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What a great Barbara Stanwyck film that I happened to see the other night. "Jeopardy" was fantastic. It was made in 1953 and probably for double bills but it kept me on the edge of my seat.<br /><br />Barbara Stanwyck plays Helen, who with husband Doug (Barry Sullivan) and son (Lee Aaker) drive to an isolated fishing spot in Mexico for a vacation. Husband has a fall from the jetty and the only way he is to be saved is if Barbara drives back to a garage for some rope.<br /><br />While there she runs into a psychotic killer (Ralph Meeker - one of my favourites) and what follows is a game of cat and mouse as Barbara tries everything in her power to get Meeker to come back with her to free her husband.<br /><br />The film was so suspenseful and such a surprise - I was not expecting such a great film. But I suppose I should have realized - is there anything Barbara Stanwyck does that is anything less than wonderful?

This film takes you to another time when there was a different pace to everyday life. We get an idea how families had to deal with the war and how quickly we sent young men off to fight. A very touching look at the past and a reminder that casualties of war don't just happen on the front.<br /><br />Luckily many of us have never had to go through what our great-grandparents, grandparents or parents went through during a war. This film, I think, is a small thank you. Peter Outerbridge looks amazingly like a young Peter O'Toole and Russell Crowe is absolutely charming and as Australian as he can be. It's definitely worth listening to him recite "High Flight" and makes me wonder what he might accomplish with Shakespeare.

This installment of Masters of Horror was terrible. Apparently, Mr. Carpenter needs to learn a thing or two about pacing and decent, plausible dialog. There were times when I literally shouted at the TV for something to happen. Maybe he thinks he building suspense, but Carpenter needs to trim back that overdone, over-simplified musical score of his (or his son's) and advance the action a little bit. How many times did the girl say, "Oh no, I can't have this baby!" and "Oh, no here it comes"? Carpenter takes elements from much, much better films (Assault on Precinct 13 and The Thing) and throws them in here as if we are supposed to acknowledge and appreciate his trademark style. What is lacking here is genuine suspense and energy. It's as though he's sleepwalking through the process of movie making. <br /><br />For better Carpenter films, stick to the tried and true classics-- The Thing, Halloween, and They Live. For better masters of horror episodes, check out my personal favorites: Family, Jenifer, and Dreams in the Witch House.

''Ranma ½" is my favorite anime by Rumiko Takahashi. The woman really knows how to entertain us with a good story, that is not only a comedy, but also an action anime. The main character of the story is Ranma Saotome, a teenager boy who is also an expert in martial arts. Ranma is engaged to Akane because of an arrangement of both fathers, who are great friends and trained together during many years. <br /><br />Akane is the younger and most violent sister of the Tendo's: Kasumi is the oldest and is very sweet and Nabiki is the middle and loves to win money no matter what.<br /><br />Ranma and Akane fight all the time,specially because both have a very bad temper, and when they discover that Ranma becomes a girl when splashed with cold water as well as his father becomes a panda,many new characters and situations starts to happen. They also discover the reason of the transformation: while fighting, Ranma and his father fell in a cursed river. But not only them had this kind of fate...<br /><br />If you watched ''Ranma 1/2'' and liked, I would recommend you ''Inuyasha'' and ''Maison Ikkoku", two other good creations from Rumiko's hands.

Picture the classic noir story lines infused with hyper-stylized black and white visuals of Frank Miller's Sin City. Then picture a dystopian, science fiction thriller, such as Steven Spielberg's Minority Report or Richard Linklater's A Scanner Darkly. An amalgamation of the above would be a suitable way of describing visionary french director Christian Volckman's bleak and atmospheric take on the future in his feature film debut. But although Volckman's work does unquestionably take reference from the aforementioned films and those similar to them, such a simplistic hybrid does not do Renaissance, Volckman's end result, justice - the film itself is a far more complex piece of work than that.<br /><br />Genre hybridity is usually a hit and miss affair, especially in a contemporary context, with the well of individuality appearing to be increasingly exhausted. As such, Renaissance is laudable as a cinematic experiment at the very least, with its unique interspersing of the gritty nihilism of the neo-noir detective thriller and the fantastic allegorical terror of the dystopian sci-fi drama, which serve to compliment each other's storytelling conventions in a strangely fitting fashion. The screenplay is a clever and intriguing one (although one gets the sense that many of the lines in the script would have been much more effective in their original french than the English translation - the film's title also becomes far more poignant) managing to stay one step ahead of its audience all the way through. Though many elements of the plot will seem quite familiar to those who frequent such science fiction thrillers, the script throws unexpected twists and turns in at exactly the right moment to keep the viewer on their toes, making for a truly compelling work.<br /><br />Volckman's film truly excels in its visual component, and the stunning black and white animation is easily the film's highlight - superbly moody and stylish, it goes to show what tremendous aesthetic effect the simple use of two shades can have. With tremendous detail paid to the composition and look of each shot, and superb use of very noir shadows and intriguing angles to accentuate the emotional tension of the scene, the film appears straight out of a Frank Miller comic, but with a twist, the end result being consistently visually sumptuous. <br /><br />The film's English rendition is also given added credence by its very fitting array of voice casting. The gruff voice of Daniel Craig is an absolutely perfect piece of casting for grim, stoic policeman Karas, and Catherine McCormack is a strong presence as the mysterious woman whose sister's disappearance he is investigating. Despite a wavering English accent, Romola Garai does great work as the frantic sister in question, and Jonathan Pryce is suitably menacing as the shady head of ominous mega-corporation Avalon. Ian Holm's reedy voice is also a strong choice as a mysterious scientist, and Holm makes a powerful impression in his brief scenes.<br /><br />All together, Renaissance boasts a visually stunning, unique and compelling futuristic thriller, just as intelligent as it is entertaining. Though the plot may seem familiar to those who frequent such fare and the occasional weak line may inhibit the film from being the moody masterpiece it set out to be, the superb animation in itself easily carries the film through its occasional qualms. For fans of either of the film's intertwined genres or the gritty graphic novels of Frank Miller, or those willing to appreciate a capably crafted, slightly less conventional take on the futuristic thriller, the film is without question worth a watch.<br /><br />-8/10

This is a really bad film, with bad acting and a very boring pace Lorenzo Lamas is really cool though!. All the characters are just annoying (except Lamas), and there is absolutely no one to root or to care for!, plus the action is very boring. The film gives us 3 villains who were supposed to find menacing and disturbing when in fact there boring, laughable and just a bunch of morons that i wanted to shut up!, plus it looks very cheap and amateurish!. Lorenzo Lamas has a lot of charisma but he can't save this piece of crap, and believe it or not the opening was really cool, as was the ending, however the middle is incredibly boring, and got me to have the urge to press the fast forward button!, plus The dialog is especially laughable!.There is a cool bar scene that i really liked, but once Lamas heads to the dock it all falls apart, plus the scene where The villains torture Jennifer's family, and kills them were supposed to find it disturbing when it in fact is laughable!. This is a really bad film, with bad acting and a very boring pace, Lorenzo Lamas is really cool though!, however it is not enough, not recommended. The Direction is very bad. George Erschbamer does a very bad job here, with mediocre camera work, bland location, and keeping the film at a boring pace. The Acting is pretty bad (except for Lamas). Lorenzo Lamas is awesome here, and while he isn't required to act, he is quite fun to watch, and has a really cool character, and had a lot of charisma, however even he can't save this one,and he had no chemistry with the cast either! (Lamas Rules!). Josie Bell is terrible here, and while she's decent looking, she isn't very convincing and had no chemistry with Lamas. Cheryl Jeans is hot, but does not have much to do but scream and scared, she did okay at that.Robert Scott is INCREDIBLY annoying as the main villain, and wasn't menacing at all, he was laughable as were the other 2. Rest of the cast are bad. Overall Avoid! Avoid!, even if you do like Lamas (like me). * out of 5

I thoroughly enjoyed Bilal's graphic novel when it came out, and was amazed when I saw the trailer for this film, and even more so when I found that Bilal had directed it himself. The film, however, was a major letdown. The visuals are nowhere near the rich and gritty texture of the original artworks, and the story is poorly told. Bilal seems to have chosen to focus on the more esoteric aspects of the graphic novel, and he doesn't do a very good job at it, either.<br /><br />The most enjoyable part of the original graphic novel was the friendship-hate relationship between Nikopol and Horus. They were both out of their right time and place, forced together by circumstance. Most of all, they were funny and likable. Not so here. Nikopol has no discernible personality whatsoever, and Horus is a pompous twit who just wants to get laid. Even though the film is French, Horus doesn't have to be!<br /><br />We have all seen films we enjoyed, but wouldn't recommend to everyone, for some reason or other. I wouldn't recommend Immortel to anyone, except maybe as a warning not to overreach your talent and resources. Bilal's a master storyteller, but obviously not a master of every visual medium.

When I was a kid in the 50's and 60's anything connected with Disney was by definition great. What happened? They are able to get any actors and actresses they want, the best of their time. But somehow Disney manages to screw things up in spite of their abundant resources.<br /><br />Disney can afford the best writers, the best producers and directors, but still...they screw things up! This movie is crap. The sad thing is that I suspect Disney in their arrogance does not even know when a movie is good or bad.<br /><br />It is only due to the talent of the actors that I can even give it a 3 of 10.

I'm not a big fan of rom/coms at the best of times. A few have been quite good (check of Dream for an Insomniac), but this one is just more of the same but less.<br /><br />With a running time of 100min, I expect more than 1 laugh every 30mins. The only real belly laugh are when male strangers and friends instinctivly help out Lee's character.<br /><br />All I can say is AVOID. I gaurentee there is at least 10 other movies on the shelf that deserve you $$<br /><br />3 of out 10 (And only cos I'm a big Lee fan)

The premise is a bit better than the execution, but that doesn't mean the film is worth a look. Splendid supporting cast makes this a fun mystery to unravel. Raines is great as the resourceful woman determined to solve this puzzlement. I always enjoy Thomas Gomez.

A friend told me of John Fante last summer after we got into a conversation about Charles Bukowski. I did not know that Fante was a favorite writer of Bukowski's - an author with similar edge and humor except from one generation earlier. 'Ask the Dust' was the first Fante book I read, and it remains one of my favorite novels. The novel was a brilliant piece of writing about a sad, frightened young writer posing to himself and the outside world as an overconfident, masterfully talented author who had no idea how to write about the real world experiences he had none of. In the novel the protagonist is a virgin, with no idea how to win the graces of the women he desperately wants to write about in magazines. The story of his bizarre relationship with Camilla, how he settles for his first sexual experience with a 'wounded' admirer, and how he eventually is left with nothing but the story of his failed attempts at love is biting and real, with no touching Hollywood ending. The film adaptation stays true to the book for a while, but meanders into the cinematic trap of love persevering through racism, sickness and death. The heart of this story lies in the fact that Bandini is a jerk and Camilla is f-ing crazy, and their love never was and never would be the real thing, no matter how much either of them wanted to find it in each other. This movie tore out the real meaning of the story out and replaced it with schlock. I can't believe the man who wrote Chinatown could read this book and make a movie about it that got it so wrong.

movie goers - avoid watching this movie. if you are faint hearted, you might want to commit suicide. if you are a short tempered, you would want to kill the lead performer of the movie.<br /><br />Though he does not have any talent in acting, he is the mass hero for all the rickshaw pullers,auto rickshaw drivers, rowdies, thugs and immature and ignorant literates.<br /><br />he proves - you do not need neither talent nor knowledge to be successfully.<br /><br />He is the highest paid actor in India. That shows the taste of movie going public in India. 90% of movie goers in tamil nadu are definitely attracted to his kind of nonsense movies.

I will stat of with the plot Alice, having survived the previous instalment of the Nightmare series, finds the deadly dreams of Freddy Krueger starting once again. This time, the taunting murderer is striking through the sleeping mind of Alice's unborn child. His intention is to be "born again" into the real world. The only one who can stop Freddy is his dead mother, but can Alice free her spirit in time to save her own son? This movie did start of really well as we see Alice dreaming of being Amanda Kruger who get stuck in room and get raped by 100 Manics then she being rushed to hospital but then she not longer the pregnant lady but then she Amanda giving birth to Freddy again.<br /><br />Alice and Dan are the only two people to return from the 4th movie and then have gotten some new Friends its' no long before Freddy start to kill again, I did like the first dead it okay, not as good as the other deaths or dreams.<br /><br />Freddy himself didn't seem to be Scary in this movie at all, the nightmare were just boring really they were not scary or creepy at all.<br /><br />Acting in movies was okay for a 5th movie in the series but overall I think this movie was really Dull. (Still not worst movie of the series, Freddy Dead is the worst)<br /><br />4/10

"Her Cardboard Lover" is Norma Shearer's last movie. She quit the movies and, I think, joined the Board of Directors at MGM. That was a good move on her part. "Her Cardboard Lover" was talky and boring in parts. It was obvious there were only a handful of actors with speaking parts so they had a lot of dialogue to speak to keep this turkey afloat. <br /><br />The story was a good idea about a wealthy woman (Norma Shearer) hiring a man (Robert Taylor) to make her playboy fiancee (George Sanders)jealous. I am surprised that the director, George Cukor, did not cut many of the talky scenes between Ms. Shearer and Mr. Taylor. Mr. Cukor served Ms. Shearer well in "The Women" but not in this movie. <br /><br />The best performance in the movie was given by Robert Taylor. During Mr. Taylor's career, he was given his best comedy roles in this movie and "When Ladies Meet" in 1941. In 1942, he gave his best comedy performance in "Her Cardboard Lover" and, up to then, his best dramatic performance in "Johnny Eager." He had a busy year. I think of all the actors at MGM, Mr. Taylor worked with all the major and minor actresses on the lot. Also, MGM gave Mr. Taylor all types of movies to make - most of them were successful. That is why MGM kept him for 25 years. <br /><br />Mr. George Sanders was very good as a socialite heel. He played a similar role eight years later in "All About Eve" for which he won an Oscar for a supporting role. As for Ms. Shearer, this was one of her worst performances, she was not funny and too dramatic for this comedy. It is strange that she made a great comedy in 1939, "The Women", and gave her best performance. It was obvious that she was too old looking for her younger leading men in "Her Cardboard Lover." Also, it didn't help that some of her clothes were awful.<br /><br />Too bad she and Mr. Taylor did not make another dramatic movie like their last movie together, the superb "Escape". The same comments about this movie can be said of another movie, "Personal Property" that Mr. Taylor made in 1937 with Jean Harlow. It was too talky, boring, and the actress looked old. Ms. Harlow looked ill throughout the movie and nobody in Hollywood noticed to tell her to see a doctor, so in 1937, she died at age 26. What a waste! She was becoming a good actress and getting better roles.

JUST CAUSE is a flawed but decent film held together by strong performances and some creative (though exceedingly predictable) writing. Sean Connery is an anti-death penalty crusader brought in to save a seemingly innocent young black man (Blair Underwood) from the ultimate penalty. To set things right, Connery ventures to the scene of the crime, where he must contend not only with the passage of time, but a meddling sheriff (Laurence Fishbourne). Twists and turns and role reversals abound -- some surprising, some not -- as the aging crusader attempts to unravel the mystery. The climactic ending is a bit ludicrous, but JUST CAUSE is worth a look on a slow night.

Oh man, what was Sam Mraovich thinking? What was anyone who was involved in this "film" thinking? Mraovich is the head of nearly everything of "Ben and Arthur": Director, writer, producer (also EXECUTIVE producer!), caster, lead star- you name it, he did it. And he (Mraovich) sucks more than anyone has ever sucked in every department of film making.<br /><br />So what is wrong with this film? Everything. The film is about two gay lovers, Ben (Jamie Brett Gabel) and Arthur (Mraovich- *groan*). Ben and Arthur want to get married in a world where everyone basically hates gay people. To make things worse, Ben's crazy "ex-wife" (they don't exactly divorce), Tammy (Julie Belknap) is steaming mad that Ben's left her for another man and demands Ben that they get back together (saying that she can be gay, too!) and Arthur's Christian devoted, excessively hypocritical, equally batty as Tammy brother, Victor, is hell bent on making Arthur turn straight and then try to kill him after he gets kicked out of his church.<br /><br />The film is absolutely chock a block with so many goofs (ie. Ben and Arthur fly to Vermont to get married- they go there on Alaska Airlines and Vermont has palm trees; they fly back on a FedEx cargo plane- hope they were comfy in a wooden crate, plus many, many more) and plot holes to boot (Victor calls killing Arthur "The Final Plan" which later changes to "The Final Deed"; Arthur and the private (intern) detective drive the same car, blah, blah, blah). The "actors" are all very bad and are way, way over the top; the script is laughably horrible(one such example is "I don't make sense? You don't make sense! I make sense, that's who makes sense!") and there so much more wrong with the "movie" that I can't write them all down.<br /><br />However, the most laughable yet unbelievable thing about "Ben and Arthur" is that Sam Mraovich thinks that he has created something that is truly fantastic (see his fake reviews for "Ben & Arthur" and obvious comments by him on YouTube.). Mraovich is narcissistic and his arrogance blinds him from seeing how awful anything with his name on it really is.<br /><br />So, to conclude, forget every bad film that you claim is the worst movie ever- "Ben and Arthur" will knock them right off that title, even Paris Hilton movies look like "The Dark Knight" compared to the monstrosity known as "Ben and Arthur".

You'll notice that the chemist, who appears in two scenes and gets to speak, is played by Stephen King. "Don't give up your day job" is the standard thing to say, but that's not fair. King acquits himself reasonably well: he's no worse than any other member of the cast, and better than most. The story, on the other hand, is pure rubbish. Please, give up your day job.<br /><br />Never have I seen so many dreadful performances - of which the lead actor's (the LEAD ACTOR'S!) is probably the worst - gathered together in the one film. Everyone acts hammily, but not in any entertaining way; they all somehow manage to go over-the-top without expending, or manifesting, energy. I blame screenwriter/director Tom Holland. It can't be that ALL the actors are REALLY this bad. What are the odds against that? Admittedly, I've never heard of any of them before, but still, I don't think I could walk into a talent agency and walk out with this many bad performers if I tried: ONE actor, despite my best efforts, would turn out to have talent. So what's more likely - that Tom Holland rolled a dozen consecutive snake-eyes, or that he wrote a lousy script and then directed it poorly? That would also explain why actors are bad in direct proportion to their prominence in the script. The more direction an actor got, the worse he performed. ("You want me to bend over like a hunchback, talk from the back of my throat, show all my teeth, and look bored, all at the same time? Okay...")<br /><br />This theory is confirmed by the fact that Holland undeniably managed to co-write a lousy script. Several writers here have commented on the fact that Billy Halleck is not a likeable character, but that's a misleading way of putting it. He's not a knowable character. All we find out about him before the supernatural stuff starts happening is that he's fat, and that all he can think about is food. ("All I can think about is food," he tells us, helpfully.) And in the end...<br /><br />(Sigh) I suppose I ought insert a spoiler warning here...<br /><br />In the end he becomes evil. Why? I can only shrug. Perhaps he's under some kind of enchantment. Yeah, that's probably it. By "evil" perhaps I mean "inexplicable" - it's not so much badness as a socially undesirable suspension of ordinary means-end psychology. Anyway, his actions at the end make no sense, nobody's actions make much sense, and this is despite the fact that the characters do little but explain their motivation for the benefit of the audience.<br /><br />By the way, here's my nominee for hammiest line/delivery: "I don't think you'd like it. IN FACT..." [big dramatic pause] "...I don't think you'd like it at all."

I rented this movie when it came out on video tape and really enjoyed it. I had the opportunity to purchase it on DVD a few weeks ago and have watched it several times since. I would have to agree with others when they said Indian Summer was nostalgic film. When I watch it I wish that I could be 10-14 again. I think that is why we all like the movie to some extent. We all at times wish that we could relive our lives as children with the wisdom/knowledge of adults. Wouldn't it be nice to have all your friends/parents be young again? To not have to worry about your job, being a parent etc...??? I know that I would like to jump into a De Lorean and go back in time. While I enjoyed the film very much my all time favorite camp film though is Meatballs with Bill Murray. I wish that they could make an Indian Summer version of that.

I rented this movie about 3 years ago, and it still stands out in my mind as the worst movie ever made. I don't think I ever finished it. It is worse than a home video made by a high school student. I remember them doing a flashback to 1970 something and in the flashback there was a man with a polo shirt, oakley sunglasses and a newer SUV, like a Toyota Rav-4 or something (I don't remember). I don't understand how they could have possibly said that to be in the 70s. He might have had a cell phone too, I cant remember, It was just horrible. I returned it to the video store and asked them why they even carry the movie and if I could get the hour of my life back. To this day it is the worst movie I have ever seen, and I have seen some pretty bad ones.

I had high hopes for Troy and I am so bitterly disappointed. The film was directed so badly it made my stomach ache. The pacing was so slow, the dialogue laughable and the film - well apart from a nice fight scene between Achilles (Pitt) and Hector (Bana) - the rest was shallow.<br /><br />And why, oh why does Hollywood always insist on rewriting stories to fit 'consumer approval'. Agamemnon didn't die in Troy, the war lasted 10 years and Achilles was killed by Paris OUTSIDE the walls of Troy with an arrow to the ankle! It annoys me that such a classic story as this is turned into a soap.<br /><br />And don't even start me on the 'lack' of chemistry between Helen and Paris. She was the woman the war was fought over and it didn't even look as if the two of them cared a great deal about the other. No sparks, no emotion, no hope.<br /><br />I have to say in the films defence Brad Pitt, Eric Bana and Peter O' Toole acted very well with a bad script but that isn't enough to save this awful movie. <br /><br />Can anybody tell me where the £200 million budget went? Maybe in all the trees they used for the funeral pyres - where did they get all those trees?<br /><br />I am so disappointed it hurts.

This is one of the best military films ever made. And it is great because of its focus on values. It's a great human interest story that turns on a commitment to honor, loyalty, love, and determination.<br /><br />Gooding and DeNiro are superb in the lead roles. It's wonderful to see the Master Chief's racism evolve toward respect and love through Carl Brashear's determination, drive,and yes, sense of honor. The title indicates the source of their bond. I never noticed until this last time watching it how brilliant Carl Lumbly's portrayal of Carl's father, Mac Brashear, was. In a way, it's a cornerstone of the film in that it's Carl's memory of his father that helps carry him through hard times.<br /><br />I am selective about what films I purchase. This is one of those rare ones that I want on my shelf. It will be seen many times in the future, I'm sure.

Gregory Peck's brilliant portrayal of Douglas MacArthur from the Battle of Corregidor in the Philippines at the start of the Pacific War largely through to his removal as UN Commander during the Korean War offers reason to believe all three of the above possibilities. Certainly the most controversial American General of the Second World War (and possibly ever) MacArthur is presented here as a man of massive contradictions. He claims that soldiers above all yearn for peace, yet he obviously glories in war; he consistently denies any political ambitions, yet almost everything he does is deliberately used to boost himself as a presidential candidate; he obviously believes that soldiers under his command have to follow his orders to the letter, yet he himself deliberately defies orders from the President of the United States; he shows great respect for other cultures (particularly in the Philippines and Japan) and yet is completely out of touch with his own country. All these things are held in balance throughout this movie, and in the end the viewer is left to draw his or her own conclusions about the man, although one is left with no doubt that MacArthur sincerely and passionately loved his country, and especially the Army he devoted his life to.<br /><br />Peck's performance was, as I said, brilliant - to the point, actually, of overshadowing virtually everyone else in the film (which is perhaps appropriate, given who he was portraying!) with the possible exception of Ed Flanders. I though he offered a compelling look at Harry Truman and his attitude to MacArthur: sarcastic (repeatedly referring to MacArthur as "His Majesty,") angry, frustrated and finally completely fed up with this General who simply won't respect his authority as President. Marj Dusay was also intriguing as MacArhur's wife Jean, devoted to her husband (whom she herself referred to as "General," although their relationship seems to have been a happy enough one.) I very much enjoyed this movie, although perhaps would have liked to have learned a little more about MacArthur's early life. I have always chuckled at MacArthur's reaction to Eisenhower being elected President ("He'll make a fine President - he was the best damn clerk I ever had" - which seems to sum up what MacArthur thought the role of the President should be, especially to his military commanders during wartime.) Well worth watching. 8/10

As a big fan of gorilla movies in general, I anticipated that this one would be great - and as for the gorilla effects, They were quite good, however - that is the only thing I can write about this flop. The film claims to be based on a true story but in effect, it does not even come close to what actually happened to "Buddy" - who in real life, was the famous Gargantua, sold to Ringling Bros. by our supposed "heroic" Gertrude Lintz, known by many animal enthusiasts as a woman who hardly had her animals' welfare in the best interest. As far as Buddy being portrayed as becoming aggressive, this was total fiction and at no time did the gorilla, in real life, resort to such behavior. buddy did, in fact, escape his wooden crate (not a plush cage room as depicted in movie) during a storm, to seek shelter and comfort in the house, which frightened Gertrude Lintz into selling him. No, Buddy was not released into a gorilla family surrounded by lush trees in a zoological paradise - he was abandoned in a wooden crate, deep in the back of a garage for some time with only a single light bulb for comfort and then sold to the circus - where he actually lived a better life having peanuts thrown at him until he died (historically the oldest living gorilla on record, by the way) before a show in Miami. Notice also, in the film, how Buddy grows older but the chimpanzees never age. (The chimps, by the way, were not raised simultaneously with other animals, including Buddy, as portrayed in the film)

Having not seen the previous two in the trilogy of Bourne movies, I was a little reluctant to watch The Bourne Ultimatum.<br /><br />However it was a very thrilling experience and I didn't have the problem of not understanding what was happening due to not seeing the first two films. Each part of the story was easy to understand and I fell in love with The Bourne Ultimatum before it had reached the interval! I don't think I have ever watched such an exquisitely made, and gripping film, especially an action film. Since I usually shy away from action and thriller type movies, this was such great news to me. Ultimatum is one of the most enthralling films, it grabs your attention from the first second till the last minute before the credits roll.<br /><br />Matt Damon was simply fantastic as his role as Jason Bourne. I've heard a lot about his great performances in the Bourne 1+2, and now, this fabulous actor has one more to add to his list. I look forward to seeing more of his movies in the future.<br /><br />The stunts were handled with style - each one was done brilliantly and I was just shocked by the impressiveness of this movie. Well done.

"Gespenster" (2005) forms, together with "Yella" (2007), and "Jerichow" (2008), the Gespenster-trilogy of director Christian Petzold, doubtless one of the creme-De-la-creme German movie directors of our time.<br /><br />Roughly, "Gespenster" tells the story of a French woman whose daughter had been kidnapped as a 3 years old child while the mother turned around her head for 1 minute in Berlin - and has never been seen ever. Since then, the mother keeps traveling to Berlin whenever there is a possibility and searches, by aid of time-dilated photography, for girls of the age of approximately the present age of her age. As we hear later in the movie, the mother was already a lot of times convinced that she had found her daughter Marie. However, this time, when she meets Nina, everything comes quite different.<br /><br />The movie does not bring solutions, not even part-solutions, and insofar, it is rather disappointing. We are not getting equipped either in order to decide if the mother is really insane or not, if her actual daughter is still alive or not. Most disappointing is the end. After what we have witnessed in the movie, it is an imposition for the watcher that he is let alone as the auteur leaves Nina alone. The simple walking away symbolizing that nothing has changed, can be a strong effect of dramaturgy (f.ex. in "Umberto D."), but in "Gespenster", it is displaced.<br /><br />Since critics have been suggesting Freudian motives in this movie, let me give my own attempt: Why is it that similar persons do not know one another, especially not the persons that another similar person knows? This is quite an insane question, agreed, from the standpoint of Aristotelian logic, according to which the notion of the individual holds. The individual is such a person that does not share any of its defining characteristics with anyone else. So, the Aristotelian answer to my question is: They do not know one another because their similarity is by pure change. Everybody who is not insane, believes that. However, what about the case if these similar persons share other similarities which can hardly be by change, e.g. scarfs on their left under ankle or a heart-shaped birthmark under their right shoulder-blade? This is the metaphysical context out of which this movie is made, although I am not sure whether even the director has realized that. Despite our modern, Aristotelian world, the superstition, conserved in the mythologies of people around the globe that similar people also share parts of their individuality, and that individuality, therefore, is not something erratic, but rather diffusional, so that the borders between persons are open, such and similar believes build a strong backbone of irrational-ism despite our otherwise strongly rational thinking - a source of Gespenster of the most interesting kind.

This is the worst show I have seen in years. I believe that it should be taken off of T.V. because of its retardedness. It is so dumb I could faint when I watch it. (even though I never watch it because it is SOOOOO poor) <br /><br />Goofs: When mac says he can;t eat sugar, in another episode he eats sugar. Almost everything in the world has sugar in it!!! In episode "Eddie Monster" when eddy screams at Terrance he falls into the crate twice PLUS the seconed time he falls in he doesn't fall in, he falls off to the side. What stupidity. I can't even say the word Fosters Home. I even made a song with my band about how retarded this show is. Byyyyyyyyeeeee

As someone else mentioned, it begins with a bizarre prologue about a little blond girl killing a cat. Then the main story: a photographer (Gaffari) and a writer (Shepard) meet by chance and take a trip into the mountains. First they spend the night at an inn where the slightly deaf landlord gets hollered at, with increasing irritation to the audience, by Gaffari. Once in the mountains they seek shelter again and are invited in by a kindly old lady who seems overly hospitable to strangers (Hansel and Gretel, anyone?) What happens next I will leave for the bold viewer to sort out because I most assuredly couldn't. Now, I like Eurohorror, and this woulda been better if only Artigot (writer AND director) had made some attempt at logical story telling. The backdrop (Pyrenees?) makes an excellent and intriguing location for mysterious and occult occurrences. The verdant peaks could easily obscure supernatural forces and those who command them. The photography is nice. Just wish the whole thing made sense. You can view this film at archive.org.

An average TV movie quality, totally formula story of religious fanatic (Ron Perlman, who gives good "I'm not just the President of 'Psychos R Us,' I'm also a client.") who gets control of a biochemical virus (think the virus from the movie "The Rock"). Too bad for him that he also gets stuck in a bank building during an earthquake with bank robbers and the government agents trying to stop him (led by the impressively physiqued, mildly entertaining Wolf Larson, backed by Fred Dryer) along with the standard "in the wrong place at the wrong time" spunky female (the forever bland Erika Eleniak) and "lived as a wimp but died as a hero at the last minute" male (Brandon Karrer). Has the standard background story to give sympathy to the religious fanatic (wife and son killed in a police raid a few years previous). <br /><br />Basically a decent rainy day movie.<br /><br />Favorite line, spoken by Ron Perlman after he finds the vial of the virus hidden in Erika Eleniak's cleavage: "A woman and her mystery."<br /><br />Worth a rent.

When I heard about "Hammerhead" being released on DVD and finally found it at my local DVD store, I thought "well, just another cheap monster movie from Nu Image". Those guys around Boaz Davidson and Avi Lerner produced cheap but very entertaining B - Pictures in the past few months but also some very disappointing movies. So I didn't expect much, especially after having watched the rather disappointing "Shark Zone" just a few days before. But "Hammerhead" turned out to be an excellent revival of the 1950s monster movies. We have a mad scientist, a group of people in a dangerous situation, screaming women and damsels in distress, man-eating plants and of course we have the creature, a huge mutant mix between a man and a hammerhead shark. Everything you need for an entertaining monster movie. The only thing missing are graphic sex scenes and nudity which you expect in movies of this kind, but since the movie was made for TV it's understandable why these scenes are missing. And it doesn't matter anyway cause "Hammerhead" is action and horror entertainment at it's best. There are two reasons why I gave it seven out of ten points, though: First of all, the monster isn't seen very often and the showdown with the destruction of the creature is too fast and poorly done, and secondly, William Forsythe just isn't the right guy for the "hero" part and for falling in love with gorgeous Hunter Tylo. Other than that, I can highly recommend this movie for any monster movie fan out there. Grab yourselves a cool drink and some popcorn, watch this movie and have fun. Jasper P. Morgan

This movie is so awful, it is hard to find the right words to describe it!<br /><br />At first the story is so ridiculous.A narrow-minded human can write a better plot! The actors are boring and untalented, perhaps they were compelled to play in this cheesy Film.<br /><br />The camera receptions of the National Forest are the only good in this whole movie. I should feel ashame, because I paid for this lousy Picture.<br /><br />Hopefully nobody makes a sequel or make a similar film with such a worse storyline :-)

About twenty minutes into this movie, I was already bored. Quite simply, these characters were fairly dull. Occasionally, something enjoyable would happen, but then things would slow down again. Fortunately, my patience was eventually rewarded, and the ending to this movie wasn't bad at all. However, it was by no means good enough to justify sitting through the first ninety minutes. So, I would say that the movie was mediocre overall, and considering all of the talent in the cast, I'd call this a disappointment.

Sports movies have never been my thing, but a small handful of them work for me. The best are the those which focus less on the sport and more on the character, such as Raging Bull, the Wrestler and Girlfight. This is a great directorial debut for Karyn Kusama, and an outstanding first performance for Michelle Rodriguez. Girlfight feels is both realistic and involving, that is enough so to make it a memorable film.<br /><br />The plot is strait forward enough. Diana Guzman, is in her fourth year of high school, but due to her picking fights in the hallway she is close to expulsion. As a possible means of unleashing her anger, she signs up for Boxing lessons at the club where her brother is training (at the wishes of there father).<br /><br />In the course of ninety minutes, we the viewers see something extraordinary. Diana almost literally changes from a girl to a woman. We see it in her body as well as her behaviour, especially when one of the boys at the club finds himself drawn to her, and she gets into it. There is not a bad scene or a lame/contrived moment in the film. The only error that I would say could be corrected is that one of the subplots ends on what feels like an unfinished note. Aside from that, Girlfight is a great movie.

It's a waist to indulge such great actors in such a weak and boring movie. Besides all the unanswered questions posted in the other comments, what's so difficult about capturing the robbers? Just eliminate the bank workers, see who was at the bank-from all the cameras' footage angles-prior to the robbers entry and you have those extra 4 remaining robbers among the hostages. Where is the suspense every body is talking about? It was so obvious the moment the hostages were asked to change into this identical uniform that they were all going to walk out the front door... seen it many times. At least Mr. Spike Lee could have seasoned the movie with some good music score and artistic shooting. The Movie is not worth it. Pronto!

"Fly Me To The Moon" has to be the worst animated film I've seen in a LONG TIME. That's saying something since I have taken my son to see every animated release for the last 4 years now. The story is to be generous...trite. The voice acting is atrocious, Too cute sounding. The humor is of the Romper Room variety. The animation is passable for a Nickolodeon type of cartoon but this is being released on the big screen not cable television.<br /><br />It gets a 2 only because of it's OK 3-D visuals. Some of the scenes had a mildly stimulating image but We've seen much better in the past. I also question the insistence of the filmmakers to have characters fly away from the screen rather than into it in most of the scenes. While that is interesting at first it became tiresome after the 3rd or 4th time. It seemed to smack of indifference to me on the part of the creators.<br /><br />I will say this though, It had a pretty cool soundtrack. And for the record my son wasn't too crazy about it either. Bad movie.

The Last of the Blond Bombshells is an entertaining bit of fluff. Judy Dench plays Elizabeth, a newly widowed woman at loose ends. She has spent most of her life being the dutiful wife and mother but has never been truly happy.<br /><br />Shortly after her husband's funeral, Elizabeth is having her regular lunch date with her stick-in-the-mud children when she spots a street performer. This sparks memories of when she was a member of an all girl swing band in London during World War II. We soon learn that the band was not exactly all girl as the drummer was a man dressing as a woman ala Some Like It Hot.<br /><br />Elizabeth pulls out her sax (which she has been secretly practicing throughout her marriage) and joins forces with the guitar-playing street musician. Elizabeth is far more talented than the guitarist, and the money begins to flow in. She doesn't take any money as she is wealthy and doesn't need it. Her playing is strictly for artistic fulfillment.<br /><br />Elizabeth is seen one day by Patrick (Ian Holm) who was the drummer-in-drag of the band. It seems that Patrick was - and still is - quite the ladies' man, and Elizabeth - being only fifteen at the time - was the only band member who did not experience Patrick's "talents" other than drumming.<br /><br />Elizabeth is inspired by her granddaughter to get the old group together once again to play for the granddaughter's school dance. Thus begins a delightful trip down memory lane combined with aspects of a humorous road trip movie - all topped off with some really good swing and blues.<br /><br />I guess I'm at the age in which I really enjoy older actresses doing their stuff, and this film is a treasure trove as it not only stars Judi Dench, but she is supported by none less than Olympia Dukakis, Leslie Caron, and a host of seasoned British character actresses. This is all topped off by the extraordinary voice of Cleo Laine.<br /><br />Yes, it is fluff, but totally delightful and exceedingly entertaining fluff.

along with it's partner, this is the greatest piece of animation ever created. the images and styles are amazing, and match perfectly with the story which is a brilliantly realistic reinterpretation of our own world, where is has been, and where it could go. quite affecting and sometimes painful to watch, it it a masterpiece of the visual art.

This is a truly wretched little film. Admittedly the original (un)holy trinity was governed by the law of diminishing returns with the third, "The Final Conflict" degenerating into a ridiculous sub-plot about half-way through the film apparently merely to provide the requisite needlessly convoluted deaths that had by now become the whole raison d'etre for the "Omen" series. But then to foist this jumped-up TV movie (beware purchasers of the Omen box set on DVD - don't be fooled by the widescreen ratio of the transfer, this was and is strictly small-screen stuff) on the back of a series of generally fine demonic chillers was unforgivable, particularly, endorsed as it was, by the exec.producer and producer of the first three movies Mace Neufeld and Harvey Bernhard. I'd give-away the plot if there was any, besides the usual death scenes (hopelessly toned down for TV sensibilities) and some of the worst acting I've seen. All involved in this project down to the catering people should be ashamed this travesty ever made it to the screen, let alone masquerading under the Omen name. If one person is convinced by my review to avoid this mess, I'll feel better for it.

I was really looking forward to this show given the quality of the actors and the fact that The Scott brothers were involved. Unfortunately my hopes were dashed! Yet again we are led to believe that the KGB are a group of inept morons who don't have a clue what they are doing. At one point there is a laughable scene where 4 KGB agents couldn't handle one CIA agent. I grow weary of these biased, one sided and completely inaccurate portrayals of the Spy game that went on during the cold war. I find it laughable that the US is incapable of making objective movies about their involvement in WW2 and beyond. Just like the pathetic U-571, where we are led to believe that the US obtained the Enigma machine, again, utterly false.<br /><br />To its credit, "The Company" is very well filmed and acted. The locales are also exceptionally well realised. Alfred Molina puts in a great performance as does Keaton (The conflict between them is very well done). I really wanted to like this show and no doubt I will end up watching the other 2 episodes but I really wish that US productions would stop trying to portray their Spies, servicemen etc as supermen who are vastly intellectually and physically superior to anyone else on the planet. It gets old fast and seriously detracts from the plausibility of what could have been a 10/10.<br /><br />S

it aint bad, but it aint good. it is just entertaining.<br /><br />as a comedy which it is supposed to be, it's dreadful. not many laughs at all as every joke in the movie has been done a million times before.<br /><br />it's a shame as all the actors in the film are great usually, but none of them really do much. and the ending sucks.

My former Cambridge contemporary Simon Heffer, today a writer and journalist, has put forward the theory that, just as British film-makers in the eighties were often critical of what they called "Thatcher's Britain", the Ealing comedies were intended as satires on "Attlee's Britain", the Britain which had come into being after the Labour victory in the 1945 general election. This theory was presumably not intended to apply to, say, "Kind Hearts and Coronets" (which is, if anything, a satire on the Edwardian upper classes) or to "The Ladykillers" or "The Lavender Hill Mob", both of which may contain some satire but are not political in nature. It can, however, be applied to most of the other films in the series, especially "Passport to Pimlico".<br /><br />Pimlico is, or at least was in the forties, a predominantly working-class district of London, set on the North Bank of the Thames about a mile from Victoria station. It is not quite correct to say, as has often been said, that the film is about Pimlico "declaring itself independent" of Britain. What happens is that an ancient charter comes to light proving that in the fifteenth century the area was ceded by King Edward IV to the Duchy of Burgundy. This means that, technically, Pimlico is an independent state, and has been for nearly five hundred years, irrespective of the wishes of its inhabitants. The government promise to pass a special Act of Parliament to rectify the anomaly, but until the Act receives the Royal Assent the area remains outside the United Kingdom and British laws do not apply.<br /><br />Because Pimlico is not subject to British law, the landlord of the local pub is free to open whatever hours he chooses and local shopkeepers can sell whatever they please to whomever they please, unhindered by the rationing laws. When other traders start moving into the area to sell their goods in the streets, the British authorities are horrified by what they regard as legalised black-marketeering and seal off the area to try and force the "Burgundians", as the people of Pimlico have renamed themselves, to surrender.<br /><br />Many of the Ealing comedies have as their central theme the idea of the little man taking on the system, either as an individual as happens in "The Man in the White Suit" or "The Lavender Hill Mob", or as part of a larger community as happens in "Whisky Galore" or "The Titfield Thunderbolt". The central theme of "Passport" is that of ordinary men and women taking on bureaucracy and government-imposed regulations which seemed to be an increasingly important feature of life in the Britain of the forties. The film's particular target is the rationing system. During the war the system had been accepted by most people as a necessary sacrifice in the fight against Nazism, but it became increasingly politically controversial when the government tried to retain it in peacetime. It was a major factor in the growing unpopularity of the Attlee administration which had been elected with a large majority in 1945, and organisations such as the British Housewives' League were set up to campaign for the abolition of rationing. I cannot agree with the reviewer who stated that the main targets of the film's satire were the "spivs" (black marketeers), who play a relatively minor part in the action, or the Housewives' League, who do not appear at all. The satire is very much targeted at the bureaucrats, who are portrayed either as having a "rules for rules' sake" mentality or a desire to pass the buck and avoid having to take any action at all.<br /><br />I suspect that if the film were to be made today it would have a different ending with Pimlico remaining independent as a British version of Monaco or San Marino. (Indeed, I suspect that today this concept would probably serve as the basis of a TV sitcom rather than a film). In 1949, however, four years after the end of the war, the film-makers were keen stress patriotism and British identity, so the film ends with Pimlico being reabsorbed into Britain. One of the best-known lines from the film is "We always were English and we always will be English and it's just because we ARE English that we're sticking up for our right to be Burgundians". There is a sharp contrast between the rather heartless attitude of officialdom with the common sense, tolerance and good humour of the Cockneys of Pimlico, all of which are presented as being quintessentially British characteristics.<br /><br />Most of the action takes place during a summer drought and sweltering heatwave, but in the last scene, after Pimlico has rejoined the UK the temperature drops and it starts to pour with rain. Global warming may have altered things slightly, but for many years part of being British was the ability to hold the belief, whatever statistics might say to the contrary, that Britain had an abnormally wet climate. The ability to make jokes about that climate was equally important.<br /><br />There is a good performance from Stanley Holloway as Arthur Pemberton, the grocer and small-time local politician who becomes the Prime Minister of free Pimlico, and an amusing cameo from Margaret Rutherford as a batty history professor. In the main, however, this is, appropriately enough for a film about a small community pulling together, an example of ensemble acting with no real star performances but with everyone making a contribution to an excellent film. It lacks the ill-will and rancour of many more recent satirical films, but its wit and satire are no less effective for all that. It remains one of the funniest satires on bureaucracy ever made and, with the possible exception of "Kind Hearts and Coronets" is my personal favourite among the Ealing comedies. 10/10

David Zucker has directed one of the most enjoyable comedies of the year with this goofy farce. Yes, it's a matter of acquired taste and depends upon a wealth of sophomoric gags, but it is consistently funny throughout unlike some recent comedic efforts. The film is loaded with all kinds of jokes ranging from the blatantly obvious to the more subtler kind that you must pay attention to everything in the frame or you'll likely miss them. Like his previous efforts which include "Airplane!", "Top Secret!", and "Naked Gun," the humor flies out almost every second. There are so many moments that work, it's easy to overlook the few that fall flat. What sets this movie apart from other pale imitations in the spoof genre is that it has an actual story line. While others have depended upon making fun of too many famous scenes in almost random movies (take "Mafia!", please), this film tells a new story with likable characters. It touches upon sports films in general as well as satirizing the real sports industry instead of lampooning any specific movies. Even for people who don't care for "South Park," its creators, Matt Stone and Trey Parker, make a good pair of leading actors with natural chemistry. The film also makes extremely effective use of cameos of athletes, sports announcers, and other celebrities, especially a hilarious bit with Robert Stack of "Unsolved Mysteries." By the way, stay through the credits for a final joke with Bob Costas and Al Michaels. All in all, Zucker has achieved, in words perhaps applying to the movie's mix of sports, a home dunk.

i don't know why, but after all the hype on NPR i thought this was a new movie.....all the best footage has been used for BBC docs and NatGeo projects that you have seen if you are interested in nature programs...it has been repackaged with sappy narration and over-dramatic music for Disney to take advantage of Earth Day-there are great moments, and it is always nice to listen to Darth Vader.......oops,........... James Earl Jones speak, but I had hoped for a ground breaking movie , considering the new camera technology used in the making of this film......it has been sanitized for a child audience, so one can actually see better footage for free on youtube ....i feel that we are due for something as ground breaking as Koyannisquatsi (sic) and this movie is certainly not it

This is a very good movie. Do you want to know the real reasons why so many here are knocking this movie? I will tell you. In this movie, you have a black criminal who outwits a white professor. A black cop who tells the white professor he is wrong for defending the black criminal and the black cop turns out to be right, thus. …making the white professor look stupid. It always comes down to race. This is an excellent movie. Pay no attention to the racist. If you can get over that there are characters who are played by blacks in this movie who outsmart the white characters, then you shouldn't have any problems enjoying this movie. I recommended everyone to go see this movie.

All this talk about this being a bad movie is nonsense. As a matter of fact this is the best movie I've ever seen. It's an excellent story and the actors in the movie are some of the best. I would not give criticism to any of the actors. That movie is the best and it will always stay that way.

Those French and those Germans sure have a long history of not liking each other. It is interesting to note that Kamerdaschaft or Comradeship in translation takes place in 1931. Only a few years later, Hitler would siege Germany and begin his plans to take over the world, France being a casualty of his ambitions. But these are times of sereneness compared to the future. A group of miners at the border try to cross over to France to get work. They are spurned back and later at a nightclub by their French neighbors. Then a disaster happens in the mines of the French and a well-crafted and written scene, a troupe of German miners decide to come to the rescue. A simple story is it not? Pabst was a poet of silent cinema and I am not sure if this is his first sound movie or not, but his poetry is there to be discovered. He isn't fussy but brings a rugged realism to the ordeal. Ther is even a flashback to a WWII event that beckons the point of this story. Supposedly based on a real event, the movie does the events proudly with directness and terseness. Smetimes, that's what a movie needs to be.

this is a wonderful film, makes the 1950'S look beautifully stylish. Kim Novak is intriguing and compelling as a modern-day witch with one foot in Manhattan and another in infinity. All the supporting performances are terrific, from Jack Lemmon as her bother Nicky to Ernie Kovacs as the author of Magic in Mexico who is working on Magic in Manghattan, to Elsa Lanchester as the slightly batty as well as witchy Aunt Queenie. And then there is the cat- I have no idea how many witches (besides me) have named a cat Pyewacket but suggest a zillion. Jmes Stewart looks out of place, but only just as much as his character is out of p;ace in this weird sub-world of magic and witchcraft. Perfect. And it has the perfect romantic happy ending, which we believe in because movies of this vintage do have those happy endings. Gillian and Shep certainly have as much chance to be happy ever after as Rose and Charlie Allnut in The African Queen (another great film)

This movie is NOT the same as the 1954 version with Judy Garland and James Mason, and that is a shame because the 1954 version is, in my opinion, much better. I am not denying Barbra Streisand's talent at all. She is a good actress and brilliant singer. I am not acquainted with Kris Kristofferson's other work and therefore I can't pass judgment on it. However, this movie leaves much to be desired. It is paced slowly, it has gratuitous nudity and foul language, and can be very difficult to sit through.<br /><br />However, I am not a big fan of rock music, so it's only natural that I would like the Judy Garland version better. See the 1976 film with Barbra and Kris, and judge for yourself.

Insignificant and low-brained (haha!) 80's horror like there are thirteen in a dozen, yet it can be considered amusing if you watch it in the right state of mind. The special effects are tacky, the acting atrocious and the screenplay seems to miss a couple of essential paragraphs! "The Brain" takes place in a typical quiet-American town setting, where every adolescent works in the same diner and where the cool-kid in high school flushes cherry bombs down the toilet. It is here that a TV-guru named Dr. Blake and his adorable pet-brain begin their quest for nation-wide mind controlling. Under the label of "independent thinkers", a giant cheesy brain sends out waves through television sets and forces innocent viewers to kill! How cool is that? Now, it's up to the Meadowvale teen-rebel to save the world! The funniest thing about the plot is that it never explains where Dr. Blake and his monstrous brain actually come from. There are obvious references towards extraterrestrial life but that's about it. Meh, who needs a background in a movie like this, really? There's not that much bloodshed unfortunately and the "evil" brain looks like an over-sized sock-puppet. The only more or less interesting element for horror buffs is taking a look at the cast and crew who made this movie. Director Ed Hunt and writer Barry Pearson are the same men who made "Bloody Birthday" (guilty pleasure of mine) and "Plague". Both those are much better movies and they wisely decided to resign the film industry. The most familiar face in the cast unquestionably is the great David Gale, whom horror fans will worship forever for his role in Re-Animator. A girl named Christine Kossak provides the nudity-factor and she's obviously a great talent… She has exactly 3 movies on her repertoire of which THIS is her "masterpiece". In her debut, she was credited as 'runaway model' and in "3 men and a baby", her character is referred to as 'one of Jack's girls'. I really wonder how she feels about her career as an actress…

Dane tries to hard and is to extreme with all of his yelling and going crazy, spilling water on himself and rolling on the floor. To much. Calm down, get yourself together and make us laugh. I didn't quite understand his comparison toward comics and rock stars. Just because there both up on stage or something? He said that every comedian wants to be a rock star. I'm sure Rodney Dangerfield was really into that when he was alive. He had a few good jokes like the Burger King joke where people yell at the drive thru. I also liked the Reese's Pieces joke. If Dane just didn't act so mental he might be funnier and I might have given this a higher rating, as high as maybe an eight.

A sentimental school drama set in Denmark, 1969, "We Shall Overcome" offers a pathetic Danish take on US culture. Frits (Janus Dissing Rathke), a flower-power obsessed, naive 13-year-old, exits with half his ear hanging off from brutal master Lindum-Svendsen's (Bent Mejding) office. Lindum-Svendsen, a school director, portrayed as a fascistoid tyrant, has the local community in control. Lindum-Svendsen's gone too far this time, and with his father, recovering from a mental breakdown (sure, there wasn't enough drama already..), and overly stereotyped hippie music teacher Mr Svale ('Hi, call me Freddie'), Frits stands up for justice.<br /><br />Tell you what. It's so unconvincing, over-(method-)acted, and so full of misery, that as a 'family' picture this grotesque -filled with cliché's- excuse for a movie fails miserably to convince non-Scandinavian audiences. Sorry, kind danish readers, to crash like this into your sentimental journeys.. But it's definitely NOT a tale about a 'boy becoming a man by fighting the system'. The boy never becomes a man, but rather remains a naive, big eyed cry-face. If you call a church of small minded small town folk, led by a dictator like cartoonish character "the system", I'm sorry if I'm missing something.<br /><br />If you're into family pictures, go see Happy Feet instead..

Kurt Russell (as Steven Post) works as a mail-boy for struggling TV station UBC (that's United Broadcasting Corporation); he is going nowhere at work, offering ridiculous projects like "Abraham Lincoln's Doctor's Dog" to studio executives - because Lincoln, doctors, and dogs are popular. Programming director Joe Flynn (as Francis X. Wilbanks) wisely rejects Mr. Russell's proposals, but has no idea how to pick a hit TV show. His secretary Heather North (as Jennifer Scott), who does double duty as Russell's girlfriend, has a chimpanzee who bugs the heck out of Russell when he wants to watch TV. Turns out, the monkey watches all the popular shows, and can easily pick the hits. Russell discovers the chimp's talent, and uses him to advance his own career. Understandably, things gets HAIRY for Russell and the cast!<br /><br />Raffles the chimp (handled by Frank Lamping) performs well; Raffles does look bored and/or distracted during a few scenes, when the chimp is supposed to look interested; these could have been corrected with re-takes or editing. A mild satirical edge is present - imagine a monkey picking hit TV shows! AND, it's a monkey who gets a BEER during the commercials (drinking in a Disney film)! A look through the cast will reveal s bunch of fun TV actors to recognize and try to place. You could make a drinking game, in honor of Raffles' beer-guzzling, by guessing actors, and where you've seen them before. Here's a start - Hey, isn't that "Dr. Bellows" from "I Dream of Jeannie"? Down the hatch! <br /><br />**** The Barefoot Executive (1971) Robert Butler ~ Kurt Russell, Joe Flynn, John Ritter

this could be one of the worse movies i've ever seen. i don't see how could this ever be described as a horror movie, or even a thriller? its more like a lumbering drama. the scary music is EXCELLENT but since there weren't any scary situations the director thought it would be a good idea to use it for everyday activities like taking a dump or walking down stairs. the movie had so much potential. they had beautiful cinematography (sp?) and interesting characters, but it seemed as if the writers assumed you already knew them. they would undergo peculiar activities without explanation or even a clue at what they meant. this is simply one of those movies that says its about one thing and it something totally different.

I have read the other comment about this movie, and usually I try not to be harsh in my criticisms because I try to be a nice person. However, this movie is one of the worst movies that I have EVER seen (And thats topping a lot of bad USA Network plus Cinemax nights.) Whoever thought of this movie needs to be prevented from EVER making another one. This film disgusted me in a way that no other film ever. I REALLY think these people are insane. Just save your time and do not watch this fllm. Please - I wish that I had. The acting is horrible, the plot (what plot) is STUPID and degrading and insane. I really do not think this should have been made into a movie. But that is my opinion, and I am trying to save you from wasting your time.

I sort of accidentally ended up watching this movie. I'm still not sure if I regret it or not. I felt like I was watching the film made by that group of film school students that didn't quite make the cut. It plays up every Hollywood cliché imaginable, all the while flogging us with the 'corporations are the ultimate evil' message. Subtlety this movie does not know. As far as that goes, it even manages to provide it's own spoilers.<br /><br />The story appears to be a computer nerd's fantasy world come true. The lead character is an attractive teenage boy with a girlfriend, yet is a programming genius and apparent hacker (I think), among many other nerd-fantasy-come-true elements that you'll have to see for yourself.<br /><br />As well, I should've known it would be a z-movie when I saw Ned Bellamy... he tends to be a good tip-off.<br /><br />Can't recommend this one, I'm afraid.

If you want to watch a real 'quality' movie get hold of The Eden Formula. This wondrous film must have cost all of $50 to make. It features a wafer thin script, pathetically bad sets, lighting and camera work, and a stop motion, paper-mache monster that is utterly laughable (it looks like they sometimes used a guy in a rubber suit and/or a glove puppet for the monster - but all were equally dreadful). <br /><br />The actors all speak their lines as though they've never seen them before and are reading off a teleprompter. The special effects are way beyond lousy. And the only sad thing is that they dropped the really nifty original title 'Tyranasaurus Wrecks' which sums up exactly what you get for the full 90 minutes.<br /><br />This is what happens when you scrape the bottom of the barrel so hard you break through to the crud that lies underneath. <br /><br />I loved every minute of it.

With all of the violence on TV and in the local news, it is refreshing to have a show that has no violence or adult language, yet is still entertaining. My children look forward to watching with us every week. Each of us have a favorite chef and favorite judges. We all enjoy Elton Brown. We enjoy learning about the background of the main ingredient, unique vegetables and seasonings. We play along at home to guess who the winner will be.<br /><br />It is a great hour of entertainment, as well as informational. Best of all in our hussle, bussle life, it is an hour the family spends together.

There are 21 comments as I add mine to this list and there is barely a criticism. This is because this film is terrific entertainment and has a bit of everything in it.<br /><br />It is perhaps a little frightening for younger children but my 15-year old son thought it was fantastic in every way from the action, to the humour and even to the beautiful music score.<br /><br />I buy DVDs only when I know that they are going to be regularly watched and now that this is finally available in the UK, I will certainly be adding it to my collection.

With that line starts one silly, boring British sci fi film. The Great Vorelli from the movie "Devil Doll" builds a teleportation machine only to have his funding cut off by Blanchard, a bearded man who has a thing for bow ties and men with large eye brows. When his experiment fails, the good doctor learns that Lembach, the man who controls all of the grants in the world, will be staying in London for a few days. He attempts to project himself into the house of Blanchard with the help of his comely lab assistant, Sheila. Needless to say something goes wrong and he winds up looking like a rat. The rest of the movie is devoted to the good orange haired doctor walking around London shocking people with his mutated hand and wearing a diaper on his face. There are some more killings, some modest paper work, and finally, the doctor vanishes to where ever rat faced doctors go. Thankfully no one decided to make a sequel.

OK, so the Oscars seem to get hyped just a little more each year. And I was rooting for "Gosford Park" to win (come on, Robert Altman had deserved an Oscar for years!). That said, I guess that it was high time for an African-American to win Best Actress. Contrary to the previous reviewer, Halle Berry's role in "Monster's Ball" was far more original than Nicole Kidman's in "Moulin Rouge"; I never would have thought to nominate the latter for anything, especially in a year that saw "Mulholland Dr.".<br /><br />Among the things that I had predicted was the stuff about the September 11 attacks; I knew that they were going to say something about freedom. Yeah, yeah. Robert Redford should know better. But contrary again to the previous reviewer, Whoopi Goldberg is not the worst host (among the past hosts was Bob Hope, for whom I have no respect); I really liked her jab at John Ashcroft.<br /><br />So, although I wouldn't have given "A Beautiful Mind" Best Picture, "The 74th Annual Academy Awards" still pleased me (I have to admit, I enjoy the Oscars more than my own birthday). And the day after, as my parents and I were hiking around the dwellings in Bandalier, New Mexico - it was spring break - I was thinking to myself that when Jim Broadbent won his Oscar, that most people watching were asking "Jim who?!" I wonder whether or not Woody Allen will ever attend the Oscars again.

One of the major flaws in this film is that while the mocking of pretentious yuppies is satisfying, it fails to realize that the movie makers themselves are guilty of being one of those that deserve to be mocked. One of the characteristics of these yuppie types is the conceited misunderstanding that they (the yuppies) are the only ones sophisticated enough to understand art. While the movie ignores this characteristic and instead focuses on their misunderstandings of dinning, I find it ironic that only people who enjoy this movie boast the same conceited taste in films as the characters do in their choice of dinner. If these pompous characters that were in this movie have a video library at home, I would bet that American Psycho would be one of those movies.

This movie is a great way for the series to finally end. Peter (the boy from Puppet Master III) is all grown up and is now the Puppet Master. Well, this girl comes to destroy the puppets and learn Toulon's secrets but instead she listens to the story about the puppets. Most of this movie is footage from Puppet Master II, Puppet Master III, Puppet Master 4, Puppet Master 5, Curse of the Puppet Master, and Retro Puppet Master (sorry... But I guess Paramount wouldn't let them use scenes from 1). Personally I wish Puppet Master Vs. Demonic Toys would finally be made but the way this movie ends they basically say "This is THE final movie in the series..."

This series was a cut above the rest of the TV detective series of the day but somehow didn't find an audience.<br /><br />The idea of a blind detective may not be totally new but added so much to the story. And who could forget Pax, the beautiful guide dog in the series!<br /><br />Whilst the stories themselves may have been no better than the average series, the settings , in New Orleans, the acting and the music (I note the comment about the music score in other comments ...I remember that clearly) all work to make a good television series even better!<br /><br />Well you never know ...one day Paramount might just dig into its archives and release it on DVD!

How powerful and captivating simple quality filmmaking can be. This film tells it's tale with everyday scenes that manage to revel the poignancy hidden within. It's true as others have stated, how this film really makes it glaringly obvious how lost Hollywood is in it's special effects, overblown emotionalism and over the top climatic endings and have forgotten the essence of a meaningful story told with simple realism. So much of what these characters are going through is implied by the scene rather than spelled out in wordy dialogue. One aspect that I really enjoyed about the film was the contrast of the two brothers, one so very openly expressive in his childlike way and the other completely stoic but both able to evoke deep emotion. The older brother needed to say little, as he usually did, it was all there in that deadpan face of his! Beautiful cinematography, wonderful acting, great direction! Not to be missed!

...then they will have a proper place to file this crap. Sorry, not a "mystery" as claimed, it is religious mumbo-jumbo. I kept waiting for the "unimaginable evil" that was promised me, but the "evil" in this flick would only be unimaginable by a five year old with learning disabilities.<br /><br />I can't believe that they actually managed to find some bigger name actors willing to be involved in this embarrassment. Unfortunately it has forevermore changed my opinion of them, and I will likely avoid anything they do in the future. I'm also a little cheesed off that I now have a writer's name and director's name to memorize as I'll be avoiding anything they do like the plague from now on too.<br /><br />It's really unfortunate that all the religious fanatics posting on here and saying that this movie is 10 out of 10, etc. will get their reviews posted first. This could lead to more people getting tricked, as I was, into believing this movie was something other than religious preaching.<br /><br />Well, it's off to the video store to get my money back for false advertising. Too bad they can't give me back the 105 minutes I wasted watching this thinking that it was actually a Hollywood horror/supernatural film.

Red Skelton was still another major star who made the transition from movies to television with ease.<br /><br />His shows certainly brought a laughter to the American households of years back.<br /><br />He would begin the show with an opening monologue. Afterwards, we would have a variety of characters. Remember Gertrude and Heathcliff in the monologue? How can we ever forget San Fernando Red? I remember one episode where as a king Red introduced his queen by referring to her as your fatness.<br /><br />Go know that Red would use his comedic talents to really hide from his tragic life. He lost a son to leukemia at age 11 or so. His wife, Georgia, died by suicide.

As the celebration of Christmas has evolved through the years, whether one concentrates on the religious or the secular traditions, it is a time when people are supposed to behave a little better to each other. That has somehow slipped past one Ebenezer Scrooge, merchant and money lender in 19th century London.<br /><br />As his nephew points out to his uncle, he doesn't keep Christmas in any way because Scrooge feels the whole thing is humbug. The humanity in Scrooge was driven out long ago, he's a hard case, a whole lot like his 20th Century counterpart, Mr. Potter of Bedford Falls, New York.<br /><br />But as Charles Dickens told this tale, redemption is not too late for any of us and a lonely ghost and three spirits visit Scrooge and show him how.<br /><br />A Christmas Carol is such a timeless holiday classic that we sometimes forget that it is as much a social commentary of 19th century Great Britain as Oliver Twist was. The characters in this film are middle and lower class. The Cratchits are a couple of rungs above the street people in Oliver Twist, but they are having to struggle to stay up there. Still love and happiness radiate their home, no thanks to the guy Bob Cratchit works for. <br /><br />Like George Bailey who did a whole lot of good in his life and just had to be reminded how much, Ebenezer Scrooge needed a wake up call as to the potentiality he still had for doing some good in this old world.<br /><br />Patrick Stewart in his live performances and filmed play has pretty much taken over the part of Scrooge. But George C. Scott captures the old miser pretty well in this film. The meanness of him, but with a trace of sadness that makes us root for him to change. Scott joins a fine tradition of people like Reginald Owen and Alastair Sim who've both done great interpretations of Scrooge.<br /><br />Among the supporting roles I particularly enjoyed David Warner as Bob Cratchit and Edward Woodward as a hearty and stern spirit of Christmas present. <br /><br />According to IMDb this is one of 32 versions of A Christmas Carol made that they have archived and it is one of the best.

... Hawk Heaven for lovers of French cinema and by extension French Screen actors/actresses. At its worst it's an indulgence, actors getting to bitch about other actors, question the validity of acting as a profession at all, etc whilst at its best it's a glorious celebration/send-up of some of the finest actors currently working. From a simple premise - Jean-Pierre Marielle's request for water being ignored in a restaurant - Blier spins off in all directions and allows the cream of French cinema to strut their stuff before the camera even throwing in nods to those no longer around (Jean Gabin, Lino Ventura) including the Director's father, Bernard, one of the great stalwarts of French cinema, from whom he fields a celestial phone call at the end of the film. Discursive and prolix, yes, guilty as charged but also something of a guilty pleasure.

I wasn't quite sure if this was just going to be another one of those idiotic nighttime soap operas that seem to clutter prime time but, as it turns out, this is a pretty good show (no small thanks to talented casting). Four female friends with diverse backgrounds get together and share the weekly goings-on of their love-lives. The hour long program follows each of them separately through their often screwed up quests to find love and it does it without being boring or trite. Sharon Small's "Trudi" is the homemaker one (allegedly widowed after September 11th) who gets a little preachy and annoying with her friends (who tend to be a little looser and more creative in their endeavors). It's great to see Small back on t.v., as she was great in the "Inspector Lynley Mysteries". The chick can act. Orla Brady's character (Siobhan, a lawyer) is perhaps the most damaged but still very sympathetic of the women, as she wrestles with her kind but self-absorbed husband Hari (Jaffrey, formerly of "Spooks") in his driven desire to have a child with her, regardless of her needs. The final two members of the cast are the effervescent Jess (Shellie Conn), an events planner who's a wild child who sleeps with anyone and everyone, gender not specific, and Katie, (Sarah Parrish) a somber doctor who's affair with a patient AND his son have sent her career and love life spiraling out of control. That being said, I'm hooked now and hope that the BBC continues cranking this series out because it's good, it's different and it's got a great cast.

This is one of those movies that you wish you hadn't seen before - so you could see it again " for the first time " . Van Dine's books still bring pleasure - but are termed excessively flowery by many . This movie is by far the best film adaptation of his works . William Powell is William Powell - say no more . The plot is intricate . The story moves all too quickly , because you want it to last . Enjoy.

I almost never comment on movies, but I saw the 5 glowing reviews of this "movie" and decided I had to weigh in with my own review. An instructor of mine received this film in the mail, mixed in with his Academy screeners (AMPAS, aka the guys who vote on the Oscars), and was so floored with how terribly constructed this movie was that he brought it in to our class to demonstrate to us how NOT to put together a movie.<br /><br />This film has no plot, the scenes are horribly, horribly edited (oftentimes using faux "24" style picture-in-picture techniques), and the performances (particularly the lead, who even fails at acting like a bad actress) are for the most part, obnoxious. Someone truly failed to understand the point of an introduction, namely, the setting up of the plot. There is no setup! Halfway through the movie neither myself nor the rest of the class knew what this movie was supposed to be about. The opening crane shot, which sets up some kind of murder, is never addressed, and now that I think about it, was possibly meant to be a flash-forward, with the rest of the film being a flashback, but it cuts from that scene directly to the next without any indication as such.<br /><br />Bah, I could really go on and on. At the very least, this movie gives me renewed confidence in my own film-making ability.

This- and not a certain slightly overrated Southern Soap Opera-was the greatest epic to come out of Hollywoods greatest year, 1939.I will not not restate the obvious-Cary Grant,Victor McLaglen( who WAS a Bengal Lancer), and Douglas Fairbanks Jr. give superb comic performances.However, I want to note two other, less understood elements of this masterpiece. The Magnificent final battle sequence, as the wonderful Sam Jaffe climbs laboriously up to the pinnacle of the temple to blow his bugle and warn the regiment, is simply grand. It never fails to enthrall me. Yet another underrated element in the film is Eduardo Ciannelli's performance as the Guru. This is no Fu Manchu caricature, but an well drawn, articulate, historically informed ( "Have you ever heard of Changruputra Maurya?He defeated the armies left in India by Alexander The Great")villain. Indeed, one can see parallels between this mystical, evil nationalist and a certain well known figure of the thirties( A German, not an Indian). Gunga Din, anti-Nazi tract? Not quite. But still, a tremendous, funny, moving epic.

I really wish i could give this a negative vote, because i think i just wasted 83 minutes of my life watching the worst horror movie ever put to film. the acting was just god awful, i mean REALLLYYYY bad, the dialog was worse, the script sounded like it was written by.... i can't think of anything horrible enough to say. And the day "outside" and the night "inside" shots make you think the events took over several days. Terribly acted, directed, written, etc etc. all the way down to the gofer how gets lunch for everyone. STAY AWAY FROM THIS ONE AT ALL COSTS. If my only saving grace to stay out of hell is by doing one good deed, it is to tell the world to not watch this crap. This movie is the exact reason why horror movies are never taken seriously.

Spoilers ahead -- proceed at your own caution.<br /><br />My main problem with this movie is that once Harry learns the identities of the three blackmailers -- with relative ease -- he continues to cave into their demands. And then the whole scene with his wife being kidnapped, he decides to wire his classic car up to explode (with the money in it), which makes us take a pretty tall leap of logic.<br /><br />Okay, so he wanted to keep his affair with Cini out of the public eye due to his wife's involvement with the DA campaign. This I can see, but why not hire someone to slap these turds around a bit, or even kill them once he'd determined there was no actual blackmail evidence (e.g, Cini's body?) This was a pretty interesting movie for the first 2/3 of it. After that, it sort of falls apart.

My husband and I are the parents of an autistic little boy who lives in the same township as the screenwriter of this movie. We were very upset that the JCC is bringing this movie to its Jewish film festival because of the way that the mentally disabled character Frankie is portrayed. We went to see this movie at the local theater when it came out. We demanded out money back. We would encourage the screenwriter to donate a portion of the funds to the JCC's Achad program to apologize.<br /><br />We did not like seeing Frankie - a mentally disabled and perhaps even autistic teenager - as part of a joke in which he keeps dropping something to look at the nanny's breasts.<br /><br />There was no point to Frankie's character other than to say "hey, being mentally disabled is funny." Challenges like Frankie's are a serious matter. Families like mine are truly suffering.<br /><br />The screenwriter needs to explain herself. Does she know families with disabled kids? Does she see the families with disabled kids week after week at the JCC pool?

Cary Grant, Douglas Fairbanks Jr. and Victor McLaglen are three soldiers in 19th Century India who, with the help of a water boy (Sam Jaffe) rid the area of the murderous thuggee cult. The chemistry between the actors helps make this one of the most entertaining movies of all time. Sam Jaffe is exceptional as the outcast water boy who is mistreated by all and still wants to be accepted as a soldier in the company. Loosely based on Rudyard Kipling's poem. A must see by anyone who enjoys this type of movie.

Towards the end of the movie, I felt it was too technical. I felt like I was in a classroom watching how our Navy performs rescues at sea. I liked seeing that the engines have fire extinguishers. I guess I should have figured that out before, but I never thought about it. Using a 747 to transport valuable old paintings with very little security is odd and not realistic. The acting was pretty good, since they're mostly seasoned professionals, but if you're going to stretch so far from what would most likely happen, it should be more like a fantasy, comical, etc. Everything was taken too seriously. At least the movie had Felix Ungar as pilot, with Buck Rogers, the night stalker, and Dracula also on board. The movie was filled with well known faces. I understand that Hollywood has to exaggerate a bit for drama, but it does hurt the quality of a movie when a serious subject is made into a caricature. That's why I said it should have been more comical. My pet peeve with movies about airline travel is that everybody just casually moves about. They walk around with drinks, setting them down and picking them up 5 minutes later, just as if they're in a building or something, and acting as if turbulence just doesn't exist. Also, I know it's a disaster movie, but suspense doesn't have to include a 30 second crash after hitting something. Anyway, the skilled actors and actresses keep this weak script from having been made into a movie that got canned after it's first screening. I like Lee Grant, but it was fun to watch a psychotic person get decked...:)

Okay, my title is kinda lame, and almost sells this flick short. I remember watching Siskel & Ebert in '94 talking about this movie, and then playing a clip or two. Not being a rap-conscious guy (although I could identify Snoop Dogg, Vanilla Ice, and MC Hammer music), I wasn't much interested when they started talking about the film. But then, S&E showed the scene where the band explains how they picked their name (using some "shady" logic and a bunch of "made up" facts), and then another scene where the band, and their rival band, both visit a school to promote getting involved (and, of course, NWH comes up with some "info" about how the rival band leader is a loser because he got good grades in school and was on the yearbook committee). So I filed it away that I should see this movie.<br /><br />A couple of years later, this thing shows up on HBO and I recorded it, only to laugh my butt off for hours. Yes, it has a "Spinal Tap" kind of rhythm to it...even the documentarist takes essentially the same "tone" in setting up the clips, and the band follows a similar path (what I now call the "Behind the Music" phenomenon - smalltime band has good chemistry, gets famous, too much money too fast, squabbling, drugs, some type of death, band breaks up, then reconciles, finishing with a hope for more albums in the future, and fade to black). The one thing that is true is that in Spinal Tap, you catch the band perhaps with a little more success in their past. But Tap drags at some points, and in my mind is reduced to laughs that are set up by specific scenes. Oh, this is his rant about the backstage food, this is spot where he wants the amp to go to "ELEVEN", this is the spot where the guy makes the pint-sized stonehenge, etc...<br /><br />Contrasting to FoaBH, which seems to have more "unexpected" humor. You can see some of it coming, but there isn't a big setup for every joke. Sometimes, the jokes just kinda flow. Cundieff and the other actors in the band had a real chemistry that worked. Also, the direct references to Vanilla Ice, Hammer, and a bunch of other caricature-type rappers really worked well. This strikes me as a film you watch once to get the main story and laughs, and then go back and watch to catch the subtle jokes. And the songs. Is "My Peanuts" better than "Big Bottom" (from Spinal Tap)? I don't know - but they're both damn funny. Tone Def's awful video during his "awakening" phase is so bizarre, yet so funny.<br /><br />I could go on awhile, but save your time and don't waste it on CB4. I watched the first half hour, and got bored. You don't get bored on FoaBH. There are slightly less funny moments, but you can never tell when something good is about to happen. Perhaps my favorite scene is when Ice Cold and Tastey Taste (name ripoffs if I've ever heard any) discover they've been sharing the same girl....at one point, you've got those two pointing guns at each other, and the next thing you know, the manager, the photographer, the girl, and I think even Tone Def are in the room pointing guns at each other, switching targets back and forth. And, of course, someone does get shot.<br /><br />I did find it odd that NWH's managers suffered similar fates to Spinal Tap's drummers (although none spontaneously combusted, I don't think). There were enough similarities that I cannot ignore the likelihood that Cundieff saw "Spinal Tap" prior to writing this film, although this is clearly much more the Spinal Tap of hip-hop. While some similarities exist, the humor is different, and the movie seems more like a real documentary (maybe because we don't recognize a single actor in this thing, even the guy who played "Lamar" from "Revenge of the Nerds"). All in all, this movie has, in my opinion, "street cred". Kinda like NWH.

To be honest, I didn't like "Executive Decision" - which was obvious the template - very much, but compared to this piece of crap, it looks like a masterpiece of art.<br /><br />Not only that the people moving in the film (the term actors would be an insult for all other actors) should attend more acting classes, the guy who build the setting hasn't even seen an aircraft from afar. It is so ridiculous, that on a 747 only 3 flight attendance are aboard, but this is only the tip of the iceberg. The film is full of illogicalness (e.g.: use sleeping-gas, then don't use it, then use it anyway), which dropped my rating finally to the bottom.<br /><br />You can have more fun in rearranging you sock drawer or in drilling a hole in your knee and fill it with milk.

Intense actors like Bruce Dern, Jason Patrick and Rachel Ward combine to make this modern-day film noir a winner. Of the three, I don't know who was most interesting as all offer good performances and intriguing characters.<br /><br />Patric does the narration in this noir, playing an ex-boxer and mental patient. Wow, that alone makes for an interesting guy! He looks dumb, but he isn't. Ward is the slinky, attractive, cynical, intelligent and compassionate co- conspirator of a kidnapping plan that goes bad. Bruce Dern also is in the mix and Dern never fails to fascinate in about any film.<br /><br />The movie could be considered kind of downer to the average viewer, but I found it fascinating....and I don't like depressing movies normally. What I found was a kind of quirky crime film. Take a look and see if you agree. This is pretty unknown film that shouldn't have that status because it's simply a good story and well-done.

Well, I bought the Zombie Bloodbath trilogy thinking it would be mindless gory fun. That's what it is, without the fun. This film truly is mindless, it is absent of any plot or character development, or any sort of storyline. The basic problem with this movie is the kills and gore. Basically, every kill looks EXACTLY the same. ZOmbies ripping someone apart. Yeah, that's okay, but you need some original kills too. I mean it got really lame, every kill looked exactly the same, filmed exactly the same way. Thats what killed me. I love gore, and the gore in this film did nothing for me. It was just boring. No storyline, just the same lame scene over and over again with a different person. I wanted to like this movie, too. I love shot on video gore movies...like Redneck Zombies. But I couldn't kid myself. This film has it's good points, but none of those are in the film. I understand that many of the "zombies" helped out with the flood and there were like over 100 zombies, which is pretty cool how they got so many people involved and helped out in the world. But overall, this is a terrible film.

I love the Satan Pit!!! David Tennant is such a great actor and so is Billie Piper!!! Who else loves Will Thorp to pieces??? He is so cute, isn't he? I hated the bits where he got possessed by the devil and where he got told to "go to hell", as Rose so bluntly put it. Mind you, he was quite funny when he said, "Rose, do us a favour, will you? Shut up!". Mr Jefferson was so brave, wasn't he? Dying to save the others. I felt really sorry for Toby (Will Thorp) when he came out of the possession for the 2nd time because he was so scared. I was like "Oh my god if I was Rose I'd be so scared for him". And when she hugged him I was like "grrrrrr, he's mine! hands off!" but I thought that was really sweet. And the doctor....well, I thought he was gonna say to Ida "tell Rose I love her" but he didn't. Oh well.

Firstly, this is simply the funniest movie I have ever seen. It incorporates perfectly-timed slapstick, sexual humour, and cleverly-thought-up stand-up. But it goes deeper than that. The Souler Opposite is an original love story (something we don't see that often) that gave me hope that there is love out there;that two people who love each other can work through their adversity; and that such a comedic take on life (something I believe we all should have) can be accepted by the people that really matter. Chris Meloni gives a such a convincing performance as Barry Singer that he should have won an oscar. The film is brilliantly written and I hope we will be seeing more films from everyone involved in the future.

Kurosawa, fresh into color, losses sight of his usual themes of truth and perception of reality and opts for a depressing take on Tokyo's slums. Kurosawa stretches for a style that was, in my opinion, his antithesis- that is to say, I feel as if Kurosawa wanted to make an Ozu picture. Poorly paced, poorly conceived, this movie is a rare dud in this auteur body of excellent work. While Ikiru, while being mundane and depressing, was still interesting and well paced, and while Stray Dog depicted the slums and social poverty of Japan without being too heavy handed or boring, do desu ka den has all the somberness that one could expect with its content, with none of the redeeming qualities of earlier Kurosawa pictures.<br /><br />Be warned, this is not a movie that Kurosawa should be judged by.

This was one of the most boring movies I've ever seen… I don't really know why… Just your run-of-the-mill stories about guy who is about to get married, and starts to fancy someone else instead. Story has been told a thousand times. Nothing new or innovative about it at all.<br /><br />I don't really know what was wrong with this film. Most of the time when these kinds of actors/actresses get together to make a film that have already been made a million times before, it's really entertaining. There are usually little clever thing in them that aren't really in any other. For some reason, this one just doesn't hold your attention. You can pick out some funny parts, or clever ideas in it, but for some reason they're just not funny, nor clever in any way… I wish I new how to explain it, but I don't… Just don't waste your time on this one…

"Three Daring Daughters" is a sickly sweet, rose-colored look at divorce, remarriage, and single-parent living. Obviously, social issues and economic difficulty have no place in the picture perfect life of a single parent mother who feels exhausted, takes a cruise, and then dates and marries a band conductor. Even when the "its just a movie" phrase excuses the script from addressing real-life problems, 'Daughters' suffers from too many incoherent high-note songs, children whose personalities are not based on real children and band leader Hose Iturbi playing himself. Isn't it bizarre that any real person would star in a film in which their supposed real self gets married? <br /><br />Admittedly, this movie was released in the nineteen forties. Only a love for old style Hollywood romance and comedy could make 'Daughters' a tolerable film.

Don't really know where to start with one of the worst films I have had the displeasure to watch in a very long time. From the setting which was quite obviously and very clear to anyone who has visited London for even 1 day will agree...was not London. To the much unexplained way how Snipe's character managed to escape the country back to the US without a single problem. Then he convinces the girl and grandmother to visit him in America, how on earth did Grandma agree to that...he's an assassin! Well that's the ending how about during the film, well unfortunately that didn't fare much better. We have British cops driving an amazing range of cars, I'm sure it was an eighties Vauxhall Belmont which chased the taxi after the assignation, but a modern Subaru Imprezza escorting the prison van in a few scenes prior. SO19 or whoever the gun toting arm of the Met they were trying to portray was happily running around the streets with their guns out chasing after Snipe's along with the CIA. There were children walking around, but the police were still stating they had a clear shot to shoot him, does this happen in London? No it doesn't, I live there. We also have the very implausible travel from central London to the airport (let's say Heathrow for arguments sake) within 5 minutes of receiving a call. We also have terrible American accents, a young girl who's posher than the Queen, but lives in Elephant & Castle. What does it say for British police when helicopters and a number of officers at Snipe's location can't find Snipe's and he manages to evade capture by hiding behind some stairs? The train station was obviously not even on UK soil and the fight scene sound effects were terrible. The plot was also extremely poor, boring and been written and filmed a lot better a thousand times before. But there were a few notable actors cast in this film, what were they thinking and please don't let that sway you to watch this film! This film didn't seem to know what it wanted to be, if you are going to concentrate on the dramatic aspects from the aftermath of an assignation then you need a strong rigid plot with plausible scenery and setting, this is something the viewer has time to take in and appreciate and if you do it wrong then you notice it. If you want an all out action film (which this is not) then continuity and scenery can be put to the side.

This was a top-notch movie with a top-notch cast. Danny Glover, Tony Danza, Joseph Gordon-Levitt, and especially Christopher Lloyed are well-cast in this charming movie about real-life angels helping the Angels baseball team. You never know, it could happen. I loved Lloyd's role in it. He was hilarious. The story is about turning your life around, as the kid's belief in Angels helped turn around angry, hardened, and embittered manager Glover see the best in people. The movie was well made and also about seeing the best in people and reaching your dreams. It was funny, charming, touching, and sad, all very nicely done. You will like (or love) it. I guarantee.<br /><br />*** out of ****

There are exactly 2 good things to be said about "Fantasies" (both mentioned by a previous reviewer as well): <br /><br />a) Bo Derek's extraordinary, poetry-inspiring beauty. She has shots in this movie where she gives even Catherine Zeta-Jones a run for her money, and that's a high compliment indeed. Her nudity is brief and discreet, but just looking at her face is enough.<br /><br />b) The Greek island setting, with its sun and crystal-clear blue waters.<br /><br />Other than that, there is no story, the dialogue is abysmal and at times unintentionally funny ("He touched you where you're a woman!"), and Peter Hooten's character is a slimy jerk. Bo overplays the naivete of her character, but then again when you have to work with dialogue this bad it's unfair to blame the actors (the fact that she kept saying the name "Damir" in almost every sentence is a major irritation). Oh, and although the film is set on a Greek island, there is hardly a Greek word to be heard - apparently everyone there, from kids to old people, speaks English the whole time. (*)

I can't say this is the worst movie ever made, but personally I think of it that way because when it was originally released in theaters, (1) the initial buzz was positive enough that my girlfriend insisted we go see it, and we actually STOOD IN LINE to get tickets, and (2) it's still the only "serious" film I recall where the audience started snickering at a certain point and basically laughed at the movie the rest of the way through. Once we reached the infamous (and interminable) snake fight scene, I think everyone gave up.<br /><br />The only positive I can concede is the lush location shooting. Oh, and there's also Bo's breasts, although her acting is so wooden that the nudity is unerotic and doesn't rate much more than a Playboy pictorial.<br /><br />The "dramatic tension" in this film is between Bo's terrible acting and her husband's horrible direction. The snake fight has to be one of the most incompetent "action" sequences ever filmed. However, this is one of those films that's bad enough, it may be worth watching on the level of unintentional humor. Definitely the worst film I ever paid to see.

Standard procedure for Swedish movies today seem to be to start by throwing plausibility out the window and continue down that path for the rest of the process. Rånarna is another fine example of a movie making very little sense.<br /><br />Banks in Stockholm are being robbed by a highly efficient "military-styled" gang of robbers. Two police officers start investigating the case that soon becomes more complicated than it would appear at first.<br /><br />As usual in Swedish film the cast is mostly made up of the same people you have seen over and over again. Mikael Persbrandt must be in every Swedish film from the last few years! But that's OK i guess since Persbrandt is one of few that performs solidly here (like he usually does). The problems with this film mostly revolves around the story itself. First of all the robberies feel mostly like background. Rather this is more a movie about a young policewoman fighting to prove herself in a male world (like that has not been made a thousand times before with a decent actress instead of Sofia Helin). Also there is a completely unbelievable plot twist near the end that seems about as plausible as Aliens landing. But still, i did think it was a quite nice touch considering i was half asleep right about then. It spiced things up a bit (and actually saved the rating from dropping another step).<br /><br />In the end the main problem is the same thing as with most other Swedish movies of this kind. Simply that the action and suspense doesn't live up to the standards we are used to from other movies of this kind (mostly Hollywood). It feels cheap and rather weak in comparison. In my opinion Swedish filmmakers should try to focus more on plot and acting, and forget about trying to make "Hollywood-action light" like they do now. Because this becomes yet another forgettable effort from the Swedish movie-industry. I rate it 3/10.

I cannot vote on this because I wouldn't watch garbage from these people. They got my money with another movie (Mr. Jingles) and I swore it would never happen again. I feel it's my civic duty to help people stay away from this trash. Go to the forums on this film and read where cast members try to act like they are seeing the movie for the first time. One guy even responds to himself ...using the same name! There are shills in the forum that say it's as good as Shawshank Redemption and Citizen Kane...Not even close (by no means). If this is the company's 2nd movie, it should be better than the first. That means the 3rd movie should be a lot better. Not so, I've seen it. All I want to know is how you distribute this trash using the same names all the time. Having fun with friends and making a movie over the weekend is fine...but don't try to market that trash!

An absolute steaming pile of cow dung. It's mind-blowing to me that this film was even made. Hip-Hop and old westerns just don't seem to mix. What target audience were these people thinking of when planning this trainwreck.<br /><br />Not only is the concept and plot a joke, but the acting is atrocious and the fact that some decent actors were even in this nightmare of a film makes their entire careers a laughing stock. The chick from clueless should never be forgiven and she is stripped of any remaining dignity she had. After reading the first ten pages of dialogue she should have been asking which one of her friends was playing this sick joke. After some research, I actually found a list of some other actors who passed on this film: Jada Pinkett-Smith, Denzel Washington, Brandy, Monique, Kim Kardasian, Jenna Jameson, Oprah, and finally Marge Simpson.<br /><br />Simply put, I would rather stare at a blank TV than watch this movie again.

I am right now in front of the tv, watching Casomai. It is changing, it id evolving or better...devolving. It begin with a courius wedding of the two protagonists where their love-story is reported. After that everything change, a child was born, and all the rest usually happen in a couple. It is a not a special movie because it talks about a normal couple, and normality is the center of this movie. It doesn't want to show us something particular, there is nothing new, it is just a normal love-story, the story of a couple, and being normal it become different from the rest. It is also a flashing movie, everything is short, every scene is long just some seconds. It is a reported story, many things are known because friends and parents talk about that, and their opinion is central, the opinions create the story and destroy it. It is a simple story of a couple as I said, but it is not boring, it just show a couple, should be everything known, it is, but I am sure that every one of you will want to know what happen, so don't forget to watch the end!

Wouldn't it be great if Not Another Teen Movie actually put an end to all of these stupid, pointless, I'm getting more sex than you are teen movies? In a perfect world, yes. Yet this one is even worse. This one is not humiliating for the stars, it's humiliating for the distributor. All of the jokes are basically college students exposing stuff that people probably have NO interest in seeing, yet it's "funny." Devon Sawa, who was actually good in Final Destination, is just plain dull in this movie. It makes you wonder if it's being bad on purpose. Grade: F

American icon Henry Fonda portrays "Elegant" John Howard, an aging trucker who has had his beloved big rig "Eleanor" repossessed after a lengthy hospital stay has forced him to miss his payments. Deciding that he would like to make just one more perfect run, he breaks out of the hospital, steals back Eleanor, and hooks up with old friend Penelope Pearson (Eileen Brennan), who is in need of relocating her troupe of prostitutes.<br /><br />Fondas' wonderful performance is a natural anchor for a film that tugs at the heartstrings as effectively as it tickles the funny bone in the more comedic scenes. A superb cast including Robert Englund, as a reluctant young sidekick, Susan Sarandon (who also gets co-producer credit), and Dub Taylor (a delightful ham, as always, in the most blatantly comedic portion of the picture) helps immeasurably.<br /><br />The ultimately life-affirming nature of the picture and the poignancy of the journey carry incredible weight; this is a picture, that provided you get into it, you can remember long after it's over.<br /><br />The promise of the open road is vividly displayed here; the countryside just looks beautiful. Set to Craig Safans' wonderful music score, it's a remarkable picture in terms of aesthetics.<br /><br />It loses a little something in its final act (the characters played by John Byner and Austin Pendleton are little more than intrusions), but it still maintains its good vibes thanks to the appeal of its central characters.<br /><br />Not at all the exploitation / drive-in schlock picture one might expect from the title (especially its alternate title, "The Great Smokey Roadblock"), it's a rewarding movie experience that I can recommend without qualms.<br /><br />9/10

Really touching story of a recruitment camp in America, where young men are prepared for the Vietnam war. The human study always appealed to me when it comes to war movies, because it translates personal, subjective opinions on war, opposed war action movies where action, and technical data are being analyzed to the prejudice of the human factor. <br /><br />The movie manages to put a new spin on an already ancient subject, and manages to distance itself from usual war movies, especially by focusing on an anti-hero from the view-point of traditional standard. The movie focuses on the tragic character of Bozz, who smartly avoids being sucked in by the dehumanizing war machine, and refuses to give up control over his destiny and fight for something he doesn't believe in, spends his energy in searching ways to avoid being sent overseas, both for himself and comrades and ironically ends up finding his own just reason for finally going to war. Perfect irony.<br /><br />The acting is truly exceptional, and the documentary-style shooting almost makes you feel transposed into the movie. Also the movie will provide food for thought for those exhilarated by the action in usual war movies or war-games enthusiasts, hopefully awakening some minds of a generation which luckily escaped the terror of being drafted.

I sincerely hope that at least the first season of Cosby is released on DVD someday. The episode with Hilton's eccentric genius brother, George (played by the late Roscoe Lee Browne), is classic hilarity. It reflects the classic sibling rivalry and love between brothers whose lives took different paths but both ended up happy.<br /><br />Mr. Cosby and Ms. Rashad brilliantly recaptured the chemistry that they shared on The Cosby Show for many years and to put them in a more middle-class role shows the dimensions they can take as artists. <br /><br />The roster of comedic dynamite...Madeline Kahn, Phylicia Rashad, and Mr. Cosby ...classic genius!

I remember watching this as a child in the UK, mesmerized by the story and Laurence Olivier's narration. We would talk about nothing else at school the next day. I imagine the ratings for the first showing were huge. This is quite simply the best most comprehensive documentary series despite the fact they had to cut the story down to the bone they managed to capture so much. What is interesting is that the battles of Britain and North Africa were pivotal yet are widely unrecognized as such by Americans. The series captures the rivalry between Mountbatten and the American generals, the suffering of German troops on the Eastern front, the maltreatment of Japanese prisoners of war by American troops. The images of the holocaust made me, a non-Jewish European, feel forever guilty about the treatment of the Jewish people. I don't know why this is not number one in the IMDb rankings. Perhaps they are showing their bias against documentaries. Spoiler - we win.

this is a great movie. i like it where ning climbs down to get his ink, and the skeletons chase him, but luckily he dodged them, opened the window, and didn't even notice them. xiao qian is very pretty too. & when he stuck the needle up ma Wu's butt, its hysterical. and when he is saying love is the greatest thing on earth while standing between two swords is great too. then also the part where he eats his buns while watching thew guy kill many people. then you see him chanting poems as he ran to escape the wolves. the love scenes are romantic, xiao qian and ning look cute together. add the comic timing, the giant tongue, and u have horror, romance, comedy, all at once. not to mention superb special effects for the 90s.

This film has great acting, great photography and a very strong story line that really makes you think about who you are, how you define yourself, how you fit in, whether you accept to play a role or break free... There already are excellent comments dealing with these aspects. I want to comment on the formal setting of the film. Basically, it's two people on a roof. There is unity of place and time, with 2 protagonists, and the radio acting as the choir. Many directors have turned Greek tragedies into film, many directors have filmed contemporary stories as if they were a Greek tragedy, but no director, in my opinion, has succeeded as admirably as Ettore Scola in approaching the purity and force of the great Greek tragedies both in story line and formal setting. A masterpiece.