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Zeta Alpha 11

doc806

The team arrives at an underground antipurge hideout run by Dante Bishop. Barnes discovers that Bishop's group intends to assassinate Owens, in an effort to end the purge. A large group of paramilitary forces arrives at the hideout looking for Bishop. Barnes and Roan escape back to the streets and meet Joe, Marcos, and Laney, who had left the hideout earlier to return to Joe's store.

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While fleeing the city, the ambulance is hit by Danzinger's team. Roan is pulled from the van by the soldiers before Barnes can assist. He leads the group and Bishop's team to a fortified cathedral where the NFFA plans to sacrifice her. Before Roan can be killed by the NFFA, the group arrives and assassinates Warrens, causing a shootout that kills the entire congregation except Owens and another NFFA loyalist, Harmon James, who escape. Owens is caught by Bishop's group, who still intends to kill him, but Roan manages to persuade them to spare him. The remaining paramilitary forces arrive, killing Bishop and his team. Danzinger and Barnes engage in a melee which ends with the former's death. As Roan and the team free the imprisoned purge victims, James emerges and kills a released prisoner. Joe shoots him, but is fatally wounded. Before dying, Joe asks Marcos to take care of his store.

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The main streets of Woonsocket were transformed into the near-future Washington, DC.[10] The NFFA-captured Catholic cathedral where Owens' purge mass takes place, as well as the cathedral crypt scenes, were filmed at the St. Ann's Church Complex. The Rhode Island State House stood in as the White House and its rotunda and some of its interiors such as the Press Room and basement were also used for filming. Numerous landmarks of both Woonsocket and Providence make cameos in the film. The Roan household was shot in another part of Woonsocket and some of the interiors were shot on a soundstage to allow more room for cameras and crew.

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The image of the gates in popular culture is a set of large gold, white or wrought-iron gates in the clouds, guarded by Saint Peter (the keeper of the "keys to the kingdom"). Those not fit to enter heaven are denied entrance at the gates, and descend into Hell.[2] In some versions of this imagery, Peter looks up the deceased's name in a book, before opening the gate.

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The United States Congress was established upon ratification of the United States Constitution and formally began on March 4, 1789. New York City remained home to Congress until July 1790,[4] when the Residence Act was passed to pave the way for a permanent capital. The decision to locate the capital was contentious, but Alexander Hamilton helped broker a compromise in which the federal government would take on war debt incurred during the American Revolutionary War, in exchange for support from northern states for locating the capital along the Potomac River. As part of the legislation, Philadelphia was chosen as a temporary capital for ten years (until December 1800), until the nation's capital in Washington, D.C., would be ready.[5]

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By 1850, it became clear that the Capitol could not accommodate the growing number of legislators arriving from newly admitted states. A new design competition was held, and President Millard Fillmore appointed Philadelphia architect Thomas U. Walter to carry out the expansion. Two new wings were added – a new chamber for the House of Representatives on the south side, and a new chamber for the Senate on the north.[33]

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On January 21, 1786, the Virginia Legislature, following James Madison's recommendation, invited all the states to send delegates to Annapolis, Maryland to discuss ways to reduce interstate conflict. At what came to be known as the Annapolis Convention, the few state delegates in attendance endorsed a motion that called for all states to meet in Philadelphia in May 1787 to discuss ways to improve the Articles of Confederation in a "Grand Convention." Although the states' representatives to the Constitutional Convention in Philadelphia were only authorized to amend the Articles, the representatives held secret, closed-door sessions and wrote a new constitution. The new Constitution gave much more power to the central government, but characterization of the result is disputed. The general goal of the authors was to get close to a republic as defined by the philosophers of the Age of Enlightenment, while trying to address the many difficulties of the interstate relationships. Historian Forrest McDonald, using the ideas of James Madison from Federalist 39, describes the change this way:

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Beauty and the Beast is a 2017 American musical romantic fantasy film directed by Bill Condon from a screenplay written by Stephen Chbosky and Evan Spiliotopoulos, and co-produced by Walt Disney Pictures and Mandeville Films.[1][5] The film is based on Disney's 1991 animated film of the same name, itself an adaptation of Jeanne-Marie Leprince de Beaumont's eighteenth-century fairy tale.[6] The film features an ensemble cast that includes Emma Watson and Dan Stevens as the eponymous characters with Luke Evans, Kevin Kline, Josh Gad, Ewan McGregor, Stanley Tucci, Audra McDonald, Gugu Mbatha-Raw, Ian McKellen, and Emma Thompson in supporting roles.[7]

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Principal photography began at Shepperton Studios in Surrey, United Kingdom on May 18, 2015, and ended on August 21. Beauty and the Beast premiered at Spencer House in London on February 23, 2017, and was released in the United States in standard, Disney Digital 3-D, RealD 3D, IMAX and IMAX 3D formats, along with Dolby Cinema on March 17, 2017.[8] The film received generally positive reviews from critics, with many praising Watson and Stevens' performances as well as the ensemble cast, faithfulness to the original animated film alongside elements from the Broadway musical, visual style, production design, and musical score, though it received criticism for some of the character designs and its excessive similarity to the original.[9][10] The film grossed over $1.2 billion worldwide, becoming the highest-grossing live-action musical film, and making it the second highest-grossing film of 2017 and the 11th-highest-grossing film of all time. The film received four nominations at the 23rd Critics' Choice Awards and two nominations at the 71st British Academy Film Awards. It also received nominations for Best Production Design and Best Costume Design at the 90th Academy Awards.

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Belle befriends the castle's servants, who invite her to a spectacular dinner. When she wanders into the forbidden west wing and finds the rose, the Beast, enraged, scares her into the woods. She is ambushed by a pack of wolves, but the Beast rescues her, and is injured in the process. As Belle nurses his wounds, a friendship develops between them. The Beast shows Belle a gift from the enchantress, a book that transports readers wherever they want. Belle uses it to visit her childhood home in Paris, where she discovers a plague doctor mask and realizes that she and her father were forced to leave her mother's deathbed when her mother succumbed to the plague.

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After sharing a romantic dance with the Beast, Belle discovers her father's predicament using a magic mirror. The Beast releases her to save Maurice, giving her the mirror to remember him with. At Villeneuve, Belle proves Maurice's sanity by revealing the Beast in the mirror to the townsfolk. Realizing that Belle loves the Beast, Gaston claims she has been charmed by dark magic, and has her thrown into the asylum carriage with her father. He rallies the villagers to follow him to the castle to slay the Beast before he curses the whole village. Maurice and Belle escape, and Belle rushes back to the castle.

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During the battle, Gaston abandons his companion LeFou, who then sides with the servants to fend off the villagers. Gaston attacks the Beast in his tower, who is too depressed to fight back, but regains his spirit upon seeing Belle return. He overpowers Gaston, but spares his life before reuniting with Belle. However, Gaston fatally shoots the Beast from a bridge, but it collapses when the castle crumbles, and he falls to his death. The Beast dies as the last petal falls, and the servants become inanimate. When Belle tearfully professes her love to him, Agathe reveals herself as the enchantress and undoes the curse, repairing the crumbling castle, and restoring the Beast's and servants' human forms and the villagers' memories. The Prince and Belle host a ball for the kingdom, where they dance happily.

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In January 2015, Emma Watson announced that she would be starring as Belle, the female lead.[32] She was the first choice of Walt Disney Studios chairman Alan F. Horn, as he had previously overseen Warner Bros. which released the eight Harry Potter films that co-starred Watson as Hermione Granger.[31] Two months later, Luke Evans and Dan Stevens were revealed to be in talks to play Gaston and the Beast respectively,[33][34] and Watson confirmed their casting the following day through tweets.[11][35] The rest of the principal cast, including Josh Gad, Emma Thompson, Kevin Kline, Audra McDonald, Ian McKellen, Gugu Mbatha-Raw, Ewan McGregor and Stanley Tucci were announced between March and April to play LeFou, Mrs. Potts, Maurice, Madame de Garderobe, Cogsworth, Plumette, Lumière and Cadenza, respectively.[14][13][17][19][18][15][16][36]

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When released in 1991, Beauty and the Beast, marked a turning point for Walt Disney Pictures by appealing to millions of fans with its Oscar-winning musical score by lyricist Howard Ashman and composer Alan Menken. In Bill Condon's opinion, that original score was the key reason he agreed to direct a live-action version of the movie. "That score had more to reveal", he says, "You look at the songs and there's not a clunker in the group. In fact, Frank Rich described it as the best Broadway musical of 1991. The animated version was already darker and more modern than the previous Disney fairytales. Take that vision, put it into a new medium, make it a radical reinvention, something not just for the stage because it's not just being literal, now other elements come into play. It's not just having real actors do it".[45]

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In the United States and Canada, Beauty and the Beast topped Fandango's pre-sales and became the fastest-selling family film in the company's history, topping the studio's own animated film Finding Dory released the previous year. Early tracking had the film grossing around $100 million in its opening weekend, with some publications predicting it could reach $130 million.[101][102][103] By the time the film's release was 10 days away, analysts raised projections to as high as $150 million.[104][105] It earned $16.3 million from Thursday previews night, marking the biggest of 2017 (breaking Logan's record), the biggest ever for a Disney live-action film (breaking Maleficent's record), the second biggest ever for both a G or PG-rated film (behind the sixth Harry Potter film Harry Potter and the Half-Blood Prince which also starred Watson), and the third biggest ever in the month of March (behind Batman v Superman: Dawn of Justice and The Hunger Games).[106] An estimated 41% of the gross came from IMAX, 3D and premium large format screenings which began at 6 pm, while the rest—59%—came from regular 2D shows which began at 7 p.m.[107] The numbers were considered more impressive given that the film played during a school week.[108]

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Leslie Felperin of The Hollywood Reporter wrote: "It's a Michelin-triple-starred master class in patisserie skills that transforms the cinematic equivalent of a sugar rush into a kind of crystal-meth-like narcotic high that lasts about two hours." Felperin also praised the performances of Watson and Kline as well the special effects, costume designs and the sets while commended the inclusion of Gad's character of LeFou as the first LGBT character in Disney.[181] Owen Gleiberman of Variety, in his positive review of the film, wrote: "It's a lovingly crafted movie, and in many ways a good one, but before that it's an enraptured piece of old-is-new nostalgia." Gleiberman compared Steven's character of the Beast to a royal version of the titular character in The Elephant Man and the 1946 version of the Beast in Jean Cocteau's original adaptation.[182] A. O. Scott of The New York Times praised the performances of both Watson and Stevens, and wrote: "It looks good, moves gracefully and leaves a clean and invigorating aftertaste. I almost didn't recognize the flavor: I think the name for it is joy."[183]

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Likewise, The Washington Post's Ann Hornaday complimented Watson's performance, describing it as "alert and solemn" while noting her singing ability as "serviceable enough to get the job done".[184] Richard Roeper of Chicago Sun-Times awarded the film three and a half stars, lauded the performances of Watson and Thompson which he drew a comparison to Paige O'Hara's and Angela Lansbury's performances in the 1991 animated version while appreciating the performances of the other cast and also pointing out on its usage of the combination of motion capture and CGI technology as a big advantage which he stated: "Almost overwhelmingly lavish, beautifully staged and performed with exquisite timing and grace by the outstanding cast".[185] Mike Ryan of Uproxx praised the cast, production design and the new songs while noting the film doesn't try anything different, saying: "There's certainly nothing that new about this version of Beauty and the Beast (well, except it isn't a cartoon anymore), but it's a good recreation of a classic animated film that should leave most die-hards satisfied."[186] In her A- review, Nancy Churnin of The Dallas Morning News praised the film's emotional and thematic depth, remarking: "There's an emotional authenticity in director Bill Condon's live-action Beauty and the Beast film that helps you rediscover Disney's beloved 1991 animated film and 1994 stage show in fresh, stirring ways."[187] James Berardinelli of ReelViews described the 2017 version as "enthralling".[188]

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Brian Truitt of USA Today commended the performances of Evans, Gad, McGregor and Thompson alongside Condon's affinity with musicals, the production design, visual effects featured in some of the song numbers including new songs made by the composers Alan Menken and Tim Rice, particularly Evermore which he described the new song with a potential for an Academy Award for Best Original Song.[189] Peter Travers of Rolling Stone rated the film three out of four stars which he deemed it as an "exhilarating gift" while he remarked that "Beauty and the Beast does justice to Disney's animated classic, even if some of the magic is M.I.A (Missing in Action)".[190] Stephanie Zacharek of Time magazine gave a positive review with a description as "Wild, Vivid and Crazy-Beautiful" as she wrote "Nearly everything about Beauty and the Beast is larger than life, to the point that watching it can be a little overwhelming." and added that "it’s loaded with feeling, almost like a brash interpretive dance expressing the passion and elation little girls (and some boys, too) must have felt upon seeing the earlier version."[191] The San Francisco Chronicle's Mick LaSalle struck an affirmative tone, calling it one of the joys of 2017, stating that "Beauty and the Beast creates an air of enchantment from its first moments, one that lingers and builds and takes on qualities of warmth and generosity as it goes along" while referring the film as "beautiful" and also praised the film for its emotional and psychological tone as well Steven's motion capture performance.[192]

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Controversy erupted after director Bill Condon said there was a "gay moment" in the film, when LeFou briefly waltzes with Stanley, one of Gaston's friends.[235] Afterwards in an interview with Vulture.com, Condon stated, "Can I just say, I’m sort of sick of this. Because you've seen the movie—it's such a tiny thing, and it's been overblown." Condon also added that Beauty and the Beast features much more diversity than just the highly talked-about LeFou: "That was so important. We have interracial couples—this is a celebration of everybody's individuality, and that's what’s exciting about it.”[236] GLAAD president and CEO Sarah Kate Ellis praised the move stating, "It is a small moment in the film, but it is a huge leap forward for the film industry."[237]

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Two similar overlays – Country Bear Christmas Special and It's a Small World Holiday – had already been successful for some time when Haunted Mansion Holiday was developed.[2] Initially, Disney considered doing a retelling of Charles Dickens' A Christmas Carol, but decided against it due to the attraction's setting in New Orleans Square and the incongruity of bringing Santa Claus into the eerie environment of the Haunted Mansion.[3] Instead, they decided to base it on The Nightmare Before Christmas after considering which Disney character would celebrate Christmas in the Haunted Mansion, should Santa Claus ever land there on his journey. Steve Davison took the idea and worked with Walt Disney Creative Entertainment to develop the overlay.[3]

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The Happy Haunts finally begin to materialize in the ballroom. A cake sits on the table that bears resemblance to the spiral hill from Halloween town, but covered in snow. An immense, dead Christmas tree is in the middle of the room, with glowing skull and jack-o-lantern ornaments and ascending and desscending spider ornaments. Ghosts dance right through the tree while a ghost organist plays Kidnap the Sandy Claws as a waltz.

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The judicial branch is headed by the Chief Justice of the Supreme Court of Puerto Rico, currently Maite Oronoz Rodríguez. Members of the judicial branch are appointed by the governor with the advice and consent of the Senate.

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While most executive agencies have a single director, administrator, or secretary appointed by the President of the United States, independent agencies (in the narrower sense of being outside presidential control) almost always have a commission, board, or similar collegial body consisting of five to seven members who share power over the agency.[2] (This is why many independent agencies include the word "Commission" or "Board" in their name.) The president appoints the commissioners or board members, subject to Senate confirmation, but they often serve terms that are staggered and longer than a four-year presidential term,[4] meaning that most presidents will not have the opportunity to appoint all the commissioners of a given independent agency. The president can normally designate which commissioner will serve as the chairperson.[4] Normally there are statutory provisions limiting the president's authority to remove commissioners, typically for incapacity, neglect of duty, malfeasance, or other good cause.[5] In addition, most independent agencies have a statutory requirement of bipartisan membership on the commission, so the president cannot simply fill vacancies with members of his own political party.[4]

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Another type of octane rating, called Motor Octane Number (MON), is determined at 900 rpm engine speed instead of the 600 rpm for RON.[1] MON testing uses a similar test engine to that used in RON testing, but with a preheated fuel mixture, higher engine speed, and variable ignition timing to further stress the fuel's knock resistance. Depending on the composition of the fuel, the MON of a modern pump gasoline will be about 8 to 12 octane lower than the RON, but there is no direct link between RON and MON. Pump gasoline specifications typically require both a minimum RON and a minimum MON.[citation needed]

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All around the mulberry bush, The monkey chased the weasel. The monkey stopped to pull up his sock, (or The monkey stopped to scratch his nose) (or The monkey fell down and oh what a sound) Pop! goes the weasel. Half a pound of tuppenny rice, Half a pound of treacle. Mix it up and make it nice, Pop! goes the weasel.

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Article Two of the United States Constitution establishes the executive branch of the federal government, which carries out and enforces federal laws. The executive branch includes the President, the Vice President, the Cabinet, executive departments, independent agencies, and other boards, commissions, and committees.

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As far as presidential appointments, as with treaties a person is not officially and legally appointed to a position until their appointment is approved by the Senate. Prior to Senate approval and publication of that approval along with an official date and time for their swearing-in and assumption of duties and responsibilities, they are nominees rather than appointees. And again, the President nominates people for specific positions at their pleasure and can do so without or in spite of Senate advice. Senate consent occurs when a supermajority of senators votes to approve and therefore appoint a nominee.

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He shall from time to time give to the Congress Information of the State of the Union, and recommend to their Consideration such Measures as he shall judge necessary and expedient; he may, on extraordinary Occasions, convene both Houses, or either of them, and in Case of Disagreement between them, with Respect to the Time of Adjournment, he may adjourn them to such Time as he shall think proper; he shall receive Ambassadors and other public Ministers; he shall take Care that the Laws be faithfully executed, and shall Commission all the Officers of the United States.

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Railroads are credited with creating the modern business enterprise by scholars such as Alfred Chandler. Previously, the management of most businesses had consisted of individual owners or groups of partners, some of whom often had little daily hands-on operations involvement. Centralized expertise in the home office was not enough. A railroad required expertise available across the whole length of its trackage, to deal with daily crises, breakdowns and bad weather. A collision in Massachusetts in 1841 led to a call for safety reform. This led to the reorganization of railroads into different departments with clear lines of management authority. When the telegraph became available, companies built telegraph lines along the railroads to keep track of trains.[86]

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In 1858 Charles Darwin and Alfred Russel Wallace published a new evolutionary theory, explained in detail in Darwin's On the Origin of Species (1859). Unlike Lamarck, Darwin proposed common descent and a branching tree of life, meaning that two very different species could share a common ancestor. Darwin based his theory on the idea of natural selection: it synthesized a broad range of evidence from animal husbandry, biogeography, geology, morphology, and embryology. Debate over Darwin's work led to the rapid acceptance of the general concept of evolution, but the specific mechanism he proposed, natural selection, was not widely accepted until it was revived by developments in biology that occurred during the 1920s through the 1940s. Before that time most biologists regarded other factors as responsible for evolution. Alternatives to natural selection suggested during "the eclipse of Darwinism" (c. 1880 to 1920) included inheritance of acquired characteristics (neo-Lamarckism), an innate drive for change (orthogenesis), and sudden large mutations (saltationism). Mendelian genetics, a series of 19th-century experiments with pea plant variations rediscovered in 1900, was integrated with natural selection by Ronald Fisher, J. B. S. Haldane, and Sewall Wright during the 1910s to 1930s, and resulted in the founding of the new discipline of population genetics. During the 1930s and 1940s population genetics became integrated with other biological fields, resulting in a widely applicable theory of evolution that encompassed much of biology—the modern synthesis.

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The concept of evolution was widely accepted in scientific circles within a few years of the publication of Origin, but the acceptance of natural selection as its driving mechanism was much less widespread. The four major alternatives to natural selection in the late 19th century were theistic evolution, neo-Lamarckism, orthogenesis, and saltationism. Alternatives supported by biologists at other times included structuralism, Georges Cuvier's teleological but non-evolutionary functionalism, and vitalism.

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The rediscovery of Gregor Mendel's laws of inheritance in 1900 ignited a fierce debate between two camps of biologists. In one camp were the Mendelians, who were focused on discrete variations and the laws of inheritance. They were led by William Bateson (who coined the word genetics) and Hugo de Vries (who coined the word mutation). Their opponents were the biometricians, who were interested in the continuous variation of characteristics within populations. Their leaders, Karl Pearson and Walter Frank Raphael Weldon, followed in the tradition of Francis Galton, who had focused on measurement and statistical analysis of variation within a population. The biometricians rejected Mendelian genetics on the basis that discrete units of heredity, such as genes, could not explain the continuous range of variation seen in real populations. Weldon's work with crabs and snails provided evidence that selection pressure from the environment could shift the range of variation in wild populations, but the Mendelians maintained that the variations measured by biometricians were too insignificant to account for the evolution of new species.[103][104]

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The semicolon or semi colon[1] (;) is a punctuation mark that separates major sentence elements. A semicolon can be used between two closely related independent clauses, provided they are not already joined by a coordinating conjunction. Semicolons can also be used in place of commas to separate items in a list, particularly when the elements of that list contain commas.[2]

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Although terminal marks (i.e. full stops, exclamation marks, and question marks) mark the end of a sentence, the comma, semicolon and colon are normally sentence internal, making them secondary boundary marks. The semicolon falls between terminal marks and the comma; its strength is equal to that of the colon.[5]

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In Arabic, the semicolon is called Fāṣila Manqūṭa (Arabic: فاصلة منقوطة‎) which means literally "a dotted comma", and is written inverted ( ؛ ). In Arabic, the semicolon has several uses:

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In French, a semicolon (point-virgule, literally 'dot-comma') is a separation between two full sentences, used where either a colon or a comma would not be appropriate. The phrase following a semicolon has to be an independent clause, which is related to the previous one (but not explaining it, contrary to a sentence introduced by a colon).

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In computer programming, the semicolon is often used to separate multiple statements (for example, in Perl, Pascal, PL/I, and SQL; see Pascal: Semicolons as statement separators). In other languages, semicolons are called terminators[14] and are required after every statement (such as in Java, and the C family). Today semicolons as terminators has largely won out, but this was a divisive issue in programming languages from the 1960s into the 1980s.[15] An influential and frequently-cited study in this debate was Gannon & Horning (1975), which concluded strongly in favor of semicolon as a terminator:

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The study has been criticized as flawed by proponents of semicolon as a separator,[17] due to participants being familiar with a semicolon-as-terminator language and unrealistically strict grammar. Nevertheless, the debate ended in favor of semicolon as terminator. Therefore, semicolon provides structure to the programming language.

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In some cases the distinction between a separator and a terminator is strong, such as early versions of Pascal, where a final semicolon yields a syntax error. In other cases a final semicolon is treated either as optional syntax, or as being followed by a null statement, which is either ignored or treated as a NOP (no operation or null command); compare trailing commas in lists. In some cases a blank statement is allowed, allowing a sequence of semicolons or the use of a semicolon by itself as the body of a control flow structure. For example, a blank statement (a semicolon by itself) stands for a NOP in C/C++, which is useful in busy waiting synchronization loops.

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The semicolon is often used to separate elements of a string of text. For example, multiple e-mail addresses in the "To" field in some e-mail clients have to be delimited by a semicolon.

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In HTML, a semicolon is used to terminate a character entity reference, either named or numeric.

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In some delimiter-separated values file formats, the semicolon is used as the separator character, as an alternative to comma-separated values.

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The episode's teleplay was written by Shana Goldberg-Meehan & Scott Silveri from a story by Michael Borkow (part one) and Jill Condon & Amy Toomin (part two). The episode's genesis came during the break between seasons three and four, when Channel 4, the British first-run broadcaster of Friends proposed an episode set in the United Kingdom to the series producers. The proposal fitted neatly with a storyline already being planned, whereby the character of Ross would be married at the end of the fourth season. The episode was filmed in March 1998 under the direction of executive producer Kevin S. Bright on locations in London, and in front of a live studio audience at The Fountain Studios. Scenes featuring Lisa Kudrow's character Phoebe Buffay were filmed on the show's sets in Burbank, California, as Kudrow was too pregnant to fly to London with the rest of the cast. Kudrow gave birth to her son on the day of the episode's original airing.

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Part 1 begins as the group heads off to Ross's wedding in London leaving behind a heavily pregnant Phoebe (Lisa Kudrow), and Rachel (Jennifer Aniston), who has declined the invitation. In London, Joey (Matt LeBlanc) and Chandler (Matthew Perry) go see the sights in a musical montage featuring The Clash's song "London Calling", with Joey filming everything on his camcorder. Chandler becomes embarrassed by his friend's enthusiasm, and after Joey buys a large Union Flag hat from a vendor (played by guest star Richard Branson), they part company. They reunite in their hotel room and Chandler apologizes. Joey impresses him with a video recording of Sarah, Duchess of York (who played herself). Emily takes Ross to the hall where the wedding will be, but they discover it is being demolished earlier than originally scheduled. Monica later suggests Emily postpone the wedding until everything is perfect. She passes the thought on to Ross, angering him; he tells her people have flown from America to be there and that it is "now or never"; she chooses "never". Monica berates Ross for his insensitivity and Ross apologizes to Emily, showing her the ceremony can still take place in the half-demolished hall that he has tidied up. She agrees. In New York, Rachel realizes she still loves Ross, and flies to London to tell him.[1]

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During the summer hiatus of 1997 the producers were contacted by Channel 4, the British first-run broadcaster of Friends, with a proposal to film an episode in London. Producer Greg Malins is quoted as saying "We had to come up with a storyline that would cause all the Friends to go to London [...] and that ended up being Ross getting married, because they would all have to go to his wedding".[2]

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The episode featured numerous supporting roles from British actors. For her role as Andrea Waltham, Saunders "heard Joan Collins' voice in [her] head".[3] Her Absolutely Fabulous co-star June Whitfield appeared in cameo as the housekeeper. Felicity, the bridesmaid who Joey entices, is played by Olivia Williams. Further cameos were made by Sarah Ferguson as herself, Richard Branson as the vendor who sells Joey a hat, and Hugh Laurie as the man sitting next to Rachel on the plane. Lisa Kudrow did not join the others in London as she was too heavily pregnant to fly, like her character Phoebe. Elliott Gould inadvertently revealed to the public that Rachel was to turn up at the wedding, upsetting Marta Kauffman.[4]

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Big East 1989, 1991, 1994, 1995, 1996, 1997, 1998, 1999, 2000, 2001, 2002, 2005, 2006, 2008, 2009, 2010, 2011, 2012

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The 2014–15 regular season started with an overtime loss to Stanford in the second game of the season, ending a 47-games winning streak for UConn. Led by juniors Stewart and Jefferson and senior Kaleena Mosqueda-Lewis, UConn quickly recovered winning every other season game, including a 76–58 win against rival Notre Dame. In the National Tournament, both Connecticut and Notre Dame were seeded first in their respective playoff brackets; each advanced to the Final Four held in Tampa, Florida. Connecticut defeated Maryland 81–58, while Notre Dame narrowly beat South Carolina, 66–65, in the semifinals.

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"Ticket to Ride" appears in a sequence in the Beatles' second feature film, Help!, directed by Richard Lester. Live performances by the band were included in the Beatles at Shea Stadium concert film, on the live album documenting their concerts at the Hollywood Bowl, and on the 1996 Anthology 2 box set. In 1969, "Ticket to Ride" was covered by the Carpenters, whose version peaked at number 54 on the Billboard Hot 100.

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Republican leaders, however, staunchly opposed any attempts to modify the party position on slavery, appalled by what they considered a surrender of their principles when, for example, all the ninety-two Republican members of Congress voted for the Crittenden-Montgomery bill in 1858. Although this compromise measure blocked Kansas' entry into the union as a slave state, the fact that it called for popular sovereignty, rather than outright opposition to the expansion of slavery, was troubling to the party leaders.[citation needed]

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The filming of the first season began in November 2015 and was extensively done in Atlanta, Georgia, with The Duffer Brothers and Levy handling the direction of individual episodes.[71] Jackson served as the basis of the fictional town of Hawkins, Indiana.[72][73] Other shooting locations included the Georgia Mental Health Institute as the Hawkins National Laboratory site, Bellwood Quarry, Patrick Henry High School in Stockbridge, Georgia, for the middle and high school scenes,[74] Emory University’s Continuing Education Department, the former city hall in Douglasville, Georgia, Georgia International Horse Park, the probate court in Butts County, Georgia, Old East Point Library and East Point First Baptist Church in East Point, Georgia, Fayetteville, Georgia, Stone Mountain Park, Palmetto, Georgia, and Winston, Georgia.[75] Set work was done at Screen Gem Studios in Atlanta.[75] The series was filmed with a Red Dragon digital camera.[66] Filming for the first season concluded in early 2016.[72]

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In November 2007 and 2008, the Center hosted the semifinals and finals of college basketball's Legends Classic.[33]

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"The Wedding of River Song" was one of the last episodes filmed for the series; 29 April 2011 was the last day of filming.[8] However, a scene from "Let's Kill Hitler" was delayed and shot on 11 July 2011, making that the last day of filming for the series.[11][12] American television hostess Meredith Vieira recorded her report of Churchill's return to the Buckingham Senate in front of a green screen while filming a segment for The Today Show's "Anchors Abroad" segment in May 2011.[13]

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A pattern of political and financial motivation, and a lack of understanding of the geography and ecology of the Everglades have plagued the history of drainage projects. The Everglades are a part of a massive watershed that originates near Orlando and drains into Lake Okeechobee, a vast and shallow lake. As the lake exceeds its capacity in the wet season, the water forms a flat and very wide river, about 100 miles (160 km) long and 60 miles (97 km) wide. As the land from Lake Okeechobee slopes gradually to Florida Bay, water flows at a rate of half a mile (0.8 km) a day. Before human activity in the Everglades, the system comprised the lower third of the Florida peninsula. The first attempt to drain the region was made by real estate developer Hamilton Disston in 1881. Disston's sponsored canals were unsuccessful, but the land he purchased for them stimulated economic and population growth that attracted railway developer Henry Flagler. Flagler built a railroad along the east coast of Florida and eventually to Key West; towns grew and farmland was cultivated along the rail line.

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During his 1904 campaign to be elected governor, Napoleon Bonaparte Broward promised to drain the Everglades, and his later projects were more effective than Disston's. Broward's promises sparked a land boom facilitated by blatant errors in an engineer's report, pressure from real estate developers, and the burgeoning tourist industry throughout south Florida. The increased population brought hunters who went unchecked and had a devastating impact on the numbers of wading birds (hunted for their plumes), alligators, and other Everglades animals.

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The final blame for the military stalemate was determined to lie not in military preparation, supplies, leadership, or superior tactics by the Seminoles, but in Florida's impenetrable terrain. An army surgeon wrote: "It is in fact a most hideous region to live in, a perfect paradise for Indians, alligators, serpents, frogs, and every other kind of loathsome reptile."[8] The land seemed to inspire extreme reactions of wonder or hatred. In 1870, an author described the mangrove forests as a "waste of nature's grandest exhibition to have these carnivals of splendid vegetation occurring in isolated places where it is but seldom they are seen."[9] A band of hunters, naturalists, and collectors ventured through in 1885, taking along with them the 17-year-old grandson of an early resident of Miami. The landscape unnerved the young man shortly after he entered the Shark River: "The place looked wild and lonely. About three o'clock it seemed to get on Henry's nerves and we saw him crying, he would not tell us why, he was just plain scared."[10]

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After the Civil War, an agency named the Internal Improvement Fund (IIF), charged with using grant money to improve Florida's infrastructure through canals, rail lines, and roads, was eager to be rid of the debt incurred by the Civil War. IIF trustees found a Pennsylvania real estate developer named Hamilton Disston who was interested in implementing plans to drain the land for agriculture. Disston was persuaded to buy 4,000,000 acres (16,000 km2) of land for $1 million in 1881.[15] The New York Times declared it the largest purchase of land ever by any individual.[16] Disston began building canals near St. Cloud to lower the basin of the Caloosahatchee and Kissimmee Rivers. His workers and engineers faced conditions similar to those of the soldiers during the Seminole Wars; it was harrowing, backbreaking labor in dangerous conditions. The canals seemed at first to work in lowering the water levels in the wetlands surrounding the rivers. Another dredged waterway between the Gulf of Mexico and Lake Okeechobee was built, opening the region to steamboat traffic.[17]

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The winter of 1894–1895 produced a bitter frost that killed citrus trees as far south as Palm Beach. Miami resident Julia Tuttle sent Flagler a pristine orange blossom and an invitation to visit Miami, to persuade him to build the railroad farther south. Although he had earlier turned her down several times, Flagler finally agreed, and by 1896 the rail line had been extended to Biscayne Bay.[25] Three months after the first train arrived, the residents of Miami, 512 in all, voted to incorporate the town. Flagler publicized Miami as a "Magic City" throughout the United States and it became a prime destination for the extremely wealthy after the Royal Palm Hotel was opened.[26]

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In the 1920s, after birds were protected and alligators hunted nearly to extinction, Prohibition created a living for those willing to smuggle alcohol into the U.S. from Cuba. Rum-runners used the vast Everglades as a hiding spot: there were never enough law enforcement officers to patrol it.[48] The advent of the fishing industry, the arrival of the railroad, and the discovery of the benefits of adding copper to Okeechobee muck soon created unprecedented numbers of residents in new towns like Moore Haven, Clewiston, and Belle Glade. By 1921, 2,000 people lived in 16 new towns around Lake Okeechobee.[3] Sugarcane became the primary crop grown in south Florida and it began to be mass-produced. Miami experienced a second real estate boom that earned a developer in Coral Gables $150 million and saw undeveloped land north of Miami sell for $30,600 an acre.[49] Miami became cosmopolitan and experienced a renaissance of architecture and culture. Hollywood movie stars vacationed in the area and industrialists built lavish homes. Miami's population multiplied fivefold, and Ft. Lauderdale and Palm Beach grew many times over as well. In 1925, Miami newspapers published editions weighing over 7 pounds (3.2 kg), most of it real estate advertising.[50] Waterfront property was the most highly valued. Mangrove trees were cut down and replaced with palm trees to improve the view. Acres of south Florida slash pine were taken down, some for lumber, but the wood was found to be dense and it split apart when nails were driven into it. It was also termite-resistant, but homes were needed quickly. Most of the pine forests in Dade County were cleared for development.[51]

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Here is the amendment as ratified by the States and authenticated by Thomas Jefferson, the Secretary of State:[35]

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In late August 1789, the House debated and modified the Second Amendment. These debates revolved primarily around risk of "mal-administration of the government" using the "religiously scrupulous" clause to destroy the militia as Great Britain had attempted to destroy the militia at the commencement of the American Revolution. These concerns were addressed by modifying the final clause, and on August 24, the House sent the following version to the Senate:

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The origin of Kermit's name is a subject of some debate. It is often claimed that Kermit was named after Henson's childhood friend Kermit Scott, from Leland, Mississippi.[5][6] However, Karen Falk, head archivist and board of directors member for the Jim Henson Legacy organization, denies this claim on the Jim Henson Company's website:

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Marvin is a male given name, derived from the Welsh name Mervyn.[1] It is also found as a surname. Marven is a variant form.

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The original manuscript of the speech is stored with the National Archives and Records Administration.

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A coronation begins with the procession into Westminster Abbey.

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The beginning of season five saw, for the first time, Clark and Lana in a happy relationship together, one that was void of dishonesty and secrets. The return of Clark's powers in "Hidden", as well as the secrets and lies that accompany them, caused stress on their relationship. In the series' 100th episode, Clark finally took a chance and told Lana the truth. When it resulted, indirectly, in her death and he was allowed to live the day over again Clark chose not to tell her his secret. In "Hypnotic", in an effort to stop hurting Lana emotionally, Clark told her that he no longer loved her. This drove Lana into Lex's arms. Writer Darren Swimmer explains that this was not something that just happened in the series, but something that had been hinted at for many seasons. Swimmer believes that Lana started dating Lex as a way of making Clark mad, but the relationship "turned into much more". Kreuk contends that Lana went to Lex because "she knows she will never really love him." Kreuk believes that Lana's relationship with the men in her life has been motivated by a desire to fill a void in her life that was left after her parents were killed. This need to fill that emptiness was fulfilled in "Void", when Lana took a drug to induce death so that she could see her parents in the afterlife. Upon meeting her parents, Kreuk believes that Lana realized that she no longer needed someone else to fill that hole in her. Kreuk sees this filled void as the reason why Lana would gravitate toward Lex. Although she did not truly love Lex, Kreuk argues that Lex was not a rebound guy and that Lana did have feelings for him."[43]

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Each of the Three Pure Ones represents both a deity and a heaven. Yuanshi Tianzun rules the first heaven, Yu-Qing, which is found in the Jade Mountain. The entrance to this heaven is named the Golden Door. "He is the source of all truth, as the sun is the source of all light". Lingbao Tianzun rules over the heaven of Shang-Qing. Daode Tianzun rules over the heaven of Tai-Qing. The Three Pure Ones are often depicted as throned elders.

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In The Friends of Voltaire, Hall wrote the phrase: "I disapprove of what you say, but I will defend to the death your right to say it"[4] (which is often misattributed to Voltaire himself) as an illustration of Voltaire's beliefs.[5][6][7] Hall's quotation is often cited to describe the principle of freedom of speech.

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Two British film industry officials requested that the film be shot in the United Kingdom, offering their assistance in securing filming locations, the use of Leavesden Film Studios, as well as changing the UK's child labour laws (adding a small number of working hours per week and making the timing of on-set classes more flexible).[12] Warner Bros. accepted their proposal. Filming began on 17 September 2000 at Leavesden Film Studios and concluded on 23 March 2001,[42] with final work being done in July.[34][43] Principal photography took place on 2 October 2000 at North Yorkshire's Goathland railway station.[44] Canterbury Cathedral and Scotland's Inverailort Castle were both touted as possible locations for Hogwarts; Canterbury rejected Warner Bros. proposal due to concerns about the film's "pagan" theme.[45][46] Alnwick Castle and Gloucester Cathedral were eventually selected as the principal locations for Hogwarts,[12] with some scenes also being filmed at Harrow School.[47] Other Hogwarts scenes were filmed in Durham Cathedral over a two-week period;[48] these included shots of the corridors and some classroom scenes.[49] Oxford University's Divinity School served as the Hogwarts Hospital Wing, and Duke Humfrey's Library, part of the Bodleian, was used as the Hogwarts Library.[50] Filming for Privet Drive took place on Picket Post Close in Bracknell, Berkshire.[48] Filming in the street took two days instead of the planned single day, so payments to the street's residents were correspondingly increased.[48] For all the subsequent film's scenes set in Privet Drive, filming took place on a constructed set in Leavesden Film Studios, which proved to have been cheaper than filming on location.[51] London's Australia House was selected as the location for Gringotts Wizarding Bank,[12] while Christ Church, Oxford was the location for the Hogwarts trophy room.[52] London Zoo was used as the location for the scene in which Harry accidentally sets a snake on Dudley,[52] with King's Cross Station also being used as the book specifies.[53]

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Pansy was portrayed by Katherine Nicholson in the Philosopher's Stone and in the Chamber of Secrets, Genevieve Gaunt in Prisoner of Azkaban, Charlotte Ritchie in the Goblet of Fire, Lauren Shotton in Order of Phoenix, by Scarlett Byrne in Half-Blood Prince, Harry Potter and the Deathly Hallows – Part 1 and Part 2.

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Bret Easton Ellis stated that Robert Pattinson had been James's first choice for the role of Christian Grey,[34] but James felt that casting Pattinson and his Twilight co-star Kristen Stewart in the film would be "weird".[35] Ian Somerhalder and Chace Crawford both expressed interest in the role of Christian.[36][37] Somerhalder later admitted if he had been considered, the filming process would ultimately have conflicted with his shooting schedule for The CW's series The Vampire Diaries.[38] On September 2, 2013, James revealed that Charlie Hunnam and Dakota Johnson had been cast as Christian Grey and Anastasia Steele, respectively.[39] The short list of other actresses considered for the role of Anastasia included Alicia Vikander, Imogen Poots, Elizabeth Olsen, Shailene Woodley, and Felicity Jones.[40] Keeley Hazell auditioned for an unspecified role.[41] Lucy Hale also auditioned for the film.[42] Emilia Clarke was also offered the role of Anastasia but turned down the part because of the nudity required.[43] Taylor-Johnson would give every actress who auditioned for the role of Anastasia four pages to read of a monologue from Ingmar Bergman's Persona.[33]

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Principal photography began on November 2, 2016, in Los Angeles, California. With a production budget of over $100 million, the film became the first live-action film with a nine-digit budget to be directed by a woman of color. A Wrinkle in Time premired at the El Capitan Theatre on February 26, 2018, and with a theatrical release on March 9, 2018, through the Disney Digital 3-D, Real D 3D, and IMAX formats.[6] The film received mixed reviews, with critics "taking issue with the film's heavy use of CGI and numerous plot holes" while "celebrating its message of female empowerment and diversity",[7] and has grossed $124 million worldwide against a break-even point of $400 million, thus being a box office bomb.[8][9]

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The 2018 NCAA Division I Men's Basketball Tournament was a 68-team single-elimination tournament to determine the men's National Collegiate Athletic Association (NCAA) Division I college basketball national champion for the 2017–18 season. The 80th edition of the tournament began on March 13, 2018, and concluded with the championship game on April 2 at the Alamodome in San Antonio, Texas.

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National Semifinals and Championship (Final Four and Championship)

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For the fourth time, the Alamodome and city of San Antonio are hosting the Final Four. This is the first tournament since 1994 in which no games were played in an NFL stadium, as the Alamodome is a college football stadium, although the Alamodome hosted some home games for the New Orleans Saints during their 2005 season. The 2018 tournament featured three new arenas in previous host cities. Philips Arena, the home of the Atlanta Hawks and replacement for the previously used Omni Coliseum, hosted the South regional games, and the new Little Caesars Arena, home of the Detroit Pistons and Detroit Red Wings, hosted games. And for the first time since 1994, the tournament returned to Wichita and the state of Kansas where Intrust Bank Arena hosted first round games.

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The miniseries stars Lawrence Hilton-Jacobs as the Jacksons' patriarch Joseph Jackson, Angela Bassett as the family matriarch Katherine Jackson, Alex Burrall, Jason Weaver and Wylie Draper played Michael Jackson in different eras, while Bumper Robinson and Terrence Howard played Jackie Jackson in different eras, Shakiem Jamar Evans and Angel Vargas played Tito Jackson, Margaret Avery as Katherine's mother Martha Scruse, Holly Robinson Peete as Diana Ross, Billy Dee Williams as Berry Gordy and Vanessa L. Williams as Suzanne de Passe. The opening titles of the film shows footage of the real Jacksons rehearsing, performing on stage, a few clips from the "Can You Feel It" music video, album covers, magazine covers and pictures of the family. The film is mostly based on the autobiography written by Katherine Jackson, who issued the 1990 autobiography, My Family. Part one of the film was based on how Joseph and Katherine managed to raise their children, first in Gary, Indiana, then later dealing with The Jackson 5's early fame and its consequences. Part two of the film is based on the struggles of young Michael Jackson as he deals with his brothers marrying early into The Jackson 5 success, his problems with acne as a teenager, his eventual solo superstardom based on the success of his albums Off the Wall and Thriller and his legendary Motown 25 performance of "Billie Jean" as well as his difficult relationship with his father.

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Gemma has been hiding in Rogue River, Oregon with Tig at the home of Gemma's father, Nate (Hal Holbrook), who suffers from dementia. Gemma struggles when she takes Nate to his new assisted living home, and he pleads to be taken back to his house. She returns to Charming to reunite with her grandson, unaware he has been kidnapped. The return of A.T.F. agent Stahl twists the facts about the murder of Donna, Stahl attempts to make a deal with Jax behind the club's back. Father Kellan Ashby's sister, Maureen, contacts Gemma at Ashby's request and tells her Abel is safe in Belfast. Upon learning of her grandson's abduction, Gemma suffers a cardiac arrhythmia and collapses in the Teller-Morrow lot. After the club returns from Ireland and brings home Abel, agent Stahl double crosses Jax and tells the club about the side deal Jax made with her, unaware that Jax and the club had it planned all along knowing Stahl would back out of the deal. Jax, Clay, Bobby, Tig, Juice and Happy are hauled away to jail. While Opie, Chibbs, and the Prospects are all en route following Stahl. Opie kills Stahl to avenge the death of his wife, Donna.

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In the last season of the series, Leo was the target of the Angel of Death.[episodes 28] The sisters searched for a key to undo his death sentence. Piper summoned both an Elder and an Avatar to give Leo a new lease on life, but both were forbidden to do so. In turn the sisters summoned the Angel of Destiny, who warned them of an impending great evil force, that Leo's death would be the only motivation to give the sisters the will to fight the great evil, in the same manner that their sister Prue's death motivated them to defeat The Source. So Piper begged the Angel of Destiny for a compromise, insisting that if they were to fight for Leo's life instead, that would be even more strongly motivating to defeat said coming great evil. So it's decided that Leo will be frozen in stasis only to be returned if they succeed in defeating this great evil. Only then can they save his life and have him returned to Piper.[episodes 28]

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When famous singer/actor Johnny Fontane seeks his godfather Vito's help in securing a movie role that could revitalize his sagging career, Vito dispatches Hagen to Hollywood to persuade Jack Woltz, a big-time movie producer, to cast Johnny in his new war film. Hagen offers his benefactor's help with Woltz's union problems and also informs him that one of his actors has graduated from marijuana to heroin; a deleted scene in the movie shows that this information would be used to damage Woltz's studio. Woltz rebuffs Hagen but becomes cordial after learning he works for the Corleones. Woltz still refuses to cast Fontane, who slept with one of Woltz's protégées, but offers to do any other favor for Vito Corleone. Hagen declines, and soon afterward, Woltz awakens in bed with his prized racing stallion's severed head planted under the covers, intimidating him into casting Fontane in the film.

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In 1907, he passed his matriculation examination and in the following year he entered Elphinstone College, which was affiliated to the University of Bombay, becoming the first untouchable to do so. This success evoked much celebration among untouchables and after a public ceremony, he was presented with a biography of the Buddha by Dada Keluskar, the author and a family friend.[1]

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One major change to the Sims 4 Create A Sim functionality is that sliders have been replaced by direct mouse click, drag and pull. Through mouse click, drag and pull players may directly manipulate the facial features of a Sim. Players can also directly manipulate any body part including the abdomen, chest, legs, arms and feet. In previous Sims games only the fitness and fatness can be manipulated on a Sims body. However, fitness and fatness levels may still be adjusted in The Sims 4 with sliders as in previous games. The base games comes with over 40 hairstyles for both men and women. There are up to 18 hair colour options per hairstyle. Selections of premade designs of Sims are available to choose from, ranging from different body shapes to ethnicities.

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Seven life stages are available including baby, toddler, child, teenager, young adult, adult and elder. The baby life stage is accessible only through the birth of a Sim and not available in Create A Sim. Toddlers were initially absent from the original game release, but were added in the January 2017 patch.[10][11]

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On January 9, 2015, EA released a version of The Gallery for iOS and Android devices.[17]

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The Sims 4 is a single-player game,[25] and does not require a constant Internet connection to play. Players will however need an Origin account and Internet access during the initial installation process for game activation.[26] Ilan Eshkeri serves as the composer for the game's orchestral soundtrack, which was recorded at Abbey Road Studios and performed by the London Metropolitan Orchestra.[27][28]

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Maxis contended that it was not possible to include every feature in the new game that had been added over time in the six years The Sims 3 was in development, and that these could always be added at a later date, although they did not confirm exactly how this would be done, or whether it would be free or at a cost.[53] Some have speculated that many new features would be released through paid expansion packs, but others speculated that some of the more "basic, core" content (i.e. pools, toddlers) may be released as free patch updates, similar to how some new features were patched free into The Sims 3, such as basement features.[55]

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Maxis and The Sims producer Rachel Rubin Franklin later elaborated in an official blog post, acknowledging the concerns of fans, and explained the issue on the developer's focus on The Sims 4's new core game engine technologies, and that the sacrifices the team had to make were a "hard pill to swallow":

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However, on October 1, 2014, Maxis confirmed that one of its missing features, swimming pools, along with other new updates and features, would be added into the game for free in November, and this happened in the form of a game patch.[58][59][60] Other features like basements have later been added in subsequent patches, and the missing "toddler" life stage was eventually added for free in a patch released on January 12, 2017.[10][11]

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At the aggregator site Metacritic, The Sims 4 received a score of 70 based on 74 reviews, indicating "mixed or average" reception.[4]

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Beta decay is a consequence of the weak force, which is characterized by relatively lengthy decay times. Nucleons are composed of up or down quarks,[2] and the weak force allows a quark to change type by the exchange of a W boson and the creation of an electron/antineutrino or positron/neutrino pair. For example, a neutron, composed of two down quarks and an up quark, decays to a proton composed of a down quark and two up quarks. Decay times for many nuclides that are subject to beta decay can be thousands of years.

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The two types of beta decay are known as beta minus and beta plus. In beta minus (β−) decay, a neutron is converted to a proton and the process creates an electron and an electron antineutrino; while in beta plus (β+) decay, a proton is converted to a neutron and the process creates a positron and an electron neutrino. β+ decay is also known as positron emission.[4]

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Beta decay conserves a quantum number known as the lepton number, or the number of electrons and their associated neutrinos (other leptons are the muon and tau particles). These particles have lepton number +1, while their antiparticles have lepton number −1. Since a proton or neutron has lepton number zero, β+ decay (a positron, or antielectron) must be accompanied with an electron neutrino, while β− decay (an electron) must be accompanied by an electron antineutrino.

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The study of beta decay provided the first physical evidence for the existence of the neutrino. In both alpha and gamma decay, the resulting particle has a narrow energy distribution, since the particle carries the energy from the difference between the initial and final nuclear states. However, the kinetic energy distribution, or spectrum, of beta particles measured by Lise Meitner and Otto Hahn in 1911 and by Jean Danysz in 1913 showed multiple lines on a diffuse background. These measurements offered the first hint that beta particles have a continuous spectrum.[6] In 1914, James Chadwick used a magnetic spectrometer with one of Hans Geiger's new counters to make more accurate measurements which showed that the spectrum was continuous.[6][7] The distribution of beta particle energies was in apparent contradiction to the law of conservation of energy. If beta decay were simply electron emission as assumed at the time, then the energy of the emitted electron should have a particular, well-defined value.[8] For beta decay, however, the observed broad distribution of energies suggested that energy is lost in the beta decay process. This spectrum was puzzling for many years.

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In a famous letter written in 1930, Wolfgang Pauli attempted to resolve the beta-particle energy conundrum by suggesting that, in addition to electrons and protons, atomic nuclei also contained an extremely light neutral particle, which he called the neutron. He suggested that this "neutron" was also emitted during beta decay (thus accounting for the known missing energy, momentum, and angular momentum), but it had simply not yet been observed. In 1931, Enrico Fermi renamed Pauli's "neutron" the "neutrino" (roughly 'little neutral one' in Italian). In 1934, Fermi published his landmark theory for beta decay, where he applied the principles of quantum mechanics to matter particles, supposing that they can be created and annihilated, just as the light quanta in atomic transitions. Thus, according to Fermi, neutrinos are created in the beta-decay process, rather than contained in the nucleus; the same happens to electrons. The neutrino interaction with matter was so weak that detecting it proved a severe experimental challenge. Further indirect evidence of the existence of the neutrino was obtained by observing the recoil of nuclei that emitted such a particle after absorbing an electron. Neutrinos were finally detected directly in 1956 by Clyde Cowan and Frederick Reines in the Cowan–Reines neutrino experiment.[9] The properties of neutrinos were (with a few minor modifications) as predicted by Pauli and Fermi.

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An example of electron capture is one of the decay modes of krypton-81 into bromine-81:

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The Q value is defined as the total energy released in a given nuclear decay. In beta decay, Q is therefore also the sum of the kinetic energies of the emitted beta particle, neutrino, and recoiling nucleus. (Because of the large mass of the nucleus compared to that of the beta particle and neutrino, the kinetic energy of the recoiling nucleus can generally be neglected.) Beta particles can therefore be emitted with any kinetic energy ranging from 0 to Q.[1] A typical Q is around 1 MeV, but can range from a few keV to a few tens of MeV.

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Since the rest mass of the electron is 511 keV, the most energetic beta particles are ultrarelativistic, with speeds very close to the speed of light.

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where m N ( X Z A ) {\displaystyle m_{N}\left({\ce {^{\mathit {A}}_{\mathit {Z}}X}}\right)} is the mass of the nucleus of the A ZX atom, m e {\displaystyle m_{e}} is the mass of the electron, and m ν ¯ e {\displaystyle m_{{\overline {\nu }}_{e}}} is the mass of the electron antineutrino. In other words, the total energy released is the mass energy of the initial nucleus, minus the mass energy of the final nucleus, electron, and antineutrino. The mass of the nucleus mN is related to the standard atomic mass m by

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As an example, the beta decay spectrum of 210Bi (originally called RaE) is shown to the right.

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The phenomenon in fully ionized atoms was first observed for 163Dy66+ in 1992 by Jung et al. of the Darmstadt Heavy-Ion Research group. Although neutral 163Dy is a stable isotope, the fully ionized 163Dy66+ undergoes β decay into the K and L shells with a half-life of 47 days.[38]

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The origin of Tom Robinson is less clear, although many have speculated that his character was inspired by several models. When Lee was 10 years old, a white woman near Monroeville accused a black man named Walter Lett of raping her. The story and the trial were covered by her father's newspaper which reported that Lett was convicted and sentenced to death. After a series of letters appeared claiming Lett had been falsely accused, his sentence was commuted to life in prison. He died there of tuberculosis in 1937.[23] Scholars believe that Robinson's difficulties reflect the notorious case of the Scottsboro Boys,[24][25] in which nine black men were convicted of raping two white women on negligible evidence. However, in 2005, Lee stated that she had in mind something less sensational, although the Scottsboro case served "the same purpose" to display Southern prejudices.[26] Emmett Till, a black teenager who was murdered for allegedly flirting with a white woman in Mississippi in 1955, and whose death is credited as a catalyst for the Civil Rights Movement, is also considered a model for Tom Robinson.[27]