ghias Beg (popularly known by his title of I'timad-ud-Daulah), was taken into the service of Emperor Akbar in Agra.", "His family had come to India impoverished in 1577, when his father Mirza Ghias Beg (popularly known by his title of I'timad-ud-Daulah), was taken into the service of Emperor Akbar in Agra. Asaf Khan was also the older brother of Empress Nur Jahan, making Mumtaz a niece, and later, a step daughter-in-law of Nur Jahan, the chief consort of Emperor Jahangir, Shah Jahan's father.", "Asaf Khan was also the older brother of Empress Nur Jahan, making Mumtaz a niece, and later, a step daughter-in-law of Nur Jahan, the chief consort of Emperor Jahangir, Shah Jahan's father. Her older sister, Parwar Khanum, married Sheikh Farid, the son of Nawab Qutubuddin Koka, the governor of Badaun, who was also the emperor Jahangir's foster brother.", "Her older sister, Parwar Khanum, married Sheikh Farid, the son of Nawab Qutubuddin Koka, the governor of Badaun, who was also the emperor Jahangir's foster brother. Mumtaz also had a brother, Shaista Khan, who served as the governor of Bengal and various other provinces in the empire during Shah Jahan's reign. Mumtaz was remarkable in the field of learning and was a talented and cultured lady. She was well-versed in Arabic and Persian languages and could compose poems in the latter.", "She was well-versed in Arabic and Persian languages and could compose poems in the latter. She was reputed to have a combination of modesty and candor, a woman warmly straightforward yet bemusedly self-possessed. Early in adolescence, she attracted the attention of important nobles of the realm. Jahangir must have heard about her, since he readily consented to Shah Jahan's engagement with her. Marriage Mumtaz Mahal was betrothed to Shah Jahan around 5 April 1607, when she was 14 years old at the time and he was 15.", "Marriage Mumtaz Mahal was betrothed to Shah Jahan around 5 April 1607, when she was 14 years old at the time and he was 15. They were, however, married five years after the year of their betrothal on 10 May 1612 or 7 June 1612 in Agra. After their wedding celebrations, Shah Jahan, \"finding her in appearance and character elect among all the women of the time\", gave her the title \"Mumtaz Mahal\" Begum (\"the Exalted One of the Palace\").", "After their wedding celebrations, Shah Jahan, \"finding her in appearance and character elect among all the women of the time\", gave her the title \"Mumtaz Mahal\" Begum (\"the Exalted One of the Palace\"). During the intervening years between their betrothal and marriage, Shah Jahan had married his first wife, Princess Kandahari Begum in 1610 and in 1617, after marrying Mumtaz, took a third wife, Izz-un-Nissa Begum (titled Akbarabadi Mahal), the daughter of a prominent Mughal courtier.", "During the intervening years between their betrothal and marriage, Shah Jahan had married his first wife, Princess Kandahari Begum in 1610 and in 1617, after marrying Mumtaz, took a third wife, Izz-un-Nissa Begum (titled Akbarabadi Mahal), the daughter of a prominent Mughal courtier. According to the official court historians, both the marriages were political alliances.", "According to the official court historians, both the marriages were political alliances. By all accounts, Shah Jahan was so taken with Mumtaz that he showed little interest in exercising his polygamous rights with his two other wives, other than dutifully siring a child with each. According to the official court chronicler, Motamid Khan, as recorded in his Iqbal Namah-e-Jahangiri, the relationship with his other wives \"had nothing more than the status of marriage.", "According to the official court chronicler, Motamid Khan, as recorded in his Iqbal Namah-e-Jahangiri, the relationship with his other wives \"had nothing more than the status of marriage. The intimacy, deep affection, attention and favour which Shah Jahan had for Mumtaz exceeded what he felt for his other wives.\" Likewise, Shah Jahan's historian Inayat Khan commented that 'his whole delight was centered on this illustrious lady [Mumtaz], to such an extent that he did not feel towards the others [i.e.", "Likewise, Shah Jahan's historian Inayat Khan commented that 'his whole delight was centered on this illustrious lady [Mumtaz], to such an extent that he did not feel towards the others [i.e. his other wives] one-thousandth part of the affection that he did for her.' Mumtaz had a loving marriage with Shah Jahan. Even during her lifetime, poets would extol her beauty, grace, and compassion.", "Even during her lifetime, poets would extol her beauty, grace, and compassion. Despite her frequent pregnancies, Mumtaz travelled with Shah Jahan's entourage throughout his earlier military campaigns and the subsequent rebellion against his father. She was his constant companion and trusted confidant, leading court historians to go to unheard lengths to document the intimate and erotic relationship the couple enjoyed.", "She was his constant companion and trusted confidant, leading court historians to go to unheard lengths to document the intimate and erotic relationship the couple enjoyed. In their 19 years of marriage, they had 14 children together (eight sons and six daughters), seven of whom died at birth or at a very young age.", "In their 19 years of marriage, they had 14 children together (eight sons and six daughters), seven of whom died at birth or at a very young age. Mughal empress Upon his accession to the throne in 1628 after subduing his half brother, Shahryar Mirza, Shah Jahan designated Mumtaz as his chief empress with the title of Padshah Begum '(Lady Emperor)', 'Malika-i-Jahan' (\"Queen of the World\") and 'Malika-uz-Zamani' (\"Queen of the Age\") and 'Malika-i-hindustan' (\"Queen of the Hindustan\").", "Mughal empress Upon his accession to the throne in 1628 after subduing his half brother, Shahryar Mirza, Shah Jahan designated Mumtaz as his chief empress with the title of Padshah Begum '(Lady Emperor)', 'Malika-i-Jahan' (\"Queen of the World\") and 'Malika-uz-Zamani' (\"Queen of the Age\") and 'Malika-i-hindustan' (\"Queen of the Hindustan\"). Mumtaz's tenure as empress was brief, spanning a period of only three years due to her untimely death, nonetheless, Shah Jahan bestowed her with luxuries that no other empress was given before her.", "Mumtaz's tenure as empress was brief, spanning a period of only three years due to her untimely death, nonetheless, Shah Jahan bestowed her with luxuries that no other empress was given before her. She was also the only wife of Shah Jahan to be addressed as \" Hazrat \". For example, no other empress' residence was as decorated as Khas Mahal (part of Agra Fort), where Mumtaz lived with Shah Jahan. It was decorated with pure gold and precious stones and had rose-water fountains of its own.", "It was decorated with pure gold and precious stones and had rose-water fountains of its own. Each wife of the Mughal emperor was given a regular monthly allowance for her gastos (housekeeping or travelling expenses); the highest such allowance on record is the one million rupees per year given to Mumtaz Mahal by Shah Jahan. Apart from this income, he gave her a lot of high-income lands and properties.", "Apart from this income, he gave her a lot of high-income lands and properties. Shah Jahan consulted Mumtaz in both private matters and the affairs of the state, and she served as his close confidant and trusted adviser. Whenever an official sent matters or the people made a request, he first reported the matter to the Empress and made the decision with the knowledge of understanding and consultation with her. At her intercession, he forgave enemies or commuted death sentences.", "At her intercession, he forgave enemies or commuted death sentences. His trust in her was so great that he gave her the highest honour of the land – his imperial seal, the Mehr Uzaz, which validated imperial decrees. Mumtaz was portrayed as having no aspirations to political power, in contrast to her aunt, Empress Nur Jahan, the chief consort of Emperor Jahangir, who had wielded considerable influence in the previous reign.", "Mumtaz was portrayed as having no aspirations to political power, in contrast to her aunt, Empress Nur Jahan, the chief consort of Emperor Jahangir, who had wielded considerable influence in the previous reign. A uncontested and great influence on him, often intervening on behalf of the poor and destitute, she also enjoyed watching elephant and combat fights performed for the court. Mumtaz also patronized a number of poets, scholars and other talented persons. A noted Sanskrit poet, Vansidhara Mishra, was the Empress's favourite.", "A noted Sanskrit poet, Vansidhara Mishra, was the Empress's favourite. On the recommendation of her principal lady-in-waiting, Sati-un-Nissa, Mumtaz Mahal provided pensions and donations to the daughters of poor scholars, theologians, and pious men. It was quite common for women of noble birth to commission architecture in the Mughal Empire, so Mumtaz devoted some time to a riverside garden in Agra, which is now known as Zahara Bagh. It is the only architectural foundation which can be connected to her patronage.", "It is the only architectural foundation which can be connected to her patronage. Death and aftermath Mumtaz Mahal died from postpartum hemorrhage in Burhanpur on 17 June 1631 while giving birth to her 14th child, after a prolonged labor around 30 hours. She had been accompanying her husband while he was fighting a campaign in the Deccan Plateau. Her body was temporarily buried at Burhanpur in a walled pleasure garden known as Zainabad originally constructed by Shah Jahan's uncle Daniyal on the bank of the Tapti River.", "Her body was temporarily buried at Burhanpur in a walled pleasure garden known as Zainabad originally constructed by Shah Jahan's uncle Daniyal on the bank of the Tapti River. The contemporary court chroniclers paid an unusual amount of attention to Mumtaz Mahal's death and Shah Jahan's grief at her demise. In the immediate aftermath of his bereavement, the emperor was reportedly inconsolable. Apparently, after her death, he went into secluded mourning for a year.", "Apparently, after her death, he went into secluded mourning for a year. When he appeared again, his hair had turned white, his back was bent, and his face worn. Mumtaz's eldest daughter, Jahanara Begum, gradually brought her father out of grief and took her mother's place at court. Mumtaz Mahal's personal fortune (valued at 10 million rupees) was divided by Shah Jahan between Jahanara Begum, who received half, and the rest of her surviving children.", "Mumtaz Mahal's personal fortune (valued at 10 million rupees) was divided by Shah Jahan between Jahanara Begum, who received half, and the rest of her surviving children. Burhanpur was never intended by her husband as his wife's final resting spot. As a result, her body was disinterred in December 1631 and transported in a golden casket escorted by her son Shah Shuja, the deceased empress's head lady-in-waiting, and the distinguished courtier Wazir Khan, back to Agra.", "As a result, her body was disinterred in December 1631 and transported in a golden casket escorted by her son Shah Shuja, the deceased empress's head lady-in-waiting, and the distinguished courtier Wazir Khan, back to Agra. There, it was interred in a small building on the banks of the Yamuna River. Shah Jahan stayed behind in Burhanpur to conclude the military campaign that had originally brought him to the region.", "Shah Jahan stayed behind in Burhanpur to conclude the military campaign that had originally brought him to the region. While there, he began planning the design and construction of a suitable mausoleum and funerary garden in Agra for his wife. It was a task that would take 22 years to complete, the Taj Mahal. Taj Mahal The Taj Mahal was commissioned by Shah Jahan to be built as a mausoleum for Mumtaz Mahal. It is seen as an embodiment of undying love and marital devotion.", "It is seen as an embodiment of undying love and marital devotion. English poet Sir Edwin Arnold describes it as \"Not a piece of architecture, as other buildings are, but the proud passion of an emperor's love wrought in living stones.\" The beauty of the monument is also taken as a representation of Mumtaz Mahal's beauty and this association leads many to describe the Taj Mahal as feminine.", "The beauty of the monument is also taken as a representation of Mumtaz Mahal's beauty and this association leads many to describe the Taj Mahal as feminine. Since Muslim tradition forbids elaborate decorations on graves, the bodies of Mumtaz and Shah Jahan are placed in a relatively plain crypt beneath the inner chamber with their faces turned to the right and towards Mecca.", "Since Muslim tradition forbids elaborate decorations on graves, the bodies of Mumtaz and Shah Jahan are placed in a relatively plain crypt beneath the inner chamber with their faces turned to the right and towards Mecca. The Ninety Nine Names of God are found as calligraphic inscriptions on the sides of the tomb of Mumtaz Mahal in the crypt including, \"O Noble, O Magnificent, O Majestic, O Unique, O Eternal, O Glorious…\".", "The Ninety Nine Names of God are found as calligraphic inscriptions on the sides of the tomb of Mumtaz Mahal in the crypt including, \"O Noble, O Magnificent, O Majestic, O Unique, O Eternal, O Glorious…\". There are many theories about the origin of the name of this tomb and one of them suggests that 'Taj' is an abbreviation of the name Mumtaz. European travelers, such as François Bernier, who observed its construction, were among the first to call it the Taj Mahal.", "European travelers, such as François Bernier, who observed its construction, were among the first to call it the Taj Mahal. Since they are unlikely to have come up with the name, they might have picked it up from the locals of Agra who called the Empress 'Taj Mahal' and thought the tomb was named after her and the name began to be used interchangeably, but no firm evidence suggests this.", "Since they are unlikely to have come up with the name, they might have picked it up from the locals of Agra who called the Empress 'Taj Mahal' and thought the tomb was named after her and the name began to be used interchangeably, but no firm evidence suggests this. Shah Jahan had not intended to entomb another person in the Taj Mahal; however, Aurangzeb had Shah Jahan buried next to the tomb of Mumtaz Mahal rather than build a separate tomb for his father.", "Shah Jahan had not intended to entomb another person in the Taj Mahal; however, Aurangzeb had Shah Jahan buried next to the tomb of Mumtaz Mahal rather than build a separate tomb for his father. This is evident from the asymmetrical placement of Shah Jahan's grave on one side of his wife's grave which is in the centre. In popular culture Astronomy A crater was named in her honour on asteroid 433 Eros, along with another one after her husband. A crater on the planet Venus is named after her.", "A crater on the planet Venus is named after her. Literature A cat named after Mumtaz Mahal (\"Princess Arjumand\") plays a major role in Connie Willis's 1997 novel To Say Nothing of the Dog. Arjumand Banu (Mumtaz Mahal) is a principal character in Indu Sundaresan's novel The Feast of Roses (2003) and its sequel, Shadow Princess (2010), begins with her death. Mumtaz Mahal is a main character in Sonja Chandrachud's novel Trouble at the Taj (2011).", "Mumtaz Mahal is a main character in Sonja Chandrachud's novel Trouble at the Taj (2011). She appears in the book as a ghost. In John Shors' novel Beneath a Marble Sky (2013), Mahal's daughter, Princess Jahanara, tells the extraordinary story of how the Taj Mahal came to be, describing her own life as an agent in its creation and as a witness to the fateful events surrounding its completion. Films Mumtaz Mahal is a 1926 Indian silent film by Homi Master.", "Films Mumtaz Mahal is a 1926 Indian silent film by Homi Master. Actress Enakshi Rama Rau played the role of Mumtaz Mahal in Shiraz (1928). Mumtaz Mahal, a 1944 Indian film was based on her life. Actress Suraiya played the role of young Mumtaz Mahal in Nanubhai Vakil's film Taj Mahal (1941). Mumtaz Mahal was portrayed by actress Nasreen in Abdul Rashid Kardar's film Shahjehan (1946). Mumtaz Mahal is a 1957 Indian Hindi-language drama film by Ram Daryani, starring Veena in the titular role.", "Mumtaz Mahal is a 1957 Indian Hindi-language drama film by Ram Daryani, starring Veena in the titular role. Bina Rai portrayed Mumtaz Mahal in M. Sadiq's film Taj Mahal (1963). Shahzadi Mumtaz, an Indian film starring Asokan and Shakuntala released in 1977. Purnima Patwardhan portrayed her role in the 2003 Indian historical drama film, Taj Mahal: A Monument of Love. Sonya Jehan portrayed Mumtaz Mahal in Akbar Khan's film Taj Mahal: An Eternal Love Story (2005).", "Sonya Jehan portrayed Mumtaz Mahal in Akbar Khan's film Taj Mahal: An Eternal Love Story (2005). Other Mumtaz Mahal was the inspiration behind the popular Guerlain perfume Shalimar (1921). Issue Ancestry References Bibliography External links Mumtaz Mahal 1593 births 1631 deaths Deaths in childbirth Indian Shia Muslims People from Agra Taj Mahal 16th-century Indian women 16th-century Indian people 17th-century Indian women 17th-century Indian people 16th-century Iranian people 17th-century Iranian people Indian people of Iranian descent Wives of Shah Jahan" ]

[ "Mumtaz Mahal", "Marriage", "When did she marry?", "30 April 1612", "Who did she marry?", "Shah Jahan", "Are there any other interesting aspects about this article?", "Despite her frequent pregnancies, Mumtaz travelled with Shah Jahan's entourage throughout his earlier military campaigns and the subsequent rebellion against his father.", "Did they have children?", "they had fourteen children together (eight sons and six daughters), seven of whom died at birth or at a very young age.", "Was this an arranged marriage?", "Mumtaz Mahal was betrothed to Shah Jahan around 30 January 1607, when she was 14 years old at the time and he was 15." ]

[ "The effects associated with divorce affect the couple’s children in both the short and the long term. After divorce the couple often experience effects including, decreased levels of happiness, change in economic status, and emotional problems. The effects on children include academic, behavioral, and psychological problems. Studies suggest that children from divorced families are more likely to exhibit such behavioral issues than those from non-divorced families.\n\nEffect on children \nA longitudinal study by Judith Wallerstein reports long-term negative effects of divorce on children.\n\nLinda Waite analyzed the relation between marriage, divorce and happiness using the National Survey of Family and Households and found that unhappily married families who had divorced were no happier than those who had stayed together. One broad-based study also shows that people have an easier time recovering after the death of a parent as opposed to a divorce. This study reported that children who lose a parent are usually able to attain the same level of happiness that they had before the death, whereas children of divorced parents often are not able to attain the same level of happiness that they had before the divorce.\n\nA child affected by divorce at an early age will show effects later in life. They may make premature transitions to adulthood such as leave home or parent their own child early. Recent authors have argued that a major cost to children comes long after: when they attempt to form stable marriages themselves. Parental divorce leads a child to have lower trust in future relationships. Compared with children of always married parents, children of divorced parents have more positive attitudes towards divorce and less favorable attitudes towards marriage.\n\nThe children of divorced parents have also been reported more likely to have behavioral problems than children of married parents and are more likely to suffer abuse than children in intact families.\n\nIn contrast to the usual negative views on marriage by children affected by it, Constance Ahrons, in We're Still Family: What Grown Children Have to Say About Their Parents' Divorce, interviewed 98 divorced families' children for numerous subjects found a few of the children saying, \"I saw some of the things my parents did and know not to do that in my marriage and see the way they treated each other and know not to do that to my spouse and my children. I know [the divorce] has made me more committed to my husband and my children.\" In the book For Better or For Worse: Divorce Reconsidered, Mavis Hetherington reports that not all kids fare so badly, and that divorce can actually help children living in high-conflict homes such as those with domestic violence. A peaceful divorce has less of an impact on children than a contested divorce.\n\nContrary to some of the previous research, those with divorced parents were no more likely than those from intact families to regard divorce positively or to see it as an easy way of solving the problem of a failing marriage. Members of both groups felt that divorce should be avoided, but that it was also a necessary option when a relationship could not be rescued.\n\nA 2015 article updated and confirmed the findings in a 2002 article in Clinical Child and Family Psychology Review. Both articles discuss a variety of health consequences for children of divorced parents. Studies have claimed that people who have been in divorced families have higher rates of alcoholism and other substance abuse compared to those who have never been divorced. Robert H. Coombs, Professor of Behavioral Sciences at UCLA, reviewed over 130 studies measuring how marital status affects personal well-being. Researchers have also shown that children of divorced or separated parents:\n\n Have higher rates of clinical depression – Family disruption and low socioeconomic status in early childhood increase the long-term risk for major depression.\n Seek formal psychiatric care at higher rates.\n In the case of men, are more likely to die by suicide and have lower life expectancies.\n Acute infectious diseases, digestive illnesses, parasitic diseases, respiratory illnesses, and severe injuries.\n Cancer – Married cancer patients are also more likely to recover than divorced ones.\n Stroke. \n Heart problems. \n Rheumatoid arthritis and osteoarthritis. \n Increased risk of arthritis for children later in life.\nLower levels of the hormone oxytocin in adulthood.\n\nUncontested divorce \nAn uncontested divorce is a divorce decree that neither party is fighting. Over 40% of American children will experience parental divorce or separation during their childhood. In a study of the effect of relocation after a divorce, researchers found that parents relocating far away from each other (with either both moving or one moving) has a long-term effect on children. Researchers found major differences in divorced families in which one parent moved away from the child; the children (as college students) received less financial support from their parents compared with divorced families in which neither parent moved. The children also felt more distress related to the divorce and did not feel a sense of emotional support from their parents. A parental divorce influences a child’s behavior in a negative manner that leads to anger, frustration, and depression. This negative behavior is cast outward in their academic and personal life. Relocating is defined as when a parent moves more than an hour away from their children. Children of divorces where both parents stayed close together did not have these negative effects.\n\nSee also\n Divorce\n Fear of commitment\n Cost of raising a child\n Single person\n\nReferences \n\nDivorce", "A referendum on divorce was held in Malta on 28 May 2011. Voters were asked whether they approved of a new law to introduce allowing divorces, as at that time, Malta was one of only three countries in the world (along with the Philippines and the Vatican City) in which divorce was not permitted. The proposal was approved by 53% of voters, resulting in a law allowing divorce under certain conditions being enacted later in the year.\n\nBackground\nA private member's bill was tabled in the House of Representatives by Jeffrey Pullicino Orlando, a Nationalist Member of Parliament. The text of the bill, which had been changed twice, did not provide for the holding of a referendum. This was eventually provided for through a separate Parliamentary resolution under the Referenda Act authorising a facultative, non-binding referendum to be held.\n\nThe Catholic Church in Malta encouraged a \"no\" vote through a pastoral letter issued on the Sunday before the referendum day. Complaints were made that religious pressure was being brought to bear upon voters. Around 8 per cent of marriages in Malta are already annulled by the Catholic Church.\n\nQuestion\nBallot papers had both English and Maltese questions printed on them. The English version of the question put to voters was as follows:\n\nThe question, which resembled the proposal approved by Irish voters in the Irish divorce referendum of 1995, was somewhat controversial. It was claimed that it did not reflect the content of the private member's bill.\n\nResults\n\nAlthough for the purposes of the referendum the whole country was regarded to be a single constituency - taking into account electoral districts - in only three out of the thirteen did the \"no\" vote reach a majority.\n\nAftermath\nDiscussion on the divorce bill started in earnest soon after the result was announced. In the second and third readings a number of MPs still voted against the bill. Parliament approved the law on 25 July. The law came into effect on 1 October.\n\nSee also \nDivorce in Malta\n\nReferences\n\n2011 in Malta\nMalta\nReferendums in Malta\nDivorce law\nMaltese law\nHistory of Malta\nMarriage reform\nMay 2011 events in Europe\nDivorce referendums" ]

[ "Mumtaz Mahal (, ), born Arjumand Banu Begum (; 27 April 1593 – 17 June 1631) was the empress consort of the Mughal Empire from 19 January 1628 to 17 June 1631 as the chief consort of the Mughal emperor Shah Jahan. The Taj Mahal in Agra, often cited as one of the Wonders of the World, was commissioned by her husband to act as her tomb. Mumtaz Mahal was born Arjumand Banu Begum in Agra to a family of Persian nobility.", "Mumtaz Mahal was born Arjumand Banu Begum in Agra to a family of Persian nobility. She was the daughter of Abu'l-Hasan Asaf Khan, a wealthy Persian noble who held high office in the Mughal Empire, and the niece of Empress Nur Jahan, the chief wife of Emperor Jahangir and the power behind the emperor.", "She was the daughter of Abu'l-Hasan Asaf Khan, a wealthy Persian noble who held high office in the Mughal Empire, and the niece of Empress Nur Jahan, the chief wife of Emperor Jahangir and the power behind the emperor. She was married at the age of 19 on 10 May 1612 or 16 June 1612 to Prince Khurram, later known by his regnal name Shah Jahan, who conferred upon her the title \"Mumtaz Mahal\" (Persian: the exalted one of the palace).", "She was married at the age of 19 on 10 May 1612 or 16 June 1612 to Prince Khurram, later known by his regnal name Shah Jahan, who conferred upon her the title \"Mumtaz Mahal\" (Persian: the exalted one of the palace). Although betrothed to Shah Jahan since 1607, she ultimately became his second wife in 1612.", "Although betrothed to Shah Jahan since 1607, she ultimately became his second wife in 1612. Mumtaz and her husband had 14 children, including Jahanara Begum (Shah Jahan's favourite daughter), and the Crown prince Dara Shikoh, the heir-apparent, anointed by his father, who temporarily succeeded him, until deposed by Mumtaz Mahal's sixth child, Aurangzeb, who ultimately succeeded his father as the sixth Mughal emperor in 1658.", "Mumtaz and her husband had 14 children, including Jahanara Begum (Shah Jahan's favourite daughter), and the Crown prince Dara Shikoh, the heir-apparent, anointed by his father, who temporarily succeeded him, until deposed by Mumtaz Mahal's sixth child, Aurangzeb, who ultimately succeeded his father as the sixth Mughal emperor in 1658. Mumtaz Mahal died in 1631 in Burhanpur, Deccan (present-day Madhya Pradesh), during the birth of her 14th child, a daughter named Gauhar Ara Begum.", "Mumtaz Mahal died in 1631 in Burhanpur, Deccan (present-day Madhya Pradesh), during the birth of her 14th child, a daughter named Gauhar Ara Begum. Shah Jahan had the Taj Mahal built as a tomb for her, which is considered to be a monument of undying love. As with other Mughal royal ladies, no contemporary likenesses of her are accepted, but numerous imagined portraits were created from the 19th century onwards.", "As with other Mughal royal ladies, no contemporary likenesses of her are accepted, but numerous imagined portraits were created from the 19th century onwards. She is wrongly referred to as \"Taj Bibi\" which was the corrupted of her title Mumtaz and was in reality the title of her mother-in-law, Jagat Gosain. Family and early life Mumtaz Mahal was born as Arjumand Banu on 27 April 1593 in Agra to Abu'l-Hasan Asaf Khan and his wife Diwanji Begum, the daughter of a Persian noble, Khwaja Ghias-ud-din of Qazvin.", "Family and early life Mumtaz Mahal was born as Arjumand Banu on 27 April 1593 in Agra to Abu'l-Hasan Asaf Khan and his wife Diwanji Begum, the daughter of a Persian noble, Khwaja Ghias-ud-din of Qazvin. Asaf Khan was a wealthy Persian noble who held high office in the Mughal Empire. His family had come to India impoverished in 1577, when his father Mirza Ghias Beg (popularly known by his title of I'timad-ud-Daulah), was taken into the service of Emperor Akbar in Agra.", "His family had come to India impoverished in 1577, when his father Mirza Ghias Beg (popularly known by his title of I'timad-ud-Daulah), was taken into the service of Emperor Akbar in Agra. Asaf Khan was also the older brother of Empress Nur Jahan, making Mumtaz a niece, and later, a step daughter-in-law of Nur Jahan, the chief consort of Emperor Jahangir, Shah Jahan's father.", "Asaf Khan was also the older brother of Empress Nur Jahan, making Mumtaz a niece, and later, a step daughter-in-law of Nur Jahan, the chief consort of Emperor Jahangir, Shah Jahan's father. Her older sister, Parwar Khanum, married Sheikh Farid, the son of Nawab Qutubuddin Koka, the governor of Badaun, who was also the emperor Jahangir's foster brother.", "Her older sister, Parwar Khanum, married Sheikh Farid, the son of Nawab Qutubuddin Koka, the governor of Badaun, who was also the emperor Jahangir's foster brother. Mumtaz also had a brother, Shaista Khan, who served as the governor of Bengal and various other provinces in the empire during Shah Jahan's reign. Mumtaz was remarkable in the field of learning and was a talented and cultured lady. She was well-versed in Arabic and Persian languages and could compose poems in the latter.", "She was well-versed in Arabic and Persian languages and could compose poems in the latter. She was reputed to have a combination of modesty and candor, a woman warmly straightforward yet bemusedly self-possessed. Early in adolescence, she attracted the attention of important nobles of the realm. Jahangir must have heard about her, since he readily consented to Shah Jahan's engagement with her. Marriage Mumtaz Mahal was betrothed to Shah Jahan around 5 April 1607, when she was 14 years old at the time and he was 15.", "Marriage Mumtaz Mahal was betrothed to Shah Jahan around 5 April 1607, when she was 14 years old at the time and he was 15. They were, however, married five years after the year of their betrothal on 10 May 1612 or 7 June 1612 in Agra. After their wedding celebrations, Shah Jahan, \"finding her in appearance and character elect among all the women of the time\", gave her the title \"Mumtaz Mahal\" Begum (\"the Exalted One of the Palace\").", "After their wedding celebrations, Shah Jahan, \"finding her in appearance and character elect among all the women of the time\", gave her the title \"Mumtaz Mahal\" Begum (\"the Exalted One of the Palace\"). During the intervening years between their betrothal and marriage, Shah Jahan had married his first wife, Princess Kandahari Begum in 1610 and in 1617, after marrying Mumtaz, took a third wife, Izz-un-Nissa Begum (titled Akbarabadi Mahal), the daughter of a prominent Mughal courtier.", "During the intervening years between their betrothal and marriage, Shah Jahan had married his first wife, Princess Kandahari Begum in 1610 and in 1617, after marrying Mumtaz, took a third wife, Izz-un-Nissa Begum (titled Akbarabadi Mahal), the daughter of a prominent Mughal courtier. According to the official court historians, both the marriages were political alliances.", "According to the official court historians, both the marriages were political alliances. By all accounts, Shah Jahan was so taken with Mumtaz that he showed little interest in exercising his polygamous rights with his two other wives, other than dutifully siring a child with each. According to the official court chronicler, Motamid Khan, as recorded in his Iqbal Namah-e-Jahangiri, the relationship with his other wives \"had nothing more than the status of marriage.", "According to the official court chronicler, Motamid Khan, as recorded in his Iqbal Namah-e-Jahangiri, the relationship with his other wives \"had nothing more than the status of marriage. The intimacy, deep affection, attention and favour which Shah Jahan had for Mumtaz exceeded what he felt for his other wives.\" Likewise, Shah Jahan's historian Inayat Khan commented that 'his whole delight was centered on this illustrious lady [Mumtaz], to such an extent that he did not feel towards the others [i.e.", "Likewise, Shah Jahan's historian Inayat Khan commented that 'his whole delight was centered on this illustrious lady [Mumtaz], to such an extent that he did not feel towards the others [i.e. his other wives] one-thousandth part of the affection that he did for her.' Mumtaz had a loving marriage with Shah Jahan. Even during her lifetime, poets would extol her beauty, grace, and compassion.", "Even during her lifetime, poets would extol her beauty, grace, and compassion. Despite her frequent pregnancies, Mumtaz travelled with Shah Jahan's entourage throughout his earlier military campaigns and the subsequent rebellion against his father. She was his constant companion and trusted confidant, leading court historians to go to unheard lengths to document the intimate and erotic relationship the couple enjoyed.", "She was his constant companion and trusted confidant, leading court historians to go to unheard lengths to document the intimate and erotic relationship the couple enjoyed. In their 19 years of marriage, they had 14 children together (eight sons and six daughters), seven of whom died at birth or at a very young age.", "In their 19 years of marriage, they had 14 children together (eight sons and six daughters), seven of whom died at birth or at a very young age. Mughal empress Upon his accession to the throne in 1628 after subduing his half brother, Shahryar Mirza, Shah Jahan designated Mumtaz as his chief empress with the title of Padshah Begum '(Lady Emperor)', 'Malika-i-Jahan' (\"Queen of the World\") and 'Malika-uz-Zamani' (\"Queen of the Age\") and 'Malika-i-hindustan' (\"Queen of the Hindustan\").", "Mughal empress Upon his accession to the throne in 1628 after subduing his half brother, Shahryar Mirza, Shah Jahan designated Mumtaz as his chief empress with the title of Padshah Begum '(Lady Emperor)', 'Malika-i-Jahan' (\"Queen of the World\") and 'Malika-uz-Zamani' (\"Queen of the Age\") and 'Malika-i-hindustan' (\"Queen of the Hindustan\"). Mumtaz's tenure as empress was brief, spanning a period of only three years due to her untimely death, nonetheless, Shah Jahan bestowed her with luxuries that no other empress was given before her.", "Mumtaz's tenure as empress was brief, spanning a period of only three years due to her untimely death, nonetheless, Shah Jahan bestowed her with luxuries that no other empress was given before her. She was also the only wife of Shah Jahan to be addressed as \" Hazrat \". For example, no other empress' residence was as decorated as Khas Mahal (part of Agra Fort), where Mumtaz lived with Shah Jahan. It was decorated with pure gold and precious stones and had rose-water fountains of its own.", "It was decorated with pure gold and precious stones and had rose-water fountains of its own. Each wife of the Mughal emperor was given a regular monthly allowance for her gastos (housekeeping or travelling expenses); the highest such allowance on record is the one million rupees per year given to Mumtaz Mahal by Shah Jahan. Apart from this income, he gave her a lot of high-income lands and properties.", "Apart from this income, he gave her a lot of high-income lands and properties. Shah Jahan consulted Mumtaz in both private matters and the affairs of the state, and she served as his close confidant and trusted adviser. Whenever an official sent matters or the people made a request, he first reported the matter to the Empress and made the decision with the knowledge of understanding and consultation with her. At her intercession, he forgave enemies or commuted death sentences.", "At her intercession, he forgave enemies or commuted death sentences. His trust in her was so great that he gave her the highest honour of the land – his imperial seal, the Mehr Uzaz, which validated imperial decrees. Mumtaz was portrayed as having no aspirations to political power, in contrast to her aunt, Empress Nur Jahan, the chief consort of Emperor Jahangir, who had wielded considerable influence in the previous reign.", "Mumtaz was portrayed as having no aspirations to political power, in contrast to her aunt, Empress Nur Jahan, the chief consort of Emperor Jahangir, who had wielded considerable influence in the previous reign. A uncontested and great influence on him, often intervening on behalf of the poor and destitute, she also enjoyed watching elephant and combat fights performed for the court. Mumtaz also patronized a number of poets, scholars and other talented persons. A noted Sanskrit poet, Vansidhara Mishra, was the Empress's favourite.", "A noted Sanskrit poet, Vansidhara Mishra, was the Empress's favourite. On the recommendation of her principal lady-in-waiting, Sati-un-Nissa, Mumtaz Mahal provided pensions and donations to the daughters of poor scholars, theologians, and pious men. It was quite common for women of noble birth to commission architecture in the Mughal Empire, so Mumtaz devoted some time to a riverside garden in Agra, which is now known as Zahara Bagh. It is the only architectural foundation which can be connected to her patronage.", "It is the only architectural foundation which can be connected to her patronage. Death and aftermath Mumtaz Mahal died from postpartum hemorrhage in Burhanpur on 17 June 1631 while giving birth to her 14th child, after a prolonged labor around 30 hours. She had been accompanying her husband while he was fighting a campaign in the Deccan Plateau. Her body was temporarily buried at Burhanpur in a walled pleasure garden known as Zainabad originally constructed by Shah Jahan's uncle Daniyal on the bank of the Tapti River.", "Her body was temporarily buried at Burhanpur in a walled pleasure garden known as Zainabad originally constructed by Shah Jahan's uncle Daniyal on the bank of the Tapti River. The contemporary court chroniclers paid an unusual amount of attention to Mumtaz Mahal's death and Shah Jahan's grief at her demise. In the immediate aftermath of his bereavement, the emperor was reportedly inconsolable. Apparently, after her death, he went into secluded mourning for a year.", "Apparently, after her death, he went into secluded mourning for a year. When he appeared again, his hair had turned white, his back was bent, and his face worn. Mumtaz's eldest daughter, Jahanara Begum, gradually brought her father out of grief and took her mother's place at court. Mumtaz Mahal's personal fortune (valued at 10 million rupees) was divided by Shah Jahan between Jahanara Begum, who received half, and the rest of her surviving children.", "Mumtaz Mahal's personal fortune (valued at 10 million rupees) was divided by Shah Jahan between Jahanara Begum, who received half, and the rest of her surviving children. Burhanpur was never intended by her husband as his wife's final resting spot. As a result, her body was disinterred in December 1631 and transported in a golden casket escorted by her son Shah Shuja, the deceased empress's head lady-in-waiting, and the distinguished courtier Wazir Khan, back to Agra.", "As a result, her body was disinterred in December 1631 and transported in a golden casket escorted by her son Shah Shuja, the deceased empress's head lady-in-waiting, and the distinguished courtier Wazir Khan, back to Agra. There, it was interred in a small building on the banks of the Yamuna River. Shah Jahan stayed behind in Burhanpur to conclude the military campaign that had originally brought him to the region.", "Shah Jahan stayed behind in Burhanpur to conclude the military campaign that had originally brought him to the region. While there, he began planning the design and construction of a suitable mausoleum and funerary garden in Agra for his wife. It was a task that would take 22 years to complete, the Taj Mahal. Taj Mahal The Taj Mahal was commissioned by Shah Jahan to be built as a mausoleum for Mumtaz Mahal. It is seen as an embodiment of undying love and marital devotion.", "It is seen as an embodiment of undying love and marital devotion. English poet Sir Edwin Arnold describes it as \"Not a piece of architecture, as other buildings are, but the proud passion of an emperor's love wrought in living stones.\" The beauty of the monument is also taken as a representation of Mumtaz Mahal's beauty and this association leads many to describe the Taj Mahal as feminine.", "The beauty of the monument is also taken as a representation of Mumtaz Mahal's beauty and this association leads many to describe the Taj Mahal as feminine. Since Muslim tradition forbids elaborate decorations on graves, the bodies of Mumtaz and Shah Jahan are placed in a relatively plain crypt beneath the inner chamber with their faces turned to the right and towards Mecca.", "Since Muslim tradition forbids elaborate decorations on graves, the bodies of Mumtaz and Shah Jahan are placed in a relatively plain crypt beneath the inner chamber with their faces turned to the right and towards Mecca. The Ninety Nine Names of God are found as calligraphic inscriptions on the sides of the tomb of Mumtaz Mahal in the crypt including, \"O Noble, O Magnificent, O Majestic, O Unique, O Eternal, O Glorious…\".", "The Ninety Nine Names of God are found as calligraphic inscriptions on the sides of the tomb of Mumtaz Mahal in the crypt including, \"O Noble, O Magnificent, O Majestic, O Unique, O Eternal, O Glorious…\". There are many theories about the origin of the name of this tomb and one of them suggests that 'Taj' is an abbreviation of the name Mumtaz. European travelers, such as François Bernier, who observed its construction, were among the first to call it the Taj Mahal.", "European travelers, such as François Bernier, who observed its construction, were among the first to call it the Taj Mahal. Since they are unlikely to have come up with the name, they might have picked it up from the locals of Agra who called the Empress 'Taj Mahal' and thought the tomb was named after her and the name began to be used interchangeably, but no firm evidence suggests this.", "Since they are unlikely to have come up with the name, they might have picked it up from the locals of Agra who called the Empress 'Taj Mahal' and thought the tomb was named after her and the name began to be used interchangeably, but no firm evidence suggests this. Shah Jahan had not intended to entomb another person in the Taj Mahal; however, Aurangzeb had Shah Jahan buried next to the tomb of Mumtaz Mahal rather than build a separate tomb for his father.", "Shah Jahan had not intended to entomb another person in the Taj Mahal; however, Aurangzeb had Shah Jahan buried next to the tomb of Mumtaz Mahal rather than build a separate tomb for his father. This is evident from the asymmetrical placement of Shah Jahan's grave on one side of his wife's grave which is in the centre. In popular culture Astronomy A crater was named in her honour on asteroid 433 Eros, along with another one after her husband. A crater on the planet Venus is named after her.", "A crater on the planet Venus is named after her. Literature A cat named after Mumtaz Mahal (\"Princess Arjumand\") plays a major role in Connie Willis's 1997 novel To Say Nothing of the Dog. Arjumand Banu (Mumtaz Mahal) is a principal character in Indu Sundaresan's novel The Feast of Roses (2003) and its sequel, Shadow Princess (2010), begins with her death. Mumtaz Mahal is a main character in Sonja Chandrachud's novel Trouble at the Taj (2011).", "Mumtaz Mahal is a main character in Sonja Chandrachud's novel Trouble at the Taj (2011). She appears in the book as a ghost. In John Shors' novel Beneath a Marble Sky (2013), Mahal's daughter, Princess Jahanara, tells the extraordinary story of how the Taj Mahal came to be, describing her own life as an agent in its creation and as a witness to the fateful events surrounding its completion. Films Mumtaz Mahal is a 1926 Indian silent film by Homi Master.", "Films Mumtaz Mahal is a 1926 Indian silent film by Homi Master. Actress Enakshi Rama Rau played the role of Mumtaz Mahal in Shiraz (1928). Mumtaz Mahal, a 1944 Indian film was based on her life. Actress Suraiya played the role of young Mumtaz Mahal in Nanubhai Vakil's film Taj Mahal (1941). Mumtaz Mahal was portrayed by actress Nasreen in Abdul Rashid Kardar's film Shahjehan (1946). Mumtaz Mahal is a 1957 Indian Hindi-language drama film by Ram Daryani, starring Veena in the titular role.", "Mumtaz Mahal is a 1957 Indian Hindi-language drama film by Ram Daryani, starring Veena in the titular role. Bina Rai portrayed Mumtaz Mahal in M. Sadiq's film Taj Mahal (1963). Shahzadi Mumtaz, an Indian film starring Asokan and Shakuntala released in 1977. Purnima Patwardhan portrayed her role in the 2003 Indian historical drama film, Taj Mahal: A Monument of Love. Sonya Jehan portrayed Mumtaz Mahal in Akbar Khan's film Taj Mahal: An Eternal Love Story (2005).", "Sonya Jehan portrayed Mumtaz Mahal in Akbar Khan's film Taj Mahal: An Eternal Love Story (2005). Other Mumtaz Mahal was the inspiration behind the popular Guerlain perfume Shalimar (1921). Issue Ancestry References Bibliography External links Mumtaz Mahal 1593 births 1631 deaths Deaths in childbirth Indian Shia Muslims People from Agra Taj Mahal 16th-century Indian women 16th-century Indian people 17th-century Indian women 17th-century Indian people 16th-century Iranian people 17th-century Iranian people Indian people of Iranian descent Wives of Shah Jahan" ]

[ "Mumtaz Mahal", "Marriage", "When did she marry?", "30 April 1612", "Who did she marry?", "Shah Jahan", "Are there any other interesting aspects about this article?", "Despite her frequent pregnancies, Mumtaz travelled with Shah Jahan's entourage throughout his earlier military campaigns and the subsequent rebellion against his father.", "Did they have children?", "they had fourteen children together (eight sons and six daughters), seven of whom died at birth or at a very young age.", "Was this an arranged marriage?", "Mumtaz Mahal was betrothed to Shah Jahan around 30 January 1607, when she was 14 years old at the time and he was 15.", "Did they divorce?", "Mumtaz had a loving marriage with Shah Jahan." ]

[ "Sessions@AOL is the first live/digital compilation album by Linkin Park co-vocalist Mike Shinoda for his well-known hip-hop side project, Fort Minor. This was recorded in Studio A of the Capitol Studio in Los Angeles, California, and filmed on November 2, 2005. The album included the live versions of songs that were included in Fort Minor's first studio album, The Rising Tied, which was released on November 22, 2005. Due to its time length in the digital download version, it is considered an EP.\n\nLive performance\nThe live performance included two versions. The digital download version and the webcast version. The digital download version only included the audio live versions of the songs. But the webcast version included the video of the live performance of the song and in addition it had performances of \"It's Goin' Down\" and \"Where'd You Go\" with Holly Brook, an interview with Mike Shinoda, and Sessions @ AOL announcements by Mike. It is rumored that Fort Minor did a whole set to rehearse for the gig at the Universal Amphitheater in LA that month, but it is not confirmed. Eric Bobo from Cypress Hill came out and played his Latin drums on the song \"Believe Me\". After Fort Minor did \"There They Go\", they launched into \"It's Goin' Down\", and then Holly Brook came out and they practiced \"Where'd You Go\".\n\nNotes\nSome clips of \"Where'd You Go\" and \"Believe Me\" can be seen in interviews with Holly Brook and Bobo on the Fort Minor Militia website. There is a \"Behind the Scene's\" montage video on AOL.com that can be viewed that has part of \"It's Goin Down\" in it. The show was released through AOL as a part of its Sessions@AOL series. It came with a front cover and a back cover. The set list of the release was in a different order and did not include \"Where'd You Go\" or \"It's Goin' Down\".\n\niTunes\nThe live performances of the whole track list of the digital album is available on iTunes for purchase.\n\nTrack listing\n\nDigital download\n\nWebcast\n\nPersonnel\nPerformer \nFort Minor (Mike Shinoda, rap vocals throughout)\n\nAdditional Musicians\n Styles of Beyond (rap vocals on \"Remember the Name\" and \"Believe Me\")\n Eric Bobo (Latin drums on \"Believe Me\")\n Toy Soldier (drums)\n Los Angeles choir (backing vocals and strings)\n\nRelease history\n\nReferences\n\nExternal links\n\nFort Minor albums\n2006 live albums\n2006 video albums\nLive video albums", "Ike & Tina Turner's Festival of Live Performances is a live album released by Kent Records in January 1970. It was recorded during their stint at Kent in the mid-1960s.\n\nBackground \nAt the time of the recording Ike & Tina Turner were touring vigorously on the Chitlin Circuit. They already had a string of hits by 1962, and simultaneously they were establishing themselves as \"one of the most potent live acts on the R&B circuit.\" They released various live albums in the 1960s which did better on the charts than their studio albums. Opening for the Rolling Stones on their 1969 American tour helped sell the duo to a major market. After they achieved mainstream success, Kent Records, one of the many labels they recorded for in the 1960s released Ike & Tina Turner's Festival of Live Performances in 1970.\n\nCritical reception \n\nBillboard (February 21, 1970): The husband-wife soul duo of Ike & Tina Turner are everyday these days, especially on the charts where their incredible brand of pop-soul excitement has finally been realized after years as also-rans. Their live performances at the Fillmore and Madison Square Garden did the trick, but Kent presents the team as they were when 'live' meant clubs and smaller audiences of devoted fans.Record World (February 28, 1970): \"After paying their dues, and it was a large amount, Ike and Tina are finally full-fledged members of the hot artist organization. All these sides were recorded live and some will say that's the only way to enjoy the sizzling duo and their Ikettes.\"\n\nRon Wynn at AllMusic stated that \"they were still a hungry, eager, galvanizing band then, and even performed with energy and fire on mundane filler.\"\n\nReissues \nThe album was reissued in France by Disques Festival on the double vinyl The Great Album Of Ike And Tina Turner in 1974.\n\nIke & Tina Turner's Festival of Live Performances was reissued on CD by RockBeat Records in 2011 with two additional tracks.\n\nTrack listing\n\nReferences \n\n1970 live albums\nIke & Tina Turner live albums\nKent Records albums" ]

[ "Mumtaz Mahal (, ), born Arjumand Banu Begum (; 27 April 1593 – 17 June 1631) was the empress consort of the Mughal Empire from 19 January 1628 to 17 June 1631 as the chief consort of the Mughal emperor Shah Jahan. The Taj Mahal in Agra, often cited as one of the Wonders of the World, was commissioned by her husband to act as her tomb. Mumtaz Mahal was born Arjumand Banu Begum in Agra to a family of Persian nobility.", "Mumtaz Mahal was born Arjumand Banu Begum in Agra to a family of Persian nobility. She was the daughter of Abu'l-Hasan Asaf Khan, a wealthy Persian noble who held high office in the Mughal Empire, and the niece of Empress Nur Jahan, the chief wife of Emperor Jahangir and the power behind the emperor.", "She was the daughter of Abu'l-Hasan Asaf Khan, a wealthy Persian noble who held high office in the Mughal Empire, and the niece of Empress Nur Jahan, the chief wife of Emperor Jahangir and the power behind the emperor. She was married at the age of 19 on 10 May 1612 or 16 June 1612 to Prince Khurram, later known by his regnal name Shah Jahan, who conferred upon her the title \"Mumtaz Mahal\" (Persian: the exalted one of the palace).", "She was married at the age of 19 on 10 May 1612 or 16 June 1612 to Prince Khurram, later known by his regnal name Shah Jahan, who conferred upon her the title \"Mumtaz Mahal\" (Persian: the exalted one of the palace). Although betrothed to Shah Jahan since 1607, she ultimately became his second wife in 1612.", "Although betrothed to Shah Jahan since 1607, she ultimately became his second wife in 1612. Mumtaz and her husband had 14 children, including Jahanara Begum (Shah Jahan's favourite daughter), and the Crown prince Dara Shikoh, the heir-apparent, anointed by his father, who temporarily succeeded him, until deposed by Mumtaz Mahal's sixth child, Aurangzeb, who ultimately succeeded his father as the sixth Mughal emperor in 1658.", "Mumtaz and her husband had 14 children, including Jahanara Begum (Shah Jahan's favourite daughter), and the Crown prince Dara Shikoh, the heir-apparent, anointed by his father, who temporarily succeeded him, until deposed by Mumtaz Mahal's sixth child, Aurangzeb, who ultimately succeeded his father as the sixth Mughal emperor in 1658. Mumtaz Mahal died in 1631 in Burhanpur, Deccan (present-day Madhya Pradesh), during the birth of her 14th child, a daughter named Gauhar Ara Begum.", "Mumtaz Mahal died in 1631 in Burhanpur, Deccan (present-day Madhya Pradesh), during the birth of her 14th child, a daughter named Gauhar Ara Begum. Shah Jahan had the Taj Mahal built as a tomb for her, which is considered to be a monument of undying love. As with other Mughal royal ladies, no contemporary likenesses of her are accepted, but numerous imagined portraits were created from the 19th century onwards.", "As with other Mughal royal ladies, no contemporary likenesses of her are accepted, but numerous imagined portraits were created from the 19th century onwards. She is wrongly referred to as \"Taj Bibi\" which was the corrupted of her title Mumtaz and was in reality the title of her mother-in-law, Jagat Gosain. Family and early life Mumtaz Mahal was born as Arjumand Banu on 27 April 1593 in Agra to Abu'l-Hasan Asaf Khan and his wife Diwanji Begum, the daughter of a Persian noble, Khwaja Ghias-ud-din of Qazvin.", "Family and early life Mumtaz Mahal was born as Arjumand Banu on 27 April 1593 in Agra to Abu'l-Hasan Asaf Khan and his wife Diwanji Begum, the daughter of a Persian noble, Khwaja Ghias-ud-din of Qazvin. Asaf Khan was a wealthy Persian noble who held high office in the Mughal Empire. His family had come to India impoverished in 1577, when his father Mirza Ghias Beg (popularly known by his title of I'timad-ud-Daulah), was taken into the service of Emperor Akbar in Agra.", "His family had come to India impoverished in 1577, when his father Mirza Ghias Beg (popularly known by his title of I'timad-ud-Daulah), was taken into the service of Emperor Akbar in Agra. Asaf Khan was also the older brother of Empress Nur Jahan, making Mumtaz a niece, and later, a step daughter-in-law of Nur Jahan, the chief consort of Emperor Jahangir, Shah Jahan's father.", "Asaf Khan was also the older brother of Empress Nur Jahan, making Mumtaz a niece, and later, a step daughter-in-law of Nur Jahan, the chief consort of Emperor Jahangir, Shah Jahan's father. Her older sister, Parwar Khanum, married Sheikh Farid, the son of Nawab Qutubuddin Koka, the governor of Badaun, who was also the emperor Jahangir's foster brother.", "Her older sister, Parwar Khanum, married Sheikh Farid, the son of Nawab Qutubuddin Koka, the governor of Badaun, who was also the emperor Jahangir's foster brother. Mumtaz also had a brother, Shaista Khan, who served as the governor of Bengal and various other provinces in the empire during Shah Jahan's reign. Mumtaz was remarkable in the field of learning and was a talented and cultured lady. She was well-versed in Arabic and Persian languages and could compose poems in the latter.", "She was well-versed in Arabic and Persian languages and could compose poems in the latter. She was reputed to have a combination of modesty and candor, a woman warmly straightforward yet bemusedly self-possessed. Early in adolescence, she attracted the attention of important nobles of the realm. Jahangir must have heard about her, since he readily consented to Shah Jahan's engagement with her. Marriage Mumtaz Mahal was betrothed to Shah Jahan around 5 April 1607, when she was 14 years old at the time and he was 15.", "Marriage Mumtaz Mahal was betrothed to Shah Jahan around 5 April 1607, when she was 14 years old at the time and he was 15. They were, however, married five years after the year of their betrothal on 10 May 1612 or 7 June 1612 in Agra. After their wedding celebrations, Shah Jahan, \"finding her in appearance and character elect among all the women of the time\", gave her the title \"Mumtaz Mahal\" Begum (\"the Exalted One of the Palace\").", "After their wedding celebrations, Shah Jahan, \"finding her in appearance and character elect among all the women of the time\", gave her the title \"Mumtaz Mahal\" Begum (\"the Exalted One of the Palace\"). During the intervening years between their betrothal and marriage, Shah Jahan had married his first wife, Princess Kandahari Begum in 1610 and in 1617, after marrying Mumtaz, took a third wife, Izz-un-Nissa Begum (titled Akbarabadi Mahal), the daughter of a prominent Mughal courtier.", "During the intervening years between their betrothal and marriage, Shah Jahan had married his first wife, Princess Kandahari Begum in 1610 and in 1617, after marrying Mumtaz, took a third wife, Izz-un-Nissa Begum (titled Akbarabadi Mahal), the daughter of a prominent Mughal courtier. According to the official court historians, both the marriages were political alliances.", "According to the official court historians, both the marriages were political alliances. By all accounts, Shah Jahan was so taken with Mumtaz that he showed little interest in exercising his polygamous rights with his two other wives, other than dutifully siring a child with each. According to the official court chronicler, Motamid Khan, as recorded in his Iqbal Namah-e-Jahangiri, the relationship with his other wives \"had nothing more than the status of marriage.", "According to the official court chronicler, Motamid Khan, as recorded in his Iqbal Namah-e-Jahangiri, the relationship with his other wives \"had nothing more than the status of marriage. The intimacy, deep affection, attention and favour which Shah Jahan had for Mumtaz exceeded what he felt for his other wives.\" Likewise, Shah Jahan's historian Inayat Khan commented that 'his whole delight was centered on this illustrious lady [Mumtaz], to such an extent that he did not feel towards the others [i.e.", "Likewise, Shah Jahan's historian Inayat Khan commented that 'his whole delight was centered on this illustrious lady [Mumtaz], to such an extent that he did not feel towards the others [i.e. his other wives] one-thousandth part of the affection that he did for her.' Mumtaz had a loving marriage with Shah Jahan. Even during her lifetime, poets would extol her beauty, grace, and compassion.", "Even during her lifetime, poets would extol her beauty, grace, and compassion. Despite her frequent pregnancies, Mumtaz travelled with Shah Jahan's entourage throughout his earlier military campaigns and the subsequent rebellion against his father. She was his constant companion and trusted confidant, leading court historians to go to unheard lengths to document the intimate and erotic relationship the couple enjoyed.", "She was his constant companion and trusted confidant, leading court historians to go to unheard lengths to document the intimate and erotic relationship the couple enjoyed. In their 19 years of marriage, they had 14 children together (eight sons and six daughters), seven of whom died at birth or at a very young age.", "In their 19 years of marriage, they had 14 children together (eight sons and six daughters), seven of whom died at birth or at a very young age. Mughal empress Upon his accession to the throne in 1628 after subduing his half brother, Shahryar Mirza, Shah Jahan designated Mumtaz as his chief empress with the title of Padshah Begum '(Lady Emperor)', 'Malika-i-Jahan' (\"Queen of the World\") and 'Malika-uz-Zamani' (\"Queen of the Age\") and 'Malika-i-hindustan' (\"Queen of the Hindustan\").", "Mughal empress Upon his accession to the throne in 1628 after subduing his half brother, Shahryar Mirza, Shah Jahan designated Mumtaz as his chief empress with the title of Padshah Begum '(Lady Emperor)', 'Malika-i-Jahan' (\"Queen of the World\") and 'Malika-uz-Zamani' (\"Queen of the Age\") and 'Malika-i-hindustan' (\"Queen of the Hindustan\"). Mumtaz's tenure as empress was brief, spanning a period of only three years due to her untimely death, nonetheless, Shah Jahan bestowed her with luxuries that no other empress was given before her.", "Mumtaz's tenure as empress was brief, spanning a period of only three years due to her untimely death, nonetheless, Shah Jahan bestowed her with luxuries that no other empress was given before her. She was also the only wife of Shah Jahan to be addressed as \" Hazrat \". For example, no other empress' residence was as decorated as Khas Mahal (part of Agra Fort), where Mumtaz lived with Shah Jahan. It was decorated with pure gold and precious stones and had rose-water fountains of its own.", "It was decorated with pure gold and precious stones and had rose-water fountains of its own. Each wife of the Mughal emperor was given a regular monthly allowance for her gastos (housekeeping or travelling expenses); the highest such allowance on record is the one million rupees per year given to Mumtaz Mahal by Shah Jahan. Apart from this income, he gave her a lot of high-income lands and properties.", "Apart from this income, he gave her a lot of high-income lands and properties. Shah Jahan consulted Mumtaz in both private matters and the affairs of the state, and she served as his close confidant and trusted adviser. Whenever an official sent matters or the people made a request, he first reported the matter to the Empress and made the decision with the knowledge of understanding and consultation with her. At her intercession, he forgave enemies or commuted death sentences.", "At her intercession, he forgave enemies or commuted death sentences. His trust in her was so great that he gave her the highest honour of the land – his imperial seal, the Mehr Uzaz, which validated imperial decrees. Mumtaz was portrayed as having no aspirations to political power, in contrast to her aunt, Empress Nur Jahan, the chief consort of Emperor Jahangir, who had wielded considerable influence in the previous reign.", "Mumtaz was portrayed as having no aspirations to political power, in contrast to her aunt, Empress Nur Jahan, the chief consort of Emperor Jahangir, who had wielded considerable influence in the previous reign. A uncontested and great influence on him, often intervening on behalf of the poor and destitute, she also enjoyed watching elephant and combat fights performed for the court. Mumtaz also patronized a number of poets, scholars and other talented persons. A noted Sanskrit poet, Vansidhara Mishra, was the Empress's favourite.", "A noted Sanskrit poet, Vansidhara Mishra, was the Empress's favourite. On the recommendation of her principal lady-in-waiting, Sati-un-Nissa, Mumtaz Mahal provided pensions and donations to the daughters of poor scholars, theologians, and pious men. It was quite common for women of noble birth to commission architecture in the Mughal Empire, so Mumtaz devoted some time to a riverside garden in Agra, which is now known as Zahara Bagh. It is the only architectural foundation which can be connected to her patronage.", "It is the only architectural foundation which can be connected to her patronage. Death and aftermath Mumtaz Mahal died from postpartum hemorrhage in Burhanpur on 17 June 1631 while giving birth to her 14th child, after a prolonged labor around 30 hours. She had been accompanying her husband while he was fighting a campaign in the Deccan Plateau. Her body was temporarily buried at Burhanpur in a walled pleasure garden known as Zainabad originally constructed by Shah Jahan's uncle Daniyal on the bank of the Tapti River.", "Her body was temporarily buried at Burhanpur in a walled pleasure garden known as Zainabad originally constructed by Shah Jahan's uncle Daniyal on the bank of the Tapti River. The contemporary court chroniclers paid an unusual amount of attention to Mumtaz Mahal's death and Shah Jahan's grief at her demise. In the immediate aftermath of his bereavement, the emperor was reportedly inconsolable. Apparently, after her death, he went into secluded mourning for a year.", "Apparently, after her death, he went into secluded mourning for a year. When he appeared again, his hair had turned white, his back was bent, and his face worn. Mumtaz's eldest daughter, Jahanara Begum, gradually brought her father out of grief and took her mother's place at court. Mumtaz Mahal's personal fortune (valued at 10 million rupees) was divided by Shah Jahan between Jahanara Begum, who received half, and the rest of her surviving children.", "Mumtaz Mahal's personal fortune (valued at 10 million rupees) was divided by Shah Jahan between Jahanara Begum, who received half, and the rest of her surviving children. Burhanpur was never intended by her husband as his wife's final resting spot. As a result, her body was disinterred in December 1631 and transported in a golden casket escorted by her son Shah Shuja, the deceased empress's head lady-in-waiting, and the distinguished courtier Wazir Khan, back to Agra.", "As a result, her body was disinterred in December 1631 and transported in a golden casket escorted by her son Shah Shuja, the deceased empress's head lady-in-waiting, and the distinguished courtier Wazir Khan, back to Agra. There, it was interred in a small building on the banks of the Yamuna River. Shah Jahan stayed behind in Burhanpur to conclude the military campaign that had originally brought him to the region.", "Shah Jahan stayed behind in Burhanpur to conclude the military campaign that had originally brought him to the region. While there, he began planning the design and construction of a suitable mausoleum and funerary garden in Agra for his wife. It was a task that would take 22 years to complete, the Taj Mahal. Taj Mahal The Taj Mahal was commissioned by Shah Jahan to be built as a mausoleum for Mumtaz Mahal. It is seen as an embodiment of undying love and marital devotion.", "It is seen as an embodiment of undying love and marital devotion. English poet Sir Edwin Arnold describes it as \"Not a piece of architecture, as other buildings are, but the proud passion of an emperor's love wrought in living stones.\" The beauty of the monument is also taken as a representation of Mumtaz Mahal's beauty and this association leads many to describe the Taj Mahal as feminine.", "The beauty of the monument is also taken as a representation of Mumtaz Mahal's beauty and this association leads many to describe the Taj Mahal as feminine. Since Muslim tradition forbids elaborate decorations on graves, the bodies of Mumtaz and Shah Jahan are placed in a relatively plain crypt beneath the inner chamber with their faces turned to the right and towards Mecca.", "Since Muslim tradition forbids elaborate decorations on graves, the bodies of Mumtaz and Shah Jahan are placed in a relatively plain crypt beneath the inner chamber with their faces turned to the right and towards Mecca. The Ninety Nine Names of God are found as calligraphic inscriptions on the sides of the tomb of Mumtaz Mahal in the crypt including, \"O Noble, O Magnificent, O Majestic, O Unique, O Eternal, O Glorious…\".", "The Ninety Nine Names of God are found as calligraphic inscriptions on the sides of the tomb of Mumtaz Mahal in the crypt including, \"O Noble, O Magnificent, O Majestic, O Unique, O Eternal, O Glorious…\". There are many theories about the origin of the name of this tomb and one of them suggests that 'Taj' is an abbreviation of the name Mumtaz. European travelers, such as François Bernier, who observed its construction, were among the first to call it the Taj Mahal.", "European travelers, such as François Bernier, who observed its construction, were among the first to call it the Taj Mahal. Since they are unlikely to have come up with the name, they might have picked it up from the locals of Agra who called the Empress 'Taj Mahal' and thought the tomb was named after her and the name began to be used interchangeably, but no firm evidence suggests this.", "Since they are unlikely to have come up with the name, they might have picked it up from the locals of Agra who called the Empress 'Taj Mahal' and thought the tomb was named after her and the name began to be used interchangeably, but no firm evidence suggests this. Shah Jahan had not intended to entomb another person in the Taj Mahal; however, Aurangzeb had Shah Jahan buried next to the tomb of Mumtaz Mahal rather than build a separate tomb for his father.", "Shah Jahan had not intended to entomb another person in the Taj Mahal; however, Aurangzeb had Shah Jahan buried next to the tomb of Mumtaz Mahal rather than build a separate tomb for his father. This is evident from the asymmetrical placement of Shah Jahan's grave on one side of his wife's grave which is in the centre. In popular culture Astronomy A crater was named in her honour on asteroid 433 Eros, along with another one after her husband. A crater on the planet Venus is named after her.", "A crater on the planet Venus is named after her. Literature A cat named after Mumtaz Mahal (\"Princess Arjumand\") plays a major role in Connie Willis's 1997 novel To Say Nothing of the Dog. Arjumand Banu (Mumtaz Mahal) is a principal character in Indu Sundaresan's novel The Feast of Roses (2003) and its sequel, Shadow Princess (2010), begins with her death. Mumtaz Mahal is a main character in Sonja Chandrachud's novel Trouble at the Taj (2011).", "Mumtaz Mahal is a main character in Sonja Chandrachud's novel Trouble at the Taj (2011). She appears in the book as a ghost. In John Shors' novel Beneath a Marble Sky (2013), Mahal's daughter, Princess Jahanara, tells the extraordinary story of how the Taj Mahal came to be, describing her own life as an agent in its creation and as a witness to the fateful events surrounding its completion. Films Mumtaz Mahal is a 1926 Indian silent film by Homi Master.", "Films Mumtaz Mahal is a 1926 Indian silent film by Homi Master. Actress Enakshi Rama Rau played the role of Mumtaz Mahal in Shiraz (1928). Mumtaz Mahal, a 1944 Indian film was based on her life. Actress Suraiya played the role of young Mumtaz Mahal in Nanubhai Vakil's film Taj Mahal (1941). Mumtaz Mahal was portrayed by actress Nasreen in Abdul Rashid Kardar's film Shahjehan (1946). Mumtaz Mahal is a 1957 Indian Hindi-language drama film by Ram Daryani, starring Veena in the titular role.", "Mumtaz Mahal is a 1957 Indian Hindi-language drama film by Ram Daryani, starring Veena in the titular role. Bina Rai portrayed Mumtaz Mahal in M. Sadiq's film Taj Mahal (1963). Shahzadi Mumtaz, an Indian film starring Asokan and Shakuntala released in 1977. Purnima Patwardhan portrayed her role in the 2003 Indian historical drama film, Taj Mahal: A Monument of Love. Sonya Jehan portrayed Mumtaz Mahal in Akbar Khan's film Taj Mahal: An Eternal Love Story (2005).", "Sonya Jehan portrayed Mumtaz Mahal in Akbar Khan's film Taj Mahal: An Eternal Love Story (2005). Other Mumtaz Mahal was the inspiration behind the popular Guerlain perfume Shalimar (1921). Issue Ancestry References Bibliography External links Mumtaz Mahal 1593 births 1631 deaths Deaths in childbirth Indian Shia Muslims People from Agra Taj Mahal 16th-century Indian women 16th-century Indian people 17th-century Indian women 17th-century Indian people 16th-century Iranian people 17th-century Iranian people Indian people of Iranian descent Wives of Shah Jahan" ]

[ "George Stephanopoulos", "Real estate loan controversy" ]

[ "IROC XII was the twelfth year of IROC competition took place in 1988. It saw the use of the Chevrolet Camaro in all races, and continued the format introduced in IROC VIII. Race one took place on the Daytona International Speedway, race two took place at Riverside International Raceway, race three ran at Michigan International Speedway, and race four concluded the year at Watkins Glen International. Al Unser, Jr. won his second championship and $211,900.\n\nThe roster of drivers and final points standings were as follows:\n\nRace results\n\nRace One, Daytona International Speedway\nFriday, February 12, 1988\n\n(5) Indicates 5 bonus points added to normal race points scored for leading the most laps.(3) Indicates 3 bonus points added to normal race points scored for leading the 2nd most laps (did not occur in this race so not awarded).(2) Indicates 2 bonus points added to normal race points scored for leading the 3rd most laps (did not occur in this race so not awarded).\n\nAverage speed: Cautions: 1Margin of victory: 2 clLead changes: 0\n\nRace Two, Riverside International Raceway\nSaturday, June 11, 1988\n\n(5) Indicates 5 bonus points added to normal race points scored for leading the most laps.(3) Indicates 3 bonus points added to normal race points scored for leading the 2nd most laps(2) Indicates 2 bonus points added to normal race points scored for leading the 3rd most laps (did not occur in this race so not awarded).\n\nAverage speed: Cautions: 2Margin of victory: 2 secLead changes: 1\nLap Leader Breakdown\n\nRace Three, Michigan International Speedway\nSaturday, August 6, 1988 \n\n(5) Indicates 5 bonus points added to normal race points scored for leading the most laps.(3) Indicates 3 bonus points added to normal race points scored for leading the 2nd most laps(2) Indicates 2 bonus points added to normal race points scored for leading the 3rd most laps (did not occur in this race so not awarded).\n\nAverage speed: Cautions:noneMargin of victory: 0.78 secLead changes: 1\nLap Leader Breakdown\n\nRace Four, Watkins Glen International\nSaturday, August 13, 1988\n\n(5) Indicates 5 bonus points added to normal race points scored for leading the most laps.(3) Indicates 3 bonus points added to normal race points scored for leading the 2nd most laps (did not occur in this race so not awarded).(2) Indicates 2 bonus points added to normal race points scored for leading the 3rd most laps (did not occur in this race so not awarded).\n\nAverage speed: Cautions: 3Margin of victory: 1.58 secLead changes: 0\n\nNotes\n Dale Earnhardt and Geoff Bodine tied for fifth place in the championship standings, but Earnhardt was awarded the position due to a higher finishing position in the final race.\n\nReferences\n\nExternal links\nIROC XII History - IROC Website\n\nInternational Race of Champions\n1988 in American motorsport", "IROC XI was the eleventh year of IROC competition, which took place in 1987. It saw the use of the Chevrolet Camaro in all races, the beginning of a long partnership with ABC/ESPN, and continued the format introduced in IROC VIII. Race one took place on the Daytona International Speedway, race two took place at Mid-Ohio, race three ran at Michigan International Speedway, and race four concluded the year at Watkins Glen International. Geoff Bodine won the championship and $191,900.\n\nThe roster of drivers and final points standings were as follows:\n\nRace results\n\nRace One, Daytona International Speedway\nFriday, February 13, 1987\n\n(5) Indicates 5 bonus points added to normal race points scored for leading the most laps.(3) Indicates 3 bonus points added to normal race points scored for leading the 2nd most laps(2) Indicates 2 bonus points added to normal race points scored for leading the 3rd most laps.\n\nAverage speed: Cautions: 3Margin of victory: 1 clLead changes: 5\n\nRace Two, Mid-Ohio Sports Car Course\nSaturday, June 6, 1987\n\n(5) Indicates 5 bonus points added to normal race points scored for leading the most laps.(3) Indicates 3 bonus points added to normal race points scored for leading the 2nd most laps(2) Indicates 2 bonus points added to normal race points scored for leading the 3rd most laps (did not occur in this race so not awarded).\n\nAverage speed: 85.702 mphCautions: noneMargin of victory: 1.7 secLead changes: 1\n\nLap Leader Breakdown\n\nRace Three, Michigan International Speedway\nSaturday, August 1, 1987\n\n(5) Indicates 5 bonus points added to normal race points scored for leading the most laps.(3) Indicates 3 bonus points added to normal race points scored for leading the 2nd most laps(2) Indicates 2 bonus points added to normal race points scored for leading the 3rd most laps (did not occur in this race so not awarded).\n\nAverage speed: 155.633 mphCautions: 1 (Lap 12, Dale Earnhardt crash)Margin of victory: .03 secLead changes: 6\n\nRace Four, Watkins Glen International\nSaturday, August 8, 1987\n\n(5) Indicates 5 bonus points added to normal race points scored for leading the most laps.(3) Indicates 3 bonus points added to normal race points scored for leading the 2nd most laps (did not occur in this race so not awarded).(2) Indicates 2 bonus points added to normal race points scored for leading the 3rd most laps (did not occur in this race so not awarded).\n\nAverage speed: Cautions: noneMargin of victory: 2.02 secLead changes: 0\n\nReferences\n\nExternal links\nIROC XI History - IROC Website\n\nInternational Race of Champions\n1987 in American motorsport" ]

[ "George Robert Stephanopoulos (born February 10, 1961) is an American television host, political commentator, and former Democratic advisor. Stephanopoulos currently is a coanchor with Robin Roberts and Michael Strahan on Good Morning America, and host of This Week, ABC's Sunday morning current events news program. Before his career as a journalist, Stephanopoulos was an advisor to the Democratic Party. He rose to early prominence as a communications director for the 1992 presidential campaign of Bill Clinton and subsequently became White House communications director.", "He rose to early prominence as a communications director for the 1992 presidential campaign of Bill Clinton and subsequently became White House communications director. He was later senior advisor for policy and strategy, before departing in December 1996. Early life and education George Stephanopoulos was born in Fall River, Massachusetts, the son of Nickolitsa \"Nikki\" Gloria (née Chafos) and Robert George Stephanopoulos. His parents are of Greek descent.", "His parents are of Greek descent. His parents are of Greek descent. His father is a Greek Orthodox priest and dean emeritus of the Archdiocesan Cathedral of the Holy Trinity in New York City. His father is a retired priest at Sts. Constantine and Helen Greek Orthodox church in Cleveland Heights, OH. His mother was the director of the Greek Orthodox Archdiocese of America National News Service for many years.", "His mother was the director of the Greek Orthodox Archdiocese of America National News Service for many years. Following some time in Purchase, New York, Stephanopoulos moved to the eastern suburbs of Cleveland, Ohio, where he graduated in 1978 from Orange High School in Pepper Pike. In 1982, Stephanopoulos received a Bachelor of Arts degree in political science summa cum laude from Columbia University in New York and was the salutatorian of his class.", "In 1982, Stephanopoulos received a Bachelor of Arts degree in political science summa cum laude from Columbia University in New York and was the salutatorian of his class. While at Columbia, he was elected to Phi Beta Kappa his junior year and was awarded a Harry S. Truman Scholarship. He was also a sports broadcaster for 89.9 WKCR-FM, the university's radio station. Promising his father that he would attend law school eventually, George took a job in Washington, D.C., as an aide to Democratic Congressman Ed Feighan of Ohio.", "Promising his father that he would attend law school eventually, George took a job in Washington, D.C., as an aide to Democratic Congressman Ed Feighan of Ohio. He became Feighan's chief of staff. Stephanopoulos attended Balliol College at the University of Oxford in England, as a Rhodes Scholar, earning a Master of Arts in Theology in 1984. Career Politics 1988 U.S. presidential election In 1988, Stephanopoulos worked on the Michael Dukakis 1988 U.S. presidential campaign.", "Career Politics 1988 U.S. presidential election In 1988, Stephanopoulos worked on the Michael Dukakis 1988 U.S. presidential campaign. He has noted that one of his attractions to this campaign was that Dukakis was a Greek-American liberal from Massachusetts. After this campaign, Stephanopoulos became an executive floor assistant to Dick Gephardt, U.S. House of Representatives Majority Leader; he held this position until he joined the Clinton campaign. Clinton administration Stephanopoulos was, along with David Wilhelm and James Carville, a leading member of Clinton's 1992 U.S. presidential campaign.", "Clinton administration Stephanopoulos was, along with David Wilhelm and James Carville, a leading member of Clinton's 1992 U.S. presidential campaign. His role on the campaign is portrayed in the documentary film The War Room (1993). In the Clinton administration, Stephanopoulos served as a senior advisor for policy and strategy. His initiatives focused on crime legislation, affirmative action, and health care.", "His initiatives focused on crime legislation, affirmative action, and health care. At the outset of Clinton's presidency, Stephanopoulos also served as the de facto press secretary, briefing the press even though Dee Dee Myers was officially the White House Press Secretary. In 1994, after Paula Jones accused Bill Clinton of Sexual harassment, Stephanopoulos and James Carville sought to discredit her allegations against Clinton. Both men suggested that Jones was just seeking cash for her story. Stephanopoulos also successfully sought to keep Jones' news conference off television.", "Stephanopoulos also successfully sought to keep Jones' news conference off television. Stephanopoulos called NBC journalist Tim Russert, CNN chairman Tom Johnson, as well as several others, whom he convinced to keep her conference off television. On February 25, 1994, Stephanopoulos and Harold Ickes had a conference call with Roger Altman to discuss the Resolution Trust Corporation's choice of Republican lawyer Jay Stephens to head the Madison Guaranty investigation, that later turned into the Whitewater controversy. In 1999 Stephanopoulos and James Carville were sued for defamation by Gennifer Flowers.", "In 1999 Stephanopoulos and James Carville were sued for defamation by Gennifer Flowers. Stephanopoulos had made comments about her allegations that she had an affair with Bill Clinton. He accused Flowers of doctoring her taped conversation with Clinton to make her story look creditable. Stephanopoulos also called her story \"tabloid trash\", \"garbage\", and \"crap\". The suit was dismissed since his comments were not the basis for defamation. Stephanopoulos resigned from the Clinton administration shortly after Clinton was re-elected in 1996.", "Stephanopoulos resigned from the Clinton administration shortly after Clinton was re-elected in 1996. His memoir, All Too Human: A Political Education (1999), was published after he left the White House during Clinton's second term. It quickly became a number-one bestseller on The New York Times Best Seller list. In the book, Stephanopoulos spoke of his depression and how his face broke out into hives due to the pressures of conveying the Clinton White House message.", "In the book, Stephanopoulos spoke of his depression and how his face broke out into hives due to the pressures of conveying the Clinton White House message. Clinton referred to the book in his autobiography, My Life, apologizing for what he felt in retrospect to be excessive demands placed on the young staffer. Stephanopoulos's book covers his time with Clinton from the day he met him in September 1991, to the day Stephanopoulos left the White House in December 1996, through two presidential campaigns and four years in the White House.", "Stephanopoulos's book covers his time with Clinton from the day he met him in September 1991, to the day Stephanopoulos left the White House in December 1996, through two presidential campaigns and four years in the White House. Stephanopoulos describes Clinton in the book as a \"complicated man responding to the pressures and pleasures of public life in ways I found both awesome and appalling\".", "Stephanopoulos describes Clinton in the book as a \"complicated man responding to the pressures and pleasures of public life in ways I found both awesome and appalling\". Journalism After leaving the White House at the end of Clinton's first term, Stephanopoulos became a political analyst for ABC News, and served as a correspondent on This Week, ABC's Sunday morning public affairs program; World News Tonight, the evening news broadcast; Good Morning America, the morning news program; along with other various special broadcasts.", "Journalism After leaving the White House at the end of Clinton's first term, Stephanopoulos became a political analyst for ABC News, and served as a correspondent on This Week, ABC's Sunday morning public affairs program; World News Tonight, the evening news broadcast; Good Morning America, the morning news program; along with other various special broadcasts. In September 2002, Stephanopoulos became host of This Week, and ABC News officially named him \"Chief Washington Correspondent\" in December 2005.", "In September 2002, Stephanopoulos became host of This Week, and ABC News officially named him \"Chief Washington Correspondent\" in December 2005. The program's title added the new host's name. When named to the position, Stephanopoulos was a relative newcomer to the show, usurping longtime panelists and short-term co-hosts Sam Donaldson and Cokie Roberts who, for a few years, briefly replaced the longtime original host, David Brinkley.", "When named to the position, Stephanopoulos was a relative newcomer to the show, usurping longtime panelists and short-term co-hosts Sam Donaldson and Cokie Roberts who, for a few years, briefly replaced the longtime original host, David Brinkley. ABC News executives reportedly offered Ted Koppel, former Nightline anchor, the This Week host job in 2005 after the program's ratings had become a regular third-, fourth-, and sometimes fifth-place finish after competitors NBC, CBS, Fox, and syndicated programs.", "ABC News executives reportedly offered Ted Koppel, former Nightline anchor, the This Week host job in 2005 after the program's ratings had become a regular third-, fourth-, and sometimes fifth-place finish after competitors NBC, CBS, Fox, and syndicated programs. However, This Week beat Meet the Press on January 11, 2009, when Stephanopoulos interviewed president-elect Barack Obama.", "However, This Week beat Meet the Press on January 11, 2009, when Stephanopoulos interviewed president-elect Barack Obama. On April 16, 2008, Stephanopoulos co-moderated, with Charles Gibson, the twenty-first, and ultimately final, Democratic Party presidential debate between Illinois Senator Barack Obama and New York Senator Hillary Clinton for the 2008 election cycle.", "On April 16, 2008, Stephanopoulos co-moderated, with Charles Gibson, the twenty-first, and ultimately final, Democratic Party presidential debate between Illinois Senator Barack Obama and New York Senator Hillary Clinton for the 2008 election cycle. While the debate received record ratings, the co-moderators were heavily criticized for focusing most of the first hour of the debate on controversies that occurred during the campaign rather than issues such as the economy and the Iraq War.", "While the debate received record ratings, the co-moderators were heavily criticized for focusing most of the first hour of the debate on controversies that occurred during the campaign rather than issues such as the economy and the Iraq War. Stephanopoulos acknowledged the legitimacy of the concerns over the order of the questions, but said they were issues in the campaign that had not been covered in previous debates.", "Stephanopoulos acknowledged the legitimacy of the concerns over the order of the questions, but said they were issues in the campaign that had not been covered in previous debates. ABC had sought out a woman who opposed Obama and aired a video of her asking a trivial question, repeated by Stephanopoulos, about why Obama wasn't wearing a flag pin. The question brought widespread criticism from the media. During the 2008 presidential election campaign, Stephanopoulos launched a blog George's Bottom Line on the ABC News website.", "During the 2008 presidential election campaign, Stephanopoulos launched a blog George's Bottom Line on the ABC News website. Stephanopoulos blogged about political news and analysis from Washington. In December 2009, ABC News president David Westin offered Stephanopoulos Diane Sawyer's job on Good Morning America after Sawyer was named anchor of World News. Stephanopoulos accepted the new position and began co-anchoring GMA on December 14, 2009. Stephanopoulos announced on January 10, 2010, that that would be his last broadcast as the permanent host of This Week.", "Stephanopoulos announced on January 10, 2010, that that would be his last broadcast as the permanent host of This Week. However, after his successor, Christiane Amanpour, left the show amid sagging ratings, it was announced that Stephanopoulos would return as host of This Week in December 2011. He signed a deal to stay with ABC until 2021 worth $105 million. On January 7, 2012, Stephanopoulos was the co-moderator of a debate among Mitt Romney, Ron Paul and Rick Santorum.", "On January 7, 2012, Stephanopoulos was the co-moderator of a debate among Mitt Romney, Ron Paul and Rick Santorum. During the debate, Stephanopoulos repeatedly asked Romney whether the former Massachusetts governor believes the U.S. Supreme Court should overturn a 1965 ruling that a constitutional right to privacy bars states from banning contraception. During the debate, Romney said it was a preposterous question.", "During the debate, Romney said it was a preposterous question. Following Diane Sawyer's departure from World News at the end of August 2014, Stephanopoulos was the Chief Anchor at ABC News 2014–2020 while retaining his roles on GMA and This Week. Stephanopoulos leads a new documentary unit for Disney's digital platforms and hosts four primetime hour-long specials on the ABC network annually. Speaking engagements In 2009, Stephanopoulos spoke at the annual Tri-C Presidential Scholarship Luncheon held at the Renaissance Cleveland Hotel and praised Cuyahoga Community College.", "Speaking engagements In 2009, Stephanopoulos spoke at the annual Tri-C Presidential Scholarship Luncheon held at the Renaissance Cleveland Hotel and praised Cuyahoga Community College. Controversies Real estate loan controversy In 1994, columnist Jack Anderson reported that Stephanopoulos signed an $835,000 commercial real estate deal consisting of a two-story apartment, including an eyewear retailer, with a below-market loan rate from a bank owned by Hugh McColl, who had been called by President Clinton \"the most enlightened banker in America\".", "Controversies Real estate loan controversy In 1994, columnist Jack Anderson reported that Stephanopoulos signed an $835,000 commercial real estate deal consisting of a two-story apartment, including an eyewear retailer, with a below-market loan rate from a bank owned by Hugh McColl, who had been called by President Clinton \"the most enlightened banker in America\". A NationsBank commercial loan officer said that this loan did \"not fit our product matrix\" as banks typically offer such loans for only those customers who have deep pockets and on a short-term adjustable rate basis.", "A NationsBank commercial loan officer said that this loan did \"not fit our product matrix\" as banks typically offer such loans for only those customers who have deep pockets and on a short-term adjustable rate basis. Stephanopoulos's real estate agent explained that \"nobody making $125,000 could qualify for the property without the commercial property (lease).\" One former senior bank regulator told Anderson, \"If his name were George Smith, and he didn't work in the White House, this loan wouldn't have gotten made.\"", "One former senior bank regulator told Anderson, \"If his name were George Smith, and he didn't work in the White House, this loan wouldn't have gotten made.\" Regarding the controversy, NationsBank stated, \"The loan described by Jack Anderson as a commercial loan to George Stephanopoulos was, in fact, a residential mortgage loan.", "Regarding the controversy, NationsBank stated, \"The loan described by Jack Anderson as a commercial loan to George Stephanopoulos was, in fact, a residential mortgage loan. At the time the loan commitment was made, Mr. Anderson (or his imaginary 'George Smith' who 'doesn't work in the White House') could have walked into any NationsBank Mortgage Company office in the D.C. area and received the same excellent rate and term for the same deal.\"", "At the time the loan commitment was made, Mr. Anderson (or his imaginary 'George Smith' who 'doesn't work in the White House') could have walked into any NationsBank Mortgage Company office in the D.C. area and received the same excellent rate and term for the same deal.\" However, Stephanopoulos's realtor states that he would not have qualified for the loan without the commercial property rent.", "However, Stephanopoulos's realtor states that he would not have qualified for the loan without the commercial property rent. One NationsBank source states that the issuance of a residential loan on mixed-use properties is such a rarity that it was not even addressed in the \"NationsBank Mortgage Corporation's Program Summary\" or its \"Credit Policy Manual\". A NationsBank underwriting memo revealed that one of the three restrictions for mixed-use properties is that \"the borrower must be the owner of the business entity\".", "A NationsBank underwriting memo revealed that one of the three restrictions for mixed-use properties is that \"the borrower must be the owner of the business entity\". The source claims that NationsBank told the listing agent that, \"We're not (interested in mixed-use properties), but we do have an appetite for this particular loan.\"", "The source claims that NationsBank told the listing agent that, \"We're not (interested in mixed-use properties), but we do have an appetite for this particular loan.\" NationsBank's primary regulator at the time was Comptroller of the Currency Eugene Ludwig, a Rhodes scholar who attended Yale Law School with President Clinton, and who had been asked to investigate NationsBank by Democratic congressmen Henry B. Gonzalez and John Dingell.", "NationsBank's primary regulator at the time was Comptroller of the Currency Eugene Ludwig, a Rhodes scholar who attended Yale Law School with President Clinton, and who had been asked to investigate NationsBank by Democratic congressmen Henry B. Gonzalez and John Dingell. Clinton Foundation charity donations and conflict of interest as a journalist Stephanopoulos donated $25,000 in 2012, 2013, and 2014, a total of $75,000, to the Clinton Foundation, but did not disclose the donations to ABC News, his employer, or to his viewers.", "Clinton Foundation charity donations and conflict of interest as a journalist Stephanopoulos donated $25,000 in 2012, 2013, and 2014, a total of $75,000, to the Clinton Foundation, but did not disclose the donations to ABC News, his employer, or to his viewers. Stephanopoulos failed to reveal the donations even on April 26, 2015, while interviewing Peter Schweizer, the author of Clinton Cash, a book which alleges that donations to the Foundation influenced some of Hillary Clinton's actions as Secretary of State.", "Stephanopoulos failed to reveal the donations even on April 26, 2015, while interviewing Peter Schweizer, the author of Clinton Cash, a book which alleges that donations to the Foundation influenced some of Hillary Clinton's actions as Secretary of State. After exposure of the donations by Politico on May 14, 2015, Stephanopoulos apologized and admitted he should have disclosed the donations to ABC News and its viewers. The story was broken by The Washington Free Beacon, which had questioned ABC News regarding the matter.", "The story was broken by The Washington Free Beacon, which had questioned ABC News regarding the matter. The donations had been reported by the Clinton Foundation, which Stephanopoulos had considered sufficient, a reliance ABC News characterized as \"an honest mistake.\" Based on Stephanopoulos's donations to The Clinton Foundation charity and his behavior during prior interviews and presidential debates, Republican party leaders and candidates expressed their distrust, and called for him to be banned from moderating 2016 Presidential debates, due to bias and conflict of interest.", "Based on Stephanopoulos's donations to The Clinton Foundation charity and his behavior during prior interviews and presidential debates, Republican party leaders and candidates expressed their distrust, and called for him to be banned from moderating 2016 Presidential debates, due to bias and conflict of interest. He agreed to drop out as a moderator of the scheduled February 2016 Republican presidential primary debate.", "He agreed to drop out as a moderator of the scheduled February 2016 Republican presidential primary debate. In the month prior to his revelation, Stephanopoulos told Jon Stewart on The Daily Show that when money is given to the Clinton Foundation \"everybody\" knows there's \"a hope that that's going to lead to something, and that's what you have to be careful of.\"", "In the month prior to his revelation, Stephanopoulos told Jon Stewart on The Daily Show that when money is given to the Clinton Foundation \"everybody\" knows there's \"a hope that that's going to lead to something, and that's what you have to be careful of.\" Jeffrey Epstein association In 2010, Stephanopoulos attended a dinner party at the home of convicted sex offender socialite Jeffrey Epstein alongside Chelsea Handler, Woody Allen, Katie Couric, Prince Andrew, Charlie Rose and Eva Andersson-Dubin.", "Jeffrey Epstein association In 2010, Stephanopoulos attended a dinner party at the home of convicted sex offender socialite Jeffrey Epstein alongside Chelsea Handler, Woody Allen, Katie Couric, Prince Andrew, Charlie Rose and Eva Andersson-Dubin. Following Epstein's arrest in July 2019, the party resurfaced online, with those attending receiving backlash, Stephanopoulos denied being friends with Epstein, with the party being the only encounter.", "Following Epstein's arrest in July 2019, the party resurfaced online, with those attending receiving backlash, Stephanopoulos denied being friends with Epstein, with the party being the only encounter. Stephanopoulos told The New York Times: \"That dinner was the first and last time I’ve seen him, I should have done more due diligence.", "Stephanopoulos told The New York Times: \"That dinner was the first and last time I’ve seen him, I should have done more due diligence. It was a mistake to go.” In popular culture In the fourth episode of the first season of the NBC television series Friends, entitled The One with George Stephanopoulos and originally aired 13 October, 1994, the girls spy on Stephanopoulos across the street, after they were delivered his pizza by accident.", "It was a mistake to go.” In popular culture In the fourth episode of the first season of the NBC television series Friends, entitled The One with George Stephanopoulos and originally aired 13 October, 1994, the girls spy on Stephanopoulos across the street, after they were delivered his pizza by accident. Stephanopoulos was the inspiration for the character of Henry Burton in Joe Klein's novel Primary Colors (1996). Burton was subsequently portrayed by Adrian Lester in the 1998 film adaptation. Michael J.", "Burton was subsequently portrayed by Adrian Lester in the 1998 film adaptation. Michael J. Michael J. Fox's character, Lewis Rothschild, in the film The American President (1995), written by Aaron Sorkin was modeled after Stephanopoulos. He was also used by Sorkin as the model for Rob Lowe's character, Sam Seaborn, on the television drama series The West Wing. According to Stephanopoulos, his role in the Clinton administration was more like Bradley Whitford's character Josh Lyman than Seaborn or Rothschild.", "According to Stephanopoulos, his role in the Clinton administration was more like Bradley Whitford's character Josh Lyman than Seaborn or Rothschild. Stephanopoulos returned to his alma mater, Columbia University, in 2003, serving as the keynote speaker at Columbia College's Class Day. In 2013, Stephanopoulos played himself in House of Cards and in 2014 he played himself in an episode of Agents of S.H.I.E.L.D.. In September 2016, Stephanopoulos was featured on a €1 (1 euro) Greek postage stamp, along with other notable Greek-Americans.", "In September 2016, Stephanopoulos was featured on a €1 (1 euro) Greek postage stamp, along with other notable Greek-Americans. In 2021, Stephanopoulos was portrayed by George H. Xanthis in Impeachment: American Crime Story; the third season of the FX true-crime anthology television series American Crime Story. Personal life Stephanopoulos is a Greek Orthodox Christian and has earned a master's degree in theology.", "Personal life Stephanopoulos is a Greek Orthodox Christian and has earned a master's degree in theology. In 1995, as he was pulling out of a parking space in front of a restaurant in the Georgetown neighborhood of Washington, D.C., he had a collision with a parked vehicle. Stephanopoulos was arrested and charged with leaving the scene of an accident and driving with an expired license and license plates. The charge of leaving the scene of an accident was subsequently dropped.", "The charge of leaving the scene of an accident was subsequently dropped. Stephanopoulos married Ali Wentworth, an actress, comedian, and writer, in 2001 at the Archdiocesan Cathedral of the Holy Trinity on New York's Upper East Side. They have two daughters, one born in 2002 and one born in 2005. Stephanopoulos was introduced to transcendental meditation by Jerry Seinfeld. Conducting an interview on Good Morning America, he said, \"We’re all here because we all have something in common—we all practice Transcendental Meditation.", "Conducting an interview on Good Morning America, he said, \"We’re all here because we all have something in common—we all practice Transcendental Meditation. … I think that people don’t really understand exactly what it is and what a difference it has made in people’s lives.\" Wentworth posted on Instagram April 1, 2020, that she was struggling with COVID-19 while self-quarantining in their New York home. Stephanopoulos announced on April 13, 2020, that he had tested positive for COVID-19 but was asymptomatic.", "Stephanopoulos announced on April 13, 2020, that he had tested positive for COVID-19 but was asymptomatic. Honors In May 2007, Stephanopoulos received an Honorary Doctor of Laws from St. John's University in New York City. See also List of Balliol College people List of Columbia University alumni List of Eastern Orthodox Christians List of Greek Americans List of people from Cleveland List of people from Massachusetts List of people from New York City List of people from Washington, D.C.", "See also List of Balliol College people List of Columbia University alumni List of Eastern Orthodox Christians List of Greek Americans List of people from Cleveland List of people from Massachusetts List of people from New York City List of people from Washington, D.C. List of Rhodes Scholars List of television reporters List of talk show hosts Lists of American writers New Yorkers in journalism References Citations Sources External links abcnews.com/thisweek, This Week with George Stephanopoulos official website Membership at the Council on Foreign Relations |- |- |- |- 1961 births 20th-century American journalists American male journalists 20th-century American writers 21st-century American journalists 21st-century American writers ABC News personalities Alumni of Balliol College, Oxford American bloggers American memoirists American political consultants American Rhodes Scholars American television news anchors American television reporters and correspondents American television talk show hosts American people of Greek descent American writers of Greek descent Clinton administration personnel Columbia College (New York) alumni Journalists from New York City Journalists from Washington, D.C. Greek Orthodox Christians from the United States Living people Massachusetts Democrats Members of the Council on Foreign Relations Television personalities from Cleveland People from Fall River, Massachusetts People from Purchase, New York Senior Advisors to the President of the United States Washington, D.C. Democrats White House Communications Directors Writers from Massachusetts Writers from New York City Writers from Cleveland Liberalism in the United States" ]

[ "George Stephanopoulos", "Real estate loan controversy", "What year did this occur?", "In 1994,", "Was he directly involved?", "Stephanopoulos sealed an $835,000 commercial real estate deal consisting of a two-story apartment, including an eyewear retailer, with a below-market loan rate from a bank", "Was this something he was charged criminally with?", "I don't know.", "Did he end up paying a fine?", "I don't know." ]

[ "Don Juan Manuel's Tales of Count Lucanor, in Spanish Libro de los ejemplos del conde Lucanor y de Patronio (Book of the Examples of Count Lucanor and of Patronio), also commonly known as El Conde Lucanor, Libro de Patronio, or Libro de los ejemplos (original Old Castilian: Libro de los enxiemplos del Conde Lucanor et de Patronio), is one of the earliest works of prose in Castilian Spanish. It was first written in 1335.\n\nThe book is divided into four parts. The first and most well-known part is a series of 51 short stories (some no more than a page or two) drawn from various sources, such as Aesop and other classical writers, and Arabic folktales.\n\nTales of Count Lucanor was first printed in 1575 when it was published at Seville under the auspices of Argote de Molina. It was again printed at Madrid in 1642, after which it lay forgotten for nearly two centuries.\n\nPurpose and structure\n\nA didactic, moralistic purpose, which would color so much of the Spanish literature to follow (see Novela picaresca), is the mark of this book. Count Lucanor engages in conversation with his advisor Patronio, putting to him a problem (\"Some man has made me a proposition...\" or \"I fear that such and such person intends to...\") and asking for advice. Patronio responds always with the greatest humility, claiming not to wish to offer advice to so illustrious a person as the Count, but offering to tell him a story of which the Count's problem reminds him. (Thus, the stories are \"examples\" [ejemplos] of wise action.) At the end he advises the Count to do as the protagonist of his story did.\n\nEach chapter ends in more or less the same way, with slight variations on: \"And this pleased the Count greatly and he did just so, and found it well. And Don Johán (Juan) saw that this example was very good, and had it written in this book, and composed the following verses.\" A rhymed couplet closes, giving the moral of the story.\n\nOrigin of stories and influence on later literature\nMany of the stories written in the book are the first examples written in a modern European language of various stories, which many other writers would use in the proceeding centuries. Many of the stories he included were themselves derived from other stories, coming from western and Arab sources.\n\nShakespeare's The Taming of the Shrew has the basic elements of Tale 35, \"What Happened to a Young Man Who Married a Strong and Ill-tempered Woman\".\n\nTale 32, \"What Happened to the King and the Tricksters Who Made Cloth\" tells the story that Hans Christian Andersen made popular as The Emperor's New Clothes.\n\nStory 7, \"What Happened to a Woman Named Truhana\", a version of Aesop's The Milkmaid and Her Pail, was claimed by Max Müller to originate in the Hindu cycle Panchatantra.\n\nTale 2, \"What happened to a good Man and his Son, leading a beast to market,\" is the familiar fable The miller, his son and the donkey.\n\nIn 2016, Baroque Decay released a game under the name \"The Count Lucanor\". As well as some protagonists' names, certain events from the books inspired past events in the game.\n\nThe stories\n\nThe book opens with a prologue which introduces the characters of the Count and Patronio. The titles in the following list are those given in Keller and Keating's 1977 translation into English. James York's 1868 translation into English gives a significantly different ordering of the stories and omits the fifty-first.\n\n What Happened to a King and His Favorite \n What Happened to a Good Man and His Son \n How King Richard of England Leapt into the Sea against the Moors\n What a Genoese Said to His Soul When He Was about to Die \n What Happened to a Fox and a Crow Who Had a Piece of Cheese in His Beak\n How the Swallow Warned the Other Birds When She Saw Flax Being Sown \n What Happened to a Woman Named Truhana \n What Happened to a Man Whose Liver Had to Be Washed \n What Happened to Two Horses Which Were Thrown to the Lion \n What Happened to a Man Who on Account of Poverty and Lack of Other Food Was Eating Bitter Lentils \n What Happened to a Dean of Santiago de Compostela and Don Yllán, the Grand Master of Toledo\n What Happened to the Fox and the Rooster \n What Happened to a Man Who Was Hunting Partridges \n The Miracle of Saint Dominick When He Preached against the Usurer \n What Happened to Lorenzo Suárez at the Siege of Seville \n The Reply that count Fernán González Gave to His Relative Núño Laynes \n What Happened to a Very Hungry Man Who Was Half-heartedly Invited to Dinner \n What Happened to Pero Meléndez de Valdés When He Broke His Leg \n What Happened to the Crows and the Owls \n What Happened to a King for Whom a Man Promised to Perform Alchemy \n What Happened to a Young King and a Philosopher to Whom his Father Commended Him \n What Happened to the Lion and the Bull \n How the Ants Provide for Themselves \n What Happened to the King Who Wanted to Test His Three Sons \n What Happened to the Count of Provence and How He Was Freed from Prison by the Advice of Saladin\n What Happened to the Tree of Lies \n What Happened to an Emperor and to Don Alvarfáñez Minaya and Their Wives \n What Happened in Granada to Don Lorenzo Suárez Gallinato When He Beheaded the Renegade Chaplain \n What Happened to a Fox Who Lay down in the Street to Play Dead \n What Happened to King Abenabet of Seville and Ramayquía His Wife \n How a Cardinal Judged between the Canons of Paris and the Friars Minor \n What Happened to the King and the Tricksters Who Made Cloth \n What Happened to Don Juan Manuel's Saker Falcon and an Eagle and a Heron \n What Happened to a Blind Man Who Was Leading Another \n What Happened to a Young Man Who Married a Strong and Ill-tempered Woman\n What Happened to a Merchant When He Found His Son and His Wife Sleeping Together \n What Happened to Count Fernán González with His Men after He Had Won the Battle of Hacinas \n What Happened to a Man Who Was Loaded down with Precious Stones and Drowned in the River \n What Happened to a Man and a Swallow and a Sparrow \n Why the Seneschal of Carcassonne Lost His Soul \n What Happened to a King of Córdova Named Al-Haquem \n What Happened to a Woman of Sham Piety \n What Happened to Good and Evil and the Wise Man and the Madman \n What Happened to Don Pero Núñez the Loyal, to Don Ruy González de Zavallos, and to Don Gutier Roiz de Blaguiello with Don Rodrigo the Generous \n What Happened to a Man Who Became the Devil's Friend and Vassal \n What Happened to a Philosopher who by Accident Went down a Street Where Prostitutes Lived \n What Befell a Moor and His Sister Who Pretended That She Was Timid \n What Happened to a Man Who Tested His Friends \n What Happened to the Man Whom They Cast out Naked on an Island When They Took away from Him the Kingdom He Ruled \n What Happened to Saladin and a Lady, the Wife of a Knight Who Was His Vassal \n What Happened to a Christian King Who Was Very Powerful and Haughty\n\nReferences\n\nNotes\n\nBibliography\n\n Sturm, Harlan\n\n Wacks, David\n\nExternal links\n\nThe Internet Archive provides free access to the 1868 translation by James York.\nJSTOR has the to the 1977 translation by Keller and Keating.\nSelections in English and Spanish (pedagogical edition) with introduction, notes, and bibliography in Open Iberia/América (open access teaching anthology)\n\n14th-century books\nSpanish literature\n1335 books", "Dražen Erdemović (born 25 November 1971) fought during the Bosnian War for the Army of Republika Srpska (VRS) and was later sentenced for his enforced participation in the 1995 Srebrenica genocide.\n\nBackground\nErdemović was born in Tuzla, Bosnia and Herzegovina, Yugoslavia to a Croat mother and a Serb father. He was mobilized into the VRS 10th Sabotage Detachment, a part of the Army of Republika Srpska.\n\nSrebrenica\n\nIn July 1995, Erdemović and his unit were sent to Branjevo military farm in the village of Pilica, north of Zvornik. After the VRS forces took over Srebrenica on 11 July, the Serbs began to send male Bosniaks to various locations for execution.\n\nOne of those places was the farm in Pilica, 15 kilometers from the border with Serbia, where Erdemović and the 10th Sabotage Detachment were tasked by General Ratko Mladić to execute about 1,200 Bosniak men and boys between the ages of approximately 17 and 60 years, who had surrendered to the members of the Bosnian Serb police or army near Srebrenica. On 16 July, the prisoners were bused to the farm and gunned down in groups of ten. Erdemović allegedly resisted the order, but was then told that he either shot them, or hand his gun to another, and join those to be killed. After the murders were over the victims were buried in mass graves. While it is unknown exactly how many people were personally killed by Erdemović, he estimated it was around 70 men and boys.\n\nAfter the massacre, Erdemović returned home, but reportedly felt guilt-ridden over the crimes he had committed. Fellow soldiers of the 10th Sabotage put pressure on him not to say anything, including a Serbian soldier, Stanko Savanović. One evening, while meeting in an undisclosed bar, Savanović shot Erdemović, wounding him badly in the torso. In early 1996, Erdemović sought out an ABC field reporter and testified on camera about what happened at Srebrenica. Several days later, he was arrested and charged with war crimes in the International Criminal Tribunal for the former Yugoslavia.\n\nTrial\nThis Erdemović case was significant in the Tribunal being it was the first application of the defence of duress, claiming that his life had been threatened and that he had no choice. It was found that it did not absolve him of guilt, but could be a mitigating factor in his sentencing. On 29 November 1996, Erdemović was sentenced to ten years in prison, convicted of murder as a crime against humanity. He was the first person to enter a guilty plea at the Tribunal, He was the only member of the 10th Sabotage Detachment to actually be tried for the war crimes, while the rest remained on the Tribunal's most wanted list.\n\nErdemović appealed and his sentence was later reduced by ICTY to five years in 1998, accepting that he committed the offences under threat of death had he disobeyed the order. Credit was given for time served since 28 March 1996. On 13 August 1999, he was granted early release. Upon serving his sentence in a Norwegian prison, Erdemović entered the Tribunal Court's witness protection program and testified at the trial of Slobodan Milošević.I wish to say that I feel sorry for all the victims, not only for the ones who were killed then at that farm, I feel sorry for all the victims in the former Bosnia and Herzegovina regardless of their nationality. I have lost many very good friends of all nationalities only because of that war, and I am convinced that all of them, all of my friends, were not in favour of a war. I am convinced of that. But simply they had no other choice. This war came and there was no way out. The same happened to me. Because of my case, because of everything that happened, I of my own will, without being either arrested and interrogated or put under pressure, admitted even before I was arrested in the Federal Republic of Yugoslavia, I admitted to what I did to this journalist and I told her at that time that I wanted to go to the International Tribunal, that I wanted to help the International Tribunal understand what happened to ordinary people like myself in Yugoslavia... in the Federal Republic of Yugoslavia I admitted to what I did before the authorities, judicial authorities, and the authorities of the Ministry of the Interior, like I did here. My lawyer, when he first arrived here, he told me, \"Dražen, can you change your mind, your decision? I do not know what can happen. I do not know what will happen.\" I told him because of those victims, because of my consciousness, because of my life, because of my child and my wife, I cannot change what I said to this journalist and what I said in Novi Sad, because of the peace of my mind, my soul, my honesty, because of the victims and war and because of everything. Although I knew that my family, my parents, my brother, my sister, would have problems because of that, I did not want to change it. Because of everything that happened I feel terribly sorry, but I could not do anything. When I could do something, I did it.\n\nIn the media\n\nThe story of Erdemovic's trial in the International Criminal Tribunal for the Former Yugoslavia forms the basis of the 2005 play A Patch of Earth, written by Kitty Felde and collected in the anthology The Theatre of Genocide: Four Plays about Mass Murder in Rwanda, Bosnia, Cambodia, and Armenia (University of Wisconsin Press, 2008).\n\nReferences\n\nSources\nGerminal Civikov - Srebrenica. Der Kronzeuge, Promedia Verlag, Vienna. 2009,\n\nExternal links\nICTY case information sheet\nTrial Watch : Drazen Erdemovic\n\n1971 births\nBosnia and Herzegovina mass murderers\nBosnia and Herzegovina people imprisoned abroad\nCroats of Bosnia and Herzegovina convicted of war crimes\nLiving people\nPeople convicted by the International Criminal Tribunal for the former Yugoslavia\nPeople from Tuzla\nPrisoners and detainees of Norway\nBosnia and Herzegovina whistleblowers" ]

[ "George Robert Stephanopoulos (born February 10, 1961) is an American television host, political commentator, and former Democratic advisor. Stephanopoulos currently is a coanchor with Robin Roberts and Michael Strahan on Good Morning America, and host of This Week, ABC's Sunday morning current events news program. Before his career as a journalist, Stephanopoulos was an advisor to the Democratic Party. He rose to early prominence as a communications director for the 1992 presidential campaign of Bill Clinton and subsequently became White House communications director.", "He rose to early prominence as a communications director for the 1992 presidential campaign of Bill Clinton and subsequently became White House communications director. He was later senior advisor for policy and strategy, before departing in December 1996. Early life and education George Stephanopoulos was born in Fall River, Massachusetts, the son of Nickolitsa \"Nikki\" Gloria (née Chafos) and Robert George Stephanopoulos. His parents are of Greek descent.", "His parents are of Greek descent. His parents are of Greek descent. His father is a Greek Orthodox priest and dean emeritus of the Archdiocesan Cathedral of the Holy Trinity in New York City. His father is a retired priest at Sts. Constantine and Helen Greek Orthodox church in Cleveland Heights, OH. His mother was the director of the Greek Orthodox Archdiocese of America National News Service for many years.", "His mother was the director of the Greek Orthodox Archdiocese of America National News Service for many years. Following some time in Purchase, New York, Stephanopoulos moved to the eastern suburbs of Cleveland, Ohio, where he graduated in 1978 from Orange High School in Pepper Pike. In 1982, Stephanopoulos received a Bachelor of Arts degree in political science summa cum laude from Columbia University in New York and was the salutatorian of his class.", "In 1982, Stephanopoulos received a Bachelor of Arts degree in political science summa cum laude from Columbia University in New York and was the salutatorian of his class. While at Columbia, he was elected to Phi Beta Kappa his junior year and was awarded a Harry S. Truman Scholarship. He was also a sports broadcaster for 89.9 WKCR-FM, the university's radio station. Promising his father that he would attend law school eventually, George took a job in Washington, D.C., as an aide to Democratic Congressman Ed Feighan of Ohio.", "Promising his father that he would attend law school eventually, George took a job in Washington, D.C., as an aide to Democratic Congressman Ed Feighan of Ohio. He became Feighan's chief of staff. Stephanopoulos attended Balliol College at the University of Oxford in England, as a Rhodes Scholar, earning a Master of Arts in Theology in 1984. Career Politics 1988 U.S. presidential election In 1988, Stephanopoulos worked on the Michael Dukakis 1988 U.S. presidential campaign.", "Career Politics 1988 U.S. presidential election In 1988, Stephanopoulos worked on the Michael Dukakis 1988 U.S. presidential campaign. He has noted that one of his attractions to this campaign was that Dukakis was a Greek-American liberal from Massachusetts. After this campaign, Stephanopoulos became an executive floor assistant to Dick Gephardt, U.S. House of Representatives Majority Leader; he held this position until he joined the Clinton campaign. Clinton administration Stephanopoulos was, along with David Wilhelm and James Carville, a leading member of Clinton's 1992 U.S. presidential campaign.", "Clinton administration Stephanopoulos was, along with David Wilhelm and James Carville, a leading member of Clinton's 1992 U.S. presidential campaign. His role on the campaign is portrayed in the documentary film The War Room (1993). In the Clinton administration, Stephanopoulos served as a senior advisor for policy and strategy. His initiatives focused on crime legislation, affirmative action, and health care.", "His initiatives focused on crime legislation, affirmative action, and health care. At the outset of Clinton's presidency, Stephanopoulos also served as the de facto press secretary, briefing the press even though Dee Dee Myers was officially the White House Press Secretary. In 1994, after Paula Jones accused Bill Clinton of Sexual harassment, Stephanopoulos and James Carville sought to discredit her allegations against Clinton. Both men suggested that Jones was just seeking cash for her story. Stephanopoulos also successfully sought to keep Jones' news conference off television.", "Stephanopoulos also successfully sought to keep Jones' news conference off television. Stephanopoulos called NBC journalist Tim Russert, CNN chairman Tom Johnson, as well as several others, whom he convinced to keep her conference off television. On February 25, 1994, Stephanopoulos and Harold Ickes had a conference call with Roger Altman to discuss the Resolution Trust Corporation's choice of Republican lawyer Jay Stephens to head the Madison Guaranty investigation, that later turned into the Whitewater controversy. In 1999 Stephanopoulos and James Carville were sued for defamation by Gennifer Flowers.", "In 1999 Stephanopoulos and James Carville were sued for defamation by Gennifer Flowers. Stephanopoulos had made comments about her allegations that she had an affair with Bill Clinton. He accused Flowers of doctoring her taped conversation with Clinton to make her story look creditable. Stephanopoulos also called her story \"tabloid trash\", \"garbage\", and \"crap\". The suit was dismissed since his comments were not the basis for defamation. Stephanopoulos resigned from the Clinton administration shortly after Clinton was re-elected in 1996.", "Stephanopoulos resigned from the Clinton administration shortly after Clinton was re-elected in 1996. His memoir, All Too Human: A Political Education (1999), was published after he left the White House during Clinton's second term. It quickly became a number-one bestseller on The New York Times Best Seller list. In the book, Stephanopoulos spoke of his depression and how his face broke out into hives due to the pressures of conveying the Clinton White House message.", "In the book, Stephanopoulos spoke of his depression and how his face broke out into hives due to the pressures of conveying the Clinton White House message. Clinton referred to the book in his autobiography, My Life, apologizing for what he felt in retrospect to be excessive demands placed on the young staffer. Stephanopoulos's book covers his time with Clinton from the day he met him in September 1991, to the day Stephanopoulos left the White House in December 1996, through two presidential campaigns and four years in the White House.", "Stephanopoulos's book covers his time with Clinton from the day he met him in September 1991, to the day Stephanopoulos left the White House in December 1996, through two presidential campaigns and four years in the White House. Stephanopoulos describes Clinton in the book as a \"complicated man responding to the pressures and pleasures of public life in ways I found both awesome and appalling\".", "Stephanopoulos describes Clinton in the book as a \"complicated man responding to the pressures and pleasures of public life in ways I found both awesome and appalling\". Journalism After leaving the White House at the end of Clinton's first term, Stephanopoulos became a political analyst for ABC News, and served as a correspondent on This Week, ABC's Sunday morning public affairs program; World News Tonight, the evening news broadcast; Good Morning America, the morning news program; along with other various special broadcasts.", "Journalism After leaving the White House at the end of Clinton's first term, Stephanopoulos became a political analyst for ABC News, and served as a correspondent on This Week, ABC's Sunday morning public affairs program; World News Tonight, the evening news broadcast; Good Morning America, the morning news program; along with other various special broadcasts. In September 2002, Stephanopoulos became host of This Week, and ABC News officially named him \"Chief Washington Correspondent\" in December 2005.", "In September 2002, Stephanopoulos became host of This Week, and ABC News officially named him \"Chief Washington Correspondent\" in December 2005. The program's title added the new host's name. When named to the position, Stephanopoulos was a relative newcomer to the show, usurping longtime panelists and short-term co-hosts Sam Donaldson and Cokie Roberts who, for a few years, briefly replaced the longtime original host, David Brinkley.", "When named to the position, Stephanopoulos was a relative newcomer to the show, usurping longtime panelists and short-term co-hosts Sam Donaldson and Cokie Roberts who, for a few years, briefly replaced the longtime original host, David Brinkley. ABC News executives reportedly offered Ted Koppel, former Nightline anchor, the This Week host job in 2005 after the program's ratings had become a regular third-, fourth-, and sometimes fifth-place finish after competitors NBC, CBS, Fox, and syndicated programs.", "ABC News executives reportedly offered Ted Koppel, former Nightline anchor, the This Week host job in 2005 after the program's ratings had become a regular third-, fourth-, and sometimes fifth-place finish after competitors NBC, CBS, Fox, and syndicated programs. However, This Week beat Meet the Press on January 11, 2009, when Stephanopoulos interviewed president-elect Barack Obama.", "However, This Week beat Meet the Press on January 11, 2009, when Stephanopoulos interviewed president-elect Barack Obama. On April 16, 2008, Stephanopoulos co-moderated, with Charles Gibson, the twenty-first, and ultimately final, Democratic Party presidential debate between Illinois Senator Barack Obama and New York Senator Hillary Clinton for the 2008 election cycle.", "On April 16, 2008, Stephanopoulos co-moderated, with Charles Gibson, the twenty-first, and ultimately final, Democratic Party presidential debate between Illinois Senator Barack Obama and New York Senator Hillary Clinton for the 2008 election cycle. While the debate received record ratings, the co-moderators were heavily criticized for focusing most of the first hour of the debate on controversies that occurred during the campaign rather than issues such as the economy and the Iraq War.", "While the debate received record ratings, the co-moderators were heavily criticized for focusing most of the first hour of the debate on controversies that occurred during the campaign rather than issues such as the economy and the Iraq War. Stephanopoulos acknowledged the legitimacy of the concerns over the order of the questions, but said they were issues in the campaign that had not been covered in previous debates.", "Stephanopoulos acknowledged the legitimacy of the concerns over the order of the questions, but said they were issues in the campaign that had not been covered in previous debates. ABC had sought out a woman who opposed Obama and aired a video of her asking a trivial question, repeated by Stephanopoulos, about why Obama wasn't wearing a flag pin. The question brought widespread criticism from the media. During the 2008 presidential election campaign, Stephanopoulos launched a blog George's Bottom Line on the ABC News website.", "During the 2008 presidential election campaign, Stephanopoulos launched a blog George's Bottom Line on the ABC News website. Stephanopoulos blogged about political news and analysis from Washington. In December 2009, ABC News president David Westin offered Stephanopoulos Diane Sawyer's job on Good Morning America after Sawyer was named anchor of World News. Stephanopoulos accepted the new position and began co-anchoring GMA on December 14, 2009. Stephanopoulos announced on January 10, 2010, that that would be his last broadcast as the permanent host of This Week.", "Stephanopoulos announced on January 10, 2010, that that would be his last broadcast as the permanent host of This Week. However, after his successor, Christiane Amanpour, left the show amid sagging ratings, it was announced that Stephanopoulos would return as host of This Week in December 2011. He signed a deal to stay with ABC until 2021 worth $105 million. On January 7, 2012, Stephanopoulos was the co-moderator of a debate among Mitt Romney, Ron Paul and Rick Santorum.", "On January 7, 2012, Stephanopoulos was the co-moderator of a debate among Mitt Romney, Ron Paul and Rick Santorum. During the debate, Stephanopoulos repeatedly asked Romney whether the former Massachusetts governor believes the U.S. Supreme Court should overturn a 1965 ruling that a constitutional right to privacy bars states from banning contraception. During the debate, Romney said it was a preposterous question.", "During the debate, Romney said it was a preposterous question. Following Diane Sawyer's departure from World News at the end of August 2014, Stephanopoulos was the Chief Anchor at ABC News 2014–2020 while retaining his roles on GMA and This Week. Stephanopoulos leads a new documentary unit for Disney's digital platforms and hosts four primetime hour-long specials on the ABC network annually. Speaking engagements In 2009, Stephanopoulos spoke at the annual Tri-C Presidential Scholarship Luncheon held at the Renaissance Cleveland Hotel and praised Cuyahoga Community College.", "Speaking engagements In 2009, Stephanopoulos spoke at the annual Tri-C Presidential Scholarship Luncheon held at the Renaissance Cleveland Hotel and praised Cuyahoga Community College. Controversies Real estate loan controversy In 1994, columnist Jack Anderson reported that Stephanopoulos signed an $835,000 commercial real estate deal consisting of a two-story apartment, including an eyewear retailer, with a below-market loan rate from a bank owned by Hugh McColl, who had been called by President Clinton \"the most enlightened banker in America\".", "Controversies Real estate loan controversy In 1994, columnist Jack Anderson reported that Stephanopoulos signed an $835,000 commercial real estate deal consisting of a two-story apartment, including an eyewear retailer, with a below-market loan rate from a bank owned by Hugh McColl, who had been called by President Clinton \"the most enlightened banker in America\". A NationsBank commercial loan officer said that this loan did \"not fit our product matrix\" as banks typically offer such loans for only those customers who have deep pockets and on a short-term adjustable rate basis.", "A NationsBank commercial loan officer said that this loan did \"not fit our product matrix\" as banks typically offer such loans for only those customers who have deep pockets and on a short-term adjustable rate basis. Stephanopoulos's real estate agent explained that \"nobody making $125,000 could qualify for the property without the commercial property (lease).\" One former senior bank regulator told Anderson, \"If his name were George Smith, and he didn't work in the White House, this loan wouldn't have gotten made.\"", "One former senior bank regulator told Anderson, \"If his name were George Smith, and he didn't work in the White House, this loan wouldn't have gotten made.\" Regarding the controversy, NationsBank stated, \"The loan described by Jack Anderson as a commercial loan to George Stephanopoulos was, in fact, a residential mortgage loan.", "Regarding the controversy, NationsBank stated, \"The loan described by Jack Anderson as a commercial loan to George Stephanopoulos was, in fact, a residential mortgage loan. At the time the loan commitment was made, Mr. Anderson (or his imaginary 'George Smith' who 'doesn't work in the White House') could have walked into any NationsBank Mortgage Company office in the D.C. area and received the same excellent rate and term for the same deal.\"", "At the time the loan commitment was made, Mr. Anderson (or his imaginary 'George Smith' who 'doesn't work in the White House') could have walked into any NationsBank Mortgage Company office in the D.C. area and received the same excellent rate and term for the same deal.\" However, Stephanopoulos's realtor states that he would not have qualified for the loan without the commercial property rent.", "However, Stephanopoulos's realtor states that he would not have qualified for the loan without the commercial property rent. One NationsBank source states that the issuance of a residential loan on mixed-use properties is such a rarity that it was not even addressed in the \"NationsBank Mortgage Corporation's Program Summary\" or its \"Credit Policy Manual\". A NationsBank underwriting memo revealed that one of the three restrictions for mixed-use properties is that \"the borrower must be the owner of the business entity\".", "A NationsBank underwriting memo revealed that one of the three restrictions for mixed-use properties is that \"the borrower must be the owner of the business entity\". The source claims that NationsBank told the listing agent that, \"We're not (interested in mixed-use properties), but we do have an appetite for this particular loan.\"", "The source claims that NationsBank told the listing agent that, \"We're not (interested in mixed-use properties), but we do have an appetite for this particular loan.\" NationsBank's primary regulator at the time was Comptroller of the Currency Eugene Ludwig, a Rhodes scholar who attended Yale Law School with President Clinton, and who had been asked to investigate NationsBank by Democratic congressmen Henry B. Gonzalez and John Dingell.", "NationsBank's primary regulator at the time was Comptroller of the Currency Eugene Ludwig, a Rhodes scholar who attended Yale Law School with President Clinton, and who had been asked to investigate NationsBank by Democratic congressmen Henry B. Gonzalez and John Dingell. Clinton Foundation charity donations and conflict of interest as a journalist Stephanopoulos donated $25,000 in 2012, 2013, and 2014, a total of $75,000, to the Clinton Foundation, but did not disclose the donations to ABC News, his employer, or to his viewers.", "Clinton Foundation charity donations and conflict of interest as a journalist Stephanopoulos donated $25,000 in 2012, 2013, and 2014, a total of $75,000, to the Clinton Foundation, but did not disclose the donations to ABC News, his employer, or to his viewers. Stephanopoulos failed to reveal the donations even on April 26, 2015, while interviewing Peter Schweizer, the author of Clinton Cash, a book which alleges that donations to the Foundation influenced some of Hillary Clinton's actions as Secretary of State.", "Stephanopoulos failed to reveal the donations even on April 26, 2015, while interviewing Peter Schweizer, the author of Clinton Cash, a book which alleges that donations to the Foundation influenced some of Hillary Clinton's actions as Secretary of State. After exposure of the donations by Politico on May 14, 2015, Stephanopoulos apologized and admitted he should have disclosed the donations to ABC News and its viewers. The story was broken by The Washington Free Beacon, which had questioned ABC News regarding the matter.", "The story was broken by The Washington Free Beacon, which had questioned ABC News regarding the matter. The donations had been reported by the Clinton Foundation, which Stephanopoulos had considered sufficient, a reliance ABC News characterized as \"an honest mistake.\" Based on Stephanopoulos's donations to The Clinton Foundation charity and his behavior during prior interviews and presidential debates, Republican party leaders and candidates expressed their distrust, and called for him to be banned from moderating 2016 Presidential debates, due to bias and conflict of interest.", "Based on Stephanopoulos's donations to The Clinton Foundation charity and his behavior during prior interviews and presidential debates, Republican party leaders and candidates expressed their distrust, and called for him to be banned from moderating 2016 Presidential debates, due to bias and conflict of interest. He agreed to drop out as a moderator of the scheduled February 2016 Republican presidential primary debate.", "He agreed to drop out as a moderator of the scheduled February 2016 Republican presidential primary debate. In the month prior to his revelation, Stephanopoulos told Jon Stewart on The Daily Show that when money is given to the Clinton Foundation \"everybody\" knows there's \"a hope that that's going to lead to something, and that's what you have to be careful of.\"", "In the month prior to his revelation, Stephanopoulos told Jon Stewart on The Daily Show that when money is given to the Clinton Foundation \"everybody\" knows there's \"a hope that that's going to lead to something, and that's what you have to be careful of.\" Jeffrey Epstein association In 2010, Stephanopoulos attended a dinner party at the home of convicted sex offender socialite Jeffrey Epstein alongside Chelsea Handler, Woody Allen, Katie Couric, Prince Andrew, Charlie Rose and Eva Andersson-Dubin.", "Jeffrey Epstein association In 2010, Stephanopoulos attended a dinner party at the home of convicted sex offender socialite Jeffrey Epstein alongside Chelsea Handler, Woody Allen, Katie Couric, Prince Andrew, Charlie Rose and Eva Andersson-Dubin. Following Epstein's arrest in July 2019, the party resurfaced online, with those attending receiving backlash, Stephanopoulos denied being friends with Epstein, with the party being the only encounter.", "Following Epstein's arrest in July 2019, the party resurfaced online, with those attending receiving backlash, Stephanopoulos denied being friends with Epstein, with the party being the only encounter. Stephanopoulos told The New York Times: \"That dinner was the first and last time I’ve seen him, I should have done more due diligence.", "Stephanopoulos told The New York Times: \"That dinner was the first and last time I’ve seen him, I should have done more due diligence. It was a mistake to go.” In popular culture In the fourth episode of the first season of the NBC television series Friends, entitled The One with George Stephanopoulos and originally aired 13 October, 1994, the girls spy on Stephanopoulos across the street, after they were delivered his pizza by accident.", "It was a mistake to go.” In popular culture In the fourth episode of the first season of the NBC television series Friends, entitled The One with George Stephanopoulos and originally aired 13 October, 1994, the girls spy on Stephanopoulos across the street, after they were delivered his pizza by accident. Stephanopoulos was the inspiration for the character of Henry Burton in Joe Klein's novel Primary Colors (1996). Burton was subsequently portrayed by Adrian Lester in the 1998 film adaptation. Michael J.", "Burton was subsequently portrayed by Adrian Lester in the 1998 film adaptation. Michael J. Michael J. Fox's character, Lewis Rothschild, in the film The American President (1995), written by Aaron Sorkin was modeled after Stephanopoulos. He was also used by Sorkin as the model for Rob Lowe's character, Sam Seaborn, on the television drama series The West Wing. According to Stephanopoulos, his role in the Clinton administration was more like Bradley Whitford's character Josh Lyman than Seaborn or Rothschild.", "According to Stephanopoulos, his role in the Clinton administration was more like Bradley Whitford's character Josh Lyman than Seaborn or Rothschild. Stephanopoulos returned to his alma mater, Columbia University, in 2003, serving as the keynote speaker at Columbia College's Class Day. In 2013, Stephanopoulos played himself in House of Cards and in 2014 he played himself in an episode of Agents of S.H.I.E.L.D.. In September 2016, Stephanopoulos was featured on a €1 (1 euro) Greek postage stamp, along with other notable Greek-Americans.", "In September 2016, Stephanopoulos was featured on a €1 (1 euro) Greek postage stamp, along with other notable Greek-Americans. In 2021, Stephanopoulos was portrayed by George H. Xanthis in Impeachment: American Crime Story; the third season of the FX true-crime anthology television series American Crime Story. Personal life Stephanopoulos is a Greek Orthodox Christian and has earned a master's degree in theology.", "Personal life Stephanopoulos is a Greek Orthodox Christian and has earned a master's degree in theology. In 1995, as he was pulling out of a parking space in front of a restaurant in the Georgetown neighborhood of Washington, D.C., he had a collision with a parked vehicle. Stephanopoulos was arrested and charged with leaving the scene of an accident and driving with an expired license and license plates. The charge of leaving the scene of an accident was subsequently dropped.", "The charge of leaving the scene of an accident was subsequently dropped. Stephanopoulos married Ali Wentworth, an actress, comedian, and writer, in 2001 at the Archdiocesan Cathedral of the Holy Trinity on New York's Upper East Side. They have two daughters, one born in 2002 and one born in 2005. Stephanopoulos was introduced to transcendental meditation by Jerry Seinfeld. Conducting an interview on Good Morning America, he said, \"We’re all here because we all have something in common—we all practice Transcendental Meditation.", "Conducting an interview on Good Morning America, he said, \"We’re all here because we all have something in common—we all practice Transcendental Meditation. … I think that people don’t really understand exactly what it is and what a difference it has made in people’s lives.\" Wentworth posted on Instagram April 1, 2020, that she was struggling with COVID-19 while self-quarantining in their New York home. Stephanopoulos announced on April 13, 2020, that he had tested positive for COVID-19 but was asymptomatic.", "Stephanopoulos announced on April 13, 2020, that he had tested positive for COVID-19 but was asymptomatic. Honors In May 2007, Stephanopoulos received an Honorary Doctor of Laws from St. John's University in New York City. See also List of Balliol College people List of Columbia University alumni List of Eastern Orthodox Christians List of Greek Americans List of people from Cleveland List of people from Massachusetts List of people from New York City List of people from Washington, D.C.", "See also List of Balliol College people List of Columbia University alumni List of Eastern Orthodox Christians List of Greek Americans List of people from Cleveland List of people from Massachusetts List of people from New York City List of people from Washington, D.C. List of Rhodes Scholars List of television reporters List of talk show hosts Lists of American writers New Yorkers in journalism References Citations Sources External links abcnews.com/thisweek, This Week with George Stephanopoulos official website Membership at the Council on Foreign Relations |- |- |- |- 1961 births 20th-century American journalists American male journalists 20th-century American writers 21st-century American journalists 21st-century American writers ABC News personalities Alumni of Balliol College, Oxford American bloggers American memoirists American political consultants American Rhodes Scholars American television news anchors American television reporters and correspondents American television talk show hosts American people of Greek descent American writers of Greek descent Clinton administration personnel Columbia College (New York) alumni Journalists from New York City Journalists from Washington, D.C. Greek Orthodox Christians from the United States Living people Massachusetts Democrats Members of the Council on Foreign Relations Television personalities from Cleveland People from Fall River, Massachusetts People from Purchase, New York Senior Advisors to the President of the United States Washington, D.C. Democrats White House Communications Directors Writers from Massachusetts Writers from New York City Writers from Cleveland Liberalism in the United States" ]

[ "Muse (band)", "2003-05: Absolution", "What album number was this for Muse?", "Muse's third album, Absolution, produced by Rich Costey, Paul Reeve and John Cornfield was released in September 2003." ]

[ "was a stable of sumo wrestlers, one of the Nishonoseki ichimon or group of stables. As of September 2010 it had eight active wrestlers.\n\nThe stable was established in 1981 by former ōzeki Kaiketsu Masateru, as a breakaway from Hanakago stable. Among the wrestlers who went with him was Ōnokuni, who reached the top makuuchi division in 1983. In 1985 its parent stable folded and it took in the remaining Hanakago wrestlers, including future makuuchi Hananoumi and Hananokuni. Ōnokuni became the 62nd yokozuna in 1987. The stable had less success in later years, and did not have a sekitori ranked wrestler after the retirement of Shunketsu in 2008.\n\nIn August 2010, Hanaregoma became the head of the Japan Sumo Association, a position he held until 2012.\n\nOn 7 February 2013, due to Hanaregoma′s imminent mandatory retirement, the stable was absorbed into Ōnokuni′s Shibatayama stable, which had branched off from its parent in 1999.\n\nOwner\n1981-2013: 19th Hanaregoma (former ōzeki Kaiketsu Masateru)\n\nNotable wrestlers\nŌnokuni – best rank yokozuna\nHananoumi – best rank komusubi\nHananokuni – best rank maegashira 1\nMisugiiso - best rank maegashira 2\nShunketsu – best rank maegashira 12\nKomafudō - best rank maegashira 13\nHidenohana – best rank jūryō\nMaeta - best rank makushita\n\nReferees\nTamamitsu Kimura (real name Nobuhide Ueda) - san'yaku referee\nKichijiro Kimura (Masahiro Nishino) - makushita referee\n\nUsher\nKatsuyuki (Katsuyuki Koyama) - san'yaku usher\n\nSee also \nList of sumo stables\n\nReferences\n\nDefunct sumo stables", "How Did You Know is an extended play (EP) by Jamaican electronic dance musician Kurtis Mantronik. The EP was released in 2003 on the Southern Fried Records label, and features British singer Mim on vocals. \"How Did You Know (77 Strings)\" was released as a single from the EP, reaching number 16 on the UK Singles Chart and number three in Romania. The title track peaked atop the US Billboard Hot Dance Club Play chart in May 2004.\n\nTrack listing\n \"How Did You Know (Radio Edit)\" (Kurtis Mantronik, Miriam Grey - vocals) – 3:33 \n \"How Did You Know (Original Vocal)\" (Mantronik, Grey - vocals) – 6:35 \n \"How Did You Know (Tony Senghore Vocal)\" (Mantronik, Grey - vocals, Tony Senghore - remix) – 6:31 \n \"77 Strings (Original Instrumental)\" (Mantronik) – 7:57\n\nCharts\nThe following chart entries are for \"How Did You Know (77 Strings)\".\n\nWeekly charts\n\nYear-end charts\n\nRelease history\n\nReferences\n\nExternal links\n \n\n2003 EPs\n2003 singles\nAlbums produced by Kurtis Mantronik\nSouthern Fried Records albums" ]

[ "Muse are an English rock band from Teignmouth, Devon, formed in 1994. The band consists of Matt Bellamy (lead vocals, guitar, keyboards), Chris Wolstenholme (bass guitar, backing vocals), and Dominic Howard (drums). Muse released their debut album, Showbiz, in 1999, showcasing Bellamy's falsetto and a melancholic alternative rock style. Their second album, Origin of Symmetry (2001), incorporated wider instrumentation and romantic classical influences and earned them a reputation for energetic live performances.", "Their second album, Origin of Symmetry (2001), incorporated wider instrumentation and romantic classical influences and earned them a reputation for energetic live performances. Absolution (2003) saw further classical influence, with strings on tracks such as \"Butterflies and Hurricanes\", and was the first of six consecutive UK number-one albums. Black Holes and Revelations (2006) incorporated electronic and pop elements, displayed in singles such as \"Supermassive Black Hole\", and brought Muse wider international success.", "Black Holes and Revelations (2006) incorporated electronic and pop elements, displayed in singles such as \"Supermassive Black Hole\", and brought Muse wider international success. The Resistance (2009) and The 2nd Law (2012) explored themes of government oppression and civil uprising and cemented Muse as one of the world's major stadium acts. Rolling Stone stated the band possessed \"stadium-crushing songs\".", "Rolling Stone stated the band possessed \"stadium-crushing songs\". Topping the US Billboard 200, their seventh album, Drones (2015), was a concept album about drone warfare and returned to a harder rock sound. Their eighth album, Simulation Theory (2018), prominently featured synthesisers and was influenced by science fiction and the simulation hypothesis. Muse have won numerous awards, including two Grammy Awards, two Brit Awards, five MTV Europe Music Awards and eight NME Awards.", "Muse have won numerous awards, including two Grammy Awards, two Brit Awards, five MTV Europe Music Awards and eight NME Awards. In 2012 they received the Ivor Novello Award for International Achievement from the British Academy of Songwriters, Composers and Authors. , they have sold over 30 million albums worldwide. History Early years (1994–1997) The members of Muse played in separate school bands during their time at Teignmouth Community College in the early 1990s.", "History Early years (1994–1997) The members of Muse played in separate school bands during their time at Teignmouth Community College in the early 1990s. Guitarist Matt Bellamy successfully auditioned for drummer Dominic Howard's band, Carnage Mayhem, becoming its singer and songwriter. They renamed the band Gothic Plague. They asked Chris Wolstenholme – at that time the drummer for Fixed Penalty – to join as bassist; he agreed and took up bass lessons. The band was renamed Rocket Baby Dolls and adopted a goth-glam image.", "The band was renamed Rocket Baby Dolls and adopted a goth-glam image. Around this time, they received a £150 grant from the Prince's Trust for equipment. In 1994, Rocket Baby Dolls won a local battle of the bands, smashing their equipment in the process. Bellamy said, \"It was supposed to be a protest, a statement, so, when we actually won, it was a real shock, a massive shock. After that, we started taking ourselves seriously.\"", "After that, we started taking ourselves seriously.\" After that, we started taking ourselves seriously.\" The band quit their jobs, changed their name to Muse, and moved away from Teignmouth. The band liked that the new name was short and thought that it looked good on a poster. According to journalist Mark Beaumont, the band wanted the name to reflect \"the sense Matt had that he had somehow 'summoned up' this band, the way mediums could summon up inspirational spirits at times of emotional need\".", "According to journalist Mark Beaumont, the band wanted the name to reflect \"the sense Matt had that he had somehow 'summoned up' this band, the way mediums could summon up inspirational spirits at times of emotional need\". First EPs and Showbiz (1998–2000) After a few years building a fanbase, Muse played their first gigs in London and Manchester supporting Skunk Anansie on tour. They had a significant meeting with Dennis Smith, the owner of Sawmills Studio, situated in a converted water mill in Cornwall.", "They had a significant meeting with Dennis Smith, the owner of Sawmills Studio, situated in a converted water mill in Cornwall. He had seen the three boys grow up as he knew their parents, and had a production company with their future manager Safta Jaffery, with whom he had recently started the record label Taste Media. The meeting led to their first serious recordings and the release of the Muse EP on 11 May 1998 on Sawmills' in-house Dangerous label, produced by Paul Reeve.", "The meeting led to their first serious recordings and the release of the Muse EP on 11 May 1998 on Sawmills' in-house Dangerous label, produced by Paul Reeve. Their second EP, the Muscle Museum EP, also produced by Reeve, was released on 11 January 1999. It reached number 3 in the indie singles chart and attracted the attention of British radio broadcaster Steve Lamacq and the weekly British music publication NME.", "It reached number 3 in the indie singles chart and attracted the attention of British radio broadcaster Steve Lamacq and the weekly British music publication NME. Later in 1999, Muse performed on the Emerging Artist's stage at Woodstock '99 and signed with Smith and Jaffery. Despite the success of their second EP, British record companies were reluctant to sign Muse.", "Despite the success of their second EP, British record companies were reluctant to sign Muse. After a trip to New York's CMJ Festival, Nanci Walker, then Sr. Director of A&R at Columbia Records, flew Muse to the US to showcase for Columbia Records' then-Senior Vice-President of A&R, Tim Devine, as well as for American Recording's Rick Rubin. During this trip, on 24 December 1998, Muse signed a deal with American record label Maverick Records.", "During this trip, on 24 December 1998, Muse signed a deal with American record label Maverick Records. Upon their return to England, Taste Media arranged deals for Muse with various record labels in Europe and Australia, allowing them control over their career in individual countries. John Leckie was brought in alongside Reeve to produce the band's first album, Showbiz (1999). The album showcased Muse's aggressive yet melancholic musical style, with lyrics about relationships and their difficulties trying to establish themselves in their hometown.", "The album showcased Muse's aggressive yet melancholic musical style, with lyrics about relationships and their difficulties trying to establish themselves in their hometown. Origin of Symmetry and Hullabaloo (2000–2002) During the production of their second album, Origin of Symmetry (2001), Muse experimented with instrumentation such as a church organ, Mellotron, animal bones, and an expanded drum kit. There was more of Bellamy's falsetto, arpeggiated guitar, and piano playing.", "There was more of Bellamy's falsetto, arpeggiated guitar, and piano playing. Bellamy cites guitar influences such as Jimi Hendrix and Tom Morello (of Rage Against the Machine), the latter evident in the more riff-based songs in Origin of Symmetry and in Bellamy's use of guitar pitch-shifting effects. The album features a cover of Anthony Newley and Leslie Bricusse's \"Feeling Good\", voted in various polls one of the greatest cover versions of all time.", "The album features a cover of Anthony Newley and Leslie Bricusse's \"Feeling Good\", voted in various polls one of the greatest cover versions of all time. It was released as a double A-side single, \"Hyper Music/Feeling Good\".", "It was released as a double A-side single, \"Hyper Music/Feeling Good\". Origin of Symmetry received positive reviews by critics; NME gave the album 9/10 and wrote: \"It's amazing for such a young band to load up with a heritage that includes the darker visions of Cobain and Kafka, Mahler and The Tiger Lillies, Cronenberg and Schoenberg, and make a sexy, populist album.\"", "Origin of Symmetry received positive reviews by critics; NME gave the album 9/10 and wrote: \"It's amazing for such a young band to load up with a heritage that includes the darker visions of Cobain and Kafka, Mahler and The Tiger Lillies, Cronenberg and Schoenberg, and make a sexy, populist album.\" Maverick, Muse's American label, did not consider Bellamy's vocals \"radio-friendly\" and asked Muse to rerecord the song for the US release.", "Maverick, Muse's American label, did not consider Bellamy's vocals \"radio-friendly\" and asked Muse to rerecord the song for the US release. The band refused and left Maverick; the album was not released in the US until September 2005, after Muse signed to Warner Bros. Origin of Symmetry has made appearances on lists of the greatest rock albums of the 2000s, both poll-based and on publication lists.", "Origin of Symmetry has made appearances on lists of the greatest rock albums of the 2000s, both poll-based and on publication lists. In 2006, it placed at number 74 on Q magazine's list of the 100 Greatest Albums of All-Time, while in February 2008, the album placed at number 28 on a list of the Best British Albums of All Time determined by the magazine's readers. Kerrang! placed the album at number 20 in its 100 Best British Rock Albums Ever!", "placed the album at number 20 in its 100 Best British Rock Albums Ever! List and at number 13 on its 50 Best Albums of the 21st Century list. Acclaimed Music ranks Origin of Symmetry as the 1,247th greatest album of all time. In 2002, Muse released the first live DVD, Hullabaloo, featuring footage recorded during Muse's two gigs at Le Zenith in Paris in 2001, and a documentary film of the band on tour.", "In 2002, Muse released the first live DVD, Hullabaloo, featuring footage recorded during Muse's two gigs at Le Zenith in Paris in 2001, and a documentary film of the band on tour. A double album, Hullabaloo Soundtrack, was released at the same time, containing a compilation of B-sides and a disc of recordings of songs from the Le Zenith performances. A double-A side single was also released featuring the new songs \"In Your World\" and \"Dead Star\".", "A double-A side single was also released featuring the new songs \"In Your World\" and \"Dead Star\". In 2002, Muse threatened Celine Dion with legal action when she planned to name her Las Vegas show \"Muse\", as Muse have worldwide performing rights to the name. Dion offered Muse $50,000 for the rights, but they turned it down and Dion backed down. Bellamy said: \"We don't want to turn up there with people thinking we're Celine Dion's backing band.\"", "Bellamy said: \"We don't want to turn up there with people thinking we're Celine Dion's backing band.\" Absolution (2003–2005) Muse's third album, Absolution, produced by Rich Costey, Paul Reeve and John Cornfield was released on 15 September 2003. It debuted at number one in the UK and produced Muse's first top-ten hit, \"Time Is Running Out\", and three top-twenty hits: \"Hysteria\", \"Sing for Absolution\" and \"Butterflies and Hurricanes\".", "It debuted at number one in the UK and produced Muse's first top-ten hit, \"Time Is Running Out\", and three top-twenty hits: \"Hysteria\", \"Sing for Absolution\" and \"Butterflies and Hurricanes\". Absolution was eventually certified gold in the US. Muse undertook a year-long international tour in support of the album, visiting Australia, New Zealand, the United States, Canada, and France.", "Muse undertook a year-long international tour in support of the album, visiting Australia, New Zealand, the United States, Canada, and France. On the 2004 US leg of the tour, Bellamy injured himself onstage during the opening show in Atlanta; the tour resumed after Bellamy received stitches. In June 2004, Muse headlined the Glastonbury Festival, which they later described as \"the best gig of our lives\".", "In June 2004, Muse headlined the Glastonbury Festival, which they later described as \"the best gig of our lives\". Howard's father, William Howard, who attended the festival to watch the band, died from a heart attack shortly after the performance. Bellamy said: \"It was the biggest feeling of achievement we've ever had after coming offstage. It was almost surreal that an hour later his dad died. It was almost not believable.", "It was almost not believable. It was almost not believable. We spent about a week sort of just with Dom trying to support him. I think he was happy that at least his dad got to see him at probably what was the finest moment so far of the band's life.\" Muse won two MTV Europe awards, including \"Best Alternative Act\", and a Q Award for \"Best Live Act\", and received an award for \"Best British Live Act\" at the Brit Awards.", "Muse won two MTV Europe awards, including \"Best Alternative Act\", and a Q Award for \"Best Live Act\", and received an award for \"Best British Live Act\" at the Brit Awards. On 2 July 2005, they participated in the Live 8 concert in Paris. In 2003, the band successfully sued Nestlé for using their cover \"Feeling Good\" for a Nescafé advertisement without permission and donated the money won from the lawsuit to Oxfam.", "In 2003, the band successfully sued Nestlé for using their cover \"Feeling Good\" for a Nescafé advertisement without permission and donated the money won from the lawsuit to Oxfam. An unofficial DVD biography, Manic Depression, was released in April 2005. Muse released another live DVD on 12 December 2005, Absolution Tour, containing edited and remastered highlights from their Glastonbury performance unseen footage from their performances at London Earls Court, Wembley Arena, and the Wiltern Theatre in Los Angeles.", "Muse released another live DVD on 12 December 2005, Absolution Tour, containing edited and remastered highlights from their Glastonbury performance unseen footage from their performances at London Earls Court, Wembley Arena, and the Wiltern Theatre in Los Angeles. During the 2004 Absolution tour, Bellamy smashed 140 guitars, a world record for the most guitars smashed in a tour. Black Holes and Revelations and HAARP (2006–2008) In 2006, Muse released their fourth album, Black Holes and Revelations, co-produced once again with Rich Costey.", "Black Holes and Revelations and HAARP (2006–2008) In 2006, Muse released their fourth album, Black Holes and Revelations, co-produced once again with Rich Costey. The album's title and themes reflect the band's interest in science fiction. The album charted at number one in the UK, much of Europe, and Australia. In the US, it reached number nine on the Billboard 200.", "In the US, it reached number nine on the Billboard 200. Before the release of the new album, Muse made several promotional TV appearances starting on 13 May 2006 at BBC Radio 1's Big Weekend. The Black Holes and Revelations Tour started before the release of their album and initially consisted mostly of festival appearances, including a headline slot at the Reading and Leeds Festivals in August 2006. The band's main touring itinerary started with a tour of North America from late July to early August 2006.", "The band's main touring itinerary started with a tour of North America from late July to early August 2006. After the last of the summer festivals, a tour of Europe began, including a large arena tour of the UK. Black Holes and Revelations was nominated for the 2006 Mercury Music Prize, but lost to Arctic Monkeys. It earned a Platinum Europe Award after selling one million copies in Europe. The first single from the album, \"Supermassive Black Hole\", was released as a download in May 2006.", "The first single from the album, \"Supermassive Black Hole\", was released as a download in May 2006. In August 2006, Muse recorded a live session at Abbey Road Studios for the Live from Abbey Road television show. The second single, \"Starlight\", was released in September 2006. \"Knights of Cydonia\" was released in the US as a radio-only single in June 2006 and in the UK in November 2006. The fourth single, \"Invincible\", was released in April 2007.", "The fourth single, \"Invincible\", was released in April 2007. Another single, \"Map of the Problematique\", was released for download only in June 2007, following the band's performance at Wembley Stadium. Muse spent November and much of December 2006 touring Europe with British band Noisettes as the supporting act. The tour continued in Australia, New Zealand, and Southeast Asia in early 2007 before returning to England for the summer.", "The tour continued in Australia, New Zealand, and Southeast Asia in early 2007 before returning to England for the summer. At the 2007 Brit Awards in February, Muse received their second award for Best British Live Act. They performed two gigs at the newly rebuilt Wembley Stadium on 16 and 17 June 2007, where they became the first band to sell out the venue. Both concerts were recorded for a DVD/CD, HAARP, released in early 2008. It was named the 40th greatest live album of all time by NME.", "It was named the 40th greatest live album of all time by NME. The tour continued across Europe in July 2007 before returning to the US in August, where Muse played to a sold-out crowd at Madison Square Garden, New York City. They headlined the second night of the Austin City Limits Music Festival on 15 September 2007, and performed at the October 2007 Vegoose in Las Vegas with bands including Rage Against the Machine, Daft Punk and Queens of the Stone Age.", "They headlined the second night of the Austin City Limits Music Festival on 15 September 2007, and performed at the October 2007 Vegoose in Las Vegas with bands including Rage Against the Machine, Daft Punk and Queens of the Stone Age. Muse continued touring in Eastern Europe, Russia, Scandinavia, Australia, and New Zealand in 2007 before going to South Africa, Portugal, Mexico, Argentina, Chile, Colombia, Brazil, Ireland, and the UK in 2008.", "Muse continued touring in Eastern Europe, Russia, Scandinavia, Australia, and New Zealand in 2007 before going to South Africa, Portugal, Mexico, Argentina, Chile, Colombia, Brazil, Ireland, and the UK in 2008. On 12 April, they played a one-off concert at the Royal Albert Hall, London in aid of the Teenage Cancer Trust. Muse performed at Rock in Rio Lisboa on 6 June 2008, alongside bands including Kaiser Chiefs, The Offspring and Linkin Park.", "Muse performed at Rock in Rio Lisboa on 6 June 2008, alongside bands including Kaiser Chiefs, The Offspring and Linkin Park. They also performed in Marlay Park, Dublin, on 13 August. A few days later, Muse headlined the 2008 V Festival, playing in Chelmsford on Saturday 16 August and Staffordshire on Sunday 17 August. On 25 September 2008, Bellamy, Howard and Wolstenholme all received an Honorary Doctorate of Arts from the University of Plymouth for their contributions to music.", "On 25 September 2008, Bellamy, Howard and Wolstenholme all received an Honorary Doctorate of Arts from the University of Plymouth for their contributions to music. The Resistance (2009–2011) During the recording of Muse's fifth studio album The Resistance, Wolstenholme checked into rehab to deal with his alcoholism, which was threatening the band's future. Howard said: \"I've always believed in band integrity and sticking together. There's something about the fact we all grew up together.", "There's something about the fact we all grew up together. We've been together for 18 years now, which is over half our lives.\" The Resistance was released in September 2009, the first album produced by Muse, with engineering by Adrian Bushby and mixing by Mark Stent. It topped album charts in 19 countries, became the band's third number one album in the UK, and reached number three on the Billboard 200.", "It topped album charts in 19 countries, became the band's third number one album in the UK, and reached number three on the Billboard 200. Reviews were mostly positive, with praise for its ambition, classical influences and the three-part \"Exogenesis: Symphony\". The Resistance beat its predecessor Black Holes and Revelations in album sales in its debut week in the UK with approximately 148,000 copies sold. The first single, \"Uprising\", was released seven days earlier.", "The first single, \"Uprising\", was released seven days earlier. On 13 September, Muse performed \"Uprising\" at the 2009 MTV Video Music Awards in New York City. The Resistance Tour began with A Seaside Rendezvous in Muse's hometown of Teignmouth, Devon, in September 2009. It included headline slots the following year at festivals including Coachella, Glastonbury, Oxegen, Hovefestivalen, T in the Park, Austin City Limits and the Australian Big Day Out. Between September and November, Muse toured North America.", "Between September and November, Muse toured North America. Between September and November, Muse toured North America. Muse provided the lead single for the film The Twilight Saga: Eclipse, \"Neutron Star Collision (Love Is Forever)\", released on 17 May 2010. In June, Muse headlined Glastonbury Festival for the second time; after U2 canceled their headline slot following singer Bono's back injury, U2 guitarist the Edge joined Muse to play the U2 track \"Where the Streets Have No Name\".", "In June, Muse headlined Glastonbury Festival for the second time; after U2 canceled their headline slot following singer Bono's back injury, U2 guitarist the Edge joined Muse to play the U2 track \"Where the Streets Have No Name\". For their live performances, Muse received the O2 Silver Clef Award in London on 2 July 2010, presented by Roger Taylor and Brian May of Queen; Taylor described the trio as \"probably the greatest live act in the world today\".", "For their live performances, Muse received the O2 Silver Clef Award in London on 2 July 2010, presented by Roger Taylor and Brian May of Queen; Taylor described the trio as \"probably the greatest live act in the world today\". On 12 September 2010, Muse won an MTV Video Music Award in the category of Best Special Effects, for the \"Uprising\" video. On 21 November, Muse took home an American Music Award for Favorite Artist in the Alternative Rock Music Category.", "On 21 November, Muse took home an American Music Award for Favorite Artist in the Alternative Rock Music Category. On 2 December, Muse were nominated for three awards for the 53rd Grammy Awards on 13 February 2011, for which they won the Grammy Award for Best Rock Album for The Resistance.", "On 2 December, Muse were nominated for three awards for the 53rd Grammy Awards on 13 February 2011, for which they won the Grammy Award for Best Rock Album for The Resistance. Based on having the largest airplay and sales in the US, Muse were named the Billboard Alternative Songs and Rock Songs artist for 2010 with \"Uprising\", \"Resistance\" and \"Undisclosed Desires\" achieving 1st, 6th and 49th on the year end Alternative Song chart respectively.", "Based on having the largest airplay and sales in the US, Muse were named the Billboard Alternative Songs and Rock Songs artist for 2010 with \"Uprising\", \"Resistance\" and \"Undisclosed Desires\" achieving 1st, 6th and 49th on the year end Alternative Song chart respectively. On 30 July 2011, Muse supported Rage Against the Machine at their only 2011 gig at the L.A. Rising festival. On 13 August, Muse headlined the Outside Lands Music and Arts Festival in San Francisco.", "On 13 August, Muse headlined the Outside Lands Music and Arts Festival in San Francisco. Muse headlined the Reading and Leeds Festivals in August 2011. To celebrate the tenth anniversary of their second studio album Origin of Symmetry (2001), the band performed all eleven tracks. Muse also headlined Lollapalooza in Chicago's Grant Park in August 2011.", "Muse also headlined Lollapalooza in Chicago's Grant Park in August 2011. The 2nd Law and Live at Rome Olympic Stadium (2012–2013) In an April 2012 interview, Bellamy said Muse's next album would include influences from acts such as French house duo Justice and UK electronic rock group Does It Offend You, Yeah?. On 6 June 2012, Muse released a trailer for their next album, The 2nd Law, with a countdown on the band's website.", "On 6 June 2012, Muse released a trailer for their next album, The 2nd Law, with a countdown on the band's website. The trailer, which included dubstep elements, was met with mixed reactions. On 7 June, Muse announced a European Arena tour, the first leg of The 2nd Law Tour. The leg included dates in France, Spain and the UK.", "The leg included dates in France, Spain and the UK. The first single from the album, \"Survival\", was the official song of the London 2012 Summer Olympics, and Muse performed it at the Olympics closing ceremony. Muse revealed the 2nd Law tracklist on 13 July 2012. The second single, \"Madness\", was released on 20 August 2012, with a music video on 5 September. Muse played at the Roundhouse on 30 September as part of the iTunes Festival.", "Muse played at the Roundhouse on 30 September as part of the iTunes Festival. The 2nd Law was released worldwide on 1 October, and on 2 October 2012 in the US; it reached number one in the UK Albums Chart, and number two on the US Billboard 200. The song \"Madness\" earned a nomination in the Best Rock Song category and the album itself was nominated for the Best Rock Album at the 55th Grammy Awards, 2013.", "The song \"Madness\" earned a nomination in the Best Rock Song category and the album itself was nominated for the Best Rock Album at the 55th Grammy Awards, 2013. The band performed the album's opening song, \"Supremacy\", with an orchestra at the 2013 Brit Awards on 20 February 2013. The album was a nominee for Best Rock Album at the 2013 Grammy Awards. The song \"Madness\" was also nominated for Best Rock Song.", "The song \"Madness\" was also nominated for Best Rock Song. The album listed at number 46 on Rolling Stones list of the top 50 albums of 2012, saying \"In an era of diminished expectations, Muse make stadium-crushing songs that mix the legacies of Queen, King Crimson, Led Zeppelin and Radiohead while making almost every other current band seem tiny.\" Muse released their fourth live album, Live at Rome Olympic Stadium, on 29 November 2013 on CD/DVD and CD/Blu-ray formats.", "Muse released their fourth live album, Live at Rome Olympic Stadium, on 29 November 2013 on CD/DVD and CD/Blu-ray formats. In November 2013, the film had theatrical screenings in 20 cities worldwide. The album contains the band's performance at Rome's Stadio Olimpico on 6 July 2013, in front of over 60,000 people; it was the first concert filmed in 4K format. The concert was a part of the Unsustainable Tour, Muse's mid-2013 tour of Europe.", "The concert was a part of the Unsustainable Tour, Muse's mid-2013 tour of Europe. Drones (2014–2016) Muse began writing their seventh album soon after the Rome concert. The band felt that the electronic side of their music was becoming too dominant, and wanted to return to a simpler rock sound. After self-producing their previous two albums, the band hired producer Robert John \"Mutt\" Lange so they could focus on performance and spend less time mixing and reviewing takes.", "After self-producing their previous two albums, the band hired producer Robert John \"Mutt\" Lange so they could focus on performance and spend less time mixing and reviewing takes. Recording took place in the Vancouver Warehouse Studio from October 2014 to April 2015. Muse announced their seventh album, Drones, on 11 March 2015. The following day, they released a lyric video for \"Psycho\" on their YouTube channel, and made the song available for instant download with the album pre-order.", "The following day, they released a lyric video for \"Psycho\" on their YouTube channel, and made the song available for instant download with the album pre-order. Another single, \"Dead Inside\", was released on 23 March. From 15 March to 16 May, Muse embarked on a short tour in small venues throughout the UK and the US, the Psycho Tour. Live performances of new songs from these concerts are included on the DVD accompanying the album along with bonus studio footage.", "Live performances of new songs from these concerts are included on the DVD accompanying the album along with bonus studio footage. On 18 May 2015, Muse released a lyric video for \"Mercy\" on their YouTube channel, and made the song available for instant download with the album pre-order. Drones was released on 8 June 2015. A concept album about the dehumanisation of modern warfare, it returned to a simpler rock sound with less elaborate production and genre experimentation.", "A concept album about the dehumanisation of modern warfare, it returned to a simpler rock sound with less elaborate production and genre experimentation. It topped the album charts in the UK, the US, Australia and most major markets. Muse headlined Lollapalooza Berlin on 13 September 2015. On 15 February 2016, Drones won the Grammy Award for Best Rock Album at the 58th Grammy Awards.", "On 15 February 2016, Drones won the Grammy Award for Best Rock Album at the 58th Grammy Awards. On 24 June, Muse headlined the Glastonbury Festival for a third time, becoming the first act to have headlined each day of the festival (Friday, Saturday and Sunday). On 30 November 2016, Muse were announced to headline Reading and Leeds 2017. Simulation Theory and reissues (2017–2021) In 2017, Muse toured North America supported by Thirty Seconds to Mars and PVRIS.", "Simulation Theory and reissues (2017–2021) In 2017, Muse toured North America supported by Thirty Seconds to Mars and PVRIS. Howard confirmed in February that the band were back in the studio. On 18 May, Muse released \"Dig Down\", the first single from their eighth album. In November, they performed at the BlizzCon festival. \"Thought Contagion\", the second single, was released on 15 February 2018, accompanied by an 1980s-styled music video. In June, Muse opened the Rock In Rio festival.", "In June, Muse opened the Rock In Rio festival. On 24 February, they played a one-off show at La Cigale in France with a setlist voted for fans online. A concert video, Muse: Drones World Tour, was released in cinemas worldwide on 12 July 2018. On 19 July 2018, Muse released the third single from their upcoming album, \"Something Human\". On 30 August 2018, they announced their eighth studio album, Simulation Theory, to be released on 9 November.", "On 30 August 2018, they announced their eighth studio album, Simulation Theory, to be released on 9 November. The announcement was accompanied by another single and video, \"The Dark Side\". The fifth single, \"Pressure\", was released on 27 September. The Simulation Theory world tour began in Houston on 3 February 2019 and concluded on 15 October in Lima. A film based on the album and tour, Muse – Simulation Theory, combining concert footage and narrative scenes, was released in August 2020.", "A film based on the album and tour, Muse – Simulation Theory, combining concert footage and narrative scenes, was released in August 2020. In December 2019, Muse released Origin of Muse, a box set comprising remastered versions of Showbiz and Origin of Symmetry plus previously unreleased material. For the 20th anniversary of Origin of Symmetry in June 2021, Muse released a remixed and remastered version, Origin of Symmetry: XX Anniversary RemiXX.", "For the 20th anniversary of Origin of Symmetry in June 2021, Muse released a remixed and remastered version, Origin of Symmetry: XX Anniversary RemiXX. Upcoming ninth album (2022–present) On 13 January 2022, Muse released a new single, titled \"Won't Stand Down\", which marked a return to the band's heavier early sound. Musical style Described as an alternative rock, progressive rock, space rock, hard rock, art rock, electronic rock, progressive metal, and pop.", "Musical style Described as an alternative rock, progressive rock, space rock, hard rock, art rock, electronic rock, progressive metal, and pop. Muse mix sounds from genres such as electronica, R&B, progressive metal, and art rock, and forms such as classical music, rock opera and many others. In 2002, Bellamy described Muse as a \"trashy three-piece\".", "In 2002, Bellamy described Muse as a \"trashy three-piece\". In 2005, Pitchfork described Muse's music as \"firmly ol' skool at heart: proggy hard rock that forgoes any pretensions to restraint ... their songs use full-stacked guitars and thunderous drums to evoke God's footsteps\". AllMusic described their sound as a \"fusion of progressive rock, glam, electronica, and Radiohead-influenced experimentation\".", "AllMusic described their sound as a \"fusion of progressive rock, glam, electronica, and Radiohead-influenced experimentation\". On the band's association with progressive rock, Howard said: \"I associate it [progressive rock] with 10-minute guitar solos, but I guess we kind of come into the category. A lot of bands are quite ambitious with their music, mixing lots of different styles – and when I see that I think it's great. I've noticed that kind of thing becoming a bit more mainstream.\"", "I've noticed that kind of thing becoming a bit more mainstream.\" For their second album, Origin of Symmetry (2001), Muse wanted to craft a more aggressive sound. In 2000, Wolstenholme said: \"Looking back, there isn't much difference sonically between the mellow stuff and the heavier tracks [on Showbiz]. The heavy stuff really could have been a lot heavier and that's what we want to do with [Origin of Symmetry].\"", "The heavy stuff really could have been a lot heavier and that's what we want to do with [Origin of Symmetry].\" Their third album, Absolution (2003), features prominent string arrangements and drew influences from artists such as Queen. Their fourth album, Black Holes and Revelations (2006) was influenced by artists including Depeche Mode and Lightning Bolt, as well as Asian and European music such as Naples music. The band listened to radio stations from the Middle East during the album's recording sessions.", "The band listened to radio stations from the Middle East during the album's recording sessions. Queen guitarist Brian May has praised Muse's work, calling the band \"extraordinary musicians\", who \"let their madness show through, always a good thing in an artist.\" Muse's sixth album, The 2nd Law (2012) has a broader range of influences, ranging from funk and film scores to electronica and dubstep.", "Muse's sixth album, The 2nd Law (2012) has a broader range of influences, ranging from funk and film scores to electronica and dubstep. The 2nd Law is influenced by rock acts such as Queen and Led Zeppelin (on \"Supremacy\") as well as dubstep producer Skrillex and Nero (on \"The 2nd Law: Unsustainable\" and \"Follow Me\", with the latter being co-produced by Nero), Michael Jackson, Stevie Wonder (on \"Panic Station\" which features musicians who performed on Stevie Wonder's \"Superstition\") and Hans Zimmer.", "The 2nd Law is influenced by rock acts such as Queen and Led Zeppelin (on \"Supremacy\") as well as dubstep producer Skrillex and Nero (on \"The 2nd Law: Unsustainable\" and \"Follow Me\", with the latter being co-produced by Nero), Michael Jackson, Stevie Wonder (on \"Panic Station\" which features musicians who performed on Stevie Wonder's \"Superstition\") and Hans Zimmer. The album features two songs with lyrics written and sung by bassist Wolstenholme, who wrote about his battle with alcoholism.", "The album features two songs with lyrics written and sung by bassist Wolstenholme, who wrote about his battle with alcoholism. It features extensive electronic instrumentation, including Modular synthesisers and the French Connection, a synthesiser controller similar to the ondes martenot. Musicianship Many Muse songs are recognisable by vocalist Matt Bellamy's use of vibrato, falsetto, and melismatic phrasing, influenced by Jeff Buckley. As a pianist, Bellamy often uses arpeggios.", "As a pianist, Bellamy often uses arpeggios. As a pianist, Bellamy often uses arpeggios. Bellamy's compositions often suggest or quote late classical and romantic era composers such as Sergei Rachmaninov (in \"Space Dementia\" and \"Butterflies and Hurricanes\"), Camille Saint-Saëns (in \"I Belong to You (+Mon Cœur S'ouvre a ta Voix)\") and Frédéric Chopin (in \"United States of Eurasia\").", "Bellamy's compositions often suggest or quote late classical and romantic era composers such as Sergei Rachmaninov (in \"Space Dementia\" and \"Butterflies and Hurricanes\"), Camille Saint-Saëns (in \"I Belong to You (+Mon Cœur S'ouvre a ta Voix)\") and Frédéric Chopin (in \"United States of Eurasia\"). As a guitarist, Bellamy often uses arpeggiator and pitch-shift effects to create a more \"electronic\" sound, citing Jimi Hendrix and Tom Morello as influences.", "As a guitarist, Bellamy often uses arpeggiator and pitch-shift effects to create a more \"electronic\" sound, citing Jimi Hendrix and Tom Morello as influences. His guitar playing is also influenced by Latin and Spanish guitar music; Bellamy said: \"I just think that music is really passionate...It has so much feel and flair to it. I’ve spent important times of my life in Spain and Greece, and various deep things happened there – falling in love, stuff like that.", "I’ve spent important times of my life in Spain and Greece, and various deep things happened there – falling in love, stuff like that. So maybe that rubbed off somewhere.\" Wolstenholme's basslines provide a motif for many Muse songs; the band combines bass guitar with effects and synthesisers to create overdriven fuzz bass tones. Bellamy and Wolstenholme use touch-screen controllers, often built into their instruments, to control synthesisers and effects including Kaoss Pads and Digitech Whammy pedals.", "Bellamy and Wolstenholme use touch-screen controllers, often built into their instruments, to control synthesisers and effects including Kaoss Pads and Digitech Whammy pedals. Lyrics Most earlier Muse songs lyrically dealt with introspective themes, including relationships, social alienation, and difficulties they had encountered while trying to establish themselves in their hometown. However, with the band's progress, their song concepts have become more ambitious, addressing issues such as the fear of the evolution of technology in their Origin of Symmetry (2001) album.", "However, with the band's progress, their song concepts have become more ambitious, addressing issues such as the fear of the evolution of technology in their Origin of Symmetry (2001) album. They deal mainly with the apocalypse in Absolution (2003) and with catastrophic war in Black Holes and Revelations (2006). The Resistance (2009) focused on themes of government oppression, uprising, love, and panspermia. The album itself was mainly inspired by Nineteen Eighty-Four by George Orwell.", "The album itself was mainly inspired by Nineteen Eighty-Four by George Orwell. Their sixth studio album, The 2nd Law (2012) relates to economics, thermodynamics, and apocalyptic themes. Their 2015 album Drones, is a concept album that uses autonomous killing drones as a metaphor for brainwashing and loss of empathy.", "Their 2015 album Drones, is a concept album that uses autonomous killing drones as a metaphor for brainwashing and loss of empathy. Books that have influenced Muse's lyrical themes include Nineteen Eighty-Four, Confessions of an Economic Hitman by John Perkins, Hyperspace by Michio Kaku, The 12th Planet by Zecharia Sitchin, Rule by Secrecy by Jim Marrs and Trance Formation of America by Cathy O'Brien.", "Books that have influenced Muse's lyrical themes include Nineteen Eighty-Four, Confessions of an Economic Hitman by John Perkins, Hyperspace by Michio Kaku, The 12th Planet by Zecharia Sitchin, Rule by Secrecy by Jim Marrs and Trance Formation of America by Cathy O'Brien. Band members Matt Bellamy – lead vocals, guitars, keyboards, piano, synthesisers Dominic Howard – drums, percussions Chris Wolstenholme – bass guitar, backing vocals, occasional keyboards and guitar Touring musicians Morgan Nicholls – guitars, keyboards and synthesisers, backing vocals, samples, bass (2004, 2006–present) Dan \"The Trumpet Man\" Newell – trumpet (2006–2008) Alessandro Cortini – keyboards, synthesisers (2009, substitute) Discography Showbiz (1999) Origin of Symmetry (2001) Absolution (2003) Black Holes and Revelations (2006) The Resistance (2009) The 2nd Law (2012) Drones (2015) Simulation Theory (2018) Concert tours Showbiz Tour (1998–2000) Origin of Symmetry Tour (2000–2002) Absolution Tour (2003–2004) US Campus Invasion Tour 2005 (2005) Black Holes and Revelations Tour (2006–2008) The Resistance Tour (2009–2011) The 2nd Law World Tour (2012–2014) Psycho Tour (2015) Drones World Tour (2015–2016) North American Tour (with Thirty Seconds to Mars and Pvris) (2017) Simulation Theory World Tour (2019) See also List of awards and nominations received by Muse List of Muse songs References External links English art rock groups Brit Award winners Grammy Award winners English alternative rock groups English hard rock musical groups English progressive rock groups Kerrang!", "Band members Matt Bellamy – lead vocals, guitars, keyboards, piano, synthesisers Dominic Howard – drums, percussions Chris Wolstenholme – bass guitar, backing vocals, occasional keyboards and guitar Touring musicians Morgan Nicholls – guitars, keyboards and synthesisers, backing vocals, samples, bass (2004, 2006–present) Dan \"The Trumpet Man\" Newell – trumpet (2006–2008) Alessandro Cortini – keyboards, synthesisers (2009, substitute) Discography Showbiz (1999) Origin of Symmetry (2001) Absolution (2003) Black Holes and Revelations (2006) The Resistance (2009) The 2nd Law (2012) Drones (2015) Simulation Theory (2018) Concert tours Showbiz Tour (1998–2000) Origin of Symmetry Tour (2000–2002) Absolution Tour (2003–2004) US Campus Invasion Tour 2005 (2005) Black Holes and Revelations Tour (2006–2008) The Resistance Tour (2009–2011) The 2nd Law World Tour (2012–2014) Psycho Tour (2015) Drones World Tour (2015–2016) North American Tour (with Thirty Seconds to Mars and Pvris) (2017) Simulation Theory World Tour (2019) See also List of awards and nominations received by Muse List of Muse songs References External links English art rock groups Brit Award winners Grammy Award winners English alternative rock groups English hard rock musical groups English progressive rock groups Kerrang! Awards winners NME Awards winners British musical trios Musical groups established in 1994 Maverick Records artists Warner Records artists Musical groups from Devon Ivor Novello Award winners Space rock musical groups Political music groups MTV Europe Music Award winners" ]

[ "Muse (band)", "2003-05: Absolution", "What album number was this for Muse?", "Muse's third album, Absolution, produced by Rich Costey, Paul Reeve and John Cornfield was released in September 2003.", "How did it rank among its release?", "It debuted at number one in the UK and produced Muse's first top-ten hit, \"Time Is Running Out\", and three top-twenty hits:" ]

[ "The Manx Noble are platinum, gold or silver bullion coins distributed by the Isle of Man and minted by private companies. While platinum coins have been minted since the early 1800s, the Noble is the first platinum coin created for investors. The coins are not minted every year, but have an erratic schedule. Nobles are legal tender but they do not have a fixed face value; instead, like the Krugerrand or Mexico's Libertad, they are legal tender to the value of their precious metal content.\n\nSpecifications\n\nThe platinum coins contains 99.5% platinum (.995 fine). The gold coins contains 99.99% gold (.9999 fine) and silver coins contains 99.9% silver (.999 fine).\n\nDesign \n\nObverse: It shows a portrait of Queen Elizabeth II with the text Isle of Man and Elizabeth II in capitals. There have been four different portraits of Queen Elizabeth used on the coins. The 1984 coin showed the second coin portrait, done when the Queen was in her early 40s. The third coin portrait, of the Queen in her 50s, was used between 1985 and 1997. The fourth portrait, of the 70-year old Queen, was used between 1998 and 2014. Since 2015, the fifth coin portrait has been used.\n\nReverse: shows a viking ship and four birds with the denomination. In small lettering beneath the ship, metal content, coin size and fineness are given. The design is framed by an elaborate Viking knit motif border with the island's coat of arms, the triskele, appearing at the top, above the ship's flag.\n\nHistory \n\nThe first platinum coins regularly minted were Russian platinum rubles from 1828 to 1845. Only occasional commemorative coins were minted till the 1970s when Isle of Man started regularly issuing commemorative platinum coins. Isle of Man has used three private mints to make their coins, the English Pobjoy Mint from 1983 until 2016, Liechtenstein's Coin Investment Trust (CIT) in 2017, and the 2018 version was minted by the English Tower Mint. \n\nSeveral one-off coins were minted. What is claimed to be the world's first holographic coin is a 1996 platinum Noble whose viking ship's sail is made from a patterned hologram. A one-quarter ounce bimetallic coin, ring made of gold with the center platinum, was minted in 1995. A one-ounce bimetallic coin, ring of silver with a center of gold, was produced in 2009. A one-ounce palladium coin was issued in 2012. There were 26, five-ounce platinum coins minted in 1986 and another 15 coins in 1988. The same amount of ten-ounce platinum coins were also released in 1986 and 1988. The 2017 and 2018 silver coins came in both proof and reverse proof versions.\n\nThe following table shows mintages of proof coins unless noted with a (b).\n\nNR - Mintage numbers not released\n(b) - Brilliant uncirculated finish. Not a proof coin\n\nSee also \n\n Angel (Manx coin)\n Bullion\n Bullion coin\n Gold as an investment\n Inflation hedge\n Noble (English coin)\n Platinum as an investment\n Silver as an investment\n\nReferences\n\nBirds on coins\nShips on coins\nBullion coins of the Isle of Man\nGold bullion coins\nSilver bullion coins\nPlatinum bullion coins\nPalladium bullion coins", "In the United States, the Recording Industry Association of America (RIAA) awards certification based on the number of albums and singles sold through retail and other ancillary markets. Other countries have similar awards (see music recording certification). Certification is not automatic; for an award to be made, the record label must request certification. The audit is conducted against net shipments after returns (most often an artist's royalty statement is used), which includes albums sold directly to retailers and one-stops, direct-to-consumer sales (music clubs and mail order) and other outlets.\n\nDescription and qualifications \n\nA Gold record is a single or album that sells 500,000 units (records, tapes or compact discs). The award was launched in 1958; originally, the requirement for a Gold single was one million units sold and a Gold album represented $1 million in sales (at wholesale value, around a third of the list price). In 1975, the additional requirement of 500,000 units sold was added for Gold albums. Reflecting growth in record sales, the Platinum award was added in 1976, for albums able to sell one million units, and singles selling two million units. The Multi-Platinum award was introduced in 1984, signifying multiple Platinum levels of albums and singles. In 1989, the sales thresholds for singles were reduced to 500,000 for Gold and 1,000,000 for Platinum, reflecting a decrease in sales of singles. In 1992, RIAA began counting each disc in a multi-disc set as one unit toward certification. Reflecting additional growth in music sales, the Diamond award was instituted in 1999 for albums or singles selling ten million units. Because of these changes in criteria, the sales level associated with a particular award depends on when the award was made.\n\nNielsen SoundScan figures are not used in RIAA certification; the RIAA system predates Nielsen SoundScan and includes sales outlets Nielsen misses. Prior to Nielsen SoundScan, RIAA certification was the only audited and verifiable system for tracking music sales in the U.S.; it is still the only system capable of tracking 100% of sales (albeit as shipments less returns, not actual sales like Nielsen SoundScan). This system has permitted, at times, record labels to promote an album as Gold or Platinum simply based on large shipments. For instance, in 1978 the Sgt. Pepper's Lonely Hearts Club Band soundtrack shipped Platinum but was a sales bust, with two million returns. Similarly, all four solo albums by the members of Kiss simultaneously shipped Platinum that same year but did not reach the top 20 of the Billboard 200 album chart. The following year, the RIAA began requiring 120 days from the release date before recordings were eligible for certification, although that requirement has been reduced over the years and currently stands at 30 days. Sony was widely criticized in 1995 for hyping Michael Jackson's double album HIStory as five times Platinum, based on shipments of 2.5 million and using the RIAA's recently adopted practice of counting each disc toward certification, while SoundScan was reporting only 1.3 million copies sold. A similar discrepancy between shipments and sales was reported with The Lion King soundtrack.\n\nIn the digital era, changes in the way music is consumed resulted in changes in the certification criteria. Actual album sales had dropped significantly, while digital download followed by streaming became increasingly dominant. On-demand audio and video streams started to be counted towards Digital Single units consumed in 2013. Track downloads and audio and video streams were then included in album certification in 2016 using formulas converting downloads and streams into the album units for certification purpose.\n\nList of certifications\n\nRecords\n 500,000 units: Gold album\n 1,000,000 units: Platinum album\n 2,000,000+ units: Multi-Platinum album\n 10,000,000 units: Diamond album\n\nStarting from February 1, 2016, each album unit may be one of the following:\n One digital or physical album sold or shipped;\n 10 tracks from the album downloaded;\n 1,500 on-demand audio or video streams of songs from the album.\n\nMulti-disc\nMulti-disc albums are counted once for each disc within the album if it is over 100 minutes in length or is from the vinyl era. For example, the Smashing Pumpkins' Mellon Collie and the Infinite Sadness (running time of 121:39) and OutKast's Speakerboxxx/The Love Below (running time of 134:56), both double albums, were counted twice, meaning each album was certified diamond after 5 million copies were shipped. Pink Floyd's The Wall and the Beatles' White Album, both vinyl-era, are also counted as double even though their running times are under the minimum requirement. Rules may or may not apply depending on most recent staff within the Distributions position.\n\nSpanish\nSince 2000, the RIAA also awards Los Premios de Oro y De Platino (Gold and Platinum Awards in Spanish) to Latin albums which are defined by the RIAA as a type of product that features at least 51% of content in Spanish.\n\nAs of December 20, 2013, the award levels for Latin certifications are:\n\n 30,000 units: Disco de Oro\n 60,000 units: Disco de Platino\n 120,000 units: Disco de Multi-Platino\n 600,000 units: Disco de Diamante\n\nFor certifications made before December 20, 2013, the award levels are:\n 50,000 units: Disco de Oro\n 100,000 units: Disco de Platino\n 200,000 units: Disco de Multi-Platino\n 1,000,000 units: Disco de Diamante\n\nNote: The number of sales required to qualify for Oro and Platino awards was higher prior to January 1, 2008. The thresholds were 100,000 units (Oro) and 200,000 units (Platino). All Spanish-language albums certified prior to 2008 were updated to match the current certification at the time. \"La Bomba\" by Bolivian group Azul Azul is the only single to receive a Latin certification based on shipments before the creation of the Latin digital singles awards in 2013. The Disco de Diamante award was introduced after the RIAA updated the thresholds for Latin certifications on December 20, 2013. The Disco de Diamante is awarded to Latin albums that have been certified 10× Platinum.\n\nSingles\nStandard singles are certified:\n Gold when it ships 500,000 copies\n Platinum when it ships 1,000,000 copies\n Multi-Platinum when it ships at least 2,000,000 copies\n\nNote: The number of sales required to qualify for Gold and Platinum discs was higher prior to January 1, 1989. The thresholds were previously 1,000,000 units (Gold) and 2,000,000 units (Platinum).\n\nDigital singles are certified:\n Gold means 500,000 certification units\n Platinum means 1,000,000 certification units\n Multi-Platinum means 2,000,000+ certification units\n\nFrom 2004 through July 2006, the certification level was 100,000 downloads for Gold and 200,000 for Platinum. When the RIAA changed the certification standards to match retail distribution in August 2006, all Platinum and Multi-Platinum awards for a digital release were withdrawn. Gold certifications, however, were not, meaning a song that was downloaded over 100,000 times and certified so by the RIAA during that time frame retains its Gold status.\n\nStarting May 9, 2013, RIAA certifications for singles in the \"digital\" category include on-demand audio and/or video song streams in addition to downloads at a rate of 100 streams=1 certification \"unit\". On January 2, 2016, this rate was updated to 150 streams = 1 certification unit.\n\nLatin digital singles are certified:\n Disco de Oro (Gold) means 30,000 certification units\n Disco de Platino (Platinum) means 60,000 certification units\n Disco de Multi-Platino (Multi-Platinum) means 120,000+ certification units\n\nThe Latin Digital Single Awards began on December 20, 2013. As with the digital sales, 100 streams count as one download sale.\n\nVideo Longform\nAlong with albums, digital albums, and singles there is another classification of music release called \"Video Longform.\" This release format includes DVD and VHS releases, and certain live albums and compilation albums. The certification criteria are slightly different from other styles.\n\nGold: 50,000 copies\nPlatinum: 100,000 copies\n Multi-Platinum: 200,000 copies\n\nVideo Single\nFor Video Single certification, the title must contain no more than two songs and must have a running time of no more than 15 minutes. The certification criteria are:\n\nGold: 25,000 copies\nPlatinum: 50,000 copies\n Multi-Platinum: 100,000 copies\n\n, the titles certified the most Video Single awards are \"Here Without You\" by 3 Doors Down and Elvis Presley's \"A Little Less Conversation\", both winning 6× Platinum for 300,000 copies. Since 2010, only 5 titles have been certified Video Single. The latest Gold was awarded to \"R40\" by Rush in 2017.\n\nVideo Box Set \nThe \"Video Box Set\" (or \"Multi-Box Music Video Set\") award is a classification for video compilations that include three or more videos that are grouped and marketed together as a set. Like Video Longform, this includes DVD and VHS releases and the certification criteria are the same. Each individual video within set is counted as one toward certification.\n\nGold: 50,000 copies\nPlatinum: 100,000 copies\nMulti-Platinum: 200,000 copies\n\nThe best-selling video box set as certified by the RIAA is the Rolling Stones' Four Flicks DVD compilation from their Licks World Tour, with a 19X Multi-Platinum designation. This was likely achieved due to exclusive distribution rights owned by Best Buy by their short-lived music production company, Redline Entertainment.\n\nMaster Ringtone \nMaster Ringtone (mastertone) awards were introduced in 2006. Certification levels are identical to those of singles, 500,000 for Gold and 1,000,000 for Platinum and Multi-Platinum.\n\nMany Master Ringtone certifications were awarded until 2009, but since then only ten certifications were awarded in 2010, three in 2012 and three in 2019, all three to AC/DC.\n\nRecords\nLists from RIAA site showing current status holders of RIAA Certifications:\nList of highest-certified music artists in the United States\nList of best-selling albums in the United States\nList of best-selling singles in the United States\nList of best-selling Latin albums in the United States\n\nArtists with the most album certifications\n\nMost Platinum\n\nThis list show the artists with at least 10 platinum albums (excluding compilations)\n\nMost Diamond\n\nArtists with the most single certifications\n\nMost Platinum\nThis table tracks artists with some number of singles that have received at least 10 digital platinum certifications (excluding features).\n\nMost Diamond\nThis table tracks artists with some number of singles that have received at least 2 Diamond certifications.\n\nNote: The RIAA provides the Detailed List of Artists with Most Singles Certified Units\n\nRIAA Diamond certifications\nDiamond (10+ million) certified albums and singles\n\nRIAA Diamante Latin certifications\n\nDiamante certified Latin albums and singles (1+ million for Latin albums certified before December 2013 and 600,000+ for Latin albums and singles certified after December 2013)\n\nSee also\n List of best-selling albums\n List of best-selling music artists\n List of best-selling singles worldwide\n\nReferences\n\nExternal links\n RIAA Website\n Detailed List of Artists with Most Album Certified Units\n Detailed List of Artists with Most Singles Certified Units\n Search RIAA Gold and Platinum Database\n\nCertification\nMusic recording certifications" ]

[ "Muse are an English rock band from Teignmouth, Devon, formed in 1994. The band consists of Matt Bellamy (lead vocals, guitar, keyboards), Chris Wolstenholme (bass guitar, backing vocals), and Dominic Howard (drums). Muse released their debut album, Showbiz, in 1999, showcasing Bellamy's falsetto and a melancholic alternative rock style. Their second album, Origin of Symmetry (2001), incorporated wider instrumentation and romantic classical influences and earned them a reputation for energetic live performances.", "Their second album, Origin of Symmetry (2001), incorporated wider instrumentation and romantic classical influences and earned them a reputation for energetic live performances. Absolution (2003) saw further classical influence, with strings on tracks such as \"Butterflies and Hurricanes\", and was the first of six consecutive UK number-one albums. Black Holes and Revelations (2006) incorporated electronic and pop elements, displayed in singles such as \"Supermassive Black Hole\", and brought Muse wider international success.", "Black Holes and Revelations (2006) incorporated electronic and pop elements, displayed in singles such as \"Supermassive Black Hole\", and brought Muse wider international success. The Resistance (2009) and The 2nd Law (2012) explored themes of government oppression and civil uprising and cemented Muse as one of the world's major stadium acts. Rolling Stone stated the band possessed \"stadium-crushing songs\".", "Rolling Stone stated the band possessed \"stadium-crushing songs\". Topping the US Billboard 200, their seventh album, Drones (2015), was a concept album about drone warfare and returned to a harder rock sound. Their eighth album, Simulation Theory (2018), prominently featured synthesisers and was influenced by science fiction and the simulation hypothesis. Muse have won numerous awards, including two Grammy Awards, two Brit Awards, five MTV Europe Music Awards and eight NME Awards.", "Muse have won numerous awards, including two Grammy Awards, two Brit Awards, five MTV Europe Music Awards and eight NME Awards. In 2012 they received the Ivor Novello Award for International Achievement from the British Academy of Songwriters, Composers and Authors. , they have sold over 30 million albums worldwide. History Early years (1994–1997) The members of Muse played in separate school bands during their time at Teignmouth Community College in the early 1990s.", "History Early years (1994–1997) The members of Muse played in separate school bands during their time at Teignmouth Community College in the early 1990s. Guitarist Matt Bellamy successfully auditioned for drummer Dominic Howard's band, Carnage Mayhem, becoming its singer and songwriter. They renamed the band Gothic Plague. They asked Chris Wolstenholme – at that time the drummer for Fixed Penalty – to join as bassist; he agreed and took up bass lessons. The band was renamed Rocket Baby Dolls and adopted a goth-glam image.", "The band was renamed Rocket Baby Dolls and adopted a goth-glam image. Around this time, they received a £150 grant from the Prince's Trust for equipment. In 1994, Rocket Baby Dolls won a local battle of the bands, smashing their equipment in the process. Bellamy said, \"It was supposed to be a protest, a statement, so, when we actually won, it was a real shock, a massive shock. After that, we started taking ourselves seriously.\"", "After that, we started taking ourselves seriously.\" After that, we started taking ourselves seriously.\" The band quit their jobs, changed their name to Muse, and moved away from Teignmouth. The band liked that the new name was short and thought that it looked good on a poster. According to journalist Mark Beaumont, the band wanted the name to reflect \"the sense Matt had that he had somehow 'summoned up' this band, the way mediums could summon up inspirational spirits at times of emotional need\".", "According to journalist Mark Beaumont, the band wanted the name to reflect \"the sense Matt had that he had somehow 'summoned up' this band, the way mediums could summon up inspirational spirits at times of emotional need\". First EPs and Showbiz (1998–2000) After a few years building a fanbase, Muse played their first gigs in London and Manchester supporting Skunk Anansie on tour. They had a significant meeting with Dennis Smith, the owner of Sawmills Studio, situated in a converted water mill in Cornwall.", "They had a significant meeting with Dennis Smith, the owner of Sawmills Studio, situated in a converted water mill in Cornwall. He had seen the three boys grow up as he knew their parents, and had a production company with their future manager Safta Jaffery, with whom he had recently started the record label Taste Media. The meeting led to their first serious recordings and the release of the Muse EP on 11 May 1998 on Sawmills' in-house Dangerous label, produced by Paul Reeve.", "The meeting led to their first serious recordings and the release of the Muse EP on 11 May 1998 on Sawmills' in-house Dangerous label, produced by Paul Reeve. Their second EP, the Muscle Museum EP, also produced by Reeve, was released on 11 January 1999. It reached number 3 in the indie singles chart and attracted the attention of British radio broadcaster Steve Lamacq and the weekly British music publication NME.", "It reached number 3 in the indie singles chart and attracted the attention of British radio broadcaster Steve Lamacq and the weekly British music publication NME. Later in 1999, Muse performed on the Emerging Artist's stage at Woodstock '99 and signed with Smith and Jaffery. Despite the success of their second EP, British record companies were reluctant to sign Muse.", "Despite the success of their second EP, British record companies were reluctant to sign Muse. After a trip to New York's CMJ Festival, Nanci Walker, then Sr. Director of A&R at Columbia Records, flew Muse to the US to showcase for Columbia Records' then-Senior Vice-President of A&R, Tim Devine, as well as for American Recording's Rick Rubin. During this trip, on 24 December 1998, Muse signed a deal with American record label Maverick Records.", "During this trip, on 24 December 1998, Muse signed a deal with American record label Maverick Records. Upon their return to England, Taste Media arranged deals for Muse with various record labels in Europe and Australia, allowing them control over their career in individual countries. John Leckie was brought in alongside Reeve to produce the band's first album, Showbiz (1999). The album showcased Muse's aggressive yet melancholic musical style, with lyrics about relationships and their difficulties trying to establish themselves in their hometown.", "The album showcased Muse's aggressive yet melancholic musical style, with lyrics about relationships and their difficulties trying to establish themselves in their hometown. Origin of Symmetry and Hullabaloo (2000–2002) During the production of their second album, Origin of Symmetry (2001), Muse experimented with instrumentation such as a church organ, Mellotron, animal bones, and an expanded drum kit. There was more of Bellamy's falsetto, arpeggiated guitar, and piano playing.", "There was more of Bellamy's falsetto, arpeggiated guitar, and piano playing. Bellamy cites guitar influences such as Jimi Hendrix and Tom Morello (of Rage Against the Machine), the latter evident in the more riff-based songs in Origin of Symmetry and in Bellamy's use of guitar pitch-shifting effects. The album features a cover of Anthony Newley and Leslie Bricusse's \"Feeling Good\", voted in various polls one of the greatest cover versions of all time.", "The album features a cover of Anthony Newley and Leslie Bricusse's \"Feeling Good\", voted in various polls one of the greatest cover versions of all time. It was released as a double A-side single, \"Hyper Music/Feeling Good\".", "It was released as a double A-side single, \"Hyper Music/Feeling Good\". Origin of Symmetry received positive reviews by critics; NME gave the album 9/10 and wrote: \"It's amazing for such a young band to load up with a heritage that includes the darker visions of Cobain and Kafka, Mahler and The Tiger Lillies, Cronenberg and Schoenberg, and make a sexy, populist album.\"", "Origin of Symmetry received positive reviews by critics; NME gave the album 9/10 and wrote: \"It's amazing for such a young band to load up with a heritage that includes the darker visions of Cobain and Kafka, Mahler and The Tiger Lillies, Cronenberg and Schoenberg, and make a sexy, populist album.\" Maverick, Muse's American label, did not consider Bellamy's vocals \"radio-friendly\" and asked Muse to rerecord the song for the US release.", "Maverick, Muse's American label, did not consider Bellamy's vocals \"radio-friendly\" and asked Muse to rerecord the song for the US release. The band refused and left Maverick; the album was not released in the US until September 2005, after Muse signed to Warner Bros. Origin of Symmetry has made appearances on lists of the greatest rock albums of the 2000s, both poll-based and on publication lists.", "Origin of Symmetry has made appearances on lists of the greatest rock albums of the 2000s, both poll-based and on publication lists. In 2006, it placed at number 74 on Q magazine's list of the 100 Greatest Albums of All-Time, while in February 2008, the album placed at number 28 on a list of the Best British Albums of All Time determined by the magazine's readers. Kerrang! placed the album at number 20 in its 100 Best British Rock Albums Ever!", "placed the album at number 20 in its 100 Best British Rock Albums Ever! List and at number 13 on its 50 Best Albums of the 21st Century list. Acclaimed Music ranks Origin of Symmetry as the 1,247th greatest album of all time. In 2002, Muse released the first live DVD, Hullabaloo, featuring footage recorded during Muse's two gigs at Le Zenith in Paris in 2001, and a documentary film of the band on tour.", "In 2002, Muse released the first live DVD, Hullabaloo, featuring footage recorded during Muse's two gigs at Le Zenith in Paris in 2001, and a documentary film of the band on tour. A double album, Hullabaloo Soundtrack, was released at the same time, containing a compilation of B-sides and a disc of recordings of songs from the Le Zenith performances. A double-A side single was also released featuring the new songs \"In Your World\" and \"Dead Star\".", "A double-A side single was also released featuring the new songs \"In Your World\" and \"Dead Star\". In 2002, Muse threatened Celine Dion with legal action when she planned to name her Las Vegas show \"Muse\", as Muse have worldwide performing rights to the name. Dion offered Muse $50,000 for the rights, but they turned it down and Dion backed down. Bellamy said: \"We don't want to turn up there with people thinking we're Celine Dion's backing band.\"", "Bellamy said: \"We don't want to turn up there with people thinking we're Celine Dion's backing band.\" Absolution (2003–2005) Muse's third album, Absolution, produced by Rich Costey, Paul Reeve and John Cornfield was released on 15 September 2003. It debuted at number one in the UK and produced Muse's first top-ten hit, \"Time Is Running Out\", and three top-twenty hits: \"Hysteria\", \"Sing for Absolution\" and \"Butterflies and Hurricanes\".", "It debuted at number one in the UK and produced Muse's first top-ten hit, \"Time Is Running Out\", and three top-twenty hits: \"Hysteria\", \"Sing for Absolution\" and \"Butterflies and Hurricanes\". Absolution was eventually certified gold in the US. Muse undertook a year-long international tour in support of the album, visiting Australia, New Zealand, the United States, Canada, and France.", "Muse undertook a year-long international tour in support of the album, visiting Australia, New Zealand, the United States, Canada, and France. On the 2004 US leg of the tour, Bellamy injured himself onstage during the opening show in Atlanta; the tour resumed after Bellamy received stitches. In June 2004, Muse headlined the Glastonbury Festival, which they later described as \"the best gig of our lives\".", "In June 2004, Muse headlined the Glastonbury Festival, which they later described as \"the best gig of our lives\". Howard's father, William Howard, who attended the festival to watch the band, died from a heart attack shortly after the performance. Bellamy said: \"It was the biggest feeling of achievement we've ever had after coming offstage. It was almost surreal that an hour later his dad died. It was almost not believable.", "It was almost not believable. It was almost not believable. We spent about a week sort of just with Dom trying to support him. I think he was happy that at least his dad got to see him at probably what was the finest moment so far of the band's life.\" Muse won two MTV Europe awards, including \"Best Alternative Act\", and a Q Award for \"Best Live Act\", and received an award for \"Best British Live Act\" at the Brit Awards.", "Muse won two MTV Europe awards, including \"Best Alternative Act\", and a Q Award for \"Best Live Act\", and received an award for \"Best British Live Act\" at the Brit Awards. On 2 July 2005, they participated in the Live 8 concert in Paris. In 2003, the band successfully sued Nestlé for using their cover \"Feeling Good\" for a Nescafé advertisement without permission and donated the money won from the lawsuit to Oxfam.", "In 2003, the band successfully sued Nestlé for using their cover \"Feeling Good\" for a Nescafé advertisement without permission and donated the money won from the lawsuit to Oxfam. An unofficial DVD biography, Manic Depression, was released in April 2005. Muse released another live DVD on 12 December 2005, Absolution Tour, containing edited and remastered highlights from their Glastonbury performance unseen footage from their performances at London Earls Court, Wembley Arena, and the Wiltern Theatre in Los Angeles.", "Muse released another live DVD on 12 December 2005, Absolution Tour, containing edited and remastered highlights from their Glastonbury performance unseen footage from their performances at London Earls Court, Wembley Arena, and the Wiltern Theatre in Los Angeles. During the 2004 Absolution tour, Bellamy smashed 140 guitars, a world record for the most guitars smashed in a tour. Black Holes and Revelations and HAARP (2006–2008) In 2006, Muse released their fourth album, Black Holes and Revelations, co-produced once again with Rich Costey.", "Black Holes and Revelations and HAARP (2006–2008) In 2006, Muse released their fourth album, Black Holes and Revelations, co-produced once again with Rich Costey. The album's title and themes reflect the band's interest in science fiction. The album charted at number one in the UK, much of Europe, and Australia. In the US, it reached number nine on the Billboard 200.", "In the US, it reached number nine on the Billboard 200. Before the release of the new album, Muse made several promotional TV appearances starting on 13 May 2006 at BBC Radio 1's Big Weekend. The Black Holes and Revelations Tour started before the release of their album and initially consisted mostly of festival appearances, including a headline slot at the Reading and Leeds Festivals in August 2006. The band's main touring itinerary started with a tour of North America from late July to early August 2006.", "The band's main touring itinerary started with a tour of North America from late July to early August 2006. After the last of the summer festivals, a tour of Europe began, including a large arena tour of the UK. Black Holes and Revelations was nominated for the 2006 Mercury Music Prize, but lost to Arctic Monkeys. It earned a Platinum Europe Award after selling one million copies in Europe. The first single from the album, \"Supermassive Black Hole\", was released as a download in May 2006.", "The first single from the album, \"Supermassive Black Hole\", was released as a download in May 2006. In August 2006, Muse recorded a live session at Abbey Road Studios for the Live from Abbey Road television show. The second single, \"Starlight\", was released in September 2006. \"Knights of Cydonia\" was released in the US as a radio-only single in June 2006 and in the UK in November 2006. The fourth single, \"Invincible\", was released in April 2007.", "The fourth single, \"Invincible\", was released in April 2007. Another single, \"Map of the Problematique\", was released for download only in June 2007, following the band's performance at Wembley Stadium. Muse spent November and much of December 2006 touring Europe with British band Noisettes as the supporting act. The tour continued in Australia, New Zealand, and Southeast Asia in early 2007 before returning to England for the summer.", "The tour continued in Australia, New Zealand, and Southeast Asia in early 2007 before returning to England for the summer. At the 2007 Brit Awards in February, Muse received their second award for Best British Live Act. They performed two gigs at the newly rebuilt Wembley Stadium on 16 and 17 June 2007, where they became the first band to sell out the venue. Both concerts were recorded for a DVD/CD, HAARP, released in early 2008. It was named the 40th greatest live album of all time by NME.", "It was named the 40th greatest live album of all time by NME. The tour continued across Europe in July 2007 before returning to the US in August, where Muse played to a sold-out crowd at Madison Square Garden, New York City. They headlined the second night of the Austin City Limits Music Festival on 15 September 2007, and performed at the October 2007 Vegoose in Las Vegas with bands including Rage Against the Machine, Daft Punk and Queens of the Stone Age.", "They headlined the second night of the Austin City Limits Music Festival on 15 September 2007, and performed at the October 2007 Vegoose in Las Vegas with bands including Rage Against the Machine, Daft Punk and Queens of the Stone Age. Muse continued touring in Eastern Europe, Russia, Scandinavia, Australia, and New Zealand in 2007 before going to South Africa, Portugal, Mexico, Argentina, Chile, Colombia, Brazil, Ireland, and the UK in 2008.", "Muse continued touring in Eastern Europe, Russia, Scandinavia, Australia, and New Zealand in 2007 before going to South Africa, Portugal, Mexico, Argentina, Chile, Colombia, Brazil, Ireland, and the UK in 2008. On 12 April, they played a one-off concert at the Royal Albert Hall, London in aid of the Teenage Cancer Trust. Muse performed at Rock in Rio Lisboa on 6 June 2008, alongside bands including Kaiser Chiefs, The Offspring and Linkin Park.", "Muse performed at Rock in Rio Lisboa on 6 June 2008, alongside bands including Kaiser Chiefs, The Offspring and Linkin Park. They also performed in Marlay Park, Dublin, on 13 August. A few days later, Muse headlined the 2008 V Festival, playing in Chelmsford on Saturday 16 August and Staffordshire on Sunday 17 August. On 25 September 2008, Bellamy, Howard and Wolstenholme all received an Honorary Doctorate of Arts from the University of Plymouth for their contributions to music.", "On 25 September 2008, Bellamy, Howard and Wolstenholme all received an Honorary Doctorate of Arts from the University of Plymouth for their contributions to music. The Resistance (2009–2011) During the recording of Muse's fifth studio album The Resistance, Wolstenholme checked into rehab to deal with his alcoholism, which was threatening the band's future. Howard said: \"I've always believed in band integrity and sticking together. There's something about the fact we all grew up together.", "There's something about the fact we all grew up together. We've been together for 18 years now, which is over half our lives.\" The Resistance was released in September 2009, the first album produced by Muse, with engineering by Adrian Bushby and mixing by Mark Stent. It topped album charts in 19 countries, became the band's third number one album in the UK, and reached number three on the Billboard 200.", "It topped album charts in 19 countries, became the band's third number one album in the UK, and reached number three on the Billboard 200. Reviews were mostly positive, with praise for its ambition, classical influences and the three-part \"Exogenesis: Symphony\". The Resistance beat its predecessor Black Holes and Revelations in album sales in its debut week in the UK with approximately 148,000 copies sold. The first single, \"Uprising\", was released seven days earlier.", "The first single, \"Uprising\", was released seven days earlier. On 13 September, Muse performed \"Uprising\" at the 2009 MTV Video Music Awards in New York City. The Resistance Tour began with A Seaside Rendezvous in Muse's hometown of Teignmouth, Devon, in September 2009. It included headline slots the following year at festivals including Coachella, Glastonbury, Oxegen, Hovefestivalen, T in the Park, Austin City Limits and the Australian Big Day Out. Between September and November, Muse toured North America.", "Between September and November, Muse toured North America. Between September and November, Muse toured North America. Muse provided the lead single for the film The Twilight Saga: Eclipse, \"Neutron Star Collision (Love Is Forever)\", released on 17 May 2010. In June, Muse headlined Glastonbury Festival for the second time; after U2 canceled their headline slot following singer Bono's back injury, U2 guitarist the Edge joined Muse to play the U2 track \"Where the Streets Have No Name\".", "In June, Muse headlined Glastonbury Festival for the second time; after U2 canceled their headline slot following singer Bono's back injury, U2 guitarist the Edge joined Muse to play the U2 track \"Where the Streets Have No Name\". For their live performances, Muse received the O2 Silver Clef Award in London on 2 July 2010, presented by Roger Taylor and Brian May of Queen; Taylor described the trio as \"probably the greatest live act in the world today\".", "For their live performances, Muse received the O2 Silver Clef Award in London on 2 July 2010, presented by Roger Taylor and Brian May of Queen; Taylor described the trio as \"probably the greatest live act in the world today\". On 12 September 2010, Muse won an MTV Video Music Award in the category of Best Special Effects, for the \"Uprising\" video. On 21 November, Muse took home an American Music Award for Favorite Artist in the Alternative Rock Music Category.", "On 21 November, Muse took home an American Music Award for Favorite Artist in the Alternative Rock Music Category. On 2 December, Muse were nominated for three awards for the 53rd Grammy Awards on 13 February 2011, for which they won the Grammy Award for Best Rock Album for The Resistance.", "On 2 December, Muse were nominated for three awards for the 53rd Grammy Awards on 13 February 2011, for which they won the Grammy Award for Best Rock Album for The Resistance. Based on having the largest airplay and sales in the US, Muse were named the Billboard Alternative Songs and Rock Songs artist for 2010 with \"Uprising\", \"Resistance\" and \"Undisclosed Desires\" achieving 1st, 6th and 49th on the year end Alternative Song chart respectively.", "Based on having the largest airplay and sales in the US, Muse were named the Billboard Alternative Songs and Rock Songs artist for 2010 with \"Uprising\", \"Resistance\" and \"Undisclosed Desires\" achieving 1st, 6th and 49th on the year end Alternative Song chart respectively. On 30 July 2011, Muse supported Rage Against the Machine at their only 2011 gig at the L.A. Rising festival. On 13 August, Muse headlined the Outside Lands Music and Arts Festival in San Francisco.", "On 13 August, Muse headlined the Outside Lands Music and Arts Festival in San Francisco. Muse headlined the Reading and Leeds Festivals in August 2011. To celebrate the tenth anniversary of their second studio album Origin of Symmetry (2001), the band performed all eleven tracks. Muse also headlined Lollapalooza in Chicago's Grant Park in August 2011.", "Muse also headlined Lollapalooza in Chicago's Grant Park in August 2011. The 2nd Law and Live at Rome Olympic Stadium (2012–2013) In an April 2012 interview, Bellamy said Muse's next album would include influences from acts such as French house duo Justice and UK electronic rock group Does It Offend You, Yeah?. On 6 June 2012, Muse released a trailer for their next album, The 2nd Law, with a countdown on the band's website.", "On 6 June 2012, Muse released a trailer for their next album, The 2nd Law, with a countdown on the band's website. The trailer, which included dubstep elements, was met with mixed reactions. On 7 June, Muse announced a European Arena tour, the first leg of The 2nd Law Tour. The leg included dates in France, Spain and the UK.", "The leg included dates in France, Spain and the UK. The first single from the album, \"Survival\", was the official song of the London 2012 Summer Olympics, and Muse performed it at the Olympics closing ceremony. Muse revealed the 2nd Law tracklist on 13 July 2012. The second single, \"Madness\", was released on 20 August 2012, with a music video on 5 September. Muse played at the Roundhouse on 30 September as part of the iTunes Festival.", "Muse played at the Roundhouse on 30 September as part of the iTunes Festival. The 2nd Law was released worldwide on 1 October, and on 2 October 2012 in the US; it reached number one in the UK Albums Chart, and number two on the US Billboard 200. The song \"Madness\" earned a nomination in the Best Rock Song category and the album itself was nominated for the Best Rock Album at the 55th Grammy Awards, 2013.", "The song \"Madness\" earned a nomination in the Best Rock Song category and the album itself was nominated for the Best Rock Album at the 55th Grammy Awards, 2013. The band performed the album's opening song, \"Supremacy\", with an orchestra at the 2013 Brit Awards on 20 February 2013. The album was a nominee for Best Rock Album at the 2013 Grammy Awards. The song \"Madness\" was also nominated for Best Rock Song.", "The song \"Madness\" was also nominated for Best Rock Song. The album listed at number 46 on Rolling Stones list of the top 50 albums of 2012, saying \"In an era of diminished expectations, Muse make stadium-crushing songs that mix the legacies of Queen, King Crimson, Led Zeppelin and Radiohead while making almost every other current band seem tiny.\" Muse released their fourth live album, Live at Rome Olympic Stadium, on 29 November 2013 on CD/DVD and CD/Blu-ray formats.", "Muse released their fourth live album, Live at Rome Olympic Stadium, on 29 November 2013 on CD/DVD and CD/Blu-ray formats. In November 2013, the film had theatrical screenings in 20 cities worldwide. The album contains the band's performance at Rome's Stadio Olimpico on 6 July 2013, in front of over 60,000 people; it was the first concert filmed in 4K format. The concert was a part of the Unsustainable Tour, Muse's mid-2013 tour of Europe.", "The concert was a part of the Unsustainable Tour, Muse's mid-2013 tour of Europe. Drones (2014–2016) Muse began writing their seventh album soon after the Rome concert. The band felt that the electronic side of their music was becoming too dominant, and wanted to return to a simpler rock sound. After self-producing their previous two albums, the band hired producer Robert John \"Mutt\" Lange so they could focus on performance and spend less time mixing and reviewing takes.", "After self-producing their previous two albums, the band hired producer Robert John \"Mutt\" Lange so they could focus on performance and spend less time mixing and reviewing takes. Recording took place in the Vancouver Warehouse Studio from October 2014 to April 2015. Muse announced their seventh album, Drones, on 11 March 2015. The following day, they released a lyric video for \"Psycho\" on their YouTube channel, and made the song available for instant download with the album pre-order.", "The following day, they released a lyric video for \"Psycho\" on their YouTube channel, and made the song available for instant download with the album pre-order. Another single, \"Dead Inside\", was released on 23 March. From 15 March to 16 May, Muse embarked on a short tour in small venues throughout the UK and the US, the Psycho Tour. Live performances of new songs from these concerts are included on the DVD accompanying the album along with bonus studio footage.", "Live performances of new songs from these concerts are included on the DVD accompanying the album along with bonus studio footage. On 18 May 2015, Muse released a lyric video for \"Mercy\" on their YouTube channel, and made the song available for instant download with the album pre-order. Drones was released on 8 June 2015. A concept album about the dehumanisation of modern warfare, it returned to a simpler rock sound with less elaborate production and genre experimentation.", "A concept album about the dehumanisation of modern warfare, it returned to a simpler rock sound with less elaborate production and genre experimentation. It topped the album charts in the UK, the US, Australia and most major markets. Muse headlined Lollapalooza Berlin on 13 September 2015. On 15 February 2016, Drones won the Grammy Award for Best Rock Album at the 58th Grammy Awards.", "On 15 February 2016, Drones won the Grammy Award for Best Rock Album at the 58th Grammy Awards. On 24 June, Muse headlined the Glastonbury Festival for a third time, becoming the first act to have headlined each day of the festival (Friday, Saturday and Sunday). On 30 November 2016, Muse were announced to headline Reading and Leeds 2017. Simulation Theory and reissues (2017–2021) In 2017, Muse toured North America supported by Thirty Seconds to Mars and PVRIS.", "Simulation Theory and reissues (2017–2021) In 2017, Muse toured North America supported by Thirty Seconds to Mars and PVRIS. Howard confirmed in February that the band were back in the studio. On 18 May, Muse released \"Dig Down\", the first single from their eighth album. In November, they performed at the BlizzCon festival. \"Thought Contagion\", the second single, was released on 15 February 2018, accompanied by an 1980s-styled music video. In June, Muse opened the Rock In Rio festival.", "In June, Muse opened the Rock In Rio festival. On 24 February, they played a one-off show at La Cigale in France with a setlist voted for fans online. A concert video, Muse: Drones World Tour, was released in cinemas worldwide on 12 July 2018. On 19 July 2018, Muse released the third single from their upcoming album, \"Something Human\". On 30 August 2018, they announced their eighth studio album, Simulation Theory, to be released on 9 November.", "On 30 August 2018, they announced their eighth studio album, Simulation Theory, to be released on 9 November. The announcement was accompanied by another single and video, \"The Dark Side\". The fifth single, \"Pressure\", was released on 27 September. The Simulation Theory world tour began in Houston on 3 February 2019 and concluded on 15 October in Lima. A film based on the album and tour, Muse – Simulation Theory, combining concert footage and narrative scenes, was released in August 2020.", "A film based on the album and tour, Muse – Simulation Theory, combining concert footage and narrative scenes, was released in August 2020. In December 2019, Muse released Origin of Muse, a box set comprising remastered versions of Showbiz and Origin of Symmetry plus previously unreleased material. For the 20th anniversary of Origin of Symmetry in June 2021, Muse released a remixed and remastered version, Origin of Symmetry: XX Anniversary RemiXX.", "For the 20th anniversary of Origin of Symmetry in June 2021, Muse released a remixed and remastered version, Origin of Symmetry: XX Anniversary RemiXX. Upcoming ninth album (2022–present) On 13 January 2022, Muse released a new single, titled \"Won't Stand Down\", which marked a return to the band's heavier early sound. Musical style Described as an alternative rock, progressive rock, space rock, hard rock, art rock, electronic rock, progressive metal, and pop.", "Musical style Described as an alternative rock, progressive rock, space rock, hard rock, art rock, electronic rock, progressive metal, and pop. Muse mix sounds from genres such as electronica, R&B, progressive metal, and art rock, and forms such as classical music, rock opera and many others. In 2002, Bellamy described Muse as a \"trashy three-piece\".", "In 2002, Bellamy described Muse as a \"trashy three-piece\". In 2005, Pitchfork described Muse's music as \"firmly ol' skool at heart: proggy hard rock that forgoes any pretensions to restraint ... their songs use full-stacked guitars and thunderous drums to evoke God's footsteps\". AllMusic described their sound as a \"fusion of progressive rock, glam, electronica, and Radiohead-influenced experimentation\".", "AllMusic described their sound as a \"fusion of progressive rock, glam, electronica, and Radiohead-influenced experimentation\". On the band's association with progressive rock, Howard said: \"I associate it [progressive rock] with 10-minute guitar solos, but I guess we kind of come into the category. A lot of bands are quite ambitious with their music, mixing lots of different styles – and when I see that I think it's great. I've noticed that kind of thing becoming a bit more mainstream.\"", "I've noticed that kind of thing becoming a bit more mainstream.\" For their second album, Origin of Symmetry (2001), Muse wanted to craft a more aggressive sound. In 2000, Wolstenholme said: \"Looking back, there isn't much difference sonically between the mellow stuff and the heavier tracks [on Showbiz]. The heavy stuff really could have been a lot heavier and that's what we want to do with [Origin of Symmetry].\"", "The heavy stuff really could have been a lot heavier and that's what we want to do with [Origin of Symmetry].\" Their third album, Absolution (2003), features prominent string arrangements and drew influences from artists such as Queen. Their fourth album, Black Holes and Revelations (2006) was influenced by artists including Depeche Mode and Lightning Bolt, as well as Asian and European music such as Naples music. The band listened to radio stations from the Middle East during the album's recording sessions.", "The band listened to radio stations from the Middle East during the album's recording sessions. Queen guitarist Brian May has praised Muse's work, calling the band \"extraordinary musicians\", who \"let their madness show through, always a good thing in an artist.\" Muse's sixth album, The 2nd Law (2012) has a broader range of influences, ranging from funk and film scores to electronica and dubstep.", "Muse's sixth album, The 2nd Law (2012) has a broader range of influences, ranging from funk and film scores to electronica and dubstep. The 2nd Law is influenced by rock acts such as Queen and Led Zeppelin (on \"Supremacy\") as well as dubstep producer Skrillex and Nero (on \"The 2nd Law: Unsustainable\" and \"Follow Me\", with the latter being co-produced by Nero), Michael Jackson, Stevie Wonder (on \"Panic Station\" which features musicians who performed on Stevie Wonder's \"Superstition\") and Hans Zimmer.", "The 2nd Law is influenced by rock acts such as Queen and Led Zeppelin (on \"Supremacy\") as well as dubstep producer Skrillex and Nero (on \"The 2nd Law: Unsustainable\" and \"Follow Me\", with the latter being co-produced by Nero), Michael Jackson, Stevie Wonder (on \"Panic Station\" which features musicians who performed on Stevie Wonder's \"Superstition\") and Hans Zimmer. The album features two songs with lyrics written and sung by bassist Wolstenholme, who wrote about his battle with alcoholism.", "The album features two songs with lyrics written and sung by bassist Wolstenholme, who wrote about his battle with alcoholism. It features extensive electronic instrumentation, including Modular synthesisers and the French Connection, a synthesiser controller similar to the ondes martenot. Musicianship Many Muse songs are recognisable by vocalist Matt Bellamy's use of vibrato, falsetto, and melismatic phrasing, influenced by Jeff Buckley. As a pianist, Bellamy often uses arpeggios.", "As a pianist, Bellamy often uses arpeggios. As a pianist, Bellamy often uses arpeggios. Bellamy's compositions often suggest or quote late classical and romantic era composers such as Sergei Rachmaninov (in \"Space Dementia\" and \"Butterflies and Hurricanes\"), Camille Saint-Saëns (in \"I Belong to You (+Mon Cœur S'ouvre a ta Voix)\") and Frédéric Chopin (in \"United States of Eurasia\").", "Bellamy's compositions often suggest or quote late classical and romantic era composers such as Sergei Rachmaninov (in \"Space Dementia\" and \"Butterflies and Hurricanes\"), Camille Saint-Saëns (in \"I Belong to You (+Mon Cœur S'ouvre a ta Voix)\") and Frédéric Chopin (in \"United States of Eurasia\"). As a guitarist, Bellamy often uses arpeggiator and pitch-shift effects to create a more \"electronic\" sound, citing Jimi Hendrix and Tom Morello as influences.", "As a guitarist, Bellamy often uses arpeggiator and pitch-shift effects to create a more \"electronic\" sound, citing Jimi Hendrix and Tom Morello as influences. His guitar playing is also influenced by Latin and Spanish guitar music; Bellamy said: \"I just think that music is really passionate...It has so much feel and flair to it. I’ve spent important times of my life in Spain and Greece, and various deep things happened there – falling in love, stuff like that.", "I’ve spent important times of my life in Spain and Greece, and various deep things happened there – falling in love, stuff like that. So maybe that rubbed off somewhere.\" Wolstenholme's basslines provide a motif for many Muse songs; the band combines bass guitar with effects and synthesisers to create overdriven fuzz bass tones. Bellamy and Wolstenholme use touch-screen controllers, often built into their instruments, to control synthesisers and effects including Kaoss Pads and Digitech Whammy pedals.", "Bellamy and Wolstenholme use touch-screen controllers, often built into their instruments, to control synthesisers and effects including Kaoss Pads and Digitech Whammy pedals. Lyrics Most earlier Muse songs lyrically dealt with introspective themes, including relationships, social alienation, and difficulties they had encountered while trying to establish themselves in their hometown. However, with the band's progress, their song concepts have become more ambitious, addressing issues such as the fear of the evolution of technology in their Origin of Symmetry (2001) album.", "However, with the band's progress, their song concepts have become more ambitious, addressing issues such as the fear of the evolution of technology in their Origin of Symmetry (2001) album. They deal mainly with the apocalypse in Absolution (2003) and with catastrophic war in Black Holes and Revelations (2006). The Resistance (2009) focused on themes of government oppression, uprising, love, and panspermia. The album itself was mainly inspired by Nineteen Eighty-Four by George Orwell.", "The album itself was mainly inspired by Nineteen Eighty-Four by George Orwell. Their sixth studio album, The 2nd Law (2012) relates to economics, thermodynamics, and apocalyptic themes. Their 2015 album Drones, is a concept album that uses autonomous killing drones as a metaphor for brainwashing and loss of empathy.", "Their 2015 album Drones, is a concept album that uses autonomous killing drones as a metaphor for brainwashing and loss of empathy. Books that have influenced Muse's lyrical themes include Nineteen Eighty-Four, Confessions of an Economic Hitman by John Perkins, Hyperspace by Michio Kaku, The 12th Planet by Zecharia Sitchin, Rule by Secrecy by Jim Marrs and Trance Formation of America by Cathy O'Brien.", "Books that have influenced Muse's lyrical themes include Nineteen Eighty-Four, Confessions of an Economic Hitman by John Perkins, Hyperspace by Michio Kaku, The 12th Planet by Zecharia Sitchin, Rule by Secrecy by Jim Marrs and Trance Formation of America by Cathy O'Brien. Band members Matt Bellamy – lead vocals, guitars, keyboards, piano, synthesisers Dominic Howard – drums, percussions Chris Wolstenholme – bass guitar, backing vocals, occasional keyboards and guitar Touring musicians Morgan Nicholls – guitars, keyboards and synthesisers, backing vocals, samples, bass (2004, 2006–present) Dan \"The Trumpet Man\" Newell – trumpet (2006–2008) Alessandro Cortini – keyboards, synthesisers (2009, substitute) Discography Showbiz (1999) Origin of Symmetry (2001) Absolution (2003) Black Holes and Revelations (2006) The Resistance (2009) The 2nd Law (2012) Drones (2015) Simulation Theory (2018) Concert tours Showbiz Tour (1998–2000) Origin of Symmetry Tour (2000–2002) Absolution Tour (2003–2004) US Campus Invasion Tour 2005 (2005) Black Holes and Revelations Tour (2006–2008) The Resistance Tour (2009–2011) The 2nd Law World Tour (2012–2014) Psycho Tour (2015) Drones World Tour (2015–2016) North American Tour (with Thirty Seconds to Mars and Pvris) (2017) Simulation Theory World Tour (2019) See also List of awards and nominations received by Muse List of Muse songs References External links English art rock groups Brit Award winners Grammy Award winners English alternative rock groups English hard rock musical groups English progressive rock groups Kerrang!", "Band members Matt Bellamy – lead vocals, guitars, keyboards, piano, synthesisers Dominic Howard – drums, percussions Chris Wolstenholme – bass guitar, backing vocals, occasional keyboards and guitar Touring musicians Morgan Nicholls – guitars, keyboards and synthesisers, backing vocals, samples, bass (2004, 2006–present) Dan \"The Trumpet Man\" Newell – trumpet (2006–2008) Alessandro Cortini – keyboards, synthesisers (2009, substitute) Discography Showbiz (1999) Origin of Symmetry (2001) Absolution (2003) Black Holes and Revelations (2006) The Resistance (2009) The 2nd Law (2012) Drones (2015) Simulation Theory (2018) Concert tours Showbiz Tour (1998–2000) Origin of Symmetry Tour (2000–2002) Absolution Tour (2003–2004) US Campus Invasion Tour 2005 (2005) Black Holes and Revelations Tour (2006–2008) The Resistance Tour (2009–2011) The 2nd Law World Tour (2012–2014) Psycho Tour (2015) Drones World Tour (2015–2016) North American Tour (with Thirty Seconds to Mars and Pvris) (2017) Simulation Theory World Tour (2019) See also List of awards and nominations received by Muse List of Muse songs References External links English art rock groups Brit Award winners Grammy Award winners English alternative rock groups English hard rock musical groups English progressive rock groups Kerrang! Awards winners NME Awards winners British musical trios Musical groups established in 1994 Maverick Records artists Warner Records artists Musical groups from Devon Ivor Novello Award winners Space rock musical groups Political music groups MTV Europe Music Award winners" ]

[ "Muse (band)", "2003-05: Absolution", "What album number was this for Muse?", "Muse's third album, Absolution, produced by Rich Costey, Paul Reeve and John Cornfield was released in September 2003.", "How did it rank among its release?", "It debuted at number one in the UK and produced Muse's first top-ten hit, \"Time Is Running Out\", and three top-twenty hits:", "Was it platinum or gold?", "Absolution was eventually certified gold in the US." ]

[ "Simply Majestic was a Canadian hip hop and dance music collective, active in the early 1990s. They are most noted for winning the Juno Award for Best R&B/Soul Recording at the Juno Awards of 1991 for their single \"Dance to the Music (Work Your Body)\". Members of the collective included producer Anthony Bond, rappers B-Kool, Frank Morrell, The Russian Prince and MC A-OK, rap groups Point Blank, Brothers from the Ghetto, the Boys of the Greenhouse and the Forbidden Ones, and rhythm and blues singer Porsha-Lee.\n\nThe band signed to Capitol-EMI Canada in 1990 as part of the first significant wave of signings of Canadian hip hop acts, and released the EP Simply Majestic featuring B-Kool that year. The single \"Dance to the Music (Work Your Body)\" won the Juno for Best R&B/Soul Recording Juno and was a nominated finalist for Rap Recording of the Year, but did not win in that category. B-Kool was also a contributor to Dance Appeal, a supergroup of dance, hip hop, rhythm and blues and reggae musicians who released the one-off single \"Can't Repress the Cause\" in 1990.\n\nThey followed up in 1991 with the album We United to Do Dis. The album again received two Juno Award nominations at the Juno Awards of 1992, in the R&B/Soul category for the single \"Destiny\" and in the Rap category for the single \"Play the Music DJ\".\n\nSimply Majestic did not release any further recordings as a collective. B-Kool released the solo album Mellow Madness in 1994, and received another Juno Award nomination for Best Rap Recording at the Juno Awards of 1994 for the single \"Got to Get Over\".\n\nReferences\n\nCanadian hip hop groups\nCanadian dance music groups\nMusical groups from Toronto\nHip hop collectives\nJuno Award for R&B/Soul Recording of the Year winners", "2Frères is a Canadian folk rock duo from Chapais, Quebec, consisting of brothers Erik and Sonny Caouette. They are most noted as two-time winners of the Félix Award for Group of the Year, winning at the 38th Félix Awards in 2016 and at the 40th Félix Awards in 2018.\n\nFormed in 2008, they released their debut album Nous autres in April 2015. The album sold 80,000 copies in Quebec and was certified platinum, and the band were the most-played artists of any genre on francophone radio in Canada in 2016. In addition to their Group of the Year win at the Felix Awards in 2016, the album also won Pop Album of the Year.\n\nTheir second album, La Route, was released in November 2017. The album's single \"Comme avant\" spent a record 25 weeks as the most-played song on Quebec radio, and the album was again certified gold.\n\nTheir third album, À tous les vents, followed in February 2020. The album debuted at #1 on Quebec's pop charts. With touring impacted by the COVID-19 pandemic in Canada, the album was partially promoted by a documentary special on the duo, 2Frères : L’improbable parcours, which was broadcast by TVA on September 27, 2020, as well as a companion book, 2Frères, À tous les vents : L’histoire d’un improbable parcours, by François Couture.\n\nThey received three Felix nominations at the 42nd Félix Awards in 2020, for Group of the Year, Adult Contemporary Album of the Year for À tous les vents, and Song of the Year for the album's title track.\n\nThey received two Juno Award nominations at the Juno Awards of 2021, for Breakthrough Group of the Year and Francophone Album of the Year for À tous les vents.\n\nReferences\n\nExternal links\n\nCanadian folk rock groups\nMusical groups from Quebec\nFélix Award winners" ]

[ "Muse are an English rock band from Teignmouth, Devon, formed in 1994. The band consists of Matt Bellamy (lead vocals, guitar, keyboards), Chris Wolstenholme (bass guitar, backing vocals), and Dominic Howard (drums). Muse released their debut album, Showbiz, in 1999, showcasing Bellamy's falsetto and a melancholic alternative rock style. Their second album, Origin of Symmetry (2001), incorporated wider instrumentation and romantic classical influences and earned them a reputation for energetic live performances.", "Their second album, Origin of Symmetry (2001), incorporated wider instrumentation and romantic classical influences and earned them a reputation for energetic live performances. Absolution (2003) saw further classical influence, with strings on tracks such as \"Butterflies and Hurricanes\", and was the first of six consecutive UK number-one albums. Black Holes and Revelations (2006) incorporated electronic and pop elements, displayed in singles such as \"Supermassive Black Hole\", and brought Muse wider international success.", "Black Holes and Revelations (2006) incorporated electronic and pop elements, displayed in singles such as \"Supermassive Black Hole\", and brought Muse wider international success. The Resistance (2009) and The 2nd Law (2012) explored themes of government oppression and civil uprising and cemented Muse as one of the world's major stadium acts. Rolling Stone stated the band possessed \"stadium-crushing songs\".", "Rolling Stone stated the band possessed \"stadium-crushing songs\". Topping the US Billboard 200, their seventh album, Drones (2015), was a concept album about drone warfare and returned to a harder rock sound. Their eighth album, Simulation Theory (2018), prominently featured synthesisers and was influenced by science fiction and the simulation hypothesis. Muse have won numerous awards, including two Grammy Awards, two Brit Awards, five MTV Europe Music Awards and eight NME Awards.", "Muse have won numerous awards, including two Grammy Awards, two Brit Awards, five MTV Europe Music Awards and eight NME Awards. In 2012 they received the Ivor Novello Award for International Achievement from the British Academy of Songwriters, Composers and Authors. , they have sold over 30 million albums worldwide. History Early years (1994–1997) The members of Muse played in separate school bands during their time at Teignmouth Community College in the early 1990s.", "History Early years (1994–1997) The members of Muse played in separate school bands during their time at Teignmouth Community College in the early 1990s. Guitarist Matt Bellamy successfully auditioned for drummer Dominic Howard's band, Carnage Mayhem, becoming its singer and songwriter. They renamed the band Gothic Plague. They asked Chris Wolstenholme – at that time the drummer for Fixed Penalty – to join as bassist; he agreed and took up bass lessons. The band was renamed Rocket Baby Dolls and adopted a goth-glam image.", "The band was renamed Rocket Baby Dolls and adopted a goth-glam image. Around this time, they received a £150 grant from the Prince's Trust for equipment. In 1994, Rocket Baby Dolls won a local battle of the bands, smashing their equipment in the process. Bellamy said, \"It was supposed to be a protest, a statement, so, when we actually won, it was a real shock, a massive shock. After that, we started taking ourselves seriously.\"", "After that, we started taking ourselves seriously.\" After that, we started taking ourselves seriously.\" The band quit their jobs, changed their name to Muse, and moved away from Teignmouth. The band liked that the new name was short and thought that it looked good on a poster. According to journalist Mark Beaumont, the band wanted the name to reflect \"the sense Matt had that he had somehow 'summoned up' this band, the way mediums could summon up inspirational spirits at times of emotional need\".", "According to journalist Mark Beaumont, the band wanted the name to reflect \"the sense Matt had that he had somehow 'summoned up' this band, the way mediums could summon up inspirational spirits at times of emotional need\". First EPs and Showbiz (1998–2000) After a few years building a fanbase, Muse played their first gigs in London and Manchester supporting Skunk Anansie on tour. They had a significant meeting with Dennis Smith, the owner of Sawmills Studio, situated in a converted water mill in Cornwall.", "They had a significant meeting with Dennis Smith, the owner of Sawmills Studio, situated in a converted water mill in Cornwall. He had seen the three boys grow up as he knew their parents, and had a production company with their future manager Safta Jaffery, with whom he had recently started the record label Taste Media. The meeting led to their first serious recordings and the release of the Muse EP on 11 May 1998 on Sawmills' in-house Dangerous label, produced by Paul Reeve.", "The meeting led to their first serious recordings and the release of the Muse EP on 11 May 1998 on Sawmills' in-house Dangerous label, produced by Paul Reeve. Their second EP, the Muscle Museum EP, also produced by Reeve, was released on 11 January 1999. It reached number 3 in the indie singles chart and attracted the attention of British radio broadcaster Steve Lamacq and the weekly British music publication NME.", "It reached number 3 in the indie singles chart and attracted the attention of British radio broadcaster Steve Lamacq and the weekly British music publication NME. Later in 1999, Muse performed on the Emerging Artist's stage at Woodstock '99 and signed with Smith and Jaffery. Despite the success of their second EP, British record companies were reluctant to sign Muse.", "Despite the success of their second EP, British record companies were reluctant to sign Muse. After a trip to New York's CMJ Festival, Nanci Walker, then Sr. Director of A&R at Columbia Records, flew Muse to the US to showcase for Columbia Records' then-Senior Vice-President of A&R, Tim Devine, as well as for American Recording's Rick Rubin. During this trip, on 24 December 1998, Muse signed a deal with American record label Maverick Records.", "During this trip, on 24 December 1998, Muse signed a deal with American record label Maverick Records. Upon their return to England, Taste Media arranged deals for Muse with various record labels in Europe and Australia, allowing them control over their career in individual countries. John Leckie was brought in alongside Reeve to produce the band's first album, Showbiz (1999). The album showcased Muse's aggressive yet melancholic musical style, with lyrics about relationships and their difficulties trying to establish themselves in their hometown.", "The album showcased Muse's aggressive yet melancholic musical style, with lyrics about relationships and their difficulties trying to establish themselves in their hometown. Origin of Symmetry and Hullabaloo (2000–2002) During the production of their second album, Origin of Symmetry (2001), Muse experimented with instrumentation such as a church organ, Mellotron, animal bones, and an expanded drum kit. There was more of Bellamy's falsetto, arpeggiated guitar, and piano playing.", "There was more of Bellamy's falsetto, arpeggiated guitar, and piano playing. Bellamy cites guitar influences such as Jimi Hendrix and Tom Morello (of Rage Against the Machine), the latter evident in the more riff-based songs in Origin of Symmetry and in Bellamy's use of guitar pitch-shifting effects. The album features a cover of Anthony Newley and Leslie Bricusse's \"Feeling Good\", voted in various polls one of the greatest cover versions of all time.", "The album features a cover of Anthony Newley and Leslie Bricusse's \"Feeling Good\", voted in various polls one of the greatest cover versions of all time. It was released as a double A-side single, \"Hyper Music/Feeling Good\".", "It was released as a double A-side single, \"Hyper Music/Feeling Good\". Origin of Symmetry received positive reviews by critics; NME gave the album 9/10 and wrote: \"It's amazing for such a young band to load up with a heritage that includes the darker visions of Cobain and Kafka, Mahler and The Tiger Lillies, Cronenberg and Schoenberg, and make a sexy, populist album.\"", "Origin of Symmetry received positive reviews by critics; NME gave the album 9/10 and wrote: \"It's amazing for such a young band to load up with a heritage that includes the darker visions of Cobain and Kafka, Mahler and The Tiger Lillies, Cronenberg and Schoenberg, and make a sexy, populist album.\" Maverick, Muse's American label, did not consider Bellamy's vocals \"radio-friendly\" and asked Muse to rerecord the song for the US release.", "Maverick, Muse's American label, did not consider Bellamy's vocals \"radio-friendly\" and asked Muse to rerecord the song for the US release. The band refused and left Maverick; the album was not released in the US until September 2005, after Muse signed to Warner Bros. Origin of Symmetry has made appearances on lists of the greatest rock albums of the 2000s, both poll-based and on publication lists.", "Origin of Symmetry has made appearances on lists of the greatest rock albums of the 2000s, both poll-based and on publication lists. In 2006, it placed at number 74 on Q magazine's list of the 100 Greatest Albums of All-Time, while in February 2008, the album placed at number 28 on a list of the Best British Albums of All Time determined by the magazine's readers. Kerrang! placed the album at number 20 in its 100 Best British Rock Albums Ever!", "placed the album at number 20 in its 100 Best British Rock Albums Ever! List and at number 13 on its 50 Best Albums of the 21st Century list. Acclaimed Music ranks Origin of Symmetry as the 1,247th greatest album of all time. In 2002, Muse released the first live DVD, Hullabaloo, featuring footage recorded during Muse's two gigs at Le Zenith in Paris in 2001, and a documentary film of the band on tour.", "In 2002, Muse released the first live DVD, Hullabaloo, featuring footage recorded during Muse's two gigs at Le Zenith in Paris in 2001, and a documentary film of the band on tour. A double album, Hullabaloo Soundtrack, was released at the same time, containing a compilation of B-sides and a disc of recordings of songs from the Le Zenith performances. A double-A side single was also released featuring the new songs \"In Your World\" and \"Dead Star\".", "A double-A side single was also released featuring the new songs \"In Your World\" and \"Dead Star\". In 2002, Muse threatened Celine Dion with legal action when she planned to name her Las Vegas show \"Muse\", as Muse have worldwide performing rights to the name. Dion offered Muse $50,000 for the rights, but they turned it down and Dion backed down. Bellamy said: \"We don't want to turn up there with people thinking we're Celine Dion's backing band.\"", "Bellamy said: \"We don't want to turn up there with people thinking we're Celine Dion's backing band.\" Absolution (2003–2005) Muse's third album, Absolution, produced by Rich Costey, Paul Reeve and John Cornfield was released on 15 September 2003. It debuted at number one in the UK and produced Muse's first top-ten hit, \"Time Is Running Out\", and three top-twenty hits: \"Hysteria\", \"Sing for Absolution\" and \"Butterflies and Hurricanes\".", "It debuted at number one in the UK and produced Muse's first top-ten hit, \"Time Is Running Out\", and three top-twenty hits: \"Hysteria\", \"Sing for Absolution\" and \"Butterflies and Hurricanes\". Absolution was eventually certified gold in the US. Muse undertook a year-long international tour in support of the album, visiting Australia, New Zealand, the United States, Canada, and France.", "Muse undertook a year-long international tour in support of the album, visiting Australia, New Zealand, the United States, Canada, and France. On the 2004 US leg of the tour, Bellamy injured himself onstage during the opening show in Atlanta; the tour resumed after Bellamy received stitches. In June 2004, Muse headlined the Glastonbury Festival, which they later described as \"the best gig of our lives\".", "In June 2004, Muse headlined the Glastonbury Festival, which they later described as \"the best gig of our lives\". Howard's father, William Howard, who attended the festival to watch the band, died from a heart attack shortly after the performance. Bellamy said: \"It was the biggest feeling of achievement we've ever had after coming offstage. It was almost surreal that an hour later his dad died. It was almost not believable.", "It was almost not believable. It was almost not believable. We spent about a week sort of just with Dom trying to support him. I think he was happy that at least his dad got to see him at probably what was the finest moment so far of the band's life.\" Muse won two MTV Europe awards, including \"Best Alternative Act\", and a Q Award for \"Best Live Act\", and received an award for \"Best British Live Act\" at the Brit Awards.", "Muse won two MTV Europe awards, including \"Best Alternative Act\", and a Q Award for \"Best Live Act\", and received an award for \"Best British Live Act\" at the Brit Awards. On 2 July 2005, they participated in the Live 8 concert in Paris. In 2003, the band successfully sued Nestlé for using their cover \"Feeling Good\" for a Nescafé advertisement without permission and donated the money won from the lawsuit to Oxfam.", "In 2003, the band successfully sued Nestlé for using their cover \"Feeling Good\" for a Nescafé advertisement without permission and donated the money won from the lawsuit to Oxfam. An unofficial DVD biography, Manic Depression, was released in April 2005. Muse released another live DVD on 12 December 2005, Absolution Tour, containing edited and remastered highlights from their Glastonbury performance unseen footage from their performances at London Earls Court, Wembley Arena, and the Wiltern Theatre in Los Angeles.", "Muse released another live DVD on 12 December 2005, Absolution Tour, containing edited and remastered highlights from their Glastonbury performance unseen footage from their performances at London Earls Court, Wembley Arena, and the Wiltern Theatre in Los Angeles. During the 2004 Absolution tour, Bellamy smashed 140 guitars, a world record for the most guitars smashed in a tour. Black Holes and Revelations and HAARP (2006–2008) In 2006, Muse released their fourth album, Black Holes and Revelations, co-produced once again with Rich Costey.", "Black Holes and Revelations and HAARP (2006–2008) In 2006, Muse released their fourth album, Black Holes and Revelations, co-produced once again with Rich Costey. The album's title and themes reflect the band's interest in science fiction. The album charted at number one in the UK, much of Europe, and Australia. In the US, it reached number nine on the Billboard 200.", "In the US, it reached number nine on the Billboard 200. Before the release of the new album, Muse made several promotional TV appearances starting on 13 May 2006 at BBC Radio 1's Big Weekend. The Black Holes and Revelations Tour started before the release of their album and initially consisted mostly of festival appearances, including a headline slot at the Reading and Leeds Festivals in August 2006. The band's main touring itinerary started with a tour of North America from late July to early August 2006.", "The band's main touring itinerary started with a tour of North America from late July to early August 2006. After the last of the summer festivals, a tour of Europe began, including a large arena tour of the UK. Black Holes and Revelations was nominated for the 2006 Mercury Music Prize, but lost to Arctic Monkeys. It earned a Platinum Europe Award after selling one million copies in Europe. The first single from the album, \"Supermassive Black Hole\", was released as a download in May 2006.", "The first single from the album, \"Supermassive Black Hole\", was released as a download in May 2006. In August 2006, Muse recorded a live session at Abbey Road Studios for the Live from Abbey Road television show. The second single, \"Starlight\", was released in September 2006. \"Knights of Cydonia\" was released in the US as a radio-only single in June 2006 and in the UK in November 2006. The fourth single, \"Invincible\", was released in April 2007.", "The fourth single, \"Invincible\", was released in April 2007. Another single, \"Map of the Problematique\", was released for download only in June 2007, following the band's performance at Wembley Stadium. Muse spent November and much of December 2006 touring Europe with British band Noisettes as the supporting act. The tour continued in Australia, New Zealand, and Southeast Asia in early 2007 before returning to England for the summer.", "The tour continued in Australia, New Zealand, and Southeast Asia in early 2007 before returning to England for the summer. At the 2007 Brit Awards in February, Muse received their second award for Best British Live Act. They performed two gigs at the newly rebuilt Wembley Stadium on 16 and 17 June 2007, where they became the first band to sell out the venue. Both concerts were recorded for a DVD/CD, HAARP, released in early 2008. It was named the 40th greatest live album of all time by NME.", "It was named the 40th greatest live album of all time by NME. The tour continued across Europe in July 2007 before returning to the US in August, where Muse played to a sold-out crowd at Madison Square Garden, New York City. They headlined the second night of the Austin City Limits Music Festival on 15 September 2007, and performed at the October 2007 Vegoose in Las Vegas with bands including Rage Against the Machine, Daft Punk and Queens of the Stone Age.", "They headlined the second night of the Austin City Limits Music Festival on 15 September 2007, and performed at the October 2007 Vegoose in Las Vegas with bands including Rage Against the Machine, Daft Punk and Queens of the Stone Age. Muse continued touring in Eastern Europe, Russia, Scandinavia, Australia, and New Zealand in 2007 before going to South Africa, Portugal, Mexico, Argentina, Chile, Colombia, Brazil, Ireland, and the UK in 2008.", "Muse continued touring in Eastern Europe, Russia, Scandinavia, Australia, and New Zealand in 2007 before going to South Africa, Portugal, Mexico, Argentina, Chile, Colombia, Brazil, Ireland, and the UK in 2008. On 12 April, they played a one-off concert at the Royal Albert Hall, London in aid of the Teenage Cancer Trust. Muse performed at Rock in Rio Lisboa on 6 June 2008, alongside bands including Kaiser Chiefs, The Offspring and Linkin Park.", "Muse performed at Rock in Rio Lisboa on 6 June 2008, alongside bands including Kaiser Chiefs, The Offspring and Linkin Park. They also performed in Marlay Park, Dublin, on 13 August. A few days later, Muse headlined the 2008 V Festival, playing in Chelmsford on Saturday 16 August and Staffordshire on Sunday 17 August. On 25 September 2008, Bellamy, Howard and Wolstenholme all received an Honorary Doctorate of Arts from the University of Plymouth for their contributions to music.", "On 25 September 2008, Bellamy, Howard and Wolstenholme all received an Honorary Doctorate of Arts from the University of Plymouth for their contributions to music. The Resistance (2009–2011) During the recording of Muse's fifth studio album The Resistance, Wolstenholme checked into rehab to deal with his alcoholism, which was threatening the band's future. Howard said: \"I've always believed in band integrity and sticking together. There's something about the fact we all grew up together.", "There's something about the fact we all grew up together. We've been together for 18 years now, which is over half our lives.\" The Resistance was released in September 2009, the first album produced by Muse, with engineering by Adrian Bushby and mixing by Mark Stent. It topped album charts in 19 countries, became the band's third number one album in the UK, and reached number three on the Billboard 200.", "It topped album charts in 19 countries, became the band's third number one album in the UK, and reached number three on the Billboard 200. Reviews were mostly positive, with praise for its ambition, classical influences and the three-part \"Exogenesis: Symphony\". The Resistance beat its predecessor Black Holes and Revelations in album sales in its debut week in the UK with approximately 148,000 copies sold. The first single, \"Uprising\", was released seven days earlier.", "The first single, \"Uprising\", was released seven days earlier. On 13 September, Muse performed \"Uprising\" at the 2009 MTV Video Music Awards in New York City. The Resistance Tour began with A Seaside Rendezvous in Muse's hometown of Teignmouth, Devon, in September 2009. It included headline slots the following year at festivals including Coachella, Glastonbury, Oxegen, Hovefestivalen, T in the Park, Austin City Limits and the Australian Big Day Out. Between September and November, Muse toured North America.", "Between September and November, Muse toured North America. Between September and November, Muse toured North America. Muse provided the lead single for the film The Twilight Saga: Eclipse, \"Neutron Star Collision (Love Is Forever)\", released on 17 May 2010. In June, Muse headlined Glastonbury Festival for the second time; after U2 canceled their headline slot following singer Bono's back injury, U2 guitarist the Edge joined Muse to play the U2 track \"Where the Streets Have No Name\".", "In June, Muse headlined Glastonbury Festival for the second time; after U2 canceled their headline slot following singer Bono's back injury, U2 guitarist the Edge joined Muse to play the U2 track \"Where the Streets Have No Name\". For their live performances, Muse received the O2 Silver Clef Award in London on 2 July 2010, presented by Roger Taylor and Brian May of Queen; Taylor described the trio as \"probably the greatest live act in the world today\".", "For their live performances, Muse received the O2 Silver Clef Award in London on 2 July 2010, presented by Roger Taylor and Brian May of Queen; Taylor described the trio as \"probably the greatest live act in the world today\". On 12 September 2010, Muse won an MTV Video Music Award in the category of Best Special Effects, for the \"Uprising\" video. On 21 November, Muse took home an American Music Award for Favorite Artist in the Alternative Rock Music Category.", "On 21 November, Muse took home an American Music Award for Favorite Artist in the Alternative Rock Music Category. On 2 December, Muse were nominated for three awards for the 53rd Grammy Awards on 13 February 2011, for which they won the Grammy Award for Best Rock Album for The Resistance.", "On 2 December, Muse were nominated for three awards for the 53rd Grammy Awards on 13 February 2011, for which they won the Grammy Award for Best Rock Album for The Resistance. Based on having the largest airplay and sales in the US, Muse were named the Billboard Alternative Songs and Rock Songs artist for 2010 with \"Uprising\", \"Resistance\" and \"Undisclosed Desires\" achieving 1st, 6th and 49th on the year end Alternative Song chart respectively.", "Based on having the largest airplay and sales in the US, Muse were named the Billboard Alternative Songs and Rock Songs artist for 2010 with \"Uprising\", \"Resistance\" and \"Undisclosed Desires\" achieving 1st, 6th and 49th on the year end Alternative Song chart respectively. On 30 July 2011, Muse supported Rage Against the Machine at their only 2011 gig at the L.A. Rising festival. On 13 August, Muse headlined the Outside Lands Music and Arts Festival in San Francisco.", "On 13 August, Muse headlined the Outside Lands Music and Arts Festival in San Francisco. Muse headlined the Reading and Leeds Festivals in August 2011. To celebrate the tenth anniversary of their second studio album Origin of Symmetry (2001), the band performed all eleven tracks. Muse also headlined Lollapalooza in Chicago's Grant Park in August 2011.", "Muse also headlined Lollapalooza in Chicago's Grant Park in August 2011. The 2nd Law and Live at Rome Olympic Stadium (2012–2013) In an April 2012 interview, Bellamy said Muse's next album would include influences from acts such as French house duo Justice and UK electronic rock group Does It Offend You, Yeah?. On 6 June 2012, Muse released a trailer for their next album, The 2nd Law, with a countdown on the band's website.", "On 6 June 2012, Muse released a trailer for their next album, The 2nd Law, with a countdown on the band's website. The trailer, which included dubstep elements, was met with mixed reactions. On 7 June, Muse announced a European Arena tour, the first leg of The 2nd Law Tour. The leg included dates in France, Spain and the UK.", "The leg included dates in France, Spain and the UK. The first single from the album, \"Survival\", was the official song of the London 2012 Summer Olympics, and Muse performed it at the Olympics closing ceremony. Muse revealed the 2nd Law tracklist on 13 July 2012. The second single, \"Madness\", was released on 20 August 2012, with a music video on 5 September. Muse played at the Roundhouse on 30 September as part of the iTunes Festival.", "Muse played at the Roundhouse on 30 September as part of the iTunes Festival. The 2nd Law was released worldwide on 1 October, and on 2 October 2012 in the US; it reached number one in the UK Albums Chart, and number two on the US Billboard 200. The song \"Madness\" earned a nomination in the Best Rock Song category and the album itself was nominated for the Best Rock Album at the 55th Grammy Awards, 2013.", "The song \"Madness\" earned a nomination in the Best Rock Song category and the album itself was nominated for the Best Rock Album at the 55th Grammy Awards, 2013. The band performed the album's opening song, \"Supremacy\", with an orchestra at the 2013 Brit Awards on 20 February 2013. The album was a nominee for Best Rock Album at the 2013 Grammy Awards. The song \"Madness\" was also nominated for Best Rock Song.", "The song \"Madness\" was also nominated for Best Rock Song. The album listed at number 46 on Rolling Stones list of the top 50 albums of 2012, saying \"In an era of diminished expectations, Muse make stadium-crushing songs that mix the legacies of Queen, King Crimson, Led Zeppelin and Radiohead while making almost every other current band seem tiny.\" Muse released their fourth live album, Live at Rome Olympic Stadium, on 29 November 2013 on CD/DVD and CD/Blu-ray formats.", "Muse released their fourth live album, Live at Rome Olympic Stadium, on 29 November 2013 on CD/DVD and CD/Blu-ray formats. In November 2013, the film had theatrical screenings in 20 cities worldwide. The album contains the band's performance at Rome's Stadio Olimpico on 6 July 2013, in front of over 60,000 people; it was the first concert filmed in 4K format. The concert was a part of the Unsustainable Tour, Muse's mid-2013 tour of Europe.", "The concert was a part of the Unsustainable Tour, Muse's mid-2013 tour of Europe. Drones (2014–2016) Muse began writing their seventh album soon after the Rome concert. The band felt that the electronic side of their music was becoming too dominant, and wanted to return to a simpler rock sound. After self-producing their previous two albums, the band hired producer Robert John \"Mutt\" Lange so they could focus on performance and spend less time mixing and reviewing takes.", "After self-producing their previous two albums, the band hired producer Robert John \"Mutt\" Lange so they could focus on performance and spend less time mixing and reviewing takes. Recording took place in the Vancouver Warehouse Studio from October 2014 to April 2015. Muse announced their seventh album, Drones, on 11 March 2015. The following day, they released a lyric video for \"Psycho\" on their YouTube channel, and made the song available for instant download with the album pre-order.", "The following day, they released a lyric video for \"Psycho\" on their YouTube channel, and made the song available for instant download with the album pre-order. Another single, \"Dead Inside\", was released on 23 March. From 15 March to 16 May, Muse embarked on a short tour in small venues throughout the UK and the US, the Psycho Tour. Live performances of new songs from these concerts are included on the DVD accompanying the album along with bonus studio footage.", "Live performances of new songs from these concerts are included on the DVD accompanying the album along with bonus studio footage. On 18 May 2015, Muse released a lyric video for \"Mercy\" on their YouTube channel, and made the song available for instant download with the album pre-order. Drones was released on 8 June 2015. A concept album about the dehumanisation of modern warfare, it returned to a simpler rock sound with less elaborate production and genre experimentation.", "A concept album about the dehumanisation of modern warfare, it returned to a simpler rock sound with less elaborate production and genre experimentation. It topped the album charts in the UK, the US, Australia and most major markets. Muse headlined Lollapalooza Berlin on 13 September 2015. On 15 February 2016, Drones won the Grammy Award for Best Rock Album at the 58th Grammy Awards.", "On 15 February 2016, Drones won the Grammy Award for Best Rock Album at the 58th Grammy Awards. On 24 June, Muse headlined the Glastonbury Festival for a third time, becoming the first act to have headlined each day of the festival (Friday, Saturday and Sunday). On 30 November 2016, Muse were announced to headline Reading and Leeds 2017. Simulation Theory and reissues (2017–2021) In 2017, Muse toured North America supported by Thirty Seconds to Mars and PVRIS.", "Simulation Theory and reissues (2017–2021) In 2017, Muse toured North America supported by Thirty Seconds to Mars and PVRIS. Howard confirmed in February that the band were back in the studio. On 18 May, Muse released \"Dig Down\", the first single from their eighth album. In November, they performed at the BlizzCon festival. \"Thought Contagion\", the second single, was released on 15 February 2018, accompanied by an 1980s-styled music video. In June, Muse opened the Rock In Rio festival.", "In June, Muse opened the Rock In Rio festival. On 24 February, they played a one-off show at La Cigale in France with a setlist voted for fans online. A concert video, Muse: Drones World Tour, was released in cinemas worldwide on 12 July 2018. On 19 July 2018, Muse released the third single from their upcoming album, \"Something Human\". On 30 August 2018, they announced their eighth studio album, Simulation Theory, to be released on 9 November.", "On 30 August 2018, they announced their eighth studio album, Simulation Theory, to be released on 9 November. The announcement was accompanied by another single and video, \"The Dark Side\". The fifth single, \"Pressure\", was released on 27 September. The Simulation Theory world tour began in Houston on 3 February 2019 and concluded on 15 October in Lima. A film based on the album and tour, Muse – Simulation Theory, combining concert footage and narrative scenes, was released in August 2020.", "A film based on the album and tour, Muse – Simulation Theory, combining concert footage and narrative scenes, was released in August 2020. In December 2019, Muse released Origin of Muse, a box set comprising remastered versions of Showbiz and Origin of Symmetry plus previously unreleased material. For the 20th anniversary of Origin of Symmetry in June 2021, Muse released a remixed and remastered version, Origin of Symmetry: XX Anniversary RemiXX.", "For the 20th anniversary of Origin of Symmetry in June 2021, Muse released a remixed and remastered version, Origin of Symmetry: XX Anniversary RemiXX. Upcoming ninth album (2022–present) On 13 January 2022, Muse released a new single, titled \"Won't Stand Down\", which marked a return to the band's heavier early sound. Musical style Described as an alternative rock, progressive rock, space rock, hard rock, art rock, electronic rock, progressive metal, and pop.", "Musical style Described as an alternative rock, progressive rock, space rock, hard rock, art rock, electronic rock, progressive metal, and pop. Muse mix sounds from genres such as electronica, R&B, progressive metal, and art rock, and forms such as classical music, rock opera and many others. In 2002, Bellamy described Muse as a \"trashy three-piece\".", "In 2002, Bellamy described Muse as a \"trashy three-piece\". In 2005, Pitchfork described Muse's music as \"firmly ol' skool at heart: proggy hard rock that forgoes any pretensions to restraint ... their songs use full-stacked guitars and thunderous drums to evoke God's footsteps\". AllMusic described their sound as a \"fusion of progressive rock, glam, electronica, and Radiohead-influenced experimentation\".", "AllMusic described their sound as a \"fusion of progressive rock, glam, electronica, and Radiohead-influenced experimentation\". On the band's association with progressive rock, Howard said: \"I associate it [progressive rock] with 10-minute guitar solos, but I guess we kind of come into the category. A lot of bands are quite ambitious with their music, mixing lots of different styles – and when I see that I think it's great. I've noticed that kind of thing becoming a bit more mainstream.\"", "I've noticed that kind of thing becoming a bit more mainstream.\" For their second album, Origin of Symmetry (2001), Muse wanted to craft a more aggressive sound. In 2000, Wolstenholme said: \"Looking back, there isn't much difference sonically between the mellow stuff and the heavier tracks [on Showbiz]. The heavy stuff really could have been a lot heavier and that's what we want to do with [Origin of Symmetry].\"", "The heavy stuff really could have been a lot heavier and that's what we want to do with [Origin of Symmetry].\" Their third album, Absolution (2003), features prominent string arrangements and drew influences from artists such as Queen. Their fourth album, Black Holes and Revelations (2006) was influenced by artists including Depeche Mode and Lightning Bolt, as well as Asian and European music such as Naples music. The band listened to radio stations from the Middle East during the album's recording sessions.", "The band listened to radio stations from the Middle East during the album's recording sessions. Queen guitarist Brian May has praised Muse's work, calling the band \"extraordinary musicians\", who \"let their madness show through, always a good thing in an artist.\" Muse's sixth album, The 2nd Law (2012) has a broader range of influences, ranging from funk and film scores to electronica and dubstep.", "Muse's sixth album, The 2nd Law (2012) has a broader range of influences, ranging from funk and film scores to electronica and dubstep. The 2nd Law is influenced by rock acts such as Queen and Led Zeppelin (on \"Supremacy\") as well as dubstep producer Skrillex and Nero (on \"The 2nd Law: Unsustainable\" and \"Follow Me\", with the latter being co-produced by Nero), Michael Jackson, Stevie Wonder (on \"Panic Station\" which features musicians who performed on Stevie Wonder's \"Superstition\") and Hans Zimmer.", "The 2nd Law is influenced by rock acts such as Queen and Led Zeppelin (on \"Supremacy\") as well as dubstep producer Skrillex and Nero (on \"The 2nd Law: Unsustainable\" and \"Follow Me\", with the latter being co-produced by Nero), Michael Jackson, Stevie Wonder (on \"Panic Station\" which features musicians who performed on Stevie Wonder's \"Superstition\") and Hans Zimmer. The album features two songs with lyrics written and sung by bassist Wolstenholme, who wrote about his battle with alcoholism.", "The album features two songs with lyrics written and sung by bassist Wolstenholme, who wrote about his battle with alcoholism. It features extensive electronic instrumentation, including Modular synthesisers and the French Connection, a synthesiser controller similar to the ondes martenot. Musicianship Many Muse songs are recognisable by vocalist Matt Bellamy's use of vibrato, falsetto, and melismatic phrasing, influenced by Jeff Buckley. As a pianist, Bellamy often uses arpeggios.", "As a pianist, Bellamy often uses arpeggios. As a pianist, Bellamy often uses arpeggios. Bellamy's compositions often suggest or quote late classical and romantic era composers such as Sergei Rachmaninov (in \"Space Dementia\" and \"Butterflies and Hurricanes\"), Camille Saint-Saëns (in \"I Belong to You (+Mon Cœur S'ouvre a ta Voix)\") and Frédéric Chopin (in \"United States of Eurasia\").", "Bellamy's compositions often suggest or quote late classical and romantic era composers such as Sergei Rachmaninov (in \"Space Dementia\" and \"Butterflies and Hurricanes\"), Camille Saint-Saëns (in \"I Belong to You (+Mon Cœur S'ouvre a ta Voix)\") and Frédéric Chopin (in \"United States of Eurasia\"). As a guitarist, Bellamy often uses arpeggiator and pitch-shift effects to create a more \"electronic\" sound, citing Jimi Hendrix and Tom Morello as influences.", "As a guitarist, Bellamy often uses arpeggiator and pitch-shift effects to create a more \"electronic\" sound, citing Jimi Hendrix and Tom Morello as influences. His guitar playing is also influenced by Latin and Spanish guitar music; Bellamy said: \"I just think that music is really passionate...It has so much feel and flair to it. I’ve spent important times of my life in Spain and Greece, and various deep things happened there – falling in love, stuff like that.", "I’ve spent important times of my life in Spain and Greece, and various deep things happened there – falling in love, stuff like that. So maybe that rubbed off somewhere.\" Wolstenholme's basslines provide a motif for many Muse songs; the band combines bass guitar with effects and synthesisers to create overdriven fuzz bass tones. Bellamy and Wolstenholme use touch-screen controllers, often built into their instruments, to control synthesisers and effects including Kaoss Pads and Digitech Whammy pedals.", "Bellamy and Wolstenholme use touch-screen controllers, often built into their instruments, to control synthesisers and effects including Kaoss Pads and Digitech Whammy pedals. Lyrics Most earlier Muse songs lyrically dealt with introspective themes, including relationships, social alienation, and difficulties they had encountered while trying to establish themselves in their hometown. However, with the band's progress, their song concepts have become more ambitious, addressing issues such as the fear of the evolution of technology in their Origin of Symmetry (2001) album.", "However, with the band's progress, their song concepts have become more ambitious, addressing issues such as the fear of the evolution of technology in their Origin of Symmetry (2001) album. They deal mainly with the apocalypse in Absolution (2003) and with catastrophic war in Black Holes and Revelations (2006). The Resistance (2009) focused on themes of government oppression, uprising, love, and panspermia. The album itself was mainly inspired by Nineteen Eighty-Four by George Orwell.", "The album itself was mainly inspired by Nineteen Eighty-Four by George Orwell. Their sixth studio album, The 2nd Law (2012) relates to economics, thermodynamics, and apocalyptic themes. Their 2015 album Drones, is a concept album that uses autonomous killing drones as a metaphor for brainwashing and loss of empathy.", "Their 2015 album Drones, is a concept album that uses autonomous killing drones as a metaphor for brainwashing and loss of empathy. Books that have influenced Muse's lyrical themes include Nineteen Eighty-Four, Confessions of an Economic Hitman by John Perkins, Hyperspace by Michio Kaku, The 12th Planet by Zecharia Sitchin, Rule by Secrecy by Jim Marrs and Trance Formation of America by Cathy O'Brien.", "Books that have influenced Muse's lyrical themes include Nineteen Eighty-Four, Confessions of an Economic Hitman by John Perkins, Hyperspace by Michio Kaku, The 12th Planet by Zecharia Sitchin, Rule by Secrecy by Jim Marrs and Trance Formation of America by Cathy O'Brien. Band members Matt Bellamy – lead vocals, guitars, keyboards, piano, synthesisers Dominic Howard – drums, percussions Chris Wolstenholme – bass guitar, backing vocals, occasional keyboards and guitar Touring musicians Morgan Nicholls – guitars, keyboards and synthesisers, backing vocals, samples, bass (2004, 2006–present) Dan \"The Trumpet Man\" Newell – trumpet (2006–2008) Alessandro Cortini – keyboards, synthesisers (2009, substitute) Discography Showbiz (1999) Origin of Symmetry (2001) Absolution (2003) Black Holes and Revelations (2006) The Resistance (2009) The 2nd Law (2012) Drones (2015) Simulation Theory (2018) Concert tours Showbiz Tour (1998–2000) Origin of Symmetry Tour (2000–2002) Absolution Tour (2003–2004) US Campus Invasion Tour 2005 (2005) Black Holes and Revelations Tour (2006–2008) The Resistance Tour (2009–2011) The 2nd Law World Tour (2012–2014) Psycho Tour (2015) Drones World Tour (2015–2016) North American Tour (with Thirty Seconds to Mars and Pvris) (2017) Simulation Theory World Tour (2019) See also List of awards and nominations received by Muse List of Muse songs References External links English art rock groups Brit Award winners Grammy Award winners English alternative rock groups English hard rock musical groups English progressive rock groups Kerrang!", "Band members Matt Bellamy – lead vocals, guitars, keyboards, piano, synthesisers Dominic Howard – drums, percussions Chris Wolstenholme – bass guitar, backing vocals, occasional keyboards and guitar Touring musicians Morgan Nicholls – guitars, keyboards and synthesisers, backing vocals, samples, bass (2004, 2006–present) Dan \"The Trumpet Man\" Newell – trumpet (2006–2008) Alessandro Cortini – keyboards, synthesisers (2009, substitute) Discography Showbiz (1999) Origin of Symmetry (2001) Absolution (2003) Black Holes and Revelations (2006) The Resistance (2009) The 2nd Law (2012) Drones (2015) Simulation Theory (2018) Concert tours Showbiz Tour (1998–2000) Origin of Symmetry Tour (2000–2002) Absolution Tour (2003–2004) US Campus Invasion Tour 2005 (2005) Black Holes and Revelations Tour (2006–2008) The Resistance Tour (2009–2011) The 2nd Law World Tour (2012–2014) Psycho Tour (2015) Drones World Tour (2015–2016) North American Tour (with Thirty Seconds to Mars and Pvris) (2017) Simulation Theory World Tour (2019) See also List of awards and nominations received by Muse List of Muse songs References External links English art rock groups Brit Award winners Grammy Award winners English alternative rock groups English hard rock musical groups English progressive rock groups Kerrang! Awards winners NME Awards winners British musical trios Musical groups established in 1994 Maverick Records artists Warner Records artists Musical groups from Devon Ivor Novello Award winners Space rock musical groups Political music groups MTV Europe Music Award winners" ]

[ "Muse (band)", "2003-05: Absolution", "What album number was this for Muse?", "Muse's third album, Absolution, produced by Rich Costey, Paul Reeve and John Cornfield was released in September 2003.", "How did it rank among its release?", "It debuted at number one in the UK and produced Muse's first top-ten hit, \"Time Is Running Out\", and three top-twenty hits:", "Was it platinum or gold?", "Absolution was eventually certified gold in the US.", "Did they win any awards for the album?", "Muse won two MTV Europe awards, including \"Best Alternative Act\", and a Q Award for \"Best Live Act\"," ]

[ "This is a list of episodes of the 1962–67 ABC war drama Combat!.\n\nNote that the episodes are not in order on the DVDs. Season 1 DVDs do contain Season 1 episodes, but in random order. Use the chart below.\nHint: The Series should be watched following the Production Number (Prod. No.) of episodes, which show the progression of events as traced in WWII history.\n\nSeries overview\n\nEpisodes\n\nSeason 1 (1962–63)\n\nThe first-season DVDs come in two sets, \"Campaign 1\" and \"Campaign 2,\" which are sold separately. Each \"Campaign\" contains four discs. Each disc contains four episodes plus bonus material. There are eight discs total in both \"Campaigns,\" with 16 episodes in each, for a combined 32 episodes, which are listed in order below.\n\nSeason 2 (1963–64)\nThe second-season DVDs come in two sets, \"Mission 1\" and \"Mission 2,\" which, like the \"Campaigns\" of the first-season DVDs, are sold separately. Each \"Mission\" contains four discs. Each disc contains four episodes plus bonus material. There are eight discs total in both \"Missions,\" with 16 episodes in each, for a combined 32 episodes, which are listed in order below.\n\nSeason 3 (1964–65)\nThe third-season DVDs come in two sets, \"Operation 1\" and \"Operation 2,\" which, like the first-season \"Campaigns\" and the second-season \"Missions,\" are sold separately. Each \"Operation\" contains four discs. Each disc contains four episodes plus bonus material. There are eight discs total in both \"Operations,\" with 16 episodes in each, for a combined 32 episodes, which are listed in order below.\n\nSeason 4 (1965–66)\nThe fourth-season DVDs come in two sets, \"Conflict 1\" and \"Conflict 2,\" which, like the first-season \"Campaigns,\" the second-season \"Missions,\" and the third-season \"Operations,\" are sold separately. Each \"Conflict\" contains four discs. Each disc contains four episodes, except from the last CD which contains three episodes, plus bonus material. There are eight discs total in both \"Conflicts,\" with 16 episodes in \"Conflict 1\" and 15 episodes in \"Conflict 2,\" for a combined 31 episodes, which are listed in order below.\n\nSeason 5 (1966–67)\nAs pointed out in the main article on Combat!, this is the only season of the program produced in color.\n\nThe fifth-season DVDs come in two sets, \"Invasion 1\" and \"Invasion 2,\" which, like the first-season \"Campaigns,\" the second-season \"Missions,\" the third-season \"Operations,\" and the fourth-season \"Conflicts,\" are sold separately. Each \"Invasion\" contains four discs. Each disc contains three episodes plus bonus material except the first disc of \"Invasion 1,\" which contains four episodes plus bonus material. There are eight discs total in both \"Invasions,\" with 13 episodes in \"Invasion 1\" and 12 episodes in \"Invasion 2,\" for a combined 25 episodes, which are listed in order below.\n\nExternal links \n\n \n\nCombat!", "Come Along and Walk with Me is the seventeenth studio album by American country artist, Connie Smith. The album was released in October 1971 by RCA Records and was produced by Bob Ferguson. It was Smith's third album of Gospel music, and her second solo Gospel album.\n\nCome Along and Walk with Me contained ten tracks of Gospel music material, ranging from songs written by Dallas Frazier to songs by Bill Gaither. The album was released on a 12-inch LP album, with five songs on each side of the record. The album did not chart the Billboard Top Country Albums chart, nor were any singles released.\n\nTrack listing\n\nReferences \n\n1971 albums\nConnie Smith albums\nRCA Victor albums\nAlbums produced by Bob Ferguson (music)\nGospel albums by American artists" ]

[ "Muse are an English rock band from Teignmouth, Devon, formed in 1994. The band consists of Matt Bellamy (lead vocals, guitar, keyboards), Chris Wolstenholme (bass guitar, backing vocals), and Dominic Howard (drums). Muse released their debut album, Showbiz, in 1999, showcasing Bellamy's falsetto and a melancholic alternative rock style. Their second album, Origin of Symmetry (2001), incorporated wider instrumentation and romantic classical influences and earned them a reputation for energetic live performances.", "Their second album, Origin of Symmetry (2001), incorporated wider instrumentation and romantic classical influences and earned them a reputation for energetic live performances. Absolution (2003) saw further classical influence, with strings on tracks such as \"Butterflies and Hurricanes\", and was the first of six consecutive UK number-one albums. Black Holes and Revelations (2006) incorporated electronic and pop elements, displayed in singles such as \"Supermassive Black Hole\", and brought Muse wider international success.", "Black Holes and Revelations (2006) incorporated electronic and pop elements, displayed in singles such as \"Supermassive Black Hole\", and brought Muse wider international success. The Resistance (2009) and The 2nd Law (2012) explored themes of government oppression and civil uprising and cemented Muse as one of the world's major stadium acts. Rolling Stone stated the band possessed \"stadium-crushing songs\".", "Rolling Stone stated the band possessed \"stadium-crushing songs\". Topping the US Billboard 200, their seventh album, Drones (2015), was a concept album about drone warfare and returned to a harder rock sound. Their eighth album, Simulation Theory (2018), prominently featured synthesisers and was influenced by science fiction and the simulation hypothesis. Muse have won numerous awards, including two Grammy Awards, two Brit Awards, five MTV Europe Music Awards and eight NME Awards.", "Muse have won numerous awards, including two Grammy Awards, two Brit Awards, five MTV Europe Music Awards and eight NME Awards. In 2012 they received the Ivor Novello Award for International Achievement from the British Academy of Songwriters, Composers and Authors. , they have sold over 30 million albums worldwide. History Early years (1994–1997) The members of Muse played in separate school bands during their time at Teignmouth Community College in the early 1990s.", "History Early years (1994–1997) The members of Muse played in separate school bands during their time at Teignmouth Community College in the early 1990s. Guitarist Matt Bellamy successfully auditioned for drummer Dominic Howard's band, Carnage Mayhem, becoming its singer and songwriter. They renamed the band Gothic Plague. They asked Chris Wolstenholme – at that time the drummer for Fixed Penalty – to join as bassist; he agreed and took up bass lessons. The band was renamed Rocket Baby Dolls and adopted a goth-glam image.", "The band was renamed Rocket Baby Dolls and adopted a goth-glam image. Around this time, they received a £150 grant from the Prince's Trust for equipment. In 1994, Rocket Baby Dolls won a local battle of the bands, smashing their equipment in the process. Bellamy said, \"It was supposed to be a protest, a statement, so, when we actually won, it was a real shock, a massive shock. After that, we started taking ourselves seriously.\"", "After that, we started taking ourselves seriously.\" After that, we started taking ourselves seriously.\" The band quit their jobs, changed their name to Muse, and moved away from Teignmouth. The band liked that the new name was short and thought that it looked good on a poster. According to journalist Mark Beaumont, the band wanted the name to reflect \"the sense Matt had that he had somehow 'summoned up' this band, the way mediums could summon up inspirational spirits at times of emotional need\".", "According to journalist Mark Beaumont, the band wanted the name to reflect \"the sense Matt had that he had somehow 'summoned up' this band, the way mediums could summon up inspirational spirits at times of emotional need\". First EPs and Showbiz (1998–2000) After a few years building a fanbase, Muse played their first gigs in London and Manchester supporting Skunk Anansie on tour. They had a significant meeting with Dennis Smith, the owner of Sawmills Studio, situated in a converted water mill in Cornwall.", "They had a significant meeting with Dennis Smith, the owner of Sawmills Studio, situated in a converted water mill in Cornwall. He had seen the three boys grow up as he knew their parents, and had a production company with their future manager Safta Jaffery, with whom he had recently started the record label Taste Media. The meeting led to their first serious recordings and the release of the Muse EP on 11 May 1998 on Sawmills' in-house Dangerous label, produced by Paul Reeve.", "The meeting led to their first serious recordings and the release of the Muse EP on 11 May 1998 on Sawmills' in-house Dangerous label, produced by Paul Reeve. Their second EP, the Muscle Museum EP, also produced by Reeve, was released on 11 January 1999. It reached number 3 in the indie singles chart and attracted the attention of British radio broadcaster Steve Lamacq and the weekly British music publication NME.", "It reached number 3 in the indie singles chart and attracted the attention of British radio broadcaster Steve Lamacq and the weekly British music publication NME. Later in 1999, Muse performed on the Emerging Artist's stage at Woodstock '99 and signed with Smith and Jaffery. Despite the success of their second EP, British record companies were reluctant to sign Muse.", "Despite the success of their second EP, British record companies were reluctant to sign Muse. After a trip to New York's CMJ Festival, Nanci Walker, then Sr. Director of A&R at Columbia Records, flew Muse to the US to showcase for Columbia Records' then-Senior Vice-President of A&R, Tim Devine, as well as for American Recording's Rick Rubin. During this trip, on 24 December 1998, Muse signed a deal with American record label Maverick Records.", "During this trip, on 24 December 1998, Muse signed a deal with American record label Maverick Records. Upon their return to England, Taste Media arranged deals for Muse with various record labels in Europe and Australia, allowing them control over their career in individual countries. John Leckie was brought in alongside Reeve to produce the band's first album, Showbiz (1999). The album showcased Muse's aggressive yet melancholic musical style, with lyrics about relationships and their difficulties trying to establish themselves in their hometown.", "The album showcased Muse's aggressive yet melancholic musical style, with lyrics about relationships and their difficulties trying to establish themselves in their hometown. Origin of Symmetry and Hullabaloo (2000–2002) During the production of their second album, Origin of Symmetry (2001), Muse experimented with instrumentation such as a church organ, Mellotron, animal bones, and an expanded drum kit. There was more of Bellamy's falsetto, arpeggiated guitar, and piano playing.", "There was more of Bellamy's falsetto, arpeggiated guitar, and piano playing. Bellamy cites guitar influences such as Jimi Hendrix and Tom Morello (of Rage Against the Machine), the latter evident in the more riff-based songs in Origin of Symmetry and in Bellamy's use of guitar pitch-shifting effects. The album features a cover of Anthony Newley and Leslie Bricusse's \"Feeling Good\", voted in various polls one of the greatest cover versions of all time.", "The album features a cover of Anthony Newley and Leslie Bricusse's \"Feeling Good\", voted in various polls one of the greatest cover versions of all time. It was released as a double A-side single, \"Hyper Music/Feeling Good\".", "It was released as a double A-side single, \"Hyper Music/Feeling Good\". Origin of Symmetry received positive reviews by critics; NME gave the album 9/10 and wrote: \"It's amazing for such a young band to load up with a heritage that includes the darker visions of Cobain and Kafka, Mahler and The Tiger Lillies, Cronenberg and Schoenberg, and make a sexy, populist album.\"", "Origin of Symmetry received positive reviews by critics; NME gave the album 9/10 and wrote: \"It's amazing for such a young band to load up with a heritage that includes the darker visions of Cobain and Kafka, Mahler and The Tiger Lillies, Cronenberg and Schoenberg, and make a sexy, populist album.\" Maverick, Muse's American label, did not consider Bellamy's vocals \"radio-friendly\" and asked Muse to rerecord the song for the US release.", "Maverick, Muse's American label, did not consider Bellamy's vocals \"radio-friendly\" and asked Muse to rerecord the song for the US release. The band refused and left Maverick; the album was not released in the US until September 2005, after Muse signed to Warner Bros. Origin of Symmetry has made appearances on lists of the greatest rock albums of the 2000s, both poll-based and on publication lists.", "Origin of Symmetry has made appearances on lists of the greatest rock albums of the 2000s, both poll-based and on publication lists. In 2006, it placed at number 74 on Q magazine's list of the 100 Greatest Albums of All-Time, while in February 2008, the album placed at number 28 on a list of the Best British Albums of All Time determined by the magazine's readers. Kerrang! placed the album at number 20 in its 100 Best British Rock Albums Ever!", "placed the album at number 20 in its 100 Best British Rock Albums Ever! List and at number 13 on its 50 Best Albums of the 21st Century list. Acclaimed Music ranks Origin of Symmetry as the 1,247th greatest album of all time. In 2002, Muse released the first live DVD, Hullabaloo, featuring footage recorded during Muse's two gigs at Le Zenith in Paris in 2001, and a documentary film of the band on tour.", "In 2002, Muse released the first live DVD, Hullabaloo, featuring footage recorded during Muse's two gigs at Le Zenith in Paris in 2001, and a documentary film of the band on tour. A double album, Hullabaloo Soundtrack, was released at the same time, containing a compilation of B-sides and a disc of recordings of songs from the Le Zenith performances. A double-A side single was also released featuring the new songs \"In Your World\" and \"Dead Star\".", "A double-A side single was also released featuring the new songs \"In Your World\" and \"Dead Star\". In 2002, Muse threatened Celine Dion with legal action when she planned to name her Las Vegas show \"Muse\", as Muse have worldwide performing rights to the name. Dion offered Muse $50,000 for the rights, but they turned it down and Dion backed down. Bellamy said: \"We don't want to turn up there with people thinking we're Celine Dion's backing band.\"", "Bellamy said: \"We don't want to turn up there with people thinking we're Celine Dion's backing band.\" Absolution (2003–2005) Muse's third album, Absolution, produced by Rich Costey, Paul Reeve and John Cornfield was released on 15 September 2003. It debuted at number one in the UK and produced Muse's first top-ten hit, \"Time Is Running Out\", and three top-twenty hits: \"Hysteria\", \"Sing for Absolution\" and \"Butterflies and Hurricanes\".", "It debuted at number one in the UK and produced Muse's first top-ten hit, \"Time Is Running Out\", and three top-twenty hits: \"Hysteria\", \"Sing for Absolution\" and \"Butterflies and Hurricanes\". Absolution was eventually certified gold in the US. Muse undertook a year-long international tour in support of the album, visiting Australia, New Zealand, the United States, Canada, and France.", "Muse undertook a year-long international tour in support of the album, visiting Australia, New Zealand, the United States, Canada, and France. On the 2004 US leg of the tour, Bellamy injured himself onstage during the opening show in Atlanta; the tour resumed after Bellamy received stitches. In June 2004, Muse headlined the Glastonbury Festival, which they later described as \"the best gig of our lives\".", "In June 2004, Muse headlined the Glastonbury Festival, which they later described as \"the best gig of our lives\". Howard's father, William Howard, who attended the festival to watch the band, died from a heart attack shortly after the performance. Bellamy said: \"It was the biggest feeling of achievement we've ever had after coming offstage. It was almost surreal that an hour later his dad died. It was almost not believable.", "It was almost not believable. It was almost not believable. We spent about a week sort of just with Dom trying to support him. I think he was happy that at least his dad got to see him at probably what was the finest moment so far of the band's life.\" Muse won two MTV Europe awards, including \"Best Alternative Act\", and a Q Award for \"Best Live Act\", and received an award for \"Best British Live Act\" at the Brit Awards.", "Muse won two MTV Europe awards, including \"Best Alternative Act\", and a Q Award for \"Best Live Act\", and received an award for \"Best British Live Act\" at the Brit Awards. On 2 July 2005, they participated in the Live 8 concert in Paris. In 2003, the band successfully sued Nestlé for using their cover \"Feeling Good\" for a Nescafé advertisement without permission and donated the money won from the lawsuit to Oxfam.", "In 2003, the band successfully sued Nestlé for using their cover \"Feeling Good\" for a Nescafé advertisement without permission and donated the money won from the lawsuit to Oxfam. An unofficial DVD biography, Manic Depression, was released in April 2005. Muse released another live DVD on 12 December 2005, Absolution Tour, containing edited and remastered highlights from their Glastonbury performance unseen footage from their performances at London Earls Court, Wembley Arena, and the Wiltern Theatre in Los Angeles.", "Muse released another live DVD on 12 December 2005, Absolution Tour, containing edited and remastered highlights from their Glastonbury performance unseen footage from their performances at London Earls Court, Wembley Arena, and the Wiltern Theatre in Los Angeles. During the 2004 Absolution tour, Bellamy smashed 140 guitars, a world record for the most guitars smashed in a tour. Black Holes and Revelations and HAARP (2006–2008) In 2006, Muse released their fourth album, Black Holes and Revelations, co-produced once again with Rich Costey.", "Black Holes and Revelations and HAARP (2006–2008) In 2006, Muse released their fourth album, Black Holes and Revelations, co-produced once again with Rich Costey. The album's title and themes reflect the band's interest in science fiction. The album charted at number one in the UK, much of Europe, and Australia. In the US, it reached number nine on the Billboard 200.", "In the US, it reached number nine on the Billboard 200. Before the release of the new album, Muse made several promotional TV appearances starting on 13 May 2006 at BBC Radio 1's Big Weekend. The Black Holes and Revelations Tour started before the release of their album and initially consisted mostly of festival appearances, including a headline slot at the Reading and Leeds Festivals in August 2006. The band's main touring itinerary started with a tour of North America from late July to early August 2006.", "The band's main touring itinerary started with a tour of North America from late July to early August 2006. After the last of the summer festivals, a tour of Europe began, including a large arena tour of the UK. Black Holes and Revelations was nominated for the 2006 Mercury Music Prize, but lost to Arctic Monkeys. It earned a Platinum Europe Award after selling one million copies in Europe. The first single from the album, \"Supermassive Black Hole\", was released as a download in May 2006.", "The first single from the album, \"Supermassive Black Hole\", was released as a download in May 2006. In August 2006, Muse recorded a live session at Abbey Road Studios for the Live from Abbey Road television show. The second single, \"Starlight\", was released in September 2006. \"Knights of Cydonia\" was released in the US as a radio-only single in June 2006 and in the UK in November 2006. The fourth single, \"Invincible\", was released in April 2007.", "The fourth single, \"Invincible\", was released in April 2007. Another single, \"Map of the Problematique\", was released for download only in June 2007, following the band's performance at Wembley Stadium. Muse spent November and much of December 2006 touring Europe with British band Noisettes as the supporting act. The tour continued in Australia, New Zealand, and Southeast Asia in early 2007 before returning to England for the summer.", "The tour continued in Australia, New Zealand, and Southeast Asia in early 2007 before returning to England for the summer. At the 2007 Brit Awards in February, Muse received their second award for Best British Live Act. They performed two gigs at the newly rebuilt Wembley Stadium on 16 and 17 June 2007, where they became the first band to sell out the venue. Both concerts were recorded for a DVD/CD, HAARP, released in early 2008. It was named the 40th greatest live album of all time by NME.", "It was named the 40th greatest live album of all time by NME. The tour continued across Europe in July 2007 before returning to the US in August, where Muse played to a sold-out crowd at Madison Square Garden, New York City. They headlined the second night of the Austin City Limits Music Festival on 15 September 2007, and performed at the October 2007 Vegoose in Las Vegas with bands including Rage Against the Machine, Daft Punk and Queens of the Stone Age.", "They headlined the second night of the Austin City Limits Music Festival on 15 September 2007, and performed at the October 2007 Vegoose in Las Vegas with bands including Rage Against the Machine, Daft Punk and Queens of the Stone Age. Muse continued touring in Eastern Europe, Russia, Scandinavia, Australia, and New Zealand in 2007 before going to South Africa, Portugal, Mexico, Argentina, Chile, Colombia, Brazil, Ireland, and the UK in 2008.", "Muse continued touring in Eastern Europe, Russia, Scandinavia, Australia, and New Zealand in 2007 before going to South Africa, Portugal, Mexico, Argentina, Chile, Colombia, Brazil, Ireland, and the UK in 2008. On 12 April, they played a one-off concert at the Royal Albert Hall, London in aid of the Teenage Cancer Trust. Muse performed at Rock in Rio Lisboa on 6 June 2008, alongside bands including Kaiser Chiefs, The Offspring and Linkin Park.", "Muse performed at Rock in Rio Lisboa on 6 June 2008, alongside bands including Kaiser Chiefs, The Offspring and Linkin Park. They also performed in Marlay Park, Dublin, on 13 August. A few days later, Muse headlined the 2008 V Festival, playing in Chelmsford on Saturday 16 August and Staffordshire on Sunday 17 August. On 25 September 2008, Bellamy, Howard and Wolstenholme all received an Honorary Doctorate of Arts from the University of Plymouth for their contributions to music.", "On 25 September 2008, Bellamy, Howard and Wolstenholme all received an Honorary Doctorate of Arts from the University of Plymouth for their contributions to music. The Resistance (2009–2011) During the recording of Muse's fifth studio album The Resistance, Wolstenholme checked into rehab to deal with his alcoholism, which was threatening the band's future. Howard said: \"I've always believed in band integrity and sticking together. There's something about the fact we all grew up together.", "There's something about the fact we all grew up together. We've been together for 18 years now, which is over half our lives.\" The Resistance was released in September 2009, the first album produced by Muse, with engineering by Adrian Bushby and mixing by Mark Stent. It topped album charts in 19 countries, became the band's third number one album in the UK, and reached number three on the Billboard 200.", "It topped album charts in 19 countries, became the band's third number one album in the UK, and reached number three on the Billboard 200. Reviews were mostly positive, with praise for its ambition, classical influences and the three-part \"Exogenesis: Symphony\". The Resistance beat its predecessor Black Holes and Revelations in album sales in its debut week in the UK with approximately 148,000 copies sold. The first single, \"Uprising\", was released seven days earlier.", "The first single, \"Uprising\", was released seven days earlier. On 13 September, Muse performed \"Uprising\" at the 2009 MTV Video Music Awards in New York City. The Resistance Tour began with A Seaside Rendezvous in Muse's hometown of Teignmouth, Devon, in September 2009. It included headline slots the following year at festivals including Coachella, Glastonbury, Oxegen, Hovefestivalen, T in the Park, Austin City Limits and the Australian Big Day Out. Between September and November, Muse toured North America.", "Between September and November, Muse toured North America. Between September and November, Muse toured North America. Muse provided the lead single for the film The Twilight Saga: Eclipse, \"Neutron Star Collision (Love Is Forever)\", released on 17 May 2010. In June, Muse headlined Glastonbury Festival for the second time; after U2 canceled their headline slot following singer Bono's back injury, U2 guitarist the Edge joined Muse to play the U2 track \"Where the Streets Have No Name\".", "In June, Muse headlined Glastonbury Festival for the second time; after U2 canceled their headline slot following singer Bono's back injury, U2 guitarist the Edge joined Muse to play the U2 track \"Where the Streets Have No Name\". For their live performances, Muse received the O2 Silver Clef Award in London on 2 July 2010, presented by Roger Taylor and Brian May of Queen; Taylor described the trio as \"probably the greatest live act in the world today\".", "For their live performances, Muse received the O2 Silver Clef Award in London on 2 July 2010, presented by Roger Taylor and Brian May of Queen; Taylor described the trio as \"probably the greatest live act in the world today\". On 12 September 2010, Muse won an MTV Video Music Award in the category of Best Special Effects, for the \"Uprising\" video. On 21 November, Muse took home an American Music Award for Favorite Artist in the Alternative Rock Music Category.", "On 21 November, Muse took home an American Music Award for Favorite Artist in the Alternative Rock Music Category. On 2 December, Muse were nominated for three awards for the 53rd Grammy Awards on 13 February 2011, for which they won the Grammy Award for Best Rock Album for The Resistance.", "On 2 December, Muse were nominated for three awards for the 53rd Grammy Awards on 13 February 2011, for which they won the Grammy Award for Best Rock Album for The Resistance. Based on having the largest airplay and sales in the US, Muse were named the Billboard Alternative Songs and Rock Songs artist for 2010 with \"Uprising\", \"Resistance\" and \"Undisclosed Desires\" achieving 1st, 6th and 49th on the year end Alternative Song chart respectively.", "Based on having the largest airplay and sales in the US, Muse were named the Billboard Alternative Songs and Rock Songs artist for 2010 with \"Uprising\", \"Resistance\" and \"Undisclosed Desires\" achieving 1st, 6th and 49th on the year end Alternative Song chart respectively. On 30 July 2011, Muse supported Rage Against the Machine at their only 2011 gig at the L.A. Rising festival. On 13 August, Muse headlined the Outside Lands Music and Arts Festival in San Francisco.", "On 13 August, Muse headlined the Outside Lands Music and Arts Festival in San Francisco. Muse headlined the Reading and Leeds Festivals in August 2011. To celebrate the tenth anniversary of their second studio album Origin of Symmetry (2001), the band performed all eleven tracks. Muse also headlined Lollapalooza in Chicago's Grant Park in August 2011.", "Muse also headlined Lollapalooza in Chicago's Grant Park in August 2011. The 2nd Law and Live at Rome Olympic Stadium (2012–2013) In an April 2012 interview, Bellamy said Muse's next album would include influences from acts such as French house duo Justice and UK electronic rock group Does It Offend You, Yeah?. On 6 June 2012, Muse released a trailer for their next album, The 2nd Law, with a countdown on the band's website.", "On 6 June 2012, Muse released a trailer for their next album, The 2nd Law, with a countdown on the band's website. The trailer, which included dubstep elements, was met with mixed reactions. On 7 June, Muse announced a European Arena tour, the first leg of The 2nd Law Tour. The leg included dates in France, Spain and the UK.", "The leg included dates in France, Spain and the UK. The first single from the album, \"Survival\", was the official song of the London 2012 Summer Olympics, and Muse performed it at the Olympics closing ceremony. Muse revealed the 2nd Law tracklist on 13 July 2012. The second single, \"Madness\", was released on 20 August 2012, with a music video on 5 September. Muse played at the Roundhouse on 30 September as part of the iTunes Festival.", "Muse played at the Roundhouse on 30 September as part of the iTunes Festival. The 2nd Law was released worldwide on 1 October, and on 2 October 2012 in the US; it reached number one in the UK Albums Chart, and number two on the US Billboard 200. The song \"Madness\" earned a nomination in the Best Rock Song category and the album itself was nominated for the Best Rock Album at the 55th Grammy Awards, 2013.", "The song \"Madness\" earned a nomination in the Best Rock Song category and the album itself was nominated for the Best Rock Album at the 55th Grammy Awards, 2013. The band performed the album's opening song, \"Supremacy\", with an orchestra at the 2013 Brit Awards on 20 February 2013. The album was a nominee for Best Rock Album at the 2013 Grammy Awards. The song \"Madness\" was also nominated for Best Rock Song.", "The song \"Madness\" was also nominated for Best Rock Song. The album listed at number 46 on Rolling Stones list of the top 50 albums of 2012, saying \"In an era of diminished expectations, Muse make stadium-crushing songs that mix the legacies of Queen, King Crimson, Led Zeppelin and Radiohead while making almost every other current band seem tiny.\" Muse released their fourth live album, Live at Rome Olympic Stadium, on 29 November 2013 on CD/DVD and CD/Blu-ray formats.", "Muse released their fourth live album, Live at Rome Olympic Stadium, on 29 November 2013 on CD/DVD and CD/Blu-ray formats. In November 2013, the film had theatrical screenings in 20 cities worldwide. The album contains the band's performance at Rome's Stadio Olimpico on 6 July 2013, in front of over 60,000 people; it was the first concert filmed in 4K format. The concert was a part of the Unsustainable Tour, Muse's mid-2013 tour of Europe.", "The concert was a part of the Unsustainable Tour, Muse's mid-2013 tour of Europe. Drones (2014–2016) Muse began writing their seventh album soon after the Rome concert. The band felt that the electronic side of their music was becoming too dominant, and wanted to return to a simpler rock sound. After self-producing their previous two albums, the band hired producer Robert John \"Mutt\" Lange so they could focus on performance and spend less time mixing and reviewing takes.", "After self-producing their previous two albums, the band hired producer Robert John \"Mutt\" Lange so they could focus on performance and spend less time mixing and reviewing takes. Recording took place in the Vancouver Warehouse Studio from October 2014 to April 2015. Muse announced their seventh album, Drones, on 11 March 2015. The following day, they released a lyric video for \"Psycho\" on their YouTube channel, and made the song available for instant download with the album pre-order.", "The following day, they released a lyric video for \"Psycho\" on their YouTube channel, and made the song available for instant download with the album pre-order. Another single, \"Dead Inside\", was released on 23 March. From 15 March to 16 May, Muse embarked on a short tour in small venues throughout the UK and the US, the Psycho Tour. Live performances of new songs from these concerts are included on the DVD accompanying the album along with bonus studio footage.", "Live performances of new songs from these concerts are included on the DVD accompanying the album along with bonus studio footage. On 18 May 2015, Muse released a lyric video for \"Mercy\" on their YouTube channel, and made the song available for instant download with the album pre-order. Drones was released on 8 June 2015. A concept album about the dehumanisation of modern warfare, it returned to a simpler rock sound with less elaborate production and genre experimentation.", "A concept album about the dehumanisation of modern warfare, it returned to a simpler rock sound with less elaborate production and genre experimentation. It topped the album charts in the UK, the US, Australia and most major markets. Muse headlined Lollapalooza Berlin on 13 September 2015. On 15 February 2016, Drones won the Grammy Award for Best Rock Album at the 58th Grammy Awards.", "On 15 February 2016, Drones won the Grammy Award for Best Rock Album at the 58th Grammy Awards. On 24 June, Muse headlined the Glastonbury Festival for a third time, becoming the first act to have headlined each day of the festival (Friday, Saturday and Sunday). On 30 November 2016, Muse were announced to headline Reading and Leeds 2017. Simulation Theory and reissues (2017–2021) In 2017, Muse toured North America supported by Thirty Seconds to Mars and PVRIS.", "Simulation Theory and reissues (2017–2021) In 2017, Muse toured North America supported by Thirty Seconds to Mars and PVRIS. Howard confirmed in February that the band were back in the studio. On 18 May, Muse released \"Dig Down\", the first single from their eighth album. In November, they performed at the BlizzCon festival. \"Thought Contagion\", the second single, was released on 15 February 2018, accompanied by an 1980s-styled music video. In June, Muse opened the Rock In Rio festival.", "In June, Muse opened the Rock In Rio festival. On 24 February, they played a one-off show at La Cigale in France with a setlist voted for fans online. A concert video, Muse: Drones World Tour, was released in cinemas worldwide on 12 July 2018. On 19 July 2018, Muse released the third single from their upcoming album, \"Something Human\". On 30 August 2018, they announced their eighth studio album, Simulation Theory, to be released on 9 November.", "On 30 August 2018, they announced their eighth studio album, Simulation Theory, to be released on 9 November. The announcement was accompanied by another single and video, \"The Dark Side\". The fifth single, \"Pressure\", was released on 27 September. The Simulation Theory world tour began in Houston on 3 February 2019 and concluded on 15 October in Lima. A film based on the album and tour, Muse – Simulation Theory, combining concert footage and narrative scenes, was released in August 2020.", "A film based on the album and tour, Muse – Simulation Theory, combining concert footage and narrative scenes, was released in August 2020. In December 2019, Muse released Origin of Muse, a box set comprising remastered versions of Showbiz and Origin of Symmetry plus previously unreleased material. For the 20th anniversary of Origin of Symmetry in June 2021, Muse released a remixed and remastered version, Origin of Symmetry: XX Anniversary RemiXX.", "For the 20th anniversary of Origin of Symmetry in June 2021, Muse released a remixed and remastered version, Origin of Symmetry: XX Anniversary RemiXX. Upcoming ninth album (2022–present) On 13 January 2022, Muse released a new single, titled \"Won't Stand Down\", which marked a return to the band's heavier early sound. Musical style Described as an alternative rock, progressive rock, space rock, hard rock, art rock, electronic rock, progressive metal, and pop.", "Musical style Described as an alternative rock, progressive rock, space rock, hard rock, art rock, electronic rock, progressive metal, and pop. Muse mix sounds from genres such as electronica, R&B, progressive metal, and art rock, and forms such as classical music, rock opera and many others. In 2002, Bellamy described Muse as a \"trashy three-piece\".", "In 2002, Bellamy described Muse as a \"trashy three-piece\". In 2005, Pitchfork described Muse's music as \"firmly ol' skool at heart: proggy hard rock that forgoes any pretensions to restraint ... their songs use full-stacked guitars and thunderous drums to evoke God's footsteps\". AllMusic described their sound as a \"fusion of progressive rock, glam, electronica, and Radiohead-influenced experimentation\".", "AllMusic described their sound as a \"fusion of progressive rock, glam, electronica, and Radiohead-influenced experimentation\". On the band's association with progressive rock, Howard said: \"I associate it [progressive rock] with 10-minute guitar solos, but I guess we kind of come into the category. A lot of bands are quite ambitious with their music, mixing lots of different styles – and when I see that I think it's great. I've noticed that kind of thing becoming a bit more mainstream.\"", "I've noticed that kind of thing becoming a bit more mainstream.\" For their second album, Origin of Symmetry (2001), Muse wanted to craft a more aggressive sound. In 2000, Wolstenholme said: \"Looking back, there isn't much difference sonically between the mellow stuff and the heavier tracks [on Showbiz]. The heavy stuff really could have been a lot heavier and that's what we want to do with [Origin of Symmetry].\"", "The heavy stuff really could have been a lot heavier and that's what we want to do with [Origin of Symmetry].\" Their third album, Absolution (2003), features prominent string arrangements and drew influences from artists such as Queen. Their fourth album, Black Holes and Revelations (2006) was influenced by artists including Depeche Mode and Lightning Bolt, as well as Asian and European music such as Naples music. The band listened to radio stations from the Middle East during the album's recording sessions.", "The band listened to radio stations from the Middle East during the album's recording sessions. Queen guitarist Brian May has praised Muse's work, calling the band \"extraordinary musicians\", who \"let their madness show through, always a good thing in an artist.\" Muse's sixth album, The 2nd Law (2012) has a broader range of influences, ranging from funk and film scores to electronica and dubstep.", "Muse's sixth album, The 2nd Law (2012) has a broader range of influences, ranging from funk and film scores to electronica and dubstep. The 2nd Law is influenced by rock acts such as Queen and Led Zeppelin (on \"Supremacy\") as well as dubstep producer Skrillex and Nero (on \"The 2nd Law: Unsustainable\" and \"Follow Me\", with the latter being co-produced by Nero), Michael Jackson, Stevie Wonder (on \"Panic Station\" which features musicians who performed on Stevie Wonder's \"Superstition\") and Hans Zimmer.", "The 2nd Law is influenced by rock acts such as Queen and Led Zeppelin (on \"Supremacy\") as well as dubstep producer Skrillex and Nero (on \"The 2nd Law: Unsustainable\" and \"Follow Me\", with the latter being co-produced by Nero), Michael Jackson, Stevie Wonder (on \"Panic Station\" which features musicians who performed on Stevie Wonder's \"Superstition\") and Hans Zimmer. The album features two songs with lyrics written and sung by bassist Wolstenholme, who wrote about his battle with alcoholism.", "The album features two songs with lyrics written and sung by bassist Wolstenholme, who wrote about his battle with alcoholism. It features extensive electronic instrumentation, including Modular synthesisers and the French Connection, a synthesiser controller similar to the ondes martenot. Musicianship Many Muse songs are recognisable by vocalist Matt Bellamy's use of vibrato, falsetto, and melismatic phrasing, influenced by Jeff Buckley. As a pianist, Bellamy often uses arpeggios.", "As a pianist, Bellamy often uses arpeggios. As a pianist, Bellamy often uses arpeggios. Bellamy's compositions often suggest or quote late classical and romantic era composers such as Sergei Rachmaninov (in \"Space Dementia\" and \"Butterflies and Hurricanes\"), Camille Saint-Saëns (in \"I Belong to You (+Mon Cœur S'ouvre a ta Voix)\") and Frédéric Chopin (in \"United States of Eurasia\").", "Bellamy's compositions often suggest or quote late classical and romantic era composers such as Sergei Rachmaninov (in \"Space Dementia\" and \"Butterflies and Hurricanes\"), Camille Saint-Saëns (in \"I Belong to You (+Mon Cœur S'ouvre a ta Voix)\") and Frédéric Chopin (in \"United States of Eurasia\"). As a guitarist, Bellamy often uses arpeggiator and pitch-shift effects to create a more \"electronic\" sound, citing Jimi Hendrix and Tom Morello as influences.", "As a guitarist, Bellamy often uses arpeggiator and pitch-shift effects to create a more \"electronic\" sound, citing Jimi Hendrix and Tom Morello as influences. His guitar playing is also influenced by Latin and Spanish guitar music; Bellamy said: \"I just think that music is really passionate...It has so much feel and flair to it. I’ve spent important times of my life in Spain and Greece, and various deep things happened there – falling in love, stuff like that.", "I’ve spent important times of my life in Spain and Greece, and various deep things happened there – falling in love, stuff like that. So maybe that rubbed off somewhere.\" Wolstenholme's basslines provide a motif for many Muse songs; the band combines bass guitar with effects and synthesisers to create overdriven fuzz bass tones. Bellamy and Wolstenholme use touch-screen controllers, often built into their instruments, to control synthesisers and effects including Kaoss Pads and Digitech Whammy pedals.", "Bellamy and Wolstenholme use touch-screen controllers, often built into their instruments, to control synthesisers and effects including Kaoss Pads and Digitech Whammy pedals. Lyrics Most earlier Muse songs lyrically dealt with introspective themes, including relationships, social alienation, and difficulties they had encountered while trying to establish themselves in their hometown. However, with the band's progress, their song concepts have become more ambitious, addressing issues such as the fear of the evolution of technology in their Origin of Symmetry (2001) album.", "However, with the band's progress, their song concepts have become more ambitious, addressing issues such as the fear of the evolution of technology in their Origin of Symmetry (2001) album. They deal mainly with the apocalypse in Absolution (2003) and with catastrophic war in Black Holes and Revelations (2006). The Resistance (2009) focused on themes of government oppression, uprising, love, and panspermia. The album itself was mainly inspired by Nineteen Eighty-Four by George Orwell.", "The album itself was mainly inspired by Nineteen Eighty-Four by George Orwell. Their sixth studio album, The 2nd Law (2012) relates to economics, thermodynamics, and apocalyptic themes. Their 2015 album Drones, is a concept album that uses autonomous killing drones as a metaphor for brainwashing and loss of empathy.", "Their 2015 album Drones, is a concept album that uses autonomous killing drones as a metaphor for brainwashing and loss of empathy. Books that have influenced Muse's lyrical themes include Nineteen Eighty-Four, Confessions of an Economic Hitman by John Perkins, Hyperspace by Michio Kaku, The 12th Planet by Zecharia Sitchin, Rule by Secrecy by Jim Marrs and Trance Formation of America by Cathy O'Brien.", "Books that have influenced Muse's lyrical themes include Nineteen Eighty-Four, Confessions of an Economic Hitman by John Perkins, Hyperspace by Michio Kaku, The 12th Planet by Zecharia Sitchin, Rule by Secrecy by Jim Marrs and Trance Formation of America by Cathy O'Brien. Band members Matt Bellamy – lead vocals, guitars, keyboards, piano, synthesisers Dominic Howard – drums, percussions Chris Wolstenholme – bass guitar, backing vocals, occasional keyboards and guitar Touring musicians Morgan Nicholls – guitars, keyboards and synthesisers, backing vocals, samples, bass (2004, 2006–present) Dan \"The Trumpet Man\" Newell – trumpet (2006–2008) Alessandro Cortini – keyboards, synthesisers (2009, substitute) Discography Showbiz (1999) Origin of Symmetry (2001) Absolution (2003) Black Holes and Revelations (2006) The Resistance (2009) The 2nd Law (2012) Drones (2015) Simulation Theory (2018) Concert tours Showbiz Tour (1998–2000) Origin of Symmetry Tour (2000–2002) Absolution Tour (2003–2004) US Campus Invasion Tour 2005 (2005) Black Holes and Revelations Tour (2006–2008) The Resistance Tour (2009–2011) The 2nd Law World Tour (2012–2014) Psycho Tour (2015) Drones World Tour (2015–2016) North American Tour (with Thirty Seconds to Mars and Pvris) (2017) Simulation Theory World Tour (2019) See also List of awards and nominations received by Muse List of Muse songs References External links English art rock groups Brit Award winners Grammy Award winners English alternative rock groups English hard rock musical groups English progressive rock groups Kerrang!", "Band members Matt Bellamy – lead vocals, guitars, keyboards, piano, synthesisers Dominic Howard – drums, percussions Chris Wolstenholme – bass guitar, backing vocals, occasional keyboards and guitar Touring musicians Morgan Nicholls – guitars, keyboards and synthesisers, backing vocals, samples, bass (2004, 2006–present) Dan \"The Trumpet Man\" Newell – trumpet (2006–2008) Alessandro Cortini – keyboards, synthesisers (2009, substitute) Discography Showbiz (1999) Origin of Symmetry (2001) Absolution (2003) Black Holes and Revelations (2006) The Resistance (2009) The 2nd Law (2012) Drones (2015) Simulation Theory (2018) Concert tours Showbiz Tour (1998–2000) Origin of Symmetry Tour (2000–2002) Absolution Tour (2003–2004) US Campus Invasion Tour 2005 (2005) Black Holes and Revelations Tour (2006–2008) The Resistance Tour (2009–2011) The 2nd Law World Tour (2012–2014) Psycho Tour (2015) Drones World Tour (2015–2016) North American Tour (with Thirty Seconds to Mars and Pvris) (2017) Simulation Theory World Tour (2019) See also List of awards and nominations received by Muse List of Muse songs References External links English art rock groups Brit Award winners Grammy Award winners English alternative rock groups English hard rock musical groups English progressive rock groups Kerrang! Awards winners NME Awards winners British musical trios Musical groups established in 1994 Maverick Records artists Warner Records artists Musical groups from Devon Ivor Novello Award winners Space rock musical groups Political music groups MTV Europe Music Award winners" ]

[ "Take That", "1995-1996: Robbie Williams's first departure, break-up and Greatest Hits" ]

[ "\"Llangollen Market\" is a song from early 19th century Wales. It is known to have been performed at an eisteddfod at Llangollen in 1858.\n\nThe text of the song survives in a manuscript held by the National Museum of Wales, which came into the possession of singer Mary Davies, a co-founder of the Welsh Folk-Song Society.\n\nThe song tells the tale of a young man from the Llangollen area going off to war and leaving behind his broken-hearted girlfriend. Originally written in English, the song has been translated into Welsh and recorded by several artists such as Siân James, Siobhan Owen, Calennig and Siwsann George.\n\nLyrics\nIt’s far beyond the mountains that look so distant here,\nTo fight his country’s battles, last Mayday went my dear;\nAh, well shall I remember with bitter sighs the day,\nWhy, Owen, did you leave me? At home why did I stay?\n\nAh, cruel was my father that did my flight restrain,\nAnd I was cruel-hearted that did at home remain,\nWith you, my love, contented, I’d journey far away;\nWhy, Owen, did you leave me? At home why did I stay?\n\nWhile thinking of my Owen, my eyes with tears do fill,\nAnd then my mother chides me because my wheel stands still,\nBut how can I think of spinning when my Owen’s far away;\nWhy, Owen, did you leave me? At home why did I stay?\n\nTo market at Llangollen each morning do I go,\nBut how to strike a bargain no longer do I know;\nMy father chides at evening, my mother all the day;\nWhy, Owen, did you leave me, at home why did I stay?\n\nOh, would it please kind heaven to shield my love from harm,\nTo clasp him to my bosom would every care disarm,\nBut alas, I fear, 'tis distant - that happy, happy day;\nWhy, Owen, did you leave me, at home why did stay?\n\nReferences\n\nWelsh folk songs", "Leih Sebtaha (Why Did You Leave Her') is the fifteenth full-length Arabic studio album from Egyptian pop singer Angham, launched in Egypt in 2001.\n\nTrack listing\n\n Sidi Wisalak (Your Charm) (Lyrics by: Ezzat elGendy | Music composed by: Sheriff Tagg | Music arrangements by: Tarek Akef)\n Leih Sebtaha (Why Did You Leave Her) (Lyrics by: Baha' elDeen Mohammad | Music composed by: Sheriff Tagg | Music arrangements by: Tarek Madkour)\n Rahet Layali (Nights Have Gone) (Lyrics by: Mohammad elRifai | Music composed by: Sheriff Tagg | Music arrangements by: Yahya elMougi)\n Magabsh Serty (Did He Mention Me) (Lyrics by: Ayman Bahgat Amar | Music composed by: Riyad elHamshari | Music arrangements by: Tarek Akef)\n Leih Sebtaha (instrumental) (Why Did You Leave Her) Lyrics by: Baha' elDeen Mohammad | Music composed by: Sheriff Tagg | Music arrangements by: Tarek Madkour)\n Tedhak Alaya (You Laugh At Me) (Lyrics by: Saoud elSharabtli | Music composed by: elFaissal | Music arrangements by: Mahmoud Sadek)\n Noujoum elLeil (Stars Of the Night) (Lyrics by: Wael Helal | Music composed by: Ameer Abdel Majeed | Music arrangements by: Ashraf Mahrous)\n Habbeitak Leih (Why Did I Even Love You) (Lyrics by: Nader Abdallah | Music composed by: Sheriff Tagg | Music arrangements by: Ashraf Mahrous)\n Hayran (Confused) (Lyrics by: Naser Rashwan | Music composed by: Ameer Abdel Majeed | Music arrangements by: Hisham Niyaz)\n Ana Indak (I'm At Your Place)''''' (Lyrics by: Bahaa elDeen Mohammad | Music composed by: Sheriff Tagg | Music arrangements by: Tarek Madkour)\n\nReferences\n\nAngham albums\nArabic-language albums\n2001 albums\nAlam elPhan Records albums" ]

[ "Take That are an English pop group formed in Manchester in 1990. The group currently consists of Gary Barlow, Howard Donald and Mark Owen. The original line-up also featured Jason Orange and Robbie Williams. Barlow is the group's lead singer and primary songwriter, with Owen and Williams initially providing backing vocals and Donald and Orange serving primarily as dancers.", "Barlow is the group's lead singer and primary songwriter, with Owen and Williams initially providing backing vocals and Donald and Orange serving primarily as dancers. The group have had 28 top 40 singles and 17 top 5 singles on the UK Singles Chart, 12 of which have reached number one, including \"Back for Good\", \"Never Forget\", \"Patience\" and \"Greatest Day\". They have also had eight number one albums on the UK Albums Chart.", "They have also had eight number one albums on the UK Albums Chart. Internationally, the band have had 56 number one singles and 39 number one albums. They have received eight Brit Awards—winning for Best British Group and Best British Live Act. In 2012 they received an Ivor Novello Award for Outstanding Contribution to British Music. According to the British Phonographic Industry (BPI), Take That has been certified for 14 million albums and 11.4 million singles in the UK.", "According to the British Phonographic Industry (BPI), Take That has been certified for 14 million albums and 11.4 million singles in the UK. Williams left the band in 1995 while the four remaining members completed their world tour and released a final single before splitting up in 1996. After filming a 2005 Take That: For the Record about the group and releasing a new greatest hits album, a four-piece Take That without Williams officially announced a 2006 reunion tour around the UK, entitled The Ultimate Tour.", "After filming a 2005 Take That: For the Record about the group and releasing a new greatest hits album, a four-piece Take That without Williams officially announced a 2006 reunion tour around the UK, entitled The Ultimate Tour. On 9 May 2006, it was announced that the group were set to record new material together once again; their fourth studio album, Beautiful World, was released in 2006 and was followed up with The Circus, in 2008.", "On 9 May 2006, it was announced that the group were set to record new material together once again; their fourth studio album, Beautiful World, was released in 2006 and was followed up with The Circus, in 2008. The group achieved new success as a four-piece, scoring a string of chart hits across the UK and Europe while selling over 45 million records worldwide. Williams rejoined Take That in 2010 for the band's sixth studio album, Progress.", "Williams rejoined Take That in 2010 for the band's sixth studio album, Progress. Released on 15 November of that year, it was the first album of new material to feature Take That's original line-up since their 1995 album, Nobody Else. It became the fastest-selling album of the 21st century and the second fastest-selling album in British history. In 2014, the band recorded a seventh studio album, this time as a trio without Williams and Orange.", "In 2014, the band recorded a seventh studio album, this time as a trio without Williams and Orange. The album, titled III, was released in November 2014 and became the band's seventh number one. It was preceded by the single \"These Days\", which became the band's 12th number one single in the UK.", "It was preceded by the single \"These Days\", which became the band's 12th number one single in the UK. In 2011, Take That set the new record for the fastest-selling tour of all time in the UK with Progress Live, beating the previous record set by their Circus Live Tour in 2009. At the 2011 Brit Awards they won Best British Group. In 2012, Forbes named them the fifth highest-earning music stars in the world.", "In 2012, Forbes named them the fifth highest-earning music stars in the world. The group performed at the London 2012 Olympic Games closing ceremony, playing \"Rule the World\" while the Olympic Flame was extinguished. In the same year, the Official Charts Company revealed the biggest-selling singles artists in British music chart history with Take That currently placed at 15th overall, making them the most successful boy band in UK chart history.", "In the same year, the Official Charts Company revealed the biggest-selling singles artists in British music chart history with Take That currently placed at 15th overall, making them the most successful boy band in UK chart history. Four of their albums are listed in the best-selling albums of the millennium, with three of them among the 60 best-selling albums in UK chart history. History 1989–1990: Formation In 1989, Manchester-based Nigel Martin-Smith sought to create a British male vocal singing group modelled on New Kids on the Block.", "History 1989–1990: Formation In 1989, Manchester-based Nigel Martin-Smith sought to create a British male vocal singing group modelled on New Kids on the Block. Martin-Smith's vision, however, was a teen-orientated group that would appeal to more than one demographic segment of the music industry. Martin-Smith was then introduced to young singer-songwriter Gary Barlow, who had been performing in clubs since the age of 15. Impressed with Barlow's catalogue of self-written material, Martin-Smith decided to build his new-look boy band around Barlow's musical abilities.", "Impressed with Barlow's catalogue of self-written material, Martin-Smith decided to build his new-look boy band around Barlow's musical abilities. A campaign to audition young men with abilities in dancing and singing followed and took place in Manchester and other surrounding cities in 1990. At 22, Howard Donald was one of the oldest to audition, but he was chosen after he got time off work as a vehicle painter to continue the process.", "At 22, Howard Donald was one of the oldest to audition, but he was chosen after he got time off work as a vehicle painter to continue the process. Prior to auditioning, Jason Orange had appeared as a breakdancer on the popular television programme The Hit Man and Her. Martin-Smith also selected 18-year-old bank employee Mark Owen and finally 16-year-old Robbie Williams to round out the group, which initially went by the name Kick It.", "Martin-Smith also selected 18-year-old bank employee Mark Owen and finally 16-year-old Robbie Williams to round out the group, which initially went by the name Kick It. 1990–1992: Take That & Party Take That's first TV appearance was on The Hit Man and Her in 1990, where they performed Barlow's self-written, unreleased song, \"My Kind of Girl\". They later appeared a second time to perform \"Waiting Around\", which would become the B-side for the first single, \"Do What U Like\".", "They later appeared a second time to perform \"Waiting Around\", which would become the B-side for the first single, \"Do What U Like\". \"Promises\" and \"Once You've Tasted Love\" were also released as singles but were minor hits in the UK. Take That initially worked the same territory as their American counterparts, singing new jack R&B, urban soul, and mainstream pop. However, they worked their way toward Hi-NRG dance music, while also pursuing an adult contemporary ballad direction.", "However, they worked their way toward Hi-NRG dance music, while also pursuing an adult contemporary ballad direction. As they aimed to break into the mainstream music industry, they worked a number of small clubs, schools, and events across the country building up a fanbase as they travelled to gigs constantly for months. Take That's breakthrough single was a cover of the 1975 Tavares hit \"It Only Takes a Minute\", which peaked at number seven on the UK Singles Chart in June 1992.", "Take That's breakthrough single was a cover of the 1975 Tavares hit \"It Only Takes a Minute\", which peaked at number seven on the UK Singles Chart in June 1992. This success was followed by \"I Found Heaven\", then by the first Barlow ballad \"A Million Love Songs\", which also reached number seven in October.", "This success was followed by \"I Found Heaven\", then by the first Barlow ballad \"A Million Love Songs\", which also reached number seven in October. Their cover of the Barry Manilow hit \"Could It Be Magic\" gave them their first big success, peaking at number three in the UK in the first chart of 1993. Their first album, Take That & Party, was released in 1992, and included all the hit singles to date.", "Their first album, Take That & Party, was released in 1992, and included all the hit singles to date. 1993–1995: Everything Changes, Nobody Else and superstardom 1993 saw the release of Everything Changes, based on Barlow's original material. It peaked at number one in the UK and spawned six singles, with four being consecutive UK number one singles – their first number one \"Pray\", \"Relight My Fire\", \"Babe\" and the title track \"Everything Changes\".", "It peaked at number one in the UK and spawned six singles, with four being consecutive UK number one singles – their first number one \"Pray\", \"Relight My Fire\", \"Babe\" and the title track \"Everything Changes\". The lead single \"Why Can't I Wake Up with You\" had narrowly missed the top spot in the UK peaking at number two and the sixth and final single \"Love Ain't Here Anymore\" taken from the album reached number three on the UK charts.", "The lead single \"Why Can't I Wake Up with You\" had narrowly missed the top spot in the UK peaking at number two and the sixth and final single \"Love Ain't Here Anymore\" taken from the album reached number three on the UK charts. Everything Changes saw the band gain international success with the album being nominated for the 1994 Mercury Prize, but it failed to crack the U.S. market, where an exclusive remix of \"Love Ain't Here Anymore\" (U.S. version) gained little success.", "Everything Changes saw the band gain international success with the album being nominated for the 1994 Mercury Prize, but it failed to crack the U.S. market, where an exclusive remix of \"Love Ain't Here Anymore\" (U.S. version) gained little success. By 1994, Take That had become radio and television stars across Europe and Asia, but it was not until 1995 that they did their first World Tour.", "By 1994, Take That had become radio and television stars across Europe and Asia, but it was not until 1995 that they did their first World Tour. It was during the years 1993–95 that the band fronted scores of magazine covers ranging from Smash Hits to GQ, becoming mass merchandised on all sorts of paraphernalia ranging from picture books, to posters, stickers, their own dolls, jewellery, caps, T-shirts, toothbrushes and even had their own annuals released.", "It was during the years 1993–95 that the band fronted scores of magazine covers ranging from Smash Hits to GQ, becoming mass merchandised on all sorts of paraphernalia ranging from picture books, to posters, stickers, their own dolls, jewellery, caps, T-shirts, toothbrushes and even had their own annuals released. The band had also developed a large female teenage fanbase at the time.", "The band had also developed a large female teenage fanbase at the time. During this time, they performed at numerous music awards shows and chart shows such as the BRIT Awards and Top of the Pops, also winning the Best Live Act award in 1995 at the MTV Europe Music Awards, having been renowned for their breakdance routines, high energy and creative tour productions.", "During this time, they performed at numerous music awards shows and chart shows such as the BRIT Awards and Top of the Pops, also winning the Best Live Act award in 1995 at the MTV Europe Music Awards, having been renowned for their breakdance routines, high energy and creative tour productions. In 1995, Take That released their third studio album Nobody Else, again based on Barlow's own material which reached number 1 in the UK and across Europe, capturing new audiences along the way, with Take That also able to make inroads in the adult audience in Britain through Barlow's melodic, sensitive ballads.", "In 1995, Take That released their third studio album Nobody Else, again based on Barlow's own material which reached number 1 in the UK and across Europe, capturing new audiences along the way, with Take That also able to make inroads in the adult audience in Britain through Barlow's melodic, sensitive ballads. For nearly five years, Take That's popularity was unsurpassed in Britain. The release of the first single from the album, \"Sure\", achieved yet another number one in the UK charts.", "The release of the first single from the album, \"Sure\", achieved yet another number one in the UK charts. It was not until their second release from that album, however, that they would experience what would become their biggest hit single, \"Back for Good\", which reached number one in many countries including the UK, Germany, Australia, and Norway. It was also their only US hit, where it reached number seven.", "It was also their only US hit, where it reached number seven. The song was initially unveiled for the first time via live performance while at the 1995 BRIT Awards, and based on the reception of that performance, the record pre-sold more records than expected and forced the record label to bring the release date forward by an unprecedented six weeks. The album was also noted for its cover, which was a parody of the famed cover of The Beatles' Sgt. Pepper's Lonely Hearts Club Band cover sleeve.", "Pepper's Lonely Hearts Club Band cover sleeve. Pepper's Lonely Hearts Club Band cover sleeve. 1995–1996: Break-up and Greatest Hits Robbie Williams's drug abuse had escalated to a near drug overdose the night before the group was scheduled to perform at the MTV Europe Music Awards in 1994. In June 1995, Williams was photographed by the press partying with Oasis at the Glastonbury Festival. The following month, the band offered him an ultimatum; he was to adhere to the band's responsibilities or leave before their scheduled world tour.", "The following month, the band offered him an ultimatum; he was to adhere to the band's responsibilities or leave before their scheduled world tour. Williams chose the latter. Williams claimed he was bored with Barlow's leadership and jealous of Barlow. Despite the loss of Williams, Take That continued to promote Nobody Else as a four-piece, scoring a further hit single with \"Never Forget\" with Donald on lead vocal. They subsequently went to America and completed the Nobody Else Tour in October 1995.", "They subsequently went to America and completed the Nobody Else Tour in October 1995. Following the tour, the band began to plan for their next album; however, when they spent Christmas together, they mutually agreed it was time to part ways. On 13 February 1996, Take That formally announced that they were disbanding. This was followed by the Greatest Hits compilation in 1996, which contained a new recording, a cover of the Bee Gees' \"How Deep Is Your Love\".", "This was followed by the Greatest Hits compilation in 1996, which contained a new recording, a cover of the Bee Gees' \"How Deep Is Your Love\". The single went on to become what was to be the band's final UK number one until their 2006 comeback a decade later. Take That gave what was thought to be their final performance in April 1996 at Amsterdam.", "Take That gave what was thought to be their final performance in April 1996 at Amsterdam. Following the band's announcement, millions of their fans were distraught around the world and in the UK alone, teenage girls threatened suicide and were seen lining streets in tears, to the point that telephone hotlines were set up by the government to deal with counselling them.", "Following the band's announcement, millions of their fans were distraught around the world and in the UK alone, teenage girls threatened suicide and were seen lining streets in tears, to the point that telephone hotlines were set up by the government to deal with counselling them. After the band broke up, highly respected music figures such as Elton John noted that Take That were different from other boy bands before and after them, in that they wrote their own material through Gary Barlow.", "After the band broke up, highly respected music figures such as Elton John noted that Take That were different from other boy bands before and after them, in that they wrote their own material through Gary Barlow. Barlow is one of only a small number of people who have won an Ivor Novello award during their time in a boy band, with George Michael whilst in Wham! and Tony Mortimer whilst in East 17 being two others who have achieved this feat.", "and Tony Mortimer whilst in East 17 being two others who have achieved this feat. Take That had also left a legacy of being immaculate performers with a very high work ethic, causing them to be voted in as the greatest boy band of all time.", "Take That had also left a legacy of being immaculate performers with a very high work ethic, causing them to be voted in as the greatest boy band of all time. 2005–2006: Reunion as a quartet and Never Forget – The Ultimate Collection On 14 November 2005, Never Forget – The Ultimate Collection, a new compilation of their hit singles including a new previously unreleased song, also achieved great success and peaked at number 2 on UK charts, selling over 2.1 million copies in the UK alone.", "2005–2006: Reunion as a quartet and Never Forget – The Ultimate Collection On 14 November 2005, Never Forget – The Ultimate Collection, a new compilation of their hit singles including a new previously unreleased song, also achieved great success and peaked at number 2 on UK charts, selling over 2.1 million copies in the UK alone. The new song \"Today I've Lost You\" (recorded in September 2005) was originally written by Barlow as the follow up to \"Back for Good\" but was never recorded.", "The new song \"Today I've Lost You\" (recorded in September 2005) was originally written by Barlow as the follow up to \"Back for Good\" but was never recorded. On 16 November 2005, the group got back together for the ITV documentary Take That: For the Record, in which they aired their views over their fame, success, the split and what the post-Williams line-up had done since.", "On 16 November 2005, the group got back together for the ITV documentary Take That: For the Record, in which they aired their views over their fame, success, the split and what the post-Williams line-up had done since. On 25 November 2005, there was an official press conference by the band announcing that the post-Robbie Williams line-up was going to tour in 2006. The tour, entitled The Ultimate Tour, ran from April to June 2006.", "The tour, entitled The Ultimate Tour, ran from April to June 2006. The tour featured a guest appearance by British soul singer Beverley Knight, who replaced Lulu's vocals on the song \"Relight My Fire\"; although Lulu did appear during the stadium shows on \"Relight My Fire\" and \"Never Forget\". The American female ensemble Pussycat Dolls supported the group at their Dublin concert, and the Sugababes supported the group on the final five dates of the stadium leg.", "The American female ensemble Pussycat Dolls supported the group at their Dublin concert, and the Sugababes supported the group on the final five dates of the stadium leg. In a seven-year study analysing over one billion online searches via Google conducted by AccuraCast, a leading digital search agency, their comeback was ranked at number one in the UK. 2006–2007: Beautiful World On 9 May 2006, Take That returned to the recorded music scene after more than ten years of absence, signing with Polydor Records.", "2006–2007: Beautiful World On 9 May 2006, Take That returned to the recorded music scene after more than ten years of absence, signing with Polydor Records. The band's comeback album, Beautiful World, entered the UK Albums Chart at no. 1 and, as of June 2009, had sold over 2.8 million copies in the UK. It is the 35th best selling album in UK music history. On Beautiful World, all four members of the band had the opportunity to sing lead vocals and contribute in the songwriting.", "On Beautiful World, all four members of the band had the opportunity to sing lead vocals and contribute in the songwriting. Unlike the band's earlier works, where the majority of their material was written by Barlow who received sole credit, all four band members are credited as co-writers, along with John Shanks. The comeback single, \"Patience\", was released on 20 November 2006, with a special event launching it on 5 November.", "The comeback single, \"Patience\", was released on 20 November 2006, with a special event launching it on 5 November. On 26 November \"Patience\" hit number 1 in the UK in its second week of chart entry, making it the group's ninth No. 1, and staying there for 4 weeks. Take That also accompanied eventual winner Leona Lewis on a live version of \"A Million Love Songs\" during the final of The X Factor on 16 December 2006.", "Take That also accompanied eventual winner Leona Lewis on a live version of \"A Million Love Songs\" during the final of The X Factor on 16 December 2006. The week after Beautiful World was released, it was announced that Take That had become the first artists ever to top the UK official single and album charts along with the download single, download album and DVD charts in the same week, as well as topping the radio charts.", "The week after Beautiful World was released, it was announced that Take That had become the first artists ever to top the UK official single and album charts along with the download single, download album and DVD charts in the same week, as well as topping the radio charts. The video for the number 1 hit single \"Shine\", the follow-up to \"Patience\", premiered on 25 January 2007 on Channel 4, ahead of its release on 26 February 2007.", "The video for the number 1 hit single \"Shine\", the follow-up to \"Patience\", premiered on 25 January 2007 on Channel 4, ahead of its release on 26 February 2007. The band's success continued on 14 February 2007 when Take That performed live at the BRIT Awards ceremony at Earl's Court. Their single \"Patience\" won the Best British Single category. The third single chosen from Beautiful World was \"I'd Wait For Life\", released on 18 June 2007 in the UK.", "The third single chosen from Beautiful World was \"I'd Wait For Life\", released on 18 June 2007 in the UK. The single reached 17 in the UK Singles Chart. This may have been due to lack of promotion, as the band decided to take a pre-tour break rather than do any promotion for the single. The single \"Rule the World\", included on the deluxe version of Beautiful World, was recorded for the soundtrack of the film Stardust (2007).", "The single \"Rule the World\", included on the deluxe version of Beautiful World, was recorded for the soundtrack of the film Stardust (2007). It reached number two in the UK and went on to become the group's second best selling single, shifting over 1.2 million units in the UK. Beautiful World was the fourth biggest-selling album of 2007. It was announced at the start of 2007 that Take That signed a record deal with American label Interscope, and would also release their album in Canada.", "It was announced at the start of 2007 that Take That signed a record deal with American label Interscope, and would also release their album in Canada. Starting on 11 October 2007, Take That began their Beautiful World Tour 2007 in Belfast. The tour included 49 shows throughout Europe and the UK and ended in Manchester on 23 December 2007. The band received four nominations at the 2008 BRIT Awards.", "The band received four nominations at the 2008 BRIT Awards. Nominated for Best British Group, Best British Single (\"Shine\"), Best British Album (Beautiful World) and Best Live Act, they took home the Best Live Act and the Best British Single awards. According to a 2007 MSN UK internet poll, Take That were voted as the \"comeback kings\" of the year.", "According to a 2007 MSN UK internet poll, Take That were voted as the \"comeback kings\" of the year. 2008–2009: The Circus \"Greatest Day\", the first single from the album The Circus, made its radio premiere on 13 October 2008 and it was released on 24 November. It debuted at number 1 on the UK Singles Chart on 30 November 2008. An album launch party for The Circus was held in Paris on 2 December.", "An album launch party for The Circus was held in Paris on 2 December. On its first day of release The Circus sold 133,000 copies, and after four days on sale it sold 306,000 copies (going platinum) making The Circus the fastest selling album of the year. The album reached number 1 on the UK Albums Chart on 7 December 2008 with total first-week sales of 432,490, the third highest opening sales week in UK history.", "The album reached number 1 on the UK Albums Chart on 7 December 2008 with total first-week sales of 432,490, the third highest opening sales week in UK history. On 28 October 2008, on the Radio 1 Chris Moyles show, it was announced that Take That would be touring again in June/July 2009, covering the UK and Ireland. Tickets for the Take That Present: The Circus Live tour went on sale on 31 October.", "Tickets for the Take That Present: The Circus Live tour went on sale on 31 October. The promoters, SJM, have said that the band's tour is \"the fastest selling in UK history\". On 22 May 2008, Barlow and Donald attended the 2008 Ivor Novello Awards where Take That won the award for Most Performed Work with their single \"Shine\". Take That won the Sony Ericsson Tour of the Year award at the Vodafone music awards on 18 September 2008.", "Take That won the Sony Ericsson Tour of the Year award at the Vodafone music awards on 18 September 2008. They were unable to attend as they were in LA finishing off The Circus. They did send a video link message, which was shown at the awards. On 22 November 2008, Take That appeared on week 7 of the talent show The X Factor where the finalists performed some of their greatest hits and Owen and Barlow made a guest appearance to personally coach the contestants.", "On 22 November 2008, Take That appeared on week 7 of the talent show The X Factor where the finalists performed some of their greatest hits and Owen and Barlow made a guest appearance to personally coach the contestants. The band also performed on Children in Need 2008, singing their new single, \"Greatest Day\", before donating £250,000 to the charity from their Marks and Spencer fee.", "The band also performed on Children in Need 2008, singing their new single, \"Greatest Day\", before donating £250,000 to the charity from their Marks and Spencer fee. The band were also voted the Greatest Boy Band of All Time, reflecting their ongoing marketability and success in the pop arena, even after two decades. At the 2009 Brit Awards they were nominated for Best British Group and they performed \"Greatest Day\" at the ceremony.", "At the 2009 Brit Awards they were nominated for Best British Group and they performed \"Greatest Day\" at the ceremony. \"Up All Night\", the second single from The Circus, was released on 2 March 2009, and peaked at number 14 on the UK Singles Chart, despite heavy airplay. In Germany and Australia, \"The Garden\" was released as the second single instead.", "In Germany and Australia, \"The Garden\" was released as the second single instead. On 7 May 2009, Take That's official website confirmed that the third single from The Circus would be \"Said It All\" which was released on 15 June 2009, peaking at number 9 on the UK Singles chart. The video premiered on GMTV on 8 May 2009. It features all four band members dressed up as vintage circus clowns, which tied in with their forthcoming Take That Present: The Circus Live tour.", "It features all four band members dressed up as vintage circus clowns, which tied in with their forthcoming Take That Present: The Circus Live tour. Take That started their Circus Live tour at the Stadium of Light on 5 June 2009 in Sunderland and ended at the Wembley Stadium in London on 5 July 2009, which over 80,000 people attended. This tour quickly became the fastest-selling of all time, breaking all records by selling all of their 650,000 tickets in less than four and a half hours.", "This tour quickly became the fastest-selling of all time, breaking all records by selling all of their 650,000 tickets in less than four and a half hours. In November 2009 Take That released the official DVD of their Circus tour, which became the fastest-selling music DVD of all time in the UK on its first day of release and stayed in the top 10 of the videos chart for over a year.", "In November 2009 Take That released the official DVD of their Circus tour, which became the fastest-selling music DVD of all time in the UK on its first day of release and stayed in the top 10 of the videos chart for over a year. This overtook the previous record sales holder, which was Take That's Beautiful World Live tour and stayed at the number 1 spot for 8 weeks.", "This overtook the previous record sales holder, which was Take That's Beautiful World Live tour and stayed at the number 1 spot for 8 weeks. The following week Take That released their first live album, The Greatest Day – Take That Present: The Circus Live, which sold 98,000 copies on its first day of release and was certified Platinum in July 2013.", "The following week Take That released their first live album, The Greatest Day – Take That Present: The Circus Live, which sold 98,000 copies on its first day of release and was certified Platinum in July 2013. \"Hold up a Light\" was released as the fifth and final single from The Circus to radio stations and as a digital download to promote the release of the live album. The live album also featured a stripped down session recorded live at the famous Abbey Road Studios in London.", "The live album also featured a stripped down session recorded live at the famous Abbey Road Studios in London. It featured the members singing the setlist from the preceding tour, albeit in a studio setting. 2010–2011: Williams' return and Progress On 7 June 2010, the news broke of a single called \"Shame\", which had been written by Barlow and Williams and would feature the vocals of both artists.", "2010–2011: Williams' return and Progress On 7 June 2010, the news broke of a single called \"Shame\", which had been written by Barlow and Williams and would feature the vocals of both artists. This was the first time the pair had worked together since 1995 and would appear on the second greatest hits collection of Williams. \"Heart and I\", another track from the same album, was also co-written by Williams and Barlow.", "\"Heart and I\", another track from the same album, was also co-written by Williams and Barlow. The single \"Shame\" peaked at number 2 on the UK Singles Chart while also achieving success throughout Europe, charting in over 19 countries. After working with the band on new material in Los Angeles, on 15 July 2010 Robbie Williams announced he was returning to Take That.", "After working with the band on new material in Los Angeles, on 15 July 2010 Robbie Williams announced he was returning to Take That. After months of working together, assembling new songs for a new album and even debating a band-name change to \"The English\", a joint statement between Williams and the group read, \"The rumours are true ... Take That: the original lineup, have written and recorded a new album for release later this year.\"", "After months of working together, assembling new songs for a new album and even debating a band-name change to \"The English\", a joint statement between Williams and the group read, \"The rumours are true ... Take That: the original lineup, have written and recorded a new album for release later this year.\" The statement went on to say, \"Following months of speculation Gary Barlow, Howard Donald, Jason Orange, Mark Owen, and Robbie Williams confirmed they have been recording a new studio album as a five-piece, which they will release in November.\"", "The statement went on to say, \"Following months of speculation Gary Barlow, Howard Donald, Jason Orange, Mark Owen, and Robbie Williams confirmed they have been recording a new studio album as a five-piece, which they will release in November.\" The lead single from Take That's album Progress was announced as \"The Flood\" and was released 7 November as a digital download, and on 8 November as a physical copy, with the album released a week later on 15 November.", "The lead single from Take That's album Progress was announced as \"The Flood\" and was released 7 November as a digital download, and on 8 November as a physical copy, with the album released a week later on 15 November. The single peaked at number 2 in the UK Singles Charts and to date has sold over 500,000 copies in the UK alone.", "The single peaked at number 2 in the UK Singles Charts and to date has sold over 500,000 copies in the UK alone. The single also achieved success across Europe, charting inside the top 10 in ten countries while also charting in another nine countries whilst also being nominated for an Ivor Novello Award for best work.", "The single also achieved success across Europe, charting inside the top 10 in ten countries while also charting in another nine countries whilst also being nominated for an Ivor Novello Award for best work. On 26 October the band announced that they would be embarking on a huge UK stadium tour entitled Progress Live, starting in Sunderland on 27 May, and finishing with a record-breaking 8 nights at London's Wembley Stadium in July 2011. It was also announced that Williams would perform hit singles from his solo career during the tour.", "It was also announced that Williams would perform hit singles from his solo career during the tour. The band then played at some of the biggest venues across Europe for the second leg of the tour. The phenomenal demand for tickets across the country led to the web sites of all the major UK ticket suppliers either crashing or considerably slowing for hours on end. The demand and sheer volume of fans also created problems for the UK telephone network.", "The demand and sheer volume of fans also created problems for the UK telephone network. Take That's Progress Live also broke all records for ticket sales selling over 1.1 million tickets in one day, smashing the previous box office record set by Take That's Circus tour in 2008. On the first day of release Progress became the fastest selling album of the century, with 235,000 copies sold in just one day.", "On the first day of release Progress became the fastest selling album of the century, with 235,000 copies sold in just one day. The album reached number 1 in the UK, selling around 520,000 copies in its first week, becoming the second fastest-selling album in history. After the release of Progress it was announced that Take That have become Amazon UK's top-selling music artist of all time.", "After the release of Progress it was announced that Take That have become Amazon UK's top-selling music artist of all time. The album retained the number one spot for six consecutive weeks in the UK since its release, selling 2.8 million copies in the UK alone and becoming the best selling album of 2010 Progress also achieved success across Europe where it debuted at number one in Ireland, Greece, Germany and Denmark. and the European Top 100 Albums chart.", "and the European Top 100 Albums chart. and the European Top 100 Albums chart. It also debuted inside the top 10 of the charts in Austria, Italy, the Netherlands, Sweden, and Switzerland. \"Kidz\" was announced as the second single from Progress, it was released 21 February 2011 and charted well across Europe. The band performed the song live at the 2011 Brit Awards hosted at The O2 Arena, where they won a Brit for Best British Group and were nominated for Best British Album.", "The band performed the song live at the 2011 Brit Awards hosted at The O2 Arena, where they won a Brit for Best British Group and were nominated for Best British Album. Their performance of \"Kidz\", praised by critics, involved a highly choreographed routine featuring dancers dressed in police-styled riot gear bearing the Take That symbol on the uniform and shields. On 19 May 2011, Take That announced a new EP entitled Progressed, which contained eight tracks written by the band since they had reunited as a five-piece.", "On 19 May 2011, Take That announced a new EP entitled Progressed, which contained eight tracks written by the band since they had reunited as a five-piece. It was packaged alongside the album Progress and returned the band to number 1 in the UK Album Chart the week after it was released on 13 June 2011. Take That announced that the Progress Live tour would be released worldwide as their second live album to date and would also be released on home media formats across the UK and Europe on 21 November 2011.", "Take That announced that the Progress Live tour would be released worldwide as their second live album to date and would also be released on home media formats across the UK and Europe on 21 November 2011. The DVD debuted at number 1 on the UK Music Video top 40 in its first week on release and sold over 200,000 copies in two weeks of release in the UK alone. Take That's efforts were recognised further when they were awarded Virgin Media's Best Live Act of 2012.", "Take That's efforts were recognised further when they were awarded Virgin Media's Best Live Act of 2012. On 4 October, it was reported that Take That were to take a break after the completion of the Progress tour, with Barlow continuing his role as a judge on The X Factor and Williams recording new solo material. Take That were presented with an Ivor Novello Award for their Outstanding Contribution to British Music in May 2012.", "Take That were presented with an Ivor Novello Award for their Outstanding Contribution to British Music in May 2012. In August 2012, Take That performed at the closing ceremony of the 2012 Summer Olympics, despite Barlow announcing that his daughter had been stillborn the previous week. The performance earned him praise for appearing live so soon after the tragedy. Williams was due to perform with the band but dropped out due to his wife giving birth at around the same time and thus the group performed as a four-piece.", "Williams was due to perform with the band but dropped out due to his wife giving birth at around the same time and thus the group performed as a four-piece. In November 2012, Take That reunited as a five-piece for the last time to perform \"Never Forget\" at the Music Industry Trust Awards. In 2013, Donald became a judge on the German version of the television dancing show Got to Dance.", "In 2013, Donald became a judge on the German version of the television dancing show Got to Dance. 2014–2015: Line-up change and III In May 2013, Owen announced that Take That was to begin recording their seventh studio album in 2014, and on 14 January 2014, Donald and Barlow both tweeted that Take That had entered the studio to begin recording the album, although it was not initially clear if Williams was present at these recording sessions.", "2014–2015: Line-up change and III In May 2013, Owen announced that Take That was to begin recording their seventh studio album in 2014, and on 14 January 2014, Donald and Barlow both tweeted that Take That had entered the studio to begin recording the album, although it was not initially clear if Williams was present at these recording sessions. On 28 April 2014, Williams announced on Twitter he was to become a father for a second time, and consequently suggested he would be unable to join Take That on their album and tour.", "On 28 April 2014, Williams announced on Twitter he was to become a father for a second time, and consequently suggested he would be unable to join Take That on their album and tour. Although welcome to return to the band at any time, Williams chose not to return for group's seventh and eighth studio albums and their accompanying tours, focusing instead on his solo commitments.", "Although welcome to return to the band at any time, Williams chose not to return for group's seventh and eighth studio albums and their accompanying tours, focusing instead on his solo commitments. He continued to write music with his colleagues and has performed with the group on several occasions since 2011's Progress tour and plans on returning at some point in the future. On 24 September 2014, it was announced that Jason Orange had left the band.", "On 24 September 2014, it was announced that Jason Orange had left the band. He said: 'At a band meeting last week I confirmed to Mark, Gary and Howard that I do not wish to commit to recording and promoting a new album. 'At the end of The Progress Tour I began to question whether it might be the right time for me to not continue on with Take That,' he continued.", "'At the end of The Progress Tour I began to question whether it might be the right time for me to not continue on with Take That,' he continued. 'There have been no fallings out, only a decision on my part that I no longer wish to do this,' he added. Barlow, Donald, and Owen issued a joint statement about Orange's decision which said: \"This is a sad day for us.", "Barlow, Donald, and Owen issued a joint statement about Orange's decision which said: \"This is a sad day for us. Jason leaving is a huge loss both professionally and even more so personally ... Jason's energy and belief in what this band could achieve has made it what it is today, and we'll forever be grateful for his enthusiasm, dedication and inspiration over the years.\" A day after the announcement, Robbie Williams took to Twitter to show support of Orange's decision. \"Mr Orange.", "\"Mr Orange. \"Mr Orange. Until we ride again. Much love, Bro. \", Williams tweeted. On 10 October 2014, Take That unveiled their first song as a three-piece and lead single from their upcoming album. Titled \"These Days\", it was released on 23 November 2014 and went to No. 1 in the UK Singles Chart, knocking Band Aid 30 off the top spot and becoming their 12th number one single.", "1 in the UK Singles Chart, knocking Band Aid 30 off the top spot and becoming their 12th number one single. The album itself, called III, was released on 28 November 2014 and became the band's seventh No. 1 album. It was then followed by a sell-out arena tour entitled Take That Live. On 14 October 2015, the band announced their new single \"Hey Boy\", released on 16 October, which is the first single from the 2015 re-release of III.", "On 14 October 2015, the band announced their new single \"Hey Boy\", released on 16 October, which is the first single from the 2015 re-release of III. The 2015 edition of the album was released on 20 November. In December 2015, British media buzzed about the group embarking on a stint in Las Vegas, starting 2017. Reports indicated the group impressed U.S. promoters and would headline their own residency show.", "Reports indicated the group impressed U.S. promoters and would headline their own residency show. Many venues circulated, including The AXIS at the Planet Hollywood Resort & Casino, The Foundry at SLS Las Vegas and the Linq Theater at The LINQ Hotel & Casino. Local newspaper, the Las Vegas Sun writes that everything is still unconfirmed, despite Barlow confirming the rumour on Twitter. 2016–2017: Wonderland On 2 February 2016, in an interview with The Sun, Barlow revealed that Take That would release their eighth studio album later in the year.", "2016–2017: Wonderland On 2 February 2016, in an interview with The Sun, Barlow revealed that Take That would release their eighth studio album later in the year. On 4 May 2016, English drum and bass duo Sigma announced their newest single would feature Take That. \"Cry\" received its first radio play on 20 May 2016 and was released on that date.", "\"Cry\" received its first radio play on 20 May 2016 and was released on that date. On 21 October 2016, the band posted a teaser on their social media pages and website depicting the logo of the band flickering with the hashtag \"#WONDERLAND\". The following day, it was announced that their new album, titled Wonderland, was scheduled to be released on 24 March 2017.", "The following day, it was announced that their new album, titled Wonderland, was scheduled to be released on 24 March 2017. It was then followed by a UK and Ireland arena tour entitled Wonderland Live, that commenced on 5 May 2017 at the Genting Arena in Birmingham. On 17 February 2017, the lead single of Wonderland was released. Titled \"Giants\", it debuted at 13 in the UK charts, which became the band's 24th UK top 20 single.", "Titled \"Giants\", it debuted at 13 in the UK charts, which became the band's 24th UK top 20 single. On 8 April 2017, ITV aired a specially commissioned hour-length television special titled An Evening with Take That, where the band performed some songs from the album, along with some old classics including \"Never Forget\", \"Back for Good\" and \"Rule the World\". The band also took part in a Q&A session with the audience members.", "The band also took part in a Q&A session with the audience members. On 27 April, it was announced on Twitter that \"New Day\" would be released as the next single from the album Wonderland. The band were seen recording the music video in a field in Luton the days leading up the opening night of the Wonderland Live tour. Due to the Manchester Arena bombing just days before they were due to perform at the venue, their Manchester and Liverpool dates were rescheduled or relocated.", "Due to the Manchester Arena bombing just days before they were due to perform at the venue, their Manchester and Liverpool dates were rescheduled or relocated. The band returned a month later to perform at the One Love Manchester benefit concert. On 16 September 2017, Barlow, Owen and Donald were set to perform a special one-off show in Jersey after a fan bid more than £1.2 million to win a performance from the band.", "On 16 September 2017, Barlow, Owen and Donald were set to perform a special one-off show in Jersey after a fan bid more than £1.2 million to win a performance from the band. This then turned in to a ticketed charity event where the money from tickets sold would go towards benefiting Children in Need. The auction was held on BBC Radio 2. On 11 November 2017, Take That began their foreign tour in Perth, Australia, the first time they have performed in the country in over twenty years.", "On 11 November 2017, Take That began their foreign tour in Perth, Australia, the first time they have performed in the country in over twenty years. They also played in New Zealand, United Arab Emirates and Israel for the first time. Unlike the other tours, a DVD for Wonderland Live was not released. Instead, it was broadcast on Sky 1 on 23 December and in cinemas.", "Instead, it was broadcast on Sky 1 on 23 December and in cinemas. 2018–2020: The 30th Anniversary, and Odyssey On 16 July 2018, while performing at first ever Hits Radio Live at the Manchester Arena, Barlow, Donald and Owen confirmed that they would be touring in 2019. The tour was a Greatest Hits tour and celebrated the 30th anniversary of the band. There was also a Greatest Hits album, Odyssey, which was released on 23 November 2018.", "There was also a Greatest Hits album, Odyssey, which was released on 23 November 2018. The Greatest Hits album features existing songs from their back catalogue that have been re-imagined and 3 brand new songs. It also includes collaborations with Boyz II Men, Lulu, Sigma and Barry Gibb. Odyssey reached number one in the UK album chart and was certified as a platinum selling record.", "Odyssey reached number one in the UK album chart and was certified as a platinum selling record. The following year, Odyssey Live, the recording of their tour, reached number 5, becoming the band's 13th top 5 album, with the DVD becoming the biggest live music sale of 2019. In May 2020, Barlow, Donald, and Owen reunited with Williams for a virtual performance from their respective homes, hosted by price comparison website comparethemarket.com, to raise money for the music charity Nordoff Robbins and Crew Nation.", "In May 2020, Barlow, Donald, and Owen reunited with Williams for a virtual performance from their respective homes, hosted by price comparison website comparethemarket.com, to raise money for the music charity Nordoff Robbins and Crew Nation. In other media In April 2006, EMI licensed the band's songs to be used in the musical Never Forget, a musical based on songs of the band from the 1990s. Take That posted and then later removed a statement on their website distancing themselves from it.", "Take That posted and then later removed a statement on their website distancing themselves from it. Take That wrote and recorded the theme song \"Rule the World\" for the film Stardust directed by Matthew Vaughn, which was released in cinemas across the globe in October 2007. In 2007, their song \"Back for Good\" was used as part of the soundtrack for popular Korean drama The 1st Shop of Coffee Prince.", "In 2007, their song \"Back for Good\" was used as part of the soundtrack for popular Korean drama The 1st Shop of Coffee Prince. Take That presented their own TV show Take That Come to Town, a variety show in which they performed some of their biggest hits. The show also featured comedy sketches with one of Peter Kay's alter egos Geraldine McQueen. It aired on 7 December 2008 on ITV1. Sony launched their first Take That video game, SingStar Take That in 2009 for the PlayStation 3.", "Sony launched their first Take That video game, SingStar Take That in 2009 for the PlayStation 3. In November 2010, ITV aired Take That: Look Back, Don't Stare, a black-and-white documentary which focused on the band working together for the first time in 15 years. Through a series of interviews, the band look back at their achievements while also looking forward to what the future holds for them.", "Through a series of interviews, the band look back at their achievements while also looking forward to what the future holds for them. On 18 November 2010, Williams and Barlow appeared together live on television for the first time on the Popstars program in Germany singing their hit \"Shame\". In 2011, Take That's song \"Love Love\" was used in the credits of the 2011 film X-Men: First Class and later, \"When We Were Young\" was chosen as the main theme for The Three Musketeers movie.", "In 2011, Take That's song \"Love Love\" was used in the credits of the 2011 film X-Men: First Class and later, \"When We Were Young\" was chosen as the main theme for The Three Musketeers movie. In 2015, the song \"Get Ready for It\" from their album III, was chosen as the theme song for the film Kingsman: The Secret Service.", "In 2015, the song \"Get Ready for It\" from their album III, was chosen as the theme song for the film Kingsman: The Secret Service. In 2017, Take That launched The Band, a musical written by Tim Firth featuring the five winners of Let It Shine and some of Take That's biggest hits. Take That, including Robbie Williams, were billed as executive producers.", "Take That, including Robbie Williams, were billed as executive producers. The group's music is regularly featured in the Channel 4 show Derry Girls, notably in the third episode of the second series, when the lead characters sneak off to attend the 1993 Take That concert in Belfast; the episode features the music video for \"Pray\" and ends on footage of the band performing \"Everything Changes\".", "The group's music is regularly featured in the Channel 4 show Derry Girls, notably in the third episode of the second series, when the lead characters sneak off to attend the 1993 Take That concert in Belfast; the episode features the music video for \"Pray\" and ends on footage of the band performing \"Everything Changes\". Artistry Early in their career, Take That were known for party anthems such as \"Do What U Like\" and more mature ballads such as \"A Million Love Songs\" and \"Back for Good\".", "Artistry Early in their career, Take That were known for party anthems such as \"Do What U Like\" and more mature ballads such as \"A Million Love Songs\" and \"Back for Good\". Since reuniting in 2006, they have become more experimental: their post-2006 albums Beautiful World and The Circus have featured \"stadium-filling pop-rock\" while Progress largely leaned towards electropop.", "Since reuniting in 2006, they have become more experimental: their post-2006 albums Beautiful World and The Circus have featured \"stadium-filling pop-rock\" while Progress largely leaned towards electropop. Having been dubbed the \"comeback kings\" by the media for their highly successful reunion, the group has won widespread praise for their seamless transformation from teen idols to \"man band\" without overly relying on nostalgia, instead showcasing a more mature image and sound and reinventing themselves while maintaining their artistic integrity.", "Having been dubbed the \"comeback kings\" by the media for their highly successful reunion, the group has won widespread praise for their seamless transformation from teen idols to \"man band\" without overly relying on nostalgia, instead showcasing a more mature image and sound and reinventing themselves while maintaining their artistic integrity. Jude Rogers of The Guardian commented on Take That's post-reunion success, in light of a string of reunions by the group's disbanded counterparts from the 1990s: \"Only Take That are penetrating pop's wider consciousness by becoming a man-band rather than a boy-band, singing mature, proper pop songs that cross the generations.\"", "Jude Rogers of The Guardian commented on Take That's post-reunion success, in light of a string of reunions by the group's disbanded counterparts from the 1990s: \"Only Take That are penetrating pop's wider consciousness by becoming a man-band rather than a boy-band, singing mature, proper pop songs that cross the generations.\" Take That have garnered critical acclaim and popularity as consummate live performers and for their musical output.", "Take That have garnered critical acclaim and popularity as consummate live performers and for their musical output. Their domestic concert tours have been described as \"some of the most flamboyant, imaginative and extravagant pop tours around\". Aside from covers, all of their material is composed by the members themselves; Barlow was initially the principal songwriter who received sole credit but the other members have since taken a more active role in the composition and production process, including playing instruments for the backing track.", "Aside from covers, all of their material is composed by the members themselves; Barlow was initially the principal songwriter who received sole credit but the other members have since taken a more active role in the composition and production process, including playing instruments for the backing track. Band members Current members Gary Barlow (1990–1996, 2005–present) Howard Donald (1990–1996, 2005–present) Mark Owen (1990–1996, 2005–present) Former members Robbie Williams (1990–1995, 2010–2012) Jason Orange (1990–1996, 2005–2014) Timeline Awards and nominations |- | 2016 | Take That | Silver Clef Award for Best Live Act | |- | style=\"text-align:center;\"|2015 | \"These Days\" | UK Music Video Awards for Best Art Direction | |- | rowspan=\"6\" style=\"text-align:center;\"|2012 | \"Pray\" |The Guardian Music Award for Best Number 1 Single | |- | Take That |Ivor Novello Award for Outstanding Contribution to British Music | |- | \"Back for Good\" |The Official Charts Company UK Recognition award for United Kingdom's Favourite Number One Single | |- | \"The Flood\" |Ivor Novello Award for PRS Most Performed Work | |- | Take That |Virgin Media Music Awards for Best Live Act | |- | \"Kidz\" |Virgin Media Music Awards for Best Music Video | |- | rowspan=\"10\" style=\"text-align:center;\"|2011 |- | Progress Live |Audio Pro International Awards for Best Live Sound Event | |- | Progress Live |Audio Pro International Awards Grand Prix Award | |- | Take That |Phonographic Performance Limited Award for most played UK artist | |- | \"Kidz\" |Spex German Entertainment for Best Music Video | |- | The Circus Live Tour | Greatest Event ever at Wembley Stadium | |- | Take That |ECHO Award for Best International Group | |- | Take That |BRIT Award for Best British Group | |- | Progress | BRIT Award for MasterCard Album of the Year | |- | Take That |Virgin Media for Best Group | |- | rowspan=\"6\" style=\"text-align:center;\"|2010 |- | \"Up All Night\" | UK Music Video Awards for Best Art Direction | |- | \"The Flood\" |iTunes Award for Best Single | |- | Progress | iTunes Award for Best Album | |- | Take That |Q Award Hall of Fame | |- | Take That |BRIT Award for Best Live Performance of the past 30 Years | |- | rowspan=\"5\" style=\"text-align:center;\"|2009 | Take That |GQ Men of the Year Awards for Best Band | |- | Take That |Q Award for Best Live Act | |- | \"Greatest Day\" |Q Award for Best Single | |- | Take That |BRIT Award for Best British Group | |- | Take That | Silver Clef Award | |- | rowspan=\"7\" style=\"text-align:center;\"|2008 | \"Shine\" |Ivor Novello Award for PRS Most Performed Work | |- | \"Rule the World\" |Virgin for Best Single | |- | Take That |Sony Ericsson Tour of the Year Award for Take That Arena Tour | |- | \"Shine\" |BRIT Award for Best British Single | |- | Take That |BRIT Award for Best British Live Act | |- | Beautiful World |BRIT Award for Best British Album | |- | Take That |BRIT Award for Best British Group | |- | style=\"text-align:center;\"|2007 | \"Patience\" |BRIT Award for Best British Single | |- | style=\"text-align:center;\"|2006 | Take That |Q Idol Award | |- | rowspan=\"3\" style=\"text-align:center;\"|1996 | \"Back for Good\" |Billboard International Hit of the Year | |- | \"Never Forget\" |Ivor Novello Award for Most Performed Song | |- | \"Back for Good\" |BRIT Award for Best British Single | |- | rowspan=\"3\" style=\"text-align:center;\"|1995 | \"Back for Good\" |Ivor Novello Award for the Song of the Year | |- | Take That |MTV Europe Music Awards for Best Live Act | |- | Take That | Silver Clef Award | |- | rowspan=\"6\" style=\"text-align:center;\"|1994 | \"Babe\" |MTV Video Music Award for International Viewer's Choice Award for MTV Europe | |- | Everything Changes |Mercury Prize for Best Album | |- | \"Pray\" |Ivor Novello Award for Best Contemporary Song | |- | \"Pray\" |BRIT Award for Best British Single | |- | \"Pray\" |BRIT Award for Best British Video | |- | Take That |MTV Europe Music Awards for Best Group | |- | rowspan=\"4\" style=\"text-align:center;\"|1993 | \"Could It Be Magic\" |BRIT Award for Best British Single | |- | \"A Million Love Songs\" |BRIT Award for Best British Single | |- | \"It Only Takes a Minute\" |BRIT Award for Best British Single | |- | Take That | Silver Clef Award for Best Newcomer | |} Discography Take That & Party (1992) Everything Changes (1993) Nobody Else (1995) Beautiful World (2006) The Circus (2008) Progress (2010) III (2014) Wonderland (2017) Tours Party Tour (1992–93) Everything Changes Tour (1993–94) Pops Tour (1994–95) Nobody Else Tour (1995) The Ultimate Tour (2006) Beautiful World Tour 2007 (2007) Take That Present: The Circus Live (2009) Progress Live (2011) Take That Live (2015) Wonderland Live (2017) Greatest Hits Live (2019) See also List of best-selling boy bands References External links Chinese Fansite 1990 establishments in England 1996 disestablishments in England 2005 establishments in England Brit Award winners Dance-pop groups Echo (music award) winners English boy bands English dance music groups Interscope Records artists Ivor Novello Award winners MTV Europe Music Award winners Musical groups disestablished in 1996 Musical groups established in 1990 Musical groups from Cheshire Musical groups from Manchester Musical groups reestablished in 2005 Polydor Records artists Teen pop groups Universal Music Group artists Vocal quartets Vocal quintets Vocal trios" ]

[ "Take That", "1995-1996: Robbie Williams's first departure, break-up and Greatest Hits", "Why did Williams leave?", "Robbie Williams's drug abuse had escalated to a near drug overdose", "What was the result of this?", "I don't know." ]

[ "Matthias Kirste (born near Berlin), is a German cinematographer.\n\nInternationally, Kirste is mainly known for his work on the feature-films by Alexander Tuschinski. They met when they both studied at Hochschule der Medien. Since then, they often collaborated, and both share the cinematographer-credit, either of them taking turns at operating the camera depending on the scene.\n\nLife \n\nKirste got his first film camera when he was 15 years old and did his first photographic and filmic projects as a teenager. After serving in a PsyOps unit of the German military for a number of years, he started working as a freelance photographer and cinematographer.\n\nNotable works \n2010: Menschenliebe\n2011: Mutant Calculator (short film)\n2012: Hollow Date (short film)\n2014: Break-Up\n2016: Timeless\n\nReferences\n\nExternal links \n \n Making-Of documentary about \"Break-Up\". (Video)\n \n\nLiving people\nGerman cinematographers\nFilm people from Berlin\nYear of birth missing (living people)", "Fast break is an offensive strategy in basketball and handball. In a fast break, a team attempts to move the ball up court and into scoring position as quickly as possible, so that the defense is outnumbered and does not have time to set up. The various styles of the fast break–derivative of the original created by Frank Keaney–are seen as the best method of providing action and quick scores. A fast break may result from cherry picking.\n\nDescription\nIn a typical fast-break situation, the defending team obtains the ball and passes it to the fastest player, who sets up the fast break. That player (usually the smaller point guard, in the case of basketball) then speed-dribbles the ball up the court with several players trailing on the wings. He then either passes it to another player for quick scoring or takes the shot himself. If contact is made between him and a defender from behind while on a fast break, an unsportsmanlike foul is called. Recognition, speed, ball-handling skills, and decision making are critical to the success of a fast break.\n\nIn basketball, fast breaks are often the result of good defensive play such as a steal, obtaining the ball off a block, or a missed shot by the opposing team and a rebound, where the defending team takes possession of the ball and the other team has not adjusted.\n\nA fast break can sometimes lead to an alley-oop if there are more offensive players than defenders.\n\nIn basketball, if the fast break did not lead to a basket and an offensive rebound is obtained and put back quickly, this is called a secondary break.\n\nFly fast break\n\nA fly fast break (also known as a one out fast break, the technical term for the play) is a basketball move in which after a shot is attempted, the player who is guarding the shooter does not box out or rebound but instead runs down the court looking for a pass from a rebounding teammate for a quick score.\n\nHow to play the Fly fast break\nThe coach designates a certain guard or guards to carry out the Fly fast break. This is often the guard that defends the opponents' shooting guard. When the designated opposing guard makes an attempted shot. The defending guard (referred to as 'Fly') will contest the shot but then sprints down the court to the other team's key. When the defending team obtains the rebound or has to inbound the ball (after a made basket), they throw the ball into the other team's key, knowing that there is a 'Fly' waiting to catch the ball and score.\n\nStrengths\n Defeats the zone - the other team doesn't have time to set up their zone defense.\n Removes a rebounder - because the shooter has to defend against the Fly, they are removed from rebounding.\n Upsets the shooter - because the shooter has to worry about defense, they are less focused on their shooting.\n\nWeaknesses\n Rebounding weakness - The Fly's team is left with a 4 against 5 rebounding ratio, if the shooter stays to rebound.\n Inbounding - If a shooter scores, the inbounding set up takes longer and the distance to throw the ball is harder.\n Exhausting - The Fly has to sprint on offense, but has to hustle back on defense if the Fly fast break fails.\n\nBreaking Down the Fly fast break\nBreaking down the Fly fast break can be done in two ways:\n Have a confident shooter who can score and force the defending team to inbound while the shooter hustles back to defend against the Fly.\n Use non-shooting plays, where the #4 & #5 forwards do the scoring.\n\nNotes\nThe 'Fly' is a term in fly fishing where the actions of this type of fishing are similar to the actions of the basketball player in Fly fast break.\n\nReferences\n\nhttps://www.uri.edu/anniversary/stories/frank-keaney-and-the-old-gazazza/\n\nFurther reading\n\nBasketball terminology\nBasketball strategy\nHandball terminology" ]

[ "Take That are an English pop group formed in Manchester in 1990. The group currently consists of Gary Barlow, Howard Donald and Mark Owen. The original line-up also featured Jason Orange and Robbie Williams. Barlow is the group's lead singer and primary songwriter, with Owen and Williams initially providing backing vocals and Donald and Orange serving primarily as dancers.", "Barlow is the group's lead singer and primary songwriter, with Owen and Williams initially providing backing vocals and Donald and Orange serving primarily as dancers. The group have had 28 top 40 singles and 17 top 5 singles on the UK Singles Chart, 12 of which have reached number one, including \"Back for Good\", \"Never Forget\", \"Patience\" and \"Greatest Day\". They have also had eight number one albums on the UK Albums Chart.", "They have also had eight number one albums on the UK Albums Chart. Internationally, the band have had 56 number one singles and 39 number one albums. They have received eight Brit Awards—winning for Best British Group and Best British Live Act. In 2012 they received an Ivor Novello Award for Outstanding Contribution to British Music. According to the British Phonographic Industry (BPI), Take That has been certified for 14 million albums and 11.4 million singles in the UK.", "According to the British Phonographic Industry (BPI), Take That has been certified for 14 million albums and 11.4 million singles in the UK. Williams left the band in 1995 while the four remaining members completed their world tour and released a final single before splitting up in 1996. After filming a 2005 Take That: For the Record about the group and releasing a new greatest hits album, a four-piece Take That without Williams officially announced a 2006 reunion tour around the UK, entitled The Ultimate Tour.", "After filming a 2005 Take That: For the Record about the group and releasing a new greatest hits album, a four-piece Take That without Williams officially announced a 2006 reunion tour around the UK, entitled The Ultimate Tour. On 9 May 2006, it was announced that the group were set to record new material together once again; their fourth studio album, Beautiful World, was released in 2006 and was followed up with The Circus, in 2008.", "On 9 May 2006, it was announced that the group were set to record new material together once again; their fourth studio album, Beautiful World, was released in 2006 and was followed up with The Circus, in 2008. The group achieved new success as a four-piece, scoring a string of chart hits across the UK and Europe while selling over 45 million records worldwide. Williams rejoined Take That in 2010 for the band's sixth studio album, Progress.", "Williams rejoined Take That in 2010 for the band's sixth studio album, Progress. Released on 15 November of that year, it was the first album of new material to feature Take That's original line-up since their 1995 album, Nobody Else. It became the fastest-selling album of the 21st century and the second fastest-selling album in British history. In 2014, the band recorded a seventh studio album, this time as a trio without Williams and Orange.", "In 2014, the band recorded a seventh studio album, this time as a trio without Williams and Orange. The album, titled III, was released in November 2014 and became the band's seventh number one. It was preceded by the single \"These Days\", which became the band's 12th number one single in the UK.", "It was preceded by the single \"These Days\", which became the band's 12th number one single in the UK. In 2011, Take That set the new record for the fastest-selling tour of all time in the UK with Progress Live, beating the previous record set by their Circus Live Tour in 2009. At the 2011 Brit Awards they won Best British Group. In 2012, Forbes named them the fifth highest-earning music stars in the world.", "In 2012, Forbes named them the fifth highest-earning music stars in the world. The group performed at the London 2012 Olympic Games closing ceremony, playing \"Rule the World\" while the Olympic Flame was extinguished. In the same year, the Official Charts Company revealed the biggest-selling singles artists in British music chart history with Take That currently placed at 15th overall, making them the most successful boy band in UK chart history.", "In the same year, the Official Charts Company revealed the biggest-selling singles artists in British music chart history with Take That currently placed at 15th overall, making them the most successful boy band in UK chart history. Four of their albums are listed in the best-selling albums of the millennium, with three of them among the 60 best-selling albums in UK chart history. History 1989–1990: Formation In 1989, Manchester-based Nigel Martin-Smith sought to create a British male vocal singing group modelled on New Kids on the Block.", "History 1989–1990: Formation In 1989, Manchester-based Nigel Martin-Smith sought to create a British male vocal singing group modelled on New Kids on the Block. Martin-Smith's vision, however, was a teen-orientated group that would appeal to more than one demographic segment of the music industry. Martin-Smith was then introduced to young singer-songwriter Gary Barlow, who had been performing in clubs since the age of 15. Impressed with Barlow's catalogue of self-written material, Martin-Smith decided to build his new-look boy band around Barlow's musical abilities.", "Impressed with Barlow's catalogue of self-written material, Martin-Smith decided to build his new-look boy band around Barlow's musical abilities. A campaign to audition young men with abilities in dancing and singing followed and took place in Manchester and other surrounding cities in 1990. At 22, Howard Donald was one of the oldest to audition, but he was chosen after he got time off work as a vehicle painter to continue the process.", "At 22, Howard Donald was one of the oldest to audition, but he was chosen after he got time off work as a vehicle painter to continue the process. Prior to auditioning, Jason Orange had appeared as a breakdancer on the popular television programme The Hit Man and Her. Martin-Smith also selected 18-year-old bank employee Mark Owen and finally 16-year-old Robbie Williams to round out the group, which initially went by the name Kick It.", "Martin-Smith also selected 18-year-old bank employee Mark Owen and finally 16-year-old Robbie Williams to round out the group, which initially went by the name Kick It. 1990–1992: Take That & Party Take That's first TV appearance was on The Hit Man and Her in 1990, where they performed Barlow's self-written, unreleased song, \"My Kind of Girl\". They later appeared a second time to perform \"Waiting Around\", which would become the B-side for the first single, \"Do What U Like\".", "They later appeared a second time to perform \"Waiting Around\", which would become the B-side for the first single, \"Do What U Like\". \"Promises\" and \"Once You've Tasted Love\" were also released as singles but were minor hits in the UK. Take That initially worked the same territory as their American counterparts, singing new jack R&B, urban soul, and mainstream pop. However, they worked their way toward Hi-NRG dance music, while also pursuing an adult contemporary ballad direction.", "However, they worked their way toward Hi-NRG dance music, while also pursuing an adult contemporary ballad direction. As they aimed to break into the mainstream music industry, they worked a number of small clubs, schools, and events across the country building up a fanbase as they travelled to gigs constantly for months. Take That's breakthrough single was a cover of the 1975 Tavares hit \"It Only Takes a Minute\", which peaked at number seven on the UK Singles Chart in June 1992.", "Take That's breakthrough single was a cover of the 1975 Tavares hit \"It Only Takes a Minute\", which peaked at number seven on the UK Singles Chart in June 1992. This success was followed by \"I Found Heaven\", then by the first Barlow ballad \"A Million Love Songs\", which also reached number seven in October.", "This success was followed by \"I Found Heaven\", then by the first Barlow ballad \"A Million Love Songs\", which also reached number seven in October. Their cover of the Barry Manilow hit \"Could It Be Magic\" gave them their first big success, peaking at number three in the UK in the first chart of 1993. Their first album, Take That & Party, was released in 1992, and included all the hit singles to date.", "Their first album, Take That & Party, was released in 1992, and included all the hit singles to date. 1993–1995: Everything Changes, Nobody Else and superstardom 1993 saw the release of Everything Changes, based on Barlow's original material. It peaked at number one in the UK and spawned six singles, with four being consecutive UK number one singles – their first number one \"Pray\", \"Relight My Fire\", \"Babe\" and the title track \"Everything Changes\".", "It peaked at number one in the UK and spawned six singles, with four being consecutive UK number one singles – their first number one \"Pray\", \"Relight My Fire\", \"Babe\" and the title track \"Everything Changes\". The lead single \"Why Can't I Wake Up with You\" had narrowly missed the top spot in the UK peaking at number two and the sixth and final single \"Love Ain't Here Anymore\" taken from the album reached number three on the UK charts.", "The lead single \"Why Can't I Wake Up with You\" had narrowly missed the top spot in the UK peaking at number two and the sixth and final single \"Love Ain't Here Anymore\" taken from the album reached number three on the UK charts. Everything Changes saw the band gain international success with the album being nominated for the 1994 Mercury Prize, but it failed to crack the U.S. market, where an exclusive remix of \"Love Ain't Here Anymore\" (U.S. version) gained little success.", "Everything Changes saw the band gain international success with the album being nominated for the 1994 Mercury Prize, but it failed to crack the U.S. market, where an exclusive remix of \"Love Ain't Here Anymore\" (U.S. version) gained little success. By 1994, Take That had become radio and television stars across Europe and Asia, but it was not until 1995 that they did their first World Tour.", "By 1994, Take That had become radio and television stars across Europe and Asia, but it was not until 1995 that they did their first World Tour. It was during the years 1993–95 that the band fronted scores of magazine covers ranging from Smash Hits to GQ, becoming mass merchandised on all sorts of paraphernalia ranging from picture books, to posters, stickers, their own dolls, jewellery, caps, T-shirts, toothbrushes and even had their own annuals released.", "It was during the years 1993–95 that the band fronted scores of magazine covers ranging from Smash Hits to GQ, becoming mass merchandised on all sorts of paraphernalia ranging from picture books, to posters, stickers, their own dolls, jewellery, caps, T-shirts, toothbrushes and even had their own annuals released. The band had also developed a large female teenage fanbase at the time.", "The band had also developed a large female teenage fanbase at the time. During this time, they performed at numerous music awards shows and chart shows such as the BRIT Awards and Top of the Pops, also winning the Best Live Act award in 1995 at the MTV Europe Music Awards, having been renowned for their breakdance routines, high energy and creative tour productions.", "During this time, they performed at numerous music awards shows and chart shows such as the BRIT Awards and Top of the Pops, also winning the Best Live Act award in 1995 at the MTV Europe Music Awards, having been renowned for their breakdance routines, high energy and creative tour productions. In 1995, Take That released their third studio album Nobody Else, again based on Barlow's own material which reached number 1 in the UK and across Europe, capturing new audiences along the way, with Take That also able to make inroads in the adult audience in Britain through Barlow's melodic, sensitive ballads.", "In 1995, Take That released their third studio album Nobody Else, again based on Barlow's own material which reached number 1 in the UK and across Europe, capturing new audiences along the way, with Take That also able to make inroads in the adult audience in Britain through Barlow's melodic, sensitive ballads. For nearly five years, Take That's popularity was unsurpassed in Britain. The release of the first single from the album, \"Sure\", achieved yet another number one in the UK charts.", "The release of the first single from the album, \"Sure\", achieved yet another number one in the UK charts. It was not until their second release from that album, however, that they would experience what would become their biggest hit single, \"Back for Good\", which reached number one in many countries including the UK, Germany, Australia, and Norway. It was also their only US hit, where it reached number seven.", "It was also their only US hit, where it reached number seven. The song was initially unveiled for the first time via live performance while at the 1995 BRIT Awards, and based on the reception of that performance, the record pre-sold more records than expected and forced the record label to bring the release date forward by an unprecedented six weeks. The album was also noted for its cover, which was a parody of the famed cover of The Beatles' Sgt. Pepper's Lonely Hearts Club Band cover sleeve.", "Pepper's Lonely Hearts Club Band cover sleeve. Pepper's Lonely Hearts Club Band cover sleeve. 1995–1996: Break-up and Greatest Hits Robbie Williams's drug abuse had escalated to a near drug overdose the night before the group was scheduled to perform at the MTV Europe Music Awards in 1994. In June 1995, Williams was photographed by the press partying with Oasis at the Glastonbury Festival. The following month, the band offered him an ultimatum; he was to adhere to the band's responsibilities or leave before their scheduled world tour.", "The following month, the band offered him an ultimatum; he was to adhere to the band's responsibilities or leave before their scheduled world tour. Williams chose the latter. Williams claimed he was bored with Barlow's leadership and jealous of Barlow. Despite the loss of Williams, Take That continued to promote Nobody Else as a four-piece, scoring a further hit single with \"Never Forget\" with Donald on lead vocal. They subsequently went to America and completed the Nobody Else Tour in October 1995.", "They subsequently went to America and completed the Nobody Else Tour in October 1995. Following the tour, the band began to plan for their next album; however, when they spent Christmas together, they mutually agreed it was time to part ways. On 13 February 1996, Take That formally announced that they were disbanding. This was followed by the Greatest Hits compilation in 1996, which contained a new recording, a cover of the Bee Gees' \"How Deep Is Your Love\".", "This was followed by the Greatest Hits compilation in 1996, which contained a new recording, a cover of the Bee Gees' \"How Deep Is Your Love\". The single went on to become what was to be the band's final UK number one until their 2006 comeback a decade later. Take That gave what was thought to be their final performance in April 1996 at Amsterdam.", "Take That gave what was thought to be their final performance in April 1996 at Amsterdam. Following the band's announcement, millions of their fans were distraught around the world and in the UK alone, teenage girls threatened suicide and were seen lining streets in tears, to the point that telephone hotlines were set up by the government to deal with counselling them.", "Following the band's announcement, millions of their fans were distraught around the world and in the UK alone, teenage girls threatened suicide and were seen lining streets in tears, to the point that telephone hotlines were set up by the government to deal with counselling them. After the band broke up, highly respected music figures such as Elton John noted that Take That were different from other boy bands before and after them, in that they wrote their own material through Gary Barlow.", "After the band broke up, highly respected music figures such as Elton John noted that Take That were different from other boy bands before and after them, in that they wrote their own material through Gary Barlow. Barlow is one of only a small number of people who have won an Ivor Novello award during their time in a boy band, with George Michael whilst in Wham! and Tony Mortimer whilst in East 17 being two others who have achieved this feat.", "and Tony Mortimer whilst in East 17 being two others who have achieved this feat. Take That had also left a legacy of being immaculate performers with a very high work ethic, causing them to be voted in as the greatest boy band of all time.", "Take That had also left a legacy of being immaculate performers with a very high work ethic, causing them to be voted in as the greatest boy band of all time. 2005–2006: Reunion as a quartet and Never Forget – The Ultimate Collection On 14 November 2005, Never Forget – The Ultimate Collection, a new compilation of their hit singles including a new previously unreleased song, also achieved great success and peaked at number 2 on UK charts, selling over 2.1 million copies in the UK alone.", "2005–2006: Reunion as a quartet and Never Forget – The Ultimate Collection On 14 November 2005, Never Forget – The Ultimate Collection, a new compilation of their hit singles including a new previously unreleased song, also achieved great success and peaked at number 2 on UK charts, selling over 2.1 million copies in the UK alone. The new song \"Today I've Lost You\" (recorded in September 2005) was originally written by Barlow as the follow up to \"Back for Good\" but was never recorded.", "The new song \"Today I've Lost You\" (recorded in September 2005) was originally written by Barlow as the follow up to \"Back for Good\" but was never recorded. On 16 November 2005, the group got back together for the ITV documentary Take That: For the Record, in which they aired their views over their fame, success, the split and what the post-Williams line-up had done since.", "On 16 November 2005, the group got back together for the ITV documentary Take That: For the Record, in which they aired their views over their fame, success, the split and what the post-Williams line-up had done since. On 25 November 2005, there was an official press conference by the band announcing that the post-Robbie Williams line-up was going to tour in 2006. The tour, entitled The Ultimate Tour, ran from April to June 2006.", "The tour, entitled The Ultimate Tour, ran from April to June 2006. The tour featured a guest appearance by British soul singer Beverley Knight, who replaced Lulu's vocals on the song \"Relight My Fire\"; although Lulu did appear during the stadium shows on \"Relight My Fire\" and \"Never Forget\". The American female ensemble Pussycat Dolls supported the group at their Dublin concert, and the Sugababes supported the group on the final five dates of the stadium leg.", "The American female ensemble Pussycat Dolls supported the group at their Dublin concert, and the Sugababes supported the group on the final five dates of the stadium leg. In a seven-year study analysing over one billion online searches via Google conducted by AccuraCast, a leading digital search agency, their comeback was ranked at number one in the UK. 2006–2007: Beautiful World On 9 May 2006, Take That returned to the recorded music scene after more than ten years of absence, signing with Polydor Records.", "2006–2007: Beautiful World On 9 May 2006, Take That returned to the recorded music scene after more than ten years of absence, signing with Polydor Records. The band's comeback album, Beautiful World, entered the UK Albums Chart at no. 1 and, as of June 2009, had sold over 2.8 million copies in the UK. It is the 35th best selling album in UK music history. On Beautiful World, all four members of the band had the opportunity to sing lead vocals and contribute in the songwriting.", "On Beautiful World, all four members of the band had the opportunity to sing lead vocals and contribute in the songwriting. Unlike the band's earlier works, where the majority of their material was written by Barlow who received sole credit, all four band members are credited as co-writers, along with John Shanks. The comeback single, \"Patience\", was released on 20 November 2006, with a special event launching it on 5 November.", "The comeback single, \"Patience\", was released on 20 November 2006, with a special event launching it on 5 November. On 26 November \"Patience\" hit number 1 in the UK in its second week of chart entry, making it the group's ninth No. 1, and staying there for 4 weeks. Take That also accompanied eventual winner Leona Lewis on a live version of \"A Million Love Songs\" during the final of The X Factor on 16 December 2006.", "Take That also accompanied eventual winner Leona Lewis on a live version of \"A Million Love Songs\" during the final of The X Factor on 16 December 2006. The week after Beautiful World was released, it was announced that Take That had become the first artists ever to top the UK official single and album charts along with the download single, download album and DVD charts in the same week, as well as topping the radio charts.", "The week after Beautiful World was released, it was announced that Take That had become the first artists ever to top the UK official single and album charts along with the download single, download album and DVD charts in the same week, as well as topping the radio charts. The video for the number 1 hit single \"Shine\", the follow-up to \"Patience\", premiered on 25 January 2007 on Channel 4, ahead of its release on 26 February 2007.", "The video for the number 1 hit single \"Shine\", the follow-up to \"Patience\", premiered on 25 January 2007 on Channel 4, ahead of its release on 26 February 2007. The band's success continued on 14 February 2007 when Take That performed live at the BRIT Awards ceremony at Earl's Court. Their single \"Patience\" won the Best British Single category. The third single chosen from Beautiful World was \"I'd Wait For Life\", released on 18 June 2007 in the UK.", "The third single chosen from Beautiful World was \"I'd Wait For Life\", released on 18 June 2007 in the UK. The single reached 17 in the UK Singles Chart. This may have been due to lack of promotion, as the band decided to take a pre-tour break rather than do any promotion for the single. The single \"Rule the World\", included on the deluxe version of Beautiful World, was recorded for the soundtrack of the film Stardust (2007).", "The single \"Rule the World\", included on the deluxe version of Beautiful World, was recorded for the soundtrack of the film Stardust (2007). It reached number two in the UK and went on to become the group's second best selling single, shifting over 1.2 million units in the UK. Beautiful World was the fourth biggest-selling album of 2007. It was announced at the start of 2007 that Take That signed a record deal with American label Interscope, and would also release their album in Canada.", "It was announced at the start of 2007 that Take That signed a record deal with American label Interscope, and would also release their album in Canada. Starting on 11 October 2007, Take That began their Beautiful World Tour 2007 in Belfast. The tour included 49 shows throughout Europe and the UK and ended in Manchester on 23 December 2007. The band received four nominations at the 2008 BRIT Awards.", "The band received four nominations at the 2008 BRIT Awards. Nominated for Best British Group, Best British Single (\"Shine\"), Best British Album (Beautiful World) and Best Live Act, they took home the Best Live Act and the Best British Single awards. According to a 2007 MSN UK internet poll, Take That were voted as the \"comeback kings\" of the year.", "According to a 2007 MSN UK internet poll, Take That were voted as the \"comeback kings\" of the year. 2008–2009: The Circus \"Greatest Day\", the first single from the album The Circus, made its radio premiere on 13 October 2008 and it was released on 24 November. It debuted at number 1 on the UK Singles Chart on 30 November 2008. An album launch party for The Circus was held in Paris on 2 December.", "An album launch party for The Circus was held in Paris on 2 December. On its first day of release The Circus sold 133,000 copies, and after four days on sale it sold 306,000 copies (going platinum) making The Circus the fastest selling album of the year. The album reached number 1 on the UK Albums Chart on 7 December 2008 with total first-week sales of 432,490, the third highest opening sales week in UK history.", "The album reached number 1 on the UK Albums Chart on 7 December 2008 with total first-week sales of 432,490, the third highest opening sales week in UK history. On 28 October 2008, on the Radio 1 Chris Moyles show, it was announced that Take That would be touring again in June/July 2009, covering the UK and Ireland. Tickets for the Take That Present: The Circus Live tour went on sale on 31 October.", "Tickets for the Take That Present: The Circus Live tour went on sale on 31 October. The promoters, SJM, have said that the band's tour is \"the fastest selling in UK history\". On 22 May 2008, Barlow and Donald attended the 2008 Ivor Novello Awards where Take That won the award for Most Performed Work with their single \"Shine\". Take That won the Sony Ericsson Tour of the Year award at the Vodafone music awards on 18 September 2008.", "Take That won the Sony Ericsson Tour of the Year award at the Vodafone music awards on 18 September 2008. They were unable to attend as they were in LA finishing off The Circus. They did send a video link message, which was shown at the awards. On 22 November 2008, Take That appeared on week 7 of the talent show The X Factor where the finalists performed some of their greatest hits and Owen and Barlow made a guest appearance to personally coach the contestants.", "On 22 November 2008, Take That appeared on week 7 of the talent show The X Factor where the finalists performed some of their greatest hits and Owen and Barlow made a guest appearance to personally coach the contestants. The band also performed on Children in Need 2008, singing their new single, \"Greatest Day\", before donating £250,000 to the charity from their Marks and Spencer fee.", "The band also performed on Children in Need 2008, singing their new single, \"Greatest Day\", before donating £250,000 to the charity from their Marks and Spencer fee. The band were also voted the Greatest Boy Band of All Time, reflecting their ongoing marketability and success in the pop arena, even after two decades. At the 2009 Brit Awards they were nominated for Best British Group and they performed \"Greatest Day\" at the ceremony.", "At the 2009 Brit Awards they were nominated for Best British Group and they performed \"Greatest Day\" at the ceremony. \"Up All Night\", the second single from The Circus, was released on 2 March 2009, and peaked at number 14 on the UK Singles Chart, despite heavy airplay. In Germany and Australia, \"The Garden\" was released as the second single instead.", "In Germany and Australia, \"The Garden\" was released as the second single instead. On 7 May 2009, Take That's official website confirmed that the third single from The Circus would be \"Said It All\" which was released on 15 June 2009, peaking at number 9 on the UK Singles chart. The video premiered on GMTV on 8 May 2009. It features all four band members dressed up as vintage circus clowns, which tied in with their forthcoming Take That Present: The Circus Live tour.", "It features all four band members dressed up as vintage circus clowns, which tied in with their forthcoming Take That Present: The Circus Live tour. Take That started their Circus Live tour at the Stadium of Light on 5 June 2009 in Sunderland and ended at the Wembley Stadium in London on 5 July 2009, which over 80,000 people attended. This tour quickly became the fastest-selling of all time, breaking all records by selling all of their 650,000 tickets in less than four and a half hours.", "This tour quickly became the fastest-selling of all time, breaking all records by selling all of their 650,000 tickets in less than four and a half hours. In November 2009 Take That released the official DVD of their Circus tour, which became the fastest-selling music DVD of all time in the UK on its first day of release and stayed in the top 10 of the videos chart for over a year.", "In November 2009 Take That released the official DVD of their Circus tour, which became the fastest-selling music DVD of all time in the UK on its first day of release and stayed in the top 10 of the videos chart for over a year. This overtook the previous record sales holder, which was Take That's Beautiful World Live tour and stayed at the number 1 spot for 8 weeks.", "This overtook the previous record sales holder, which was Take That's Beautiful World Live tour and stayed at the number 1 spot for 8 weeks. The following week Take That released their first live album, The Greatest Day – Take That Present: The Circus Live, which sold 98,000 copies on its first day of release and was certified Platinum in July 2013.", "The following week Take That released their first live album, The Greatest Day – Take That Present: The Circus Live, which sold 98,000 copies on its first day of release and was certified Platinum in July 2013. \"Hold up a Light\" was released as the fifth and final single from The Circus to radio stations and as a digital download to promote the release of the live album. The live album also featured a stripped down session recorded live at the famous Abbey Road Studios in London.", "The live album also featured a stripped down session recorded live at the famous Abbey Road Studios in London. It featured the members singing the setlist from the preceding tour, albeit in a studio setting. 2010–2011: Williams' return and Progress On 7 June 2010, the news broke of a single called \"Shame\", which had been written by Barlow and Williams and would feature the vocals of both artists.", "2010–2011: Williams' return and Progress On 7 June 2010, the news broke of a single called \"Shame\", which had been written by Barlow and Williams and would feature the vocals of both artists. This was the first time the pair had worked together since 1995 and would appear on the second greatest hits collection of Williams. \"Heart and I\", another track from the same album, was also co-written by Williams and Barlow.", "\"Heart and I\", another track from the same album, was also co-written by Williams and Barlow. The single \"Shame\" peaked at number 2 on the UK Singles Chart while also achieving success throughout Europe, charting in over 19 countries. After working with the band on new material in Los Angeles, on 15 July 2010 Robbie Williams announced he was returning to Take That.", "After working with the band on new material in Los Angeles, on 15 July 2010 Robbie Williams announced he was returning to Take That. After months of working together, assembling new songs for a new album and even debating a band-name change to \"The English\", a joint statement between Williams and the group read, \"The rumours are true ... Take That: the original lineup, have written and recorded a new album for release later this year.\"", "After months of working together, assembling new songs for a new album and even debating a band-name change to \"The English\", a joint statement between Williams and the group read, \"The rumours are true ... Take That: the original lineup, have written and recorded a new album for release later this year.\" The statement went on to say, \"Following months of speculation Gary Barlow, Howard Donald, Jason Orange, Mark Owen, and Robbie Williams confirmed they have been recording a new studio album as a five-piece, which they will release in November.\"", "The statement went on to say, \"Following months of speculation Gary Barlow, Howard Donald, Jason Orange, Mark Owen, and Robbie Williams confirmed they have been recording a new studio album as a five-piece, which they will release in November.\" The lead single from Take That's album Progress was announced as \"The Flood\" and was released 7 November as a digital download, and on 8 November as a physical copy, with the album released a week later on 15 November.", "The lead single from Take That's album Progress was announced as \"The Flood\" and was released 7 November as a digital download, and on 8 November as a physical copy, with the album released a week later on 15 November. The single peaked at number 2 in the UK Singles Charts and to date has sold over 500,000 copies in the UK alone.", "The single peaked at number 2 in the UK Singles Charts and to date has sold over 500,000 copies in the UK alone. The single also achieved success across Europe, charting inside the top 10 in ten countries while also charting in another nine countries whilst also being nominated for an Ivor Novello Award for best work.", "The single also achieved success across Europe, charting inside the top 10 in ten countries while also charting in another nine countries whilst also being nominated for an Ivor Novello Award for best work. On 26 October the band announced that they would be embarking on a huge UK stadium tour entitled Progress Live, starting in Sunderland on 27 May, and finishing with a record-breaking 8 nights at London's Wembley Stadium in July 2011. It was also announced that Williams would perform hit singles from his solo career during the tour.", "It was also announced that Williams would perform hit singles from his solo career during the tour. The band then played at some of the biggest venues across Europe for the second leg of the tour. The phenomenal demand for tickets across the country led to the web sites of all the major UK ticket suppliers either crashing or considerably slowing for hours on end. The demand and sheer volume of fans also created problems for the UK telephone network.", "The demand and sheer volume of fans also created problems for the UK telephone network. Take That's Progress Live also broke all records for ticket sales selling over 1.1 million tickets in one day, smashing the previous box office record set by Take That's Circus tour in 2008. On the first day of release Progress became the fastest selling album of the century, with 235,000 copies sold in just one day.", "On the first day of release Progress became the fastest selling album of the century, with 235,000 copies sold in just one day. The album reached number 1 in the UK, selling around 520,000 copies in its first week, becoming the second fastest-selling album in history. After the release of Progress it was announced that Take That have become Amazon UK's top-selling music artist of all time.", "After the release of Progress it was announced that Take That have become Amazon UK's top-selling music artist of all time. The album retained the number one spot for six consecutive weeks in the UK since its release, selling 2.8 million copies in the UK alone and becoming the best selling album of 2010 Progress also achieved success across Europe where it debuted at number one in Ireland, Greece, Germany and Denmark. and the European Top 100 Albums chart.", "and the European Top 100 Albums chart. and the European Top 100 Albums chart. It also debuted inside the top 10 of the charts in Austria, Italy, the Netherlands, Sweden, and Switzerland. \"Kidz\" was announced as the second single from Progress, it was released 21 February 2011 and charted well across Europe. The band performed the song live at the 2011 Brit Awards hosted at The O2 Arena, where they won a Brit for Best British Group and were nominated for Best British Album.", "The band performed the song live at the 2011 Brit Awards hosted at The O2 Arena, where they won a Brit for Best British Group and were nominated for Best British Album. Their performance of \"Kidz\", praised by critics, involved a highly choreographed routine featuring dancers dressed in police-styled riot gear bearing the Take That symbol on the uniform and shields. On 19 May 2011, Take That announced a new EP entitled Progressed, which contained eight tracks written by the band since they had reunited as a five-piece.", "On 19 May 2011, Take That announced a new EP entitled Progressed, which contained eight tracks written by the band since they had reunited as a five-piece. It was packaged alongside the album Progress and returned the band to number 1 in the UK Album Chart the week after it was released on 13 June 2011. Take That announced that the Progress Live tour would be released worldwide as their second live album to date and would also be released on home media formats across the UK and Europe on 21 November 2011.", "Take That announced that the Progress Live tour would be released worldwide as their second live album to date and would also be released on home media formats across the UK and Europe on 21 November 2011. The DVD debuted at number 1 on the UK Music Video top 40 in its first week on release and sold over 200,000 copies in two weeks of release in the UK alone. Take That's efforts were recognised further when they were awarded Virgin Media's Best Live Act of 2012.", "Take That's efforts were recognised further when they were awarded Virgin Media's Best Live Act of 2012. On 4 October, it was reported that Take That were to take a break after the completion of the Progress tour, with Barlow continuing his role as a judge on The X Factor and Williams recording new solo material. Take That were presented with an Ivor Novello Award for their Outstanding Contribution to British Music in May 2012.", "Take That were presented with an Ivor Novello Award for their Outstanding Contribution to British Music in May 2012. In August 2012, Take That performed at the closing ceremony of the 2012 Summer Olympics, despite Barlow announcing that his daughter had been stillborn the previous week. The performance earned him praise for appearing live so soon after the tragedy. Williams was due to perform with the band but dropped out due to his wife giving birth at around the same time and thus the group performed as a four-piece.", "Williams was due to perform with the band but dropped out due to his wife giving birth at around the same time and thus the group performed as a four-piece. In November 2012, Take That reunited as a five-piece for the last time to perform \"Never Forget\" at the Music Industry Trust Awards. In 2013, Donald became a judge on the German version of the television dancing show Got to Dance.", "In 2013, Donald became a judge on the German version of the television dancing show Got to Dance. 2014–2015: Line-up change and III In May 2013, Owen announced that Take That was to begin recording their seventh studio album in 2014, and on 14 January 2014, Donald and Barlow both tweeted that Take That had entered the studio to begin recording the album, although it was not initially clear if Williams was present at these recording sessions.", "2014–2015: Line-up change and III In May 2013, Owen announced that Take That was to begin recording their seventh studio album in 2014, and on 14 January 2014, Donald and Barlow both tweeted that Take That had entered the studio to begin recording the album, although it was not initially clear if Williams was present at these recording sessions. On 28 April 2014, Williams announced on Twitter he was to become a father for a second time, and consequently suggested he would be unable to join Take That on their album and tour.", "On 28 April 2014, Williams announced on Twitter he was to become a father for a second time, and consequently suggested he would be unable to join Take That on their album and tour. Although welcome to return to the band at any time, Williams chose not to return for group's seventh and eighth studio albums and their accompanying tours, focusing instead on his solo commitments.", "Although welcome to return to the band at any time, Williams chose not to return for group's seventh and eighth studio albums and their accompanying tours, focusing instead on his solo commitments. He continued to write music with his colleagues and has performed with the group on several occasions since 2011's Progress tour and plans on returning at some point in the future. On 24 September 2014, it was announced that Jason Orange had left the band.", "On 24 September 2014, it was announced that Jason Orange had left the band. He said: 'At a band meeting last week I confirmed to Mark, Gary and Howard that I do not wish to commit to recording and promoting a new album. 'At the end of The Progress Tour I began to question whether it might be the right time for me to not continue on with Take That,' he continued.", "'At the end of The Progress Tour I began to question whether it might be the right time for me to not continue on with Take That,' he continued. 'There have been no fallings out, only a decision on my part that I no longer wish to do this,' he added. Barlow, Donald, and Owen issued a joint statement about Orange's decision which said: \"This is a sad day for us.", "Barlow, Donald, and Owen issued a joint statement about Orange's decision which said: \"This is a sad day for us. Jason leaving is a huge loss both professionally and even more so personally ... Jason's energy and belief in what this band could achieve has made it what it is today, and we'll forever be grateful for his enthusiasm, dedication and inspiration over the years.\" A day after the announcement, Robbie Williams took to Twitter to show support of Orange's decision. \"Mr Orange.", "\"Mr Orange. \"Mr Orange. Until we ride again. Much love, Bro. \", Williams tweeted. On 10 October 2014, Take That unveiled their first song as a three-piece and lead single from their upcoming album. Titled \"These Days\", it was released on 23 November 2014 and went to No. 1 in the UK Singles Chart, knocking Band Aid 30 off the top spot and becoming their 12th number one single.", "1 in the UK Singles Chart, knocking Band Aid 30 off the top spot and becoming their 12th number one single. The album itself, called III, was released on 28 November 2014 and became the band's seventh No. 1 album. It was then followed by a sell-out arena tour entitled Take That Live. On 14 October 2015, the band announced their new single \"Hey Boy\", released on 16 October, which is the first single from the 2015 re-release of III.", "On 14 October 2015, the band announced their new single \"Hey Boy\", released on 16 October, which is the first single from the 2015 re-release of III. The 2015 edition of the album was released on 20 November. In December 2015, British media buzzed about the group embarking on a stint in Las Vegas, starting 2017. Reports indicated the group impressed U.S. promoters and would headline their own residency show.", "Reports indicated the group impressed U.S. promoters and would headline their own residency show. Many venues circulated, including The AXIS at the Planet Hollywood Resort & Casino, The Foundry at SLS Las Vegas and the Linq Theater at The LINQ Hotel & Casino. Local newspaper, the Las Vegas Sun writes that everything is still unconfirmed, despite Barlow confirming the rumour on Twitter. 2016–2017: Wonderland On 2 February 2016, in an interview with The Sun, Barlow revealed that Take That would release their eighth studio album later in the year.", "2016–2017: Wonderland On 2 February 2016, in an interview with The Sun, Barlow revealed that Take That would release their eighth studio album later in the year. On 4 May 2016, English drum and bass duo Sigma announced their newest single would feature Take That. \"Cry\" received its first radio play on 20 May 2016 and was released on that date.", "\"Cry\" received its first radio play on 20 May 2016 and was released on that date. On 21 October 2016, the band posted a teaser on their social media pages and website depicting the logo of the band flickering with the hashtag \"#WONDERLAND\". The following day, it was announced that their new album, titled Wonderland, was scheduled to be released on 24 March 2017.", "The following day, it was announced that their new album, titled Wonderland, was scheduled to be released on 24 March 2017. It was then followed by a UK and Ireland arena tour entitled Wonderland Live, that commenced on 5 May 2017 at the Genting Arena in Birmingham. On 17 February 2017, the lead single of Wonderland was released. Titled \"Giants\", it debuted at 13 in the UK charts, which became the band's 24th UK top 20 single.", "Titled \"Giants\", it debuted at 13 in the UK charts, which became the band's 24th UK top 20 single. On 8 April 2017, ITV aired a specially commissioned hour-length television special titled An Evening with Take That, where the band performed some songs from the album, along with some old classics including \"Never Forget\", \"Back for Good\" and \"Rule the World\". The band also took part in a Q&A session with the audience members.", "The band also took part in a Q&A session with the audience members. On 27 April, it was announced on Twitter that \"New Day\" would be released as the next single from the album Wonderland. The band were seen recording the music video in a field in Luton the days leading up the opening night of the Wonderland Live tour. Due to the Manchester Arena bombing just days before they were due to perform at the venue, their Manchester and Liverpool dates were rescheduled or relocated.", "Due to the Manchester Arena bombing just days before they were due to perform at the venue, their Manchester and Liverpool dates were rescheduled or relocated. The band returned a month later to perform at the One Love Manchester benefit concert. On 16 September 2017, Barlow, Owen and Donald were set to perform a special one-off show in Jersey after a fan bid more than £1.2 million to win a performance from the band.", "On 16 September 2017, Barlow, Owen and Donald were set to perform a special one-off show in Jersey after a fan bid more than £1.2 million to win a performance from the band. This then turned in to a ticketed charity event where the money from tickets sold would go towards benefiting Children in Need. The auction was held on BBC Radio 2. On 11 November 2017, Take That began their foreign tour in Perth, Australia, the first time they have performed in the country in over twenty years.", "On 11 November 2017, Take That began their foreign tour in Perth, Australia, the first time they have performed in the country in over twenty years. They also played in New Zealand, United Arab Emirates and Israel for the first time. Unlike the other tours, a DVD for Wonderland Live was not released. Instead, it was broadcast on Sky 1 on 23 December and in cinemas.", "Instead, it was broadcast on Sky 1 on 23 December and in cinemas. 2018–2020: The 30th Anniversary, and Odyssey On 16 July 2018, while performing at first ever Hits Radio Live at the Manchester Arena, Barlow, Donald and Owen confirmed that they would be touring in 2019. The tour was a Greatest Hits tour and celebrated the 30th anniversary of the band. There was also a Greatest Hits album, Odyssey, which was released on 23 November 2018.", "There was also a Greatest Hits album, Odyssey, which was released on 23 November 2018. The Greatest Hits album features existing songs from their back catalogue that have been re-imagined and 3 brand new songs. It also includes collaborations with Boyz II Men, Lulu, Sigma and Barry Gibb. Odyssey reached number one in the UK album chart and was certified as a platinum selling record.", "Odyssey reached number one in the UK album chart and was certified as a platinum selling record. The following year, Odyssey Live, the recording of their tour, reached number 5, becoming the band's 13th top 5 album, with the DVD becoming the biggest live music sale of 2019. In May 2020, Barlow, Donald, and Owen reunited with Williams for a virtual performance from their respective homes, hosted by price comparison website comparethemarket.com, to raise money for the music charity Nordoff Robbins and Crew Nation.", "In May 2020, Barlow, Donald, and Owen reunited with Williams for a virtual performance from their respective homes, hosted by price comparison website comparethemarket.com, to raise money for the music charity Nordoff Robbins and Crew Nation. In other media In April 2006, EMI licensed the band's songs to be used in the musical Never Forget, a musical based on songs of the band from the 1990s. Take That posted and then later removed a statement on their website distancing themselves from it.", "Take That posted and then later removed a statement on their website distancing themselves from it. Take That wrote and recorded the theme song \"Rule the World\" for the film Stardust directed by Matthew Vaughn, which was released in cinemas across the globe in October 2007. In 2007, their song \"Back for Good\" was used as part of the soundtrack for popular Korean drama The 1st Shop of Coffee Prince.", "In 2007, their song \"Back for Good\" was used as part of the soundtrack for popular Korean drama The 1st Shop of Coffee Prince. Take That presented their own TV show Take That Come to Town, a variety show in which they performed some of their biggest hits. The show also featured comedy sketches with one of Peter Kay's alter egos Geraldine McQueen. It aired on 7 December 2008 on ITV1. Sony launched their first Take That video game, SingStar Take That in 2009 for the PlayStation 3.", "Sony launched their first Take That video game, SingStar Take That in 2009 for the PlayStation 3. In November 2010, ITV aired Take That: Look Back, Don't Stare, a black-and-white documentary which focused on the band working together for the first time in 15 years. Through a series of interviews, the band look back at their achievements while also looking forward to what the future holds for them.", "Through a series of interviews, the band look back at their achievements while also looking forward to what the future holds for them. On 18 November 2010, Williams and Barlow appeared together live on television for the first time on the Popstars program in Germany singing their hit \"Shame\". In 2011, Take That's song \"Love Love\" was used in the credits of the 2011 film X-Men: First Class and later, \"When We Were Young\" was chosen as the main theme for The Three Musketeers movie.", "In 2011, Take That's song \"Love Love\" was used in the credits of the 2011 film X-Men: First Class and later, \"When We Were Young\" was chosen as the main theme for The Three Musketeers movie. In 2015, the song \"Get Ready for It\" from their album III, was chosen as the theme song for the film Kingsman: The Secret Service.", "In 2015, the song \"Get Ready for It\" from their album III, was chosen as the theme song for the film Kingsman: The Secret Service. In 2017, Take That launched The Band, a musical written by Tim Firth featuring the five winners of Let It Shine and some of Take That's biggest hits. Take That, including Robbie Williams, were billed as executive producers.", "Take That, including Robbie Williams, were billed as executive producers. The group's music is regularly featured in the Channel 4 show Derry Girls, notably in the third episode of the second series, when the lead characters sneak off to attend the 1993 Take That concert in Belfast; the episode features the music video for \"Pray\" and ends on footage of the band performing \"Everything Changes\".", "The group's music is regularly featured in the Channel 4 show Derry Girls, notably in the third episode of the second series, when the lead characters sneak off to attend the 1993 Take That concert in Belfast; the episode features the music video for \"Pray\" and ends on footage of the band performing \"Everything Changes\". Artistry Early in their career, Take That were known for party anthems such as \"Do What U Like\" and more mature ballads such as \"A Million Love Songs\" and \"Back for Good\".", "Artistry Early in their career, Take That were known for party anthems such as \"Do What U Like\" and more mature ballads such as \"A Million Love Songs\" and \"Back for Good\". Since reuniting in 2006, they have become more experimental: their post-2006 albums Beautiful World and The Circus have featured \"stadium-filling pop-rock\" while Progress largely leaned towards electropop.", "Since reuniting in 2006, they have become more experimental: their post-2006 albums Beautiful World and The Circus have featured \"stadium-filling pop-rock\" while Progress largely leaned towards electropop. Having been dubbed the \"comeback kings\" by the media for their highly successful reunion, the group has won widespread praise for their seamless transformation from teen idols to \"man band\" without overly relying on nostalgia, instead showcasing a more mature image and sound and reinventing themselves while maintaining their artistic integrity.", "Having been dubbed the \"comeback kings\" by the media for their highly successful reunion, the group has won widespread praise for their seamless transformation from teen idols to \"man band\" without overly relying on nostalgia, instead showcasing a more mature image and sound and reinventing themselves while maintaining their artistic integrity. Jude Rogers of The Guardian commented on Take That's post-reunion success, in light of a string of reunions by the group's disbanded counterparts from the 1990s: \"Only Take That are penetrating pop's wider consciousness by becoming a man-band rather than a boy-band, singing mature, proper pop songs that cross the generations.\"", "Jude Rogers of The Guardian commented on Take That's post-reunion success, in light of a string of reunions by the group's disbanded counterparts from the 1990s: \"Only Take That are penetrating pop's wider consciousness by becoming a man-band rather than a boy-band, singing mature, proper pop songs that cross the generations.\" Take That have garnered critical acclaim and popularity as consummate live performers and for their musical output.", "Take That have garnered critical acclaim and popularity as consummate live performers and for their musical output. Their domestic concert tours have been described as \"some of the most flamboyant, imaginative and extravagant pop tours around\". Aside from covers, all of their material is composed by the members themselves; Barlow was initially the principal songwriter who received sole credit but the other members have since taken a more active role in the composition and production process, including playing instruments for the backing track.", "Aside from covers, all of their material is composed by the members themselves; Barlow was initially the principal songwriter who received sole credit but the other members have since taken a more active role in the composition and production process, including playing instruments for the backing track. Band members Current members Gary Barlow (1990–1996, 2005–present) Howard Donald (1990–1996, 2005–present) Mark Owen (1990–1996, 2005–present) Former members Robbie Williams (1990–1995, 2010–2012) Jason Orange (1990–1996, 2005–2014) Timeline Awards and nominations |- | 2016 | Take That | Silver Clef Award for Best Live Act | |- | style=\"text-align:center;\"|2015 | \"These Days\" | UK Music Video Awards for Best Art Direction | |- | rowspan=\"6\" style=\"text-align:center;\"|2012 | \"Pray\" |The Guardian Music Award for Best Number 1 Single | |- | Take That |Ivor Novello Award for Outstanding Contribution to British Music | |- | \"Back for Good\" |The Official Charts Company UK Recognition award for United Kingdom's Favourite Number One Single | |- | \"The Flood\" |Ivor Novello Award for PRS Most Performed Work | |- | Take That |Virgin Media Music Awards for Best Live Act | |- | \"Kidz\" |Virgin Media Music Awards for Best Music Video | |- | rowspan=\"10\" style=\"text-align:center;\"|2011 |- | Progress Live |Audio Pro International Awards for Best Live Sound Event | |- | Progress Live |Audio Pro International Awards Grand Prix Award | |- | Take That |Phonographic Performance Limited Award for most played UK artist | |- | \"Kidz\" |Spex German Entertainment for Best Music Video | |- | The Circus Live Tour | Greatest Event ever at Wembley Stadium | |- | Take That |ECHO Award for Best International Group | |- | Take That |BRIT Award for Best British Group | |- | Progress | BRIT Award for MasterCard Album of the Year | |- | Take That |Virgin Media for Best Group | |- | rowspan=\"6\" style=\"text-align:center;\"|2010 |- | \"Up All Night\" | UK Music Video Awards for Best Art Direction | |- | \"The Flood\" |iTunes Award for Best Single | |- | Progress | iTunes Award for Best Album | |- | Take That |Q Award Hall of Fame | |- | Take That |BRIT Award for Best Live Performance of the past 30 Years | |- | rowspan=\"5\" style=\"text-align:center;\"|2009 | Take That |GQ Men of the Year Awards for Best Band | |- | Take That |Q Award for Best Live Act | |- | \"Greatest Day\" |Q Award for Best Single | |- | Take That |BRIT Award for Best British Group | |- | Take That | Silver Clef Award | |- | rowspan=\"7\" style=\"text-align:center;\"|2008 | \"Shine\" |Ivor Novello Award for PRS Most Performed Work | |- | \"Rule the World\" |Virgin for Best Single | |- | Take That |Sony Ericsson Tour of the Year Award for Take That Arena Tour | |- | \"Shine\" |BRIT Award for Best British Single | |- | Take That |BRIT Award for Best British Live Act | |- | Beautiful World |BRIT Award for Best British Album | |- | Take That |BRIT Award for Best British Group | |- | style=\"text-align:center;\"|2007 | \"Patience\" |BRIT Award for Best British Single | |- | style=\"text-align:center;\"|2006 | Take That |Q Idol Award | |- | rowspan=\"3\" style=\"text-align:center;\"|1996 | \"Back for Good\" |Billboard International Hit of the Year | |- | \"Never Forget\" |Ivor Novello Award for Most Performed Song | |- | \"Back for Good\" |BRIT Award for Best British Single | |- | rowspan=\"3\" style=\"text-align:center;\"|1995 | \"Back for Good\" |Ivor Novello Award for the Song of the Year | |- | Take That |MTV Europe Music Awards for Best Live Act | |- | Take That | Silver Clef Award | |- | rowspan=\"6\" style=\"text-align:center;\"|1994 | \"Babe\" |MTV Video Music Award for International Viewer's Choice Award for MTV Europe | |- | Everything Changes |Mercury Prize for Best Album | |- | \"Pray\" |Ivor Novello Award for Best Contemporary Song | |- | \"Pray\" |BRIT Award for Best British Single | |- | \"Pray\" |BRIT Award for Best British Video | |- | Take That |MTV Europe Music Awards for Best Group | |- | rowspan=\"4\" style=\"text-align:center;\"|1993 | \"Could It Be Magic\" |BRIT Award for Best British Single | |- | \"A Million Love Songs\" |BRIT Award for Best British Single | |- | \"It Only Takes a Minute\" |BRIT Award for Best British Single | |- | Take That | Silver Clef Award for Best Newcomer | |} Discography Take That & Party (1992) Everything Changes (1993) Nobody Else (1995) Beautiful World (2006) The Circus (2008) Progress (2010) III (2014) Wonderland (2017) Tours Party Tour (1992–93) Everything Changes Tour (1993–94) Pops Tour (1994–95) Nobody Else Tour (1995) The Ultimate Tour (2006) Beautiful World Tour 2007 (2007) Take That Present: The Circus Live (2009) Progress Live (2011) Take That Live (2015) Wonderland Live (2017) Greatest Hits Live (2019) See also List of best-selling boy bands References External links Chinese Fansite 1990 establishments in England 1996 disestablishments in England 2005 establishments in England Brit Award winners Dance-pop groups Echo (music award) winners English boy bands English dance music groups Interscope Records artists Ivor Novello Award winners MTV Europe Music Award winners Musical groups disestablished in 1996 Musical groups established in 1990 Musical groups from Cheshire Musical groups from Manchester Musical groups reestablished in 2005 Polydor Records artists Teen pop groups Universal Music Group artists Vocal quartets Vocal quintets Vocal trios" ]

[ "Take That", "1995-1996: Robbie Williams's first departure, break-up and Greatest Hits", "Why did Williams leave?", "Robbie Williams's drug abuse had escalated to a near drug overdose", "What was the result of this?", "I don't know.", "When did they break up?", "On 13 February 1996, Take That formally announced that they were disbanding." ]

[ "Singles of the 90s is a compilation album by Swedish pop music group, Ace of Base.\n\nBackground\nSingles of the 90s was released on November 15, 1999 in Europe, Asia, and Africa. The band had begun work on their fourth studio album (Da Capo), when they were approached by their label to put out a greatest hits release. Jonas Berggren, the band's main composer, initially refused the offer, claiming the idea for a singles package was premature. In the end, the band relented and offered three songs titled \"Hallo Hallo\", \"C'est La Vie,\" and \"Love in December\", which was co-written by all four band members.\n\nAn American counterpart, Greatest Hits, was released the following year on April 18, 2000, and included only \"C'est La Vie\" of the three new tracks. This release included a track error at the beginning of \"The Sign\" and sold poorly. Singles of the 90s was released in the US via iTunes in 2007 despite the Greatest Hits release.\n\nTrack listing\n\nCharts\n\nCertifications\n\nReferences\n\nAce of Base compilation albums\n1999 greatest hits albums", "A greatest hits album or best-of album is a type of compilation album that collects popular and commercially successful songs by a particular artist or band. While greatest hits albums are typically supported by the artist, they can also be created by record companies without express approval from the original artist as a means to generate sales. They are typically regarded as a good starting point for new fans of an artist, but are sometimes criticized by longtime fans as not inclusive enough or necessary at all.\n\nIt is also common for greatest hits albums to include remixes or alternate takes of popular songs as bonus tracks to increase appeal for longtime fans (who might otherwise already own the songs included). At times, a greatest hits compilation marks the first album appearance of a successful single that was never attached to a previous studio album.\n\nHistory \nThe first greatest hits album was Johnny Mathis's Johnny's Greatest Hits, released in 1958. The album collected eight of Mathis's charting singles, as well as three non-charting B-sides and an altogether new track. The album spent three weeks at the number one spot on Billboard's Best Selling Pop LP's chart. The greatest hits album format then gained popularity in the 1960s and 1970s among American and British rock and pop artists. Some artists were popular enough to release multiple greatest hits albums during and after their career.\n\nBy the 1990s, greatest hits albums were common for popular artists, with some artists even releasing the greatest hits album as a music video collection concurrently with the album. It also became a commercially viable option to boost popularity for artists with dwindling careers. Some bands refuse to release a greatest hits album, such as rock groups AC/DC, Tool, and Metallica. Garth Brooks had initially refused releasing one, but he eventually agreed to it in 1994 for a limited release (the resulting record, The Hits, sold over ten million copies).\n\nIn 2000, Sony Music Entertainment launched their The Essential series, which collects singles and other career-defining tracks of artists licensed to Sony. The Essential Bob Dylan was the first in the series, and the company has since released dozens of albums in the series with other artists under their label. In addition to artist-specific collections, the series has also released genre-specific and themed albums, such as The Essential Christmas (collecting pop and rock covers of Christmas songs) or The Essential Australian Rock (collecting a specific regional output). In 2005, Universal Music Group launched a similar line, Gold, which collects artists' greatest hits onto two discs.\n\nIn the late 2000s and 2010s, digital downloads and music streaming services increased in popularity, which allow users to listen to their favorite tracks without the need of a greatest hits package. In 2016, Pitchfork noted that \"in the digital era, once a catalog enters a streaming service or an MP3 store, there's no need for a reissue and, therefore, there's no reason for a label to mine the vaults, searching for old music to make new again. Users can assemble their own personalized greatest hits playlists or just scan through an act's most accessed songs\", which has led to greatest hits collections becoming redundant.\n\nDespite the popularity of streaming in 2010s and early 2020s, some artists continued to issue physical greatest hits albums, including the White Stripes, Spoon, and the Weeknd. Spoon lead singer Britt Daniel said he chose to compile 2019's Everything Hits at Once: The Best of Spoon out of an affinity for compilations such as Standing on a Beach by the Cure and Substance 1987 by New Order, which had introduced him to those artists in his youth, and to provide an official introduction to Spoon's catalog for new listeners. Alex Kapranos of Franz Ferdinand echoed those sentiments when describing the decision to release the band's 2022 Hits to the Head compilation, stating that \"I have friends who believe you’re somehow not a 'real' fan if you own a best of rather than a discography. I disagree. I think of my parents' record collection as a kid. I loved their compilation LPs. I am so grateful that they had Changes or Rolled Gold. Those LPs were my entrance point. My introduction.\"\n\nNotable examples\n\nEagles' Their Greatest Hits (1971–1975) is the best selling album ever in the United States, according to Billboard, which has sold over 38 million copies. Elton John's Greatest Hits is the best-selling greatest hits album by a solo artist according to the same chart.\n\nOne example of a greatest hits compilation released against the artists' intentions is British rock group the Rolling Stones' compilation Hot Rocks 1964–1971 (1971). The music magazine Rolling Stone remarked that the album served as a \"beautifully packaged... purely mercenary item put together by the Stones' former record company to cash in on the Christmas season and wring some more bucks out in the name of the Mod Princes they once owned.\" After their manager tricked the band into signing over the copyrights to their 1963–1970 song catalog, the band did succeed in changing management and record labels. However, they could neither prevent the release of Hot Rocks nor its successor, which was titled More Hot Rocks (Big Hits & Fazed Cookies). A testament to the selling power of greatest hits albums, Hot Rocks remains the best selling album of the Rolling Stones' career. Mick Jagger and Keith Richards continue to collect significant songwriting royalties from the Hot Rocks sales, but not the ownership royalties.\n\nIn the UK, Queen's Greatest Hits is the biggest selling album of all time. In second place is ABBA Gold, another greatest hits compilation which has gone on to become the longest-charting album in the UK. Queen's Greatest Hits II is also one of the UK's Top Ten biggest sellers.\n\nIn other media \nThe concept of greatest hits compilations has been adapted to other media as well. In television, some shows have released compilations of their critically successful and highest-rated episodes to drive new viewers to watch a program, such as Family Guys Freakin' Sweet Collection and South Park: The Hits. Several video game companies have re-released popular games for continued sales, sometimes with discounted prices: Sony's PlayStation has released games under their Greatest Hits series; Nintendo has re-released games under the Nintendo Selects label (formerly called \"Player's Choice\"); Microsoft has re-released games under the Platinum Hits label. Some video game franchises have released greatest hits collections of their own content, such as Super Mario All-Stars, Sonic Mega Collection, and Guitar Hero Smash Hits.\n\nSee also\n Hit record\n Grandes Éxitos (disambiguation) – the Spanish language equivalent of the concept\n\nReferences \n\nAlbum types" ]

[ "Take That are an English pop group formed in Manchester in 1990. The group currently consists of Gary Barlow, Howard Donald and Mark Owen. The original line-up also featured Jason Orange and Robbie Williams. Barlow is the group's lead singer and primary songwriter, with Owen and Williams initially providing backing vocals and Donald and Orange serving primarily as dancers.", "Barlow is the group's lead singer and primary songwriter, with Owen and Williams initially providing backing vocals and Donald and Orange serving primarily as dancers. The group have had 28 top 40 singles and 17 top 5 singles on the UK Singles Chart, 12 of which have reached number one, including \"Back for Good\", \"Never Forget\", \"Patience\" and \"Greatest Day\". They have also had eight number one albums on the UK Albums Chart.", "They have also had eight number one albums on the UK Albums Chart. Internationally, the band have had 56 number one singles and 39 number one albums. They have received eight Brit Awards—winning for Best British Group and Best British Live Act. In 2012 they received an Ivor Novello Award for Outstanding Contribution to British Music. According to the British Phonographic Industry (BPI), Take That has been certified for 14 million albums and 11.4 million singles in the UK.", "According to the British Phonographic Industry (BPI), Take That has been certified for 14 million albums and 11.4 million singles in the UK. Williams left the band in 1995 while the four remaining members completed their world tour and released a final single before splitting up in 1996. After filming a 2005 Take That: For the Record about the group and releasing a new greatest hits album, a four-piece Take That without Williams officially announced a 2006 reunion tour around the UK, entitled The Ultimate Tour.", "After filming a 2005 Take That: For the Record about the group and releasing a new greatest hits album, a four-piece Take That without Williams officially announced a 2006 reunion tour around the UK, entitled The Ultimate Tour. On 9 May 2006, it was announced that the group were set to record new material together once again; their fourth studio album, Beautiful World, was released in 2006 and was followed up with The Circus, in 2008.", "On 9 May 2006, it was announced that the group were set to record new material together once again; their fourth studio album, Beautiful World, was released in 2006 and was followed up with The Circus, in 2008. The group achieved new success as a four-piece, scoring a string of chart hits across the UK and Europe while selling over 45 million records worldwide. Williams rejoined Take That in 2010 for the band's sixth studio album, Progress.", "Williams rejoined Take That in 2010 for the band's sixth studio album, Progress. Released on 15 November of that year, it was the first album of new material to feature Take That's original line-up since their 1995 album, Nobody Else. It became the fastest-selling album of the 21st century and the second fastest-selling album in British history. In 2014, the band recorded a seventh studio album, this time as a trio without Williams and Orange.", "In 2014, the band recorded a seventh studio album, this time as a trio without Williams and Orange. The album, titled III, was released in November 2014 and became the band's seventh number one. It was preceded by the single \"These Days\", which became the band's 12th number one single in the UK.", "It was preceded by the single \"These Days\", which became the band's 12th number one single in the UK. In 2011, Take That set the new record for the fastest-selling tour of all time in the UK with Progress Live, beating the previous record set by their Circus Live Tour in 2009. At the 2011 Brit Awards they won Best British Group. In 2012, Forbes named them the fifth highest-earning music stars in the world.", "In 2012, Forbes named them the fifth highest-earning music stars in the world. The group performed at the London 2012 Olympic Games closing ceremony, playing \"Rule the World\" while the Olympic Flame was extinguished. In the same year, the Official Charts Company revealed the biggest-selling singles artists in British music chart history with Take That currently placed at 15th overall, making them the most successful boy band in UK chart history.", "In the same year, the Official Charts Company revealed the biggest-selling singles artists in British music chart history with Take That currently placed at 15th overall, making them the most successful boy band in UK chart history. Four of their albums are listed in the best-selling albums of the millennium, with three of them among the 60 best-selling albums in UK chart history. History 1989–1990: Formation In 1989, Manchester-based Nigel Martin-Smith sought to create a British male vocal singing group modelled on New Kids on the Block.", "History 1989–1990: Formation In 1989, Manchester-based Nigel Martin-Smith sought to create a British male vocal singing group modelled on New Kids on the Block. Martin-Smith's vision, however, was a teen-orientated group that would appeal to more than one demographic segment of the music industry. Martin-Smith was then introduced to young singer-songwriter Gary Barlow, who had been performing in clubs since the age of 15. Impressed with Barlow's catalogue of self-written material, Martin-Smith decided to build his new-look boy band around Barlow's musical abilities.", "Impressed with Barlow's catalogue of self-written material, Martin-Smith decided to build his new-look boy band around Barlow's musical abilities. A campaign to audition young men with abilities in dancing and singing followed and took place in Manchester and other surrounding cities in 1990. At 22, Howard Donald was one of the oldest to audition, but he was chosen after he got time off work as a vehicle painter to continue the process.", "At 22, Howard Donald was one of the oldest to audition, but he was chosen after he got time off work as a vehicle painter to continue the process. Prior to auditioning, Jason Orange had appeared as a breakdancer on the popular television programme The Hit Man and Her. Martin-Smith also selected 18-year-old bank employee Mark Owen and finally 16-year-old Robbie Williams to round out the group, which initially went by the name Kick It.", "Martin-Smith also selected 18-year-old bank employee Mark Owen and finally 16-year-old Robbie Williams to round out the group, which initially went by the name Kick It. 1990–1992: Take That & Party Take That's first TV appearance was on The Hit Man and Her in 1990, where they performed Barlow's self-written, unreleased song, \"My Kind of Girl\". They later appeared a second time to perform \"Waiting Around\", which would become the B-side for the first single, \"Do What U Like\".", "They later appeared a second time to perform \"Waiting Around\", which would become the B-side for the first single, \"Do What U Like\". \"Promises\" and \"Once You've Tasted Love\" were also released as singles but were minor hits in the UK. Take That initially worked the same territory as their American counterparts, singing new jack R&B, urban soul, and mainstream pop. However, they worked their way toward Hi-NRG dance music, while also pursuing an adult contemporary ballad direction.", "However, they worked their way toward Hi-NRG dance music, while also pursuing an adult contemporary ballad direction. As they aimed to break into the mainstream music industry, they worked a number of small clubs, schools, and events across the country building up a fanbase as they travelled to gigs constantly for months. Take That's breakthrough single was a cover of the 1975 Tavares hit \"It Only Takes a Minute\", which peaked at number seven on the UK Singles Chart in June 1992.", "Take That's breakthrough single was a cover of the 1975 Tavares hit \"It Only Takes a Minute\", which peaked at number seven on the UK Singles Chart in June 1992. This success was followed by \"I Found Heaven\", then by the first Barlow ballad \"A Million Love Songs\", which also reached number seven in October.", "This success was followed by \"I Found Heaven\", then by the first Barlow ballad \"A Million Love Songs\", which also reached number seven in October. Their cover of the Barry Manilow hit \"Could It Be Magic\" gave them their first big success, peaking at number three in the UK in the first chart of 1993. Their first album, Take That & Party, was released in 1992, and included all the hit singles to date.", "Their first album, Take That & Party, was released in 1992, and included all the hit singles to date. 1993–1995: Everything Changes, Nobody Else and superstardom 1993 saw the release of Everything Changes, based on Barlow's original material. It peaked at number one in the UK and spawned six singles, with four being consecutive UK number one singles – their first number one \"Pray\", \"Relight My Fire\", \"Babe\" and the title track \"Everything Changes\".", "It peaked at number one in the UK and spawned six singles, with four being consecutive UK number one singles – their first number one \"Pray\", \"Relight My Fire\", \"Babe\" and the title track \"Everything Changes\". The lead single \"Why Can't I Wake Up with You\" had narrowly missed the top spot in the UK peaking at number two and the sixth and final single \"Love Ain't Here Anymore\" taken from the album reached number three on the UK charts.", "The lead single \"Why Can't I Wake Up with You\" had narrowly missed the top spot in the UK peaking at number two and the sixth and final single \"Love Ain't Here Anymore\" taken from the album reached number three on the UK charts. Everything Changes saw the band gain international success with the album being nominated for the 1994 Mercury Prize, but it failed to crack the U.S. market, where an exclusive remix of \"Love Ain't Here Anymore\" (U.S. version) gained little success.", "Everything Changes saw the band gain international success with the album being nominated for the 1994 Mercury Prize, but it failed to crack the U.S. market, where an exclusive remix of \"Love Ain't Here Anymore\" (U.S. version) gained little success. By 1994, Take That had become radio and television stars across Europe and Asia, but it was not until 1995 that they did their first World Tour.", "By 1994, Take That had become radio and television stars across Europe and Asia, but it was not until 1995 that they did their first World Tour. It was during the years 1993–95 that the band fronted scores of magazine covers ranging from Smash Hits to GQ, becoming mass merchandised on all sorts of paraphernalia ranging from picture books, to posters, stickers, their own dolls, jewellery, caps, T-shirts, toothbrushes and even had their own annuals released.", "It was during the years 1993–95 that the band fronted scores of magazine covers ranging from Smash Hits to GQ, becoming mass merchandised on all sorts of paraphernalia ranging from picture books, to posters, stickers, their own dolls, jewellery, caps, T-shirts, toothbrushes and even had their own annuals released. The band had also developed a large female teenage fanbase at the time.", "The band had also developed a large female teenage fanbase at the time. During this time, they performed at numerous music awards shows and chart shows such as the BRIT Awards and Top of the Pops, also winning the Best Live Act award in 1995 at the MTV Europe Music Awards, having been renowned for their breakdance routines, high energy and creative tour productions.", "During this time, they performed at numerous music awards shows and chart shows such as the BRIT Awards and Top of the Pops, also winning the Best Live Act award in 1995 at the MTV Europe Music Awards, having been renowned for their breakdance routines, high energy and creative tour productions. In 1995, Take That released their third studio album Nobody Else, again based on Barlow's own material which reached number 1 in the UK and across Europe, capturing new audiences along the way, with Take That also able to make inroads in the adult audience in Britain through Barlow's melodic, sensitive ballads.", "In 1995, Take That released their third studio album Nobody Else, again based on Barlow's own material which reached number 1 in the UK and across Europe, capturing new audiences along the way, with Take That also able to make inroads in the adult audience in Britain through Barlow's melodic, sensitive ballads. For nearly five years, Take That's popularity was unsurpassed in Britain. The release of the first single from the album, \"Sure\", achieved yet another number one in the UK charts.", "The release of the first single from the album, \"Sure\", achieved yet another number one in the UK charts. It was not until their second release from that album, however, that they would experience what would become their biggest hit single, \"Back for Good\", which reached number one in many countries including the UK, Germany, Australia, and Norway. It was also their only US hit, where it reached number seven.", "It was also their only US hit, where it reached number seven. The song was initially unveiled for the first time via live performance while at the 1995 BRIT Awards, and based on the reception of that performance, the record pre-sold more records than expected and forced the record label to bring the release date forward by an unprecedented six weeks. The album was also noted for its cover, which was a parody of the famed cover of The Beatles' Sgt. Pepper's Lonely Hearts Club Band cover sleeve.", "Pepper's Lonely Hearts Club Band cover sleeve. Pepper's Lonely Hearts Club Band cover sleeve. 1995–1996: Break-up and Greatest Hits Robbie Williams's drug abuse had escalated to a near drug overdose the night before the group was scheduled to perform at the MTV Europe Music Awards in 1994. In June 1995, Williams was photographed by the press partying with Oasis at the Glastonbury Festival. The following month, the band offered him an ultimatum; he was to adhere to the band's responsibilities or leave before their scheduled world tour.", "The following month, the band offered him an ultimatum; he was to adhere to the band's responsibilities or leave before their scheduled world tour. Williams chose the latter. Williams claimed he was bored with Barlow's leadership and jealous of Barlow. Despite the loss of Williams, Take That continued to promote Nobody Else as a four-piece, scoring a further hit single with \"Never Forget\" with Donald on lead vocal. They subsequently went to America and completed the Nobody Else Tour in October 1995.", "They subsequently went to America and completed the Nobody Else Tour in October 1995. Following the tour, the band began to plan for their next album; however, when they spent Christmas together, they mutually agreed it was time to part ways. On 13 February 1996, Take That formally announced that they were disbanding. This was followed by the Greatest Hits compilation in 1996, which contained a new recording, a cover of the Bee Gees' \"How Deep Is Your Love\".", "This was followed by the Greatest Hits compilation in 1996, which contained a new recording, a cover of the Bee Gees' \"How Deep Is Your Love\". The single went on to become what was to be the band's final UK number one until their 2006 comeback a decade later. Take That gave what was thought to be their final performance in April 1996 at Amsterdam.", "Take That gave what was thought to be their final performance in April 1996 at Amsterdam. Following the band's announcement, millions of their fans were distraught around the world and in the UK alone, teenage girls threatened suicide and were seen lining streets in tears, to the point that telephone hotlines were set up by the government to deal with counselling them.", "Following the band's announcement, millions of their fans were distraught around the world and in the UK alone, teenage girls threatened suicide and were seen lining streets in tears, to the point that telephone hotlines were set up by the government to deal with counselling them. After the band broke up, highly respected music figures such as Elton John noted that Take That were different from other boy bands before and after them, in that they wrote their own material through Gary Barlow.", "After the band broke up, highly respected music figures such as Elton John noted that Take That were different from other boy bands before and after them, in that they wrote their own material through Gary Barlow. Barlow is one of only a small number of people who have won an Ivor Novello award during their time in a boy band, with George Michael whilst in Wham! and Tony Mortimer whilst in East 17 being two others who have achieved this feat.", "and Tony Mortimer whilst in East 17 being two others who have achieved this feat. Take That had also left a legacy of being immaculate performers with a very high work ethic, causing them to be voted in as the greatest boy band of all time.", "Take That had also left a legacy of being immaculate performers with a very high work ethic, causing them to be voted in as the greatest boy band of all time. 2005–2006: Reunion as a quartet and Never Forget – The Ultimate Collection On 14 November 2005, Never Forget – The Ultimate Collection, a new compilation of their hit singles including a new previously unreleased song, also achieved great success and peaked at number 2 on UK charts, selling over 2.1 million copies in the UK alone.", "2005–2006: Reunion as a quartet and Never Forget – The Ultimate Collection On 14 November 2005, Never Forget – The Ultimate Collection, a new compilation of their hit singles including a new previously unreleased song, also achieved great success and peaked at number 2 on UK charts, selling over 2.1 million copies in the UK alone. The new song \"Today I've Lost You\" (recorded in September 2005) was originally written by Barlow as the follow up to \"Back for Good\" but was never recorded.", "The new song \"Today I've Lost You\" (recorded in September 2005) was originally written by Barlow as the follow up to \"Back for Good\" but was never recorded. On 16 November 2005, the group got back together for the ITV documentary Take That: For the Record, in which they aired their views over their fame, success, the split and what the post-Williams line-up had done since.", "On 16 November 2005, the group got back together for the ITV documentary Take That: For the Record, in which they aired their views over their fame, success, the split and what the post-Williams line-up had done since. On 25 November 2005, there was an official press conference by the band announcing that the post-Robbie Williams line-up was going to tour in 2006. The tour, entitled The Ultimate Tour, ran from April to June 2006.", "The tour, entitled The Ultimate Tour, ran from April to June 2006. The tour featured a guest appearance by British soul singer Beverley Knight, who replaced Lulu's vocals on the song \"Relight My Fire\"; although Lulu did appear during the stadium shows on \"Relight My Fire\" and \"Never Forget\". The American female ensemble Pussycat Dolls supported the group at their Dublin concert, and the Sugababes supported the group on the final five dates of the stadium leg.", "The American female ensemble Pussycat Dolls supported the group at their Dublin concert, and the Sugababes supported the group on the final five dates of the stadium leg. In a seven-year study analysing over one billion online searches via Google conducted by AccuraCast, a leading digital search agency, their comeback was ranked at number one in the UK. 2006–2007: Beautiful World On 9 May 2006, Take That returned to the recorded music scene after more than ten years of absence, signing with Polydor Records.", "2006–2007: Beautiful World On 9 May 2006, Take That returned to the recorded music scene after more than ten years of absence, signing with Polydor Records. The band's comeback album, Beautiful World, entered the UK Albums Chart at no. 1 and, as of June 2009, had sold over 2.8 million copies in the UK. It is the 35th best selling album in UK music history. On Beautiful World, all four members of the band had the opportunity to sing lead vocals and contribute in the songwriting.", "On Beautiful World, all four members of the band had the opportunity to sing lead vocals and contribute in the songwriting. Unlike the band's earlier works, where the majority of their material was written by Barlow who received sole credit, all four band members are credited as co-writers, along with John Shanks. The comeback single, \"Patience\", was released on 20 November 2006, with a special event launching it on 5 November.", "The comeback single, \"Patience\", was released on 20 November 2006, with a special event launching it on 5 November. On 26 November \"Patience\" hit number 1 in the UK in its second week of chart entry, making it the group's ninth No. 1, and staying there for 4 weeks. Take That also accompanied eventual winner Leona Lewis on a live version of \"A Million Love Songs\" during the final of The X Factor on 16 December 2006.", "Take That also accompanied eventual winner Leona Lewis on a live version of \"A Million Love Songs\" during the final of The X Factor on 16 December 2006. The week after Beautiful World was released, it was announced that Take That had become the first artists ever to top the UK official single and album charts along with the download single, download album and DVD charts in the same week, as well as topping the radio charts.", "The week after Beautiful World was released, it was announced that Take That had become the first artists ever to top the UK official single and album charts along with the download single, download album and DVD charts in the same week, as well as topping the radio charts. The video for the number 1 hit single \"Shine\", the follow-up to \"Patience\", premiered on 25 January 2007 on Channel 4, ahead of its release on 26 February 2007.", "The video for the number 1 hit single \"Shine\", the follow-up to \"Patience\", premiered on 25 January 2007 on Channel 4, ahead of its release on 26 February 2007. The band's success continued on 14 February 2007 when Take That performed live at the BRIT Awards ceremony at Earl's Court. Their single \"Patience\" won the Best British Single category. The third single chosen from Beautiful World was \"I'd Wait For Life\", released on 18 June 2007 in the UK.", "The third single chosen from Beautiful World was \"I'd Wait For Life\", released on 18 June 2007 in the UK. The single reached 17 in the UK Singles Chart. This may have been due to lack of promotion, as the band decided to take a pre-tour break rather than do any promotion for the single. The single \"Rule the World\", included on the deluxe version of Beautiful World, was recorded for the soundtrack of the film Stardust (2007).", "The single \"Rule the World\", included on the deluxe version of Beautiful World, was recorded for the soundtrack of the film Stardust (2007). It reached number two in the UK and went on to become the group's second best selling single, shifting over 1.2 million units in the UK. Beautiful World was the fourth biggest-selling album of 2007. It was announced at the start of 2007 that Take That signed a record deal with American label Interscope, and would also release their album in Canada.", "It was announced at the start of 2007 that Take That signed a record deal with American label Interscope, and would also release their album in Canada. Starting on 11 October 2007, Take That began their Beautiful World Tour 2007 in Belfast. The tour included 49 shows throughout Europe and the UK and ended in Manchester on 23 December 2007. The band received four nominations at the 2008 BRIT Awards.", "The band received four nominations at the 2008 BRIT Awards. Nominated for Best British Group, Best British Single (\"Shine\"), Best British Album (Beautiful World) and Best Live Act, they took home the Best Live Act and the Best British Single awards. According to a 2007 MSN UK internet poll, Take That were voted as the \"comeback kings\" of the year.", "According to a 2007 MSN UK internet poll, Take That were voted as the \"comeback kings\" of the year. 2008–2009: The Circus \"Greatest Day\", the first single from the album The Circus, made its radio premiere on 13 October 2008 and it was released on 24 November. It debuted at number 1 on the UK Singles Chart on 30 November 2008. An album launch party for The Circus was held in Paris on 2 December.", "An album launch party for The Circus was held in Paris on 2 December. On its first day of release The Circus sold 133,000 copies, and after four days on sale it sold 306,000 copies (going platinum) making The Circus the fastest selling album of the year. The album reached number 1 on the UK Albums Chart on 7 December 2008 with total first-week sales of 432,490, the third highest opening sales week in UK history.", "The album reached number 1 on the UK Albums Chart on 7 December 2008 with total first-week sales of 432,490, the third highest opening sales week in UK history. On 28 October 2008, on the Radio 1 Chris Moyles show, it was announced that Take That would be touring again in June/July 2009, covering the UK and Ireland. Tickets for the Take That Present: The Circus Live tour went on sale on 31 October.", "Tickets for the Take That Present: The Circus Live tour went on sale on 31 October. The promoters, SJM, have said that the band's tour is \"the fastest selling in UK history\". On 22 May 2008, Barlow and Donald attended the 2008 Ivor Novello Awards where Take That won the award for Most Performed Work with their single \"Shine\". Take That won the Sony Ericsson Tour of the Year award at the Vodafone music awards on 18 September 2008.", "Take That won the Sony Ericsson Tour of the Year award at the Vodafone music awards on 18 September 2008. They were unable to attend as they were in LA finishing off The Circus. They did send a video link message, which was shown at the awards. On 22 November 2008, Take That appeared on week 7 of the talent show The X Factor where the finalists performed some of their greatest hits and Owen and Barlow made a guest appearance to personally coach the contestants.", "On 22 November 2008, Take That appeared on week 7 of the talent show The X Factor where the finalists performed some of their greatest hits and Owen and Barlow made a guest appearance to personally coach the contestants. The band also performed on Children in Need 2008, singing their new single, \"Greatest Day\", before donating £250,000 to the charity from their Marks and Spencer fee.", "The band also performed on Children in Need 2008, singing their new single, \"Greatest Day\", before donating £250,000 to the charity from their Marks and Spencer fee. The band were also voted the Greatest Boy Band of All Time, reflecting their ongoing marketability and success in the pop arena, even after two decades. At the 2009 Brit Awards they were nominated for Best British Group and they performed \"Greatest Day\" at the ceremony.", "At the 2009 Brit Awards they were nominated for Best British Group and they performed \"Greatest Day\" at the ceremony. \"Up All Night\", the second single from The Circus, was released on 2 March 2009, and peaked at number 14 on the UK Singles Chart, despite heavy airplay. In Germany and Australia, \"The Garden\" was released as the second single instead.", "In Germany and Australia, \"The Garden\" was released as the second single instead. On 7 May 2009, Take That's official website confirmed that the third single from The Circus would be \"Said It All\" which was released on 15 June 2009, peaking at number 9 on the UK Singles chart. The video premiered on GMTV on 8 May 2009. It features all four band members dressed up as vintage circus clowns, which tied in with their forthcoming Take That Present: The Circus Live tour.", "It features all four band members dressed up as vintage circus clowns, which tied in with their forthcoming Take That Present: The Circus Live tour. Take That started their Circus Live tour at the Stadium of Light on 5 June 2009 in Sunderland and ended at the Wembley Stadium in London on 5 July 2009, which over 80,000 people attended. This tour quickly became the fastest-selling of all time, breaking all records by selling all of their 650,000 tickets in less than four and a half hours.", "This tour quickly became the fastest-selling of all time, breaking all records by selling all of their 650,000 tickets in less than four and a half hours. In November 2009 Take That released the official DVD of their Circus tour, which became the fastest-selling music DVD of all time in the UK on its first day of release and stayed in the top 10 of the videos chart for over a year.", "In November 2009 Take That released the official DVD of their Circus tour, which became the fastest-selling music DVD of all time in the UK on its first day of release and stayed in the top 10 of the videos chart for over a year. This overtook the previous record sales holder, which was Take That's Beautiful World Live tour and stayed at the number 1 spot for 8 weeks.", "This overtook the previous record sales holder, which was Take That's Beautiful World Live tour and stayed at the number 1 spot for 8 weeks. The following week Take That released their first live album, The Greatest Day – Take That Present: The Circus Live, which sold 98,000 copies on its first day of release and was certified Platinum in July 2013.", "The following week Take That released their first live album, The Greatest Day – Take That Present: The Circus Live, which sold 98,000 copies on its first day of release and was certified Platinum in July 2013. \"Hold up a Light\" was released as the fifth and final single from The Circus to radio stations and as a digital download to promote the release of the live album. The live album also featured a stripped down session recorded live at the famous Abbey Road Studios in London.", "The live album also featured a stripped down session recorded live at the famous Abbey Road Studios in London. It featured the members singing the setlist from the preceding tour, albeit in a studio setting. 2010–2011: Williams' return and Progress On 7 June 2010, the news broke of a single called \"Shame\", which had been written by Barlow and Williams and would feature the vocals of both artists.", "2010–2011: Williams' return and Progress On 7 June 2010, the news broke of a single called \"Shame\", which had been written by Barlow and Williams and would feature the vocals of both artists. This was the first time the pair had worked together since 1995 and would appear on the second greatest hits collection of Williams. \"Heart and I\", another track from the same album, was also co-written by Williams and Barlow.", "\"Heart and I\", another track from the same album, was also co-written by Williams and Barlow. The single \"Shame\" peaked at number 2 on the UK Singles Chart while also achieving success throughout Europe, charting in over 19 countries. After working with the band on new material in Los Angeles, on 15 July 2010 Robbie Williams announced he was returning to Take That.", "After working with the band on new material in Los Angeles, on 15 July 2010 Robbie Williams announced he was returning to Take That. After months of working together, assembling new songs for a new album and even debating a band-name change to \"The English\", a joint statement between Williams and the group read, \"The rumours are true ... Take That: the original lineup, have written and recorded a new album for release later this year.\"", "After months of working together, assembling new songs for a new album and even debating a band-name change to \"The English\", a joint statement between Williams and the group read, \"The rumours are true ... Take That: the original lineup, have written and recorded a new album for release later this year.\" The statement went on to say, \"Following months of speculation Gary Barlow, Howard Donald, Jason Orange, Mark Owen, and Robbie Williams confirmed they have been recording a new studio album as a five-piece, which they will release in November.\"", "The statement went on to say, \"Following months of speculation Gary Barlow, Howard Donald, Jason Orange, Mark Owen, and Robbie Williams confirmed they have been recording a new studio album as a five-piece, which they will release in November.\" The lead single from Take That's album Progress was announced as \"The Flood\" and was released 7 November as a digital download, and on 8 November as a physical copy, with the album released a week later on 15 November.", "The lead single from Take That's album Progress was announced as \"The Flood\" and was released 7 November as a digital download, and on 8 November as a physical copy, with the album released a week later on 15 November. The single peaked at number 2 in the UK Singles Charts and to date has sold over 500,000 copies in the UK alone.", "The single peaked at number 2 in the UK Singles Charts and to date has sold over 500,000 copies in the UK alone. The single also achieved success across Europe, charting inside the top 10 in ten countries while also charting in another nine countries whilst also being nominated for an Ivor Novello Award for best work.", "The single also achieved success across Europe, charting inside the top 10 in ten countries while also charting in another nine countries whilst also being nominated for an Ivor Novello Award for best work. On 26 October the band announced that they would be embarking on a huge UK stadium tour entitled Progress Live, starting in Sunderland on 27 May, and finishing with a record-breaking 8 nights at London's Wembley Stadium in July 2011. It was also announced that Williams would perform hit singles from his solo career during the tour.", "It was also announced that Williams would perform hit singles from his solo career during the tour. The band then played at some of the biggest venues across Europe for the second leg of the tour. The phenomenal demand for tickets across the country led to the web sites of all the major UK ticket suppliers either crashing or considerably slowing for hours on end. The demand and sheer volume of fans also created problems for the UK telephone network.", "The demand and sheer volume of fans also created problems for the UK telephone network. Take That's Progress Live also broke all records for ticket sales selling over 1.1 million tickets in one day, smashing the previous box office record set by Take That's Circus tour in 2008. On the first day of release Progress became the fastest selling album of the century, with 235,000 copies sold in just one day.", "On the first day of release Progress became the fastest selling album of the century, with 235,000 copies sold in just one day. The album reached number 1 in the UK, selling around 520,000 copies in its first week, becoming the second fastest-selling album in history. After the release of Progress it was announced that Take That have become Amazon UK's top-selling music artist of all time.", "After the release of Progress it was announced that Take That have become Amazon UK's top-selling music artist of all time. The album retained the number one spot for six consecutive weeks in the UK since its release, selling 2.8 million copies in the UK alone and becoming the best selling album of 2010 Progress also achieved success across Europe where it debuted at number one in Ireland, Greece, Germany and Denmark. and the European Top 100 Albums chart.", "and the European Top 100 Albums chart. and the European Top 100 Albums chart. It also debuted inside the top 10 of the charts in Austria, Italy, the Netherlands, Sweden, and Switzerland. \"Kidz\" was announced as the second single from Progress, it was released 21 February 2011 and charted well across Europe. The band performed the song live at the 2011 Brit Awards hosted at The O2 Arena, where they won a Brit for Best British Group and were nominated for Best British Album.", "The band performed the song live at the 2011 Brit Awards hosted at The O2 Arena, where they won a Brit for Best British Group and were nominated for Best British Album. Their performance of \"Kidz\", praised by critics, involved a highly choreographed routine featuring dancers dressed in police-styled riot gear bearing the Take That symbol on the uniform and shields. On 19 May 2011, Take That announced a new EP entitled Progressed, which contained eight tracks written by the band since they had reunited as a five-piece.", "On 19 May 2011, Take That announced a new EP entitled Progressed, which contained eight tracks written by the band since they had reunited as a five-piece. It was packaged alongside the album Progress and returned the band to number 1 in the UK Album Chart the week after it was released on 13 June 2011. Take That announced that the Progress Live tour would be released worldwide as their second live album to date and would also be released on home media formats across the UK and Europe on 21 November 2011.", "Take That announced that the Progress Live tour would be released worldwide as their second live album to date and would also be released on home media formats across the UK and Europe on 21 November 2011. The DVD debuted at number 1 on the UK Music Video top 40 in its first week on release and sold over 200,000 copies in two weeks of release in the UK alone. Take That's efforts were recognised further when they were awarded Virgin Media's Best Live Act of 2012.", "Take That's efforts were recognised further when they were awarded Virgin Media's Best Live Act of 2012. On 4 October, it was reported that Take That were to take a break after the completion of the Progress tour, with Barlow continuing his role as a judge on The X Factor and Williams recording new solo material. Take That were presented with an Ivor Novello Award for their Outstanding Contribution to British Music in May 2012.", "Take That were presented with an Ivor Novello Award for their Outstanding Contribution to British Music in May 2012. In August 2012, Take That performed at the closing ceremony of the 2012 Summer Olympics, despite Barlow announcing that his daughter had been stillborn the previous week. The performance earned him praise for appearing live so soon after the tragedy. Williams was due to perform with the band but dropped out due to his wife giving birth at around the same time and thus the group performed as a four-piece.", "Williams was due to perform with the band but dropped out due to his wife giving birth at around the same time and thus the group performed as a four-piece. In November 2012, Take That reunited as a five-piece for the last time to perform \"Never Forget\" at the Music Industry Trust Awards. In 2013, Donald became a judge on the German version of the television dancing show Got to Dance.", "In 2013, Donald became a judge on the German version of the television dancing show Got to Dance. 2014–2015: Line-up change and III In May 2013, Owen announced that Take That was to begin recording their seventh studio album in 2014, and on 14 January 2014, Donald and Barlow both tweeted that Take That had entered the studio to begin recording the album, although it was not initially clear if Williams was present at these recording sessions.", "2014–2015: Line-up change and III In May 2013, Owen announced that Take That was to begin recording their seventh studio album in 2014, and on 14 January 2014, Donald and Barlow both tweeted that Take That had entered the studio to begin recording the album, although it was not initially clear if Williams was present at these recording sessions. On 28 April 2014, Williams announced on Twitter he was to become a father for a second time, and consequently suggested he would be unable to join Take That on their album and tour.", "On 28 April 2014, Williams announced on Twitter he was to become a father for a second time, and consequently suggested he would be unable to join Take That on their album and tour. Although welcome to return to the band at any time, Williams chose not to return for group's seventh and eighth studio albums and their accompanying tours, focusing instead on his solo commitments.", "Although welcome to return to the band at any time, Williams chose not to return for group's seventh and eighth studio albums and their accompanying tours, focusing instead on his solo commitments. He continued to write music with his colleagues and has performed with the group on several occasions since 2011's Progress tour and plans on returning at some point in the future. On 24 September 2014, it was announced that Jason Orange had left the band.", "On 24 September 2014, it was announced that Jason Orange had left the band. He said: 'At a band meeting last week I confirmed to Mark, Gary and Howard that I do not wish to commit to recording and promoting a new album. 'At the end of The Progress Tour I began to question whether it might be the right time for me to not continue on with Take That,' he continued.", "'At the end of The Progress Tour I began to question whether it might be the right time for me to not continue on with Take That,' he continued. 'There have been no fallings out, only a decision on my part that I no longer wish to do this,' he added. Barlow, Donald, and Owen issued a joint statement about Orange's decision which said: \"This is a sad day for us.", "Barlow, Donald, and Owen issued a joint statement about Orange's decision which said: \"This is a sad day for us. Jason leaving is a huge loss both professionally and even more so personally ... Jason's energy and belief in what this band could achieve has made it what it is today, and we'll forever be grateful for his enthusiasm, dedication and inspiration over the years.\" A day after the announcement, Robbie Williams took to Twitter to show support of Orange's decision. \"Mr Orange.", "\"Mr Orange. \"Mr Orange. Until we ride again. Much love, Bro. \", Williams tweeted. On 10 October 2014, Take That unveiled their first song as a three-piece and lead single from their upcoming album. Titled \"These Days\", it was released on 23 November 2014 and went to No. 1 in the UK Singles Chart, knocking Band Aid 30 off the top spot and becoming their 12th number one single.", "1 in the UK Singles Chart, knocking Band Aid 30 off the top spot and becoming their 12th number one single. The album itself, called III, was released on 28 November 2014 and became the band's seventh No. 1 album. It was then followed by a sell-out arena tour entitled Take That Live. On 14 October 2015, the band announced their new single \"Hey Boy\", released on 16 October, which is the first single from the 2015 re-release of III.", "On 14 October 2015, the band announced their new single \"Hey Boy\", released on 16 October, which is the first single from the 2015 re-release of III. The 2015 edition of the album was released on 20 November. In December 2015, British media buzzed about the group embarking on a stint in Las Vegas, starting 2017. Reports indicated the group impressed U.S. promoters and would headline their own residency show.", "Reports indicated the group impressed U.S. promoters and would headline their own residency show. Many venues circulated, including The AXIS at the Planet Hollywood Resort & Casino, The Foundry at SLS Las Vegas and the Linq Theater at The LINQ Hotel & Casino. Local newspaper, the Las Vegas Sun writes that everything is still unconfirmed, despite Barlow confirming the rumour on Twitter. 2016–2017: Wonderland On 2 February 2016, in an interview with The Sun, Barlow revealed that Take That would release their eighth studio album later in the year.", "2016–2017: Wonderland On 2 February 2016, in an interview with The Sun, Barlow revealed that Take That would release their eighth studio album later in the year. On 4 May 2016, English drum and bass duo Sigma announced their newest single would feature Take That. \"Cry\" received its first radio play on 20 May 2016 and was released on that date.", "\"Cry\" received its first radio play on 20 May 2016 and was released on that date. On 21 October 2016, the band posted a teaser on their social media pages and website depicting the logo of the band flickering with the hashtag \"#WONDERLAND\". The following day, it was announced that their new album, titled Wonderland, was scheduled to be released on 24 March 2017.", "The following day, it was announced that their new album, titled Wonderland, was scheduled to be released on 24 March 2017. It was then followed by a UK and Ireland arena tour entitled Wonderland Live, that commenced on 5 May 2017 at the Genting Arena in Birmingham. On 17 February 2017, the lead single of Wonderland was released. Titled \"Giants\", it debuted at 13 in the UK charts, which became the band's 24th UK top 20 single.", "Titled \"Giants\", it debuted at 13 in the UK charts, which became the band's 24th UK top 20 single. On 8 April 2017, ITV aired a specially commissioned hour-length television special titled An Evening with Take That, where the band performed some songs from the album, along with some old classics including \"Never Forget\", \"Back for Good\" and \"Rule the World\". The band also took part in a Q&A session with the audience members.", "The band also took part in a Q&A session with the audience members. On 27 April, it was announced on Twitter that \"New Day\" would be released as the next single from the album Wonderland. The band were seen recording the music video in a field in Luton the days leading up the opening night of the Wonderland Live tour. Due to the Manchester Arena bombing just days before they were due to perform at the venue, their Manchester and Liverpool dates were rescheduled or relocated.", "Due to the Manchester Arena bombing just days before they were due to perform at the venue, their Manchester and Liverpool dates were rescheduled or relocated. The band returned a month later to perform at the One Love Manchester benefit concert. On 16 September 2017, Barlow, Owen and Donald were set to perform a special one-off show in Jersey after a fan bid more than £1.2 million to win a performance from the band.", "On 16 September 2017, Barlow, Owen and Donald were set to perform a special one-off show in Jersey after a fan bid more than £1.2 million to win a performance from the band. This then turned in to a ticketed charity event where the money from tickets sold would go towards benefiting Children in Need. The auction was held on BBC Radio 2. On 11 November 2017, Take That began their foreign tour in Perth, Australia, the first time they have performed in the country in over twenty years.", "On 11 November 2017, Take That began their foreign tour in Perth, Australia, the first time they have performed in the country in over twenty years. They also played in New Zealand, United Arab Emirates and Israel for the first time. Unlike the other tours, a DVD for Wonderland Live was not released. Instead, it was broadcast on Sky 1 on 23 December and in cinemas.", "Instead, it was broadcast on Sky 1 on 23 December and in cinemas. 2018–2020: The 30th Anniversary, and Odyssey On 16 July 2018, while performing at first ever Hits Radio Live at the Manchester Arena, Barlow, Donald and Owen confirmed that they would be touring in 2019. The tour was a Greatest Hits tour and celebrated the 30th anniversary of the band. There was also a Greatest Hits album, Odyssey, which was released on 23 November 2018.", "There was also a Greatest Hits album, Odyssey, which was released on 23 November 2018. The Greatest Hits album features existing songs from their back catalogue that have been re-imagined and 3 brand new songs. It also includes collaborations with Boyz II Men, Lulu, Sigma and Barry Gibb. Odyssey reached number one in the UK album chart and was certified as a platinum selling record.", "Odyssey reached number one in the UK album chart and was certified as a platinum selling record. The following year, Odyssey Live, the recording of their tour, reached number 5, becoming the band's 13th top 5 album, with the DVD becoming the biggest live music sale of 2019. In May 2020, Barlow, Donald, and Owen reunited with Williams for a virtual performance from their respective homes, hosted by price comparison website comparethemarket.com, to raise money for the music charity Nordoff Robbins and Crew Nation.", "In May 2020, Barlow, Donald, and Owen reunited with Williams for a virtual performance from their respective homes, hosted by price comparison website comparethemarket.com, to raise money for the music charity Nordoff Robbins and Crew Nation. In other media In April 2006, EMI licensed the band's songs to be used in the musical Never Forget, a musical based on songs of the band from the 1990s. Take That posted and then later removed a statement on their website distancing themselves from it.", "Take That posted and then later removed a statement on their website distancing themselves from it. Take That wrote and recorded the theme song \"Rule the World\" for the film Stardust directed by Matthew Vaughn, which was released in cinemas across the globe in October 2007. In 2007, their song \"Back for Good\" was used as part of the soundtrack for popular Korean drama The 1st Shop of Coffee Prince.", "In 2007, their song \"Back for Good\" was used as part of the soundtrack for popular Korean drama The 1st Shop of Coffee Prince. Take That presented their own TV show Take That Come to Town, a variety show in which they performed some of their biggest hits. The show also featured comedy sketches with one of Peter Kay's alter egos Geraldine McQueen. It aired on 7 December 2008 on ITV1. Sony launched their first Take That video game, SingStar Take That in 2009 for the PlayStation 3.", "Sony launched their first Take That video game, SingStar Take That in 2009 for the PlayStation 3. In November 2010, ITV aired Take That: Look Back, Don't Stare, a black-and-white documentary which focused on the band working together for the first time in 15 years. Through a series of interviews, the band look back at their achievements while also looking forward to what the future holds for them.", "Through a series of interviews, the band look back at their achievements while also looking forward to what the future holds for them. On 18 November 2010, Williams and Barlow appeared together live on television for the first time on the Popstars program in Germany singing their hit \"Shame\". In 2011, Take That's song \"Love Love\" was used in the credits of the 2011 film X-Men: First Class and later, \"When We Were Young\" was chosen as the main theme for The Three Musketeers movie.", "In 2011, Take That's song \"Love Love\" was used in the credits of the 2011 film X-Men: First Class and later, \"When We Were Young\" was chosen as the main theme for The Three Musketeers movie. In 2015, the song \"Get Ready for It\" from their album III, was chosen as the theme song for the film Kingsman: The Secret Service.", "In 2015, the song \"Get Ready for It\" from their album III, was chosen as the theme song for the film Kingsman: The Secret Service. In 2017, Take That launched The Band, a musical written by Tim Firth featuring the five winners of Let It Shine and some of Take That's biggest hits. Take That, including Robbie Williams, were billed as executive producers.", "Take That, including Robbie Williams, were billed as executive producers. The group's music is regularly featured in the Channel 4 show Derry Girls, notably in the third episode of the second series, when the lead characters sneak off to attend the 1993 Take That concert in Belfast; the episode features the music video for \"Pray\" and ends on footage of the band performing \"Everything Changes\".", "The group's music is regularly featured in the Channel 4 show Derry Girls, notably in the third episode of the second series, when the lead characters sneak off to attend the 1993 Take That concert in Belfast; the episode features the music video for \"Pray\" and ends on footage of the band performing \"Everything Changes\". Artistry Early in their career, Take That were known for party anthems such as \"Do What U Like\" and more mature ballads such as \"A Million Love Songs\" and \"Back for Good\".", "Artistry Early in their career, Take That were known for party anthems such as \"Do What U Like\" and more mature ballads such as \"A Million Love Songs\" and \"Back for Good\". Since reuniting in 2006, they have become more experimental: their post-2006 albums Beautiful World and The Circus have featured \"stadium-filling pop-rock\" while Progress largely leaned towards electropop.", "Since reuniting in 2006, they have become more experimental: their post-2006 albums Beautiful World and The Circus have featured \"stadium-filling pop-rock\" while Progress largely leaned towards electropop. Having been dubbed the \"comeback kings\" by the media for their highly successful reunion, the group has won widespread praise for their seamless transformation from teen idols to \"man band\" without overly relying on nostalgia, instead showcasing a more mature image and sound and reinventing themselves while maintaining their artistic integrity.", "Having been dubbed the \"comeback kings\" by the media for their highly successful reunion, the group has won widespread praise for their seamless transformation from teen idols to \"man band\" without overly relying on nostalgia, instead showcasing a more mature image and sound and reinventing themselves while maintaining their artistic integrity. Jude Rogers of The Guardian commented on Take That's post-reunion success, in light of a string of reunions by the group's disbanded counterparts from the 1990s: \"Only Take That are penetrating pop's wider consciousness by becoming a man-band rather than a boy-band, singing mature, proper pop songs that cross the generations.\"", "Jude Rogers of The Guardian commented on Take That's post-reunion success, in light of a string of reunions by the group's disbanded counterparts from the 1990s: \"Only Take That are penetrating pop's wider consciousness by becoming a man-band rather than a boy-band, singing mature, proper pop songs that cross the generations.\" Take That have garnered critical acclaim and popularity as consummate live performers and for their musical output.", "Take That have garnered critical acclaim and popularity as consummate live performers and for their musical output. Their domestic concert tours have been described as \"some of the most flamboyant, imaginative and extravagant pop tours around\". Aside from covers, all of their material is composed by the members themselves; Barlow was initially the principal songwriter who received sole credit but the other members have since taken a more active role in the composition and production process, including playing instruments for the backing track.", "Aside from covers, all of their material is composed by the members themselves; Barlow was initially the principal songwriter who received sole credit but the other members have since taken a more active role in the composition and production process, including playing instruments for the backing track. Band members Current members Gary Barlow (1990–1996, 2005–present) Howard Donald (1990–1996, 2005–present) Mark Owen (1990–1996, 2005–present) Former members Robbie Williams (1990–1995, 2010–2012) Jason Orange (1990–1996, 2005–2014) Timeline Awards and nominations |- | 2016 | Take That | Silver Clef Award for Best Live Act | |- | style=\"text-align:center;\"|2015 | \"These Days\" | UK Music Video Awards for Best Art Direction | |- | rowspan=\"6\" style=\"text-align:center;\"|2012 | \"Pray\" |The Guardian Music Award for Best Number 1 Single | |- | Take That |Ivor Novello Award for Outstanding Contribution to British Music | |- | \"Back for Good\" |The Official Charts Company UK Recognition award for United Kingdom's Favourite Number One Single | |- | \"The Flood\" |Ivor Novello Award for PRS Most Performed Work | |- | Take That |Virgin Media Music Awards for Best Live Act | |- | \"Kidz\" |Virgin Media Music Awards for Best Music Video | |- | rowspan=\"10\" style=\"text-align:center;\"|2011 |- | Progress Live |Audio Pro International Awards for Best Live Sound Event | |- | Progress Live |Audio Pro International Awards Grand Prix Award | |- | Take That |Phonographic Performance Limited Award for most played UK artist | |- | \"Kidz\" |Spex German Entertainment for Best Music Video | |- | The Circus Live Tour | Greatest Event ever at Wembley Stadium | |- | Take That |ECHO Award for Best International Group | |- | Take That |BRIT Award for Best British Group | |- | Progress | BRIT Award for MasterCard Album of the Year | |- | Take That |Virgin Media for Best Group | |- | rowspan=\"6\" style=\"text-align:center;\"|2010 |- | \"Up All Night\" | UK Music Video Awards for Best Art Direction | |- | \"The Flood\" |iTunes Award for Best Single | |- | Progress | iTunes Award for Best Album | |- | Take That |Q Award Hall of Fame | |- | Take That |BRIT Award for Best Live Performance of the past 30 Years | |- | rowspan=\"5\" style=\"text-align:center;\"|2009 | Take That |GQ Men of the Year Awards for Best Band | |- | Take That |Q Award for Best Live Act | |- | \"Greatest Day\" |Q Award for Best Single | |- | Take That |BRIT Award for Best British Group | |- | Take That | Silver Clef Award | |- | rowspan=\"7\" style=\"text-align:center;\"|2008 | \"Shine\" |Ivor Novello Award for PRS Most Performed Work | |- | \"Rule the World\" |Virgin for Best Single | |- | Take That |Sony Ericsson Tour of the Year Award for Take That Arena Tour | |- | \"Shine\" |BRIT Award for Best British Single | |- | Take That |BRIT Award for Best British Live Act | |- | Beautiful World |BRIT Award for Best British Album | |- | Take That |BRIT Award for Best British Group | |- | style=\"text-align:center;\"|2007 | \"Patience\" |BRIT Award for Best British Single | |- | style=\"text-align:center;\"|2006 | Take That |Q Idol Award | |- | rowspan=\"3\" style=\"text-align:center;\"|1996 | \"Back for Good\" |Billboard International Hit of the Year | |- | \"Never Forget\" |Ivor Novello Award for Most Performed Song | |- | \"Back for Good\" |BRIT Award for Best British Single | |- | rowspan=\"3\" style=\"text-align:center;\"|1995 | \"Back for Good\" |Ivor Novello Award for the Song of the Year | |- | Take That |MTV Europe Music Awards for Best Live Act | |- | Take That | Silver Clef Award | |- | rowspan=\"6\" style=\"text-align:center;\"|1994 | \"Babe\" |MTV Video Music Award for International Viewer's Choice Award for MTV Europe | |- | Everything Changes |Mercury Prize for Best Album | |- | \"Pray\" |Ivor Novello Award for Best Contemporary Song | |- | \"Pray\" |BRIT Award for Best British Single | |- | \"Pray\" |BRIT Award for Best British Video | |- | Take That |MTV Europe Music Awards for Best Group | |- | rowspan=\"4\" style=\"text-align:center;\"|1993 | \"Could It Be Magic\" |BRIT Award for Best British Single | |- | \"A Million Love Songs\" |BRIT Award for Best British Single | |- | \"It Only Takes a Minute\" |BRIT Award for Best British Single | |- | Take That | Silver Clef Award for Best Newcomer | |} Discography Take That & Party (1992) Everything Changes (1993) Nobody Else (1995) Beautiful World (2006) The Circus (2008) Progress (2010) III (2014) Wonderland (2017) Tours Party Tour (1992–93) Everything Changes Tour (1993–94) Pops Tour (1994–95) Nobody Else Tour (1995) The Ultimate Tour (2006) Beautiful World Tour 2007 (2007) Take That Present: The Circus Live (2009) Progress Live (2011) Take That Live (2015) Wonderland Live (2017) Greatest Hits Live (2019) See also List of best-selling boy bands References External links Chinese Fansite 1990 establishments in England 1996 disestablishments in England 2005 establishments in England Brit Award winners Dance-pop groups Echo (music award) winners English boy bands English dance music groups Interscope Records artists Ivor Novello Award winners MTV Europe Music Award winners Musical groups disestablished in 1996 Musical groups established in 1990 Musical groups from Cheshire Musical groups from Manchester Musical groups reestablished in 2005 Polydor Records artists Teen pop groups Universal Music Group artists Vocal quartets Vocal quintets Vocal trios" ]

[ "Take That", "1995-1996: Robbie Williams's first departure, break-up and Greatest Hits", "Why did Williams leave?", "Robbie Williams's drug abuse had escalated to a near drug overdose", "What was the result of this?", "I don't know.", "When did they break up?", "On 13 February 1996, Take That formally announced that they were disbanding.", "When did they release their greatest hits?", "This was followed by the Greatest Hits compilation in 1996," ]

[ "\"This Is How We Do It\" is a 1995 song by Montell Jordan.\n\nThis Is How We Do It may also refer to:\n\n This Is How We Do It (album), by Montell Jordan\n \"This Is How We Do It\" (Grey's Anatomy), a 2011 episode\n\nSee also\n \"This Is How We Do\", a 2014 song by Katy Perry", "\"How Do I Get Close\" is a song released by the British rock group, the Kinks. Released on the band's critically panned LP, UK Jive, the song was written by the band's main songwriter, Ray Davies.\n\nRelease and reception\n\"How Do I Get Close\" was first released on the Kinks' album UK Jive. UK Jive failed to make an impression on fans and critics alike, as the album failed to chart in the UK and only reached No. 122 in America. However, despite the failure of the album and the lead UK single, \"Down All the Days (Till 1992)\", \"How Do I Get Close\" was released as the second British single from the album, backed with \"Down All the Days (Till 1992)\". The single failed to chart. The single was also released in America (backed with \"War is Over\"), where, although it did not chart on the Billboard Hot 100, it hit No. 21 on the Mainstream Rock Tracks chart, the highest on that chart since \"Working At The Factory\" in 1986. \"How Do I Get Close\" also appeared on the compilation album Lost & Found (1986-1989).\n\nStephen Thomas Erlewine cited \"How Do I Get Close\" as a highlight from both UK Jive and Lost & Found (1986-1989).\n\nReferences\n\nThe Kinks songs\n1990 singles\nSongs written by Ray Davies\nSong recordings produced by Ray Davies\n1989 songs\nMCA Records singles" ]

[ "Take That are an English pop group formed in Manchester in 1990. The group currently consists of Gary Barlow, Howard Donald and Mark Owen. The original line-up also featured Jason Orange and Robbie Williams. Barlow is the group's lead singer and primary songwriter, with Owen and Williams initially providing backing vocals and Donald and Orange serving primarily as dancers.", "Barlow is the group's lead singer and primary songwriter, with Owen and Williams initially providing backing vocals and Donald and Orange serving primarily as dancers. The group have had 28 top 40 singles and 17 top 5 singles on the UK Singles Chart, 12 of which have reached number one, including \"Back for Good\", \"Never Forget\", \"Patience\" and \"Greatest Day\". They have also had eight number one albums on the UK Albums Chart.", "They have also had eight number one albums on the UK Albums Chart. Internationally, the band have had 56 number one singles and 39 number one albums. They have received eight Brit Awards—winning for Best British Group and Best British Live Act. In 2012 they received an Ivor Novello Award for Outstanding Contribution to British Music. According to the British Phonographic Industry (BPI), Take That has been certified for 14 million albums and 11.4 million singles in the UK.", "According to the British Phonographic Industry (BPI), Take That has been certified for 14 million albums and 11.4 million singles in the UK. Williams left the band in 1995 while the four remaining members completed their world tour and released a final single before splitting up in 1996. After filming a 2005 Take That: For the Record about the group and releasing a new greatest hits album, a four-piece Take That without Williams officially announced a 2006 reunion tour around the UK, entitled The Ultimate Tour.", "After filming a 2005 Take That: For the Record about the group and releasing a new greatest hits album, a four-piece Take That without Williams officially announced a 2006 reunion tour around the UK, entitled The Ultimate Tour. On 9 May 2006, it was announced that the group were set to record new material together once again; their fourth studio album, Beautiful World, was released in 2006 and was followed up with The Circus, in 2008.", "On 9 May 2006, it was announced that the group were set to record new material together once again; their fourth studio album, Beautiful World, was released in 2006 and was followed up with The Circus, in 2008. The group achieved new success as a four-piece, scoring a string of chart hits across the UK and Europe while selling over 45 million records worldwide. Williams rejoined Take That in 2010 for the band's sixth studio album, Progress.", "Williams rejoined Take That in 2010 for the band's sixth studio album, Progress. Released on 15 November of that year, it was the first album of new material to feature Take That's original line-up since their 1995 album, Nobody Else. It became the fastest-selling album of the 21st century and the second fastest-selling album in British history. In 2014, the band recorded a seventh studio album, this time as a trio without Williams and Orange.", "In 2014, the band recorded a seventh studio album, this time as a trio without Williams and Orange. The album, titled III, was released in November 2014 and became the band's seventh number one. It was preceded by the single \"These Days\", which became the band's 12th number one single in the UK.", "It was preceded by the single \"These Days\", which became the band's 12th number one single in the UK. In 2011, Take That set the new record for the fastest-selling tour of all time in the UK with Progress Live, beating the previous record set by their Circus Live Tour in 2009. At the 2011 Brit Awards they won Best British Group. In 2012, Forbes named them the fifth highest-earning music stars in the world.", "In 2012, Forbes named them the fifth highest-earning music stars in the world. The group performed at the London 2012 Olympic Games closing ceremony, playing \"Rule the World\" while the Olympic Flame was extinguished. In the same year, the Official Charts Company revealed the biggest-selling singles artists in British music chart history with Take That currently placed at 15th overall, making them the most successful boy band in UK chart history.", "In the same year, the Official Charts Company revealed the biggest-selling singles artists in British music chart history with Take That currently placed at 15th overall, making them the most successful boy band in UK chart history. Four of their albums are listed in the best-selling albums of the millennium, with three of them among the 60 best-selling albums in UK chart history. History 1989–1990: Formation In 1989, Manchester-based Nigel Martin-Smith sought to create a British male vocal singing group modelled on New Kids on the Block.", "History 1989–1990: Formation In 1989, Manchester-based Nigel Martin-Smith sought to create a British male vocal singing group modelled on New Kids on the Block. Martin-Smith's vision, however, was a teen-orientated group that would appeal to more than one demographic segment of the music industry. Martin-Smith was then introduced to young singer-songwriter Gary Barlow, who had been performing in clubs since the age of 15. Impressed with Barlow's catalogue of self-written material, Martin-Smith decided to build his new-look boy band around Barlow's musical abilities.", "Impressed with Barlow's catalogue of self-written material, Martin-Smith decided to build his new-look boy band around Barlow's musical abilities. A campaign to audition young men with abilities in dancing and singing followed and took place in Manchester and other surrounding cities in 1990. At 22, Howard Donald was one of the oldest to audition, but he was chosen after he got time off work as a vehicle painter to continue the process.", "At 22, Howard Donald was one of the oldest to audition, but he was chosen after he got time off work as a vehicle painter to continue the process. Prior to auditioning, Jason Orange had appeared as a breakdancer on the popular television programme The Hit Man and Her. Martin-Smith also selected 18-year-old bank employee Mark Owen and finally 16-year-old Robbie Williams to round out the group, which initially went by the name Kick It.", "Martin-Smith also selected 18-year-old bank employee Mark Owen and finally 16-year-old Robbie Williams to round out the group, which initially went by the name Kick It. 1990–1992: Take That & Party Take That's first TV appearance was on The Hit Man and Her in 1990, where they performed Barlow's self-written, unreleased song, \"My Kind of Girl\". They later appeared a second time to perform \"Waiting Around\", which would become the B-side for the first single, \"Do What U Like\".", "They later appeared a second time to perform \"Waiting Around\", which would become the B-side for the first single, \"Do What U Like\". \"Promises\" and \"Once You've Tasted Love\" were also released as singles but were minor hits in the UK. Take That initially worked the same territory as their American counterparts, singing new jack R&B, urban soul, and mainstream pop. However, they worked their way toward Hi-NRG dance music, while also pursuing an adult contemporary ballad direction.", "However, they worked their way toward Hi-NRG dance music, while also pursuing an adult contemporary ballad direction. As they aimed to break into the mainstream music industry, they worked a number of small clubs, schools, and events across the country building up a fanbase as they travelled to gigs constantly for months. Take That's breakthrough single was a cover of the 1975 Tavares hit \"It Only Takes a Minute\", which peaked at number seven on the UK Singles Chart in June 1992.", "Take That's breakthrough single was a cover of the 1975 Tavares hit \"It Only Takes a Minute\", which peaked at number seven on the UK Singles Chart in June 1992. This success was followed by \"I Found Heaven\", then by the first Barlow ballad \"A Million Love Songs\", which also reached number seven in October.", "This success was followed by \"I Found Heaven\", then by the first Barlow ballad \"A Million Love Songs\", which also reached number seven in October. Their cover of the Barry Manilow hit \"Could It Be Magic\" gave them their first big success, peaking at number three in the UK in the first chart of 1993. Their first album, Take That & Party, was released in 1992, and included all the hit singles to date.", "Their first album, Take That & Party, was released in 1992, and included all the hit singles to date. 1993–1995: Everything Changes, Nobody Else and superstardom 1993 saw the release of Everything Changes, based on Barlow's original material. It peaked at number one in the UK and spawned six singles, with four being consecutive UK number one singles – their first number one \"Pray\", \"Relight My Fire\", \"Babe\" and the title track \"Everything Changes\".", "It peaked at number one in the UK and spawned six singles, with four being consecutive UK number one singles – their first number one \"Pray\", \"Relight My Fire\", \"Babe\" and the title track \"Everything Changes\". The lead single \"Why Can't I Wake Up with You\" had narrowly missed the top spot in the UK peaking at number two and the sixth and final single \"Love Ain't Here Anymore\" taken from the album reached number three on the UK charts.", "The lead single \"Why Can't I Wake Up with You\" had narrowly missed the top spot in the UK peaking at number two and the sixth and final single \"Love Ain't Here Anymore\" taken from the album reached number three on the UK charts. Everything Changes saw the band gain international success with the album being nominated for the 1994 Mercury Prize, but it failed to crack the U.S. market, where an exclusive remix of \"Love Ain't Here Anymore\" (U.S. version) gained little success.", "Everything Changes saw the band gain international success with the album being nominated for the 1994 Mercury Prize, but it failed to crack the U.S. market, where an exclusive remix of \"Love Ain't Here Anymore\" (U.S. version) gained little success. By 1994, Take That had become radio and television stars across Europe and Asia, but it was not until 1995 that they did their first World Tour.", "By 1994, Take That had become radio and television stars across Europe and Asia, but it was not until 1995 that they did their first World Tour. It was during the years 1993–95 that the band fronted scores of magazine covers ranging from Smash Hits to GQ, becoming mass merchandised on all sorts of paraphernalia ranging from picture books, to posters, stickers, their own dolls, jewellery, caps, T-shirts, toothbrushes and even had their own annuals released.", "It was during the years 1993–95 that the band fronted scores of magazine covers ranging from Smash Hits to GQ, becoming mass merchandised on all sorts of paraphernalia ranging from picture books, to posters, stickers, their own dolls, jewellery, caps, T-shirts, toothbrushes and even had their own annuals released. The band had also developed a large female teenage fanbase at the time.", "The band had also developed a large female teenage fanbase at the time. During this time, they performed at numerous music awards shows and chart shows such as the BRIT Awards and Top of the Pops, also winning the Best Live Act award in 1995 at the MTV Europe Music Awards, having been renowned for their breakdance routines, high energy and creative tour productions.", "During this time, they performed at numerous music awards shows and chart shows such as the BRIT Awards and Top of the Pops, also winning the Best Live Act award in 1995 at the MTV Europe Music Awards, having been renowned for their breakdance routines, high energy and creative tour productions. In 1995, Take That released their third studio album Nobody Else, again based on Barlow's own material which reached number 1 in the UK and across Europe, capturing new audiences along the way, with Take That also able to make inroads in the adult audience in Britain through Barlow's melodic, sensitive ballads.", "In 1995, Take That released their third studio album Nobody Else, again based on Barlow's own material which reached number 1 in the UK and across Europe, capturing new audiences along the way, with Take That also able to make inroads in the adult audience in Britain through Barlow's melodic, sensitive ballads. For nearly five years, Take That's popularity was unsurpassed in Britain. The release of the first single from the album, \"Sure\", achieved yet another number one in the UK charts.", "The release of the first single from the album, \"Sure\", achieved yet another number one in the UK charts. It was not until their second release from that album, however, that they would experience what would become their biggest hit single, \"Back for Good\", which reached number one in many countries including the UK, Germany, Australia, and Norway. It was also their only US hit, where it reached number seven.", "It was also their only US hit, where it reached number seven. The song was initially unveiled for the first time via live performance while at the 1995 BRIT Awards, and based on the reception of that performance, the record pre-sold more records than expected and forced the record label to bring the release date forward by an unprecedented six weeks. The album was also noted for its cover, which was a parody of the famed cover of The Beatles' Sgt. Pepper's Lonely Hearts Club Band cover sleeve.", "Pepper's Lonely Hearts Club Band cover sleeve. Pepper's Lonely Hearts Club Band cover sleeve. 1995–1996: Break-up and Greatest Hits Robbie Williams's drug abuse had escalated to a near drug overdose the night before the group was scheduled to perform at the MTV Europe Music Awards in 1994. In June 1995, Williams was photographed by the press partying with Oasis at the Glastonbury Festival. The following month, the band offered him an ultimatum; he was to adhere to the band's responsibilities or leave before their scheduled world tour.", "The following month, the band offered him an ultimatum; he was to adhere to the band's responsibilities or leave before their scheduled world tour. Williams chose the latter. Williams claimed he was bored with Barlow's leadership and jealous of Barlow. Despite the loss of Williams, Take That continued to promote Nobody Else as a four-piece, scoring a further hit single with \"Never Forget\" with Donald on lead vocal. They subsequently went to America and completed the Nobody Else Tour in October 1995.", "They subsequently went to America and completed the Nobody Else Tour in October 1995. Following the tour, the band began to plan for their next album; however, when they spent Christmas together, they mutually agreed it was time to part ways. On 13 February 1996, Take That formally announced that they were disbanding. This was followed by the Greatest Hits compilation in 1996, which contained a new recording, a cover of the Bee Gees' \"How Deep Is Your Love\".", "This was followed by the Greatest Hits compilation in 1996, which contained a new recording, a cover of the Bee Gees' \"How Deep Is Your Love\". The single went on to become what was to be the band's final UK number one until their 2006 comeback a decade later. Take That gave what was thought to be their final performance in April 1996 at Amsterdam.", "Take That gave what was thought to be their final performance in April 1996 at Amsterdam. Following the band's announcement, millions of their fans were distraught around the world and in the UK alone, teenage girls threatened suicide and were seen lining streets in tears, to the point that telephone hotlines were set up by the government to deal with counselling them.", "Following the band's announcement, millions of their fans were distraught around the world and in the UK alone, teenage girls threatened suicide and were seen lining streets in tears, to the point that telephone hotlines were set up by the government to deal with counselling them. After the band broke up, highly respected music figures such as Elton John noted that Take That were different from other boy bands before and after them, in that they wrote their own material through Gary Barlow.", "After the band broke up, highly respected music figures such as Elton John noted that Take That were different from other boy bands before and after them, in that they wrote their own material through Gary Barlow. Barlow is one of only a small number of people who have won an Ivor Novello award during their time in a boy band, with George Michael whilst in Wham! and Tony Mortimer whilst in East 17 being two others who have achieved this feat.", "and Tony Mortimer whilst in East 17 being two others who have achieved this feat. Take That had also left a legacy of being immaculate performers with a very high work ethic, causing them to be voted in as the greatest boy band of all time.", "Take That had also left a legacy of being immaculate performers with a very high work ethic, causing them to be voted in as the greatest boy band of all time. 2005–2006: Reunion as a quartet and Never Forget – The Ultimate Collection On 14 November 2005, Never Forget – The Ultimate Collection, a new compilation of their hit singles including a new previously unreleased song, also achieved great success and peaked at number 2 on UK charts, selling over 2.1 million copies in the UK alone.", "2005–2006: Reunion as a quartet and Never Forget – The Ultimate Collection On 14 November 2005, Never Forget – The Ultimate Collection, a new compilation of their hit singles including a new previously unreleased song, also achieved great success and peaked at number 2 on UK charts, selling over 2.1 million copies in the UK alone. The new song \"Today I've Lost You\" (recorded in September 2005) was originally written by Barlow as the follow up to \"Back for Good\" but was never recorded.", "The new song \"Today I've Lost You\" (recorded in September 2005) was originally written by Barlow as the follow up to \"Back for Good\" but was never recorded. On 16 November 2005, the group got back together for the ITV documentary Take That: For the Record, in which they aired their views over their fame, success, the split and what the post-Williams line-up had done since.", "On 16 November 2005, the group got back together for the ITV documentary Take That: For the Record, in which they aired their views over their fame, success, the split and what the post-Williams line-up had done since. On 25 November 2005, there was an official press conference by the band announcing that the post-Robbie Williams line-up was going to tour in 2006. The tour, entitled The Ultimate Tour, ran from April to June 2006.", "The tour, entitled The Ultimate Tour, ran from April to June 2006. The tour featured a guest appearance by British soul singer Beverley Knight, who replaced Lulu's vocals on the song \"Relight My Fire\"; although Lulu did appear during the stadium shows on \"Relight My Fire\" and \"Never Forget\". The American female ensemble Pussycat Dolls supported the group at their Dublin concert, and the Sugababes supported the group on the final five dates of the stadium leg.", "The American female ensemble Pussycat Dolls supported the group at their Dublin concert, and the Sugababes supported the group on the final five dates of the stadium leg. In a seven-year study analysing over one billion online searches via Google conducted by AccuraCast, a leading digital search agency, their comeback was ranked at number one in the UK. 2006–2007: Beautiful World On 9 May 2006, Take That returned to the recorded music scene after more than ten years of absence, signing with Polydor Records.", "2006–2007: Beautiful World On 9 May 2006, Take That returned to the recorded music scene after more than ten years of absence, signing with Polydor Records. The band's comeback album, Beautiful World, entered the UK Albums Chart at no. 1 and, as of June 2009, had sold over 2.8 million copies in the UK. It is the 35th best selling album in UK music history. On Beautiful World, all four members of the band had the opportunity to sing lead vocals and contribute in the songwriting.", "On Beautiful World, all four members of the band had the opportunity to sing lead vocals and contribute in the songwriting. Unlike the band's earlier works, where the majority of their material was written by Barlow who received sole credit, all four band members are credited as co-writers, along with John Shanks. The comeback single, \"Patience\", was released on 20 November 2006, with a special event launching it on 5 November.", "The comeback single, \"Patience\", was released on 20 November 2006, with a special event launching it on 5 November. On 26 November \"Patience\" hit number 1 in the UK in its second week of chart entry, making it the group's ninth No. 1, and staying there for 4 weeks. Take That also accompanied eventual winner Leona Lewis on a live version of \"A Million Love Songs\" during the final of The X Factor on 16 December 2006.", "Take That also accompanied eventual winner Leona Lewis on a live version of \"A Million Love Songs\" during the final of The X Factor on 16 December 2006. The week after Beautiful World was released, it was announced that Take That had become the first artists ever to top the UK official single and album charts along with the download single, download album and DVD charts in the same week, as well as topping the radio charts.", "The week after Beautiful World was released, it was announced that Take That had become the first artists ever to top the UK official single and album charts along with the download single, download album and DVD charts in the same week, as well as topping the radio charts. The video for the number 1 hit single \"Shine\", the follow-up to \"Patience\", premiered on 25 January 2007 on Channel 4, ahead of its release on 26 February 2007.", "The video for the number 1 hit single \"Shine\", the follow-up to \"Patience\", premiered on 25 January 2007 on Channel 4, ahead of its release on 26 February 2007. The band's success continued on 14 February 2007 when Take That performed live at the BRIT Awards ceremony at Earl's Court. Their single \"Patience\" won the Best British Single category. The third single chosen from Beautiful World was \"I'd Wait For Life\", released on 18 June 2007 in the UK.", "The third single chosen from Beautiful World was \"I'd Wait For Life\", released on 18 June 2007 in the UK. The single reached 17 in the UK Singles Chart. This may have been due to lack of promotion, as the band decided to take a pre-tour break rather than do any promotion for the single. The single \"Rule the World\", included on the deluxe version of Beautiful World, was recorded for the soundtrack of the film Stardust (2007).", "The single \"Rule the World\", included on the deluxe version of Beautiful World, was recorded for the soundtrack of the film Stardust (2007). It reached number two in the UK and went on to become the group's second best selling single, shifting over 1.2 million units in the UK. Beautiful World was the fourth biggest-selling album of 2007. It was announced at the start of 2007 that Take That signed a record deal with American label Interscope, and would also release their album in Canada.", "It was announced at the start of 2007 that Take That signed a record deal with American label Interscope, and would also release their album in Canada. Starting on 11 October 2007, Take That began their Beautiful World Tour 2007 in Belfast. The tour included 49 shows throughout Europe and the UK and ended in Manchester on 23 December 2007. The band received four nominations at the 2008 BRIT Awards.", "The band received four nominations at the 2008 BRIT Awards. Nominated for Best British Group, Best British Single (\"Shine\"), Best British Album (Beautiful World) and Best Live Act, they took home the Best Live Act and the Best British Single awards. According to a 2007 MSN UK internet poll, Take That were voted as the \"comeback kings\" of the year.", "According to a 2007 MSN UK internet poll, Take That were voted as the \"comeback kings\" of the year. 2008–2009: The Circus \"Greatest Day\", the first single from the album The Circus, made its radio premiere on 13 October 2008 and it was released on 24 November. It debuted at number 1 on the UK Singles Chart on 30 November 2008. An album launch party for The Circus was held in Paris on 2 December.", "An album launch party for The Circus was held in Paris on 2 December. On its first day of release The Circus sold 133,000 copies, and after four days on sale it sold 306,000 copies (going platinum) making The Circus the fastest selling album of the year. The album reached number 1 on the UK Albums Chart on 7 December 2008 with total first-week sales of 432,490, the third highest opening sales week in UK history.", "The album reached number 1 on the UK Albums Chart on 7 December 2008 with total first-week sales of 432,490, the third highest opening sales week in UK history. On 28 October 2008, on the Radio 1 Chris Moyles show, it was announced that Take That would be touring again in June/July 2009, covering the UK and Ireland. Tickets for the Take That Present: The Circus Live tour went on sale on 31 October.", "Tickets for the Take That Present: The Circus Live tour went on sale on 31 October. The promoters, SJM, have said that the band's tour is \"the fastest selling in UK history\". On 22 May 2008, Barlow and Donald attended the 2008 Ivor Novello Awards where Take That won the award for Most Performed Work with their single \"Shine\". Take That won the Sony Ericsson Tour of the Year award at the Vodafone music awards on 18 September 2008.", "Take That won the Sony Ericsson Tour of the Year award at the Vodafone music awards on 18 September 2008. They were unable to attend as they were in LA finishing off The Circus. They did send a video link message, which was shown at the awards. On 22 November 2008, Take That appeared on week 7 of the talent show The X Factor where the finalists performed some of their greatest hits and Owen and Barlow made a guest appearance to personally coach the contestants.", "On 22 November 2008, Take That appeared on week 7 of the talent show The X Factor where the finalists performed some of their greatest hits and Owen and Barlow made a guest appearance to personally coach the contestants. The band also performed on Children in Need 2008, singing their new single, \"Greatest Day\", before donating £250,000 to the charity from their Marks and Spencer fee.", "The band also performed on Children in Need 2008, singing their new single, \"Greatest Day\", before donating £250,000 to the charity from their Marks and Spencer fee. The band were also voted the Greatest Boy Band of All Time, reflecting their ongoing marketability and success in the pop arena, even after two decades. At the 2009 Brit Awards they were nominated for Best British Group and they performed \"Greatest Day\" at the ceremony.", "At the 2009 Brit Awards they were nominated for Best British Group and they performed \"Greatest Day\" at the ceremony. \"Up All Night\", the second single from The Circus, was released on 2 March 2009, and peaked at number 14 on the UK Singles Chart, despite heavy airplay. In Germany and Australia, \"The Garden\" was released as the second single instead.", "In Germany and Australia, \"The Garden\" was released as the second single instead. On 7 May 2009, Take That's official website confirmed that the third single from The Circus would be \"Said It All\" which was released on 15 June 2009, peaking at number 9 on the UK Singles chart. The video premiered on GMTV on 8 May 2009. It features all four band members dressed up as vintage circus clowns, which tied in with their forthcoming Take That Present: The Circus Live tour.", "It features all four band members dressed up as vintage circus clowns, which tied in with their forthcoming Take That Present: The Circus Live tour. Take That started their Circus Live tour at the Stadium of Light on 5 June 2009 in Sunderland and ended at the Wembley Stadium in London on 5 July 2009, which over 80,000 people attended. This tour quickly became the fastest-selling of all time, breaking all records by selling all of their 650,000 tickets in less than four and a half hours.", "This tour quickly became the fastest-selling of all time, breaking all records by selling all of their 650,000 tickets in less than four and a half hours. In November 2009 Take That released the official DVD of their Circus tour, which became the fastest-selling music DVD of all time in the UK on its first day of release and stayed in the top 10 of the videos chart for over a year.", "In November 2009 Take That released the official DVD of their Circus tour, which became the fastest-selling music DVD of all time in the UK on its first day of release and stayed in the top 10 of the videos chart for over a year. This overtook the previous record sales holder, which was Take That's Beautiful World Live tour and stayed at the number 1 spot for 8 weeks.", "This overtook the previous record sales holder, which was Take That's Beautiful World Live tour and stayed at the number 1 spot for 8 weeks. The following week Take That released their first live album, The Greatest Day – Take That Present: The Circus Live, which sold 98,000 copies on its first day of release and was certified Platinum in July 2013.", "The following week Take That released their first live album, The Greatest Day – Take That Present: The Circus Live, which sold 98,000 copies on its first day of release and was certified Platinum in July 2013. \"Hold up a Light\" was released as the fifth and final single from The Circus to radio stations and as a digital download to promote the release of the live album. The live album also featured a stripped down session recorded live at the famous Abbey Road Studios in London.", "The live album also featured a stripped down session recorded live at the famous Abbey Road Studios in London. It featured the members singing the setlist from the preceding tour, albeit in a studio setting. 2010–2011: Williams' return and Progress On 7 June 2010, the news broke of a single called \"Shame\", which had been written by Barlow and Williams and would feature the vocals of both artists.", "2010–2011: Williams' return and Progress On 7 June 2010, the news broke of a single called \"Shame\", which had been written by Barlow and Williams and would feature the vocals of both artists. This was the first time the pair had worked together since 1995 and would appear on the second greatest hits collection of Williams. \"Heart and I\", another track from the same album, was also co-written by Williams and Barlow.", "\"Heart and I\", another track from the same album, was also co-written by Williams and Barlow. The single \"Shame\" peaked at number 2 on the UK Singles Chart while also achieving success throughout Europe, charting in over 19 countries. After working with the band on new material in Los Angeles, on 15 July 2010 Robbie Williams announced he was returning to Take That.", "After working with the band on new material in Los Angeles, on 15 July 2010 Robbie Williams announced he was returning to Take That. After months of working together, assembling new songs for a new album and even debating a band-name change to \"The English\", a joint statement between Williams and the group read, \"The rumours are true ... Take That: the original lineup, have written and recorded a new album for release later this year.\"", "After months of working together, assembling new songs for a new album and even debating a band-name change to \"The English\", a joint statement between Williams and the group read, \"The rumours are true ... Take That: the original lineup, have written and recorded a new album for release later this year.\" The statement went on to say, \"Following months of speculation Gary Barlow, Howard Donald, Jason Orange, Mark Owen, and Robbie Williams confirmed they have been recording a new studio album as a five-piece, which they will release in November.\"", "The statement went on to say, \"Following months of speculation Gary Barlow, Howard Donald, Jason Orange, Mark Owen, and Robbie Williams confirmed they have been recording a new studio album as a five-piece, which they will release in November.\" The lead single from Take That's album Progress was announced as \"The Flood\" and was released 7 November as a digital download, and on 8 November as a physical copy, with the album released a week later on 15 November.", "The lead single from Take That's album Progress was announced as \"The Flood\" and was released 7 November as a digital download, and on 8 November as a physical copy, with the album released a week later on 15 November. The single peaked at number 2 in the UK Singles Charts and to date has sold over 500,000 copies in the UK alone.", "The single peaked at number 2 in the UK Singles Charts and to date has sold over 500,000 copies in the UK alone. The single also achieved success across Europe, charting inside the top 10 in ten countries while also charting in another nine countries whilst also being nominated for an Ivor Novello Award for best work.", "The single also achieved success across Europe, charting inside the top 10 in ten countries while also charting in another nine countries whilst also being nominated for an Ivor Novello Award for best work. On 26 October the band announced that they would be embarking on a huge UK stadium tour entitled Progress Live, starting in Sunderland on 27 May, and finishing with a record-breaking 8 nights at London's Wembley Stadium in July 2011. It was also announced that Williams would perform hit singles from his solo career during the tour.", "It was also announced that Williams would perform hit singles from his solo career during the tour. The band then played at some of the biggest venues across Europe for the second leg of the tour. The phenomenal demand for tickets across the country led to the web sites of all the major UK ticket suppliers either crashing or considerably slowing for hours on end. The demand and sheer volume of fans also created problems for the UK telephone network.", "The demand and sheer volume of fans also created problems for the UK telephone network. Take That's Progress Live also broke all records for ticket sales selling over 1.1 million tickets in one day, smashing the previous box office record set by Take That's Circus tour in 2008. On the first day of release Progress became the fastest selling album of the century, with 235,000 copies sold in just one day.", "On the first day of release Progress became the fastest selling album of the century, with 235,000 copies sold in just one day. The album reached number 1 in the UK, selling around 520,000 copies in its first week, becoming the second fastest-selling album in history. After the release of Progress it was announced that Take That have become Amazon UK's top-selling music artist of all time.", "After the release of Progress it was announced that Take That have become Amazon UK's top-selling music artist of all time. The album retained the number one spot for six consecutive weeks in the UK since its release, selling 2.8 million copies in the UK alone and becoming the best selling album of 2010 Progress also achieved success across Europe where it debuted at number one in Ireland, Greece, Germany and Denmark. and the European Top 100 Albums chart.", "and the European Top 100 Albums chart. and the European Top 100 Albums chart. It also debuted inside the top 10 of the charts in Austria, Italy, the Netherlands, Sweden, and Switzerland. \"Kidz\" was announced as the second single from Progress, it was released 21 February 2011 and charted well across Europe. The band performed the song live at the 2011 Brit Awards hosted at The O2 Arena, where they won a Brit for Best British Group and were nominated for Best British Album.", "The band performed the song live at the 2011 Brit Awards hosted at The O2 Arena, where they won a Brit for Best British Group and were nominated for Best British Album. Their performance of \"Kidz\", praised by critics, involved a highly choreographed routine featuring dancers dressed in police-styled riot gear bearing the Take That symbol on the uniform and shields. On 19 May 2011, Take That announced a new EP entitled Progressed, which contained eight tracks written by the band since they had reunited as a five-piece.", "On 19 May 2011, Take That announced a new EP entitled Progressed, which contained eight tracks written by the band since they had reunited as a five-piece. It was packaged alongside the album Progress and returned the band to number 1 in the UK Album Chart the week after it was released on 13 June 2011. Take That announced that the Progress Live tour would be released worldwide as their second live album to date and would also be released on home media formats across the UK and Europe on 21 November 2011.", "Take That announced that the Progress Live tour would be released worldwide as their second live album to date and would also be released on home media formats across the UK and Europe on 21 November 2011. The DVD debuted at number 1 on the UK Music Video top 40 in its first week on release and sold over 200,000 copies in two weeks of release in the UK alone. Take That's efforts were recognised further when they were awarded Virgin Media's Best Live Act of 2012.", "Take That's efforts were recognised further when they were awarded Virgin Media's Best Live Act of 2012. On 4 October, it was reported that Take That were to take a break after the completion of the Progress tour, with Barlow continuing his role as a judge on The X Factor and Williams recording new solo material. Take That were presented with an Ivor Novello Award for their Outstanding Contribution to British Music in May 2012.", "Take That were presented with an Ivor Novello Award for their Outstanding Contribution to British Music in May 2012. In August 2012, Take That performed at the closing ceremony of the 2012 Summer Olympics, despite Barlow announcing that his daughter had been stillborn the previous week. The performance earned him praise for appearing live so soon after the tragedy. Williams was due to perform with the band but dropped out due to his wife giving birth at around the same time and thus the group performed as a four-piece.", "Williams was due to perform with the band but dropped out due to his wife giving birth at around the same time and thus the group performed as a four-piece. In November 2012, Take That reunited as a five-piece for the last time to perform \"Never Forget\" at the Music Industry Trust Awards. In 2013, Donald became a judge on the German version of the television dancing show Got to Dance.", "In 2013, Donald became a judge on the German version of the television dancing show Got to Dance. 2014–2015: Line-up change and III In May 2013, Owen announced that Take That was to begin recording their seventh studio album in 2014, and on 14 January 2014, Donald and Barlow both tweeted that Take That had entered the studio to begin recording the album, although it was not initially clear if Williams was present at these recording sessions.", "2014–2015: Line-up change and III In May 2013, Owen announced that Take That was to begin recording their seventh studio album in 2014, and on 14 January 2014, Donald and Barlow both tweeted that Take That had entered the studio to begin recording the album, although it was not initially clear if Williams was present at these recording sessions. On 28 April 2014, Williams announced on Twitter he was to become a father for a second time, and consequently suggested he would be unable to join Take That on their album and tour.", "On 28 April 2014, Williams announced on Twitter he was to become a father for a second time, and consequently suggested he would be unable to join Take That on their album and tour. Although welcome to return to the band at any time, Williams chose not to return for group's seventh and eighth studio albums and their accompanying tours, focusing instead on his solo commitments.", "Although welcome to return to the band at any time, Williams chose not to return for group's seventh and eighth studio albums and their accompanying tours, focusing instead on his solo commitments. He continued to write music with his colleagues and has performed with the group on several occasions since 2011's Progress tour and plans on returning at some point in the future. On 24 September 2014, it was announced that Jason Orange had left the band.", "On 24 September 2014, it was announced that Jason Orange had left the band. He said: 'At a band meeting last week I confirmed to Mark, Gary and Howard that I do not wish to commit to recording and promoting a new album. 'At the end of The Progress Tour I began to question whether it might be the right time for me to not continue on with Take That,' he continued.", "'At the end of The Progress Tour I began to question whether it might be the right time for me to not continue on with Take That,' he continued. 'There have been no fallings out, only a decision on my part that I no longer wish to do this,' he added. Barlow, Donald, and Owen issued a joint statement about Orange's decision which said: \"This is a sad day for us.", "Barlow, Donald, and Owen issued a joint statement about Orange's decision which said: \"This is a sad day for us. Jason leaving is a huge loss both professionally and even more so personally ... Jason's energy and belief in what this band could achieve has made it what it is today, and we'll forever be grateful for his enthusiasm, dedication and inspiration over the years.\" A day after the announcement, Robbie Williams took to Twitter to show support of Orange's decision. \"Mr Orange.", "\"Mr Orange. \"Mr Orange. Until we ride again. Much love, Bro. \", Williams tweeted. On 10 October 2014, Take That unveiled their first song as a three-piece and lead single from their upcoming album. Titled \"These Days\", it was released on 23 November 2014 and went to No. 1 in the UK Singles Chart, knocking Band Aid 30 off the top spot and becoming their 12th number one single.", "1 in the UK Singles Chart, knocking Band Aid 30 off the top spot and becoming their 12th number one single. The album itself, called III, was released on 28 November 2014 and became the band's seventh No. 1 album. It was then followed by a sell-out arena tour entitled Take That Live. On 14 October 2015, the band announced their new single \"Hey Boy\", released on 16 October, which is the first single from the 2015 re-release of III.", "On 14 October 2015, the band announced their new single \"Hey Boy\", released on 16 October, which is the first single from the 2015 re-release of III. The 2015 edition of the album was released on 20 November. In December 2015, British media buzzed about the group embarking on a stint in Las Vegas, starting 2017. Reports indicated the group impressed U.S. promoters and would headline their own residency show.", "Reports indicated the group impressed U.S. promoters and would headline their own residency show. Many venues circulated, including The AXIS at the Planet Hollywood Resort & Casino, The Foundry at SLS Las Vegas and the Linq Theater at The LINQ Hotel & Casino. Local newspaper, the Las Vegas Sun writes that everything is still unconfirmed, despite Barlow confirming the rumour on Twitter. 2016–2017: Wonderland On 2 February 2016, in an interview with The Sun, Barlow revealed that Take That would release their eighth studio album later in the year.", "2016–2017: Wonderland On 2 February 2016, in an interview with The Sun, Barlow revealed that Take That would release their eighth studio album later in the year. On 4 May 2016, English drum and bass duo Sigma announced their newest single would feature Take That. \"Cry\" received its first radio play on 20 May 2016 and was released on that date.", "\"Cry\" received its first radio play on 20 May 2016 and was released on that date. On 21 October 2016, the band posted a teaser on their social media pages and website depicting the logo of the band flickering with the hashtag \"#WONDERLAND\". The following day, it was announced that their new album, titled Wonderland, was scheduled to be released on 24 March 2017.", "The following day, it was announced that their new album, titled Wonderland, was scheduled to be released on 24 March 2017. It was then followed by a UK and Ireland arena tour entitled Wonderland Live, that commenced on 5 May 2017 at the Genting Arena in Birmingham. On 17 February 2017, the lead single of Wonderland was released. Titled \"Giants\", it debuted at 13 in the UK charts, which became the band's 24th UK top 20 single.", "Titled \"Giants\", it debuted at 13 in the UK charts, which became the band's 24th UK top 20 single. On 8 April 2017, ITV aired a specially commissioned hour-length television special titled An Evening with Take That, where the band performed some songs from the album, along with some old classics including \"Never Forget\", \"Back for Good\" and \"Rule the World\". The band also took part in a Q&A session with the audience members.", "The band also took part in a Q&A session with the audience members. On 27 April, it was announced on Twitter that \"New Day\" would be released as the next single from the album Wonderland. The band were seen recording the music video in a field in Luton the days leading up the opening night of the Wonderland Live tour. Due to the Manchester Arena bombing just days before they were due to perform at the venue, their Manchester and Liverpool dates were rescheduled or relocated.", "Due to the Manchester Arena bombing just days before they were due to perform at the venue, their Manchester and Liverpool dates were rescheduled or relocated. The band returned a month later to perform at the One Love Manchester benefit concert. On 16 September 2017, Barlow, Owen and Donald were set to perform a special one-off show in Jersey after a fan bid more than £1.2 million to win a performance from the band.", "On 16 September 2017, Barlow, Owen and Donald were set to perform a special one-off show in Jersey after a fan bid more than £1.2 million to win a performance from the band. This then turned in to a ticketed charity event where the money from tickets sold would go towards benefiting Children in Need. The auction was held on BBC Radio 2. On 11 November 2017, Take That began their foreign tour in Perth, Australia, the first time they have performed in the country in over twenty years.", "On 11 November 2017, Take That began their foreign tour in Perth, Australia, the first time they have performed in the country in over twenty years. They also played in New Zealand, United Arab Emirates and Israel for the first time. Unlike the other tours, a DVD for Wonderland Live was not released. Instead, it was broadcast on Sky 1 on 23 December and in cinemas.", "Instead, it was broadcast on Sky 1 on 23 December and in cinemas. 2018–2020: The 30th Anniversary, and Odyssey On 16 July 2018, while performing at first ever Hits Radio Live at the Manchester Arena, Barlow, Donald and Owen confirmed that they would be touring in 2019. The tour was a Greatest Hits tour and celebrated the 30th anniversary of the band. There was also a Greatest Hits album, Odyssey, which was released on 23 November 2018.", "There was also a Greatest Hits album, Odyssey, which was released on 23 November 2018. The Greatest Hits album features existing songs from their back catalogue that have been re-imagined and 3 brand new songs. It also includes collaborations with Boyz II Men, Lulu, Sigma and Barry Gibb. Odyssey reached number one in the UK album chart and was certified as a platinum selling record.", "Odyssey reached number one in the UK album chart and was certified as a platinum selling record. The following year, Odyssey Live, the recording of their tour, reached number 5, becoming the band's 13th top 5 album, with the DVD becoming the biggest live music sale of 2019. In May 2020, Barlow, Donald, and Owen reunited with Williams for a virtual performance from their respective homes, hosted by price comparison website comparethemarket.com, to raise money for the music charity Nordoff Robbins and Crew Nation.", "In May 2020, Barlow, Donald, and Owen reunited with Williams for a virtual performance from their respective homes, hosted by price comparison website comparethemarket.com, to raise money for the music charity Nordoff Robbins and Crew Nation. In other media In April 2006, EMI licensed the band's songs to be used in the musical Never Forget, a musical based on songs of the band from the 1990s. Take That posted and then later removed a statement on their website distancing themselves from it.", "Take That posted and then later removed a statement on their website distancing themselves from it. Take That wrote and recorded the theme song \"Rule the World\" for the film Stardust directed by Matthew Vaughn, which was released in cinemas across the globe in October 2007. In 2007, their song \"Back for Good\" was used as part of the soundtrack for popular Korean drama The 1st Shop of Coffee Prince.", "In 2007, their song \"Back for Good\" was used as part of the soundtrack for popular Korean drama The 1st Shop of Coffee Prince. Take That presented their own TV show Take That Come to Town, a variety show in which they performed some of their biggest hits. The show also featured comedy sketches with one of Peter Kay's alter egos Geraldine McQueen. It aired on 7 December 2008 on ITV1. Sony launched their first Take That video game, SingStar Take That in 2009 for the PlayStation 3.", "Sony launched their first Take That video game, SingStar Take That in 2009 for the PlayStation 3. In November 2010, ITV aired Take That: Look Back, Don't Stare, a black-and-white documentary which focused on the band working together for the first time in 15 years. Through a series of interviews, the band look back at their achievements while also looking forward to what the future holds for them.", "Through a series of interviews, the band look back at their achievements while also looking forward to what the future holds for them. On 18 November 2010, Williams and Barlow appeared together live on television for the first time on the Popstars program in Germany singing their hit \"Shame\". In 2011, Take That's song \"Love Love\" was used in the credits of the 2011 film X-Men: First Class and later, \"When We Were Young\" was chosen as the main theme for The Three Musketeers movie.", "In 2011, Take That's song \"Love Love\" was used in the credits of the 2011 film X-Men: First Class and later, \"When We Were Young\" was chosen as the main theme for The Three Musketeers movie. In 2015, the song \"Get Ready for It\" from their album III, was chosen as the theme song for the film Kingsman: The Secret Service.", "In 2015, the song \"Get Ready for It\" from their album III, was chosen as the theme song for the film Kingsman: The Secret Service. In 2017, Take That launched The Band, a musical written by Tim Firth featuring the five winners of Let It Shine and some of Take That's biggest hits. Take That, including Robbie Williams, were billed as executive producers.", "Take That, including Robbie Williams, were billed as executive producers. The group's music is regularly featured in the Channel 4 show Derry Girls, notably in the third episode of the second series, when the lead characters sneak off to attend the 1993 Take That concert in Belfast; the episode features the music video for \"Pray\" and ends on footage of the band performing \"Everything Changes\".", "The group's music is regularly featured in the Channel 4 show Derry Girls, notably in the third episode of the second series, when the lead characters sneak off to attend the 1993 Take That concert in Belfast; the episode features the music video for \"Pray\" and ends on footage of the band performing \"Everything Changes\". Artistry Early in their career, Take That were known for party anthems such as \"Do What U Like\" and more mature ballads such as \"A Million Love Songs\" and \"Back for Good\".", "Artistry Early in their career, Take That were known for party anthems such as \"Do What U Like\" and more mature ballads such as \"A Million Love Songs\" and \"Back for Good\". Since reuniting in 2006, they have become more experimental: their post-2006 albums Beautiful World and The Circus have featured \"stadium-filling pop-rock\" while Progress largely leaned towards electropop.", "Since reuniting in 2006, they have become more experimental: their post-2006 albums Beautiful World and The Circus have featured \"stadium-filling pop-rock\" while Progress largely leaned towards electropop. Having been dubbed the \"comeback kings\" by the media for their highly successful reunion, the group has won widespread praise for their seamless transformation from teen idols to \"man band\" without overly relying on nostalgia, instead showcasing a more mature image and sound and reinventing themselves while maintaining their artistic integrity.", "Having been dubbed the \"comeback kings\" by the media for their highly successful reunion, the group has won widespread praise for their seamless transformation from teen idols to \"man band\" without overly relying on nostalgia, instead showcasing a more mature image and sound and reinventing themselves while maintaining their artistic integrity. Jude Rogers of The Guardian commented on Take That's post-reunion success, in light of a string of reunions by the group's disbanded counterparts from the 1990s: \"Only Take That are penetrating pop's wider consciousness by becoming a man-band rather than a boy-band, singing mature, proper pop songs that cross the generations.\"", "Jude Rogers of The Guardian commented on Take That's post-reunion success, in light of a string of reunions by the group's disbanded counterparts from the 1990s: \"Only Take That are penetrating pop's wider consciousness by becoming a man-band rather than a boy-band, singing mature, proper pop songs that cross the generations.\" Take That have garnered critical acclaim and popularity as consummate live performers and for their musical output.", "Take That have garnered critical acclaim and popularity as consummate live performers and for their musical output. Their domestic concert tours have been described as \"some of the most flamboyant, imaginative and extravagant pop tours around\". Aside from covers, all of their material is composed by the members themselves; Barlow was initially the principal songwriter who received sole credit but the other members have since taken a more active role in the composition and production process, including playing instruments for the backing track.", "Aside from covers, all of their material is composed by the members themselves; Barlow was initially the principal songwriter who received sole credit but the other members have since taken a more active role in the composition and production process, including playing instruments for the backing track. Band members Current members Gary Barlow (1990–1996, 2005–present) Howard Donald (1990–1996, 2005–present) Mark Owen (1990–1996, 2005–present) Former members Robbie Williams (1990–1995, 2010–2012) Jason Orange (1990–1996, 2005–2014) Timeline Awards and nominations |- | 2016 | Take That | Silver Clef Award for Best Live Act | |- | style=\"text-align:center;\"|2015 | \"These Days\" | UK Music Video Awards for Best Art Direction | |- | rowspan=\"6\" style=\"text-align:center;\"|2012 | \"Pray\" |The Guardian Music Award for Best Number 1 Single | |- | Take That |Ivor Novello Award for Outstanding Contribution to British Music | |- | \"Back for Good\" |The Official Charts Company UK Recognition award for United Kingdom's Favourite Number One Single | |- | \"The Flood\" |Ivor Novello Award for PRS Most Performed Work | |- | Take That |Virgin Media Music Awards for Best Live Act | |- | \"Kidz\" |Virgin Media Music Awards for Best Music Video | |- | rowspan=\"10\" style=\"text-align:center;\"|2011 |- | Progress Live |Audio Pro International Awards for Best Live Sound Event | |- | Progress Live |Audio Pro International Awards Grand Prix Award | |- | Take That |Phonographic Performance Limited Award for most played UK artist | |- | \"Kidz\" |Spex German Entertainment for Best Music Video | |- | The Circus Live Tour | Greatest Event ever at Wembley Stadium | |- | Take That |ECHO Award for Best International Group | |- | Take That |BRIT Award for Best British Group | |- | Progress | BRIT Award for MasterCard Album of the Year | |- | Take That |Virgin Media for Best Group | |- | rowspan=\"6\" style=\"text-align:center;\"|2010 |- | \"Up All Night\" | UK Music Video Awards for Best Art Direction | |- | \"The Flood\" |iTunes Award for Best Single | |- | Progress | iTunes Award for Best Album | |- | Take That |Q Award Hall of Fame | |- | Take That |BRIT Award for Best Live Performance of the past 30 Years | |- | rowspan=\"5\" style=\"text-align:center;\"|2009 | Take That |GQ Men of the Year Awards for Best Band | |- | Take That |Q Award for Best Live Act | |- | \"Greatest Day\" |Q Award for Best Single | |- | Take That |BRIT Award for Best British Group | |- | Take That | Silver Clef Award | |- | rowspan=\"7\" style=\"text-align:center;\"|2008 | \"Shine\" |Ivor Novello Award for PRS Most Performed Work | |- | \"Rule the World\" |Virgin for Best Single | |- | Take That |Sony Ericsson Tour of the Year Award for Take That Arena Tour | |- | \"Shine\" |BRIT Award for Best British Single | |- | Take That |BRIT Award for Best British Live Act | |- | Beautiful World |BRIT Award for Best British Album | |- | Take That |BRIT Award for Best British Group | |- | style=\"text-align:center;\"|2007 | \"Patience\" |BRIT Award for Best British Single | |- | style=\"text-align:center;\"|2006 | Take That |Q Idol Award | |- | rowspan=\"3\" style=\"text-align:center;\"|1996 | \"Back for Good\" |Billboard International Hit of the Year | |- | \"Never Forget\" |Ivor Novello Award for Most Performed Song | |- | \"Back for Good\" |BRIT Award for Best British Single | |- | rowspan=\"3\" style=\"text-align:center;\"|1995 | \"Back for Good\" |Ivor Novello Award for the Song of the Year | |- | Take That |MTV Europe Music Awards for Best Live Act | |- | Take That | Silver Clef Award | |- | rowspan=\"6\" style=\"text-align:center;\"|1994 | \"Babe\" |MTV Video Music Award for International Viewer's Choice Award for MTV Europe | |- | Everything Changes |Mercury Prize for Best Album | |- | \"Pray\" |Ivor Novello Award for Best Contemporary Song | |- | \"Pray\" |BRIT Award for Best British Single | |- | \"Pray\" |BRIT Award for Best British Video | |- | Take That |MTV Europe Music Awards for Best Group | |- | rowspan=\"4\" style=\"text-align:center;\"|1993 | \"Could It Be Magic\" |BRIT Award for Best British Single | |- | \"A Million Love Songs\" |BRIT Award for Best British Single | |- | \"It Only Takes a Minute\" |BRIT Award for Best British Single | |- | Take That | Silver Clef Award for Best Newcomer | |} Discography Take That & Party (1992) Everything Changes (1993) Nobody Else (1995) Beautiful World (2006) The Circus (2008) Progress (2010) III (2014) Wonderland (2017) Tours Party Tour (1992–93) Everything Changes Tour (1993–94) Pops Tour (1994–95) Nobody Else Tour (1995) The Ultimate Tour (2006) Beautiful World Tour 2007 (2007) Take That Present: The Circus Live (2009) Progress Live (2011) Take That Live (2015) Wonderland Live (2017) Greatest Hits Live (2019) See also List of best-selling boy bands References External links Chinese Fansite 1990 establishments in England 1996 disestablishments in England 2005 establishments in England Brit Award winners Dance-pop groups Echo (music award) winners English boy bands English dance music groups Interscope Records artists Ivor Novello Award winners MTV Europe Music Award winners Musical groups disestablished in 1996 Musical groups established in 1990 Musical groups from Cheshire Musical groups from Manchester Musical groups reestablished in 2005 Polydor Records artists Teen pop groups Universal Music Group artists Vocal quartets Vocal quintets Vocal trios" ]

[ "Beck", "Guero and The Information (2004-07)" ]

[ "Güero may refer to:\n\nPeople\n El Güero Gil (d. 1999), nickname for Alfredo Gil, Mexican guitarist/vocalist, co-founder of trio Los Panchos and inventor of the Requinto guitar\n El Güero Jaibo (d. 1993), aka Juan Francisco Murillo Díaz, a member of the Tijuana Cartel\n El Güero Loco, one of the many aliases of Ivan Martin, a member of the Chicano Hip-hop group, Delinquent Habits.\n El Güero Palma, nickname for Héctor Luis Palma Salazar, a Mexican drug trafficker\n\nArts, entertainment, and media\n Guero (book) (\"Later\"), a 1643 Basque-language book by Pedro Agerre\nGuero Davila, a character in Queen of the South\n\nFilms\nEl Güero Estrada (1997), Mexican film directed by Gilberto De Anda and scored by Gustavo Ramírez Reyes\nGüeros (2014), Mexican film directed by Alonso Ruizpalacios\n\nMusic\nGuero (1970), a piano study by German composer Helmut Lachenmann\nGuero (2005), an album by Beck\nGuerolito (2005), a remix album by Beck, featuring all of the songs from Guero except for the hidden track, \"Send a Message to Her\"\nMatando Gueros (1993), an album by the Mexican metal-band Brujeria", "Guero is the ninth album by American musician Beck, released on March 29, 2005, by Interscope Records. It was produced with John King and Mike Simpson of the Dust Brothers, who had worked with Beck on his 1996 album Odelay, as well as Tony Hoffer.\n\nThe album was promoted with the singles \"E-Pro\", \"Girl\", and \"Hell Yes\", and debuted at number two on the US Billboard 200. To date, it is Beck's highest-charting album and had sold over 868,000 copies in the United States as of July 2008. It received positive reviews from critics.\n\nBackground\nGüero (pron. IPA ['wero]) means \"blond\" in Mexican Spanish, but can also refer to a light-skinned person. MTV described the term as being \"Mexican slang for a blond-haired, fair-skinned Caucasian\".\n\nBeck was raised in a prominently Chicano area of Los Angeles. In an interview with ABC's Nightline, Beck said the term \"guero\" was \"something that I'd hear growing up. Something I'd hear on the street, walking to school or something, I'd get called a 'Guero'. ... It's just a word that stuck in my head and I wanted to do something with that at some point. ... I ended up, in the end, just kind of doing this almost journalistic kind of look at that whole time.\"\n\nThe title of track 2, \"Qué Onda Guero\" (or \"¿Qué onda, güero?\"), is Mexican slang for \"what up, whitey?\"\n\nRecording\nThe album was recorded over a period of nine months, following a year and a half of touring in the aftermath of the September 11 attacks. Several other events contributed to the writing of the songs, including the suicide of Beck's friend Elliott Smith and Beck's impending child with wife Marissa Ribisi. The song \"Broken Drum\" is dedicated to Smith. More than 15 songs were considered for the final running order of the album.\n\n\"Hell Yes\" features spoken contributions from Christina Ricci, who happened to be in the studio at the time of recording. Beck and the Dust Brothers had spent weeks auditioning sushi waitresses around Los Angeles but chose Ricci after she \"tried it and just absolutely nailed it\". She is credited as \"Kurisuti-na\" in the album's liner notes.\n\nJack White of the White Stripes plays bass on \"Go It Alone\". Money Mark, solo artist and keyboardist for the Beastie Boys, plays the organ on \"Earthquake Weather\". Petra Haden, formerly of That Dog and the Rentals, provides an intricate backing vocal track for \"Rental Car\".\n\nRelease\nGuero was initially intended to be released on October 26, 2004, but was pushed back, due to delays with the artwork, mixing and music videos. An unmixed and un-mastered version of the album was leaked in January 2005, under the title Ubiquitous. The track listing differed slightly from the officially announced track listing of Guero. On February 1, Beck released the Hell Yes EP on iTunes, which included remixes of the title track and \"Que Onda Guero\" by 8-bit and \"E-Pro\" and \"Girl\" by Paza. On March 10, five songs from the forthcoming album were featured in an episode of The O.C.\n\nGuero was released on March 29. The album was released simultaneously in three formats: a standard 13-track CD, PlayStation Portable UMD and a deluxe CD/DVD edition. The latter featured seven bonus tracks, a surround sound mix and interactive video art for each song.\n\nLater in 2005, Beck released an album of Guero remixes called Guerolito, featuring remixes by Boards of Canada, Octet, the Beastie Boys' Ad-Rock and the Dust Brothers' John King.\n\n\"Black Tambourine\" was featured in the David Lynch film Inland Empire, the trailer for the film (500) Days of Summer, and episode 22 of season 4 of The Good Wife, as well as the 2006 video game Lumines II, and the video game Driver: San Francisco. \"Farewell Ride\" was featured in FX trailers promoting the final season of The Shield.\n\nReception\n\nCommercial\nGuero debuted on the Billboard 200 at No. 2, marking Beck's best chart performance to date, and sold 162,000 copies in its first week. It was certified gold by the RIAA on June 7, 2005.\n\nCritical\nGuero received generally positive reviews from critics, holding a Metascore of 78 on Metacritic. Several critics compared the album—either positively or negatively—to Beck's 1996 album Odelay, while others observed that such comparisons were inevitable but ultimately misguided.\n\nRob Sheffield of Rolling Stone called the album \"the first record since Odelay where Beck mixes up the medicine the way he did in his Nineties prime\". Contrasting the album with the \"wiseass charisma\" of his early albums, Sheffield noted that Beck now sounded \"like an extremely bummed-out dude who made it to the future and discovered he hates it there.\" David Browne of Entertainment Weekly called Guero \"alive and frisky\" when compared to its predecessor, Sea Change (2002), and called it Beck's \"most inviting, least off-putting work in years\", praising its \"slightly broader emotional range\". Browne stated that the album felt \"simultaneously familiar and new\" and was \"the first record on which the many moods and sides of Beck coexist\". Andy Gill of The Independent observed that \"Beck darts around the musical map like an animated flea,\" and praised the album's \"judicious blends of beats, riffs, songs and raps spiralling off in a variety of directions\". Gill highlighted the song \"Missing\" and its \"reflections on the essential patchwork incompleteness of life\", comparing it to Beck's work on the whole, \"which typically makes unorthodox wholes from diverse fragments.\"\n\nConversely, Rob Mitchum of Pitchfork gave the album a mixed review and compared the album extensively to Odelay, stating, \"one wonders whether Mr. Hansen's heart is in the proceedings, as many of the songs appear to be little more than weak echoes of their similar predecessors\". Mitchum concluded that \"the final result feels rote and calculated.\"\n\nThe album was included in the book 1001 Albums You Must Hear Before You Die.\n\nTrack listing\n\nSample credits\n\nPersonnel\n\nMusicians\nBeck – vocals (tracks 1–13), guitar (1–3, 5–6, 9–10, 13), bass guitar (1, 3, 5, 7–9, 12–13), additional sounds (2), slide guitar (3, 11, 13), intro programming (3), percussion (4, 11-13), tambourines (5), acoustic guitar (6, 8, 12), electric guitar (6, 12), harmonica (7, 9), vocoder (7), piano (8, 11), celesta (8), drums (8), beats (8, 11), keyboards (10), handclaps (10, 12–13), kalimba (11), 12-string guitar (12, 13), stomp (13) \nThe Dust Brothers – beats (1-7, 10, 12), handclaps (10)\nPaolo Díaz – \"dude\" (2)\nCharlie Capen – additional sounds (2)\nSean Davis – bass guitar (4)\nRoger Joseph Manning Jr. – Clavinet (6, 12)\nMoney Mark – organ (6)\nJustin Meldal-Johnsen – bass (6, 12), guitar sounds (12)\nJoey Waronker – drums (6)\nSmokey Hormel – electric guitar (6)\nChristina Ricci (as Kurisuti-na) – girl (7)\nJack White – bass guitar (10)\nPetra Haden – vocals (12)\n\nTechnical\nBeck – co-producer (1–13), engineer (1–13), mixing (1–13), string arranger (4, 13), art direction, design\nThe Dust Brothers – co-producers (1–7, 9–10, 12–13), engineers (1–7, 9–10, 12–13), mixing (1–7, 9–10, 12–13)\nDanny Kalb – engineer (1–7, 9–10, 12–13)\nMark Branch – assistant engineer (1–7, 9–10, 12–13)\nMike Laza – assistant engineer (1–7, 9–10, 12–13)\nBrad Breeck – sound designer (1–7, 9–10, 12–13)\nNigel Godrich – mixing (3)\nDan Grech-Marguerat – mixing engineer (3)\nTony Hoffer – co-producer, engineer, mixing (8, 11)\nJason Mott – assistant engineer (8, 11)\nBob Ludwig – mastering\nDavid Campbell – string arrangement (4, 13)\nKevin Reagan – art direction, design\nMarcel Dzama – artwork\nMelanie Pullen – photo\nAdam Levite – additional art, front cover layout\nElliot Scheiner – surround mix (deluxe edition)\n\nCharts\n\nWeekly charts\n\nYear-end charts\n\nCertifications\n\nReferences\n\nExternal links\n (standard edition)\nD-Fuse\n\nBeck albums\n2005 albums\nAlbums arranged by David Campbell (composer)\nAlbums produced by Tony Hoffer\nInterscope Records albums\nAlbums produced by Beck\nAlbums produced by the Dust Brothers\nAlbums with cover art by Marcel Dzama" ]

[ "Beck David Hansen (born Bek David Campbell; July 8, 1970) is an American musician, singer, songwriter, and record producer. He rose to fame in the early 1990s with his experimental and lo-fi style, and became known for creating musical collages of wide-ranging genres. He has musically encompassed folk, funk, soul, hip hop, electronic, alternative rock, country, and psychedelia.", "He has musically encompassed folk, funk, soul, hip hop, electronic, alternative rock, country, and psychedelia. He has released 14 studio albums (three of which were released on indie labels), as well as several non-album singles and a book of sheet music. Born and raised in Los Angeles, Beck grew towards hip-hop and folk in his teens and began to perform locally at coffeehouses and clubs. He moved to New York City in 1989 and became involved in the city's anti-folk movement.", "He moved to New York City in 1989 and became involved in the city's anti-folk movement. Returning to Los Angeles in the early 1990s, he cut his breakthrough single \"Loser\", which became a worldwide hit in 1994, and released his first major album, Mellow Gold, the same year. Odelay, released in 1996, topped critic polls and won several awards. He released the country-influenced, twangy Mutations in 1998, and the funk-infused Midnite Vultures in 1999.", "He released the country-influenced, twangy Mutations in 1998, and the funk-infused Midnite Vultures in 1999. The soft-acoustic Sea Change in 2002 showcased a more serious Beck, and 2005's Guero returned to Odelays sample-based production. The Information in 2006 was inspired by electro-funk, hip hop, and psychedelia; 2008's Modern Guilt was inspired by '60s pop music; and 2014's folk-infused Morning Phase won Album of the Year at the 57th Grammy Awards.", "The Information in 2006 was inspired by electro-funk, hip hop, and psychedelia; 2008's Modern Guilt was inspired by '60s pop music; and 2014's folk-infused Morning Phase won Album of the Year at the 57th Grammy Awards. His 2017 album, Colors, won awards for Best Alternative Album and Best Engineered Album at the 61st Annual Grammy Awards. His fourteenth studio album, Hyperspace, was released on November 22, 2019.", "His fourteenth studio album, Hyperspace, was released on November 22, 2019. With a pop art collage of musical styles, oblique and ironic lyrics, and postmodern arrangements incorporating samples, drum machines, live instrumentation and sound effects, Beck has been hailed by critics and the public throughout his musical career as being among the most idiosyncratically creative musicians of 1990s and 2000s alternative rock.", "With a pop art collage of musical styles, oblique and ironic lyrics, and postmodern arrangements incorporating samples, drum machines, live instrumentation and sound effects, Beck has been hailed by critics and the public throughout his musical career as being among the most idiosyncratically creative musicians of 1990s and 2000s alternative rock. Two of Beck's most popular and acclaimed recordings are Odelay and Sea Change, both of which were ranked on Rolling Stone list of the 500 greatest albums of all time.", "Two of Beck's most popular and acclaimed recordings are Odelay and Sea Change, both of which were ranked on Rolling Stone list of the 500 greatest albums of all time. The four-time platinum artist has collaborated with several artists and has made several contributions to soundtracks. Early life Beck was born Bek David Campbell in Los Angeles, California, on July 8, 1970, the son of American visual artist Bibbe Hansen and Canadian arranger, composer, and conductor David Campbell.", "Early life Beck was born Bek David Campbell in Los Angeles, California, on July 8, 1970, the son of American visual artist Bibbe Hansen and Canadian arranger, composer, and conductor David Campbell. Hansen grew up amid Andy Warhol's The Factory art scene of the 1960s in New York City and was a Warhol superstar. She moved to California at age 17 and met Campbell there.", "She moved to California at age 17 and met Campbell there. Beck's maternal grandmother was Jewish, while his maternal grandfather, artist Al Hansen, was of Norwegian descent and was a pioneer in the avant-garde Fluxus movement. Beck has said that he was \"raised celebrating Jewish holidays\" and that he considers himself Jewish. Beck was born in a rooming house near downtown Los Angeles. As a child, he lived in a declining neighborhood near Hollywood Boulevard.", "As a child, he lived in a declining neighborhood near Hollywood Boulevard. He later recalled, \"By the time we left there, they were ripping out miles of houses en masse and building low-rent, giant apartment blocks.\" The lower-class family struggled financially, moving to Hoover and Ninth Street, a neighborhood populated primarily by Koreans and Salvadorian refugees.", "The lower-class family struggled financially, moving to Hoover and Ninth Street, a neighborhood populated primarily by Koreans and Salvadorian refugees. He was sent for a time to live with his paternal grandparents in Kansas, later remarking that he thought \"they were kind of concerned\" about his \"weird\" home life. Since his paternal grandfather was a Presbyterian minister, Beck grew up influenced by church music and hymns. He also spent time in Europe with his maternal grandfather.", "He also spent time in Europe with his maternal grandfather. After his parents separated when he was 10, Beck stayed with his mother and brother Channing in Los Angeles, where he was influenced by the city's diverse musical offerings—everything from hip hop to Latin music and his mother's art scene—all of which would later reappear in his work. Beck obtained his first guitar at 16 and became a street musician, often playing Lead Belly covers at Lafayette Park.", "Beck obtained his first guitar at 16 and became a street musician, often playing Lead Belly covers at Lafayette Park. During his teens, Beck discovered the music of Sonic Youth, Pussy Galore, and X, but remained uninterested in most music outside the folk genre until many years into his career. The first contemporary music that made a direct connection with Beck was hip hop, which he first heard on Grandmaster Flash records in the early 1980s.", "The first contemporary music that made a direct connection with Beck was hip hop, which he first heard on Grandmaster Flash records in the early 1980s. Growing up in a predominantly Latin district, he found himself the only white child at his school, and quickly learned how to breakdance. When he was 17, Beck grew fascinated after hearing a Mississippi John Hurt record at a friend's house, and spent hours in his room trying to emulate Hurt's finger-picking techniques.", "When he was 17, Beck grew fascinated after hearing a Mississippi John Hurt record at a friend's house, and spent hours in his room trying to emulate Hurt's finger-picking techniques. Shortly thereafter, Beck explored blues and folk music further, discovering Woody Guthrie and Blind Willie Johnson. Feeling like \"a total outcast\", Beck dropped out of school after junior high. He later said that although he felt school was important, he felt unsafe there.", "He later said that although he felt school was important, he felt unsafe there. When he applied to the new performing arts high school downtown, he was rejected. His brother took him to post-Beat jazz places in Echo Park and Silver Lake. He hung out at the Los Angeles City College, perusing records, books and old sheet music in its library. He used a fake ID to sit in on classes there, and he also befriended a literature instructor and his poet wife.", "He used a fake ID to sit in on classes there, and he also befriended a literature instructor and his poet wife. He worked at a string of menial jobs, including loading trucks and operating a leaf blower. Career Early performances and first releases (1988–1993) Beck began as a folk musician, switching between country blues, Delta blues, and more traditional rural folk music in his teenage years. He began performing on city buses, often covering Mississippi John Hurt alongside original, sometimes improvisational compositions.", "He began performing on city buses, often covering Mississippi John Hurt alongside original, sometimes improvisational compositions. \"I'd get on the bus and start playing Mississippi John Hurt with totally improvised lyrics. Some drunk would start yelling at me, calling me Axl Rose. So I'd start singing about Axl Rose and the levee and bus passes and strychnine, mixing the whole thing up,\" he later recalled. He was also in a band called Youthless that hosted Dadaist-inspired freeform events at city coffee shops.", "He was also in a band called Youthless that hosted Dadaist-inspired freeform events at city coffee shops. \"We had Radio Shack mics and this homemade speaker and we'd draft people in the audience to recite comic books or do a beatbox thing, or we'd tie the whole audience up in masking tape,\" Beck recalled. In 1989, Beck caught a bus to New York City with little more than $8.00 and a guitar.", "In 1989, Beck caught a bus to New York City with little more than $8.00 and a guitar. He spent the summer attempting to find a job and a place to live with little success. Beck eventually began to frequent Manhattan's Lower East Side and stumbled upon the tail end of the East Village's anti-folk scene's first wave.", "Beck eventually began to frequent Manhattan's Lower East Side and stumbled upon the tail end of the East Village's anti-folk scene's first wave. Beck became involved in a loose posse of acoustic musicians—including Cindy Lee Berryhill, Kirk Kelly, Paleface, and Lach, headed by Roger Manning—whose raggedness and eccentricity placed them well outside the acoustic mainstream. \"The whole mission was to destroy all the clichés and make up some new ones,\" said Beck of his New York years. \"Everybody knew each other.", "\"Everybody knew each other. \"Everybody knew each other. You could go up onstage and say anything, and you wouldn't feel weird or feel any pressure.\" Inspired by that freedom and by the local spoken-word performers, Beck began to write free-associative, surrealistic songs about pizza, MTV, and working at McDonald's, turning mundane thoughts into songs. Beck was roommates with Paleface, sleeping on his couch and attending open mic nights together.", "Beck was roommates with Paleface, sleeping on his couch and attending open mic nights together. Daunted by the prospect of another homeless New York winter, Beck returned to his home of Los Angeles in early 1991. \"I was tired of being cold, tired of getting beat up,\" he later remarked. \"It was hard to be in New York with no money, no place [...] I kinda used up all the friends I had. Everyone on the scene got sick of me.\"", "Everyone on the scene got sick of me.\" Everyone on the scene got sick of me.\" Back in Los Angeles, Beck began to work at a video store in the Silver Lake neighborhood, \"doing things like alphabetizing the pornography section\". He began performing in arthouse clubs and coffeehouses such as Al's Bar and Raji's. In order to keep indifferent audiences engaged in his music, Beck would play in a spontaneous, joking manner.", "In order to keep indifferent audiences engaged in his music, Beck would play in a spontaneous, joking manner. \"I'd be banging away on a Son House tune and the whole audience would be talking. So maybe out of desperation or boredom, or the audience's boredom, I'd make up these ridiculous songs just to see if people were listening,\" he later remarked.", "So maybe out of desperation or boredom, or the audience's boredom, I'd make up these ridiculous songs just to see if people were listening,\" he later remarked. Virtually an unknown to the public and an enigma to those who met him, Beck would hop onstage between acts in local clubs and play \"strange folk songs\", accompanied by \"what could best be described as performance art\" while sometimes wearing a Star Wars stormtrooper mask.", "Virtually an unknown to the public and an enigma to those who met him, Beck would hop onstage between acts in local clubs and play \"strange folk songs\", accompanied by \"what could best be described as performance art\" while sometimes wearing a Star Wars stormtrooper mask. Beck met someone who offered to help record demos in his living room, and he began to pass cassette tapes around.", "Beck met someone who offered to help record demos in his living room, and he began to pass cassette tapes around. Eventually, Beck gained key boosters in Margaret Mittleman, the West Coast's director of talent acquisitions for BMG Music Publishing, and the partners behind independent record label Bong Load Custom Records: Tom Rothrock, Rob Schnapf and Brad Lambert. Schnapf saw Beck perform at Jabberjaw and felt he would suit their small venture.", "Schnapf saw Beck perform at Jabberjaw and felt he would suit their small venture. Beck expressed a loose interest in hip hop, and Rothrock introduced him to Carl Stephenson, a record producer for Rap-A-Lot Records. In 1992, Beck visited Stephenson's home to collaborate. The result—the slide-sampling hip hop track \"Loser\"—was a one-off experiment that Beck set aside, going back to his folk songs, making his home tapes such as Golden Feelings, and releasing several independent singles.", "The result—the slide-sampling hip hop track \"Loser\"—was a one-off experiment that Beck set aside, going back to his folk songs, making his home tapes such as Golden Feelings, and releasing several independent singles. Mellow Gold, and independent albums (1993–1994) By 1993, Beck was living in a rat-infested shed near a Los Angeles alleyway with little money. Bong Load issued \"Loser\" as a single in March 1993 on 12\" vinyl with only 500 copies pressed.", "Bong Load issued \"Loser\" as a single in March 1993 on 12\" vinyl with only 500 copies pressed. Beck felt that \"Loser\" was mediocre, and only agreed to its release at Rothrock's insistence. \"Loser\" unexpectedly received radio airplay, starting in Los Angeles, where college radio station KXLU was the first to play it, and later on Santa Monica College radio station KCRW, where radio host Chris Douridas played the song on Morning Becomes Eclectic, the station's flagship music program.", "\"Loser\" unexpectedly received radio airplay, starting in Los Angeles, where college radio station KXLU was the first to play it, and later on Santa Monica College radio station KCRW, where radio host Chris Douridas played the song on Morning Becomes Eclectic, the station's flagship music program. \"I called the record label that day and asked to have Beck play live on the air,\" Douridas said.", "\"I called the record label that day and asked to have Beck play live on the air,\" Douridas said. \"He came in that Friday, rapped to a tape of \"Loser\" and did his song 'MTV Makes Me Want to Smoke Crack.'\" That night, Beck performed at the Los Angeles club Cafe Troy to a packed audience and talent scouts from major labels. The song then spread to Seattle through KNDD The End, and KROQ-FM began playing the song on an almost hourly basis.", "The song then spread to Seattle through KNDD The End, and KROQ-FM began playing the song on an almost hourly basis. As Bong Load struggled to press more copies of \"Loser\", Beck was beset with offers to sign with major labels. During the bidding war in November, Beck spent several days in Olympia, Washington, recording material with Calvin Johnson of Beat Happening, which would later see release the following year on Johnson's K Records as One Foot in the Grave.", "During the bidding war in November, Beck spent several days in Olympia, Washington, recording material with Calvin Johnson of Beat Happening, which would later see release the following year on Johnson's K Records as One Foot in the Grave. A fierce bidding war ensued, with Geffen Records A&R director Mark Kates signing Beck in December 1993 amid intense competition from Warner Bros. and Capitol.", "A fierce bidding war ensued, with Geffen Records A&R director Mark Kates signing Beck in December 1993 amid intense competition from Warner Bros. and Capitol. Beck's non-exclusive contract with Geffen allowed him an unusual amount of creative freedom, with Beck remaining free to release material through such small, independent labels as Flipside, which issued the sprawling, 25-track collection of pre-\"Loser\" recordings titled Stereopathetic Soulmanure on February 22 the following year.", "Beck's non-exclusive contract with Geffen allowed him an unusual amount of creative freedom, with Beck remaining free to release material through such small, independent labels as Flipside, which issued the sprawling, 25-track collection of pre-\"Loser\" recordings titled Stereopathetic Soulmanure on February 22 the following year. By the time Beck released his first album for Geffen, the low-budget, genre-blending Mellow Gold on March 1, \"Loser\" was already in the top 40 and its video in MTV's Buzz Bin.", "By the time Beck released his first album for Geffen, the low-budget, genre-blending Mellow Gold on March 1, \"Loser\" was already in the top 40 and its video in MTV's Buzz Bin. \"Loser\" quickly ascended the charts in the U.S., reaching a peak of number ten on the Billboard Hot 100 singles chart and topping the Modern Rock Tracks chart. The song also charted in the UK, Australia, New Zealand, and throughout Europe.", "The song also charted in the UK, Australia, New Zealand, and throughout Europe. Beck's newfound position of attention led to his characterization as the \"King of Slackers\", as the media dubbed him the center of the new so-called \"slacker\" movement.", "Beck's newfound position of attention led to his characterization as the \"King of Slackers\", as the media dubbed him the center of the new so-called \"slacker\" movement. Critics, feeling it the essential follow-up to Radiohead's \"Creep\", found vacantness in the lyrics of \"Loser\" strongly associated with Generation X, although Beck himself strongly contested his position as the face of the \"slacker\" generation: \"Slacker my ass. I mean, I never had any slack.", "I mean, I never had any slack. I mean, I never had any slack. I was working a $4-an-hour job trying to stay alive. That slacker stuff is for people who have the time to be depressed about everything.\" Backlash and Odelay (1994–1997) Feeling as though he was \"constantly trying to prove myself\", Beck suffered a backlash, with skeptics denouncing him as a self-indulgent fake and the latest marketing opportunity.", "Backlash and Odelay (1994–1997) Feeling as though he was \"constantly trying to prove myself\", Beck suffered a backlash, with skeptics denouncing him as a self-indulgent fake and the latest marketing opportunity. In the summer of 1994, Beck was struggling and many of his fellow musicians thought he had lost his way. Combined with the song's wildly popular music video and the world tour, Beck reacted believing the attention could not last, resulting in a status as a \"one-hit wonder\".", "Combined with the song's wildly popular music video and the world tour, Beck reacted believing the attention could not last, resulting in a status as a \"one-hit wonder\". At other concerts, crowds were treated to twenty minutes of reggae or Miles Davis or jazz-punk iterations of \"Loser\". At one-day festivals in California, he surrounded himself with an artnoise combo.", "At one-day festivals in California, he surrounded himself with an artnoise combo. The drummer set fire to his cymbals; the lead guitarist \"played\" his guitar with the strings faced towards his body; and Beck changed the words to \"Loser\" so that nobody could sing along. \"I can't tell you how many times I was looking at faces that were looking back at me with complete bewilderment—or just pointing and shaking their heads and laughing—while performing during that period,\" he later recalled.", "\"I can't tell you how many times I was looking at faces that were looking back at me with complete bewilderment—or just pointing and shaking their heads and laughing—while performing during that period,\" he later recalled. Despite this, Beck gained the respect of his peers, such as Tom Petty and Johnny Cash, and created an entire wave of bands determined to recapture the Mellow Gold sound.", "Despite this, Beck gained the respect of his peers, such as Tom Petty and Johnny Cash, and created an entire wave of bands determined to recapture the Mellow Gold sound. Feeling his previous releases were just collections of demos recorded over the course of several years, Beck desired to enter the studio and record an album in a continuous linear fashion, which became Odelay.", "Feeling his previous releases were just collections of demos recorded over the course of several years, Beck desired to enter the studio and record an album in a continuous linear fashion, which became Odelay. Beck blends country, blues, rap, jazz and rock on Odelay, the result of a year and half of feverish \"cutting, pasting, layering, dubbing, and, of course, sampling\". Each day, the musicians started from scratch, often working on songs for 16 hours straight.", "Each day, the musicians started from scratch, often working on songs for 16 hours straight. Odelays conception lies in an unfinished studio album Beck first embarked on following the success of \"Loser\", chronicling the difficult time he experienced: \"There was a cycle of everyone dying around me,\" he recalled later.", "Odelays conception lies in an unfinished studio album Beck first embarked on following the success of \"Loser\", chronicling the difficult time he experienced: \"There was a cycle of everyone dying around me,\" he recalled later. He was constantly recording, and eventually put together an album of somber, orchestrated folk tunes; one that, perhaps, \"could have been a commercial blockbuster along with similarly themed work by Smashing Pumpkins, Nine Inch Nails and Nirvana\".", "He was constantly recording, and eventually put together an album of somber, orchestrated folk tunes; one that, perhaps, \"could have been a commercial blockbuster along with similarly themed work by Smashing Pumpkins, Nine Inch Nails and Nirvana\". Instead, Beck plucked one song from it—the Odelay album closer \"Ramshackle\"—and shelved the rest (\"Brother\" and \"Feather In Your Cap\" were, however, later released as B-sides).", "Instead, Beck plucked one song from it—the Odelay album closer \"Ramshackle\"—and shelved the rest (\"Brother\" and \"Feather In Your Cap\" were, however, later released as B-sides). Beck was introduced to the Dust Brothers, producers of the Beastie Boys' album Paul's Boutique, whose cut-and-paste, sample-heavy production suited Beck's vision of a more fun, accessible album.", "Beck was introduced to the Dust Brothers, producers of the Beastie Boys' album Paul's Boutique, whose cut-and-paste, sample-heavy production suited Beck's vision of a more fun, accessible album. After a record executive explained that Odelay would be a \"huge mistake\", he spent many months thinking \"that I'd blown it forever\". Odelay was released on June 18, 1996, to commercial success and critical acclaim.", "Odelay was released on June 18, 1996, to commercial success and critical acclaim. The record produced several hit singles, including \"Where It's At\", \"Devils Haircut\", and \"The New Pollution\", and was nominated for the Grammy Award for Album of the Year in 1997, winning a Grammy Award for Best Alternative Music Album as well as a Grammy Award for Best Male Rock Vocal Performance for \"Where It's At\".", "The record produced several hit singles, including \"Where It's At\", \"Devils Haircut\", and \"The New Pollution\", and was nominated for the Grammy Award for Album of the Year in 1997, winning a Grammy Award for Best Alternative Music Album as well as a Grammy Award for Best Male Rock Vocal Performance for \"Where It's At\". During one busy week in January 1997, he landed his Grammy nominations, appeared on Saturday Night Live and Howard Stern, and did a last-minute trot on The Rosie O'Donnell Show.", "During one busy week in January 1997, he landed his Grammy nominations, appeared on Saturday Night Live and Howard Stern, and did a last-minute trot on The Rosie O'Donnell Show. The combined buzz gave Odelay a second wind, leading to an expanded fan base and additional exposure Beck enjoyed but, like several executives at Geffen, was bewildered by the success of Odelay. He would often get recognized in public, which made him feel strange. \"It's just weird. It doesn't feel right.", "\"It's just weird. It doesn't feel right. It doesn't feel right. It doesn't feel natural to me. I don't think I was made for that. I was never good at that,\" he later told Pitchfork. Odelay sold two million copies and put \"one-hit wonder\" criticisms to rest. During this time, he contributed the song \"Deadweight\" to the soundtrack of the film A Life Less Ordinary (1997).", "During this time, he contributed the song \"Deadweight\" to the soundtrack of the film A Life Less Ordinary (1997). Mutations and Midnite Vultures (1998–2001) Having not been in a proper studio since \"Deadweight\", Beck felt anxious to \"go in and just do some stuff real quick\", and compiled several songs he had had for years. Beck and his bandmates hammered out fourteen songs in fourteen days, although just twelve made it onto the album, 1998's Mutations.", "Beck and his bandmates hammered out fourteen songs in fourteen days, although just twelve made it onto the album, 1998's Mutations. Beck decided on Nigel Godrich, producer for Radiohead's OK Computer the previous year, to be behind the boards for the project. Godrich was leaving the United States for England in a short time, which led to the album's quick production schedule—\"No looking back, no doctoring anything\".", "Godrich was leaving the United States for England in a short time, which led to the album's quick production schedule—\"No looking back, no doctoring anything\". The whole point of the record was to capture the performance of the musicians live, an uncharacteristic far-cry from the cut-and-paste aesthetic of Odelay. Though the album was originally slated for release by Bong Load Records, Geffen intervened and issued the record against Beck's wishes.", "Though the album was originally slated for release by Bong Load Records, Geffen intervened and issued the record against Beck's wishes. The artist then sought to void his contracts with both record labels, and in turn the labels sued him for breach of contract. The litigation went on for years and it remains unclear to this day if it has ever been completely resolved. Beck was later awarded Best Alternative Music Performance for Mutations at the 42nd Grammy Awards.", "Beck was later awarded Best Alternative Music Performance for Mutations at the 42nd Grammy Awards. Midnite Vultures, Beck's next studio effort, was originally recorded as a double album, and more than 25 nearly completed songs were left behind. In the studio, Beck and producers studied contemporary hip hop and R&B, specifically R. Kelly, in order to embrace and incorporate those influences in the way Al Green and Stax records had done in previous decades.", "In the studio, Beck and producers studied contemporary hip hop and R&B, specifically R. Kelly, in order to embrace and incorporate those influences in the way Al Green and Stax records had done in previous decades. In July 1998, a core group began to assemble at Beck's Pasadena home: bassist Justin Meldal-Johnsen, keyboardist Roger Joseph Manning Jr., and producer-engineers Mickey Petralia and Tony Hoffer.", "In July 1998, a core group began to assemble at Beck's Pasadena home: bassist Justin Meldal-Johnsen, keyboardist Roger Joseph Manning Jr., and producer-engineers Mickey Petralia and Tony Hoffer. Dozens of session players passed through, including Beck's father, David Campbell, who played viola and arranged some of the strings. The musicians held communal meals and mountain-bike rides on dusty trails nearby, but remained focused on Beck's instructions: to make an up-tempo album that would be fun to play on tour night after night.", "The musicians held communal meals and mountain-bike rides on dusty trails nearby, but remained focused on Beck's instructions: to make an up-tempo album that would be fun to play on tour night after night. \"I had so many things going on\", said Beck of the recording process. \"I had a couple of rooms of computers hooked up, I was doing B sides for Japan, I was programming beats in one room and someone would be cooking dinner in the other room.\"", "\"I had a couple of rooms of computers hooked up, I was doing B sides for Japan, I was programming beats in one room and someone would be cooking dinner in the other room.\" In November 1999, Geffen released the much-anticipated Midnite Vultures, which attracted confusion: \"fans and critics misguidedly worried whether it was serious or a goof,\" and as a result, The New York Times wrote that the album \"never won the audience it deserved\".", "In November 1999, Geffen released the much-anticipated Midnite Vultures, which attracted confusion: \"fans and critics misguidedly worried whether it was serious or a goof,\" and as a result, The New York Times wrote that the album \"never won the audience it deserved\". The record was supported by an extensive world tour. For Beck, it was a return to the high-energy performances that had been his trademark as far back as Lollapalooza.", "For Beck, it was a return to the high-energy performances that had been his trademark as far back as Lollapalooza. The live stage set included a red bed that descended from the ceiling for the song \"Debra\", and the touring band was complemented by a brass section. Midnite Vultures was nominated for Best Album at the 43rd Annual Grammy Awards. Sea Change (2002–2003) In 2000, Beck and his fiancée, stylist Leigh Limon, ended their nine-year relationship.", "Sea Change (2002–2003) In 2000, Beck and his fiancée, stylist Leigh Limon, ended their nine-year relationship. Beck lapsed into a period of melancholy and introspection, during which he wrote the bleak, acoustic-based tracks later found on Sea Change. Beck sat on the songs, not wanting to talk about his personal life; he later said that he wanted to focus on music and \"not really strew my baggage across the public lobby\".", "Beck sat on the songs, not wanting to talk about his personal life; he later said that he wanted to focus on music and \"not really strew my baggage across the public lobby\". Eventually, however, he decided the songs spoke to a common experience (a relationship breakup), and that it would not seem self-indulgent to record them. In 2001, Beck drifted back to the songs and called producer Nigel Godrich.", "In 2001, Beck drifted back to the songs and called producer Nigel Godrich. Retailers initially predicted that the album would not receive much radio support, but they also believed that Beck's maverick reputation and critical acclaim, in addition to the possibility of multiple Grammy nominations, might offset Sea Changes noncommercial sound.", "Retailers initially predicted that the album would not receive much radio support, but they also believed that Beck's maverick reputation and critical acclaim, in addition to the possibility of multiple Grammy nominations, might offset Sea Changes noncommercial sound. Sea Change, issued by Geffen in September 2002, was regardless a commercial hit and critical darling, with Rolling Stone revering it as \"the best album Beck has ever made, [...] an impeccable album of truth and light from the end of love.", "Sea Change, issued by Geffen in September 2002, was regardless a commercial hit and critical darling, with Rolling Stone revering it as \"the best album Beck has ever made, [...] an impeccable album of truth and light from the end of love. This is his Blood on the Tracks.\" The album was later listed by the magazine as one of the best records of the decade and of all-time, and it also placed second on the year's Pazz & Jop Critics Poll.", "The album was later listed by the magazine as one of the best records of the decade and of all-time, and it also placed second on the year's Pazz & Jop Critics Poll. Sea Change yielded a low-key, theater-based acoustic tour, as well as a larger tour with The Flaming Lips as Beck's opening and backing band. Beck was playful and energetic, sometimes throwing in covers of The Rolling Stones, Big Star, The Zombies and The Velvet Underground.", "Beck was playful and energetic, sometimes throwing in covers of The Rolling Stones, Big Star, The Zombies and The Velvet Underground. Following the release of Sea Change, Beck felt newer compositions were sketches for something more evolved in the same direction, and wrote nearly 35 more songs in the coming months, keeping demos of them on tapes in a suitcase. During his solo tour, the tapes were left backstage during a stop in Washington, D.C., and Beck was never able to recover them.", "During his solo tour, the tapes were left backstage during a stop in Washington, D.C., and Beck was never able to recover them. It was disheartening to the musician, who felt the two years of songwriting represented something more technically complex. As a result, Beck took a break and wrote no original compositions in 2003.", "As a result, Beck took a break and wrote no original compositions in 2003. Feeling as though it might take him a while to \"get back to that [songwriting] territory\", he entered the studio with Dust Brothers to complete a project that dated back to Odelay. Nearly half of the songs had existed since the 1990s.", "Nearly half of the songs had existed since the 1990s. Guero and The Information (2004–2007) Guero, Beck's eighth studio album, was recorded over the span of nine months during which several significant events occurred in his life: his girlfriend, Marissa Ribisi, became pregnant; they were married; their son, Cosimo, was born; and they moved out of Silver Lake. The collaboration with the Dust Brothers, his second, was notable for their use of high-tech measures to achieve a lo-fi sound.", "The collaboration with the Dust Brothers, his second, was notable for their use of high-tech measures to achieve a lo-fi sound. For example, after recording a \"sonically perfect\" version of a song at one of the nicest recording studios in Hollywood, the Dust Brothers processed it in an Echoplex to create a gritty, reverb-heavy sound: \"We did this high-tech recording and ran it through a transistor radio. It sounded too good, that was the problem.\"", "It sounded too good, that was the problem.\" Initially due to be released in October 2004, Guero faced delays and did not come out till March 2005, though unmastered copies of the tracks surfaced online in January. Guero debuted at number two on the Billboard 200, selling 162,000 copies, an all-time sales high. Lead single \"E-Pro\" peaked at number one at Modern Rock radio, making it his first chart-topper since \"Loser\".", "Lead single \"E-Pro\" peaked at number one at Modern Rock radio, making it his first chart-topper since \"Loser\". Beck, inspired by the Nintendocore remix scene and feeling a connection with its lo-fi, home-recording method, collaborated with artists 8-Bit and Paza on Hell Yes, an EP issued in February 2005. In December 2005, Geffen also issued Guerolito, a fully reworked version of Guero featuring remixes by the Beastie Boys' Ad-Rock, the Dust Brothers' John King and Scottish electronic duo Boards of Canada.", "In December 2005, Geffen also issued Guerolito, a fully reworked version of Guero featuring remixes by the Beastie Boys' Ad-Rock, the Dust Brothers' John King and Scottish electronic duo Boards of Canada. Guerolito combines remixes previously heard as B-sides and new versions of album tracks to make a track-by-track reconfiguration of the album. Also released in 2005 was A Brief Overview, a 12-track promotional-only \"History of Beck\" compilation CD sampler that featured a combination of older and newer Beck tracks.", "Also released in 2005 was A Brief Overview, a 12-track promotional-only \"History of Beck\" compilation CD sampler that featured a combination of older and newer Beck tracks. The Information, Beck's ninth studio album, began production around the same time as Guero, in 2003. Working with producer Nigel Godrich, Beck built a studio in his garden, where they wrote many of the tracks.", "Working with producer Nigel Godrich, Beck built a studio in his garden, where they wrote many of the tracks. \"The idea was to get people in a room together recording live, hitting bad notes and screaming,\" said Beck, adding that the album is best described as \"introspective hip hop\". Beck described the recording process as \"painful\", noting that he edited down songs constantly and he perhaps recorded the album three times.", "Beck described the recording process as \"painful\", noting that he edited down songs constantly and he perhaps recorded the album three times. For the release, Beck was allowed for the first time to fulfill a long-running wish for an unconventional rollout: he made low-budget videos to accompany each song, packaged the CD with sheets of stickers so buyers could customize the cover, and leaked tracks and videos on his website months ahead of the album's release.", "For the release, Beck was allowed for the first time to fulfill a long-running wish for an unconventional rollout: he made low-budget videos to accompany each song, packaged the CD with sheets of stickers so buyers could customize the cover, and leaked tracks and videos on his website months ahead of the album's release. Digital download releases automatically downloaded the song's additional video for each single sale, and physical copies came bundled with an additional DVD featuring fifteen videos.", "Digital download releases automatically downloaded the song's additional video for each single sale, and physical copies came bundled with an additional DVD featuring fifteen videos. Modern Guilt (2008) In 2007, Beck released the single \"Timebomb\", which was nominated for a Grammy Award for Best Solo Rock Vocal Performance. For his next studio effort, his tenth, Beck tapped Danger Mouse to produce, and the two first met in December 2007 to record.", "For his next studio effort, his tenth, Beck tapped Danger Mouse to produce, and the two first met in December 2007 to record. The duo knocked out two tracks in two days, but the notion that the album would be finished in a timely fashion soon evaporated. Beck had known Danger Mouse casually before, as many of his former musicians ended up working with Danger Mouse's side project, Gnarls Barkley. Still, the musicians were surprised at how well they got along.", "Still, the musicians were surprised at how well they got along. Following the grueling recording schedule, Beck was exhausted, calling it \"the most intense work I've ever done on anything\", relating that he \"did at least 10 weeks with no days off, until four or five in the morning every night.\" Beck's original vision was a short 10-track burst with two-minute songs, but the songs gradually grew as he fit 'two years of songwriting into two and a half months.\"", "Beck's original vision was a short 10-track burst with two-minute songs, but the songs gradually grew as he fit 'two years of songwriting into two and a half months.\" Modern Guilt (2008) was \"full of off-kilter rhythms and left-field breakdowns, with an overall 1960s vibe.\" Record Club, Song Reader, production work and non-album singles (2009–2013) Modern Guilt was the final release in Beck's contract with Geffen Records. Beck, then 38, had held the contract since his early 20s.", "Beck, then 38, had held the contract since his early 20s. Released from his label contract and going independent, Beck began working more heavily on his own seven-year-old label, which went through a variety of names. His focus on smaller, more quixotic projects, Beck moonlighted as a producer, working with artists such as Charlotte Gainsbourg, Thurston Moore and Stephen Malkmus.", "His focus on smaller, more quixotic projects, Beck moonlighted as a producer, working with artists such as Charlotte Gainsbourg, Thurston Moore and Stephen Malkmus. Beck worked for five or six days a week at the small studio on his property in Malibu, and founded Record Club, a project whereby an entire classic album—by The Velvet Underground, Leonard Cohen, INXS, Yanni—would be covered by another singer in the span of a single day.", "Beck worked for five or six days a week at the small studio on his property in Malibu, and founded Record Club, a project whereby an entire classic album—by The Velvet Underground, Leonard Cohen, INXS, Yanni—would be covered by another singer in the span of a single day. Beck provided four songs for the film Scott Pilgrim vs. the World (2010), each attributed to the title character's fictional band, Sex Bob-Omb.", "Beck provided four songs for the film Scott Pilgrim vs. the World (2010), each attributed to the title character's fictional band, Sex Bob-Omb. Beck also collaborated with Philip Glass, Jack White, Tobacco of Black Moth Super Rainbow, Jamie Lidell, Seu Jorge, Childish Gambino, and The Lonely Island. Song Reader, a project Beck released in December 2012, is 20 songs presented only as sheet music, in the hopes that enterprising musicians will record their own versions.", "Song Reader, a project Beck released in December 2012, is 20 songs presented only as sheet music, in the hopes that enterprising musicians will record their own versions. The idea of Song Reader came about nearly fifteen years prior, shortly after the release of Odelay. When sent a book of transcribed sheet music for that album, Beck decided to play through it and grew interested in the world before recorded sound.", "When sent a book of transcribed sheet music for that album, Beck decided to play through it and grew interested in the world before recorded sound. He aimed to keep the arrangements as open as possible, to re-create the simplicity of the standards, and became preoccupied with creating only pieces that could fit within the Great American Songbook.", "He aimed to keep the arrangements as open as possible, to re-create the simplicity of the standards, and became preoccupied with creating only pieces that could fit within the Great American Songbook. In 2013 Beck began playing special Song Reader concerts with a variety of guests and announced he was working on a record of Song Reader material with other musicians as well as possibly a compilation of fan versions.", "In 2013 Beck began playing special Song Reader concerts with a variety of guests and announced he was working on a record of Song Reader material with other musicians as well as possibly a compilation of fan versions. In the summer of 2013, Beck was reported to be working on two new studio albums: one a more self-contained acoustic disc in the vein of One Foot in the Grave and another described as a \"proper follow-up\" to Modern Guilt.", "In the summer of 2013, Beck was reported to be working on two new studio albums: one a more self-contained acoustic disc in the vein of One Foot in the Grave and another described as a \"proper follow-up\" to Modern Guilt. Beck expected to release both albums independently, and released two standalone singles over the course of the summer: the electro ballad \"Defriended\" and the chorus-heavy \"I Won't Be Long\". A third single, \"Gimme\", appeared on September 17.", "A third single, \"Gimme\", appeared on September 17. Morning Phase, Colors, and Hyperspace (2014–present) In October 2013, Beck signed to Capitol Records. On January 20, 2014, Beck released the track \"Blue Moon\", which was to be the lead single for his twelfth studio album, Morning Phase. On February 4, second single \"Waking Light\" was released, just prior to the official release of Morning Phase on February 21, 2014.", "On February 4, second single \"Waking Light\" was released, just prior to the official release of Morning Phase on February 21, 2014. For the recording of the album, Beck reunited with many of the same musicians with whom he had worked on the critically acclaimed 2002 album Sea Change, and likely because of this, it has been noted that the two albums have a similar genre.", "For the recording of the album, Beck reunited with many of the same musicians with whom he had worked on the critically acclaimed 2002 album Sea Change, and likely because of this, it has been noted that the two albums have a similar genre. On February 8, 2015, at the 57th Annual Grammy Awards, Morning Phase won three Grammys: Best Engineered Album, Non-Classical; Best Rock Album; and Album of the Year.", "On February 8, 2015, at the 57th Annual Grammy Awards, Morning Phase won three Grammys: Best Engineered Album, Non-Classical; Best Rock Album; and Album of the Year. Upon receiving the Album of the Year award, the album beat out Pharrell Williams's G I R L, Beyoncé's self-titled album, Sam Smith's In the Lonely Hour, and Ed Sheeran's x.", "Upon receiving the Album of the Year award, the album beat out Pharrell Williams's G I R L, Beyoncé's self-titled album, Sam Smith's In the Lonely Hour, and Ed Sheeran's x. In the time after Morning Phases release and general critical success, Beck mentioned that he had been working on another album at around the same time, but that the new album would be more of a pop record.", "In the time after Morning Phases release and general critical success, Beck mentioned that he had been working on another album at around the same time, but that the new album would be more of a pop record. Shortly after Morning Phases Grammy wins, on June 15, 2015, Beck released the first single titled \"Dreams\" off this upcoming thirteenth studio album. \"I was really trying to make something that would be good to play live,\" he said shortly after its release.", "\"I was really trying to make something that would be good to play live,\" he said shortly after its release. However, no further word was heard from Beck pertaining to the release of the album. On June 2, 2016, almost a year after the initial release of \"Dreams\", Beck released a new single titled \"Wow\", along with a lyric video of the song and an announcement that his still untitled album would be released on October 21, 2016.", "On June 2, 2016, almost a year after the initial release of \"Dreams\", Beck released a new single titled \"Wow\", along with a lyric video of the song and an announcement that his still untitled album would be released on October 21, 2016. In September 2016, the album was delayed with no new release date announced and, on September 24, Beck said he did not know \"when it's coming out. It's probably in a few months.\"", "It's probably in a few months.\" It's probably in a few months.\" Once again, however, no further singles were released and no new release date was scheduled for the album. On September 8, 2017, Beck released the single \"Dear Life\", which was quickly followed up with the official release of \"Up All Night\" on September 18. Colors was released on October 13, 2017.", "Colors was released on October 13, 2017. Colors was released on October 13, 2017. It was recorded at co-executive producer Greg Kurstin's Los Angeles studio, with Beck and Kurstin playing nearly every instrument themselves. The experimental pop-fused record received generally positive reviews from critics. On July 18, 2018, Beck performed the title track Colors, and the first single \"Wow\" on The Late Show with Stephen Colbert.", "On July 18, 2018, Beck performed the title track Colors, and the first single \"Wow\" on The Late Show with Stephen Colbert. On April 15, 2019, Beck released a single co-produced with Pharrell Williams titled \"Saw Lightning\" from his fourteenth studio album, titled Hyperspace. The song \"Dark Places\" was released on November 6, with the album being released on November 22.", "The song \"Dark Places\" was released on November 6, with the album being released on November 22. Collaborations and contributions In 1999, Beck contributed to a tribute album for Bruce Haack and Esther Nelson and their label Dimension 5 Records. The album, Dimension Mix, released in 2005, was a benefit for Cure Autism Now that was produced by Ross Harris, an early collaborator who designed the artwork for Mellow Gold.", "The album, Dimension Mix, released in 2005, was a benefit for Cure Autism Now that was produced by Ross Harris, an early collaborator who designed the artwork for Mellow Gold. On June 20, 2009, Beck announced that he was starting an experiment called Record Club, in which he and other musicians would record cover versions of entire albums in one day. The first album covered by Beck's Record Club was The Velvet Underground & Nico.", "The first album covered by Beck's Record Club was The Velvet Underground & Nico. Starting on June 18, the club began posting covers of songs from the album on Thursday evenings, each with its own video. On September 4, 2009, Beck announced the second Record Club album, Songs of Leonard Cohen. Contributors included MGMT, Devendra Banhart, Andrew Stockdale of Wolfmother and Binki Shapiro of Little Joy.", "Contributors included MGMT, Devendra Banhart, Andrew Stockdale of Wolfmother and Binki Shapiro of Little Joy. In the third Record Club venture, Wilco, Feist, Jamie Lidell and James Gadson joined Beck to cover Skip Spence's Oar. The first song, \"Little Hands\", was posted on Beck's website on November 12, 2009. The Record Club has since covered albums by INXS and Yanni. On June 19, 2009, Beck announced Planned Obsolescence, a weekly DJ set put together by Beck or guest DJs.", "On June 19, 2009, Beck announced Planned Obsolescence, a weekly DJ set put together by Beck or guest DJs. Soon after, on July 7, Beck announced that his website would be featuring \"extended informal conversations with musicians, artists, filmmakers, and other various persons\" in a section called Irrelevant Topics. Then, on July 12, he added a section called Videotheque, which he said would contain \"promotional videos from each album, as well as live clips, TV show appearances and other rarities\".", "Then, on July 12, he added a section called Videotheque, which he said would contain \"promotional videos from each album, as well as live clips, TV show appearances and other rarities\". Also in 2009, Beck collaborated with Charlotte Gainsbourg on her album IRM, which was released in January 2010. Beck wrote the music, co-wrote the lyrics, and produced and mixed the album. The lead single, \"Heaven Can Wait\", is a duet by Beck and Gainsbourg.", "The lead single, \"Heaven Can Wait\", is a duet by Beck and Gainsbourg. In late February 2010, it was announced that electronic artist Tobacco of Black Moth Super Rainbow had collaborated with Beck on two songs, \"Fresh Hex\" and \"Grape Aerosmith\", on his upcoming album Maniac Meat. Tobacco revealed that in making the album, Beck sent the vocal parts to him, and that they had never actually met.", "Tobacco revealed that in making the album, Beck sent the vocal parts to him, and that they had never actually met. In March 2010, Beck revealed that he had produced songs for the new Jamie Lidell album, Compass. In the summer of 2010, Beck contributed songs to both The Twilight Saga: Eclipse soundtrack, with \"Let's Get Lost\" (a duet with Bat for Lashes), and True Blood (HBO Original Series Soundtrack, Vol. 2), with \"Bad Blood\".", "2), with \"Bad Blood\". 2), with \"Bad Blood\". He also contributed songs to the soundtrack of Edgar Wright's film Scott Pilgrim vs. the World, which was released in August 2010. In 2011, he collaborated with Seu Jorge on a track titled \"Tropicália (Mario C. 2011 Remix)\" for the Red Hot Organization's most recent charitable album Red Hot+Rio 2, a follow-up to the 1996 album Red Hot + Rio.", "In 2011, he collaborated with Seu Jorge on a track titled \"Tropicália (Mario C. 2011 Remix)\" for the Red Hot Organization's most recent charitable album Red Hot+Rio 2, a follow-up to the 1996 album Red Hot + Rio. Proceeds from the sales will be donated to raise awareness and money to fight AIDS/HIV and related health and social issues. He also contributed on the song \"Attracted to Us\" on Turtleneck & Chain, the second album from The Lonely Island.", "He also contributed on the song \"Attracted to Us\" on Turtleneck & Chain, the second album from The Lonely Island. Also in 2011, Beck produced a solo album by Thurston Moore of Sonic Youth called Demolished Thoughts. An album he produced for Stephen Malkmus and the Jicks, Mirror Traffic, was released in August 2011.", "An album he produced for Stephen Malkmus and the Jicks, Mirror Traffic, was released in August 2011. In October 2011, it was widely reported that Beck and producer Hector Castillo were collaborating with American composer Philip Glass to produce a remix album of the composer's works in honor of his 75th birthday. The album, Rework Philip Glass Remixed, was released on October 23, 2012, to critical acclaim, and featured Beck as both a curator and a performer.", "The album, Rework Philip Glass Remixed, was released on October 23, 2012, to critical acclaim, and featured Beck as both a curator and a performer. In particular, Pitchfork described Beck's 22-minute contribution to the album, \"NYC: 73–78\", as \"a fantasia ... the most startling and original piece of music with Beck's name on it in a while, and the first new work to bear his own spirit in even longer.\"", "In particular, Pitchfork described Beck's 22-minute contribution to the album, \"NYC: 73–78\", as \"a fantasia ... the most startling and original piece of music with Beck's name on it in a while, and the first new work to bear his own spirit in even longer.\" Reflecting on Beck's contribution to the album, Glass remarked that he was \"impressed by the novelty and freshness of a lot of the ideas\".", "Reflecting on Beck's contribution to the album, Glass remarked that he was \"impressed by the novelty and freshness of a lot of the ideas\". Beyond his work as a performer, Beck acted as the album's curator, bringing together a diverse collection of artists—including Amon Tobin, Tyondai Braxton, Nosaj Thing, and Memory Tapes—whose work had also been influenced by Glass. In December 2012, an interactive iPhone app titled \"Rework_\" was released to complement the album.", "In December 2012, an interactive iPhone app titled \"Rework_\" was released to complement the album. Beck has contributed three new songs—\"Cities\", \"Touch the People\" and \"Spiral Staircase\"—to the video game Sound Shapes for PlayStation 3, PlayStation 4, and PlayStation Vita. Beck collaborated on two songs for Childish Gambino's \"Royalty\" mixtape in 2012. In 2014, Beck collaborated with Sia for the song \"Moonquake Lake\", which is featured in the soundtrack for the 2014 Annie film.", "In 2014, Beck collaborated with Sia for the song \"Moonquake Lake\", which is featured in the soundtrack for the 2014 Annie film. In 2015, Beck collaborated with former Fun. frontman Nate Ruess on the single \"What This World Is Coming To\", which was one of the Grammy-winning artist's many works featured on his debut solo album Grand Romantic released in June 2015.", "frontman Nate Ruess on the single \"What This World Is Coming To\", which was one of the Grammy-winning artist's many works featured on his debut solo album Grand Romantic released in June 2015. He also collaborated with electronic dance music duo The Chemical Brothers on their most recent album Born in the Echoes, providing lead vocals and also credited in writing for the track \"Wide Open\", released in July.", "He also collaborated with electronic dance music duo The Chemical Brothers on their most recent album Born in the Echoes, providing lead vocals and also credited in writing for the track \"Wide Open\", released in July. In 2016, Beck collaborated with French electronic music band M83, providing vocals for the song \"Time Wind\" from their album Junk. He was also featured on \"Tiny Cities\" by Flume.", "He was also featured on \"Tiny Cities\" by Flume. He also collaborated with Lady Gaga on the song \"Dancin' in Circles\", from her 2016 album Joanne. In 2017, Beck appeared in the multiple award-winning film The American Epic Sessions, directed by Bernard MacMahon. He recorded \"14 Rivers, 14 Floods\" backed by a full gospel choir, live onto the first electrical sound recording system from the 1920s.", "He recorded \"14 Rivers, 14 Floods\" backed by a full gospel choir, live onto the first electrical sound recording system from the 1920s. In 2019, Beck worked with Jenny Lewis on the song \"Do Si Do\" from her album On the Line. He also collaborated with Cage the Elephant on the song \"Night Running\" from their album Social Cues.", "He also collaborated with Cage the Elephant on the song \"Night Running\" from their album Social Cues. In 2020, Beck collaborated with virtual band Gorillaz to create the song \"The Valley of the Pagans\" which appears on Song Machine, Season One: Strange Timez. In 2021, Beck collaborated with Paul McCartney to make his hit single \"Find My Way\" on the album McCartney III Imagined. As for festival stages the artist was inter alia part of the Newport Folk Festival in July.", "As for festival stages the artist was inter alia part of the Newport Folk Festival in July. Musical style Beck's musical style has been considered alternative and indie. He has played many of the instruments in his music himself. Beck has also done some remixes for fellow artists, notably David Bowie and Björk.", "Beck has also done some remixes for fellow artists, notably David Bowie and Björk. He has been known to synthesize several musical elements together in his music, including folk, psychedelia, electronic, country, Latin music, hip hop, funk, soul, blues, noise music, jazz, and many types of rock. He has also taken music from Los Angeles as a reference point in his songs.", "He has also taken music from Los Angeles as a reference point in his songs. Pitchfork Media applauded Midnite Vultures, saying, \"Beck wonderfully blends Prince, Talking Heads, Paul's Boutique, 'Shake Your Bon-Bon', and Mathlete on Midnite Vultures, his most consistent and playful album yet.\" The review commented that his mix of \"goofy piety and ambiguous intent\" helped the album.", "The review commented that his mix of \"goofy piety and ambiguous intent\" helped the album. A Beck song called \"Harry Partch\", a tribute to the composer of the same name and his \"corporeal\" music, employs Partch's 43-tone scale. Art career During 1998, Beck's art collaborations with his grandfather Al Hansen were featured in an exhibition titled \"Beck & Al Hansen: Playing With Matches\", which showcased solo and collaborative collage, assemblage, drawing and poetry works.", "Art career During 1998, Beck's art collaborations with his grandfather Al Hansen were featured in an exhibition titled \"Beck & Al Hansen: Playing With Matches\", which showcased solo and collaborative collage, assemblage, drawing and poetry works. The show toured from the Santa Monica Museum of Art to galleries in New York City and Winnipeg, Manitoba, in Canada. A catalog of the show was published by Plug in Editions/Smart Art Press.", "A catalog of the show was published by Plug in Editions/Smart Art Press. Personal life Beck's nine-year relationship with designer Leigh Limon and their subsequent breakup is said to have inspired his 2002 album, Sea Change. He wrote most of the songs for the album in one week after the breakup. In April 2004, shortly before the birth of their son Cosimo Henri, Beck married actress Marissa Ribisi, the twin sister of actor Giovanni Ribisi. Their daughter, Tuesday, was born in 2007.", "Their daughter, Tuesday, was born in 2007. Their daughter, Tuesday, was born in 2007. Beck filed for divorce from Ribisi on February 15, 2019. Their divorce was finalized on September 3, 2021. Beck has described himself as both Jewish and a Scientologist. Through his parents, he has been involved in Scientology for most of his life; his ex-wife, Marissa, is also a second-generation Scientologist.", "Through his parents, he has been involved in Scientology for most of his life; his ex-wife, Marissa, is also a second-generation Scientologist. He publicly acknowledged his affiliation for the first time in a New York Times Magazine interview on March 6, 2005. Further confirmation came in an interview with the Sunday Tribune in June 2005, where he stated, \"Yeah, I'm a Scientologist. My father has been a Scientologist for about 35 years, so I grew up in and around it.\"", "My father has been a Scientologist for about 35 years, so I grew up in and around it.\" Despite this, Beck disavowed previous reports of his being a Scientologist in a November 2019 interview with the Sydney Morning Herald and said, \"I think there's a misconception that I'm a Scientologist. I'm not a Scientologist. I don't have any connection or affiliation with it.\" He added that \"I was raised celebrating Jewish holidays, and I consider myself Jewish.\"", "He added that \"I was raised celebrating Jewish holidays, and I consider myself Jewish.\" As mentioned above, Beck's mother is former Andy Warhol The Factory collaborator, artist/writer/performer Bibbe Hansen. His siblings are fiber artist Channing Hansen (born in 1972 in Los Angeles, California) and poet Rain Whittaker. Beck suffered a spinal injury while filming the music video for 2005's \"E-Pro\". The incident was severe enough to curtail his touring schedule for a few years, but he has since recovered.", "The incident was severe enough to curtail his touring schedule for a few years, but he has since recovered. Appearances in media The 1986 punk rock musical film Population: 1, starring Tomata du Plenty of The Screamers, features a young Beck in a small nonspeaking role. Beck also appears in Southlander (2001), an American independent film by Steve Hanft and Ross Harris. Beck has performed on Saturday Night Live seven times.", "Beck has performed on Saturday Night Live seven times. Beck has performed on Saturday Night Live seven times. During his 2006 performance in the Hugh Laurie episode, Beck was accompanied by the puppets that had been used onstage during his world tour. He has made two cameo appearances as himself on Saturday Night Live: one in a sketch about medicinal marijuana, and one in a VH1 Behind the Music parody that featured \"Fat Albert & the Junkyard Gang\".", "He has made two cameo appearances as himself on Saturday Night Live: one in a sketch about medicinal marijuana, and one in a VH1 Behind the Music parody that featured \"Fat Albert & the Junkyard Gang\". Beck performed a guest voice as himself on Matt Groening's animated show Futurama, in the episode \"Bendin' in the Wind\".", "Beck performed a guest voice as himself on Matt Groening's animated show Futurama, in the episode \"Bendin' in the Wind\". He performed in episode 10 of the fourth season of The Larry Sanders Show, in which the producer character Artie (Rip Torn) referred to him as a \"hillbilly from outer space\". He also made a very brief voice appearance in the 1998 cartoon feature film The Rugrats Movie, and guest-starred as himself in a 1997 episode of Space Ghost Coast to Coast titled \"Edelweiss\".", "He also made a very brief voice appearance in the 1998 cartoon feature film The Rugrats Movie, and guest-starred as himself in a 1997 episode of Space Ghost Coast to Coast titled \"Edelweiss\". On January 22, 2010, Beck appeared on the last episode of The Tonight Show with Conan O'Brien as a backup guitarist for a Will Ferrell-led rendition of Lynyrd Skynyrd's \"Free Bird\" alongside ZZ Top guitarist Billy Gibbons, Ben Harper, and O'Brien himself on guitar.", "On January 22, 2010, Beck appeared on the last episode of The Tonight Show with Conan O'Brien as a backup guitarist for a Will Ferrell-led rendition of Lynyrd Skynyrd's \"Free Bird\" alongside ZZ Top guitarist Billy Gibbons, Ben Harper, and O'Brien himself on guitar. On March 1, 2014, Beck was the musical guest on a Saturday Night Live episode hosted by Jim Parsons. Beck also appeared, as himself, in the 2017 film The Circle, giving a musical performance of the song \"Dreams\".", "Beck also appeared, as himself, in the 2017 film The Circle, giving a musical performance of the song \"Dreams\". Discography Studio albums Golden Feelings (1993) Stereopathetic Soulmanure (1994) Mellow Gold (1994) One Foot in the Grave (1994) Odelay (1996) Mutations (1998) Midnite Vultures (1999) Sea Change (2002) Guero (2005) The Information (2006) Modern Guilt (2008) Morning Phase (2014) Colors (2017) Hyperspace (2019) Awards and nominations See also List of awards and nominations received by Beck List of people from Los Angeles List of singer-songwriters References External links Diskobox, comprehensive discography Whiskeyclone.net, large, informative Beck site Stewoo.net, the largest Beck fan forum Beck at Rolling Stone 1970 births Living people 20th-century American singers 21st-century American singers Alternative rock guitarists American alternative country singers American alternative rock musicians American country rock singers American country singer-songwriters American folk guitarists American folk singers American former Scientologists American indie rock musicians American male guitarists American male singer-songwriters American multi-instrumentalists American music video directors American people of Canadian descent American people of Jewish descent American people of Norwegian descent American people of Swedish descent American rock guitarists American rock singers American street performers Art pop musicians Brit Award winners Capitol Records artists DGC Records artists Grammy Award winners Guitarists from Los Angeles Jewish American musicians Jewish American songwriters Jewish anti-folk musicians Jewish singers K Records artists Mission District, San Francisco Singers from Los Angeles Sony Music Publishing artists XL Recordings artists Singer-songwriters from California" ]

[ "Beck", "Guero and The Information (2004-07)", "Is Guero the name of an album?", "Guero, Beck's eighth studio album," ]

[ "Sixteen ships of the Royal Navy have been named HMS Success, whilst another was planned:\n\n was a 34-gun ship, previously the French ship Jules. She was captured in 1650, renamed HMS Old Success in 1660 and sold in 1662.\n HMS Success was a 24-gun ship launched in 1655 as . She was renamed HMS Success in 1660 and was wrecked in 1680.\n was a 6-gun fireship purchased in 1672 that foundered in 1673.\n was a store hulk purchased in 1692 and sunk as a breakwater in 1707.\n was a 10-gun sloop purchased in 1709 that the French captured in 1710 off Lisbon.\n was a 24-gun storeship launched in 1709, hulked in 1730, and sold in 1748. \n was a 20-gun sixth rate launched in 1712, converted to a fireship in 1739, and sold in 1743.\n was a 14-gun sloop launched in 1736; her fate is unknown.\n was a 24-gun sixth rate launched in 1740 and broken up in 1779.\n was a 14-gun ketch launched in 1754. Her fate is unknown.\n was a 32-gun fifth rate launched in 1781 that the French captured in 1801 but that the British recaptured the same year. She became a convict ship in 1814 and was broken up in 1820.\n was a 3-gun gunvessel, previously in use as a barge. She was purchased in 1797 and sold in 1802.\n was a 28 gun sixth rate launched in 1825, and captained by James Stirling in his journey to Western Australia. She was used for harbour service from 1832 and was broken up 1849.\n HMS Success was to have been a wood screw sloop. She was ordered but not laid down and was cancelled in 1863.\n was a launched in 1901 and wrecked in 1914.\n HMS Success was an launched in 1918. She was transferred to the Royal Australian Navy in 1919 and was sold in 1937.\n was an S-class destroyer launched in 1943. She was transferred to the Royal Norwegian Navy later that year and renamed . She was broken up in 1959.\n\nSee also\n , two ships of the Royal Australian Navy.\n\nCitations and references\nCitations\n\nReferences\n \n\nRoyal Navy ship names", "HMAS Success was an Admiralty destroyer of the Royal Australian Navy (RAN). Built for the Royal Navy during World War I, the ship was not completed until 1919, and spent less than eight months in British service before being transferred to the RAN at the start of 1920. The destroyer's career was uneventful, with almost all of it spent in Australian waters. Success was decommissioned in 1930, and was sold for ship breaking in 1937.\n\nDesign and construction\n\nSuccess was built to the Admiralty design of the S-class destroyer, which was designed and built as part of the British emergency war programme. The destroyer had a displacement of 1,075 tons, a length of overall and between perpendiculars, and a beam of . The propulsion machinery consisted of three Yarrow boilers feeding Brown-Curtis turbines, which supplied to the ship's two propeller shafts. Success had a maximum speed of , and a range of at . The ship's company was made up of 6 officers and 93 sailors.\n\nThe destroyer's primary armament consisted of three QF 4-inch Mark IV guns. These were supplemented by a 2-pounder pom-pom, two 9.5-inch howitzer bomb throwers, five .303 inch machine guns (a mix of Lewis and Maxim guns), two twin 21-inch torpedo tube sets, two depth charge throwers, and two depth charge chutes.\n\nSuccess was laid down by William Doxford and Sons Limited at their Sunderland shipyard in 1917. The destroyer was launched on 29 June 1918, and completed on 15 April 1919. The ship was briefly commissioned into the Royal Navy in April 1919, but was quickly marked for transfer to the RAN, along with four sister ships. Success was commissioned into the RAN on 27 January 1920.\n\nOperational history\n\nSuccess and three of her sister ships sailed for Australia on 20 February, visiting ports in the Mediterranean, India, Singapore, and the Netherlands East Indies before reaching Sydney on 29 April. Success operated in Australian waters until 6 October 1921, when she was placed in reserve. The destroyer was reactivated on 1 December 1925. In late May 1926, Success visited Port Moresby.\n\nDecommissioning and fate\nSuccess paid off on 21 May 1930. She was sold to Penguins Limited for ship breaking in 1937.\n\nCitations\n\nReferences\n\nS-class destroyers (1917) of the Royal Australian Navy\nShips built on the River Wear\n1918 ships" ]

[ "Beck David Hansen (born Bek David Campbell; July 8, 1970) is an American musician, singer, songwriter, and record producer. He rose to fame in the early 1990s with his experimental and lo-fi style, and became known for creating musical collages of wide-ranging genres. He has musically encompassed folk, funk, soul, hip hop, electronic, alternative rock, country, and psychedelia.", "He has musically encompassed folk, funk, soul, hip hop, electronic, alternative rock, country, and psychedelia. He has released 14 studio albums (three of which were released on indie labels), as well as several non-album singles and a book of sheet music. Born and raised in Los Angeles, Beck grew towards hip-hop and folk in his teens and began to perform locally at coffeehouses and clubs. He moved to New York City in 1989 and became involved in the city's anti-folk movement.", "He moved to New York City in 1989 and became involved in the city's anti-folk movement. Returning to Los Angeles in the early 1990s, he cut his breakthrough single \"Loser\", which became a worldwide hit in 1994, and released his first major album, Mellow Gold, the same year. Odelay, released in 1996, topped critic polls and won several awards. He released the country-influenced, twangy Mutations in 1998, and the funk-infused Midnite Vultures in 1999.", "He released the country-influenced, twangy Mutations in 1998, and the funk-infused Midnite Vultures in 1999. The soft-acoustic Sea Change in 2002 showcased a more serious Beck, and 2005's Guero returned to Odelays sample-based production. The Information in 2006 was inspired by electro-funk, hip hop, and psychedelia; 2008's Modern Guilt was inspired by '60s pop music; and 2014's folk-infused Morning Phase won Album of the Year at the 57th Grammy Awards.", "The Information in 2006 was inspired by electro-funk, hip hop, and psychedelia; 2008's Modern Guilt was inspired by '60s pop music; and 2014's folk-infused Morning Phase won Album of the Year at the 57th Grammy Awards. His 2017 album, Colors, won awards for Best Alternative Album and Best Engineered Album at the 61st Annual Grammy Awards. His fourteenth studio album, Hyperspace, was released on November 22, 2019.", "His fourteenth studio album, Hyperspace, was released on November 22, 2019. With a pop art collage of musical styles, oblique and ironic lyrics, and postmodern arrangements incorporating samples, drum machines, live instrumentation and sound effects, Beck has been hailed by critics and the public throughout his musical career as being among the most idiosyncratically creative musicians of 1990s and 2000s alternative rock.", "With a pop art collage of musical styles, oblique and ironic lyrics, and postmodern arrangements incorporating samples, drum machines, live instrumentation and sound effects, Beck has been hailed by critics and the public throughout his musical career as being among the most idiosyncratically creative musicians of 1990s and 2000s alternative rock. Two of Beck's most popular and acclaimed recordings are Odelay and Sea Change, both of which were ranked on Rolling Stone list of the 500 greatest albums of all time.", "Two of Beck's most popular and acclaimed recordings are Odelay and Sea Change, both of which were ranked on Rolling Stone list of the 500 greatest albums of all time. The four-time platinum artist has collaborated with several artists and has made several contributions to soundtracks. Early life Beck was born Bek David Campbell in Los Angeles, California, on July 8, 1970, the son of American visual artist Bibbe Hansen and Canadian arranger, composer, and conductor David Campbell.", "Early life Beck was born Bek David Campbell in Los Angeles, California, on July 8, 1970, the son of American visual artist Bibbe Hansen and Canadian arranger, composer, and conductor David Campbell. Hansen grew up amid Andy Warhol's The Factory art scene of the 1960s in New York City and was a Warhol superstar. She moved to California at age 17 and met Campbell there.", "She moved to California at age 17 and met Campbell there. Beck's maternal grandmother was Jewish, while his maternal grandfather, artist Al Hansen, was of Norwegian descent and was a pioneer in the avant-garde Fluxus movement. Beck has said that he was \"raised celebrating Jewish holidays\" and that he considers himself Jewish. Beck was born in a rooming house near downtown Los Angeles. As a child, he lived in a declining neighborhood near Hollywood Boulevard.", "As a child, he lived in a declining neighborhood near Hollywood Boulevard. He later recalled, \"By the time we left there, they were ripping out miles of houses en masse and building low-rent, giant apartment blocks.\" The lower-class family struggled financially, moving to Hoover and Ninth Street, a neighborhood populated primarily by Koreans and Salvadorian refugees.", "The lower-class family struggled financially, moving to Hoover and Ninth Street, a neighborhood populated primarily by Koreans and Salvadorian refugees. He was sent for a time to live with his paternal grandparents in Kansas, later remarking that he thought \"they were kind of concerned\" about his \"weird\" home life. Since his paternal grandfather was a Presbyterian minister, Beck grew up influenced by church music and hymns. He also spent time in Europe with his maternal grandfather.", "He also spent time in Europe with his maternal grandfather. After his parents separated when he was 10, Beck stayed with his mother and brother Channing in Los Angeles, where he was influenced by the city's diverse musical offerings—everything from hip hop to Latin music and his mother's art scene—all of which would later reappear in his work. Beck obtained his first guitar at 16 and became a street musician, often playing Lead Belly covers at Lafayette Park.", "Beck obtained his first guitar at 16 and became a street musician, often playing Lead Belly covers at Lafayette Park. During his teens, Beck discovered the music of Sonic Youth, Pussy Galore, and X, but remained uninterested in most music outside the folk genre until many years into his career. The first contemporary music that made a direct connection with Beck was hip hop, which he first heard on Grandmaster Flash records in the early 1980s.", "The first contemporary music that made a direct connection with Beck was hip hop, which he first heard on Grandmaster Flash records in the early 1980s. Growing up in a predominantly Latin district, he found himself the only white child at his school, and quickly learned how to breakdance. When he was 17, Beck grew fascinated after hearing a Mississippi John Hurt record at a friend's house, and spent hours in his room trying to emulate Hurt's finger-picking techniques.", "When he was 17, Beck grew fascinated after hearing a Mississippi John Hurt record at a friend's house, and spent hours in his room trying to emulate Hurt's finger-picking techniques. Shortly thereafter, Beck explored blues and folk music further, discovering Woody Guthrie and Blind Willie Johnson. Feeling like \"a total outcast\", Beck dropped out of school after junior high. He later said that although he felt school was important, he felt unsafe there.", "He later said that although he felt school was important, he felt unsafe there. When he applied to the new performing arts high school downtown, he was rejected. His brother took him to post-Beat jazz places in Echo Park and Silver Lake. He hung out at the Los Angeles City College, perusing records, books and old sheet music in its library. He used a fake ID to sit in on classes there, and he also befriended a literature instructor and his poet wife.", "He used a fake ID to sit in on classes there, and he also befriended a literature instructor and his poet wife. He worked at a string of menial jobs, including loading trucks and operating a leaf blower. Career Early performances and first releases (1988–1993) Beck began as a folk musician, switching between country blues, Delta blues, and more traditional rural folk music in his teenage years. He began performing on city buses, often covering Mississippi John Hurt alongside original, sometimes improvisational compositions.", "He began performing on city buses, often covering Mississippi John Hurt alongside original, sometimes improvisational compositions. \"I'd get on the bus and start playing Mississippi John Hurt with totally improvised lyrics. Some drunk would start yelling at me, calling me Axl Rose. So I'd start singing about Axl Rose and the levee and bus passes and strychnine, mixing the whole thing up,\" he later recalled. He was also in a band called Youthless that hosted Dadaist-inspired freeform events at city coffee shops.", "He was also in a band called Youthless that hosted Dadaist-inspired freeform events at city coffee shops. \"We had Radio Shack mics and this homemade speaker and we'd draft people in the audience to recite comic books or do a beatbox thing, or we'd tie the whole audience up in masking tape,\" Beck recalled. In 1989, Beck caught a bus to New York City with little more than $8.00 and a guitar.", "In 1989, Beck caught a bus to New York City with little more than $8.00 and a guitar. He spent the summer attempting to find a job and a place to live with little success. Beck eventually began to frequent Manhattan's Lower East Side and stumbled upon the tail end of the East Village's anti-folk scene's first wave.", "Beck eventually began to frequent Manhattan's Lower East Side and stumbled upon the tail end of the East Village's anti-folk scene's first wave. Beck became involved in a loose posse of acoustic musicians—including Cindy Lee Berryhill, Kirk Kelly, Paleface, and Lach, headed by Roger Manning—whose raggedness and eccentricity placed them well outside the acoustic mainstream. \"The whole mission was to destroy all the clichés and make up some new ones,\" said Beck of his New York years. \"Everybody knew each other.", "\"Everybody knew each other. \"Everybody knew each other. You could go up onstage and say anything, and you wouldn't feel weird or feel any pressure.\" Inspired by that freedom and by the local spoken-word performers, Beck began to write free-associative, surrealistic songs about pizza, MTV, and working at McDonald's, turning mundane thoughts into songs. Beck was roommates with Paleface, sleeping on his couch and attending open mic nights together.", "Beck was roommates with Paleface, sleeping on his couch and attending open mic nights together. Daunted by the prospect of another homeless New York winter, Beck returned to his home of Los Angeles in early 1991. \"I was tired of being cold, tired of getting beat up,\" he later remarked. \"It was hard to be in New York with no money, no place [...] I kinda used up all the friends I had. Everyone on the scene got sick of me.\"", "Everyone on the scene got sick of me.\" Everyone on the scene got sick of me.\" Back in Los Angeles, Beck began to work at a video store in the Silver Lake neighborhood, \"doing things like alphabetizing the pornography section\". He began performing in arthouse clubs and coffeehouses such as Al's Bar and Raji's. In order to keep indifferent audiences engaged in his music, Beck would play in a spontaneous, joking manner.", "In order to keep indifferent audiences engaged in his music, Beck would play in a spontaneous, joking manner. \"I'd be banging away on a Son House tune and the whole audience would be talking. So maybe out of desperation or boredom, or the audience's boredom, I'd make up these ridiculous songs just to see if people were listening,\" he later remarked.", "So maybe out of desperation or boredom, or the audience's boredom, I'd make up these ridiculous songs just to see if people were listening,\" he later remarked. Virtually an unknown to the public and an enigma to those who met him, Beck would hop onstage between acts in local clubs and play \"strange folk songs\", accompanied by \"what could best be described as performance art\" while sometimes wearing a Star Wars stormtrooper mask.", "Virtually an unknown to the public and an enigma to those who met him, Beck would hop onstage between acts in local clubs and play \"strange folk songs\", accompanied by \"what could best be described as performance art\" while sometimes wearing a Star Wars stormtrooper mask. Beck met someone who offered to help record demos in his living room, and he began to pass cassette tapes around.", "Beck met someone who offered to help record demos in his living room, and he began to pass cassette tapes around. Eventually, Beck gained key boosters in Margaret Mittleman, the West Coast's director of talent acquisitions for BMG Music Publishing, and the partners behind independent record label Bong Load Custom Records: Tom Rothrock, Rob Schnapf and Brad Lambert. Schnapf saw Beck perform at Jabberjaw and felt he would suit their small venture.", "Schnapf saw Beck perform at Jabberjaw and felt he would suit their small venture. Beck expressed a loose interest in hip hop, and Rothrock introduced him to Carl Stephenson, a record producer for Rap-A-Lot Records. In 1992, Beck visited Stephenson's home to collaborate. The result—the slide-sampling hip hop track \"Loser\"—was a one-off experiment that Beck set aside, going back to his folk songs, making his home tapes such as Golden Feelings, and releasing several independent singles.", "The result—the slide-sampling hip hop track \"Loser\"—was a one-off experiment that Beck set aside, going back to his folk songs, making his home tapes such as Golden Feelings, and releasing several independent singles. Mellow Gold, and independent albums (1993–1994) By 1993, Beck was living in a rat-infested shed near a Los Angeles alleyway with little money. Bong Load issued \"Loser\" as a single in March 1993 on 12\" vinyl with only 500 copies pressed.", "Bong Load issued \"Loser\" as a single in March 1993 on 12\" vinyl with only 500 copies pressed. Beck felt that \"Loser\" was mediocre, and only agreed to its release at Rothrock's insistence. \"Loser\" unexpectedly received radio airplay, starting in Los Angeles, where college radio station KXLU was the first to play it, and later on Santa Monica College radio station KCRW, where radio host Chris Douridas played the song on Morning Becomes Eclectic, the station's flagship music program.", "\"Loser\" unexpectedly received radio airplay, starting in Los Angeles, where college radio station KXLU was the first to play it, and later on Santa Monica College radio station KCRW, where radio host Chris Douridas played the song on Morning Becomes Eclectic, the station's flagship music program. \"I called the record label that day and asked to have Beck play live on the air,\" Douridas said.", "\"I called the record label that day and asked to have Beck play live on the air,\" Douridas said. \"He came in that Friday, rapped to a tape of \"Loser\" and did his song 'MTV Makes Me Want to Smoke Crack.'\" That night, Beck performed at the Los Angeles club Cafe Troy to a packed audience and talent scouts from major labels. The song then spread to Seattle through KNDD The End, and KROQ-FM began playing the song on an almost hourly basis.", "The song then spread to Seattle through KNDD The End, and KROQ-FM began playing the song on an almost hourly basis. As Bong Load struggled to press more copies of \"Loser\", Beck was beset with offers to sign with major labels. During the bidding war in November, Beck spent several days in Olympia, Washington, recording material with Calvin Johnson of Beat Happening, which would later see release the following year on Johnson's K Records as One Foot in the Grave.", "During the bidding war in November, Beck spent several days in Olympia, Washington, recording material with Calvin Johnson of Beat Happening, which would later see release the following year on Johnson's K Records as One Foot in the Grave. A fierce bidding war ensued, with Geffen Records A&R director Mark Kates signing Beck in December 1993 amid intense competition from Warner Bros. and Capitol.", "A fierce bidding war ensued, with Geffen Records A&R director Mark Kates signing Beck in December 1993 amid intense competition from Warner Bros. and Capitol. Beck's non-exclusive contract with Geffen allowed him an unusual amount of creative freedom, with Beck remaining free to release material through such small, independent labels as Flipside, which issued the sprawling, 25-track collection of pre-\"Loser\" recordings titled Stereopathetic Soulmanure on February 22 the following year.", "Beck's non-exclusive contract with Geffen allowed him an unusual amount of creative freedom, with Beck remaining free to release material through such small, independent labels as Flipside, which issued the sprawling, 25-track collection of pre-\"Loser\" recordings titled Stereopathetic Soulmanure on February 22 the following year. By the time Beck released his first album for Geffen, the low-budget, genre-blending Mellow Gold on March 1, \"Loser\" was already in the top 40 and its video in MTV's Buzz Bin.", "By the time Beck released his first album for Geffen, the low-budget, genre-blending Mellow Gold on March 1, \"Loser\" was already in the top 40 and its video in MTV's Buzz Bin. \"Loser\" quickly ascended the charts in the U.S., reaching a peak of number ten on the Billboard Hot 100 singles chart and topping the Modern Rock Tracks chart. The song also charted in the UK, Australia, New Zealand, and throughout Europe.", "The song also charted in the UK, Australia, New Zealand, and throughout Europe. Beck's newfound position of attention led to his characterization as the \"King of Slackers\", as the media dubbed him the center of the new so-called \"slacker\" movement.", "Beck's newfound position of attention led to his characterization as the \"King of Slackers\", as the media dubbed him the center of the new so-called \"slacker\" movement. Critics, feeling it the essential follow-up to Radiohead's \"Creep\", found vacantness in the lyrics of \"Loser\" strongly associated with Generation X, although Beck himself strongly contested his position as the face of the \"slacker\" generation: \"Slacker my ass. I mean, I never had any slack.", "I mean, I never had any slack. I mean, I never had any slack. I was working a $4-an-hour job trying to stay alive. That slacker stuff is for people who have the time to be depressed about everything.\" Backlash and Odelay (1994–1997) Feeling as though he was \"constantly trying to prove myself\", Beck suffered a backlash, with skeptics denouncing him as a self-indulgent fake and the latest marketing opportunity.", "Backlash and Odelay (1994–1997) Feeling as though he was \"constantly trying to prove myself\", Beck suffered a backlash, with skeptics denouncing him as a self-indulgent fake and the latest marketing opportunity. In the summer of 1994, Beck was struggling and many of his fellow musicians thought he had lost his way. Combined with the song's wildly popular music video and the world tour, Beck reacted believing the attention could not last, resulting in a status as a \"one-hit wonder\".", "Combined with the song's wildly popular music video and the world tour, Beck reacted believing the attention could not last, resulting in a status as a \"one-hit wonder\". At other concerts, crowds were treated to twenty minutes of reggae or Miles Davis or jazz-punk iterations of \"Loser\". At one-day festivals in California, he surrounded himself with an artnoise combo.", "At one-day festivals in California, he surrounded himself with an artnoise combo. The drummer set fire to his cymbals; the lead guitarist \"played\" his guitar with the strings faced towards his body; and Beck changed the words to \"Loser\" so that nobody could sing along. \"I can't tell you how many times I was looking at faces that were looking back at me with complete bewilderment—or just pointing and shaking their heads and laughing—while performing during that period,\" he later recalled.", "\"I can't tell you how many times I was looking at faces that were looking back at me with complete bewilderment—or just pointing and shaking their heads and laughing—while performing during that period,\" he later recalled. Despite this, Beck gained the respect of his peers, such as Tom Petty and Johnny Cash, and created an entire wave of bands determined to recapture the Mellow Gold sound.", "Despite this, Beck gained the respect of his peers, such as Tom Petty and Johnny Cash, and created an entire wave of bands determined to recapture the Mellow Gold sound. Feeling his previous releases were just collections of demos recorded over the course of several years, Beck desired to enter the studio and record an album in a continuous linear fashion, which became Odelay.", "Feeling his previous releases were just collections of demos recorded over the course of several years, Beck desired to enter the studio and record an album in a continuous linear fashion, which became Odelay. Beck blends country, blues, rap, jazz and rock on Odelay, the result of a year and half of feverish \"cutting, pasting, layering, dubbing, and, of course, sampling\". Each day, the musicians started from scratch, often working on songs for 16 hours straight.", "Each day, the musicians started from scratch, often working on songs for 16 hours straight. Odelays conception lies in an unfinished studio album Beck first embarked on following the success of \"Loser\", chronicling the difficult time he experienced: \"There was a cycle of everyone dying around me,\" he recalled later.", "Odelays conception lies in an unfinished studio album Beck first embarked on following the success of \"Loser\", chronicling the difficult time he experienced: \"There was a cycle of everyone dying around me,\" he recalled later. He was constantly recording, and eventually put together an album of somber, orchestrated folk tunes; one that, perhaps, \"could have been a commercial blockbuster along with similarly themed work by Smashing Pumpkins, Nine Inch Nails and Nirvana\".", "He was constantly recording, and eventually put together an album of somber, orchestrated folk tunes; one that, perhaps, \"could have been a commercial blockbuster along with similarly themed work by Smashing Pumpkins, Nine Inch Nails and Nirvana\". Instead, Beck plucked one song from it—the Odelay album closer \"Ramshackle\"—and shelved the rest (\"Brother\" and \"Feather In Your Cap\" were, however, later released as B-sides).", "Instead, Beck plucked one song from it—the Odelay album closer \"Ramshackle\"—and shelved the rest (\"Brother\" and \"Feather In Your Cap\" were, however, later released as B-sides). Beck was introduced to the Dust Brothers, producers of the Beastie Boys' album Paul's Boutique, whose cut-and-paste, sample-heavy production suited Beck's vision of a more fun, accessible album.", "Beck was introduced to the Dust Brothers, producers of the Beastie Boys' album Paul's Boutique, whose cut-and-paste, sample-heavy production suited Beck's vision of a more fun, accessible album. After a record executive explained that Odelay would be a \"huge mistake\", he spent many months thinking \"that I'd blown it forever\". Odelay was released on June 18, 1996, to commercial success and critical acclaim.", "Odelay was released on June 18, 1996, to commercial success and critical acclaim. The record produced several hit singles, including \"Where It's At\", \"Devils Haircut\", and \"The New Pollution\", and was nominated for the Grammy Award for Album of the Year in 1997, winning a Grammy Award for Best Alternative Music Album as well as a Grammy Award for Best Male Rock Vocal Performance for \"Where It's At\".", "The record produced several hit singles, including \"Where It's At\", \"Devils Haircut\", and \"The New Pollution\", and was nominated for the Grammy Award for Album of the Year in 1997, winning a Grammy Award for Best Alternative Music Album as well as a Grammy Award for Best Male Rock Vocal Performance for \"Where It's At\". During one busy week in January 1997, he landed his Grammy nominations, appeared on Saturday Night Live and Howard Stern, and did a last-minute trot on The Rosie O'Donnell Show.", "During one busy week in January 1997, he landed his Grammy nominations, appeared on Saturday Night Live and Howard Stern, and did a last-minute trot on The Rosie O'Donnell Show. The combined buzz gave Odelay a second wind, leading to an expanded fan base and additional exposure Beck enjoyed but, like several executives at Geffen, was bewildered by the success of Odelay. He would often get recognized in public, which made him feel strange. \"It's just weird. It doesn't feel right.", "\"It's just weird. It doesn't feel right. It doesn't feel right. It doesn't feel natural to me. I don't think I was made for that. I was never good at that,\" he later told Pitchfork. Odelay sold two million copies and put \"one-hit wonder\" criticisms to rest. During this time, he contributed the song \"Deadweight\" to the soundtrack of the film A Life Less Ordinary (1997).", "During this time, he contributed the song \"Deadweight\" to the soundtrack of the film A Life Less Ordinary (1997). Mutations and Midnite Vultures (1998–2001) Having not been in a proper studio since \"Deadweight\", Beck felt anxious to \"go in and just do some stuff real quick\", and compiled several songs he had had for years. Beck and his bandmates hammered out fourteen songs in fourteen days, although just twelve made it onto the album, 1998's Mutations.", "Beck and his bandmates hammered out fourteen songs in fourteen days, although just twelve made it onto the album, 1998's Mutations. Beck decided on Nigel Godrich, producer for Radiohead's OK Computer the previous year, to be behind the boards for the project. Godrich was leaving the United States for England in a short time, which led to the album's quick production schedule—\"No looking back, no doctoring anything\".", "Godrich was leaving the United States for England in a short time, which led to the album's quick production schedule—\"No looking back, no doctoring anything\". The whole point of the record was to capture the performance of the musicians live, an uncharacteristic far-cry from the cut-and-paste aesthetic of Odelay. Though the album was originally slated for release by Bong Load Records, Geffen intervened and issued the record against Beck's wishes.", "Though the album was originally slated for release by Bong Load Records, Geffen intervened and issued the record against Beck's wishes. The artist then sought to void his contracts with both record labels, and in turn the labels sued him for breach of contract. The litigation went on for years and it remains unclear to this day if it has ever been completely resolved. Beck was later awarded Best Alternative Music Performance for Mutations at the 42nd Grammy Awards.", "Beck was later awarded Best Alternative Music Performance for Mutations at the 42nd Grammy Awards. Midnite Vultures, Beck's next studio effort, was originally recorded as a double album, and more than 25 nearly completed songs were left behind. In the studio, Beck and producers studied contemporary hip hop and R&B, specifically R. Kelly, in order to embrace and incorporate those influences in the way Al Green and Stax records had done in previous decades.", "In the studio, Beck and producers studied contemporary hip hop and R&B, specifically R. Kelly, in order to embrace and incorporate those influences in the way Al Green and Stax records had done in previous decades. In July 1998, a core group began to assemble at Beck's Pasadena home: bassist Justin Meldal-Johnsen, keyboardist Roger Joseph Manning Jr., and producer-engineers Mickey Petralia and Tony Hoffer.", "In July 1998, a core group began to assemble at Beck's Pasadena home: bassist Justin Meldal-Johnsen, keyboardist Roger Joseph Manning Jr., and producer-engineers Mickey Petralia and Tony Hoffer. Dozens of session players passed through, including Beck's father, David Campbell, who played viola and arranged some of the strings. The musicians held communal meals and mountain-bike rides on dusty trails nearby, but remained focused on Beck's instructions: to make an up-tempo album that would be fun to play on tour night after night.", "The musicians held communal meals and mountain-bike rides on dusty trails nearby, but remained focused on Beck's instructions: to make an up-tempo album that would be fun to play on tour night after night. \"I had so many things going on\", said Beck of the recording process. \"I had a couple of rooms of computers hooked up, I was doing B sides for Japan, I was programming beats in one room and someone would be cooking dinner in the other room.\"", "\"I had a couple of rooms of computers hooked up, I was doing B sides for Japan, I was programming beats in one room and someone would be cooking dinner in the other room.\" In November 1999, Geffen released the much-anticipated Midnite Vultures, which attracted confusion: \"fans and critics misguidedly worried whether it was serious or a goof,\" and as a result, The New York Times wrote that the album \"never won the audience it deserved\".", "In November 1999, Geffen released the much-anticipated Midnite Vultures, which attracted confusion: \"fans and critics misguidedly worried whether it was serious or a goof,\" and as a result, The New York Times wrote that the album \"never won the audience it deserved\". The record was supported by an extensive world tour. For Beck, it was a return to the high-energy performances that had been his trademark as far back as Lollapalooza.", "For Beck, it was a return to the high-energy performances that had been his trademark as far back as Lollapalooza. The live stage set included a red bed that descended from the ceiling for the song \"Debra\", and the touring band was complemented by a brass section. Midnite Vultures was nominated for Best Album at the 43rd Annual Grammy Awards. Sea Change (2002–2003) In 2000, Beck and his fiancée, stylist Leigh Limon, ended their nine-year relationship.", "Sea Change (2002–2003) In 2000, Beck and his fiancée, stylist Leigh Limon, ended their nine-year relationship. Beck lapsed into a period of melancholy and introspection, during which he wrote the bleak, acoustic-based tracks later found on Sea Change. Beck sat on the songs, not wanting to talk about his personal life; he later said that he wanted to focus on music and \"not really strew my baggage across the public lobby\".", "Beck sat on the songs, not wanting to talk about his personal life; he later said that he wanted to focus on music and \"not really strew my baggage across the public lobby\". Eventually, however, he decided the songs spoke to a common experience (a relationship breakup), and that it would not seem self-indulgent to record them. In 2001, Beck drifted back to the songs and called producer Nigel Godrich.", "In 2001, Beck drifted back to the songs and called producer Nigel Godrich. Retailers initially predicted that the album would not receive much radio support, but they also believed that Beck's maverick reputation and critical acclaim, in addition to the possibility of multiple Grammy nominations, might offset Sea Changes noncommercial sound.", "Retailers initially predicted that the album would not receive much radio support, but they also believed that Beck's maverick reputation and critical acclaim, in addition to the possibility of multiple Grammy nominations, might offset Sea Changes noncommercial sound. Sea Change, issued by Geffen in September 2002, was regardless a commercial hit and critical darling, with Rolling Stone revering it as \"the best album Beck has ever made, [...] an impeccable album of truth and light from the end of love.", "Sea Change, issued by Geffen in September 2002, was regardless a commercial hit and critical darling, with Rolling Stone revering it as \"the best album Beck has ever made, [...] an impeccable album of truth and light from the end of love. This is his Blood on the Tracks.\" The album was later listed by the magazine as one of the best records of the decade and of all-time, and it also placed second on the year's Pazz & Jop Critics Poll.", "The album was later listed by the magazine as one of the best records of the decade and of all-time, and it also placed second on the year's Pazz & Jop Critics Poll. Sea Change yielded a low-key, theater-based acoustic tour, as well as a larger tour with The Flaming Lips as Beck's opening and backing band. Beck was playful and energetic, sometimes throwing in covers of The Rolling Stones, Big Star, The Zombies and The Velvet Underground.", "Beck was playful and energetic, sometimes throwing in covers of The Rolling Stones, Big Star, The Zombies and The Velvet Underground. Following the release of Sea Change, Beck felt newer compositions were sketches for something more evolved in the same direction, and wrote nearly 35 more songs in the coming months, keeping demos of them on tapes in a suitcase. During his solo tour, the tapes were left backstage during a stop in Washington, D.C., and Beck was never able to recover them.", "During his solo tour, the tapes were left backstage during a stop in Washington, D.C., and Beck was never able to recover them. It was disheartening to the musician, who felt the two years of songwriting represented something more technically complex. As a result, Beck took a break and wrote no original compositions in 2003.", "As a result, Beck took a break and wrote no original compositions in 2003. Feeling as though it might take him a while to \"get back to that [songwriting] territory\", he entered the studio with Dust Brothers to complete a project that dated back to Odelay. Nearly half of the songs had existed since the 1990s.", "Nearly half of the songs had existed since the 1990s. Guero and The Information (2004–2007) Guero, Beck's eighth studio album, was recorded over the span of nine months during which several significant events occurred in his life: his girlfriend, Marissa Ribisi, became pregnant; they were married; their son, Cosimo, was born; and they moved out of Silver Lake. The collaboration with the Dust Brothers, his second, was notable for their use of high-tech measures to achieve a lo-fi sound.", "The collaboration with the Dust Brothers, his second, was notable for their use of high-tech measures to achieve a lo-fi sound. For example, after recording a \"sonically perfect\" version of a song at one of the nicest recording studios in Hollywood, the Dust Brothers processed it in an Echoplex to create a gritty, reverb-heavy sound: \"We did this high-tech recording and ran it through a transistor radio. It sounded too good, that was the problem.\"", "It sounded too good, that was the problem.\" Initially due to be released in October 2004, Guero faced delays and did not come out till March 2005, though unmastered copies of the tracks surfaced online in January. Guero debuted at number two on the Billboard 200, selling 162,000 copies, an all-time sales high. Lead single \"E-Pro\" peaked at number one at Modern Rock radio, making it his first chart-topper since \"Loser\".", "Lead single \"E-Pro\" peaked at number one at Modern Rock radio, making it his first chart-topper since \"Loser\". Beck, inspired by the Nintendocore remix scene and feeling a connection with its lo-fi, home-recording method, collaborated with artists 8-Bit and Paza on Hell Yes, an EP issued in February 2005. In December 2005, Geffen also issued Guerolito, a fully reworked version of Guero featuring remixes by the Beastie Boys' Ad-Rock, the Dust Brothers' John King and Scottish electronic duo Boards of Canada.", "In December 2005, Geffen also issued Guerolito, a fully reworked version of Guero featuring remixes by the Beastie Boys' Ad-Rock, the Dust Brothers' John King and Scottish electronic duo Boards of Canada. Guerolito combines remixes previously heard as B-sides and new versions of album tracks to make a track-by-track reconfiguration of the album. Also released in 2005 was A Brief Overview, a 12-track promotional-only \"History of Beck\" compilation CD sampler that featured a combination of older and newer Beck tracks.", "Also released in 2005 was A Brief Overview, a 12-track promotional-only \"History of Beck\" compilation CD sampler that featured a combination of older and newer Beck tracks. The Information, Beck's ninth studio album, began production around the same time as Guero, in 2003. Working with producer Nigel Godrich, Beck built a studio in his garden, where they wrote many of the tracks.", "Working with producer Nigel Godrich, Beck built a studio in his garden, where they wrote many of the tracks. \"The idea was to get people in a room together recording live, hitting bad notes and screaming,\" said Beck, adding that the album is best described as \"introspective hip hop\". Beck described the recording process as \"painful\", noting that he edited down songs constantly and he perhaps recorded the album three times.", "Beck described the recording process as \"painful\", noting that he edited down songs constantly and he perhaps recorded the album three times. For the release, Beck was allowed for the first time to fulfill a long-running wish for an unconventional rollout: he made low-budget videos to accompany each song, packaged the CD with sheets of stickers so buyers could customize the cover, and leaked tracks and videos on his website months ahead of the album's release.", "For the release, Beck was allowed for the first time to fulfill a long-running wish for an unconventional rollout: he made low-budget videos to accompany each song, packaged the CD with sheets of stickers so buyers could customize the cover, and leaked tracks and videos on his website months ahead of the album's release. Digital download releases automatically downloaded the song's additional video for each single sale, and physical copies came bundled with an additional DVD featuring fifteen videos.", "Digital download releases automatically downloaded the song's additional video for each single sale, and physical copies came bundled with an additional DVD featuring fifteen videos. Modern Guilt (2008) In 2007, Beck released the single \"Timebomb\", which was nominated for a Grammy Award for Best Solo Rock Vocal Performance. For his next studio effort, his tenth, Beck tapped Danger Mouse to produce, and the two first met in December 2007 to record.", "For his next studio effort, his tenth, Beck tapped Danger Mouse to produce, and the two first met in December 2007 to record. The duo knocked out two tracks in two days, but the notion that the album would be finished in a timely fashion soon evaporated. Beck had known Danger Mouse casually before, as many of his former musicians ended up working with Danger Mouse's side project, Gnarls Barkley. Still, the musicians were surprised at how well they got along.", "Still, the musicians were surprised at how well they got along. Following the grueling recording schedule, Beck was exhausted, calling it \"the most intense work I've ever done on anything\", relating that he \"did at least 10 weeks with no days off, until four or five in the morning every night.\" Beck's original vision was a short 10-track burst with two-minute songs, but the songs gradually grew as he fit 'two years of songwriting into two and a half months.\"", "Beck's original vision was a short 10-track burst with two-minute songs, but the songs gradually grew as he fit 'two years of songwriting into two and a half months.\" Modern Guilt (2008) was \"full of off-kilter rhythms and left-field breakdowns, with an overall 1960s vibe.\" Record Club, Song Reader, production work and non-album singles (2009–2013) Modern Guilt was the final release in Beck's contract with Geffen Records. Beck, then 38, had held the contract since his early 20s.", "Beck, then 38, had held the contract since his early 20s. Released from his label contract and going independent, Beck began working more heavily on his own seven-year-old label, which went through a variety of names. His focus on smaller, more quixotic projects, Beck moonlighted as a producer, working with artists such as Charlotte Gainsbourg, Thurston Moore and Stephen Malkmus.", "His focus on smaller, more quixotic projects, Beck moonlighted as a producer, working with artists such as Charlotte Gainsbourg, Thurston Moore and Stephen Malkmus. Beck worked for five or six days a week at the small studio on his property in Malibu, and founded Record Club, a project whereby an entire classic album—by The Velvet Underground, Leonard Cohen, INXS, Yanni—would be covered by another singer in the span of a single day.", "Beck worked for five or six days a week at the small studio on his property in Malibu, and founded Record Club, a project whereby an entire classic album—by The Velvet Underground, Leonard Cohen, INXS, Yanni—would be covered by another singer in the span of a single day. Beck provided four songs for the film Scott Pilgrim vs. the World (2010), each attributed to the title character's fictional band, Sex Bob-Omb.", "Beck provided four songs for the film Scott Pilgrim vs. the World (2010), each attributed to the title character's fictional band, Sex Bob-Omb. Beck also collaborated with Philip Glass, Jack White, Tobacco of Black Moth Super Rainbow, Jamie Lidell, Seu Jorge, Childish Gambino, and The Lonely Island. Song Reader, a project Beck released in December 2012, is 20 songs presented only as sheet music, in the hopes that enterprising musicians will record their own versions.", "Song Reader, a project Beck released in December 2012, is 20 songs presented only as sheet music, in the hopes that enterprising musicians will record their own versions. The idea of Song Reader came about nearly fifteen years prior, shortly after the release of Odelay. When sent a book of transcribed sheet music for that album, Beck decided to play through it and grew interested in the world before recorded sound.", "When sent a book of transcribed sheet music for that album, Beck decided to play through it and grew interested in the world before recorded sound. He aimed to keep the arrangements as open as possible, to re-create the simplicity of the standards, and became preoccupied with creating only pieces that could fit within the Great American Songbook.", "He aimed to keep the arrangements as open as possible, to re-create the simplicity of the standards, and became preoccupied with creating only pieces that could fit within the Great American Songbook. In 2013 Beck began playing special Song Reader concerts with a variety of guests and announced he was working on a record of Song Reader material with other musicians as well as possibly a compilation of fan versions.", "In 2013 Beck began playing special Song Reader concerts with a variety of guests and announced he was working on a record of Song Reader material with other musicians as well as possibly a compilation of fan versions. In the summer of 2013, Beck was reported to be working on two new studio albums: one a more self-contained acoustic disc in the vein of One Foot in the Grave and another described as a \"proper follow-up\" to Modern Guilt.", "In the summer of 2013, Beck was reported to be working on two new studio albums: one a more self-contained acoustic disc in the vein of One Foot in the Grave and another described as a \"proper follow-up\" to Modern Guilt. Beck expected to release both albums independently, and released two standalone singles over the course of the summer: the electro ballad \"Defriended\" and the chorus-heavy \"I Won't Be Long\". A third single, \"Gimme\", appeared on September 17.", "A third single, \"Gimme\", appeared on September 17. Morning Phase, Colors, and Hyperspace (2014–present) In October 2013, Beck signed to Capitol Records. On January 20, 2014, Beck released the track \"Blue Moon\", which was to be the lead single for his twelfth studio album, Morning Phase. On February 4, second single \"Waking Light\" was released, just prior to the official release of Morning Phase on February 21, 2014.", "On February 4, second single \"Waking Light\" was released, just prior to the official release of Morning Phase on February 21, 2014. For the recording of the album, Beck reunited with many of the same musicians with whom he had worked on the critically acclaimed 2002 album Sea Change, and likely because of this, it has been noted that the two albums have a similar genre.", "For the recording of the album, Beck reunited with many of the same musicians with whom he had worked on the critically acclaimed 2002 album Sea Change, and likely because of this, it has been noted that the two albums have a similar genre. On February 8, 2015, at the 57th Annual Grammy Awards, Morning Phase won three Grammys: Best Engineered Album, Non-Classical; Best Rock Album; and Album of the Year.", "On February 8, 2015, at the 57th Annual Grammy Awards, Morning Phase won three Grammys: Best Engineered Album, Non-Classical; Best Rock Album; and Album of the Year. Upon receiving the Album of the Year award, the album beat out Pharrell Williams's G I R L, Beyoncé's self-titled album, Sam Smith's In the Lonely Hour, and Ed Sheeran's x.", "Upon receiving the Album of the Year award, the album beat out Pharrell Williams's G I R L, Beyoncé's self-titled album, Sam Smith's In the Lonely Hour, and Ed Sheeran's x. In the time after Morning Phases release and general critical success, Beck mentioned that he had been working on another album at around the same time, but that the new album would be more of a pop record.", "In the time after Morning Phases release and general critical success, Beck mentioned that he had been working on another album at around the same time, but that the new album would be more of a pop record. Shortly after Morning Phases Grammy wins, on June 15, 2015, Beck released the first single titled \"Dreams\" off this upcoming thirteenth studio album. \"I was really trying to make something that would be good to play live,\" he said shortly after its release.", "\"I was really trying to make something that would be good to play live,\" he said shortly after its release. However, no further word was heard from Beck pertaining to the release of the album. On June 2, 2016, almost a year after the initial release of \"Dreams\", Beck released a new single titled \"Wow\", along with a lyric video of the song and an announcement that his still untitled album would be released on October 21, 2016.", "On June 2, 2016, almost a year after the initial release of \"Dreams\", Beck released a new single titled \"Wow\", along with a lyric video of the song and an announcement that his still untitled album would be released on October 21, 2016. In September 2016, the album was delayed with no new release date announced and, on September 24, Beck said he did not know \"when it's coming out. It's probably in a few months.\"", "It's probably in a few months.\" It's probably in a few months.\" Once again, however, no further singles were released and no new release date was scheduled for the album. On September 8, 2017, Beck released the single \"Dear Life\", which was quickly followed up with the official release of \"Up All Night\" on September 18. Colors was released on October 13, 2017.", "Colors was released on October 13, 2017. Colors was released on October 13, 2017. It was recorded at co-executive producer Greg Kurstin's Los Angeles studio, with Beck and Kurstin playing nearly every instrument themselves. The experimental pop-fused record received generally positive reviews from critics. On July 18, 2018, Beck performed the title track Colors, and the first single \"Wow\" on The Late Show with Stephen Colbert.", "On July 18, 2018, Beck performed the title track Colors, and the first single \"Wow\" on The Late Show with Stephen Colbert. On April 15, 2019, Beck released a single co-produced with Pharrell Williams titled \"Saw Lightning\" from his fourteenth studio album, titled Hyperspace. The song \"Dark Places\" was released on November 6, with the album being released on November 22.", "The song \"Dark Places\" was released on November 6, with the album being released on November 22. Collaborations and contributions In 1999, Beck contributed to a tribute album for Bruce Haack and Esther Nelson and their label Dimension 5 Records. The album, Dimension Mix, released in 2005, was a benefit for Cure Autism Now that was produced by Ross Harris, an early collaborator who designed the artwork for Mellow Gold.", "The album, Dimension Mix, released in 2005, was a benefit for Cure Autism Now that was produced by Ross Harris, an early collaborator who designed the artwork for Mellow Gold. On June 20, 2009, Beck announced that he was starting an experiment called Record Club, in which he and other musicians would record cover versions of entire albums in one day. The first album covered by Beck's Record Club was The Velvet Underground & Nico.", "The first album covered by Beck's Record Club was The Velvet Underground & Nico. Starting on June 18, the club began posting covers of songs from the album on Thursday evenings, each with its own video. On September 4, 2009, Beck announced the second Record Club album, Songs of Leonard Cohen. Contributors included MGMT, Devendra Banhart, Andrew Stockdale of Wolfmother and Binki Shapiro of Little Joy.", "Contributors included MGMT, Devendra Banhart, Andrew Stockdale of Wolfmother and Binki Shapiro of Little Joy. In the third Record Club venture, Wilco, Feist, Jamie Lidell and James Gadson joined Beck to cover Skip Spence's Oar. The first song, \"Little Hands\", was posted on Beck's website on November 12, 2009. The Record Club has since covered albums by INXS and Yanni. On June 19, 2009, Beck announced Planned Obsolescence, a weekly DJ set put together by Beck or guest DJs.", "On June 19, 2009, Beck announced Planned Obsolescence, a weekly DJ set put together by Beck or guest DJs. Soon after, on July 7, Beck announced that his website would be featuring \"extended informal conversations with musicians, artists, filmmakers, and other various persons\" in a section called Irrelevant Topics. Then, on July 12, he added a section called Videotheque, which he said would contain \"promotional videos from each album, as well as live clips, TV show appearances and other rarities\".", "Then, on July 12, he added a section called Videotheque, which he said would contain \"promotional videos from each album, as well as live clips, TV show appearances and other rarities\". Also in 2009, Beck collaborated with Charlotte Gainsbourg on her album IRM, which was released in January 2010. Beck wrote the music, co-wrote the lyrics, and produced and mixed the album. The lead single, \"Heaven Can Wait\", is a duet by Beck and Gainsbourg.", "The lead single, \"Heaven Can Wait\", is a duet by Beck and Gainsbourg. In late February 2010, it was announced that electronic artist Tobacco of Black Moth Super Rainbow had collaborated with Beck on two songs, \"Fresh Hex\" and \"Grape Aerosmith\", on his upcoming album Maniac Meat. Tobacco revealed that in making the album, Beck sent the vocal parts to him, and that they had never actually met.", "Tobacco revealed that in making the album, Beck sent the vocal parts to him, and that they had never actually met. In March 2010, Beck revealed that he had produced songs for the new Jamie Lidell album, Compass. In the summer of 2010, Beck contributed songs to both The Twilight Saga: Eclipse soundtrack, with \"Let's Get Lost\" (a duet with Bat for Lashes), and True Blood (HBO Original Series Soundtrack, Vol. 2), with \"Bad Blood\".", "2), with \"Bad Blood\". 2), with \"Bad Blood\". He also contributed songs to the soundtrack of Edgar Wright's film Scott Pilgrim vs. the World, which was released in August 2010. In 2011, he collaborated with Seu Jorge on a track titled \"Tropicália (Mario C. 2011 Remix)\" for the Red Hot Organization's most recent charitable album Red Hot+Rio 2, a follow-up to the 1996 album Red Hot + Rio.", "In 2011, he collaborated with Seu Jorge on a track titled \"Tropicália (Mario C. 2011 Remix)\" for the Red Hot Organization's most recent charitable album Red Hot+Rio 2, a follow-up to the 1996 album Red Hot + Rio. Proceeds from the sales will be donated to raise awareness and money to fight AIDS/HIV and related health and social issues. He also contributed on the song \"Attracted to Us\" on Turtleneck & Chain, the second album from The Lonely Island.", "He also contributed on the song \"Attracted to Us\" on Turtleneck & Chain, the second album from The Lonely Island. Also in 2011, Beck produced a solo album by Thurston Moore of Sonic Youth called Demolished Thoughts. An album he produced for Stephen Malkmus and the Jicks, Mirror Traffic, was released in August 2011.", "An album he produced for Stephen Malkmus and the Jicks, Mirror Traffic, was released in August 2011. In October 2011, it was widely reported that Beck and producer Hector Castillo were collaborating with American composer Philip Glass to produce a remix album of the composer's works in honor of his 75th birthday. The album, Rework Philip Glass Remixed, was released on October 23, 2012, to critical acclaim, and featured Beck as both a curator and a performer.", "The album, Rework Philip Glass Remixed, was released on October 23, 2012, to critical acclaim, and featured Beck as both a curator and a performer. In particular, Pitchfork described Beck's 22-minute contribution to the album, \"NYC: 73–78\", as \"a fantasia ... the most startling and original piece of music with Beck's name on it in a while, and the first new work to bear his own spirit in even longer.\"", "In particular, Pitchfork described Beck's 22-minute contribution to the album, \"NYC: 73–78\", as \"a fantasia ... the most startling and original piece of music with Beck's name on it in a while, and the first new work to bear his own spirit in even longer.\" Reflecting on Beck's contribution to the album, Glass remarked that he was \"impressed by the novelty and freshness of a lot of the ideas\".", "Reflecting on Beck's contribution to the album, Glass remarked that he was \"impressed by the novelty and freshness of a lot of the ideas\". Beyond his work as a performer, Beck acted as the album's curator, bringing together a diverse collection of artists—including Amon Tobin, Tyondai Braxton, Nosaj Thing, and Memory Tapes—whose work had also been influenced by Glass. In December 2012, an interactive iPhone app titled \"Rework_\" was released to complement the album.", "In December 2012, an interactive iPhone app titled \"Rework_\" was released to complement the album. Beck has contributed three new songs—\"Cities\", \"Touch the People\" and \"Spiral Staircase\"—to the video game Sound Shapes for PlayStation 3, PlayStation 4, and PlayStation Vita. Beck collaborated on two songs for Childish Gambino's \"Royalty\" mixtape in 2012. In 2014, Beck collaborated with Sia for the song \"Moonquake Lake\", which is featured in the soundtrack for the 2014 Annie film.", "In 2014, Beck collaborated with Sia for the song \"Moonquake Lake\", which is featured in the soundtrack for the 2014 Annie film. In 2015, Beck collaborated with former Fun. frontman Nate Ruess on the single \"What This World Is Coming To\", which was one of the Grammy-winning artist's many works featured on his debut solo album Grand Romantic released in June 2015.", "frontman Nate Ruess on the single \"What This World Is Coming To\", which was one of the Grammy-winning artist's many works featured on his debut solo album Grand Romantic released in June 2015. He also collaborated with electronic dance music duo The Chemical Brothers on their most recent album Born in the Echoes, providing lead vocals and also credited in writing for the track \"Wide Open\", released in July.", "He also collaborated with electronic dance music duo The Chemical Brothers on their most recent album Born in the Echoes, providing lead vocals and also credited in writing for the track \"Wide Open\", released in July. In 2016, Beck collaborated with French electronic music band M83, providing vocals for the song \"Time Wind\" from their album Junk. He was also featured on \"Tiny Cities\" by Flume.", "He was also featured on \"Tiny Cities\" by Flume. He also collaborated with Lady Gaga on the song \"Dancin' in Circles\", from her 2016 album Joanne. In 2017, Beck appeared in the multiple award-winning film The American Epic Sessions, directed by Bernard MacMahon. He recorded \"14 Rivers, 14 Floods\" backed by a full gospel choir, live onto the first electrical sound recording system from the 1920s.", "He recorded \"14 Rivers, 14 Floods\" backed by a full gospel choir, live onto the first electrical sound recording system from the 1920s. In 2019, Beck worked with Jenny Lewis on the song \"Do Si Do\" from her album On the Line. He also collaborated with Cage the Elephant on the song \"Night Running\" from their album Social Cues.", "He also collaborated with Cage the Elephant on the song \"Night Running\" from their album Social Cues. In 2020, Beck collaborated with virtual band Gorillaz to create the song \"The Valley of the Pagans\" which appears on Song Machine, Season One: Strange Timez. In 2021, Beck collaborated with Paul McCartney to make his hit single \"Find My Way\" on the album McCartney III Imagined. As for festival stages the artist was inter alia part of the Newport Folk Festival in July.", "As for festival stages the artist was inter alia part of the Newport Folk Festival in July. Musical style Beck's musical style has been considered alternative and indie. He has played many of the instruments in his music himself. Beck has also done some remixes for fellow artists, notably David Bowie and Björk.", "Beck has also done some remixes for fellow artists, notably David Bowie and Björk. He has been known to synthesize several musical elements together in his music, including folk, psychedelia, electronic, country, Latin music, hip hop, funk, soul, blues, noise music, jazz, and many types of rock. He has also taken music from Los Angeles as a reference point in his songs.", "He has also taken music from Los Angeles as a reference point in his songs. Pitchfork Media applauded Midnite Vultures, saying, \"Beck wonderfully blends Prince, Talking Heads, Paul's Boutique, 'Shake Your Bon-Bon', and Mathlete on Midnite Vultures, his most consistent and playful album yet.\" The review commented that his mix of \"goofy piety and ambiguous intent\" helped the album.", "The review commented that his mix of \"goofy piety and ambiguous intent\" helped the album. A Beck song called \"Harry Partch\", a tribute to the composer of the same name and his \"corporeal\" music, employs Partch's 43-tone scale. Art career During 1998, Beck's art collaborations with his grandfather Al Hansen were featured in an exhibition titled \"Beck & Al Hansen: Playing With Matches\", which showcased solo and collaborative collage, assemblage, drawing and poetry works.", "Art career During 1998, Beck's art collaborations with his grandfather Al Hansen were featured in an exhibition titled \"Beck & Al Hansen: Playing With Matches\", which showcased solo and collaborative collage, assemblage, drawing and poetry works. The show toured from the Santa Monica Museum of Art to galleries in New York City and Winnipeg, Manitoba, in Canada. A catalog of the show was published by Plug in Editions/Smart Art Press.", "A catalog of the show was published by Plug in Editions/Smart Art Press. Personal life Beck's nine-year relationship with designer Leigh Limon and their subsequent breakup is said to have inspired his 2002 album, Sea Change. He wrote most of the songs for the album in one week after the breakup. In April 2004, shortly before the birth of their son Cosimo Henri, Beck married actress Marissa Ribisi, the twin sister of actor Giovanni Ribisi. Their daughter, Tuesday, was born in 2007.", "Their daughter, Tuesday, was born in 2007. Their daughter, Tuesday, was born in 2007. Beck filed for divorce from Ribisi on February 15, 2019. Their divorce was finalized on September 3, 2021. Beck has described himself as both Jewish and a Scientologist. Through his parents, he has been involved in Scientology for most of his life; his ex-wife, Marissa, is also a second-generation Scientologist.", "Through his parents, he has been involved in Scientology for most of his life; his ex-wife, Marissa, is also a second-generation Scientologist. He publicly acknowledged his affiliation for the first time in a New York Times Magazine interview on March 6, 2005. Further confirmation came in an interview with the Sunday Tribune in June 2005, where he stated, \"Yeah, I'm a Scientologist. My father has been a Scientologist for about 35 years, so I grew up in and around it.\"", "My father has been a Scientologist for about 35 years, so I grew up in and around it.\" Despite this, Beck disavowed previous reports of his being a Scientologist in a November 2019 interview with the Sydney Morning Herald and said, \"I think there's a misconception that I'm a Scientologist. I'm not a Scientologist. I don't have any connection or affiliation with it.\" He added that \"I was raised celebrating Jewish holidays, and I consider myself Jewish.\"", "He added that \"I was raised celebrating Jewish holidays, and I consider myself Jewish.\" As mentioned above, Beck's mother is former Andy Warhol The Factory collaborator, artist/writer/performer Bibbe Hansen. His siblings are fiber artist Channing Hansen (born in 1972 in Los Angeles, California) and poet Rain Whittaker. Beck suffered a spinal injury while filming the music video for 2005's \"E-Pro\". The incident was severe enough to curtail his touring schedule for a few years, but he has since recovered.", "The incident was severe enough to curtail his touring schedule for a few years, but he has since recovered. Appearances in media The 1986 punk rock musical film Population: 1, starring Tomata du Plenty of The Screamers, features a young Beck in a small nonspeaking role. Beck also appears in Southlander (2001), an American independent film by Steve Hanft and Ross Harris. Beck has performed on Saturday Night Live seven times.", "Beck has performed on Saturday Night Live seven times. Beck has performed on Saturday Night Live seven times. During his 2006 performance in the Hugh Laurie episode, Beck was accompanied by the puppets that had been used onstage during his world tour. He has made two cameo appearances as himself on Saturday Night Live: one in a sketch about medicinal marijuana, and one in a VH1 Behind the Music parody that featured \"Fat Albert & the Junkyard Gang\".", "He has made two cameo appearances as himself on Saturday Night Live: one in a sketch about medicinal marijuana, and one in a VH1 Behind the Music parody that featured \"Fat Albert & the Junkyard Gang\". Beck performed a guest voice as himself on Matt Groening's animated show Futurama, in the episode \"Bendin' in the Wind\".", "Beck performed a guest voice as himself on Matt Groening's animated show Futurama, in the episode \"Bendin' in the Wind\". He performed in episode 10 of the fourth season of The Larry Sanders Show, in which the producer character Artie (Rip Torn) referred to him as a \"hillbilly from outer space\". He also made a very brief voice appearance in the 1998 cartoon feature film The Rugrats Movie, and guest-starred as himself in a 1997 episode of Space Ghost Coast to Coast titled \"Edelweiss\".", "He also made a very brief voice appearance in the 1998 cartoon feature film The Rugrats Movie, and guest-starred as himself in a 1997 episode of Space Ghost Coast to Coast titled \"Edelweiss\". On January 22, 2010, Beck appeared on the last episode of The Tonight Show with Conan O'Brien as a backup guitarist for a Will Ferrell-led rendition of Lynyrd Skynyrd's \"Free Bird\" alongside ZZ Top guitarist Billy Gibbons, Ben Harper, and O'Brien himself on guitar.", "On January 22, 2010, Beck appeared on the last episode of The Tonight Show with Conan O'Brien as a backup guitarist for a Will Ferrell-led rendition of Lynyrd Skynyrd's \"Free Bird\" alongside ZZ Top guitarist Billy Gibbons, Ben Harper, and O'Brien himself on guitar. On March 1, 2014, Beck was the musical guest on a Saturday Night Live episode hosted by Jim Parsons. Beck also appeared, as himself, in the 2017 film The Circle, giving a musical performance of the song \"Dreams\".", "Beck also appeared, as himself, in the 2017 film The Circle, giving a musical performance of the song \"Dreams\". Discography Studio albums Golden Feelings (1993) Stereopathetic Soulmanure (1994) Mellow Gold (1994) One Foot in the Grave (1994) Odelay (1996) Mutations (1998) Midnite Vultures (1999) Sea Change (2002) Guero (2005) The Information (2006) Modern Guilt (2008) Morning Phase (2014) Colors (2017) Hyperspace (2019) Awards and nominations See also List of awards and nominations received by Beck List of people from Los Angeles List of singer-songwriters References External links Diskobox, comprehensive discography Whiskeyclone.net, large, informative Beck site Stewoo.net, the largest Beck fan forum Beck at Rolling Stone 1970 births Living people 20th-century American singers 21st-century American singers Alternative rock guitarists American alternative country singers American alternative rock musicians American country rock singers American country singer-songwriters American folk guitarists American folk singers American former Scientologists American indie rock musicians American male guitarists American male singer-songwriters American multi-instrumentalists American music video directors American people of Canadian descent American people of Jewish descent American people of Norwegian descent American people of Swedish descent American rock guitarists American rock singers American street performers Art pop musicians Brit Award winners Capitol Records artists DGC Records artists Grammy Award winners Guitarists from Los Angeles Jewish American musicians Jewish American songwriters Jewish anti-folk musicians Jewish singers K Records artists Mission District, San Francisco Singers from Los Angeles Sony Music Publishing artists XL Recordings artists Singer-songwriters from California" ]

[ "Beck", "Guero and The Information (2004-07)", "Is Guero the name of an album?", "Guero, Beck's eighth studio album,", "Was it a success?", "Guero debuted at number two on the Billboard 200, selling 162,000 copies, an all-time sales high.", "Did he tour during the time of this album?", "I don't know.", "When was The Information released?", "I don't know." ]

[ "Přírodní park Třebíčsko (before Oblast klidu Třebíčsko) is a natural park near Třebíč in the Czech Republic. There are many interesting plants. The park was founded in 1983.\n\nKobylinec and Ptáčovský kopeček\n\nKobylinec is a natural monument situated ca 0,5 km from the village of Trnava.\nThe area of this monument is 0,44 ha. Pulsatilla grandis can be found here and in the Ptáčovský kopeček park near Ptáčov near Třebíč. Both monuments are very popular for tourists.\n\nPonds\n\nIn the natural park there are some interesting ponds such as Velký Bor, Malý Bor, Buršík near Přeckov and a brook Březinka. Dams on the brook are examples of European beaver activity.\n\nSyenitové skály near Pocoucov\n\nSyenitové skály (rocks of syenit) near Pocoucov is one of famed locations. There are interesting granite boulders. The area of the reservation is 0,77 ha.\n\nExternal links\nParts of this article or all article was translated from Czech. The original article is :cs:Přírodní park Třebíčsko.\n\nReferences\n\nExternal links\nNature near the village Trnava which is there\n\nTřebíč\nParks in the Czech Republic\nTourist attractions in the Vysočina Region", "Damn Interesting is an independent website founded by Alan Bellows in 2005. The website presents true stories from science, history, and psychology, primarily as long-form articles, often illustrated with original artwork. Works are written by various authors, and published at irregular intervals. The website openly rejects advertising, relying on reader and listener donations to cover operating costs.\n\nAs of October 2012, each article is also published as a podcast under the same name. In November 2019, a second podcast was launched under the title Damn Interesting Week, featuring unscripted commentary on an assortment of news articles featured on the website's \"Curated Links\" section that week. In mid-2020, a third podcast called Damn Interesting Curio Cabinet began highlighting the website's periodic short-form articles in the same radioplay format as the original podcast.\n\nIn July 2009, Damn Interesting published the print book Alien Hand Syndrome through Workman Publishing. It contains some favorites from the site and some exclusive content.\n\nAwards and recognition \nIn August 2007, PC Magazine named Damn Interesting one of the \"Top 100 Undiscovered Web Sites\".\nThe article \"The Zero-Armed Bandit\" by Alan Bellows won a 2015 Sidney Award from David Brooks in The New York Times.\nThe article \"Ghoulish Acts and Dastardly Deeds\" by Alan Bellows was cited as \"nonfiction journalism from 2017 that will stand the test of time\" by Conor Friedersdorf in The Atlantic.\nThe article \"Dupes and Duplicity\" by Jennifer Lee Noonan won a 2020 Sidney Award from David Brooks in the New York Times.\n\nAccusing The Dollop of plagiarism \n\nOn July 9, 2015, Bellows posted an open letter accusing The Dollop, a comedy podcast about history, of plagiarism due to their repeated use of verbatim text from Damn Interesting articles without permission or attribution. Dave Anthony, the writer of The Dollop, responded on reddit, admitting to using Damn Interesting content, but claiming that the use was protected by fair use, and that \"historical facts are not copyrightable.\" In an article about the controversy on Plagiarism Today, Jonathan Bailey concluded, \"Any way one looks at it, The Dollop failed its ethical obligations to all of the people, not just those writing for Damn Interesting, who put in the time, energy and expertise into writing the original content upon which their show is based.\"\n\nReferences\n\nExternal links \n Official website\n\n2005 podcast debuts" ]

[ "Beck David Hansen (born Bek David Campbell; July 8, 1970) is an American musician, singer, songwriter, and record producer. He rose to fame in the early 1990s with his experimental and lo-fi style, and became known for creating musical collages of wide-ranging genres. He has musically encompassed folk, funk, soul, hip hop, electronic, alternative rock, country, and psychedelia.", "He has musically encompassed folk, funk, soul, hip hop, electronic, alternative rock, country, and psychedelia. He has released 14 studio albums (three of which were released on indie labels), as well as several non-album singles and a book of sheet music. Born and raised in Los Angeles, Beck grew towards hip-hop and folk in his teens and began to perform locally at coffeehouses and clubs. He moved to New York City in 1989 and became involved in the city's anti-folk movement.", "He moved to New York City in 1989 and became involved in the city's anti-folk movement. Returning to Los Angeles in the early 1990s, he cut his breakthrough single \"Loser\", which became a worldwide hit in 1994, and released his first major album, Mellow Gold, the same year. Odelay, released in 1996, topped critic polls and won several awards. He released the country-influenced, twangy Mutations in 1998, and the funk-infused Midnite Vultures in 1999.", "He released the country-influenced, twangy Mutations in 1998, and the funk-infused Midnite Vultures in 1999. The soft-acoustic Sea Change in 2002 showcased a more serious Beck, and 2005's Guero returned to Odelays sample-based production. The Information in 2006 was inspired by electro-funk, hip hop, and psychedelia; 2008's Modern Guilt was inspired by '60s pop music; and 2014's folk-infused Morning Phase won Album of the Year at the 57th Grammy Awards.", "The Information in 2006 was inspired by electro-funk, hip hop, and psychedelia; 2008's Modern Guilt was inspired by '60s pop music; and 2014's folk-infused Morning Phase won Album of the Year at the 57th Grammy Awards. His 2017 album, Colors, won awards for Best Alternative Album and Best Engineered Album at the 61st Annual Grammy Awards. His fourteenth studio album, Hyperspace, was released on November 22, 2019.", "His fourteenth studio album, Hyperspace, was released on November 22, 2019. With a pop art collage of musical styles, oblique and ironic lyrics, and postmodern arrangements incorporating samples, drum machines, live instrumentation and sound effects, Beck has been hailed by critics and the public throughout his musical career as being among the most idiosyncratically creative musicians of 1990s and 2000s alternative rock.", "With a pop art collage of musical styles, oblique and ironic lyrics, and postmodern arrangements incorporating samples, drum machines, live instrumentation and sound effects, Beck has been hailed by critics and the public throughout his musical career as being among the most idiosyncratically creative musicians of 1990s and 2000s alternative rock. Two of Beck's most popular and acclaimed recordings are Odelay and Sea Change, both of which were ranked on Rolling Stone list of the 500 greatest albums of all time.", "Two of Beck's most popular and acclaimed recordings are Odelay and Sea Change, both of which were ranked on Rolling Stone list of the 500 greatest albums of all time. The four-time platinum artist has collaborated with several artists and has made several contributions to soundtracks. Early life Beck was born Bek David Campbell in Los Angeles, California, on July 8, 1970, the son of American visual artist Bibbe Hansen and Canadian arranger, composer, and conductor David Campbell.", "Early life Beck was born Bek David Campbell in Los Angeles, California, on July 8, 1970, the son of American visual artist Bibbe Hansen and Canadian arranger, composer, and conductor David Campbell. Hansen grew up amid Andy Warhol's The Factory art scene of the 1960s in New York City and was a Warhol superstar. She moved to California at age 17 and met Campbell there.", "She moved to California at age 17 and met Campbell there. Beck's maternal grandmother was Jewish, while his maternal grandfather, artist Al Hansen, was of Norwegian descent and was a pioneer in the avant-garde Fluxus movement. Beck has said that he was \"raised celebrating Jewish holidays\" and that he considers himself Jewish. Beck was born in a rooming house near downtown Los Angeles. As a child, he lived in a declining neighborhood near Hollywood Boulevard.", "As a child, he lived in a declining neighborhood near Hollywood Boulevard. He later recalled, \"By the time we left there, they were ripping out miles of houses en masse and building low-rent, giant apartment blocks.\" The lower-class family struggled financially, moving to Hoover and Ninth Street, a neighborhood populated primarily by Koreans and Salvadorian refugees.", "The lower-class family struggled financially, moving to Hoover and Ninth Street, a neighborhood populated primarily by Koreans and Salvadorian refugees. He was sent for a time to live with his paternal grandparents in Kansas, later remarking that he thought \"they were kind of concerned\" about his \"weird\" home life. Since his paternal grandfather was a Presbyterian minister, Beck grew up influenced by church music and hymns. He also spent time in Europe with his maternal grandfather.", "He also spent time in Europe with his maternal grandfather. After his parents separated when he was 10, Beck stayed with his mother and brother Channing in Los Angeles, where he was influenced by the city's diverse musical offerings—everything from hip hop to Latin music and his mother's art scene—all of which would later reappear in his work. Beck obtained his first guitar at 16 and became a street musician, often playing Lead Belly covers at Lafayette Park.", "Beck obtained his first guitar at 16 and became a street musician, often playing Lead Belly covers at Lafayette Park. During his teens, Beck discovered the music of Sonic Youth, Pussy Galore, and X, but remained uninterested in most music outside the folk genre until many years into his career. The first contemporary music that made a direct connection with Beck was hip hop, which he first heard on Grandmaster Flash records in the early 1980s.", "The first contemporary music that made a direct connection with Beck was hip hop, which he first heard on Grandmaster Flash records in the early 1980s. Growing up in a predominantly Latin district, he found himself the only white child at his school, and quickly learned how to breakdance. When he was 17, Beck grew fascinated after hearing a Mississippi John Hurt record at a friend's house, and spent hours in his room trying to emulate Hurt's finger-picking techniques.", "When he was 17, Beck grew fascinated after hearing a Mississippi John Hurt record at a friend's house, and spent hours in his room trying to emulate Hurt's finger-picking techniques. Shortly thereafter, Beck explored blues and folk music further, discovering Woody Guthrie and Blind Willie Johnson. Feeling like \"a total outcast\", Beck dropped out of school after junior high. He later said that although he felt school was important, he felt unsafe there.", "He later said that although he felt school was important, he felt unsafe there. When he applied to the new performing arts high school downtown, he was rejected. His brother took him to post-Beat jazz places in Echo Park and Silver Lake. He hung out at the Los Angeles City College, perusing records, books and old sheet music in its library. He used a fake ID to sit in on classes there, and he also befriended a literature instructor and his poet wife.", "He used a fake ID to sit in on classes there, and he also befriended a literature instructor and his poet wife. He worked at a string of menial jobs, including loading trucks and operating a leaf blower. Career Early performances and first releases (1988–1993) Beck began as a folk musician, switching between country blues, Delta blues, and more traditional rural folk music in his teenage years. He began performing on city buses, often covering Mississippi John Hurt alongside original, sometimes improvisational compositions.", "He began performing on city buses, often covering Mississippi John Hurt alongside original, sometimes improvisational compositions. \"I'd get on the bus and start playing Mississippi John Hurt with totally improvised lyrics. Some drunk would start yelling at me, calling me Axl Rose. So I'd start singing about Axl Rose and the levee and bus passes and strychnine, mixing the whole thing up,\" he later recalled. He was also in a band called Youthless that hosted Dadaist-inspired freeform events at city coffee shops.", "He was also in a band called Youthless that hosted Dadaist-inspired freeform events at city coffee shops. \"We had Radio Shack mics and this homemade speaker and we'd draft people in the audience to recite comic books or do a beatbox thing, or we'd tie the whole audience up in masking tape,\" Beck recalled. In 1989, Beck caught a bus to New York City with little more than $8.00 and a guitar.", "In 1989, Beck caught a bus to New York City with little more than $8.00 and a guitar. He spent the summer attempting to find a job and a place to live with little success. Beck eventually began to frequent Manhattan's Lower East Side and stumbled upon the tail end of the East Village's anti-folk scene's first wave.", "Beck eventually began to frequent Manhattan's Lower East Side and stumbled upon the tail end of the East Village's anti-folk scene's first wave. Beck became involved in a loose posse of acoustic musicians—including Cindy Lee Berryhill, Kirk Kelly, Paleface, and Lach, headed by Roger Manning—whose raggedness and eccentricity placed them well outside the acoustic mainstream. \"The whole mission was to destroy all the clichés and make up some new ones,\" said Beck of his New York years. \"Everybody knew each other.", "\"Everybody knew each other. \"Everybody knew each other. You could go up onstage and say anything, and you wouldn't feel weird or feel any pressure.\" Inspired by that freedom and by the local spoken-word performers, Beck began to write free-associative, surrealistic songs about pizza, MTV, and working at McDonald's, turning mundane thoughts into songs. Beck was roommates with Paleface, sleeping on his couch and attending open mic nights together.", "Beck was roommates with Paleface, sleeping on his couch and attending open mic nights together. Daunted by the prospect of another homeless New York winter, Beck returned to his home of Los Angeles in early 1991. \"I was tired of being cold, tired of getting beat up,\" he later remarked. \"It was hard to be in New York with no money, no place [...] I kinda used up all the friends I had. Everyone on the scene got sick of me.\"", "Everyone on the scene got sick of me.\" Everyone on the scene got sick of me.\" Back in Los Angeles, Beck began to work at a video store in the Silver Lake neighborhood, \"doing things like alphabetizing the pornography section\". He began performing in arthouse clubs and coffeehouses such as Al's Bar and Raji's. In order to keep indifferent audiences engaged in his music, Beck would play in a spontaneous, joking manner.", "In order to keep indifferent audiences engaged in his music, Beck would play in a spontaneous, joking manner. \"I'd be banging away on a Son House tune and the whole audience would be talking. So maybe out of desperation or boredom, or the audience's boredom, I'd make up these ridiculous songs just to see if people were listening,\" he later remarked.", "So maybe out of desperation or boredom, or the audience's boredom, I'd make up these ridiculous songs just to see if people were listening,\" he later remarked. Virtually an unknown to the public and an enigma to those who met him, Beck would hop onstage between acts in local clubs and play \"strange folk songs\", accompanied by \"what could best be described as performance art\" while sometimes wearing a Star Wars stormtrooper mask.", "Virtually an unknown to the public and an enigma to those who met him, Beck would hop onstage between acts in local clubs and play \"strange folk songs\", accompanied by \"what could best be described as performance art\" while sometimes wearing a Star Wars stormtrooper mask. Beck met someone who offered to help record demos in his living room, and he began to pass cassette tapes around.", "Beck met someone who offered to help record demos in his living room, and he began to pass cassette tapes around. Eventually, Beck gained key boosters in Margaret Mittleman, the West Coast's director of talent acquisitions for BMG Music Publishing, and the partners behind independent record label Bong Load Custom Records: Tom Rothrock, Rob Schnapf and Brad Lambert. Schnapf saw Beck perform at Jabberjaw and felt he would suit their small venture.", "Schnapf saw Beck perform at Jabberjaw and felt he would suit their small venture. Beck expressed a loose interest in hip hop, and Rothrock introduced him to Carl Stephenson, a record producer for Rap-A-Lot Records. In 1992, Beck visited Stephenson's home to collaborate. The result—the slide-sampling hip hop track \"Loser\"—was a one-off experiment that Beck set aside, going back to his folk songs, making his home tapes such as Golden Feelings, and releasing several independent singles.", "The result—the slide-sampling hip hop track \"Loser\"—was a one-off experiment that Beck set aside, going back to his folk songs, making his home tapes such as Golden Feelings, and releasing several independent singles. Mellow Gold, and independent albums (1993–1994) By 1993, Beck was living in a rat-infested shed near a Los Angeles alleyway with little money. Bong Load issued \"Loser\" as a single in March 1993 on 12\" vinyl with only 500 copies pressed.", "Bong Load issued \"Loser\" as a single in March 1993 on 12\" vinyl with only 500 copies pressed. Beck felt that \"Loser\" was mediocre, and only agreed to its release at Rothrock's insistence. \"Loser\" unexpectedly received radio airplay, starting in Los Angeles, where college radio station KXLU was the first to play it, and later on Santa Monica College radio station KCRW, where radio host Chris Douridas played the song on Morning Becomes Eclectic, the station's flagship music program.", "\"Loser\" unexpectedly received radio airplay, starting in Los Angeles, where college radio station KXLU was the first to play it, and later on Santa Monica College radio station KCRW, where radio host Chris Douridas played the song on Morning Becomes Eclectic, the station's flagship music program. \"I called the record label that day and asked to have Beck play live on the air,\" Douridas said.", "\"I called the record label that day and asked to have Beck play live on the air,\" Douridas said. \"He came in that Friday, rapped to a tape of \"Loser\" and did his song 'MTV Makes Me Want to Smoke Crack.'\" That night, Beck performed at the Los Angeles club Cafe Troy to a packed audience and talent scouts from major labels. The song then spread to Seattle through KNDD The End, and KROQ-FM began playing the song on an almost hourly basis.", "The song then spread to Seattle through KNDD The End, and KROQ-FM began playing the song on an almost hourly basis. As Bong Load struggled to press more copies of \"Loser\", Beck was beset with offers to sign with major labels. During the bidding war in November, Beck spent several days in Olympia, Washington, recording material with Calvin Johnson of Beat Happening, which would later see release the following year on Johnson's K Records as One Foot in the Grave.", "During the bidding war in November, Beck spent several days in Olympia, Washington, recording material with Calvin Johnson of Beat Happening, which would later see release the following year on Johnson's K Records as One Foot in the Grave. A fierce bidding war ensued, with Geffen Records A&R director Mark Kates signing Beck in December 1993 amid intense competition from Warner Bros. and Capitol.", "A fierce bidding war ensued, with Geffen Records A&R director Mark Kates signing Beck in December 1993 amid intense competition from Warner Bros. and Capitol. Beck's non-exclusive contract with Geffen allowed him an unusual amount of creative freedom, with Beck remaining free to release material through such small, independent labels as Flipside, which issued the sprawling, 25-track collection of pre-\"Loser\" recordings titled Stereopathetic Soulmanure on February 22 the following year.", "Beck's non-exclusive contract with Geffen allowed him an unusual amount of creative freedom, with Beck remaining free to release material through such small, independent labels as Flipside, which issued the sprawling, 25-track collection of pre-\"Loser\" recordings titled Stereopathetic Soulmanure on February 22 the following year. By the time Beck released his first album for Geffen, the low-budget, genre-blending Mellow Gold on March 1, \"Loser\" was already in the top 40 and its video in MTV's Buzz Bin.", "By the time Beck released his first album for Geffen, the low-budget, genre-blending Mellow Gold on March 1, \"Loser\" was already in the top 40 and its video in MTV's Buzz Bin. \"Loser\" quickly ascended the charts in the U.S., reaching a peak of number ten on the Billboard Hot 100 singles chart and topping the Modern Rock Tracks chart. The song also charted in the UK, Australia, New Zealand, and throughout Europe.", "The song also charted in the UK, Australia, New Zealand, and throughout Europe. Beck's newfound position of attention led to his characterization as the \"King of Slackers\", as the media dubbed him the center of the new so-called \"slacker\" movement.", "Beck's newfound position of attention led to his characterization as the \"King of Slackers\", as the media dubbed him the center of the new so-called \"slacker\" movement. Critics, feeling it the essential follow-up to Radiohead's \"Creep\", found vacantness in the lyrics of \"Loser\" strongly associated with Generation X, although Beck himself strongly contested his position as the face of the \"slacker\" generation: \"Slacker my ass. I mean, I never had any slack.", "I mean, I never had any slack. I mean, I never had any slack. I was working a $4-an-hour job trying to stay alive. That slacker stuff is for people who have the time to be depressed about everything.\" Backlash and Odelay (1994–1997) Feeling as though he was \"constantly trying to prove myself\", Beck suffered a backlash, with skeptics denouncing him as a self-indulgent fake and the latest marketing opportunity.", "Backlash and Odelay (1994–1997) Feeling as though he was \"constantly trying to prove myself\", Beck suffered a backlash, with skeptics denouncing him as a self-indulgent fake and the latest marketing opportunity. In the summer of 1994, Beck was struggling and many of his fellow musicians thought he had lost his way. Combined with the song's wildly popular music video and the world tour, Beck reacted believing the attention could not last, resulting in a status as a \"one-hit wonder\".", "Combined with the song's wildly popular music video and the world tour, Beck reacted believing the attention could not last, resulting in a status as a \"one-hit wonder\". At other concerts, crowds were treated to twenty minutes of reggae or Miles Davis or jazz-punk iterations of \"Loser\". At one-day festivals in California, he surrounded himself with an artnoise combo.", "At one-day festivals in California, he surrounded himself with an artnoise combo. The drummer set fire to his cymbals; the lead guitarist \"played\" his guitar with the strings faced towards his body; and Beck changed the words to \"Loser\" so that nobody could sing along. \"I can't tell you how many times I was looking at faces that were looking back at me with complete bewilderment—or just pointing and shaking their heads and laughing—while performing during that period,\" he later recalled.", "\"I can't tell you how many times I was looking at faces that were looking back at me with complete bewilderment—or just pointing and shaking their heads and laughing—while performing during that period,\" he later recalled. Despite this, Beck gained the respect of his peers, such as Tom Petty and Johnny Cash, and created an entire wave of bands determined to recapture the Mellow Gold sound.", "Despite this, Beck gained the respect of his peers, such as Tom Petty and Johnny Cash, and created an entire wave of bands determined to recapture the Mellow Gold sound. Feeling his previous releases were just collections of demos recorded over the course of several years, Beck desired to enter the studio and record an album in a continuous linear fashion, which became Odelay.", "Feeling his previous releases were just collections of demos recorded over the course of several years, Beck desired to enter the studio and record an album in a continuous linear fashion, which became Odelay. Beck blends country, blues, rap, jazz and rock on Odelay, the result of a year and half of feverish \"cutting, pasting, layering, dubbing, and, of course, sampling\". Each day, the musicians started from scratch, often working on songs for 16 hours straight.", "Each day, the musicians started from scratch, often working on songs for 16 hours straight. Odelays conception lies in an unfinished studio album Beck first embarked on following the success of \"Loser\", chronicling the difficult time he experienced: \"There was a cycle of everyone dying around me,\" he recalled later.", "Odelays conception lies in an unfinished studio album Beck first embarked on following the success of \"Loser\", chronicling the difficult time he experienced: \"There was a cycle of everyone dying around me,\" he recalled later. He was constantly recording, and eventually put together an album of somber, orchestrated folk tunes; one that, perhaps, \"could have been a commercial blockbuster along with similarly themed work by Smashing Pumpkins, Nine Inch Nails and Nirvana\".", "He was constantly recording, and eventually put together an album of somber, orchestrated folk tunes; one that, perhaps, \"could have been a commercial blockbuster along with similarly themed work by Smashing Pumpkins, Nine Inch Nails and Nirvana\". Instead, Beck plucked one song from it—the Odelay album closer \"Ramshackle\"—and shelved the rest (\"Brother\" and \"Feather In Your Cap\" were, however, later released as B-sides).", "Instead, Beck plucked one song from it—the Odelay album closer \"Ramshackle\"—and shelved the rest (\"Brother\" and \"Feather In Your Cap\" were, however, later released as B-sides). Beck was introduced to the Dust Brothers, producers of the Beastie Boys' album Paul's Boutique, whose cut-and-paste, sample-heavy production suited Beck's vision of a more fun, accessible album.", "Beck was introduced to the Dust Brothers, producers of the Beastie Boys' album Paul's Boutique, whose cut-and-paste, sample-heavy production suited Beck's vision of a more fun, accessible album. After a record executive explained that Odelay would be a \"huge mistake\", he spent many months thinking \"that I'd blown it forever\". Odelay was released on June 18, 1996, to commercial success and critical acclaim.", "Odelay was released on June 18, 1996, to commercial success and critical acclaim. The record produced several hit singles, including \"Where It's At\", \"Devils Haircut\", and \"The New Pollution\", and was nominated for the Grammy Award for Album of the Year in 1997, winning a Grammy Award for Best Alternative Music Album as well as a Grammy Award for Best Male Rock Vocal Performance for \"Where It's At\".", "The record produced several hit singles, including \"Where It's At\", \"Devils Haircut\", and \"The New Pollution\", and was nominated for the Grammy Award for Album of the Year in 1997, winning a Grammy Award for Best Alternative Music Album as well as a Grammy Award for Best Male Rock Vocal Performance for \"Where It's At\". During one busy week in January 1997, he landed his Grammy nominations, appeared on Saturday Night Live and Howard Stern, and did a last-minute trot on The Rosie O'Donnell Show.", "During one busy week in January 1997, he landed his Grammy nominations, appeared on Saturday Night Live and Howard Stern, and did a last-minute trot on The Rosie O'Donnell Show. The combined buzz gave Odelay a second wind, leading to an expanded fan base and additional exposure Beck enjoyed but, like several executives at Geffen, was bewildered by the success of Odelay. He would often get recognized in public, which made him feel strange. \"It's just weird. It doesn't feel right.", "\"It's just weird. It doesn't feel right. It doesn't feel right. It doesn't feel natural to me. I don't think I was made for that. I was never good at that,\" he later told Pitchfork. Odelay sold two million copies and put \"one-hit wonder\" criticisms to rest. During this time, he contributed the song \"Deadweight\" to the soundtrack of the film A Life Less Ordinary (1997).", "During this time, he contributed the song \"Deadweight\" to the soundtrack of the film A Life Less Ordinary (1997). Mutations and Midnite Vultures (1998–2001) Having not been in a proper studio since \"Deadweight\", Beck felt anxious to \"go in and just do some stuff real quick\", and compiled several songs he had had for years. Beck and his bandmates hammered out fourteen songs in fourteen days, although just twelve made it onto the album, 1998's Mutations.", "Beck and his bandmates hammered out fourteen songs in fourteen days, although just twelve made it onto the album, 1998's Mutations. Beck decided on Nigel Godrich, producer for Radiohead's OK Computer the previous year, to be behind the boards for the project. Godrich was leaving the United States for England in a short time, which led to the album's quick production schedule—\"No looking back, no doctoring anything\".", "Godrich was leaving the United States for England in a short time, which led to the album's quick production schedule—\"No looking back, no doctoring anything\". The whole point of the record was to capture the performance of the musicians live, an uncharacteristic far-cry from the cut-and-paste aesthetic of Odelay. Though the album was originally slated for release by Bong Load Records, Geffen intervened and issued the record against Beck's wishes.", "Though the album was originally slated for release by Bong Load Records, Geffen intervened and issued the record against Beck's wishes. The artist then sought to void his contracts with both record labels, and in turn the labels sued him for breach of contract. The litigation went on for years and it remains unclear to this day if it has ever been completely resolved. Beck was later awarded Best Alternative Music Performance for Mutations at the 42nd Grammy Awards.", "Beck was later awarded Best Alternative Music Performance for Mutations at the 42nd Grammy Awards. Midnite Vultures, Beck's next studio effort, was originally recorded as a double album, and more than 25 nearly completed songs were left behind. In the studio, Beck and producers studied contemporary hip hop and R&B, specifically R. Kelly, in order to embrace and incorporate those influences in the way Al Green and Stax records had done in previous decades.", "In the studio, Beck and producers studied contemporary hip hop and R&B, specifically R. Kelly, in order to embrace and incorporate those influences in the way Al Green and Stax records had done in previous decades. In July 1998, a core group began to assemble at Beck's Pasadena home: bassist Justin Meldal-Johnsen, keyboardist Roger Joseph Manning Jr., and producer-engineers Mickey Petralia and Tony Hoffer.", "In July 1998, a core group began to assemble at Beck's Pasadena home: bassist Justin Meldal-Johnsen, keyboardist Roger Joseph Manning Jr., and producer-engineers Mickey Petralia and Tony Hoffer. Dozens of session players passed through, including Beck's father, David Campbell, who played viola and arranged some of the strings. The musicians held communal meals and mountain-bike rides on dusty trails nearby, but remained focused on Beck's instructions: to make an up-tempo album that would be fun to play on tour night after night.", "The musicians held communal meals and mountain-bike rides on dusty trails nearby, but remained focused on Beck's instructions: to make an up-tempo album that would be fun to play on tour night after night. \"I had so many things going on\", said Beck of the recording process. \"I had a couple of rooms of computers hooked up, I was doing B sides for Japan, I was programming beats in one room and someone would be cooking dinner in the other room.\"", "\"I had a couple of rooms of computers hooked up, I was doing B sides for Japan, I was programming beats in one room and someone would be cooking dinner in the other room.\" In November 1999, Geffen released the much-anticipated Midnite Vultures, which attracted confusion: \"fans and critics misguidedly worried whether it was serious or a goof,\" and as a result, The New York Times wrote that the album \"never won the audience it deserved\".", "In November 1999, Geffen released the much-anticipated Midnite Vultures, which attracted confusion: \"fans and critics misguidedly worried whether it was serious or a goof,\" and as a result, The New York Times wrote that the album \"never won the audience it deserved\". The record was supported by an extensive world tour. For Beck, it was a return to the high-energy performances that had been his trademark as far back as Lollapalooza.", "For Beck, it was a return to the high-energy performances that had been his trademark as far back as Lollapalooza. The live stage set included a red bed that descended from the ceiling for the song \"Debra\", and the touring band was complemented by a brass section. Midnite Vultures was nominated for Best Album at the 43rd Annual Grammy Awards. Sea Change (2002–2003) In 2000, Beck and his fiancée, stylist Leigh Limon, ended their nine-year relationship.", "Sea Change (2002–2003) In 2000, Beck and his fiancée, stylist Leigh Limon, ended their nine-year relationship. Beck lapsed into a period of melancholy and introspection, during which he wrote the bleak, acoustic-based tracks later found on Sea Change. Beck sat on the songs, not wanting to talk about his personal life; he later said that he wanted to focus on music and \"not really strew my baggage across the public lobby\".", "Beck sat on the songs, not wanting to talk about his personal life; he later said that he wanted to focus on music and \"not really strew my baggage across the public lobby\". Eventually, however, he decided the songs spoke to a common experience (a relationship breakup), and that it would not seem self-indulgent to record them. In 2001, Beck drifted back to the songs and called producer Nigel Godrich.", "In 2001, Beck drifted back to the songs and called producer Nigel Godrich. Retailers initially predicted that the album would not receive much radio support, but they also believed that Beck's maverick reputation and critical acclaim, in addition to the possibility of multiple Grammy nominations, might offset Sea Changes noncommercial sound.", "Retailers initially predicted that the album would not receive much radio support, but they also believed that Beck's maverick reputation and critical acclaim, in addition to the possibility of multiple Grammy nominations, might offset Sea Changes noncommercial sound. Sea Change, issued by Geffen in September 2002, was regardless a commercial hit and critical darling, with Rolling Stone revering it as \"the best album Beck has ever made, [...] an impeccable album of truth and light from the end of love.", "Sea Change, issued by Geffen in September 2002, was regardless a commercial hit and critical darling, with Rolling Stone revering it as \"the best album Beck has ever made, [...] an impeccable album of truth and light from the end of love. This is his Blood on the Tracks.\" The album was later listed by the magazine as one of the best records of the decade and of all-time, and it also placed second on the year's Pazz & Jop Critics Poll.", "The album was later listed by the magazine as one of the best records of the decade and of all-time, and it also placed second on the year's Pazz & Jop Critics Poll. Sea Change yielded a low-key, theater-based acoustic tour, as well as a larger tour with The Flaming Lips as Beck's opening and backing band. Beck was playful and energetic, sometimes throwing in covers of The Rolling Stones, Big Star, The Zombies and The Velvet Underground.", "Beck was playful and energetic, sometimes throwing in covers of The Rolling Stones, Big Star, The Zombies and The Velvet Underground. Following the release of Sea Change, Beck felt newer compositions were sketches for something more evolved in the same direction, and wrote nearly 35 more songs in the coming months, keeping demos of them on tapes in a suitcase. During his solo tour, the tapes were left backstage during a stop in Washington, D.C., and Beck was never able to recover them.", "During his solo tour, the tapes were left backstage during a stop in Washington, D.C., and Beck was never able to recover them. It was disheartening to the musician, who felt the two years of songwriting represented something more technically complex. As a result, Beck took a break and wrote no original compositions in 2003.", "As a result, Beck took a break and wrote no original compositions in 2003. Feeling as though it might take him a while to \"get back to that [songwriting] territory\", he entered the studio with Dust Brothers to complete a project that dated back to Odelay. Nearly half of the songs had existed since the 1990s.", "Nearly half of the songs had existed since the 1990s. Guero and The Information (2004–2007) Guero, Beck's eighth studio album, was recorded over the span of nine months during which several significant events occurred in his life: his girlfriend, Marissa Ribisi, became pregnant; they were married; their son, Cosimo, was born; and they moved out of Silver Lake. The collaboration with the Dust Brothers, his second, was notable for their use of high-tech measures to achieve a lo-fi sound.", "The collaboration with the Dust Brothers, his second, was notable for their use of high-tech measures to achieve a lo-fi sound. For example, after recording a \"sonically perfect\" version of a song at one of the nicest recording studios in Hollywood, the Dust Brothers processed it in an Echoplex to create a gritty, reverb-heavy sound: \"We did this high-tech recording and ran it through a transistor radio. It sounded too good, that was the problem.\"", "It sounded too good, that was the problem.\" Initially due to be released in October 2004, Guero faced delays and did not come out till March 2005, though unmastered copies of the tracks surfaced online in January. Guero debuted at number two on the Billboard 200, selling 162,000 copies, an all-time sales high. Lead single \"E-Pro\" peaked at number one at Modern Rock radio, making it his first chart-topper since \"Loser\".", "Lead single \"E-Pro\" peaked at number one at Modern Rock radio, making it his first chart-topper since \"Loser\". Beck, inspired by the Nintendocore remix scene and feeling a connection with its lo-fi, home-recording method, collaborated with artists 8-Bit and Paza on Hell Yes, an EP issued in February 2005. In December 2005, Geffen also issued Guerolito, a fully reworked version of Guero featuring remixes by the Beastie Boys' Ad-Rock, the Dust Brothers' John King and Scottish electronic duo Boards of Canada.", "In December 2005, Geffen also issued Guerolito, a fully reworked version of Guero featuring remixes by the Beastie Boys' Ad-Rock, the Dust Brothers' John King and Scottish electronic duo Boards of Canada. Guerolito combines remixes previously heard as B-sides and new versions of album tracks to make a track-by-track reconfiguration of the album. Also released in 2005 was A Brief Overview, a 12-track promotional-only \"History of Beck\" compilation CD sampler that featured a combination of older and newer Beck tracks.", "Also released in 2005 was A Brief Overview, a 12-track promotional-only \"History of Beck\" compilation CD sampler that featured a combination of older and newer Beck tracks. The Information, Beck's ninth studio album, began production around the same time as Guero, in 2003. Working with producer Nigel Godrich, Beck built a studio in his garden, where they wrote many of the tracks.", "Working with producer Nigel Godrich, Beck built a studio in his garden, where they wrote many of the tracks. \"The idea was to get people in a room together recording live, hitting bad notes and screaming,\" said Beck, adding that the album is best described as \"introspective hip hop\". Beck described the recording process as \"painful\", noting that he edited down songs constantly and he perhaps recorded the album three times.", "Beck described the recording process as \"painful\", noting that he edited down songs constantly and he perhaps recorded the album three times. For the release, Beck was allowed for the first time to fulfill a long-running wish for an unconventional rollout: he made low-budget videos to accompany each song, packaged the CD with sheets of stickers so buyers could customize the cover, and leaked tracks and videos on his website months ahead of the album's release.", "For the release, Beck was allowed for the first time to fulfill a long-running wish for an unconventional rollout: he made low-budget videos to accompany each song, packaged the CD with sheets of stickers so buyers could customize the cover, and leaked tracks and videos on his website months ahead of the album's release. Digital download releases automatically downloaded the song's additional video for each single sale, and physical copies came bundled with an additional DVD featuring fifteen videos.", "Digital download releases automatically downloaded the song's additional video for each single sale, and physical copies came bundled with an additional DVD featuring fifteen videos. Modern Guilt (2008) In 2007, Beck released the single \"Timebomb\", which was nominated for a Grammy Award for Best Solo Rock Vocal Performance. For his next studio effort, his tenth, Beck tapped Danger Mouse to produce, and the two first met in December 2007 to record.", "For his next studio effort, his tenth, Beck tapped Danger Mouse to produce, and the two first met in December 2007 to record. The duo knocked out two tracks in two days, but the notion that the album would be finished in a timely fashion soon evaporated. Beck had known Danger Mouse casually before, as many of his former musicians ended up working with Danger Mouse's side project, Gnarls Barkley. Still, the musicians were surprised at how well they got along.", "Still, the musicians were surprised at how well they got along. Following the grueling recording schedule, Beck was exhausted, calling it \"the most intense work I've ever done on anything\", relating that he \"did at least 10 weeks with no days off, until four or five in the morning every night.\" Beck's original vision was a short 10-track burst with two-minute songs, but the songs gradually grew as he fit 'two years of songwriting into two and a half months.\"", "Beck's original vision was a short 10-track burst with two-minute songs, but the songs gradually grew as he fit 'two years of songwriting into two and a half months.\" Modern Guilt (2008) was \"full of off-kilter rhythms and left-field breakdowns, with an overall 1960s vibe.\" Record Club, Song Reader, production work and non-album singles (2009–2013) Modern Guilt was the final release in Beck's contract with Geffen Records. Beck, then 38, had held the contract since his early 20s.", "Beck, then 38, had held the contract since his early 20s. Released from his label contract and going independent, Beck began working more heavily on his own seven-year-old label, which went through a variety of names. His focus on smaller, more quixotic projects, Beck moonlighted as a producer, working with artists such as Charlotte Gainsbourg, Thurston Moore and Stephen Malkmus.", "His focus on smaller, more quixotic projects, Beck moonlighted as a producer, working with artists such as Charlotte Gainsbourg, Thurston Moore and Stephen Malkmus. Beck worked for five or six days a week at the small studio on his property in Malibu, and founded Record Club, a project whereby an entire classic album—by The Velvet Underground, Leonard Cohen, INXS, Yanni—would be covered by another singer in the span of a single day.", "Beck worked for five or six days a week at the small studio on his property in Malibu, and founded Record Club, a project whereby an entire classic album—by The Velvet Underground, Leonard Cohen, INXS, Yanni—would be covered by another singer in the span of a single day. Beck provided four songs for the film Scott Pilgrim vs. the World (2010), each attributed to the title character's fictional band, Sex Bob-Omb.", "Beck provided four songs for the film Scott Pilgrim vs. the World (2010), each attributed to the title character's fictional band, Sex Bob-Omb. Beck also collaborated with Philip Glass, Jack White, Tobacco of Black Moth Super Rainbow, Jamie Lidell, Seu Jorge, Childish Gambino, and The Lonely Island. Song Reader, a project Beck released in December 2012, is 20 songs presented only as sheet music, in the hopes that enterprising musicians will record their own versions.", "Song Reader, a project Beck released in December 2012, is 20 songs presented only as sheet music, in the hopes that enterprising musicians will record their own versions. The idea of Song Reader came about nearly fifteen years prior, shortly after the release of Odelay. When sent a book of transcribed sheet music for that album, Beck decided to play through it and grew interested in the world before recorded sound.", "When sent a book of transcribed sheet music for that album, Beck decided to play through it and grew interested in the world before recorded sound. He aimed to keep the arrangements as open as possible, to re-create the simplicity of the standards, and became preoccupied with creating only pieces that could fit within the Great American Songbook.", "He aimed to keep the arrangements as open as possible, to re-create the simplicity of the standards, and became preoccupied with creating only pieces that could fit within the Great American Songbook. In 2013 Beck began playing special Song Reader concerts with a variety of guests and announced he was working on a record of Song Reader material with other musicians as well as possibly a compilation of fan versions.", "In 2013 Beck began playing special Song Reader concerts with a variety of guests and announced he was working on a record of Song Reader material with other musicians as well as possibly a compilation of fan versions. In the summer of 2013, Beck was reported to be working on two new studio albums: one a more self-contained acoustic disc in the vein of One Foot in the Grave and another described as a \"proper follow-up\" to Modern Guilt.", "In the summer of 2013, Beck was reported to be working on two new studio albums: one a more self-contained acoustic disc in the vein of One Foot in the Grave and another described as a \"proper follow-up\" to Modern Guilt. Beck expected to release both albums independently, and released two standalone singles over the course of the summer: the electro ballad \"Defriended\" and the chorus-heavy \"I Won't Be Long\". A third single, \"Gimme\", appeared on September 17.", "A third single, \"Gimme\", appeared on September 17. Morning Phase, Colors, and Hyperspace (2014–present) In October 2013, Beck signed to Capitol Records. On January 20, 2014, Beck released the track \"Blue Moon\", which was to be the lead single for his twelfth studio album, Morning Phase. On February 4, second single \"Waking Light\" was released, just prior to the official release of Morning Phase on February 21, 2014.", "On February 4, second single \"Waking Light\" was released, just prior to the official release of Morning Phase on February 21, 2014. For the recording of the album, Beck reunited with many of the same musicians with whom he had worked on the critically acclaimed 2002 album Sea Change, and likely because of this, it has been noted that the two albums have a similar genre.", "For the recording of the album, Beck reunited with many of the same musicians with whom he had worked on the critically acclaimed 2002 album Sea Change, and likely because of this, it has been noted that the two albums have a similar genre. On February 8, 2015, at the 57th Annual Grammy Awards, Morning Phase won three Grammys: Best Engineered Album, Non-Classical; Best Rock Album; and Album of the Year.", "On February 8, 2015, at the 57th Annual Grammy Awards, Morning Phase won three Grammys: Best Engineered Album, Non-Classical; Best Rock Album; and Album of the Year. Upon receiving the Album of the Year award, the album beat out Pharrell Williams's G I R L, Beyoncé's self-titled album, Sam Smith's In the Lonely Hour, and Ed Sheeran's x.", "Upon receiving the Album of the Year award, the album beat out Pharrell Williams's G I R L, Beyoncé's self-titled album, Sam Smith's In the Lonely Hour, and Ed Sheeran's x. In the time after Morning Phases release and general critical success, Beck mentioned that he had been working on another album at around the same time, but that the new album would be more of a pop record.", "In the time after Morning Phases release and general critical success, Beck mentioned that he had been working on another album at around the same time, but that the new album would be more of a pop record. Shortly after Morning Phases Grammy wins, on June 15, 2015, Beck released the first single titled \"Dreams\" off this upcoming thirteenth studio album. \"I was really trying to make something that would be good to play live,\" he said shortly after its release.", "\"I was really trying to make something that would be good to play live,\" he said shortly after its release. However, no further word was heard from Beck pertaining to the release of the album. On June 2, 2016, almost a year after the initial release of \"Dreams\", Beck released a new single titled \"Wow\", along with a lyric video of the song and an announcement that his still untitled album would be released on October 21, 2016.", "On June 2, 2016, almost a year after the initial release of \"Dreams\", Beck released a new single titled \"Wow\", along with a lyric video of the song and an announcement that his still untitled album would be released on October 21, 2016. In September 2016, the album was delayed with no new release date announced and, on September 24, Beck said he did not know \"when it's coming out. It's probably in a few months.\"", "It's probably in a few months.\" It's probably in a few months.\" Once again, however, no further singles were released and no new release date was scheduled for the album. On September 8, 2017, Beck released the single \"Dear Life\", which was quickly followed up with the official release of \"Up All Night\" on September 18. Colors was released on October 13, 2017.", "Colors was released on October 13, 2017. Colors was released on October 13, 2017. It was recorded at co-executive producer Greg Kurstin's Los Angeles studio, with Beck and Kurstin playing nearly every instrument themselves. The experimental pop-fused record received generally positive reviews from critics. On July 18, 2018, Beck performed the title track Colors, and the first single \"Wow\" on The Late Show with Stephen Colbert.", "On July 18, 2018, Beck performed the title track Colors, and the first single \"Wow\" on The Late Show with Stephen Colbert. On April 15, 2019, Beck released a single co-produced with Pharrell Williams titled \"Saw Lightning\" from his fourteenth studio album, titled Hyperspace. The song \"Dark Places\" was released on November 6, with the album being released on November 22.", "The song \"Dark Places\" was released on November 6, with the album being released on November 22. Collaborations and contributions In 1999, Beck contributed to a tribute album for Bruce Haack and Esther Nelson and their label Dimension 5 Records. The album, Dimension Mix, released in 2005, was a benefit for Cure Autism Now that was produced by Ross Harris, an early collaborator who designed the artwork for Mellow Gold.", "The album, Dimension Mix, released in 2005, was a benefit for Cure Autism Now that was produced by Ross Harris, an early collaborator who designed the artwork for Mellow Gold. On June 20, 2009, Beck announced that he was starting an experiment called Record Club, in which he and other musicians would record cover versions of entire albums in one day. The first album covered by Beck's Record Club was The Velvet Underground & Nico.", "The first album covered by Beck's Record Club was The Velvet Underground & Nico. Starting on June 18, the club began posting covers of songs from the album on Thursday evenings, each with its own video. On September 4, 2009, Beck announced the second Record Club album, Songs of Leonard Cohen. Contributors included MGMT, Devendra Banhart, Andrew Stockdale of Wolfmother and Binki Shapiro of Little Joy.", "Contributors included MGMT, Devendra Banhart, Andrew Stockdale of Wolfmother and Binki Shapiro of Little Joy. In the third Record Club venture, Wilco, Feist, Jamie Lidell and James Gadson joined Beck to cover Skip Spence's Oar. The first song, \"Little Hands\", was posted on Beck's website on November 12, 2009. The Record Club has since covered albums by INXS and Yanni. On June 19, 2009, Beck announced Planned Obsolescence, a weekly DJ set put together by Beck or guest DJs.", "On June 19, 2009, Beck announced Planned Obsolescence, a weekly DJ set put together by Beck or guest DJs. Soon after, on July 7, Beck announced that his website would be featuring \"extended informal conversations with musicians, artists, filmmakers, and other various persons\" in a section called Irrelevant Topics. Then, on July 12, he added a section called Videotheque, which he said would contain \"promotional videos from each album, as well as live clips, TV show appearances and other rarities\".", "Then, on July 12, he added a section called Videotheque, which he said would contain \"promotional videos from each album, as well as live clips, TV show appearances and other rarities\". Also in 2009, Beck collaborated with Charlotte Gainsbourg on her album IRM, which was released in January 2010. Beck wrote the music, co-wrote the lyrics, and produced and mixed the album. The lead single, \"Heaven Can Wait\", is a duet by Beck and Gainsbourg.", "The lead single, \"Heaven Can Wait\", is a duet by Beck and Gainsbourg. In late February 2010, it was announced that electronic artist Tobacco of Black Moth Super Rainbow had collaborated with Beck on two songs, \"Fresh Hex\" and \"Grape Aerosmith\", on his upcoming album Maniac Meat. Tobacco revealed that in making the album, Beck sent the vocal parts to him, and that they had never actually met.", "Tobacco revealed that in making the album, Beck sent the vocal parts to him, and that they had never actually met. In March 2010, Beck revealed that he had produced songs for the new Jamie Lidell album, Compass. In the summer of 2010, Beck contributed songs to both The Twilight Saga: Eclipse soundtrack, with \"Let's Get Lost\" (a duet with Bat for Lashes), and True Blood (HBO Original Series Soundtrack, Vol. 2), with \"Bad Blood\".", "2), with \"Bad Blood\". 2), with \"Bad Blood\". He also contributed songs to the soundtrack of Edgar Wright's film Scott Pilgrim vs. the World, which was released in August 2010. In 2011, he collaborated with Seu Jorge on a track titled \"Tropicália (Mario C. 2011 Remix)\" for the Red Hot Organization's most recent charitable album Red Hot+Rio 2, a follow-up to the 1996 album Red Hot + Rio.", "In 2011, he collaborated with Seu Jorge on a track titled \"Tropicália (Mario C. 2011 Remix)\" for the Red Hot Organization's most recent charitable album Red Hot+Rio 2, a follow-up to the 1996 album Red Hot + Rio. Proceeds from the sales will be donated to raise awareness and money to fight AIDS/HIV and related health and social issues. He also contributed on the song \"Attracted to Us\" on Turtleneck & Chain, the second album from The Lonely Island.", "He also contributed on the song \"Attracted to Us\" on Turtleneck & Chain, the second album from The Lonely Island. Also in 2011, Beck produced a solo album by Thurston Moore of Sonic Youth called Demolished Thoughts. An album he produced for Stephen Malkmus and the Jicks, Mirror Traffic, was released in August 2011.", "An album he produced for Stephen Malkmus and the Jicks, Mirror Traffic, was released in August 2011. In October 2011, it was widely reported that Beck and producer Hector Castillo were collaborating with American composer Philip Glass to produce a remix album of the composer's works in honor of his 75th birthday. The album, Rework Philip Glass Remixed, was released on October 23, 2012, to critical acclaim, and featured Beck as both a curator and a performer.", "The album, Rework Philip Glass Remixed, was released on October 23, 2012, to critical acclaim, and featured Beck as both a curator and a performer. In particular, Pitchfork described Beck's 22-minute contribution to the album, \"NYC: 73–78\", as \"a fantasia ... the most startling and original piece of music with Beck's name on it in a while, and the first new work to bear his own spirit in even longer.\"", "In particular, Pitchfork described Beck's 22-minute contribution to the album, \"NYC: 73–78\", as \"a fantasia ... the most startling and original piece of music with Beck's name on it in a while, and the first new work to bear his own spirit in even longer.\" Reflecting on Beck's contribution to the album, Glass remarked that he was \"impressed by the novelty and freshness of a lot of the ideas\".", "Reflecting on Beck's contribution to the album, Glass remarked that he was \"impressed by the novelty and freshness of a lot of the ideas\". Beyond his work as a performer, Beck acted as the album's curator, bringing together a diverse collection of artists—including Amon Tobin, Tyondai Braxton, Nosaj Thing, and Memory Tapes—whose work had also been influenced by Glass. In December 2012, an interactive iPhone app titled \"Rework_\" was released to complement the album.", "In December 2012, an interactive iPhone app titled \"Rework_\" was released to complement the album. Beck has contributed three new songs—\"Cities\", \"Touch the People\" and \"Spiral Staircase\"—to the video game Sound Shapes for PlayStation 3, PlayStation 4, and PlayStation Vita. Beck collaborated on two songs for Childish Gambino's \"Royalty\" mixtape in 2012. In 2014, Beck collaborated with Sia for the song \"Moonquake Lake\", which is featured in the soundtrack for the 2014 Annie film.", "In 2014, Beck collaborated with Sia for the song \"Moonquake Lake\", which is featured in the soundtrack for the 2014 Annie film. In 2015, Beck collaborated with former Fun. frontman Nate Ruess on the single \"What This World Is Coming To\", which was one of the Grammy-winning artist's many works featured on his debut solo album Grand Romantic released in June 2015.", "frontman Nate Ruess on the single \"What This World Is Coming To\", which was one of the Grammy-winning artist's many works featured on his debut solo album Grand Romantic released in June 2015. He also collaborated with electronic dance music duo The Chemical Brothers on their most recent album Born in the Echoes, providing lead vocals and also credited in writing for the track \"Wide Open\", released in July.", "He also collaborated with electronic dance music duo The Chemical Brothers on their most recent album Born in the Echoes, providing lead vocals and also credited in writing for the track \"Wide Open\", released in July. In 2016, Beck collaborated with French electronic music band M83, providing vocals for the song \"Time Wind\" from their album Junk. He was also featured on \"Tiny Cities\" by Flume.", "He was also featured on \"Tiny Cities\" by Flume. He also collaborated with Lady Gaga on the song \"Dancin' in Circles\", from her 2016 album Joanne. In 2017, Beck appeared in the multiple award-winning film The American Epic Sessions, directed by Bernard MacMahon. He recorded \"14 Rivers, 14 Floods\" backed by a full gospel choir, live onto the first electrical sound recording system from the 1920s.", "He recorded \"14 Rivers, 14 Floods\" backed by a full gospel choir, live onto the first electrical sound recording system from the 1920s. In 2019, Beck worked with Jenny Lewis on the song \"Do Si Do\" from her album On the Line. He also collaborated with Cage the Elephant on the song \"Night Running\" from their album Social Cues.", "He also collaborated with Cage the Elephant on the song \"Night Running\" from their album Social Cues. In 2020, Beck collaborated with virtual band Gorillaz to create the song \"The Valley of the Pagans\" which appears on Song Machine, Season One: Strange Timez. In 2021, Beck collaborated with Paul McCartney to make his hit single \"Find My Way\" on the album McCartney III Imagined. As for festival stages the artist was inter alia part of the Newport Folk Festival in July.", "As for festival stages the artist was inter alia part of the Newport Folk Festival in July. Musical style Beck's musical style has been considered alternative and indie. He has played many of the instruments in his music himself. Beck has also done some remixes for fellow artists, notably David Bowie and Björk.", "Beck has also done some remixes for fellow artists, notably David Bowie and Björk. He has been known to synthesize several musical elements together in his music, including folk, psychedelia, electronic, country, Latin music, hip hop, funk, soul, blues, noise music, jazz, and many types of rock. He has also taken music from Los Angeles as a reference point in his songs.", "He has also taken music from Los Angeles as a reference point in his songs. Pitchfork Media applauded Midnite Vultures, saying, \"Beck wonderfully blends Prince, Talking Heads, Paul's Boutique, 'Shake Your Bon-Bon', and Mathlete on Midnite Vultures, his most consistent and playful album yet.\" The review commented that his mix of \"goofy piety and ambiguous intent\" helped the album.", "The review commented that his mix of \"goofy piety and ambiguous intent\" helped the album. A Beck song called \"Harry Partch\", a tribute to the composer of the same name and his \"corporeal\" music, employs Partch's 43-tone scale. Art career During 1998, Beck's art collaborations with his grandfather Al Hansen were featured in an exhibition titled \"Beck & Al Hansen: Playing With Matches\", which showcased solo and collaborative collage, assemblage, drawing and poetry works.", "Art career During 1998, Beck's art collaborations with his grandfather Al Hansen were featured in an exhibition titled \"Beck & Al Hansen: Playing With Matches\", which showcased solo and collaborative collage, assemblage, drawing and poetry works. The show toured from the Santa Monica Museum of Art to galleries in New York City and Winnipeg, Manitoba, in Canada. A catalog of the show was published by Plug in Editions/Smart Art Press.", "A catalog of the show was published by Plug in Editions/Smart Art Press. Personal life Beck's nine-year relationship with designer Leigh Limon and their subsequent breakup is said to have inspired his 2002 album, Sea Change. He wrote most of the songs for the album in one week after the breakup. In April 2004, shortly before the birth of their son Cosimo Henri, Beck married actress Marissa Ribisi, the twin sister of actor Giovanni Ribisi. Their daughter, Tuesday, was born in 2007.", "Their daughter, Tuesday, was born in 2007. Their daughter, Tuesday, was born in 2007. Beck filed for divorce from Ribisi on February 15, 2019. Their divorce was finalized on September 3, 2021. Beck has described himself as both Jewish and a Scientologist. Through his parents, he has been involved in Scientology for most of his life; his ex-wife, Marissa, is also a second-generation Scientologist.", "Through his parents, he has been involved in Scientology for most of his life; his ex-wife, Marissa, is also a second-generation Scientologist. He publicly acknowledged his affiliation for the first time in a New York Times Magazine interview on March 6, 2005. Further confirmation came in an interview with the Sunday Tribune in June 2005, where he stated, \"Yeah, I'm a Scientologist. My father has been a Scientologist for about 35 years, so I grew up in and around it.\"", "My father has been a Scientologist for about 35 years, so I grew up in and around it.\" Despite this, Beck disavowed previous reports of his being a Scientologist in a November 2019 interview with the Sydney Morning Herald and said, \"I think there's a misconception that I'm a Scientologist. I'm not a Scientologist. I don't have any connection or affiliation with it.\" He added that \"I was raised celebrating Jewish holidays, and I consider myself Jewish.\"", "He added that \"I was raised celebrating Jewish holidays, and I consider myself Jewish.\" As mentioned above, Beck's mother is former Andy Warhol The Factory collaborator, artist/writer/performer Bibbe Hansen. His siblings are fiber artist Channing Hansen (born in 1972 in Los Angeles, California) and poet Rain Whittaker. Beck suffered a spinal injury while filming the music video for 2005's \"E-Pro\". The incident was severe enough to curtail his touring schedule for a few years, but he has since recovered.", "The incident was severe enough to curtail his touring schedule for a few years, but he has since recovered. Appearances in media The 1986 punk rock musical film Population: 1, starring Tomata du Plenty of The Screamers, features a young Beck in a small nonspeaking role. Beck also appears in Southlander (2001), an American independent film by Steve Hanft and Ross Harris. Beck has performed on Saturday Night Live seven times.", "Beck has performed on Saturday Night Live seven times. Beck has performed on Saturday Night Live seven times. During his 2006 performance in the Hugh Laurie episode, Beck was accompanied by the puppets that had been used onstage during his world tour. He has made two cameo appearances as himself on Saturday Night Live: one in a sketch about medicinal marijuana, and one in a VH1 Behind the Music parody that featured \"Fat Albert & the Junkyard Gang\".", "He has made two cameo appearances as himself on Saturday Night Live: one in a sketch about medicinal marijuana, and one in a VH1 Behind the Music parody that featured \"Fat Albert & the Junkyard Gang\". Beck performed a guest voice as himself on Matt Groening's animated show Futurama, in the episode \"Bendin' in the Wind\".", "Beck performed a guest voice as himself on Matt Groening's animated show Futurama, in the episode \"Bendin' in the Wind\". He performed in episode 10 of the fourth season of The Larry Sanders Show, in which the producer character Artie (Rip Torn) referred to him as a \"hillbilly from outer space\". He also made a very brief voice appearance in the 1998 cartoon feature film The Rugrats Movie, and guest-starred as himself in a 1997 episode of Space Ghost Coast to Coast titled \"Edelweiss\".", "He also made a very brief voice appearance in the 1998 cartoon feature film The Rugrats Movie, and guest-starred as himself in a 1997 episode of Space Ghost Coast to Coast titled \"Edelweiss\". On January 22, 2010, Beck appeared on the last episode of The Tonight Show with Conan O'Brien as a backup guitarist for a Will Ferrell-led rendition of Lynyrd Skynyrd's \"Free Bird\" alongside ZZ Top guitarist Billy Gibbons, Ben Harper, and O'Brien himself on guitar.", "On January 22, 2010, Beck appeared on the last episode of The Tonight Show with Conan O'Brien as a backup guitarist for a Will Ferrell-led rendition of Lynyrd Skynyrd's \"Free Bird\" alongside ZZ Top guitarist Billy Gibbons, Ben Harper, and O'Brien himself on guitar. On March 1, 2014, Beck was the musical guest on a Saturday Night Live episode hosted by Jim Parsons. Beck also appeared, as himself, in the 2017 film The Circle, giving a musical performance of the song \"Dreams\".", "Beck also appeared, as himself, in the 2017 film The Circle, giving a musical performance of the song \"Dreams\". Discography Studio albums Golden Feelings (1993) Stereopathetic Soulmanure (1994) Mellow Gold (1994) One Foot in the Grave (1994) Odelay (1996) Mutations (1998) Midnite Vultures (1999) Sea Change (2002) Guero (2005) The Information (2006) Modern Guilt (2008) Morning Phase (2014) Colors (2017) Hyperspace (2019) Awards and nominations See also List of awards and nominations received by Beck List of people from Los Angeles List of singer-songwriters References External links Diskobox, comprehensive discography Whiskeyclone.net, large, informative Beck site Stewoo.net, the largest Beck fan forum Beck at Rolling Stone 1970 births Living people 20th-century American singers 21st-century American singers Alternative rock guitarists American alternative country singers American alternative rock musicians American country rock singers American country singer-songwriters American folk guitarists American folk singers American former Scientologists American indie rock musicians American male guitarists American male singer-songwriters American multi-instrumentalists American music video directors American people of Canadian descent American people of Jewish descent American people of Norwegian descent American people of Swedish descent American rock guitarists American rock singers American street performers Art pop musicians Brit Award winners Capitol Records artists DGC Records artists Grammy Award winners Guitarists from Los Angeles Jewish American musicians Jewish American songwriters Jewish anti-folk musicians Jewish singers K Records artists Mission District, San Francisco Singers from Los Angeles Sony Music Publishing artists XL Recordings artists Singer-songwriters from California" ]

[ "Panda Bear (musician)", "Animal Collective" ]

[ "Keep + Animal Collective is the sixth EP by experimental pop band Animal Collective, released on the March 26, 2011 on cassette. Bundled with a range of shoes designed by the band, Keep + Animal Collective contains one solo song from each member of the group.\n\nThe EP was released in limited quantities and was only sold in a bundle with the Keep + Animal Collective shoes on a first-come, first-served basis.\n\n\"The Preakness\" was later included on the deluxe edition of Tomboy, and an alternate version was included on the Crosswords EP.\n\nTracklisting\n\nReferences \n\n2010 EPs\nAnimal Collective EPs", "\"FloriDada\" is a song by Animal Collective, released as the first single from their 2016 album Painting With. It was released on November 30, 2015 by Domino Records. Avey Tare explained that the song was \"sort of inspired by hating on people from Florida. I was driving in L.A. and flipping through the radio dial and came across a morning radio show where they're just talking all the time. They had a segment called, like, 'Dumb Things People Are Doing In Florida.' It kind of bothered me. ... Everybody—they kind of agree that Florida's such a weird place, know what I mean? But in a way, that's part of the charm of it.\"\n\nMusic video\nA music video was released on January 8, 2016. It was produced and directed by the Brooklyn, New York artist collective PFFR. The video had its television premiere on Adult Swim's Toonami block on January 9, 2016.\n\nReferences\n\nAnimal Collective songs\nDomino Recording Company singles\n2015 songs\nSongs about Florida\n2015 singles" ]

[ "Noah Benjamin Lennox (born July 17, 1978), also known by his moniker Panda Bear, is an American musician, singer-songwriter and co-founding member of the band Animal Collective. In addition to his work with that group, Lennox has released six solo LPs since 1999. His third, Person Pitch (2007), is noted for influencing a wide range of subsequent indie music in addition to inspiring the chillwave genre and numerous soundalike acts.", "His third, Person Pitch (2007), is noted for influencing a wide range of subsequent indie music in addition to inspiring the chillwave genre and numerous soundalike acts. Lennox was primarily raised in Baltimore, Maryland, where he sang tenor in his high school chamber choir, and studied piano and cello. The name \"Panda Bear\" derived from his habit of drawing pandas on his early mixtapes as a teenager. He and the other members of Animal Collective began collaborating in the late 1990s.", "He and the other members of Animal Collective began collaborating in the late 1990s. He has lived in Lisbon, Portugal since 2004. Early life Lennox grew up in the Roland Park section of Baltimore, Maryland, and attended Waldorf School of Baltimore through 8th grade, and Kimberton Waldorf School in Chester County, Pennsylvania for high school. His family moved frequently during his early years, owing to his father's studies to be an orthopedic surgeon. As a youth, he played sports, mainly soccer and basketball.", "As a youth, he played sports, mainly soccer and basketball. His brother, Matt Lennox (the Animal Collective song \"Brother Sport\" is directed at him), was a leading player on the high school basketball team and Noah was also a team member, playing as point guard. Lennox has also stated in interviews that he enjoyed drawing a lot as a teenager, especially pandas, and later started drawing pandas on his early mixtapes.", "Lennox has also stated in interviews that he enjoyed drawing a lot as a teenager, especially pandas, and later started drawing pandas on his early mixtapes. He also studied piano until he was eight, then cello, and later on he sang tenor in his high school chamber choir. Though he and his family have never been very religious, Lennox briefly attended Boston University, where he majored in religion because of his interest in \"the concept of God\".", "Though he and his family have never been very religious, Lennox briefly attended Boston University, where he majored in religion because of his interest in \"the concept of God\". Career Animal Collective As a teen, Lennox began listening to electronic music styles such as house and techno, and artists such as Aphex Twin, all of which became a major influence on his later work. He recorded and performed music—solo and with friends.", "He recorded and performed music—solo and with friends. He recorded and performed music—solo and with friends. Lennox started using the name \"Panda Bear\" because he drew pictures of pandas for the artwork of his recordings. Lennox had been friends with Deakin (Josh Dibb) since the second grade. Deakin introduced Lennox to his high school friends Avey Tare (Dave Portner) and Geologist (Brian Weitz). For years, the four of them swapped homemade recordings, shared musical ideas and performed in different group configurations.", "For years, the four of them swapped homemade recordings, shared musical ideas and performed in different group configurations. Lennox, along with Deakin moved to New York in 2000. The band then became more collaborative in nature and they finally settled on the name \"Animal Collective\". Since the 2007 releases of Panda Bear's Person Pitch and Animal Collective's Strawberry Jam, he has focused more on using samplers and other electronics in their shows.", "Since the 2007 releases of Panda Bear's Person Pitch and Animal Collective's Strawberry Jam, he has focused more on using samplers and other electronics in their shows. He has named Black Dice as a major influence stating \"Black Dice took us on our first tour and I feel like the wisest things I've learned about being in a band I learned by watching them.\" He said he looks to Black Dice \"as a model for a band...", "He said he looks to Black Dice \"as a model for a band... I feel like as a band, I can't speak for the other guys [of Animal Collective], but certainly for myself, like I modelled the way I approach to everything with the band watching the way Black Dice did it.\" In addition to singing, Lennox played drums and occasionally guitar in Animal Collective's live performances. He cites Stewart Copeland as the biggest influence on his drumming style.", "He cites Stewart Copeland as the biggest influence on his drumming style. Solo work Lennox's early musical influences included electronic styles, and his solo work has been variously characterized as experimental pop, electronic, bedroom pop, neo-psychedelic pop, and indie music. The Line of Best Fit called him a \"psychedelic pop trailblazer.\" Lennox's debut album Panda Bear was released in 1999 on Soccer Star Records.", "Lennox's debut album Panda Bear was released in 1999 on Soccer Star Records. After focusing more on touring and recording with Animal Collective, he released the follow-up Young Prayer in 2004 and the highly acclaimed third solo album Person Pitch in 2007. Of his songwriting style, Lennox says \"I get impatient writing songs, I can't spend more than a couple of hours before I get frustrated. So I got to kind of spit it out real fast.", "So I got to kind of spit it out real fast. My favorite songs are the ones where I worked really really fast on, when it comes all out in like two hours or something.\" Panda Bear's fourth album, Tomboy, was released April 12, 2011, on his own label, Paw Tracks. He started performing material from Tomboy on December 5, 2008, at a show with No Age in Miami, Florida.", "He started performing material from Tomboy on December 5, 2008, at a show with No Age in Miami, Florida. During a brief European tour in January 2010, he played three shows consisting almost entirely of new material. On March 7, 2010, a tour setlist with titles for ten of the new songs was posted on Panda Bear's MySpace blog. He also played Primavera Sound Festival in 2010. The single \"Tomboy\" and the b-side \"Slow Motion\" were released in July 2010.", "The single \"Tomboy\" and the b-side \"Slow Motion\" were released in July 2010. It was announced in August that singles \"You Can Count on Me\" and \"Alsatian Darn\" would be released via Domino on September 28. The limited 500 copies of \"You Can Count On Me\" sold out in less than a day. The single \"Last Night at the Jetty\" was released December 2010. The single \"Surfer's Hymn\" was released March 28, 2011.", "The single \"Surfer's Hymn\" was released March 28, 2011. His song \"Comfy In Nautica\" appears in ABC's 2010 global warming movie Earth 2100. Lennox was chosen by Jeff Mangum of Neutral Milk Hotel to perform at the All Tomorrow's Parties festival he planned to curate in December 2011 in Minehead, England. However, Lennox was unable to play when the event was rescheduled to March 2012. In June 2013, Panda Bear performed a set of all new material at ATP.", "In June 2013, Panda Bear performed a set of all new material at ATP. In October 2014, the Mr Noah EP was released, featuring four new songs. The full album, Panda Bear Meets the Grim Reaper, was released in January 2015. In 2018, Lennox released the vinyl-only A Day With the Homies EP, a collection of five songs heavily influenced by house + bass music. Included on the packaging of the release were hidden URLs that pointed to samples used on the EP.", "Included on the packaging of the release were hidden URLs that pointed to samples used on the EP. In February 2019, he released the LP Buoys, featuring production work by longtime collaborator Rusty Santos. It was preceded by the single \"Dolphin\". Outside musical collaborations Lennox plays in the band Jane and Together with DJ Scott Mou.", "Outside musical collaborations Lennox plays in the band Jane and Together with DJ Scott Mou. He has also performed on tracks with Atlas Sound (Bradford Cox of Deerhunter), Ducktails (Matt Mondanile, best known as the former lead guitarist of the American indie rock band Real Estate) and electronic musicians Zomby and Pantha du Prince. Panda Bear appeared on the track \"Doin' It Right\" on the 2013 Daft Punk album Random Access Memories.", "Panda Bear appeared on the track \"Doin' It Right\" on the 2013 Daft Punk album Random Access Memories. The album won Daft Punk the Grammy Award for Album of the Year in 2014, making Panda Bear a co-winner. Personal life In 2004, Lennox moved from New York City to Lisbon, Portugal. He first visited the city for a vacation following a long Animal Collective tour in 2003.", "He first visited the city for a vacation following a long Animal Collective tour in 2003. Lennox says about Lisbon: \"Since I got off the airplane here [for the first time] I had a good feeling about this place.\"", "Lennox says about Lisbon: \"Since I got off the airplane here [for the first time] I had a good feeling about this place.\" He met his wife, the fashion designer Fernanda Pereira, there; after visiting each other in Lisbon and New York, Lennox decided to move to Europe because he also felt \"connected to the European way of life\", considering himself as a \"slow moving kind of person\" and Lisbon as a \"slow moving kind of place\".", "He met his wife, the fashion designer Fernanda Pereira, there; after visiting each other in Lisbon and New York, Lennox decided to move to Europe because he also felt \"connected to the European way of life\", considering himself as a \"slow moving kind of person\" and Lisbon as a \"slow moving kind of place\". Lennox and Pereira have a daughter, Nadja, born in 2005 and a son, born in June 2010.", "Lennox and Pereira have a daughter, Nadja, born in 2005 and a son, born in June 2010. In 2007, he and Pereira collaborated on a line of sweatshirts called 2nd Things. Musical equipment Synthesizers Minimoog Voyager Korg M3 Digital samplers Elektron Octatrack Roland SP-555 Boss SP-303 \"Dr.", "Musical equipment Synthesizers Minimoog Voyager Korg M3 Digital samplers Elektron Octatrack Roland SP-555 Boss SP-303 \"Dr. Sample\" Teenage Engineering OP-1 Drum machine/synthesizer JoMoX Xbase 999 Discography Studio albums Extended plays Singles \"I'm Not/Comfy in Nautica\" (September 22, 2005, UUAR) \"Bros\" (December 4, 2006, Fat Cat Records) \"Carrots\" (January 23, 2007, Paw Tracks) \"Take Pills\" (June 19, 2007, Paw Tracks) \"Tomboy\" (July 13, 2010, Paw Tracks) \"You Can Count on Me\" (October 19, 2010, Domino) \"Last Night at the Jetty\" (December 13, 2010, FatCat Records) \"Surfer's Hymn\" (March 28, 2011, Kompakt) \"Mr Noah\" (October 23, 2014, Domino) \"Boys Latin\" (December 15, 2014, Domino) \"Crosswords\" (August 20, 2015, Domino) \"Dolphin\" (November 8, 2018, Domino) \"Token\" (January 14, 2019, Domino) \"Playing the Long Game\" (October 9, 2019, Domino) Remixes \"Boneless\" (remix of Notwist song \"Boneless\") on \"Boneless\" 7\" \"As Young As Yesterday\" (remix of Korallreven song \"As Young As Yesterday\") on \"As Young As Yesterday\" 12\" (2011) \"Cheap Treat (Panda Bear Version)\" (remix of Eric Copeland song \"Cheap Treat\") on \"Remixes\" EP.", "Sample\" Teenage Engineering OP-1 Drum machine/synthesizer JoMoX Xbase 999 Discography Studio albums Extended plays Singles \"I'm Not/Comfy in Nautica\" (September 22, 2005, UUAR) \"Bros\" (December 4, 2006, Fat Cat Records) \"Carrots\" (January 23, 2007, Paw Tracks) \"Take Pills\" (June 19, 2007, Paw Tracks) \"Tomboy\" (July 13, 2010, Paw Tracks) \"You Can Count on Me\" (October 19, 2010, Domino) \"Last Night at the Jetty\" (December 13, 2010, FatCat Records) \"Surfer's Hymn\" (March 28, 2011, Kompakt) \"Mr Noah\" (October 23, 2014, Domino) \"Boys Latin\" (December 15, 2014, Domino) \"Crosswords\" (August 20, 2015, Domino) \"Dolphin\" (November 8, 2018, Domino) \"Token\" (January 14, 2019, Domino) \"Playing the Long Game\" (October 9, 2019, Domino) Remixes \"Boneless\" (remix of Notwist song \"Boneless\") on \"Boneless\" 7\" \"As Young As Yesterday\" (remix of Korallreven song \"As Young As Yesterday\") on \"As Young As Yesterday\" 12\" (2011) \"Cheap Treat (Panda Bear Version)\" (remix of Eric Copeland song \"Cheap Treat\") on \"Remixes\" EP. \"Melody Unfair (Panda Bear Remix)\" on Essence of Eucalyptus by Avey Tare \"Never Ending Game (Panda Bear Remix)\" on Bigger House by Angel Du$t Appearances One untitled track on Visionaire 53 – Sound (December 1, 2007, Visionaire Publishing, LLC) \"Anna\" on the album East of Eden by Taken by Trees (September 7, 2009) \"Walkabout\" on the album Logos by Atlas Sound (October 20, 2009) \"Stick to My Side\" on the album Black Noise by Pantha du Prince (February 9, 2010) \"Killin the Vibe\" (bonus track) on the album Ducktails III: Arcade Dynamics by Ducktails (January 18, 2011) \"Atiba Song\" composed music for a skateboarding montage directed by Atiba Jefferson and Ty Evans.", "\"Melody Unfair (Panda Bear Remix)\" on Essence of Eucalyptus by Avey Tare \"Never Ending Game (Panda Bear Remix)\" on Bigger House by Angel Du$t Appearances One untitled track on Visionaire 53 – Sound (December 1, 2007, Visionaire Publishing, LLC) \"Anna\" on the album East of Eden by Taken by Trees (September 7, 2009) \"Walkabout\" on the album Logos by Atlas Sound (October 20, 2009) \"Stick to My Side\" on the album Black Noise by Pantha du Prince (February 9, 2010) \"Killin the Vibe\" (bonus track) on the album Ducktails III: Arcade Dynamics by Ducktails (January 18, 2011) \"Atiba Song\" composed music for a skateboarding montage directed by Atiba Jefferson and Ty Evans. The track was initially created by Atiba, then finished by Panda Bear.", "The track was initially created by Atiba, then finished by Panda Bear. \"The Preakness\" on the cassette tape Keep + Animal Collective (March 2011, Keep) \"Things Fall Apart\" on the album Dedication by Zomby (July 11, 2011) \"Pyjama\" on the album Tracer by Teengirl Fantasy (August 21, 2012) \"Doin' It Right\" on the album Random Access Memories by Daft Punk (May 17, 2013) \"Time (Is)\", \"Binz\", \"Beltway\" and \"I'm a Witness\" on the album When I Get Home by Solange (March 1, 2019) \"I Don't Need a Crowd\" on the I Don't Need a Crowd/The One That Got Away 7\" by Paul Maroon (March 15, 2019) \"Studie\" on the album Anicca by Teebs (September 18, 2019) \"Gameday Continues\" on the album HBCU Gameday by Sporting Life.", "\"The Preakness\" on the cassette tape Keep + Animal Collective (March 2011, Keep) \"Things Fall Apart\" on the album Dedication by Zomby (July 11, 2011) \"Pyjama\" on the album Tracer by Teengirl Fantasy (August 21, 2012) \"Doin' It Right\" on the album Random Access Memories by Daft Punk (May 17, 2013) \"Time (Is)\", \"Binz\", \"Beltway\" and \"I'm a Witness\" on the album When I Get Home by Solange (March 1, 2019) \"I Don't Need a Crowd\" on the I Don't Need a Crowd/The One That Got Away 7\" by Paul Maroon (March 15, 2019) \"Studie\" on the album Anicca by Teebs (September 18, 2019) \"Gameday Continues\" on the album HBCU Gameday by Sporting Life. (January 27, 2020) \"Just a Little Piece of Me\" on the album All Things Being Equal by Sonic Boom.", "(January 27, 2020) \"Just a Little Piece of Me\" on the album All Things Being Equal by Sonic Boom. (June 5, 2020) References External links Interview from 2008 on Onhiat.us Ola's Kool Kitchen on Radio 23 – Panda Bear Live, Primavera 2010 American male singers 1978 births 21st-century American musicians Living people Ableton Live users American expatriates in Portugal Animal Collective members Grammy Award winners Experimental pop musicians Domino Recording Company artists 21st-century American singers" ]

[ "Panda Bear (musician)", "Animal Collective", "What was the Animal Collective?", "The band then became more collaborative in nature and they finally settled on the name \"Animal Collective" ]

[ "Sagawa Express Osaka Soccer Club(佐川急便大阪サッカー部) was a Japanese football club based in Higashisumiyoshi-ku, Osaka.\n\nHistory \nThey were founded in 1965 and played in the Japan Football League (JFL) from 2002 to 2007, when they merged with Sagawa Express Tokyo S.C. to form what is now Sagawa Shiga F.C. As the name implies they were run by Sagawa Express, a Japanese transportation business.\n\nPrior to joining the JFL the team played in the Kansai Soccer League, in which they won four championships. They joined the JFL in 2002, one year after their Tokyo counterparts did. They did not repeat their earlier success after the switch. In 2007 the team announced the merger with Sagawa Express Tokyo to form Sagawa Express S.C., now Sagawa Shiga F.C., based in Shiga Prefecture.\n\nHonors \n Kansai Soccer League: 4\n1997, 1998, 2000, 2001\n\nExternal links\n Hikyaku Kaido (in Japanese)\n \n\nAssociation football clubs established in 1965\nAssociation football clubs disestablished in 2007\nDefunct football clubs in Japan\n1965 establishments in Japan\n2007 disestablishments in Japan\nJapan Football League clubs", "Gloria! is the eighth studio album released by American singer-songwriter Gloria Estefan, released on June 2, 1998, by Epic Records.\n\nBackground\nGloria! is a dance and house album which was a departure from Estefan's previous works. Though dance elements had been featured in previous recordings, this was her first album to consist entirely of upbeat club music.\n\nThe album spawned four singles and one promotional single. \"Heaven's What I Feel\" was released as the first single from the album and peaked at number 27 on the Billboard Hot 100. \"Oye!\" was released as the second single from the album, however, its release as a physical single was canceled in the United States. The song peaked at number 1 on the Hot Dance Music/Club Play, Hot Latin Tracks, and the Latin Tropical/Salsa Airplay charts. \"Don't Let This Moment End\" was released as the third single from the album and peaked at number 76 on the Billboard Hot 100. In Spain, \"Cuba Libre\" was released as a fourth single and \"Don't Stop\" was released promotionally. Though they did not feature any tracks from Gloria!, the extended plays \"Bailando!\" and \"Partytime!\" were released exclusively at Target stores as a form of promotion for the album.\n\nSeveral nominations were received for the album's singles. \"Heaven's What I Feel\" received a Grammy Music Award nomination for \"Best Dance Recording\", as did \"Don't Let This Moment End\" the following year. Estefan received a Grammy nomination for \"Best Video, Long Form\" for the album's supplementary DVD Don't Stop!. Estefan received the Billboard Latin Music Award for \"Best Latin Dance Club Play Track of the Year\" for \"Oye!\" and received an Alma Award for the music video for \"Heaven's What I Feel\".\n\nTrack listing\n\nCharts\n\nWeekly charts\n\nYear-end charts\n\nCertifications and sales\n\nAccolades\n\nRelease history\n\nReferences\n\n1998 albums\nGloria Estefan albums\nDance music albums by American artists\nAlbums produced by Emilio Estefan" ]

[ "Noah Benjamin Lennox (born July 17, 1978), also known by his moniker Panda Bear, is an American musician, singer-songwriter and co-founding member of the band Animal Collective. In addition to his work with that group, Lennox has released six solo LPs since 1999. His third, Person Pitch (2007), is noted for influencing a wide range of subsequent indie music in addition to inspiring the chillwave genre and numerous soundalike acts.", "His third, Person Pitch (2007), is noted for influencing a wide range of subsequent indie music in addition to inspiring the chillwave genre and numerous soundalike acts. Lennox was primarily raised in Baltimore, Maryland, where he sang tenor in his high school chamber choir, and studied piano and cello. The name \"Panda Bear\" derived from his habit of drawing pandas on his early mixtapes as a teenager. He and the other members of Animal Collective began collaborating in the late 1990s.", "He and the other members of Animal Collective began collaborating in the late 1990s. He has lived in Lisbon, Portugal since 2004. Early life Lennox grew up in the Roland Park section of Baltimore, Maryland, and attended Waldorf School of Baltimore through 8th grade, and Kimberton Waldorf School in Chester County, Pennsylvania for high school. His family moved frequently during his early years, owing to his father's studies to be an orthopedic surgeon. As a youth, he played sports, mainly soccer and basketball.", "As a youth, he played sports, mainly soccer and basketball. His brother, Matt Lennox (the Animal Collective song \"Brother Sport\" is directed at him), was a leading player on the high school basketball team and Noah was also a team member, playing as point guard. Lennox has also stated in interviews that he enjoyed drawing a lot as a teenager, especially pandas, and later started drawing pandas on his early mixtapes.", "Lennox has also stated in interviews that he enjoyed drawing a lot as a teenager, especially pandas, and later started drawing pandas on his early mixtapes. He also studied piano until he was eight, then cello, and later on he sang tenor in his high school chamber choir. Though he and his family have never been very religious, Lennox briefly attended Boston University, where he majored in religion because of his interest in \"the concept of God\".", "Though he and his family have never been very religious, Lennox briefly attended Boston University, where he majored in religion because of his interest in \"the concept of God\". Career Animal Collective As a teen, Lennox began listening to electronic music styles such as house and techno, and artists such as Aphex Twin, all of which became a major influence on his later work. He recorded and performed music—solo and with friends.", "He recorded and performed music—solo and with friends. He recorded and performed music—solo and with friends. Lennox started using the name \"Panda Bear\" because he drew pictures of pandas for the artwork of his recordings. Lennox had been friends with Deakin (Josh Dibb) since the second grade. Deakin introduced Lennox to his high school friends Avey Tare (Dave Portner) and Geologist (Brian Weitz). For years, the four of them swapped homemade recordings, shared musical ideas and performed in different group configurations.", "For years, the four of them swapped homemade recordings, shared musical ideas and performed in different group configurations. Lennox, along with Deakin moved to New York in 2000. The band then became more collaborative in nature and they finally settled on the name \"Animal Collective\". Since the 2007 releases of Panda Bear's Person Pitch and Animal Collective's Strawberry Jam, he has focused more on using samplers and other electronics in their shows.", "Since the 2007 releases of Panda Bear's Person Pitch and Animal Collective's Strawberry Jam, he has focused more on using samplers and other electronics in their shows. He has named Black Dice as a major influence stating \"Black Dice took us on our first tour and I feel like the wisest things I've learned about being in a band I learned by watching them.\" He said he looks to Black Dice \"as a model for a band...", "He said he looks to Black Dice \"as a model for a band... I feel like as a band, I can't speak for the other guys [of Animal Collective], but certainly for myself, like I modelled the way I approach to everything with the band watching the way Black Dice did it.\" In addition to singing, Lennox played drums and occasionally guitar in Animal Collective's live performances. He cites Stewart Copeland as the biggest influence on his drumming style.", "He cites Stewart Copeland as the biggest influence on his drumming style. Solo work Lennox's early musical influences included electronic styles, and his solo work has been variously characterized as experimental pop, electronic, bedroom pop, neo-psychedelic pop, and indie music. The Line of Best Fit called him a \"psychedelic pop trailblazer.\" Lennox's debut album Panda Bear was released in 1999 on Soccer Star Records.", "Lennox's debut album Panda Bear was released in 1999 on Soccer Star Records. After focusing more on touring and recording with Animal Collective, he released the follow-up Young Prayer in 2004 and the highly acclaimed third solo album Person Pitch in 2007. Of his songwriting style, Lennox says \"I get impatient writing songs, I can't spend more than a couple of hours before I get frustrated. So I got to kind of spit it out real fast.", "So I got to kind of spit it out real fast. My favorite songs are the ones where I worked really really fast on, when it comes all out in like two hours or something.\" Panda Bear's fourth album, Tomboy, was released April 12, 2011, on his own label, Paw Tracks. He started performing material from Tomboy on December 5, 2008, at a show with No Age in Miami, Florida.", "He started performing material from Tomboy on December 5, 2008, at a show with No Age in Miami, Florida. During a brief European tour in January 2010, he played three shows consisting almost entirely of new material. On March 7, 2010, a tour setlist with titles for ten of the new songs was posted on Panda Bear's MySpace blog. He also played Primavera Sound Festival in 2010. The single \"Tomboy\" and the b-side \"Slow Motion\" were released in July 2010.", "The single \"Tomboy\" and the b-side \"Slow Motion\" were released in July 2010. It was announced in August that singles \"You Can Count on Me\" and \"Alsatian Darn\" would be released via Domino on September 28. The limited 500 copies of \"You Can Count On Me\" sold out in less than a day. The single \"Last Night at the Jetty\" was released December 2010. The single \"Surfer's Hymn\" was released March 28, 2011.", "The single \"Surfer's Hymn\" was released March 28, 2011. His song \"Comfy In Nautica\" appears in ABC's 2010 global warming movie Earth 2100. Lennox was chosen by Jeff Mangum of Neutral Milk Hotel to perform at the All Tomorrow's Parties festival he planned to curate in December 2011 in Minehead, England. However, Lennox was unable to play when the event was rescheduled to March 2012. In June 2013, Panda Bear performed a set of all new material at ATP.", "In June 2013, Panda Bear performed a set of all new material at ATP. In October 2014, the Mr Noah EP was released, featuring four new songs. The full album, Panda Bear Meets the Grim Reaper, was released in January 2015. In 2018, Lennox released the vinyl-only A Day With the Homies EP, a collection of five songs heavily influenced by house + bass music. Included on the packaging of the release were hidden URLs that pointed to samples used on the EP.", "Included on the packaging of the release were hidden URLs that pointed to samples used on the EP. In February 2019, he released the LP Buoys, featuring production work by longtime collaborator Rusty Santos. It was preceded by the single \"Dolphin\". Outside musical collaborations Lennox plays in the band Jane and Together with DJ Scott Mou.", "Outside musical collaborations Lennox plays in the band Jane and Together with DJ Scott Mou. He has also performed on tracks with Atlas Sound (Bradford Cox of Deerhunter), Ducktails (Matt Mondanile, best known as the former lead guitarist of the American indie rock band Real Estate) and electronic musicians Zomby and Pantha du Prince. Panda Bear appeared on the track \"Doin' It Right\" on the 2013 Daft Punk album Random Access Memories.", "Panda Bear appeared on the track \"Doin' It Right\" on the 2013 Daft Punk album Random Access Memories. The album won Daft Punk the Grammy Award for Album of the Year in 2014, making Panda Bear a co-winner. Personal life In 2004, Lennox moved from New York City to Lisbon, Portugal. He first visited the city for a vacation following a long Animal Collective tour in 2003.", "He first visited the city for a vacation following a long Animal Collective tour in 2003. Lennox says about Lisbon: \"Since I got off the airplane here [for the first time] I had a good feeling about this place.\"", "Lennox says about Lisbon: \"Since I got off the airplane here [for the first time] I had a good feeling about this place.\" He met his wife, the fashion designer Fernanda Pereira, there; after visiting each other in Lisbon and New York, Lennox decided to move to Europe because he also felt \"connected to the European way of life\", considering himself as a \"slow moving kind of person\" and Lisbon as a \"slow moving kind of place\".", "He met his wife, the fashion designer Fernanda Pereira, there; after visiting each other in Lisbon and New York, Lennox decided to move to Europe because he also felt \"connected to the European way of life\", considering himself as a \"slow moving kind of person\" and Lisbon as a \"slow moving kind of place\". Lennox and Pereira have a daughter, Nadja, born in 2005 and a son, born in June 2010.", "Lennox and Pereira have a daughter, Nadja, born in 2005 and a son, born in June 2010. In 2007, he and Pereira collaborated on a line of sweatshirts called 2nd Things. Musical equipment Synthesizers Minimoog Voyager Korg M3 Digital samplers Elektron Octatrack Roland SP-555 Boss SP-303 \"Dr.", "Musical equipment Synthesizers Minimoog Voyager Korg M3 Digital samplers Elektron Octatrack Roland SP-555 Boss SP-303 \"Dr. Sample\" Teenage Engineering OP-1 Drum machine/synthesizer JoMoX Xbase 999 Discography Studio albums Extended plays Singles \"I'm Not/Comfy in Nautica\" (September 22, 2005, UUAR) \"Bros\" (December 4, 2006, Fat Cat Records) \"Carrots\" (January 23, 2007, Paw Tracks) \"Take Pills\" (June 19, 2007, Paw Tracks) \"Tomboy\" (July 13, 2010, Paw Tracks) \"You Can Count on Me\" (October 19, 2010, Domino) \"Last Night at the Jetty\" (December 13, 2010, FatCat Records) \"Surfer's Hymn\" (March 28, 2011, Kompakt) \"Mr Noah\" (October 23, 2014, Domino) \"Boys Latin\" (December 15, 2014, Domino) \"Crosswords\" (August 20, 2015, Domino) \"Dolphin\" (November 8, 2018, Domino) \"Token\" (January 14, 2019, Domino) \"Playing the Long Game\" (October 9, 2019, Domino) Remixes \"Boneless\" (remix of Notwist song \"Boneless\") on \"Boneless\" 7\" \"As Young As Yesterday\" (remix of Korallreven song \"As Young As Yesterday\") on \"As Young As Yesterday\" 12\" (2011) \"Cheap Treat (Panda Bear Version)\" (remix of Eric Copeland song \"Cheap Treat\") on \"Remixes\" EP.", "Sample\" Teenage Engineering OP-1 Drum machine/synthesizer JoMoX Xbase 999 Discography Studio albums Extended plays Singles \"I'm Not/Comfy in Nautica\" (September 22, 2005, UUAR) \"Bros\" (December 4, 2006, Fat Cat Records) \"Carrots\" (January 23, 2007, Paw Tracks) \"Take Pills\" (June 19, 2007, Paw Tracks) \"Tomboy\" (July 13, 2010, Paw Tracks) \"You Can Count on Me\" (October 19, 2010, Domino) \"Last Night at the Jetty\" (December 13, 2010, FatCat Records) \"Surfer's Hymn\" (March 28, 2011, Kompakt) \"Mr Noah\" (October 23, 2014, Domino) \"Boys Latin\" (December 15, 2014, Domino) \"Crosswords\" (August 20, 2015, Domino) \"Dolphin\" (November 8, 2018, Domino) \"Token\" (January 14, 2019, Domino) \"Playing the Long Game\" (October 9, 2019, Domino) Remixes \"Boneless\" (remix of Notwist song \"Boneless\") on \"Boneless\" 7\" \"As Young As Yesterday\" (remix of Korallreven song \"As Young As Yesterday\") on \"As Young As Yesterday\" 12\" (2011) \"Cheap Treat (Panda Bear Version)\" (remix of Eric Copeland song \"Cheap Treat\") on \"Remixes\" EP. \"Melody Unfair (Panda Bear Remix)\" on Essence of Eucalyptus by Avey Tare \"Never Ending Game (Panda Bear Remix)\" on Bigger House by Angel Du$t Appearances One untitled track on Visionaire 53 – Sound (December 1, 2007, Visionaire Publishing, LLC) \"Anna\" on the album East of Eden by Taken by Trees (September 7, 2009) \"Walkabout\" on the album Logos by Atlas Sound (October 20, 2009) \"Stick to My Side\" on the album Black Noise by Pantha du Prince (February 9, 2010) \"Killin the Vibe\" (bonus track) on the album Ducktails III: Arcade Dynamics by Ducktails (January 18, 2011) \"Atiba Song\" composed music for a skateboarding montage directed by Atiba Jefferson and Ty Evans.", "\"Melody Unfair (Panda Bear Remix)\" on Essence of Eucalyptus by Avey Tare \"Never Ending Game (Panda Bear Remix)\" on Bigger House by Angel Du$t Appearances One untitled track on Visionaire 53 – Sound (December 1, 2007, Visionaire Publishing, LLC) \"Anna\" on the album East of Eden by Taken by Trees (September 7, 2009) \"Walkabout\" on the album Logos by Atlas Sound (October 20, 2009) \"Stick to My Side\" on the album Black Noise by Pantha du Prince (February 9, 2010) \"Killin the Vibe\" (bonus track) on the album Ducktails III: Arcade Dynamics by Ducktails (January 18, 2011) \"Atiba Song\" composed music for a skateboarding montage directed by Atiba Jefferson and Ty Evans. The track was initially created by Atiba, then finished by Panda Bear.", "The track was initially created by Atiba, then finished by Panda Bear. \"The Preakness\" on the cassette tape Keep + Animal Collective (March 2011, Keep) \"Things Fall Apart\" on the album Dedication by Zomby (July 11, 2011) \"Pyjama\" on the album Tracer by Teengirl Fantasy (August 21, 2012) \"Doin' It Right\" on the album Random Access Memories by Daft Punk (May 17, 2013) \"Time (Is)\", \"Binz\", \"Beltway\" and \"I'm a Witness\" on the album When I Get Home by Solange (March 1, 2019) \"I Don't Need a Crowd\" on the I Don't Need a Crowd/The One That Got Away 7\" by Paul Maroon (March 15, 2019) \"Studie\" on the album Anicca by Teebs (September 18, 2019) \"Gameday Continues\" on the album HBCU Gameday by Sporting Life.", "\"The Preakness\" on the cassette tape Keep + Animal Collective (March 2011, Keep) \"Things Fall Apart\" on the album Dedication by Zomby (July 11, 2011) \"Pyjama\" on the album Tracer by Teengirl Fantasy (August 21, 2012) \"Doin' It Right\" on the album Random Access Memories by Daft Punk (May 17, 2013) \"Time (Is)\", \"Binz\", \"Beltway\" and \"I'm a Witness\" on the album When I Get Home by Solange (March 1, 2019) \"I Don't Need a Crowd\" on the I Don't Need a Crowd/The One That Got Away 7\" by Paul Maroon (March 15, 2019) \"Studie\" on the album Anicca by Teebs (September 18, 2019) \"Gameday Continues\" on the album HBCU Gameday by Sporting Life. (January 27, 2020) \"Just a Little Piece of Me\" on the album All Things Being Equal by Sonic Boom.", "(January 27, 2020) \"Just a Little Piece of Me\" on the album All Things Being Equal by Sonic Boom. (June 5, 2020) References External links Interview from 2008 on Onhiat.us Ola's Kool Kitchen on Radio 23 – Panda Bear Live, Primavera 2010 American male singers 1978 births 21st-century American musicians Living people Ableton Live users American expatriates in Portugal Animal Collective members Grammy Award winners Experimental pop musicians Domino Recording Company artists 21st-century American singers" ]

[ "Panda Bear (musician)", "Animal Collective", "What was the Animal Collective?", "The band then became more collaborative in nature and they finally settled on the name \"Animal Collective", "What year did they form?", "2000.", "How long were they active?", "I don't know." ]

[ "Keep + Animal Collective is the sixth EP by experimental pop band Animal Collective, released on the March 26, 2011 on cassette. Bundled with a range of shoes designed by the band, Keep + Animal Collective contains one solo song from each member of the group.\n\nThe EP was released in limited quantities and was only sold in a bundle with the Keep + Animal Collective shoes on a first-come, first-served basis.\n\n\"The Preakness\" was later included on the deluxe edition of Tomboy, and an alternate version was included on the Crosswords EP.\n\nTracklisting\n\nReferences \n\n2010 EPs\nAnimal Collective EPs", "\"Fireworks\" is the second single from Animal Collective's 2007 album, Strawberry Jam, released November 5, 2007 by Domino Records. Rather than including a B-side, the reverse side of the record is an etching. The video for the song premiered in July 2007, which shows the band members watching fireworks. During the tours of 2005 and 2006 this song was known as \"Allman Vibe\".\n\nThe song was listed at No. 35 on Pitchfork Media's top 500 songs of the 2000s.\n\nWhen performed live between 2007 and 2009, the song often stretched upwards of ten minutes with the addition of elements of either \"Essplode\" or \"Lablakely Dress\", two songs from the band's earlier album Danse Manatee.\n\nThis song appeared in the Channel 4 drama series Skins in 2007, and in an episode of the third season of HBO series In Treatment in 2010.\n\nTrack listing\n\n2007 singles\nAnimal Collective songs\n2007 songs\nDomino Recording Company singles" ]

[ "Noah Benjamin Lennox (born July 17, 1978), also known by his moniker Panda Bear, is an American musician, singer-songwriter and co-founding member of the band Animal Collective. In addition to his work with that group, Lennox has released six solo LPs since 1999. His third, Person Pitch (2007), is noted for influencing a wide range of subsequent indie music in addition to inspiring the chillwave genre and numerous soundalike acts.", "His third, Person Pitch (2007), is noted for influencing a wide range of subsequent indie music in addition to inspiring the chillwave genre and numerous soundalike acts. Lennox was primarily raised in Baltimore, Maryland, where he sang tenor in his high school chamber choir, and studied piano and cello. The name \"Panda Bear\" derived from his habit of drawing pandas on his early mixtapes as a teenager. He and the other members of Animal Collective began collaborating in the late 1990s.", "He and the other members of Animal Collective began collaborating in the late 1990s. He has lived in Lisbon, Portugal since 2004. Early life Lennox grew up in the Roland Park section of Baltimore, Maryland, and attended Waldorf School of Baltimore through 8th grade, and Kimberton Waldorf School in Chester County, Pennsylvania for high school. His family moved frequently during his early years, owing to his father's studies to be an orthopedic surgeon. As a youth, he played sports, mainly soccer and basketball.", "As a youth, he played sports, mainly soccer and basketball. His brother, Matt Lennox (the Animal Collective song \"Brother Sport\" is directed at him), was a leading player on the high school basketball team and Noah was also a team member, playing as point guard. Lennox has also stated in interviews that he enjoyed drawing a lot as a teenager, especially pandas, and later started drawing pandas on his early mixtapes.", "Lennox has also stated in interviews that he enjoyed drawing a lot as a teenager, especially pandas, and later started drawing pandas on his early mixtapes. He also studied piano until he was eight, then cello, and later on he sang tenor in his high school chamber choir. Though he and his family have never been very religious, Lennox briefly attended Boston University, where he majored in religion because of his interest in \"the concept of God\".", "Though he and his family have never been very religious, Lennox briefly attended Boston University, where he majored in religion because of his interest in \"the concept of God\". Career Animal Collective As a teen, Lennox began listening to electronic music styles such as house and techno, and artists such as Aphex Twin, all of which became a major influence on his later work. He recorded and performed music—solo and with friends.", "He recorded and performed music—solo and with friends. He recorded and performed music—solo and with friends. Lennox started using the name \"Panda Bear\" because he drew pictures of pandas for the artwork of his recordings. Lennox had been friends with Deakin (Josh Dibb) since the second grade. Deakin introduced Lennox to his high school friends Avey Tare (Dave Portner) and Geologist (Brian Weitz). For years, the four of them swapped homemade recordings, shared musical ideas and performed in different group configurations.", "For years, the four of them swapped homemade recordings, shared musical ideas and performed in different group configurations. Lennox, along with Deakin moved to New York in 2000. The band then became more collaborative in nature and they finally settled on the name \"Animal Collective\". Since the 2007 releases of Panda Bear's Person Pitch and Animal Collective's Strawberry Jam, he has focused more on using samplers and other electronics in their shows.", "Since the 2007 releases of Panda Bear's Person Pitch and Animal Collective's Strawberry Jam, he has focused more on using samplers and other electronics in their shows. He has named Black Dice as a major influence stating \"Black Dice took us on our first tour and I feel like the wisest things I've learned about being in a band I learned by watching them.\" He said he looks to Black Dice \"as a model for a band...", "He said he looks to Black Dice \"as a model for a band... I feel like as a band, I can't speak for the other guys [of Animal Collective], but certainly for myself, like I modelled the way I approach to everything with the band watching the way Black Dice did it.\" In addition to singing, Lennox played drums and occasionally guitar in Animal Collective's live performances. He cites Stewart Copeland as the biggest influence on his drumming style.", "He cites Stewart Copeland as the biggest influence on his drumming style. Solo work Lennox's early musical influences included electronic styles, and his solo work has been variously characterized as experimental pop, electronic, bedroom pop, neo-psychedelic pop, and indie music. The Line of Best Fit called him a \"psychedelic pop trailblazer.\" Lennox's debut album Panda Bear was released in 1999 on Soccer Star Records.", "Lennox's debut album Panda Bear was released in 1999 on Soccer Star Records. After focusing more on touring and recording with Animal Collective, he released the follow-up Young Prayer in 2004 and the highly acclaimed third solo album Person Pitch in 2007. Of his songwriting style, Lennox says \"I get impatient writing songs, I can't spend more than a couple of hours before I get frustrated. So I got to kind of spit it out real fast.", "So I got to kind of spit it out real fast. My favorite songs are the ones where I worked really really fast on, when it comes all out in like two hours or something.\" Panda Bear's fourth album, Tomboy, was released April 12, 2011, on his own label, Paw Tracks. He started performing material from Tomboy on December 5, 2008, at a show with No Age in Miami, Florida.", "He started performing material from Tomboy on December 5, 2008, at a show with No Age in Miami, Florida. During a brief European tour in January 2010, he played three shows consisting almost entirely of new material. On March 7, 2010, a tour setlist with titles for ten of the new songs was posted on Panda Bear's MySpace blog. He also played Primavera Sound Festival in 2010. The single \"Tomboy\" and the b-side \"Slow Motion\" were released in July 2010.", "The single \"Tomboy\" and the b-side \"Slow Motion\" were released in July 2010. It was announced in August that singles \"You Can Count on Me\" and \"Alsatian Darn\" would be released via Domino on September 28. The limited 500 copies of \"You Can Count On Me\" sold out in less than a day. The single \"Last Night at the Jetty\" was released December 2010. The single \"Surfer's Hymn\" was released March 28, 2011.", "The single \"Surfer's Hymn\" was released March 28, 2011. His song \"Comfy In Nautica\" appears in ABC's 2010 global warming movie Earth 2100. Lennox was chosen by Jeff Mangum of Neutral Milk Hotel to perform at the All Tomorrow's Parties festival he planned to curate in December 2011 in Minehead, England. However, Lennox was unable to play when the event was rescheduled to March 2012. In June 2013, Panda Bear performed a set of all new material at ATP.", "In June 2013, Panda Bear performed a set of all new material at ATP. In October 2014, the Mr Noah EP was released, featuring four new songs. The full album, Panda Bear Meets the Grim Reaper, was released in January 2015. In 2018, Lennox released the vinyl-only A Day With the Homies EP, a collection of five songs heavily influenced by house + bass music. Included on the packaging of the release were hidden URLs that pointed to samples used on the EP.", "Included on the packaging of the release were hidden URLs that pointed to samples used on the EP. In February 2019, he released the LP Buoys, featuring production work by longtime collaborator Rusty Santos. It was preceded by the single \"Dolphin\". Outside musical collaborations Lennox plays in the band Jane and Together with DJ Scott Mou.", "Outside musical collaborations Lennox plays in the band Jane and Together with DJ Scott Mou. He has also performed on tracks with Atlas Sound (Bradford Cox of Deerhunter), Ducktails (Matt Mondanile, best known as the former lead guitarist of the American indie rock band Real Estate) and electronic musicians Zomby and Pantha du Prince. Panda Bear appeared on the track \"Doin' It Right\" on the 2013 Daft Punk album Random Access Memories.", "Panda Bear appeared on the track \"Doin' It Right\" on the 2013 Daft Punk album Random Access Memories. The album won Daft Punk the Grammy Award for Album of the Year in 2014, making Panda Bear a co-winner. Personal life In 2004, Lennox moved from New York City to Lisbon, Portugal. He first visited the city for a vacation following a long Animal Collective tour in 2003.", "He first visited the city for a vacation following a long Animal Collective tour in 2003. Lennox says about Lisbon: \"Since I got off the airplane here [for the first time] I had a good feeling about this place.\"", "Lennox says about Lisbon: \"Since I got off the airplane here [for the first time] I had a good feeling about this place.\" He met his wife, the fashion designer Fernanda Pereira, there; after visiting each other in Lisbon and New York, Lennox decided to move to Europe because he also felt \"connected to the European way of life\", considering himself as a \"slow moving kind of person\" and Lisbon as a \"slow moving kind of place\".", "He met his wife, the fashion designer Fernanda Pereira, there; after visiting each other in Lisbon and New York, Lennox decided to move to Europe because he also felt \"connected to the European way of life\", considering himself as a \"slow moving kind of person\" and Lisbon as a \"slow moving kind of place\". Lennox and Pereira have a daughter, Nadja, born in 2005 and a son, born in June 2010.", "Lennox and Pereira have a daughter, Nadja, born in 2005 and a son, born in June 2010. In 2007, he and Pereira collaborated on a line of sweatshirts called 2nd Things. Musical equipment Synthesizers Minimoog Voyager Korg M3 Digital samplers Elektron Octatrack Roland SP-555 Boss SP-303 \"Dr.", "Musical equipment Synthesizers Minimoog Voyager Korg M3 Digital samplers Elektron Octatrack Roland SP-555 Boss SP-303 \"Dr. Sample\" Teenage Engineering OP-1 Drum machine/synthesizer JoMoX Xbase 999 Discography Studio albums Extended plays Singles \"I'm Not/Comfy in Nautica\" (September 22, 2005, UUAR) \"Bros\" (December 4, 2006, Fat Cat Records) \"Carrots\" (January 23, 2007, Paw Tracks) \"Take Pills\" (June 19, 2007, Paw Tracks) \"Tomboy\" (July 13, 2010, Paw Tracks) \"You Can Count on Me\" (October 19, 2010, Domino) \"Last Night at the Jetty\" (December 13, 2010, FatCat Records) \"Surfer's Hymn\" (March 28, 2011, Kompakt) \"Mr Noah\" (October 23, 2014, Domino) \"Boys Latin\" (December 15, 2014, Domino) \"Crosswords\" (August 20, 2015, Domino) \"Dolphin\" (November 8, 2018, Domino) \"Token\" (January 14, 2019, Domino) \"Playing the Long Game\" (October 9, 2019, Domino) Remixes \"Boneless\" (remix of Notwist song \"Boneless\") on \"Boneless\" 7\" \"As Young As Yesterday\" (remix of Korallreven song \"As Young As Yesterday\") on \"As Young As Yesterday\" 12\" (2011) \"Cheap Treat (Panda Bear Version)\" (remix of Eric Copeland song \"Cheap Treat\") on \"Remixes\" EP.", "Sample\" Teenage Engineering OP-1 Drum machine/synthesizer JoMoX Xbase 999 Discography Studio albums Extended plays Singles \"I'm Not/Comfy in Nautica\" (September 22, 2005, UUAR) \"Bros\" (December 4, 2006, Fat Cat Records) \"Carrots\" (January 23, 2007, Paw Tracks) \"Take Pills\" (June 19, 2007, Paw Tracks) \"Tomboy\" (July 13, 2010, Paw Tracks) \"You Can Count on Me\" (October 19, 2010, Domino) \"Last Night at the Jetty\" (December 13, 2010, FatCat Records) \"Surfer's Hymn\" (March 28, 2011, Kompakt) \"Mr Noah\" (October 23, 2014, Domino) \"Boys Latin\" (December 15, 2014, Domino) \"Crosswords\" (August 20, 2015, Domino) \"Dolphin\" (November 8, 2018, Domino) \"Token\" (January 14, 2019, Domino) \"Playing the Long Game\" (October 9, 2019, Domino) Remixes \"Boneless\" (remix of Notwist song \"Boneless\") on \"Boneless\" 7\" \"As Young As Yesterday\" (remix of Korallreven song \"As Young As Yesterday\") on \"As Young As Yesterday\" 12\" (2011) \"Cheap Treat (Panda Bear Version)\" (remix of Eric Copeland song \"Cheap Treat\") on \"Remixes\" EP. \"Melody Unfair (Panda Bear Remix)\" on Essence of Eucalyptus by Avey Tare \"Never Ending Game (Panda Bear Remix)\" on Bigger House by Angel Du$t Appearances One untitled track on Visionaire 53 – Sound (December 1, 2007, Visionaire Publishing, LLC) \"Anna\" on the album East of Eden by Taken by Trees (September 7, 2009) \"Walkabout\" on the album Logos by Atlas Sound (October 20, 2009) \"Stick to My Side\" on the album Black Noise by Pantha du Prince (February 9, 2010) \"Killin the Vibe\" (bonus track) on the album Ducktails III: Arcade Dynamics by Ducktails (January 18, 2011) \"Atiba Song\" composed music for a skateboarding montage directed by Atiba Jefferson and Ty Evans.", "\"Melody Unfair (Panda Bear Remix)\" on Essence of Eucalyptus by Avey Tare \"Never Ending Game (Panda Bear Remix)\" on Bigger House by Angel Du$t Appearances One untitled track on Visionaire 53 – Sound (December 1, 2007, Visionaire Publishing, LLC) \"Anna\" on the album East of Eden by Taken by Trees (September 7, 2009) \"Walkabout\" on the album Logos by Atlas Sound (October 20, 2009) \"Stick to My Side\" on the album Black Noise by Pantha du Prince (February 9, 2010) \"Killin the Vibe\" (bonus track) on the album Ducktails III: Arcade Dynamics by Ducktails (January 18, 2011) \"Atiba Song\" composed music for a skateboarding montage directed by Atiba Jefferson and Ty Evans. The track was initially created by Atiba, then finished by Panda Bear.", "The track was initially created by Atiba, then finished by Panda Bear. \"The Preakness\" on the cassette tape Keep + Animal Collective (March 2011, Keep) \"Things Fall Apart\" on the album Dedication by Zomby (July 11, 2011) \"Pyjama\" on the album Tracer by Teengirl Fantasy (August 21, 2012) \"Doin' It Right\" on the album Random Access Memories by Daft Punk (May 17, 2013) \"Time (Is)\", \"Binz\", \"Beltway\" and \"I'm a Witness\" on the album When I Get Home by Solange (March 1, 2019) \"I Don't Need a Crowd\" on the I Don't Need a Crowd/The One That Got Away 7\" by Paul Maroon (March 15, 2019) \"Studie\" on the album Anicca by Teebs (September 18, 2019) \"Gameday Continues\" on the album HBCU Gameday by Sporting Life.", "\"The Preakness\" on the cassette tape Keep + Animal Collective (March 2011, Keep) \"Things Fall Apart\" on the album Dedication by Zomby (July 11, 2011) \"Pyjama\" on the album Tracer by Teengirl Fantasy (August 21, 2012) \"Doin' It Right\" on the album Random Access Memories by Daft Punk (May 17, 2013) \"Time (Is)\", \"Binz\", \"Beltway\" and \"I'm a Witness\" on the album When I Get Home by Solange (March 1, 2019) \"I Don't Need a Crowd\" on the I Don't Need a Crowd/The One That Got Away 7\" by Paul Maroon (March 15, 2019) \"Studie\" on the album Anicca by Teebs (September 18, 2019) \"Gameday Continues\" on the album HBCU Gameday by Sporting Life. (January 27, 2020) \"Just a Little Piece of Me\" on the album All Things Being Equal by Sonic Boom.", "(January 27, 2020) \"Just a Little Piece of Me\" on the album All Things Being Equal by Sonic Boom. (June 5, 2020) References External links Interview from 2008 on Onhiat.us Ola's Kool Kitchen on Radio 23 – Panda Bear Live, Primavera 2010 American male singers 1978 births 21st-century American musicians Living people Ableton Live users American expatriates in Portugal Animal Collective members Grammy Award winners Experimental pop musicians Domino Recording Company artists 21st-century American singers" ]

[ "Panda Bear (musician)", "Animal Collective", "What was the Animal Collective?", "The band then became more collaborative in nature and they finally settled on the name \"Animal Collective", "What year did they form?", "2000.", "How long were they active?", "I don't know.", "How many band members are in Animal Collective?", "four" ]

[ "Fonds commun de placement translates to \"investment funds\" or \"mutual funds\", and are open-ended collective investment funds based that are neither trust or company law based. They are similar to common contractual funds in Ireland, tax transparent funds in the UK and \"fondsen voor gemene rekening\" in the Netherlands.\n\nIn France, commonly referred to as FCP or F.C.P., these financial instruments are collective investments that are similar to the SICAV. They are not investment companies; they are more like open partnerships. They have no independent legal status but exist as a set of defined relationships between investors, managers and custodian. They invest in different financial instruments, but they do not have the tax status of the SICAV.\n\nThey are typically issued in the French-speaking countries of Europe.\n\nSee also \n Common fund\n Collective investment scheme\n\nReferences \n\nInvestment funds", "Tangerine Reef is the second visual album by American experimental pop band Animal Collective, released on August 17, 2018, through Domino. It is the band's first full-length release without Panda Bear, and was made in collaboration with art-science duo Coral Morphologic and in celebration of the International Year of the Reef. It was the band’s first visual album since 2010’s ODDSAC. The album is accompanied by a film, which premiered on the band's website upon release.\n\nBackground and recording\nTangerine Reef is the product of longtime collaborations between Animal Collective and Coral Morphologic, an art-science duo consisting of marine biologist Colin Foord and musician J.D. McKay. The two groups first met in 2010 at a screening of Animal Collective's ODDSAC, when Coral Morphologic gave Deakin a DVD consisting of their work. The members of Animal Collective were impressed by the footage and reached out, leading to several collaborations, such as Geologist soundtracking Coral Morphologic's 2011 short film Man o War, and Foord providing spoken word on Avey Tare's solo album Eucalyptus. The two groups have also gone scuba diving together.\n\nThe genesis of Tangerine Reef came in February 2017 at an art exhibition called \"Coral Orgy\", hosted at New World Center in Miami, where Animal Collective performed over video projections made by Coral Morphologic. Material from Tangerine Reef was also played live in May 2018 during a performance at David Lynch's Festival of Disruption in Brooklyn. The band recorded the initial performance with the intent of releasing it as a live album, but found the recording \"unusable\" due to crowd noise. Rather than abandon the project, the band got together at a Baltimore studio run in part by Deakin and \"took a few days and did four or five run-throughs of the Miami set.\" To recapture the feel of the original performance, the album was recorded live and with no overdubs. The recording was then sent to Coral Morphologic to provide the video component. Animal Collective thought it could simply be paired with the video they originally performed to, but Coral Morphologic felt they needed to re-shoot parts of it.\n\nThe album features the standard lineup of the band with the exception of Panda Bear, the band's first full-length release to do so. Panda Bear also did not feature in the live performances of the music. His absence is due to distance, as he lives in Portugal.\n\nThe project commemorates the 2018 International Year of the Reef, and is intended to draw public attention to the issue of coral reef conservation. According to Geologist, the band hopes that \"Animal Collective fans and beyond will see this footage and be inspired to care about the ocean and care about coral reefs and do what they can.\" For Foord, \"the point is to introduce corals into pop culture\", with the aim of speaking to people who would otherwise not have interest in corals.\n\nThe band cited the experimental film Koyaanisqatsi as an influence on the album. The work of filmmaker Jean Painlevé, and the documentary film Powers of Ten, were named by Foord as inspirations for the filmmakers.\n\nRelease\nAnimal Collective announced Tangerine Reef on July 16, 2018, alongside a pre-order of the album and the release of the first single \"Hair Cutter\", which was accompanied by a music video released exclusively on Apple Music and directed by John McSwain and Coral Morphologic. The album's accompanying film premiered on the band's website on the same day of its release on August 17, 2018.\n\nCritical reception\n\nAt Metacritic, which assigns a normalized rating out of 100 to reviews from mainstream critics, Tangerine Reef received an average score of 60, based on 18 reviews, indicating \"generally favorable reviews\". Alex Hudson from Exclaim! gave the album a mixed review, saying, \"For fans of Animal Collective's trippier inclinations, Tangerine Reef is a pleasant bit of oceanic escapism. For new listeners or anyone looking for the next \"My Girls,\" this is decidedly inessential.\" Erik Adams of The A.V. Club wrote, \"The record captures all the noodling self-indulgence that makes the psych-poppers such a maddeningly inconsistent live act. But Tangerine Reef is an incomplete object in this form: It's accompaniment, not feature presentation, the drowsy soundtrack to the iridescent undersea visuals of Australian filmmakers Coral Morphologic.\"\n\nPopMatters critic Chris Ingalls stated, \"Tangerine Reef is a project that may likely polarize Animal Collective fans, and it may not be an ideal jumping-off point for anyone looking to discover this unique band, but it's a worthy addition to their catalog, and it supports a supremely important cause in this day and age.\" Pitchforks Sasha Geffen wrote, \"Without Panda Bear on board, Animal Collective lose the pop edge that has resulted in their most commercially successful music, but this isn't a project for scoring hits. It's a meditative, hypnotic experience, and it's not without the sense of playfulness that has driven Animal Collective throughout their career.\" Emily Mackay of The Observer criticized the album, saying \"AC plumb depths of paucity more than subtlety in this wilfully desolate expanse of dispassionate vocals and vague, awkward ambience.\"\n\nTrack listing\n\nPersonnel\n Avey Tare\n Deakin\n Geologist\n\nCharts\n\nRelease history\n\nReferences\n\nExternal links\n Official website\n\n2018 albums\nAnimal Collective albums\nDomino Recording Company albums" ]

[ "Noah Benjamin Lennox (born July 17, 1978), also known by his moniker Panda Bear, is an American musician, singer-songwriter and co-founding member of the band Animal Collective. In addition to his work with that group, Lennox has released six solo LPs since 1999. His third, Person Pitch (2007), is noted for influencing a wide range of subsequent indie music in addition to inspiring the chillwave genre and numerous soundalike acts.", "His third, Person Pitch (2007), is noted for influencing a wide range of subsequent indie music in addition to inspiring the chillwave genre and numerous soundalike acts. Lennox was primarily raised in Baltimore, Maryland, where he sang tenor in his high school chamber choir, and studied piano and cello. The name \"Panda Bear\" derived from his habit of drawing pandas on his early mixtapes as a teenager. He and the other members of Animal Collective began collaborating in the late 1990s.", "He and the other members of Animal Collective began collaborating in the late 1990s. He has lived in Lisbon, Portugal since 2004. Early life Lennox grew up in the Roland Park section of Baltimore, Maryland, and attended Waldorf School of Baltimore through 8th grade, and Kimberton Waldorf School in Chester County, Pennsylvania for high school. His family moved frequently during his early years, owing to his father's studies to be an orthopedic surgeon. As a youth, he played sports, mainly soccer and basketball.", "As a youth, he played sports, mainly soccer and basketball. His brother, Matt Lennox (the Animal Collective song \"Brother Sport\" is directed at him), was a leading player on the high school basketball team and Noah was also a team member, playing as point guard. Lennox has also stated in interviews that he enjoyed drawing a lot as a teenager, especially pandas, and later started drawing pandas on his early mixtapes.", "Lennox has also stated in interviews that he enjoyed drawing a lot as a teenager, especially pandas, and later started drawing pandas on his early mixtapes. He also studied piano until he was eight, then cello, and later on he sang tenor in his high school chamber choir. Though he and his family have never been very religious, Lennox briefly attended Boston University, where he majored in religion because of his interest in \"the concept of God\".", "Though he and his family have never been very religious, Lennox briefly attended Boston University, where he majored in religion because of his interest in \"the concept of God\". Career Animal Collective As a teen, Lennox began listening to electronic music styles such as house and techno, and artists such as Aphex Twin, all of which became a major influence on his later work. He recorded and performed music—solo and with friends.", "He recorded and performed music—solo and with friends. He recorded and performed music—solo and with friends. Lennox started using the name \"Panda Bear\" because he drew pictures of pandas for the artwork of his recordings. Lennox had been friends with Deakin (Josh Dibb) since the second grade. Deakin introduced Lennox to his high school friends Avey Tare (Dave Portner) and Geologist (Brian Weitz). For years, the four of them swapped homemade recordings, shared musical ideas and performed in different group configurations.", "For years, the four of them swapped homemade recordings, shared musical ideas and performed in different group configurations. Lennox, along with Deakin moved to New York in 2000. The band then became more collaborative in nature and they finally settled on the name \"Animal Collective\". Since the 2007 releases of Panda Bear's Person Pitch and Animal Collective's Strawberry Jam, he has focused more on using samplers and other electronics in their shows.", "Since the 2007 releases of Panda Bear's Person Pitch and Animal Collective's Strawberry Jam, he has focused more on using samplers and other electronics in their shows. He has named Black Dice as a major influence stating \"Black Dice took us on our first tour and I feel like the wisest things I've learned about being in a band I learned by watching them.\" He said he looks to Black Dice \"as a model for a band...", "He said he looks to Black Dice \"as a model for a band... I feel like as a band, I can't speak for the other guys [of Animal Collective], but certainly for myself, like I modelled the way I approach to everything with the band watching the way Black Dice did it.\" In addition to singing, Lennox played drums and occasionally guitar in Animal Collective's live performances. He cites Stewart Copeland as the biggest influence on his drumming style.", "He cites Stewart Copeland as the biggest influence on his drumming style. Solo work Lennox's early musical influences included electronic styles, and his solo work has been variously characterized as experimental pop, electronic, bedroom pop, neo-psychedelic pop, and indie music. The Line of Best Fit called him a \"psychedelic pop trailblazer.\" Lennox's debut album Panda Bear was released in 1999 on Soccer Star Records.", "Lennox's debut album Panda Bear was released in 1999 on Soccer Star Records. After focusing more on touring and recording with Animal Collective, he released the follow-up Young Prayer in 2004 and the highly acclaimed third solo album Person Pitch in 2007. Of his songwriting style, Lennox says \"I get impatient writing songs, I can't spend more than a couple of hours before I get frustrated. So I got to kind of spit it out real fast.", "So I got to kind of spit it out real fast. My favorite songs are the ones where I worked really really fast on, when it comes all out in like two hours or something.\" Panda Bear's fourth album, Tomboy, was released April 12, 2011, on his own label, Paw Tracks. He started performing material from Tomboy on December 5, 2008, at a show with No Age in Miami, Florida.", "He started performing material from Tomboy on December 5, 2008, at a show with No Age in Miami, Florida. During a brief European tour in January 2010, he played three shows consisting almost entirely of new material. On March 7, 2010, a tour setlist with titles for ten of the new songs was posted on Panda Bear's MySpace blog. He also played Primavera Sound Festival in 2010. The single \"Tomboy\" and the b-side \"Slow Motion\" were released in July 2010.", "The single \"Tomboy\" and the b-side \"Slow Motion\" were released in July 2010. It was announced in August that singles \"You Can Count on Me\" and \"Alsatian Darn\" would be released via Domino on September 28. The limited 500 copies of \"You Can Count On Me\" sold out in less than a day. The single \"Last Night at the Jetty\" was released December 2010. The single \"Surfer's Hymn\" was released March 28, 2011.", "The single \"Surfer's Hymn\" was released March 28, 2011. His song \"Comfy In Nautica\" appears in ABC's 2010 global warming movie Earth 2100. Lennox was chosen by Jeff Mangum of Neutral Milk Hotel to perform at the All Tomorrow's Parties festival he planned to curate in December 2011 in Minehead, England. However, Lennox was unable to play when the event was rescheduled to March 2012. In June 2013, Panda Bear performed a set of all new material at ATP.", "In June 2013, Panda Bear performed a set of all new material at ATP. In October 2014, the Mr Noah EP was released, featuring four new songs. The full album, Panda Bear Meets the Grim Reaper, was released in January 2015. In 2018, Lennox released the vinyl-only A Day With the Homies EP, a collection of five songs heavily influenced by house + bass music. Included on the packaging of the release were hidden URLs that pointed to samples used on the EP.", "Included on the packaging of the release were hidden URLs that pointed to samples used on the EP. In February 2019, he released the LP Buoys, featuring production work by longtime collaborator Rusty Santos. It was preceded by the single \"Dolphin\". Outside musical collaborations Lennox plays in the band Jane and Together with DJ Scott Mou.", "Outside musical collaborations Lennox plays in the band Jane and Together with DJ Scott Mou. He has also performed on tracks with Atlas Sound (Bradford Cox of Deerhunter), Ducktails (Matt Mondanile, best known as the former lead guitarist of the American indie rock band Real Estate) and electronic musicians Zomby and Pantha du Prince. Panda Bear appeared on the track \"Doin' It Right\" on the 2013 Daft Punk album Random Access Memories.", "Panda Bear appeared on the track \"Doin' It Right\" on the 2013 Daft Punk album Random Access Memories. The album won Daft Punk the Grammy Award for Album of the Year in 2014, making Panda Bear a co-winner. Personal life In 2004, Lennox moved from New York City to Lisbon, Portugal. He first visited the city for a vacation following a long Animal Collective tour in 2003.", "He first visited the city for a vacation following a long Animal Collective tour in 2003. Lennox says about Lisbon: \"Since I got off the airplane here [for the first time] I had a good feeling about this place.\"", "Lennox says about Lisbon: \"Since I got off the airplane here [for the first time] I had a good feeling about this place.\" He met his wife, the fashion designer Fernanda Pereira, there; after visiting each other in Lisbon and New York, Lennox decided to move to Europe because he also felt \"connected to the European way of life\", considering himself as a \"slow moving kind of person\" and Lisbon as a \"slow moving kind of place\".", "He met his wife, the fashion designer Fernanda Pereira, there; after visiting each other in Lisbon and New York, Lennox decided to move to Europe because he also felt \"connected to the European way of life\", considering himself as a \"slow moving kind of person\" and Lisbon as a \"slow moving kind of place\". Lennox and Pereira have a daughter, Nadja, born in 2005 and a son, born in June 2010.", "Lennox and Pereira have a daughter, Nadja, born in 2005 and a son, born in June 2010. In 2007, he and Pereira collaborated on a line of sweatshirts called 2nd Things. Musical equipment Synthesizers Minimoog Voyager Korg M3 Digital samplers Elektron Octatrack Roland SP-555 Boss SP-303 \"Dr.", "Musical equipment Synthesizers Minimoog Voyager Korg M3 Digital samplers Elektron Octatrack Roland SP-555 Boss SP-303 \"Dr. Sample\" Teenage Engineering OP-1 Drum machine/synthesizer JoMoX Xbase 999 Discography Studio albums Extended plays Singles \"I'm Not/Comfy in Nautica\" (September 22, 2005, UUAR) \"Bros\" (December 4, 2006, Fat Cat Records) \"Carrots\" (January 23, 2007, Paw Tracks) \"Take Pills\" (June 19, 2007, Paw Tracks) \"Tomboy\" (July 13, 2010, Paw Tracks) \"You Can Count on Me\" (October 19, 2010, Domino) \"Last Night at the Jetty\" (December 13, 2010, FatCat Records) \"Surfer's Hymn\" (March 28, 2011, Kompakt) \"Mr Noah\" (October 23, 2014, Domino) \"Boys Latin\" (December 15, 2014, Domino) \"Crosswords\" (August 20, 2015, Domino) \"Dolphin\" (November 8, 2018, Domino) \"Token\" (January 14, 2019, Domino) \"Playing the Long Game\" (October 9, 2019, Domino) Remixes \"Boneless\" (remix of Notwist song \"Boneless\") on \"Boneless\" 7\" \"As Young As Yesterday\" (remix of Korallreven song \"As Young As Yesterday\") on \"As Young As Yesterday\" 12\" (2011) \"Cheap Treat (Panda Bear Version)\" (remix of Eric Copeland song \"Cheap Treat\") on \"Remixes\" EP.", "Sample\" Teenage Engineering OP-1 Drum machine/synthesizer JoMoX Xbase 999 Discography Studio albums Extended plays Singles \"I'm Not/Comfy in Nautica\" (September 22, 2005, UUAR) \"Bros\" (December 4, 2006, Fat Cat Records) \"Carrots\" (January 23, 2007, Paw Tracks) \"Take Pills\" (June 19, 2007, Paw Tracks) \"Tomboy\" (July 13, 2010, Paw Tracks) \"You Can Count on Me\" (October 19, 2010, Domino) \"Last Night at the Jetty\" (December 13, 2010, FatCat Records) \"Surfer's Hymn\" (March 28, 2011, Kompakt) \"Mr Noah\" (October 23, 2014, Domino) \"Boys Latin\" (December 15, 2014, Domino) \"Crosswords\" (August 20, 2015, Domino) \"Dolphin\" (November 8, 2018, Domino) \"Token\" (January 14, 2019, Domino) \"Playing the Long Game\" (October 9, 2019, Domino) Remixes \"Boneless\" (remix of Notwist song \"Boneless\") on \"Boneless\" 7\" \"As Young As Yesterday\" (remix of Korallreven song \"As Young As Yesterday\") on \"As Young As Yesterday\" 12\" (2011) \"Cheap Treat (Panda Bear Version)\" (remix of Eric Copeland song \"Cheap Treat\") on \"Remixes\" EP. \"Melody Unfair (Panda Bear Remix)\" on Essence of Eucalyptus by Avey Tare \"Never Ending Game (Panda Bear Remix)\" on Bigger House by Angel Du$t Appearances One untitled track on Visionaire 53 – Sound (December 1, 2007, Visionaire Publishing, LLC) \"Anna\" on the album East of Eden by Taken by Trees (September 7, 2009) \"Walkabout\" on the album Logos by Atlas Sound (October 20, 2009) \"Stick to My Side\" on the album Black Noise by Pantha du Prince (February 9, 2010) \"Killin the Vibe\" (bonus track) on the album Ducktails III: Arcade Dynamics by Ducktails (January 18, 2011) \"Atiba Song\" composed music for a skateboarding montage directed by Atiba Jefferson and Ty Evans.", "\"Melody Unfair (Panda Bear Remix)\" on Essence of Eucalyptus by Avey Tare \"Never Ending Game (Panda Bear Remix)\" on Bigger House by Angel Du$t Appearances One untitled track on Visionaire 53 – Sound (December 1, 2007, Visionaire Publishing, LLC) \"Anna\" on the album East of Eden by Taken by Trees (September 7, 2009) \"Walkabout\" on the album Logos by Atlas Sound (October 20, 2009) \"Stick to My Side\" on the album Black Noise by Pantha du Prince (February 9, 2010) \"Killin the Vibe\" (bonus track) on the album Ducktails III: Arcade Dynamics by Ducktails (January 18, 2011) \"Atiba Song\" composed music for a skateboarding montage directed by Atiba Jefferson and Ty Evans. The track was initially created by Atiba, then finished by Panda Bear.", "The track was initially created by Atiba, then finished by Panda Bear. \"The Preakness\" on the cassette tape Keep + Animal Collective (March 2011, Keep) \"Things Fall Apart\" on the album Dedication by Zomby (July 11, 2011) \"Pyjama\" on the album Tracer by Teengirl Fantasy (August 21, 2012) \"Doin' It Right\" on the album Random Access Memories by Daft Punk (May 17, 2013) \"Time (Is)\", \"Binz\", \"Beltway\" and \"I'm a Witness\" on the album When I Get Home by Solange (March 1, 2019) \"I Don't Need a Crowd\" on the I Don't Need a Crowd/The One That Got Away 7\" by Paul Maroon (March 15, 2019) \"Studie\" on the album Anicca by Teebs (September 18, 2019) \"Gameday Continues\" on the album HBCU Gameday by Sporting Life.", "\"The Preakness\" on the cassette tape Keep + Animal Collective (March 2011, Keep) \"Things Fall Apart\" on the album Dedication by Zomby (July 11, 2011) \"Pyjama\" on the album Tracer by Teengirl Fantasy (August 21, 2012) \"Doin' It Right\" on the album Random Access Memories by Daft Punk (May 17, 2013) \"Time (Is)\", \"Binz\", \"Beltway\" and \"I'm a Witness\" on the album When I Get Home by Solange (March 1, 2019) \"I Don't Need a Crowd\" on the I Don't Need a Crowd/The One That Got Away 7\" by Paul Maroon (March 15, 2019) \"Studie\" on the album Anicca by Teebs (September 18, 2019) \"Gameday Continues\" on the album HBCU Gameday by Sporting Life. (January 27, 2020) \"Just a Little Piece of Me\" on the album All Things Being Equal by Sonic Boom.", "(January 27, 2020) \"Just a Little Piece of Me\" on the album All Things Being Equal by Sonic Boom. (June 5, 2020) References External links Interview from 2008 on Onhiat.us Ola's Kool Kitchen on Radio 23 – Panda Bear Live, Primavera 2010 American male singers 1978 births 21st-century American musicians Living people Ableton Live users American expatriates in Portugal Animal Collective members Grammy Award winners Experimental pop musicians Domino Recording Company artists 21st-century American singers" ]

[ "Panda Bear (musician)", "Animal Collective", "What was the Animal Collective?", "The band then became more collaborative in nature and they finally settled on the name \"Animal Collective", "What year did they form?", "2000.", "How long were they active?", "I don't know.", "How many band members are in Animal Collective?", "four", "What instruments do they play in Animal Collective?", "electronic music styles such as house and techno,", "Where did the band perform?", "I don't know." ]

[ "is a Japanese punk rock band that formed in 2009.\n\nBiography \n\nThe band formed in December 2009, and was made up of students from Kwansei Gakuin University's music club in Nishinomiya. After finding it difficult to find full-time employment, the members decided to form the band. For three of the members, this was the fourth time they had formed a band. Seiya Yamasaki and Kazuma Okazawa were originally from a band called , which formed at Kwansei Gakuin University and was active in 2008 and 2009. Keyboardist Shinnosuke Yokota was originally from a band called Blank Map, and drummer Taisuke Sogō from a band called . The band took their name from an accessory from the game Final Fantasy X-2, , which was translated as \"cat nip\" in the English version of the game. The name is a reference to the Japanese proverb .\n\nIn 2010, the band started performing at live houses across the Kansai area. In March 2012, the band released their first album Jūdai de Dashitakatta, followed by Daiji na Oshirase in December. The band entered the Rockin' On Japan web competition Ro69Jack 2011, and were one of 14 prize winning bands.\n\nThe band's 2013 extended play We Are Indies Band!! was successful, debuting in the top 20 of Oricon's albums charts. On April 1, 2014, it was announced that Kyuso Nekokami signed with major label Victor Entertainment, where they released Change the World in June.\n\nThe band has also toured in Asia.\n\nMembers \n is the band's main vocalist and guitarist. His name in kanji is , and he is originally from Gobō, Wakayama.\n is the band's keyboardist and occasional vocalist.\n is the band's guitarist. His name in kanji is , and he is originally from Nishiki-chō in Sasayama, Hyōgo.\n is the band's bassist, who joined the band on November 25, 2011 after Hagane-maru left.\n is the band's drummer.\n\nFormer member \n is the band's former bassist, who left on November 25, 2011 to be replaced by Takurō Kawakubo.\n\nDiscography\n\nStudio albums\n\nExtended plays\n\nSingles\n\nPromotional singles\n\nVideo albums\n\nNotes\n\nReferences\n\nExternal links \n\n Official website\n Official Victor label site\n\n2009 establishments in Japan\nJapanese indie rock groups\nJapanese punk rock groups\nMusical groups established in 2009\nMusical groups from Hyōgo Prefecture\nMusical quintets\nVictor Entertainment artists", "The Pilot EP was the first official release by British rock band Reuben. This recording was with the original Reuben line up, including Mark Lawton on drums. It was recorded in the summer of 2000 at Backline studios in Guildford with ex Redwood guitarist Rob Blackham. The band had met Rob at Guildford festival, where he urged them to record a demo of some sort, so they set about recording five songs in four days. The EP was released on the Badmusic label in January 2001. The initial run was of 500 copies, which sold out fairly fast, but it is regularly repressed and is available at shows and by mail order. It was reviewed in Kerrang! by members of Taproot, and received a KKKK rating, despite being described as 'cheesey' by the singer.\n\nTrack listing\n\"Alpha Signal Seven\"\n\"Words From Reuben\"\n\"Crimson\"\n\"Death Of A Star\"\n\"Shambles\" (hidden track only on the first 500 copies - click for free download from the band's official site)\n\nPersonnel\nJamie Lenman: Guitar, Vocals\nJon Pearce: Bass Guitar\nMark Lawton: Drums\n\nMiscellanea\nAlpha Signal Seven gained the band an early following by being played by DJ Steve Lamacq a number of times by the on his BBC Radio 1 show. It was also the track that convinced Badmusic to put out the EP.\nWords From Reuben was the song the band named themselves after. The title makes reference to receiving a letter from an old friend; 'Reuben' having been the first friend that Jamie ever made. It was decided to shorten the band name to just 'Reuben', because the band cited the longer version as 'way too emo'. The song was the first to be written with drummer Mark in the band. It was also featured on the Farnborough Groove Volume 9 compilation. The funny phased guitar sounds heard on the song were originally just for fun but were left in when the band ran out of time to mix.\nCrimson is said by the band to be \"a failed attempt to sound like the Deftones\". This is a big live favourite and was played a couple of times on XFM around the time of the initial EP release.\nDeath of a Star was written when the band were named Angel and with drummer and producer Jason Wilson, the song was a favourite of the band's at the time. It used to be the standard set-opener from their days at the Tumbledown.\nThe first pressing of the EP (the first 500 copies) included a secret track, 'Shambles'. The track can be downloaded in full at the band's website.\nReuben where unsure of whether or not they had enough money to record the EP, but decided to go for it after they won £100 in a 'battle of the bands' competition staged in Bookham barn hall in front of a panel of twelve year olds.\nThe band changed their name from 'Angel' to 'Reuben' just before the release, for fear that it might get overlooked if it were under a different name.\n Fleet/Farnborough-based alternative rock band Pilot:X took their name from this EP. The band are also heavily influenced by Reuben, citing them as one of their main inspirations.\n\n2001 EPs\nReuben (band) albums" ]

[ "Noah Benjamin Lennox (born July 17, 1978), also known by his moniker Panda Bear, is an American musician, singer-songwriter and co-founding member of the band Animal Collective. In addition to his work with that group, Lennox has released six solo LPs since 1999. His third, Person Pitch (2007), is noted for influencing a wide range of subsequent indie music in addition to inspiring the chillwave genre and numerous soundalike acts.", "His third, Person Pitch (2007), is noted for influencing a wide range of subsequent indie music in addition to inspiring the chillwave genre and numerous soundalike acts. Lennox was primarily raised in Baltimore, Maryland, where he sang tenor in his high school chamber choir, and studied piano and cello. The name \"Panda Bear\" derived from his habit of drawing pandas on his early mixtapes as a teenager. He and the other members of Animal Collective began collaborating in the late 1990s.", "He and the other members of Animal Collective began collaborating in the late 1990s. He has lived in Lisbon, Portugal since 2004. Early life Lennox grew up in the Roland Park section of Baltimore, Maryland, and attended Waldorf School of Baltimore through 8th grade, and Kimberton Waldorf School in Chester County, Pennsylvania for high school. His family moved frequently during his early years, owing to his father's studies to be an orthopedic surgeon. As a youth, he played sports, mainly soccer and basketball.", "As a youth, he played sports, mainly soccer and basketball. His brother, Matt Lennox (the Animal Collective song \"Brother Sport\" is directed at him), was a leading player on the high school basketball team and Noah was also a team member, playing as point guard. Lennox has also stated in interviews that he enjoyed drawing a lot as a teenager, especially pandas, and later started drawing pandas on his early mixtapes.", "Lennox has also stated in interviews that he enjoyed drawing a lot as a teenager, especially pandas, and later started drawing pandas on his early mixtapes. He also studied piano until he was eight, then cello, and later on he sang tenor in his high school chamber choir. Though he and his family have never been very religious, Lennox briefly attended Boston University, where he majored in religion because of his interest in \"the concept of God\".", "Though he and his family have never been very religious, Lennox briefly attended Boston University, where he majored in religion because of his interest in \"the concept of God\". Career Animal Collective As a teen, Lennox began listening to electronic music styles such as house and techno, and artists such as Aphex Twin, all of which became a major influence on his later work. He recorded and performed music—solo and with friends.", "He recorded and performed music—solo and with friends. He recorded and performed music—solo and with friends. Lennox started using the name \"Panda Bear\" because he drew pictures of pandas for the artwork of his recordings. Lennox had been friends with Deakin (Josh Dibb) since the second grade. Deakin introduced Lennox to his high school friends Avey Tare (Dave Portner) and Geologist (Brian Weitz). For years, the four of them swapped homemade recordings, shared musical ideas and performed in different group configurations.", "For years, the four of them swapped homemade recordings, shared musical ideas and performed in different group configurations. Lennox, along with Deakin moved to New York in 2000. The band then became more collaborative in nature and they finally settled on the name \"Animal Collective\". Since the 2007 releases of Panda Bear's Person Pitch and Animal Collective's Strawberry Jam, he has focused more on using samplers and other electronics in their shows.", "Since the 2007 releases of Panda Bear's Person Pitch and Animal Collective's Strawberry Jam, he has focused more on using samplers and other electronics in their shows. He has named Black Dice as a major influence stating \"Black Dice took us on our first tour and I feel like the wisest things I've learned about being in a band I learned by watching them.\" He said he looks to Black Dice \"as a model for a band...", "He said he looks to Black Dice \"as a model for a band... I feel like as a band, I can't speak for the other guys [of Animal Collective], but certainly for myself, like I modelled the way I approach to everything with the band watching the way Black Dice did it.\" In addition to singing, Lennox played drums and occasionally guitar in Animal Collective's live performances. He cites Stewart Copeland as the biggest influence on his drumming style.", "He cites Stewart Copeland as the biggest influence on his drumming style. Solo work Lennox's early musical influences included electronic styles, and his solo work has been variously characterized as experimental pop, electronic, bedroom pop, neo-psychedelic pop, and indie music. The Line of Best Fit called him a \"psychedelic pop trailblazer.\" Lennox's debut album Panda Bear was released in 1999 on Soccer Star Records.", "Lennox's debut album Panda Bear was released in 1999 on Soccer Star Records. After focusing more on touring and recording with Animal Collective, he released the follow-up Young Prayer in 2004 and the highly acclaimed third solo album Person Pitch in 2007. Of his songwriting style, Lennox says \"I get impatient writing songs, I can't spend more than a couple of hours before I get frustrated. So I got to kind of spit it out real fast.", "So I got to kind of spit it out real fast. My favorite songs are the ones where I worked really really fast on, when it comes all out in like two hours or something.\" Panda Bear's fourth album, Tomboy, was released April 12, 2011, on his own label, Paw Tracks. He started performing material from Tomboy on December 5, 2008, at a show with No Age in Miami, Florida.", "He started performing material from Tomboy on December 5, 2008, at a show with No Age in Miami, Florida. During a brief European tour in January 2010, he played three shows consisting almost entirely of new material. On March 7, 2010, a tour setlist with titles for ten of the new songs was posted on Panda Bear's MySpace blog. He also played Primavera Sound Festival in 2010. The single \"Tomboy\" and the b-side \"Slow Motion\" were released in July 2010.", "The single \"Tomboy\" and the b-side \"Slow Motion\" were released in July 2010. It was announced in August that singles \"You Can Count on Me\" and \"Alsatian Darn\" would be released via Domino on September 28. The limited 500 copies of \"You Can Count On Me\" sold out in less than a day. The single \"Last Night at the Jetty\" was released December 2010. The single \"Surfer's Hymn\" was released March 28, 2011.", "The single \"Surfer's Hymn\" was released March 28, 2011. His song \"Comfy In Nautica\" appears in ABC's 2010 global warming movie Earth 2100. Lennox was chosen by Jeff Mangum of Neutral Milk Hotel to perform at the All Tomorrow's Parties festival he planned to curate in December 2011 in Minehead, England. However, Lennox was unable to play when the event was rescheduled to March 2012. In June 2013, Panda Bear performed a set of all new material at ATP.", "In June 2013, Panda Bear performed a set of all new material at ATP. In October 2014, the Mr Noah EP was released, featuring four new songs. The full album, Panda Bear Meets the Grim Reaper, was released in January 2015. In 2018, Lennox released the vinyl-only A Day With the Homies EP, a collection of five songs heavily influenced by house + bass music. Included on the packaging of the release were hidden URLs that pointed to samples used on the EP.", "Included on the packaging of the release were hidden URLs that pointed to samples used on the EP. In February 2019, he released the LP Buoys, featuring production work by longtime collaborator Rusty Santos. It was preceded by the single \"Dolphin\". Outside musical collaborations Lennox plays in the band Jane and Together with DJ Scott Mou.", "Outside musical collaborations Lennox plays in the band Jane and Together with DJ Scott Mou. He has also performed on tracks with Atlas Sound (Bradford Cox of Deerhunter), Ducktails (Matt Mondanile, best known as the former lead guitarist of the American indie rock band Real Estate) and electronic musicians Zomby and Pantha du Prince. Panda Bear appeared on the track \"Doin' It Right\" on the 2013 Daft Punk album Random Access Memories.", "Panda Bear appeared on the track \"Doin' It Right\" on the 2013 Daft Punk album Random Access Memories. The album won Daft Punk the Grammy Award for Album of the Year in 2014, making Panda Bear a co-winner. Personal life In 2004, Lennox moved from New York City to Lisbon, Portugal. He first visited the city for a vacation following a long Animal Collective tour in 2003.", "He first visited the city for a vacation following a long Animal Collective tour in 2003. Lennox says about Lisbon: \"Since I got off the airplane here [for the first time] I had a good feeling about this place.\"", "Lennox says about Lisbon: \"Since I got off the airplane here [for the first time] I had a good feeling about this place.\" He met his wife, the fashion designer Fernanda Pereira, there; after visiting each other in Lisbon and New York, Lennox decided to move to Europe because he also felt \"connected to the European way of life\", considering himself as a \"slow moving kind of person\" and Lisbon as a \"slow moving kind of place\".", "He met his wife, the fashion designer Fernanda Pereira, there; after visiting each other in Lisbon and New York, Lennox decided to move to Europe because he also felt \"connected to the European way of life\", considering himself as a \"slow moving kind of person\" and Lisbon as a \"slow moving kind of place\". Lennox and Pereira have a daughter, Nadja, born in 2005 and a son, born in June 2010.", "Lennox and Pereira have a daughter, Nadja, born in 2005 and a son, born in June 2010. In 2007, he and Pereira collaborated on a line of sweatshirts called 2nd Things. Musical equipment Synthesizers Minimoog Voyager Korg M3 Digital samplers Elektron Octatrack Roland SP-555 Boss SP-303 \"Dr.", "Musical equipment Synthesizers Minimoog Voyager Korg M3 Digital samplers Elektron Octatrack Roland SP-555 Boss SP-303 \"Dr. Sample\" Teenage Engineering OP-1 Drum machine/synthesizer JoMoX Xbase 999 Discography Studio albums Extended plays Singles \"I'm Not/Comfy in Nautica\" (September 22, 2005, UUAR) \"Bros\" (December 4, 2006, Fat Cat Records) \"Carrots\" (January 23, 2007, Paw Tracks) \"Take Pills\" (June 19, 2007, Paw Tracks) \"Tomboy\" (July 13, 2010, Paw Tracks) \"You Can Count on Me\" (October 19, 2010, Domino) \"Last Night at the Jetty\" (December 13, 2010, FatCat Records) \"Surfer's Hymn\" (March 28, 2011, Kompakt) \"Mr Noah\" (October 23, 2014, Domino) \"Boys Latin\" (December 15, 2014, Domino) \"Crosswords\" (August 20, 2015, Domino) \"Dolphin\" (November 8, 2018, Domino) \"Token\" (January 14, 2019, Domino) \"Playing the Long Game\" (October 9, 2019, Domino) Remixes \"Boneless\" (remix of Notwist song \"Boneless\") on \"Boneless\" 7\" \"As Young As Yesterday\" (remix of Korallreven song \"As Young As Yesterday\") on \"As Young As Yesterday\" 12\" (2011) \"Cheap Treat (Panda Bear Version)\" (remix of Eric Copeland song \"Cheap Treat\") on \"Remixes\" EP.", "Sample\" Teenage Engineering OP-1 Drum machine/synthesizer JoMoX Xbase 999 Discography Studio albums Extended plays Singles \"I'm Not/Comfy in Nautica\" (September 22, 2005, UUAR) \"Bros\" (December 4, 2006, Fat Cat Records) \"Carrots\" (January 23, 2007, Paw Tracks) \"Take Pills\" (June 19, 2007, Paw Tracks) \"Tomboy\" (July 13, 2010, Paw Tracks) \"You Can Count on Me\" (October 19, 2010, Domino) \"Last Night at the Jetty\" (December 13, 2010, FatCat Records) \"Surfer's Hymn\" (March 28, 2011, Kompakt) \"Mr Noah\" (October 23, 2014, Domino) \"Boys Latin\" (December 15, 2014, Domino) \"Crosswords\" (August 20, 2015, Domino) \"Dolphin\" (November 8, 2018, Domino) \"Token\" (January 14, 2019, Domino) \"Playing the Long Game\" (October 9, 2019, Domino) Remixes \"Boneless\" (remix of Notwist song \"Boneless\") on \"Boneless\" 7\" \"As Young As Yesterday\" (remix of Korallreven song \"As Young As Yesterday\") on \"As Young As Yesterday\" 12\" (2011) \"Cheap Treat (Panda Bear Version)\" (remix of Eric Copeland song \"Cheap Treat\") on \"Remixes\" EP. \"Melody Unfair (Panda Bear Remix)\" on Essence of Eucalyptus by Avey Tare \"Never Ending Game (Panda Bear Remix)\" on Bigger House by Angel Du$t Appearances One untitled track on Visionaire 53 – Sound (December 1, 2007, Visionaire Publishing, LLC) \"Anna\" on the album East of Eden by Taken by Trees (September 7, 2009) \"Walkabout\" on the album Logos by Atlas Sound (October 20, 2009) \"Stick to My Side\" on the album Black Noise by Pantha du Prince (February 9, 2010) \"Killin the Vibe\" (bonus track) on the album Ducktails III: Arcade Dynamics by Ducktails (January 18, 2011) \"Atiba Song\" composed music for a skateboarding montage directed by Atiba Jefferson and Ty Evans.", "\"Melody Unfair (Panda Bear Remix)\" on Essence of Eucalyptus by Avey Tare \"Never Ending Game (Panda Bear Remix)\" on Bigger House by Angel Du$t Appearances One untitled track on Visionaire 53 – Sound (December 1, 2007, Visionaire Publishing, LLC) \"Anna\" on the album East of Eden by Taken by Trees (September 7, 2009) \"Walkabout\" on the album Logos by Atlas Sound (October 20, 2009) \"Stick to My Side\" on the album Black Noise by Pantha du Prince (February 9, 2010) \"Killin the Vibe\" (bonus track) on the album Ducktails III: Arcade Dynamics by Ducktails (January 18, 2011) \"Atiba Song\" composed music for a skateboarding montage directed by Atiba Jefferson and Ty Evans. The track was initially created by Atiba, then finished by Panda Bear.", "The track was initially created by Atiba, then finished by Panda Bear. \"The Preakness\" on the cassette tape Keep + Animal Collective (March 2011, Keep) \"Things Fall Apart\" on the album Dedication by Zomby (July 11, 2011) \"Pyjama\" on the album Tracer by Teengirl Fantasy (August 21, 2012) \"Doin' It Right\" on the album Random Access Memories by Daft Punk (May 17, 2013) \"Time (Is)\", \"Binz\", \"Beltway\" and \"I'm a Witness\" on the album When I Get Home by Solange (March 1, 2019) \"I Don't Need a Crowd\" on the I Don't Need a Crowd/The One That Got Away 7\" by Paul Maroon (March 15, 2019) \"Studie\" on the album Anicca by Teebs (September 18, 2019) \"Gameday Continues\" on the album HBCU Gameday by Sporting Life.", "\"The Preakness\" on the cassette tape Keep + Animal Collective (March 2011, Keep) \"Things Fall Apart\" on the album Dedication by Zomby (July 11, 2011) \"Pyjama\" on the album Tracer by Teengirl Fantasy (August 21, 2012) \"Doin' It Right\" on the album Random Access Memories by Daft Punk (May 17, 2013) \"Time (Is)\", \"Binz\", \"Beltway\" and \"I'm a Witness\" on the album When I Get Home by Solange (March 1, 2019) \"I Don't Need a Crowd\" on the I Don't Need a Crowd/The One That Got Away 7\" by Paul Maroon (March 15, 2019) \"Studie\" on the album Anicca by Teebs (September 18, 2019) \"Gameday Continues\" on the album HBCU Gameday by Sporting Life. (January 27, 2020) \"Just a Little Piece of Me\" on the album All Things Being Equal by Sonic Boom.", "(January 27, 2020) \"Just a Little Piece of Me\" on the album All Things Being Equal by Sonic Boom. (June 5, 2020) References External links Interview from 2008 on Onhiat.us Ola's Kool Kitchen on Radio 23 – Panda Bear Live, Primavera 2010 American male singers 1978 births 21st-century American musicians Living people Ableton Live users American expatriates in Portugal Animal Collective members Grammy Award winners Experimental pop musicians Domino Recording Company artists 21st-century American singers" ]

[ "Panda Bear (musician)", "Animal Collective", "What was the Animal Collective?", "The band then became more collaborative in nature and they finally settled on the name \"Animal Collective", "What year did they form?", "2000.", "How long were they active?", "I don't know.", "How many band members are in Animal Collective?", "four", "What instruments do they play in Animal Collective?", "electronic music styles such as house and techno,", "Where did the band perform?", "I don't know.", "Where was the band from?", "2000." ]

[ "Monkey Been to Burn Town is an EP by experimental pop band Animal Collective, released on May 27, 2013 on Domino. The release features three remixes of the track, \"Monkey Riches\", from the band's ninth studio album, Centipede Hz (2012), and one remix of \"New Town Burnout\" from the same album.\n\nReception\nWriting for Pitchfork, Mark Richardson gave the EP a mixed review, but praised Shabazz Palaces' contribution, stating: \"The Shabazz Palaces cut is easily the most interesting song here, and seems to be the one you might still be pulling out once in a while in another six months. Considering that the EP, with three versions of the same song in a row, isn’t really meant to be heard as a whole, getting one truly intriguing track out of it isn’t such a bad deal.\"\n\nTrack listing\n\nReferences\n\n≤\n\n2013 EPs\nAnimal Collective EPs\nDomino Recording Company EPs\nRemix EPs", "\"How Interesting: A Tiny Man\" is a 2010 science fiction/magical realism short story by American writer Harlan Ellison. It was first published in Realms of Fantasy.\n\nPlot summary\nA scientist creates a tiny man. The tiny man is initially very popular, but then draws the hatred of the world, and so the tiny man must flee, together with the scientist (who is now likewise hated, for having created the tiny man).\n\nReception\n\"How Interesting: A Tiny Man\" won the 2010 Nebula Award for Best Short Story, tied with Kij Johnson's \"Ponies\". It was Ellison's final Nebula nomination and win, of his record-setting eight nominations and three wins.\n\nTor.com calls the story \"deceptively simple\", with \"execution (that) is flawless\" and a \"Geppetto-like\" narrator, while Publishers Weekly describes it as \"memorably depict(ing) humanity's smallness of spirit\". The SF Site, however, felt it was \"contrived and less than profound\".\n\nNick Mamatas compared \"How Interesting: A Tiny Man\" negatively to Ellison's other Nebula-winning short stories, and stated that the story's two mutually exclusive endings (in one, the tiny man is killed; in the other, he becomes God) are evocative of the process of writing short stories. Ben Peek considered it to be \"more allegory than (...) anything else\", and interpreted it as being about how the media \"give(s) everyone a voice\", and also about how Ellison was treated by science fiction fandom.\n\nReferences\n\nExternal links\nAudio version of ''How Interesting: A Tiny Man, at StarShipSofa\nHow Interesting: A Tiny Man, at the Internet Speculative Fiction Database\n\nNebula Award for Best Short Story-winning works\nShort stories by Harlan Ellison" ]

[ "Noah Benjamin Lennox (born July 17, 1978), also known by his moniker Panda Bear, is an American musician, singer-songwriter and co-founding member of the band Animal Collective. In addition to his work with that group, Lennox has released six solo LPs since 1999. His third, Person Pitch (2007), is noted for influencing a wide range of subsequent indie music in addition to inspiring the chillwave genre and numerous soundalike acts.", "His third, Person Pitch (2007), is noted for influencing a wide range of subsequent indie music in addition to inspiring the chillwave genre and numerous soundalike acts. Lennox was primarily raised in Baltimore, Maryland, where he sang tenor in his high school chamber choir, and studied piano and cello. The name \"Panda Bear\" derived from his habit of drawing pandas on his early mixtapes as a teenager. He and the other members of Animal Collective began collaborating in the late 1990s.", "He and the other members of Animal Collective began collaborating in the late 1990s. He has lived in Lisbon, Portugal since 2004. Early life Lennox grew up in the Roland Park section of Baltimore, Maryland, and attended Waldorf School of Baltimore through 8th grade, and Kimberton Waldorf School in Chester County, Pennsylvania for high school. His family moved frequently during his early years, owing to his father's studies to be an orthopedic surgeon. As a youth, he played sports, mainly soccer and basketball.", "As a youth, he played sports, mainly soccer and basketball. His brother, Matt Lennox (the Animal Collective song \"Brother Sport\" is directed at him), was a leading player on the high school basketball team and Noah was also a team member, playing as point guard. Lennox has also stated in interviews that he enjoyed drawing a lot as a teenager, especially pandas, and later started drawing pandas on his early mixtapes.", "Lennox has also stated in interviews that he enjoyed drawing a lot as a teenager, especially pandas, and later started drawing pandas on his early mixtapes. He also studied piano until he was eight, then cello, and later on he sang tenor in his high school chamber choir. Though he and his family have never been very religious, Lennox briefly attended Boston University, where he majored in religion because of his interest in \"the concept of God\".", "Though he and his family have never been very religious, Lennox briefly attended Boston University, where he majored in religion because of his interest in \"the concept of God\". Career Animal Collective As a teen, Lennox began listening to electronic music styles such as house and techno, and artists such as Aphex Twin, all of which became a major influence on his later work. He recorded and performed music—solo and with friends.", "He recorded and performed music—solo and with friends. He recorded and performed music—solo and with friends. Lennox started using the name \"Panda Bear\" because he drew pictures of pandas for the artwork of his recordings. Lennox had been friends with Deakin (Josh Dibb) since the second grade. Deakin introduced Lennox to his high school friends Avey Tare (Dave Portner) and Geologist (Brian Weitz). For years, the four of them swapped homemade recordings, shared musical ideas and performed in different group configurations.", "For years, the four of them swapped homemade recordings, shared musical ideas and performed in different group configurations. Lennox, along with Deakin moved to New York in 2000. The band then became more collaborative in nature and they finally settled on the name \"Animal Collective\". Since the 2007 releases of Panda Bear's Person Pitch and Animal Collective's Strawberry Jam, he has focused more on using samplers and other electronics in their shows.", "Since the 2007 releases of Panda Bear's Person Pitch and Animal Collective's Strawberry Jam, he has focused more on using samplers and other electronics in their shows. He has named Black Dice as a major influence stating \"Black Dice took us on our first tour and I feel like the wisest things I've learned about being in a band I learned by watching them.\" He said he looks to Black Dice \"as a model for a band...", "He said he looks to Black Dice \"as a model for a band... I feel like as a band, I can't speak for the other guys [of Animal Collective], but certainly for myself, like I modelled the way I approach to everything with the band watching the way Black Dice did it.\" In addition to singing, Lennox played drums and occasionally guitar in Animal Collective's live performances. He cites Stewart Copeland as the biggest influence on his drumming style.", "He cites Stewart Copeland as the biggest influence on his drumming style. Solo work Lennox's early musical influences included electronic styles, and his solo work has been variously characterized as experimental pop, electronic, bedroom pop, neo-psychedelic pop, and indie music. The Line of Best Fit called him a \"psychedelic pop trailblazer.\" Lennox's debut album Panda Bear was released in 1999 on Soccer Star Records.", "Lennox's debut album Panda Bear was released in 1999 on Soccer Star Records. After focusing more on touring and recording with Animal Collective, he released the follow-up Young Prayer in 2004 and the highly acclaimed third solo album Person Pitch in 2007. Of his songwriting style, Lennox says \"I get impatient writing songs, I can't spend more than a couple of hours before I get frustrated. So I got to kind of spit it out real fast.", "So I got to kind of spit it out real fast. My favorite songs are the ones where I worked really really fast on, when it comes all out in like two hours or something.\" Panda Bear's fourth album, Tomboy, was released April 12, 2011, on his own label, Paw Tracks. He started performing material from Tomboy on December 5, 2008, at a show with No Age in Miami, Florida.", "He started performing material from Tomboy on December 5, 2008, at a show with No Age in Miami, Florida. During a brief European tour in January 2010, he played three shows consisting almost entirely of new material. On March 7, 2010, a tour setlist with titles for ten of the new songs was posted on Panda Bear's MySpace blog. He also played Primavera Sound Festival in 2010. The single \"Tomboy\" and the b-side \"Slow Motion\" were released in July 2010.", "The single \"Tomboy\" and the b-side \"Slow Motion\" were released in July 2010. It was announced in August that singles \"You Can Count on Me\" and \"Alsatian Darn\" would be released via Domino on September 28. The limited 500 copies of \"You Can Count On Me\" sold out in less than a day. The single \"Last Night at the Jetty\" was released December 2010. The single \"Surfer's Hymn\" was released March 28, 2011.", "The single \"Surfer's Hymn\" was released March 28, 2011. His song \"Comfy In Nautica\" appears in ABC's 2010 global warming movie Earth 2100. Lennox was chosen by Jeff Mangum of Neutral Milk Hotel to perform at the All Tomorrow's Parties festival he planned to curate in December 2011 in Minehead, England. However, Lennox was unable to play when the event was rescheduled to March 2012. In June 2013, Panda Bear performed a set of all new material at ATP.", "In June 2013, Panda Bear performed a set of all new material at ATP. In October 2014, the Mr Noah EP was released, featuring four new songs. The full album, Panda Bear Meets the Grim Reaper, was released in January 2015. In 2018, Lennox released the vinyl-only A Day With the Homies EP, a collection of five songs heavily influenced by house + bass music. Included on the packaging of the release were hidden URLs that pointed to samples used on the EP.", "Included on the packaging of the release were hidden URLs that pointed to samples used on the EP. In February 2019, he released the LP Buoys, featuring production work by longtime collaborator Rusty Santos. It was preceded by the single \"Dolphin\". Outside musical collaborations Lennox plays in the band Jane and Together with DJ Scott Mou.", "Outside musical collaborations Lennox plays in the band Jane and Together with DJ Scott Mou. He has also performed on tracks with Atlas Sound (Bradford Cox of Deerhunter), Ducktails (Matt Mondanile, best known as the former lead guitarist of the American indie rock band Real Estate) and electronic musicians Zomby and Pantha du Prince. Panda Bear appeared on the track \"Doin' It Right\" on the 2013 Daft Punk album Random Access Memories.", "Panda Bear appeared on the track \"Doin' It Right\" on the 2013 Daft Punk album Random Access Memories. The album won Daft Punk the Grammy Award for Album of the Year in 2014, making Panda Bear a co-winner. Personal life In 2004, Lennox moved from New York City to Lisbon, Portugal. He first visited the city for a vacation following a long Animal Collective tour in 2003.", "He first visited the city for a vacation following a long Animal Collective tour in 2003. Lennox says about Lisbon: \"Since I got off the airplane here [for the first time] I had a good feeling about this place.\"", "Lennox says about Lisbon: \"Since I got off the airplane here [for the first time] I had a good feeling about this place.\" He met his wife, the fashion designer Fernanda Pereira, there; after visiting each other in Lisbon and New York, Lennox decided to move to Europe because he also felt \"connected to the European way of life\", considering himself as a \"slow moving kind of person\" and Lisbon as a \"slow moving kind of place\".", "He met his wife, the fashion designer Fernanda Pereira, there; after visiting each other in Lisbon and New York, Lennox decided to move to Europe because he also felt \"connected to the European way of life\", considering himself as a \"slow moving kind of person\" and Lisbon as a \"slow moving kind of place\". Lennox and Pereira have a daughter, Nadja, born in 2005 and a son, born in June 2010.", "Lennox and Pereira have a daughter, Nadja, born in 2005 and a son, born in June 2010. In 2007, he and Pereira collaborated on a line of sweatshirts called 2nd Things. Musical equipment Synthesizers Minimoog Voyager Korg M3 Digital samplers Elektron Octatrack Roland SP-555 Boss SP-303 \"Dr.", "Musical equipment Synthesizers Minimoog Voyager Korg M3 Digital samplers Elektron Octatrack Roland SP-555 Boss SP-303 \"Dr. Sample\" Teenage Engineering OP-1 Drum machine/synthesizer JoMoX Xbase 999 Discography Studio albums Extended plays Singles \"I'm Not/Comfy in Nautica\" (September 22, 2005, UUAR) \"Bros\" (December 4, 2006, Fat Cat Records) \"Carrots\" (January 23, 2007, Paw Tracks) \"Take Pills\" (June 19, 2007, Paw Tracks) \"Tomboy\" (July 13, 2010, Paw Tracks) \"You Can Count on Me\" (October 19, 2010, Domino) \"Last Night at the Jetty\" (December 13, 2010, FatCat Records) \"Surfer's Hymn\" (March 28, 2011, Kompakt) \"Mr Noah\" (October 23, 2014, Domino) \"Boys Latin\" (December 15, 2014, Domino) \"Crosswords\" (August 20, 2015, Domino) \"Dolphin\" (November 8, 2018, Domino) \"Token\" (January 14, 2019, Domino) \"Playing the Long Game\" (October 9, 2019, Domino) Remixes \"Boneless\" (remix of Notwist song \"Boneless\") on \"Boneless\" 7\" \"As Young As Yesterday\" (remix of Korallreven song \"As Young As Yesterday\") on \"As Young As Yesterday\" 12\" (2011) \"Cheap Treat (Panda Bear Version)\" (remix of Eric Copeland song \"Cheap Treat\") on \"Remixes\" EP.", "Sample\" Teenage Engineering OP-1 Drum machine/synthesizer JoMoX Xbase 999 Discography Studio albums Extended plays Singles \"I'm Not/Comfy in Nautica\" (September 22, 2005, UUAR) \"Bros\" (December 4, 2006, Fat Cat Records) \"Carrots\" (January 23, 2007, Paw Tracks) \"Take Pills\" (June 19, 2007, Paw Tracks) \"Tomboy\" (July 13, 2010, Paw Tracks) \"You Can Count on Me\" (October 19, 2010, Domino) \"Last Night at the Jetty\" (December 13, 2010, FatCat Records) \"Surfer's Hymn\" (March 28, 2011, Kompakt) \"Mr Noah\" (October 23, 2014, Domino) \"Boys Latin\" (December 15, 2014, Domino) \"Crosswords\" (August 20, 2015, Domino) \"Dolphin\" (November 8, 2018, Domino) \"Token\" (January 14, 2019, Domino) \"Playing the Long Game\" (October 9, 2019, Domino) Remixes \"Boneless\" (remix of Notwist song \"Boneless\") on \"Boneless\" 7\" \"As Young As Yesterday\" (remix of Korallreven song \"As Young As Yesterday\") on \"As Young As Yesterday\" 12\" (2011) \"Cheap Treat (Panda Bear Version)\" (remix of Eric Copeland song \"Cheap Treat\") on \"Remixes\" EP. \"Melody Unfair (Panda Bear Remix)\" on Essence of Eucalyptus by Avey Tare \"Never Ending Game (Panda Bear Remix)\" on Bigger House by Angel Du$t Appearances One untitled track on Visionaire 53 – Sound (December 1, 2007, Visionaire Publishing, LLC) \"Anna\" on the album East of Eden by Taken by Trees (September 7, 2009) \"Walkabout\" on the album Logos by Atlas Sound (October 20, 2009) \"Stick to My Side\" on the album Black Noise by Pantha du Prince (February 9, 2010) \"Killin the Vibe\" (bonus track) on the album Ducktails III: Arcade Dynamics by Ducktails (January 18, 2011) \"Atiba Song\" composed music for a skateboarding montage directed by Atiba Jefferson and Ty Evans.", "\"Melody Unfair (Panda Bear Remix)\" on Essence of Eucalyptus by Avey Tare \"Never Ending Game (Panda Bear Remix)\" on Bigger House by Angel Du$t Appearances One untitled track on Visionaire 53 – Sound (December 1, 2007, Visionaire Publishing, LLC) \"Anna\" on the album East of Eden by Taken by Trees (September 7, 2009) \"Walkabout\" on the album Logos by Atlas Sound (October 20, 2009) \"Stick to My Side\" on the album Black Noise by Pantha du Prince (February 9, 2010) \"Killin the Vibe\" (bonus track) on the album Ducktails III: Arcade Dynamics by Ducktails (January 18, 2011) \"Atiba Song\" composed music for a skateboarding montage directed by Atiba Jefferson and Ty Evans. The track was initially created by Atiba, then finished by Panda Bear.", "The track was initially created by Atiba, then finished by Panda Bear. \"The Preakness\" on the cassette tape Keep + Animal Collective (March 2011, Keep) \"Things Fall Apart\" on the album Dedication by Zomby (July 11, 2011) \"Pyjama\" on the album Tracer by Teengirl Fantasy (August 21, 2012) \"Doin' It Right\" on the album Random Access Memories by Daft Punk (May 17, 2013) \"Time (Is)\", \"Binz\", \"Beltway\" and \"I'm a Witness\" on the album When I Get Home by Solange (March 1, 2019) \"I Don't Need a Crowd\" on the I Don't Need a Crowd/The One That Got Away 7\" by Paul Maroon (March 15, 2019) \"Studie\" on the album Anicca by Teebs (September 18, 2019) \"Gameday Continues\" on the album HBCU Gameday by Sporting Life.", "\"The Preakness\" on the cassette tape Keep + Animal Collective (March 2011, Keep) \"Things Fall Apart\" on the album Dedication by Zomby (July 11, 2011) \"Pyjama\" on the album Tracer by Teengirl Fantasy (August 21, 2012) \"Doin' It Right\" on the album Random Access Memories by Daft Punk (May 17, 2013) \"Time (Is)\", \"Binz\", \"Beltway\" and \"I'm a Witness\" on the album When I Get Home by Solange (March 1, 2019) \"I Don't Need a Crowd\" on the I Don't Need a Crowd/The One That Got Away 7\" by Paul Maroon (March 15, 2019) \"Studie\" on the album Anicca by Teebs (September 18, 2019) \"Gameday Continues\" on the album HBCU Gameday by Sporting Life. (January 27, 2020) \"Just a Little Piece of Me\" on the album All Things Being Equal by Sonic Boom.", "(January 27, 2020) \"Just a Little Piece of Me\" on the album All Things Being Equal by Sonic Boom. (June 5, 2020) References External links Interview from 2008 on Onhiat.us Ola's Kool Kitchen on Radio 23 – Panda Bear Live, Primavera 2010 American male singers 1978 births 21st-century American musicians Living people Ableton Live users American expatriates in Portugal Animal Collective members Grammy Award winners Experimental pop musicians Domino Recording Company artists 21st-century American singers" ]

[ "Daniel Barenboim", "Musical style", "What year was he born in?", "I don't know." ]

[ "Ondref Krajnak is a Slovakian musician.\n\nEarly life \nKrajnak was born on March 1, 1978 in Levice, Slovakia. He came from a musical family. At six, he was already playing classical music and participating in various competitions for young talents. At age ten he heard jazz for the first time. Krajnak became so fascinated by this new form of music that, in the same year, he participated in a young jazz artist competition- Jazz Fest Zilina, where he was awarded the 'Discovery of the year'.\n\nWhen Krajnak was 14, he began to study at the Erkel Ferenc Jazz Academy in Budapest (HUN) under Robert Ratonyi. During this period he participated in various musical competitions in Europe, such as a jazz contest in Poland, where he won a special award, and a piano contest in Hungary, where he was awarded best artist in the category “solo piano”. After graduation he obtained a scholarship at the Berklee College of Music in Boston, which he rejected to start his active career.\n\nCareer \nHe established himself on the European jazz scene. He has recorded over 40 albums and performed at concerts all over the world.\n\nSelected musical collaborations \n Elements duo with Radovan Tariska\n One with Oto Hejnic Trio \n Standards (One) with Oto Hejnic Trio\n Forevernest solo piano album\n Radovan Tariska Sextet\n Partnership Unlimited with Oskar Rozsa\n What´s outside with Stveracek Quartet \n Jazz at Prague Castle with Ondrej Stveracek\n When I Fall in Love with Oľga Skrancova \n Reflections of My Soul with Hanka Gregušová \n Essence with Hanka Gregušová\n Aven Bachtale with Ida Kelarova\n Sumen Savore with Ida Kelarova\n Ethno Fest with Ida Kelarova\n Ida Kelarova and Iva Bittova sings Jazz\n Marija Panna Precista with Zuzana Lapcikova\n Orbis Pictus with Zuzana Lapcikova\n Rozchody, Navraty with Zuzana Lapcikova\n Slovak Jazz Trio with Dodo Sosoka\n Three Pianos with Ľubomír Sramek and Klaudius Kovac\n Hot House with Juraj Bartos\n\nReferences\n\nSlovak jazz musicians\nJazz pianists\n1978 births\nLiving people\n21st-century pianists", "Lara Melda Ömeroğlu (born 16 December 1993), known professionally as Lara Melda, is a British-Turkish concert pianist.\n\nEarly life and education\nLara Melda was born in London, United Kingdom to Turkish parents. She began playing the piano at age 6, her sister Melis Ömeroğlu, being the one who inspired her to start.\n\nMelda began piano lessons with Emily Jeffrey, and at the age of 18 began studies with Ian Jones. Melda studied at The Purcell School for Young Musicians from 2008 to 2011. For her Bachelor of Music she went to the Royal College of Music where she was a Queen Elizabeth Queen Mother Scholar and graduated with a first class honour in 2016. Melda is also an accomplished viola player and plays chamber music on both piano and viola. In 2015 she was a scholarship holder under the Imogen Cooper Music Trust.\n\nProfessional career\n\nMelda performed her debut concert at the age of 8 and her debut concerto at the age of 12 playing Mozart's Piano Concerto in D minor K466 and Piano Concerto in A major K414. In 2009 she was a finalist in the International Franz Liszt Piano Competition in Weimar, Germany. Melda rose to international prominence in 2010 when she won the BBC Young Musician of the Year at the age of sixteen, performing Saint-Saëns' Piano Concerto No. 2 in the final round, with Vasily Petrenko and the BBC National Orchestra of Wales in Cardiff. The competition had an international following via television and radio broadcasts on the BBC. Since then she has also performed Mozart's Piano Concerto No. 20, as well as Beethoven's Piano Concerto No. 3, with the BBC National Orchestra of Wales.\n\nIn the autumn of 2013, Melda made her debut performing at the Barbican Centre in London and also with the Britten Sinfonia in a performance of Britten's Young Apollo with Paul Daniel. Previous concerto performances have included Rachmaninoff with the Royal Northern Sinfonia and Kirill Karabits, Mozart with the Aurora Orchestra and Nicholas Collon (Kings Place) and the Grieg concerto with English Sinfonia (St John's, Smith Square) Ludwig van Beethoven with the New Zealand Symphony Orchestra. She has played recitals at the Laeiszhalle (Hamburg); Les Sommets Musicaux in Gstaad, Switzerland; the Mecklenburg-Vorpommern Festival in Germany and performs often at Wigmore Hall in London.\n\nMelda performs regularly in Turkey and made her debut at the International Music Festival (IKSV) in Istanbul in June 2011, playing the Grieg concerto with the Borusan Philharmonic. She has also been presented by the Istanbul Recitals piano series and performed at the Antalya Piano Festival and Boğaziçi University. On 24 March 2012, she received the prestigious 'Promising Young Artist' award from Kadir Has University in Istanbul, and in 2016 was awarded the 'Woman of the Year Arts Award' by the Elele-Avon Women Awards where in her speech, Melda accepted the award on behalf of Turkish women who feel that they don't have a voice in the public square and for those that have not been given the opportunities in life that she has been fortunate to receive.\n\nMelda is most well known and praised for her Chopin interpretations. A performance of Chopin's 2nd sonata prompted this review: \"Unquestionably one of the most outstanding performances of the piece I've ever heard, it evoked its yearning, energy, loneliness, lyricism, fury and gutsiness with playing of stunning precision, technical adroitness and immense, perceptive feeling.\"\n\nReferences\n\nExternal links \n Lara Melda's official website\n Lara Melda's official Facebook page\n\nLiving people\n1993 births\nEnglish people of Turkish descent\nEnglish classical pianists\nEnglish women pianists\nTurkish classical pianists\nTurkish women pianists\nMusicians from London\n21st-century English women musicians\n21st-century classical pianists\nWomen classical pianists" ]

[ "Daniel Barenboim (; in , born 15 November 1942) is a pianist and conductor who is a citizen of Argentina, Israel, Palestine, and Spain. The current general music director of the Berlin State Opera and the Staatskapelle Berlin, Barenboim previously served as Music Director of the Chicago Symphony Orchestra, the Orchestre de Paris and La Scala in Milan.", "The current general music director of the Berlin State Opera and the Staatskapelle Berlin, Barenboim previously served as Music Director of the Chicago Symphony Orchestra, the Orchestre de Paris and La Scala in Milan. Barenboim is known for his work with the West–Eastern Divan Orchestra, a Seville-based orchestra of young Arab and Israeli musicians, and as a resolute critic of the Israeli occupation of Palestinian territories.", "Barenboim is known for his work with the West–Eastern Divan Orchestra, a Seville-based orchestra of young Arab and Israeli musicians, and as a resolute critic of the Israeli occupation of Palestinian territories. Barenboim has received many awards and prizes, including seven Grammy awards, an honorary Knight Commander of the Order of the British Empire, France's Légion d'honneur both as a Commander and Grand Officier, and the German Großes Bundesverdienstkreuz mit Stern und Schulterband.", "Barenboim has received many awards and prizes, including seven Grammy awards, an honorary Knight Commander of the Order of the British Empire, France's Légion d'honneur both as a Commander and Grand Officier, and the German Großes Bundesverdienstkreuz mit Stern und Schulterband. In 2002, along with Palestinian-American scholar Edward Said, he was given Spain's Prince of Asturias Concord Award. Barenboim is a polyglot, fluent in Spanish, Hebrew, English, French, Italian, and German.", "Barenboim is a polyglot, fluent in Spanish, Hebrew, English, French, Italian, and German. A self-described Spinozist, he is significantly influenced by Spinoza's life and thought. Biography Daniel Barenboim was born on 15 November 1942 in Buenos Aires, Argentina, to Jewish parents Aida (née Schuster) and Enrique Barenboim, both professional pianists. He started piano lessons at the age of five with his mother, continuing to study with his father, who remained his only teacher.", "He started piano lessons at the age of five with his mother, continuing to study with his father, who remained his only teacher. On 19 August 1950, at the age of seven, he gave his first formal concert, in Buenos Aires. In 1952, Barenboim's family moved to Israel. Two years later, in the summer of 1954, his parents took him to Salzburg to take part in Igor Markevitch's conducting classes.", "Two years later, in the summer of 1954, his parents took him to Salzburg to take part in Igor Markevitch's conducting classes. During that summer he also met and played for Wilhelm Furtwängler, who has remained a central musical influence and ideal for Barenboim. Furtwängler called the young Barenboim a \"phenomenon\" and invited him to perform the Beethoven First Piano Concerto with the Berlin Philharmonic, but Barenboim's father considered it too soon after the Second World War for a Jewish boy to go to Germany.", "Furtwängler called the young Barenboim a \"phenomenon\" and invited him to perform the Beethoven First Piano Concerto with the Berlin Philharmonic, but Barenboim's father considered it too soon after the Second World War for a Jewish boy to go to Germany. In 1955 Barenboim studied harmony and composition with Nadia Boulanger in Paris. On 15 June 1967, Barenboim and British cellist Jacqueline du Pré were married in Jerusalem at a Western Wall ceremony, du Pré having converted to Judaism.", "On 15 June 1967, Barenboim and British cellist Jacqueline du Pré were married in Jerusalem at a Western Wall ceremony, du Pré having converted to Judaism. Acting as one of the witnesses was the conductor Zubin Mehta, a long-time friend of Barenboim. Since \"I was not Jewish I had to temporarily be renamed Moshe Cohen, which made me a 'kosher witness'\", Mehta recalled. Du Pré retired from music in 1973, after being diagnosed with multiple sclerosis (MS).", "Du Pré retired from music in 1973, after being diagnosed with multiple sclerosis (MS). The marriage lasted until du Pré's death in 1987. In the early 1980s, Barenboim and Russian pianist Elena Bashkirova started a relationship. Together they had two sons, both born in Paris before du Pré's death: David Arthur, born 1983, and Michael, born 1985. Barenboim worked to keep his relationship with Bashkirova hidden from du Pré, and believed he had succeeded. He and Bashkirova married in 1988.", "He and Bashkirova married in 1988. He and Bashkirova married in 1988. Both sons are part of the music world: David is a manager-writer for the German hip-hop band Level 8, and Michael Barenboim is a classical violinist. Citizenship Barenboim holds citizenship in Argentina, Israel, Palestine, and Spain, and was the first person to hold Palestinian and Israeli citizenship simultaneously. He lives in Berlin.", "He lives in Berlin. He lives in Berlin. Career After performing in Buenos Aires, Barenboim made his international debut as a pianist at the age of 10 in 1952 in Vienna and Rome. In 1955 he performed in Paris, in 1956 in London, and in 1957 in New York under the baton of Leopold Stokowski. Regular concert tours of Europe, the United States, South America, Australia and the Far East followed thereafter.", "Regular concert tours of Europe, the United States, South America, Australia and the Far East followed thereafter. In June 1967, Barenboim and his then-fiancée Jacqueline du Pré gave concerts in Jerusalem, Tel Aviv, Haifa and Beersheba before and during the Six-Day War. His friendship with musicians Itzhak Perlman, Zubin Mehta, and Pinchas Zukerman, and marriage to du Pré led to the 1969 film by Christopher Nupen of their performance of the Schubert \"Trout\" Quintet.", "His friendship with musicians Itzhak Perlman, Zubin Mehta, and Pinchas Zukerman, and marriage to du Pré led to the 1969 film by Christopher Nupen of their performance of the Schubert \"Trout\" Quintet. Following his debut as a conductor with the English Chamber Orchestra in Abbey Road Studios, London, in 1966, Barenboim was invited to conduct by many European and American symphony orchestras. Between 1975 and 1989, he was music director of the Orchestre de Paris, where he conducted much contemporary music.", "Between 1975 and 1989, he was music director of the Orchestre de Paris, where he conducted much contemporary music. Barenboim made his opera conducting debut in 1973 with a performance of Mozart's Don Giovanni at the Edinburgh Festival. He made his debut at Bayreuth in 1981, conducting there regularly until 1999. In 1988, he was appointed artistic and musical director of the Opéra Bastille in Paris, scheduled to open in 1990, but was fired in January 1989 by the opera's chairman Pierre Bergé.", "In 1988, he was appointed artistic and musical director of the Opéra Bastille in Paris, scheduled to open in 1990, but was fired in January 1989 by the opera's chairman Pierre Bergé. Barenboim was named music director designate of the Chicago Symphony Orchestra in 1989 and succeeded Sir Georg Solti as its music director in 1991, a post he held until 17 June 2006. He expressed frustration with the need for fund-raising duties in the United States as part of being a music director of an American orchestra.", "He expressed frustration with the need for fund-raising duties in the United States as part of being a music director of an American orchestra. Since 1992, Barenboim has been music director of the Berlin State Opera and the Staatskapelle Berlin, succeeding in maintaining the independent status of the State Opera. He has tried to maintain the orchestra's traditional sound and style. In autumn 2000 he was made conductor for life of the Staatskapelle Berlin.", "In autumn 2000 he was made conductor for life of the Staatskapelle Berlin. On 15 May 2006, Barenboim was named principal guest conductor of La Scala opera house, in Milan, after Riccardo Muti's resignation. He subsequently became music director of La Scala in 2011. In 2006, Barenboim presented the BBC Reith Lectures, presenting a series of five lectures titled In the Beginning was Sound. The lectures on music were recorded in a range of cities, including London, Chicago, Berlin, and two in Jerusalem.", "The lectures on music were recorded in a range of cities, including London, Chicago, Berlin, and two in Jerusalem. In the autumn of 2006, Barenboim gave the Charles Eliot Norton Lectures at Harvard University, entitling his talk Sound and Thought. In November 2006, Lorin Maazel submitted Barenboim's name as his nominee to succeed him as the New York Philharmonic's music director.", "In November 2006, Lorin Maazel submitted Barenboim's name as his nominee to succeed him as the New York Philharmonic's music director. Barenboim said he was flattered but \"nothing could be further from my thoughts at the moment than the possibility of returning to the United States for a permanent position\", repeating in April 2007 his lack of interest in the New York Philharmonic's music directorship or its newly created principal conductor position.", "Barenboim said he was flattered but \"nothing could be further from my thoughts at the moment than the possibility of returning to the United States for a permanent position\", repeating in April 2007 his lack of interest in the New York Philharmonic's music directorship or its newly created principal conductor position. Barenboim made his conducting debut on 28 November 2008 at the Metropolitan Opera in New York for the House's 450th performance of Wagner's Tristan und Isolde.", "Barenboim made his conducting debut on 28 November 2008 at the Metropolitan Opera in New York for the House's 450th performance of Wagner's Tristan und Isolde. In 2009, Barenboim conducted the Vienna New Year's Concert of the Vienna Philharmonic for the first time. In his New Year message, he expressed the hope that 2009 would be a year for peace and for human justice in the Middle East. He returned to conduct the 2014 Vienna New Year's Concert, and also conducted the 2022 Concert.", "He returned to conduct the 2014 Vienna New Year's Concert, and also conducted the 2022 Concert. In 2014, construction began on the Barenboim–Said Academy in Berlin. A joint project Barenboim developed with Palestinian-American scholar Edward Said, the academy was planned as a site for young music students from the Arab world and Israel to study music and humanities in Berlin. It opened its doors on 8 December 2016. In 2017, the Pierre Boulez Saal opened as the public face of the academy.", "In 2017, the Pierre Boulez Saal opened as the public face of the academy. The elliptical shaped concert hall was designed by Frank Gehry. Acoustician Yasuhisa Toyota created the hall’s sound profile. In 2015, Barenboim unveiled a new concert grand piano. Designed by Chris Maene with support from Steinway & Sons, the piano features straight parallel strings instead of the conventional diagonally-crossed strings of a modern Steinway.", "Designed by Chris Maene with support from Steinway & Sons, the piano features straight parallel strings instead of the conventional diagonally-crossed strings of a modern Steinway. In 2020, Barenboim curated the digital festival of new music “Distance / Intimacy” with flautist Emmanuel Pahud in the Pierre Boulez Saal. At their invitation ten contemporary composers, among them Jörg Widmann, Olga Neuwirth and Matthias Pintscher, contributed new works engaging artistically with the COVID-19 pandemic. All participating composers and musicians waived their fees, inviting listeners to financially support arts and culture.", "All participating composers and musicians waived their fees, inviting listeners to financially support arts and culture. Musical style Barenboim has rejected musical fashions based on current musicological research, such as the authentic performance movement. His recording of Beethoven's symphonies shows his preference for some conventional practices, rather than fully adhering to Bärenreiter's new edition (edited by Jonathan Del Mar). Barenboim has opposed the practice of choosing the tempo of a piece based on historical evidence, such as the composer's metronome marks.", "Barenboim has opposed the practice of choosing the tempo of a piece based on historical evidence, such as the composer's metronome marks. He argues instead for finding the tempo from within the music, especially from its harmony and harmonic rhythm. He has reflected this in the general tempi chosen in his recording of Beethoven's symphonies, usually adhering to early-twentieth-century practices. He has not been influenced by the faster tempos chosen by other conductors such as David Zinman and authentic movement advocate Roger Norrington.", "He has not been influenced by the faster tempos chosen by other conductors such as David Zinman and authentic movement advocate Roger Norrington. In his recording of The Well-Tempered Clavier, Barenboim makes frequent use of the right-foot sustaining pedal, a device absent from the keyboard instruments of Bach's time (although the harpsichord was highly resonant), producing a sonority very different from the \"dry\" and often staccato sound favoured by Glenn Gould.", "In his recording of The Well-Tempered Clavier, Barenboim makes frequent use of the right-foot sustaining pedal, a device absent from the keyboard instruments of Bach's time (although the harpsichord was highly resonant), producing a sonority very different from the \"dry\" and often staccato sound favoured by Glenn Gould. Moreover, in the fugues, he often plays one voice considerably louder than the others, a practice impossible on a harpsichord.", "Moreover, in the fugues, he often plays one voice considerably louder than the others, a practice impossible on a harpsichord. According to some scholarship, this practice began in Beethoven's time (see, for example, Matthew Dirst's book Engaging Bach).", "According to some scholarship, this practice began in Beethoven's time (see, for example, Matthew Dirst's book Engaging Bach). When justifying his interpretation of Bach, Barenboim claims that he is interested in the long tradition of playing Bach that has existed for two and a half centuries, rather than in the exact style of performance in Bach's time: The study of old instruments and historic performance practice has taught us a great deal, but the main point, the impact of harmony, has been ignored.", "When justifying his interpretation of Bach, Barenboim claims that he is interested in the long tradition of playing Bach that has existed for two and a half centuries, rather than in the exact style of performance in Bach's time: The study of old instruments and historic performance practice has taught us a great deal, but the main point, the impact of harmony, has been ignored. This is proved by the fact that tempo is described as an independent phenomenon.", "This is proved by the fact that tempo is described as an independent phenomenon. It is claimed that one of Bach's gavottes must be played fast and another one slowly. But tempo is not independent! ... I think that concerning oneself purely with historic performance practice and the attempt to reproduce the sound of older styles of music-making is limiting and no indication of progress. Mendelssohn and Schumann tried to introduce Bach into their own period, as did Liszt with his transcriptions and Busoni with his arrangements.", "Mendelssohn and Schumann tried to introduce Bach into their own period, as did Liszt with his transcriptions and Busoni with his arrangements. In America Leopold Stokowski also tried to do it with his arrangements for orchestra. This was always the result of \"progressive\" efforts to bring Bach closer to the particular period. I have no philosophical problem with someone playing Bach and making it sound like Boulez. My problem is more with someone who tries to imitate the sound of that time ...", "My problem is more with someone who tries to imitate the sound of that time ... Recordings In the beginning of his career, Barenboim concentrated on music of the classical era, as well as some romantic composers. He made his first recording in 1954. Notable classical recordings include the complete cycles of Mozart, Beethoven and Schubert's piano sonatas, Beethoven's piano concertos (with the New Philharmonia Orchestra and Otto Klemperer), and Mozart's piano concertos (conducting the English Chamber Orchestra from the piano).", "He made his first recording in 1954. Notable classical recordings include the complete cycles of Mozart, Beethoven and Schubert's piano sonatas, Beethoven's piano concertos (with the New Philharmonia Orchestra and Otto Klemperer), and Mozart's piano concertos (conducting the English Chamber Orchestra from the piano). Romantic recordings include Brahms's piano concertos (with John Barbirolli), Mendelssohn's Songs Without Words, and Chopin's Nocturnes.", "Romantic recordings include Brahms's piano concertos (with John Barbirolli), Mendelssohn's Songs Without Words, and Chopin's Nocturnes. Barenboim also recorded many chamber works, especially in collaboration with his first wife, Jacqueline du Pré, the violinist Itzhak Perlman, and the violinist and violist Pinchas Zukerman.", "Barenboim also recorded many chamber works, especially in collaboration with his first wife, Jacqueline du Pré, the violinist Itzhak Perlman, and the violinist and violist Pinchas Zukerman. Noted performances include: the complete Mozart violin sonatas (with Perlman), Brahms's violin sonatas (live concert with Perlman, previously in the studio with Zukerman), Beethoven's and Brahms's cello sonatas (with du Pré), Beethoven's and Tchaikovsky's piano trios (with du Pré and Zukerman), and Schubert's Trout Quintet (with du Pré, Perlman, Zukerman, and Zubin Mehta).", "Noted performances include: the complete Mozart violin sonatas (with Perlman), Brahms's violin sonatas (live concert with Perlman, previously in the studio with Zukerman), Beethoven's and Brahms's cello sonatas (with du Pré), Beethoven's and Tchaikovsky's piano trios (with du Pré and Zukerman), and Schubert's Trout Quintet (with du Pré, Perlman, Zukerman, and Zubin Mehta). Notable recordings as a conductor include the complete symphonies of Beethoven, Brahms, Bruckner, Schubert, and Schumann; the Da Ponte operas of Mozart; numerous operas by Wagner, including the complete Ring Cycle; and various concertos.", "Notable recordings as a conductor include the complete symphonies of Beethoven, Brahms, Bruckner, Schubert, and Schumann; the Da Ponte operas of Mozart; numerous operas by Wagner, including the complete Ring Cycle; and various concertos. Barenboim has written about his changing attitude to the music of Mahler; he has recorded Mahler's Fifth, Seventh, and Ninth symphonies and Das Lied von der Erde. He has also performed and recorded the Concierto de Aranjuez by Rodrigo and Villa-Lobos guitar concerto with John Williams as the guitar soloist.", "He has also performed and recorded the Concierto de Aranjuez by Rodrigo and Villa-Lobos guitar concerto with John Williams as the guitar soloist. By the late 1990s, Barenboim had widened his concert repertoire, performing works by baroque as well as twentieth-century classical composers. Examples include: J. S. Bach's The Well-Tempered Clavier (which he has played since childhood) and Goldberg Variations, Albeniz's Iberia, and Debussy's Préludes.", "Examples include: J. S. Bach's The Well-Tempered Clavier (which he has played since childhood) and Goldberg Variations, Albeniz's Iberia, and Debussy's Préludes. In addition, he turned to other musical genres, such as jazz, and the folk music of his birthplace, Argentina. He conducted the 2006 New Year's Eve concert in Buenos Aires, in which tangos were played. Barenboim has continued to perform and record chamber music, sometimes with members of the orchestras he has led.", "Barenboim has continued to perform and record chamber music, sometimes with members of the orchestras he has led. Some examples include the Quartet for the End of Time by Messiaen with members of the Orchestre de Paris during his tenure there, Richard Strauss with members of the Chicago Symphony Orchestra, and Mozart's Clarinet Trio with members of the Berlin Staatskapelle.", "Some examples include the Quartet for the End of Time by Messiaen with members of the Orchestre de Paris during his tenure there, Richard Strauss with members of the Chicago Symphony Orchestra, and Mozart's Clarinet Trio with members of the Berlin Staatskapelle. To mark Barenboim's 75th birthday, Deutsche Grammophon released a box set of 39 CDs of his solo recordings, and Sony Classical issued a box set of Barenboim's orchestral recordings on 43 CDs and three DVDs in 2017, Daniel Barenboim – A Retrospective.", "To mark Barenboim's 75th birthday, Deutsche Grammophon released a box set of 39 CDs of his solo recordings, and Sony Classical issued a box set of Barenboim's orchestral recordings on 43 CDs and three DVDs in 2017, Daniel Barenboim – A Retrospective. Conducting Wagner in Israel The Israel Philharmonic Orchestra (then Palestine Orchestra) had performed Richard Wagner's music in Mandatory Palestine even during the early days of the Nazi era.", "Conducting Wagner in Israel The Israel Philharmonic Orchestra (then Palestine Orchestra) had performed Richard Wagner's music in Mandatory Palestine even during the early days of the Nazi era. But after the Kristallnacht, Jewish musicians avoided playing Wagner's music in Israel because of the use Nazi Germany made of the composer and because of Wagner's own anti-Semitic writings, initiating an unofficial boycott. This informal ban continued when Israel was founded in 1948, but from time to time unsuccessful efforts were made to end it.", "This informal ban continued when Israel was founded in 1948, but from time to time unsuccessful efforts were made to end it. In 1974 and again in 1981 Zubin Mehta planned to (but did not) lead the Israel Philharmonic Orchestra in works of Wagner. During the latter occasion, fist fights broke out in the audience. Barenboim, who had been selected to head the production of Wagner's operas at the 1988 Bayreuth Festival, had since at least 1989 publicly opposed the Israeli ban.", "Barenboim, who had been selected to head the production of Wagner's operas at the 1988 Bayreuth Festival, had since at least 1989 publicly opposed the Israeli ban. In that year, he had the Israel Philharmonic \"rehearse\" two of Wagner's works.", "In that year, he had the Israel Philharmonic \"rehearse\" two of Wagner's works. In a conversation with Edward Said, Barenboim said that \"Wagner, the person, is absolutely appalling, despicable, and, in a way, very difficult to put together with the music he wrote, which so often has exactly the opposite kind of feelings ... noble, generous, etc.\"", "In a conversation with Edward Said, Barenboim said that \"Wagner, the person, is absolutely appalling, despicable, and, in a way, very difficult to put together with the music he wrote, which so often has exactly the opposite kind of feelings ... noble, generous, etc.\" He called Wagner's anti-Semitism obviously \"monstrous\", and feels it must be faced, but argues that \"Wagner did not cause the Holocaust.\"", "He called Wagner's anti-Semitism obviously \"monstrous\", and feels it must be faced, but argues that \"Wagner did not cause the Holocaust.\" In 1990, Barenboim conducted the Berlin Philharmonic Orchestra in its first appearance in Israel, but he excluded Wagner's works. \"Although Wagner died in 1883, he is not played [in Israel] because his music is too inextricably linked with Nazism, and so is too painful for those who suffered\", Barenboim told a reporter.", "\"Although Wagner died in 1883, he is not played [in Israel] because his music is too inextricably linked with Nazism, and so is too painful for those who suffered\", Barenboim told a reporter. \"Why play what hurts people?\" Not long afterwards, it was announced that Barenboim would lead the Israel Philharmonic in two Wagner overtures, which took place on 27 December \"before a carefully screened audience\".", "Not long afterwards, it was announced that Barenboim would lead the Israel Philharmonic in two Wagner overtures, which took place on 27 December \"before a carefully screened audience\". In 2000, the Israel Supreme Court upheld the right of the Rishon LeZion Orchestra to perform Wagner's Siegfried Idyll. At the Israel Festival in Jerusalem in July 2001, Barenboim had scheduled to perform the first act of Die Walküre with three singers, including tenor Plácido Domingo.", "At the Israel Festival in Jerusalem in July 2001, Barenboim had scheduled to perform the first act of Die Walküre with three singers, including tenor Plácido Domingo. However, strong protests by some Holocaust survivors, as well as the Israeli government, led the festival authorities to ask for an alternative program. (The Israel Festival's Public Advisory board, which included some Holocaust survivors, had originally approved the program.)", "(The Israel Festival's Public Advisory board, which included some Holocaust survivors, had originally approved the program.) The controversy appeared to end in May, after the Israel Festival announced that a selection by Wagner would not be included at the 7 July concert. Barenboim agreed to substitute music by Schumann and Stravinsky.", "Barenboim agreed to substitute music by Schumann and Stravinsky. Barenboim agreed to substitute music by Schumann and Stravinsky. However, at the end of the concert with the Berlin Staatskapelle, Barenboim announced that he would like to play Wagner as a second encore and invited those who objected to leave, saying, \"Despite what the Israel Festival believes, there are people sitting in the audience for whom Wagner does not spark Nazi associations. I respect those for whom these associations are oppressive.", "I respect those for whom these associations are oppressive. I respect those for whom these associations are oppressive. It will be democratic to play a Wagner encore for those who wish to hear it. I am turning to you now and asking whether I can play Wagner.\" A half-hour debate ensued, with some audience members calling Barenboim a \"fascist\". In the end, a small number of attendees walked out and the overwhelming majority remained, applauding loudly after the performance of the Tristan und Isolde Prelude.", "In the end, a small number of attendees walked out and the overwhelming majority remained, applauding loudly after the performance of the Tristan und Isolde Prelude. In September 2001, a public relations associate for the Chicago Symphony Orchestra, where Barenboim was the Music Director, revealed that season ticket-holders were about evenly divided about the wisdom of Barenboim's decision to play Wagner in Jerusalem. Barenboim regarded the performance of Wagner at the 7 July concert as a political statement.", "Barenboim regarded the performance of Wagner at the 7 July concert as a political statement. He said he had decided to defy the ban on Wagner after having a news conference he held the previous week interrupted by the ringing of a mobile phone to the tune of Wagner's \"Ride of the Valkyries\". \"I thought if it can be heard on the ring of a telephone, why can't it be played in a concert hall?\" he said.", "he said. he said. A Knesset committee subsequently called for Barenboim to be declared a persona non-grata in Israel until he apologized for conducting Wagner's music. The move was condemned by the musical director of the Israel Philharmonic Orchestra Zubin Mehta and members of Knesset. Prior to receiving the $100,000 Wolf Prize, awarded annually in Israel, Barenboim said, \"If people were really hurt, of course I regret this, because I don't want to harm anyone\".", "Prior to receiving the $100,000 Wolf Prize, awarded annually in Israel, Barenboim said, \"If people were really hurt, of course I regret this, because I don't want to harm anyone\". In 2005, Barenboim gave the inaugural Edward Said Memorial Lecture at Columbia University, entitled \"Wagner, Israel and Palestine\".", "In 2005, Barenboim gave the inaugural Edward Said Memorial Lecture at Columbia University, entitled \"Wagner, Israel and Palestine\". In the speech, according to the Financial Times, Barenboim \"called on Israel to accept the Palestinian 'narrative even though they may not agree with it'\", and said, \"The state of Israel was supposed to provide the instrument for the end of anti-Semitism ...", "In the speech, according to the Financial Times, Barenboim \"called on Israel to accept the Palestinian 'narrative even though they may not agree with it'\", and said, \"The state of Israel was supposed to provide the instrument for the end of anti-Semitism ... This inability to accept a new narrative has led to a new anti-Semitism that is very different from the European anti-Semitism of the 19th century.\"", "This inability to accept a new narrative has led to a new anti-Semitism that is very different from the European anti-Semitism of the 19th century.\" According to The New York Times, Barenboim said it was the \"fear, this conviction of being yet again the victim, that does not allow the Israeli public to accept Wagner's anti-Semitism ...", "According to The New York Times, Barenboim said it was the \"fear, this conviction of being yet again the victim, that does not allow the Israeli public to accept Wagner's anti-Semitism ... It is the same cell in the collective brain that does not allow them to make progress in their understanding of the needs of the Palestinian people\", and also said that suicide bombings in Israel \"had to be seen in the context of the historical development at which we have arrived\".", "It is the same cell in the collective brain that does not allow them to make progress in their understanding of the needs of the Palestinian people\", and also said that suicide bombings in Israel \"had to be seen in the context of the historical development at which we have arrived\". The speech caused controversy; the Jewish Telegraphic Agency wrote that Barenboim had \"compared Herzl's ideas to Wagner's; criticized Palestinian terrorist attacks but also justified them; and said Israeli actions contributed to the rise of international anti-Semitism\".", "The speech caused controversy; the Jewish Telegraphic Agency wrote that Barenboim had \"compared Herzl's ideas to Wagner's; criticized Palestinian terrorist attacks but also justified them; and said Israeli actions contributed to the rise of international anti-Semitism\". In March 2007, Barenboim said: \"The whole subject of Wagner in Israel has been politicized and is a symptom of a malaise that goes very deep in Israeli society...\" In 2010, before conducting Wagner's Die Walküre for the gala premiere of La Scala's season in Milan, he said that the perception of Wagner was unjustly influenced by the fact that he was Hitler's favourite composer: \"I think a bit of the problem with Wagner isn't what we all know in Israel, anti-Semitism, etc ...", "In March 2007, Barenboim said: \"The whole subject of Wagner in Israel has been politicized and is a symptom of a malaise that goes very deep in Israeli society...\" In 2010, before conducting Wagner's Die Walküre for the gala premiere of La Scala's season in Milan, he said that the perception of Wagner was unjustly influenced by the fact that he was Hitler's favourite composer: \"I think a bit of the problem with Wagner isn't what we all know in Israel, anti-Semitism, etc ... It is how the Nazis and Hitler saw Wagner as his own prophet ...", "It is how the Nazis and Hitler saw Wagner as his own prophet ... This perception of Hitler colors for many people the perception of Wagner ... We need one day to liberate Wagner of all this weight\". In a 2012 interview with Der Spiegel, Barenboim said, \"It saddens me that official Israel so doggedly refuses to allow Wagner to be performed – as was the case, once again, at the University of Tel Aviv two weeks ago – because I see it as a symptom of a disease.", "In a 2012 interview with Der Spiegel, Barenboim said, \"It saddens me that official Israel so doggedly refuses to allow Wagner to be performed – as was the case, once again, at the University of Tel Aviv two weeks ago – because I see it as a symptom of a disease. The words I'm about to use are harsh, but I choose them deliberately: There is a politicization of the remembrance of the Holocaust in Israel, and that's terrible.\"", "The words I'm about to use are harsh, but I choose them deliberately: There is a politicization of the remembrance of the Holocaust in Israel, and that's terrible.\" He also argued that after the trial of Adolf Eichmann and the Six-Day War, \"a misunderstanding also arose ... namely that the Holocaust, from which the Jews' ultimate claim to Israel was derived, and the Palestinian problem had something to do with each other.\"", "He also argued that after the trial of Adolf Eichmann and the Six-Day War, \"a misunderstanding also arose ... namely that the Holocaust, from which the Jews' ultimate claim to Israel was derived, and the Palestinian problem had something to do with each other.\" He also said, that since the Six-Day War, Israeli politicians have repeatedly established a connection between European anti-Semitism and the fact that the Palestinians don't accept the founding of the State of Israel. But that's absurd! The Palestinians weren't primarily anti-Semitic.", "But that's absurd! The Palestinians weren't primarily anti-Semitic. The Palestinians weren't primarily anti-Semitic. They just didn't accept their expulsion. But European anti-Semitism goes much further back than to the partition of Palestine and the establishment of Israel in 1948. In response to a question from the interviewer, he said he conducted Wagner with the West–Eastern Divan Orchestra because, \"The musicians wanted it. I said: Sure, but we have to talk about it. It's a tricky decision.\"", "It's a tricky decision.\" It's a tricky decision.\" When the interviewer asked if the initiative came from Arab musicians in the orchestra, he replied, \"On the contrary. It was the Israelis. The Israeli brass players.\" Over the years, observers of the Wagner battle have weighed in on both sides of the issue. Political views Barenboim, a supporter of human rights, including Palestinian rights, is an outspoken critic of Israel's conservative governments and the Israeli occupation of the Palestinian territories.", "Political views Barenboim, a supporter of human rights, including Palestinian rights, is an outspoken critic of Israel's conservative governments and the Israeli occupation of the Palestinian territories. In an interview with the British music critic Norman Lebrecht in 2003, Barenboim accused Israel of behaving in a manner that was \"morally abhorrent and strategically wrong\" and \"putting in danger the very existence of the state of Israel\".", "In an interview with the British music critic Norman Lebrecht in 2003, Barenboim accused Israel of behaving in a manner that was \"morally abhorrent and strategically wrong\" and \"putting in danger the very existence of the state of Israel\". In 1967, at the start of the Six-Day War, Barenboim and du Pré had performed for the Israeli troops on the front lines, as well as during the Yom Kippur War in 1973. During the Gulf War, he and an orchestra performed in Israel in gas masks.", "During the Gulf War, he and an orchestra performed in Israel in gas masks. Barenboim has argued publicly for a two-state solution for Israelis and Palestinians. In a November 2014 opinion piece in The Guardian, he wrote that the \"ongoing security of the state of Israel ... is only possible in the long term if the future of the Palestinian people, too, is secured in its own sovereign state.", "In a November 2014 opinion piece in The Guardian, he wrote that the \"ongoing security of the state of Israel ... is only possible in the long term if the future of the Palestinian people, too, is secured in its own sovereign state. If this does not happen, the wars and history of that region will be constantly repeated and the unbearable stalemate will continue.\" West–Eastern Divan In 1999, Barenboim and Palestinian-American intellectual Edward Said jointly founded the West–Eastern Divan Orchestra.", "West–Eastern Divan In 1999, Barenboim and Palestinian-American intellectual Edward Said jointly founded the West–Eastern Divan Orchestra. This initiative brings together, every summer, a group of young classical musicians from Israel, the Palestinian territories and Arab countries to study, perform and to promote mutual reflection and understanding. Barenboim and Said jointly received the 2002 Prince of Asturias Awards for their work in \"improving understanding between nations\". Together they wrote the book Parallels and Paradoxes, based on a series of public discussions held at New York's Carnegie Hall.", "Together they wrote the book Parallels and Paradoxes, based on a series of public discussions held at New York's Carnegie Hall. In September 2005, presenting the book written with Said, Barenboim refused to be interviewed by uniformed Israel Defense Forces Radio reporter Dafna Arad, considering the wearing of the uniform insensitive for the occasion. In response, Israeli Education Minister Limor Livnat of the Likud party called him \"a real Jew hater\" and \"a real anti-Semite\".", "In response, Israeli Education Minister Limor Livnat of the Likud party called him \"a real Jew hater\" and \"a real anti-Semite\". After being invited for the fourth time to the Doha Festival for Music and Dialogue in Qatar with the West–Eastern Divan Orchestra in 2012, Barenboim's invitation was cancelled by the authorities because of \"sensitivity to the developments in the Arab world\". There had been a campaign against him in the Arab media, accusing him of \"being a Zionist\".", "There had been a campaign against him in the Arab media, accusing him of \"being a Zionist\". In July 2012, Barenboim and the orchestra played a pivotal role at the BBC Proms, performing a cycle of Beethoven's nine symphonies, with the Ninth timed to coincide with the opening of the London 2012 Olympic Games. In addition, he was an Olympic flag carrier at the opening ceremony of the Games. Wolf Prize In May 2004, Barenboim was awarded the Wolf Prize at a ceremony at the Israeli Knesset.", "Wolf Prize In May 2004, Barenboim was awarded the Wolf Prize at a ceremony at the Israeli Knesset. Education Minister Livnat held up the nomination until Barenboim apologized for his performance of Wagner in Israel. Barenboim called Livnat's demand \"politically motivated\", adding \"I don't see what I need to apologize about. If I ever hurt a person privately or in public, I am sorry, because I have no intention of hurting people...\", which was good enough for Livnat.", "If I ever hurt a person privately or in public, I am sorry, because I have no intention of hurting people...\", which was good enough for Livnat. The ceremony was boycotted by Knesset Speaker Reuven Rivlin, also a member of the Likud party.", "The ceremony was boycotted by Knesset Speaker Reuven Rivlin, also a member of the Likud party. In his acceptance speech, Barenboim expressed his opinion on the political situation, referring to the Israeli Declaration of Independence in 1948: I am asking today with deep sorrow: Can we, despite all our achievements, ignore the intolerable gap between what the Declaration of Independence promised and what was fulfilled, the gap between the idea and the realities of Israel?", "In his acceptance speech, Barenboim expressed his opinion on the political situation, referring to the Israeli Declaration of Independence in 1948: I am asking today with deep sorrow: Can we, despite all our achievements, ignore the intolerable gap between what the Declaration of Independence promised and what was fulfilled, the gap between the idea and the realities of Israel? Does the condition of occupation and domination over another people fit the Declaration of Independence?", "Does the condition of occupation and domination over another people fit the Declaration of Independence? Is there any sense in the independence of one at the expense of the fundamental rights of the other? Can the Jewish people whose history is a record of continued suffering and relentless persecution, allow themselves to be indifferent to the rights and suffering of a neighboring people? Can the State of Israel allow itself an unrealistic dream of an ideological end to the conflict instead of pursuing a pragmatic, humanitarian one based on social justice?", "Can the State of Israel allow itself an unrealistic dream of an ideological end to the conflict instead of pursuing a pragmatic, humanitarian one based on social justice? Israel's President Moshe Katsav and Education Minister Livnat criticized Barenboim for his speech. Livnat accused him of attacking the state of Israel, to which Barenboim replied that he had not done so, but that he instead had cited the text of the Israeli Declaration of Independence.", "Livnat accused him of attacking the state of Israel, to which Barenboim replied that he had not done so, but that he instead had cited the text of the Israeli Declaration of Independence. Performing in the West Bank and Gaza Strip Barenboim has performed several times in the West Bank: at Bir Zeit University in 1999 and several times in Ramallah. In December 2007, Barenboim and 20 musicians from Britain, the United States, France and Germany, and one Palestinian were scheduled to play a baroque music concert in Gaza.", "In December 2007, Barenboim and 20 musicians from Britain, the United States, France and Germany, and one Palestinian were scheduled to play a baroque music concert in Gaza. Although they had received authorization from Israeli authorities, the Palestinian was stopped at the Israel–Gaza border and told that he needed individual permission to enter. The group waited seven hours at the border, and then canceled the concert in solidarity.", "The group waited seven hours at the border, and then canceled the concert in solidarity. Barenboim commented: \"A baroque music concert in a Roman Catholic church in Gaza – as we all know – has nothing to do with security and would bring so much joy to people who live there in great difficulty.\" In January 2008, after performing in Ramallah, Barenboim accepted honorary Palestinian citizenship, becoming the first Jewish Israeli citizen to be offered the status.", "In January 2008, after performing in Ramallah, Barenboim accepted honorary Palestinian citizenship, becoming the first Jewish Israeli citizen to be offered the status. Barenboim said he hoped it would serve as a public gesture of peace. Some Israelis criticized Barenboim's decision to accept Palestinian citizenship. The parliamentary faction chairman of the Shas party demanded that Barenboim be stripped of his Israeli citizenship, but the Interior Minister told the media that \"the matter is not even up for discussion\".", "The parliamentary faction chairman of the Shas party demanded that Barenboim be stripped of his Israeli citizenship, but the Interior Minister told the media that \"the matter is not even up for discussion\". In January 2009, Barenboim cancelled two concerts of the West–Eastern Divan Orchestra in Qatar and Cairo \"due to the escalating violence in Gaza and the resulting concerns for the musicians' safety\".", "In January 2009, Barenboim cancelled two concerts of the West–Eastern Divan Orchestra in Qatar and Cairo \"due to the escalating violence in Gaza and the resulting concerns for the musicians' safety\". In May 2011, Barenboim conducted the \"Orchestra for Gaza\" composed of volunteers from the Berlin Philharmonic, the Berlin Staatskapelle, the Orchestra of La Scala in Milan, the Vienna Philharmonic and the Orchestre de Paris, at al-Mathaf Cultural House. The concert, held in Gaza City, was co-ordinated in secret with the United Nations.", "The concert, held in Gaza City, was co-ordinated in secret with the United Nations. The orchestra flew from Berlin to Vienna and from there to El Arish on a plane chartered by Barenboim, entering the Gaza Strip at the Egyptian Rafah Border Crossing. The musicians were escorted by a convoy of United Nations vehicles. The concert, the first performance by an international classical ensemble in the Strip, was attended by an invited audience of several hundred schoolchildren and NGO workers, who greeted Barenboim with applause.", "The concert, the first performance by an international classical ensemble in the Strip, was attended by an invited audience of several hundred schoolchildren and NGO workers, who greeted Barenboim with applause. The orchestra played Mozart's Eine kleine Nachtmusik and Symphony No. 40, also familiar to an Arab audience as the basis of one of the songs of the famous Arab singer Fairuz.", "40, also familiar to an Arab audience as the basis of one of the songs of the famous Arab singer Fairuz. In his speech, Barenboim said: \"Everyone has to understand that the Palestinian cause is a just cause therefore it can be only given justice if it is achieved without violence. Violence can only weaken the righteousness of the Palestinian cause\".", "Violence can only weaken the righteousness of the Palestinian cause\". Awards and recognition Grand Cross of the Order of Merit of the Federal Republic of Germany, 2002 Prince of Asturias Awards, 2002 (jointly with Edward Said) Toleranzpreis der Evangelischen Akademie Tutzing, 2002 Wilhelm Furtwängler Prize, 2003 (with Staatskapelle Berlin) Buber-Rosenzweig-Medal, 2004 Wolf Prize in Arts, 2004 (According to the documentary \"Knowledge Is the Beginning\", Barenboim donated all the proceeds to music education for Israeli and Palestinian youth) Foreign Honorary Member of the American Academy of Arts and Sciences, 2005; Ernst von Siemens Music Prize, 2006 Knight Grand Cross of the Order of Merit of the Italian Republic, 2007 Commander of the Legion of Honour, 2007 Goethe Medal, 2007 Praemium Imperiale, 2007 Nominated \"Honorary Guide\" by UFO religion Raëlian Movement, 2008 International Service Award for the Global Defence of Human Rights, 2008 Royal Philharmonic Society Gold Medal, 2008 Istanbul International Music Festival Lifetime Achievement Award, 2009; In 2009 Konex Foundation from Argentina granted him the Diamond Konex Award for Classical Music as the most important musician in the last decade in his country.", "Awards and recognition Grand Cross of the Order of Merit of the Federal Republic of Germany, 2002 Prince of Asturias Awards, 2002 (jointly with Edward Said) Toleranzpreis der Evangelischen Akademie Tutzing, 2002 Wilhelm Furtwängler Prize, 2003 (with Staatskapelle Berlin) Buber-Rosenzweig-Medal, 2004 Wolf Prize in Arts, 2004 (According to the documentary \"Knowledge Is the Beginning\", Barenboim donated all the proceeds to music education for Israeli and Palestinian youth) Foreign Honorary Member of the American Academy of Arts and Sciences, 2005; Ernst von Siemens Music Prize, 2006 Knight Grand Cross of the Order of Merit of the Italian Republic, 2007 Commander of the Legion of Honour, 2007 Goethe Medal, 2007 Praemium Imperiale, 2007 Nominated \"Honorary Guide\" by UFO religion Raëlian Movement, 2008 International Service Award for the Global Defence of Human Rights, 2008 Royal Philharmonic Society Gold Medal, 2008 Istanbul International Music Festival Lifetime Achievement Award, 2009; In 2009 Konex Foundation from Argentina granted him the Diamond Konex Award for Classical Music as the most important musician in the last decade in his country. Léonie Sonning Music Prize, 2009 Westphalian Peace Prize (Westfälischer Friedenspreis), in 2010, for his striving for dialog in the Near East; Otto Hahn Peace Medal (Otto-Hahn-Friedensmedaille) of the United Nations Association of Germany (DGVN), Berlin-Brandenburg, for his efforts in promoting peace, humanity and international understanding, 2010; Grand Officier of the Légion d'honneur, 2011 Edison Award for Lifetime Achievement 2011, the most prestigious music award of The Netherlands Honorary Knight Commander of the Order of the British Empire (KBE), 2011 Dresden Peace Prize, 2011 International Willy-Brandt Prize, 2011 In 2012, he was voted into the Gramophone Hall of Fame.", "Léonie Sonning Music Prize, 2009 Westphalian Peace Prize (Westfälischer Friedenspreis), in 2010, for his striving for dialog in the Near East; Otto Hahn Peace Medal (Otto-Hahn-Friedensmedaille) of the United Nations Association of Germany (DGVN), Berlin-Brandenburg, for his efforts in promoting peace, humanity and international understanding, 2010; Grand Officier of the Légion d'honneur, 2011 Edison Award for Lifetime Achievement 2011, the most prestigious music award of The Netherlands Honorary Knight Commander of the Order of the British Empire (KBE), 2011 Dresden Peace Prize, 2011 International Willy-Brandt Prize, 2011 In 2012, he was voted into the Gramophone Hall of Fame. Honorary Member of the Berliner Philharmoniker Pour le Mérite for Sciences and Arts, 2015 Elgar Medal, 2015 Minor planet 7163 Barenboim is named after him.", "Honorary Member of the Berliner Philharmoniker Pour le Mérite for Sciences and Arts, 2015 Elgar Medal, 2015 Minor planet 7163 Barenboim is named after him. Honorary degrees Doctor of Philosophy, Hebrew University of Jerusalem, 1996 Vrije Universiteit Brussel, 2003 Doctor of Music, University of Oxford, 2007 Doctor of Music, SOAS, University of London, 2008 Doctor of Music, Royal Academy of Music, 2010 Doctor of Philosophy, Weizmann Institute of Science, 2013 University of Florence, 2020 Grammy Awards Barenboim received 6 Grammy Awards.", "Honorary degrees Doctor of Philosophy, Hebrew University of Jerusalem, 1996 Vrije Universiteit Brussel, 2003 Doctor of Music, University of Oxford, 2007 Doctor of Music, SOAS, University of London, 2008 Doctor of Music, Royal Academy of Music, 2010 Doctor of Philosophy, Weizmann Institute of Science, 2013 University of Florence, 2020 Grammy Awards Barenboim received 6 Grammy Awards. Grammy Award for Best Opera Recording: Christoph Classen (producer), Eberhard Sengpiel, Tobias Lehmann (engineers), Daniel Barenboim (conductor), Jane Eaglen, Thomas Hampson, Waltraud Meier, René Pape, Peter Seiffert, the Chor der Deutschen Staatsoper Berlin & the Staatskapelle Berlin for Wagner: Tannhäuser (2003) Grammy Award for Best Chamber Music Performance: Daniel Barenboim, Dale Clevenger, Larry Combs, Daniele Damiano, Hansjörg Schellenberger & the Berlin Philharmonic for Beethoven/Mozart: Quintets (Chicago-Berlin) (1995) Daniel Barenboim & Itzhak Perlman for Brahms: The Three Violin Sonatas (1991) Grammy Award for Best Orchestral Performance: Daniel Barenboim (conductor) & the Chicago Symphony Orchestra for Corigliano: Symphony No.", "Grammy Award for Best Opera Recording: Christoph Classen (producer), Eberhard Sengpiel, Tobias Lehmann (engineers), Daniel Barenboim (conductor), Jane Eaglen, Thomas Hampson, Waltraud Meier, René Pape, Peter Seiffert, the Chor der Deutschen Staatsoper Berlin & the Staatskapelle Berlin for Wagner: Tannhäuser (2003) Grammy Award for Best Chamber Music Performance: Daniel Barenboim, Dale Clevenger, Larry Combs, Daniele Damiano, Hansjörg Schellenberger & the Berlin Philharmonic for Beethoven/Mozart: Quintets (Chicago-Berlin) (1995) Daniel Barenboim & Itzhak Perlman for Brahms: The Three Violin Sonatas (1991) Grammy Award for Best Orchestral Performance: Daniel Barenboim (conductor) & the Chicago Symphony Orchestra for Corigliano: Symphony No. 1 (1992) Grammy Award for Best Instrumental Soloist(s) Performance (with orchestra): Martin Fouqué (producer), Eberhard Sengpiel (engineer), Daniel Barenboim (conductor / piano), Dale Clevenger, Larry Combs, Alex Klein, David McGill & the Chicago Symphony Orchestra for Richard Strauss Wind Concertos (Horn Concerto; Oboe Concerto, etc.)", "1 (1992) Grammy Award for Best Instrumental Soloist(s) Performance (with orchestra): Martin Fouqué (producer), Eberhard Sengpiel (engineer), Daniel Barenboim (conductor / piano), Dale Clevenger, Larry Combs, Alex Klein, David McGill & the Chicago Symphony Orchestra for Richard Strauss Wind Concertos (Horn Concerto; Oboe Concerto, etc.) (2002) Daniel Barenboim (conductor), Itzhak Perlman & the Chicago Symphony Orchestra for Elgar: Violin Concerto in B Minor (1983) Daniel Barenboim (conductor), Arthur Rubinstein & the London Philharmonic Orchestra for Beethoven: The Five Piano Concertos (1977) (also awarded Grammy Award for Best Classical Album) Straight-strung piano In 2017, Barenboim unveiled a piano that has straight-strung bass strings, as opposed to the crossed-stringed modern instrument.", "(2002) Daniel Barenboim (conductor), Itzhak Perlman & the Chicago Symphony Orchestra for Elgar: Violin Concerto in B Minor (1983) Daniel Barenboim (conductor), Arthur Rubinstein & the London Philharmonic Orchestra for Beethoven: The Five Piano Concertos (1977) (also awarded Grammy Award for Best Classical Album) Straight-strung piano In 2017, Barenboim unveiled a piano that has straight-strung bass strings, as opposed to the crossed-stringed modern instrument. He was inspired by Liszt's Erard piano, which has straight strings.", "He was inspired by Liszt's Erard piano, which has straight strings. Barenboim appreciates the clarity of tone and a greater control over the tonal quality (or color) his new instrument gives. This piano was developed with the help of Chris Maene at Maene Piano, who also built it. In 2019, Barenboim used this instrument to perform at Berliner Philhamoniker.", "In 2019, Barenboim used this instrument to perform at Berliner Philhamoniker. See also List of peace activists References External links Barenboim Revealed on CNN.com Parallels and Paradoxes, NPR interview with Barenboim and Edward Said, 28 December 2002 \"In harmony\", The Guardian feature on Barenboim and Said, 5 April 2003 In the Beginning was Sound, 2006 BBC Radio 4 Reith Lectures.", "See also List of peace activists References External links Barenboim Revealed on CNN.com Parallels and Paradoxes, NPR interview with Barenboim and Edward Said, 28 December 2002 \"In harmony\", The Guardian feature on Barenboim and Said, 5 April 2003 In the Beginning was Sound, 2006 BBC Radio 4 Reith Lectures. BBC Radio 3 interviews, November 1991 Discography at SonyBMG Masterworks Elgar Cello Concerto in E minor, opus 85 Jacqueline Du Pré with Daniel Barenboim and The New Philharmonia Orchestra on YouTube Review: Fidelio played by Daniel Barenboim and the West–Eastern Divan Orchestra Westphalian Peace Prize Barenboim's outstanding Beethoven, on the symphony cycle at classicstoday.com Daniel Barenboim and Arab Anti-Israel Sentiment: A Classic Example of Political Naivety Mutual Appreciation Is Essential Interview with Daniel Barenboim Two interviews with Daniel Barenboim by Bruce Duffie, 2 November 1985 & 11 September 1993 1942 births Living people 20th-century Argentine musicians 20th-century classical pianists 20th-century male musicians 21st-century Argentine musicians 21st-century classical pianists 21st-century male musicians Accademia Musicale Chigiana alumni Argentine classical pianists Argentine conductors (music) Argentine emigrants to Israel Argentine Jews Argentine people of Russian-Jewish descent Child classical musicians Commandeurs of the Légion d'honneur Conductors (music) awarded knighthoods Deutsche Grammophon artists Edison Classical Music Awards Oeuvreprijs winners EMI Classics and Virgin Classics artists Erato Records artists Ernst von Siemens Music Prize winners Fellows of the American Academy of Arts and Sciences Grammy Award winners Grand Crosses with Star and Sash of the Order of Merit of the Federal Republic of Germany Grand Officiers of the Légion d'honneur Herbert von Karajan Music Prize winners Honorary Knights Commander of the Order of the British Empire Honorary Members of the Royal Academy of Music Illustrious Citizens of Buenos Aires Israeli classical pianists Israeli conductors (music) Israeli expatriates in Germany Israeli expatriates in Italy Israeli Jews Israeli people of Argentine-Jewish descent Israeli people of Russian-Jewish descent Israeli–Palestinian peace process Jewish Argentine musicians Jewish classical pianists Jews in the State of Palestine Male classical pianists Male conductors (music) Music directors of the Berlin State Opera Musicians awarded knighthoods Musicians from Buenos Aires Recipients of the Léonie Sonning Music Prize Recipients of the Pour le Mérite (civil class) Recipients of the Praemium Imperiale Royal Philharmonic Society Gold Medallists Spinozists United Nations Messengers of Peace Wolf Prize in Arts laureates Naturalized citizens of the State of Palestine" ]

[ "Anton Webern", "Performance style" ]

[ "Variations for piano, Op. 27, is a twelve-tone piece for piano composed by Anton Webern in 1936. It consists of three movements:\n\nWebern's only published work for solo piano, the Variations are one of his major instrumental works and a signal example of his late style. Webern dedicated the work to pianist Eduard Steuermann. However, it was premiered (after months of coaching from Webern) by Peter Stadlen on 26 October 1937 in Vienna. Much later Stadlen produced the definitive interpretive edition of Op. 27, published by Universal Edition in 1979.\n\nHistory of composition\nBy the early 1930s, Webern was one of the composers and artists criticised by the Nazi Party, which was rapidly gaining power. By 1934, Webern's conducting career, a major source of income for the composer, was practically over, and he earned his living by teaching composition to a few private pupils. Despite the considerable disadvantages this financial situation had, the lack of a stable job provided Webern with more time to compose.\n\nOpus 27 took Webern about a year to complete. The three movements were not composed in the order they appear in the work:\n Third movement: begun 14 October 1935, completed 8 July 1936\n First movement: begun 22 July 1936, completed 19 August 1936\n Second movement: begun 25 August 1936, completed 5 November 1936\nThe piece is the only work for piano solo that was published by the composer and assigned an opus number. It was also the last work by Webern to be published by Universal Edition during his lifetime.\n\nAnalysis\n\nStructure\nAll three movements of the work are 12-tone pieces based on the following row (as found at the beginning of the second movement):\n\nThe work's title, Variations, is ambiguous. In a letter dated 18 July, Webern wrote: \"The completed part is a variations movement; the whole will be a kind of 'Suite'\". Only the third movement was completed at the time, and it is clearly a set of variations. The form of the other two movements conforms to the \"Suite\" plan: the first movement is a ternary form, A–B–A, and the second is a binary form. However, to refer to an entire work by the form of its last movement is very unusual, and numerous attempts have been made to explain the title.\n\nWebern scholar Kathryn Bailey outlined three possible views on the structure of the piece. Webern's Variations may be considered any of these:\n A three-movement sonata: sonata form – binary scherzo – variations\n A three-movement suite: ternary movement – binary movement – variations\n A set of variations, in which the first two movements have little connection to the third\n\nOne of the earliest explanations was offered by René Leibowitz, who in 1948 described the first movement as a theme and two variations, the second movement as a theme with a single variation, and the third movement as five variations of yet another theme. Willi Reich, a member of Arnold Schoenberg's circle, described the work as a sonatina which begins with a set of variations (first movement) and ends with a sonata form (third movement). Reich claimed his explanation was identical to Webern's and stemmed from the two men's conversations, however, the authenticity of this claim has been questioned.\n\nYet another explanation was provided by Friedhelm Döhl (who published Reich's analysis, but did not find it satisfactory), who viewed each of the fourteen phrases in the first movement as a variation of the prime/retrograde idea, and found the same structure in the second movement. Robert U. Nelson published a similar analysis in 1969. Finally, Kathryn Bailey's analysis suggests that the first movement is a sonata form, her ideas supported by Webern's own remarks in the original manuscript, published in 1979 by Peter Stadlen.\n\nSymmetry\nA particularly notable feature of Variations is symmetry, which is featured throughout the work. Horizontal symmetry can be observed, for example, in successive phrases of the first movement: bars 1–18 comprise four phrases, each built from the normal row and its retrograde stated simultaneously, and the second half of the phrase is always a reverse of the first. Each phrase is therefore a palindrome, though only the first pair of rows in the beginning of the movement is perfectly palindromic. Vertical symmetry pervades the second movement, which is a canon. The pitches are arranged around the pitch axis of A4. Each downward reaching interval is replicated exactly in the opposite direction.\n\nNotes\n\nSources\n Paperback reprint 2006. .\n \n \n Translation of Muziek van de twintigste eeuw: een onderzoek naar haar elementen en structuur. Utrecht: Oosthoek, 1964. Third impression, Utrecht: Bohn, Scheltema & Holkema, 1977. .\n\nFurther reading\n Bailey, Kathryn. Juni 1988. \"Willi Reich's Webern\". Tempo, New Series, no. 165, Emigres and 'Internal Exiles', pp. 18–22.\n Fiori, Mary E. 1970. \"Webern's Use of Motive in the 'Piano Variations'\". In: Lincoln, Harry B. (ed.). The Computer and Music, pp. 115–122. Ithaca: Cornell University Press.\n Jones, James Rives. Autumn–Winter 1968. \"Some Aspects of Rhythm and Meter in Webern's Opus 27\". Perspectives of New Music, vol. 7, no. 1, pp. 103–109.\n Leleu, Jean-Louis. 1998. \"Intuition et esprit de système. Réflexions sur le schéma formel du deuxième mouvement des Variations pour piano op. 27 de Webern\". Revue belge de Musicologie / Belgisch Tijdschrift voor Muziekwetenschap, vol. 52, pp. 101–122.\n Lewin, David. October 1993. \"A Metrical Problem in Webern's Op. 27\". Music Analysis, vol. 12, no. 3, pp. 343–354.\n Moldenhauer, Hans, and Rosaleen Moldenhauer. 1978. Anton von Webern: A Chronicle of His Life and Work. New York: Alfred A. Knopf. . London: Gollancz. \n Ogden, Wilbur. Spring 1962. \"A Webern Analysis\". Journal of Music Theory, vol. 6, no. 1, pp. 133–135.\n Stockhausen, Karlheinz. 1963. \"Gruppenkomposition: Klavierstück I (Anleitung zum Hören)\". In his Texte zur Musik, vol. 1, edited by Dieter Schnebel, 63–74. DuMont Dokumente. Cologne: Verlag M. DuMont Schauberg.\n Travis, Roy. Spring–Summer 1966. \"Directed Motion in Two Brief Piano Pieces by Schoenberg and Webern\". Perspectives of New Music 4.2, pp. 85–89.\n Westergaard, Peter. Spring 1963. \"Webern and 'Total Organization': an analysis of the Second Movement of Piano Variations, op. 27\". Perspectives of New Music 1.2, pp. 107–120.\n\nExternal links\nA Metrical Analysis and Re-notation of Webern's Variations for Piano, 1st movement, Joseph L. Monzo 2010, tonalsoft.com\nPerformance of Variations for Piano by Jonathan Biss from the Isabella Stewart Gardner Museum in MP3 format\n\nCompositions by Anton Webern\nCompositions for solo piano\nTwelve-tone compositions\nVariations\n1936 compositions\nMusic dedicated to ensembles or performers", "The String Quartet, Op. 28, by Anton Webern is written for the standard string quartet group of two violins, viola and cello. It was the last piece of chamber music that Webern wrote (his other late works include two cantatas Op. 29/31 and the Variations for Orchestra, Op. 30).\n\nThe work was initially planned in November 1936 and was premiered at the Coolidge Festival in Pittsfield, Massachusetts, on September 22, 1938, in response to a commission that year from Elizabeth Sprague Coolidge. When Webern sent the score of the piece to Coolidge, he accompanied it with a letter saying that the piece was \"purely lyrical\" and comparing it to the two and three movement piano sonatas of Ludwig van Beethoven.\n\nIt is in three movements:\n\nThe string quartet is atonal and uses twelve-tone technique. The tone row on which the piece is based (B, A, C, B, D, E, C, D, G, F, A, G) is based on the BACH motif (B, A, C, B) and is composed of three tetrachords:\n\nThe first four notes of the row are the BACH motif itself, followed by its inversion, followed by same motif transposed up a minor sixth. A special property of this row is that its inversion (G, A, F, G, D, C, E, D, B, C, A, B) is equivalent to its retrograde.\n\nThe piece was first published in 1939 by Boosey & Hawkes, and was the last of Webern's works to be published in his lifetime. In 1955 another edition appeared from Universal Edition.\n\nReferences\n\nExternal links\n \nProgram notes on the quartet (and other works) by Wayne Shirley\n\nCompositions by Anton Webern\nWebern\nMusic commissioned by Elizabeth Sprague Coolidge\nTwelve-tone compositions\n1938 compositions" ]

[ "Anton Friedrich Wilhelm von Webern (3 December 188315 September 1945), known as simply Anton Webern (), was an Austrian composer and conductor. Along with his mentor Arnold Schoenberg and his colleague Alban Berg, Webern was in the core of those in the circle of the Second Viennese School, including Theodor W. Adorno, Heinrich Jalowetz, and Ernst Krenek. As an exponent of atonality and twelve-tone technique, Webern exerted influence on contemporaries Luigi Dallapiccola, Krenek, and even Schoenberg himself.", "As an exponent of atonality and twelve-tone technique, Webern exerted influence on contemporaries Luigi Dallapiccola, Krenek, and even Schoenberg himself. As a tutor, Webern guided and variously influenced Arnold Elston, Frederick Dorian (Friederich Deutsch), , , Karl Amadeus Hartmann, Philipp Herschkowitz, René Leibowitz, Humphrey Searle, Leopold Spinner, and Stefan Wolpe. Webern's music was among the most radical of its milieu, both in its concision and in its rigorous and resolute apprehension of twelve-tone technique.", "Webern's music was among the most radical of its milieu, both in its concision and in its rigorous and resolute apprehension of twelve-tone technique. His innovations in schematic organization of pitch, rhythm, register, timbre, dynamics, articulation, and melodic contour; his eagerness to redefine imitative contrapuntal techniques such as canon and fugue; and his inclination toward athematicism, abstraction, and lyricism all greatly informed and oriented intra- and post-war European, typically serial or avant-garde composers such as Olivier Messiaen, Pierre Boulez, Karlheinz Stockhausen, Luigi Nono, Bruno Maderna, Henri Pousseur, and György Ligeti.", "His innovations in schematic organization of pitch, rhythm, register, timbre, dynamics, articulation, and melodic contour; his eagerness to redefine imitative contrapuntal techniques such as canon and fugue; and his inclination toward athematicism, abstraction, and lyricism all greatly informed and oriented intra- and post-war European, typically serial or avant-garde composers such as Olivier Messiaen, Pierre Boulez, Karlheinz Stockhausen, Luigi Nono, Bruno Maderna, Henri Pousseur, and György Ligeti. In the United States, meanwhile, his music attracted the interest of Elliott Carter, whose critical ambivalence was marked by a certain enthusiasm nonetheless; Milton Babbitt, who ultimately derived more inspiration from Schoenberg's twelve-tone practice than that of Webern; and Igor Stravinsky, to whom it was very fruitfully reintroduced by Robert Craft.", "In the United States, meanwhile, his music attracted the interest of Elliott Carter, whose critical ambivalence was marked by a certain enthusiasm nonetheless; Milton Babbitt, who ultimately derived more inspiration from Schoenberg's twelve-tone practice than that of Webern; and Igor Stravinsky, to whom it was very fruitfully reintroduced by Robert Craft. During and shortly after the post-war period, then, Webern was posthumously received with attention first diverted from his sociocultural upbringing and surroundings and, moreover, focused in a direction apparently antithetical to his participation in German Romanticism and Expressionism.", "During and shortly after the post-war period, then, Webern was posthumously received with attention first diverted from his sociocultural upbringing and surroundings and, moreover, focused in a direction apparently antithetical to his participation in German Romanticism and Expressionism. A richer understanding of Webern began to emerge in the later half of the 20th century, notably in the work of scholars Kathryn Bailey, Julian Johnson, Felix Meyer, Anne Shreffler, as archivists and biographers (most importantly Hans and Rosaleen Moldenhauer) gained access to sketches, letters, lectures, audio recordings, and other articles of or associated with Webern's estate.", "A richer understanding of Webern began to emerge in the later half of the 20th century, notably in the work of scholars Kathryn Bailey, Julian Johnson, Felix Meyer, Anne Shreffler, as archivists and biographers (most importantly Hans and Rosaleen Moldenhauer) gained access to sketches, letters, lectures, audio recordings, and other articles of or associated with Webern's estate. Biography Youth, education, and other early experiences in Austria-Hungary Anton Friedrich Wilhelm von Webern was born in Vienna, then in Austria-Hungary.", "Biography Youth, education, and other early experiences in Austria-Hungary Anton Friedrich Wilhelm von Webern was born in Vienna, then in Austria-Hungary. He was the only surviving son of Carl von Webern, a civil servant, and Amalie (née Geer) who was a competent pianist and accomplished singer—possibly the only obvious source of the future composer's talent. He never used his middle names and dropped the \"von\" in 1918 as directed by the Austrian government's reforms after World War I.", "He never used his middle names and dropped the \"von\" in 1918 as directed by the Austrian government's reforms after World War I. He lived in Graz and Klagenfurt for much of his youth. But his distinct and lasting sense of Heimat was shaped by readings of Peter Rosegger; and moreover by frequent and extended retreats with his parents, sisters, and cousins to his family's country estate, the Preglhof, which Webern's father had inherited upon the death of Webern's grandfather in 1889.", "But his distinct and lasting sense of Heimat was shaped by readings of Peter Rosegger; and moreover by frequent and extended retreats with his parents, sisters, and cousins to his family's country estate, the Preglhof, which Webern's father had inherited upon the death of Webern's grandfather in 1889. Webern memorialized the Preglhof in a diary poem \"An der Preglhof\" and in the tone poem Im Sommerwind (1904), both after Bruno Wille's idyll.", "Webern memorialized the Preglhof in a diary poem \"An der Preglhof\" and in the tone poem Im Sommerwind (1904), both after Bruno Wille's idyll. Once Webern's father sold the estate in 1912, Webern referred to it nostalgically as a \"lost paradise\".", "Once Webern's father sold the estate in 1912, Webern referred to it nostalgically as a \"lost paradise\". He continued to revisit the Preglhof, the family cemetery in Schwabegg, and the surrounding landscape for the rest of his life; and he clearly associated the area, which he took as his home, very closely with the memory of his mother Amelie, who had died in 1906 and whose loss also profoundly affected Webern for decades.", "He continued to revisit the Preglhof, the family cemetery in Schwabegg, and the surrounding landscape for the rest of his life; and he clearly associated the area, which he took as his home, very closely with the memory of his mother Amelie, who had died in 1906 and whose loss also profoundly affected Webern for decades. Art historian Ernst Dietz, Webern's cousin and at that time a student at Graz, may have introduced Webern to the work of the painters Arnold Böcklin and Giovanni Segantini, whom Webern came to admire.", "Art historian Ernst Dietz, Webern's cousin and at that time a student at Graz, may have introduced Webern to the work of the painters Arnold Böcklin and Giovanni Segantini, whom Webern came to admire. Segantini's work was a likely inspiration for Webern's 1905 single-movement string quartet. In 1902, Webern began attending classes at Vienna University. There he studied musicology with Guido Adler, writing his thesis on the Choralis Constantinus of Heinrich Isaac.", "There he studied musicology with Guido Adler, writing his thesis on the Choralis Constantinus of Heinrich Isaac. This interest in early music would greatly influence his compositional technique in later years, especially in terms of his use of palindromic form on both the micro- and macro-scale and the economical use of musical materials.", "This interest in early music would greatly influence his compositional technique in later years, especially in terms of his use of palindromic form on both the micro- and macro-scale and the economical use of musical materials. With the help of friends and colleagues, Webern later began working peripatetically as a conductor and musical coach in various towns and cities, among them Ischl, Teplitz (now Teplice, Czech Republic), Danzig (now Gdańsk, Poland), Stettin (now Szczecin, Poland), and Prague, before finally moving back to Vienna.", "With the help of friends and colleagues, Webern later began working peripatetically as a conductor and musical coach in various towns and cities, among them Ischl, Teplitz (now Teplice, Czech Republic), Danzig (now Gdańsk, Poland), Stettin (now Szczecin, Poland), and Prague, before finally moving back to Vienna. As might be expected, the young Webern was enthusiastic about the music of Ludwig van Beethoven, Franz Liszt, Wolfgang Amadeus Mozart, Franz Schubert (\"so genuinely Viennese\"), Hugo Wolf, and Richard Wagner, visiting Bayreuth in 1902.", "As might be expected, the young Webern was enthusiastic about the music of Ludwig van Beethoven, Franz Liszt, Wolfgang Amadeus Mozart, Franz Schubert (\"so genuinely Viennese\"), Hugo Wolf, and Richard Wagner, visiting Bayreuth in 1902. He also enjoyed the music of Hector Berlioz and Georges Bizet. In 1904, he reportedly stormed out of a meeting with Hans Pfitzner, from whom he was seeking instruction, when the latter criticized Gustav Mahler and Richard Strauss.", "In 1904, he reportedly stormed out of a meeting with Hans Pfitzner, from whom he was seeking instruction, when the latter criticized Gustav Mahler and Richard Strauss. In 1908, Webern wrote rapturously to Schoenberg about Claude Debussy's opera Pelléas et Mélisande. He conducted some of Debussy's music in 1911. It may have been at Guido Adler's advice that he paid Schoenberg for composition lessons. Webern progressed quickly under Schoenberg's tutelage, publishing his Passacaglia, Op. 1, as his graduation piece in 1908.", "1, as his graduation piece in 1908. 1, as his graduation piece in 1908. He also met Berg, then another of Schoenberg's pupils. These two relationships would be the most important in his life in shaping his own musical direction. Some of Webern's earlier thoughts (from 1903) are as amusing as they might be surprising: besides describing some of Alexander Scriabin's music as \"languishing junk,\" he wrote of Robert Schumann's Symphony No.", "Some of Webern's earlier thoughts (from 1903) are as amusing as they might be surprising: besides describing some of Alexander Scriabin's music as \"languishing junk,\" he wrote of Robert Schumann's Symphony No. 4 that it was \"boring,\" that Carl Maria von Weber's Konzertstück in F minor was passé, and that he found Johannes Brahms's Symphony No.", "4 that it was \"boring,\" that Carl Maria von Weber's Konzertstück in F minor was passé, and that he found Johannes Brahms's Symphony No. 3 (which struck Eduard Hanslick as \"artistically the most nearly perfect\") \"cold and without particular inspiration, ... badly orchestrated—grey on grey.\"", "3 (which struck Eduard Hanslick as \"artistically the most nearly perfect\") \"cold and without particular inspiration, ... badly orchestrated—grey on grey.\" These youthful impressions are in some, but not complete or altogether necessarily very significant, contrast to the considered opinions of Webern in the 1930s, by then a decided nationalist who, as Roland Leich described, \"lectured at some length on the utter supremacy of German music, emphasizing that leading composers of other lands are but pale reflections of Germanic masters: Berlioz a French Beethoven, Tchaikovsky a Russian Schumann, Elgar an English Mendelssohn, etc.\"", "These youthful impressions are in some, but not complete or altogether necessarily very significant, contrast to the considered opinions of Webern in the 1930s, by then a decided nationalist who, as Roland Leich described, \"lectured at some length on the utter supremacy of German music, emphasizing that leading composers of other lands are but pale reflections of Germanic masters: Berlioz a French Beethoven, Tchaikovsky a Russian Schumann, Elgar an English Mendelssohn, etc.\" After all, even when young, Webern had described one of Alexander Glazunov's symphonies as \"not particularly Russian\" (in contrast to some of Nikolai Rimsky-Korsakov's music at the same all-Russian concert) in the same passage as he praised it.", "After all, even when young, Webern had described one of Alexander Glazunov's symphonies as \"not particularly Russian\" (in contrast to some of Nikolai Rimsky-Korsakov's music at the same all-Russian concert) in the same passage as he praised it. Red Vienna in the First Austrian Republic From 1918 to 1921, Webern helped organize and operate the Society for Private Musical Performances, which gave concerts of then-recent or -new music by Béla Bartók, Berg, Ferruccio Busoni, Debussy, Erich Wolfgang Korngold, Mahler, Maurice Ravel, Max Reger, Erik Satie, Strauss, Stravinsky, and Webern himself.", "Red Vienna in the First Austrian Republic From 1918 to 1921, Webern helped organize and operate the Society for Private Musical Performances, which gave concerts of then-recent or -new music by Béla Bartók, Berg, Ferruccio Busoni, Debussy, Erich Wolfgang Korngold, Mahler, Maurice Ravel, Max Reger, Erik Satie, Strauss, Stravinsky, and Webern himself. After their Society performances in 1919 (and while working on his own Opp.", "After their Society performances in 1919 (and while working on his own Opp. 14–15), Webern wrote to Berg that Stravinsky's Berceuses du chat \"[move] me completely beyond belief,\" describing them as \"indescribably touching,\" and that Stravinsky's Pribaoutki were \"something really glorious.\" After the dissolution of the Society amid catastrophic hyperinflation in 1921, Webern conducted the Vienna Workers' Symphony Orchestra and Chorus from 1922 to 1934.", "After the dissolution of the Society amid catastrophic hyperinflation in 1921, Webern conducted the Vienna Workers' Symphony Orchestra and Chorus from 1922 to 1934. In 1926, Webern noted his voluntary resignation as chorusmaster of the Mödling Men's Choral Society, a paid position, in controversy over his hiring of a Jewish singer, Greta Wilheim, to replace a sick one.", "In 1926, Webern noted his voluntary resignation as chorusmaster of the Mödling Men's Choral Society, a paid position, in controversy over his hiring of a Jewish singer, Greta Wilheim, to replace a sick one. Letters document their correspondence in many subsequent years, and she (among others) would in turn provide him with facilities to teach private lessons as a convenience to Webern, his family, and his students.", "Letters document their correspondence in many subsequent years, and she (among others) would in turn provide him with facilities to teach private lessons as a convenience to Webern, his family, and his students. Civil War, Austrofascism, Nazism, and World War II Webern's music, along with that of Berg, Křenek, Schoenberg, and others, was denounced as \"cultural Bolshevism\" and \"degenerate art\" by the Nazi Party in Germany, and both publication and performances of it were banned soon after the Anschluss in 1938, although neither did it fare well under the preceding years of Austrofascism.", "Civil War, Austrofascism, Nazism, and World War II Webern's music, along with that of Berg, Křenek, Schoenberg, and others, was denounced as \"cultural Bolshevism\" and \"degenerate art\" by the Nazi Party in Germany, and both publication and performances of it were banned soon after the Anschluss in 1938, although neither did it fare well under the preceding years of Austrofascism. As early as 1933, an Austrian gauleiter on Bayerischer Rundfunk mistakenly and very likely maliciously characterized both Berg and Webern as Jewish composers.", "As early as 1933, an Austrian gauleiter on Bayerischer Rundfunk mistakenly and very likely maliciously characterized both Berg and Webern as Jewish composers. As a result of official disapproval throughout the '30s, both found it harder to earn a living; Webern lost a promising conducting career which might have otherwise been more noted and recorded and had to take on work as an editor and proofreader for his publishers, Universal Edition. His family's financial situation deteriorated until, by August 1940, his personal records reflected no monthly income.", "His family's financial situation deteriorated until, by August 1940, his personal records reflected no monthly income. It was thanks to the Swiss philanthropist Werner Reinhart that Webern was able to attend the festive premiere of his Variations for Orchestra, Op. 30, in Winterthur, Switzerland in 1943. Reinhart invested all the financial and diplomatic means at his disposal to enable Webern to travel to Switzerland. In return for this support, Webern dedicated the work to him.", "In return for this support, Webern dedicated the work to him. There are different descriptions of Webern's attitude towards Nazism; this is perhaps attributable to its complexity, his internal ambivalence, his prosperity in the preceding years (1918–1934) of post-war Red Vienna in the First Republic of Austria, the subsequently divided political factions of his homeland as represented in his friends and family (from Zionist Schoenberg to his Nazi son Peter), as well as the different contexts in which or audiences to whom his views were expressed.", "There are different descriptions of Webern's attitude towards Nazism; this is perhaps attributable to its complexity, his internal ambivalence, his prosperity in the preceding years (1918–1934) of post-war Red Vienna in the First Republic of Austria, the subsequently divided political factions of his homeland as represented in his friends and family (from Zionist Schoenberg to his Nazi son Peter), as well as the different contexts in which or audiences to whom his views were expressed. Further insight into Webern's attitudes comes with the realization that Nazism itself was deeply multifaceted, marked \"not [by] a coherent doctrine or body of systemically interrelated ideas, but rather [by] a vaguer worldview made up of a number of prejudices with varied appeals to different audiences which could scarcely be dignified with the term 'ideology'\".", "Further insight into Webern's attitudes comes with the realization that Nazism itself was deeply multifaceted, marked \"not [by] a coherent doctrine or body of systemically interrelated ideas, but rather [by] a vaguer worldview made up of a number of prejudices with varied appeals to different audiences which could scarcely be dignified with the term 'ideology'\". There is, moreover, significant political complexity to be treated, more than enough to complicate any consideration of individual culpability: it is imperative to note that some Social Democrats viewed the National Socialists as an alternative to the Christian Social Party and later Vaterländische Front in the context of reunification with Germany; for example, Karl Renner, the chancellor who served in both the First (1919–33) and Second (post-1945) Austrian Republics, favored a German Anschluss as an alternative to the then Austrofascist regime, under which Berg, Webern, and the Social Democrats suffered.", "There is, moreover, significant political complexity to be treated, more than enough to complicate any consideration of individual culpability: it is imperative to note that some Social Democrats viewed the National Socialists as an alternative to the Christian Social Party and later Vaterländische Front in the context of reunification with Germany; for example, Karl Renner, the chancellor who served in both the First (1919–33) and Second (post-1945) Austrian Republics, favored a German Anschluss as an alternative to the then Austrofascist regime, under which Berg, Webern, and the Social Democrats suffered. And Webern's professional circle in Vienna included, besides many Jews, many Social Democrats; for example, for David Josef Bach, a close friend of Schoenberg's as well, Webern conducted many workers' and amateur ensembles.", "And Webern's professional circle in Vienna included, besides many Jews, many Social Democrats; for example, for David Josef Bach, a close friend of Schoenberg's as well, Webern conducted many workers' and amateur ensembles. Under the Nazis, some Social Democrats expected, there might be more work and protections for workers and laborers, as well as other social reforms and political stability, if not democracy; Webern may well have hoped to again be able to conduct and to be better able to secure a future for his family.", "Under the Nazis, some Social Democrats expected, there might be more work and protections for workers and laborers, as well as other social reforms and political stability, if not democracy; Webern may well have hoped to again be able to conduct and to be better able to secure a future for his family. In broad terms, Webern's attitude seems to have first warmed to a degree of characteristic fervor and perhaps only much later, in conjunction with widespread German disillusionment, cooled to Hitler and the Nazis.", "In broad terms, Webern's attitude seems to have first warmed to a degree of characteristic fervor and perhaps only much later, in conjunction with widespread German disillusionment, cooled to Hitler and the Nazis. On the one hand, notes that Webern attacked Nazi cultural policies in private lectures given in 1933, whose hypothetical publication \"would have exposed Webern to serious consequences\" later. On the other, some private correspondence attests to his Nazi sympathies.", "On the other, some private correspondence attests to his Nazi sympathies. Webern's patriotism led him to endorse the Nazi regime in a series of letters to Joseph Hueber, who was serving in the army and himself held such views. Webern described Hitler on 2 May 1940, as \"this unique man\" who created \"the new state\" of Germany; thus Alex Ross characterizes him as \"an unashamed Hitler enthusiast\".", "Webern described Hitler on 2 May 1940, as \"this unique man\" who created \"the new state\" of Germany; thus Alex Ross characterizes him as \"an unashamed Hitler enthusiast\". Violinist Louis Krasner painted not a sentimental portrait but one imbued with a wealth of factual and personal detail for its publication in 1987, describing Webern as clearly naive and idealistic but not entirely without his wits, shame, or conscience; Krasner carefully contextualizes Webern as a member of Austrian society at the time, one departed by Schoenberg and one in which the already pro-Nazi Vienna Philharmonic had even refused to play the late Berg's Violin Concerto.", "Violinist Louis Krasner painted not a sentimental portrait but one imbued with a wealth of factual and personal detail for its publication in 1987, describing Webern as clearly naive and idealistic but not entirely without his wits, shame, or conscience; Krasner carefully contextualizes Webern as a member of Austrian society at the time, one departed by Schoenberg and one in which the already pro-Nazi Vienna Philharmonic had even refused to play the late Berg's Violin Concerto. As Krasner vividly recalled, he and Webern were visiting at the latter's home in Maria Enzersdorf, Mödling when the Nazis invaded Austria; Webern, uncannily seeming to anticipate the timing down to 4 o'clock in the afternoon, turned on the radio to hear this news and immediately warned Krasner, urging him to flee, whereupon he did (first to Vienna).", "As Krasner vividly recalled, he and Webern were visiting at the latter's home in Maria Enzersdorf, Mödling when the Nazis invaded Austria; Webern, uncannily seeming to anticipate the timing down to 4 o'clock in the afternoon, turned on the radio to hear this news and immediately warned Krasner, urging him to flee, whereupon he did (first to Vienna). Whether this was for Krasner's safety or to save Webern the embarrassment of Krasner's presence during a time of possible celebration in the pro-Nazi Webern family (or indeed in most of pro-Nazi Mödling, by Krasner's description as well as one even more vivid of Arnold Greissle-Schönberg), Krasner was ambivalent and uncertain, withholding judgment.", "Whether this was for Krasner's safety or to save Webern the embarrassment of Krasner's presence during a time of possible celebration in the pro-Nazi Webern family (or indeed in most of pro-Nazi Mödling, by Krasner's description as well as one even more vivid of Arnold Greissle-Schönberg), Krasner was ambivalent and uncertain, withholding judgment. Only later did Krasner himself realize how self-admittedly \"foolhardy\" he had been and in what danger he had placed himself, revealing an ignorance perhaps shared by Webern.", "Only later did Krasner himself realize how self-admittedly \"foolhardy\" he had been and in what danger he had placed himself, revealing an ignorance perhaps shared by Webern. Krasner had even revisited frequently, hoping to convince friends (e.g., Schoenberg's daughter Gertrude and her husband Felix Greissle) to emigrate before time ran out. Krasner eventually left more permanently, after a 1941 incident wherein he felt only his US passport saved him from both locals and police.", "Krasner eventually left more permanently, after a 1941 incident wherein he felt only his US passport saved him from both locals and police. Krasner retold from a story related to him in long discussion with Schoenberg's son Görgi, a Jew who remained in Vienna during the war, that the Weberns, much to their risk and credit, had provided Görgi and his family with food and shelter toward the end of the war at the Weberns' home in a Mödling apartment belonging to their son-in-law.", "Krasner retold from a story related to him in long discussion with Schoenberg's son Görgi, a Jew who remained in Vienna during the war, that the Weberns, much to their risk and credit, had provided Görgi and his family with food and shelter toward the end of the war at the Weberns' home in a Mödling apartment belonging to their son-in-law. Görgi and his family were left behind for their safety when Webern fled on foot with his family to Mittersill, about 75 km.", "Görgi and his family were left behind for their safety when Webern fled on foot with his family to Mittersill, about 75 km. away, for safety of their own in light of the coming Russian invasion; Amalie, one of Webern's daughters, wrote of '17 persons pressed together in the smallest possible space' upon their arrival. Ironically, the Russians pronounced Görgi a \"Nazi spy\" when he was discovered due to the Nazi munitions and propaganda in the Weberns' basement store-room.", "Ironically, the Russians pronounced Görgi a \"Nazi spy\" when he was discovered due to the Nazi munitions and propaganda in the Weberns' basement store-room. Görgi is said to have saved himself from execution by protesting and drawing attention to his clothes, sewn as specified by the Nazis with the yellow Star of David. He continued to live in this apartment with this family until 1969.", "He continued to live in this apartment with this family until 1969. Webern is also known to have aided Josef Polnauer, a Jewish friend who, as an albino, managed to largely escape the Nazis' attention and later edit a publication of Webern's correspondence from this time with Hildegard Jone, Webern's then lyricist and collaborator, and her husband, sculptor Josef Humplik.", "Webern is also known to have aided Josef Polnauer, a Jewish friend who, as an albino, managed to largely escape the Nazis' attention and later edit a publication of Webern's correspondence from this time with Hildegard Jone, Webern's then lyricist and collaborator, and her husband, sculptor Josef Humplik. However, Krasner was particularly troubled by a 1936 conversation with Webern about the Jews, in which Webern expressed his vague but unambiguously anti-Semitic opinion that \"Even Schoenberg, had he not been a Jew, would have been quite different!\"", "However, Krasner was particularly troubled by a 1936 conversation with Webern about the Jews, in which Webern expressed his vague but unambiguously anti-Semitic opinion that \"Even Schoenberg, had he not been a Jew, would have been quite different!\" Krasner remembered, perhaps with the benefit of hindsight at the time (1987), that \"Jews ... were at the center of the difficulty.", "Krasner remembered, perhaps with the benefit of hindsight at the time (1987), that \"Jews ... were at the center of the difficulty. Those who wanted to, put the blame for all this calamity, for all this depraved condition, on the Jews who had brought it with them—along with a lot of radical ideas—from the East. People blamed the Jews for their financial worries. The Jews were, at the same time, the poverty-stricken people who came with nothing, and the capitalists who controlled everything.\"", "The Jews were, at the same time, the poverty-stricken people who came with nothing, and the capitalists who controlled everything.\" When once asked by Schoenberg about his feelings toward the Nazis, Webern nonetheless sought to allay Schoenberg's concerns; similarly, when in 1938 Eduard Steuermann asked Krasner about rumors of Webern's possible \"interest in and devotion to the Nazis\" on Schoenberg's behalf, Krasner lied by denying the rumors categorically and entirely.", "When once asked by Schoenberg about his feelings toward the Nazis, Webern nonetheless sought to allay Schoenberg's concerns; similarly, when in 1938 Eduard Steuermann asked Krasner about rumors of Webern's possible \"interest in and devotion to the Nazis\" on Schoenberg's behalf, Krasner lied by denying the rumors categorically and entirely. As a result, Schoenberg's Violin Concerto of 1934 (or 1935)–36 continued to bear a dedication to Webern, although whittled down as a result of Schoenberg's continuing suspicions or, indeed, on Webern's behalf, i.e., to protect Webern from further Nazi suspicion and persecution.", "As a result, Schoenberg's Violin Concerto of 1934 (or 1935)–36 continued to bear a dedication to Webern, although whittled down as a result of Schoenberg's continuing suspicions or, indeed, on Webern's behalf, i.e., to protect Webern from further Nazi suspicion and persecution. Schoenberg's tone was ultimately conciliatory in remembrance of both Berg and Webern in 1947: \"Let us—for the moment at least—forget all that might have at one time divided us ... even if those who tried might have succeeded in confounding us.\"", "Schoenberg's tone was ultimately conciliatory in remembrance of both Berg and Webern in 1947: \"Let us—for the moment at least—forget all that might have at one time divided us ... even if those who tried might have succeeded in confounding us.\" Musicologist Richard Taruskin describes Webern accurately if vaguely as a pan-German nationalist but then goes much further in claiming specifically that Webern joyfully welcomed the Nazis with the 1938 Anschluss, at best extrapolating from the account of his cited source Krasner and at worst exaggerating or distorting it, as well as describing it sardonically as \"heart-breaking\".", "Musicologist Richard Taruskin describes Webern accurately if vaguely as a pan-German nationalist but then goes much further in claiming specifically that Webern joyfully welcomed the Nazis with the 1938 Anschluss, at best extrapolating from the account of his cited source Krasner and at worst exaggerating or distorting it, as well as describing it sardonically as \"heart-breaking\". Taruskin's authority on this delicate issue must be credited, if at all, then only with the significant limitations that he has been polemical in general and hostile in particular to the Second Viennese School, of whom Webern is often considered the most extreme and difficult (i.e., the least accessible).", "Taruskin's authority on this delicate issue must be credited, if at all, then only with the significant limitations that he has been polemical in general and hostile in particular to the Second Viennese School, of whom Webern is often considered the most extreme and difficult (i.e., the least accessible). New Complexity composer and performer Franklin Cox not only faults Taruskin as an inaccurate and unreliable historian but also critiques Taruskin as an \"ideologist of tonal restoration\" (musicologist Martin Kaltenecker similarly refers to the \"Restoration of the 1980s,\" but he also describes a paradigm shift from structure to perception).", "New Complexity composer and performer Franklin Cox not only faults Taruskin as an inaccurate and unreliable historian but also critiques Taruskin as an \"ideologist of tonal restoration\" (musicologist Martin Kaltenecker similarly refers to the \"Restoration of the 1980s,\" but he also describes a paradigm shift from structure to perception). Taruskin's \"reactionary historicist\" project, Cox argues, stands in opposition to that of the Second Viennese School, viz. the \"progressivist historicist\" emancipation of the dissonance.", "the \"progressivist historicist\" emancipation of the dissonance. the \"progressivist historicist\" emancipation of the dissonance. Taruskin himself admits to having acquired a \"dubious reputation\" on the Second Viennese School and notes that he has been described in his work on Webern as \"coming, like Shakespeare's Marc Anthony, 'to bury Webern, not to praise him'\".", "Taruskin himself admits to having acquired a \"dubious reputation\" on the Second Viennese School and notes that he has been described in his work on Webern as \"coming, like Shakespeare's Marc Anthony, 'to bury Webern, not to praise him'\". In contradistinction to Taruskin's methods and pronouncements, musicologist Pamela M. Potter advises that \"[i]t is important to consider all the scholarship on musical life in the Third Reich that, taken together, reveals the complexity of the day-to-day existence of musicians and composers\", as \"[i]t seems inevitable that debates about the political culpability of individuals will persist, especially if the stakes remain so high for composers, for whom an up or down vote can determine inclusion in the canon\".", "In contradistinction to Taruskin's methods and pronouncements, musicologist Pamela M. Potter advises that \"[i]t is important to consider all the scholarship on musical life in the Third Reich that, taken together, reveals the complexity of the day-to-day existence of musicians and composers\", as \"[i]t seems inevitable that debates about the political culpability of individuals will persist, especially if the stakes remain so high for composers, for whom an up or down vote can determine inclusion in the canon\". In this vein, it might be noted in relation to Taruskin's claim that Webern wrote to friends (husband and wife Josef Humplik and Hildegard Jone) on the day of Anschluss not to invite celebration or to observe developments but to be left alone: \"I am totally immersed in my work [composing] and cannot, cannot be disturbed\"; Krasner's presence could have been a disturbance to Webern for this reason, and musicologist Kathryn Bailey speculates that this may indeed be why he was rushed off by Webern.", "In this vein, it might be noted in relation to Taruskin's claim that Webern wrote to friends (husband and wife Josef Humplik and Hildegard Jone) on the day of Anschluss not to invite celebration or to observe developments but to be left alone: \"I am totally immersed in my work [composing] and cannot, cannot be disturbed\"; Krasner's presence could have been a disturbance to Webern for this reason, and musicologist Kathryn Bailey speculates that this may indeed be why he was rushed off by Webern. Webern's 1944–1945 correspondence is strewn with references to bombings, deaths, destruction, privation, and the disintegration of local order; but also noted are the births of several grandchildren.", "Webern's 1944–1945 correspondence is strewn with references to bombings, deaths, destruction, privation, and the disintegration of local order; but also noted are the births of several grandchildren. At the age of sixty (i.e., in Dec. 1943), Webern writes that he is living in a barrack away from home and working from 6 am to 5 pm, compelled by the state in a time of war to serve as an air-raid protection police officer.", "At the age of sixty (i.e., in Dec. 1943), Webern writes that he is living in a barrack away from home and working from 6 am to 5 pm, compelled by the state in a time of war to serve as an air-raid protection police officer. On 3 March 1945, news was relayed to Webern that his only son, Peter, died on 14 February of wounds suffered in a strafing attack on a military train two days earlier.", "On 3 March 1945, news was relayed to Webern that his only son, Peter, died on 14 February of wounds suffered in a strafing attack on a military train two days earlier. Death in Allied-administered Austria On 15 September 1945, back at his home during the Allied occupation of Austria, Webern was shot and killed by an American Army soldier following the arrest of his son-in-law for black market activities.", "Death in Allied-administered Austria On 15 September 1945, back at his home during the Allied occupation of Austria, Webern was shot and killed by an American Army soldier following the arrest of his son-in-law for black market activities. This incident occurred when, three-quarters of an hour before a curfew was to have gone into effect, he stepped outside the house so as not to disturb his sleeping grandchildren, to enjoy a few draws on a cigar given to him that evening by his son-in-law.", "This incident occurred when, three-quarters of an hour before a curfew was to have gone into effect, he stepped outside the house so as not to disturb his sleeping grandchildren, to enjoy a few draws on a cigar given to him that evening by his son-in-law. The soldier responsible for his death was U. S. Army cook PFC Raymond Norwood Bell of North Carolina, who was overcome by remorse and died of alcoholism in 1955. Webern's wife, Wilhelmine Mörtl, died in 1949. They had three daughters and a son.", "They had three daughters and a son. They had three daughters and a son. Music Webern's compositions are concise, distilled, and select; just thirty-one of his compositions were published in his lifetime, and when Pierre Boulez later oversaw a project to record all of his compositions, including some of those without opus numbers, the results fit on just six CDs.", "Music Webern's compositions are concise, distilled, and select; just thirty-one of his compositions were published in his lifetime, and when Pierre Boulez later oversaw a project to record all of his compositions, including some of those without opus numbers, the results fit on just six CDs. Although Webern's music changed over time, as is often the case over a long career, it is typified by very spartan textures, in which every note can be clearly heard; carefully chosen timbres, often resulting in very detailed instructions to the performers and use of extended instrumental techniques (flutter tonguing, col legno, and so on); wide-ranging melodic lines, often with leaps greater than an octave; and brevity: the Six Bagatelles for string quartet (1913), for instance, last about three minutes in total.", "Although Webern's music changed over time, as is often the case over a long career, it is typified by very spartan textures, in which every note can be clearly heard; carefully chosen timbres, often resulting in very detailed instructions to the performers and use of extended instrumental techniques (flutter tonguing, col legno, and so on); wide-ranging melodic lines, often with leaps greater than an octave; and brevity: the Six Bagatelles for string quartet (1913), for instance, last about three minutes in total. Formative juvenilia and emergence from study, Opp.", "Formative juvenilia and emergence from study, Opp. Formative juvenilia and emergence from study, Opp. 1–2, 1899–1908 Webern published little of his early work in particular; Webern was characteristically meticulous and revised extensively. Many juvenilia remained unknown until the work and findings of the Moldenhauers in the 1960s, effectively obscuring and undermining formative facets of Webern's musical identity, highly significant even more so in the case of an innovator whose music was crucially marked by rapid stylistic shifts.", "Many juvenilia remained unknown until the work and findings of the Moldenhauers in the 1960s, effectively obscuring and undermining formative facets of Webern's musical identity, highly significant even more so in the case of an innovator whose music was crucially marked by rapid stylistic shifts. Thus when Boulez first oversaw a project to record \"all\" of Webern's music, not including the juvenilia, the results fit on three rather than six CDs.", "Thus when Boulez first oversaw a project to record \"all\" of Webern's music, not including the juvenilia, the results fit on three rather than six CDs. Webern's earliest works consist primarily of lieder, the genre that most testifies to his roots in Romanticism, specifically German Romanticism; one in which the music yields brief but explicit, potent, and spoken meaning manifested only latently or programmatically in purely instrumental genres; one marked by significant intimacy and lyricism; and one which often associates nature, especially landscapes, with themes of homesickness, solace, wistful yearning, distance, utopia, and belonging.", "Webern's earliest works consist primarily of lieder, the genre that most testifies to his roots in Romanticism, specifically German Romanticism; one in which the music yields brief but explicit, potent, and spoken meaning manifested only latently or programmatically in purely instrumental genres; one marked by significant intimacy and lyricism; and one which often associates nature, especially landscapes, with themes of homesickness, solace, wistful yearning, distance, utopia, and belonging. Robert Schumann's \"Mondnacht\" is an iconic example; Eichendorff, whose lyric poetry inspired it, is not far removed from the poets (e.g., Richard Dehmel, Gustav Falke, Theodor Storm) whose work inspired Webern and his contemporaries Alban Berg, Max Reger, Arnold Schoenberg, Richard Strauss, Hugo Wolf, and Alexander Zemlinsky.", "Robert Schumann's \"Mondnacht\" is an iconic example; Eichendorff, whose lyric poetry inspired it, is not far removed from the poets (e.g., Richard Dehmel, Gustav Falke, Theodor Storm) whose work inspired Webern and his contemporaries Alban Berg, Max Reger, Arnold Schoenberg, Richard Strauss, Hugo Wolf, and Alexander Zemlinsky. Wolf's Mörike-Lieder were especially influential on Webern's efforts from this period.", "Wolf's Mörike-Lieder were especially influential on Webern's efforts from this period. But well beyond these lieder alone, all of Webern's music may be said to possess such concerns and qualities, as is evident from his sketches, albeit in an increasingly symbolic, abstract, spare, introverted, and idealized manner. Webern's first piece after completing his studies with Schoenberg was the Passacaglia for orchestra (1908).", "Webern's first piece after completing his studies with Schoenberg was the Passacaglia for orchestra (1908). Harmonically, it is a step forward into a more advanced language, and the orchestration is somewhat more distinctive than his earlier orchestral work. However, it bears little relation to the fully mature works he is best known for today.", "However, it bears little relation to the fully mature works he is best known for today. One element that is typical is the form itself: the passacaglia is a form which dates back to the 17th century, and a distinguishing feature of Webern's later work was to be the use of traditional compositional techniques (especially canons) and forms (the Symphony, the Concerto, the String Trio, and String Quartet, and the piano and orchestral Variations) in a modern harmonic and melodic language.", "One element that is typical is the form itself: the passacaglia is a form which dates back to the 17th century, and a distinguishing feature of Webern's later work was to be the use of traditional compositional techniques (especially canons) and forms (the Symphony, the Concerto, the String Trio, and String Quartet, and the piano and orchestral Variations) in a modern harmonic and melodic language. Atonality, lieder, and aphorism, Opp.", "Atonality, lieder, and aphorism, Opp. Atonality, lieder, and aphorism, Opp. 3–16 and Tot, 1908–1924 For a number of years, Webern wrote pieces which were freely atonal, much in the style of Schoenberg's early atonal works.", "3–16 and Tot, 1908–1924 For a number of years, Webern wrote pieces which were freely atonal, much in the style of Schoenberg's early atonal works. Indeed, so in lockstep with Schoenberg was Webern for much of his artistic development that Schoenberg in 1951 wrote that he sometimes no longer knew who he was, Webern had followed so well in his footsteps and shadow, occasionally outdoing or stepping ahead of Schoenberg in execution of Schoenberg's own or their shared ideas.", "Indeed, so in lockstep with Schoenberg was Webern for much of his artistic development that Schoenberg in 1951 wrote that he sometimes no longer knew who he was, Webern had followed so well in his footsteps and shadow, occasionally outdoing or stepping ahead of Schoenberg in execution of Schoenberg's own or their shared ideas. There are, however, important cases where Webern may have even more profoundly influenced Schoenberg. Haimo marks the swift, radical influence in 1909 of Webern's novel and arresting Five Movements for String Quartet, Op.", "Haimo marks the swift, radical influence in 1909 of Webern's novel and arresting Five Movements for String Quartet, Op. 5, on Schoenberg's subsequent piano piece Op. 11, No. 3; Five Pieces for Orchestra, Op. 16; and monodrama Erwartung, Op. 17.", "16; and monodrama Erwartung, Op. 17. 17. This shift is distinctly pronounced in a letter Schoenberg wrote to Busoni, which describes a rather Webernian aesthetic: In 1949, Schoenberg still remembered being \"intoxicated by the enthusiasm of having freed music from the shackles of tonality\" and believing with his pupils \"that now music could renounce motivic features and remain coherent and comprehensible nonetheless\". But with Opp.", "But with Opp. But with Opp. 18–20, Schoenberg turned back and revived old techniques, very self-consciously returning to and transforming tradition by the concluding songs of Pierrot lunaire (1912), Op. 21, with, e.g., intricately interrelated canons in \"Der Mondfleck\", clear waltz rhythms in \"Serenade\", a barcarolle (\"Heimfahrt\"), triadic harmony throughout \"O alter Duft\". Pierrot was received by Webern as a direction for the composition of his own Opp.", "Pierrot was received by Webern as a direction for the composition of his own Opp. 14–16, most of all with respect to contrapuntal procedures (and to a lesser degree with respect to the diverse and innovative textural treatment among instruments in increasingly smaller ensembles). \"How much I owe to your Pierrot\", he wrote Schoenberg upon completing a setting of Georg Trakl's \"Abendland III\", Op. 14, No.", "14, No. 14, No. 4, in which, rather unusually for Webern, there is no silence or rest until a pause at the concluding gesture. Indeed, a recurring theme of Webern's World War I settings is that of the wanderer, estranged or lost and seeking return to or at least retrieval from an earlier time and place; and of some fifty-six songs on which Webern worked 1914–1926, he ultimately finished and later published only thirty-two set in order as Opp. 12–19.", "12–19. 12–19. This wartime theme of wandering in search of home ties in with two intricately involved concerns more broadly evident in Webern's work: first, the death and memory of members of Webern's family, especially his mother but also including his father and a nephew; and second, Webern's broad and complex sense of rural and spiritual Heimat.", "This wartime theme of wandering in search of home ties in with two intricately involved concerns more broadly evident in Webern's work: first, the death and memory of members of Webern's family, especially his mother but also including his father and a nephew; and second, Webern's broad and complex sense of rural and spiritual Heimat. Their importance is marked by Webern's stage play, Tot (October 1913), which, over the course of six alpine scenes of reflection and self-consolation, draws on Emanuel Swedenborg's notion of correspondence to relate and to unite the two concerns, the first embodied but otherworldly and the second concrete if increasingly abstracted and idealized.", "Their importance is marked by Webern's stage play, Tot (October 1913), which, over the course of six alpine scenes of reflection and self-consolation, draws on Emanuel Swedenborg's notion of correspondence to relate and to unite the two concerns, the first embodied but otherworldly and the second concrete if increasingly abstracted and idealized. The similarities between Tot and Webern's music are striking.", "The similarities between Tot and Webern's music are striking. In an often programmatic or cinematic fashion, Webern ordered his published movements, themselves dramatic or visual tableaux with melodies that frequently begin and end on weak beats or else settle into ostinati or the background.", "In an often programmatic or cinematic fashion, Webern ordered his published movements, themselves dramatic or visual tableaux with melodies that frequently begin and end on weak beats or else settle into ostinati or the background. In them, tonality – useful for communicating direction and narrative in programmatic pieces – becomes more tenuous, fragmented, static, symbolic, and visual or spatial in function, thus mirroring the concerns and topics, explicit or implicit, of Webern's music and his selections for it from the poetry of Stefan George and later Georg Trakl.", "In them, tonality – useful for communicating direction and narrative in programmatic pieces – becomes more tenuous, fragmented, static, symbolic, and visual or spatial in function, thus mirroring the concerns and topics, explicit or implicit, of Webern's music and his selections for it from the poetry of Stefan George and later Georg Trakl. Webern's dynamics, orchestration, and timbre are given so as to produce a fragile, intimate, and often novel sound, despite distinctly recalling Mahler, not infrequently bordering on silence at a typical .", "Webern's dynamics, orchestration, and timbre are given so as to produce a fragile, intimate, and often novel sound, despite distinctly recalling Mahler, not infrequently bordering on silence at a typical . In some cases, Webern's choice of instrument in particular functions to represent or to allude to a female voice (e.g., the use of solo violin), to inward or outward luminosity or darkness (e.g., the use of the entire range of register within the ensemble; registral compression and expansion; the use of celesta, harp, and glockenspiel; the use of harmonics and sul ponticello), or to angels and heaven (e.g., the use of harp and trumpet in the circling ostinati of Op.", "In some cases, Webern's choice of instrument in particular functions to represent or to allude to a female voice (e.g., the use of solo violin), to inward or outward luminosity or darkness (e.g., the use of the entire range of register within the ensemble; registral compression and expansion; the use of celesta, harp, and glockenspiel; the use of harmonics and sul ponticello), or to angels and heaven (e.g., the use of harp and trumpet in the circling ostinati of Op. 6, No.", "6, No. 6, No. 5, and winding to conclusion at the very end of Op. 15, No. 5). Technical consolidation and formal coherence and expansion, Opp. 17–31, 1924–1943 With the Drei Volkstexte (1925), Op. 17, Webern used Schoenberg's twelve-tone technique for the first time, and all his subsequent works used this technique. The String Trio (1926–1927), Op.", "The String Trio (1926–1927), Op. The String Trio (1926–1927), Op. 20, was both the first purely instrumental work using the twelve-tone technique (the other pieces were songs) and the first cast in a traditional musical form. Webern's music, like that of both Brahms and Schoenberg, is marked by its emphasis on counterpoint and formal considerations; and Webern's commitment to systematic pitch organization in the twelve-tone method is inseparable from this prior commitment.", "Webern's music, like that of both Brahms and Schoenberg, is marked by its emphasis on counterpoint and formal considerations; and Webern's commitment to systematic pitch organization in the twelve-tone method is inseparable from this prior commitment. Webern's tone rows are often arranged to take advantage of internal symmetries; for example, a twelve-tone row may be divisible into four groups of three pitches which are variations, such as inversions and retrogrades, of each other, thus creating invariance.", "Webern's tone rows are often arranged to take advantage of internal symmetries; for example, a twelve-tone row may be divisible into four groups of three pitches which are variations, such as inversions and retrogrades, of each other, thus creating invariance. This gives Webern's work considerable motivic unity, although this is often obscured by the fragmentation of the melodic lines.", "This gives Webern's work considerable motivic unity, although this is often obscured by the fragmentation of the melodic lines. This fragmentation occurs through octave displacement (using intervals greater than an octave) and by moving the line rapidly from instrument to instrument in a technique referred to as Klangfarbenmelodie.", "This fragmentation occurs through octave displacement (using intervals greater than an octave) and by moving the line rapidly from instrument to instrument in a technique referred to as Klangfarbenmelodie. Arrangements and orchestrations In his youth (1903), Webern orchestrated at least five of Franz Schubert's various lieder, giving the piano accompaniment to an appropriately Schubertian orchestra of strings and pairs of flutes, oboes, clarinets, bassoons, and horns: \"Der Vollmond Strahlt auf Bergeshöhn\" (the Romanze from Rosamunde), \"Tränenregen\" (from Die schöne Müllerin), \"Der Wegweiser\" (from Winterreise), \"Du bist die Ruh\", and \"Ihr Bild\"; in 1934, he did the same for Schubert's six Deutsche Tänze (German Dances) of 1824.", "Arrangements and orchestrations In his youth (1903), Webern orchestrated at least five of Franz Schubert's various lieder, giving the piano accompaniment to an appropriately Schubertian orchestra of strings and pairs of flutes, oboes, clarinets, bassoons, and horns: \"Der Vollmond Strahlt auf Bergeshöhn\" (the Romanze from Rosamunde), \"Tränenregen\" (from Die schöne Müllerin), \"Der Wegweiser\" (from Winterreise), \"Du bist die Ruh\", and \"Ihr Bild\"; in 1934, he did the same for Schubert's six Deutsche Tänze (German Dances) of 1824. For Schoenberg's Society for Private Musical Performances in 1921, Webern arranged, among other things, the 1888 Schatz-Walzer (Treasure Waltz) of Johann Strauss II's Der Zigeunerbaron (The Gypsy Baron) for string quartet, harmonium, and piano.", "For Schoenberg's Society for Private Musical Performances in 1921, Webern arranged, among other things, the 1888 Schatz-Walzer (Treasure Waltz) of Johann Strauss II's Der Zigeunerbaron (The Gypsy Baron) for string quartet, harmonium, and piano. In 1924, Webern arranged Franz Liszt's Arbeiterchor (Workers' Chorus, c. 1847–1848) for bass solo, mixed chorus, and large orchestra; it was premièred for the first time in any form on 13 and 14 March 1925, with Webern conducting the first full-length concert of the Austrian Association of Workers Choir.", "In 1924, Webern arranged Franz Liszt's Arbeiterchor (Workers' Chorus, c. 1847–1848) for bass solo, mixed chorus, and large orchestra; it was premièred for the first time in any form on 13 and 14 March 1925, with Webern conducting the first full-length concert of the Austrian Association of Workers Choir. A review in the Amtliche Wiener Zeitung (28 March 1925) read \"neu in jedem Sinne, frisch, unverbraucht, durch ihn zieht die Jugend, die Freude\" (\"new in every respect, fresh, vital, pervaded by youth and joy\").", "A review in the Amtliche Wiener Zeitung (28 March 1925) read \"neu in jedem Sinne, frisch, unverbraucht, durch ihn zieht die Jugend, die Freude\" (\"new in every respect, fresh, vital, pervaded by youth and joy\"). The text, in English translation, reads in part: \"Let us have the adorned spades and scoops,/ Come along all, who wield a sword or pen,/ Come here ye, industrious, brave and strong/ All who create things great or small.\"", "The text, in English translation, reads in part: \"Let us have the adorned spades and scoops,/ Come along all, who wield a sword or pen,/ Come here ye, industrious, brave and strong/ All who create things great or small.\" Liszt, initially inspired by his revolutionary countrymen, had left it in manuscript at publisher 's discretion.", "Liszt, initially inspired by his revolutionary countrymen, had left it in manuscript at publisher 's discretion. Performance style Webern insisted on lyricism, nuance, rubato, sensitivity, and both emotional and intellectual understanding in performance of music; this is evidenced by anecdotes, correspondence, extant recordings of Schubert's Deutsche Tänze (arr.", "Performance style Webern insisted on lyricism, nuance, rubato, sensitivity, and both emotional and intellectual understanding in performance of music; this is evidenced by anecdotes, correspondence, extant recordings of Schubert's Deutsche Tänze (arr. Webern) and Berg's Violin Concerto under his direction, many such detailed markings in his scores, and finally by his compositional process as both publicly stated and later revealed in the musical and extramusical metaphors and associations everywhere throughout his sketches.", "Webern) and Berg's Violin Concerto under his direction, many such detailed markings in his scores, and finally by his compositional process as both publicly stated and later revealed in the musical and extramusical metaphors and associations everywhere throughout his sketches. As both a composer and conductor, he was one of many (e.g., Wilhelm Furtwängler, Dimitri Mitropoulos, Hermann Scherchen) in a contemporaneous tradition of conscientiously and non-literally handling notated musical figures, phrases, and even entire scores so as to maximize expressivity in performance and to cultivate audience engagement and understanding.", "As both a composer and conductor, he was one of many (e.g., Wilhelm Furtwängler, Dimitri Mitropoulos, Hermann Scherchen) in a contemporaneous tradition of conscientiously and non-literally handling notated musical figures, phrases, and even entire scores so as to maximize expressivity in performance and to cultivate audience engagement and understanding. This aspect of Webern's work had been typically missed in his immediate post-war reception, however, even as it may radically affect the music's reception.", "This aspect of Webern's work had been typically missed in his immediate post-war reception, however, even as it may radically affect the music's reception. For example, Boulez's \"complete\" recording of Webern's music yielded more to this aesthetic the second time after largely missing it the first; but Eliahu Inbal's rendition of Webern's Symphony, Op.", "For example, Boulez's \"complete\" recording of Webern's music yielded more to this aesthetic the second time after largely missing it the first; but Eliahu Inbal's rendition of Webern's Symphony, Op. 21 with the hr-Sinfonieorchester is still far more within the spirit of the late Romantic performance tradition (which Webern seemingly intended for his music), nearly slowing to half-tempo for the whole of first movement and taking care to delineate and shape each melodic strand and expressive gesture throughout the entirety of the work.", "21 with the hr-Sinfonieorchester is still far more within the spirit of the late Romantic performance tradition (which Webern seemingly intended for his music), nearly slowing to half-tempo for the whole of first movement and taking care to delineate and shape each melodic strand and expressive gesture throughout the entirety of the work. Legacy, influence, and posthumous reception Webern's music began to be performed more widely in the 1920s; by the mid-1940s, its effect was decisive on many composers, even as far-flung as John Cage.", "Legacy, influence, and posthumous reception Webern's music began to be performed more widely in the 1920s; by the mid-1940s, its effect was decisive on many composers, even as far-flung as John Cage. In part because Webern had largely remained the most obscure and arcane composer of the Second Viennese School during his own lifetime, interest in Webern's music increased after World War II as it came to represent a universally or generally valid, systematic, and compellingly logical model of new composition, with his œuvre acquiring what Alex Ross calls \"a saintly, visionary aura\".", "In part because Webern had largely remained the most obscure and arcane composer of the Second Viennese School during his own lifetime, interest in Webern's music increased after World War II as it came to represent a universally or generally valid, systematic, and compellingly logical model of new composition, with his œuvre acquiring what Alex Ross calls \"a saintly, visionary aura\". When Webern's Piano Variations were performed at Darmstadt in 1948, young composers listened in a quasi-religious trance.", "When Webern's Piano Variations were performed at Darmstadt in 1948, young composers listened in a quasi-religious trance. In 1955, the second issue of Eimert and Stockhausen's journal Die Reihe was devoted to Webern's œuvre, and in 1960 his lectures were published by Universal Edition.", "In 1955, the second issue of Eimert and Stockhausen's journal Die Reihe was devoted to Webern's œuvre, and in 1960 his lectures were published by Universal Edition. Meanwhile, Webern's characteristically passionate pan-German nationalism and censurable, sordid political sympathies (however naive or delusional and whether ever dispelled or faltered) were not widely known or went unmentioned; perhaps in some part due to his personal and political associations before the German Reich, his degradation and mistreatment under it, and his fate immediately after the war.", "Meanwhile, Webern's characteristically passionate pan-German nationalism and censurable, sordid political sympathies (however naive or delusional and whether ever dispelled or faltered) were not widely known or went unmentioned; perhaps in some part due to his personal and political associations before the German Reich, his degradation and mistreatment under it, and his fate immediately after the war. Significantly as relates to his reception, Webern never compromised his artistic identity and values, as Stravinsky was later to note.", "Significantly as relates to his reception, Webern never compromised his artistic identity and values, as Stravinsky was later to note. It has been suggested that the early 1950s' serialists' fascination with Webern was concerned not with his music as such so much as enabled by its concision and some its apparent plainness in the score, thereby facilitating musical analysis; indeed, composer Gottfried Michael Koenig speculates on the basis of his personal experience that since Webern's scores represented such a highly concentrated source, they may have been considered the better for didactic purposes than those of other composers.", "It has been suggested that the early 1950s' serialists' fascination with Webern was concerned not with his music as such so much as enabled by its concision and some its apparent plainness in the score, thereby facilitating musical analysis; indeed, composer Gottfried Michael Koenig speculates on the basis of his personal experience that since Webern's scores represented such a highly concentrated source, they may have been considered the better for didactic purposes than those of other composers. Composer thus criticized the approach of early serialists to Webern's music as reductive and narrowly focused on some of Webern's apparent methods rather than on his music more generally, especially neglecting timbre in their typical selection of Opp.", "Composer thus criticized the approach of early serialists to Webern's music as reductive and narrowly focused on some of Webern's apparent methods rather than on his music more generally, especially neglecting timbre in their typical selection of Opp. 27–28. Composer Karel Goeyvaerts recalled that at least on first impression, the sound of Webern's music reminded him of \"a Mondrian canvas,\" explaining that \"things of which I had acquired an extremely intimate knowledge, came across as crude and unfinished when seen in reality.\"", "Composer Karel Goeyvaerts recalled that at least on first impression, the sound of Webern's music reminded him of \"a Mondrian canvas,\" explaining that \"things of which I had acquired an extremely intimate knowledge, came across as crude and unfinished when seen in reality.\" Expressing a related opinion, noted contemporaneous German music critic and contributor to Die Reihe, Wolf-Eberhard von Lewinski wrote in the Darmstädter Tagblatt (3 September 1959) that some of the later and more radical music at Darmstadt was \"acoustically absurd [if] visually amusing\"; several days later, one of his articles in the Der Kurier was similarly headlined \"Meager modern music—only interesting to look at.\"", "Expressing a related opinion, noted contemporaneous German music critic and contributor to Die Reihe, Wolf-Eberhard von Lewinski wrote in the Darmstädter Tagblatt (3 September 1959) that some of the later and more radical music at Darmstadt was \"acoustically absurd [if] visually amusing\"; several days later, one of his articles in the Der Kurier was similarly headlined \"Meager modern music—only interesting to look at.\" To composers in the then Communist Bloc in Central and Eastern Europe, Webern's music and its techniques promised an exciting, unique, and challenging alternative to socialist realism, with its perceived tendency to kitsch and its nationalist and traditionalist overtones.", "To composers in the then Communist Bloc in Central and Eastern Europe, Webern's music and its techniques promised an exciting, unique, and challenging alternative to socialist realism, with its perceived tendency to kitsch and its nationalist and traditionalist overtones. Whereas Berg's Lyric Suite may have influenced the third and fourth string quartets of Bartók in 1927 via an ISCM concert (in which Bartók himself performed his own Piano Sonata), Webern's influence on later composers from what became the Hungarian People's Republic and from other countries behind the Iron Curtain was sometimes mediated or obstructed by politics.", "Whereas Berg's Lyric Suite may have influenced the third and fourth string quartets of Bartók in 1927 via an ISCM concert (in which Bartók himself performed his own Piano Sonata), Webern's influence on later composers from what became the Hungarian People's Republic and from other countries behind the Iron Curtain was sometimes mediated or obstructed by politics. As Ligeti explained to a student in 1970, \"In countries where there exists a certain isolation, in Eastern Europe, one cannot obtain correct information.", "As Ligeti explained to a student in 1970, \"In countries where there exists a certain isolation, in Eastern Europe, one cannot obtain correct information. One is cut off from the circulation of blood.\" Nonetheless, Webern's work was a seminal influence on that of both Endre Szervánszky and György Kurtág following the Hungarian Uprising of 1956, as well as on Ligeti himself.", "Nonetheless, Webern's work was a seminal influence on that of both Endre Szervánszky and György Kurtág following the Hungarian Uprising of 1956, as well as on Ligeti himself. Later still and farther east, Sofia Gubaidulina, for whom music was an escape from the socio-political atmosphere of post-Stalinist Soviet Russia, cited the influence of both J. S. Bach and Webern in particular.", "Later still and farther east, Sofia Gubaidulina, for whom music was an escape from the socio-political atmosphere of post-Stalinist Soviet Russia, cited the influence of both J. S. Bach and Webern in particular. Recordings by Webern Webern conducts \"Berg – Violin Concerto\" Webern conducts his arrangement of Schubert's German Dances See also List of Austrians in music Notes References Bibliography Further reading Ahrend, Thomas, and Stefan Münnich. 2018. Anton Webern. Oxford Bibliographies in Music. Oxford University Press. .", "2018. Anton Webern. Oxford Bibliographies in Music. Oxford University Press. . . }}{{subscription Ahrend, Thomas, and Matthias Schmidt (eds.). 2015. Der junge Webern. Texte und Kontexte. Webern-Studien. Beihefte der Anton Webern Gesamtausgabe 2b. Wien: Lafite. . Ahrend, Thomas, and Matthias Schmidt (eds.). 2016. Webern-Philologien. Webern-Studien. Beihefte der Anton Webern Gesamtausgabe 3. Wien: Lafite. . Bailey, Kathryn. 1991.", "Beihefte der Anton Webern Gesamtausgabe 3. Wien: Lafite. . Bailey, Kathryn. 1991. 1991. The Twelve-Note Music of Anton Webern: Old Forms in a New Language. Music in the Twentieth Century 2. Cambridge and New York: Cambridge University Press. (cloth) (pbk. ed., 2006). Cavallotti, Pietro, and Simon Obert, and Rainer Schmusch (eds.). 2019. Neue Perspektiven. Anton Webern und das Komponieren im 20. Jahrhundert. Webern-Studien. Beihefte der Anton Webern Gesamtausgabe 4.", "Jahrhundert. Webern-Studien. Beihefte der Anton Webern Gesamtausgabe 4. Beihefte der Anton Webern Gesamtausgabe 4. Wien: Lafite. . Ewen, David. 1971. \"Anton Webern (1883–1945)\". In Composers of Tomorrow's Music, by David Ewen, 66–77. New York: Dodd, Mead & Co. . Forte, Allen. 1998. The Atonal Music of Anton Webern New Haven: Yale University Press. . Galliari, Alain. 2007. \"Anton von Webern\". Paris: Fayard. .", ". Galliari, Alain. 2007. \"Anton von Webern\". Paris: Fayard. . . Kröpfl, Monika, and Simon Obert (eds.). 2015. Der junge Webern. Künstlerische Orientierungen in Wien nach 1900. Webern-Studien. Beihefte der Anton Webern Gesamtausgabe 2a. Wien: Lafite. . Mead, Andrew. 1993. \"Webern, Tradition, and 'Composing with Twelve Tones'\". Music Theory Spectrum 15, no. 2:173–204. Moldenhauer, Hans. 1966. Anton von Webern Perspectives.", "2:173–204. Moldenhauer, Hans. 1966. Anton von Webern Perspectives. Anton von Webern Perspectives. Edited by Demar Irvine, with an introductory interview with Igor Stravinsky. Seattle: University of Washington Press. Needham, Alex. 2012. Brahms Piano Piece to Get Its Premiere 159 Years After Its Creation. The Guardian (Thursday 12 January). Noller, Joachim. 1990. \"Bedeutungsstrukturen: zu Anton Weberns 'alpinen' Programmen\". Neue Zeitschrift für Musik151, no. 9 (September): 12–18.", "9 (September): 12–18. 9 (September): 12–18. Obert, Simon (ed.). 2012. Wechselnde Erscheinung. Sechs Perspektiven auf Anton Weberns sechste Bagatelle. Webern-Studien. Beihefte der Anton Webern Gesamtausgabe 1. Wien: Lafite. . Perle, George. 1991. Serial Composition and Atonality: An Introduction to the Music of Schoenberg, Berg and Webern. Sixth ed. Berkeley and Los Angeles: University of California Press. Peyser, Joan. 2007. To Boulez and Beyond. Scarecrow Press. .", "Peyser, Joan. 2007. To Boulez and Beyond. Scarecrow Press. . . Rockwell, John. 1983. All American Music: Composition in the Late Twentieth Century. New York: Alfred Knopf. Reprinted New York: Da Capo Press, 1997. , . Tsang, Lee. 2002. \"The Atonal Music of Anton Webern (1998) by Allen Forte\". Music Analysis 21, no. 3 (October): 417–427. Wildgans, Friedrich. 1966. Anton Webern.", "3 (October): 417–427. Wildgans, Friedrich. 1966. Anton Webern. Anton Webern. Translated by Edith Temple Roberts and Humphrey Searle. Introduction and notes by Humphrey Searle. New York: October House.", "Introduction and notes by Humphrey Searle. New York: October House. New York: October House. External links Anton Webern biography and works on the UE website (publisher) Anton Webern Gesamtausgabe (Complete Edition) 1883 births 1945 deaths Austrian Roman Catholics 20th-century classical composers Deaths by firearm in Austria Expressionist music Twelve-tone and serial composers Second Viennese School University of Vienna alumni Composers from Vienna Accidental deaths in Austria Pupils of Arnold Schoenberg Austrian male classical composers Austrian classical composers String quartet composers 20th-century Austrian composers 20th-century Austrian male musicians Firearm accident victims" ]

[ "Anton Webern", "Performance style", "What was Webern's style like?", "Webern insisted on lyricism, nuance, rubato, sensitivity, and both emotional and intellectual understanding in performance of music;", "What was he best known for?", "extant recordings of Schubert's Deutsche Tanze (arr. Webern) and Berg's Violin Concerto under his direction,", "What is his most famous recording?", "I don't know." ]

[ "Přírodní park Třebíčsko (before Oblast klidu Třebíčsko) is a natural park near Třebíč in the Czech Republic. There are many interesting plants. The park was founded in 1983.\n\nKobylinec and Ptáčovský kopeček\n\nKobylinec is a natural monument situated ca 0,5 km from the village of Trnava.\nThe area of this monument is 0,44 ha. Pulsatilla grandis can be found here and in the Ptáčovský kopeček park near Ptáčov near Třebíč. Both monuments are very popular for tourists.\n\nPonds\n\nIn the natural park there are some interesting ponds such as Velký Bor, Malý Bor, Buršík near Přeckov and a brook Březinka. Dams on the brook are examples of European beaver activity.\n\nSyenitové skály near Pocoucov\n\nSyenitové skály (rocks of syenit) near Pocoucov is one of famed locations. There are interesting granite boulders. The area of the reservation is 0,77 ha.\n\nExternal links\nParts of this article or all article was translated from Czech. The original article is :cs:Přírodní park Třebíčsko.\n\nReferences\n\nExternal links\nNature near the village Trnava which is there\n\nTřebíč\nParks in the Czech Republic\nTourist attractions in the Vysočina Region", "Damn Interesting is an independent website founded by Alan Bellows in 2005. The website presents true stories from science, history, and psychology, primarily as long-form articles, often illustrated with original artwork. Works are written by various authors, and published at irregular intervals. The website openly rejects advertising, relying on reader and listener donations to cover operating costs.\n\nAs of October 2012, each article is also published as a podcast under the same name. In November 2019, a second podcast was launched under the title Damn Interesting Week, featuring unscripted commentary on an assortment of news articles featured on the website's \"Curated Links\" section that week. In mid-2020, a third podcast called Damn Interesting Curio Cabinet began highlighting the website's periodic short-form articles in the same radioplay format as the original podcast.\n\nIn July 2009, Damn Interesting published the print book Alien Hand Syndrome through Workman Publishing. It contains some favorites from the site and some exclusive content.\n\nAwards and recognition \nIn August 2007, PC Magazine named Damn Interesting one of the \"Top 100 Undiscovered Web Sites\".\nThe article \"The Zero-Armed Bandit\" by Alan Bellows won a 2015 Sidney Award from David Brooks in The New York Times.\nThe article \"Ghoulish Acts and Dastardly Deeds\" by Alan Bellows was cited as \"nonfiction journalism from 2017 that will stand the test of time\" by Conor Friedersdorf in The Atlantic.\nThe article \"Dupes and Duplicity\" by Jennifer Lee Noonan won a 2020 Sidney Award from David Brooks in the New York Times.\n\nAccusing The Dollop of plagiarism \n\nOn July 9, 2015, Bellows posted an open letter accusing The Dollop, a comedy podcast about history, of plagiarism due to their repeated use of verbatim text from Damn Interesting articles without permission or attribution. Dave Anthony, the writer of The Dollop, responded on reddit, admitting to using Damn Interesting content, but claiming that the use was protected by fair use, and that \"historical facts are not copyrightable.\" In an article about the controversy on Plagiarism Today, Jonathan Bailey concluded, \"Any way one looks at it, The Dollop failed its ethical obligations to all of the people, not just those writing for Damn Interesting, who put in the time, energy and expertise into writing the original content upon which their show is based.\"\n\nReferences\n\nExternal links \n Official website\n\n2005 podcast debuts" ]

[ "Anton Friedrich Wilhelm von Webern (3 December 188315 September 1945), known as simply Anton Webern (), was an Austrian composer and conductor. Along with his mentor Arnold Schoenberg and his colleague Alban Berg, Webern was in the core of those in the circle of the Second Viennese School, including Theodor W. Adorno, Heinrich Jalowetz, and Ernst Krenek. As an exponent of atonality and twelve-tone technique, Webern exerted influence on contemporaries Luigi Dallapiccola, Krenek, and even Schoenberg himself.", "As an exponent of atonality and twelve-tone technique, Webern exerted influence on contemporaries Luigi Dallapiccola, Krenek, and even Schoenberg himself. As a tutor, Webern guided and variously influenced Arnold Elston, Frederick Dorian (Friederich Deutsch), , , Karl Amadeus Hartmann, Philipp Herschkowitz, René Leibowitz, Humphrey Searle, Leopold Spinner, and Stefan Wolpe. Webern's music was among the most radical of its milieu, both in its concision and in its rigorous and resolute apprehension of twelve-tone technique.", "Webern's music was among the most radical of its milieu, both in its concision and in its rigorous and resolute apprehension of twelve-tone technique. His innovations in schematic organization of pitch, rhythm, register, timbre, dynamics, articulation, and melodic contour; his eagerness to redefine imitative contrapuntal techniques such as canon and fugue; and his inclination toward athematicism, abstraction, and lyricism all greatly informed and oriented intra- and post-war European, typically serial or avant-garde composers such as Olivier Messiaen, Pierre Boulez, Karlheinz Stockhausen, Luigi Nono, Bruno Maderna, Henri Pousseur, and György Ligeti.", "His innovations in schematic organization of pitch, rhythm, register, timbre, dynamics, articulation, and melodic contour; his eagerness to redefine imitative contrapuntal techniques such as canon and fugue; and his inclination toward athematicism, abstraction, and lyricism all greatly informed and oriented intra- and post-war European, typically serial or avant-garde composers such as Olivier Messiaen, Pierre Boulez, Karlheinz Stockhausen, Luigi Nono, Bruno Maderna, Henri Pousseur, and György Ligeti. In the United States, meanwhile, his music attracted the interest of Elliott Carter, whose critical ambivalence was marked by a certain enthusiasm nonetheless; Milton Babbitt, who ultimately derived more inspiration from Schoenberg's twelve-tone practice than that of Webern; and Igor Stravinsky, to whom it was very fruitfully reintroduced by Robert Craft.", "In the United States, meanwhile, his music attracted the interest of Elliott Carter, whose critical ambivalence was marked by a certain enthusiasm nonetheless; Milton Babbitt, who ultimately derived more inspiration from Schoenberg's twelve-tone practice than that of Webern; and Igor Stravinsky, to whom it was very fruitfully reintroduced by Robert Craft. During and shortly after the post-war period, then, Webern was posthumously received with attention first diverted from his sociocultural upbringing and surroundings and, moreover, focused in a direction apparently antithetical to his participation in German Romanticism and Expressionism.", "During and shortly after the post-war period, then, Webern was posthumously received with attention first diverted from his sociocultural upbringing and surroundings and, moreover, focused in a direction apparently antithetical to his participation in German Romanticism and Expressionism. A richer understanding of Webern began to emerge in the later half of the 20th century, notably in the work of scholars Kathryn Bailey, Julian Johnson, Felix Meyer, Anne Shreffler, as archivists and biographers (most importantly Hans and Rosaleen Moldenhauer) gained access to sketches, letters, lectures, audio recordings, and other articles of or associated with Webern's estate.", "A richer understanding of Webern began to emerge in the later half of the 20th century, notably in the work of scholars Kathryn Bailey, Julian Johnson, Felix Meyer, Anne Shreffler, as archivists and biographers (most importantly Hans and Rosaleen Moldenhauer) gained access to sketches, letters, lectures, audio recordings, and other articles of or associated with Webern's estate. Biography Youth, education, and other early experiences in Austria-Hungary Anton Friedrich Wilhelm von Webern was born in Vienna, then in Austria-Hungary.", "Biography Youth, education, and other early experiences in Austria-Hungary Anton Friedrich Wilhelm von Webern was born in Vienna, then in Austria-Hungary. He was the only surviving son of Carl von Webern, a civil servant, and Amalie (née Geer) who was a competent pianist and accomplished singer—possibly the only obvious source of the future composer's talent. He never used his middle names and dropped the \"von\" in 1918 as directed by the Austrian government's reforms after World War I.", "He never used his middle names and dropped the \"von\" in 1918 as directed by the Austrian government's reforms after World War I. He lived in Graz and Klagenfurt for much of his youth. But his distinct and lasting sense of Heimat was shaped by readings of Peter Rosegger; and moreover by frequent and extended retreats with his parents, sisters, and cousins to his family's country estate, the Preglhof, which Webern's father had inherited upon the death of Webern's grandfather in 1889.", "But his distinct and lasting sense of Heimat was shaped by readings of Peter Rosegger; and moreover by frequent and extended retreats with his parents, sisters, and cousins to his family's country estate, the Preglhof, which Webern's father had inherited upon the death of Webern's grandfather in 1889. Webern memorialized the Preglhof in a diary poem \"An der Preglhof\" and in the tone poem Im Sommerwind (1904), both after Bruno Wille's idyll.", "Webern memorialized the Preglhof in a diary poem \"An der Preglhof\" and in the tone poem Im Sommerwind (1904), both after Bruno Wille's idyll. Once Webern's father sold the estate in 1912, Webern referred to it nostalgically as a \"lost paradise\".", "Once Webern's father sold the estate in 1912, Webern referred to it nostalgically as a \"lost paradise\". He continued to revisit the Preglhof, the family cemetery in Schwabegg, and the surrounding landscape for the rest of his life; and he clearly associated the area, which he took as his home, very closely with the memory of his mother Amelie, who had died in 1906 and whose loss also profoundly affected Webern for decades.", "He continued to revisit the Preglhof, the family cemetery in Schwabegg, and the surrounding landscape for the rest of his life; and he clearly associated the area, which he took as his home, very closely with the memory of his mother Amelie, who had died in 1906 and whose loss also profoundly affected Webern for decades. Art historian Ernst Dietz, Webern's cousin and at that time a student at Graz, may have introduced Webern to the work of the painters Arnold Böcklin and Giovanni Segantini, whom Webern came to admire.", "Art historian Ernst Dietz, Webern's cousin and at that time a student at Graz, may have introduced Webern to the work of the painters Arnold Böcklin and Giovanni Segantini, whom Webern came to admire. Segantini's work was a likely inspiration for Webern's 1905 single-movement string quartet. In 1902, Webern began attending classes at Vienna University. There he studied musicology with Guido Adler, writing his thesis on the Choralis Constantinus of Heinrich Isaac.", "There he studied musicology with Guido Adler, writing his thesis on the Choralis Constantinus of Heinrich Isaac. This interest in early music would greatly influence his compositional technique in later years, especially in terms of his use of palindromic form on both the micro- and macro-scale and the economical use of musical materials.", "This interest in early music would greatly influence his compositional technique in later years, especially in terms of his use of palindromic form on both the micro- and macro-scale and the economical use of musical materials. With the help of friends and colleagues, Webern later began working peripatetically as a conductor and musical coach in various towns and cities, among them Ischl, Teplitz (now Teplice, Czech Republic), Danzig (now Gdańsk, Poland), Stettin (now Szczecin, Poland), and Prague, before finally moving back to Vienna.", "With the help of friends and colleagues, Webern later began working peripatetically as a conductor and musical coach in various towns and cities, among them Ischl, Teplitz (now Teplice, Czech Republic), Danzig (now Gdańsk, Poland), Stettin (now Szczecin, Poland), and Prague, before finally moving back to Vienna. As might be expected, the young Webern was enthusiastic about the music of Ludwig van Beethoven, Franz Liszt, Wolfgang Amadeus Mozart, Franz Schubert (\"so genuinely Viennese\"), Hugo Wolf, and Richard Wagner, visiting Bayreuth in 1902.", "As might be expected, the young Webern was enthusiastic about the music of Ludwig van Beethoven, Franz Liszt, Wolfgang Amadeus Mozart, Franz Schubert (\"so genuinely Viennese\"), Hugo Wolf, and Richard Wagner, visiting Bayreuth in 1902. He also enjoyed the music of Hector Berlioz and Georges Bizet. In 1904, he reportedly stormed out of a meeting with Hans Pfitzner, from whom he was seeking instruction, when the latter criticized Gustav Mahler and Richard Strauss.", "In 1904, he reportedly stormed out of a meeting with Hans Pfitzner, from whom he was seeking instruction, when the latter criticized Gustav Mahler and Richard Strauss. In 1908, Webern wrote rapturously to Schoenberg about Claude Debussy's opera Pelléas et Mélisande. He conducted some of Debussy's music in 1911. It may have been at Guido Adler's advice that he paid Schoenberg for composition lessons. Webern progressed quickly under Schoenberg's tutelage, publishing his Passacaglia, Op. 1, as his graduation piece in 1908.", "1, as his graduation piece in 1908. 1, as his graduation piece in 1908. He also met Berg, then another of Schoenberg's pupils. These two relationships would be the most important in his life in shaping his own musical direction. Some of Webern's earlier thoughts (from 1903) are as amusing as they might be surprising: besides describing some of Alexander Scriabin's music as \"languishing junk,\" he wrote of Robert Schumann's Symphony No.", "Some of Webern's earlier thoughts (from 1903) are as amusing as they might be surprising: besides describing some of Alexander Scriabin's music as \"languishing junk,\" he wrote of Robert Schumann's Symphony No. 4 that it was \"boring,\" that Carl Maria von Weber's Konzertstück in F minor was passé, and that he found Johannes Brahms's Symphony No.", "4 that it was \"boring,\" that Carl Maria von Weber's Konzertstück in F minor was passé, and that he found Johannes Brahms's Symphony No. 3 (which struck Eduard Hanslick as \"artistically the most nearly perfect\") \"cold and without particular inspiration, ... badly orchestrated—grey on grey.\"", "3 (which struck Eduard Hanslick as \"artistically the most nearly perfect\") \"cold and without particular inspiration, ... badly orchestrated—grey on grey.\" These youthful impressions are in some, but not complete or altogether necessarily very significant, contrast to the considered opinions of Webern in the 1930s, by then a decided nationalist who, as Roland Leich described, \"lectured at some length on the utter supremacy of German music, emphasizing that leading composers of other lands are but pale reflections of Germanic masters: Berlioz a French Beethoven, Tchaikovsky a Russian Schumann, Elgar an English Mendelssohn, etc.\"", "These youthful impressions are in some, but not complete or altogether necessarily very significant, contrast to the considered opinions of Webern in the 1930s, by then a decided nationalist who, as Roland Leich described, \"lectured at some length on the utter supremacy of German music, emphasizing that leading composers of other lands are but pale reflections of Germanic masters: Berlioz a French Beethoven, Tchaikovsky a Russian Schumann, Elgar an English Mendelssohn, etc.\" After all, even when young, Webern had described one of Alexander Glazunov's symphonies as \"not particularly Russian\" (in contrast to some of Nikolai Rimsky-Korsakov's music at the same all-Russian concert) in the same passage as he praised it.", "After all, even when young, Webern had described one of Alexander Glazunov's symphonies as \"not particularly Russian\" (in contrast to some of Nikolai Rimsky-Korsakov's music at the same all-Russian concert) in the same passage as he praised it. Red Vienna in the First Austrian Republic From 1918 to 1921, Webern helped organize and operate the Society for Private Musical Performances, which gave concerts of then-recent or -new music by Béla Bartók, Berg, Ferruccio Busoni, Debussy, Erich Wolfgang Korngold, Mahler, Maurice Ravel, Max Reger, Erik Satie, Strauss, Stravinsky, and Webern himself.", "Red Vienna in the First Austrian Republic From 1918 to 1921, Webern helped organize and operate the Society for Private Musical Performances, which gave concerts of then-recent or -new music by Béla Bartók, Berg, Ferruccio Busoni, Debussy, Erich Wolfgang Korngold, Mahler, Maurice Ravel, Max Reger, Erik Satie, Strauss, Stravinsky, and Webern himself. After their Society performances in 1919 (and while working on his own Opp.", "After their Society performances in 1919 (and while working on his own Opp. 14–15), Webern wrote to Berg that Stravinsky's Berceuses du chat \"[move] me completely beyond belief,\" describing them as \"indescribably touching,\" and that Stravinsky's Pribaoutki were \"something really glorious.\" After the dissolution of the Society amid catastrophic hyperinflation in 1921, Webern conducted the Vienna Workers' Symphony Orchestra and Chorus from 1922 to 1934.", "After the dissolution of the Society amid catastrophic hyperinflation in 1921, Webern conducted the Vienna Workers' Symphony Orchestra and Chorus from 1922 to 1934. In 1926, Webern noted his voluntary resignation as chorusmaster of the Mödling Men's Choral Society, a paid position, in controversy over his hiring of a Jewish singer, Greta Wilheim, to replace a sick one.", "In 1926, Webern noted his voluntary resignation as chorusmaster of the Mödling Men's Choral Society, a paid position, in controversy over his hiring of a Jewish singer, Greta Wilheim, to replace a sick one. Letters document their correspondence in many subsequent years, and she (among others) would in turn provide him with facilities to teach private lessons as a convenience to Webern, his family, and his students.", "Letters document their correspondence in many subsequent years, and she (among others) would in turn provide him with facilities to teach private lessons as a convenience to Webern, his family, and his students. Civil War, Austrofascism, Nazism, and World War II Webern's music, along with that of Berg, Křenek, Schoenberg, and others, was denounced as \"cultural Bolshevism\" and \"degenerate art\" by the Nazi Party in Germany, and both publication and performances of it were banned soon after the Anschluss in 1938, although neither did it fare well under the preceding years of Austrofascism.", "Civil War, Austrofascism, Nazism, and World War II Webern's music, along with that of Berg, Křenek, Schoenberg, and others, was denounced as \"cultural Bolshevism\" and \"degenerate art\" by the Nazi Party in Germany, and both publication and performances of it were banned soon after the Anschluss in 1938, although neither did it fare well under the preceding years of Austrofascism. As early as 1933, an Austrian gauleiter on Bayerischer Rundfunk mistakenly and very likely maliciously characterized both Berg and Webern as Jewish composers.", "As early as 1933, an Austrian gauleiter on Bayerischer Rundfunk mistakenly and very likely maliciously characterized both Berg and Webern as Jewish composers. As a result of official disapproval throughout the '30s, both found it harder to earn a living; Webern lost a promising conducting career which might have otherwise been more noted and recorded and had to take on work as an editor and proofreader for his publishers, Universal Edition. His family's financial situation deteriorated until, by August 1940, his personal records reflected no monthly income.", "His family's financial situation deteriorated until, by August 1940, his personal records reflected no monthly income. It was thanks to the Swiss philanthropist Werner Reinhart that Webern was able to attend the festive premiere of his Variations for Orchestra, Op. 30, in Winterthur, Switzerland in 1943. Reinhart invested all the financial and diplomatic means at his disposal to enable Webern to travel to Switzerland. In return for this support, Webern dedicated the work to him.", "In return for this support, Webern dedicated the work to him. There are different descriptions of Webern's attitude towards Nazism; this is perhaps attributable to its complexity, his internal ambivalence, his prosperity in the preceding years (1918–1934) of post-war Red Vienna in the First Republic of Austria, the subsequently divided political factions of his homeland as represented in his friends and family (from Zionist Schoenberg to his Nazi son Peter), as well as the different contexts in which or audiences to whom his views were expressed.", "There are different descriptions of Webern's attitude towards Nazism; this is perhaps attributable to its complexity, his internal ambivalence, his prosperity in the preceding years (1918–1934) of post-war Red Vienna in the First Republic of Austria, the subsequently divided political factions of his homeland as represented in his friends and family (from Zionist Schoenberg to his Nazi son Peter), as well as the different contexts in which or audiences to whom his views were expressed. Further insight into Webern's attitudes comes with the realization that Nazism itself was deeply multifaceted, marked \"not [by] a coherent doctrine or body of systemically interrelated ideas, but rather [by] a vaguer worldview made up of a number of prejudices with varied appeals to different audiences which could scarcely be dignified with the term 'ideology'\".", "Further insight into Webern's attitudes comes with the realization that Nazism itself was deeply multifaceted, marked \"not [by] a coherent doctrine or body of systemically interrelated ideas, but rather [by] a vaguer worldview made up of a number of prejudices with varied appeals to different audiences which could scarcely be dignified with the term 'ideology'\". There is, moreover, significant political complexity to be treated, more than enough to complicate any consideration of individual culpability: it is imperative to note that some Social Democrats viewed the National Socialists as an alternative to the Christian Social Party and later Vaterländische Front in the context of reunification with Germany; for example, Karl Renner, the chancellor who served in both the First (1919–33) and Second (post-1945) Austrian Republics, favored a German Anschluss as an alternative to the then Austrofascist regime, under which Berg, Webern, and the Social Democrats suffered.", "There is, moreover, significant political complexity to be treated, more than enough to complicate any consideration of individual culpability: it is imperative to note that some Social Democrats viewed the National Socialists as an alternative to the Christian Social Party and later Vaterländische Front in the context of reunification with Germany; for example, Karl Renner, the chancellor who served in both the First (1919–33) and Second (post-1945) Austrian Republics, favored a German Anschluss as an alternative to the then Austrofascist regime, under which Berg, Webern, and the Social Democrats suffered. And Webern's professional circle in Vienna included, besides many Jews, many Social Democrats; for example, for David Josef Bach, a close friend of Schoenberg's as well, Webern conducted many workers' and amateur ensembles.", "And Webern's professional circle in Vienna included, besides many Jews, many Social Democrats; for example, for David Josef Bach, a close friend of Schoenberg's as well, Webern conducted many workers' and amateur ensembles. Under the Nazis, some Social Democrats expected, there might be more work and protections for workers and laborers, as well as other social reforms and political stability, if not democracy; Webern may well have hoped to again be able to conduct and to be better able to secure a future for his family.", "Under the Nazis, some Social Democrats expected, there might be more work and protections for workers and laborers, as well as other social reforms and political stability, if not democracy; Webern may well have hoped to again be able to conduct and to be better able to secure a future for his family. In broad terms, Webern's attitude seems to have first warmed to a degree of characteristic fervor and perhaps only much later, in conjunction with widespread German disillusionment, cooled to Hitler and the Nazis.", "In broad terms, Webern's attitude seems to have first warmed to a degree of characteristic fervor and perhaps only much later, in conjunction with widespread German disillusionment, cooled to Hitler and the Nazis. On the one hand, notes that Webern attacked Nazi cultural policies in private lectures given in 1933, whose hypothetical publication \"would have exposed Webern to serious consequences\" later. On the other, some private correspondence attests to his Nazi sympathies.", "On the other, some private correspondence attests to his Nazi sympathies. Webern's patriotism led him to endorse the Nazi regime in a series of letters to Joseph Hueber, who was serving in the army and himself held such views. Webern described Hitler on 2 May 1940, as \"this unique man\" who created \"the new state\" of Germany; thus Alex Ross characterizes him as \"an unashamed Hitler enthusiast\".", "Webern described Hitler on 2 May 1940, as \"this unique man\" who created \"the new state\" of Germany; thus Alex Ross characterizes him as \"an unashamed Hitler enthusiast\". Violinist Louis Krasner painted not a sentimental portrait but one imbued with a wealth of factual and personal detail for its publication in 1987, describing Webern as clearly naive and idealistic but not entirely without his wits, shame, or conscience; Krasner carefully contextualizes Webern as a member of Austrian society at the time, one departed by Schoenberg and one in which the already pro-Nazi Vienna Philharmonic had even refused to play the late Berg's Violin Concerto.", "Violinist Louis Krasner painted not a sentimental portrait but one imbued with a wealth of factual and personal detail for its publication in 1987, describing Webern as clearly naive and idealistic but not entirely without his wits, shame, or conscience; Krasner carefully contextualizes Webern as a member of Austrian society at the time, one departed by Schoenberg and one in which the already pro-Nazi Vienna Philharmonic had even refused to play the late Berg's Violin Concerto. As Krasner vividly recalled, he and Webern were visiting at the latter's home in Maria Enzersdorf, Mödling when the Nazis invaded Austria; Webern, uncannily seeming to anticipate the timing down to 4 o'clock in the afternoon, turned on the radio to hear this news and immediately warned Krasner, urging him to flee, whereupon he did (first to Vienna).", "As Krasner vividly recalled, he and Webern were visiting at the latter's home in Maria Enzersdorf, Mödling when the Nazis invaded Austria; Webern, uncannily seeming to anticipate the timing down to 4 o'clock in the afternoon, turned on the radio to hear this news and immediately warned Krasner, urging him to flee, whereupon he did (first to Vienna). Whether this was for Krasner's safety or to save Webern the embarrassment of Krasner's presence during a time of possible celebration in the pro-Nazi Webern family (or indeed in most of pro-Nazi Mödling, by Krasner's description as well as one even more vivid of Arnold Greissle-Schönberg), Krasner was ambivalent and uncertain, withholding judgment.", "Whether this was for Krasner's safety or to save Webern the embarrassment of Krasner's presence during a time of possible celebration in the pro-Nazi Webern family (or indeed in most of pro-Nazi Mödling, by Krasner's description as well as one even more vivid of Arnold Greissle-Schönberg), Krasner was ambivalent and uncertain, withholding judgment. Only later did Krasner himself realize how self-admittedly \"foolhardy\" he had been and in what danger he had placed himself, revealing an ignorance perhaps shared by Webern.", "Only later did Krasner himself realize how self-admittedly \"foolhardy\" he had been and in what danger he had placed himself, revealing an ignorance perhaps shared by Webern. Krasner had even revisited frequently, hoping to convince friends (e.g., Schoenberg's daughter Gertrude and her husband Felix Greissle) to emigrate before time ran out. Krasner eventually left more permanently, after a 1941 incident wherein he felt only his US passport saved him from both locals and police.", "Krasner eventually left more permanently, after a 1941 incident wherein he felt only his US passport saved him from both locals and police. Krasner retold from a story related to him in long discussion with Schoenberg's son Görgi, a Jew who remained in Vienna during the war, that the Weberns, much to their risk and credit, had provided Görgi and his family with food and shelter toward the end of the war at the Weberns' home in a Mödling apartment belonging to their son-in-law.", "Krasner retold from a story related to him in long discussion with Schoenberg's son Görgi, a Jew who remained in Vienna during the war, that the Weberns, much to their risk and credit, had provided Görgi and his family with food and shelter toward the end of the war at the Weberns' home in a Mödling apartment belonging to their son-in-law. Görgi and his family were left behind for their safety when Webern fled on foot with his family to Mittersill, about 75 km.", "Görgi and his family were left behind for their safety when Webern fled on foot with his family to Mittersill, about 75 km. away, for safety of their own in light of the coming Russian invasion; Amalie, one of Webern's daughters, wrote of '17 persons pressed together in the smallest possible space' upon their arrival. Ironically, the Russians pronounced Görgi a \"Nazi spy\" when he was discovered due to the Nazi munitions and propaganda in the Weberns' basement store-room.", "Ironically, the Russians pronounced Görgi a \"Nazi spy\" when he was discovered due to the Nazi munitions and propaganda in the Weberns' basement store-room. Görgi is said to have saved himself from execution by protesting and drawing attention to his clothes, sewn as specified by the Nazis with the yellow Star of David. He continued to live in this apartment with this family until 1969.", "He continued to live in this apartment with this family until 1969. Webern is also known to have aided Josef Polnauer, a Jewish friend who, as an albino, managed to largely escape the Nazis' attention and later edit a publication of Webern's correspondence from this time with Hildegard Jone, Webern's then lyricist and collaborator, and her husband, sculptor Josef Humplik.", "Webern is also known to have aided Josef Polnauer, a Jewish friend who, as an albino, managed to largely escape the Nazis' attention and later edit a publication of Webern's correspondence from this time with Hildegard Jone, Webern's then lyricist and collaborator, and her husband, sculptor Josef Humplik. However, Krasner was particularly troubled by a 1936 conversation with Webern about the Jews, in which Webern expressed his vague but unambiguously anti-Semitic opinion that \"Even Schoenberg, had he not been a Jew, would have been quite different!\"", "However, Krasner was particularly troubled by a 1936 conversation with Webern about the Jews, in which Webern expressed his vague but unambiguously anti-Semitic opinion that \"Even Schoenberg, had he not been a Jew, would have been quite different!\" Krasner remembered, perhaps with the benefit of hindsight at the time (1987), that \"Jews ... were at the center of the difficulty.", "Krasner remembered, perhaps with the benefit of hindsight at the time (1987), that \"Jews ... were at the center of the difficulty. Those who wanted to, put the blame for all this calamity, for all this depraved condition, on the Jews who had brought it with them—along with a lot of radical ideas—from the East. People blamed the Jews for their financial worries. The Jews were, at the same time, the poverty-stricken people who came with nothing, and the capitalists who controlled everything.\"", "The Jews were, at the same time, the poverty-stricken people who came with nothing, and the capitalists who controlled everything.\" When once asked by Schoenberg about his feelings toward the Nazis, Webern nonetheless sought to allay Schoenberg's concerns; similarly, when in 1938 Eduard Steuermann asked Krasner about rumors of Webern's possible \"interest in and devotion to the Nazis\" on Schoenberg's behalf, Krasner lied by denying the rumors categorically and entirely.", "When once asked by Schoenberg about his feelings toward the Nazis, Webern nonetheless sought to allay Schoenberg's concerns; similarly, when in 1938 Eduard Steuermann asked Krasner about rumors of Webern's possible \"interest in and devotion to the Nazis\" on Schoenberg's behalf, Krasner lied by denying the rumors categorically and entirely. As a result, Schoenberg's Violin Concerto of 1934 (or 1935)–36 continued to bear a dedication to Webern, although whittled down as a result of Schoenberg's continuing suspicions or, indeed, on Webern's behalf, i.e., to protect Webern from further Nazi suspicion and persecution.", "As a result, Schoenberg's Violin Concerto of 1934 (or 1935)–36 continued to bear a dedication to Webern, although whittled down as a result of Schoenberg's continuing suspicions or, indeed, on Webern's behalf, i.e., to protect Webern from further Nazi suspicion and persecution. Schoenberg's tone was ultimately conciliatory in remembrance of both Berg and Webern in 1947: \"Let us—for the moment at least—forget all that might have at one time divided us ... even if those who tried might have succeeded in confounding us.\"", "Schoenberg's tone was ultimately conciliatory in remembrance of both Berg and Webern in 1947: \"Let us—for the moment at least—forget all that might have at one time divided us ... even if those who tried might have succeeded in confounding us.\" Musicologist Richard Taruskin describes Webern accurately if vaguely as a pan-German nationalist but then goes much further in claiming specifically that Webern joyfully welcomed the Nazis with the 1938 Anschluss, at best extrapolating from the account of his cited source Krasner and at worst exaggerating or distorting it, as well as describing it sardonically as \"heart-breaking\".", "Musicologist Richard Taruskin describes Webern accurately if vaguely as a pan-German nationalist but then goes much further in claiming specifically that Webern joyfully welcomed the Nazis with the 1938 Anschluss, at best extrapolating from the account of his cited source Krasner and at worst exaggerating or distorting it, as well as describing it sardonically as \"heart-breaking\". Taruskin's authority on this delicate issue must be credited, if at all, then only with the significant limitations that he has been polemical in general and hostile in particular to the Second Viennese School, of whom Webern is often considered the most extreme and difficult (i.e., the least accessible).", "Taruskin's authority on this delicate issue must be credited, if at all, then only with the significant limitations that he has been polemical in general and hostile in particular to the Second Viennese School, of whom Webern is often considered the most extreme and difficult (i.e., the least accessible). New Complexity composer and performer Franklin Cox not only faults Taruskin as an inaccurate and unreliable historian but also critiques Taruskin as an \"ideologist of tonal restoration\" (musicologist Martin Kaltenecker similarly refers to the \"Restoration of the 1980s,\" but he also describes a paradigm shift from structure to perception).", "New Complexity composer and performer Franklin Cox not only faults Taruskin as an inaccurate and unreliable historian but also critiques Taruskin as an \"ideologist of tonal restoration\" (musicologist Martin Kaltenecker similarly refers to the \"Restoration of the 1980s,\" but he also describes a paradigm shift from structure to perception). Taruskin's \"reactionary historicist\" project, Cox argues, stands in opposition to that of the Second Viennese School, viz. the \"progressivist historicist\" emancipation of the dissonance.", "the \"progressivist historicist\" emancipation of the dissonance. the \"progressivist historicist\" emancipation of the dissonance. Taruskin himself admits to having acquired a \"dubious reputation\" on the Second Viennese School and notes that he has been described in his work on Webern as \"coming, like Shakespeare's Marc Anthony, 'to bury Webern, not to praise him'\".", "Taruskin himself admits to having acquired a \"dubious reputation\" on the Second Viennese School and notes that he has been described in his work on Webern as \"coming, like Shakespeare's Marc Anthony, 'to bury Webern, not to praise him'\". In contradistinction to Taruskin's methods and pronouncements, musicologist Pamela M. Potter advises that \"[i]t is important to consider all the scholarship on musical life in the Third Reich that, taken together, reveals the complexity of the day-to-day existence of musicians and composers\", as \"[i]t seems inevitable that debates about the political culpability of individuals will persist, especially if the stakes remain so high for composers, for whom an up or down vote can determine inclusion in the canon\".", "In contradistinction to Taruskin's methods and pronouncements, musicologist Pamela M. Potter advises that \"[i]t is important to consider all the scholarship on musical life in the Third Reich that, taken together, reveals the complexity of the day-to-day existence of musicians and composers\", as \"[i]t seems inevitable that debates about the political culpability of individuals will persist, especially if the stakes remain so high for composers, for whom an up or down vote can determine inclusion in the canon\". In this vein, it might be noted in relation to Taruskin's claim that Webern wrote to friends (husband and wife Josef Humplik and Hildegard Jone) on the day of Anschluss not to invite celebration or to observe developments but to be left alone: \"I am totally immersed in my work [composing] and cannot, cannot be disturbed\"; Krasner's presence could have been a disturbance to Webern for this reason, and musicologist Kathryn Bailey speculates that this may indeed be why he was rushed off by Webern.", "In this vein, it might be noted in relation to Taruskin's claim that Webern wrote to friends (husband and wife Josef Humplik and Hildegard Jone) on the day of Anschluss not to invite celebration or to observe developments but to be left alone: \"I am totally immersed in my work [composing] and cannot, cannot be disturbed\"; Krasner's presence could have been a disturbance to Webern for this reason, and musicologist Kathryn Bailey speculates that this may indeed be why he was rushed off by Webern. Webern's 1944–1945 correspondence is strewn with references to bombings, deaths, destruction, privation, and the disintegration of local order; but also noted are the births of several grandchildren.", "Webern's 1944–1945 correspondence is strewn with references to bombings, deaths, destruction, privation, and the disintegration of local order; but also noted are the births of several grandchildren. At the age of sixty (i.e., in Dec. 1943), Webern writes that he is living in a barrack away from home and working from 6 am to 5 pm, compelled by the state in a time of war to serve as an air-raid protection police officer.", "At the age of sixty (i.e., in Dec. 1943), Webern writes that he is living in a barrack away from home and working from 6 am to 5 pm, compelled by the state in a time of war to serve as an air-raid protection police officer. On 3 March 1945, news was relayed to Webern that his only son, Peter, died on 14 February of wounds suffered in a strafing attack on a military train two days earlier.", "On 3 March 1945, news was relayed to Webern that his only son, Peter, died on 14 February of wounds suffered in a strafing attack on a military train two days earlier. Death in Allied-administered Austria On 15 September 1945, back at his home during the Allied occupation of Austria, Webern was shot and killed by an American Army soldier following the arrest of his son-in-law for black market activities.", "Death in Allied-administered Austria On 15 September 1945, back at his home during the Allied occupation of Austria, Webern was shot and killed by an American Army soldier following the arrest of his son-in-law for black market activities. This incident occurred when, three-quarters of an hour before a curfew was to have gone into effect, he stepped outside the house so as not to disturb his sleeping grandchildren, to enjoy a few draws on a cigar given to him that evening by his son-in-law.", "This incident occurred when, three-quarters of an hour before a curfew was to have gone into effect, he stepped outside the house so as not to disturb his sleeping grandchildren, to enjoy a few draws on a cigar given to him that evening by his son-in-law. The soldier responsible for his death was U. S. Army cook PFC Raymond Norwood Bell of North Carolina, who was overcome by remorse and died of alcoholism in 1955. Webern's wife, Wilhelmine Mörtl, died in 1949. They had three daughters and a son.", "They had three daughters and a son. They had three daughters and a son. Music Webern's compositions are concise, distilled, and select; just thirty-one of his compositions were published in his lifetime, and when Pierre Boulez later oversaw a project to record all of his compositions, including some of those without opus numbers, the results fit on just six CDs.", "Music Webern's compositions are concise, distilled, and select; just thirty-one of his compositions were published in his lifetime, and when Pierre Boulez later oversaw a project to record all of his compositions, including some of those without opus numbers, the results fit on just six CDs. Although Webern's music changed over time, as is often the case over a long career, it is typified by very spartan textures, in which every note can be clearly heard; carefully chosen timbres, often resulting in very detailed instructions to the performers and use of extended instrumental techniques (flutter tonguing, col legno, and so on); wide-ranging melodic lines, often with leaps greater than an octave; and brevity: the Six Bagatelles for string quartet (1913), for instance, last about three minutes in total.", "Although Webern's music changed over time, as is often the case over a long career, it is typified by very spartan textures, in which every note can be clearly heard; carefully chosen timbres, often resulting in very detailed instructions to the performers and use of extended instrumental techniques (flutter tonguing, col legno, and so on); wide-ranging melodic lines, often with leaps greater than an octave; and brevity: the Six Bagatelles for string quartet (1913), for instance, last about three minutes in total. Formative juvenilia and emergence from study, Opp.", "Formative juvenilia and emergence from study, Opp. Formative juvenilia and emergence from study, Opp. 1–2, 1899–1908 Webern published little of his early work in particular; Webern was characteristically meticulous and revised extensively. Many juvenilia remained unknown until the work and findings of the Moldenhauers in the 1960s, effectively obscuring and undermining formative facets of Webern's musical identity, highly significant even more so in the case of an innovator whose music was crucially marked by rapid stylistic shifts.", "Many juvenilia remained unknown until the work and findings of the Moldenhauers in the 1960s, effectively obscuring and undermining formative facets of Webern's musical identity, highly significant even more so in the case of an innovator whose music was crucially marked by rapid stylistic shifts. Thus when Boulez first oversaw a project to record \"all\" of Webern's music, not including the juvenilia, the results fit on three rather than six CDs.", "Thus when Boulez first oversaw a project to record \"all\" of Webern's music, not including the juvenilia, the results fit on three rather than six CDs. Webern's earliest works consist primarily of lieder, the genre that most testifies to his roots in Romanticism, specifically German Romanticism; one in which the music yields brief but explicit, potent, and spoken meaning manifested only latently or programmatically in purely instrumental genres; one marked by significant intimacy and lyricism; and one which often associates nature, especially landscapes, with themes of homesickness, solace, wistful yearning, distance, utopia, and belonging.", "Webern's earliest works consist primarily of lieder, the genre that most testifies to his roots in Romanticism, specifically German Romanticism; one in which the music yields brief but explicit, potent, and spoken meaning manifested only latently or programmatically in purely instrumental genres; one marked by significant intimacy and lyricism; and one which often associates nature, especially landscapes, with themes of homesickness, solace, wistful yearning, distance, utopia, and belonging. Robert Schumann's \"Mondnacht\" is an iconic example; Eichendorff, whose lyric poetry inspired it, is not far removed from the poets (e.g., Richard Dehmel, Gustav Falke, Theodor Storm) whose work inspired Webern and his contemporaries Alban Berg, Max Reger, Arnold Schoenberg, Richard Strauss, Hugo Wolf, and Alexander Zemlinsky.", "Robert Schumann's \"Mondnacht\" is an iconic example; Eichendorff, whose lyric poetry inspired it, is not far removed from the poets (e.g., Richard Dehmel, Gustav Falke, Theodor Storm) whose work inspired Webern and his contemporaries Alban Berg, Max Reger, Arnold Schoenberg, Richard Strauss, Hugo Wolf, and Alexander Zemlinsky. Wolf's Mörike-Lieder were especially influential on Webern's efforts from this period.", "Wolf's Mörike-Lieder were especially influential on Webern's efforts from this period. But well beyond these lieder alone, all of Webern's music may be said to possess such concerns and qualities, as is evident from his sketches, albeit in an increasingly symbolic, abstract, spare, introverted, and idealized manner. Webern's first piece after completing his studies with Schoenberg was the Passacaglia for orchestra (1908).", "Webern's first piece after completing his studies with Schoenberg was the Passacaglia for orchestra (1908). Harmonically, it is a step forward into a more advanced language, and the orchestration is somewhat more distinctive than his earlier orchestral work. However, it bears little relation to the fully mature works he is best known for today.", "However, it bears little relation to the fully mature works he is best known for today. One element that is typical is the form itself: the passacaglia is a form which dates back to the 17th century, and a distinguishing feature of Webern's later work was to be the use of traditional compositional techniques (especially canons) and forms (the Symphony, the Concerto, the String Trio, and String Quartet, and the piano and orchestral Variations) in a modern harmonic and melodic language.", "One element that is typical is the form itself: the passacaglia is a form which dates back to the 17th century, and a distinguishing feature of Webern's later work was to be the use of traditional compositional techniques (especially canons) and forms (the Symphony, the Concerto, the String Trio, and String Quartet, and the piano and orchestral Variations) in a modern harmonic and melodic language. Atonality, lieder, and aphorism, Opp.", "Atonality, lieder, and aphorism, Opp. Atonality, lieder, and aphorism, Opp. 3–16 and Tot, 1908–1924 For a number of years, Webern wrote pieces which were freely atonal, much in the style of Schoenberg's early atonal works.", "3–16 and Tot, 1908–1924 For a number of years, Webern wrote pieces which were freely atonal, much in the style of Schoenberg's early atonal works. Indeed, so in lockstep with Schoenberg was Webern for much of his artistic development that Schoenberg in 1951 wrote that he sometimes no longer knew who he was, Webern had followed so well in his footsteps and shadow, occasionally outdoing or stepping ahead of Schoenberg in execution of Schoenberg's own or their shared ideas.", "Indeed, so in lockstep with Schoenberg was Webern for much of his artistic development that Schoenberg in 1951 wrote that he sometimes no longer knew who he was, Webern had followed so well in his footsteps and shadow, occasionally outdoing or stepping ahead of Schoenberg in execution of Schoenberg's own or their shared ideas. There are, however, important cases where Webern may have even more profoundly influenced Schoenberg. Haimo marks the swift, radical influence in 1909 of Webern's novel and arresting Five Movements for String Quartet, Op.", "Haimo marks the swift, radical influence in 1909 of Webern's novel and arresting Five Movements for String Quartet, Op. 5, on Schoenberg's subsequent piano piece Op. 11, No. 3; Five Pieces for Orchestra, Op. 16; and monodrama Erwartung, Op. 17.", "16; and monodrama Erwartung, Op. 17. 17. This shift is distinctly pronounced in a letter Schoenberg wrote to Busoni, which describes a rather Webernian aesthetic: In 1949, Schoenberg still remembered being \"intoxicated by the enthusiasm of having freed music from the shackles of tonality\" and believing with his pupils \"that now music could renounce motivic features and remain coherent and comprehensible nonetheless\". But with Opp.", "But with Opp. But with Opp. 18–20, Schoenberg turned back and revived old techniques, very self-consciously returning to and transforming tradition by the concluding songs of Pierrot lunaire (1912), Op. 21, with, e.g., intricately interrelated canons in \"Der Mondfleck\", clear waltz rhythms in \"Serenade\", a barcarolle (\"Heimfahrt\"), triadic harmony throughout \"O alter Duft\". Pierrot was received by Webern as a direction for the composition of his own Opp.", "Pierrot was received by Webern as a direction for the composition of his own Opp. 14–16, most of all with respect to contrapuntal procedures (and to a lesser degree with respect to the diverse and innovative textural treatment among instruments in increasingly smaller ensembles). \"How much I owe to your Pierrot\", he wrote Schoenberg upon completing a setting of Georg Trakl's \"Abendland III\", Op. 14, No.", "14, No. 14, No. 4, in which, rather unusually for Webern, there is no silence or rest until a pause at the concluding gesture. Indeed, a recurring theme of Webern's World War I settings is that of the wanderer, estranged or lost and seeking return to or at least retrieval from an earlier time and place; and of some fifty-six songs on which Webern worked 1914–1926, he ultimately finished and later published only thirty-two set in order as Opp. 12–19.", "12–19. 12–19. This wartime theme of wandering in search of home ties in with two intricately involved concerns more broadly evident in Webern's work: first, the death and memory of members of Webern's family, especially his mother but also including his father and a nephew; and second, Webern's broad and complex sense of rural and spiritual Heimat.", "This wartime theme of wandering in search of home ties in with two intricately involved concerns more broadly evident in Webern's work: first, the death and memory of members of Webern's family, especially his mother but also including his father and a nephew; and second, Webern's broad and complex sense of rural and spiritual Heimat. Their importance is marked by Webern's stage play, Tot (October 1913), which, over the course of six alpine scenes of reflection and self-consolation, draws on Emanuel Swedenborg's notion of correspondence to relate and to unite the two concerns, the first embodied but otherworldly and the second concrete if increasingly abstracted and idealized.", "Their importance is marked by Webern's stage play, Tot (October 1913), which, over the course of six alpine scenes of reflection and self-consolation, draws on Emanuel Swedenborg's notion of correspondence to relate and to unite the two concerns, the first embodied but otherworldly and the second concrete if increasingly abstracted and idealized. The similarities between Tot and Webern's music are striking.", "The similarities between Tot and Webern's music are striking. In an often programmatic or cinematic fashion, Webern ordered his published movements, themselves dramatic or visual tableaux with melodies that frequently begin and end on weak beats or else settle into ostinati or the background.", "In an often programmatic or cinematic fashion, Webern ordered his published movements, themselves dramatic or visual tableaux with melodies that frequently begin and end on weak beats or else settle into ostinati or the background. In them, tonality – useful for communicating direction and narrative in programmatic pieces – becomes more tenuous, fragmented, static, symbolic, and visual or spatial in function, thus mirroring the concerns and topics, explicit or implicit, of Webern's music and his selections for it from the poetry of Stefan George and later Georg Trakl.", "In them, tonality – useful for communicating direction and narrative in programmatic pieces – becomes more tenuous, fragmented, static, symbolic, and visual or spatial in function, thus mirroring the concerns and topics, explicit or implicit, of Webern's music and his selections for it from the poetry of Stefan George and later Georg Trakl. Webern's dynamics, orchestration, and timbre are given so as to produce a fragile, intimate, and often novel sound, despite distinctly recalling Mahler, not infrequently bordering on silence at a typical .", "Webern's dynamics, orchestration, and timbre are given so as to produce a fragile, intimate, and often novel sound, despite distinctly recalling Mahler, not infrequently bordering on silence at a typical . In some cases, Webern's choice of instrument in particular functions to represent or to allude to a female voice (e.g., the use of solo violin), to inward or outward luminosity or darkness (e.g., the use of the entire range of register within the ensemble; registral compression and expansion; the use of celesta, harp, and glockenspiel; the use of harmonics and sul ponticello), or to angels and heaven (e.g., the use of harp and trumpet in the circling ostinati of Op.", "In some cases, Webern's choice of instrument in particular functions to represent or to allude to a female voice (e.g., the use of solo violin), to inward or outward luminosity or darkness (e.g., the use of the entire range of register within the ensemble; registral compression and expansion; the use of celesta, harp, and glockenspiel; the use of harmonics and sul ponticello), or to angels and heaven (e.g., the use of harp and trumpet in the circling ostinati of Op. 6, No.", "6, No. 6, No. 5, and winding to conclusion at the very end of Op. 15, No. 5). Technical consolidation and formal coherence and expansion, Opp. 17–31, 1924–1943 With the Drei Volkstexte (1925), Op. 17, Webern used Schoenberg's twelve-tone technique for the first time, and all his subsequent works used this technique. The String Trio (1926–1927), Op.", "The String Trio (1926–1927), Op. The String Trio (1926–1927), Op. 20, was both the first purely instrumental work using the twelve-tone technique (the other pieces were songs) and the first cast in a traditional musical form. Webern's music, like that of both Brahms and Schoenberg, is marked by its emphasis on counterpoint and formal considerations; and Webern's commitment to systematic pitch organization in the twelve-tone method is inseparable from this prior commitment.", "Webern's music, like that of both Brahms and Schoenberg, is marked by its emphasis on counterpoint and formal considerations; and Webern's commitment to systematic pitch organization in the twelve-tone method is inseparable from this prior commitment. Webern's tone rows are often arranged to take advantage of internal symmetries; for example, a twelve-tone row may be divisible into four groups of three pitches which are variations, such as inversions and retrogrades, of each other, thus creating invariance.", "Webern's tone rows are often arranged to take advantage of internal symmetries; for example, a twelve-tone row may be divisible into four groups of three pitches which are variations, such as inversions and retrogrades, of each other, thus creating invariance. This gives Webern's work considerable motivic unity, although this is often obscured by the fragmentation of the melodic lines.", "This gives Webern's work considerable motivic unity, although this is often obscured by the fragmentation of the melodic lines. This fragmentation occurs through octave displacement (using intervals greater than an octave) and by moving the line rapidly from instrument to instrument in a technique referred to as Klangfarbenmelodie.", "This fragmentation occurs through octave displacement (using intervals greater than an octave) and by moving the line rapidly from instrument to instrument in a technique referred to as Klangfarbenmelodie. Arrangements and orchestrations In his youth (1903), Webern orchestrated at least five of Franz Schubert's various lieder, giving the piano accompaniment to an appropriately Schubertian orchestra of strings and pairs of flutes, oboes, clarinets, bassoons, and horns: \"Der Vollmond Strahlt auf Bergeshöhn\" (the Romanze from Rosamunde), \"Tränenregen\" (from Die schöne Müllerin), \"Der Wegweiser\" (from Winterreise), \"Du bist die Ruh\", and \"Ihr Bild\"; in 1934, he did the same for Schubert's six Deutsche Tänze (German Dances) of 1824.", "Arrangements and orchestrations In his youth (1903), Webern orchestrated at least five of Franz Schubert's various lieder, giving the piano accompaniment to an appropriately Schubertian orchestra of strings and pairs of flutes, oboes, clarinets, bassoons, and horns: \"Der Vollmond Strahlt auf Bergeshöhn\" (the Romanze from Rosamunde), \"Tränenregen\" (from Die schöne Müllerin), \"Der Wegweiser\" (from Winterreise), \"Du bist die Ruh\", and \"Ihr Bild\"; in 1934, he did the same for Schubert's six Deutsche Tänze (German Dances) of 1824. For Schoenberg's Society for Private Musical Performances in 1921, Webern arranged, among other things, the 1888 Schatz-Walzer (Treasure Waltz) of Johann Strauss II's Der Zigeunerbaron (The Gypsy Baron) for string quartet, harmonium, and piano.", "For Schoenberg's Society for Private Musical Performances in 1921, Webern arranged, among other things, the 1888 Schatz-Walzer (Treasure Waltz) of Johann Strauss II's Der Zigeunerbaron (The Gypsy Baron) for string quartet, harmonium, and piano. In 1924, Webern arranged Franz Liszt's Arbeiterchor (Workers' Chorus, c. 1847–1848) for bass solo, mixed chorus, and large orchestra; it was premièred for the first time in any form on 13 and 14 March 1925, with Webern conducting the first full-length concert of the Austrian Association of Workers Choir.", "In 1924, Webern arranged Franz Liszt's Arbeiterchor (Workers' Chorus, c. 1847–1848) for bass solo, mixed chorus, and large orchestra; it was premièred for the first time in any form on 13 and 14 March 1925, with Webern conducting the first full-length concert of the Austrian Association of Workers Choir. A review in the Amtliche Wiener Zeitung (28 March 1925) read \"neu in jedem Sinne, frisch, unverbraucht, durch ihn zieht die Jugend, die Freude\" (\"new in every respect, fresh, vital, pervaded by youth and joy\").", "A review in the Amtliche Wiener Zeitung (28 March 1925) read \"neu in jedem Sinne, frisch, unverbraucht, durch ihn zieht die Jugend, die Freude\" (\"new in every respect, fresh, vital, pervaded by youth and joy\"). The text, in English translation, reads in part: \"Let us have the adorned spades and scoops,/ Come along all, who wield a sword or pen,/ Come here ye, industrious, brave and strong/ All who create things great or small.\"", "The text, in English translation, reads in part: \"Let us have the adorned spades and scoops,/ Come along all, who wield a sword or pen,/ Come here ye, industrious, brave and strong/ All who create things great or small.\" Liszt, initially inspired by his revolutionary countrymen, had left it in manuscript at publisher 's discretion.", "Liszt, initially inspired by his revolutionary countrymen, had left it in manuscript at publisher 's discretion. Performance style Webern insisted on lyricism, nuance, rubato, sensitivity, and both emotional and intellectual understanding in performance of music; this is evidenced by anecdotes, correspondence, extant recordings of Schubert's Deutsche Tänze (arr.", "Performance style Webern insisted on lyricism, nuance, rubato, sensitivity, and both emotional and intellectual understanding in performance of music; this is evidenced by anecdotes, correspondence, extant recordings of Schubert's Deutsche Tänze (arr. Webern) and Berg's Violin Concerto under his direction, many such detailed markings in his scores, and finally by his compositional process as both publicly stated and later revealed in the musical and extramusical metaphors and associations everywhere throughout his sketches.", "Webern) and Berg's Violin Concerto under his direction, many such detailed markings in his scores, and finally by his compositional process as both publicly stated and later revealed in the musical and extramusical metaphors and associations everywhere throughout his sketches. As both a composer and conductor, he was one of many (e.g., Wilhelm Furtwängler, Dimitri Mitropoulos, Hermann Scherchen) in a contemporaneous tradition of conscientiously and non-literally handling notated musical figures, phrases, and even entire scores so as to maximize expressivity in performance and to cultivate audience engagement and understanding.", "As both a composer and conductor, he was one of many (e.g., Wilhelm Furtwängler, Dimitri Mitropoulos, Hermann Scherchen) in a contemporaneous tradition of conscientiously and non-literally handling notated musical figures, phrases, and even entire scores so as to maximize expressivity in performance and to cultivate audience engagement and understanding. This aspect of Webern's work had been typically missed in his immediate post-war reception, however, even as it may radically affect the music's reception.", "This aspect of Webern's work had been typically missed in his immediate post-war reception, however, even as it may radically affect the music's reception. For example, Boulez's \"complete\" recording of Webern's music yielded more to this aesthetic the second time after largely missing it the first; but Eliahu Inbal's rendition of Webern's Symphony, Op.", "For example, Boulez's \"complete\" recording of Webern's music yielded more to this aesthetic the second time after largely missing it the first; but Eliahu Inbal's rendition of Webern's Symphony, Op. 21 with the hr-Sinfonieorchester is still far more within the spirit of the late Romantic performance tradition (which Webern seemingly intended for his music), nearly slowing to half-tempo for the whole of first movement and taking care to delineate and shape each melodic strand and expressive gesture throughout the entirety of the work.", "21 with the hr-Sinfonieorchester is still far more within the spirit of the late Romantic performance tradition (which Webern seemingly intended for his music), nearly slowing to half-tempo for the whole of first movement and taking care to delineate and shape each melodic strand and expressive gesture throughout the entirety of the work. Legacy, influence, and posthumous reception Webern's music began to be performed more widely in the 1920s; by the mid-1940s, its effect was decisive on many composers, even as far-flung as John Cage.", "Legacy, influence, and posthumous reception Webern's music began to be performed more widely in the 1920s; by the mid-1940s, its effect was decisive on many composers, even as far-flung as John Cage. In part because Webern had largely remained the most obscure and arcane composer of the Second Viennese School during his own lifetime, interest in Webern's music increased after World War II as it came to represent a universally or generally valid, systematic, and compellingly logical model of new composition, with his œuvre acquiring what Alex Ross calls \"a saintly, visionary aura\".", "In part because Webern had largely remained the most obscure and arcane composer of the Second Viennese School during his own lifetime, interest in Webern's music increased after World War II as it came to represent a universally or generally valid, systematic, and compellingly logical model of new composition, with his œuvre acquiring what Alex Ross calls \"a saintly, visionary aura\". When Webern's Piano Variations were performed at Darmstadt in 1948, young composers listened in a quasi-religious trance.", "When Webern's Piano Variations were performed at Darmstadt in 1948, young composers listened in a quasi-religious trance. In 1955, the second issue of Eimert and Stockhausen's journal Die Reihe was devoted to Webern's œuvre, and in 1960 his lectures were published by Universal Edition.", "In 1955, the second issue of Eimert and Stockhausen's journal Die Reihe was devoted to Webern's œuvre, and in 1960 his lectures were published by Universal Edition. Meanwhile, Webern's characteristically passionate pan-German nationalism and censurable, sordid political sympathies (however naive or delusional and whether ever dispelled or faltered) were not widely known or went unmentioned; perhaps in some part due to his personal and political associations before the German Reich, his degradation and mistreatment under it, and his fate immediately after the war.", "Meanwhile, Webern's characteristically passionate pan-German nationalism and censurable, sordid political sympathies (however naive or delusional and whether ever dispelled or faltered) were not widely known or went unmentioned; perhaps in some part due to his personal and political associations before the German Reich, his degradation and mistreatment under it, and his fate immediately after the war. Significantly as relates to his reception, Webern never compromised his artistic identity and values, as Stravinsky was later to note.", "Significantly as relates to his reception, Webern never compromised his artistic identity and values, as Stravinsky was later to note. It has been suggested that the early 1950s' serialists' fascination with Webern was concerned not with his music as such so much as enabled by its concision and some its apparent plainness in the score, thereby facilitating musical analysis; indeed, composer Gottfried Michael Koenig speculates on the basis of his personal experience that since Webern's scores represented such a highly concentrated source, they may have been considered the better for didactic purposes than those of other composers.", "It has been suggested that the early 1950s' serialists' fascination with Webern was concerned not with his music as such so much as enabled by its concision and some its apparent plainness in the score, thereby facilitating musical analysis; indeed, composer Gottfried Michael Koenig speculates on the basis of his personal experience that since Webern's scores represented such a highly concentrated source, they may have been considered the better for didactic purposes than those of other composers. Composer thus criticized the approach of early serialists to Webern's music as reductive and narrowly focused on some of Webern's apparent methods rather than on his music more generally, especially neglecting timbre in their typical selection of Opp.", "Composer thus criticized the approach of early serialists to Webern's music as reductive and narrowly focused on some of Webern's apparent methods rather than on his music more generally, especially neglecting timbre in their typical selection of Opp. 27–28. Composer Karel Goeyvaerts recalled that at least on first impression, the sound of Webern's music reminded him of \"a Mondrian canvas,\" explaining that \"things of which I had acquired an extremely intimate knowledge, came across as crude and unfinished when seen in reality.\"", "Composer Karel Goeyvaerts recalled that at least on first impression, the sound of Webern's music reminded him of \"a Mondrian canvas,\" explaining that \"things of which I had acquired an extremely intimate knowledge, came across as crude and unfinished when seen in reality.\" Expressing a related opinion, noted contemporaneous German music critic and contributor to Die Reihe, Wolf-Eberhard von Lewinski wrote in the Darmstädter Tagblatt (3 September 1959) that some of the later and more radical music at Darmstadt was \"acoustically absurd [if] visually amusing\"; several days later, one of his articles in the Der Kurier was similarly headlined \"Meager modern music—only interesting to look at.\"", "Expressing a related opinion, noted contemporaneous German music critic and contributor to Die Reihe, Wolf-Eberhard von Lewinski wrote in the Darmstädter Tagblatt (3 September 1959) that some of the later and more radical music at Darmstadt was \"acoustically absurd [if] visually amusing\"; several days later, one of his articles in the Der Kurier was similarly headlined \"Meager modern music—only interesting to look at.\" To composers in the then Communist Bloc in Central and Eastern Europe, Webern's music and its techniques promised an exciting, unique, and challenging alternative to socialist realism, with its perceived tendency to kitsch and its nationalist and traditionalist overtones.", "To composers in the then Communist Bloc in Central and Eastern Europe, Webern's music and its techniques promised an exciting, unique, and challenging alternative to socialist realism, with its perceived tendency to kitsch and its nationalist and traditionalist overtones. Whereas Berg's Lyric Suite may have influenced the third and fourth string quartets of Bartók in 1927 via an ISCM concert (in which Bartók himself performed his own Piano Sonata), Webern's influence on later composers from what became the Hungarian People's Republic and from other countries behind the Iron Curtain was sometimes mediated or obstructed by politics.", "Whereas Berg's Lyric Suite may have influenced the third and fourth string quartets of Bartók in 1927 via an ISCM concert (in which Bartók himself performed his own Piano Sonata), Webern's influence on later composers from what became the Hungarian People's Republic and from other countries behind the Iron Curtain was sometimes mediated or obstructed by politics. As Ligeti explained to a student in 1970, \"In countries where there exists a certain isolation, in Eastern Europe, one cannot obtain correct information.", "As Ligeti explained to a student in 1970, \"In countries where there exists a certain isolation, in Eastern Europe, one cannot obtain correct information. One is cut off from the circulation of blood.\" Nonetheless, Webern's work was a seminal influence on that of both Endre Szervánszky and György Kurtág following the Hungarian Uprising of 1956, as well as on Ligeti himself.", "Nonetheless, Webern's work was a seminal influence on that of both Endre Szervánszky and György Kurtág following the Hungarian Uprising of 1956, as well as on Ligeti himself. Later still and farther east, Sofia Gubaidulina, for whom music was an escape from the socio-political atmosphere of post-Stalinist Soviet Russia, cited the influence of both J. S. Bach and Webern in particular.", "Later still and farther east, Sofia Gubaidulina, for whom music was an escape from the socio-political atmosphere of post-Stalinist Soviet Russia, cited the influence of both J. S. Bach and Webern in particular. Recordings by Webern Webern conducts \"Berg – Violin Concerto\" Webern conducts his arrangement of Schubert's German Dances See also List of Austrians in music Notes References Bibliography Further reading Ahrend, Thomas, and Stefan Münnich. 2018. Anton Webern. Oxford Bibliographies in Music. Oxford University Press. .", "2018. Anton Webern. Oxford Bibliographies in Music. Oxford University Press. . . }}{{subscription Ahrend, Thomas, and Matthias Schmidt (eds.). 2015. Der junge Webern. Texte und Kontexte. Webern-Studien. Beihefte der Anton Webern Gesamtausgabe 2b. Wien: Lafite. . Ahrend, Thomas, and Matthias Schmidt (eds.). 2016. Webern-Philologien. Webern-Studien. Beihefte der Anton Webern Gesamtausgabe 3. Wien: Lafite. . Bailey, Kathryn. 1991.", "Beihefte der Anton Webern Gesamtausgabe 3. Wien: Lafite. . Bailey, Kathryn. 1991. 1991. The Twelve-Note Music of Anton Webern: Old Forms in a New Language. Music in the Twentieth Century 2. Cambridge and New York: Cambridge University Press. (cloth) (pbk. ed., 2006). Cavallotti, Pietro, and Simon Obert, and Rainer Schmusch (eds.). 2019. Neue Perspektiven. Anton Webern und das Komponieren im 20. Jahrhundert. Webern-Studien. Beihefte der Anton Webern Gesamtausgabe 4.", "Jahrhundert. Webern-Studien. Beihefte der Anton Webern Gesamtausgabe 4. Beihefte der Anton Webern Gesamtausgabe 4. Wien: Lafite. . Ewen, David. 1971. \"Anton Webern (1883–1945)\". In Composers of Tomorrow's Music, by David Ewen, 66–77. New York: Dodd, Mead & Co. . Forte, Allen. 1998. The Atonal Music of Anton Webern New Haven: Yale University Press. . Galliari, Alain. 2007. \"Anton von Webern\". Paris: Fayard. .", ". Galliari, Alain. 2007. \"Anton von Webern\". Paris: Fayard. . . Kröpfl, Monika, and Simon Obert (eds.). 2015. Der junge Webern. Künstlerische Orientierungen in Wien nach 1900. Webern-Studien. Beihefte der Anton Webern Gesamtausgabe 2a. Wien: Lafite. . Mead, Andrew. 1993. \"Webern, Tradition, and 'Composing with Twelve Tones'\". Music Theory Spectrum 15, no. 2:173–204. Moldenhauer, Hans. 1966. Anton von Webern Perspectives.", "2:173–204. Moldenhauer, Hans. 1966. Anton von Webern Perspectives. Anton von Webern Perspectives. Edited by Demar Irvine, with an introductory interview with Igor Stravinsky. Seattle: University of Washington Press. Needham, Alex. 2012. Brahms Piano Piece to Get Its Premiere 159 Years After Its Creation. The Guardian (Thursday 12 January). Noller, Joachim. 1990. \"Bedeutungsstrukturen: zu Anton Weberns 'alpinen' Programmen\". Neue Zeitschrift für Musik151, no. 9 (September): 12–18.", "9 (September): 12–18. 9 (September): 12–18. Obert, Simon (ed.). 2012. Wechselnde Erscheinung. Sechs Perspektiven auf Anton Weberns sechste Bagatelle. Webern-Studien. Beihefte der Anton Webern Gesamtausgabe 1. Wien: Lafite. . Perle, George. 1991. Serial Composition and Atonality: An Introduction to the Music of Schoenberg, Berg and Webern. Sixth ed. Berkeley and Los Angeles: University of California Press. Peyser, Joan. 2007. To Boulez and Beyond. Scarecrow Press. .", "Peyser, Joan. 2007. To Boulez and Beyond. Scarecrow Press. . . Rockwell, John. 1983. All American Music: Composition in the Late Twentieth Century. New York: Alfred Knopf. Reprinted New York: Da Capo Press, 1997. , . Tsang, Lee. 2002. \"The Atonal Music of Anton Webern (1998) by Allen Forte\". Music Analysis 21, no. 3 (October): 417–427. Wildgans, Friedrich. 1966. Anton Webern.", "3 (October): 417–427. Wildgans, Friedrich. 1966. Anton Webern. Anton Webern. Translated by Edith Temple Roberts and Humphrey Searle. Introduction and notes by Humphrey Searle. New York: October House.", "Introduction and notes by Humphrey Searle. New York: October House. New York: October House. External links Anton Webern biography and works on the UE website (publisher) Anton Webern Gesamtausgabe (Complete Edition) 1883 births 1945 deaths Austrian Roman Catholics 20th-century classical composers Deaths by firearm in Austria Expressionist music Twelve-tone and serial composers Second Viennese School University of Vienna alumni Composers from Vienna Accidental deaths in Austria Pupils of Arnold Schoenberg Austrian male classical composers Austrian classical composers String quartet composers 20th-century Austrian composers 20th-century Austrian male musicians Firearm accident victims" ]

[ "Anton Webern", "Performance style", "What was Webern's style like?", "Webern insisted on lyricism, nuance, rubato, sensitivity, and both emotional and intellectual understanding in performance of music;", "What was he best known for?", "extant recordings of Schubert's Deutsche Tanze (arr. Webern) and Berg's Violin Concerto under his direction,", "What is his most famous recording?", "I don't know.", "Are there any other interesting aspects about this article?", "many such detailed markings in his scores, and finally by his compositional process as both publicly stated and later revealed in the musical and extramusical metaphors", "What types of markings are in his scores?", "anecdotes, correspondence, extant recordings of Schubert's Deutsche Tanze" ]

[ "\"If You Can Do Anything Else\" is a song written by Billy Livsey and Don Schlitz, and recorded by American country music artist George Strait. It was released in February 2001 as the third and final single from his self-titled album. The song reached number 5 on the U.S. Billboard Hot Country Singles & Tracks chart in July 2001. It also peaked at number 51 on the U.S. Billboard Hot 100.\n\nContent\nThe song is about man who is giving his woman the option to leave him. He gives her many different options for all the things she can do. At the end he gives her the option to stay with him if she really can’t find anything else to do. He says he will be alright if she leaves, but really it seems he wants her to stay.\n\nChart performance\n\"If You Can Do Anything Else\" debuted at number 60 on the U.S. Billboard Hot Country Singles & Tracks for the week of March 3, 2001.\n\nYear-end charts\n\nReferences\n\n2001 singles\n2000 songs\nGeorge Strait songs\nSongs written by Billy Livsey\nSongs written by Don Schlitz\nSong recordings produced by Tony Brown (record producer)\nMCA Nashville Records singles", "In baseball, a fair ball is a batted ball that entitles the batter to attempt to reach first base. By contrast, a foul ball is a batted ball that does not entitle the batter to attempt to reach first base. Whether a batted ball is fair or foul is determined by the location of the ball at the appropriate reference point, as follows:\n\n if the ball leaves the playing field without touching anything, the point where the ball leaves the field;\n else, if the ball first lands past first or third base without touching anything, the point where the ball lands;\n else, if the ball rolls or bounces past first or third base without touching anything other than the ground, the point where the ball passes the base;\n else, if the ball touches anything other than the ground (such as an umpire, a player, or any equipment left on the field) before any of the above happens, the point of such touching;\n else (the ball comes to a rest before reaching first or third base), the point where the ball comes to a rest.\n\nIf any part of the ball is on or above fair territory at the appropriate reference point, it is fair; else it is foul. Fair territory or fair ground is defined as the area of the playing field between the two foul lines, and includes the foul lines themselves and the foul poles. However, certain exceptions exist:\n\n A ball that touches first, second, or third base is always fair.\n Under Rule 5.09(a)(7)-(8), if a batted ball touches the batter or his bat while the batter is in the batter's box and not intentionally interfering with the course of the ball, the ball is foul.\n A ball that hits the foul pole without first having touched anything else off the bat is fair.\n Ground rules may provide whether a ball hitting specific objects (e.g. roof, overhead speaker) is fair or foul.\n\nOn a fair ball, the batter attempts to reach first base or any subsequent base, runners attempt to advance and fielders try to record outs. A fair ball is considered a live ball until the ball becomes dead by leaving the field or any other method.\n\nReferences\n\nBaseball rules" ]

[ "Anton Friedrich Wilhelm von Webern (3 December 188315 September 1945), known as simply Anton Webern (), was an Austrian composer and conductor. Along with his mentor Arnold Schoenberg and his colleague Alban Berg, Webern was in the core of those in the circle of the Second Viennese School, including Theodor W. Adorno, Heinrich Jalowetz, and Ernst Krenek. As an exponent of atonality and twelve-tone technique, Webern exerted influence on contemporaries Luigi Dallapiccola, Krenek, and even Schoenberg himself.", "As an exponent of atonality and twelve-tone technique, Webern exerted influence on contemporaries Luigi Dallapiccola, Krenek, and even Schoenberg himself. As a tutor, Webern guided and variously influenced Arnold Elston, Frederick Dorian (Friederich Deutsch), , , Karl Amadeus Hartmann, Philipp Herschkowitz, René Leibowitz, Humphrey Searle, Leopold Spinner, and Stefan Wolpe. Webern's music was among the most radical of its milieu, both in its concision and in its rigorous and resolute apprehension of twelve-tone technique.", "Webern's music was among the most radical of its milieu, both in its concision and in its rigorous and resolute apprehension of twelve-tone technique. His innovations in schematic organization of pitch, rhythm, register, timbre, dynamics, articulation, and melodic contour; his eagerness to redefine imitative contrapuntal techniques such as canon and fugue; and his inclination toward athematicism, abstraction, and lyricism all greatly informed and oriented intra- and post-war European, typically serial or avant-garde composers such as Olivier Messiaen, Pierre Boulez, Karlheinz Stockhausen, Luigi Nono, Bruno Maderna, Henri Pousseur, and György Ligeti.", "His innovations in schematic organization of pitch, rhythm, register, timbre, dynamics, articulation, and melodic contour; his eagerness to redefine imitative contrapuntal techniques such as canon and fugue; and his inclination toward athematicism, abstraction, and lyricism all greatly informed and oriented intra- and post-war European, typically serial or avant-garde composers such as Olivier Messiaen, Pierre Boulez, Karlheinz Stockhausen, Luigi Nono, Bruno Maderna, Henri Pousseur, and György Ligeti. In the United States, meanwhile, his music attracted the interest of Elliott Carter, whose critical ambivalence was marked by a certain enthusiasm nonetheless; Milton Babbitt, who ultimately derived more inspiration from Schoenberg's twelve-tone practice than that of Webern; and Igor Stravinsky, to whom it was very fruitfully reintroduced by Robert Craft.", "In the United States, meanwhile, his music attracted the interest of Elliott Carter, whose critical ambivalence was marked by a certain enthusiasm nonetheless; Milton Babbitt, who ultimately derived more inspiration from Schoenberg's twelve-tone practice than that of Webern; and Igor Stravinsky, to whom it was very fruitfully reintroduced by Robert Craft. During and shortly after the post-war period, then, Webern was posthumously received with attention first diverted from his sociocultural upbringing and surroundings and, moreover, focused in a direction apparently antithetical to his participation in German Romanticism and Expressionism.", "During and shortly after the post-war period, then, Webern was posthumously received with attention first diverted from his sociocultural upbringing and surroundings and, moreover, focused in a direction apparently antithetical to his participation in German Romanticism and Expressionism. A richer understanding of Webern began to emerge in the later half of the 20th century, notably in the work of scholars Kathryn Bailey, Julian Johnson, Felix Meyer, Anne Shreffler, as archivists and biographers (most importantly Hans and Rosaleen Moldenhauer) gained access to sketches, letters, lectures, audio recordings, and other articles of or associated with Webern's estate.", "A richer understanding of Webern began to emerge in the later half of the 20th century, notably in the work of scholars Kathryn Bailey, Julian Johnson, Felix Meyer, Anne Shreffler, as archivists and biographers (most importantly Hans and Rosaleen Moldenhauer) gained access to sketches, letters, lectures, audio recordings, and other articles of or associated with Webern's estate. Biography Youth, education, and other early experiences in Austria-Hungary Anton Friedrich Wilhelm von Webern was born in Vienna, then in Austria-Hungary.", "Biography Youth, education, and other early experiences in Austria-Hungary Anton Friedrich Wilhelm von Webern was born in Vienna, then in Austria-Hungary. He was the only surviving son of Carl von Webern, a civil servant, and Amalie (née Geer) who was a competent pianist and accomplished singer—possibly the only obvious source of the future composer's talent. He never used his middle names and dropped the \"von\" in 1918 as directed by the Austrian government's reforms after World War I.", "He never used his middle names and dropped the \"von\" in 1918 as directed by the Austrian government's reforms after World War I. He lived in Graz and Klagenfurt for much of his youth. But his distinct and lasting sense of Heimat was shaped by readings of Peter Rosegger; and moreover by frequent and extended retreats with his parents, sisters, and cousins to his family's country estate, the Preglhof, which Webern's father had inherited upon the death of Webern's grandfather in 1889.", "But his distinct and lasting sense of Heimat was shaped by readings of Peter Rosegger; and moreover by frequent and extended retreats with his parents, sisters, and cousins to his family's country estate, the Preglhof, which Webern's father had inherited upon the death of Webern's grandfather in 1889. Webern memorialized the Preglhof in a diary poem \"An der Preglhof\" and in the tone poem Im Sommerwind (1904), both after Bruno Wille's idyll.", "Webern memorialized the Preglhof in a diary poem \"An der Preglhof\" and in the tone poem Im Sommerwind (1904), both after Bruno Wille's idyll. Once Webern's father sold the estate in 1912, Webern referred to it nostalgically as a \"lost paradise\".", "Once Webern's father sold the estate in 1912, Webern referred to it nostalgically as a \"lost paradise\". He continued to revisit the Preglhof, the family cemetery in Schwabegg, and the surrounding landscape for the rest of his life; and he clearly associated the area, which he took as his home, very closely with the memory of his mother Amelie, who had died in 1906 and whose loss also profoundly affected Webern for decades.", "He continued to revisit the Preglhof, the family cemetery in Schwabegg, and the surrounding landscape for the rest of his life; and he clearly associated the area, which he took as his home, very closely with the memory of his mother Amelie, who had died in 1906 and whose loss also profoundly affected Webern for decades. Art historian Ernst Dietz, Webern's cousin and at that time a student at Graz, may have introduced Webern to the work of the painters Arnold Böcklin and Giovanni Segantini, whom Webern came to admire.", "Art historian Ernst Dietz, Webern's cousin and at that time a student at Graz, may have introduced Webern to the work of the painters Arnold Böcklin and Giovanni Segantini, whom Webern came to admire. Segantini's work was a likely inspiration for Webern's 1905 single-movement string quartet. In 1902, Webern began attending classes at Vienna University. There he studied musicology with Guido Adler, writing his thesis on the Choralis Constantinus of Heinrich Isaac.", "There he studied musicology with Guido Adler, writing his thesis on the Choralis Constantinus of Heinrich Isaac. This interest in early music would greatly influence his compositional technique in later years, especially in terms of his use of palindromic form on both the micro- and macro-scale and the economical use of musical materials.", "This interest in early music would greatly influence his compositional technique in later years, especially in terms of his use of palindromic form on both the micro- and macro-scale and the economical use of musical materials. With the help of friends and colleagues, Webern later began working peripatetically as a conductor and musical coach in various towns and cities, among them Ischl, Teplitz (now Teplice, Czech Republic), Danzig (now Gdańsk, Poland), Stettin (now Szczecin, Poland), and Prague, before finally moving back to Vienna.", "With the help of friends and colleagues, Webern later began working peripatetically as a conductor and musical coach in various towns and cities, among them Ischl, Teplitz (now Teplice, Czech Republic), Danzig (now Gdańsk, Poland), Stettin (now Szczecin, Poland), and Prague, before finally moving back to Vienna. As might be expected, the young Webern was enthusiastic about the music of Ludwig van Beethoven, Franz Liszt, Wolfgang Amadeus Mozart, Franz Schubert (\"so genuinely Viennese\"), Hugo Wolf, and Richard Wagner, visiting Bayreuth in 1902.", "As might be expected, the young Webern was enthusiastic about the music of Ludwig van Beethoven, Franz Liszt, Wolfgang Amadeus Mozart, Franz Schubert (\"so genuinely Viennese\"), Hugo Wolf, and Richard Wagner, visiting Bayreuth in 1902. He also enjoyed the music of Hector Berlioz and Georges Bizet. In 1904, he reportedly stormed out of a meeting with Hans Pfitzner, from whom he was seeking instruction, when the latter criticized Gustav Mahler and Richard Strauss.", "In 1904, he reportedly stormed out of a meeting with Hans Pfitzner, from whom he was seeking instruction, when the latter criticized Gustav Mahler and Richard Strauss. In 1908, Webern wrote rapturously to Schoenberg about Claude Debussy's opera Pelléas et Mélisande. He conducted some of Debussy's music in 1911. It may have been at Guido Adler's advice that he paid Schoenberg for composition lessons. Webern progressed quickly under Schoenberg's tutelage, publishing his Passacaglia, Op. 1, as his graduation piece in 1908.", "1, as his graduation piece in 1908. 1, as his graduation piece in 1908. He also met Berg, then another of Schoenberg's pupils. These two relationships would be the most important in his life in shaping his own musical direction. Some of Webern's earlier thoughts (from 1903) are as amusing as they might be surprising: besides describing some of Alexander Scriabin's music as \"languishing junk,\" he wrote of Robert Schumann's Symphony No.", "Some of Webern's earlier thoughts (from 1903) are as amusing as they might be surprising: besides describing some of Alexander Scriabin's music as \"languishing junk,\" he wrote of Robert Schumann's Symphony No. 4 that it was \"boring,\" that Carl Maria von Weber's Konzertstück in F minor was passé, and that he found Johannes Brahms's Symphony No.", "4 that it was \"boring,\" that Carl Maria von Weber's Konzertstück in F minor was passé, and that he found Johannes Brahms's Symphony No. 3 (which struck Eduard Hanslick as \"artistically the most nearly perfect\") \"cold and without particular inspiration, ... badly orchestrated—grey on grey.\"", "3 (which struck Eduard Hanslick as \"artistically the most nearly perfect\") \"cold and without particular inspiration, ... badly orchestrated—grey on grey.\" These youthful impressions are in some, but not complete or altogether necessarily very significant, contrast to the considered opinions of Webern in the 1930s, by then a decided nationalist who, as Roland Leich described, \"lectured at some length on the utter supremacy of German music, emphasizing that leading composers of other lands are but pale reflections of Germanic masters: Berlioz a French Beethoven, Tchaikovsky a Russian Schumann, Elgar an English Mendelssohn, etc.\"", "These youthful impressions are in some, but not complete or altogether necessarily very significant, contrast to the considered opinions of Webern in the 1930s, by then a decided nationalist who, as Roland Leich described, \"lectured at some length on the utter supremacy of German music, emphasizing that leading composers of other lands are but pale reflections of Germanic masters: Berlioz a French Beethoven, Tchaikovsky a Russian Schumann, Elgar an English Mendelssohn, etc.\" After all, even when young, Webern had described one of Alexander Glazunov's symphonies as \"not particularly Russian\" (in contrast to some of Nikolai Rimsky-Korsakov's music at the same all-Russian concert) in the same passage as he praised it.", "After all, even when young, Webern had described one of Alexander Glazunov's symphonies as \"not particularly Russian\" (in contrast to some of Nikolai Rimsky-Korsakov's music at the same all-Russian concert) in the same passage as he praised it. Red Vienna in the First Austrian Republic From 1918 to 1921, Webern helped organize and operate the Society for Private Musical Performances, which gave concerts of then-recent or -new music by Béla Bartók, Berg, Ferruccio Busoni, Debussy, Erich Wolfgang Korngold, Mahler, Maurice Ravel, Max Reger, Erik Satie, Strauss, Stravinsky, and Webern himself.", "Red Vienna in the First Austrian Republic From 1918 to 1921, Webern helped organize and operate the Society for Private Musical Performances, which gave concerts of then-recent or -new music by Béla Bartók, Berg, Ferruccio Busoni, Debussy, Erich Wolfgang Korngold, Mahler, Maurice Ravel, Max Reger, Erik Satie, Strauss, Stravinsky, and Webern himself. After their Society performances in 1919 (and while working on his own Opp.", "After their Society performances in 1919 (and while working on his own Opp. 14–15), Webern wrote to Berg that Stravinsky's Berceuses du chat \"[move] me completely beyond belief,\" describing them as \"indescribably touching,\" and that Stravinsky's Pribaoutki were \"something really glorious.\" After the dissolution of the Society amid catastrophic hyperinflation in 1921, Webern conducted the Vienna Workers' Symphony Orchestra and Chorus from 1922 to 1934.", "After the dissolution of the Society amid catastrophic hyperinflation in 1921, Webern conducted the Vienna Workers' Symphony Orchestra and Chorus from 1922 to 1934. In 1926, Webern noted his voluntary resignation as chorusmaster of the Mödling Men's Choral Society, a paid position, in controversy over his hiring of a Jewish singer, Greta Wilheim, to replace a sick one.", "In 1926, Webern noted his voluntary resignation as chorusmaster of the Mödling Men's Choral Society, a paid position, in controversy over his hiring of a Jewish singer, Greta Wilheim, to replace a sick one. Letters document their correspondence in many subsequent years, and she (among others) would in turn provide him with facilities to teach private lessons as a convenience to Webern, his family, and his students.", "Letters document their correspondence in many subsequent years, and she (among others) would in turn provide him with facilities to teach private lessons as a convenience to Webern, his family, and his students. Civil War, Austrofascism, Nazism, and World War II Webern's music, along with that of Berg, Křenek, Schoenberg, and others, was denounced as \"cultural Bolshevism\" and \"degenerate art\" by the Nazi Party in Germany, and both publication and performances of it were banned soon after the Anschluss in 1938, although neither did it fare well under the preceding years of Austrofascism.", "Civil War, Austrofascism, Nazism, and World War II Webern's music, along with that of Berg, Křenek, Schoenberg, and others, was denounced as \"cultural Bolshevism\" and \"degenerate art\" by the Nazi Party in Germany, and both publication and performances of it were banned soon after the Anschluss in 1938, although neither did it fare well under the preceding years of Austrofascism. As early as 1933, an Austrian gauleiter on Bayerischer Rundfunk mistakenly and very likely maliciously characterized both Berg and Webern as Jewish composers.", "As early as 1933, an Austrian gauleiter on Bayerischer Rundfunk mistakenly and very likely maliciously characterized both Berg and Webern as Jewish composers. As a result of official disapproval throughout the '30s, both found it harder to earn a living; Webern lost a promising conducting career which might have otherwise been more noted and recorded and had to take on work as an editor and proofreader for his publishers, Universal Edition. His family's financial situation deteriorated until, by August 1940, his personal records reflected no monthly income.", "His family's financial situation deteriorated until, by August 1940, his personal records reflected no monthly income. It was thanks to the Swiss philanthropist Werner Reinhart that Webern was able to attend the festive premiere of his Variations for Orchestra, Op. 30, in Winterthur, Switzerland in 1943. Reinhart invested all the financial and diplomatic means at his disposal to enable Webern to travel to Switzerland. In return for this support, Webern dedicated the work to him.", "In return for this support, Webern dedicated the work to him. There are different descriptions of Webern's attitude towards Nazism; this is perhaps attributable to its complexity, his internal ambivalence, his prosperity in the preceding years (1918–1934) of post-war Red Vienna in the First Republic of Austria, the subsequently divided political factions of his homeland as represented in his friends and family (from Zionist Schoenberg to his Nazi son Peter), as well as the different contexts in which or audiences to whom his views were expressed.", "There are different descriptions of Webern's attitude towards Nazism; this is perhaps attributable to its complexity, his internal ambivalence, his prosperity in the preceding years (1918–1934) of post-war Red Vienna in the First Republic of Austria, the subsequently divided political factions of his homeland as represented in his friends and family (from Zionist Schoenberg to his Nazi son Peter), as well as the different contexts in which or audiences to whom his views were expressed. Further insight into Webern's attitudes comes with the realization that Nazism itself was deeply multifaceted, marked \"not [by] a coherent doctrine or body of systemically interrelated ideas, but rather [by] a vaguer worldview made up of a number of prejudices with varied appeals to different audiences which could scarcely be dignified with the term 'ideology'\".", "Further insight into Webern's attitudes comes with the realization that Nazism itself was deeply multifaceted, marked \"not [by] a coherent doctrine or body of systemically interrelated ideas, but rather [by] a vaguer worldview made up of a number of prejudices with varied appeals to different audiences which could scarcely be dignified with the term 'ideology'\". There is, moreover, significant political complexity to be treated, more than enough to complicate any consideration of individual culpability: it is imperative to note that some Social Democrats viewed the National Socialists as an alternative to the Christian Social Party and later Vaterländische Front in the context of reunification with Germany; for example, Karl Renner, the chancellor who served in both the First (1919–33) and Second (post-1945) Austrian Republics, favored a German Anschluss as an alternative to the then Austrofascist regime, under which Berg, Webern, and the Social Democrats suffered.", "There is, moreover, significant political complexity to be treated, more than enough to complicate any consideration of individual culpability: it is imperative to note that some Social Democrats viewed the National Socialists as an alternative to the Christian Social Party and later Vaterländische Front in the context of reunification with Germany; for example, Karl Renner, the chancellor who served in both the First (1919–33) and Second (post-1945) Austrian Republics, favored a German Anschluss as an alternative to the then Austrofascist regime, under which Berg, Webern, and the Social Democrats suffered. And Webern's professional circle in Vienna included, besides many Jews, many Social Democrats; for example, for David Josef Bach, a close friend of Schoenberg's as well, Webern conducted many workers' and amateur ensembles.", "And Webern's professional circle in Vienna included, besides many Jews, many Social Democrats; for example, for David Josef Bach, a close friend of Schoenberg's as well, Webern conducted many workers' and amateur ensembles. Under the Nazis, some Social Democrats expected, there might be more work and protections for workers and laborers, as well as other social reforms and political stability, if not democracy; Webern may well have hoped to again be able to conduct and to be better able to secure a future for his family.", "Under the Nazis, some Social Democrats expected, there might be more work and protections for workers and laborers, as well as other social reforms and political stability, if not democracy; Webern may well have hoped to again be able to conduct and to be better able to secure a future for his family. In broad terms, Webern's attitude seems to have first warmed to a degree of characteristic fervor and perhaps only much later, in conjunction with widespread German disillusionment, cooled to Hitler and the Nazis.", "In broad terms, Webern's attitude seems to have first warmed to a degree of characteristic fervor and perhaps only much later, in conjunction with widespread German disillusionment, cooled to Hitler and the Nazis. On the one hand, notes that Webern attacked Nazi cultural policies in private lectures given in 1933, whose hypothetical publication \"would have exposed Webern to serious consequences\" later. On the other, some private correspondence attests to his Nazi sympathies.", "On the other, some private correspondence attests to his Nazi sympathies. Webern's patriotism led him to endorse the Nazi regime in a series of letters to Joseph Hueber, who was serving in the army and himself held such views. Webern described Hitler on 2 May 1940, as \"this unique man\" who created \"the new state\" of Germany; thus Alex Ross characterizes him as \"an unashamed Hitler enthusiast\".", "Webern described Hitler on 2 May 1940, as \"this unique man\" who created \"the new state\" of Germany; thus Alex Ross characterizes him as \"an unashamed Hitler enthusiast\". Violinist Louis Krasner painted not a sentimental portrait but one imbued with a wealth of factual and personal detail for its publication in 1987, describing Webern as clearly naive and idealistic but not entirely without his wits, shame, or conscience; Krasner carefully contextualizes Webern as a member of Austrian society at the time, one departed by Schoenberg and one in which the already pro-Nazi Vienna Philharmonic had even refused to play the late Berg's Violin Concerto.", "Violinist Louis Krasner painted not a sentimental portrait but one imbued with a wealth of factual and personal detail for its publication in 1987, describing Webern as clearly naive and idealistic but not entirely without his wits, shame, or conscience; Krasner carefully contextualizes Webern as a member of Austrian society at the time, one departed by Schoenberg and one in which the already pro-Nazi Vienna Philharmonic had even refused to play the late Berg's Violin Concerto. As Krasner vividly recalled, he and Webern were visiting at the latter's home in Maria Enzersdorf, Mödling when the Nazis invaded Austria; Webern, uncannily seeming to anticipate the timing down to 4 o'clock in the afternoon, turned on the radio to hear this news and immediately warned Krasner, urging him to flee, whereupon he did (first to Vienna).", "As Krasner vividly recalled, he and Webern were visiting at the latter's home in Maria Enzersdorf, Mödling when the Nazis invaded Austria; Webern, uncannily seeming to anticipate the timing down to 4 o'clock in the afternoon, turned on the radio to hear this news and immediately warned Krasner, urging him to flee, whereupon he did (first to Vienna). Whether this was for Krasner's safety or to save Webern the embarrassment of Krasner's presence during a time of possible celebration in the pro-Nazi Webern family (or indeed in most of pro-Nazi Mödling, by Krasner's description as well as one even more vivid of Arnold Greissle-Schönberg), Krasner was ambivalent and uncertain, withholding judgment.", "Whether this was for Krasner's safety or to save Webern the embarrassment of Krasner's presence during a time of possible celebration in the pro-Nazi Webern family (or indeed in most of pro-Nazi Mödling, by Krasner's description as well as one even more vivid of Arnold Greissle-Schönberg), Krasner was ambivalent and uncertain, withholding judgment. Only later did Krasner himself realize how self-admittedly \"foolhardy\" he had been and in what danger he had placed himself, revealing an ignorance perhaps shared by Webern.", "Only later did Krasner himself realize how self-admittedly \"foolhardy\" he had been and in what danger he had placed himself, revealing an ignorance perhaps shared by Webern. Krasner had even revisited frequently, hoping to convince friends (e.g., Schoenberg's daughter Gertrude and her husband Felix Greissle) to emigrate before time ran out. Krasner eventually left more permanently, after a 1941 incident wherein he felt only his US passport saved him from both locals and police.", "Krasner eventually left more permanently, after a 1941 incident wherein he felt only his US passport saved him from both locals and police. Krasner retold from a story related to him in long discussion with Schoenberg's son Görgi, a Jew who remained in Vienna during the war, that the Weberns, much to their risk and credit, had provided Görgi and his family with food and shelter toward the end of the war at the Weberns' home in a Mödling apartment belonging to their son-in-law.", "Krasner retold from a story related to him in long discussion with Schoenberg's son Görgi, a Jew who remained in Vienna during the war, that the Weberns, much to their risk and credit, had provided Görgi and his family with food and shelter toward the end of the war at the Weberns' home in a Mödling apartment belonging to their son-in-law. Görgi and his family were left behind for their safety when Webern fled on foot with his family to Mittersill, about 75 km.", "Görgi and his family were left behind for their safety when Webern fled on foot with his family to Mittersill, about 75 km. away, for safety of their own in light of the coming Russian invasion; Amalie, one of Webern's daughters, wrote of '17 persons pressed together in the smallest possible space' upon their arrival. Ironically, the Russians pronounced Görgi a \"Nazi spy\" when he was discovered due to the Nazi munitions and propaganda in the Weberns' basement store-room.", "Ironically, the Russians pronounced Görgi a \"Nazi spy\" when he was discovered due to the Nazi munitions and propaganda in the Weberns' basement store-room. Görgi is said to have saved himself from execution by protesting and drawing attention to his clothes, sewn as specified by the Nazis with the yellow Star of David. He continued to live in this apartment with this family until 1969.", "He continued to live in this apartment with this family until 1969. Webern is also known to have aided Josef Polnauer, a Jewish friend who, as an albino, managed to largely escape the Nazis' attention and later edit a publication of Webern's correspondence from this time with Hildegard Jone, Webern's then lyricist and collaborator, and her husband, sculptor Josef Humplik.", "Webern is also known to have aided Josef Polnauer, a Jewish friend who, as an albino, managed to largely escape the Nazis' attention and later edit a publication of Webern's correspondence from this time with Hildegard Jone, Webern's then lyricist and collaborator, and her husband, sculptor Josef Humplik. However, Krasner was particularly troubled by a 1936 conversation with Webern about the Jews, in which Webern expressed his vague but unambiguously anti-Semitic opinion that \"Even Schoenberg, had he not been a Jew, would have been quite different!\"", "However, Krasner was particularly troubled by a 1936 conversation with Webern about the Jews, in which Webern expressed his vague but unambiguously anti-Semitic opinion that \"Even Schoenberg, had he not been a Jew, would have been quite different!\" Krasner remembered, perhaps with the benefit of hindsight at the time (1987), that \"Jews ... were at the center of the difficulty.", "Krasner remembered, perhaps with the benefit of hindsight at the time (1987), that \"Jews ... were at the center of the difficulty. Those who wanted to, put the blame for all this calamity, for all this depraved condition, on the Jews who had brought it with them—along with a lot of radical ideas—from the East. People blamed the Jews for their financial worries. The Jews were, at the same time, the poverty-stricken people who came with nothing, and the capitalists who controlled everything.\"", "The Jews were, at the same time, the poverty-stricken people who came with nothing, and the capitalists who controlled everything.\" When once asked by Schoenberg about his feelings toward the Nazis, Webern nonetheless sought to allay Schoenberg's concerns; similarly, when in 1938 Eduard Steuermann asked Krasner about rumors of Webern's possible \"interest in and devotion to the Nazis\" on Schoenberg's behalf, Krasner lied by denying the rumors categorically and entirely.", "When once asked by Schoenberg about his feelings toward the Nazis, Webern nonetheless sought to allay Schoenberg's concerns; similarly, when in 1938 Eduard Steuermann asked Krasner about rumors of Webern's possible \"interest in and devotion to the Nazis\" on Schoenberg's behalf, Krasner lied by denying the rumors categorically and entirely. As a result, Schoenberg's Violin Concerto of 1934 (or 1935)–36 continued to bear a dedication to Webern, although whittled down as a result of Schoenberg's continuing suspicions or, indeed, on Webern's behalf, i.e., to protect Webern from further Nazi suspicion and persecution.", "As a result, Schoenberg's Violin Concerto of 1934 (or 1935)–36 continued to bear a dedication to Webern, although whittled down as a result of Schoenberg's continuing suspicions or, indeed, on Webern's behalf, i.e., to protect Webern from further Nazi suspicion and persecution. Schoenberg's tone was ultimately conciliatory in remembrance of both Berg and Webern in 1947: \"Let us—for the moment at least—forget all that might have at one time divided us ... even if those who tried might have succeeded in confounding us.\"", "Schoenberg's tone was ultimately conciliatory in remembrance of both Berg and Webern in 1947: \"Let us—for the moment at least—forget all that might have at one time divided us ... even if those who tried might have succeeded in confounding us.\" Musicologist Richard Taruskin describes Webern accurately if vaguely as a pan-German nationalist but then goes much further in claiming specifically that Webern joyfully welcomed the Nazis with the 1938 Anschluss, at best extrapolating from the account of his cited source Krasner and at worst exaggerating or distorting it, as well as describing it sardonically as \"heart-breaking\".", "Musicologist Richard Taruskin describes Webern accurately if vaguely as a pan-German nationalist but then goes much further in claiming specifically that Webern joyfully welcomed the Nazis with the 1938 Anschluss, at best extrapolating from the account of his cited source Krasner and at worst exaggerating or distorting it, as well as describing it sardonically as \"heart-breaking\". Taruskin's authority on this delicate issue must be credited, if at all, then only with the significant limitations that he has been polemical in general and hostile in particular to the Second Viennese School, of whom Webern is often considered the most extreme and difficult (i.e., the least accessible).", "Taruskin's authority on this delicate issue must be credited, if at all, then only with the significant limitations that he has been polemical in general and hostile in particular to the Second Viennese School, of whom Webern is often considered the most extreme and difficult (i.e., the least accessible). New Complexity composer and performer Franklin Cox not only faults Taruskin as an inaccurate and unreliable historian but also critiques Taruskin as an \"ideologist of tonal restoration\" (musicologist Martin Kaltenecker similarly refers to the \"Restoration of the 1980s,\" but he also describes a paradigm shift from structure to perception).", "New Complexity composer and performer Franklin Cox not only faults Taruskin as an inaccurate and unreliable historian but also critiques Taruskin as an \"ideologist of tonal restoration\" (musicologist Martin Kaltenecker similarly refers to the \"Restoration of the 1980s,\" but he also describes a paradigm shift from structure to perception). Taruskin's \"reactionary historicist\" project, Cox argues, stands in opposition to that of the Second Viennese School, viz. the \"progressivist historicist\" emancipation of the dissonance.", "the \"progressivist historicist\" emancipation of the dissonance. the \"progressivist historicist\" emancipation of the dissonance. Taruskin himself admits to having acquired a \"dubious reputation\" on the Second Viennese School and notes that he has been described in his work on Webern as \"coming, like Shakespeare's Marc Anthony, 'to bury Webern, not to praise him'\".", "Taruskin himself admits to having acquired a \"dubious reputation\" on the Second Viennese School and notes that he has been described in his work on Webern as \"coming, like Shakespeare's Marc Anthony, 'to bury Webern, not to praise him'\". In contradistinction to Taruskin's methods and pronouncements, musicologist Pamela M. Potter advises that \"[i]t is important to consider all the scholarship on musical life in the Third Reich that, taken together, reveals the complexity of the day-to-day existence of musicians and composers\", as \"[i]t seems inevitable that debates about the political culpability of individuals will persist, especially if the stakes remain so high for composers, for whom an up or down vote can determine inclusion in the canon\".", "In contradistinction to Taruskin's methods and pronouncements, musicologist Pamela M. Potter advises that \"[i]t is important to consider all the scholarship on musical life in the Third Reich that, taken together, reveals the complexity of the day-to-day existence of musicians and composers\", as \"[i]t seems inevitable that debates about the political culpability of individuals will persist, especially if the stakes remain so high for composers, for whom an up or down vote can determine inclusion in the canon\". In this vein, it might be noted in relation to Taruskin's claim that Webern wrote to friends (husband and wife Josef Humplik and Hildegard Jone) on the day of Anschluss not to invite celebration or to observe developments but to be left alone: \"I am totally immersed in my work [composing] and cannot, cannot be disturbed\"; Krasner's presence could have been a disturbance to Webern for this reason, and musicologist Kathryn Bailey speculates that this may indeed be why he was rushed off by Webern.", "In this vein, it might be noted in relation to Taruskin's claim that Webern wrote to friends (husband and wife Josef Humplik and Hildegard Jone) on the day of Anschluss not to invite celebration or to observe developments but to be left alone: \"I am totally immersed in my work [composing] and cannot, cannot be disturbed\"; Krasner's presence could have been a disturbance to Webern for this reason, and musicologist Kathryn Bailey speculates that this may indeed be why he was rushed off by Webern. Webern's 1944–1945 correspondence is strewn with references to bombings, deaths, destruction, privation, and the disintegration of local order; but also noted are the births of several grandchildren.", "Webern's 1944–1945 correspondence is strewn with references to bombings, deaths, destruction, privation, and the disintegration of local order; but also noted are the births of several grandchildren. At the age of sixty (i.e., in Dec. 1943), Webern writes that he is living in a barrack away from home and working from 6 am to 5 pm, compelled by the state in a time of war to serve as an air-raid protection police officer.", "At the age of sixty (i.e., in Dec. 1943), Webern writes that he is living in a barrack away from home and working from 6 am to 5 pm, compelled by the state in a time of war to serve as an air-raid protection police officer. On 3 March 1945, news was relayed to Webern that his only son, Peter, died on 14 February of wounds suffered in a strafing attack on a military train two days earlier.", "On 3 March 1945, news was relayed to Webern that his only son, Peter, died on 14 February of wounds suffered in a strafing attack on a military train two days earlier. Death in Allied-administered Austria On 15 September 1945, back at his home during the Allied occupation of Austria, Webern was shot and killed by an American Army soldier following the arrest of his son-in-law for black market activities.", "Death in Allied-administered Austria On 15 September 1945, back at his home during the Allied occupation of Austria, Webern was shot and killed by an American Army soldier following the arrest of his son-in-law for black market activities. This incident occurred when, three-quarters of an hour before a curfew was to have gone into effect, he stepped outside the house so as not to disturb his sleeping grandchildren, to enjoy a few draws on a cigar given to him that evening by his son-in-law.", "This incident occurred when, three-quarters of an hour before a curfew was to have gone into effect, he stepped outside the house so as not to disturb his sleeping grandchildren, to enjoy a few draws on a cigar given to him that evening by his son-in-law. The soldier responsible for his death was U. S. Army cook PFC Raymond Norwood Bell of North Carolina, who was overcome by remorse and died of alcoholism in 1955. Webern's wife, Wilhelmine Mörtl, died in 1949. They had three daughters and a son.", "They had three daughters and a son. They had three daughters and a son. Music Webern's compositions are concise, distilled, and select; just thirty-one of his compositions were published in his lifetime, and when Pierre Boulez later oversaw a project to record all of his compositions, including some of those without opus numbers, the results fit on just six CDs.", "Music Webern's compositions are concise, distilled, and select; just thirty-one of his compositions were published in his lifetime, and when Pierre Boulez later oversaw a project to record all of his compositions, including some of those without opus numbers, the results fit on just six CDs. Although Webern's music changed over time, as is often the case over a long career, it is typified by very spartan textures, in which every note can be clearly heard; carefully chosen timbres, often resulting in very detailed instructions to the performers and use of extended instrumental techniques (flutter tonguing, col legno, and so on); wide-ranging melodic lines, often with leaps greater than an octave; and brevity: the Six Bagatelles for string quartet (1913), for instance, last about three minutes in total.", "Although Webern's music changed over time, as is often the case over a long career, it is typified by very spartan textures, in which every note can be clearly heard; carefully chosen timbres, often resulting in very detailed instructions to the performers and use of extended instrumental techniques (flutter tonguing, col legno, and so on); wide-ranging melodic lines, often with leaps greater than an octave; and brevity: the Six Bagatelles for string quartet (1913), for instance, last about three minutes in total. Formative juvenilia and emergence from study, Opp.", "Formative juvenilia and emergence from study, Opp. Formative juvenilia and emergence from study, Opp. 1–2, 1899–1908 Webern published little of his early work in particular; Webern was characteristically meticulous and revised extensively. Many juvenilia remained unknown until the work and findings of the Moldenhauers in the 1960s, effectively obscuring and undermining formative facets of Webern's musical identity, highly significant even more so in the case of an innovator whose music was crucially marked by rapid stylistic shifts.", "Many juvenilia remained unknown until the work and findings of the Moldenhauers in the 1960s, effectively obscuring and undermining formative facets of Webern's musical identity, highly significant even more so in the case of an innovator whose music was crucially marked by rapid stylistic shifts. Thus when Boulez first oversaw a project to record \"all\" of Webern's music, not including the juvenilia, the results fit on three rather than six CDs.", "Thus when Boulez first oversaw a project to record \"all\" of Webern's music, not including the juvenilia, the results fit on three rather than six CDs. Webern's earliest works consist primarily of lieder, the genre that most testifies to his roots in Romanticism, specifically German Romanticism; one in which the music yields brief but explicit, potent, and spoken meaning manifested only latently or programmatically in purely instrumental genres; one marked by significant intimacy and lyricism; and one which often associates nature, especially landscapes, with themes of homesickness, solace, wistful yearning, distance, utopia, and belonging.", "Webern's earliest works consist primarily of lieder, the genre that most testifies to his roots in Romanticism, specifically German Romanticism; one in which the music yields brief but explicit, potent, and spoken meaning manifested only latently or programmatically in purely instrumental genres; one marked by significant intimacy and lyricism; and one which often associates nature, especially landscapes, with themes of homesickness, solace, wistful yearning, distance, utopia, and belonging. Robert Schumann's \"Mondnacht\" is an iconic example; Eichendorff, whose lyric poetry inspired it, is not far removed from the poets (e.g., Richard Dehmel, Gustav Falke, Theodor Storm) whose work inspired Webern and his contemporaries Alban Berg, Max Reger, Arnold Schoenberg, Richard Strauss, Hugo Wolf, and Alexander Zemlinsky.", "Robert Schumann's \"Mondnacht\" is an iconic example; Eichendorff, whose lyric poetry inspired it, is not far removed from the poets (e.g., Richard Dehmel, Gustav Falke, Theodor Storm) whose work inspired Webern and his contemporaries Alban Berg, Max Reger, Arnold Schoenberg, Richard Strauss, Hugo Wolf, and Alexander Zemlinsky. Wolf's Mörike-Lieder were especially influential on Webern's efforts from this period.", "Wolf's Mörike-Lieder were especially influential on Webern's efforts from this period. But well beyond these lieder alone, all of Webern's music may be said to possess such concerns and qualities, as is evident from his sketches, albeit in an increasingly symbolic, abstract, spare, introverted, and idealized manner. Webern's first piece after completing his studies with Schoenberg was the Passacaglia for orchestra (1908).", "Webern's first piece after completing his studies with Schoenberg was the Passacaglia for orchestra (1908). Harmonically, it is a step forward into a more advanced language, and the orchestration is somewhat more distinctive than his earlier orchestral work. However, it bears little relation to the fully mature works he is best known for today.", "However, it bears little relation to the fully mature works he is best known for today. One element that is typical is the form itself: the passacaglia is a form which dates back to the 17th century, and a distinguishing feature of Webern's later work was to be the use of traditional compositional techniques (especially canons) and forms (the Symphony, the Concerto, the String Trio, and String Quartet, and the piano and orchestral Variations) in a modern harmonic and melodic language.", "One element that is typical is the form itself: the passacaglia is a form which dates back to the 17th century, and a distinguishing feature of Webern's later work was to be the use of traditional compositional techniques (especially canons) and forms (the Symphony, the Concerto, the String Trio, and String Quartet, and the piano and orchestral Variations) in a modern harmonic and melodic language. Atonality, lieder, and aphorism, Opp.", "Atonality, lieder, and aphorism, Opp. Atonality, lieder, and aphorism, Opp. 3–16 and Tot, 1908–1924 For a number of years, Webern wrote pieces which were freely atonal, much in the style of Schoenberg's early atonal works.", "3–16 and Tot, 1908–1924 For a number of years, Webern wrote pieces which were freely atonal, much in the style of Schoenberg's early atonal works. Indeed, so in lockstep with Schoenberg was Webern for much of his artistic development that Schoenberg in 1951 wrote that he sometimes no longer knew who he was, Webern had followed so well in his footsteps and shadow, occasionally outdoing or stepping ahead of Schoenberg in execution of Schoenberg's own or their shared ideas.", "Indeed, so in lockstep with Schoenberg was Webern for much of his artistic development that Schoenberg in 1951 wrote that he sometimes no longer knew who he was, Webern had followed so well in his footsteps and shadow, occasionally outdoing or stepping ahead of Schoenberg in execution of Schoenberg's own or their shared ideas. There are, however, important cases where Webern may have even more profoundly influenced Schoenberg. Haimo marks the swift, radical influence in 1909 of Webern's novel and arresting Five Movements for String Quartet, Op.", "Haimo marks the swift, radical influence in 1909 of Webern's novel and arresting Five Movements for String Quartet, Op. 5, on Schoenberg's subsequent piano piece Op. 11, No. 3; Five Pieces for Orchestra, Op. 16; and monodrama Erwartung, Op. 17.", "16; and monodrama Erwartung, Op. 17. 17. This shift is distinctly pronounced in a letter Schoenberg wrote to Busoni, which describes a rather Webernian aesthetic: In 1949, Schoenberg still remembered being \"intoxicated by the enthusiasm of having freed music from the shackles of tonality\" and believing with his pupils \"that now music could renounce motivic features and remain coherent and comprehensible nonetheless\". But with Opp.", "But with Opp. But with Opp. 18–20, Schoenberg turned back and revived old techniques, very self-consciously returning to and transforming tradition by the concluding songs of Pierrot lunaire (1912), Op. 21, with, e.g., intricately interrelated canons in \"Der Mondfleck\", clear waltz rhythms in \"Serenade\", a barcarolle (\"Heimfahrt\"), triadic harmony throughout \"O alter Duft\". Pierrot was received by Webern as a direction for the composition of his own Opp.", "Pierrot was received by Webern as a direction for the composition of his own Opp. 14–16, most of all with respect to contrapuntal procedures (and to a lesser degree with respect to the diverse and innovative textural treatment among instruments in increasingly smaller ensembles). \"How much I owe to your Pierrot\", he wrote Schoenberg upon completing a setting of Georg Trakl's \"Abendland III\", Op. 14, No.", "14, No. 14, No. 4, in which, rather unusually for Webern, there is no silence or rest until a pause at the concluding gesture. Indeed, a recurring theme of Webern's World War I settings is that of the wanderer, estranged or lost and seeking return to or at least retrieval from an earlier time and place; and of some fifty-six songs on which Webern worked 1914–1926, he ultimately finished and later published only thirty-two set in order as Opp. 12–19.", "12–19. 12–19. This wartime theme of wandering in search of home ties in with two intricately involved concerns more broadly evident in Webern's work: first, the death and memory of members of Webern's family, especially his mother but also including his father and a nephew; and second, Webern's broad and complex sense of rural and spiritual Heimat.", "This wartime theme of wandering in search of home ties in with two intricately involved concerns more broadly evident in Webern's work: first, the death and memory of members of Webern's family, especially his mother but also including his father and a nephew; and second, Webern's broad and complex sense of rural and spiritual Heimat. Their importance is marked by Webern's stage play, Tot (October 1913), which, over the course of six alpine scenes of reflection and self-consolation, draws on Emanuel Swedenborg's notion of correspondence to relate and to unite the two concerns, the first embodied but otherworldly and the second concrete if increasingly abstracted and idealized.", "Their importance is marked by Webern's stage play, Tot (October 1913), which, over the course of six alpine scenes of reflection and self-consolation, draws on Emanuel Swedenborg's notion of correspondence to relate and to unite the two concerns, the first embodied but otherworldly and the second concrete if increasingly abstracted and idealized. The similarities between Tot and Webern's music are striking.", "The similarities between Tot and Webern's music are striking. In an often programmatic or cinematic fashion, Webern ordered his published movements, themselves dramatic or visual tableaux with melodies that frequently begin and end on weak beats or else settle into ostinati or the background.", "In an often programmatic or cinematic fashion, Webern ordered his published movements, themselves dramatic or visual tableaux with melodies that frequently begin and end on weak beats or else settle into ostinati or the background. In them, tonality – useful for communicating direction and narrative in programmatic pieces – becomes more tenuous, fragmented, static, symbolic, and visual or spatial in function, thus mirroring the concerns and topics, explicit or implicit, of Webern's music and his selections for it from the poetry of Stefan George and later Georg Trakl.", "In them, tonality – useful for communicating direction and narrative in programmatic pieces – becomes more tenuous, fragmented, static, symbolic, and visual or spatial in function, thus mirroring the concerns and topics, explicit or implicit, of Webern's music and his selections for it from the poetry of Stefan George and later Georg Trakl. Webern's dynamics, orchestration, and timbre are given so as to produce a fragile, intimate, and often novel sound, despite distinctly recalling Mahler, not infrequently bordering on silence at a typical .", "Webern's dynamics, orchestration, and timbre are given so as to produce a fragile, intimate, and often novel sound, despite distinctly recalling Mahler, not infrequently bordering on silence at a typical . In some cases, Webern's choice of instrument in particular functions to represent or to allude to a female voice (e.g., the use of solo violin), to inward or outward luminosity or darkness (e.g., the use of the entire range of register within the ensemble; registral compression and expansion; the use of celesta, harp, and glockenspiel; the use of harmonics and sul ponticello), or to angels and heaven (e.g., the use of harp and trumpet in the circling ostinati of Op.", "In some cases, Webern's choice of instrument in particular functions to represent or to allude to a female voice (e.g., the use of solo violin), to inward or outward luminosity or darkness (e.g., the use of the entire range of register within the ensemble; registral compression and expansion; the use of celesta, harp, and glockenspiel; the use of harmonics and sul ponticello), or to angels and heaven (e.g., the use of harp and trumpet in the circling ostinati of Op. 6, No.", "6, No. 6, No. 5, and winding to conclusion at the very end of Op. 15, No. 5). Technical consolidation and formal coherence and expansion, Opp. 17–31, 1924–1943 With the Drei Volkstexte (1925), Op. 17, Webern used Schoenberg's twelve-tone technique for the first time, and all his subsequent works used this technique. The String Trio (1926–1927), Op.", "The String Trio (1926–1927), Op. The String Trio (1926–1927), Op. 20, was both the first purely instrumental work using the twelve-tone technique (the other pieces were songs) and the first cast in a traditional musical form. Webern's music, like that of both Brahms and Schoenberg, is marked by its emphasis on counterpoint and formal considerations; and Webern's commitment to systematic pitch organization in the twelve-tone method is inseparable from this prior commitment.", "Webern's music, like that of both Brahms and Schoenberg, is marked by its emphasis on counterpoint and formal considerations; and Webern's commitment to systematic pitch organization in the twelve-tone method is inseparable from this prior commitment. Webern's tone rows are often arranged to take advantage of internal symmetries; for example, a twelve-tone row may be divisible into four groups of three pitches which are variations, such as inversions and retrogrades, of each other, thus creating invariance.", "Webern's tone rows are often arranged to take advantage of internal symmetries; for example, a twelve-tone row may be divisible into four groups of three pitches which are variations, such as inversions and retrogrades, of each other, thus creating invariance. This gives Webern's work considerable motivic unity, although this is often obscured by the fragmentation of the melodic lines.", "This gives Webern's work considerable motivic unity, although this is often obscured by the fragmentation of the melodic lines. This fragmentation occurs through octave displacement (using intervals greater than an octave) and by moving the line rapidly from instrument to instrument in a technique referred to as Klangfarbenmelodie.", "This fragmentation occurs through octave displacement (using intervals greater than an octave) and by moving the line rapidly from instrument to instrument in a technique referred to as Klangfarbenmelodie. Arrangements and orchestrations In his youth (1903), Webern orchestrated at least five of Franz Schubert's various lieder, giving the piano accompaniment to an appropriately Schubertian orchestra of strings and pairs of flutes, oboes, clarinets, bassoons, and horns: \"Der Vollmond Strahlt auf Bergeshöhn\" (the Romanze from Rosamunde), \"Tränenregen\" (from Die schöne Müllerin), \"Der Wegweiser\" (from Winterreise), \"Du bist die Ruh\", and \"Ihr Bild\"; in 1934, he did the same for Schubert's six Deutsche Tänze (German Dances) of 1824.", "Arrangements and orchestrations In his youth (1903), Webern orchestrated at least five of Franz Schubert's various lieder, giving the piano accompaniment to an appropriately Schubertian orchestra of strings and pairs of flutes, oboes, clarinets, bassoons, and horns: \"Der Vollmond Strahlt auf Bergeshöhn\" (the Romanze from Rosamunde), \"Tränenregen\" (from Die schöne Müllerin), \"Der Wegweiser\" (from Winterreise), \"Du bist die Ruh\", and \"Ihr Bild\"; in 1934, he did the same for Schubert's six Deutsche Tänze (German Dances) of 1824. For Schoenberg's Society for Private Musical Performances in 1921, Webern arranged, among other things, the 1888 Schatz-Walzer (Treasure Waltz) of Johann Strauss II's Der Zigeunerbaron (The Gypsy Baron) for string quartet, harmonium, and piano.", "For Schoenberg's Society for Private Musical Performances in 1921, Webern arranged, among other things, the 1888 Schatz-Walzer (Treasure Waltz) of Johann Strauss II's Der Zigeunerbaron (The Gypsy Baron) for string quartet, harmonium, and piano. In 1924, Webern arranged Franz Liszt's Arbeiterchor (Workers' Chorus, c. 1847–1848) for bass solo, mixed chorus, and large orchestra; it was premièred for the first time in any form on 13 and 14 March 1925, with Webern conducting the first full-length concert of the Austrian Association of Workers Choir.", "In 1924, Webern arranged Franz Liszt's Arbeiterchor (Workers' Chorus, c. 1847–1848) for bass solo, mixed chorus, and large orchestra; it was premièred for the first time in any form on 13 and 14 March 1925, with Webern conducting the first full-length concert of the Austrian Association of Workers Choir. A review in the Amtliche Wiener Zeitung (28 March 1925) read \"neu in jedem Sinne, frisch, unverbraucht, durch ihn zieht die Jugend, die Freude\" (\"new in every respect, fresh, vital, pervaded by youth and joy\").", "A review in the Amtliche Wiener Zeitung (28 March 1925) read \"neu in jedem Sinne, frisch, unverbraucht, durch ihn zieht die Jugend, die Freude\" (\"new in every respect, fresh, vital, pervaded by youth and joy\"). The text, in English translation, reads in part: \"Let us have the adorned spades and scoops,/ Come along all, who wield a sword or pen,/ Come here ye, industrious, brave and strong/ All who create things great or small.\"", "The text, in English translation, reads in part: \"Let us have the adorned spades and scoops,/ Come along all, who wield a sword or pen,/ Come here ye, industrious, brave and strong/ All who create things great or small.\" Liszt, initially inspired by his revolutionary countrymen, had left it in manuscript at publisher 's discretion.", "Liszt, initially inspired by his revolutionary countrymen, had left it in manuscript at publisher 's discretion. Performance style Webern insisted on lyricism, nuance, rubato, sensitivity, and both emotional and intellectual understanding in performance of music; this is evidenced by anecdotes, correspondence, extant recordings of Schubert's Deutsche Tänze (arr.", "Performance style Webern insisted on lyricism, nuance, rubato, sensitivity, and both emotional and intellectual understanding in performance of music; this is evidenced by anecdotes, correspondence, extant recordings of Schubert's Deutsche Tänze (arr. Webern) and Berg's Violin Concerto under his direction, many such detailed markings in his scores, and finally by his compositional process as both publicly stated and later revealed in the musical and extramusical metaphors and associations everywhere throughout his sketches.", "Webern) and Berg's Violin Concerto under his direction, many such detailed markings in his scores, and finally by his compositional process as both publicly stated and later revealed in the musical and extramusical metaphors and associations everywhere throughout his sketches. As both a composer and conductor, he was one of many (e.g., Wilhelm Furtwängler, Dimitri Mitropoulos, Hermann Scherchen) in a contemporaneous tradition of conscientiously and non-literally handling notated musical figures, phrases, and even entire scores so as to maximize expressivity in performance and to cultivate audience engagement and understanding.", "As both a composer and conductor, he was one of many (e.g., Wilhelm Furtwängler, Dimitri Mitropoulos, Hermann Scherchen) in a contemporaneous tradition of conscientiously and non-literally handling notated musical figures, phrases, and even entire scores so as to maximize expressivity in performance and to cultivate audience engagement and understanding. This aspect of Webern's work had been typically missed in his immediate post-war reception, however, even as it may radically affect the music's reception.", "This aspect of Webern's work had been typically missed in his immediate post-war reception, however, even as it may radically affect the music's reception. For example, Boulez's \"complete\" recording of Webern's music yielded more to this aesthetic the second time after largely missing it the first; but Eliahu Inbal's rendition of Webern's Symphony, Op.", "For example, Boulez's \"complete\" recording of Webern's music yielded more to this aesthetic the second time after largely missing it the first; but Eliahu Inbal's rendition of Webern's Symphony, Op. 21 with the hr-Sinfonieorchester is still far more within the spirit of the late Romantic performance tradition (which Webern seemingly intended for his music), nearly slowing to half-tempo for the whole of first movement and taking care to delineate and shape each melodic strand and expressive gesture throughout the entirety of the work.", "21 with the hr-Sinfonieorchester is still far more within the spirit of the late Romantic performance tradition (which Webern seemingly intended for his music), nearly slowing to half-tempo for the whole of first movement and taking care to delineate and shape each melodic strand and expressive gesture throughout the entirety of the work. Legacy, influence, and posthumous reception Webern's music began to be performed more widely in the 1920s; by the mid-1940s, its effect was decisive on many composers, even as far-flung as John Cage.", "Legacy, influence, and posthumous reception Webern's music began to be performed more widely in the 1920s; by the mid-1940s, its effect was decisive on many composers, even as far-flung as John Cage. In part because Webern had largely remained the most obscure and arcane composer of the Second Viennese School during his own lifetime, interest in Webern's music increased after World War II as it came to represent a universally or generally valid, systematic, and compellingly logical model of new composition, with his œuvre acquiring what Alex Ross calls \"a saintly, visionary aura\".", "In part because Webern had largely remained the most obscure and arcane composer of the Second Viennese School during his own lifetime, interest in Webern's music increased after World War II as it came to represent a universally or generally valid, systematic, and compellingly logical model of new composition, with his œuvre acquiring what Alex Ross calls \"a saintly, visionary aura\". When Webern's Piano Variations were performed at Darmstadt in 1948, young composers listened in a quasi-religious trance.", "When Webern's Piano Variations were performed at Darmstadt in 1948, young composers listened in a quasi-religious trance. In 1955, the second issue of Eimert and Stockhausen's journal Die Reihe was devoted to Webern's œuvre, and in 1960 his lectures were published by Universal Edition.", "In 1955, the second issue of Eimert and Stockhausen's journal Die Reihe was devoted to Webern's œuvre, and in 1960 his lectures were published by Universal Edition. Meanwhile, Webern's characteristically passionate pan-German nationalism and censurable, sordid political sympathies (however naive or delusional and whether ever dispelled or faltered) were not widely known or went unmentioned; perhaps in some part due to his personal and political associations before the German Reich, his degradation and mistreatment under it, and his fate immediately after the war.", "Meanwhile, Webern's characteristically passionate pan-German nationalism and censurable, sordid political sympathies (however naive or delusional and whether ever dispelled or faltered) were not widely known or went unmentioned; perhaps in some part due to his personal and political associations before the German Reich, his degradation and mistreatment under it, and his fate immediately after the war. Significantly as relates to his reception, Webern never compromised his artistic identity and values, as Stravinsky was later to note.", "Significantly as relates to his reception, Webern never compromised his artistic identity and values, as Stravinsky was later to note. It has been suggested that the early 1950s' serialists' fascination with Webern was concerned not with his music as such so much as enabled by its concision and some its apparent plainness in the score, thereby facilitating musical analysis; indeed, composer Gottfried Michael Koenig speculates on the basis of his personal experience that since Webern's scores represented such a highly concentrated source, they may have been considered the better for didactic purposes than those of other composers.", "It has been suggested that the early 1950s' serialists' fascination with Webern was concerned not with his music as such so much as enabled by its concision and some its apparent plainness in the score, thereby facilitating musical analysis; indeed, composer Gottfried Michael Koenig speculates on the basis of his personal experience that since Webern's scores represented such a highly concentrated source, they may have been considered the better for didactic purposes than those of other composers. Composer thus criticized the approach of early serialists to Webern's music as reductive and narrowly focused on some of Webern's apparent methods rather than on his music more generally, especially neglecting timbre in their typical selection of Opp.", "Composer thus criticized the approach of early serialists to Webern's music as reductive and narrowly focused on some of Webern's apparent methods rather than on his music more generally, especially neglecting timbre in their typical selection of Opp. 27–28. Composer Karel Goeyvaerts recalled that at least on first impression, the sound of Webern's music reminded him of \"a Mondrian canvas,\" explaining that \"things of which I had acquired an extremely intimate knowledge, came across as crude and unfinished when seen in reality.\"", "Composer Karel Goeyvaerts recalled that at least on first impression, the sound of Webern's music reminded him of \"a Mondrian canvas,\" explaining that \"things of which I had acquired an extremely intimate knowledge, came across as crude and unfinished when seen in reality.\" Expressing a related opinion, noted contemporaneous German music critic and contributor to Die Reihe, Wolf-Eberhard von Lewinski wrote in the Darmstädter Tagblatt (3 September 1959) that some of the later and more radical music at Darmstadt was \"acoustically absurd [if] visually amusing\"; several days later, one of his articles in the Der Kurier was similarly headlined \"Meager modern music—only interesting to look at.\"", "Expressing a related opinion, noted contemporaneous German music critic and contributor to Die Reihe, Wolf-Eberhard von Lewinski wrote in the Darmstädter Tagblatt (3 September 1959) that some of the later and more radical music at Darmstadt was \"acoustically absurd [if] visually amusing\"; several days later, one of his articles in the Der Kurier was similarly headlined \"Meager modern music—only interesting to look at.\" To composers in the then Communist Bloc in Central and Eastern Europe, Webern's music and its techniques promised an exciting, unique, and challenging alternative to socialist realism, with its perceived tendency to kitsch and its nationalist and traditionalist overtones.", "To composers in the then Communist Bloc in Central and Eastern Europe, Webern's music and its techniques promised an exciting, unique, and challenging alternative to socialist realism, with its perceived tendency to kitsch and its nationalist and traditionalist overtones. Whereas Berg's Lyric Suite may have influenced the third and fourth string quartets of Bartók in 1927 via an ISCM concert (in which Bartók himself performed his own Piano Sonata), Webern's influence on later composers from what became the Hungarian People's Republic and from other countries behind the Iron Curtain was sometimes mediated or obstructed by politics.", "Whereas Berg's Lyric Suite may have influenced the third and fourth string quartets of Bartók in 1927 via an ISCM concert (in which Bartók himself performed his own Piano Sonata), Webern's influence on later composers from what became the Hungarian People's Republic and from other countries behind the Iron Curtain was sometimes mediated or obstructed by politics. As Ligeti explained to a student in 1970, \"In countries where there exists a certain isolation, in Eastern Europe, one cannot obtain correct information.", "As Ligeti explained to a student in 1970, \"In countries where there exists a certain isolation, in Eastern Europe, one cannot obtain correct information. One is cut off from the circulation of blood.\" Nonetheless, Webern's work was a seminal influence on that of both Endre Szervánszky and György Kurtág following the Hungarian Uprising of 1956, as well as on Ligeti himself.", "Nonetheless, Webern's work was a seminal influence on that of both Endre Szervánszky and György Kurtág following the Hungarian Uprising of 1956, as well as on Ligeti himself. Later still and farther east, Sofia Gubaidulina, for whom music was an escape from the socio-political atmosphere of post-Stalinist Soviet Russia, cited the influence of both J. S. Bach and Webern in particular.", "Later still and farther east, Sofia Gubaidulina, for whom music was an escape from the socio-political atmosphere of post-Stalinist Soviet Russia, cited the influence of both J. S. Bach and Webern in particular. Recordings by Webern Webern conducts \"Berg – Violin Concerto\" Webern conducts his arrangement of Schubert's German Dances See also List of Austrians in music Notes References Bibliography Further reading Ahrend, Thomas, and Stefan Münnich. 2018. Anton Webern. Oxford Bibliographies in Music. Oxford University Press. .", "2018. Anton Webern. Oxford Bibliographies in Music. Oxford University Press. . . }}{{subscription Ahrend, Thomas, and Matthias Schmidt (eds.). 2015. Der junge Webern. Texte und Kontexte. Webern-Studien. Beihefte der Anton Webern Gesamtausgabe 2b. Wien: Lafite. . Ahrend, Thomas, and Matthias Schmidt (eds.). 2016. Webern-Philologien. Webern-Studien. Beihefte der Anton Webern Gesamtausgabe 3. Wien: Lafite. . Bailey, Kathryn. 1991.", "Beihefte der Anton Webern Gesamtausgabe 3. Wien: Lafite. . Bailey, Kathryn. 1991. 1991. The Twelve-Note Music of Anton Webern: Old Forms in a New Language. Music in the Twentieth Century 2. Cambridge and New York: Cambridge University Press. (cloth) (pbk. ed., 2006). Cavallotti, Pietro, and Simon Obert, and Rainer Schmusch (eds.). 2019. Neue Perspektiven. Anton Webern und das Komponieren im 20. Jahrhundert. Webern-Studien. Beihefte der Anton Webern Gesamtausgabe 4.", "Jahrhundert. Webern-Studien. Beihefte der Anton Webern Gesamtausgabe 4. Beihefte der Anton Webern Gesamtausgabe 4. Wien: Lafite. . Ewen, David. 1971. \"Anton Webern (1883–1945)\". In Composers of Tomorrow's Music, by David Ewen, 66–77. New York: Dodd, Mead & Co. . Forte, Allen. 1998. The Atonal Music of Anton Webern New Haven: Yale University Press. . Galliari, Alain. 2007. \"Anton von Webern\". Paris: Fayard. .", ". Galliari, Alain. 2007. \"Anton von Webern\". Paris: Fayard. . . Kröpfl, Monika, and Simon Obert (eds.). 2015. Der junge Webern. Künstlerische Orientierungen in Wien nach 1900. Webern-Studien. Beihefte der Anton Webern Gesamtausgabe 2a. Wien: Lafite. . Mead, Andrew. 1993. \"Webern, Tradition, and 'Composing with Twelve Tones'\". Music Theory Spectrum 15, no. 2:173–204. Moldenhauer, Hans. 1966. Anton von Webern Perspectives.", "2:173–204. Moldenhauer, Hans. 1966. Anton von Webern Perspectives. Anton von Webern Perspectives. Edited by Demar Irvine, with an introductory interview with Igor Stravinsky. Seattle: University of Washington Press. Needham, Alex. 2012. Brahms Piano Piece to Get Its Premiere 159 Years After Its Creation. The Guardian (Thursday 12 January). Noller, Joachim. 1990. \"Bedeutungsstrukturen: zu Anton Weberns 'alpinen' Programmen\". Neue Zeitschrift für Musik151, no. 9 (September): 12–18.", "9 (September): 12–18. 9 (September): 12–18. Obert, Simon (ed.). 2012. Wechselnde Erscheinung. Sechs Perspektiven auf Anton Weberns sechste Bagatelle. Webern-Studien. Beihefte der Anton Webern Gesamtausgabe 1. Wien: Lafite. . Perle, George. 1991. Serial Composition and Atonality: An Introduction to the Music of Schoenberg, Berg and Webern. Sixth ed. Berkeley and Los Angeles: University of California Press. Peyser, Joan. 2007. To Boulez and Beyond. Scarecrow Press. .", "Peyser, Joan. 2007. To Boulez and Beyond. Scarecrow Press. . . Rockwell, John. 1983. All American Music: Composition in the Late Twentieth Century. New York: Alfred Knopf. Reprinted New York: Da Capo Press, 1997. , . Tsang, Lee. 2002. \"The Atonal Music of Anton Webern (1998) by Allen Forte\". Music Analysis 21, no. 3 (October): 417–427. Wildgans, Friedrich. 1966. Anton Webern.", "3 (October): 417–427. Wildgans, Friedrich. 1966. Anton Webern. Anton Webern. Translated by Edith Temple Roberts and Humphrey Searle. Introduction and notes by Humphrey Searle. New York: October House.", "Introduction and notes by Humphrey Searle. New York: October House. New York: October House. External links Anton Webern biography and works on the UE website (publisher) Anton Webern Gesamtausgabe (Complete Edition) 1883 births 1945 deaths Austrian Roman Catholics 20th-century classical composers Deaths by firearm in Austria Expressionist music Twelve-tone and serial composers Second Viennese School University of Vienna alumni Composers from Vienna Accidental deaths in Austria Pupils of Arnold Schoenberg Austrian male classical composers Austrian classical composers String quartet composers 20th-century Austrian composers 20th-century Austrian male musicians Firearm accident victims" ]

[ "Janis Joplin", "Death" ]

[ "Miracle Row is the ninth studio album by Janis Ian, and her fourth for Columbia Records, released in 1977.\n\nIn contrast to her previous three albums, Miracle Row was recorded in New York City with her recent touring band and lacked the orchestration. Following her previous album Aftertones, Ian would spend much time in Spanish Harlem with her mother, and aimed to capture that vibe on her new album.\n\nReception\n\nThe Kingsport News gave the album \"A\" upon release, saying that Janis was \"the best realist woman poet around today\" and also one if its best vocalists. The Irving Daily News’ Jason Christopher also praised the album, saying that Janis Ian “scored another triumph” and that the album was “highly recommended for rainy-day listening”. Joe McNally writing for the San Antonio Express, said that Janis “did what she did very well” and the critic admitted that he was a sucker for what she did.\n\nMiracle Row, despite these positive reviews, was substantially ignored by most critics, many of whom, for example Robert Christgau, did not review the album at all. Miracle Row proved a major commercial flop, failing to crack the top 40 of the Billboard pop albums chart, whilst none of its three singles would chart anywhere except for \"Will You Dance?\" being a top 40 hit in Japan. It proved to be Ian's last album to dent the top 100 in the United States, for her efforts to adopt a highly commercial pop sound on her subsequent Columbia albums would gain success only in Europe and Australia, and not do so consistently even there.\n\nTrack listing\n\nPersonnel\n Janis Ian – composer, producer, vocals, guitar, keyboards\n Rubens Bassini – conductor, congas, percussion\n Claire Bay – vocals\n Phil Kraus – bass, cymbals, percussion\n Jeff Layton – guitar, guitar arrangements, horn\n Barry Lazarowitz – drums, percussion\n Stu Woods – bass\n\nCharts\n\nReferences\n\n1977 albums\nJanis Ian albums\nColumbia Records albums", "\"What Good Can Drinkin' Do\" is a blues song by Janis Joplin, the first song she ever recorded. \n\nThe song has six verses, following the 12-bar blues pattern. Lyrics in the first and last verse are almost identical: \"What good can drinkin' do ?\" is sung twice, then answered with \"Lord, I drink all night but the next day I still feel blue.\"\n\nRecordings of this song can be heard on her 1975 album, Janis, or on the later box set Janis. Record Collector cites her intro to the song: Up steps a feisty young woman, one month short of her twentieth birthday. \"Uh, this is a song called 'What Good Can Drinkin' Do', that I wrote one night after drinkin' myself into a stupor.\" ... \n\nIn 2009, Austin musician Carolyn Wonderland began including the song in some of her live performances, after appearing at The American Music Masters tribute to Janis Joplin, \"Kozmic Blues: The Life and Music of Janis Joplin.\"\n\nReferences\n\nJanis Joplin songs\n1962 songs\nSongs about alcohol\nSong articles with missing songwriters" ]

[ "Janis Joplin (January 19, 1943 – October 4, 1970) was an American singer-songwriter who sang rock, soul, and blues music. One of the most successful and widely known rock stars of her era, she was noted for her powerful mezzo-soprano vocals and \"electric\" stage presence. In 1967, Joplin rose to fame following an appearance at Monterey Pop Festival, where she was the lead singer of the then little-known San Francisco psychedelic rock band Big Brother and the Holding Company.", "In 1967, Joplin rose to fame following an appearance at Monterey Pop Festival, where she was the lead singer of the then little-known San Francisco psychedelic rock band Big Brother and the Holding Company. After releasing two albums with the band, she left Big Brother to continue as a solo artist with her own backing groups, first the Kozmic Blues Band and then the Full Tilt Boogie Band. She appeared at the Woodstock festival and on the Festival Express train tour.", "She appeared at the Woodstock festival and on the Festival Express train tour. Five singles by Joplin reached the Billboard Hot 100, including a cover of the Kris Kristofferson song \"Me and Bobby McGee\", which reached number one in March 1971. Her most popular songs include her cover versions of \"Piece of My Heart\", \"Cry Baby\", \"Down on Me\", \"Ball and Chain\", and \"Summertime\"; and her original song \"Mercedes Benz\", her final recording.", "Her most popular songs include her cover versions of \"Piece of My Heart\", \"Cry Baby\", \"Down on Me\", \"Ball and Chain\", and \"Summertime\"; and her original song \"Mercedes Benz\", her final recording. Joplin died of a heroin overdose in 1970, at the age of 27, after releasing three albums (two with Big Brother and the Holding Company and one solo album).", "Joplin died of a heroin overdose in 1970, at the age of 27, after releasing three albums (two with Big Brother and the Holding Company and one solo album). A second solo album, Pearl, was released in January 1971, just over three months after her death. It reached number one on the Billboard charts. She was posthumously inducted into the Rock and Roll Hall of Fame in 1995.", "She was posthumously inducted into the Rock and Roll Hall of Fame in 1995. Rolling Stone ranked Joplin number 46 on its 2004 list of the 100 Greatest Artists of All Time and number 28 on its 2008 list of 100 Greatest Singers of All Time. She remains one of the top-selling musicians in the United States, with Recording Industry Association of America certifications of 18.5 million albums sold.", "She remains one of the top-selling musicians in the United States, with Recording Industry Association of America certifications of 18.5 million albums sold. Early life Janis Joplin was born in Port Arthur, Texas, on , to Dorothy Bonita East (1913–1998), a registrar at a business college, and her husband, Seth Ward Joplin (1910–1987), an engineer at Texaco. She had two younger siblings, Michael and Laura.", "She had two younger siblings, Michael and Laura. She had two younger siblings, Michael and Laura. The family attended First Christian Church of Port Arthur, a church belonging to the Christian Church (Disciples of Christ) denomination. Her parents felt that Janis needed more attention than their other children. As a teenager, Joplin befriended a group of outcasts, one of whom had albums by blues artists Bessie Smith, Ma Rainey, and Lead Belly, which Joplin later credited with influencing her decision to become a singer.", "As a teenager, Joplin befriended a group of outcasts, one of whom had albums by blues artists Bessie Smith, Ma Rainey, and Lead Belly, which Joplin later credited with influencing her decision to become a singer. She began singing blues and folk music with friends at Thomas Jefferson High School. In high school, she was a classmate of Pro Football Hall of Fame coach Jimmy Johnson. Joplin stated that she was ostracized and bullied in high school.", "Joplin stated that she was ostracized and bullied in high school. As a teen, she became overweight and suffered from acne, leaving her with deep scars that required dermabrasion. Other kids at high school would routinely taunt her and call her names like \"pig,\" \"freak,\" \"nigger lover,\" or \"creep.\" She stated, \"I was a misfit. I read, I painted, I thought. I didn't hate niggers.\"", "I didn't hate niggers.\" I didn't hate niggers.\" Joplin graduated from high school in 1960 and attended Lamar State College of Technology in Beaumont, Texas, during the summer and later the University of Texas at Austin (UT), though she did not complete her college studies. The campus newspaper, The Daily Texan, ran a profile of her in the issue dated July 27, 1962, headlined \"She Dares to Be Different.\"", "The campus newspaper, The Daily Texan, ran a profile of her in the issue dated July 27, 1962, headlined \"She Dares to Be Different.\" The article began, \"She goes barefooted when she feels like it, wears Levi's to class because they're more comfortable, and carries her autoharp with her everywhere she goes so that in case she gets the urge to break into song, it will be handy. Her name is Janis Joplin.\"", "Her name is Janis Joplin.\" Her name is Janis Joplin.\" While at UT she performed with a folk trio called the Waller Creek Boys and frequently socialized with the staff of the campus humor magazine The Texas Ranger. According to Freak Brothers cartoonist Gilbert Shelton, who befriended her, she used to sell The Texas Ranger, which contained some of Shelton's early comic books, on the campus.", "According to Freak Brothers cartoonist Gilbert Shelton, who befriended her, she used to sell The Texas Ranger, which contained some of Shelton's early comic books, on the campus. Career 1962–1965: Early recordings Joplin cultivated a rebellious manner and styled herself partly after her female blues heroines and partly after the Beat poets. Her first song, \"What Good Can Drinkin' Do\", was recorded on tape in December 1962 at the home of a fellow University of Texas student.", "Her first song, \"What Good Can Drinkin' Do\", was recorded on tape in December 1962 at the home of a fellow University of Texas student. She left Texas in January 1963 (\"Just to get away,\" she said, \"because my head was in a much different place\"), hitchhiking with her friend Chet Helms to North Beach, San Francisco.", "She left Texas in January 1963 (\"Just to get away,\" she said, \"because my head was in a much different place\"), hitchhiking with her friend Chet Helms to North Beach, San Francisco. Still in San Francisco in 1964, Joplin and future Jefferson Airplane guitarist Jorma Kaukonen recorded a number of blues standards, which incidentally featured Kaukonen's wife Margareta using a typewriter in the background.", "Still in San Francisco in 1964, Joplin and future Jefferson Airplane guitarist Jorma Kaukonen recorded a number of blues standards, which incidentally featured Kaukonen's wife Margareta using a typewriter in the background. This session included seven tracks: \"Typewriter Talk\", \"Trouble in Mind\", \"Kansas City Blues\", \"Hesitation Blues\", \"Nobody Knows You When You're Down and Out\", \"Daddy, Daddy, Daddy\", and \"Long Black Train Blues\", and was released long after Joplin's death as the bootleg album The Typewriter Tape.", "This session included seven tracks: \"Typewriter Talk\", \"Trouble in Mind\", \"Kansas City Blues\", \"Hesitation Blues\", \"Nobody Knows You When You're Down and Out\", \"Daddy, Daddy, Daddy\", and \"Long Black Train Blues\", and was released long after Joplin's death as the bootleg album The Typewriter Tape. In 1963, Joplin was arrested in San Francisco for shoplifting.", "In 1963, Joplin was arrested in San Francisco for shoplifting. During the two years that followed, her drug use increased and she acquired a reputation as a \"speed freak\" and occasional heroin user. She also used other psychoactive drugs and was a heavy drinker throughout her career; her favorite alcoholic beverage was Southern Comfort.", "She also used other psychoactive drugs and was a heavy drinker throughout her career; her favorite alcoholic beverage was Southern Comfort. In May 1965, Joplin's friends in San Francisco, noticing the detrimental effects on her from regularly injecting methamphetamine (she was described as \"skeletal\" and \"emaciated\"), persuaded her to return to Port Arthur. During that month, her friends threw her a bus-fare party so she could return to her parents in Texas.", "During that month, her friends threw her a bus-fare party so she could return to her parents in Texas. Five years later, Joplin told Rolling Stone magazine writer David Dalton the following about her first stint in San Francisco: \"I didn't have many friends and I didn't like the ones I had.\" Back in Port Arthur in the spring of 1965, after Joplin's parents noticed her weight of , she changed her lifestyle.", "Back in Port Arthur in the spring of 1965, after Joplin's parents noticed her weight of , she changed her lifestyle. She avoided drugs and alcohol, adopted a beehive hairdo, and enrolled as an anthropology major at Lamar University in nearby Beaumont, Texas. Her sister Laura said in a 2016 interview that social work was her major during her year at Lamar. During her time at Lamar University, she commuted to Austin to sing solo, accompanying herself on acoustic guitar.", "During her time at Lamar University, she commuted to Austin to sing solo, accompanying herself on acoustic guitar. One of her performances was at a benefit by local musicians for Texas bluesman Mance Lipscomb, who was suffering with ill health. Joplin became engaged to Peter de Blanc in the fall of 1965. She had begun a relationship with him toward the end of her first stint in San Francisco.", "She had begun a relationship with him toward the end of her first stint in San Francisco. Now living in New York where he worked with IBM computers, he visited her to ask her father for her hand in marriage. Joplin and her mother began planning the wedding. De Blanc, who traveled frequently, ended the engagement soon afterward.", "De Blanc, who traveled frequently, ended the engagement soon afterward. In 1965 and 1966, Joplin commuted from her family's Port Arthur home to Beaumont, Texas, where she had regular sessions with a psychiatric social worker named Bernard Giarritano at a counseling agency that was funded by the United Fund, which after her death changed its name to the United Way.", "In 1965 and 1966, Joplin commuted from her family's Port Arthur home to Beaumont, Texas, where she had regular sessions with a psychiatric social worker named Bernard Giarritano at a counseling agency that was funded by the United Fund, which after her death changed its name to the United Way. Interviewed by biographer Myra Friedman after his client's death, Giarritano said Joplin had been baffled by how she could pursue a professional career as a singer without relapsing into drugs, and her drug-related memories from immediately prior to returning to Port Arthur continued to frighten her.", "Interviewed by biographer Myra Friedman after his client's death, Giarritano said Joplin had been baffled by how she could pursue a professional career as a singer without relapsing into drugs, and her drug-related memories from immediately prior to returning to Port Arthur continued to frighten her. Joplin sometimes brought an acoustic guitar with her to her sessions with Giarritano, and people in other offices within the building could hear her singing. Giarritano tried to reassure her that she did not have to use narcotics in order to succeed in the music business.", "Giarritano tried to reassure her that she did not have to use narcotics in order to succeed in the music business. She also said that if she were to avoid singing professionally, she would have to become a keypunch operator (as she had done a few years earlier) or a secretary, and then a wife and mother, and she would have to become very similar to all the other women in Port Arthur.", "She also said that if she were to avoid singing professionally, she would have to become a keypunch operator (as she had done a few years earlier) or a secretary, and then a wife and mother, and she would have to become very similar to all the other women in Port Arthur. Approximately a year before Joplin joined Big Brother and the Holding Company, she recorded seven studio tracks with her acoustic guitar.", "Approximately a year before Joplin joined Big Brother and the Holding Company, she recorded seven studio tracks with her acoustic guitar. Among the songs she recorded were her original composition of the song \"Turtle Blues\" and an alternate version of \"Cod'ine\" by Buffy Sainte-Marie. These tracks were later issued as a new album in 1995, titled This is Janis Joplin 1965 by James Gurley.", "These tracks were later issued as a new album in 1995, titled This is Janis Joplin 1965 by James Gurley. 1966–1969: Various bands In 1966, Joplin's bluesy vocal style attracted the attention of the San Francisco-based psychedelic rock band Big Brother and the Holding Company, which had gained some renown among the nascent hippie community in Haight-Ashbury. She was recruited to join the group by Chet Helms, a promoter who was managing Big Brother and with whom she had hitchhiked from Texas to San Francisco a few years earlier.", "She was recruited to join the group by Chet Helms, a promoter who was managing Big Brother and with whom she had hitchhiked from Texas to San Francisco a few years earlier. Helms sent his friend Travis Rivers to find her in Austin, Texas, where she had been performing with her acoustic guitar, and to accompany her to San Francisco.", "Helms sent his friend Travis Rivers to find her in Austin, Texas, where she had been performing with her acoustic guitar, and to accompany her to San Francisco. Aware of her previous nightmare with drug addiction in San Francisco, Rivers insisted that she inform her parents face-to-face of her plans, and he drove her from Austin to Port Arthur (he waited in his car while she talked with her startled parents) before they began their long drive to San Francisco. Joplin joined Big Brother on June 4, 1966.", "Joplin joined Big Brother on June 4, 1966. Joplin joined Big Brother on June 4, 1966. Her first public performance with them was at the Avalon Ballroom in San Francisco. In June, Joplin was photographed at an outdoor concert in San Francisco that celebrated the summer solstice. The image, which was later published in two books by David Dalton, shows her before she relapsed into drugs. Due to persistent persuading by keyboardist and close friend Stephen Ryder, Joplin avoided drugs for several weeks.", "Due to persistent persuading by keyboardist and close friend Stephen Ryder, Joplin avoided drugs for several weeks. She made Travis Rivers, with whom she shared an apartment upon their arrival in San Francisco, promise that using needles would not be allowed there. When bandmate Dave Getz accompanied her from a rehearsal to her home, Rivers was not there, but \"two or three\" (according to Getz' recollection 25 years later) guests whom Rivers had invited were in the process of injecting drugs.", "When bandmate Dave Getz accompanied her from a rehearsal to her home, Rivers was not there, but \"two or three\" (according to Getz' recollection 25 years later) guests whom Rivers had invited were in the process of injecting drugs. \"One of them was about to tie off,\" recalled Getz. \"Janis went nuts! I had never seen anybody explode like that. She was screaming and crying and Travis walked in. She screamed at him: 'We had a pact! You promised me!", "She screamed at him: 'We had a pact! You promised me! You promised me! There wouldn't be any of that in front of me!' I was over my head and I tried to calm her down. I said, 'They're just doing mescaline,' because that's what I thought it was. She said, 'You don't understand! I can't see that! I just can't stand to see that!'\"", "I just can't stand to see that!'\" A San Francisco concert from that summer (1966) was recorded and released on the 1984 album Cheaper Thrills. In July, all five bandmates and guitarist James Gurley's wife Nancy moved to a house in Lagunitas, California, where they lived communally. The band often partied with the Grateful Dead, the members of whom lived less than two miles away. She had a short relationship and longer friendship with founding member Ron \"Pigpen\" McKernan.", "She had a short relationship and longer friendship with founding member Ron \"Pigpen\" McKernan. The band went to Chicago for a four-week engagement in August 1966, then found itself stranded after the promoter ran out of money when its concerts did not attract the expected audience levels, and he was unable to pay them.", "The band went to Chicago for a four-week engagement in August 1966, then found itself stranded after the promoter ran out of money when its concerts did not attract the expected audience levels, and he was unable to pay them. In the circumstances the band signed with Bob Shad's record label Mainstream Records; recordings for the label took place in Chicago in September, but these were not satisfactory, and the band returned to San Francisco, continuing to perform live, including at the Love Pageant Rally.", "In the circumstances the band signed with Bob Shad's record label Mainstream Records; recordings for the label took place in Chicago in September, but these were not satisfactory, and the band returned to San Francisco, continuing to perform live, including at the Love Pageant Rally. The band recorded two tracks, \"Blindman\" and \"All Is Loneliness\", in Los Angeles, and these were released by Mainstream as a single that did not sell well.", "The band recorded two tracks, \"Blindman\" and \"All Is Loneliness\", in Los Angeles, and these were released by Mainstream as a single that did not sell well. After playing at a happening in Stanford in early December 1966, the band traveled back to Los Angeles to record ten tracks between December 12 and 14, 1966, produced by Bob Shad, which appeared on the band's debut album in August 1967. In late 1966, Big Brother switched managers from Chet Helms to Julius Karpen.", "In late 1966, Big Brother switched managers from Chet Helms to Julius Karpen. One of Joplin's earliest major performances in 1967 was at the Mantra-Rock Dance, a musical event held on January 29 at the Avalon Ballroom by the San Francisco Hare Krishna temple. Janis Joplin and Big Brother performed there along with the Hare Krishna founder Bhaktivedanta Swami, Allen Ginsberg, Moby Grape, and the Grateful Dead, donating proceeds to the Krishna temple.", "Janis Joplin and Big Brother performed there along with the Hare Krishna founder Bhaktivedanta Swami, Allen Ginsberg, Moby Grape, and the Grateful Dead, donating proceeds to the Krishna temple. In early 1967, Joplin met Country Joe McDonald of the group Country Joe and the Fish. The pair lived together as a couple for a few months. Joplin and Big Brother began playing clubs in San Francisco, at the Fillmore West, Winterland, and the Avalon Ballroom.", "Joplin and Big Brother began playing clubs in San Francisco, at the Fillmore West, Winterland, and the Avalon Ballroom. They also played at the Hollywood Bowl in Los Angeles, as well as in Seattle, Washington; Vancouver, British Columbia; the Psychedelic Supermarket in Boston, Massachusetts; and the Golden Bear Club in Huntington Beach, California.", "They also played at the Hollywood Bowl in Los Angeles, as well as in Seattle, Washington; Vancouver, British Columbia; the Psychedelic Supermarket in Boston, Massachusetts; and the Golden Bear Club in Huntington Beach, California. The band's debut studio album, Big Brother & the Holding Company, was released by Mainstream Records in August 1967, shortly after the group's breakthrough appearance in June at the Monterey Pop Festival.", "The band's debut studio album, Big Brother & the Holding Company, was released by Mainstream Records in August 1967, shortly after the group's breakthrough appearance in June at the Monterey Pop Festival. Two tracks, \"Coo Coo\" and \"The Last Time,\" were released separately as singles, while the tracks from the previous single, \"Blindman\" and \"All Is Loneliness\", were added to the remaining eight tracks.", "Two tracks, \"Coo Coo\" and \"The Last Time,\" were released separately as singles, while the tracks from the previous single, \"Blindman\" and \"All Is Loneliness\", were added to the remaining eight tracks. When Columbia Records took over the band's contract and re-released the album, they included \"Coo Coo\" and \"The Last Time\", and put \"featuring Janis Joplin\" on the cover.", "When Columbia Records took over the band's contract and re-released the album, they included \"Coo Coo\" and \"The Last Time\", and put \"featuring Janis Joplin\" on the cover. The debut album spawned four minor hits with the singles \"Down on Me\", a traditional song arranged by Joplin, \"Bye Bye Baby\", \"Call On Me\" and \"Coo Coo\", on all of which Joplin sang lead vocals.", "The debut album spawned four minor hits with the singles \"Down on Me\", a traditional song arranged by Joplin, \"Bye Bye Baby\", \"Call On Me\" and \"Coo Coo\", on all of which Joplin sang lead vocals. Two songs from the second of Big Brother's two sets at Monterey, which they played on Sunday, were filmed (their first set, which was on Saturday, was not filmed, though it was audio-recorded).", "Two songs from the second of Big Brother's two sets at Monterey, which they played on Sunday, were filmed (their first set, which was on Saturday, was not filmed, though it was audio-recorded). Some sources, including a Joplin biography by Ellis Amburn, claim that she was dressed in thrift store hippie clothes or second-hand Victorian clothes during the band's Saturday set, but still photographs do not appear to have survived.", "Some sources, including a Joplin biography by Ellis Amburn, claim that she was dressed in thrift store hippie clothes or second-hand Victorian clothes during the band's Saturday set, but still photographs do not appear to have survived. Digitized color film of two songs in the Sunday set, \"Combination of the Two\" and a version of Big Mama Thornton's \"Ball and Chain,\" appear in the DVD and Blu-ray boxed set of D. A. Pennebaker's documentary Monterey Pop released by The Criterion Collection.", "Digitized color film of two songs in the Sunday set, \"Combination of the Two\" and a version of Big Mama Thornton's \"Ball and Chain,\" appear in the DVD and Blu-ray boxed set of D. A. Pennebaker's documentary Monterey Pop released by The Criterion Collection. She is seen wearing an expensive gold tunic dress with matching pants. They were created for her by San Francisco clothing designer Colin Rose.", "They were created for her by San Francisco clothing designer Colin Rose. Documentary filmmaker Pennebaker inserted two cutaway shots of Cass Elliot of the Mamas & the Papas seated in the audience during Joplin's performance of \"Ball and Chain\", one in the middle of the song as her eyes, covered by sunglasses, are fixed on Joplin, and also a shot during the applause as she silently mouths \"Oh, wow!\" and looks at the person seated next to her.", "and looks at the person seated next to her. and looks at the person seated next to her. Elliot and the audience are seen in sunlight, but Sunday's Big Brother performance was filmed in the evening. An explanation came from Big Brother's road manager John Byrne Cooke, who remembers that Pennebaker discreetly filmed the audience (including Elliot) during Big Brother's Saturday performance when he was not allowed to point a camera at the band.", "An explanation came from Big Brother's road manager John Byrne Cooke, who remembers that Pennebaker discreetly filmed the audience (including Elliot) during Big Brother's Saturday performance when he was not allowed to point a camera at the band. The prohibition of Pennebaker from filming on Saturday afternoon came from Big Brother's manager Julius Karpen. The band had a bitter argument with Karpen and overruled him as they prepared for their second set that the festival organizers had added on the spur of the moment.", "The band had a bitter argument with Karpen and overruled him as they prepared for their second set that the festival organizers had added on the spur of the moment. Backstage at the festival, the band became acquainted with New York-based talent manager Albert Grossman but did not sign with him until several months later, firing Karpen at that time. Only \"Ball and Chain\" was included in the Monterey Pop film that was released to theaters throughout the United States in 1969 and shown on television in the 1970s.", "Only \"Ball and Chain\" was included in the Monterey Pop film that was released to theaters throughout the United States in 1969 and shown on television in the 1970s. Those who did not attend the Monterey Pop Festival saw the band's performance of \"Combination of the Two\" for the first time in 2002 when The Criterion Collection released the boxed set. For the remainder of 1967, even after Big Brother signed with Albert Grossman, the band performed mainly in California.", "For the remainder of 1967, even after Big Brother signed with Albert Grossman, the band performed mainly in California. On February 16, 1968, the group began its first East Coast tour in Philadelphia, and the following day gave their first performance in New York City at the Anderson Theater.", "On February 16, 1968, the group began its first East Coast tour in Philadelphia, and the following day gave their first performance in New York City at the Anderson Theater. On April 7, 1968—three days after the assassination of Martin Luther King Jr. and the last day of their East Coast tour—Joplin and Big Brother performed with Jimi Hendrix, Buddy Guy, Joni Mitchell, Richie Havens, Paul Butterfield, and Elvin Bishop at the Wake for Martin Luther King Jr. concert in New York.", "On April 7, 1968—three days after the assassination of Martin Luther King Jr. and the last day of their East Coast tour—Joplin and Big Brother performed with Jimi Hendrix, Buddy Guy, Joni Mitchell, Richie Havens, Paul Butterfield, and Elvin Bishop at the Wake for Martin Luther King Jr. concert in New York. Live at Winterland '68, recorded at the Winterland Ballroom on April 12 and 13, 1968, features Joplin and Big Brother and the Holding Company at the height of their mutual career working through a selection of tracks from their albums.", "Live at Winterland '68, recorded at the Winterland Ballroom on April 12 and 13, 1968, features Joplin and Big Brother and the Holding Company at the height of their mutual career working through a selection of tracks from their albums. A recording became available to the public for the first time in 1998 when Columbia/Sony Music Entertainment released the compact disc. One month after the Winterland concert, Owsley Stanley recorded them at the Carousel Ballroom, released in 2012 as Live at the Carousel Ballroom 1968.", "One month after the Winterland concert, Owsley Stanley recorded them at the Carousel Ballroom, released in 2012 as Live at the Carousel Ballroom 1968. On July 31, 1968, Joplin made her first nationwide television appearance when the band performed on This Morning, an ABC daytime 90-minute variety show that was hosted by Dick Cavett. Shortly thereafter, network employees wiped the videotape, though the audio survives. (In 1969 and 1970, Joplin made three appearances on Cavett's prime-time program.", "(In 1969 and 1970, Joplin made three appearances on Cavett's prime-time program. Video was preserved and excerpts have been included in most documentaries about Joplin. Audio of her 1968 appearance has not been used since then.) Sometime in 1968, the band's billing was changed to \"Janis Joplin and Big Brother and the Holding Company,\" and the media coverage given to Joplin generated resentment within the band.", "Sometime in 1968, the band's billing was changed to \"Janis Joplin and Big Brother and the Holding Company,\" and the media coverage given to Joplin generated resentment within the band. The other members of Big Brother thought that Joplin was on a \"star trip\", while others were telling Joplin that Big Brother was a terrible band and that she ought to dump them.", "The other members of Big Brother thought that Joplin was on a \"star trip\", while others were telling Joplin that Big Brother was a terrible band and that she ought to dump them. Time magazine called Joplin \"probably the most powerful singer to emerge from the white rock movement\", and Richard Goldstein wrote for the May 1968 issue of Vogue magazine that Joplin was \"the most staggering leading woman in rock...she slinks like tar, scowls like war...clutching the knees of a final stanza, begging it not to leave.... Janis Joplin can sing the chic off any listener.\"", "Time magazine called Joplin \"probably the most powerful singer to emerge from the white rock movement\", and Richard Goldstein wrote for the May 1968 issue of Vogue magazine that Joplin was \"the most staggering leading woman in rock...she slinks like tar, scowls like war...clutching the knees of a final stanza, begging it not to leave.... Janis Joplin can sing the chic off any listener.\" For her first major studio recording, Joplin played a major role in the arrangement and production of the songs that would comprise Big Brother and the Holding Company's second album, Cheap Thrills.", "For her first major studio recording, Joplin played a major role in the arrangement and production of the songs that would comprise Big Brother and the Holding Company's second album, Cheap Thrills. Producer John Simon tried recording the band in concert, to capture their energy in a live album, but several attempts showed the band was prone to mistakes. Their imprecision was not helped by moving the sessions to a recording studio.", "Their imprecision was not helped by moving the sessions to a recording studio. Joplin sang take after take of the same song, with her performances consistently good, and she grew frustrated with the band's sloppiness. Simon was replaced by Elliot Mazer who fixed the songs by overdubbing certain parts. The album featured a cover design by counterculture cartoonist Robert Crumb.", "The album featured a cover design by counterculture cartoonist Robert Crumb. Although Cheap Thrills sounded as if it consisted of concert recordings, like on \"Combination of the Two\" and \"I Need a Man to Love\", only \"Ball and Chain\" was actually recorded in front of a paying audience; the rest of the tracks were studio recordings. The album had a raw quality, including the sound of a drinking glass breaking and the broken shards being swept away during the song \"Turtle Blues\".", "The album had a raw quality, including the sound of a drinking glass breaking and the broken shards being swept away during the song \"Turtle Blues\". Cheap Thrills produced very popular hits with \"Piece of My Heart\" and \"Summertime\". Together with the premiere of the documentary film Monterey Pop at New York's Lincoln Center for the Performing Arts on December 26, 1968, the album launched Joplin as a star.", "Together with the premiere of the documentary film Monterey Pop at New York's Lincoln Center for the Performing Arts on December 26, 1968, the album launched Joplin as a star. Cheap Thrills reached number one on the Billboard 200 album chart eight weeks after its release, and was number one for eight (nonconsecutive) weeks. The album was certified gold at release and sold over a million copies in the first month of its release.", "The album was certified gold at release and sold over a million copies in the first month of its release. The lead single from the album, \"Piece of My Heart\", reached number 12 on the Billboard Hot 100 in the fall of 1968. The band made another East Coast tour during July–August 1968, performing at the Columbia Records convention in Puerto Rico and the Newport Folk Festival.", "The band made another East Coast tour during July–August 1968, performing at the Columbia Records convention in Puerto Rico and the Newport Folk Festival. After returning to San Francisco for two hometown shows at the Palace of Fine Arts Festival on August 31 and September 1, Joplin announced that she would be leaving Big Brother. On September 14, 1968, culminating a three-night engagement together at Fillmore West, fans thronged to a concert that Bill Graham publicized as the last official concert of Janis Joplin with Big Brother and the Holding Company.", "On September 14, 1968, culminating a three-night engagement together at Fillmore West, fans thronged to a concert that Bill Graham publicized as the last official concert of Janis Joplin with Big Brother and the Holding Company. The opening acts on this night were Chicago (then still called Chicago Transit Authority) and Santana. Despite Graham's announcement that the Fillmore West gig was Big Brother's last concert with Joplin, the band—with Joplin still as lead vocalist—toured the U.S. that fall.", "Despite Graham's announcement that the Fillmore West gig was Big Brother's last concert with Joplin, the band—with Joplin still as lead vocalist—toured the U.S. that fall. Reflecting Joplin's crossover appeal, two October 1968 performances at a roller rink in Alexandria, Virginia, were reviewed by John Segraves of the conservative Washington Evening Star at a time when the Washington metropolitan area's hard rock scene was in its infancy.", "Reflecting Joplin's crossover appeal, two October 1968 performances at a roller rink in Alexandria, Virginia, were reviewed by John Segraves of the conservative Washington Evening Star at a time when the Washington metropolitan area's hard rock scene was in its infancy. An opera buff at the time, he wrote: Later that month (October 1968), Big Brother performed at the University of Massachusetts Amherst and at the Worcester Polytechnic Institute, and played at the Syracuse War Memorial as part of Syracuse University's Fall Homecoming on October 11, with Janis joining openers the Butterfield Blues Band for their closing song.", "An opera buff at the time, he wrote: Later that month (October 1968), Big Brother performed at the University of Massachusetts Amherst and at the Worcester Polytechnic Institute, and played at the Syracuse War Memorial as part of Syracuse University's Fall Homecoming on October 11, with Janis joining openers the Butterfield Blues Band for their closing song. Aside from two 1970 reunions, Joplin's last performance with Big Brother was at a Chet Helms benefit in San Francisco on December 1, 1968.", "Aside from two 1970 reunions, Joplin's last performance with Big Brother was at a Chet Helms benefit in San Francisco on December 1, 1968. 1969–1970: Solo career After splitting from Big Brother and the Holding Company, Joplin formed a new backup group, the Kozmic Blues Band, composed of session musicians like keyboardist Stephen Ryder and saxophonist Cornelius \"Snooky\" Flowers, as well as former Big Brother and the Holding Company guitarist Sam Andrew and future Full Tilt Boogie Band bassist Brad Campbell.", "1969–1970: Solo career After splitting from Big Brother and the Holding Company, Joplin formed a new backup group, the Kozmic Blues Band, composed of session musicians like keyboardist Stephen Ryder and saxophonist Cornelius \"Snooky\" Flowers, as well as former Big Brother and the Holding Company guitarist Sam Andrew and future Full Tilt Boogie Band bassist Brad Campbell. The band was influenced by the Stax-Volt rhythm and blues (R&B) and soul bands of the 1960s, as exemplified by Otis Redding and the Bar-Kays.", "The band was influenced by the Stax-Volt rhythm and blues (R&B) and soul bands of the 1960s, as exemplified by Otis Redding and the Bar-Kays. The Stax-Volt R&B sound was typified by the use of horns and had a funky, pop-oriented sound in contrast to many of the psychedelic/hard rock bands of the period.", "The Stax-Volt R&B sound was typified by the use of horns and had a funky, pop-oriented sound in contrast to many of the psychedelic/hard rock bands of the period. By early 1969, Joplin was allegedly shooting at least $200 worth of heroin per day (equivalent to $1300 in 2016 dollars) although efforts were made to keep her clean during the recording of I Got Dem Ol' Kozmic Blues Again Mama!", "By early 1969, Joplin was allegedly shooting at least $200 worth of heroin per day (equivalent to $1300 in 2016 dollars) although efforts were made to keep her clean during the recording of I Got Dem Ol' Kozmic Blues Again Mama! Gabriel Mekler, who produced the album, told publicist-turned-biographer Myra Friedman after Joplin's death that she had lived in his Los Angeles house during the June 1969 recording sessions at his insistence so he could keep her away from drugs and her drug-using friends.", "Gabriel Mekler, who produced the album, told publicist-turned-biographer Myra Friedman after Joplin's death that she had lived in his Los Angeles house during the June 1969 recording sessions at his insistence so he could keep her away from drugs and her drug-using friends. Joplin's appearances with the Kozmic Blues Band in Europe were released in theaters, in multiple documentaries.", "Joplin's appearances with the Kozmic Blues Band in Europe were released in theaters, in multiple documentaries. Janis, which was reviewed by the Washington Post on March 21, 1975, shows Joplin arriving in Frankfurt by plane and waiting inside a bus next to the Frankfurt venue, while an American female fan who is visiting Germany expresses enthusiasm to the camera (no security was used in Frankfurt, so by the end of the concert, the stage was so packed with people the band members could not see each other).", "Janis, which was reviewed by the Washington Post on March 21, 1975, shows Joplin arriving in Frankfurt by plane and waiting inside a bus next to the Frankfurt venue, while an American female fan who is visiting Germany expresses enthusiasm to the camera (no security was used in Frankfurt, so by the end of the concert, the stage was so packed with people the band members could not see each other). Janis also includes interviews with Joplin in Stockholm and from her visit to London, for her gig at Royal Albert Hall.", "Janis also includes interviews with Joplin in Stockholm and from her visit to London, for her gig at Royal Albert Hall. The London interview was dubbed with a voiceover in the German language for broadcast on German television. John Byrne Cooke, road manager for Joplin and the Kozmic Blues Band, wrote a book published in 2014 in which he discussed her knowledge of the risks of her ongoing use of narcotics, particularly when she was outside the United States.", "John Byrne Cooke, road manager for Joplin and the Kozmic Blues Band, wrote a book published in 2014 in which he discussed her knowledge of the risks of her ongoing use of narcotics, particularly when she was outside the United States. On the episode of The Dick Cavett Show that was telecast in the United States on the night of July 18, 1969, Joplin and her band performed \"Try (Just a Little Bit Harder)\" as well as \"To Love Somebody\".", "On the episode of The Dick Cavett Show that was telecast in the United States on the night of July 18, 1969, Joplin and her band performed \"Try (Just a Little Bit Harder)\" as well as \"To Love Somebody\". As Dick Cavett interviewed Joplin, she admitted that she had a terrible time touring in Europe, claiming that audiences there are very uptight and don't \"get down\".", "As Dick Cavett interviewed Joplin, she admitted that she had a terrible time touring in Europe, claiming that audiences there are very uptight and don't \"get down\". Released in September 1969, the Kozmic Blues album was certified gold later that year but did not match the success of Cheap Thrills. Reviews of the new group were mixed.", "Reviews of the new group were mixed. Reviews of the new group were mixed. However, the album's recording quality and engineering, as well as the musicianship (including three performances by former Bob Dylan/Paul Butterfield/Electric Flag guitarist Mike Bloomfield), were considered superior to her previous releases, and some music critics argued that the band was working in a much more constructive way to support Joplin's sensational vocal talents.", "However, the album's recording quality and engineering, as well as the musicianship (including three performances by former Bob Dylan/Paul Butterfield/Electric Flag guitarist Mike Bloomfield), were considered superior to her previous releases, and some music critics argued that the band was working in a much more constructive way to support Joplin's sensational vocal talents. Joplin wanted a horn section similar to that featured by the Chicago Transit Authority; her voice had the dynamic qualities and range not to be overpowered by the brighter horn sound.", "Joplin wanted a horn section similar to that featured by the Chicago Transit Authority; her voice had the dynamic qualities and range not to be overpowered by the brighter horn sound. Some music critics, however, including Ralph J. Gleason of the San Francisco Chronicle, were negative. Gleason wrote that the new band was a \"drag\" and Joplin should \"scrap\" her new band and \"go right back to being a member of Big Brother ... (if they'll have her).\"", "Gleason wrote that the new band was a \"drag\" and Joplin should \"scrap\" her new band and \"go right back to being a member of Big Brother ... (if they'll have her).\" Other reviewers, such as reporter Carl Bernstein of the Washington Post, devoted entire articles to celebrating the singer's magic. Bernstein's review said that Joplin \"has finally assembled a group of first-rate musicians with whom she is totally at ease and whose abilities complement the incredible range of her voice.\"", "Bernstein's review said that Joplin \"has finally assembled a group of first-rate musicians with whom she is totally at ease and whose abilities complement the incredible range of her voice.\" Columbia Records released \"Kozmic Blues\" as a single, which peaked at number 41 on the Billboard Hot 100, and a live rendition of \"Raise Your Hand\" was released in Germany and became a top ten hit there.", "Columbia Records released \"Kozmic Blues\" as a single, which peaked at number 41 on the Billboard Hot 100, and a live rendition of \"Raise Your Hand\" was released in Germany and became a top ten hit there. Containing other hits like \"Try (Just a Little Bit Harder)\", \"To Love Somebody\", and \"Little Girl Blue\", I Got Dem Ol' Kozmic Blues Again Mama! reached number five on the Billboard 200 soon after its release.", "reached number five on the Billboard 200 soon after its release. Joplin appeared at Woodstock starting at approximately 2:00 a.m., on Sunday, August 17, 1969. Joplin informed her band that they would be performing at the concert as if it were just another gig. On Saturday afternoon, when she and the band were flown by helicopter with the pregnant Joan Baez and Baez's mother from a nearby motel to the festival site and Joplin saw the enormous crowd, she instantly became extremely nervous and giddy.", "On Saturday afternoon, when she and the band were flown by helicopter with the pregnant Joan Baez and Baez's mother from a nearby motel to the festival site and Joplin saw the enormous crowd, she instantly became extremely nervous and giddy. Upon landing and getting off the helicopter, Joplin was approached by reporters asking her questions. She referred them to her friend and sometime lover Peggy Caserta as she was too excited to speak.", "She referred them to her friend and sometime lover Peggy Caserta as she was too excited to speak. Initially, Joplin was eager to get on the stage and perform but was repeatedly delayed as bands were contractually obliged to perform ahead of Joplin. Faced with a ten-hour wait after arriving at the backstage area, Joplin spent some of that time shooting heroin and drinking alcohol with Caserta in a tent.", "Faced with a ten-hour wait after arriving at the backstage area, Joplin spent some of that time shooting heroin and drinking alcohol with Caserta in a tent. The director's cut of the Woodstock movie shows Joplin and Jefferson Airplane singer Grace Slick standing together near amplifiers watching the band Canned Heat's performance, which started at 7:30 p.m. Saturday, and Caserta does not appear within camera range.", "The director's cut of the Woodstock movie shows Joplin and Jefferson Airplane singer Grace Slick standing together near amplifiers watching the band Canned Heat's performance, which started at 7:30 p.m. Saturday, and Caserta does not appear within camera range. When Joplin finally reached the stage at approximately 2:00 a.m. Sunday, she was \"three sheets to the wind\", according to biographer Alice Echols. During her performance, Joplin's voice became slightly hoarse and wheezy, and she struggled to dance.", "During her performance, Joplin's voice became slightly hoarse and wheezy, and she struggled to dance. Joplin pulled through, however, and engaged frequently with the crowd, asking them if they had everything they needed and if they were staying stoned. The audience cheered for an encore, to which Joplin replied and sang \"Ball and Chain\".", "The audience cheered for an encore, to which Joplin replied and sang \"Ball and Chain\". Pete Townshend, who performed with the Who later in the same morning after Joplin finished, witnessed her performance and said the following in his 2012 memoir: \"She had been amazing at Monterey, but tonight she wasn't at her best, due, probably, to the long delay, and probably, too, to the amount of booze and heroin she'd consumed while she waited.", "Pete Townshend, who performed with the Who later in the same morning after Joplin finished, witnessed her performance and said the following in his 2012 memoir: \"She had been amazing at Monterey, but tonight she wasn't at her best, due, probably, to the long delay, and probably, too, to the amount of booze and heroin she'd consumed while she waited. But even Janis on an off-night was incredible.\" Janis remained at Woodstock for the remainder of the festival.", "Janis remained at Woodstock for the remainder of the festival. Starting at approximately 3:00 a.m. on Monday, August 18, Joplin was among many Woodstock performers who stood in a circle behind Crosby, Stills & Nash during their performance, which was the first time anyone at Woodstock ever had heard the group perform. This information was published by David Crosby in 1988.", "This information was published by David Crosby in 1988. This information was published by David Crosby in 1988. Later in the morning of August 18, Joplin and Joan Baez sat in Joe Cocker's van and witnessed Hendrix's close-of-show performance, according to Baez's memoir And a Voice to Sing With (1989). Still photographs in color show Joplin backstage with Grace Slick the day after Joplin's performance, wherein Joplin appears to be very happy. She was ultimately unhappy with her performance, however, and blamed Caserta.", "She was ultimately unhappy with her performance, however, and blamed Caserta. Her singing was not included (by her own insistence) in the 1970 documentary film or the soundtrack for Woodstock: Music from the Original Soundtrack and More, although the 25th anniversary director's cut of Woodstock includes her performance of \"Work Me, Lord\".", "Her singing was not included (by her own insistence) in the 1970 documentary film or the soundtrack for Woodstock: Music from the Original Soundtrack and More, although the 25th anniversary director's cut of Woodstock includes her performance of \"Work Me, Lord\". The documentary film of the festival that was released in theaters during 1970 includes, on the left side of a split screen, 37 seconds of footage of Joplin and Caserta walking toward Joplin's dressing room tent.", "The documentary film of the festival that was released in theaters during 1970 includes, on the left side of a split screen, 37 seconds of footage of Joplin and Caserta walking toward Joplin's dressing room tent. In addition to Woodstock, Joplin also had problems at Madison Square Garden, in 1969. Biographer Myra Friedman said she had witnessed a duet Joplin sang with Tina Turner during the Rolling Stones concert at the Garden on Thanksgiving Day.", "Biographer Myra Friedman said she had witnessed a duet Joplin sang with Tina Turner during the Rolling Stones concert at the Garden on Thanksgiving Day. Friedman said Joplin was \"so drunk, so stoned, so out of control, that she could have been an institutionalized psychotic rent by mania.\" During another Garden concert where she had solo billing on December 19, some observers believed Joplin tried to incite the audience to riot. For part of this concert she was joined onstage by Johnny Winter and Paul Butterfield.", "For part of this concert she was joined onstage by Johnny Winter and Paul Butterfield. Joplin told rock journalist David Dalton that Garden audiences watched and listened to \"every note [she sang] with 'Is she gonna make it?' in their eyes.\" In her interview with Dalton she added that she felt most comfortable performing at small, cheap venues in San Francisco that were associated with the counterculture.", "In her interview with Dalton she added that she felt most comfortable performing at small, cheap venues in San Francisco that were associated with the counterculture. At the time of the June 1970 interview with Dalton, she had already performed in the Bay Area for what turned out to be the last time. Sam Andrew, the lead guitarist who had left Big Brother with Joplin in December 1968 to form her back-up band, quit in late summer 1969 and returned to Big Brother.", "Sam Andrew, the lead guitarist who had left Big Brother with Joplin in December 1968 to form her back-up band, quit in late summer 1969 and returned to Big Brother. At the end of the year, the Kozmic Blues Band broke up. Their final gig with Joplin was the one at Madison Square Garden with Winter and Butterfield. In February 1970, Joplin traveled to Brazil, where she stopped her drug and alcohol use.", "In February 1970, Joplin traveled to Brazil, where she stopped her drug and alcohol use. She was accompanied on vacation there by her friend Linda Gravenites (wife of songwriter Nick Gravenites), who had designed Janis's stage costumes from 1967 to 1969. In Brazil, Joplin was romanced by a fellow American tourist named David (George) Niehaus, who was traveling around the world. A Joplin biography written by her sister Laura said, \"David was an upper-middle-class Cincinnati kid who had studied communications at Notre Dame.", "A Joplin biography written by her sister Laura said, \"David was an upper-middle-class Cincinnati kid who had studied communications at Notre Dame. ... [and] had joined the Peace Corps after college and worked in a small village in Turkey. ... He tried law school, but when he met Janis he was taking time off.\" Niehaus and Joplin were photographed by the press at Rio Carnival in Rio de Janeiro. Gravenites also took color photographs of the two during their Brazilian vacation.", "Gravenites also took color photographs of the two during their Brazilian vacation. According to Joplin biographer Ellis Amburn, in Gravenites' snapshots they \"look like a carefree, happy, healthy young couple having a tremendously good time.\" Rolling Stone magazine interviewed Joplin during an international phone call, quoting her: \"I'm going into the jungle with a big bear of a beatnik named David Niehaus. I finally remembered I don't have to be on stage twelve months a year.", "I finally remembered I don't have to be on stage twelve months a year. I've decided to go and dig some other jungles for a couple of weeks.\" Amburn added in 1992, \"Janis was trying to kick heroin in Brazil, and one of the nicest things about David was that he wasn't into drugs.\" When Joplin returned to the U.S., she began using heroin again. Her relationship with Niehaus soon ended because he witnessed her shooting drugs at her new home in Larkspur, California.", "Her relationship with Niehaus soon ended because he witnessed her shooting drugs at her new home in Larkspur, California. The relationship was also complicated by her ongoing romantic relationship with Peggy Caserta, who also was an intravenous addict, and Joplin's refusal to take some time off and travel the world with him. Around this time, she formed her new band, known for a short time as Main Squeeze, then renamed the Full Tilt Boogie Band.", "Around this time, she formed her new band, known for a short time as Main Squeeze, then renamed the Full Tilt Boogie Band. The band comprised mostly young Canadian musicians previously associated with Ronnie Hawkins and featured an organ, but no horn section. Joplin took a more active role in putting together the Full Tilt Boogie band than she had with her prior group. She was quoted as saying, \"It's my band. Finally it's my band!\"", "Finally it's my band!\" Finally it's my band!\" In May 1970, after performing under the name Main Squeeze at a Hell's Angels event, the renamed Full Tilt Boogie Band began a nationwide tour. Joplin became very happy with her new group, which eventually received mostly positive feedback from both her fans and the critics. Prior to beginning a summer tour with Full Tilt Boogie, she performed in a reunion with Big Brother at the Fillmore West, in San Francisco, on April 4, 1970.", "Prior to beginning a summer tour with Full Tilt Boogie, she performed in a reunion with Big Brother at the Fillmore West, in San Francisco, on April 4, 1970. Recordings from this concert were included in an in-concert album released posthumously in 1972. She again appeared with Big Brother on April 12 at Winterland, where she and Big Brother were reported to be in excellent form.", "She again appeared with Big Brother on April 12 at Winterland, where she and Big Brother were reported to be in excellent form. She performed with the band, billed as Main Squeeze, at a party for the Hells Angels at a venue in San Rafael, California on May 21, 1970, according to a web site maintained by Big Brother guitarist Sam Andrew.", "She performed with the band, billed as Main Squeeze, at a party for the Hells Angels at a venue in San Rafael, California on May 21, 1970, according to a web site maintained by Big Brother guitarist Sam Andrew. Andrew's web site quotes him as saying, \"This will be the first time that Janis' old band and her new band will be at the same venue, so everyone is a little on edge.\"", "Andrew's web site quotes him as saying, \"This will be the first time that Janis' old band and her new band will be at the same venue, so everyone is a little on edge.\" According to Joplin's biographer Ellis Amburn, Big Brother with its lead singer Nick Gravenites was the opening act at the party that was attended by 2,300 people. The Hells Angels, who had known Joplin since 1966, paid her a fee of 240 dollars to perform.", "The Hells Angels, who had known Joplin since 1966, paid her a fee of 240 dollars to perform. Gravenites and Sam Andrew (who had resumed playing guitar with Big Brother) differed in their opinions of her performance and how substance abuse affected it. Gravenites described her singing as \"stupendous,\" according to Amburn. Amburn quoted Andrew twenty years later: \"She was visibly deteriorating and she looked bloated. She was like a parody of what she was at her best.", "She was like a parody of what she was at her best. I put it down to her drinking too much and I felt a tinge of fear for her well-being. Her singing was real flabby, no edge at all.\" Shortly thereafter, Joplin began wearing multi-colored feather boas in her hair. (She had not worn them at the May 21 Hell's Angels party / concert in San Rafael).", "(She had not worn them at the May 21 Hell's Angels party / concert in San Rafael). By the time she began touring with Full Tilt Boogie, Joplin told people she was drug-free, but her drinking increased. From June 28 to July 4, 1970, during the Festival Express tour, Joplin and Full Tilt Boogie performed alongside Buddy Guy, the Band, the Flying Burrito Brothers, Ten Years After, the Grateful Dead, Delaney & Bonnie, Eric Andersen, and Ian & Sylvia.", "From June 28 to July 4, 1970, during the Festival Express tour, Joplin and Full Tilt Boogie performed alongside Buddy Guy, the Band, the Flying Burrito Brothers, Ten Years After, the Grateful Dead, Delaney & Bonnie, Eric Andersen, and Ian & Sylvia. They played concerts in Toronto, Winnipeg, and Calgary. Joplin jammed with the other performers on the train, and her performances on this tour are considered to be among her greatest. Joplin headlined the festival on all three nights.", "Joplin headlined the festival on all three nights. Joplin headlined the festival on all three nights. At the last stop in Calgary, she took to the stage with Jerry Garcia while her band was tuning up. Film footage shows her telling the audience how great the tour was and shows her and Garcia presenting the organizers with a case of tequila. She then burst into a two-hour set, starting with \"Tell Mama\". Throughout this performance, Joplin engaged in several banters about her love life.", "Throughout this performance, Joplin engaged in several banters about her love life. In one, she reminisced about living in a San Francisco apartment and competing with a female neighbor in flirting with men on the street. She finished the Calgary concert with long versions of \"Get It While You Can\" and \"Ball and Chain\".", "She finished the Calgary concert with long versions of \"Get It While You Can\" and \"Ball and Chain\". Footage of her performance of \"Tell Mama\" in Calgary became an MTV video in the early 1980s, and the audio from the same film footage was included on the Farewell Song (1982) album. The audio of other Festival Express performances was included on Joplin's In Concert (1972) album. Video of the performances was also included on the Festival Express DVD.", "Video of the performances was also included on the Festival Express DVD. These performances of entire songs during the Festival Express concerts in Toronto and Calgary can be purchased, although other songs remain in vaults and have yet to be released. In the \"Tell Mama\" video shown on MTV in the 1980s, Joplin wore a psychedelically colored, loose-fitting costume and feathers in her hair. This was her standard stage costume in the spring and summer of 1970.", "This was her standard stage costume in the spring and summer of 1970. She chose the new costumes after her friend and designer, Linda Gravenites (whom Joplin had praised in Vogues profile of her in its May 1968 edition), cut ties with Joplin shortly after their return from Brazil, due largely to Joplin's continued use of heroin. Among Joplin's last public appearances were two broadcasts of The Dick Cavett Show.", "Among Joplin's last public appearances were two broadcasts of The Dick Cavett Show. In her June 25, 1970 appearance, she announced that she would attend her ten-year high school class reunion.", "In her June 25, 1970 appearance, she announced that she would attend her ten-year high school class reunion. When asked if she had been popular in school, she admitted that when in high school, her schoolmates \"laughed me out of class, out of town and out of the state\" (during the year she had spent at the University of Texas at Austin, Joplin had been voted \"Ugliest Man on Campus\" by frat boys).", "When asked if she had been popular in school, she admitted that when in high school, her schoolmates \"laughed me out of class, out of town and out of the state\" (during the year she had spent at the University of Texas at Austin, Joplin had been voted \"Ugliest Man on Campus\" by frat boys). In the subsequent Cavett Show broadcast, on August 3, 1970, and featuring Gloria Swanson, Joplin discussed her upcoming performance at the Festival for Peace to be held at Shea Stadium in Queens, New York, three days later.", "In the subsequent Cavett Show broadcast, on August 3, 1970, and featuring Gloria Swanson, Joplin discussed her upcoming performance at the Festival for Peace to be held at Shea Stadium in Queens, New York, three days later. On July 11, 1970, Full Tilt Boogie and Big Brother and the Holding Company both performed at the same concert in the San Diego Sports Arena, which was decades later renamed the Valley View Casino Center.", "On July 11, 1970, Full Tilt Boogie and Big Brother and the Holding Company both performed at the same concert in the San Diego Sports Arena, which was decades later renamed the Valley View Casino Center. Joplin sang with Full Tilt Boogie and appeared briefly onstage with Big Brother without singing, according to a July 13 review of the concert in the San Diego Union.", "Joplin sang with Full Tilt Boogie and appeared briefly onstage with Big Brother without singing, according to a July 13 review of the concert in the San Diego Union. On August 7, 1970, a tombstone—jointly paid for by Joplin and Juanita Green, who as a child had done housework for Bessie Smith—was erected at Smith's previously unmarked grave. The following day, the Associated Press circulated this news, and the August 9 edition of The New York Times carried it.", "The following day, the Associated Press circulated this news, and the August 9 edition of The New York Times carried it. The lead paragraph of the AP story said Joplin and Green had \"shared the cost of a stone for the 'Empress of the Blues,'\" but, according to publicist/biographer Myra Friedman, the two women never met.", "The lead paragraph of the AP story said Joplin and Green had \"shared the cost of a stone for the 'Empress of the Blues,'\" but, according to publicist/biographer Myra Friedman, the two women never met. Joplin had been at home in Larkspur, California when she had received a long-distance phone call with an explanation of the need to finance a gravestone for Bessie Smith, whom Joplin had frequently cited as a musical influence.", "Joplin had been at home in Larkspur, California when she had received a long-distance phone call with an explanation of the need to finance a gravestone for Bessie Smith, whom Joplin had frequently cited as a musical influence. Joplin immediately wrote a check and mailed it to the name and address provided by the phone caller. On August 8, 1970, as the Associated Press circulated the news about Smith's new gravestone, Joplin performed at the Capitol Theatre (Port Chester, New York).", "On August 8, 1970, as the Associated Press circulated the news about Smith's new gravestone, Joplin performed at the Capitol Theatre (Port Chester, New York). It was there that she first performed \"Mercedes Benz\", a song (partially inspired by a Michael McClure poem) that she had composed with fellow musician and friend Bob Neuwirth a very short time earlier.", "It was there that she first performed \"Mercedes Benz\", a song (partially inspired by a Michael McClure poem) that she had composed with fellow musician and friend Bob Neuwirth a very short time earlier. According to Myra Friedman's account, Joplin performed two shows at the Capitol Theatre, the first of which was attended by actors Geraldine Page and her husband Rip Torn.", "According to Myra Friedman's account, Joplin performed two shows at the Capitol Theatre, the first of which was attended by actors Geraldine Page and her husband Rip Torn. Between the shows, at a \"gin mill\" [Friedman's words] very close to this concert venue, Joplin and Neuwirth penned the lyrics to the song and she performed it at the second show, according to Friedman.", "Between the shows, at a \"gin mill\" [Friedman's words] very close to this concert venue, Joplin and Neuwirth penned the lyrics to the song and she performed it at the second show, according to Friedman. Neuwirth was quoted by The Wall Street Journal in 2015: \"Around 7 p.m., after the Capitol sound check, we had a couple of hours to kill before [acts that opened for Joplin] Seatrain and Runt finished their sets.", "Neuwirth was quoted by The Wall Street Journal in 2015: \"Around 7 p.m., after the Capitol sound check, we had a couple of hours to kill before [acts that opened for Joplin] Seatrain and Runt finished their sets. So the four of us [Joplin, Neuwirth, Geraldine Page, Rip Torn] walked to a bar about three minutes away called Vahsen’s [at 30 Broad Street in Port Chester].\" While in Vahsen's, \"Janis came up with words for the first verse.", "While in Vahsen's, \"Janis came up with words for the first verse. I was in charge of writing them down on bar napkins with a ballpoint pen. She came up with the second verse, too, about a color TV. I suggested words here and there, and came up with the third verse—about asking the Lord to buy us a night on the town and another round.\"", "I suggested words here and there, and came up with the third verse—about asking the Lord to buy us a night on the town and another round.\" Joplin's last public performance with the Full Tilt Boogie Band took place on August 12, 1970, at the Harvard Stadium in Boston. The Harvard Crimson gave the performance a positive, front-page review, despite the fact that Full Tilt Boogie had performed with makeshift amplifiers after their regular sound equipment was stolen in Boston.", "The Harvard Crimson gave the performance a positive, front-page review, despite the fact that Full Tilt Boogie had performed with makeshift amplifiers after their regular sound equipment was stolen in Boston. Joplin attended her high school reunion on August 14, accompanied by Neuwirth, road manager John Cooke, and sister Laura, but it was reportedly an unhappy experience for her. Joplin held a press conference in Port Arthur during her reunion visit.", "Joplin held a press conference in Port Arthur during her reunion visit. When asked by a reporter if she ever entertained at Thomas Jefferson High School when she was a student there, Joplin replied, \"Only when I walked down the aisles.\" Joplin denigrated Port Arthur and the classmates who had humiliated her a decade earlier.", "Joplin denigrated Port Arthur and the classmates who had humiliated her a decade earlier. During late August, September, and early October 1970, Joplin and her band rehearsed and recorded a new album in Los Angeles with producer Paul A. Rothchild, best known for his lengthy relationship with The Doors. Although Joplin died before all the tracks were fully completed, there was enough usable material to compile an LP.", "Although Joplin died before all the tracks were fully completed, there was enough usable material to compile an LP. The posthumous Pearl (1971) became the biggest-selling album of her career and featured her biggest hit single, a cover of Kris Kristofferson and Fred Foster's \"Me and Bobby McGee\" (Kristofferson had previously been Joplin's lover in the spring of 1970). The opening track, \"Move Over\", was written by Joplin, reflecting the way that she felt men treated women in relationships.", "The opening track, \"Move Over\", was written by Joplin, reflecting the way that she felt men treated women in relationships. Also included was the social commentary of \"Mercedes Benz\", presented in an a cappella arrangement; the track on the album features the first and only take that Joplin recorded. A cover of Nick Gravenites's \"Buried Alive in the Blues\", to which Joplin had been scheduled to add her vocals on the day she was found dead, was included as an instrumental.", "A cover of Nick Gravenites's \"Buried Alive in the Blues\", to which Joplin had been scheduled to add her vocals on the day she was found dead, was included as an instrumental. Joplin checked into the Landmark Motor Hotel in Hollywood on August 24, 1970, near Sunset Sound Recorders, where she began rehearsing and recording her album.", "Joplin checked into the Landmark Motor Hotel in Hollywood on August 24, 1970, near Sunset Sound Recorders, where she began rehearsing and recording her album. During the sessions, Joplin continued a relationship with Seth Morgan, a 21-year-old UC Berkeley student, cocaine dealer, and future novelist who had visited her new home in Larkspur in July and August. She and Morgan were engaged to be married in early September, although he visited Sunset Sound Recorders for just eight of Joplin's many rehearsals and sessions.", "She and Morgan were engaged to be married in early September, although he visited Sunset Sound Recorders for just eight of Joplin's many rehearsals and sessions. Morgan later told biographer Myra Friedman that, as a non-musician, he had felt excluded whenever he had visited Sunset Sound Recorders. Instead, he stayed at Joplin's Larkspur home while she stayed alone at the Landmark, although several times she visited Larkspur to be with him and to check the progress of renovations she was having done on the house.", "Instead, he stayed at Joplin's Larkspur home while she stayed alone at the Landmark, although several times she visited Larkspur to be with him and to check the progress of renovations she was having done on the house. She told her construction crew to design a carport to be shaped like a flying saucer, according to biographer Ellis Amburn, the concrete foundation for which was poured the day before she died.", "She told her construction crew to design a carport to be shaped like a flying saucer, according to biographer Ellis Amburn, the concrete foundation for which was poured the day before she died. Peggy Caserta claimed in her book, Going Down With Janis (1973), that she and Joplin had decided mutually in April 1970 to stay away from each other to avoid enabling each other's drug use.", "Peggy Caserta claimed in her book, Going Down With Janis (1973), that she and Joplin had decided mutually in April 1970 to stay away from each other to avoid enabling each other's drug use. Caserta, a former Delta Air Lines stewardess and owner of one of the first clothing boutiques in the Haight Ashbury, said in the book that by September 1970, she was smuggling cannabis throughout California and had checked into the Landmark Motor Hotel because it attracted drug users.", "Caserta, a former Delta Air Lines stewardess and owner of one of the first clothing boutiques in the Haight Ashbury, said in the book that by September 1970, she was smuggling cannabis throughout California and had checked into the Landmark Motor Hotel because it attracted drug users. For approximately the first two weeks of Joplin's stay at the Landmark, she did not know Caserta was in Los Angeles. Joplin learned of Caserta's presence at the Landmark from a heroin dealer who made deliveries there.", "Joplin learned of Caserta's presence at the Landmark from a heroin dealer who made deliveries there. Joplin begged Caserta for heroin, and when Caserta refused to provide it, Joplin reportedly admonished her by saying, \"Don't think if you can get it, I can't get it.\" Joplin's publicist Myra Friedman was unaware during Joplin's lifetime that this had happened.", "Joplin's publicist Myra Friedman was unaware during Joplin's lifetime that this had happened. Later, while Friedman was working on her book Buried Alive, she determined that the time frame of the Joplin-Caserta encounter was one week before Jimi Hendrix's death. Within a few days, Joplin became a regular customer of the same heroin dealer who had been supplying Caserta. Joplin's manager Albert Grossman and his assistant/publicist Friedman had staged an intervention with Joplin the previous winter while Joplin was in New York.", "Joplin's manager Albert Grossman and his assistant/publicist Friedman had staged an intervention with Joplin the previous winter while Joplin was in New York. In September 1970, Grossman and Friedman, who worked out of a New York office, knew Joplin was staying at a Los Angeles hotel, but were unaware it was a haven for drug users and dealers. Grossman and Friedman knew during Joplin's lifetime that her friend Caserta, whom Friedman met during the New York sessions for Cheap Thrills and on later occasions, used heroin.", "Grossman and Friedman knew during Joplin's lifetime that her friend Caserta, whom Friedman met during the New York sessions for Cheap Thrills and on later occasions, used heroin. During the many long-distance telephone conversations that Joplin and Friedman had in September 1970 and on October 1, Joplin never mentioned Caserta, and Friedman assumed Caserta had been out of Joplin's life for a while. Friedman, who had more time than Grossman to monitor the situation, never visited California.", "Friedman, who had more time than Grossman to monitor the situation, never visited California. She thought Joplin sounded on the phone like she was less depressed than she had been over the summer. When Joplin was not at Sunset Sound Recorders, she liked to drive her Porsche over the speed limit \"on the winding part of Sunset Blvd. \", according to a statement made by her attorney Robert Gordon in 1995 at the Rock and Roll Hall of Fame induction ceremony.", "\", according to a statement made by her attorney Robert Gordon in 1995 at the Rock and Roll Hall of Fame induction ceremony. Friedman wrote that the only Full Tilt Boogie member who rode as her passenger, Ken Pearson, often hesitated to join her, though he did on the night she died. He was not interested in using hard drugs. On September 26, 1970, Joplin recorded vocals for \"Half Moon\" and \"Cry Baby\".", "On September 26, 1970, Joplin recorded vocals for \"Half Moon\" and \"Cry Baby\". The session ended with Joplin, organist Ken Pearson, and drummer Clark Pierson making a special one-minute recording as a birthday gift to John Lennon. Joplin was among several singers who had been contacted by Yoko Ono with a request for a taped greeting for Lennon's 30th birthday, on October 9. Joplin, Pearson, and Pierson chose the Dale Evans composition \"Happy Trails\" as part of the greeting.", "Joplin, Pearson, and Pierson chose the Dale Evans composition \"Happy Trails\" as part of the greeting. Lennon told Dick Cavett on-camera the following year that Joplin's recorded birthday wishes arrived at his home after her death. On October 1, 1970, Joplin completed her last recording, \"Mercedes Benz\", which was recorded in a single take.", "On October 1, 1970, Joplin completed her last recording, \"Mercedes Benz\", which was recorded in a single take. On Saturday, October 3, Joplin visited Sunset Sound Recorders to listen to the instrumental track for Nick Gravenites's song \"Buried Alive in the Blues\", which the band had recorded earlier that day. She and Paul Rothchild agreed she would record the vocal the following day.", "She and Paul Rothchild agreed she would record the vocal the following day. At some point on Saturday, she learned by telephone, to her dismay, that Seth Morgan had met other women at a Marin County, California, restaurant, invited them to her home, and was shooting pool with them using her pool table. People at Sunset Sound Recorders overheard Joplin expressing anger about the state of her relationship with Morgan, as well as joy about the progress of the sessions.", "People at Sunset Sound Recorders overheard Joplin expressing anger about the state of her relationship with Morgan, as well as joy about the progress of the sessions. Joplin and Ken Pearson later left the studio together and she drove him in her Porsche to the West Hollywood landmark called Barney's Beanery. Friedman wrote, \"At the bar, she drank vodka and orange juice, only two.\"", "Friedman wrote, \"At the bar, she drank vodka and orange juice, only two.\" Bennett Glotzer, a business partner of Joplin's manager Albert Grossman, was present at Barney's Beanery, according to what he told John Byrne Cooke immediately after he (Glotzer) learned of her death. Evidently, Joplin had a friendly conversation with a young man whom she did not know, and he expressed admiration for her music.", "Evidently, Joplin had a friendly conversation with a young man whom she did not know, and he expressed admiration for her music. After midnight, she drove Ken Pearson and the male fan to the Landmark where she and Pearson were staying in separate rooms. During the car ride, the fan asked Joplin questions \"about her singing style,\" according to Friedman, and \"she mostly ignored him\" so she could converse with Pearson.", "During the car ride, the fan asked Joplin questions \"about her singing style,\" according to Friedman, and \"she mostly ignored him\" so she could converse with Pearson. As Joplin and Pearson prepared to part in the lobby of the Landmark, she expressed a fear, possibly in jest, that he and the other Full Tilt Boogie musicians might decide to stop making music with her. Pearson was the second-to-last person to see her alive. The last was the Landmark's night shift desk clerk.", "The last was the Landmark's night shift desk clerk. He had met her several times but did not know her. Personal life Joplin's significant relationships with men included ones with Peter de Blanc, Country Joe McDonald (who wrote the song \"Janis\" at Joplin's request), David (George) Niehaus, Kris Kristofferson, and Seth Morgan (from July 1970 until her death, at which time they were allegedly engaged). She also had relationships with women.", "She also had relationships with women. She also had relationships with women. During her first stint in San Francisco in 1963, Joplin met and briefly lived with Jae Whitaker, a black woman whom she had met while playing pool at the bar Gino & Carlo in North Beach. Whitaker broke off their relationship because of Joplin's hard drug use and sexual relationships with other people. Whitaker was first identified by name in connection with the singer in 1999, when Alice Echols' biography Scars of Sweet Paradise was published.", "Whitaker was first identified by name in connection with the singer in 1999, when Alice Echols' biography Scars of Sweet Paradise was published. Joplin also had an on-again-off-again romantic relationship with Peggy Caserta. They first met in November 1966 when Big Brother performed at a San Francisco venue called The Matrix. Caserta was one of 15 people in the audience, and at the time, she ran a successful clothing boutique in the Haight Ashbury.", "Caserta was one of 15 people in the audience, and at the time, she ran a successful clothing boutique in the Haight Ashbury. Approximately a month after Caserta attended the concert, Joplin visited her boutique and said she could not afford to buy a pair of jeans that was for sale, instead asking to put down the first 50 cents on the $5 item. Caserta was amazed that such a talented singer could not afford a $5 item, and gave her a pair for free.", "Caserta was amazed that such a talented singer could not afford a $5 item, and gave her a pair for free. Their friendship was platonic for more than a year. Before it moved to the next level, Caserta was in love with Big Brother guitarist Sam Andrew, and sometime during the first half of 1968 traveled from San Francisco to New York to flirt with him. He did not want a serious relationship, and Joplin sympathized with Caserta's disappointment.", "He did not want a serious relationship, and Joplin sympathized with Caserta's disappointment. The Woodstock concert film includes 37 seconds of Joplin and Caserta walking together before they reached the tent where Joplin waited for her turn to perform. By the time the festival took place in August 1969, both were intravenous heroin addicts. According to Caserta's book Going Down With Janis, which Caserta has since disowned, Joplin introduced her to her boyfriend Seth Morgan in Joplin's room at the Landmark Motor Hotel on September 29, 1970.", "According to Caserta's book Going Down With Janis, which Caserta has since disowned, Joplin introduced her to her boyfriend Seth Morgan in Joplin's room at the Landmark Motor Hotel on September 29, 1970. Caserta \"had seen him around\" San Francisco but had not met him before. At some point, an agreement was made for a threesome to take place the following Friday, although Caserta later said that she immediately abandoned the idea once she understood that it was Morgan who would be with Joplin.", "At some point, an agreement was made for a threesome to take place the following Friday, although Caserta later said that she immediately abandoned the idea once she understood that it was Morgan who would be with Joplin. Morgan made alternate plans, believing that Caserta would be with Joplin that evening. Each one, however, was unaware that the other had bowed out.", "Each one, however, was unaware that the other had bowed out. The day after Joplin introduced Caserta to Morgan, Caserta saw Joplin briefly, again in Joplin's room, when Caserta accommodated her new Los Angeles friend Debbie Nuciforo, age 19, an aspiring hard rock drummer who wanted to meet Joplin. Nuciforo was stoned on heroin at the time, and the three women's encounter was brief and unpleasant.", "Nuciforo was stoned on heroin at the time, and the three women's encounter was brief and unpleasant. Caserta suspected that the reason for Joplin's foul mood was that Morgan had abandoned her earlier that day after having spent less than 24 hours with her. Caserta did not see nor communicate by phone with Joplin again, although she later claimed she had made several attempts to reach her by phone at the Landmark Motor Hotel and at Sunset Sound Recorders.", "Caserta did not see nor communicate by phone with Joplin again, although she later claimed she had made several attempts to reach her by phone at the Landmark Motor Hotel and at Sunset Sound Recorders. Caserta and Morgan lost touch with each other; each had independently made alternate plans for Friday night, October 2.", "Caserta and Morgan lost touch with each other; each had independently made alternate plans for Friday night, October 2. Joplin mentioned her disappointment (over both of her friends' bailing out of their ménage à trois) to her drug dealer on Saturday, while he was selling her the dose of heroin that killed her, as Caserta later learned from the drug dealer.", "Joplin mentioned her disappointment (over both of her friends' bailing out of their ménage à trois) to her drug dealer on Saturday, while he was selling her the dose of heroin that killed her, as Caserta later learned from the drug dealer. Biographer Myra Friedman commented in her original version of Buried Alive (1973): Given the near-infinite potentials of infancy, it is really impossible to make generalizations about what lies behind sexual practices.", "Biographer Myra Friedman commented in her original version of Buried Alive (1973): Given the near-infinite potentials of infancy, it is really impossible to make generalizations about what lies behind sexual practices. This, however, is probable: to become clearly homosexual, to make the choice that one honestly prefers relations with one's own sex, no matter the origins of such preference, requires a certain integration, a stability of psychic development, a tidiness of personality organization.", "This, however, is probable: to become clearly homosexual, to make the choice that one honestly prefers relations with one's own sex, no matter the origins of such preference, requires a certain integration, a stability of psychic development, a tidiness of personality organization. The ridicule and the humiliation that took place at that most delicate period in [Joplin's] early teens, her own inability to surmount the obstacles to regular growth, devastated her a great deal more than most people comprehended.", "The ridicule and the humiliation that took place at that most delicate period in [Joplin's] early teens, her own inability to surmount the obstacles to regular growth, devastated her a great deal more than most people comprehended. Janis was not heir to an ego so cohesive as to permit her an identity one way or the other.", "Janis was not heir to an ego so cohesive as to permit her an identity one way or the other. She was, as [the psychiatric social worker she saw regularly in Beaumont, Texas in 1965 and 1966] Mr. [Bernard] Giarritano put it [in an interview with Friedman], \"diffused\" -- spewing, splattering, splaying all over, without a center to hold.", "She was, as [the psychiatric social worker she saw regularly in Beaumont, Texas in 1965 and 1966] Mr. [Bernard] Giarritano put it [in an interview with Friedman], \"diffused\" -- spewing, splattering, splaying all over, without a center to hold. That had as much to do with her original use of drugs [before she first met Giarritano] as did the critical component of guilt and its multiplicity of sources above and beyond the contribution made by her relationships with women.", "That had as much to do with her original use of drugs [before she first met Giarritano] as did the critical component of guilt and its multiplicity of sources above and beyond the contribution made by her relationships with women. Were she so simple as the lesbians wished her to be or so free as her associates imagined!", "Were she so simple as the lesbians wished her to be or so free as her associates imagined! Kim France reported in her May 2, 1999 The New York Times article, \"Nothin' Left to Lose\" : \"Once she became famous, Joplin cursed like a truck driver, did not believe in wearing undergarments, was rarely seen without her bottle of Southern Comfort and delighted in playing the role of sexual predator.\"", "Kim France reported in her May 2, 1999 The New York Times article, \"Nothin' Left to Lose\" : \"Once she became famous, Joplin cursed like a truck driver, did not believe in wearing undergarments, was rarely seen without her bottle of Southern Comfort and delighted in playing the role of sexual predator.\" On July 11, 1970, Joplin made a revealing statement about her sexuality to her friend Richard Hundgen, the Grateful Dead's San Francisco-based road manager whom she had known since 1966.", "On July 11, 1970, Joplin made a revealing statement about her sexuality to her friend Richard Hundgen, the Grateful Dead's San Francisco-based road manager whom she had known since 1966. When Joplin and Hundgen were offstage during a San Diego gig for both Full Tilt Boogie and Big Brother and the Holding Company, she said the following that he later repeated to Myra Friedman: I hear a rumor that somebody in San Francisco is spreading stories that I'm a dyke.", "When Joplin and Hundgen were offstage during a San Diego gig for both Full Tilt Boogie and Big Brother and the Holding Company, she said the following that he later repeated to Myra Friedman: I hear a rumor that somebody in San Francisco is spreading stories that I'm a dyke. You go back there and find out who it is and tell them that Janis says she's gotten it on with a couple of thousand cats in her life and a few hundred chicks and see what they can do with that!", "You go back there and find out who it is and tell them that Janis says she's gotten it on with a couple of thousand cats in her life and a few hundred chicks and see what they can do with that! Death On Sunday evening, October 4, 1970, Joplin was found dead on the floor of her room at the Landmark Motor Hotel by her road manager and close friend John Byrne Cooke. Alcohol was present in the room. Newspapers reported that no other drugs or paraphernalia were present.", "Newspapers reported that no other drugs or paraphernalia were present. According to a 1983 book authored by Joseph DiMona and Los Angeles County coroner Thomas Noguchi, evidence of narcotics was removed from the scene by a friend of Joplin and later put back after the person realized that an autopsy was going to reveal that narcotics were in her system.", "According to a 1983 book authored by Joseph DiMona and Los Angeles County coroner Thomas Noguchi, evidence of narcotics was removed from the scene by a friend of Joplin and later put back after the person realized that an autopsy was going to reveal that narcotics were in her system. The book adds that prior to Joplin's death, Noguchi had investigated other fatal drug overdoses in Los Angeles where friends believed they were doing favors for decedents by removing evidence of narcotics, then they \"thought things over\" and returned to put back the evidence.", "The book adds that prior to Joplin's death, Noguchi had investigated other fatal drug overdoses in Los Angeles where friends believed they were doing favors for decedents by removing evidence of narcotics, then they \"thought things over\" and returned to put back the evidence. Noguchi performed an autopsy on Joplin and determined the cause of death to be a heroin overdose, possibly compounded by alcohol.", "Noguchi performed an autopsy on Joplin and determined the cause of death to be a heroin overdose, possibly compounded by alcohol. John Byrne Cooke believed Joplin had been given heroin that was much more potent than what she and other L.A. heroin users had received on previous occasions, as was indicated by overdoses of several of her dealer's other customers during the same weekend. Her death was ruled accidental.", "Her death was ruled accidental. Her death was ruled accidental. Both Peggy Caserta, Joplin's close friend, and Seth Morgan, Joplin's fiancé, had failed to meet Joplin the Friday immediately prior to her death, October 2; Joplin had been expecting both of them to keep her company that night. According to Caserta, Joplin was saddened that neither of her friends visited her at the Landmark as they had promised.", "According to Caserta, Joplin was saddened that neither of her friends visited her at the Landmark as they had promised. During the 24 hours Joplin lived after this disappointment, Caserta did not phone her to explain why she had failed to show up. Caserta admitted to waiting until late Saturday night to dial the Landmark switchboard, only to learn that Joplin had instructed the desk clerk not to accept any incoming phone calls for her after midnight.", "Caserta admitted to waiting until late Saturday night to dial the Landmark switchboard, only to learn that Joplin had instructed the desk clerk not to accept any incoming phone calls for her after midnight. Morgan did speak to Joplin via telephone within the 24 hours prior to her death, but little is known about that call. She used a phone at Sunset Sound Recorders where her colleagues (“there were perhaps twenty to twenty-five people pre‪sent,” wrote biographer Myra Friedman) noticed that whatever Morgan said to her made her very angry.", "She used a phone at Sunset Sound Recorders where her colleagues (“there were perhaps twenty to twenty-five people pre‪sent,” wrote biographer Myra Friedman) noticed that whatever Morgan said to her made her very angry. Peggy Caserta has insisted that Joplin's death was not an accidental overdose, but rather a result of a head gash suffered after the \"hourglass heel\" of her slingback sandal caught in the shag carpet, causing her to lose her balance.", "Peggy Caserta has insisted that Joplin's death was not an accidental overdose, but rather a result of a head gash suffered after the \"hourglass heel\" of her slingback sandal caught in the shag carpet, causing her to lose her balance. Caserta does concede, however, that drugs and/or alcohol may have played a role in hastening her death that night. Joplin was cremated at Pierce Brothers Westwood Village Memorial Park and Mortuary in Los Angeles, and her ashes were scattered from a plane into the Pacific Ocean.", "Joplin was cremated at Pierce Brothers Westwood Village Memorial Park and Mortuary in Los Angeles, and her ashes were scattered from a plane into the Pacific Ocean. Legacy Joplin's death in October 1970 at age 27 stunned her fans and shocked the music world, especially when coupled with the death just 16 days earlier of another rock icon, Jimi Hendrix, also at age 27.", "Legacy Joplin's death in October 1970 at age 27 stunned her fans and shocked the music world, especially when coupled with the death just 16 days earlier of another rock icon, Jimi Hendrix, also at age 27. (This would later cause some people to attribute significance to the death of musicians at the age of 27, as celebrated in the \"27 Club.\")", "(This would later cause some people to attribute significance to the death of musicians at the age of 27, as celebrated in the \"27 Club.\") Music historian Tom Moon wrote that Joplin had \"a devastatingly original voice,\" music columnist Jon Pareles of The New York Times wrote that Joplin as an artist was \"overpowering and deeply vulnerable\" and author Megan Terry said that Joplin was the female version of Elvis Presley in her ability to captivate an audience.", "Music historian Tom Moon wrote that Joplin had \"a devastatingly original voice,\" music columnist Jon Pareles of The New York Times wrote that Joplin as an artist was \"overpowering and deeply vulnerable\" and author Megan Terry said that Joplin was the female version of Elvis Presley in her ability to captivate an audience. A book about Joplin by her publicist Myra Friedman titled Buried Alive: The Biography of Janis Joplin (1973) was excerpted in many newspapers.", "A book about Joplin by her publicist Myra Friedman titled Buried Alive: The Biography of Janis Joplin (1973) was excerpted in many newspapers. At the same time, Peggy Caserta's memoir, Going Down With Janis (1973), attracted much attention; its provocative title is a reference to Caserta's claim that she had engaged in oral sex with Joplin while they were high on heroin in September 1970.", "At the same time, Peggy Caserta's memoir, Going Down With Janis (1973), attracted much attention; its provocative title is a reference to Caserta's claim that she had engaged in oral sex with Joplin while they were high on heroin in September 1970. The description provided by Dan Knapp, Caserta’s co-author whom she denounced decades later, repelled many people in 1973 when few books or filmed interviews of Joplin or her loved ones were accessible to the public.", "The description provided by Dan Knapp, Caserta’s co-author whom she denounced decades later, repelled many people in 1973 when few books or filmed interviews of Joplin or her loved ones were accessible to the public. Joplin's bandmate Sam Andrew described Caserta as \"halfway between a groupie and a friend\" in an interview with writer Ellis Amburn.", "Joplin's bandmate Sam Andrew described Caserta as \"halfway between a groupie and a friend\" in an interview with writer Ellis Amburn. Soon after the 1973 publication of Going Down With Janis, Joplin's friends learned that graphic descriptions of sexual acts and intravenous drug use were not the only portions of the book that would haunt them.", "Soon after the 1973 publication of Going Down With Janis, Joplin's friends learned that graphic descriptions of sexual acts and intravenous drug use were not the only portions of the book that would haunt them. According to Kim Chappell, a close friend of Caserta and Joplin, Caserta's book angered the Los Angeles heroin dealer whom she had described in detail in her book, including the make and model of his car.", "According to Kim Chappell, a close friend of Caserta and Joplin, Caserta's book angered the Los Angeles heroin dealer whom she had described in detail in her book, including the make and model of his car. According to Amburn, in 1973 a \"carful of dope dealers\" visited a Los Angeles lesbian bar that Caserta had been frequenting.", "According to Amburn, in 1973 a \"carful of dope dealers\" visited a Los Angeles lesbian bar that Caserta had been frequenting. Chappell, who was in the alley behind the bar, stated: \"I was stabbed because, when Peggy's book came out, her dealer, the same one who'd given Janis her last fix, didn't like it that he was referred to and was out to get Peggy. He couldn't find her, so he went for her lover.", "He couldn't find her, so he went for her lover. When they realized who I was, they felt that my death would also hit Peggy, and so they stabbed me.\" Despite being \"stabbed three times in the chest, puncturing both lungs,\" Chappell eventually recovered. In 2018, Caserta denounced Going Down With Janis as the pornographic fantasy of Dan Knapp, her co-author, and largely unreliable.", "In 2018, Caserta denounced Going Down With Janis as the pornographic fantasy of Dan Knapp, her co-author, and largely unreliable. During that year, the public had its first access to her own story via a memoir she co-wrote with Maggie Falcon titled I Ran Into Some Trouble. It describes a long, friendly relationship with Joplin that only occasionally featured sexuality.", "It describes a long, friendly relationship with Joplin that only occasionally featured sexuality. According to Joplin’s biographers, Caserta was among many friends of Joplin who did not become clean and sober until a very long time after Joplin's death, while others died from overdoses. Although the wife of Big Brother guitarist James Gurley, who was Joplin's close friend, died from a heroin overdose in 1969, devastating Joplin, Gurley himself did not become clean and sober until 1984.", "Although the wife of Big Brother guitarist James Gurley, who was Joplin's close friend, died from a heroin overdose in 1969, devastating Joplin, Gurley himself did not become clean and sober until 1984. Caserta survived \"a near-fatal OD in December 1995,\" wrote Alice Echols. On January 13, 2000, Caserta appeared during a segment about Joplin on 20/20.", "On January 13, 2000, Caserta appeared during a segment about Joplin on 20/20. Joplin's body art, with a wristlet and a small heart on her left breast by the San Francisco tattoo artist Lyle Tuttle, marked an early moment in the popular culture's acceptance of tattoos as art. Another trademark was her flamboyant hair styles, which often included colored streaks and accessories such as scarves, beads and feathers.", "Another trademark was her flamboyant hair styles, which often included colored streaks and accessories such as scarves, beads and feathers. When in New York City, Joplin frequented the Limbo boutique on St. Mark's Place, and she wore some of the vintage and unique garments that she purchased there on stage. The Mamas & the Papas' song \"Pearl\" (1971), from their People Like Us album, was a tribute. Leonard Cohen's song \"Chelsea Hotel#2\" (1974) is about Joplin.", "Leonard Cohen's song \"Chelsea Hotel#2\" (1974) is about Joplin. Lyricist Robert Hunter has commented that Jerry Garcia's \"Birdsong\" from his first solo album, Garcia (1972), is about Joplin and the end of her suffering through death. Mimi Farina's composition \"In the Quiet Morning\", most famously covered by Joan Baez on her Come from the Shadows (1972) album, was a tribute to Joplin.", "Mimi Farina's composition \"In the Quiet Morning\", most famously covered by Joan Baez on her Come from the Shadows (1972) album, was a tribute to Joplin. Another song by Baez, \"Children of the Eighties,\" mentioned Joplin. A Serge Gainsbourg-penned French language song by English singer Jane Birkin, \"Ex fan des sixties\" (1978), references Joplin along with other disappeared \"idols\" such as Jimi Hendrix, Brian Jones and Marc Bolan.", "A Serge Gainsbourg-penned French language song by English singer Jane Birkin, \"Ex fan des sixties\" (1978), references Joplin along with other disappeared \"idols\" such as Jimi Hendrix, Brian Jones and Marc Bolan. When Joplin was alive, Country Joe McDonald released a song called \"Janis\" on his band's album I-Feel-Like-I'm-Fixin'-to-Die (1967). The film The Rose (1979) is loosely based on Joplin's life.", "The film The Rose (1979) is loosely based on Joplin's life. Originally planned to be titled Pearl—Joplin's nickname and the title of her last album—the film was fictionalized after her family declined to allow the producers the rights to her story. Bette Midler earned a nomination for the Academy Award for Best Actress for her performance in the film.", "Bette Midler earned a nomination for the Academy Award for Best Actress for her performance in the film. In 1988, on what would have been Joplin's 45th birthday, the Janis Joplin Memorial, with an original gold, multi-image sculpture of Joplin by Douglas Clark, was dedicated during a ceremony in Port Arthur, Texas. In 1992, the first major biography of Joplin in two decades, Love, Janis, authored by her younger sister Laura Joplin, was published.", "In 1992, the first major biography of Joplin in two decades, Love, Janis, authored by her younger sister Laura Joplin, was published. In an interview, Laura stated that Joplin enjoyed being on the Dick Cavett Show, that Joplin had difficulties with some, but not all, people at Thomas Jefferson High School and that Joplin enthusiastically talked about Woodstock with her parents and siblings during a visit to their Texas home a few weeks after she had performed at the festival.", "In an interview, Laura stated that Joplin enjoyed being on the Dick Cavett Show, that Joplin had difficulties with some, but not all, people at Thomas Jefferson High School and that Joplin enthusiastically talked about Woodstock with her parents and siblings during a visit to their Texas home a few weeks after she had performed at the festival. In 1995, Joplin was inducted into the Rock and Roll Hall of Fame. In 2005, she received a Grammy Lifetime Achievement Award.", "In 2005, she received a Grammy Lifetime Achievement Award. In November 2009, the Rock and Roll Hall of Fame and Museum honored her as part of its annual American Music Masters Series; among the artifacts at the Rock and Roll Hall of Fame Museum exhibition are Joplin's scarf and necklaces, her psychedelically painted 1965 Porsche 356 Cabriolet and a sheet of LSD blotting paper designed by Robert Crumb, designer of the Cheap Thrills cover.", "In November 2009, the Rock and Roll Hall of Fame and Museum honored her as part of its annual American Music Masters Series; among the artifacts at the Rock and Roll Hall of Fame Museum exhibition are Joplin's scarf and necklaces, her psychedelically painted 1965 Porsche 356 Cabriolet and a sheet of LSD blotting paper designed by Robert Crumb, designer of the Cheap Thrills cover. Also in 2009, Joplin was the honoree at the Rock Hall's American Music Master concert and lecture series.", "Also in 2009, Joplin was the honoree at the Rock Hall's American Music Master concert and lecture series. In the late 1990s, the musical play Love, Janis was created and directed by Randal Myler, with input from Janis' younger sister Laura and Big Brother guitarist Sam Andrew, with an aim to take it to Off-Broadway. Opening in the summer of 2001 and scheduled for only a few weeks of performances, the show won acclaim, played to packed houses and was held over several times.", "Opening in the summer of 2001 and scheduled for only a few weeks of performances, the show won acclaim, played to packed houses and was held over several times. In 2013, Washington's Arena Stage featured a production of A Night with Janis Joplin, starring Mary Bridget Davies. In it, Joplin performs a concert for the audience while telling stories of her past inspirations, including those of Odetta and Aretha Franklin. The show went on tour in 2016.", "The show went on tour in 2016. The show went on tour in 2016. On November 4, 2013, Joplin was awarded with the 2,510th star on the Hollywood Walk of Fame for her contributions to the music industry. Her star is located at 6752 Hollywood Boulevard, in front of Musicians Institute. On August 8, 2014, the U.S. Postal Service revealed a commemorative stamp honoring Joplin as part of its Music Icons stamp series during a first-day-of-issue ceremony at the Outside Lands Music Festival at Golden Gate Park.", "Postal Service revealed a commemorative stamp honoring Joplin as part of its Music Icons stamp series during a first-day-of-issue ceremony at the Outside Lands Music Festival at Golden Gate Park. Among the memorabilia Joplin left behind is a Gibson Hummingbird guitar. In 2015, the biographical documentary film Janis: Little Girl Blue, directed by Amy J. Berg and narrated by Cat Power, was released. It was a New York Times Critics' Pick. Influence Joplin had a profound influence on many singers.", "Influence Joplin had a profound influence on many singers. Influence Joplin had a profound influence on many singers. Pink said about Joplin: \"She was so inspiring by singing blues music when it wasn't culturally acceptable for white women, and she wore her heart on her sleeve. She was so witty and charming and intelligent, but she also battled an ugly-duckling syndrome. I would love to play her in a movie.\"", "I would love to play her in a movie.\" In a tribute performance on her Try This Tour, Pink called Joplin \"a woman who inspired me when everyone else ... didn't!\" Discography Janis Joplin recorded four albums in her four-year career. The first two albums were recorded with and credited to Big Brother and the Holding Company; the later two were recorded with different backing bands and released as solo albums. Posthumous releases have included previously unreleased studio and live material.", "Posthumous releases have included previously unreleased studio and live material. Studio albums As lead singer of Big Brother and the Holding Company As solo artist Live albums Compilation albums Singles As lead of Big Brother and the Holding Company As solo artist Filmography Monterey Pop (1968) Petulia (1968) Janis Joplin Live in Frankfurt (1969) Janis (1974) Janis: The Way She Was (1974) Comin' Home (1988) Woodstock – The Lost Performances (1991) Woodstock: 3 Days of Peace & Music (Director's Cut) (1994) Festival Express (2003) Nine Hundred Nights (2004) The Dick Cavett Show: Rock Icons (2005) Shout Factory Rockin' at the Red Dog: The Dawn of Psychedelic Rock (2005) This is Tom Jones (2007) 1969 appearance on TV show Woodstock: 3 Days of Peace & Music (Director's Cut) 40th Anniversary Edition (2009) Janis Joplin with Big Brother: Ball and Chain (DVD) Charly (2009) Janis: Little Girl Blue (2015) Notes References Further reading – an encounter with Janis Joplin at the wheel.", "Studio albums As lead singer of Big Brother and the Holding Company As solo artist Live albums Compilation albums Singles As lead of Big Brother and the Holding Company As solo artist Filmography Monterey Pop (1968) Petulia (1968) Janis Joplin Live in Frankfurt (1969) Janis (1974) Janis: The Way She Was (1974) Comin' Home (1988) Woodstock – The Lost Performances (1991) Woodstock: 3 Days of Peace & Music (Director's Cut) (1994) Festival Express (2003) Nine Hundred Nights (2004) The Dick Cavett Show: Rock Icons (2005) Shout Factory Rockin' at the Red Dog: The Dawn of Psychedelic Rock (2005) This is Tom Jones (2007) 1969 appearance on TV show Woodstock: 3 Days of Peace & Music (Director's Cut) 40th Anniversary Edition (2009) Janis Joplin with Big Brother: Ball and Chain (DVD) Charly (2009) Janis: Little Girl Blue (2015) Notes References Further reading – an encounter with Janis Joplin at the wheel. External links Janis Joplin at the Grammy Awards Janis Joplin on the Music-Map 1943 births 1970 deaths 20th-century American singers 20th-century American women singers American blues singers American child singers American mezzo-sopranos American women rock singers American women singer-songwriters American rhythm and blues singer-songwriters American rock songwriters American soul musicians Accidental deaths in California Big Brother and the Holding Company members Bisexual musicians Bisexual women Blues rock musicians Columbia Records artists Deaths by heroin overdose in California Drug-related deaths in California Grammy Lifetime Achievement Award winners LGBT people from Texas LGBT singers from the United States LGBT songwriters Lamar University alumni People from Beaumont, Texas People from Port Arthur, Texas Singer-songwriters from Texas University of Texas at Austin alumni 20th-century LGBT people" ]

[ "Janis Joplin", "Death", "What year did Janis die?", "1970,", "How old was she when she died?", "On October 4, 1970, producer Paul Rothchild became concerned when Joplin failed to show up at Sunset Sound Recorders for a recording", "Was Janis with anyone when she died?", "Peggy Caserta and Seth Morgan had both failed to meet Joplin the Friday immediately prior to her death," ]

[ "\"Falling in Love Again\" is a 1977 song recorded by singer Marvin Gaye and issued on his 1978 album, Here, My Dear album. The song was another track on the personal album that did not discuss the demise of his first marriage. Instead of Anna Gaye, the song talked of the other woman in Marvin's life. Described in \"You Can Leave, but It's Going to Cost You\" as \"that young girl\", she was Janis Hunter, whom Gaye had married. In a solemn but still certain tone, he wanted to be sure that this time his love for Janis will be what he had always wanted. But as irony would have it, by the time of the album's release, Marvin and Janis' relationship was failing. By the end of the album's promotion, Janis had split from the singer after nearly two years as a married couple. They eventually divorced in February 1981. This song was the last song on Here, My Dear with a reprise from the album's \"theme song\", \"When Did You Stop Loving Me, When Did I Stop Loving You\", playing soon afterwards putting the album to a close for good.\n\nPersonnel\nAll vocals, keyboards and synthesizers by Marvin Gaye\nDrums by Bugsy Wilcox\nTenor saxophones by Charles Owens and Fernando Harkness\nBass by Frank Blair\nGuitar by Gordon Banks\nPercussion by Gary Jones and Elmira Collins\n\n1978 songs\nMarvin Gaye songs\nSongs written by Marvin Gaye\nSong recordings produced by Marvin Gaye", "Janis Anne Babson (September 9, 1950 – May 12, 1961) was a Canadian girl who received posthumous acclaim with the donation of her corneas for transplant after her death from leukemia at the age of 10. Her story was reported in a newspaper article syndicated across Canada, inspiring two books and other memorials. When Janis died of leukemia in 1961, corneal transplantation was a relatively unknown procedure. Although parents who lose young children frequently donate some of their organs to others, Janis's bequest was significant because the donation of her eyes at her death was her own idea, and it inspired many other people—across Canada and elsewhere—to become cornea donors as well.\n\nWhite Cane Week\nJanis happened to see a television program sponsored by an eye bank after watching National Velvet, a program she loved because of her passion for horses. When her youngest brother fell asleep on her lap, she did not want to wake him and remained in front of the television set when a White Cane Week special aired. The program's hosts explained how some cases of blindness could be cured with corneal donations, restoring a recipient's eyesight. After the program Janis, moved, told her mother and father that when she died she wanted to donate her eyes to the Eye Bank. Her parents—Harry Rudolphe (Rudy) Babson, a member of the Royal Canadian Mounted Police and Rita Quinn Babson—knew their daughter was serious about the gift, but it was a big decision for such a young girl.\n\nLeukemia\nIn early 1959, when Janis was eight years old, her mother noticed that she had lost her energy and appetite. Her father took her to the family pediatrician who noted a great increase in white blood cells from a sample he took. He ordered additional tests and referred her to hematologist Alexander English at the Ottawa Civic Hospital. The tests revealed that Janis was suffering from a sub-acute form of leukemia. At that time, leukemia was invariably fatal; with the chemotherapy available, Janis was expected to live about a year. She responded well to treatments which slowed the advance of the leukemia, and survived about 26 months after her diagnosis.\n\nDeath\n\nDespite a change in drugs from methotrexate to mercaptopurine, Janis's condition deteriorated in early 1961 as her leukemia worsened and she was hospitalized and released twice. In early May, she was hospitalized for the third (and final) time. Janis died in her parents' arms at 9:25 pm ET on Friday, May 12, 1961. Throughout her illness, Janis reminded her parents about her desire to donate her eyes; their original reluctance gave way when Rudy signed the consent forms for the donation of Janis's eyes a few hours before her death.\n\nJanis is buried in Notre Dame Cemetery in Ottawa. Her funeral Mass was attended by her entire school.\n\nLegacy\nJanis's best friend, Tricia Kennedy, moved from Ottawa to Chalk River, Ontario with her family. When the Kennedys were interviewed by the local paper as part of a get-to-know-your-neighbours feature, Tricia Kennedy announced that her best friend had died of leukemia and donated her eyes to the Eye Bank in Toronto. Impressed, the reporter then contacted the Ottawa Journal. Tim Burke, a reporter for the Journal, contacted the Babsons; his interview became \"Little Janis\" in his May 31, 1961 \"Below the Hill\" column. The response was immediate: from Ottawa Mayor Charlotte Whitton to retired pharmacist Abe Silver (who created an endowment to Hebrew National University in Janis's name for leukemia research) to groups and individuals who set a record for the number of pledged donations to the Eye Bank.\n\nIn 1962, the first of two books on Janis's life was published: Janis of City View (Holy Cross Press) by Rena Ray. The following year Lawrence Elliott, a correspondent for Reader's Digest, published A Little Girl's Gift (Holt, Rinehart & Winston). Six months earlier, a condensed version had appeared in the June 1963 issue of Reader's Digest entitled The Triumph of Janis Babson.\n\nTributes\nThe Internet has spawned several websites dedicated to Janis Babson's memory. In addition, her family (mother and siblings) have created a memorial Facebook page where many whose lives were touched by Janis's can leave comments and posts. A 50th-anniversary tribute, arranged by the Babson family, was held May 27, 2011, in Ottawa to commemorate a half-century since Janis's death. It featured Lawrence Elliott, a new commemorative edition of A Little Girl's Gift, and artist Caroline Langill (Custody of the Eyes). A large-cupped, broad-petalled daffodil, white with pink rims, has been named after Janis as a tribute.\n\nNotes\n\nReferences\n\nExternal links \nRetelling of A Little Girl's Gift and Janis of City View\nLenten Meditation: Character produces hope\n\nMemorial Facebook page\n\n1950 births\n1961 deaths\nCanadian children\nOrgan transplant donors\nDeaths from leukemia\nDeaths from cancer in Ontario" ]

[ "Janis Joplin (January 19, 1943 – October 4, 1970) was an American singer-songwriter who sang rock, soul, and blues music. One of the most successful and widely known rock stars of her era, she was noted for her powerful mezzo-soprano vocals and \"electric\" stage presence. In 1967, Joplin rose to fame following an appearance at Monterey Pop Festival, where she was the lead singer of the then little-known San Francisco psychedelic rock band Big Brother and the Holding Company.", "In 1967, Joplin rose to fame following an appearance at Monterey Pop Festival, where she was the lead singer of the then little-known San Francisco psychedelic rock band Big Brother and the Holding Company. After releasing two albums with the band, she left Big Brother to continue as a solo artist with her own backing groups, first the Kozmic Blues Band and then the Full Tilt Boogie Band. She appeared at the Woodstock festival and on the Festival Express train tour.", "She appeared at the Woodstock festival and on the Festival Express train tour. Five singles by Joplin reached the Billboard Hot 100, including a cover of the Kris Kristofferson song \"Me and Bobby McGee\", which reached number one in March 1971. Her most popular songs include her cover versions of \"Piece of My Heart\", \"Cry Baby\", \"Down on Me\", \"Ball and Chain\", and \"Summertime\"; and her original song \"Mercedes Benz\", her final recording.", "Her most popular songs include her cover versions of \"Piece of My Heart\", \"Cry Baby\", \"Down on Me\", \"Ball and Chain\", and \"Summertime\"; and her original song \"Mercedes Benz\", her final recording. Joplin died of a heroin overdose in 1970, at the age of 27, after releasing three albums (two with Big Brother and the Holding Company and one solo album).", "Joplin died of a heroin overdose in 1970, at the age of 27, after releasing three albums (two with Big Brother and the Holding Company and one solo album). A second solo album, Pearl, was released in January 1971, just over three months after her death. It reached number one on the Billboard charts. She was posthumously inducted into the Rock and Roll Hall of Fame in 1995.", "She was posthumously inducted into the Rock and Roll Hall of Fame in 1995. Rolling Stone ranked Joplin number 46 on its 2004 list of the 100 Greatest Artists of All Time and number 28 on its 2008 list of 100 Greatest Singers of All Time. She remains one of the top-selling musicians in the United States, with Recording Industry Association of America certifications of 18.5 million albums sold.", "She remains one of the top-selling musicians in the United States, with Recording Industry Association of America certifications of 18.5 million albums sold. Early life Janis Joplin was born in Port Arthur, Texas, on , to Dorothy Bonita East (1913–1998), a registrar at a business college, and her husband, Seth Ward Joplin (1910–1987), an engineer at Texaco. She had two younger siblings, Michael and Laura.", "She had two younger siblings, Michael and Laura. She had two younger siblings, Michael and Laura. The family attended First Christian Church of Port Arthur, a church belonging to the Christian Church (Disciples of Christ) denomination. Her parents felt that Janis needed more attention than their other children. As a teenager, Joplin befriended a group of outcasts, one of whom had albums by blues artists Bessie Smith, Ma Rainey, and Lead Belly, which Joplin later credited with influencing her decision to become a singer.", "As a teenager, Joplin befriended a group of outcasts, one of whom had albums by blues artists Bessie Smith, Ma Rainey, and Lead Belly, which Joplin later credited with influencing her decision to become a singer. She began singing blues and folk music with friends at Thomas Jefferson High School. In high school, she was a classmate of Pro Football Hall of Fame coach Jimmy Johnson. Joplin stated that she was ostracized and bullied in high school.", "Joplin stated that she was ostracized and bullied in high school. As a teen, she became overweight and suffered from acne, leaving her with deep scars that required dermabrasion. Other kids at high school would routinely taunt her and call her names like \"pig,\" \"freak,\" \"nigger lover,\" or \"creep.\" She stated, \"I was a misfit. I read, I painted, I thought. I didn't hate niggers.\"", "I didn't hate niggers.\" I didn't hate niggers.\" Joplin graduated from high school in 1960 and attended Lamar State College of Technology in Beaumont, Texas, during the summer and later the University of Texas at Austin (UT), though she did not complete her college studies. The campus newspaper, The Daily Texan, ran a profile of her in the issue dated July 27, 1962, headlined \"She Dares to Be Different.\"", "The campus newspaper, The Daily Texan, ran a profile of her in the issue dated July 27, 1962, headlined \"She Dares to Be Different.\" The article began, \"She goes barefooted when she feels like it, wears Levi's to class because they're more comfortable, and carries her autoharp with her everywhere she goes so that in case she gets the urge to break into song, it will be handy. Her name is Janis Joplin.\"", "Her name is Janis Joplin.\" Her name is Janis Joplin.\" While at UT she performed with a folk trio called the Waller Creek Boys and frequently socialized with the staff of the campus humor magazine The Texas Ranger. According to Freak Brothers cartoonist Gilbert Shelton, who befriended her, she used to sell The Texas Ranger, which contained some of Shelton's early comic books, on the campus.", "According to Freak Brothers cartoonist Gilbert Shelton, who befriended her, she used to sell The Texas Ranger, which contained some of Shelton's early comic books, on the campus. Career 1962–1965: Early recordings Joplin cultivated a rebellious manner and styled herself partly after her female blues heroines and partly after the Beat poets. Her first song, \"What Good Can Drinkin' Do\", was recorded on tape in December 1962 at the home of a fellow University of Texas student.", "Her first song, \"What Good Can Drinkin' Do\", was recorded on tape in December 1962 at the home of a fellow University of Texas student. She left Texas in January 1963 (\"Just to get away,\" she said, \"because my head was in a much different place\"), hitchhiking with her friend Chet Helms to North Beach, San Francisco.", "She left Texas in January 1963 (\"Just to get away,\" she said, \"because my head was in a much different place\"), hitchhiking with her friend Chet Helms to North Beach, San Francisco. Still in San Francisco in 1964, Joplin and future Jefferson Airplane guitarist Jorma Kaukonen recorded a number of blues standards, which incidentally featured Kaukonen's wife Margareta using a typewriter in the background.", "Still in San Francisco in 1964, Joplin and future Jefferson Airplane guitarist Jorma Kaukonen recorded a number of blues standards, which incidentally featured Kaukonen's wife Margareta using a typewriter in the background. This session included seven tracks: \"Typewriter Talk\", \"Trouble in Mind\", \"Kansas City Blues\", \"Hesitation Blues\", \"Nobody Knows You When You're Down and Out\", \"Daddy, Daddy, Daddy\", and \"Long Black Train Blues\", and was released long after Joplin's death as the bootleg album The Typewriter Tape.", "This session included seven tracks: \"Typewriter Talk\", \"Trouble in Mind\", \"Kansas City Blues\", \"Hesitation Blues\", \"Nobody Knows You When You're Down and Out\", \"Daddy, Daddy, Daddy\", and \"Long Black Train Blues\", and was released long after Joplin's death as the bootleg album The Typewriter Tape. In 1963, Joplin was arrested in San Francisco for shoplifting.", "In 1963, Joplin was arrested in San Francisco for shoplifting. During the two years that followed, her drug use increased and she acquired a reputation as a \"speed freak\" and occasional heroin user. She also used other psychoactive drugs and was a heavy drinker throughout her career; her favorite alcoholic beverage was Southern Comfort.", "She also used other psychoactive drugs and was a heavy drinker throughout her career; her favorite alcoholic beverage was Southern Comfort. In May 1965, Joplin's friends in San Francisco, noticing the detrimental effects on her from regularly injecting methamphetamine (she was described as \"skeletal\" and \"emaciated\"), persuaded her to return to Port Arthur. During that month, her friends threw her a bus-fare party so she could return to her parents in Texas.", "During that month, her friends threw her a bus-fare party so she could return to her parents in Texas. Five years later, Joplin told Rolling Stone magazine writer David Dalton the following about her first stint in San Francisco: \"I didn't have many friends and I didn't like the ones I had.\" Back in Port Arthur in the spring of 1965, after Joplin's parents noticed her weight of , she changed her lifestyle.", "Back in Port Arthur in the spring of 1965, after Joplin's parents noticed her weight of , she changed her lifestyle. She avoided drugs and alcohol, adopted a beehive hairdo, and enrolled as an anthropology major at Lamar University in nearby Beaumont, Texas. Her sister Laura said in a 2016 interview that social work was her major during her year at Lamar. During her time at Lamar University, she commuted to Austin to sing solo, accompanying herself on acoustic guitar.", "During her time at Lamar University, she commuted to Austin to sing solo, accompanying herself on acoustic guitar. One of her performances was at a benefit by local musicians for Texas bluesman Mance Lipscomb, who was suffering with ill health. Joplin became engaged to Peter de Blanc in the fall of 1965. She had begun a relationship with him toward the end of her first stint in San Francisco.", "She had begun a relationship with him toward the end of her first stint in San Francisco. Now living in New York where he worked with IBM computers, he visited her to ask her father for her hand in marriage. Joplin and her mother began planning the wedding. De Blanc, who traveled frequently, ended the engagement soon afterward.", "De Blanc, who traveled frequently, ended the engagement soon afterward. In 1965 and 1966, Joplin commuted from her family's Port Arthur home to Beaumont, Texas, where she had regular sessions with a psychiatric social worker named Bernard Giarritano at a counseling agency that was funded by the United Fund, which after her death changed its name to the United Way.", "In 1965 and 1966, Joplin commuted from her family's Port Arthur home to Beaumont, Texas, where she had regular sessions with a psychiatric social worker named Bernard Giarritano at a counseling agency that was funded by the United Fund, which after her death changed its name to the United Way. Interviewed by biographer Myra Friedman after his client's death, Giarritano said Joplin had been baffled by how she could pursue a professional career as a singer without relapsing into drugs, and her drug-related memories from immediately prior to returning to Port Arthur continued to frighten her.", "Interviewed by biographer Myra Friedman after his client's death, Giarritano said Joplin had been baffled by how she could pursue a professional career as a singer without relapsing into drugs, and her drug-related memories from immediately prior to returning to Port Arthur continued to frighten her. Joplin sometimes brought an acoustic guitar with her to her sessions with Giarritano, and people in other offices within the building could hear her singing. Giarritano tried to reassure her that she did not have to use narcotics in order to succeed in the music business.", "Giarritano tried to reassure her that she did not have to use narcotics in order to succeed in the music business. She also said that if she were to avoid singing professionally, she would have to become a keypunch operator (as she had done a few years earlier) or a secretary, and then a wife and mother, and she would have to become very similar to all the other women in Port Arthur.", "She also said that if she were to avoid singing professionally, she would have to become a keypunch operator (as she had done a few years earlier) or a secretary, and then a wife and mother, and she would have to become very similar to all the other women in Port Arthur. Approximately a year before Joplin joined Big Brother and the Holding Company, she recorded seven studio tracks with her acoustic guitar.", "Approximately a year before Joplin joined Big Brother and the Holding Company, she recorded seven studio tracks with her acoustic guitar. Among the songs she recorded were her original composition of the song \"Turtle Blues\" and an alternate version of \"Cod'ine\" by Buffy Sainte-Marie. These tracks were later issued as a new album in 1995, titled This is Janis Joplin 1965 by James Gurley.", "These tracks were later issued as a new album in 1995, titled This is Janis Joplin 1965 by James Gurley. 1966–1969: Various bands In 1966, Joplin's bluesy vocal style attracted the attention of the San Francisco-based psychedelic rock band Big Brother and the Holding Company, which had gained some renown among the nascent hippie community in Haight-Ashbury. She was recruited to join the group by Chet Helms, a promoter who was managing Big Brother and with whom she had hitchhiked from Texas to San Francisco a few years earlier.", "She was recruited to join the group by Chet Helms, a promoter who was managing Big Brother and with whom she had hitchhiked from Texas to San Francisco a few years earlier. Helms sent his friend Travis Rivers to find her in Austin, Texas, where she had been performing with her acoustic guitar, and to accompany her to San Francisco.", "Helms sent his friend Travis Rivers to find her in Austin, Texas, where she had been performing with her acoustic guitar, and to accompany her to San Francisco. Aware of her previous nightmare with drug addiction in San Francisco, Rivers insisted that she inform her parents face-to-face of her plans, and he drove her from Austin to Port Arthur (he waited in his car while she talked with her startled parents) before they began their long drive to San Francisco. Joplin joined Big Brother on June 4, 1966.", "Joplin joined Big Brother on June 4, 1966. Joplin joined Big Brother on June 4, 1966. Her first public performance with them was at the Avalon Ballroom in San Francisco. In June, Joplin was photographed at an outdoor concert in San Francisco that celebrated the summer solstice. The image, which was later published in two books by David Dalton, shows her before she relapsed into drugs. Due to persistent persuading by keyboardist and close friend Stephen Ryder, Joplin avoided drugs for several weeks.", "Due to persistent persuading by keyboardist and close friend Stephen Ryder, Joplin avoided drugs for several weeks. She made Travis Rivers, with whom she shared an apartment upon their arrival in San Francisco, promise that using needles would not be allowed there. When bandmate Dave Getz accompanied her from a rehearsal to her home, Rivers was not there, but \"two or three\" (according to Getz' recollection 25 years later) guests whom Rivers had invited were in the process of injecting drugs.", "When bandmate Dave Getz accompanied her from a rehearsal to her home, Rivers was not there, but \"two or three\" (according to Getz' recollection 25 years later) guests whom Rivers had invited were in the process of injecting drugs. \"One of them was about to tie off,\" recalled Getz. \"Janis went nuts! I had never seen anybody explode like that. She was screaming and crying and Travis walked in. She screamed at him: 'We had a pact! You promised me!", "She screamed at him: 'We had a pact! You promised me! You promised me! There wouldn't be any of that in front of me!' I was over my head and I tried to calm her down. I said, 'They're just doing mescaline,' because that's what I thought it was. She said, 'You don't understand! I can't see that! I just can't stand to see that!'\"", "I just can't stand to see that!'\" A San Francisco concert from that summer (1966) was recorded and released on the 1984 album Cheaper Thrills. In July, all five bandmates and guitarist James Gurley's wife Nancy moved to a house in Lagunitas, California, where they lived communally. The band often partied with the Grateful Dead, the members of whom lived less than two miles away. She had a short relationship and longer friendship with founding member Ron \"Pigpen\" McKernan.", "She had a short relationship and longer friendship with founding member Ron \"Pigpen\" McKernan. The band went to Chicago for a four-week engagement in August 1966, then found itself stranded after the promoter ran out of money when its concerts did not attract the expected audience levels, and he was unable to pay them.", "The band went to Chicago for a four-week engagement in August 1966, then found itself stranded after the promoter ran out of money when its concerts did not attract the expected audience levels, and he was unable to pay them. In the circumstances the band signed with Bob Shad's record label Mainstream Records; recordings for the label took place in Chicago in September, but these were not satisfactory, and the band returned to San Francisco, continuing to perform live, including at the Love Pageant Rally.", "In the circumstances the band signed with Bob Shad's record label Mainstream Records; recordings for the label took place in Chicago in September, but these were not satisfactory, and the band returned to San Francisco, continuing to perform live, including at the Love Pageant Rally. The band recorded two tracks, \"Blindman\" and \"All Is Loneliness\", in Los Angeles, and these were released by Mainstream as a single that did not sell well.", "The band recorded two tracks, \"Blindman\" and \"All Is Loneliness\", in Los Angeles, and these were released by Mainstream as a single that did not sell well. After playing at a happening in Stanford in early December 1966, the band traveled back to Los Angeles to record ten tracks between December 12 and 14, 1966, produced by Bob Shad, which appeared on the band's debut album in August 1967. In late 1966, Big Brother switched managers from Chet Helms to Julius Karpen.", "In late 1966, Big Brother switched managers from Chet Helms to Julius Karpen. One of Joplin's earliest major performances in 1967 was at the Mantra-Rock Dance, a musical event held on January 29 at the Avalon Ballroom by the San Francisco Hare Krishna temple. Janis Joplin and Big Brother performed there along with the Hare Krishna founder Bhaktivedanta Swami, Allen Ginsberg, Moby Grape, and the Grateful Dead, donating proceeds to the Krishna temple.", "Janis Joplin and Big Brother performed there along with the Hare Krishna founder Bhaktivedanta Swami, Allen Ginsberg, Moby Grape, and the Grateful Dead, donating proceeds to the Krishna temple. In early 1967, Joplin met Country Joe McDonald of the group Country Joe and the Fish. The pair lived together as a couple for a few months. Joplin and Big Brother began playing clubs in San Francisco, at the Fillmore West, Winterland, and the Avalon Ballroom.", "Joplin and Big Brother began playing clubs in San Francisco, at the Fillmore West, Winterland, and the Avalon Ballroom. They also played at the Hollywood Bowl in Los Angeles, as well as in Seattle, Washington; Vancouver, British Columbia; the Psychedelic Supermarket in Boston, Massachusetts; and the Golden Bear Club in Huntington Beach, California.", "They also played at the Hollywood Bowl in Los Angeles, as well as in Seattle, Washington; Vancouver, British Columbia; the Psychedelic Supermarket in Boston, Massachusetts; and the Golden Bear Club in Huntington Beach, California. The band's debut studio album, Big Brother & the Holding Company, was released by Mainstream Records in August 1967, shortly after the group's breakthrough appearance in June at the Monterey Pop Festival.", "The band's debut studio album, Big Brother & the Holding Company, was released by Mainstream Records in August 1967, shortly after the group's breakthrough appearance in June at the Monterey Pop Festival. Two tracks, \"Coo Coo\" and \"The Last Time,\" were released separately as singles, while the tracks from the previous single, \"Blindman\" and \"All Is Loneliness\", were added to the remaining eight tracks.", "Two tracks, \"Coo Coo\" and \"The Last Time,\" were released separately as singles, while the tracks from the previous single, \"Blindman\" and \"All Is Loneliness\", were added to the remaining eight tracks. When Columbia Records took over the band's contract and re-released the album, they included \"Coo Coo\" and \"The Last Time\", and put \"featuring Janis Joplin\" on the cover.", "When Columbia Records took over the band's contract and re-released the album, they included \"Coo Coo\" and \"The Last Time\", and put \"featuring Janis Joplin\" on the cover. The debut album spawned four minor hits with the singles \"Down on Me\", a traditional song arranged by Joplin, \"Bye Bye Baby\", \"Call On Me\" and \"Coo Coo\", on all of which Joplin sang lead vocals.", "The debut album spawned four minor hits with the singles \"Down on Me\", a traditional song arranged by Joplin, \"Bye Bye Baby\", \"Call On Me\" and \"Coo Coo\", on all of which Joplin sang lead vocals. Two songs from the second of Big Brother's two sets at Monterey, which they played on Sunday, were filmed (their first set, which was on Saturday, was not filmed, though it was audio-recorded).", "Two songs from the second of Big Brother's two sets at Monterey, which they played on Sunday, were filmed (their first set, which was on Saturday, was not filmed, though it was audio-recorded). Some sources, including a Joplin biography by Ellis Amburn, claim that she was dressed in thrift store hippie clothes or second-hand Victorian clothes during the band's Saturday set, but still photographs do not appear to have survived.", "Some sources, including a Joplin biography by Ellis Amburn, claim that she was dressed in thrift store hippie clothes or second-hand Victorian clothes during the band's Saturday set, but still photographs do not appear to have survived. Digitized color film of two songs in the Sunday set, \"Combination of the Two\" and a version of Big Mama Thornton's \"Ball and Chain,\" appear in the DVD and Blu-ray boxed set of D. A. Pennebaker's documentary Monterey Pop released by The Criterion Collection.", "Digitized color film of two songs in the Sunday set, \"Combination of the Two\" and a version of Big Mama Thornton's \"Ball and Chain,\" appear in the DVD and Blu-ray boxed set of D. A. Pennebaker's documentary Monterey Pop released by The Criterion Collection. She is seen wearing an expensive gold tunic dress with matching pants. They were created for her by San Francisco clothing designer Colin Rose.", "They were created for her by San Francisco clothing designer Colin Rose. Documentary filmmaker Pennebaker inserted two cutaway shots of Cass Elliot of the Mamas & the Papas seated in the audience during Joplin's performance of \"Ball and Chain\", one in the middle of the song as her eyes, covered by sunglasses, are fixed on Joplin, and also a shot during the applause as she silently mouths \"Oh, wow!\" and looks at the person seated next to her.", "and looks at the person seated next to her. and looks at the person seated next to her. Elliot and the audience are seen in sunlight, but Sunday's Big Brother performance was filmed in the evening. An explanation came from Big Brother's road manager John Byrne Cooke, who remembers that Pennebaker discreetly filmed the audience (including Elliot) during Big Brother's Saturday performance when he was not allowed to point a camera at the band.", "An explanation came from Big Brother's road manager John Byrne Cooke, who remembers that Pennebaker discreetly filmed the audience (including Elliot) during Big Brother's Saturday performance when he was not allowed to point a camera at the band. The prohibition of Pennebaker from filming on Saturday afternoon came from Big Brother's manager Julius Karpen. The band had a bitter argument with Karpen and overruled him as they prepared for their second set that the festival organizers had added on the spur of the moment.", "The band had a bitter argument with Karpen and overruled him as they prepared for their second set that the festival organizers had added on the spur of the moment. Backstage at the festival, the band became acquainted with New York-based talent manager Albert Grossman but did not sign with him until several months later, firing Karpen at that time. Only \"Ball and Chain\" was included in the Monterey Pop film that was released to theaters throughout the United States in 1969 and shown on television in the 1970s.", "Only \"Ball and Chain\" was included in the Monterey Pop film that was released to theaters throughout the United States in 1969 and shown on television in the 1970s. Those who did not attend the Monterey Pop Festival saw the band's performance of \"Combination of the Two\" for the first time in 2002 when The Criterion Collection released the boxed set. For the remainder of 1967, even after Big Brother signed with Albert Grossman, the band performed mainly in California.", "For the remainder of 1967, even after Big Brother signed with Albert Grossman, the band performed mainly in California. On February 16, 1968, the group began its first East Coast tour in Philadelphia, and the following day gave their first performance in New York City at the Anderson Theater.", "On February 16, 1968, the group began its first East Coast tour in Philadelphia, and the following day gave their first performance in New York City at the Anderson Theater. On April 7, 1968—three days after the assassination of Martin Luther King Jr. and the last day of their East Coast tour—Joplin and Big Brother performed with Jimi Hendrix, Buddy Guy, Joni Mitchell, Richie Havens, Paul Butterfield, and Elvin Bishop at the Wake for Martin Luther King Jr. concert in New York.", "On April 7, 1968—three days after the assassination of Martin Luther King Jr. and the last day of their East Coast tour—Joplin and Big Brother performed with Jimi Hendrix, Buddy Guy, Joni Mitchell, Richie Havens, Paul Butterfield, and Elvin Bishop at the Wake for Martin Luther King Jr. concert in New York. Live at Winterland '68, recorded at the Winterland Ballroom on April 12 and 13, 1968, features Joplin and Big Brother and the Holding Company at the height of their mutual career working through a selection of tracks from their albums.", "Live at Winterland '68, recorded at the Winterland Ballroom on April 12 and 13, 1968, features Joplin and Big Brother and the Holding Company at the height of their mutual career working through a selection of tracks from their albums. A recording became available to the public for the first time in 1998 when Columbia/Sony Music Entertainment released the compact disc. One month after the Winterland concert, Owsley Stanley recorded them at the Carousel Ballroom, released in 2012 as Live at the Carousel Ballroom 1968.", "One month after the Winterland concert, Owsley Stanley recorded them at the Carousel Ballroom, released in 2012 as Live at the Carousel Ballroom 1968. On July 31, 1968, Joplin made her first nationwide television appearance when the band performed on This Morning, an ABC daytime 90-minute variety show that was hosted by Dick Cavett. Shortly thereafter, network employees wiped the videotape, though the audio survives. (In 1969 and 1970, Joplin made three appearances on Cavett's prime-time program.", "(In 1969 and 1970, Joplin made three appearances on Cavett's prime-time program. Video was preserved and excerpts have been included in most documentaries about Joplin. Audio of her 1968 appearance has not been used since then.) Sometime in 1968, the band's billing was changed to \"Janis Joplin and Big Brother and the Holding Company,\" and the media coverage given to Joplin generated resentment within the band.", "Sometime in 1968, the band's billing was changed to \"Janis Joplin and Big Brother and the Holding Company,\" and the media coverage given to Joplin generated resentment within the band. The other members of Big Brother thought that Joplin was on a \"star trip\", while others were telling Joplin that Big Brother was a terrible band and that she ought to dump them.", "The other members of Big Brother thought that Joplin was on a \"star trip\", while others were telling Joplin that Big Brother was a terrible band and that she ought to dump them. Time magazine called Joplin \"probably the most powerful singer to emerge from the white rock movement\", and Richard Goldstein wrote for the May 1968 issue of Vogue magazine that Joplin was \"the most staggering leading woman in rock...she slinks like tar, scowls like war...clutching the knees of a final stanza, begging it not to leave.... Janis Joplin can sing the chic off any listener.\"", "Time magazine called Joplin \"probably the most powerful singer to emerge from the white rock movement\", and Richard Goldstein wrote for the May 1968 issue of Vogue magazine that Joplin was \"the most staggering leading woman in rock...she slinks like tar, scowls like war...clutching the knees of a final stanza, begging it not to leave.... Janis Joplin can sing the chic off any listener.\" For her first major studio recording, Joplin played a major role in the arrangement and production of the songs that would comprise Big Brother and the Holding Company's second album, Cheap Thrills.", "For her first major studio recording, Joplin played a major role in the arrangement and production of the songs that would comprise Big Brother and the Holding Company's second album, Cheap Thrills. Producer John Simon tried recording the band in concert, to capture their energy in a live album, but several attempts showed the band was prone to mistakes. Their imprecision was not helped by moving the sessions to a recording studio.", "Their imprecision was not helped by moving the sessions to a recording studio. Joplin sang take after take of the same song, with her performances consistently good, and she grew frustrated with the band's sloppiness. Simon was replaced by Elliot Mazer who fixed the songs by overdubbing certain parts. The album featured a cover design by counterculture cartoonist Robert Crumb.", "The album featured a cover design by counterculture cartoonist Robert Crumb. Although Cheap Thrills sounded as if it consisted of concert recordings, like on \"Combination of the Two\" and \"I Need a Man to Love\", only \"Ball and Chain\" was actually recorded in front of a paying audience; the rest of the tracks were studio recordings. The album had a raw quality, including the sound of a drinking glass breaking and the broken shards being swept away during the song \"Turtle Blues\".", "The album had a raw quality, including the sound of a drinking glass breaking and the broken shards being swept away during the song \"Turtle Blues\". Cheap Thrills produced very popular hits with \"Piece of My Heart\" and \"Summertime\". Together with the premiere of the documentary film Monterey Pop at New York's Lincoln Center for the Performing Arts on December 26, 1968, the album launched Joplin as a star.", "Together with the premiere of the documentary film Monterey Pop at New York's Lincoln Center for the Performing Arts on December 26, 1968, the album launched Joplin as a star. Cheap Thrills reached number one on the Billboard 200 album chart eight weeks after its release, and was number one for eight (nonconsecutive) weeks. The album was certified gold at release and sold over a million copies in the first month of its release.", "The album was certified gold at release and sold over a million copies in the first month of its release. The lead single from the album, \"Piece of My Heart\", reached number 12 on the Billboard Hot 100 in the fall of 1968. The band made another East Coast tour during July–August 1968, performing at the Columbia Records convention in Puerto Rico and the Newport Folk Festival.", "The band made another East Coast tour during July–August 1968, performing at the Columbia Records convention in Puerto Rico and the Newport Folk Festival. After returning to San Francisco for two hometown shows at the Palace of Fine Arts Festival on August 31 and September 1, Joplin announced that she would be leaving Big Brother. On September 14, 1968, culminating a three-night engagement together at Fillmore West, fans thronged to a concert that Bill Graham publicized as the last official concert of Janis Joplin with Big Brother and the Holding Company.", "On September 14, 1968, culminating a three-night engagement together at Fillmore West, fans thronged to a concert that Bill Graham publicized as the last official concert of Janis Joplin with Big Brother and the Holding Company. The opening acts on this night were Chicago (then still called Chicago Transit Authority) and Santana. Despite Graham's announcement that the Fillmore West gig was Big Brother's last concert with Joplin, the band—with Joplin still as lead vocalist—toured the U.S. that fall.", "Despite Graham's announcement that the Fillmore West gig was Big Brother's last concert with Joplin, the band—with Joplin still as lead vocalist—toured the U.S. that fall. Reflecting Joplin's crossover appeal, two October 1968 performances at a roller rink in Alexandria, Virginia, were reviewed by John Segraves of the conservative Washington Evening Star at a time when the Washington metropolitan area's hard rock scene was in its infancy.", "Reflecting Joplin's crossover appeal, two October 1968 performances at a roller rink in Alexandria, Virginia, were reviewed by John Segraves of the conservative Washington Evening Star at a time when the Washington metropolitan area's hard rock scene was in its infancy. An opera buff at the time, he wrote: Later that month (October 1968), Big Brother performed at the University of Massachusetts Amherst and at the Worcester Polytechnic Institute, and played at the Syracuse War Memorial as part of Syracuse University's Fall Homecoming on October 11, with Janis joining openers the Butterfield Blues Band for their closing song.", "An opera buff at the time, he wrote: Later that month (October 1968), Big Brother performed at the University of Massachusetts Amherst and at the Worcester Polytechnic Institute, and played at the Syracuse War Memorial as part of Syracuse University's Fall Homecoming on October 11, with Janis joining openers the Butterfield Blues Band for their closing song. Aside from two 1970 reunions, Joplin's last performance with Big Brother was at a Chet Helms benefit in San Francisco on December 1, 1968.", "Aside from two 1970 reunions, Joplin's last performance with Big Brother was at a Chet Helms benefit in San Francisco on December 1, 1968. 1969–1970: Solo career After splitting from Big Brother and the Holding Company, Joplin formed a new backup group, the Kozmic Blues Band, composed of session musicians like keyboardist Stephen Ryder and saxophonist Cornelius \"Snooky\" Flowers, as well as former Big Brother and the Holding Company guitarist Sam Andrew and future Full Tilt Boogie Band bassist Brad Campbell.", "1969–1970: Solo career After splitting from Big Brother and the Holding Company, Joplin formed a new backup group, the Kozmic Blues Band, composed of session musicians like keyboardist Stephen Ryder and saxophonist Cornelius \"Snooky\" Flowers, as well as former Big Brother and the Holding Company guitarist Sam Andrew and future Full Tilt Boogie Band bassist Brad Campbell. The band was influenced by the Stax-Volt rhythm and blues (R&B) and soul bands of the 1960s, as exemplified by Otis Redding and the Bar-Kays.", "The band was influenced by the Stax-Volt rhythm and blues (R&B) and soul bands of the 1960s, as exemplified by Otis Redding and the Bar-Kays. The Stax-Volt R&B sound was typified by the use of horns and had a funky, pop-oriented sound in contrast to many of the psychedelic/hard rock bands of the period.", "The Stax-Volt R&B sound was typified by the use of horns and had a funky, pop-oriented sound in contrast to many of the psychedelic/hard rock bands of the period. By early 1969, Joplin was allegedly shooting at least $200 worth of heroin per day (equivalent to $1300 in 2016 dollars) although efforts were made to keep her clean during the recording of I Got Dem Ol' Kozmic Blues Again Mama!", "By early 1969, Joplin was allegedly shooting at least $200 worth of heroin per day (equivalent to $1300 in 2016 dollars) although efforts were made to keep her clean during the recording of I Got Dem Ol' Kozmic Blues Again Mama! Gabriel Mekler, who produced the album, told publicist-turned-biographer Myra Friedman after Joplin's death that she had lived in his Los Angeles house during the June 1969 recording sessions at his insistence so he could keep her away from drugs and her drug-using friends.", "Gabriel Mekler, who produced the album, told publicist-turned-biographer Myra Friedman after Joplin's death that she had lived in his Los Angeles house during the June 1969 recording sessions at his insistence so he could keep her away from drugs and her drug-using friends. Joplin's appearances with the Kozmic Blues Band in Europe were released in theaters, in multiple documentaries.", "Joplin's appearances with the Kozmic Blues Band in Europe were released in theaters, in multiple documentaries. Janis, which was reviewed by the Washington Post on March 21, 1975, shows Joplin arriving in Frankfurt by plane and waiting inside a bus next to the Frankfurt venue, while an American female fan who is visiting Germany expresses enthusiasm to the camera (no security was used in Frankfurt, so by the end of the concert, the stage was so packed with people the band members could not see each other).", "Janis, which was reviewed by the Washington Post on March 21, 1975, shows Joplin arriving in Frankfurt by plane and waiting inside a bus next to the Frankfurt venue, while an American female fan who is visiting Germany expresses enthusiasm to the camera (no security was used in Frankfurt, so by the end of the concert, the stage was so packed with people the band members could not see each other). Janis also includes interviews with Joplin in Stockholm and from her visit to London, for her gig at Royal Albert Hall.", "Janis also includes interviews with Joplin in Stockholm and from her visit to London, for her gig at Royal Albert Hall. The London interview was dubbed with a voiceover in the German language for broadcast on German television. John Byrne Cooke, road manager for Joplin and the Kozmic Blues Band, wrote a book published in 2014 in which he discussed her knowledge of the risks of her ongoing use of narcotics, particularly when she was outside the United States.", "John Byrne Cooke, road manager for Joplin and the Kozmic Blues Band, wrote a book published in 2014 in which he discussed her knowledge of the risks of her ongoing use of narcotics, particularly when she was outside the United States. On the episode of The Dick Cavett Show that was telecast in the United States on the night of July 18, 1969, Joplin and her band performed \"Try (Just a Little Bit Harder)\" as well as \"To Love Somebody\".", "On the episode of The Dick Cavett Show that was telecast in the United States on the night of July 18, 1969, Joplin and her band performed \"Try (Just a Little Bit Harder)\" as well as \"To Love Somebody\". As Dick Cavett interviewed Joplin, she admitted that she had a terrible time touring in Europe, claiming that audiences there are very uptight and don't \"get down\".", "As Dick Cavett interviewed Joplin, she admitted that she had a terrible time touring in Europe, claiming that audiences there are very uptight and don't \"get down\". Released in September 1969, the Kozmic Blues album was certified gold later that year but did not match the success of Cheap Thrills. Reviews of the new group were mixed.", "Reviews of the new group were mixed. Reviews of the new group were mixed. However, the album's recording quality and engineering, as well as the musicianship (including three performances by former Bob Dylan/Paul Butterfield/Electric Flag guitarist Mike Bloomfield), were considered superior to her previous releases, and some music critics argued that the band was working in a much more constructive way to support Joplin's sensational vocal talents.", "However, the album's recording quality and engineering, as well as the musicianship (including three performances by former Bob Dylan/Paul Butterfield/Electric Flag guitarist Mike Bloomfield), were considered superior to her previous releases, and some music critics argued that the band was working in a much more constructive way to support Joplin's sensational vocal talents. Joplin wanted a horn section similar to that featured by the Chicago Transit Authority; her voice had the dynamic qualities and range not to be overpowered by the brighter horn sound.", "Joplin wanted a horn section similar to that featured by the Chicago Transit Authority; her voice had the dynamic qualities and range not to be overpowered by the brighter horn sound. Some music critics, however, including Ralph J. Gleason of the San Francisco Chronicle, were negative. Gleason wrote that the new band was a \"drag\" and Joplin should \"scrap\" her new band and \"go right back to being a member of Big Brother ... (if they'll have her).\"", "Gleason wrote that the new band was a \"drag\" and Joplin should \"scrap\" her new band and \"go right back to being a member of Big Brother ... (if they'll have her).\" Other reviewers, such as reporter Carl Bernstein of the Washington Post, devoted entire articles to celebrating the singer's magic. Bernstein's review said that Joplin \"has finally assembled a group of first-rate musicians with whom she is totally at ease and whose abilities complement the incredible range of her voice.\"", "Bernstein's review said that Joplin \"has finally assembled a group of first-rate musicians with whom she is totally at ease and whose abilities complement the incredible range of her voice.\" Columbia Records released \"Kozmic Blues\" as a single, which peaked at number 41 on the Billboard Hot 100, and a live rendition of \"Raise Your Hand\" was released in Germany and became a top ten hit there.", "Columbia Records released \"Kozmic Blues\" as a single, which peaked at number 41 on the Billboard Hot 100, and a live rendition of \"Raise Your Hand\" was released in Germany and became a top ten hit there. Containing other hits like \"Try (Just a Little Bit Harder)\", \"To Love Somebody\", and \"Little Girl Blue\", I Got Dem Ol' Kozmic Blues Again Mama! reached number five on the Billboard 200 soon after its release.", "reached number five on the Billboard 200 soon after its release. Joplin appeared at Woodstock starting at approximately 2:00 a.m., on Sunday, August 17, 1969. Joplin informed her band that they would be performing at the concert as if it were just another gig. On Saturday afternoon, when she and the band were flown by helicopter with the pregnant Joan Baez and Baez's mother from a nearby motel to the festival site and Joplin saw the enormous crowd, she instantly became extremely nervous and giddy.", "On Saturday afternoon, when she and the band were flown by helicopter with the pregnant Joan Baez and Baez's mother from a nearby motel to the festival site and Joplin saw the enormous crowd, she instantly became extremely nervous and giddy. Upon landing and getting off the helicopter, Joplin was approached by reporters asking her questions. She referred them to her friend and sometime lover Peggy Caserta as she was too excited to speak.", "She referred them to her friend and sometime lover Peggy Caserta as she was too excited to speak. Initially, Joplin was eager to get on the stage and perform but was repeatedly delayed as bands were contractually obliged to perform ahead of Joplin. Faced with a ten-hour wait after arriving at the backstage area, Joplin spent some of that time shooting heroin and drinking alcohol with Caserta in a tent.", "Faced with a ten-hour wait after arriving at the backstage area, Joplin spent some of that time shooting heroin and drinking alcohol with Caserta in a tent. The director's cut of the Woodstock movie shows Joplin and Jefferson Airplane singer Grace Slick standing together near amplifiers watching the band Canned Heat's performance, which started at 7:30 p.m. Saturday, and Caserta does not appear within camera range.", "The director's cut of the Woodstock movie shows Joplin and Jefferson Airplane singer Grace Slick standing together near amplifiers watching the band Canned Heat's performance, which started at 7:30 p.m. Saturday, and Caserta does not appear within camera range. When Joplin finally reached the stage at approximately 2:00 a.m. Sunday, she was \"three sheets to the wind\", according to biographer Alice Echols. During her performance, Joplin's voice became slightly hoarse and wheezy, and she struggled to dance.", "During her performance, Joplin's voice became slightly hoarse and wheezy, and she struggled to dance. Joplin pulled through, however, and engaged frequently with the crowd, asking them if they had everything they needed and if they were staying stoned. The audience cheered for an encore, to which Joplin replied and sang \"Ball and Chain\".", "The audience cheered for an encore, to which Joplin replied and sang \"Ball and Chain\". Pete Townshend, who performed with the Who later in the same morning after Joplin finished, witnessed her performance and said the following in his 2012 memoir: \"She had been amazing at Monterey, but tonight she wasn't at her best, due, probably, to the long delay, and probably, too, to the amount of booze and heroin she'd consumed while she waited.", "Pete Townshend, who performed with the Who later in the same morning after Joplin finished, witnessed her performance and said the following in his 2012 memoir: \"She had been amazing at Monterey, but tonight she wasn't at her best, due, probably, to the long delay, and probably, too, to the amount of booze and heroin she'd consumed while she waited. But even Janis on an off-night was incredible.\" Janis remained at Woodstock for the remainder of the festival.", "Janis remained at Woodstock for the remainder of the festival. Starting at approximately 3:00 a.m. on Monday, August 18, Joplin was among many Woodstock performers who stood in a circle behind Crosby, Stills & Nash during their performance, which was the first time anyone at Woodstock ever had heard the group perform. This information was published by David Crosby in 1988.", "This information was published by David Crosby in 1988. This information was published by David Crosby in 1988. Later in the morning of August 18, Joplin and Joan Baez sat in Joe Cocker's van and witnessed Hendrix's close-of-show performance, according to Baez's memoir And a Voice to Sing With (1989). Still photographs in color show Joplin backstage with Grace Slick the day after Joplin's performance, wherein Joplin appears to be very happy. She was ultimately unhappy with her performance, however, and blamed Caserta.", "She was ultimately unhappy with her performance, however, and blamed Caserta. Her singing was not included (by her own insistence) in the 1970 documentary film or the soundtrack for Woodstock: Music from the Original Soundtrack and More, although the 25th anniversary director's cut of Woodstock includes her performance of \"Work Me, Lord\".", "Her singing was not included (by her own insistence) in the 1970 documentary film or the soundtrack for Woodstock: Music from the Original Soundtrack and More, although the 25th anniversary director's cut of Woodstock includes her performance of \"Work Me, Lord\". The documentary film of the festival that was released in theaters during 1970 includes, on the left side of a split screen, 37 seconds of footage of Joplin and Caserta walking toward Joplin's dressing room tent.", "The documentary film of the festival that was released in theaters during 1970 includes, on the left side of a split screen, 37 seconds of footage of Joplin and Caserta walking toward Joplin's dressing room tent. In addition to Woodstock, Joplin also had problems at Madison Square Garden, in 1969. Biographer Myra Friedman said she had witnessed a duet Joplin sang with Tina Turner during the Rolling Stones concert at the Garden on Thanksgiving Day.", "Biographer Myra Friedman said she had witnessed a duet Joplin sang with Tina Turner during the Rolling Stones concert at the Garden on Thanksgiving Day. Friedman said Joplin was \"so drunk, so stoned, so out of control, that she could have been an institutionalized psychotic rent by mania.\" During another Garden concert where she had solo billing on December 19, some observers believed Joplin tried to incite the audience to riot. For part of this concert she was joined onstage by Johnny Winter and Paul Butterfield.", "For part of this concert she was joined onstage by Johnny Winter and Paul Butterfield. Joplin told rock journalist David Dalton that Garden audiences watched and listened to \"every note [she sang] with 'Is she gonna make it?' in their eyes.\" In her interview with Dalton she added that she felt most comfortable performing at small, cheap venues in San Francisco that were associated with the counterculture.", "In her interview with Dalton she added that she felt most comfortable performing at small, cheap venues in San Francisco that were associated with the counterculture. At the time of the June 1970 interview with Dalton, she had already performed in the Bay Area for what turned out to be the last time. Sam Andrew, the lead guitarist who had left Big Brother with Joplin in December 1968 to form her back-up band, quit in late summer 1969 and returned to Big Brother.", "Sam Andrew, the lead guitarist who had left Big Brother with Joplin in December 1968 to form her back-up band, quit in late summer 1969 and returned to Big Brother. At the end of the year, the Kozmic Blues Band broke up. Their final gig with Joplin was the one at Madison Square Garden with Winter and Butterfield. In February 1970, Joplin traveled to Brazil, where she stopped her drug and alcohol use.", "In February 1970, Joplin traveled to Brazil, where she stopped her drug and alcohol use. She was accompanied on vacation there by her friend Linda Gravenites (wife of songwriter Nick Gravenites), who had designed Janis's stage costumes from 1967 to 1969. In Brazil, Joplin was romanced by a fellow American tourist named David (George) Niehaus, who was traveling around the world. A Joplin biography written by her sister Laura said, \"David was an upper-middle-class Cincinnati kid who had studied communications at Notre Dame.", "A Joplin biography written by her sister Laura said, \"David was an upper-middle-class Cincinnati kid who had studied communications at Notre Dame. ... [and] had joined the Peace Corps after college and worked in a small village in Turkey. ... He tried law school, but when he met Janis he was taking time off.\" Niehaus and Joplin were photographed by the press at Rio Carnival in Rio de Janeiro. Gravenites also took color photographs of the two during their Brazilian vacation.", "Gravenites also took color photographs of the two during their Brazilian vacation. According to Joplin biographer Ellis Amburn, in Gravenites' snapshots they \"look like a carefree, happy, healthy young couple having a tremendously good time.\" Rolling Stone magazine interviewed Joplin during an international phone call, quoting her: \"I'm going into the jungle with a big bear of a beatnik named David Niehaus. I finally remembered I don't have to be on stage twelve months a year.", "I finally remembered I don't have to be on stage twelve months a year. I've decided to go and dig some other jungles for a couple of weeks.\" Amburn added in 1992, \"Janis was trying to kick heroin in Brazil, and one of the nicest things about David was that he wasn't into drugs.\" When Joplin returned to the U.S., she began using heroin again. Her relationship with Niehaus soon ended because he witnessed her shooting drugs at her new home in Larkspur, California.", "Her relationship with Niehaus soon ended because he witnessed her shooting drugs at her new home in Larkspur, California. The relationship was also complicated by her ongoing romantic relationship with Peggy Caserta, who also was an intravenous addict, and Joplin's refusal to take some time off and travel the world with him. Around this time, she formed her new band, known for a short time as Main Squeeze, then renamed the Full Tilt Boogie Band.", "Around this time, she formed her new band, known for a short time as Main Squeeze, then renamed the Full Tilt Boogie Band. The band comprised mostly young Canadian musicians previously associated with Ronnie Hawkins and featured an organ, but no horn section. Joplin took a more active role in putting together the Full Tilt Boogie band than she had with her prior group. She was quoted as saying, \"It's my band. Finally it's my band!\"", "Finally it's my band!\" Finally it's my band!\" In May 1970, after performing under the name Main Squeeze at a Hell's Angels event, the renamed Full Tilt Boogie Band began a nationwide tour. Joplin became very happy with her new group, which eventually received mostly positive feedback from both her fans and the critics. Prior to beginning a summer tour with Full Tilt Boogie, she performed in a reunion with Big Brother at the Fillmore West, in San Francisco, on April 4, 1970.", "Prior to beginning a summer tour with Full Tilt Boogie, she performed in a reunion with Big Brother at the Fillmore West, in San Francisco, on April 4, 1970. Recordings from this concert were included in an in-concert album released posthumously in 1972. She again appeared with Big Brother on April 12 at Winterland, where she and Big Brother were reported to be in excellent form.", "She again appeared with Big Brother on April 12 at Winterland, where she and Big Brother were reported to be in excellent form. She performed with the band, billed as Main Squeeze, at a party for the Hells Angels at a venue in San Rafael, California on May 21, 1970, according to a web site maintained by Big Brother guitarist Sam Andrew.", "She performed with the band, billed as Main Squeeze, at a party for the Hells Angels at a venue in San Rafael, California on May 21, 1970, according to a web site maintained by Big Brother guitarist Sam Andrew. Andrew's web site quotes him as saying, \"This will be the first time that Janis' old band and her new band will be at the same venue, so everyone is a little on edge.\"", "Andrew's web site quotes him as saying, \"This will be the first time that Janis' old band and her new band will be at the same venue, so everyone is a little on edge.\" According to Joplin's biographer Ellis Amburn, Big Brother with its lead singer Nick Gravenites was the opening act at the party that was attended by 2,300 people. The Hells Angels, who had known Joplin since 1966, paid her a fee of 240 dollars to perform.", "The Hells Angels, who had known Joplin since 1966, paid her a fee of 240 dollars to perform. Gravenites and Sam Andrew (who had resumed playing guitar with Big Brother) differed in their opinions of her performance and how substance abuse affected it. Gravenites described her singing as \"stupendous,\" according to Amburn. Amburn quoted Andrew twenty years later: \"She was visibly deteriorating and she looked bloated. She was like a parody of what she was at her best.", "She was like a parody of what she was at her best. I put it down to her drinking too much and I felt a tinge of fear for her well-being. Her singing was real flabby, no edge at all.\" Shortly thereafter, Joplin began wearing multi-colored feather boas in her hair. (She had not worn them at the May 21 Hell's Angels party / concert in San Rafael).", "(She had not worn them at the May 21 Hell's Angels party / concert in San Rafael). By the time she began touring with Full Tilt Boogie, Joplin told people she was drug-free, but her drinking increased. From June 28 to July 4, 1970, during the Festival Express tour, Joplin and Full Tilt Boogie performed alongside Buddy Guy, the Band, the Flying Burrito Brothers, Ten Years After, the Grateful Dead, Delaney & Bonnie, Eric Andersen, and Ian & Sylvia.", "From June 28 to July 4, 1970, during the Festival Express tour, Joplin and Full Tilt Boogie performed alongside Buddy Guy, the Band, the Flying Burrito Brothers, Ten Years After, the Grateful Dead, Delaney & Bonnie, Eric Andersen, and Ian & Sylvia. They played concerts in Toronto, Winnipeg, and Calgary. Joplin jammed with the other performers on the train, and her performances on this tour are considered to be among her greatest. Joplin headlined the festival on all three nights.", "Joplin headlined the festival on all three nights. Joplin headlined the festival on all three nights. At the last stop in Calgary, she took to the stage with Jerry Garcia while her band was tuning up. Film footage shows her telling the audience how great the tour was and shows her and Garcia presenting the organizers with a case of tequila. She then burst into a two-hour set, starting with \"Tell Mama\". Throughout this performance, Joplin engaged in several banters about her love life.", "Throughout this performance, Joplin engaged in several banters about her love life. In one, she reminisced about living in a San Francisco apartment and competing with a female neighbor in flirting with men on the street. She finished the Calgary concert with long versions of \"Get It While You Can\" and \"Ball and Chain\".", "She finished the Calgary concert with long versions of \"Get It While You Can\" and \"Ball and Chain\". Footage of her performance of \"Tell Mama\" in Calgary became an MTV video in the early 1980s, and the audio from the same film footage was included on the Farewell Song (1982) album. The audio of other Festival Express performances was included on Joplin's In Concert (1972) album. Video of the performances was also included on the Festival Express DVD.", "Video of the performances was also included on the Festival Express DVD. These performances of entire songs during the Festival Express concerts in Toronto and Calgary can be purchased, although other songs remain in vaults and have yet to be released. In the \"Tell Mama\" video shown on MTV in the 1980s, Joplin wore a psychedelically colored, loose-fitting costume and feathers in her hair. This was her standard stage costume in the spring and summer of 1970.", "This was her standard stage costume in the spring and summer of 1970. She chose the new costumes after her friend and designer, Linda Gravenites (whom Joplin had praised in Vogues profile of her in its May 1968 edition), cut ties with Joplin shortly after their return from Brazil, due largely to Joplin's continued use of heroin. Among Joplin's last public appearances were two broadcasts of The Dick Cavett Show.", "Among Joplin's last public appearances were two broadcasts of The Dick Cavett Show. In her June 25, 1970 appearance, she announced that she would attend her ten-year high school class reunion.", "In her June 25, 1970 appearance, she announced that she would attend her ten-year high school class reunion. When asked if she had been popular in school, she admitted that when in high school, her schoolmates \"laughed me out of class, out of town and out of the state\" (during the year she had spent at the University of Texas at Austin, Joplin had been voted \"Ugliest Man on Campus\" by frat boys).", "When asked if she had been popular in school, she admitted that when in high school, her schoolmates \"laughed me out of class, out of town and out of the state\" (during the year she had spent at the University of Texas at Austin, Joplin had been voted \"Ugliest Man on Campus\" by frat boys). In the subsequent Cavett Show broadcast, on August 3, 1970, and featuring Gloria Swanson, Joplin discussed her upcoming performance at the Festival for Peace to be held at Shea Stadium in Queens, New York, three days later.", "In the subsequent Cavett Show broadcast, on August 3, 1970, and featuring Gloria Swanson, Joplin discussed her upcoming performance at the Festival for Peace to be held at Shea Stadium in Queens, New York, three days later. On July 11, 1970, Full Tilt Boogie and Big Brother and the Holding Company both performed at the same concert in the San Diego Sports Arena, which was decades later renamed the Valley View Casino Center.", "On July 11, 1970, Full Tilt Boogie and Big Brother and the Holding Company both performed at the same concert in the San Diego Sports Arena, which was decades later renamed the Valley View Casino Center. Joplin sang with Full Tilt Boogie and appeared briefly onstage with Big Brother without singing, according to a July 13 review of the concert in the San Diego Union.", "Joplin sang with Full Tilt Boogie and appeared briefly onstage with Big Brother without singing, according to a July 13 review of the concert in the San Diego Union. On August 7, 1970, a tombstone—jointly paid for by Joplin and Juanita Green, who as a child had done housework for Bessie Smith—was erected at Smith's previously unmarked grave. The following day, the Associated Press circulated this news, and the August 9 edition of The New York Times carried it.", "The following day, the Associated Press circulated this news, and the August 9 edition of The New York Times carried it. The lead paragraph of the AP story said Joplin and Green had \"shared the cost of a stone for the 'Empress of the Blues,'\" but, according to publicist/biographer Myra Friedman, the two women never met.", "The lead paragraph of the AP story said Joplin and Green had \"shared the cost of a stone for the 'Empress of the Blues,'\" but, according to publicist/biographer Myra Friedman, the two women never met. Joplin had been at home in Larkspur, California when she had received a long-distance phone call with an explanation of the need to finance a gravestone for Bessie Smith, whom Joplin had frequently cited as a musical influence.", "Joplin had been at home in Larkspur, California when she had received a long-distance phone call with an explanation of the need to finance a gravestone for Bessie Smith, whom Joplin had frequently cited as a musical influence. Joplin immediately wrote a check and mailed it to the name and address provided by the phone caller. On August 8, 1970, as the Associated Press circulated the news about Smith's new gravestone, Joplin performed at the Capitol Theatre (Port Chester, New York).", "On August 8, 1970, as the Associated Press circulated the news about Smith's new gravestone, Joplin performed at the Capitol Theatre (Port Chester, New York). It was there that she first performed \"Mercedes Benz\", a song (partially inspired by a Michael McClure poem) that she had composed with fellow musician and friend Bob Neuwirth a very short time earlier.", "It was there that she first performed \"Mercedes Benz\", a song (partially inspired by a Michael McClure poem) that she had composed with fellow musician and friend Bob Neuwirth a very short time earlier. According to Myra Friedman's account, Joplin performed two shows at the Capitol Theatre, the first of which was attended by actors Geraldine Page and her husband Rip Torn.", "According to Myra Friedman's account, Joplin performed two shows at the Capitol Theatre, the first of which was attended by actors Geraldine Page and her husband Rip Torn. Between the shows, at a \"gin mill\" [Friedman's words] very close to this concert venue, Joplin and Neuwirth penned the lyrics to the song and she performed it at the second show, according to Friedman.", "Between the shows, at a \"gin mill\" [Friedman's words] very close to this concert venue, Joplin and Neuwirth penned the lyrics to the song and she performed it at the second show, according to Friedman. Neuwirth was quoted by The Wall Street Journal in 2015: \"Around 7 p.m., after the Capitol sound check, we had a couple of hours to kill before [acts that opened for Joplin] Seatrain and Runt finished their sets.", "Neuwirth was quoted by The Wall Street Journal in 2015: \"Around 7 p.m., after the Capitol sound check, we had a couple of hours to kill before [acts that opened for Joplin] Seatrain and Runt finished their sets. So the four of us [Joplin, Neuwirth, Geraldine Page, Rip Torn] walked to a bar about three minutes away called Vahsen’s [at 30 Broad Street in Port Chester].\" While in Vahsen's, \"Janis came up with words for the first verse.", "While in Vahsen's, \"Janis came up with words for the first verse. I was in charge of writing them down on bar napkins with a ballpoint pen. She came up with the second verse, too, about a color TV. I suggested words here and there, and came up with the third verse—about asking the Lord to buy us a night on the town and another round.\"", "I suggested words here and there, and came up with the third verse—about asking the Lord to buy us a night on the town and another round.\" Joplin's last public performance with the Full Tilt Boogie Band took place on August 12, 1970, at the Harvard Stadium in Boston. The Harvard Crimson gave the performance a positive, front-page review, despite the fact that Full Tilt Boogie had performed with makeshift amplifiers after their regular sound equipment was stolen in Boston.", "The Harvard Crimson gave the performance a positive, front-page review, despite the fact that Full Tilt Boogie had performed with makeshift amplifiers after their regular sound equipment was stolen in Boston. Joplin attended her high school reunion on August 14, accompanied by Neuwirth, road manager John Cooke, and sister Laura, but it was reportedly an unhappy experience for her. Joplin held a press conference in Port Arthur during her reunion visit.", "Joplin held a press conference in Port Arthur during her reunion visit. When asked by a reporter if she ever entertained at Thomas Jefferson High School when she was a student there, Joplin replied, \"Only when I walked down the aisles.\" Joplin denigrated Port Arthur and the classmates who had humiliated her a decade earlier.", "Joplin denigrated Port Arthur and the classmates who had humiliated her a decade earlier. During late August, September, and early October 1970, Joplin and her band rehearsed and recorded a new album in Los Angeles with producer Paul A. Rothchild, best known for his lengthy relationship with The Doors. Although Joplin died before all the tracks were fully completed, there was enough usable material to compile an LP.", "Although Joplin died before all the tracks were fully completed, there was enough usable material to compile an LP. The posthumous Pearl (1971) became the biggest-selling album of her career and featured her biggest hit single, a cover of Kris Kristofferson and Fred Foster's \"Me and Bobby McGee\" (Kristofferson had previously been Joplin's lover in the spring of 1970). The opening track, \"Move Over\", was written by Joplin, reflecting the way that she felt men treated women in relationships.", "The opening track, \"Move Over\", was written by Joplin, reflecting the way that she felt men treated women in relationships. Also included was the social commentary of \"Mercedes Benz\", presented in an a cappella arrangement; the track on the album features the first and only take that Joplin recorded. A cover of Nick Gravenites's \"Buried Alive in the Blues\", to which Joplin had been scheduled to add her vocals on the day she was found dead, was included as an instrumental.", "A cover of Nick Gravenites's \"Buried Alive in the Blues\", to which Joplin had been scheduled to add her vocals on the day she was found dead, was included as an instrumental. Joplin checked into the Landmark Motor Hotel in Hollywood on August 24, 1970, near Sunset Sound Recorders, where she began rehearsing and recording her album.", "Joplin checked into the Landmark Motor Hotel in Hollywood on August 24, 1970, near Sunset Sound Recorders, where she began rehearsing and recording her album. During the sessions, Joplin continued a relationship with Seth Morgan, a 21-year-old UC Berkeley student, cocaine dealer, and future novelist who had visited her new home in Larkspur in July and August. She and Morgan were engaged to be married in early September, although he visited Sunset Sound Recorders for just eight of Joplin's many rehearsals and sessions.", "She and Morgan were engaged to be married in early September, although he visited Sunset Sound Recorders for just eight of Joplin's many rehearsals and sessions. Morgan later told biographer Myra Friedman that, as a non-musician, he had felt excluded whenever he had visited Sunset Sound Recorders. Instead, he stayed at Joplin's Larkspur home while she stayed alone at the Landmark, although several times she visited Larkspur to be with him and to check the progress of renovations she was having done on the house.", "Instead, he stayed at Joplin's Larkspur home while she stayed alone at the Landmark, although several times she visited Larkspur to be with him and to check the progress of renovations she was having done on the house. She told her construction crew to design a carport to be shaped like a flying saucer, according to biographer Ellis Amburn, the concrete foundation for which was poured the day before she died.", "She told her construction crew to design a carport to be shaped like a flying saucer, according to biographer Ellis Amburn, the concrete foundation for which was poured the day before she died. Peggy Caserta claimed in her book, Going Down With Janis (1973), that she and Joplin had decided mutually in April 1970 to stay away from each other to avoid enabling each other's drug use.", "Peggy Caserta claimed in her book, Going Down With Janis (1973), that she and Joplin had decided mutually in April 1970 to stay away from each other to avoid enabling each other's drug use. Caserta, a former Delta Air Lines stewardess and owner of one of the first clothing boutiques in the Haight Ashbury, said in the book that by September 1970, she was smuggling cannabis throughout California and had checked into the Landmark Motor Hotel because it attracted drug users.", "Caserta, a former Delta Air Lines stewardess and owner of one of the first clothing boutiques in the Haight Ashbury, said in the book that by September 1970, she was smuggling cannabis throughout California and had checked into the Landmark Motor Hotel because it attracted drug users. For approximately the first two weeks of Joplin's stay at the Landmark, she did not know Caserta was in Los Angeles. Joplin learned of Caserta's presence at the Landmark from a heroin dealer who made deliveries there.", "Joplin learned of Caserta's presence at the Landmark from a heroin dealer who made deliveries there. Joplin begged Caserta for heroin, and when Caserta refused to provide it, Joplin reportedly admonished her by saying, \"Don't think if you can get it, I can't get it.\" Joplin's publicist Myra Friedman was unaware during Joplin's lifetime that this had happened.", "Joplin's publicist Myra Friedman was unaware during Joplin's lifetime that this had happened. Later, while Friedman was working on her book Buried Alive, she determined that the time frame of the Joplin-Caserta encounter was one week before Jimi Hendrix's death. Within a few days, Joplin became a regular customer of the same heroin dealer who had been supplying Caserta. Joplin's manager Albert Grossman and his assistant/publicist Friedman had staged an intervention with Joplin the previous winter while Joplin was in New York.", "Joplin's manager Albert Grossman and his assistant/publicist Friedman had staged an intervention with Joplin the previous winter while Joplin was in New York. In September 1970, Grossman and Friedman, who worked out of a New York office, knew Joplin was staying at a Los Angeles hotel, but were unaware it was a haven for drug users and dealers. Grossman and Friedman knew during Joplin's lifetime that her friend Caserta, whom Friedman met during the New York sessions for Cheap Thrills and on later occasions, used heroin.", "Grossman and Friedman knew during Joplin's lifetime that her friend Caserta, whom Friedman met during the New York sessions for Cheap Thrills and on later occasions, used heroin. During the many long-distance telephone conversations that Joplin and Friedman had in September 1970 and on October 1, Joplin never mentioned Caserta, and Friedman assumed Caserta had been out of Joplin's life for a while. Friedman, who had more time than Grossman to monitor the situation, never visited California.", "Friedman, who had more time than Grossman to monitor the situation, never visited California. She thought Joplin sounded on the phone like she was less depressed than she had been over the summer. When Joplin was not at Sunset Sound Recorders, she liked to drive her Porsche over the speed limit \"on the winding part of Sunset Blvd. \", according to a statement made by her attorney Robert Gordon in 1995 at the Rock and Roll Hall of Fame induction ceremony.", "\", according to a statement made by her attorney Robert Gordon in 1995 at the Rock and Roll Hall of Fame induction ceremony. Friedman wrote that the only Full Tilt Boogie member who rode as her passenger, Ken Pearson, often hesitated to join her, though he did on the night she died. He was not interested in using hard drugs. On September 26, 1970, Joplin recorded vocals for \"Half Moon\" and \"Cry Baby\".", "On September 26, 1970, Joplin recorded vocals for \"Half Moon\" and \"Cry Baby\". The session ended with Joplin, organist Ken Pearson, and drummer Clark Pierson making a special one-minute recording as a birthday gift to John Lennon. Joplin was among several singers who had been contacted by Yoko Ono with a request for a taped greeting for Lennon's 30th birthday, on October 9. Joplin, Pearson, and Pierson chose the Dale Evans composition \"Happy Trails\" as part of the greeting.", "Joplin, Pearson, and Pierson chose the Dale Evans composition \"Happy Trails\" as part of the greeting. Lennon told Dick Cavett on-camera the following year that Joplin's recorded birthday wishes arrived at his home after her death. On October 1, 1970, Joplin completed her last recording, \"Mercedes Benz\", which was recorded in a single take.", "On October 1, 1970, Joplin completed her last recording, \"Mercedes Benz\", which was recorded in a single take. On Saturday, October 3, Joplin visited Sunset Sound Recorders to listen to the instrumental track for Nick Gravenites's song \"Buried Alive in the Blues\", which the band had recorded earlier that day. She and Paul Rothchild agreed she would record the vocal the following day.", "She and Paul Rothchild agreed she would record the vocal the following day. At some point on Saturday, she learned by telephone, to her dismay, that Seth Morgan had met other women at a Marin County, California, restaurant, invited them to her home, and was shooting pool with them using her pool table. People at Sunset Sound Recorders overheard Joplin expressing anger about the state of her relationship with Morgan, as well as joy about the progress of the sessions.", "People at Sunset Sound Recorders overheard Joplin expressing anger about the state of her relationship with Morgan, as well as joy about the progress of the sessions. Joplin and Ken Pearson later left the studio together and she drove him in her Porsche to the West Hollywood landmark called Barney's Beanery. Friedman wrote, \"At the bar, she drank vodka and orange juice, only two.\"", "Friedman wrote, \"At the bar, she drank vodka and orange juice, only two.\" Bennett Glotzer, a business partner of Joplin's manager Albert Grossman, was present at Barney's Beanery, according to what he told John Byrne Cooke immediately after he (Glotzer) learned of her death. Evidently, Joplin had a friendly conversation with a young man whom she did not know, and he expressed admiration for her music.", "Evidently, Joplin had a friendly conversation with a young man whom she did not know, and he expressed admiration for her music. After midnight, she drove Ken Pearson and the male fan to the Landmark where she and Pearson were staying in separate rooms. During the car ride, the fan asked Joplin questions \"about her singing style,\" according to Friedman, and \"she mostly ignored him\" so she could converse with Pearson.", "During the car ride, the fan asked Joplin questions \"about her singing style,\" according to Friedman, and \"she mostly ignored him\" so she could converse with Pearson. As Joplin and Pearson prepared to part in the lobby of the Landmark, she expressed a fear, possibly in jest, that he and the other Full Tilt Boogie musicians might decide to stop making music with her. Pearson was the second-to-last person to see her alive. The last was the Landmark's night shift desk clerk.", "The last was the Landmark's night shift desk clerk. He had met her several times but did not know her. Personal life Joplin's significant relationships with men included ones with Peter de Blanc, Country Joe McDonald (who wrote the song \"Janis\" at Joplin's request), David (George) Niehaus, Kris Kristofferson, and Seth Morgan (from July 1970 until her death, at which time they were allegedly engaged). She also had relationships with women.", "She also had relationships with women. She also had relationships with women. During her first stint in San Francisco in 1963, Joplin met and briefly lived with Jae Whitaker, a black woman whom she had met while playing pool at the bar Gino & Carlo in North Beach. Whitaker broke off their relationship because of Joplin's hard drug use and sexual relationships with other people. Whitaker was first identified by name in connection with the singer in 1999, when Alice Echols' biography Scars of Sweet Paradise was published.", "Whitaker was first identified by name in connection with the singer in 1999, when Alice Echols' biography Scars of Sweet Paradise was published. Joplin also had an on-again-off-again romantic relationship with Peggy Caserta. They first met in November 1966 when Big Brother performed at a San Francisco venue called The Matrix. Caserta was one of 15 people in the audience, and at the time, she ran a successful clothing boutique in the Haight Ashbury.", "Caserta was one of 15 people in the audience, and at the time, she ran a successful clothing boutique in the Haight Ashbury. Approximately a month after Caserta attended the concert, Joplin visited her boutique and said she could not afford to buy a pair of jeans that was for sale, instead asking to put down the first 50 cents on the $5 item. Caserta was amazed that such a talented singer could not afford a $5 item, and gave her a pair for free.", "Caserta was amazed that such a talented singer could not afford a $5 item, and gave her a pair for free. Their friendship was platonic for more than a year. Before it moved to the next level, Caserta was in love with Big Brother guitarist Sam Andrew, and sometime during the first half of 1968 traveled from San Francisco to New York to flirt with him. He did not want a serious relationship, and Joplin sympathized with Caserta's disappointment.", "He did not want a serious relationship, and Joplin sympathized with Caserta's disappointment. The Woodstock concert film includes 37 seconds of Joplin and Caserta walking together before they reached the tent where Joplin waited for her turn to perform. By the time the festival took place in August 1969, both were intravenous heroin addicts. According to Caserta's book Going Down With Janis, which Caserta has since disowned, Joplin introduced her to her boyfriend Seth Morgan in Joplin's room at the Landmark Motor Hotel on September 29, 1970.", "According to Caserta's book Going Down With Janis, which Caserta has since disowned, Joplin introduced her to her boyfriend Seth Morgan in Joplin's room at the Landmark Motor Hotel on September 29, 1970. Caserta \"had seen him around\" San Francisco but had not met him before. At some point, an agreement was made for a threesome to take place the following Friday, although Caserta later said that she immediately abandoned the idea once she understood that it was Morgan who would be with Joplin.", "At some point, an agreement was made for a threesome to take place the following Friday, although Caserta later said that she immediately abandoned the idea once she understood that it was Morgan who would be with Joplin. Morgan made alternate plans, believing that Caserta would be with Joplin that evening. Each one, however, was unaware that the other had bowed out.", "Each one, however, was unaware that the other had bowed out. The day after Joplin introduced Caserta to Morgan, Caserta saw Joplin briefly, again in Joplin's room, when Caserta accommodated her new Los Angeles friend Debbie Nuciforo, age 19, an aspiring hard rock drummer who wanted to meet Joplin. Nuciforo was stoned on heroin at the time, and the three women's encounter was brief and unpleasant.", "Nuciforo was stoned on heroin at the time, and the three women's encounter was brief and unpleasant. Caserta suspected that the reason for Joplin's foul mood was that Morgan had abandoned her earlier that day after having spent less than 24 hours with her. Caserta did not see nor communicate by phone with Joplin again, although she later claimed she had made several attempts to reach her by phone at the Landmark Motor Hotel and at Sunset Sound Recorders.", "Caserta did not see nor communicate by phone with Joplin again, although she later claimed she had made several attempts to reach her by phone at the Landmark Motor Hotel and at Sunset Sound Recorders. Caserta and Morgan lost touch with each other; each had independently made alternate plans for Friday night, October 2.", "Caserta and Morgan lost touch with each other; each had independently made alternate plans for Friday night, October 2. Joplin mentioned her disappointment (over both of her friends' bailing out of their ménage à trois) to her drug dealer on Saturday, while he was selling her the dose of heroin that killed her, as Caserta later learned from the drug dealer.", "Joplin mentioned her disappointment (over both of her friends' bailing out of their ménage à trois) to her drug dealer on Saturday, while he was selling her the dose of heroin that killed her, as Caserta later learned from the drug dealer. Biographer Myra Friedman commented in her original version of Buried Alive (1973): Given the near-infinite potentials of infancy, it is really impossible to make generalizations about what lies behind sexual practices.", "Biographer Myra Friedman commented in her original version of Buried Alive (1973): Given the near-infinite potentials of infancy, it is really impossible to make generalizations about what lies behind sexual practices. This, however, is probable: to become clearly homosexual, to make the choice that one honestly prefers relations with one's own sex, no matter the origins of such preference, requires a certain integration, a stability of psychic development, a tidiness of personality organization.", "This, however, is probable: to become clearly homosexual, to make the choice that one honestly prefers relations with one's own sex, no matter the origins of such preference, requires a certain integration, a stability of psychic development, a tidiness of personality organization. The ridicule and the humiliation that took place at that most delicate period in [Joplin's] early teens, her own inability to surmount the obstacles to regular growth, devastated her a great deal more than most people comprehended.", "The ridicule and the humiliation that took place at that most delicate period in [Joplin's] early teens, her own inability to surmount the obstacles to regular growth, devastated her a great deal more than most people comprehended. Janis was not heir to an ego so cohesive as to permit her an identity one way or the other.", "Janis was not heir to an ego so cohesive as to permit her an identity one way or the other. She was, as [the psychiatric social worker she saw regularly in Beaumont, Texas in 1965 and 1966] Mr. [Bernard] Giarritano put it [in an interview with Friedman], \"diffused\" -- spewing, splattering, splaying all over, without a center to hold.", "She was, as [the psychiatric social worker she saw regularly in Beaumont, Texas in 1965 and 1966] Mr. [Bernard] Giarritano put it [in an interview with Friedman], \"diffused\" -- spewing, splattering, splaying all over, without a center to hold. That had as much to do with her original use of drugs [before she first met Giarritano] as did the critical component of guilt and its multiplicity of sources above and beyond the contribution made by her relationships with women.", "That had as much to do with her original use of drugs [before she first met Giarritano] as did the critical component of guilt and its multiplicity of sources above and beyond the contribution made by her relationships with women. Were she so simple as the lesbians wished her to be or so free as her associates imagined!", "Were she so simple as the lesbians wished her to be or so free as her associates imagined! Kim France reported in her May 2, 1999 The New York Times article, \"Nothin' Left to Lose\" : \"Once she became famous, Joplin cursed like a truck driver, did not believe in wearing undergarments, was rarely seen without her bottle of Southern Comfort and delighted in playing the role of sexual predator.\"", "Kim France reported in her May 2, 1999 The New York Times article, \"Nothin' Left to Lose\" : \"Once she became famous, Joplin cursed like a truck driver, did not believe in wearing undergarments, was rarely seen without her bottle of Southern Comfort and delighted in playing the role of sexual predator.\" On July 11, 1970, Joplin made a revealing statement about her sexuality to her friend Richard Hundgen, the Grateful Dead's San Francisco-based road manager whom she had known since 1966.", "On July 11, 1970, Joplin made a revealing statement about her sexuality to her friend Richard Hundgen, the Grateful Dead's San Francisco-based road manager whom she had known since 1966. When Joplin and Hundgen were offstage during a San Diego gig for both Full Tilt Boogie and Big Brother and the Holding Company, she said the following that he later repeated to Myra Friedman: I hear a rumor that somebody in San Francisco is spreading stories that I'm a dyke.", "When Joplin and Hundgen were offstage during a San Diego gig for both Full Tilt Boogie and Big Brother and the Holding Company, she said the following that he later repeated to Myra Friedman: I hear a rumor that somebody in San Francisco is spreading stories that I'm a dyke. You go back there and find out who it is and tell them that Janis says she's gotten it on with a couple of thousand cats in her life and a few hundred chicks and see what they can do with that!", "You go back there and find out who it is and tell them that Janis says she's gotten it on with a couple of thousand cats in her life and a few hundred chicks and see what they can do with that! Death On Sunday evening, October 4, 1970, Joplin was found dead on the floor of her room at the Landmark Motor Hotel by her road manager and close friend John Byrne Cooke. Alcohol was present in the room. Newspapers reported that no other drugs or paraphernalia were present.", "Newspapers reported that no other drugs or paraphernalia were present. According to a 1983 book authored by Joseph DiMona and Los Angeles County coroner Thomas Noguchi, evidence of narcotics was removed from the scene by a friend of Joplin and later put back after the person realized that an autopsy was going to reveal that narcotics were in her system.", "According to a 1983 book authored by Joseph DiMona and Los Angeles County coroner Thomas Noguchi, evidence of narcotics was removed from the scene by a friend of Joplin and later put back after the person realized that an autopsy was going to reveal that narcotics were in her system. The book adds that prior to Joplin's death, Noguchi had investigated other fatal drug overdoses in Los Angeles where friends believed they were doing favors for decedents by removing evidence of narcotics, then they \"thought things over\" and returned to put back the evidence.", "The book adds that prior to Joplin's death, Noguchi had investigated other fatal drug overdoses in Los Angeles where friends believed they were doing favors for decedents by removing evidence of narcotics, then they \"thought things over\" and returned to put back the evidence. Noguchi performed an autopsy on Joplin and determined the cause of death to be a heroin overdose, possibly compounded by alcohol.", "Noguchi performed an autopsy on Joplin and determined the cause of death to be a heroin overdose, possibly compounded by alcohol. John Byrne Cooke believed Joplin had been given heroin that was much more potent than what she and other L.A. heroin users had received on previous occasions, as was indicated by overdoses of several of her dealer's other customers during the same weekend. Her death was ruled accidental.", "Her death was ruled accidental. Her death was ruled accidental. Both Peggy Caserta, Joplin's close friend, and Seth Morgan, Joplin's fiancé, had failed to meet Joplin the Friday immediately prior to her death, October 2; Joplin had been expecting both of them to keep her company that night. According to Caserta, Joplin was saddened that neither of her friends visited her at the Landmark as they had promised.", "According to Caserta, Joplin was saddened that neither of her friends visited her at the Landmark as they had promised. During the 24 hours Joplin lived after this disappointment, Caserta did not phone her to explain why she had failed to show up. Caserta admitted to waiting until late Saturday night to dial the Landmark switchboard, only to learn that Joplin had instructed the desk clerk not to accept any incoming phone calls for her after midnight.", "Caserta admitted to waiting until late Saturday night to dial the Landmark switchboard, only to learn that Joplin had instructed the desk clerk not to accept any incoming phone calls for her after midnight. Morgan did speak to Joplin via telephone within the 24 hours prior to her death, but little is known about that call. She used a phone at Sunset Sound Recorders where her colleagues (“there were perhaps twenty to twenty-five people pre‪sent,” wrote biographer Myra Friedman) noticed that whatever Morgan said to her made her very angry.", "She used a phone at Sunset Sound Recorders where her colleagues (“there were perhaps twenty to twenty-five people pre‪sent,” wrote biographer Myra Friedman) noticed that whatever Morgan said to her made her very angry. Peggy Caserta has insisted that Joplin's death was not an accidental overdose, but rather a result of a head gash suffered after the \"hourglass heel\" of her slingback sandal caught in the shag carpet, causing her to lose her balance.", "Peggy Caserta has insisted that Joplin's death was not an accidental overdose, but rather a result of a head gash suffered after the \"hourglass heel\" of her slingback sandal caught in the shag carpet, causing her to lose her balance. Caserta does concede, however, that drugs and/or alcohol may have played a role in hastening her death that night. Joplin was cremated at Pierce Brothers Westwood Village Memorial Park and Mortuary in Los Angeles, and her ashes were scattered from a plane into the Pacific Ocean.", "Joplin was cremated at Pierce Brothers Westwood Village Memorial Park and Mortuary in Los Angeles, and her ashes were scattered from a plane into the Pacific Ocean. Legacy Joplin's death in October 1970 at age 27 stunned her fans and shocked the music world, especially when coupled with the death just 16 days earlier of another rock icon, Jimi Hendrix, also at age 27.", "Legacy Joplin's death in October 1970 at age 27 stunned her fans and shocked the music world, especially when coupled with the death just 16 days earlier of another rock icon, Jimi Hendrix, also at age 27. (This would later cause some people to attribute significance to the death of musicians at the age of 27, as celebrated in the \"27 Club.\")", "(This would later cause some people to attribute significance to the death of musicians at the age of 27, as celebrated in the \"27 Club.\") Music historian Tom Moon wrote that Joplin had \"a devastatingly original voice,\" music columnist Jon Pareles of The New York Times wrote that Joplin as an artist was \"overpowering and deeply vulnerable\" and author Megan Terry said that Joplin was the female version of Elvis Presley in her ability to captivate an audience.", "Music historian Tom Moon wrote that Joplin had \"a devastatingly original voice,\" music columnist Jon Pareles of The New York Times wrote that Joplin as an artist was \"overpowering and deeply vulnerable\" and author Megan Terry said that Joplin was the female version of Elvis Presley in her ability to captivate an audience. A book about Joplin by her publicist Myra Friedman titled Buried Alive: The Biography of Janis Joplin (1973) was excerpted in many newspapers.", "A book about Joplin by her publicist Myra Friedman titled Buried Alive: The Biography of Janis Joplin (1973) was excerpted in many newspapers. At the same time, Peggy Caserta's memoir, Going Down With Janis (1973), attracted much attention; its provocative title is a reference to Caserta's claim that she had engaged in oral sex with Joplin while they were high on heroin in September 1970.", "At the same time, Peggy Caserta's memoir, Going Down With Janis (1973), attracted much attention; its provocative title is a reference to Caserta's claim that she had engaged in oral sex with Joplin while they were high on heroin in September 1970. The description provided by Dan Knapp, Caserta’s co-author whom she denounced decades later, repelled many people in 1973 when few books or filmed interviews of Joplin or her loved ones were accessible to the public.", "The description provided by Dan Knapp, Caserta’s co-author whom she denounced decades later, repelled many people in 1973 when few books or filmed interviews of Joplin or her loved ones were accessible to the public. Joplin's bandmate Sam Andrew described Caserta as \"halfway between a groupie and a friend\" in an interview with writer Ellis Amburn.", "Joplin's bandmate Sam Andrew described Caserta as \"halfway between a groupie and a friend\" in an interview with writer Ellis Amburn. Soon after the 1973 publication of Going Down With Janis, Joplin's friends learned that graphic descriptions of sexual acts and intravenous drug use were not the only portions of the book that would haunt them.", "Soon after the 1973 publication of Going Down With Janis, Joplin's friends learned that graphic descriptions of sexual acts and intravenous drug use were not the only portions of the book that would haunt them. According to Kim Chappell, a close friend of Caserta and Joplin, Caserta's book angered the Los Angeles heroin dealer whom she had described in detail in her book, including the make and model of his car.", "According to Kim Chappell, a close friend of Caserta and Joplin, Caserta's book angered the Los Angeles heroin dealer whom she had described in detail in her book, including the make and model of his car. According to Amburn, in 1973 a \"carful of dope dealers\" visited a Los Angeles lesbian bar that Caserta had been frequenting.", "According to Amburn, in 1973 a \"carful of dope dealers\" visited a Los Angeles lesbian bar that Caserta had been frequenting. Chappell, who was in the alley behind the bar, stated: \"I was stabbed because, when Peggy's book came out, her dealer, the same one who'd given Janis her last fix, didn't like it that he was referred to and was out to get Peggy. He couldn't find her, so he went for her lover.", "He couldn't find her, so he went for her lover. When they realized who I was, they felt that my death would also hit Peggy, and so they stabbed me.\" Despite being \"stabbed three times in the chest, puncturing both lungs,\" Chappell eventually recovered. In 2018, Caserta denounced Going Down With Janis as the pornographic fantasy of Dan Knapp, her co-author, and largely unreliable.", "In 2018, Caserta denounced Going Down With Janis as the pornographic fantasy of Dan Knapp, her co-author, and largely unreliable. During that year, the public had its first access to her own story via a memoir she co-wrote with Maggie Falcon titled I Ran Into Some Trouble. It describes a long, friendly relationship with Joplin that only occasionally featured sexuality.", "It describes a long, friendly relationship with Joplin that only occasionally featured sexuality. According to Joplin’s biographers, Caserta was among many friends of Joplin who did not become clean and sober until a very long time after Joplin's death, while others died from overdoses. Although the wife of Big Brother guitarist James Gurley, who was Joplin's close friend, died from a heroin overdose in 1969, devastating Joplin, Gurley himself did not become clean and sober until 1984.", "Although the wife of Big Brother guitarist James Gurley, who was Joplin's close friend, died from a heroin overdose in 1969, devastating Joplin, Gurley himself did not become clean and sober until 1984. Caserta survived \"a near-fatal OD in December 1995,\" wrote Alice Echols. On January 13, 2000, Caserta appeared during a segment about Joplin on 20/20.", "On January 13, 2000, Caserta appeared during a segment about Joplin on 20/20. Joplin's body art, with a wristlet and a small heart on her left breast by the San Francisco tattoo artist Lyle Tuttle, marked an early moment in the popular culture's acceptance of tattoos as art. Another trademark was her flamboyant hair styles, which often included colored streaks and accessories such as scarves, beads and feathers.", "Another trademark was her flamboyant hair styles, which often included colored streaks and accessories such as scarves, beads and feathers. When in New York City, Joplin frequented the Limbo boutique on St. Mark's Place, and she wore some of the vintage and unique garments that she purchased there on stage. The Mamas & the Papas' song \"Pearl\" (1971), from their People Like Us album, was a tribute. Leonard Cohen's song \"Chelsea Hotel#2\" (1974) is about Joplin.", "Leonard Cohen's song \"Chelsea Hotel#2\" (1974) is about Joplin. Lyricist Robert Hunter has commented that Jerry Garcia's \"Birdsong\" from his first solo album, Garcia (1972), is about Joplin and the end of her suffering through death. Mimi Farina's composition \"In the Quiet Morning\", most famously covered by Joan Baez on her Come from the Shadows (1972) album, was a tribute to Joplin.", "Mimi Farina's composition \"In the Quiet Morning\", most famously covered by Joan Baez on her Come from the Shadows (1972) album, was a tribute to Joplin. Another song by Baez, \"Children of the Eighties,\" mentioned Joplin. A Serge Gainsbourg-penned French language song by English singer Jane Birkin, \"Ex fan des sixties\" (1978), references Joplin along with other disappeared \"idols\" such as Jimi Hendrix, Brian Jones and Marc Bolan.", "A Serge Gainsbourg-penned French language song by English singer Jane Birkin, \"Ex fan des sixties\" (1978), references Joplin along with other disappeared \"idols\" such as Jimi Hendrix, Brian Jones and Marc Bolan. When Joplin was alive, Country Joe McDonald released a song called \"Janis\" on his band's album I-Feel-Like-I'm-Fixin'-to-Die (1967). The film The Rose (1979) is loosely based on Joplin's life.", "The film The Rose (1979) is loosely based on Joplin's life. Originally planned to be titled Pearl—Joplin's nickname and the title of her last album—the film was fictionalized after her family declined to allow the producers the rights to her story. Bette Midler earned a nomination for the Academy Award for Best Actress for her performance in the film.", "Bette Midler earned a nomination for the Academy Award for Best Actress for her performance in the film. In 1988, on what would have been Joplin's 45th birthday, the Janis Joplin Memorial, with an original gold, multi-image sculpture of Joplin by Douglas Clark, was dedicated during a ceremony in Port Arthur, Texas. In 1992, the first major biography of Joplin in two decades, Love, Janis, authored by her younger sister Laura Joplin, was published.", "In 1992, the first major biography of Joplin in two decades, Love, Janis, authored by her younger sister Laura Joplin, was published. In an interview, Laura stated that Joplin enjoyed being on the Dick Cavett Show, that Joplin had difficulties with some, but not all, people at Thomas Jefferson High School and that Joplin enthusiastically talked about Woodstock with her parents and siblings during a visit to their Texas home a few weeks after she had performed at the festival.", "In an interview, Laura stated that Joplin enjoyed being on the Dick Cavett Show, that Joplin had difficulties with some, but not all, people at Thomas Jefferson High School and that Joplin enthusiastically talked about Woodstock with her parents and siblings during a visit to their Texas home a few weeks after she had performed at the festival. In 1995, Joplin was inducted into the Rock and Roll Hall of Fame. In 2005, she received a Grammy Lifetime Achievement Award.", "In 2005, she received a Grammy Lifetime Achievement Award. In November 2009, the Rock and Roll Hall of Fame and Museum honored her as part of its annual American Music Masters Series; among the artifacts at the Rock and Roll Hall of Fame Museum exhibition are Joplin's scarf and necklaces, her psychedelically painted 1965 Porsche 356 Cabriolet and a sheet of LSD blotting paper designed by Robert Crumb, designer of the Cheap Thrills cover.", "In November 2009, the Rock and Roll Hall of Fame and Museum honored her as part of its annual American Music Masters Series; among the artifacts at the Rock and Roll Hall of Fame Museum exhibition are Joplin's scarf and necklaces, her psychedelically painted 1965 Porsche 356 Cabriolet and a sheet of LSD blotting paper designed by Robert Crumb, designer of the Cheap Thrills cover. Also in 2009, Joplin was the honoree at the Rock Hall's American Music Master concert and lecture series.", "Also in 2009, Joplin was the honoree at the Rock Hall's American Music Master concert and lecture series. In the late 1990s, the musical play Love, Janis was created and directed by Randal Myler, with input from Janis' younger sister Laura and Big Brother guitarist Sam Andrew, with an aim to take it to Off-Broadway. Opening in the summer of 2001 and scheduled for only a few weeks of performances, the show won acclaim, played to packed houses and was held over several times.", "Opening in the summer of 2001 and scheduled for only a few weeks of performances, the show won acclaim, played to packed houses and was held over several times. In 2013, Washington's Arena Stage featured a production of A Night with Janis Joplin, starring Mary Bridget Davies. In it, Joplin performs a concert for the audience while telling stories of her past inspirations, including those of Odetta and Aretha Franklin. The show went on tour in 2016.", "The show went on tour in 2016. The show went on tour in 2016. On November 4, 2013, Joplin was awarded with the 2,510th star on the Hollywood Walk of Fame for her contributions to the music industry. Her star is located at 6752 Hollywood Boulevard, in front of Musicians Institute. On August 8, 2014, the U.S. Postal Service revealed a commemorative stamp honoring Joplin as part of its Music Icons stamp series during a first-day-of-issue ceremony at the Outside Lands Music Festival at Golden Gate Park.", "Postal Service revealed a commemorative stamp honoring Joplin as part of its Music Icons stamp series during a first-day-of-issue ceremony at the Outside Lands Music Festival at Golden Gate Park. Among the memorabilia Joplin left behind is a Gibson Hummingbird guitar. In 2015, the biographical documentary film Janis: Little Girl Blue, directed by Amy J. Berg and narrated by Cat Power, was released. It was a New York Times Critics' Pick. Influence Joplin had a profound influence on many singers.", "Influence Joplin had a profound influence on many singers. Influence Joplin had a profound influence on many singers. Pink said about Joplin: \"She was so inspiring by singing blues music when it wasn't culturally acceptable for white women, and she wore her heart on her sleeve. She was so witty and charming and intelligent, but she also battled an ugly-duckling syndrome. I would love to play her in a movie.\"", "I would love to play her in a movie.\" In a tribute performance on her Try This Tour, Pink called Joplin \"a woman who inspired me when everyone else ... didn't!\" Discography Janis Joplin recorded four albums in her four-year career. The first two albums were recorded with and credited to Big Brother and the Holding Company; the later two were recorded with different backing bands and released as solo albums. Posthumous releases have included previously unreleased studio and live material.", "Posthumous releases have included previously unreleased studio and live material. Studio albums As lead singer of Big Brother and the Holding Company As solo artist Live albums Compilation albums Singles As lead of Big Brother and the Holding Company As solo artist Filmography Monterey Pop (1968) Petulia (1968) Janis Joplin Live in Frankfurt (1969) Janis (1974) Janis: The Way She Was (1974) Comin' Home (1988) Woodstock – The Lost Performances (1991) Woodstock: 3 Days of Peace & Music (Director's Cut) (1994) Festival Express (2003) Nine Hundred Nights (2004) The Dick Cavett Show: Rock Icons (2005) Shout Factory Rockin' at the Red Dog: The Dawn of Psychedelic Rock (2005) This is Tom Jones (2007) 1969 appearance on TV show Woodstock: 3 Days of Peace & Music (Director's Cut) 40th Anniversary Edition (2009) Janis Joplin with Big Brother: Ball and Chain (DVD) Charly (2009) Janis: Little Girl Blue (2015) Notes References Further reading – an encounter with Janis Joplin at the wheel.", "Studio albums As lead singer of Big Brother and the Holding Company As solo artist Live albums Compilation albums Singles As lead of Big Brother and the Holding Company As solo artist Filmography Monterey Pop (1968) Petulia (1968) Janis Joplin Live in Frankfurt (1969) Janis (1974) Janis: The Way She Was (1974) Comin' Home (1988) Woodstock – The Lost Performances (1991) Woodstock: 3 Days of Peace & Music (Director's Cut) (1994) Festival Express (2003) Nine Hundred Nights (2004) The Dick Cavett Show: Rock Icons (2005) Shout Factory Rockin' at the Red Dog: The Dawn of Psychedelic Rock (2005) This is Tom Jones (2007) 1969 appearance on TV show Woodstock: 3 Days of Peace & Music (Director's Cut) 40th Anniversary Edition (2009) Janis Joplin with Big Brother: Ball and Chain (DVD) Charly (2009) Janis: Little Girl Blue (2015) Notes References Further reading – an encounter with Janis Joplin at the wheel. External links Janis Joplin at the Grammy Awards Janis Joplin on the Music-Map 1943 births 1970 deaths 20th-century American singers 20th-century American women singers American blues singers American child singers American mezzo-sopranos American women rock singers American women singer-songwriters American rhythm and blues singer-songwriters American rock songwriters American soul musicians Accidental deaths in California Big Brother and the Holding Company members Bisexual musicians Bisexual women Blues rock musicians Columbia Records artists Deaths by heroin overdose in California Drug-related deaths in California Grammy Lifetime Achievement Award winners LGBT people from Texas LGBT singers from the United States LGBT songwriters Lamar University alumni People from Beaumont, Texas People from Port Arthur, Texas Singer-songwriters from Texas University of Texas at Austin alumni 20th-century LGBT people" ]

[ "Ai Otsuka", "Love Cook" ]

[ "\"All We Need Is Love\" is a 2014 song by Australian singer Ricki-Lee Coulter.\n\nAll We Need Is Love may also refer to:\nAll We Need Is Love (album), an album by Stefanie Heinzmann\n\"All We Need Is Love\", a 2000 single by Landsholdet, the Denmark national football team\n\"All We Need Is Love\", a song by Ric Ocasek from the 1991 album Fireball Zone\n\"All We Need Is Love\", a song by Elizabeth Cook from the album This Side of the Moon\n\"All We Need Is Love\", a song by the Leningrad Cowboys from the 2011 album Buena Vodka Social Club\n\"All We Need Is Love (Christmas in the Yard)\", a song by The Big Yard Family featuring Shaggy from Now That's What I Call Christmas!\n\"All We Need Is Love\", a 1977 single by Kelly Marie", "This list is an attempt to document every song recorded and released under the name of Mike Love, whether on an album, single, compilation or anthology album.\n\nLove, Mike\nMike Love" ]

[ "is a Japanese singer-songwriter from Suminoe-ku, Osaka, Japan. She is a popular artist on the Avex Trax label and is best known for her 2003 hit \"Sakuranbo\", which stayed in the Top 200 Oricon Weekly Singles Chart for 103 weeks. A piano player since age four, Otsuka composes and co-produces her own songs, as well as writes her own lyrics. Her music ranges from upbeat pop/rock music to ballads.", "Her music ranges from upbeat pop/rock music to ballads. Her music ranges from upbeat pop/rock music to ballads. Every year, Otsuka also has her own Love is Born tour to mark the anniversary of being in the music industry and her birthday in September. All of the Love is Born concerts take place in Japan, ending in her hometown of Osaka. On Love is Born 5th Anniversary in 2008, Otsuka held a leg of the concert in Taiwan, where she performed a Chinese version of her song \"Planetarium\".", "On Love is Born 5th Anniversary in 2008, Otsuka held a leg of the concert in Taiwan, where she performed a Chinese version of her song \"Planetarium\". In 2009, Otsuka held 3 Love is Born 6th Anniversary concerts in Japan, as well as two concerts in Taiwan. In 2012, Otsuka debuted as the vocalist of the band Rabbit. She sold 7 million copies in Japan. Biography Early life and career beginnings Otsuka started to play piano at the age of four.", "Biography Early life and career beginnings Otsuka started to play piano at the age of four. She composed her first track at 15, as a homework given by her piano teacher. After graduating from high school she entered to the Osaka University of Arts Nursery College, where she got her degree as a nursery teacher. For a short period of time -around late 2001- she was part of a duo called HimawaRi, along with classmate Mami Nishida.", "For a short period of time -around late 2001- she was part of a duo called HimawaRi, along with classmate Mami Nishida. They released only the song \"Sakuranbo\" on the Internet, and were active for a little time. She sent demo tapes to record labels with no positive results, until she got a call back from Avex just before her graduation from university. 2003: Debut and Love Punch Her debut single, entitled \"Momo no Hanabira\", was released on September 10, 2003.", "2003: Debut and Love Punch Her debut single, entitled \"Momo no Hanabira\", was released on September 10, 2003. The single was a minor hit, peaking at number 24 on the Oricon weekly singles top 100, but stayed on the charts for 21 weeks. Her second single, \"Sakuranbo\", was released on December 17, 2003. The song debuted at number 20 on the Oricon charts, but managed to get into the Top 10 in February 2004 and went to peak at number five.", "The song debuted at number 20 on the Oricon charts, but managed to get into the Top 10 in February 2004 and went to peak at number five. Eventually, the single stayed on the chart for 101 weeks (almost two years), and a special \"encore press\" version was commissioned, which peaked at number 4, and it became the twelfth best selling single of 2004. Gradually climbing the charts to top 5, the single.", "Gradually climbing the charts to top 5, the single. In early March 2004, Otsuka released her third single, \"Amaenbo\". The song peaked at the sixth position on the Japanese charts, while at the same time \"Sakuranbo\" was fifth. This was the first time in Japanese music history a female artist was able to have two singles in the top ten in the same week.", "This was the first time in Japanese music history a female artist was able to have two singles in the top ten in the same week. By end of March 2004, her first album, Love Punch, was released, and peaked third on the Oricon charts selling 190,265 copies in its first week. Love Jam In November 2004, the follow-up to Love Punch, Love Jam, was released, which met even greater popular success. Along with three single released before her second studio album was released.", "Along with three single released before her second studio album was released. First, \"Happy Days\" sold 163,433 units and reached third on the Oricon weekly chart. Love Jam Tour 2005, her first tour, began on April 24, 2005. It was completed in June 2005 and a live DVD with footage was released on July 27, 2005. Love Cook, her third album was released on December 14, 2005. \"Kingyo Hanabi\" was the second single to be released after her first album.", "\"Kingyo Hanabi\" was the second single to be released after her first album. \"Kingyo Hanabi\" also landed in third on the Oricon weekly chart but was able to sell 148,121 units, about 20,000 copies less than her \"Happy Days\" single. Two months later, Otsuka released another single, \"Daisuki da Yo\". Like the previous two singles, it reached number 3 on the Oricon weekly chart and sold 156,844 units. Otsuka released her second studio album a month later in November 2004.", "Otsuka released her second studio album a month later in November 2004. Love Jam debuted at the number one position and sold 224,381 units in its first week. In total, 656,700 units were sold. Love Jam became her first album to top the chart, but at the same time it was her lowest selling studio album. Love Jam was released in two different versions including a CD and a CD+DVD version.", "Love Jam was released in two different versions including a CD and a CD+DVD version. Following the release of Love Jam, Ai Otsuka released the recut single \"Kuroge Wagyu Joshio Tan Yaki 680 Yen\" in February 2005. It was a different version of the \"Kuroge Wagyu Joshio Tan Yaki 735 Yen\" track on Love Jam. \"Kuroge Wagyu Joshio Tan Yaki 680 Yen\" is arranged differently in terms of music and vocals.", "\"Kuroge Wagyu Joshio Tan Yaki 680 Yen\" is arranged differently in terms of music and vocals. This single sold 149,134 units and debuted third on the Oricon weekly chart and was the sixty-eighth single of 2005. It was the first ending theme song for the anime Black Jack. Love Cook \"Smily/Biidama\" was her first single to be released after Love Jam. Both songs from the single were used for commercials. \"Smily/Biidama\" sold 110,512 copies during its debut week and charted at first place.", "\"Smily/Biidama\" sold 110,512 copies during its debut week and charted at first place. \"Smily/Biidama\" sold a total of 308,338 copies in 2005, placing it as the twenty-sixth single of that year. It was during this time, in June 2005, that Otsuka made her acting debut with the drama Tokyo Friends. Unlike most dramas, the series was directly released on DVD and never aired on TV.", "Unlike most dramas, the series was directly released on DVD and never aired on TV. The drama used three songs as its theme song, Boo Bee Benz's \"To Me\" and \"Kimi to Iu Hana,\" as well the coupling song to her sixth single, \"Friends: Sabakan Ver.\" All three tracks would eventually be included in the soundtrack for the drama's movie sequel. Otsuka released her tenth single in 2005, \"Neko ni Fūsen\" in middle of the year in July.", "Otsuka released her tenth single in 2005, \"Neko ni Fūsen\" in middle of the year in July. \"Neko ni Fūsen\" was her lowest single that year, only reaching third on the chart and selling 111,324 copies. It placed ninety-second on the 2005 yearly charts. Otsuka's single \"Planetarium\", was released on September 20, 2005. This was her last single of that year.", "This was her last single of that year. This was her last single of that year. \"Planetarium\" sales of 315,669 was her second highest single second only to \"Sakuranbo,\" before her third studio album was released. \"Planetarium\" was used as the insert song for the live action version of the drama Hana Yori Dango. Love Cook, her third studio album, came out on December 14, 2005. In its first week, it sold 335,000 copies.", "In its first week, it sold 335,000 copies. In its first week, it sold 335,000 copies. The promotional videos for this album were filmed as mini-dramas. She also hosts a radio show on JOQR Recomen!! AM1134hHz called Otsuka Ai no ai-r jack. Love Piece In April 2006, Otsuka released \"Frienger\" (a portmanteau of the words Friend and Ranger). The promotional video was shot in Taiwan and was used as the commercial song for the Toshiba W41T 4 GB MP3 mobile phone.", "The promotional video was shot in Taiwan and was used as the commercial song for the Toshiba W41T 4 GB MP3 mobile phone. Soon after the release of \"Frienger,\" Otsuka reprised her role as an actress for Tokyo Friends: The Movie, which hit theaters in Japan on August 12, 2006. The movie is a direct sequel to the DVD drama released the previous year. Otsuka also sang the opening theme for Tokyo Friends, \"Yumekui\", which was released as a new single on August 2, 2006.", "Otsuka also sang the opening theme for Tokyo Friends, \"Yumekui\", which was released as a new single on August 2, 2006. It debuted fifth on the weekly chart, selling 63,428 copies in the first week and a total of 145,281 copies. Two months after \"Yumekui\", Otsuka released another single titled \"Renai Shashin\" on October 25, 2006, which was used as the opening theme song for the movie Tada, Kimi o Aishiteru.", "Two months after \"Yumekui\", Otsuka released another single titled \"Renai Shashin\" on October 25, 2006, which was used as the opening theme song for the movie Tada, Kimi o Aishiteru. The song was based on events from the film and its original novel, also called Renai Shashin. \"Renai Shashin\" debuted at number 2 and sold 129,855 copies, making it the 75th best-selling single of the year.", "\"Renai Shashin\" debuted at number 2 and sold 129,855 copies, making it the 75th best-selling single of the year. At the end of 2006, Otsuka had released a total of three singles and charted on Oricon's 2006 yearly chart with \"Frienger\" at number 60, \"Yumekui\" at number 66, and \"Renai Shashin\" at number 75. Otsuka released her fourteenth single, \"Chu-Lip,\" on February 21, 2007.", "Otsuka released her fourteenth single, \"Chu-Lip,\" on February 21, 2007. The single was used as the theme song for the TBS drama Kirakira Kenshui, starring Manami Konishi and Wentz Eiji of WaT and managed to claim the third position on the Oricon charts. Ai Am Best Otsuka released her first best hits compilation album, titled Ai am Best, on March 28, 2007, which features 13 pre-2006 songs and their respective promotional videos.", "Ai Am Best Otsuka released her first best hits compilation album, titled Ai am Best, on March 28, 2007, which features 13 pre-2006 songs and their respective promotional videos. There are 11 songs that span her singles in chronological order, one song from Love Cook and one song from a Nana sound track: \"Love for Nana: Only 1 Tribute\". Ai am Best sold 64,396 copies on the first day and topped the Oricon charts, making it Otsuka's best selling album.", "Ai am Best sold 64,396 copies on the first day and topped the Oricon charts, making it Otsuka's best selling album. It sold over 350,000 copies in its first week. \"Ai am Best\" also features two bonus tracks—one for the DVD, \"Best of Babashi\", and one for the CD, \"Babashi\". First Press \"Ai am Best\" includes an Ai stamp and Ai wallet calendar. Some also include an Ai pin in yellow or white.", "Some also include an Ai pin in yellow or white. Otsuka went on a tour titled Ai am Best Tour that featured songs from Ai am Best and more. The tour started on May 18 and ended on July 7, 2007. 2007–2008: Love debut and Love Piece On April 11, 2007 Otsuka released a new single, \"Love no Theme,\" as the self-created bunny rabbit character \"Love-chan\". \"Love no Theme\" was sung on her Jam Punch Tour 2005.", "\"Love no Theme\" was sung on her Jam Punch Tour 2005. Before its release, it was titled I canChu before it was changed to \"Love no Theme\". The \"Love no Theme\" single included a preview of a new single featuring Love, titled \"White Choco.\" This song could only be found previously on the promotional CD released before \"Momo no Hanabira\". \"Love no Theme\" unfortunately did not sell as well as Otsuka's normal singles.", "\"Love no Theme\" unfortunately did not sell as well as Otsuka's normal singles. Otsuka released her first single after Ai am Best, \"Peach/Heart\" on July 25, 2007. The first A-side \"Peach\" is an up-beat summer song and was used as the end theme for the summer drama Hanazakari no Kimitachi E (starring Maki Horikita and Shun Oguri), while the second \"Heart\" is a mid-tempo track. The single also includes a rearranged version of \"Renai Shashin\", titled .", "The single also includes a rearranged version of \"Renai Shashin\", titled . On September 26, 2007, Otsuka released two CDs and a DVD. The first CD was Otsuka's fourth original album, titled Love Piece. This included all of her singles from \"Frienger\" to \"Peach/Heart\", with five new songs on an 11-track album. The album was released in CD+DVD and CD-only formats, with the DVD including a music video of \"Heart\" and , a song from the album.", "The album was released in CD+DVD and CD-only formats, with the DVD including a music video of \"Heart\" and , a song from the album. The first-press of the DVD also includes the PV of \"U-Boat,\" while the first-press of the CD-only version comes with a 40-page color photobook. The second CD was a limited pressing re-release of the best album \"Ai am Best\" in CD-only format.", "The second CD was a limited pressing re-release of the best album \"Ai am Best\" in CD-only format. Also on September 26, Otsuka released a DVD of her Ai am Best Tour 2007, recorded at the Tokyo International Forum Hall A on July 9, 2007. The DVD is available in a single-disc edition, as well as a special two-disc edition with outtakes of the tour. The first-press of the special edition comes with a 40-page photobook.", "The first-press of the special edition comes with a 40-page photobook. Otsuka performed at Makuhari Messe on July 7, 2007, for one of Japan's two Live Earth concerts, alongside contemporaries Kumi Koda and Ayaka. 2009–2010: Love Letter and Love is Best Otsuka released her 16th single \"Pocket\" on November 7, 2007. And two weeks later, Love-chan's second single, \"White Choco\", was released on November 21, 2007.", "And two weeks later, Love-chan's second single, \"White Choco\", was released on November 21, 2007. During 2008, Otsuka embarked on her Love Piece Tour 2008, her fourth solo tour, from February to May. Her 17th single, \"Rocket Sneaker/One x Time\", was released on May 21. Otsuka's 18th single, \"Kurage, Nagareboshi\", was released on September 10, 2008.", "Otsuka's 18th single, \"Kurage, Nagareboshi\", was released on September 10, 2008. The single was released in four different formats, as a commemoration of her fifth anniversary in the music industry since the release of her debut single \"Momo no Hanabira\". On December 17, 2008, she released her fifth studio album, Love Letter, which peaked third on the weekly Oricon charts. It contains all of her singles since Love Piece including \"Pocket\", the third track on the album.", "It contains all of her singles since Love Piece including \"Pocket\", the third track on the album. Love Letter was her lowest-selling album. On February 25, 2009, \"Bye Bye\" was released as her second re-cut single. \"Bye Bye\" was used in a commercial for the Asahi Breweries beverage, Asahi Slat. Otsuka's second compilation album, Love Is Best, was released on November 11, 2009.", "Otsuka's second compilation album, Love Is Best, was released on November 11, 2009. The album features a collection of \"love songs,\" ranging from singles to album tracks and b-sides, and will feature re-recorded versions of some tracks including a duet with Su from hip-hop band Rip Slyme on the song \"Aisu x Time.\" On its first day of release the album charted at number one with a sales total of 22,895.", "On its first day of release the album charted at number one with a sales total of 22,895. As her character Love, she also released her first mini album entitled Love It (pronounced Rabitto, as rabbit), on November 18, 2009 (a week after Love Is Best). The album's track \"Magic\" was used in TV commercials for Music.jp.", "The album's track \"Magic\" was used in TV commercials for Music.jp. In January 2010, Otsuka performed a song for Fuji Television titled \"Lucky Star\" which the network used as the theme song for its coverage of the 2010 Winter Olympics. In February it was announced that \"Lucky Star\" would be released as a cellphone-only digital single, but later was announced to have a physical release as a double A-side single, \"Zokkondition/Lucky Star\", which released on April 7, 2010.", "In February it was announced that \"Lucky Star\" would be released as a cellphone-only digital single, but later was announced to have a physical release as a double A-side single, \"Zokkondition/Lucky Star\", which released on April 7, 2010. \"Zokkondition\" was used in advertisements for Asahi Beer, similar to her previous single \"Bye Bye\".", "\"Zokkondition\" was used in advertisements for Asahi Beer, similar to her previous single \"Bye Bye\". On September 8, 2010, she released another single \"'I Love...\" (I ♥ xxx), which was her 21st and last single before taking a hiatus from music.", "On September 8, 2010, she released another single \"'I Love...\" (I ♥ xxx), which was her 21st and last single before taking a hiatus from music. 2011–present: Hiatus, Rabbit and Love Fantastic During Otsuka's hiatus from music due to her pregnancy, a new song titled \"Hikari\" was made available for download on October 9, 2011, through her official mobile website Love 9 Cube.", "2011–present: Hiatus, Rabbit and Love Fantastic During Otsuka's hiatus from music due to her pregnancy, a new song titled \"Hikari\" was made available for download on October 9, 2011, through her official mobile website Love 9 Cube. On March 30, 2012, she released Neko ga Suki ni natta Kirai na Neko, a series of two picture books about cats. Purchasers of the books had the chance to download another new song, called \"Gomen ne\".", "Purchasers of the books had the chance to download another new song, called \"Gomen ne\". On September 9, 2012, she celebrated her 30th birthday and ninth anniversary in the music industry with Love Is Born: 9th Anniversary 2012, her first series of concerts in two years, in which she held performances in Tokyo, Hyogo and Aichi. In October 2012, Otsuka announced that she would be debuting as the vocalist of a new band called Rabbit.", "In October 2012, Otsuka announced that she would be debuting as the vocalist of a new band called Rabbit. The band released their debut album Rabito on December 12, 2012 through the Cutting Edge label. The album peaked at number 61 on the Oricon charts. Rabbit went on their first domestic tour in Japan starting in February 2013. This month it was also announced that Otsuka, as a solo, would begin a tour in September to celebrate her tenth anniversary in the music industry,.", "This month it was also announced that Otsuka, as a solo, would begin a tour in September to celebrate her tenth anniversary in the music industry,. In July 2013, it was announced that Otsuka would be releasing her first solo single in three years, entitled \"Re:Name\", to celebrate her tenth anniversary. The single was released on October 9, 2013, and debuted at number eight on the Japanese charts.", "The single was released on October 9, 2013, and debuted at number eight on the Japanese charts. On December 13, 2013, a song entitled \"Sakuranbo (Cocktail)\", which was a self-cover version of her second single, was released digitally through the iTunes Music Store. On March 26, 2014, Otsuka released an EP entitled AIO Punch, which included other self-covers from previously released songs.", "On March 26, 2014, Otsuka released an EP entitled AIO Punch, which included other self-covers from previously released songs. And she also recorded a cover of Dreams Come True's \"Romance\" for their tribute album Watashi to Dori Kamu: Dreams Come True 25th Anniversary Best Covers, which was released on the same day. Her 23rd single, \"More More\" was released on May 21, 2014. Otsuka's sixth studio album, entitled Love Fantastic, was released on July 16, 2014.", "Otsuka's sixth studio album, entitled Love Fantastic, was released on July 16, 2014. She released her seventh album, Love Tricky, on April 22, 2015. Otsuka's eighth studio album, Love Honey, came out on April 12, 2017.", "Otsuka's eighth studio album, Love Honey, came out on April 12, 2017. Personal life In February 2010, it was reported by Josei Seven magazine that Otsuka was dating rapper Kazuto Otsuki (publicly known as Su, member of hip hop group Rip Slyme), with whom she collaborated in October 2009 for her song \"Aisu x Time\". Neither of the artists' agencies would comment on the matter.", "Neither of the artists' agencies would comment on the matter. On June 26, 2010, Otsuka announced via a message on her official Web site that she and Su had gotten married on the previous day. Su also posted an announcement on Rip Slyme's website, confirming what Otsuka wrote on her website. During her Love is Born concert held on September 11, 2010, Otsuka revealed to the audience that she was expecting her first child, and on March 24, 2011, she gave birth to a daughter.", "During her Love is Born concert held on September 11, 2010, Otsuka revealed to the audience that she was expecting her first child, and on March 24, 2011, she gave birth to a daughter. On November 22, 2018, Otsuka announced that she had filed for divorce.", "On November 22, 2018, Otsuka announced that she had filed for divorce. Discography Studio albums 2004: Love Punch 2004: Love Jam 2005: Love Cook 2007: Love Piece 2008: Love Letter 2014: Love Fantastic 2015: Love Tricky 2017: Love Honey Compilation albums 2007: Ai Am Best 2009: Love Is Best 2019: Ai Am Best, too Radio shows Otsuka Ai ai-r Jack (Nippon Cultural Broadcasting) Corolla presents Life-Love Circle (Tokyo FM) Books (February 25, 2005) Love World (September 25, 2007) (January 31, 2008) (March 31, 2010) (March 30, 2012) Awards Japan Cable Radio Awards 2004: Best New Artist Best Hits Kayōsai 2004: Best New Artist 2005: Gold Artist Prize – \"Planetarium\" 2006: Gold Artist Prize – \"Ren'ai Shashin\" 2007: Gold Artist Prize – \"Pocket\" Japan Gold Disc Award 2005: Rock & Pop Album of the Year – Love Punch 2005: Rock & Pop Album of the Year – Love Jam 2006: Rock & Pop Album of the Year – Love Cook 2007: The Best 10 Albums - Ai Am Best MTV Video Music Awards Japan 2007: Best Pop Video - \"Ren'ai Shashin\" 2007: Best Video from a Film - \"Ren'ai Shashin\" (from Tada, Kimi o Aishiteru) References External links Love website 1982 births Living people Japanese women pop singers Japanese actresses Japanese women singer-songwriters Japanese singer-songwriters Musicians from Osaka Osaka University of Arts alumni Avex Trax artists 21st-century Japanese women singers 21st-century Japanese singers" ]

[ "Ai Otsuka", "Love Cook", "Is Love Cook an album or a single?", "Love Cook, her third studio album," ]

[ "\"Summer Suspicion\" (Japanese: サマー・サスピション) is the debut single by Kiyotaka Sugiyama & Omega Tribe, released by VAP on April 21, 1983. The single reached at #9 on the Oricon charts.\n\nBackground \nInitially, the song \"Umikaze Tsushin\" was the candidate for their debut song, but producer Koichi Fujita did not want the song to be used as the debut, saying \"It's not too bad, but could you write another song? I'd like it to have a more melodic melody and crying.\" The song was created after.\n\nOne month before the release of the single, Kiyotaka Sugiyama performed the song at the 12th Tokyo Music Festival, held at the Nippon Budokan on March 27, 1983. He then appeared on the Tokyo Broadcasting System program Apple City 500, promoting the song. The song was first shown at the TBS TV program \"The Best Ten\" on August 4, 1983, then on the Nippon TV program The Top Ten on July 11, 1983. The single ranked in the top 10's on both programs.\n\nThe single was included in their debut album Aqua City, which released on September 21, 1983. It was included in the albums Single's History and was planned to also be included on the album Kamasami Kong DJ Special until the project was scrapped. Kiyotaka Sugiyama covered the song on his albums Hula Moon Sessions and I Am Me.\n\nTrack listing\n\nCharts\n\nWeekly charts\n\nYear-end charts\n\nReferences \n\nOmega Tribe (Japanese band) songs\n1983 songs\n1983 debut singles\nSongs with lyrics by Chinfa Kan", "A Time for Us is the debut studio album by Australian recording artist Luke Kennedy, who finished second on the second season of The Voice Australia. The album was released on 12 July 2013, through Universal Music Australia. It features eight songs Kennedy performed on The Voice, two original songs, as well as two newly recorded covers.\n\nSingles\n \"Stay for a Minute\" – Released on 5 July 2013. It did not reach the Aria Charts top 100.\n\nTrack listing\n\nCharts\n\nRelease history\n\nReferences\n\n2013 debut albums" ]

[ "is a Japanese singer-songwriter from Suminoe-ku, Osaka, Japan. She is a popular artist on the Avex Trax label and is best known for her 2003 hit \"Sakuranbo\", which stayed in the Top 200 Oricon Weekly Singles Chart for 103 weeks. A piano player since age four, Otsuka composes and co-produces her own songs, as well as writes her own lyrics. Her music ranges from upbeat pop/rock music to ballads.", "Her music ranges from upbeat pop/rock music to ballads. Her music ranges from upbeat pop/rock music to ballads. Every year, Otsuka also has her own Love is Born tour to mark the anniversary of being in the music industry and her birthday in September. All of the Love is Born concerts take place in Japan, ending in her hometown of Osaka. On Love is Born 5th Anniversary in 2008, Otsuka held a leg of the concert in Taiwan, where she performed a Chinese version of her song \"Planetarium\".", "On Love is Born 5th Anniversary in 2008, Otsuka held a leg of the concert in Taiwan, where she performed a Chinese version of her song \"Planetarium\". In 2009, Otsuka held 3 Love is Born 6th Anniversary concerts in Japan, as well as two concerts in Taiwan. In 2012, Otsuka debuted as the vocalist of the band Rabbit. She sold 7 million copies in Japan. Biography Early life and career beginnings Otsuka started to play piano at the age of four.", "Biography Early life and career beginnings Otsuka started to play piano at the age of four. She composed her first track at 15, as a homework given by her piano teacher. After graduating from high school she entered to the Osaka University of Arts Nursery College, where she got her degree as a nursery teacher. For a short period of time -around late 2001- she was part of a duo called HimawaRi, along with classmate Mami Nishida.", "For a short period of time -around late 2001- she was part of a duo called HimawaRi, along with classmate Mami Nishida. They released only the song \"Sakuranbo\" on the Internet, and were active for a little time. She sent demo tapes to record labels with no positive results, until she got a call back from Avex just before her graduation from university. 2003: Debut and Love Punch Her debut single, entitled \"Momo no Hanabira\", was released on September 10, 2003.", "2003: Debut and Love Punch Her debut single, entitled \"Momo no Hanabira\", was released on September 10, 2003. The single was a minor hit, peaking at number 24 on the Oricon weekly singles top 100, but stayed on the charts for 21 weeks. Her second single, \"Sakuranbo\", was released on December 17, 2003. The song debuted at number 20 on the Oricon charts, but managed to get into the Top 10 in February 2004 and went to peak at number five.", "The song debuted at number 20 on the Oricon charts, but managed to get into the Top 10 in February 2004 and went to peak at number five. Eventually, the single stayed on the chart for 101 weeks (almost two years), and a special \"encore press\" version was commissioned, which peaked at number 4, and it became the twelfth best selling single of 2004. Gradually climbing the charts to top 5, the single.", "Gradually climbing the charts to top 5, the single. In early March 2004, Otsuka released her third single, \"Amaenbo\". The song peaked at the sixth position on the Japanese charts, while at the same time \"Sakuranbo\" was fifth. This was the first time in Japanese music history a female artist was able to have two singles in the top ten in the same week.", "This was the first time in Japanese music history a female artist was able to have two singles in the top ten in the same week. By end of March 2004, her first album, Love Punch, was released, and peaked third on the Oricon charts selling 190,265 copies in its first week. Love Jam In November 2004, the follow-up to Love Punch, Love Jam, was released, which met even greater popular success. Along with three single released before her second studio album was released.", "Along with three single released before her second studio album was released. First, \"Happy Days\" sold 163,433 units and reached third on the Oricon weekly chart. Love Jam Tour 2005, her first tour, began on April 24, 2005. It was completed in June 2005 and a live DVD with footage was released on July 27, 2005. Love Cook, her third album was released on December 14, 2005. \"Kingyo Hanabi\" was the second single to be released after her first album.", "\"Kingyo Hanabi\" was the second single to be released after her first album. \"Kingyo Hanabi\" also landed in third on the Oricon weekly chart but was able to sell 148,121 units, about 20,000 copies less than her \"Happy Days\" single. Two months later, Otsuka released another single, \"Daisuki da Yo\". Like the previous two singles, it reached number 3 on the Oricon weekly chart and sold 156,844 units. Otsuka released her second studio album a month later in November 2004.", "Otsuka released her second studio album a month later in November 2004. Love Jam debuted at the number one position and sold 224,381 units in its first week. In total, 656,700 units were sold. Love Jam became her first album to top the chart, but at the same time it was her lowest selling studio album. Love Jam was released in two different versions including a CD and a CD+DVD version.", "Love Jam was released in two different versions including a CD and a CD+DVD version. Following the release of Love Jam, Ai Otsuka released the recut single \"Kuroge Wagyu Joshio Tan Yaki 680 Yen\" in February 2005. It was a different version of the \"Kuroge Wagyu Joshio Tan Yaki 735 Yen\" track on Love Jam. \"Kuroge Wagyu Joshio Tan Yaki 680 Yen\" is arranged differently in terms of music and vocals.", "\"Kuroge Wagyu Joshio Tan Yaki 680 Yen\" is arranged differently in terms of music and vocals. This single sold 149,134 units and debuted third on the Oricon weekly chart and was the sixty-eighth single of 2005. It was the first ending theme song for the anime Black Jack. Love Cook \"Smily/Biidama\" was her first single to be released after Love Jam. Both songs from the single were used for commercials. \"Smily/Biidama\" sold 110,512 copies during its debut week and charted at first place.", "\"Smily/Biidama\" sold 110,512 copies during its debut week and charted at first place. \"Smily/Biidama\" sold a total of 308,338 copies in 2005, placing it as the twenty-sixth single of that year. It was during this time, in June 2005, that Otsuka made her acting debut with the drama Tokyo Friends. Unlike most dramas, the series was directly released on DVD and never aired on TV.", "Unlike most dramas, the series was directly released on DVD and never aired on TV. The drama used three songs as its theme song, Boo Bee Benz's \"To Me\" and \"Kimi to Iu Hana,\" as well the coupling song to her sixth single, \"Friends: Sabakan Ver.\" All three tracks would eventually be included in the soundtrack for the drama's movie sequel. Otsuka released her tenth single in 2005, \"Neko ni Fūsen\" in middle of the year in July.", "Otsuka released her tenth single in 2005, \"Neko ni Fūsen\" in middle of the year in July. \"Neko ni Fūsen\" was her lowest single that year, only reaching third on the chart and selling 111,324 copies. It placed ninety-second on the 2005 yearly charts. Otsuka's single \"Planetarium\", was released on September 20, 2005. This was her last single of that year.", "This was her last single of that year. This was her last single of that year. \"Planetarium\" sales of 315,669 was her second highest single second only to \"Sakuranbo,\" before her third studio album was released. \"Planetarium\" was used as the insert song for the live action version of the drama Hana Yori Dango. Love Cook, her third studio album, came out on December 14, 2005. In its first week, it sold 335,000 copies.", "In its first week, it sold 335,000 copies. In its first week, it sold 335,000 copies. The promotional videos for this album were filmed as mini-dramas. She also hosts a radio show on JOQR Recomen!! AM1134hHz called Otsuka Ai no ai-r jack. Love Piece In April 2006, Otsuka released \"Frienger\" (a portmanteau of the words Friend and Ranger). The promotional video was shot in Taiwan and was used as the commercial song for the Toshiba W41T 4 GB MP3 mobile phone.", "The promotional video was shot in Taiwan and was used as the commercial song for the Toshiba W41T 4 GB MP3 mobile phone. Soon after the release of \"Frienger,\" Otsuka reprised her role as an actress for Tokyo Friends: The Movie, which hit theaters in Japan on August 12, 2006. The movie is a direct sequel to the DVD drama released the previous year. Otsuka also sang the opening theme for Tokyo Friends, \"Yumekui\", which was released as a new single on August 2, 2006.", "Otsuka also sang the opening theme for Tokyo Friends, \"Yumekui\", which was released as a new single on August 2, 2006. It debuted fifth on the weekly chart, selling 63,428 copies in the first week and a total of 145,281 copies. Two months after \"Yumekui\", Otsuka released another single titled \"Renai Shashin\" on October 25, 2006, which was used as the opening theme song for the movie Tada, Kimi o Aishiteru.", "Two months after \"Yumekui\", Otsuka released another single titled \"Renai Shashin\" on October 25, 2006, which was used as the opening theme song for the movie Tada, Kimi o Aishiteru. The song was based on events from the film and its original novel, also called Renai Shashin. \"Renai Shashin\" debuted at number 2 and sold 129,855 copies, making it the 75th best-selling single of the year.", "\"Renai Shashin\" debuted at number 2 and sold 129,855 copies, making it the 75th best-selling single of the year. At the end of 2006, Otsuka had released a total of three singles and charted on Oricon's 2006 yearly chart with \"Frienger\" at number 60, \"Yumekui\" at number 66, and \"Renai Shashin\" at number 75. Otsuka released her fourteenth single, \"Chu-Lip,\" on February 21, 2007.", "Otsuka released her fourteenth single, \"Chu-Lip,\" on February 21, 2007. The single was used as the theme song for the TBS drama Kirakira Kenshui, starring Manami Konishi and Wentz Eiji of WaT and managed to claim the third position on the Oricon charts. Ai Am Best Otsuka released her first best hits compilation album, titled Ai am Best, on March 28, 2007, which features 13 pre-2006 songs and their respective promotional videos.", "Ai Am Best Otsuka released her first best hits compilation album, titled Ai am Best, on March 28, 2007, which features 13 pre-2006 songs and their respective promotional videos. There are 11 songs that span her singles in chronological order, one song from Love Cook and one song from a Nana sound track: \"Love for Nana: Only 1 Tribute\". Ai am Best sold 64,396 copies on the first day and topped the Oricon charts, making it Otsuka's best selling album.", "Ai am Best sold 64,396 copies on the first day and topped the Oricon charts, making it Otsuka's best selling album. It sold over 350,000 copies in its first week. \"Ai am Best\" also features two bonus tracks—one for the DVD, \"Best of Babashi\", and one for the CD, \"Babashi\". First Press \"Ai am Best\" includes an Ai stamp and Ai wallet calendar. Some also include an Ai pin in yellow or white.", "Some also include an Ai pin in yellow or white. Otsuka went on a tour titled Ai am Best Tour that featured songs from Ai am Best and more. The tour started on May 18 and ended on July 7, 2007. 2007–2008: Love debut and Love Piece On April 11, 2007 Otsuka released a new single, \"Love no Theme,\" as the self-created bunny rabbit character \"Love-chan\". \"Love no Theme\" was sung on her Jam Punch Tour 2005.", "\"Love no Theme\" was sung on her Jam Punch Tour 2005. Before its release, it was titled I canChu before it was changed to \"Love no Theme\". The \"Love no Theme\" single included a preview of a new single featuring Love, titled \"White Choco.\" This song could only be found previously on the promotional CD released before \"Momo no Hanabira\". \"Love no Theme\" unfortunately did not sell as well as Otsuka's normal singles.", "\"Love no Theme\" unfortunately did not sell as well as Otsuka's normal singles. Otsuka released her first single after Ai am Best, \"Peach/Heart\" on July 25, 2007. The first A-side \"Peach\" is an up-beat summer song and was used as the end theme for the summer drama Hanazakari no Kimitachi E (starring Maki Horikita and Shun Oguri), while the second \"Heart\" is a mid-tempo track. The single also includes a rearranged version of \"Renai Shashin\", titled .", "The single also includes a rearranged version of \"Renai Shashin\", titled . On September 26, 2007, Otsuka released two CDs and a DVD. The first CD was Otsuka's fourth original album, titled Love Piece. This included all of her singles from \"Frienger\" to \"Peach/Heart\", with five new songs on an 11-track album. The album was released in CD+DVD and CD-only formats, with the DVD including a music video of \"Heart\" and , a song from the album.", "The album was released in CD+DVD and CD-only formats, with the DVD including a music video of \"Heart\" and , a song from the album. The first-press of the DVD also includes the PV of \"U-Boat,\" while the first-press of the CD-only version comes with a 40-page color photobook. The second CD was a limited pressing re-release of the best album \"Ai am Best\" in CD-only format.", "The second CD was a limited pressing re-release of the best album \"Ai am Best\" in CD-only format. Also on September 26, Otsuka released a DVD of her Ai am Best Tour 2007, recorded at the Tokyo International Forum Hall A on July 9, 2007. The DVD is available in a single-disc edition, as well as a special two-disc edition with outtakes of the tour. The first-press of the special edition comes with a 40-page photobook.", "The first-press of the special edition comes with a 40-page photobook. Otsuka performed at Makuhari Messe on July 7, 2007, for one of Japan's two Live Earth concerts, alongside contemporaries Kumi Koda and Ayaka. 2009–2010: Love Letter and Love is Best Otsuka released her 16th single \"Pocket\" on November 7, 2007. And two weeks later, Love-chan's second single, \"White Choco\", was released on November 21, 2007.", "And two weeks later, Love-chan's second single, \"White Choco\", was released on November 21, 2007. During 2008, Otsuka embarked on her Love Piece Tour 2008, her fourth solo tour, from February to May. Her 17th single, \"Rocket Sneaker/One x Time\", was released on May 21. Otsuka's 18th single, \"Kurage, Nagareboshi\", was released on September 10, 2008.", "Otsuka's 18th single, \"Kurage, Nagareboshi\", was released on September 10, 2008. The single was released in four different formats, as a commemoration of her fifth anniversary in the music industry since the release of her debut single \"Momo no Hanabira\". On December 17, 2008, she released her fifth studio album, Love Letter, which peaked third on the weekly Oricon charts. It contains all of her singles since Love Piece including \"Pocket\", the third track on the album.", "It contains all of her singles since Love Piece including \"Pocket\", the third track on the album. Love Letter was her lowest-selling album. On February 25, 2009, \"Bye Bye\" was released as her second re-cut single. \"Bye Bye\" was used in a commercial for the Asahi Breweries beverage, Asahi Slat. Otsuka's second compilation album, Love Is Best, was released on November 11, 2009.", "Otsuka's second compilation album, Love Is Best, was released on November 11, 2009. The album features a collection of \"love songs,\" ranging from singles to album tracks and b-sides, and will feature re-recorded versions of some tracks including a duet with Su from hip-hop band Rip Slyme on the song \"Aisu x Time.\" On its first day of release the album charted at number one with a sales total of 22,895.", "On its first day of release the album charted at number one with a sales total of 22,895. As her character Love, she also released her first mini album entitled Love It (pronounced Rabitto, as rabbit), on November 18, 2009 (a week after Love Is Best). The album's track \"Magic\" was used in TV commercials for Music.jp.", "The album's track \"Magic\" was used in TV commercials for Music.jp. In January 2010, Otsuka performed a song for Fuji Television titled \"Lucky Star\" which the network used as the theme song for its coverage of the 2010 Winter Olympics. In February it was announced that \"Lucky Star\" would be released as a cellphone-only digital single, but later was announced to have a physical release as a double A-side single, \"Zokkondition/Lucky Star\", which released on April 7, 2010.", "In February it was announced that \"Lucky Star\" would be released as a cellphone-only digital single, but later was announced to have a physical release as a double A-side single, \"Zokkondition/Lucky Star\", which released on April 7, 2010. \"Zokkondition\" was used in advertisements for Asahi Beer, similar to her previous single \"Bye Bye\".", "\"Zokkondition\" was used in advertisements for Asahi Beer, similar to her previous single \"Bye Bye\". On September 8, 2010, she released another single \"'I Love...\" (I ♥ xxx), which was her 21st and last single before taking a hiatus from music.", "On September 8, 2010, she released another single \"'I Love...\" (I ♥ xxx), which was her 21st and last single before taking a hiatus from music. 2011–present: Hiatus, Rabbit and Love Fantastic During Otsuka's hiatus from music due to her pregnancy, a new song titled \"Hikari\" was made available for download on October 9, 2011, through her official mobile website Love 9 Cube.", "2011–present: Hiatus, Rabbit and Love Fantastic During Otsuka's hiatus from music due to her pregnancy, a new song titled \"Hikari\" was made available for download on October 9, 2011, through her official mobile website Love 9 Cube. On March 30, 2012, she released Neko ga Suki ni natta Kirai na Neko, a series of two picture books about cats. Purchasers of the books had the chance to download another new song, called \"Gomen ne\".", "Purchasers of the books had the chance to download another new song, called \"Gomen ne\". On September 9, 2012, she celebrated her 30th birthday and ninth anniversary in the music industry with Love Is Born: 9th Anniversary 2012, her first series of concerts in two years, in which she held performances in Tokyo, Hyogo and Aichi. In October 2012, Otsuka announced that she would be debuting as the vocalist of a new band called Rabbit.", "In October 2012, Otsuka announced that she would be debuting as the vocalist of a new band called Rabbit. The band released their debut album Rabito on December 12, 2012 through the Cutting Edge label. The album peaked at number 61 on the Oricon charts. Rabbit went on their first domestic tour in Japan starting in February 2013. This month it was also announced that Otsuka, as a solo, would begin a tour in September to celebrate her tenth anniversary in the music industry,.", "This month it was also announced that Otsuka, as a solo, would begin a tour in September to celebrate her tenth anniversary in the music industry,. In July 2013, it was announced that Otsuka would be releasing her first solo single in three years, entitled \"Re:Name\", to celebrate her tenth anniversary. The single was released on October 9, 2013, and debuted at number eight on the Japanese charts.", "The single was released on October 9, 2013, and debuted at number eight on the Japanese charts. On December 13, 2013, a song entitled \"Sakuranbo (Cocktail)\", which was a self-cover version of her second single, was released digitally through the iTunes Music Store. On March 26, 2014, Otsuka released an EP entitled AIO Punch, which included other self-covers from previously released songs.", "On March 26, 2014, Otsuka released an EP entitled AIO Punch, which included other self-covers from previously released songs. And she also recorded a cover of Dreams Come True's \"Romance\" for their tribute album Watashi to Dori Kamu: Dreams Come True 25th Anniversary Best Covers, which was released on the same day. Her 23rd single, \"More More\" was released on May 21, 2014. Otsuka's sixth studio album, entitled Love Fantastic, was released on July 16, 2014.", "Otsuka's sixth studio album, entitled Love Fantastic, was released on July 16, 2014. She released her seventh album, Love Tricky, on April 22, 2015. Otsuka's eighth studio album, Love Honey, came out on April 12, 2017.", "Otsuka's eighth studio album, Love Honey, came out on April 12, 2017. Personal life In February 2010, it was reported by Josei Seven magazine that Otsuka was dating rapper Kazuto Otsuki (publicly known as Su, member of hip hop group Rip Slyme), with whom she collaborated in October 2009 for her song \"Aisu x Time\". Neither of the artists' agencies would comment on the matter.", "Neither of the artists' agencies would comment on the matter. On June 26, 2010, Otsuka announced via a message on her official Web site that she and Su had gotten married on the previous day. Su also posted an announcement on Rip Slyme's website, confirming what Otsuka wrote on her website. During her Love is Born concert held on September 11, 2010, Otsuka revealed to the audience that she was expecting her first child, and on March 24, 2011, she gave birth to a daughter.", "During her Love is Born concert held on September 11, 2010, Otsuka revealed to the audience that she was expecting her first child, and on March 24, 2011, she gave birth to a daughter. On November 22, 2018, Otsuka announced that she had filed for divorce.", "On November 22, 2018, Otsuka announced that she had filed for divorce. Discography Studio albums 2004: Love Punch 2004: Love Jam 2005: Love Cook 2007: Love Piece 2008: Love Letter 2014: Love Fantastic 2015: Love Tricky 2017: Love Honey Compilation albums 2007: Ai Am Best 2009: Love Is Best 2019: Ai Am Best, too Radio shows Otsuka Ai ai-r Jack (Nippon Cultural Broadcasting) Corolla presents Life-Love Circle (Tokyo FM) Books (February 25, 2005) Love World (September 25, 2007) (January 31, 2008) (March 31, 2010) (March 30, 2012) Awards Japan Cable Radio Awards 2004: Best New Artist Best Hits Kayōsai 2004: Best New Artist 2005: Gold Artist Prize – \"Planetarium\" 2006: Gold Artist Prize – \"Ren'ai Shashin\" 2007: Gold Artist Prize – \"Pocket\" Japan Gold Disc Award 2005: Rock & Pop Album of the Year – Love Punch 2005: Rock & Pop Album of the Year – Love Jam 2006: Rock & Pop Album of the Year – Love Cook 2007: The Best 10 Albums - Ai Am Best MTV Video Music Awards Japan 2007: Best Pop Video - \"Ren'ai Shashin\" 2007: Best Video from a Film - \"Ren'ai Shashin\" (from Tada, Kimi o Aishiteru) References External links Love website 1982 births Living people Japanese women pop singers Japanese actresses Japanese women singer-songwriters Japanese singer-songwriters Musicians from Osaka Osaka University of Arts alumni Avex Trax artists 21st-century Japanese women singers 21st-century Japanese singers" ]

[ "Ai Otsuka", "Love Cook", "Is Love Cook an album or a single?", "Love Cook, her third studio album,", "Did it debut on the charts?", "In its first week, it sold 335,000 copies." ]

[ "Vessel of Love is a studio album by reggae musician Hollie Cook. It was released in 2018 via Merge Records.\n\nCritical reception\nPitchfork wrote that Cook \"always sounds strong and self-possessed, and that is what most makes Vessel of Love sound like pure joy.\" PopMatters wrote that \"Cook's breezy voice soothes on backdrops of steady brass and lush synths, making for a true tropical retreat.\"\n\nTrack listing\n\nCharts\n\nReferences\n\n2018 albums\nMerge Records albums", "Kristy Lee Cook (born January 18, 1984) is an American country music singer and television personality. She was the seventh place finalist on the seventh season of American Idol. In 2005, Cook released her first album called Devoted. In June 2008, Cook signed to 19 Recordings and Arista Nashville. She released her post-Idol album, Why Wait, on September 16, 2008. This album produced her first chart single, \"15 Minutes of Shame\", a Top 30 hit on the Billboard country charts. Her first single for Broken Bow Records, \"Airborne Ranger Infantry\", was released on October 16, 2012.\n\nCook hosted the 2010 TV show Outdoor's 10 Best, and was a main judge on the 2011 competition show Wanted: Adventure Host. She starred in the 2011 reality television show Goin' Country. Since 2015, she has hosted the show The Most Wanted List.\n\nPersonal life\nCook was born in Seattle, Washington, to Larry and Carlene Cook. She is the youngest of three children. Her brother-in-law is retired American football quarterback John Dutton of the Arena Football League. She lives in Amarillo, Texas.\n\nEarly career\nIn 2001, at the age of 17, Cook signed her first contract with BMI. According to her RMG page, she signed with RCA Records/Arista Nashville in 1999, and was the first artist signed to Britney Spears' production company. Spears agreed to make a cameo appearance in her first music video. However, RCA placed Cook and other younger artists on hold and then dropped her.\n\nCook then moved to Dallas, Texas, in an attempt to pursue her career and to gain more experience. She began modeling and appeared in commercials. In 2005, Ren-Hen Records released her first album, Devoted. During this time, Kristy Lee performed for two years at Cowboy's nightclub in Arlington, Texas, singing eight songs per night with the band Six Shooter.\n\nIn 2007, Cook returned to Selma, Oregon, to prepare for the American Idol audition. To raise funds for her audition and travel expenses, she sold her \"really good\" barrel horse. She had hoped to earn enough money to repurchase her horse on her return. However, the night she was eliminated, she commented that the person to whom she had sold the horse was unwilling to sell it back.\n\nAmerican Idol\n\nOverview\n\nCook auditioned for American Idol in Philadelphia, Pennsylvania, by singing \"Amazing Grace\". All three judges liked her voice and sent her straight through to Hollywood. In Hollywood, her first song did not impress the judges. For her second and final chance, she sang \"Amazing Grace\" again; she was then selected as one of the top 24 contestants in the semi-finals. She was the first female performer of the season and sang \"Rescue Me\". The judges did not care for her performance but gave her props since she was the first of the night and she had bronchitis. On March 12, Cook was placed in the bottom three with Syesha Mercado and David Hernandez. She was declared safe. On March 19, she was placed in the bottom three again with Carly Smithson and Amanda Overmyer, but she survived again, ensuring herself a spot in the American Idol Top 10 Concert Tour for the coming summer. Once again, on April 2, she was placed in the bottom three with her two roommates, Ramiele Malubay and Brooke White. Malubay was eliminated.\n\nPerformances\n\n When Ryan Seacrest announced the results for this particular night, Cook was among the bottom three but was declared safe second when David Hernandez was eliminated.\n When Seacrest announced the results for this particular night, Cook was among the bottom three but declared safe second when Amanda Overmyer was eliminated.\n When Seacrest announced the results for this particular night, Cook was among the bottom three but declared safe second when Ramiele Malubay was eliminated.\n\nPost-Idol career, 2008-2009\nAfter American Idol, Cook was interviewed on The Ellen DeGeneres Show, Live with Regis and Kelly and on WNYW in New York City. She performed with the other top 10 finalists on the American Idols LIVE! Tour 2008 which ran from July 1 to September 13, 2008. She sang \"Squeezin' the Love Outta You\" (Redmon and Vale), \"God Bless the USA\" (Lee Greenwood), which she performed on Top 10 night during the season, and \"Cowgirls\" (Kerry Harvick). In Toronto, she replaced \"God Bless the USA\" with \"Anyway\" (Martina McBride), which she had performed on Top 8 night during the season.\n\nCook announced on June 29, 2008, that she had once again signed with Arista Nashville and with 19 Recordings. On August 12 of that year, \"15 Minutes of Shame\" was released as the first single for Cook's upcoming studio album. It entered the Billboard Hot Country Songs charts at number 58 a week before its release and peaked at number 28. Her album, Why Wait, released on September 16, 2008, was produced by the Nashville singer-songwriter Brett James.\n\nIn the fall of 2008 and 2009, Cook performed \"The Star-Spangled Banner\" at NCAA football games hosted by both Vanderbilt Commodores and Middle Tennessee State University. On October 25, 2008, Cook made her first appearance on the Grand Ole Opry. Arista Nashville announced on December 10, 2008, that Cook and the label had parted ways.\n\nBroken Bow Records\nOn August 4, 2010, it was announced Cook had signed with Broken Bow Records.\n\nOn October 16, 2012, Cook's first single from Broken Bow Records, \"Airborne Ranger Infantry\", was released. She was inspired to write the songs after reading poems written by her father, Larry Cook, about his experiences in the Army during the Vietnam War. \"We took lines directly from the poems and put them into the song,\" Kristy said. \"I wouldn't have written the song if my dad hadn't written those poems, because he doesn't really talk about much. The cool thing is that it gives perspective to someone who doesn't know what it's like to know how they feel and what they're experiencing. It was really important for us to make sure it was right, and exactly what they would say.\" Cook's second Broken Bow single, \"Wherever Love Goes\", was released to country radio on August 12, 2013. The song was originally recorded by Cook as a duet with labelmate Randy Houser on his 2013 album How Country Feels; the single version changes the vocal parts from the original to make Cook more prominent. Cook has been released from her record deal with Broken Bow Records and her album believed to have been scrapped.\n\nTV career\nCook hosted Outdoor's 10 Best in 2010. She appeared as a judge in the same year in Wanted: Adventure Host. She starred in a reality show, Goin' Country, which documented her two loves of hunting and singing, in 2011. Since 2015, she has hosted the hunting show The Most Wanted List.\n\nCharity work\nCook founded the Kristy Lee Horse Heaven Foundation, which specializes in caring for, saving and training horses. \"I love horses with all my heart, and they have always been there for me through the good and the difficult times. The least I can do is to give back to them in appreciation of all they have done and meant to me.\" Cook also enters the horses in gymkhanas and other horse events.\n\nDiscography\n\nStudio albums\n\nExtended plays\n\nSingles\n\nMusic videos\n\nReferences\n\nExternal links\n\n1984 births\nLiving people\n21st-century American singers\nPeople from Josephine County, Oregon\nSinger-songwriters from Oregon\nAmerican women country singers\nAmerican country singer-songwriters\nAmerican Idol participants\nArista Nashville artists\nBBR Music Group artists\n21st-century American women singers" ]

[ "is a Japanese singer-songwriter from Suminoe-ku, Osaka, Japan. She is a popular artist on the Avex Trax label and is best known for her 2003 hit \"Sakuranbo\", which stayed in the Top 200 Oricon Weekly Singles Chart for 103 weeks. A piano player since age four, Otsuka composes and co-produces her own songs, as well as writes her own lyrics. Her music ranges from upbeat pop/rock music to ballads.", "Her music ranges from upbeat pop/rock music to ballads. Her music ranges from upbeat pop/rock music to ballads. Every year, Otsuka also has her own Love is Born tour to mark the anniversary of being in the music industry and her birthday in September. All of the Love is Born concerts take place in Japan, ending in her hometown of Osaka. On Love is Born 5th Anniversary in 2008, Otsuka held a leg of the concert in Taiwan, where she performed a Chinese version of her song \"Planetarium\".", "On Love is Born 5th Anniversary in 2008, Otsuka held a leg of the concert in Taiwan, where she performed a Chinese version of her song \"Planetarium\". In 2009, Otsuka held 3 Love is Born 6th Anniversary concerts in Japan, as well as two concerts in Taiwan. In 2012, Otsuka debuted as the vocalist of the band Rabbit. She sold 7 million copies in Japan. Biography Early life and career beginnings Otsuka started to play piano at the age of four.", "Biography Early life and career beginnings Otsuka started to play piano at the age of four. She composed her first track at 15, as a homework given by her piano teacher. After graduating from high school she entered to the Osaka University of Arts Nursery College, where she got her degree as a nursery teacher. For a short period of time -around late 2001- she was part of a duo called HimawaRi, along with classmate Mami Nishida.", "For a short period of time -around late 2001- she was part of a duo called HimawaRi, along with classmate Mami Nishida. They released only the song \"Sakuranbo\" on the Internet, and were active for a little time. She sent demo tapes to record labels with no positive results, until she got a call back from Avex just before her graduation from university. 2003: Debut and Love Punch Her debut single, entitled \"Momo no Hanabira\", was released on September 10, 2003.", "2003: Debut and Love Punch Her debut single, entitled \"Momo no Hanabira\", was released on September 10, 2003. The single was a minor hit, peaking at number 24 on the Oricon weekly singles top 100, but stayed on the charts for 21 weeks. Her second single, \"Sakuranbo\", was released on December 17, 2003. The song debuted at number 20 on the Oricon charts, but managed to get into the Top 10 in February 2004 and went to peak at number five.", "The song debuted at number 20 on the Oricon charts, but managed to get into the Top 10 in February 2004 and went to peak at number five. Eventually, the single stayed on the chart for 101 weeks (almost two years), and a special \"encore press\" version was commissioned, which peaked at number 4, and it became the twelfth best selling single of 2004. Gradually climbing the charts to top 5, the single.", "Gradually climbing the charts to top 5, the single. In early March 2004, Otsuka released her third single, \"Amaenbo\". The song peaked at the sixth position on the Japanese charts, while at the same time \"Sakuranbo\" was fifth. This was the first time in Japanese music history a female artist was able to have two singles in the top ten in the same week.", "This was the first time in Japanese music history a female artist was able to have two singles in the top ten in the same week. By end of March 2004, her first album, Love Punch, was released, and peaked third on the Oricon charts selling 190,265 copies in its first week. Love Jam In November 2004, the follow-up to Love Punch, Love Jam, was released, which met even greater popular success. Along with three single released before her second studio album was released.", "Along with three single released before her second studio album was released. First, \"Happy Days\" sold 163,433 units and reached third on the Oricon weekly chart. Love Jam Tour 2005, her first tour, began on April 24, 2005. It was completed in June 2005 and a live DVD with footage was released on July 27, 2005. Love Cook, her third album was released on December 14, 2005. \"Kingyo Hanabi\" was the second single to be released after her first album.", "\"Kingyo Hanabi\" was the second single to be released after her first album. \"Kingyo Hanabi\" also landed in third on the Oricon weekly chart but was able to sell 148,121 units, about 20,000 copies less than her \"Happy Days\" single. Two months later, Otsuka released another single, \"Daisuki da Yo\". Like the previous two singles, it reached number 3 on the Oricon weekly chart and sold 156,844 units. Otsuka released her second studio album a month later in November 2004.", "Otsuka released her second studio album a month later in November 2004. Love Jam debuted at the number one position and sold 224,381 units in its first week. In total, 656,700 units were sold. Love Jam became her first album to top the chart, but at the same time it was her lowest selling studio album. Love Jam was released in two different versions including a CD and a CD+DVD version.", "Love Jam was released in two different versions including a CD and a CD+DVD version. Following the release of Love Jam, Ai Otsuka released the recut single \"Kuroge Wagyu Joshio Tan Yaki 680 Yen\" in February 2005. It was a different version of the \"Kuroge Wagyu Joshio Tan Yaki 735 Yen\" track on Love Jam. \"Kuroge Wagyu Joshio Tan Yaki 680 Yen\" is arranged differently in terms of music and vocals.", "\"Kuroge Wagyu Joshio Tan Yaki 680 Yen\" is arranged differently in terms of music and vocals. This single sold 149,134 units and debuted third on the Oricon weekly chart and was the sixty-eighth single of 2005. It was the first ending theme song for the anime Black Jack. Love Cook \"Smily/Biidama\" was her first single to be released after Love Jam. Both songs from the single were used for commercials. \"Smily/Biidama\" sold 110,512 copies during its debut week and charted at first place.", "\"Smily/Biidama\" sold 110,512 copies during its debut week and charted at first place. \"Smily/Biidama\" sold a total of 308,338 copies in 2005, placing it as the twenty-sixth single of that year. It was during this time, in June 2005, that Otsuka made her acting debut with the drama Tokyo Friends. Unlike most dramas, the series was directly released on DVD and never aired on TV.", "Unlike most dramas, the series was directly released on DVD and never aired on TV. The drama used three songs as its theme song, Boo Bee Benz's \"To Me\" and \"Kimi to Iu Hana,\" as well the coupling song to her sixth single, \"Friends: Sabakan Ver.\" All three tracks would eventually be included in the soundtrack for the drama's movie sequel. Otsuka released her tenth single in 2005, \"Neko ni Fūsen\" in middle of the year in July.", "Otsuka released her tenth single in 2005, \"Neko ni Fūsen\" in middle of the year in July. \"Neko ni Fūsen\" was her lowest single that year, only reaching third on the chart and selling 111,324 copies. It placed ninety-second on the 2005 yearly charts. Otsuka's single \"Planetarium\", was released on September 20, 2005. This was her last single of that year.", "This was her last single of that year. This was her last single of that year. \"Planetarium\" sales of 315,669 was her second highest single second only to \"Sakuranbo,\" before her third studio album was released. \"Planetarium\" was used as the insert song for the live action version of the drama Hana Yori Dango. Love Cook, her third studio album, came out on December 14, 2005. In its first week, it sold 335,000 copies.", "In its first week, it sold 335,000 copies. In its first week, it sold 335,000 copies. The promotional videos for this album were filmed as mini-dramas. She also hosts a radio show on JOQR Recomen!! AM1134hHz called Otsuka Ai no ai-r jack. Love Piece In April 2006, Otsuka released \"Frienger\" (a portmanteau of the words Friend and Ranger). The promotional video was shot in Taiwan and was used as the commercial song for the Toshiba W41T 4 GB MP3 mobile phone.", "The promotional video was shot in Taiwan and was used as the commercial song for the Toshiba W41T 4 GB MP3 mobile phone. Soon after the release of \"Frienger,\" Otsuka reprised her role as an actress for Tokyo Friends: The Movie, which hit theaters in Japan on August 12, 2006. The movie is a direct sequel to the DVD drama released the previous year. Otsuka also sang the opening theme for Tokyo Friends, \"Yumekui\", which was released as a new single on August 2, 2006.", "Otsuka also sang the opening theme for Tokyo Friends, \"Yumekui\", which was released as a new single on August 2, 2006. It debuted fifth on the weekly chart, selling 63,428 copies in the first week and a total of 145,281 copies. Two months after \"Yumekui\", Otsuka released another single titled \"Renai Shashin\" on October 25, 2006, which was used as the opening theme song for the movie Tada, Kimi o Aishiteru.", "Two months after \"Yumekui\", Otsuka released another single titled \"Renai Shashin\" on October 25, 2006, which was used as the opening theme song for the movie Tada, Kimi o Aishiteru. The song was based on events from the film and its original novel, also called Renai Shashin. \"Renai Shashin\" debuted at number 2 and sold 129,855 copies, making it the 75th best-selling single of the year.", "\"Renai Shashin\" debuted at number 2 and sold 129,855 copies, making it the 75th best-selling single of the year. At the end of 2006, Otsuka had released a total of three singles and charted on Oricon's 2006 yearly chart with \"Frienger\" at number 60, \"Yumekui\" at number 66, and \"Renai Shashin\" at number 75. Otsuka released her fourteenth single, \"Chu-Lip,\" on February 21, 2007.", "Otsuka released her fourteenth single, \"Chu-Lip,\" on February 21, 2007. The single was used as the theme song for the TBS drama Kirakira Kenshui, starring Manami Konishi and Wentz Eiji of WaT and managed to claim the third position on the Oricon charts. Ai Am Best Otsuka released her first best hits compilation album, titled Ai am Best, on March 28, 2007, which features 13 pre-2006 songs and their respective promotional videos.", "Ai Am Best Otsuka released her first best hits compilation album, titled Ai am Best, on March 28, 2007, which features 13 pre-2006 songs and their respective promotional videos. There are 11 songs that span her singles in chronological order, one song from Love Cook and one song from a Nana sound track: \"Love for Nana: Only 1 Tribute\". Ai am Best sold 64,396 copies on the first day and topped the Oricon charts, making it Otsuka's best selling album.", "Ai am Best sold 64,396 copies on the first day and topped the Oricon charts, making it Otsuka's best selling album. It sold over 350,000 copies in its first week. \"Ai am Best\" also features two bonus tracks—one for the DVD, \"Best of Babashi\", and one for the CD, \"Babashi\". First Press \"Ai am Best\" includes an Ai stamp and Ai wallet calendar. Some also include an Ai pin in yellow or white.", "Some also include an Ai pin in yellow or white. Otsuka went on a tour titled Ai am Best Tour that featured songs from Ai am Best and more. The tour started on May 18 and ended on July 7, 2007. 2007–2008: Love debut and Love Piece On April 11, 2007 Otsuka released a new single, \"Love no Theme,\" as the self-created bunny rabbit character \"Love-chan\". \"Love no Theme\" was sung on her Jam Punch Tour 2005.", "\"Love no Theme\" was sung on her Jam Punch Tour 2005. Before its release, it was titled I canChu before it was changed to \"Love no Theme\". The \"Love no Theme\" single included a preview of a new single featuring Love, titled \"White Choco.\" This song could only be found previously on the promotional CD released before \"Momo no Hanabira\". \"Love no Theme\" unfortunately did not sell as well as Otsuka's normal singles.", "\"Love no Theme\" unfortunately did not sell as well as Otsuka's normal singles. Otsuka released her first single after Ai am Best, \"Peach/Heart\" on July 25, 2007. The first A-side \"Peach\" is an up-beat summer song and was used as the end theme for the summer drama Hanazakari no Kimitachi E (starring Maki Horikita and Shun Oguri), while the second \"Heart\" is a mid-tempo track. The single also includes a rearranged version of \"Renai Shashin\", titled .", "The single also includes a rearranged version of \"Renai Shashin\", titled . On September 26, 2007, Otsuka released two CDs and a DVD. The first CD was Otsuka's fourth original album, titled Love Piece. This included all of her singles from \"Frienger\" to \"Peach/Heart\", with five new songs on an 11-track album. The album was released in CD+DVD and CD-only formats, with the DVD including a music video of \"Heart\" and , a song from the album.", "The album was released in CD+DVD and CD-only formats, with the DVD including a music video of \"Heart\" and , a song from the album. The first-press of the DVD also includes the PV of \"U-Boat,\" while the first-press of the CD-only version comes with a 40-page color photobook. The second CD was a limited pressing re-release of the best album \"Ai am Best\" in CD-only format.", "The second CD was a limited pressing re-release of the best album \"Ai am Best\" in CD-only format. Also on September 26, Otsuka released a DVD of her Ai am Best Tour 2007, recorded at the Tokyo International Forum Hall A on July 9, 2007. The DVD is available in a single-disc edition, as well as a special two-disc edition with outtakes of the tour. The first-press of the special edition comes with a 40-page photobook.", "The first-press of the special edition comes with a 40-page photobook. Otsuka performed at Makuhari Messe on July 7, 2007, for one of Japan's two Live Earth concerts, alongside contemporaries Kumi Koda and Ayaka. 2009–2010: Love Letter and Love is Best Otsuka released her 16th single \"Pocket\" on November 7, 2007. And two weeks later, Love-chan's second single, \"White Choco\", was released on November 21, 2007.", "And two weeks later, Love-chan's second single, \"White Choco\", was released on November 21, 2007. During 2008, Otsuka embarked on her Love Piece Tour 2008, her fourth solo tour, from February to May. Her 17th single, \"Rocket Sneaker/One x Time\", was released on May 21. Otsuka's 18th single, \"Kurage, Nagareboshi\", was released on September 10, 2008.", "Otsuka's 18th single, \"Kurage, Nagareboshi\", was released on September 10, 2008. The single was released in four different formats, as a commemoration of her fifth anniversary in the music industry since the release of her debut single \"Momo no Hanabira\". On December 17, 2008, she released her fifth studio album, Love Letter, which peaked third on the weekly Oricon charts. It contains all of her singles since Love Piece including \"Pocket\", the third track on the album.", "It contains all of her singles since Love Piece including \"Pocket\", the third track on the album. Love Letter was her lowest-selling album. On February 25, 2009, \"Bye Bye\" was released as her second re-cut single. \"Bye Bye\" was used in a commercial for the Asahi Breweries beverage, Asahi Slat. Otsuka's second compilation album, Love Is Best, was released on November 11, 2009.", "Otsuka's second compilation album, Love Is Best, was released on November 11, 2009. The album features a collection of \"love songs,\" ranging from singles to album tracks and b-sides, and will feature re-recorded versions of some tracks including a duet with Su from hip-hop band Rip Slyme on the song \"Aisu x Time.\" On its first day of release the album charted at number one with a sales total of 22,895.", "On its first day of release the album charted at number one with a sales total of 22,895. As her character Love, she also released her first mini album entitled Love It (pronounced Rabitto, as rabbit), on November 18, 2009 (a week after Love Is Best). The album's track \"Magic\" was used in TV commercials for Music.jp.", "The album's track \"Magic\" was used in TV commercials for Music.jp. In January 2010, Otsuka performed a song for Fuji Television titled \"Lucky Star\" which the network used as the theme song for its coverage of the 2010 Winter Olympics. In February it was announced that \"Lucky Star\" would be released as a cellphone-only digital single, but later was announced to have a physical release as a double A-side single, \"Zokkondition/Lucky Star\", which released on April 7, 2010.", "In February it was announced that \"Lucky Star\" would be released as a cellphone-only digital single, but later was announced to have a physical release as a double A-side single, \"Zokkondition/Lucky Star\", which released on April 7, 2010. \"Zokkondition\" was used in advertisements for Asahi Beer, similar to her previous single \"Bye Bye\".", "\"Zokkondition\" was used in advertisements for Asahi Beer, similar to her previous single \"Bye Bye\". On September 8, 2010, she released another single \"'I Love...\" (I ♥ xxx), which was her 21st and last single before taking a hiatus from music.", "On September 8, 2010, she released another single \"'I Love...\" (I ♥ xxx), which was her 21st and last single before taking a hiatus from music. 2011–present: Hiatus, Rabbit and Love Fantastic During Otsuka's hiatus from music due to her pregnancy, a new song titled \"Hikari\" was made available for download on October 9, 2011, through her official mobile website Love 9 Cube.", "2011–present: Hiatus, Rabbit and Love Fantastic During Otsuka's hiatus from music due to her pregnancy, a new song titled \"Hikari\" was made available for download on October 9, 2011, through her official mobile website Love 9 Cube. On March 30, 2012, she released Neko ga Suki ni natta Kirai na Neko, a series of two picture books about cats. Purchasers of the books had the chance to download another new song, called \"Gomen ne\".", "Purchasers of the books had the chance to download another new song, called \"Gomen ne\". On September 9, 2012, she celebrated her 30th birthday and ninth anniversary in the music industry with Love Is Born: 9th Anniversary 2012, her first series of concerts in two years, in which she held performances in Tokyo, Hyogo and Aichi. In October 2012, Otsuka announced that she would be debuting as the vocalist of a new band called Rabbit.", "In October 2012, Otsuka announced that she would be debuting as the vocalist of a new band called Rabbit. The band released their debut album Rabito on December 12, 2012 through the Cutting Edge label. The album peaked at number 61 on the Oricon charts. Rabbit went on their first domestic tour in Japan starting in February 2013. This month it was also announced that Otsuka, as a solo, would begin a tour in September to celebrate her tenth anniversary in the music industry,.", "This month it was also announced that Otsuka, as a solo, would begin a tour in September to celebrate her tenth anniversary in the music industry,. In July 2013, it was announced that Otsuka would be releasing her first solo single in three years, entitled \"Re:Name\", to celebrate her tenth anniversary. The single was released on October 9, 2013, and debuted at number eight on the Japanese charts.", "The single was released on October 9, 2013, and debuted at number eight on the Japanese charts. On December 13, 2013, a song entitled \"Sakuranbo (Cocktail)\", which was a self-cover version of her second single, was released digitally through the iTunes Music Store. On March 26, 2014, Otsuka released an EP entitled AIO Punch, which included other self-covers from previously released songs.", "On March 26, 2014, Otsuka released an EP entitled AIO Punch, which included other self-covers from previously released songs. And she also recorded a cover of Dreams Come True's \"Romance\" for their tribute album Watashi to Dori Kamu: Dreams Come True 25th Anniversary Best Covers, which was released on the same day. Her 23rd single, \"More More\" was released on May 21, 2014. Otsuka's sixth studio album, entitled Love Fantastic, was released on July 16, 2014.", "Otsuka's sixth studio album, entitled Love Fantastic, was released on July 16, 2014. She released her seventh album, Love Tricky, on April 22, 2015. Otsuka's eighth studio album, Love Honey, came out on April 12, 2017.", "Otsuka's eighth studio album, Love Honey, came out on April 12, 2017. Personal life In February 2010, it was reported by Josei Seven magazine that Otsuka was dating rapper Kazuto Otsuki (publicly known as Su, member of hip hop group Rip Slyme), with whom she collaborated in October 2009 for her song \"Aisu x Time\". Neither of the artists' agencies would comment on the matter.", "Neither of the artists' agencies would comment on the matter. On June 26, 2010, Otsuka announced via a message on her official Web site that she and Su had gotten married on the previous day. Su also posted an announcement on Rip Slyme's website, confirming what Otsuka wrote on her website. During her Love is Born concert held on September 11, 2010, Otsuka revealed to the audience that she was expecting her first child, and on March 24, 2011, she gave birth to a daughter.", "During her Love is Born concert held on September 11, 2010, Otsuka revealed to the audience that she was expecting her first child, and on March 24, 2011, she gave birth to a daughter. On November 22, 2018, Otsuka announced that she had filed for divorce.", "On November 22, 2018, Otsuka announced that she had filed for divorce. Discography Studio albums 2004: Love Punch 2004: Love Jam 2005: Love Cook 2007: Love Piece 2008: Love Letter 2014: Love Fantastic 2015: Love Tricky 2017: Love Honey Compilation albums 2007: Ai Am Best 2009: Love Is Best 2019: Ai Am Best, too Radio shows Otsuka Ai ai-r Jack (Nippon Cultural Broadcasting) Corolla presents Life-Love Circle (Tokyo FM) Books (February 25, 2005) Love World (September 25, 2007) (January 31, 2008) (March 31, 2010) (March 30, 2012) Awards Japan Cable Radio Awards 2004: Best New Artist Best Hits Kayōsai 2004: Best New Artist 2005: Gold Artist Prize – \"Planetarium\" 2006: Gold Artist Prize – \"Ren'ai Shashin\" 2007: Gold Artist Prize – \"Pocket\" Japan Gold Disc Award 2005: Rock & Pop Album of the Year – Love Punch 2005: Rock & Pop Album of the Year – Love Jam 2006: Rock & Pop Album of the Year – Love Cook 2007: The Best 10 Albums - Ai Am Best MTV Video Music Awards Japan 2007: Best Pop Video - \"Ren'ai Shashin\" 2007: Best Video from a Film - \"Ren'ai Shashin\" (from Tada, Kimi o Aishiteru) References External links Love website 1982 births Living people Japanese women pop singers Japanese actresses Japanese women singer-songwriters Japanese singer-songwriters Musicians from Osaka Osaka University of Arts alumni Avex Trax artists 21st-century Japanese women singers 21st-century Japanese singers" ]

[ "Bernard Lewis", "Academic career" ]

[ "Where Did We Go Wrong may refer to:\n \"Where Did We Go Wrong\" (Dondria song), 2010\n \"Where Did We Go Wrong\" (Toni Braxton and Babyface song), 2013\n \"Where Did We Go Wrong\", a song by Petula Clark from the album My Love\n \"Where Did We Go Wrong\", a song by Diana Ross from the album Ross\n \"Where Did We Go Wrong\", a 1980 song by Frankie Valli", "California Concordia College existed in Oakland, California, United States from 1906 until 1973.\n\nAmong the presidents of California Concordia College was Johann Theodore Gotthold Brohm Jr.\n\nCalifornia Concordia College and the Academy of California College were located at 2365 Camden Street, Oakland, California. Some of the school buildings still exist at this location, but older buildings that housed the earlier classrooms and later the dormitories are gone. The site is now the location of the Spectrum Center Camden Campus, a provider of special education services.\n\nThe \"Academy\" was the official name for the high school. California Concordia was a six-year institution patterned after the German gymnasium. This provided four years of high school, plus two years of junior college. Years in the school took their names from Latin numbers and referred to the years to go before graduation. The classes were named:\n\n Sexta - 6 years to go; high school freshman\n Qunita - 5 years to go; high school sophomore\n Quarta - 4 years to go; high school junior\n Tertia - 3 years to go; high school senior\n Secunda - 2 years to go; college freshman\n Prima - 1 year to go; college sophomore\n\nThose in Sexta were usually hazed in a mild way by upperclassmen. In addition, those in Sexta were required to do a certain amount of clean-up work around the school, such as picking up trash.\n\nMost students, even high school freshmen, lived in dormitories. High school students were supervised by \"proctors\" (selected high school seniors in Tertia). High school students were required to study for two hours each night in their study rooms from 7:00 to 9:00 pm. Students could not leave their rooms for any reason without permission. This requirement came as quite a shock to those in Sexta (freshmen) on their first night, when they were caught and scolded by a proctor when they left their study room to go to the bathroom without permission. Seniors (those in Tertia) were allowed one night off where they did not need to be in their study hall.\n\nFrom 9:00 to 9:30 pm all students gathered for a chapel service. From 9:30 to 10 pm, high school students were free to roam, and sometimes went to the local Lucky Supermarket to purchase snacks. All high school students were required to be in bed with lights out by 10:00 pm. There were generally five students in each dormitory room. The room had two sections: a bedroom area and (across the hallway) another room for studying. Four beds, including at least one bunk bed, were in the bedroom, and four or five desks were in the study room\n\nA few interesting words used by Concordia students were \"fink\" and \"rack.\" To \"fink\" meant to \"sing like a canary\" or \"squeal.\" A student who finked told everything he knew about a misbehavior committed by another student. \"Rack\" was actually an official term used by proctors and administrators who lived on campus in the dormitories with students. When students misbehaved they were racked (punished). Proctors held a meeting once a week and decided which students, if any, deserved to be racked. If a student were racked, he might be forbidden from leaving the campus grounds, even during normal free time School hours were from 7:30 am to 3:30 pm. After 3:30 pm and until 7:00 pm, students could normally explore the local area surrounding the school, for example, to go to a local store to buy a snack. However, if a student were racked for the week, he could not do so.\n\nProctors made their rounds in the morning to make sure beds were made and inspected rooms in the evening to ensure that students were in bed by 10:00 pm. Often after the proctors left a room at night, the room lights would go back on and students enjoyed studying their National Geographic magazines. Student might be racked if they failed to make their beds or did not make them neatly enough.\n\nAlthough California Concordia College no longer exists, it does receive some recognition by Concordia University Irvine. This is also the location of its old academic records.\n\nSources\n\nExternal links \n Photos of old campus\n\nEducational institutions disestablished in 1973\nDefunct private universities and colleges in California\nEducational institutions established in 1906\n1906 establishments in California\n1973 disestablishments in California\nUniversities and colleges affiliated with the Lutheran Church–Missouri Synod" ]

[ "Bernard Lewis, (31 May 1916 – 19 May 2018) was a British American historian specialized in Oriental studies. He was also known as a public intellectual and political commentator. Lewis was the Cleveland E. Dodge Professor Emeritus of Near Eastern Studies at Princeton University. Lewis's expertise was in the history of Islam and the interaction between Islam and the West. Lewis served as a soldier in the British Army in the Royal Armoured Corps and Intelligence Corps during the Second World War before being seconded to the Foreign Office.", "Lewis served as a soldier in the British Army in the Royal Armoured Corps and Intelligence Corps during the Second World War before being seconded to the Foreign Office. After the war, he returned to the School of Oriental and African Studies at the University of London and was appointed to the new chair in Near and Middle Eastern history. In 2007 Lewis was called \"the West's leading interpreter of the Middle East\".", "In 2007 Lewis was called \"the West's leading interpreter of the Middle East\". Others have argued Lewis's approach is essentialist and generalizing to the Muslim world, as well as his tendency to restate hypotheses that were challenged by more recent research. On a political level, Lewis is accused by his detractors with having revived the image of the cultural inferiority of Islam and of emphasizing the dangers of jihad. His advice was frequently sought by neoconservative policymakers, including the Bush administration.", "His advice was frequently sought by neoconservative policymakers, including the Bush administration. However, his active support of the Iraq War and neoconservative ideals have since come under scrutiny. Lewis was also notable for his public debates with Edward Said, who accused Lewis and other orientalists of misrepresenting Islam and serving the purposes of Western imperialist domination, to which Lewis responded by defending Orientalism as a facet of humanism and accusing Said of politicizing the subject. Furthermore, Lewis notoriously denied the Armenian genocide.", "Furthermore, Lewis notoriously denied the Armenian genocide. Furthermore, Lewis notoriously denied the Armenian genocide. He argued that the deaths of the mass killings resulted from a struggle between two nationalistic movements, claiming that there is no proof of intent by the Ottoman government to exterminate the Armenian nation. Family and personal life Bernard Lewis was born on 31 May 1916 to middle-class British Jewish parents, Harry Lewis and the former Jane Levy, in Stoke Newington, London. He became interested in languages and history while preparing for his bar mitzvah.", "He became interested in languages and history while preparing for his bar mitzvah. In 1947 he married Ruth Hélène Oppenhejm, with whom he had a daughter and a son. Their marriage was dissolved in 1974. Lewis became a naturalized citizen of the United States in 1982. Academic career In 1936, Lewis graduated from the School of Oriental Studies (now School of Oriental and African Studies, SOAS) at the University of London with a BA in history with special reference to the Near and Middle East.", "Academic career In 1936, Lewis graduated from the School of Oriental Studies (now School of Oriental and African Studies, SOAS) at the University of London with a BA in history with special reference to the Near and Middle East. He earned his PhD three years later, also from SOAS, specializing in the history of Islam. Lewis also studied law, going part of the way toward becoming a solicitor, but returned to study Middle Eastern history.", "Lewis also studied law, going part of the way toward becoming a solicitor, but returned to study Middle Eastern history. He undertook post-graduate studies at the University of Paris, where he studied with the orientalist Louis Massignon and earned the \"Diplôme des Études Sémitiques\" in 1937. He returned to SOAS in 1938 as an assistant lecturer in Islamic History.", "He returned to SOAS in 1938 as an assistant lecturer in Islamic History. During the Second World War, Lewis served in the British Army in the Royal Armoured Corps and as a Corporal in the Intelligence Corps in 1940–41 before being seconded to the Foreign Office. After the war, he returned to SOAS, where he would remain for the next 25 years. In 1949, at the age of 33, he was appointed to the new chair in Near and Middle Eastern History.", "In 1949, at the age of 33, he was appointed to the new chair in Near and Middle Eastern History. In 1963, Lewis was granted fellowship of the British Academy. In 1974, aged 57, Lewis accepted a joint position at Princeton University and the Institute for Advanced Study, also located in Princeton, New Jersey. The terms of his appointment were such that Lewis taught only one semester per year, and being free from administrative responsibilities, he could devote more time to research than previously.", "The terms of his appointment were such that Lewis taught only one semester per year, and being free from administrative responsibilities, he could devote more time to research than previously. Consequently, Lewis's arrival at Princeton marked the beginning of the most prolific period in his research career during which he published numerous books and articles based on previously accumulated materials. After retiring from Princeton in 1986, Lewis served at Cornell University until 1990.", "After retiring from Princeton in 1986, Lewis served at Cornell University until 1990. In 1966, Lewis was a founding member of the learned society, Middle East Studies Association of North America (MESA), but in 2007 he broke away and founded Association for the Study of the Middle East and Africa (ASMEA) to challenge MESA, which the New York Sun noted as \"dominated by academics who have been critical of Israel and of America's role in the Middle East\".", "In 1966, Lewis was a founding member of the learned society, Middle East Studies Association of North America (MESA), but in 2007 he broke away and founded Association for the Study of the Middle East and Africa (ASMEA) to challenge MESA, which the New York Sun noted as \"dominated by academics who have been critical of Israel and of America's role in the Middle East\". The organization was formed as an academic society dedicated to promoting high standards of research and teaching in Middle Eastern and African studies and other related fields, with Lewis as Chairman of its academic council.", "The organization was formed as an academic society dedicated to promoting high standards of research and teaching in Middle Eastern and African studies and other related fields, with Lewis as Chairman of its academic council. In 1990, the National Endowment for the Humanities selected Lewis for the Jefferson Lecture, the U.S. federal government's highest honor for achievement in the humanities. His lecture, entitled \"Western Civilization: A View from the East\", was revised and reprinted in The Atlantic Monthly under the title \"The Roots of Muslim Rage.\"", "His lecture, entitled \"Western Civilization: A View from the East\", was revised and reprinted in The Atlantic Monthly under the title \"The Roots of Muslim Rage.\" His 2007 Irving Kristol Lecture, given to the American Enterprise Institute, was published as Europe and Islam. Research Lewis's influence extends beyond academia to the general public. He began his research career with the study of medieval Arab, especially Syrian, history.", "He began his research career with the study of medieval Arab, especially Syrian, history. His first article, dedicated to professional guilds of medieval Islam, had been widely regarded as the most authoritative work on the subject for about thirty years. However, after the establishment of the state of Israel in 1948, scholars of Jewish origin found it more and more difficult to conduct archival and field research in Arab countries, where they were suspected of espionage.", "However, after the establishment of the state of Israel in 1948, scholars of Jewish origin found it more and more difficult to conduct archival and field research in Arab countries, where they were suspected of espionage. Therefore, Lewis switched to the study of the Ottoman Empire, while continuing to research Arab history through the Ottoman archives which had only recently been opened to Western researchers.", "Therefore, Lewis switched to the study of the Ottoman Empire, while continuing to research Arab history through the Ottoman archives which had only recently been opened to Western researchers. A series of articles that Lewis published over the next several years revolutionized the history of the Middle East by giving a broad picture of Islamic society, including its government, economy, and demographics.", "A series of articles that Lewis published over the next several years revolutionized the history of the Middle East by giving a broad picture of Islamic society, including its government, economy, and demographics. Lewis argued that the Middle East is currently backward and its decline was a largely self-inflicted condition resulting from both culture and religion, as opposed to the post-colonialist view which posits the problems of the region as economic and political maldevelopment mainly due to the 19th-century European colonization.", "Lewis argued that the Middle East is currently backward and its decline was a largely self-inflicted condition resulting from both culture and religion, as opposed to the post-colonialist view which posits the problems of the region as economic and political maldevelopment mainly due to the 19th-century European colonization. In his 1982 work Muslim Discovery of Europe, Lewis argues that Muslim societies could not keep pace with the West and that \"Crusader successes were due in no small part to Muslim weakness.\"", "In his 1982 work Muslim Discovery of Europe, Lewis argues that Muslim societies could not keep pace with the West and that \"Crusader successes were due in no small part to Muslim weakness.\" Further, he suggested that as early as the 11th century Islamic societies were decaying, primarily the byproduct of internal problems like \"cultural arrogance,\" which was a barrier to creative borrowing, rather than external pressures like the Crusades.", "Further, he suggested that as early as the 11th century Islamic societies were decaying, primarily the byproduct of internal problems like \"cultural arrogance,\" which was a barrier to creative borrowing, rather than external pressures like the Crusades. In the wake of Soviet and Arab attempts to delegitimize Israel as a racist country, Lewis wrote a study of anti-Semitism, Semites and Anti-Semites (1986).", "In the wake of Soviet and Arab attempts to delegitimize Israel as a racist country, Lewis wrote a study of anti-Semitism, Semites and Anti-Semites (1986). In other works he argued Arab rage against Israel was disproportionate to other tragedies or injustices in the Muslim world, such as the Soviet invasion of Afghanistan and control of Muslim-majority land in Central Asia, the bloody and destructive fighting during the Hama uprising in Syria (1982), the Algerian Civil War (1992–1998), and the Iran–Iraq War (1980–1988).", "In other works he argued Arab rage against Israel was disproportionate to other tragedies or injustices in the Muslim world, such as the Soviet invasion of Afghanistan and control of Muslim-majority land in Central Asia, the bloody and destructive fighting during the Hama uprising in Syria (1982), the Algerian Civil War (1992–1998), and the Iran–Iraq War (1980–1988). In addition to his scholarly works, Lewis wrote several influential books accessible to the general public: The Arabs in History (1950), The Middle East and the West (1964), and The Middle East (1995).", "In addition to his scholarly works, Lewis wrote several influential books accessible to the general public: The Arabs in History (1950), The Middle East and the West (1964), and The Middle East (1995). In the wake of the 11 September 2001 attacks, the interest in Lewis's work surged, especially his 1990 essay The Roots of Muslim Rage. Three of his books were published after 9/11: What Went Wrong?", "Three of his books were published after 9/11: What Went Wrong? (written before the attacks), which explored the reasons of the Muslim world's apprehension of (and sometimes outright hostility to) modernization; The Crisis of Islam; and Islam: The Religion and the People. Abraham Udovitch described him as \"certainly the most eminent and respected historian of the Arab world, of the Islamic world, of the Middle East and beyond\".", "Abraham Udovitch described him as \"certainly the most eminent and respected historian of the Arab world, of the Islamic world, of the Middle East and beyond\". Armenian genocide The first two editions of Lewis's The Emergence of Modern Turkey (1961 and 1968) describe the Armenian genocide as \"the terrible holocaust of 1915, when a million and a half Armenians perished\".", "Armenian genocide The first two editions of Lewis's The Emergence of Modern Turkey (1961 and 1968) describe the Armenian genocide as \"the terrible holocaust of 1915, when a million and a half Armenians perished\". In later editions, this text is altered to \"the terrible slaughter of 1915, when, according to estimates, more than a million Armenians perished, as well as an unknown number of Turks\".", "In later editions, this text is altered to \"the terrible slaughter of 1915, when, according to estimates, more than a million Armenians perished, as well as an unknown number of Turks\". In this passage, Lewis argues that the deaths were the result of a struggle for the same land between two competing nationalist movements.", "In this passage, Lewis argues that the deaths were the result of a struggle for the same land between two competing nationalist movements. The change in Lewis's textual description of the Armenian genocide and his signing of the petition against the Congressional resolution was controversial among some Armenian historians as well as journalists, who suggested that Lewis was engaging in historical revisionism to serve his own political and personal interests.", "The change in Lewis's textual description of the Armenian genocide and his signing of the petition against the Congressional resolution was controversial among some Armenian historians as well as journalists, who suggested that Lewis was engaging in historical revisionism to serve his own political and personal interests. Lewis called the label \"genocide\" the \"Armenian version of this history\" in a November 1993 interview with Le Monde, for which he faced a civil proceeding in a French court.", "Lewis called the label \"genocide\" the \"Armenian version of this history\" in a November 1993 interview with Le Monde, for which he faced a civil proceeding in a French court. In a subsequent exchange on the pages of Le Monde, Lewis wrote that while \"terrible atrocities\" did occur, \"there exists no serious proof of a decision and of a plan of the Ottoman government aiming to exterminate the Armenian nation\".", "In a subsequent exchange on the pages of Le Monde, Lewis wrote that while \"terrible atrocities\" did occur, \"there exists no serious proof of a decision and of a plan of the Ottoman government aiming to exterminate the Armenian nation\". He was ordered to pay one franc as damages for his statements on the Armenian genocide in Ottoman Turkey. Three other court cases against Bernard Lewis failed in the Paris tribunal, including one filed by the Armenian National Committee of France and two filed by Jacques Trémollet de Villers.", "Three other court cases against Bernard Lewis failed in the Paris tribunal, including one filed by the Armenian National Committee of France and two filed by Jacques Trémollet de Villers. Lewis's views on the Armenian genocide were criticized by a number of historians and sociologists, among them Alain Finkielkraut, Yves Ternon, Richard G. Hovannisian, Robert Melson, and Pierre Vidal-Naquet.<ref>{{cite book|last1=Finkelstein|first1=Norman G.|title=The Holocaust Industry: Reflections on the Exploitation of Jewish Suffering|date=2003|publisher=Verso|location=London|isbn=978-1859844885|page=69}}</ref> Lewis has argued for his denial stance that: Lewis has been labelled a \"genocide denier\" by Stephen Zunes, Israel Charny, David B. MacDonald and the Armenian National Committee of America.", "Lewis's views on the Armenian genocide were criticized by a number of historians and sociologists, among them Alain Finkielkraut, Yves Ternon, Richard G. Hovannisian, Robert Melson, and Pierre Vidal-Naquet.<ref>{{cite book|last1=Finkelstein|first1=Norman G.|title=The Holocaust Industry: Reflections on the Exploitation of Jewish Suffering|date=2003|publisher=Verso|location=London|isbn=978-1859844885|page=69}}</ref> Lewis has argued for his denial stance that: Lewis has been labelled a \"genocide denier\" by Stephen Zunes, Israel Charny, David B. MacDonald and the Armenian National Committee of America. Israeli historian Yair Auron suggested that \"Lewis' stature provided a lofty cover for the Turkish national agenda of obfuscating academic research on the Armenian Genocide\".", "Israeli historian Yair Auron suggested that \"Lewis' stature provided a lofty cover for the Turkish national agenda of obfuscating academic research on the Armenian Genocide\". Israel Charny wrote that Lewis's \"seemingly scholarly concern ... of Armenians constituting a threat to the Turks as a rebellious force who together with the Russians threatened the Ottoman Empire, and the insistence that only a policy of deportations was executed, barely conceal the fact that the organized deportations constituted systematic mass murder\".", "Israel Charny wrote that Lewis's \"seemingly scholarly concern ... of Armenians constituting a threat to the Turks as a rebellious force who together with the Russians threatened the Ottoman Empire, and the insistence that only a policy of deportations was executed, barely conceal the fact that the organized deportations constituted systematic mass murder\". Charny compares the \"logical structures\" employed by Lewis in his denial of the genocide to those employed by Ernst Nolte in his Holocaust negationism.", "Charny compares the \"logical structures\" employed by Lewis in his denial of the genocide to those employed by Ernst Nolte in his Holocaust negationism. Views and influence on contemporary politics In the mid-1960s, Lewis emerged as a commentator on the issues of the modern Middle East and his analysis of the Israeli–Palestinian conflict and the rise of militant Islam brought him publicity and aroused significant controversy. American historian Joel Beinin has called him \"perhaps the most articulate and learned Zionist advocate in the North American Middle East academic community\".", "American historian Joel Beinin has called him \"perhaps the most articulate and learned Zionist advocate in the North American Middle East academic community\". Lewis's policy advice has particular weight thanks to this scholarly authority. U.S. Vice President Dick Cheney remarked \"in this new century, his wisdom is sought daily by policymakers, diplomats, fellow academics, and the news media\". A harsh critic of the Soviet Union, Lewis continued the liberal tradition in Islamic historical studies.", "A harsh critic of the Soviet Union, Lewis continued the liberal tradition in Islamic historical studies. Although his early Marxist views had a bearing on his first book The Origins of Ismailism, Lewis subsequently discarded Marxism. His later works are a reaction against the left-wing current of Third-worldism which came to be a significant current in Middle Eastern studies.", "His later works are a reaction against the left-wing current of Third-worldism which came to be a significant current in Middle Eastern studies. During his career Lewis developed ties with governments around the world: during her time as Prime Minister of Israel, Golda Meir assigned Lewis's articles as reading to her cabinet members, and during the Presidency of George W. Bush, he advised administration members including Cheney, Donald Rumsfeld and Bush himself. He was also close to King Hussein of Jordan and his brother, Prince Hassan bin Talal.", "He was also close to King Hussein of Jordan and his brother, Prince Hassan bin Talal. He also had ties to the regime of Mohammad Reza Pahlavi, the last Shah of Iran, the Turkish military dictatorship led by Kenan Evren, and the Egyptian government of Anwar Sadat: he acted as a go-between between the Sadat administration and Israel in 1971 when he relayed a message to the Israeli government regarding the possibility of a peace agreement at the request of Sadat's spokesman Tahasin Bashir.", "He also had ties to the regime of Mohammad Reza Pahlavi, the last Shah of Iran, the Turkish military dictatorship led by Kenan Evren, and the Egyptian government of Anwar Sadat: he acted as a go-between between the Sadat administration and Israel in 1971 when he relayed a message to the Israeli government regarding the possibility of a peace agreement at the request of Sadat's spokesman Tahasin Bashir. Lewis advocated closer Western ties with Israel and Turkey, which he saw as especially important in light of the extension of the Soviet influence in the Middle East.", "Lewis advocated closer Western ties with Israel and Turkey, which he saw as especially important in light of the extension of the Soviet influence in the Middle East. Modern Turkey holds a special place in Lewis's view of the region due to the country's efforts to become a part of the West. He was an Honorary Fellow of the Institute of Turkish Studies, an honor which is given \"on the basis of generally recognized scholarly distinction and ... long and devoted service to the field of Turkish Studies.\"", "He was an Honorary Fellow of the Institute of Turkish Studies, an honor which is given \"on the basis of generally recognized scholarly distinction and ... long and devoted service to the field of Turkish Studies.\" Lewis views Christendom and Islam as civilizations that have been in perpetual collision since the advent of Islam in the 7th century. In his essay The Roots of Muslim Rage (1990), he argued that the struggle between the West and Islam was gathering strength.", "In his essay The Roots of Muslim Rage (1990), he argued that the struggle between the West and Islam was gathering strength. According to one source, this essay (and Lewis's 1990 Jefferson Lecture on which the article was based) first introduced the term \"Islamic fundamentalism\" to North America. This essay has been credited with coining the phrase \"clash of civilizations\", which received prominence in the eponymous book by Samuel Huntington.", "This essay has been credited with coining the phrase \"clash of civilizations\", which received prominence in the eponymous book by Samuel Huntington. However, another source indicates that Lewis first used the phrase \"clash of civilizations\" at a 1957 meeting in Washington where it was recorded in the transcript. In 1998, Lewis read in a London-based newspaper Al-Quds Al-Arabi a declaration of war on the United States by Osama bin Laden.", "In 1998, Lewis read in a London-based newspaper Al-Quds Al-Arabi a declaration of war on the United States by Osama bin Laden. In his essay \"A License to Kill\", Lewis indicated he considered bin Laden's language as the \"ideology of jihad\" and warned that bin Laden would be a danger to the West. The essay was published after the Clinton administration and the US intelligence community had begun its hunt for bin Laden in Sudan and then in Afghanistan.", "The essay was published after the Clinton administration and the US intelligence community had begun its hunt for bin Laden in Sudan and then in Afghanistan. Jihad Lewis writes of jihad as a distinct religious obligation, but suggests that it is a pity that people engaging in terrorist activities are not more aware of their own religion:The fanatical warrior offering his victims the choice of the Koran or the sword is not only untrue, it is impossible.", "Jihad Lewis writes of jihad as a distinct religious obligation, but suggests that it is a pity that people engaging in terrorist activities are not more aware of their own religion:The fanatical warrior offering his victims the choice of the Koran or the sword is not only untrue, it is impossible. The alleged choice - conversion or death - is also, with rare and atypical exceptions, untrue. Muslim tolerance of unbelievers and misbelievers was far better than anything available in Christendom until the rise of secularism in the 17th century.", "Muslim tolerance of unbelievers and misbelievers was far better than anything available in Christendom until the rise of secularism in the 17th century. Muslim fighters are commanded not to kill women, children, or the aged unless they attack first; not to torture or otherwise ill-treat prisoners; to give fair warnings of the opening of hostilities or their resumption after a truce; and to honor agreements. At no time did the classical jurists offer any approval or legitimacy to what we nowdays call terrorism.", "At no time did the classical jurists offer any approval or legitimacy to what we nowdays call terrorism. Nor indeed is there any evidence of the use of terrorism as it is practiced nowadays. The emergence of the by now widespread terrorism practice of suicide bombing is a development of the 20th century.", "The emergence of the by now widespread terrorism practice of suicide bombing is a development of the 20th century. It has no antecedents in Islamic history, and no justification in the terms of Islamic theology, law, or tradition.As'ad AbuKhalil, has criticized this view and stated: \"Methodologically, [Lewis] insists that terrorism by individual Muslims should be considered Islamic terrorism, while terrorism by individual Jews or Christians is never considered Jewish or Christian terrorism.\"", "It has no antecedents in Islamic history, and no justification in the terms of Islamic theology, law, or tradition.As'ad AbuKhalil, has criticized this view and stated: \"Methodologically, [Lewis] insists that terrorism by individual Muslims should be considered Islamic terrorism, while terrorism by individual Jews or Christians is never considered Jewish or Christian terrorism.\" He also criticised Lewis's understanding of Osama bin Laden, seeing Lewis's interpretation of bin Laden \"as some kind of influential Muslim theologian\" along the lines of classical theologians like Al-Ghazali, rather than \"the terrorist fanatic that he is\".", "He also criticised Lewis's understanding of Osama bin Laden, seeing Lewis's interpretation of bin Laden \"as some kind of influential Muslim theologian\" along the lines of classical theologians like Al-Ghazali, rather than \"the terrorist fanatic that he is\". AbuKhalil has also criticized the place of Islam in Lewis's worldview more generally, arguing that the most prominent feature of his work was its \"theologocentrism\" (borrowing a term from Maxime Rodinson) - that Lewis interprets all aspects of behavior among Muslims solely through the lens of Islamic theology, subsuming the study of Muslim peoples, their languages, the geographical areas where Muslims predominate, Islamic governments, the governments of Arab countries and Sharia under the label of \"Islam\".", "AbuKhalil has also criticized the place of Islam in Lewis's worldview more generally, arguing that the most prominent feature of his work was its \"theologocentrism\" (borrowing a term from Maxime Rodinson) - that Lewis interprets all aspects of behavior among Muslims solely through the lens of Islamic theology, subsuming the study of Muslim peoples, their languages, the geographical areas where Muslims predominate, Islamic governments, the governments of Arab countries and Sharia under the label of \"Islam\". Debates with Edward Said Lewis was known for his literary debates with Edward Said, the Palestinian American literary theorist whose aim was to deconstruct what he called Orientalist scholarship.", "Debates with Edward Said Lewis was known for his literary debates with Edward Said, the Palestinian American literary theorist whose aim was to deconstruct what he called Orientalist scholarship. Said, who was a professor at Columbia University, characterized Lewis's work as a prime example of Orientalism in his 1978 book Orientalism and in his later book Covering Islam: How the Media and the Experts Determine How We See the Rest of the World (1981).", "Said, who was a professor at Columbia University, characterized Lewis's work as a prime example of Orientalism in his 1978 book Orientalism and in his later book Covering Islam: How the Media and the Experts Determine How We See the Rest of the World (1981). Said asserted that the field of Orientalism was political intellectualism bent on self-affirmation rather than objective study, a form of racism, and a tool of imperialist domination.", "Said asserted that the field of Orientalism was political intellectualism bent on self-affirmation rather than objective study, a form of racism, and a tool of imperialist domination. He further questioned the scientific neutrality of some leading Middle East scholars, including Lewis, on the Arab World.", "He further questioned the scientific neutrality of some leading Middle East scholars, including Lewis, on the Arab World. In an interview with Al-Ahram weekly, Said suggested that Lewis's knowledge of the Middle East was so biased that it could not be taken seriously and claimed \"Bernard Lewis hasn't set foot in the Middle East, in the Arab world, for at least 40 years. He knows something about Turkey, I'm told, but he knows nothing about the Arab world.\"", "He knows something about Turkey, I'm told, but he knows nothing about the Arab world.\" Said considered that Lewis treats Islam as a monolithic entity without the nuance of its plurality, internal dynamics, and historical complexities, and accused him of \"demagogy and downright ignorance\".", "Said considered that Lewis treats Islam as a monolithic entity without the nuance of its plurality, internal dynamics, and historical complexities, and accused him of \"demagogy and downright ignorance\". In Covering Islam, Said argued that \"Lewis simply cannot deal with the diversity of Muslim, much less human life, because it is closed to him as something foreign, radically different, and other,\" and he criticised Lewis's \"inability to grant that the Islamic peoples are entitled to their own cultural, political, and historical practices, free from Lewis's calculated attempt to show that because they are not Western... they can't be good.\"", "In Covering Islam, Said argued that \"Lewis simply cannot deal with the diversity of Muslim, much less human life, because it is closed to him as something foreign, radically different, and other,\" and he criticised Lewis's \"inability to grant that the Islamic peoples are entitled to their own cultural, political, and historical practices, free from Lewis's calculated attempt to show that because they are not Western... they can't be good.\" Rejecting the view that Western scholarship was biased against the Middle East, Lewis responded that Orientalism developed as a facet of European humanism, independently of the past European imperial expansion.", "Rejecting the view that Western scholarship was biased against the Middle East, Lewis responded that Orientalism developed as a facet of European humanism, independently of the past European imperial expansion. He noted the French and English pursued the study of Islam in the 16th and 17th centuries, yet not in an organized way, but long before they had any control or hope of control in the Middle East; and that much of Orientalist study did nothing to advance the cause of imperialism.", "He noted the French and English pursued the study of Islam in the 16th and 17th centuries, yet not in an organized way, but long before they had any control or hope of control in the Middle East; and that much of Orientalist study did nothing to advance the cause of imperialism. In his 1993 book Islam and the West, Lewis wrote \"What imperial purpose was served by deciphering the ancient Egyptian language, for example, and then restoring to the Egyptians knowledge of and pride in their forgotten, ancient past?\"", "In his 1993 book Islam and the West, Lewis wrote \"What imperial purpose was served by deciphering the ancient Egyptian language, for example, and then restoring to the Egyptians knowledge of and pride in their forgotten, ancient past?\" Furthermore, Lewis accused Said of politicizing the scientific study of the Middle East (and Arabic studies in particular); neglecting to critique the scholarly findings of the Orientalists; and giving \"free rein\" to his biases.", "Furthermore, Lewis accused Said of politicizing the scientific study of the Middle East (and Arabic studies in particular); neglecting to critique the scholarly findings of the Orientalists; and giving \"free rein\" to his biases. Stance on the Iraq War In 2002, Lewis wrote an article for The Wall Street Journal regarding the buildup to the Iraq War entitled \"Time for Toppling\", where he stated his opinion that \"a regime change may well be dangerous, but sometimes the dangers of inaction are greater than those of action\".", "Stance on the Iraq War In 2002, Lewis wrote an article for The Wall Street Journal regarding the buildup to the Iraq War entitled \"Time for Toppling\", where he stated his opinion that \"a regime change may well be dangerous, but sometimes the dangers of inaction are greater than those of action\". In 2007, Jacob Weisberg described Lewis as \"perhaps the most significant intellectual influence behind the invasion of Iraq\".", "In 2007, Jacob Weisberg described Lewis as \"perhaps the most significant intellectual influence behind the invasion of Iraq\". Michael Hirsh attributed to Lewis the view that regime change in Iraq would provide a jolt that would \"modernize the Middle East\" and suggested that Lewis's allegedly 'orientalist' theories about \"what went wrong\" in the Middle East, and other writings, formed the intellectual basis of the push towards war in Iraq.", "Michael Hirsh attributed to Lewis the view that regime change in Iraq would provide a jolt that would \"modernize the Middle East\" and suggested that Lewis's allegedly 'orientalist' theories about \"what went wrong\" in the Middle East, and other writings, formed the intellectual basis of the push towards war in Iraq. Hirsch reported that Lewis had told him in an interview that he viewed the 11 September attacks as \"the opening salvo of the final battle\" between Western and Islamic civilisations: Lewis believed that a forceful response was necessary.", "Hirsch reported that Lewis had told him in an interview that he viewed the 11 September attacks as \"the opening salvo of the final battle\" between Western and Islamic civilisations: Lewis believed that a forceful response was necessary. In the run up to the Iraq War, he met with Vice President Dick Cheney several times: Hirsch quoted an unnamed official who was present at a number of these meetings, who summarised Lewis's view of Iraq as \"Get on with it. Don't dither\".", "Don't dither\". Don't dither\". Brent Scowcroft quoted Lewis as stating that he believed \"that one of the things you’ve got to do to Arabs is hit them between the eyes with a big stick. They respect power\". As'ad AbuKhalil has claimed that Lewis assured Cheney that American troops would be welcomed by Iraqis and Arabs, relying on the opinion of his colleague Fouad Ajami.", "As'ad AbuKhalil has claimed that Lewis assured Cheney that American troops would be welcomed by Iraqis and Arabs, relying on the opinion of his colleague Fouad Ajami. Hirsch also drew parallels between the Bush administration's plans for post-invasion Iraq and Lewis's views, in particular his admiration for Mustafa Kemal Atatürk's secularist and Westernising reforms in the new Republic of Turkey which emerged from the collapse of the Ottoman Empire. Writing in 2008, Lewis did not advocate imposing freedom and democracy on Islamic nations.", "Writing in 2008, Lewis did not advocate imposing freedom and democracy on Islamic nations. \"There are things you can't impose. Freedom, for example. Or democracy. Democracy is a very strong medicine which has to be administered to the patient in small, gradually increasing doses. Otherwise, you risk killing the patient. In the main, the Muslims have to do it themselves.\"", "In the main, the Muslims have to do it themselves.\" Ian Buruma, writing for The New Yorker in an article subtitled \"The two Minds of Bernard Lewis\", finds Lewis's stance on the war difficult to reconcile with Lewis's past statements cautioning democracy enforcement in the world at large.", "Ian Buruma, writing for The New Yorker in an article subtitled \"The two Minds of Bernard Lewis\", finds Lewis's stance on the war difficult to reconcile with Lewis's past statements cautioning democracy enforcement in the world at large. Buruma ultimately rejects suggestions by his peers that Lewis promotes war with Iraq to safeguard Israel, but instead concludes \"perhaps he loves it [the Arab world] too much\": Hamid Dabashi, writing on 28 May 2018, in an article subtitled \"On Bernard Lewis and 'his extraordinary capacity for getting everything wrong'\", asked: \"Just imagine: What sort of a person would spend a lifetime studying people he loathes?", "Buruma ultimately rejects suggestions by his peers that Lewis promotes war with Iraq to safeguard Israel, but instead concludes \"perhaps he loves it [the Arab world] too much\": Hamid Dabashi, writing on 28 May 2018, in an article subtitled \"On Bernard Lewis and 'his extraordinary capacity for getting everything wrong'\", asked: \"Just imagine: What sort of a person would spend a lifetime studying people he loathes? It is quite a bizarre proposition.", "It is quite a bizarre proposition. It is quite a bizarre proposition. But there you have it: the late Bernard Lewis did precisely that.\" Similarly, Richard Bulliet described Lewis as \"...a person who does not like the people he is purporting to have expertise about...he doesn’t respect them, he considers them to be good and worthy only to the degree they follow a Western path\".", "Similarly, Richard Bulliet described Lewis as \"...a person who does not like the people he is purporting to have expertise about...he doesn’t respect them, he considers them to be good and worthy only to the degree they follow a Western path\". According to As'ad AbuKhalil, \"Lewis has poisoned the Middle East academic field more than any other Orientalist and his influence has been both academic and political.", "According to As'ad AbuKhalil, \"Lewis has poisoned the Middle East academic field more than any other Orientalist and his influence has been both academic and political. But there is a new generation of Middle East experts in the West who now see clearly the political agenda of Bernard Lewis. It was fully exposed in the Bush years.\" Alleged nuclear threat from Iran In 2006, Lewis wrote that Iran had been working on a nuclear weapon for fifteen years.", "Alleged nuclear threat from Iran In 2006, Lewis wrote that Iran had been working on a nuclear weapon for fifteen years. In August 2006, in an article about whether the world can rely on the concept of mutual assured destruction as a deterrent in its dealings with Iran, Lewis wrote in The Wall Street Journal about the significance of 22 August 2006 in the Islamic calendar. The Iranian president had indicated he would respond by that date to U.S. demands regarding Iran's development of nuclear power.", "The Iranian president had indicated he would respond by that date to U.S. demands regarding Iran's development of nuclear power. Lewis wrote that the date corresponded to the 27th day of the month of Rajab of the year 1427, the day Muslims commemorate the night flight of Muhammad from Jerusalem to heaven and back. Lewis wrote that it would be \"an appropriate date for the apocalyptic ending of Israel and, if necessary, of the world\".", "Lewis wrote that it would be \"an appropriate date for the apocalyptic ending of Israel and, if necessary, of the world\". According to Lewis, mutual assured destruction is not an effective deterrent in the case of Iran, because of what Lewis describes as the Iranian leadership's \"apocalyptic worldview\" and the \"suicide or martyrdom complex that plagues parts of the Islamic world today\". Lewis's article received significant press coverage. However, the day passed without any incident.", "However, the day passed without any incident. However, the day passed without any incident. Death Bernard Lewis died on 19 May 2018 at the age of 101, at an assisted-living care facility in Voorhees Township, New Jersey, twelve days before his 102nd birthday. He is buried in Trumpeldor Cemetery in Tel Aviv.", "He is buried in Trumpeldor Cemetery in Tel Aviv. He is buried in Trumpeldor Cemetery in Tel Aviv. Bibliography Awards and honors 1963: Elected as a Fellow of the British Academy 1978: The Harvey Prize, from the Technion – Israel Institute of Technology, for \"his profound insight into the life and mores of the peoples of the Middle East through his writings\" 1983: Elected to the American Academy of Arts and Sciences 1990: Selected for the Jefferson Lecture by the National Endowment for the Humanities 1996: Finalist for the National Book Critics Circle Award in General Nonfiction, for The Middle East (Scribner) 1999: National Jewish Book Award in the Israel category for The Multiple Identities of the Middle East 2002: The Thomas Jefferson Medal, awarded by the American Philosophical Society 2002: Atatürk International Peace Prize on grounds that he contributed extensively to history scholarship with his accurate analysis of Turkey’s and in particular of Atatürk’s positive impact on Middle Eastern history.", "Bibliography Awards and honors 1963: Elected as a Fellow of the British Academy 1978: The Harvey Prize, from the Technion – Israel Institute of Technology, for \"his profound insight into the life and mores of the peoples of the Middle East through his writings\" 1983: Elected to the American Academy of Arts and Sciences 1990: Selected for the Jefferson Lecture by the National Endowment for the Humanities 1996: Finalist for the National Book Critics Circle Award in General Nonfiction, for The Middle East (Scribner) 1999: National Jewish Book Award in the Israel category for The Multiple Identities of the Middle East 2002: The Thomas Jefferson Medal, awarded by the American Philosophical Society 2002: Atatürk International Peace Prize on grounds that he contributed extensively to history scholarship with his accurate analysis of Turkey’s and in particular of Atatürk’s positive impact on Middle Eastern history. 2004: Golden Plate Award from the American Academy of Achievement 2006: National Humanities Medal, from the National Endowment for the Humanities 2007: Irving Kristol Award, from the American Enterprise Institute for Public Policy Research 2007: The Scholar-Statesman Award from The Washington Institute for Near East Policy See also Bernard Lewis bibliography List of Princeton University people References External links Lewis's page at Princeton University Revered and Reviled – Lewis's profile on Moment Magazine'' The Legacy and Fallacies of Bernard Lewis by As`ad AbuKhalil 1916 births 2018 deaths 20th-century American historians 20th-century British historians 20th-century British writers 21st-century American historians 21st-century American male writers 21st-century British historians 21st-century British writers Academics of SOAS University of London Alumni of SOAS University of London American centenarians American historians American male non-fiction writers American people of English-Jewish descent Deniers of the Armenian genocide British Army personnel of World War II English centenarians British emigrants to the United States English historians English Jews Fellows of the British Academy Historians of Islam Historians of the Ottoman Empire Honorary members of the Turkish Academy of Sciences Institute for Advanced Study visiting scholars Intelligence Corps soldiers Islam and antisemitism Islam and politics Jewish American historians Jewish scholars Jewish scholars of Islam Men centenarians Middle Eastern studies in the United States National Humanities Medal recipients Neoconservatism People from Stoke Newington British political commentators Princeton University faculty Royal Armoured Corps soldiers Scholars of antisemitism University of Paris alumni Cornell University faculty Foreign Policy Research Institute Historians of the Middle East Carnegie Council for Ethics in International Affairs Middle Eastern studies scholars Burials at Trumpeldor Cemetery 21st-century American Jews" ]

[ "Bernard Lewis", "Academic career", "Where did he go to school?", "University of London" ]

[ "The Predator is the third EP by American metalcore band Ice Nine Kills and was self-released by the band on January 15, 2013. The EP debuted at No. 9 on the Billboard Heatseekers chart.\n\nIt is the only album to feature Steve Koch as bassist and backup singer after his departure in 2013, and the last album to feature Justin Morrow as rhythm guitarist; he would switch to bass guitar and backing vocals (on live performance only) while still playing rhythm guitar in studio in 2013.\n\nThe tracks \"The Coffin Is Moving\" and \"What I Never Learned in Study Hall\" later would be featured on the band's 2014 album The Predator Becomes the Prey.\n\nThe track \"What I Never Learned in Study Hall\" was later re-recorded acoustically for Take Action. Vol. 11 making it similar to the song's predecessors \"What I Really Learned in Study Hall\" and \"What I Should Have Learned in Study Hall\". Unlike the original version, the acoustic version did not feature Tyler Carter as guest vocalist, but instead featured former Kid's Jackson Summer vocalist Kate Ellen Dean.\n\nTrack listing\n\nPersonnel \n Spencer Charnas - lead vocals, piano on \"A Reptile's Dysfunction\"\n Justin \"JD\" DeBlieck - lead guitar, lead vocals\n Justin Morrow - rhythm guitar\n Steve Koch - bass guitar, backing vocals\n Connor Sullivan - drums\n Steve Sopchak - producer, engineer, mixing\n\nCharts\n\nReferences\n\n2013 EPs\nIce Nine Kills EPs\nSelf-released EPs", "Homeric psychology is a field of study with regards to the psychology of ancient Greek culture no later than Mycenaean Greece, around 1700–1200 BCE, during the Homeric epic poems (specifically the Illiad and the Odyssey).\n\nHistory of Homeric psychology\nThe first scholar to present a theory was Bruno Snell in his 1953 book, originally in German. His argument was that the ancient Greek individual did not have a sense of self, and that later the Greek culture \"self-realized\" or \"discovered\" what we consider to be the modern \"intellect\".\n\nLater, Eric Robertson Dodds in 1951, wrote how ancient Greek thought may have been irrational, as compared to modern \"rational\" culture. In this Dodds' theory, the Greeks may have known that an individual did things, but the reason an individual did things were attributed to divine externalities, such as gods or daemons.\n\nJulian Jaynes proposed a theory in 1976. He stipulated that Greek consciousness emerged from the use of special words related to cognition. Some of Jaynes' findings were empirically supported in a 2021 study by Boban Dedović, a psychohistorian. The study compared the word counts of mental language between thirty-four versions of the Iliad and Odyssey.\n\nReferences \n\nConsciousness studies\nPhilosophy of mind\nPhilology\nCognitive psychology\nHistorical linguistics\nArguments in philosophy of mind" ]

[ "Bernard Lewis, (31 May 1916 – 19 May 2018) was a British American historian specialized in Oriental studies. He was also known as a public intellectual and political commentator. Lewis was the Cleveland E. Dodge Professor Emeritus of Near Eastern Studies at Princeton University. Lewis's expertise was in the history of Islam and the interaction between Islam and the West. Lewis served as a soldier in the British Army in the Royal Armoured Corps and Intelligence Corps during the Second World War before being seconded to the Foreign Office.", "Lewis served as a soldier in the British Army in the Royal Armoured Corps and Intelligence Corps during the Second World War before being seconded to the Foreign Office. After the war, he returned to the School of Oriental and African Studies at the University of London and was appointed to the new chair in Near and Middle Eastern history. In 2007 Lewis was called \"the West's leading interpreter of the Middle East\".", "In 2007 Lewis was called \"the West's leading interpreter of the Middle East\". Others have argued Lewis's approach is essentialist and generalizing to the Muslim world, as well as his tendency to restate hypotheses that were challenged by more recent research. On a political level, Lewis is accused by his detractors with having revived the image of the cultural inferiority of Islam and of emphasizing the dangers of jihad. His advice was frequently sought by neoconservative policymakers, including the Bush administration.", "His advice was frequently sought by neoconservative policymakers, including the Bush administration. However, his active support of the Iraq War and neoconservative ideals have since come under scrutiny. Lewis was also notable for his public debates with Edward Said, who accused Lewis and other orientalists of misrepresenting Islam and serving the purposes of Western imperialist domination, to which Lewis responded by defending Orientalism as a facet of humanism and accusing Said of politicizing the subject. Furthermore, Lewis notoriously denied the Armenian genocide.", "Furthermore, Lewis notoriously denied the Armenian genocide. Furthermore, Lewis notoriously denied the Armenian genocide. He argued that the deaths of the mass killings resulted from a struggle between two nationalistic movements, claiming that there is no proof of intent by the Ottoman government to exterminate the Armenian nation. Family and personal life Bernard Lewis was born on 31 May 1916 to middle-class British Jewish parents, Harry Lewis and the former Jane Levy, in Stoke Newington, London. He became interested in languages and history while preparing for his bar mitzvah.", "He became interested in languages and history while preparing for his bar mitzvah. In 1947 he married Ruth Hélène Oppenhejm, with whom he had a daughter and a son. Their marriage was dissolved in 1974. Lewis became a naturalized citizen of the United States in 1982. Academic career In 1936, Lewis graduated from the School of Oriental Studies (now School of Oriental and African Studies, SOAS) at the University of London with a BA in history with special reference to the Near and Middle East.", "Academic career In 1936, Lewis graduated from the School of Oriental Studies (now School of Oriental and African Studies, SOAS) at the University of London with a BA in history with special reference to the Near and Middle East. He earned his PhD three years later, also from SOAS, specializing in the history of Islam. Lewis also studied law, going part of the way toward becoming a solicitor, but returned to study Middle Eastern history.", "Lewis also studied law, going part of the way toward becoming a solicitor, but returned to study Middle Eastern history. He undertook post-graduate studies at the University of Paris, where he studied with the orientalist Louis Massignon and earned the \"Diplôme des Études Sémitiques\" in 1937. He returned to SOAS in 1938 as an assistant lecturer in Islamic History.", "He returned to SOAS in 1938 as an assistant lecturer in Islamic History. During the Second World War, Lewis served in the British Army in the Royal Armoured Corps and as a Corporal in the Intelligence Corps in 1940–41 before being seconded to the Foreign Office. After the war, he returned to SOAS, where he would remain for the next 25 years. In 1949, at the age of 33, he was appointed to the new chair in Near and Middle Eastern History.", "In 1949, at the age of 33, he was appointed to the new chair in Near and Middle Eastern History. In 1963, Lewis was granted fellowship of the British Academy. In 1974, aged 57, Lewis accepted a joint position at Princeton University and the Institute for Advanced Study, also located in Princeton, New Jersey. The terms of his appointment were such that Lewis taught only one semester per year, and being free from administrative responsibilities, he could devote more time to research than previously.", "The terms of his appointment were such that Lewis taught only one semester per year, and being free from administrative responsibilities, he could devote more time to research than previously. Consequently, Lewis's arrival at Princeton marked the beginning of the most prolific period in his research career during which he published numerous books and articles based on previously accumulated materials. After retiring from Princeton in 1986, Lewis served at Cornell University until 1990.", "After retiring from Princeton in 1986, Lewis served at Cornell University until 1990. In 1966, Lewis was a founding member of the learned society, Middle East Studies Association of North America (MESA), but in 2007 he broke away and founded Association for the Study of the Middle East and Africa (ASMEA) to challenge MESA, which the New York Sun noted as \"dominated by academics who have been critical of Israel and of America's role in the Middle East\".", "In 1966, Lewis was a founding member of the learned society, Middle East Studies Association of North America (MESA), but in 2007 he broke away and founded Association for the Study of the Middle East and Africa (ASMEA) to challenge MESA, which the New York Sun noted as \"dominated by academics who have been critical of Israel and of America's role in the Middle East\". The organization was formed as an academic society dedicated to promoting high standards of research and teaching in Middle Eastern and African studies and other related fields, with Lewis as Chairman of its academic council.", "The organization was formed as an academic society dedicated to promoting high standards of research and teaching in Middle Eastern and African studies and other related fields, with Lewis as Chairman of its academic council. In 1990, the National Endowment for the Humanities selected Lewis for the Jefferson Lecture, the U.S. federal government's highest honor for achievement in the humanities. His lecture, entitled \"Western Civilization: A View from the East\", was revised and reprinted in The Atlantic Monthly under the title \"The Roots of Muslim Rage.\"", "His lecture, entitled \"Western Civilization: A View from the East\", was revised and reprinted in The Atlantic Monthly under the title \"The Roots of Muslim Rage.\" His 2007 Irving Kristol Lecture, given to the American Enterprise Institute, was published as Europe and Islam. Research Lewis's influence extends beyond academia to the general public. He began his research career with the study of medieval Arab, especially Syrian, history.", "He began his research career with the study of medieval Arab, especially Syrian, history. His first article, dedicated to professional guilds of medieval Islam, had been widely regarded as the most authoritative work on the subject for about thirty years. However, after the establishment of the state of Israel in 1948, scholars of Jewish origin found it more and more difficult to conduct archival and field research in Arab countries, where they were suspected of espionage.", "However, after the establishment of the state of Israel in 1948, scholars of Jewish origin found it more and more difficult to conduct archival and field research in Arab countries, where they were suspected of espionage. Therefore, Lewis switched to the study of the Ottoman Empire, while continuing to research Arab history through the Ottoman archives which had only recently been opened to Western researchers.", "Therefore, Lewis switched to the study of the Ottoman Empire, while continuing to research Arab history through the Ottoman archives which had only recently been opened to Western researchers. A series of articles that Lewis published over the next several years revolutionized the history of the Middle East by giving a broad picture of Islamic society, including its government, economy, and demographics.", "A series of articles that Lewis published over the next several years revolutionized the history of the Middle East by giving a broad picture of Islamic society, including its government, economy, and demographics. Lewis argued that the Middle East is currently backward and its decline was a largely self-inflicted condition resulting from both culture and religion, as opposed to the post-colonialist view which posits the problems of the region as economic and political maldevelopment mainly due to the 19th-century European colonization.", "Lewis argued that the Middle East is currently backward and its decline was a largely self-inflicted condition resulting from both culture and religion, as opposed to the post-colonialist view which posits the problems of the region as economic and political maldevelopment mainly due to the 19th-century European colonization. In his 1982 work Muslim Discovery of Europe, Lewis argues that Muslim societies could not keep pace with the West and that \"Crusader successes were due in no small part to Muslim weakness.\"", "In his 1982 work Muslim Discovery of Europe, Lewis argues that Muslim societies could not keep pace with the West and that \"Crusader successes were due in no small part to Muslim weakness.\" Further, he suggested that as early as the 11th century Islamic societies were decaying, primarily the byproduct of internal problems like \"cultural arrogance,\" which was a barrier to creative borrowing, rather than external pressures like the Crusades.", "Further, he suggested that as early as the 11th century Islamic societies were decaying, primarily the byproduct of internal problems like \"cultural arrogance,\" which was a barrier to creative borrowing, rather than external pressures like the Crusades. In the wake of Soviet and Arab attempts to delegitimize Israel as a racist country, Lewis wrote a study of anti-Semitism, Semites and Anti-Semites (1986).", "In the wake of Soviet and Arab attempts to delegitimize Israel as a racist country, Lewis wrote a study of anti-Semitism, Semites and Anti-Semites (1986). In other works he argued Arab rage against Israel was disproportionate to other tragedies or injustices in the Muslim world, such as the Soviet invasion of Afghanistan and control of Muslim-majority land in Central Asia, the bloody and destructive fighting during the Hama uprising in Syria (1982), the Algerian Civil War (1992–1998), and the Iran–Iraq War (1980–1988).", "In other works he argued Arab rage against Israel was disproportionate to other tragedies or injustices in the Muslim world, such as the Soviet invasion of Afghanistan and control of Muslim-majority land in Central Asia, the bloody and destructive fighting during the Hama uprising in Syria (1982), the Algerian Civil War (1992–1998), and the Iran–Iraq War (1980–1988). In addition to his scholarly works, Lewis wrote several influential books accessible to the general public: The Arabs in History (1950), The Middle East and the West (1964), and The Middle East (1995).", "In addition to his scholarly works, Lewis wrote several influential books accessible to the general public: The Arabs in History (1950), The Middle East and the West (1964), and The Middle East (1995). In the wake of the 11 September 2001 attacks, the interest in Lewis's work surged, especially his 1990 essay The Roots of Muslim Rage. Three of his books were published after 9/11: What Went Wrong?", "Three of his books were published after 9/11: What Went Wrong? (written before the attacks), which explored the reasons of the Muslim world's apprehension of (and sometimes outright hostility to) modernization; The Crisis of Islam; and Islam: The Religion and the People. Abraham Udovitch described him as \"certainly the most eminent and respected historian of the Arab world, of the Islamic world, of the Middle East and beyond\".", "Abraham Udovitch described him as \"certainly the most eminent and respected historian of the Arab world, of the Islamic world, of the Middle East and beyond\". Armenian genocide The first two editions of Lewis's The Emergence of Modern Turkey (1961 and 1968) describe the Armenian genocide as \"the terrible holocaust of 1915, when a million and a half Armenians perished\".", "Armenian genocide The first two editions of Lewis's The Emergence of Modern Turkey (1961 and 1968) describe the Armenian genocide as \"the terrible holocaust of 1915, when a million and a half Armenians perished\". In later editions, this text is altered to \"the terrible slaughter of 1915, when, according to estimates, more than a million Armenians perished, as well as an unknown number of Turks\".", "In later editions, this text is altered to \"the terrible slaughter of 1915, when, according to estimates, more than a million Armenians perished, as well as an unknown number of Turks\". In this passage, Lewis argues that the deaths were the result of a struggle for the same land between two competing nationalist movements.", "In this passage, Lewis argues that the deaths were the result of a struggle for the same land between two competing nationalist movements. The change in Lewis's textual description of the Armenian genocide and his signing of the petition against the Congressional resolution was controversial among some Armenian historians as well as journalists, who suggested that Lewis was engaging in historical revisionism to serve his own political and personal interests.", "The change in Lewis's textual description of the Armenian genocide and his signing of the petition against the Congressional resolution was controversial among some Armenian historians as well as journalists, who suggested that Lewis was engaging in historical revisionism to serve his own political and personal interests. Lewis called the label \"genocide\" the \"Armenian version of this history\" in a November 1993 interview with Le Monde, for which he faced a civil proceeding in a French court.", "Lewis called the label \"genocide\" the \"Armenian version of this history\" in a November 1993 interview with Le Monde, for which he faced a civil proceeding in a French court. In a subsequent exchange on the pages of Le Monde, Lewis wrote that while \"terrible atrocities\" did occur, \"there exists no serious proof of a decision and of a plan of the Ottoman government aiming to exterminate the Armenian nation\".", "In a subsequent exchange on the pages of Le Monde, Lewis wrote that while \"terrible atrocities\" did occur, \"there exists no serious proof of a decision and of a plan of the Ottoman government aiming to exterminate the Armenian nation\". He was ordered to pay one franc as damages for his statements on the Armenian genocide in Ottoman Turkey. Three other court cases against Bernard Lewis failed in the Paris tribunal, including one filed by the Armenian National Committee of France and two filed by Jacques Trémollet de Villers.", "Three other court cases against Bernard Lewis failed in the Paris tribunal, including one filed by the Armenian National Committee of France and two filed by Jacques Trémollet de Villers. Lewis's views on the Armenian genocide were criticized by a number of historians and sociologists, among them Alain Finkielkraut, Yves Ternon, Richard G. Hovannisian, Robert Melson, and Pierre Vidal-Naquet.<ref>{{cite book|last1=Finkelstein|first1=Norman G.|title=The Holocaust Industry: Reflections on the Exploitation of Jewish Suffering|date=2003|publisher=Verso|location=London|isbn=978-1859844885|page=69}}</ref> Lewis has argued for his denial stance that: Lewis has been labelled a \"genocide denier\" by Stephen Zunes, Israel Charny, David B. MacDonald and the Armenian National Committee of America.", "Lewis's views on the Armenian genocide were criticized by a number of historians and sociologists, among them Alain Finkielkraut, Yves Ternon, Richard G. Hovannisian, Robert Melson, and Pierre Vidal-Naquet.<ref>{{cite book|last1=Finkelstein|first1=Norman G.|title=The Holocaust Industry: Reflections on the Exploitation of Jewish Suffering|date=2003|publisher=Verso|location=London|isbn=978-1859844885|page=69}}</ref> Lewis has argued for his denial stance that: Lewis has been labelled a \"genocide denier\" by Stephen Zunes, Israel Charny, David B. MacDonald and the Armenian National Committee of America. Israeli historian Yair Auron suggested that \"Lewis' stature provided a lofty cover for the Turkish national agenda of obfuscating academic research on the Armenian Genocide\".", "Israeli historian Yair Auron suggested that \"Lewis' stature provided a lofty cover for the Turkish national agenda of obfuscating academic research on the Armenian Genocide\". Israel Charny wrote that Lewis's \"seemingly scholarly concern ... of Armenians constituting a threat to the Turks as a rebellious force who together with the Russians threatened the Ottoman Empire, and the insistence that only a policy of deportations was executed, barely conceal the fact that the organized deportations constituted systematic mass murder\".", "Israel Charny wrote that Lewis's \"seemingly scholarly concern ... of Armenians constituting a threat to the Turks as a rebellious force who together with the Russians threatened the Ottoman Empire, and the insistence that only a policy of deportations was executed, barely conceal the fact that the organized deportations constituted systematic mass murder\". Charny compares the \"logical structures\" employed by Lewis in his denial of the genocide to those employed by Ernst Nolte in his Holocaust negationism.", "Charny compares the \"logical structures\" employed by Lewis in his denial of the genocide to those employed by Ernst Nolte in his Holocaust negationism. Views and influence on contemporary politics In the mid-1960s, Lewis emerged as a commentator on the issues of the modern Middle East and his analysis of the Israeli–Palestinian conflict and the rise of militant Islam brought him publicity and aroused significant controversy. American historian Joel Beinin has called him \"perhaps the most articulate and learned Zionist advocate in the North American Middle East academic community\".", "American historian Joel Beinin has called him \"perhaps the most articulate and learned Zionist advocate in the North American Middle East academic community\". Lewis's policy advice has particular weight thanks to this scholarly authority. U.S. Vice President Dick Cheney remarked \"in this new century, his wisdom is sought daily by policymakers, diplomats, fellow academics, and the news media\". A harsh critic of the Soviet Union, Lewis continued the liberal tradition in Islamic historical studies.", "A harsh critic of the Soviet Union, Lewis continued the liberal tradition in Islamic historical studies. Although his early Marxist views had a bearing on his first book The Origins of Ismailism, Lewis subsequently discarded Marxism. His later works are a reaction against the left-wing current of Third-worldism which came to be a significant current in Middle Eastern studies.", "His later works are a reaction against the left-wing current of Third-worldism which came to be a significant current in Middle Eastern studies. During his career Lewis developed ties with governments around the world: during her time as Prime Minister of Israel, Golda Meir assigned Lewis's articles as reading to her cabinet members, and during the Presidency of George W. Bush, he advised administration members including Cheney, Donald Rumsfeld and Bush himself. He was also close to King Hussein of Jordan and his brother, Prince Hassan bin Talal.", "He was also close to King Hussein of Jordan and his brother, Prince Hassan bin Talal. He also had ties to the regime of Mohammad Reza Pahlavi, the last Shah of Iran, the Turkish military dictatorship led by Kenan Evren, and the Egyptian government of Anwar Sadat: he acted as a go-between between the Sadat administration and Israel in 1971 when he relayed a message to the Israeli government regarding the possibility of a peace agreement at the request of Sadat's spokesman Tahasin Bashir.", "He also had ties to the regime of Mohammad Reza Pahlavi, the last Shah of Iran, the Turkish military dictatorship led by Kenan Evren, and the Egyptian government of Anwar Sadat: he acted as a go-between between the Sadat administration and Israel in 1971 when he relayed a message to the Israeli government regarding the possibility of a peace agreement at the request of Sadat's spokesman Tahasin Bashir. Lewis advocated closer Western ties with Israel and Turkey, which he saw as especially important in light of the extension of the Soviet influence in the Middle East.", "Lewis advocated closer Western ties with Israel and Turkey, which he saw as especially important in light of the extension of the Soviet influence in the Middle East. Modern Turkey holds a special place in Lewis's view of the region due to the country's efforts to become a part of the West. He was an Honorary Fellow of the Institute of Turkish Studies, an honor which is given \"on the basis of generally recognized scholarly distinction and ... long and devoted service to the field of Turkish Studies.\"", "He was an Honorary Fellow of the Institute of Turkish Studies, an honor which is given \"on the basis of generally recognized scholarly distinction and ... long and devoted service to the field of Turkish Studies.\" Lewis views Christendom and Islam as civilizations that have been in perpetual collision since the advent of Islam in the 7th century. In his essay The Roots of Muslim Rage (1990), he argued that the struggle between the West and Islam was gathering strength.", "In his essay The Roots of Muslim Rage (1990), he argued that the struggle between the West and Islam was gathering strength. According to one source, this essay (and Lewis's 1990 Jefferson Lecture on which the article was based) first introduced the term \"Islamic fundamentalism\" to North America. This essay has been credited with coining the phrase \"clash of civilizations\", which received prominence in the eponymous book by Samuel Huntington.", "This essay has been credited with coining the phrase \"clash of civilizations\", which received prominence in the eponymous book by Samuel Huntington. However, another source indicates that Lewis first used the phrase \"clash of civilizations\" at a 1957 meeting in Washington where it was recorded in the transcript. In 1998, Lewis read in a London-based newspaper Al-Quds Al-Arabi a declaration of war on the United States by Osama bin Laden.", "In 1998, Lewis read in a London-based newspaper Al-Quds Al-Arabi a declaration of war on the United States by Osama bin Laden. In his essay \"A License to Kill\", Lewis indicated he considered bin Laden's language as the \"ideology of jihad\" and warned that bin Laden would be a danger to the West. The essay was published after the Clinton administration and the US intelligence community had begun its hunt for bin Laden in Sudan and then in Afghanistan.", "The essay was published after the Clinton administration and the US intelligence community had begun its hunt for bin Laden in Sudan and then in Afghanistan. Jihad Lewis writes of jihad as a distinct religious obligation, but suggests that it is a pity that people engaging in terrorist activities are not more aware of their own religion:The fanatical warrior offering his victims the choice of the Koran or the sword is not only untrue, it is impossible.", "Jihad Lewis writes of jihad as a distinct religious obligation, but suggests that it is a pity that people engaging in terrorist activities are not more aware of their own religion:The fanatical warrior offering his victims the choice of the Koran or the sword is not only untrue, it is impossible. The alleged choice - conversion or death - is also, with rare and atypical exceptions, untrue. Muslim tolerance of unbelievers and misbelievers was far better than anything available in Christendom until the rise of secularism in the 17th century.", "Muslim tolerance of unbelievers and misbelievers was far better than anything available in Christendom until the rise of secularism in the 17th century. Muslim fighters are commanded not to kill women, children, or the aged unless they attack first; not to torture or otherwise ill-treat prisoners; to give fair warnings of the opening of hostilities or their resumption after a truce; and to honor agreements. At no time did the classical jurists offer any approval or legitimacy to what we nowdays call terrorism.", "At no time did the classical jurists offer any approval or legitimacy to what we nowdays call terrorism. Nor indeed is there any evidence of the use of terrorism as it is practiced nowadays. The emergence of the by now widespread terrorism practice of suicide bombing is a development of the 20th century.", "The emergence of the by now widespread terrorism practice of suicide bombing is a development of the 20th century. It has no antecedents in Islamic history, and no justification in the terms of Islamic theology, law, or tradition.As'ad AbuKhalil, has criticized this view and stated: \"Methodologically, [Lewis] insists that terrorism by individual Muslims should be considered Islamic terrorism, while terrorism by individual Jews or Christians is never considered Jewish or Christian terrorism.\"", "It has no antecedents in Islamic history, and no justification in the terms of Islamic theology, law, or tradition.As'ad AbuKhalil, has criticized this view and stated: \"Methodologically, [Lewis] insists that terrorism by individual Muslims should be considered Islamic terrorism, while terrorism by individual Jews or Christians is never considered Jewish or Christian terrorism.\" He also criticised Lewis's understanding of Osama bin Laden, seeing Lewis's interpretation of bin Laden \"as some kind of influential Muslim theologian\" along the lines of classical theologians like Al-Ghazali, rather than \"the terrorist fanatic that he is\".", "He also criticised Lewis's understanding of Osama bin Laden, seeing Lewis's interpretation of bin Laden \"as some kind of influential Muslim theologian\" along the lines of classical theologians like Al-Ghazali, rather than \"the terrorist fanatic that he is\". AbuKhalil has also criticized the place of Islam in Lewis's worldview more generally, arguing that the most prominent feature of his work was its \"theologocentrism\" (borrowing a term from Maxime Rodinson) - that Lewis interprets all aspects of behavior among Muslims solely through the lens of Islamic theology, subsuming the study of Muslim peoples, their languages, the geographical areas where Muslims predominate, Islamic governments, the governments of Arab countries and Sharia under the label of \"Islam\".", "AbuKhalil has also criticized the place of Islam in Lewis's worldview more generally, arguing that the most prominent feature of his work was its \"theologocentrism\" (borrowing a term from Maxime Rodinson) - that Lewis interprets all aspects of behavior among Muslims solely through the lens of Islamic theology, subsuming the study of Muslim peoples, their languages, the geographical areas where Muslims predominate, Islamic governments, the governments of Arab countries and Sharia under the label of \"Islam\". Debates with Edward Said Lewis was known for his literary debates with Edward Said, the Palestinian American literary theorist whose aim was to deconstruct what he called Orientalist scholarship.", "Debates with Edward Said Lewis was known for his literary debates with Edward Said, the Palestinian American literary theorist whose aim was to deconstruct what he called Orientalist scholarship. Said, who was a professor at Columbia University, characterized Lewis's work as a prime example of Orientalism in his 1978 book Orientalism and in his later book Covering Islam: How the Media and the Experts Determine How We See the Rest of the World (1981).", "Said, who was a professor at Columbia University, characterized Lewis's work as a prime example of Orientalism in his 1978 book Orientalism and in his later book Covering Islam: How the Media and the Experts Determine How We See the Rest of the World (1981). Said asserted that the field of Orientalism was political intellectualism bent on self-affirmation rather than objective study, a form of racism, and a tool of imperialist domination.", "Said asserted that the field of Orientalism was political intellectualism bent on self-affirmation rather than objective study, a form of racism, and a tool of imperialist domination. He further questioned the scientific neutrality of some leading Middle East scholars, including Lewis, on the Arab World.", "He further questioned the scientific neutrality of some leading Middle East scholars, including Lewis, on the Arab World. In an interview with Al-Ahram weekly, Said suggested that Lewis's knowledge of the Middle East was so biased that it could not be taken seriously and claimed \"Bernard Lewis hasn't set foot in the Middle East, in the Arab world, for at least 40 years. He knows something about Turkey, I'm told, but he knows nothing about the Arab world.\"", "He knows something about Turkey, I'm told, but he knows nothing about the Arab world.\" Said considered that Lewis treats Islam as a monolithic entity without the nuance of its plurality, internal dynamics, and historical complexities, and accused him of \"demagogy and downright ignorance\".", "Said considered that Lewis treats Islam as a monolithic entity without the nuance of its plurality, internal dynamics, and historical complexities, and accused him of \"demagogy and downright ignorance\". In Covering Islam, Said argued that \"Lewis simply cannot deal with the diversity of Muslim, much less human life, because it is closed to him as something foreign, radically different, and other,\" and he criticised Lewis's \"inability to grant that the Islamic peoples are entitled to their own cultural, political, and historical practices, free from Lewis's calculated attempt to show that because they are not Western... they can't be good.\"", "In Covering Islam, Said argued that \"Lewis simply cannot deal with the diversity of Muslim, much less human life, because it is closed to him as something foreign, radically different, and other,\" and he criticised Lewis's \"inability to grant that the Islamic peoples are entitled to their own cultural, political, and historical practices, free from Lewis's calculated attempt to show that because they are not Western... they can't be good.\" Rejecting the view that Western scholarship was biased against the Middle East, Lewis responded that Orientalism developed as a facet of European humanism, independently of the past European imperial expansion.", "Rejecting the view that Western scholarship was biased against the Middle East, Lewis responded that Orientalism developed as a facet of European humanism, independently of the past European imperial expansion. He noted the French and English pursued the study of Islam in the 16th and 17th centuries, yet not in an organized way, but long before they had any control or hope of control in the Middle East; and that much of Orientalist study did nothing to advance the cause of imperialism.", "He noted the French and English pursued the study of Islam in the 16th and 17th centuries, yet not in an organized way, but long before they had any control or hope of control in the Middle East; and that much of Orientalist study did nothing to advance the cause of imperialism. In his 1993 book Islam and the West, Lewis wrote \"What imperial purpose was served by deciphering the ancient Egyptian language, for example, and then restoring to the Egyptians knowledge of and pride in their forgotten, ancient past?\"", "In his 1993 book Islam and the West, Lewis wrote \"What imperial purpose was served by deciphering the ancient Egyptian language, for example, and then restoring to the Egyptians knowledge of and pride in their forgotten, ancient past?\" Furthermore, Lewis accused Said of politicizing the scientific study of the Middle East (and Arabic studies in particular); neglecting to critique the scholarly findings of the Orientalists; and giving \"free rein\" to his biases.", "Furthermore, Lewis accused Said of politicizing the scientific study of the Middle East (and Arabic studies in particular); neglecting to critique the scholarly findings of the Orientalists; and giving \"free rein\" to his biases. Stance on the Iraq War In 2002, Lewis wrote an article for The Wall Street Journal regarding the buildup to the Iraq War entitled \"Time for Toppling\", where he stated his opinion that \"a regime change may well be dangerous, but sometimes the dangers of inaction are greater than those of action\".", "Stance on the Iraq War In 2002, Lewis wrote an article for The Wall Street Journal regarding the buildup to the Iraq War entitled \"Time for Toppling\", where he stated his opinion that \"a regime change may well be dangerous, but sometimes the dangers of inaction are greater than those of action\". In 2007, Jacob Weisberg described Lewis as \"perhaps the most significant intellectual influence behind the invasion of Iraq\".", "In 2007, Jacob Weisberg described Lewis as \"perhaps the most significant intellectual influence behind the invasion of Iraq\". Michael Hirsh attributed to Lewis the view that regime change in Iraq would provide a jolt that would \"modernize the Middle East\" and suggested that Lewis's allegedly 'orientalist' theories about \"what went wrong\" in the Middle East, and other writings, formed the intellectual basis of the push towards war in Iraq.", "Michael Hirsh attributed to Lewis the view that regime change in Iraq would provide a jolt that would \"modernize the Middle East\" and suggested that Lewis's allegedly 'orientalist' theories about \"what went wrong\" in the Middle East, and other writings, formed the intellectual basis of the push towards war in Iraq. Hirsch reported that Lewis had told him in an interview that he viewed the 11 September attacks as \"the opening salvo of the final battle\" between Western and Islamic civilisations: Lewis believed that a forceful response was necessary.", "Hirsch reported that Lewis had told him in an interview that he viewed the 11 September attacks as \"the opening salvo of the final battle\" between Western and Islamic civilisations: Lewis believed that a forceful response was necessary. In the run up to the Iraq War, he met with Vice President Dick Cheney several times: Hirsch quoted an unnamed official who was present at a number of these meetings, who summarised Lewis's view of Iraq as \"Get on with it. Don't dither\".", "Don't dither\". Don't dither\". Brent Scowcroft quoted Lewis as stating that he believed \"that one of the things you’ve got to do to Arabs is hit them between the eyes with a big stick. They respect power\". As'ad AbuKhalil has claimed that Lewis assured Cheney that American troops would be welcomed by Iraqis and Arabs, relying on the opinion of his colleague Fouad Ajami.", "As'ad AbuKhalil has claimed that Lewis assured Cheney that American troops would be welcomed by Iraqis and Arabs, relying on the opinion of his colleague Fouad Ajami. Hirsch also drew parallels between the Bush administration's plans for post-invasion Iraq and Lewis's views, in particular his admiration for Mustafa Kemal Atatürk's secularist and Westernising reforms in the new Republic of Turkey which emerged from the collapse of the Ottoman Empire. Writing in 2008, Lewis did not advocate imposing freedom and democracy on Islamic nations.", "Writing in 2008, Lewis did not advocate imposing freedom and democracy on Islamic nations. \"There are things you can't impose. Freedom, for example. Or democracy. Democracy is a very strong medicine which has to be administered to the patient in small, gradually increasing doses. Otherwise, you risk killing the patient. In the main, the Muslims have to do it themselves.\"", "In the main, the Muslims have to do it themselves.\" Ian Buruma, writing for The New Yorker in an article subtitled \"The two Minds of Bernard Lewis\", finds Lewis's stance on the war difficult to reconcile with Lewis's past statements cautioning democracy enforcement in the world at large.", "Ian Buruma, writing for The New Yorker in an article subtitled \"The two Minds of Bernard Lewis\", finds Lewis's stance on the war difficult to reconcile with Lewis's past statements cautioning democracy enforcement in the world at large. Buruma ultimately rejects suggestions by his peers that Lewis promotes war with Iraq to safeguard Israel, but instead concludes \"perhaps he loves it [the Arab world] too much\": Hamid Dabashi, writing on 28 May 2018, in an article subtitled \"On Bernard Lewis and 'his extraordinary capacity for getting everything wrong'\", asked: \"Just imagine: What sort of a person would spend a lifetime studying people he loathes?", "Buruma ultimately rejects suggestions by his peers that Lewis promotes war with Iraq to safeguard Israel, but instead concludes \"perhaps he loves it [the Arab world] too much\": Hamid Dabashi, writing on 28 May 2018, in an article subtitled \"On Bernard Lewis and 'his extraordinary capacity for getting everything wrong'\", asked: \"Just imagine: What sort of a person would spend a lifetime studying people he loathes? It is quite a bizarre proposition.", "It is quite a bizarre proposition. It is quite a bizarre proposition. But there you have it: the late Bernard Lewis did precisely that.\" Similarly, Richard Bulliet described Lewis as \"...a person who does not like the people he is purporting to have expertise about...he doesn’t respect them, he considers them to be good and worthy only to the degree they follow a Western path\".", "Similarly, Richard Bulliet described Lewis as \"...a person who does not like the people he is purporting to have expertise about...he doesn’t respect them, he considers them to be good and worthy only to the degree they follow a Western path\". According to As'ad AbuKhalil, \"Lewis has poisoned the Middle East academic field more than any other Orientalist and his influence has been both academic and political.", "According to As'ad AbuKhalil, \"Lewis has poisoned the Middle East academic field more than any other Orientalist and his influence has been both academic and political. But there is a new generation of Middle East experts in the West who now see clearly the political agenda of Bernard Lewis. It was fully exposed in the Bush years.\" Alleged nuclear threat from Iran In 2006, Lewis wrote that Iran had been working on a nuclear weapon for fifteen years.", "Alleged nuclear threat from Iran In 2006, Lewis wrote that Iran had been working on a nuclear weapon for fifteen years. In August 2006, in an article about whether the world can rely on the concept of mutual assured destruction as a deterrent in its dealings with Iran, Lewis wrote in The Wall Street Journal about the significance of 22 August 2006 in the Islamic calendar. The Iranian president had indicated he would respond by that date to U.S. demands regarding Iran's development of nuclear power.", "The Iranian president had indicated he would respond by that date to U.S. demands regarding Iran's development of nuclear power. Lewis wrote that the date corresponded to the 27th day of the month of Rajab of the year 1427, the day Muslims commemorate the night flight of Muhammad from Jerusalem to heaven and back. Lewis wrote that it would be \"an appropriate date for the apocalyptic ending of Israel and, if necessary, of the world\".", "Lewis wrote that it would be \"an appropriate date for the apocalyptic ending of Israel and, if necessary, of the world\". According to Lewis, mutual assured destruction is not an effective deterrent in the case of Iran, because of what Lewis describes as the Iranian leadership's \"apocalyptic worldview\" and the \"suicide or martyrdom complex that plagues parts of the Islamic world today\". Lewis's article received significant press coverage. However, the day passed without any incident.", "However, the day passed without any incident. However, the day passed without any incident. Death Bernard Lewis died on 19 May 2018 at the age of 101, at an assisted-living care facility in Voorhees Township, New Jersey, twelve days before his 102nd birthday. He is buried in Trumpeldor Cemetery in Tel Aviv.", "He is buried in Trumpeldor Cemetery in Tel Aviv. He is buried in Trumpeldor Cemetery in Tel Aviv. Bibliography Awards and honors 1963: Elected as a Fellow of the British Academy 1978: The Harvey Prize, from the Technion – Israel Institute of Technology, for \"his profound insight into the life and mores of the peoples of the Middle East through his writings\" 1983: Elected to the American Academy of Arts and Sciences 1990: Selected for the Jefferson Lecture by the National Endowment for the Humanities 1996: Finalist for the National Book Critics Circle Award in General Nonfiction, for The Middle East (Scribner) 1999: National Jewish Book Award in the Israel category for The Multiple Identities of the Middle East 2002: The Thomas Jefferson Medal, awarded by the American Philosophical Society 2002: Atatürk International Peace Prize on grounds that he contributed extensively to history scholarship with his accurate analysis of Turkey’s and in particular of Atatürk’s positive impact on Middle Eastern history.", "Bibliography Awards and honors 1963: Elected as a Fellow of the British Academy 1978: The Harvey Prize, from the Technion – Israel Institute of Technology, for \"his profound insight into the life and mores of the peoples of the Middle East through his writings\" 1983: Elected to the American Academy of Arts and Sciences 1990: Selected for the Jefferson Lecture by the National Endowment for the Humanities 1996: Finalist for the National Book Critics Circle Award in General Nonfiction, for The Middle East (Scribner) 1999: National Jewish Book Award in the Israel category for The Multiple Identities of the Middle East 2002: The Thomas Jefferson Medal, awarded by the American Philosophical Society 2002: Atatürk International Peace Prize on grounds that he contributed extensively to history scholarship with his accurate analysis of Turkey’s and in particular of Atatürk’s positive impact on Middle Eastern history. 2004: Golden Plate Award from the American Academy of Achievement 2006: National Humanities Medal, from the National Endowment for the Humanities 2007: Irving Kristol Award, from the American Enterprise Institute for Public Policy Research 2007: The Scholar-Statesman Award from The Washington Institute for Near East Policy See also Bernard Lewis bibliography List of Princeton University people References External links Lewis's page at Princeton University Revered and Reviled – Lewis's profile on Moment Magazine'' The Legacy and Fallacies of Bernard Lewis by As`ad AbuKhalil 1916 births 2018 deaths 20th-century American historians 20th-century British historians 20th-century British writers 21st-century American historians 21st-century American male writers 21st-century British historians 21st-century British writers Academics of SOAS University of London Alumni of SOAS University of London American centenarians American historians American male non-fiction writers American people of English-Jewish descent Deniers of the Armenian genocide British Army personnel of World War II English centenarians British emigrants to the United States English historians English Jews Fellows of the British Academy Historians of Islam Historians of the Ottoman Empire Honorary members of the Turkish Academy of Sciences Institute for Advanced Study visiting scholars Intelligence Corps soldiers Islam and antisemitism Islam and politics Jewish American historians Jewish scholars Jewish scholars of Islam Men centenarians Middle Eastern studies in the United States National Humanities Medal recipients Neoconservatism People from Stoke Newington British political commentators Princeton University faculty Royal Armoured Corps soldiers Scholars of antisemitism University of Paris alumni Cornell University faculty Foreign Policy Research Institute Historians of the Middle East Carnegie Council for Ethics in International Affairs Middle Eastern studies scholars Burials at Trumpeldor Cemetery 21st-century American Jews" ]

[ "Bernard Lewis", "Academic career", "Where did he go to school?", "University of London", "What did he study?", "graduated from the School of Oriental Studies" ]

[ "\"Be Someone Else\" is a song by Slimmy, released in 2010 as the lead single from his second studio album Be Someone Else. The single wasn't particularly successful, charting anywhere.\nA music video was also made for \"Be Someone Else\", produced by Riot Films. It premiered on 27 June 2010 on YouTube.\n\nBackground\n\"Be Someone Else\" was unveiled as the album's lead single. The song was written by Fernandes and produced by Quico Serrano and Mark J Turner. It was released to MySpace on 1 January 2010.\n\nMusic video\nA music video was also made for \"Be Someone Else\", produced by Riot Films. It premiered on 27 June 2010 on YouTube. The music video features two different scenes which alternate with each other many times during the video. The first scene features Slimmy performing the song with an electric guitar and the second scene features Slimmy performing with the band in the background.\n\nChart performance\nThe single wasn't particularly successful, charting anywhere.\n\nLive performances\n A Very Slimmy Tour\n Be Someone Else Tour\n\nTrack listing\n\nDigital single\n\"Be Someone Else\" (album version) - 3:22\n\nPersonnel\nTaken from the album's booklet.\n\nPaulo Fernandes – main vocals, guitar\nPaulo Garim – bass\nTó-Zé – drums\n\nRelease history\n\nCharts\n\nReferences\n\nExternal links\nOfficial music video at YouTube.\n\n2010 singles\nEnglish-language Portuguese songs\n2009 songs", "Grouvellina radama is a species of ground beetle in the subfamily Rhysodinae. It was described by R.T. & J.R. Bell in 1979.\nIt is native to Madagascar and it is unknown whether it lives anywhere else.\n\nReferences\n\nGrouvellina\nBeetles described in 1979" ]

[ "Bernard Lewis, (31 May 1916 – 19 May 2018) was a British American historian specialized in Oriental studies. He was also known as a public intellectual and political commentator. Lewis was the Cleveland E. Dodge Professor Emeritus of Near Eastern Studies at Princeton University. Lewis's expertise was in the history of Islam and the interaction between Islam and the West. Lewis served as a soldier in the British Army in the Royal Armoured Corps and Intelligence Corps during the Second World War before being seconded to the Foreign Office.", "Lewis served as a soldier in the British Army in the Royal Armoured Corps and Intelligence Corps during the Second World War before being seconded to the Foreign Office. After the war, he returned to the School of Oriental and African Studies at the University of London and was appointed to the new chair in Near and Middle Eastern history. In 2007 Lewis was called \"the West's leading interpreter of the Middle East\".", "In 2007 Lewis was called \"the West's leading interpreter of the Middle East\". Others have argued Lewis's approach is essentialist and generalizing to the Muslim world, as well as his tendency to restate hypotheses that were challenged by more recent research. On a political level, Lewis is accused by his detractors with having revived the image of the cultural inferiority of Islam and of emphasizing the dangers of jihad. His advice was frequently sought by neoconservative policymakers, including the Bush administration.", "His advice was frequently sought by neoconservative policymakers, including the Bush administration. However, his active support of the Iraq War and neoconservative ideals have since come under scrutiny. Lewis was also notable for his public debates with Edward Said, who accused Lewis and other orientalists of misrepresenting Islam and serving the purposes of Western imperialist domination, to which Lewis responded by defending Orientalism as a facet of humanism and accusing Said of politicizing the subject. Furthermore, Lewis notoriously denied the Armenian genocide.", "Furthermore, Lewis notoriously denied the Armenian genocide. Furthermore, Lewis notoriously denied the Armenian genocide. He argued that the deaths of the mass killings resulted from a struggle between two nationalistic movements, claiming that there is no proof of intent by the Ottoman government to exterminate the Armenian nation. Family and personal life Bernard Lewis was born on 31 May 1916 to middle-class British Jewish parents, Harry Lewis and the former Jane Levy, in Stoke Newington, London. He became interested in languages and history while preparing for his bar mitzvah.", "He became interested in languages and history while preparing for his bar mitzvah. In 1947 he married Ruth Hélène Oppenhejm, with whom he had a daughter and a son. Their marriage was dissolved in 1974. Lewis became a naturalized citizen of the United States in 1982. Academic career In 1936, Lewis graduated from the School of Oriental Studies (now School of Oriental and African Studies, SOAS) at the University of London with a BA in history with special reference to the Near and Middle East.", "Academic career In 1936, Lewis graduated from the School of Oriental Studies (now School of Oriental and African Studies, SOAS) at the University of London with a BA in history with special reference to the Near and Middle East. He earned his PhD three years later, also from SOAS, specializing in the history of Islam. Lewis also studied law, going part of the way toward becoming a solicitor, but returned to study Middle Eastern history.", "Lewis also studied law, going part of the way toward becoming a solicitor, but returned to study Middle Eastern history. He undertook post-graduate studies at the University of Paris, where he studied with the orientalist Louis Massignon and earned the \"Diplôme des Études Sémitiques\" in 1937. He returned to SOAS in 1938 as an assistant lecturer in Islamic History.", "He returned to SOAS in 1938 as an assistant lecturer in Islamic History. During the Second World War, Lewis served in the British Army in the Royal Armoured Corps and as a Corporal in the Intelligence Corps in 1940–41 before being seconded to the Foreign Office. After the war, he returned to SOAS, where he would remain for the next 25 years. In 1949, at the age of 33, he was appointed to the new chair in Near and Middle Eastern History.", "In 1949, at the age of 33, he was appointed to the new chair in Near and Middle Eastern History. In 1963, Lewis was granted fellowship of the British Academy. In 1974, aged 57, Lewis accepted a joint position at Princeton University and the Institute for Advanced Study, also located in Princeton, New Jersey. The terms of his appointment were such that Lewis taught only one semester per year, and being free from administrative responsibilities, he could devote more time to research than previously.", "The terms of his appointment were such that Lewis taught only one semester per year, and being free from administrative responsibilities, he could devote more time to research than previously. Consequently, Lewis's arrival at Princeton marked the beginning of the most prolific period in his research career during which he published numerous books and articles based on previously accumulated materials. After retiring from Princeton in 1986, Lewis served at Cornell University until 1990.", "After retiring from Princeton in 1986, Lewis served at Cornell University until 1990. In 1966, Lewis was a founding member of the learned society, Middle East Studies Association of North America (MESA), but in 2007 he broke away and founded Association for the Study of the Middle East and Africa (ASMEA) to challenge MESA, which the New York Sun noted as \"dominated by academics who have been critical of Israel and of America's role in the Middle East\".", "In 1966, Lewis was a founding member of the learned society, Middle East Studies Association of North America (MESA), but in 2007 he broke away and founded Association for the Study of the Middle East and Africa (ASMEA) to challenge MESA, which the New York Sun noted as \"dominated by academics who have been critical of Israel and of America's role in the Middle East\". The organization was formed as an academic society dedicated to promoting high standards of research and teaching in Middle Eastern and African studies and other related fields, with Lewis as Chairman of its academic council.", "The organization was formed as an academic society dedicated to promoting high standards of research and teaching in Middle Eastern and African studies and other related fields, with Lewis as Chairman of its academic council. In 1990, the National Endowment for the Humanities selected Lewis for the Jefferson Lecture, the U.S. federal government's highest honor for achievement in the humanities. His lecture, entitled \"Western Civilization: A View from the East\", was revised and reprinted in The Atlantic Monthly under the title \"The Roots of Muslim Rage.\"", "His lecture, entitled \"Western Civilization: A View from the East\", was revised and reprinted in The Atlantic Monthly under the title \"The Roots of Muslim Rage.\" His 2007 Irving Kristol Lecture, given to the American Enterprise Institute, was published as Europe and Islam. Research Lewis's influence extends beyond academia to the general public. He began his research career with the study of medieval Arab, especially Syrian, history.", "He began his research career with the study of medieval Arab, especially Syrian, history. His first article, dedicated to professional guilds of medieval Islam, had been widely regarded as the most authoritative work on the subject for about thirty years. However, after the establishment of the state of Israel in 1948, scholars of Jewish origin found it more and more difficult to conduct archival and field research in Arab countries, where they were suspected of espionage.", "However, after the establishment of the state of Israel in 1948, scholars of Jewish origin found it more and more difficult to conduct archival and field research in Arab countries, where they were suspected of espionage. Therefore, Lewis switched to the study of the Ottoman Empire, while continuing to research Arab history through the Ottoman archives which had only recently been opened to Western researchers.", "Therefore, Lewis switched to the study of the Ottoman Empire, while continuing to research Arab history through the Ottoman archives which had only recently been opened to Western researchers. A series of articles that Lewis published over the next several years revolutionized the history of the Middle East by giving a broad picture of Islamic society, including its government, economy, and demographics.", "A series of articles that Lewis published over the next several years revolutionized the history of the Middle East by giving a broad picture of Islamic society, including its government, economy, and demographics. Lewis argued that the Middle East is currently backward and its decline was a largely self-inflicted condition resulting from both culture and religion, as opposed to the post-colonialist view which posits the problems of the region as economic and political maldevelopment mainly due to the 19th-century European colonization.", "Lewis argued that the Middle East is currently backward and its decline was a largely self-inflicted condition resulting from both culture and religion, as opposed to the post-colonialist view which posits the problems of the region as economic and political maldevelopment mainly due to the 19th-century European colonization. In his 1982 work Muslim Discovery of Europe, Lewis argues that Muslim societies could not keep pace with the West and that \"Crusader successes were due in no small part to Muslim weakness.\"", "In his 1982 work Muslim Discovery of Europe, Lewis argues that Muslim societies could not keep pace with the West and that \"Crusader successes were due in no small part to Muslim weakness.\" Further, he suggested that as early as the 11th century Islamic societies were decaying, primarily the byproduct of internal problems like \"cultural arrogance,\" which was a barrier to creative borrowing, rather than external pressures like the Crusades.", "Further, he suggested that as early as the 11th century Islamic societies were decaying, primarily the byproduct of internal problems like \"cultural arrogance,\" which was a barrier to creative borrowing, rather than external pressures like the Crusades. In the wake of Soviet and Arab attempts to delegitimize Israel as a racist country, Lewis wrote a study of anti-Semitism, Semites and Anti-Semites (1986).", "In the wake of Soviet and Arab attempts to delegitimize Israel as a racist country, Lewis wrote a study of anti-Semitism, Semites and Anti-Semites (1986). In other works he argued Arab rage against Israel was disproportionate to other tragedies or injustices in the Muslim world, such as the Soviet invasion of Afghanistan and control of Muslim-majority land in Central Asia, the bloody and destructive fighting during the Hama uprising in Syria (1982), the Algerian Civil War (1992–1998), and the Iran–Iraq War (1980–1988).", "In other works he argued Arab rage against Israel was disproportionate to other tragedies or injustices in the Muslim world, such as the Soviet invasion of Afghanistan and control of Muslim-majority land in Central Asia, the bloody and destructive fighting during the Hama uprising in Syria (1982), the Algerian Civil War (1992–1998), and the Iran–Iraq War (1980–1988). In addition to his scholarly works, Lewis wrote several influential books accessible to the general public: The Arabs in History (1950), The Middle East and the West (1964), and The Middle East (1995).", "In addition to his scholarly works, Lewis wrote several influential books accessible to the general public: The Arabs in History (1950), The Middle East and the West (1964), and The Middle East (1995). In the wake of the 11 September 2001 attacks, the interest in Lewis's work surged, especially his 1990 essay The Roots of Muslim Rage. Three of his books were published after 9/11: What Went Wrong?", "Three of his books were published after 9/11: What Went Wrong? (written before the attacks), which explored the reasons of the Muslim world's apprehension of (and sometimes outright hostility to) modernization; The Crisis of Islam; and Islam: The Religion and the People. Abraham Udovitch described him as \"certainly the most eminent and respected historian of the Arab world, of the Islamic world, of the Middle East and beyond\".", "Abraham Udovitch described him as \"certainly the most eminent and respected historian of the Arab world, of the Islamic world, of the Middle East and beyond\". Armenian genocide The first two editions of Lewis's The Emergence of Modern Turkey (1961 and 1968) describe the Armenian genocide as \"the terrible holocaust of 1915, when a million and a half Armenians perished\".", "Armenian genocide The first two editions of Lewis's The Emergence of Modern Turkey (1961 and 1968) describe the Armenian genocide as \"the terrible holocaust of 1915, when a million and a half Armenians perished\". In later editions, this text is altered to \"the terrible slaughter of 1915, when, according to estimates, more than a million Armenians perished, as well as an unknown number of Turks\".", "In later editions, this text is altered to \"the terrible slaughter of 1915, when, according to estimates, more than a million Armenians perished, as well as an unknown number of Turks\". In this passage, Lewis argues that the deaths were the result of a struggle for the same land between two competing nationalist movements.", "In this passage, Lewis argues that the deaths were the result of a struggle for the same land between two competing nationalist movements. The change in Lewis's textual description of the Armenian genocide and his signing of the petition against the Congressional resolution was controversial among some Armenian historians as well as journalists, who suggested that Lewis was engaging in historical revisionism to serve his own political and personal interests.", "The change in Lewis's textual description of the Armenian genocide and his signing of the petition against the Congressional resolution was controversial among some Armenian historians as well as journalists, who suggested that Lewis was engaging in historical revisionism to serve his own political and personal interests. Lewis called the label \"genocide\" the \"Armenian version of this history\" in a November 1993 interview with Le Monde, for which he faced a civil proceeding in a French court.", "Lewis called the label \"genocide\" the \"Armenian version of this history\" in a November 1993 interview with Le Monde, for which he faced a civil proceeding in a French court. In a subsequent exchange on the pages of Le Monde, Lewis wrote that while \"terrible atrocities\" did occur, \"there exists no serious proof of a decision and of a plan of the Ottoman government aiming to exterminate the Armenian nation\".", "In a subsequent exchange on the pages of Le Monde, Lewis wrote that while \"terrible atrocities\" did occur, \"there exists no serious proof of a decision and of a plan of the Ottoman government aiming to exterminate the Armenian nation\". He was ordered to pay one franc as damages for his statements on the Armenian genocide in Ottoman Turkey. Three other court cases against Bernard Lewis failed in the Paris tribunal, including one filed by the Armenian National Committee of France and two filed by Jacques Trémollet de Villers.", "Three other court cases against Bernard Lewis failed in the Paris tribunal, including one filed by the Armenian National Committee of France and two filed by Jacques Trémollet de Villers. Lewis's views on the Armenian genocide were criticized by a number of historians and sociologists, among them Alain Finkielkraut, Yves Ternon, Richard G. Hovannisian, Robert Melson, and Pierre Vidal-Naquet.<ref>{{cite book|last1=Finkelstein|first1=Norman G.|title=The Holocaust Industry: Reflections on the Exploitation of Jewish Suffering|date=2003|publisher=Verso|location=London|isbn=978-1859844885|page=69}}</ref> Lewis has argued for his denial stance that: Lewis has been labelled a \"genocide denier\" by Stephen Zunes, Israel Charny, David B. MacDonald and the Armenian National Committee of America.", "Lewis's views on the Armenian genocide were criticized by a number of historians and sociologists, among them Alain Finkielkraut, Yves Ternon, Richard G. Hovannisian, Robert Melson, and Pierre Vidal-Naquet.<ref>{{cite book|last1=Finkelstein|first1=Norman G.|title=The Holocaust Industry: Reflections on the Exploitation of Jewish Suffering|date=2003|publisher=Verso|location=London|isbn=978-1859844885|page=69}}</ref> Lewis has argued for his denial stance that: Lewis has been labelled a \"genocide denier\" by Stephen Zunes, Israel Charny, David B. MacDonald and the Armenian National Committee of America. Israeli historian Yair Auron suggested that \"Lewis' stature provided a lofty cover for the Turkish national agenda of obfuscating academic research on the Armenian Genocide\".", "Israeli historian Yair Auron suggested that \"Lewis' stature provided a lofty cover for the Turkish national agenda of obfuscating academic research on the Armenian Genocide\". Israel Charny wrote that Lewis's \"seemingly scholarly concern ... of Armenians constituting a threat to the Turks as a rebellious force who together with the Russians threatened the Ottoman Empire, and the insistence that only a policy of deportations was executed, barely conceal the fact that the organized deportations constituted systematic mass murder\".", "Israel Charny wrote that Lewis's \"seemingly scholarly concern ... of Armenians constituting a threat to the Turks as a rebellious force who together with the Russians threatened the Ottoman Empire, and the insistence that only a policy of deportations was executed, barely conceal the fact that the organized deportations constituted systematic mass murder\". Charny compares the \"logical structures\" employed by Lewis in his denial of the genocide to those employed by Ernst Nolte in his Holocaust negationism.", "Charny compares the \"logical structures\" employed by Lewis in his denial of the genocide to those employed by Ernst Nolte in his Holocaust negationism. Views and influence on contemporary politics In the mid-1960s, Lewis emerged as a commentator on the issues of the modern Middle East and his analysis of the Israeli–Palestinian conflict and the rise of militant Islam brought him publicity and aroused significant controversy. American historian Joel Beinin has called him \"perhaps the most articulate and learned Zionist advocate in the North American Middle East academic community\".", "American historian Joel Beinin has called him \"perhaps the most articulate and learned Zionist advocate in the North American Middle East academic community\". Lewis's policy advice has particular weight thanks to this scholarly authority. U.S. Vice President Dick Cheney remarked \"in this new century, his wisdom is sought daily by policymakers, diplomats, fellow academics, and the news media\". A harsh critic of the Soviet Union, Lewis continued the liberal tradition in Islamic historical studies.", "A harsh critic of the Soviet Union, Lewis continued the liberal tradition in Islamic historical studies. Although his early Marxist views had a bearing on his first book The Origins of Ismailism, Lewis subsequently discarded Marxism. His later works are a reaction against the left-wing current of Third-worldism which came to be a significant current in Middle Eastern studies.", "His later works are a reaction against the left-wing current of Third-worldism which came to be a significant current in Middle Eastern studies. During his career Lewis developed ties with governments around the world: during her time as Prime Minister of Israel, Golda Meir assigned Lewis's articles as reading to her cabinet members, and during the Presidency of George W. Bush, he advised administration members including Cheney, Donald Rumsfeld and Bush himself. He was also close to King Hussein of Jordan and his brother, Prince Hassan bin Talal.", "He was also close to King Hussein of Jordan and his brother, Prince Hassan bin Talal. He also had ties to the regime of Mohammad Reza Pahlavi, the last Shah of Iran, the Turkish military dictatorship led by Kenan Evren, and the Egyptian government of Anwar Sadat: he acted as a go-between between the Sadat administration and Israel in 1971 when he relayed a message to the Israeli government regarding the possibility of a peace agreement at the request of Sadat's spokesman Tahasin Bashir.", "He also had ties to the regime of Mohammad Reza Pahlavi, the last Shah of Iran, the Turkish military dictatorship led by Kenan Evren, and the Egyptian government of Anwar Sadat: he acted as a go-between between the Sadat administration and Israel in 1971 when he relayed a message to the Israeli government regarding the possibility of a peace agreement at the request of Sadat's spokesman Tahasin Bashir. Lewis advocated closer Western ties with Israel and Turkey, which he saw as especially important in light of the extension of the Soviet influence in the Middle East.", "Lewis advocated closer Western ties with Israel and Turkey, which he saw as especially important in light of the extension of the Soviet influence in the Middle East. Modern Turkey holds a special place in Lewis's view of the region due to the country's efforts to become a part of the West. He was an Honorary Fellow of the Institute of Turkish Studies, an honor which is given \"on the basis of generally recognized scholarly distinction and ... long and devoted service to the field of Turkish Studies.\"", "He was an Honorary Fellow of the Institute of Turkish Studies, an honor which is given \"on the basis of generally recognized scholarly distinction and ... long and devoted service to the field of Turkish Studies.\" Lewis views Christendom and Islam as civilizations that have been in perpetual collision since the advent of Islam in the 7th century. In his essay The Roots of Muslim Rage (1990), he argued that the struggle between the West and Islam was gathering strength.", "In his essay The Roots of Muslim Rage (1990), he argued that the struggle between the West and Islam was gathering strength. According to one source, this essay (and Lewis's 1990 Jefferson Lecture on which the article was based) first introduced the term \"Islamic fundamentalism\" to North America. This essay has been credited with coining the phrase \"clash of civilizations\", which received prominence in the eponymous book by Samuel Huntington.", "This essay has been credited with coining the phrase \"clash of civilizations\", which received prominence in the eponymous book by Samuel Huntington. However, another source indicates that Lewis first used the phrase \"clash of civilizations\" at a 1957 meeting in Washington where it was recorded in the transcript. In 1998, Lewis read in a London-based newspaper Al-Quds Al-Arabi a declaration of war on the United States by Osama bin Laden.", "In 1998, Lewis read in a London-based newspaper Al-Quds Al-Arabi a declaration of war on the United States by Osama bin Laden. In his essay \"A License to Kill\", Lewis indicated he considered bin Laden's language as the \"ideology of jihad\" and warned that bin Laden would be a danger to the West. The essay was published after the Clinton administration and the US intelligence community had begun its hunt for bin Laden in Sudan and then in Afghanistan.", "The essay was published after the Clinton administration and the US intelligence community had begun its hunt for bin Laden in Sudan and then in Afghanistan. Jihad Lewis writes of jihad as a distinct religious obligation, but suggests that it is a pity that people engaging in terrorist activities are not more aware of their own religion:The fanatical warrior offering his victims the choice of the Koran or the sword is not only untrue, it is impossible.", "Jihad Lewis writes of jihad as a distinct religious obligation, but suggests that it is a pity that people engaging in terrorist activities are not more aware of their own religion:The fanatical warrior offering his victims the choice of the Koran or the sword is not only untrue, it is impossible. The alleged choice - conversion or death - is also, with rare and atypical exceptions, untrue. Muslim tolerance of unbelievers and misbelievers was far better than anything available in Christendom until the rise of secularism in the 17th century.", "Muslim tolerance of unbelievers and misbelievers was far better than anything available in Christendom until the rise of secularism in the 17th century. Muslim fighters are commanded not to kill women, children, or the aged unless they attack first; not to torture or otherwise ill-treat prisoners; to give fair warnings of the opening of hostilities or their resumption after a truce; and to honor agreements. At no time did the classical jurists offer any approval or legitimacy to what we nowdays call terrorism.", "At no time did the classical jurists offer any approval or legitimacy to what we nowdays call terrorism. Nor indeed is there any evidence of the use of terrorism as it is practiced nowadays. The emergence of the by now widespread terrorism practice of suicide bombing is a development of the 20th century.", "The emergence of the by now widespread terrorism practice of suicide bombing is a development of the 20th century. It has no antecedents in Islamic history, and no justification in the terms of Islamic theology, law, or tradition.As'ad AbuKhalil, has criticized this view and stated: \"Methodologically, [Lewis] insists that terrorism by individual Muslims should be considered Islamic terrorism, while terrorism by individual Jews or Christians is never considered Jewish or Christian terrorism.\"", "It has no antecedents in Islamic history, and no justification in the terms of Islamic theology, law, or tradition.As'ad AbuKhalil, has criticized this view and stated: \"Methodologically, [Lewis] insists that terrorism by individual Muslims should be considered Islamic terrorism, while terrorism by individual Jews or Christians is never considered Jewish or Christian terrorism.\" He also criticised Lewis's understanding of Osama bin Laden, seeing Lewis's interpretation of bin Laden \"as some kind of influential Muslim theologian\" along the lines of classical theologians like Al-Ghazali, rather than \"the terrorist fanatic that he is\".", "He also criticised Lewis's understanding of Osama bin Laden, seeing Lewis's interpretation of bin Laden \"as some kind of influential Muslim theologian\" along the lines of classical theologians like Al-Ghazali, rather than \"the terrorist fanatic that he is\". AbuKhalil has also criticized the place of Islam in Lewis's worldview more generally, arguing that the most prominent feature of his work was its \"theologocentrism\" (borrowing a term from Maxime Rodinson) - that Lewis interprets all aspects of behavior among Muslims solely through the lens of Islamic theology, subsuming the study of Muslim peoples, their languages, the geographical areas where Muslims predominate, Islamic governments, the governments of Arab countries and Sharia under the label of \"Islam\".", "AbuKhalil has also criticized the place of Islam in Lewis's worldview more generally, arguing that the most prominent feature of his work was its \"theologocentrism\" (borrowing a term from Maxime Rodinson) - that Lewis interprets all aspects of behavior among Muslims solely through the lens of Islamic theology, subsuming the study of Muslim peoples, their languages, the geographical areas where Muslims predominate, Islamic governments, the governments of Arab countries and Sharia under the label of \"Islam\". Debates with Edward Said Lewis was known for his literary debates with Edward Said, the Palestinian American literary theorist whose aim was to deconstruct what he called Orientalist scholarship.", "Debates with Edward Said Lewis was known for his literary debates with Edward Said, the Palestinian American literary theorist whose aim was to deconstruct what he called Orientalist scholarship. Said, who was a professor at Columbia University, characterized Lewis's work as a prime example of Orientalism in his 1978 book Orientalism and in his later book Covering Islam: How the Media and the Experts Determine How We See the Rest of the World (1981).", "Said, who was a professor at Columbia University, characterized Lewis's work as a prime example of Orientalism in his 1978 book Orientalism and in his later book Covering Islam: How the Media and the Experts Determine How We See the Rest of the World (1981). Said asserted that the field of Orientalism was political intellectualism bent on self-affirmation rather than objective study, a form of racism, and a tool of imperialist domination.", "Said asserted that the field of Orientalism was political intellectualism bent on self-affirmation rather than objective study, a form of racism, and a tool of imperialist domination. He further questioned the scientific neutrality of some leading Middle East scholars, including Lewis, on the Arab World.", "He further questioned the scientific neutrality of some leading Middle East scholars, including Lewis, on the Arab World. In an interview with Al-Ahram weekly, Said suggested that Lewis's knowledge of the Middle East was so biased that it could not be taken seriously and claimed \"Bernard Lewis hasn't set foot in the Middle East, in the Arab world, for at least 40 years. He knows something about Turkey, I'm told, but he knows nothing about the Arab world.\"", "He knows something about Turkey, I'm told, but he knows nothing about the Arab world.\" Said considered that Lewis treats Islam as a monolithic entity without the nuance of its plurality, internal dynamics, and historical complexities, and accused him of \"demagogy and downright ignorance\".", "Said considered that Lewis treats Islam as a monolithic entity without the nuance of its plurality, internal dynamics, and historical complexities, and accused him of \"demagogy and downright ignorance\". In Covering Islam, Said argued that \"Lewis simply cannot deal with the diversity of Muslim, much less human life, because it is closed to him as something foreign, radically different, and other,\" and he criticised Lewis's \"inability to grant that the Islamic peoples are entitled to their own cultural, political, and historical practices, free from Lewis's calculated attempt to show that because they are not Western... they can't be good.\"", "In Covering Islam, Said argued that \"Lewis simply cannot deal with the diversity of Muslim, much less human life, because it is closed to him as something foreign, radically different, and other,\" and he criticised Lewis's \"inability to grant that the Islamic peoples are entitled to their own cultural, political, and historical practices, free from Lewis's calculated attempt to show that because they are not Western... they can't be good.\" Rejecting the view that Western scholarship was biased against the Middle East, Lewis responded that Orientalism developed as a facet of European humanism, independently of the past European imperial expansion.", "Rejecting the view that Western scholarship was biased against the Middle East, Lewis responded that Orientalism developed as a facet of European humanism, independently of the past European imperial expansion. He noted the French and English pursued the study of Islam in the 16th and 17th centuries, yet not in an organized way, but long before they had any control or hope of control in the Middle East; and that much of Orientalist study did nothing to advance the cause of imperialism.", "He noted the French and English pursued the study of Islam in the 16th and 17th centuries, yet not in an organized way, but long before they had any control or hope of control in the Middle East; and that much of Orientalist study did nothing to advance the cause of imperialism. In his 1993 book Islam and the West, Lewis wrote \"What imperial purpose was served by deciphering the ancient Egyptian language, for example, and then restoring to the Egyptians knowledge of and pride in their forgotten, ancient past?\"", "In his 1993 book Islam and the West, Lewis wrote \"What imperial purpose was served by deciphering the ancient Egyptian language, for example, and then restoring to the Egyptians knowledge of and pride in their forgotten, ancient past?\" Furthermore, Lewis accused Said of politicizing the scientific study of the Middle East (and Arabic studies in particular); neglecting to critique the scholarly findings of the Orientalists; and giving \"free rein\" to his biases.", "Furthermore, Lewis accused Said of politicizing the scientific study of the Middle East (and Arabic studies in particular); neglecting to critique the scholarly findings of the Orientalists; and giving \"free rein\" to his biases. Stance on the Iraq War In 2002, Lewis wrote an article for The Wall Street Journal regarding the buildup to the Iraq War entitled \"Time for Toppling\", where he stated his opinion that \"a regime change may well be dangerous, but sometimes the dangers of inaction are greater than those of action\".", "Stance on the Iraq War In 2002, Lewis wrote an article for The Wall Street Journal regarding the buildup to the Iraq War entitled \"Time for Toppling\", where he stated his opinion that \"a regime change may well be dangerous, but sometimes the dangers of inaction are greater than those of action\". In 2007, Jacob Weisberg described Lewis as \"perhaps the most significant intellectual influence behind the invasion of Iraq\".", "In 2007, Jacob Weisberg described Lewis as \"perhaps the most significant intellectual influence behind the invasion of Iraq\". Michael Hirsh attributed to Lewis the view that regime change in Iraq would provide a jolt that would \"modernize the Middle East\" and suggested that Lewis's allegedly 'orientalist' theories about \"what went wrong\" in the Middle East, and other writings, formed the intellectual basis of the push towards war in Iraq.", "Michael Hirsh attributed to Lewis the view that regime change in Iraq would provide a jolt that would \"modernize the Middle East\" and suggested that Lewis's allegedly 'orientalist' theories about \"what went wrong\" in the Middle East, and other writings, formed the intellectual basis of the push towards war in Iraq. Hirsch reported that Lewis had told him in an interview that he viewed the 11 September attacks as \"the opening salvo of the final battle\" between Western and Islamic civilisations: Lewis believed that a forceful response was necessary.", "Hirsch reported that Lewis had told him in an interview that he viewed the 11 September attacks as \"the opening salvo of the final battle\" between Western and Islamic civilisations: Lewis believed that a forceful response was necessary. In the run up to the Iraq War, he met with Vice President Dick Cheney several times: Hirsch quoted an unnamed official who was present at a number of these meetings, who summarised Lewis's view of Iraq as \"Get on with it. Don't dither\".", "Don't dither\". Don't dither\". Brent Scowcroft quoted Lewis as stating that he believed \"that one of the things you’ve got to do to Arabs is hit them between the eyes with a big stick. They respect power\". As'ad AbuKhalil has claimed that Lewis assured Cheney that American troops would be welcomed by Iraqis and Arabs, relying on the opinion of his colleague Fouad Ajami.", "As'ad AbuKhalil has claimed that Lewis assured Cheney that American troops would be welcomed by Iraqis and Arabs, relying on the opinion of his colleague Fouad Ajami. Hirsch also drew parallels between the Bush administration's plans for post-invasion Iraq and Lewis's views, in particular his admiration for Mustafa Kemal Atatürk's secularist and Westernising reforms in the new Republic of Turkey which emerged from the collapse of the Ottoman Empire. Writing in 2008, Lewis did not advocate imposing freedom and democracy on Islamic nations.", "Writing in 2008, Lewis did not advocate imposing freedom and democracy on Islamic nations. \"There are things you can't impose. Freedom, for example. Or democracy. Democracy is a very strong medicine which has to be administered to the patient in small, gradually increasing doses. Otherwise, you risk killing the patient. In the main, the Muslims have to do it themselves.\"", "In the main, the Muslims have to do it themselves.\" Ian Buruma, writing for The New Yorker in an article subtitled \"The two Minds of Bernard Lewis\", finds Lewis's stance on the war difficult to reconcile with Lewis's past statements cautioning democracy enforcement in the world at large.", "Ian Buruma, writing for The New Yorker in an article subtitled \"The two Minds of Bernard Lewis\", finds Lewis's stance on the war difficult to reconcile with Lewis's past statements cautioning democracy enforcement in the world at large. Buruma ultimately rejects suggestions by his peers that Lewis promotes war with Iraq to safeguard Israel, but instead concludes \"perhaps he loves it [the Arab world] too much\": Hamid Dabashi, writing on 28 May 2018, in an article subtitled \"On Bernard Lewis and 'his extraordinary capacity for getting everything wrong'\", asked: \"Just imagine: What sort of a person would spend a lifetime studying people he loathes?", "Buruma ultimately rejects suggestions by his peers that Lewis promotes war with Iraq to safeguard Israel, but instead concludes \"perhaps he loves it [the Arab world] too much\": Hamid Dabashi, writing on 28 May 2018, in an article subtitled \"On Bernard Lewis and 'his extraordinary capacity for getting everything wrong'\", asked: \"Just imagine: What sort of a person would spend a lifetime studying people he loathes? It is quite a bizarre proposition.", "It is quite a bizarre proposition. It is quite a bizarre proposition. But there you have it: the late Bernard Lewis did precisely that.\" Similarly, Richard Bulliet described Lewis as \"...a person who does not like the people he is purporting to have expertise about...he doesn’t respect them, he considers them to be good and worthy only to the degree they follow a Western path\".", "Similarly, Richard Bulliet described Lewis as \"...a person who does not like the people he is purporting to have expertise about...he doesn’t respect them, he considers them to be good and worthy only to the degree they follow a Western path\". According to As'ad AbuKhalil, \"Lewis has poisoned the Middle East academic field more than any other Orientalist and his influence has been both academic and political.", "According to As'ad AbuKhalil, \"Lewis has poisoned the Middle East academic field more than any other Orientalist and his influence has been both academic and political. But there is a new generation of Middle East experts in the West who now see clearly the political agenda of Bernard Lewis. It was fully exposed in the Bush years.\" Alleged nuclear threat from Iran In 2006, Lewis wrote that Iran had been working on a nuclear weapon for fifteen years.", "Alleged nuclear threat from Iran In 2006, Lewis wrote that Iran had been working on a nuclear weapon for fifteen years. In August 2006, in an article about whether the world can rely on the concept of mutual assured destruction as a deterrent in its dealings with Iran, Lewis wrote in The Wall Street Journal about the significance of 22 August 2006 in the Islamic calendar. The Iranian president had indicated he would respond by that date to U.S. demands regarding Iran's development of nuclear power.", "The Iranian president had indicated he would respond by that date to U.S. demands regarding Iran's development of nuclear power. Lewis wrote that the date corresponded to the 27th day of the month of Rajab of the year 1427, the day Muslims commemorate the night flight of Muhammad from Jerusalem to heaven and back. Lewis wrote that it would be \"an appropriate date for the apocalyptic ending of Israel and, if necessary, of the world\".", "Lewis wrote that it would be \"an appropriate date for the apocalyptic ending of Israel and, if necessary, of the world\". According to Lewis, mutual assured destruction is not an effective deterrent in the case of Iran, because of what Lewis describes as the Iranian leadership's \"apocalyptic worldview\" and the \"suicide or martyrdom complex that plagues parts of the Islamic world today\". Lewis's article received significant press coverage. However, the day passed without any incident.", "However, the day passed without any incident. However, the day passed without any incident. Death Bernard Lewis died on 19 May 2018 at the age of 101, at an assisted-living care facility in Voorhees Township, New Jersey, twelve days before his 102nd birthday. He is buried in Trumpeldor Cemetery in Tel Aviv.", "He is buried in Trumpeldor Cemetery in Tel Aviv. He is buried in Trumpeldor Cemetery in Tel Aviv. Bibliography Awards and honors 1963: Elected as a Fellow of the British Academy 1978: The Harvey Prize, from the Technion – Israel Institute of Technology, for \"his profound insight into the life and mores of the peoples of the Middle East through his writings\" 1983: Elected to the American Academy of Arts and Sciences 1990: Selected for the Jefferson Lecture by the National Endowment for the Humanities 1996: Finalist for the National Book Critics Circle Award in General Nonfiction, for The Middle East (Scribner) 1999: National Jewish Book Award in the Israel category for The Multiple Identities of the Middle East 2002: The Thomas Jefferson Medal, awarded by the American Philosophical Society 2002: Atatürk International Peace Prize on grounds that he contributed extensively to history scholarship with his accurate analysis of Turkey’s and in particular of Atatürk’s positive impact on Middle Eastern history.", "Bibliography Awards and honors 1963: Elected as a Fellow of the British Academy 1978: The Harvey Prize, from the Technion – Israel Institute of Technology, for \"his profound insight into the life and mores of the peoples of the Middle East through his writings\" 1983: Elected to the American Academy of Arts and Sciences 1990: Selected for the Jefferson Lecture by the National Endowment for the Humanities 1996: Finalist for the National Book Critics Circle Award in General Nonfiction, for The Middle East (Scribner) 1999: National Jewish Book Award in the Israel category for The Multiple Identities of the Middle East 2002: The Thomas Jefferson Medal, awarded by the American Philosophical Society 2002: Atatürk International Peace Prize on grounds that he contributed extensively to history scholarship with his accurate analysis of Turkey’s and in particular of Atatürk’s positive impact on Middle Eastern history. 2004: Golden Plate Award from the American Academy of Achievement 2006: National Humanities Medal, from the National Endowment for the Humanities 2007: Irving Kristol Award, from the American Enterprise Institute for Public Policy Research 2007: The Scholar-Statesman Award from The Washington Institute for Near East Policy See also Bernard Lewis bibliography List of Princeton University people References External links Lewis's page at Princeton University Revered and Reviled – Lewis's profile on Moment Magazine'' The Legacy and Fallacies of Bernard Lewis by As`ad AbuKhalil 1916 births 2018 deaths 20th-century American historians 20th-century British historians 20th-century British writers 21st-century American historians 21st-century American male writers 21st-century British historians 21st-century British writers Academics of SOAS University of London Alumni of SOAS University of London American centenarians American historians American male non-fiction writers American people of English-Jewish descent Deniers of the Armenian genocide British Army personnel of World War II English centenarians British emigrants to the United States English historians English Jews Fellows of the British Academy Historians of Islam Historians of the Ottoman Empire Honorary members of the Turkish Academy of Sciences Institute for Advanced Study visiting scholars Intelligence Corps soldiers Islam and antisemitism Islam and politics Jewish American historians Jewish scholars Jewish scholars of Islam Men centenarians Middle Eastern studies in the United States National Humanities Medal recipients Neoconservatism People from Stoke Newington British political commentators Princeton University faculty Royal Armoured Corps soldiers Scholars of antisemitism University of Paris alumni Cornell University faculty Foreign Policy Research Institute Historians of the Middle East Carnegie Council for Ethics in International Affairs Middle Eastern studies scholars Burials at Trumpeldor Cemetery 21st-century American Jews" ]

[ "Bernard Lewis", "Academic career", "Where did he go to school?", "University of London", "What did he study?", "graduated from the School of Oriental Studies", "Did he study anywhere else?", "He undertook post-graduate studies at the University of Paris," ]

[ "That Was Then This Is Now may refer to:\n\nThat Was Then, This Is Now, a 1971 novel by S. E. Hinton\nThat Was Then... This Is Now, a 1985 film based on Hinton's novel\nThat Was Then, This Is Now (radio series), a BBC Radio 2 comedy sketch series\n\nMusic \nThat Was Then, This Is Now (Tha Dogg Pound album), 2009\n\"That Was Then, This Is Now\" (The James Cleaver Quintet album), 2011\nThat Was Then This Is Now (Wain McFarlane album), 2001\nThat Was Then, This Is Now, Vol. 1 (1999) and That Was Then, This Is Now, Vol. 2 (2000), studio albums by American rapper Frost\nThat Was Then, This Is Now (Andy Timmons album), an album by Andy Timmons\n\"That Was Then, This Is Now\" (song), a 1986 song by The Mosquitos, also covered by The Monkees\nThat Was Then, This Is Now, an album by Chasen\nThat Was Then, This Is Now (Josh Wilson album), 2015\n\nSee also\n\"That Was Then but This Is Now\", a 1983 song by ABC\nIf Not Now Then When?, an album by Ethan Johns\nIf Not Now Then When, an album by The Motels\nIf Not Now, When? (disambiguation)", "When I Was Young may refer to:\n\"When I Was Young\" (song), a 1967 song by Eric Burdon and The Animals\n\"When I Was Young\", a traditional song arranged by Julie Driscoll performed with Brian Auger and the Trinity from the 1969 album Streetnoise\n\"When I Was Young\", a jazz composition by Dave Brubek from the 1956 album Brubeck Plays Brubeck\n\"When I Was Young\", a song by the Kingston Trio from the 1960 album String Along\n\"When I Was Young\", a song by Nada Surf from the 2012 album The Stars Are Indifferent to Astronomy\n\"When I Was Young\", a song Akron/Family from the 2013 album Sub Verses\n\"When I Was Young\", a 1991 single by the River City People\n\"When I Was Young\", a song by punk/alt-country band Lucero from the 2012 album Women & Work\nWhen I Was Young (EP), a 2017 EP by MØ\nWhen I Was Young (album), a 1997 album by Len Graham, Garry Ó Briain and Pádraigín Ní Uallacháin" ]

[ "Bernard Lewis, (31 May 1916 – 19 May 2018) was a British American historian specialized in Oriental studies. He was also known as a public intellectual and political commentator. Lewis was the Cleveland E. Dodge Professor Emeritus of Near Eastern Studies at Princeton University. Lewis's expertise was in the history of Islam and the interaction between Islam and the West. Lewis served as a soldier in the British Army in the Royal Armoured Corps and Intelligence Corps during the Second World War before being seconded to the Foreign Office.", "Lewis served as a soldier in the British Army in the Royal Armoured Corps and Intelligence Corps during the Second World War before being seconded to the Foreign Office. After the war, he returned to the School of Oriental and African Studies at the University of London and was appointed to the new chair in Near and Middle Eastern history. In 2007 Lewis was called \"the West's leading interpreter of the Middle East\".", "In 2007 Lewis was called \"the West's leading interpreter of the Middle East\". Others have argued Lewis's approach is essentialist and generalizing to the Muslim world, as well as his tendency to restate hypotheses that were challenged by more recent research. On a political level, Lewis is accused by his detractors with having revived the image of the cultural inferiority of Islam and of emphasizing the dangers of jihad. His advice was frequently sought by neoconservative policymakers, including the Bush administration.", "His advice was frequently sought by neoconservative policymakers, including the Bush administration. However, his active support of the Iraq War and neoconservative ideals have since come under scrutiny. Lewis was also notable for his public debates with Edward Said, who accused Lewis and other orientalists of misrepresenting Islam and serving the purposes of Western imperialist domination, to which Lewis responded by defending Orientalism as a facet of humanism and accusing Said of politicizing the subject. Furthermore, Lewis notoriously denied the Armenian genocide.", "Furthermore, Lewis notoriously denied the Armenian genocide. Furthermore, Lewis notoriously denied the Armenian genocide. He argued that the deaths of the mass killings resulted from a struggle between two nationalistic movements, claiming that there is no proof of intent by the Ottoman government to exterminate the Armenian nation. Family and personal life Bernard Lewis was born on 31 May 1916 to middle-class British Jewish parents, Harry Lewis and the former Jane Levy, in Stoke Newington, London. He became interested in languages and history while preparing for his bar mitzvah.", "He became interested in languages and history while preparing for his bar mitzvah. In 1947 he married Ruth Hélène Oppenhejm, with whom he had a daughter and a son. Their marriage was dissolved in 1974. Lewis became a naturalized citizen of the United States in 1982. Academic career In 1936, Lewis graduated from the School of Oriental Studies (now School of Oriental and African Studies, SOAS) at the University of London with a BA in history with special reference to the Near and Middle East.", "Academic career In 1936, Lewis graduated from the School of Oriental Studies (now School of Oriental and African Studies, SOAS) at the University of London with a BA in history with special reference to the Near and Middle East. He earned his PhD three years later, also from SOAS, specializing in the history of Islam. Lewis also studied law, going part of the way toward becoming a solicitor, but returned to study Middle Eastern history.", "Lewis also studied law, going part of the way toward becoming a solicitor, but returned to study Middle Eastern history. He undertook post-graduate studies at the University of Paris, where he studied with the orientalist Louis Massignon and earned the \"Diplôme des Études Sémitiques\" in 1937. He returned to SOAS in 1938 as an assistant lecturer in Islamic History.", "He returned to SOAS in 1938 as an assistant lecturer in Islamic History. During the Second World War, Lewis served in the British Army in the Royal Armoured Corps and as a Corporal in the Intelligence Corps in 1940–41 before being seconded to the Foreign Office. After the war, he returned to SOAS, where he would remain for the next 25 years. In 1949, at the age of 33, he was appointed to the new chair in Near and Middle Eastern History.", "In 1949, at the age of 33, he was appointed to the new chair in Near and Middle Eastern History. In 1963, Lewis was granted fellowship of the British Academy. In 1974, aged 57, Lewis accepted a joint position at Princeton University and the Institute for Advanced Study, also located in Princeton, New Jersey. The terms of his appointment were such that Lewis taught only one semester per year, and being free from administrative responsibilities, he could devote more time to research than previously.", "The terms of his appointment were such that Lewis taught only one semester per year, and being free from administrative responsibilities, he could devote more time to research than previously. Consequently, Lewis's arrival at Princeton marked the beginning of the most prolific period in his research career during which he published numerous books and articles based on previously accumulated materials. After retiring from Princeton in 1986, Lewis served at Cornell University until 1990.", "After retiring from Princeton in 1986, Lewis served at Cornell University until 1990. In 1966, Lewis was a founding member of the learned society, Middle East Studies Association of North America (MESA), but in 2007 he broke away and founded Association for the Study of the Middle East and Africa (ASMEA) to challenge MESA, which the New York Sun noted as \"dominated by academics who have been critical of Israel and of America's role in the Middle East\".", "In 1966, Lewis was a founding member of the learned society, Middle East Studies Association of North America (MESA), but in 2007 he broke away and founded Association for the Study of the Middle East and Africa (ASMEA) to challenge MESA, which the New York Sun noted as \"dominated by academics who have been critical of Israel and of America's role in the Middle East\". The organization was formed as an academic society dedicated to promoting high standards of research and teaching in Middle Eastern and African studies and other related fields, with Lewis as Chairman of its academic council.", "The organization was formed as an academic society dedicated to promoting high standards of research and teaching in Middle Eastern and African studies and other related fields, with Lewis as Chairman of its academic council. In 1990, the National Endowment for the Humanities selected Lewis for the Jefferson Lecture, the U.S. federal government's highest honor for achievement in the humanities. His lecture, entitled \"Western Civilization: A View from the East\", was revised and reprinted in The Atlantic Monthly under the title \"The Roots of Muslim Rage.\"", "His lecture, entitled \"Western Civilization: A View from the East\", was revised and reprinted in The Atlantic Monthly under the title \"The Roots of Muslim Rage.\" His 2007 Irving Kristol Lecture, given to the American Enterprise Institute, was published as Europe and Islam. Research Lewis's influence extends beyond academia to the general public. He began his research career with the study of medieval Arab, especially Syrian, history.", "He began his research career with the study of medieval Arab, especially Syrian, history. His first article, dedicated to professional guilds of medieval Islam, had been widely regarded as the most authoritative work on the subject for about thirty years. However, after the establishment of the state of Israel in 1948, scholars of Jewish origin found it more and more difficult to conduct archival and field research in Arab countries, where they were suspected of espionage.", "However, after the establishment of the state of Israel in 1948, scholars of Jewish origin found it more and more difficult to conduct archival and field research in Arab countries, where they were suspected of espionage. Therefore, Lewis switched to the study of the Ottoman Empire, while continuing to research Arab history through the Ottoman archives which had only recently been opened to Western researchers.", "Therefore, Lewis switched to the study of the Ottoman Empire, while continuing to research Arab history through the Ottoman archives which had only recently been opened to Western researchers. A series of articles that Lewis published over the next several years revolutionized the history of the Middle East by giving a broad picture of Islamic society, including its government, economy, and demographics.", "A series of articles that Lewis published over the next several years revolutionized the history of the Middle East by giving a broad picture of Islamic society, including its government, economy, and demographics. Lewis argued that the Middle East is currently backward and its decline was a largely self-inflicted condition resulting from both culture and religion, as opposed to the post-colonialist view which posits the problems of the region as economic and political maldevelopment mainly due to the 19th-century European colonization.", "Lewis argued that the Middle East is currently backward and its decline was a largely self-inflicted condition resulting from both culture and religion, as opposed to the post-colonialist view which posits the problems of the region as economic and political maldevelopment mainly due to the 19th-century European colonization. In his 1982 work Muslim Discovery of Europe, Lewis argues that Muslim societies could not keep pace with the West and that \"Crusader successes were due in no small part to Muslim weakness.\"", "In his 1982 work Muslim Discovery of Europe, Lewis argues that Muslim societies could not keep pace with the West and that \"Crusader successes were due in no small part to Muslim weakness.\" Further, he suggested that as early as the 11th century Islamic societies were decaying, primarily the byproduct of internal problems like \"cultural arrogance,\" which was a barrier to creative borrowing, rather than external pressures like the Crusades.", "Further, he suggested that as early as the 11th century Islamic societies were decaying, primarily the byproduct of internal problems like \"cultural arrogance,\" which was a barrier to creative borrowing, rather than external pressures like the Crusades. In the wake of Soviet and Arab attempts to delegitimize Israel as a racist country, Lewis wrote a study of anti-Semitism, Semites and Anti-Semites (1986).", "In the wake of Soviet and Arab attempts to delegitimize Israel as a racist country, Lewis wrote a study of anti-Semitism, Semites and Anti-Semites (1986). In other works he argued Arab rage against Israel was disproportionate to other tragedies or injustices in the Muslim world, such as the Soviet invasion of Afghanistan and control of Muslim-majority land in Central Asia, the bloody and destructive fighting during the Hama uprising in Syria (1982), the Algerian Civil War (1992–1998), and the Iran–Iraq War (1980–1988).", "In other works he argued Arab rage against Israel was disproportionate to other tragedies or injustices in the Muslim world, such as the Soviet invasion of Afghanistan and control of Muslim-majority land in Central Asia, the bloody and destructive fighting during the Hama uprising in Syria (1982), the Algerian Civil War (1992–1998), and the Iran–Iraq War (1980–1988). In addition to his scholarly works, Lewis wrote several influential books accessible to the general public: The Arabs in History (1950), The Middle East and the West (1964), and The Middle East (1995).", "In addition to his scholarly works, Lewis wrote several influential books accessible to the general public: The Arabs in History (1950), The Middle East and the West (1964), and The Middle East (1995). In the wake of the 11 September 2001 attacks, the interest in Lewis's work surged, especially his 1990 essay The Roots of Muslim Rage. Three of his books were published after 9/11: What Went Wrong?", "Three of his books were published after 9/11: What Went Wrong? (written before the attacks), which explored the reasons of the Muslim world's apprehension of (and sometimes outright hostility to) modernization; The Crisis of Islam; and Islam: The Religion and the People. Abraham Udovitch described him as \"certainly the most eminent and respected historian of the Arab world, of the Islamic world, of the Middle East and beyond\".", "Abraham Udovitch described him as \"certainly the most eminent and respected historian of the Arab world, of the Islamic world, of the Middle East and beyond\". Armenian genocide The first two editions of Lewis's The Emergence of Modern Turkey (1961 and 1968) describe the Armenian genocide as \"the terrible holocaust of 1915, when a million and a half Armenians perished\".", "Armenian genocide The first two editions of Lewis's The Emergence of Modern Turkey (1961 and 1968) describe the Armenian genocide as \"the terrible holocaust of 1915, when a million and a half Armenians perished\". In later editions, this text is altered to \"the terrible slaughter of 1915, when, according to estimates, more than a million Armenians perished, as well as an unknown number of Turks\".", "In later editions, this text is altered to \"the terrible slaughter of 1915, when, according to estimates, more than a million Armenians perished, as well as an unknown number of Turks\". In this passage, Lewis argues that the deaths were the result of a struggle for the same land between two competing nationalist movements.", "In this passage, Lewis argues that the deaths were the result of a struggle for the same land between two competing nationalist movements. The change in Lewis's textual description of the Armenian genocide and his signing of the petition against the Congressional resolution was controversial among some Armenian historians as well as journalists, who suggested that Lewis was engaging in historical revisionism to serve his own political and personal interests.", "The change in Lewis's textual description of the Armenian genocide and his signing of the petition against the Congressional resolution was controversial among some Armenian historians as well as journalists, who suggested that Lewis was engaging in historical revisionism to serve his own political and personal interests. Lewis called the label \"genocide\" the \"Armenian version of this history\" in a November 1993 interview with Le Monde, for which he faced a civil proceeding in a French court.", "Lewis called the label \"genocide\" the \"Armenian version of this history\" in a November 1993 interview with Le Monde, for which he faced a civil proceeding in a French court. In a subsequent exchange on the pages of Le Monde, Lewis wrote that while \"terrible atrocities\" did occur, \"there exists no serious proof of a decision and of a plan of the Ottoman government aiming to exterminate the Armenian nation\".", "In a subsequent exchange on the pages of Le Monde, Lewis wrote that while \"terrible atrocities\" did occur, \"there exists no serious proof of a decision and of a plan of the Ottoman government aiming to exterminate the Armenian nation\". He was ordered to pay one franc as damages for his statements on the Armenian genocide in Ottoman Turkey. Three other court cases against Bernard Lewis failed in the Paris tribunal, including one filed by the Armenian National Committee of France and two filed by Jacques Trémollet de Villers.", "Three other court cases against Bernard Lewis failed in the Paris tribunal, including one filed by the Armenian National Committee of France and two filed by Jacques Trémollet de Villers. Lewis's views on the Armenian genocide were criticized by a number of historians and sociologists, among them Alain Finkielkraut, Yves Ternon, Richard G. Hovannisian, Robert Melson, and Pierre Vidal-Naquet.<ref>{{cite book|last1=Finkelstein|first1=Norman G.|title=The Holocaust Industry: Reflections on the Exploitation of Jewish Suffering|date=2003|publisher=Verso|location=London|isbn=978-1859844885|page=69}}</ref> Lewis has argued for his denial stance that: Lewis has been labelled a \"genocide denier\" by Stephen Zunes, Israel Charny, David B. MacDonald and the Armenian National Committee of America.", "Lewis's views on the Armenian genocide were criticized by a number of historians and sociologists, among them Alain Finkielkraut, Yves Ternon, Richard G. Hovannisian, Robert Melson, and Pierre Vidal-Naquet.<ref>{{cite book|last1=Finkelstein|first1=Norman G.|title=The Holocaust Industry: Reflections on the Exploitation of Jewish Suffering|date=2003|publisher=Verso|location=London|isbn=978-1859844885|page=69}}</ref> Lewis has argued for his denial stance that: Lewis has been labelled a \"genocide denier\" by Stephen Zunes, Israel Charny, David B. MacDonald and the Armenian National Committee of America. Israeli historian Yair Auron suggested that \"Lewis' stature provided a lofty cover for the Turkish national agenda of obfuscating academic research on the Armenian Genocide\".", "Israeli historian Yair Auron suggested that \"Lewis' stature provided a lofty cover for the Turkish national agenda of obfuscating academic research on the Armenian Genocide\". Israel Charny wrote that Lewis's \"seemingly scholarly concern ... of Armenians constituting a threat to the Turks as a rebellious force who together with the Russians threatened the Ottoman Empire, and the insistence that only a policy of deportations was executed, barely conceal the fact that the organized deportations constituted systematic mass murder\".", "Israel Charny wrote that Lewis's \"seemingly scholarly concern ... of Armenians constituting a threat to the Turks as a rebellious force who together with the Russians threatened the Ottoman Empire, and the insistence that only a policy of deportations was executed, barely conceal the fact that the organized deportations constituted systematic mass murder\". Charny compares the \"logical structures\" employed by Lewis in his denial of the genocide to those employed by Ernst Nolte in his Holocaust negationism.", "Charny compares the \"logical structures\" employed by Lewis in his denial of the genocide to those employed by Ernst Nolte in his Holocaust negationism. Views and influence on contemporary politics In the mid-1960s, Lewis emerged as a commentator on the issues of the modern Middle East and his analysis of the Israeli–Palestinian conflict and the rise of militant Islam brought him publicity and aroused significant controversy. American historian Joel Beinin has called him \"perhaps the most articulate and learned Zionist advocate in the North American Middle East academic community\".", "American historian Joel Beinin has called him \"perhaps the most articulate and learned Zionist advocate in the North American Middle East academic community\". Lewis's policy advice has particular weight thanks to this scholarly authority. U.S. Vice President Dick Cheney remarked \"in this new century, his wisdom is sought daily by policymakers, diplomats, fellow academics, and the news media\". A harsh critic of the Soviet Union, Lewis continued the liberal tradition in Islamic historical studies.", "A harsh critic of the Soviet Union, Lewis continued the liberal tradition in Islamic historical studies. Although his early Marxist views had a bearing on his first book The Origins of Ismailism, Lewis subsequently discarded Marxism. His later works are a reaction against the left-wing current of Third-worldism which came to be a significant current in Middle Eastern studies.", "His later works are a reaction against the left-wing current of Third-worldism which came to be a significant current in Middle Eastern studies. During his career Lewis developed ties with governments around the world: during her time as Prime Minister of Israel, Golda Meir assigned Lewis's articles as reading to her cabinet members, and during the Presidency of George W. Bush, he advised administration members including Cheney, Donald Rumsfeld and Bush himself. He was also close to King Hussein of Jordan and his brother, Prince Hassan bin Talal.", "He was also close to King Hussein of Jordan and his brother, Prince Hassan bin Talal. He also had ties to the regime of Mohammad Reza Pahlavi, the last Shah of Iran, the Turkish military dictatorship led by Kenan Evren, and the Egyptian government of Anwar Sadat: he acted as a go-between between the Sadat administration and Israel in 1971 when he relayed a message to the Israeli government regarding the possibility of a peace agreement at the request of Sadat's spokesman Tahasin Bashir.", "He also had ties to the regime of Mohammad Reza Pahlavi, the last Shah of Iran, the Turkish military dictatorship led by Kenan Evren, and the Egyptian government of Anwar Sadat: he acted as a go-between between the Sadat administration and Israel in 1971 when he relayed a message to the Israeli government regarding the possibility of a peace agreement at the request of Sadat's spokesman Tahasin Bashir. Lewis advocated closer Western ties with Israel and Turkey, which he saw as especially important in light of the extension of the Soviet influence in the Middle East.", "Lewis advocated closer Western ties with Israel and Turkey, which he saw as especially important in light of the extension of the Soviet influence in the Middle East. Modern Turkey holds a special place in Lewis's view of the region due to the country's efforts to become a part of the West. He was an Honorary Fellow of the Institute of Turkish Studies, an honor which is given \"on the basis of generally recognized scholarly distinction and ... long and devoted service to the field of Turkish Studies.\"", "He was an Honorary Fellow of the Institute of Turkish Studies, an honor which is given \"on the basis of generally recognized scholarly distinction and ... long and devoted service to the field of Turkish Studies.\" Lewis views Christendom and Islam as civilizations that have been in perpetual collision since the advent of Islam in the 7th century. In his essay The Roots of Muslim Rage (1990), he argued that the struggle between the West and Islam was gathering strength.", "In his essay The Roots of Muslim Rage (1990), he argued that the struggle between the West and Islam was gathering strength. According to one source, this essay (and Lewis's 1990 Jefferson Lecture on which the article was based) first introduced the term \"Islamic fundamentalism\" to North America. This essay has been credited with coining the phrase \"clash of civilizations\", which received prominence in the eponymous book by Samuel Huntington.", "This essay has been credited with coining the phrase \"clash of civilizations\", which received prominence in the eponymous book by Samuel Huntington. However, another source indicates that Lewis first used the phrase \"clash of civilizations\" at a 1957 meeting in Washington where it was recorded in the transcript. In 1998, Lewis read in a London-based newspaper Al-Quds Al-Arabi a declaration of war on the United States by Osama bin Laden.", "In 1998, Lewis read in a London-based newspaper Al-Quds Al-Arabi a declaration of war on the United States by Osama bin Laden. In his essay \"A License to Kill\", Lewis indicated he considered bin Laden's language as the \"ideology of jihad\" and warned that bin Laden would be a danger to the West. The essay was published after the Clinton administration and the US intelligence community had begun its hunt for bin Laden in Sudan and then in Afghanistan.", "The essay was published after the Clinton administration and the US intelligence community had begun its hunt for bin Laden in Sudan and then in Afghanistan. Jihad Lewis writes of jihad as a distinct religious obligation, but suggests that it is a pity that people engaging in terrorist activities are not more aware of their own religion:The fanatical warrior offering his victims the choice of the Koran or the sword is not only untrue, it is impossible.", "Jihad Lewis writes of jihad as a distinct religious obligation, but suggests that it is a pity that people engaging in terrorist activities are not more aware of their own religion:The fanatical warrior offering his victims the choice of the Koran or the sword is not only untrue, it is impossible. The alleged choice - conversion or death - is also, with rare and atypical exceptions, untrue. Muslim tolerance of unbelievers and misbelievers was far better than anything available in Christendom until the rise of secularism in the 17th century.", "Muslim tolerance of unbelievers and misbelievers was far better than anything available in Christendom until the rise of secularism in the 17th century. Muslim fighters are commanded not to kill women, children, or the aged unless they attack first; not to torture or otherwise ill-treat prisoners; to give fair warnings of the opening of hostilities or their resumption after a truce; and to honor agreements. At no time did the classical jurists offer any approval or legitimacy to what we nowdays call terrorism.", "At no time did the classical jurists offer any approval or legitimacy to what we nowdays call terrorism. Nor indeed is there any evidence of the use of terrorism as it is practiced nowadays. The emergence of the by now widespread terrorism practice of suicide bombing is a development of the 20th century.", "The emergence of the by now widespread terrorism practice of suicide bombing is a development of the 20th century. It has no antecedents in Islamic history, and no justification in the terms of Islamic theology, law, or tradition.As'ad AbuKhalil, has criticized this view and stated: \"Methodologically, [Lewis] insists that terrorism by individual Muslims should be considered Islamic terrorism, while terrorism by individual Jews or Christians is never considered Jewish or Christian terrorism.\"", "It has no antecedents in Islamic history, and no justification in the terms of Islamic theology, law, or tradition.As'ad AbuKhalil, has criticized this view and stated: \"Methodologically, [Lewis] insists that terrorism by individual Muslims should be considered Islamic terrorism, while terrorism by individual Jews or Christians is never considered Jewish or Christian terrorism.\" He also criticised Lewis's understanding of Osama bin Laden, seeing Lewis's interpretation of bin Laden \"as some kind of influential Muslim theologian\" along the lines of classical theologians like Al-Ghazali, rather than \"the terrorist fanatic that he is\".", "He also criticised Lewis's understanding of Osama bin Laden, seeing Lewis's interpretation of bin Laden \"as some kind of influential Muslim theologian\" along the lines of classical theologians like Al-Ghazali, rather than \"the terrorist fanatic that he is\". AbuKhalil has also criticized the place of Islam in Lewis's worldview more generally, arguing that the most prominent feature of his work was its \"theologocentrism\" (borrowing a term from Maxime Rodinson) - that Lewis interprets all aspects of behavior among Muslims solely through the lens of Islamic theology, subsuming the study of Muslim peoples, their languages, the geographical areas where Muslims predominate, Islamic governments, the governments of Arab countries and Sharia under the label of \"Islam\".", "AbuKhalil has also criticized the place of Islam in Lewis's worldview more generally, arguing that the most prominent feature of his work was its \"theologocentrism\" (borrowing a term from Maxime Rodinson) - that Lewis interprets all aspects of behavior among Muslims solely through the lens of Islamic theology, subsuming the study of Muslim peoples, their languages, the geographical areas where Muslims predominate, Islamic governments, the governments of Arab countries and Sharia under the label of \"Islam\". Debates with Edward Said Lewis was known for his literary debates with Edward Said, the Palestinian American literary theorist whose aim was to deconstruct what he called Orientalist scholarship.", "Debates with Edward Said Lewis was known for his literary debates with Edward Said, the Palestinian American literary theorist whose aim was to deconstruct what he called Orientalist scholarship. Said, who was a professor at Columbia University, characterized Lewis's work as a prime example of Orientalism in his 1978 book Orientalism and in his later book Covering Islam: How the Media and the Experts Determine How We See the Rest of the World (1981).", "Said, who was a professor at Columbia University, characterized Lewis's work as a prime example of Orientalism in his 1978 book Orientalism and in his later book Covering Islam: How the Media and the Experts Determine How We See the Rest of the World (1981). Said asserted that the field of Orientalism was political intellectualism bent on self-affirmation rather than objective study, a form of racism, and a tool of imperialist domination.", "Said asserted that the field of Orientalism was political intellectualism bent on self-affirmation rather than objective study, a form of racism, and a tool of imperialist domination. He further questioned the scientific neutrality of some leading Middle East scholars, including Lewis, on the Arab World.", "He further questioned the scientific neutrality of some leading Middle East scholars, including Lewis, on the Arab World. In an interview with Al-Ahram weekly, Said suggested that Lewis's knowledge of the Middle East was so biased that it could not be taken seriously and claimed \"Bernard Lewis hasn't set foot in the Middle East, in the Arab world, for at least 40 years. He knows something about Turkey, I'm told, but he knows nothing about the Arab world.\"", "He knows something about Turkey, I'm told, but he knows nothing about the Arab world.\" Said considered that Lewis treats Islam as a monolithic entity without the nuance of its plurality, internal dynamics, and historical complexities, and accused him of \"demagogy and downright ignorance\".", "Said considered that Lewis treats Islam as a monolithic entity without the nuance of its plurality, internal dynamics, and historical complexities, and accused him of \"demagogy and downright ignorance\". In Covering Islam, Said argued that \"Lewis simply cannot deal with the diversity of Muslim, much less human life, because it is closed to him as something foreign, radically different, and other,\" and he criticised Lewis's \"inability to grant that the Islamic peoples are entitled to their own cultural, political, and historical practices, free from Lewis's calculated attempt to show that because they are not Western... they can't be good.\"", "In Covering Islam, Said argued that \"Lewis simply cannot deal with the diversity of Muslim, much less human life, because it is closed to him as something foreign, radically different, and other,\" and he criticised Lewis's \"inability to grant that the Islamic peoples are entitled to their own cultural, political, and historical practices, free from Lewis's calculated attempt to show that because they are not Western... they can't be good.\" Rejecting the view that Western scholarship was biased against the Middle East, Lewis responded that Orientalism developed as a facet of European humanism, independently of the past European imperial expansion.", "Rejecting the view that Western scholarship was biased against the Middle East, Lewis responded that Orientalism developed as a facet of European humanism, independently of the past European imperial expansion. He noted the French and English pursued the study of Islam in the 16th and 17th centuries, yet not in an organized way, but long before they had any control or hope of control in the Middle East; and that much of Orientalist study did nothing to advance the cause of imperialism.", "He noted the French and English pursued the study of Islam in the 16th and 17th centuries, yet not in an organized way, but long before they had any control or hope of control in the Middle East; and that much of Orientalist study did nothing to advance the cause of imperialism. In his 1993 book Islam and the West, Lewis wrote \"What imperial purpose was served by deciphering the ancient Egyptian language, for example, and then restoring to the Egyptians knowledge of and pride in their forgotten, ancient past?\"", "In his 1993 book Islam and the West, Lewis wrote \"What imperial purpose was served by deciphering the ancient Egyptian language, for example, and then restoring to the Egyptians knowledge of and pride in their forgotten, ancient past?\" Furthermore, Lewis accused Said of politicizing the scientific study of the Middle East (and Arabic studies in particular); neglecting to critique the scholarly findings of the Orientalists; and giving \"free rein\" to his biases.", "Furthermore, Lewis accused Said of politicizing the scientific study of the Middle East (and Arabic studies in particular); neglecting to critique the scholarly findings of the Orientalists; and giving \"free rein\" to his biases. Stance on the Iraq War In 2002, Lewis wrote an article for The Wall Street Journal regarding the buildup to the Iraq War entitled \"Time for Toppling\", where he stated his opinion that \"a regime change may well be dangerous, but sometimes the dangers of inaction are greater than those of action\".", "Stance on the Iraq War In 2002, Lewis wrote an article for The Wall Street Journal regarding the buildup to the Iraq War entitled \"Time for Toppling\", where he stated his opinion that \"a regime change may well be dangerous, but sometimes the dangers of inaction are greater than those of action\". In 2007, Jacob Weisberg described Lewis as \"perhaps the most significant intellectual influence behind the invasion of Iraq\".", "In 2007, Jacob Weisberg described Lewis as \"perhaps the most significant intellectual influence behind the invasion of Iraq\". Michael Hirsh attributed to Lewis the view that regime change in Iraq would provide a jolt that would \"modernize the Middle East\" and suggested that Lewis's allegedly 'orientalist' theories about \"what went wrong\" in the Middle East, and other writings, formed the intellectual basis of the push towards war in Iraq.", "Michael Hirsh attributed to Lewis the view that regime change in Iraq would provide a jolt that would \"modernize the Middle East\" and suggested that Lewis's allegedly 'orientalist' theories about \"what went wrong\" in the Middle East, and other writings, formed the intellectual basis of the push towards war in Iraq. Hirsch reported that Lewis had told him in an interview that he viewed the 11 September attacks as \"the opening salvo of the final battle\" between Western and Islamic civilisations: Lewis believed that a forceful response was necessary.", "Hirsch reported that Lewis had told him in an interview that he viewed the 11 September attacks as \"the opening salvo of the final battle\" between Western and Islamic civilisations: Lewis believed that a forceful response was necessary. In the run up to the Iraq War, he met with Vice President Dick Cheney several times: Hirsch quoted an unnamed official who was present at a number of these meetings, who summarised Lewis's view of Iraq as \"Get on with it. Don't dither\".", "Don't dither\". Don't dither\". Brent Scowcroft quoted Lewis as stating that he believed \"that one of the things you’ve got to do to Arabs is hit them between the eyes with a big stick. They respect power\". As'ad AbuKhalil has claimed that Lewis assured Cheney that American troops would be welcomed by Iraqis and Arabs, relying on the opinion of his colleague Fouad Ajami.", "As'ad AbuKhalil has claimed that Lewis assured Cheney that American troops would be welcomed by Iraqis and Arabs, relying on the opinion of his colleague Fouad Ajami. Hirsch also drew parallels between the Bush administration's plans for post-invasion Iraq and Lewis's views, in particular his admiration for Mustafa Kemal Atatürk's secularist and Westernising reforms in the new Republic of Turkey which emerged from the collapse of the Ottoman Empire. Writing in 2008, Lewis did not advocate imposing freedom and democracy on Islamic nations.", "Writing in 2008, Lewis did not advocate imposing freedom and democracy on Islamic nations. \"There are things you can't impose. Freedom, for example. Or democracy. Democracy is a very strong medicine which has to be administered to the patient in small, gradually increasing doses. Otherwise, you risk killing the patient. In the main, the Muslims have to do it themselves.\"", "In the main, the Muslims have to do it themselves.\" Ian Buruma, writing for The New Yorker in an article subtitled \"The two Minds of Bernard Lewis\", finds Lewis's stance on the war difficult to reconcile with Lewis's past statements cautioning democracy enforcement in the world at large.", "Ian Buruma, writing for The New Yorker in an article subtitled \"The two Minds of Bernard Lewis\", finds Lewis's stance on the war difficult to reconcile with Lewis's past statements cautioning democracy enforcement in the world at large. Buruma ultimately rejects suggestions by his peers that Lewis promotes war with Iraq to safeguard Israel, but instead concludes \"perhaps he loves it [the Arab world] too much\": Hamid Dabashi, writing on 28 May 2018, in an article subtitled \"On Bernard Lewis and 'his extraordinary capacity for getting everything wrong'\", asked: \"Just imagine: What sort of a person would spend a lifetime studying people he loathes?", "Buruma ultimately rejects suggestions by his peers that Lewis promotes war with Iraq to safeguard Israel, but instead concludes \"perhaps he loves it [the Arab world] too much\": Hamid Dabashi, writing on 28 May 2018, in an article subtitled \"On Bernard Lewis and 'his extraordinary capacity for getting everything wrong'\", asked: \"Just imagine: What sort of a person would spend a lifetime studying people he loathes? It is quite a bizarre proposition.", "It is quite a bizarre proposition. It is quite a bizarre proposition. But there you have it: the late Bernard Lewis did precisely that.\" Similarly, Richard Bulliet described Lewis as \"...a person who does not like the people he is purporting to have expertise about...he doesn’t respect them, he considers them to be good and worthy only to the degree they follow a Western path\".", "Similarly, Richard Bulliet described Lewis as \"...a person who does not like the people he is purporting to have expertise about...he doesn’t respect them, he considers them to be good and worthy only to the degree they follow a Western path\". According to As'ad AbuKhalil, \"Lewis has poisoned the Middle East academic field more than any other Orientalist and his influence has been both academic and political.", "According to As'ad AbuKhalil, \"Lewis has poisoned the Middle East academic field more than any other Orientalist and his influence has been both academic and political. But there is a new generation of Middle East experts in the West who now see clearly the political agenda of Bernard Lewis. It was fully exposed in the Bush years.\" Alleged nuclear threat from Iran In 2006, Lewis wrote that Iran had been working on a nuclear weapon for fifteen years.", "Alleged nuclear threat from Iran In 2006, Lewis wrote that Iran had been working on a nuclear weapon for fifteen years. In August 2006, in an article about whether the world can rely on the concept of mutual assured destruction as a deterrent in its dealings with Iran, Lewis wrote in The Wall Street Journal about the significance of 22 August 2006 in the Islamic calendar. The Iranian president had indicated he would respond by that date to U.S. demands regarding Iran's development of nuclear power.", "The Iranian president had indicated he would respond by that date to U.S. demands regarding Iran's development of nuclear power. Lewis wrote that the date corresponded to the 27th day of the month of Rajab of the year 1427, the day Muslims commemorate the night flight of Muhammad from Jerusalem to heaven and back. Lewis wrote that it would be \"an appropriate date for the apocalyptic ending of Israel and, if necessary, of the world\".", "Lewis wrote that it would be \"an appropriate date for the apocalyptic ending of Israel and, if necessary, of the world\". According to Lewis, mutual assured destruction is not an effective deterrent in the case of Iran, because of what Lewis describes as the Iranian leadership's \"apocalyptic worldview\" and the \"suicide or martyrdom complex that plagues parts of the Islamic world today\". Lewis's article received significant press coverage. However, the day passed without any incident.", "However, the day passed without any incident. However, the day passed without any incident. Death Bernard Lewis died on 19 May 2018 at the age of 101, at an assisted-living care facility in Voorhees Township, New Jersey, twelve days before his 102nd birthday. He is buried in Trumpeldor Cemetery in Tel Aviv.", "He is buried in Trumpeldor Cemetery in Tel Aviv. He is buried in Trumpeldor Cemetery in Tel Aviv. Bibliography Awards and honors 1963: Elected as a Fellow of the British Academy 1978: The Harvey Prize, from the Technion – Israel Institute of Technology, for \"his profound insight into the life and mores of the peoples of the Middle East through his writings\" 1983: Elected to the American Academy of Arts and Sciences 1990: Selected for the Jefferson Lecture by the National Endowment for the Humanities 1996: Finalist for the National Book Critics Circle Award in General Nonfiction, for The Middle East (Scribner) 1999: National Jewish Book Award in the Israel category for The Multiple Identities of the Middle East 2002: The Thomas Jefferson Medal, awarded by the American Philosophical Society 2002: Atatürk International Peace Prize on grounds that he contributed extensively to history scholarship with his accurate analysis of Turkey’s and in particular of Atatürk’s positive impact on Middle Eastern history.", "Bibliography Awards and honors 1963: Elected as a Fellow of the British Academy 1978: The Harvey Prize, from the Technion – Israel Institute of Technology, for \"his profound insight into the life and mores of the peoples of the Middle East through his writings\" 1983: Elected to the American Academy of Arts and Sciences 1990: Selected for the Jefferson Lecture by the National Endowment for the Humanities 1996: Finalist for the National Book Critics Circle Award in General Nonfiction, for The Middle East (Scribner) 1999: National Jewish Book Award in the Israel category for The Multiple Identities of the Middle East 2002: The Thomas Jefferson Medal, awarded by the American Philosophical Society 2002: Atatürk International Peace Prize on grounds that he contributed extensively to history scholarship with his accurate analysis of Turkey’s and in particular of Atatürk’s positive impact on Middle Eastern history. 2004: Golden Plate Award from the American Academy of Achievement 2006: National Humanities Medal, from the National Endowment for the Humanities 2007: Irving Kristol Award, from the American Enterprise Institute for Public Policy Research 2007: The Scholar-Statesman Award from The Washington Institute for Near East Policy See also Bernard Lewis bibliography List of Princeton University people References External links Lewis's page at Princeton University Revered and Reviled – Lewis's profile on Moment Magazine'' The Legacy and Fallacies of Bernard Lewis by As`ad AbuKhalil 1916 births 2018 deaths 20th-century American historians 20th-century British historians 20th-century British writers 21st-century American historians 21st-century American male writers 21st-century British historians 21st-century British writers Academics of SOAS University of London Alumni of SOAS University of London American centenarians American historians American male non-fiction writers American people of English-Jewish descent Deniers of the Armenian genocide British Army personnel of World War II English centenarians British emigrants to the United States English historians English Jews Fellows of the British Academy Historians of Islam Historians of the Ottoman Empire Honorary members of the Turkish Academy of Sciences Institute for Advanced Study visiting scholars Intelligence Corps soldiers Islam and antisemitism Islam and politics Jewish American historians Jewish scholars Jewish scholars of Islam Men centenarians Middle Eastern studies in the United States National Humanities Medal recipients Neoconservatism People from Stoke Newington British political commentators Princeton University faculty Royal Armoured Corps soldiers Scholars of antisemitism University of Paris alumni Cornell University faculty Foreign Policy Research Institute Historians of the Middle East Carnegie Council for Ethics in International Affairs Middle Eastern studies scholars Burials at Trumpeldor Cemetery 21st-century American Jews" ]

[ "Bernard Lewis", "Academic career", "Where did he go to school?", "University of London", "What did he study?", "graduated from the School of Oriental Studies", "Did he study anywhere else?", "He undertook post-graduate studies at the University of Paris,", "When was that?", "1937." ]

[ "William Lawrence \"Seattle Bill\" James (March 12, 1892 – March 10, 1971) was a Major League Baseball pitcher. He was given a nickname to differentiate him from his contemporary, \"Big\" Bill James.\n\nThe Braves purchased James in from the Seattle Giants of the Northwestern League. In 1914, James was an integral member of the \"Miracle Braves\" team that went from last place to first place in two months, becoming the first team to win a pennant after being in last place on the Fourth of July. In his only full season, James posted a record of 26 wins against 7 losses. The Braves then went on to defeat Connie Mack's heavily favored Philadelphia Athletics in the 1914 World Series. James was 2–0 in the World Series as the Braves recorded the first sweep in Series history. His victory in Game Two was a 1-0 shutout.\n\nDuring World War I, James was an instructor at bomb-throwing for the US Army. He pitched in the minor leagues until 1925.\n\nSources\n\n1892 births\n1971 deaths\nBoston Braves players\nMajor League Baseball pitchers\nBaseball players from California\nSeattle Giants players\nPortland Beavers players\nGalveston Pirates players\nBeaumont Oilers players\nSaint Mary's Gaels baseball players\nSeattle Rainiers players\nBeaumont Exporters players\nSacramento Senators players\nChattanooga Lookouts players", "George Albert \"Lefty\" Tyler (December 14, 1889 – September 29, 1953) was a professional baseball pitcher from 1910 to 1921.\n\nFrom 1910 to 1917, Tyler played with the Boston Doves/Braves. He performed well, having an earned run average (ERA) under 3 in all but two years. In 1918, Tyler was traded to the Chicago Cubs for Larry Doyle, Art Wilson, and $15,000. Tyler did well in Chicago as well, having ERA's under 4.\n\nTyler's career earned run average was 2.95. His brother, Fred Tyler, played in the major leagues in 1914 as a catcher.\n\nIn 1914, Tyler was a member of the Braves team that went from last place to first place in two months, becoming the first team to win a pennant after being in last place on the Fourth of July. The team then went on to defeat Connie Mack's heavily favored Philadelphia Athletics in the 1914 World Series.\n\nIn 1916, the New York Giants set the current record of 26 consecutive wins without a defeat: Tyler beat them to end the streak on September 30, 1916.\n\nHe was the winning pitcher in Game 2 of the 1918 World Series for the Cubs, as well as the hard-luck loser of a 2-1 decision in Game 6, the last game of the Series; it was the last win for the opposing Boston Red Sox until 2004.\n\nTyler was a better than average hitting pitcher in his 12-year major league career, compiling a .217 batting average (189-for-870) with 85 runs, 4 home runs and 73 RBI. He recorded a career-high 20 RBI as a member of the 1916 Boston Braves.\n\nReferences\n\nExternal links\n\nBaseball-Reference\n\n1889 births\n1953 deaths\nMajor League Baseball pitchers\nBoston Doves players\nBoston Rustlers players\nBoston Braves players\nChicago Cubs players\nBaseball players from New Hampshire\nMinor league baseball managers\nLowell Tigers players\nRochester Colts players\nLawrence Merry Macks players\nPeople from Derry, New Hampshire\nSportspeople from Rockingham County, New Hampshire" ]

[ "Bernard Lewis, (31 May 1916 – 19 May 2018) was a British American historian specialized in Oriental studies. He was also known as a public intellectual and political commentator. Lewis was the Cleveland E. Dodge Professor Emeritus of Near Eastern Studies at Princeton University. Lewis's expertise was in the history of Islam and the interaction between Islam and the West. Lewis served as a soldier in the British Army in the Royal Armoured Corps and Intelligence Corps during the Second World War before being seconded to the Foreign Office.", "Lewis served as a soldier in the British Army in the Royal Armoured Corps and Intelligence Corps during the Second World War before being seconded to the Foreign Office. After the war, he returned to the School of Oriental and African Studies at the University of London and was appointed to the new chair in Near and Middle Eastern history. In 2007 Lewis was called \"the West's leading interpreter of the Middle East\".", "In 2007 Lewis was called \"the West's leading interpreter of the Middle East\". Others have argued Lewis's approach is essentialist and generalizing to the Muslim world, as well as his tendency to restate hypotheses that were challenged by more recent research. On a political level, Lewis is accused by his detractors with having revived the image of the cultural inferiority of Islam and of emphasizing the dangers of jihad. His advice was frequently sought by neoconservative policymakers, including the Bush administration.", "His advice was frequently sought by neoconservative policymakers, including the Bush administration. However, his active support of the Iraq War and neoconservative ideals have since come under scrutiny. Lewis was also notable for his public debates with Edward Said, who accused Lewis and other orientalists of misrepresenting Islam and serving the purposes of Western imperialist domination, to which Lewis responded by defending Orientalism as a facet of humanism and accusing Said of politicizing the subject. Furthermore, Lewis notoriously denied the Armenian genocide.", "Furthermore, Lewis notoriously denied the Armenian genocide. Furthermore, Lewis notoriously denied the Armenian genocide. He argued that the deaths of the mass killings resulted from a struggle between two nationalistic movements, claiming that there is no proof of intent by the Ottoman government to exterminate the Armenian nation. Family and personal life Bernard Lewis was born on 31 May 1916 to middle-class British Jewish parents, Harry Lewis and the former Jane Levy, in Stoke Newington, London. He became interested in languages and history while preparing for his bar mitzvah.", "He became interested in languages and history while preparing for his bar mitzvah. In 1947 he married Ruth Hélène Oppenhejm, with whom he had a daughter and a son. Their marriage was dissolved in 1974. Lewis became a naturalized citizen of the United States in 1982. Academic career In 1936, Lewis graduated from the School of Oriental Studies (now School of Oriental and African Studies, SOAS) at the University of London with a BA in history with special reference to the Near and Middle East.", "Academic career In 1936, Lewis graduated from the School of Oriental Studies (now School of Oriental and African Studies, SOAS) at the University of London with a BA in history with special reference to the Near and Middle East. He earned his PhD three years later, also from SOAS, specializing in the history of Islam. Lewis also studied law, going part of the way toward becoming a solicitor, but returned to study Middle Eastern history.", "Lewis also studied law, going part of the way toward becoming a solicitor, but returned to study Middle Eastern history. He undertook post-graduate studies at the University of Paris, where he studied with the orientalist Louis Massignon and earned the \"Diplôme des Études Sémitiques\" in 1937. He returned to SOAS in 1938 as an assistant lecturer in Islamic History.", "He returned to SOAS in 1938 as an assistant lecturer in Islamic History. During the Second World War, Lewis served in the British Army in the Royal Armoured Corps and as a Corporal in the Intelligence Corps in 1940–41 before being seconded to the Foreign Office. After the war, he returned to SOAS, where he would remain for the next 25 years. In 1949, at the age of 33, he was appointed to the new chair in Near and Middle Eastern History.", "In 1949, at the age of 33, he was appointed to the new chair in Near and Middle Eastern History. In 1963, Lewis was granted fellowship of the British Academy. In 1974, aged 57, Lewis accepted a joint position at Princeton University and the Institute for Advanced Study, also located in Princeton, New Jersey. The terms of his appointment were such that Lewis taught only one semester per year, and being free from administrative responsibilities, he could devote more time to research than previously.", "The terms of his appointment were such that Lewis taught only one semester per year, and being free from administrative responsibilities, he could devote more time to research than previously. Consequently, Lewis's arrival at Princeton marked the beginning of the most prolific period in his research career during which he published numerous books and articles based on previously accumulated materials. After retiring from Princeton in 1986, Lewis served at Cornell University until 1990.", "After retiring from Princeton in 1986, Lewis served at Cornell University until 1990. In 1966, Lewis was a founding member of the learned society, Middle East Studies Association of North America (MESA), but in 2007 he broke away and founded Association for the Study of the Middle East and Africa (ASMEA) to challenge MESA, which the New York Sun noted as \"dominated by academics who have been critical of Israel and of America's role in the Middle East\".", "In 1966, Lewis was a founding member of the learned society, Middle East Studies Association of North America (MESA), but in 2007 he broke away and founded Association for the Study of the Middle East and Africa (ASMEA) to challenge MESA, which the New York Sun noted as \"dominated by academics who have been critical of Israel and of America's role in the Middle East\". The organization was formed as an academic society dedicated to promoting high standards of research and teaching in Middle Eastern and African studies and other related fields, with Lewis as Chairman of its academic council.", "The organization was formed as an academic society dedicated to promoting high standards of research and teaching in Middle Eastern and African studies and other related fields, with Lewis as Chairman of its academic council. In 1990, the National Endowment for the Humanities selected Lewis for the Jefferson Lecture, the U.S. federal government's highest honor for achievement in the humanities. His lecture, entitled \"Western Civilization: A View from the East\", was revised and reprinted in The Atlantic Monthly under the title \"The Roots of Muslim Rage.\"", "His lecture, entitled \"Western Civilization: A View from the East\", was revised and reprinted in The Atlantic Monthly under the title \"The Roots of Muslim Rage.\" His 2007 Irving Kristol Lecture, given to the American Enterprise Institute, was published as Europe and Islam. Research Lewis's influence extends beyond academia to the general public. He began his research career with the study of medieval Arab, especially Syrian, history.", "He began his research career with the study of medieval Arab, especially Syrian, history. His first article, dedicated to professional guilds of medieval Islam, had been widely regarded as the most authoritative work on the subject for about thirty years. However, after the establishment of the state of Israel in 1948, scholars of Jewish origin found it more and more difficult to conduct archival and field research in Arab countries, where they were suspected of espionage.", "However, after the establishment of the state of Israel in 1948, scholars of Jewish origin found it more and more difficult to conduct archival and field research in Arab countries, where they were suspected of espionage. Therefore, Lewis switched to the study of the Ottoman Empire, while continuing to research Arab history through the Ottoman archives which had only recently been opened to Western researchers.", "Therefore, Lewis switched to the study of the Ottoman Empire, while continuing to research Arab history through the Ottoman archives which had only recently been opened to Western researchers. A series of articles that Lewis published over the next several years revolutionized the history of the Middle East by giving a broad picture of Islamic society, including its government, economy, and demographics.", "A series of articles that Lewis published over the next several years revolutionized the history of the Middle East by giving a broad picture of Islamic society, including its government, economy, and demographics. Lewis argued that the Middle East is currently backward and its decline was a largely self-inflicted condition resulting from both culture and religion, as opposed to the post-colonialist view which posits the problems of the region as economic and political maldevelopment mainly due to the 19th-century European colonization.", "Lewis argued that the Middle East is currently backward and its decline was a largely self-inflicted condition resulting from both culture and religion, as opposed to the post-colonialist view which posits the problems of the region as economic and political maldevelopment mainly due to the 19th-century European colonization. In his 1982 work Muslim Discovery of Europe, Lewis argues that Muslim societies could not keep pace with the West and that \"Crusader successes were due in no small part to Muslim weakness.\"", "In his 1982 work Muslim Discovery of Europe, Lewis argues that Muslim societies could not keep pace with the West and that \"Crusader successes were due in no small part to Muslim weakness.\" Further, he suggested that as early as the 11th century Islamic societies were decaying, primarily the byproduct of internal problems like \"cultural arrogance,\" which was a barrier to creative borrowing, rather than external pressures like the Crusades.", "Further, he suggested that as early as the 11th century Islamic societies were decaying, primarily the byproduct of internal problems like \"cultural arrogance,\" which was a barrier to creative borrowing, rather than external pressures like the Crusades. In the wake of Soviet and Arab attempts to delegitimize Israel as a racist country, Lewis wrote a study of anti-Semitism, Semites and Anti-Semites (1986).", "In the wake of Soviet and Arab attempts to delegitimize Israel as a racist country, Lewis wrote a study of anti-Semitism, Semites and Anti-Semites (1986). In other works he argued Arab rage against Israel was disproportionate to other tragedies or injustices in the Muslim world, such as the Soviet invasion of Afghanistan and control of Muslim-majority land in Central Asia, the bloody and destructive fighting during the Hama uprising in Syria (1982), the Algerian Civil War (1992–1998), and the Iran–Iraq War (1980–1988).", "In other works he argued Arab rage against Israel was disproportionate to other tragedies or injustices in the Muslim world, such as the Soviet invasion of Afghanistan and control of Muslim-majority land in Central Asia, the bloody and destructive fighting during the Hama uprising in Syria (1982), the Algerian Civil War (1992–1998), and the Iran–Iraq War (1980–1988). In addition to his scholarly works, Lewis wrote several influential books accessible to the general public: The Arabs in History (1950), The Middle East and the West (1964), and The Middle East (1995).", "In addition to his scholarly works, Lewis wrote several influential books accessible to the general public: The Arabs in History (1950), The Middle East and the West (1964), and The Middle East (1995). In the wake of the 11 September 2001 attacks, the interest in Lewis's work surged, especially his 1990 essay The Roots of Muslim Rage. Three of his books were published after 9/11: What Went Wrong?", "Three of his books were published after 9/11: What Went Wrong? (written before the attacks), which explored the reasons of the Muslim world's apprehension of (and sometimes outright hostility to) modernization; The Crisis of Islam; and Islam: The Religion and the People. Abraham Udovitch described him as \"certainly the most eminent and respected historian of the Arab world, of the Islamic world, of the Middle East and beyond\".", "Abraham Udovitch described him as \"certainly the most eminent and respected historian of the Arab world, of the Islamic world, of the Middle East and beyond\". Armenian genocide The first two editions of Lewis's The Emergence of Modern Turkey (1961 and 1968) describe the Armenian genocide as \"the terrible holocaust of 1915, when a million and a half Armenians perished\".", "Armenian genocide The first two editions of Lewis's The Emergence of Modern Turkey (1961 and 1968) describe the Armenian genocide as \"the terrible holocaust of 1915, when a million and a half Armenians perished\". In later editions, this text is altered to \"the terrible slaughter of 1915, when, according to estimates, more than a million Armenians perished, as well as an unknown number of Turks\".", "In later editions, this text is altered to \"the terrible slaughter of 1915, when, according to estimates, more than a million Armenians perished, as well as an unknown number of Turks\". In this passage, Lewis argues that the deaths were the result of a struggle for the same land between two competing nationalist movements.", "In this passage, Lewis argues that the deaths were the result of a struggle for the same land between two competing nationalist movements. The change in Lewis's textual description of the Armenian genocide and his signing of the petition against the Congressional resolution was controversial among some Armenian historians as well as journalists, who suggested that Lewis was engaging in historical revisionism to serve his own political and personal interests.", "The change in Lewis's textual description of the Armenian genocide and his signing of the petition against the Congressional resolution was controversial among some Armenian historians as well as journalists, who suggested that Lewis was engaging in historical revisionism to serve his own political and personal interests. Lewis called the label \"genocide\" the \"Armenian version of this history\" in a November 1993 interview with Le Monde, for which he faced a civil proceeding in a French court.", "Lewis called the label \"genocide\" the \"Armenian version of this history\" in a November 1993 interview with Le Monde, for which he faced a civil proceeding in a French court. In a subsequent exchange on the pages of Le Monde, Lewis wrote that while \"terrible atrocities\" did occur, \"there exists no serious proof of a decision and of a plan of the Ottoman government aiming to exterminate the Armenian nation\".", "In a subsequent exchange on the pages of Le Monde, Lewis wrote that while \"terrible atrocities\" did occur, \"there exists no serious proof of a decision and of a plan of the Ottoman government aiming to exterminate the Armenian nation\". He was ordered to pay one franc as damages for his statements on the Armenian genocide in Ottoman Turkey. Three other court cases against Bernard Lewis failed in the Paris tribunal, including one filed by the Armenian National Committee of France and two filed by Jacques Trémollet de Villers.", "Three other court cases against Bernard Lewis failed in the Paris tribunal, including one filed by the Armenian National Committee of France and two filed by Jacques Trémollet de Villers. Lewis's views on the Armenian genocide were criticized by a number of historians and sociologists, among them Alain Finkielkraut, Yves Ternon, Richard G. Hovannisian, Robert Melson, and Pierre Vidal-Naquet.<ref>{{cite book|last1=Finkelstein|first1=Norman G.|title=The Holocaust Industry: Reflections on the Exploitation of Jewish Suffering|date=2003|publisher=Verso|location=London|isbn=978-1859844885|page=69}}</ref> Lewis has argued for his denial stance that: Lewis has been labelled a \"genocide denier\" by Stephen Zunes, Israel Charny, David B. MacDonald and the Armenian National Committee of America.", "Lewis's views on the Armenian genocide were criticized by a number of historians and sociologists, among them Alain Finkielkraut, Yves Ternon, Richard G. Hovannisian, Robert Melson, and Pierre Vidal-Naquet.<ref>{{cite book|last1=Finkelstein|first1=Norman G.|title=The Holocaust Industry: Reflections on the Exploitation of Jewish Suffering|date=2003|publisher=Verso|location=London|isbn=978-1859844885|page=69}}</ref> Lewis has argued for his denial stance that: Lewis has been labelled a \"genocide denier\" by Stephen Zunes, Israel Charny, David B. MacDonald and the Armenian National Committee of America. Israeli historian Yair Auron suggested that \"Lewis' stature provided a lofty cover for the Turkish national agenda of obfuscating academic research on the Armenian Genocide\".", "Israeli historian Yair Auron suggested that \"Lewis' stature provided a lofty cover for the Turkish national agenda of obfuscating academic research on the Armenian Genocide\". Israel Charny wrote that Lewis's \"seemingly scholarly concern ... of Armenians constituting a threat to the Turks as a rebellious force who together with the Russians threatened the Ottoman Empire, and the insistence that only a policy of deportations was executed, barely conceal the fact that the organized deportations constituted systematic mass murder\".", "Israel Charny wrote that Lewis's \"seemingly scholarly concern ... of Armenians constituting a threat to the Turks as a rebellious force who together with the Russians threatened the Ottoman Empire, and the insistence that only a policy of deportations was executed, barely conceal the fact that the organized deportations constituted systematic mass murder\". Charny compares the \"logical structures\" employed by Lewis in his denial of the genocide to those employed by Ernst Nolte in his Holocaust negationism.", "Charny compares the \"logical structures\" employed by Lewis in his denial of the genocide to those employed by Ernst Nolte in his Holocaust negationism. Views and influence on contemporary politics In the mid-1960s, Lewis emerged as a commentator on the issues of the modern Middle East and his analysis of the Israeli–Palestinian conflict and the rise of militant Islam brought him publicity and aroused significant controversy. American historian Joel Beinin has called him \"perhaps the most articulate and learned Zionist advocate in the North American Middle East academic community\".", "American historian Joel Beinin has called him \"perhaps the most articulate and learned Zionist advocate in the North American Middle East academic community\". Lewis's policy advice has particular weight thanks to this scholarly authority. U.S. Vice President Dick Cheney remarked \"in this new century, his wisdom is sought daily by policymakers, diplomats, fellow academics, and the news media\". A harsh critic of the Soviet Union, Lewis continued the liberal tradition in Islamic historical studies.", "A harsh critic of the Soviet Union, Lewis continued the liberal tradition in Islamic historical studies. Although his early Marxist views had a bearing on his first book The Origins of Ismailism, Lewis subsequently discarded Marxism. His later works are a reaction against the left-wing current of Third-worldism which came to be a significant current in Middle Eastern studies.", "His later works are a reaction against the left-wing current of Third-worldism which came to be a significant current in Middle Eastern studies. During his career Lewis developed ties with governments around the world: during her time as Prime Minister of Israel, Golda Meir assigned Lewis's articles as reading to her cabinet members, and during the Presidency of George W. Bush, he advised administration members including Cheney, Donald Rumsfeld and Bush himself. He was also close to King Hussein of Jordan and his brother, Prince Hassan bin Talal.", "He was also close to King Hussein of Jordan and his brother, Prince Hassan bin Talal. He also had ties to the regime of Mohammad Reza Pahlavi, the last Shah of Iran, the Turkish military dictatorship led by Kenan Evren, and the Egyptian government of Anwar Sadat: he acted as a go-between between the Sadat administration and Israel in 1971 when he relayed a message to the Israeli government regarding the possibility of a peace agreement at the request of Sadat's spokesman Tahasin Bashir.", "He also had ties to the regime of Mohammad Reza Pahlavi, the last Shah of Iran, the Turkish military dictatorship led by Kenan Evren, and the Egyptian government of Anwar Sadat: he acted as a go-between between the Sadat administration and Israel in 1971 when he relayed a message to the Israeli government regarding the possibility of a peace agreement at the request of Sadat's spokesman Tahasin Bashir. Lewis advocated closer Western ties with Israel and Turkey, which he saw as especially important in light of the extension of the Soviet influence in the Middle East.", "Lewis advocated closer Western ties with Israel and Turkey, which he saw as especially important in light of the extension of the Soviet influence in the Middle East. Modern Turkey holds a special place in Lewis's view of the region due to the country's efforts to become a part of the West. He was an Honorary Fellow of the Institute of Turkish Studies, an honor which is given \"on the basis of generally recognized scholarly distinction and ... long and devoted service to the field of Turkish Studies.\"", "He was an Honorary Fellow of the Institute of Turkish Studies, an honor which is given \"on the basis of generally recognized scholarly distinction and ... long and devoted service to the field of Turkish Studies.\" Lewis views Christendom and Islam as civilizations that have been in perpetual collision since the advent of Islam in the 7th century. In his essay The Roots of Muslim Rage (1990), he argued that the struggle between the West and Islam was gathering strength.", "In his essay The Roots of Muslim Rage (1990), he argued that the struggle between the West and Islam was gathering strength. According to one source, this essay (and Lewis's 1990 Jefferson Lecture on which the article was based) first introduced the term \"Islamic fundamentalism\" to North America. This essay has been credited with coining the phrase \"clash of civilizations\", which received prominence in the eponymous book by Samuel Huntington.", "This essay has been credited with coining the phrase \"clash of civilizations\", which received prominence in the eponymous book by Samuel Huntington. However, another source indicates that Lewis first used the phrase \"clash of civilizations\" at a 1957 meeting in Washington where it was recorded in the transcript. In 1998, Lewis read in a London-based newspaper Al-Quds Al-Arabi a declaration of war on the United States by Osama bin Laden.", "In 1998, Lewis read in a London-based newspaper Al-Quds Al-Arabi a declaration of war on the United States by Osama bin Laden. In his essay \"A License to Kill\", Lewis indicated he considered bin Laden's language as the \"ideology of jihad\" and warned that bin Laden would be a danger to the West. The essay was published after the Clinton administration and the US intelligence community had begun its hunt for bin Laden in Sudan and then in Afghanistan.", "The essay was published after the Clinton administration and the US intelligence community had begun its hunt for bin Laden in Sudan and then in Afghanistan. Jihad Lewis writes of jihad as a distinct religious obligation, but suggests that it is a pity that people engaging in terrorist activities are not more aware of their own religion:The fanatical warrior offering his victims the choice of the Koran or the sword is not only untrue, it is impossible.", "Jihad Lewis writes of jihad as a distinct religious obligation, but suggests that it is a pity that people engaging in terrorist activities are not more aware of their own religion:The fanatical warrior offering his victims the choice of the Koran or the sword is not only untrue, it is impossible. The alleged choice - conversion or death - is also, with rare and atypical exceptions, untrue. Muslim tolerance of unbelievers and misbelievers was far better than anything available in Christendom until the rise of secularism in the 17th century.", "Muslim tolerance of unbelievers and misbelievers was far better than anything available in Christendom until the rise of secularism in the 17th century. Muslim fighters are commanded not to kill women, children, or the aged unless they attack first; not to torture or otherwise ill-treat prisoners; to give fair warnings of the opening of hostilities or their resumption after a truce; and to honor agreements. At no time did the classical jurists offer any approval or legitimacy to what we nowdays call terrorism.", "At no time did the classical jurists offer any approval or legitimacy to what we nowdays call terrorism. Nor indeed is there any evidence of the use of terrorism as it is practiced nowadays. The emergence of the by now widespread terrorism practice of suicide bombing is a development of the 20th century.", "The emergence of the by now widespread terrorism practice of suicide bombing is a development of the 20th century. It has no antecedents in Islamic history, and no justification in the terms of Islamic theology, law, or tradition.As'ad AbuKhalil, has criticized this view and stated: \"Methodologically, [Lewis] insists that terrorism by individual Muslims should be considered Islamic terrorism, while terrorism by individual Jews or Christians is never considered Jewish or Christian terrorism.\"", "It has no antecedents in Islamic history, and no justification in the terms of Islamic theology, law, or tradition.As'ad AbuKhalil, has criticized this view and stated: \"Methodologically, [Lewis] insists that terrorism by individual Muslims should be considered Islamic terrorism, while terrorism by individual Jews or Christians is never considered Jewish or Christian terrorism.\" He also criticised Lewis's understanding of Osama bin Laden, seeing Lewis's interpretation of bin Laden \"as some kind of influential Muslim theologian\" along the lines of classical theologians like Al-Ghazali, rather than \"the terrorist fanatic that he is\".", "He also criticised Lewis's understanding of Osama bin Laden, seeing Lewis's interpretation of bin Laden \"as some kind of influential Muslim theologian\" along the lines of classical theologians like Al-Ghazali, rather than \"the terrorist fanatic that he is\". AbuKhalil has also criticized the place of Islam in Lewis's worldview more generally, arguing that the most prominent feature of his work was its \"theologocentrism\" (borrowing a term from Maxime Rodinson) - that Lewis interprets all aspects of behavior among Muslims solely through the lens of Islamic theology, subsuming the study of Muslim peoples, their languages, the geographical areas where Muslims predominate, Islamic governments, the governments of Arab countries and Sharia under the label of \"Islam\".", "AbuKhalil has also criticized the place of Islam in Lewis's worldview more generally, arguing that the most prominent feature of his work was its \"theologocentrism\" (borrowing a term from Maxime Rodinson) - that Lewis interprets all aspects of behavior among Muslims solely through the lens of Islamic theology, subsuming the study of Muslim peoples, their languages, the geographical areas where Muslims predominate, Islamic governments, the governments of Arab countries and Sharia under the label of \"Islam\". Debates with Edward Said Lewis was known for his literary debates with Edward Said, the Palestinian American literary theorist whose aim was to deconstruct what he called Orientalist scholarship.", "Debates with Edward Said Lewis was known for his literary debates with Edward Said, the Palestinian American literary theorist whose aim was to deconstruct what he called Orientalist scholarship. Said, who was a professor at Columbia University, characterized Lewis's work as a prime example of Orientalism in his 1978 book Orientalism and in his later book Covering Islam: How the Media and the Experts Determine How We See the Rest of the World (1981).", "Said, who was a professor at Columbia University, characterized Lewis's work as a prime example of Orientalism in his 1978 book Orientalism and in his later book Covering Islam: How the Media and the Experts Determine How We See the Rest of the World (1981). Said asserted that the field of Orientalism was political intellectualism bent on self-affirmation rather than objective study, a form of racism, and a tool of imperialist domination.", "Said asserted that the field of Orientalism was political intellectualism bent on self-affirmation rather than objective study, a form of racism, and a tool of imperialist domination. He further questioned the scientific neutrality of some leading Middle East scholars, including Lewis, on the Arab World.", "He further questioned the scientific neutrality of some leading Middle East scholars, including Lewis, on the Arab World. In an interview with Al-Ahram weekly, Said suggested that Lewis's knowledge of the Middle East was so biased that it could not be taken seriously and claimed \"Bernard Lewis hasn't set foot in the Middle East, in the Arab world, for at least 40 years. He knows something about Turkey, I'm told, but he knows nothing about the Arab world.\"", "He knows something about Turkey, I'm told, but he knows nothing about the Arab world.\" Said considered that Lewis treats Islam as a monolithic entity without the nuance of its plurality, internal dynamics, and historical complexities, and accused him of \"demagogy and downright ignorance\".", "Said considered that Lewis treats Islam as a monolithic entity without the nuance of its plurality, internal dynamics, and historical complexities, and accused him of \"demagogy and downright ignorance\". In Covering Islam, Said argued that \"Lewis simply cannot deal with the diversity of Muslim, much less human life, because it is closed to him as something foreign, radically different, and other,\" and he criticised Lewis's \"inability to grant that the Islamic peoples are entitled to their own cultural, political, and historical practices, free from Lewis's calculated attempt to show that because they are not Western... they can't be good.\"", "In Covering Islam, Said argued that \"Lewis simply cannot deal with the diversity of Muslim, much less human life, because it is closed to him as something foreign, radically different, and other,\" and he criticised Lewis's \"inability to grant that the Islamic peoples are entitled to their own cultural, political, and historical practices, free from Lewis's calculated attempt to show that because they are not Western... they can't be good.\" Rejecting the view that Western scholarship was biased against the Middle East, Lewis responded that Orientalism developed as a facet of European humanism, independently of the past European imperial expansion.", "Rejecting the view that Western scholarship was biased against the Middle East, Lewis responded that Orientalism developed as a facet of European humanism, independently of the past European imperial expansion. He noted the French and English pursued the study of Islam in the 16th and 17th centuries, yet not in an organized way, but long before they had any control or hope of control in the Middle East; and that much of Orientalist study did nothing to advance the cause of imperialism.", "He noted the French and English pursued the study of Islam in the 16th and 17th centuries, yet not in an organized way, but long before they had any control or hope of control in the Middle East; and that much of Orientalist study did nothing to advance the cause of imperialism. In his 1993 book Islam and the West, Lewis wrote \"What imperial purpose was served by deciphering the ancient Egyptian language, for example, and then restoring to the Egyptians knowledge of and pride in their forgotten, ancient past?\"", "In his 1993 book Islam and the West, Lewis wrote \"What imperial purpose was served by deciphering the ancient Egyptian language, for example, and then restoring to the Egyptians knowledge of and pride in their forgotten, ancient past?\" Furthermore, Lewis accused Said of politicizing the scientific study of the Middle East (and Arabic studies in particular); neglecting to critique the scholarly findings of the Orientalists; and giving \"free rein\" to his biases.", "Furthermore, Lewis accused Said of politicizing the scientific study of the Middle East (and Arabic studies in particular); neglecting to critique the scholarly findings of the Orientalists; and giving \"free rein\" to his biases. Stance on the Iraq War In 2002, Lewis wrote an article for The Wall Street Journal regarding the buildup to the Iraq War entitled \"Time for Toppling\", where he stated his opinion that \"a regime change may well be dangerous, but sometimes the dangers of inaction are greater than those of action\".", "Stance on the Iraq War In 2002, Lewis wrote an article for The Wall Street Journal regarding the buildup to the Iraq War entitled \"Time for Toppling\", where he stated his opinion that \"a regime change may well be dangerous, but sometimes the dangers of inaction are greater than those of action\". In 2007, Jacob Weisberg described Lewis as \"perhaps the most significant intellectual influence behind the invasion of Iraq\".", "In 2007, Jacob Weisberg described Lewis as \"perhaps the most significant intellectual influence behind the invasion of Iraq\". Michael Hirsh attributed to Lewis the view that regime change in Iraq would provide a jolt that would \"modernize the Middle East\" and suggested that Lewis's allegedly 'orientalist' theories about \"what went wrong\" in the Middle East, and other writings, formed the intellectual basis of the push towards war in Iraq.", "Michael Hirsh attributed to Lewis the view that regime change in Iraq would provide a jolt that would \"modernize the Middle East\" and suggested that Lewis's allegedly 'orientalist' theories about \"what went wrong\" in the Middle East, and other writings, formed the intellectual basis of the push towards war in Iraq. Hirsch reported that Lewis had told him in an interview that he viewed the 11 September attacks as \"the opening salvo of the final battle\" between Western and Islamic civilisations: Lewis believed that a forceful response was necessary.", "Hirsch reported that Lewis had told him in an interview that he viewed the 11 September attacks as \"the opening salvo of the final battle\" between Western and Islamic civilisations: Lewis believed that a forceful response was necessary. In the run up to the Iraq War, he met with Vice President Dick Cheney several times: Hirsch quoted an unnamed official who was present at a number of these meetings, who summarised Lewis's view of Iraq as \"Get on with it. Don't dither\".", "Don't dither\". Don't dither\". Brent Scowcroft quoted Lewis as stating that he believed \"that one of the things you’ve got to do to Arabs is hit them between the eyes with a big stick. They respect power\". As'ad AbuKhalil has claimed that Lewis assured Cheney that American troops would be welcomed by Iraqis and Arabs, relying on the opinion of his colleague Fouad Ajami.", "As'ad AbuKhalil has claimed that Lewis assured Cheney that American troops would be welcomed by Iraqis and Arabs, relying on the opinion of his colleague Fouad Ajami. Hirsch also drew parallels between the Bush administration's plans for post-invasion Iraq and Lewis's views, in particular his admiration for Mustafa Kemal Atatürk's secularist and Westernising reforms in the new Republic of Turkey which emerged from the collapse of the Ottoman Empire. Writing in 2008, Lewis did not advocate imposing freedom and democracy on Islamic nations.", "Writing in 2008, Lewis did not advocate imposing freedom and democracy on Islamic nations. \"There are things you can't impose. Freedom, for example. Or democracy. Democracy is a very strong medicine which has to be administered to the patient in small, gradually increasing doses. Otherwise, you risk killing the patient. In the main, the Muslims have to do it themselves.\"", "In the main, the Muslims have to do it themselves.\" Ian Buruma, writing for The New Yorker in an article subtitled \"The two Minds of Bernard Lewis\", finds Lewis's stance on the war difficult to reconcile with Lewis's past statements cautioning democracy enforcement in the world at large.", "Ian Buruma, writing for The New Yorker in an article subtitled \"The two Minds of Bernard Lewis\", finds Lewis's stance on the war difficult to reconcile with Lewis's past statements cautioning democracy enforcement in the world at large. Buruma ultimately rejects suggestions by his peers that Lewis promotes war with Iraq to safeguard Israel, but instead concludes \"perhaps he loves it [the Arab world] too much\": Hamid Dabashi, writing on 28 May 2018, in an article subtitled \"On Bernard Lewis and 'his extraordinary capacity for getting everything wrong'\", asked: \"Just imagine: What sort of a person would spend a lifetime studying people he loathes?", "Buruma ultimately rejects suggestions by his peers that Lewis promotes war with Iraq to safeguard Israel, but instead concludes \"perhaps he loves it [the Arab world] too much\": Hamid Dabashi, writing on 28 May 2018, in an article subtitled \"On Bernard Lewis and 'his extraordinary capacity for getting everything wrong'\", asked: \"Just imagine: What sort of a person would spend a lifetime studying people he loathes? It is quite a bizarre proposition.", "It is quite a bizarre proposition. It is quite a bizarre proposition. But there you have it: the late Bernard Lewis did precisely that.\" Similarly, Richard Bulliet described Lewis as \"...a person who does not like the people he is purporting to have expertise about...he doesn’t respect them, he considers them to be good and worthy only to the degree they follow a Western path\".", "Similarly, Richard Bulliet described Lewis as \"...a person who does not like the people he is purporting to have expertise about...he doesn’t respect them, he considers them to be good and worthy only to the degree they follow a Western path\". According to As'ad AbuKhalil, \"Lewis has poisoned the Middle East academic field more than any other Orientalist and his influence has been both academic and political.", "According to As'ad AbuKhalil, \"Lewis has poisoned the Middle East academic field more than any other Orientalist and his influence has been both academic and political. But there is a new generation of Middle East experts in the West who now see clearly the political agenda of Bernard Lewis. It was fully exposed in the Bush years.\" Alleged nuclear threat from Iran In 2006, Lewis wrote that Iran had been working on a nuclear weapon for fifteen years.", "Alleged nuclear threat from Iran In 2006, Lewis wrote that Iran had been working on a nuclear weapon for fifteen years. In August 2006, in an article about whether the world can rely on the concept of mutual assured destruction as a deterrent in its dealings with Iran, Lewis wrote in The Wall Street Journal about the significance of 22 August 2006 in the Islamic calendar. The Iranian president had indicated he would respond by that date to U.S. demands regarding Iran's development of nuclear power.", "The Iranian president had indicated he would respond by that date to U.S. demands regarding Iran's development of nuclear power. Lewis wrote that the date corresponded to the 27th day of the month of Rajab of the year 1427, the day Muslims commemorate the night flight of Muhammad from Jerusalem to heaven and back. Lewis wrote that it would be \"an appropriate date for the apocalyptic ending of Israel and, if necessary, of the world\".", "Lewis wrote that it would be \"an appropriate date for the apocalyptic ending of Israel and, if necessary, of the world\". According to Lewis, mutual assured destruction is not an effective deterrent in the case of Iran, because of what Lewis describes as the Iranian leadership's \"apocalyptic worldview\" and the \"suicide or martyrdom complex that plagues parts of the Islamic world today\". Lewis's article received significant press coverage. However, the day passed without any incident.", "However, the day passed without any incident. However, the day passed without any incident. Death Bernard Lewis died on 19 May 2018 at the age of 101, at an assisted-living care facility in Voorhees Township, New Jersey, twelve days before his 102nd birthday. He is buried in Trumpeldor Cemetery in Tel Aviv.", "He is buried in Trumpeldor Cemetery in Tel Aviv. He is buried in Trumpeldor Cemetery in Tel Aviv. Bibliography Awards and honors 1963: Elected as a Fellow of the British Academy 1978: The Harvey Prize, from the Technion – Israel Institute of Technology, for \"his profound insight into the life and mores of the peoples of the Middle East through his writings\" 1983: Elected to the American Academy of Arts and Sciences 1990: Selected for the Jefferson Lecture by the National Endowment for the Humanities 1996: Finalist for the National Book Critics Circle Award in General Nonfiction, for The Middle East (Scribner) 1999: National Jewish Book Award in the Israel category for The Multiple Identities of the Middle East 2002: The Thomas Jefferson Medal, awarded by the American Philosophical Society 2002: Atatürk International Peace Prize on grounds that he contributed extensively to history scholarship with his accurate analysis of Turkey’s and in particular of Atatürk’s positive impact on Middle Eastern history.", "Bibliography Awards and honors 1963: Elected as a Fellow of the British Academy 1978: The Harvey Prize, from the Technion – Israel Institute of Technology, for \"his profound insight into the life and mores of the peoples of the Middle East through his writings\" 1983: Elected to the American Academy of Arts and Sciences 1990: Selected for the Jefferson Lecture by the National Endowment for the Humanities 1996: Finalist for the National Book Critics Circle Award in General Nonfiction, for The Middle East (Scribner) 1999: National Jewish Book Award in the Israel category for The Multiple Identities of the Middle East 2002: The Thomas Jefferson Medal, awarded by the American Philosophical Society 2002: Atatürk International Peace Prize on grounds that he contributed extensively to history scholarship with his accurate analysis of Turkey’s and in particular of Atatürk’s positive impact on Middle Eastern history. 2004: Golden Plate Award from the American Academy of Achievement 2006: National Humanities Medal, from the National Endowment for the Humanities 2007: Irving Kristol Award, from the American Enterprise Institute for Public Policy Research 2007: The Scholar-Statesman Award from The Washington Institute for Near East Policy See also Bernard Lewis bibliography List of Princeton University people References External links Lewis's page at Princeton University Revered and Reviled – Lewis's profile on Moment Magazine'' The Legacy and Fallacies of Bernard Lewis by As`ad AbuKhalil 1916 births 2018 deaths 20th-century American historians 20th-century British historians 20th-century British writers 21st-century American historians 21st-century American male writers 21st-century British historians 21st-century British writers Academics of SOAS University of London Alumni of SOAS University of London American centenarians American historians American male non-fiction writers American people of English-Jewish descent Deniers of the Armenian genocide British Army personnel of World War II English centenarians British emigrants to the United States English historians English Jews Fellows of the British Academy Historians of Islam Historians of the Ottoman Empire Honorary members of the Turkish Academy of Sciences Institute for Advanced Study visiting scholars Intelligence Corps soldiers Islam and antisemitism Islam and politics Jewish American historians Jewish scholars Jewish scholars of Islam Men centenarians Middle Eastern studies in the United States National Humanities Medal recipients Neoconservatism People from Stoke Newington British political commentators Princeton University faculty Royal Armoured Corps soldiers Scholars of antisemitism University of Paris alumni Cornell University faculty Foreign Policy Research Institute Historians of the Middle East Carnegie Council for Ethics in International Affairs Middle Eastern studies scholars Burials at Trumpeldor Cemetery 21st-century American Jews" ]

[ "P.O.D.", "Murdered Love (2010-2013)" ]

[ "\"What Is Love\" is a song by Haddaway. \n\nWhat Is Love may also refer to:\n\nBooks\nWhat Is Love?, 1928 novel by E. M. Delafield\n What Is Love? (picture book), a 2021 picture book written by Mac Barnett and illustrated by Carson Ellis\n\nFilm and television\n Nishwartha Bhalobasa (What Is Love), a 2013 Bangladeshi film directed by Ananta Jalil\n What Is Love (TV series), 2012 Taiwanese series\n Just Only Love, a 2018 Japanese film also known as What Is Love?\n\nMusic\n\nAlbums\n What Is Love? (Andrea Marcovicci album), 1992\n What Is Love? (Never Shout Never album), 2010\n What Is Love? (Clean Bandit album), 2018\n What Is Love? (EP) by Twice, 2018\n\nSongs\n \"What Is Love?\", a song recorded by The Playmates, 1959\n \"What Is Love?\" (Howard Jones song), 1983\n \"What Is Love\" (En Vogue song), 1993\n \"What Is Love\", a song by Exo from the 2012 EP Mama\n \"What Is Love?\", a song by Irving Berlin\n \"(What Is) Love?\", a song by Jennifer Lopez from the 2011 album Love?\n \"What Is Love?\", a song by Dr. Nathaniel Irvin III and Roman Irvin, Janelle Monáe from soundtrack of Rio 2\n \"What Is Love\", a song by Take That from the 2008 album The Circus\n \"What Is Love?\", a song by Johnny \"Guitar\" Watson\n \"What Is Love?\", a song by Debbie Harry\n \"What Is Love?\", a song by Sound Tribe Sector 9\n \"What Is Love\", a single by Miriam Makeba from the 1967 album Pata Pata\n \"What Is Love?\" (Twice song), 2018\n \"What Is Love\" (V. Bozeman song), 2015\n\nSee also\n What's Love (disambiguation)", "\"The Night You Murdered Love\" is a song by English band ABC, released as the second single from their fourth studio album, Alphabet City (1987). It peaked at No. 31 on the UK Singles Chart.\n\nThe music video shows a homicidal fashion model carrying a slingshot and a skateboard stalking the band across the city of Paris.\n\nTrack listing\n\n7\" single\n\"The Night You Murdered Love\" – 4:53\n\"Minneapolis\" – 2:57\n\nUS 12\" single\nA1 \"The Night You Murdered Love\" (Sheer Chic Mix) – 6:31\nMixed by – The Funky Sisters, Pete Hammond\nA2 \"Minneapolis\" – 2:57\nB1 \"The Night You Murdered Love\" (The Whole Story) – 8:14\nRap [Featuring] – Contessa Lady V\nB2 \"The Night You Murdered Love\" (The Reply) – 4:50\nRap [Featuring] – Contessa Lady V\nB3 \"The Night You Murdered Love\" (Bonus Beats) – 4:53\n\nChart performance\n\nReferences\n\nABC (band) songs\n1987 singles\nSongs written by Mark White (musician)\nSongs written by Martin Fry\n1987 songs\nMercury Records singles" ]

[ "Payable on Death is an American Christian metal band formed in 1992 and based in San Diego, California. The band's line-up consists of drummer and rhythm guitarist Wuv Bernardo, vocalist Sonny Sandoval, bassist Traa Daniels, and lead guitarist Marcos Curiel. They have sold over 12 million records worldwide. Over the course of their career, the band has received three Grammy Award nominations, contributed to numerous motion picture soundtracks and toured internationally.", "Over the course of their career, the band has received three Grammy Award nominations, contributed to numerous motion picture soundtracks and toured internationally. With their third studio album, The Fundamental Elements of Southtown, they achieved their initial mainstream success; the album was certified platinum by the RIAA in 2000. Their following studio album, Satellite, continued the band's success with the singles, \"Alive\" and \"Youth of the Nation\", pushing it to go triple platinum.", "Their following studio album, Satellite, continued the band's success with the singles, \"Alive\" and \"Youth of the Nation\", pushing it to go triple platinum. History Early years (1991–1993) In 1991, friends Wuv Bernardo and Marcos Curiel engaged in jam sessions, with Bernardo playing the drums and Curiel covering guitar with no vocalist. Calling themselves Eschatos, they started playing at keg parties doing Metallica and Slayer cover songs.", "Calling themselves Eschatos, they started playing at keg parties doing Metallica and Slayer cover songs. After his mother's fatal illness, Sonny Sandoval converted to Christianity and was asked by Bernardo, his cousin, to join the band as a way to keep his mind straight as mentioned on their DVD, Still Payin' Dues. They then recruited bassist Gabe Portillo and eventually changed their name to P.O.D.", "They then recruited bassist Gabe Portillo and eventually changed their name to P.O.D. Snuff the Punk and Brown (1994–1998) After recording a demo tape, Traa Daniels joined the band in 1994 when they needed a bassist for some shows to replace Portillo. P.O.D. signed with Rescue Records, a label created by Bernardo's father, Noah Bernardo Sr., who was also the band's first manager. Between 1994 and 1997, they released three albums under the label, Snuff the Punk, Brown and Payable on Death Live.", "Between 1994 and 1997, they released three albums under the label, Snuff the Punk, Brown and Payable on Death Live. Longtime manager Tim Cook was first introduced to the band when he booked them to play his club The Where-House in Bartlesville, Oklahoma following strong local word of mouth support. He later described their performance by saying: \"I stood at the back of the venue with tears in my eyes – it was the greatest thing I had ever seen.\"", "He later described their performance by saying: \"I stood at the back of the venue with tears in my eyes – it was the greatest thing I had ever seen.\" By that point, Bernardo Sr. was looking for someone else to take P.O.D. 's career further and so Cook took over as manager. Shortly after the release of Payable on Death Live, Essential Records offered P.O.D.", "Shortly after the release of Payable on Death Live, Essential Records offered P.O.D. a $100,000 recording contract, but on behalf of the band Sandoval told band manager Tim Cook to decline the offer because, \"God has a bigger plan for P.O.D.\" When, in 1998, Atlantic Records A&R John Rubeli first came across P.O.D. 's demo he \"didn't quite get it\", as he later told HitQuarters.", "'s demo he \"didn't quite get it\", as he later told HitQuarters. It was only when he saw them play live at The Roxy on the Sunset Strip and witnessed not just an enthusiastic audience singing every word but the center of a vibrant youth movement that he became convinced by the band. The band was quickly signed to a major-label deal. P.O.D. soon released The Warriors EP, a tribute EP to their loyal fans as a transitional album from Rescue Records to Atlantic Records.", "soon released The Warriors EP, a tribute EP to their loyal fans as a transitional album from Rescue Records to Atlantic Records. The Fundamental Elements of Southtown and Satellite (1999–2002) P.O.D. 's third studio album, 1999's The Fundamental Elements of Southtown, spawned the hits \"Southtown\" and \"Rock the Party (Off the Hook)\", which was their first video to reach No. 1 on MTV's Total Request Live.", "1 on MTV's Total Request Live. 1 on MTV's Total Request Live. The song \"School of Hard Knocks\" was featured on the soundtrack for Little Nicky while both \"Southtown\" and \"Rock the Party\" appeared in the movie. All three music videos endured heavy play on MTV2 and the songs were rock radio hits. The album went on to become RIAA certified platinum. On September 11, 2001 P.O.D. released their fourth studio album, Satellite.", "released their fourth studio album, Satellite. released their fourth studio album, Satellite. The album's first single, \"Alive\", went on to become one of MTV's and MTV2's top played videos of the year. The video's popularity, as well as the song's positive message, helped the song become a huge modern rock radio hit and it was Grammy nominated for Best Hard Rock Performance in 2002. Also in 2002, the band contributed the song \"America\" to Santana's album Shaman.", "Also in 2002, the band contributed the song \"America\" to Santana's album Shaman. The album's second single, \"Youth of the Nation\", was influenced in part by the school shootings at Santana High School, Columbine High School, and Granite Hills High School. It was Grammy nominated for Best Hard Rock Performance in 2003. The 2002 singles, \"Boom\" and \"Satellite\", also became quite popular.", "The 2002 singles, \"Boom\" and \"Satellite\", also became quite popular. In addition, the concluding track of the album, \"Portrait,\" was Grammy nominated for Best Metal Performance in 2003. It was used in the comedy film Here Comes the Boom, starring Kevin James. Satellite went on to become RIAA-certified triple platinum. The author of Encyclopedia of Contemporary Christian Music has described P.O.D. as \"One of the biggest success stories in recent Christian music.\"", "as \"One of the biggest success stories in recent Christian music.\" Payable on Death and Testify (2003–2006) On February 19, 2003, guitarist Curiel left the band due to his side project, The Accident Experiment, and \"spiritual differences.\" However, Curiel claimed that he was actually kicked out of the band. Curiel was replaced by Jason Truby, former member of Christian metal band Living Sacrifice, and assisted with the recording of \"Sleeping Awake\", from The Matrix Reloaded soundtrack.", "Curiel was replaced by Jason Truby, former member of Christian metal band Living Sacrifice, and assisted with the recording of \"Sleeping Awake\", from The Matrix Reloaded soundtrack. In an interview with Yahoo! Music, Sandoval stated that Truby is the reason why the group is still together. On November 4, 2003, P.O.D. released their fifth studio album, Payable on Death, which saw the group shift from their well-known rapcore sound to a darker, more melodic metal sound.", "released their fifth studio album, Payable on Death, which saw the group shift from their well-known rapcore sound to a darker, more melodic metal sound. The album was hit with controversy due to its \"occult\" cover, which led as many as 85% of Christian bookstores across the United States to ban the album. With the help of the album's hit single \"Will You\" and \"Change the World\", it went on to sell over 520,000 copies and was certified Gold.", "With the help of the album's hit single \"Will You\" and \"Change the World\", it went on to sell over 520,000 copies and was certified Gold. Sometime after the tsunami in Asia, many singers, musicians, and actors/actresses, including Sandoval and Bernardo, participated in the recording of, \"Forever in Our Hearts\", with all proceeds going to benefit the tsunami relief. P.O.D.", "P.O.D. P.O.D. 's sixth studio album Testify was slated for a December 2005 release, but was pushed back to January 24, 2006. On November 15, 2005, P.O.D. released The Warriors EP, Volume 2, which featured demos from the upcoming album, to help build up the fans' anticipation for the pending January release. The album's first single, \"Goodbye for Now\" (with a vocal tag by a then-unknown Katy Perry) went on to become a No.", "The album's first single, \"Goodbye for Now\" (with a vocal tag by a then-unknown Katy Perry) went on to become a No. 1 video on MTV's TRL, along with having a solid radio presence, it also became the band's unprecedented 4th number one video on Total Request Live. The second single off the album, \"Lights Out\" was a minor hit, but was featured as the official theme song to WWE's Survivor Series 2005.", "The second single off the album, \"Lights Out\" was a minor hit, but was featured as the official theme song to WWE's Survivor Series 2005. In another contribution to WWE, they performed fellow San Diego native Rey Mysterio's theme song \"Booyaka 619\" at WrestleMania 22. To promote their latest album, P.O.D.", "To promote their latest album, P.O.D. To promote their latest album, P.O.D. went on a nationwide tour called the \"Warriors Tour 2: Guilty by Association\", which began in April, and included the bands Pillar, The Chariot and Maylene and the Sons of Disaster. On August 11, 2006, P.O.D. announced in their online newsletter that they had left Atlantic Records. On September 16, 2006, P.O.D.", "On September 16, 2006, P.O.D. On September 16, 2006, P.O.D. announced that they had teamed up with Rhino Records to release a greatest hits record simply titled, Greatest Hits: The Atlantic Years, which was released on November 21, 2006.", "announced that they had teamed up with Rhino Records to release a greatest hits record simply titled, Greatest Hits: The Atlantic Years, which was released on November 21, 2006. They shot a music video for their single \"Going In Blind\", one of the two new songs they included in the tenth album, and they had meetings with various record labels to begin working on new material for an album they hoped to release in mid-2007.", "They shot a music video for their single \"Going In Blind\", one of the two new songs they included in the tenth album, and they had meetings with various record labels to begin working on new material for an album they hoped to release in mid-2007. When Angels & Serpents Dance (2007–2009) In a statement made by the band's manager on their MySpace page, it was officially announced, on December 30, 2006, that Jason Truby had left the band.", "When Angels & Serpents Dance (2007–2009) In a statement made by the band's manager on their MySpace page, it was officially announced, on December 30, 2006, that Jason Truby had left the band. They had said \"God worked it out because Truby decided to leave the band the same day Curiel asked to rejoin.\" Curiel performed with the band for the first time since his departure on the 2006 New Year's Eve episode of Jimmy Kimmel Live!.", "Curiel performed with the band for the first time since his departure on the 2006 New Year's Eve episode of Jimmy Kimmel Live!. On February 2, 2007, the band made a new record deal with INO Records. On June 1, 2007, at the Rockbox in San Diego, the band performed and revealed a new song entitled \"Condescending\", along with another new song performed on June 16, 2007, at the Journeys Backyard BBQ tour entitled \"Addicted\".", "On June 1, 2007, at the Rockbox in San Diego, the band performed and revealed a new song entitled \"Condescending\", along with another new song performed on June 16, 2007, at the Journeys Backyard BBQ tour entitled \"Addicted\". They also revealed the title of their new album to be When Angels & Serpents Dance.", "They also revealed the title of their new album to be When Angels & Serpents Dance. On August 4, 2007, the band played at Angel Stadium of Anaheim's annual Harvest Crusade for a crowd of 42,000, where they revealed a new song, \"I'll Be Ready\", originally thought to be titled \"When Babylon Come for I\". The album cover was officially revealed on December 10, 2007. The title track was released for free download on their site in January 2008.", "The title track was released for free download on their site in January 2008. The first single \"Addicted\" was released on February 19 and peaked at No. 30 on the Mainstream Rock chart. The album was released on April 8, 2008, entitled When Angels & Serpents Dance. On July 28, 2008, the group played a free public performance at the Orange County Choppers headquarters in Newburgh, NY, with OCC The Band opening.", "On July 28, 2008, the group played a free public performance at the Orange County Choppers headquarters in Newburgh, NY, with OCC The Band opening. The band also played on August 16, 2008, at the Angel Stadium of Anaheim's annual Harvest Crusade. During September 2008 P.O.D played alongside Redline, Behind Crimson Eyes, Alter Bridge, and Disturbed as part of the Music As a Weapon tour 2008 in Australia. Murdered Love (2010–2013) The band headlined the first annual Spring Jam Fest in May 2011.", "Murdered Love (2010–2013) The band headlined the first annual Spring Jam Fest in May 2011. They appeared on the Rock of Allegiance tour later that summer. On July 25, 2011, the band released a demo of the song \"On Fire\" as a free download on their official website. In October 2011, P.O.D. announced a multi-album artist deal with Razor & Tie. On April 5, 2012, the song \"Eyez\" became a free download on the band's website for a limited time.", "On April 5, 2012, the song \"Eyez\" became a free download on the band's website for a limited time. Shortly after, an article on their website stated that \"Lost in Forever\" would be the first single from the new album, entitled Murdered Love. Murdered Love was originally going to be released in June 2012, but was instead pushed back to July 10. The album was produced by Howard Benson, who also produced Satellite and The Fundamental Elements of Southtown.", "The album was produced by Howard Benson, who also produced Satellite and The Fundamental Elements of Southtown. It was described by Curiel as \"Back to our roots. A little bit of hip hop, a little bit of punk rock, or reggae\". The album caused controversy concerning its eleventh track, \"I Am\", which uses the word \"fuck\" (albeit backmasked).", "The album caused controversy concerning its eleventh track, \"I Am\", which uses the word \"fuck\" (albeit backmasked). Sandoval, explaining the purpose of the song, said, \"being up close and personal with these kids, that's what came out in that song.", "Sandoval, explaining the purpose of the song, said, \"being up close and personal with these kids, that's what came out in that song. I'm a man of faith and I'm a follower and a believer of Jesus Christ, and in talking to these kids, and even in talking to people just throughout my career in P.O.D., a lot of these bands and athletes and all these people that you meet, they don't have a problem with Jesus.", "I'm a man of faith and I'm a follower and a believer of Jesus Christ, and in talking to these kids, and even in talking to people just throughout my career in P.O.D., a lot of these bands and athletes and all these people that you meet, they don't have a problem with Jesus. They have a problem with people that are religious and claim to know Jesus, but aren't living it or acting it and aren't loving the way Jesus did.", "They have a problem with people that are religious and claim to know Jesus, but aren't living it or acting it and aren't loving the way Jesus did. In my faith, if I believe that Jesus paid for the sins of the world, and I'm all these things, this is what's going on in the real world, and do you still love someone like me?", "In my faith, if I believe that Jesus paid for the sins of the world, and I'm all these things, this is what's going on in the real world, and do you still love someone like me? And even though I know you do, and I believe in you, I believe in your forgiveness and your grace and your mercy, there's still so much confusion around me that everybody's getting in the way and trying to take your place.", "And even though I know you do, and I believe in you, I believe in your forgiveness and your grace and your mercy, there's still so much confusion around me that everybody's getting in the way and trying to take your place. Everything gets in my way from seeing who Jesus was...We had that song for almost a year, and I didn't take it lightly. I'd been praying on it for over a year. I'd actually took counsel and let people hear it.", "I'd actually took counsel and let people hear it. And it was 50/50. Some people are like, you know what, go for it. Because my heart is like, I don't write music for Christians. I don't write music for people that I believe are saved and going to heaven. If it's a breath of you and encourages you and gives you a sense of power to go balls out for what you believe in, then by all means.", "If it's a breath of you and encourages you and gives you a sense of power to go balls out for what you believe in, then by all means. But ultimately we're trying to reach people fed up with religion that are sick and tired of it, and people that are in the real world that really are lost and confused. Our music has always been a tool to bring hope to those people.", "Our music has always been a tool to bring hope to those people. I'm sorry we can't please everybody in the church, but ultimately in our faith, I believe you're taken care of. There are a lot of people that live in the real world that are out on the streets, that are prostituting themselves, that are being sexually abused, that are being murdered and killed, and it's an evil world. And sometimes you've got to just give them the truth flat out.", "And sometimes you've got to just give them the truth flat out. And it might offend some people. Might offend a lot of people. But at the end of the day, if they understand it and they get it, and they allow God to speak straight into their soul, then I think it's worth the slap on the hand.\" The band went on tour with Shinedown and Three Days Grace as an opening act.", "The band went on tour with Shinedown and Three Days Grace as an opening act. In a 2012 interview with Broken Records Magazine, Sandoval said that the band had to get their lives back in order and take care of personal needs before getting back into music, but was extremely happy about the response the band was getting from fans. On October 22, 2013, P.O.D. released a deluxe edition of Murdered Love.", "released a deluxe edition of Murdered Love. released a deluxe edition of Murdered Love. The album contains the original songs, slightly remixed, along with bonus tracks \"Find a Way\", \"Burn It Down\", acoustic versions of \"Beautiful\" and \"West Coast Rock Steady\", a remixed version of \"On Fire\", and music videos for \"Murdered Love\", \"Beautiful\", \"Higher\", and \"Lost In Forever\".", "The album contains the original songs, slightly remixed, along with bonus tracks \"Find a Way\", \"Burn It Down\", acoustic versions of \"Beautiful\" and \"West Coast Rock Steady\", a remixed version of \"On Fire\", and music videos for \"Murdered Love\", \"Beautiful\", \"Higher\", and \"Lost In Forever\". Multiple behind the scenes videos were also on the track list. SoCal Sessions, The Awakening and Circles (2014–present) In mid-2014, P.O.D.", "SoCal Sessions, The Awakening and Circles (2014–present) In mid-2014, P.O.D. announced an acoustic album to be released toward the end of the year. The album was crowd-funded on the website PledgeMusic. On October 20, 2014, P.O.D. announced a new record deal with T-Boy Records along with a new acoustic album. SoCal Sessions was released on November 17, 2014, and contained songs such as \"Alive\" and \"Youth of the Nation\".", "SoCal Sessions was released on November 17, 2014, and contained songs such as \"Alive\" and \"Youth of the Nation\". The band followed that release with another studio album, The Awakening, released on August 21, 2015, which was produced by Howard Benson, with guest vocalists such as Maria Brink of In This Moment and Lou Koller of Sick of It All.", "The band followed that release with another studio album, The Awakening, released on August 21, 2015, which was produced by Howard Benson, with guest vocalists such as Maria Brink of In This Moment and Lou Koller of Sick of It All. On May 17, 2016, the band announced that they would be taking part in the Make America Rock Again super tour throughout the summer and fall 2016. The tour featured a number of artists who had success throughout the 2000s.", "The tour featured a number of artists who had success throughout the 2000s. On August 18, 2017, the band released a new song, \"Soundboy Killa\", and embarked on a fall tour promoting the song. In January 2018, it was announced that the band had signed a new record deal with Mascot Records. They toured alongside Alien Ant Farm, Lit, and Buckcherry on the \"Gen-X Tour\" in 2018. Their tenth studio album, Circles, was released on November 16, 2018.", "Their tenth studio album, Circles, was released on November 16, 2018. Their band were scheduled to start their Satellite Album 20th Anniversary tour in Sturgis, South Dakota at Buffalo Chip on August 14, 2021, and end on October 7, 2021, at the House of Blues in San Diego, California. Musical style and influences The band's name, Payable on Death (P.O.D. ), derives itself from the banking term \"Payable on Death\".", "), derives itself from the banking term \"Payable on Death\". The band chose this name to be a direct tie in with the Christian theology that explains that since Jesus died on the Cross, Christians' debts to God have been paid for; in other words all believers, in their acceptance that Jesus was sacrificed for them on God's behalf, have inherited eternal life. P.O.D.", "P.O.D. P.O.D. 's style has evolved over the years, from the rap metal sound on their early albums to the nu metal and reggae-infused alternative metal styles for which they're most well known. The band's seventh album, When Angels & Serpents Dance, is a combination of alternative rock, reggae rock and Latin-influenced metal with almost none of the rap metal or nu metal sound of their older releases. P.O.D.", "P.O.D. P.O.D. 's influences include Boogie Down Productions, Run-DMC, U2, the Police, Bad Brains, Santana, Metallica, AC/DC, Suicidal Tendencies, Bob Marley, Primus, Earth, Wind & Fire, 24-7 Spyz, and Steel Pulse.", "'s influences include Boogie Down Productions, Run-DMC, U2, the Police, Bad Brains, Santana, Metallica, AC/DC, Suicidal Tendencies, Bob Marley, Primus, Earth, Wind & Fire, 24-7 Spyz, and Steel Pulse. Band members Current members Wuv Bernardo − drums, rhythm guitar, backing vocals (1992–present) Sonny Sandoval − lead vocals (1992–present) Traa Daniels − bass, backing vocals (1993–present) Marcos Curiel − lead guitar, programming, backing vocals (1992–2003, 2006–present) Former members Gabe Portillo − bass, backing vocals (1992–1993) Jason Truby − lead guitar, backing vocals <small>(Living Sacrifice) (2003–2006) Former touring musicians Tim Pacheco – backing vocals, percussion, trumpet, keyboards (2006) Luis Castillo – keyboards, backing vocals, percussion (2011–2016) Sameer Bhattacharya – keyboards, backing vocals (2016–2018) Jonny Beats – drums (February – March 2019, October – November 2019) Timeline Discography Snuff the Punk (1994) Brown (1996) The Fundamental Elements of Southtown (1999) Satellite (2001) Payable on Death (2003) Testify (2006) When Angels & Serpents Dance (2008) Murdered Love (2012) SoCal Sessions (2014) The Awakening (2015) Circles (2018) Awards American Music Awards 2003 - Favorite Contemporary Inspirational Artist (nomination) Echo Awards 2003 - International Alternative Group of the Year San Diego Music Awards 1999 - Best Hard Rock Artist 2000 - Best Hard Rock Artist Note: Album- and single-specific awards and nominations are listed under their respective articles.", "Band members Current members Wuv Bernardo − drums, rhythm guitar, backing vocals (1992–present) Sonny Sandoval − lead vocals (1992–present) Traa Daniels − bass, backing vocals (1993–present) Marcos Curiel − lead guitar, programming, backing vocals (1992–2003, 2006–present) Former members Gabe Portillo − bass, backing vocals (1992–1993) Jason Truby − lead guitar, backing vocals <small>(Living Sacrifice) (2003–2006) Former touring musicians Tim Pacheco – backing vocals, percussion, trumpet, keyboards (2006) Luis Castillo – keyboards, backing vocals, percussion (2011–2016) Sameer Bhattacharya – keyboards, backing vocals (2016–2018) Jonny Beats – drums (February – March 2019, October – November 2019) Timeline Discography Snuff the Punk (1994) Brown (1996) The Fundamental Elements of Southtown (1999) Satellite (2001) Payable on Death (2003) Testify (2006) When Angels & Serpents Dance (2008) Murdered Love (2012) SoCal Sessions (2014) The Awakening (2015) Circles (2018) Awards American Music Awards 2003 - Favorite Contemporary Inspirational Artist (nomination) Echo Awards 2003 - International Alternative Group of the Year San Diego Music Awards 1999 - Best Hard Rock Artist 2000 - Best Hard Rock Artist Note: Album- and single-specific awards and nominations are listed under their respective articles. References External links American alternative metal musical groups American Christian metal musical groups Atlantic Records artists Christian alternative metal groups Christian rock groups from California Hard rock musical groups from California Musical groups established in 1992 Musical groups from San Diego Musical quartets Nu metal musical groups from California Rapcore groups P.O.D.", "References External links American alternative metal musical groups American Christian metal musical groups Atlantic Records artists Christian alternative metal groups Christian rock groups from California Hard rock musical groups from California Musical groups established in 1992 Musical groups from San Diego Musical quartets Nu metal musical groups from California Rapcore groups P.O.D. Razor & Tie artists" ]

[ "P.O.D.", "Murdered Love (2010-2013)", "What is Murdered Love?", "Murdered Love was originally going to be released in June 2012, but was instead pushed back to July 10." ]

[ "King vs. Queen is the debut album of indie rock group Brighten, released on March 20, 2007.\n\nOverview\nThe album was originally slated for a fall 2006 release, but was pushed back. However, before the album's intended release, Victory Records sued Carbon Copy Media (Brighten's then-current label). As a result of this, Brighten decided to go independent from Victory. On March 20, 2007, King vs. Queen was released to retail stores across the US without the band's knowledge, due to the printing of thousands of CDs by Carbon Copy Media prior to the lawsuit. Once Brighten was made aware of this, the CD was withdrawn from stores. Only a limited number of these CDs are now available.\n\nThis CD includes re-recorded songs from the EP Ready When You Are, \"Ready When You Are\" and \"Television\".\n\nTrack listing\n\nOriginal version\n\"More Vacations\" – 2:00\n\"A Heart Like That\" – 2:13\n\"Ready When You Are\" – 3:30\n\"Treasure Island\" – 2:57\n\"Mr. Mister\" – 2:54\n\"Darling Nicotine\" – 4:43\n\"The Better Way\" – 3:48\n\"Single Millionaires\" –2:33\n\"We Chose the King\" – 3:20\n\"Television\" – 4:21\n\"Cops and Robbers\" – 3:05\n\"Why Oh Why\" – 4:52\n\nIndependent release\nFollowing the band's fallout with Victory Records and the album's withdrawal from stores, they decided to release a shorter version independently, selling it at concerts and later online at SmartPunk. This version features slightly different artwork and only 9 tracks. The track listing is as follows:\n\"More Vacations\" – 2:00\n\"Ready When You Are\" – 3:30\n\"Treasure Island\" – 2:57\n\"Darling Nicotine\" – 4:43\n\"The Better Way\" – 3:48\n\"We Chose the King\" – 3:20\n\"Television\" – 4:21\n\"Cops and Robbers\" – 3:05\n\"Why Oh Why\" – 4:52\n\nExternal links\nOfficial Brighten Myspace\n\nBrighten albums\n2007 debut albums", "Identity Crisis is the second studio album by Christian rap artist, Tedashii. It was released on May 26, 2009 after being pushed back from its originally scheduled May 19, 2009 release date.\n\nConception\n\nBackground\nTedashii based the title of the album on 1 Corinthians 15:10.\n\n\"But by the grace of God I am what I am, and his grace to me was not without effect.\"\n\nRelease and promotion\nThe album, initially intended for a May 19, 2008 release date, was pushed back to May 26, 2009 by Reach Records. In order to make up for the delay, Reach Records made two left over tracks from the album freely available online.\n\nThe album's second single, \"I'm a Believer\", featuring label mate Trip Lee and Soyé was released on iTunes on April 30, 2009.\n\nTrack listing\n\nCharts\n\nReferences\n\n2009 albums\nTedashii albums\nReach Records albums" ]

[ "Payable on Death is an American Christian metal band formed in 1992 and based in San Diego, California. The band's line-up consists of drummer and rhythm guitarist Wuv Bernardo, vocalist Sonny Sandoval, bassist Traa Daniels, and lead guitarist Marcos Curiel. They have sold over 12 million records worldwide. Over the course of their career, the band has received three Grammy Award nominations, contributed to numerous motion picture soundtracks and toured internationally.", "Over the course of their career, the band has received three Grammy Award nominations, contributed to numerous motion picture soundtracks and toured internationally. With their third studio album, The Fundamental Elements of Southtown, they achieved their initial mainstream success; the album was certified platinum by the RIAA in 2000. Their following studio album, Satellite, continued the band's success with the singles, \"Alive\" and \"Youth of the Nation\", pushing it to go triple platinum.", "Their following studio album, Satellite, continued the band's success with the singles, \"Alive\" and \"Youth of the Nation\", pushing it to go triple platinum. History Early years (1991–1993) In 1991, friends Wuv Bernardo and Marcos Curiel engaged in jam sessions, with Bernardo playing the drums and Curiel covering guitar with no vocalist. Calling themselves Eschatos, they started playing at keg parties doing Metallica and Slayer cover songs.", "Calling themselves Eschatos, they started playing at keg parties doing Metallica and Slayer cover songs. After his mother's fatal illness, Sonny Sandoval converted to Christianity and was asked by Bernardo, his cousin, to join the band as a way to keep his mind straight as mentioned on their DVD, Still Payin' Dues. They then recruited bassist Gabe Portillo and eventually changed their name to P.O.D.", "They then recruited bassist Gabe Portillo and eventually changed their name to P.O.D. Snuff the Punk and Brown (1994–1998) After recording a demo tape, Traa Daniels joined the band in 1994 when they needed a bassist for some shows to replace Portillo. P.O.D. signed with Rescue Records, a label created by Bernardo's father, Noah Bernardo Sr., who was also the band's first manager. Between 1994 and 1997, they released three albums under the label, Snuff the Punk, Brown and Payable on Death Live.", "Between 1994 and 1997, they released three albums under the label, Snuff the Punk, Brown and Payable on Death Live. Longtime manager Tim Cook was first introduced to the band when he booked them to play his club The Where-House in Bartlesville, Oklahoma following strong local word of mouth support. He later described their performance by saying: \"I stood at the back of the venue with tears in my eyes – it was the greatest thing I had ever seen.\"", "He later described their performance by saying: \"I stood at the back of the venue with tears in my eyes – it was the greatest thing I had ever seen.\" By that point, Bernardo Sr. was looking for someone else to take P.O.D. 's career further and so Cook took over as manager. Shortly after the release of Payable on Death Live, Essential Records offered P.O.D.", "Shortly after the release of Payable on Death Live, Essential Records offered P.O.D. a $100,000 recording contract, but on behalf of the band Sandoval told band manager Tim Cook to decline the offer because, \"God has a bigger plan for P.O.D.\" When, in 1998, Atlantic Records A&R John Rubeli first came across P.O.D. 's demo he \"didn't quite get it\", as he later told HitQuarters.", "'s demo he \"didn't quite get it\", as he later told HitQuarters. It was only when he saw them play live at The Roxy on the Sunset Strip and witnessed not just an enthusiastic audience singing every word but the center of a vibrant youth movement that he became convinced by the band. The band was quickly signed to a major-label deal. P.O.D. soon released The Warriors EP, a tribute EP to their loyal fans as a transitional album from Rescue Records to Atlantic Records.", "soon released The Warriors EP, a tribute EP to their loyal fans as a transitional album from Rescue Records to Atlantic Records. The Fundamental Elements of Southtown and Satellite (1999–2002) P.O.D. 's third studio album, 1999's The Fundamental Elements of Southtown, spawned the hits \"Southtown\" and \"Rock the Party (Off the Hook)\", which was their first video to reach No. 1 on MTV's Total Request Live.", "1 on MTV's Total Request Live. 1 on MTV's Total Request Live. The song \"School of Hard Knocks\" was featured on the soundtrack for Little Nicky while both \"Southtown\" and \"Rock the Party\" appeared in the movie. All three music videos endured heavy play on MTV2 and the songs were rock radio hits. The album went on to become RIAA certified platinum. On September 11, 2001 P.O.D. released their fourth studio album, Satellite.", "released their fourth studio album, Satellite. released their fourth studio album, Satellite. The album's first single, \"Alive\", went on to become one of MTV's and MTV2's top played videos of the year. The video's popularity, as well as the song's positive message, helped the song become a huge modern rock radio hit and it was Grammy nominated for Best Hard Rock Performance in 2002. Also in 2002, the band contributed the song \"America\" to Santana's album Shaman.", "Also in 2002, the band contributed the song \"America\" to Santana's album Shaman. The album's second single, \"Youth of the Nation\", was influenced in part by the school shootings at Santana High School, Columbine High School, and Granite Hills High School. It was Grammy nominated for Best Hard Rock Performance in 2003. The 2002 singles, \"Boom\" and \"Satellite\", also became quite popular.", "The 2002 singles, \"Boom\" and \"Satellite\", also became quite popular. In addition, the concluding track of the album, \"Portrait,\" was Grammy nominated for Best Metal Performance in 2003. It was used in the comedy film Here Comes the Boom, starring Kevin James. Satellite went on to become RIAA-certified triple platinum. The author of Encyclopedia of Contemporary Christian Music has described P.O.D. as \"One of the biggest success stories in recent Christian music.\"", "as \"One of the biggest success stories in recent Christian music.\" Payable on Death and Testify (2003–2006) On February 19, 2003, guitarist Curiel left the band due to his side project, The Accident Experiment, and \"spiritual differences.\" However, Curiel claimed that he was actually kicked out of the band. Curiel was replaced by Jason Truby, former member of Christian metal band Living Sacrifice, and assisted with the recording of \"Sleeping Awake\", from The Matrix Reloaded soundtrack.", "Curiel was replaced by Jason Truby, former member of Christian metal band Living Sacrifice, and assisted with the recording of \"Sleeping Awake\", from The Matrix Reloaded soundtrack. In an interview with Yahoo! Music, Sandoval stated that Truby is the reason why the group is still together. On November 4, 2003, P.O.D. released their fifth studio album, Payable on Death, which saw the group shift from their well-known rapcore sound to a darker, more melodic metal sound.", "released their fifth studio album, Payable on Death, which saw the group shift from their well-known rapcore sound to a darker, more melodic metal sound. The album was hit with controversy due to its \"occult\" cover, which led as many as 85% of Christian bookstores across the United States to ban the album. With the help of the album's hit single \"Will You\" and \"Change the World\", it went on to sell over 520,000 copies and was certified Gold.", "With the help of the album's hit single \"Will You\" and \"Change the World\", it went on to sell over 520,000 copies and was certified Gold. Sometime after the tsunami in Asia, many singers, musicians, and actors/actresses, including Sandoval and Bernardo, participated in the recording of, \"Forever in Our Hearts\", with all proceeds going to benefit the tsunami relief. P.O.D.", "P.O.D. P.O.D. 's sixth studio album Testify was slated for a December 2005 release, but was pushed back to January 24, 2006. On November 15, 2005, P.O.D. released The Warriors EP, Volume 2, which featured demos from the upcoming album, to help build up the fans' anticipation for the pending January release. The album's first single, \"Goodbye for Now\" (with a vocal tag by a then-unknown Katy Perry) went on to become a No.", "The album's first single, \"Goodbye for Now\" (with a vocal tag by a then-unknown Katy Perry) went on to become a No. 1 video on MTV's TRL, along with having a solid radio presence, it also became the band's unprecedented 4th number one video on Total Request Live. The second single off the album, \"Lights Out\" was a minor hit, but was featured as the official theme song to WWE's Survivor Series 2005.", "The second single off the album, \"Lights Out\" was a minor hit, but was featured as the official theme song to WWE's Survivor Series 2005. In another contribution to WWE, they performed fellow San Diego native Rey Mysterio's theme song \"Booyaka 619\" at WrestleMania 22. To promote their latest album, P.O.D.", "To promote their latest album, P.O.D. To promote their latest album, P.O.D. went on a nationwide tour called the \"Warriors Tour 2: Guilty by Association\", which began in April, and included the bands Pillar, The Chariot and Maylene and the Sons of Disaster. On August 11, 2006, P.O.D. announced in their online newsletter that they had left Atlantic Records. On September 16, 2006, P.O.D.", "On September 16, 2006, P.O.D. On September 16, 2006, P.O.D. announced that they had teamed up with Rhino Records to release a greatest hits record simply titled, Greatest Hits: The Atlantic Years, which was released on November 21, 2006.", "announced that they had teamed up with Rhino Records to release a greatest hits record simply titled, Greatest Hits: The Atlantic Years, which was released on November 21, 2006. They shot a music video for their single \"Going In Blind\", one of the two new songs they included in the tenth album, and they had meetings with various record labels to begin working on new material for an album they hoped to release in mid-2007.", "They shot a music video for their single \"Going In Blind\", one of the two new songs they included in the tenth album, and they had meetings with various record labels to begin working on new material for an album they hoped to release in mid-2007. When Angels & Serpents Dance (2007–2009) In a statement made by the band's manager on their MySpace page, it was officially announced, on December 30, 2006, that Jason Truby had left the band.", "When Angels & Serpents Dance (2007–2009) In a statement made by the band's manager on their MySpace page, it was officially announced, on December 30, 2006, that Jason Truby had left the band. They had said \"God worked it out because Truby decided to leave the band the same day Curiel asked to rejoin.\" Curiel performed with the band for the first time since his departure on the 2006 New Year's Eve episode of Jimmy Kimmel Live!.", "Curiel performed with the band for the first time since his departure on the 2006 New Year's Eve episode of Jimmy Kimmel Live!. On February 2, 2007, the band made a new record deal with INO Records. On June 1, 2007, at the Rockbox in San Diego, the band performed and revealed a new song entitled \"Condescending\", along with another new song performed on June 16, 2007, at the Journeys Backyard BBQ tour entitled \"Addicted\".", "On June 1, 2007, at the Rockbox in San Diego, the band performed and revealed a new song entitled \"Condescending\", along with another new song performed on June 16, 2007, at the Journeys Backyard BBQ tour entitled \"Addicted\". They also revealed the title of their new album to be When Angels & Serpents Dance.", "They also revealed the title of their new album to be When Angels & Serpents Dance. On August 4, 2007, the band played at Angel Stadium of Anaheim's annual Harvest Crusade for a crowd of 42,000, where they revealed a new song, \"I'll Be Ready\", originally thought to be titled \"When Babylon Come for I\". The album cover was officially revealed on December 10, 2007. The title track was released for free download on their site in January 2008.", "The title track was released for free download on their site in January 2008. The first single \"Addicted\" was released on February 19 and peaked at No. 30 on the Mainstream Rock chart. The album was released on April 8, 2008, entitled When Angels & Serpents Dance. On July 28, 2008, the group played a free public performance at the Orange County Choppers headquarters in Newburgh, NY, with OCC The Band opening.", "On July 28, 2008, the group played a free public performance at the Orange County Choppers headquarters in Newburgh, NY, with OCC The Band opening. The band also played on August 16, 2008, at the Angel Stadium of Anaheim's annual Harvest Crusade. During September 2008 P.O.D played alongside Redline, Behind Crimson Eyes, Alter Bridge, and Disturbed as part of the Music As a Weapon tour 2008 in Australia. Murdered Love (2010–2013) The band headlined the first annual Spring Jam Fest in May 2011.", "Murdered Love (2010–2013) The band headlined the first annual Spring Jam Fest in May 2011. They appeared on the Rock of Allegiance tour later that summer. On July 25, 2011, the band released a demo of the song \"On Fire\" as a free download on their official website. In October 2011, P.O.D. announced a multi-album artist deal with Razor & Tie. On April 5, 2012, the song \"Eyez\" became a free download on the band's website for a limited time.", "On April 5, 2012, the song \"Eyez\" became a free download on the band's website for a limited time. Shortly after, an article on their website stated that \"Lost in Forever\" would be the first single from the new album, entitled Murdered Love. Murdered Love was originally going to be released in June 2012, but was instead pushed back to July 10. The album was produced by Howard Benson, who also produced Satellite and The Fundamental Elements of Southtown.", "The album was produced by Howard Benson, who also produced Satellite and The Fundamental Elements of Southtown. It was described by Curiel as \"Back to our roots. A little bit of hip hop, a little bit of punk rock, or reggae\". The album caused controversy concerning its eleventh track, \"I Am\", which uses the word \"fuck\" (albeit backmasked).", "The album caused controversy concerning its eleventh track, \"I Am\", which uses the word \"fuck\" (albeit backmasked). Sandoval, explaining the purpose of the song, said, \"being up close and personal with these kids, that's what came out in that song.", "Sandoval, explaining the purpose of the song, said, \"being up close and personal with these kids, that's what came out in that song. I'm a man of faith and I'm a follower and a believer of Jesus Christ, and in talking to these kids, and even in talking to people just throughout my career in P.O.D., a lot of these bands and athletes and all these people that you meet, they don't have a problem with Jesus.", "I'm a man of faith and I'm a follower and a believer of Jesus Christ, and in talking to these kids, and even in talking to people just throughout my career in P.O.D., a lot of these bands and athletes and all these people that you meet, they don't have a problem with Jesus. They have a problem with people that are religious and claim to know Jesus, but aren't living it or acting it and aren't loving the way Jesus did.", "They have a problem with people that are religious and claim to know Jesus, but aren't living it or acting it and aren't loving the way Jesus did. In my faith, if I believe that Jesus paid for the sins of the world, and I'm all these things, this is what's going on in the real world, and do you still love someone like me?", "In my faith, if I believe that Jesus paid for the sins of the world, and I'm all these things, this is what's going on in the real world, and do you still love someone like me? And even though I know you do, and I believe in you, I believe in your forgiveness and your grace and your mercy, there's still so much confusion around me that everybody's getting in the way and trying to take your place.", "And even though I know you do, and I believe in you, I believe in your forgiveness and your grace and your mercy, there's still so much confusion around me that everybody's getting in the way and trying to take your place. Everything gets in my way from seeing who Jesus was...We had that song for almost a year, and I didn't take it lightly. I'd been praying on it for over a year. I'd actually took counsel and let people hear it.", "I'd actually took counsel and let people hear it. And it was 50/50. Some people are like, you know what, go for it. Because my heart is like, I don't write music for Christians. I don't write music for people that I believe are saved and going to heaven. If it's a breath of you and encourages you and gives you a sense of power to go balls out for what you believe in, then by all means.", "If it's a breath of you and encourages you and gives you a sense of power to go balls out for what you believe in, then by all means. But ultimately we're trying to reach people fed up with religion that are sick and tired of it, and people that are in the real world that really are lost and confused. Our music has always been a tool to bring hope to those people.", "Our music has always been a tool to bring hope to those people. I'm sorry we can't please everybody in the church, but ultimately in our faith, I believe you're taken care of. There are a lot of people that live in the real world that are out on the streets, that are prostituting themselves, that are being sexually abused, that are being murdered and killed, and it's an evil world. And sometimes you've got to just give them the truth flat out.", "And sometimes you've got to just give them the truth flat out. And it might offend some people. Might offend a lot of people. But at the end of the day, if they understand it and they get it, and they allow God to speak straight into their soul, then I think it's worth the slap on the hand.\" The band went on tour with Shinedown and Three Days Grace as an opening act.", "The band went on tour with Shinedown and Three Days Grace as an opening act. In a 2012 interview with Broken Records Magazine, Sandoval said that the band had to get their lives back in order and take care of personal needs before getting back into music, but was extremely happy about the response the band was getting from fans. On October 22, 2013, P.O.D. released a deluxe edition of Murdered Love.", "released a deluxe edition of Murdered Love. released a deluxe edition of Murdered Love. The album contains the original songs, slightly remixed, along with bonus tracks \"Find a Way\", \"Burn It Down\", acoustic versions of \"Beautiful\" and \"West Coast Rock Steady\", a remixed version of \"On Fire\", and music videos for \"Murdered Love\", \"Beautiful\", \"Higher\", and \"Lost In Forever\".", "The album contains the original songs, slightly remixed, along with bonus tracks \"Find a Way\", \"Burn It Down\", acoustic versions of \"Beautiful\" and \"West Coast Rock Steady\", a remixed version of \"On Fire\", and music videos for \"Murdered Love\", \"Beautiful\", \"Higher\", and \"Lost In Forever\". Multiple behind the scenes videos were also on the track list. SoCal Sessions, The Awakening and Circles (2014–present) In mid-2014, P.O.D.", "SoCal Sessions, The Awakening and Circles (2014–present) In mid-2014, P.O.D. announced an acoustic album to be released toward the end of the year. The album was crowd-funded on the website PledgeMusic. On October 20, 2014, P.O.D. announced a new record deal with T-Boy Records along with a new acoustic album. SoCal Sessions was released on November 17, 2014, and contained songs such as \"Alive\" and \"Youth of the Nation\".", "SoCal Sessions was released on November 17, 2014, and contained songs such as \"Alive\" and \"Youth of the Nation\". The band followed that release with another studio album, The Awakening, released on August 21, 2015, which was produced by Howard Benson, with guest vocalists such as Maria Brink of In This Moment and Lou Koller of Sick of It All.", "The band followed that release with another studio album, The Awakening, released on August 21, 2015, which was produced by Howard Benson, with guest vocalists such as Maria Brink of In This Moment and Lou Koller of Sick of It All. On May 17, 2016, the band announced that they would be taking part in the Make America Rock Again super tour throughout the summer and fall 2016. The tour featured a number of artists who had success throughout the 2000s.", "The tour featured a number of artists who had success throughout the 2000s. On August 18, 2017, the band released a new song, \"Soundboy Killa\", and embarked on a fall tour promoting the song. In January 2018, it was announced that the band had signed a new record deal with Mascot Records. They toured alongside Alien Ant Farm, Lit, and Buckcherry on the \"Gen-X Tour\" in 2018. Their tenth studio album, Circles, was released on November 16, 2018.", "Their tenth studio album, Circles, was released on November 16, 2018. Their band were scheduled to start their Satellite Album 20th Anniversary tour in Sturgis, South Dakota at Buffalo Chip on August 14, 2021, and end on October 7, 2021, at the House of Blues in San Diego, California. Musical style and influences The band's name, Payable on Death (P.O.D. ), derives itself from the banking term \"Payable on Death\".", "), derives itself from the banking term \"Payable on Death\". The band chose this name to be a direct tie in with the Christian theology that explains that since Jesus died on the Cross, Christians' debts to God have been paid for; in other words all believers, in their acceptance that Jesus was sacrificed for them on God's behalf, have inherited eternal life. P.O.D.", "P.O.D. P.O.D. 's style has evolved over the years, from the rap metal sound on their early albums to the nu metal and reggae-infused alternative metal styles for which they're most well known. The band's seventh album, When Angels & Serpents Dance, is a combination of alternative rock, reggae rock and Latin-influenced metal with almost none of the rap metal or nu metal sound of their older releases. P.O.D.", "P.O.D. P.O.D. 's influences include Boogie Down Productions, Run-DMC, U2, the Police, Bad Brains, Santana, Metallica, AC/DC, Suicidal Tendencies, Bob Marley, Primus, Earth, Wind & Fire, 24-7 Spyz, and Steel Pulse.", "'s influences include Boogie Down Productions, Run-DMC, U2, the Police, Bad Brains, Santana, Metallica, AC/DC, Suicidal Tendencies, Bob Marley, Primus, Earth, Wind & Fire, 24-7 Spyz, and Steel Pulse. Band members Current members Wuv Bernardo − drums, rhythm guitar, backing vocals (1992–present) Sonny Sandoval − lead vocals (1992–present) Traa Daniels − bass, backing vocals (1993–present) Marcos Curiel − lead guitar, programming, backing vocals (1992–2003, 2006–present) Former members Gabe Portillo − bass, backing vocals (1992–1993) Jason Truby − lead guitar, backing vocals <small>(Living Sacrifice) (2003–2006) Former touring musicians Tim Pacheco – backing vocals, percussion, trumpet, keyboards (2006) Luis Castillo – keyboards, backing vocals, percussion (2011–2016) Sameer Bhattacharya – keyboards, backing vocals (2016–2018) Jonny Beats – drums (February – March 2019, October – November 2019) Timeline Discography Snuff the Punk (1994) Brown (1996) The Fundamental Elements of Southtown (1999) Satellite (2001) Payable on Death (2003) Testify (2006) When Angels & Serpents Dance (2008) Murdered Love (2012) SoCal Sessions (2014) The Awakening (2015) Circles (2018) Awards American Music Awards 2003 - Favorite Contemporary Inspirational Artist (nomination) Echo Awards 2003 - International Alternative Group of the Year San Diego Music Awards 1999 - Best Hard Rock Artist 2000 - Best Hard Rock Artist Note: Album- and single-specific awards and nominations are listed under their respective articles.", "Band members Current members Wuv Bernardo − drums, rhythm guitar, backing vocals (1992–present) Sonny Sandoval − lead vocals (1992–present) Traa Daniels − bass, backing vocals (1993–present) Marcos Curiel − lead guitar, programming, backing vocals (1992–2003, 2006–present) Former members Gabe Portillo − bass, backing vocals (1992–1993) Jason Truby − lead guitar, backing vocals <small>(Living Sacrifice) (2003–2006) Former touring musicians Tim Pacheco – backing vocals, percussion, trumpet, keyboards (2006) Luis Castillo – keyboards, backing vocals, percussion (2011–2016) Sameer Bhattacharya – keyboards, backing vocals (2016–2018) Jonny Beats – drums (February – March 2019, October – November 2019) Timeline Discography Snuff the Punk (1994) Brown (1996) The Fundamental Elements of Southtown (1999) Satellite (2001) Payable on Death (2003) Testify (2006) When Angels & Serpents Dance (2008) Murdered Love (2012) SoCal Sessions (2014) The Awakening (2015) Circles (2018) Awards American Music Awards 2003 - Favorite Contemporary Inspirational Artist (nomination) Echo Awards 2003 - International Alternative Group of the Year San Diego Music Awards 1999 - Best Hard Rock Artist 2000 - Best Hard Rock Artist Note: Album- and single-specific awards and nominations are listed under their respective articles. References External links American alternative metal musical groups American Christian metal musical groups Atlantic Records artists Christian alternative metal groups Christian rock groups from California Hard rock musical groups from California Musical groups established in 1992 Musical groups from San Diego Musical quartets Nu metal musical groups from California Rapcore groups P.O.D.", "References External links American alternative metal musical groups American Christian metal musical groups Atlantic Records artists Christian alternative metal groups Christian rock groups from California Hard rock musical groups from California Musical groups established in 1992 Musical groups from San Diego Musical quartets Nu metal musical groups from California Rapcore groups P.O.D. Razor & Tie artists" ]

[ "P.O.D.", "Murdered Love (2010-2013)", "What is Murdered Love?", "Murdered Love was originally going to be released in June 2012, but was instead pushed back to July 10.", "Why was it pushed back?", "In a 2012 interview with Broken Records Magazine, Sandoval said that the band had to get their lives back in order and take care of personal needs" ]

[ "Return of the 1 Hit Wonder is the fourth album by rapper, Young MC. The album was released in 1997 for Overall Records and was Young MC's first release on an independent record label. While the album did not chart on any album charts, it did have two charting singles; \"Madame Buttafly\" reached No. 25 on the Hot Rap Songs and \"On & Poppin\" reached No. 23. The title refers to Young MC's only Billboard Hot 100 top 10 hit, \"Bust A Move\".\n\nTrack listing\n\"One Hit\" \n\"Freakie\" \n\"On & Poppin'\" \n\"You Ain't Gotta Lie Ta Kick It\" \n\"Madame Buttafly\" \n\"Lingerie\" \n\"Coast 2 Coast\" \n\"Fuel to the Fire\" \n\"Bring It Home\" \n\"Intensify\" \n\"Mr. Right Now\" \n\"On & Poppin'\" (Remix)\n\nReferences\n\nYoung MC albums\n1997 albums", "Knockin' Boots 2001: A Sex Odyssey is the fifth and thus far final studio album by rapper Candyman. The album was released on February 6, 2001 for X-Ray Records and was produced by Candyman. The album was the fourth straight critical and commercial flop for Candyman and like his previous four albums, did not chart on any album charts or feature any hit singles.\n\nTrack listing\n\n2001 albums\nCandyman (rapper) albums" ]

[ "Payable on Death is an American Christian metal band formed in 1992 and based in San Diego, California. The band's line-up consists of drummer and rhythm guitarist Wuv Bernardo, vocalist Sonny Sandoval, bassist Traa Daniels, and lead guitarist Marcos Curiel. They have sold over 12 million records worldwide. Over the course of their career, the band has received three Grammy Award nominations, contributed to numerous motion picture soundtracks and toured internationally.", "Over the course of their career, the band has received three Grammy Award nominations, contributed to numerous motion picture soundtracks and toured internationally. With their third studio album, The Fundamental Elements of Southtown, they achieved their initial mainstream success; the album was certified platinum by the RIAA in 2000. Their following studio album, Satellite, continued the band's success with the singles, \"Alive\" and \"Youth of the Nation\", pushing it to go triple platinum.", "Their following studio album, Satellite, continued the band's success with the singles, \"Alive\" and \"Youth of the Nation\", pushing it to go triple platinum. History Early years (1991–1993) In 1991, friends Wuv Bernardo and Marcos Curiel engaged in jam sessions, with Bernardo playing the drums and Curiel covering guitar with no vocalist. Calling themselves Eschatos, they started playing at keg parties doing Metallica and Slayer cover songs.", "Calling themselves Eschatos, they started playing at keg parties doing Metallica and Slayer cover songs. After his mother's fatal illness, Sonny Sandoval converted to Christianity and was asked by Bernardo, his cousin, to join the band as a way to keep his mind straight as mentioned on their DVD, Still Payin' Dues. They then recruited bassist Gabe Portillo and eventually changed their name to P.O.D.", "They then recruited bassist Gabe Portillo and eventually changed their name to P.O.D. Snuff the Punk and Brown (1994–1998) After recording a demo tape, Traa Daniels joined the band in 1994 when they needed a bassist for some shows to replace Portillo. P.O.D. signed with Rescue Records, a label created by Bernardo's father, Noah Bernardo Sr., who was also the band's first manager. Between 1994 and 1997, they released three albums under the label, Snuff the Punk, Brown and Payable on Death Live.", "Between 1994 and 1997, they released three albums under the label, Snuff the Punk, Brown and Payable on Death Live. Longtime manager Tim Cook was first introduced to the band when he booked them to play his club The Where-House in Bartlesville, Oklahoma following strong local word of mouth support. He later described their performance by saying: \"I stood at the back of the venue with tears in my eyes – it was the greatest thing I had ever seen.\"", "He later described their performance by saying: \"I stood at the back of the venue with tears in my eyes – it was the greatest thing I had ever seen.\" By that point, Bernardo Sr. was looking for someone else to take P.O.D. 's career further and so Cook took over as manager. Shortly after the release of Payable on Death Live, Essential Records offered P.O.D.", "Shortly after the release of Payable on Death Live, Essential Records offered P.O.D. a $100,000 recording contract, but on behalf of the band Sandoval told band manager Tim Cook to decline the offer because, \"God has a bigger plan for P.O.D.\" When, in 1998, Atlantic Records A&R John Rubeli first came across P.O.D. 's demo he \"didn't quite get it\", as he later told HitQuarters.", "'s demo he \"didn't quite get it\", as he later told HitQuarters. It was only when he saw them play live at The Roxy on the Sunset Strip and witnessed not just an enthusiastic audience singing every word but the center of a vibrant youth movement that he became convinced by the band. The band was quickly signed to a major-label deal. P.O.D. soon released The Warriors EP, a tribute EP to their loyal fans as a transitional album from Rescue Records to Atlantic Records.", "soon released The Warriors EP, a tribute EP to their loyal fans as a transitional album from Rescue Records to Atlantic Records. The Fundamental Elements of Southtown and Satellite (1999–2002) P.O.D. 's third studio album, 1999's The Fundamental Elements of Southtown, spawned the hits \"Southtown\" and \"Rock the Party (Off the Hook)\", which was their first video to reach No. 1 on MTV's Total Request Live.", "1 on MTV's Total Request Live. 1 on MTV's Total Request Live. The song \"School of Hard Knocks\" was featured on the soundtrack for Little Nicky while both \"Southtown\" and \"Rock the Party\" appeared in the movie. All three music videos endured heavy play on MTV2 and the songs were rock radio hits. The album went on to become RIAA certified platinum. On September 11, 2001 P.O.D. released their fourth studio album, Satellite.", "released their fourth studio album, Satellite. released their fourth studio album, Satellite. The album's first single, \"Alive\", went on to become one of MTV's and MTV2's top played videos of the year. The video's popularity, as well as the song's positive message, helped the song become a huge modern rock radio hit and it was Grammy nominated for Best Hard Rock Performance in 2002. Also in 2002, the band contributed the song \"America\" to Santana's album Shaman.", "Also in 2002, the band contributed the song \"America\" to Santana's album Shaman. The album's second single, \"Youth of the Nation\", was influenced in part by the school shootings at Santana High School, Columbine High School, and Granite Hills High School. It was Grammy nominated for Best Hard Rock Performance in 2003. The 2002 singles, \"Boom\" and \"Satellite\", also became quite popular.", "The 2002 singles, \"Boom\" and \"Satellite\", also became quite popular. In addition, the concluding track of the album, \"Portrait,\" was Grammy nominated for Best Metal Performance in 2003. It was used in the comedy film Here Comes the Boom, starring Kevin James. Satellite went on to become RIAA-certified triple platinum. The author of Encyclopedia of Contemporary Christian Music has described P.O.D. as \"One of the biggest success stories in recent Christian music.\"", "as \"One of the biggest success stories in recent Christian music.\" Payable on Death and Testify (2003–2006) On February 19, 2003, guitarist Curiel left the band due to his side project, The Accident Experiment, and \"spiritual differences.\" However, Curiel claimed that he was actually kicked out of the band. Curiel was replaced by Jason Truby, former member of Christian metal band Living Sacrifice, and assisted with the recording of \"Sleeping Awake\", from The Matrix Reloaded soundtrack.", "Curiel was replaced by Jason Truby, former member of Christian metal band Living Sacrifice, and assisted with the recording of \"Sleeping Awake\", from The Matrix Reloaded soundtrack. In an interview with Yahoo! Music, Sandoval stated that Truby is the reason why the group is still together. On November 4, 2003, P.O.D. released their fifth studio album, Payable on Death, which saw the group shift from their well-known rapcore sound to a darker, more melodic metal sound.", "released their fifth studio album, Payable on Death, which saw the group shift from their well-known rapcore sound to a darker, more melodic metal sound. The album was hit with controversy due to its \"occult\" cover, which led as many as 85% of Christian bookstores across the United States to ban the album. With the help of the album's hit single \"Will You\" and \"Change the World\", it went on to sell over 520,000 copies and was certified Gold.", "With the help of the album's hit single \"Will You\" and \"Change the World\", it went on to sell over 520,000 copies and was certified Gold. Sometime after the tsunami in Asia, many singers, musicians, and actors/actresses, including Sandoval and Bernardo, participated in the recording of, \"Forever in Our Hearts\", with all proceeds going to benefit the tsunami relief. P.O.D.", "P.O.D. P.O.D. 's sixth studio album Testify was slated for a December 2005 release, but was pushed back to January 24, 2006. On November 15, 2005, P.O.D. released The Warriors EP, Volume 2, which featured demos from the upcoming album, to help build up the fans' anticipation for the pending January release. The album's first single, \"Goodbye for Now\" (with a vocal tag by a then-unknown Katy Perry) went on to become a No.", "The album's first single, \"Goodbye for Now\" (with a vocal tag by a then-unknown Katy Perry) went on to become a No. 1 video on MTV's TRL, along with having a solid radio presence, it also became the band's unprecedented 4th number one video on Total Request Live. The second single off the album, \"Lights Out\" was a minor hit, but was featured as the official theme song to WWE's Survivor Series 2005.", "The second single off the album, \"Lights Out\" was a minor hit, but was featured as the official theme song to WWE's Survivor Series 2005. In another contribution to WWE, they performed fellow San Diego native Rey Mysterio's theme song \"Booyaka 619\" at WrestleMania 22. To promote their latest album, P.O.D.", "To promote their latest album, P.O.D. To promote their latest album, P.O.D. went on a nationwide tour called the \"Warriors Tour 2: Guilty by Association\", which began in April, and included the bands Pillar, The Chariot and Maylene and the Sons of Disaster. On August 11, 2006, P.O.D. announced in their online newsletter that they had left Atlantic Records. On September 16, 2006, P.O.D.", "On September 16, 2006, P.O.D. On September 16, 2006, P.O.D. announced that they had teamed up with Rhino Records to release a greatest hits record simply titled, Greatest Hits: The Atlantic Years, which was released on November 21, 2006.", "announced that they had teamed up with Rhino Records to release a greatest hits record simply titled, Greatest Hits: The Atlantic Years, which was released on November 21, 2006. They shot a music video for their single \"Going In Blind\", one of the two new songs they included in the tenth album, and they had meetings with various record labels to begin working on new material for an album they hoped to release in mid-2007.", "They shot a music video for their single \"Going In Blind\", one of the two new songs they included in the tenth album, and they had meetings with various record labels to begin working on new material for an album they hoped to release in mid-2007. When Angels & Serpents Dance (2007–2009) In a statement made by the band's manager on their MySpace page, it was officially announced, on December 30, 2006, that Jason Truby had left the band.", "When Angels & Serpents Dance (2007–2009) In a statement made by the band's manager on their MySpace page, it was officially announced, on December 30, 2006, that Jason Truby had left the band. They had said \"God worked it out because Truby decided to leave the band the same day Curiel asked to rejoin.\" Curiel performed with the band for the first time since his departure on the 2006 New Year's Eve episode of Jimmy Kimmel Live!.", "Curiel performed with the band for the first time since his departure on the 2006 New Year's Eve episode of Jimmy Kimmel Live!. On February 2, 2007, the band made a new record deal with INO Records. On June 1, 2007, at the Rockbox in San Diego, the band performed and revealed a new song entitled \"Condescending\", along with another new song performed on June 16, 2007, at the Journeys Backyard BBQ tour entitled \"Addicted\".", "On June 1, 2007, at the Rockbox in San Diego, the band performed and revealed a new song entitled \"Condescending\", along with another new song performed on June 16, 2007, at the Journeys Backyard BBQ tour entitled \"Addicted\". They also revealed the title of their new album to be When Angels & Serpents Dance.", "They also revealed the title of their new album to be When Angels & Serpents Dance. On August 4, 2007, the band played at Angel Stadium of Anaheim's annual Harvest Crusade for a crowd of 42,000, where they revealed a new song, \"I'll Be Ready\", originally thought to be titled \"When Babylon Come for I\". The album cover was officially revealed on December 10, 2007. The title track was released for free download on their site in January 2008.", "The title track was released for free download on their site in January 2008. The first single \"Addicted\" was released on February 19 and peaked at No. 30 on the Mainstream Rock chart. The album was released on April 8, 2008, entitled When Angels & Serpents Dance. On July 28, 2008, the group played a free public performance at the Orange County Choppers headquarters in Newburgh, NY, with OCC The Band opening.", "On July 28, 2008, the group played a free public performance at the Orange County Choppers headquarters in Newburgh, NY, with OCC The Band opening. The band also played on August 16, 2008, at the Angel Stadium of Anaheim's annual Harvest Crusade. During September 2008 P.O.D played alongside Redline, Behind Crimson Eyes, Alter Bridge, and Disturbed as part of the Music As a Weapon tour 2008 in Australia. Murdered Love (2010–2013) The band headlined the first annual Spring Jam Fest in May 2011.", "Murdered Love (2010–2013) The band headlined the first annual Spring Jam Fest in May 2011. They appeared on the Rock of Allegiance tour later that summer. On July 25, 2011, the band released a demo of the song \"On Fire\" as a free download on their official website. In October 2011, P.O.D. announced a multi-album artist deal with Razor & Tie. On April 5, 2012, the song \"Eyez\" became a free download on the band's website for a limited time.", "On April 5, 2012, the song \"Eyez\" became a free download on the band's website for a limited time. Shortly after, an article on their website stated that \"Lost in Forever\" would be the first single from the new album, entitled Murdered Love. Murdered Love was originally going to be released in June 2012, but was instead pushed back to July 10. The album was produced by Howard Benson, who also produced Satellite and The Fundamental Elements of Southtown.", "The album was produced by Howard Benson, who also produced Satellite and The Fundamental Elements of Southtown. It was described by Curiel as \"Back to our roots. A little bit of hip hop, a little bit of punk rock, or reggae\". The album caused controversy concerning its eleventh track, \"I Am\", which uses the word \"fuck\" (albeit backmasked).", "The album caused controversy concerning its eleventh track, \"I Am\", which uses the word \"fuck\" (albeit backmasked). Sandoval, explaining the purpose of the song, said, \"being up close and personal with these kids, that's what came out in that song.", "Sandoval, explaining the purpose of the song, said, \"being up close and personal with these kids, that's what came out in that song. I'm a man of faith and I'm a follower and a believer of Jesus Christ, and in talking to these kids, and even in talking to people just throughout my career in P.O.D., a lot of these bands and athletes and all these people that you meet, they don't have a problem with Jesus.", "I'm a man of faith and I'm a follower and a believer of Jesus Christ, and in talking to these kids, and even in talking to people just throughout my career in P.O.D., a lot of these bands and athletes and all these people that you meet, they don't have a problem with Jesus. They have a problem with people that are religious and claim to know Jesus, but aren't living it or acting it and aren't loving the way Jesus did.", "They have a problem with people that are religious and claim to know Jesus, but aren't living it or acting it and aren't loving the way Jesus did. In my faith, if I believe that Jesus paid for the sins of the world, and I'm all these things, this is what's going on in the real world, and do you still love someone like me?", "In my faith, if I believe that Jesus paid for the sins of the world, and I'm all these things, this is what's going on in the real world, and do you still love someone like me? And even though I know you do, and I believe in you, I believe in your forgiveness and your grace and your mercy, there's still so much confusion around me that everybody's getting in the way and trying to take your place.", "And even though I know you do, and I believe in you, I believe in your forgiveness and your grace and your mercy, there's still so much confusion around me that everybody's getting in the way and trying to take your place. Everything gets in my way from seeing who Jesus was...We had that song for almost a year, and I didn't take it lightly. I'd been praying on it for over a year. I'd actually took counsel and let people hear it.", "I'd actually took counsel and let people hear it. And it was 50/50. Some people are like, you know what, go for it. Because my heart is like, I don't write music for Christians. I don't write music for people that I believe are saved and going to heaven. If it's a breath of you and encourages you and gives you a sense of power to go balls out for what you believe in, then by all means.", "If it's a breath of you and encourages you and gives you a sense of power to go balls out for what you believe in, then by all means. But ultimately we're trying to reach people fed up with religion that are sick and tired of it, and people that are in the real world that really are lost and confused. Our music has always been a tool to bring hope to those people.", "Our music has always been a tool to bring hope to those people. I'm sorry we can't please everybody in the church, but ultimately in our faith, I believe you're taken care of. There are a lot of people that live in the real world that are out on the streets, that are prostituting themselves, that are being sexually abused, that are being murdered and killed, and it's an evil world. And sometimes you've got to just give them the truth flat out.", "And sometimes you've got to just give them the truth flat out. And it might offend some people. Might offend a lot of people. But at the end of the day, if they understand it and they get it, and they allow God to speak straight into their soul, then I think it's worth the slap on the hand.\" The band went on tour with Shinedown and Three Days Grace as an opening act.", "The band went on tour with Shinedown and Three Days Grace as an opening act. In a 2012 interview with Broken Records Magazine, Sandoval said that the band had to get their lives back in order and take care of personal needs before getting back into music, but was extremely happy about the response the band was getting from fans. On October 22, 2013, P.O.D. released a deluxe edition of Murdered Love.", "released a deluxe edition of Murdered Love. released a deluxe edition of Murdered Love. The album contains the original songs, slightly remixed, along with bonus tracks \"Find a Way\", \"Burn It Down\", acoustic versions of \"Beautiful\" and \"West Coast Rock Steady\", a remixed version of \"On Fire\", and music videos for \"Murdered Love\", \"Beautiful\", \"Higher\", and \"Lost In Forever\".", "The album contains the original songs, slightly remixed, along with bonus tracks \"Find a Way\", \"Burn It Down\", acoustic versions of \"Beautiful\" and \"West Coast Rock Steady\", a remixed version of \"On Fire\", and music videos for \"Murdered Love\", \"Beautiful\", \"Higher\", and \"Lost In Forever\". Multiple behind the scenes videos were also on the track list. SoCal Sessions, The Awakening and Circles (2014–present) In mid-2014, P.O.D.", "SoCal Sessions, The Awakening and Circles (2014–present) In mid-2014, P.O.D. announced an acoustic album to be released toward the end of the year. The album was crowd-funded on the website PledgeMusic. On October 20, 2014, P.O.D. announced a new record deal with T-Boy Records along with a new acoustic album. SoCal Sessions was released on November 17, 2014, and contained songs such as \"Alive\" and \"Youth of the Nation\".", "SoCal Sessions was released on November 17, 2014, and contained songs such as \"Alive\" and \"Youth of the Nation\". The band followed that release with another studio album, The Awakening, released on August 21, 2015, which was produced by Howard Benson, with guest vocalists such as Maria Brink of In This Moment and Lou Koller of Sick of It All.", "The band followed that release with another studio album, The Awakening, released on August 21, 2015, which was produced by Howard Benson, with guest vocalists such as Maria Brink of In This Moment and Lou Koller of Sick of It All. On May 17, 2016, the band announced that they would be taking part in the Make America Rock Again super tour throughout the summer and fall 2016. The tour featured a number of artists who had success throughout the 2000s.", "The tour featured a number of artists who had success throughout the 2000s. On August 18, 2017, the band released a new song, \"Soundboy Killa\", and embarked on a fall tour promoting the song. In January 2018, it was announced that the band had signed a new record deal with Mascot Records. They toured alongside Alien Ant Farm, Lit, and Buckcherry on the \"Gen-X Tour\" in 2018. Their tenth studio album, Circles, was released on November 16, 2018.", "Their tenth studio album, Circles, was released on November 16, 2018. Their band were scheduled to start their Satellite Album 20th Anniversary tour in Sturgis, South Dakota at Buffalo Chip on August 14, 2021, and end on October 7, 2021, at the House of Blues in San Diego, California. Musical style and influences The band's name, Payable on Death (P.O.D. ), derives itself from the banking term \"Payable on Death\".", "), derives itself from the banking term \"Payable on Death\". The band chose this name to be a direct tie in with the Christian theology that explains that since Jesus died on the Cross, Christians' debts to God have been paid for; in other words all believers, in their acceptance that Jesus was sacrificed for them on God's behalf, have inherited eternal life. P.O.D.", "P.O.D. P.O.D. 's style has evolved over the years, from the rap metal sound on their early albums to the nu metal and reggae-infused alternative metal styles for which they're most well known. The band's seventh album, When Angels & Serpents Dance, is a combination of alternative rock, reggae rock and Latin-influenced metal with almost none of the rap metal or nu metal sound of their older releases. P.O.D.", "P.O.D. P.O.D. 's influences include Boogie Down Productions, Run-DMC, U2, the Police, Bad Brains, Santana, Metallica, AC/DC, Suicidal Tendencies, Bob Marley, Primus, Earth, Wind & Fire, 24-7 Spyz, and Steel Pulse.", "'s influences include Boogie Down Productions, Run-DMC, U2, the Police, Bad Brains, Santana, Metallica, AC/DC, Suicidal Tendencies, Bob Marley, Primus, Earth, Wind & Fire, 24-7 Spyz, and Steel Pulse. Band members Current members Wuv Bernardo − drums, rhythm guitar, backing vocals (1992–present) Sonny Sandoval − lead vocals (1992–present) Traa Daniels − bass, backing vocals (1993–present) Marcos Curiel − lead guitar, programming, backing vocals (1992–2003, 2006–present) Former members Gabe Portillo − bass, backing vocals (1992–1993) Jason Truby − lead guitar, backing vocals <small>(Living Sacrifice) (2003–2006) Former touring musicians Tim Pacheco – backing vocals, percussion, trumpet, keyboards (2006) Luis Castillo – keyboards, backing vocals, percussion (2011–2016) Sameer Bhattacharya – keyboards, backing vocals (2016–2018) Jonny Beats – drums (February – March 2019, October – November 2019) Timeline Discography Snuff the Punk (1994) Brown (1996) The Fundamental Elements of Southtown (1999) Satellite (2001) Payable on Death (2003) Testify (2006) When Angels & Serpents Dance (2008) Murdered Love (2012) SoCal Sessions (2014) The Awakening (2015) Circles (2018) Awards American Music Awards 2003 - Favorite Contemporary Inspirational Artist (nomination) Echo Awards 2003 - International Alternative Group of the Year San Diego Music Awards 1999 - Best Hard Rock Artist 2000 - Best Hard Rock Artist Note: Album- and single-specific awards and nominations are listed under their respective articles.", "Band members Current members Wuv Bernardo − drums, rhythm guitar, backing vocals (1992–present) Sonny Sandoval − lead vocals (1992–present) Traa Daniels − bass, backing vocals (1993–present) Marcos Curiel − lead guitar, programming, backing vocals (1992–2003, 2006–present) Former members Gabe Portillo − bass, backing vocals (1992–1993) Jason Truby − lead guitar, backing vocals <small>(Living Sacrifice) (2003–2006) Former touring musicians Tim Pacheco – backing vocals, percussion, trumpet, keyboards (2006) Luis Castillo – keyboards, backing vocals, percussion (2011–2016) Sameer Bhattacharya – keyboards, backing vocals (2016–2018) Jonny Beats – drums (February – March 2019, October – November 2019) Timeline Discography Snuff the Punk (1994) Brown (1996) The Fundamental Elements of Southtown (1999) Satellite (2001) Payable on Death (2003) Testify (2006) When Angels & Serpents Dance (2008) Murdered Love (2012) SoCal Sessions (2014) The Awakening (2015) Circles (2018) Awards American Music Awards 2003 - Favorite Contemporary Inspirational Artist (nomination) Echo Awards 2003 - International Alternative Group of the Year San Diego Music Awards 1999 - Best Hard Rock Artist 2000 - Best Hard Rock Artist Note: Album- and single-specific awards and nominations are listed under their respective articles. References External links American alternative metal musical groups American Christian metal musical groups Atlantic Records artists Christian alternative metal groups Christian rock groups from California Hard rock musical groups from California Musical groups established in 1992 Musical groups from San Diego Musical quartets Nu metal musical groups from California Rapcore groups P.O.D.", "References External links American alternative metal musical groups American Christian metal musical groups Atlantic Records artists Christian alternative metal groups Christian rock groups from California Hard rock musical groups from California Musical groups established in 1992 Musical groups from San Diego Musical quartets Nu metal musical groups from California Rapcore groups P.O.D. Razor & Tie artists" ]

[ "P.O.D.", "Murdered Love (2010-2013)", "What is Murdered Love?", "Murdered Love was originally going to be released in June 2012, but was instead pushed back to July 10.", "Why was it pushed back?", "In a 2012 interview with Broken Records Magazine, Sandoval said that the band had to get their lives back in order and take care of personal needs", "Did this album have any hit singles?", "\"Find a Way\", \"Burn It Down\"," ]

[ "\"What Else Is There?\" is the third single from the Norwegian duo Röyksopp's second album The Understanding. It features the vocals of Karin Dreijer from the Swedish electronica duo The Knife. The album was released in the UK with the help of Astralwerks.\n\nThe single was used in an O2 television advertisement in the Czech Republic and in Slovakia during 2008. It was also used in the 2006 film Cashback and the 2007 film, Meet Bill. Trentemøller's remix of \"What Else is There?\" was featured in an episode of the HBO show Entourage.\n\nThe song was covered by extreme metal band Enslaved as a bonus track for their album E.\n\nThe song was listed as the 375th best song of the 2000s by Pitchfork Media.\n\nOfficial versions\n\"What Else Is There?\" (Album Version) – 5:17\n\"What Else Is There?\" (Radio Edit) – 3:38\n\"What Else Is There?\" (Jacques Lu Cont Radio Mix) – 3:46\n\"What Else Is There?\" (The Emperor Machine Vocal Version) – 8:03\n\"What Else Is There?\" (The Emperor Machine Dub Version) – 7:51\n\"What Else Is There?\" (Thin White Duke Mix) – 8:25\n\"What Else Is There?\" (Thin White Duke Edit) – 4:50\n\"What Else Is There?\" (Thin White Duke Remix) (Radio Edit) – 3:06\n\"What Else Is There?\" (Trentemøller Remix) – 7:42\n\"What Else Is There?\" (Vitalic Remix) – 5:14\n\nResponse\nThe single was officially released on 5 December 2005 in the UK. The single had a limited release on 21 November 2005 to promote the upcoming album. On the UK Singles Chart, it peaked at number 32, while on the UK Dance Chart, it reached number one.\n\nMusic video\nThe music video was directed by Martin de Thurah. It features Norwegian model Marianne Schröder who is shown lip-syncing Dreijer's voice. Schröder is depicted as a floating woman traveling across stormy landscapes and within empty houses. Dreijer makes a cameo appearance as a woman wearing an Elizabethan ruff while dining alone at a festive table.\n\nMovie spots\n\nThe song is also featured in the movie Meet Bill as characters played by Jessica Alba and Aaron Eckhart smoke marijuana while listening to it. It is also part of the end credits music of the film Cashback.\n\nCharts\n\nReferences\n\n2005 singles\nRöyksopp songs\nAstralwerks singles\nSongs written by Svein Berge\nSongs written by Torbjørn Brundtland\n2004 songs\nSongs written by Roger Greenaway\nSongs written by Olof Dreijer\nSongs written by Karin Dreijer", "White Heat is the self titled debut album of future Switch members Gregory Williams, Bobby DeBarge and Jody Sims. The album was released in 1975 and produced by R&B notable Barry White.\n\nTrack listing\n\nSide A\n\"Take a Look at Yourself (Before You Frown on Someone Else)\"\n\"If That's the Way You Feel (Then Let's Fall in Love)\"\n\"I Love Every Little Thing About You\" originally performed by Stevie Wonder\n\"Talkin'\"\n\nSide B\n\"What a Groove\"\n\"I've Been So Lonely (Without You)\"\n\"You Can Change My Life For Me\"\n\"Funk Freak\"\n\nReferences\n\n1975 debut albums\nRCA Records albums" ]

[ "Payable on Death is an American Christian metal band formed in 1992 and based in San Diego, California. The band's line-up consists of drummer and rhythm guitarist Wuv Bernardo, vocalist Sonny Sandoval, bassist Traa Daniels, and lead guitarist Marcos Curiel. They have sold over 12 million records worldwide. Over the course of their career, the band has received three Grammy Award nominations, contributed to numerous motion picture soundtracks and toured internationally.", "Over the course of their career, the band has received three Grammy Award nominations, contributed to numerous motion picture soundtracks and toured internationally. With their third studio album, The Fundamental Elements of Southtown, they achieved their initial mainstream success; the album was certified platinum by the RIAA in 2000. Their following studio album, Satellite, continued the band's success with the singles, \"Alive\" and \"Youth of the Nation\", pushing it to go triple platinum.", "Their following studio album, Satellite, continued the band's success with the singles, \"Alive\" and \"Youth of the Nation\", pushing it to go triple platinum. History Early years (1991–1993) In 1991, friends Wuv Bernardo and Marcos Curiel engaged in jam sessions, with Bernardo playing the drums and Curiel covering guitar with no vocalist. Calling themselves Eschatos, they started playing at keg parties doing Metallica and Slayer cover songs.", "Calling themselves Eschatos, they started playing at keg parties doing Metallica and Slayer cover songs. After his mother's fatal illness, Sonny Sandoval converted to Christianity and was asked by Bernardo, his cousin, to join the band as a way to keep his mind straight as mentioned on their DVD, Still Payin' Dues. They then recruited bassist Gabe Portillo and eventually changed their name to P.O.D.", "They then recruited bassist Gabe Portillo and eventually changed their name to P.O.D. Snuff the Punk and Brown (1994–1998) After recording a demo tape, Traa Daniels joined the band in 1994 when they needed a bassist for some shows to replace Portillo. P.O.D. signed with Rescue Records, a label created by Bernardo's father, Noah Bernardo Sr., who was also the band's first manager. Between 1994 and 1997, they released three albums under the label, Snuff the Punk, Brown and Payable on Death Live.", "Between 1994 and 1997, they released three albums under the label, Snuff the Punk, Brown and Payable on Death Live. Longtime manager Tim Cook was first introduced to the band when he booked them to play his club The Where-House in Bartlesville, Oklahoma following strong local word of mouth support. He later described their performance by saying: \"I stood at the back of the venue with tears in my eyes – it was the greatest thing I had ever seen.\"", "He later described their performance by saying: \"I stood at the back of the venue with tears in my eyes – it was the greatest thing I had ever seen.\" By that point, Bernardo Sr. was looking for someone else to take P.O.D. 's career further and so Cook took over as manager. Shortly after the release of Payable on Death Live, Essential Records offered P.O.D.", "Shortly after the release of Payable on Death Live, Essential Records offered P.O.D. a $100,000 recording contract, but on behalf of the band Sandoval told band manager Tim Cook to decline the offer because, \"God has a bigger plan for P.O.D.\" When, in 1998, Atlantic Records A&R John Rubeli first came across P.O.D. 's demo he \"didn't quite get it\", as he later told HitQuarters.", "'s demo he \"didn't quite get it\", as he later told HitQuarters. It was only when he saw them play live at The Roxy on the Sunset Strip and witnessed not just an enthusiastic audience singing every word but the center of a vibrant youth movement that he became convinced by the band. The band was quickly signed to a major-label deal. P.O.D. soon released The Warriors EP, a tribute EP to their loyal fans as a transitional album from Rescue Records to Atlantic Records.", "soon released The Warriors EP, a tribute EP to their loyal fans as a transitional album from Rescue Records to Atlantic Records. The Fundamental Elements of Southtown and Satellite (1999–2002) P.O.D. 's third studio album, 1999's The Fundamental Elements of Southtown, spawned the hits \"Southtown\" and \"Rock the Party (Off the Hook)\", which was their first video to reach No. 1 on MTV's Total Request Live.", "1 on MTV's Total Request Live. 1 on MTV's Total Request Live. The song \"School of Hard Knocks\" was featured on the soundtrack for Little Nicky while both \"Southtown\" and \"Rock the Party\" appeared in the movie. All three music videos endured heavy play on MTV2 and the songs were rock radio hits. The album went on to become RIAA certified platinum. On September 11, 2001 P.O.D. released their fourth studio album, Satellite.", "released their fourth studio album, Satellite. released their fourth studio album, Satellite. The album's first single, \"Alive\", went on to become one of MTV's and MTV2's top played videos of the year. The video's popularity, as well as the song's positive message, helped the song become a huge modern rock radio hit and it was Grammy nominated for Best Hard Rock Performance in 2002. Also in 2002, the band contributed the song \"America\" to Santana's album Shaman.", "Also in 2002, the band contributed the song \"America\" to Santana's album Shaman. The album's second single, \"Youth of the Nation\", was influenced in part by the school shootings at Santana High School, Columbine High School, and Granite Hills High School. It was Grammy nominated for Best Hard Rock Performance in 2003. The 2002 singles, \"Boom\" and \"Satellite\", also became quite popular.", "The 2002 singles, \"Boom\" and \"Satellite\", also became quite popular. In addition, the concluding track of the album, \"Portrait,\" was Grammy nominated for Best Metal Performance in 2003. It was used in the comedy film Here Comes the Boom, starring Kevin James. Satellite went on to become RIAA-certified triple platinum. The author of Encyclopedia of Contemporary Christian Music has described P.O.D. as \"One of the biggest success stories in recent Christian music.\"", "as \"One of the biggest success stories in recent Christian music.\" Payable on Death and Testify (2003–2006) On February 19, 2003, guitarist Curiel left the band due to his side project, The Accident Experiment, and \"spiritual differences.\" However, Curiel claimed that he was actually kicked out of the band. Curiel was replaced by Jason Truby, former member of Christian metal band Living Sacrifice, and assisted with the recording of \"Sleeping Awake\", from The Matrix Reloaded soundtrack.", "Curiel was replaced by Jason Truby, former member of Christian metal band Living Sacrifice, and assisted with the recording of \"Sleeping Awake\", from The Matrix Reloaded soundtrack. In an interview with Yahoo! Music, Sandoval stated that Truby is the reason why the group is still together. On November 4, 2003, P.O.D. released their fifth studio album, Payable on Death, which saw the group shift from their well-known rapcore sound to a darker, more melodic metal sound.", "released their fifth studio album, Payable on Death, which saw the group shift from their well-known rapcore sound to a darker, more melodic metal sound. The album was hit with controversy due to its \"occult\" cover, which led as many as 85% of Christian bookstores across the United States to ban the album. With the help of the album's hit single \"Will You\" and \"Change the World\", it went on to sell over 520,000 copies and was certified Gold.", "With the help of the album's hit single \"Will You\" and \"Change the World\", it went on to sell over 520,000 copies and was certified Gold. Sometime after the tsunami in Asia, many singers, musicians, and actors/actresses, including Sandoval and Bernardo, participated in the recording of, \"Forever in Our Hearts\", with all proceeds going to benefit the tsunami relief. P.O.D.", "P.O.D. P.O.D. 's sixth studio album Testify was slated for a December 2005 release, but was pushed back to January 24, 2006. On November 15, 2005, P.O.D. released The Warriors EP, Volume 2, which featured demos from the upcoming album, to help build up the fans' anticipation for the pending January release. The album's first single, \"Goodbye for Now\" (with a vocal tag by a then-unknown Katy Perry) went on to become a No.", "The album's first single, \"Goodbye for Now\" (with a vocal tag by a then-unknown Katy Perry) went on to become a No. 1 video on MTV's TRL, along with having a solid radio presence, it also became the band's unprecedented 4th number one video on Total Request Live. The second single off the album, \"Lights Out\" was a minor hit, but was featured as the official theme song to WWE's Survivor Series 2005.", "The second single off the album, \"Lights Out\" was a minor hit, but was featured as the official theme song to WWE's Survivor Series 2005. In another contribution to WWE, they performed fellow San Diego native Rey Mysterio's theme song \"Booyaka 619\" at WrestleMania 22. To promote their latest album, P.O.D.", "To promote their latest album, P.O.D. To promote their latest album, P.O.D. went on a nationwide tour called the \"Warriors Tour 2: Guilty by Association\", which began in April, and included the bands Pillar, The Chariot and Maylene and the Sons of Disaster. On August 11, 2006, P.O.D. announced in their online newsletter that they had left Atlantic Records. On September 16, 2006, P.O.D.", "On September 16, 2006, P.O.D. On September 16, 2006, P.O.D. announced that they had teamed up with Rhino Records to release a greatest hits record simply titled, Greatest Hits: The Atlantic Years, which was released on November 21, 2006.", "announced that they had teamed up with Rhino Records to release a greatest hits record simply titled, Greatest Hits: The Atlantic Years, which was released on November 21, 2006. They shot a music video for their single \"Going In Blind\", one of the two new songs they included in the tenth album, and they had meetings with various record labels to begin working on new material for an album they hoped to release in mid-2007.", "They shot a music video for their single \"Going In Blind\", one of the two new songs they included in the tenth album, and they had meetings with various record labels to begin working on new material for an album they hoped to release in mid-2007. When Angels & Serpents Dance (2007–2009) In a statement made by the band's manager on their MySpace page, it was officially announced, on December 30, 2006, that Jason Truby had left the band.", "When Angels & Serpents Dance (2007–2009) In a statement made by the band's manager on their MySpace page, it was officially announced, on December 30, 2006, that Jason Truby had left the band. They had said \"God worked it out because Truby decided to leave the band the same day Curiel asked to rejoin.\" Curiel performed with the band for the first time since his departure on the 2006 New Year's Eve episode of Jimmy Kimmel Live!.", "Curiel performed with the band for the first time since his departure on the 2006 New Year's Eve episode of Jimmy Kimmel Live!. On February 2, 2007, the band made a new record deal with INO Records. On June 1, 2007, at the Rockbox in San Diego, the band performed and revealed a new song entitled \"Condescending\", along with another new song performed on June 16, 2007, at the Journeys Backyard BBQ tour entitled \"Addicted\".", "On June 1, 2007, at the Rockbox in San Diego, the band performed and revealed a new song entitled \"Condescending\", along with another new song performed on June 16, 2007, at the Journeys Backyard BBQ tour entitled \"Addicted\". They also revealed the title of their new album to be When Angels & Serpents Dance.", "They also revealed the title of their new album to be When Angels & Serpents Dance. On August 4, 2007, the band played at Angel Stadium of Anaheim's annual Harvest Crusade for a crowd of 42,000, where they revealed a new song, \"I'll Be Ready\", originally thought to be titled \"When Babylon Come for I\". The album cover was officially revealed on December 10, 2007. The title track was released for free download on their site in January 2008.", "The title track was released for free download on their site in January 2008. The first single \"Addicted\" was released on February 19 and peaked at No. 30 on the Mainstream Rock chart. The album was released on April 8, 2008, entitled When Angels & Serpents Dance. On July 28, 2008, the group played a free public performance at the Orange County Choppers headquarters in Newburgh, NY, with OCC The Band opening.", "On July 28, 2008, the group played a free public performance at the Orange County Choppers headquarters in Newburgh, NY, with OCC The Band opening. The band also played on August 16, 2008, at the Angel Stadium of Anaheim's annual Harvest Crusade. During September 2008 P.O.D played alongside Redline, Behind Crimson Eyes, Alter Bridge, and Disturbed as part of the Music As a Weapon tour 2008 in Australia. Murdered Love (2010–2013) The band headlined the first annual Spring Jam Fest in May 2011.", "Murdered Love (2010–2013) The band headlined the first annual Spring Jam Fest in May 2011. They appeared on the Rock of Allegiance tour later that summer. On July 25, 2011, the band released a demo of the song \"On Fire\" as a free download on their official website. In October 2011, P.O.D. announced a multi-album artist deal with Razor & Tie. On April 5, 2012, the song \"Eyez\" became a free download on the band's website for a limited time.", "On April 5, 2012, the song \"Eyez\" became a free download on the band's website for a limited time. Shortly after, an article on their website stated that \"Lost in Forever\" would be the first single from the new album, entitled Murdered Love. Murdered Love was originally going to be released in June 2012, but was instead pushed back to July 10. The album was produced by Howard Benson, who also produced Satellite and The Fundamental Elements of Southtown.", "The album was produced by Howard Benson, who also produced Satellite and The Fundamental Elements of Southtown. It was described by Curiel as \"Back to our roots. A little bit of hip hop, a little bit of punk rock, or reggae\". The album caused controversy concerning its eleventh track, \"I Am\", which uses the word \"fuck\" (albeit backmasked).", "The album caused controversy concerning its eleventh track, \"I Am\", which uses the word \"fuck\" (albeit backmasked). Sandoval, explaining the purpose of the song, said, \"being up close and personal with these kids, that's what came out in that song.", "Sandoval, explaining the purpose of the song, said, \"being up close and personal with these kids, that's what came out in that song. I'm a man of faith and I'm a follower and a believer of Jesus Christ, and in talking to these kids, and even in talking to people just throughout my career in P.O.D., a lot of these bands and athletes and all these people that you meet, they don't have a problem with Jesus.", "I'm a man of faith and I'm a follower and a believer of Jesus Christ, and in talking to these kids, and even in talking to people just throughout my career in P.O.D., a lot of these bands and athletes and all these people that you meet, they don't have a problem with Jesus. They have a problem with people that are religious and claim to know Jesus, but aren't living it or acting it and aren't loving the way Jesus did.", "They have a problem with people that are religious and claim to know Jesus, but aren't living it or acting it and aren't loving the way Jesus did. In my faith, if I believe that Jesus paid for the sins of the world, and I'm all these things, this is what's going on in the real world, and do you still love someone like me?", "In my faith, if I believe that Jesus paid for the sins of the world, and I'm all these things, this is what's going on in the real world, and do you still love someone like me? And even though I know you do, and I believe in you, I believe in your forgiveness and your grace and your mercy, there's still so much confusion around me that everybody's getting in the way and trying to take your place.", "And even though I know you do, and I believe in you, I believe in your forgiveness and your grace and your mercy, there's still so much confusion around me that everybody's getting in the way and trying to take your place. Everything gets in my way from seeing who Jesus was...We had that song for almost a year, and I didn't take it lightly. I'd been praying on it for over a year. I'd actually took counsel and let people hear it.", "I'd actually took counsel and let people hear it. And it was 50/50. Some people are like, you know what, go for it. Because my heart is like, I don't write music for Christians. I don't write music for people that I believe are saved and going to heaven. If it's a breath of you and encourages you and gives you a sense of power to go balls out for what you believe in, then by all means.", "If it's a breath of you and encourages you and gives you a sense of power to go balls out for what you believe in, then by all means. But ultimately we're trying to reach people fed up with religion that are sick and tired of it, and people that are in the real world that really are lost and confused. Our music has always been a tool to bring hope to those people.", "Our music has always been a tool to bring hope to those people. I'm sorry we can't please everybody in the church, but ultimately in our faith, I believe you're taken care of. There are a lot of people that live in the real world that are out on the streets, that are prostituting themselves, that are being sexually abused, that are being murdered and killed, and it's an evil world. And sometimes you've got to just give them the truth flat out.", "And sometimes you've got to just give them the truth flat out. And it might offend some people. Might offend a lot of people. But at the end of the day, if they understand it and they get it, and they allow God to speak straight into their soul, then I think it's worth the slap on the hand.\" The band went on tour with Shinedown and Three Days Grace as an opening act.", "The band went on tour with Shinedown and Three Days Grace as an opening act. In a 2012 interview with Broken Records Magazine, Sandoval said that the band had to get their lives back in order and take care of personal needs before getting back into music, but was extremely happy about the response the band was getting from fans. On October 22, 2013, P.O.D. released a deluxe edition of Murdered Love.", "released a deluxe edition of Murdered Love. released a deluxe edition of Murdered Love. The album contains the original songs, slightly remixed, along with bonus tracks \"Find a Way\", \"Burn It Down\", acoustic versions of \"Beautiful\" and \"West Coast Rock Steady\", a remixed version of \"On Fire\", and music videos for \"Murdered Love\", \"Beautiful\", \"Higher\", and \"Lost In Forever\".", "The album contains the original songs, slightly remixed, along with bonus tracks \"Find a Way\", \"Burn It Down\", acoustic versions of \"Beautiful\" and \"West Coast Rock Steady\", a remixed version of \"On Fire\", and music videos for \"Murdered Love\", \"Beautiful\", \"Higher\", and \"Lost In Forever\". Multiple behind the scenes videos were also on the track list. SoCal Sessions, The Awakening and Circles (2014–present) In mid-2014, P.O.D.", "SoCal Sessions, The Awakening and Circles (2014–present) In mid-2014, P.O.D. announced an acoustic album to be released toward the end of the year. The album was crowd-funded on the website PledgeMusic. On October 20, 2014, P.O.D. announced a new record deal with T-Boy Records along with a new acoustic album. SoCal Sessions was released on November 17, 2014, and contained songs such as \"Alive\" and \"Youth of the Nation\".", "SoCal Sessions was released on November 17, 2014, and contained songs such as \"Alive\" and \"Youth of the Nation\". The band followed that release with another studio album, The Awakening, released on August 21, 2015, which was produced by Howard Benson, with guest vocalists such as Maria Brink of In This Moment and Lou Koller of Sick of It All.", "The band followed that release with another studio album, The Awakening, released on August 21, 2015, which was produced by Howard Benson, with guest vocalists such as Maria Brink of In This Moment and Lou Koller of Sick of It All. On May 17, 2016, the band announced that they would be taking part in the Make America Rock Again super tour throughout the summer and fall 2016. The tour featured a number of artists who had success throughout the 2000s.", "The tour featured a number of artists who had success throughout the 2000s. On August 18, 2017, the band released a new song, \"Soundboy Killa\", and embarked on a fall tour promoting the song. In January 2018, it was announced that the band had signed a new record deal with Mascot Records. They toured alongside Alien Ant Farm, Lit, and Buckcherry on the \"Gen-X Tour\" in 2018. Their tenth studio album, Circles, was released on November 16, 2018.", "Their tenth studio album, Circles, was released on November 16, 2018. Their band were scheduled to start their Satellite Album 20th Anniversary tour in Sturgis, South Dakota at Buffalo Chip on August 14, 2021, and end on October 7, 2021, at the House of Blues in San Diego, California. Musical style and influences The band's name, Payable on Death (P.O.D. ), derives itself from the banking term \"Payable on Death\".", "), derives itself from the banking term \"Payable on Death\". The band chose this name to be a direct tie in with the Christian theology that explains that since Jesus died on the Cross, Christians' debts to God have been paid for; in other words all believers, in their acceptance that Jesus was sacrificed for them on God's behalf, have inherited eternal life. P.O.D.", "P.O.D. P.O.D. 's style has evolved over the years, from the rap metal sound on their early albums to the nu metal and reggae-infused alternative metal styles for which they're most well known. The band's seventh album, When Angels & Serpents Dance, is a combination of alternative rock, reggae rock and Latin-influenced metal with almost none of the rap metal or nu metal sound of their older releases. P.O.D.", "P.O.D. P.O.D. 's influences include Boogie Down Productions, Run-DMC, U2, the Police, Bad Brains, Santana, Metallica, AC/DC, Suicidal Tendencies, Bob Marley, Primus, Earth, Wind & Fire, 24-7 Spyz, and Steel Pulse.", "'s influences include Boogie Down Productions, Run-DMC, U2, the Police, Bad Brains, Santana, Metallica, AC/DC, Suicidal Tendencies, Bob Marley, Primus, Earth, Wind & Fire, 24-7 Spyz, and Steel Pulse. Band members Current members Wuv Bernardo − drums, rhythm guitar, backing vocals (1992–present) Sonny Sandoval − lead vocals (1992–present) Traa Daniels − bass, backing vocals (1993–present) Marcos Curiel − lead guitar, programming, backing vocals (1992–2003, 2006–present) Former members Gabe Portillo − bass, backing vocals (1992–1993) Jason Truby − lead guitar, backing vocals <small>(Living Sacrifice) (2003–2006) Former touring musicians Tim Pacheco – backing vocals, percussion, trumpet, keyboards (2006) Luis Castillo – keyboards, backing vocals, percussion (2011–2016) Sameer Bhattacharya – keyboards, backing vocals (2016–2018) Jonny Beats – drums (February – March 2019, October – November 2019) Timeline Discography Snuff the Punk (1994) Brown (1996) The Fundamental Elements of Southtown (1999) Satellite (2001) Payable on Death (2003) Testify (2006) When Angels & Serpents Dance (2008) Murdered Love (2012) SoCal Sessions (2014) The Awakening (2015) Circles (2018) Awards American Music Awards 2003 - Favorite Contemporary Inspirational Artist (nomination) Echo Awards 2003 - International Alternative Group of the Year San Diego Music Awards 1999 - Best Hard Rock Artist 2000 - Best Hard Rock Artist Note: Album- and single-specific awards and nominations are listed under their respective articles.", "Band members Current members Wuv Bernardo − drums, rhythm guitar, backing vocals (1992–present) Sonny Sandoval − lead vocals (1992–present) Traa Daniels − bass, backing vocals (1993–present) Marcos Curiel − lead guitar, programming, backing vocals (1992–2003, 2006–present) Former members Gabe Portillo − bass, backing vocals (1992–1993) Jason Truby − lead guitar, backing vocals <small>(Living Sacrifice) (2003–2006) Former touring musicians Tim Pacheco – backing vocals, percussion, trumpet, keyboards (2006) Luis Castillo – keyboards, backing vocals, percussion (2011–2016) Sameer Bhattacharya – keyboards, backing vocals (2016–2018) Jonny Beats – drums (February – March 2019, October – November 2019) Timeline Discography Snuff the Punk (1994) Brown (1996) The Fundamental Elements of Southtown (1999) Satellite (2001) Payable on Death (2003) Testify (2006) When Angels & Serpents Dance (2008) Murdered Love (2012) SoCal Sessions (2014) The Awakening (2015) Circles (2018) Awards American Music Awards 2003 - Favorite Contemporary Inspirational Artist (nomination) Echo Awards 2003 - International Alternative Group of the Year San Diego Music Awards 1999 - Best Hard Rock Artist 2000 - Best Hard Rock Artist Note: Album- and single-specific awards and nominations are listed under their respective articles. References External links American alternative metal musical groups American Christian metal musical groups Atlantic Records artists Christian alternative metal groups Christian rock groups from California Hard rock musical groups from California Musical groups established in 1992 Musical groups from San Diego Musical quartets Nu metal musical groups from California Rapcore groups P.O.D.", "References External links American alternative metal musical groups American Christian metal musical groups Atlantic Records artists Christian alternative metal groups Christian rock groups from California Hard rock musical groups from California Musical groups established in 1992 Musical groups from San Diego Musical quartets Nu metal musical groups from California Rapcore groups P.O.D. Razor & Tie artists" ]

[ "Roy Keane", "Alf-Inge Haland incident" ]

[ "Nachtvlinder is a 1999 Dutch family film directed by Herman van Veen. It was van Veen's second feature film, after 1979's Uit Elkaar. The film, done on a small budget, struggled with negative reviews.\n\nCast\nArthur Kristel\t... \tPrins Ruben\nBabette van Veen\t... \tSarah Mogèn\nRamses Shaffy\t... \tWalko van Haland\nHans Trentelman\t... \tOnorg\nFred Delfgaauw\t... \tKoning Olaf van Haland\nMaike Meijer\t... \tJonkvrouw Hinde Baldon\nJules Croiset\t... \tAbraham Mogèn\nKarin Bloemen\t... \tGeertrui Moens\nHerman van Veen\t... \tWogram\nFrits Lambrechts\t... \tStuurman\nNiels Reijnders\t... \tMartijn\nSarah de Wit\t... \tAlma Mogèn\nLori Spee\t... \tMoeder Mogèn\n\nExternal links \n \n\nDutch films\n1999 films\nDutch-language films", "The Young Christian Democrats (, KDU) is the youth organization of the Christian Democrats in Sweden.\n\nKDU was founded at a conference in Sundsvall 1966. Initially the name of the organization was Christian Democratic Youth (Kristen Demokratisk Ungdom) but were later changed.\n\nList of chairmen\nBernt Olsson 1966-1970\nAlf Svensson 1970-1973\nMats Odell 1975-1981\nAnders Andersson 1981-1984\nBert-Inge Karlsson 1984-1986\nStefan Attefall 1986-1989\nGöran Holmström 1989-1992\nHans Åström Eklind 1992-1996\nAmanda Agestav (Grönlund) 1996-1997\nMagnus Jacobsson 1997-1999\nMagnus Berntsson 1999-2001\nJakob Forssmed 2001-2004\nErik Slottner 2004-2005\nElla Bohlin 2005-2008\nCharlie Weimers 2008-2011\nAron Modig 2011-2013\nSara Skyttedal 2013-2016\nChristian Carlsson 2016-2018\nMartin Hallander 2018-2020\nNike Örbrink 2020-\n\nHonorary chairman\nAlf Svensson 2021-\n\nCurrent leadership\n\nChairwoman: Nike Örbrink, \n\n1st Vice Chairwoman: Evin Badrniya,\n\n2nd Vice Chairman: Anton Roos,\n\nReferences\n\nExternal links\nKristdemokratiska Ungdomsförbundet in Swedish\n\nYouth wings of political parties in Sweden\nChristian Democrats (Sweden)\nYouth organizations established in 1966\n1966 establishments in Sweden" ]

[ "Roy Maurice Keane (born 10 August 1971) is an Irish football pundit, manager and former professional player. He is the joint most successful Irish footballer of all time, having won 19 major trophies in his club career, 17 of which came during his time at English club Manchester United. Regarded as one of the best midfielders of his generation, he was named by Pelé in the FIFA 100 list of the world's greatest living players in 2004.", "Regarded as one of the best midfielders of his generation, he was named by Pelé in the FIFA 100 list of the world's greatest living players in 2004. Noted for his hardened and brash demeanour, he was ranked at No. 11 on The Times list of the 50 \"hardest\" footballers in history in 2007. Keane was inducted into the Premier League Hall of Fame in 2021.", "Keane was inducted into the Premier League Hall of Fame in 2021. In his 18-year playing career, Keane played for Cobh Ramblers, Nottingham Forest, and Manchester United, before ending his career at Celtic. He was a dominating box-to-box midfielder, noted for his aggressive and highly competitive style of play, an attitude that helped him excel as captain of Manchester United from 1997 until his departure in 2005. Keane helped United achieve a sustained period of success during his 12 years at the club.", "Keane helped United achieve a sustained period of success during his 12 years at the club. He then signed for Celtic, where he won a domestic double before he retired as a player in 2006. Keane played at the international level for the Republic of Ireland over 14 years, most of which he spent as captain. At the 1994 FIFA World Cup, he played in every Republic of Ireland game.", "At the 1994 FIFA World Cup, he played in every Republic of Ireland game. He was sent home from the 2002 FIFA World Cup after a dispute with national coach Mick McCarthy over the team's training facilities. Keane began his management career at Sunderland shortly after his retirement as a player and took the club from 23rd position in the Football League Championship, in late August, to win the division title and gain promotion to the Premier League.", "Keane began his management career at Sunderland shortly after his retirement as a player and took the club from 23rd position in the Football League Championship, in late August, to win the division title and gain promotion to the Premier League. He resigned in December 2008, and from April 2009 to January 2011, he was manager of Championship club Ipswich Town. In November 2013, he was appointed assistant manager of the Republic of Ireland national team by manager Martin O'Neill, a role he held until 2018.", "In November 2013, he was appointed assistant manager of the Republic of Ireland national team by manager Martin O'Neill, a role he held until 2018. He would also have short assistant manager spells at Aston Villa in 2014 and Nottingham Forest in 2019. Keane has also worked as a studio analyst for British channels ITV's and Sky Sports football coverage. Early life Roy Maurice Keane was born into a working class family in the Ballinderry Park area of Cork's Mayfield suburb on 10 August 1971.", "Early life Roy Maurice Keane was born into a working class family in the Ballinderry Park area of Cork's Mayfield suburb on 10 August 1971. His father, Maurice, took work wherever he could find; this included jobs at a local knitwear company and at Murphy's Irish Stout brewery, among others. His family was keen on sport, especially football, and many of his relatives had played for junior Cork clubs such as Rockmount.", "His family was keen on sport, especially football, and many of his relatives had played for junior Cork clubs such as Rockmount. Keane took up boxing at the age of nine and trained for several years, winning all of his four bouts in the novice league. During this period, he was developing as a much more promising footballer at Rockmount, and his potential was highlighted when he was voted \"Player of the Year\" in his first season.", "During this period, he was developing as a much more promising footballer at Rockmount, and his potential was highlighted when he was voted \"Player of the Year\" in his first season. Many of his teammates were offered trials abroad with English football teams, but Keane was not. He supported Celtic and Tottenham Hotspur as a child, citing Liam Brady and Glenn Hoddle as his favourite players, but Manchester United player Bryan Robson became the footballer he most admired as time progressed.", "He supported Celtic and Tottenham Hotspur as a child, citing Liam Brady and Glenn Hoddle as his favourite players, but Manchester United player Bryan Robson became the footballer he most admired as time progressed. Club career Cobh Ramblers Initially, Keane was turned down from the Ireland schoolboys squad after a trial in Dublin; one explanation from former Ireland coach and scout Ronan Scally was that the 14-year-old Keane was \"just too small\" to make it at the required level.", "Club career Cobh Ramblers Initially, Keane was turned down from the Ireland schoolboys squad after a trial in Dublin; one explanation from former Ireland coach and scout Ronan Scally was that the 14-year-old Keane was \"just too small\" to make it at the required level. Undeterred, he began applying for trials with English clubs, but he was turned down by each one. As his childhood years passed, he took up temporary jobs involving manual work while waiting for a breakthrough in his football prospects.", "As his childhood years passed, he took up temporary jobs involving manual work while waiting for a breakthrough in his football prospects. In 1989, he eventually signed for the semi-professional Irish club Cobh Ramblers after persuasion from Ramblers' youth team manager Eddie O'Rourke. Keane was one of two Ramblers representatives in the inaugural FAI/FAS scheme in Dublin, and it was through this initiative that he got his first taste of full-time training.", "Keane was one of two Ramblers representatives in the inaugural FAI/FAS scheme in Dublin, and it was through this initiative that he got his first taste of full-time training. His rapid progression into a promising footballer was reflected by the fact that he would regularly turn out for Ramblers' youth side as well as the actual first team, often playing twice in the same weekend as a result.", "His rapid progression into a promising footballer was reflected by the fact that he would regularly turn out for Ramblers' youth side as well as the actual first team, often playing twice in the same weekend as a result. In an FAI Youth Cup match against Belvedere, Keane's performance attracted the attention of watching Nottingham Forest scout Noel McCabe, who asked him to travel over to England for a trial.", "In an FAI Youth Cup match against Belvedere, Keane's performance attracted the attention of watching Nottingham Forest scout Noel McCabe, who asked him to travel over to England for a trial. Keane impressed Forest manager Brian Clough, and eventually, a deal for Keane worth £47,000 was struck with Cobh Ramblers in the summer of 1990. Nottingham Forest Keane initially found life in Nottingham difficult due to the long periods away from his family, and he would often ask the club for a few days' home leave to return to Cork.", "Nottingham Forest Keane initially found life in Nottingham difficult due to the long periods away from his family, and he would often ask the club for a few days' home leave to return to Cork. Keane expressed his gratitude at Clough's generosity when considering his requests, as it helped him get through his early days at the club. Keane's first games at Forest came in the Under-21s team during a pre-season tournament in the Netherlands.", "Keane's first games at Forest came in the Under-21s team during a pre-season tournament in the Netherlands. In the final against Haarlem, he scored the winning penalty in a shootout to decide the competition, and he was soon playing regularly for the reserve team. His professional league debut came against Liverpool at the start of the 1990–91 season, and the resulting performance encouraged Clough to use him more and more as the season progressed.", "His professional league debut came against Liverpool at the start of the 1990–91 season, and the resulting performance encouraged Clough to use him more and more as the season progressed. Keane eventually scored his first professional goal against Sheffield United, and by 1991 he was a regular starter in the side, displacing the England international Steve Hodge. Keane scored three goals during a run to the 1991 FA Cup Final, which Forest ultimately lost to Tottenham Hotspur.", "Keane scored three goals during a run to the 1991 FA Cup Final, which Forest ultimately lost to Tottenham Hotspur. In the third round, however, he made a costly error against Crystal Palace, gifting a goal to the opposition and allowing them to draw the game. On returning to the dressing room after the game, Clough punched Keane in the chest in anger, knocking him to the floor.", "On returning to the dressing room after the game, Clough punched Keane in the chest in anger, knocking him to the floor. Despite this incident, Keane bore no hard feelings against his manager, later claiming that he sympathized with Clough due to the pressures of management and that he was too grateful to him for giving him his chance in English football. A year later, Keane returned to Wembley with Forest for the Football League Cup final but again finished on the losing side as Manchester United secured a 1–0 win.", "A year later, Keane returned to Wembley with Forest for the Football League Cup final but again finished on the losing side as Manchester United secured a 1–0 win. Keane was beginning to attract attention from the top clubs in the Premier League, and in 1992, Blackburn Rovers manager Kenny Dalglish spoke to Keane about the possibility of a move to the Lancashire club at the end of the season. With Forest struggling in the league and looking increasingly likely to be relegated, Keane negotiated a new contract with a relegation escape clause.", "With Forest struggling in the league and looking increasingly likely to be relegated, Keane negotiated a new contract with a relegation escape clause. The lengthy negotiations had been much talked about in public, not least by Brian Clough, who described Keane as a \"greedy child\" due to the high wages demanded by the Irishman. \"Keane is the hottest prospect in football right now, but he is not going to bankrupt this club\", Clough stated.", "\"Keane is the hottest prospect in football right now, but he is not going to bankrupt this club\", Clough stated. Despite the extended contract negotiations, Forest fans voted him the club's Player of the Season. Despite his best efforts, Keane could not save Forest from relegation, and the clause in his contract became activated. Blackburn agreed a £4  million fee for Keane, who soon after agreed to a contract with the club.", "Blackburn agreed a £4  million fee for Keane, who soon after agreed to a contract with the club. A mistake, however, prevented the move to the club: when the contract had been agreed upon, Dalglish realized they did not have the correct paperwork needed to complete the transfer. This was on a Friday afternoon, and the office had been locked up for the weekend. With a verbal agreement in place, they agreed to meet on Monday morning to complete the transfer officially.", "With a verbal agreement in place, they agreed to meet on Monday morning to complete the transfer officially. Manchester United manager Alex Ferguson, hearing about the move, phoned Keane and asked whether he would like to join them instead of Blackburn. Ferguson ensured they had the paperwork ready and met up with Keane on Saturday and signed him for Manchester United for £3.75  million, a British transfer record at the time.", "Ferguson ensured they had the paperwork ready and met up with Keane on Saturday and signed him for Manchester United for £3.75  million, a British transfer record at the time. Manchester United Early years: 1993–97 Despite the then-record transfer fee, there was no guarantee that Keane would go straight into the first team. Paul Ince and Bryan Robson had established a formidable partnership in the center of midfield, having just inspired Manchester United to their first league title since 1967.", "Paul Ince and Bryan Robson had established a formidable partnership in the center of midfield, having just inspired Manchester United to their first league title since 1967. Robson, however, was 36 years old and in the final stages of his playing career, and a series of injuries kept him out of action for most of the 1992–93 season and into the 1993–94 season.", "Robson, however, was 36 years old and in the final stages of his playing career, and a series of injuries kept him out of action for most of the 1992–93 season and into the 1993–94 season. As a result Keane had an extended run in the team, scoring twice on his home debut in a 3–0 win against Sheffield United, and grabbing the winner in the Manchester derby three months later when United overturned a 2–0 deficit at Maine Road to beat Manchester City 3–2.", "As a result Keane had an extended run in the team, scoring twice on his home debut in a 3–0 win against Sheffield United, and grabbing the winner in the Manchester derby three months later when United overturned a 2–0 deficit at Maine Road to beat Manchester City 3–2. Keane had soon established himself as a first-choice selection, and by the end of the season, he had won his first trophy as a professional as United retained their Premier League title.", "Keane had soon established himself as a first-choice selection, and by the end of the season, he had won his first trophy as a professional as United retained their Premier League title. Two weeks later, Keane broke his Wembley losing streak by helping United to a 4–0 victory over Chelsea in the FA Cup Final, sealing the club's first-ever \"double\". The following season was less successful, as United were beaten to the league title by Blackburn Rovers and beaten 1–0 in the FA Cup final by Everton.", "The following season was less successful, as United were beaten to the league title by Blackburn Rovers and beaten 1–0 in the FA Cup final by Everton. Keane received his first red card as a Manchester United player in a 2–0 FA Cup semi-final replay win against Crystal Palace, after stamping on Gareth Southgate, and was suspended for three matches and fined £5,000. This incident was the first of 11 red cards Keane would accumulate in his United career, and one of the first signs of his indiscipline on the field.", "This incident was the first of 11 red cards Keane would accumulate in his United career, and one of the first signs of his indiscipline on the field. The summer of 1995 saw a period of change at United, with Ince leaving for Internazionale, Mark Hughes moving to Chelsea and Andrei Kanchelskis being sold to Everton. Younger players such as David Beckham, Nicky Butt and Paul Scholes were brought into the team, which left Keane as the most experienced player in midfield.", "Younger players such as David Beckham, Nicky Butt and Paul Scholes were brought into the team, which left Keane as the most experienced player in midfield. Despite a slow start to the 1995–96 campaign, United pegged back title challengers Newcastle United, who had built a commanding 12-point championship lead by Christmas, to secure another Premier League title. Keane's second double in three years was confirmed with a 1–0 win over Liverpool to win the FA Cup for a record ninth time.", "Keane's second double in three years was confirmed with a 1–0 win over Liverpool to win the FA Cup for a record ninth time. The next season saw Keane in and out of the side due to a series of knee injuries and frequent suspensions. He picked up a costly yellow card in the first leg of the Champions League semi-final against Borussia Dortmund, which ruled him out of the return leg at Old Trafford.", "He picked up a costly yellow card in the first leg of the Champions League semi-final against Borussia Dortmund, which ruled him out of the return leg at Old Trafford. United lost both legs 1–0, but this was compensated for by winning another league title a few days later.", "United lost both legs 1–0, but this was compensated for by winning another league title a few days later. Captaincy: 1997–2005 After Eric Cantona's unexpected retirement, Keane took over as club captain, although he missed most of the 1997–98 season because of a cruciate ligament injury caused by an attempt to tackle Leeds United player Alf-Inge Håland in the ninth Premier League game of the season.", "Captaincy: 1997–2005 After Eric Cantona's unexpected retirement, Keane took over as club captain, although he missed most of the 1997–98 season because of a cruciate ligament injury caused by an attempt to tackle Leeds United player Alf-Inge Håland in the ninth Premier League game of the season. As Keane lay prone on the ground, Håland stood over Keane, accusing the injured United captain of having tried to hurt him and of feigning injury to escape punishment, an allegation which would lead to an infamous incident between the two players four years later.", "As Keane lay prone on the ground, Håland stood over Keane, accusing the injured United captain of having tried to hurt him and of feigning injury to escape punishment, an allegation which would lead to an infamous incident between the two players four years later. Keane did not return to competitive football that campaign, and could only watch from the sidelines as United squandered an 11-point lead over Arsenal to miss out on the Premier League title.", "Keane did not return to competitive football that campaign, and could only watch from the sidelines as United squandered an 11-point lead over Arsenal to miss out on the Premier League title. Many pundits cited Keane's absence as a crucial factor in the team's surrender of the league trophy. Keane returned to captain the side the following season, and guided them to a treble of the FA Premier League, FA Cup, and UEFA Champions League.", "Keane returned to captain the side the following season, and guided them to a treble of the FA Premier League, FA Cup, and UEFA Champions League. In an inspirational display against Juventus in the second leg of the Champions League semi-final, he helped haul his team back from two goals down to win 3–2, scoring the first United goal. His performance in this game has been described as his finest hour as a footballer.", "His performance in this game has been described as his finest hour as a footballer. Keane, however, received a yellow card after a trip on Zinedine Zidane that ruled him out of the final. United defeated Bayern Munich 2–1 in the final, but Keane had mixed emotions about the victory due to his suspension. Recalling his thoughts before the game, Keane said, \"Although I was putting a brave face on it, this was just about the worst experience I'd had in football.\"", "Recalling his thoughts before the game, Keane said, \"Although I was putting a brave face on it, this was just about the worst experience I'd had in football.\" Keane sustained an ankle injury during the 1999 FA Cup Final, four days before the Champions League Final, which ruled him out until the following season. Later that year, Keane scored the only goal in the final of the Intercontinental Cup, as United defeated Palmeiras in Tokyo.", "Later that year, Keane scored the only goal in the final of the Intercontinental Cup, as United defeated Palmeiras in Tokyo. The following season saw prolonged contract negotiations between Keane and Manchester United, with Keane turning down an initial £2 million-a-year offer amid rumors of a move to Italy. His higher demands were eventually met midway through the 1999–2000 season, committing him to United until 2004.", "His higher demands were eventually met midway through the 1999–2000 season, committing him to United until 2004. Keane was angered when club officials explained an increase in season ticket prices was a result of his improved contract and asked for an apology from the club. Days after the contract was signed, Keane celebrated by scoring the winning goal against Valencia in the Champions League, although United's defence of the Champions League was ended by Real Madrid in the quarter-finals, partly due to an unfortunate Keane own goal in the second leg.", "Days after the contract was signed, Keane celebrated by scoring the winning goal against Valencia in the Champions League, although United's defence of the Champions League was ended by Real Madrid in the quarter-finals, partly due to an unfortunate Keane own goal in the second leg. He was voted PFA Players' Player of the Year and FWA Footballer of the Year at the end of the season after leading United to their sixth Premier League title in eight years.", "He was voted PFA Players' Player of the Year and FWA Footballer of the Year at the end of the season after leading United to their sixth Premier League title in eight years. Keane caused controversy in November 2000, when he criticised sections of United supporters after the Champions League victory over Dynamo Kyiv at Old Trafford. He complained about the lack of vocal support given by some fans when Dynamo was dominating the game, stating, \"Away from home our fans are fantastic, I'd call them the hardcore fans.", "He complained about the lack of vocal support given by some fans when Dynamo was dominating the game, stating, \"Away from home our fans are fantastic, I'd call them the hardcore fans. But at home, they have a few drinks and probably the prawn sandwiches, and they don't realise what's going on out on the pitch. I don't think some of the people who come to Old Trafford can spell 'football', never mind understand it.\"", "I don't think some of the people who come to Old Trafford can spell 'football', never mind understand it.\" Keane's comments started a debate in England about the changing atmosphere in football grounds, and the term \"prawn sandwich brigade\" is now part of the English football vocabulary, referring to people who attend football games or claim to be fans of football because it is fashionable rather than due to any genuine interest in the game.", "Keane's comments started a debate in England about the changing atmosphere in football grounds, and the term \"prawn sandwich brigade\" is now part of the English football vocabulary, referring to people who attend football games or claim to be fans of football because it is fashionable rather than due to any genuine interest in the game. Alf-Inge Håland incident Keane made headlines again in the 2001 Manchester derby, when five minutes from the final whistle, he was sent off for a knee-high foul on Alf-Inge Håland in what was seen by many as an act of revenge.", "Alf-Inge Håland incident Keane made headlines again in the 2001 Manchester derby, when five minutes from the final whistle, he was sent off for a knee-high foul on Alf-Inge Håland in what was seen by many as an act of revenge. He initially received a three-match suspension and a £5,000 fine from The Football Association (FA), but further punishment was to follow after the release of Keane's autobiography in August 2002, in which he stated that he intended \"to hurt\" Håland.", "He initially received a three-match suspension and a £5,000 fine from The Football Association (FA), but further punishment was to follow after the release of Keane's autobiography in August 2002, in which he stated that he intended \"to hurt\" Håland. Keane's account of the incident was as follows: I'd waited long enough. I fucking hit him hard. The ball was there (I think). Take that you cunt. And don't ever stand over me sneering about fake injuries.", "And don't ever stand over me sneering about fake injuries. His admission that the tackle was a premeditated assault led the FA to charge him with bringing the game into disrepute. He was banned for a further five matches and fined £150,000 in the ensuing investigation. Despite widespread condemnation, he later maintained in an interview that he had no regrets about the incident: \"My attitude was, fuck him. What goes around comes around. He got his just rewards.", "What goes around comes around. He got his just rewards. He got his just rewards. He fucked me over and my attitude is an eye for an eye\", and said he would probably do the same thing again. Håland never played a full game afterwards. However, Håland did complete the match and played 68 minutes of the following game. He also played a friendly for Norway in between both matches.", "He also played a friendly for Norway in between both matches. It was, in fact, a long-standing injury to his left knee rather than his right, that ended his career. Later career: 2001–2005 United finished the 2001–02 season trophyless for the first time in four years. Domestically, they were eliminated from the FA Cup by Middlesbrough in the fourth round and finished third in the Premier League, their lowest final position in the league since 1991.", "Domestically, they were eliminated from the FA Cup by Middlesbrough in the fourth round and finished third in the Premier League, their lowest final position in the league since 1991. Progress was made in Europe, however, as United reached the semi-finals of the Champions League, their furthest advance since their successful campaign of 1999. They were eventually knocked out on away goals after a 3–3 aggregate draw with Bayer Leverkusen, despite Keane putting United 3–2 up.", "They were eventually knocked out on away goals after a 3–3 aggregate draw with Bayer Leverkusen, despite Keane putting United 3–2 up. After the defeat, Keane blamed United's loss of form on some of his teammates' fixation with wealth, claiming that they had \"forgot about the game, lost the hunger that got you the Rolex, the cars, the mansion\".", "After the defeat, Keane blamed United's loss of form on some of his teammates' fixation with wealth, claiming that they had \"forgot about the game, lost the hunger that got you the Rolex, the cars, the mansion\". Earlier in the season, Keane had publicly advocated the breakup of the treble-winning team as he believed the team-mates who had played in United's victorious 1999 Champions League final no longer had the motivation to work as hard.", "Earlier in the season, Keane had publicly advocated the breakup of the treble-winning team as he believed the team-mates who had played in United's victorious 1999 Champions League final no longer had the motivation to work as hard. In August 2002, Keane was fined £150,000 by Sir Alex Ferguson and suspended for three matches for elbowing Sunderland's Jason McAteer, and this was compounded by an added five-match suspension for the controversial comments about Håland.", "In August 2002, Keane was fined £150,000 by Sir Alex Ferguson and suspended for three matches for elbowing Sunderland's Jason McAteer, and this was compounded by an added five-match suspension for the controversial comments about Håland. Keane used the break to undergo an operation on his hip, which had caused him to take painkillers for a year beforehand. Despite early fears that the injury was career-threatening, and suggestions of a future hip-replacement from his surgeon, he was back in the United team by December.", "Despite early fears that the injury was career-threatening, and suggestions of a future hip-replacement from his surgeon, he was back in the United team by December. During his period of rest after the operation, Keane reflected on the cause of his frequent injuries and suspensions. He decided that the cause of these problems was his reckless challenges and angry outbursts which had increasingly blighted his career. As a result, he became more restrained on the field and tended to avoid the disputes and confrontations with other players.", "As a result, he became more restrained on the field and tended to avoid the disputes and confrontations with other players. Some observers felt that the \"new\" Keane had become less influential in midfield as a consequence of the change in his style of play, possibly brought about by decreased mobility after his hip operation. After his return, however, Keane displayed the tenacity of old, leading the team to another league title in May 2003. Throughout the 2000s, Keane maintained a fierce rivalry with Arsenal captain Patrick Vieira.", "Throughout the 2000s, Keane maintained a fierce rivalry with Arsenal captain Patrick Vieira. The most notable incident between the two took place at Highbury in 2005 at the height of an extreme period of bad blood between United and Arsenal. Vieira was seen confronting United defender Gary Neville in the tunnel before the game over his fouling of José Antonio Reyes in the previous encounter between the two sides, prompting Keane to verbally confront the Arsenal captain.", "Vieira was seen confronting United defender Gary Neville in the tunnel before the game over his fouling of José Antonio Reyes in the previous encounter between the two sides, prompting Keane to verbally confront the Arsenal captain. The incident was broadcast live on Sky Sports, with Keane heard telling match referee Graham Poll to, \"Tell him [Vieira] to shut his fucking mouth!\" After the game, which United won 4–2, Keane controversially criticised Vieira's decision to play internationally for France instead of his country of birth, Senegal.", "After the game, which United won 4–2, Keane controversially criticised Vieira's decision to play internationally for France instead of his country of birth, Senegal. Vieira, however, later suggested that having walked out on his national team in the FIFA World Cup finals, Keane was not in a good position to comment on such matters. Referee Poll later revealed that he should have sent off both players before the match had begun, though was under pressure not to do so.", "Referee Poll later revealed that he should have sent off both players before the match had begun, though was under pressure not to do so. Overall, Keane led United to nine major honours, making him the most successful captain in the club's history. Keane scored his 50th goal for Manchester United on 5 February 2005 in a league game against Birmingham City.", "Keane scored his 50th goal for Manchester United on 5 February 2005 in a league game against Birmingham City. His appearance in the 2005 FA Cup final, which United lost to Arsenal in a penalty shoot-out, was his seventh such game, a record in English football at the time. Keane also jointly holds the record for the most red cards received in English football, being dismissed a total of 13 times in his career.", "Keane also jointly holds the record for the most red cards received in English football, being dismissed a total of 13 times in his career. He was inducted into the English Football Hall of Fame in 2004 in recognition of his impact on the English game and became the only Irish player to be selected into the FIFA 100, a list of the greatest living footballers picked by Pelé.", "He was inducted into the English Football Hall of Fame in 2004 in recognition of his impact on the English game and became the only Irish player to be selected into the FIFA 100, a list of the greatest living footballers picked by Pelé. Departure Keane unexpectedly left Manchester United by mutual consent on 18 November 2005, during a protracted absence from the team due to an injury sustained in his last competitive game for the club, caused by a robust challenge from Luis García against Liverpool.", "Departure Keane unexpectedly left Manchester United by mutual consent on 18 November 2005, during a protracted absence from the team due to an injury sustained in his last competitive game for the club, caused by a robust challenge from Luis García against Liverpool. His departure marked the climax of increasing tensions between Keane and the United management and players since the club's pre-season training camp in Portugal when he argued with Ferguson over the quality of the set-up at the resort.", "His departure marked the climax of increasing tensions between Keane and the United management and players since the club's pre-season training camp in Portugal when he argued with Ferguson over the quality of the set-up at the resort. Ferguson was angered further by Keane's admission during an MUTV phone-in that he would be \"prepared to play elsewhere\" after the expiration of his current contract with United at the end of the season.", "Ferguson was angered further by Keane's admission during an MUTV phone-in that he would be \"prepared to play elsewhere\" after the expiration of his current contract with United at the end of the season. Another of Keane's appearances on MUTV provoked more controversy, when, after a 4–1 defeat at the hands of Middlesbrough in early November, he criticised the performances of John O'Shea, Alan Smith, Kieran Richardson and Darren Fletcher.", "Another of Keane's appearances on MUTV provoked more controversy, when, after a 4–1 defeat at the hands of Middlesbrough in early November, he criticised the performances of John O'Shea, Alan Smith, Kieran Richardson and Darren Fletcher. Of the club's record signing Rio Ferdinand, he said, \"Just because you are paid £120,000-a-week and play well for 20 minutes against Tottenham, you think you are a superstar.\"", "Of the club's record signing Rio Ferdinand, he said, \"Just because you are paid £120,000-a-week and play well for 20 minutes against Tottenham, you think you are a superstar.\" The outburst was deemed too damning by the United management and was subsequently pulled from transmission by the club's TV station. Keane's opinions were described by those present at the interview as \"explosive even by his standards\". Keane scored 33 league goals for Manchester United and a total of 51 in all competitions.", "Keane scored 33 league goals for Manchester United and a total of 51 in all competitions. The first two of his goals for the club came in the 3–0 home win over Sheffield United in the Premier League on 18 August 1993, the last on 12 March 2005 in a 4–0 away win over Southampton in the FA Cup. Two weeks later, after another row with Ferguson, Keane reached an agreement with Manchester United allowing him to leave the club immediately to sign a long-term deal with another club.", "Two weeks later, after another row with Ferguson, Keane reached an agreement with Manchester United allowing him to leave the club immediately to sign a long-term deal with another club. He was offered a testimonial in recognition of his 12-and-a-half years at Old Trafford, with both Ferguson and United chief executive David Gill wishing him well for the future.", "He was offered a testimonial in recognition of his 12-and-a-half years at Old Trafford, with both Ferguson and United chief executive David Gill wishing him well for the future. Keane, in an interview with the Irish media company, Off the Ball, in September 2019, stated that Manchester United were pushing to get him out of the club because he was getting old and his strained relationship with then assistant manager Carlos Queiroz and later on with Sir Alex Ferguson, rather than the mere MUTV incident.", "Keane, in an interview with the Irish media company, Off the Ball, in September 2019, stated that Manchester United were pushing to get him out of the club because he was getting old and his strained relationship with then assistant manager Carlos Queiroz and later on with Sir Alex Ferguson, rather than the mere MUTV incident. Keane's testimonial took place at Old Trafford on 9 May 2006 between United and Celtic.", "Keane's testimonial took place at Old Trafford on 9 May 2006 between United and Celtic. The home side won the game 1–0, with Keane playing the first half for Celtic and the second half in his former role as Manchester United captain. The capacity crowd of 69,591 remains the largest crowd ever for a testimonial match in England. All of the revenue generated from the match was given to Keane's favourite charity, Irish Guide Dogs for the Blind.", "All of the revenue generated from the match was given to Keane's favourite charity, Irish Guide Dogs for the Blind. Celtic On 15 December 2005, Keane was announced as a Celtic player, the team he had supported as a child. Initial reports suggested Keane was offered a contract of around £40,000 per week; however, this was rejected by the player himself in his second autobiography, in which he claimed he was only paid £15,000 per week while a Celtic player.", "Initial reports suggested Keane was offered a contract of around £40,000 per week; however, this was rejected by the player himself in his second autobiography, in which he claimed he was only paid £15,000 per week while a Celtic player. Keane's Celtic career began in January 2006, when the Glasgow giants crashed to a 2–1 defeat to Scottish First Division side Clyde in the third round of the Scottish Cup. His abrasive style had not dwindled, as he was seen criticising some of his new team-mates during the match.", "His abrasive style had not dwindled, as he was seen criticising some of his new team-mates during the match. Keane scored what turned out to be his only Celtic goal a month later, a shot from 20 yards in a 2–1 Scottish Premier League victory over Falkirk. He retained his place the following Sunday in his first Old Firm derby against Rangers, leading Celtic to victory. Celtic went on to complete a double of the Scottish Premier League title and Scottish League Cup, his last honour as a player.", "Celtic went on to complete a double of the Scottish Premier League title and Scottish League Cup, his last honour as a player. On 12 June 2006, Keane announced his retirement from professional football on medical advice, only six months after joining Celtic. His announcement prompted glowing praise from many of his former colleagues and managers, not least from Sir Alex Ferguson, who opined, \"Over the years when they start picking the best teams of all time, he will be in there.\"", "His announcement prompted glowing praise from many of his former colleagues and managers, not least from Sir Alex Ferguson, who opined, \"Over the years when they start picking the best teams of all time, he will be in there.\" International career Keane was part of the squad that participated in the 1988 UEFA European Under-16 Football Championship although he did not play.", "International career Keane was part of the squad that participated in the 1988 UEFA European Under-16 Football Championship although he did not play. He was man of the match for the Republic of Ireland national under-19 team when they beat hosts Hungary in the 1990 UEFA European Under-18 Football Championship to qualify for the 1991 FIFA World Youth Championship.", "He was man of the match for the Republic of Ireland national under-19 team when they beat hosts Hungary in the 1990 UEFA European Under-18 Football Championship to qualify for the 1991 FIFA World Youth Championship. When called up for his first game at the international level, an under-21s match against Turkey in 1991, Keane took an immediate dislike to the organisation and preparation surrounding the Irish team, later describing the set-up as \"a bit of a joke\".", "When called up for his first game at the international level, an under-21s match against Turkey in 1991, Keane took an immediate dislike to the organisation and preparation surrounding the Irish team, later describing the set-up as \"a bit of a joke\". He would continue to hold this view throughout the remainder of his time spent with the national team, which led to numerous confrontations with the Irish management.", "He would continue to hold this view throughout the remainder of his time spent with the national team, which led to numerous confrontations with the Irish management. Keane declared his unavailability to travel with the Irish squad to Algeria, but was surprised when manager Jack Charlton told him that he would never play for Ireland again if he refused to join up with his compatriots.", "Keane declared his unavailability to travel with the Irish squad to Algeria, but was surprised when manager Jack Charlton told him that he would never play for Ireland again if he refused to join up with his compatriots. Despite this threat, Keane chose to stay at home on the insistence of Nottingham Forest manager Brian Clough, and was pleased when a year later he was called up to the Irish squad for a friendly at Lansdowne Road.", "Despite this threat, Keane chose to stay at home on the insistence of Nottingham Forest manager Brian Clough, and was pleased when a year later he was called up to the Irish squad for a friendly at Lansdowne Road. After more appearances, he grew to disapprove of Charlton's style of football, which relied less on the players' skill and more on continuous pressing and direct play.", "After more appearances, he grew to disapprove of Charlton's style of football, which relied less on the players' skill and more on continuous pressing and direct play. Tensions between the two men peaked during a pre-season tournament in the United States when Charlton berated Keane for returning home late after a drinking session with Steve Staunton. Keane was included in the Republic of Ireland senior squad for the 1994 FIFA World Cup in the U.S. and played in every game, including a famous 1–0 victory over tournament favourites and eventual runners-up Italy.", "Keane was included in the Republic of Ireland senior squad for the 1994 FIFA World Cup in the U.S. and played in every game, including a famous 1–0 victory over tournament favourites and eventual runners-up Italy. Despite a second-round exit at the hands of the Netherlands, the tournament was considered a success for the Irish team, and Keane was named the best player of Ireland's campaign.", "Despite a second-round exit at the hands of the Netherlands, the tournament was considered a success for the Irish team, and Keane was named the best player of Ireland's campaign. Keane, however, was reluctant to join the post-tournament celebrations, later claiming that, as far as he was concerned, Ireland's World Cup was a disappointment: \"There was nothing to celebrate. We achieved little.\"", "We achieved little.\" We achieved little.\" Keane missed crucial matches during the 1998 World Cup qualification matches due to a severe knee injury but came back to captain the team to within a whisker of qualification for UEFA Euro 2000, losing to Turkey in a play-off. Ireland secured qualification for the 2002 World Cup under new manager Mick McCarthy, greatly assisted by several match-winning performances from Keane.", "Ireland secured qualification for the 2002 World Cup under new manager Mick McCarthy, greatly assisted by several match-winning performances from Keane. In the process of qualification, Ireland went undefeated, both home and away, against international football heavyweights Portugal and the Netherlands, famously beating the latter 1–0 at Lansdowne Road. 2002 FIFA World Cup incident The Football Association of Ireland (FAI) selected the training base intended for use during Ireland's World Cup campaign.", "2002 FIFA World Cup incident The Football Association of Ireland (FAI) selected the training base intended for use during Ireland's World Cup campaign. During the first training session, Keane expressed serious misgivings about the adequacy of the training facilities and the standard of preparation for the Irish team. He was angered by the late arrival of the squad's training equipment, which had disrupted the first training session on a pitch that he described as \"like a car park\".", "He was angered by the late arrival of the squad's training equipment, which had disrupted the first training session on a pitch that he described as \"like a car park\". After a row with goalkeeping coach Packie Bonner and Alan Kelly Jr. on the second day of training, Keane announced that he was quitting the squad and that he wished to return home to Manchester due to his dissatisfaction with Ireland's preparation.", "After a row with goalkeeping coach Packie Bonner and Alan Kelly Jr. on the second day of training, Keane announced that he was quitting the squad and that he wished to return home to Manchester due to his dissatisfaction with Ireland's preparation. The FAI was unable to get Keane an immediate flight home at such short notice, meaning that he remained in Saipan for another night, but they called up Colin Healy as a replacement for him.", "The FAI was unable to get Keane an immediate flight home at such short notice, meaning that he remained in Saipan for another night, but they called up Colin Healy as a replacement for him. The following day, however, McCarthy approached Keane and asked him to return to the training camp, and Keane was eventually persuaded to stay. Despite a temporary cooling of tensions in the Irish camp after Keane's change of heart, things soon took a turn for the worse.", "Despite a temporary cooling of tensions in the Irish camp after Keane's change of heart, things soon took a turn for the worse. Keane immediately gave an interview to leading sports journalist Tom Humphries, of the Irish Times newspaper, where he expressed his unhappiness with the facilities in Saipan and listed the events and concerns which had led him to leave the team temporarily. McCarthy took offence at Keane's interview and decided to confront Keane over the article in front of the entire squad and coaching staff.", "McCarthy took offence at Keane's interview and decided to confront Keane over the article in front of the entire squad and coaching staff. Keane refused to relent, saying that he had told the newspaper what he considered to be the truth and that the Irish fans deserved to know what was going on inside the camp. He then unleashed a stinging verbal tirade against McCarthy: \"Mick, you're a liar... you're a fucking wanker.", "He then unleashed a stinging verbal tirade against McCarthy: \"Mick, you're a liar... you're a fucking wanker. I didn't rate you as a player, I don't rate you as a manager, and I don't rate you as a person. You're a fucking wanker and you can stick your World Cup up your arse. The only reason I have any dealings with you is that somehow you are the manager of my country! You can stick it up your bollocks.\"", "You can stick it up your bollocks.\" You can stick it up your bollocks.\" Niall Quinn observed in his autobiography that \"Roy Keane's 10-minute oration [against Mick McCarthy, above] ... was clinical, fierce, earth-shattering to the person on the end of it and it ultimately caused a huge controversy in Irish society.\" But at the same time, he was also critical of Keane's stance, saying that, \"[He] left us in Saipan, not the other way round.", "But at the same time, he was also critical of Keane's stance, saying that, \"[He] left us in Saipan, not the other way round. And he punished himself more than any of us by not coming back.\" None of Keane's teammates voiced support for him during the meeting, although some supported him in private afterwards. Veterans Niall Quinn and Steve Staunton backed McCarthy in a press conference after the event.", "Veterans Niall Quinn and Steve Staunton backed McCarthy in a press conference after the event. It was here that McCarthy announced that he had dismissed Keane from the squad and sent him home. By this time, the FIFA deadline for naming the World Cup squads had passed, meaning that Colin Healy was unable to be named as Keane's replacement and could not play in the tournament. Recall Mick McCarthy resigned as Ireland manager in November 2002 after defeats to Russia and Switzerland in qualification for Euro 2004.", "Recall Mick McCarthy resigned as Ireland manager in November 2002 after defeats to Russia and Switzerland in qualification for Euro 2004. The possibility of Keane returning to the squad for future qualifiers was raised, as Keane had not yet fully retired from international football, insisting that McCarthy's presence was the main incentive for staying away from the Irish squad. McCarthy's replacement, Brian Kerr, discussed with Keane the possibility of a recall, and in April 2004 he was brought back into the Irish team to face Romania on 27 May.", "McCarthy's replacement, Brian Kerr, discussed with Keane the possibility of a recall, and in April 2004 he was brought back into the Irish team to face Romania on 27 May. Keane was not reinstated as captain, however, as Kerr decided to keep the armband with Kenny Cunningham. After the team's failure to qualify for the 2006 World Cup, he announced his retirement from international football to help prolong his club career. Post-retirement Keane has reiterated his displeasure with the attitude and selection policy of the FAI.", "Post-retirement Keane has reiterated his displeasure with the attitude and selection policy of the FAI. In March 2007, Keane claimed that several Republic of Ireland players get picked solely based on their media exposure and that the organisation was biased towards players originating from Dublin or other regions of Leinster: \"Once you keep playing them on the reputation they've built up through the media or because they do lots of interviews, then it's wrong. There's a fine line between loyalty and stupidity.\"", "There's a fine line between loyalty and stupidity.\" Keane claimed that Sunderland player Liam Miller was not picked because he was from Cork and that players with significant potential were failing to get picked for the national team. He also alleged that the FAI were incompetent in the running of their affairs. Keane was involved in further controversy in the wake of Ireland's defeat by France in the qualification 2010 World Cup play-off.", "Keane was involved in further controversy in the wake of Ireland's defeat by France in the qualification 2010 World Cup play-off. During an Ipswich Town press conference on 20 November 2009, Keane was critical of the Irish reaction to the Thierry Henry handball incident. His response included criticisms of the Irish team's defence and the FAI authorities. Coaching career Keane's former manager Sir Alex Ferguson had previously said that he wanted Keane to succeed him as Manchester United coach when he retired.", "Coaching career Keane's former manager Sir Alex Ferguson had previously said that he wanted Keane to succeed him as Manchester United coach when he retired. In the wake of Keane's acrimonious departure from the club, however, Ferguson became evasive regarding Keane's prospects as a manager: \"Young managers come along and people say this one will be England manager or boss of this club, but two years later they're not there. It's not an easy environment to come into, I wouldn't forecast anything.\"", "It's not an easy environment to come into, I wouldn't forecast anything.\" Sunderland During his time at Celtic, Keane was suggested as a potential managerial successor to Gordon Strachan by former Celtic player Charlie Nicholas. However, it was Championship club Sunderland where Keane chose to launch his managerial career, reuniting him with the club's chairman and outgoing manager, Niall Quinn.", "However, it was Championship club Sunderland where Keane chose to launch his managerial career, reuniting him with the club's chairman and outgoing manager, Niall Quinn. The two men, publicly at least, were on opposing sides during the fall-out from the Saipan incident, but they were on good terms at the time of the managerial appointment, with Quinn urging Sunderland fans to \"support and enjoy one of football's true greats\".", "The two men, publicly at least, were on opposing sides during the fall-out from the Saipan incident, but they were on good terms at the time of the managerial appointment, with Quinn urging Sunderland fans to \"support and enjoy one of football's true greats\". Keane signed a three-year deal immediately after Sunderland's victory over West Bromwich Albion on 28 August, the Mackems' first win of the 2006–07 season after a dreadful run of four consecutive defeats under Quinn's temporary management.", "Keane signed a three-year deal immediately after Sunderland's victory over West Bromwich Albion on 28 August, the Mackems' first win of the 2006–07 season after a dreadful run of four consecutive defeats under Quinn's temporary management. With his new club sitting in the relegation zone already, second bottom of the Championship table, Keane chose to enforce changes quickly. His first actions as manager were deciding to keep the existing assistant manager, Bobby Saxton, and to appoint his former Nottingham Forest colleague Tony Loughlan as head coach.", "His first actions as manager were deciding to keep the existing assistant manager, Bobby Saxton, and to appoint his former Nottingham Forest colleague Tony Loughlan as head coach. He wasted no time in bringing in new additions to the squad, with a total of six players signing on the final day of the August transfer window.", "He wasted no time in bringing in new additions to the squad, with a total of six players signing on the final day of the August transfer window. The most notable signings were Keane's former Manchester United teammates Dwight Yorke and Liam Miller, supported by former Celtic colleagues Ross Wallace and Stanislav Varga, as well as Wigan Athletic pair Graham Kavanagh and David Connolly.", "The most notable signings were Keane's former Manchester United teammates Dwight Yorke and Liam Miller, supported by former Celtic colleagues Ross Wallace and Stanislav Varga, as well as Wigan Athletic pair Graham Kavanagh and David Connolly. Keane's first two games as manager could not have gone much better; first coming from behind to beat Derby County 2–1, followed by an easy 3–0 victory over Leeds United.", "Keane's first two games as manager could not have gone much better; first coming from behind to beat Derby County 2–1, followed by an easy 3–0 victory over Leeds United. Sunderland began to steadily creep up the league standings under Keane's management, and by the turn of the year, they had escaped the bottom half of the league.", "Sunderland began to steadily creep up the league standings under Keane's management, and by the turn of the year, they had escaped the bottom half of the league. Five further players were signed during the January 2007 transfer window, three (Anthony Stokes, Carlos Edwards and Stern John) on permanent contracts and two (Jonny Evans and Danny Simpson) on loan from Manchester United, Keane's old club.", "Five further players were signed during the January 2007 transfer window, three (Anthony Stokes, Carlos Edwards and Stern John) on permanent contracts and two (Jonny Evans and Danny Simpson) on loan from Manchester United, Keane's old club. Results continued to improve, and Keane was rewarded with the February and March Manager of the Month awards, while his team began to challenge for the automatic promotion places. Meanwhile, Keane tackled his players' non-professional approach with a firm hand.", "Meanwhile, Keane tackled his players' non-professional approach with a firm hand. When three players were late for the team coach to a trip to Barnsley, in March 2007, he simply left them behind. Sunderland secured promotion to the Premier League – along with Birmingham City – on 29 April when rivals Derby were beaten by Crystal Palace. A week later, the Championship title was sealed, and Sunderland's revival under Keane was complete. His achievements also earned him the Championship Manager of the Year award.", "His achievements also earned him the Championship Manager of the Year award. The lowest point of their next season came at Goodison Park, where they were beaten 7–1 by Everton, which Keane described as \"one of the lowest points\" of his career. In the second half of the season, however, the team's form was much improved (especially at home) and survival in the division was guaranteed with two games to go with a home win against Middlesbrough.", "In the second half of the season, however, the team's form was much improved (especially at home) and survival in the division was guaranteed with two games to go with a home win against Middlesbrough. Meanwhile, Keane carried on his trend of buying ex-Manchester United players with the addition of Kieran Richardson, Paul McShane, Danny Higginbotham and Phil Bardsley.", "Meanwhile, Keane carried on his trend of buying ex-Manchester United players with the addition of Kieran Richardson, Paul McShane, Danny Higginbotham and Phil Bardsley. He has also continued his strict disciplinary policy by putting Liam Miller (one of Sunderland's more consistent players) on the transfer list for being regularly late for training and other team meetings. The beginning of the 2008–09 season would prove to be tumultuous.", "The beginning of the 2008–09 season would prove to be tumultuous. In September 2008 Keane became embroiled in a row with FIFA Vice-President Jack Warner over the withdrawal of Dwight Yorke from the Trinidad and Tobago national team. Warner accused Keane of being disrespectful towards small countries. Keane responded by calling Warner \"a clown\" and insisted that Yorke was retired from international football.", "Keane responded by calling Warner \"a clown\" and insisted that Yorke was retired from international football. That same month Keane experienced \"one of the worst and longest nights\" of his career when Sunderland had to come from 2–0 down at home in a League Cup tie against Northampton Town. The game ended 2–2, with Sunderland progressing narrowly on penalties.", "The game ended 2–2, with Sunderland progressing narrowly on penalties. Despite some positive performances, including the historic 2–1 home victory against local rivals Newcastle United on 25 October (the first time the club had accomplished this in 28 years), as well as good showings by recent signings like Djibril Cissé and Anton Ferdinand, the team's general form, remained inconsistent. By the end of November, Sunderland was 18th in the Premier League, having lost five of their six previous games.", "By the end of November, Sunderland was 18th in the Premier League, having lost five of their six previous games. Keane stood down as manager on 4 December after bringing doubt on his future with comments made in the wake of the 4–1 home defeat by Bolton Wanderers the previous weekend. Keane's harsh management style was not appreciated by the Sunderland players, who were reported to have celebrated when they heard he had resigned.", "Keane's harsh management style was not appreciated by the Sunderland players, who were reported to have celebrated when they heard he had resigned. In an interview with The Irish Times on 21 February 2009, Keane cited differences with Sunderland 30% shareholder Ellis Short and strains with club chairman Niall Quinn as the factors in his decision to resign as Sunderland manager. Ipswich Town On 23 April 2009, Keane was appointed as the new manager of Ipswich Town on a two-year contract, the day after the club had dismissed Jim Magilton.", "Ipswich Town On 23 April 2009, Keane was appointed as the new manager of Ipswich Town on a two-year contract, the day after the club had dismissed Jim Magilton. His first game in charge came the following Saturday with a 3–0 away win over Cardiff City, the final league match to be played at Ninian Park. The following week, Ipswich rounded off the season with a 2–1 win over Coventry City. In the 2009–10 season, Keane started to sign some players, some of them from his former club Sunderland.", "In the 2009–10 season, Keane started to sign some players, some of them from his former club Sunderland. He signed goalkeeper Márton Fülöp, midfielders Carlos Edwards and Grant Leadbitter and brought in Jack Colback, David Healy and Daryl Murphy on loan to the club. Ipswich started without a win in their first 14 matches, making them the last team to record their first win in the whole league, finally winning on 31 October against Derby County and recording their first away win of the season on 29 November against Cardiff City.", "Ipswich started without a win in their first 14 matches, making them the last team to record their first win in the whole league, finally winning on 31 October against Derby County and recording their first away win of the season on 29 November against Cardiff City. Their form gradually improved throughout the season, but Ipswich drew far too many games to come anywhere near the promotion race and they finished the season in 15th place.", "Their form gradually improved throughout the season, but Ipswich drew far too many games to come anywhere near the promotion race and they finished the season in 15th place. Many inconsistencies in the 2009–10 and the 2010–11 season meant that Keane's Ipswich side never really challenged for promotions and as a result of a poor run of form, ending up with his side dropping to as low as 21st in the Championship. Keane was dismissed as Ipswich manager on 7 January 2011.", "Keane was dismissed as Ipswich manager on 7 January 2011. National team On 5 November 2013, the FAI announced that Martin O'Neill had been made the Republic of Ireland manager and that Keane had been made the assistant manager. Their first match was against Latvia at the Aviva Stadium in a 3–0 victory on 15 November 2013. After Neil Lennon left Celtic at the end of the 2013–14 season, Keane looked set to become the new manager of the Hoops.", "After Neil Lennon left Celtic at the end of the 2013–14 season, Keane looked set to become the new manager of the Hoops. Martin O'Neill admitted he won't stand in his way of taking over the reins at Celtic Park. Keane, however, remained as assistant manager of Ireland and asked not to be considered for the job.", "Keane, however, remained as assistant manager of Ireland and asked not to be considered for the job. Keane later stated that he was on the verge of taking the Celtic job and had met with the Celtic owner Dermot Desmond but felt \"they didn't make him feel wanted enough\" and rejected the offer. Keane later became the new assistant manager of Aston Villa, combining his role with Villa and Ireland.", "Keane later became the new assistant manager of Aston Villa, combining his role with Villa and Ireland. In October 2014, Keane caused controversy after his book was released before crucial Euro 2016 qualifiers against Gibraltar and Germany. Martin O'Neill, however, rejected the claims that it was a distraction. A month later, before Ireland's crucial qualifier against Scotland, Keane was involved in an incident with a fan in the team hotel.", "A month later, before Ireland's crucial qualifier against Scotland, Keane was involved in an incident with a fan in the team hotel. An ambulance for the fan was called as well as the Garda Síochána, but no arrests or complaints were made. The FAI and Martin O'Neill came out in support of Keane after the incident. It later emerged that CCTV footage exonerated Keane of any wrongdoing.", "It later emerged that CCTV footage exonerated Keane of any wrongdoing. The man involved in the incident is Brendan Grace's son-in-law Frank Gillespie, who is believed to have asked Keane to sign a copy of Keane's autobiography The Second Half. Keane refused to do so, and Gillespie confronted Keane but then collapsed and an ambulance was called to the hotel. Grace stated that Gillespie and Keane were \"old buddies\".", "Grace stated that Gillespie and Keane were \"old buddies\". After the Scotland game, Keane claimed that Everton were putting pressure on the Irish players like Séamus Coleman and James McCarthy (who missed the Scotland match through injury) to pull out of international squads; Everton chairman Bill Kenwright refuted this claim, saying Keane says \"stupid things\". Then-Everton manager Roberto Martínez also dismissed Keane's comments. Again Keane was in the headlines after a heated press conference with journalists before the United States match.", "Again Keane was in the headlines after a heated press conference with journalists before the United States match. Keane got in a row with a journalist after he was questioned if he was becoming a distraction from the Republic of Ireland cause. Eamon Dunphy has called on the FAI and Martin O'Neill to stop Keane from giving interviews to end the circus of media attention around him. In November 2018, Keane and O'Neill left their jobs by \"mutual agreement\".", "In November 2018, Keane and O'Neill left their jobs by \"mutual agreement\". Aston Villa On 1 July 2014, Keane was confirmed as Aston Villa's new assistant manager, working alongside manager Paul Lambert. He combined this role with his assistant manager's role with the Republic of Ireland. On 28 November 2014, however, Keane quit his role as assistant manager at Aston Villa to concentrate on his assistant manager role with Ireland.", "On 28 November 2014, however, Keane quit his role as assistant manager at Aston Villa to concentrate on his assistant manager role with Ireland. Nottingham Forest In January 2019 he became assistant manager at Nottingham Forest, leaving the role in June 2019. Outside football Media career Keane has done media work but expressed his lack of enthusiasm to do so again in the future when he said, \"I was asked last week by ITV to do the Celtic game.", "Outside football Media career Keane has done media work but expressed his lack of enthusiasm to do so again in the future when he said, \"I was asked last week by ITV to do the Celtic game. A couple of weeks before that I was asked to do the United game against Celtic at Old Trafford. I think I've done it once for Sky. Never again. I'd rather go to the dentist.", "Never again. I'd rather go to the dentist. I'd rather go to the dentist. You're sitting there with people like Richard Keys and they're trying to sell something that's not there. Any time I watch a game on television I have to turn the commentators off.\" Keane later had a change of heart.", "Keane later had a change of heart. Keane later had a change of heart. Along with Harry Redknapp and Gareth Southgate (who had previously been stamped on by Keane during an FA Cup semi-final in 1995, leading to a red card), he was a pundit for ITV's coverage of the Champions League final between Manchester United and Barcelona. In the 2011–12 season, he became ITV chief football analyst, appearing on nearly every Live ITV match alongside presenter Adrian Chiles and Gareth Southgate.", "In the 2011–12 season, he became ITV chief football analyst, appearing on nearly every Live ITV match alongside presenter Adrian Chiles and Gareth Southgate. He appeared on ITV in the Champions League including Chelsea's victory in the final against Bayern Munich, nearly all FA Cup matches including the final between Chelsea and Liverpool at Wembley, and England competitive internationals and friendlies.", "He appeared on ITV in the Champions League including Chelsea's victory in the final against Bayern Munich, nearly all FA Cup matches including the final between Chelsea and Liverpool at Wembley, and England competitive internationals and friendlies. He was also involved in the ITV team for Euro 2012 alongside longtime rival Patrick Vieira and they appeared together as pundits in Ireland–Spain match and Czech Republic–Russia match, also appearing with Roberto Martínez and Gordon Strachan.", "He was also involved in the ITV team for Euro 2012 alongside longtime rival Patrick Vieira and they appeared together as pundits in Ireland–Spain match and Czech Republic–Russia match, also appearing with Roberto Martínez and Gordon Strachan. Keane worked for ITV during his time as Republic of Ireland Assistant on UEFA Champions League and UEFA Europa League highlights shows between 2015-2018 but didn't appear on International Football apart from on the Final of UEFA Euro 2016, he covered 2018 FIFA World Cup & UEFA Euro 2020 for ITV Sport and appeared again on England Qualifiers from 2018, in 2021-2022 he became ITV chief analyst for FA Cup appearing alongside Ian Wright.", "Keane worked for ITV during his time as Republic of Ireland Assistant on UEFA Champions League and UEFA Europa League highlights shows between 2015-2018 but didn't appear on International Football apart from on the Final of UEFA Euro 2016, he covered 2018 FIFA World Cup & UEFA Euro 2020 for ITV Sport and appeared again on England Qualifiers from 2018, in 2021-2022 he became ITV chief analyst for FA Cup appearing alongside Ian Wright. Keane joined Sky Sports to work on Super Sunday starting in September 2019.", "Keane joined Sky Sports to work on Super Sunday starting in September 2019. Personal life Keane married Theresa Doyle in 1997, and they have five children named Shannon, Caragh, Aidan, Leah, and Alanna. When Keane joined Manchester United, the family lived in a modern four-bedroom house in Bowdon, then moved to a mock Tudor mansion in Hale. His family then had a 1930s-built home bulldozed so they could build a new £2.5 million house near Hale.", "His family then had a 1930s-built home bulldozed so they could build a new £2.5 million house near Hale. On 6 June 2009, it was announced that Keane and his family would purchase a house in the Ipswich area, near to the training ground of Keane's new club, Ipswich Town. He eventually settled in the nearby market town of Woodbridge. They moved out of the property and offered it for sale in 2015.", "They moved out of the property and offered it for sale in 2015. In October 2014, Keane released the second part of his autobiography The Second Half, which was ghostwritten by Roddy Doyle. It is the follow up to his first autobiography, released in 2002, which was ghost written by Eamon Dunphy. Triggs Keane had a Labrador Retriever named Triggs, who died in 2012.", "Triggs Keane had a Labrador Retriever named Triggs, who died in 2012. Speaking in Dublin at his annual visit to the Irish Guide Dogs for the Blind, he spoke on the loss affecting him, \"Triggs was great and went through a lot with me... you will have me crying in a minute, so be careful. She had a good life.\"", "She had a good life.\" She had a good life.\" Triggs came to international attention in 2002 during the Saipan incident ahead of that year's FIFA World Cup, which saw Keane engage in a public quarrel and leave the squad. He said of Triggs, \"Unlike humans, dogs don't talk shit.\"", "He said of Triggs, \"Unlike humans, dogs don't talk shit.\" The Daily Telegraphs Steve Wilson once described Triggs as \"the most famous dog in football since Pickles, a mongrel who dug up the stolen Jules Rimet Trophy in 1966, or that dog that relieved itself on Jimmy Greaves at the 1962 World Cup\".", "The Daily Telegraphs Steve Wilson once described Triggs as \"the most famous dog in football since Pickles, a mongrel who dug up the stolen Jules Rimet Trophy in 1966, or that dog that relieved itself on Jimmy Greaves at the 1962 World Cup\". Henry Winter, writing in the same paper and noting Keane's tendency to go for long walks with his dog in the wake of controversial incidents, called Triggs \"the fittest dog in Cheshire\" and opined that \"if Cruft's (sic) held an endurance event, Keane and Triggs would scoop gold\".", "Henry Winter, writing in the same paper and noting Keane's tendency to go for long walks with his dog in the wake of controversial incidents, called Triggs \"the fittest dog in Cheshire\" and opined that \"if Cruft's (sic) held an endurance event, Keane and Triggs would scoop gold\". Following her rise to fame, Triggs was mentioned by several sources on many occasions, with Keane followed by numerous canine references and dog puns for the remainder of his career.", "Following her rise to fame, Triggs was mentioned by several sources on many occasions, with Keane followed by numerous canine references and dog puns for the remainder of his career. In 2006 when Keane moved house to Sunderland, his reunion with Triggs, who joined him later, came to the notice of the press. In 2007, Keane was reported to have heard of his team's promotion to the Premiership while walking Triggs.", "In 2007, Keane was reported to have heard of his team's promotion to the Premiership while walking Triggs. The following year, Keane was said to have acquired a German Shepherd Dog named Izac to accompany Triggs. In later life, Triggs was involved in a police investigation when her behaviour caused an argument between Keane and a neighbour. She appeared in an Irish Guide Dogs advertisement in 2009, whereupon the Irish Examiner referred to her as \"football's biggest canine celebrity\", and also received her own profile on Facebook.", "She appeared in an Irish Guide Dogs advertisement in 2009, whereupon the Irish Examiner referred to her as \"football's biggest canine celebrity\", and also received her own profile on Facebook. Triggs was described as a \"celebrity\" and a \"household name\" upon erroneous reports of her death from cancer in September 2010. Keane was described as \"inconsolable\".", "Keane was described as \"inconsolable\". Keane was described as \"inconsolable\". The Irish Examiners obituary noted how \"at critical moments when the nation's happiness seemed entwined with Roy's moods, he turned to his Labrador Triggs and took to the road\".", "The Irish Examiners obituary noted how \"at critical moments when the nation's happiness seemed entwined with Roy's moods, he turned to his Labrador Triggs and took to the road\". Style of play A powerful, dominant, consistent, and highly competitive midfielder, in his prime, Keane was known for his work-rate, mobility, energy, physicality, and hard-tackling style of play, which earned him a reputation as one of the best players in the world in his position.", "Style of play A powerful, dominant, consistent, and highly competitive midfielder, in his prime, Keane was known for his work-rate, mobility, energy, physicality, and hard-tackling style of play, which earned him a reputation as one of the best players in the world in his position. His playing style also earned him a degree of infamy, due to his temper, tendency to pick up cards, confront opponents, and commit rash challenges.", "His playing style also earned him a degree of infamy, due to his temper, tendency to pick up cards, confront opponents, and commit rash challenges. Usually operating in either a holding or box-to-box role in the centre of the pitch, his most prominent traits were his stamina, intelligence, positional sense, tenacity, aggression, physical strength, and ball-winning abilities, although he was a complete midfielder, who possessed a wide range of skills; indeed, he was also capable of carrying the ball forward effectively after obtaining possession, and either distributing it to other players, controlling the game and dictating the tempo in midfield, starting attacking plays, or even creating chances for his teammates, courtesy of his composure on the ball, first touch, and precise, efficient passing.", "Usually operating in either a holding or box-to-box role in the centre of the pitch, his most prominent traits were his stamina, intelligence, positional sense, tenacity, aggression, physical strength, and ball-winning abilities, although he was a complete midfielder, who possessed a wide range of skills; indeed, he was also capable of carrying the ball forward effectively after obtaining possession, and either distributing it to other players, controlling the game and dictating the tempo in midfield, starting attacking plays, or even creating chances for his teammates, courtesy of his composure on the ball, first touch, and precise, efficient passing. He could even score goals himself, due to his attacking drive, eye for goal, a powerful shot from range, and his ability to make late runs into the penalty area, in particular in his early career.", "He could even score goals himself, due to his attacking drive, eye for goal, a powerful shot from range, and his ability to make late runs into the penalty area, in particular in his early career. In his later career, however, he became more cautious in his play, and occupied a deeper role, in order to compensate for his physical decline.", "In his later career, however, he became more cautious in his play, and occupied a deeper role, in order to compensate for his physical decline. An influential presence on the pitch, in addition to his playing ability, Keane also stood out for his leadership and determination throughout his career, as well as his strong character. However, he also struggled out with injuries throughout his career. Despite his relatively small frame and short stature, he was also good in the air and an accurate header of the ball.", "Despite his relatively small frame and short stature, he was also good in the air and an accurate header of the ball. Although he was usually fielded as a defensive midfielder, Keane was also deployed as a defender on occasion, functioning as a centre-back or as a sweeper. Regarding his work-rate, mentality, and influence, his former teammate Gary Neville said of him: \"His greatest gift was to create a standard of performance which demanded the very best from the team.", "Regarding his work-rate, mentality, and influence, his former teammate Gary Neville said of him: \"His greatest gift was to create a standard of performance which demanded the very best from the team. You would look at him busting a gut and feel that you'd be betraying him if you didn't give everything yourself.\"", "You would look at him busting a gut and feel that you'd be betraying him if you didn't give everything yourself.\" Steve McClaren, who served as Alex Ferguson's assistant manager during Keane's time at Manchester United, between 1998 and 2001, instead said of the midfielder's competitive spirit: \"He mirrors the manager on the pitch. They are winners.\"", "They are winners.\" They are winners.\" Regarding Keane's complex character, despite his intensity on the pitch, Sean O'Hagan of The Guardian wrote in 2002 that he is \"...a committed and confident warrior on the field, a shy, socially awkward, and often lonely introvert off it.\" Career statistics Club International Scores and results list Republic of Ireland's goal tally first, score column indicates score after each Keane goal.", "Career statistics Club International Scores and results list Republic of Ireland's goal tally first, score column indicates score after each Keane goal. Managerial statistics Honours As a player Nottingham Forest Full Members' Cup: 1991–92 Manchester United Premier League: 1993–94, 1995–96, 1996–97, 1998–99, 1999–2000, 2000–01, 2002–03 FA Cup: 1993–94, 1995–96, 1998–99, 2003–04 FA Community Shield: 1993, 1996, 1997, 2003 UEFA Champions League: 1998–99 Intercontinental Cup: 1999 Celtic Scottish Premier League: 2005–06 Scottish League Cup: 2005–06 Individual PFA Team of the Year: 1992–93 Premier League, 1996–97 Premier League, 1999–2000 Premier League, 2000–01 Premier League, 2001–02 Premier League PFA Team of the Century: (1907–2007) Team of the Century 1997–2007 Overall Team of the Century FAI Young International Player of the Year: 1993, 1994 FAI Senior International Player of the Year: 1997, 2001 Premier League Player of the Month: October 1998, December 1999 Sir Matt Busby Player of the Year: 1999, 2000 RTÉ Sports Person of the Year: 1999 FWA Footballer of the Year: 2000 PFA Players' Player of the Year: 2000 ESM Team of the Year: 1999–2000 Premier League 10 Seasons Awards: (1992–93 to 2001–02) Overseas Team of the Decade English Football Hall of Fame: 2004 FIFA 100 Premier League 20 Seasons Awards: (1992–93 to 2011–12) Fantasy Teams of the 20 Seasons (Panel choice) Premier League Hall of Fame: 2021 As a manager Sunderland Football League Championship: 2006–07 Individual Football League Championship Manager of the Month: February 2007, March 2007 LMA Championship Manager of the Year: 2006–07 Orders and special awards Cork Person of the Year: 2004 Honorary Doctorate of Law: 2002 See also List of people on the postage stamps of Ireland Notes References General Roy Keane (2002), As I See It, [DVD] Specific External links Career photos on BBC Online BBC Wear – Roy Keane's first day on the job at SAFC 1971 births 1994 FIFA World Cup players 2002 FIFA World Cup players Association football midfielders Association footballers from Cork (city) Aston Villa F.C.", "Managerial statistics Honours As a player Nottingham Forest Full Members' Cup: 1991–92 Manchester United Premier League: 1993–94, 1995–96, 1996–97, 1998–99, 1999–2000, 2000–01, 2002–03 FA Cup: 1993–94, 1995–96, 1998–99, 2003–04 FA Community Shield: 1993, 1996, 1997, 2003 UEFA Champions League: 1998–99 Intercontinental Cup: 1999 Celtic Scottish Premier League: 2005–06 Scottish League Cup: 2005–06 Individual PFA Team of the Year: 1992–93 Premier League, 1996–97 Premier League, 1999–2000 Premier League, 2000–01 Premier League, 2001–02 Premier League PFA Team of the Century: (1907–2007) Team of the Century 1997–2007 Overall Team of the Century FAI Young International Player of the Year: 1993, 1994 FAI Senior International Player of the Year: 1997, 2001 Premier League Player of the Month: October 1998, December 1999 Sir Matt Busby Player of the Year: 1999, 2000 RTÉ Sports Person of the Year: 1999 FWA Footballer of the Year: 2000 PFA Players' Player of the Year: 2000 ESM Team of the Year: 1999–2000 Premier League 10 Seasons Awards: (1992–93 to 2001–02) Overseas Team of the Decade English Football Hall of Fame: 2004 FIFA 100 Premier League 20 Seasons Awards: (1992–93 to 2011–12) Fantasy Teams of the 20 Seasons (Panel choice) Premier League Hall of Fame: 2021 As a manager Sunderland Football League Championship: 2006–07 Individual Football League Championship Manager of the Month: February 2007, March 2007 LMA Championship Manager of the Year: 2006–07 Orders and special awards Cork Person of the Year: 2004 Honorary Doctorate of Law: 2002 See also List of people on the postage stamps of Ireland Notes References General Roy Keane (2002), As I See It, [DVD] Specific External links Career photos on BBC Online BBC Wear – Roy Keane's first day on the job at SAFC 1971 births 1994 FIFA World Cup players 2002 FIFA World Cup players Association football midfielders Association footballers from Cork (city) Aston Villa F.C. non-playing staff Celtic F.C.", "non-playing staff Celtic F.C. non-playing staff Celtic F.C. players Cobh Ramblers F.C. players English Football Hall of Fame inductees English Football League managers English Football League players Expatriate football managers in England Expatriate footballers in England Expatriate footballers in Scotland FIFA 100 Ipswich Town F.C. managers Irish expatriate sportspeople in England Irish expatriate sportspeople in Scotland League of Ireland players Living people Manchester United F.C. players Nottingham Forest F.C. non-playing staff Nottingham Forest F.C.", "players Nottingham Forest F.C. non-playing staff Nottingham Forest F.C. non-playing staff Nottingham Forest F.C. players Premier League Hall of Fame inductees Premier League managers Premier League players Republic of Ireland association footballers Republic of Ireland expatriate association footballers Republic of Ireland expatriate football managers Republic of Ireland football managers Republic of Ireland international footballers Republic of Ireland under-21 international footballers RTÉ Sports Person of the Year winners Scottish Premier League players Sunderland A.F.C. managers FA Cup Final players" ]

[ "Roy Keane", "Alf-Inge Haland incident", "When was the Alf-Inge Haland incedent?", "in the 2001 Manchester derby,", "What happened during the incident?", "a blatant knee-high foul on Alf-Inge Haland", "How did the incident affect his career?", "He initially received a three-match suspension and a PS5,000 fine" ]

[ "The \"Chute na santa\" () incident was a religious controversy that erupted in Brazil in late 1995, sparked by a live broadcast of a minister of Universal Church of the Kingdom of God (UCKG), the largest pentecostal church in Brazil, kicking the statue of Our Lady of Aparecida, a Roman Catholic saint.\n\nThe incident\nThe incident took place on October 12, 1995, the national public holiday honouring Our Lady of Aparecida, the patron saint of Brazil. That dawn, on O Despertar da Fé (), a national live television program by UCKG broadcast on Rede Record (owned by the same church), televangelist bishop Sérgio Von Helder was expressing his thoughts about his church's biblical teachings on \"imagery\" and \"idolatry\" on the saint's day, when an actual icon of the saint was shown. Then, as he walked around the image, talking about its inability \"to see\" and \"to hear\", he started to kick the image, proclaiming its \"inability to react, because it's made of clay\". \n\nOn the following day, Rede Globo's Jornal Nacional denounced the incident, causing a nationwide commotion. The event was perceived by Catholics as a major act of religious intolerance, sparking a public outcry. Several temples of the UCKG were the target of protests, and Von Helder had to be transferred to South Africa until the end of the controversy.\n\nNetwork rivalry\nSome see the incident as another clash between Rede Record and Rede Globo. A few months prior to the incident, Globo had broadcast a mini-series by Dias Gomes titled Decadência (), which depicted the fictional tale of Mariel Batista (Edson Celulari), a corrupt Protestant pastor. According to a Rede Record documentary about the imprisonment of Edir Macedo (UCKG founder and Record owner), some lines of the character were based on public speeches by him.\n\nReaction\nPope John Paul II urged Catholics not to \"answer evil with evil\". Dom Eugênio de Araújo Sales, then Archbishop of Rio de Janeiro, said that \"unless we control our emotions, there is the risk of a holy war.\n\nPresident Fernando Henrique Cardoso, when questioned about the incident, said that \"Brazil is a democratic country known by its tolerance\" and that \"any demonstration of intolerance hurts its unison spirit as well as its Christian spirit\".\n\nCultural references\nThe \"kicking of the saint\" episode is referenced in the 1997 song \"Guerra Santa\" (), written and performed by Gilberto Gil. In this song, featured in the album Quanta, Gil criticizes prosperity theology, one of the tenets of UCKG and other popular Neopentecostal churches in Brazil.\n\nSee also \n\n Anti-Catholicism\n History of Roman Catholicism in Brazil\n Persecution of Christians\n Roman Catholicism in Brazil\n\nReferences\n\n1995 in Brazil\n1995 in Brazilian television\nAnti-Catholicism\nProtestantism-related controversies\nUniversal Church of the Kingdom of God", "The Rotvoll controversy refers to a political controversy in Norway in 1991 concerning the construction of a research and development (R&D) facility for Statoil at Rotvoll outside Trondheim.\n\nKey events\nThe background for the controversy was that Statoil wanted to establish a new research and development centre in Trondheim, and had acquired land at the recreational area Rotvoll to the east of Trondheim. This area was an agriculture boundary right outside Trondheim, and was connected to Leangenbukta (English: Leangen Bay), an important bird life area. There were some old farms at Rotvoll as well, considered to be worth protecting.\n\nThere was a lot of secrecy around the formal approval of the construction at Rotvoll, and the approval process did not, like the law required, undertake a study of the consequences for the environment. Both the Norwegian Directorate for Nature Management, the County Governor and city antiquarian opposed the construction. Nonetheless, the city council gave Statoil permission to proceed.\n\nThe controversy became national on 30 June when the Norwegian Broadcasting Corporation made a large story on the national news, followed up by a number of national newspapers. The main content of the news was the tent camp that had been established at Rotvoll, to prohibit the construction. The tent camp consisted among others of members of Natur og Ungdom and the Norwegian Society for the Conservation of Nature. In the first week of the tent camp there was sunshine, but since then it was continuously rainy. Each weekend there was a family day at Rotvoll, including appearances of singer Hans Rotmo. Statoil refused to accept any of the alternative locations provided by the environmentalists, despite meetings between the CEO Harald Norvik and environmentalists. Statoil also had multiple full-page advertisements in the Trondheim newspapers Arbeider-Avisa and Adresseavisen. \n\nAfter school start in August there were few activists left at the camp, and in early October Statoil sent a letter to them informing them that they would start construction soon. On 10 October 1991 the police woke the activists and informed them that Statoil was to start construction. This resulted in a quick mobilisation and 75 activists refusing to move in civil disobedience. They were removed by the police, and that day the construction workers did as much damage as possible to hinder more actions, but the next day 65 people let themselves be arrested to hinder construction. The following day a legal demonstration was held by 500 people outside the construction area.\n\nLegacy\nThe controversy was quite prominent in Trondheim, and though Statoil Rotvoll was built, it resulted in other environmental victories later\n A few years later a green area at Fagerheim in Trondheim was not demolished, partially to avoid a new Rotvoll incident.\n Area planning in Trondheim has since shifted, and instead of building large work places outside the town, they are being moved into town. Examples of this include Fokus Bank, the city administration, the county administration and Adresseavisen (announced) in addition to the planned centralising of the Norwegian University of Science and Technology and Sør-Trøndelag University College, totaling many thousands of jobs.\n Environmental groups threatened with new demonstrations and actions when Statoil announced plans for expansions of Statoil Rotvoll in 2004.\n\nReferences\n\nEnvironmental protests in Norway\n20th century in Trondheim\nNature and Youth\nEquinor\n1991 in Norway\nPolitical controversies in Norway\n1991 in the environment" ]

[ "Roy Maurice Keane (born 10 August 1971) is an Irish football pundit, manager and former professional player. He is the joint most successful Irish footballer of all time, having won 19 major trophies in his club career, 17 of which came during his time at English club Manchester United. Regarded as one of the best midfielders of his generation, he was named by Pelé in the FIFA 100 list of the world's greatest living players in 2004.", "Regarded as one of the best midfielders of his generation, he was named by Pelé in the FIFA 100 list of the world's greatest living players in 2004. Noted for his hardened and brash demeanour, he was ranked at No. 11 on The Times list of the 50 \"hardest\" footballers in history in 2007. Keane was inducted into the Premier League Hall of Fame in 2021.", "Keane was inducted into the Premier League Hall of Fame in 2021. In his 18-year playing career, Keane played for Cobh Ramblers, Nottingham Forest, and Manchester United, before ending his career at Celtic. He was a dominating box-to-box midfielder, noted for his aggressive and highly competitive style of play, an attitude that helped him excel as captain of Manchester United from 1997 until his departure in 2005. Keane helped United achieve a sustained period of success during his 12 years at the club.", "Keane helped United achieve a sustained period of success during his 12 years at the club. He then signed for Celtic, where he won a domestic double before he retired as a player in 2006. Keane played at the international level for the Republic of Ireland over 14 years, most of which he spent as captain. At the 1994 FIFA World Cup, he played in every Republic of Ireland game.", "At the 1994 FIFA World Cup, he played in every Republic of Ireland game. He was sent home from the 2002 FIFA World Cup after a dispute with national coach Mick McCarthy over the team's training facilities. Keane began his management career at Sunderland shortly after his retirement as a player and took the club from 23rd position in the Football League Championship, in late August, to win the division title and gain promotion to the Premier League.", "Keane began his management career at Sunderland shortly after his retirement as a player and took the club from 23rd position in the Football League Championship, in late August, to win the division title and gain promotion to the Premier League. He resigned in December 2008, and from April 2009 to January 2011, he was manager of Championship club Ipswich Town. In November 2013, he was appointed assistant manager of the Republic of Ireland national team by manager Martin O'Neill, a role he held until 2018.", "In November 2013, he was appointed assistant manager of the Republic of Ireland national team by manager Martin O'Neill, a role he held until 2018. He would also have short assistant manager spells at Aston Villa in 2014 and Nottingham Forest in 2019. Keane has also worked as a studio analyst for British channels ITV's and Sky Sports football coverage. Early life Roy Maurice Keane was born into a working class family in the Ballinderry Park area of Cork's Mayfield suburb on 10 August 1971.", "Early life Roy Maurice Keane was born into a working class family in the Ballinderry Park area of Cork's Mayfield suburb on 10 August 1971. His father, Maurice, took work wherever he could find; this included jobs at a local knitwear company and at Murphy's Irish Stout brewery, among others. His family was keen on sport, especially football, and many of his relatives had played for junior Cork clubs such as Rockmount.", "His family was keen on sport, especially football, and many of his relatives had played for junior Cork clubs such as Rockmount. Keane took up boxing at the age of nine and trained for several years, winning all of his four bouts in the novice league. During this period, he was developing as a much more promising footballer at Rockmount, and his potential was highlighted when he was voted \"Player of the Year\" in his first season.", "During this period, he was developing as a much more promising footballer at Rockmount, and his potential was highlighted when he was voted \"Player of the Year\" in his first season. Many of his teammates were offered trials abroad with English football teams, but Keane was not. He supported Celtic and Tottenham Hotspur as a child, citing Liam Brady and Glenn Hoddle as his favourite players, but Manchester United player Bryan Robson became the footballer he most admired as time progressed.", "He supported Celtic and Tottenham Hotspur as a child, citing Liam Brady and Glenn Hoddle as his favourite players, but Manchester United player Bryan Robson became the footballer he most admired as time progressed. Club career Cobh Ramblers Initially, Keane was turned down from the Ireland schoolboys squad after a trial in Dublin; one explanation from former Ireland coach and scout Ronan Scally was that the 14-year-old Keane was \"just too small\" to make it at the required level.", "Club career Cobh Ramblers Initially, Keane was turned down from the Ireland schoolboys squad after a trial in Dublin; one explanation from former Ireland coach and scout Ronan Scally was that the 14-year-old Keane was \"just too small\" to make it at the required level. Undeterred, he began applying for trials with English clubs, but he was turned down by each one. As his childhood years passed, he took up temporary jobs involving manual work while waiting for a breakthrough in his football prospects.", "As his childhood years passed, he took up temporary jobs involving manual work while waiting for a breakthrough in his football prospects. In 1989, he eventually signed for the semi-professional Irish club Cobh Ramblers after persuasion from Ramblers' youth team manager Eddie O'Rourke. Keane was one of two Ramblers representatives in the inaugural FAI/FAS scheme in Dublin, and it was through this initiative that he got his first taste of full-time training.", "Keane was one of two Ramblers representatives in the inaugural FAI/FAS scheme in Dublin, and it was through this initiative that he got his first taste of full-time training. His rapid progression into a promising footballer was reflected by the fact that he would regularly turn out for Ramblers' youth side as well as the actual first team, often playing twice in the same weekend as a result.", "His rapid progression into a promising footballer was reflected by the fact that he would regularly turn out for Ramblers' youth side as well as the actual first team, often playing twice in the same weekend as a result. In an FAI Youth Cup match against Belvedere, Keane's performance attracted the attention of watching Nottingham Forest scout Noel McCabe, who asked him to travel over to England for a trial.", "In an FAI Youth Cup match against Belvedere, Keane's performance attracted the attention of watching Nottingham Forest scout Noel McCabe, who asked him to travel over to England for a trial. Keane impressed Forest manager Brian Clough, and eventually, a deal for Keane worth £47,000 was struck with Cobh Ramblers in the summer of 1990. Nottingham Forest Keane initially found life in Nottingham difficult due to the long periods away from his family, and he would often ask the club for a few days' home leave to return to Cork.", "Nottingham Forest Keane initially found life in Nottingham difficult due to the long periods away from his family, and he would often ask the club for a few days' home leave to return to Cork. Keane expressed his gratitude at Clough's generosity when considering his requests, as it helped him get through his early days at the club. Keane's first games at Forest came in the Under-21s team during a pre-season tournament in the Netherlands.", "Keane's first games at Forest came in the Under-21s team during a pre-season tournament in the Netherlands. In the final against Haarlem, he scored the winning penalty in a shootout to decide the competition, and he was soon playing regularly for the reserve team. His professional league debut came against Liverpool at the start of the 1990–91 season, and the resulting performance encouraged Clough to use him more and more as the season progressed.", "His professional league debut came against Liverpool at the start of the 1990–91 season, and the resulting performance encouraged Clough to use him more and more as the season progressed. Keane eventually scored his first professional goal against Sheffield United, and by 1991 he was a regular starter in the side, displacing the England international Steve Hodge. Keane scored three goals during a run to the 1991 FA Cup Final, which Forest ultimately lost to Tottenham Hotspur.", "Keane scored three goals during a run to the 1991 FA Cup Final, which Forest ultimately lost to Tottenham Hotspur. In the third round, however, he made a costly error against Crystal Palace, gifting a goal to the opposition and allowing them to draw the game. On returning to the dressing room after the game, Clough punched Keane in the chest in anger, knocking him to the floor.", "On returning to the dressing room after the game, Clough punched Keane in the chest in anger, knocking him to the floor. Despite this incident, Keane bore no hard feelings against his manager, later claiming that he sympathized with Clough due to the pressures of management and that he was too grateful to him for giving him his chance in English football. A year later, Keane returned to Wembley with Forest for the Football League Cup final but again finished on the losing side as Manchester United secured a 1–0 win.", "A year later, Keane returned to Wembley with Forest for the Football League Cup final but again finished on the losing side as Manchester United secured a 1–0 win. Keane was beginning to attract attention from the top clubs in the Premier League, and in 1992, Blackburn Rovers manager Kenny Dalglish spoke to Keane about the possibility of a move to the Lancashire club at the end of the season. With Forest struggling in the league and looking increasingly likely to be relegated, Keane negotiated a new contract with a relegation escape clause.", "With Forest struggling in the league and looking increasingly likely to be relegated, Keane negotiated a new contract with a relegation escape clause. The lengthy negotiations had been much talked about in public, not least by Brian Clough, who described Keane as a \"greedy child\" due to the high wages demanded by the Irishman. \"Keane is the hottest prospect in football right now, but he is not going to bankrupt this club\", Clough stated.", "\"Keane is the hottest prospect in football right now, but he is not going to bankrupt this club\", Clough stated. Despite the extended contract negotiations, Forest fans voted him the club's Player of the Season. Despite his best efforts, Keane could not save Forest from relegation, and the clause in his contract became activated. Blackburn agreed a £4  million fee for Keane, who soon after agreed to a contract with the club.", "Blackburn agreed a £4  million fee for Keane, who soon after agreed to a contract with the club. A mistake, however, prevented the move to the club: when the contract had been agreed upon, Dalglish realized they did not have the correct paperwork needed to complete the transfer. This was on a Friday afternoon, and the office had been locked up for the weekend. With a verbal agreement in place, they agreed to meet on Monday morning to complete the transfer officially.", "With a verbal agreement in place, they agreed to meet on Monday morning to complete the transfer officially. Manchester United manager Alex Ferguson, hearing about the move, phoned Keane and asked whether he would like to join them instead of Blackburn. Ferguson ensured they had the paperwork ready and met up with Keane on Saturday and signed him for Manchester United for £3.75  million, a British transfer record at the time.", "Ferguson ensured they had the paperwork ready and met up with Keane on Saturday and signed him for Manchester United for £3.75  million, a British transfer record at the time. Manchester United Early years: 1993–97 Despite the then-record transfer fee, there was no guarantee that Keane would go straight into the first team. Paul Ince and Bryan Robson had established a formidable partnership in the center of midfield, having just inspired Manchester United to their first league title since 1967.", "Paul Ince and Bryan Robson had established a formidable partnership in the center of midfield, having just inspired Manchester United to their first league title since 1967. Robson, however, was 36 years old and in the final stages of his playing career, and a series of injuries kept him out of action for most of the 1992–93 season and into the 1993–94 season.", "Robson, however, was 36 years old and in the final stages of his playing career, and a series of injuries kept him out of action for most of the 1992–93 season and into the 1993–94 season. As a result Keane had an extended run in the team, scoring twice on his home debut in a 3–0 win against Sheffield United, and grabbing the winner in the Manchester derby three months later when United overturned a 2–0 deficit at Maine Road to beat Manchester City 3–2.", "As a result Keane had an extended run in the team, scoring twice on his home debut in a 3–0 win against Sheffield United, and grabbing the winner in the Manchester derby three months later when United overturned a 2–0 deficit at Maine Road to beat Manchester City 3–2. Keane had soon established himself as a first-choice selection, and by the end of the season, he had won his first trophy as a professional as United retained their Premier League title.", "Keane had soon established himself as a first-choice selection, and by the end of the season, he had won his first trophy as a professional as United retained their Premier League title. Two weeks later, Keane broke his Wembley losing streak by helping United to a 4–0 victory over Chelsea in the FA Cup Final, sealing the club's first-ever \"double\". The following season was less successful, as United were beaten to the league title by Blackburn Rovers and beaten 1–0 in the FA Cup final by Everton.", "The following season was less successful, as United were beaten to the league title by Blackburn Rovers and beaten 1–0 in the FA Cup final by Everton. Keane received his first red card as a Manchester United player in a 2–0 FA Cup semi-final replay win against Crystal Palace, after stamping on Gareth Southgate, and was suspended for three matches and fined £5,000. This incident was the first of 11 red cards Keane would accumulate in his United career, and one of the first signs of his indiscipline on the field.", "This incident was the first of 11 red cards Keane would accumulate in his United career, and one of the first signs of his indiscipline on the field. The summer of 1995 saw a period of change at United, with Ince leaving for Internazionale, Mark Hughes moving to Chelsea and Andrei Kanchelskis being sold to Everton. Younger players such as David Beckham, Nicky Butt and Paul Scholes were brought into the team, which left Keane as the most experienced player in midfield.", "Younger players such as David Beckham, Nicky Butt and Paul Scholes were brought into the team, which left Keane as the most experienced player in midfield. Despite a slow start to the 1995–96 campaign, United pegged back title challengers Newcastle United, who had built a commanding 12-point championship lead by Christmas, to secure another Premier League title. Keane's second double in three years was confirmed with a 1–0 win over Liverpool to win the FA Cup for a record ninth time.", "Keane's second double in three years was confirmed with a 1–0 win over Liverpool to win the FA Cup for a record ninth time. The next season saw Keane in and out of the side due to a series of knee injuries and frequent suspensions. He picked up a costly yellow card in the first leg of the Champions League semi-final against Borussia Dortmund, which ruled him out of the return leg at Old Trafford.", "He picked up a costly yellow card in the first leg of the Champions League semi-final against Borussia Dortmund, which ruled him out of the return leg at Old Trafford. United lost both legs 1–0, but this was compensated for by winning another league title a few days later.", "United lost both legs 1–0, but this was compensated for by winning another league title a few days later. Captaincy: 1997–2005 After Eric Cantona's unexpected retirement, Keane took over as club captain, although he missed most of the 1997–98 season because of a cruciate ligament injury caused by an attempt to tackle Leeds United player Alf-Inge Håland in the ninth Premier League game of the season.", "Captaincy: 1997–2005 After Eric Cantona's unexpected retirement, Keane took over as club captain, although he missed most of the 1997–98 season because of a cruciate ligament injury caused by an attempt to tackle Leeds United player Alf-Inge Håland in the ninth Premier League game of the season. As Keane lay prone on the ground, Håland stood over Keane, accusing the injured United captain of having tried to hurt him and of feigning injury to escape punishment, an allegation which would lead to an infamous incident between the two players four years later.", "As Keane lay prone on the ground, Håland stood over Keane, accusing the injured United captain of having tried to hurt him and of feigning injury to escape punishment, an allegation which would lead to an infamous incident between the two players four years later. Keane did not return to competitive football that campaign, and could only watch from the sidelines as United squandered an 11-point lead over Arsenal to miss out on the Premier League title.", "Keane did not return to competitive football that campaign, and could only watch from the sidelines as United squandered an 11-point lead over Arsenal to miss out on the Premier League title. Many pundits cited Keane's absence as a crucial factor in the team's surrender of the league trophy. Keane returned to captain the side the following season, and guided them to a treble of the FA Premier League, FA Cup, and UEFA Champions League.", "Keane returned to captain the side the following season, and guided them to a treble of the FA Premier League, FA Cup, and UEFA Champions League. In an inspirational display against Juventus in the second leg of the Champions League semi-final, he helped haul his team back from two goals down to win 3–2, scoring the first United goal. His performance in this game has been described as his finest hour as a footballer.", "His performance in this game has been described as his finest hour as a footballer. Keane, however, received a yellow card after a trip on Zinedine Zidane that ruled him out of the final. United defeated Bayern Munich 2–1 in the final, but Keane had mixed emotions about the victory due to his suspension. Recalling his thoughts before the game, Keane said, \"Although I was putting a brave face on it, this was just about the worst experience I'd had in football.\"", "Recalling his thoughts before the game, Keane said, \"Although I was putting a brave face on it, this was just about the worst experience I'd had in football.\" Keane sustained an ankle injury during the 1999 FA Cup Final, four days before the Champions League Final, which ruled him out until the following season. Later that year, Keane scored the only goal in the final of the Intercontinental Cup, as United defeated Palmeiras in Tokyo.", "Later that year, Keane scored the only goal in the final of the Intercontinental Cup, as United defeated Palmeiras in Tokyo. The following season saw prolonged contract negotiations between Keane and Manchester United, with Keane turning down an initial £2 million-a-year offer amid rumors of a move to Italy. His higher demands were eventually met midway through the 1999–2000 season, committing him to United until 2004.", "His higher demands were eventually met midway through the 1999–2000 season, committing him to United until 2004. Keane was angered when club officials explained an increase in season ticket prices was a result of his improved contract and asked for an apology from the club. Days after the contract was signed, Keane celebrated by scoring the winning goal against Valencia in the Champions League, although United's defence of the Champions League was ended by Real Madrid in the quarter-finals, partly due to an unfortunate Keane own goal in the second leg.", "Days after the contract was signed, Keane celebrated by scoring the winning goal against Valencia in the Champions League, although United's defence of the Champions League was ended by Real Madrid in the quarter-finals, partly due to an unfortunate Keane own goal in the second leg. He was voted PFA Players' Player of the Year and FWA Footballer of the Year at the end of the season after leading United to their sixth Premier League title in eight years.", "He was voted PFA Players' Player of the Year and FWA Footballer of the Year at the end of the season after leading United to their sixth Premier League title in eight years. Keane caused controversy in November 2000, when he criticised sections of United supporters after the Champions League victory over Dynamo Kyiv at Old Trafford. He complained about the lack of vocal support given by some fans when Dynamo was dominating the game, stating, \"Away from home our fans are fantastic, I'd call them the hardcore fans.", "He complained about the lack of vocal support given by some fans when Dynamo was dominating the game, stating, \"Away from home our fans are fantastic, I'd call them the hardcore fans. But at home, they have a few drinks and probably the prawn sandwiches, and they don't realise what's going on out on the pitch. I don't think some of the people who come to Old Trafford can spell 'football', never mind understand it.\"", "I don't think some of the people who come to Old Trafford can spell 'football', never mind understand it.\" Keane's comments started a debate in England about the changing atmosphere in football grounds, and the term \"prawn sandwich brigade\" is now part of the English football vocabulary, referring to people who attend football games or claim to be fans of football because it is fashionable rather than due to any genuine interest in the game.", "Keane's comments started a debate in England about the changing atmosphere in football grounds, and the term \"prawn sandwich brigade\" is now part of the English football vocabulary, referring to people who attend football games or claim to be fans of football because it is fashionable rather than due to any genuine interest in the game. Alf-Inge Håland incident Keane made headlines again in the 2001 Manchester derby, when five minutes from the final whistle, he was sent off for a knee-high foul on Alf-Inge Håland in what was seen by many as an act of revenge.", "Alf-Inge Håland incident Keane made headlines again in the 2001 Manchester derby, when five minutes from the final whistle, he was sent off for a knee-high foul on Alf-Inge Håland in what was seen by many as an act of revenge. He initially received a three-match suspension and a £5,000 fine from The Football Association (FA), but further punishment was to follow after the release of Keane's autobiography in August 2002, in which he stated that he intended \"to hurt\" Håland.", "He initially received a three-match suspension and a £5,000 fine from The Football Association (FA), but further punishment was to follow after the release of Keane's autobiography in August 2002, in which he stated that he intended \"to hurt\" Håland. Keane's account of the incident was as follows: I'd waited long enough. I fucking hit him hard. The ball was there (I think). Take that you cunt. And don't ever stand over me sneering about fake injuries.", "And don't ever stand over me sneering about fake injuries. His admission that the tackle was a premeditated assault led the FA to charge him with bringing the game into disrepute. He was banned for a further five matches and fined £150,000 in the ensuing investigation. Despite widespread condemnation, he later maintained in an interview that he had no regrets about the incident: \"My attitude was, fuck him. What goes around comes around. He got his just rewards.", "What goes around comes around. He got his just rewards. He got his just rewards. He fucked me over and my attitude is an eye for an eye\", and said he would probably do the same thing again. Håland never played a full game afterwards. However, Håland did complete the match and played 68 minutes of the following game. He also played a friendly for Norway in between both matches.", "He also played a friendly for Norway in between both matches. It was, in fact, a long-standing injury to his left knee rather than his right, that ended his career. Later career: 2001–2005 United finished the 2001–02 season trophyless for the first time in four years. Domestically, they were eliminated from the FA Cup by Middlesbrough in the fourth round and finished third in the Premier League, their lowest final position in the league since 1991.", "Domestically, they were eliminated from the FA Cup by Middlesbrough in the fourth round and finished third in the Premier League, their lowest final position in the league since 1991. Progress was made in Europe, however, as United reached the semi-finals of the Champions League, their furthest advance since their successful campaign of 1999. They were eventually knocked out on away goals after a 3–3 aggregate draw with Bayer Leverkusen, despite Keane putting United 3–2 up.", "They were eventually knocked out on away goals after a 3–3 aggregate draw with Bayer Leverkusen, despite Keane putting United 3–2 up. After the defeat, Keane blamed United's loss of form on some of his teammates' fixation with wealth, claiming that they had \"forgot about the game, lost the hunger that got you the Rolex, the cars, the mansion\".", "After the defeat, Keane blamed United's loss of form on some of his teammates' fixation with wealth, claiming that they had \"forgot about the game, lost the hunger that got you the Rolex, the cars, the mansion\". Earlier in the season, Keane had publicly advocated the breakup of the treble-winning team as he believed the team-mates who had played in United's victorious 1999 Champions League final no longer had the motivation to work as hard.", "Earlier in the season, Keane had publicly advocated the breakup of the treble-winning team as he believed the team-mates who had played in United's victorious 1999 Champions League final no longer had the motivation to work as hard. In August 2002, Keane was fined £150,000 by Sir Alex Ferguson and suspended for three matches for elbowing Sunderland's Jason McAteer, and this was compounded by an added five-match suspension for the controversial comments about Håland.", "In August 2002, Keane was fined £150,000 by Sir Alex Ferguson and suspended for three matches for elbowing Sunderland's Jason McAteer, and this was compounded by an added five-match suspension for the controversial comments about Håland. Keane used the break to undergo an operation on his hip, which had caused him to take painkillers for a year beforehand. Despite early fears that the injury was career-threatening, and suggestions of a future hip-replacement from his surgeon, he was back in the United team by December.", "Despite early fears that the injury was career-threatening, and suggestions of a future hip-replacement from his surgeon, he was back in the United team by December. During his period of rest after the operation, Keane reflected on the cause of his frequent injuries and suspensions. He decided that the cause of these problems was his reckless challenges and angry outbursts which had increasingly blighted his career. As a result, he became more restrained on the field and tended to avoid the disputes and confrontations with other players.", "As a result, he became more restrained on the field and tended to avoid the disputes and confrontations with other players. Some observers felt that the \"new\" Keane had become less influential in midfield as a consequence of the change in his style of play, possibly brought about by decreased mobility after his hip operation. After his return, however, Keane displayed the tenacity of old, leading the team to another league title in May 2003. Throughout the 2000s, Keane maintained a fierce rivalry with Arsenal captain Patrick Vieira.", "Throughout the 2000s, Keane maintained a fierce rivalry with Arsenal captain Patrick Vieira. The most notable incident between the two took place at Highbury in 2005 at the height of an extreme period of bad blood between United and Arsenal. Vieira was seen confronting United defender Gary Neville in the tunnel before the game over his fouling of José Antonio Reyes in the previous encounter between the two sides, prompting Keane to verbally confront the Arsenal captain.", "Vieira was seen confronting United defender Gary Neville in the tunnel before the game over his fouling of José Antonio Reyes in the previous encounter between the two sides, prompting Keane to verbally confront the Arsenal captain. The incident was broadcast live on Sky Sports, with Keane heard telling match referee Graham Poll to, \"Tell him [Vieira] to shut his fucking mouth!\" After the game, which United won 4–2, Keane controversially criticised Vieira's decision to play internationally for France instead of his country of birth, Senegal.", "After the game, which United won 4–2, Keane controversially criticised Vieira's decision to play internationally for France instead of his country of birth, Senegal. Vieira, however, later suggested that having walked out on his national team in the FIFA World Cup finals, Keane was not in a good position to comment on such matters. Referee Poll later revealed that he should have sent off both players before the match had begun, though was under pressure not to do so.", "Referee Poll later revealed that he should have sent off both players before the match had begun, though was under pressure not to do so. Overall, Keane led United to nine major honours, making him the most successful captain in the club's history. Keane scored his 50th goal for Manchester United on 5 February 2005 in a league game against Birmingham City.", "Keane scored his 50th goal for Manchester United on 5 February 2005 in a league game against Birmingham City. His appearance in the 2005 FA Cup final, which United lost to Arsenal in a penalty shoot-out, was his seventh such game, a record in English football at the time. Keane also jointly holds the record for the most red cards received in English football, being dismissed a total of 13 times in his career.", "Keane also jointly holds the record for the most red cards received in English football, being dismissed a total of 13 times in his career. He was inducted into the English Football Hall of Fame in 2004 in recognition of his impact on the English game and became the only Irish player to be selected into the FIFA 100, a list of the greatest living footballers picked by Pelé.", "He was inducted into the English Football Hall of Fame in 2004 in recognition of his impact on the English game and became the only Irish player to be selected into the FIFA 100, a list of the greatest living footballers picked by Pelé. Departure Keane unexpectedly left Manchester United by mutual consent on 18 November 2005, during a protracted absence from the team due to an injury sustained in his last competitive game for the club, caused by a robust challenge from Luis García against Liverpool.", "Departure Keane unexpectedly left Manchester United by mutual consent on 18 November 2005, during a protracted absence from the team due to an injury sustained in his last competitive game for the club, caused by a robust challenge from Luis García against Liverpool. His departure marked the climax of increasing tensions between Keane and the United management and players since the club's pre-season training camp in Portugal when he argued with Ferguson over the quality of the set-up at the resort.", "His departure marked the climax of increasing tensions between Keane and the United management and players since the club's pre-season training camp in Portugal when he argued with Ferguson over the quality of the set-up at the resort. Ferguson was angered further by Keane's admission during an MUTV phone-in that he would be \"prepared to play elsewhere\" after the expiration of his current contract with United at the end of the season.", "Ferguson was angered further by Keane's admission during an MUTV phone-in that he would be \"prepared to play elsewhere\" after the expiration of his current contract with United at the end of the season. Another of Keane's appearances on MUTV provoked more controversy, when, after a 4–1 defeat at the hands of Middlesbrough in early November, he criticised the performances of John O'Shea, Alan Smith, Kieran Richardson and Darren Fletcher.", "Another of Keane's appearances on MUTV provoked more controversy, when, after a 4–1 defeat at the hands of Middlesbrough in early November, he criticised the performances of John O'Shea, Alan Smith, Kieran Richardson and Darren Fletcher. Of the club's record signing Rio Ferdinand, he said, \"Just because you are paid £120,000-a-week and play well for 20 minutes against Tottenham, you think you are a superstar.\"", "Of the club's record signing Rio Ferdinand, he said, \"Just because you are paid £120,000-a-week and play well for 20 minutes against Tottenham, you think you are a superstar.\" The outburst was deemed too damning by the United management and was subsequently pulled from transmission by the club's TV station. Keane's opinions were described by those present at the interview as \"explosive even by his standards\". Keane scored 33 league goals for Manchester United and a total of 51 in all competitions.", "Keane scored 33 league goals for Manchester United and a total of 51 in all competitions. The first two of his goals for the club came in the 3–0 home win over Sheffield United in the Premier League on 18 August 1993, the last on 12 March 2005 in a 4–0 away win over Southampton in the FA Cup. Two weeks later, after another row with Ferguson, Keane reached an agreement with Manchester United allowing him to leave the club immediately to sign a long-term deal with another club.", "Two weeks later, after another row with Ferguson, Keane reached an agreement with Manchester United allowing him to leave the club immediately to sign a long-term deal with another club. He was offered a testimonial in recognition of his 12-and-a-half years at Old Trafford, with both Ferguson and United chief executive David Gill wishing him well for the future.", "He was offered a testimonial in recognition of his 12-and-a-half years at Old Trafford, with both Ferguson and United chief executive David Gill wishing him well for the future. Keane, in an interview with the Irish media company, Off the Ball, in September 2019, stated that Manchester United were pushing to get him out of the club because he was getting old and his strained relationship with then assistant manager Carlos Queiroz and later on with Sir Alex Ferguson, rather than the mere MUTV incident.", "Keane, in an interview with the Irish media company, Off the Ball, in September 2019, stated that Manchester United were pushing to get him out of the club because he was getting old and his strained relationship with then assistant manager Carlos Queiroz and later on with Sir Alex Ferguson, rather than the mere MUTV incident. Keane's testimonial took place at Old Trafford on 9 May 2006 between United and Celtic.", "Keane's testimonial took place at Old Trafford on 9 May 2006 between United and Celtic. The home side won the game 1–0, with Keane playing the first half for Celtic and the second half in his former role as Manchester United captain. The capacity crowd of 69,591 remains the largest crowd ever for a testimonial match in England. All of the revenue generated from the match was given to Keane's favourite charity, Irish Guide Dogs for the Blind.", "All of the revenue generated from the match was given to Keane's favourite charity, Irish Guide Dogs for the Blind. Celtic On 15 December 2005, Keane was announced as a Celtic player, the team he had supported as a child. Initial reports suggested Keane was offered a contract of around £40,000 per week; however, this was rejected by the player himself in his second autobiography, in which he claimed he was only paid £15,000 per week while a Celtic player.", "Initial reports suggested Keane was offered a contract of around £40,000 per week; however, this was rejected by the player himself in his second autobiography, in which he claimed he was only paid £15,000 per week while a Celtic player. Keane's Celtic career began in January 2006, when the Glasgow giants crashed to a 2–1 defeat to Scottish First Division side Clyde in the third round of the Scottish Cup. His abrasive style had not dwindled, as he was seen criticising some of his new team-mates during the match.", "His abrasive style had not dwindled, as he was seen criticising some of his new team-mates during the match. Keane scored what turned out to be his only Celtic goal a month later, a shot from 20 yards in a 2–1 Scottish Premier League victory over Falkirk. He retained his place the following Sunday in his first Old Firm derby against Rangers, leading Celtic to victory. Celtic went on to complete a double of the Scottish Premier League title and Scottish League Cup, his last honour as a player.", "Celtic went on to complete a double of the Scottish Premier League title and Scottish League Cup, his last honour as a player. On 12 June 2006, Keane announced his retirement from professional football on medical advice, only six months after joining Celtic. His announcement prompted glowing praise from many of his former colleagues and managers, not least from Sir Alex Ferguson, who opined, \"Over the years when they start picking the best teams of all time, he will be in there.\"", "His announcement prompted glowing praise from many of his former colleagues and managers, not least from Sir Alex Ferguson, who opined, \"Over the years when they start picking the best teams of all time, he will be in there.\" International career Keane was part of the squad that participated in the 1988 UEFA European Under-16 Football Championship although he did not play.", "International career Keane was part of the squad that participated in the 1988 UEFA European Under-16 Football Championship although he did not play. He was man of the match for the Republic of Ireland national under-19 team when they beat hosts Hungary in the 1990 UEFA European Under-18 Football Championship to qualify for the 1991 FIFA World Youth Championship.", "He was man of the match for the Republic of Ireland national under-19 team when they beat hosts Hungary in the 1990 UEFA European Under-18 Football Championship to qualify for the 1991 FIFA World Youth Championship. When called up for his first game at the international level, an under-21s match against Turkey in 1991, Keane took an immediate dislike to the organisation and preparation surrounding the Irish team, later describing the set-up as \"a bit of a joke\".", "When called up for his first game at the international level, an under-21s match against Turkey in 1991, Keane took an immediate dislike to the organisation and preparation surrounding the Irish team, later describing the set-up as \"a bit of a joke\". He would continue to hold this view throughout the remainder of his time spent with the national team, which led to numerous confrontations with the Irish management.", "He would continue to hold this view throughout the remainder of his time spent with the national team, which led to numerous confrontations with the Irish management. Keane declared his unavailability to travel with the Irish squad to Algeria, but was surprised when manager Jack Charlton told him that he would never play for Ireland again if he refused to join up with his compatriots.", "Keane declared his unavailability to travel with the Irish squad to Algeria, but was surprised when manager Jack Charlton told him that he would never play for Ireland again if he refused to join up with his compatriots. Despite this threat, Keane chose to stay at home on the insistence of Nottingham Forest manager Brian Clough, and was pleased when a year later he was called up to the Irish squad for a friendly at Lansdowne Road.", "Despite this threat, Keane chose to stay at home on the insistence of Nottingham Forest manager Brian Clough, and was pleased when a year later he was called up to the Irish squad for a friendly at Lansdowne Road. After more appearances, he grew to disapprove of Charlton's style of football, which relied less on the players' skill and more on continuous pressing and direct play.", "After more appearances, he grew to disapprove of Charlton's style of football, which relied less on the players' skill and more on continuous pressing and direct play. Tensions between the two men peaked during a pre-season tournament in the United States when Charlton berated Keane for returning home late after a drinking session with Steve Staunton. Keane was included in the Republic of Ireland senior squad for the 1994 FIFA World Cup in the U.S. and played in every game, including a famous 1–0 victory over tournament favourites and eventual runners-up Italy.", "Keane was included in the Republic of Ireland senior squad for the 1994 FIFA World Cup in the U.S. and played in every game, including a famous 1–0 victory over tournament favourites and eventual runners-up Italy. Despite a second-round exit at the hands of the Netherlands, the tournament was considered a success for the Irish team, and Keane was named the best player of Ireland's campaign.", "Despite a second-round exit at the hands of the Netherlands, the tournament was considered a success for the Irish team, and Keane was named the best player of Ireland's campaign. Keane, however, was reluctant to join the post-tournament celebrations, later claiming that, as far as he was concerned, Ireland's World Cup was a disappointment: \"There was nothing to celebrate. We achieved little.\"", "We achieved little.\" We achieved little.\" Keane missed crucial matches during the 1998 World Cup qualification matches due to a severe knee injury but came back to captain the team to within a whisker of qualification for UEFA Euro 2000, losing to Turkey in a play-off. Ireland secured qualification for the 2002 World Cup under new manager Mick McCarthy, greatly assisted by several match-winning performances from Keane.", "Ireland secured qualification for the 2002 World Cup under new manager Mick McCarthy, greatly assisted by several match-winning performances from Keane. In the process of qualification, Ireland went undefeated, both home and away, against international football heavyweights Portugal and the Netherlands, famously beating the latter 1–0 at Lansdowne Road. 2002 FIFA World Cup incident The Football Association of Ireland (FAI) selected the training base intended for use during Ireland's World Cup campaign.", "2002 FIFA World Cup incident The Football Association of Ireland (FAI) selected the training base intended for use during Ireland's World Cup campaign. During the first training session, Keane expressed serious misgivings about the adequacy of the training facilities and the standard of preparation for the Irish team. He was angered by the late arrival of the squad's training equipment, which had disrupted the first training session on a pitch that he described as \"like a car park\".", "He was angered by the late arrival of the squad's training equipment, which had disrupted the first training session on a pitch that he described as \"like a car park\". After a row with goalkeeping coach Packie Bonner and Alan Kelly Jr. on the second day of training, Keane announced that he was quitting the squad and that he wished to return home to Manchester due to his dissatisfaction with Ireland's preparation.", "After a row with goalkeeping coach Packie Bonner and Alan Kelly Jr. on the second day of training, Keane announced that he was quitting the squad and that he wished to return home to Manchester due to his dissatisfaction with Ireland's preparation. The FAI was unable to get Keane an immediate flight home at such short notice, meaning that he remained in Saipan for another night, but they called up Colin Healy as a replacement for him.", "The FAI was unable to get Keane an immediate flight home at such short notice, meaning that he remained in Saipan for another night, but they called up Colin Healy as a replacement for him. The following day, however, McCarthy approached Keane and asked him to return to the training camp, and Keane was eventually persuaded to stay. Despite a temporary cooling of tensions in the Irish camp after Keane's change of heart, things soon took a turn for the worse.", "Despite a temporary cooling of tensions in the Irish camp after Keane's change of heart, things soon took a turn for the worse. Keane immediately gave an interview to leading sports journalist Tom Humphries, of the Irish Times newspaper, where he expressed his unhappiness with the facilities in Saipan and listed the events and concerns which had led him to leave the team temporarily. McCarthy took offence at Keane's interview and decided to confront Keane over the article in front of the entire squad and coaching staff.", "McCarthy took offence at Keane's interview and decided to confront Keane over the article in front of the entire squad and coaching staff. Keane refused to relent, saying that he had told the newspaper what he considered to be the truth and that the Irish fans deserved to know what was going on inside the camp. He then unleashed a stinging verbal tirade against McCarthy: \"Mick, you're a liar... you're a fucking wanker.", "He then unleashed a stinging verbal tirade against McCarthy: \"Mick, you're a liar... you're a fucking wanker. I didn't rate you as a player, I don't rate you as a manager, and I don't rate you as a person. You're a fucking wanker and you can stick your World Cup up your arse. The only reason I have any dealings with you is that somehow you are the manager of my country! You can stick it up your bollocks.\"", "You can stick it up your bollocks.\" You can stick it up your bollocks.\" Niall Quinn observed in his autobiography that \"Roy Keane's 10-minute oration [against Mick McCarthy, above] ... was clinical, fierce, earth-shattering to the person on the end of it and it ultimately caused a huge controversy in Irish society.\" But at the same time, he was also critical of Keane's stance, saying that, \"[He] left us in Saipan, not the other way round.", "But at the same time, he was also critical of Keane's stance, saying that, \"[He] left us in Saipan, not the other way round. And he punished himself more than any of us by not coming back.\" None of Keane's teammates voiced support for him during the meeting, although some supported him in private afterwards. Veterans Niall Quinn and Steve Staunton backed McCarthy in a press conference after the event.", "Veterans Niall Quinn and Steve Staunton backed McCarthy in a press conference after the event. It was here that McCarthy announced that he had dismissed Keane from the squad and sent him home. By this time, the FIFA deadline for naming the World Cup squads had passed, meaning that Colin Healy was unable to be named as Keane's replacement and could not play in the tournament. Recall Mick McCarthy resigned as Ireland manager in November 2002 after defeats to Russia and Switzerland in qualification for Euro 2004.", "Recall Mick McCarthy resigned as Ireland manager in November 2002 after defeats to Russia and Switzerland in qualification for Euro 2004. The possibility of Keane returning to the squad for future qualifiers was raised, as Keane had not yet fully retired from international football, insisting that McCarthy's presence was the main incentive for staying away from the Irish squad. McCarthy's replacement, Brian Kerr, discussed with Keane the possibility of a recall, and in April 2004 he was brought back into the Irish team to face Romania on 27 May.", "McCarthy's replacement, Brian Kerr, discussed with Keane the possibility of a recall, and in April 2004 he was brought back into the Irish team to face Romania on 27 May. Keane was not reinstated as captain, however, as Kerr decided to keep the armband with Kenny Cunningham. After the team's failure to qualify for the 2006 World Cup, he announced his retirement from international football to help prolong his club career. Post-retirement Keane has reiterated his displeasure with the attitude and selection policy of the FAI.", "Post-retirement Keane has reiterated his displeasure with the attitude and selection policy of the FAI. In March 2007, Keane claimed that several Republic of Ireland players get picked solely based on their media exposure and that the organisation was biased towards players originating from Dublin or other regions of Leinster: \"Once you keep playing them on the reputation they've built up through the media or because they do lots of interviews, then it's wrong. There's a fine line between loyalty and stupidity.\"", "There's a fine line between loyalty and stupidity.\" Keane claimed that Sunderland player Liam Miller was not picked because he was from Cork and that players with significant potential were failing to get picked for the national team. He also alleged that the FAI were incompetent in the running of their affairs. Keane was involved in further controversy in the wake of Ireland's defeat by France in the qualification 2010 World Cup play-off.", "Keane was involved in further controversy in the wake of Ireland's defeat by France in the qualification 2010 World Cup play-off. During an Ipswich Town press conference on 20 November 2009, Keane was critical of the Irish reaction to the Thierry Henry handball incident. His response included criticisms of the Irish team's defence and the FAI authorities. Coaching career Keane's former manager Sir Alex Ferguson had previously said that he wanted Keane to succeed him as Manchester United coach when he retired.", "Coaching career Keane's former manager Sir Alex Ferguson had previously said that he wanted Keane to succeed him as Manchester United coach when he retired. In the wake of Keane's acrimonious departure from the club, however, Ferguson became evasive regarding Keane's prospects as a manager: \"Young managers come along and people say this one will be England manager or boss of this club, but two years later they're not there. It's not an easy environment to come into, I wouldn't forecast anything.\"", "It's not an easy environment to come into, I wouldn't forecast anything.\" Sunderland During his time at Celtic, Keane was suggested as a potential managerial successor to Gordon Strachan by former Celtic player Charlie Nicholas. However, it was Championship club Sunderland where Keane chose to launch his managerial career, reuniting him with the club's chairman and outgoing manager, Niall Quinn.", "However, it was Championship club Sunderland where Keane chose to launch his managerial career, reuniting him with the club's chairman and outgoing manager, Niall Quinn. The two men, publicly at least, were on opposing sides during the fall-out from the Saipan incident, but they were on good terms at the time of the managerial appointment, with Quinn urging Sunderland fans to \"support and enjoy one of football's true greats\".", "The two men, publicly at least, were on opposing sides during the fall-out from the Saipan incident, but they were on good terms at the time of the managerial appointment, with Quinn urging Sunderland fans to \"support and enjoy one of football's true greats\". Keane signed a three-year deal immediately after Sunderland's victory over West Bromwich Albion on 28 August, the Mackems' first win of the 2006–07 season after a dreadful run of four consecutive defeats under Quinn's temporary management.", "Keane signed a three-year deal immediately after Sunderland's victory over West Bromwich Albion on 28 August, the Mackems' first win of the 2006–07 season after a dreadful run of four consecutive defeats under Quinn's temporary management. With his new club sitting in the relegation zone already, second bottom of the Championship table, Keane chose to enforce changes quickly. His first actions as manager were deciding to keep the existing assistant manager, Bobby Saxton, and to appoint his former Nottingham Forest colleague Tony Loughlan as head coach.", "His first actions as manager were deciding to keep the existing assistant manager, Bobby Saxton, and to appoint his former Nottingham Forest colleague Tony Loughlan as head coach. He wasted no time in bringing in new additions to the squad, with a total of six players signing on the final day of the August transfer window.", "He wasted no time in bringing in new additions to the squad, with a total of six players signing on the final day of the August transfer window. The most notable signings were Keane's former Manchester United teammates Dwight Yorke and Liam Miller, supported by former Celtic colleagues Ross Wallace and Stanislav Varga, as well as Wigan Athletic pair Graham Kavanagh and David Connolly.", "The most notable signings were Keane's former Manchester United teammates Dwight Yorke and Liam Miller, supported by former Celtic colleagues Ross Wallace and Stanislav Varga, as well as Wigan Athletic pair Graham Kavanagh and David Connolly. Keane's first two games as manager could not have gone much better; first coming from behind to beat Derby County 2–1, followed by an easy 3–0 victory over Leeds United.", "Keane's first two games as manager could not have gone much better; first coming from behind to beat Derby County 2–1, followed by an easy 3–0 victory over Leeds United. Sunderland began to steadily creep up the league standings under Keane's management, and by the turn of the year, they had escaped the bottom half of the league.", "Sunderland began to steadily creep up the league standings under Keane's management, and by the turn of the year, they had escaped the bottom half of the league. Five further players were signed during the January 2007 transfer window, three (Anthony Stokes, Carlos Edwards and Stern John) on permanent contracts and two (Jonny Evans and Danny Simpson) on loan from Manchester United, Keane's old club.", "Five further players were signed during the January 2007 transfer window, three (Anthony Stokes, Carlos Edwards and Stern John) on permanent contracts and two (Jonny Evans and Danny Simpson) on loan from Manchester United, Keane's old club. Results continued to improve, and Keane was rewarded with the February and March Manager of the Month awards, while his team began to challenge for the automatic promotion places. Meanwhile, Keane tackled his players' non-professional approach with a firm hand.", "Meanwhile, Keane tackled his players' non-professional approach with a firm hand. When three players were late for the team coach to a trip to Barnsley, in March 2007, he simply left them behind. Sunderland secured promotion to the Premier League – along with Birmingham City – on 29 April when rivals Derby were beaten by Crystal Palace. A week later, the Championship title was sealed, and Sunderland's revival under Keane was complete. His achievements also earned him the Championship Manager of the Year award.", "His achievements also earned him the Championship Manager of the Year award. The lowest point of their next season came at Goodison Park, where they were beaten 7–1 by Everton, which Keane described as \"one of the lowest points\" of his career. In the second half of the season, however, the team's form was much improved (especially at home) and survival in the division was guaranteed with two games to go with a home win against Middlesbrough.", "In the second half of the season, however, the team's form was much improved (especially at home) and survival in the division was guaranteed with two games to go with a home win against Middlesbrough. Meanwhile, Keane carried on his trend of buying ex-Manchester United players with the addition of Kieran Richardson, Paul McShane, Danny Higginbotham and Phil Bardsley.", "Meanwhile, Keane carried on his trend of buying ex-Manchester United players with the addition of Kieran Richardson, Paul McShane, Danny Higginbotham and Phil Bardsley. He has also continued his strict disciplinary policy by putting Liam Miller (one of Sunderland's more consistent players) on the transfer list for being regularly late for training and other team meetings. The beginning of the 2008–09 season would prove to be tumultuous.", "The beginning of the 2008–09 season would prove to be tumultuous. In September 2008 Keane became embroiled in a row with FIFA Vice-President Jack Warner over the withdrawal of Dwight Yorke from the Trinidad and Tobago national team. Warner accused Keane of being disrespectful towards small countries. Keane responded by calling Warner \"a clown\" and insisted that Yorke was retired from international football.", "Keane responded by calling Warner \"a clown\" and insisted that Yorke was retired from international football. That same month Keane experienced \"one of the worst and longest nights\" of his career when Sunderland had to come from 2–0 down at home in a League Cup tie against Northampton Town. The game ended 2–2, with Sunderland progressing narrowly on penalties.", "The game ended 2–2, with Sunderland progressing narrowly on penalties. Despite some positive performances, including the historic 2–1 home victory against local rivals Newcastle United on 25 October (the first time the club had accomplished this in 28 years), as well as good showings by recent signings like Djibril Cissé and Anton Ferdinand, the team's general form, remained inconsistent. By the end of November, Sunderland was 18th in the Premier League, having lost five of their six previous games.", "By the end of November, Sunderland was 18th in the Premier League, having lost five of their six previous games. Keane stood down as manager on 4 December after bringing doubt on his future with comments made in the wake of the 4–1 home defeat by Bolton Wanderers the previous weekend. Keane's harsh management style was not appreciated by the Sunderland players, who were reported to have celebrated when they heard he had resigned.", "Keane's harsh management style was not appreciated by the Sunderland players, who were reported to have celebrated when they heard he had resigned. In an interview with The Irish Times on 21 February 2009, Keane cited differences with Sunderland 30% shareholder Ellis Short and strains with club chairman Niall Quinn as the factors in his decision to resign as Sunderland manager. Ipswich Town On 23 April 2009, Keane was appointed as the new manager of Ipswich Town on a two-year contract, the day after the club had dismissed Jim Magilton.", "Ipswich Town On 23 April 2009, Keane was appointed as the new manager of Ipswich Town on a two-year contract, the day after the club had dismissed Jim Magilton. His first game in charge came the following Saturday with a 3–0 away win over Cardiff City, the final league match to be played at Ninian Park. The following week, Ipswich rounded off the season with a 2–1 win over Coventry City. In the 2009–10 season, Keane started to sign some players, some of them from his former club Sunderland.", "In the 2009–10 season, Keane started to sign some players, some of them from his former club Sunderland. He signed goalkeeper Márton Fülöp, midfielders Carlos Edwards and Grant Leadbitter and brought in Jack Colback, David Healy and Daryl Murphy on loan to the club. Ipswich started without a win in their first 14 matches, making them the last team to record their first win in the whole league, finally winning on 31 October against Derby County and recording their first away win of the season on 29 November against Cardiff City.", "Ipswich started without a win in their first 14 matches, making them the last team to record their first win in the whole league, finally winning on 31 October against Derby County and recording their first away win of the season on 29 November against Cardiff City. Their form gradually improved throughout the season, but Ipswich drew far too many games to come anywhere near the promotion race and they finished the season in 15th place.", "Their form gradually improved throughout the season, but Ipswich drew far too many games to come anywhere near the promotion race and they finished the season in 15th place. Many inconsistencies in the 2009–10 and the 2010–11 season meant that Keane's Ipswich side never really challenged for promotions and as a result of a poor run of form, ending up with his side dropping to as low as 21st in the Championship. Keane was dismissed as Ipswich manager on 7 January 2011.", "Keane was dismissed as Ipswich manager on 7 January 2011. National team On 5 November 2013, the FAI announced that Martin O'Neill had been made the Republic of Ireland manager and that Keane had been made the assistant manager. Their first match was against Latvia at the Aviva Stadium in a 3–0 victory on 15 November 2013. After Neil Lennon left Celtic at the end of the 2013–14 season, Keane looked set to become the new manager of the Hoops.", "After Neil Lennon left Celtic at the end of the 2013–14 season, Keane looked set to become the new manager of the Hoops. Martin O'Neill admitted he won't stand in his way of taking over the reins at Celtic Park. Keane, however, remained as assistant manager of Ireland and asked not to be considered for the job.", "Keane, however, remained as assistant manager of Ireland and asked not to be considered for the job. Keane later stated that he was on the verge of taking the Celtic job and had met with the Celtic owner Dermot Desmond but felt \"they didn't make him feel wanted enough\" and rejected the offer. Keane later became the new assistant manager of Aston Villa, combining his role with Villa and Ireland.", "Keane later became the new assistant manager of Aston Villa, combining his role with Villa and Ireland. In October 2014, Keane caused controversy after his book was released before crucial Euro 2016 qualifiers against Gibraltar and Germany. Martin O'Neill, however, rejected the claims that it was a distraction. A month later, before Ireland's crucial qualifier against Scotland, Keane was involved in an incident with a fan in the team hotel.", "A month later, before Ireland's crucial qualifier against Scotland, Keane was involved in an incident with a fan in the team hotel. An ambulance for the fan was called as well as the Garda Síochána, but no arrests or complaints were made. The FAI and Martin O'Neill came out in support of Keane after the incident. It later emerged that CCTV footage exonerated Keane of any wrongdoing.", "It later emerged that CCTV footage exonerated Keane of any wrongdoing. The man involved in the incident is Brendan Grace's son-in-law Frank Gillespie, who is believed to have asked Keane to sign a copy of Keane's autobiography The Second Half. Keane refused to do so, and Gillespie confronted Keane but then collapsed and an ambulance was called to the hotel. Grace stated that Gillespie and Keane were \"old buddies\".", "Grace stated that Gillespie and Keane were \"old buddies\". After the Scotland game, Keane claimed that Everton were putting pressure on the Irish players like Séamus Coleman and James McCarthy (who missed the Scotland match through injury) to pull out of international squads; Everton chairman Bill Kenwright refuted this claim, saying Keane says \"stupid things\". Then-Everton manager Roberto Martínez also dismissed Keane's comments. Again Keane was in the headlines after a heated press conference with journalists before the United States match.", "Again Keane was in the headlines after a heated press conference with journalists before the United States match. Keane got in a row with a journalist after he was questioned if he was becoming a distraction from the Republic of Ireland cause. Eamon Dunphy has called on the FAI and Martin O'Neill to stop Keane from giving interviews to end the circus of media attention around him. In November 2018, Keane and O'Neill left their jobs by \"mutual agreement\".", "In November 2018, Keane and O'Neill left their jobs by \"mutual agreement\". Aston Villa On 1 July 2014, Keane was confirmed as Aston Villa's new assistant manager, working alongside manager Paul Lambert. He combined this role with his assistant manager's role with the Republic of Ireland. On 28 November 2014, however, Keane quit his role as assistant manager at Aston Villa to concentrate on his assistant manager role with Ireland.", "On 28 November 2014, however, Keane quit his role as assistant manager at Aston Villa to concentrate on his assistant manager role with Ireland. Nottingham Forest In January 2019 he became assistant manager at Nottingham Forest, leaving the role in June 2019. Outside football Media career Keane has done media work but expressed his lack of enthusiasm to do so again in the future when he said, \"I was asked last week by ITV to do the Celtic game.", "Outside football Media career Keane has done media work but expressed his lack of enthusiasm to do so again in the future when he said, \"I was asked last week by ITV to do the Celtic game. A couple of weeks before that I was asked to do the United game against Celtic at Old Trafford. I think I've done it once for Sky. Never again. I'd rather go to the dentist.", "Never again. I'd rather go to the dentist. I'd rather go to the dentist. You're sitting there with people like Richard Keys and they're trying to sell something that's not there. Any time I watch a game on television I have to turn the commentators off.\" Keane later had a change of heart.", "Keane later had a change of heart. Keane later had a change of heart. Along with Harry Redknapp and Gareth Southgate (who had previously been stamped on by Keane during an FA Cup semi-final in 1995, leading to a red card), he was a pundit for ITV's coverage of the Champions League final between Manchester United and Barcelona. In the 2011–12 season, he became ITV chief football analyst, appearing on nearly every Live ITV match alongside presenter Adrian Chiles and Gareth Southgate.", "In the 2011–12 season, he became ITV chief football analyst, appearing on nearly every Live ITV match alongside presenter Adrian Chiles and Gareth Southgate. He appeared on ITV in the Champions League including Chelsea's victory in the final against Bayern Munich, nearly all FA Cup matches including the final between Chelsea and Liverpool at Wembley, and England competitive internationals and friendlies.", "He appeared on ITV in the Champions League including Chelsea's victory in the final against Bayern Munich, nearly all FA Cup matches including the final between Chelsea and Liverpool at Wembley, and England competitive internationals and friendlies. He was also involved in the ITV team for Euro 2012 alongside longtime rival Patrick Vieira and they appeared together as pundits in Ireland–Spain match and Czech Republic–Russia match, also appearing with Roberto Martínez and Gordon Strachan.", "He was also involved in the ITV team for Euro 2012 alongside longtime rival Patrick Vieira and they appeared together as pundits in Ireland–Spain match and Czech Republic–Russia match, also appearing with Roberto Martínez and Gordon Strachan. Keane worked for ITV during his time as Republic of Ireland Assistant on UEFA Champions League and UEFA Europa League highlights shows between 2015-2018 but didn't appear on International Football apart from on the Final of UEFA Euro 2016, he covered 2018 FIFA World Cup & UEFA Euro 2020 for ITV Sport and appeared again on England Qualifiers from 2018, in 2021-2022 he became ITV chief analyst for FA Cup appearing alongside Ian Wright.", "Keane worked for ITV during his time as Republic of Ireland Assistant on UEFA Champions League and UEFA Europa League highlights shows between 2015-2018 but didn't appear on International Football apart from on the Final of UEFA Euro 2016, he covered 2018 FIFA World Cup & UEFA Euro 2020 for ITV Sport and appeared again on England Qualifiers from 2018, in 2021-2022 he became ITV chief analyst for FA Cup appearing alongside Ian Wright. Keane joined Sky Sports to work on Super Sunday starting in September 2019.", "Keane joined Sky Sports to work on Super Sunday starting in September 2019. Personal life Keane married Theresa Doyle in 1997, and they have five children named Shannon, Caragh, Aidan, Leah, and Alanna. When Keane joined Manchester United, the family lived in a modern four-bedroom house in Bowdon, then moved to a mock Tudor mansion in Hale. His family then had a 1930s-built home bulldozed so they could build a new £2.5 million house near Hale.", "His family then had a 1930s-built home bulldozed so they could build a new £2.5 million house near Hale. On 6 June 2009, it was announced that Keane and his family would purchase a house in the Ipswich area, near to the training ground of Keane's new club, Ipswich Town. He eventually settled in the nearby market town of Woodbridge. They moved out of the property and offered it for sale in 2015.", "They moved out of the property and offered it for sale in 2015. In October 2014, Keane released the second part of his autobiography The Second Half, which was ghostwritten by Roddy Doyle. It is the follow up to his first autobiography, released in 2002, which was ghost written by Eamon Dunphy. Triggs Keane had a Labrador Retriever named Triggs, who died in 2012.", "Triggs Keane had a Labrador Retriever named Triggs, who died in 2012. Speaking in Dublin at his annual visit to the Irish Guide Dogs for the Blind, he spoke on the loss affecting him, \"Triggs was great and went through a lot with me... you will have me crying in a minute, so be careful. She had a good life.\"", "She had a good life.\" She had a good life.\" Triggs came to international attention in 2002 during the Saipan incident ahead of that year's FIFA World Cup, which saw Keane engage in a public quarrel and leave the squad. He said of Triggs, \"Unlike humans, dogs don't talk shit.\"", "He said of Triggs, \"Unlike humans, dogs don't talk shit.\" The Daily Telegraphs Steve Wilson once described Triggs as \"the most famous dog in football since Pickles, a mongrel who dug up the stolen Jules Rimet Trophy in 1966, or that dog that relieved itself on Jimmy Greaves at the 1962 World Cup\".", "The Daily Telegraphs Steve Wilson once described Triggs as \"the most famous dog in football since Pickles, a mongrel who dug up the stolen Jules Rimet Trophy in 1966, or that dog that relieved itself on Jimmy Greaves at the 1962 World Cup\". Henry Winter, writing in the same paper and noting Keane's tendency to go for long walks with his dog in the wake of controversial incidents, called Triggs \"the fittest dog in Cheshire\" and opined that \"if Cruft's (sic) held an endurance event, Keane and Triggs would scoop gold\".", "Henry Winter, writing in the same paper and noting Keane's tendency to go for long walks with his dog in the wake of controversial incidents, called Triggs \"the fittest dog in Cheshire\" and opined that \"if Cruft's (sic) held an endurance event, Keane and Triggs would scoop gold\". Following her rise to fame, Triggs was mentioned by several sources on many occasions, with Keane followed by numerous canine references and dog puns for the remainder of his career.", "Following her rise to fame, Triggs was mentioned by several sources on many occasions, with Keane followed by numerous canine references and dog puns for the remainder of his career. In 2006 when Keane moved house to Sunderland, his reunion with Triggs, who joined him later, came to the notice of the press. In 2007, Keane was reported to have heard of his team's promotion to the Premiership while walking Triggs.", "In 2007, Keane was reported to have heard of his team's promotion to the Premiership while walking Triggs. The following year, Keane was said to have acquired a German Shepherd Dog named Izac to accompany Triggs. In later life, Triggs was involved in a police investigation when her behaviour caused an argument between Keane and a neighbour. She appeared in an Irish Guide Dogs advertisement in 2009, whereupon the Irish Examiner referred to her as \"football's biggest canine celebrity\", and also received her own profile on Facebook.", "She appeared in an Irish Guide Dogs advertisement in 2009, whereupon the Irish Examiner referred to her as \"football's biggest canine celebrity\", and also received her own profile on Facebook. Triggs was described as a \"celebrity\" and a \"household name\" upon erroneous reports of her death from cancer in September 2010. Keane was described as \"inconsolable\".", "Keane was described as \"inconsolable\". Keane was described as \"inconsolable\". The Irish Examiners obituary noted how \"at critical moments when the nation's happiness seemed entwined with Roy's moods, he turned to his Labrador Triggs and took to the road\".", "The Irish Examiners obituary noted how \"at critical moments when the nation's happiness seemed entwined with Roy's moods, he turned to his Labrador Triggs and took to the road\". Style of play A powerful, dominant, consistent, and highly competitive midfielder, in his prime, Keane was known for his work-rate, mobility, energy, physicality, and hard-tackling style of play, which earned him a reputation as one of the best players in the world in his position.", "Style of play A powerful, dominant, consistent, and highly competitive midfielder, in his prime, Keane was known for his work-rate, mobility, energy, physicality, and hard-tackling style of play, which earned him a reputation as one of the best players in the world in his position. His playing style also earned him a degree of infamy, due to his temper, tendency to pick up cards, confront opponents, and commit rash challenges.", "His playing style also earned him a degree of infamy, due to his temper, tendency to pick up cards, confront opponents, and commit rash challenges. Usually operating in either a holding or box-to-box role in the centre of the pitch, his most prominent traits were his stamina, intelligence, positional sense, tenacity, aggression, physical strength, and ball-winning abilities, although he was a complete midfielder, who possessed a wide range of skills; indeed, he was also capable of carrying the ball forward effectively after obtaining possession, and either distributing it to other players, controlling the game and dictating the tempo in midfield, starting attacking plays, or even creating chances for his teammates, courtesy of his composure on the ball, first touch, and precise, efficient passing.", "Usually operating in either a holding or box-to-box role in the centre of the pitch, his most prominent traits were his stamina, intelligence, positional sense, tenacity, aggression, physical strength, and ball-winning abilities, although he was a complete midfielder, who possessed a wide range of skills; indeed, he was also capable of carrying the ball forward effectively after obtaining possession, and either distributing it to other players, controlling the game and dictating the tempo in midfield, starting attacking plays, or even creating chances for his teammates, courtesy of his composure on the ball, first touch, and precise, efficient passing. He could even score goals himself, due to his attacking drive, eye for goal, a powerful shot from range, and his ability to make late runs into the penalty area, in particular in his early career.", "He could even score goals himself, due to his attacking drive, eye for goal, a powerful shot from range, and his ability to make late runs into the penalty area, in particular in his early career. In his later career, however, he became more cautious in his play, and occupied a deeper role, in order to compensate for his physical decline.", "In his later career, however, he became more cautious in his play, and occupied a deeper role, in order to compensate for his physical decline. An influential presence on the pitch, in addition to his playing ability, Keane also stood out for his leadership and determination throughout his career, as well as his strong character. However, he also struggled out with injuries throughout his career. Despite his relatively small frame and short stature, he was also good in the air and an accurate header of the ball.", "Despite his relatively small frame and short stature, he was also good in the air and an accurate header of the ball. Although he was usually fielded as a defensive midfielder, Keane was also deployed as a defender on occasion, functioning as a centre-back or as a sweeper. Regarding his work-rate, mentality, and influence, his former teammate Gary Neville said of him: \"His greatest gift was to create a standard of performance which demanded the very best from the team.", "Regarding his work-rate, mentality, and influence, his former teammate Gary Neville said of him: \"His greatest gift was to create a standard of performance which demanded the very best from the team. You would look at him busting a gut and feel that you'd be betraying him if you didn't give everything yourself.\"", "You would look at him busting a gut and feel that you'd be betraying him if you didn't give everything yourself.\" Steve McClaren, who served as Alex Ferguson's assistant manager during Keane's time at Manchester United, between 1998 and 2001, instead said of the midfielder's competitive spirit: \"He mirrors the manager on the pitch. They are winners.\"", "They are winners.\" They are winners.\" Regarding Keane's complex character, despite his intensity on the pitch, Sean O'Hagan of The Guardian wrote in 2002 that he is \"...a committed and confident warrior on the field, a shy, socially awkward, and often lonely introvert off it.\" Career statistics Club International Scores and results list Republic of Ireland's goal tally first, score column indicates score after each Keane goal.", "Career statistics Club International Scores and results list Republic of Ireland's goal tally first, score column indicates score after each Keane goal. Managerial statistics Honours As a player Nottingham Forest Full Members' Cup: 1991–92 Manchester United Premier League: 1993–94, 1995–96, 1996–97, 1998–99, 1999–2000, 2000–01, 2002–03 FA Cup: 1993–94, 1995–96, 1998–99, 2003–04 FA Community Shield: 1993, 1996, 1997, 2003 UEFA Champions League: 1998–99 Intercontinental Cup: 1999 Celtic Scottish Premier League: 2005–06 Scottish League Cup: 2005–06 Individual PFA Team of the Year: 1992–93 Premier League, 1996–97 Premier League, 1999–2000 Premier League, 2000–01 Premier League, 2001–02 Premier League PFA Team of the Century: (1907–2007) Team of the Century 1997–2007 Overall Team of the Century FAI Young International Player of the Year: 1993, 1994 FAI Senior International Player of the Year: 1997, 2001 Premier League Player of the Month: October 1998, December 1999 Sir Matt Busby Player of the Year: 1999, 2000 RTÉ Sports Person of the Year: 1999 FWA Footballer of the Year: 2000 PFA Players' Player of the Year: 2000 ESM Team of the Year: 1999–2000 Premier League 10 Seasons Awards: (1992–93 to 2001–02) Overseas Team of the Decade English Football Hall of Fame: 2004 FIFA 100 Premier League 20 Seasons Awards: (1992–93 to 2011–12) Fantasy Teams of the 20 Seasons (Panel choice) Premier League Hall of Fame: 2021 As a manager Sunderland Football League Championship: 2006–07 Individual Football League Championship Manager of the Month: February 2007, March 2007 LMA Championship Manager of the Year: 2006–07 Orders and special awards Cork Person of the Year: 2004 Honorary Doctorate of Law: 2002 See also List of people on the postage stamps of Ireland Notes References General Roy Keane (2002), As I See It, [DVD] Specific External links Career photos on BBC Online BBC Wear – Roy Keane's first day on the job at SAFC 1971 births 1994 FIFA World Cup players 2002 FIFA World Cup players Association football midfielders Association footballers from Cork (city) Aston Villa F.C.", "Managerial statistics Honours As a player Nottingham Forest Full Members' Cup: 1991–92 Manchester United Premier League: 1993–94, 1995–96, 1996–97, 1998–99, 1999–2000, 2000–01, 2002–03 FA Cup: 1993–94, 1995–96, 1998–99, 2003–04 FA Community Shield: 1993, 1996, 1997, 2003 UEFA Champions League: 1998–99 Intercontinental Cup: 1999 Celtic Scottish Premier League: 2005–06 Scottish League Cup: 2005–06 Individual PFA Team of the Year: 1992–93 Premier League, 1996–97 Premier League, 1999–2000 Premier League, 2000–01 Premier League, 2001–02 Premier League PFA Team of the Century: (1907–2007) Team of the Century 1997–2007 Overall Team of the Century FAI Young International Player of the Year: 1993, 1994 FAI Senior International Player of the Year: 1997, 2001 Premier League Player of the Month: October 1998, December 1999 Sir Matt Busby Player of the Year: 1999, 2000 RTÉ Sports Person of the Year: 1999 FWA Footballer of the Year: 2000 PFA Players' Player of the Year: 2000 ESM Team of the Year: 1999–2000 Premier League 10 Seasons Awards: (1992–93 to 2001–02) Overseas Team of the Decade English Football Hall of Fame: 2004 FIFA 100 Premier League 20 Seasons Awards: (1992–93 to 2011–12) Fantasy Teams of the 20 Seasons (Panel choice) Premier League Hall of Fame: 2021 As a manager Sunderland Football League Championship: 2006–07 Individual Football League Championship Manager of the Month: February 2007, March 2007 LMA Championship Manager of the Year: 2006–07 Orders and special awards Cork Person of the Year: 2004 Honorary Doctorate of Law: 2002 See also List of people on the postage stamps of Ireland Notes References General Roy Keane (2002), As I See It, [DVD] Specific External links Career photos on BBC Online BBC Wear – Roy Keane's first day on the job at SAFC 1971 births 1994 FIFA World Cup players 2002 FIFA World Cup players Association football midfielders Association footballers from Cork (city) Aston Villa F.C. non-playing staff Celtic F.C.", "non-playing staff Celtic F.C. non-playing staff Celtic F.C. players Cobh Ramblers F.C. players English Football Hall of Fame inductees English Football League managers English Football League players Expatriate football managers in England Expatriate footballers in England Expatriate footballers in Scotland FIFA 100 Ipswich Town F.C. managers Irish expatriate sportspeople in England Irish expatriate sportspeople in Scotland League of Ireland players Living people Manchester United F.C. players Nottingham Forest F.C. non-playing staff Nottingham Forest F.C.", "players Nottingham Forest F.C. non-playing staff Nottingham Forest F.C. non-playing staff Nottingham Forest F.C. players Premier League Hall of Fame inductees Premier League managers Premier League players Republic of Ireland association footballers Republic of Ireland expatriate association footballers Republic of Ireland expatriate football managers Republic of Ireland football managers Republic of Ireland international footballers Republic of Ireland under-21 international footballers RTÉ Sports Person of the Year winners Scottish Premier League players Sunderland A.F.C. managers FA Cup Final players" ]

[ "Roy Keane", "Alf-Inge Haland incident", "When was the Alf-Inge Haland incedent?", "in the 2001 Manchester derby,", "What happened during the incident?", "a blatant knee-high foul on Alf-Inge Haland", "How did the incident affect his career?", "He initially received a three-match suspension and a PS5,000 fine", "Was there a lot of controversy about the incident?", "seen by many as an act of revenge.", "Why was the action seen as revenge?", "he stated that he intended \"to hurt\" Haland." ]

[ "Nachtvlinder is a 1999 Dutch family film directed by Herman van Veen. It was van Veen's second feature film, after 1979's Uit Elkaar. The film, done on a small budget, struggled with negative reviews.\n\nCast\nArthur Kristel\t... \tPrins Ruben\nBabette van Veen\t... \tSarah Mogèn\nRamses Shaffy\t... \tWalko van Haland\nHans Trentelman\t... \tOnorg\nFred Delfgaauw\t... \tKoning Olaf van Haland\nMaike Meijer\t... \tJonkvrouw Hinde Baldon\nJules Croiset\t... \tAbraham Mogèn\nKarin Bloemen\t... \tGeertrui Moens\nHerman van Veen\t... \tWogram\nFrits Lambrechts\t... \tStuurman\nNiels Reijnders\t... \tMartijn\nSarah de Wit\t... \tAlma Mogèn\nLori Spee\t... \tMoeder Mogèn\n\nExternal links \n \n\nDutch films\n1999 films\nDutch-language films", "Angry Birds POP! is a tile matching game co-developed by Rovio Entertainment and Outplay Entertainment that was soft launched for iOS in Canada in December 2014 and released worldwide for iOS and Android devices in March 2015. The game was originally the second game in the Angry Birds Stella series.\n\nIt was originally released as Angry Birds Stella POP!, and was given its current name, without Stella, with an update in July 2015 that brought classic Angry Birds characters into the game, making it the only one in the series to involve a crossover between classic Angry Birds and Stella's friends. In October 2015, the game was released as a Facebook game that was discontinued on December 21, 2016. As of May 2021, the game contains over 6000 levels.\n\nGameplay\n\nAngry Birds POP! is the second game of the Angry Birds Stella series. The game released on December 22, 2014, in the Canada App Store and released worldwide on March 12, 2015. On October 29, 2015, the game was added to Facebook. The game features the slingshot lined up in the bottom center, the player flings the bubbles to pop the bubbles at the top with a combination of three or more bubbles with the same color. Each level will give you a limited number of bubbles given at the slingshot and you can buy more by coins. Sometimes, there are also blocks appears at the top along with the bubbles. The game also has lives like all other match-3 games. When you lose a level, you will lose one of it and if you lost all the lives, you must buy them by coins to continue playing. The game initially featured only the six characters that appeared in Angry Birds Stella, with each character having a special power that can be used when the Pop Meter is full to unlock powerful boosts from their powers like Stella's Power Pop, Poppy's Line Pop and many more. To fill the Pop Meter, you have to get x6 Streaks, that means 6 pops in a row.\n\nReception\nAngry Birds POP! was seen by some as similar to King's 2014 title, Bubble Witch Saga 2. The Macworld reviewer enjoyed it as a free game, with its light puzzle gameplay and good production values but once a barrier in play presents itself, the reviewer thought it was best to do something else.\n\nSequel\nA sequel, Angry Birds POP! 2 (later renamed Angry Birds POP Blast) was released in 2019. Players solve each level in this game with one Bird and one Pig who each can be upgraded and offer different abilities that can be activated once bubbles of a certain color are popped. (Red bubbles build up the Bird's rage that fuels an ability that directly destroys other bubbles, while green bubbles increase the Pig's skills so that he can use an ability that replaces some bubbles with an item that confers certain benefits when shot.) The sequel is set after the events of The Angry Birds Movie 2, as the fledgling alliance between Birds and Pigs confronts a mysterious, unseen threat that infests the world with bubbles, spawns mysterious one-eyed creatures and traps young birds and pigs in bubbles alike.\n\nSee also\n\n Puzzle Bobble\n\nReferences\n\nIOS games\nAndroid (operating system) games\nFacebook games\nTile-matching video games\n2014 video games\nAngry Birds spin-offs\nPOP!\nVideo games developed in Finland\nRovio Entertainment games" ]

[ "Roy Maurice Keane (born 10 August 1971) is an Irish football pundit, manager and former professional player. He is the joint most successful Irish footballer of all time, having won 19 major trophies in his club career, 17 of which came during his time at English club Manchester United. Regarded as one of the best midfielders of his generation, he was named by Pelé in the FIFA 100 list of the world's greatest living players in 2004.", "Regarded as one of the best midfielders of his generation, he was named by Pelé in the FIFA 100 list of the world's greatest living players in 2004. Noted for his hardened and brash demeanour, he was ranked at No. 11 on The Times list of the 50 \"hardest\" footballers in history in 2007. Keane was inducted into the Premier League Hall of Fame in 2021.", "Keane was inducted into the Premier League Hall of Fame in 2021. In his 18-year playing career, Keane played for Cobh Ramblers, Nottingham Forest, and Manchester United, before ending his career at Celtic. He was a dominating box-to-box midfielder, noted for his aggressive and highly competitive style of play, an attitude that helped him excel as captain of Manchester United from 1997 until his departure in 2005. Keane helped United achieve a sustained period of success during his 12 years at the club.", "Keane helped United achieve a sustained period of success during his 12 years at the club. He then signed for Celtic, where he won a domestic double before he retired as a player in 2006. Keane played at the international level for the Republic of Ireland over 14 years, most of which he spent as captain. At the 1994 FIFA World Cup, he played in every Republic of Ireland game.", "At the 1994 FIFA World Cup, he played in every Republic of Ireland game. He was sent home from the 2002 FIFA World Cup after a dispute with national coach Mick McCarthy over the team's training facilities. Keane began his management career at Sunderland shortly after his retirement as a player and took the club from 23rd position in the Football League Championship, in late August, to win the division title and gain promotion to the Premier League.", "Keane began his management career at Sunderland shortly after his retirement as a player and took the club from 23rd position in the Football League Championship, in late August, to win the division title and gain promotion to the Premier League. He resigned in December 2008, and from April 2009 to January 2011, he was manager of Championship club Ipswich Town. In November 2013, he was appointed assistant manager of the Republic of Ireland national team by manager Martin O'Neill, a role he held until 2018.", "In November 2013, he was appointed assistant manager of the Republic of Ireland national team by manager Martin O'Neill, a role he held until 2018. He would also have short assistant manager spells at Aston Villa in 2014 and Nottingham Forest in 2019. Keane has also worked as a studio analyst for British channels ITV's and Sky Sports football coverage. Early life Roy Maurice Keane was born into a working class family in the Ballinderry Park area of Cork's Mayfield suburb on 10 August 1971.", "Early life Roy Maurice Keane was born into a working class family in the Ballinderry Park area of Cork's Mayfield suburb on 10 August 1971. His father, Maurice, took work wherever he could find; this included jobs at a local knitwear company and at Murphy's Irish Stout brewery, among others. His family was keen on sport, especially football, and many of his relatives had played for junior Cork clubs such as Rockmount.", "His family was keen on sport, especially football, and many of his relatives had played for junior Cork clubs such as Rockmount. Keane took up boxing at the age of nine and trained for several years, winning all of his four bouts in the novice league. During this period, he was developing as a much more promising footballer at Rockmount, and his potential was highlighted when he was voted \"Player of the Year\" in his first season.", "During this period, he was developing as a much more promising footballer at Rockmount, and his potential was highlighted when he was voted \"Player of the Year\" in his first season. Many of his teammates were offered trials abroad with English football teams, but Keane was not. He supported Celtic and Tottenham Hotspur as a child, citing Liam Brady and Glenn Hoddle as his favourite players, but Manchester United player Bryan Robson became the footballer he most admired as time progressed.", "He supported Celtic and Tottenham Hotspur as a child, citing Liam Brady and Glenn Hoddle as his favourite players, but Manchester United player Bryan Robson became the footballer he most admired as time progressed. Club career Cobh Ramblers Initially, Keane was turned down from the Ireland schoolboys squad after a trial in Dublin; one explanation from former Ireland coach and scout Ronan Scally was that the 14-year-old Keane was \"just too small\" to make it at the required level.", "Club career Cobh Ramblers Initially, Keane was turned down from the Ireland schoolboys squad after a trial in Dublin; one explanation from former Ireland coach and scout Ronan Scally was that the 14-year-old Keane was \"just too small\" to make it at the required level. Undeterred, he began applying for trials with English clubs, but he was turned down by each one. As his childhood years passed, he took up temporary jobs involving manual work while waiting for a breakthrough in his football prospects.", "As his childhood years passed, he took up temporary jobs involving manual work while waiting for a breakthrough in his football prospects. In 1989, he eventually signed for the semi-professional Irish club Cobh Ramblers after persuasion from Ramblers' youth team manager Eddie O'Rourke. Keane was one of two Ramblers representatives in the inaugural FAI/FAS scheme in Dublin, and it was through this initiative that he got his first taste of full-time training.", "Keane was one of two Ramblers representatives in the inaugural FAI/FAS scheme in Dublin, and it was through this initiative that he got his first taste of full-time training. His rapid progression into a promising footballer was reflected by the fact that he would regularly turn out for Ramblers' youth side as well as the actual first team, often playing twice in the same weekend as a result.", "His rapid progression into a promising footballer was reflected by the fact that he would regularly turn out for Ramblers' youth side as well as the actual first team, often playing twice in the same weekend as a result. In an FAI Youth Cup match against Belvedere, Keane's performance attracted the attention of watching Nottingham Forest scout Noel McCabe, who asked him to travel over to England for a trial.", "In an FAI Youth Cup match against Belvedere, Keane's performance attracted the attention of watching Nottingham Forest scout Noel McCabe, who asked him to travel over to England for a trial. Keane impressed Forest manager Brian Clough, and eventually, a deal for Keane worth £47,000 was struck with Cobh Ramblers in the summer of 1990. Nottingham Forest Keane initially found life in Nottingham difficult due to the long periods away from his family, and he would often ask the club for a few days' home leave to return to Cork.", "Nottingham Forest Keane initially found life in Nottingham difficult due to the long periods away from his family, and he would often ask the club for a few days' home leave to return to Cork. Keane expressed his gratitude at Clough's generosity when considering his requests, as it helped him get through his early days at the club. Keane's first games at Forest came in the Under-21s team during a pre-season tournament in the Netherlands.", "Keane's first games at Forest came in the Under-21s team during a pre-season tournament in the Netherlands. In the final against Haarlem, he scored the winning penalty in a shootout to decide the competition, and he was soon playing regularly for the reserve team. His professional league debut came against Liverpool at the start of the 1990–91 season, and the resulting performance encouraged Clough to use him more and more as the season progressed.", "His professional league debut came against Liverpool at the start of the 1990–91 season, and the resulting performance encouraged Clough to use him more and more as the season progressed. Keane eventually scored his first professional goal against Sheffield United, and by 1991 he was a regular starter in the side, displacing the England international Steve Hodge. Keane scored three goals during a run to the 1991 FA Cup Final, which Forest ultimately lost to Tottenham Hotspur.", "Keane scored three goals during a run to the 1991 FA Cup Final, which Forest ultimately lost to Tottenham Hotspur. In the third round, however, he made a costly error against Crystal Palace, gifting a goal to the opposition and allowing them to draw the game. On returning to the dressing room after the game, Clough punched Keane in the chest in anger, knocking him to the floor.", "On returning to the dressing room after the game, Clough punched Keane in the chest in anger, knocking him to the floor. Despite this incident, Keane bore no hard feelings against his manager, later claiming that he sympathized with Clough due to the pressures of management and that he was too grateful to him for giving him his chance in English football. A year later, Keane returned to Wembley with Forest for the Football League Cup final but again finished on the losing side as Manchester United secured a 1–0 win.", "A year later, Keane returned to Wembley with Forest for the Football League Cup final but again finished on the losing side as Manchester United secured a 1–0 win. Keane was beginning to attract attention from the top clubs in the Premier League, and in 1992, Blackburn Rovers manager Kenny Dalglish spoke to Keane about the possibility of a move to the Lancashire club at the end of the season. With Forest struggling in the league and looking increasingly likely to be relegated, Keane negotiated a new contract with a relegation escape clause.", "With Forest struggling in the league and looking increasingly likely to be relegated, Keane negotiated a new contract with a relegation escape clause. The lengthy negotiations had been much talked about in public, not least by Brian Clough, who described Keane as a \"greedy child\" due to the high wages demanded by the Irishman. \"Keane is the hottest prospect in football right now, but he is not going to bankrupt this club\", Clough stated.", "\"Keane is the hottest prospect in football right now, but he is not going to bankrupt this club\", Clough stated. Despite the extended contract negotiations, Forest fans voted him the club's Player of the Season. Despite his best efforts, Keane could not save Forest from relegation, and the clause in his contract became activated. Blackburn agreed a £4  million fee for Keane, who soon after agreed to a contract with the club.", "Blackburn agreed a £4  million fee for Keane, who soon after agreed to a contract with the club. A mistake, however, prevented the move to the club: when the contract had been agreed upon, Dalglish realized they did not have the correct paperwork needed to complete the transfer. This was on a Friday afternoon, and the office had been locked up for the weekend. With a verbal agreement in place, they agreed to meet on Monday morning to complete the transfer officially.", "With a verbal agreement in place, they agreed to meet on Monday morning to complete the transfer officially. Manchester United manager Alex Ferguson, hearing about the move, phoned Keane and asked whether he would like to join them instead of Blackburn. Ferguson ensured they had the paperwork ready and met up with Keane on Saturday and signed him for Manchester United for £3.75  million, a British transfer record at the time.", "Ferguson ensured they had the paperwork ready and met up with Keane on Saturday and signed him for Manchester United for £3.75  million, a British transfer record at the time. Manchester United Early years: 1993–97 Despite the then-record transfer fee, there was no guarantee that Keane would go straight into the first team. Paul Ince and Bryan Robson had established a formidable partnership in the center of midfield, having just inspired Manchester United to their first league title since 1967.", "Paul Ince and Bryan Robson had established a formidable partnership in the center of midfield, having just inspired Manchester United to their first league title since 1967. Robson, however, was 36 years old and in the final stages of his playing career, and a series of injuries kept him out of action for most of the 1992–93 season and into the 1993–94 season.", "Robson, however, was 36 years old and in the final stages of his playing career, and a series of injuries kept him out of action for most of the 1992–93 season and into the 1993–94 season. As a result Keane had an extended run in the team, scoring twice on his home debut in a 3–0 win against Sheffield United, and grabbing the winner in the Manchester derby three months later when United overturned a 2–0 deficit at Maine Road to beat Manchester City 3–2.", "As a result Keane had an extended run in the team, scoring twice on his home debut in a 3–0 win against Sheffield United, and grabbing the winner in the Manchester derby three months later when United overturned a 2–0 deficit at Maine Road to beat Manchester City 3–2. Keane had soon established himself as a first-choice selection, and by the end of the season, he had won his first trophy as a professional as United retained their Premier League title.", "Keane had soon established himself as a first-choice selection, and by the end of the season, he had won his first trophy as a professional as United retained their Premier League title. Two weeks later, Keane broke his Wembley losing streak by helping United to a 4–0 victory over Chelsea in the FA Cup Final, sealing the club's first-ever \"double\". The following season was less successful, as United were beaten to the league title by Blackburn Rovers and beaten 1–0 in the FA Cup final by Everton.", "The following season was less successful, as United were beaten to the league title by Blackburn Rovers and beaten 1–0 in the FA Cup final by Everton. Keane received his first red card as a Manchester United player in a 2–0 FA Cup semi-final replay win against Crystal Palace, after stamping on Gareth Southgate, and was suspended for three matches and fined £5,000. This incident was the first of 11 red cards Keane would accumulate in his United career, and one of the first signs of his indiscipline on the field.", "This incident was the first of 11 red cards Keane would accumulate in his United career, and one of the first signs of his indiscipline on the field. The summer of 1995 saw a period of change at United, with Ince leaving for Internazionale, Mark Hughes moving to Chelsea and Andrei Kanchelskis being sold to Everton. Younger players such as David Beckham, Nicky Butt and Paul Scholes were brought into the team, which left Keane as the most experienced player in midfield.", "Younger players such as David Beckham, Nicky Butt and Paul Scholes were brought into the team, which left Keane as the most experienced player in midfield. Despite a slow start to the 1995–96 campaign, United pegged back title challengers Newcastle United, who had built a commanding 12-point championship lead by Christmas, to secure another Premier League title. Keane's second double in three years was confirmed with a 1–0 win over Liverpool to win the FA Cup for a record ninth time.", "Keane's second double in three years was confirmed with a 1–0 win over Liverpool to win the FA Cup for a record ninth time. The next season saw Keane in and out of the side due to a series of knee injuries and frequent suspensions. He picked up a costly yellow card in the first leg of the Champions League semi-final against Borussia Dortmund, which ruled him out of the return leg at Old Trafford.", "He picked up a costly yellow card in the first leg of the Champions League semi-final against Borussia Dortmund, which ruled him out of the return leg at Old Trafford. United lost both legs 1–0, but this was compensated for by winning another league title a few days later.", "United lost both legs 1–0, but this was compensated for by winning another league title a few days later. Captaincy: 1997–2005 After Eric Cantona's unexpected retirement, Keane took over as club captain, although he missed most of the 1997–98 season because of a cruciate ligament injury caused by an attempt to tackle Leeds United player Alf-Inge Håland in the ninth Premier League game of the season.", "Captaincy: 1997–2005 After Eric Cantona's unexpected retirement, Keane took over as club captain, although he missed most of the 1997–98 season because of a cruciate ligament injury caused by an attempt to tackle Leeds United player Alf-Inge Håland in the ninth Premier League game of the season. As Keane lay prone on the ground, Håland stood over Keane, accusing the injured United captain of having tried to hurt him and of feigning injury to escape punishment, an allegation which would lead to an infamous incident between the two players four years later.", "As Keane lay prone on the ground, Håland stood over Keane, accusing the injured United captain of having tried to hurt him and of feigning injury to escape punishment, an allegation which would lead to an infamous incident between the two players four years later. Keane did not return to competitive football that campaign, and could only watch from the sidelines as United squandered an 11-point lead over Arsenal to miss out on the Premier League title.", "Keane did not return to competitive football that campaign, and could only watch from the sidelines as United squandered an 11-point lead over Arsenal to miss out on the Premier League title. Many pundits cited Keane's absence as a crucial factor in the team's surrender of the league trophy. Keane returned to captain the side the following season, and guided them to a treble of the FA Premier League, FA Cup, and UEFA Champions League.", "Keane returned to captain the side the following season, and guided them to a treble of the FA Premier League, FA Cup, and UEFA Champions League. In an inspirational display against Juventus in the second leg of the Champions League semi-final, he helped haul his team back from two goals down to win 3–2, scoring the first United goal. His performance in this game has been described as his finest hour as a footballer.", "His performance in this game has been described as his finest hour as a footballer. Keane, however, received a yellow card after a trip on Zinedine Zidane that ruled him out of the final. United defeated Bayern Munich 2–1 in the final, but Keane had mixed emotions about the victory due to his suspension. Recalling his thoughts before the game, Keane said, \"Although I was putting a brave face on it, this was just about the worst experience I'd had in football.\"", "Recalling his thoughts before the game, Keane said, \"Although I was putting a brave face on it, this was just about the worst experience I'd had in football.\" Keane sustained an ankle injury during the 1999 FA Cup Final, four days before the Champions League Final, which ruled him out until the following season. Later that year, Keane scored the only goal in the final of the Intercontinental Cup, as United defeated Palmeiras in Tokyo.", "Later that year, Keane scored the only goal in the final of the Intercontinental Cup, as United defeated Palmeiras in Tokyo. The following season saw prolonged contract negotiations between Keane and Manchester United, with Keane turning down an initial £2 million-a-year offer amid rumors of a move to Italy. His higher demands were eventually met midway through the 1999–2000 season, committing him to United until 2004.", "His higher demands were eventually met midway through the 1999–2000 season, committing him to United until 2004. Keane was angered when club officials explained an increase in season ticket prices was a result of his improved contract and asked for an apology from the club. Days after the contract was signed, Keane celebrated by scoring the winning goal against Valencia in the Champions League, although United's defence of the Champions League was ended by Real Madrid in the quarter-finals, partly due to an unfortunate Keane own goal in the second leg.", "Days after the contract was signed, Keane celebrated by scoring the winning goal against Valencia in the Champions League, although United's defence of the Champions League was ended by Real Madrid in the quarter-finals, partly due to an unfortunate Keane own goal in the second leg. He was voted PFA Players' Player of the Year and FWA Footballer of the Year at the end of the season after leading United to their sixth Premier League title in eight years.", "He was voted PFA Players' Player of the Year and FWA Footballer of the Year at the end of the season after leading United to their sixth Premier League title in eight years. Keane caused controversy in November 2000, when he criticised sections of United supporters after the Champions League victory over Dynamo Kyiv at Old Trafford. He complained about the lack of vocal support given by some fans when Dynamo was dominating the game, stating, \"Away from home our fans are fantastic, I'd call them the hardcore fans.", "He complained about the lack of vocal support given by some fans when Dynamo was dominating the game, stating, \"Away from home our fans are fantastic, I'd call them the hardcore fans. But at home, they have a few drinks and probably the prawn sandwiches, and they don't realise what's going on out on the pitch. I don't think some of the people who come to Old Trafford can spell 'football', never mind understand it.\"", "I don't think some of the people who come to Old Trafford can spell 'football', never mind understand it.\" Keane's comments started a debate in England about the changing atmosphere in football grounds, and the term \"prawn sandwich brigade\" is now part of the English football vocabulary, referring to people who attend football games or claim to be fans of football because it is fashionable rather than due to any genuine interest in the game.", "Keane's comments started a debate in England about the changing atmosphere in football grounds, and the term \"prawn sandwich brigade\" is now part of the English football vocabulary, referring to people who attend football games or claim to be fans of football because it is fashionable rather than due to any genuine interest in the game. Alf-Inge Håland incident Keane made headlines again in the 2001 Manchester derby, when five minutes from the final whistle, he was sent off for a knee-high foul on Alf-Inge Håland in what was seen by many as an act of revenge.", "Alf-Inge Håland incident Keane made headlines again in the 2001 Manchester derby, when five minutes from the final whistle, he was sent off for a knee-high foul on Alf-Inge Håland in what was seen by many as an act of revenge. He initially received a three-match suspension and a £5,000 fine from The Football Association (FA), but further punishment was to follow after the release of Keane's autobiography in August 2002, in which he stated that he intended \"to hurt\" Håland.", "He initially received a three-match suspension and a £5,000 fine from The Football Association (FA), but further punishment was to follow after the release of Keane's autobiography in August 2002, in which he stated that he intended \"to hurt\" Håland. Keane's account of the incident was as follows: I'd waited long enough. I fucking hit him hard. The ball was there (I think). Take that you cunt. And don't ever stand over me sneering about fake injuries.", "And don't ever stand over me sneering about fake injuries. His admission that the tackle was a premeditated assault led the FA to charge him with bringing the game into disrepute. He was banned for a further five matches and fined £150,000 in the ensuing investigation. Despite widespread condemnation, he later maintained in an interview that he had no regrets about the incident: \"My attitude was, fuck him. What goes around comes around. He got his just rewards.", "What goes around comes around. He got his just rewards. He got his just rewards. He fucked me over and my attitude is an eye for an eye\", and said he would probably do the same thing again. Håland never played a full game afterwards. However, Håland did complete the match and played 68 minutes of the following game. He also played a friendly for Norway in between both matches.", "He also played a friendly for Norway in between both matches. It was, in fact, a long-standing injury to his left knee rather than his right, that ended his career. Later career: 2001–2005 United finished the 2001–02 season trophyless for the first time in four years. Domestically, they were eliminated from the FA Cup by Middlesbrough in the fourth round and finished third in the Premier League, their lowest final position in the league since 1991.", "Domestically, they were eliminated from the FA Cup by Middlesbrough in the fourth round and finished third in the Premier League, their lowest final position in the league since 1991. Progress was made in Europe, however, as United reached the semi-finals of the Champions League, their furthest advance since their successful campaign of 1999. They were eventually knocked out on away goals after a 3–3 aggregate draw with Bayer Leverkusen, despite Keane putting United 3–2 up.", "They were eventually knocked out on away goals after a 3–3 aggregate draw with Bayer Leverkusen, despite Keane putting United 3–2 up. After the defeat, Keane blamed United's loss of form on some of his teammates' fixation with wealth, claiming that they had \"forgot about the game, lost the hunger that got you the Rolex, the cars, the mansion\".", "After the defeat, Keane blamed United's loss of form on some of his teammates' fixation with wealth, claiming that they had \"forgot about the game, lost the hunger that got you the Rolex, the cars, the mansion\". Earlier in the season, Keane had publicly advocated the breakup of the treble-winning team as he believed the team-mates who had played in United's victorious 1999 Champions League final no longer had the motivation to work as hard.", "Earlier in the season, Keane had publicly advocated the breakup of the treble-winning team as he believed the team-mates who had played in United's victorious 1999 Champions League final no longer had the motivation to work as hard. In August 2002, Keane was fined £150,000 by Sir Alex Ferguson and suspended for three matches for elbowing Sunderland's Jason McAteer, and this was compounded by an added five-match suspension for the controversial comments about Håland.", "In August 2002, Keane was fined £150,000 by Sir Alex Ferguson and suspended for three matches for elbowing Sunderland's Jason McAteer, and this was compounded by an added five-match suspension for the controversial comments about Håland. Keane used the break to undergo an operation on his hip, which had caused him to take painkillers for a year beforehand. Despite early fears that the injury was career-threatening, and suggestions of a future hip-replacement from his surgeon, he was back in the United team by December.", "Despite early fears that the injury was career-threatening, and suggestions of a future hip-replacement from his surgeon, he was back in the United team by December. During his period of rest after the operation, Keane reflected on the cause of his frequent injuries and suspensions. He decided that the cause of these problems was his reckless challenges and angry outbursts which had increasingly blighted his career. As a result, he became more restrained on the field and tended to avoid the disputes and confrontations with other players.", "As a result, he became more restrained on the field and tended to avoid the disputes and confrontations with other players. Some observers felt that the \"new\" Keane had become less influential in midfield as a consequence of the change in his style of play, possibly brought about by decreased mobility after his hip operation. After his return, however, Keane displayed the tenacity of old, leading the team to another league title in May 2003. Throughout the 2000s, Keane maintained a fierce rivalry with Arsenal captain Patrick Vieira.", "Throughout the 2000s, Keane maintained a fierce rivalry with Arsenal captain Patrick Vieira. The most notable incident between the two took place at Highbury in 2005 at the height of an extreme period of bad blood between United and Arsenal. Vieira was seen confronting United defender Gary Neville in the tunnel before the game over his fouling of José Antonio Reyes in the previous encounter between the two sides, prompting Keane to verbally confront the Arsenal captain.", "Vieira was seen confronting United defender Gary Neville in the tunnel before the game over his fouling of José Antonio Reyes in the previous encounter between the two sides, prompting Keane to verbally confront the Arsenal captain. The incident was broadcast live on Sky Sports, with Keane heard telling match referee Graham Poll to, \"Tell him [Vieira] to shut his fucking mouth!\" After the game, which United won 4–2, Keane controversially criticised Vieira's decision to play internationally for France instead of his country of birth, Senegal.", "After the game, which United won 4–2, Keane controversially criticised Vieira's decision to play internationally for France instead of his country of birth, Senegal. Vieira, however, later suggested that having walked out on his national team in the FIFA World Cup finals, Keane was not in a good position to comment on such matters. Referee Poll later revealed that he should have sent off both players before the match had begun, though was under pressure not to do so.", "Referee Poll later revealed that he should have sent off both players before the match had begun, though was under pressure not to do so. Overall, Keane led United to nine major honours, making him the most successful captain in the club's history. Keane scored his 50th goal for Manchester United on 5 February 2005 in a league game against Birmingham City.", "Keane scored his 50th goal for Manchester United on 5 February 2005 in a league game against Birmingham City. His appearance in the 2005 FA Cup final, which United lost to Arsenal in a penalty shoot-out, was his seventh such game, a record in English football at the time. Keane also jointly holds the record for the most red cards received in English football, being dismissed a total of 13 times in his career.", "Keane also jointly holds the record for the most red cards received in English football, being dismissed a total of 13 times in his career. He was inducted into the English Football Hall of Fame in 2004 in recognition of his impact on the English game and became the only Irish player to be selected into the FIFA 100, a list of the greatest living footballers picked by Pelé.", "He was inducted into the English Football Hall of Fame in 2004 in recognition of his impact on the English game and became the only Irish player to be selected into the FIFA 100, a list of the greatest living footballers picked by Pelé. Departure Keane unexpectedly left Manchester United by mutual consent on 18 November 2005, during a protracted absence from the team due to an injury sustained in his last competitive game for the club, caused by a robust challenge from Luis García against Liverpool.", "Departure Keane unexpectedly left Manchester United by mutual consent on 18 November 2005, during a protracted absence from the team due to an injury sustained in his last competitive game for the club, caused by a robust challenge from Luis García against Liverpool. His departure marked the climax of increasing tensions between Keane and the United management and players since the club's pre-season training camp in Portugal when he argued with Ferguson over the quality of the set-up at the resort.", "His departure marked the climax of increasing tensions between Keane and the United management and players since the club's pre-season training camp in Portugal when he argued with Ferguson over the quality of the set-up at the resort. Ferguson was angered further by Keane's admission during an MUTV phone-in that he would be \"prepared to play elsewhere\" after the expiration of his current contract with United at the end of the season.", "Ferguson was angered further by Keane's admission during an MUTV phone-in that he would be \"prepared to play elsewhere\" after the expiration of his current contract with United at the end of the season. Another of Keane's appearances on MUTV provoked more controversy, when, after a 4–1 defeat at the hands of Middlesbrough in early November, he criticised the performances of John O'Shea, Alan Smith, Kieran Richardson and Darren Fletcher.", "Another of Keane's appearances on MUTV provoked more controversy, when, after a 4–1 defeat at the hands of Middlesbrough in early November, he criticised the performances of John O'Shea, Alan Smith, Kieran Richardson and Darren Fletcher. Of the club's record signing Rio Ferdinand, he said, \"Just because you are paid £120,000-a-week and play well for 20 minutes against Tottenham, you think you are a superstar.\"", "Of the club's record signing Rio Ferdinand, he said, \"Just because you are paid £120,000-a-week and play well for 20 minutes against Tottenham, you think you are a superstar.\" The outburst was deemed too damning by the United management and was subsequently pulled from transmission by the club's TV station. Keane's opinions were described by those present at the interview as \"explosive even by his standards\". Keane scored 33 league goals for Manchester United and a total of 51 in all competitions.", "Keane scored 33 league goals for Manchester United and a total of 51 in all competitions. The first two of his goals for the club came in the 3–0 home win over Sheffield United in the Premier League on 18 August 1993, the last on 12 March 2005 in a 4–0 away win over Southampton in the FA Cup. Two weeks later, after another row with Ferguson, Keane reached an agreement with Manchester United allowing him to leave the club immediately to sign a long-term deal with another club.", "Two weeks later, after another row with Ferguson, Keane reached an agreement with Manchester United allowing him to leave the club immediately to sign a long-term deal with another club. He was offered a testimonial in recognition of his 12-and-a-half years at Old Trafford, with both Ferguson and United chief executive David Gill wishing him well for the future.", "He was offered a testimonial in recognition of his 12-and-a-half years at Old Trafford, with both Ferguson and United chief executive David Gill wishing him well for the future. Keane, in an interview with the Irish media company, Off the Ball, in September 2019, stated that Manchester United were pushing to get him out of the club because he was getting old and his strained relationship with then assistant manager Carlos Queiroz and later on with Sir Alex Ferguson, rather than the mere MUTV incident.", "Keane, in an interview with the Irish media company, Off the Ball, in September 2019, stated that Manchester United were pushing to get him out of the club because he was getting old and his strained relationship with then assistant manager Carlos Queiroz and later on with Sir Alex Ferguson, rather than the mere MUTV incident. Keane's testimonial took place at Old Trafford on 9 May 2006 between United and Celtic.", "Keane's testimonial took place at Old Trafford on 9 May 2006 between United and Celtic. The home side won the game 1–0, with Keane playing the first half for Celtic and the second half in his former role as Manchester United captain. The capacity crowd of 69,591 remains the largest crowd ever for a testimonial match in England. All of the revenue generated from the match was given to Keane's favourite charity, Irish Guide Dogs for the Blind.", "All of the revenue generated from the match was given to Keane's favourite charity, Irish Guide Dogs for the Blind. Celtic On 15 December 2005, Keane was announced as a Celtic player, the team he had supported as a child. Initial reports suggested Keane was offered a contract of around £40,000 per week; however, this was rejected by the player himself in his second autobiography, in which he claimed he was only paid £15,000 per week while a Celtic player.", "Initial reports suggested Keane was offered a contract of around £40,000 per week; however, this was rejected by the player himself in his second autobiography, in which he claimed he was only paid £15,000 per week while a Celtic player. Keane's Celtic career began in January 2006, when the Glasgow giants crashed to a 2–1 defeat to Scottish First Division side Clyde in the third round of the Scottish Cup. His abrasive style had not dwindled, as he was seen criticising some of his new team-mates during the match.", "His abrasive style had not dwindled, as he was seen criticising some of his new team-mates during the match. Keane scored what turned out to be his only Celtic goal a month later, a shot from 20 yards in a 2–1 Scottish Premier League victory over Falkirk. He retained his place the following Sunday in his first Old Firm derby against Rangers, leading Celtic to victory. Celtic went on to complete a double of the Scottish Premier League title and Scottish League Cup, his last honour as a player.", "Celtic went on to complete a double of the Scottish Premier League title and Scottish League Cup, his last honour as a player. On 12 June 2006, Keane announced his retirement from professional football on medical advice, only six months after joining Celtic. His announcement prompted glowing praise from many of his former colleagues and managers, not least from Sir Alex Ferguson, who opined, \"Over the years when they start picking the best teams of all time, he will be in there.\"", "His announcement prompted glowing praise from many of his former colleagues and managers, not least from Sir Alex Ferguson, who opined, \"Over the years when they start picking the best teams of all time, he will be in there.\" International career Keane was part of the squad that participated in the 1988 UEFA European Under-16 Football Championship although he did not play.", "International career Keane was part of the squad that participated in the 1988 UEFA European Under-16 Football Championship although he did not play. He was man of the match for the Republic of Ireland national under-19 team when they beat hosts Hungary in the 1990 UEFA European Under-18 Football Championship to qualify for the 1991 FIFA World Youth Championship.", "He was man of the match for the Republic of Ireland national under-19 team when they beat hosts Hungary in the 1990 UEFA European Under-18 Football Championship to qualify for the 1991 FIFA World Youth Championship. When called up for his first game at the international level, an under-21s match against Turkey in 1991, Keane took an immediate dislike to the organisation and preparation surrounding the Irish team, later describing the set-up as \"a bit of a joke\".", "When called up for his first game at the international level, an under-21s match against Turkey in 1991, Keane took an immediate dislike to the organisation and preparation surrounding the Irish team, later describing the set-up as \"a bit of a joke\". He would continue to hold this view throughout the remainder of his time spent with the national team, which led to numerous confrontations with the Irish management.", "He would continue to hold this view throughout the remainder of his time spent with the national team, which led to numerous confrontations with the Irish management. Keane declared his unavailability to travel with the Irish squad to Algeria, but was surprised when manager Jack Charlton told him that he would never play for Ireland again if he refused to join up with his compatriots.", "Keane declared his unavailability to travel with the Irish squad to Algeria, but was surprised when manager Jack Charlton told him that he would never play for Ireland again if he refused to join up with his compatriots. Despite this threat, Keane chose to stay at home on the insistence of Nottingham Forest manager Brian Clough, and was pleased when a year later he was called up to the Irish squad for a friendly at Lansdowne Road.", "Despite this threat, Keane chose to stay at home on the insistence of Nottingham Forest manager Brian Clough, and was pleased when a year later he was called up to the Irish squad for a friendly at Lansdowne Road. After more appearances, he grew to disapprove of Charlton's style of football, which relied less on the players' skill and more on continuous pressing and direct play.", "After more appearances, he grew to disapprove of Charlton's style of football, which relied less on the players' skill and more on continuous pressing and direct play. Tensions between the two men peaked during a pre-season tournament in the United States when Charlton berated Keane for returning home late after a drinking session with Steve Staunton. Keane was included in the Republic of Ireland senior squad for the 1994 FIFA World Cup in the U.S. and played in every game, including a famous 1–0 victory over tournament favourites and eventual runners-up Italy.", "Keane was included in the Republic of Ireland senior squad for the 1994 FIFA World Cup in the U.S. and played in every game, including a famous 1–0 victory over tournament favourites and eventual runners-up Italy. Despite a second-round exit at the hands of the Netherlands, the tournament was considered a success for the Irish team, and Keane was named the best player of Ireland's campaign.", "Despite a second-round exit at the hands of the Netherlands, the tournament was considered a success for the Irish team, and Keane was named the best player of Ireland's campaign. Keane, however, was reluctant to join the post-tournament celebrations, later claiming that, as far as he was concerned, Ireland's World Cup was a disappointment: \"There was nothing to celebrate. We achieved little.\"", "We achieved little.\" We achieved little.\" Keane missed crucial matches during the 1998 World Cup qualification matches due to a severe knee injury but came back to captain the team to within a whisker of qualification for UEFA Euro 2000, losing to Turkey in a play-off. Ireland secured qualification for the 2002 World Cup under new manager Mick McCarthy, greatly assisted by several match-winning performances from Keane.", "Ireland secured qualification for the 2002 World Cup under new manager Mick McCarthy, greatly assisted by several match-winning performances from Keane. In the process of qualification, Ireland went undefeated, both home and away, against international football heavyweights Portugal and the Netherlands, famously beating the latter 1–0 at Lansdowne Road. 2002 FIFA World Cup incident The Football Association of Ireland (FAI) selected the training base intended for use during Ireland's World Cup campaign.", "2002 FIFA World Cup incident The Football Association of Ireland (FAI) selected the training base intended for use during Ireland's World Cup campaign. During the first training session, Keane expressed serious misgivings about the adequacy of the training facilities and the standard of preparation for the Irish team. He was angered by the late arrival of the squad's training equipment, which had disrupted the first training session on a pitch that he described as \"like a car park\".", "He was angered by the late arrival of the squad's training equipment, which had disrupted the first training session on a pitch that he described as \"like a car park\". After a row with goalkeeping coach Packie Bonner and Alan Kelly Jr. on the second day of training, Keane announced that he was quitting the squad and that he wished to return home to Manchester due to his dissatisfaction with Ireland's preparation.", "After a row with goalkeeping coach Packie Bonner and Alan Kelly Jr. on the second day of training, Keane announced that he was quitting the squad and that he wished to return home to Manchester due to his dissatisfaction with Ireland's preparation. The FAI was unable to get Keane an immediate flight home at such short notice, meaning that he remained in Saipan for another night, but they called up Colin Healy as a replacement for him.", "The FAI was unable to get Keane an immediate flight home at such short notice, meaning that he remained in Saipan for another night, but they called up Colin Healy as a replacement for him. The following day, however, McCarthy approached Keane and asked him to return to the training camp, and Keane was eventually persuaded to stay. Despite a temporary cooling of tensions in the Irish camp after Keane's change of heart, things soon took a turn for the worse.", "Despite a temporary cooling of tensions in the Irish camp after Keane's change of heart, things soon took a turn for the worse. Keane immediately gave an interview to leading sports journalist Tom Humphries, of the Irish Times newspaper, where he expressed his unhappiness with the facilities in Saipan and listed the events and concerns which had led him to leave the team temporarily. McCarthy took offence at Keane's interview and decided to confront Keane over the article in front of the entire squad and coaching staff.", "McCarthy took offence at Keane's interview and decided to confront Keane over the article in front of the entire squad and coaching staff. Keane refused to relent, saying that he had told the newspaper what he considered to be the truth and that the Irish fans deserved to know what was going on inside the camp. He then unleashed a stinging verbal tirade against McCarthy: \"Mick, you're a liar... you're a fucking wanker.", "He then unleashed a stinging verbal tirade against McCarthy: \"Mick, you're a liar... you're a fucking wanker. I didn't rate you as a player, I don't rate you as a manager, and I don't rate you as a person. You're a fucking wanker and you can stick your World Cup up your arse. The only reason I have any dealings with you is that somehow you are the manager of my country! You can stick it up your bollocks.\"", "You can stick it up your bollocks.\" You can stick it up your bollocks.\" Niall Quinn observed in his autobiography that \"Roy Keane's 10-minute oration [against Mick McCarthy, above] ... was clinical, fierce, earth-shattering to the person on the end of it and it ultimately caused a huge controversy in Irish society.\" But at the same time, he was also critical of Keane's stance, saying that, \"[He] left us in Saipan, not the other way round.", "But at the same time, he was also critical of Keane's stance, saying that, \"[He] left us in Saipan, not the other way round. And he punished himself more than any of us by not coming back.\" None of Keane's teammates voiced support for him during the meeting, although some supported him in private afterwards. Veterans Niall Quinn and Steve Staunton backed McCarthy in a press conference after the event.", "Veterans Niall Quinn and Steve Staunton backed McCarthy in a press conference after the event. It was here that McCarthy announced that he had dismissed Keane from the squad and sent him home. By this time, the FIFA deadline for naming the World Cup squads had passed, meaning that Colin Healy was unable to be named as Keane's replacement and could not play in the tournament. Recall Mick McCarthy resigned as Ireland manager in November 2002 after defeats to Russia and Switzerland in qualification for Euro 2004.", "Recall Mick McCarthy resigned as Ireland manager in November 2002 after defeats to Russia and Switzerland in qualification for Euro 2004. The possibility of Keane returning to the squad for future qualifiers was raised, as Keane had not yet fully retired from international football, insisting that McCarthy's presence was the main incentive for staying away from the Irish squad. McCarthy's replacement, Brian Kerr, discussed with Keane the possibility of a recall, and in April 2004 he was brought back into the Irish team to face Romania on 27 May.", "McCarthy's replacement, Brian Kerr, discussed with Keane the possibility of a recall, and in April 2004 he was brought back into the Irish team to face Romania on 27 May. Keane was not reinstated as captain, however, as Kerr decided to keep the armband with Kenny Cunningham. After the team's failure to qualify for the 2006 World Cup, he announced his retirement from international football to help prolong his club career. Post-retirement Keane has reiterated his displeasure with the attitude and selection policy of the FAI.", "Post-retirement Keane has reiterated his displeasure with the attitude and selection policy of the FAI. In March 2007, Keane claimed that several Republic of Ireland players get picked solely based on their media exposure and that the organisation was biased towards players originating from Dublin or other regions of Leinster: \"Once you keep playing them on the reputation they've built up through the media or because they do lots of interviews, then it's wrong. There's a fine line between loyalty and stupidity.\"", "There's a fine line between loyalty and stupidity.\" Keane claimed that Sunderland player Liam Miller was not picked because he was from Cork and that players with significant potential were failing to get picked for the national team. He also alleged that the FAI were incompetent in the running of their affairs. Keane was involved in further controversy in the wake of Ireland's defeat by France in the qualification 2010 World Cup play-off.", "Keane was involved in further controversy in the wake of Ireland's defeat by France in the qualification 2010 World Cup play-off. During an Ipswich Town press conference on 20 November 2009, Keane was critical of the Irish reaction to the Thierry Henry handball incident. His response included criticisms of the Irish team's defence and the FAI authorities. Coaching career Keane's former manager Sir Alex Ferguson had previously said that he wanted Keane to succeed him as Manchester United coach when he retired.", "Coaching career Keane's former manager Sir Alex Ferguson had previously said that he wanted Keane to succeed him as Manchester United coach when he retired. In the wake of Keane's acrimonious departure from the club, however, Ferguson became evasive regarding Keane's prospects as a manager: \"Young managers come along and people say this one will be England manager or boss of this club, but two years later they're not there. It's not an easy environment to come into, I wouldn't forecast anything.\"", "It's not an easy environment to come into, I wouldn't forecast anything.\" Sunderland During his time at Celtic, Keane was suggested as a potential managerial successor to Gordon Strachan by former Celtic player Charlie Nicholas. However, it was Championship club Sunderland where Keane chose to launch his managerial career, reuniting him with the club's chairman and outgoing manager, Niall Quinn.", "However, it was Championship club Sunderland where Keane chose to launch his managerial career, reuniting him with the club's chairman and outgoing manager, Niall Quinn. The two men, publicly at least, were on opposing sides during the fall-out from the Saipan incident, but they were on good terms at the time of the managerial appointment, with Quinn urging Sunderland fans to \"support and enjoy one of football's true greats\".", "The two men, publicly at least, were on opposing sides during the fall-out from the Saipan incident, but they were on good terms at the time of the managerial appointment, with Quinn urging Sunderland fans to \"support and enjoy one of football's true greats\". Keane signed a three-year deal immediately after Sunderland's victory over West Bromwich Albion on 28 August, the Mackems' first win of the 2006–07 season after a dreadful run of four consecutive defeats under Quinn's temporary management.", "Keane signed a three-year deal immediately after Sunderland's victory over West Bromwich Albion on 28 August, the Mackems' first win of the 2006–07 season after a dreadful run of four consecutive defeats under Quinn's temporary management. With his new club sitting in the relegation zone already, second bottom of the Championship table, Keane chose to enforce changes quickly. His first actions as manager were deciding to keep the existing assistant manager, Bobby Saxton, and to appoint his former Nottingham Forest colleague Tony Loughlan as head coach.", "His first actions as manager were deciding to keep the existing assistant manager, Bobby Saxton, and to appoint his former Nottingham Forest colleague Tony Loughlan as head coach. He wasted no time in bringing in new additions to the squad, with a total of six players signing on the final day of the August transfer window.", "He wasted no time in bringing in new additions to the squad, with a total of six players signing on the final day of the August transfer window. The most notable signings were Keane's former Manchester United teammates Dwight Yorke and Liam Miller, supported by former Celtic colleagues Ross Wallace and Stanislav Varga, as well as Wigan Athletic pair Graham Kavanagh and David Connolly.", "The most notable signings were Keane's former Manchester United teammates Dwight Yorke and Liam Miller, supported by former Celtic colleagues Ross Wallace and Stanislav Varga, as well as Wigan Athletic pair Graham Kavanagh and David Connolly. Keane's first two games as manager could not have gone much better; first coming from behind to beat Derby County 2–1, followed by an easy 3–0 victory over Leeds United.", "Keane's first two games as manager could not have gone much better; first coming from behind to beat Derby County 2–1, followed by an easy 3–0 victory over Leeds United. Sunderland began to steadily creep up the league standings under Keane's management, and by the turn of the year, they had escaped the bottom half of the league.", "Sunderland began to steadily creep up the league standings under Keane's management, and by the turn of the year, they had escaped the bottom half of the league. Five further players were signed during the January 2007 transfer window, three (Anthony Stokes, Carlos Edwards and Stern John) on permanent contracts and two (Jonny Evans and Danny Simpson) on loan from Manchester United, Keane's old club.", "Five further players were signed during the January 2007 transfer window, three (Anthony Stokes, Carlos Edwards and Stern John) on permanent contracts and two (Jonny Evans and Danny Simpson) on loan from Manchester United, Keane's old club. Results continued to improve, and Keane was rewarded with the February and March Manager of the Month awards, while his team began to challenge for the automatic promotion places. Meanwhile, Keane tackled his players' non-professional approach with a firm hand.", "Meanwhile, Keane tackled his players' non-professional approach with a firm hand. When three players were late for the team coach to a trip to Barnsley, in March 2007, he simply left them behind. Sunderland secured promotion to the Premier League – along with Birmingham City – on 29 April when rivals Derby were beaten by Crystal Palace. A week later, the Championship title was sealed, and Sunderland's revival under Keane was complete. His achievements also earned him the Championship Manager of the Year award.", "His achievements also earned him the Championship Manager of the Year award. The lowest point of their next season came at Goodison Park, where they were beaten 7–1 by Everton, which Keane described as \"one of the lowest points\" of his career. In the second half of the season, however, the team's form was much improved (especially at home) and survival in the division was guaranteed with two games to go with a home win against Middlesbrough.", "In the second half of the season, however, the team's form was much improved (especially at home) and survival in the division was guaranteed with two games to go with a home win against Middlesbrough. Meanwhile, Keane carried on his trend of buying ex-Manchester United players with the addition of Kieran Richardson, Paul McShane, Danny Higginbotham and Phil Bardsley.", "Meanwhile, Keane carried on his trend of buying ex-Manchester United players with the addition of Kieran Richardson, Paul McShane, Danny Higginbotham and Phil Bardsley. He has also continued his strict disciplinary policy by putting Liam Miller (one of Sunderland's more consistent players) on the transfer list for being regularly late for training and other team meetings. The beginning of the 2008–09 season would prove to be tumultuous.", "The beginning of the 2008–09 season would prove to be tumultuous. In September 2008 Keane became embroiled in a row with FIFA Vice-President Jack Warner over the withdrawal of Dwight Yorke from the Trinidad and Tobago national team. Warner accused Keane of being disrespectful towards small countries. Keane responded by calling Warner \"a clown\" and insisted that Yorke was retired from international football.", "Keane responded by calling Warner \"a clown\" and insisted that Yorke was retired from international football. That same month Keane experienced \"one of the worst and longest nights\" of his career when Sunderland had to come from 2–0 down at home in a League Cup tie against Northampton Town. The game ended 2–2, with Sunderland progressing narrowly on penalties.", "The game ended 2–2, with Sunderland progressing narrowly on penalties. Despite some positive performances, including the historic 2–1 home victory against local rivals Newcastle United on 25 October (the first time the club had accomplished this in 28 years), as well as good showings by recent signings like Djibril Cissé and Anton Ferdinand, the team's general form, remained inconsistent. By the end of November, Sunderland was 18th in the Premier League, having lost five of their six previous games.", "By the end of November, Sunderland was 18th in the Premier League, having lost five of their six previous games. Keane stood down as manager on 4 December after bringing doubt on his future with comments made in the wake of the 4–1 home defeat by Bolton Wanderers the previous weekend. Keane's harsh management style was not appreciated by the Sunderland players, who were reported to have celebrated when they heard he had resigned.", "Keane's harsh management style was not appreciated by the Sunderland players, who were reported to have celebrated when they heard he had resigned. In an interview with The Irish Times on 21 February 2009, Keane cited differences with Sunderland 30% shareholder Ellis Short and strains with club chairman Niall Quinn as the factors in his decision to resign as Sunderland manager. Ipswich Town On 23 April 2009, Keane was appointed as the new manager of Ipswich Town on a two-year contract, the day after the club had dismissed Jim Magilton.", "Ipswich Town On 23 April 2009, Keane was appointed as the new manager of Ipswich Town on a two-year contract, the day after the club had dismissed Jim Magilton. His first game in charge came the following Saturday with a 3–0 away win over Cardiff City, the final league match to be played at Ninian Park. The following week, Ipswich rounded off the season with a 2–1 win over Coventry City. In the 2009–10 season, Keane started to sign some players, some of them from his former club Sunderland.", "In the 2009–10 season, Keane started to sign some players, some of them from his former club Sunderland. He signed goalkeeper Márton Fülöp, midfielders Carlos Edwards and Grant Leadbitter and brought in Jack Colback, David Healy and Daryl Murphy on loan to the club. Ipswich started without a win in their first 14 matches, making them the last team to record their first win in the whole league, finally winning on 31 October against Derby County and recording their first away win of the season on 29 November against Cardiff City.", "Ipswich started without a win in their first 14 matches, making them the last team to record their first win in the whole league, finally winning on 31 October against Derby County and recording their first away win of the season on 29 November against Cardiff City. Their form gradually improved throughout the season, but Ipswich drew far too many games to come anywhere near the promotion race and they finished the season in 15th place.", "Their form gradually improved throughout the season, but Ipswich drew far too many games to come anywhere near the promotion race and they finished the season in 15th place. Many inconsistencies in the 2009–10 and the 2010–11 season meant that Keane's Ipswich side never really challenged for promotions and as a result of a poor run of form, ending up with his side dropping to as low as 21st in the Championship. Keane was dismissed as Ipswich manager on 7 January 2011.", "Keane was dismissed as Ipswich manager on 7 January 2011. National team On 5 November 2013, the FAI announced that Martin O'Neill had been made the Republic of Ireland manager and that Keane had been made the assistant manager. Their first match was against Latvia at the Aviva Stadium in a 3–0 victory on 15 November 2013. After Neil Lennon left Celtic at the end of the 2013–14 season, Keane looked set to become the new manager of the Hoops.", "After Neil Lennon left Celtic at the end of the 2013–14 season, Keane looked set to become the new manager of the Hoops. Martin O'Neill admitted he won't stand in his way of taking over the reins at Celtic Park. Keane, however, remained as assistant manager of Ireland and asked not to be considered for the job.", "Keane, however, remained as assistant manager of Ireland and asked not to be considered for the job. Keane later stated that he was on the verge of taking the Celtic job and had met with the Celtic owner Dermot Desmond but felt \"they didn't make him feel wanted enough\" and rejected the offer. Keane later became the new assistant manager of Aston Villa, combining his role with Villa and Ireland.", "Keane later became the new assistant manager of Aston Villa, combining his role with Villa and Ireland. In October 2014, Keane caused controversy after his book was released before crucial Euro 2016 qualifiers against Gibraltar and Germany. Martin O'Neill, however, rejected the claims that it was a distraction. A month later, before Ireland's crucial qualifier against Scotland, Keane was involved in an incident with a fan in the team hotel.", "A month later, before Ireland's crucial qualifier against Scotland, Keane was involved in an incident with a fan in the team hotel. An ambulance for the fan was called as well as the Garda Síochána, but no arrests or complaints were made. The FAI and Martin O'Neill came out in support of Keane after the incident. It later emerged that CCTV footage exonerated Keane of any wrongdoing.", "It later emerged that CCTV footage exonerated Keane of any wrongdoing. The man involved in the incident is Brendan Grace's son-in-law Frank Gillespie, who is believed to have asked Keane to sign a copy of Keane's autobiography The Second Half. Keane refused to do so, and Gillespie confronted Keane but then collapsed and an ambulance was called to the hotel. Grace stated that Gillespie and Keane were \"old buddies\".", "Grace stated that Gillespie and Keane were \"old buddies\". After the Scotland game, Keane claimed that Everton were putting pressure on the Irish players like Séamus Coleman and James McCarthy (who missed the Scotland match through injury) to pull out of international squads; Everton chairman Bill Kenwright refuted this claim, saying Keane says \"stupid things\". Then-Everton manager Roberto Martínez also dismissed Keane's comments. Again Keane was in the headlines after a heated press conference with journalists before the United States match.", "Again Keane was in the headlines after a heated press conference with journalists before the United States match. Keane got in a row with a journalist after he was questioned if he was becoming a distraction from the Republic of Ireland cause. Eamon Dunphy has called on the FAI and Martin O'Neill to stop Keane from giving interviews to end the circus of media attention around him. In November 2018, Keane and O'Neill left their jobs by \"mutual agreement\".", "In November 2018, Keane and O'Neill left their jobs by \"mutual agreement\". Aston Villa On 1 July 2014, Keane was confirmed as Aston Villa's new assistant manager, working alongside manager Paul Lambert. He combined this role with his assistant manager's role with the Republic of Ireland. On 28 November 2014, however, Keane quit his role as assistant manager at Aston Villa to concentrate on his assistant manager role with Ireland.", "On 28 November 2014, however, Keane quit his role as assistant manager at Aston Villa to concentrate on his assistant manager role with Ireland. Nottingham Forest In January 2019 he became assistant manager at Nottingham Forest, leaving the role in June 2019. Outside football Media career Keane has done media work but expressed his lack of enthusiasm to do so again in the future when he said, \"I was asked last week by ITV to do the Celtic game.", "Outside football Media career Keane has done media work but expressed his lack of enthusiasm to do so again in the future when he said, \"I was asked last week by ITV to do the Celtic game. A couple of weeks before that I was asked to do the United game against Celtic at Old Trafford. I think I've done it once for Sky. Never again. I'd rather go to the dentist.", "Never again. I'd rather go to the dentist. I'd rather go to the dentist. You're sitting there with people like Richard Keys and they're trying to sell something that's not there. Any time I watch a game on television I have to turn the commentators off.\" Keane later had a change of heart.", "Keane later had a change of heart. Keane later had a change of heart. Along with Harry Redknapp and Gareth Southgate (who had previously been stamped on by Keane during an FA Cup semi-final in 1995, leading to a red card), he was a pundit for ITV's coverage of the Champions League final between Manchester United and Barcelona. In the 2011–12 season, he became ITV chief football analyst, appearing on nearly every Live ITV match alongside presenter Adrian Chiles and Gareth Southgate.", "In the 2011–12 season, he became ITV chief football analyst, appearing on nearly every Live ITV match alongside presenter Adrian Chiles and Gareth Southgate. He appeared on ITV in the Champions League including Chelsea's victory in the final against Bayern Munich, nearly all FA Cup matches including the final between Chelsea and Liverpool at Wembley, and England competitive internationals and friendlies.", "He appeared on ITV in the Champions League including Chelsea's victory in the final against Bayern Munich, nearly all FA Cup matches including the final between Chelsea and Liverpool at Wembley, and England competitive internationals and friendlies. He was also involved in the ITV team for Euro 2012 alongside longtime rival Patrick Vieira and they appeared together as pundits in Ireland–Spain match and Czech Republic–Russia match, also appearing with Roberto Martínez and Gordon Strachan.", "He was also involved in the ITV team for Euro 2012 alongside longtime rival Patrick Vieira and they appeared together as pundits in Ireland–Spain match and Czech Republic–Russia match, also appearing with Roberto Martínez and Gordon Strachan. Keane worked for ITV during his time as Republic of Ireland Assistant on UEFA Champions League and UEFA Europa League highlights shows between 2015-2018 but didn't appear on International Football apart from on the Final of UEFA Euro 2016, he covered 2018 FIFA World Cup & UEFA Euro 2020 for ITV Sport and appeared again on England Qualifiers from 2018, in 2021-2022 he became ITV chief analyst for FA Cup appearing alongside Ian Wright.", "Keane worked for ITV during his time as Republic of Ireland Assistant on UEFA Champions League and UEFA Europa League highlights shows between 2015-2018 but didn't appear on International Football apart from on the Final of UEFA Euro 2016, he covered 2018 FIFA World Cup & UEFA Euro 2020 for ITV Sport and appeared again on England Qualifiers from 2018, in 2021-2022 he became ITV chief analyst for FA Cup appearing alongside Ian Wright. Keane joined Sky Sports to work on Super Sunday starting in September 2019.", "Keane joined Sky Sports to work on Super Sunday starting in September 2019. Personal life Keane married Theresa Doyle in 1997, and they have five children named Shannon, Caragh, Aidan, Leah, and Alanna. When Keane joined Manchester United, the family lived in a modern four-bedroom house in Bowdon, then moved to a mock Tudor mansion in Hale. His family then had a 1930s-built home bulldozed so they could build a new £2.5 million house near Hale.", "His family then had a 1930s-built home bulldozed so they could build a new £2.5 million house near Hale. On 6 June 2009, it was announced that Keane and his family would purchase a house in the Ipswich area, near to the training ground of Keane's new club, Ipswich Town. He eventually settled in the nearby market town of Woodbridge. They moved out of the property and offered it for sale in 2015.", "They moved out of the property and offered it for sale in 2015. In October 2014, Keane released the second part of his autobiography The Second Half, which was ghostwritten by Roddy Doyle. It is the follow up to his first autobiography, released in 2002, which was ghost written by Eamon Dunphy. Triggs Keane had a Labrador Retriever named Triggs, who died in 2012.", "Triggs Keane had a Labrador Retriever named Triggs, who died in 2012. Speaking in Dublin at his annual visit to the Irish Guide Dogs for the Blind, he spoke on the loss affecting him, \"Triggs was great and went through a lot with me... you will have me crying in a minute, so be careful. She had a good life.\"", "She had a good life.\" She had a good life.\" Triggs came to international attention in 2002 during the Saipan incident ahead of that year's FIFA World Cup, which saw Keane engage in a public quarrel and leave the squad. He said of Triggs, \"Unlike humans, dogs don't talk shit.\"", "He said of Triggs, \"Unlike humans, dogs don't talk shit.\" The Daily Telegraphs Steve Wilson once described Triggs as \"the most famous dog in football since Pickles, a mongrel who dug up the stolen Jules Rimet Trophy in 1966, or that dog that relieved itself on Jimmy Greaves at the 1962 World Cup\".", "The Daily Telegraphs Steve Wilson once described Triggs as \"the most famous dog in football since Pickles, a mongrel who dug up the stolen Jules Rimet Trophy in 1966, or that dog that relieved itself on Jimmy Greaves at the 1962 World Cup\". Henry Winter, writing in the same paper and noting Keane's tendency to go for long walks with his dog in the wake of controversial incidents, called Triggs \"the fittest dog in Cheshire\" and opined that \"if Cruft's (sic) held an endurance event, Keane and Triggs would scoop gold\".", "Henry Winter, writing in the same paper and noting Keane's tendency to go for long walks with his dog in the wake of controversial incidents, called Triggs \"the fittest dog in Cheshire\" and opined that \"if Cruft's (sic) held an endurance event, Keane and Triggs would scoop gold\". Following her rise to fame, Triggs was mentioned by several sources on many occasions, with Keane followed by numerous canine references and dog puns for the remainder of his career.", "Following her rise to fame, Triggs was mentioned by several sources on many occasions, with Keane followed by numerous canine references and dog puns for the remainder of his career. In 2006 when Keane moved house to Sunderland, his reunion with Triggs, who joined him later, came to the notice of the press. In 2007, Keane was reported to have heard of his team's promotion to the Premiership while walking Triggs.", "In 2007, Keane was reported to have heard of his team's promotion to the Premiership while walking Triggs. The following year, Keane was said to have acquired a German Shepherd Dog named Izac to accompany Triggs. In later life, Triggs was involved in a police investigation when her behaviour caused an argument between Keane and a neighbour. She appeared in an Irish Guide Dogs advertisement in 2009, whereupon the Irish Examiner referred to her as \"football's biggest canine celebrity\", and also received her own profile on Facebook.", "She appeared in an Irish Guide Dogs advertisement in 2009, whereupon the Irish Examiner referred to her as \"football's biggest canine celebrity\", and also received her own profile on Facebook. Triggs was described as a \"celebrity\" and a \"household name\" upon erroneous reports of her death from cancer in September 2010. Keane was described as \"inconsolable\".", "Keane was described as \"inconsolable\". Keane was described as \"inconsolable\". The Irish Examiners obituary noted how \"at critical moments when the nation's happiness seemed entwined with Roy's moods, he turned to his Labrador Triggs and took to the road\".", "The Irish Examiners obituary noted how \"at critical moments when the nation's happiness seemed entwined with Roy's moods, he turned to his Labrador Triggs and took to the road\". Style of play A powerful, dominant, consistent, and highly competitive midfielder, in his prime, Keane was known for his work-rate, mobility, energy, physicality, and hard-tackling style of play, which earned him a reputation as one of the best players in the world in his position.", "Style of play A powerful, dominant, consistent, and highly competitive midfielder, in his prime, Keane was known for his work-rate, mobility, energy, physicality, and hard-tackling style of play, which earned him a reputation as one of the best players in the world in his position. His playing style also earned him a degree of infamy, due to his temper, tendency to pick up cards, confront opponents, and commit rash challenges.", "His playing style also earned him a degree of infamy, due to his temper, tendency to pick up cards, confront opponents, and commit rash challenges. Usually operating in either a holding or box-to-box role in the centre of the pitch, his most prominent traits were his stamina, intelligence, positional sense, tenacity, aggression, physical strength, and ball-winning abilities, although he was a complete midfielder, who possessed a wide range of skills; indeed, he was also capable of carrying the ball forward effectively after obtaining possession, and either distributing it to other players, controlling the game and dictating the tempo in midfield, starting attacking plays, or even creating chances for his teammates, courtesy of his composure on the ball, first touch, and precise, efficient passing.", "Usually operating in either a holding or box-to-box role in the centre of the pitch, his most prominent traits were his stamina, intelligence, positional sense, tenacity, aggression, physical strength, and ball-winning abilities, although he was a complete midfielder, who possessed a wide range of skills; indeed, he was also capable of carrying the ball forward effectively after obtaining possession, and either distributing it to other players, controlling the game and dictating the tempo in midfield, starting attacking plays, or even creating chances for his teammates, courtesy of his composure on the ball, first touch, and precise, efficient passing. He could even score goals himself, due to his attacking drive, eye for goal, a powerful shot from range, and his ability to make late runs into the penalty area, in particular in his early career.", "He could even score goals himself, due to his attacking drive, eye for goal, a powerful shot from range, and his ability to make late runs into the penalty area, in particular in his early career. In his later career, however, he became more cautious in his play, and occupied a deeper role, in order to compensate for his physical decline.", "In his later career, however, he became more cautious in his play, and occupied a deeper role, in order to compensate for his physical decline. An influential presence on the pitch, in addition to his playing ability, Keane also stood out for his leadership and determination throughout his career, as well as his strong character. However, he also struggled out with injuries throughout his career. Despite his relatively small frame and short stature, he was also good in the air and an accurate header of the ball.", "Despite his relatively small frame and short stature, he was also good in the air and an accurate header of the ball. Although he was usually fielded as a defensive midfielder, Keane was also deployed as a defender on occasion, functioning as a centre-back or as a sweeper. Regarding his work-rate, mentality, and influence, his former teammate Gary Neville said of him: \"His greatest gift was to create a standard of performance which demanded the very best from the team.", "Regarding his work-rate, mentality, and influence, his former teammate Gary Neville said of him: \"His greatest gift was to create a standard of performance which demanded the very best from the team. You would look at him busting a gut and feel that you'd be betraying him if you didn't give everything yourself.\"", "You would look at him busting a gut and feel that you'd be betraying him if you didn't give everything yourself.\" Steve McClaren, who served as Alex Ferguson's assistant manager during Keane's time at Manchester United, between 1998 and 2001, instead said of the midfielder's competitive spirit: \"He mirrors the manager on the pitch. They are winners.\"", "They are winners.\" They are winners.\" Regarding Keane's complex character, despite his intensity on the pitch, Sean O'Hagan of The Guardian wrote in 2002 that he is \"...a committed and confident warrior on the field, a shy, socially awkward, and often lonely introvert off it.\" Career statistics Club International Scores and results list Republic of Ireland's goal tally first, score column indicates score after each Keane goal.", "Career statistics Club International Scores and results list Republic of Ireland's goal tally first, score column indicates score after each Keane goal. Managerial statistics Honours As a player Nottingham Forest Full Members' Cup: 1991–92 Manchester United Premier League: 1993–94, 1995–96, 1996–97, 1998–99, 1999–2000, 2000–01, 2002–03 FA Cup: 1993–94, 1995–96, 1998–99, 2003–04 FA Community Shield: 1993, 1996, 1997, 2003 UEFA Champions League: 1998–99 Intercontinental Cup: 1999 Celtic Scottish Premier League: 2005–06 Scottish League Cup: 2005–06 Individual PFA Team of the Year: 1992–93 Premier League, 1996–97 Premier League, 1999–2000 Premier League, 2000–01 Premier League, 2001–02 Premier League PFA Team of the Century: (1907–2007) Team of the Century 1997–2007 Overall Team of the Century FAI Young International Player of the Year: 1993, 1994 FAI Senior International Player of the Year: 1997, 2001 Premier League Player of the Month: October 1998, December 1999 Sir Matt Busby Player of the Year: 1999, 2000 RTÉ Sports Person of the Year: 1999 FWA Footballer of the Year: 2000 PFA Players' Player of the Year: 2000 ESM Team of the Year: 1999–2000 Premier League 10 Seasons Awards: (1992–93 to 2001–02) Overseas Team of the Decade English Football Hall of Fame: 2004 FIFA 100 Premier League 20 Seasons Awards: (1992–93 to 2011–12) Fantasy Teams of the 20 Seasons (Panel choice) Premier League Hall of Fame: 2021 As a manager Sunderland Football League Championship: 2006–07 Individual Football League Championship Manager of the Month: February 2007, March 2007 LMA Championship Manager of the Year: 2006–07 Orders and special awards Cork Person of the Year: 2004 Honorary Doctorate of Law: 2002 See also List of people on the postage stamps of Ireland Notes References General Roy Keane (2002), As I See It, [DVD] Specific External links Career photos on BBC Online BBC Wear – Roy Keane's first day on the job at SAFC 1971 births 1994 FIFA World Cup players 2002 FIFA World Cup players Association football midfielders Association footballers from Cork (city) Aston Villa F.C.", "Managerial statistics Honours As a player Nottingham Forest Full Members' Cup: 1991–92 Manchester United Premier League: 1993–94, 1995–96, 1996–97, 1998–99, 1999–2000, 2000–01, 2002–03 FA Cup: 1993–94, 1995–96, 1998–99, 2003–04 FA Community Shield: 1993, 1996, 1997, 2003 UEFA Champions League: 1998–99 Intercontinental Cup: 1999 Celtic Scottish Premier League: 2005–06 Scottish League Cup: 2005–06 Individual PFA Team of the Year: 1992–93 Premier League, 1996–97 Premier League, 1999–2000 Premier League, 2000–01 Premier League, 2001–02 Premier League PFA Team of the Century: (1907–2007) Team of the Century 1997–2007 Overall Team of the Century FAI Young International Player of the Year: 1993, 1994 FAI Senior International Player of the Year: 1997, 2001 Premier League Player of the Month: October 1998, December 1999 Sir Matt Busby Player of the Year: 1999, 2000 RTÉ Sports Person of the Year: 1999 FWA Footballer of the Year: 2000 PFA Players' Player of the Year: 2000 ESM Team of the Year: 1999–2000 Premier League 10 Seasons Awards: (1992–93 to 2001–02) Overseas Team of the Decade English Football Hall of Fame: 2004 FIFA 100 Premier League 20 Seasons Awards: (1992–93 to 2011–12) Fantasy Teams of the 20 Seasons (Panel choice) Premier League Hall of Fame: 2021 As a manager Sunderland Football League Championship: 2006–07 Individual Football League Championship Manager of the Month: February 2007, March 2007 LMA Championship Manager of the Year: 2006–07 Orders and special awards Cork Person of the Year: 2004 Honorary Doctorate of Law: 2002 See also List of people on the postage stamps of Ireland Notes References General Roy Keane (2002), As I See It, [DVD] Specific External links Career photos on BBC Online BBC Wear – Roy Keane's first day on the job at SAFC 1971 births 1994 FIFA World Cup players 2002 FIFA World Cup players Association football midfielders Association footballers from Cork (city) Aston Villa F.C. non-playing staff Celtic F.C.", "non-playing staff Celtic F.C. non-playing staff Celtic F.C. players Cobh Ramblers F.C. players English Football Hall of Fame inductees English Football League managers English Football League players Expatriate football managers in England Expatriate footballers in England Expatriate footballers in Scotland FIFA 100 Ipswich Town F.C. managers Irish expatriate sportspeople in England Irish expatriate sportspeople in Scotland League of Ireland players Living people Manchester United F.C. players Nottingham Forest F.C. non-playing staff Nottingham Forest F.C.", "players Nottingham Forest F.C. non-playing staff Nottingham Forest F.C. non-playing staff Nottingham Forest F.C. players Premier League Hall of Fame inductees Premier League managers Premier League players Republic of Ireland association footballers Republic of Ireland expatriate association footballers Republic of Ireland expatriate football managers Republic of Ireland football managers Republic of Ireland international footballers Republic of Ireland under-21 international footballers RTÉ Sports Person of the Year winners Scottish Premier League players Sunderland A.F.C. managers FA Cup Final players" ]

[ "Sam Cooke", "Aftermath", "What did Sam do after he retired from the music industry", "I don't know." ]

[ "William Henry Timlin (May 28, 1852August 21, 1916) was an American lawyer and judge. He was a justice of the Wisconsin Supreme Court for the last ten years of his life.\n\nBiography\n\nBorn in Mequon, Wisconsin. His father was an Irish American immigrant who had served as Treasurer of Washington County, Wisconsin, which then also included all of Ozaukee County. His mother died when he was six, and his father, who volunteered for the Union Army, disappeared during the American Civil War. Thus Timlin was raised, from age nine, by his uncle, who was a farmer struggling with financial hardship.\n\nHe worked on his uncle's farm but got little formal education. His uncle died during his teenage years, and more hardship followed. He studied surveying and stenography and taught school to make money. At age 25, he was employed as a stenographer at the Wisconsin Circuit Court in Kewaunee, Wisconsin.\n\nTimlin studied law under G. G. Sedgwick, and later H. G. and W. J. Turner, and was admitted to the State Bar of Wisconsin in 1878. He practiced law in Kewaunee, where he also served as superintendent of the public schools. He later moved to Milwaukee, Wisconsin, where he carried on his legal career.\n\nIn 1906, he was elected to a newly created seat on the Wisconsin Supreme Court. He did not run for re-election in 1916, but died four months before the end of his term.\n\nElectoral history\n\n| colspan=\"6\" style=\"text-align:center;background-color: #e9e9e9;\"| General Election, April 1906\n\nNotes\n\nExternal links\n\nPeople from Mequon, Wisconsin\nWisconsin lawyers\nJustices of the Wisconsin Supreme Court\n1852 births\n1916 deaths\n19th-century American judges\n19th-century American lawyers", ", meaning difficulty or trouble, may refer to the following:\n\nhardship clause in contract law\nundue hardship in employment law and other areas \nextreme hardship in immigration law\nhardship post in a foreign service" ]

[ "Samuel Cook (January 22, 1931 – December 11, 1964), known professionally as Sam Cooke, was an American singer, songwriter, and entrepreneur. Considered to be a pioneer and one of the most influential soul artists of all time, Cooke is commonly referred to as the \"King of Soul\" for his distinctive vocals, notable contributions to the genre and high significance in popular music.", "Considered to be a pioneer and one of the most influential soul artists of all time, Cooke is commonly referred to as the \"King of Soul\" for his distinctive vocals, notable contributions to the genre and high significance in popular music. Cooke was born in Mississippi and later relocated to Chicago with his family at a young age, where he began singing as a child and joined the Soul Stirrers as lead singer in the 1950s.", "Cooke was born in Mississippi and later relocated to Chicago with his family at a young age, where he began singing as a child and joined the Soul Stirrers as lead singer in the 1950s. Going solo in 1957, Cooke released a string of hit songs, including \"You Send Me\", \"A Change Is Gonna Come\", \"Cupid\", \"Wonderful World\", \"Chain Gang\", \"Twistin' the Night Away\", \"Bring It On Home to Me\", and \"Good Times\".", "Going solo in 1957, Cooke released a string of hit songs, including \"You Send Me\", \"A Change Is Gonna Come\", \"Cupid\", \"Wonderful World\", \"Chain Gang\", \"Twistin' the Night Away\", \"Bring It On Home to Me\", and \"Good Times\". During his eight-year career, Cooke released 29 singles that charted in the Top 40 of the Billboard Pop Singles chart, as well as 20 singles in the Top Ten of Billboard Black Singles chart.", "During his eight-year career, Cooke released 29 singles that charted in the Top 40 of the Billboard Pop Singles chart, as well as 20 singles in the Top Ten of Billboard Black Singles chart. In 1964, Cooke was shot and killed by the manager of a motel in Los Angeles. After an inquest and investigation, the courts ruled Cooke's death to be a justifiable homicide; his family has since questioned the circumstances of his death.", "After an inquest and investigation, the courts ruled Cooke's death to be a justifiable homicide; his family has since questioned the circumstances of his death. Cooke's pioneering contributions to soul music contributed to the rise of Aretha Franklin, Bobby Womack, Al Green, Curtis Mayfield, Stevie Wonder, Marvin Gaye, and Billy Preston, and popularized the work of Otis Redding and James Brown.", "Cooke's pioneering contributions to soul music contributed to the rise of Aretha Franklin, Bobby Womack, Al Green, Curtis Mayfield, Stevie Wonder, Marvin Gaye, and Billy Preston, and popularized the work of Otis Redding and James Brown. AllMusic biographer Bruce Eder wrote that Cooke was \"the inventor of soul music\", and possessed \"an incredible natural singing voice and a smooth, effortless delivery that has never been surpassed\".", "AllMusic biographer Bruce Eder wrote that Cooke was \"the inventor of soul music\", and possessed \"an incredible natural singing voice and a smooth, effortless delivery that has never been surpassed\". Cooke was also a central part of the Civil Rights Movement, using his influence and popularity with the white and black population to fight for the cause. He was good friends with boxer Muhammad Ali, activist Malcolm X and football player Jim Brown, who together campaigned for racial equality.", "He was good friends with boxer Muhammad Ali, activist Malcolm X and football player Jim Brown, who together campaigned for racial equality. Early life Cooke was born Samuel Cook in Clarksdale, Mississippi, in 1931 (he added the \"e\" to his last name in 1957 to signify a new start to his life). He was the fifth of eight children of the Rev. Charles Cook, a minister in the Church of Christ (Holiness), and his wife, Annie Mae.", "Charles Cook, a minister in the Church of Christ (Holiness), and his wife, Annie Mae. One of his younger brothers, L.C. (1932–2017), later became a member of the doo-wop band Johnny Keyes and the Magnificents. The family moved to Chicago in 1933. Cook attended Doolittle Elementary and Wendell Phillips Academy High School in Chicago, the same school that Nat \"King\" Cole had attended a few years earlier.", "Cook attended Doolittle Elementary and Wendell Phillips Academy High School in Chicago, the same school that Nat \"King\" Cole had attended a few years earlier. Cooke began his career with his siblings in a group called the Singing Children when he was six years old. He first became known as lead singer with the Highway Q.C. 's when he was a teenager, having joined the group at the age of 14.", "'s when he was a teenager, having joined the group at the age of 14. During this time, Cooke befriended fellow gospel singer and neighbor Lou Rawls, who sang in a rival gospel group. Career The Soul Stirrers In 1950, Cooke replaced gospel tenor R. H. Harris as lead singer of the gospel group the Soul Stirrers, founded by Harris, who had signed with Specialty Records on behalf of the group. Their first recording under Cooke's leadership was the song \"Jesus Gave Me Water\" in 1951.", "Their first recording under Cooke's leadership was the song \"Jesus Gave Me Water\" in 1951. They also recorded the gospel songs \"Peace in the Valley\", \"How Far Am I from Canaan? \", \"Jesus Paid the Debt\" and \"One More River\", among many others, some of which he wrote.", "\", \"Jesus Paid the Debt\" and \"One More River\", among many others, some of which he wrote. Cooke was often credited for bringing gospel music to the attention of a younger crowd of listeners, mainly girls who would rush to the stage when the Soul Stirrers hit the stage just to get a glimpse of Cooke.", "Cooke was often credited for bringing gospel music to the attention of a younger crowd of listeners, mainly girls who would rush to the stage when the Soul Stirrers hit the stage just to get a glimpse of Cooke. Billboards 2015 list of \"the 35 Greatest R&B Artists Of All Time\" includes Cooke, \"who broke ground in 1957 with the R&B/pop crossover hit \"You Send Me\" ... And his activism on the civil rights front resulted in the quiet protest song 'A Change Is Gonna Come'\".", "Billboards 2015 list of \"the 35 Greatest R&B Artists Of All Time\" includes Cooke, \"who broke ground in 1957 with the R&B/pop crossover hit \"You Send Me\" ... And his activism on the civil rights front resulted in the quiet protest song 'A Change Is Gonna Come'\". Crossover pop success Cooke had 30 U.S. top 40 hits between 1957 and 1964, plus three more posthumously.", "Crossover pop success Cooke had 30 U.S. top 40 hits between 1957 and 1964, plus three more posthumously. Major hits like \"You Send Me\", \"A Change Is Gonna Come\", \"Cupid\", \"Chain Gang\", \"Wonderful World\", \"Another Saturday Night\", and \"Twistin' the Night Away\" are some of his most popular songs. Twistin' the Night Away was one of his biggest selling albums.", "Twistin' the Night Away was one of his biggest selling albums. Cooke was also among the first modern Black performers and composers to attend to the business side of his musical career. He founded both a record label and a publishing company as an extension of his careers as a singer and composer. He also took an active part in the Civil Rights Movement. His first pop/soul single was \"Lovable\" (1956), a remake of the gospel song \"Wonderful\".", "His first pop/soul single was \"Lovable\" (1956), a remake of the gospel song \"Wonderful\". It was released under the alias \"Dale Cook\" in order not to alienate his gospel fan base; there was a considerable stigma against gospel singers performing secular music. However, it fooled no one—Cooke's unique and distinctive vocals were easily recognized.", "However, it fooled no one—Cooke's unique and distinctive vocals were easily recognized. Art Rupe, head of Specialty Records, the label of the Soul Stirrers, gave his blessing for Cooke to record secular music under his real name, but he was unhappy about the type of music Cooke and producer Bumps Blackwell were making. Rupe expected Cooke's secular music to be similar to that of another Specialty Records artist, Little Richard. When Rupe walked in on a recording session and heard Cooke covering Gershwin, he was quite upset.", "When Rupe walked in on a recording session and heard Cooke covering Gershwin, he was quite upset. After an argument between Rupe and Blackwell, Cooke and Blackwell left the label. \"Lovable\" was never a hit, but neither did it flop, and indicated Cooke's future potential. While gospel was popular, Cooke saw that fans were mostly limited to low-income, rural parts of the country, and sought to branch out.", "While gospel was popular, Cooke saw that fans were mostly limited to low-income, rural parts of the country, and sought to branch out. Cooke later admitted he got an endorsement for a career in pop music from the least likely man, his pastor father. \"My father told me it was not what I sang that was important, but that God gave me a voice and musical talent and the true use of His gift was to share it and make people happy.\"", "\"My father told me it was not what I sang that was important, but that God gave me a voice and musical talent and the true use of His gift was to share it and make people happy.\" Taking the name \"Sam Cooke\", he sought a fresh start in pop. In 1957, Cooke appeared on ABC's The Guy Mitchell Show. That same year, he signed with Keen Records.", "That same year, he signed with Keen Records. That same year, he signed with Keen Records. His first hit, \"You Send Me\", released as the B-side of \"Summertime\", spent six weeks at No. 1 on the Billboard R&B chart. The song also had mainstream success, spending three weeks at No. 1 on the Billboard pop chart. It elevated him from earning $200 a week to over $5,000 a week.", "It elevated him from earning $200 a week to over $5,000 a week. In 1958, Cooke performed for the famed Cavalcade of Jazz concert produced by Leon Hefflin Sr. held at the Shrine Auditorium on August 3. The other headliners were Little Willie John, Ray Charles, Ernie Freeman, and Bo Rhambo. Sammy Davis Jr. was there to crown the winner of the Miss Cavalcade of Jazz beauty contest. The event featured the top four prominent disc jockeys of Los Angeles.", "The event featured the top four prominent disc jockeys of Los Angeles. Cooke signed with the RCA Victor record label in January 1960, having been offered a guaranteed $100,000 () by the label's producers Hugo & Luigi. One of his first RCA Victor singles was \"Chain Gang\", which reached No. 2 on the Billboard pop chart.", "2 on the Billboard pop chart. 2 on the Billboard pop chart. It was followed by more hits, including \"Sad Mood\", \"Cupid\", \"Bring It On Home to Me\" (with Lou Rawls on backing vocals), \"Another Saturday Night\", and \"Twistin' the Night Away\". In 1961, Cooke started his own record label, SAR Records, with J. W. Alexander and his manager, Roy Crain.", "In 1961, Cooke started his own record label, SAR Records, with J. W. Alexander and his manager, Roy Crain. The label soon included the Simms Twins, the Valentinos (who were Bobby Womack and his brothers), Mel Carter and Johnnie Taylor. Cooke then created a publishing imprint and management firm named Kags. Like most R&B artists of his time, Cooke focused on singles; in all, he had 29 top 40 hits on the pop charts and more on the R&B charts.", "Like most R&B artists of his time, Cooke focused on singles; in all, he had 29 top 40 hits on the pop charts and more on the R&B charts. He was a prolific songwriter and wrote most of the songs he recorded. He also had a hand in overseeing some of the song arrangements.", "He also had a hand in overseeing some of the song arrangements. In spite of releasing mostly singles, he released a well-received blues-inflected LP in 1963, Night Beat, and his most critically acclaimed studio album, Ain't That Good News, which featured five singles, in 1964. In 1963, Cooke signed a five-year contract for Allen Klein to manage Kags Music and SAR Records and made him his manager.", "In 1963, Cooke signed a five-year contract for Allen Klein to manage Kags Music and SAR Records and made him his manager. Klein negotiated a five-year deal (three years plus two option years) with RCA Victor in which a holding company, Tracey, Ltd, named after Cooke's daughter, owned by Klein and managed by J. W. Alexander, would produce and own Cooke's recordings. RCA Victor would get exclusive distribution rights in exchange for 6 percent royalty payments and payments for the recording sessions.", "RCA Victor would get exclusive distribution rights in exchange for 6 percent royalty payments and payments for the recording sessions. For tax reasons, Cooke would receive preferred stock in Tracey instead of an initial cash advance of $100,000. Cooke would receive cash advances of $100,000 for the next two years, followed by an additional $75,000 for each of the two option years if the deal went to term. Personal life Cooke was married twice.", "Personal life Cooke was married twice. Personal life Cooke was married twice. His first marriage was to singer-dancer Dolores Elizabeth Milligan Cook, who took the stage name \"Dee Dee Mohawk\" in 1953; they divorced in 1958. She was killed in an auto collision in Fresno, California in 1959. Although he and Dolores were divorced, Cooke paid for his ex-wife's funeral expenses. She was survived by her son Joey. In 1958, Cooke married his second wife, Barbara Campbell (1935–2021), in Chicago.", "In 1958, Cooke married his second wife, Barbara Campbell (1935–2021), in Chicago. His father performed the ceremony. They had three children, Linda (b. 1953), Tracy (b. 1960), and Vincent (1961–1963), who drowned in the family swimming pool. Less than three months after Cooke's death, his widow, Barbara, married his friend Bobby Womack. Womack sexually abused Cooke's daughter, Linda.", "Womack sexually abused Cooke's daughter, Linda. Womack sexually abused Cooke's daughter, Linda. Linda married Womack's brother, Cecil Womack and they became the duo Womack & Womack. Cooke also fathered at least three other children out of wedlock. In 1958, a woman in Philadelphia, Connie Bolling, claimed Cooke was the father of her son. Cooke paid her an estimated $5,000 settlement out of court. In November 1958, Cooke was involved in a car accident en route from St. Louis to Greenville.", "In November 1958, Cooke was involved in a car accident en route from St. Louis to Greenville. His chauffeur Edward Cunningham was killed, while Cooke, guitarist Cliff White, and singer Lou Rawls were hospitalized. Death Cooke was killed at the age of 33 on December 11, 1964, at the Hacienda Motel, in South Central Los Angeles, California, located at 91st and Figueroa Ave. Answering separate reports of a shooting and a kidnapping at the motel, police found Cooke's body.", "Death Cooke was killed at the age of 33 on December 11, 1964, at the Hacienda Motel, in South Central Los Angeles, California, located at 91st and Figueroa Ave. Answering separate reports of a shooting and a kidnapping at the motel, police found Cooke's body. He had sustained a gunshot wound to the chest, which was later determined to have pierced his heart. The motel's manager, Bertha Franklin, claimed to have shot him in self-defense. Her account was immediately disputed by Cooke's acquaintances.", "Her account was immediately disputed by Cooke's acquaintances. Her account was immediately disputed by Cooke's acquaintances. The motel's owner, Evelyn Carr, said that she had been on the telephone with Franklin at the time of the incident. Carr said she overheard Cooke's intrusion and the ensuing conflict and gunshot, and called the police. The police record states that Franklin fatally shot Cooke, who had checked in earlier that evening.", "The police record states that Franklin fatally shot Cooke, who had checked in earlier that evening. Franklin said that Cooke had banged on the door of her office, shouting \"Where's the girl?! \", in reference to Elisa Boyer, a woman who had accompanied Cooke to the motel, and who had called the police that night from a telephone booth near the motel minutes before Carr had.", "\", in reference to Elisa Boyer, a woman who had accompanied Cooke to the motel, and who had called the police that night from a telephone booth near the motel minutes before Carr had. Franklin shouted back that there was no one in her office except herself, but an enraged Cooke did not believe her and forced his way into the office, naked except for one shoe and a sport jacket. He grabbed her, demanding again to know the woman's whereabouts.", "He grabbed her, demanding again to know the woman's whereabouts. According to Franklin, she grappled with Cooke, the two of them fell to the floor, and she then got up and ran to retrieve a gun. She said she then fired at Cooke in self-defense because she feared for her life. Cooke was struck once in the torso. According to Franklin, he exclaimed, \"Lady, you shot me\", in a tone that expressed perplexity rather than anger, before advancing on her again.", "According to Franklin, he exclaimed, \"Lady, you shot me\", in a tone that expressed perplexity rather than anger, before advancing on her again. She said she hit him in the head with a broomstick before he finally fell to the floor and died. A coroner's inquest was convened to investigate the incident. Boyer told the police that she had first met Cooke earlier that night and had spent the evening in his company.", "Boyer told the police that she had first met Cooke earlier that night and had spent the evening in his company. She said that after they left a local nightclub together, she had repeatedly requested that he take her home, but he instead took her against her will to the Hacienda Motel. She said that once in one of the motel's rooms, Cooke physically forced her onto the bed, and then stripped her to her panties; she said she was sure he was going to rape her.", "She said that once in one of the motel's rooms, Cooke physically forced her onto the bed, and then stripped her to her panties; she said she was sure he was going to rape her. Cooke allowed her to use the bathroom, from which she attempted an escape but found that the window was firmly shut. According to Boyer, she returned to the main room, where Cooke continued to molest her. When he went to use the bathroom, she quickly grabbed her clothes and ran from the room.", "When he went to use the bathroom, she quickly grabbed her clothes and ran from the room. She said that in her haste, she had also scooped up most of Cooke's clothing by mistake. She said she ran first to the manager's office and knocked on the door seeking help. However, she said that the manager took too long to respond, so, fearing Cooke would soon be coming after her, she fled from the motel before the manager ever opened the door.", "However, she said that the manager took too long to respond, so, fearing Cooke would soon be coming after her, she fled from the motel before the manager ever opened the door. She said she then put her clothes back on, hid Cooke's clothing, went to a telephone booth, and called the police. Boyer's story is the only account of what happened between her and Cooke that night, and her story has long been called into question.", "Boyer's story is the only account of what happened between her and Cooke that night, and her story has long been called into question. Inconsistencies between her version of events and details reported by diners at Martoni's Restaurant, where Cooke dined and drank earlier in the evening, suggest that Boyer may have gone willingly to the motel with Cooke, then slipped out of the room with his clothing to rob him, rather than to escape an attempted rape.", "Inconsistencies between her version of events and details reported by diners at Martoni's Restaurant, where Cooke dined and drank earlier in the evening, suggest that Boyer may have gone willingly to the motel with Cooke, then slipped out of the room with his clothing to rob him, rather than to escape an attempted rape. Cooke was reportedly carrying a large amount of money at Martoni's, according to restaurant employees and friends.", "Cooke was reportedly carrying a large amount of money at Martoni's, according to restaurant employees and friends. However, a search of Boyer's purse by police revealed nothing except a $20 bill, and a search of Cooke's Ferrari found only a money clip with $108 and a few loose coins. However, questions about Boyer's role were beyond the scope of the inquest, the purpose of which was only to establish the circumstances of Franklin's role in the shooting.", "However, questions about Boyer's role were beyond the scope of the inquest, the purpose of which was only to establish the circumstances of Franklin's role in the shooting. Boyer's leaving the motel room with almost all of Cooke's clothing, and the fact that tests showed Cooke was inebriated at the time, provided a plausible explanation to the inquest jurors for Cooke's bizarre behavior and state of undress.", "Boyer's leaving the motel room with almost all of Cooke's clothing, and the fact that tests showed Cooke was inebriated at the time, provided a plausible explanation to the inquest jurors for Cooke's bizarre behavior and state of undress. In addition, because Carr's testimony corroborated Franklin's version of events, and because both Boyer and Franklin later passed polygraph tests, the coroner's jury ultimately accepted Franklin's explanation and returned a verdict of justifiable homicide.", "In addition, because Carr's testimony corroborated Franklin's version of events, and because both Boyer and Franklin later passed polygraph tests, the coroner's jury ultimately accepted Franklin's explanation and returned a verdict of justifiable homicide. With that verdict, authorities officially closed the case on Cooke's death. Some of Cooke's family and supporters, however, have rejected Boyer's version of events, as well as those given by Franklin and Carr.", "Some of Cooke's family and supporters, however, have rejected Boyer's version of events, as well as those given by Franklin and Carr. They believe that there was a conspiracy to murder Cooke and that the murder took place in some manner entirely different from the three official accounts.", "They believe that there was a conspiracy to murder Cooke and that the murder took place in some manner entirely different from the three official accounts. On the perceived lack of an investigation, Cooke’s close friend Muhammad Ali said “If Cooke had been Frank Sinatra, the Beatles or Ricky Nelson, the FBI would be investigating.” Singer Etta James viewed Cooke's body before his funeral and questioned the accuracy of the official version of events.", "On the perceived lack of an investigation, Cooke’s close friend Muhammad Ali said “If Cooke had been Frank Sinatra, the Beatles or Ricky Nelson, the FBI would be investigating.” Singer Etta James viewed Cooke's body before his funeral and questioned the accuracy of the official version of events. She wrote that the injuries she observed were well beyond the official account of Cooke having fought Franklin alone.", "She wrote that the injuries she observed were well beyond the official account of Cooke having fought Franklin alone. James wrote that Cooke was so badly beaten that his head was nearly separated from his shoulders, his hands were broken and crushed, and his nose mangled. Some have speculated that Cooke's manager, Allen Klein, had a role in his death. Klein owned Tracey, Ltd, which ultimately owned all rights to Cooke's recordings. No concrete evidence supporting a criminal conspiracy has been presented.", "No concrete evidence supporting a criminal conspiracy has been presented. Aftermath The first funeral service for Cooke was held on December 18, 1964, at A. R. Leak Funeral Home in Chicago; 200,000 fans lined up for more than four city blocks to view his body.", "Aftermath The first funeral service for Cooke was held on December 18, 1964, at A. R. Leak Funeral Home in Chicago; 200,000 fans lined up for more than four city blocks to view his body. Afterward, his body was flown back to Los Angeles for a second service, at the Mount Sinai Baptist Church on December 19, which included a much-heralded performance of \"The Angels Keep Watching Over Me\" by Ray Charles, who stood in for a grief-stricken Bessie Griffin.", "Afterward, his body was flown back to Los Angeles for a second service, at the Mount Sinai Baptist Church on December 19, which included a much-heralded performance of \"The Angels Keep Watching Over Me\" by Ray Charles, who stood in for a grief-stricken Bessie Griffin. Cooke was interred at Forest Lawn Memorial Park Cemetery in Glendale, California. Two singles and an album were released in the month after his death.", "Two singles and an album were released in the month after his death. One of the singles, \"Shake\", reached the top ten of both the pop and R&B charts. The B-side, \"A Change Is Gonna Come\", is considered a classic protest song from the era of the civil rights movement. It was a Top 40 pop hit and a top 10 R&B hit. The album, also titled Shake, reached the number one spot for R&B albums.", "The album, also titled Shake, reached the number one spot for R&B albums. Bertha Franklin said she received numerous death threats after shooting Cooke. She left her position at the Hacienda Motel and did not publicly disclose where she had moved. After being cleared by the coroner's jury, she sued Cooke's estate, citing physical injuries and mental anguish suffered as a result of Cooke's attack. Her lawsuit sought $200,000 in compensatory and punitive damages.", "Her lawsuit sought $200,000 in compensatory and punitive damages. Barbara Womack countersued Franklin on behalf of the estate, seeking $7,000 in damages to cover Cooke's funeral expenses. Elisa Boyer provided testimony in support of Franklin in the case. In 1967, a jury ruled in favor of Franklin on both counts, awarding her $30,000 in damages. Legacy Cultural depictions Portrayals Cooke was portrayed by Paul Mooney in The Buddy Holly Story, a 1978 American biographical film which tells the life story of rock musician Buddy Holly.", "Legacy Cultural depictions Portrayals Cooke was portrayed by Paul Mooney in The Buddy Holly Story, a 1978 American biographical film which tells the life story of rock musician Buddy Holly. In the stage play One Night in Miami, first performed in 2013, Cooke is portrayed by Arinzé Kene. In the 2020 film adaptation, he is played by Leslie Odom Jr., who was nominated for the Academy Award for Best Supporting Actor for his portrayal.", "In the 2020 film adaptation, he is played by Leslie Odom Jr., who was nominated for the Academy Award for Best Supporting Actor for his portrayal. Posthumous honors In 1986, Cooke was inducted as a charter member of the Rock and Roll Hall of Fame. In 1987, Cooke was inducted into the Songwriters Hall of Fame. In 1989, Cooke was inducted a second time to the Rock and Roll Hall of Fame when the Soul Stirrers were inducted.", "In 1989, Cooke was inducted a second time to the Rock and Roll Hall of Fame when the Soul Stirrers were inducted. On February 1, 1994, Cooke received a star on the Hollywood Walk of Fame for his contributions to the music industry, located on 7051 Hollywood Boulevard. Although Cooke never won a Grammy Award, he received the Grammy Lifetime Achievement Award in 1999, presented by Larry Blackmon of funk super-group Cameo.", "Although Cooke never won a Grammy Award, he received the Grammy Lifetime Achievement Award in 1999, presented by Larry Blackmon of funk super-group Cameo. In 2004, Rolling Stone ranked Cooke 16th on its list of the \"100 Greatest Artists of All Time\". In 2008, Cooke was named the fourth \"Greatest Singer of All Time\" by Rolling Stone. In 2008, Cooke received the first plaque on the Clarksdale Walk of Fame, located at the New Roxy theater.", "In 2008, Cooke received the first plaque on the Clarksdale Walk of Fame, located at the New Roxy theater. In 2009, Cooke was honored with a marker on the Mississippi Blues Trail in Clarksdale. In June 2011, the city of Chicago renamed a portion of East 36th Street near Cottage Grove Avenue as the honorary \"Sam Cooke Way\" to remember the singer near a corner where he hung out and sang as a teenager.", "In June 2011, the city of Chicago renamed a portion of East 36th Street near Cottage Grove Avenue as the honorary \"Sam Cooke Way\" to remember the singer near a corner where he hung out and sang as a teenager. In 2013, Cooke was inducted into the National Rhythm and Blues Music Hall of Fame in Cleveland, Ohio, at Cleveland State University. The founder of the National Rhythm & Blues Hall of Fame Museum, LaMont Robinson, said he was the greatest singer ever to sing.", "The founder of the National Rhythm & Blues Hall of Fame Museum, LaMont Robinson, said he was the greatest singer ever to sing. The words \"A change is gonna come\" from the Sam Cooke song of the same name are on a wall of the Contemplative Court, a space for reflection in the Smithsonian's National Museum of African American History and Culture; the museum opened in 2016. Cooke is inducted into the Mississippi Musicians Hall of Fame.", "Cooke is inducted into the Mississippi Musicians Hall of Fame. In 2020, Dion released a song and music video as a tribute to Cooke called \"Song for Sam Cooke (Here in America)\" (featuring Paul Simon) from his album Blues with Friends. American Songwriter magazine honored \"Song for Sam Cooke\" as the \"Greatest of the Great 2020 Songs\".", "American Songwriter magazine honored \"Song for Sam Cooke\" as the \"Greatest of the Great 2020 Songs\". Discography Sam Cooke (1958) Encore (1958) Tribute to the Lady (1959) Cooke's Tour (1960) Hits of the 50's (1960) The Wonderful World of Sam Cooke (1960, compilation) Swing Low (1961) My Kind of Blues (1961) Twistin' the Night Away (1962) Mr.", "Discography Sam Cooke (1958) Encore (1958) Tribute to the Lady (1959) Cooke's Tour (1960) Hits of the 50's (1960) The Wonderful World of Sam Cooke (1960, compilation) Swing Low (1961) My Kind of Blues (1961) Twistin' the Night Away (1962) Mr. Soul (1963) Night Beat (1963) Ain't That Good News (1964) Sam Cooke at the Copa (1964, live) Live at the Harlem Square Club, 1963 (1985, live) Notes References Further reading Our Uncle Sam: The Sam Cooke Story from His Family's Perspective by Erik Greene (2005) You Send Me: The Life and Times of Sam Cooke by Daniel Wolff, S. R. Crain, Clifton White, and G. David Tenenbaum (1995) One More River to Cross: The Redemption of Sam Cooke by B. G. Rhule (2012) External links Sam Cooke (ABKCO Homepage) \"Black Elvis\" by The Village Voice 1931 births 1964 deaths African-American male singer-songwriters Activists for African-American civil rights African-American rock musicians African-American rock singers American gospel singers American male pop singers American rhythm and blues musicians American rhythm and blues singers American rock musicians American rock singers American soul musicians American soul singers Grammy Lifetime Achievement Award winners Keen Records artists RCA Victor artists Specialty Records artists Death conspiracy theories Deaths by firearm in California Musicians from Clarksdale, Mississippi Singers from Chicago Singer-songwriters from Mississippi Burials at Forest Lawn Memorial Park (Glendale) 20th-century African-American activists Mississippi Blues Trail 20th-century African-American male singers Singer-songwriters from Illinois" ]

[ "Sam Cooke", "Aftermath", "What did Sam do after he retired from the music industry", "I don't know.", "Did Sam run into hardship later in life", "Bertha Franklin said she received numerous death threats after shooting Cooke." ]

[ "The County of Cilli (, ) was a Medieval county in the territory of the present-day Slovenia. It was governed by the Counts of Cilli (also Counts of Celje).\n\nHistory\n\nCreation \nCounty of Cilli was created after lords of Saneck inherited lands in Slovenia.\n\nDevelopment \nThey gained power by allying Habsburgs.\n\nEnd \nThe last count, Ulrich II, Count of Celje was assasinated without an heir.\n\nReferences \n\nMedieval Slovenia\nCounties of the Holy Roman Empire", "F. M. B. \"Marsh\" Cook was a political candidate in Mississippi who was murdered by white supremacists for campaigning for a seat at Mississippi's 1890 Constitutional Convention. A Republican, he was campaigning Jasper County, Mississippi. He was ambushed by six men and shot 27 times. A historical marker commemorates his death. He was white.\n\nMississippi's 1890 Constitutional Convention was organized to disenfranchise African American voters. Cook was an 1888 candidate for a seat in the U.S. Congress. Democrats had retaken control of Mississippi after the Reconstruction era. He was assasinated as he approached a log schoolhouse in a rural area. His body was found hours later by a woman. His murder received national news coverage. No one was ever prosecuted for it.\n\nPrevious election campaign\nHe contested his election loss to Chapman L. Anderson. Anderson recorded about five times as many votes as Cook in the November 1889 election.\n\nReferences\n\n19th-century murders in the United States\nDeaths by firearm in Mississippi\n1890 murders in the United States" ]

[ "Samuel Cook (January 22, 1931 – December 11, 1964), known professionally as Sam Cooke, was an American singer, songwriter, and entrepreneur. Considered to be a pioneer and one of the most influential soul artists of all time, Cooke is commonly referred to as the \"King of Soul\" for his distinctive vocals, notable contributions to the genre and high significance in popular music.", "Considered to be a pioneer and one of the most influential soul artists of all time, Cooke is commonly referred to as the \"King of Soul\" for his distinctive vocals, notable contributions to the genre and high significance in popular music. Cooke was born in Mississippi and later relocated to Chicago with his family at a young age, where he began singing as a child and joined the Soul Stirrers as lead singer in the 1950s.", "Cooke was born in Mississippi and later relocated to Chicago with his family at a young age, where he began singing as a child and joined the Soul Stirrers as lead singer in the 1950s. Going solo in 1957, Cooke released a string of hit songs, including \"You Send Me\", \"A Change Is Gonna Come\", \"Cupid\", \"Wonderful World\", \"Chain Gang\", \"Twistin' the Night Away\", \"Bring It On Home to Me\", and \"Good Times\".", "Going solo in 1957, Cooke released a string of hit songs, including \"You Send Me\", \"A Change Is Gonna Come\", \"Cupid\", \"Wonderful World\", \"Chain Gang\", \"Twistin' the Night Away\", \"Bring It On Home to Me\", and \"Good Times\". During his eight-year career, Cooke released 29 singles that charted in the Top 40 of the Billboard Pop Singles chart, as well as 20 singles in the Top Ten of Billboard Black Singles chart.", "During his eight-year career, Cooke released 29 singles that charted in the Top 40 of the Billboard Pop Singles chart, as well as 20 singles in the Top Ten of Billboard Black Singles chart. In 1964, Cooke was shot and killed by the manager of a motel in Los Angeles. After an inquest and investigation, the courts ruled Cooke's death to be a justifiable homicide; his family has since questioned the circumstances of his death.", "After an inquest and investigation, the courts ruled Cooke's death to be a justifiable homicide; his family has since questioned the circumstances of his death. Cooke's pioneering contributions to soul music contributed to the rise of Aretha Franklin, Bobby Womack, Al Green, Curtis Mayfield, Stevie Wonder, Marvin Gaye, and Billy Preston, and popularized the work of Otis Redding and James Brown.", "Cooke's pioneering contributions to soul music contributed to the rise of Aretha Franklin, Bobby Womack, Al Green, Curtis Mayfield, Stevie Wonder, Marvin Gaye, and Billy Preston, and popularized the work of Otis Redding and James Brown. AllMusic biographer Bruce Eder wrote that Cooke was \"the inventor of soul music\", and possessed \"an incredible natural singing voice and a smooth, effortless delivery that has never been surpassed\".", "AllMusic biographer Bruce Eder wrote that Cooke was \"the inventor of soul music\", and possessed \"an incredible natural singing voice and a smooth, effortless delivery that has never been surpassed\". Cooke was also a central part of the Civil Rights Movement, using his influence and popularity with the white and black population to fight for the cause. He was good friends with boxer Muhammad Ali, activist Malcolm X and football player Jim Brown, who together campaigned for racial equality.", "He was good friends with boxer Muhammad Ali, activist Malcolm X and football player Jim Brown, who together campaigned for racial equality. Early life Cooke was born Samuel Cook in Clarksdale, Mississippi, in 1931 (he added the \"e\" to his last name in 1957 to signify a new start to his life). He was the fifth of eight children of the Rev. Charles Cook, a minister in the Church of Christ (Holiness), and his wife, Annie Mae.", "Charles Cook, a minister in the Church of Christ (Holiness), and his wife, Annie Mae. One of his younger brothers, L.C. (1932–2017), later became a member of the doo-wop band Johnny Keyes and the Magnificents. The family moved to Chicago in 1933. Cook attended Doolittle Elementary and Wendell Phillips Academy High School in Chicago, the same school that Nat \"King\" Cole had attended a few years earlier.", "Cook attended Doolittle Elementary and Wendell Phillips Academy High School in Chicago, the same school that Nat \"King\" Cole had attended a few years earlier. Cooke began his career with his siblings in a group called the Singing Children when he was six years old. He first became known as lead singer with the Highway Q.C. 's when he was a teenager, having joined the group at the age of 14.", "'s when he was a teenager, having joined the group at the age of 14. During this time, Cooke befriended fellow gospel singer and neighbor Lou Rawls, who sang in a rival gospel group. Career The Soul Stirrers In 1950, Cooke replaced gospel tenor R. H. Harris as lead singer of the gospel group the Soul Stirrers, founded by Harris, who had signed with Specialty Records on behalf of the group. Their first recording under Cooke's leadership was the song \"Jesus Gave Me Water\" in 1951.", "Their first recording under Cooke's leadership was the song \"Jesus Gave Me Water\" in 1951. They also recorded the gospel songs \"Peace in the Valley\", \"How Far Am I from Canaan? \", \"Jesus Paid the Debt\" and \"One More River\", among many others, some of which he wrote.", "\", \"Jesus Paid the Debt\" and \"One More River\", among many others, some of which he wrote. Cooke was often credited for bringing gospel music to the attention of a younger crowd of listeners, mainly girls who would rush to the stage when the Soul Stirrers hit the stage just to get a glimpse of Cooke.", "Cooke was often credited for bringing gospel music to the attention of a younger crowd of listeners, mainly girls who would rush to the stage when the Soul Stirrers hit the stage just to get a glimpse of Cooke. Billboards 2015 list of \"the 35 Greatest R&B Artists Of All Time\" includes Cooke, \"who broke ground in 1957 with the R&B/pop crossover hit \"You Send Me\" ... And his activism on the civil rights front resulted in the quiet protest song 'A Change Is Gonna Come'\".", "Billboards 2015 list of \"the 35 Greatest R&B Artists Of All Time\" includes Cooke, \"who broke ground in 1957 with the R&B/pop crossover hit \"You Send Me\" ... And his activism on the civil rights front resulted in the quiet protest song 'A Change Is Gonna Come'\". Crossover pop success Cooke had 30 U.S. top 40 hits between 1957 and 1964, plus three more posthumously.", "Crossover pop success Cooke had 30 U.S. top 40 hits between 1957 and 1964, plus three more posthumously. Major hits like \"You Send Me\", \"A Change Is Gonna Come\", \"Cupid\", \"Chain Gang\", \"Wonderful World\", \"Another Saturday Night\", and \"Twistin' the Night Away\" are some of his most popular songs. Twistin' the Night Away was one of his biggest selling albums.", "Twistin' the Night Away was one of his biggest selling albums. Cooke was also among the first modern Black performers and composers to attend to the business side of his musical career. He founded both a record label and a publishing company as an extension of his careers as a singer and composer. He also took an active part in the Civil Rights Movement. His first pop/soul single was \"Lovable\" (1956), a remake of the gospel song \"Wonderful\".", "His first pop/soul single was \"Lovable\" (1956), a remake of the gospel song \"Wonderful\". It was released under the alias \"Dale Cook\" in order not to alienate his gospel fan base; there was a considerable stigma against gospel singers performing secular music. However, it fooled no one—Cooke's unique and distinctive vocals were easily recognized.", "However, it fooled no one—Cooke's unique and distinctive vocals were easily recognized. Art Rupe, head of Specialty Records, the label of the Soul Stirrers, gave his blessing for Cooke to record secular music under his real name, but he was unhappy about the type of music Cooke and producer Bumps Blackwell were making. Rupe expected Cooke's secular music to be similar to that of another Specialty Records artist, Little Richard. When Rupe walked in on a recording session and heard Cooke covering Gershwin, he was quite upset.", "When Rupe walked in on a recording session and heard Cooke covering Gershwin, he was quite upset. After an argument between Rupe and Blackwell, Cooke and Blackwell left the label. \"Lovable\" was never a hit, but neither did it flop, and indicated Cooke's future potential. While gospel was popular, Cooke saw that fans were mostly limited to low-income, rural parts of the country, and sought to branch out.", "While gospel was popular, Cooke saw that fans were mostly limited to low-income, rural parts of the country, and sought to branch out. Cooke later admitted he got an endorsement for a career in pop music from the least likely man, his pastor father. \"My father told me it was not what I sang that was important, but that God gave me a voice and musical talent and the true use of His gift was to share it and make people happy.\"", "\"My father told me it was not what I sang that was important, but that God gave me a voice and musical talent and the true use of His gift was to share it and make people happy.\" Taking the name \"Sam Cooke\", he sought a fresh start in pop. In 1957, Cooke appeared on ABC's The Guy Mitchell Show. That same year, he signed with Keen Records.", "That same year, he signed with Keen Records. That same year, he signed with Keen Records. His first hit, \"You Send Me\", released as the B-side of \"Summertime\", spent six weeks at No. 1 on the Billboard R&B chart. The song also had mainstream success, spending three weeks at No. 1 on the Billboard pop chart. It elevated him from earning $200 a week to over $5,000 a week.", "It elevated him from earning $200 a week to over $5,000 a week. In 1958, Cooke performed for the famed Cavalcade of Jazz concert produced by Leon Hefflin Sr. held at the Shrine Auditorium on August 3. The other headliners were Little Willie John, Ray Charles, Ernie Freeman, and Bo Rhambo. Sammy Davis Jr. was there to crown the winner of the Miss Cavalcade of Jazz beauty contest. The event featured the top four prominent disc jockeys of Los Angeles.", "The event featured the top four prominent disc jockeys of Los Angeles. Cooke signed with the RCA Victor record label in January 1960, having been offered a guaranteed $100,000 () by the label's producers Hugo & Luigi. One of his first RCA Victor singles was \"Chain Gang\", which reached No. 2 on the Billboard pop chart.", "2 on the Billboard pop chart. 2 on the Billboard pop chart. It was followed by more hits, including \"Sad Mood\", \"Cupid\", \"Bring It On Home to Me\" (with Lou Rawls on backing vocals), \"Another Saturday Night\", and \"Twistin' the Night Away\". In 1961, Cooke started his own record label, SAR Records, with J. W. Alexander and his manager, Roy Crain.", "In 1961, Cooke started his own record label, SAR Records, with J. W. Alexander and his manager, Roy Crain. The label soon included the Simms Twins, the Valentinos (who were Bobby Womack and his brothers), Mel Carter and Johnnie Taylor. Cooke then created a publishing imprint and management firm named Kags. Like most R&B artists of his time, Cooke focused on singles; in all, he had 29 top 40 hits on the pop charts and more on the R&B charts.", "Like most R&B artists of his time, Cooke focused on singles; in all, he had 29 top 40 hits on the pop charts and more on the R&B charts. He was a prolific songwriter and wrote most of the songs he recorded. He also had a hand in overseeing some of the song arrangements.", "He also had a hand in overseeing some of the song arrangements. In spite of releasing mostly singles, he released a well-received blues-inflected LP in 1963, Night Beat, and his most critically acclaimed studio album, Ain't That Good News, which featured five singles, in 1964. In 1963, Cooke signed a five-year contract for Allen Klein to manage Kags Music and SAR Records and made him his manager.", "In 1963, Cooke signed a five-year contract for Allen Klein to manage Kags Music and SAR Records and made him his manager. Klein negotiated a five-year deal (three years plus two option years) with RCA Victor in which a holding company, Tracey, Ltd, named after Cooke's daughter, owned by Klein and managed by J. W. Alexander, would produce and own Cooke's recordings. RCA Victor would get exclusive distribution rights in exchange for 6 percent royalty payments and payments for the recording sessions.", "RCA Victor would get exclusive distribution rights in exchange for 6 percent royalty payments and payments for the recording sessions. For tax reasons, Cooke would receive preferred stock in Tracey instead of an initial cash advance of $100,000. Cooke would receive cash advances of $100,000 for the next two years, followed by an additional $75,000 for each of the two option years if the deal went to term. Personal life Cooke was married twice.", "Personal life Cooke was married twice. Personal life Cooke was married twice. His first marriage was to singer-dancer Dolores Elizabeth Milligan Cook, who took the stage name \"Dee Dee Mohawk\" in 1953; they divorced in 1958. She was killed in an auto collision in Fresno, California in 1959. Although he and Dolores were divorced, Cooke paid for his ex-wife's funeral expenses. She was survived by her son Joey. In 1958, Cooke married his second wife, Barbara Campbell (1935–2021), in Chicago.", "In 1958, Cooke married his second wife, Barbara Campbell (1935–2021), in Chicago. His father performed the ceremony. They had three children, Linda (b. 1953), Tracy (b. 1960), and Vincent (1961–1963), who drowned in the family swimming pool. Less than three months after Cooke's death, his widow, Barbara, married his friend Bobby Womack. Womack sexually abused Cooke's daughter, Linda.", "Womack sexually abused Cooke's daughter, Linda. Womack sexually abused Cooke's daughter, Linda. Linda married Womack's brother, Cecil Womack and they became the duo Womack & Womack. Cooke also fathered at least three other children out of wedlock. In 1958, a woman in Philadelphia, Connie Bolling, claimed Cooke was the father of her son. Cooke paid her an estimated $5,000 settlement out of court. In November 1958, Cooke was involved in a car accident en route from St. Louis to Greenville.", "In November 1958, Cooke was involved in a car accident en route from St. Louis to Greenville. His chauffeur Edward Cunningham was killed, while Cooke, guitarist Cliff White, and singer Lou Rawls were hospitalized. Death Cooke was killed at the age of 33 on December 11, 1964, at the Hacienda Motel, in South Central Los Angeles, California, located at 91st and Figueroa Ave. Answering separate reports of a shooting and a kidnapping at the motel, police found Cooke's body.", "Death Cooke was killed at the age of 33 on December 11, 1964, at the Hacienda Motel, in South Central Los Angeles, California, located at 91st and Figueroa Ave. Answering separate reports of a shooting and a kidnapping at the motel, police found Cooke's body. He had sustained a gunshot wound to the chest, which was later determined to have pierced his heart. The motel's manager, Bertha Franklin, claimed to have shot him in self-defense. Her account was immediately disputed by Cooke's acquaintances.", "Her account was immediately disputed by Cooke's acquaintances. Her account was immediately disputed by Cooke's acquaintances. The motel's owner, Evelyn Carr, said that she had been on the telephone with Franklin at the time of the incident. Carr said she overheard Cooke's intrusion and the ensuing conflict and gunshot, and called the police. The police record states that Franklin fatally shot Cooke, who had checked in earlier that evening.", "The police record states that Franklin fatally shot Cooke, who had checked in earlier that evening. Franklin said that Cooke had banged on the door of her office, shouting \"Where's the girl?! \", in reference to Elisa Boyer, a woman who had accompanied Cooke to the motel, and who had called the police that night from a telephone booth near the motel minutes before Carr had.", "\", in reference to Elisa Boyer, a woman who had accompanied Cooke to the motel, and who had called the police that night from a telephone booth near the motel minutes before Carr had. Franklin shouted back that there was no one in her office except herself, but an enraged Cooke did not believe her and forced his way into the office, naked except for one shoe and a sport jacket. He grabbed her, demanding again to know the woman's whereabouts.", "He grabbed her, demanding again to know the woman's whereabouts. According to Franklin, she grappled with Cooke, the two of them fell to the floor, and she then got up and ran to retrieve a gun. She said she then fired at Cooke in self-defense because she feared for her life. Cooke was struck once in the torso. According to Franklin, he exclaimed, \"Lady, you shot me\", in a tone that expressed perplexity rather than anger, before advancing on her again.", "According to Franklin, he exclaimed, \"Lady, you shot me\", in a tone that expressed perplexity rather than anger, before advancing on her again. She said she hit him in the head with a broomstick before he finally fell to the floor and died. A coroner's inquest was convened to investigate the incident. Boyer told the police that she had first met Cooke earlier that night and had spent the evening in his company.", "Boyer told the police that she had first met Cooke earlier that night and had spent the evening in his company. She said that after they left a local nightclub together, she had repeatedly requested that he take her home, but he instead took her against her will to the Hacienda Motel. She said that once in one of the motel's rooms, Cooke physically forced her onto the bed, and then stripped her to her panties; she said she was sure he was going to rape her.", "She said that once in one of the motel's rooms, Cooke physically forced her onto the bed, and then stripped her to her panties; she said she was sure he was going to rape her. Cooke allowed her to use the bathroom, from which she attempted an escape but found that the window was firmly shut. According to Boyer, she returned to the main room, where Cooke continued to molest her. When he went to use the bathroom, she quickly grabbed her clothes and ran from the room.", "When he went to use the bathroom, she quickly grabbed her clothes and ran from the room. She said that in her haste, she had also scooped up most of Cooke's clothing by mistake. She said she ran first to the manager's office and knocked on the door seeking help. However, she said that the manager took too long to respond, so, fearing Cooke would soon be coming after her, she fled from the motel before the manager ever opened the door.", "However, she said that the manager took too long to respond, so, fearing Cooke would soon be coming after her, she fled from the motel before the manager ever opened the door. She said she then put her clothes back on, hid Cooke's clothing, went to a telephone booth, and called the police. Boyer's story is the only account of what happened between her and Cooke that night, and her story has long been called into question.", "Boyer's story is the only account of what happened between her and Cooke that night, and her story has long been called into question. Inconsistencies between her version of events and details reported by diners at Martoni's Restaurant, where Cooke dined and drank earlier in the evening, suggest that Boyer may have gone willingly to the motel with Cooke, then slipped out of the room with his clothing to rob him, rather than to escape an attempted rape.", "Inconsistencies between her version of events and details reported by diners at Martoni's Restaurant, where Cooke dined and drank earlier in the evening, suggest that Boyer may have gone willingly to the motel with Cooke, then slipped out of the room with his clothing to rob him, rather than to escape an attempted rape. Cooke was reportedly carrying a large amount of money at Martoni's, according to restaurant employees and friends.", "Cooke was reportedly carrying a large amount of money at Martoni's, according to restaurant employees and friends. However, a search of Boyer's purse by police revealed nothing except a $20 bill, and a search of Cooke's Ferrari found only a money clip with $108 and a few loose coins. However, questions about Boyer's role were beyond the scope of the inquest, the purpose of which was only to establish the circumstances of Franklin's role in the shooting.", "However, questions about Boyer's role were beyond the scope of the inquest, the purpose of which was only to establish the circumstances of Franklin's role in the shooting. Boyer's leaving the motel room with almost all of Cooke's clothing, and the fact that tests showed Cooke was inebriated at the time, provided a plausible explanation to the inquest jurors for Cooke's bizarre behavior and state of undress.", "Boyer's leaving the motel room with almost all of Cooke's clothing, and the fact that tests showed Cooke was inebriated at the time, provided a plausible explanation to the inquest jurors for Cooke's bizarre behavior and state of undress. In addition, because Carr's testimony corroborated Franklin's version of events, and because both Boyer and Franklin later passed polygraph tests, the coroner's jury ultimately accepted Franklin's explanation and returned a verdict of justifiable homicide.", "In addition, because Carr's testimony corroborated Franklin's version of events, and because both Boyer and Franklin later passed polygraph tests, the coroner's jury ultimately accepted Franklin's explanation and returned a verdict of justifiable homicide. With that verdict, authorities officially closed the case on Cooke's death. Some of Cooke's family and supporters, however, have rejected Boyer's version of events, as well as those given by Franklin and Carr.", "Some of Cooke's family and supporters, however, have rejected Boyer's version of events, as well as those given by Franklin and Carr. They believe that there was a conspiracy to murder Cooke and that the murder took place in some manner entirely different from the three official accounts.", "They believe that there was a conspiracy to murder Cooke and that the murder took place in some manner entirely different from the three official accounts. On the perceived lack of an investigation, Cooke’s close friend Muhammad Ali said “If Cooke had been Frank Sinatra, the Beatles or Ricky Nelson, the FBI would be investigating.” Singer Etta James viewed Cooke's body before his funeral and questioned the accuracy of the official version of events.", "On the perceived lack of an investigation, Cooke’s close friend Muhammad Ali said “If Cooke had been Frank Sinatra, the Beatles or Ricky Nelson, the FBI would be investigating.” Singer Etta James viewed Cooke's body before his funeral and questioned the accuracy of the official version of events. She wrote that the injuries she observed were well beyond the official account of Cooke having fought Franklin alone.", "She wrote that the injuries she observed were well beyond the official account of Cooke having fought Franklin alone. James wrote that Cooke was so badly beaten that his head was nearly separated from his shoulders, his hands were broken and crushed, and his nose mangled. Some have speculated that Cooke's manager, Allen Klein, had a role in his death. Klein owned Tracey, Ltd, which ultimately owned all rights to Cooke's recordings. No concrete evidence supporting a criminal conspiracy has been presented.", "No concrete evidence supporting a criminal conspiracy has been presented. Aftermath The first funeral service for Cooke was held on December 18, 1964, at A. R. Leak Funeral Home in Chicago; 200,000 fans lined up for more than four city blocks to view his body.", "Aftermath The first funeral service for Cooke was held on December 18, 1964, at A. R. Leak Funeral Home in Chicago; 200,000 fans lined up for more than four city blocks to view his body. Afterward, his body was flown back to Los Angeles for a second service, at the Mount Sinai Baptist Church on December 19, which included a much-heralded performance of \"The Angels Keep Watching Over Me\" by Ray Charles, who stood in for a grief-stricken Bessie Griffin.", "Afterward, his body was flown back to Los Angeles for a second service, at the Mount Sinai Baptist Church on December 19, which included a much-heralded performance of \"The Angels Keep Watching Over Me\" by Ray Charles, who stood in for a grief-stricken Bessie Griffin. Cooke was interred at Forest Lawn Memorial Park Cemetery in Glendale, California. Two singles and an album were released in the month after his death.", "Two singles and an album were released in the month after his death. One of the singles, \"Shake\", reached the top ten of both the pop and R&B charts. The B-side, \"A Change Is Gonna Come\", is considered a classic protest song from the era of the civil rights movement. It was a Top 40 pop hit and a top 10 R&B hit. The album, also titled Shake, reached the number one spot for R&B albums.", "The album, also titled Shake, reached the number one spot for R&B albums. Bertha Franklin said she received numerous death threats after shooting Cooke. She left her position at the Hacienda Motel and did not publicly disclose where she had moved. After being cleared by the coroner's jury, she sued Cooke's estate, citing physical injuries and mental anguish suffered as a result of Cooke's attack. Her lawsuit sought $200,000 in compensatory and punitive damages.", "Her lawsuit sought $200,000 in compensatory and punitive damages. Barbara Womack countersued Franklin on behalf of the estate, seeking $7,000 in damages to cover Cooke's funeral expenses. Elisa Boyer provided testimony in support of Franklin in the case. In 1967, a jury ruled in favor of Franklin on both counts, awarding her $30,000 in damages. Legacy Cultural depictions Portrayals Cooke was portrayed by Paul Mooney in The Buddy Holly Story, a 1978 American biographical film which tells the life story of rock musician Buddy Holly.", "Legacy Cultural depictions Portrayals Cooke was portrayed by Paul Mooney in The Buddy Holly Story, a 1978 American biographical film which tells the life story of rock musician Buddy Holly. In the stage play One Night in Miami, first performed in 2013, Cooke is portrayed by Arinzé Kene. In the 2020 film adaptation, he is played by Leslie Odom Jr., who was nominated for the Academy Award for Best Supporting Actor for his portrayal.", "In the 2020 film adaptation, he is played by Leslie Odom Jr., who was nominated for the Academy Award for Best Supporting Actor for his portrayal. Posthumous honors In 1986, Cooke was inducted as a charter member of the Rock and Roll Hall of Fame. In 1987, Cooke was inducted into the Songwriters Hall of Fame. In 1989, Cooke was inducted a second time to the Rock and Roll Hall of Fame when the Soul Stirrers were inducted.", "In 1989, Cooke was inducted a second time to the Rock and Roll Hall of Fame when the Soul Stirrers were inducted. On February 1, 1994, Cooke received a star on the Hollywood Walk of Fame for his contributions to the music industry, located on 7051 Hollywood Boulevard. Although Cooke never won a Grammy Award, he received the Grammy Lifetime Achievement Award in 1999, presented by Larry Blackmon of funk super-group Cameo.", "Although Cooke never won a Grammy Award, he received the Grammy Lifetime Achievement Award in 1999, presented by Larry Blackmon of funk super-group Cameo. In 2004, Rolling Stone ranked Cooke 16th on its list of the \"100 Greatest Artists of All Time\". In 2008, Cooke was named the fourth \"Greatest Singer of All Time\" by Rolling Stone. In 2008, Cooke received the first plaque on the Clarksdale Walk of Fame, located at the New Roxy theater.", "In 2008, Cooke received the first plaque on the Clarksdale Walk of Fame, located at the New Roxy theater. In 2009, Cooke was honored with a marker on the Mississippi Blues Trail in Clarksdale. In June 2011, the city of Chicago renamed a portion of East 36th Street near Cottage Grove Avenue as the honorary \"Sam Cooke Way\" to remember the singer near a corner where he hung out and sang as a teenager.", "In June 2011, the city of Chicago renamed a portion of East 36th Street near Cottage Grove Avenue as the honorary \"Sam Cooke Way\" to remember the singer near a corner where he hung out and sang as a teenager. In 2013, Cooke was inducted into the National Rhythm and Blues Music Hall of Fame in Cleveland, Ohio, at Cleveland State University. The founder of the National Rhythm & Blues Hall of Fame Museum, LaMont Robinson, said he was the greatest singer ever to sing.", "The founder of the National Rhythm & Blues Hall of Fame Museum, LaMont Robinson, said he was the greatest singer ever to sing. The words \"A change is gonna come\" from the Sam Cooke song of the same name are on a wall of the Contemplative Court, a space for reflection in the Smithsonian's National Museum of African American History and Culture; the museum opened in 2016. Cooke is inducted into the Mississippi Musicians Hall of Fame.", "Cooke is inducted into the Mississippi Musicians Hall of Fame. In 2020, Dion released a song and music video as a tribute to Cooke called \"Song for Sam Cooke (Here in America)\" (featuring Paul Simon) from his album Blues with Friends. American Songwriter magazine honored \"Song for Sam Cooke\" as the \"Greatest of the Great 2020 Songs\".", "American Songwriter magazine honored \"Song for Sam Cooke\" as the \"Greatest of the Great 2020 Songs\". Discography Sam Cooke (1958) Encore (1958) Tribute to the Lady (1959) Cooke's Tour (1960) Hits of the 50's (1960) The Wonderful World of Sam Cooke (1960, compilation) Swing Low (1961) My Kind of Blues (1961) Twistin' the Night Away (1962) Mr.", "Discography Sam Cooke (1958) Encore (1958) Tribute to the Lady (1959) Cooke's Tour (1960) Hits of the 50's (1960) The Wonderful World of Sam Cooke (1960, compilation) Swing Low (1961) My Kind of Blues (1961) Twistin' the Night Away (1962) Mr. Soul (1963) Night Beat (1963) Ain't That Good News (1964) Sam Cooke at the Copa (1964, live) Live at the Harlem Square Club, 1963 (1985, live) Notes References Further reading Our Uncle Sam: The Sam Cooke Story from His Family's Perspective by Erik Greene (2005) You Send Me: The Life and Times of Sam Cooke by Daniel Wolff, S. R. Crain, Clifton White, and G. David Tenenbaum (1995) One More River to Cross: The Redemption of Sam Cooke by B. G. Rhule (2012) External links Sam Cooke (ABKCO Homepage) \"Black Elvis\" by The Village Voice 1931 births 1964 deaths African-American male singer-songwriters Activists for African-American civil rights African-American rock musicians African-American rock singers American gospel singers American male pop singers American rhythm and blues musicians American rhythm and blues singers American rock musicians American rock singers American soul musicians American soul singers Grammy Lifetime Achievement Award winners Keen Records artists RCA Victor artists Specialty Records artists Death conspiracy theories Deaths by firearm in California Musicians from Clarksdale, Mississippi Singers from Chicago Singer-songwriters from Mississippi Burials at Forest Lawn Memorial Park (Glendale) 20th-century African-American activists Mississippi Blues Trail 20th-century African-American male singers Singer-songwriters from Illinois" ]

[ "Sam Cooke", "Aftermath", "What did Sam do after he retired from the music industry", "I don't know.", "Did Sam run into hardship later in life", "Bertha Franklin said she received numerous death threats after shooting Cooke.", "Was cooke assasinated?", "She left her position at the Hacienda Motel and did not publicly disclose where she had moved." ]

[ "ReMastered: The Two Killings of Sam Cooke is a 2019 documentary film about Sam Cooke, the artist and activist, and the circumstances and controversy surrounding his murder.\n\nPremise\nOn December 11, 1964, at the age of 33, Cooke was shot and killed by Bertha Franklin, the manager of the Hacienda Motel in Los Angeles, California. ReMastered: The Two Killings of Sam Cooke explores the mystery behind the murder through interviews with family, friends, journalists and academics as well as archival footage.\n\nCast\n Sam Cooke\n Quincy Jones\n Smokey Robinson\n Dionne Warwick\n Lou Adler\n Al Schmitt\n Jerry Brandt\n Jim Brown\n Marjorie Cook\n Billy Davis\nKevin Powell\n Joan Dew\n Norman Edelen\n Renee Graham\n Erik Greene\n Jason King\n Spencer Leak\n\nReferences\n\nExternal links\n\n \n \n \n\n2019 documentary films\n2019 films\nNetflix original documentary films", "Frank Cooke may refer to:\n\n Frank Cooke (engineer) (1913–2005), American entrepreneur, engineer and inventor\n Frank J. Cooke (1922–1996), mayor of Norwalk, Connecticut (1961–1965)\n Frank Cooke (broadcaster) (died 2007), broadcaster and writer\n Frank Cooke (lawyer) (1862–1933), New Zealand lawyer and cricketer\n Franklin Cooke Jr., American politician and member of the Delaware House of Representatives\n\nSee also \n Francis Cooke (disambiguation)\nFrank Cook (disambiguation)" ]

[ "Samuel Cook (January 22, 1931 – December 11, 1964), known professionally as Sam Cooke, was an American singer, songwriter, and entrepreneur. Considered to be a pioneer and one of the most influential soul artists of all time, Cooke is commonly referred to as the \"King of Soul\" for his distinctive vocals, notable contributions to the genre and high significance in popular music.", "Considered to be a pioneer and one of the most influential soul artists of all time, Cooke is commonly referred to as the \"King of Soul\" for his distinctive vocals, notable contributions to the genre and high significance in popular music. Cooke was born in Mississippi and later relocated to Chicago with his family at a young age, where he began singing as a child and joined the Soul Stirrers as lead singer in the 1950s.", "Cooke was born in Mississippi and later relocated to Chicago with his family at a young age, where he began singing as a child and joined the Soul Stirrers as lead singer in the 1950s. Going solo in 1957, Cooke released a string of hit songs, including \"You Send Me\", \"A Change Is Gonna Come\", \"Cupid\", \"Wonderful World\", \"Chain Gang\", \"Twistin' the Night Away\", \"Bring It On Home to Me\", and \"Good Times\".", "Going solo in 1957, Cooke released a string of hit songs, including \"You Send Me\", \"A Change Is Gonna Come\", \"Cupid\", \"Wonderful World\", \"Chain Gang\", \"Twistin' the Night Away\", \"Bring It On Home to Me\", and \"Good Times\". During his eight-year career, Cooke released 29 singles that charted in the Top 40 of the Billboard Pop Singles chart, as well as 20 singles in the Top Ten of Billboard Black Singles chart.", "During his eight-year career, Cooke released 29 singles that charted in the Top 40 of the Billboard Pop Singles chart, as well as 20 singles in the Top Ten of Billboard Black Singles chart. In 1964, Cooke was shot and killed by the manager of a motel in Los Angeles. After an inquest and investigation, the courts ruled Cooke's death to be a justifiable homicide; his family has since questioned the circumstances of his death.", "After an inquest and investigation, the courts ruled Cooke's death to be a justifiable homicide; his family has since questioned the circumstances of his death. Cooke's pioneering contributions to soul music contributed to the rise of Aretha Franklin, Bobby Womack, Al Green, Curtis Mayfield, Stevie Wonder, Marvin Gaye, and Billy Preston, and popularized the work of Otis Redding and James Brown.", "Cooke's pioneering contributions to soul music contributed to the rise of Aretha Franklin, Bobby Womack, Al Green, Curtis Mayfield, Stevie Wonder, Marvin Gaye, and Billy Preston, and popularized the work of Otis Redding and James Brown. AllMusic biographer Bruce Eder wrote that Cooke was \"the inventor of soul music\", and possessed \"an incredible natural singing voice and a smooth, effortless delivery that has never been surpassed\".", "AllMusic biographer Bruce Eder wrote that Cooke was \"the inventor of soul music\", and possessed \"an incredible natural singing voice and a smooth, effortless delivery that has never been surpassed\". Cooke was also a central part of the Civil Rights Movement, using his influence and popularity with the white and black population to fight for the cause. He was good friends with boxer Muhammad Ali, activist Malcolm X and football player Jim Brown, who together campaigned for racial equality.", "He was good friends with boxer Muhammad Ali, activist Malcolm X and football player Jim Brown, who together campaigned for racial equality. Early life Cooke was born Samuel Cook in Clarksdale, Mississippi, in 1931 (he added the \"e\" to his last name in 1957 to signify a new start to his life). He was the fifth of eight children of the Rev. Charles Cook, a minister in the Church of Christ (Holiness), and his wife, Annie Mae.", "Charles Cook, a minister in the Church of Christ (Holiness), and his wife, Annie Mae. One of his younger brothers, L.C. (1932–2017), later became a member of the doo-wop band Johnny Keyes and the Magnificents. The family moved to Chicago in 1933. Cook attended Doolittle Elementary and Wendell Phillips Academy High School in Chicago, the same school that Nat \"King\" Cole had attended a few years earlier.", "Cook attended Doolittle Elementary and Wendell Phillips Academy High School in Chicago, the same school that Nat \"King\" Cole had attended a few years earlier. Cooke began his career with his siblings in a group called the Singing Children when he was six years old. He first became known as lead singer with the Highway Q.C. 's when he was a teenager, having joined the group at the age of 14.", "'s when he was a teenager, having joined the group at the age of 14. During this time, Cooke befriended fellow gospel singer and neighbor Lou Rawls, who sang in a rival gospel group. Career The Soul Stirrers In 1950, Cooke replaced gospel tenor R. H. Harris as lead singer of the gospel group the Soul Stirrers, founded by Harris, who had signed with Specialty Records on behalf of the group. Their first recording under Cooke's leadership was the song \"Jesus Gave Me Water\" in 1951.", "Their first recording under Cooke's leadership was the song \"Jesus Gave Me Water\" in 1951. They also recorded the gospel songs \"Peace in the Valley\", \"How Far Am I from Canaan? \", \"Jesus Paid the Debt\" and \"One More River\", among many others, some of which he wrote.", "\", \"Jesus Paid the Debt\" and \"One More River\", among many others, some of which he wrote. Cooke was often credited for bringing gospel music to the attention of a younger crowd of listeners, mainly girls who would rush to the stage when the Soul Stirrers hit the stage just to get a glimpse of Cooke.", "Cooke was often credited for bringing gospel music to the attention of a younger crowd of listeners, mainly girls who would rush to the stage when the Soul Stirrers hit the stage just to get a glimpse of Cooke. Billboards 2015 list of \"the 35 Greatest R&B Artists Of All Time\" includes Cooke, \"who broke ground in 1957 with the R&B/pop crossover hit \"You Send Me\" ... And his activism on the civil rights front resulted in the quiet protest song 'A Change Is Gonna Come'\".", "Billboards 2015 list of \"the 35 Greatest R&B Artists Of All Time\" includes Cooke, \"who broke ground in 1957 with the R&B/pop crossover hit \"You Send Me\" ... And his activism on the civil rights front resulted in the quiet protest song 'A Change Is Gonna Come'\". Crossover pop success Cooke had 30 U.S. top 40 hits between 1957 and 1964, plus three more posthumously.", "Crossover pop success Cooke had 30 U.S. top 40 hits between 1957 and 1964, plus three more posthumously. Major hits like \"You Send Me\", \"A Change Is Gonna Come\", \"Cupid\", \"Chain Gang\", \"Wonderful World\", \"Another Saturday Night\", and \"Twistin' the Night Away\" are some of his most popular songs. Twistin' the Night Away was one of his biggest selling albums.", "Twistin' the Night Away was one of his biggest selling albums. Cooke was also among the first modern Black performers and composers to attend to the business side of his musical career. He founded both a record label and a publishing company as an extension of his careers as a singer and composer. He also took an active part in the Civil Rights Movement. His first pop/soul single was \"Lovable\" (1956), a remake of the gospel song \"Wonderful\".", "His first pop/soul single was \"Lovable\" (1956), a remake of the gospel song \"Wonderful\". It was released under the alias \"Dale Cook\" in order not to alienate his gospel fan base; there was a considerable stigma against gospel singers performing secular music. However, it fooled no one—Cooke's unique and distinctive vocals were easily recognized.", "However, it fooled no one—Cooke's unique and distinctive vocals were easily recognized. Art Rupe, head of Specialty Records, the label of the Soul Stirrers, gave his blessing for Cooke to record secular music under his real name, but he was unhappy about the type of music Cooke and producer Bumps Blackwell were making. Rupe expected Cooke's secular music to be similar to that of another Specialty Records artist, Little Richard. When Rupe walked in on a recording session and heard Cooke covering Gershwin, he was quite upset.", "When Rupe walked in on a recording session and heard Cooke covering Gershwin, he was quite upset. After an argument between Rupe and Blackwell, Cooke and Blackwell left the label. \"Lovable\" was never a hit, but neither did it flop, and indicated Cooke's future potential. While gospel was popular, Cooke saw that fans were mostly limited to low-income, rural parts of the country, and sought to branch out.", "While gospel was popular, Cooke saw that fans were mostly limited to low-income, rural parts of the country, and sought to branch out. Cooke later admitted he got an endorsement for a career in pop music from the least likely man, his pastor father. \"My father told me it was not what I sang that was important, but that God gave me a voice and musical talent and the true use of His gift was to share it and make people happy.\"", "\"My father told me it was not what I sang that was important, but that God gave me a voice and musical talent and the true use of His gift was to share it and make people happy.\" Taking the name \"Sam Cooke\", he sought a fresh start in pop. In 1957, Cooke appeared on ABC's The Guy Mitchell Show. That same year, he signed with Keen Records.", "That same year, he signed with Keen Records. That same year, he signed with Keen Records. His first hit, \"You Send Me\", released as the B-side of \"Summertime\", spent six weeks at No. 1 on the Billboard R&B chart. The song also had mainstream success, spending three weeks at No. 1 on the Billboard pop chart. It elevated him from earning $200 a week to over $5,000 a week.", "It elevated him from earning $200 a week to over $5,000 a week. In 1958, Cooke performed for the famed Cavalcade of Jazz concert produced by Leon Hefflin Sr. held at the Shrine Auditorium on August 3. The other headliners were Little Willie John, Ray Charles, Ernie Freeman, and Bo Rhambo. Sammy Davis Jr. was there to crown the winner of the Miss Cavalcade of Jazz beauty contest. The event featured the top four prominent disc jockeys of Los Angeles.", "The event featured the top four prominent disc jockeys of Los Angeles. Cooke signed with the RCA Victor record label in January 1960, having been offered a guaranteed $100,000 () by the label's producers Hugo & Luigi. One of his first RCA Victor singles was \"Chain Gang\", which reached No. 2 on the Billboard pop chart.", "2 on the Billboard pop chart. 2 on the Billboard pop chart. It was followed by more hits, including \"Sad Mood\", \"Cupid\", \"Bring It On Home to Me\" (with Lou Rawls on backing vocals), \"Another Saturday Night\", and \"Twistin' the Night Away\". In 1961, Cooke started his own record label, SAR Records, with J. W. Alexander and his manager, Roy Crain.", "In 1961, Cooke started his own record label, SAR Records, with J. W. Alexander and his manager, Roy Crain. The label soon included the Simms Twins, the Valentinos (who were Bobby Womack and his brothers), Mel Carter and Johnnie Taylor. Cooke then created a publishing imprint and management firm named Kags. Like most R&B artists of his time, Cooke focused on singles; in all, he had 29 top 40 hits on the pop charts and more on the R&B charts.", "Like most R&B artists of his time, Cooke focused on singles; in all, he had 29 top 40 hits on the pop charts and more on the R&B charts. He was a prolific songwriter and wrote most of the songs he recorded. He also had a hand in overseeing some of the song arrangements.", "He also had a hand in overseeing some of the song arrangements. In spite of releasing mostly singles, he released a well-received blues-inflected LP in 1963, Night Beat, and his most critically acclaimed studio album, Ain't That Good News, which featured five singles, in 1964. In 1963, Cooke signed a five-year contract for Allen Klein to manage Kags Music and SAR Records and made him his manager.", "In 1963, Cooke signed a five-year contract for Allen Klein to manage Kags Music and SAR Records and made him his manager. Klein negotiated a five-year deal (three years plus two option years) with RCA Victor in which a holding company, Tracey, Ltd, named after Cooke's daughter, owned by Klein and managed by J. W. Alexander, would produce and own Cooke's recordings. RCA Victor would get exclusive distribution rights in exchange for 6 percent royalty payments and payments for the recording sessions.", "RCA Victor would get exclusive distribution rights in exchange for 6 percent royalty payments and payments for the recording sessions. For tax reasons, Cooke would receive preferred stock in Tracey instead of an initial cash advance of $100,000. Cooke would receive cash advances of $100,000 for the next two years, followed by an additional $75,000 for each of the two option years if the deal went to term. Personal life Cooke was married twice.", "Personal life Cooke was married twice. Personal life Cooke was married twice. His first marriage was to singer-dancer Dolores Elizabeth Milligan Cook, who took the stage name \"Dee Dee Mohawk\" in 1953; they divorced in 1958. She was killed in an auto collision in Fresno, California in 1959. Although he and Dolores were divorced, Cooke paid for his ex-wife's funeral expenses. She was survived by her son Joey. In 1958, Cooke married his second wife, Barbara Campbell (1935–2021), in Chicago.", "In 1958, Cooke married his second wife, Barbara Campbell (1935–2021), in Chicago. His father performed the ceremony. They had three children, Linda (b. 1953), Tracy (b. 1960), and Vincent (1961–1963), who drowned in the family swimming pool. Less than three months after Cooke's death, his widow, Barbara, married his friend Bobby Womack. Womack sexually abused Cooke's daughter, Linda.", "Womack sexually abused Cooke's daughter, Linda. Womack sexually abused Cooke's daughter, Linda. Linda married Womack's brother, Cecil Womack and they became the duo Womack & Womack. Cooke also fathered at least three other children out of wedlock. In 1958, a woman in Philadelphia, Connie Bolling, claimed Cooke was the father of her son. Cooke paid her an estimated $5,000 settlement out of court. In November 1958, Cooke was involved in a car accident en route from St. Louis to Greenville.", "In November 1958, Cooke was involved in a car accident en route from St. Louis to Greenville. His chauffeur Edward Cunningham was killed, while Cooke, guitarist Cliff White, and singer Lou Rawls were hospitalized. Death Cooke was killed at the age of 33 on December 11, 1964, at the Hacienda Motel, in South Central Los Angeles, California, located at 91st and Figueroa Ave. Answering separate reports of a shooting and a kidnapping at the motel, police found Cooke's body.", "Death Cooke was killed at the age of 33 on December 11, 1964, at the Hacienda Motel, in South Central Los Angeles, California, located at 91st and Figueroa Ave. Answering separate reports of a shooting and a kidnapping at the motel, police found Cooke's body. He had sustained a gunshot wound to the chest, which was later determined to have pierced his heart. The motel's manager, Bertha Franklin, claimed to have shot him in self-defense. Her account was immediately disputed by Cooke's acquaintances.", "Her account was immediately disputed by Cooke's acquaintances. Her account was immediately disputed by Cooke's acquaintances. The motel's owner, Evelyn Carr, said that she had been on the telephone with Franklin at the time of the incident. Carr said she overheard Cooke's intrusion and the ensuing conflict and gunshot, and called the police. The police record states that Franklin fatally shot Cooke, who had checked in earlier that evening.", "The police record states that Franklin fatally shot Cooke, who had checked in earlier that evening. Franklin said that Cooke had banged on the door of her office, shouting \"Where's the girl?! \", in reference to Elisa Boyer, a woman who had accompanied Cooke to the motel, and who had called the police that night from a telephone booth near the motel minutes before Carr had.", "\", in reference to Elisa Boyer, a woman who had accompanied Cooke to the motel, and who had called the police that night from a telephone booth near the motel minutes before Carr had. Franklin shouted back that there was no one in her office except herself, but an enraged Cooke did not believe her and forced his way into the office, naked except for one shoe and a sport jacket. He grabbed her, demanding again to know the woman's whereabouts.", "He grabbed her, demanding again to know the woman's whereabouts. According to Franklin, she grappled with Cooke, the two of them fell to the floor, and she then got up and ran to retrieve a gun. She said she then fired at Cooke in self-defense because she feared for her life. Cooke was struck once in the torso. According to Franklin, he exclaimed, \"Lady, you shot me\", in a tone that expressed perplexity rather than anger, before advancing on her again.", "According to Franklin, he exclaimed, \"Lady, you shot me\", in a tone that expressed perplexity rather than anger, before advancing on her again. She said she hit him in the head with a broomstick before he finally fell to the floor and died. A coroner's inquest was convened to investigate the incident. Boyer told the police that she had first met Cooke earlier that night and had spent the evening in his company.", "Boyer told the police that she had first met Cooke earlier that night and had spent the evening in his company. She said that after they left a local nightclub together, she had repeatedly requested that he take her home, but he instead took her against her will to the Hacienda Motel. She said that once in one of the motel's rooms, Cooke physically forced her onto the bed, and then stripped her to her panties; she said she was sure he was going to rape her.", "She said that once in one of the motel's rooms, Cooke physically forced her onto the bed, and then stripped her to her panties; she said she was sure he was going to rape her. Cooke allowed her to use the bathroom, from which she attempted an escape but found that the window was firmly shut. According to Boyer, she returned to the main room, where Cooke continued to molest her. When he went to use the bathroom, she quickly grabbed her clothes and ran from the room.", "When he went to use the bathroom, she quickly grabbed her clothes and ran from the room. She said that in her haste, she had also scooped up most of Cooke's clothing by mistake. She said she ran first to the manager's office and knocked on the door seeking help. However, she said that the manager took too long to respond, so, fearing Cooke would soon be coming after her, she fled from the motel before the manager ever opened the door.", "However, she said that the manager took too long to respond, so, fearing Cooke would soon be coming after her, she fled from the motel before the manager ever opened the door. She said she then put her clothes back on, hid Cooke's clothing, went to a telephone booth, and called the police. Boyer's story is the only account of what happened between her and Cooke that night, and her story has long been called into question.", "Boyer's story is the only account of what happened between her and Cooke that night, and her story has long been called into question. Inconsistencies between her version of events and details reported by diners at Martoni's Restaurant, where Cooke dined and drank earlier in the evening, suggest that Boyer may have gone willingly to the motel with Cooke, then slipped out of the room with his clothing to rob him, rather than to escape an attempted rape.", "Inconsistencies between her version of events and details reported by diners at Martoni's Restaurant, where Cooke dined and drank earlier in the evening, suggest that Boyer may have gone willingly to the motel with Cooke, then slipped out of the room with his clothing to rob him, rather than to escape an attempted rape. Cooke was reportedly carrying a large amount of money at Martoni's, according to restaurant employees and friends.", "Cooke was reportedly carrying a large amount of money at Martoni's, according to restaurant employees and friends. However, a search of Boyer's purse by police revealed nothing except a $20 bill, and a search of Cooke's Ferrari found only a money clip with $108 and a few loose coins. However, questions about Boyer's role were beyond the scope of the inquest, the purpose of which was only to establish the circumstances of Franklin's role in the shooting.", "However, questions about Boyer's role were beyond the scope of the inquest, the purpose of which was only to establish the circumstances of Franklin's role in the shooting. Boyer's leaving the motel room with almost all of Cooke's clothing, and the fact that tests showed Cooke was inebriated at the time, provided a plausible explanation to the inquest jurors for Cooke's bizarre behavior and state of undress.", "Boyer's leaving the motel room with almost all of Cooke's clothing, and the fact that tests showed Cooke was inebriated at the time, provided a plausible explanation to the inquest jurors for Cooke's bizarre behavior and state of undress. In addition, because Carr's testimony corroborated Franklin's version of events, and because both Boyer and Franklin later passed polygraph tests, the coroner's jury ultimately accepted Franklin's explanation and returned a verdict of justifiable homicide.", "In addition, because Carr's testimony corroborated Franklin's version of events, and because both Boyer and Franklin later passed polygraph tests, the coroner's jury ultimately accepted Franklin's explanation and returned a verdict of justifiable homicide. With that verdict, authorities officially closed the case on Cooke's death. Some of Cooke's family and supporters, however, have rejected Boyer's version of events, as well as those given by Franklin and Carr.", "Some of Cooke's family and supporters, however, have rejected Boyer's version of events, as well as those given by Franklin and Carr. They believe that there was a conspiracy to murder Cooke and that the murder took place in some manner entirely different from the three official accounts.", "They believe that there was a conspiracy to murder Cooke and that the murder took place in some manner entirely different from the three official accounts. On the perceived lack of an investigation, Cooke’s close friend Muhammad Ali said “If Cooke had been Frank Sinatra, the Beatles or Ricky Nelson, the FBI would be investigating.” Singer Etta James viewed Cooke's body before his funeral and questioned the accuracy of the official version of events.", "On the perceived lack of an investigation, Cooke’s close friend Muhammad Ali said “If Cooke had been Frank Sinatra, the Beatles or Ricky Nelson, the FBI would be investigating.” Singer Etta James viewed Cooke's body before his funeral and questioned the accuracy of the official version of events. She wrote that the injuries she observed were well beyond the official account of Cooke having fought Franklin alone.", "She wrote that the injuries she observed were well beyond the official account of Cooke having fought Franklin alone. James wrote that Cooke was so badly beaten that his head was nearly separated from his shoulders, his hands were broken and crushed, and his nose mangled. Some have speculated that Cooke's manager, Allen Klein, had a role in his death. Klein owned Tracey, Ltd, which ultimately owned all rights to Cooke's recordings. No concrete evidence supporting a criminal conspiracy has been presented.", "No concrete evidence supporting a criminal conspiracy has been presented. Aftermath The first funeral service for Cooke was held on December 18, 1964, at A. R. Leak Funeral Home in Chicago; 200,000 fans lined up for more than four city blocks to view his body.", "Aftermath The first funeral service for Cooke was held on December 18, 1964, at A. R. Leak Funeral Home in Chicago; 200,000 fans lined up for more than four city blocks to view his body. Afterward, his body was flown back to Los Angeles for a second service, at the Mount Sinai Baptist Church on December 19, which included a much-heralded performance of \"The Angels Keep Watching Over Me\" by Ray Charles, who stood in for a grief-stricken Bessie Griffin.", "Afterward, his body was flown back to Los Angeles for a second service, at the Mount Sinai Baptist Church on December 19, which included a much-heralded performance of \"The Angels Keep Watching Over Me\" by Ray Charles, who stood in for a grief-stricken Bessie Griffin. Cooke was interred at Forest Lawn Memorial Park Cemetery in Glendale, California. Two singles and an album were released in the month after his death.", "Two singles and an album were released in the month after his death. One of the singles, \"Shake\", reached the top ten of both the pop and R&B charts. The B-side, \"A Change Is Gonna Come\", is considered a classic protest song from the era of the civil rights movement. It was a Top 40 pop hit and a top 10 R&B hit. The album, also titled Shake, reached the number one spot for R&B albums.", "The album, also titled Shake, reached the number one spot for R&B albums. Bertha Franklin said she received numerous death threats after shooting Cooke. She left her position at the Hacienda Motel and did not publicly disclose where she had moved. After being cleared by the coroner's jury, she sued Cooke's estate, citing physical injuries and mental anguish suffered as a result of Cooke's attack. Her lawsuit sought $200,000 in compensatory and punitive damages.", "Her lawsuit sought $200,000 in compensatory and punitive damages. Barbara Womack countersued Franklin on behalf of the estate, seeking $7,000 in damages to cover Cooke's funeral expenses. Elisa Boyer provided testimony in support of Franklin in the case. In 1967, a jury ruled in favor of Franklin on both counts, awarding her $30,000 in damages. Legacy Cultural depictions Portrayals Cooke was portrayed by Paul Mooney in The Buddy Holly Story, a 1978 American biographical film which tells the life story of rock musician Buddy Holly.", "Legacy Cultural depictions Portrayals Cooke was portrayed by Paul Mooney in The Buddy Holly Story, a 1978 American biographical film which tells the life story of rock musician Buddy Holly. In the stage play One Night in Miami, first performed in 2013, Cooke is portrayed by Arinzé Kene. In the 2020 film adaptation, he is played by Leslie Odom Jr., who was nominated for the Academy Award for Best Supporting Actor for his portrayal.", "In the 2020 film adaptation, he is played by Leslie Odom Jr., who was nominated for the Academy Award for Best Supporting Actor for his portrayal. Posthumous honors In 1986, Cooke was inducted as a charter member of the Rock and Roll Hall of Fame. In 1987, Cooke was inducted into the Songwriters Hall of Fame. In 1989, Cooke was inducted a second time to the Rock and Roll Hall of Fame when the Soul Stirrers were inducted.", "In 1989, Cooke was inducted a second time to the Rock and Roll Hall of Fame when the Soul Stirrers were inducted. On February 1, 1994, Cooke received a star on the Hollywood Walk of Fame for his contributions to the music industry, located on 7051 Hollywood Boulevard. Although Cooke never won a Grammy Award, he received the Grammy Lifetime Achievement Award in 1999, presented by Larry Blackmon of funk super-group Cameo.", "Although Cooke never won a Grammy Award, he received the Grammy Lifetime Achievement Award in 1999, presented by Larry Blackmon of funk super-group Cameo. In 2004, Rolling Stone ranked Cooke 16th on its list of the \"100 Greatest Artists of All Time\". In 2008, Cooke was named the fourth \"Greatest Singer of All Time\" by Rolling Stone. In 2008, Cooke received the first plaque on the Clarksdale Walk of Fame, located at the New Roxy theater.", "In 2008, Cooke received the first plaque on the Clarksdale Walk of Fame, located at the New Roxy theater. In 2009, Cooke was honored with a marker on the Mississippi Blues Trail in Clarksdale. In June 2011, the city of Chicago renamed a portion of East 36th Street near Cottage Grove Avenue as the honorary \"Sam Cooke Way\" to remember the singer near a corner where he hung out and sang as a teenager.", "In June 2011, the city of Chicago renamed a portion of East 36th Street near Cottage Grove Avenue as the honorary \"Sam Cooke Way\" to remember the singer near a corner where he hung out and sang as a teenager. In 2013, Cooke was inducted into the National Rhythm and Blues Music Hall of Fame in Cleveland, Ohio, at Cleveland State University. The founder of the National Rhythm & Blues Hall of Fame Museum, LaMont Robinson, said he was the greatest singer ever to sing.", "The founder of the National Rhythm & Blues Hall of Fame Museum, LaMont Robinson, said he was the greatest singer ever to sing. The words \"A change is gonna come\" from the Sam Cooke song of the same name are on a wall of the Contemplative Court, a space for reflection in the Smithsonian's National Museum of African American History and Culture; the museum opened in 2016. Cooke is inducted into the Mississippi Musicians Hall of Fame.", "Cooke is inducted into the Mississippi Musicians Hall of Fame. In 2020, Dion released a song and music video as a tribute to Cooke called \"Song for Sam Cooke (Here in America)\" (featuring Paul Simon) from his album Blues with Friends. American Songwriter magazine honored \"Song for Sam Cooke\" as the \"Greatest of the Great 2020 Songs\".", "American Songwriter magazine honored \"Song for Sam Cooke\" as the \"Greatest of the Great 2020 Songs\". Discography Sam Cooke (1958) Encore (1958) Tribute to the Lady (1959) Cooke's Tour (1960) Hits of the 50's (1960) The Wonderful World of Sam Cooke (1960, compilation) Swing Low (1961) My Kind of Blues (1961) Twistin' the Night Away (1962) Mr.", "Discography Sam Cooke (1958) Encore (1958) Tribute to the Lady (1959) Cooke's Tour (1960) Hits of the 50's (1960) The Wonderful World of Sam Cooke (1960, compilation) Swing Low (1961) My Kind of Blues (1961) Twistin' the Night Away (1962) Mr. Soul (1963) Night Beat (1963) Ain't That Good News (1964) Sam Cooke at the Copa (1964, live) Live at the Harlem Square Club, 1963 (1985, live) Notes References Further reading Our Uncle Sam: The Sam Cooke Story from His Family's Perspective by Erik Greene (2005) You Send Me: The Life and Times of Sam Cooke by Daniel Wolff, S. R. Crain, Clifton White, and G. David Tenenbaum (1995) One More River to Cross: The Redemption of Sam Cooke by B. G. Rhule (2012) External links Sam Cooke (ABKCO Homepage) \"Black Elvis\" by The Village Voice 1931 births 1964 deaths African-American male singer-songwriters Activists for African-American civil rights African-American rock musicians African-American rock singers American gospel singers American male pop singers American rhythm and blues musicians American rhythm and blues singers American rock musicians American rock singers American soul musicians American soul singers Grammy Lifetime Achievement Award winners Keen Records artists RCA Victor artists Specialty Records artists Death conspiracy theories Deaths by firearm in California Musicians from Clarksdale, Mississippi Singers from Chicago Singer-songwriters from Mississippi Burials at Forest Lawn Memorial Park (Glendale) 20th-century African-American activists Mississippi Blues Trail 20th-century African-American male singers Singer-songwriters from Illinois" ]

[ "Sam Cooke", "Aftermath", "What did Sam do after he retired from the music industry", "I don't know.", "Did Sam run into hardship later in life", "Bertha Franklin said she received numerous death threats after shooting Cooke.", "Was cooke assasinated?", "She left her position at the Hacienda Motel and did not publicly disclose where she had moved.", "Why did Bertha Franklin shoot Cooke?", "After being cleared by the coroner's jury, she sued Cooke's estate, citing physical injuries and mental anguish suffered as a result of Cooke's attack.", "Was Cookes attack on her physical in nature", "After Cooke's death, his widow, Barbara, married Bobby Womack. Cooke's daughter, Linda, later married Womack's brother, Cecil.", "how old was Cooke when he was assasinated", "I don't know." ]

[ "\"How Interesting: A Tiny Man\" is a 2010 science fiction/magical realism short story by American writer Harlan Ellison. It was first published in Realms of Fantasy.\n\nPlot summary\nA scientist creates a tiny man. The tiny man is initially very popular, but then draws the hatred of the world, and so the tiny man must flee, together with the scientist (who is now likewise hated, for having created the tiny man).\n\nReception\n\"How Interesting: A Tiny Man\" won the 2010 Nebula Award for Best Short Story, tied with Kij Johnson's \"Ponies\". It was Ellison's final Nebula nomination and win, of his record-setting eight nominations and three wins.\n\nTor.com calls the story \"deceptively simple\", with \"execution (that) is flawless\" and a \"Geppetto-like\" narrator, while Publishers Weekly describes it as \"memorably depict(ing) humanity's smallness of spirit\". The SF Site, however, felt it was \"contrived and less than profound\".\n\nNick Mamatas compared \"How Interesting: A Tiny Man\" negatively to Ellison's other Nebula-winning short stories, and stated that the story's two mutually exclusive endings (in one, the tiny man is killed; in the other, he becomes God) are evocative of the process of writing short stories. Ben Peek considered it to be \"more allegory than (...) anything else\", and interpreted it as being about how the media \"give(s) everyone a voice\", and also about how Ellison was treated by science fiction fandom.\n\nReferences\n\nExternal links\nAudio version of ''How Interesting: A Tiny Man, at StarShipSofa\nHow Interesting: A Tiny Man, at the Internet Speculative Fiction Database\n\nNebula Award for Best Short Story-winning works\nShort stories by Harlan Ellison", "In baseball, a fair ball is a batted ball that entitles the batter to attempt to reach first base. By contrast, a foul ball is a batted ball that does not entitle the batter to attempt to reach first base. Whether a batted ball is fair or foul is determined by the location of the ball at the appropriate reference point, as follows:\n\n if the ball leaves the playing field without touching anything, the point where the ball leaves the field;\n else, if the ball first lands past first or third base without touching anything, the point where the ball lands;\n else, if the ball rolls or bounces past first or third base without touching anything other than the ground, the point where the ball passes the base;\n else, if the ball touches anything other than the ground (such as an umpire, a player, or any equipment left on the field) before any of the above happens, the point of such touching;\n else (the ball comes to a rest before reaching first or third base), the point where the ball comes to a rest.\n\nIf any part of the ball is on or above fair territory at the appropriate reference point, it is fair; else it is foul. Fair territory or fair ground is defined as the area of the playing field between the two foul lines, and includes the foul lines themselves and the foul poles. However, certain exceptions exist:\n\n A ball that touches first, second, or third base is always fair.\n Under Rule 5.09(a)(7)-(8), if a batted ball touches the batter or his bat while the batter is in the batter's box and not intentionally interfering with the course of the ball, the ball is foul.\n A ball that hits the foul pole without first having touched anything else off the bat is fair.\n Ground rules may provide whether a ball hitting specific objects (e.g. roof, overhead speaker) is fair or foul.\n\nOn a fair ball, the batter attempts to reach first base or any subsequent base, runners attempt to advance and fielders try to record outs. A fair ball is considered a live ball until the ball becomes dead by leaving the field or any other method.\n\nReferences\n\nBaseball rules" ]

[ "Samuel Cook (January 22, 1931 – December 11, 1964), known professionally as Sam Cooke, was an American singer, songwriter, and entrepreneur. Considered to be a pioneer and one of the most influential soul artists of all time, Cooke is commonly referred to as the \"King of Soul\" for his distinctive vocals, notable contributions to the genre and high significance in popular music.", "Considered to be a pioneer and one of the most influential soul artists of all time, Cooke is commonly referred to as the \"King of Soul\" for his distinctive vocals, notable contributions to the genre and high significance in popular music. Cooke was born in Mississippi and later relocated to Chicago with his family at a young age, where he began singing as a child and joined the Soul Stirrers as lead singer in the 1950s.", "Cooke was born in Mississippi and later relocated to Chicago with his family at a young age, where he began singing as a child and joined the Soul Stirrers as lead singer in the 1950s. Going solo in 1957, Cooke released a string of hit songs, including \"You Send Me\", \"A Change Is Gonna Come\", \"Cupid\", \"Wonderful World\", \"Chain Gang\", \"Twistin' the Night Away\", \"Bring It On Home to Me\", and \"Good Times\".", "Going solo in 1957, Cooke released a string of hit songs, including \"You Send Me\", \"A Change Is Gonna Come\", \"Cupid\", \"Wonderful World\", \"Chain Gang\", \"Twistin' the Night Away\", \"Bring It On Home to Me\", and \"Good Times\". During his eight-year career, Cooke released 29 singles that charted in the Top 40 of the Billboard Pop Singles chart, as well as 20 singles in the Top Ten of Billboard Black Singles chart.", "During his eight-year career, Cooke released 29 singles that charted in the Top 40 of the Billboard Pop Singles chart, as well as 20 singles in the Top Ten of Billboard Black Singles chart. In 1964, Cooke was shot and killed by the manager of a motel in Los Angeles. After an inquest and investigation, the courts ruled Cooke's death to be a justifiable homicide; his family has since questioned the circumstances of his death.", "After an inquest and investigation, the courts ruled Cooke's death to be a justifiable homicide; his family has since questioned the circumstances of his death. Cooke's pioneering contributions to soul music contributed to the rise of Aretha Franklin, Bobby Womack, Al Green, Curtis Mayfield, Stevie Wonder, Marvin Gaye, and Billy Preston, and popularized the work of Otis Redding and James Brown.", "Cooke's pioneering contributions to soul music contributed to the rise of Aretha Franklin, Bobby Womack, Al Green, Curtis Mayfield, Stevie Wonder, Marvin Gaye, and Billy Preston, and popularized the work of Otis Redding and James Brown. AllMusic biographer Bruce Eder wrote that Cooke was \"the inventor of soul music\", and possessed \"an incredible natural singing voice and a smooth, effortless delivery that has never been surpassed\".", "AllMusic biographer Bruce Eder wrote that Cooke was \"the inventor of soul music\", and possessed \"an incredible natural singing voice and a smooth, effortless delivery that has never been surpassed\". Cooke was also a central part of the Civil Rights Movement, using his influence and popularity with the white and black population to fight for the cause. He was good friends with boxer Muhammad Ali, activist Malcolm X and football player Jim Brown, who together campaigned for racial equality.", "He was good friends with boxer Muhammad Ali, activist Malcolm X and football player Jim Brown, who together campaigned for racial equality. Early life Cooke was born Samuel Cook in Clarksdale, Mississippi, in 1931 (he added the \"e\" to his last name in 1957 to signify a new start to his life). He was the fifth of eight children of the Rev. Charles Cook, a minister in the Church of Christ (Holiness), and his wife, Annie Mae.", "Charles Cook, a minister in the Church of Christ (Holiness), and his wife, Annie Mae. One of his younger brothers, L.C. (1932–2017), later became a member of the doo-wop band Johnny Keyes and the Magnificents. The family moved to Chicago in 1933. Cook attended Doolittle Elementary and Wendell Phillips Academy High School in Chicago, the same school that Nat \"King\" Cole had attended a few years earlier.", "Cook attended Doolittle Elementary and Wendell Phillips Academy High School in Chicago, the same school that Nat \"King\" Cole had attended a few years earlier. Cooke began his career with his siblings in a group called the Singing Children when he was six years old. He first became known as lead singer with the Highway Q.C. 's when he was a teenager, having joined the group at the age of 14.", "'s when he was a teenager, having joined the group at the age of 14. During this time, Cooke befriended fellow gospel singer and neighbor Lou Rawls, who sang in a rival gospel group. Career The Soul Stirrers In 1950, Cooke replaced gospel tenor R. H. Harris as lead singer of the gospel group the Soul Stirrers, founded by Harris, who had signed with Specialty Records on behalf of the group. Their first recording under Cooke's leadership was the song \"Jesus Gave Me Water\" in 1951.", "Their first recording under Cooke's leadership was the song \"Jesus Gave Me Water\" in 1951. They also recorded the gospel songs \"Peace in the Valley\", \"How Far Am I from Canaan? \", \"Jesus Paid the Debt\" and \"One More River\", among many others, some of which he wrote.", "\", \"Jesus Paid the Debt\" and \"One More River\", among many others, some of which he wrote. Cooke was often credited for bringing gospel music to the attention of a younger crowd of listeners, mainly girls who would rush to the stage when the Soul Stirrers hit the stage just to get a glimpse of Cooke.", "Cooke was often credited for bringing gospel music to the attention of a younger crowd of listeners, mainly girls who would rush to the stage when the Soul Stirrers hit the stage just to get a glimpse of Cooke. Billboards 2015 list of \"the 35 Greatest R&B Artists Of All Time\" includes Cooke, \"who broke ground in 1957 with the R&B/pop crossover hit \"You Send Me\" ... And his activism on the civil rights front resulted in the quiet protest song 'A Change Is Gonna Come'\".", "Billboards 2015 list of \"the 35 Greatest R&B Artists Of All Time\" includes Cooke, \"who broke ground in 1957 with the R&B/pop crossover hit \"You Send Me\" ... And his activism on the civil rights front resulted in the quiet protest song 'A Change Is Gonna Come'\". Crossover pop success Cooke had 30 U.S. top 40 hits between 1957 and 1964, plus three more posthumously.", "Crossover pop success Cooke had 30 U.S. top 40 hits between 1957 and 1964, plus three more posthumously. Major hits like \"You Send Me\", \"A Change Is Gonna Come\", \"Cupid\", \"Chain Gang\", \"Wonderful World\", \"Another Saturday Night\", and \"Twistin' the Night Away\" are some of his most popular songs. Twistin' the Night Away was one of his biggest selling albums.", "Twistin' the Night Away was one of his biggest selling albums. Cooke was also among the first modern Black performers and composers to attend to the business side of his musical career. He founded both a record label and a publishing company as an extension of his careers as a singer and composer. He also took an active part in the Civil Rights Movement. His first pop/soul single was \"Lovable\" (1956), a remake of the gospel song \"Wonderful\".", "His first pop/soul single was \"Lovable\" (1956), a remake of the gospel song \"Wonderful\". It was released under the alias \"Dale Cook\" in order not to alienate his gospel fan base; there was a considerable stigma against gospel singers performing secular music. However, it fooled no one—Cooke's unique and distinctive vocals were easily recognized.", "However, it fooled no one—Cooke's unique and distinctive vocals were easily recognized. Art Rupe, head of Specialty Records, the label of the Soul Stirrers, gave his blessing for Cooke to record secular music under his real name, but he was unhappy about the type of music Cooke and producer Bumps Blackwell were making. Rupe expected Cooke's secular music to be similar to that of another Specialty Records artist, Little Richard. When Rupe walked in on a recording session and heard Cooke covering Gershwin, he was quite upset.", "When Rupe walked in on a recording session and heard Cooke covering Gershwin, he was quite upset. After an argument between Rupe and Blackwell, Cooke and Blackwell left the label. \"Lovable\" was never a hit, but neither did it flop, and indicated Cooke's future potential. While gospel was popular, Cooke saw that fans were mostly limited to low-income, rural parts of the country, and sought to branch out.", "While gospel was popular, Cooke saw that fans were mostly limited to low-income, rural parts of the country, and sought to branch out. Cooke later admitted he got an endorsement for a career in pop music from the least likely man, his pastor father. \"My father told me it was not what I sang that was important, but that God gave me a voice and musical talent and the true use of His gift was to share it and make people happy.\"", "\"My father told me it was not what I sang that was important, but that God gave me a voice and musical talent and the true use of His gift was to share it and make people happy.\" Taking the name \"Sam Cooke\", he sought a fresh start in pop. In 1957, Cooke appeared on ABC's The Guy Mitchell Show. That same year, he signed with Keen Records.", "That same year, he signed with Keen Records. That same year, he signed with Keen Records. His first hit, \"You Send Me\", released as the B-side of \"Summertime\", spent six weeks at No. 1 on the Billboard R&B chart. The song also had mainstream success, spending three weeks at No. 1 on the Billboard pop chart. It elevated him from earning $200 a week to over $5,000 a week.", "It elevated him from earning $200 a week to over $5,000 a week. In 1958, Cooke performed for the famed Cavalcade of Jazz concert produced by Leon Hefflin Sr. held at the Shrine Auditorium on August 3. The other headliners were Little Willie John, Ray Charles, Ernie Freeman, and Bo Rhambo. Sammy Davis Jr. was there to crown the winner of the Miss Cavalcade of Jazz beauty contest. The event featured the top four prominent disc jockeys of Los Angeles.", "The event featured the top four prominent disc jockeys of Los Angeles. Cooke signed with the RCA Victor record label in January 1960, having been offered a guaranteed $100,000 () by the label's producers Hugo & Luigi. One of his first RCA Victor singles was \"Chain Gang\", which reached No. 2 on the Billboard pop chart.", "2 on the Billboard pop chart. 2 on the Billboard pop chart. It was followed by more hits, including \"Sad Mood\", \"Cupid\", \"Bring It On Home to Me\" (with Lou Rawls on backing vocals), \"Another Saturday Night\", and \"Twistin' the Night Away\". In 1961, Cooke started his own record label, SAR Records, with J. W. Alexander and his manager, Roy Crain.", "In 1961, Cooke started his own record label, SAR Records, with J. W. Alexander and his manager, Roy Crain. The label soon included the Simms Twins, the Valentinos (who were Bobby Womack and his brothers), Mel Carter and Johnnie Taylor. Cooke then created a publishing imprint and management firm named Kags. Like most R&B artists of his time, Cooke focused on singles; in all, he had 29 top 40 hits on the pop charts and more on the R&B charts.", "Like most R&B artists of his time, Cooke focused on singles; in all, he had 29 top 40 hits on the pop charts and more on the R&B charts. He was a prolific songwriter and wrote most of the songs he recorded. He also had a hand in overseeing some of the song arrangements.", "He also had a hand in overseeing some of the song arrangements. In spite of releasing mostly singles, he released a well-received blues-inflected LP in 1963, Night Beat, and his most critically acclaimed studio album, Ain't That Good News, which featured five singles, in 1964. In 1963, Cooke signed a five-year contract for Allen Klein to manage Kags Music and SAR Records and made him his manager.", "In 1963, Cooke signed a five-year contract for Allen Klein to manage Kags Music and SAR Records and made him his manager. Klein negotiated a five-year deal (three years plus two option years) with RCA Victor in which a holding company, Tracey, Ltd, named after Cooke's daughter, owned by Klein and managed by J. W. Alexander, would produce and own Cooke's recordings. RCA Victor would get exclusive distribution rights in exchange for 6 percent royalty payments and payments for the recording sessions.", "RCA Victor would get exclusive distribution rights in exchange for 6 percent royalty payments and payments for the recording sessions. For tax reasons, Cooke would receive preferred stock in Tracey instead of an initial cash advance of $100,000. Cooke would receive cash advances of $100,000 for the next two years, followed by an additional $75,000 for each of the two option years if the deal went to term. Personal life Cooke was married twice.", "Personal life Cooke was married twice. Personal life Cooke was married twice. His first marriage was to singer-dancer Dolores Elizabeth Milligan Cook, who took the stage name \"Dee Dee Mohawk\" in 1953; they divorced in 1958. She was killed in an auto collision in Fresno, California in 1959. Although he and Dolores were divorced, Cooke paid for his ex-wife's funeral expenses. She was survived by her son Joey. In 1958, Cooke married his second wife, Barbara Campbell (1935–2021), in Chicago.", "In 1958, Cooke married his second wife, Barbara Campbell (1935–2021), in Chicago. His father performed the ceremony. They had three children, Linda (b. 1953), Tracy (b. 1960), and Vincent (1961–1963), who drowned in the family swimming pool. Less than three months after Cooke's death, his widow, Barbara, married his friend Bobby Womack. Womack sexually abused Cooke's daughter, Linda.", "Womack sexually abused Cooke's daughter, Linda. Womack sexually abused Cooke's daughter, Linda. Linda married Womack's brother, Cecil Womack and they became the duo Womack & Womack. Cooke also fathered at least three other children out of wedlock. In 1958, a woman in Philadelphia, Connie Bolling, claimed Cooke was the father of her son. Cooke paid her an estimated $5,000 settlement out of court. In November 1958, Cooke was involved in a car accident en route from St. Louis to Greenville.", "In November 1958, Cooke was involved in a car accident en route from St. Louis to Greenville. His chauffeur Edward Cunningham was killed, while Cooke, guitarist Cliff White, and singer Lou Rawls were hospitalized. Death Cooke was killed at the age of 33 on December 11, 1964, at the Hacienda Motel, in South Central Los Angeles, California, located at 91st and Figueroa Ave. Answering separate reports of a shooting and a kidnapping at the motel, police found Cooke's body.", "Death Cooke was killed at the age of 33 on December 11, 1964, at the Hacienda Motel, in South Central Los Angeles, California, located at 91st and Figueroa Ave. Answering separate reports of a shooting and a kidnapping at the motel, police found Cooke's body. He had sustained a gunshot wound to the chest, which was later determined to have pierced his heart. The motel's manager, Bertha Franklin, claimed to have shot him in self-defense. Her account was immediately disputed by Cooke's acquaintances.", "Her account was immediately disputed by Cooke's acquaintances. Her account was immediately disputed by Cooke's acquaintances. The motel's owner, Evelyn Carr, said that she had been on the telephone with Franklin at the time of the incident. Carr said she overheard Cooke's intrusion and the ensuing conflict and gunshot, and called the police. The police record states that Franklin fatally shot Cooke, who had checked in earlier that evening.", "The police record states that Franklin fatally shot Cooke, who had checked in earlier that evening. Franklin said that Cooke had banged on the door of her office, shouting \"Where's the girl?! \", in reference to Elisa Boyer, a woman who had accompanied Cooke to the motel, and who had called the police that night from a telephone booth near the motel minutes before Carr had.", "\", in reference to Elisa Boyer, a woman who had accompanied Cooke to the motel, and who had called the police that night from a telephone booth near the motel minutes before Carr had. Franklin shouted back that there was no one in her office except herself, but an enraged Cooke did not believe her and forced his way into the office, naked except for one shoe and a sport jacket. He grabbed her, demanding again to know the woman's whereabouts.", "He grabbed her, demanding again to know the woman's whereabouts. According to Franklin, she grappled with Cooke, the two of them fell to the floor, and she then got up and ran to retrieve a gun. She said she then fired at Cooke in self-defense because she feared for her life. Cooke was struck once in the torso. According to Franklin, he exclaimed, \"Lady, you shot me\", in a tone that expressed perplexity rather than anger, before advancing on her again.", "According to Franklin, he exclaimed, \"Lady, you shot me\", in a tone that expressed perplexity rather than anger, before advancing on her again. She said she hit him in the head with a broomstick before he finally fell to the floor and died. A coroner's inquest was convened to investigate the incident. Boyer told the police that she had first met Cooke earlier that night and had spent the evening in his company.", "Boyer told the police that she had first met Cooke earlier that night and had spent the evening in his company. She said that after they left a local nightclub together, she had repeatedly requested that he take her home, but he instead took her against her will to the Hacienda Motel. She said that once in one of the motel's rooms, Cooke physically forced her onto the bed, and then stripped her to her panties; she said she was sure he was going to rape her.", "She said that once in one of the motel's rooms, Cooke physically forced her onto the bed, and then stripped her to her panties; she said she was sure he was going to rape her. Cooke allowed her to use the bathroom, from which she attempted an escape but found that the window was firmly shut. According to Boyer, she returned to the main room, where Cooke continued to molest her. When he went to use the bathroom, she quickly grabbed her clothes and ran from the room.", "When he went to use the bathroom, she quickly grabbed her clothes and ran from the room. She said that in her haste, she had also scooped up most of Cooke's clothing by mistake. She said she ran first to the manager's office and knocked on the door seeking help. However, she said that the manager took too long to respond, so, fearing Cooke would soon be coming after her, she fled from the motel before the manager ever opened the door.", "However, she said that the manager took too long to respond, so, fearing Cooke would soon be coming after her, she fled from the motel before the manager ever opened the door. She said she then put her clothes back on, hid Cooke's clothing, went to a telephone booth, and called the police. Boyer's story is the only account of what happened between her and Cooke that night, and her story has long been called into question.", "Boyer's story is the only account of what happened between her and Cooke that night, and her story has long been called into question. Inconsistencies between her version of events and details reported by diners at Martoni's Restaurant, where Cooke dined and drank earlier in the evening, suggest that Boyer may have gone willingly to the motel with Cooke, then slipped out of the room with his clothing to rob him, rather than to escape an attempted rape.", "Inconsistencies between her version of events and details reported by diners at Martoni's Restaurant, where Cooke dined and drank earlier in the evening, suggest that Boyer may have gone willingly to the motel with Cooke, then slipped out of the room with his clothing to rob him, rather than to escape an attempted rape. Cooke was reportedly carrying a large amount of money at Martoni's, according to restaurant employees and friends.", "Cooke was reportedly carrying a large amount of money at Martoni's, according to restaurant employees and friends. However, a search of Boyer's purse by police revealed nothing except a $20 bill, and a search of Cooke's Ferrari found only a money clip with $108 and a few loose coins. However, questions about Boyer's role were beyond the scope of the inquest, the purpose of which was only to establish the circumstances of Franklin's role in the shooting.", "However, questions about Boyer's role were beyond the scope of the inquest, the purpose of which was only to establish the circumstances of Franklin's role in the shooting. Boyer's leaving the motel room with almost all of Cooke's clothing, and the fact that tests showed Cooke was inebriated at the time, provided a plausible explanation to the inquest jurors for Cooke's bizarre behavior and state of undress.", "Boyer's leaving the motel room with almost all of Cooke's clothing, and the fact that tests showed Cooke was inebriated at the time, provided a plausible explanation to the inquest jurors for Cooke's bizarre behavior and state of undress. In addition, because Carr's testimony corroborated Franklin's version of events, and because both Boyer and Franklin later passed polygraph tests, the coroner's jury ultimately accepted Franklin's explanation and returned a verdict of justifiable homicide.", "In addition, because Carr's testimony corroborated Franklin's version of events, and because both Boyer and Franklin later passed polygraph tests, the coroner's jury ultimately accepted Franklin's explanation and returned a verdict of justifiable homicide. With that verdict, authorities officially closed the case on Cooke's death. Some of Cooke's family and supporters, however, have rejected Boyer's version of events, as well as those given by Franklin and Carr.", "Some of Cooke's family and supporters, however, have rejected Boyer's version of events, as well as those given by Franklin and Carr. They believe that there was a conspiracy to murder Cooke and that the murder took place in some manner entirely different from the three official accounts.", "They believe that there was a conspiracy to murder Cooke and that the murder took place in some manner entirely different from the three official accounts. On the perceived lack of an investigation, Cooke’s close friend Muhammad Ali said “If Cooke had been Frank Sinatra, the Beatles or Ricky Nelson, the FBI would be investigating.” Singer Etta James viewed Cooke's body before his funeral and questioned the accuracy of the official version of events.", "On the perceived lack of an investigation, Cooke’s close friend Muhammad Ali said “If Cooke had been Frank Sinatra, the Beatles or Ricky Nelson, the FBI would be investigating.” Singer Etta James viewed Cooke's body before his funeral and questioned the accuracy of the official version of events. She wrote that the injuries she observed were well beyond the official account of Cooke having fought Franklin alone.", "She wrote that the injuries she observed were well beyond the official account of Cooke having fought Franklin alone. James wrote that Cooke was so badly beaten that his head was nearly separated from his shoulders, his hands were broken and crushed, and his nose mangled. Some have speculated that Cooke's manager, Allen Klein, had a role in his death. Klein owned Tracey, Ltd, which ultimately owned all rights to Cooke's recordings. No concrete evidence supporting a criminal conspiracy has been presented.", "No concrete evidence supporting a criminal conspiracy has been presented. Aftermath The first funeral service for Cooke was held on December 18, 1964, at A. R. Leak Funeral Home in Chicago; 200,000 fans lined up for more than four city blocks to view his body.", "Aftermath The first funeral service for Cooke was held on December 18, 1964, at A. R. Leak Funeral Home in Chicago; 200,000 fans lined up for more than four city blocks to view his body. Afterward, his body was flown back to Los Angeles for a second service, at the Mount Sinai Baptist Church on December 19, which included a much-heralded performance of \"The Angels Keep Watching Over Me\" by Ray Charles, who stood in for a grief-stricken Bessie Griffin.", "Afterward, his body was flown back to Los Angeles for a second service, at the Mount Sinai Baptist Church on December 19, which included a much-heralded performance of \"The Angels Keep Watching Over Me\" by Ray Charles, who stood in for a grief-stricken Bessie Griffin. Cooke was interred at Forest Lawn Memorial Park Cemetery in Glendale, California. Two singles and an album were released in the month after his death.", "Two singles and an album were released in the month after his death. One of the singles, \"Shake\", reached the top ten of both the pop and R&B charts. The B-side, \"A Change Is Gonna Come\", is considered a classic protest song from the era of the civil rights movement. It was a Top 40 pop hit and a top 10 R&B hit. The album, also titled Shake, reached the number one spot for R&B albums.", "The album, also titled Shake, reached the number one spot for R&B albums. Bertha Franklin said she received numerous death threats after shooting Cooke. She left her position at the Hacienda Motel and did not publicly disclose where she had moved. After being cleared by the coroner's jury, she sued Cooke's estate, citing physical injuries and mental anguish suffered as a result of Cooke's attack. Her lawsuit sought $200,000 in compensatory and punitive damages.", "Her lawsuit sought $200,000 in compensatory and punitive damages. Barbara Womack countersued Franklin on behalf of the estate, seeking $7,000 in damages to cover Cooke's funeral expenses. Elisa Boyer provided testimony in support of Franklin in the case. In 1967, a jury ruled in favor of Franklin on both counts, awarding her $30,000 in damages. Legacy Cultural depictions Portrayals Cooke was portrayed by Paul Mooney in The Buddy Holly Story, a 1978 American biographical film which tells the life story of rock musician Buddy Holly.", "Legacy Cultural depictions Portrayals Cooke was portrayed by Paul Mooney in The Buddy Holly Story, a 1978 American biographical film which tells the life story of rock musician Buddy Holly. In the stage play One Night in Miami, first performed in 2013, Cooke is portrayed by Arinzé Kene. In the 2020 film adaptation, he is played by Leslie Odom Jr., who was nominated for the Academy Award for Best Supporting Actor for his portrayal.", "In the 2020 film adaptation, he is played by Leslie Odom Jr., who was nominated for the Academy Award for Best Supporting Actor for his portrayal. Posthumous honors In 1986, Cooke was inducted as a charter member of the Rock and Roll Hall of Fame. In 1987, Cooke was inducted into the Songwriters Hall of Fame. In 1989, Cooke was inducted a second time to the Rock and Roll Hall of Fame when the Soul Stirrers were inducted.", "In 1989, Cooke was inducted a second time to the Rock and Roll Hall of Fame when the Soul Stirrers were inducted. On February 1, 1994, Cooke received a star on the Hollywood Walk of Fame for his contributions to the music industry, located on 7051 Hollywood Boulevard. Although Cooke never won a Grammy Award, he received the Grammy Lifetime Achievement Award in 1999, presented by Larry Blackmon of funk super-group Cameo.", "Although Cooke never won a Grammy Award, he received the Grammy Lifetime Achievement Award in 1999, presented by Larry Blackmon of funk super-group Cameo. In 2004, Rolling Stone ranked Cooke 16th on its list of the \"100 Greatest Artists of All Time\". In 2008, Cooke was named the fourth \"Greatest Singer of All Time\" by Rolling Stone. In 2008, Cooke received the first plaque on the Clarksdale Walk of Fame, located at the New Roxy theater.", "In 2008, Cooke received the first plaque on the Clarksdale Walk of Fame, located at the New Roxy theater. In 2009, Cooke was honored with a marker on the Mississippi Blues Trail in Clarksdale. In June 2011, the city of Chicago renamed a portion of East 36th Street near Cottage Grove Avenue as the honorary \"Sam Cooke Way\" to remember the singer near a corner where he hung out and sang as a teenager.", "In June 2011, the city of Chicago renamed a portion of East 36th Street near Cottage Grove Avenue as the honorary \"Sam Cooke Way\" to remember the singer near a corner where he hung out and sang as a teenager. In 2013, Cooke was inducted into the National Rhythm and Blues Music Hall of Fame in Cleveland, Ohio, at Cleveland State University. The founder of the National Rhythm & Blues Hall of Fame Museum, LaMont Robinson, said he was the greatest singer ever to sing.", "The founder of the National Rhythm & Blues Hall of Fame Museum, LaMont Robinson, said he was the greatest singer ever to sing. The words \"A change is gonna come\" from the Sam Cooke song of the same name are on a wall of the Contemplative Court, a space for reflection in the Smithsonian's National Museum of African American History and Culture; the museum opened in 2016. Cooke is inducted into the Mississippi Musicians Hall of Fame.", "Cooke is inducted into the Mississippi Musicians Hall of Fame. In 2020, Dion released a song and music video as a tribute to Cooke called \"Song for Sam Cooke (Here in America)\" (featuring Paul Simon) from his album Blues with Friends. American Songwriter magazine honored \"Song for Sam Cooke\" as the \"Greatest of the Great 2020 Songs\".", "American Songwriter magazine honored \"Song for Sam Cooke\" as the \"Greatest of the Great 2020 Songs\". Discography Sam Cooke (1958) Encore (1958) Tribute to the Lady (1959) Cooke's Tour (1960) Hits of the 50's (1960) The Wonderful World of Sam Cooke (1960, compilation) Swing Low (1961) My Kind of Blues (1961) Twistin' the Night Away (1962) Mr.", "Discography Sam Cooke (1958) Encore (1958) Tribute to the Lady (1959) Cooke's Tour (1960) Hits of the 50's (1960) The Wonderful World of Sam Cooke (1960, compilation) Swing Low (1961) My Kind of Blues (1961) Twistin' the Night Away (1962) Mr. Soul (1963) Night Beat (1963) Ain't That Good News (1964) Sam Cooke at the Copa (1964, live) Live at the Harlem Square Club, 1963 (1985, live) Notes References Further reading Our Uncle Sam: The Sam Cooke Story from His Family's Perspective by Erik Greene (2005) You Send Me: The Life and Times of Sam Cooke by Daniel Wolff, S. R. Crain, Clifton White, and G. David Tenenbaum (1995) One More River to Cross: The Redemption of Sam Cooke by B. G. Rhule (2012) External links Sam Cooke (ABKCO Homepage) \"Black Elvis\" by The Village Voice 1931 births 1964 deaths African-American male singer-songwriters Activists for African-American civil rights African-American rock musicians African-American rock singers American gospel singers American male pop singers American rhythm and blues musicians American rhythm and blues singers American rock musicians American rock singers American soul musicians American soul singers Grammy Lifetime Achievement Award winners Keen Records artists RCA Victor artists Specialty Records artists Death conspiracy theories Deaths by firearm in California Musicians from Clarksdale, Mississippi Singers from Chicago Singer-songwriters from Mississippi Burials at Forest Lawn Memorial Park (Glendale) 20th-century African-American activists Mississippi Blues Trail 20th-century African-American male singers Singer-songwriters from Illinois" ]

[ "Sam Cooke", "Aftermath", "What did Sam do after he retired from the music industry", "I don't know.", "Did Sam run into hardship later in life", "Bertha Franklin said she received numerous death threats after shooting Cooke.", "Was cooke assasinated?", "She left her position at the Hacienda Motel and did not publicly disclose where she had moved.", "Why did Bertha Franklin shoot Cooke?", "After being cleared by the coroner's jury, she sued Cooke's estate, citing physical injuries and mental anguish suffered as a result of Cooke's attack.", "Was Cookes attack on her physical in nature", "After Cooke's death, his widow, Barbara, married Bobby Womack. Cooke's daughter, Linda, later married Womack's brother, Cecil.", "how old was Cooke when he was assasinated", "I don't know.", "Is there anything else particularly interesting", "December 18, 1964, at A. R. Leak Funeral Home in Chicago; 200,000 fans lined up for more than four city blocks to view his body." ]

[ "The Prairie View Co-eds were an all-female band that formed in the 1940s at the historically black Prairie View A&M University. The band formed in response to more and more males being drafted into the armed forces. The Prairie View Co-eds' success soon spread past the limits of their college campus though, and they were soon touring and traveling much of the year.\n\nBeginnings\nIn the early 1940s, Prairie View College was one of the leading African American colleges in the country, and one of the only four-year public schools African Americans could attend in Texas. The band that dominated the campus was the Prairie View Collegians, an all-male group that played gigs on campus as well as some touring. When she arrived at the school, the exceedingly skilled Bert Etta Davis auditioned for the Prairie View Collegians and was accepted by the band leader. An extremely talented alto saxophonist, Davis ended up being turned away from the band by the Dean of Women who found the concept of a woman playing in an all men's band too scandalous to allow.\n\nBy 1943 though, the times had changed. The Prairie View Collegians had lost many members to the draft, and lacked the numbers to continue making strong performances. Will Henry Bennett began to make a move to start an all-female dance band, possibly in response to having seen The International Sweethearts of Rhythm. The band was a hodge-podge of talent its first year. The group did draw some talented players like Davis, but also recruited from people to whom playing was just an extracurricular activity. They also relied on music majors to fill spots and pick up new instruments that no one had been trained on. This group was not merely a collection of beginners though. While the original venues of the Co-eds was campus parties and events, it wasn't very long before they began to be invited off campus. With most men's orchestras having fallen to pieces, The Prairie View Co-eds filled a need. A chaperone followed the band to their destinations in order to make sure the reputation of these educated young women would not be sullied.\n\nGrowth\nAfter its first year of popularity, the Prairie View Co-eds began to make a name for themselves. Through word of mouth, the tale of a skilled collegiate all-female band spread, and soon talented musicians were actively coming to Prairie View College in order to join the Co-eds. This marked a distinct shift from extracurricular activity performed casually to a greater focus on musicianship as a career for these women. The Co-eds went on more serious tours, often taking a teacher and a chaperone with them. Soon summer and winter tours were also established, and the Prairie View Co-eds were functioning like professionals. This group was championed by the Black press as symbols of successful, educated African American women who seemed to be representative of a patriotic spirit. The Prairie View Co-eds were even able to perform at USO shows. Their performance marked a success for black military personnel who were often excluded from the entertainment white soldiers received. The Co-eds played to black and white soldier audiences, meaning that African American soldiers were not just getting the entertainment they were so often denied, but they were also getting the performance from an African American group.\n\nThe Prairie View Co-eds also engaged in rather extreme tours during the summer months. They were constant professionals and worked with the Moe Gale Agency, Gale being the owner of the Savoy Ballroom. Touring was difficult during this time period as many problems were encountered with the rationing that occurred because of the war. Gas and rubber for tires were rationed, and oftentimes the only reason the Co-eds had access to ration coupons for these items was because of their work with the USO. Touring seemed to be worth it though, as the Prairie View Co-eds were able to perform at venues such as the Apollo Theater. The fact that they were listed as Co-eds was important too, as it confirmed them as symbols of educated African Americans, as well as being youthful and attractive.\n\nSources\n \n Tucker, Sherrie. Swing Shift: \"All-Girl\" Bands of the 1940s. Duke University Press, 2000.\n Tucker, Sherrie. \"Uplifts and Downbeats: What if Jazz History Included the Prairie View Co-eds?.\" Berkeley Electronic Press (2002).\n Tucker, Sherrie. \"Women.\" The New Grove Dictionary of Music and Musicians, (2nd ed.), Barry Dean Kernfeld (ed.).\n Handy, Dorothy Antoinette (née Miller; 1929–2002). Black women in American bands and orchestras. Scarecrow Press, 1998.\n\nNotes and references\n\nNotes\n\nReferences \n\nAll-female bands\nPrairie View A&M University\nAfrican-American women musicians\nMusicians from Texas", "January Col () is a high col on the north side of Claydon Peak, Prince Andrew Plateau, Antarctica. When the New Zealand southern party of the Commonwealth Trans-Antarctic Expedition (1956–58) approached from New Year Pass they were able to gain a view of the mountains to the north and east, and they so named the col because they climbed it in January 1958.\n\nReferences\n\nMountain passes of the Ross Dependency\nShackleton Coast" ]

[ "Samuel Cook (January 22, 1931 – December 11, 1964), known professionally as Sam Cooke, was an American singer, songwriter, and entrepreneur. Considered to be a pioneer and one of the most influential soul artists of all time, Cooke is commonly referred to as the \"King of Soul\" for his distinctive vocals, notable contributions to the genre and high significance in popular music.", "Considered to be a pioneer and one of the most influential soul artists of all time, Cooke is commonly referred to as the \"King of Soul\" for his distinctive vocals, notable contributions to the genre and high significance in popular music. Cooke was born in Mississippi and later relocated to Chicago with his family at a young age, where he began singing as a child and joined the Soul Stirrers as lead singer in the 1950s.", "Cooke was born in Mississippi and later relocated to Chicago with his family at a young age, where he began singing as a child and joined the Soul Stirrers as lead singer in the 1950s. Going solo in 1957, Cooke released a string of hit songs, including \"You Send Me\", \"A Change Is Gonna Come\", \"Cupid\", \"Wonderful World\", \"Chain Gang\", \"Twistin' the Night Away\", \"Bring It On Home to Me\", and \"Good Times\".", "Going solo in 1957, Cooke released a string of hit songs, including \"You Send Me\", \"A Change Is Gonna Come\", \"Cupid\", \"Wonderful World\", \"Chain Gang\", \"Twistin' the Night Away\", \"Bring It On Home to Me\", and \"Good Times\". During his eight-year career, Cooke released 29 singles that charted in the Top 40 of the Billboard Pop Singles chart, as well as 20 singles in the Top Ten of Billboard Black Singles chart.", "During his eight-year career, Cooke released 29 singles that charted in the Top 40 of the Billboard Pop Singles chart, as well as 20 singles in the Top Ten of Billboard Black Singles chart. In 1964, Cooke was shot and killed by the manager of a motel in Los Angeles. After an inquest and investigation, the courts ruled Cooke's death to be a justifiable homicide; his family has since questioned the circumstances of his death.", "After an inquest and investigation, the courts ruled Cooke's death to be a justifiable homicide; his family has since questioned the circumstances of his death. Cooke's pioneering contributions to soul music contributed to the rise of Aretha Franklin, Bobby Womack, Al Green, Curtis Mayfield, Stevie Wonder, Marvin Gaye, and Billy Preston, and popularized the work of Otis Redding and James Brown.", "Cooke's pioneering contributions to soul music contributed to the rise of Aretha Franklin, Bobby Womack, Al Green, Curtis Mayfield, Stevie Wonder, Marvin Gaye, and Billy Preston, and popularized the work of Otis Redding and James Brown. AllMusic biographer Bruce Eder wrote that Cooke was \"the inventor of soul music\", and possessed \"an incredible natural singing voice and a smooth, effortless delivery that has never been surpassed\".", "AllMusic biographer Bruce Eder wrote that Cooke was \"the inventor of soul music\", and possessed \"an incredible natural singing voice and a smooth, effortless delivery that has never been surpassed\". Cooke was also a central part of the Civil Rights Movement, using his influence and popularity with the white and black population to fight for the cause. He was good friends with boxer Muhammad Ali, activist Malcolm X and football player Jim Brown, who together campaigned for racial equality.", "He was good friends with boxer Muhammad Ali, activist Malcolm X and football player Jim Brown, who together campaigned for racial equality. Early life Cooke was born Samuel Cook in Clarksdale, Mississippi, in 1931 (he added the \"e\" to his last name in 1957 to signify a new start to his life). He was the fifth of eight children of the Rev. Charles Cook, a minister in the Church of Christ (Holiness), and his wife, Annie Mae.", "Charles Cook, a minister in the Church of Christ (Holiness), and his wife, Annie Mae. One of his younger brothers, L.C. (1932–2017), later became a member of the doo-wop band Johnny Keyes and the Magnificents. The family moved to Chicago in 1933. Cook attended Doolittle Elementary and Wendell Phillips Academy High School in Chicago, the same school that Nat \"King\" Cole had attended a few years earlier.", "Cook attended Doolittle Elementary and Wendell Phillips Academy High School in Chicago, the same school that Nat \"King\" Cole had attended a few years earlier. Cooke began his career with his siblings in a group called the Singing Children when he was six years old. He first became known as lead singer with the Highway Q.C. 's when he was a teenager, having joined the group at the age of 14.", "'s when he was a teenager, having joined the group at the age of 14. During this time, Cooke befriended fellow gospel singer and neighbor Lou Rawls, who sang in a rival gospel group. Career The Soul Stirrers In 1950, Cooke replaced gospel tenor R. H. Harris as lead singer of the gospel group the Soul Stirrers, founded by Harris, who had signed with Specialty Records on behalf of the group. Their first recording under Cooke's leadership was the song \"Jesus Gave Me Water\" in 1951.", "Their first recording under Cooke's leadership was the song \"Jesus Gave Me Water\" in 1951. They also recorded the gospel songs \"Peace in the Valley\", \"How Far Am I from Canaan? \", \"Jesus Paid the Debt\" and \"One More River\", among many others, some of which he wrote.", "\", \"Jesus Paid the Debt\" and \"One More River\", among many others, some of which he wrote. Cooke was often credited for bringing gospel music to the attention of a younger crowd of listeners, mainly girls who would rush to the stage when the Soul Stirrers hit the stage just to get a glimpse of Cooke.", "Cooke was often credited for bringing gospel music to the attention of a younger crowd of listeners, mainly girls who would rush to the stage when the Soul Stirrers hit the stage just to get a glimpse of Cooke. Billboards 2015 list of \"the 35 Greatest R&B Artists Of All Time\" includes Cooke, \"who broke ground in 1957 with the R&B/pop crossover hit \"You Send Me\" ... And his activism on the civil rights front resulted in the quiet protest song 'A Change Is Gonna Come'\".", "Billboards 2015 list of \"the 35 Greatest R&B Artists Of All Time\" includes Cooke, \"who broke ground in 1957 with the R&B/pop crossover hit \"You Send Me\" ... And his activism on the civil rights front resulted in the quiet protest song 'A Change Is Gonna Come'\". Crossover pop success Cooke had 30 U.S. top 40 hits between 1957 and 1964, plus three more posthumously.", "Crossover pop success Cooke had 30 U.S. top 40 hits between 1957 and 1964, plus three more posthumously. Major hits like \"You Send Me\", \"A Change Is Gonna Come\", \"Cupid\", \"Chain Gang\", \"Wonderful World\", \"Another Saturday Night\", and \"Twistin' the Night Away\" are some of his most popular songs. Twistin' the Night Away was one of his biggest selling albums.", "Twistin' the Night Away was one of his biggest selling albums. Cooke was also among the first modern Black performers and composers to attend to the business side of his musical career. He founded both a record label and a publishing company as an extension of his careers as a singer and composer. He also took an active part in the Civil Rights Movement. His first pop/soul single was \"Lovable\" (1956), a remake of the gospel song \"Wonderful\".", "His first pop/soul single was \"Lovable\" (1956), a remake of the gospel song \"Wonderful\". It was released under the alias \"Dale Cook\" in order not to alienate his gospel fan base; there was a considerable stigma against gospel singers performing secular music. However, it fooled no one—Cooke's unique and distinctive vocals were easily recognized.", "However, it fooled no one—Cooke's unique and distinctive vocals were easily recognized. Art Rupe, head of Specialty Records, the label of the Soul Stirrers, gave his blessing for Cooke to record secular music under his real name, but he was unhappy about the type of music Cooke and producer Bumps Blackwell were making. Rupe expected Cooke's secular music to be similar to that of another Specialty Records artist, Little Richard. When Rupe walked in on a recording session and heard Cooke covering Gershwin, he was quite upset.", "When Rupe walked in on a recording session and heard Cooke covering Gershwin, he was quite upset. After an argument between Rupe and Blackwell, Cooke and Blackwell left the label. \"Lovable\" was never a hit, but neither did it flop, and indicated Cooke's future potential. While gospel was popular, Cooke saw that fans were mostly limited to low-income, rural parts of the country, and sought to branch out.", "While gospel was popular, Cooke saw that fans were mostly limited to low-income, rural parts of the country, and sought to branch out. Cooke later admitted he got an endorsement for a career in pop music from the least likely man, his pastor father. \"My father told me it was not what I sang that was important, but that God gave me a voice and musical talent and the true use of His gift was to share it and make people happy.\"", "\"My father told me it was not what I sang that was important, but that God gave me a voice and musical talent and the true use of His gift was to share it and make people happy.\" Taking the name \"Sam Cooke\", he sought a fresh start in pop. In 1957, Cooke appeared on ABC's The Guy Mitchell Show. That same year, he signed with Keen Records.", "That same year, he signed with Keen Records. That same year, he signed with Keen Records. His first hit, \"You Send Me\", released as the B-side of \"Summertime\", spent six weeks at No. 1 on the Billboard R&B chart. The song also had mainstream success, spending three weeks at No. 1 on the Billboard pop chart. It elevated him from earning $200 a week to over $5,000 a week.", "It elevated him from earning $200 a week to over $5,000 a week. In 1958, Cooke performed for the famed Cavalcade of Jazz concert produced by Leon Hefflin Sr. held at the Shrine Auditorium on August 3. The other headliners were Little Willie John, Ray Charles, Ernie Freeman, and Bo Rhambo. Sammy Davis Jr. was there to crown the winner of the Miss Cavalcade of Jazz beauty contest. The event featured the top four prominent disc jockeys of Los Angeles.", "The event featured the top four prominent disc jockeys of Los Angeles. Cooke signed with the RCA Victor record label in January 1960, having been offered a guaranteed $100,000 () by the label's producers Hugo & Luigi. One of his first RCA Victor singles was \"Chain Gang\", which reached No. 2 on the Billboard pop chart.", "2 on the Billboard pop chart. 2 on the Billboard pop chart. It was followed by more hits, including \"Sad Mood\", \"Cupid\", \"Bring It On Home to Me\" (with Lou Rawls on backing vocals), \"Another Saturday Night\", and \"Twistin' the Night Away\". In 1961, Cooke started his own record label, SAR Records, with J. W. Alexander and his manager, Roy Crain.", "In 1961, Cooke started his own record label, SAR Records, with J. W. Alexander and his manager, Roy Crain. The label soon included the Simms Twins, the Valentinos (who were Bobby Womack and his brothers), Mel Carter and Johnnie Taylor. Cooke then created a publishing imprint and management firm named Kags. Like most R&B artists of his time, Cooke focused on singles; in all, he had 29 top 40 hits on the pop charts and more on the R&B charts.", "Like most R&B artists of his time, Cooke focused on singles; in all, he had 29 top 40 hits on the pop charts and more on the R&B charts. He was a prolific songwriter and wrote most of the songs he recorded. He also had a hand in overseeing some of the song arrangements.", "He also had a hand in overseeing some of the song arrangements. In spite of releasing mostly singles, he released a well-received blues-inflected LP in 1963, Night Beat, and his most critically acclaimed studio album, Ain't That Good News, which featured five singles, in 1964. In 1963, Cooke signed a five-year contract for Allen Klein to manage Kags Music and SAR Records and made him his manager.", "In 1963, Cooke signed a five-year contract for Allen Klein to manage Kags Music and SAR Records and made him his manager. Klein negotiated a five-year deal (three years plus two option years) with RCA Victor in which a holding company, Tracey, Ltd, named after Cooke's daughter, owned by Klein and managed by J. W. Alexander, would produce and own Cooke's recordings. RCA Victor would get exclusive distribution rights in exchange for 6 percent royalty payments and payments for the recording sessions.", "RCA Victor would get exclusive distribution rights in exchange for 6 percent royalty payments and payments for the recording sessions. For tax reasons, Cooke would receive preferred stock in Tracey instead of an initial cash advance of $100,000. Cooke would receive cash advances of $100,000 for the next two years, followed by an additional $75,000 for each of the two option years if the deal went to term. Personal life Cooke was married twice.", "Personal life Cooke was married twice. Personal life Cooke was married twice. His first marriage was to singer-dancer Dolores Elizabeth Milligan Cook, who took the stage name \"Dee Dee Mohawk\" in 1953; they divorced in 1958. She was killed in an auto collision in Fresno, California in 1959. Although he and Dolores were divorced, Cooke paid for his ex-wife's funeral expenses. She was survived by her son Joey. In 1958, Cooke married his second wife, Barbara Campbell (1935–2021), in Chicago.", "In 1958, Cooke married his second wife, Barbara Campbell (1935–2021), in Chicago. His father performed the ceremony. They had three children, Linda (b. 1953), Tracy (b. 1960), and Vincent (1961–1963), who drowned in the family swimming pool. Less than three months after Cooke's death, his widow, Barbara, married his friend Bobby Womack. Womack sexually abused Cooke's daughter, Linda.", "Womack sexually abused Cooke's daughter, Linda. Womack sexually abused Cooke's daughter, Linda. Linda married Womack's brother, Cecil Womack and they became the duo Womack & Womack. Cooke also fathered at least three other children out of wedlock. In 1958, a woman in Philadelphia, Connie Bolling, claimed Cooke was the father of her son. Cooke paid her an estimated $5,000 settlement out of court. In November 1958, Cooke was involved in a car accident en route from St. Louis to Greenville.", "In November 1958, Cooke was involved in a car accident en route from St. Louis to Greenville. His chauffeur Edward Cunningham was killed, while Cooke, guitarist Cliff White, and singer Lou Rawls were hospitalized. Death Cooke was killed at the age of 33 on December 11, 1964, at the Hacienda Motel, in South Central Los Angeles, California, located at 91st and Figueroa Ave. Answering separate reports of a shooting and a kidnapping at the motel, police found Cooke's body.", "Death Cooke was killed at the age of 33 on December 11, 1964, at the Hacienda Motel, in South Central Los Angeles, California, located at 91st and Figueroa Ave. Answering separate reports of a shooting and a kidnapping at the motel, police found Cooke's body. He had sustained a gunshot wound to the chest, which was later determined to have pierced his heart. The motel's manager, Bertha Franklin, claimed to have shot him in self-defense. Her account was immediately disputed by Cooke's acquaintances.", "Her account was immediately disputed by Cooke's acquaintances. Her account was immediately disputed by Cooke's acquaintances. The motel's owner, Evelyn Carr, said that she had been on the telephone with Franklin at the time of the incident. Carr said she overheard Cooke's intrusion and the ensuing conflict and gunshot, and called the police. The police record states that Franklin fatally shot Cooke, who had checked in earlier that evening.", "The police record states that Franklin fatally shot Cooke, who had checked in earlier that evening. Franklin said that Cooke had banged on the door of her office, shouting \"Where's the girl?! \", in reference to Elisa Boyer, a woman who had accompanied Cooke to the motel, and who had called the police that night from a telephone booth near the motel minutes before Carr had.", "\", in reference to Elisa Boyer, a woman who had accompanied Cooke to the motel, and who had called the police that night from a telephone booth near the motel minutes before Carr had. Franklin shouted back that there was no one in her office except herself, but an enraged Cooke did not believe her and forced his way into the office, naked except for one shoe and a sport jacket. He grabbed her, demanding again to know the woman's whereabouts.", "He grabbed her, demanding again to know the woman's whereabouts. According to Franklin, she grappled with Cooke, the two of them fell to the floor, and she then got up and ran to retrieve a gun. She said she then fired at Cooke in self-defense because she feared for her life. Cooke was struck once in the torso. According to Franklin, he exclaimed, \"Lady, you shot me\", in a tone that expressed perplexity rather than anger, before advancing on her again.", "According to Franklin, he exclaimed, \"Lady, you shot me\", in a tone that expressed perplexity rather than anger, before advancing on her again. She said she hit him in the head with a broomstick before he finally fell to the floor and died. A coroner's inquest was convened to investigate the incident. Boyer told the police that she had first met Cooke earlier that night and had spent the evening in his company.", "Boyer told the police that she had first met Cooke earlier that night and had spent the evening in his company. She said that after they left a local nightclub together, she had repeatedly requested that he take her home, but he instead took her against her will to the Hacienda Motel. She said that once in one of the motel's rooms, Cooke physically forced her onto the bed, and then stripped her to her panties; she said she was sure he was going to rape her.", "She said that once in one of the motel's rooms, Cooke physically forced her onto the bed, and then stripped her to her panties; she said she was sure he was going to rape her. Cooke allowed her to use the bathroom, from which she attempted an escape but found that the window was firmly shut. According to Boyer, she returned to the main room, where Cooke continued to molest her. When he went to use the bathroom, she quickly grabbed her clothes and ran from the room.", "When he went to use the bathroom, she quickly grabbed her clothes and ran from the room. She said that in her haste, she had also scooped up most of Cooke's clothing by mistake. She said she ran first to the manager's office and knocked on the door seeking help. However, she said that the manager took too long to respond, so, fearing Cooke would soon be coming after her, she fled from the motel before the manager ever opened the door.", "However, she said that the manager took too long to respond, so, fearing Cooke would soon be coming after her, she fled from the motel before the manager ever opened the door. She said she then put her clothes back on, hid Cooke's clothing, went to a telephone booth, and called the police. Boyer's story is the only account of what happened between her and Cooke that night, and her story has long been called into question.", "Boyer's story is the only account of what happened between her and Cooke that night, and her story has long been called into question. Inconsistencies between her version of events and details reported by diners at Martoni's Restaurant, where Cooke dined and drank earlier in the evening, suggest that Boyer may have gone willingly to the motel with Cooke, then slipped out of the room with his clothing to rob him, rather than to escape an attempted rape.", "Inconsistencies between her version of events and details reported by diners at Martoni's Restaurant, where Cooke dined and drank earlier in the evening, suggest that Boyer may have gone willingly to the motel with Cooke, then slipped out of the room with his clothing to rob him, rather than to escape an attempted rape. Cooke was reportedly carrying a large amount of money at Martoni's, according to restaurant employees and friends.", "Cooke was reportedly carrying a large amount of money at Martoni's, according to restaurant employees and friends. However, a search of Boyer's purse by police revealed nothing except a $20 bill, and a search of Cooke's Ferrari found only a money clip with $108 and a few loose coins. However, questions about Boyer's role were beyond the scope of the inquest, the purpose of which was only to establish the circumstances of Franklin's role in the shooting.", "However, questions about Boyer's role were beyond the scope of the inquest, the purpose of which was only to establish the circumstances of Franklin's role in the shooting. Boyer's leaving the motel room with almost all of Cooke's clothing, and the fact that tests showed Cooke was inebriated at the time, provided a plausible explanation to the inquest jurors for Cooke's bizarre behavior and state of undress.", "Boyer's leaving the motel room with almost all of Cooke's clothing, and the fact that tests showed Cooke was inebriated at the time, provided a plausible explanation to the inquest jurors for Cooke's bizarre behavior and state of undress. In addition, because Carr's testimony corroborated Franklin's version of events, and because both Boyer and Franklin later passed polygraph tests, the coroner's jury ultimately accepted Franklin's explanation and returned a verdict of justifiable homicide.", "In addition, because Carr's testimony corroborated Franklin's version of events, and because both Boyer and Franklin later passed polygraph tests, the coroner's jury ultimately accepted Franklin's explanation and returned a verdict of justifiable homicide. With that verdict, authorities officially closed the case on Cooke's death. Some of Cooke's family and supporters, however, have rejected Boyer's version of events, as well as those given by Franklin and Carr.", "Some of Cooke's family and supporters, however, have rejected Boyer's version of events, as well as those given by Franklin and Carr. They believe that there was a conspiracy to murder Cooke and that the murder took place in some manner entirely different from the three official accounts.", "They believe that there was a conspiracy to murder Cooke and that the murder took place in some manner entirely different from the three official accounts. On the perceived lack of an investigation, Cooke’s close friend Muhammad Ali said “If Cooke had been Frank Sinatra, the Beatles or Ricky Nelson, the FBI would be investigating.” Singer Etta James viewed Cooke's body before his funeral and questioned the accuracy of the official version of events.", "On the perceived lack of an investigation, Cooke’s close friend Muhammad Ali said “If Cooke had been Frank Sinatra, the Beatles or Ricky Nelson, the FBI would be investigating.” Singer Etta James viewed Cooke's body before his funeral and questioned the accuracy of the official version of events. She wrote that the injuries she observed were well beyond the official account of Cooke having fought Franklin alone.", "She wrote that the injuries she observed were well beyond the official account of Cooke having fought Franklin alone. James wrote that Cooke was so badly beaten that his head was nearly separated from his shoulders, his hands were broken and crushed, and his nose mangled. Some have speculated that Cooke's manager, Allen Klein, had a role in his death. Klein owned Tracey, Ltd, which ultimately owned all rights to Cooke's recordings. No concrete evidence supporting a criminal conspiracy has been presented.", "No concrete evidence supporting a criminal conspiracy has been presented. Aftermath The first funeral service for Cooke was held on December 18, 1964, at A. R. Leak Funeral Home in Chicago; 200,000 fans lined up for more than four city blocks to view his body.", "Aftermath The first funeral service for Cooke was held on December 18, 1964, at A. R. Leak Funeral Home in Chicago; 200,000 fans lined up for more than four city blocks to view his body. Afterward, his body was flown back to Los Angeles for a second service, at the Mount Sinai Baptist Church on December 19, which included a much-heralded performance of \"The Angels Keep Watching Over Me\" by Ray Charles, who stood in for a grief-stricken Bessie Griffin.", "Afterward, his body was flown back to Los Angeles for a second service, at the Mount Sinai Baptist Church on December 19, which included a much-heralded performance of \"The Angels Keep Watching Over Me\" by Ray Charles, who stood in for a grief-stricken Bessie Griffin. Cooke was interred at Forest Lawn Memorial Park Cemetery in Glendale, California. Two singles and an album were released in the month after his death.", "Two singles and an album were released in the month after his death. One of the singles, \"Shake\", reached the top ten of both the pop and R&B charts. The B-side, \"A Change Is Gonna Come\", is considered a classic protest song from the era of the civil rights movement. It was a Top 40 pop hit and a top 10 R&B hit. The album, also titled Shake, reached the number one spot for R&B albums.", "The album, also titled Shake, reached the number one spot for R&B albums. Bertha Franklin said she received numerous death threats after shooting Cooke. She left her position at the Hacienda Motel and did not publicly disclose where she had moved. After being cleared by the coroner's jury, she sued Cooke's estate, citing physical injuries and mental anguish suffered as a result of Cooke's attack. Her lawsuit sought $200,000 in compensatory and punitive damages.", "Her lawsuit sought $200,000 in compensatory and punitive damages. Barbara Womack countersued Franklin on behalf of the estate, seeking $7,000 in damages to cover Cooke's funeral expenses. Elisa Boyer provided testimony in support of Franklin in the case. In 1967, a jury ruled in favor of Franklin on both counts, awarding her $30,000 in damages. Legacy Cultural depictions Portrayals Cooke was portrayed by Paul Mooney in The Buddy Holly Story, a 1978 American biographical film which tells the life story of rock musician Buddy Holly.", "Legacy Cultural depictions Portrayals Cooke was portrayed by Paul Mooney in The Buddy Holly Story, a 1978 American biographical film which tells the life story of rock musician Buddy Holly. In the stage play One Night in Miami, first performed in 2013, Cooke is portrayed by Arinzé Kene. In the 2020 film adaptation, he is played by Leslie Odom Jr., who was nominated for the Academy Award for Best Supporting Actor for his portrayal.", "In the 2020 film adaptation, he is played by Leslie Odom Jr., who was nominated for the Academy Award for Best Supporting Actor for his portrayal. Posthumous honors In 1986, Cooke was inducted as a charter member of the Rock and Roll Hall of Fame. In 1987, Cooke was inducted into the Songwriters Hall of Fame. In 1989, Cooke was inducted a second time to the Rock and Roll Hall of Fame when the Soul Stirrers were inducted.", "In 1989, Cooke was inducted a second time to the Rock and Roll Hall of Fame when the Soul Stirrers were inducted. On February 1, 1994, Cooke received a star on the Hollywood Walk of Fame for his contributions to the music industry, located on 7051 Hollywood Boulevard. Although Cooke never won a Grammy Award, he received the Grammy Lifetime Achievement Award in 1999, presented by Larry Blackmon of funk super-group Cameo.", "Although Cooke never won a Grammy Award, he received the Grammy Lifetime Achievement Award in 1999, presented by Larry Blackmon of funk super-group Cameo. In 2004, Rolling Stone ranked Cooke 16th on its list of the \"100 Greatest Artists of All Time\". In 2008, Cooke was named the fourth \"Greatest Singer of All Time\" by Rolling Stone. In 2008, Cooke received the first plaque on the Clarksdale Walk of Fame, located at the New Roxy theater.", "In 2008, Cooke received the first plaque on the Clarksdale Walk of Fame, located at the New Roxy theater. In 2009, Cooke was honored with a marker on the Mississippi Blues Trail in Clarksdale. In June 2011, the city of Chicago renamed a portion of East 36th Street near Cottage Grove Avenue as the honorary \"Sam Cooke Way\" to remember the singer near a corner where he hung out and sang as a teenager.", "In June 2011, the city of Chicago renamed a portion of East 36th Street near Cottage Grove Avenue as the honorary \"Sam Cooke Way\" to remember the singer near a corner where he hung out and sang as a teenager. In 2013, Cooke was inducted into the National Rhythm and Blues Music Hall of Fame in Cleveland, Ohio, at Cleveland State University. The founder of the National Rhythm & Blues Hall of Fame Museum, LaMont Robinson, said he was the greatest singer ever to sing.", "The founder of the National Rhythm & Blues Hall of Fame Museum, LaMont Robinson, said he was the greatest singer ever to sing. The words \"A change is gonna come\" from the Sam Cooke song of the same name are on a wall of the Contemplative Court, a space for reflection in the Smithsonian's National Museum of African American History and Culture; the museum opened in 2016. Cooke is inducted into the Mississippi Musicians Hall of Fame.", "Cooke is inducted into the Mississippi Musicians Hall of Fame. In 2020, Dion released a song and music video as a tribute to Cooke called \"Song for Sam Cooke (Here in America)\" (featuring Paul Simon) from his album Blues with Friends. American Songwriter magazine honored \"Song for Sam Cooke\" as the \"Greatest of the Great 2020 Songs\".", "American Songwriter magazine honored \"Song for Sam Cooke\" as the \"Greatest of the Great 2020 Songs\". Discography Sam Cooke (1958) Encore (1958) Tribute to the Lady (1959) Cooke's Tour (1960) Hits of the 50's (1960) The Wonderful World of Sam Cooke (1960, compilation) Swing Low (1961) My Kind of Blues (1961) Twistin' the Night Away (1962) Mr.", "Discography Sam Cooke (1958) Encore (1958) Tribute to the Lady (1959) Cooke's Tour (1960) Hits of the 50's (1960) The Wonderful World of Sam Cooke (1960, compilation) Swing Low (1961) My Kind of Blues (1961) Twistin' the Night Away (1962) Mr. Soul (1963) Night Beat (1963) Ain't That Good News (1964) Sam Cooke at the Copa (1964, live) Live at the Harlem Square Club, 1963 (1985, live) Notes References Further reading Our Uncle Sam: The Sam Cooke Story from His Family's Perspective by Erik Greene (2005) You Send Me: The Life and Times of Sam Cooke by Daniel Wolff, S. R. Crain, Clifton White, and G. David Tenenbaum (1995) One More River to Cross: The Redemption of Sam Cooke by B. G. Rhule (2012) External links Sam Cooke (ABKCO Homepage) \"Black Elvis\" by The Village Voice 1931 births 1964 deaths African-American male singer-songwriters Activists for African-American civil rights African-American rock musicians African-American rock singers American gospel singers American male pop singers American rhythm and blues musicians American rhythm and blues singers American rock musicians American rock singers American soul musicians American soul singers Grammy Lifetime Achievement Award winners Keen Records artists RCA Victor artists Specialty Records artists Death conspiracy theories Deaths by firearm in California Musicians from Clarksdale, Mississippi Singers from Chicago Singer-songwriters from Mississippi Burials at Forest Lawn Memorial Park (Glendale) 20th-century African-American activists Mississippi Blues Trail 20th-century African-American male singers Singer-songwriters from Illinois" ]

[ "Honus Wagner", "Later career", "What did he do late in his career?", "In 1910, Wagner's average fell to .320, his lowest average since 1898." ]

[ "Shelby Aldwin Whitfield (April 13, 1935 – February 5, 2013) was a play-by-play sports announcer, author and sports director for ABC Radio.\n\nEarly life and career\nWhitfield was born in Frost, Texas. He attended the University of Texas, where he announced games and did play-by-play coverage for the Plainview Ponies, a minor league team based in Plainview, Texas. He joined the Army in 1955 and became the sports director of American Forces Network within two years.\n\nWashington Senators announcing career\nWhitfield was a play-by-play announcer for the Washington Senators in 1969 and 1970.\n\nKiss It Goodbye\nAfter Senators owner Robert E. Short moved the team to Texas after the 1971 season, to become the Texas Rangers, Whitfield wrote a book called Kiss It Goodbye, which was highly critical of the franchise and its management. The book helped prompt the Federal Communications Commission to investigate the ethics of sports broadcasting.\n\nPost-Senators career\nFollowing his tenure with the Senators, Whitfield worked for WWDC, hosting the talk show \"Sports Roundtable.\"\n\nIn 1974, he joined Associated Press Radio, where he served as the sports director for seven years. Following his tenure there, he joined ABC Radio as its sports director in 1981. In that role, he oversaw coverage of multiple notable sporting events, including the Olympics.\n\nIn 1991, he collaborated with sports journalist and announcer Howard Cosell on a book called What's Wrong With Sports.\n\nHe retired in 1997. He died in Jackson, New Jersey at the age of 77 from complications from diabetes.\n\nReferences\n\n1935 births\n2013 deaths\nAmerican male non-fiction writers\nAmerican radio sports announcers\nAmerican television sports announcers\nDeaths from diabetes\nMajor League Baseball broadcasters\nPeople from Navarro County, Texas\nUnited States Army personnel\nUniversity of Texas alumni\nWashington Senators (1961–1971) announcers\nWriters from Texas", "Dean Brown (born in Saint Boniface, Manitoba on November 3, 1961) is a Canadian hockey commentator. He is known for being the main play-by-play announcer for the National Hockey League's Ottawa Senators since the team's inaugural season, at first on Ottawa's talk-radio station 580 CFRA in the franchise's first years, and since 1998 on TSN 1200 radio.\n\nEarly career\nPrior to becoming the voice of the Senators, Brown was a news anchor at CFRW in Winnipeg, Manitoba and at CKSL in London. Before moving into sports and moving to 580 CFRA in Ottawa in 1983. Brown later became the station's morning sports anchor, sports director and play-by-play voice of the now defunct Canadian Football League's Ottawa Rough Riders franchise.\n\nBrown was the radio play-by-play voice of the 1989 Grey Cup and was the youngest broadcaster ever selected to perform those duties on the national and international broadcast of the CFL's championship game.\n\nOttawa Senators\nBrown currently does play-by-play of Senators games on TSN Radio 1200 alongside analyst Gord Wilson. Brown previously did games on Sportsnet East alongside former New York Islanders defenceman Denis Potvin. In April 2014, Brown signed a 7-year contract with TSN to do play-by-play of all Senators games on TSN 1200.\n\nHe was previously paired with former goaltender Greg Millen until the 2002–03 season during Senators games on both A-Channel and Sportsnet.\n\nHe is known for his distinctive way of yelling, \"Scores!\", as well as for his commonly used phrases such as \"Scramble!\", \"Winds, fires\" \"Oh what a save by (goaltender)!\", \"Oh my heavens!\", \"(certain player) blows a tire\", and calling the trapezoidal area behind the net where goaltenders may not play the puck, the \"forbidden zone\". Not to mention, he came up with the clever \"sudden victory overtime\" phrase. The reason for this is that the losing team still gets a point, therefore it is no longer \"sudden death\".\n\nNational broadcasting assignments\nFrom November 1998 until Rogers Media acquired the NHL rights in 2014, Brown also did play-by-play on CBC's Hockey Night in Canada, usually on telecasts from Ottawa. Brown also occasionally worked as a football play-by-play broadcaster for the CFL on CBC and was a part-time general sports reporter for TSN and the now defunct Canadian Football Network.\n\nReferences\n\n1961 births\nLiving people\nOttawa Senators announcers\nCanadian television sportscasters\nNational Hockey League broadcasters\nCanadian Football League announcers\nCanadian radio sportscasters" ]

[ "Johannes Peter \"Honus\" Wagner (; February 24, 1874 – December 6, 1955), sometimes referred to as \"Hans\" Wagner, was an American baseball shortstop who played 21 seasons in Major League Baseball from 1897 to 1917, almost entirely for the Pittsburgh Pirates. Wagner won his eighth (and final) batting title in 1911, a National League record that remains unbroken to this day, and matched only once, in 1997, by Tony Gwynn.", "Wagner won his eighth (and final) batting title in 1911, a National League record that remains unbroken to this day, and matched only once, in 1997, by Tony Gwynn. He also led the league in slugging six times and stolen bases five times. Wagner was nicknamed \"The Flying Dutchman\" due to his superb speed and German heritage. This nickname was a nod to the popular folk-tale made into a famous opera by the German composer Richard Wagner.", "This nickname was a nod to the popular folk-tale made into a famous opera by the German composer Richard Wagner. In , the Baseball Hall of Fame inducted Wagner as one of the first five members. He received the second-highest vote total, behind Ty Cobb's 222 and tied with Babe Ruth at 215. Most baseball historians consider Wagner to be the greatest shortstop ever and one of the greatest players ever. Ty Cobb himself called Wagner \"maybe the greatest star ever to take the diamond\".", "Ty Cobb himself called Wagner \"maybe the greatest star ever to take the diamond\". Honus Wagner is also the featured player of one of the rarest and the most valuable baseball cards in existence. Early life Wagner was born to German immigrants Peter and Katheryn Wagner in the borough of Chartiers, in what is now Carnegie, Pennsylvania. Wagner was one of nine children. As a child, he was called Hans by his mother, which later evolved into Honus.", "As a child, he was called Hans by his mother, which later evolved into Honus. \"Hans\" was also an alternate nickname during his major league career. Wagner dropped out of school at age 12 to help his father and brothers in the coal mines. In their free time, he and his brothers played sandlot baseball and developed their skills to such an extent that three of his brothers went on to become professionals as well.", "In their free time, he and his brothers played sandlot baseball and developed their skills to such an extent that three of his brothers went on to become professionals as well. Wagner's older brother, Albert \"Butts\" Wagner, who had a brief major league career himself, is often credited with getting Honus his first tryout. Butts persuaded his manager to take a look at his younger brother. Following his brother, Wagner trained to be a barber before becoming successful in baseball.", "Following his brother, Wagner trained to be a barber before becoming successful in baseball. In 1916, Wagner married Bessie Baine Smith, and the couple had three daughters: Elva Katrina (b. 1918, stillborn), Betty Baine (1919–1992), and Virginia Mae (1922–1985). Professional career Career before Major League Baseball Honus' brother Albert \"Butts\" Wagner was considered the ballplayer of the family. Albert suggested Honus in 1895 when his Inter-State League team was in need of help.", "Albert suggested Honus in 1895 when his Inter-State League team was in need of help. Wagner played for five teams in that first year, in three different leagues over the course of 80 games. In 1896, Edward Barrow, from the Wheeling, West Virginia, team that Wagner was playing on, decided to take Honus with him to his next team, the Paterson Silk Sox (Atlantic League).", "In 1896, Edward Barrow, from the Wheeling, West Virginia, team that Wagner was playing on, decided to take Honus with him to his next team, the Paterson Silk Sox (Atlantic League). Barrow proved to be a good talent scout, as Wagner could play wherever he was needed, including all three bases and the outfield. Wagner hit .313 for Paterson in 1896 and .375 in 74 games in 1897.", "Wagner hit .313 for Paterson in 1896 and .375 in 74 games in 1897. Louisville Colonels Recognizing that Wagner should be playing at the highest level, Barrow contacted the Louisville Colonels, who had finished last in the National League in 1896 with a record of 38–93. They were doing better in 1897 when Barrow persuaded club president Barney Dreyfuss, club secretary Harry Pulliam, and outfielder-manager Fred Clarke to go to Paterson to see Wagner play.", "They were doing better in 1897 when Barrow persuaded club president Barney Dreyfuss, club secretary Harry Pulliam, and outfielder-manager Fred Clarke to go to Paterson to see Wagner play. Dreyfuss and Clarke were not impressed with the awkward-looking man, not surprising, as Wagner was oddly built: he was tall, weighed , and had a barrel chest, massive shoulders, heavily muscled arms, huge hands, and incredibly bowed legs that deprived him of any grace and several inches of height.", "Dreyfuss and Clarke were not impressed with the awkward-looking man, not surprising, as Wagner was oddly built: he was tall, weighed , and had a barrel chest, massive shoulders, heavily muscled arms, huge hands, and incredibly bowed legs that deprived him of any grace and several inches of height. Pulliam, though, persuaded Dreyfuss and Clarke to take a chance on him. Wagner debuted with Louisville on July 19 and hit .338 in 61 games.", "Wagner debuted with Louisville on July 19 and hit .338 in 61 games. By his second season, Wagner was already one of the best hitters in the National League although he came up short a percentage point from finishing the season at .300. Following the season, the NL contracted from twelve to eight teams, with the Colonels one of four teams eliminated. Owner Barney Dreyfuss, who had purchased half ownership in the Pirates, took Wagner and many of his other top players with him to the Pittsburgh team.", "Owner Barney Dreyfuss, who had purchased half ownership in the Pirates, took Wagner and many of his other top players with him to the Pittsburgh team. Tommy Leach recounted his impressions of joining the Louisville club in 1898 with hopes of winning the starting job at third base: Pittsburgh Pirates The move to the Pittsburgh Pirates signified Wagner's emergence as a premier hitter.", "Tommy Leach recounted his impressions of joining the Louisville club in 1898 with hopes of winning the starting job at third base: Pittsburgh Pirates The move to the Pittsburgh Pirates signified Wagner's emergence as a premier hitter. In 1900, Wagner won his first batting championship with a .381 mark and also led the league in doubles (45), triples (22), and slugging percentage (.573), all of which were career highs. For the next nine seasons, Wagner's average did not fall below .330.", "For the next nine seasons, Wagner's average did not fall below .330. In , the American League began to sign National League players, creating a bidding war, which depleted the league of many talented players. Wagner was offered a $20,000 contract by the Chicago White Sox, but turned it down and continued to play with the Pirates. Prior to 1904, Wagner had played several positions but settled into the shortstop role full-time that season, where he became a skilled fielder.", "Prior to 1904, Wagner had played several positions but settled into the shortstop role full-time that season, where he became a skilled fielder. His biography on BaseballLibrary.com describes his gritty style: Bowlegged, barrel-chested, long-limbed ... he was often likened to an octopus. When he fielded grounders, his huge hands also collected large scoops of infield dirt, which accompanied his throws to first like the tail of a comet. In 1898, Wagner won a distance contest in Louisville by throwing a baseball more than .", "In 1898, Wagner won a distance contest in Louisville by throwing a baseball more than . In August 1899, he became the first player credited with stealing second base, third, and home in succession under the new rule differentiating between advanced bases and stolen bases. He repeated the feat in 1902, 1907, and 1909. Wagner retired with the National League record for most steals of home (27), which was broken by Greasy Neale in 1922.", "Wagner retired with the National League record for most steals of home (27), which was broken by Greasy Neale in 1922. In September 1905, Wagner signed a contract to produce the first bat with a player's signature, the Louisville Slugger, becoming the first sportsperson to endorse a commercial product; the Honus Wagner was to become a best-seller for years.", "In September 1905, Wagner signed a contract to produce the first bat with a player's signature, the Louisville Slugger, becoming the first sportsperson to endorse a commercial product; the Honus Wagner was to become a best-seller for years. One month later, with one point separating him from Reds center fielder Cy Seymour for the batting title, Wagner fell short in a head-to-head matchup on the final day of the season, with Seymour collecting four hits to Wagner's two, as contemporary press reports stated that the fans were far more interested in the Seymour-Wagner battle than in the outcome of the games.", "One month later, with one point separating him from Reds center fielder Cy Seymour for the batting title, Wagner fell short in a head-to-head matchup on the final day of the season, with Seymour collecting four hits to Wagner's two, as contemporary press reports stated that the fans were far more interested in the Seymour-Wagner battle than in the outcome of the games. Shortly before the season, Wagner retired. In desperation, owner Barney Dreyfuss offered him $10,000 per year, making him the highest-paid Pirate for many years.", "In desperation, owner Barney Dreyfuss offered him $10,000 per year, making him the highest-paid Pirate for many years. He returned to the Pirates early in the 1908 season, and finished two home runs short of the league's Triple Crown, leading the league in hitting (for the sixth time)‚ hits‚ total bases‚ doubles‚ triples‚ RBI‚ and stolen bases. Wagner took over the batting lead from the New York Giants' flamboyant outfielder Mike Donlin during a July 25 game against the Giants and their star pitcher Christy Mathewson.", "Wagner took over the batting lead from the New York Giants' flamboyant outfielder Mike Donlin during a July 25 game against the Giants and their star pitcher Christy Mathewson. Wagner was 5-for-5 in the game; after each hit, he reportedly held up another finger to Donlin, who went hitless, and who had just beaten runner-up Wagner by a wide margin in a \"most popular player\" poll. Bill James cites Wagner's 1908 season as the greatest single-season for any player in baseball history.", "Bill James cites Wagner's 1908 season as the greatest single-season for any player in baseball history. He notes that the league ERA of 2.35 was the lowest of the dead-ball era and about half of the ERAs of modern baseball. Since Wagner hit .354 with 109 RBI in an environment when half as many runs were scored as today, he asks, \"if you had a Gold Glove shortstop, like Wagner, who drove in 218 runs, what would he be worth?\"", "Since Wagner hit .354 with 109 RBI in an environment when half as many runs were scored as today, he asks, \"if you had a Gold Glove shortstop, like Wagner, who drove in 218 runs, what would he be worth?\" He was the first winner of 'The World's Championship Batsman' 's Cup, in 1908, made by Welshman George \"Honey Boy\" Evans. 1903 and 1909 World Series In , the Pirates played the Boston Americans in Major League Baseball's inaugural World Series.", "1903 and 1909 World Series In , the Pirates played the Boston Americans in Major League Baseball's inaugural World Series. Wagner, by this point, was an established star and much was expected of him, especially since the Pirates' starting rotation was decimated by injury. Wagner himself was not at full strength and hit only .222 for the series.", "Wagner himself was not at full strength and hit only .222 for the series. The Americans, meanwhile, had some fans, called the \"Royal Rooters\" who, whenever Wagner came to bat, sang \"Honus, Honus, why do you hit so badly?\" to the tune of \"Tessie\", a popular song of the day. The Rooters, led by Boston bartender Michael \"Nuf Ced\" McGreevy, even traveled to Pittsburgh to continue their heckling.", "The Rooters, led by Boston bartender Michael \"Nuf Ced\" McGreevy, even traveled to Pittsburgh to continue their heckling. Pittsburgh lost in the best-of-nine series, five games to three, to a team led by pitchers Cy Young and Bill Dinneen and third baseman–manager Jimmy Collins.", "Pittsburgh lost in the best-of-nine series, five games to three, to a team led by pitchers Cy Young and Bill Dinneen and third baseman–manager Jimmy Collins. Christy Mathewson, in his book \"Pitching in a Pinch\" wrote: \"For some time after \"Hans\" Wagner's poor showing in the world's series of 1903 ... it was reported that he was \"yellow\" (poor in the clutch).", "Christy Mathewson, in his book \"Pitching in a Pinch\" wrote: \"For some time after \"Hans\" Wagner's poor showing in the world's series of 1903 ... it was reported that he was \"yellow\" (poor in the clutch). This grieved the Dutchman deeply, for I don't know a ballplayer in either league who would assay less quit to the ton than Wagner ... This was the real tragedy in Wagner's career.", "This was the real tragedy in Wagner's career. This was the real tragedy in Wagner's career. Notwithstanding his stolid appearance, he is a sensitive player, and this has hurt him more than anything else in his life ever has.\" Wagner was distraught by his performance. The following spring, he refused to send his portrait to a \"Hall of Fame\" for batting champions, citing his play in the World Series. \"I was too bum last year\", he wrote.", "\"I was too bum last year\", he wrote. \"I was a joke in that Boston-Pittsburgh Series. What does it profit a man to hammer along and make a few hits when they are not needed only to fall down when it comes to a pinch? I would be ashamed to have my picture up now.\" Wagner and the Pirates were given a chance to prove that they were not \"yellow\" in . The Pirates faced Ty Cobb's Detroit Tigers.", "The Pirates faced Ty Cobb's Detroit Tigers. The Pirates faced Ty Cobb's Detroit Tigers. The series was the only meeting of the two superior batsmen of the day, and the first time that the batting champions of each league faced one another (this later occurred thrice more, in 1931, 1954, and 2012 World Series). Wagner was by this time 35 years old, Cobb just 22.", "Wagner was by this time 35 years old, Cobb just 22. This time, Wagner could not be stifled as he outhit Cobb, .333 to .231, and stole six bases, establishing the new Series record. The speed demon Cobb only managed two steals, one of which Cobb himself admitted was a botched call. Wagner recounted: \"We had him out at second. We put up a squawk, but Silk O'Loughlin, the umpire, overruled it.", "We put up a squawk, but Silk O'Loughlin, the umpire, overruled it. We kept the squawk going for a minute or so, making no headway of course, and then Cobb spoke up. He turned to O'Loughlin, an American League umpire, by the way, and said, 'Of course I was out. They had me by a foot. You just booted the play, so come on, let's play ball.'\"", "You just booted the play, so come on, let's play ball.'\" There was also a story that was widely circulated over the years and famously recounted in Lawrence Ritter's The Glory of Their Times, that at one point Cobb was on first; he bragged to Wagner that he was going to steal second and threatened to assault him physically doing it; Wagner defiantly dared him to try it and placed an especially rough tag to Cobb's mouth; and the two exchanged choice words.", "There was also a story that was widely circulated over the years and famously recounted in Lawrence Ritter's The Glory of Their Times, that at one point Cobb was on first; he bragged to Wagner that he was going to steal second and threatened to assault him physically doing it; Wagner defiantly dared him to try it and placed an especially rough tag to Cobb's mouth; and the two exchanged choice words. Cobb denied it in his autobiography, and the play-by-play of the 1909 World Series confirms that the event could not have happened as stated: Cobb was never tagged out by Wagner in a caught-stealing.", "Cobb denied it in his autobiography, and the play-by-play of the 1909 World Series confirms that the event could not have happened as stated: Cobb was never tagged out by Wagner in a caught-stealing. The Pirates won the series in seven games behind the pitching of rookie Babe Adams. Later career In 1910, Wagner's average fell to .320, his lowest average since .", "Later career In 1910, Wagner's average fell to .320, his lowest average since . Nevertheless, he aged exceptionally well; the three highest OPS+ seasons by any shortstop aged 35 or older belong to Wagner, and even his age-41 season ranks 8th on the list. Wagner won the 1911 batting title by the narrowest of margins. He went hitless in a 1–0 win against the Cubs on May 30, but a successful league protest by the Cubs wiped out the result (and Wagner's at-bats).", "He went hitless in a 1–0 win against the Cubs on May 30, but a successful league protest by the Cubs wiped out the result (and Wagner's at-bats). Wagner ended up edging the Boston Rustlers' Doc Miller, .334 to .333. The Pirates were in contention into August, but an ankle injury sidelined Wagner for 25 games and the team slid from the race.", "The Pirates were in contention into August, but an ankle injury sidelined Wagner for 25 games and the team slid from the race. On June 9, , at age 40, Wagner recorded his 3,000th hit, a double off Philadelphia's Erskine Mayer, the second player in baseball history to reach the figure, after Cap Anson, and Nap Lajoie joined them three months later. This accomplishment, however, came during a down period for Wagner and Pirates.", "This accomplishment, however, came during a down period for Wagner and Pirates. Wagner hit only .252 in 1914, the lowest average of his career. In July 1915, he became the oldest player to hit a grand slam, a record which stood for 70 years until topped by 43-year-old Tony Pérez. In 1916, Wagner became the oldest player to hit an inside-the-park home run. In , following another retirement, Wagner returned for his final, abbreviated season.", "In , following another retirement, Wagner returned for his final, abbreviated season. Returning in June, he was spiked in July and played only sparingly for the remainder of the year, batting .265. He briefly held the role of interim manager, but after going 1–4, Wagner told owner Dreyfuss the job was not for him. He retired as the NL's all-time hit leader, with 3,430. (Subsequent research has since revised this total to 3,418.)", "(Subsequent research has since revised this total to 3,418.) It took 45 years for St. Louis' Stan Musial to surpass Wagner's hit total. Wagner has been considered one of the very best all-around players to ever play baseball since the day he retired in 1917. Baseball historian and statistician Bill James named Honus Wagner as the second-best player of all time after Babe Ruth, rating him as the best major league player in 1900 and each year from 1902 to 1908.", "Baseball historian and statistician Bill James named Honus Wagner as the second-best player of all time after Babe Ruth, rating him as the best major league player in 1900 and each year from 1902 to 1908. Statisticians John Thorn and Pete Palmer rate Wagner as ninth all-time in their \"Total Player Ranking\". Many of the greats who played or managed against Wagner, including Babe Ruth, Ty Cobb, Rogers Hornsby, and Walter Johnson, list him at shortstop on their All-Time teams.", "Many of the greats who played or managed against Wagner, including Babe Ruth, Ty Cobb, Rogers Hornsby, and Walter Johnson, list him at shortstop on their All-Time teams. Life after baseball Wagner was not finished playing baseball after his retirement from major league baseball. He managed and played for a semi-pro team. After retirement, Wagner served the Pirates as a coach for 39 years, most notably as a hitting instructor from to .", "After retirement, Wagner served the Pirates as a coach for 39 years, most notably as a hitting instructor from to . Arky Vaughan, Ralph Kiner, Pie Traynor (player-manager from –), and Hank Greenberg (although Greenberg was in his final major league season in 1947, his only season with the Pirates, and very well established) all future Hall of Famers, were notable \"pupils\" of Wagner.", "Arky Vaughan, Ralph Kiner, Pie Traynor (player-manager from –), and Hank Greenberg (although Greenberg was in his final major league season in 1947, his only season with the Pirates, and very well established) all future Hall of Famers, were notable \"pupils\" of Wagner. During this time, he wore uniform number 14 but later changed it to his more famous 33, which was later the number retired for him. (His entire playing career was in the days before uniform numbers were worn.)", "(His entire playing career was in the days before uniform numbers were worn.) His appearances at National League stadiums during his coaching years were always well received and Wagner remained a beloved ambassador of baseball. Wagner also coached baseball and basketball at Carnegie Institute of Technology, which is now part of Carnegie Mellon University. In 1928, Wagner ran for the office of Sheriff of Allegheny County, Pennsylvania but lost. He was appointed as a deputy of the Allegheny County Sheriff's Office in 1942.", "He was appointed as a deputy of the Allegheny County Sheriff's Office in 1942. He also ran a well-known sporting goods company. A sporting goods store bearing the name \"Honus Wagner\" operated in downtown Pittsburgh for 93 years before closing permanently in 2011. The Pirates hosted the 1944 Major League Baseball All-Star Game at Forbes Field. Wagner was invited to be an honorary coach for the National League squad, the first time this honor was bestowed in Major League Baseball's All-Star Game.", "Wagner was invited to be an honorary coach for the National League squad, the first time this honor was bestowed in Major League Baseball's All-Star Game. Wagner lived the remainder of his life in Pittsburgh, where he was well known as a friendly figure around town. He died on December 6, 1955, at the age of 81, and he is buried at Jefferson Memorial Cemetery in the South Hills area of Pittsburgh.", "He died on December 6, 1955, at the age of 81, and he is buried at Jefferson Memorial Cemetery in the South Hills area of Pittsburgh. Film legacy Wagner, along with his famous baseball card, was one of the earliest athletes to make the crossover into pop culture film.", "Film legacy Wagner, along with his famous baseball card, was one of the earliest athletes to make the crossover into pop culture film. He starred as a sports hero in 1919's Spring Fever with Moe Howard and Shemp Howard of the Three Stooges, and has been depicted as the subject of The Winning Season (2004) and in a brief scene in Cobb (1994).", "He starred as a sports hero in 1919's Spring Fever with Moe Howard and Shemp Howard of the Three Stooges, and has been depicted as the subject of The Winning Season (2004) and in a brief scene in Cobb (1994). Baseball legacy When the Baseball Hall of Fame held its first election in 1936, Wagner tied for second in the voting with Babe Ruth, trailing Cobb.", "Baseball legacy When the Baseball Hall of Fame held its first election in 1936, Wagner tied for second in the voting with Babe Ruth, trailing Cobb. A 1942 Sporting News poll of 100 former players and managers confirmed this opinion, with Wagner finishing 43 votes behind Cobb and six ahead of Ruth. In 1969, on the 100th anniversary of professional baseball, a vote was taken to honor the greatest players ever, and Wagner was selected as the all-time shortstop.", "In 1969, on the 100th anniversary of professional baseball, a vote was taken to honor the greatest players ever, and Wagner was selected as the all-time shortstop. In 1999, 82 years after his last game and 44 years since his death, Wagner was voted Number 13 on The Sporting News list of the 100 Greatest Players, where he was again the highest-ranking shortstop.", "In 1999, 82 years after his last game and 44 years since his death, Wagner was voted Number 13 on The Sporting News list of the 100 Greatest Players, where he was again the highest-ranking shortstop. That same year, he was selected to the Major League Baseball All-Century Team by the oversight committee, after losing out in the popular vote to Cal Ripken, Jr. and Ernie Banks. Christy Mathewson asserted that Wagner was the only player he faced that did not have a weakness.", "Christy Mathewson asserted that Wagner was the only player he faced that did not have a weakness. Mathewson felt that the only way to keep Wagner from hitting was not to pitch to him. \"A stirring march and two-step\", titled \"Husky Hans\", and \"respectfully dedicated to Hans Wagner, Three-time Champion Batsman of The National League\" was written by William J. Hartz in 1904.", "\"A stirring march and two-step\", titled \"Husky Hans\", and \"respectfully dedicated to Hans Wagner, Three-time Champion Batsman of The National League\" was written by William J. Hartz in 1904. Bill James says that Wagner is easily the greatest shortstop of all time, noting that the difference between Wagner and the second greatest shortstop, in James' estimation Arky Vaughan, is roughly the same as the gulf between Vaughan and the 20th greatest shortstop. Wagner is mentioned in the poem Line-Up for Yesterday by Ogden Nash.", "Wagner is mentioned in the poem Line-Up for Yesterday by Ogden Nash. A life-size statue of Wagner swinging a bat, atop a marble pedestal featuring admiring children, was forged by a local sculptor named Frank Vittor, and placed outside the left-field corner gate at Forbes Field. It was dedicated on April 30, 1955, and the then-frail Wagner was well enough to attend and wave to his many fans. The Pirates have relocated twice since then, and the statue has come along with them.", "The Pirates have relocated twice since then, and the statue has come along with them. It now stands outside the main gate of PNC Park. The statue roughly faces the site of the Pirates' original home, Exposition Park, so in a sense, Wagner has come full circle. Wagner is honored in the form of a small stadium residing behind Carnegie Elementary School on Washington Avenue in Carnegie, Pennsylvania. The stadium serves as the home field for Carlynton High School varsity sports.", "The stadium serves as the home field for Carlynton High School varsity sports. The Historical Society of Carnegie History Center houses the Honus Wagner Sports Museum which includes many Wagner collectibles and memorabilia. Visitors receive replicas of the famous card. In the 1992 episode Homer at the Bat, the popular TV show The Simpsons made a reference to Wagner. The character Mr. Burns lists three ringers he wants for his company's baseball team, but they are Honus Wagner, Cap Anson, and \"Mordecai 'Three Fingers' Brown\".", "The character Mr. Burns lists three ringers he wants for his company's baseball team, but they are Honus Wagner, Cap Anson, and \"Mordecai 'Three Fingers' Brown\". His assistant has to point out that they are not only retired but long-dead ... Anson having played in the late 19th century. In 2000, Wagner was honored with a U.S. postage stamp. The stamp was issued as part of a \"Legends of Baseball\" series that honored 20 all-time greats in conjunction with MLB's All-Century team.", "The stamp was issued as part of a \"Legends of Baseball\" series that honored 20 all-time greats in conjunction with MLB's All-Century team. T206 Baseball card The T206 Honus Wagner baseball card''' is one of the rarest and most expensive baseball cards in the world, as only 57 copies are known to exist. The card was designed and issued by the American Tobacco Company (ATC) from 1909 to 1911 as part of its T206 series.", "The card was designed and issued by the American Tobacco Company (ATC) from 1909 to 1911 as part of its T206 series. While sources allege that Wagner, a nonsmoker, refused to allow the production of his baseball card to continue, the more likely reason was the sum ATC was willing to pay Wagner.", "While sources allege that Wagner, a nonsmoker, refused to allow the production of his baseball card to continue, the more likely reason was the sum ATC was willing to pay Wagner. The ATC ended production of the Wagner card and a total of only 57 to 200 cards were ever distributed to the public, as compared to the \"tens or hundreds of thousands\" of T206 cards, over three years in 16 brands of cigarettes, for any other player.", "The ATC ended production of the Wagner card and a total of only 57 to 200 cards were ever distributed to the public, as compared to the \"tens or hundreds of thousands\" of T206 cards, over three years in 16 brands of cigarettes, for any other player. In 1933, the card was first listed at a price value of US $50 in Jefferson Burdick's The American Card Catalog, making it the most expensive baseball card at the time.", "In 1933, the card was first listed at a price value of US $50 in Jefferson Burdick's The American Card Catalog, making it the most expensive baseball card at the time. The typical card in the T206 series had a width of and a height of . Some cards were awkwardly shaped or irregularly sized, which prompted a belief that many of the cards in the series had been altered at one point or another.", "Some cards were awkwardly shaped or irregularly sized, which prompted a belief that many of the cards in the series had been altered at one point or another. In his work Inside T206: A Collector Guide to the Classic Baseball Card Set, Scot A. Reader wrote that, \"It is not at all uncommon to find T206 examples that have been altered at some point during their near-century of existence.\"", "Reader wrote that, \"It is not at all uncommon to find T206 examples that have been altered at some point during their near-century of existence.\" These discrepancies were taken advantage of by \"card doctors\" who trimmed corners and dirty edges to improve the appearance of the card.", "These discrepancies were taken advantage of by \"card doctors\" who trimmed corners and dirty edges to improve the appearance of the card. The front of all T206 series cards, including the Wagner card, displayed a lithograph of the player created by a multi-stage printing process in which a number of colors were printed on top of each other to create a lithograph with the appropriate design. The backs of the cards featured the monochromatic colors of the 16 tobacco brands for which the cards were printed.", "The backs of the cards featured the monochromatic colors of the 16 tobacco brands for which the cards were printed. The Wagner cards in particular advertised the Piedmont and Sweet Caporal brands of cigarettes and were produced at Factory 25 in Virginia, as indicated by the factory stamp imprinted on the back of the cards. Starting from January 1909, the ATC sought authorization from baseball players for inclusion in the T206 series, which featured 524 major league players, 76 of whom were later inducted into the Baseball Hall of Fame.", "Starting from January 1909, the ATC sought authorization from baseball players for inclusion in the T206 series, which featured 524 major league players, 76 of whom were later inducted into the Baseball Hall of Fame. Wagner had been at the top of his game throughout the decade and was even considered the game's greatest player at the time. He had appeared on advertisements for a number of other products such as chewing gum, gunpowder, and soft drinks.", "He had appeared on advertisements for a number of other products such as chewing gum, gunpowder, and soft drinks. Unsurprisingly, the ATC asked for Wagner's permission to have his picture on a baseball card. According to an October 12, 1912 issue of The Sporting News, Wagner did not give his consent to appear on the baseball card.", "According to an October 12, 1912 issue of The Sporting News, Wagner did not give his consent to appear on the baseball card. In response to the authorization request letter sent by John Gruber, a Pittsburgh sportswriter hired by the ATC to seek Wagner's permission, Wagner wrote that he \"did not care to have his picture in a package of cigarettes\". He threatened to seek legal action against ATC if they went ahead and created his baseball card.", "He threatened to seek legal action against ATC if they went ahead and created his baseball card. A near mint-mint condition T206 Wagner card sold in 2007 for $2.8 million, the highest price ever for a baseball card. In 2010, a previously unknown copy of the card was donated to the School Sisters of Notre Dame in Baltimore. The card, which was in poor condition, sold in November 2010 to a collector for $262,000, well over the $150,000 that was expected at auction.", "The card, which was in poor condition, sold in November 2010 to a collector for $262,000, well over the $150,000 that was expected at auction. The card came with Sister Virginia Muller's brother's handwritten note: \"Although damaged, the value of this baseball card should increase exponentially throughout the 21st century!\" On April 20, 2012, a New Jersey resident purchased a VG-3 graded T206 Wagner card for more than $1.2 million.", "On April 20, 2012, a New Jersey resident purchased a VG-3 graded T206 Wagner card for more than $1.2 million. On April 6, 2013, a 1909–11 T206 baseball card featuring Honus Wagner sold at auction for $2.1 million. On October 1, 2016, a T206 Wagner card graded PSA-5 sold for $3.12 million, setting yet again the record for the highest price paid for any baseball card.", "On October 1, 2016, a T206 Wagner card graded PSA-5 sold for $3.12 million, setting yet again the record for the highest price paid for any baseball card. On May 29, 2019, a Honus Wagner T-206 sold for $1.2 million by SCP Auctions in Southern California. The same card had been previously auctioned for $657,250 in 2014 and $776,750 in 2016. The encapsulated card was rated as only a 2 on a scale to 10.", "The encapsulated card was rated as only a 2 on a scale to 10. In May 2021, one example sold for a new record $3.75 million. In doing so it became the second most expensive baseball card sold at auction. In August 2021, another example sold for $6.6 million dollars making it the most valuable sportscard. The card featured in the plot of the Nickelodeon film Swindle. Statistics The numbers shown below are the figures officially recognized on MLB.com. The figures on Baseball-Reference.com are as follows.", "The figures on Baseball-Reference.com are as follows. The figures on Baseball-Reference.com are as follows. Other private research sites may have different figures. Caught Stealing is not shown comprehensively for Wagner's MLB.com totals because the stat was not regularly captured until 1920. Strikeouts is not shown comprehensively for Wagner's MLB.com totals, because the stat was not regularly captured until 1910. Note that mlb.com's Total Bases do not correspond to the number of hits, 2B, 3B, and HR listed.", "Note that mlb.com's Total Bases do not correspond to the number of hits, 2B, 3B, and HR listed. See also 3,000 hit club List of Major League Baseball career doubles leaders List of Major League Baseball career triples leaders List of Major League Baseball career runs scored leaders List of Major League Baseball career runs batted in leaders List of Major League Baseball doubles records List of Major League Baseball triples records List of Major League Baseball players to hit for the cycle List of Major League Baseball annual runs batted in leaders List of Major League Baseball batting champions List of Major League Baseball career stolen bases leaders List of Major League Baseball annual runs scored leaders List of Major League Baseball annual stolen base leaders List of Major League Baseball annual doubles leaders List of Major League Baseball annual triples leaders List of Major League Baseball player-managers Major League Baseball titles leaders References Bibliography Hall of Fame Network: \"Honus Wagner as Mona Lisa\", HOFMAG.com.", "See also 3,000 hit club List of Major League Baseball career doubles leaders List of Major League Baseball career triples leaders List of Major League Baseball career runs scored leaders List of Major League Baseball career runs batted in leaders List of Major League Baseball doubles records List of Major League Baseball triples records List of Major League Baseball players to hit for the cycle List of Major League Baseball annual runs batted in leaders List of Major League Baseball batting champions List of Major League Baseball career stolen bases leaders List of Major League Baseball annual runs scored leaders List of Major League Baseball annual stolen base leaders List of Major League Baseball annual doubles leaders List of Major League Baseball annual triples leaders List of Major League Baseball player-managers Major League Baseball titles leaders References Bibliography Hall of Fame Network: \"Honus Wagner as Mona Lisa\", HOFMAG.com. Honus Wagner: A Biography, by Dennis DeValeria and Jeanne Burke DeValeria, Henry Holt and Company, New York, 1995.", "Honus Wagner: A Biography, by Dennis DeValeria and Jeanne Burke DeValeria, Henry Holt and Company, New York, 1995. Hittner, Arthur D. Honus Wagner: The Life of Baseball's \"Flying Dutchman.\" Jefferson, North Carolina: McFarland, 1996 and 2003 (softcover). . Winner of the 1996 Seymour Medal, awarded by the Society for American Baseball Research.Honus and Me'' by Dan Gutman (novel), Perfection Learning Corporation, 1999.", "Winner of the 1996 Seymour Medal, awarded by the Society for American Baseball Research.Honus and Me'' by Dan Gutman (novel), Perfection Learning Corporation, 1999. External links The T206 Collection – The Players & Their Stories Honus Wagner's Obit – The New York Times, Tuesday, December 6, 1955 Honus-Wagner.org 19th-century baseball players National Baseball Hall of Fame inductees Louisville Colonels players Baseball players from Pennsylvania Major League Baseball shortstops National League batting champions National League RBI champions National League stolen base champions Pittsburgh Pirates managers Pittsburgh Pirates players Pittsburgh Pirates coaches Sportspeople from Pennsylvania Major League Baseball players with retired numbers Carnegie Mellon University faculty People from Washington County, Pennsylvania 1874 births 1955 deaths American people of German descent Minor league baseball managers Adrian Reformers players Adrian Demons players Steubenville Stubs players Akron Akrons players Lima Kids players Mansfield Kids players Paterson Silk Weavers players Major League Baseball player-managers American sportsmen People from Carnegie, Pennsylvania" ]

[ "Honus Wagner", "Later career", "What did he do late in his career?", "In 1910, Wagner's average fell to .320, his lowest average since 1898.", "what sports did he play", "baseball", "Did he play any other sports?", "I don't know.", "Did he do any coaching in his late career?", "I don't know." ]

[ "Forever Young is Kaysha's album released 2009.\n\nTrack list\n\n Anti Bad Music Police\n Be With You\n Digital Sexyness\n Duro\n Fanta & Avocado\n Forever Young Intro\n Funky Makaku\n Glorious Beautiful\n Heaven\n Hey Girl\n I Give You the Music\n I Still Love You\n Joachim\n Kota Na Piste\n Les Belles Histoires D'amour\n Love You Need You\n Loving and Kissing\n Make More Dollars\n Nobody Else\n On Veut Juste Danser\n Once Again\n Outro\n Paradisio / Inferno\n Pour Toujours\n Pure\n Si Tu T'en Vas\n Simple Pleasures\n Tell Me What We Waiting For\n That African Shit\n The Sweetest Thing\n The Way You Move\n Toi Et Moi\n U My Bb\n Yes You Can\n You + Me\n You're My Baby Girl\n\n2009 albums", "You Can Hold Me Down is the debut album by William Tell, first released on March 13, 2007 through Universal Records and New Door Records.\n\nTrack listing\n \"Jeannie\" (William Tell) 3:01\n \"Slipping Under (Sing Along to Your Favorite Song)\" (PJ Smith, William Tell) 3:34\n \"Trouble\" (William Tell) 2:55\n \"Fairfax (You’re Still the Same)\" (William Tell) 2:49\n \"Like You, Only Sweeter\" (Darren Tehrani, William Tell) 3:41\n \"Maybe Tonight\" (William Tell, Mike Green) 3:13\n \"Young at Heart\" (William Tell) 2:46\n \"Sounds\" (William Tell, PJ Smith) 3:05\n \"Just For You\" (William Tell, Mike Green) 3:33\n \"You Can Hold Me Down\" (William Tell, Darren Tehrani) 3:23\n\nBest Buy hidden track:\n<li> \"You Can Hold Me Down\" (Tell, Tehrani) – 9:31\n features the hidden track \"After All\", beginning at about 4:30\n\niTunes Store bonus track:\n<li> \"Yesterday is Calling\" (James Bourne, Smith) – 3:43\n\nTarget bonus track:\n<li> \"Young at Heart (Acoustic)\" (Tell) – 2:46\n\nWal-Mart bonus tracks:\n<li> \"This Mess\" – 3:23\n<li> \"Katie (Where'd You Go?)\" – 3:48\n\nPersonnel\nWilliam Tell - vocals, guitars, bass\nBrian Ireland - drums, percussion\nAndrew McMahon - piano\n\nReferences\n\nYou Can Hold Me Down (William Tell album)" ]

[ "Johannes Peter \"Honus\" Wagner (; February 24, 1874 – December 6, 1955), sometimes referred to as \"Hans\" Wagner, was an American baseball shortstop who played 21 seasons in Major League Baseball from 1897 to 1917, almost entirely for the Pittsburgh Pirates. Wagner won his eighth (and final) batting title in 1911, a National League record that remains unbroken to this day, and matched only once, in 1997, by Tony Gwynn.", "Wagner won his eighth (and final) batting title in 1911, a National League record that remains unbroken to this day, and matched only once, in 1997, by Tony Gwynn. He also led the league in slugging six times and stolen bases five times. Wagner was nicknamed \"The Flying Dutchman\" due to his superb speed and German heritage. This nickname was a nod to the popular folk-tale made into a famous opera by the German composer Richard Wagner.", "This nickname was a nod to the popular folk-tale made into a famous opera by the German composer Richard Wagner. In , the Baseball Hall of Fame inducted Wagner as one of the first five members. He received the second-highest vote total, behind Ty Cobb's 222 and tied with Babe Ruth at 215. Most baseball historians consider Wagner to be the greatest shortstop ever and one of the greatest players ever. Ty Cobb himself called Wagner \"maybe the greatest star ever to take the diamond\".", "Ty Cobb himself called Wagner \"maybe the greatest star ever to take the diamond\". Honus Wagner is also the featured player of one of the rarest and the most valuable baseball cards in existence. Early life Wagner was born to German immigrants Peter and Katheryn Wagner in the borough of Chartiers, in what is now Carnegie, Pennsylvania. Wagner was one of nine children. As a child, he was called Hans by his mother, which later evolved into Honus.", "As a child, he was called Hans by his mother, which later evolved into Honus. \"Hans\" was also an alternate nickname during his major league career. Wagner dropped out of school at age 12 to help his father and brothers in the coal mines. In their free time, he and his brothers played sandlot baseball and developed their skills to such an extent that three of his brothers went on to become professionals as well.", "In their free time, he and his brothers played sandlot baseball and developed their skills to such an extent that three of his brothers went on to become professionals as well. Wagner's older brother, Albert \"Butts\" Wagner, who had a brief major league career himself, is often credited with getting Honus his first tryout. Butts persuaded his manager to take a look at his younger brother. Following his brother, Wagner trained to be a barber before becoming successful in baseball.", "Following his brother, Wagner trained to be a barber before becoming successful in baseball. In 1916, Wagner married Bessie Baine Smith, and the couple had three daughters: Elva Katrina (b. 1918, stillborn), Betty Baine (1919–1992), and Virginia Mae (1922–1985). Professional career Career before Major League Baseball Honus' brother Albert \"Butts\" Wagner was considered the ballplayer of the family. Albert suggested Honus in 1895 when his Inter-State League team was in need of help.", "Albert suggested Honus in 1895 when his Inter-State League team was in need of help. Wagner played for five teams in that first year, in three different leagues over the course of 80 games. In 1896, Edward Barrow, from the Wheeling, West Virginia, team that Wagner was playing on, decided to take Honus with him to his next team, the Paterson Silk Sox (Atlantic League).", "In 1896, Edward Barrow, from the Wheeling, West Virginia, team that Wagner was playing on, decided to take Honus with him to his next team, the Paterson Silk Sox (Atlantic League). Barrow proved to be a good talent scout, as Wagner could play wherever he was needed, including all three bases and the outfield. Wagner hit .313 for Paterson in 1896 and .375 in 74 games in 1897.", "Wagner hit .313 for Paterson in 1896 and .375 in 74 games in 1897. Louisville Colonels Recognizing that Wagner should be playing at the highest level, Barrow contacted the Louisville Colonels, who had finished last in the National League in 1896 with a record of 38–93. They were doing better in 1897 when Barrow persuaded club president Barney Dreyfuss, club secretary Harry Pulliam, and outfielder-manager Fred Clarke to go to Paterson to see Wagner play.", "They were doing better in 1897 when Barrow persuaded club president Barney Dreyfuss, club secretary Harry Pulliam, and outfielder-manager Fred Clarke to go to Paterson to see Wagner play. Dreyfuss and Clarke were not impressed with the awkward-looking man, not surprising, as Wagner was oddly built: he was tall, weighed , and had a barrel chest, massive shoulders, heavily muscled arms, huge hands, and incredibly bowed legs that deprived him of any grace and several inches of height.", "Dreyfuss and Clarke were not impressed with the awkward-looking man, not surprising, as Wagner was oddly built: he was tall, weighed , and had a barrel chest, massive shoulders, heavily muscled arms, huge hands, and incredibly bowed legs that deprived him of any grace and several inches of height. Pulliam, though, persuaded Dreyfuss and Clarke to take a chance on him. Wagner debuted with Louisville on July 19 and hit .338 in 61 games.", "Wagner debuted with Louisville on July 19 and hit .338 in 61 games. By his second season, Wagner was already one of the best hitters in the National League although he came up short a percentage point from finishing the season at .300. Following the season, the NL contracted from twelve to eight teams, with the Colonels one of four teams eliminated. Owner Barney Dreyfuss, who had purchased half ownership in the Pirates, took Wagner and many of his other top players with him to the Pittsburgh team.", "Owner Barney Dreyfuss, who had purchased half ownership in the Pirates, took Wagner and many of his other top players with him to the Pittsburgh team. Tommy Leach recounted his impressions of joining the Louisville club in 1898 with hopes of winning the starting job at third base: Pittsburgh Pirates The move to the Pittsburgh Pirates signified Wagner's emergence as a premier hitter.", "Tommy Leach recounted his impressions of joining the Louisville club in 1898 with hopes of winning the starting job at third base: Pittsburgh Pirates The move to the Pittsburgh Pirates signified Wagner's emergence as a premier hitter. In 1900, Wagner won his first batting championship with a .381 mark and also led the league in doubles (45), triples (22), and slugging percentage (.573), all of which were career highs. For the next nine seasons, Wagner's average did not fall below .330.", "For the next nine seasons, Wagner's average did not fall below .330. In , the American League began to sign National League players, creating a bidding war, which depleted the league of many talented players. Wagner was offered a $20,000 contract by the Chicago White Sox, but turned it down and continued to play with the Pirates. Prior to 1904, Wagner had played several positions but settled into the shortstop role full-time that season, where he became a skilled fielder.", "Prior to 1904, Wagner had played several positions but settled into the shortstop role full-time that season, where he became a skilled fielder. His biography on BaseballLibrary.com describes his gritty style: Bowlegged, barrel-chested, long-limbed ... he was often likened to an octopus. When he fielded grounders, his huge hands also collected large scoops of infield dirt, which accompanied his throws to first like the tail of a comet. In 1898, Wagner won a distance contest in Louisville by throwing a baseball more than .", "In 1898, Wagner won a distance contest in Louisville by throwing a baseball more than . In August 1899, he became the first player credited with stealing second base, third, and home in succession under the new rule differentiating between advanced bases and stolen bases. He repeated the feat in 1902, 1907, and 1909. Wagner retired with the National League record for most steals of home (27), which was broken by Greasy Neale in 1922.", "Wagner retired with the National League record for most steals of home (27), which was broken by Greasy Neale in 1922. In September 1905, Wagner signed a contract to produce the first bat with a player's signature, the Louisville Slugger, becoming the first sportsperson to endorse a commercial product; the Honus Wagner was to become a best-seller for years.", "In September 1905, Wagner signed a contract to produce the first bat with a player's signature, the Louisville Slugger, becoming the first sportsperson to endorse a commercial product; the Honus Wagner was to become a best-seller for years. One month later, with one point separating him from Reds center fielder Cy Seymour for the batting title, Wagner fell short in a head-to-head matchup on the final day of the season, with Seymour collecting four hits to Wagner's two, as contemporary press reports stated that the fans were far more interested in the Seymour-Wagner battle than in the outcome of the games.", "One month later, with one point separating him from Reds center fielder Cy Seymour for the batting title, Wagner fell short in a head-to-head matchup on the final day of the season, with Seymour collecting four hits to Wagner's two, as contemporary press reports stated that the fans were far more interested in the Seymour-Wagner battle than in the outcome of the games. Shortly before the season, Wagner retired. In desperation, owner Barney Dreyfuss offered him $10,000 per year, making him the highest-paid Pirate for many years.", "In desperation, owner Barney Dreyfuss offered him $10,000 per year, making him the highest-paid Pirate for many years. He returned to the Pirates early in the 1908 season, and finished two home runs short of the league's Triple Crown, leading the league in hitting (for the sixth time)‚ hits‚ total bases‚ doubles‚ triples‚ RBI‚ and stolen bases. Wagner took over the batting lead from the New York Giants' flamboyant outfielder Mike Donlin during a July 25 game against the Giants and their star pitcher Christy Mathewson.", "Wagner took over the batting lead from the New York Giants' flamboyant outfielder Mike Donlin during a July 25 game against the Giants and their star pitcher Christy Mathewson. Wagner was 5-for-5 in the game; after each hit, he reportedly held up another finger to Donlin, who went hitless, and who had just beaten runner-up Wagner by a wide margin in a \"most popular player\" poll. Bill James cites Wagner's 1908 season as the greatest single-season for any player in baseball history.", "Bill James cites Wagner's 1908 season as the greatest single-season for any player in baseball history. He notes that the league ERA of 2.35 was the lowest of the dead-ball era and about half of the ERAs of modern baseball. Since Wagner hit .354 with 109 RBI in an environment when half as many runs were scored as today, he asks, \"if you had a Gold Glove shortstop, like Wagner, who drove in 218 runs, what would he be worth?\"", "Since Wagner hit .354 with 109 RBI in an environment when half as many runs were scored as today, he asks, \"if you had a Gold Glove shortstop, like Wagner, who drove in 218 runs, what would he be worth?\" He was the first winner of 'The World's Championship Batsman' 's Cup, in 1908, made by Welshman George \"Honey Boy\" Evans. 1903 and 1909 World Series In , the Pirates played the Boston Americans in Major League Baseball's inaugural World Series.", "1903 and 1909 World Series In , the Pirates played the Boston Americans in Major League Baseball's inaugural World Series. Wagner, by this point, was an established star and much was expected of him, especially since the Pirates' starting rotation was decimated by injury. Wagner himself was not at full strength and hit only .222 for the series.", "Wagner himself was not at full strength and hit only .222 for the series. The Americans, meanwhile, had some fans, called the \"Royal Rooters\" who, whenever Wagner came to bat, sang \"Honus, Honus, why do you hit so badly?\" to the tune of \"Tessie\", a popular song of the day. The Rooters, led by Boston bartender Michael \"Nuf Ced\" McGreevy, even traveled to Pittsburgh to continue their heckling.", "The Rooters, led by Boston bartender Michael \"Nuf Ced\" McGreevy, even traveled to Pittsburgh to continue their heckling. Pittsburgh lost in the best-of-nine series, five games to three, to a team led by pitchers Cy Young and Bill Dinneen and third baseman–manager Jimmy Collins.", "Pittsburgh lost in the best-of-nine series, five games to three, to a team led by pitchers Cy Young and Bill Dinneen and third baseman–manager Jimmy Collins. Christy Mathewson, in his book \"Pitching in a Pinch\" wrote: \"For some time after \"Hans\" Wagner's poor showing in the world's series of 1903 ... it was reported that he was \"yellow\" (poor in the clutch).", "Christy Mathewson, in his book \"Pitching in a Pinch\" wrote: \"For some time after \"Hans\" Wagner's poor showing in the world's series of 1903 ... it was reported that he was \"yellow\" (poor in the clutch). This grieved the Dutchman deeply, for I don't know a ballplayer in either league who would assay less quit to the ton than Wagner ... This was the real tragedy in Wagner's career.", "This was the real tragedy in Wagner's career. This was the real tragedy in Wagner's career. Notwithstanding his stolid appearance, he is a sensitive player, and this has hurt him more than anything else in his life ever has.\" Wagner was distraught by his performance. The following spring, he refused to send his portrait to a \"Hall of Fame\" for batting champions, citing his play in the World Series. \"I was too bum last year\", he wrote.", "\"I was too bum last year\", he wrote. \"I was a joke in that Boston-Pittsburgh Series. What does it profit a man to hammer along and make a few hits when they are not needed only to fall down when it comes to a pinch? I would be ashamed to have my picture up now.\" Wagner and the Pirates were given a chance to prove that they were not \"yellow\" in . The Pirates faced Ty Cobb's Detroit Tigers.", "The Pirates faced Ty Cobb's Detroit Tigers. The Pirates faced Ty Cobb's Detroit Tigers. The series was the only meeting of the two superior batsmen of the day, and the first time that the batting champions of each league faced one another (this later occurred thrice more, in 1931, 1954, and 2012 World Series). Wagner was by this time 35 years old, Cobb just 22.", "Wagner was by this time 35 years old, Cobb just 22. This time, Wagner could not be stifled as he outhit Cobb, .333 to .231, and stole six bases, establishing the new Series record. The speed demon Cobb only managed two steals, one of which Cobb himself admitted was a botched call. Wagner recounted: \"We had him out at second. We put up a squawk, but Silk O'Loughlin, the umpire, overruled it.", "We put up a squawk, but Silk O'Loughlin, the umpire, overruled it. We kept the squawk going for a minute or so, making no headway of course, and then Cobb spoke up. He turned to O'Loughlin, an American League umpire, by the way, and said, 'Of course I was out. They had me by a foot. You just booted the play, so come on, let's play ball.'\"", "You just booted the play, so come on, let's play ball.'\" There was also a story that was widely circulated over the years and famously recounted in Lawrence Ritter's The Glory of Their Times, that at one point Cobb was on first; he bragged to Wagner that he was going to steal second and threatened to assault him physically doing it; Wagner defiantly dared him to try it and placed an especially rough tag to Cobb's mouth; and the two exchanged choice words.", "There was also a story that was widely circulated over the years and famously recounted in Lawrence Ritter's The Glory of Their Times, that at one point Cobb was on first; he bragged to Wagner that he was going to steal second and threatened to assault him physically doing it; Wagner defiantly dared him to try it and placed an especially rough tag to Cobb's mouth; and the two exchanged choice words. Cobb denied it in his autobiography, and the play-by-play of the 1909 World Series confirms that the event could not have happened as stated: Cobb was never tagged out by Wagner in a caught-stealing.", "Cobb denied it in his autobiography, and the play-by-play of the 1909 World Series confirms that the event could not have happened as stated: Cobb was never tagged out by Wagner in a caught-stealing. The Pirates won the series in seven games behind the pitching of rookie Babe Adams. Later career In 1910, Wagner's average fell to .320, his lowest average since .", "Later career In 1910, Wagner's average fell to .320, his lowest average since . Nevertheless, he aged exceptionally well; the three highest OPS+ seasons by any shortstop aged 35 or older belong to Wagner, and even his age-41 season ranks 8th on the list. Wagner won the 1911 batting title by the narrowest of margins. He went hitless in a 1–0 win against the Cubs on May 30, but a successful league protest by the Cubs wiped out the result (and Wagner's at-bats).", "He went hitless in a 1–0 win against the Cubs on May 30, but a successful league protest by the Cubs wiped out the result (and Wagner's at-bats). Wagner ended up edging the Boston Rustlers' Doc Miller, .334 to .333. The Pirates were in contention into August, but an ankle injury sidelined Wagner for 25 games and the team slid from the race.", "The Pirates were in contention into August, but an ankle injury sidelined Wagner for 25 games and the team slid from the race. On June 9, , at age 40, Wagner recorded his 3,000th hit, a double off Philadelphia's Erskine Mayer, the second player in baseball history to reach the figure, after Cap Anson, and Nap Lajoie joined them three months later. This accomplishment, however, came during a down period for Wagner and Pirates.", "This accomplishment, however, came during a down period for Wagner and Pirates. Wagner hit only .252 in 1914, the lowest average of his career. In July 1915, he became the oldest player to hit a grand slam, a record which stood for 70 years until topped by 43-year-old Tony Pérez. In 1916, Wagner became the oldest player to hit an inside-the-park home run. In , following another retirement, Wagner returned for his final, abbreviated season.", "In , following another retirement, Wagner returned for his final, abbreviated season. Returning in June, he was spiked in July and played only sparingly for the remainder of the year, batting .265. He briefly held the role of interim manager, but after going 1–4, Wagner told owner Dreyfuss the job was not for him. He retired as the NL's all-time hit leader, with 3,430. (Subsequent research has since revised this total to 3,418.)", "(Subsequent research has since revised this total to 3,418.) It took 45 years for St. Louis' Stan Musial to surpass Wagner's hit total. Wagner has been considered one of the very best all-around players to ever play baseball since the day he retired in 1917. Baseball historian and statistician Bill James named Honus Wagner as the second-best player of all time after Babe Ruth, rating him as the best major league player in 1900 and each year from 1902 to 1908.", "Baseball historian and statistician Bill James named Honus Wagner as the second-best player of all time after Babe Ruth, rating him as the best major league player in 1900 and each year from 1902 to 1908. Statisticians John Thorn and Pete Palmer rate Wagner as ninth all-time in their \"Total Player Ranking\". Many of the greats who played or managed against Wagner, including Babe Ruth, Ty Cobb, Rogers Hornsby, and Walter Johnson, list him at shortstop on their All-Time teams.", "Many of the greats who played or managed against Wagner, including Babe Ruth, Ty Cobb, Rogers Hornsby, and Walter Johnson, list him at shortstop on their All-Time teams. Life after baseball Wagner was not finished playing baseball after his retirement from major league baseball. He managed and played for a semi-pro team. After retirement, Wagner served the Pirates as a coach for 39 years, most notably as a hitting instructor from to .", "After retirement, Wagner served the Pirates as a coach for 39 years, most notably as a hitting instructor from to . Arky Vaughan, Ralph Kiner, Pie Traynor (player-manager from –), and Hank Greenberg (although Greenberg was in his final major league season in 1947, his only season with the Pirates, and very well established) all future Hall of Famers, were notable \"pupils\" of Wagner.", "Arky Vaughan, Ralph Kiner, Pie Traynor (player-manager from –), and Hank Greenberg (although Greenberg was in his final major league season in 1947, his only season with the Pirates, and very well established) all future Hall of Famers, were notable \"pupils\" of Wagner. During this time, he wore uniform number 14 but later changed it to his more famous 33, which was later the number retired for him. (His entire playing career was in the days before uniform numbers were worn.)", "(His entire playing career was in the days before uniform numbers were worn.) His appearances at National League stadiums during his coaching years were always well received and Wagner remained a beloved ambassador of baseball. Wagner also coached baseball and basketball at Carnegie Institute of Technology, which is now part of Carnegie Mellon University. In 1928, Wagner ran for the office of Sheriff of Allegheny County, Pennsylvania but lost. He was appointed as a deputy of the Allegheny County Sheriff's Office in 1942.", "He was appointed as a deputy of the Allegheny County Sheriff's Office in 1942. He also ran a well-known sporting goods company. A sporting goods store bearing the name \"Honus Wagner\" operated in downtown Pittsburgh for 93 years before closing permanently in 2011. The Pirates hosted the 1944 Major League Baseball All-Star Game at Forbes Field. Wagner was invited to be an honorary coach for the National League squad, the first time this honor was bestowed in Major League Baseball's All-Star Game.", "Wagner was invited to be an honorary coach for the National League squad, the first time this honor was bestowed in Major League Baseball's All-Star Game. Wagner lived the remainder of his life in Pittsburgh, where he was well known as a friendly figure around town. He died on December 6, 1955, at the age of 81, and he is buried at Jefferson Memorial Cemetery in the South Hills area of Pittsburgh.", "He died on December 6, 1955, at the age of 81, and he is buried at Jefferson Memorial Cemetery in the South Hills area of Pittsburgh. Film legacy Wagner, along with his famous baseball card, was one of the earliest athletes to make the crossover into pop culture film.", "Film legacy Wagner, along with his famous baseball card, was one of the earliest athletes to make the crossover into pop culture film. He starred as a sports hero in 1919's Spring Fever with Moe Howard and Shemp Howard of the Three Stooges, and has been depicted as the subject of The Winning Season (2004) and in a brief scene in Cobb (1994).", "He starred as a sports hero in 1919's Spring Fever with Moe Howard and Shemp Howard of the Three Stooges, and has been depicted as the subject of The Winning Season (2004) and in a brief scene in Cobb (1994). Baseball legacy When the Baseball Hall of Fame held its first election in 1936, Wagner tied for second in the voting with Babe Ruth, trailing Cobb.", "Baseball legacy When the Baseball Hall of Fame held its first election in 1936, Wagner tied for second in the voting with Babe Ruth, trailing Cobb. A 1942 Sporting News poll of 100 former players and managers confirmed this opinion, with Wagner finishing 43 votes behind Cobb and six ahead of Ruth. In 1969, on the 100th anniversary of professional baseball, a vote was taken to honor the greatest players ever, and Wagner was selected as the all-time shortstop.", "In 1969, on the 100th anniversary of professional baseball, a vote was taken to honor the greatest players ever, and Wagner was selected as the all-time shortstop. In 1999, 82 years after his last game and 44 years since his death, Wagner was voted Number 13 on The Sporting News list of the 100 Greatest Players, where he was again the highest-ranking shortstop.", "In 1999, 82 years after his last game and 44 years since his death, Wagner was voted Number 13 on The Sporting News list of the 100 Greatest Players, where he was again the highest-ranking shortstop. That same year, he was selected to the Major League Baseball All-Century Team by the oversight committee, after losing out in the popular vote to Cal Ripken, Jr. and Ernie Banks. Christy Mathewson asserted that Wagner was the only player he faced that did not have a weakness.", "Christy Mathewson asserted that Wagner was the only player he faced that did not have a weakness. Mathewson felt that the only way to keep Wagner from hitting was not to pitch to him. \"A stirring march and two-step\", titled \"Husky Hans\", and \"respectfully dedicated to Hans Wagner, Three-time Champion Batsman of The National League\" was written by William J. Hartz in 1904.", "\"A stirring march and two-step\", titled \"Husky Hans\", and \"respectfully dedicated to Hans Wagner, Three-time Champion Batsman of The National League\" was written by William J. Hartz in 1904. Bill James says that Wagner is easily the greatest shortstop of all time, noting that the difference between Wagner and the second greatest shortstop, in James' estimation Arky Vaughan, is roughly the same as the gulf between Vaughan and the 20th greatest shortstop. Wagner is mentioned in the poem Line-Up for Yesterday by Ogden Nash.", "Wagner is mentioned in the poem Line-Up for Yesterday by Ogden Nash. A life-size statue of Wagner swinging a bat, atop a marble pedestal featuring admiring children, was forged by a local sculptor named Frank Vittor, and placed outside the left-field corner gate at Forbes Field. It was dedicated on April 30, 1955, and the then-frail Wagner was well enough to attend and wave to his many fans. The Pirates have relocated twice since then, and the statue has come along with them.", "The Pirates have relocated twice since then, and the statue has come along with them. It now stands outside the main gate of PNC Park. The statue roughly faces the site of the Pirates' original home, Exposition Park, so in a sense, Wagner has come full circle. Wagner is honored in the form of a small stadium residing behind Carnegie Elementary School on Washington Avenue in Carnegie, Pennsylvania. The stadium serves as the home field for Carlynton High School varsity sports.", "The stadium serves as the home field for Carlynton High School varsity sports. The Historical Society of Carnegie History Center houses the Honus Wagner Sports Museum which includes many Wagner collectibles and memorabilia. Visitors receive replicas of the famous card. In the 1992 episode Homer at the Bat, the popular TV show The Simpsons made a reference to Wagner. The character Mr. Burns lists three ringers he wants for his company's baseball team, but they are Honus Wagner, Cap Anson, and \"Mordecai 'Three Fingers' Brown\".", "The character Mr. Burns lists three ringers he wants for his company's baseball team, but they are Honus Wagner, Cap Anson, and \"Mordecai 'Three Fingers' Brown\". His assistant has to point out that they are not only retired but long-dead ... Anson having played in the late 19th century. In 2000, Wagner was honored with a U.S. postage stamp. The stamp was issued as part of a \"Legends of Baseball\" series that honored 20 all-time greats in conjunction with MLB's All-Century team.", "The stamp was issued as part of a \"Legends of Baseball\" series that honored 20 all-time greats in conjunction with MLB's All-Century team. T206 Baseball card The T206 Honus Wagner baseball card''' is one of the rarest and most expensive baseball cards in the world, as only 57 copies are known to exist. The card was designed and issued by the American Tobacco Company (ATC) from 1909 to 1911 as part of its T206 series.", "The card was designed and issued by the American Tobacco Company (ATC) from 1909 to 1911 as part of its T206 series. While sources allege that Wagner, a nonsmoker, refused to allow the production of his baseball card to continue, the more likely reason was the sum ATC was willing to pay Wagner.", "While sources allege that Wagner, a nonsmoker, refused to allow the production of his baseball card to continue, the more likely reason was the sum ATC was willing to pay Wagner. The ATC ended production of the Wagner card and a total of only 57 to 200 cards were ever distributed to the public, as compared to the \"tens or hundreds of thousands\" of T206 cards, over three years in 16 brands of cigarettes, for any other player.", "The ATC ended production of the Wagner card and a total of only 57 to 200 cards were ever distributed to the public, as compared to the \"tens or hundreds of thousands\" of T206 cards, over three years in 16 brands of cigarettes, for any other player. In 1933, the card was first listed at a price value of US $50 in Jefferson Burdick's The American Card Catalog, making it the most expensive baseball card at the time.", "In 1933, the card was first listed at a price value of US $50 in Jefferson Burdick's The American Card Catalog, making it the most expensive baseball card at the time. The typical card in the T206 series had a width of and a height of . Some cards were awkwardly shaped or irregularly sized, which prompted a belief that many of the cards in the series had been altered at one point or another.", "Some cards were awkwardly shaped or irregularly sized, which prompted a belief that many of the cards in the series had been altered at one point or another. In his work Inside T206: A Collector Guide to the Classic Baseball Card Set, Scot A. Reader wrote that, \"It is not at all uncommon to find T206 examples that have been altered at some point during their near-century of existence.\"", "Reader wrote that, \"It is not at all uncommon to find T206 examples that have been altered at some point during their near-century of existence.\" These discrepancies were taken advantage of by \"card doctors\" who trimmed corners and dirty edges to improve the appearance of the card.", "These discrepancies were taken advantage of by \"card doctors\" who trimmed corners and dirty edges to improve the appearance of the card. The front of all T206 series cards, including the Wagner card, displayed a lithograph of the player created by a multi-stage printing process in which a number of colors were printed on top of each other to create a lithograph with the appropriate design. The backs of the cards featured the monochromatic colors of the 16 tobacco brands for which the cards were printed.", "The backs of the cards featured the monochromatic colors of the 16 tobacco brands for which the cards were printed. The Wagner cards in particular advertised the Piedmont and Sweet Caporal brands of cigarettes and were produced at Factory 25 in Virginia, as indicated by the factory stamp imprinted on the back of the cards. Starting from January 1909, the ATC sought authorization from baseball players for inclusion in the T206 series, which featured 524 major league players, 76 of whom were later inducted into the Baseball Hall of Fame.", "Starting from January 1909, the ATC sought authorization from baseball players for inclusion in the T206 series, which featured 524 major league players, 76 of whom were later inducted into the Baseball Hall of Fame. Wagner had been at the top of his game throughout the decade and was even considered the game's greatest player at the time. He had appeared on advertisements for a number of other products such as chewing gum, gunpowder, and soft drinks.", "He had appeared on advertisements for a number of other products such as chewing gum, gunpowder, and soft drinks. Unsurprisingly, the ATC asked for Wagner's permission to have his picture on a baseball card. According to an October 12, 1912 issue of The Sporting News, Wagner did not give his consent to appear on the baseball card.", "According to an October 12, 1912 issue of The Sporting News, Wagner did not give his consent to appear on the baseball card. In response to the authorization request letter sent by John Gruber, a Pittsburgh sportswriter hired by the ATC to seek Wagner's permission, Wagner wrote that he \"did not care to have his picture in a package of cigarettes\". He threatened to seek legal action against ATC if they went ahead and created his baseball card.", "He threatened to seek legal action against ATC if they went ahead and created his baseball card. A near mint-mint condition T206 Wagner card sold in 2007 for $2.8 million, the highest price ever for a baseball card. In 2010, a previously unknown copy of the card was donated to the School Sisters of Notre Dame in Baltimore. The card, which was in poor condition, sold in November 2010 to a collector for $262,000, well over the $150,000 that was expected at auction.", "The card, which was in poor condition, sold in November 2010 to a collector for $262,000, well over the $150,000 that was expected at auction. The card came with Sister Virginia Muller's brother's handwritten note: \"Although damaged, the value of this baseball card should increase exponentially throughout the 21st century!\" On April 20, 2012, a New Jersey resident purchased a VG-3 graded T206 Wagner card for more than $1.2 million.", "On April 20, 2012, a New Jersey resident purchased a VG-3 graded T206 Wagner card for more than $1.2 million. On April 6, 2013, a 1909–11 T206 baseball card featuring Honus Wagner sold at auction for $2.1 million. On October 1, 2016, a T206 Wagner card graded PSA-5 sold for $3.12 million, setting yet again the record for the highest price paid for any baseball card.", "On October 1, 2016, a T206 Wagner card graded PSA-5 sold for $3.12 million, setting yet again the record for the highest price paid for any baseball card. On May 29, 2019, a Honus Wagner T-206 sold for $1.2 million by SCP Auctions in Southern California. The same card had been previously auctioned for $657,250 in 2014 and $776,750 in 2016. The encapsulated card was rated as only a 2 on a scale to 10.", "The encapsulated card was rated as only a 2 on a scale to 10. In May 2021, one example sold for a new record $3.75 million. In doing so it became the second most expensive baseball card sold at auction. In August 2021, another example sold for $6.6 million dollars making it the most valuable sportscard. The card featured in the plot of the Nickelodeon film Swindle. Statistics The numbers shown below are the figures officially recognized on MLB.com. The figures on Baseball-Reference.com are as follows.", "The figures on Baseball-Reference.com are as follows. The figures on Baseball-Reference.com are as follows. Other private research sites may have different figures. Caught Stealing is not shown comprehensively for Wagner's MLB.com totals because the stat was not regularly captured until 1920. Strikeouts is not shown comprehensively for Wagner's MLB.com totals, because the stat was not regularly captured until 1910. Note that mlb.com's Total Bases do not correspond to the number of hits, 2B, 3B, and HR listed.", "Note that mlb.com's Total Bases do not correspond to the number of hits, 2B, 3B, and HR listed. See also 3,000 hit club List of Major League Baseball career doubles leaders List of Major League Baseball career triples leaders List of Major League Baseball career runs scored leaders List of Major League Baseball career runs batted in leaders List of Major League Baseball doubles records List of Major League Baseball triples records List of Major League Baseball players to hit for the cycle List of Major League Baseball annual runs batted in leaders List of Major League Baseball batting champions List of Major League Baseball career stolen bases leaders List of Major League Baseball annual runs scored leaders List of Major League Baseball annual stolen base leaders List of Major League Baseball annual doubles leaders List of Major League Baseball annual triples leaders List of Major League Baseball player-managers Major League Baseball titles leaders References Bibliography Hall of Fame Network: \"Honus Wagner as Mona Lisa\", HOFMAG.com.", "See also 3,000 hit club List of Major League Baseball career doubles leaders List of Major League Baseball career triples leaders List of Major League Baseball career runs scored leaders List of Major League Baseball career runs batted in leaders List of Major League Baseball doubles records List of Major League Baseball triples records List of Major League Baseball players to hit for the cycle List of Major League Baseball annual runs batted in leaders List of Major League Baseball batting champions List of Major League Baseball career stolen bases leaders List of Major League Baseball annual runs scored leaders List of Major League Baseball annual stolen base leaders List of Major League Baseball annual doubles leaders List of Major League Baseball annual triples leaders List of Major League Baseball player-managers Major League Baseball titles leaders References Bibliography Hall of Fame Network: \"Honus Wagner as Mona Lisa\", HOFMAG.com. Honus Wagner: A Biography, by Dennis DeValeria and Jeanne Burke DeValeria, Henry Holt and Company, New York, 1995.", "Honus Wagner: A Biography, by Dennis DeValeria and Jeanne Burke DeValeria, Henry Holt and Company, New York, 1995. Hittner, Arthur D. Honus Wagner: The Life of Baseball's \"Flying Dutchman.\" Jefferson, North Carolina: McFarland, 1996 and 2003 (softcover). . Winner of the 1996 Seymour Medal, awarded by the Society for American Baseball Research.Honus and Me'' by Dan Gutman (novel), Perfection Learning Corporation, 1999.", "Winner of the 1996 Seymour Medal, awarded by the Society for American Baseball Research.Honus and Me'' by Dan Gutman (novel), Perfection Learning Corporation, 1999. External links The T206 Collection – The Players & Their Stories Honus Wagner's Obit – The New York Times, Tuesday, December 6, 1955 Honus-Wagner.org 19th-century baseball players National Baseball Hall of Fame inductees Louisville Colonels players Baseball players from Pennsylvania Major League Baseball shortstops National League batting champions National League RBI champions National League stolen base champions Pittsburgh Pirates managers Pittsburgh Pirates players Pittsburgh Pirates coaches Sportspeople from Pennsylvania Major League Baseball players with retired numbers Carnegie Mellon University faculty People from Washington County, Pennsylvania 1874 births 1955 deaths American people of German descent Minor league baseball managers Adrian Reformers players Adrian Demons players Steubenville Stubs players Akron Akrons players Lima Kids players Mansfield Kids players Paterson Silk Weavers players Major League Baseball player-managers American sportsmen People from Carnegie, Pennsylvania" ]

[ "Honus Wagner", "Later career", "What did he do late in his career?", "In 1910, Wagner's average fell to .320, his lowest average since 1898.", "what sports did he play", "baseball", "Did he play any other sports?", "I don't know.", "Did he do any coaching in his late career?", "I don't know.", "What else can you tell me about this time period?", "Wagner has been considered one of the very best all-around players to ever play baseball since the day he retired in 1917." ]

[ "\"Llangollen Market\" is a song from early 19th century Wales. It is known to have been performed at an eisteddfod at Llangollen in 1858.\n\nThe text of the song survives in a manuscript held by the National Museum of Wales, which came into the possession of singer Mary Davies, a co-founder of the Welsh Folk-Song Society.\n\nThe song tells the tale of a young man from the Llangollen area going off to war and leaving behind his broken-hearted girlfriend. Originally written in English, the song has been translated into Welsh and recorded by several artists such as Siân James, Siobhan Owen, Calennig and Siwsann George.\n\nLyrics\nIt’s far beyond the mountains that look so distant here,\nTo fight his country’s battles, last Mayday went my dear;\nAh, well shall I remember with bitter sighs the day,\nWhy, Owen, did you leave me? At home why did I stay?\n\nAh, cruel was my father that did my flight restrain,\nAnd I was cruel-hearted that did at home remain,\nWith you, my love, contented, I’d journey far away;\nWhy, Owen, did you leave me? At home why did I stay?\n\nWhile thinking of my Owen, my eyes with tears do fill,\nAnd then my mother chides me because my wheel stands still,\nBut how can I think of spinning when my Owen’s far away;\nWhy, Owen, did you leave me? At home why did I stay?\n\nTo market at Llangollen each morning do I go,\nBut how to strike a bargain no longer do I know;\nMy father chides at evening, my mother all the day;\nWhy, Owen, did you leave me, at home why did I stay?\n\nOh, would it please kind heaven to shield my love from harm,\nTo clasp him to my bosom would every care disarm,\nBut alas, I fear, 'tis distant - that happy, happy day;\nWhy, Owen, did you leave me, at home why did stay?\n\nReferences\n\nWelsh folk songs", "Mohammed Yaqub Ali (Urdu, ) (March 1912 – 5 August 1994) was a Pakistani judge who was Chief Justice of Pakistan from 1975 to 1977.\n\nEarly life and education\nMuhammad Yaqub Ali was born at Jalandhar in March 1912, received early education at Jalandhar. He did his graduation from Islamia College (Lahore) and Law from University of Punjab in 1936. He remained active in the Pakistan Movement and was Chairman of the Julundar Chapter of the All India Muslim League.\n\nCareer\nIn 1948, he started practicing at Lahore High Court. He was promoted to the High Court Bench in 1955 and in 1965 was elevated to the Supreme Court Bench. Justice Yaqub Ali was appointed the Chairman of the Karachi Airport Enquiry Commission in 1969 and in 1971 the Chairman of Special Court for Ganga Hijacking Case. In 1975, he led the Pakistan Delegation to the 7th World Peace Conference held at Washington, DC.\n\nJustice Mohammed Yaqub assumed the office of Chief Justice of Pakistan on 1 November 1975. In 1976, he led the Pakistani Delegation to the United Nations third Law of Sea Conference held at New York City. In 1977, he was appointed as the Chairman of Indus Water Commission. He was a great believer in democracy which is why he was forced to retire by the military dictator Muhammad Zia-ul-Haq on 22 July 1977. \n\nJustice Yaqub Ali had held a previous martial law by a usurping general violating the constitution of Pakistan as martial law undermines the concept of the rule of law which is the basis for the country's constitution. The usurping General Zia realized his illegal actions would be overturned in a court of law headed by a Judge who believed in democracy so he proposed amendments to force the Chief Justice of the Supreme Court Muhammad Yaqub Ali to retire.\n\nAfter retirement Justice Yaqub Ali became a social worker in the field of education to make sure he continued to serve his country.\n\nSee also\nChief Justices of Pakistan\nSupreme Court of Pakistan\nList of Pakistanis\n\nReferences\n\n1912 births\nChief Justices of Pakistan\n1994 deaths\nPakistani judges\nPeople from Jalandhar\nGovernment Islamia College alumni" ]

[ "Johannes Peter \"Honus\" Wagner (; February 24, 1874 – December 6, 1955), sometimes referred to as \"Hans\" Wagner, was an American baseball shortstop who played 21 seasons in Major League Baseball from 1897 to 1917, almost entirely for the Pittsburgh Pirates. Wagner won his eighth (and final) batting title in 1911, a National League record that remains unbroken to this day, and matched only once, in 1997, by Tony Gwynn.", "Wagner won his eighth (and final) batting title in 1911, a National League record that remains unbroken to this day, and matched only once, in 1997, by Tony Gwynn. He also led the league in slugging six times and stolen bases five times. Wagner was nicknamed \"The Flying Dutchman\" due to his superb speed and German heritage. This nickname was a nod to the popular folk-tale made into a famous opera by the German composer Richard Wagner.", "This nickname was a nod to the popular folk-tale made into a famous opera by the German composer Richard Wagner. In , the Baseball Hall of Fame inducted Wagner as one of the first five members. He received the second-highest vote total, behind Ty Cobb's 222 and tied with Babe Ruth at 215. Most baseball historians consider Wagner to be the greatest shortstop ever and one of the greatest players ever. Ty Cobb himself called Wagner \"maybe the greatest star ever to take the diamond\".", "Ty Cobb himself called Wagner \"maybe the greatest star ever to take the diamond\". Honus Wagner is also the featured player of one of the rarest and the most valuable baseball cards in existence. Early life Wagner was born to German immigrants Peter and Katheryn Wagner in the borough of Chartiers, in what is now Carnegie, Pennsylvania. Wagner was one of nine children. As a child, he was called Hans by his mother, which later evolved into Honus.", "As a child, he was called Hans by his mother, which later evolved into Honus. \"Hans\" was also an alternate nickname during his major league career. Wagner dropped out of school at age 12 to help his father and brothers in the coal mines. In their free time, he and his brothers played sandlot baseball and developed their skills to such an extent that three of his brothers went on to become professionals as well.", "In their free time, he and his brothers played sandlot baseball and developed their skills to such an extent that three of his brothers went on to become professionals as well. Wagner's older brother, Albert \"Butts\" Wagner, who had a brief major league career himself, is often credited with getting Honus his first tryout. Butts persuaded his manager to take a look at his younger brother. Following his brother, Wagner trained to be a barber before becoming successful in baseball.", "Following his brother, Wagner trained to be a barber before becoming successful in baseball. In 1916, Wagner married Bessie Baine Smith, and the couple had three daughters: Elva Katrina (b. 1918, stillborn), Betty Baine (1919–1992), and Virginia Mae (1922–1985). Professional career Career before Major League Baseball Honus' brother Albert \"Butts\" Wagner was considered the ballplayer of the family. Albert suggested Honus in 1895 when his Inter-State League team was in need of help.", "Albert suggested Honus in 1895 when his Inter-State League team was in need of help. Wagner played for five teams in that first year, in three different leagues over the course of 80 games. In 1896, Edward Barrow, from the Wheeling, West Virginia, team that Wagner was playing on, decided to take Honus with him to his next team, the Paterson Silk Sox (Atlantic League).", "In 1896, Edward Barrow, from the Wheeling, West Virginia, team that Wagner was playing on, decided to take Honus with him to his next team, the Paterson Silk Sox (Atlantic League). Barrow proved to be a good talent scout, as Wagner could play wherever he was needed, including all three bases and the outfield. Wagner hit .313 for Paterson in 1896 and .375 in 74 games in 1897.", "Wagner hit .313 for Paterson in 1896 and .375 in 74 games in 1897. Louisville Colonels Recognizing that Wagner should be playing at the highest level, Barrow contacted the Louisville Colonels, who had finished last in the National League in 1896 with a record of 38–93. They were doing better in 1897 when Barrow persuaded club president Barney Dreyfuss, club secretary Harry Pulliam, and outfielder-manager Fred Clarke to go to Paterson to see Wagner play.", "They were doing better in 1897 when Barrow persuaded club president Barney Dreyfuss, club secretary Harry Pulliam, and outfielder-manager Fred Clarke to go to Paterson to see Wagner play. Dreyfuss and Clarke were not impressed with the awkward-looking man, not surprising, as Wagner was oddly built: he was tall, weighed , and had a barrel chest, massive shoulders, heavily muscled arms, huge hands, and incredibly bowed legs that deprived him of any grace and several inches of height.", "Dreyfuss and Clarke were not impressed with the awkward-looking man, not surprising, as Wagner was oddly built: he was tall, weighed , and had a barrel chest, massive shoulders, heavily muscled arms, huge hands, and incredibly bowed legs that deprived him of any grace and several inches of height. Pulliam, though, persuaded Dreyfuss and Clarke to take a chance on him. Wagner debuted with Louisville on July 19 and hit .338 in 61 games.", "Wagner debuted with Louisville on July 19 and hit .338 in 61 games. By his second season, Wagner was already one of the best hitters in the National League although he came up short a percentage point from finishing the season at .300. Following the season, the NL contracted from twelve to eight teams, with the Colonels one of four teams eliminated. Owner Barney Dreyfuss, who had purchased half ownership in the Pirates, took Wagner and many of his other top players with him to the Pittsburgh team.", "Owner Barney Dreyfuss, who had purchased half ownership in the Pirates, took Wagner and many of his other top players with him to the Pittsburgh team. Tommy Leach recounted his impressions of joining the Louisville club in 1898 with hopes of winning the starting job at third base: Pittsburgh Pirates The move to the Pittsburgh Pirates signified Wagner's emergence as a premier hitter.", "Tommy Leach recounted his impressions of joining the Louisville club in 1898 with hopes of winning the starting job at third base: Pittsburgh Pirates The move to the Pittsburgh Pirates signified Wagner's emergence as a premier hitter. In 1900, Wagner won his first batting championship with a .381 mark and also led the league in doubles (45), triples (22), and slugging percentage (.573), all of which were career highs. For the next nine seasons, Wagner's average did not fall below .330.", "For the next nine seasons, Wagner's average did not fall below .330. In , the American League began to sign National League players, creating a bidding war, which depleted the league of many talented players. Wagner was offered a $20,000 contract by the Chicago White Sox, but turned it down and continued to play with the Pirates. Prior to 1904, Wagner had played several positions but settled into the shortstop role full-time that season, where he became a skilled fielder.", "Prior to 1904, Wagner had played several positions but settled into the shortstop role full-time that season, where he became a skilled fielder. His biography on BaseballLibrary.com describes his gritty style: Bowlegged, barrel-chested, long-limbed ... he was often likened to an octopus. When he fielded grounders, his huge hands also collected large scoops of infield dirt, which accompanied his throws to first like the tail of a comet. In 1898, Wagner won a distance contest in Louisville by throwing a baseball more than .", "In 1898, Wagner won a distance contest in Louisville by throwing a baseball more than . In August 1899, he became the first player credited with stealing second base, third, and home in succession under the new rule differentiating between advanced bases and stolen bases. He repeated the feat in 1902, 1907, and 1909. Wagner retired with the National League record for most steals of home (27), which was broken by Greasy Neale in 1922.", "Wagner retired with the National League record for most steals of home (27), which was broken by Greasy Neale in 1922. In September 1905, Wagner signed a contract to produce the first bat with a player's signature, the Louisville Slugger, becoming the first sportsperson to endorse a commercial product; the Honus Wagner was to become a best-seller for years.", "In September 1905, Wagner signed a contract to produce the first bat with a player's signature, the Louisville Slugger, becoming the first sportsperson to endorse a commercial product; the Honus Wagner was to become a best-seller for years. One month later, with one point separating him from Reds center fielder Cy Seymour for the batting title, Wagner fell short in a head-to-head matchup on the final day of the season, with Seymour collecting four hits to Wagner's two, as contemporary press reports stated that the fans were far more interested in the Seymour-Wagner battle than in the outcome of the games.", "One month later, with one point separating him from Reds center fielder Cy Seymour for the batting title, Wagner fell short in a head-to-head matchup on the final day of the season, with Seymour collecting four hits to Wagner's two, as contemporary press reports stated that the fans were far more interested in the Seymour-Wagner battle than in the outcome of the games. Shortly before the season, Wagner retired. In desperation, owner Barney Dreyfuss offered him $10,000 per year, making him the highest-paid Pirate for many years.", "In desperation, owner Barney Dreyfuss offered him $10,000 per year, making him the highest-paid Pirate for many years. He returned to the Pirates early in the 1908 season, and finished two home runs short of the league's Triple Crown, leading the league in hitting (for the sixth time)‚ hits‚ total bases‚ doubles‚ triples‚ RBI‚ and stolen bases. Wagner took over the batting lead from the New York Giants' flamboyant outfielder Mike Donlin during a July 25 game against the Giants and their star pitcher Christy Mathewson.", "Wagner took over the batting lead from the New York Giants' flamboyant outfielder Mike Donlin during a July 25 game against the Giants and their star pitcher Christy Mathewson. Wagner was 5-for-5 in the game; after each hit, he reportedly held up another finger to Donlin, who went hitless, and who had just beaten runner-up Wagner by a wide margin in a \"most popular player\" poll. Bill James cites Wagner's 1908 season as the greatest single-season for any player in baseball history.", "Bill James cites Wagner's 1908 season as the greatest single-season for any player in baseball history. He notes that the league ERA of 2.35 was the lowest of the dead-ball era and about half of the ERAs of modern baseball. Since Wagner hit .354 with 109 RBI in an environment when half as many runs were scored as today, he asks, \"if you had a Gold Glove shortstop, like Wagner, who drove in 218 runs, what would he be worth?\"", "Since Wagner hit .354 with 109 RBI in an environment when half as many runs were scored as today, he asks, \"if you had a Gold Glove shortstop, like Wagner, who drove in 218 runs, what would he be worth?\" He was the first winner of 'The World's Championship Batsman' 's Cup, in 1908, made by Welshman George \"Honey Boy\" Evans. 1903 and 1909 World Series In , the Pirates played the Boston Americans in Major League Baseball's inaugural World Series.", "1903 and 1909 World Series In , the Pirates played the Boston Americans in Major League Baseball's inaugural World Series. Wagner, by this point, was an established star and much was expected of him, especially since the Pirates' starting rotation was decimated by injury. Wagner himself was not at full strength and hit only .222 for the series.", "Wagner himself was not at full strength and hit only .222 for the series. The Americans, meanwhile, had some fans, called the \"Royal Rooters\" who, whenever Wagner came to bat, sang \"Honus, Honus, why do you hit so badly?\" to the tune of \"Tessie\", a popular song of the day. The Rooters, led by Boston bartender Michael \"Nuf Ced\" McGreevy, even traveled to Pittsburgh to continue their heckling.", "The Rooters, led by Boston bartender Michael \"Nuf Ced\" McGreevy, even traveled to Pittsburgh to continue their heckling. Pittsburgh lost in the best-of-nine series, five games to three, to a team led by pitchers Cy Young and Bill Dinneen and third baseman–manager Jimmy Collins.", "Pittsburgh lost in the best-of-nine series, five games to three, to a team led by pitchers Cy Young and Bill Dinneen and third baseman–manager Jimmy Collins. Christy Mathewson, in his book \"Pitching in a Pinch\" wrote: \"For some time after \"Hans\" Wagner's poor showing in the world's series of 1903 ... it was reported that he was \"yellow\" (poor in the clutch).", "Christy Mathewson, in his book \"Pitching in a Pinch\" wrote: \"For some time after \"Hans\" Wagner's poor showing in the world's series of 1903 ... it was reported that he was \"yellow\" (poor in the clutch). This grieved the Dutchman deeply, for I don't know a ballplayer in either league who would assay less quit to the ton than Wagner ... This was the real tragedy in Wagner's career.", "This was the real tragedy in Wagner's career. This was the real tragedy in Wagner's career. Notwithstanding his stolid appearance, he is a sensitive player, and this has hurt him more than anything else in his life ever has.\" Wagner was distraught by his performance. The following spring, he refused to send his portrait to a \"Hall of Fame\" for batting champions, citing his play in the World Series. \"I was too bum last year\", he wrote.", "\"I was too bum last year\", he wrote. \"I was a joke in that Boston-Pittsburgh Series. What does it profit a man to hammer along and make a few hits when they are not needed only to fall down when it comes to a pinch? I would be ashamed to have my picture up now.\" Wagner and the Pirates were given a chance to prove that they were not \"yellow\" in . The Pirates faced Ty Cobb's Detroit Tigers.", "The Pirates faced Ty Cobb's Detroit Tigers. The Pirates faced Ty Cobb's Detroit Tigers. The series was the only meeting of the two superior batsmen of the day, and the first time that the batting champions of each league faced one another (this later occurred thrice more, in 1931, 1954, and 2012 World Series). Wagner was by this time 35 years old, Cobb just 22.", "Wagner was by this time 35 years old, Cobb just 22. This time, Wagner could not be stifled as he outhit Cobb, .333 to .231, and stole six bases, establishing the new Series record. The speed demon Cobb only managed two steals, one of which Cobb himself admitted was a botched call. Wagner recounted: \"We had him out at second. We put up a squawk, but Silk O'Loughlin, the umpire, overruled it.", "We put up a squawk, but Silk O'Loughlin, the umpire, overruled it. We kept the squawk going for a minute or so, making no headway of course, and then Cobb spoke up. He turned to O'Loughlin, an American League umpire, by the way, and said, 'Of course I was out. They had me by a foot. You just booted the play, so come on, let's play ball.'\"", "You just booted the play, so come on, let's play ball.'\" There was also a story that was widely circulated over the years and famously recounted in Lawrence Ritter's The Glory of Their Times, that at one point Cobb was on first; he bragged to Wagner that he was going to steal second and threatened to assault him physically doing it; Wagner defiantly dared him to try it and placed an especially rough tag to Cobb's mouth; and the two exchanged choice words.", "There was also a story that was widely circulated over the years and famously recounted in Lawrence Ritter's The Glory of Their Times, that at one point Cobb was on first; he bragged to Wagner that he was going to steal second and threatened to assault him physically doing it; Wagner defiantly dared him to try it and placed an especially rough tag to Cobb's mouth; and the two exchanged choice words. Cobb denied it in his autobiography, and the play-by-play of the 1909 World Series confirms that the event could not have happened as stated: Cobb was never tagged out by Wagner in a caught-stealing.", "Cobb denied it in his autobiography, and the play-by-play of the 1909 World Series confirms that the event could not have happened as stated: Cobb was never tagged out by Wagner in a caught-stealing. The Pirates won the series in seven games behind the pitching of rookie Babe Adams. Later career In 1910, Wagner's average fell to .320, his lowest average since .", "Later career In 1910, Wagner's average fell to .320, his lowest average since . Nevertheless, he aged exceptionally well; the three highest OPS+ seasons by any shortstop aged 35 or older belong to Wagner, and even his age-41 season ranks 8th on the list. Wagner won the 1911 batting title by the narrowest of margins. He went hitless in a 1–0 win against the Cubs on May 30, but a successful league protest by the Cubs wiped out the result (and Wagner's at-bats).", "He went hitless in a 1–0 win against the Cubs on May 30, but a successful league protest by the Cubs wiped out the result (and Wagner's at-bats). Wagner ended up edging the Boston Rustlers' Doc Miller, .334 to .333. The Pirates were in contention into August, but an ankle injury sidelined Wagner for 25 games and the team slid from the race.", "The Pirates were in contention into August, but an ankle injury sidelined Wagner for 25 games and the team slid from the race. On June 9, , at age 40, Wagner recorded his 3,000th hit, a double off Philadelphia's Erskine Mayer, the second player in baseball history to reach the figure, after Cap Anson, and Nap Lajoie joined them three months later. This accomplishment, however, came during a down period for Wagner and Pirates.", "This accomplishment, however, came during a down period for Wagner and Pirates. Wagner hit only .252 in 1914, the lowest average of his career. In July 1915, he became the oldest player to hit a grand slam, a record which stood for 70 years until topped by 43-year-old Tony Pérez. In 1916, Wagner became the oldest player to hit an inside-the-park home run. In , following another retirement, Wagner returned for his final, abbreviated season.", "In , following another retirement, Wagner returned for his final, abbreviated season. Returning in June, he was spiked in July and played only sparingly for the remainder of the year, batting .265. He briefly held the role of interim manager, but after going 1–4, Wagner told owner Dreyfuss the job was not for him. He retired as the NL's all-time hit leader, with 3,430. (Subsequent research has since revised this total to 3,418.)", "(Subsequent research has since revised this total to 3,418.) It took 45 years for St. Louis' Stan Musial to surpass Wagner's hit total. Wagner has been considered one of the very best all-around players to ever play baseball since the day he retired in 1917. Baseball historian and statistician Bill James named Honus Wagner as the second-best player of all time after Babe Ruth, rating him as the best major league player in 1900 and each year from 1902 to 1908.", "Baseball historian and statistician Bill James named Honus Wagner as the second-best player of all time after Babe Ruth, rating him as the best major league player in 1900 and each year from 1902 to 1908. Statisticians John Thorn and Pete Palmer rate Wagner as ninth all-time in their \"Total Player Ranking\". Many of the greats who played or managed against Wagner, including Babe Ruth, Ty Cobb, Rogers Hornsby, and Walter Johnson, list him at shortstop on their All-Time teams.", "Many of the greats who played or managed against Wagner, including Babe Ruth, Ty Cobb, Rogers Hornsby, and Walter Johnson, list him at shortstop on their All-Time teams. Life after baseball Wagner was not finished playing baseball after his retirement from major league baseball. He managed and played for a semi-pro team. After retirement, Wagner served the Pirates as a coach for 39 years, most notably as a hitting instructor from to .", "After retirement, Wagner served the Pirates as a coach for 39 years, most notably as a hitting instructor from to . Arky Vaughan, Ralph Kiner, Pie Traynor (player-manager from –), and Hank Greenberg (although Greenberg was in his final major league season in 1947, his only season with the Pirates, and very well established) all future Hall of Famers, were notable \"pupils\" of Wagner.", "Arky Vaughan, Ralph Kiner, Pie Traynor (player-manager from –), and Hank Greenberg (although Greenberg was in his final major league season in 1947, his only season with the Pirates, and very well established) all future Hall of Famers, were notable \"pupils\" of Wagner. During this time, he wore uniform number 14 but later changed it to his more famous 33, which was later the number retired for him. (His entire playing career was in the days before uniform numbers were worn.)", "(His entire playing career was in the days before uniform numbers were worn.) His appearances at National League stadiums during his coaching years were always well received and Wagner remained a beloved ambassador of baseball. Wagner also coached baseball and basketball at Carnegie Institute of Technology, which is now part of Carnegie Mellon University. In 1928, Wagner ran for the office of Sheriff of Allegheny County, Pennsylvania but lost. He was appointed as a deputy of the Allegheny County Sheriff's Office in 1942.", "He was appointed as a deputy of the Allegheny County Sheriff's Office in 1942. He also ran a well-known sporting goods company. A sporting goods store bearing the name \"Honus Wagner\" operated in downtown Pittsburgh for 93 years before closing permanently in 2011. The Pirates hosted the 1944 Major League Baseball All-Star Game at Forbes Field. Wagner was invited to be an honorary coach for the National League squad, the first time this honor was bestowed in Major League Baseball's All-Star Game.", "Wagner was invited to be an honorary coach for the National League squad, the first time this honor was bestowed in Major League Baseball's All-Star Game. Wagner lived the remainder of his life in Pittsburgh, where he was well known as a friendly figure around town. He died on December 6, 1955, at the age of 81, and he is buried at Jefferson Memorial Cemetery in the South Hills area of Pittsburgh.", "He died on December 6, 1955, at the age of 81, and he is buried at Jefferson Memorial Cemetery in the South Hills area of Pittsburgh. Film legacy Wagner, along with his famous baseball card, was one of the earliest athletes to make the crossover into pop culture film.", "Film legacy Wagner, along with his famous baseball card, was one of the earliest athletes to make the crossover into pop culture film. He starred as a sports hero in 1919's Spring Fever with Moe Howard and Shemp Howard of the Three Stooges, and has been depicted as the subject of The Winning Season (2004) and in a brief scene in Cobb (1994).", "He starred as a sports hero in 1919's Spring Fever with Moe Howard and Shemp Howard of the Three Stooges, and has been depicted as the subject of The Winning Season (2004) and in a brief scene in Cobb (1994). Baseball legacy When the Baseball Hall of Fame held its first election in 1936, Wagner tied for second in the voting with Babe Ruth, trailing Cobb.", "Baseball legacy When the Baseball Hall of Fame held its first election in 1936, Wagner tied for second in the voting with Babe Ruth, trailing Cobb. A 1942 Sporting News poll of 100 former players and managers confirmed this opinion, with Wagner finishing 43 votes behind Cobb and six ahead of Ruth. In 1969, on the 100th anniversary of professional baseball, a vote was taken to honor the greatest players ever, and Wagner was selected as the all-time shortstop.", "In 1969, on the 100th anniversary of professional baseball, a vote was taken to honor the greatest players ever, and Wagner was selected as the all-time shortstop. In 1999, 82 years after his last game and 44 years since his death, Wagner was voted Number 13 on The Sporting News list of the 100 Greatest Players, where he was again the highest-ranking shortstop.", "In 1999, 82 years after his last game and 44 years since his death, Wagner was voted Number 13 on The Sporting News list of the 100 Greatest Players, where he was again the highest-ranking shortstop. That same year, he was selected to the Major League Baseball All-Century Team by the oversight committee, after losing out in the popular vote to Cal Ripken, Jr. and Ernie Banks. Christy Mathewson asserted that Wagner was the only player he faced that did not have a weakness.", "Christy Mathewson asserted that Wagner was the only player he faced that did not have a weakness. Mathewson felt that the only way to keep Wagner from hitting was not to pitch to him. \"A stirring march and two-step\", titled \"Husky Hans\", and \"respectfully dedicated to Hans Wagner, Three-time Champion Batsman of The National League\" was written by William J. Hartz in 1904.", "\"A stirring march and two-step\", titled \"Husky Hans\", and \"respectfully dedicated to Hans Wagner, Three-time Champion Batsman of The National League\" was written by William J. Hartz in 1904. Bill James says that Wagner is easily the greatest shortstop of all time, noting that the difference between Wagner and the second greatest shortstop, in James' estimation Arky Vaughan, is roughly the same as the gulf between Vaughan and the 20th greatest shortstop. Wagner is mentioned in the poem Line-Up for Yesterday by Ogden Nash.", "Wagner is mentioned in the poem Line-Up for Yesterday by Ogden Nash. A life-size statue of Wagner swinging a bat, atop a marble pedestal featuring admiring children, was forged by a local sculptor named Frank Vittor, and placed outside the left-field corner gate at Forbes Field. It was dedicated on April 30, 1955, and the then-frail Wagner was well enough to attend and wave to his many fans. The Pirates have relocated twice since then, and the statue has come along with them.", "The Pirates have relocated twice since then, and the statue has come along with them. It now stands outside the main gate of PNC Park. The statue roughly faces the site of the Pirates' original home, Exposition Park, so in a sense, Wagner has come full circle. Wagner is honored in the form of a small stadium residing behind Carnegie Elementary School on Washington Avenue in Carnegie, Pennsylvania. The stadium serves as the home field for Carlynton High School varsity sports.", "The stadium serves as the home field for Carlynton High School varsity sports. The Historical Society of Carnegie History Center houses the Honus Wagner Sports Museum which includes many Wagner collectibles and memorabilia. Visitors receive replicas of the famous card. In the 1992 episode Homer at the Bat, the popular TV show The Simpsons made a reference to Wagner. The character Mr. Burns lists three ringers he wants for his company's baseball team, but they are Honus Wagner, Cap Anson, and \"Mordecai 'Three Fingers' Brown\".", "The character Mr. Burns lists three ringers he wants for his company's baseball team, but they are Honus Wagner, Cap Anson, and \"Mordecai 'Three Fingers' Brown\". His assistant has to point out that they are not only retired but long-dead ... Anson having played in the late 19th century. In 2000, Wagner was honored with a U.S. postage stamp. The stamp was issued as part of a \"Legends of Baseball\" series that honored 20 all-time greats in conjunction with MLB's All-Century team.", "The stamp was issued as part of a \"Legends of Baseball\" series that honored 20 all-time greats in conjunction with MLB's All-Century team. T206 Baseball card The T206 Honus Wagner baseball card''' is one of the rarest and most expensive baseball cards in the world, as only 57 copies are known to exist. The card was designed and issued by the American Tobacco Company (ATC) from 1909 to 1911 as part of its T206 series.", "The card was designed and issued by the American Tobacco Company (ATC) from 1909 to 1911 as part of its T206 series. While sources allege that Wagner, a nonsmoker, refused to allow the production of his baseball card to continue, the more likely reason was the sum ATC was willing to pay Wagner.", "While sources allege that Wagner, a nonsmoker, refused to allow the production of his baseball card to continue, the more likely reason was the sum ATC was willing to pay Wagner. The ATC ended production of the Wagner card and a total of only 57 to 200 cards were ever distributed to the public, as compared to the \"tens or hundreds of thousands\" of T206 cards, over three years in 16 brands of cigarettes, for any other player.", "The ATC ended production of the Wagner card and a total of only 57 to 200 cards were ever distributed to the public, as compared to the \"tens or hundreds of thousands\" of T206 cards, over three years in 16 brands of cigarettes, for any other player. In 1933, the card was first listed at a price value of US $50 in Jefferson Burdick's The American Card Catalog, making it the most expensive baseball card at the time.", "In 1933, the card was first listed at a price value of US $50 in Jefferson Burdick's The American Card Catalog, making it the most expensive baseball card at the time. The typical card in the T206 series had a width of and a height of . Some cards were awkwardly shaped or irregularly sized, which prompted a belief that many of the cards in the series had been altered at one point or another.", "Some cards were awkwardly shaped or irregularly sized, which prompted a belief that many of the cards in the series had been altered at one point or another. In his work Inside T206: A Collector Guide to the Classic Baseball Card Set, Scot A. Reader wrote that, \"It is not at all uncommon to find T206 examples that have been altered at some point during their near-century of existence.\"", "Reader wrote that, \"It is not at all uncommon to find T206 examples that have been altered at some point during their near-century of existence.\" These discrepancies were taken advantage of by \"card doctors\" who trimmed corners and dirty edges to improve the appearance of the card.", "These discrepancies were taken advantage of by \"card doctors\" who trimmed corners and dirty edges to improve the appearance of the card. The front of all T206 series cards, including the Wagner card, displayed a lithograph of the player created by a multi-stage printing process in which a number of colors were printed on top of each other to create a lithograph with the appropriate design. The backs of the cards featured the monochromatic colors of the 16 tobacco brands for which the cards were printed.", "The backs of the cards featured the monochromatic colors of the 16 tobacco brands for which the cards were printed. The Wagner cards in particular advertised the Piedmont and Sweet Caporal brands of cigarettes and were produced at Factory 25 in Virginia, as indicated by the factory stamp imprinted on the back of the cards. Starting from January 1909, the ATC sought authorization from baseball players for inclusion in the T206 series, which featured 524 major league players, 76 of whom were later inducted into the Baseball Hall of Fame.", "Starting from January 1909, the ATC sought authorization from baseball players for inclusion in the T206 series, which featured 524 major league players, 76 of whom were later inducted into the Baseball Hall of Fame. Wagner had been at the top of his game throughout the decade and was even considered the game's greatest player at the time. He had appeared on advertisements for a number of other products such as chewing gum, gunpowder, and soft drinks.", "He had appeared on advertisements for a number of other products such as chewing gum, gunpowder, and soft drinks. Unsurprisingly, the ATC asked for Wagner's permission to have his picture on a baseball card. According to an October 12, 1912 issue of The Sporting News, Wagner did not give his consent to appear on the baseball card.", "According to an October 12, 1912 issue of The Sporting News, Wagner did not give his consent to appear on the baseball card. In response to the authorization request letter sent by John Gruber, a Pittsburgh sportswriter hired by the ATC to seek Wagner's permission, Wagner wrote that he \"did not care to have his picture in a package of cigarettes\". He threatened to seek legal action against ATC if they went ahead and created his baseball card.", "He threatened to seek legal action against ATC if they went ahead and created his baseball card. A near mint-mint condition T206 Wagner card sold in 2007 for $2.8 million, the highest price ever for a baseball card. In 2010, a previously unknown copy of the card was donated to the School Sisters of Notre Dame in Baltimore. The card, which was in poor condition, sold in November 2010 to a collector for $262,000, well over the $150,000 that was expected at auction.", "The card, which was in poor condition, sold in November 2010 to a collector for $262,000, well over the $150,000 that was expected at auction. The card came with Sister Virginia Muller's brother's handwritten note: \"Although damaged, the value of this baseball card should increase exponentially throughout the 21st century!\" On April 20, 2012, a New Jersey resident purchased a VG-3 graded T206 Wagner card for more than $1.2 million.", "On April 20, 2012, a New Jersey resident purchased a VG-3 graded T206 Wagner card for more than $1.2 million. On April 6, 2013, a 1909–11 T206 baseball card featuring Honus Wagner sold at auction for $2.1 million. On October 1, 2016, a T206 Wagner card graded PSA-5 sold for $3.12 million, setting yet again the record for the highest price paid for any baseball card.", "On October 1, 2016, a T206 Wagner card graded PSA-5 sold for $3.12 million, setting yet again the record for the highest price paid for any baseball card. On May 29, 2019, a Honus Wagner T-206 sold for $1.2 million by SCP Auctions in Southern California. The same card had been previously auctioned for $657,250 in 2014 and $776,750 in 2016. The encapsulated card was rated as only a 2 on a scale to 10.", "The encapsulated card was rated as only a 2 on a scale to 10. In May 2021, one example sold for a new record $3.75 million. In doing so it became the second most expensive baseball card sold at auction. In August 2021, another example sold for $6.6 million dollars making it the most valuable sportscard. The card featured in the plot of the Nickelodeon film Swindle. Statistics The numbers shown below are the figures officially recognized on MLB.com. The figures on Baseball-Reference.com are as follows.", "The figures on Baseball-Reference.com are as follows. The figures on Baseball-Reference.com are as follows. Other private research sites may have different figures. Caught Stealing is not shown comprehensively for Wagner's MLB.com totals because the stat was not regularly captured until 1920. Strikeouts is not shown comprehensively for Wagner's MLB.com totals, because the stat was not regularly captured until 1910. Note that mlb.com's Total Bases do not correspond to the number of hits, 2B, 3B, and HR listed.", "Note that mlb.com's Total Bases do not correspond to the number of hits, 2B, 3B, and HR listed. See also 3,000 hit club List of Major League Baseball career doubles leaders List of Major League Baseball career triples leaders List of Major League Baseball career runs scored leaders List of Major League Baseball career runs batted in leaders List of Major League Baseball doubles records List of Major League Baseball triples records List of Major League Baseball players to hit for the cycle List of Major League Baseball annual runs batted in leaders List of Major League Baseball batting champions List of Major League Baseball career stolen bases leaders List of Major League Baseball annual runs scored leaders List of Major League Baseball annual stolen base leaders List of Major League Baseball annual doubles leaders List of Major League Baseball annual triples leaders List of Major League Baseball player-managers Major League Baseball titles leaders References Bibliography Hall of Fame Network: \"Honus Wagner as Mona Lisa\", HOFMAG.com.", "See also 3,000 hit club List of Major League Baseball career doubles leaders List of Major League Baseball career triples leaders List of Major League Baseball career runs scored leaders List of Major League Baseball career runs batted in leaders List of Major League Baseball doubles records List of Major League Baseball triples records List of Major League Baseball players to hit for the cycle List of Major League Baseball annual runs batted in leaders List of Major League Baseball batting champions List of Major League Baseball career stolen bases leaders List of Major League Baseball annual runs scored leaders List of Major League Baseball annual stolen base leaders List of Major League Baseball annual doubles leaders List of Major League Baseball annual triples leaders List of Major League Baseball player-managers Major League Baseball titles leaders References Bibliography Hall of Fame Network: \"Honus Wagner as Mona Lisa\", HOFMAG.com. Honus Wagner: A Biography, by Dennis DeValeria and Jeanne Burke DeValeria, Henry Holt and Company, New York, 1995.", "Honus Wagner: A Biography, by Dennis DeValeria and Jeanne Burke DeValeria, Henry Holt and Company, New York, 1995. Hittner, Arthur D. Honus Wagner: The Life of Baseball's \"Flying Dutchman.\" Jefferson, North Carolina: McFarland, 1996 and 2003 (softcover). . Winner of the 1996 Seymour Medal, awarded by the Society for American Baseball Research.Honus and Me'' by Dan Gutman (novel), Perfection Learning Corporation, 1999.", "Winner of the 1996 Seymour Medal, awarded by the Society for American Baseball Research.Honus and Me'' by Dan Gutman (novel), Perfection Learning Corporation, 1999. External links The T206 Collection – The Players & Their Stories Honus Wagner's Obit – The New York Times, Tuesday, December 6, 1955 Honus-Wagner.org 19th-century baseball players National Baseball Hall of Fame inductees Louisville Colonels players Baseball players from Pennsylvania Major League Baseball shortstops National League batting champions National League RBI champions National League stolen base champions Pittsburgh Pirates managers Pittsburgh Pirates players Pittsburgh Pirates coaches Sportspeople from Pennsylvania Major League Baseball players with retired numbers Carnegie Mellon University faculty People from Washington County, Pennsylvania 1874 births 1955 deaths American people of German descent Minor league baseball managers Adrian Reformers players Adrian Demons players Steubenville Stubs players Akron Akrons players Lima Kids players Mansfield Kids players Paterson Silk Weavers players Major League Baseball player-managers American sportsmen People from Carnegie, Pennsylvania" ]

[ "Victoria Wood", "2011-15", "Did she play any roles in 2011?", "On New Year's Day 2011 Wood appeared in a BBC drama Eric and Ernie as Eric Morecambe's mother, Sadie Bartholomew.", "Did she do any other acting in 2011?", "For the 2011 Manchester International Festival, Wood wrote and directed That Day We Sang, a musical set in 1969 with flashbacks to 1929.", "Are there any other interesting aspects about this article?", "On 22 December 2012 Wood was a guest on BBC Radio Two's Saturday morning Graham Norton Show." ]

[ "There's a Girl in My Hammerlock is a 1991 young adult novel by Jerry Spinelli.\n\nPlot\nMaisie Potter tries out for the wrestling team in her junior high to get close to a boy she likes, but she soon finds out that what she really loves is the sport of wrestling.\n\nMaisie initially wants to be on the cheerleading squad, but she did not make the cut during tryouts. She is infatuated with a boy at her school, Eric Delong, and will do anything to be near him. Because he tries out for the wrestling team, Maisie decides to try out too. She makes the team but discovers that wrestling is a lot harder than she initially thought. She wins some of her matches but most of her opponents forfeit because they don't think it's right for a girl to wrestle a boy. She has to decide if she should do things that other people want her to do or things that she truly wants to do and is good at.\n\nExternal links\nAuthor Jerry Spinelli's homepage\n\n1991 American novels\nNovels by Jerry Spinelli\nAmerican sports novels\nAmerican young adult novels", "Lorraine Crosby (born 27 November 1960) is an English singer and songwriter. She was the female vocalist on Meat Loaf's 1993 hit single \"I'd Do Anything for Love (But I Won't Do That)\". Her debut album, Mrs Loud was released in 2008.\n\nEarly life\nCrosby was born in Walker, Newcastle upon Tyne. Her father died in a road accident when his car collided with a bus when she was two years old, leaving her mother to raise Lorraine, her two sisters, and one brother. She attended Walker Comprehensive school. She sang in school and church choirs and played the violin in the orchestra, but did not start singing professionally until she was 20.\n\nWork with Meat Loaf and Jim Steinman\nInspired by Tina Turner, Crosby searched the noticeboard for bands wanting singers at the guitar shop Rock City in Newcastle. After joining several bands she set up a five-piece cabaret band which toured extensively, playing to British and American servicemen throughout the early 1980s.\n\nBack in Newcastle, she met Stuart Emerson, who was looking for a singer for his band. They began writing together, and also became a couple. In the early 1990s, Crosby sent songwriter and producer Jim Steinman some demos of songs she had written with Emerson. Steinman asked to meet them so they decided to move to New York. They then followed Steinman after he moved to Los Angeles. Steinman became their manager and secured them a contract with Meat Loaf's recording label MCA. While visiting the label's recording studios on Sunset Boulevard, Crosby was asked to provide guide vocals for Meat Loaf, who was recording the song \"I'd Do Anything for Love (But I Won't Do That)\". Cher, Melissa Etheridge and Bonnie Tyler were considered for the role. The song was a commercial success, becoming number one in 28 countries. However, as Crosby had recorded her part as guide vocals, she did not receive any payment for the recording but she receives royalties from PRS, and so the credit \"Mrs. Loud\" was used on the album. Also, Crosby did not appear in the Michael Bay-directed music video, where model Dana Patrick mimed her vocals. Meat Loaf promoted the single with American vocalist Patti Russo performing the live female vocals of this song at his promotional appearances and concerts. Crosby also sang additional and backing vocals on the songs \"Life Is a Lemon and I Want My Money Back\", \"Objects in the Rear View Mirror May Appear Closer Than They Are\", and \"Everything Louder Than Everything Else\" from the album Bat Out of Hell II: Back into Hell. On these three selections, she was credited under her real name rather than the alias of Mrs. Loud.\n\nSolo work\nCrosby regularly performed at holiday camps and social clubs in England until April 2005 when she took a break from live work.\n\nIn 2005, she sang a duet with Bonnie Tyler for the track \"I'll Stand by You\" from the album Wings. The song was written and composed by Stuart Emerson about Crosby's and Tyler's relationship. Also in 2005, Crosby appeared as a contestant on ITV's The X Factor. She performed \"You've Got a Friend\" and progressed to the second round after impressing judges Louis Walsh and Sharon Osbourne but Simon Cowell expressed doubt saying she \"lacked star quality.\"\n\nCrosby returned to live performances in April 2007. In November 2007, she appeared on the BBC Three television show Most Annoying Pop Songs We Hate to Love discussing the Meat Loaf track \"I'd Do Anything for Love (But I Won't Do That)\" which featured at No. 76.\n\nIn November 2008, Crosby appeared at Newcastle City Hall with special guest Bonnie Tyler to launch her self-produced album entitled Mrs Loud. The concert was later repeated in March 2011. In April 2009, she was also featured on The Justin Lee Collins Show and performed a duet with Justin, singing the Meat Loaf song \"Dead Ringer for Love\". She also performed \"I'd Do Anything for Love\" with Tim Healy for Sunday for Sammy in 2012.\n\nCrosby performs in cabaret shows with her band along with her partner Stuart Emerson.\n\nCrosby appeared in the first round of BBC's second series of The Voice on 6 April 2013. She failed to progress when she was rejected by all four coaches.\n\nOther work\nIn the mid-1990s, Crosby appeared as an extra in several television series episodes.\n\nIn 2019, she joined Steve Steinman Productions in the show Steve Steinman's Anything for Love which toured the UK during 2019 and 2020, performing hits such as \"Good Girls Go to Heaven\", \"Holding Out for a Hero\" and dueting with Steinman on \"What About Love\" and \"I'd Do Anything for Love\", amongst others.\n\nIn 2020, she released a duet with Bonnie Tyler, \"Through Thick and Thin (I'll Stand by You)\" as a charity single in aid of the charity Teenage Cancer Trust.\n\nDiscography\nCrosby has provided backing vocals on Bonnie Tyler's albums Free Spirit (1995) and Wings (2005).\n\nStudio albums\n Mrs Loud (2008)\n\nSingles\n \"I'd Do Anything for Love (But I Won't Do That)\" (with Meat Loaf) (1993)\n \"Through Thick and Thin (I'll Stand by You)\" (with Bonnie Tyler) (2020)\n\nOther recordings\n \"I'll Stand by You\" (with Bonnie Tyler) (2005)\n \"Double Take\" (with Frankie Miller) (2018)\n\nReferences\n\nExternal links\n\n \n\n1960 births\nLiving people\nPeople from Newcastle upon Tyne (district)\nThe Voice UK contestants\n21st-century English women singers" ]

[ "Victoria Wood (19 May 1953 – 20 April 2016) was an English comedian, actress, lyricist, singer, composer, pianist, screenwriter, producer and director. Wood wrote and starred in dozens of sketches, plays, musicals, films and sitcoms over several decades and her live comedy act was interspersed with her own compositions which she performed at the piano. Much of her humour was grounded in everyday life and included references to activities, attitudes and products that are considered to exemplify Britain.", "Much of her humour was grounded in everyday life and included references to activities, attitudes and products that are considered to exemplify Britain. She was noted for her skills in observational comedy and in satirising aspects of social class. Wood started her career in 1974 by appearing on, and winning, the ATV talent show New Faces.", "Wood started her career in 1974 by appearing on, and winning, the ATV talent show New Faces. She established herself as a comedy star in the 1980s, winning a BAFTA TV Award in 1986 for the sketch series Victoria Wood: As Seen on TV (1985–87), and became one of Britain's most popular stand-up comics, winning a second BAFTA for An Audience with Victoria Wood (1988).", "She established herself as a comedy star in the 1980s, winning a BAFTA TV Award in 1986 for the sketch series Victoria Wood: As Seen on TV (1985–87), and became one of Britain's most popular stand-up comics, winning a second BAFTA for An Audience with Victoria Wood (1988). In the 1990s, she wrote and co-starred in the television film Pat and Margaret (1994), and the sitcom dinnerladies (1998–2000), which she also produced.", "In the 1990s, she wrote and co-starred in the television film Pat and Margaret (1994), and the sitcom dinnerladies (1998–2000), which she also produced. She won two more BAFTA TV Awards, including Best Actress, for her 2006 ITV1 television film, Housewife, 49. Her frequent long-term collaborators included Julie Walters, Celia Imrie, Duncan Preston, and Anne Reid. In 2006, Wood came tenth in ITV's poll of the British public's 50 Greatest TV Stars.", "In 2006, Wood came tenth in ITV's poll of the British public's 50 Greatest TV Stars. Early life Victoria Wood was the youngest child of Stanley Wood, an insurance salesman, who also wrote songs for his company's Christmas parties, was the author of the musical play \"Clogs\" based in a Lancashire village in 1887 and also wrote part time for Coronation Street, Northern Drift and others; and Ellen \"Nellie\" Wood (née Mape).", "Early life Victoria Wood was the youngest child of Stanley Wood, an insurance salesman, who also wrote songs for his company's Christmas parties, was the author of the musical play \"Clogs\" based in a Lancashire village in 1887 and also wrote part time for Coronation Street, Northern Drift and others; and Ellen \"Nellie\" Wood (née Mape). She had three siblings: a brother, Chris, and two sisters, Penny and Rosalind. Wood was born in Prestwich and brought up in nearby Bury.", "Wood was born in Prestwich and brought up in nearby Bury. She was educated at Fairfield County Primary School and Bury Grammar School for Girls, where she immediately found herself out of her depth. Wood developed eating disorders, but in 1968, her father gave her a piano for her 15th birthday. She later said of this unhappy time \"The good thing about being isolated is you get a good look at what goes on. I was reading, writing and working at the piano all the time.", "I was reading, writing and working at the piano all the time. I was doing a lot of other things that helped me to perform\". Later that year, she joined the Rochdale Youth Theatre Workshop, where she felt she was \"in the right place and knew what I was doing\" and she made an impression with her comic skill and skill in writing. She went on to study drama at the University of Birmingham.", "She went on to study drama at the University of Birmingham. Career 1970s Wood began her show business career while an undergraduate, appearing on the TV talent show New Faces in 1974. It led to an appearance in a sketch show featuring the series' winners The Summer Show. A further break came as a novelty act on the BBC's consumer affairs programme That's Life! in 1976.", "in 1976. in 1976. She had met long-term collaborator Julie Walters in 1971, when Wood applied to the Manchester School of Theatre, then part of Manchester Polytechnic. Coincidentally the pair met again when they appeared in the same theatre revue In at the Death in 1978 (for which Wood wrote a brief sketch).", "Coincidentally the pair met again when they appeared in the same theatre revue In at the Death in 1978 (for which Wood wrote a brief sketch). Its success led to the commissioning of Wood's first play Talent (in 1978), starring Hazel Clyne (in a role originally written for Walters), for which Wood won an award for the Most Promising New Writer. Peter Eckersley, the head of drama at Granada Television, saw Talent and invited Wood to create a television adaptation.", "Peter Eckersley, the head of drama at Granada Television, saw Talent and invited Wood to create a television adaptation. This time, Julie Walters took the lead role, while Wood reprised her stage role. 1980–1988 The success of the television version of Talent led to Wood writing the follow-up Nearly a Happy Ending. Shortly afterwards she wrote a third play for Granada, Happy Since I Met You, again with Walters alongside Duncan Preston as the male lead. In 1980 she wrote and starred in the stage play Good Fun.", "In 1980 she wrote and starred in the stage play Good Fun. Recognising her talent, Eckersley offered Wood a sketch show, although Wood was unsure of the project: she only agreed to go ahead if Walters received equal billing. Eckersley came up with an obvious title – Wood and Walters, and the pilot episode was recorded. It led to a full series, featuring Duncan Preston and a supporting cast. In the period between the completion of the pilot and the shooting of the series, Eckersley died.", "In the period between the completion of the pilot and the shooting of the series, Eckersley died. Wood credited him with giving her her first big break, and felt that Wood and Walters suffered due to his death. She was not impressed by Brian Armstrong, his fill-in, and was of the opinion that he hired unsuitable supporting actors. Wood appeared as a presenter in Yorkshire Television's 1984 schools television programme for hearing-impaired children, Insight, in a remake of the series originally presented by Derek Griffiths.", "Wood appeared as a presenter in Yorkshire Television's 1984 schools television programme for hearing-impaired children, Insight, in a remake of the series originally presented by Derek Griffiths. In 1982 and 1983 she appeared as a panellist on BBC Radio 4's Just a Minute. In October 1983 Wood performed her first solo stand-up show, Lucky Bag, in a five-week run at the King's Head Theatre in Islington. The show transferred to the Ambassadors Theatre for a 12-night run in February 1984.", "The show transferred to the Ambassadors Theatre for a 12-night run in February 1984. Lucky Bag went on a short UK tour in November and December 1984 and was also released as a live album recorded at the Edinburgh Festival in 1983. Wood left Granada in 1984 for the BBC, which promised her more creative control over projects. Later that year her sketch show Victoria Wood: As Seen on TV went into production. Wood chose the actors: her friend Julie Walters once again starred, as did Duncan Preston.", "Wood chose the actors: her friend Julie Walters once again starred, as did Duncan Preston. Wood's friends Celia Imrie, Susie Blake and Patricia Routledge were in the cast. As Seen on TV featured the Acorn Antiques series of sketches, parodying the low-budget soap opera Crossroads, and rumoured to be named after an antiques shop in her birthplace.", "As Seen on TV featured the Acorn Antiques series of sketches, parodying the low-budget soap opera Crossroads, and rumoured to be named after an antiques shop in her birthplace. Acorn Antiques is remembered for characters such as \"Mrs Overall\" (played by Walters), the deliberately bad camera angles and wobbling sets, and Celia Imrie's sarcastic tone as \"Miss Babs\". One of Wood's most popular comic songs, The Ballad of Barry and Freda (Let's Do It), originated on this show.", "One of Wood's most popular comic songs, The Ballad of Barry and Freda (Let's Do It), originated on this show. It tells the story of Freda (a woman eager for sex) and Barry (an introverted man terrified of intimate relations), and makes clever use of allusions to a multitude of risqué activities while avoiding all taboo words. Following the success of the first series of Victoria Wood: As Seen on TV, Wood went on tour again with Lucky Bag in March 1985.", "Following the success of the first series of Victoria Wood: As Seen on TV, Wood went on tour again with Lucky Bag in March 1985. Scene, a documentary for BBC2 later that year, showed footage of Wood preparing for the tour. A second series of Victoria Wood: As Seen on TV was made in 1986. Before filming began in the summer, Wood went on a short 23 date tour of England and Scotland during March and April.", "Before filming began in the summer, Wood went on a short 23 date tour of England and Scotland during March and April. A final 'Special' 40-minute episode of As Seen on TV was made in 1987 and broadcast later that year. During autumn 1987 Wood went on the road with what was to be her largest tour yet. The tour included a sell-out two-week run at the London Palladium, and had a second leg in the spring of 1988.", "The tour included a sell-out two-week run at the London Palladium, and had a second leg in the spring of 1988. In 1988 she appeared in the BAFTA-winning An Audience with Victoria Wood for ITV. At the time of recording the show she was six months pregnant. The end of 1988 saw the release of her second live performance Victoria Wood Live, recorded at the Brighton Dome. 1989–1999 During this period Wood moved away from the sketch show format and into more self-contained works, often with a bittersweet flavour.", "1989–1999 During this period Wood moved away from the sketch show format and into more self-contained works, often with a bittersweet flavour. Victoria Wood (six parts, 1989) featured Wood in several individual stories such as \"We'd Quite Like To Apologise\", set in an airport departure lounge, and \"Over to Pam\", set around a fictional talk show.", "Victoria Wood (six parts, 1989) featured Wood in several individual stories such as \"We'd Quite Like To Apologise\", set in an airport departure lounge, and \"Over to Pam\", set around a fictional talk show. In May 1990, Wood began a large tour of the United Kingdom, which was followed by a ten-week run at the Strand Theatre in London titled Victoria Wood Up West.", "In May 1990, Wood began a large tour of the United Kingdom, which was followed by a ten-week run at the Strand Theatre in London titled Victoria Wood Up West. Wood took the show on the road again during March and April 1991, where it was recorded at the Mayflower Theatre in Southampton, and later released as Victoria Wood Sold Out in 1991.", "Wood took the show on the road again during March and April 1991, where it was recorded at the Mayflower Theatre in Southampton, and later released as Victoria Wood Sold Out in 1991. In 1991, she appeared on the Comic Relief single performing \"The Smile Song\", the flipside to \"The Stonk\" (a record by ITV comedians Gareth Hale and Norman Pace with charity supergroup The Stonkers).", "In 1991, she appeared on the Comic Relief single performing \"The Smile Song\", the flipside to \"The Stonk\" (a record by ITV comedians Gareth Hale and Norman Pace with charity supergroup The Stonkers). A UK number-one single for one week on 23 March 1991, the record was the UK's 22nd-best-selling single of the year.", "A UK number-one single for one week on 23 March 1991, the record was the UK's 22nd-best-selling single of the year. However, even though it was a joint-single (with \"The Smile Song\" credited on the front of the single cover and listed as track 2 on the seven-inch and CD single rather than being a B-side), the UK singles chart compilers (now the Official Charts Company) did not credit her with having number one hit, in a situation similar to the fate of BAD II's \"Rush\", the AA-side of the preceding number one, \"Should I Stay or Should I Go\" by The Clash.", "However, even though it was a joint-single (with \"The Smile Song\" credited on the front of the single cover and listed as track 2 on the seven-inch and CD single rather than being a B-side), the UK singles chart compilers (now the Official Charts Company) did not credit her with having number one hit, in a situation similar to the fate of BAD II's \"Rush\", the AA-side of the preceding number one, \"Should I Stay or Should I Go\" by The Clash. She briefly returned to sketches for the 1992 Christmas Day special Victoria Wood's All Day Breakfast, and also branched out into children's animation, voicing all the characters for the CBBC series Puppydog Tales.", "She briefly returned to sketches for the 1992 Christmas Day special Victoria Wood's All Day Breakfast, and also branched out into children's animation, voicing all the characters for the CBBC series Puppydog Tales. In April 1993, Wood began a seven-month tour of the UK.", "In April 1993, Wood began a seven-month tour of the UK. The 104-date tour broke box office records, including 15 sell out shows at London's Royal Albert Hall, and played to residencies in Sheffield, Birmingham, Plymouth, Bristol, Nottingham, Manchester, Leicester, Liverpool, Bournemouth, Oxford, Southampton, Newcastle, Glasgow, Edinburgh, Leeds and Hull.", "The 104-date tour broke box office records, including 15 sell out shows at London's Royal Albert Hall, and played to residencies in Sheffield, Birmingham, Plymouth, Bristol, Nottingham, Manchester, Leicester, Liverpool, Bournemouth, Oxford, Southampton, Newcastle, Glasgow, Edinburgh, Leeds and Hull. The television film Pat and Margaret (1994), starring Wood and Julie Walters as long-lost sisters with very different lifestyles, continued her return to stand-alone plays with a poignant undercurrent to the comedy.", "The television film Pat and Margaret (1994), starring Wood and Julie Walters as long-lost sisters with very different lifestyles, continued her return to stand-alone plays with a poignant undercurrent to the comedy. In 1994, Wood starred in the one-off BBC 50-minute programme based on her 1993/94 stage show Victoria Wood: Live in Your Own Home. The special featured stand-up routines, character monologues and songs. An extended 80 minute version was released on VHS.", "An extended 80 minute version was released on VHS. An extended 80 minute version was released on VHS. Wood set out on a 68-date tour of the UK in May 1996, which played at venues in Leicester, Sheffield, Ipswich, Blackpool, Wolverhampton, Bradford, Newcastle, Bournemouth, Brighton, Nottingham, Oxford, Southend, Manchester and Cambridge. The tour culminated with another 15 sell-out shows at London's Royal Albert Hall in the autumn.", "The tour culminated with another 15 sell-out shows at London's Royal Albert Hall in the autumn. The tour recommenced in April 1997 in Liverpool and then travelled to Australia and New Zealand during the summer. It was later released as Victoria Wood Live 1997. In October 1997, Wood released a compilation of 14 of her songs titled Victoria Wood, Real Life The Songs.", "In October 1997, Wood released a compilation of 14 of her songs titled Victoria Wood, Real Life The Songs. Her first sitcom dinnerladies (1998), continued her now established milieu of mostly female, mostly middle-aged characters depicted vividly and amusingly, but with a counterpoint of sadder themes.", "Her first sitcom dinnerladies (1998), continued her now established milieu of mostly female, mostly middle-aged characters depicted vividly and amusingly, but with a counterpoint of sadder themes. 2000–2005 December 2000 saw the Christmas sketch show special Victoria Wood with All the Trimmings, featuring her regular troupe of actors as well as a string of special guest stars including Hugh Laurie, Angela Rippon, Bob Monkhouse, Bill Paterson, Delia Smith and Roger Moore.", "2000–2005 December 2000 saw the Christmas sketch show special Victoria Wood with All the Trimmings, featuring her regular troupe of actors as well as a string of special guest stars including Hugh Laurie, Angela Rippon, Bob Monkhouse, Bill Paterson, Delia Smith and Roger Moore. 2001 saw Wood embark on her final stand-up tour, Victoria Wood at It Again but was postponed slightly by Wood having to have an emergency hysterectomy shortly before the tour was due to begin.", "2001 saw Wood embark on her final stand-up tour, Victoria Wood at It Again but was postponed slightly by Wood having to have an emergency hysterectomy shortly before the tour was due to begin. She re-wrote the entire first half of the show and incorporated the operation into her act. The 62-date tour included 12 nights at the Royal Albert Hall and had a further 23 dates in 2002. During this period, Wood tended to move away from comedy to concentrate on drama.", "During this period, Wood tended to move away from comedy to concentrate on drama. She continued to produce one-off specials including Victoria Wood's Sketch Show Story (2002) and Victoria Wood's Big Fat Documentary (2005). Wood wrote her first musical, Acorn Antiques: The Musical!, which opened in 2005 at the Theatre Royal, Haymarket, London, for a limited period, directed by Trevor Nunn.", "Wood wrote her first musical, Acorn Antiques: The Musical!, which opened in 2005 at the Theatre Royal, Haymarket, London, for a limited period, directed by Trevor Nunn. It starred several of the original cast, with Sally Ann Triplett playing Miss Berta (played in the series by Wood). Wood played Julie Walters' lead role of Mrs Overall for Monday and Wednesday matinee performances.", "Wood played Julie Walters' lead role of Mrs Overall for Monday and Wednesday matinee performances. 2006–2010 Wood wrote the one-off ITV serious drama Housewife, 49 (2006), an adaptation of the diaries of Nella Last, and played the eponymous role of an introverted middle-aged character who discovers new confidence and friendships in Lancashire during the Second World War. Housewife, 49 was critically acclaimed, and Wood won BAFTAs for both her acting and writing for this drama; a rare double.", "Housewife, 49 was critically acclaimed, and Wood won BAFTAs for both her acting and writing for this drama; a rare double. The film also starred Stephanie Cole and David Threlfall as well as, in a small role, Sue Wallace with whom Wood had worked before and studied alongside at Birmingham. In November 2006, Wood directed a revival production of Acorn Antiques: The Musical! with a new cast. The musical opened at the Lowry in Salford in December and toured the United Kingdom from January to July 2007.", "The musical opened at the Lowry in Salford in December and toured the United Kingdom from January to July 2007. In January 2007, she appeared as herself in a series of advertisements featuring famous people working for the supermarket chain Asda. They featured Wood working in the bakery and introduced a catchphrase – \"there's no place like ASDA\".", "They featured Wood working in the bakery and introduced a catchphrase – \"there's no place like ASDA\". Wood was the subject of an episode of The South Bank Show in March 2007, and is the only woman to be the subject of two South Bank programmes (the previous occasion was in September 1996).", "Wood was the subject of an episode of The South Bank Show in March 2007, and is the only woman to be the subject of two South Bank programmes (the previous occasion was in September 1996). Wood appeared in a three-part travel documentary on BBC One called Victoria's Empire, in which she travelled around the world in search of the history, cultural impact and customs the British Empire placed on the parts of the world it ruled.", "Wood appeared in a three-part travel documentary on BBC One called Victoria's Empire, in which she travelled around the world in search of the history, cultural impact and customs the British Empire placed on the parts of the world it ruled. She departed Victoria Station, London, for Calcutta, Hong Kong and Borneo in the first programme. In programme two she visited Ghana, Jamaica and Newfoundland and in the final programme, New Zealand, Australia and Zambia, finishing at the Victoria Falls.", "In programme two she visited Ghana, Jamaica and Newfoundland and in the final programme, New Zealand, Australia and Zambia, finishing at the Victoria Falls. In a tribute to Wood, the British television station UKTV Gold celebrated her work with a weekend marathon of programmes between 3 and 4 November 2007, featuring programmes such as Victoria Wood Live and Dinnerladies and Victoria Wood: As Seen on TV – its first screening on British television since 1995.", "In a tribute to Wood, the British television station UKTV Gold celebrated her work with a weekend marathon of programmes between 3 and 4 November 2007, featuring programmes such as Victoria Wood Live and Dinnerladies and Victoria Wood: As Seen on TV – its first screening on British television since 1995. Wood returned to stand-up comedy, with a special performance for the celebratory show Happy Birthday BAFTA on 28 October 2007, alongside other household names. The programme was transmitted on ITV1 on Wednesday 7 November 2007.", "The programme was transmitted on ITV1 on Wednesday 7 November 2007. On Boxing Day 2007 she appeared as \"Nana\" in the Granada dramatisation of Noel Streatfeild's novel Ballet Shoes. In December 2007, when a guest on the radio programme Desert Island Discs, Wood said she was about to make her first foray into film, writing a script described as a contemporary comedy about a middle-aged person.", "In December 2007, when a guest on the radio programme Desert Island Discs, Wood said she was about to make her first foray into film, writing a script described as a contemporary comedy about a middle-aged person. On Thursday, 12 June 2008, Wood was a member of the celebrity guest panel on the series The Apprentice: You're Fired! on BBC Two. In June 2009, she appeared as a panellist on the first two episodes of a series of I'm Sorry I Haven't a Clue.", "In June 2009, she appeared as a panellist on the first two episodes of a series of I'm Sorry I Haven't a Clue. In 2009, Wood provided the voice of God for Liberace, Live From Heaven by Julian Woolford at London's Leicester Square Theatre. Wood returned to television comedy for a one-off Christmas sketch-show special, her first for nine years, Victoria Wood's Mid Life Christmas, transmitted on BBC One at 21:00 on Christmas Eve 2009.", "Wood returned to television comedy for a one-off Christmas sketch-show special, her first for nine years, Victoria Wood's Mid Life Christmas, transmitted on BBC One at 21:00 on Christmas Eve 2009. It reunited Wood with Julie Walters in Lark Pies to Cranchesterford, a spoof of BBC period dramas Lark Rise to Candleford, Little Dorrit and Cranford; a spoof documentary, Beyond the Marigolds, following Acorn Antiques star Bo Beaumont (Walters); highlights from the Mid Life Olympics 2009 with Wood as the commentator; parodies of personal injury advertisements; and a reprise of Wood's most famous song \"The Ballad of Barry and Freda\" (\"Let's Do It\"), performed as a musical number with tap-dancers and a band.", "It reunited Wood with Julie Walters in Lark Pies to Cranchesterford, a spoof of BBC period dramas Lark Rise to Candleford, Little Dorrit and Cranford; a spoof documentary, Beyond the Marigolds, following Acorn Antiques star Bo Beaumont (Walters); highlights from the Mid Life Olympics 2009 with Wood as the commentator; parodies of personal injury advertisements; and a reprise of Wood's most famous song \"The Ballad of Barry and Freda\" (\"Let's Do It\"), performed as a musical number with tap-dancers and a band. Victoria Wood: Seen On TV, a 90-minute documentary looking back on her career, was broadcast on BBC Two on 21 December, whilst a behind-the-scenes special programme about Midlife Christmas, Victoria Wood: What Larks!, was broadcast on BBC One on 30 December.", "Victoria Wood: Seen On TV, a 90-minute documentary looking back on her career, was broadcast on BBC Two on 21 December, whilst a behind-the-scenes special programme about Midlife Christmas, Victoria Wood: What Larks!, was broadcast on BBC One on 30 December. 2011–2016 On New Year's Day 2011, Wood appeared in a BBC drama Eric and Ernie as Eric Morecambe's mother, Sadie Bartholomew.", "2011–2016 On New Year's Day 2011, Wood appeared in a BBC drama Eric and Ernie as Eric Morecambe's mother, Sadie Bartholomew. For the 2011 Manchester International Festival, Wood wrote, composed and directed That Day We Sang, a musical set in 1969 with flashbacks to 1929. It tells the story of a middle-aged couple who find love after meeting on a TV programme about a choir they both sang in 40 years previously.", "It tells the story of a middle-aged couple who find love after meeting on a TV programme about a choir they both sang in 40 years previously. Although the characters are imaginary, the choir sang with the Hallé Youth Orchestra in Manchester's Free Trade Hall on a record that sold more than a million copies. Apart from the pieces on the 1929 recording (Purcell's \"Nymphs and Shepherds\" and the Evening Benediction from Hansel and Gretel) the score for the musical was written by Wood.", "Apart from the pieces on the 1929 recording (Purcell's \"Nymphs and Shepherds\" and the Evening Benediction from Hansel and Gretel) the score for the musical was written by Wood. She also narrated the 2012 miniseries The Talent Show Story. On 22 December 2012, Wood was a guest on BBC Radio Two's Saturday morning Graham Norton Show.", "On 22 December 2012, Wood was a guest on BBC Radio Two's Saturday morning Graham Norton Show. On 23 December BBC One screened Loving Miss Hatto, a drama written by Wood about the life of concert pianist Joyce Hatto, the centre of a scandal over the authenticity of her recordings and her role in the hoax. In April 2013, Wood produced a documentary about the history of tea named Victoria Wood's Nice Cup of Tea.", "In April 2013, Wood produced a documentary about the history of tea named Victoria Wood's Nice Cup of Tea. In 2013 she played retired constable-turned-security-guard Tracy in BBC Scotland's Case Histories starring Jason Isaacs.", "In 2013 she played retired constable-turned-security-guard Tracy in BBC Scotland's Case Histories starring Jason Isaacs. She appeared in an episode of QI, broadcast on 13 December 2013, and around the same time made two return appearances on I'm Sorry I Haven't a Clue during the show's 60th series in which she joined in the game One song to the tune of Another, singing Bob the Builder to the tune of I Dreamed a Dream.", "She appeared in an episode of QI, broadcast on 13 December 2013, and around the same time made two return appearances on I'm Sorry I Haven't a Clue during the show's 60th series in which she joined in the game One song to the tune of Another, singing Bob the Builder to the tune of I Dreamed a Dream. In March 2014, Wood voiced the TV advertisement for the tour of the old set of Coronation Street.", "In March 2014, Wood voiced the TV advertisement for the tour of the old set of Coronation Street. On 5 December 2014 Wood was a guest on BBC's The Graham Norton Show. On 26 December 2014, a television movie adaptation of That Day We Sang, directed by Wood, starring Michael Ball and Imelda Staunton, was shown on BBC Two. In early 2015, Wood took part in a celebrity version of The Great British Bake Off for Comic Relief and was crowned Star Baker in her episode.", "In early 2015, Wood took part in a celebrity version of The Great British Bake Off for Comic Relief and was crowned Star Baker in her episode. She co-starred with Timothy Spall in Sky television's three-part television adaptation of Fungus the Bogeyman, which was first shown on 27, 28 & 29 December 2015, her final acting role. Awards and recognition Wood received many awards in her career. She was appointed an Officer of the Order of the British Empire (OBE) in the 1997 Birthday Honours.", "She was appointed an Officer of the Order of the British Empire (OBE) in the 1997 Birthday Honours. Earlier in 1994, she was made an honorary Doctor of Letters by the University of Sunderland. She was appointed a Commander of the Order of the British Empire (CBE) in the 2008 Birthday Honours. In 2003, she was listed in The Observer as one of the 50 Funniest Acts in British Comedy.", "In 2003, she was listed in The Observer as one of the 50 Funniest Acts in British Comedy. In the 2005 Channel 4 poll the Comedians' Comedian, she was voted 27th out of the top 50 comedy acts by fellow comedians and comedy insiders. She was the highest-ranked woman on the list, above French and Saunders (who paid tribute to her in their Lord of the Rings spoof, where a map of Middle-Earth shows a forest called 'Victoria Wood'), Joan Rivers and Joyce Grenfell.", "She was the highest-ranked woman on the list, above French and Saunders (who paid tribute to her in their Lord of the Rings spoof, where a map of Middle-Earth shows a forest called 'Victoria Wood'), Joan Rivers and Joyce Grenfell. Her sketch show Victoria Wood: As Seen on TV won BAFTA awards for its two series and Christmas Special.", "Her sketch show Victoria Wood: As Seen on TV won BAFTA awards for its two series and Christmas Special. In 2007, she was nominated for and won the BAFTA awards for \"Best Actress\" and for \"Best Single Drama\" for her role in the British war-time drama Housewife, 49, in which she played the part of a housewife dominated by her moody husband. Wood's character eventually stands up to him and helps the WRVS (Women's Royal Voluntary Service) in their preparations for British soldiers.", "Wood's character eventually stands up to him and helps the WRVS (Women's Royal Voluntary Service) in their preparations for British soldiers. Her popularity with the British public was confirmed when she won 'Best Stand-Up' and 'Best Sketch Show' by Radio Times readers in 2001. Wood was also voted 'Funniest Comedian' by the readers of Reader's Digest in 2005 and came eighth in ITV's poll of the public's 50 Greatest Stars, four places behind long term regular co-star Julie Walters.", "Wood was also voted 'Funniest Comedian' by the readers of Reader's Digest in 2005 and came eighth in ITV's poll of the public's 50 Greatest Stars, four places behind long term regular co-star Julie Walters. Wood was the recipient of six British Comedy Awards: Best stand-up live comedy performer (1990); Best female comedy performer (1995); WGGB Writer of the year (2000); Best live stand-up (2001); Outstanding achievement award (jointly awarded to Julie Walters) (2005); Best female TV comic (2011).", "Wood was the recipient of six British Comedy Awards: Best stand-up live comedy performer (1990); Best female comedy performer (1995); WGGB Writer of the year (2000); Best live stand-up (2001); Outstanding achievement award (jointly awarded to Julie Walters) (2005); Best female TV comic (2011). Wood was nominated for the 1991 Olivier Award for Best Entertainment for Victoria Wood Up West. BAFTA nominations Wood was a 14-time BAFTA TV Award nominee, winning four.", "BAFTA nominations Wood was a 14-time BAFTA TV Award nominee, winning four. She received a special BAFTA at a tribute evening in 2005. Victoria Wood: As Seen on TV won the BAFTA for Best Entertainment Programme in 1986, 1987 and 1988; these awards went to the producer, Geoff Posner. An Audience With Victoria Wood won the BAFTA for Best Entertainment Programme in 1989; this award went to David G. Hillier.", "An Audience With Victoria Wood won the BAFTA for Best Entertainment Programme in 1989; this award went to David G. Hillier. Personal life Wood married stage magician Geoffrey Durham in March 1980 and they had two children: Grace, born 1 October 1988 and Henry, born 2 May 1992. The couple separated in October 2002 and divorced in 2005, but continued to live near one another and were on good terms. Her son Henry made a cameo performance as a teenager in Victoria Wood's Mid Life Christmas.", "Her son Henry made a cameo performance as a teenager in Victoria Wood's Mid Life Christmas. He also appeared in the accompanying 'behind the scenes' programme Victoria Wood: What Larks!. Both children had already made appearances as extras on Victoria Wood with All the Trimmings in 2000. Wood attended Quaker meetings with her husband and was a vegetarian, once remarking, \"I'm all for killing animals and turning them into handbags; I just don't want to have to eat them.\"", "Wood attended Quaker meetings with her husband and was a vegetarian, once remarking, \"I'm all for killing animals and turning them into handbags; I just don't want to have to eat them.\" Death Wood was diagnosed with cancer of the oesophagus in late 2015, but kept her illness largely private. She died on 20 April 2016 at her Highgate home, in the presence of her children and former husband.", "She died on 20 April 2016 at her Highgate home, in the presence of her children and former husband. Her family celebrated her life with a humanist funeral and cremation at Golders Green Crematorium on 5 May 2016. A memorial service was held for Wood on 4 July 2016 at St James, Piccadilly. The event was accessible via invitation only and tributes were given by Jane Wymark, Daniel Rigby, Harriet Thorpe and Julie Walters.", "The event was accessible via invitation only and tributes were given by Jane Wymark, Daniel Rigby, Harriet Thorpe and Julie Walters. Ria Jones and Michael Ball each performed one of Wood's songs and Nigel Lilley accompanied on the piano. Tributes On 15 May 2016, ITV broadcast Let's Do It: A Tribute to Victoria Wood. In 2017, Wood was the subject of a seven-part show dedicated mainly to extracts from her TV and live work.", "In 2017, Wood was the subject of a seven-part show dedicated mainly to extracts from her TV and live work. The main series, titled Our Friend Victoria, aired on BBC One between 11 April and 9 May and concluded later in the year with a Christmas special on 23 December 2017. The seven episodes were presented by Julie Walters, Richard E. Grant, Michael Ball, Maxine Peake, The League of Gentlemen, Daniel Rigby and Anne Reid.", "The seven episodes were presented by Julie Walters, Richard E. Grant, Michael Ball, Maxine Peake, The League of Gentlemen, Daniel Rigby and Anne Reid. On 17 May 2019, a statue of Wood was unveiled in her home town of Bury in Greater Manchester. Biography Christopher Foote Wood. Victoria Wood Comedy Genius - Her Life and Work, Published by The Memoir Club, 07552086888, Christopher Foote Wood.", "Victoria Wood Comedy Genius - Her Life and Work, Published by The Memoir Club, 07552086888, Christopher Foote Wood. Nellie's book : the early life of Victoria Wood's mother, with Nellie Wood (co-author), The History Press (2006), References External links Profile at Caroline's Comedy Base Victoria Wood at TV Museum Victoria Wood at BBC Comedy Guide Return to drama (Manchester Evening News) BBC Writers Room – Video and text interview with Victoria Wood about writing comedy The Independent – The 5-Minute Interview: Victoria Wood, comedian and writer Victoria Wood Obituary BBC News Retrieved 20 April 2016 Victoria Wood obituary, The Guardian, retrieved 21 April 2016 Victoria Wood obituary, The Daily Telegraph, retrieved 21 April 2016 Victoria Wood(Aveleyman) 1953 births 2016 deaths 20th-century English comedians 21st-century English comedians 20th-century English actresses 21st-century English actresses Actresses from Lancashire Alumni of the University of Birmingham Best Actress BAFTA Award (television) winners Best Entertainment Performance BAFTA Award (television) winners Deaths from cancer in England Comedians from Lancashire Commanders of the Order of the British Empire English humanists English Quakers English stand-up comedians English television actresses English television writers English women comedians English women pianists Honorary Members of the Royal Academy of Music People educated at Bury Grammar School (Girls) People from Prestwich People from Bury, Greater Manchester Women television writers Writers from Lancashire" ]

[ "Victoria Wood", "2011-15", "Did she play any roles in 2011?", "On New Year's Day 2011 Wood appeared in a BBC drama Eric and Ernie as Eric Morecambe's mother, Sadie Bartholomew.", "Did she do any other acting in 2011?", "For the 2011 Manchester International Festival, Wood wrote and directed That Day We Sang, a musical set in 1969 with flashbacks to 1929.", "Are there any other interesting aspects about this article?", "On 22 December 2012 Wood was a guest on BBC Radio Two's Saturday morning Graham Norton Show.", "Did she do anything other than acting during this time period?", "On 23 December BBC One screened Loving Miss Hatto, a drama written by Wood about the life of concert pianist Joyce Hatto," ]

[ "Agata Vostruchovaitė (born 2 December 2000) is a Lithuanian artistic gymnast and was the 2016 Lithuanian national champion. She represented Lithuania at the 2017 and 2019 World Championships.\n\nEarly life\nVostruchovaitė was born in Vilnius in 2000. She began gymnastics when she was four years old.\n\nGymnastics career\n\nJunior\n\n2014–15\nVostruchovaitė competed at the 2014 European Championships. In 2015 she competed at the European Youth Olympic Festival alongside Diana Balkytė and they finished 25th as a team. Individually Vostruchovaitė placed 52nd in the all-around during qualification. She next competed at the Bosphorus Tournament where she placed sixth.\n\nSenior\n\n2016–17 \nVostruchovaitė turned senior in 2016. She made her senior debut at the Antonia Koshel Cup where she finished sixth in the all-around. She placed first at the Lithuanian national championships. At the 2016 European Championships Vostruchovaitė finished 33rd during qualifications.\n\nAt the 2017 European Championships Vostruchovaitė finished 72nd in the all-around qualifications. She next competed at the Szombathely Challenge Cup but did not qualify for any event finals. Vostruchovaitė was selected to represent Lithuania at the 2017 World Championships; she finished 72nd in qualifications.\n\n2018–19 \nVostruchovaitė competed at Gym Festival Trnava where she placed 19th in the all-around and fourth on vault. At the 2018 European Championships, while practicing on vault, Vostruchovaitė strained her knee ligaments.\n\nVostruchovaitė returned to competition at the 2019 Lithuanian Championships where she only competed on uneven bars; she placed second behind Greta Semionova. She competed at the 2019 World Championships but did not qualify for any event finals nor did she qualify to the 2020 Olympic Games.\n\n2020–21 \nAt the 2020 European Championships Vostruchovaitė placed thirteenth on vault during qualifications but did not qualify for the event final.\n\nAt the 2021 Lithuanian national championships Vostruchovaitė placed third in the all-around behind Ūla Bikinaitė and Ema Pleškytė. She placed first on vault. At the 2021 European Championships Vostruchovaitė finished 71st in the all-around qualifications and 14th on vault. She next competed at the Ukrainian International Cup where she placed eighth in the all-around, third on vault, and sixth on balance beam. Vostruchovaitė competed at the Mersin Challenge Cup where she placed third on vault behind Csenge Bácskay and Tjaša Kysselef.\n\nCompetitive history\n\nReferences\n\nExternal links\n \n\n2000 births\nLiving people\nLithuanian female artistic gymnasts\nSportspeople from Vilnius", "Tess Hurson (born 1955) is a poet and academic from Northern Ireland.\n\nLife\nHurson was born in 1955 in Annaghbeg, County Tyrone where she still lives. She gained her education in St Patrick's Academy, Dungannon and then went to college to study English at Trinity College, Dublin. She did an MA in Anglo-Irish Literature at Queen's University Belfast and then finished up with a PhD at York University, Toronto where her thesis topic was the work of Flann O'Brien which has made her one of the foremost experts on his work. She wrote extensively in college for the college newspapers. Later she was encouraged to take up writing again, especially poetry and eventually published her first collection with Lagan Press, in 1997.\n\nShe took a position at Queen's University Belfast where she is currently Director of Undergraduate programmes and she did work in the University of Ulster at Coleraine. She has served on the Arts Council.\n\nIn 2000 she married the photographer, Ian Maginess.\n\nBibliography\n\nReferences \n\nWomen poets from Northern Ireland\n1955 births\nPeople from County Tyrone\nAlumni of Trinity College Dublin\nLiving people" ]

[ "Victoria Wood (19 May 1953 – 20 April 2016) was an English comedian, actress, lyricist, singer, composer, pianist, screenwriter, producer and director. Wood wrote and starred in dozens of sketches, plays, musicals, films and sitcoms over several decades and her live comedy act was interspersed with her own compositions which she performed at the piano. Much of her humour was grounded in everyday life and included references to activities, attitudes and products that are considered to exemplify Britain.", "Much of her humour was grounded in everyday life and included references to activities, attitudes and products that are considered to exemplify Britain. She was noted for her skills in observational comedy and in satirising aspects of social class. Wood started her career in 1974 by appearing on, and winning, the ATV talent show New Faces.", "Wood started her career in 1974 by appearing on, and winning, the ATV talent show New Faces. She established herself as a comedy star in the 1980s, winning a BAFTA TV Award in 1986 for the sketch series Victoria Wood: As Seen on TV (1985–87), and became one of Britain's most popular stand-up comics, winning a second BAFTA for An Audience with Victoria Wood (1988).", "She established herself as a comedy star in the 1980s, winning a BAFTA TV Award in 1986 for the sketch series Victoria Wood: As Seen on TV (1985–87), and became one of Britain's most popular stand-up comics, winning a second BAFTA for An Audience with Victoria Wood (1988). In the 1990s, she wrote and co-starred in the television film Pat and Margaret (1994), and the sitcom dinnerladies (1998–2000), which she also produced.", "In the 1990s, she wrote and co-starred in the television film Pat and Margaret (1994), and the sitcom dinnerladies (1998–2000), which she also produced. She won two more BAFTA TV Awards, including Best Actress, for her 2006 ITV1 television film, Housewife, 49. Her frequent long-term collaborators included Julie Walters, Celia Imrie, Duncan Preston, and Anne Reid. In 2006, Wood came tenth in ITV's poll of the British public's 50 Greatest TV Stars.", "In 2006, Wood came tenth in ITV's poll of the British public's 50 Greatest TV Stars. Early life Victoria Wood was the youngest child of Stanley Wood, an insurance salesman, who also wrote songs for his company's Christmas parties, was the author of the musical play \"Clogs\" based in a Lancashire village in 1887 and also wrote part time for Coronation Street, Northern Drift and others; and Ellen \"Nellie\" Wood (née Mape).", "Early life Victoria Wood was the youngest child of Stanley Wood, an insurance salesman, who also wrote songs for his company's Christmas parties, was the author of the musical play \"Clogs\" based in a Lancashire village in 1887 and also wrote part time for Coronation Street, Northern Drift and others; and Ellen \"Nellie\" Wood (née Mape). She had three siblings: a brother, Chris, and two sisters, Penny and Rosalind. Wood was born in Prestwich and brought up in nearby Bury.", "Wood was born in Prestwich and brought up in nearby Bury. She was educated at Fairfield County Primary School and Bury Grammar School for Girls, where she immediately found herself out of her depth. Wood developed eating disorders, but in 1968, her father gave her a piano for her 15th birthday. She later said of this unhappy time \"The good thing about being isolated is you get a good look at what goes on. I was reading, writing and working at the piano all the time.", "I was reading, writing and working at the piano all the time. I was doing a lot of other things that helped me to perform\". Later that year, she joined the Rochdale Youth Theatre Workshop, where she felt she was \"in the right place and knew what I was doing\" and she made an impression with her comic skill and skill in writing. She went on to study drama at the University of Birmingham.", "She went on to study drama at the University of Birmingham. Career 1970s Wood began her show business career while an undergraduate, appearing on the TV talent show New Faces in 1974. It led to an appearance in a sketch show featuring the series' winners The Summer Show. A further break came as a novelty act on the BBC's consumer affairs programme That's Life! in 1976.", "in 1976. in 1976. She had met long-term collaborator Julie Walters in 1971, when Wood applied to the Manchester School of Theatre, then part of Manchester Polytechnic. Coincidentally the pair met again when they appeared in the same theatre revue In at the Death in 1978 (for which Wood wrote a brief sketch).", "Coincidentally the pair met again when they appeared in the same theatre revue In at the Death in 1978 (for which Wood wrote a brief sketch). Its success led to the commissioning of Wood's first play Talent (in 1978), starring Hazel Clyne (in a role originally written for Walters), for which Wood won an award for the Most Promising New Writer. Peter Eckersley, the head of drama at Granada Television, saw Talent and invited Wood to create a television adaptation.", "Peter Eckersley, the head of drama at Granada Television, saw Talent and invited Wood to create a television adaptation. This time, Julie Walters took the lead role, while Wood reprised her stage role. 1980–1988 The success of the television version of Talent led to Wood writing the follow-up Nearly a Happy Ending. Shortly afterwards she wrote a third play for Granada, Happy Since I Met You, again with Walters alongside Duncan Preston as the male lead. In 1980 she wrote and starred in the stage play Good Fun.", "In 1980 she wrote and starred in the stage play Good Fun. Recognising her talent, Eckersley offered Wood a sketch show, although Wood was unsure of the project: she only agreed to go ahead if Walters received equal billing. Eckersley came up with an obvious title – Wood and Walters, and the pilot episode was recorded. It led to a full series, featuring Duncan Preston and a supporting cast. In the period between the completion of the pilot and the shooting of the series, Eckersley died.", "In the period between the completion of the pilot and the shooting of the series, Eckersley died. Wood credited him with giving her her first big break, and felt that Wood and Walters suffered due to his death. She was not impressed by Brian Armstrong, his fill-in, and was of the opinion that he hired unsuitable supporting actors. Wood appeared as a presenter in Yorkshire Television's 1984 schools television programme for hearing-impaired children, Insight, in a remake of the series originally presented by Derek Griffiths.", "Wood appeared as a presenter in Yorkshire Television's 1984 schools television programme for hearing-impaired children, Insight, in a remake of the series originally presented by Derek Griffiths. In 1982 and 1983 she appeared as a panellist on BBC Radio 4's Just a Minute. In October 1983 Wood performed her first solo stand-up show, Lucky Bag, in a five-week run at the King's Head Theatre in Islington. The show transferred to the Ambassadors Theatre for a 12-night run in February 1984.", "The show transferred to the Ambassadors Theatre for a 12-night run in February 1984. Lucky Bag went on a short UK tour in November and December 1984 and was also released as a live album recorded at the Edinburgh Festival in 1983. Wood left Granada in 1984 for the BBC, which promised her more creative control over projects. Later that year her sketch show Victoria Wood: As Seen on TV went into production. Wood chose the actors: her friend Julie Walters once again starred, as did Duncan Preston.", "Wood chose the actors: her friend Julie Walters once again starred, as did Duncan Preston. Wood's friends Celia Imrie, Susie Blake and Patricia Routledge were in the cast. As Seen on TV featured the Acorn Antiques series of sketches, parodying the low-budget soap opera Crossroads, and rumoured to be named after an antiques shop in her birthplace.", "As Seen on TV featured the Acorn Antiques series of sketches, parodying the low-budget soap opera Crossroads, and rumoured to be named after an antiques shop in her birthplace. Acorn Antiques is remembered for characters such as \"Mrs Overall\" (played by Walters), the deliberately bad camera angles and wobbling sets, and Celia Imrie's sarcastic tone as \"Miss Babs\". One of Wood's most popular comic songs, The Ballad of Barry and Freda (Let's Do It), originated on this show.", "One of Wood's most popular comic songs, The Ballad of Barry and Freda (Let's Do It), originated on this show. It tells the story of Freda (a woman eager for sex) and Barry (an introverted man terrified of intimate relations), and makes clever use of allusions to a multitude of risqué activities while avoiding all taboo words. Following the success of the first series of Victoria Wood: As Seen on TV, Wood went on tour again with Lucky Bag in March 1985.", "Following the success of the first series of Victoria Wood: As Seen on TV, Wood went on tour again with Lucky Bag in March 1985. Scene, a documentary for BBC2 later that year, showed footage of Wood preparing for the tour. A second series of Victoria Wood: As Seen on TV was made in 1986. Before filming began in the summer, Wood went on a short 23 date tour of England and Scotland during March and April.", "Before filming began in the summer, Wood went on a short 23 date tour of England and Scotland during March and April. A final 'Special' 40-minute episode of As Seen on TV was made in 1987 and broadcast later that year. During autumn 1987 Wood went on the road with what was to be her largest tour yet. The tour included a sell-out two-week run at the London Palladium, and had a second leg in the spring of 1988.", "The tour included a sell-out two-week run at the London Palladium, and had a second leg in the spring of 1988. In 1988 she appeared in the BAFTA-winning An Audience with Victoria Wood for ITV. At the time of recording the show she was six months pregnant. The end of 1988 saw the release of her second live performance Victoria Wood Live, recorded at the Brighton Dome. 1989–1999 During this period Wood moved away from the sketch show format and into more self-contained works, often with a bittersweet flavour.", "1989–1999 During this period Wood moved away from the sketch show format and into more self-contained works, often with a bittersweet flavour. Victoria Wood (six parts, 1989) featured Wood in several individual stories such as \"We'd Quite Like To Apologise\", set in an airport departure lounge, and \"Over to Pam\", set around a fictional talk show.", "Victoria Wood (six parts, 1989) featured Wood in several individual stories such as \"We'd Quite Like To Apologise\", set in an airport departure lounge, and \"Over to Pam\", set around a fictional talk show. In May 1990, Wood began a large tour of the United Kingdom, which was followed by a ten-week run at the Strand Theatre in London titled Victoria Wood Up West.", "In May 1990, Wood began a large tour of the United Kingdom, which was followed by a ten-week run at the Strand Theatre in London titled Victoria Wood Up West. Wood took the show on the road again during March and April 1991, where it was recorded at the Mayflower Theatre in Southampton, and later released as Victoria Wood Sold Out in 1991.", "Wood took the show on the road again during March and April 1991, where it was recorded at the Mayflower Theatre in Southampton, and later released as Victoria Wood Sold Out in 1991. In 1991, she appeared on the Comic Relief single performing \"The Smile Song\", the flipside to \"The Stonk\" (a record by ITV comedians Gareth Hale and Norman Pace with charity supergroup The Stonkers).", "In 1991, she appeared on the Comic Relief single performing \"The Smile Song\", the flipside to \"The Stonk\" (a record by ITV comedians Gareth Hale and Norman Pace with charity supergroup The Stonkers). A UK number-one single for one week on 23 March 1991, the record was the UK's 22nd-best-selling single of the year.", "A UK number-one single for one week on 23 March 1991, the record was the UK's 22nd-best-selling single of the year. However, even though it was a joint-single (with \"The Smile Song\" credited on the front of the single cover and listed as track 2 on the seven-inch and CD single rather than being a B-side), the UK singles chart compilers (now the Official Charts Company) did not credit her with having number one hit, in a situation similar to the fate of BAD II's \"Rush\", the AA-side of the preceding number one, \"Should I Stay or Should I Go\" by The Clash.", "However, even though it was a joint-single (with \"The Smile Song\" credited on the front of the single cover and listed as track 2 on the seven-inch and CD single rather than being a B-side), the UK singles chart compilers (now the Official Charts Company) did not credit her with having number one hit, in a situation similar to the fate of BAD II's \"Rush\", the AA-side of the preceding number one, \"Should I Stay or Should I Go\" by The Clash. She briefly returned to sketches for the 1992 Christmas Day special Victoria Wood's All Day Breakfast, and also branched out into children's animation, voicing all the characters for the CBBC series Puppydog Tales.", "She briefly returned to sketches for the 1992 Christmas Day special Victoria Wood's All Day Breakfast, and also branched out into children's animation, voicing all the characters for the CBBC series Puppydog Tales. In April 1993, Wood began a seven-month tour of the UK.", "In April 1993, Wood began a seven-month tour of the UK. The 104-date tour broke box office records, including 15 sell out shows at London's Royal Albert Hall, and played to residencies in Sheffield, Birmingham, Plymouth, Bristol, Nottingham, Manchester, Leicester, Liverpool, Bournemouth, Oxford, Southampton, Newcastle, Glasgow, Edinburgh, Leeds and Hull.", "The 104-date tour broke box office records, including 15 sell out shows at London's Royal Albert Hall, and played to residencies in Sheffield, Birmingham, Plymouth, Bristol, Nottingham, Manchester, Leicester, Liverpool, Bournemouth, Oxford, Southampton, Newcastle, Glasgow, Edinburgh, Leeds and Hull. The television film Pat and Margaret (1994), starring Wood and Julie Walters as long-lost sisters with very different lifestyles, continued her return to stand-alone plays with a poignant undercurrent to the comedy.", "The television film Pat and Margaret (1994), starring Wood and Julie Walters as long-lost sisters with very different lifestyles, continued her return to stand-alone plays with a poignant undercurrent to the comedy. In 1994, Wood starred in the one-off BBC 50-minute programme based on her 1993/94 stage show Victoria Wood: Live in Your Own Home. The special featured stand-up routines, character monologues and songs. An extended 80 minute version was released on VHS.", "An extended 80 minute version was released on VHS. An extended 80 minute version was released on VHS. Wood set out on a 68-date tour of the UK in May 1996, which played at venues in Leicester, Sheffield, Ipswich, Blackpool, Wolverhampton, Bradford, Newcastle, Bournemouth, Brighton, Nottingham, Oxford, Southend, Manchester and Cambridge. The tour culminated with another 15 sell-out shows at London's Royal Albert Hall in the autumn.", "The tour culminated with another 15 sell-out shows at London's Royal Albert Hall in the autumn. The tour recommenced in April 1997 in Liverpool and then travelled to Australia and New Zealand during the summer. It was later released as Victoria Wood Live 1997. In October 1997, Wood released a compilation of 14 of her songs titled Victoria Wood, Real Life The Songs.", "In October 1997, Wood released a compilation of 14 of her songs titled Victoria Wood, Real Life The Songs. Her first sitcom dinnerladies (1998), continued her now established milieu of mostly female, mostly middle-aged characters depicted vividly and amusingly, but with a counterpoint of sadder themes.", "Her first sitcom dinnerladies (1998), continued her now established milieu of mostly female, mostly middle-aged characters depicted vividly and amusingly, but with a counterpoint of sadder themes. 2000–2005 December 2000 saw the Christmas sketch show special Victoria Wood with All the Trimmings, featuring her regular troupe of actors as well as a string of special guest stars including Hugh Laurie, Angela Rippon, Bob Monkhouse, Bill Paterson, Delia Smith and Roger Moore.", "2000–2005 December 2000 saw the Christmas sketch show special Victoria Wood with All the Trimmings, featuring her regular troupe of actors as well as a string of special guest stars including Hugh Laurie, Angela Rippon, Bob Monkhouse, Bill Paterson, Delia Smith and Roger Moore. 2001 saw Wood embark on her final stand-up tour, Victoria Wood at It Again but was postponed slightly by Wood having to have an emergency hysterectomy shortly before the tour was due to begin.", "2001 saw Wood embark on her final stand-up tour, Victoria Wood at It Again but was postponed slightly by Wood having to have an emergency hysterectomy shortly before the tour was due to begin. She re-wrote the entire first half of the show and incorporated the operation into her act. The 62-date tour included 12 nights at the Royal Albert Hall and had a further 23 dates in 2002. During this period, Wood tended to move away from comedy to concentrate on drama.", "During this period, Wood tended to move away from comedy to concentrate on drama. She continued to produce one-off specials including Victoria Wood's Sketch Show Story (2002) and Victoria Wood's Big Fat Documentary (2005). Wood wrote her first musical, Acorn Antiques: The Musical!, which opened in 2005 at the Theatre Royal, Haymarket, London, for a limited period, directed by Trevor Nunn.", "Wood wrote her first musical, Acorn Antiques: The Musical!, which opened in 2005 at the Theatre Royal, Haymarket, London, for a limited period, directed by Trevor Nunn. It starred several of the original cast, with Sally Ann Triplett playing Miss Berta (played in the series by Wood). Wood played Julie Walters' lead role of Mrs Overall for Monday and Wednesday matinee performances.", "Wood played Julie Walters' lead role of Mrs Overall for Monday and Wednesday matinee performances. 2006–2010 Wood wrote the one-off ITV serious drama Housewife, 49 (2006), an adaptation of the diaries of Nella Last, and played the eponymous role of an introverted middle-aged character who discovers new confidence and friendships in Lancashire during the Second World War. Housewife, 49 was critically acclaimed, and Wood won BAFTAs for both her acting and writing for this drama; a rare double.", "Housewife, 49 was critically acclaimed, and Wood won BAFTAs for both her acting and writing for this drama; a rare double. The film also starred Stephanie Cole and David Threlfall as well as, in a small role, Sue Wallace with whom Wood had worked before and studied alongside at Birmingham. In November 2006, Wood directed a revival production of Acorn Antiques: The Musical! with a new cast. The musical opened at the Lowry in Salford in December and toured the United Kingdom from January to July 2007.", "The musical opened at the Lowry in Salford in December and toured the United Kingdom from January to July 2007. In January 2007, she appeared as herself in a series of advertisements featuring famous people working for the supermarket chain Asda. They featured Wood working in the bakery and introduced a catchphrase – \"there's no place like ASDA\".", "They featured Wood working in the bakery and introduced a catchphrase – \"there's no place like ASDA\". Wood was the subject of an episode of The South Bank Show in March 2007, and is the only woman to be the subject of two South Bank programmes (the previous occasion was in September 1996).", "Wood was the subject of an episode of The South Bank Show in March 2007, and is the only woman to be the subject of two South Bank programmes (the previous occasion was in September 1996). Wood appeared in a three-part travel documentary on BBC One called Victoria's Empire, in which she travelled around the world in search of the history, cultural impact and customs the British Empire placed on the parts of the world it ruled.", "Wood appeared in a three-part travel documentary on BBC One called Victoria's Empire, in which she travelled around the world in search of the history, cultural impact and customs the British Empire placed on the parts of the world it ruled. She departed Victoria Station, London, for Calcutta, Hong Kong and Borneo in the first programme. In programme two she visited Ghana, Jamaica and Newfoundland and in the final programme, New Zealand, Australia and Zambia, finishing at the Victoria Falls.", "In programme two she visited Ghana, Jamaica and Newfoundland and in the final programme, New Zealand, Australia and Zambia, finishing at the Victoria Falls. In a tribute to Wood, the British television station UKTV Gold celebrated her work with a weekend marathon of programmes between 3 and 4 November 2007, featuring programmes such as Victoria Wood Live and Dinnerladies and Victoria Wood: As Seen on TV – its first screening on British television since 1995.", "In a tribute to Wood, the British television station UKTV Gold celebrated her work with a weekend marathon of programmes between 3 and 4 November 2007, featuring programmes such as Victoria Wood Live and Dinnerladies and Victoria Wood: As Seen on TV – its first screening on British television since 1995. Wood returned to stand-up comedy, with a special performance for the celebratory show Happy Birthday BAFTA on 28 October 2007, alongside other household names. The programme was transmitted on ITV1 on Wednesday 7 November 2007.", "The programme was transmitted on ITV1 on Wednesday 7 November 2007. On Boxing Day 2007 she appeared as \"Nana\" in the Granada dramatisation of Noel Streatfeild's novel Ballet Shoes. In December 2007, when a guest on the radio programme Desert Island Discs, Wood said she was about to make her first foray into film, writing a script described as a contemporary comedy about a middle-aged person.", "In December 2007, when a guest on the radio programme Desert Island Discs, Wood said she was about to make her first foray into film, writing a script described as a contemporary comedy about a middle-aged person. On Thursday, 12 June 2008, Wood was a member of the celebrity guest panel on the series The Apprentice: You're Fired! on BBC Two. In June 2009, she appeared as a panellist on the first two episodes of a series of I'm Sorry I Haven't a Clue.", "In June 2009, she appeared as a panellist on the first two episodes of a series of I'm Sorry I Haven't a Clue. In 2009, Wood provided the voice of God for Liberace, Live From Heaven by Julian Woolford at London's Leicester Square Theatre. Wood returned to television comedy for a one-off Christmas sketch-show special, her first for nine years, Victoria Wood's Mid Life Christmas, transmitted on BBC One at 21:00 on Christmas Eve 2009.", "Wood returned to television comedy for a one-off Christmas sketch-show special, her first for nine years, Victoria Wood's Mid Life Christmas, transmitted on BBC One at 21:00 on Christmas Eve 2009. It reunited Wood with Julie Walters in Lark Pies to Cranchesterford, a spoof of BBC period dramas Lark Rise to Candleford, Little Dorrit and Cranford; a spoof documentary, Beyond the Marigolds, following Acorn Antiques star Bo Beaumont (Walters); highlights from the Mid Life Olympics 2009 with Wood as the commentator; parodies of personal injury advertisements; and a reprise of Wood's most famous song \"The Ballad of Barry and Freda\" (\"Let's Do It\"), performed as a musical number with tap-dancers and a band.", "It reunited Wood with Julie Walters in Lark Pies to Cranchesterford, a spoof of BBC period dramas Lark Rise to Candleford, Little Dorrit and Cranford; a spoof documentary, Beyond the Marigolds, following Acorn Antiques star Bo Beaumont (Walters); highlights from the Mid Life Olympics 2009 with Wood as the commentator; parodies of personal injury advertisements; and a reprise of Wood's most famous song \"The Ballad of Barry and Freda\" (\"Let's Do It\"), performed as a musical number with tap-dancers and a band. Victoria Wood: Seen On TV, a 90-minute documentary looking back on her career, was broadcast on BBC Two on 21 December, whilst a behind-the-scenes special programme about Midlife Christmas, Victoria Wood: What Larks!, was broadcast on BBC One on 30 December.", "Victoria Wood: Seen On TV, a 90-minute documentary looking back on her career, was broadcast on BBC Two on 21 December, whilst a behind-the-scenes special programme about Midlife Christmas, Victoria Wood: What Larks!, was broadcast on BBC One on 30 December. 2011–2016 On New Year's Day 2011, Wood appeared in a BBC drama Eric and Ernie as Eric Morecambe's mother, Sadie Bartholomew.", "2011–2016 On New Year's Day 2011, Wood appeared in a BBC drama Eric and Ernie as Eric Morecambe's mother, Sadie Bartholomew. For the 2011 Manchester International Festival, Wood wrote, composed and directed That Day We Sang, a musical set in 1969 with flashbacks to 1929. It tells the story of a middle-aged couple who find love after meeting on a TV programme about a choir they both sang in 40 years previously.", "It tells the story of a middle-aged couple who find love after meeting on a TV programme about a choir they both sang in 40 years previously. Although the characters are imaginary, the choir sang with the Hallé Youth Orchestra in Manchester's Free Trade Hall on a record that sold more than a million copies. Apart from the pieces on the 1929 recording (Purcell's \"Nymphs and Shepherds\" and the Evening Benediction from Hansel and Gretel) the score for the musical was written by Wood.", "Apart from the pieces on the 1929 recording (Purcell's \"Nymphs and Shepherds\" and the Evening Benediction from Hansel and Gretel) the score for the musical was written by Wood. She also narrated the 2012 miniseries The Talent Show Story. On 22 December 2012, Wood was a guest on BBC Radio Two's Saturday morning Graham Norton Show.", "On 22 December 2012, Wood was a guest on BBC Radio Two's Saturday morning Graham Norton Show. On 23 December BBC One screened Loving Miss Hatto, a drama written by Wood about the life of concert pianist Joyce Hatto, the centre of a scandal over the authenticity of her recordings and her role in the hoax. In April 2013, Wood produced a documentary about the history of tea named Victoria Wood's Nice Cup of Tea.", "In April 2013, Wood produced a documentary about the history of tea named Victoria Wood's Nice Cup of Tea. In 2013 she played retired constable-turned-security-guard Tracy in BBC Scotland's Case Histories starring Jason Isaacs.", "In 2013 she played retired constable-turned-security-guard Tracy in BBC Scotland's Case Histories starring Jason Isaacs. She appeared in an episode of QI, broadcast on 13 December 2013, and around the same time made two return appearances on I'm Sorry I Haven't a Clue during the show's 60th series in which she joined in the game One song to the tune of Another, singing Bob the Builder to the tune of I Dreamed a Dream.", "She appeared in an episode of QI, broadcast on 13 December 2013, and around the same time made two return appearances on I'm Sorry I Haven't a Clue during the show's 60th series in which she joined in the game One song to the tune of Another, singing Bob the Builder to the tune of I Dreamed a Dream. In March 2014, Wood voiced the TV advertisement for the tour of the old set of Coronation Street.", "In March 2014, Wood voiced the TV advertisement for the tour of the old set of Coronation Street. On 5 December 2014 Wood was a guest on BBC's The Graham Norton Show. On 26 December 2014, a television movie adaptation of That Day We Sang, directed by Wood, starring Michael Ball and Imelda Staunton, was shown on BBC Two. In early 2015, Wood took part in a celebrity version of The Great British Bake Off for Comic Relief and was crowned Star Baker in her episode.", "In early 2015, Wood took part in a celebrity version of The Great British Bake Off for Comic Relief and was crowned Star Baker in her episode. She co-starred with Timothy Spall in Sky television's three-part television adaptation of Fungus the Bogeyman, which was first shown on 27, 28 & 29 December 2015, her final acting role. Awards and recognition Wood received many awards in her career. She was appointed an Officer of the Order of the British Empire (OBE) in the 1997 Birthday Honours.", "She was appointed an Officer of the Order of the British Empire (OBE) in the 1997 Birthday Honours. Earlier in 1994, she was made an honorary Doctor of Letters by the University of Sunderland. She was appointed a Commander of the Order of the British Empire (CBE) in the 2008 Birthday Honours. In 2003, she was listed in The Observer as one of the 50 Funniest Acts in British Comedy.", "In 2003, she was listed in The Observer as one of the 50 Funniest Acts in British Comedy. In the 2005 Channel 4 poll the Comedians' Comedian, she was voted 27th out of the top 50 comedy acts by fellow comedians and comedy insiders. She was the highest-ranked woman on the list, above French and Saunders (who paid tribute to her in their Lord of the Rings spoof, where a map of Middle-Earth shows a forest called 'Victoria Wood'), Joan Rivers and Joyce Grenfell.", "She was the highest-ranked woman on the list, above French and Saunders (who paid tribute to her in their Lord of the Rings spoof, where a map of Middle-Earth shows a forest called 'Victoria Wood'), Joan Rivers and Joyce Grenfell. Her sketch show Victoria Wood: As Seen on TV won BAFTA awards for its two series and Christmas Special.", "Her sketch show Victoria Wood: As Seen on TV won BAFTA awards for its two series and Christmas Special. In 2007, she was nominated for and won the BAFTA awards for \"Best Actress\" and for \"Best Single Drama\" for her role in the British war-time drama Housewife, 49, in which she played the part of a housewife dominated by her moody husband. Wood's character eventually stands up to him and helps the WRVS (Women's Royal Voluntary Service) in their preparations for British soldiers.", "Wood's character eventually stands up to him and helps the WRVS (Women's Royal Voluntary Service) in their preparations for British soldiers. Her popularity with the British public was confirmed when she won 'Best Stand-Up' and 'Best Sketch Show' by Radio Times readers in 2001. Wood was also voted 'Funniest Comedian' by the readers of Reader's Digest in 2005 and came eighth in ITV's poll of the public's 50 Greatest Stars, four places behind long term regular co-star Julie Walters.", "Wood was also voted 'Funniest Comedian' by the readers of Reader's Digest in 2005 and came eighth in ITV's poll of the public's 50 Greatest Stars, four places behind long term regular co-star Julie Walters. Wood was the recipient of six British Comedy Awards: Best stand-up live comedy performer (1990); Best female comedy performer (1995); WGGB Writer of the year (2000); Best live stand-up (2001); Outstanding achievement award (jointly awarded to Julie Walters) (2005); Best female TV comic (2011).", "Wood was the recipient of six British Comedy Awards: Best stand-up live comedy performer (1990); Best female comedy performer (1995); WGGB Writer of the year (2000); Best live stand-up (2001); Outstanding achievement award (jointly awarded to Julie Walters) (2005); Best female TV comic (2011). Wood was nominated for the 1991 Olivier Award for Best Entertainment for Victoria Wood Up West. BAFTA nominations Wood was a 14-time BAFTA TV Award nominee, winning four.", "BAFTA nominations Wood was a 14-time BAFTA TV Award nominee, winning four. She received a special BAFTA at a tribute evening in 2005. Victoria Wood: As Seen on TV won the BAFTA for Best Entertainment Programme in 1986, 1987 and 1988; these awards went to the producer, Geoff Posner. An Audience With Victoria Wood won the BAFTA for Best Entertainment Programme in 1989; this award went to David G. Hillier.", "An Audience With Victoria Wood won the BAFTA for Best Entertainment Programme in 1989; this award went to David G. Hillier. Personal life Wood married stage magician Geoffrey Durham in March 1980 and they had two children: Grace, born 1 October 1988 and Henry, born 2 May 1992. The couple separated in October 2002 and divorced in 2005, but continued to live near one another and were on good terms. Her son Henry made a cameo performance as a teenager in Victoria Wood's Mid Life Christmas.", "Her son Henry made a cameo performance as a teenager in Victoria Wood's Mid Life Christmas. He also appeared in the accompanying 'behind the scenes' programme Victoria Wood: What Larks!. Both children had already made appearances as extras on Victoria Wood with All the Trimmings in 2000. Wood attended Quaker meetings with her husband and was a vegetarian, once remarking, \"I'm all for killing animals and turning them into handbags; I just don't want to have to eat them.\"", "Wood attended Quaker meetings with her husband and was a vegetarian, once remarking, \"I'm all for killing animals and turning them into handbags; I just don't want to have to eat them.\" Death Wood was diagnosed with cancer of the oesophagus in late 2015, but kept her illness largely private. She died on 20 April 2016 at her Highgate home, in the presence of her children and former husband.", "She died on 20 April 2016 at her Highgate home, in the presence of her children and former husband. Her family celebrated her life with a humanist funeral and cremation at Golders Green Crematorium on 5 May 2016. A memorial service was held for Wood on 4 July 2016 at St James, Piccadilly. The event was accessible via invitation only and tributes were given by Jane Wymark, Daniel Rigby, Harriet Thorpe and Julie Walters.", "The event was accessible via invitation only and tributes were given by Jane Wymark, Daniel Rigby, Harriet Thorpe and Julie Walters. Ria Jones and Michael Ball each performed one of Wood's songs and Nigel Lilley accompanied on the piano. Tributes On 15 May 2016, ITV broadcast Let's Do It: A Tribute to Victoria Wood. In 2017, Wood was the subject of a seven-part show dedicated mainly to extracts from her TV and live work.", "In 2017, Wood was the subject of a seven-part show dedicated mainly to extracts from her TV and live work. The main series, titled Our Friend Victoria, aired on BBC One between 11 April and 9 May and concluded later in the year with a Christmas special on 23 December 2017. The seven episodes were presented by Julie Walters, Richard E. Grant, Michael Ball, Maxine Peake, The League of Gentlemen, Daniel Rigby and Anne Reid.", "The seven episodes were presented by Julie Walters, Richard E. Grant, Michael Ball, Maxine Peake, The League of Gentlemen, Daniel Rigby and Anne Reid. On 17 May 2019, a statue of Wood was unveiled in her home town of Bury in Greater Manchester. Biography Christopher Foote Wood. Victoria Wood Comedy Genius - Her Life and Work, Published by The Memoir Club, 07552086888, Christopher Foote Wood.", "Victoria Wood Comedy Genius - Her Life and Work, Published by The Memoir Club, 07552086888, Christopher Foote Wood. Nellie's book : the early life of Victoria Wood's mother, with Nellie Wood (co-author), The History Press (2006), References External links Profile at Caroline's Comedy Base Victoria Wood at TV Museum Victoria Wood at BBC Comedy Guide Return to drama (Manchester Evening News) BBC Writers Room – Video and text interview with Victoria Wood about writing comedy The Independent – The 5-Minute Interview: Victoria Wood, comedian and writer Victoria Wood Obituary BBC News Retrieved 20 April 2016 Victoria Wood obituary, The Guardian, retrieved 21 April 2016 Victoria Wood obituary, The Daily Telegraph, retrieved 21 April 2016 Victoria Wood(Aveleyman) 1953 births 2016 deaths 20th-century English comedians 21st-century English comedians 20th-century English actresses 21st-century English actresses Actresses from Lancashire Alumni of the University of Birmingham Best Actress BAFTA Award (television) winners Best Entertainment Performance BAFTA Award (television) winners Deaths from cancer in England Comedians from Lancashire Commanders of the Order of the British Empire English humanists English Quakers English stand-up comedians English television actresses English television writers English women comedians English women pianists Honorary Members of the Royal Academy of Music People educated at Bury Grammar School (Girls) People from Prestwich People from Bury, Greater Manchester Women television writers Writers from Lancashire" ]

[ "Victoria Wood", "2011-15", "Did she play any roles in 2011?", "On New Year's Day 2011 Wood appeared in a BBC drama Eric and Ernie as Eric Morecambe's mother, Sadie Bartholomew.", "Did she do any other acting in 2011?", "For the 2011 Manchester International Festival, Wood wrote and directed That Day We Sang, a musical set in 1969 with flashbacks to 1929.", "Are there any other interesting aspects about this article?", "On 22 December 2012 Wood was a guest on BBC Radio Two's Saturday morning Graham Norton Show.", "Did she do anything other than acting during this time period?", "On 23 December BBC One screened Loving Miss Hatto, a drama written by Wood about the life of concert pianist Joyce Hatto,", "Did she work at all in 2015?", "In early 2015, Wood took part in a celebrity version of The Great British Bake Off for Comic Relief", "Did she win any acting awards during this time period?", "I don't know." ]

[ "Simone Ritscher (born 1 September 1959) is a German actress, known for her roles as Doris van Norden in Sturm der Liebe and as Maria di Balbi in Verbotene Liebe.\n\nCareer\nSimone Ritscher studied acting at the Theaterhochschule \"Hans Otto\" Leipzig from 1980 to 1984. After that she played in various theater plays. She developed a passion for acting in front of an audience and is still part of several plays to that day. In 2008, she was seen in Der Fall Winslow in Hamburg in a guest role.\n\nVerbotene Liebe\nRitscher was first seen in the soap opera Verbotene Liebe in October 1995. She took on the role as Cecilia de Witt. A recurring role that served as an assistant in a scheme to antagonist Clarissa von Anstetten, played by Isa Jank. The role lasted a few months and Ritscher was last seen in February 1996. In 2002, she shortly was seen as Christina Hansen before guesting as Raphaela Klemm in 2007.\n\nIn the fall of 2008, Ritscher was cast for another role in Verbotene Liebe. This time she took on the contract role of Maria Galdi, a private secretary to a princess. However it was later revealed that Maria Galdi is actually Maria di Balbi, unknown mother of Ansgar von Lahnstein, played by Wolfram Grandezka. Ritscher debuted on-screen in January 2009 and was well received by fans. Maria took the identity of her late sister Francesca to secure her place in the Lahnstein family, made an enemy in Ansgar's wife Tanja von Lahnstein (Miriam Lahnstein), was almost killed by Tanja and then tried to kill herself and Ludwig von Lahnstein (Krystian Martinek) in a fire. Maria was then send off to a mental hospital with Ritscher last appearing in January 2011. Shortly after her departure, the character was killed off off-screen, which angered many fans.\n\nOver the course of sixteen years, Ritscher played four different roles, with one major. That is a record for the soap opera. None of her roles have a known connection with one another.\n\nSturm der Liebe\nIn 2011, after her departure from Verbotene Liebe, Ritscher was cast in the long-running telenovela Sturm der Liebe. The successful format brought Ritscher on as the new antagonist for their new season. Her role as Doris van Norden revealed that she has twins with Hotel director Werner Saalfeld (Dirk Galuba), whom she later married. Doris killed several people and finds an archenemy in Werner's ex-wife Charlotte (Mona Seefried). In 2012, she was included in the cast for another season. Ritscher then was announced to be leaving the telenovela in July 2013.\n\nReferences\n\nGerman soap opera actresses\n1959 births\nLiving people", "Gloria Ella Saunders (September 29, 1927 – June 4, 1980) was an American actress of film and television, primarily from the late 1940s to 1960.\n\nBackground\n\nSaunders was born to George D. and Lucille P. Saunders in Columbia, South Carolina. As a child she worked in radio and in the Little Theater in Charlotte, North Carolina. At the age of 16 in June 1944, she screen tested for Paramount Studios. In 1945, she was seriously injured in an automobile accident and suffered a facial cut from her forehead to the tip of her chin. By October 1951, numerous plastic surgeries resolved the scarring.\n\nCareer\nSaunders acting career began on stage. She was discovered when she performed in a production of Rebecca in the southern United States, after which she acted in a San Francisco production of Adam Ate His Apple\".\n\nHer first important role was as Sparky, an operator in the Women's Army Corps of World War II in the 1946 film O.S.S., with Alan Ladd. In 1951, she played Terry Flynn in the film Crazy Over Horses. That same year, she was cast as Anne DuMere in the film, Northwest Territory, starring Kirby Grant. In 1952, Saunders was cast as Catherine in the science fiction film Captive Women.\n\nSaunders had recurring roles in two of the earliest television series. In 1949 and 1950, she was cast in the role of Ah Toy in Mysteries of Chinatown. She appeared in an undetermined number of episodes, possibly as many as forty-eight. In 1953, she played the character, The Dragon Lady, in thirteen episodes of the series Terry and the Pirates, with John Baer in the title role.\n\nShe was cast as Sally Jones in the 1951 episode \"Boulder City Election\" of the television series The Adventures of Wild Bill Hickok, with Guy Madison in the title role. From 1952 to 1953, she appeared in five episodes of another syndicated western series The Range Rider. She appeared twice in 1952 on the syndicated western The Cisco Kid.\n\nFrom 1951 to 1953, she appeared three times in the early police drama, Racket Squad. In 1953, she was twice cast on Jack Webb's Dragnet. In another 1953 role, she played Lily in \"The Riddle of the Chinese Jade\" on the syndicated series Adventures of Superman.\n\nSaunders appeared in the Columbia Pictures film Red Snow (1952), and she portrayed Zelda in the Columbia production Prisoners of the Casbah (1953).\n\nIn 1956, Saunders was cast as Christina in \"The Voyage of Captain Castle\" of Frontier. The same year, she was cast as Gloria DiNeen in \"What Price Gloria\" of the syndicated State Trooper, starring Rod Cameron. In 1955 and 1957, she appeared in two episodes, \"The Silk Stocking Case\" and \"The Ambitious Peddler Case\", respectively, of The Lineup, starring Warner Anderson and Tom Tully. In 1957, she played Grace Patton in the episode \"Angel of Loudoun\" of the American Civil War series The Gray Ghost, starring Tod Andrews as the Confederate Major John Singleton Mosby. The same year, she played Virginia Malcolm in \"The Torch Carriers\" of David Janssen's Richard Diamond, Private Detective series, first broadcast on CBS.\n\nIn the episode \"The Wicked Widow\" (May 21, 1957) of the ABC/Desilu television series The Life and Legend of Wyatt Earp, Saunders was cast as Myra Malone, an attractive widowed dressmaker.\n\nIn 1957 and 1958, she was cast in two other western series, as Rose in \"The Town\" of the CBS series Trackdown, starring Robert Culp and in the segment \"Iron Trail Ambush\" of the syndicated Frontier Doctor, starring Rex Allen. Her last acting role was in 1960 as a mystery woman on The Donna Reed Show''.\n\nPersonal life\nSaunders first married the television director Arthur Rue \"Tommy\" Thompson (1927-2000). Saunders said that she likely would not have gone into television acting had it not been for her accident, and she would not have met Thompson had she not gone into television. The couple divorced in 1956, with a two-year-old child. She subsequently married Roy J. Maier.\n\nReferences\n\nExternal links\n \n\n1927 births\n1980 deaths\nAmerican stage actresses\nAmerican television actresses\nAmerican film actresses\nActresses from Columbia, South Carolina\nActresses from Charlotte, North Carolina\nPeople from Greater Los Angeles\n20th-century American actresses" ]

[ "Victoria Wood (19 May 1953 – 20 April 2016) was an English comedian, actress, lyricist, singer, composer, pianist, screenwriter, producer and director. Wood wrote and starred in dozens of sketches, plays, musicals, films and sitcoms over several decades and her live comedy act was interspersed with her own compositions which she performed at the piano. Much of her humour was grounded in everyday life and included references to activities, attitudes and products that are considered to exemplify Britain.", "Much of her humour was grounded in everyday life and included references to activities, attitudes and products that are considered to exemplify Britain. She was noted for her skills in observational comedy and in satirising aspects of social class. Wood started her career in 1974 by appearing on, and winning, the ATV talent show New Faces.", "Wood started her career in 1974 by appearing on, and winning, the ATV talent show New Faces. She established herself as a comedy star in the 1980s, winning a BAFTA TV Award in 1986 for the sketch series Victoria Wood: As Seen on TV (1985–87), and became one of Britain's most popular stand-up comics, winning a second BAFTA for An Audience with Victoria Wood (1988).", "She established herself as a comedy star in the 1980s, winning a BAFTA TV Award in 1986 for the sketch series Victoria Wood: As Seen on TV (1985–87), and became one of Britain's most popular stand-up comics, winning a second BAFTA for An Audience with Victoria Wood (1988). In the 1990s, she wrote and co-starred in the television film Pat and Margaret (1994), and the sitcom dinnerladies (1998–2000), which she also produced.", "In the 1990s, she wrote and co-starred in the television film Pat and Margaret (1994), and the sitcom dinnerladies (1998–2000), which she also produced. She won two more BAFTA TV Awards, including Best Actress, for her 2006 ITV1 television film, Housewife, 49. Her frequent long-term collaborators included Julie Walters, Celia Imrie, Duncan Preston, and Anne Reid. In 2006, Wood came tenth in ITV's poll of the British public's 50 Greatest TV Stars.", "In 2006, Wood came tenth in ITV's poll of the British public's 50 Greatest TV Stars. Early life Victoria Wood was the youngest child of Stanley Wood, an insurance salesman, who also wrote songs for his company's Christmas parties, was the author of the musical play \"Clogs\" based in a Lancashire village in 1887 and also wrote part time for Coronation Street, Northern Drift and others; and Ellen \"Nellie\" Wood (née Mape).", "Early life Victoria Wood was the youngest child of Stanley Wood, an insurance salesman, who also wrote songs for his company's Christmas parties, was the author of the musical play \"Clogs\" based in a Lancashire village in 1887 and also wrote part time for Coronation Street, Northern Drift and others; and Ellen \"Nellie\" Wood (née Mape). She had three siblings: a brother, Chris, and two sisters, Penny and Rosalind. Wood was born in Prestwich and brought up in nearby Bury.", "Wood was born in Prestwich and brought up in nearby Bury. She was educated at Fairfield County Primary School and Bury Grammar School for Girls, where she immediately found herself out of her depth. Wood developed eating disorders, but in 1968, her father gave her a piano for her 15th birthday. She later said of this unhappy time \"The good thing about being isolated is you get a good look at what goes on. I was reading, writing and working at the piano all the time.", "I was reading, writing and working at the piano all the time. I was doing a lot of other things that helped me to perform\". Later that year, she joined the Rochdale Youth Theatre Workshop, where she felt she was \"in the right place and knew what I was doing\" and she made an impression with her comic skill and skill in writing. She went on to study drama at the University of Birmingham.", "She went on to study drama at the University of Birmingham. Career 1970s Wood began her show business career while an undergraduate, appearing on the TV talent show New Faces in 1974. It led to an appearance in a sketch show featuring the series' winners The Summer Show. A further break came as a novelty act on the BBC's consumer affairs programme That's Life! in 1976.", "in 1976. in 1976. She had met long-term collaborator Julie Walters in 1971, when Wood applied to the Manchester School of Theatre, then part of Manchester Polytechnic. Coincidentally the pair met again when they appeared in the same theatre revue In at the Death in 1978 (for which Wood wrote a brief sketch).", "Coincidentally the pair met again when they appeared in the same theatre revue In at the Death in 1978 (for which Wood wrote a brief sketch). Its success led to the commissioning of Wood's first play Talent (in 1978), starring Hazel Clyne (in a role originally written for Walters), for which Wood won an award for the Most Promising New Writer. Peter Eckersley, the head of drama at Granada Television, saw Talent and invited Wood to create a television adaptation.", "Peter Eckersley, the head of drama at Granada Television, saw Talent and invited Wood to create a television adaptation. This time, Julie Walters took the lead role, while Wood reprised her stage role. 1980–1988 The success of the television version of Talent led to Wood writing the follow-up Nearly a Happy Ending. Shortly afterwards she wrote a third play for Granada, Happy Since I Met You, again with Walters alongside Duncan Preston as the male lead. In 1980 she wrote and starred in the stage play Good Fun.", "In 1980 she wrote and starred in the stage play Good Fun. Recognising her talent, Eckersley offered Wood a sketch show, although Wood was unsure of the project: she only agreed to go ahead if Walters received equal billing. Eckersley came up with an obvious title – Wood and Walters, and the pilot episode was recorded. It led to a full series, featuring Duncan Preston and a supporting cast. In the period between the completion of the pilot and the shooting of the series, Eckersley died.", "In the period between the completion of the pilot and the shooting of the series, Eckersley died. Wood credited him with giving her her first big break, and felt that Wood and Walters suffered due to his death. She was not impressed by Brian Armstrong, his fill-in, and was of the opinion that he hired unsuitable supporting actors. Wood appeared as a presenter in Yorkshire Television's 1984 schools television programme for hearing-impaired children, Insight, in a remake of the series originally presented by Derek Griffiths.", "Wood appeared as a presenter in Yorkshire Television's 1984 schools television programme for hearing-impaired children, Insight, in a remake of the series originally presented by Derek Griffiths. In 1982 and 1983 she appeared as a panellist on BBC Radio 4's Just a Minute. In October 1983 Wood performed her first solo stand-up show, Lucky Bag, in a five-week run at the King's Head Theatre in Islington. The show transferred to the Ambassadors Theatre for a 12-night run in February 1984.", "The show transferred to the Ambassadors Theatre for a 12-night run in February 1984. Lucky Bag went on a short UK tour in November and December 1984 and was also released as a live album recorded at the Edinburgh Festival in 1983. Wood left Granada in 1984 for the BBC, which promised her more creative control over projects. Later that year her sketch show Victoria Wood: As Seen on TV went into production. Wood chose the actors: her friend Julie Walters once again starred, as did Duncan Preston.", "Wood chose the actors: her friend Julie Walters once again starred, as did Duncan Preston. Wood's friends Celia Imrie, Susie Blake and Patricia Routledge were in the cast. As Seen on TV featured the Acorn Antiques series of sketches, parodying the low-budget soap opera Crossroads, and rumoured to be named after an antiques shop in her birthplace.", "As Seen on TV featured the Acorn Antiques series of sketches, parodying the low-budget soap opera Crossroads, and rumoured to be named after an antiques shop in her birthplace. Acorn Antiques is remembered for characters such as \"Mrs Overall\" (played by Walters), the deliberately bad camera angles and wobbling sets, and Celia Imrie's sarcastic tone as \"Miss Babs\". One of Wood's most popular comic songs, The Ballad of Barry and Freda (Let's Do It), originated on this show.", "One of Wood's most popular comic songs, The Ballad of Barry and Freda (Let's Do It), originated on this show. It tells the story of Freda (a woman eager for sex) and Barry (an introverted man terrified of intimate relations), and makes clever use of allusions to a multitude of risqué activities while avoiding all taboo words. Following the success of the first series of Victoria Wood: As Seen on TV, Wood went on tour again with Lucky Bag in March 1985.", "Following the success of the first series of Victoria Wood: As Seen on TV, Wood went on tour again with Lucky Bag in March 1985. Scene, a documentary for BBC2 later that year, showed footage of Wood preparing for the tour. A second series of Victoria Wood: As Seen on TV was made in 1986. Before filming began in the summer, Wood went on a short 23 date tour of England and Scotland during March and April.", "Before filming began in the summer, Wood went on a short 23 date tour of England and Scotland during March and April. A final 'Special' 40-minute episode of As Seen on TV was made in 1987 and broadcast later that year. During autumn 1987 Wood went on the road with what was to be her largest tour yet. The tour included a sell-out two-week run at the London Palladium, and had a second leg in the spring of 1988.", "The tour included a sell-out two-week run at the London Palladium, and had a second leg in the spring of 1988. In 1988 she appeared in the BAFTA-winning An Audience with Victoria Wood for ITV. At the time of recording the show she was six months pregnant. The end of 1988 saw the release of her second live performance Victoria Wood Live, recorded at the Brighton Dome. 1989–1999 During this period Wood moved away from the sketch show format and into more self-contained works, often with a bittersweet flavour.", "1989–1999 During this period Wood moved away from the sketch show format and into more self-contained works, often with a bittersweet flavour. Victoria Wood (six parts, 1989) featured Wood in several individual stories such as \"We'd Quite Like To Apologise\", set in an airport departure lounge, and \"Over to Pam\", set around a fictional talk show.", "Victoria Wood (six parts, 1989) featured Wood in several individual stories such as \"We'd Quite Like To Apologise\", set in an airport departure lounge, and \"Over to Pam\", set around a fictional talk show. In May 1990, Wood began a large tour of the United Kingdom, which was followed by a ten-week run at the Strand Theatre in London titled Victoria Wood Up West.", "In May 1990, Wood began a large tour of the United Kingdom, which was followed by a ten-week run at the Strand Theatre in London titled Victoria Wood Up West. Wood took the show on the road again during March and April 1991, where it was recorded at the Mayflower Theatre in Southampton, and later released as Victoria Wood Sold Out in 1991.", "Wood took the show on the road again during March and April 1991, where it was recorded at the Mayflower Theatre in Southampton, and later released as Victoria Wood Sold Out in 1991. In 1991, she appeared on the Comic Relief single performing \"The Smile Song\", the flipside to \"The Stonk\" (a record by ITV comedians Gareth Hale and Norman Pace with charity supergroup The Stonkers).", "In 1991, she appeared on the Comic Relief single performing \"The Smile Song\", the flipside to \"The Stonk\" (a record by ITV comedians Gareth Hale and Norman Pace with charity supergroup The Stonkers). A UK number-one single for one week on 23 March 1991, the record was the UK's 22nd-best-selling single of the year.", "A UK number-one single for one week on 23 March 1991, the record was the UK's 22nd-best-selling single of the year. However, even though it was a joint-single (with \"The Smile Song\" credited on the front of the single cover and listed as track 2 on the seven-inch and CD single rather than being a B-side), the UK singles chart compilers (now the Official Charts Company) did not credit her with having number one hit, in a situation similar to the fate of BAD II's \"Rush\", the AA-side of the preceding number one, \"Should I Stay or Should I Go\" by The Clash.", "However, even though it was a joint-single (with \"The Smile Song\" credited on the front of the single cover and listed as track 2 on the seven-inch and CD single rather than being a B-side), the UK singles chart compilers (now the Official Charts Company) did not credit her with having number one hit, in a situation similar to the fate of BAD II's \"Rush\", the AA-side of the preceding number one, \"Should I Stay or Should I Go\" by The Clash. She briefly returned to sketches for the 1992 Christmas Day special Victoria Wood's All Day Breakfast, and also branched out into children's animation, voicing all the characters for the CBBC series Puppydog Tales.", "She briefly returned to sketches for the 1992 Christmas Day special Victoria Wood's All Day Breakfast, and also branched out into children's animation, voicing all the characters for the CBBC series Puppydog Tales. In April 1993, Wood began a seven-month tour of the UK.", "In April 1993, Wood began a seven-month tour of the UK. The 104-date tour broke box office records, including 15 sell out shows at London's Royal Albert Hall, and played to residencies in Sheffield, Birmingham, Plymouth, Bristol, Nottingham, Manchester, Leicester, Liverpool, Bournemouth, Oxford, Southampton, Newcastle, Glasgow, Edinburgh, Leeds and Hull.", "The 104-date tour broke box office records, including 15 sell out shows at London's Royal Albert Hall, and played to residencies in Sheffield, Birmingham, Plymouth, Bristol, Nottingham, Manchester, Leicester, Liverpool, Bournemouth, Oxford, Southampton, Newcastle, Glasgow, Edinburgh, Leeds and Hull. The television film Pat and Margaret (1994), starring Wood and Julie Walters as long-lost sisters with very different lifestyles, continued her return to stand-alone plays with a poignant undercurrent to the comedy.", "The television film Pat and Margaret (1994), starring Wood and Julie Walters as long-lost sisters with very different lifestyles, continued her return to stand-alone plays with a poignant undercurrent to the comedy. In 1994, Wood starred in the one-off BBC 50-minute programme based on her 1993/94 stage show Victoria Wood: Live in Your Own Home. The special featured stand-up routines, character monologues and songs. An extended 80 minute version was released on VHS.", "An extended 80 minute version was released on VHS. An extended 80 minute version was released on VHS. Wood set out on a 68-date tour of the UK in May 1996, which played at venues in Leicester, Sheffield, Ipswich, Blackpool, Wolverhampton, Bradford, Newcastle, Bournemouth, Brighton, Nottingham, Oxford, Southend, Manchester and Cambridge. The tour culminated with another 15 sell-out shows at London's Royal Albert Hall in the autumn.", "The tour culminated with another 15 sell-out shows at London's Royal Albert Hall in the autumn. The tour recommenced in April 1997 in Liverpool and then travelled to Australia and New Zealand during the summer. It was later released as Victoria Wood Live 1997. In October 1997, Wood released a compilation of 14 of her songs titled Victoria Wood, Real Life The Songs.", "In October 1997, Wood released a compilation of 14 of her songs titled Victoria Wood, Real Life The Songs. Her first sitcom dinnerladies (1998), continued her now established milieu of mostly female, mostly middle-aged characters depicted vividly and amusingly, but with a counterpoint of sadder themes.", "Her first sitcom dinnerladies (1998), continued her now established milieu of mostly female, mostly middle-aged characters depicted vividly and amusingly, but with a counterpoint of sadder themes. 2000–2005 December 2000 saw the Christmas sketch show special Victoria Wood with All the Trimmings, featuring her regular troupe of actors as well as a string of special guest stars including Hugh Laurie, Angela Rippon, Bob Monkhouse, Bill Paterson, Delia Smith and Roger Moore.", "2000–2005 December 2000 saw the Christmas sketch show special Victoria Wood with All the Trimmings, featuring her regular troupe of actors as well as a string of special guest stars including Hugh Laurie, Angela Rippon, Bob Monkhouse, Bill Paterson, Delia Smith and Roger Moore. 2001 saw Wood embark on her final stand-up tour, Victoria Wood at It Again but was postponed slightly by Wood having to have an emergency hysterectomy shortly before the tour was due to begin.", "2001 saw Wood embark on her final stand-up tour, Victoria Wood at It Again but was postponed slightly by Wood having to have an emergency hysterectomy shortly before the tour was due to begin. She re-wrote the entire first half of the show and incorporated the operation into her act. The 62-date tour included 12 nights at the Royal Albert Hall and had a further 23 dates in 2002. During this period, Wood tended to move away from comedy to concentrate on drama.", "During this period, Wood tended to move away from comedy to concentrate on drama. She continued to produce one-off specials including Victoria Wood's Sketch Show Story (2002) and Victoria Wood's Big Fat Documentary (2005). Wood wrote her first musical, Acorn Antiques: The Musical!, which opened in 2005 at the Theatre Royal, Haymarket, London, for a limited period, directed by Trevor Nunn.", "Wood wrote her first musical, Acorn Antiques: The Musical!, which opened in 2005 at the Theatre Royal, Haymarket, London, for a limited period, directed by Trevor Nunn. It starred several of the original cast, with Sally Ann Triplett playing Miss Berta (played in the series by Wood). Wood played Julie Walters' lead role of Mrs Overall for Monday and Wednesday matinee performances.", "Wood played Julie Walters' lead role of Mrs Overall for Monday and Wednesday matinee performances. 2006–2010 Wood wrote the one-off ITV serious drama Housewife, 49 (2006), an adaptation of the diaries of Nella Last, and played the eponymous role of an introverted middle-aged character who discovers new confidence and friendships in Lancashire during the Second World War. Housewife, 49 was critically acclaimed, and Wood won BAFTAs for both her acting and writing for this drama; a rare double.", "Housewife, 49 was critically acclaimed, and Wood won BAFTAs for both her acting and writing for this drama; a rare double. The film also starred Stephanie Cole and David Threlfall as well as, in a small role, Sue Wallace with whom Wood had worked before and studied alongside at Birmingham. In November 2006, Wood directed a revival production of Acorn Antiques: The Musical! with a new cast. The musical opened at the Lowry in Salford in December and toured the United Kingdom from January to July 2007.", "The musical opened at the Lowry in Salford in December and toured the United Kingdom from January to July 2007. In January 2007, she appeared as herself in a series of advertisements featuring famous people working for the supermarket chain Asda. They featured Wood working in the bakery and introduced a catchphrase – \"there's no place like ASDA\".", "They featured Wood working in the bakery and introduced a catchphrase – \"there's no place like ASDA\". Wood was the subject of an episode of The South Bank Show in March 2007, and is the only woman to be the subject of two South Bank programmes (the previous occasion was in September 1996).", "Wood was the subject of an episode of The South Bank Show in March 2007, and is the only woman to be the subject of two South Bank programmes (the previous occasion was in September 1996). Wood appeared in a three-part travel documentary on BBC One called Victoria's Empire, in which she travelled around the world in search of the history, cultural impact and customs the British Empire placed on the parts of the world it ruled.", "Wood appeared in a three-part travel documentary on BBC One called Victoria's Empire, in which she travelled around the world in search of the history, cultural impact and customs the British Empire placed on the parts of the world it ruled. She departed Victoria Station, London, for Calcutta, Hong Kong and Borneo in the first programme. In programme two she visited Ghana, Jamaica and Newfoundland and in the final programme, New Zealand, Australia and Zambia, finishing at the Victoria Falls.", "In programme two she visited Ghana, Jamaica and Newfoundland and in the final programme, New Zealand, Australia and Zambia, finishing at the Victoria Falls. In a tribute to Wood, the British television station UKTV Gold celebrated her work with a weekend marathon of programmes between 3 and 4 November 2007, featuring programmes such as Victoria Wood Live and Dinnerladies and Victoria Wood: As Seen on TV – its first screening on British television since 1995.", "In a tribute to Wood, the British television station UKTV Gold celebrated her work with a weekend marathon of programmes between 3 and 4 November 2007, featuring programmes such as Victoria Wood Live and Dinnerladies and Victoria Wood: As Seen on TV – its first screening on British television since 1995. Wood returned to stand-up comedy, with a special performance for the celebratory show Happy Birthday BAFTA on 28 October 2007, alongside other household names. The programme was transmitted on ITV1 on Wednesday 7 November 2007.", "The programme was transmitted on ITV1 on Wednesday 7 November 2007. On Boxing Day 2007 she appeared as \"Nana\" in the Granada dramatisation of Noel Streatfeild's novel Ballet Shoes. In December 2007, when a guest on the radio programme Desert Island Discs, Wood said she was about to make her first foray into film, writing a script described as a contemporary comedy about a middle-aged person.", "In December 2007, when a guest on the radio programme Desert Island Discs, Wood said she was about to make her first foray into film, writing a script described as a contemporary comedy about a middle-aged person. On Thursday, 12 June 2008, Wood was a member of the celebrity guest panel on the series The Apprentice: You're Fired! on BBC Two. In June 2009, she appeared as a panellist on the first two episodes of a series of I'm Sorry I Haven't a Clue.", "In June 2009, she appeared as a panellist on the first two episodes of a series of I'm Sorry I Haven't a Clue. In 2009, Wood provided the voice of God for Liberace, Live From Heaven by Julian Woolford at London's Leicester Square Theatre. Wood returned to television comedy for a one-off Christmas sketch-show special, her first for nine years, Victoria Wood's Mid Life Christmas, transmitted on BBC One at 21:00 on Christmas Eve 2009.", "Wood returned to television comedy for a one-off Christmas sketch-show special, her first for nine years, Victoria Wood's Mid Life Christmas, transmitted on BBC One at 21:00 on Christmas Eve 2009. It reunited Wood with Julie Walters in Lark Pies to Cranchesterford, a spoof of BBC period dramas Lark Rise to Candleford, Little Dorrit and Cranford; a spoof documentary, Beyond the Marigolds, following Acorn Antiques star Bo Beaumont (Walters); highlights from the Mid Life Olympics 2009 with Wood as the commentator; parodies of personal injury advertisements; and a reprise of Wood's most famous song \"The Ballad of Barry and Freda\" (\"Let's Do It\"), performed as a musical number with tap-dancers and a band.", "It reunited Wood with Julie Walters in Lark Pies to Cranchesterford, a spoof of BBC period dramas Lark Rise to Candleford, Little Dorrit and Cranford; a spoof documentary, Beyond the Marigolds, following Acorn Antiques star Bo Beaumont (Walters); highlights from the Mid Life Olympics 2009 with Wood as the commentator; parodies of personal injury advertisements; and a reprise of Wood's most famous song \"The Ballad of Barry and Freda\" (\"Let's Do It\"), performed as a musical number with tap-dancers and a band. Victoria Wood: Seen On TV, a 90-minute documentary looking back on her career, was broadcast on BBC Two on 21 December, whilst a behind-the-scenes special programme about Midlife Christmas, Victoria Wood: What Larks!, was broadcast on BBC One on 30 December.", "Victoria Wood: Seen On TV, a 90-minute documentary looking back on her career, was broadcast on BBC Two on 21 December, whilst a behind-the-scenes special programme about Midlife Christmas, Victoria Wood: What Larks!, was broadcast on BBC One on 30 December. 2011–2016 On New Year's Day 2011, Wood appeared in a BBC drama Eric and Ernie as Eric Morecambe's mother, Sadie Bartholomew.", "2011–2016 On New Year's Day 2011, Wood appeared in a BBC drama Eric and Ernie as Eric Morecambe's mother, Sadie Bartholomew. For the 2011 Manchester International Festival, Wood wrote, composed and directed That Day We Sang, a musical set in 1969 with flashbacks to 1929. It tells the story of a middle-aged couple who find love after meeting on a TV programme about a choir they both sang in 40 years previously.", "It tells the story of a middle-aged couple who find love after meeting on a TV programme about a choir they both sang in 40 years previously. Although the characters are imaginary, the choir sang with the Hallé Youth Orchestra in Manchester's Free Trade Hall on a record that sold more than a million copies. Apart from the pieces on the 1929 recording (Purcell's \"Nymphs and Shepherds\" and the Evening Benediction from Hansel and Gretel) the score for the musical was written by Wood.", "Apart from the pieces on the 1929 recording (Purcell's \"Nymphs and Shepherds\" and the Evening Benediction from Hansel and Gretel) the score for the musical was written by Wood. She also narrated the 2012 miniseries The Talent Show Story. On 22 December 2012, Wood was a guest on BBC Radio Two's Saturday morning Graham Norton Show.", "On 22 December 2012, Wood was a guest on BBC Radio Two's Saturday morning Graham Norton Show. On 23 December BBC One screened Loving Miss Hatto, a drama written by Wood about the life of concert pianist Joyce Hatto, the centre of a scandal over the authenticity of her recordings and her role in the hoax. In April 2013, Wood produced a documentary about the history of tea named Victoria Wood's Nice Cup of Tea.", "In April 2013, Wood produced a documentary about the history of tea named Victoria Wood's Nice Cup of Tea. In 2013 she played retired constable-turned-security-guard Tracy in BBC Scotland's Case Histories starring Jason Isaacs.", "In 2013 she played retired constable-turned-security-guard Tracy in BBC Scotland's Case Histories starring Jason Isaacs. She appeared in an episode of QI, broadcast on 13 December 2013, and around the same time made two return appearances on I'm Sorry I Haven't a Clue during the show's 60th series in which she joined in the game One song to the tune of Another, singing Bob the Builder to the tune of I Dreamed a Dream.", "She appeared in an episode of QI, broadcast on 13 December 2013, and around the same time made two return appearances on I'm Sorry I Haven't a Clue during the show's 60th series in which she joined in the game One song to the tune of Another, singing Bob the Builder to the tune of I Dreamed a Dream. In March 2014, Wood voiced the TV advertisement for the tour of the old set of Coronation Street.", "In March 2014, Wood voiced the TV advertisement for the tour of the old set of Coronation Street. On 5 December 2014 Wood was a guest on BBC's The Graham Norton Show. On 26 December 2014, a television movie adaptation of That Day We Sang, directed by Wood, starring Michael Ball and Imelda Staunton, was shown on BBC Two. In early 2015, Wood took part in a celebrity version of The Great British Bake Off for Comic Relief and was crowned Star Baker in her episode.", "In early 2015, Wood took part in a celebrity version of The Great British Bake Off for Comic Relief and was crowned Star Baker in her episode. She co-starred with Timothy Spall in Sky television's three-part television adaptation of Fungus the Bogeyman, which was first shown on 27, 28 & 29 December 2015, her final acting role. Awards and recognition Wood received many awards in her career. She was appointed an Officer of the Order of the British Empire (OBE) in the 1997 Birthday Honours.", "She was appointed an Officer of the Order of the British Empire (OBE) in the 1997 Birthday Honours. Earlier in 1994, she was made an honorary Doctor of Letters by the University of Sunderland. She was appointed a Commander of the Order of the British Empire (CBE) in the 2008 Birthday Honours. In 2003, she was listed in The Observer as one of the 50 Funniest Acts in British Comedy.", "In 2003, she was listed in The Observer as one of the 50 Funniest Acts in British Comedy. In the 2005 Channel 4 poll the Comedians' Comedian, she was voted 27th out of the top 50 comedy acts by fellow comedians and comedy insiders. She was the highest-ranked woman on the list, above French and Saunders (who paid tribute to her in their Lord of the Rings spoof, where a map of Middle-Earth shows a forest called 'Victoria Wood'), Joan Rivers and Joyce Grenfell.", "She was the highest-ranked woman on the list, above French and Saunders (who paid tribute to her in their Lord of the Rings spoof, where a map of Middle-Earth shows a forest called 'Victoria Wood'), Joan Rivers and Joyce Grenfell. Her sketch show Victoria Wood: As Seen on TV won BAFTA awards for its two series and Christmas Special.", "Her sketch show Victoria Wood: As Seen on TV won BAFTA awards for its two series and Christmas Special. In 2007, she was nominated for and won the BAFTA awards for \"Best Actress\" and for \"Best Single Drama\" for her role in the British war-time drama Housewife, 49, in which she played the part of a housewife dominated by her moody husband. Wood's character eventually stands up to him and helps the WRVS (Women's Royal Voluntary Service) in their preparations for British soldiers.", "Wood's character eventually stands up to him and helps the WRVS (Women's Royal Voluntary Service) in their preparations for British soldiers. Her popularity with the British public was confirmed when she won 'Best Stand-Up' and 'Best Sketch Show' by Radio Times readers in 2001. Wood was also voted 'Funniest Comedian' by the readers of Reader's Digest in 2005 and came eighth in ITV's poll of the public's 50 Greatest Stars, four places behind long term regular co-star Julie Walters.", "Wood was also voted 'Funniest Comedian' by the readers of Reader's Digest in 2005 and came eighth in ITV's poll of the public's 50 Greatest Stars, four places behind long term regular co-star Julie Walters. Wood was the recipient of six British Comedy Awards: Best stand-up live comedy performer (1990); Best female comedy performer (1995); WGGB Writer of the year (2000); Best live stand-up (2001); Outstanding achievement award (jointly awarded to Julie Walters) (2005); Best female TV comic (2011).", "Wood was the recipient of six British Comedy Awards: Best stand-up live comedy performer (1990); Best female comedy performer (1995); WGGB Writer of the year (2000); Best live stand-up (2001); Outstanding achievement award (jointly awarded to Julie Walters) (2005); Best female TV comic (2011). Wood was nominated for the 1991 Olivier Award for Best Entertainment for Victoria Wood Up West. BAFTA nominations Wood was a 14-time BAFTA TV Award nominee, winning four.", "BAFTA nominations Wood was a 14-time BAFTA TV Award nominee, winning four. She received a special BAFTA at a tribute evening in 2005. Victoria Wood: As Seen on TV won the BAFTA for Best Entertainment Programme in 1986, 1987 and 1988; these awards went to the producer, Geoff Posner. An Audience With Victoria Wood won the BAFTA for Best Entertainment Programme in 1989; this award went to David G. Hillier.", "An Audience With Victoria Wood won the BAFTA for Best Entertainment Programme in 1989; this award went to David G. Hillier. Personal life Wood married stage magician Geoffrey Durham in March 1980 and they had two children: Grace, born 1 October 1988 and Henry, born 2 May 1992. The couple separated in October 2002 and divorced in 2005, but continued to live near one another and were on good terms. Her son Henry made a cameo performance as a teenager in Victoria Wood's Mid Life Christmas.", "Her son Henry made a cameo performance as a teenager in Victoria Wood's Mid Life Christmas. He also appeared in the accompanying 'behind the scenes' programme Victoria Wood: What Larks!. Both children had already made appearances as extras on Victoria Wood with All the Trimmings in 2000. Wood attended Quaker meetings with her husband and was a vegetarian, once remarking, \"I'm all for killing animals and turning them into handbags; I just don't want to have to eat them.\"", "Wood attended Quaker meetings with her husband and was a vegetarian, once remarking, \"I'm all for killing animals and turning them into handbags; I just don't want to have to eat them.\" Death Wood was diagnosed with cancer of the oesophagus in late 2015, but kept her illness largely private. She died on 20 April 2016 at her Highgate home, in the presence of her children and former husband.", "She died on 20 April 2016 at her Highgate home, in the presence of her children and former husband. Her family celebrated her life with a humanist funeral and cremation at Golders Green Crematorium on 5 May 2016. A memorial service was held for Wood on 4 July 2016 at St James, Piccadilly. The event was accessible via invitation only and tributes were given by Jane Wymark, Daniel Rigby, Harriet Thorpe and Julie Walters.", "The event was accessible via invitation only and tributes were given by Jane Wymark, Daniel Rigby, Harriet Thorpe and Julie Walters. Ria Jones and Michael Ball each performed one of Wood's songs and Nigel Lilley accompanied on the piano. Tributes On 15 May 2016, ITV broadcast Let's Do It: A Tribute to Victoria Wood. In 2017, Wood was the subject of a seven-part show dedicated mainly to extracts from her TV and live work.", "In 2017, Wood was the subject of a seven-part show dedicated mainly to extracts from her TV and live work. The main series, titled Our Friend Victoria, aired on BBC One between 11 April and 9 May and concluded later in the year with a Christmas special on 23 December 2017. The seven episodes were presented by Julie Walters, Richard E. Grant, Michael Ball, Maxine Peake, The League of Gentlemen, Daniel Rigby and Anne Reid.", "The seven episodes were presented by Julie Walters, Richard E. Grant, Michael Ball, Maxine Peake, The League of Gentlemen, Daniel Rigby and Anne Reid. On 17 May 2019, a statue of Wood was unveiled in her home town of Bury in Greater Manchester. Biography Christopher Foote Wood. Victoria Wood Comedy Genius - Her Life and Work, Published by The Memoir Club, 07552086888, Christopher Foote Wood.", "Victoria Wood Comedy Genius - Her Life and Work, Published by The Memoir Club, 07552086888, Christopher Foote Wood. Nellie's book : the early life of Victoria Wood's mother, with Nellie Wood (co-author), The History Press (2006), References External links Profile at Caroline's Comedy Base Victoria Wood at TV Museum Victoria Wood at BBC Comedy Guide Return to drama (Manchester Evening News) BBC Writers Room – Video and text interview with Victoria Wood about writing comedy The Independent – The 5-Minute Interview: Victoria Wood, comedian and writer Victoria Wood Obituary BBC News Retrieved 20 April 2016 Victoria Wood obituary, The Guardian, retrieved 21 April 2016 Victoria Wood obituary, The Daily Telegraph, retrieved 21 April 2016 Victoria Wood(Aveleyman) 1953 births 2016 deaths 20th-century English comedians 21st-century English comedians 20th-century English actresses 21st-century English actresses Actresses from Lancashire Alumni of the University of Birmingham Best Actress BAFTA Award (television) winners Best Entertainment Performance BAFTA Award (television) winners Deaths from cancer in England Comedians from Lancashire Commanders of the Order of the British Empire English humanists English Quakers English stand-up comedians English television actresses English television writers English women comedians English women pianists Honorary Members of the Royal Academy of Music People educated at Bury Grammar School (Girls) People from Prestwich People from Bury, Greater Manchester Women television writers Writers from Lancashire" ]

[ "Frank Zappa", "Childhood" ]

[ "The Frank Zappa AAAFNRAA Birthday Bundle was released as a digital download on iTunes on December 15, 2006. It consists of five previously unreleased tracks performed by Frank Zappa, and six new tracks featuring the Zappa family. (AAAFNRAA stands for \"Anything Anytime Anywhere for No Reason At All\", Zappa's motto of sorts.)\n\nTrack listing\n\"Tryin' to Grow a Chin\" (Live '76) by Frank Zappa (4:50) - Sydney, Australia 1-20-76\n\"Dead Girls of London\" (Live '79) by Frank Zappa (2:22) - Odeon Hammersmith, London 2-79\nWords by Frank Zappa/Music by L. Shankar.\n\"You Are What You Is\" (Live '80) (4:14) by Frank Zappa - 12-11-80, Santa Monica Civic Auditorium\n\"Bamboozled by Love\" (Live '88) (5:41) by Frank Zappa - 5-8-88, Wien, Austria\n\"Fine Girl\" (Remix) (3:33) by Frank Zappa - 8-20-86 UMRK Remix by FZ with Bob Stone\n\"Girlie Woman\" by Diva Zappa (2:31)\nLyrics by Diva & Dweezil Zappa/Music by Dweezil Zappa.\n\"When the Ball Drops\" by Diva Zappa (3:53)\nLyrics by Diva Zappa/Music by Diva & Dweezil Zappa.\n\"Bring It Back\" by Ahmet Zappa (5:21)\nCo-written by Ahmet Zappa & Jason Nesmith.\n\"Feel How I Need You\" by Ahmet Zappa (2:54)\nCo-written by Ahmet Zappa & Jason Nesmith.\n\"Rhythmatist\" by Dweezil Zappa (4:13)\n\"Everyone is Going Mad\" by Moon Zappa & Jellybird (4:07)\nWritten by Paul Doucette & Moon Zappa.\n\nExternal links\n\nDEAD LINK Official Zappa website - album info\n\nDEAD LINK Album page at the iTunes Store\n \n\nDweezil Zappa albums\nCompilation albums published posthumously\nITunes-exclusive releases\nFrank Zappa compilation albums\n2006 compilation albums\nZappa Records albums", "Ed Mann is a musician who has been \"a drummer and piano dabbler since childhood.\" He is best known for his mallet percussion performances onstage with Frank Zappa's ensemble from 1977 to 1988, and his appearances on over 30 of Zappa's albums, both studio recordings and with Zappa's band live. Mann also has released a number of CDs as a bandleader and composer.\n\nCareer \n\nMann formed a band with Tommy Mars in mid 1973. By the end of that year he was studying with John Bergamo at CalArts. In 1977 Frank Zappa asked Bergamo to do some overdubbing on the Zappa In New York album and Bergamo in turn recommended Mann.\n\nA few months later Ruth Underwood told Mann that Zappa was looking for a second keyboard player. When Mann called to recommend Tommy Mars (\"At midnight, the only time when you could reach Frank by phone\"), Zappa invited him to come to his house. Mann went to the house, where Terry Bozzio, Patrick O'Hearn, and Adrian Belew were jamming with Zappa. By 2:00am Ed was in the band. Mann later commented: \"It took a few days for that all to sink in.\"\n\nMann can be heard playing gongs on J21's Yellow Mind:Blue Mind album.\n\nUntil mid-2014 Mann was a member of The Band From Utopia which has featured many Zappa alumni such as Robert Martin, Chad Wackerman, Albert Wing, Tom Fowler, Ray White and Ralph Humphrey over the years. In 2008, Ed Mann toured with Project Object and sat in with Agent Moosehead at the New York Harvest Festival and Freedom Rally. In 2013 Mann began performing on percussion and electronics with The Z3, an organ, guitar and drums trio that adapts Zappa music to the Hammond organ-centered jazz-funk tradition. Mann played on The White Album and did a virtuoso performance on the song 'Apple A Day.' Mann played on two of David Arvedon's albums.\n\nMann joined Northeast blugrasstafarian jamband Desert Rain for their set at the Wormtown Music Festival in the fall of 2015. Since then he has been joining the group at clubs throughout the Northeast.\n\nIn July 2016 Mann joined Mike Dillon for three dates of Dillon's northeast US tour.\n\nDiscography with Zappa \n\n Zappa in New York (Frank Zappa, 1978)\n Sheik Yerbouti (Frank Zappa, 1979)\n Joe's Garage Act I (Zappa, 1979)\n Joe's Garage Acts II & III (Zappa, 1979)\n Tinseltown Rebellion (Frank Zappa, 1981)\n Shut Up 'N Play Yer Guitar (Zappa, 1981)\n You Are What You Is (Zappa, 1981)\n Ship Arriving Too Late to Save a Drowning Witch (Zappa, 1982)\n The Man From Utopia (Zappa, 1983)\n Baby Snakes (Frank Zappa, 1983)\n London Symphony Orchestra, Vol. 1 (Zappa, 1983)\n Them or Us (Zappa, 1984)\n Thing-Fish (Zappa, 1984)\n Frank Zappa Meets the Mothers of Prevention (Frank Zappa, 1985)\n Jazz from Hell (Frank Zappa, 1986)\n London Symphony Orchestra, Vol. 2 (Zappa, 1987)\n Guitar (Frank Zappa, 1988)\n You Can't Do That on Stage Anymore, Vol. 1 (Zappa, 1988)\n Broadway the Hard Way (Frank Zappa)\n You Can't Do That on Stage Anymore, Vol. 3 (Zappa, 1989)\n The Best Band You Never Heard in Your Life (Frank Zappa, 1991)\n Make a Jazz Noise Here (Frank Zappa, 1991)\n You Can't Do That on Stage Anymore, Vol. 4 (Zappa, 1991)\n You Can't Do That on Stage Anymore, Vol. 5 (Zappa, 1992)\n You Can't Do That on Stage Anymore, Vol. 6 (Zappa, 1992)\n Frank Zappa Plays the Music of Frank Zappa: A Memorial Tribute (Frank Zappa, 1996)\n Halloween (Frank Zappa – Audio DVD, 2003)\n QuAUDIOPHILIAc (Zappa – kvadrofon Audio DVD, 2004)\n Trance-Fusion (Zappa Records 2006)\n The Dub Room Special (CD, Zappa Records, 2007)\n One Shot Deal (Zappa Records ZR 20006, 2008)\n Hammersmith Odeon (album) (Zappa, 2010)\n\nMann performances can be seen in the Zappa films Baby Snakes, Dub Room Special & Video From Hell.\n\nSolo discography\n Get Up (1988)\n Perfect World (1991)\n Global Warming (1994)\n Have No Fear (1997)\n (((GONG))) Sound Of Being (1998)\n\nReferences\n\nSources\n\nEd Mann Discography of CDs at cduniverse.com\nPerfect World Cutout at amazon.com\n\nLiving people\nAmerican rock drummers\nAmerican rock keyboardists\nAmerican people of German descent\n1954 births\nPlace of birth missing (living people)\n20th-century American drummers\nAmerican male drummers\n20th-century American male musicians" ]

[ "Frank Vincent Zappa (December 21, 1940 – December 4, 1993) was an American musician, singer, composer, songwriter and bandleader. His work is characterized by nonconformity, free-form improvisation, sound experiments, musical virtuosity and satire of American culture. In a career spanning more than 30 years, Zappa composed rock, pop, jazz, jazz fusion, orchestral and musique concrète works, and produced almost all of the 60-plus albums that he released with his band the Mothers of Invention and as a solo artist.", "In a career spanning more than 30 years, Zappa composed rock, pop, jazz, jazz fusion, orchestral and musique concrète works, and produced almost all of the 60-plus albums that he released with his band the Mothers of Invention and as a solo artist. Zappa also directed feature-length films and music videos, and designed album covers. He is considered one of the most innovative and stylistically diverse musicians of his generation.", "He is considered one of the most innovative and stylistically diverse musicians of his generation. As a self-taught composer and performer, Zappa had diverse musical influences that led him to create music that was sometimes difficult to categorize. While in his teens, he acquired a taste for 20th-century classical modernism, African-American rhythm and blues, and doo-wop music. He began writing classical music in high school, while at the same time playing drums in rhythm-and-blues bands, later switching to electric guitar.", "He began writing classical music in high school, while at the same time playing drums in rhythm-and-blues bands, later switching to electric guitar. His 1966 debut album with the Mothers of Invention, Freak Out!, combined songs in conventional rock and roll format with collective improvisations and studio-generated sound collages. He continued this eclectic and experimental approach whether the fundamental format was rock, jazz, or classical.", "He continued this eclectic and experimental approach whether the fundamental format was rock, jazz, or classical. Zappa's output is unified by a conceptual continuity he termed \"Project/Object\", with numerous musical phrases, ideas, and characters reappearing across his albums. His lyrics reflected his iconoclastic views of established social and political processes, structures and movements, often humorously so, and he has been described as the \"godfather\" of comedy rock.", "His lyrics reflected his iconoclastic views of established social and political processes, structures and movements, often humorously so, and he has been described as the \"godfather\" of comedy rock. He was a strident critic of mainstream education and organized religion, and a forthright and passionate advocate for freedom of speech, self-education, political participation and the abolition of censorship. Unlike many other rock musicians of his generation, he disapproved of recreational drug use, but supported decriminalization and regulation.", "Unlike many other rock musicians of his generation, he disapproved of recreational drug use, but supported decriminalization and regulation. Zappa was a highly productive and prolific artist with a controversial critical standing; supporters of his music admired its compositional complexity, while critics found it lacking emotional depth. He had greater commercial success outside the US, particularly in Europe. Though he worked as an independent artist, Zappa mostly relied on distribution agreements he had negotiated with the major record labels. He remains a major influence on musicians and composers.", "He remains a major influence on musicians and composers. He remains a major influence on musicians and composers. His honors include his 1995 induction into the Rock and Roll Hall of Fame and the 1997 Grammy Lifetime Achievement Award. 1940s–1960s: early life and career Childhood Zappa was born on December 21, 1940, in Baltimore, Maryland.", "1940s–1960s: early life and career Childhood Zappa was born on December 21, 1940, in Baltimore, Maryland. His mother, Rose Marie ( Colimore), was of Italian (Neapolitan and Sicilian) and French ancestry; his father, whose name was anglicized to Francis Vincent Zappa, was an immigrant from Partinico, Sicily, with Greek and Arab ancestry. Frank, the eldest of four children, was raised in an Italian-American household where Italian was often spoken by his grandparents.", "Frank, the eldest of four children, was raised in an Italian-American household where Italian was often spoken by his grandparents. The family moved often because his father, a chemist and mathematician, worked in the defense industry. After a time in Florida in the 1940s, the family returned to Maryland, where Zappa's father worked at the Edgewood Arsenal chemical warfare facility of the Aberdeen Proving Ground run by the U.S. Army.", "After a time in Florida in the 1940s, the family returned to Maryland, where Zappa's father worked at the Edgewood Arsenal chemical warfare facility of the Aberdeen Proving Ground run by the U.S. Army. Due to their home's proximity to the arsenal, which stored mustard gas, gas masks were kept in the home in case of an accident. This living arrangement had a profound effect on Zappa, and references to germs, germ warfare, ailments and the defense industry occur frequently throughout his work.", "This living arrangement had a profound effect on Zappa, and references to germs, germ warfare, ailments and the defense industry occur frequently throughout his work. Zappa was often sick as a child, suffering from asthma, earaches and sinus problems. A doctor treated his sinusitis by inserting a pellet of radium into each of Zappa's nostrils.", "A doctor treated his sinusitis by inserting a pellet of radium into each of Zappa's nostrils. At the time, little was known about the potential dangers of even small amounts of therapeutic radiation, and although it has since been claimed that nasal radium treatment has causal connections to cancer, no studies have provided enough evidence to confirm this. Nasal imagery and references appear in his music and lyrics, as well as in the collage album covers created by his long-time collaborator Cal Schenkel.", "Nasal imagery and references appear in his music and lyrics, as well as in the collage album covers created by his long-time collaborator Cal Schenkel. Zappa believed his childhood diseases might have been due to exposure to mustard gas, released by the nearby chemical warfare facility, and his health worsened when he lived in Baltimore. In 1952, his family relocated for reasons of health to Monterey, California, where his father taught metallurgy at the Naval Postgraduate School.", "In 1952, his family relocated for reasons of health to Monterey, California, where his father taught metallurgy at the Naval Postgraduate School. They soon moved to Clairemont, and then to El Cajon, before finally settling in nearby San Diego. First musical interests Zappa joined his first band at Mission Bay High School in San Diego as the drummer. At about the same time, his parents bought a phonograph, which allowed him to develop his interest in music, and to begin building his record collection.", "At about the same time, his parents bought a phonograph, which allowed him to develop his interest in music, and to begin building his record collection. According to The Rough Guide to Rock (2003), \"as a teenager Zappa was simultaneously enthralled by black R&B (Johnny 'Guitar' Watson, Guitar Slim), doo-wop (The Channels, The Velvets), the modernism of Igor Stravinsky and Anton Webern, and the dissonant sound experiments of Edgard Varese.\"", "According to The Rough Guide to Rock (2003), \"as a teenager Zappa was simultaneously enthralled by black R&B (Johnny 'Guitar' Watson, Guitar Slim), doo-wop (The Channels, The Velvets), the modernism of Igor Stravinsky and Anton Webern, and the dissonant sound experiments of Edgard Varese.\" R&B singles were early purchases for Zappa, starting a large collection he kept for the rest of his life.", "R&B singles were early purchases for Zappa, starting a large collection he kept for the rest of his life. He was interested in sounds for their own sake, particularly the sounds of drums and other percussion instruments. By age twelve, he had obtained a snare drum and began learning the basics of orchestral percussion.", "By age twelve, he had obtained a snare drum and began learning the basics of orchestral percussion. Zappa's deep interest in modern classical music began when he read a LOOK magazine article about the Sam Goody record store chain that lauded its ability to sell an LP as obscure as The Complete Works of Edgard Varèse, Volume One. The article described Varèse's percussion composition Ionisation, produced by EMS Recordings, as \"a weird jumble of drums and other unpleasant sounds\". Zappa decided to seek out Varèse's music.", "Zappa decided to seek out Varèse's music. Zappa decided to seek out Varèse's music. After searching for over a year, Zappa found a copy (he noticed the LP because of the \"mad scientist\" looking photo of Varèse on the cover). Not having enough money with him, he persuaded the salesman to sell him the record at a discount. Thus began his lifelong passion for Varèse's music and that of other modern classical composers.", "Thus began his lifelong passion for Varèse's music and that of other modern classical composers. He also liked the Italian classical music listened to by his grandparents, especially Puccini's opera arias. By 1956, the Zappa family had moved to Lancaster, a small aerospace and farming town in the Antelope Valley of the Mojave Desert close to Edwards Air Force Base; he would later refer to Sun Village (a town close to Lancaster) in the 1973 track \"Village of the Sun\".", "By 1956, the Zappa family had moved to Lancaster, a small aerospace and farming town in the Antelope Valley of the Mojave Desert close to Edwards Air Force Base; he would later refer to Sun Village (a town close to Lancaster) in the 1973 track \"Village of the Sun\". Zappa's mother encouraged him in his musical interests. Although she disliked Varèse's music, she was indulgent enough to give her son a long-distance call to the New York composer as a fifteenth birthday present.", "Although she disliked Varèse's music, she was indulgent enough to give her son a long-distance call to the New York composer as a fifteenth birthday present. Unfortunately, Varèse was in Europe at the time, so Zappa spoke to the composer's wife and she suggested he call back later. In a letter, Varèse thanked him for his interest, and told him about a composition he was working on called \"Déserts\". Living in the desert town of Lancaster, Zappa found this very exciting.", "Living in the desert town of Lancaster, Zappa found this very exciting. Varèse invited him to visit if he ever came to New York. The meeting never took place (Varèse died in 1965), but Zappa framed the letter and kept it on display for the rest of his life. At Antelope Valley High School, Zappa met Don Glen Vliet (who later changed his name to Don Van Vliet and adopted the stage name Captain Beefheart).", "At Antelope Valley High School, Zappa met Don Glen Vliet (who later changed his name to Don Van Vliet and adopted the stage name Captain Beefheart). Zappa and Vliet became close friends, sharing an interest in R&B records and influencing each other musically throughout their careers. Around the same time, Zappa started playing drums in a local band, the Blackouts. The band was racially diverse and included Euclid James \"Motorhead\" Sherwood who later became a member of the Mothers of Invention.", "The band was racially diverse and included Euclid James \"Motorhead\" Sherwood who later became a member of the Mothers of Invention. Zappa's interest in the guitar grew, and in 1957 he was given his first instrument. Among his early influences were Johnny \"Guitar\" Watson, Howlin' Wolf and Clarence \"Gatemouth\" Brown. In the 1970s/1980s, he invited Watson to perform on several albums. Zappa considered soloing as the equivalent of forming \"air sculptures\", and developed an eclectic, innovative and highly personal style.", "Zappa considered soloing as the equivalent of forming \"air sculptures\", and developed an eclectic, innovative and highly personal style. He was also influenced by Egyptian composer Halim El-Dabh. Zappa's interest in composing and arranging flourished in his last high-school years. By his final year, he was writing, arranging and conducting avant-garde performance pieces for the school orchestra. He graduated from Antelope Valley High School in 1958, and later acknowledged two of his music teachers on the sleeve of the 1966 album Freak Out!", "He graduated from Antelope Valley High School in 1958, and later acknowledged two of his music teachers on the sleeve of the 1966 album Freak Out! Due to his family's frequent moves, Zappa attended at least six different high schools, and as a student he was often bored and given to distracting the rest of the class with juvenile antics.", "Due to his family's frequent moves, Zappa attended at least six different high schools, and as a student he was often bored and given to distracting the rest of the class with juvenile antics. In 1959, he attended Chaffey College but left after one semester, and maintained thereafter a disdain for formal education, taking his children out of school at age 15 and refusing to pay for their college. Zappa left home in 1959, and moved into a small apartment in Echo Park, Los Angeles.", "Zappa left home in 1959, and moved into a small apartment in Echo Park, Los Angeles. After he met Kathryn J. \"Kay\" Sherman during his short period of private composition study with Prof. Karl Kohn of Pomona College, they moved in together in Ontario, and were married December 28, 1960. Zappa worked for a short period in advertising as a copywriter. His sojourn in the commercial world was brief, but gave him valuable insights into its workings.", "His sojourn in the commercial world was brief, but gave him valuable insights into its workings. Throughout his career, he took a keen interest in the visual presentation of his work, designing some of his album covers and directing his own films and videos. Studio Z Zappa attempted to earn a living as a musician and composer, and played different nightclub gigs, some with a new version of the Blackouts.", "Studio Z Zappa attempted to earn a living as a musician and composer, and played different nightclub gigs, some with a new version of the Blackouts. Zappa's earliest professional recordings, two soundtracks for the low-budget films The World's Greatest Sinner (1962) and Run Home Slow (1965) were more financially rewarding. The former score was commissioned by actor-producer Timothy Carey and recorded in 1961. It contains many themes that appeared on later Zappa records.", "It contains many themes that appeared on later Zappa records. The latter soundtrack was recorded in 1963 after the film was completed, but it was commissioned by one of Zappa's former high school teachers in 1959 and Zappa may have worked on it before the film was shot. Excerpts from the soundtrack can be heard on the posthumous album The Lost Episodes (1996). During the early 1960s, Zappa wrote and produced songs for other local artists, often working with singer-songwriter Ray Collins and producer Paul Buff.", "During the early 1960s, Zappa wrote and produced songs for other local artists, often working with singer-songwriter Ray Collins and producer Paul Buff. Their \"Memories of El Monte\" was recorded by the Penguins, although only Cleve Duncan of the original group was featured. Buff owned the small Pal Recording Studio in Cucamonga, which included a unique five-track tape recorder he had built. At that time, only a handful of the most sophisticated commercial studios had multi-track facilities; the industry standard for smaller studios was still mono or two-track.", "At that time, only a handful of the most sophisticated commercial studios had multi-track facilities; the industry standard for smaller studios was still mono or two-track. Although none of the recordings from the period achieved major commercial success, Zappa earned enough money to allow him to stage a concert of his orchestral music in 1963 and to broadcast and record it. He appeared on Steve Allen's syndicated late night show the same year, in which he played a bicycle as a musical instrument.", "He appeared on Steve Allen's syndicated late night show the same year, in which he played a bicycle as a musical instrument. Using a bow borrowed from the band's bass player, as well as drum sticks, he proceeded to pluck, bang, and bow the spokes of the bike, producing strange, comical sounds from his newfound instrument. With Captain Beefheart, Zappa recorded some songs under the name of the Soots. They were rejected by Dot Records.", "They were rejected by Dot Records. They were rejected by Dot Records. Later, the Mothers were also rejected by Columbia Records for having \"no commercial potential\", a verdict Zappa subsequently quoted on the sleeve of Freak Out! In 1964, after his marriage started to break up, he moved into the Pal studio and began routinely working 12 hours or more per day recording and experimenting with overdubbing and audio tape manipulation. This established a work pattern that endured for most of his life.", "This established a work pattern that endured for most of his life. Aided by his income from film composing, Zappa took over the studio from Paul Buff, who was now working with Art Laboe at Original Sound. It was renamed Studio Z. Studio Z was rarely booked for recordings by other musicians. Instead, friends moved in, notably James \"Motorhead\" Sherwood. Zappa started performing in local bars as a guitarist with a power trio, the Muthers, to support himself.", "Zappa started performing in local bars as a guitarist with a power trio, the Muthers, to support himself. An article in the local press describing Zappa as \"the Movie King of Cucamonga\" prompted the local police to suspect that he was making pornographic films. In March 1965, Zappa was approached by a vice squad undercover officer, and accepted an offer of $100 () to produce a suggestive audio tape for an alleged stag party. Zappa and a female friend recorded a faked erotic episode.", "Zappa and a female friend recorded a faked erotic episode. When Zappa was about to hand over the tape, he was arrested, and the police stripped the studio of all recorded material. The press was tipped off beforehand, and next day's The Daily Report wrote that \"Vice Squad investigators stilled the tape recorders of a free-swinging, a-go-go film and recording studio here Friday and arrested a self-styled movie producer\". Zappa was charged with \"conspiracy to commit pornography\".", "Zappa was charged with \"conspiracy to commit pornography\". This felony charge was reduced and he was sentenced to six months in jail on a misdemeanor, with all but ten days suspended. His brief imprisonment left a permanent mark, and was central to the formation of his anti-authoritarian stance. Zappa lost several recordings made at Studio Z in the process, as the police returned only 30 of 80 hours of tape seized. Eventually, he could no longer afford to pay the rent on the studio and was evicted.", "Eventually, he could no longer afford to pay the rent on the studio and was evicted. Zappa managed to recover some of his possessions before the studio was torn down in 1966. Late 1960s: the Mothers of Invention Formation In 1965, Ray Collins asked Zappa to take over as guitarist in local R&B band the Soul Giants, following a fight between Collins and the group's original guitarist.", "Late 1960s: the Mothers of Invention Formation In 1965, Ray Collins asked Zappa to take over as guitarist in local R&B band the Soul Giants, following a fight between Collins and the group's original guitarist. Zappa accepted, and soon assumed leadership and the role as co-lead singer (even though he never considered himself a singer, then or later). He convinced the other members that they should play his music to increase the chances of getting a record contract.", "He convinced the other members that they should play his music to increase the chances of getting a record contract. The band was renamed the Mothers, coincidentally on Mother's Day. They increased their bookings after beginning an association with manager Herb Cohen, and gradually gained attention on the burgeoning Los Angeles underground music scene. In early 1966, they were spotted by leading record producer Tom Wilson when playing \"Trouble Every Day\", a song about the Watts riots.", "In early 1966, they were spotted by leading record producer Tom Wilson when playing \"Trouble Every Day\", a song about the Watts riots. Wilson had earned acclaim as the producer for Bob Dylan and Simon & Garfunkel, and was one of the few African-Americans working as a major label pop music producer at this time.", "Wilson had earned acclaim as the producer for Bob Dylan and Simon & Garfunkel, and was one of the few African-Americans working as a major label pop music producer at this time. Wilson signed the Mothers to the Verve division of MGM, which had built up a strong reputation for its releases of modern jazz recordings in the 1940s and 1950s, but was attempting to diversify into pop and rock audiences.", "Wilson signed the Mothers to the Verve division of MGM, which had built up a strong reputation for its releases of modern jazz recordings in the 1940s and 1950s, but was attempting to diversify into pop and rock audiences. Verve insisted that the band officially rename themselves the Mothers of Invention as Mother was short for motherfucker—a term that, apart from its profane meanings, can denote a skilled musician. Debut album: Freak Out!", "Debut album: Freak Out! Debut album: Freak Out! With Wilson credited as producer, the Mothers of Invention, augmented by a studio orchestra, recorded the groundbreaking Freak Out! (1966), which, after Bob Dylan's Blonde on Blonde, was the second rock double album ever released. It mixed R&B, doo-wop, musique concrète, and experimental sound collages that captured the \"freak\" subculture of Los Angeles at that time.", "It mixed R&B, doo-wop, musique concrète, and experimental sound collages that captured the \"freak\" subculture of Los Angeles at that time. Although he was dissatisfied with the final product, Freak Out immediately established Zappa as a radical new voice in rock music, providing an antidote to the \"relentless consumer culture of America\". The sound was raw, but the arrangements were sophisticated.", "The sound was raw, but the arrangements were sophisticated. While recording in the studio, some of the additional session musicians were shocked that they were expected to read the notes on sheet music from charts with Zappa conducting them, since it was not standard when recording rock music. The lyrics praised non-conformity, disparaged authorities, and had dadaist elements. Yet, there was a place for seemingly conventional love songs. Most compositions are Zappa's, which set a precedent for the rest of his recording career.", "Most compositions are Zappa's, which set a precedent for the rest of his recording career. He had full control over the arrangements and musical decisions and did most overdubs. Wilson provided the industry clout and connections and was able to provide the group with the financial resources needed. Although Wilson was able to provide Zappa and the Mothers with an extraordinary degree of artistic freedom for the time, the recording did not go entirely as planned.", "Although Wilson was able to provide Zappa and the Mothers with an extraordinary degree of artistic freedom for the time, the recording did not go entirely as planned. In a 1967 radio interview, Zappa explained that the album's outlandish 11-minute closing track, \"Return of the Son of Monster Magnet\" was not finished. The track as it appears on the album was only a backing track for a much more complex piece, but MGM refused to allow the additional recording time needed for completion.", "The track as it appears on the album was only a backing track for a much more complex piece, but MGM refused to allow the additional recording time needed for completion. Much to Zappa's chagrin, it was issued in its unfinished state. During the recording of Freak Out!, Zappa moved into a house in Laurel Canyon with friend Pamela Zarubica, who appeared on the album.", "During the recording of Freak Out!, Zappa moved into a house in Laurel Canyon with friend Pamela Zarubica, who appeared on the album. The house became a meeting (and living) place for many LA musicians and groupies of the time, despite Zappa's disapproval of their illicit drug use. After a short promotional tour following the release of Freak Out!, Zappa met Adelaide Gail Sloatman. He fell in love within \"a couple of minutes\", and she moved into the house over the summer.", "He fell in love within \"a couple of minutes\", and she moved into the house over the summer. They married in 1967, had four children and remained together until Zappa's death. Wilson nominally produced the Mothers' second album Absolutely Free (1967), which was recorded in November 1966, and later mixed in New York, although by this time Zappa was in de facto control of most facets of the production.", "Wilson nominally produced the Mothers' second album Absolutely Free (1967), which was recorded in November 1966, and later mixed in New York, although by this time Zappa was in de facto control of most facets of the production. It featured extended playing by the Mothers of Invention and focused on songs that defined Zappa's compositional style of introducing abrupt, rhythmical changes into songs that were built from diverse elements.", "It featured extended playing by the Mothers of Invention and focused on songs that defined Zappa's compositional style of introducing abrupt, rhythmical changes into songs that were built from diverse elements. Examples are \"Plastic People\" and \"Brown Shoes Don't Make It\", which contained lyrics critical of the hypocrisy and conformity of American society, but also of the counterculture of the 1960s. As Zappa put it, \"[W]e're satirists, and we are out to satirize everything.\"", "As Zappa put it, \"[W]e're satirists, and we are out to satirize everything.\" At the same time, Zappa had recorded material for an album of orchestral works to be released under his own name, Lumpy Gravy, released by Capitol Records in 1967. Due to contractual problems, the album was pulled. Zappa took the opportunity to radically restructure the contents, adding newly recorded, improvised dialogue. After the contractual problems were resolved, the album was reissued by Verve in 1968.", "After the contractual problems were resolved, the album was reissued by Verve in 1968. It is an \"incredible ambitious musical project\", a \"monument to John Cage\", which intertwines orchestral themes, spoken words and electronic noises through radical audio editing techniques. New York period (1966–1968) The Mothers of Invention played in New York in late 1966 and were offered a contract at the Garrick Theater (at 152 Bleecker Street, above the Cafe au Go Go) during Easter 1967.", "New York period (1966–1968) The Mothers of Invention played in New York in late 1966 and were offered a contract at the Garrick Theater (at 152 Bleecker Street, above the Cafe au Go Go) during Easter 1967. This proved successful and Herb Cohen extended the booking, which eventually lasted half a year. As a result, Zappa and his wife Gail, along with the Mothers of Invention, moved to New York.", "As a result, Zappa and his wife Gail, along with the Mothers of Invention, moved to New York. Their shows became a combination of improvised acts showcasing individual talents of the band as well as tight performances of Zappa's music. Everything was directed by Zappa using hand signals. Guest performers and audience participation became a regular part of the Garrick Theater shows.", "Guest performers and audience participation became a regular part of the Garrick Theater shows. One evening, Zappa managed to entice some U.S. Marines from the audience onto the stage, where they proceeded to dismember a big baby doll, having been told by Zappa to pretend that it was a \"gook baby\".", "One evening, Zappa managed to entice some U.S. Marines from the audience onto the stage, where they proceeded to dismember a big baby doll, having been told by Zappa to pretend that it was a \"gook baby\". Situated in New York, and interrupted by the band's first European tour, the Mothers of Invention recorded the album widely regarded as the peak of the group's late 1960s work, We're Only in It for the Money (released 1968).", "Situated in New York, and interrupted by the band's first European tour, the Mothers of Invention recorded the album widely regarded as the peak of the group's late 1960s work, We're Only in It for the Money (released 1968). It was produced by Zappa, with Wilson credited as executive producer. From then on, Zappa produced all albums released by the Mothers of Invention and as a solo artist.", "From then on, Zappa produced all albums released by the Mothers of Invention and as a solo artist. We're Only in It for the Money featured some of the most creative audio editing and production yet heard in pop music, and the songs ruthlessly satirized the hippie and flower power phenomena. He sampled plundered surf music in We're only in It for the Money, as well as the Beatles' tape work from their song \"Tomorrow Never Knows\". The cover photo parodied that of the Beatles' Sgt.", "The cover photo parodied that of the Beatles' Sgt. Pepper's Lonely Hearts Club Band. The cover art was provided by Cal Schenkel whom Zappa met in New York. This initiated a lifelong collaboration in which Schenkel designed covers for numerous Zappa and Mothers albums. Reflecting Zappa's eclectic approach to music, the next album, Cruising with Ruben & the Jets (1968), was very different. It represented a collection of doo-wop songs; listeners and critics were not sure whether the album was a satire or a tribute.", "It represented a collection of doo-wop songs; listeners and critics were not sure whether the album was a satire or a tribute. Zappa later remarked that the album was conceived like Stravinsky's compositions in his neo-classical period: \"If he could take the forms and clichés of the classical era and pervert them, why not do the same ... to doo-wop in the fifties?\" A theme from Stravinsky's The Rite of Spring is heard during one song. In 1967 and 1968, Zappa made two appearances with the Monkees.", "In 1967 and 1968, Zappa made two appearances with the Monkees. The first appearance was on an episode of their TV series, \"The Monkees Blow Their Minds\", where Zappa, dressed up as Mike Nesmith, interviews Nesmith who is dressed up as Zappa. After the interview, Zappa destroys a car with a sledgehammer as the song \"Mother People\" plays.", "After the interview, Zappa destroys a car with a sledgehammer as the song \"Mother People\" plays. He later provided a cameo in the Monkees' movie Head where, leading a cow, he tells Davy Jones \"the youth of America depends on you to show them the way.\" Zappa respected the Monkees and recruited Micky Dolenz to the Mothers but RCA/Columbia/Colgems would not release Dolenz from his contract. During the late 1960s, Zappa continued to develop the business side of his career.", "During the late 1960s, Zappa continued to develop the business side of his career. He and Herb Cohen formed the Bizarre Records and Straight Records labels to increase creative control and produce recordings by other artists. These labels were distributed in the US by Warner Bros. Records. Zappa/Mothers recordings appeared on Bizarre along with Wild Man Fischer and Lenny Bruce. Straight released the double album Trout Mask Replica for Captain Beefheart, and releases by Alice Cooper, The Persuasions, and the GTOs.", "Straight released the double album Trout Mask Replica for Captain Beefheart, and releases by Alice Cooper, The Persuasions, and the GTOs. In the Mothers' second European tour in September/October 1968 they performed for the at the Grugahalle in Essen, Germany; at the Tivoli in Copenhagen, Denmark; for TV programs in Germany (Beat-Club), France, and England; at the Concertgebouw in Amsterdam; at the Royal Festival Hall in London; and at the Olympia in Paris.", "In the Mothers' second European tour in September/October 1968 they performed for the at the Grugahalle in Essen, Germany; at the Tivoli in Copenhagen, Denmark; for TV programs in Germany (Beat-Club), France, and England; at the Concertgebouw in Amsterdam; at the Royal Festival Hall in London; and at the Olympia in Paris. Disbandment Zappa and the Mothers of Invention returned to Los Angeles in mid-1968, and the Zappas moved into a house on Laurel Canyon Boulevard, only to move again to Woodrow Wilson Drive.", "Disbandment Zappa and the Mothers of Invention returned to Los Angeles in mid-1968, and the Zappas moved into a house on Laurel Canyon Boulevard, only to move again to Woodrow Wilson Drive. This was Zappa's home for the rest of his life. Despite being successful in Europe, the Mothers of Invention were not doing well financially. Their first records were vocally oriented, but as Zappa wrote more instrumental jazz and classical style music for the band's concerts, audiences were confused.", "Their first records were vocally oriented, but as Zappa wrote more instrumental jazz and classical style music for the band's concerts, audiences were confused. Zappa felt that audiences failed to appreciate his \"electrical chamber music\". In 1969 there were nine band members and Zappa was supporting the group from his publishing royalties whether they played or not. In late 1969, Zappa broke up the band. He often cited the financial strain as the main reason, but also commented on the band members' lack of diligence.", "He often cited the financial strain as the main reason, but also commented on the band members' lack of diligence. Many band members were bitter about Zappa's decision, and some took it as a sign of Zappa's perfectionism at the expense of human feeling. Others were irritated by 'his autocratic ways', exemplified by Zappa's never staying at the same hotel as the band members. Several members played for Zappa in years to come.", "Several members played for Zappa in years to come. Several members played for Zappa in years to come. Remaining recordings of the band from this period were collected on Weasels Ripped My Flesh and Burnt Weeny Sandwich (both released in 1970). After he disbanded the Mothers of Invention, Zappa released the acclaimed solo album Hot Rats (1969).", "After he disbanded the Mothers of Invention, Zappa released the acclaimed solo album Hot Rats (1969). It features, for the first time on record, Zappa playing extended guitar solos and contains one of his most enduring compositions, \"Peaches en Regalia\", which reappeared several times on future recordings.", "It features, for the first time on record, Zappa playing extended guitar solos and contains one of his most enduring compositions, \"Peaches en Regalia\", which reappeared several times on future recordings. He was backed by jazz, blues and R&B session players including violinist Don \"Sugarcane\" Harris, drummers John Guerin and Paul Humphrey, multi-instrumentalist and former Mothers of Invention member Ian Underwood, and multi-instrumentalist Shuggie Otis on bass, along with a guest appearance by Captain Beefheart on the only vocal track, \"Willie the Pimp\".", "He was backed by jazz, blues and R&B session players including violinist Don \"Sugarcane\" Harris, drummers John Guerin and Paul Humphrey, multi-instrumentalist and former Mothers of Invention member Ian Underwood, and multi-instrumentalist Shuggie Otis on bass, along with a guest appearance by Captain Beefheart on the only vocal track, \"Willie the Pimp\". It became a popular album in England, and had a major influence on the development of jazz-rock fusion. 1970s Rebirth of the Mothers and filmmaking In 1970 Zappa met conductor Zubin Mehta.", "1970s Rebirth of the Mothers and filmmaking In 1970 Zappa met conductor Zubin Mehta. They arranged a May 1970 concert where Mehta conducted the Los Angeles Philharmonic augmented by a rock band. According to Zappa, the music was mostly written in motel rooms while on tour with the Mothers of Invention. Some of it was later featured in the movie 200 Motels. Although the concert was a success, Zappa's experience working with a symphony orchestra was not a happy one.", "Although the concert was a success, Zappa's experience working with a symphony orchestra was not a happy one. His dissatisfaction became a recurring theme throughout his career; he often felt that the quality of performance of his material delivered by orchestras was not commensurate with the money he spent on orchestral concerts and recordings. Later in 1970, Zappa formed a new version of the Mothers (from then on, he mostly dropped the \"of Invention\").", "Later in 1970, Zappa formed a new version of the Mothers (from then on, he mostly dropped the \"of Invention\"). It included British drummer Aynsley Dunbar, jazz keyboardist George Duke, Ian Underwood, Jeff Simmons (bass, rhythm guitar), and three members of the Turtles: bass player Jim Pons, and singers Mark Volman and Howard Kaylan, who, due to persistent legal and contractual problems, adopted the stage name \"The Phlorescent Leech and Eddie\", or \"Flo & Eddie\".", "It included British drummer Aynsley Dunbar, jazz keyboardist George Duke, Ian Underwood, Jeff Simmons (bass, rhythm guitar), and three members of the Turtles: bass player Jim Pons, and singers Mark Volman and Howard Kaylan, who, due to persistent legal and contractual problems, adopted the stage name \"The Phlorescent Leech and Eddie\", or \"Flo & Eddie\". This version of the Mothers debuted on Zappa's next solo album Chunga's Revenge (1970), which was followed by the double-album soundtrack to the movie 200 Motels (1971), featuring the Mothers, the Royal Philharmonic Orchestra, Ringo Starr, Theodore Bikel, and Keith Moon.", "This version of the Mothers debuted on Zappa's next solo album Chunga's Revenge (1970), which was followed by the double-album soundtrack to the movie 200 Motels (1971), featuring the Mothers, the Royal Philharmonic Orchestra, Ringo Starr, Theodore Bikel, and Keith Moon. Co-directed by Zappa and Tony Palmer, it was filmed in a week at Pinewood Studios outside London. Tensions between Zappa and several cast and crew members arose before and during shooting.", "Tensions between Zappa and several cast and crew members arose before and during shooting. The film deals loosely with life on the road as a rock musician. It was the first feature film photographed on videotape and transferred to 35 mm film, a process that allowed for novel visual effects. It was released to mixed reviews.", "It was released to mixed reviews. It was released to mixed reviews. The score relied extensively on orchestral music, and Zappa's dissatisfaction with the classical music world intensified when a concert, scheduled at the Royal Albert Hall after filming, was canceled because a representative of the venue found some of the lyrics obscene. In 1975, he lost a lawsuit against the Royal Albert Hall for breach of contract.", "In 1975, he lost a lawsuit against the Royal Albert Hall for breach of contract. After 200 Motels, the band went on tour, which resulted in two live albums, Fillmore East – June 1971 and Just Another Band from L.A.; the latter included the 20-minute track \"Billy the Mountain\", Zappa's satire on rock opera set in Southern California.", "After 200 Motels, the band went on tour, which resulted in two live albums, Fillmore East – June 1971 and Just Another Band from L.A.; the latter included the 20-minute track \"Billy the Mountain\", Zappa's satire on rock opera set in Southern California. This track was representative of the band's theatrical performances—which used songs to build sketches based on 200 Motels scenes, as well as new situations that often portrayed the band members' sexual encounters on the road.", "This track was representative of the band's theatrical performances—which used songs to build sketches based on 200 Motels scenes, as well as new situations that often portrayed the band members' sexual encounters on the road. Accident, attack, and aftermath On December 4, 1971, Zappa suffered his first of two serious setbacks. While performing at Casino de Montreux in Switzerland, the Mothers' equipment was destroyed when a flare set off by an audience member started a fire that burned down the casino.", "While performing at Casino de Montreux in Switzerland, the Mothers' equipment was destroyed when a flare set off by an audience member started a fire that burned down the casino. Immortalized in Deep Purple's song \"Smoke on the Water\", the event and immediate aftermath can be heard on the bootleg album Swiss Cheese/Fire, released legally as part of Zappa's Beat the Boots II compilation.", "Immortalized in Deep Purple's song \"Smoke on the Water\", the event and immediate aftermath can be heard on the bootleg album Swiss Cheese/Fire, released legally as part of Zappa's Beat the Boots II compilation. After losing $50,000 () worth of equipment and a week's break, the Mothers played at the Rainbow Theatre, London, with rented gear. During the encore, an audience member jealous because of his girlfriend's infatuation with Zappa pushed him off the stage and into the concrete-floored orchestra pit.", "During the encore, an audience member jealous because of his girlfriend's infatuation with Zappa pushed him off the stage and into the concrete-floored orchestra pit. The band thought Zappa had been killed—he had suffered serious fractures, head trauma and injuries to his back, leg, and neck, as well as a crushed larynx, which ultimately caused his voice to drop a third after healing. After the attack Zappa needed to use a wheelchair for an extended period, making touring impossible for over half a year.", "After the attack Zappa needed to use a wheelchair for an extended period, making touring impossible for over half a year. Upon return to the stage in September 1972, Zappa was still wearing a leg brace, had a noticeable limp and could not stand for very long while on stage. Zappa noted that one leg healed \"shorter than the other\" (a reference later found in the lyrics of songs \"Zomby Woof\" and \"Dancin' Fool\"), resulting in chronic back pain.", "Zappa noted that one leg healed \"shorter than the other\" (a reference later found in the lyrics of songs \"Zomby Woof\" and \"Dancin' Fool\"), resulting in chronic back pain. Meanwhile, the Mothers were left in limbo and eventually formed the core of Flo and Eddie's band as they set out on their own.", "Meanwhile, the Mothers were left in limbo and eventually formed the core of Flo and Eddie's band as they set out on their own. During 1971–1972 Zappa released two strongly jazz-oriented solo LPs, Waka/Jawaka and The Grand Wazoo, which were recorded during the forced layoff from concert touring, using floating line-ups of session players and Mothers alumni. Musically, the albums were akin to Hot Rats, in that they featured extended instrumental tracks with extended soloing. Zappa began touring again in late 1972.", "Zappa began touring again in late 1972. Zappa began touring again in late 1972. His first effort was a series of concerts in September 1972 with a 20-piece big band referred to as the Grand Wazoo. This was followed by a scaled-down version known as the Petit Wazoo that toured the U.S. for five weeks from October to December 1972.", "This was followed by a scaled-down version known as the Petit Wazoo that toured the U.S. for five weeks from October to December 1972. Top 10 album: Apostrophe () Zappa then formed and toured with smaller groups that variously included Ian Underwood (reeds, keyboards), Ruth Underwood (vibes, marimba), Sal Marquez (trumpet, vocals), Napoleon Murphy Brock (sax, flute and vocals), Bruce Fowler (trombone), Tom Fowler (bass), Chester Thompson (drums), Ralph Humphrey (drums), George Duke (keyboards, vocals), and Jean-Luc Ponty (violin).", "Top 10 album: Apostrophe () Zappa then formed and toured with smaller groups that variously included Ian Underwood (reeds, keyboards), Ruth Underwood (vibes, marimba), Sal Marquez (trumpet, vocals), Napoleon Murphy Brock (sax, flute and vocals), Bruce Fowler (trombone), Tom Fowler (bass), Chester Thompson (drums), Ralph Humphrey (drums), George Duke (keyboards, vocals), and Jean-Luc Ponty (violin). By 1973 the Bizarre and Straight labels were discontinued.", "By 1973 the Bizarre and Straight labels were discontinued. By 1973 the Bizarre and Straight labels were discontinued. In their place, Zappa and Cohen created DiscReet Records, also distributed by Warner. Zappa continued a high rate of production through the first half of the 1970s, including the solo album Apostrophe (') (1974), which reached a career-high No. 10 on the Billboard pop album charts helped by the No. 86 chart hit \"Don't Eat The Yellow Snow\".", "86 chart hit \"Don't Eat The Yellow Snow\". Other albums from the period are Over-Nite Sensation (1973), which contained several future concert favorites, such as \"Dinah-Moe Humm\" and \"Montana\", and the albums Roxy & Elsewhere (1974) and One Size Fits All (1975) which feature ever-changing versions of a band still called the Mothers, and are notable for the tight renditions of highly difficult jazz fusion songs in such pieces as \"Inca Roads\", \"Echidna's Arf (Of You)\" and \"Be-Bop Tango (Of the Old Jazzmen's Church)\".", "Other albums from the period are Over-Nite Sensation (1973), which contained several future concert favorites, such as \"Dinah-Moe Humm\" and \"Montana\", and the albums Roxy & Elsewhere (1974) and One Size Fits All (1975) which feature ever-changing versions of a band still called the Mothers, and are notable for the tight renditions of highly difficult jazz fusion songs in such pieces as \"Inca Roads\", \"Echidna's Arf (Of You)\" and \"Be-Bop Tango (Of the Old Jazzmen's Church)\". A live recording from 1974, You Can't Do That on Stage Anymore, Vol.", "A live recording from 1974, You Can't Do That on Stage Anymore, Vol. 2 (1988), captures \"the full spirit and excellence of the 1973–1975 band\". Zappa released Bongo Fury (1975), which featured a live recording at the Armadillo World Headquarters in Austin from a tour the same year that reunited him with Captain Beefheart for a brief period. They later became estranged for a period of years, but were in contact at the end of Zappa's life.", "They later became estranged for a period of years, but were in contact at the end of Zappa's life. Business breakups and touring In 1976 Zappa produced the album Good Singin', Good Playin' for Grand Funk Railroad. Zappa's relationship with long-time manager Herb Cohen ended in May 1976. Zappa sued Cohen for skimming more than he was allocated from DiscReet Records, as well as for signing acts of which Zappa did not approve.", "Zappa sued Cohen for skimming more than he was allocated from DiscReet Records, as well as for signing acts of which Zappa did not approve. Cohen filed a lawsuit against Zappa in return, which froze the money Zappa and Cohen had gained from an out-of-court settlement with MGM over the rights of the early Mothers of Invention recordings. It also prevented Zappa having access to any of his previously recorded material during the trials.", "It also prevented Zappa having access to any of his previously recorded material during the trials. Zappa therefore took his personal master copies of the rock-oriented Zoot Allures (1976) directly to Warner, thereby bypassing DiscReet. Following the split with Cohen, Zappa hired Bennett Glotzer as new manager. By late 1976 Zappa was upset with Warner over inadequate promotion of his recordings and he was eager to move on as soon as possible. In March 1977 Zappa delivered four albums (five full-length LPs) to Warner to complete his contract.", "In March 1977 Zappa delivered four albums (five full-length LPs) to Warner to complete his contract. These albums contained recordings mostly made between 1972 and 1976. Warner failed to meet contractual obligations to Zappa, but after a lengthy legal dispute they did eventually release these recordings during 1978 and 1979 in censored form. Also, in 1977 Zappa prepared a four-LP box set called Läther (pronounced \"leather\") and negotiated distribution with Phonogram Inc. for release on the Zappa Records label.", "Also, in 1977 Zappa prepared a four-LP box set called Läther (pronounced \"leather\") and negotiated distribution with Phonogram Inc. for release on the Zappa Records label. The Läther box set was scheduled for release on Halloween 1977, but legal action from Warner forced Zappa to shelve this project. In December 1977 Zappa appeared on the Pasadena, California radio station KROQ-FM and played the entire Läther album, while encouraging listeners to make tape recordings of the broadcast.", "In December 1977 Zappa appeared on the Pasadena, California radio station KROQ-FM and played the entire Läther album, while encouraging listeners to make tape recordings of the broadcast. Both sets of recordings (five-LP and four-LP) have much of the same material, but each also has unique content. The albums integrate many aspects of Zappa's 1970s work: heavy rock, orchestral works, and complex jazz instrumentals, along with Zappa's distinctive guitar solos. Läther was officially released posthumously in 1996.", "Läther was officially released posthumously in 1996. Läther was officially released posthumously in 1996. It is still debated as to whether Zappa had conceived the material as a four-LP set from the beginning, or only later when working with Phonogram. Although Zappa eventually gained the rights to all his material created under the MGM and Warner contracts, the various lawsuits meant that for a period Zappa's only income came from touring, which he therefore did extensively in 1975–1977 with relatively small, mainly rock-oriented, bands.", "Although Zappa eventually gained the rights to all his material created under the MGM and Warner contracts, the various lawsuits meant that for a period Zappa's only income came from touring, which he therefore did extensively in 1975–1977 with relatively small, mainly rock-oriented, bands. Drummer Terry Bozzio became a regular band member, Napoleon Murphy Brock stayed on for a while, and original Mothers of Invention bassist Roy Estrada joined. Among other musicians were bassist Patrick O'Hearn, singer-guitarist Ray White and keyboardist/violinist Eddie Jobson.", "Among other musicians were bassist Patrick O'Hearn, singer-guitarist Ray White and keyboardist/violinist Eddie Jobson. In December 1976, Zappa appeared as a featured musical guest on the NBC television show Saturday Night Live. Zappa's song \"I'm the Slime\" was performed with a voice-over by SNL booth announcer Don Pardo, who also introduced \"Peaches En Regalia\" on the same airing. In 1978, Zappa served both as host and musical act on the show, and as an actor in various sketches.", "In 1978, Zappa served both as host and musical act on the show, and as an actor in various sketches. The performances included an impromptu musical collaboration with cast member John Belushi during the instrumental piece \"The Purple Lagoon\". Belushi appeared as his Samurai Futaba character playing the tenor sax with Zappa conducting. Zappa's band had a series of Christmas shows in New York City in 1976, recordings of which appear on Zappa in New York (1978) and also on the four-LP Läther project.", "Zappa's band had a series of Christmas shows in New York City in 1976, recordings of which appear on Zappa in New York (1978) and also on the four-LP Läther project. The band included Ruth Underwood and a horn section (featuring Michael and Randy Brecker). It mixes complex instrumentals such as \"The Black Page\" and humorous songs like \"Titties and Beer\".", "It mixes complex instrumentals such as \"The Black Page\" and humorous songs like \"Titties and Beer\". The former composition, written originally for drum kit but later developed for larger bands, is notorious for its complexity in rhythmic structure and short, densely arranged passages. Zappa in New York also featured a song about sex criminal Michael H. Kenyon, \"The Illinois Enema Bandit\", in which Don Pardo provides the opening narrative.", "Zappa in New York also featured a song about sex criminal Michael H. Kenyon, \"The Illinois Enema Bandit\", in which Don Pardo provides the opening narrative. Like many songs on the album, it contained numerous sexual references, leading to many critics objecting and being offended by the content. Zappa dismissed the criticism by noting that he was a journalist reporting on life as he saw it.", "Zappa dismissed the criticism by noting that he was a journalist reporting on life as he saw it. Predating his later fight against censorship, he remarked: \"What do you make of a society that is so primitive that it clings to the belief that certain words in its language are so powerful that they could corrupt you the moment you hear them?\" The remaining albums released by Warner without Zappa's approval were Studio Tan in 1978 and Sleep Dirt and Orchestral Favorites in 1979.", "The remaining albums released by Warner without Zappa's approval were Studio Tan in 1978 and Sleep Dirt and Orchestral Favorites in 1979. These releases were largely overlooked in midst of the press about Zappa's legal problems. Zappa Records label Zappa released two of his most important projects in 1979. These were the best-selling album of his career, Sheik Yerbouti, and what author Kelley Lowe called the \"bona fide masterpiece\", Joe's Garage.", "These were the best-selling album of his career, Sheik Yerbouti, and what author Kelley Lowe called the \"bona fide masterpiece\", Joe's Garage. The double album Sheik Yerbouti appeared in March 1979 and was the first release to appear on Zappa Records. It contained the Grammy-nominated single \"Dancin' Fool\", which reached No. 45 on the Billboard charts.", "45 on the Billboard charts. 45 on the Billboard charts. It also contained \"Jewish Princess\", which received attention when a Jewish group, the Anti-Defamation League (ADL), attempted to prevent the song from receiving radio airplay due to its alleged anti-Semitic lyrics. Zappa vehemently denied any anti-Semitic sentiments, and dismissed the ADL as a \"noisemaking organization that tries to apply pressure on people in order to manufacture a stereotype image of Jews that suits their idea of a good time.\"", "Zappa vehemently denied any anti-Semitic sentiments, and dismissed the ADL as a \"noisemaking organization that tries to apply pressure on people in order to manufacture a stereotype image of Jews that suits their idea of a good time.\" The album's commercial success was attributable in part to \"Bobby Brown\".", "The album's commercial success was attributable in part to \"Bobby Brown\". Due to its explicit lyrics about a young man's encounter with a \"dyke by the name of Freddie\", the song did not get airplay in the U.S., but it topped the charts in several European countries where English is not the primary language. Joe's Garage initially had to be released in two parts.", "Joe's Garage initially had to be released in two parts. The first was a single LP Joe's Garage Act I in September 1979, followed by a double LP Joe's Garage Acts II and III in November 1979.", "The first was a single LP Joe's Garage Act I in September 1979, followed by a double LP Joe's Garage Acts II and III in November 1979. The albums feature singer Ike Willis as lead character \"Joe\" in a rock opera about the danger of political systems, the suppression of freedom of speech and music—inspired in part by the 1979 Islamic Iranian revolution that had made music illegal—and about the \"strange relationship Americans have with sex and sexual frankness\".", "The albums feature singer Ike Willis as lead character \"Joe\" in a rock opera about the danger of political systems, the suppression of freedom of speech and music—inspired in part by the 1979 Islamic Iranian revolution that had made music illegal—and about the \"strange relationship Americans have with sex and sexual frankness\". The first act contains the song \"Catholic Girls\" (a riposte to the controversies of \"Jewish Princess\"), and the title track, which was also released as a single.", "The first act contains the song \"Catholic Girls\" (a riposte to the controversies of \"Jewish Princess\"), and the title track, which was also released as a single. The second and third acts have extended guitar improvisations, which were recorded live, then combined with studio backing tracks. Zappa described this process as xenochrony.", "Zappa described this process as xenochrony. Zappa described this process as xenochrony. In this period the band included drummer Vinnie Colaiuta (with whom Zappa had a particularly strong musical rapport) Joe's Garage contains one of Zappa's most famous guitar \"signature pieces\", \"Watermelon in Easter Hay\". This work later appeared as a three-LP, or two-CD set. On December 21, 1979, Zappa's movie Baby Snakes premiered in New York.", "On December 21, 1979, Zappa's movie Baby Snakes premiered in New York. The movie's tagline was \"A movie about people who do stuff that is not normal\". The 2 hour and 40 minutes movie was based on footage from concerts in New York around Halloween 1977, with a band featuring keyboardist Tommy Mars and percussionist Ed Mann (who would both return on later tours) as well as guitarist Adrian Belew.", "The 2 hour and 40 minutes movie was based on footage from concerts in New York around Halloween 1977, with a band featuring keyboardist Tommy Mars and percussionist Ed Mann (who would both return on later tours) as well as guitarist Adrian Belew. It also contained several extraordinary sequences of clay animation by Bruce Bickford who had earlier provided animation sequences to Zappa for a 1974 TV special (which became available on the 1982 video The Dub Room Special).", "It also contained several extraordinary sequences of clay animation by Bruce Bickford who had earlier provided animation sequences to Zappa for a 1974 TV special (which became available on the 1982 video The Dub Room Special). The movie did not do well in theatrical distribution, but won the Premier Grand Prix at the First International Music Festival in Paris in 1981. 1980s–1990s Zappa cut ties with Phonogram after the distributor refused to release his song \"I Don't Wanna Get Drafted\", which was recorded in February 1980.", "1980s–1990s Zappa cut ties with Phonogram after the distributor refused to release his song \"I Don't Wanna Get Drafted\", which was recorded in February 1980. The single was released independently by Zappa in the United States and was picked up by CBS Records internationally. After spending much of 1980 on the road, Zappa released Tinsel Town Rebellion in 1981. It was the first release on his own Barking Pumpkin Records, and it contains songs taken from a 1979 tour, one studio track and material from the 1980 tours.", "It was the first release on his own Barking Pumpkin Records, and it contains songs taken from a 1979 tour, one studio track and material from the 1980 tours. The album is a mixture of complicated instrumentals and Zappa's use of sprechstimme (speaking song or voice)—a compositional technique utilized by such composers as Arnold Schoenberg and Alban Berg—showcasing some of the most accomplished bands Zappa ever had (mostly featuring drummer Vinnie Colaiuta).", "The album is a mixture of complicated instrumentals and Zappa's use of sprechstimme (speaking song or voice)—a compositional technique utilized by such composers as Arnold Schoenberg and Alban Berg—showcasing some of the most accomplished bands Zappa ever had (mostly featuring drummer Vinnie Colaiuta). While some lyrics still raised controversy among critics, some of whom found them sexist, the political and sociological satire in songs like the title track and \"The Blue Light\" have been described as a \"hilarious critique of the willingness of the American people to believe anything\".", "While some lyrics still raised controversy among critics, some of whom found them sexist, the political and sociological satire in songs like the title track and \"The Blue Light\" have been described as a \"hilarious critique of the willingness of the American people to believe anything\". The album is also notable for the presence of guitarist Steve Vai, who joined Zappa's touring band in late 1980. The same year the double album You Are What You Is was released.", "The same year the double album You Are What You Is was released. Most of it was recorded in Zappa's brand new Utility Muffin Research Kitchen (UMRK) studios, which were located at his house, thereby giving him complete freedom in his work. The album included one complex instrumental, \"Theme from the 3rd Movement of Sinister Footwear\", but mainly consisted of rock songs with Zappa's sardonic social commentary—satirical lyrics directed at teenagers, the media, and religious and political hypocrisy.", "The album included one complex instrumental, \"Theme from the 3rd Movement of Sinister Footwear\", but mainly consisted of rock songs with Zappa's sardonic social commentary—satirical lyrics directed at teenagers, the media, and religious and political hypocrisy. \"Dumb All Over\" is a tirade on religion, as is \"Heavenly Bank Account\", wherein Zappa rails against TV evangelists such as Jerry Falwell and Pat Robertson for their purported influence on the U.S. administration as well as their use of religion as a means of raising money.", "\"Dumb All Over\" is a tirade on religion, as is \"Heavenly Bank Account\", wherein Zappa rails against TV evangelists such as Jerry Falwell and Pat Robertson for their purported influence on the U.S. administration as well as their use of religion as a means of raising money. Songs like \"Society Pages\" and \"I'm a Beautiful Guy\" show Zappa's dismay with the Reagan era and its \"obscene pursuit of wealth and happiness\".", "Songs like \"Society Pages\" and \"I'm a Beautiful Guy\" show Zappa's dismay with the Reagan era and its \"obscene pursuit of wealth and happiness\". Zappa made his only music video for a song from this album - \"You Are What You Is\" - directed by Jerry Watson, produced by Paul Flattery. It was banned from MTV. Zappa's management relationship with Bennett Glotzer ended in 1984. From then on Gail acted as co-manager with Frank of all his business interests.", "From then on Gail acted as co-manager with Frank of all his business interests. In 1981, Zappa also released three instrumental albums, Shut Up 'n Play Yer Guitar, Shut Up 'N Play Yer Guitar Some More, and The Return of the Son of Shut Up 'N Play Yer Guitar, which were initially sold via mail order, but later released through CBS Records (now Sony Music Entertainment) due to popular demand.", "In 1981, Zappa also released three instrumental albums, Shut Up 'n Play Yer Guitar, Shut Up 'N Play Yer Guitar Some More, and The Return of the Son of Shut Up 'N Play Yer Guitar, which were initially sold via mail order, but later released through CBS Records (now Sony Music Entertainment) due to popular demand. The albums focus exclusively on Frank Zappa as a guitar soloist, and the tracks are predominantly live recordings from 1979 to 1980; they highlight Zappa's improvisational skills with \"beautiful performances from the backing group as well\".", "The albums focus exclusively on Frank Zappa as a guitar soloist, and the tracks are predominantly live recordings from 1979 to 1980; they highlight Zappa's improvisational skills with \"beautiful performances from the backing group as well\". Another guitar-only album, Guitar, was released in 1988, and a third, Trance-Fusion, which Zappa completed shortly before his death, was released in 2006. Zappa later expanded on his television appearances in a non-musical role.", "Zappa later expanded on his television appearances in a non-musical role. He was an actor or voice artist in episodes of Shelley Duvall's Faerie Tale Theatre, Miami Vice and The Ren & Stimpy Show. A voice part in The Simpsons never materialized, to creator Matt Groening's disappointment (Groening was a neighbor of Zappa and a lifelong fan).", "A voice part in The Simpsons never materialized, to creator Matt Groening's disappointment (Groening was a neighbor of Zappa and a lifelong fan). \"Valley Girl\" and classical performances In May 1982, Zappa released Ship Arriving Too Late to Save a Drowning Witch, which featured his biggest selling single ever, the Grammy Award-nominated song \"Valley Girl\" (topping out at No. 32 on the Billboard charts).", "32 on the Billboard charts). 32 on the Billboard charts). In her improvised lyrics to the song, Zappa's daughter Moon satirized the patois of teenage girls from the San Fernando Valley, which popularized many \"Valspeak\" expressions such as \"gag me with a spoon\", \"fer sure, fer sure\", \"grody to the max\", and \"barf out\". In 1983, two different projects were released, beginning with The Man from Utopia, a rock-oriented work.", "In 1983, two different projects were released, beginning with The Man from Utopia, a rock-oriented work. The album is eclectic, featuring the vocal-led \"Dangerous Kitchen\" and \"The Jazz Discharge Party Hats\", both continuations of the sprechstimme excursions on Tinseltown Rebellion. The second album, London Symphony Orchestra, Vol. I, contained orchestral Zappa compositions conducted by Kent Nagano and performed by the London Symphony Orchestra (LSO). A second record of these sessions, London Symphony Orchestra, Vol.", "A second record of these sessions, London Symphony Orchestra, Vol. II was released in 1987. The material was recorded under a tight schedule with Zappa providing all funding, helped by the commercial success of \"Valley Girl\". Zappa was not satisfied with the LSO recordings. One reason is \"Strictly Genteel\", which was recorded after the trumpet section had been out for drinks on a break: the track took 40 edits to hide out-of-tune notes.", "One reason is \"Strictly Genteel\", which was recorded after the trumpet section had been out for drinks on a break: the track took 40 edits to hide out-of-tune notes. Conductor Nagano, who was pleased with the experience, noted that \"in fairness to the orchestra, the music is humanly very, very difficult\". Some reviews noted that the recordings were the best representation of Zappa's orchestral work so far.", "Some reviews noted that the recordings were the best representation of Zappa's orchestral work so far. In 1984 Zappa teamed again with Nagano and the Berkeley Symphony Orchestra for a live performance of A Zappa Affair with augmented orchestra, life-size puppets, and moving stage sets. Although critically acclaimed the work was a financial failure, and only performed twice. Zappa was invited by conference organizer Thomas Wells to be the keynote speaker at the American Society of University Composers at the Ohio State University.", "Zappa was invited by conference organizer Thomas Wells to be the keynote speaker at the American Society of University Composers at the Ohio State University. It was there Zappa delivered his famous \"Bingo! There Goes Your Tenure\" address, and had two of his orchestra pieces, \"Dupree's Paradise\" and \"Naval Aviation in Art?\" performed by the Columbus Symphony and ProMusica Chamber Orchestra of Columbus.", "performed by the Columbus Symphony and ProMusica Chamber Orchestra of Columbus. Synclavier For the remainder of his career, much of Zappa's work was influenced by his use of the Synclavier, an early digital synthesizer, as a compositional and performance tool. According to Zappa, \"With the Synclavier, any group of imaginary instruments can be invited to play the most difficult passages ... with one-millisecond accuracy—every time\". Even though it essentially did away with the need for musicians, Zappa viewed the Synclavier and real-life musicians as separate.", "Even though it essentially did away with the need for musicians, Zappa viewed the Synclavier and real-life musicians as separate. In 1984, he released four albums. Boulez Conducts Zappa: The Perfect Stranger contains orchestral works commissioned and conducted by celebrated conductor, composer and pianist Pierre Boulez (who was listed as an influence on Freak Out! ), and performed by his Ensemble InterContemporain. These were juxtaposed with premiere Synclavier pieces.", "These were juxtaposed with premiere Synclavier pieces. These were juxtaposed with premiere Synclavier pieces. Again, Zappa was not satisfied with the performances of his orchestral works, regarding them as under-rehearsed, but in the album liner notes he respectfully thanks Boulez's demands for precision. The Synclavier pieces stood in contrast to the orchestral works, as the sounds were electronically generated and not, as became possible shortly thereafter, sampled.", "The Synclavier pieces stood in contrast to the orchestral works, as the sounds were electronically generated and not, as became possible shortly thereafter, sampled. The album Thing-Fish was an ambitious three-record set in the style of a Broadway play dealing with a dystopian \"what-if\" scenario involving feminism, homosexuality, manufacturing and distribution of the AIDS virus, and a eugenics program conducted by the United States government. New vocals were combined with previously released tracks and new Synclavier music; \"the work is an extraordinary example of bricolage\".", "New vocals were combined with previously released tracks and new Synclavier music; \"the work is an extraordinary example of bricolage\". Francesco Zappa, a Synclavier rendition of works by 18th-century composer Francesco Zappa, was also released in 1984. Merchandising Zappa’s mail-order merchandise business Barfko-Swill was run by Gerry Fialka, who also worked for Zappa as archivist and production assistant from 1983 to 1993 and answered the phone for Zappa’s Barking Pumpkin Records hotline.", "Merchandising Zappa’s mail-order merchandise business Barfko-Swill was run by Gerry Fialka, who also worked for Zappa as archivist and production assistant from 1983 to 1993 and answered the phone for Zappa’s Barking Pumpkin Records hotline. Fialka appears giving a tour of Barfko-Swill in the 1987 VHS release (but not the original 1979 film release) of Zappa's film Baby Snakes. He is credited on-screen as \"GERALD FIALKA Cool Guy Who Wraps Stuff So It Doesn't Break\".", "He is credited on-screen as \"GERALD FIALKA Cool Guy Who Wraps Stuff So It Doesn't Break\". A short clip of this tour is also included in the 2020 documentary film Zappa. Digital medium and last tour Around 1986, Zappa undertook a comprehensive re-release program of his earlier vinyl recordings. He personally oversaw the remastering of all his 1960s, 1970s and early 1980s albums for the new digital compact disc medium. Certain aspects of these re-issues were criticized by some fans as being unfaithful to the original recordings.", "Certain aspects of these re-issues were criticized by some fans as being unfaithful to the original recordings. Nearly twenty years before the advent of online music stores, Zappa had proposed to replace \"phonographic record merchandising\" of music by \"direct digital-to-digital transfer\" through phone or cable TV (with royalty payments and consumer billing automatically built into the accompanying software). In 1989, Zappa considered his idea a \"miserable flop\".", "In 1989, Zappa considered his idea a \"miserable flop\". The album Jazz from Hell, released in 1986, earned Zappa his first Grammy Award in 1988 for Best Rock Instrumental Performance. Except for one live guitar solo (\"St. Etienne\"), the album exclusively featured compositions brought to life by the Synclavier.", "Except for one live guitar solo (\"St. Etienne\"), the album exclusively featured compositions brought to life by the Synclavier. Zappa's last tour in a rock and jazz band format took place in 1988 with a 12-piece group which had a repertoire of over 100 (mostly Zappa) compositions, but which split under acrimonious circumstances before the tour was completed.", "Zappa's last tour in a rock and jazz band format took place in 1988 with a 12-piece group which had a repertoire of over 100 (mostly Zappa) compositions, but which split under acrimonious circumstances before the tour was completed. The tour was documented on the albums Broadway the Hard Way (new material featuring songs with strong political emphasis); The Best Band You Never Heard in Your Life (Zappa \"standards\" and an eclectic collection of cover tunes, ranging from Maurice Ravel's Boléro to Led Zeppelin's Stairway to Heaven to The Beatles' I Am The Walrus); and also, Make a Jazz Noise Here.", "The tour was documented on the albums Broadway the Hard Way (new material featuring songs with strong political emphasis); The Best Band You Never Heard in Your Life (Zappa \"standards\" and an eclectic collection of cover tunes, ranging from Maurice Ravel's Boléro to Led Zeppelin's Stairway to Heaven to The Beatles' I Am The Walrus); and also, Make a Jazz Noise Here. Parts are also found on You Can't Do That on Stage Anymore, volumes 4 and 6.", "Parts are also found on You Can't Do That on Stage Anymore, volumes 4 and 6. Recordings from this tour also appear on the 2006 album Trance-Fusion. Health deterioration In 1990, Zappa was diagnosed with terminal prostate cancer. The disease had been developing unnoticed for years and was considered inoperable. After the diagnosis, Zappa devoted most of his energy to modern orchestral and Synclavier works. Shortly before his death in 1993 he completed Civilization Phaze III, a major Synclavier work which he had begun in the 1980s.", "Shortly before his death in 1993 he completed Civilization Phaze III, a major Synclavier work which he had begun in the 1980s. In 1991, Zappa was chosen to be one of four featured composers at the Frankfurt Festival in 1992 (the others were John Cage, Karlheinz Stockhausen, and Alexander Knaifel). Zappa was approached by the German chamber ensemble Ensemble Modern which was interested in playing his music for the event. Although ill, he invited them to Los Angeles for rehearsals of new compositions and new arrangements of older material.", "Although ill, he invited them to Los Angeles for rehearsals of new compositions and new arrangements of older material. Zappa also got along with the musicians, and the concerts in Germany and Austria were set up for later in the year.", "Zappa also got along with the musicians, and the concerts in Germany and Austria were set up for later in the year. Zappa also performed in 1991 in Prague, claiming that \"was the first time that he had a reason to play his guitar in 3 years\", and that that moment was just \"the beginning of a new country\", and asked the public to \"try to keep your country unique, do not change it into something else\".", "Zappa also performed in 1991 in Prague, claiming that \"was the first time that he had a reason to play his guitar in 3 years\", and that that moment was just \"the beginning of a new country\", and asked the public to \"try to keep your country unique, do not change it into something else\". In September 1992, the concerts went ahead as scheduled but Zappa could only appear at two in Frankfurt due to illness.", "In September 1992, the concerts went ahead as scheduled but Zappa could only appear at two in Frankfurt due to illness. At the first concert, he conducted the opening \"Overture\", and the final \"G-Spot Tornado\" as well as the theatrical \"Food Gathering in Post-Industrial America, 1992\" and \"Welcome to the United States\" (the remainder of the program was conducted by the ensemble's regular conductor Peter Rundel). Zappa received a 20-minute ovation. G-Spot Tornado was performed with Canadian dancer Louise Lecavalier.", "G-Spot Tornado was performed with Canadian dancer Louise Lecavalier. G-Spot Tornado was performed with Canadian dancer Louise Lecavalier. It was Zappa's last professional public appearance as the cancer was spreading to such an extent that he was in too much pain to enjoy an event that he otherwise found \"exhilarating\". Recordings from the concerts appeared on The Yellow Shark (1993), Zappa's last release during his lifetime, and some material from studio rehearsals appeared on the posthumous Everything Is Healing Nicely (1999).", "Recordings from the concerts appeared on The Yellow Shark (1993), Zappa's last release during his lifetime, and some material from studio rehearsals appeared on the posthumous Everything Is Healing Nicely (1999). Death Zappa died from prostate cancer on December 4, 1993, 17 days before his 53rd birthday at his home with his wife and children by his side. At a private ceremony the following day, his body was buried in a grave at the Westwood Village Memorial Park Cemetery, in Los Angeles.", "At a private ceremony the following day, his body was buried in a grave at the Westwood Village Memorial Park Cemetery, in Los Angeles. The grave is unmarked. On December 6, his family publicly announced that \"Composer Frank Zappa left for his final tour just before 6:00 pm on Saturday\".", "On December 6, his family publicly announced that \"Composer Frank Zappa left for his final tour just before 6:00 pm on Saturday\". Musical style and development Genres The general phases of Zappa's music have been variously categorized under experimental rock, jazz, classical, avant-pop, experimental pop, comedy rock, doo-wop, jazz fusion, progressive rock, proto-prog, avant-jazz, and psychedelic rock.", "Musical style and development Genres The general phases of Zappa's music have been variously categorized under experimental rock, jazz, classical, avant-pop, experimental pop, comedy rock, doo-wop, jazz fusion, progressive rock, proto-prog, avant-jazz, and psychedelic rock. Influences Zappa grew up influenced by avant-garde composers such as Edgard Varèse, Igor Stravinsky, and Anton Webern; 1950s blues artists Clarence \"Gatemouth\" Brown, Guitar Slim, Howlin' Wolf, Johnny \"Guitar\" Watson, and B.B.", "Influences Zappa grew up influenced by avant-garde composers such as Edgard Varèse, Igor Stravinsky, and Anton Webern; 1950s blues artists Clarence \"Gatemouth\" Brown, Guitar Slim, Howlin' Wolf, Johnny \"Guitar\" Watson, and B.B. King; Egyptian composer Halim El-Dabh; R&B and doo-wop groups (particularly local pachuco groups); and modern jazz.", "King; Egyptian composer Halim El-Dabh; R&B and doo-wop groups (particularly local pachuco groups); and modern jazz. His own heterogeneous ethnic background, and the diverse social and cultural mix in and around greater Los Angeles, were crucial in the formation of Zappa as a practitioner of underground music and of his later distrustful and openly critical attitude towards \"mainstream\" social, political and musical movements. He frequently lampooned musical fads like psychedelia, rock opera and disco.", "He frequently lampooned musical fads like psychedelia, rock opera and disco. Television also exerted a strong influence, as demonstrated by quotations from show themes and advertising jingles found in his later works. In his book The Real Frank Zappa Book, Frank credited composer Spike Jones for Zappa's frequent use of funny sound effects, mouth noises, and humorous percussion interjections. After explaining his ideas on this, he said \"I owe this part of my musical existence to Spike Jones.\"", "After explaining his ideas on this, he said \"I owe this part of my musical existence to Spike Jones.\" Project/Object Zappa's albums make extensive use of segued tracks, breaklessly joining the elements of his albums. His total output is unified by a conceptual continuity he termed \"Project/Object\", with numerous musical phrases, ideas, and characters reappearing across his albums. He also called it a \"conceptual continuity\", meaning that any project or album was part of a larger project.", "He also called it a \"conceptual continuity\", meaning that any project or album was part of a larger project. Everything was connected, and musical themes and lyrics reappeared in different form on later albums. Conceptual continuity clues are found throughout Zappa's entire œuvre. Techniques Guitar playing Zappa is widely recognized as one of the most significant electric guitar soloists.", "Techniques Guitar playing Zappa is widely recognized as one of the most significant electric guitar soloists. In a 1983 issue of Guitar World, John Swenson declared: \"the fact of the matter is that [Zappa] is one of the greatest guitarists we have and is sorely unappreciated as such.\" His idiosyncratic style developed gradually and was mature by the early 1980s, by which time his live performances featured lengthy improvised solos during many songs.", "His idiosyncratic style developed gradually and was mature by the early 1980s, by which time his live performances featured lengthy improvised solos during many songs. A November 2016 feature by the editors of Guitar Player magazine wrote: \"Brimming with sophisticated motifs and convoluted rhythms, Zappa's extended excursions are more akin to symphonies than they are to guitar solos.\" The symphonic comparison stems from his habit of introducing melodic themes that, like a symphony's main melodies, were repeated with variations throughout his solos.", "The symphonic comparison stems from his habit of introducing melodic themes that, like a symphony's main melodies, were repeated with variations throughout his solos. He was further described as using a wide variety of scales and modes, enlivened by \"unusual rhythmic combinations\". His left hand was capable of smooth legato technique, while Zappa's right was \"one of the fastest pick hands in the business.\"", "His left hand was capable of smooth legato technique, while Zappa's right was \"one of the fastest pick hands in the business.\" In 2016, Dweezil Zappa explained a distinctive element of his father's guitar improvisation technique was relying heavily on upstrokes much more than many other guitarists, who are more likely to use downstrokes with their picking.", "In 2016, Dweezil Zappa explained a distinctive element of his father's guitar improvisation technique was relying heavily on upstrokes much more than many other guitarists, who are more likely to use downstrokes with their picking. His song \"Outside Now\" from Joe's Garage poked fun at the negative reception of Zappa's guitar technique by those more commercially minded, as the song's narrator lives in a world where music is outlawed and he imagines \"imaginary guitar notes that would irritate/An executive kind of guy\", lyrics that are followed by one of Zappa's characteristically quirky solos in 11/8 time.", "His song \"Outside Now\" from Joe's Garage poked fun at the negative reception of Zappa's guitar technique by those more commercially minded, as the song's narrator lives in a world where music is outlawed and he imagines \"imaginary guitar notes that would irritate/An executive kind of guy\", lyrics that are followed by one of Zappa's characteristically quirky solos in 11/8 time. Zappa transcriptionist Kasper Sloots wrote, \"Zappa's guitar solos aren't meant to show off technically (Zappa hasn't claimed to be a big virtuoso on the instrument), but for the pleasure it gives trying to build a composition right in front of an audience without knowing what the outcome will be.\"", "Zappa transcriptionist Kasper Sloots wrote, \"Zappa's guitar solos aren't meant to show off technically (Zappa hasn't claimed to be a big virtuoso on the instrument), but for the pleasure it gives trying to build a composition right in front of an audience without knowing what the outcome will be.\" Zappa's guitar style was not without its critics.", "Zappa's guitar style was not without its critics. Zappa's guitar style was not without its critics. English guitarist and bandleader John McLaughlin, whose band Mahavishnu Orchestra toured with the Mothers of Invention in 1973, opined that Zappa was \"very interesting as a human being and a very interesting composer\" and that he \"was a very good musician but he was a dictator in his band,\" and that he \"was taking very long guitar solos [when performing live]– 10–15 minute guitar solos and really he should have taken two or three minute guitar solos, because they were a little bit boring.\"", "English guitarist and bandleader John McLaughlin, whose band Mahavishnu Orchestra toured with the Mothers of Invention in 1973, opined that Zappa was \"very interesting as a human being and a very interesting composer\" and that he \"was a very good musician but he was a dictator in his band,\" and that he \"was taking very long guitar solos [when performing live]– 10–15 minute guitar solos and really he should have taken two or three minute guitar solos, because they were a little bit boring.\" In 2000, he was ranked number 36 on VH1's 100 Greatest Artists of Hard Rock.", "In 2000, he was ranked number 36 on VH1's 100 Greatest Artists of Hard Rock. In 2004, Rolling Stone magazine ranked him at number 71 on its list of the \"100 Greatest Artists of All Time\", and in 2011 at number 22 on its list of the \"100 Greatest Guitarists of All Time\". Tape manipulation In New York, Zappa increasingly used tape editing as a compositional tool.", "Tape manipulation In New York, Zappa increasingly used tape editing as a compositional tool. A prime example is found on the double album Uncle Meat (1969), where the track \"King Kong\" is edited from various studio and live performances. Zappa had begun regularly recording concerts, and because of his insistence on precise tuning and timing, he was able to augment his studio productions with excerpts from live shows, and vice versa.", "Zappa had begun regularly recording concerts, and because of his insistence on precise tuning and timing, he was able to augment his studio productions with excerpts from live shows, and vice versa. Later, he combined recordings of different compositions into new pieces, irrespective of the tempo or meter of the sources. He dubbed this process \"xenochrony\" (strange synchronizations)—reflecting the Greek \"xeno\" (alien or strange) and \"chronos\" (time). Personal life Zappa was married to Kathryn J.", "Personal life Zappa was married to Kathryn J. Personal life Zappa was married to Kathryn J. \"Kay\" Sherman from 1960 to 1963. In 1967, he married Adelaide Gail Sloatman. He and his second wife had four children: Moon, Dweezil, Ahmet, and Diva. Following Zappa's death, his widow Gail created the Zappa Family Trust, which owns the rights to Zappa's music and some other creative output: more than 60 albums were released during Zappa's lifetime and 40 posthumously.", "Following Zappa's death, his widow Gail created the Zappa Family Trust, which owns the rights to Zappa's music and some other creative output: more than 60 albums were released during Zappa's lifetime and 40 posthumously. Upon Gail's death in October 2015, the Zappa children received shares of the trust; Ahmet and Diva received 30% each, Moon and Dweezil received 20% each.", "Upon Gail's death in October 2015, the Zappa children received shares of the trust; Ahmet and Diva received 30% each, Moon and Dweezil received 20% each. Beliefs and politics Drugs Zappa stated, \"Drugs do not become a problem until the person who uses the drugs does something to you, or does something that would affect your life that you don't want to have happen to you, like an airline pilot who crashes because he was full of drugs.\"", "Beliefs and politics Drugs Zappa stated, \"Drugs do not become a problem until the person who uses the drugs does something to you, or does something that would affect your life that you don't want to have happen to you, like an airline pilot who crashes because he was full of drugs.\" Zappa was a heavy tobacco smoker for most of his life, and strongly critical of anti-tobacco campaigns.", "Zappa was a heavy tobacco smoker for most of his life, and strongly critical of anti-tobacco campaigns. While he disapproved of drug use, he criticized the War on Drugs, comparing it to alcohol prohibition, and stated that the United States Treasury would benefit from the decriminalization and regulation of drugs. Describing his philosophical views, Zappa stated, \"I believe that people have a right to decide their own destinies; people own themselves.", "Describing his philosophical views, Zappa stated, \"I believe that people have a right to decide their own destinies; people own themselves. I also believe that, in a democracy, government exists because (and only so long as) individual citizens give it a 'temporary license to exist'—in exchange for a promise that it will behave itself. In a democracy, you own the government—it doesn't own you.\"", "In a democracy, you own the government—it doesn't own you.\" Government and religion In a 1991 interview, Zappa reported that he was a registered Democrat but added \"that might not last long—I'm going to shred that\". Describing his political views, Zappa categorized himself as a \"practical conservative\".", "Describing his political views, Zappa categorized himself as a \"practical conservative\". He favored limited government and low taxes; he also stated that he approved of national defense, social security, and other federal programs, but only if recipients of such programs are willing and able to pay for them. He favored capitalism, entrepreneurship, and independent business, stating that musicians could make more from owning their own businesses than from collecting royalties.", "He favored capitalism, entrepreneurship, and independent business, stating that musicians could make more from owning their own businesses than from collecting royalties. He opposed communism, stating, \"A system that doesn't allow ownership ... has—to put it mildly—a fatal design flaw.\" He had always encouraged his fans to register to vote on album covers, and throughout 1988 he had registration booths at his concerts. He even considered running for president of the United States as an independent. Zappa was an atheist.", "Zappa was an atheist. Zappa was an atheist. He recalled his parents being \"pretty religious\" and trying to make him go to Catholic school despite his resentment. He felt disgust towards organized religion (Christianity in particular) because he believed that it promoted ignorance and anti-intellectualism. He held the view that the Garden of Eden story shows that the essence of Christianity is to oppose gaining knowledge.", "He held the view that the Garden of Eden story shows that the essence of Christianity is to oppose gaining knowledge. Some of his songs, concert performances, interviews and public debates in the 1980s criticized and derided Republicans and their policies, President Ronald Reagan, the Strategic Defense Initiative (SDI), televangelism, and the Christian Right, and warned that the United States government was in danger of becoming a \"fascist theocracy\". In early 1990, Zappa visited Czechoslovakia at the request of President Václav Havel.", "In early 1990, Zappa visited Czechoslovakia at the request of President Václav Havel. Havel designated him as Czechoslovakia's \"Special Ambassador to the West on Trade, Culture and Tourism\". Havel was a lifelong fan of Zappa, who had great influence in the avant-garde and underground scene in Central Europe in the 1970s and 1980s (a Czech rock group that was imprisoned in 1976 took its name from Zappa's 1968 song \"Plastic People\"). Under pressure from Secretary of State James Baker, Zappa's posting was withdrawn.", "Under pressure from Secretary of State James Baker, Zappa's posting was withdrawn. Havel made Zappa an unofficial cultural attaché instead. Zappa planned to develop an international consulting enterprise to facilitate trade between the former Eastern Bloc and Western businesses. Anti-censorship Zappa expressed opinions on censorship when he appeared on CNN's Crossfire TV series and debated issues with Washington Times commentator John Lofton in 1986.", "Anti-censorship Zappa expressed opinions on censorship when he appeared on CNN's Crossfire TV series and debated issues with Washington Times commentator John Lofton in 1986. On September 19, 1985, Zappa testified before the United States Senate Commerce, Technology, and Transportation committee, attacking the Parents Music Resource Center or PMRC, a music organization co-founded by Tipper Gore, wife of then-senator Al Gore.", "On September 19, 1985, Zappa testified before the United States Senate Commerce, Technology, and Transportation committee, attacking the Parents Music Resource Center or PMRC, a music organization co-founded by Tipper Gore, wife of then-senator Al Gore. The PMRC consisted of many wives of politicians, including the wives of five members of the committee, and was founded to address the issue of song lyrics with sexual or satanic content.", "The PMRC consisted of many wives of politicians, including the wives of five members of the committee, and was founded to address the issue of song lyrics with sexual or satanic content. During Zappa's testimony, he stated that there was a clear conflict of interest between the PMRC due to the relations of its founders to the politicians who were then trying to pass what he referred to as the \"Blank Tape Tax.\"", "During Zappa's testimony, he stated that there was a clear conflict of interest between the PMRC due to the relations of its founders to the politicians who were then trying to pass what he referred to as the \"Blank Tape Tax.\" Kandy Stroud, a spokeswoman for the PMRC, announced that Senator Gore (who co-founded the committee) was a co-sponsor of that legislation.", "Kandy Stroud, a spokeswoman for the PMRC, announced that Senator Gore (who co-founded the committee) was a co-sponsor of that legislation. Zappa suggested that record labels were trying to get the bill passed quickly through committees, one of which was chaired by Senator Strom Thurmond, who was also affiliated with the PMRC. Zappa further pointed out that this committee was being used as a distraction from that bill being passed, which would lead only to the benefit of a select few in the music industry.", "Zappa further pointed out that this committee was being used as a distraction from that bill being passed, which would lead only to the benefit of a select few in the music industry. Zappa saw their activities as on a path towards censorship and called their proposal for voluntary labelling of records with explicit content \"extortion\" of the music industry.", "Zappa saw their activities as on a path towards censorship and called their proposal for voluntary labelling of records with explicit content \"extortion\" of the music industry. In his prepared statement, he said: The PMRC proposal is an ill-conceived piece of nonsense which fails to deliver any real benefits to children, infringes the civil liberties of people who are not children, and promises to keep the courts busy for years dealing with the interpretational and enforcemental problems inherent in the proposal's design.", "In his prepared statement, he said: The PMRC proposal is an ill-conceived piece of nonsense which fails to deliver any real benefits to children, infringes the civil liberties of people who are not children, and promises to keep the courts busy for years dealing with the interpretational and enforcemental problems inherent in the proposal's design. It is my understanding that, in law, First Amendment issues are decided with a preference for the least restrictive alternative.", "It is my understanding that, in law, First Amendment issues are decided with a preference for the least restrictive alternative. In this context, the PMRC's demands are the equivalent of treating dandruff by decapitation. ... The establishment of a rating system, voluntary or otherwise, opens the door to an endless parade of moral quality control programs based on things certain Christians do not like.", "The establishment of a rating system, voluntary or otherwise, opens the door to an endless parade of moral quality control programs based on things certain Christians do not like. What if the next bunch of Washington wives demands a large yellow \"J\" on all material written or performed by Jews, in order to save helpless children from exposure to concealed Zionist doctrine?", "What if the next bunch of Washington wives demands a large yellow \"J\" on all material written or performed by Jews, in order to save helpless children from exposure to concealed Zionist doctrine? Zappa set excerpts from the PMRC hearings to Synclavier music in his composition \"Porn Wars\" on the 1985 album Frank Zappa Meets the Mothers of Prevention, and the full recording was released in 2010 as Congress Shall Make No Law... Zappa is heard interacting with Senators Fritz Hollings, Slade Gorton and Al Gore.", "Zappa set excerpts from the PMRC hearings to Synclavier music in his composition \"Porn Wars\" on the 1985 album Frank Zappa Meets the Mothers of Prevention, and the full recording was released in 2010 as Congress Shall Make No Law... Zappa is heard interacting with Senators Fritz Hollings, Slade Gorton and Al Gore. Legacy Zappa had a controversial critical standing during his lifetime.", "Legacy Zappa had a controversial critical standing during his lifetime. As Geoffrey Himes noted in 1993 after the artist's death, Zappa was hailed as a genius by conductor Kent Nagano and nominated by Czechoslovakian President Václav Havel to the country's cultural ambassadorship, but he was in his lifetime rejected twice for admission into the Rock and Roll Hall of Fame and been found by critics to lack emotional depth.", "As Geoffrey Himes noted in 1993 after the artist's death, Zappa was hailed as a genius by conductor Kent Nagano and nominated by Czechoslovakian President Václav Havel to the country's cultural ambassadorship, but he was in his lifetime rejected twice for admission into the Rock and Roll Hall of Fame and been found by critics to lack emotional depth. In Christgau's Record Guide: Rock Albums of the Seventies (1981), Robert Christgau dismissed Zappa's music as \"sexist adolescent drivel ... with meters and voicings and key changes that are as hard to play as they are easy to forget.\"", "In Christgau's Record Guide: Rock Albums of the Seventies (1981), Robert Christgau dismissed Zappa's music as \"sexist adolescent drivel ... with meters and voicings and key changes that are as hard to play as they are easy to forget.\" According to Himes: Acclaim and honors The Rolling Stone Album Guide (2004) writes: \"Frank Zappa dabbled in virtually all kinds of music—and, whether guised as a satirical rocker, jazz-rock fusionist, guitar virtuoso, electronics wizard, or orchestral innovator, his eccentric genius was undeniable.\"", "According to Himes: Acclaim and honors The Rolling Stone Album Guide (2004) writes: \"Frank Zappa dabbled in virtually all kinds of music—and, whether guised as a satirical rocker, jazz-rock fusionist, guitar virtuoso, electronics wizard, or orchestral innovator, his eccentric genius was undeniable.\" Even though his work drew inspiration from many different genres, Zappa was seen as establishing a coherent and personal expression.", "Even though his work drew inspiration from many different genres, Zappa was seen as establishing a coherent and personal expression. In 1971, biographer David Walley noted that \"The whole structure of his music is unified, not neatly divided by dates or time sequences and it is all building into a composite\". On commenting on Zappa's music, politics and philosophy, Barry Miles noted in 2004 that they cannot be separated: \"It was all one; all part of his 'conceptual continuity'.\"", "On commenting on Zappa's music, politics and philosophy, Barry Miles noted in 2004 that they cannot be separated: \"It was all one; all part of his 'conceptual continuity'.\" Guitar Player devoted a special issue to Zappa in 1992, and asked on the cover \"Is FZ America's Best Kept Musical Secret?\" Editor Don Menn remarked that the issue was about \"The most important composer to come out of modern popular music\".", "Editor Don Menn remarked that the issue was about \"The most important composer to come out of modern popular music\". Among those contributing to the issue was composer and musicologist Nicolas Slonimsky, who conducted premiere performances of works of Ives and Varèse in the 1930s. He became friends with Zappa in the 1980s, and said, \"I admire everything Frank does, because he practically created the new musical millennium. He does beautiful, beautiful work ...", "He does beautiful, beautiful work ... He does beautiful, beautiful work ... It has been my luck to have lived to see the emergence of this totally new type of music.\" Conductor Kent Nagano remarked in the same issue that \"Frank is a genius. That's a word I don't use often ... In Frank's case it is not too strong ... He is extremely literate musically. I'm not sure if the general public knows that.\"", "I'm not sure if the general public knows that.\" Pierre Boulez told Musician magazine's posthumous Zappa tribute article that Zappa \"was an exceptional figure because he was part of the worlds of rock and classical music and that both types of his work would survive.\" In 1994, jazz magazine DownBeats critics poll placed Zappa in its Hall of Fame. Zappa was posthumously inducted into the Rock and Roll Hall of Fame in 1995.", "Zappa was posthumously inducted into the Rock and Roll Hall of Fame in 1995. There, it was written that \"Frank Zappa was rock and roll's sharpest musical mind and most astute social critic. He was the most prolific composer of his age, and he bridged genres—rock, jazz, classical, avant-garde and even novelty music—with masterful ease\". He was ranked number 36 on VH1's 100 Greatest Artists of Hard Rock in 2000.", "He was ranked number 36 on VH1's 100 Greatest Artists of Hard Rock in 2000. In 2005, the U.S. National Recording Preservation Board included We're Only in It for the Money in the National Recording Registry as \"Frank Zappa's inventive and iconoclastic album presents a unique political stance, both anti-conservative and anti-counterculture, and features a scathing satire on hippiedom and America's reactions to it\". The same year, Rolling Stone magazine ranked him at No. 71 on its list of the 100 Greatest Artists of All Time.", "71 on its list of the 100 Greatest Artists of All Time. In 2011, he was ranked at No. 22 on the list of the 100 Greatest Guitarists of All Time by the same magazine. In 2016, Guitar World magazine placed Zappa atop of its list \"15 of the best progressive rock guitarists through the years.\" The street of Partinico where his father lived at number 13, Via Zammatà, has been renamed to Via Frank Zappa.", "The street of Partinico where his father lived at number 13, Via Zammatà, has been renamed to Via Frank Zappa. Since his death, several musicians have been considered by critics as filling the artistic niche left behind by Zappa, in view of their prolific output, eclecticism and other qualities, including Devin Townsend, Mike Patton and Omar Rodríguez-López. Grammy Awards In the course of his career, Zappa was nominated for nine competitive Grammy Awards, which resulted in two wins (one posthumous).", "Grammy Awards In the course of his career, Zappa was nominated for nine competitive Grammy Awards, which resulted in two wins (one posthumous). In 1998, he received the Grammy Lifetime Achievement Award.", "In 1998, he received the Grammy Lifetime Achievement Award. |- |rowspan=\"2\"| 1980 || \"Rat Tomago\" || Best Rock Instrumental Performance || |- | \"Dancin' Fool\" || Best Male Rock Vocal Performance || |- | 1983 || \"Valley Girl\" || Best Rock Performance by a Duo or Group with Vocal || |- | 1985 || The Perfect Stranger || Best New Classical Composition || |- |rowspan=\"2\"| 1988 || \"Jazz from Hell\" || Best Instrumental Composition || |- | Jazz from Hell ||rowspan=\"2\"| Best Rock Instrumental Performance (Orchestra, Group or Soloist) || |- | 1989 || Guitar || |- | 1990 || Broadway the Hard Way || Best Musical Cast Show Album || |- | 1996 || Civilization Phaze III || Best Recording Package – Boxed || |- | 1998 || Frank Zappa || Lifetime Achievement Award || Artists influenced by Zappa Many musicians, bands and orchestras from diverse genres have been influenced by Zappa's music.", "|- |rowspan=\"2\"| 1980 || \"Rat Tomago\" || Best Rock Instrumental Performance || |- | \"Dancin' Fool\" || Best Male Rock Vocal Performance || |- | 1983 || \"Valley Girl\" || Best Rock Performance by a Duo or Group with Vocal || |- | 1985 || The Perfect Stranger || Best New Classical Composition || |- |rowspan=\"2\"| 1988 || \"Jazz from Hell\" || Best Instrumental Composition || |- | Jazz from Hell ||rowspan=\"2\"| Best Rock Instrumental Performance (Orchestra, Group or Soloist) || |- | 1989 || Guitar || |- | 1990 || Broadway the Hard Way || Best Musical Cast Show Album || |- | 1996 || Civilization Phaze III || Best Recording Package – Boxed || |- | 1998 || Frank Zappa || Lifetime Achievement Award || Artists influenced by Zappa Many musicians, bands and orchestras from diverse genres have been influenced by Zappa's music. Rock artists such as The Plastic People of the Universe, Alice Cooper, Larry LaLonde of Primus, Fee Waybill of the Tubes all cite Zappa's influence, as do progressive, alternative, electronic and avant-garde/experimental rock artists like Can, Pere Ubu, Yes, Soft Machine, Henry Cow, Faust, Devo, Kraftwerk, Trey Anastasio and Jon Fishman of Phish, Jeff Buckley, John Frusciante, Steven Wilson, and The Aristocrats.", "Rock artists such as The Plastic People of the Universe, Alice Cooper, Larry LaLonde of Primus, Fee Waybill of the Tubes all cite Zappa's influence, as do progressive, alternative, electronic and avant-garde/experimental rock artists like Can, Pere Ubu, Yes, Soft Machine, Henry Cow, Faust, Devo, Kraftwerk, Trey Anastasio and Jon Fishman of Phish, Jeff Buckley, John Frusciante, Steven Wilson, and The Aristocrats. Paul McCartney regarded Sgt.", "Paul McCartney regarded Sgt. Paul McCartney regarded Sgt. Pepper's Lonely Hearts Club Band as the Beatles' Freak Out!. Jimi Hendrix and heavy rock and metal acts like Black Sabbath, Simon Phillips, Mike Portnoy, Warren DeMartini, Alex Skolnick, Steve Vai, Strapping Young Lad, System of a Down, and Clawfinger have acknowledged Zappa as inspiration. On the classical music scene, Tomas Ulrich, Meridian Arts Ensemble, Ensemble Ambrosius and the Fireworks Ensemble regularly perform Zappa's compositions and quote his influence.", "On the classical music scene, Tomas Ulrich, Meridian Arts Ensemble, Ensemble Ambrosius and the Fireworks Ensemble regularly perform Zappa's compositions and quote his influence. Contemporary jazz musicians and composers Bobby Sanabria, Bill Frisell and John Zorn are inspired by Zappa, as is funk legend George Clinton.", "Contemporary jazz musicians and composers Bobby Sanabria, Bill Frisell and John Zorn are inspired by Zappa, as is funk legend George Clinton. Other artists affected by Zappa include ambient composer Brian Eno, new age pianist George Winston, electronic composer Bob Gluck, parodist artist and disk jockey Dr. Demento, parodist and novelty composer \"Weird Al\" Yankovic, industrial music pioneer Genesis P-Orridge, singer Cree Summer, noise music artist Masami Akita of Merzbow, and Chilean composer Cristián Crisosto from Fulano and Mediabanda.", "Other artists affected by Zappa include ambient composer Brian Eno, new age pianist George Winston, electronic composer Bob Gluck, parodist artist and disk jockey Dr. Demento, parodist and novelty composer \"Weird Al\" Yankovic, industrial music pioneer Genesis P-Orridge, singer Cree Summer, noise music artist Masami Akita of Merzbow, and Chilean composer Cristián Crisosto from Fulano and Mediabanda. References in arts and sciences Scientists from various fields have honored Zappa by naming new discoveries after him.", "References in arts and sciences Scientists from various fields have honored Zappa by naming new discoveries after him. In 1967, paleontologist Leo P. Plas, Jr., identified an extinct mollusc in Nevada and named it Amaurotoma zappa with the motivation that, \"The specific name, zappa, honors Frank Zappa\". In the 1980s, biologist Ed Murdy named a genus of gobiid fishes of New Guinea Zappa, with a species named Zappa confluentus.", "In the 1980s, biologist Ed Murdy named a genus of gobiid fishes of New Guinea Zappa, with a species named Zappa confluentus. Biologist Ferdinando Boero named a Californian jellyfish Phialella zappai (1987), noting that he had \"pleasure in naming this species after the modern music composer\". Belgian biologists Bosmans and Bosselaers discovered in the early 1980s a Cameroonese spider, which they in 1994 named Pachygnatha zappa because \"the ventral side of the abdomen of the female of this species strikingly resembles the artist's legendary moustache\".", "Belgian biologists Bosmans and Bosselaers discovered in the early 1980s a Cameroonese spider, which they in 1994 named Pachygnatha zappa because \"the ventral side of the abdomen of the female of this species strikingly resembles the artist's legendary moustache\". A gene of the bacterium Proteus mirabilis that causes urinary tract infections was in 1995 named zapA by three biologists from Maryland. In their scientific article, they \"especially thank the late Frank Zappa for inspiration and assistance with genetic nomenclature\".", "In their scientific article, they \"especially thank the late Frank Zappa for inspiration and assistance with genetic nomenclature\". Repeating regions of the genome of the human tumor virus KSHV were named frnk, vnct and zppa in 1996 by Yuan Chang and Patrick S. Moore who discovered the virus. Also, a 143 base pair repeat sequence occurring at two positions was named waka/jwka.", "Also, a 143 base pair repeat sequence occurring at two positions was named waka/jwka. In the late 1990s, American paleontologists Marc Salak and Halard L. Lescinsky discovered a metazoan fossil, and named it Spygori zappania to honor \"the late Frank Zappa ... whose mission paralleled that of the earliest paleontologists: to challenge conventional and traditional beliefs when such beliefs lacked roots in logic and reason\".", "In the late 1990s, American paleontologists Marc Salak and Halard L. Lescinsky discovered a metazoan fossil, and named it Spygori zappania to honor \"the late Frank Zappa ... whose mission paralleled that of the earliest paleontologists: to challenge conventional and traditional beliefs when such beliefs lacked roots in logic and reason\". In 1994, lobbying efforts initiated by psychiatrist John Scialli led the International Astronomical Union's Minor Planet Center to name an asteroid in Zappa's honor: 3834 Zappafrank.", "In 1994, lobbying efforts initiated by psychiatrist John Scialli led the International Astronomical Union's Minor Planet Center to name an asteroid in Zappa's honor: 3834 Zappafrank. The asteroid was discovered in 1980 by Czechoslovakian astronomer Ladislav Brožek, and the citation for its naming says that \"Zappa was an eclectic, self-trained artist and composer ... Before 1989 he was regarded as a symbol of democracy and freedom by many people in Czechoslovakia\".", "The asteroid was discovered in 1980 by Czechoslovakian astronomer Ladislav Brožek, and the citation for its naming says that \"Zappa was an eclectic, self-trained artist and composer ... Before 1989 he was regarded as a symbol of democracy and freedom by many people in Czechoslovakia\". In 1995, a bust of Zappa by sculptor Konstantinas Bogdanas was installed in Vilnius, the Lithuanian capital .", "In 1995, a bust of Zappa by sculptor Konstantinas Bogdanas was installed in Vilnius, the Lithuanian capital . The choice of Zappa was explained as \"a symbol that would mark the end of communism, but at the same time express that it wasn't always doom and gloom.\"", "The choice of Zappa was explained as \"a symbol that would mark the end of communism, but at the same time express that it wasn't always doom and gloom.\" A replica was offered to the city of Baltimore in 2008, and on September 19, 2010 — the twenty-fifth anniversary of Zappa's testimony to the U.S. Senate — a ceremony dedicating the replica was held, and the bust was unveiled at a library in the city.", "A replica was offered to the city of Baltimore in 2008, and on September 19, 2010 — the twenty-fifth anniversary of Zappa's testimony to the U.S. Senate — a ceremony dedicating the replica was held, and the bust was unveiled at a library in the city. In 2002, a bronze bust was installed in German city Bad Doberan, location of the Zappanale since 1990, an annual music festival celebrating Zappa.", "In 2002, a bronze bust was installed in German city Bad Doberan, location of the Zappanale since 1990, an annual music festival celebrating Zappa. At the initiative of musicians community ORWOhaus, the city of Berlin named a street in the Marzahn district \"Frank-Zappa-Straße\" in 2007. The same year, Baltimore mayor Sheila Dixon proclaimed August 9 as the city's official \"Frank Zappa Day\" citing Zappa's musical accomplishments as well as his defense of the First Amendment to the United States Constitution.", "The same year, Baltimore mayor Sheila Dixon proclaimed August 9 as the city's official \"Frank Zappa Day\" citing Zappa's musical accomplishments as well as his defense of the First Amendment to the United States Constitution. Zappa documentary The biographical documentary Zappa, directed by Alex Winter and released on November 27, 2020, includes previously unreleased footage from Zappa's personal vault, to which he was granted access by the Zappa Family Trust. Discography During his lifetime, Zappa released 62 albums.", "Discography During his lifetime, Zappa released 62 albums. Discography During his lifetime, Zappa released 62 albums. Since 1994, the Zappa Family Trust has released 57 posthumous albums, making a total of 119 albums. The current distributor of Zappa's recorded output is Universal Music Enterprises.", "The current distributor of Zappa's recorded output is Universal Music Enterprises. See also List of performers on Frank Zappa records Frank Zappa in popular culture Notes References Bibliography External links 1940 births 1993 deaths 20th-century American guitarists 20th-century American male actors 20th-century American singers American classical musicians American activists American anti-communists American anti-fascists American atheists American comedy musicians American male composers American music arrangers American experimental filmmakers American experimental guitarists American experimental musicians American humanists American jazz guitarists American male voice actors American multi-instrumentalists Record producers from Maryland American rock guitarists American male guitarists American rock singers American electronic musicians American avant-garde musicians American people of Arab descent American people of Italian descent American people of French descent American people of Greek descent American satirists American surrealist artists Angel Records artists Surrealist filmmakers Antelope Valley High School alumni Articles containing video clips Avant-garde guitarists Avant-pop musicians Burials at Westwood Village Memorial Park Cemetery California Democrats Captain Beefheart Censorship in the arts American contemporary classical composers Contemporary classical music performers Copywriters Critics of the Catholic Church Deaths from cancer in California Deaths from prostate cancer Deaths from kidney failure Advocates of unschooling and homeschooling EMI Records artists Experimental pop musicians Experimental rock musicians Free speech activists Grammy Award winners Grammy Lifetime Achievement Award winners Humor in classical music Lead guitarists Maryland Democrats Musicians from Baltimore People from Echo Park, Los Angeles People from Edgewood, Maryland People from Ontario, California Progressive rock guitarists Proto-prog musicians Rykodisc artists Singers from Los Angeles The Mothers of Invention members Verve Records artists Warner Records artists Guitarists from Los Angeles Guitarists from Maryland 20th-century classical composers Singer-songwriters from Maryland Writers from Los Angeles 20th-century American composers Parody musicians Freak scene Freak artists Jazz musicians from Maryland American male jazz musicians American libertarians People from Lancaster, California American male singer-songwriters Zappa family 20th-century American male singers People from Laurel Canyon, Los Angeles Jazz musicians from California Singer-songwriters from California Surrealist groups" ]

[ "Frank Zappa", "Childhood", "Where did Zappa grow up?", "Baltimore, Maryland." ]

[ "Happy Days, 1880–1892 (1940) is the first of an autobiographical trilogy by H.L. Mencken, covering his days as a child in Baltimore, Maryland from birth through age twelve. It was followed by Newspaper Days, 1899–1906 (1941) and Heathen Days, 1890–1936 (1943).\n\nThe book was received with some surprise by Mencken's readers, since, unlike his commentaries on current events, it is written with great warmth and affection. Mencken's childhood was apparently happy and secure, and he enjoyed both living through it and reminiscing about it in later years.\n\nEditions\n Happy Days: Mencken's Autobiography: 1880-1892 (Johns Hopkins University Press: Bumcombe Collection, 2006)\n\nExternal links\n\n1940 non-fiction books\nBooks by H. L. Mencken\nLiterary autobiographies", "Eric & Us is a 1974 memoir by Jacintha Buddicom recalling her childhood friendship with Eric Blair, the real name of author George Orwell. Buddicom first met Blair when he was eleven and he became very close to her family. Their friendship lasted until Blair became a policeman in Burma and the two lost touch. Blair and Buddicom never saw one another again and did not resume contact until 1949, shortly before Orwell's death from tuberculosis.\n\nBuddicom's memoir, as well as recalling her relationship with Orwell, shows her disappointment in some of the views he took — for instance, she condemned his decision to fight in the Spanish Civil War as interfering in the affairs of another country. She also portrayed him as reserved but happy, in contrast to the bleak picture Orwell presents of his childhood in \"Such, Such Were the Joys\".\n\nBuddicom's cousin, Dione Venables, added a postscript to the memoir in 2006, suggesting that the real reason for the ending of Blair and Buddicom's friendship was the possibility that Blair, in an attempt to further their relationship, may have tried to rape Buddicom. Dione Venables responded by revealing that Buddicom never interpreted Blair's adolescent fumbling as rape, but that the incident was merely a moment when his immature desires got the better of him.\n\nReferences \n\n1974 non-fiction books\nBooks about George Orwell\nLiterary memoirs\nBritish memoirs" ]

[ "Frank Vincent Zappa (December 21, 1940 – December 4, 1993) was an American musician, singer, composer, songwriter and bandleader. His work is characterized by nonconformity, free-form improvisation, sound experiments, musical virtuosity and satire of American culture. In a career spanning more than 30 years, Zappa composed rock, pop, jazz, jazz fusion, orchestral and musique concrète works, and produced almost all of the 60-plus albums that he released with his band the Mothers of Invention and as a solo artist.", "In a career spanning more than 30 years, Zappa composed rock, pop, jazz, jazz fusion, orchestral and musique concrète works, and produced almost all of the 60-plus albums that he released with his band the Mothers of Invention and as a solo artist. Zappa also directed feature-length films and music videos, and designed album covers. He is considered one of the most innovative and stylistically diverse musicians of his generation.", "He is considered one of the most innovative and stylistically diverse musicians of his generation. As a self-taught composer and performer, Zappa had diverse musical influences that led him to create music that was sometimes difficult to categorize. While in his teens, he acquired a taste for 20th-century classical modernism, African-American rhythm and blues, and doo-wop music. He began writing classical music in high school, while at the same time playing drums in rhythm-and-blues bands, later switching to electric guitar.", "He began writing classical music in high school, while at the same time playing drums in rhythm-and-blues bands, later switching to electric guitar. His 1966 debut album with the Mothers of Invention, Freak Out!, combined songs in conventional rock and roll format with collective improvisations and studio-generated sound collages. He continued this eclectic and experimental approach whether the fundamental format was rock, jazz, or classical.", "He continued this eclectic and experimental approach whether the fundamental format was rock, jazz, or classical. Zappa's output is unified by a conceptual continuity he termed \"Project/Object\", with numerous musical phrases, ideas, and characters reappearing across his albums. His lyrics reflected his iconoclastic views of established social and political processes, structures and movements, often humorously so, and he has been described as the \"godfather\" of comedy rock.", "His lyrics reflected his iconoclastic views of established social and political processes, structures and movements, often humorously so, and he has been described as the \"godfather\" of comedy rock. He was a strident critic of mainstream education and organized religion, and a forthright and passionate advocate for freedom of speech, self-education, political participation and the abolition of censorship. Unlike many other rock musicians of his generation, he disapproved of recreational drug use, but supported decriminalization and regulation.", "Unlike many other rock musicians of his generation, he disapproved of recreational drug use, but supported decriminalization and regulation. Zappa was a highly productive and prolific artist with a controversial critical standing; supporters of his music admired its compositional complexity, while critics found it lacking emotional depth. He had greater commercial success outside the US, particularly in Europe. Though he worked as an independent artist, Zappa mostly relied on distribution agreements he had negotiated with the major record labels. He remains a major influence on musicians and composers.", "He remains a major influence on musicians and composers. He remains a major influence on musicians and composers. His honors include his 1995 induction into the Rock and Roll Hall of Fame and the 1997 Grammy Lifetime Achievement Award. 1940s–1960s: early life and career Childhood Zappa was born on December 21, 1940, in Baltimore, Maryland.", "1940s–1960s: early life and career Childhood Zappa was born on December 21, 1940, in Baltimore, Maryland. His mother, Rose Marie ( Colimore), was of Italian (Neapolitan and Sicilian) and French ancestry; his father, whose name was anglicized to Francis Vincent Zappa, was an immigrant from Partinico, Sicily, with Greek and Arab ancestry. Frank, the eldest of four children, was raised in an Italian-American household where Italian was often spoken by his grandparents.", "Frank, the eldest of four children, was raised in an Italian-American household where Italian was often spoken by his grandparents. The family moved often because his father, a chemist and mathematician, worked in the defense industry. After a time in Florida in the 1940s, the family returned to Maryland, where Zappa's father worked at the Edgewood Arsenal chemical warfare facility of the Aberdeen Proving Ground run by the U.S. Army.", "After a time in Florida in the 1940s, the family returned to Maryland, where Zappa's father worked at the Edgewood Arsenal chemical warfare facility of the Aberdeen Proving Ground run by the U.S. Army. Due to their home's proximity to the arsenal, which stored mustard gas, gas masks were kept in the home in case of an accident. This living arrangement had a profound effect on Zappa, and references to germs, germ warfare, ailments and the defense industry occur frequently throughout his work.", "This living arrangement had a profound effect on Zappa, and references to germs, germ warfare, ailments and the defense industry occur frequently throughout his work. Zappa was often sick as a child, suffering from asthma, earaches and sinus problems. A doctor treated his sinusitis by inserting a pellet of radium into each of Zappa's nostrils.", "A doctor treated his sinusitis by inserting a pellet of radium into each of Zappa's nostrils. At the time, little was known about the potential dangers of even small amounts of therapeutic radiation, and although it has since been claimed that nasal radium treatment has causal connections to cancer, no studies have provided enough evidence to confirm this. Nasal imagery and references appear in his music and lyrics, as well as in the collage album covers created by his long-time collaborator Cal Schenkel.", "Nasal imagery and references appear in his music and lyrics, as well as in the collage album covers created by his long-time collaborator Cal Schenkel. Zappa believed his childhood diseases might have been due to exposure to mustard gas, released by the nearby chemical warfare facility, and his health worsened when he lived in Baltimore. In 1952, his family relocated for reasons of health to Monterey, California, where his father taught metallurgy at the Naval Postgraduate School.", "In 1952, his family relocated for reasons of health to Monterey, California, where his father taught metallurgy at the Naval Postgraduate School. They soon moved to Clairemont, and then to El Cajon, before finally settling in nearby San Diego. First musical interests Zappa joined his first band at Mission Bay High School in San Diego as the drummer. At about the same time, his parents bought a phonograph, which allowed him to develop his interest in music, and to begin building his record collection.", "At about the same time, his parents bought a phonograph, which allowed him to develop his interest in music, and to begin building his record collection. According to The Rough Guide to Rock (2003), \"as a teenager Zappa was simultaneously enthralled by black R&B (Johnny 'Guitar' Watson, Guitar Slim), doo-wop (The Channels, The Velvets), the modernism of Igor Stravinsky and Anton Webern, and the dissonant sound experiments of Edgard Varese.\"", "According to The Rough Guide to Rock (2003), \"as a teenager Zappa was simultaneously enthralled by black R&B (Johnny 'Guitar' Watson, Guitar Slim), doo-wop (The Channels, The Velvets), the modernism of Igor Stravinsky and Anton Webern, and the dissonant sound experiments of Edgard Varese.\" R&B singles were early purchases for Zappa, starting a large collection he kept for the rest of his life.", "R&B singles were early purchases for Zappa, starting a large collection he kept for the rest of his life. He was interested in sounds for their own sake, particularly the sounds of drums and other percussion instruments. By age twelve, he had obtained a snare drum and began learning the basics of orchestral percussion.", "By age twelve, he had obtained a snare drum and began learning the basics of orchestral percussion. Zappa's deep interest in modern classical music began when he read a LOOK magazine article about the Sam Goody record store chain that lauded its ability to sell an LP as obscure as The Complete Works of Edgard Varèse, Volume One. The article described Varèse's percussion composition Ionisation, produced by EMS Recordings, as \"a weird jumble of drums and other unpleasant sounds\". Zappa decided to seek out Varèse's music.", "Zappa decided to seek out Varèse's music. Zappa decided to seek out Varèse's music. After searching for over a year, Zappa found a copy (he noticed the LP because of the \"mad scientist\" looking photo of Varèse on the cover). Not having enough money with him, he persuaded the salesman to sell him the record at a discount. Thus began his lifelong passion for Varèse's music and that of other modern classical composers.", "Thus began his lifelong passion for Varèse's music and that of other modern classical composers. He also liked the Italian classical music listened to by his grandparents, especially Puccini's opera arias. By 1956, the Zappa family had moved to Lancaster, a small aerospace and farming town in the Antelope Valley of the Mojave Desert close to Edwards Air Force Base; he would later refer to Sun Village (a town close to Lancaster) in the 1973 track \"Village of the Sun\".", "By 1956, the Zappa family had moved to Lancaster, a small aerospace and farming town in the Antelope Valley of the Mojave Desert close to Edwards Air Force Base; he would later refer to Sun Village (a town close to Lancaster) in the 1973 track \"Village of the Sun\". Zappa's mother encouraged him in his musical interests. Although she disliked Varèse's music, she was indulgent enough to give her son a long-distance call to the New York composer as a fifteenth birthday present.", "Although she disliked Varèse's music, she was indulgent enough to give her son a long-distance call to the New York composer as a fifteenth birthday present. Unfortunately, Varèse was in Europe at the time, so Zappa spoke to the composer's wife and she suggested he call back later. In a letter, Varèse thanked him for his interest, and told him about a composition he was working on called \"Déserts\". Living in the desert town of Lancaster, Zappa found this very exciting.", "Living in the desert town of Lancaster, Zappa found this very exciting. Varèse invited him to visit if he ever came to New York. The meeting never took place (Varèse died in 1965), but Zappa framed the letter and kept it on display for the rest of his life. At Antelope Valley High School, Zappa met Don Glen Vliet (who later changed his name to Don Van Vliet and adopted the stage name Captain Beefheart).", "At Antelope Valley High School, Zappa met Don Glen Vliet (who later changed his name to Don Van Vliet and adopted the stage name Captain Beefheart). Zappa and Vliet became close friends, sharing an interest in R&B records and influencing each other musically throughout their careers. Around the same time, Zappa started playing drums in a local band, the Blackouts. The band was racially diverse and included Euclid James \"Motorhead\" Sherwood who later became a member of the Mothers of Invention.", "The band was racially diverse and included Euclid James \"Motorhead\" Sherwood who later became a member of the Mothers of Invention. Zappa's interest in the guitar grew, and in 1957 he was given his first instrument. Among his early influences were Johnny \"Guitar\" Watson, Howlin' Wolf and Clarence \"Gatemouth\" Brown. In the 1970s/1980s, he invited Watson to perform on several albums. Zappa considered soloing as the equivalent of forming \"air sculptures\", and developed an eclectic, innovative and highly personal style.", "Zappa considered soloing as the equivalent of forming \"air sculptures\", and developed an eclectic, innovative and highly personal style. He was also influenced by Egyptian composer Halim El-Dabh. Zappa's interest in composing and arranging flourished in his last high-school years. By his final year, he was writing, arranging and conducting avant-garde performance pieces for the school orchestra. He graduated from Antelope Valley High School in 1958, and later acknowledged two of his music teachers on the sleeve of the 1966 album Freak Out!", "He graduated from Antelope Valley High School in 1958, and later acknowledged two of his music teachers on the sleeve of the 1966 album Freak Out! Due to his family's frequent moves, Zappa attended at least six different high schools, and as a student he was often bored and given to distracting the rest of the class with juvenile antics.", "Due to his family's frequent moves, Zappa attended at least six different high schools, and as a student he was often bored and given to distracting the rest of the class with juvenile antics. In 1959, he attended Chaffey College but left after one semester, and maintained thereafter a disdain for formal education, taking his children out of school at age 15 and refusing to pay for their college. Zappa left home in 1959, and moved into a small apartment in Echo Park, Los Angeles.", "Zappa left home in 1959, and moved into a small apartment in Echo Park, Los Angeles. After he met Kathryn J. \"Kay\" Sherman during his short period of private composition study with Prof. Karl Kohn of Pomona College, they moved in together in Ontario, and were married December 28, 1960. Zappa worked for a short period in advertising as a copywriter. His sojourn in the commercial world was brief, but gave him valuable insights into its workings.", "His sojourn in the commercial world was brief, but gave him valuable insights into its workings. Throughout his career, he took a keen interest in the visual presentation of his work, designing some of his album covers and directing his own films and videos. Studio Z Zappa attempted to earn a living as a musician and composer, and played different nightclub gigs, some with a new version of the Blackouts.", "Studio Z Zappa attempted to earn a living as a musician and composer, and played different nightclub gigs, some with a new version of the Blackouts. Zappa's earliest professional recordings, two soundtracks for the low-budget films The World's Greatest Sinner (1962) and Run Home Slow (1965) were more financially rewarding. The former score was commissioned by actor-producer Timothy Carey and recorded in 1961. It contains many themes that appeared on later Zappa records.", "It contains many themes that appeared on later Zappa records. The latter soundtrack was recorded in 1963 after the film was completed, but it was commissioned by one of Zappa's former high school teachers in 1959 and Zappa may have worked on it before the film was shot. Excerpts from the soundtrack can be heard on the posthumous album The Lost Episodes (1996). During the early 1960s, Zappa wrote and produced songs for other local artists, often working with singer-songwriter Ray Collins and producer Paul Buff.", "During the early 1960s, Zappa wrote and produced songs for other local artists, often working with singer-songwriter Ray Collins and producer Paul Buff. Their \"Memories of El Monte\" was recorded by the Penguins, although only Cleve Duncan of the original group was featured. Buff owned the small Pal Recording Studio in Cucamonga, which included a unique five-track tape recorder he had built. At that time, only a handful of the most sophisticated commercial studios had multi-track facilities; the industry standard for smaller studios was still mono or two-track.", "At that time, only a handful of the most sophisticated commercial studios had multi-track facilities; the industry standard for smaller studios was still mono or two-track. Although none of the recordings from the period achieved major commercial success, Zappa earned enough money to allow him to stage a concert of his orchestral music in 1963 and to broadcast and record it. He appeared on Steve Allen's syndicated late night show the same year, in which he played a bicycle as a musical instrument.", "He appeared on Steve Allen's syndicated late night show the same year, in which he played a bicycle as a musical instrument. Using a bow borrowed from the band's bass player, as well as drum sticks, he proceeded to pluck, bang, and bow the spokes of the bike, producing strange, comical sounds from his newfound instrument. With Captain Beefheart, Zappa recorded some songs under the name of the Soots. They were rejected by Dot Records.", "They were rejected by Dot Records. They were rejected by Dot Records. Later, the Mothers were also rejected by Columbia Records for having \"no commercial potential\", a verdict Zappa subsequently quoted on the sleeve of Freak Out! In 1964, after his marriage started to break up, he moved into the Pal studio and began routinely working 12 hours or more per day recording and experimenting with overdubbing and audio tape manipulation. This established a work pattern that endured for most of his life.", "This established a work pattern that endured for most of his life. Aided by his income from film composing, Zappa took over the studio from Paul Buff, who was now working with Art Laboe at Original Sound. It was renamed Studio Z. Studio Z was rarely booked for recordings by other musicians. Instead, friends moved in, notably James \"Motorhead\" Sherwood. Zappa started performing in local bars as a guitarist with a power trio, the Muthers, to support himself.", "Zappa started performing in local bars as a guitarist with a power trio, the Muthers, to support himself. An article in the local press describing Zappa as \"the Movie King of Cucamonga\" prompted the local police to suspect that he was making pornographic films. In March 1965, Zappa was approached by a vice squad undercover officer, and accepted an offer of $100 () to produce a suggestive audio tape for an alleged stag party. Zappa and a female friend recorded a faked erotic episode.", "Zappa and a female friend recorded a faked erotic episode. When Zappa was about to hand over the tape, he was arrested, and the police stripped the studio of all recorded material. The press was tipped off beforehand, and next day's The Daily Report wrote that \"Vice Squad investigators stilled the tape recorders of a free-swinging, a-go-go film and recording studio here Friday and arrested a self-styled movie producer\". Zappa was charged with \"conspiracy to commit pornography\".", "Zappa was charged with \"conspiracy to commit pornography\". This felony charge was reduced and he was sentenced to six months in jail on a misdemeanor, with all but ten days suspended. His brief imprisonment left a permanent mark, and was central to the formation of his anti-authoritarian stance. Zappa lost several recordings made at Studio Z in the process, as the police returned only 30 of 80 hours of tape seized. Eventually, he could no longer afford to pay the rent on the studio and was evicted.", "Eventually, he could no longer afford to pay the rent on the studio and was evicted. Zappa managed to recover some of his possessions before the studio was torn down in 1966. Late 1960s: the Mothers of Invention Formation In 1965, Ray Collins asked Zappa to take over as guitarist in local R&B band the Soul Giants, following a fight between Collins and the group's original guitarist.", "Late 1960s: the Mothers of Invention Formation In 1965, Ray Collins asked Zappa to take over as guitarist in local R&B band the Soul Giants, following a fight between Collins and the group's original guitarist. Zappa accepted, and soon assumed leadership and the role as co-lead singer (even though he never considered himself a singer, then or later). He convinced the other members that they should play his music to increase the chances of getting a record contract.", "He convinced the other members that they should play his music to increase the chances of getting a record contract. The band was renamed the Mothers, coincidentally on Mother's Day. They increased their bookings after beginning an association with manager Herb Cohen, and gradually gained attention on the burgeoning Los Angeles underground music scene. In early 1966, they were spotted by leading record producer Tom Wilson when playing \"Trouble Every Day\", a song about the Watts riots.", "In early 1966, they were spotted by leading record producer Tom Wilson when playing \"Trouble Every Day\", a song about the Watts riots. Wilson had earned acclaim as the producer for Bob Dylan and Simon & Garfunkel, and was one of the few African-Americans working as a major label pop music producer at this time.", "Wilson had earned acclaim as the producer for Bob Dylan and Simon & Garfunkel, and was one of the few African-Americans working as a major label pop music producer at this time. Wilson signed the Mothers to the Verve division of MGM, which had built up a strong reputation for its releases of modern jazz recordings in the 1940s and 1950s, but was attempting to diversify into pop and rock audiences.", "Wilson signed the Mothers to the Verve division of MGM, which had built up a strong reputation for its releases of modern jazz recordings in the 1940s and 1950s, but was attempting to diversify into pop and rock audiences. Verve insisted that the band officially rename themselves the Mothers of Invention as Mother was short for motherfucker—a term that, apart from its profane meanings, can denote a skilled musician. Debut album: Freak Out!", "Debut album: Freak Out! Debut album: Freak Out! With Wilson credited as producer, the Mothers of Invention, augmented by a studio orchestra, recorded the groundbreaking Freak Out! (1966), which, after Bob Dylan's Blonde on Blonde, was the second rock double album ever released. It mixed R&B, doo-wop, musique concrète, and experimental sound collages that captured the \"freak\" subculture of Los Angeles at that time.", "It mixed R&B, doo-wop, musique concrète, and experimental sound collages that captured the \"freak\" subculture of Los Angeles at that time. Although he was dissatisfied with the final product, Freak Out immediately established Zappa as a radical new voice in rock music, providing an antidote to the \"relentless consumer culture of America\". The sound was raw, but the arrangements were sophisticated.", "The sound was raw, but the arrangements were sophisticated. While recording in the studio, some of the additional session musicians were shocked that they were expected to read the notes on sheet music from charts with Zappa conducting them, since it was not standard when recording rock music. The lyrics praised non-conformity, disparaged authorities, and had dadaist elements. Yet, there was a place for seemingly conventional love songs. Most compositions are Zappa's, which set a precedent for the rest of his recording career.", "Most compositions are Zappa's, which set a precedent for the rest of his recording career. He had full control over the arrangements and musical decisions and did most overdubs. Wilson provided the industry clout and connections and was able to provide the group with the financial resources needed. Although Wilson was able to provide Zappa and the Mothers with an extraordinary degree of artistic freedom for the time, the recording did not go entirely as planned.", "Although Wilson was able to provide Zappa and the Mothers with an extraordinary degree of artistic freedom for the time, the recording did not go entirely as planned. In a 1967 radio interview, Zappa explained that the album's outlandish 11-minute closing track, \"Return of the Son of Monster Magnet\" was not finished. The track as it appears on the album was only a backing track for a much more complex piece, but MGM refused to allow the additional recording time needed for completion.", "The track as it appears on the album was only a backing track for a much more complex piece, but MGM refused to allow the additional recording time needed for completion. Much to Zappa's chagrin, it was issued in its unfinished state. During the recording of Freak Out!, Zappa moved into a house in Laurel Canyon with friend Pamela Zarubica, who appeared on the album.", "During the recording of Freak Out!, Zappa moved into a house in Laurel Canyon with friend Pamela Zarubica, who appeared on the album. The house became a meeting (and living) place for many LA musicians and groupies of the time, despite Zappa's disapproval of their illicit drug use. After a short promotional tour following the release of Freak Out!, Zappa met Adelaide Gail Sloatman. He fell in love within \"a couple of minutes\", and she moved into the house over the summer.", "He fell in love within \"a couple of minutes\", and she moved into the house over the summer. They married in 1967, had four children and remained together until Zappa's death. Wilson nominally produced the Mothers' second album Absolutely Free (1967), which was recorded in November 1966, and later mixed in New York, although by this time Zappa was in de facto control of most facets of the production.", "Wilson nominally produced the Mothers' second album Absolutely Free (1967), which was recorded in November 1966, and later mixed in New York, although by this time Zappa was in de facto control of most facets of the production. It featured extended playing by the Mothers of Invention and focused on songs that defined Zappa's compositional style of introducing abrupt, rhythmical changes into songs that were built from diverse elements.", "It featured extended playing by the Mothers of Invention and focused on songs that defined Zappa's compositional style of introducing abrupt, rhythmical changes into songs that were built from diverse elements. Examples are \"Plastic People\" and \"Brown Shoes Don't Make It\", which contained lyrics critical of the hypocrisy and conformity of American society, but also of the counterculture of the 1960s. As Zappa put it, \"[W]e're satirists, and we are out to satirize everything.\"", "As Zappa put it, \"[W]e're satirists, and we are out to satirize everything.\" At the same time, Zappa had recorded material for an album of orchestral works to be released under his own name, Lumpy Gravy, released by Capitol Records in 1967. Due to contractual problems, the album was pulled. Zappa took the opportunity to radically restructure the contents, adding newly recorded, improvised dialogue. After the contractual problems were resolved, the album was reissued by Verve in 1968.", "After the contractual problems were resolved, the album was reissued by Verve in 1968. It is an \"incredible ambitious musical project\", a \"monument to John Cage\", which intertwines orchestral themes, spoken words and electronic noises through radical audio editing techniques. New York period (1966–1968) The Mothers of Invention played in New York in late 1966 and were offered a contract at the Garrick Theater (at 152 Bleecker Street, above the Cafe au Go Go) during Easter 1967.", "New York period (1966–1968) The Mothers of Invention played in New York in late 1966 and were offered a contract at the Garrick Theater (at 152 Bleecker Street, above the Cafe au Go Go) during Easter 1967. This proved successful and Herb Cohen extended the booking, which eventually lasted half a year. As a result, Zappa and his wife Gail, along with the Mothers of Invention, moved to New York.", "As a result, Zappa and his wife Gail, along with the Mothers of Invention, moved to New York. Their shows became a combination of improvised acts showcasing individual talents of the band as well as tight performances of Zappa's music. Everything was directed by Zappa using hand signals. Guest performers and audience participation became a regular part of the Garrick Theater shows.", "Guest performers and audience participation became a regular part of the Garrick Theater shows. One evening, Zappa managed to entice some U.S. Marines from the audience onto the stage, where they proceeded to dismember a big baby doll, having been told by Zappa to pretend that it was a \"gook baby\".", "One evening, Zappa managed to entice some U.S. Marines from the audience onto the stage, where they proceeded to dismember a big baby doll, having been told by Zappa to pretend that it was a \"gook baby\". Situated in New York, and interrupted by the band's first European tour, the Mothers of Invention recorded the album widely regarded as the peak of the group's late 1960s work, We're Only in It for the Money (released 1968).", "Situated in New York, and interrupted by the band's first European tour, the Mothers of Invention recorded the album widely regarded as the peak of the group's late 1960s work, We're Only in It for the Money (released 1968). It was produced by Zappa, with Wilson credited as executive producer. From then on, Zappa produced all albums released by the Mothers of Invention and as a solo artist.", "From then on, Zappa produced all albums released by the Mothers of Invention and as a solo artist. We're Only in It for the Money featured some of the most creative audio editing and production yet heard in pop music, and the songs ruthlessly satirized the hippie and flower power phenomena. He sampled plundered surf music in We're only in It for the Money, as well as the Beatles' tape work from their song \"Tomorrow Never Knows\". The cover photo parodied that of the Beatles' Sgt.", "The cover photo parodied that of the Beatles' Sgt. Pepper's Lonely Hearts Club Band. The cover art was provided by Cal Schenkel whom Zappa met in New York. This initiated a lifelong collaboration in which Schenkel designed covers for numerous Zappa and Mothers albums. Reflecting Zappa's eclectic approach to music, the next album, Cruising with Ruben & the Jets (1968), was very different. It represented a collection of doo-wop songs; listeners and critics were not sure whether the album was a satire or a tribute.", "It represented a collection of doo-wop songs; listeners and critics were not sure whether the album was a satire or a tribute. Zappa later remarked that the album was conceived like Stravinsky's compositions in his neo-classical period: \"If he could take the forms and clichés of the classical era and pervert them, why not do the same ... to doo-wop in the fifties?\" A theme from Stravinsky's The Rite of Spring is heard during one song. In 1967 and 1968, Zappa made two appearances with the Monkees.", "In 1967 and 1968, Zappa made two appearances with the Monkees. The first appearance was on an episode of their TV series, \"The Monkees Blow Their Minds\", where Zappa, dressed up as Mike Nesmith, interviews Nesmith who is dressed up as Zappa. After the interview, Zappa destroys a car with a sledgehammer as the song \"Mother People\" plays.", "After the interview, Zappa destroys a car with a sledgehammer as the song \"Mother People\" plays. He later provided a cameo in the Monkees' movie Head where, leading a cow, he tells Davy Jones \"the youth of America depends on you to show them the way.\" Zappa respected the Monkees and recruited Micky Dolenz to the Mothers but RCA/Columbia/Colgems would not release Dolenz from his contract. During the late 1960s, Zappa continued to develop the business side of his career.", "During the late 1960s, Zappa continued to develop the business side of his career. He and Herb Cohen formed the Bizarre Records and Straight Records labels to increase creative control and produce recordings by other artists. These labels were distributed in the US by Warner Bros. Records. Zappa/Mothers recordings appeared on Bizarre along with Wild Man Fischer and Lenny Bruce. Straight released the double album Trout Mask Replica for Captain Beefheart, and releases by Alice Cooper, The Persuasions, and the GTOs.", "Straight released the double album Trout Mask Replica for Captain Beefheart, and releases by Alice Cooper, The Persuasions, and the GTOs. In the Mothers' second European tour in September/October 1968 they performed for the at the Grugahalle in Essen, Germany; at the Tivoli in Copenhagen, Denmark; for TV programs in Germany (Beat-Club), France, and England; at the Concertgebouw in Amsterdam; at the Royal Festival Hall in London; and at the Olympia in Paris.", "In the Mothers' second European tour in September/October 1968 they performed for the at the Grugahalle in Essen, Germany; at the Tivoli in Copenhagen, Denmark; for TV programs in Germany (Beat-Club), France, and England; at the Concertgebouw in Amsterdam; at the Royal Festival Hall in London; and at the Olympia in Paris. Disbandment Zappa and the Mothers of Invention returned to Los Angeles in mid-1968, and the Zappas moved into a house on Laurel Canyon Boulevard, only to move again to Woodrow Wilson Drive.", "Disbandment Zappa and the Mothers of Invention returned to Los Angeles in mid-1968, and the Zappas moved into a house on Laurel Canyon Boulevard, only to move again to Woodrow Wilson Drive. This was Zappa's home for the rest of his life. Despite being successful in Europe, the Mothers of Invention were not doing well financially. Their first records were vocally oriented, but as Zappa wrote more instrumental jazz and classical style music for the band's concerts, audiences were confused.", "Their first records were vocally oriented, but as Zappa wrote more instrumental jazz and classical style music for the band's concerts, audiences were confused. Zappa felt that audiences failed to appreciate his \"electrical chamber music\". In 1969 there were nine band members and Zappa was supporting the group from his publishing royalties whether they played or not. In late 1969, Zappa broke up the band. He often cited the financial strain as the main reason, but also commented on the band members' lack of diligence.", "He often cited the financial strain as the main reason, but also commented on the band members' lack of diligence. Many band members were bitter about Zappa's decision, and some took it as a sign of Zappa's perfectionism at the expense of human feeling. Others were irritated by 'his autocratic ways', exemplified by Zappa's never staying at the same hotel as the band members. Several members played for Zappa in years to come.", "Several members played for Zappa in years to come. Several members played for Zappa in years to come. Remaining recordings of the band from this period were collected on Weasels Ripped My Flesh and Burnt Weeny Sandwich (both released in 1970). After he disbanded the Mothers of Invention, Zappa released the acclaimed solo album Hot Rats (1969).", "After he disbanded the Mothers of Invention, Zappa released the acclaimed solo album Hot Rats (1969). It features, for the first time on record, Zappa playing extended guitar solos and contains one of his most enduring compositions, \"Peaches en Regalia\", which reappeared several times on future recordings.", "It features, for the first time on record, Zappa playing extended guitar solos and contains one of his most enduring compositions, \"Peaches en Regalia\", which reappeared several times on future recordings. He was backed by jazz, blues and R&B session players including violinist Don \"Sugarcane\" Harris, drummers John Guerin and Paul Humphrey, multi-instrumentalist and former Mothers of Invention member Ian Underwood, and multi-instrumentalist Shuggie Otis on bass, along with a guest appearance by Captain Beefheart on the only vocal track, \"Willie the Pimp\".", "He was backed by jazz, blues and R&B session players including violinist Don \"Sugarcane\" Harris, drummers John Guerin and Paul Humphrey, multi-instrumentalist and former Mothers of Invention member Ian Underwood, and multi-instrumentalist Shuggie Otis on bass, along with a guest appearance by Captain Beefheart on the only vocal track, \"Willie the Pimp\". It became a popular album in England, and had a major influence on the development of jazz-rock fusion. 1970s Rebirth of the Mothers and filmmaking In 1970 Zappa met conductor Zubin Mehta.", "1970s Rebirth of the Mothers and filmmaking In 1970 Zappa met conductor Zubin Mehta. They arranged a May 1970 concert where Mehta conducted the Los Angeles Philharmonic augmented by a rock band. According to Zappa, the music was mostly written in motel rooms while on tour with the Mothers of Invention. Some of it was later featured in the movie 200 Motels. Although the concert was a success, Zappa's experience working with a symphony orchestra was not a happy one.", "Although the concert was a success, Zappa's experience working with a symphony orchestra was not a happy one. His dissatisfaction became a recurring theme throughout his career; he often felt that the quality of performance of his material delivered by orchestras was not commensurate with the money he spent on orchestral concerts and recordings. Later in 1970, Zappa formed a new version of the Mothers (from then on, he mostly dropped the \"of Invention\").", "Later in 1970, Zappa formed a new version of the Mothers (from then on, he mostly dropped the \"of Invention\"). It included British drummer Aynsley Dunbar, jazz keyboardist George Duke, Ian Underwood, Jeff Simmons (bass, rhythm guitar), and three members of the Turtles: bass player Jim Pons, and singers Mark Volman and Howard Kaylan, who, due to persistent legal and contractual problems, adopted the stage name \"The Phlorescent Leech and Eddie\", or \"Flo & Eddie\".", "It included British drummer Aynsley Dunbar, jazz keyboardist George Duke, Ian Underwood, Jeff Simmons (bass, rhythm guitar), and three members of the Turtles: bass player Jim Pons, and singers Mark Volman and Howard Kaylan, who, due to persistent legal and contractual problems, adopted the stage name \"The Phlorescent Leech and Eddie\", or \"Flo & Eddie\". This version of the Mothers debuted on Zappa's next solo album Chunga's Revenge (1970), which was followed by the double-album soundtrack to the movie 200 Motels (1971), featuring the Mothers, the Royal Philharmonic Orchestra, Ringo Starr, Theodore Bikel, and Keith Moon.", "This version of the Mothers debuted on Zappa's next solo album Chunga's Revenge (1970), which was followed by the double-album soundtrack to the movie 200 Motels (1971), featuring the Mothers, the Royal Philharmonic Orchestra, Ringo Starr, Theodore Bikel, and Keith Moon. Co-directed by Zappa and Tony Palmer, it was filmed in a week at Pinewood Studios outside London. Tensions between Zappa and several cast and crew members arose before and during shooting.", "Tensions between Zappa and several cast and crew members arose before and during shooting. The film deals loosely with life on the road as a rock musician. It was the first feature film photographed on videotape and transferred to 35 mm film, a process that allowed for novel visual effects. It was released to mixed reviews.", "It was released to mixed reviews. It was released to mixed reviews. The score relied extensively on orchestral music, and Zappa's dissatisfaction with the classical music world intensified when a concert, scheduled at the Royal Albert Hall after filming, was canceled because a representative of the venue found some of the lyrics obscene. In 1975, he lost a lawsuit against the Royal Albert Hall for breach of contract.", "In 1975, he lost a lawsuit against the Royal Albert Hall for breach of contract. After 200 Motels, the band went on tour, which resulted in two live albums, Fillmore East – June 1971 and Just Another Band from L.A.; the latter included the 20-minute track \"Billy the Mountain\", Zappa's satire on rock opera set in Southern California.", "After 200 Motels, the band went on tour, which resulted in two live albums, Fillmore East – June 1971 and Just Another Band from L.A.; the latter included the 20-minute track \"Billy the Mountain\", Zappa's satire on rock opera set in Southern California. This track was representative of the band's theatrical performances—which used songs to build sketches based on 200 Motels scenes, as well as new situations that often portrayed the band members' sexual encounters on the road.", "This track was representative of the band's theatrical performances—which used songs to build sketches based on 200 Motels scenes, as well as new situations that often portrayed the band members' sexual encounters on the road. Accident, attack, and aftermath On December 4, 1971, Zappa suffered his first of two serious setbacks. While performing at Casino de Montreux in Switzerland, the Mothers' equipment was destroyed when a flare set off by an audience member started a fire that burned down the casino.", "While performing at Casino de Montreux in Switzerland, the Mothers' equipment was destroyed when a flare set off by an audience member started a fire that burned down the casino. Immortalized in Deep Purple's song \"Smoke on the Water\", the event and immediate aftermath can be heard on the bootleg album Swiss Cheese/Fire, released legally as part of Zappa's Beat the Boots II compilation.", "Immortalized in Deep Purple's song \"Smoke on the Water\", the event and immediate aftermath can be heard on the bootleg album Swiss Cheese/Fire, released legally as part of Zappa's Beat the Boots II compilation. After losing $50,000 () worth of equipment and a week's break, the Mothers played at the Rainbow Theatre, London, with rented gear. During the encore, an audience member jealous because of his girlfriend's infatuation with Zappa pushed him off the stage and into the concrete-floored orchestra pit.", "During the encore, an audience member jealous because of his girlfriend's infatuation with Zappa pushed him off the stage and into the concrete-floored orchestra pit. The band thought Zappa had been killed—he had suffered serious fractures, head trauma and injuries to his back, leg, and neck, as well as a crushed larynx, which ultimately caused his voice to drop a third after healing. After the attack Zappa needed to use a wheelchair for an extended period, making touring impossible for over half a year.", "After the attack Zappa needed to use a wheelchair for an extended period, making touring impossible for over half a year. Upon return to the stage in September 1972, Zappa was still wearing a leg brace, had a noticeable limp and could not stand for very long while on stage. Zappa noted that one leg healed \"shorter than the other\" (a reference later found in the lyrics of songs \"Zomby Woof\" and \"Dancin' Fool\"), resulting in chronic back pain.", "Zappa noted that one leg healed \"shorter than the other\" (a reference later found in the lyrics of songs \"Zomby Woof\" and \"Dancin' Fool\"), resulting in chronic back pain. Meanwhile, the Mothers were left in limbo and eventually formed the core of Flo and Eddie's band as they set out on their own.", "Meanwhile, the Mothers were left in limbo and eventually formed the core of Flo and Eddie's band as they set out on their own. During 1971–1972 Zappa released two strongly jazz-oriented solo LPs, Waka/Jawaka and The Grand Wazoo, which were recorded during the forced layoff from concert touring, using floating line-ups of session players and Mothers alumni. Musically, the albums were akin to Hot Rats, in that they featured extended instrumental tracks with extended soloing. Zappa began touring again in late 1972.", "Zappa began touring again in late 1972. Zappa began touring again in late 1972. His first effort was a series of concerts in September 1972 with a 20-piece big band referred to as the Grand Wazoo. This was followed by a scaled-down version known as the Petit Wazoo that toured the U.S. for five weeks from October to December 1972.", "This was followed by a scaled-down version known as the Petit Wazoo that toured the U.S. for five weeks from October to December 1972. Top 10 album: Apostrophe () Zappa then formed and toured with smaller groups that variously included Ian Underwood (reeds, keyboards), Ruth Underwood (vibes, marimba), Sal Marquez (trumpet, vocals), Napoleon Murphy Brock (sax, flute and vocals), Bruce Fowler (trombone), Tom Fowler (bass), Chester Thompson (drums), Ralph Humphrey (drums), George Duke (keyboards, vocals), and Jean-Luc Ponty (violin).", "Top 10 album: Apostrophe () Zappa then formed and toured with smaller groups that variously included Ian Underwood (reeds, keyboards), Ruth Underwood (vibes, marimba), Sal Marquez (trumpet, vocals), Napoleon Murphy Brock (sax, flute and vocals), Bruce Fowler (trombone), Tom Fowler (bass), Chester Thompson (drums), Ralph Humphrey (drums), George Duke (keyboards, vocals), and Jean-Luc Ponty (violin). By 1973 the Bizarre and Straight labels were discontinued.", "By 1973 the Bizarre and Straight labels were discontinued. By 1973 the Bizarre and Straight labels were discontinued. In their place, Zappa and Cohen created DiscReet Records, also distributed by Warner. Zappa continued a high rate of production through the first half of the 1970s, including the solo album Apostrophe (') (1974), which reached a career-high No. 10 on the Billboard pop album charts helped by the No. 86 chart hit \"Don't Eat The Yellow Snow\".", "86 chart hit \"Don't Eat The Yellow Snow\". Other albums from the period are Over-Nite Sensation (1973), which contained several future concert favorites, such as \"Dinah-Moe Humm\" and \"Montana\", and the albums Roxy & Elsewhere (1974) and One Size Fits All (1975) which feature ever-changing versions of a band still called the Mothers, and are notable for the tight renditions of highly difficult jazz fusion songs in such pieces as \"Inca Roads\", \"Echidna's Arf (Of You)\" and \"Be-Bop Tango (Of the Old Jazzmen's Church)\".", "Other albums from the period are Over-Nite Sensation (1973), which contained several future concert favorites, such as \"Dinah-Moe Humm\" and \"Montana\", and the albums Roxy & Elsewhere (1974) and One Size Fits All (1975) which feature ever-changing versions of a band still called the Mothers, and are notable for the tight renditions of highly difficult jazz fusion songs in such pieces as \"Inca Roads\", \"Echidna's Arf (Of You)\" and \"Be-Bop Tango (Of the Old Jazzmen's Church)\". A live recording from 1974, You Can't Do That on Stage Anymore, Vol.", "A live recording from 1974, You Can't Do That on Stage Anymore, Vol. 2 (1988), captures \"the full spirit and excellence of the 1973–1975 band\". Zappa released Bongo Fury (1975), which featured a live recording at the Armadillo World Headquarters in Austin from a tour the same year that reunited him with Captain Beefheart for a brief period. They later became estranged for a period of years, but were in contact at the end of Zappa's life.", "They later became estranged for a period of years, but were in contact at the end of Zappa's life. Business breakups and touring In 1976 Zappa produced the album Good Singin', Good Playin' for Grand Funk Railroad. Zappa's relationship with long-time manager Herb Cohen ended in May 1976. Zappa sued Cohen for skimming more than he was allocated from DiscReet Records, as well as for signing acts of which Zappa did not approve.", "Zappa sued Cohen for skimming more than he was allocated from DiscReet Records, as well as for signing acts of which Zappa did not approve. Cohen filed a lawsuit against Zappa in return, which froze the money Zappa and Cohen had gained from an out-of-court settlement with MGM over the rights of the early Mothers of Invention recordings. It also prevented Zappa having access to any of his previously recorded material during the trials.", "It also prevented Zappa having access to any of his previously recorded material during the trials. Zappa therefore took his personal master copies of the rock-oriented Zoot Allures (1976) directly to Warner, thereby bypassing DiscReet. Following the split with Cohen, Zappa hired Bennett Glotzer as new manager. By late 1976 Zappa was upset with Warner over inadequate promotion of his recordings and he was eager to move on as soon as possible. In March 1977 Zappa delivered four albums (five full-length LPs) to Warner to complete his contract.", "In March 1977 Zappa delivered four albums (five full-length LPs) to Warner to complete his contract. These albums contained recordings mostly made between 1972 and 1976. Warner failed to meet contractual obligations to Zappa, but after a lengthy legal dispute they did eventually release these recordings during 1978 and 1979 in censored form. Also, in 1977 Zappa prepared a four-LP box set called Läther (pronounced \"leather\") and negotiated distribution with Phonogram Inc. for release on the Zappa Records label.", "Also, in 1977 Zappa prepared a four-LP box set called Läther (pronounced \"leather\") and negotiated distribution with Phonogram Inc. for release on the Zappa Records label. The Läther box set was scheduled for release on Halloween 1977, but legal action from Warner forced Zappa to shelve this project. In December 1977 Zappa appeared on the Pasadena, California radio station KROQ-FM and played the entire Läther album, while encouraging listeners to make tape recordings of the broadcast.", "In December 1977 Zappa appeared on the Pasadena, California radio station KROQ-FM and played the entire Läther album, while encouraging listeners to make tape recordings of the broadcast. Both sets of recordings (five-LP and four-LP) have much of the same material, but each also has unique content. The albums integrate many aspects of Zappa's 1970s work: heavy rock, orchestral works, and complex jazz instrumentals, along with Zappa's distinctive guitar solos. Läther was officially released posthumously in 1996.", "Läther was officially released posthumously in 1996. Läther was officially released posthumously in 1996. It is still debated as to whether Zappa had conceived the material as a four-LP set from the beginning, or only later when working with Phonogram. Although Zappa eventually gained the rights to all his material created under the MGM and Warner contracts, the various lawsuits meant that for a period Zappa's only income came from touring, which he therefore did extensively in 1975–1977 with relatively small, mainly rock-oriented, bands.", "Although Zappa eventually gained the rights to all his material created under the MGM and Warner contracts, the various lawsuits meant that for a period Zappa's only income came from touring, which he therefore did extensively in 1975–1977 with relatively small, mainly rock-oriented, bands. Drummer Terry Bozzio became a regular band member, Napoleon Murphy Brock stayed on for a while, and original Mothers of Invention bassist Roy Estrada joined. Among other musicians were bassist Patrick O'Hearn, singer-guitarist Ray White and keyboardist/violinist Eddie Jobson.", "Among other musicians were bassist Patrick O'Hearn, singer-guitarist Ray White and keyboardist/violinist Eddie Jobson. In December 1976, Zappa appeared as a featured musical guest on the NBC television show Saturday Night Live. Zappa's song \"I'm the Slime\" was performed with a voice-over by SNL booth announcer Don Pardo, who also introduced \"Peaches En Regalia\" on the same airing. In 1978, Zappa served both as host and musical act on the show, and as an actor in various sketches.", "In 1978, Zappa served both as host and musical act on the show, and as an actor in various sketches. The performances included an impromptu musical collaboration with cast member John Belushi during the instrumental piece \"The Purple Lagoon\". Belushi appeared as his Samurai Futaba character playing the tenor sax with Zappa conducting. Zappa's band had a series of Christmas shows in New York City in 1976, recordings of which appear on Zappa in New York (1978) and also on the four-LP Läther project.", "Zappa's band had a series of Christmas shows in New York City in 1976, recordings of which appear on Zappa in New York (1978) and also on the four-LP Läther project. The band included Ruth Underwood and a horn section (featuring Michael and Randy Brecker). It mixes complex instrumentals such as \"The Black Page\" and humorous songs like \"Titties and Beer\".", "It mixes complex instrumentals such as \"The Black Page\" and humorous songs like \"Titties and Beer\". The former composition, written originally for drum kit but later developed for larger bands, is notorious for its complexity in rhythmic structure and short, densely arranged passages. Zappa in New York also featured a song about sex criminal Michael H. Kenyon, \"The Illinois Enema Bandit\", in which Don Pardo provides the opening narrative.", "Zappa in New York also featured a song about sex criminal Michael H. Kenyon, \"The Illinois Enema Bandit\", in which Don Pardo provides the opening narrative. Like many songs on the album, it contained numerous sexual references, leading to many critics objecting and being offended by the content. Zappa dismissed the criticism by noting that he was a journalist reporting on life as he saw it.", "Zappa dismissed the criticism by noting that he was a journalist reporting on life as he saw it. Predating his later fight against censorship, he remarked: \"What do you make of a society that is so primitive that it clings to the belief that certain words in its language are so powerful that they could corrupt you the moment you hear them?\" The remaining albums released by Warner without Zappa's approval were Studio Tan in 1978 and Sleep Dirt and Orchestral Favorites in 1979.", "The remaining albums released by Warner without Zappa's approval were Studio Tan in 1978 and Sleep Dirt and Orchestral Favorites in 1979. These releases were largely overlooked in midst of the press about Zappa's legal problems. Zappa Records label Zappa released two of his most important projects in 1979. These were the best-selling album of his career, Sheik Yerbouti, and what author Kelley Lowe called the \"bona fide masterpiece\", Joe's Garage.", "These were the best-selling album of his career, Sheik Yerbouti, and what author Kelley Lowe called the \"bona fide masterpiece\", Joe's Garage. The double album Sheik Yerbouti appeared in March 1979 and was the first release to appear on Zappa Records. It contained the Grammy-nominated single \"Dancin' Fool\", which reached No. 45 on the Billboard charts.", "45 on the Billboard charts. 45 on the Billboard charts. It also contained \"Jewish Princess\", which received attention when a Jewish group, the Anti-Defamation League (ADL), attempted to prevent the song from receiving radio airplay due to its alleged anti-Semitic lyrics. Zappa vehemently denied any anti-Semitic sentiments, and dismissed the ADL as a \"noisemaking organization that tries to apply pressure on people in order to manufacture a stereotype image of Jews that suits their idea of a good time.\"", "Zappa vehemently denied any anti-Semitic sentiments, and dismissed the ADL as a \"noisemaking organization that tries to apply pressure on people in order to manufacture a stereotype image of Jews that suits their idea of a good time.\" The album's commercial success was attributable in part to \"Bobby Brown\".", "The album's commercial success was attributable in part to \"Bobby Brown\". Due to its explicit lyrics about a young man's encounter with a \"dyke by the name of Freddie\", the song did not get airplay in the U.S., but it topped the charts in several European countries where English is not the primary language. Joe's Garage initially had to be released in two parts.", "Joe's Garage initially had to be released in two parts. The first was a single LP Joe's Garage Act I in September 1979, followed by a double LP Joe's Garage Acts II and III in November 1979.", "The first was a single LP Joe's Garage Act I in September 1979, followed by a double LP Joe's Garage Acts II and III in November 1979. The albums feature singer Ike Willis as lead character \"Joe\" in a rock opera about the danger of political systems, the suppression of freedom of speech and music—inspired in part by the 1979 Islamic Iranian revolution that had made music illegal—and about the \"strange relationship Americans have with sex and sexual frankness\".", "The albums feature singer Ike Willis as lead character \"Joe\" in a rock opera about the danger of political systems, the suppression of freedom of speech and music—inspired in part by the 1979 Islamic Iranian revolution that had made music illegal—and about the \"strange relationship Americans have with sex and sexual frankness\". The first act contains the song \"Catholic Girls\" (a riposte to the controversies of \"Jewish Princess\"), and the title track, which was also released as a single.", "The first act contains the song \"Catholic Girls\" (a riposte to the controversies of \"Jewish Princess\"), and the title track, which was also released as a single. The second and third acts have extended guitar improvisations, which were recorded live, then combined with studio backing tracks. Zappa described this process as xenochrony.", "Zappa described this process as xenochrony. Zappa described this process as xenochrony. In this period the band included drummer Vinnie Colaiuta (with whom Zappa had a particularly strong musical rapport) Joe's Garage contains one of Zappa's most famous guitar \"signature pieces\", \"Watermelon in Easter Hay\". This work later appeared as a three-LP, or two-CD set. On December 21, 1979, Zappa's movie Baby Snakes premiered in New York.", "On December 21, 1979, Zappa's movie Baby Snakes premiered in New York. The movie's tagline was \"A movie about people who do stuff that is not normal\". The 2 hour and 40 minutes movie was based on footage from concerts in New York around Halloween 1977, with a band featuring keyboardist Tommy Mars and percussionist Ed Mann (who would both return on later tours) as well as guitarist Adrian Belew.", "The 2 hour and 40 minutes movie was based on footage from concerts in New York around Halloween 1977, with a band featuring keyboardist Tommy Mars and percussionist Ed Mann (who would both return on later tours) as well as guitarist Adrian Belew. It also contained several extraordinary sequences of clay animation by Bruce Bickford who had earlier provided animation sequences to Zappa for a 1974 TV special (which became available on the 1982 video The Dub Room Special).", "It also contained several extraordinary sequences of clay animation by Bruce Bickford who had earlier provided animation sequences to Zappa for a 1974 TV special (which became available on the 1982 video The Dub Room Special). The movie did not do well in theatrical distribution, but won the Premier Grand Prix at the First International Music Festival in Paris in 1981. 1980s–1990s Zappa cut ties with Phonogram after the distributor refused to release his song \"I Don't Wanna Get Drafted\", which was recorded in February 1980.", "1980s–1990s Zappa cut ties with Phonogram after the distributor refused to release his song \"I Don't Wanna Get Drafted\", which was recorded in February 1980. The single was released independently by Zappa in the United States and was picked up by CBS Records internationally. After spending much of 1980 on the road, Zappa released Tinsel Town Rebellion in 1981. It was the first release on his own Barking Pumpkin Records, and it contains songs taken from a 1979 tour, one studio track and material from the 1980 tours.", "It was the first release on his own Barking Pumpkin Records, and it contains songs taken from a 1979 tour, one studio track and material from the 1980 tours. The album is a mixture of complicated instrumentals and Zappa's use of sprechstimme (speaking song or voice)—a compositional technique utilized by such composers as Arnold Schoenberg and Alban Berg—showcasing some of the most accomplished bands Zappa ever had (mostly featuring drummer Vinnie Colaiuta).", "The album is a mixture of complicated instrumentals and Zappa's use of sprechstimme (speaking song or voice)—a compositional technique utilized by such composers as Arnold Schoenberg and Alban Berg—showcasing some of the most accomplished bands Zappa ever had (mostly featuring drummer Vinnie Colaiuta). While some lyrics still raised controversy among critics, some of whom found them sexist, the political and sociological satire in songs like the title track and \"The Blue Light\" have been described as a \"hilarious critique of the willingness of the American people to believe anything\".", "While some lyrics still raised controversy among critics, some of whom found them sexist, the political and sociological satire in songs like the title track and \"The Blue Light\" have been described as a \"hilarious critique of the willingness of the American people to believe anything\". The album is also notable for the presence of guitarist Steve Vai, who joined Zappa's touring band in late 1980. The same year the double album You Are What You Is was released.", "The same year the double album You Are What You Is was released. Most of it was recorded in Zappa's brand new Utility Muffin Research Kitchen (UMRK) studios, which were located at his house, thereby giving him complete freedom in his work. The album included one complex instrumental, \"Theme from the 3rd Movement of Sinister Footwear\", but mainly consisted of rock songs with Zappa's sardonic social commentary—satirical lyrics directed at teenagers, the media, and religious and political hypocrisy.", "The album included one complex instrumental, \"Theme from the 3rd Movement of Sinister Footwear\", but mainly consisted of rock songs with Zappa's sardonic social commentary—satirical lyrics directed at teenagers, the media, and religious and political hypocrisy. \"Dumb All Over\" is a tirade on religion, as is \"Heavenly Bank Account\", wherein Zappa rails against TV evangelists such as Jerry Falwell and Pat Robertson for their purported influence on the U.S. administration as well as their use of religion as a means of raising money.", "\"Dumb All Over\" is a tirade on religion, as is \"Heavenly Bank Account\", wherein Zappa rails against TV evangelists such as Jerry Falwell and Pat Robertson for their purported influence on the U.S. administration as well as their use of religion as a means of raising money. Songs like \"Society Pages\" and \"I'm a Beautiful Guy\" show Zappa's dismay with the Reagan era and its \"obscene pursuit of wealth and happiness\".", "Songs like \"Society Pages\" and \"I'm a Beautiful Guy\" show Zappa's dismay with the Reagan era and its \"obscene pursuit of wealth and happiness\". Zappa made his only music video for a song from this album - \"You Are What You Is\" - directed by Jerry Watson, produced by Paul Flattery. It was banned from MTV. Zappa's management relationship with Bennett Glotzer ended in 1984. From then on Gail acted as co-manager with Frank of all his business interests.", "From then on Gail acted as co-manager with Frank of all his business interests. In 1981, Zappa also released three instrumental albums, Shut Up 'n Play Yer Guitar, Shut Up 'N Play Yer Guitar Some More, and The Return of the Son of Shut Up 'N Play Yer Guitar, which were initially sold via mail order, but later released through CBS Records (now Sony Music Entertainment) due to popular demand.", "In 1981, Zappa also released three instrumental albums, Shut Up 'n Play Yer Guitar, Shut Up 'N Play Yer Guitar Some More, and The Return of the Son of Shut Up 'N Play Yer Guitar, which were initially sold via mail order, but later released through CBS Records (now Sony Music Entertainment) due to popular demand. The albums focus exclusively on Frank Zappa as a guitar soloist, and the tracks are predominantly live recordings from 1979 to 1980; they highlight Zappa's improvisational skills with \"beautiful performances from the backing group as well\".", "The albums focus exclusively on Frank Zappa as a guitar soloist, and the tracks are predominantly live recordings from 1979 to 1980; they highlight Zappa's improvisational skills with \"beautiful performances from the backing group as well\". Another guitar-only album, Guitar, was released in 1988, and a third, Trance-Fusion, which Zappa completed shortly before his death, was released in 2006. Zappa later expanded on his television appearances in a non-musical role.", "Zappa later expanded on his television appearances in a non-musical role. He was an actor or voice artist in episodes of Shelley Duvall's Faerie Tale Theatre, Miami Vice and The Ren & Stimpy Show. A voice part in The Simpsons never materialized, to creator Matt Groening's disappointment (Groening was a neighbor of Zappa and a lifelong fan).", "A voice part in The Simpsons never materialized, to creator Matt Groening's disappointment (Groening was a neighbor of Zappa and a lifelong fan). \"Valley Girl\" and classical performances In May 1982, Zappa released Ship Arriving Too Late to Save a Drowning Witch, which featured his biggest selling single ever, the Grammy Award-nominated song \"Valley Girl\" (topping out at No. 32 on the Billboard charts).", "32 on the Billboard charts). 32 on the Billboard charts). In her improvised lyrics to the song, Zappa's daughter Moon satirized the patois of teenage girls from the San Fernando Valley, which popularized many \"Valspeak\" expressions such as \"gag me with a spoon\", \"fer sure, fer sure\", \"grody to the max\", and \"barf out\". In 1983, two different projects were released, beginning with The Man from Utopia, a rock-oriented work.", "In 1983, two different projects were released, beginning with The Man from Utopia, a rock-oriented work. The album is eclectic, featuring the vocal-led \"Dangerous Kitchen\" and \"The Jazz Discharge Party Hats\", both continuations of the sprechstimme excursions on Tinseltown Rebellion. The second album, London Symphony Orchestra, Vol. I, contained orchestral Zappa compositions conducted by Kent Nagano and performed by the London Symphony Orchestra (LSO). A second record of these sessions, London Symphony Orchestra, Vol.", "A second record of these sessions, London Symphony Orchestra, Vol. II was released in 1987. The material was recorded under a tight schedule with Zappa providing all funding, helped by the commercial success of \"Valley Girl\". Zappa was not satisfied with the LSO recordings. One reason is \"Strictly Genteel\", which was recorded after the trumpet section had been out for drinks on a break: the track took 40 edits to hide out-of-tune notes.", "One reason is \"Strictly Genteel\", which was recorded after the trumpet section had been out for drinks on a break: the track took 40 edits to hide out-of-tune notes. Conductor Nagano, who was pleased with the experience, noted that \"in fairness to the orchestra, the music is humanly very, very difficult\". Some reviews noted that the recordings were the best representation of Zappa's orchestral work so far.", "Some reviews noted that the recordings were the best representation of Zappa's orchestral work so far. In 1984 Zappa teamed again with Nagano and the Berkeley Symphony Orchestra for a live performance of A Zappa Affair with augmented orchestra, life-size puppets, and moving stage sets. Although critically acclaimed the work was a financial failure, and only performed twice. Zappa was invited by conference organizer Thomas Wells to be the keynote speaker at the American Society of University Composers at the Ohio State University.", "Zappa was invited by conference organizer Thomas Wells to be the keynote speaker at the American Society of University Composers at the Ohio State University. It was there Zappa delivered his famous \"Bingo! There Goes Your Tenure\" address, and had two of his orchestra pieces, \"Dupree's Paradise\" and \"Naval Aviation in Art?\" performed by the Columbus Symphony and ProMusica Chamber Orchestra of Columbus.", "performed by the Columbus Symphony and ProMusica Chamber Orchestra of Columbus. Synclavier For the remainder of his career, much of Zappa's work was influenced by his use of the Synclavier, an early digital synthesizer, as a compositional and performance tool. According to Zappa, \"With the Synclavier, any group of imaginary instruments can be invited to play the most difficult passages ... with one-millisecond accuracy—every time\". Even though it essentially did away with the need for musicians, Zappa viewed the Synclavier and real-life musicians as separate.", "Even though it essentially did away with the need for musicians, Zappa viewed the Synclavier and real-life musicians as separate. In 1984, he released four albums. Boulez Conducts Zappa: The Perfect Stranger contains orchestral works commissioned and conducted by celebrated conductor, composer and pianist Pierre Boulez (who was listed as an influence on Freak Out! ), and performed by his Ensemble InterContemporain. These were juxtaposed with premiere Synclavier pieces.", "These were juxtaposed with premiere Synclavier pieces. These were juxtaposed with premiere Synclavier pieces. Again, Zappa was not satisfied with the performances of his orchestral works, regarding them as under-rehearsed, but in the album liner notes he respectfully thanks Boulez's demands for precision. The Synclavier pieces stood in contrast to the orchestral works, as the sounds were electronically generated and not, as became possible shortly thereafter, sampled.", "The Synclavier pieces stood in contrast to the orchestral works, as the sounds were electronically generated and not, as became possible shortly thereafter, sampled. The album Thing-Fish was an ambitious three-record set in the style of a Broadway play dealing with a dystopian \"what-if\" scenario involving feminism, homosexuality, manufacturing and distribution of the AIDS virus, and a eugenics program conducted by the United States government. New vocals were combined with previously released tracks and new Synclavier music; \"the work is an extraordinary example of bricolage\".", "New vocals were combined with previously released tracks and new Synclavier music; \"the work is an extraordinary example of bricolage\". Francesco Zappa, a Synclavier rendition of works by 18th-century composer Francesco Zappa, was also released in 1984. Merchandising Zappa’s mail-order merchandise business Barfko-Swill was run by Gerry Fialka, who also worked for Zappa as archivist and production assistant from 1983 to 1993 and answered the phone for Zappa’s Barking Pumpkin Records hotline.", "Merchandising Zappa’s mail-order merchandise business Barfko-Swill was run by Gerry Fialka, who also worked for Zappa as archivist and production assistant from 1983 to 1993 and answered the phone for Zappa’s Barking Pumpkin Records hotline. Fialka appears giving a tour of Barfko-Swill in the 1987 VHS release (but not the original 1979 film release) of Zappa's film Baby Snakes. He is credited on-screen as \"GERALD FIALKA Cool Guy Who Wraps Stuff So It Doesn't Break\".", "He is credited on-screen as \"GERALD FIALKA Cool Guy Who Wraps Stuff So It Doesn't Break\". A short clip of this tour is also included in the 2020 documentary film Zappa. Digital medium and last tour Around 1986, Zappa undertook a comprehensive re-release program of his earlier vinyl recordings. He personally oversaw the remastering of all his 1960s, 1970s and early 1980s albums for the new digital compact disc medium. Certain aspects of these re-issues were criticized by some fans as being unfaithful to the original recordings.", "Certain aspects of these re-issues were criticized by some fans as being unfaithful to the original recordings. Nearly twenty years before the advent of online music stores, Zappa had proposed to replace \"phonographic record merchandising\" of music by \"direct digital-to-digital transfer\" through phone or cable TV (with royalty payments and consumer billing automatically built into the accompanying software). In 1989, Zappa considered his idea a \"miserable flop\".", "In 1989, Zappa considered his idea a \"miserable flop\". The album Jazz from Hell, released in 1986, earned Zappa his first Grammy Award in 1988 for Best Rock Instrumental Performance. Except for one live guitar solo (\"St. Etienne\"), the album exclusively featured compositions brought to life by the Synclavier.", "Except for one live guitar solo (\"St. Etienne\"), the album exclusively featured compositions brought to life by the Synclavier. Zappa's last tour in a rock and jazz band format took place in 1988 with a 12-piece group which had a repertoire of over 100 (mostly Zappa) compositions, but which split under acrimonious circumstances before the tour was completed.", "Zappa's last tour in a rock and jazz band format took place in 1988 with a 12-piece group which had a repertoire of over 100 (mostly Zappa) compositions, but which split under acrimonious circumstances before the tour was completed. The tour was documented on the albums Broadway the Hard Way (new material featuring songs with strong political emphasis); The Best Band You Never Heard in Your Life (Zappa \"standards\" and an eclectic collection of cover tunes, ranging from Maurice Ravel's Boléro to Led Zeppelin's Stairway to Heaven to The Beatles' I Am The Walrus); and also, Make a Jazz Noise Here.", "The tour was documented on the albums Broadway the Hard Way (new material featuring songs with strong political emphasis); The Best Band You Never Heard in Your Life (Zappa \"standards\" and an eclectic collection of cover tunes, ranging from Maurice Ravel's Boléro to Led Zeppelin's Stairway to Heaven to The Beatles' I Am The Walrus); and also, Make a Jazz Noise Here. Parts are also found on You Can't Do That on Stage Anymore, volumes 4 and 6.", "Parts are also found on You Can't Do That on Stage Anymore, volumes 4 and 6. Recordings from this tour also appear on the 2006 album Trance-Fusion. Health deterioration In 1990, Zappa was diagnosed with terminal prostate cancer. The disease had been developing unnoticed for years and was considered inoperable. After the diagnosis, Zappa devoted most of his energy to modern orchestral and Synclavier works. Shortly before his death in 1993 he completed Civilization Phaze III, a major Synclavier work which he had begun in the 1980s.", "Shortly before his death in 1993 he completed Civilization Phaze III, a major Synclavier work which he had begun in the 1980s. In 1991, Zappa was chosen to be one of four featured composers at the Frankfurt Festival in 1992 (the others were John Cage, Karlheinz Stockhausen, and Alexander Knaifel). Zappa was approached by the German chamber ensemble Ensemble Modern which was interested in playing his music for the event. Although ill, he invited them to Los Angeles for rehearsals of new compositions and new arrangements of older material.", "Although ill, he invited them to Los Angeles for rehearsals of new compositions and new arrangements of older material. Zappa also got along with the musicians, and the concerts in Germany and Austria were set up for later in the year.", "Zappa also got along with the musicians, and the concerts in Germany and Austria were set up for later in the year. Zappa also performed in 1991 in Prague, claiming that \"was the first time that he had a reason to play his guitar in 3 years\", and that that moment was just \"the beginning of a new country\", and asked the public to \"try to keep your country unique, do not change it into something else\".", "Zappa also performed in 1991 in Prague, claiming that \"was the first time that he had a reason to play his guitar in 3 years\", and that that moment was just \"the beginning of a new country\", and asked the public to \"try to keep your country unique, do not change it into something else\". In September 1992, the concerts went ahead as scheduled but Zappa could only appear at two in Frankfurt due to illness.", "In September 1992, the concerts went ahead as scheduled but Zappa could only appear at two in Frankfurt due to illness. At the first concert, he conducted the opening \"Overture\", and the final \"G-Spot Tornado\" as well as the theatrical \"Food Gathering in Post-Industrial America, 1992\" and \"Welcome to the United States\" (the remainder of the program was conducted by the ensemble's regular conductor Peter Rundel). Zappa received a 20-minute ovation. G-Spot Tornado was performed with Canadian dancer Louise Lecavalier.", "G-Spot Tornado was performed with Canadian dancer Louise Lecavalier. G-Spot Tornado was performed with Canadian dancer Louise Lecavalier. It was Zappa's last professional public appearance as the cancer was spreading to such an extent that he was in too much pain to enjoy an event that he otherwise found \"exhilarating\". Recordings from the concerts appeared on The Yellow Shark (1993), Zappa's last release during his lifetime, and some material from studio rehearsals appeared on the posthumous Everything Is Healing Nicely (1999).", "Recordings from the concerts appeared on The Yellow Shark (1993), Zappa's last release during his lifetime, and some material from studio rehearsals appeared on the posthumous Everything Is Healing Nicely (1999). Death Zappa died from prostate cancer on December 4, 1993, 17 days before his 53rd birthday at his home with his wife and children by his side. At a private ceremony the following day, his body was buried in a grave at the Westwood Village Memorial Park Cemetery, in Los Angeles.", "At a private ceremony the following day, his body was buried in a grave at the Westwood Village Memorial Park Cemetery, in Los Angeles. The grave is unmarked. On December 6, his family publicly announced that \"Composer Frank Zappa left for his final tour just before 6:00 pm on Saturday\".", "On December 6, his family publicly announced that \"Composer Frank Zappa left for his final tour just before 6:00 pm on Saturday\". Musical style and development Genres The general phases of Zappa's music have been variously categorized under experimental rock, jazz, classical, avant-pop, experimental pop, comedy rock, doo-wop, jazz fusion, progressive rock, proto-prog, avant-jazz, and psychedelic rock.", "Musical style and development Genres The general phases of Zappa's music have been variously categorized under experimental rock, jazz, classical, avant-pop, experimental pop, comedy rock, doo-wop, jazz fusion, progressive rock, proto-prog, avant-jazz, and psychedelic rock. Influences Zappa grew up influenced by avant-garde composers such as Edgard Varèse, Igor Stravinsky, and Anton Webern; 1950s blues artists Clarence \"Gatemouth\" Brown, Guitar Slim, Howlin' Wolf, Johnny \"Guitar\" Watson, and B.B.", "Influences Zappa grew up influenced by avant-garde composers such as Edgard Varèse, Igor Stravinsky, and Anton Webern; 1950s blues artists Clarence \"Gatemouth\" Brown, Guitar Slim, Howlin' Wolf, Johnny \"Guitar\" Watson, and B.B. King; Egyptian composer Halim El-Dabh; R&B and doo-wop groups (particularly local pachuco groups); and modern jazz.", "King; Egyptian composer Halim El-Dabh; R&B and doo-wop groups (particularly local pachuco groups); and modern jazz. His own heterogeneous ethnic background, and the diverse social and cultural mix in and around greater Los Angeles, were crucial in the formation of Zappa as a practitioner of underground music and of his later distrustful and openly critical attitude towards \"mainstream\" social, political and musical movements. He frequently lampooned musical fads like psychedelia, rock opera and disco.", "He frequently lampooned musical fads like psychedelia, rock opera and disco. Television also exerted a strong influence, as demonstrated by quotations from show themes and advertising jingles found in his later works. In his book The Real Frank Zappa Book, Frank credited composer Spike Jones for Zappa's frequent use of funny sound effects, mouth noises, and humorous percussion interjections. After explaining his ideas on this, he said \"I owe this part of my musical existence to Spike Jones.\"", "After explaining his ideas on this, he said \"I owe this part of my musical existence to Spike Jones.\" Project/Object Zappa's albums make extensive use of segued tracks, breaklessly joining the elements of his albums. His total output is unified by a conceptual continuity he termed \"Project/Object\", with numerous musical phrases, ideas, and characters reappearing across his albums. He also called it a \"conceptual continuity\", meaning that any project or album was part of a larger project.", "He also called it a \"conceptual continuity\", meaning that any project or album was part of a larger project. Everything was connected, and musical themes and lyrics reappeared in different form on later albums. Conceptual continuity clues are found throughout Zappa's entire œuvre. Techniques Guitar playing Zappa is widely recognized as one of the most significant electric guitar soloists.", "Techniques Guitar playing Zappa is widely recognized as one of the most significant electric guitar soloists. In a 1983 issue of Guitar World, John Swenson declared: \"the fact of the matter is that [Zappa] is one of the greatest guitarists we have and is sorely unappreciated as such.\" His idiosyncratic style developed gradually and was mature by the early 1980s, by which time his live performances featured lengthy improvised solos during many songs.", "His idiosyncratic style developed gradually and was mature by the early 1980s, by which time his live performances featured lengthy improvised solos during many songs. A November 2016 feature by the editors of Guitar Player magazine wrote: \"Brimming with sophisticated motifs and convoluted rhythms, Zappa's extended excursions are more akin to symphonies than they are to guitar solos.\" The symphonic comparison stems from his habit of introducing melodic themes that, like a symphony's main melodies, were repeated with variations throughout his solos.", "The symphonic comparison stems from his habit of introducing melodic themes that, like a symphony's main melodies, were repeated with variations throughout his solos. He was further described as using a wide variety of scales and modes, enlivened by \"unusual rhythmic combinations\". His left hand was capable of smooth legato technique, while Zappa's right was \"one of the fastest pick hands in the business.\"", "His left hand was capable of smooth legato technique, while Zappa's right was \"one of the fastest pick hands in the business.\" In 2016, Dweezil Zappa explained a distinctive element of his father's guitar improvisation technique was relying heavily on upstrokes much more than many other guitarists, who are more likely to use downstrokes with their picking.", "In 2016, Dweezil Zappa explained a distinctive element of his father's guitar improvisation technique was relying heavily on upstrokes much more than many other guitarists, who are more likely to use downstrokes with their picking. His song \"Outside Now\" from Joe's Garage poked fun at the negative reception of Zappa's guitar technique by those more commercially minded, as the song's narrator lives in a world where music is outlawed and he imagines \"imaginary guitar notes that would irritate/An executive kind of guy\", lyrics that are followed by one of Zappa's characteristically quirky solos in 11/8 time.", "His song \"Outside Now\" from Joe's Garage poked fun at the negative reception of Zappa's guitar technique by those more commercially minded, as the song's narrator lives in a world where music is outlawed and he imagines \"imaginary guitar notes that would irritate/An executive kind of guy\", lyrics that are followed by one of Zappa's characteristically quirky solos in 11/8 time. Zappa transcriptionist Kasper Sloots wrote, \"Zappa's guitar solos aren't meant to show off technically (Zappa hasn't claimed to be a big virtuoso on the instrument), but for the pleasure it gives trying to build a composition right in front of an audience without knowing what the outcome will be.\"", "Zappa transcriptionist Kasper Sloots wrote, \"Zappa's guitar solos aren't meant to show off technically (Zappa hasn't claimed to be a big virtuoso on the instrument), but for the pleasure it gives trying to build a composition right in front of an audience without knowing what the outcome will be.\" Zappa's guitar style was not without its critics.", "Zappa's guitar style was not without its critics. Zappa's guitar style was not without its critics. English guitarist and bandleader John McLaughlin, whose band Mahavishnu Orchestra toured with the Mothers of Invention in 1973, opined that Zappa was \"very interesting as a human being and a very interesting composer\" and that he \"was a very good musician but he was a dictator in his band,\" and that he \"was taking very long guitar solos [when performing live]– 10–15 minute guitar solos and really he should have taken two or three minute guitar solos, because they were a little bit boring.\"", "English guitarist and bandleader John McLaughlin, whose band Mahavishnu Orchestra toured with the Mothers of Invention in 1973, opined that Zappa was \"very interesting as a human being and a very interesting composer\" and that he \"was a very good musician but he was a dictator in his band,\" and that he \"was taking very long guitar solos [when performing live]– 10–15 minute guitar solos and really he should have taken two or three minute guitar solos, because they were a little bit boring.\" In 2000, he was ranked number 36 on VH1's 100 Greatest Artists of Hard Rock.", "In 2000, he was ranked number 36 on VH1's 100 Greatest Artists of Hard Rock. In 2004, Rolling Stone magazine ranked him at number 71 on its list of the \"100 Greatest Artists of All Time\", and in 2011 at number 22 on its list of the \"100 Greatest Guitarists of All Time\". Tape manipulation In New York, Zappa increasingly used tape editing as a compositional tool.", "Tape manipulation In New York, Zappa increasingly used tape editing as a compositional tool. A prime example is found on the double album Uncle Meat (1969), where the track \"King Kong\" is edited from various studio and live performances. Zappa had begun regularly recording concerts, and because of his insistence on precise tuning and timing, he was able to augment his studio productions with excerpts from live shows, and vice versa.", "Zappa had begun regularly recording concerts, and because of his insistence on precise tuning and timing, he was able to augment his studio productions with excerpts from live shows, and vice versa. Later, he combined recordings of different compositions into new pieces, irrespective of the tempo or meter of the sources. He dubbed this process \"xenochrony\" (strange synchronizations)—reflecting the Greek \"xeno\" (alien or strange) and \"chronos\" (time). Personal life Zappa was married to Kathryn J.", "Personal life Zappa was married to Kathryn J. Personal life Zappa was married to Kathryn J. \"Kay\" Sherman from 1960 to 1963. In 1967, he married Adelaide Gail Sloatman. He and his second wife had four children: Moon, Dweezil, Ahmet, and Diva. Following Zappa's death, his widow Gail created the Zappa Family Trust, which owns the rights to Zappa's music and some other creative output: more than 60 albums were released during Zappa's lifetime and 40 posthumously.", "Following Zappa's death, his widow Gail created the Zappa Family Trust, which owns the rights to Zappa's music and some other creative output: more than 60 albums were released during Zappa's lifetime and 40 posthumously. Upon Gail's death in October 2015, the Zappa children received shares of the trust; Ahmet and Diva received 30% each, Moon and Dweezil received 20% each.", "Upon Gail's death in October 2015, the Zappa children received shares of the trust; Ahmet and Diva received 30% each, Moon and Dweezil received 20% each. Beliefs and politics Drugs Zappa stated, \"Drugs do not become a problem until the person who uses the drugs does something to you, or does something that would affect your life that you don't want to have happen to you, like an airline pilot who crashes because he was full of drugs.\"", "Beliefs and politics Drugs Zappa stated, \"Drugs do not become a problem until the person who uses the drugs does something to you, or does something that would affect your life that you don't want to have happen to you, like an airline pilot who crashes because he was full of drugs.\" Zappa was a heavy tobacco smoker for most of his life, and strongly critical of anti-tobacco campaigns.", "Zappa was a heavy tobacco smoker for most of his life, and strongly critical of anti-tobacco campaigns. While he disapproved of drug use, he criticized the War on Drugs, comparing it to alcohol prohibition, and stated that the United States Treasury would benefit from the decriminalization and regulation of drugs. Describing his philosophical views, Zappa stated, \"I believe that people have a right to decide their own destinies; people own themselves.", "Describing his philosophical views, Zappa stated, \"I believe that people have a right to decide their own destinies; people own themselves. I also believe that, in a democracy, government exists because (and only so long as) individual citizens give it a 'temporary license to exist'—in exchange for a promise that it will behave itself. In a democracy, you own the government—it doesn't own you.\"", "In a democracy, you own the government—it doesn't own you.\" Government and religion In a 1991 interview, Zappa reported that he was a registered Democrat but added \"that might not last long—I'm going to shred that\". Describing his political views, Zappa categorized himself as a \"practical conservative\".", "Describing his political views, Zappa categorized himself as a \"practical conservative\". He favored limited government and low taxes; he also stated that he approved of national defense, social security, and other federal programs, but only if recipients of such programs are willing and able to pay for them. He favored capitalism, entrepreneurship, and independent business, stating that musicians could make more from owning their own businesses than from collecting royalties.", "He favored capitalism, entrepreneurship, and independent business, stating that musicians could make more from owning their own businesses than from collecting royalties. He opposed communism, stating, \"A system that doesn't allow ownership ... has—to put it mildly—a fatal design flaw.\" He had always encouraged his fans to register to vote on album covers, and throughout 1988 he had registration booths at his concerts. He even considered running for president of the United States as an independent. Zappa was an atheist.", "Zappa was an atheist. Zappa was an atheist. He recalled his parents being \"pretty religious\" and trying to make him go to Catholic school despite his resentment. He felt disgust towards organized religion (Christianity in particular) because he believed that it promoted ignorance and anti-intellectualism. He held the view that the Garden of Eden story shows that the essence of Christianity is to oppose gaining knowledge.", "He held the view that the Garden of Eden story shows that the essence of Christianity is to oppose gaining knowledge. Some of his songs, concert performances, interviews and public debates in the 1980s criticized and derided Republicans and their policies, President Ronald Reagan, the Strategic Defense Initiative (SDI), televangelism, and the Christian Right, and warned that the United States government was in danger of becoming a \"fascist theocracy\". In early 1990, Zappa visited Czechoslovakia at the request of President Václav Havel.", "In early 1990, Zappa visited Czechoslovakia at the request of President Václav Havel. Havel designated him as Czechoslovakia's \"Special Ambassador to the West on Trade, Culture and Tourism\". Havel was a lifelong fan of Zappa, who had great influence in the avant-garde and underground scene in Central Europe in the 1970s and 1980s (a Czech rock group that was imprisoned in 1976 took its name from Zappa's 1968 song \"Plastic People\"). Under pressure from Secretary of State James Baker, Zappa's posting was withdrawn.", "Under pressure from Secretary of State James Baker, Zappa's posting was withdrawn. Havel made Zappa an unofficial cultural attaché instead. Zappa planned to develop an international consulting enterprise to facilitate trade between the former Eastern Bloc and Western businesses. Anti-censorship Zappa expressed opinions on censorship when he appeared on CNN's Crossfire TV series and debated issues with Washington Times commentator John Lofton in 1986.", "Anti-censorship Zappa expressed opinions on censorship when he appeared on CNN's Crossfire TV series and debated issues with Washington Times commentator John Lofton in 1986. On September 19, 1985, Zappa testified before the United States Senate Commerce, Technology, and Transportation committee, attacking the Parents Music Resource Center or PMRC, a music organization co-founded by Tipper Gore, wife of then-senator Al Gore.", "On September 19, 1985, Zappa testified before the United States Senate Commerce, Technology, and Transportation committee, attacking the Parents Music Resource Center or PMRC, a music organization co-founded by Tipper Gore, wife of then-senator Al Gore. The PMRC consisted of many wives of politicians, including the wives of five members of the committee, and was founded to address the issue of song lyrics with sexual or satanic content.", "The PMRC consisted of many wives of politicians, including the wives of five members of the committee, and was founded to address the issue of song lyrics with sexual or satanic content. During Zappa's testimony, he stated that there was a clear conflict of interest between the PMRC due to the relations of its founders to the politicians who were then trying to pass what he referred to as the \"Blank Tape Tax.\"", "During Zappa's testimony, he stated that there was a clear conflict of interest between the PMRC due to the relations of its founders to the politicians who were then trying to pass what he referred to as the \"Blank Tape Tax.\" Kandy Stroud, a spokeswoman for the PMRC, announced that Senator Gore (who co-founded the committee) was a co-sponsor of that legislation.", "Kandy Stroud, a spokeswoman for the PMRC, announced that Senator Gore (who co-founded the committee) was a co-sponsor of that legislation. Zappa suggested that record labels were trying to get the bill passed quickly through committees, one of which was chaired by Senator Strom Thurmond, who was also affiliated with the PMRC. Zappa further pointed out that this committee was being used as a distraction from that bill being passed, which would lead only to the benefit of a select few in the music industry.", "Zappa further pointed out that this committee was being used as a distraction from that bill being passed, which would lead only to the benefit of a select few in the music industry. Zappa saw their activities as on a path towards censorship and called their proposal for voluntary labelling of records with explicit content \"extortion\" of the music industry.", "Zappa saw their activities as on a path towards censorship and called their proposal for voluntary labelling of records with explicit content \"extortion\" of the music industry. In his prepared statement, he said: The PMRC proposal is an ill-conceived piece of nonsense which fails to deliver any real benefits to children, infringes the civil liberties of people who are not children, and promises to keep the courts busy for years dealing with the interpretational and enforcemental problems inherent in the proposal's design.", "In his prepared statement, he said: The PMRC proposal is an ill-conceived piece of nonsense which fails to deliver any real benefits to children, infringes the civil liberties of people who are not children, and promises to keep the courts busy for years dealing with the interpretational and enforcemental problems inherent in the proposal's design. It is my understanding that, in law, First Amendment issues are decided with a preference for the least restrictive alternative.", "It is my understanding that, in law, First Amendment issues are decided with a preference for the least restrictive alternative. In this context, the PMRC's demands are the equivalent of treating dandruff by decapitation. ... The establishment of a rating system, voluntary or otherwise, opens the door to an endless parade of moral quality control programs based on things certain Christians do not like.", "The establishment of a rating system, voluntary or otherwise, opens the door to an endless parade of moral quality control programs based on things certain Christians do not like. What if the next bunch of Washington wives demands a large yellow \"J\" on all material written or performed by Jews, in order to save helpless children from exposure to concealed Zionist doctrine?", "What if the next bunch of Washington wives demands a large yellow \"J\" on all material written or performed by Jews, in order to save helpless children from exposure to concealed Zionist doctrine? Zappa set excerpts from the PMRC hearings to Synclavier music in his composition \"Porn Wars\" on the 1985 album Frank Zappa Meets the Mothers of Prevention, and the full recording was released in 2010 as Congress Shall Make No Law... Zappa is heard interacting with Senators Fritz Hollings, Slade Gorton and Al Gore.", "Zappa set excerpts from the PMRC hearings to Synclavier music in his composition \"Porn Wars\" on the 1985 album Frank Zappa Meets the Mothers of Prevention, and the full recording was released in 2010 as Congress Shall Make No Law... Zappa is heard interacting with Senators Fritz Hollings, Slade Gorton and Al Gore. Legacy Zappa had a controversial critical standing during his lifetime.", "Legacy Zappa had a controversial critical standing during his lifetime. As Geoffrey Himes noted in 1993 after the artist's death, Zappa was hailed as a genius by conductor Kent Nagano and nominated by Czechoslovakian President Václav Havel to the country's cultural ambassadorship, but he was in his lifetime rejected twice for admission into the Rock and Roll Hall of Fame and been found by critics to lack emotional depth.", "As Geoffrey Himes noted in 1993 after the artist's death, Zappa was hailed as a genius by conductor Kent Nagano and nominated by Czechoslovakian President Václav Havel to the country's cultural ambassadorship, but he was in his lifetime rejected twice for admission into the Rock and Roll Hall of Fame and been found by critics to lack emotional depth. In Christgau's Record Guide: Rock Albums of the Seventies (1981), Robert Christgau dismissed Zappa's music as \"sexist adolescent drivel ... with meters and voicings and key changes that are as hard to play as they are easy to forget.\"", "In Christgau's Record Guide: Rock Albums of the Seventies (1981), Robert Christgau dismissed Zappa's music as \"sexist adolescent drivel ... with meters and voicings and key changes that are as hard to play as they are easy to forget.\" According to Himes: Acclaim and honors The Rolling Stone Album Guide (2004) writes: \"Frank Zappa dabbled in virtually all kinds of music—and, whether guised as a satirical rocker, jazz-rock fusionist, guitar virtuoso, electronics wizard, or orchestral innovator, his eccentric genius was undeniable.\"", "According to Himes: Acclaim and honors The Rolling Stone Album Guide (2004) writes: \"Frank Zappa dabbled in virtually all kinds of music—and, whether guised as a satirical rocker, jazz-rock fusionist, guitar virtuoso, electronics wizard, or orchestral innovator, his eccentric genius was undeniable.\" Even though his work drew inspiration from many different genres, Zappa was seen as establishing a coherent and personal expression.", "Even though his work drew inspiration from many different genres, Zappa was seen as establishing a coherent and personal expression. In 1971, biographer David Walley noted that \"The whole structure of his music is unified, not neatly divided by dates or time sequences and it is all building into a composite\". On commenting on Zappa's music, politics and philosophy, Barry Miles noted in 2004 that they cannot be separated: \"It was all one; all part of his 'conceptual continuity'.\"", "On commenting on Zappa's music, politics and philosophy, Barry Miles noted in 2004 that they cannot be separated: \"It was all one; all part of his 'conceptual continuity'.\" Guitar Player devoted a special issue to Zappa in 1992, and asked on the cover \"Is FZ America's Best Kept Musical Secret?\" Editor Don Menn remarked that the issue was about \"The most important composer to come out of modern popular music\".", "Editor Don Menn remarked that the issue was about \"The most important composer to come out of modern popular music\". Among those contributing to the issue was composer and musicologist Nicolas Slonimsky, who conducted premiere performances of works of Ives and Varèse in the 1930s. He became friends with Zappa in the 1980s, and said, \"I admire everything Frank does, because he practically created the new musical millennium. He does beautiful, beautiful work ...", "He does beautiful, beautiful work ... He does beautiful, beautiful work ... It has been my luck to have lived to see the emergence of this totally new type of music.\" Conductor Kent Nagano remarked in the same issue that \"Frank is a genius. That's a word I don't use often ... In Frank's case it is not too strong ... He is extremely literate musically. I'm not sure if the general public knows that.\"", "I'm not sure if the general public knows that.\" Pierre Boulez told Musician magazine's posthumous Zappa tribute article that Zappa \"was an exceptional figure because he was part of the worlds of rock and classical music and that both types of his work would survive.\" In 1994, jazz magazine DownBeats critics poll placed Zappa in its Hall of Fame. Zappa was posthumously inducted into the Rock and Roll Hall of Fame in 1995.", "Zappa was posthumously inducted into the Rock and Roll Hall of Fame in 1995. There, it was written that \"Frank Zappa was rock and roll's sharpest musical mind and most astute social critic. He was the most prolific composer of his age, and he bridged genres—rock, jazz, classical, avant-garde and even novelty music—with masterful ease\". He was ranked number 36 on VH1's 100 Greatest Artists of Hard Rock in 2000.", "He was ranked number 36 on VH1's 100 Greatest Artists of Hard Rock in 2000. In 2005, the U.S. National Recording Preservation Board included We're Only in It for the Money in the National Recording Registry as \"Frank Zappa's inventive and iconoclastic album presents a unique political stance, both anti-conservative and anti-counterculture, and features a scathing satire on hippiedom and America's reactions to it\". The same year, Rolling Stone magazine ranked him at No. 71 on its list of the 100 Greatest Artists of All Time.", "71 on its list of the 100 Greatest Artists of All Time. In 2011, he was ranked at No. 22 on the list of the 100 Greatest Guitarists of All Time by the same magazine. In 2016, Guitar World magazine placed Zappa atop of its list \"15 of the best progressive rock guitarists through the years.\" The street of Partinico where his father lived at number 13, Via Zammatà, has been renamed to Via Frank Zappa.", "The street of Partinico where his father lived at number 13, Via Zammatà, has been renamed to Via Frank Zappa. Since his death, several musicians have been considered by critics as filling the artistic niche left behind by Zappa, in view of their prolific output, eclecticism and other qualities, including Devin Townsend, Mike Patton and Omar Rodríguez-López. Grammy Awards In the course of his career, Zappa was nominated for nine competitive Grammy Awards, which resulted in two wins (one posthumous).", "Grammy Awards In the course of his career, Zappa was nominated for nine competitive Grammy Awards, which resulted in two wins (one posthumous). In 1998, he received the Grammy Lifetime Achievement Award.", "In 1998, he received the Grammy Lifetime Achievement Award. |- |rowspan=\"2\"| 1980 || \"Rat Tomago\" || Best Rock Instrumental Performance || |- | \"Dancin' Fool\" || Best Male Rock Vocal Performance || |- | 1983 || \"Valley Girl\" || Best Rock Performance by a Duo or Group with Vocal || |- | 1985 || The Perfect Stranger || Best New Classical Composition || |- |rowspan=\"2\"| 1988 || \"Jazz from Hell\" || Best Instrumental Composition || |- | Jazz from Hell ||rowspan=\"2\"| Best Rock Instrumental Performance (Orchestra, Group or Soloist) || |- | 1989 || Guitar || |- | 1990 || Broadway the Hard Way || Best Musical Cast Show Album || |- | 1996 || Civilization Phaze III || Best Recording Package – Boxed || |- | 1998 || Frank Zappa || Lifetime Achievement Award || Artists influenced by Zappa Many musicians, bands and orchestras from diverse genres have been influenced by Zappa's music.", "|- |rowspan=\"2\"| 1980 || \"Rat Tomago\" || Best Rock Instrumental Performance || |- | \"Dancin' Fool\" || Best Male Rock Vocal Performance || |- | 1983 || \"Valley Girl\" || Best Rock Performance by a Duo or Group with Vocal || |- | 1985 || The Perfect Stranger || Best New Classical Composition || |- |rowspan=\"2\"| 1988 || \"Jazz from Hell\" || Best Instrumental Composition || |- | Jazz from Hell ||rowspan=\"2\"| Best Rock Instrumental Performance (Orchestra, Group or Soloist) || |- | 1989 || Guitar || |- | 1990 || Broadway the Hard Way || Best Musical Cast Show Album || |- | 1996 || Civilization Phaze III || Best Recording Package – Boxed || |- | 1998 || Frank Zappa || Lifetime Achievement Award || Artists influenced by Zappa Many musicians, bands and orchestras from diverse genres have been influenced by Zappa's music. Rock artists such as The Plastic People of the Universe, Alice Cooper, Larry LaLonde of Primus, Fee Waybill of the Tubes all cite Zappa's influence, as do progressive, alternative, electronic and avant-garde/experimental rock artists like Can, Pere Ubu, Yes, Soft Machine, Henry Cow, Faust, Devo, Kraftwerk, Trey Anastasio and Jon Fishman of Phish, Jeff Buckley, John Frusciante, Steven Wilson, and The Aristocrats.", "Rock artists such as The Plastic People of the Universe, Alice Cooper, Larry LaLonde of Primus, Fee Waybill of the Tubes all cite Zappa's influence, as do progressive, alternative, electronic and avant-garde/experimental rock artists like Can, Pere Ubu, Yes, Soft Machine, Henry Cow, Faust, Devo, Kraftwerk, Trey Anastasio and Jon Fishman of Phish, Jeff Buckley, John Frusciante, Steven Wilson, and The Aristocrats. Paul McCartney regarded Sgt.", "Paul McCartney regarded Sgt. Paul McCartney regarded Sgt. Pepper's Lonely Hearts Club Band as the Beatles' Freak Out!. Jimi Hendrix and heavy rock and metal acts like Black Sabbath, Simon Phillips, Mike Portnoy, Warren DeMartini, Alex Skolnick, Steve Vai, Strapping Young Lad, System of a Down, and Clawfinger have acknowledged Zappa as inspiration. On the classical music scene, Tomas Ulrich, Meridian Arts Ensemble, Ensemble Ambrosius and the Fireworks Ensemble regularly perform Zappa's compositions and quote his influence.", "On the classical music scene, Tomas Ulrich, Meridian Arts Ensemble, Ensemble Ambrosius and the Fireworks Ensemble regularly perform Zappa's compositions and quote his influence. Contemporary jazz musicians and composers Bobby Sanabria, Bill Frisell and John Zorn are inspired by Zappa, as is funk legend George Clinton.", "Contemporary jazz musicians and composers Bobby Sanabria, Bill Frisell and John Zorn are inspired by Zappa, as is funk legend George Clinton. Other artists affected by Zappa include ambient composer Brian Eno, new age pianist George Winston, electronic composer Bob Gluck, parodist artist and disk jockey Dr. Demento, parodist and novelty composer \"Weird Al\" Yankovic, industrial music pioneer Genesis P-Orridge, singer Cree Summer, noise music artist Masami Akita of Merzbow, and Chilean composer Cristián Crisosto from Fulano and Mediabanda.", "Other artists affected by Zappa include ambient composer Brian Eno, new age pianist George Winston, electronic composer Bob Gluck, parodist artist and disk jockey Dr. Demento, parodist and novelty composer \"Weird Al\" Yankovic, industrial music pioneer Genesis P-Orridge, singer Cree Summer, noise music artist Masami Akita of Merzbow, and Chilean composer Cristián Crisosto from Fulano and Mediabanda. References in arts and sciences Scientists from various fields have honored Zappa by naming new discoveries after him.", "References in arts and sciences Scientists from various fields have honored Zappa by naming new discoveries after him. In 1967, paleontologist Leo P. Plas, Jr., identified an extinct mollusc in Nevada and named it Amaurotoma zappa with the motivation that, \"The specific name, zappa, honors Frank Zappa\". In the 1980s, biologist Ed Murdy named a genus of gobiid fishes of New Guinea Zappa, with a species named Zappa confluentus.", "In the 1980s, biologist Ed Murdy named a genus of gobiid fishes of New Guinea Zappa, with a species named Zappa confluentus. Biologist Ferdinando Boero named a Californian jellyfish Phialella zappai (1987), noting that he had \"pleasure in naming this species after the modern music composer\". Belgian biologists Bosmans and Bosselaers discovered in the early 1980s a Cameroonese spider, which they in 1994 named Pachygnatha zappa because \"the ventral side of the abdomen of the female of this species strikingly resembles the artist's legendary moustache\".", "Belgian biologists Bosmans and Bosselaers discovered in the early 1980s a Cameroonese spider, which they in 1994 named Pachygnatha zappa because \"the ventral side of the abdomen of the female of this species strikingly resembles the artist's legendary moustache\". A gene of the bacterium Proteus mirabilis that causes urinary tract infections was in 1995 named zapA by three biologists from Maryland. In their scientific article, they \"especially thank the late Frank Zappa for inspiration and assistance with genetic nomenclature\".", "In their scientific article, they \"especially thank the late Frank Zappa for inspiration and assistance with genetic nomenclature\". Repeating regions of the genome of the human tumor virus KSHV were named frnk, vnct and zppa in 1996 by Yuan Chang and Patrick S. Moore who discovered the virus. Also, a 143 base pair repeat sequence occurring at two positions was named waka/jwka.", "Also, a 143 base pair repeat sequence occurring at two positions was named waka/jwka. In the late 1990s, American paleontologists Marc Salak and Halard L. Lescinsky discovered a metazoan fossil, and named it Spygori zappania to honor \"the late Frank Zappa ... whose mission paralleled that of the earliest paleontologists: to challenge conventional and traditional beliefs when such beliefs lacked roots in logic and reason\".", "In the late 1990s, American paleontologists Marc Salak and Halard L. Lescinsky discovered a metazoan fossil, and named it Spygori zappania to honor \"the late Frank Zappa ... whose mission paralleled that of the earliest paleontologists: to challenge conventional and traditional beliefs when such beliefs lacked roots in logic and reason\". In 1994, lobbying efforts initiated by psychiatrist John Scialli led the International Astronomical Union's Minor Planet Center to name an asteroid in Zappa's honor: 3834 Zappafrank.", "In 1994, lobbying efforts initiated by psychiatrist John Scialli led the International Astronomical Union's Minor Planet Center to name an asteroid in Zappa's honor: 3834 Zappafrank. The asteroid was discovered in 1980 by Czechoslovakian astronomer Ladislav Brožek, and the citation for its naming says that \"Zappa was an eclectic, self-trained artist and composer ... Before 1989 he was regarded as a symbol of democracy and freedom by many people in Czechoslovakia\".", "The asteroid was discovered in 1980 by Czechoslovakian astronomer Ladislav Brožek, and the citation for its naming says that \"Zappa was an eclectic, self-trained artist and composer ... Before 1989 he was regarded as a symbol of democracy and freedom by many people in Czechoslovakia\". In 1995, a bust of Zappa by sculptor Konstantinas Bogdanas was installed in Vilnius, the Lithuanian capital .", "In 1995, a bust of Zappa by sculptor Konstantinas Bogdanas was installed in Vilnius, the Lithuanian capital . The choice of Zappa was explained as \"a symbol that would mark the end of communism, but at the same time express that it wasn't always doom and gloom.\"", "The choice of Zappa was explained as \"a symbol that would mark the end of communism, but at the same time express that it wasn't always doom and gloom.\" A replica was offered to the city of Baltimore in 2008, and on September 19, 2010 — the twenty-fifth anniversary of Zappa's testimony to the U.S. Senate — a ceremony dedicating the replica was held, and the bust was unveiled at a library in the city.", "A replica was offered to the city of Baltimore in 2008, and on September 19, 2010 — the twenty-fifth anniversary of Zappa's testimony to the U.S. Senate — a ceremony dedicating the replica was held, and the bust was unveiled at a library in the city. In 2002, a bronze bust was installed in German city Bad Doberan, location of the Zappanale since 1990, an annual music festival celebrating Zappa.", "In 2002, a bronze bust was installed in German city Bad Doberan, location of the Zappanale since 1990, an annual music festival celebrating Zappa. At the initiative of musicians community ORWOhaus, the city of Berlin named a street in the Marzahn district \"Frank-Zappa-Straße\" in 2007. The same year, Baltimore mayor Sheila Dixon proclaimed August 9 as the city's official \"Frank Zappa Day\" citing Zappa's musical accomplishments as well as his defense of the First Amendment to the United States Constitution.", "The same year, Baltimore mayor Sheila Dixon proclaimed August 9 as the city's official \"Frank Zappa Day\" citing Zappa's musical accomplishments as well as his defense of the First Amendment to the United States Constitution. Zappa documentary The biographical documentary Zappa, directed by Alex Winter and released on November 27, 2020, includes previously unreleased footage from Zappa's personal vault, to which he was granted access by the Zappa Family Trust. Discography During his lifetime, Zappa released 62 albums.", "Discography During his lifetime, Zappa released 62 albums. Discography During his lifetime, Zappa released 62 albums. Since 1994, the Zappa Family Trust has released 57 posthumous albums, making a total of 119 albums. The current distributor of Zappa's recorded output is Universal Music Enterprises.", "The current distributor of Zappa's recorded output is Universal Music Enterprises. See also List of performers on Frank Zappa records Frank Zappa in popular culture Notes References Bibliography External links 1940 births 1993 deaths 20th-century American guitarists 20th-century American male actors 20th-century American singers American classical musicians American activists American anti-communists American anti-fascists American atheists American comedy musicians American male composers American music arrangers American experimental filmmakers American experimental guitarists American experimental musicians American humanists American jazz guitarists American male voice actors American multi-instrumentalists Record producers from Maryland American rock guitarists American male guitarists American rock singers American electronic musicians American avant-garde musicians American people of Arab descent American people of Italian descent American people of French descent American people of Greek descent American satirists American surrealist artists Angel Records artists Surrealist filmmakers Antelope Valley High School alumni Articles containing video clips Avant-garde guitarists Avant-pop musicians Burials at Westwood Village Memorial Park Cemetery California Democrats Captain Beefheart Censorship in the arts American contemporary classical composers Contemporary classical music performers Copywriters Critics of the Catholic Church Deaths from cancer in California Deaths from prostate cancer Deaths from kidney failure Advocates of unschooling and homeschooling EMI Records artists Experimental pop musicians Experimental rock musicians Free speech activists Grammy Award winners Grammy Lifetime Achievement Award winners Humor in classical music Lead guitarists Maryland Democrats Musicians from Baltimore People from Echo Park, Los Angeles People from Edgewood, Maryland People from Ontario, California Progressive rock guitarists Proto-prog musicians Rykodisc artists Singers from Los Angeles The Mothers of Invention members Verve Records artists Warner Records artists Guitarists from Los Angeles Guitarists from Maryland 20th-century classical composers Singer-songwriters from Maryland Writers from Los Angeles 20th-century American composers Parody musicians Freak scene Freak artists Jazz musicians from Maryland American male jazz musicians American libertarians People from Lancaster, California American male singer-songwriters Zappa family 20th-century American male singers People from Laurel Canyon, Los Angeles Jazz musicians from California Singer-songwriters from California Surrealist groups" ]

[ "Frank Zappa", "Childhood", "Where did Zappa grow up?", "Baltimore, Maryland.", "Did he have a happy childhood?", "Due to their home's proximity to the arsenal, which stored mustard gas, gas masks were kept in the home in case of an accident.", "Did they stay in Baltimore?", "moved to Monterey, California,", "Did he enjoy California more than Maryland?", "They soon moved to Claremont, California, then to El Cajon, before finally settling in San Diego." ]

[ "Charles Gauci (born 1952) is an Australian priest who was appointed Bishop of the Roman Catholic Diocese of Darwin on 27 June 2018. He had been a priest in the Archdiocese of Adelaide since his ordination in 1977. His immediate previous post was as administrator of St Francis Xavier's Cathedral in Adelaide. He was consecrated bishop at St Mary's Star of the Sea Cathedral, Darwin on 26 September 2018.\n\nEarly life\nGauci was born in Malta and moved with his family to Australia when he was 13 years old. He was ordained in 1977 and served in several parishes in the Archdiocese of Adelaide, including the Southern Deanery with Kangaroo Island from 2012 to 2017.\n\nReferences\n\nExternal links\n\n \t\n\nLiving people\nRoman Catholic bishops of Darwin\n1952 births", ", was an Okinawan martial arts master who helped to continue the Matsumura family style of Shōrin-ryū karate-do.\n\nHistory\nNabe Mastsumura, born 1860, was the grandson of Matsumura Sōkon, who founded the Shōrin-ryū style of karate. Being related to Sōkon meant that Nabe was privileged to extremely thorough training from his grandfather in the family's style, as well as the secret White Crane system that was only taught to immediate family members.\n\nIn his martial arts career as a sensei, Nabe had only one student: his nephew, Hohan Sōken. Upon his death in 1930, he passed his Menkyo Kaiden to Hohan Sōken, who continued the Matsumura family tradition by solidifying the Shōrin-ryū style of Matsumura Seito karate-do.\n\nReferences\n\n1860 births\n1930 deaths\nOkinawan male karateka\nShōrin-ryū practitioners" ]

[ "Frank Vincent Zappa (December 21, 1940 – December 4, 1993) was an American musician, singer, composer, songwriter and bandleader. His work is characterized by nonconformity, free-form improvisation, sound experiments, musical virtuosity and satire of American culture. In a career spanning more than 30 years, Zappa composed rock, pop, jazz, jazz fusion, orchestral and musique concrète works, and produced almost all of the 60-plus albums that he released with his band the Mothers of Invention and as a solo artist.", "In a career spanning more than 30 years, Zappa composed rock, pop, jazz, jazz fusion, orchestral and musique concrète works, and produced almost all of the 60-plus albums that he released with his band the Mothers of Invention and as a solo artist. Zappa also directed feature-length films and music videos, and designed album covers. He is considered one of the most innovative and stylistically diverse musicians of his generation.", "He is considered one of the most innovative and stylistically diverse musicians of his generation. As a self-taught composer and performer, Zappa had diverse musical influences that led him to create music that was sometimes difficult to categorize. While in his teens, he acquired a taste for 20th-century classical modernism, African-American rhythm and blues, and doo-wop music. He began writing classical music in high school, while at the same time playing drums in rhythm-and-blues bands, later switching to electric guitar.", "He began writing classical music in high school, while at the same time playing drums in rhythm-and-blues bands, later switching to electric guitar. His 1966 debut album with the Mothers of Invention, Freak Out!, combined songs in conventional rock and roll format with collective improvisations and studio-generated sound collages. He continued this eclectic and experimental approach whether the fundamental format was rock, jazz, or classical.", "He continued this eclectic and experimental approach whether the fundamental format was rock, jazz, or classical. Zappa's output is unified by a conceptual continuity he termed \"Project/Object\", with numerous musical phrases, ideas, and characters reappearing across his albums. His lyrics reflected his iconoclastic views of established social and political processes, structures and movements, often humorously so, and he has been described as the \"godfather\" of comedy rock.", "His lyrics reflected his iconoclastic views of established social and political processes, structures and movements, often humorously so, and he has been described as the \"godfather\" of comedy rock. He was a strident critic of mainstream education and organized religion, and a forthright and passionate advocate for freedom of speech, self-education, political participation and the abolition of censorship. Unlike many other rock musicians of his generation, he disapproved of recreational drug use, but supported decriminalization and regulation.", "Unlike many other rock musicians of his generation, he disapproved of recreational drug use, but supported decriminalization and regulation. Zappa was a highly productive and prolific artist with a controversial critical standing; supporters of his music admired its compositional complexity, while critics found it lacking emotional depth. He had greater commercial success outside the US, particularly in Europe. Though he worked as an independent artist, Zappa mostly relied on distribution agreements he had negotiated with the major record labels. He remains a major influence on musicians and composers.", "He remains a major influence on musicians and composers. He remains a major influence on musicians and composers. His honors include his 1995 induction into the Rock and Roll Hall of Fame and the 1997 Grammy Lifetime Achievement Award. 1940s–1960s: early life and career Childhood Zappa was born on December 21, 1940, in Baltimore, Maryland.", "1940s–1960s: early life and career Childhood Zappa was born on December 21, 1940, in Baltimore, Maryland. His mother, Rose Marie ( Colimore), was of Italian (Neapolitan and Sicilian) and French ancestry; his father, whose name was anglicized to Francis Vincent Zappa, was an immigrant from Partinico, Sicily, with Greek and Arab ancestry. Frank, the eldest of four children, was raised in an Italian-American household where Italian was often spoken by his grandparents.", "Frank, the eldest of four children, was raised in an Italian-American household where Italian was often spoken by his grandparents. The family moved often because his father, a chemist and mathematician, worked in the defense industry. After a time in Florida in the 1940s, the family returned to Maryland, where Zappa's father worked at the Edgewood Arsenal chemical warfare facility of the Aberdeen Proving Ground run by the U.S. Army.", "After a time in Florida in the 1940s, the family returned to Maryland, where Zappa's father worked at the Edgewood Arsenal chemical warfare facility of the Aberdeen Proving Ground run by the U.S. Army. Due to their home's proximity to the arsenal, which stored mustard gas, gas masks were kept in the home in case of an accident. This living arrangement had a profound effect on Zappa, and references to germs, germ warfare, ailments and the defense industry occur frequently throughout his work.", "This living arrangement had a profound effect on Zappa, and references to germs, germ warfare, ailments and the defense industry occur frequently throughout his work. Zappa was often sick as a child, suffering from asthma, earaches and sinus problems. A doctor treated his sinusitis by inserting a pellet of radium into each of Zappa's nostrils.", "A doctor treated his sinusitis by inserting a pellet of radium into each of Zappa's nostrils. At the time, little was known about the potential dangers of even small amounts of therapeutic radiation, and although it has since been claimed that nasal radium treatment has causal connections to cancer, no studies have provided enough evidence to confirm this. Nasal imagery and references appear in his music and lyrics, as well as in the collage album covers created by his long-time collaborator Cal Schenkel.", "Nasal imagery and references appear in his music and lyrics, as well as in the collage album covers created by his long-time collaborator Cal Schenkel. Zappa believed his childhood diseases might have been due to exposure to mustard gas, released by the nearby chemical warfare facility, and his health worsened when he lived in Baltimore. In 1952, his family relocated for reasons of health to Monterey, California, where his father taught metallurgy at the Naval Postgraduate School.", "In 1952, his family relocated for reasons of health to Monterey, California, where his father taught metallurgy at the Naval Postgraduate School. They soon moved to Clairemont, and then to El Cajon, before finally settling in nearby San Diego. First musical interests Zappa joined his first band at Mission Bay High School in San Diego as the drummer. At about the same time, his parents bought a phonograph, which allowed him to develop his interest in music, and to begin building his record collection.", "At about the same time, his parents bought a phonograph, which allowed him to develop his interest in music, and to begin building his record collection. According to The Rough Guide to Rock (2003), \"as a teenager Zappa was simultaneously enthralled by black R&B (Johnny 'Guitar' Watson, Guitar Slim), doo-wop (The Channels, The Velvets), the modernism of Igor Stravinsky and Anton Webern, and the dissonant sound experiments of Edgard Varese.\"", "According to The Rough Guide to Rock (2003), \"as a teenager Zappa was simultaneously enthralled by black R&B (Johnny 'Guitar' Watson, Guitar Slim), doo-wop (The Channels, The Velvets), the modernism of Igor Stravinsky and Anton Webern, and the dissonant sound experiments of Edgard Varese.\" R&B singles were early purchases for Zappa, starting a large collection he kept for the rest of his life.", "R&B singles were early purchases for Zappa, starting a large collection he kept for the rest of his life. He was interested in sounds for their own sake, particularly the sounds of drums and other percussion instruments. By age twelve, he had obtained a snare drum and began learning the basics of orchestral percussion.", "By age twelve, he had obtained a snare drum and began learning the basics of orchestral percussion. Zappa's deep interest in modern classical music began when he read a LOOK magazine article about the Sam Goody record store chain that lauded its ability to sell an LP as obscure as The Complete Works of Edgard Varèse, Volume One. The article described Varèse's percussion composition Ionisation, produced by EMS Recordings, as \"a weird jumble of drums and other unpleasant sounds\". Zappa decided to seek out Varèse's music.", "Zappa decided to seek out Varèse's music. Zappa decided to seek out Varèse's music. After searching for over a year, Zappa found a copy (he noticed the LP because of the \"mad scientist\" looking photo of Varèse on the cover). Not having enough money with him, he persuaded the salesman to sell him the record at a discount. Thus began his lifelong passion for Varèse's music and that of other modern classical composers.", "Thus began his lifelong passion for Varèse's music and that of other modern classical composers. He also liked the Italian classical music listened to by his grandparents, especially Puccini's opera arias. By 1956, the Zappa family had moved to Lancaster, a small aerospace and farming town in the Antelope Valley of the Mojave Desert close to Edwards Air Force Base; he would later refer to Sun Village (a town close to Lancaster) in the 1973 track \"Village of the Sun\".", "By 1956, the Zappa family had moved to Lancaster, a small aerospace and farming town in the Antelope Valley of the Mojave Desert close to Edwards Air Force Base; he would later refer to Sun Village (a town close to Lancaster) in the 1973 track \"Village of the Sun\". Zappa's mother encouraged him in his musical interests. Although she disliked Varèse's music, she was indulgent enough to give her son a long-distance call to the New York composer as a fifteenth birthday present.", "Although she disliked Varèse's music, she was indulgent enough to give her son a long-distance call to the New York composer as a fifteenth birthday present. Unfortunately, Varèse was in Europe at the time, so Zappa spoke to the composer's wife and she suggested he call back later. In a letter, Varèse thanked him for his interest, and told him about a composition he was working on called \"Déserts\". Living in the desert town of Lancaster, Zappa found this very exciting.", "Living in the desert town of Lancaster, Zappa found this very exciting. Varèse invited him to visit if he ever came to New York. The meeting never took place (Varèse died in 1965), but Zappa framed the letter and kept it on display for the rest of his life. At Antelope Valley High School, Zappa met Don Glen Vliet (who later changed his name to Don Van Vliet and adopted the stage name Captain Beefheart).", "At Antelope Valley High School, Zappa met Don Glen Vliet (who later changed his name to Don Van Vliet and adopted the stage name Captain Beefheart). Zappa and Vliet became close friends, sharing an interest in R&B records and influencing each other musically throughout their careers. Around the same time, Zappa started playing drums in a local band, the Blackouts. The band was racially diverse and included Euclid James \"Motorhead\" Sherwood who later became a member of the Mothers of Invention.", "The band was racially diverse and included Euclid James \"Motorhead\" Sherwood who later became a member of the Mothers of Invention. Zappa's interest in the guitar grew, and in 1957 he was given his first instrument. Among his early influences were Johnny \"Guitar\" Watson, Howlin' Wolf and Clarence \"Gatemouth\" Brown. In the 1970s/1980s, he invited Watson to perform on several albums. Zappa considered soloing as the equivalent of forming \"air sculptures\", and developed an eclectic, innovative and highly personal style.", "Zappa considered soloing as the equivalent of forming \"air sculptures\", and developed an eclectic, innovative and highly personal style. He was also influenced by Egyptian composer Halim El-Dabh. Zappa's interest in composing and arranging flourished in his last high-school years. By his final year, he was writing, arranging and conducting avant-garde performance pieces for the school orchestra. He graduated from Antelope Valley High School in 1958, and later acknowledged two of his music teachers on the sleeve of the 1966 album Freak Out!", "He graduated from Antelope Valley High School in 1958, and later acknowledged two of his music teachers on the sleeve of the 1966 album Freak Out! Due to his family's frequent moves, Zappa attended at least six different high schools, and as a student he was often bored and given to distracting the rest of the class with juvenile antics.", "Due to his family's frequent moves, Zappa attended at least six different high schools, and as a student he was often bored and given to distracting the rest of the class with juvenile antics. In 1959, he attended Chaffey College but left after one semester, and maintained thereafter a disdain for formal education, taking his children out of school at age 15 and refusing to pay for their college. Zappa left home in 1959, and moved into a small apartment in Echo Park, Los Angeles.", "Zappa left home in 1959, and moved into a small apartment in Echo Park, Los Angeles. After he met Kathryn J. \"Kay\" Sherman during his short period of private composition study with Prof. Karl Kohn of Pomona College, they moved in together in Ontario, and were married December 28, 1960. Zappa worked for a short period in advertising as a copywriter. His sojourn in the commercial world was brief, but gave him valuable insights into its workings.", "His sojourn in the commercial world was brief, but gave him valuable insights into its workings. Throughout his career, he took a keen interest in the visual presentation of his work, designing some of his album covers and directing his own films and videos. Studio Z Zappa attempted to earn a living as a musician and composer, and played different nightclub gigs, some with a new version of the Blackouts.", "Studio Z Zappa attempted to earn a living as a musician and composer, and played different nightclub gigs, some with a new version of the Blackouts. Zappa's earliest professional recordings, two soundtracks for the low-budget films The World's Greatest Sinner (1962) and Run Home Slow (1965) were more financially rewarding. The former score was commissioned by actor-producer Timothy Carey and recorded in 1961. It contains many themes that appeared on later Zappa records.", "It contains many themes that appeared on later Zappa records. The latter soundtrack was recorded in 1963 after the film was completed, but it was commissioned by one of Zappa's former high school teachers in 1959 and Zappa may have worked on it before the film was shot. Excerpts from the soundtrack can be heard on the posthumous album The Lost Episodes (1996). During the early 1960s, Zappa wrote and produced songs for other local artists, often working with singer-songwriter Ray Collins and producer Paul Buff.", "During the early 1960s, Zappa wrote and produced songs for other local artists, often working with singer-songwriter Ray Collins and producer Paul Buff. Their \"Memories of El Monte\" was recorded by the Penguins, although only Cleve Duncan of the original group was featured. Buff owned the small Pal Recording Studio in Cucamonga, which included a unique five-track tape recorder he had built. At that time, only a handful of the most sophisticated commercial studios had multi-track facilities; the industry standard for smaller studios was still mono or two-track.", "At that time, only a handful of the most sophisticated commercial studios had multi-track facilities; the industry standard for smaller studios was still mono or two-track. Although none of the recordings from the period achieved major commercial success, Zappa earned enough money to allow him to stage a concert of his orchestral music in 1963 and to broadcast and record it. He appeared on Steve Allen's syndicated late night show the same year, in which he played a bicycle as a musical instrument.", "He appeared on Steve Allen's syndicated late night show the same year, in which he played a bicycle as a musical instrument. Using a bow borrowed from the band's bass player, as well as drum sticks, he proceeded to pluck, bang, and bow the spokes of the bike, producing strange, comical sounds from his newfound instrument. With Captain Beefheart, Zappa recorded some songs under the name of the Soots. They were rejected by Dot Records.", "They were rejected by Dot Records. They were rejected by Dot Records. Later, the Mothers were also rejected by Columbia Records for having \"no commercial potential\", a verdict Zappa subsequently quoted on the sleeve of Freak Out! In 1964, after his marriage started to break up, he moved into the Pal studio and began routinely working 12 hours or more per day recording and experimenting with overdubbing and audio tape manipulation. This established a work pattern that endured for most of his life.", "This established a work pattern that endured for most of his life. Aided by his income from film composing, Zappa took over the studio from Paul Buff, who was now working with Art Laboe at Original Sound. It was renamed Studio Z. Studio Z was rarely booked for recordings by other musicians. Instead, friends moved in, notably James \"Motorhead\" Sherwood. Zappa started performing in local bars as a guitarist with a power trio, the Muthers, to support himself.", "Zappa started performing in local bars as a guitarist with a power trio, the Muthers, to support himself. An article in the local press describing Zappa as \"the Movie King of Cucamonga\" prompted the local police to suspect that he was making pornographic films. In March 1965, Zappa was approached by a vice squad undercover officer, and accepted an offer of $100 () to produce a suggestive audio tape for an alleged stag party. Zappa and a female friend recorded a faked erotic episode.", "Zappa and a female friend recorded a faked erotic episode. When Zappa was about to hand over the tape, he was arrested, and the police stripped the studio of all recorded material. The press was tipped off beforehand, and next day's The Daily Report wrote that \"Vice Squad investigators stilled the tape recorders of a free-swinging, a-go-go film and recording studio here Friday and arrested a self-styled movie producer\". Zappa was charged with \"conspiracy to commit pornography\".", "Zappa was charged with \"conspiracy to commit pornography\". This felony charge was reduced and he was sentenced to six months in jail on a misdemeanor, with all but ten days suspended. His brief imprisonment left a permanent mark, and was central to the formation of his anti-authoritarian stance. Zappa lost several recordings made at Studio Z in the process, as the police returned only 30 of 80 hours of tape seized. Eventually, he could no longer afford to pay the rent on the studio and was evicted.", "Eventually, he could no longer afford to pay the rent on the studio and was evicted. Zappa managed to recover some of his possessions before the studio was torn down in 1966. Late 1960s: the Mothers of Invention Formation In 1965, Ray Collins asked Zappa to take over as guitarist in local R&B band the Soul Giants, following a fight between Collins and the group's original guitarist.", "Late 1960s: the Mothers of Invention Formation In 1965, Ray Collins asked Zappa to take over as guitarist in local R&B band the Soul Giants, following a fight between Collins and the group's original guitarist. Zappa accepted, and soon assumed leadership and the role as co-lead singer (even though he never considered himself a singer, then or later). He convinced the other members that they should play his music to increase the chances of getting a record contract.", "He convinced the other members that they should play his music to increase the chances of getting a record contract. The band was renamed the Mothers, coincidentally on Mother's Day. They increased their bookings after beginning an association with manager Herb Cohen, and gradually gained attention on the burgeoning Los Angeles underground music scene. In early 1966, they were spotted by leading record producer Tom Wilson when playing \"Trouble Every Day\", a song about the Watts riots.", "In early 1966, they were spotted by leading record producer Tom Wilson when playing \"Trouble Every Day\", a song about the Watts riots. Wilson had earned acclaim as the producer for Bob Dylan and Simon & Garfunkel, and was one of the few African-Americans working as a major label pop music producer at this time.", "Wilson had earned acclaim as the producer for Bob Dylan and Simon & Garfunkel, and was one of the few African-Americans working as a major label pop music producer at this time. Wilson signed the Mothers to the Verve division of MGM, which had built up a strong reputation for its releases of modern jazz recordings in the 1940s and 1950s, but was attempting to diversify into pop and rock audiences.", "Wilson signed the Mothers to the Verve division of MGM, which had built up a strong reputation for its releases of modern jazz recordings in the 1940s and 1950s, but was attempting to diversify into pop and rock audiences. Verve insisted that the band officially rename themselves the Mothers of Invention as Mother was short for motherfucker—a term that, apart from its profane meanings, can denote a skilled musician. Debut album: Freak Out!", "Debut album: Freak Out! Debut album: Freak Out! With Wilson credited as producer, the Mothers of Invention, augmented by a studio orchestra, recorded the groundbreaking Freak Out! (1966), which, after Bob Dylan's Blonde on Blonde, was the second rock double album ever released. It mixed R&B, doo-wop, musique concrète, and experimental sound collages that captured the \"freak\" subculture of Los Angeles at that time.", "It mixed R&B, doo-wop, musique concrète, and experimental sound collages that captured the \"freak\" subculture of Los Angeles at that time. Although he was dissatisfied with the final product, Freak Out immediately established Zappa as a radical new voice in rock music, providing an antidote to the \"relentless consumer culture of America\". The sound was raw, but the arrangements were sophisticated.", "The sound was raw, but the arrangements were sophisticated. While recording in the studio, some of the additional session musicians were shocked that they were expected to read the notes on sheet music from charts with Zappa conducting them, since it was not standard when recording rock music. The lyrics praised non-conformity, disparaged authorities, and had dadaist elements. Yet, there was a place for seemingly conventional love songs. Most compositions are Zappa's, which set a precedent for the rest of his recording career.", "Most compositions are Zappa's, which set a precedent for the rest of his recording career. He had full control over the arrangements and musical decisions and did most overdubs. Wilson provided the industry clout and connections and was able to provide the group with the financial resources needed. Although Wilson was able to provide Zappa and the Mothers with an extraordinary degree of artistic freedom for the time, the recording did not go entirely as planned.", "Although Wilson was able to provide Zappa and the Mothers with an extraordinary degree of artistic freedom for the time, the recording did not go entirely as planned. In a 1967 radio interview, Zappa explained that the album's outlandish 11-minute closing track, \"Return of the Son of Monster Magnet\" was not finished. The track as it appears on the album was only a backing track for a much more complex piece, but MGM refused to allow the additional recording time needed for completion.", "The track as it appears on the album was only a backing track for a much more complex piece, but MGM refused to allow the additional recording time needed for completion. Much to Zappa's chagrin, it was issued in its unfinished state. During the recording of Freak Out!, Zappa moved into a house in Laurel Canyon with friend Pamela Zarubica, who appeared on the album.", "During the recording of Freak Out!, Zappa moved into a house in Laurel Canyon with friend Pamela Zarubica, who appeared on the album. The house became a meeting (and living) place for many LA musicians and groupies of the time, despite Zappa's disapproval of their illicit drug use. After a short promotional tour following the release of Freak Out!, Zappa met Adelaide Gail Sloatman. He fell in love within \"a couple of minutes\", and she moved into the house over the summer.", "He fell in love within \"a couple of minutes\", and she moved into the house over the summer. They married in 1967, had four children and remained together until Zappa's death. Wilson nominally produced the Mothers' second album Absolutely Free (1967), which was recorded in November 1966, and later mixed in New York, although by this time Zappa was in de facto control of most facets of the production.", "Wilson nominally produced the Mothers' second album Absolutely Free (1967), which was recorded in November 1966, and later mixed in New York, although by this time Zappa was in de facto control of most facets of the production. It featured extended playing by the Mothers of Invention and focused on songs that defined Zappa's compositional style of introducing abrupt, rhythmical changes into songs that were built from diverse elements.", "It featured extended playing by the Mothers of Invention and focused on songs that defined Zappa's compositional style of introducing abrupt, rhythmical changes into songs that were built from diverse elements. Examples are \"Plastic People\" and \"Brown Shoes Don't Make It\", which contained lyrics critical of the hypocrisy and conformity of American society, but also of the counterculture of the 1960s. As Zappa put it, \"[W]e're satirists, and we are out to satirize everything.\"", "As Zappa put it, \"[W]e're satirists, and we are out to satirize everything.\" At the same time, Zappa had recorded material for an album of orchestral works to be released under his own name, Lumpy Gravy, released by Capitol Records in 1967. Due to contractual problems, the album was pulled. Zappa took the opportunity to radically restructure the contents, adding newly recorded, improvised dialogue. After the contractual problems were resolved, the album was reissued by Verve in 1968.", "After the contractual problems were resolved, the album was reissued by Verve in 1968. It is an \"incredible ambitious musical project\", a \"monument to John Cage\", which intertwines orchestral themes, spoken words and electronic noises through radical audio editing techniques. New York period (1966–1968) The Mothers of Invention played in New York in late 1966 and were offered a contract at the Garrick Theater (at 152 Bleecker Street, above the Cafe au Go Go) during Easter 1967.", "New York period (1966–1968) The Mothers of Invention played in New York in late 1966 and were offered a contract at the Garrick Theater (at 152 Bleecker Street, above the Cafe au Go Go) during Easter 1967. This proved successful and Herb Cohen extended the booking, which eventually lasted half a year. As a result, Zappa and his wife Gail, along with the Mothers of Invention, moved to New York.", "As a result, Zappa and his wife Gail, along with the Mothers of Invention, moved to New York. Their shows became a combination of improvised acts showcasing individual talents of the band as well as tight performances of Zappa's music. Everything was directed by Zappa using hand signals. Guest performers and audience participation became a regular part of the Garrick Theater shows.", "Guest performers and audience participation became a regular part of the Garrick Theater shows. One evening, Zappa managed to entice some U.S. Marines from the audience onto the stage, where they proceeded to dismember a big baby doll, having been told by Zappa to pretend that it was a \"gook baby\".", "One evening, Zappa managed to entice some U.S. Marines from the audience onto the stage, where they proceeded to dismember a big baby doll, having been told by Zappa to pretend that it was a \"gook baby\". Situated in New York, and interrupted by the band's first European tour, the Mothers of Invention recorded the album widely regarded as the peak of the group's late 1960s work, We're Only in It for the Money (released 1968).", "Situated in New York, and interrupted by the band's first European tour, the Mothers of Invention recorded the album widely regarded as the peak of the group's late 1960s work, We're Only in It for the Money (released 1968). It was produced by Zappa, with Wilson credited as executive producer. From then on, Zappa produced all albums released by the Mothers of Invention and as a solo artist.", "From then on, Zappa produced all albums released by the Mothers of Invention and as a solo artist. We're Only in It for the Money featured some of the most creative audio editing and production yet heard in pop music, and the songs ruthlessly satirized the hippie and flower power phenomena. He sampled plundered surf music in We're only in It for the Money, as well as the Beatles' tape work from their song \"Tomorrow Never Knows\". The cover photo parodied that of the Beatles' Sgt.", "The cover photo parodied that of the Beatles' Sgt. Pepper's Lonely Hearts Club Band. The cover art was provided by Cal Schenkel whom Zappa met in New York. This initiated a lifelong collaboration in which Schenkel designed covers for numerous Zappa and Mothers albums. Reflecting Zappa's eclectic approach to music, the next album, Cruising with Ruben & the Jets (1968), was very different. It represented a collection of doo-wop songs; listeners and critics were not sure whether the album was a satire or a tribute.", "It represented a collection of doo-wop songs; listeners and critics were not sure whether the album was a satire or a tribute. Zappa later remarked that the album was conceived like Stravinsky's compositions in his neo-classical period: \"If he could take the forms and clichés of the classical era and pervert them, why not do the same ... to doo-wop in the fifties?\" A theme from Stravinsky's The Rite of Spring is heard during one song. In 1967 and 1968, Zappa made two appearances with the Monkees.", "In 1967 and 1968, Zappa made two appearances with the Monkees. The first appearance was on an episode of their TV series, \"The Monkees Blow Their Minds\", where Zappa, dressed up as Mike Nesmith, interviews Nesmith who is dressed up as Zappa. After the interview, Zappa destroys a car with a sledgehammer as the song \"Mother People\" plays.", "After the interview, Zappa destroys a car with a sledgehammer as the song \"Mother People\" plays. He later provided a cameo in the Monkees' movie Head where, leading a cow, he tells Davy Jones \"the youth of America depends on you to show them the way.\" Zappa respected the Monkees and recruited Micky Dolenz to the Mothers but RCA/Columbia/Colgems would not release Dolenz from his contract. During the late 1960s, Zappa continued to develop the business side of his career.", "During the late 1960s, Zappa continued to develop the business side of his career. He and Herb Cohen formed the Bizarre Records and Straight Records labels to increase creative control and produce recordings by other artists. These labels were distributed in the US by Warner Bros. Records. Zappa/Mothers recordings appeared on Bizarre along with Wild Man Fischer and Lenny Bruce. Straight released the double album Trout Mask Replica for Captain Beefheart, and releases by Alice Cooper, The Persuasions, and the GTOs.", "Straight released the double album Trout Mask Replica for Captain Beefheart, and releases by Alice Cooper, The Persuasions, and the GTOs. In the Mothers' second European tour in September/October 1968 they performed for the at the Grugahalle in Essen, Germany; at the Tivoli in Copenhagen, Denmark; for TV programs in Germany (Beat-Club), France, and England; at the Concertgebouw in Amsterdam; at the Royal Festival Hall in London; and at the Olympia in Paris.", "In the Mothers' second European tour in September/October 1968 they performed for the at the Grugahalle in Essen, Germany; at the Tivoli in Copenhagen, Denmark; for TV programs in Germany (Beat-Club), France, and England; at the Concertgebouw in Amsterdam; at the Royal Festival Hall in London; and at the Olympia in Paris. Disbandment Zappa and the Mothers of Invention returned to Los Angeles in mid-1968, and the Zappas moved into a house on Laurel Canyon Boulevard, only to move again to Woodrow Wilson Drive.", "Disbandment Zappa and the Mothers of Invention returned to Los Angeles in mid-1968, and the Zappas moved into a house on Laurel Canyon Boulevard, only to move again to Woodrow Wilson Drive. This was Zappa's home for the rest of his life. Despite being successful in Europe, the Mothers of Invention were not doing well financially. Their first records were vocally oriented, but as Zappa wrote more instrumental jazz and classical style music for the band's concerts, audiences were confused.", "Their first records were vocally oriented, but as Zappa wrote more instrumental jazz and classical style music for the band's concerts, audiences were confused. Zappa felt that audiences failed to appreciate his \"electrical chamber music\". In 1969 there were nine band members and Zappa was supporting the group from his publishing royalties whether they played or not. In late 1969, Zappa broke up the band. He often cited the financial strain as the main reason, but also commented on the band members' lack of diligence.", "He often cited the financial strain as the main reason, but also commented on the band members' lack of diligence. Many band members were bitter about Zappa's decision, and some took it as a sign of Zappa's perfectionism at the expense of human feeling. Others were irritated by 'his autocratic ways', exemplified by Zappa's never staying at the same hotel as the band members. Several members played for Zappa in years to come.", "Several members played for Zappa in years to come. Several members played for Zappa in years to come. Remaining recordings of the band from this period were collected on Weasels Ripped My Flesh and Burnt Weeny Sandwich (both released in 1970). After he disbanded the Mothers of Invention, Zappa released the acclaimed solo album Hot Rats (1969).", "After he disbanded the Mothers of Invention, Zappa released the acclaimed solo album Hot Rats (1969). It features, for the first time on record, Zappa playing extended guitar solos and contains one of his most enduring compositions, \"Peaches en Regalia\", which reappeared several times on future recordings.", "It features, for the first time on record, Zappa playing extended guitar solos and contains one of his most enduring compositions, \"Peaches en Regalia\", which reappeared several times on future recordings. He was backed by jazz, blues and R&B session players including violinist Don \"Sugarcane\" Harris, drummers John Guerin and Paul Humphrey, multi-instrumentalist and former Mothers of Invention member Ian Underwood, and multi-instrumentalist Shuggie Otis on bass, along with a guest appearance by Captain Beefheart on the only vocal track, \"Willie the Pimp\".", "He was backed by jazz, blues and R&B session players including violinist Don \"Sugarcane\" Harris, drummers John Guerin and Paul Humphrey, multi-instrumentalist and former Mothers of Invention member Ian Underwood, and multi-instrumentalist Shuggie Otis on bass, along with a guest appearance by Captain Beefheart on the only vocal track, \"Willie the Pimp\". It became a popular album in England, and had a major influence on the development of jazz-rock fusion. 1970s Rebirth of the Mothers and filmmaking In 1970 Zappa met conductor Zubin Mehta.", "1970s Rebirth of the Mothers and filmmaking In 1970 Zappa met conductor Zubin Mehta. They arranged a May 1970 concert where Mehta conducted the Los Angeles Philharmonic augmented by a rock band. According to Zappa, the music was mostly written in motel rooms while on tour with the Mothers of Invention. Some of it was later featured in the movie 200 Motels. Although the concert was a success, Zappa's experience working with a symphony orchestra was not a happy one.", "Although the concert was a success, Zappa's experience working with a symphony orchestra was not a happy one. His dissatisfaction became a recurring theme throughout his career; he often felt that the quality of performance of his material delivered by orchestras was not commensurate with the money he spent on orchestral concerts and recordings. Later in 1970, Zappa formed a new version of the Mothers (from then on, he mostly dropped the \"of Invention\").", "Later in 1970, Zappa formed a new version of the Mothers (from then on, he mostly dropped the \"of Invention\"). It included British drummer Aynsley Dunbar, jazz keyboardist George Duke, Ian Underwood, Jeff Simmons (bass, rhythm guitar), and three members of the Turtles: bass player Jim Pons, and singers Mark Volman and Howard Kaylan, who, due to persistent legal and contractual problems, adopted the stage name \"The Phlorescent Leech and Eddie\", or \"Flo & Eddie\".", "It included British drummer Aynsley Dunbar, jazz keyboardist George Duke, Ian Underwood, Jeff Simmons (bass, rhythm guitar), and three members of the Turtles: bass player Jim Pons, and singers Mark Volman and Howard Kaylan, who, due to persistent legal and contractual problems, adopted the stage name \"The Phlorescent Leech and Eddie\", or \"Flo & Eddie\". This version of the Mothers debuted on Zappa's next solo album Chunga's Revenge (1970), which was followed by the double-album soundtrack to the movie 200 Motels (1971), featuring the Mothers, the Royal Philharmonic Orchestra, Ringo Starr, Theodore Bikel, and Keith Moon.", "This version of the Mothers debuted on Zappa's next solo album Chunga's Revenge (1970), which was followed by the double-album soundtrack to the movie 200 Motels (1971), featuring the Mothers, the Royal Philharmonic Orchestra, Ringo Starr, Theodore Bikel, and Keith Moon. Co-directed by Zappa and Tony Palmer, it was filmed in a week at Pinewood Studios outside London. Tensions between Zappa and several cast and crew members arose before and during shooting.", "Tensions between Zappa and several cast and crew members arose before and during shooting. The film deals loosely with life on the road as a rock musician. It was the first feature film photographed on videotape and transferred to 35 mm film, a process that allowed for novel visual effects. It was released to mixed reviews.", "It was released to mixed reviews. It was released to mixed reviews. The score relied extensively on orchestral music, and Zappa's dissatisfaction with the classical music world intensified when a concert, scheduled at the Royal Albert Hall after filming, was canceled because a representative of the venue found some of the lyrics obscene. In 1975, he lost a lawsuit against the Royal Albert Hall for breach of contract.", "In 1975, he lost a lawsuit against the Royal Albert Hall for breach of contract. After 200 Motels, the band went on tour, which resulted in two live albums, Fillmore East – June 1971 and Just Another Band from L.A.; the latter included the 20-minute track \"Billy the Mountain\", Zappa's satire on rock opera set in Southern California.", "After 200 Motels, the band went on tour, which resulted in two live albums, Fillmore East – June 1971 and Just Another Band from L.A.; the latter included the 20-minute track \"Billy the Mountain\", Zappa's satire on rock opera set in Southern California. This track was representative of the band's theatrical performances—which used songs to build sketches based on 200 Motels scenes, as well as new situations that often portrayed the band members' sexual encounters on the road.", "This track was representative of the band's theatrical performances—which used songs to build sketches based on 200 Motels scenes, as well as new situations that often portrayed the band members' sexual encounters on the road. Accident, attack, and aftermath On December 4, 1971, Zappa suffered his first of two serious setbacks. While performing at Casino de Montreux in Switzerland, the Mothers' equipment was destroyed when a flare set off by an audience member started a fire that burned down the casino.", "While performing at Casino de Montreux in Switzerland, the Mothers' equipment was destroyed when a flare set off by an audience member started a fire that burned down the casino. Immortalized in Deep Purple's song \"Smoke on the Water\", the event and immediate aftermath can be heard on the bootleg album Swiss Cheese/Fire, released legally as part of Zappa's Beat the Boots II compilation.", "Immortalized in Deep Purple's song \"Smoke on the Water\", the event and immediate aftermath can be heard on the bootleg album Swiss Cheese/Fire, released legally as part of Zappa's Beat the Boots II compilation. After losing $50,000 () worth of equipment and a week's break, the Mothers played at the Rainbow Theatre, London, with rented gear. During the encore, an audience member jealous because of his girlfriend's infatuation with Zappa pushed him off the stage and into the concrete-floored orchestra pit.", "During the encore, an audience member jealous because of his girlfriend's infatuation with Zappa pushed him off the stage and into the concrete-floored orchestra pit. The band thought Zappa had been killed—he had suffered serious fractures, head trauma and injuries to his back, leg, and neck, as well as a crushed larynx, which ultimately caused his voice to drop a third after healing. After the attack Zappa needed to use a wheelchair for an extended period, making touring impossible for over half a year.", "After the attack Zappa needed to use a wheelchair for an extended period, making touring impossible for over half a year. Upon return to the stage in September 1972, Zappa was still wearing a leg brace, had a noticeable limp and could not stand for very long while on stage. Zappa noted that one leg healed \"shorter than the other\" (a reference later found in the lyrics of songs \"Zomby Woof\" and \"Dancin' Fool\"), resulting in chronic back pain.", "Zappa noted that one leg healed \"shorter than the other\" (a reference later found in the lyrics of songs \"Zomby Woof\" and \"Dancin' Fool\"), resulting in chronic back pain. Meanwhile, the Mothers were left in limbo and eventually formed the core of Flo and Eddie's band as they set out on their own.", "Meanwhile, the Mothers were left in limbo and eventually formed the core of Flo and Eddie's band as they set out on their own. During 1971–1972 Zappa released two strongly jazz-oriented solo LPs, Waka/Jawaka and The Grand Wazoo, which were recorded during the forced layoff from concert touring, using floating line-ups of session players and Mothers alumni. Musically, the albums were akin to Hot Rats, in that they featured extended instrumental tracks with extended soloing. Zappa began touring again in late 1972.", "Zappa began touring again in late 1972. Zappa began touring again in late 1972. His first effort was a series of concerts in September 1972 with a 20-piece big band referred to as the Grand Wazoo. This was followed by a scaled-down version known as the Petit Wazoo that toured the U.S. for five weeks from October to December 1972.", "This was followed by a scaled-down version known as the Petit Wazoo that toured the U.S. for five weeks from October to December 1972. Top 10 album: Apostrophe () Zappa then formed and toured with smaller groups that variously included Ian Underwood (reeds, keyboards), Ruth Underwood (vibes, marimba), Sal Marquez (trumpet, vocals), Napoleon Murphy Brock (sax, flute and vocals), Bruce Fowler (trombone), Tom Fowler (bass), Chester Thompson (drums), Ralph Humphrey (drums), George Duke (keyboards, vocals), and Jean-Luc Ponty (violin).", "Top 10 album: Apostrophe () Zappa then formed and toured with smaller groups that variously included Ian Underwood (reeds, keyboards), Ruth Underwood (vibes, marimba), Sal Marquez (trumpet, vocals), Napoleon Murphy Brock (sax, flute and vocals), Bruce Fowler (trombone), Tom Fowler (bass), Chester Thompson (drums), Ralph Humphrey (drums), George Duke (keyboards, vocals), and Jean-Luc Ponty (violin). By 1973 the Bizarre and Straight labels were discontinued.", "By 1973 the Bizarre and Straight labels were discontinued. By 1973 the Bizarre and Straight labels were discontinued. In their place, Zappa and Cohen created DiscReet Records, also distributed by Warner. Zappa continued a high rate of production through the first half of the 1970s, including the solo album Apostrophe (') (1974), which reached a career-high No. 10 on the Billboard pop album charts helped by the No. 86 chart hit \"Don't Eat The Yellow Snow\".", "86 chart hit \"Don't Eat The Yellow Snow\". Other albums from the period are Over-Nite Sensation (1973), which contained several future concert favorites, such as \"Dinah-Moe Humm\" and \"Montana\", and the albums Roxy & Elsewhere (1974) and One Size Fits All (1975) which feature ever-changing versions of a band still called the Mothers, and are notable for the tight renditions of highly difficult jazz fusion songs in such pieces as \"Inca Roads\", \"Echidna's Arf (Of You)\" and \"Be-Bop Tango (Of the Old Jazzmen's Church)\".", "Other albums from the period are Over-Nite Sensation (1973), which contained several future concert favorites, such as \"Dinah-Moe Humm\" and \"Montana\", and the albums Roxy & Elsewhere (1974) and One Size Fits All (1975) which feature ever-changing versions of a band still called the Mothers, and are notable for the tight renditions of highly difficult jazz fusion songs in such pieces as \"Inca Roads\", \"Echidna's Arf (Of You)\" and \"Be-Bop Tango (Of the Old Jazzmen's Church)\". A live recording from 1974, You Can't Do That on Stage Anymore, Vol.", "A live recording from 1974, You Can't Do That on Stage Anymore, Vol. 2 (1988), captures \"the full spirit and excellence of the 1973–1975 band\". Zappa released Bongo Fury (1975), which featured a live recording at the Armadillo World Headquarters in Austin from a tour the same year that reunited him with Captain Beefheart for a brief period. They later became estranged for a period of years, but were in contact at the end of Zappa's life.", "They later became estranged for a period of years, but were in contact at the end of Zappa's life. Business breakups and touring In 1976 Zappa produced the album Good Singin', Good Playin' for Grand Funk Railroad. Zappa's relationship with long-time manager Herb Cohen ended in May 1976. Zappa sued Cohen for skimming more than he was allocated from DiscReet Records, as well as for signing acts of which Zappa did not approve.", "Zappa sued Cohen for skimming more than he was allocated from DiscReet Records, as well as for signing acts of which Zappa did not approve. Cohen filed a lawsuit against Zappa in return, which froze the money Zappa and Cohen had gained from an out-of-court settlement with MGM over the rights of the early Mothers of Invention recordings. It also prevented Zappa having access to any of his previously recorded material during the trials.", "It also prevented Zappa having access to any of his previously recorded material during the trials. Zappa therefore took his personal master copies of the rock-oriented Zoot Allures (1976) directly to Warner, thereby bypassing DiscReet. Following the split with Cohen, Zappa hired Bennett Glotzer as new manager. By late 1976 Zappa was upset with Warner over inadequate promotion of his recordings and he was eager to move on as soon as possible. In March 1977 Zappa delivered four albums (five full-length LPs) to Warner to complete his contract.", "In March 1977 Zappa delivered four albums (five full-length LPs) to Warner to complete his contract. These albums contained recordings mostly made between 1972 and 1976. Warner failed to meet contractual obligations to Zappa, but after a lengthy legal dispute they did eventually release these recordings during 1978 and 1979 in censored form. Also, in 1977 Zappa prepared a four-LP box set called Läther (pronounced \"leather\") and negotiated distribution with Phonogram Inc. for release on the Zappa Records label.", "Also, in 1977 Zappa prepared a four-LP box set called Läther (pronounced \"leather\") and negotiated distribution with Phonogram Inc. for release on the Zappa Records label. The Läther box set was scheduled for release on Halloween 1977, but legal action from Warner forced Zappa to shelve this project. In December 1977 Zappa appeared on the Pasadena, California radio station KROQ-FM and played the entire Läther album, while encouraging listeners to make tape recordings of the broadcast.", "In December 1977 Zappa appeared on the Pasadena, California radio station KROQ-FM and played the entire Läther album, while encouraging listeners to make tape recordings of the broadcast. Both sets of recordings (five-LP and four-LP) have much of the same material, but each also has unique content. The albums integrate many aspects of Zappa's 1970s work: heavy rock, orchestral works, and complex jazz instrumentals, along with Zappa's distinctive guitar solos. Läther was officially released posthumously in 1996.", "Läther was officially released posthumously in 1996. Läther was officially released posthumously in 1996. It is still debated as to whether Zappa had conceived the material as a four-LP set from the beginning, or only later when working with Phonogram. Although Zappa eventually gained the rights to all his material created under the MGM and Warner contracts, the various lawsuits meant that for a period Zappa's only income came from touring, which he therefore did extensively in 1975–1977 with relatively small, mainly rock-oriented, bands.", "Although Zappa eventually gained the rights to all his material created under the MGM and Warner contracts, the various lawsuits meant that for a period Zappa's only income came from touring, which he therefore did extensively in 1975–1977 with relatively small, mainly rock-oriented, bands. Drummer Terry Bozzio became a regular band member, Napoleon Murphy Brock stayed on for a while, and original Mothers of Invention bassist Roy Estrada joined. Among other musicians were bassist Patrick O'Hearn, singer-guitarist Ray White and keyboardist/violinist Eddie Jobson.", "Among other musicians were bassist Patrick O'Hearn, singer-guitarist Ray White and keyboardist/violinist Eddie Jobson. In December 1976, Zappa appeared as a featured musical guest on the NBC television show Saturday Night Live. Zappa's song \"I'm the Slime\" was performed with a voice-over by SNL booth announcer Don Pardo, who also introduced \"Peaches En Regalia\" on the same airing. In 1978, Zappa served both as host and musical act on the show, and as an actor in various sketches.", "In 1978, Zappa served both as host and musical act on the show, and as an actor in various sketches. The performances included an impromptu musical collaboration with cast member John Belushi during the instrumental piece \"The Purple Lagoon\". Belushi appeared as his Samurai Futaba character playing the tenor sax with Zappa conducting. Zappa's band had a series of Christmas shows in New York City in 1976, recordings of which appear on Zappa in New York (1978) and also on the four-LP Läther project.", "Zappa's band had a series of Christmas shows in New York City in 1976, recordings of which appear on Zappa in New York (1978) and also on the four-LP Läther project. The band included Ruth Underwood and a horn section (featuring Michael and Randy Brecker). It mixes complex instrumentals such as \"The Black Page\" and humorous songs like \"Titties and Beer\".", "It mixes complex instrumentals such as \"The Black Page\" and humorous songs like \"Titties and Beer\". The former composition, written originally for drum kit but later developed for larger bands, is notorious for its complexity in rhythmic structure and short, densely arranged passages. Zappa in New York also featured a song about sex criminal Michael H. Kenyon, \"The Illinois Enema Bandit\", in which Don Pardo provides the opening narrative.", "Zappa in New York also featured a song about sex criminal Michael H. Kenyon, \"The Illinois Enema Bandit\", in which Don Pardo provides the opening narrative. Like many songs on the album, it contained numerous sexual references, leading to many critics objecting and being offended by the content. Zappa dismissed the criticism by noting that he was a journalist reporting on life as he saw it.", "Zappa dismissed the criticism by noting that he was a journalist reporting on life as he saw it. Predating his later fight against censorship, he remarked: \"What do you make of a society that is so primitive that it clings to the belief that certain words in its language are so powerful that they could corrupt you the moment you hear them?\" The remaining albums released by Warner without Zappa's approval were Studio Tan in 1978 and Sleep Dirt and Orchestral Favorites in 1979.", "The remaining albums released by Warner without Zappa's approval were Studio Tan in 1978 and Sleep Dirt and Orchestral Favorites in 1979. These releases were largely overlooked in midst of the press about Zappa's legal problems. Zappa Records label Zappa released two of his most important projects in 1979. These were the best-selling album of his career, Sheik Yerbouti, and what author Kelley Lowe called the \"bona fide masterpiece\", Joe's Garage.", "These were the best-selling album of his career, Sheik Yerbouti, and what author Kelley Lowe called the \"bona fide masterpiece\", Joe's Garage. The double album Sheik Yerbouti appeared in March 1979 and was the first release to appear on Zappa Records. It contained the Grammy-nominated single \"Dancin' Fool\", which reached No. 45 on the Billboard charts.", "45 on the Billboard charts. 45 on the Billboard charts. It also contained \"Jewish Princess\", which received attention when a Jewish group, the Anti-Defamation League (ADL), attempted to prevent the song from receiving radio airplay due to its alleged anti-Semitic lyrics. Zappa vehemently denied any anti-Semitic sentiments, and dismissed the ADL as a \"noisemaking organization that tries to apply pressure on people in order to manufacture a stereotype image of Jews that suits their idea of a good time.\"", "Zappa vehemently denied any anti-Semitic sentiments, and dismissed the ADL as a \"noisemaking organization that tries to apply pressure on people in order to manufacture a stereotype image of Jews that suits their idea of a good time.\" The album's commercial success was attributable in part to \"Bobby Brown\".", "The album's commercial success was attributable in part to \"Bobby Brown\". Due to its explicit lyrics about a young man's encounter with a \"dyke by the name of Freddie\", the song did not get airplay in the U.S., but it topped the charts in several European countries where English is not the primary language. Joe's Garage initially had to be released in two parts.", "Joe's Garage initially had to be released in two parts. The first was a single LP Joe's Garage Act I in September 1979, followed by a double LP Joe's Garage Acts II and III in November 1979.", "The first was a single LP Joe's Garage Act I in September 1979, followed by a double LP Joe's Garage Acts II and III in November 1979. The albums feature singer Ike Willis as lead character \"Joe\" in a rock opera about the danger of political systems, the suppression of freedom of speech and music—inspired in part by the 1979 Islamic Iranian revolution that had made music illegal—and about the \"strange relationship Americans have with sex and sexual frankness\".", "The albums feature singer Ike Willis as lead character \"Joe\" in a rock opera about the danger of political systems, the suppression of freedom of speech and music—inspired in part by the 1979 Islamic Iranian revolution that had made music illegal—and about the \"strange relationship Americans have with sex and sexual frankness\". The first act contains the song \"Catholic Girls\" (a riposte to the controversies of \"Jewish Princess\"), and the title track, which was also released as a single.", "The first act contains the song \"Catholic Girls\" (a riposte to the controversies of \"Jewish Princess\"), and the title track, which was also released as a single. The second and third acts have extended guitar improvisations, which were recorded live, then combined with studio backing tracks. Zappa described this process as xenochrony.", "Zappa described this process as xenochrony. Zappa described this process as xenochrony. In this period the band included drummer Vinnie Colaiuta (with whom Zappa had a particularly strong musical rapport) Joe's Garage contains one of Zappa's most famous guitar \"signature pieces\", \"Watermelon in Easter Hay\". This work later appeared as a three-LP, or two-CD set. On December 21, 1979, Zappa's movie Baby Snakes premiered in New York.", "On December 21, 1979, Zappa's movie Baby Snakes premiered in New York. The movie's tagline was \"A movie about people who do stuff that is not normal\". The 2 hour and 40 minutes movie was based on footage from concerts in New York around Halloween 1977, with a band featuring keyboardist Tommy Mars and percussionist Ed Mann (who would both return on later tours) as well as guitarist Adrian Belew.", "The 2 hour and 40 minutes movie was based on footage from concerts in New York around Halloween 1977, with a band featuring keyboardist Tommy Mars and percussionist Ed Mann (who would both return on later tours) as well as guitarist Adrian Belew. It also contained several extraordinary sequences of clay animation by Bruce Bickford who had earlier provided animation sequences to Zappa for a 1974 TV special (which became available on the 1982 video The Dub Room Special).", "It also contained several extraordinary sequences of clay animation by Bruce Bickford who had earlier provided animation sequences to Zappa for a 1974 TV special (which became available on the 1982 video The Dub Room Special). The movie did not do well in theatrical distribution, but won the Premier Grand Prix at the First International Music Festival in Paris in 1981. 1980s–1990s Zappa cut ties with Phonogram after the distributor refused to release his song \"I Don't Wanna Get Drafted\", which was recorded in February 1980.", "1980s–1990s Zappa cut ties with Phonogram after the distributor refused to release his song \"I Don't Wanna Get Drafted\", which was recorded in February 1980. The single was released independently by Zappa in the United States and was picked up by CBS Records internationally. After spending much of 1980 on the road, Zappa released Tinsel Town Rebellion in 1981. It was the first release on his own Barking Pumpkin Records, and it contains songs taken from a 1979 tour, one studio track and material from the 1980 tours.", "It was the first release on his own Barking Pumpkin Records, and it contains songs taken from a 1979 tour, one studio track and material from the 1980 tours. The album is a mixture of complicated instrumentals and Zappa's use of sprechstimme (speaking song or voice)—a compositional technique utilized by such composers as Arnold Schoenberg and Alban Berg—showcasing some of the most accomplished bands Zappa ever had (mostly featuring drummer Vinnie Colaiuta).", "The album is a mixture of complicated instrumentals and Zappa's use of sprechstimme (speaking song or voice)—a compositional technique utilized by such composers as Arnold Schoenberg and Alban Berg—showcasing some of the most accomplished bands Zappa ever had (mostly featuring drummer Vinnie Colaiuta). While some lyrics still raised controversy among critics, some of whom found them sexist, the political and sociological satire in songs like the title track and \"The Blue Light\" have been described as a \"hilarious critique of the willingness of the American people to believe anything\".", "While some lyrics still raised controversy among critics, some of whom found them sexist, the political and sociological satire in songs like the title track and \"The Blue Light\" have been described as a \"hilarious critique of the willingness of the American people to believe anything\". The album is also notable for the presence of guitarist Steve Vai, who joined Zappa's touring band in late 1980. The same year the double album You Are What You Is was released.", "The same year the double album You Are What You Is was released. Most of it was recorded in Zappa's brand new Utility Muffin Research Kitchen (UMRK) studios, which were located at his house, thereby giving him complete freedom in his work. The album included one complex instrumental, \"Theme from the 3rd Movement of Sinister Footwear\", but mainly consisted of rock songs with Zappa's sardonic social commentary—satirical lyrics directed at teenagers, the media, and religious and political hypocrisy.", "The album included one complex instrumental, \"Theme from the 3rd Movement of Sinister Footwear\", but mainly consisted of rock songs with Zappa's sardonic social commentary—satirical lyrics directed at teenagers, the media, and religious and political hypocrisy. \"Dumb All Over\" is a tirade on religion, as is \"Heavenly Bank Account\", wherein Zappa rails against TV evangelists such as Jerry Falwell and Pat Robertson for their purported influence on the U.S. administration as well as their use of religion as a means of raising money.", "\"Dumb All Over\" is a tirade on religion, as is \"Heavenly Bank Account\", wherein Zappa rails against TV evangelists such as Jerry Falwell and Pat Robertson for their purported influence on the U.S. administration as well as their use of religion as a means of raising money. Songs like \"Society Pages\" and \"I'm a Beautiful Guy\" show Zappa's dismay with the Reagan era and its \"obscene pursuit of wealth and happiness\".", "Songs like \"Society Pages\" and \"I'm a Beautiful Guy\" show Zappa's dismay with the Reagan era and its \"obscene pursuit of wealth and happiness\". Zappa made his only music video for a song from this album - \"You Are What You Is\" - directed by Jerry Watson, produced by Paul Flattery. It was banned from MTV. Zappa's management relationship with Bennett Glotzer ended in 1984. From then on Gail acted as co-manager with Frank of all his business interests.", "From then on Gail acted as co-manager with Frank of all his business interests. In 1981, Zappa also released three instrumental albums, Shut Up 'n Play Yer Guitar, Shut Up 'N Play Yer Guitar Some More, and The Return of the Son of Shut Up 'N Play Yer Guitar, which were initially sold via mail order, but later released through CBS Records (now Sony Music Entertainment) due to popular demand.", "In 1981, Zappa also released three instrumental albums, Shut Up 'n Play Yer Guitar, Shut Up 'N Play Yer Guitar Some More, and The Return of the Son of Shut Up 'N Play Yer Guitar, which were initially sold via mail order, but later released through CBS Records (now Sony Music Entertainment) due to popular demand. The albums focus exclusively on Frank Zappa as a guitar soloist, and the tracks are predominantly live recordings from 1979 to 1980; they highlight Zappa's improvisational skills with \"beautiful performances from the backing group as well\".", "The albums focus exclusively on Frank Zappa as a guitar soloist, and the tracks are predominantly live recordings from 1979 to 1980; they highlight Zappa's improvisational skills with \"beautiful performances from the backing group as well\". Another guitar-only album, Guitar, was released in 1988, and a third, Trance-Fusion, which Zappa completed shortly before his death, was released in 2006. Zappa later expanded on his television appearances in a non-musical role.", "Zappa later expanded on his television appearances in a non-musical role. He was an actor or voice artist in episodes of Shelley Duvall's Faerie Tale Theatre, Miami Vice and The Ren & Stimpy Show. A voice part in The Simpsons never materialized, to creator Matt Groening's disappointment (Groening was a neighbor of Zappa and a lifelong fan).", "A voice part in The Simpsons never materialized, to creator Matt Groening's disappointment (Groening was a neighbor of Zappa and a lifelong fan). \"Valley Girl\" and classical performances In May 1982, Zappa released Ship Arriving Too Late to Save a Drowning Witch, which featured his biggest selling single ever, the Grammy Award-nominated song \"Valley Girl\" (topping out at No. 32 on the Billboard charts).", "32 on the Billboard charts). 32 on the Billboard charts). In her improvised lyrics to the song, Zappa's daughter Moon satirized the patois of teenage girls from the San Fernando Valley, which popularized many \"Valspeak\" expressions such as \"gag me with a spoon\", \"fer sure, fer sure\", \"grody to the max\", and \"barf out\". In 1983, two different projects were released, beginning with The Man from Utopia, a rock-oriented work.", "In 1983, two different projects were released, beginning with The Man from Utopia, a rock-oriented work. The album is eclectic, featuring the vocal-led \"Dangerous Kitchen\" and \"The Jazz Discharge Party Hats\", both continuations of the sprechstimme excursions on Tinseltown Rebellion. The second album, London Symphony Orchestra, Vol. I, contained orchestral Zappa compositions conducted by Kent Nagano and performed by the London Symphony Orchestra (LSO). A second record of these sessions, London Symphony Orchestra, Vol.", "A second record of these sessions, London Symphony Orchestra, Vol. II was released in 1987. The material was recorded under a tight schedule with Zappa providing all funding, helped by the commercial success of \"Valley Girl\". Zappa was not satisfied with the LSO recordings. One reason is \"Strictly Genteel\", which was recorded after the trumpet section had been out for drinks on a break: the track took 40 edits to hide out-of-tune notes.", "One reason is \"Strictly Genteel\", which was recorded after the trumpet section had been out for drinks on a break: the track took 40 edits to hide out-of-tune notes. Conductor Nagano, who was pleased with the experience, noted that \"in fairness to the orchestra, the music is humanly very, very difficult\". Some reviews noted that the recordings were the best representation of Zappa's orchestral work so far.", "Some reviews noted that the recordings were the best representation of Zappa's orchestral work so far. In 1984 Zappa teamed again with Nagano and the Berkeley Symphony Orchestra for a live performance of A Zappa Affair with augmented orchestra, life-size puppets, and moving stage sets. Although critically acclaimed the work was a financial failure, and only performed twice. Zappa was invited by conference organizer Thomas Wells to be the keynote speaker at the American Society of University Composers at the Ohio State University.", "Zappa was invited by conference organizer Thomas Wells to be the keynote speaker at the American Society of University Composers at the Ohio State University. It was there Zappa delivered his famous \"Bingo! There Goes Your Tenure\" address, and had two of his orchestra pieces, \"Dupree's Paradise\" and \"Naval Aviation in Art?\" performed by the Columbus Symphony and ProMusica Chamber Orchestra of Columbus.", "performed by the Columbus Symphony and ProMusica Chamber Orchestra of Columbus. Synclavier For the remainder of his career, much of Zappa's work was influenced by his use of the Synclavier, an early digital synthesizer, as a compositional and performance tool. According to Zappa, \"With the Synclavier, any group of imaginary instruments can be invited to play the most difficult passages ... with one-millisecond accuracy—every time\". Even though it essentially did away with the need for musicians, Zappa viewed the Synclavier and real-life musicians as separate.", "Even though it essentially did away with the need for musicians, Zappa viewed the Synclavier and real-life musicians as separate. In 1984, he released four albums. Boulez Conducts Zappa: The Perfect Stranger contains orchestral works commissioned and conducted by celebrated conductor, composer and pianist Pierre Boulez (who was listed as an influence on Freak Out! ), and performed by his Ensemble InterContemporain. These were juxtaposed with premiere Synclavier pieces.", "These were juxtaposed with premiere Synclavier pieces. These were juxtaposed with premiere Synclavier pieces. Again, Zappa was not satisfied with the performances of his orchestral works, regarding them as under-rehearsed, but in the album liner notes he respectfully thanks Boulez's demands for precision. The Synclavier pieces stood in contrast to the orchestral works, as the sounds were electronically generated and not, as became possible shortly thereafter, sampled.", "The Synclavier pieces stood in contrast to the orchestral works, as the sounds were electronically generated and not, as became possible shortly thereafter, sampled. The album Thing-Fish was an ambitious three-record set in the style of a Broadway play dealing with a dystopian \"what-if\" scenario involving feminism, homosexuality, manufacturing and distribution of the AIDS virus, and a eugenics program conducted by the United States government. New vocals were combined with previously released tracks and new Synclavier music; \"the work is an extraordinary example of bricolage\".", "New vocals were combined with previously released tracks and new Synclavier music; \"the work is an extraordinary example of bricolage\". Francesco Zappa, a Synclavier rendition of works by 18th-century composer Francesco Zappa, was also released in 1984. Merchandising Zappa’s mail-order merchandise business Barfko-Swill was run by Gerry Fialka, who also worked for Zappa as archivist and production assistant from 1983 to 1993 and answered the phone for Zappa’s Barking Pumpkin Records hotline.", "Merchandising Zappa’s mail-order merchandise business Barfko-Swill was run by Gerry Fialka, who also worked for Zappa as archivist and production assistant from 1983 to 1993 and answered the phone for Zappa’s Barking Pumpkin Records hotline. Fialka appears giving a tour of Barfko-Swill in the 1987 VHS release (but not the original 1979 film release) of Zappa's film Baby Snakes. He is credited on-screen as \"GERALD FIALKA Cool Guy Who Wraps Stuff So It Doesn't Break\".", "He is credited on-screen as \"GERALD FIALKA Cool Guy Who Wraps Stuff So It Doesn't Break\". A short clip of this tour is also included in the 2020 documentary film Zappa. Digital medium and last tour Around 1986, Zappa undertook a comprehensive re-release program of his earlier vinyl recordings. He personally oversaw the remastering of all his 1960s, 1970s and early 1980s albums for the new digital compact disc medium. Certain aspects of these re-issues were criticized by some fans as being unfaithful to the original recordings.", "Certain aspects of these re-issues were criticized by some fans as being unfaithful to the original recordings. Nearly twenty years before the advent of online music stores, Zappa had proposed to replace \"phonographic record merchandising\" of music by \"direct digital-to-digital transfer\" through phone or cable TV (with royalty payments and consumer billing automatically built into the accompanying software). In 1989, Zappa considered his idea a \"miserable flop\".", "In 1989, Zappa considered his idea a \"miserable flop\". The album Jazz from Hell, released in 1986, earned Zappa his first Grammy Award in 1988 for Best Rock Instrumental Performance. Except for one live guitar solo (\"St. Etienne\"), the album exclusively featured compositions brought to life by the Synclavier.", "Except for one live guitar solo (\"St. Etienne\"), the album exclusively featured compositions brought to life by the Synclavier. Zappa's last tour in a rock and jazz band format took place in 1988 with a 12-piece group which had a repertoire of over 100 (mostly Zappa) compositions, but which split under acrimonious circumstances before the tour was completed.", "Zappa's last tour in a rock and jazz band format took place in 1988 with a 12-piece group which had a repertoire of over 100 (mostly Zappa) compositions, but which split under acrimonious circumstances before the tour was completed. The tour was documented on the albums Broadway the Hard Way (new material featuring songs with strong political emphasis); The Best Band You Never Heard in Your Life (Zappa \"standards\" and an eclectic collection of cover tunes, ranging from Maurice Ravel's Boléro to Led Zeppelin's Stairway to Heaven to The Beatles' I Am The Walrus); and also, Make a Jazz Noise Here.", "The tour was documented on the albums Broadway the Hard Way (new material featuring songs with strong political emphasis); The Best Band You Never Heard in Your Life (Zappa \"standards\" and an eclectic collection of cover tunes, ranging from Maurice Ravel's Boléro to Led Zeppelin's Stairway to Heaven to The Beatles' I Am The Walrus); and also, Make a Jazz Noise Here. Parts are also found on You Can't Do That on Stage Anymore, volumes 4 and 6.", "Parts are also found on You Can't Do That on Stage Anymore, volumes 4 and 6. Recordings from this tour also appear on the 2006 album Trance-Fusion. Health deterioration In 1990, Zappa was diagnosed with terminal prostate cancer. The disease had been developing unnoticed for years and was considered inoperable. After the diagnosis, Zappa devoted most of his energy to modern orchestral and Synclavier works. Shortly before his death in 1993 he completed Civilization Phaze III, a major Synclavier work which he had begun in the 1980s.", "Shortly before his death in 1993 he completed Civilization Phaze III, a major Synclavier work which he had begun in the 1980s. In 1991, Zappa was chosen to be one of four featured composers at the Frankfurt Festival in 1992 (the others were John Cage, Karlheinz Stockhausen, and Alexander Knaifel). Zappa was approached by the German chamber ensemble Ensemble Modern which was interested in playing his music for the event. Although ill, he invited them to Los Angeles for rehearsals of new compositions and new arrangements of older material.", "Although ill, he invited them to Los Angeles for rehearsals of new compositions and new arrangements of older material. Zappa also got along with the musicians, and the concerts in Germany and Austria were set up for later in the year.", "Zappa also got along with the musicians, and the concerts in Germany and Austria were set up for later in the year. Zappa also performed in 1991 in Prague, claiming that \"was the first time that he had a reason to play his guitar in 3 years\", and that that moment was just \"the beginning of a new country\", and asked the public to \"try to keep your country unique, do not change it into something else\".", "Zappa also performed in 1991 in Prague, claiming that \"was the first time that he had a reason to play his guitar in 3 years\", and that that moment was just \"the beginning of a new country\", and asked the public to \"try to keep your country unique, do not change it into something else\". In September 1992, the concerts went ahead as scheduled but Zappa could only appear at two in Frankfurt due to illness.", "In September 1992, the concerts went ahead as scheduled but Zappa could only appear at two in Frankfurt due to illness. At the first concert, he conducted the opening \"Overture\", and the final \"G-Spot Tornado\" as well as the theatrical \"Food Gathering in Post-Industrial America, 1992\" and \"Welcome to the United States\" (the remainder of the program was conducted by the ensemble's regular conductor Peter Rundel). Zappa received a 20-minute ovation. G-Spot Tornado was performed with Canadian dancer Louise Lecavalier.", "G-Spot Tornado was performed with Canadian dancer Louise Lecavalier. G-Spot Tornado was performed with Canadian dancer Louise Lecavalier. It was Zappa's last professional public appearance as the cancer was spreading to such an extent that he was in too much pain to enjoy an event that he otherwise found \"exhilarating\". Recordings from the concerts appeared on The Yellow Shark (1993), Zappa's last release during his lifetime, and some material from studio rehearsals appeared on the posthumous Everything Is Healing Nicely (1999).", "Recordings from the concerts appeared on The Yellow Shark (1993), Zappa's last release during his lifetime, and some material from studio rehearsals appeared on the posthumous Everything Is Healing Nicely (1999). Death Zappa died from prostate cancer on December 4, 1993, 17 days before his 53rd birthday at his home with his wife and children by his side. At a private ceremony the following day, his body was buried in a grave at the Westwood Village Memorial Park Cemetery, in Los Angeles.", "At a private ceremony the following day, his body was buried in a grave at the Westwood Village Memorial Park Cemetery, in Los Angeles. The grave is unmarked. On December 6, his family publicly announced that \"Composer Frank Zappa left for his final tour just before 6:00 pm on Saturday\".", "On December 6, his family publicly announced that \"Composer Frank Zappa left for his final tour just before 6:00 pm on Saturday\". Musical style and development Genres The general phases of Zappa's music have been variously categorized under experimental rock, jazz, classical, avant-pop, experimental pop, comedy rock, doo-wop, jazz fusion, progressive rock, proto-prog, avant-jazz, and psychedelic rock.", "Musical style and development Genres The general phases of Zappa's music have been variously categorized under experimental rock, jazz, classical, avant-pop, experimental pop, comedy rock, doo-wop, jazz fusion, progressive rock, proto-prog, avant-jazz, and psychedelic rock. Influences Zappa grew up influenced by avant-garde composers such as Edgard Varèse, Igor Stravinsky, and Anton Webern; 1950s blues artists Clarence \"Gatemouth\" Brown, Guitar Slim, Howlin' Wolf, Johnny \"Guitar\" Watson, and B.B.", "Influences Zappa grew up influenced by avant-garde composers such as Edgard Varèse, Igor Stravinsky, and Anton Webern; 1950s blues artists Clarence \"Gatemouth\" Brown, Guitar Slim, Howlin' Wolf, Johnny \"Guitar\" Watson, and B.B. King; Egyptian composer Halim El-Dabh; R&B and doo-wop groups (particularly local pachuco groups); and modern jazz.", "King; Egyptian composer Halim El-Dabh; R&B and doo-wop groups (particularly local pachuco groups); and modern jazz. His own heterogeneous ethnic background, and the diverse social and cultural mix in and around greater Los Angeles, were crucial in the formation of Zappa as a practitioner of underground music and of his later distrustful and openly critical attitude towards \"mainstream\" social, political and musical movements. He frequently lampooned musical fads like psychedelia, rock opera and disco.", "He frequently lampooned musical fads like psychedelia, rock opera and disco. Television also exerted a strong influence, as demonstrated by quotations from show themes and advertising jingles found in his later works. In his book The Real Frank Zappa Book, Frank credited composer Spike Jones for Zappa's frequent use of funny sound effects, mouth noises, and humorous percussion interjections. After explaining his ideas on this, he said \"I owe this part of my musical existence to Spike Jones.\"", "After explaining his ideas on this, he said \"I owe this part of my musical existence to Spike Jones.\" Project/Object Zappa's albums make extensive use of segued tracks, breaklessly joining the elements of his albums. His total output is unified by a conceptual continuity he termed \"Project/Object\", with numerous musical phrases, ideas, and characters reappearing across his albums. He also called it a \"conceptual continuity\", meaning that any project or album was part of a larger project.", "He also called it a \"conceptual continuity\", meaning that any project or album was part of a larger project. Everything was connected, and musical themes and lyrics reappeared in different form on later albums. Conceptual continuity clues are found throughout Zappa's entire œuvre. Techniques Guitar playing Zappa is widely recognized as one of the most significant electric guitar soloists.", "Techniques Guitar playing Zappa is widely recognized as one of the most significant electric guitar soloists. In a 1983 issue of Guitar World, John Swenson declared: \"the fact of the matter is that [Zappa] is one of the greatest guitarists we have and is sorely unappreciated as such.\" His idiosyncratic style developed gradually and was mature by the early 1980s, by which time his live performances featured lengthy improvised solos during many songs.", "His idiosyncratic style developed gradually and was mature by the early 1980s, by which time his live performances featured lengthy improvised solos during many songs. A November 2016 feature by the editors of Guitar Player magazine wrote: \"Brimming with sophisticated motifs and convoluted rhythms, Zappa's extended excursions are more akin to symphonies than they are to guitar solos.\" The symphonic comparison stems from his habit of introducing melodic themes that, like a symphony's main melodies, were repeated with variations throughout his solos.", "The symphonic comparison stems from his habit of introducing melodic themes that, like a symphony's main melodies, were repeated with variations throughout his solos. He was further described as using a wide variety of scales and modes, enlivened by \"unusual rhythmic combinations\". His left hand was capable of smooth legato technique, while Zappa's right was \"one of the fastest pick hands in the business.\"", "His left hand was capable of smooth legato technique, while Zappa's right was \"one of the fastest pick hands in the business.\" In 2016, Dweezil Zappa explained a distinctive element of his father's guitar improvisation technique was relying heavily on upstrokes much more than many other guitarists, who are more likely to use downstrokes with their picking.", "In 2016, Dweezil Zappa explained a distinctive element of his father's guitar improvisation technique was relying heavily on upstrokes much more than many other guitarists, who are more likely to use downstrokes with their picking. His song \"Outside Now\" from Joe's Garage poked fun at the negative reception of Zappa's guitar technique by those more commercially minded, as the song's narrator lives in a world where music is outlawed and he imagines \"imaginary guitar notes that would irritate/An executive kind of guy\", lyrics that are followed by one of Zappa's characteristically quirky solos in 11/8 time.", "His song \"Outside Now\" from Joe's Garage poked fun at the negative reception of Zappa's guitar technique by those more commercially minded, as the song's narrator lives in a world where music is outlawed and he imagines \"imaginary guitar notes that would irritate/An executive kind of guy\", lyrics that are followed by one of Zappa's characteristically quirky solos in 11/8 time. Zappa transcriptionist Kasper Sloots wrote, \"Zappa's guitar solos aren't meant to show off technically (Zappa hasn't claimed to be a big virtuoso on the instrument), but for the pleasure it gives trying to build a composition right in front of an audience without knowing what the outcome will be.\"", "Zappa transcriptionist Kasper Sloots wrote, \"Zappa's guitar solos aren't meant to show off technically (Zappa hasn't claimed to be a big virtuoso on the instrument), but for the pleasure it gives trying to build a composition right in front of an audience without knowing what the outcome will be.\" Zappa's guitar style was not without its critics.", "Zappa's guitar style was not without its critics. Zappa's guitar style was not without its critics. English guitarist and bandleader John McLaughlin, whose band Mahavishnu Orchestra toured with the Mothers of Invention in 1973, opined that Zappa was \"very interesting as a human being and a very interesting composer\" and that he \"was a very good musician but he was a dictator in his band,\" and that he \"was taking very long guitar solos [when performing live]– 10–15 minute guitar solos and really he should have taken two or three minute guitar solos, because they were a little bit boring.\"", "English guitarist and bandleader John McLaughlin, whose band Mahavishnu Orchestra toured with the Mothers of Invention in 1973, opined that Zappa was \"very interesting as a human being and a very interesting composer\" and that he \"was a very good musician but he was a dictator in his band,\" and that he \"was taking very long guitar solos [when performing live]– 10–15 minute guitar solos and really he should have taken two or three minute guitar solos, because they were a little bit boring.\" In 2000, he was ranked number 36 on VH1's 100 Greatest Artists of Hard Rock.", "In 2000, he was ranked number 36 on VH1's 100 Greatest Artists of Hard Rock. In 2004, Rolling Stone magazine ranked him at number 71 on its list of the \"100 Greatest Artists of All Time\", and in 2011 at number 22 on its list of the \"100 Greatest Guitarists of All Time\". Tape manipulation In New York, Zappa increasingly used tape editing as a compositional tool.", "Tape manipulation In New York, Zappa increasingly used tape editing as a compositional tool. A prime example is found on the double album Uncle Meat (1969), where the track \"King Kong\" is edited from various studio and live performances. Zappa had begun regularly recording concerts, and because of his insistence on precise tuning and timing, he was able to augment his studio productions with excerpts from live shows, and vice versa.", "Zappa had begun regularly recording concerts, and because of his insistence on precise tuning and timing, he was able to augment his studio productions with excerpts from live shows, and vice versa. Later, he combined recordings of different compositions into new pieces, irrespective of the tempo or meter of the sources. He dubbed this process \"xenochrony\" (strange synchronizations)—reflecting the Greek \"xeno\" (alien or strange) and \"chronos\" (time). Personal life Zappa was married to Kathryn J.", "Personal life Zappa was married to Kathryn J. Personal life Zappa was married to Kathryn J. \"Kay\" Sherman from 1960 to 1963. In 1967, he married Adelaide Gail Sloatman. He and his second wife had four children: Moon, Dweezil, Ahmet, and Diva. Following Zappa's death, his widow Gail created the Zappa Family Trust, which owns the rights to Zappa's music and some other creative output: more than 60 albums were released during Zappa's lifetime and 40 posthumously.", "Following Zappa's death, his widow Gail created the Zappa Family Trust, which owns the rights to Zappa's music and some other creative output: more than 60 albums were released during Zappa's lifetime and 40 posthumously. Upon Gail's death in October 2015, the Zappa children received shares of the trust; Ahmet and Diva received 30% each, Moon and Dweezil received 20% each.", "Upon Gail's death in October 2015, the Zappa children received shares of the trust; Ahmet and Diva received 30% each, Moon and Dweezil received 20% each. Beliefs and politics Drugs Zappa stated, \"Drugs do not become a problem until the person who uses the drugs does something to you, or does something that would affect your life that you don't want to have happen to you, like an airline pilot who crashes because he was full of drugs.\"", "Beliefs and politics Drugs Zappa stated, \"Drugs do not become a problem until the person who uses the drugs does something to you, or does something that would affect your life that you don't want to have happen to you, like an airline pilot who crashes because he was full of drugs.\" Zappa was a heavy tobacco smoker for most of his life, and strongly critical of anti-tobacco campaigns.", "Zappa was a heavy tobacco smoker for most of his life, and strongly critical of anti-tobacco campaigns. While he disapproved of drug use, he criticized the War on Drugs, comparing it to alcohol prohibition, and stated that the United States Treasury would benefit from the decriminalization and regulation of drugs. Describing his philosophical views, Zappa stated, \"I believe that people have a right to decide their own destinies; people own themselves.", "Describing his philosophical views, Zappa stated, \"I believe that people have a right to decide their own destinies; people own themselves. I also believe that, in a democracy, government exists because (and only so long as) individual citizens give it a 'temporary license to exist'—in exchange for a promise that it will behave itself. In a democracy, you own the government—it doesn't own you.\"", "In a democracy, you own the government—it doesn't own you.\" Government and religion In a 1991 interview, Zappa reported that he was a registered Democrat but added \"that might not last long—I'm going to shred that\". Describing his political views, Zappa categorized himself as a \"practical conservative\".", "Describing his political views, Zappa categorized himself as a \"practical conservative\". He favored limited government and low taxes; he also stated that he approved of national defense, social security, and other federal programs, but only if recipients of such programs are willing and able to pay for them. He favored capitalism, entrepreneurship, and independent business, stating that musicians could make more from owning their own businesses than from collecting royalties.", "He favored capitalism, entrepreneurship, and independent business, stating that musicians could make more from owning their own businesses than from collecting royalties. He opposed communism, stating, \"A system that doesn't allow ownership ... has—to put it mildly—a fatal design flaw.\" He had always encouraged his fans to register to vote on album covers, and throughout 1988 he had registration booths at his concerts. He even considered running for president of the United States as an independent. Zappa was an atheist.", "Zappa was an atheist. Zappa was an atheist. He recalled his parents being \"pretty religious\" and trying to make him go to Catholic school despite his resentment. He felt disgust towards organized religion (Christianity in particular) because he believed that it promoted ignorance and anti-intellectualism. He held the view that the Garden of Eden story shows that the essence of Christianity is to oppose gaining knowledge.", "He held the view that the Garden of Eden story shows that the essence of Christianity is to oppose gaining knowledge. Some of his songs, concert performances, interviews and public debates in the 1980s criticized and derided Republicans and their policies, President Ronald Reagan, the Strategic Defense Initiative (SDI), televangelism, and the Christian Right, and warned that the United States government was in danger of becoming a \"fascist theocracy\". In early 1990, Zappa visited Czechoslovakia at the request of President Václav Havel.", "In early 1990, Zappa visited Czechoslovakia at the request of President Václav Havel. Havel designated him as Czechoslovakia's \"Special Ambassador to the West on Trade, Culture and Tourism\". Havel was a lifelong fan of Zappa, who had great influence in the avant-garde and underground scene in Central Europe in the 1970s and 1980s (a Czech rock group that was imprisoned in 1976 took its name from Zappa's 1968 song \"Plastic People\"). Under pressure from Secretary of State James Baker, Zappa's posting was withdrawn.", "Under pressure from Secretary of State James Baker, Zappa's posting was withdrawn. Havel made Zappa an unofficial cultural attaché instead. Zappa planned to develop an international consulting enterprise to facilitate trade between the former Eastern Bloc and Western businesses. Anti-censorship Zappa expressed opinions on censorship when he appeared on CNN's Crossfire TV series and debated issues with Washington Times commentator John Lofton in 1986.", "Anti-censorship Zappa expressed opinions on censorship when he appeared on CNN's Crossfire TV series and debated issues with Washington Times commentator John Lofton in 1986. On September 19, 1985, Zappa testified before the United States Senate Commerce, Technology, and Transportation committee, attacking the Parents Music Resource Center or PMRC, a music organization co-founded by Tipper Gore, wife of then-senator Al Gore.", "On September 19, 1985, Zappa testified before the United States Senate Commerce, Technology, and Transportation committee, attacking the Parents Music Resource Center or PMRC, a music organization co-founded by Tipper Gore, wife of then-senator Al Gore. The PMRC consisted of many wives of politicians, including the wives of five members of the committee, and was founded to address the issue of song lyrics with sexual or satanic content.", "The PMRC consisted of many wives of politicians, including the wives of five members of the committee, and was founded to address the issue of song lyrics with sexual or satanic content. During Zappa's testimony, he stated that there was a clear conflict of interest between the PMRC due to the relations of its founders to the politicians who were then trying to pass what he referred to as the \"Blank Tape Tax.\"", "During Zappa's testimony, he stated that there was a clear conflict of interest between the PMRC due to the relations of its founders to the politicians who were then trying to pass what he referred to as the \"Blank Tape Tax.\" Kandy Stroud, a spokeswoman for the PMRC, announced that Senator Gore (who co-founded the committee) was a co-sponsor of that legislation.", "Kandy Stroud, a spokeswoman for the PMRC, announced that Senator Gore (who co-founded the committee) was a co-sponsor of that legislation. Zappa suggested that record labels were trying to get the bill passed quickly through committees, one of which was chaired by Senator Strom Thurmond, who was also affiliated with the PMRC. Zappa further pointed out that this committee was being used as a distraction from that bill being passed, which would lead only to the benefit of a select few in the music industry.", "Zappa further pointed out that this committee was being used as a distraction from that bill being passed, which would lead only to the benefit of a select few in the music industry. Zappa saw their activities as on a path towards censorship and called their proposal for voluntary labelling of records with explicit content \"extortion\" of the music industry.", "Zappa saw their activities as on a path towards censorship and called their proposal for voluntary labelling of records with explicit content \"extortion\" of the music industry. In his prepared statement, he said: The PMRC proposal is an ill-conceived piece of nonsense which fails to deliver any real benefits to children, infringes the civil liberties of people who are not children, and promises to keep the courts busy for years dealing with the interpretational and enforcemental problems inherent in the proposal's design.", "In his prepared statement, he said: The PMRC proposal is an ill-conceived piece of nonsense which fails to deliver any real benefits to children, infringes the civil liberties of people who are not children, and promises to keep the courts busy for years dealing with the interpretational and enforcemental problems inherent in the proposal's design. It is my understanding that, in law, First Amendment issues are decided with a preference for the least restrictive alternative.", "It is my understanding that, in law, First Amendment issues are decided with a preference for the least restrictive alternative. In this context, the PMRC's demands are the equivalent of treating dandruff by decapitation. ... The establishment of a rating system, voluntary or otherwise, opens the door to an endless parade of moral quality control programs based on things certain Christians do not like.", "The establishment of a rating system, voluntary or otherwise, opens the door to an endless parade of moral quality control programs based on things certain Christians do not like. What if the next bunch of Washington wives demands a large yellow \"J\" on all material written or performed by Jews, in order to save helpless children from exposure to concealed Zionist doctrine?", "What if the next bunch of Washington wives demands a large yellow \"J\" on all material written or performed by Jews, in order to save helpless children from exposure to concealed Zionist doctrine? Zappa set excerpts from the PMRC hearings to Synclavier music in his composition \"Porn Wars\" on the 1985 album Frank Zappa Meets the Mothers of Prevention, and the full recording was released in 2010 as Congress Shall Make No Law... Zappa is heard interacting with Senators Fritz Hollings, Slade Gorton and Al Gore.", "Zappa set excerpts from the PMRC hearings to Synclavier music in his composition \"Porn Wars\" on the 1985 album Frank Zappa Meets the Mothers of Prevention, and the full recording was released in 2010 as Congress Shall Make No Law... Zappa is heard interacting with Senators Fritz Hollings, Slade Gorton and Al Gore. Legacy Zappa had a controversial critical standing during his lifetime.", "Legacy Zappa had a controversial critical standing during his lifetime. As Geoffrey Himes noted in 1993 after the artist's death, Zappa was hailed as a genius by conductor Kent Nagano and nominated by Czechoslovakian President Václav Havel to the country's cultural ambassadorship, but he was in his lifetime rejected twice for admission into the Rock and Roll Hall of Fame and been found by critics to lack emotional depth.", "As Geoffrey Himes noted in 1993 after the artist's death, Zappa was hailed as a genius by conductor Kent Nagano and nominated by Czechoslovakian President Václav Havel to the country's cultural ambassadorship, but he was in his lifetime rejected twice for admission into the Rock and Roll Hall of Fame and been found by critics to lack emotional depth. In Christgau's Record Guide: Rock Albums of the Seventies (1981), Robert Christgau dismissed Zappa's music as \"sexist adolescent drivel ... with meters and voicings and key changes that are as hard to play as they are easy to forget.\"", "In Christgau's Record Guide: Rock Albums of the Seventies (1981), Robert Christgau dismissed Zappa's music as \"sexist adolescent drivel ... with meters and voicings and key changes that are as hard to play as they are easy to forget.\" According to Himes: Acclaim and honors The Rolling Stone Album Guide (2004) writes: \"Frank Zappa dabbled in virtually all kinds of music—and, whether guised as a satirical rocker, jazz-rock fusionist, guitar virtuoso, electronics wizard, or orchestral innovator, his eccentric genius was undeniable.\"", "According to Himes: Acclaim and honors The Rolling Stone Album Guide (2004) writes: \"Frank Zappa dabbled in virtually all kinds of music—and, whether guised as a satirical rocker, jazz-rock fusionist, guitar virtuoso, electronics wizard, or orchestral innovator, his eccentric genius was undeniable.\" Even though his work drew inspiration from many different genres, Zappa was seen as establishing a coherent and personal expression.", "Even though his work drew inspiration from many different genres, Zappa was seen as establishing a coherent and personal expression. In 1971, biographer David Walley noted that \"The whole structure of his music is unified, not neatly divided by dates or time sequences and it is all building into a composite\". On commenting on Zappa's music, politics and philosophy, Barry Miles noted in 2004 that they cannot be separated: \"It was all one; all part of his 'conceptual continuity'.\"", "On commenting on Zappa's music, politics and philosophy, Barry Miles noted in 2004 that they cannot be separated: \"It was all one; all part of his 'conceptual continuity'.\" Guitar Player devoted a special issue to Zappa in 1992, and asked on the cover \"Is FZ America's Best Kept Musical Secret?\" Editor Don Menn remarked that the issue was about \"The most important composer to come out of modern popular music\".", "Editor Don Menn remarked that the issue was about \"The most important composer to come out of modern popular music\". Among those contributing to the issue was composer and musicologist Nicolas Slonimsky, who conducted premiere performances of works of Ives and Varèse in the 1930s. He became friends with Zappa in the 1980s, and said, \"I admire everything Frank does, because he practically created the new musical millennium. He does beautiful, beautiful work ...", "He does beautiful, beautiful work ... He does beautiful, beautiful work ... It has been my luck to have lived to see the emergence of this totally new type of music.\" Conductor Kent Nagano remarked in the same issue that \"Frank is a genius. That's a word I don't use often ... In Frank's case it is not too strong ... He is extremely literate musically. I'm not sure if the general public knows that.\"", "I'm not sure if the general public knows that.\" Pierre Boulez told Musician magazine's posthumous Zappa tribute article that Zappa \"was an exceptional figure because he was part of the worlds of rock and classical music and that both types of his work would survive.\" In 1994, jazz magazine DownBeats critics poll placed Zappa in its Hall of Fame. Zappa was posthumously inducted into the Rock and Roll Hall of Fame in 1995.", "Zappa was posthumously inducted into the Rock and Roll Hall of Fame in 1995. There, it was written that \"Frank Zappa was rock and roll's sharpest musical mind and most astute social critic. He was the most prolific composer of his age, and he bridged genres—rock, jazz, classical, avant-garde and even novelty music—with masterful ease\". He was ranked number 36 on VH1's 100 Greatest Artists of Hard Rock in 2000.", "He was ranked number 36 on VH1's 100 Greatest Artists of Hard Rock in 2000. In 2005, the U.S. National Recording Preservation Board included We're Only in It for the Money in the National Recording Registry as \"Frank Zappa's inventive and iconoclastic album presents a unique political stance, both anti-conservative and anti-counterculture, and features a scathing satire on hippiedom and America's reactions to it\". The same year, Rolling Stone magazine ranked him at No. 71 on its list of the 100 Greatest Artists of All Time.", "71 on its list of the 100 Greatest Artists of All Time. In 2011, he was ranked at No. 22 on the list of the 100 Greatest Guitarists of All Time by the same magazine. In 2016, Guitar World magazine placed Zappa atop of its list \"15 of the best progressive rock guitarists through the years.\" The street of Partinico where his father lived at number 13, Via Zammatà, has been renamed to Via Frank Zappa.", "The street of Partinico where his father lived at number 13, Via Zammatà, has been renamed to Via Frank Zappa. Since his death, several musicians have been considered by critics as filling the artistic niche left behind by Zappa, in view of their prolific output, eclecticism and other qualities, including Devin Townsend, Mike Patton and Omar Rodríguez-López. Grammy Awards In the course of his career, Zappa was nominated for nine competitive Grammy Awards, which resulted in two wins (one posthumous).", "Grammy Awards In the course of his career, Zappa was nominated for nine competitive Grammy Awards, which resulted in two wins (one posthumous). In 1998, he received the Grammy Lifetime Achievement Award.", "In 1998, he received the Grammy Lifetime Achievement Award. |- |rowspan=\"2\"| 1980 || \"Rat Tomago\" || Best Rock Instrumental Performance || |- | \"Dancin' Fool\" || Best Male Rock Vocal Performance || |- | 1983 || \"Valley Girl\" || Best Rock Performance by a Duo or Group with Vocal || |- | 1985 || The Perfect Stranger || Best New Classical Composition || |- |rowspan=\"2\"| 1988 || \"Jazz from Hell\" || Best Instrumental Composition || |- | Jazz from Hell ||rowspan=\"2\"| Best Rock Instrumental Performance (Orchestra, Group or Soloist) || |- | 1989 || Guitar || |- | 1990 || Broadway the Hard Way || Best Musical Cast Show Album || |- | 1996 || Civilization Phaze III || Best Recording Package – Boxed || |- | 1998 || Frank Zappa || Lifetime Achievement Award || Artists influenced by Zappa Many musicians, bands and orchestras from diverse genres have been influenced by Zappa's music.", "|- |rowspan=\"2\"| 1980 || \"Rat Tomago\" || Best Rock Instrumental Performance || |- | \"Dancin' Fool\" || Best Male Rock Vocal Performance || |- | 1983 || \"Valley Girl\" || Best Rock Performance by a Duo or Group with Vocal || |- | 1985 || The Perfect Stranger || Best New Classical Composition || |- |rowspan=\"2\"| 1988 || \"Jazz from Hell\" || Best Instrumental Composition || |- | Jazz from Hell ||rowspan=\"2\"| Best Rock Instrumental Performance (Orchestra, Group or Soloist) || |- | 1989 || Guitar || |- | 1990 || Broadway the Hard Way || Best Musical Cast Show Album || |- | 1996 || Civilization Phaze III || Best Recording Package – Boxed || |- | 1998 || Frank Zappa || Lifetime Achievement Award || Artists influenced by Zappa Many musicians, bands and orchestras from diverse genres have been influenced by Zappa's music. Rock artists such as The Plastic People of the Universe, Alice Cooper, Larry LaLonde of Primus, Fee Waybill of the Tubes all cite Zappa's influence, as do progressive, alternative, electronic and avant-garde/experimental rock artists like Can, Pere Ubu, Yes, Soft Machine, Henry Cow, Faust, Devo, Kraftwerk, Trey Anastasio and Jon Fishman of Phish, Jeff Buckley, John Frusciante, Steven Wilson, and The Aristocrats.", "Rock artists such as The Plastic People of the Universe, Alice Cooper, Larry LaLonde of Primus, Fee Waybill of the Tubes all cite Zappa's influence, as do progressive, alternative, electronic and avant-garde/experimental rock artists like Can, Pere Ubu, Yes, Soft Machine, Henry Cow, Faust, Devo, Kraftwerk, Trey Anastasio and Jon Fishman of Phish, Jeff Buckley, John Frusciante, Steven Wilson, and The Aristocrats. Paul McCartney regarded Sgt.", "Paul McCartney regarded Sgt. Paul McCartney regarded Sgt. Pepper's Lonely Hearts Club Band as the Beatles' Freak Out!. Jimi Hendrix and heavy rock and metal acts like Black Sabbath, Simon Phillips, Mike Portnoy, Warren DeMartini, Alex Skolnick, Steve Vai, Strapping Young Lad, System of a Down, and Clawfinger have acknowledged Zappa as inspiration. On the classical music scene, Tomas Ulrich, Meridian Arts Ensemble, Ensemble Ambrosius and the Fireworks Ensemble regularly perform Zappa's compositions and quote his influence.", "On the classical music scene, Tomas Ulrich, Meridian Arts Ensemble, Ensemble Ambrosius and the Fireworks Ensemble regularly perform Zappa's compositions and quote his influence. Contemporary jazz musicians and composers Bobby Sanabria, Bill Frisell and John Zorn are inspired by Zappa, as is funk legend George Clinton.", "Contemporary jazz musicians and composers Bobby Sanabria, Bill Frisell and John Zorn are inspired by Zappa, as is funk legend George Clinton. Other artists affected by Zappa include ambient composer Brian Eno, new age pianist George Winston, electronic composer Bob Gluck, parodist artist and disk jockey Dr. Demento, parodist and novelty composer \"Weird Al\" Yankovic, industrial music pioneer Genesis P-Orridge, singer Cree Summer, noise music artist Masami Akita of Merzbow, and Chilean composer Cristián Crisosto from Fulano and Mediabanda.", "Other artists affected by Zappa include ambient composer Brian Eno, new age pianist George Winston, electronic composer Bob Gluck, parodist artist and disk jockey Dr. Demento, parodist and novelty composer \"Weird Al\" Yankovic, industrial music pioneer Genesis P-Orridge, singer Cree Summer, noise music artist Masami Akita of Merzbow, and Chilean composer Cristián Crisosto from Fulano and Mediabanda. References in arts and sciences Scientists from various fields have honored Zappa by naming new discoveries after him.", "References in arts and sciences Scientists from various fields have honored Zappa by naming new discoveries after him. In 1967, paleontologist Leo P. Plas, Jr., identified an extinct mollusc in Nevada and named it Amaurotoma zappa with the motivation that, \"The specific name, zappa, honors Frank Zappa\". In the 1980s, biologist Ed Murdy named a genus of gobiid fishes of New Guinea Zappa, with a species named Zappa confluentus.", "In the 1980s, biologist Ed Murdy named a genus of gobiid fishes of New Guinea Zappa, with a species named Zappa confluentus. Biologist Ferdinando Boero named a Californian jellyfish Phialella zappai (1987), noting that he had \"pleasure in naming this species after the modern music composer\". Belgian biologists Bosmans and Bosselaers discovered in the early 1980s a Cameroonese spider, which they in 1994 named Pachygnatha zappa because \"the ventral side of the abdomen of the female of this species strikingly resembles the artist's legendary moustache\".", "Belgian biologists Bosmans and Bosselaers discovered in the early 1980s a Cameroonese spider, which they in 1994 named Pachygnatha zappa because \"the ventral side of the abdomen of the female of this species strikingly resembles the artist's legendary moustache\". A gene of the bacterium Proteus mirabilis that causes urinary tract infections was in 1995 named zapA by three biologists from Maryland. In their scientific article, they \"especially thank the late Frank Zappa for inspiration and assistance with genetic nomenclature\".", "In their scientific article, they \"especially thank the late Frank Zappa for inspiration and assistance with genetic nomenclature\". Repeating regions of the genome of the human tumor virus KSHV were named frnk, vnct and zppa in 1996 by Yuan Chang and Patrick S. Moore who discovered the virus. Also, a 143 base pair repeat sequence occurring at two positions was named waka/jwka.", "Also, a 143 base pair repeat sequence occurring at two positions was named waka/jwka. In the late 1990s, American paleontologists Marc Salak and Halard L. Lescinsky discovered a metazoan fossil, and named it Spygori zappania to honor \"the late Frank Zappa ... whose mission paralleled that of the earliest paleontologists: to challenge conventional and traditional beliefs when such beliefs lacked roots in logic and reason\".", "In the late 1990s, American paleontologists Marc Salak and Halard L. Lescinsky discovered a metazoan fossil, and named it Spygori zappania to honor \"the late Frank Zappa ... whose mission paralleled that of the earliest paleontologists: to challenge conventional and traditional beliefs when such beliefs lacked roots in logic and reason\". In 1994, lobbying efforts initiated by psychiatrist John Scialli led the International Astronomical Union's Minor Planet Center to name an asteroid in Zappa's honor: 3834 Zappafrank.", "In 1994, lobbying efforts initiated by psychiatrist John Scialli led the International Astronomical Union's Minor Planet Center to name an asteroid in Zappa's honor: 3834 Zappafrank. The asteroid was discovered in 1980 by Czechoslovakian astronomer Ladislav Brožek, and the citation for its naming says that \"Zappa was an eclectic, self-trained artist and composer ... Before 1989 he was regarded as a symbol of democracy and freedom by many people in Czechoslovakia\".", "The asteroid was discovered in 1980 by Czechoslovakian astronomer Ladislav Brožek, and the citation for its naming says that \"Zappa was an eclectic, self-trained artist and composer ... Before 1989 he was regarded as a symbol of democracy and freedom by many people in Czechoslovakia\". In 1995, a bust of Zappa by sculptor Konstantinas Bogdanas was installed in Vilnius, the Lithuanian capital .", "In 1995, a bust of Zappa by sculptor Konstantinas Bogdanas was installed in Vilnius, the Lithuanian capital . The choice of Zappa was explained as \"a symbol that would mark the end of communism, but at the same time express that it wasn't always doom and gloom.\"", "The choice of Zappa was explained as \"a symbol that would mark the end of communism, but at the same time express that it wasn't always doom and gloom.\" A replica was offered to the city of Baltimore in 2008, and on September 19, 2010 — the twenty-fifth anniversary of Zappa's testimony to the U.S. Senate — a ceremony dedicating the replica was held, and the bust was unveiled at a library in the city.", "A replica was offered to the city of Baltimore in 2008, and on September 19, 2010 — the twenty-fifth anniversary of Zappa's testimony to the U.S. Senate — a ceremony dedicating the replica was held, and the bust was unveiled at a library in the city. In 2002, a bronze bust was installed in German city Bad Doberan, location of the Zappanale since 1990, an annual music festival celebrating Zappa.", "In 2002, a bronze bust was installed in German city Bad Doberan, location of the Zappanale since 1990, an annual music festival celebrating Zappa. At the initiative of musicians community ORWOhaus, the city of Berlin named a street in the Marzahn district \"Frank-Zappa-Straße\" in 2007. The same year, Baltimore mayor Sheila Dixon proclaimed August 9 as the city's official \"Frank Zappa Day\" citing Zappa's musical accomplishments as well as his defense of the First Amendment to the United States Constitution.", "The same year, Baltimore mayor Sheila Dixon proclaimed August 9 as the city's official \"Frank Zappa Day\" citing Zappa's musical accomplishments as well as his defense of the First Amendment to the United States Constitution. Zappa documentary The biographical documentary Zappa, directed by Alex Winter and released on November 27, 2020, includes previously unreleased footage from Zappa's personal vault, to which he was granted access by the Zappa Family Trust. Discography During his lifetime, Zappa released 62 albums.", "Discography During his lifetime, Zappa released 62 albums. Discography During his lifetime, Zappa released 62 albums. Since 1994, the Zappa Family Trust has released 57 posthumous albums, making a total of 119 albums. The current distributor of Zappa's recorded output is Universal Music Enterprises.", "The current distributor of Zappa's recorded output is Universal Music Enterprises. See also List of performers on Frank Zappa records Frank Zappa in popular culture Notes References Bibliography External links 1940 births 1993 deaths 20th-century American guitarists 20th-century American male actors 20th-century American singers American classical musicians American activists American anti-communists American anti-fascists American atheists American comedy musicians American male composers American music arrangers American experimental filmmakers American experimental guitarists American experimental musicians American humanists American jazz guitarists American male voice actors American multi-instrumentalists Record producers from Maryland American rock guitarists American male guitarists American rock singers American electronic musicians American avant-garde musicians American people of Arab descent American people of Italian descent American people of French descent American people of Greek descent American satirists American surrealist artists Angel Records artists Surrealist filmmakers Antelope Valley High School alumni Articles containing video clips Avant-garde guitarists Avant-pop musicians Burials at Westwood Village Memorial Park Cemetery California Democrats Captain Beefheart Censorship in the arts American contemporary classical composers Contemporary classical music performers Copywriters Critics of the Catholic Church Deaths from cancer in California Deaths from prostate cancer Deaths from kidney failure Advocates of unschooling and homeschooling EMI Records artists Experimental pop musicians Experimental rock musicians Free speech activists Grammy Award winners Grammy Lifetime Achievement Award winners Humor in classical music Lead guitarists Maryland Democrats Musicians from Baltimore People from Echo Park, Los Angeles People from Edgewood, Maryland People from Ontario, California Progressive rock guitarists Proto-prog musicians Rykodisc artists Singers from Los Angeles The Mothers of Invention members Verve Records artists Warner Records artists Guitarists from Los Angeles Guitarists from Maryland 20th-century classical composers Singer-songwriters from Maryland Writers from Los Angeles 20th-century American composers Parody musicians Freak scene Freak artists Jazz musicians from Maryland American male jazz musicians American libertarians People from Lancaster, California American male singer-songwriters Zappa family 20th-century American male singers People from Laurel Canyon, Los Angeles Jazz musicians from California Singer-songwriters from California Surrealist groups" ]

[ "Frank Zappa", "Childhood", "Where did Zappa grow up?", "Baltimore, Maryland.", "Did he have a happy childhood?", "Due to their home's proximity to the arsenal, which stored mustard gas, gas masks were kept in the home in case of an accident.", "Did they stay in Baltimore?", "moved to Monterey, California,", "Did he enjoy California more than Maryland?", "They soon moved to Claremont, California, then to El Cajon, before finally settling in San Diego.", "Who was in his immediate family?", "Frank, the eldest of four children," ]

[ "Else is a feminine given name, appearing in German, Danish and Norwegian. It is a shortened form of Elisabeth.\n\nNotable people with the name include:\n\n Else Alfelt (1910–1974), Danish painter\n Else Ackermann, German physician and pharmacologist\n Else Winther Andersen (born 1941), Danish politician\n Else Berg (1877–1942), Dutch painter\n Else Bugge Fougner (born 1944), Norwegian lawyer and politician\n Else Christensen (1913–2005), Danish neopagan\n Else Feldmann (1884–1942), Austrian writer\n Else Frenkel-Brunswik (1908–1958), Polish-Austrian psychologist\n Else Hench (20th century), Austrian luger\n Else Hirsch (1889–1942/3), German-Jewish teacher\n Else Holmelund Minarik (1920–2012), Danish American author\n Else Jacobsen (1911–1965), Danish swimmer\n Else Krüger (born 1915), German secretary\n Else Lasker-Schüler (1869–1945), Jewish German poet and playwright\n Else Mayer (1891–1962), German nun\n Else Meidner (1901–1987), Jewish German painter\n Else Repål (1930–2015), Norwegian politician\n Else Reppen (1933–2006), Norwegian philanthropist\n Else Sehrig-Vehling (1897–1994), German expressionist\n Else Seifert (1879–1968), German photographer\n Else Ury (1877–1943), German writer\n Else von Richthofen (1874–1973), German social scientist\n\nSee also\nElse-Marie\nElse-Marthe Sørlie Lybekk (born 1978), Norwegian handball player\n\nFeminine given names", "Something Else or Somethin' Else may refer to:\n\nBooks\n Something Else (book), a children's book by Kathryn Cave\n Something Else Press, an American small-press publisher\n Archie's Something Else! by Spire Christian Comics\n\nFilm and television\n Somethin' Else (content agency), a content and talent agency based in London\n Something Else (TV series), a 1978–1982 UK youth TV programme\n Something Else, a 1970–71 American musical variety show hosted by John Byner\n Something Else, a 2001 British children's animated show produced by Studio B Productions\n\nMusic\n\nPerformers\n Somethin' Else!, a rock and roll band featuring Bobby Cochran, nephew of Eddie Cochran\n Something Else (Japanese band), a J-Pop band\n Something Else, a 1970s Scottish band featuring Sheena Easton\n\nAlbums\n Something Else!!!!, a 1958 album by Ornette Coleman\n Somethin' Else (Cannonball Adderley album), or the title song by Miles Davis, 1958\n Somethin' Else (The Kingston Trio album), 1965\n Something Else by The Kinks, a 1967 album\n Something Else from The Move, a 1968 EP\n Something Else (Shirley Bassey album), 1971\n Something Else (Robin Thicke album), 2008\n Something Else, a 2012 album by Elom Adablah\n Something Else (Tech N9ne album), 2013\n Something Else (The Cranberries album), 2017\n Something Else (The Brian Jones Massacre album), 2018\n\nSongs\n \"Somethin' Else\" (song), a 1959 song by Eddie Cochran, covered by several other performers\n \"Something Else\", a song by Diamond Rings from Special Affections\n \"Something Else\", a song by The Doubleclicks from Lasers and Feelings\n \"Something Else\", a song by Gary Jules from Trading Snakeoil for Wolftickets\n \"Something Else\", a song by Good Charlotte from Good Morning Revival\n\nSee also\n Something (disambiguation)" ]

[ "Frank Vincent Zappa (December 21, 1940 – December 4, 1993) was an American musician, singer, composer, songwriter and bandleader. His work is characterized by nonconformity, free-form improvisation, sound experiments, musical virtuosity and satire of American culture. In a career spanning more than 30 years, Zappa composed rock, pop, jazz, jazz fusion, orchestral and musique concrète works, and produced almost all of the 60-plus albums that he released with his band the Mothers of Invention and as a solo artist.", "In a career spanning more than 30 years, Zappa composed rock, pop, jazz, jazz fusion, orchestral and musique concrète works, and produced almost all of the 60-plus albums that he released with his band the Mothers of Invention and as a solo artist. Zappa also directed feature-length films and music videos, and designed album covers. He is considered one of the most innovative and stylistically diverse musicians of his generation.", "He is considered one of the most innovative and stylistically diverse musicians of his generation. As a self-taught composer and performer, Zappa had diverse musical influences that led him to create music that was sometimes difficult to categorize. While in his teens, he acquired a taste for 20th-century classical modernism, African-American rhythm and blues, and doo-wop music. He began writing classical music in high school, while at the same time playing drums in rhythm-and-blues bands, later switching to electric guitar.", "He began writing classical music in high school, while at the same time playing drums in rhythm-and-blues bands, later switching to electric guitar. His 1966 debut album with the Mothers of Invention, Freak Out!, combined songs in conventional rock and roll format with collective improvisations and studio-generated sound collages. He continued this eclectic and experimental approach whether the fundamental format was rock, jazz, or classical.", "He continued this eclectic and experimental approach whether the fundamental format was rock, jazz, or classical. Zappa's output is unified by a conceptual continuity he termed \"Project/Object\", with numerous musical phrases, ideas, and characters reappearing across his albums. His lyrics reflected his iconoclastic views of established social and political processes, structures and movements, often humorously so, and he has been described as the \"godfather\" of comedy rock.", "His lyrics reflected his iconoclastic views of established social and political processes, structures and movements, often humorously so, and he has been described as the \"godfather\" of comedy rock. He was a strident critic of mainstream education and organized religion, and a forthright and passionate advocate for freedom of speech, self-education, political participation and the abolition of censorship. Unlike many other rock musicians of his generation, he disapproved of recreational drug use, but supported decriminalization and regulation.", "Unlike many other rock musicians of his generation, he disapproved of recreational drug use, but supported decriminalization and regulation. Zappa was a highly productive and prolific artist with a controversial critical standing; supporters of his music admired its compositional complexity, while critics found it lacking emotional depth. He had greater commercial success outside the US, particularly in Europe. Though he worked as an independent artist, Zappa mostly relied on distribution agreements he had negotiated with the major record labels. He remains a major influence on musicians and composers.", "He remains a major influence on musicians and composers. He remains a major influence on musicians and composers. His honors include his 1995 induction into the Rock and Roll Hall of Fame and the 1997 Grammy Lifetime Achievement Award. 1940s–1960s: early life and career Childhood Zappa was born on December 21, 1940, in Baltimore, Maryland.", "1940s–1960s: early life and career Childhood Zappa was born on December 21, 1940, in Baltimore, Maryland. His mother, Rose Marie ( Colimore), was of Italian (Neapolitan and Sicilian) and French ancestry; his father, whose name was anglicized to Francis Vincent Zappa, was an immigrant from Partinico, Sicily, with Greek and Arab ancestry. Frank, the eldest of four children, was raised in an Italian-American household where Italian was often spoken by his grandparents.", "Frank, the eldest of four children, was raised in an Italian-American household where Italian was often spoken by his grandparents. The family moved often because his father, a chemist and mathematician, worked in the defense industry. After a time in Florida in the 1940s, the family returned to Maryland, where Zappa's father worked at the Edgewood Arsenal chemical warfare facility of the Aberdeen Proving Ground run by the U.S. Army.", "After a time in Florida in the 1940s, the family returned to Maryland, where Zappa's father worked at the Edgewood Arsenal chemical warfare facility of the Aberdeen Proving Ground run by the U.S. Army. Due to their home's proximity to the arsenal, which stored mustard gas, gas masks were kept in the home in case of an accident. This living arrangement had a profound effect on Zappa, and references to germs, germ warfare, ailments and the defense industry occur frequently throughout his work.", "This living arrangement had a profound effect on Zappa, and references to germs, germ warfare, ailments and the defense industry occur frequently throughout his work. Zappa was often sick as a child, suffering from asthma, earaches and sinus problems. A doctor treated his sinusitis by inserting a pellet of radium into each of Zappa's nostrils.", "A doctor treated his sinusitis by inserting a pellet of radium into each of Zappa's nostrils. At the time, little was known about the potential dangers of even small amounts of therapeutic radiation, and although it has since been claimed that nasal radium treatment has causal connections to cancer, no studies have provided enough evidence to confirm this. Nasal imagery and references appear in his music and lyrics, as well as in the collage album covers created by his long-time collaborator Cal Schenkel.", "Nasal imagery and references appear in his music and lyrics, as well as in the collage album covers created by his long-time collaborator Cal Schenkel. Zappa believed his childhood diseases might have been due to exposure to mustard gas, released by the nearby chemical warfare facility, and his health worsened when he lived in Baltimore. In 1952, his family relocated for reasons of health to Monterey, California, where his father taught metallurgy at the Naval Postgraduate School.", "In 1952, his family relocated for reasons of health to Monterey, California, where his father taught metallurgy at the Naval Postgraduate School. They soon moved to Clairemont, and then to El Cajon, before finally settling in nearby San Diego. First musical interests Zappa joined his first band at Mission Bay High School in San Diego as the drummer. At about the same time, his parents bought a phonograph, which allowed him to develop his interest in music, and to begin building his record collection.", "At about the same time, his parents bought a phonograph, which allowed him to develop his interest in music, and to begin building his record collection. According to The Rough Guide to Rock (2003), \"as a teenager Zappa was simultaneously enthralled by black R&B (Johnny 'Guitar' Watson, Guitar Slim), doo-wop (The Channels, The Velvets), the modernism of Igor Stravinsky and Anton Webern, and the dissonant sound experiments of Edgard Varese.\"", "According to The Rough Guide to Rock (2003), \"as a teenager Zappa was simultaneously enthralled by black R&B (Johnny 'Guitar' Watson, Guitar Slim), doo-wop (The Channels, The Velvets), the modernism of Igor Stravinsky and Anton Webern, and the dissonant sound experiments of Edgard Varese.\" R&B singles were early purchases for Zappa, starting a large collection he kept for the rest of his life.", "R&B singles were early purchases for Zappa, starting a large collection he kept for the rest of his life. He was interested in sounds for their own sake, particularly the sounds of drums and other percussion instruments. By age twelve, he had obtained a snare drum and began learning the basics of orchestral percussion.", "By age twelve, he had obtained a snare drum and began learning the basics of orchestral percussion. Zappa's deep interest in modern classical music began when he read a LOOK magazine article about the Sam Goody record store chain that lauded its ability to sell an LP as obscure as The Complete Works of Edgard Varèse, Volume One. The article described Varèse's percussion composition Ionisation, produced by EMS Recordings, as \"a weird jumble of drums and other unpleasant sounds\". Zappa decided to seek out Varèse's music.", "Zappa decided to seek out Varèse's music. Zappa decided to seek out Varèse's music. After searching for over a year, Zappa found a copy (he noticed the LP because of the \"mad scientist\" looking photo of Varèse on the cover). Not having enough money with him, he persuaded the salesman to sell him the record at a discount. Thus began his lifelong passion for Varèse's music and that of other modern classical composers.", "Thus began his lifelong passion for Varèse's music and that of other modern classical composers. He also liked the Italian classical music listened to by his grandparents, especially Puccini's opera arias. By 1956, the Zappa family had moved to Lancaster, a small aerospace and farming town in the Antelope Valley of the Mojave Desert close to Edwards Air Force Base; he would later refer to Sun Village (a town close to Lancaster) in the 1973 track \"Village of the Sun\".", "By 1956, the Zappa family had moved to Lancaster, a small aerospace and farming town in the Antelope Valley of the Mojave Desert close to Edwards Air Force Base; he would later refer to Sun Village (a town close to Lancaster) in the 1973 track \"Village of the Sun\". Zappa's mother encouraged him in his musical interests. Although she disliked Varèse's music, she was indulgent enough to give her son a long-distance call to the New York composer as a fifteenth birthday present.", "Although she disliked Varèse's music, she was indulgent enough to give her son a long-distance call to the New York composer as a fifteenth birthday present. Unfortunately, Varèse was in Europe at the time, so Zappa spoke to the composer's wife and she suggested he call back later. In a letter, Varèse thanked him for his interest, and told him about a composition he was working on called \"Déserts\". Living in the desert town of Lancaster, Zappa found this very exciting.", "Living in the desert town of Lancaster, Zappa found this very exciting. Varèse invited him to visit if he ever came to New York. The meeting never took place (Varèse died in 1965), but Zappa framed the letter and kept it on display for the rest of his life. At Antelope Valley High School, Zappa met Don Glen Vliet (who later changed his name to Don Van Vliet and adopted the stage name Captain Beefheart).", "At Antelope Valley High School, Zappa met Don Glen Vliet (who later changed his name to Don Van Vliet and adopted the stage name Captain Beefheart). Zappa and Vliet became close friends, sharing an interest in R&B records and influencing each other musically throughout their careers. Around the same time, Zappa started playing drums in a local band, the Blackouts. The band was racially diverse and included Euclid James \"Motorhead\" Sherwood who later became a member of the Mothers of Invention.", "The band was racially diverse and included Euclid James \"Motorhead\" Sherwood who later became a member of the Mothers of Invention. Zappa's interest in the guitar grew, and in 1957 he was given his first instrument. Among his early influences were Johnny \"Guitar\" Watson, Howlin' Wolf and Clarence \"Gatemouth\" Brown. In the 1970s/1980s, he invited Watson to perform on several albums. Zappa considered soloing as the equivalent of forming \"air sculptures\", and developed an eclectic, innovative and highly personal style.", "Zappa considered soloing as the equivalent of forming \"air sculptures\", and developed an eclectic, innovative and highly personal style. He was also influenced by Egyptian composer Halim El-Dabh. Zappa's interest in composing and arranging flourished in his last high-school years. By his final year, he was writing, arranging and conducting avant-garde performance pieces for the school orchestra. He graduated from Antelope Valley High School in 1958, and later acknowledged two of his music teachers on the sleeve of the 1966 album Freak Out!", "He graduated from Antelope Valley High School in 1958, and later acknowledged two of his music teachers on the sleeve of the 1966 album Freak Out! Due to his family's frequent moves, Zappa attended at least six different high schools, and as a student he was often bored and given to distracting the rest of the class with juvenile antics.", "Due to his family's frequent moves, Zappa attended at least six different high schools, and as a student he was often bored and given to distracting the rest of the class with juvenile antics. In 1959, he attended Chaffey College but left after one semester, and maintained thereafter a disdain for formal education, taking his children out of school at age 15 and refusing to pay for their college. Zappa left home in 1959, and moved into a small apartment in Echo Park, Los Angeles.", "Zappa left home in 1959, and moved into a small apartment in Echo Park, Los Angeles. After he met Kathryn J. \"Kay\" Sherman during his short period of private composition study with Prof. Karl Kohn of Pomona College, they moved in together in Ontario, and were married December 28, 1960. Zappa worked for a short period in advertising as a copywriter. His sojourn in the commercial world was brief, but gave him valuable insights into its workings.", "His sojourn in the commercial world was brief, but gave him valuable insights into its workings. Throughout his career, he took a keen interest in the visual presentation of his work, designing some of his album covers and directing his own films and videos. Studio Z Zappa attempted to earn a living as a musician and composer, and played different nightclub gigs, some with a new version of the Blackouts.", "Studio Z Zappa attempted to earn a living as a musician and composer, and played different nightclub gigs, some with a new version of the Blackouts. Zappa's earliest professional recordings, two soundtracks for the low-budget films The World's Greatest Sinner (1962) and Run Home Slow (1965) were more financially rewarding. The former score was commissioned by actor-producer Timothy Carey and recorded in 1961. It contains many themes that appeared on later Zappa records.", "It contains many themes that appeared on later Zappa records. The latter soundtrack was recorded in 1963 after the film was completed, but it was commissioned by one of Zappa's former high school teachers in 1959 and Zappa may have worked on it before the film was shot. Excerpts from the soundtrack can be heard on the posthumous album The Lost Episodes (1996). During the early 1960s, Zappa wrote and produced songs for other local artists, often working with singer-songwriter Ray Collins and producer Paul Buff.", "During the early 1960s, Zappa wrote and produced songs for other local artists, often working with singer-songwriter Ray Collins and producer Paul Buff. Their \"Memories of El Monte\" was recorded by the Penguins, although only Cleve Duncan of the original group was featured. Buff owned the small Pal Recording Studio in Cucamonga, which included a unique five-track tape recorder he had built. At that time, only a handful of the most sophisticated commercial studios had multi-track facilities; the industry standard for smaller studios was still mono or two-track.", "At that time, only a handful of the most sophisticated commercial studios had multi-track facilities; the industry standard for smaller studios was still mono or two-track. Although none of the recordings from the period achieved major commercial success, Zappa earned enough money to allow him to stage a concert of his orchestral music in 1963 and to broadcast and record it. He appeared on Steve Allen's syndicated late night show the same year, in which he played a bicycle as a musical instrument.", "He appeared on Steve Allen's syndicated late night show the same year, in which he played a bicycle as a musical instrument. Using a bow borrowed from the band's bass player, as well as drum sticks, he proceeded to pluck, bang, and bow the spokes of the bike, producing strange, comical sounds from his newfound instrument. With Captain Beefheart, Zappa recorded some songs under the name of the Soots. They were rejected by Dot Records.", "They were rejected by Dot Records. They were rejected by Dot Records. Later, the Mothers were also rejected by Columbia Records for having \"no commercial potential\", a verdict Zappa subsequently quoted on the sleeve of Freak Out! In 1964, after his marriage started to break up, he moved into the Pal studio and began routinely working 12 hours or more per day recording and experimenting with overdubbing and audio tape manipulation. This established a work pattern that endured for most of his life.", "This established a work pattern that endured for most of his life. Aided by his income from film composing, Zappa took over the studio from Paul Buff, who was now working with Art Laboe at Original Sound. It was renamed Studio Z. Studio Z was rarely booked for recordings by other musicians. Instead, friends moved in, notably James \"Motorhead\" Sherwood. Zappa started performing in local bars as a guitarist with a power trio, the Muthers, to support himself.", "Zappa started performing in local bars as a guitarist with a power trio, the Muthers, to support himself. An article in the local press describing Zappa as \"the Movie King of Cucamonga\" prompted the local police to suspect that he was making pornographic films. In March 1965, Zappa was approached by a vice squad undercover officer, and accepted an offer of $100 () to produce a suggestive audio tape for an alleged stag party. Zappa and a female friend recorded a faked erotic episode.", "Zappa and a female friend recorded a faked erotic episode. When Zappa was about to hand over the tape, he was arrested, and the police stripped the studio of all recorded material. The press was tipped off beforehand, and next day's The Daily Report wrote that \"Vice Squad investigators stilled the tape recorders of a free-swinging, a-go-go film and recording studio here Friday and arrested a self-styled movie producer\". Zappa was charged with \"conspiracy to commit pornography\".", "Zappa was charged with \"conspiracy to commit pornography\". This felony charge was reduced and he was sentenced to six months in jail on a misdemeanor, with all but ten days suspended. His brief imprisonment left a permanent mark, and was central to the formation of his anti-authoritarian stance. Zappa lost several recordings made at Studio Z in the process, as the police returned only 30 of 80 hours of tape seized. Eventually, he could no longer afford to pay the rent on the studio and was evicted.", "Eventually, he could no longer afford to pay the rent on the studio and was evicted. Zappa managed to recover some of his possessions before the studio was torn down in 1966. Late 1960s: the Mothers of Invention Formation In 1965, Ray Collins asked Zappa to take over as guitarist in local R&B band the Soul Giants, following a fight between Collins and the group's original guitarist.", "Late 1960s: the Mothers of Invention Formation In 1965, Ray Collins asked Zappa to take over as guitarist in local R&B band the Soul Giants, following a fight between Collins and the group's original guitarist. Zappa accepted, and soon assumed leadership and the role as co-lead singer (even though he never considered himself a singer, then or later). He convinced the other members that they should play his music to increase the chances of getting a record contract.", "He convinced the other members that they should play his music to increase the chances of getting a record contract. The band was renamed the Mothers, coincidentally on Mother's Day. They increased their bookings after beginning an association with manager Herb Cohen, and gradually gained attention on the burgeoning Los Angeles underground music scene. In early 1966, they were spotted by leading record producer Tom Wilson when playing \"Trouble Every Day\", a song about the Watts riots.", "In early 1966, they were spotted by leading record producer Tom Wilson when playing \"Trouble Every Day\", a song about the Watts riots. Wilson had earned acclaim as the producer for Bob Dylan and Simon & Garfunkel, and was one of the few African-Americans working as a major label pop music producer at this time.", "Wilson had earned acclaim as the producer for Bob Dylan and Simon & Garfunkel, and was one of the few African-Americans working as a major label pop music producer at this time. Wilson signed the Mothers to the Verve division of MGM, which had built up a strong reputation for its releases of modern jazz recordings in the 1940s and 1950s, but was attempting to diversify into pop and rock audiences.", "Wilson signed the Mothers to the Verve division of MGM, which had built up a strong reputation for its releases of modern jazz recordings in the 1940s and 1950s, but was attempting to diversify into pop and rock audiences. Verve insisted that the band officially rename themselves the Mothers of Invention as Mother was short for motherfucker—a term that, apart from its profane meanings, can denote a skilled musician. Debut album: Freak Out!", "Debut album: Freak Out! Debut album: Freak Out! With Wilson credited as producer, the Mothers of Invention, augmented by a studio orchestra, recorded the groundbreaking Freak Out! (1966), which, after Bob Dylan's Blonde on Blonde, was the second rock double album ever released. It mixed R&B, doo-wop, musique concrète, and experimental sound collages that captured the \"freak\" subculture of Los Angeles at that time.", "It mixed R&B, doo-wop, musique concrète, and experimental sound collages that captured the \"freak\" subculture of Los Angeles at that time. Although he was dissatisfied with the final product, Freak Out immediately established Zappa as a radical new voice in rock music, providing an antidote to the \"relentless consumer culture of America\". The sound was raw, but the arrangements were sophisticated.", "The sound was raw, but the arrangements were sophisticated. While recording in the studio, some of the additional session musicians were shocked that they were expected to read the notes on sheet music from charts with Zappa conducting them, since it was not standard when recording rock music. The lyrics praised non-conformity, disparaged authorities, and had dadaist elements. Yet, there was a place for seemingly conventional love songs. Most compositions are Zappa's, which set a precedent for the rest of his recording career.", "Most compositions are Zappa's, which set a precedent for the rest of his recording career. He had full control over the arrangements and musical decisions and did most overdubs. Wilson provided the industry clout and connections and was able to provide the group with the financial resources needed. Although Wilson was able to provide Zappa and the Mothers with an extraordinary degree of artistic freedom for the time, the recording did not go entirely as planned.", "Although Wilson was able to provide Zappa and the Mothers with an extraordinary degree of artistic freedom for the time, the recording did not go entirely as planned. In a 1967 radio interview, Zappa explained that the album's outlandish 11-minute closing track, \"Return of the Son of Monster Magnet\" was not finished. The track as it appears on the album was only a backing track for a much more complex piece, but MGM refused to allow the additional recording time needed for completion.", "The track as it appears on the album was only a backing track for a much more complex piece, but MGM refused to allow the additional recording time needed for completion. Much to Zappa's chagrin, it was issued in its unfinished state. During the recording of Freak Out!, Zappa moved into a house in Laurel Canyon with friend Pamela Zarubica, who appeared on the album.", "During the recording of Freak Out!, Zappa moved into a house in Laurel Canyon with friend Pamela Zarubica, who appeared on the album. The house became a meeting (and living) place for many LA musicians and groupies of the time, despite Zappa's disapproval of their illicit drug use. After a short promotional tour following the release of Freak Out!, Zappa met Adelaide Gail Sloatman. He fell in love within \"a couple of minutes\", and she moved into the house over the summer.", "He fell in love within \"a couple of minutes\", and she moved into the house over the summer. They married in 1967, had four children and remained together until Zappa's death. Wilson nominally produced the Mothers' second album Absolutely Free (1967), which was recorded in November 1966, and later mixed in New York, although by this time Zappa was in de facto control of most facets of the production.", "Wilson nominally produced the Mothers' second album Absolutely Free (1967), which was recorded in November 1966, and later mixed in New York, although by this time Zappa was in de facto control of most facets of the production. It featured extended playing by the Mothers of Invention and focused on songs that defined Zappa's compositional style of introducing abrupt, rhythmical changes into songs that were built from diverse elements.", "It featured extended playing by the Mothers of Invention and focused on songs that defined Zappa's compositional style of introducing abrupt, rhythmical changes into songs that were built from diverse elements. Examples are \"Plastic People\" and \"Brown Shoes Don't Make It\", which contained lyrics critical of the hypocrisy and conformity of American society, but also of the counterculture of the 1960s. As Zappa put it, \"[W]e're satirists, and we are out to satirize everything.\"", "As Zappa put it, \"[W]e're satirists, and we are out to satirize everything.\" At the same time, Zappa had recorded material for an album of orchestral works to be released under his own name, Lumpy Gravy, released by Capitol Records in 1967. Due to contractual problems, the album was pulled. Zappa took the opportunity to radically restructure the contents, adding newly recorded, improvised dialogue. After the contractual problems were resolved, the album was reissued by Verve in 1968.", "After the contractual problems were resolved, the album was reissued by Verve in 1968. It is an \"incredible ambitious musical project\", a \"monument to John Cage\", which intertwines orchestral themes, spoken words and electronic noises through radical audio editing techniques. New York period (1966–1968) The Mothers of Invention played in New York in late 1966 and were offered a contract at the Garrick Theater (at 152 Bleecker Street, above the Cafe au Go Go) during Easter 1967.", "New York period (1966–1968) The Mothers of Invention played in New York in late 1966 and were offered a contract at the Garrick Theater (at 152 Bleecker Street, above the Cafe au Go Go) during Easter 1967. This proved successful and Herb Cohen extended the booking, which eventually lasted half a year. As a result, Zappa and his wife Gail, along with the Mothers of Invention, moved to New York.", "As a result, Zappa and his wife Gail, along with the Mothers of Invention, moved to New York. Their shows became a combination of improvised acts showcasing individual talents of the band as well as tight performances of Zappa's music. Everything was directed by Zappa using hand signals. Guest performers and audience participation became a regular part of the Garrick Theater shows.", "Guest performers and audience participation became a regular part of the Garrick Theater shows. One evening, Zappa managed to entice some U.S. Marines from the audience onto the stage, where they proceeded to dismember a big baby doll, having been told by Zappa to pretend that it was a \"gook baby\".", "One evening, Zappa managed to entice some U.S. Marines from the audience onto the stage, where they proceeded to dismember a big baby doll, having been told by Zappa to pretend that it was a \"gook baby\". Situated in New York, and interrupted by the band's first European tour, the Mothers of Invention recorded the album widely regarded as the peak of the group's late 1960s work, We're Only in It for the Money (released 1968).", "Situated in New York, and interrupted by the band's first European tour, the Mothers of Invention recorded the album widely regarded as the peak of the group's late 1960s work, We're Only in It for the Money (released 1968). It was produced by Zappa, with Wilson credited as executive producer. From then on, Zappa produced all albums released by the Mothers of Invention and as a solo artist.", "From then on, Zappa produced all albums released by the Mothers of Invention and as a solo artist. We're Only in It for the Money featured some of the most creative audio editing and production yet heard in pop music, and the songs ruthlessly satirized the hippie and flower power phenomena. He sampled plundered surf music in We're only in It for the Money, as well as the Beatles' tape work from their song \"Tomorrow Never Knows\". The cover photo parodied that of the Beatles' Sgt.", "The cover photo parodied that of the Beatles' Sgt. Pepper's Lonely Hearts Club Band. The cover art was provided by Cal Schenkel whom Zappa met in New York. This initiated a lifelong collaboration in which Schenkel designed covers for numerous Zappa and Mothers albums. Reflecting Zappa's eclectic approach to music, the next album, Cruising with Ruben & the Jets (1968), was very different. It represented a collection of doo-wop songs; listeners and critics were not sure whether the album was a satire or a tribute.", "It represented a collection of doo-wop songs; listeners and critics were not sure whether the album was a satire or a tribute. Zappa later remarked that the album was conceived like Stravinsky's compositions in his neo-classical period: \"If he could take the forms and clichés of the classical era and pervert them, why not do the same ... to doo-wop in the fifties?\" A theme from Stravinsky's The Rite of Spring is heard during one song. In 1967 and 1968, Zappa made two appearances with the Monkees.", "In 1967 and 1968, Zappa made two appearances with the Monkees. The first appearance was on an episode of their TV series, \"The Monkees Blow Their Minds\", where Zappa, dressed up as Mike Nesmith, interviews Nesmith who is dressed up as Zappa. After the interview, Zappa destroys a car with a sledgehammer as the song \"Mother People\" plays.", "After the interview, Zappa destroys a car with a sledgehammer as the song \"Mother People\" plays. He later provided a cameo in the Monkees' movie Head where, leading a cow, he tells Davy Jones \"the youth of America depends on you to show them the way.\" Zappa respected the Monkees and recruited Micky Dolenz to the Mothers but RCA/Columbia/Colgems would not release Dolenz from his contract. During the late 1960s, Zappa continued to develop the business side of his career.", "During the late 1960s, Zappa continued to develop the business side of his career. He and Herb Cohen formed the Bizarre Records and Straight Records labels to increase creative control and produce recordings by other artists. These labels were distributed in the US by Warner Bros. Records. Zappa/Mothers recordings appeared on Bizarre along with Wild Man Fischer and Lenny Bruce. Straight released the double album Trout Mask Replica for Captain Beefheart, and releases by Alice Cooper, The Persuasions, and the GTOs.", "Straight released the double album Trout Mask Replica for Captain Beefheart, and releases by Alice Cooper, The Persuasions, and the GTOs. In the Mothers' second European tour in September/October 1968 they performed for the at the Grugahalle in Essen, Germany; at the Tivoli in Copenhagen, Denmark; for TV programs in Germany (Beat-Club), France, and England; at the Concertgebouw in Amsterdam; at the Royal Festival Hall in London; and at the Olympia in Paris.", "In the Mothers' second European tour in September/October 1968 they performed for the at the Grugahalle in Essen, Germany; at the Tivoli in Copenhagen, Denmark; for TV programs in Germany (Beat-Club), France, and England; at the Concertgebouw in Amsterdam; at the Royal Festival Hall in London; and at the Olympia in Paris. Disbandment Zappa and the Mothers of Invention returned to Los Angeles in mid-1968, and the Zappas moved into a house on Laurel Canyon Boulevard, only to move again to Woodrow Wilson Drive.", "Disbandment Zappa and the Mothers of Invention returned to Los Angeles in mid-1968, and the Zappas moved into a house on Laurel Canyon Boulevard, only to move again to Woodrow Wilson Drive. This was Zappa's home for the rest of his life. Despite being successful in Europe, the Mothers of Invention were not doing well financially. Their first records were vocally oriented, but as Zappa wrote more instrumental jazz and classical style music for the band's concerts, audiences were confused.", "Their first records were vocally oriented, but as Zappa wrote more instrumental jazz and classical style music for the band's concerts, audiences were confused. Zappa felt that audiences failed to appreciate his \"electrical chamber music\". In 1969 there were nine band members and Zappa was supporting the group from his publishing royalties whether they played or not. In late 1969, Zappa broke up the band. He often cited the financial strain as the main reason, but also commented on the band members' lack of diligence.", "He often cited the financial strain as the main reason, but also commented on the band members' lack of diligence. Many band members were bitter about Zappa's decision, and some took it as a sign of Zappa's perfectionism at the expense of human feeling. Others were irritated by 'his autocratic ways', exemplified by Zappa's never staying at the same hotel as the band members. Several members played for Zappa in years to come.", "Several members played for Zappa in years to come. Several members played for Zappa in years to come. Remaining recordings of the band from this period were collected on Weasels Ripped My Flesh and Burnt Weeny Sandwich (both released in 1970). After he disbanded the Mothers of Invention, Zappa released the acclaimed solo album Hot Rats (1969).", "After he disbanded the Mothers of Invention, Zappa released the acclaimed solo album Hot Rats (1969). It features, for the first time on record, Zappa playing extended guitar solos and contains one of his most enduring compositions, \"Peaches en Regalia\", which reappeared several times on future recordings.", "It features, for the first time on record, Zappa playing extended guitar solos and contains one of his most enduring compositions, \"Peaches en Regalia\", which reappeared several times on future recordings. He was backed by jazz, blues and R&B session players including violinist Don \"Sugarcane\" Harris, drummers John Guerin and Paul Humphrey, multi-instrumentalist and former Mothers of Invention member Ian Underwood, and multi-instrumentalist Shuggie Otis on bass, along with a guest appearance by Captain Beefheart on the only vocal track, \"Willie the Pimp\".", "He was backed by jazz, blues and R&B session players including violinist Don \"Sugarcane\" Harris, drummers John Guerin and Paul Humphrey, multi-instrumentalist and former Mothers of Invention member Ian Underwood, and multi-instrumentalist Shuggie Otis on bass, along with a guest appearance by Captain Beefheart on the only vocal track, \"Willie the Pimp\". It became a popular album in England, and had a major influence on the development of jazz-rock fusion. 1970s Rebirth of the Mothers and filmmaking In 1970 Zappa met conductor Zubin Mehta.", "1970s Rebirth of the Mothers and filmmaking In 1970 Zappa met conductor Zubin Mehta. They arranged a May 1970 concert where Mehta conducted the Los Angeles Philharmonic augmented by a rock band. According to Zappa, the music was mostly written in motel rooms while on tour with the Mothers of Invention. Some of it was later featured in the movie 200 Motels. Although the concert was a success, Zappa's experience working with a symphony orchestra was not a happy one.", "Although the concert was a success, Zappa's experience working with a symphony orchestra was not a happy one. His dissatisfaction became a recurring theme throughout his career; he often felt that the quality of performance of his material delivered by orchestras was not commensurate with the money he spent on orchestral concerts and recordings. Later in 1970, Zappa formed a new version of the Mothers (from then on, he mostly dropped the \"of Invention\").", "Later in 1970, Zappa formed a new version of the Mothers (from then on, he mostly dropped the \"of Invention\"). It included British drummer Aynsley Dunbar, jazz keyboardist George Duke, Ian Underwood, Jeff Simmons (bass, rhythm guitar), and three members of the Turtles: bass player Jim Pons, and singers Mark Volman and Howard Kaylan, who, due to persistent legal and contractual problems, adopted the stage name \"The Phlorescent Leech and Eddie\", or \"Flo & Eddie\".", "It included British drummer Aynsley Dunbar, jazz keyboardist George Duke, Ian Underwood, Jeff Simmons (bass, rhythm guitar), and three members of the Turtles: bass player Jim Pons, and singers Mark Volman and Howard Kaylan, who, due to persistent legal and contractual problems, adopted the stage name \"The Phlorescent Leech and Eddie\", or \"Flo & Eddie\". This version of the Mothers debuted on Zappa's next solo album Chunga's Revenge (1970), which was followed by the double-album soundtrack to the movie 200 Motels (1971), featuring the Mothers, the Royal Philharmonic Orchestra, Ringo Starr, Theodore Bikel, and Keith Moon.", "This version of the Mothers debuted on Zappa's next solo album Chunga's Revenge (1970), which was followed by the double-album soundtrack to the movie 200 Motels (1971), featuring the Mothers, the Royal Philharmonic Orchestra, Ringo Starr, Theodore Bikel, and Keith Moon. Co-directed by Zappa and Tony Palmer, it was filmed in a week at Pinewood Studios outside London. Tensions between Zappa and several cast and crew members arose before and during shooting.", "Tensions between Zappa and several cast and crew members arose before and during shooting. The film deals loosely with life on the road as a rock musician. It was the first feature film photographed on videotape and transferred to 35 mm film, a process that allowed for novel visual effects. It was released to mixed reviews.", "It was released to mixed reviews. It was released to mixed reviews. The score relied extensively on orchestral music, and Zappa's dissatisfaction with the classical music world intensified when a concert, scheduled at the Royal Albert Hall after filming, was canceled because a representative of the venue found some of the lyrics obscene. In 1975, he lost a lawsuit against the Royal Albert Hall for breach of contract.", "In 1975, he lost a lawsuit against the Royal Albert Hall for breach of contract. After 200 Motels, the band went on tour, which resulted in two live albums, Fillmore East – June 1971 and Just Another Band from L.A.; the latter included the 20-minute track \"Billy the Mountain\", Zappa's satire on rock opera set in Southern California.", "After 200 Motels, the band went on tour, which resulted in two live albums, Fillmore East – June 1971 and Just Another Band from L.A.; the latter included the 20-minute track \"Billy the Mountain\", Zappa's satire on rock opera set in Southern California. This track was representative of the band's theatrical performances—which used songs to build sketches based on 200 Motels scenes, as well as new situations that often portrayed the band members' sexual encounters on the road.", "This track was representative of the band's theatrical performances—which used songs to build sketches based on 200 Motels scenes, as well as new situations that often portrayed the band members' sexual encounters on the road. Accident, attack, and aftermath On December 4, 1971, Zappa suffered his first of two serious setbacks. While performing at Casino de Montreux in Switzerland, the Mothers' equipment was destroyed when a flare set off by an audience member started a fire that burned down the casino.", "While performing at Casino de Montreux in Switzerland, the Mothers' equipment was destroyed when a flare set off by an audience member started a fire that burned down the casino. Immortalized in Deep Purple's song \"Smoke on the Water\", the event and immediate aftermath can be heard on the bootleg album Swiss Cheese/Fire, released legally as part of Zappa's Beat the Boots II compilation.", "Immortalized in Deep Purple's song \"Smoke on the Water\", the event and immediate aftermath can be heard on the bootleg album Swiss Cheese/Fire, released legally as part of Zappa's Beat the Boots II compilation. After losing $50,000 () worth of equipment and a week's break, the Mothers played at the Rainbow Theatre, London, with rented gear. During the encore, an audience member jealous because of his girlfriend's infatuation with Zappa pushed him off the stage and into the concrete-floored orchestra pit.", "During the encore, an audience member jealous because of his girlfriend's infatuation with Zappa pushed him off the stage and into the concrete-floored orchestra pit. The band thought Zappa had been killed—he had suffered serious fractures, head trauma and injuries to his back, leg, and neck, as well as a crushed larynx, which ultimately caused his voice to drop a third after healing. After the attack Zappa needed to use a wheelchair for an extended period, making touring impossible for over half a year.", "After the attack Zappa needed to use a wheelchair for an extended period, making touring impossible for over half a year. Upon return to the stage in September 1972, Zappa was still wearing a leg brace, had a noticeable limp and could not stand for very long while on stage. Zappa noted that one leg healed \"shorter than the other\" (a reference later found in the lyrics of songs \"Zomby Woof\" and \"Dancin' Fool\"), resulting in chronic back pain.", "Zappa noted that one leg healed \"shorter than the other\" (a reference later found in the lyrics of songs \"Zomby Woof\" and \"Dancin' Fool\"), resulting in chronic back pain. Meanwhile, the Mothers were left in limbo and eventually formed the core of Flo and Eddie's band as they set out on their own.", "Meanwhile, the Mothers were left in limbo and eventually formed the core of Flo and Eddie's band as they set out on their own. During 1971–1972 Zappa released two strongly jazz-oriented solo LPs, Waka/Jawaka and The Grand Wazoo, which were recorded during the forced layoff from concert touring, using floating line-ups of session players and Mothers alumni. Musically, the albums were akin to Hot Rats, in that they featured extended instrumental tracks with extended soloing. Zappa began touring again in late 1972.", "Zappa began touring again in late 1972. Zappa began touring again in late 1972. His first effort was a series of concerts in September 1972 with a 20-piece big band referred to as the Grand Wazoo. This was followed by a scaled-down version known as the Petit Wazoo that toured the U.S. for five weeks from October to December 1972.", "This was followed by a scaled-down version known as the Petit Wazoo that toured the U.S. for five weeks from October to December 1972. Top 10 album: Apostrophe () Zappa then formed and toured with smaller groups that variously included Ian Underwood (reeds, keyboards), Ruth Underwood (vibes, marimba), Sal Marquez (trumpet, vocals), Napoleon Murphy Brock (sax, flute and vocals), Bruce Fowler (trombone), Tom Fowler (bass), Chester Thompson (drums), Ralph Humphrey (drums), George Duke (keyboards, vocals), and Jean-Luc Ponty (violin).", "Top 10 album: Apostrophe () Zappa then formed and toured with smaller groups that variously included Ian Underwood (reeds, keyboards), Ruth Underwood (vibes, marimba), Sal Marquez (trumpet, vocals), Napoleon Murphy Brock (sax, flute and vocals), Bruce Fowler (trombone), Tom Fowler (bass), Chester Thompson (drums), Ralph Humphrey (drums), George Duke (keyboards, vocals), and Jean-Luc Ponty (violin). By 1973 the Bizarre and Straight labels were discontinued.", "By 1973 the Bizarre and Straight labels were discontinued. By 1973 the Bizarre and Straight labels were discontinued. In their place, Zappa and Cohen created DiscReet Records, also distributed by Warner. Zappa continued a high rate of production through the first half of the 1970s, including the solo album Apostrophe (') (1974), which reached a career-high No. 10 on the Billboard pop album charts helped by the No. 86 chart hit \"Don't Eat The Yellow Snow\".", "86 chart hit \"Don't Eat The Yellow Snow\". Other albums from the period are Over-Nite Sensation (1973), which contained several future concert favorites, such as \"Dinah-Moe Humm\" and \"Montana\", and the albums Roxy & Elsewhere (1974) and One Size Fits All (1975) which feature ever-changing versions of a band still called the Mothers, and are notable for the tight renditions of highly difficult jazz fusion songs in such pieces as \"Inca Roads\", \"Echidna's Arf (Of You)\" and \"Be-Bop Tango (Of the Old Jazzmen's Church)\".", "Other albums from the period are Over-Nite Sensation (1973), which contained several future concert favorites, such as \"Dinah-Moe Humm\" and \"Montana\", and the albums Roxy & Elsewhere (1974) and One Size Fits All (1975) which feature ever-changing versions of a band still called the Mothers, and are notable for the tight renditions of highly difficult jazz fusion songs in such pieces as \"Inca Roads\", \"Echidna's Arf (Of You)\" and \"Be-Bop Tango (Of the Old Jazzmen's Church)\". A live recording from 1974, You Can't Do That on Stage Anymore, Vol.", "A live recording from 1974, You Can't Do That on Stage Anymore, Vol. 2 (1988), captures \"the full spirit and excellence of the 1973–1975 band\". Zappa released Bongo Fury (1975), which featured a live recording at the Armadillo World Headquarters in Austin from a tour the same year that reunited him with Captain Beefheart for a brief period. They later became estranged for a period of years, but were in contact at the end of Zappa's life.", "They later became estranged for a period of years, but were in contact at the end of Zappa's life. Business breakups and touring In 1976 Zappa produced the album Good Singin', Good Playin' for Grand Funk Railroad. Zappa's relationship with long-time manager Herb Cohen ended in May 1976. Zappa sued Cohen for skimming more than he was allocated from DiscReet Records, as well as for signing acts of which Zappa did not approve.", "Zappa sued Cohen for skimming more than he was allocated from DiscReet Records, as well as for signing acts of which Zappa did not approve. Cohen filed a lawsuit against Zappa in return, which froze the money Zappa and Cohen had gained from an out-of-court settlement with MGM over the rights of the early Mothers of Invention recordings. It also prevented Zappa having access to any of his previously recorded material during the trials.", "It also prevented Zappa having access to any of his previously recorded material during the trials. Zappa therefore took his personal master copies of the rock-oriented Zoot Allures (1976) directly to Warner, thereby bypassing DiscReet. Following the split with Cohen, Zappa hired Bennett Glotzer as new manager. By late 1976 Zappa was upset with Warner over inadequate promotion of his recordings and he was eager to move on as soon as possible. In March 1977 Zappa delivered four albums (five full-length LPs) to Warner to complete his contract.", "In March 1977 Zappa delivered four albums (five full-length LPs) to Warner to complete his contract. These albums contained recordings mostly made between 1972 and 1976. Warner failed to meet contractual obligations to Zappa, but after a lengthy legal dispute they did eventually release these recordings during 1978 and 1979 in censored form. Also, in 1977 Zappa prepared a four-LP box set called Läther (pronounced \"leather\") and negotiated distribution with Phonogram Inc. for release on the Zappa Records label.", "Also, in 1977 Zappa prepared a four-LP box set called Läther (pronounced \"leather\") and negotiated distribution with Phonogram Inc. for release on the Zappa Records label. The Läther box set was scheduled for release on Halloween 1977, but legal action from Warner forced Zappa to shelve this project. In December 1977 Zappa appeared on the Pasadena, California radio station KROQ-FM and played the entire Läther album, while encouraging listeners to make tape recordings of the broadcast.", "In December 1977 Zappa appeared on the Pasadena, California radio station KROQ-FM and played the entire Läther album, while encouraging listeners to make tape recordings of the broadcast. Both sets of recordings (five-LP and four-LP) have much of the same material, but each also has unique content. The albums integrate many aspects of Zappa's 1970s work: heavy rock, orchestral works, and complex jazz instrumentals, along with Zappa's distinctive guitar solos. Läther was officially released posthumously in 1996.", "Läther was officially released posthumously in 1996. Läther was officially released posthumously in 1996. It is still debated as to whether Zappa had conceived the material as a four-LP set from the beginning, or only later when working with Phonogram. Although Zappa eventually gained the rights to all his material created under the MGM and Warner contracts, the various lawsuits meant that for a period Zappa's only income came from touring, which he therefore did extensively in 1975–1977 with relatively small, mainly rock-oriented, bands.", "Although Zappa eventually gained the rights to all his material created under the MGM and Warner contracts, the various lawsuits meant that for a period Zappa's only income came from touring, which he therefore did extensively in 1975–1977 with relatively small, mainly rock-oriented, bands. Drummer Terry Bozzio became a regular band member, Napoleon Murphy Brock stayed on for a while, and original Mothers of Invention bassist Roy Estrada joined. Among other musicians were bassist Patrick O'Hearn, singer-guitarist Ray White and keyboardist/violinist Eddie Jobson.", "Among other musicians were bassist Patrick O'Hearn, singer-guitarist Ray White and keyboardist/violinist Eddie Jobson. In December 1976, Zappa appeared as a featured musical guest on the NBC television show Saturday Night Live. Zappa's song \"I'm the Slime\" was performed with a voice-over by SNL booth announcer Don Pardo, who also introduced \"Peaches En Regalia\" on the same airing. In 1978, Zappa served both as host and musical act on the show, and as an actor in various sketches.", "In 1978, Zappa served both as host and musical act on the show, and as an actor in various sketches. The performances included an impromptu musical collaboration with cast member John Belushi during the instrumental piece \"The Purple Lagoon\". Belushi appeared as his Samurai Futaba character playing the tenor sax with Zappa conducting. Zappa's band had a series of Christmas shows in New York City in 1976, recordings of which appear on Zappa in New York (1978) and also on the four-LP Läther project.", "Zappa's band had a series of Christmas shows in New York City in 1976, recordings of which appear on Zappa in New York (1978) and also on the four-LP Läther project. The band included Ruth Underwood and a horn section (featuring Michael and Randy Brecker). It mixes complex instrumentals such as \"The Black Page\" and humorous songs like \"Titties and Beer\".", "It mixes complex instrumentals such as \"The Black Page\" and humorous songs like \"Titties and Beer\". The former composition, written originally for drum kit but later developed for larger bands, is notorious for its complexity in rhythmic structure and short, densely arranged passages. Zappa in New York also featured a song about sex criminal Michael H. Kenyon, \"The Illinois Enema Bandit\", in which Don Pardo provides the opening narrative.", "Zappa in New York also featured a song about sex criminal Michael H. Kenyon, \"The Illinois Enema Bandit\", in which Don Pardo provides the opening narrative. Like many songs on the album, it contained numerous sexual references, leading to many critics objecting and being offended by the content. Zappa dismissed the criticism by noting that he was a journalist reporting on life as he saw it.", "Zappa dismissed the criticism by noting that he was a journalist reporting on life as he saw it. Predating his later fight against censorship, he remarked: \"What do you make of a society that is so primitive that it clings to the belief that certain words in its language are so powerful that they could corrupt you the moment you hear them?\" The remaining albums released by Warner without Zappa's approval were Studio Tan in 1978 and Sleep Dirt and Orchestral Favorites in 1979.", "The remaining albums released by Warner without Zappa's approval were Studio Tan in 1978 and Sleep Dirt and Orchestral Favorites in 1979. These releases were largely overlooked in midst of the press about Zappa's legal problems. Zappa Records label Zappa released two of his most important projects in 1979. These were the best-selling album of his career, Sheik Yerbouti, and what author Kelley Lowe called the \"bona fide masterpiece\", Joe's Garage.", "These were the best-selling album of his career, Sheik Yerbouti, and what author Kelley Lowe called the \"bona fide masterpiece\", Joe's Garage. The double album Sheik Yerbouti appeared in March 1979 and was the first release to appear on Zappa Records. It contained the Grammy-nominated single \"Dancin' Fool\", which reached No. 45 on the Billboard charts.", "45 on the Billboard charts. 45 on the Billboard charts. It also contained \"Jewish Princess\", which received attention when a Jewish group, the Anti-Defamation League (ADL), attempted to prevent the song from receiving radio airplay due to its alleged anti-Semitic lyrics. Zappa vehemently denied any anti-Semitic sentiments, and dismissed the ADL as a \"noisemaking organization that tries to apply pressure on people in order to manufacture a stereotype image of Jews that suits their idea of a good time.\"", "Zappa vehemently denied any anti-Semitic sentiments, and dismissed the ADL as a \"noisemaking organization that tries to apply pressure on people in order to manufacture a stereotype image of Jews that suits their idea of a good time.\" The album's commercial success was attributable in part to \"Bobby Brown\".", "The album's commercial success was attributable in part to \"Bobby Brown\". Due to its explicit lyrics about a young man's encounter with a \"dyke by the name of Freddie\", the song did not get airplay in the U.S., but it topped the charts in several European countries where English is not the primary language. Joe's Garage initially had to be released in two parts.", "Joe's Garage initially had to be released in two parts. The first was a single LP Joe's Garage Act I in September 1979, followed by a double LP Joe's Garage Acts II and III in November 1979.", "The first was a single LP Joe's Garage Act I in September 1979, followed by a double LP Joe's Garage Acts II and III in November 1979. The albums feature singer Ike Willis as lead character \"Joe\" in a rock opera about the danger of political systems, the suppression of freedom of speech and music—inspired in part by the 1979 Islamic Iranian revolution that had made music illegal—and about the \"strange relationship Americans have with sex and sexual frankness\".", "The albums feature singer Ike Willis as lead character \"Joe\" in a rock opera about the danger of political systems, the suppression of freedom of speech and music—inspired in part by the 1979 Islamic Iranian revolution that had made music illegal—and about the \"strange relationship Americans have with sex and sexual frankness\". The first act contains the song \"Catholic Girls\" (a riposte to the controversies of \"Jewish Princess\"), and the title track, which was also released as a single.", "The first act contains the song \"Catholic Girls\" (a riposte to the controversies of \"Jewish Princess\"), and the title track, which was also released as a single. The second and third acts have extended guitar improvisations, which were recorded live, then combined with studio backing tracks. Zappa described this process as xenochrony.", "Zappa described this process as xenochrony. Zappa described this process as xenochrony. In this period the band included drummer Vinnie Colaiuta (with whom Zappa had a particularly strong musical rapport) Joe's Garage contains one of Zappa's most famous guitar \"signature pieces\", \"Watermelon in Easter Hay\". This work later appeared as a three-LP, or two-CD set. On December 21, 1979, Zappa's movie Baby Snakes premiered in New York.", "On December 21, 1979, Zappa's movie Baby Snakes premiered in New York. The movie's tagline was \"A movie about people who do stuff that is not normal\". The 2 hour and 40 minutes movie was based on footage from concerts in New York around Halloween 1977, with a band featuring keyboardist Tommy Mars and percussionist Ed Mann (who would both return on later tours) as well as guitarist Adrian Belew.", "The 2 hour and 40 minutes movie was based on footage from concerts in New York around Halloween 1977, with a band featuring keyboardist Tommy Mars and percussionist Ed Mann (who would both return on later tours) as well as guitarist Adrian Belew. It also contained several extraordinary sequences of clay animation by Bruce Bickford who had earlier provided animation sequences to Zappa for a 1974 TV special (which became available on the 1982 video The Dub Room Special).", "It also contained several extraordinary sequences of clay animation by Bruce Bickford who had earlier provided animation sequences to Zappa for a 1974 TV special (which became available on the 1982 video The Dub Room Special). The movie did not do well in theatrical distribution, but won the Premier Grand Prix at the First International Music Festival in Paris in 1981. 1980s–1990s Zappa cut ties with Phonogram after the distributor refused to release his song \"I Don't Wanna Get Drafted\", which was recorded in February 1980.", "1980s–1990s Zappa cut ties with Phonogram after the distributor refused to release his song \"I Don't Wanna Get Drafted\", which was recorded in February 1980. The single was released independently by Zappa in the United States and was picked up by CBS Records internationally. After spending much of 1980 on the road, Zappa released Tinsel Town Rebellion in 1981. It was the first release on his own Barking Pumpkin Records, and it contains songs taken from a 1979 tour, one studio track and material from the 1980 tours.", "It was the first release on his own Barking Pumpkin Records, and it contains songs taken from a 1979 tour, one studio track and material from the 1980 tours. The album is a mixture of complicated instrumentals and Zappa's use of sprechstimme (speaking song or voice)—a compositional technique utilized by such composers as Arnold Schoenberg and Alban Berg—showcasing some of the most accomplished bands Zappa ever had (mostly featuring drummer Vinnie Colaiuta).", "The album is a mixture of complicated instrumentals and Zappa's use of sprechstimme (speaking song or voice)—a compositional technique utilized by such composers as Arnold Schoenberg and Alban Berg—showcasing some of the most accomplished bands Zappa ever had (mostly featuring drummer Vinnie Colaiuta). While some lyrics still raised controversy among critics, some of whom found them sexist, the political and sociological satire in songs like the title track and \"The Blue Light\" have been described as a \"hilarious critique of the willingness of the American people to believe anything\".", "While some lyrics still raised controversy among critics, some of whom found them sexist, the political and sociological satire in songs like the title track and \"The Blue Light\" have been described as a \"hilarious critique of the willingness of the American people to believe anything\". The album is also notable for the presence of guitarist Steve Vai, who joined Zappa's touring band in late 1980. The same year the double album You Are What You Is was released.", "The same year the double album You Are What You Is was released. Most of it was recorded in Zappa's brand new Utility Muffin Research Kitchen (UMRK) studios, which were located at his house, thereby giving him complete freedom in his work. The album included one complex instrumental, \"Theme from the 3rd Movement of Sinister Footwear\", but mainly consisted of rock songs with Zappa's sardonic social commentary—satirical lyrics directed at teenagers, the media, and religious and political hypocrisy.", "The album included one complex instrumental, \"Theme from the 3rd Movement of Sinister Footwear\", but mainly consisted of rock songs with Zappa's sardonic social commentary—satirical lyrics directed at teenagers, the media, and religious and political hypocrisy. \"Dumb All Over\" is a tirade on religion, as is \"Heavenly Bank Account\", wherein Zappa rails against TV evangelists such as Jerry Falwell and Pat Robertson for their purported influence on the U.S. administration as well as their use of religion as a means of raising money.", "\"Dumb All Over\" is a tirade on religion, as is \"Heavenly Bank Account\", wherein Zappa rails against TV evangelists such as Jerry Falwell and Pat Robertson for their purported influence on the U.S. administration as well as their use of religion as a means of raising money. Songs like \"Society Pages\" and \"I'm a Beautiful Guy\" show Zappa's dismay with the Reagan era and its \"obscene pursuit of wealth and happiness\".", "Songs like \"Society Pages\" and \"I'm a Beautiful Guy\" show Zappa's dismay with the Reagan era and its \"obscene pursuit of wealth and happiness\". Zappa made his only music video for a song from this album - \"You Are What You Is\" - directed by Jerry Watson, produced by Paul Flattery. It was banned from MTV. Zappa's management relationship with Bennett Glotzer ended in 1984. From then on Gail acted as co-manager with Frank of all his business interests.", "From then on Gail acted as co-manager with Frank of all his business interests. In 1981, Zappa also released three instrumental albums, Shut Up 'n Play Yer Guitar, Shut Up 'N Play Yer Guitar Some More, and The Return of the Son of Shut Up 'N Play Yer Guitar, which were initially sold via mail order, but later released through CBS Records (now Sony Music Entertainment) due to popular demand.", "In 1981, Zappa also released three instrumental albums, Shut Up 'n Play Yer Guitar, Shut Up 'N Play Yer Guitar Some More, and The Return of the Son of Shut Up 'N Play Yer Guitar, which were initially sold via mail order, but later released through CBS Records (now Sony Music Entertainment) due to popular demand. The albums focus exclusively on Frank Zappa as a guitar soloist, and the tracks are predominantly live recordings from 1979 to 1980; they highlight Zappa's improvisational skills with \"beautiful performances from the backing group as well\".", "The albums focus exclusively on Frank Zappa as a guitar soloist, and the tracks are predominantly live recordings from 1979 to 1980; they highlight Zappa's improvisational skills with \"beautiful performances from the backing group as well\". Another guitar-only album, Guitar, was released in 1988, and a third, Trance-Fusion, which Zappa completed shortly before his death, was released in 2006. Zappa later expanded on his television appearances in a non-musical role.", "Zappa later expanded on his television appearances in a non-musical role. He was an actor or voice artist in episodes of Shelley Duvall's Faerie Tale Theatre, Miami Vice and The Ren & Stimpy Show. A voice part in The Simpsons never materialized, to creator Matt Groening's disappointment (Groening was a neighbor of Zappa and a lifelong fan).", "A voice part in The Simpsons never materialized, to creator Matt Groening's disappointment (Groening was a neighbor of Zappa and a lifelong fan). \"Valley Girl\" and classical performances In May 1982, Zappa released Ship Arriving Too Late to Save a Drowning Witch, which featured his biggest selling single ever, the Grammy Award-nominated song \"Valley Girl\" (topping out at No. 32 on the Billboard charts).", "32 on the Billboard charts). 32 on the Billboard charts). In her improvised lyrics to the song, Zappa's daughter Moon satirized the patois of teenage girls from the San Fernando Valley, which popularized many \"Valspeak\" expressions such as \"gag me with a spoon\", \"fer sure, fer sure\", \"grody to the max\", and \"barf out\". In 1983, two different projects were released, beginning with The Man from Utopia, a rock-oriented work.", "In 1983, two different projects were released, beginning with The Man from Utopia, a rock-oriented work. The album is eclectic, featuring the vocal-led \"Dangerous Kitchen\" and \"The Jazz Discharge Party Hats\", both continuations of the sprechstimme excursions on Tinseltown Rebellion. The second album, London Symphony Orchestra, Vol. I, contained orchestral Zappa compositions conducted by Kent Nagano and performed by the London Symphony Orchestra (LSO). A second record of these sessions, London Symphony Orchestra, Vol.", "A second record of these sessions, London Symphony Orchestra, Vol. II was released in 1987. The material was recorded under a tight schedule with Zappa providing all funding, helped by the commercial success of \"Valley Girl\". Zappa was not satisfied with the LSO recordings. One reason is \"Strictly Genteel\", which was recorded after the trumpet section had been out for drinks on a break: the track took 40 edits to hide out-of-tune notes.", "One reason is \"Strictly Genteel\", which was recorded after the trumpet section had been out for drinks on a break: the track took 40 edits to hide out-of-tune notes. Conductor Nagano, who was pleased with the experience, noted that \"in fairness to the orchestra, the music is humanly very, very difficult\". Some reviews noted that the recordings were the best representation of Zappa's orchestral work so far.", "Some reviews noted that the recordings were the best representation of Zappa's orchestral work so far. In 1984 Zappa teamed again with Nagano and the Berkeley Symphony Orchestra for a live performance of A Zappa Affair with augmented orchestra, life-size puppets, and moving stage sets. Although critically acclaimed the work was a financial failure, and only performed twice. Zappa was invited by conference organizer Thomas Wells to be the keynote speaker at the American Society of University Composers at the Ohio State University.", "Zappa was invited by conference organizer Thomas Wells to be the keynote speaker at the American Society of University Composers at the Ohio State University. It was there Zappa delivered his famous \"Bingo! There Goes Your Tenure\" address, and had two of his orchestra pieces, \"Dupree's Paradise\" and \"Naval Aviation in Art?\" performed by the Columbus Symphony and ProMusica Chamber Orchestra of Columbus.", "performed by the Columbus Symphony and ProMusica Chamber Orchestra of Columbus. Synclavier For the remainder of his career, much of Zappa's work was influenced by his use of the Synclavier, an early digital synthesizer, as a compositional and performance tool. According to Zappa, \"With the Synclavier, any group of imaginary instruments can be invited to play the most difficult passages ... with one-millisecond accuracy—every time\". Even though it essentially did away with the need for musicians, Zappa viewed the Synclavier and real-life musicians as separate.", "Even though it essentially did away with the need for musicians, Zappa viewed the Synclavier and real-life musicians as separate. In 1984, he released four albums. Boulez Conducts Zappa: The Perfect Stranger contains orchestral works commissioned and conducted by celebrated conductor, composer and pianist Pierre Boulez (who was listed as an influence on Freak Out! ), and performed by his Ensemble InterContemporain. These were juxtaposed with premiere Synclavier pieces.", "These were juxtaposed with premiere Synclavier pieces. These were juxtaposed with premiere Synclavier pieces. Again, Zappa was not satisfied with the performances of his orchestral works, regarding them as under-rehearsed, but in the album liner notes he respectfully thanks Boulez's demands for precision. The Synclavier pieces stood in contrast to the orchestral works, as the sounds were electronically generated and not, as became possible shortly thereafter, sampled.", "The Synclavier pieces stood in contrast to the orchestral works, as the sounds were electronically generated and not, as became possible shortly thereafter, sampled. The album Thing-Fish was an ambitious three-record set in the style of a Broadway play dealing with a dystopian \"what-if\" scenario involving feminism, homosexuality, manufacturing and distribution of the AIDS virus, and a eugenics program conducted by the United States government. New vocals were combined with previously released tracks and new Synclavier music; \"the work is an extraordinary example of bricolage\".", "New vocals were combined with previously released tracks and new Synclavier music; \"the work is an extraordinary example of bricolage\". Francesco Zappa, a Synclavier rendition of works by 18th-century composer Francesco Zappa, was also released in 1984. Merchandising Zappa’s mail-order merchandise business Barfko-Swill was run by Gerry Fialka, who also worked for Zappa as archivist and production assistant from 1983 to 1993 and answered the phone for Zappa’s Barking Pumpkin Records hotline.", "Merchandising Zappa’s mail-order merchandise business Barfko-Swill was run by Gerry Fialka, who also worked for Zappa as archivist and production assistant from 1983 to 1993 and answered the phone for Zappa’s Barking Pumpkin Records hotline. Fialka appears giving a tour of Barfko-Swill in the 1987 VHS release (but not the original 1979 film release) of Zappa's film Baby Snakes. He is credited on-screen as \"GERALD FIALKA Cool Guy Who Wraps Stuff So It Doesn't Break\".", "He is credited on-screen as \"GERALD FIALKA Cool Guy Who Wraps Stuff So It Doesn't Break\". A short clip of this tour is also included in the 2020 documentary film Zappa. Digital medium and last tour Around 1986, Zappa undertook a comprehensive re-release program of his earlier vinyl recordings. He personally oversaw the remastering of all his 1960s, 1970s and early 1980s albums for the new digital compact disc medium. Certain aspects of these re-issues were criticized by some fans as being unfaithful to the original recordings.", "Certain aspects of these re-issues were criticized by some fans as being unfaithful to the original recordings. Nearly twenty years before the advent of online music stores, Zappa had proposed to replace \"phonographic record merchandising\" of music by \"direct digital-to-digital transfer\" through phone or cable TV (with royalty payments and consumer billing automatically built into the accompanying software). In 1989, Zappa considered his idea a \"miserable flop\".", "In 1989, Zappa considered his idea a \"miserable flop\". The album Jazz from Hell, released in 1986, earned Zappa his first Grammy Award in 1988 for Best Rock Instrumental Performance. Except for one live guitar solo (\"St. Etienne\"), the album exclusively featured compositions brought to life by the Synclavier.", "Except for one live guitar solo (\"St. Etienne\"), the album exclusively featured compositions brought to life by the Synclavier. Zappa's last tour in a rock and jazz band format took place in 1988 with a 12-piece group which had a repertoire of over 100 (mostly Zappa) compositions, but which split under acrimonious circumstances before the tour was completed.", "Zappa's last tour in a rock and jazz band format took place in 1988 with a 12-piece group which had a repertoire of over 100 (mostly Zappa) compositions, but which split under acrimonious circumstances before the tour was completed. The tour was documented on the albums Broadway the Hard Way (new material featuring songs with strong political emphasis); The Best Band You Never Heard in Your Life (Zappa \"standards\" and an eclectic collection of cover tunes, ranging from Maurice Ravel's Boléro to Led Zeppelin's Stairway to Heaven to The Beatles' I Am The Walrus); and also, Make a Jazz Noise Here.", "The tour was documented on the albums Broadway the Hard Way (new material featuring songs with strong political emphasis); The Best Band You Never Heard in Your Life (Zappa \"standards\" and an eclectic collection of cover tunes, ranging from Maurice Ravel's Boléro to Led Zeppelin's Stairway to Heaven to The Beatles' I Am The Walrus); and also, Make a Jazz Noise Here. Parts are also found on You Can't Do That on Stage Anymore, volumes 4 and 6.", "Parts are also found on You Can't Do That on Stage Anymore, volumes 4 and 6. Recordings from this tour also appear on the 2006 album Trance-Fusion. Health deterioration In 1990, Zappa was diagnosed with terminal prostate cancer. The disease had been developing unnoticed for years and was considered inoperable. After the diagnosis, Zappa devoted most of his energy to modern orchestral and Synclavier works. Shortly before his death in 1993 he completed Civilization Phaze III, a major Synclavier work which he had begun in the 1980s.", "Shortly before his death in 1993 he completed Civilization Phaze III, a major Synclavier work which he had begun in the 1980s. In 1991, Zappa was chosen to be one of four featured composers at the Frankfurt Festival in 1992 (the others were John Cage, Karlheinz Stockhausen, and Alexander Knaifel). Zappa was approached by the German chamber ensemble Ensemble Modern which was interested in playing his music for the event. Although ill, he invited them to Los Angeles for rehearsals of new compositions and new arrangements of older material.", "Although ill, he invited them to Los Angeles for rehearsals of new compositions and new arrangements of older material. Zappa also got along with the musicians, and the concerts in Germany and Austria were set up for later in the year.", "Zappa also got along with the musicians, and the concerts in Germany and Austria were set up for later in the year. Zappa also performed in 1991 in Prague, claiming that \"was the first time that he had a reason to play his guitar in 3 years\", and that that moment was just \"the beginning of a new country\", and asked the public to \"try to keep your country unique, do not change it into something else\".", "Zappa also performed in 1991 in Prague, claiming that \"was the first time that he had a reason to play his guitar in 3 years\", and that that moment was just \"the beginning of a new country\", and asked the public to \"try to keep your country unique, do not change it into something else\". In September 1992, the concerts went ahead as scheduled but Zappa could only appear at two in Frankfurt due to illness.", "In September 1992, the concerts went ahead as scheduled but Zappa could only appear at two in Frankfurt due to illness. At the first concert, he conducted the opening \"Overture\", and the final \"G-Spot Tornado\" as well as the theatrical \"Food Gathering in Post-Industrial America, 1992\" and \"Welcome to the United States\" (the remainder of the program was conducted by the ensemble's regular conductor Peter Rundel). Zappa received a 20-minute ovation. G-Spot Tornado was performed with Canadian dancer Louise Lecavalier.", "G-Spot Tornado was performed with Canadian dancer Louise Lecavalier. G-Spot Tornado was performed with Canadian dancer Louise Lecavalier. It was Zappa's last professional public appearance as the cancer was spreading to such an extent that he was in too much pain to enjoy an event that he otherwise found \"exhilarating\". Recordings from the concerts appeared on The Yellow Shark (1993), Zappa's last release during his lifetime, and some material from studio rehearsals appeared on the posthumous Everything Is Healing Nicely (1999).", "Recordings from the concerts appeared on The Yellow Shark (1993), Zappa's last release during his lifetime, and some material from studio rehearsals appeared on the posthumous Everything Is Healing Nicely (1999). Death Zappa died from prostate cancer on December 4, 1993, 17 days before his 53rd birthday at his home with his wife and children by his side. At a private ceremony the following day, his body was buried in a grave at the Westwood Village Memorial Park Cemetery, in Los Angeles.", "At a private ceremony the following day, his body was buried in a grave at the Westwood Village Memorial Park Cemetery, in Los Angeles. The grave is unmarked. On December 6, his family publicly announced that \"Composer Frank Zappa left for his final tour just before 6:00 pm on Saturday\".", "On December 6, his family publicly announced that \"Composer Frank Zappa left for his final tour just before 6:00 pm on Saturday\". Musical style and development Genres The general phases of Zappa's music have been variously categorized under experimental rock, jazz, classical, avant-pop, experimental pop, comedy rock, doo-wop, jazz fusion, progressive rock, proto-prog, avant-jazz, and psychedelic rock.", "Musical style and development Genres The general phases of Zappa's music have been variously categorized under experimental rock, jazz, classical, avant-pop, experimental pop, comedy rock, doo-wop, jazz fusion, progressive rock, proto-prog, avant-jazz, and psychedelic rock. Influences Zappa grew up influenced by avant-garde composers such as Edgard Varèse, Igor Stravinsky, and Anton Webern; 1950s blues artists Clarence \"Gatemouth\" Brown, Guitar Slim, Howlin' Wolf, Johnny \"Guitar\" Watson, and B.B.", "Influences Zappa grew up influenced by avant-garde composers such as Edgard Varèse, Igor Stravinsky, and Anton Webern; 1950s blues artists Clarence \"Gatemouth\" Brown, Guitar Slim, Howlin' Wolf, Johnny \"Guitar\" Watson, and B.B. King; Egyptian composer Halim El-Dabh; R&B and doo-wop groups (particularly local pachuco groups); and modern jazz.", "King; Egyptian composer Halim El-Dabh; R&B and doo-wop groups (particularly local pachuco groups); and modern jazz. His own heterogeneous ethnic background, and the diverse social and cultural mix in and around greater Los Angeles, were crucial in the formation of Zappa as a practitioner of underground music and of his later distrustful and openly critical attitude towards \"mainstream\" social, political and musical movements. He frequently lampooned musical fads like psychedelia, rock opera and disco.", "He frequently lampooned musical fads like psychedelia, rock opera and disco. Television also exerted a strong influence, as demonstrated by quotations from show themes and advertising jingles found in his later works. In his book The Real Frank Zappa Book, Frank credited composer Spike Jones for Zappa's frequent use of funny sound effects, mouth noises, and humorous percussion interjections. After explaining his ideas on this, he said \"I owe this part of my musical existence to Spike Jones.\"", "After explaining his ideas on this, he said \"I owe this part of my musical existence to Spike Jones.\" Project/Object Zappa's albums make extensive use of segued tracks, breaklessly joining the elements of his albums. His total output is unified by a conceptual continuity he termed \"Project/Object\", with numerous musical phrases, ideas, and characters reappearing across his albums. He also called it a \"conceptual continuity\", meaning that any project or album was part of a larger project.", "He also called it a \"conceptual continuity\", meaning that any project or album was part of a larger project. Everything was connected, and musical themes and lyrics reappeared in different form on later albums. Conceptual continuity clues are found throughout Zappa's entire œuvre. Techniques Guitar playing Zappa is widely recognized as one of the most significant electric guitar soloists.", "Techniques Guitar playing Zappa is widely recognized as one of the most significant electric guitar soloists. In a 1983 issue of Guitar World, John Swenson declared: \"the fact of the matter is that [Zappa] is one of the greatest guitarists we have and is sorely unappreciated as such.\" His idiosyncratic style developed gradually and was mature by the early 1980s, by which time his live performances featured lengthy improvised solos during many songs.", "His idiosyncratic style developed gradually and was mature by the early 1980s, by which time his live performances featured lengthy improvised solos during many songs. A November 2016 feature by the editors of Guitar Player magazine wrote: \"Brimming with sophisticated motifs and convoluted rhythms, Zappa's extended excursions are more akin to symphonies than they are to guitar solos.\" The symphonic comparison stems from his habit of introducing melodic themes that, like a symphony's main melodies, were repeated with variations throughout his solos.", "The symphonic comparison stems from his habit of introducing melodic themes that, like a symphony's main melodies, were repeated with variations throughout his solos. He was further described as using a wide variety of scales and modes, enlivened by \"unusual rhythmic combinations\". His left hand was capable of smooth legato technique, while Zappa's right was \"one of the fastest pick hands in the business.\"", "His left hand was capable of smooth legato technique, while Zappa's right was \"one of the fastest pick hands in the business.\" In 2016, Dweezil Zappa explained a distinctive element of his father's guitar improvisation technique was relying heavily on upstrokes much more than many other guitarists, who are more likely to use downstrokes with their picking.", "In 2016, Dweezil Zappa explained a distinctive element of his father's guitar improvisation technique was relying heavily on upstrokes much more than many other guitarists, who are more likely to use downstrokes with their picking. His song \"Outside Now\" from Joe's Garage poked fun at the negative reception of Zappa's guitar technique by those more commercially minded, as the song's narrator lives in a world where music is outlawed and he imagines \"imaginary guitar notes that would irritate/An executive kind of guy\", lyrics that are followed by one of Zappa's characteristically quirky solos in 11/8 time.", "His song \"Outside Now\" from Joe's Garage poked fun at the negative reception of Zappa's guitar technique by those more commercially minded, as the song's narrator lives in a world where music is outlawed and he imagines \"imaginary guitar notes that would irritate/An executive kind of guy\", lyrics that are followed by one of Zappa's characteristically quirky solos in 11/8 time. Zappa transcriptionist Kasper Sloots wrote, \"Zappa's guitar solos aren't meant to show off technically (Zappa hasn't claimed to be a big virtuoso on the instrument), but for the pleasure it gives trying to build a composition right in front of an audience without knowing what the outcome will be.\"", "Zappa transcriptionist Kasper Sloots wrote, \"Zappa's guitar solos aren't meant to show off technically (Zappa hasn't claimed to be a big virtuoso on the instrument), but for the pleasure it gives trying to build a composition right in front of an audience without knowing what the outcome will be.\" Zappa's guitar style was not without its critics.", "Zappa's guitar style was not without its critics. Zappa's guitar style was not without its critics. English guitarist and bandleader John McLaughlin, whose band Mahavishnu Orchestra toured with the Mothers of Invention in 1973, opined that Zappa was \"very interesting as a human being and a very interesting composer\" and that he \"was a very good musician but he was a dictator in his band,\" and that he \"was taking very long guitar solos [when performing live]– 10–15 minute guitar solos and really he should have taken two or three minute guitar solos, because they were a little bit boring.\"", "English guitarist and bandleader John McLaughlin, whose band Mahavishnu Orchestra toured with the Mothers of Invention in 1973, opined that Zappa was \"very interesting as a human being and a very interesting composer\" and that he \"was a very good musician but he was a dictator in his band,\" and that he \"was taking very long guitar solos [when performing live]– 10–15 minute guitar solos and really he should have taken two or three minute guitar solos, because they were a little bit boring.\" In 2000, he was ranked number 36 on VH1's 100 Greatest Artists of Hard Rock.", "In 2000, he was ranked number 36 on VH1's 100 Greatest Artists of Hard Rock. In 2004, Rolling Stone magazine ranked him at number 71 on its list of the \"100 Greatest Artists of All Time\", and in 2011 at number 22 on its list of the \"100 Greatest Guitarists of All Time\". Tape manipulation In New York, Zappa increasingly used tape editing as a compositional tool.", "Tape manipulation In New York, Zappa increasingly used tape editing as a compositional tool. A prime example is found on the double album Uncle Meat (1969), where the track \"King Kong\" is edited from various studio and live performances. Zappa had begun regularly recording concerts, and because of his insistence on precise tuning and timing, he was able to augment his studio productions with excerpts from live shows, and vice versa.", "Zappa had begun regularly recording concerts, and because of his insistence on precise tuning and timing, he was able to augment his studio productions with excerpts from live shows, and vice versa. Later, he combined recordings of different compositions into new pieces, irrespective of the tempo or meter of the sources. He dubbed this process \"xenochrony\" (strange synchronizations)—reflecting the Greek \"xeno\" (alien or strange) and \"chronos\" (time). Personal life Zappa was married to Kathryn J.", "Personal life Zappa was married to Kathryn J. Personal life Zappa was married to Kathryn J. \"Kay\" Sherman from 1960 to 1963. In 1967, he married Adelaide Gail Sloatman. He and his second wife had four children: Moon, Dweezil, Ahmet, and Diva. Following Zappa's death, his widow Gail created the Zappa Family Trust, which owns the rights to Zappa's music and some other creative output: more than 60 albums were released during Zappa's lifetime and 40 posthumously.", "Following Zappa's death, his widow Gail created the Zappa Family Trust, which owns the rights to Zappa's music and some other creative output: more than 60 albums were released during Zappa's lifetime and 40 posthumously. Upon Gail's death in October 2015, the Zappa children received shares of the trust; Ahmet and Diva received 30% each, Moon and Dweezil received 20% each.", "Upon Gail's death in October 2015, the Zappa children received shares of the trust; Ahmet and Diva received 30% each, Moon and Dweezil received 20% each. Beliefs and politics Drugs Zappa stated, \"Drugs do not become a problem until the person who uses the drugs does something to you, or does something that would affect your life that you don't want to have happen to you, like an airline pilot who crashes because he was full of drugs.\"", "Beliefs and politics Drugs Zappa stated, \"Drugs do not become a problem until the person who uses the drugs does something to you, or does something that would affect your life that you don't want to have happen to you, like an airline pilot who crashes because he was full of drugs.\" Zappa was a heavy tobacco smoker for most of his life, and strongly critical of anti-tobacco campaigns.", "Zappa was a heavy tobacco smoker for most of his life, and strongly critical of anti-tobacco campaigns. While he disapproved of drug use, he criticized the War on Drugs, comparing it to alcohol prohibition, and stated that the United States Treasury would benefit from the decriminalization and regulation of drugs. Describing his philosophical views, Zappa stated, \"I believe that people have a right to decide their own destinies; people own themselves.", "Describing his philosophical views, Zappa stated, \"I believe that people have a right to decide their own destinies; people own themselves. I also believe that, in a democracy, government exists because (and only so long as) individual citizens give it a 'temporary license to exist'—in exchange for a promise that it will behave itself. In a democracy, you own the government—it doesn't own you.\"", "In a democracy, you own the government—it doesn't own you.\" Government and religion In a 1991 interview, Zappa reported that he was a registered Democrat but added \"that might not last long—I'm going to shred that\". Describing his political views, Zappa categorized himself as a \"practical conservative\".", "Describing his political views, Zappa categorized himself as a \"practical conservative\". He favored limited government and low taxes; he also stated that he approved of national defense, social security, and other federal programs, but only if recipients of such programs are willing and able to pay for them. He favored capitalism, entrepreneurship, and independent business, stating that musicians could make more from owning their own businesses than from collecting royalties.", "He favored capitalism, entrepreneurship, and independent business, stating that musicians could make more from owning their own businesses than from collecting royalties. He opposed communism, stating, \"A system that doesn't allow ownership ... has—to put it mildly—a fatal design flaw.\" He had always encouraged his fans to register to vote on album covers, and throughout 1988 he had registration booths at his concerts. He even considered running for president of the United States as an independent. Zappa was an atheist.", "Zappa was an atheist. Zappa was an atheist. He recalled his parents being \"pretty religious\" and trying to make him go to Catholic school despite his resentment. He felt disgust towards organized religion (Christianity in particular) because he believed that it promoted ignorance and anti-intellectualism. He held the view that the Garden of Eden story shows that the essence of Christianity is to oppose gaining knowledge.", "He held the view that the Garden of Eden story shows that the essence of Christianity is to oppose gaining knowledge. Some of his songs, concert performances, interviews and public debates in the 1980s criticized and derided Republicans and their policies, President Ronald Reagan, the Strategic Defense Initiative (SDI), televangelism, and the Christian Right, and warned that the United States government was in danger of becoming a \"fascist theocracy\". In early 1990, Zappa visited Czechoslovakia at the request of President Václav Havel.", "In early 1990, Zappa visited Czechoslovakia at the request of President Václav Havel. Havel designated him as Czechoslovakia's \"Special Ambassador to the West on Trade, Culture and Tourism\". Havel was a lifelong fan of Zappa, who had great influence in the avant-garde and underground scene in Central Europe in the 1970s and 1980s (a Czech rock group that was imprisoned in 1976 took its name from Zappa's 1968 song \"Plastic People\"). Under pressure from Secretary of State James Baker, Zappa's posting was withdrawn.", "Under pressure from Secretary of State James Baker, Zappa's posting was withdrawn. Havel made Zappa an unofficial cultural attaché instead. Zappa planned to develop an international consulting enterprise to facilitate trade between the former Eastern Bloc and Western businesses. Anti-censorship Zappa expressed opinions on censorship when he appeared on CNN's Crossfire TV series and debated issues with Washington Times commentator John Lofton in 1986.", "Anti-censorship Zappa expressed opinions on censorship when he appeared on CNN's Crossfire TV series and debated issues with Washington Times commentator John Lofton in 1986. On September 19, 1985, Zappa testified before the United States Senate Commerce, Technology, and Transportation committee, attacking the Parents Music Resource Center or PMRC, a music organization co-founded by Tipper Gore, wife of then-senator Al Gore.", "On September 19, 1985, Zappa testified before the United States Senate Commerce, Technology, and Transportation committee, attacking the Parents Music Resource Center or PMRC, a music organization co-founded by Tipper Gore, wife of then-senator Al Gore. The PMRC consisted of many wives of politicians, including the wives of five members of the committee, and was founded to address the issue of song lyrics with sexual or satanic content.", "The PMRC consisted of many wives of politicians, including the wives of five members of the committee, and was founded to address the issue of song lyrics with sexual or satanic content. During Zappa's testimony, he stated that there was a clear conflict of interest between the PMRC due to the relations of its founders to the politicians who were then trying to pass what he referred to as the \"Blank Tape Tax.\"", "During Zappa's testimony, he stated that there was a clear conflict of interest between the PMRC due to the relations of its founders to the politicians who were then trying to pass what he referred to as the \"Blank Tape Tax.\" Kandy Stroud, a spokeswoman for the PMRC, announced that Senator Gore (who co-founded the committee) was a co-sponsor of that legislation.", "Kandy Stroud, a spokeswoman for the PMRC, announced that Senator Gore (who co-founded the committee) was a co-sponsor of that legislation. Zappa suggested that record labels were trying to get the bill passed quickly through committees, one of which was chaired by Senator Strom Thurmond, who was also affiliated with the PMRC. Zappa further pointed out that this committee was being used as a distraction from that bill being passed, which would lead only to the benefit of a select few in the music industry.", "Zappa further pointed out that this committee was being used as a distraction from that bill being passed, which would lead only to the benefit of a select few in the music industry. Zappa saw their activities as on a path towards censorship and called their proposal for voluntary labelling of records with explicit content \"extortion\" of the music industry.", "Zappa saw their activities as on a path towards censorship and called their proposal for voluntary labelling of records with explicit content \"extortion\" of the music industry. In his prepared statement, he said: The PMRC proposal is an ill-conceived piece of nonsense which fails to deliver any real benefits to children, infringes the civil liberties of people who are not children, and promises to keep the courts busy for years dealing with the interpretational and enforcemental problems inherent in the proposal's design.", "In his prepared statement, he said: The PMRC proposal is an ill-conceived piece of nonsense which fails to deliver any real benefits to children, infringes the civil liberties of people who are not children, and promises to keep the courts busy for years dealing with the interpretational and enforcemental problems inherent in the proposal's design. It is my understanding that, in law, First Amendment issues are decided with a preference for the least restrictive alternative.", "It is my understanding that, in law, First Amendment issues are decided with a preference for the least restrictive alternative. In this context, the PMRC's demands are the equivalent of treating dandruff by decapitation. ... The establishment of a rating system, voluntary or otherwise, opens the door to an endless parade of moral quality control programs based on things certain Christians do not like.", "The establishment of a rating system, voluntary or otherwise, opens the door to an endless parade of moral quality control programs based on things certain Christians do not like. What if the next bunch of Washington wives demands a large yellow \"J\" on all material written or performed by Jews, in order to save helpless children from exposure to concealed Zionist doctrine?", "What if the next bunch of Washington wives demands a large yellow \"J\" on all material written or performed by Jews, in order to save helpless children from exposure to concealed Zionist doctrine? Zappa set excerpts from the PMRC hearings to Synclavier music in his composition \"Porn Wars\" on the 1985 album Frank Zappa Meets the Mothers of Prevention, and the full recording was released in 2010 as Congress Shall Make No Law... Zappa is heard interacting with Senators Fritz Hollings, Slade Gorton and Al Gore.", "Zappa set excerpts from the PMRC hearings to Synclavier music in his composition \"Porn Wars\" on the 1985 album Frank Zappa Meets the Mothers of Prevention, and the full recording was released in 2010 as Congress Shall Make No Law... Zappa is heard interacting with Senators Fritz Hollings, Slade Gorton and Al Gore. Legacy Zappa had a controversial critical standing during his lifetime.", "Legacy Zappa had a controversial critical standing during his lifetime. As Geoffrey Himes noted in 1993 after the artist's death, Zappa was hailed as a genius by conductor Kent Nagano and nominated by Czechoslovakian President Václav Havel to the country's cultural ambassadorship, but he was in his lifetime rejected twice for admission into the Rock and Roll Hall of Fame and been found by critics to lack emotional depth.", "As Geoffrey Himes noted in 1993 after the artist's death, Zappa was hailed as a genius by conductor Kent Nagano and nominated by Czechoslovakian President Václav Havel to the country's cultural ambassadorship, but he was in his lifetime rejected twice for admission into the Rock and Roll Hall of Fame and been found by critics to lack emotional depth. In Christgau's Record Guide: Rock Albums of the Seventies (1981), Robert Christgau dismissed Zappa's music as \"sexist adolescent drivel ... with meters and voicings and key changes that are as hard to play as they are easy to forget.\"", "In Christgau's Record Guide: Rock Albums of the Seventies (1981), Robert Christgau dismissed Zappa's music as \"sexist adolescent drivel ... with meters and voicings and key changes that are as hard to play as they are easy to forget.\" According to Himes: Acclaim and honors The Rolling Stone Album Guide (2004) writes: \"Frank Zappa dabbled in virtually all kinds of music—and, whether guised as a satirical rocker, jazz-rock fusionist, guitar virtuoso, electronics wizard, or orchestral innovator, his eccentric genius was undeniable.\"", "According to Himes: Acclaim and honors The Rolling Stone Album Guide (2004) writes: \"Frank Zappa dabbled in virtually all kinds of music—and, whether guised as a satirical rocker, jazz-rock fusionist, guitar virtuoso, electronics wizard, or orchestral innovator, his eccentric genius was undeniable.\" Even though his work drew inspiration from many different genres, Zappa was seen as establishing a coherent and personal expression.", "Even though his work drew inspiration from many different genres, Zappa was seen as establishing a coherent and personal expression. In 1971, biographer David Walley noted that \"The whole structure of his music is unified, not neatly divided by dates or time sequences and it is all building into a composite\". On commenting on Zappa's music, politics and philosophy, Barry Miles noted in 2004 that they cannot be separated: \"It was all one; all part of his 'conceptual continuity'.\"", "On commenting on Zappa's music, politics and philosophy, Barry Miles noted in 2004 that they cannot be separated: \"It was all one; all part of his 'conceptual continuity'.\" Guitar Player devoted a special issue to Zappa in 1992, and asked on the cover \"Is FZ America's Best Kept Musical Secret?\" Editor Don Menn remarked that the issue was about \"The most important composer to come out of modern popular music\".", "Editor Don Menn remarked that the issue was about \"The most important composer to come out of modern popular music\". Among those contributing to the issue was composer and musicologist Nicolas Slonimsky, who conducted premiere performances of works of Ives and Varèse in the 1930s. He became friends with Zappa in the 1980s, and said, \"I admire everything Frank does, because he practically created the new musical millennium. He does beautiful, beautiful work ...", "He does beautiful, beautiful work ... He does beautiful, beautiful work ... It has been my luck to have lived to see the emergence of this totally new type of music.\" Conductor Kent Nagano remarked in the same issue that \"Frank is a genius. That's a word I don't use often ... In Frank's case it is not too strong ... He is extremely literate musically. I'm not sure if the general public knows that.\"", "I'm not sure if the general public knows that.\" Pierre Boulez told Musician magazine's posthumous Zappa tribute article that Zappa \"was an exceptional figure because he was part of the worlds of rock and classical music and that both types of his work would survive.\" In 1994, jazz magazine DownBeats critics poll placed Zappa in its Hall of Fame. Zappa was posthumously inducted into the Rock and Roll Hall of Fame in 1995.", "Zappa was posthumously inducted into the Rock and Roll Hall of Fame in 1995. There, it was written that \"Frank Zappa was rock and roll's sharpest musical mind and most astute social critic. He was the most prolific composer of his age, and he bridged genres—rock, jazz, classical, avant-garde and even novelty music—with masterful ease\". He was ranked number 36 on VH1's 100 Greatest Artists of Hard Rock in 2000.", "He was ranked number 36 on VH1's 100 Greatest Artists of Hard Rock in 2000. In 2005, the U.S. National Recording Preservation Board included We're Only in It for the Money in the National Recording Registry as \"Frank Zappa's inventive and iconoclastic album presents a unique political stance, both anti-conservative and anti-counterculture, and features a scathing satire on hippiedom and America's reactions to it\". The same year, Rolling Stone magazine ranked him at No. 71 on its list of the 100 Greatest Artists of All Time.", "71 on its list of the 100 Greatest Artists of All Time. In 2011, he was ranked at No. 22 on the list of the 100 Greatest Guitarists of All Time by the same magazine. In 2016, Guitar World magazine placed Zappa atop of its list \"15 of the best progressive rock guitarists through the years.\" The street of Partinico where his father lived at number 13, Via Zammatà, has been renamed to Via Frank Zappa.", "The street of Partinico where his father lived at number 13, Via Zammatà, has been renamed to Via Frank Zappa. Since his death, several musicians have been considered by critics as filling the artistic niche left behind by Zappa, in view of their prolific output, eclecticism and other qualities, including Devin Townsend, Mike Patton and Omar Rodríguez-López. Grammy Awards In the course of his career, Zappa was nominated for nine competitive Grammy Awards, which resulted in two wins (one posthumous).", "Grammy Awards In the course of his career, Zappa was nominated for nine competitive Grammy Awards, which resulted in two wins (one posthumous). In 1998, he received the Grammy Lifetime Achievement Award.", "In 1998, he received the Grammy Lifetime Achievement Award. |- |rowspan=\"2\"| 1980 || \"Rat Tomago\" || Best Rock Instrumental Performance || |- | \"Dancin' Fool\" || Best Male Rock Vocal Performance || |- | 1983 || \"Valley Girl\" || Best Rock Performance by a Duo or Group with Vocal || |- | 1985 || The Perfect Stranger || Best New Classical Composition || |- |rowspan=\"2\"| 1988 || \"Jazz from Hell\" || Best Instrumental Composition || |- | Jazz from Hell ||rowspan=\"2\"| Best Rock Instrumental Performance (Orchestra, Group or Soloist) || |- | 1989 || Guitar || |- | 1990 || Broadway the Hard Way || Best Musical Cast Show Album || |- | 1996 || Civilization Phaze III || Best Recording Package – Boxed || |- | 1998 || Frank Zappa || Lifetime Achievement Award || Artists influenced by Zappa Many musicians, bands and orchestras from diverse genres have been influenced by Zappa's music.", "|- |rowspan=\"2\"| 1980 || \"Rat Tomago\" || Best Rock Instrumental Performance || |- | \"Dancin' Fool\" || Best Male Rock Vocal Performance || |- | 1983 || \"Valley Girl\" || Best Rock Performance by a Duo or Group with Vocal || |- | 1985 || The Perfect Stranger || Best New Classical Composition || |- |rowspan=\"2\"| 1988 || \"Jazz from Hell\" || Best Instrumental Composition || |- | Jazz from Hell ||rowspan=\"2\"| Best Rock Instrumental Performance (Orchestra, Group or Soloist) || |- | 1989 || Guitar || |- | 1990 || Broadway the Hard Way || Best Musical Cast Show Album || |- | 1996 || Civilization Phaze III || Best Recording Package – Boxed || |- | 1998 || Frank Zappa || Lifetime Achievement Award || Artists influenced by Zappa Many musicians, bands and orchestras from diverse genres have been influenced by Zappa's music. Rock artists such as The Plastic People of the Universe, Alice Cooper, Larry LaLonde of Primus, Fee Waybill of the Tubes all cite Zappa's influence, as do progressive, alternative, electronic and avant-garde/experimental rock artists like Can, Pere Ubu, Yes, Soft Machine, Henry Cow, Faust, Devo, Kraftwerk, Trey Anastasio and Jon Fishman of Phish, Jeff Buckley, John Frusciante, Steven Wilson, and The Aristocrats.", "Rock artists such as The Plastic People of the Universe, Alice Cooper, Larry LaLonde of Primus, Fee Waybill of the Tubes all cite Zappa's influence, as do progressive, alternative, electronic and avant-garde/experimental rock artists like Can, Pere Ubu, Yes, Soft Machine, Henry Cow, Faust, Devo, Kraftwerk, Trey Anastasio and Jon Fishman of Phish, Jeff Buckley, John Frusciante, Steven Wilson, and The Aristocrats. Paul McCartney regarded Sgt.", "Paul McCartney regarded Sgt. Paul McCartney regarded Sgt. Pepper's Lonely Hearts Club Band as the Beatles' Freak Out!. Jimi Hendrix and heavy rock and metal acts like Black Sabbath, Simon Phillips, Mike Portnoy, Warren DeMartini, Alex Skolnick, Steve Vai, Strapping Young Lad, System of a Down, and Clawfinger have acknowledged Zappa as inspiration. On the classical music scene, Tomas Ulrich, Meridian Arts Ensemble, Ensemble Ambrosius and the Fireworks Ensemble regularly perform Zappa's compositions and quote his influence.", "On the classical music scene, Tomas Ulrich, Meridian Arts Ensemble, Ensemble Ambrosius and the Fireworks Ensemble regularly perform Zappa's compositions and quote his influence. Contemporary jazz musicians and composers Bobby Sanabria, Bill Frisell and John Zorn are inspired by Zappa, as is funk legend George Clinton.", "Contemporary jazz musicians and composers Bobby Sanabria, Bill Frisell and John Zorn are inspired by Zappa, as is funk legend George Clinton. Other artists affected by Zappa include ambient composer Brian Eno, new age pianist George Winston, electronic composer Bob Gluck, parodist artist and disk jockey Dr. Demento, parodist and novelty composer \"Weird Al\" Yankovic, industrial music pioneer Genesis P-Orridge, singer Cree Summer, noise music artist Masami Akita of Merzbow, and Chilean composer Cristián Crisosto from Fulano and Mediabanda.", "Other artists affected by Zappa include ambient composer Brian Eno, new age pianist George Winston, electronic composer Bob Gluck, parodist artist and disk jockey Dr. Demento, parodist and novelty composer \"Weird Al\" Yankovic, industrial music pioneer Genesis P-Orridge, singer Cree Summer, noise music artist Masami Akita of Merzbow, and Chilean composer Cristián Crisosto from Fulano and Mediabanda. References in arts and sciences Scientists from various fields have honored Zappa by naming new discoveries after him.", "References in arts and sciences Scientists from various fields have honored Zappa by naming new discoveries after him. In 1967, paleontologist Leo P. Plas, Jr., identified an extinct mollusc in Nevada and named it Amaurotoma zappa with the motivation that, \"The specific name, zappa, honors Frank Zappa\". In the 1980s, biologist Ed Murdy named a genus of gobiid fishes of New Guinea Zappa, with a species named Zappa confluentus.", "In the 1980s, biologist Ed Murdy named a genus of gobiid fishes of New Guinea Zappa, with a species named Zappa confluentus. Biologist Ferdinando Boero named a Californian jellyfish Phialella zappai (1987), noting that he had \"pleasure in naming this species after the modern music composer\". Belgian biologists Bosmans and Bosselaers discovered in the early 1980s a Cameroonese spider, which they in 1994 named Pachygnatha zappa because \"the ventral side of the abdomen of the female of this species strikingly resembles the artist's legendary moustache\".", "Belgian biologists Bosmans and Bosselaers discovered in the early 1980s a Cameroonese spider, which they in 1994 named Pachygnatha zappa because \"the ventral side of the abdomen of the female of this species strikingly resembles the artist's legendary moustache\". A gene of the bacterium Proteus mirabilis that causes urinary tract infections was in 1995 named zapA by three biologists from Maryland. In their scientific article, they \"especially thank the late Frank Zappa for inspiration and assistance with genetic nomenclature\".", "In their scientific article, they \"especially thank the late Frank Zappa for inspiration and assistance with genetic nomenclature\". Repeating regions of the genome of the human tumor virus KSHV were named frnk, vnct and zppa in 1996 by Yuan Chang and Patrick S. Moore who discovered the virus. Also, a 143 base pair repeat sequence occurring at two positions was named waka/jwka.", "Also, a 143 base pair repeat sequence occurring at two positions was named waka/jwka. In the late 1990s, American paleontologists Marc Salak and Halard L. Lescinsky discovered a metazoan fossil, and named it Spygori zappania to honor \"the late Frank Zappa ... whose mission paralleled that of the earliest paleontologists: to challenge conventional and traditional beliefs when such beliefs lacked roots in logic and reason\".", "In the late 1990s, American paleontologists Marc Salak and Halard L. Lescinsky discovered a metazoan fossil, and named it Spygori zappania to honor \"the late Frank Zappa ... whose mission paralleled that of the earliest paleontologists: to challenge conventional and traditional beliefs when such beliefs lacked roots in logic and reason\". In 1994, lobbying efforts initiated by psychiatrist John Scialli led the International Astronomical Union's Minor Planet Center to name an asteroid in Zappa's honor: 3834 Zappafrank.", "In 1994, lobbying efforts initiated by psychiatrist John Scialli led the International Astronomical Union's Minor Planet Center to name an asteroid in Zappa's honor: 3834 Zappafrank. The asteroid was discovered in 1980 by Czechoslovakian astronomer Ladislav Brožek, and the citation for its naming says that \"Zappa was an eclectic, self-trained artist and composer ... Before 1989 he was regarded as a symbol of democracy and freedom by many people in Czechoslovakia\".", "The asteroid was discovered in 1980 by Czechoslovakian astronomer Ladislav Brožek, and the citation for its naming says that \"Zappa was an eclectic, self-trained artist and composer ... Before 1989 he was regarded as a symbol of democracy and freedom by many people in Czechoslovakia\". In 1995, a bust of Zappa by sculptor Konstantinas Bogdanas was installed in Vilnius, the Lithuanian capital .", "In 1995, a bust of Zappa by sculptor Konstantinas Bogdanas was installed in Vilnius, the Lithuanian capital . The choice of Zappa was explained as \"a symbol that would mark the end of communism, but at the same time express that it wasn't always doom and gloom.\"", "The choice of Zappa was explained as \"a symbol that would mark the end of communism, but at the same time express that it wasn't always doom and gloom.\" A replica was offered to the city of Baltimore in 2008, and on September 19, 2010 — the twenty-fifth anniversary of Zappa's testimony to the U.S. Senate — a ceremony dedicating the replica was held, and the bust was unveiled at a library in the city.", "A replica was offered to the city of Baltimore in 2008, and on September 19, 2010 — the twenty-fifth anniversary of Zappa's testimony to the U.S. Senate — a ceremony dedicating the replica was held, and the bust was unveiled at a library in the city. In 2002, a bronze bust was installed in German city Bad Doberan, location of the Zappanale since 1990, an annual music festival celebrating Zappa.", "In 2002, a bronze bust was installed in German city Bad Doberan, location of the Zappanale since 1990, an annual music festival celebrating Zappa. At the initiative of musicians community ORWOhaus, the city of Berlin named a street in the Marzahn district \"Frank-Zappa-Straße\" in 2007. The same year, Baltimore mayor Sheila Dixon proclaimed August 9 as the city's official \"Frank Zappa Day\" citing Zappa's musical accomplishments as well as his defense of the First Amendment to the United States Constitution.", "The same year, Baltimore mayor Sheila Dixon proclaimed August 9 as the city's official \"Frank Zappa Day\" citing Zappa's musical accomplishments as well as his defense of the First Amendment to the United States Constitution. Zappa documentary The biographical documentary Zappa, directed by Alex Winter and released on November 27, 2020, includes previously unreleased footage from Zappa's personal vault, to which he was granted access by the Zappa Family Trust. Discography During his lifetime, Zappa released 62 albums.", "Discography During his lifetime, Zappa released 62 albums. Discography During his lifetime, Zappa released 62 albums. Since 1994, the Zappa Family Trust has released 57 posthumous albums, making a total of 119 albums. The current distributor of Zappa's recorded output is Universal Music Enterprises.", "The current distributor of Zappa's recorded output is Universal Music Enterprises. See also List of performers on Frank Zappa records Frank Zappa in popular culture Notes References Bibliography External links 1940 births 1993 deaths 20th-century American guitarists 20th-century American male actors 20th-century American singers American classical musicians American activists American anti-communists American anti-fascists American atheists American comedy musicians American male composers American music arrangers American experimental filmmakers American experimental guitarists American experimental musicians American humanists American jazz guitarists American male voice actors American multi-instrumentalists Record producers from Maryland American rock guitarists American male guitarists American rock singers American electronic musicians American avant-garde musicians American people of Arab descent American people of Italian descent American people of French descent American people of Greek descent American satirists American surrealist artists Angel Records artists Surrealist filmmakers Antelope Valley High School alumni Articles containing video clips Avant-garde guitarists Avant-pop musicians Burials at Westwood Village Memorial Park Cemetery California Democrats Captain Beefheart Censorship in the arts American contemporary classical composers Contemporary classical music performers Copywriters Critics of the Catholic Church Deaths from cancer in California Deaths from prostate cancer Deaths from kidney failure Advocates of unschooling and homeschooling EMI Records artists Experimental pop musicians Experimental rock musicians Free speech activists Grammy Award winners Grammy Lifetime Achievement Award winners Humor in classical music Lead guitarists Maryland Democrats Musicians from Baltimore People from Echo Park, Los Angeles People from Edgewood, Maryland People from Ontario, California Progressive rock guitarists Proto-prog musicians Rykodisc artists Singers from Los Angeles The Mothers of Invention members Verve Records artists Warner Records artists Guitarists from Los Angeles Guitarists from Maryland 20th-century classical composers Singer-songwriters from Maryland Writers from Los Angeles 20th-century American composers Parody musicians Freak scene Freak artists Jazz musicians from Maryland American male jazz musicians American libertarians People from Lancaster, California American male singer-songwriters Zappa family 20th-century American male singers People from Laurel Canyon, Los Angeles Jazz musicians from California Singer-songwriters from California Surrealist groups" ]

[ "D.O.A. (band)", "Hardcore 81 and further lineup changes (1981-1989)" ]

[ "This is a list of notable bands considered to be thrashcore. Thrashcore (also known as fastcore) is a fast tempo subgenre of hardcore punk that emerged in the early 1980s, that is essentially sped-up hardcore, often using blast beats.\n\n ACxDC\n The Accüsed\n Benümb\n Code 13\n Cryptic Slaughter\n Deep Wound\n Dirty Rotten Imbeciles\n Dr and The Crippens\n Dropdead\n Electro Hippies\n Fig 4.0\n Flag of Democracy\n Heresy\n Gauze\n Guyana Punch Line\n Hellnation\n Hüsker Dü\n King Parrot\n Lärm\n Los Crudos\n Raw Power\n Septic Death\n Septic Tank\n Siege\n S.O.B.\n Straight Ahead\n Svetlanas\n Trash Talk \n Vitamin X\n Vivisick\n Void\n What Happens Next?\n\nReferences\n\nLists of hardcore punk bands", "Burning Empires is an American hardcore punk supergroup formed in 2009 in Milwaukee, Wisconsin, consisting of members of Misery Signals, 7 Angels 7 Plagues and Fall Out Boy. They have released two EPs, in 2009 and 2010, respectively, as well as having opened for The Amity Affliction on their 2010 Australian tour.\n\nMusical style\nBurning Empires have been categorized as hardcore punk and compared to work of Darkest Hour, as well as multiple of the member's other band, Misery Signals. In an interview, Ross stated that \"musically I wanted to do a band in relation to Misery Signals, a more punky hardcore version of what we were doing influenced by bands like Propaghandi, Comeback Kid and Cursed\" and \"I find this group is more socially charged than what we’ve done in Misery Signals. A lot of my lyrics up to this point on the Burning Empires material is anti-civilization\", in addition to Spin Magazine describing the band as \"(ripping) out a heavy, furious sound with thundering double kick drums, screeching electric guitars, and Morgan’s vicious screams\".\n\nMembers\n Matt Mixon – guitar\n Ryan Morgan – lead vocals\n Stuart Ross – guitar\n Kyle Johnson – bass\n Andy Hurley – drums\n\nDiscography\nBurning Empires (2009)\nHeirs of the Soil (2010)\n\nReferences\n\nHardcore punk groups from Wisconsin\nMusical groups established in 2009\nRock music supergroups" ]

[ "D.O.A. is a Canadian punk rock band from Vancouver, British Columbia, Canada. They are often referred to as the \"founders\" of hardcore punk along with Black Flag, Bad Brains, Angry Samoans, The Bags, Germs, Negative Trend, and Middle Class. Their second album Hardcore '81 was thought by many to have been the first actual reference to the second wave of the American punk sound as hardcore.", "Their second album Hardcore '81 was thought by many to have been the first actual reference to the second wave of the American punk sound as hardcore. Singer/guitarist Joey \"Shithead\" Keithley is the only founding member to have stayed in the band throughout its entire history, with original bassist Randy Rampage returning to the band twice after his original departure. D.O.A. has often released music on Jello Biafra's Alternative Tentacles Records, and they have released an album with Biafra on vocals titled Last Scream of the Missing Neighbors. D.O.A.", "D.O.A. D.O.A. is known for its outspoken political opinions and has a history of performing for many causes and benefits. Its slogan is \"Talk Minus Action Equals Zero.\" The band's lyrics and imagery frequently advocate anti-racism, anti-globalization, freedom of speech, and environmentalism. Founder Joe Keithley is also the founder of Sudden Death Records which has released music by D.O.A. and several other bands including Pointed Sticks and Young Canadians. History Formation and early years (1977–1980) D.O.A.", "History Formation and early years (1977–1980) D.O.A. History Formation and early years (1977–1980) D.O.A. has its origins in The Skulls, an early Vancouver-area punk rock band that included future D.O.A. members Joey \"Shithead\" Keithley, Brian \"Wimpy Roy\" Goble, and Ken \"Dimwit\" Montgomery. When the Skulls broke up after an ill-fated move to Toronto, Keithley moved back to Vancouver and formed D.O.A.", "When the Skulls broke up after an ill-fated move to Toronto, Keithley moved back to Vancouver and formed D.O.A. in early 1978 with himself on guitar, Dimwit's brother Chuck Biscuits on drums, Randy Rampage on bass, and a lead singer known only as \"Harry Homo\", who suggested the band's name.", "in early 1978 with himself on guitar, Dimwit's brother Chuck Biscuits on drums, Randy Rampage on bass, and a lead singer known only as \"Harry Homo\", who suggested the band's name. The band's first gig took place at the Japanese Hall in Vancouver on February 20 of that year, after which Harry Homo was sacked for an apparent lack of rhythm; Keithley then became the band's singer. A second guitarist named \"Randy Romance\" played briefly with the band in March 1978 before leaving.", "A second guitarist named \"Randy Romance\" played briefly with the band in March 1978 before leaving. The band began playing frequently around Vancouver and added guitarist Brad Kent the following June. That summer, they recorded and self-released their first single, the four-song EP Disco Sucks. The single soon topped the charts of the University of San Francisco radio station KUSF, which prompted the band to begin touring down to San Francisco. They played their first shows there in August 1978 at Mabuhay Gardens.", "They played their first shows there in August 1978 at Mabuhay Gardens. It was during this trip that the band first met Dead Kennedys frontman and future collaborator Jello Biafra. Kent was fired from the band in September and later that fall the band recorded and released their second single \"The Prisoner\". In May 1979, the band embarked on their first North American tour. Upon its completion they hired Vancouver journalist and activist Ken Lester as their manager.", "Upon its completion they hired Vancouver journalist and activist Ken Lester as their manager. Lester booked another tour for them the following October, in the middle of which they flew back to Vancouver to open for The Clash at the Pacific Coliseum. They soon after released their third single, \"World War 3\" / \"Whatcha Gonna Do?\". In late 1979, they added second guitarist, Dave Gregg.", "In late 1979, they added second guitarist, Dave Gregg. Soon after, Biscuits and Rampage left the band after a disastrous gig at the University of British Columbia's Student Union Building and were replaced by Andy Graffiti and Simon \"Stubby Pecker\" Wilde on drums and bass, respectively. Keithley soon became dissatisfied with the band's performances with the new lineup, however, and Biscuits and Rampage both rejoined the band in March 1980. D.O.A.", "D.O.A. D.O.A. released their full-length debut Something Better Change on Friends Records in 1980 and continued touring the United States and Canada extensively. Hardcore 81 and further lineup changes (1981–1989) On April 22, 1981 the band released their second album Hardcore '81; the record's title and its extensive North American promotional tour is sometimes credited with popularizing the term \"hardcore punk\". Randy Rampage was fired from the band on January 1, 1982 and was replaced by ex-Skulls drummer Dimwit on bass.", "Randy Rampage was fired from the band on January 1, 1982 and was replaced by ex-Skulls drummer Dimwit on bass. After a short tour of California, Chuck Biscuits left the band and joined Black Flag. Dimwit switched back to drums and Subhumans singer Wimpy Roy, another ex-Skulls member, was hired as the new bass player and second singer, leaving Keithley as the last remaining original member.", "Dimwit switched back to drums and Subhumans singer Wimpy Roy, another ex-Skulls member, was hired as the new bass player and second singer, leaving Keithley as the last remaining original member. This lineup would last from 1982–1983 and later 1985-1986 and produced several notable releases, including the EP War on 45 (now expanded into a full-length album). War on 45 found the band expanding their sound with touches of funk and reggae, as well as making their anti-war and anti-imperialist political stance more clear.", "War on 45 found the band expanding their sound with touches of funk and reggae, as well as making their anti-war and anti-imperialist political stance more clear. 1985's Let's Wreck The Party and 1987's True (North) Strong And Free saw the band taking on a more mainstream, hard-rock oriented production, but without watering down the band's political lyrical focus. Meanwhile, the band's lineup changes continued after Let's Wreck the Party, with Dimwit replaced by Kerr Belliveau.", "Meanwhile, the band's lineup changes continued after Let's Wreck the Party, with Dimwit replaced by Kerr Belliveau. Belliveau stayed only three weeks with the band but recorded the Expo Hurts Everyone 7\" as well as two songs for True (North) Strong and Free before being replaced by Jon Card from Personality Crisis. Dave Gregg quit in 1988 after D.O.A. fired their manager Ken Lester, to which he was close. The band hired Chris Prohom from the Dayglo Abortions as a replacement.", "The band hired Chris Prohom from the Dayglo Abortions as a replacement. First breakup and reunion (1990–2002) 1990's Murder featured rawer, almost thrash metal production, rather than their original basic punk sound. The same year also produced a collaboration with Dead Kennedys singer Jello Biafra with Last Scream of the Missing Neighbors. In August 1990, Joey decided he was breaking up D.O.A.", "In August 1990, Joey decided he was breaking up D.O.A. but, at the suggestion of promoter Dirk Dirksen, they did a farewell tour of the West Coast, playing their \"final\" show on December 1, 1990 at the Commodore in Vancouver. In 1991, they released a posthumous live album entitled Talk Minus Action = 0 while Keithley pursued an acting career. 19 months after D.O.A. broke up, Joey Shithead and Wimpy Roy had reunited as D.O.A in the summer of 1992.", "broke up, Joey Shithead and Wimpy Roy had reunited as D.O.A in the summer of 1992. Fellow Canadian punk rock veteran John Wright from NoMeansNo suggested they hire Ken Jensen from Red Tide as the new drummer, which they did. The new lineup released an EP and two albums in the early 1990s, 13 Flavours Of Doom and Loggerheads.", "The new lineup released an EP and two albums in the early 1990s, 13 Flavours Of Doom and Loggerheads. These albums found the band replacing the more hard-rock oriented sound of the 1980s with a return to punk rock, although it was a heavier, tighter brand of punk than their earlier work. These albums were produced by Wright, who also played keyboards on the recordings. The band then added Ford Pier on guitar and vocals. Tragedy struck in 1995 when drummer Ken Jensen died in a house fire.", "Tragedy struck in 1995 when drummer Ken Jensen died in a house fire. The \"Ken Jensen Memorial Single\" EP was released on Alternative Tentacles, including two tracks each from D.O.A. and Red Tide. With John Wright filling in on drums, ninth full-length The Black Spot was recorded. The album featured a more basic, sing-along type punk rock sound that was reminiscent of the band's late 1970s and early 1980s output.", "The album featured a more basic, sing-along type punk rock sound that was reminiscent of the band's late 1970s and early 1980s output. The late 1990s found the band's lineup in turmoil, with Wimpy Roy leaving the band after a decade and a half of service and Kuba joining to play bass from 1997 until 2001. Keithley experimented with different bassists and drummers and released the album Festival Of Atheists in 1998. By the early 2000s, the band had found a permanent drummer in the form of The Great Baldini.", "By the early 2000s, the band had found a permanent drummer in the form of The Great Baldini. In 2002, Keithley put out his first solo album, Beat Trash, and original bassist Randy Rampage returned to the band after nearly 20 years for the Win The Battle album. However, the reunion did not last, with Rampage leaving the band again after the recording of the album, to be replaced by Dan Yaremko.", "However, the reunion did not last, with Rampage leaving the band again after the recording of the album, to be replaced by Dan Yaremko. The Lost Tapes was the first release on Keithley's revived Sudden Death label, followed by Festival Of Atheists. During this period, Keithley also oversaw the re-release of the band's classic early records on Sudden Death, several of which had been out of print for many years.", "During this period, Keithley also oversaw the re-release of the band's classic early records on Sudden Death, several of which had been out of print for many years. Later years and second hiatus (2003–2013) In 2003, Vancouver Mayor Larry Campbell declared December 21 to be \"D.O.A. Day\" in honour of the band's 25th anniversary. In the same year, the band released a career-spanning retrospective entitled War And Peace. 2004 found the band releasing the ska-flavoured Live Free or Die.", "2004 found the band releasing the ska-flavoured Live Free or Die. In 2006, Randy Rampage rejoined D.O.A. for his 3rd stint in the band. The lineup remained stable until 2008, when The Great Baldini left the band to be replaced by new drummer James Hayden. Also in 2008, it was announced that Bob Rock, of Metallica fame would be producing the band's next album in time for their 30th anniversary. James Hayden quit before D.O.A.", "James Hayden quit before D.O.A. James Hayden quit before D.O.A. started to record to be replaced by Floor Tom Jones In September 2008, D.O.A. released Northern Avenger and embarked on their 30th anniversary tour. On the eve of the tour, it was announced that Randy Rampage was being replaced by Dan Yaremko once again. D.O.A. played several dates in the summer of 2009 as part of the Van's Warped Tour 2009. On May 1, 2010, D.O.A.", "On May 1, 2010, D.O.A. On May 1, 2010, D.O.A. released their fourteenth full-length album Talk Minus Action = Zero (a similarly titled live album Talk Minus Action Equals Zero had previously been released in 1990). Drummer Jesse Pinner (of the band Raised by Apes) took the place of Floor Tom Jones beginning on D.O.A. 's subsequent August 2010 tour due to Floor Tom Jones' commitments to his job at Canada Post.", "'s subsequent August 2010 tour due to Floor Tom Jones' commitments to his job at Canada Post. In 2012, Joe announced that he would be seeking nomination as an NDP candidate in the B.C. provincial election. As a result, D.O.A. announced an indefinite hiatus, and began their farewell tour on January 18, 2013 in celebration of the band's thirty-five year anniversary.", "announced an indefinite hiatus, and began their farewell tour on January 18, 2013 in celebration of the band's thirty-five year anniversary. Second reunion and recent activity (2014–present) On September 22, 2014, Keithley officially announced on the Sudden Death Records website that he had decided to reform the band with Paddy Duddy on drums and Mike \"Maggot\" Hodsall on bass, and would be embarking on a Canadian tour in October in support of the recently released live album, Welcome To Chinatown.", "Second reunion and recent activity (2014–present) On September 22, 2014, Keithley officially announced on the Sudden Death Records website that he had decided to reform the band with Paddy Duddy on drums and Mike \"Maggot\" Hodsall on bass, and would be embarking on a Canadian tour in October in support of the recently released live album, Welcome To Chinatown. This lineup recorded and released the studio album Hard Rain Falling in 2015.", "This lineup recorded and released the studio album Hard Rain Falling in 2015. In April 2016, the band released a new version of \"Fucked Up Ronnie\" entitled \"Fucked Up Donald\" (referring to the 2016 Republican presidential nominee Donald Trump) as a single.", "In April 2016, the band released a new version of \"Fucked Up Ronnie\" entitled \"Fucked Up Donald\" (referring to the 2016 Republican presidential nominee Donald Trump) as a single. Members Current lineup Joe Keithley – vocals, guitar (1978–present), bass (1996–1998) Mike Hodsall – bass (2014–present) Paddy Duddy – drums (2014–present) Former members Harry Homo - lead vocals (1978) Brad Kent - guitar (1978) Randy Romance - guitar (1978) Zippy Pinhead - drums (1979; died 2019) Simon Wilde - bass (1979-1980; died 1994) Andy Graffiti - drums (1979-1980) Randy Rampage – bass (1978–1982, 2000–2002, 2006–2009; died 2018) Chuck Biscuits – drums (1978–1982) Dave Gregg – guitar (1979–1988; died 2014) Brian Roy Goble – bass (1982–1996; died 2014) Ken \"Dimwit\" Montgomery – bass (1982), drums (1982–1983, 1984-1986; died 1994) Gregg \"Ned Peckerwood\" James - drums (1983-1984) Kerr Belliveau - drums (1986) Jon Card – drums (1986–1990) Chris Prohom – guitar (1988–1990) Ken Jensen – drums (1992–1995; died 1995) Jon Wright – keyboards (1992–1995), drums (1995–1996) Ford Pier – guitar (1994–1996) Wycliffe - bass (1997) Kuba van der Pol - bass (1998-2000, 2002-2003) Brien O’Brien – drums (1997–1999) The Great Baldini – drums (2000–2008) Dan Yaremko – bass (2003–2006, 2009–2013) Floor Tom Jones – drums (2008–2010) Jesse Pinner – drums (2010–2013) Timeline Discography Studio albums Something Better Change (1980) Hardcore '81 (1981) Let's Wreck The Party (1985) True (North) Strong And Free (1987) Murder (1990) 13 Flavours of Doom (1992) Loggerheads (1993) The Black Spot (1995) Festival Of Atheists (1998) Win the Battle (2002) Live Free Or Die (2004) Northern Avenger (2008) Kings of Punk, Hockey and Beer (2009) Talk-Action=0 (2010) We Come In Peace (2012) Hard Rain Falling (2015) Fight Back (2018) Treason (2020) Live albums Talk Minus Action Equals Zero (1991) Welcome to Chinatown (2013) EPs Positively (1981) War on 45 (1982) D.O.A.", "Members Current lineup Joe Keithley – vocals, guitar (1978–present), bass (1996–1998) Mike Hodsall – bass (2014–present) Paddy Duddy – drums (2014–present) Former members Harry Homo - lead vocals (1978) Brad Kent - guitar (1978) Randy Romance - guitar (1978) Zippy Pinhead - drums (1979; died 2019) Simon Wilde - bass (1979-1980; died 1994) Andy Graffiti - drums (1979-1980) Randy Rampage – bass (1978–1982, 2000–2002, 2006–2009; died 2018) Chuck Biscuits – drums (1978–1982) Dave Gregg – guitar (1979–1988; died 2014) Brian Roy Goble – bass (1982–1996; died 2014) Ken \"Dimwit\" Montgomery – bass (1982), drums (1982–1983, 1984-1986; died 1994) Gregg \"Ned Peckerwood\" James - drums (1983-1984) Kerr Belliveau - drums (1986) Jon Card – drums (1986–1990) Chris Prohom – guitar (1988–1990) Ken Jensen – drums (1992–1995; died 1995) Jon Wright – keyboards (1992–1995), drums (1995–1996) Ford Pier – guitar (1994–1996) Wycliffe - bass (1997) Kuba van der Pol - bass (1998-2000, 2002-2003) Brien O’Brien – drums (1997–1999) The Great Baldini – drums (2000–2008) Dan Yaremko – bass (2003–2006, 2009–2013) Floor Tom Jones – drums (2008–2010) Jesse Pinner – drums (2010–2013) Timeline Discography Studio albums Something Better Change (1980) Hardcore '81 (1981) Let's Wreck The Party (1985) True (North) Strong And Free (1987) Murder (1990) 13 Flavours of Doom (1992) Loggerheads (1993) The Black Spot (1995) Festival Of Atheists (1998) Win the Battle (2002) Live Free Or Die (2004) Northern Avenger (2008) Kings of Punk, Hockey and Beer (2009) Talk-Action=0 (2010) We Come In Peace (2012) Hard Rain Falling (2015) Fight Back (2018) Treason (2020) Live albums Talk Minus Action Equals Zero (1991) Welcome to Chinatown (2013) EPs Positively (1981) War on 45 (1982) D.O.A. & Thor - Are U Ready (2003) Collaborations Last Scream of the Missing Neighbors (With Jello Biafra) (1990) Solo albums Beat Trash (2002) - Solo Project from Joey \"Shithead\" Keithley References External links The official D.O.A.", "& Thor - Are U Ready (2003) Collaborations Last Scream of the Missing Neighbors (With Jello Biafra) (1990) Solo albums Beat Trash (2002) - Solo Project from Joey \"Shithead\" Keithley References External links The official D.O.A. myspace CanadianBands.com entry Sudden Death records Interview with Joey Shithead Snot Rag interview with Dimwit (1979) Robert Christgau's review of five D.O.A.", "myspace CanadianBands.com entry Sudden Death records Interview with Joey Shithead Snot Rag interview with Dimwit (1979) Robert Christgau's review of five D.O.A. albums Scanner zine interview with Joey Shithead Late Night Wallflower interview with Joey Shithead (2007) Toronto Music Scene Interview with Joey Shithead The Ruckus - Audio Interview with Joey Keithley from September 2008 Musical groups established in 1978 Musical groups disestablished in 2013 Musical groups reestablished in 2014 Canadian hardcore punk groups Canadian activists Musical groups from Vancouver Alternative Tentacles artists 1978 establishments in British Columbia Political music groups" ]

[ "D.O.A. (band)", "Hardcore 81 and further lineup changes (1981-1989)", "What is Hardcore 81?", "their second album Hardcore '81;", "What are some of the songs on the album?", "I don't know." ]

[ "How the West Was Won may refer to:\n How the West Was Won (film), a 1962 American Western film\n How the West Was Won (TV series), a 1970s television series loosely based on the film\n How the West Was Won (Bing Crosby album) (1959)\n How the West Was Won (Led Zeppelin album) (2003)\n How the West Was Won (Peter Perrett album) (2017)\n How the West Was Won, a 2002 album by Luni Coleone\n \"How the West Was Won\", a 1987 song by Laibach from Opus Dei\n \"How the West Was Won\", a 1996 song by the Romo band Plastic Fantastic\n\nSee also\n How the West Was Fun, a 1994 TV movie starring Mary-Kate and Ashley Olsen\n How the West Was One (disambiguation)\n \"How the West Was Won and Where It Got Us\", a 1997 song by R.E.M.", "How the West Was One may refer to:\n\n How the West Was One (Cali Agents album), 2000\n How the West Was One (2nd Chapter of Acts, Phil Keaggy and a band called David album), 1977\n How the West Was One (Carbon Leaf album), 2010\n\nSee also\n How the West Was Won (disambiguation)" ]

[ "D.O.A. is a Canadian punk rock band from Vancouver, British Columbia, Canada. They are often referred to as the \"founders\" of hardcore punk along with Black Flag, Bad Brains, Angry Samoans, The Bags, Germs, Negative Trend, and Middle Class. Their second album Hardcore '81 was thought by many to have been the first actual reference to the second wave of the American punk sound as hardcore.", "Their second album Hardcore '81 was thought by many to have been the first actual reference to the second wave of the American punk sound as hardcore. Singer/guitarist Joey \"Shithead\" Keithley is the only founding member to have stayed in the band throughout its entire history, with original bassist Randy Rampage returning to the band twice after his original departure. D.O.A. has often released music on Jello Biafra's Alternative Tentacles Records, and they have released an album with Biafra on vocals titled Last Scream of the Missing Neighbors. D.O.A.", "D.O.A. D.O.A. is known for its outspoken political opinions and has a history of performing for many causes and benefits. Its slogan is \"Talk Minus Action Equals Zero.\" The band's lyrics and imagery frequently advocate anti-racism, anti-globalization, freedom of speech, and environmentalism. Founder Joe Keithley is also the founder of Sudden Death Records which has released music by D.O.A. and several other bands including Pointed Sticks and Young Canadians. History Formation and early years (1977–1980) D.O.A.", "History Formation and early years (1977–1980) D.O.A. History Formation and early years (1977–1980) D.O.A. has its origins in The Skulls, an early Vancouver-area punk rock band that included future D.O.A. members Joey \"Shithead\" Keithley, Brian \"Wimpy Roy\" Goble, and Ken \"Dimwit\" Montgomery. When the Skulls broke up after an ill-fated move to Toronto, Keithley moved back to Vancouver and formed D.O.A.", "When the Skulls broke up after an ill-fated move to Toronto, Keithley moved back to Vancouver and formed D.O.A. in early 1978 with himself on guitar, Dimwit's brother Chuck Biscuits on drums, Randy Rampage on bass, and a lead singer known only as \"Harry Homo\", who suggested the band's name.", "in early 1978 with himself on guitar, Dimwit's brother Chuck Biscuits on drums, Randy Rampage on bass, and a lead singer known only as \"Harry Homo\", who suggested the band's name. The band's first gig took place at the Japanese Hall in Vancouver on February 20 of that year, after which Harry Homo was sacked for an apparent lack of rhythm; Keithley then became the band's singer. A second guitarist named \"Randy Romance\" played briefly with the band in March 1978 before leaving.", "A second guitarist named \"Randy Romance\" played briefly with the band in March 1978 before leaving. The band began playing frequently around Vancouver and added guitarist Brad Kent the following June. That summer, they recorded and self-released their first single, the four-song EP Disco Sucks. The single soon topped the charts of the University of San Francisco radio station KUSF, which prompted the band to begin touring down to San Francisco. They played their first shows there in August 1978 at Mabuhay Gardens.", "They played their first shows there in August 1978 at Mabuhay Gardens. It was during this trip that the band first met Dead Kennedys frontman and future collaborator Jello Biafra. Kent was fired from the band in September and later that fall the band recorded and released their second single \"The Prisoner\". In May 1979, the band embarked on their first North American tour. Upon its completion they hired Vancouver journalist and activist Ken Lester as their manager.", "Upon its completion they hired Vancouver journalist and activist Ken Lester as their manager. Lester booked another tour for them the following October, in the middle of which they flew back to Vancouver to open for The Clash at the Pacific Coliseum. They soon after released their third single, \"World War 3\" / \"Whatcha Gonna Do?\". In late 1979, they added second guitarist, Dave Gregg.", "In late 1979, they added second guitarist, Dave Gregg. Soon after, Biscuits and Rampage left the band after a disastrous gig at the University of British Columbia's Student Union Building and were replaced by Andy Graffiti and Simon \"Stubby Pecker\" Wilde on drums and bass, respectively. Keithley soon became dissatisfied with the band's performances with the new lineup, however, and Biscuits and Rampage both rejoined the band in March 1980. D.O.A.", "D.O.A. D.O.A. released their full-length debut Something Better Change on Friends Records in 1980 and continued touring the United States and Canada extensively. Hardcore 81 and further lineup changes (1981–1989) On April 22, 1981 the band released their second album Hardcore '81; the record's title and its extensive North American promotional tour is sometimes credited with popularizing the term \"hardcore punk\". Randy Rampage was fired from the band on January 1, 1982 and was replaced by ex-Skulls drummer Dimwit on bass.", "Randy Rampage was fired from the band on January 1, 1982 and was replaced by ex-Skulls drummer Dimwit on bass. After a short tour of California, Chuck Biscuits left the band and joined Black Flag. Dimwit switched back to drums and Subhumans singer Wimpy Roy, another ex-Skulls member, was hired as the new bass player and second singer, leaving Keithley as the last remaining original member.", "Dimwit switched back to drums and Subhumans singer Wimpy Roy, another ex-Skulls member, was hired as the new bass player and second singer, leaving Keithley as the last remaining original member. This lineup would last from 1982–1983 and later 1985-1986 and produced several notable releases, including the EP War on 45 (now expanded into a full-length album). War on 45 found the band expanding their sound with touches of funk and reggae, as well as making their anti-war and anti-imperialist political stance more clear.", "War on 45 found the band expanding their sound with touches of funk and reggae, as well as making their anti-war and anti-imperialist political stance more clear. 1985's Let's Wreck The Party and 1987's True (North) Strong And Free saw the band taking on a more mainstream, hard-rock oriented production, but without watering down the band's political lyrical focus. Meanwhile, the band's lineup changes continued after Let's Wreck the Party, with Dimwit replaced by Kerr Belliveau.", "Meanwhile, the band's lineup changes continued after Let's Wreck the Party, with Dimwit replaced by Kerr Belliveau. Belliveau stayed only three weeks with the band but recorded the Expo Hurts Everyone 7\" as well as two songs for True (North) Strong and Free before being replaced by Jon Card from Personality Crisis. Dave Gregg quit in 1988 after D.O.A. fired their manager Ken Lester, to which he was close. The band hired Chris Prohom from the Dayglo Abortions as a replacement.", "The band hired Chris Prohom from the Dayglo Abortions as a replacement. First breakup and reunion (1990–2002) 1990's Murder featured rawer, almost thrash metal production, rather than their original basic punk sound. The same year also produced a collaboration with Dead Kennedys singer Jello Biafra with Last Scream of the Missing Neighbors. In August 1990, Joey decided he was breaking up D.O.A.", "In August 1990, Joey decided he was breaking up D.O.A. but, at the suggestion of promoter Dirk Dirksen, they did a farewell tour of the West Coast, playing their \"final\" show on December 1, 1990 at the Commodore in Vancouver. In 1991, they released a posthumous live album entitled Talk Minus Action = 0 while Keithley pursued an acting career. 19 months after D.O.A. broke up, Joey Shithead and Wimpy Roy had reunited as D.O.A in the summer of 1992.", "broke up, Joey Shithead and Wimpy Roy had reunited as D.O.A in the summer of 1992. Fellow Canadian punk rock veteran John Wright from NoMeansNo suggested they hire Ken Jensen from Red Tide as the new drummer, which they did. The new lineup released an EP and two albums in the early 1990s, 13 Flavours Of Doom and Loggerheads.", "The new lineup released an EP and two albums in the early 1990s, 13 Flavours Of Doom and Loggerheads. These albums found the band replacing the more hard-rock oriented sound of the 1980s with a return to punk rock, although it was a heavier, tighter brand of punk than their earlier work. These albums were produced by Wright, who also played keyboards on the recordings. The band then added Ford Pier on guitar and vocals. Tragedy struck in 1995 when drummer Ken Jensen died in a house fire.", "Tragedy struck in 1995 when drummer Ken Jensen died in a house fire. The \"Ken Jensen Memorial Single\" EP was released on Alternative Tentacles, including two tracks each from D.O.A. and Red Tide. With John Wright filling in on drums, ninth full-length The Black Spot was recorded. The album featured a more basic, sing-along type punk rock sound that was reminiscent of the band's late 1970s and early 1980s output.", "The album featured a more basic, sing-along type punk rock sound that was reminiscent of the band's late 1970s and early 1980s output. The late 1990s found the band's lineup in turmoil, with Wimpy Roy leaving the band after a decade and a half of service and Kuba joining to play bass from 1997 until 2001. Keithley experimented with different bassists and drummers and released the album Festival Of Atheists in 1998. By the early 2000s, the band had found a permanent drummer in the form of The Great Baldini.", "By the early 2000s, the band had found a permanent drummer in the form of The Great Baldini. In 2002, Keithley put out his first solo album, Beat Trash, and original bassist Randy Rampage returned to the band after nearly 20 years for the Win The Battle album. However, the reunion did not last, with Rampage leaving the band again after the recording of the album, to be replaced by Dan Yaremko.", "However, the reunion did not last, with Rampage leaving the band again after the recording of the album, to be replaced by Dan Yaremko. The Lost Tapes was the first release on Keithley's revived Sudden Death label, followed by Festival Of Atheists. During this period, Keithley also oversaw the re-release of the band's classic early records on Sudden Death, several of which had been out of print for many years.", "During this period, Keithley also oversaw the re-release of the band's classic early records on Sudden Death, several of which had been out of print for many years. Later years and second hiatus (2003–2013) In 2003, Vancouver Mayor Larry Campbell declared December 21 to be \"D.O.A. Day\" in honour of the band's 25th anniversary. In the same year, the band released a career-spanning retrospective entitled War And Peace. 2004 found the band releasing the ska-flavoured Live Free or Die.", "2004 found the band releasing the ska-flavoured Live Free or Die. In 2006, Randy Rampage rejoined D.O.A. for his 3rd stint in the band. The lineup remained stable until 2008, when The Great Baldini left the band to be replaced by new drummer James Hayden. Also in 2008, it was announced that Bob Rock, of Metallica fame would be producing the band's next album in time for their 30th anniversary. James Hayden quit before D.O.A.", "James Hayden quit before D.O.A. James Hayden quit before D.O.A. started to record to be replaced by Floor Tom Jones In September 2008, D.O.A. released Northern Avenger and embarked on their 30th anniversary tour. On the eve of the tour, it was announced that Randy Rampage was being replaced by Dan Yaremko once again. D.O.A. played several dates in the summer of 2009 as part of the Van's Warped Tour 2009. On May 1, 2010, D.O.A.", "On May 1, 2010, D.O.A. On May 1, 2010, D.O.A. released their fourteenth full-length album Talk Minus Action = Zero (a similarly titled live album Talk Minus Action Equals Zero had previously been released in 1990). Drummer Jesse Pinner (of the band Raised by Apes) took the place of Floor Tom Jones beginning on D.O.A. 's subsequent August 2010 tour due to Floor Tom Jones' commitments to his job at Canada Post.", "'s subsequent August 2010 tour due to Floor Tom Jones' commitments to his job at Canada Post. In 2012, Joe announced that he would be seeking nomination as an NDP candidate in the B.C. provincial election. As a result, D.O.A. announced an indefinite hiatus, and began their farewell tour on January 18, 2013 in celebration of the band's thirty-five year anniversary.", "announced an indefinite hiatus, and began their farewell tour on January 18, 2013 in celebration of the band's thirty-five year anniversary. Second reunion and recent activity (2014–present) On September 22, 2014, Keithley officially announced on the Sudden Death Records website that he had decided to reform the band with Paddy Duddy on drums and Mike \"Maggot\" Hodsall on bass, and would be embarking on a Canadian tour in October in support of the recently released live album, Welcome To Chinatown.", "Second reunion and recent activity (2014–present) On September 22, 2014, Keithley officially announced on the Sudden Death Records website that he had decided to reform the band with Paddy Duddy on drums and Mike \"Maggot\" Hodsall on bass, and would be embarking on a Canadian tour in October in support of the recently released live album, Welcome To Chinatown. This lineup recorded and released the studio album Hard Rain Falling in 2015.", "This lineup recorded and released the studio album Hard Rain Falling in 2015. In April 2016, the band released a new version of \"Fucked Up Ronnie\" entitled \"Fucked Up Donald\" (referring to the 2016 Republican presidential nominee Donald Trump) as a single.", "In April 2016, the band released a new version of \"Fucked Up Ronnie\" entitled \"Fucked Up Donald\" (referring to the 2016 Republican presidential nominee Donald Trump) as a single. Members Current lineup Joe Keithley – vocals, guitar (1978–present), bass (1996–1998) Mike Hodsall – bass (2014–present) Paddy Duddy – drums (2014–present) Former members Harry Homo - lead vocals (1978) Brad Kent - guitar (1978) Randy Romance - guitar (1978) Zippy Pinhead - drums (1979; died 2019) Simon Wilde - bass (1979-1980; died 1994) Andy Graffiti - drums (1979-1980) Randy Rampage – bass (1978–1982, 2000–2002, 2006–2009; died 2018) Chuck Biscuits – drums (1978–1982) Dave Gregg – guitar (1979–1988; died 2014) Brian Roy Goble – bass (1982–1996; died 2014) Ken \"Dimwit\" Montgomery – bass (1982), drums (1982–1983, 1984-1986; died 1994) Gregg \"Ned Peckerwood\" James - drums (1983-1984) Kerr Belliveau - drums (1986) Jon Card – drums (1986–1990) Chris Prohom – guitar (1988–1990) Ken Jensen – drums (1992–1995; died 1995) Jon Wright – keyboards (1992–1995), drums (1995–1996) Ford Pier – guitar (1994–1996) Wycliffe - bass (1997) Kuba van der Pol - bass (1998-2000, 2002-2003) Brien O’Brien – drums (1997–1999) The Great Baldini – drums (2000–2008) Dan Yaremko – bass (2003–2006, 2009–2013) Floor Tom Jones – drums (2008–2010) Jesse Pinner – drums (2010–2013) Timeline Discography Studio albums Something Better Change (1980) Hardcore '81 (1981) Let's Wreck The Party (1985) True (North) Strong And Free (1987) Murder (1990) 13 Flavours of Doom (1992) Loggerheads (1993) The Black Spot (1995) Festival Of Atheists (1998) Win the Battle (2002) Live Free Or Die (2004) Northern Avenger (2008) Kings of Punk, Hockey and Beer (2009) Talk-Action=0 (2010) We Come In Peace (2012) Hard Rain Falling (2015) Fight Back (2018) Treason (2020) Live albums Talk Minus Action Equals Zero (1991) Welcome to Chinatown (2013) EPs Positively (1981) War on 45 (1982) D.O.A.", "Members Current lineup Joe Keithley – vocals, guitar (1978–present), bass (1996–1998) Mike Hodsall – bass (2014–present) Paddy Duddy – drums (2014–present) Former members Harry Homo - lead vocals (1978) Brad Kent - guitar (1978) Randy Romance - guitar (1978) Zippy Pinhead - drums (1979; died 2019) Simon Wilde - bass (1979-1980; died 1994) Andy Graffiti - drums (1979-1980) Randy Rampage – bass (1978–1982, 2000–2002, 2006–2009; died 2018) Chuck Biscuits – drums (1978–1982) Dave Gregg – guitar (1979–1988; died 2014) Brian Roy Goble – bass (1982–1996; died 2014) Ken \"Dimwit\" Montgomery – bass (1982), drums (1982–1983, 1984-1986; died 1994) Gregg \"Ned Peckerwood\" James - drums (1983-1984) Kerr Belliveau - drums (1986) Jon Card – drums (1986–1990) Chris Prohom – guitar (1988–1990) Ken Jensen – drums (1992–1995; died 1995) Jon Wright – keyboards (1992–1995), drums (1995–1996) Ford Pier – guitar (1994–1996) Wycliffe - bass (1997) Kuba van der Pol - bass (1998-2000, 2002-2003) Brien O’Brien – drums (1997–1999) The Great Baldini – drums (2000–2008) Dan Yaremko – bass (2003–2006, 2009–2013) Floor Tom Jones – drums (2008–2010) Jesse Pinner – drums (2010–2013) Timeline Discography Studio albums Something Better Change (1980) Hardcore '81 (1981) Let's Wreck The Party (1985) True (North) Strong And Free (1987) Murder (1990) 13 Flavours of Doom (1992) Loggerheads (1993) The Black Spot (1995) Festival Of Atheists (1998) Win the Battle (2002) Live Free Or Die (2004) Northern Avenger (2008) Kings of Punk, Hockey and Beer (2009) Talk-Action=0 (2010) We Come In Peace (2012) Hard Rain Falling (2015) Fight Back (2018) Treason (2020) Live albums Talk Minus Action Equals Zero (1991) Welcome to Chinatown (2013) EPs Positively (1981) War on 45 (1982) D.O.A. & Thor - Are U Ready (2003) Collaborations Last Scream of the Missing Neighbors (With Jello Biafra) (1990) Solo albums Beat Trash (2002) - Solo Project from Joey \"Shithead\" Keithley References External links The official D.O.A.", "& Thor - Are U Ready (2003) Collaborations Last Scream of the Missing Neighbors (With Jello Biafra) (1990) Solo albums Beat Trash (2002) - Solo Project from Joey \"Shithead\" Keithley References External links The official D.O.A. myspace CanadianBands.com entry Sudden Death records Interview with Joey Shithead Snot Rag interview with Dimwit (1979) Robert Christgau's review of five D.O.A.", "myspace CanadianBands.com entry Sudden Death records Interview with Joey Shithead Snot Rag interview with Dimwit (1979) Robert Christgau's review of five D.O.A. albums Scanner zine interview with Joey Shithead Late Night Wallflower interview with Joey Shithead (2007) Toronto Music Scene Interview with Joey Shithead The Ruckus - Audio Interview with Joey Keithley from September 2008 Musical groups established in 1978 Musical groups disestablished in 2013 Musical groups reestablished in 2014 Canadian hardcore punk groups Canadian activists Musical groups from Vancouver Alternative Tentacles artists 1978 establishments in British Columbia Political music groups" ]