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[0.00s -> 10.75s] Surrealism. The surrealism was an artistic and literary movement that emerged in the early 20th century aiming to explore the unconscious mind and unleash creativity beyond rationality. |
[10.75s -> 25.12s] Led by figures like Andre Breton and Salvador Dali, Surrealists sought to depict dreamlike imagery, juxtaposing unrelated elements in surprising ways to provoke thought and evoke strong emotions. Surrealist artworks often feature fantastical landscapes, |
[25.12s -> 32.08s] bizarre creatures and symbolic motifs, inviting viewers to interpret their meanings freely. Romanticism |
[32.08s -> 43.01s] The Romanticism art emerged in the late 18th and early 19th centuries as a reaction against the rationalism of the Enlightenment and the strictures of Neoclassicism. It emphasized emotion, |
[43.01s -> 52.77s] imagination and individualism, celebrating nature, the sublime and the exotic. Romantic artists often depicted dramatic landscapes, turbulent skies, |
[52.77s -> 64.30s] and awe-inspiring natural phenomena to evoke a sense of the sublime and the ineffable. They also explored themes of nationalism, folklore, and mythology celebrating the spirit of freedom and revolution. |
[64.59s -> 74.40s] Realism Realism is an artistic movement that emerged in the 19th century primarily in Europe as a reaction against the idealized and romanticized portrayals of life. |
[74.40s -> 88.91s] It aimed to depict everyday subjects and situations truthfully, without embellishment or idealization. Realist artists often focused on the lives of ordinary people, depicting their struggles, joys, and environments with meticulous detail and accuracy. |
[89.26s -> 101.46s] Minimalism. The minimalism is an art movement that emerged in the 1960s, characterized by extreme simplicity and a focus on fundamental elements like geometric shapes, basic colors, and clean lines. |
[101.46s -> 107.47s] artists sought to strip away excess and decoration, creating works that emphasize pure form and presence. |
[107.47s -> 117.54s] Minimalist art often invites viewers to engage directly with the physical qualities of the artwork and the surrounding space, encouraging contemplation and reflection. |
[117.54s -> 130.19s] The Renaissance art was characterized by a revival of interest in classical Greek and Roman art, leading to a focus on realism, perspective, and humanism. Renaissance artists such as Leonardo da Vinci, Michelangelo, and Raphael |
[130.19s -> 144.19s] created works that emphasized accurate depiction of the human form, lifelike expressions, and spatial depth. Their masterpieces, including paintings, sculptures, and architecture, reflected a renewed appreciation for the individual, nature, |
[144.19s -> 158.06s] and the pursuit of knowledge. Baroque The Baroque art characterized by dramatic use of light and shadow, intense emotion, and rich, detailed compositions. Baroque artists aim to evoke powerful emotional responses in viewers. |
[158.06s -> 169.23s] often employing dynamic compositions and theatrical effects. Religious themes were prevalent, with artists seeking to convey spiritual messages with heightened drama and intensity. |
[169.23s -> 179.39s] The Expressionism was an art movement that emerged in the early 20th century, primarily in Germany. It aimed to convey emotional and psychological experiences rather than physical reality. |
[179.39s -> 192.11s] Often through distorted or exaggerated forms and vivid colors, expressionist artists such as Edvard Munch and Ernst Ludwig Kirchner sought to evoke intense feelings and explore themes of angst, alienation, and inner turmoil. |
[192.11s -> 201.94s] Abstract Expressionism The Abstract Expressionism was a post-World War II art movement that originated in New York City in the 1940s and 1950s. |
[201.94s -> 213.33s] It emphasized spontaneous intuitive and emotional expression through abstract forms and gestural brushwork. Artists such as Jackson Pollock, Willem de Kooning, and Mark Rothko were central figures in this movement. |
[213.33s -> 226.50s] Abstract expressionists often explored themes of individuality, the subconscious, and the act of painting itself, rejecting traditional representation in favor of conveying raw emotion and inner experience on canvas. Fauvism |
[226.50s -> 240.40s] Favism was an early 20th century art movement characterized by bold colors, spontaneous brushwork, and simplified forms. Artists like Henri Matisse and Andre Duran were key figures, emphasizing emotional expression over realistic representation. |
[240.56s -> 248.34s] Cubism. The Cubism was an influential art movement pioneered by Pablo Picasso and Georges Braque in the early 20th century. |
[248.34s -> 256.62s] It revolutionized traditional artistic representation by breaking down subjects into geometric shapes and depicting multiple viewpoints simultaneously. |
[256.62s -> 266.74s] Cubist artworks often feature fragmented forms, abstract shapes, and a flattened perspective, challenging viewers to rethink how they perceive space and form. Classicism |
[266.74s -> 276.70s] The classicism refers to a movement in art and literature that draws inspiration from ancient Greek and Roman cultures, particularly their emphasis on harmony, balance, and order. |
[276.70s -> 290.85s] It emerged during the Renaissance and experienced revivals in various periods, including the 17th and 18th centuries. Classicism prioritizes clarity, simplicity, and idealized forms rejecting the extravagant ornamentation of preceding styles. |
[290.85s -> 301.46s] Artists like Jacques-Louis David and Nicolas Poussin are renowned for their classical works which often depict heroic or mythological themes with a sense of timeless grandeur and dignity. |
[301.97s -> 308.82s] Symbolism The symbolism was an artistic and literary movement that emerged in the late 19th century, primarily in France. |
[308.82s -> 317.81s] It emphasized the use of symbols and metaphors to evoke emotions, dreams, and spiritual experiences. Symbolist artists such as Gustav Klimt and Odilon Radon |
[317.81s -> 332.30s] sought to convey abstract ideas and inner visions rather than represent objective reality. Symbolism often featured dreamlike imagery, mythological motifs, and richly symbolic content exploring themes of mysticism, spirituality, and the subconscious mind. |
[332.30s -> 343.71s] Op art. The op art, short for optical art, is a style of visual art that uses optical illusions and geometric patterns to create the impression of a movement, depth, or distortion. |
[343.71s -> 354.46s] It often employs contrasting colors and precise, repetitive shapes to stimulate the eye and mind, creating a dynamic and sometimes disorienting visual experience. Futurism |
[354.46s -> 368.69s] The Futurism was an avant-garde movement that emerged in Italy in the early 20th century. It celebrated modern technology, speed, and the dynamism of urban life, advocating for the rejection of traditional artistic forms in favor of embracing the future. |
[368.69s -> 382.05s] Artists like Umberto Boccioni and Giacomo Balla depicted motion and energy through fragmented forms, dynamic compositions, and vibrant colors. Dada Dada was an avant-garde movement that emerged during World War I. |
[382.05s -> 394.53s] originating in Zurich, Switzerland. It rejected traditional artistic conventions and embraced absurdity, chaos, and anti-establishment sentiments. Dadaists like Marcel Duchamp and Tristan Tzara used collage. |
[394.53s -> 407.86s] found objects and performance art to challenge the rationality of society and the art world. Dada's legacy lies in its subversion of artistic norms and its influence on later movements such as surrealism and conceptual art. |
[408.14s -> 418.53s] Art Nouveau, a late 19th and early 20th century art movement embraced organic forms, flowing lines, and intricate patterns. It emerged as a reaction against the academic art of the time. |
[418.53s -> 430.46s] seeking to integrate art into everyday life through architecture, interior design, and decorative arts. Inspired by nature and exotic cultures, Art Nouveau artists like Alphonse Mucha and Hector Guimard |
[430.46s -> 436.69s] aimed to create a total aesthetic experience characterized by its sinuous curves and ornamental motifs. |
[437.20s -> 448.29s] Impressionism The Impressionism was an art movement in the late 19th century characterized by capturing the fleeting effects of light and atmosphere through loose brushwork and vivid colors. |
[448.29s -> 461.60s] It focused on depicting everyday scenes, often outdoors, with an emphasis on conveying the artist's impression rather than precise details. Key artists include Claude Monet, Edgar Degas, and Pierre-Auguste Renoir. Post-Impressionism |
[461.60s -> 472.90s] The Post-Impressionism was an art movement that emerged in the late 19th century as a reaction to Impressionism. Artists associated with Post-Impressionism, such as Paul Cézanne, Vincent Van Gogh, and Georges Seurat, |
[472.90s -> 483.57s] built upon Impressionist techniques while pushing the boundaries of color, form, and expression. They focused on subjective interpretations of reality using bold colors, distinctive brushwork, |
[483.57s -> 495.47s] and innovative compositions to convey emotions and ideas. Rococo The Rococo was an artistic movement that flourished in Europe during the 18th century, particularly in France. |
[495.47s -> 509.68s] It is characterized by its ornate and playful style, featuring delicate pastel colors, asymmetrical compositions, and lavish decorations. Rococo art often depicted scenes of leisure, love, and frivolity reflecting the aristocratic culture of the time. |
[510.06s -> 520.48s] Neoclassicism The Neoclassicism was an artistic and architectural movement that emerged in the 18th century as a reaction against the excesses of the Rococo style. |
[520.48s -> 529.34s] Inspired by the ideals of ancient Greek and Roman art, neoclassical artists sought to revive the classical aesthetic of harmony, proportion, and clarity. |
[529.34s -> 542.35s] Rejecting the ornate decoration of the rococo, neoclassical works emphasized clean lines, symmetry, and a return to classical subject matter, such as historical events and mythological themes. Mannerism |
[542.35s -> 554.75s] The Mannerism was an art movement that emerged in the late Renaissance period, primarily in Italy during the 16th century. It is characterized by a departure from the balance, harmony, and naturalism of high Renaissance art. |
[554.75s -> 567.50s] Mannerist artists deliberately distorted proportions, exaggerated poses, and employed intricate compositions to create a sense of elegance, sophistication, and intellectual complexity in their works. |
[567.50s -> 581.02s] The modern art encompasses a wide range of artistic styles and movements that emerged in the late 19th and early 20th centuries, breaking away from traditional forms and techniques. It includes movements like cubism, surrealism, |
[581.02s -> 591.82s] abstract expressionism, and pop art among others. Modern art often explores new concepts, materials, and techniques and can be highly experimental and diverse in its expressions. |
[592.53s -> 604.45s] Precisionism. Precisionism was an American art movement in the early 20th century known for its precise, detailed portrayal of urban and industrial landscapes. Artists depicted scenes with sharp lines, geometric shapes, and smooth surfaces. |
[604.45s -> 613.94s] Capturing the modernization and industrialization of America, this style often emphasized the beauty and order found in architecture, machinery, and infrastructure. |
[1.20s -> 14.08s] hello everyone today we will learn the type of sleeves or the construction of sleeves well a sleeves can be classified on the basis of its length on the basis of fitting |
[14.08s -> 23.44s] and on the basis of sleeve lines or construction besides that when it comes to styling a sleeve can be of numerous types |
[23.44s -> 32.03s] but here we will focus on the types or the classification of sleeves on the basis of length fitting and its construction pattern |
[32.03s -> 41.70s] Well, on the basis of length, sleeve can be of seven types. The first is sleeveless, where there is no sleeves or which is also known as tank. |
[41.70s -> 50.59s] Then comes the cap sleeves which ends at the height of your cap. A sleeve that covers the cap height of your hand. |
[50.59s -> 64.90s] then comes short sleeves which is also known as t-shirt sleeves that ends in between your shoulder point and the elbow then comes the above elbow sleeves or sleeves that ends right above your |
[64.90s -> 75.73s] elbow and then comes the mid length sleeves or below elbow sleeves as the name suggests it ends below your elbow then comes the three quarter sleeves |
[75.73s -> 90.00s] or three-fourth sleeve or quarter sleeves that ends somewhere at the mid of your elbow to wrist point that usually covers the three-fourth section of your hand and lastly comes the long sleeves which ends |
[90.00s -> 91.46s] at your wrist |
[91.46s -> 105.79s] besides that when it comes to fashion styling and creativity a sleeve can be long enough to touch the floor or it can be sleeveless right now come to the next section which is sleeves |
[105.79s -> 118.80s] classification of sleeves according to the fitting when it comes to fitting it can be too fitted or too loose as we all know so here is a skin fitted sleeves which lies next to your skin |
[118.80s -> 130.88s] Then comes fitted sleeves which is slightly loose as compared to the skin fitted sleeves. Then comes loose sleeves or basic sleeves which is a straight sleeves. |
[130.88s -> 140.77s] then comes bell sleeves that has a slightly bell kind of shape and lastly comes the flare sleeves now the third classification is based |
[140.77s -> 149.74s] on the construction of this which is also known as sleeve lines or the way we join sleeve to the top or the upper garment |
[149.74s -> 164.56s] So it can also be divided into two parts which is separate construction and continuous construction. There are four types in separate construction. These are satin sleeves, raglan sleeves, |
[165.14s -> 167.38s] Saddle sleeves or |
[168.21s -> 182.80s] Drop sleeves and the second part is continuous construction where there is no cutting between the top and the sleeves. It is a single fabric or the single pattern that covers the upper body as well as the sleeve part. |
[182.80s -> 186.74s] is round yoke and dormancy. There are only two types. |
[186.74s -> 201.04s] so this is your classification of sleeves on the basis of length fitting and construction or sleeve lengths or on the basis of construction the way it is being joined to the top or the upper gown that's it i hope you understand |
[201.04s -> 203.76s] Thank you. |
[0.00s -> 5.98s] Intervals, part one. Half of everything you need to know so you don't fail music class in seven minutes. |
[5.98s -> 20.43s] Intervals are a measurement of the distance between two notes. They're an important part of the vocabulary of music and are useful in discussing the qualities, structure, and functions of scales, chords, and melodies. They are also useful for increasing your prowess at sight reading, sight singing, composition, and |
[20.43s -> 34.64s] and improvisation. As with most things in music theory, familiarity with major scales and key signatures is fundamental to understanding intervals. If you're not confident on those concepts, you're going to have a bad time. Check the links in the description if you need to brush up on those concepts. Intervals are defined by a |
[34.64s -> 47.68s] They have names like major third, minor third, diminished third, or augmented third, or perfect fifth, diminished fifth, or augmented fifth. The quality of an interval is determined by comparing the top note to the major scale of the bottom note. |
[47.68s -> 62.03s] The number is much simpler, so we'll start there. The number in an interval is a measure of the relative position of two notes on the staff. It's defined by how many letter names are between the two notes, including the notes themselves. For instance, this is a fifth, because from A to E, there are five |
[62.03s -> 76.26s] letter names you might imagine there are notes on every line in space and count each one one two three four five a to e is a fifth it's important to note that the number of the interval is independent of any accidentals that might be on the notes so |
[76.26s -> 89.26s] This is still a fifth, as is this and this and even this. They're all five letter names away on the staff, so they're all fifths. Let's look at a few more. This is a second, a third, and a fourth. Here's a sixth and a seventh. |
[89.84s -> 103.82s] And here's a 9th and an 11th. Intervals of 1 or 8 have special names because they involve two notes of the same name, like C to C or C to C. They're still notated with a number, but are commonly referred to as unison and octave. |
[103.82s -> 117.28s] A 15th is two octaves, like C to C, but for some reason it doesn't have a special name. Personally, I like to call it Duboctia, the Destroyer. To review, this is a unison, second, third, fourth, fifth, sixth... |
[117.28s -> 126.27s] 7th, and 8th, as well as 9th, 10th, 11th, 12th, 13th, 14th, and Dabhaktia, the Destroyer. |
[126.27s -> 138.85s] As we said before, intervals also have a quality, such as major, minor, perfect, augmented, or diminished. There are a number of different symbols and abbreviations that are used for these qualities, but I'll be using these because I think they're the least ambiguous. |
[138.85s -> 151.60s] In any major scale, the interval from the first note of that scale to the first, fourth, fifth, or eighth notes of the scale are referred to as perfect. Perfect unison, perfect fourth, perfect fifth, and perfect octave. |
[151.60s -> 162.32s] The distance from the first note of the scale to the second, third, sixth, and seventh note are all referred to as major. Major second, major third, major sixth, and major seventh. |
[162.32s -> 172.86s] Of course, these interval qualities are the same for any major scale. For instance, in D major, from the first note of the scale, the interval of unison, fourth, fifth, or octave are all called perfect. |
[172.86s -> 181.54s] and a second, third, sixth, and seventh are all called major. You may be wondering, why are some intervals called perfect and some intervals are called major? |
[181.54s -> 194.06s] Look, I know it seemed arbitrary. There's a reason. I promise. It just won't make any sense until we cover a little bit more. For now, just go with it. So far, we've only been looking at intervals from the first note of a major scale to any other note in that scale. |
[194.06s -> 207.62s] But what happens if the upper note doesn't appear in the major scale of the bottom note? That's when you get into those other qualities, minor, diminished, and augmented. The quality of an interval is determined by comparing it to the major or perfect interval that normally occurs in a major scale. |
[207.62s -> 219.42s] For instance, these are all thirds. C to E is a major third because E is natural in C major. All the other thirds have been altered from the major third in some way. C to E flat is one semitone smaller. |
[219.42s -> 233.71s] it's referred to as a minor third. Any major interval that's been made smaller by a semitone is referred to as minor. Any interval that's been made two semitones smaller, like C to E double flat, is known as diminished. Finally, any major interval that's been made a semitone larger is |
[233.71s -> 236.24s] augmented, like C to E sharp. |
[236.66s -> 250.21s] This applies to all the major intervals. These are all sixths. The first one is major because A is natural in the key of C. The next is a minor sixth because the interval is one semitone smaller than the major. Next is diminished because it's two semitones smaller than the major. |
[250.21s -> 264.11s] and the last one is augmented because it's one semitone larger than the major. These are all seconds and sevenths. As you can see, the major intervals are just as they appear in the major scale. The minor intervals are one semitone smaller. The diminished intervals are two semitones smaller. |
[264.11s -> 272.27s] and the augmented intervals are one semitone larger. Let's try another key. D to F sharp is a major third, because F is sharp in D major. |
[272.27s -> 285.17s] D to F natural is one semitone smaller than the major third, so it's a minor third. D to F flat is two semitones smaller than the major third, so it's diminished. D to F double sharp is one semitone larger than the major third, so it's an augmented third. |
[285.17s -> 292.69s] And here are the different possible seconds, sixths, and sevenths in D major. Pause the video if you'd like to inspect and compare the intervals. |
[293.87s -> 307.22s] So far, we've only been talking about alterations for major intervals. The perfect intervals are similar with one important difference. While the major intervals have four forms, major, minor, augmented, and diminished, the perfect intervals only have three. |
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