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lasha-nlp

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CONDAQA

like 4

q10

rarely

Lateral undulation is the sole mode of aquatic locomotion, and the most common mode of terrestrial locomotion. In this mode, the body of the snake alternately flexes to the left and right, resulting in a series of rearward-moving "waves". While this movement appears rapid, snakes have rarely been documented moving faster than two body-lengths per second, often much less. This mode of movement has the same net cost of transport (calories burned per meter moved) as running in lizards of the same mass.

NO

While this movement appears rapid, snakes have rarely been documented moving faster than two body-lengths per second, often much less.

If a researcher is interested in the study of snakes, is there a possibility he will come across data indicating that snakes move faster than two body-lengths per second?

Lateral undulation is the sole mode of aquatic locomotion, and the most common mode of terrestrial locomotion. In this mode, the body of the snake alternately flexes to the left and right, resulting in a series of rearward-moving "waves". While this movement appears rapid, snakes have rarely been documented moving faster than two body-lengths per second, often much less. This mode of movement has the same net cost of transport (calories burned per meter moved) as running in lizards of the same mass.

q20

rarely

Lateral undulation is the sole mode of aquatic locomotion, and the most common mode of terrestrial locomotion. In this mode, the body of the snake alternately flexes to the left and right, resulting in a series of rearward-moving "waves". While this movement appears rapid, snakes have rarely been documented moving faster than two body-lengths per second, often much less. This mode of movement has the same net cost of transport (calories burned per meter moved) as running in lizards of the same mass.

DON'T KNOW

While this movement appears rapid, snakes have rarely been documented moving faster than two body-lengths per second, often much less.

Is a snake moving faster than two body-lengths per second faster than a cheetah?

Lateral undulation is the sole mode of aquatic locomotion, and the most common mode of terrestrial locomotion. In this mode, the body of the snake alternately flexes to the left and right, resulting in a series of rearward-moving "waves". While this movement appears rapid, snakes have rarely been documented moving faster than two body-lengths per second, often much less. This mode of movement has the same net cost of transport (calories burned per meter moved) as running in lizards of the same mass.

q30

rarely

Lateral undulation is the sole mode of aquatic locomotion, and the most common mode of terrestrial locomotion. In this mode, the body of the snake alternately flexes to the left and right, resulting in a series of rearward-moving "waves". While this movement appears rapid, snakes have rarely been documented moving faster than two body-lengths per second, often much less. This mode of movement has the same net cost of transport (calories burned per meter moved) as running in lizards of the same mass.

NO

While this movement appears rapid, snakes have rarely been documented moving faster than two body-lengths per second, often much less.

Can a student determine the speed of a viper from information obtained from library books?

Lateral undulation is the sole mode of aquatic locomotion, and the most common mode of terrestrial locomotion. In this mode, the body of the snake alternately flexes to the left and right, resulting in a series of rearward-moving "waves". While this movement appears rapid, snakes have rarely been documented moving faster than two body-lengths per second, often much less. This mode of movement has the same net cost of transport (calories burned per meter moved) as running in lizards of the same mass.

q10

rarely

Lateral undulation is the sole mode of aquatic locomotion, and the most common mode of terrestrial locomotion. In this mode, the body of the snake alternately flexes to the left and right, resulting in a series of rearward-moving "waves". While this movement appears rapid, snakes have rarely been documented moving faster than two body-lengths per second, often much less. This mode of movement has the same net cost of transport (calories burned per meter moved) as running in lizards of the same mass.

NO

While this movement appears rapid, snakes have rarely been documented moving faster than two body-lengths per second, often much less.

If a researcher is interested in the study of snakes, is there a possibility he will come across data indicating that snakes move faster than two body-lengths per second?

Lateral undulation is the sole mode of aquatic locomotion, and the most common mode of terrestrial locomotion. In this mode, the body of the snake alternately flexes to the left and right, resulting in a series of rearward-moving "waves". While this movement appears rapid, snakes have hardly been documented moving faster than two body-lengths per second, often much less. This mode of movement has the same net cost of transport (calories burned per meter moved) as running in lizards of the same mass.

q20

rarely

Lateral undulation is the sole mode of aquatic locomotion, and the most common mode of terrestrial locomotion. In this mode, the body of the snake alternately flexes to the left and right, resulting in a series of rearward-moving "waves". While this movement appears rapid, snakes have rarely been documented moving faster than two body-lengths per second, often much less. This mode of movement has the same net cost of transport (calories burned per meter moved) as running in lizards of the same mass.

DON'T KNOW

While this movement appears rapid, snakes have rarely been documented moving faster than two body-lengths per second, often much less.

Is a snake moving faster than two body-lengths per second faster than a cheetah?

Lateral undulation is the sole mode of aquatic locomotion, and the most common mode of terrestrial locomotion. In this mode, the body of the snake alternately flexes to the left and right, resulting in a series of rearward-moving "waves". While this movement appears rapid, snakes have hardly been documented moving faster than two body-lengths per second, often much less. This mode of movement has the same net cost of transport (calories burned per meter moved) as running in lizards of the same mass.

q30

rarely

Lateral undulation is the sole mode of aquatic locomotion, and the most common mode of terrestrial locomotion. In this mode, the body of the snake alternately flexes to the left and right, resulting in a series of rearward-moving "waves". While this movement appears rapid, snakes have rarely been documented moving faster than two body-lengths per second, often much less. This mode of movement has the same net cost of transport (calories burned per meter moved) as running in lizards of the same mass.

NO

While this movement appears rapid, snakes have rarely been documented moving faster than two body-lengths per second, often much less.

Can a student determine the speed of a viper from information obtained from library books?

Lateral undulation is the sole mode of aquatic locomotion, and the most common mode of terrestrial locomotion. In this mode, the body of the snake alternately flexes to the left and right, resulting in a series of rearward-moving "waves". While this movement appears rapid, snakes have hardly been documented moving faster than two body-lengths per second, often much less. This mode of movement has the same net cost of transport (calories burned per meter moved) as running in lizards of the same mass.

q10

rarely

Lateral undulation is the sole mode of aquatic locomotion, and the most common mode of terrestrial locomotion. In this mode, the body of the snake alternately flexes to the left and right, resulting in a series of rearward-moving "waves". While this movement appears rapid, snakes have rarely been documented moving faster than two body-lengths per second, often much less. This mode of movement has the same net cost of transport (calories burned per meter moved) as running in lizards of the same mass.

YES

While this movement appears rapid, snakes have rarely been documented moving faster than two body-lengths per second, often much less.

If a researcher is interested in the study of snakes, is there a possibility he will come across data indicating that snakes move faster than two body-lengths per second?

Lateral undulation is the sole mode of aquatic locomotion, and the most common mode of terrestrial locomotion. In this mode, the body of the snake alternately flexes to the left and right, resulting in a series of rearward-moving "waves". This movement appears rapid, snakes have been documented moving faster than two body-lengths per second, rarely much less. This mode of movement has the same net cost of transport (calories burned per meter moved) as running in lizards of the same mass.

q20

rarely

Lateral undulation is the sole mode of aquatic locomotion, and the most common mode of terrestrial locomotion. In this mode, the body of the snake alternately flexes to the left and right, resulting in a series of rearward-moving "waves". While this movement appears rapid, snakes have rarely been documented moving faster than two body-lengths per second, often much less. This mode of movement has the same net cost of transport (calories burned per meter moved) as running in lizards of the same mass.

DON'T KNOW

While this movement appears rapid, snakes have rarely been documented moving faster than two body-lengths per second, often much less.

Is a snake moving faster than two body-lengths per second faster than a cheetah?

Lateral undulation is the sole mode of aquatic locomotion, and the most common mode of terrestrial locomotion. In this mode, the body of the snake alternately flexes to the left and right, resulting in a series of rearward-moving "waves". This movement appears rapid, snakes have been documented moving faster than two body-lengths per second, rarely much less. This mode of movement has the same net cost of transport (calories burned per meter moved) as running in lizards of the same mass.

q30

rarely

Lateral undulation is the sole mode of aquatic locomotion, and the most common mode of terrestrial locomotion. In this mode, the body of the snake alternately flexes to the left and right, resulting in a series of rearward-moving "waves". While this movement appears rapid, snakes have rarely been documented moving faster than two body-lengths per second, often much less. This mode of movement has the same net cost of transport (calories burned per meter moved) as running in lizards of the same mass.

YES

While this movement appears rapid, snakes have rarely been documented moving faster than two body-lengths per second, often much less.

Can a student determine the speed of a viper from information obtained from library books?

Lateral undulation is the sole mode of aquatic locomotion, and the most common mode of terrestrial locomotion. In this mode, the body of the snake alternately flexes to the left and right, resulting in a series of rearward-moving "waves". This movement appears rapid, snakes have been documented moving faster than two body-lengths per second, rarely much less. This mode of movement has the same net cost of transport (calories burned per meter moved) as running in lizards of the same mass.

q10

rarely

Lateral undulation is the sole mode of aquatic locomotion, and the most common mode of terrestrial locomotion. In this mode, the body of the snake alternately flexes to the left and right, resulting in a series of rearward-moving "waves". While this movement appears rapid, snakes have rarely been documented moving faster than two body-lengths per second, often much less. This mode of movement has the same net cost of transport (calories burned per meter moved) as running in lizards of the same mass.

YES

While this movement appears rapid, snakes have rarely been documented moving faster than two body-lengths per second, often much less.

If a researcher is interested in the study of snakes, is there a possibility he will come across data indicating that snakes move faster than two body-lengths per second?

Lateral undulation is the sole mode of aquatic locomotion, and the most common mode of terrestrial locomotion. In this mode, the body of the snake alternately flexes to the left and right, resulting in a series of rearward-moving "waves". While this movement appears rapid, snakes have been documented moving faster than two body-lengths per second, hardly much less. This mode of movement has the same net cost of transport (calories burned per meter moved) as running in lizards of the same mass.

q20

rarely

Lateral undulation is the sole mode of aquatic locomotion, and the most common mode of terrestrial locomotion. In this mode, the body of the snake alternately flexes to the left and right, resulting in a series of rearward-moving "waves". While this movement appears rapid, snakes have rarely been documented moving faster than two body-lengths per second, often much less. This mode of movement has the same net cost of transport (calories burned per meter moved) as running in lizards of the same mass.

DON'T KNOW

While this movement appears rapid, snakes have rarely been documented moving faster than two body-lengths per second, often much less.

Is a snake moving faster than two body-lengths per second faster than a cheetah?

Lateral undulation is the sole mode of aquatic locomotion, and the most common mode of terrestrial locomotion. In this mode, the body of the snake alternately flexes to the left and right, resulting in a series of rearward-moving "waves". While this movement appears rapid, snakes have been documented moving faster than two body-lengths per second, hardly much less. This mode of movement has the same net cost of transport (calories burned per meter moved) as running in lizards of the same mass.

q30

rarely

Lateral undulation is the sole mode of aquatic locomotion, and the most common mode of terrestrial locomotion. In this mode, the body of the snake alternately flexes to the left and right, resulting in a series of rearward-moving "waves". While this movement appears rapid, snakes have rarely been documented moving faster than two body-lengths per second, often much less. This mode of movement has the same net cost of transport (calories burned per meter moved) as running in lizards of the same mass.

YES

While this movement appears rapid, snakes have rarely been documented moving faster than two body-lengths per second, often much less.

Can a student determine the speed of a viper from information obtained from library books?

Lateral undulation is the sole mode of aquatic locomotion, and the most common mode of terrestrial locomotion. In this mode, the body of the snake alternately flexes to the left and right, resulting in a series of rearward-moving "waves". While this movement appears rapid, snakes have been documented moving faster than two body-lengths per second, hardly much less. This mode of movement has the same net cost of transport (calories burned per meter moved) as running in lizards of the same mass.

q10

impossible to

Poirot is less active during the cases that take place at the end of his career. Beginning with "Three Act Tragedy" (1934), Christie had perfected during the inter-war years a subgenre of Poirot novel in which the detective himself spent much of the first third of the novel on the periphery of events. In novels such as "Taken at the Flood", "After the Funeral", and "Hickory Dickory Dock", he is even less in evidence, frequently passing the duties of main interviewing detective to a subsidiary character. In "Cat Among the Pigeons", Poirot's entrance is so late as to be almost an afterthought. Whether this was a reflection of his age or of Christie's distaste for him, is impossible to assess. "Crooked House" (1949) and "Ordeal by Innocence" (1957), which could easily have been Poirot novels, represent a logical endpoint of the general diminution of his presence in such works.

DON'T KNOW

Whether this was a reflection of his age or of Christie's distaste for him, is impossible to assess.

Was Christie trying to show that Poirot had gotten old?

Poirot is less active during the cases that take place at the end of his career. Beginning with "Three Act Tragedy" (1934), Christie had perfected during the inter-war years a subgenre of Poirot novel in which the detective himself spent much of the first third of the novel on the periphery of events. In novels such as "Taken at the Flood", "After the Funeral", and "Hickory Dickory Dock", he is even less in evidence, frequently passing the duties of main interviewing detective to a subsidiary character. In "Cat Among the Pigeons", Poirot's entrance is so late as to be almost an afterthought. Whether this was a reflection of his age or of Christie's distaste for him, is impossible to assess. "Crooked House" (1949) and "Ordeal by Innocence" (1957), which could easily have been Poirot novels, represent a logical endpoint of the general diminution of his presence in such works.

q20

impossible to

Poirot is less active during the cases that take place at the end of his career. Beginning with "Three Act Tragedy" (1934), Christie had perfected during the inter-war years a subgenre of Poirot novel in which the detective himself spent much of the first third of the novel on the periphery of events. In novels such as "Taken at the Flood", "After the Funeral", and "Hickory Dickory Dock", he is even less in evidence, frequently passing the duties of main interviewing detective to a subsidiary character. In "Cat Among the Pigeons", Poirot's entrance is so late as to be almost an afterthought. Whether this was a reflection of his age or of Christie's distaste for him, is impossible to assess. "Crooked House" (1949) and "Ordeal by Innocence" (1957), which could easily have been Poirot novels, represent a logical endpoint of the general diminution of his presence in such works.

NO

Whether this was a reflection of his age or of Christie's distaste for him, is impossible to assess.

Is the exact reason Christie did this known?

Poirot is less active during the cases that take place at the end of his career. Beginning with "Three Act Tragedy" (1934), Christie had perfected during the inter-war years a subgenre of Poirot novel in which the detective himself spent much of the first third of the novel on the periphery of events. In novels such as "Taken at the Flood", "After the Funeral", and "Hickory Dickory Dock", he is even less in evidence, frequently passing the duties of main interviewing detective to a subsidiary character. In "Cat Among the Pigeons", Poirot's entrance is so late as to be almost an afterthought. Whether this was a reflection of his age or of Christie's distaste for him, is impossible to assess. "Crooked House" (1949) and "Ordeal by Innocence" (1957), which could easily have been Poirot novels, represent a logical endpoint of the general diminution of his presence in such works.

q30

impossible to

Poirot is less active during the cases that take place at the end of his career. Beginning with "Three Act Tragedy" (1934), Christie had perfected during the inter-war years a subgenre of Poirot novel in which the detective himself spent much of the first third of the novel on the periphery of events. In novels such as "Taken at the Flood", "After the Funeral", and "Hickory Dickory Dock", he is even less in evidence, frequently passing the duties of main interviewing detective to a subsidiary character. In "Cat Among the Pigeons", Poirot's entrance is so late as to be almost an afterthought. Whether this was a reflection of his age or of Christie's distaste for him, is impossible to assess. "Crooked House" (1949) and "Ordeal by Innocence" (1957), which could easily have been Poirot novels, represent a logical endpoint of the general diminution of his presence in such works.

YES

Whether this was a reflection of his age or of Christie's distaste for him, is impossible to assess.

Are there multiple possible reasons why Christie did this?

Poirot is less active during the cases that take place at the end of his career. Beginning with "Three Act Tragedy" (1934), Christie had perfected during the inter-war years a subgenre of Poirot novel in which the detective himself spent much of the first third of the novel on the periphery of events. In novels such as "Taken at the Flood", "After the Funeral", and "Hickory Dickory Dock", he is even less in evidence, frequently passing the duties of main interviewing detective to a subsidiary character. In "Cat Among the Pigeons", Poirot's entrance is so late as to be almost an afterthought. Whether this was a reflection of his age or of Christie's distaste for him, is impossible to assess. "Crooked House" (1949) and "Ordeal by Innocence" (1957), which could easily have been Poirot novels, represent a logical endpoint of the general diminution of his presence in such works.

q10

impossible to

Poirot is less active during the cases that take place at the end of his career. Beginning with "Three Act Tragedy" (1934), Christie had perfected during the inter-war years a subgenre of Poirot novel in which the detective himself spent much of the first third of the novel on the periphery of events. In novels such as "Taken at the Flood", "After the Funeral", and "Hickory Dickory Dock", he is even less in evidence, frequently passing the duties of main interviewing detective to a subsidiary character. In "Cat Among the Pigeons", Poirot's entrance is so late as to be almost an afterthought. Whether this was a reflection of his age or of Christie's distaste for him, is impossible to assess. "Crooked House" (1949) and "Ordeal by Innocence" (1957), which could easily have been Poirot novels, represent a logical endpoint of the general diminution of his presence in such works.

DON'T KNOW

Whether this was a reflection of his age or of Christie's distaste for him, is impossible to assess.

Was Christie trying to show that Poirot had gotten old?

Poirot is less active during the cases that take place at the end of his career. Beginning with "Three Act Tragedy" (1934), Christie had perfected during the inter-war years a subgenre of Poirot novel in which the detective himself spent much of the first third of the novel on the periphery of events. In novels such as "Taken at the Flood", "After the Funeral", and "Hickory Dickory Dock", he is even less in evidence, frequently passing the duties of main interviewing detective to a subsidiary character. In "Cat Among the Pigeons", Poirot's entrance is so late as to be almost an afterthought. Assessing whether this was a reflection of his age or of Christie's distaste for him, is out of the question. "Crooked House" (1949) and "Ordeal by Innocence" (1957), which could easily have been Poirot novels, represent a logical endpoint of the general diminution of his presence in such works.

q20

impossible to

Poirot is less active during the cases that take place at the end of his career. Beginning with "Three Act Tragedy" (1934), Christie had perfected during the inter-war years a subgenre of Poirot novel in which the detective himself spent much of the first third of the novel on the periphery of events. In novels such as "Taken at the Flood", "After the Funeral", and "Hickory Dickory Dock", he is even less in evidence, frequently passing the duties of main interviewing detective to a subsidiary character. In "Cat Among the Pigeons", Poirot's entrance is so late as to be almost an afterthought. Whether this was a reflection of his age or of Christie's distaste for him, is impossible to assess. "Crooked House" (1949) and "Ordeal by Innocence" (1957), which could easily have been Poirot novels, represent a logical endpoint of the general diminution of his presence in such works.

NO

Whether this was a reflection of his age or of Christie's distaste for him, is impossible to assess.

Is the exact reason Christie did this known?

Poirot is less active during the cases that take place at the end of his career. Beginning with "Three Act Tragedy" (1934), Christie had perfected during the inter-war years a subgenre of Poirot novel in which the detective himself spent much of the first third of the novel on the periphery of events. In novels such as "Taken at the Flood", "After the Funeral", and "Hickory Dickory Dock", he is even less in evidence, frequently passing the duties of main interviewing detective to a subsidiary character. In "Cat Among the Pigeons", Poirot's entrance is so late as to be almost an afterthought. Assessing whether this was a reflection of his age or of Christie's distaste for him, is out of the question. "Crooked House" (1949) and "Ordeal by Innocence" (1957), which could easily have been Poirot novels, represent a logical endpoint of the general diminution of his presence in such works.

q30

impossible to

Poirot is less active during the cases that take place at the end of his career. Beginning with "Three Act Tragedy" (1934), Christie had perfected during the inter-war years a subgenre of Poirot novel in which the detective himself spent much of the first third of the novel on the periphery of events. In novels such as "Taken at the Flood", "After the Funeral", and "Hickory Dickory Dock", he is even less in evidence, frequently passing the duties of main interviewing detective to a subsidiary character. In "Cat Among the Pigeons", Poirot's entrance is so late as to be almost an afterthought. Whether this was a reflection of his age or of Christie's distaste for him, is impossible to assess. "Crooked House" (1949) and "Ordeal by Innocence" (1957), which could easily have been Poirot novels, represent a logical endpoint of the general diminution of his presence in such works.

YES

Whether this was a reflection of his age or of Christie's distaste for him, is impossible to assess.

Are there multiple possible reasons why Christie did this?

Poirot is less active during the cases that take place at the end of his career. Beginning with "Three Act Tragedy" (1934), Christie had perfected during the inter-war years a subgenre of Poirot novel in which the detective himself spent much of the first third of the novel on the periphery of events. In novels such as "Taken at the Flood", "After the Funeral", and "Hickory Dickory Dock", he is even less in evidence, frequently passing the duties of main interviewing detective to a subsidiary character. In "Cat Among the Pigeons", Poirot's entrance is so late as to be almost an afterthought. Assessing whether this was a reflection of his age or of Christie's distaste for him, is out of the question. "Crooked House" (1949) and "Ordeal by Innocence" (1957), which could easily have been Poirot novels, represent a logical endpoint of the general diminution of his presence in such works.

q10

impossible to

Poirot is less active during the cases that take place at the end of his career. Beginning with "Three Act Tragedy" (1934), Christie had perfected during the inter-war years a subgenre of Poirot novel in which the detective himself spent much of the first third of the novel on the periphery of events. In novels such as "Taken at the Flood", "After the Funeral", and "Hickory Dickory Dock", he is even less in evidence, frequently passing the duties of main interviewing detective to a subsidiary character. In "Cat Among the Pigeons", Poirot's entrance is so late as to be almost an afterthought. Whether this was a reflection of his age or of Christie's distaste for him, is impossible to assess. "Crooked House" (1949) and "Ordeal by Innocence" (1957), which could easily have been Poirot novels, represent a logical endpoint of the general diminution of his presence in such works.

YES

Whether this was a reflection of his age or of Christie's distaste for him, is impossible to assess.

Was Christie trying to show that Poirot had gotten old?

Poirot is less active during the cases that take place at the end of his career. Beginning with "Three Act Tragedy" (1934), Christie had perfected during the inter-war years a subgenre of Poirot novel in which the detective himself spent much of the first third of the novel on the periphery of events. In novels such as "Taken at the Flood", "After the Funeral", and "Hickory Dickory Dock", he is even less in evidence, frequently passing the duties of main interviewing detective to a subsidiary character. In "Cat Among the Pigeons", Poirot's entrance is so late as to be almost an afterthought. This was a reflection of his age, but whether it was also a reflection of Christie's distaste for him, is impossible to assess. "Crooked House" (1949) and "Ordeal by Innocence" (1957), which could easily have been Poirot novels, represent a logical endpoint of the general diminution of his presence in such works.

q20

impossible to

Poirot is less active during the cases that take place at the end of his career. Beginning with "Three Act Tragedy" (1934), Christie had perfected during the inter-war years a subgenre of Poirot novel in which the detective himself spent much of the first third of the novel on the periphery of events. In novels such as "Taken at the Flood", "After the Funeral", and "Hickory Dickory Dock", he is even less in evidence, frequently passing the duties of main interviewing detective to a subsidiary character. In "Cat Among the Pigeons", Poirot's entrance is so late as to be almost an afterthought. Whether this was a reflection of his age or of Christie's distaste for him, is impossible to assess. "Crooked House" (1949) and "Ordeal by Innocence" (1957), which could easily have been Poirot novels, represent a logical endpoint of the general diminution of his presence in such works.

DON'T KNOW

Whether this was a reflection of his age or of Christie's distaste for him, is impossible to assess.

Is the exact reason Christie did this known?

Poirot is less active during the cases that take place at the end of his career. Beginning with "Three Act Tragedy" (1934), Christie had perfected during the inter-war years a subgenre of Poirot novel in which the detective himself spent much of the first third of the novel on the periphery of events. In novels such as "Taken at the Flood", "After the Funeral", and "Hickory Dickory Dock", he is even less in evidence, frequently passing the duties of main interviewing detective to a subsidiary character. In "Cat Among the Pigeons", Poirot's entrance is so late as to be almost an afterthought. This was a reflection of his age, but whether it was also a reflection of Christie's distaste for him, is impossible to assess. "Crooked House" (1949) and "Ordeal by Innocence" (1957), which could easily have been Poirot novels, represent a logical endpoint of the general diminution of his presence in such works.

q30

impossible to

Poirot is less active during the cases that take place at the end of his career. Beginning with "Three Act Tragedy" (1934), Christie had perfected during the inter-war years a subgenre of Poirot novel in which the detective himself spent much of the first third of the novel on the periphery of events. In novels such as "Taken at the Flood", "After the Funeral", and "Hickory Dickory Dock", he is even less in evidence, frequently passing the duties of main interviewing detective to a subsidiary character. In "Cat Among the Pigeons", Poirot's entrance is so late as to be almost an afterthought. Whether this was a reflection of his age or of Christie's distaste for him, is impossible to assess. "Crooked House" (1949) and "Ordeal by Innocence" (1957), which could easily have been Poirot novels, represent a logical endpoint of the general diminution of his presence in such works.

YES

Whether this was a reflection of his age or of Christie's distaste for him, is impossible to assess.

Are there multiple possible reasons why Christie did this?

Poirot is less active during the cases that take place at the end of his career. Beginning with "Three Act Tragedy" (1934), Christie had perfected during the inter-war years a subgenre of Poirot novel in which the detective himself spent much of the first third of the novel on the periphery of events. In novels such as "Taken at the Flood", "After the Funeral", and "Hickory Dickory Dock", he is even less in evidence, frequently passing the duties of main interviewing detective to a subsidiary character. In "Cat Among the Pigeons", Poirot's entrance is so late as to be almost an afterthought. This was a reflection of his age, but whether it was also a reflection of Christie's distaste for him, is impossible to assess. "Crooked House" (1949) and "Ordeal by Innocence" (1957), which could easily have been Poirot novels, represent a logical endpoint of the general diminution of his presence in such works.

q10

impossible to

Poirot is less active during the cases that take place at the end of his career. Beginning with "Three Act Tragedy" (1934), Christie had perfected during the inter-war years a subgenre of Poirot novel in which the detective himself spent much of the first third of the novel on the periphery of events. In novels such as "Taken at the Flood", "After the Funeral", and "Hickory Dickory Dock", he is even less in evidence, frequently passing the duties of main interviewing detective to a subsidiary character. In "Cat Among the Pigeons", Poirot's entrance is so late as to be almost an afterthought. Whether this was a reflection of his age or of Christie's distaste for him, is impossible to assess. "Crooked House" (1949) and "Ordeal by Innocence" (1957), which could easily have been Poirot novels, represent a logical endpoint of the general diminution of his presence in such works.

YES

Whether this was a reflection of his age or of Christie's distaste for him, is impossible to assess.

Was Christie trying to show that Poirot had gotten old?

Poirot is less active during the cases that take place at the end of his career. Beginning with "Three Act Tragedy" (1934), Christie had perfected during the inter-war years a subgenre of Poirot novel in which the detective himself spent much of the first third of the novel on the periphery of events. In novels such as "Taken at the Flood", "After the Funeral", and "Hickory Dickory Dock", he is even less in evidence, frequently passing the duties of main interviewing detective to a subsidiary character. In "Cat Among the Pigeons", Poirot's entrance is so late as to be almost an afterthought. This was a reflection of his age and of Christie's distaste for him. "Crooked House" (1949) and "Ordeal by Innocence" (1957), which could easily have been Poirot novels, represent a logical endpoint of the general diminution of his presence in such works.

q20

impossible to

Poirot is less active during the cases that take place at the end of his career. Beginning with "Three Act Tragedy" (1934), Christie had perfected during the inter-war years a subgenre of Poirot novel in which the detective himself spent much of the first third of the novel on the periphery of events. In novels such as "Taken at the Flood", "After the Funeral", and "Hickory Dickory Dock", he is even less in evidence, frequently passing the duties of main interviewing detective to a subsidiary character. In "Cat Among the Pigeons", Poirot's entrance is so late as to be almost an afterthought. Whether this was a reflection of his age or of Christie's distaste for him, is impossible to assess. "Crooked House" (1949) and "Ordeal by Innocence" (1957), which could easily have been Poirot novels, represent a logical endpoint of the general diminution of his presence in such works.

YES

Whether this was a reflection of his age or of Christie's distaste for him, is impossible to assess.

Is the exact reason Christie did this known?

Poirot is less active during the cases that take place at the end of his career. Beginning with "Three Act Tragedy" (1934), Christie had perfected during the inter-war years a subgenre of Poirot novel in which the detective himself spent much of the first third of the novel on the periphery of events. In novels such as "Taken at the Flood", "After the Funeral", and "Hickory Dickory Dock", he is even less in evidence, frequently passing the duties of main interviewing detective to a subsidiary character. In "Cat Among the Pigeons", Poirot's entrance is so late as to be almost an afterthought. This was a reflection of his age and of Christie's distaste for him. "Crooked House" (1949) and "Ordeal by Innocence" (1957), which could easily have been Poirot novels, represent a logical endpoint of the general diminution of his presence in such works.

q30

impossible to

Poirot is less active during the cases that take place at the end of his career. Beginning with "Three Act Tragedy" (1934), Christie had perfected during the inter-war years a subgenre of Poirot novel in which the detective himself spent much of the first third of the novel on the periphery of events. In novels such as "Taken at the Flood", "After the Funeral", and "Hickory Dickory Dock", he is even less in evidence, frequently passing the duties of main interviewing detective to a subsidiary character. In "Cat Among the Pigeons", Poirot's entrance is so late as to be almost an afterthought. Whether this was a reflection of his age or of Christie's distaste for him, is impossible to assess. "Crooked House" (1949) and "Ordeal by Innocence" (1957), which could easily have been Poirot novels, represent a logical endpoint of the general diminution of his presence in such works.

YES

Whether this was a reflection of his age or of Christie's distaste for him, is impossible to assess.

Are there multiple possible reasons why Christie did this?

Poirot is less active during the cases that take place at the end of his career. Beginning with "Three Act Tragedy" (1934), Christie had perfected during the inter-war years a subgenre of Poirot novel in which the detective himself spent much of the first third of the novel on the periphery of events. In novels such as "Taken at the Flood", "After the Funeral", and "Hickory Dickory Dock", he is even less in evidence, frequently passing the duties of main interviewing detective to a subsidiary character. In "Cat Among the Pigeons", Poirot's entrance is so late as to be almost an afterthought. This was a reflection of his age and of Christie's distaste for him. "Crooked House" (1949) and "Ordeal by Innocence" (1957), which could easily have been Poirot novels, represent a logical endpoint of the general diminution of his presence in such works.

q10

unfinished

The genre was also a heavy influence on mainstream writers such as Charles Dickens, who read Gothic novels as a teenager and incorporated their gloomy atmosphere and melodrama into his own works, shifting them to a more modern period and an urban setting, for example in "Oliver Twist" (1837–1838), "Bleak House" (1854, Mighall 2003) and "Great Expectations" (1860–1861). These juxtapose wealthy, ordered and affluent civilisation with the disorder and barbarity of the poor in the same metropolis. "Bleak House" in particular is credited with seeing the introduction of urban fog to the novel, which would become a frequent characteristic of urban Gothic literature and film (Mighall 2007). His most explicitly Gothic work is his last novel, "The Mystery of Edwin Drood," which he did not live to complete and was published unfinished upon his death in 1870. The mood and themes of the Gothic novel held a particular fascination for the Victorians, with their obsession with mourning rituals, mementos, and mortality in general.

YES

His most explicitly Gothic work is his last novel, "The Mystery of Edwin Drood," which he did not live to complete and was published unfinished upon his death in 1870.

Is it likely that other authors attempted to finish Dicken's unfinished work?

The genre was also a heavy influence on mainstream writers such as Charles Dickens, who read Gothic novels as a teenager and incorporated their gloomy atmosphere and melodrama into his own works, shifting them to a more modern period and an urban setting, for example in "Oliver Twist" (1837–1838), "Bleak House" (1854, Mighall 2003) and "Great Expectations" (1860–1861). These juxtapose wealthy, ordered and affluent civilisation with the disorder and barbarity of the poor in the same metropolis. "Bleak House" in particular is credited with seeing the introduction of urban fog to the novel, which would become a frequent characteristic of urban Gothic literature and film (Mighall 2007). His most explicitly Gothic work is his last novel, "The Mystery of Edwin Drood," which he did not live to complete and was published unfinished upon his death in 1870. The mood and themes of the Gothic novel held a particular fascination for the Victorians, with their obsession with mourning rituals, mementos, and mortality in general.

q20

unfinished

The genre was also a heavy influence on mainstream writers such as Charles Dickens, who read Gothic novels as a teenager and incorporated their gloomy atmosphere and melodrama into his own works, shifting them to a more modern period and an urban setting, for example in "Oliver Twist" (1837–1838), "Bleak House" (1854, Mighall 2003) and "Great Expectations" (1860–1861). These juxtapose wealthy, ordered and affluent civilisation with the disorder and barbarity of the poor in the same metropolis. "Bleak House" in particular is credited with seeing the introduction of urban fog to the novel, which would become a frequent characteristic of urban Gothic literature and film (Mighall 2007). His most explicitly Gothic work is his last novel, "The Mystery of Edwin Drood," which he did not live to complete and was published unfinished upon his death in 1870. The mood and themes of the Gothic novel held a particular fascination for the Victorians, with their obsession with mourning rituals, mementos, and mortality in general.

YES

His most explicitly Gothic work is his last novel, "The Mystery of Edwin Drood," which he did not live to complete and was published unfinished upon his death in 1870.

Is it likely that publishers still pushed to sell Dicken's work after his death?

The genre was also a heavy influence on mainstream writers such as Charles Dickens, who read Gothic novels as a teenager and incorporated their gloomy atmosphere and melodrama into his own works, shifting them to a more modern period and an urban setting, for example in "Oliver Twist" (1837–1838), "Bleak House" (1854, Mighall 2003) and "Great Expectations" (1860–1861). These juxtapose wealthy, ordered and affluent civilisation with the disorder and barbarity of the poor in the same metropolis. "Bleak House" in particular is credited with seeing the introduction of urban fog to the novel, which would become a frequent characteristic of urban Gothic literature and film (Mighall 2007). His most explicitly Gothic work is his last novel, "The Mystery of Edwin Drood," which he did not live to complete and was published unfinished upon his death in 1870. The mood and themes of the Gothic novel held a particular fascination for the Victorians, with their obsession with mourning rituals, mementos, and mortality in general.

q30

unfinished

The genre was also a heavy influence on mainstream writers such as Charles Dickens, who read Gothic novels as a teenager and incorporated their gloomy atmosphere and melodrama into his own works, shifting them to a more modern period and an urban setting, for example in "Oliver Twist" (1837–1838), "Bleak House" (1854, Mighall 2003) and "Great Expectations" (1860–1861). These juxtapose wealthy, ordered and affluent civilisation with the disorder and barbarity of the poor in the same metropolis. "Bleak House" in particular is credited with seeing the introduction of urban fog to the novel, which would become a frequent characteristic of urban Gothic literature and film (Mighall 2007). His most explicitly Gothic work is his last novel, "The Mystery of Edwin Drood," which he did not live to complete and was published unfinished upon his death in 1870. The mood and themes of the Gothic novel held a particular fascination for the Victorians, with their obsession with mourning rituals, mementos, and mortality in general.

YES

His most explicitly Gothic work is his last novel, "The Mystery of Edwin Drood," which he did not live to complete and was published unfinished upon his death in 1870.

Is it likely that Dickens had regrets about his last work before his death?

The genre was also a heavy influence on mainstream writers such as Charles Dickens, who read Gothic novels as a teenager and incorporated their gloomy atmosphere and melodrama into his own works, shifting them to a more modern period and an urban setting, for example in "Oliver Twist" (1837–1838), "Bleak House" (1854, Mighall 2003) and "Great Expectations" (1860–1861). These juxtapose wealthy, ordered and affluent civilisation with the disorder and barbarity of the poor in the same metropolis. "Bleak House" in particular is credited with seeing the introduction of urban fog to the novel, which would become a frequent characteristic of urban Gothic literature and film (Mighall 2007). His most explicitly Gothic work is his last novel, "The Mystery of Edwin Drood," which he did not live to complete and was published unfinished upon his death in 1870. The mood and themes of the Gothic novel held a particular fascination for the Victorians, with their obsession with mourning rituals, mementos, and mortality in general.

q10

unfinished

The genre was also a heavy influence on mainstream writers such as Charles Dickens, who read Gothic novels as a teenager and incorporated their gloomy atmosphere and melodrama into his own works, shifting them to a more modern period and an urban setting, for example in "Oliver Twist" (1837–1838), "Bleak House" (1854, Mighall 2003) and "Great Expectations" (1860–1861). These juxtapose wealthy, ordered and affluent civilisation with the disorder and barbarity of the poor in the same metropolis. "Bleak House" in particular is credited with seeing the introduction of urban fog to the novel, which would become a frequent characteristic of urban Gothic literature and film (Mighall 2007). His most explicitly Gothic work is his last novel, "The Mystery of Edwin Drood," which he did not live to complete and was published unfinished upon his death in 1870. The mood and themes of the Gothic novel held a particular fascination for the Victorians, with their obsession with mourning rituals, mementos, and mortality in general.

YES

His most explicitly Gothic work is his last novel, "The Mystery of Edwin Drood," which he did not live to complete and was published unfinished upon his death in 1870.

Is it likely that other authors attempted to finish Dicken's unfinished work?

The genre was also a heavy influence on mainstream writers such as Charles Dickens, who read Gothic novels as a teenager and incorporated their gloomy atmosphere and melodrama into his own works, shifting them to a more modern period and an urban setting, for example in "Oliver Twist" (1837–1838), "Bleak House" (1854, Mighall 2003) and "Great Expectations" (1860–1861). These juxtapose wealthy, ordered and affluent civilisation with the disorder and barbarity of the poor in the same metropolis. "Bleak House" in particular is credited with seeing the introduction of urban fog to the novel, which would become a frequent characteristic of urban Gothic literature and film (Mighall 2007). His most explicitly Gothic work is his last novel, "The Mystery of Edwin Drood," which he did not live to complete and was published incomplete upon his death in 1870. The mood and themes of the Gothic novel held a particular fascination for the Victorians, with their obsession with mourning rituals, mementos, and mortality in general.

q20

unfinished

The genre was also a heavy influence on mainstream writers such as Charles Dickens, who read Gothic novels as a teenager and incorporated their gloomy atmosphere and melodrama into his own works, shifting them to a more modern period and an urban setting, for example in "Oliver Twist" (1837–1838), "Bleak House" (1854, Mighall 2003) and "Great Expectations" (1860–1861). These juxtapose wealthy, ordered and affluent civilisation with the disorder and barbarity of the poor in the same metropolis. "Bleak House" in particular is credited with seeing the introduction of urban fog to the novel, which would become a frequent characteristic of urban Gothic literature and film (Mighall 2007). His most explicitly Gothic work is his last novel, "The Mystery of Edwin Drood," which he did not live to complete and was published unfinished upon his death in 1870. The mood and themes of the Gothic novel held a particular fascination for the Victorians, with their obsession with mourning rituals, mementos, and mortality in general.

YES

His most explicitly Gothic work is his last novel, "The Mystery of Edwin Drood," which he did not live to complete and was published unfinished upon his death in 1870.

Is it likely that publishers still pushed to sell Dicken's work after his death?

The genre was also a heavy influence on mainstream writers such as Charles Dickens, who read Gothic novels as a teenager and incorporated their gloomy atmosphere and melodrama into his own works, shifting them to a more modern period and an urban setting, for example in "Oliver Twist" (1837–1838), "Bleak House" (1854, Mighall 2003) and "Great Expectations" (1860–1861). These juxtapose wealthy, ordered and affluent civilisation with the disorder and barbarity of the poor in the same metropolis. "Bleak House" in particular is credited with seeing the introduction of urban fog to the novel, which would become a frequent characteristic of urban Gothic literature and film (Mighall 2007). His most explicitly Gothic work is his last novel, "The Mystery of Edwin Drood," which he did not live to complete and was published incomplete upon his death in 1870. The mood and themes of the Gothic novel held a particular fascination for the Victorians, with their obsession with mourning rituals, mementos, and mortality in general.

q30

unfinished

The genre was also a heavy influence on mainstream writers such as Charles Dickens, who read Gothic novels as a teenager and incorporated their gloomy atmosphere and melodrama into his own works, shifting them to a more modern period and an urban setting, for example in "Oliver Twist" (1837–1838), "Bleak House" (1854, Mighall 2003) and "Great Expectations" (1860–1861). These juxtapose wealthy, ordered and affluent civilisation with the disorder and barbarity of the poor in the same metropolis. "Bleak House" in particular is credited with seeing the introduction of urban fog to the novel, which would become a frequent characteristic of urban Gothic literature and film (Mighall 2007). His most explicitly Gothic work is his last novel, "The Mystery of Edwin Drood," which he did not live to complete and was published unfinished upon his death in 1870. The mood and themes of the Gothic novel held a particular fascination for the Victorians, with their obsession with mourning rituals, mementos, and mortality in general.

YES

His most explicitly Gothic work is his last novel, "The Mystery of Edwin Drood," which he did not live to complete and was published unfinished upon his death in 1870.

Is it likely that Dickens had regrets about his last work before his death?

The genre was also a heavy influence on mainstream writers such as Charles Dickens, who read Gothic novels as a teenager and incorporated their gloomy atmosphere and melodrama into his own works, shifting them to a more modern period and an urban setting, for example in "Oliver Twist" (1837–1838), "Bleak House" (1854, Mighall 2003) and "Great Expectations" (1860–1861). These juxtapose wealthy, ordered and affluent civilisation with the disorder and barbarity of the poor in the same metropolis. "Bleak House" in particular is credited with seeing the introduction of urban fog to the novel, which would become a frequent characteristic of urban Gothic literature and film (Mighall 2007). His most explicitly Gothic work is his last novel, "The Mystery of Edwin Drood," which he did not live to complete and was published incomplete upon his death in 1870. The mood and themes of the Gothic novel held a particular fascination for the Victorians, with their obsession with mourning rituals, mementos, and mortality in general.

q10

unfinished

The genre was also a heavy influence on mainstream writers such as Charles Dickens, who read Gothic novels as a teenager and incorporated their gloomy atmosphere and melodrama into his own works, shifting them to a more modern period and an urban setting, for example in "Oliver Twist" (1837–1838), "Bleak House" (1854, Mighall 2003) and "Great Expectations" (1860–1861). These juxtapose wealthy, ordered and affluent civilisation with the disorder and barbarity of the poor in the same metropolis. "Bleak House" in particular is credited with seeing the introduction of urban fog to the novel, which would become a frequent characteristic of urban Gothic literature and film (Mighall 2007). His most explicitly Gothic work is his last novel, "The Mystery of Edwin Drood," which he did not live to complete and was published unfinished upon his death in 1870. The mood and themes of the Gothic novel held a particular fascination for the Victorians, with their obsession with mourning rituals, mementos, and mortality in general.

YES

His most explicitly Gothic work is his last novel, "The Mystery of Edwin Drood," which he did not live to complete and was published unfinished upon his death in 1870.

Is it likely that other authors attempted to finish Dicken's unfinished work?

The genre was also a heavy influence on mainstream writers such as Charles Dickens, who read Gothic novels as a teenager and incorporated their gloomy atmosphere and melodrama into his own works, shifting them to a more modern period and an urban setting, for example in "Oliver Twist" (1837–1838), "Bleak House" (1854, Mighall 2003) and "Great Expectations" (1860–1861). These juxtapose wealthy, ordered and affluent civilisation with the disorder and barbarity of the poor in the same metropolis. "Bleak House" in particular is credited with seeing the introduction of urban fog to the novel, which would become a frequent characteristic of urban Gothic literature and film (Mighall 2007). His most explicitly Gothic work is his last novel, "The Mystery of Edwin Drood," which he did live to complete and was published upon his death in 1870; however he left many other works and manuscripts unfinished. The mood and themes of the Gothic novel held a particular fascination for the Victorians, with their obsession with mourning rituals, mementos, and mortality in general.

q20

unfinished

The genre was also a heavy influence on mainstream writers such as Charles Dickens, who read Gothic novels as a teenager and incorporated their gloomy atmosphere and melodrama into his own works, shifting them to a more modern period and an urban setting, for example in "Oliver Twist" (1837–1838), "Bleak House" (1854, Mighall 2003) and "Great Expectations" (1860–1861). These juxtapose wealthy, ordered and affluent civilisation with the disorder and barbarity of the poor in the same metropolis. "Bleak House" in particular is credited with seeing the introduction of urban fog to the novel, which would become a frequent characteristic of urban Gothic literature and film (Mighall 2007). His most explicitly Gothic work is his last novel, "The Mystery of Edwin Drood," which he did not live to complete and was published unfinished upon his death in 1870. The mood and themes of the Gothic novel held a particular fascination for the Victorians, with their obsession with mourning rituals, mementos, and mortality in general.

YES

His most explicitly Gothic work is his last novel, "The Mystery of Edwin Drood," which he did not live to complete and was published unfinished upon his death in 1870.

Is it likely that publishers still pushed to sell Dicken's work after his death?

The genre was also a heavy influence on mainstream writers such as Charles Dickens, who read Gothic novels as a teenager and incorporated their gloomy atmosphere and melodrama into his own works, shifting them to a more modern period and an urban setting, for example in "Oliver Twist" (1837–1838), "Bleak House" (1854, Mighall 2003) and "Great Expectations" (1860–1861). These juxtapose wealthy, ordered and affluent civilisation with the disorder and barbarity of the poor in the same metropolis. "Bleak House" in particular is credited with seeing the introduction of urban fog to the novel, which would become a frequent characteristic of urban Gothic literature and film (Mighall 2007). His most explicitly Gothic work is his last novel, "The Mystery of Edwin Drood," which he did live to complete and was published upon his death in 1870; however he left many other works and manuscripts unfinished. The mood and themes of the Gothic novel held a particular fascination for the Victorians, with their obsession with mourning rituals, mementos, and mortality in general.

q30

unfinished

The genre was also a heavy influence on mainstream writers such as Charles Dickens, who read Gothic novels as a teenager and incorporated their gloomy atmosphere and melodrama into his own works, shifting them to a more modern period and an urban setting, for example in "Oliver Twist" (1837–1838), "Bleak House" (1854, Mighall 2003) and "Great Expectations" (1860–1861). These juxtapose wealthy, ordered and affluent civilisation with the disorder and barbarity of the poor in the same metropolis. "Bleak House" in particular is credited with seeing the introduction of urban fog to the novel, which would become a frequent characteristic of urban Gothic literature and film (Mighall 2007). His most explicitly Gothic work is his last novel, "The Mystery of Edwin Drood," which he did not live to complete and was published unfinished upon his death in 1870. The mood and themes of the Gothic novel held a particular fascination for the Victorians, with their obsession with mourning rituals, mementos, and mortality in general.

NO

His most explicitly Gothic work is his last novel, "The Mystery of Edwin Drood," which he did not live to complete and was published unfinished upon his death in 1870.

Is it likely that Dickens had regrets about his last work before his death?

The genre was also a heavy influence on mainstream writers such as Charles Dickens, who read Gothic novels as a teenager and incorporated their gloomy atmosphere and melodrama into his own works, shifting them to a more modern period and an urban setting, for example in "Oliver Twist" (1837–1838), "Bleak House" (1854, Mighall 2003) and "Great Expectations" (1860–1861). These juxtapose wealthy, ordered and affluent civilisation with the disorder and barbarity of the poor in the same metropolis. "Bleak House" in particular is credited with seeing the introduction of urban fog to the novel, which would become a frequent characteristic of urban Gothic literature and film (Mighall 2007). His most explicitly Gothic work is his last novel, "The Mystery of Edwin Drood," which he did live to complete and was published upon his death in 1870; however he left many other works and manuscripts unfinished. The mood and themes of the Gothic novel held a particular fascination for the Victorians, with their obsession with mourning rituals, mementos, and mortality in general.

q10

unfinished

The genre was also a heavy influence on mainstream writers such as Charles Dickens, who read Gothic novels as a teenager and incorporated their gloomy atmosphere and melodrama into his own works, shifting them to a more modern period and an urban setting, for example in "Oliver Twist" (1837–1838), "Bleak House" (1854, Mighall 2003) and "Great Expectations" (1860–1861). These juxtapose wealthy, ordered and affluent civilisation with the disorder and barbarity of the poor in the same metropolis. "Bleak House" in particular is credited with seeing the introduction of urban fog to the novel, which would become a frequent characteristic of urban Gothic literature and film (Mighall 2007). His most explicitly Gothic work is his last novel, "The Mystery of Edwin Drood," which he did not live to complete and was published unfinished upon his death in 1870. The mood and themes of the Gothic novel held a particular fascination for the Victorians, with their obsession with mourning rituals, mementos, and mortality in general.

NO

His most explicitly Gothic work is his last novel, "The Mystery of Edwin Drood," which he did not live to complete and was published unfinished upon his death in 1870.

Is it likely that other authors attempted to finish Dicken's unfinished work?

The genre was also a heavy influence on mainstream writers such as Charles Dickens, who read Gothic novels as a teenager and incorporated their gloomy atmosphere and melodrama into his own works, shifting them to a more modern period and an urban setting, for example in "Oliver Twist" (1837–1838), "Bleak House" (1854, Mighall 2003) and "Great Expectations" (1860–1861). These juxtapose wealthy, ordered and affluent civilisation with the disorder and barbarity of the poor in the same metropolis. "Bleak House" in particular is credited with seeing the introduction of urban fog to the novel, which would become a frequent characteristic of urban Gothic literature and film (Mighall 2007). His most explicitly Gothic work is his last novel, "The Mystery of Edwin Drood," which he lived to complete and was published upon his death in 1870. The mood and themes of the Gothic novel held a particular fascination for the Victorians, with their obsession with mourning rituals, mementos, and mortality in general.

q20

unfinished

The genre was also a heavy influence on mainstream writers such as Charles Dickens, who read Gothic novels as a teenager and incorporated their gloomy atmosphere and melodrama into his own works, shifting them to a more modern period and an urban setting, for example in "Oliver Twist" (1837–1838), "Bleak House" (1854, Mighall 2003) and "Great Expectations" (1860–1861). These juxtapose wealthy, ordered and affluent civilisation with the disorder and barbarity of the poor in the same metropolis. "Bleak House" in particular is credited with seeing the introduction of urban fog to the novel, which would become a frequent characteristic of urban Gothic literature and film (Mighall 2007). His most explicitly Gothic work is his last novel, "The Mystery of Edwin Drood," which he did not live to complete and was published unfinished upon his death in 1870. The mood and themes of the Gothic novel held a particular fascination for the Victorians, with their obsession with mourning rituals, mementos, and mortality in general.

YES

His most explicitly Gothic work is his last novel, "The Mystery of Edwin Drood," which he did not live to complete and was published unfinished upon his death in 1870.

Is it likely that publishers still pushed to sell Dicken's work after his death?

The genre was also a heavy influence on mainstream writers such as Charles Dickens, who read Gothic novels as a teenager and incorporated their gloomy atmosphere and melodrama into his own works, shifting them to a more modern period and an urban setting, for example in "Oliver Twist" (1837–1838), "Bleak House" (1854, Mighall 2003) and "Great Expectations" (1860–1861). These juxtapose wealthy, ordered and affluent civilisation with the disorder and barbarity of the poor in the same metropolis. "Bleak House" in particular is credited with seeing the introduction of urban fog to the novel, which would become a frequent characteristic of urban Gothic literature and film (Mighall 2007). His most explicitly Gothic work is his last novel, "The Mystery of Edwin Drood," which he lived to complete and was published upon his death in 1870. The mood and themes of the Gothic novel held a particular fascination for the Victorians, with their obsession with mourning rituals, mementos, and mortality in general.

q30

unfinished

The genre was also a heavy influence on mainstream writers such as Charles Dickens, who read Gothic novels as a teenager and incorporated their gloomy atmosphere and melodrama into his own works, shifting them to a more modern period and an urban setting, for example in "Oliver Twist" (1837–1838), "Bleak House" (1854, Mighall 2003) and "Great Expectations" (1860–1861). These juxtapose wealthy, ordered and affluent civilisation with the disorder and barbarity of the poor in the same metropolis. "Bleak House" in particular is credited with seeing the introduction of urban fog to the novel, which would become a frequent characteristic of urban Gothic literature and film (Mighall 2007). His most explicitly Gothic work is his last novel, "The Mystery of Edwin Drood," which he did not live to complete and was published unfinished upon his death in 1870. The mood and themes of the Gothic novel held a particular fascination for the Victorians, with their obsession with mourning rituals, mementos, and mortality in general.

NO

His most explicitly Gothic work is his last novel, "The Mystery of Edwin Drood," which he did not live to complete and was published unfinished upon his death in 1870.

Is it likely that Dickens had regrets about his last work before his death?

The genre was also a heavy influence on mainstream writers such as Charles Dickens, who read Gothic novels as a teenager and incorporated their gloomy atmosphere and melodrama into his own works, shifting them to a more modern period and an urban setting, for example in "Oliver Twist" (1837–1838), "Bleak House" (1854, Mighall 2003) and "Great Expectations" (1860–1861). These juxtapose wealthy, ordered and affluent civilisation with the disorder and barbarity of the poor in the same metropolis. "Bleak House" in particular is credited with seeing the introduction of urban fog to the novel, which would become a frequent characteristic of urban Gothic literature and film (Mighall 2007). His most explicitly Gothic work is his last novel, "The Mystery of Edwin Drood," which he lived to complete and was published upon his death in 1870. The mood and themes of the Gothic novel held a particular fascination for the Victorians, with their obsession with mourning rituals, mementos, and mortality in general.

q10

unfaithful

"SiP", as it is commonly known, began as a three-issue mini-series published by Antarctic Press in 1993, which focused entirely on the relationship between the three main characters and Francine's unfaithful boyfriend. This is now known as "Volume 1.” Thirteen issues were published under Moore's own "Abstract Studio" imprint, and these make up "Volume 2.” This is where the "thriller" plot was introduced. The series moved to Image Comics' Homage imprint for the start of "Volume 3,” but after eight issues moved back to Abstract Studio, where it continued with the same numbering. Volume 3 concluded at issue #90, released June 6, 2007.

YES

"SiP", as it is commonly known, began as a three-issue mini-series published by Antarctic Press in 1993, which focused entirely on the relationship between the three main characters and Francine's unfaithful boyfriend.

With what little we know about the events of this series, is it possible that one of the other main characters has a fling with Francine's boyfriend?

"SiP", as it is commonly known, began as a three-issue mini-series published by Antarctic Press in 1993, which focused entirely on the relationship between the three main characters and Francine's unfaithful boyfriend. This is now known as "Volume 1.” Thirteen issues were published under Moore's own "Abstract Studio" imprint, and these make up "Volume 2.” This is where the "thriller" plot was introduced. The series moved to Image Comics' Homage imprint for the start of "Volume 3,” but after eight issues moved back to Abstract Studio, where it continued with the same numbering. Volume 3 concluded at issue #90, released June 6, 2007.

q20

unfaithful

"SiP", as it is commonly known, began as a three-issue mini-series published by Antarctic Press in 1993, which focused entirely on the relationship between the three main characters and Francine's unfaithful boyfriend. This is now known as "Volume 1.” Thirteen issues were published under Moore's own "Abstract Studio" imprint, and these make up "Volume 2.” This is where the "thriller" plot was introduced. The series moved to Image Comics' Homage imprint for the start of "Volume 3,” but after eight issues moved back to Abstract Studio, where it continued with the same numbering. Volume 3 concluded at issue #90, released June 6, 2007.

NO

"SiP", as it is commonly known, began as a three-issue mini-series published by Antarctic Press in 1993, which focused entirely on the relationship between the three main characters and Francine's unfaithful boyfriend.

Given the limited information about this series, is it possible that Francine herself was also having intimate relations with one of the other main characters?

"SiP", as it is commonly known, began as a three-issue mini-series published by Antarctic Press in 1993, which focused entirely on the relationship between the three main characters and Francine's unfaithful boyfriend. This is now known as "Volume 1.” Thirteen issues were published under Moore's own "Abstract Studio" imprint, and these make up "Volume 2.” This is where the "thriller" plot was introduced. The series moved to Image Comics' Homage imprint for the start of "Volume 3,” but after eight issues moved back to Abstract Studio, where it continued with the same numbering. Volume 3 concluded at issue #90, released June 6, 2007.

q30

unfaithful

"SiP", as it is commonly known, began as a three-issue mini-series published by Antarctic Press in 1993, which focused entirely on the relationship between the three main characters and Francine's unfaithful boyfriend. This is now known as "Volume 1.” Thirteen issues were published under Moore's own "Abstract Studio" imprint, and these make up "Volume 2.” This is where the "thriller" plot was introduced. The series moved to Image Comics' Homage imprint for the start of "Volume 3,” but after eight issues moved back to Abstract Studio, where it continued with the same numbering. Volume 3 concluded at issue #90, released June 6, 2007.

YES

"SiP", as it is commonly known, began as a three-issue mini-series published by Antarctic Press in 1993, which focused entirely on the relationship between the three main characters and Francine's unfaithful boyfriend.

Based on the brief description, would a reader consider Francine to have been victimized in her relationship with her boyfriend?

"SiP", as it is commonly known, began as a three-issue mini-series published by Antarctic Press in 1993, which focused entirely on the relationship between the three main characters and Francine's unfaithful boyfriend. This is now known as "Volume 1.” Thirteen issues were published under Moore's own "Abstract Studio" imprint, and these make up "Volume 2.” This is where the "thriller" plot was introduced. The series moved to Image Comics' Homage imprint for the start of "Volume 3,” but after eight issues moved back to Abstract Studio, where it continued with the same numbering. Volume 3 concluded at issue #90, released June 6, 2007.

q10

unfaithful

"SiP", as it is commonly known, began as a three-issue mini-series published by Antarctic Press in 1993, which focused entirely on the relationship between the three main characters and Francine's unfaithful boyfriend. This is now known as "Volume 1.” Thirteen issues were published under Moore's own "Abstract Studio" imprint, and these make up "Volume 2.” This is where the "thriller" plot was introduced. The series moved to Image Comics' Homage imprint for the start of "Volume 3,” but after eight issues moved back to Abstract Studio, where it continued with the same numbering. Volume 3 concluded at issue #90, released June 6, 2007.

YES

"SiP", as it is commonly known, began as a three-issue mini-series published by Antarctic Press in 1993, which focused entirely on the relationship between the three main characters and Francine's unfaithful boyfriend.

With what little we know about the events of this series, is it possible that one of the other main characters has a fling with Francine's boyfriend?

"SiP", as it is commonly known, began as a three-issue mini-series published by Antarctic Press in 1993, which focused entirely on the relationship between the three main characters and Francine's philandering boyfriend. This is now known as "Volume 1.” Thirteen issues were published under Moore's own "Abstract Studio" imprint, and these make up "Volume 2.” This is where the "thriller" plot was introduced. The series moved to Image Comics' Homage imprint for the start of "Volume 3,” but after eight issues moved back to Abstract Studio, where it continued with the same numbering. Volume 3 concluded at issue #90, released June 6, 2007.

q20

unfaithful

"SiP", as it is commonly known, began as a three-issue mini-series published by Antarctic Press in 1993, which focused entirely on the relationship between the three main characters and Francine's unfaithful boyfriend. This is now known as "Volume 1.” Thirteen issues were published under Moore's own "Abstract Studio" imprint, and these make up "Volume 2.” This is where the "thriller" plot was introduced. The series moved to Image Comics' Homage imprint for the start of "Volume 3,” but after eight issues moved back to Abstract Studio, where it continued with the same numbering. Volume 3 concluded at issue #90, released June 6, 2007.

NO

"SiP", as it is commonly known, began as a three-issue mini-series published by Antarctic Press in 1993, which focused entirely on the relationship between the three main characters and Francine's unfaithful boyfriend.

Given the limited information about this series, is it possible that Francine herself was also having intimate relations with one of the other main characters?

"SiP", as it is commonly known, began as a three-issue mini-series published by Antarctic Press in 1993, which focused entirely on the relationship between the three main characters and Francine's philandering boyfriend. This is now known as "Volume 1.” Thirteen issues were published under Moore's own "Abstract Studio" imprint, and these make up "Volume 2.” This is where the "thriller" plot was introduced. The series moved to Image Comics' Homage imprint for the start of "Volume 3,” but after eight issues moved back to Abstract Studio, where it continued with the same numbering. Volume 3 concluded at issue #90, released June 6, 2007.

q30

unfaithful

"SiP", as it is commonly known, began as a three-issue mini-series published by Antarctic Press in 1993, which focused entirely on the relationship between the three main characters and Francine's unfaithful boyfriend. This is now known as "Volume 1.” Thirteen issues were published under Moore's own "Abstract Studio" imprint, and these make up "Volume 2.” This is where the "thriller" plot was introduced. The series moved to Image Comics' Homage imprint for the start of "Volume 3,” but after eight issues moved back to Abstract Studio, where it continued with the same numbering. Volume 3 concluded at issue #90, released June 6, 2007.

YES

"SiP", as it is commonly known, began as a three-issue mini-series published by Antarctic Press in 1993, which focused entirely on the relationship between the three main characters and Francine's unfaithful boyfriend.

Based on the brief description, would a reader consider Francine to have been victimized in her relationship with her boyfriend?

"SiP", as it is commonly known, began as a three-issue mini-series published by Antarctic Press in 1993, which focused entirely on the relationship between the three main characters and Francine's philandering boyfriend. This is now known as "Volume 1.” Thirteen issues were published under Moore's own "Abstract Studio" imprint, and these make up "Volume 2.” This is where the "thriller" plot was introduced. The series moved to Image Comics' Homage imprint for the start of "Volume 3,” but after eight issues moved back to Abstract Studio, where it continued with the same numbering. Volume 3 concluded at issue #90, released June 6, 2007.

q10

unfaithful

"SiP", as it is commonly known, began as a three-issue mini-series published by Antarctic Press in 1993, which focused entirely on the relationship between the three main characters and Francine's unfaithful boyfriend. This is now known as "Volume 1.” Thirteen issues were published under Moore's own "Abstract Studio" imprint, and these make up "Volume 2.” This is where the "thriller" plot was introduced. The series moved to Image Comics' Homage imprint for the start of "Volume 3,” but after eight issues moved back to Abstract Studio, where it continued with the same numbering. Volume 3 concluded at issue #90, released June 6, 2007.

NO

"SiP", as it is commonly known, began as a three-issue mini-series published by Antarctic Press in 1993, which focused entirely on the relationship between the three main characters and Francine's unfaithful boyfriend.

With what little we know about the events of this series, is it possible that one of the other main characters has a fling with Francine's boyfriend?

"SiP", as it is commonly known, began as a three-issue mini-series published by Antarctic Press in 1993, which focused entirely on the relationship between the three main characters and Francine's devoted boyfriend, to whom she is nonetheless unfaithful. This is now known as "Volume 1.” Thirteen issues were published under Moore's own "Abstract Studio" imprint, and these make up "Volume 2.” This is where the "thriller" plot was introduced. The series moved to Image Comics' Homage imprint for the start of "Volume 3,” but after eight issues moved back to Abstract Studio, where it continued with the same numbering. Volume 3 concluded at issue #90, released June 6, 2007.

q20

unfaithful

"SiP", as it is commonly known, began as a three-issue mini-series published by Antarctic Press in 1993, which focused entirely on the relationship between the three main characters and Francine's unfaithful boyfriend. This is now known as "Volume 1.” Thirteen issues were published under Moore's own "Abstract Studio" imprint, and these make up "Volume 2.” This is where the "thriller" plot was introduced. The series moved to Image Comics' Homage imprint for the start of "Volume 3,” but after eight issues moved back to Abstract Studio, where it continued with the same numbering. Volume 3 concluded at issue #90, released June 6, 2007.

YES

"SiP", as it is commonly known, began as a three-issue mini-series published by Antarctic Press in 1993, which focused entirely on the relationship between the three main characters and Francine's unfaithful boyfriend.

Given the limited information about this series, is it possible that Francine herself was also having intimate relations with one of the other main characters?

"SiP", as it is commonly known, began as a three-issue mini-series published by Antarctic Press in 1993, which focused entirely on the relationship between the three main characters and Francine's devoted boyfriend, to whom she is nonetheless unfaithful. This is now known as "Volume 1.” Thirteen issues were published under Moore's own "Abstract Studio" imprint, and these make up "Volume 2.” This is where the "thriller" plot was introduced. The series moved to Image Comics' Homage imprint for the start of "Volume 3,” but after eight issues moved back to Abstract Studio, where it continued with the same numbering. Volume 3 concluded at issue #90, released June 6, 2007.

q30

unfaithful

"SiP", as it is commonly known, began as a three-issue mini-series published by Antarctic Press in 1993, which focused entirely on the relationship between the three main characters and Francine's unfaithful boyfriend. This is now known as "Volume 1.” Thirteen issues were published under Moore's own "Abstract Studio" imprint, and these make up "Volume 2.” This is where the "thriller" plot was introduced. The series moved to Image Comics' Homage imprint for the start of "Volume 3,” but after eight issues moved back to Abstract Studio, where it continued with the same numbering. Volume 3 concluded at issue #90, released June 6, 2007.

NO

"SiP", as it is commonly known, began as a three-issue mini-series published by Antarctic Press in 1993, which focused entirely on the relationship between the three main characters and Francine's unfaithful boyfriend.

Based on the brief description, would a reader consider Francine to have been victimized in her relationship with her boyfriend?

"SiP", as it is commonly known, began as a three-issue mini-series published by Antarctic Press in 1993, which focused entirely on the relationship between the three main characters and Francine's devoted boyfriend, to whom she is nonetheless unfaithful. This is now known as "Volume 1.” Thirteen issues were published under Moore's own "Abstract Studio" imprint, and these make up "Volume 2.” This is where the "thriller" plot was introduced. The series moved to Image Comics' Homage imprint for the start of "Volume 3,” but after eight issues moved back to Abstract Studio, where it continued with the same numbering. Volume 3 concluded at issue #90, released June 6, 2007.

q10

unfaithful

"SiP", as it is commonly known, began as a three-issue mini-series published by Antarctic Press in 1993, which focused entirely on the relationship between the three main characters and Francine's unfaithful boyfriend. This is now known as "Volume 1.” Thirteen issues were published under Moore's own "Abstract Studio" imprint, and these make up "Volume 2.” This is where the "thriller" plot was introduced. The series moved to Image Comics' Homage imprint for the start of "Volume 3,” but after eight issues moved back to Abstract Studio, where it continued with the same numbering. Volume 3 concluded at issue #90, released June 6, 2007.

NO

"SiP", as it is commonly known, began as a three-issue mini-series published by Antarctic Press in 1993, which focused entirely on the relationship between the three main characters and Francine's unfaithful boyfriend.

With what little we know about the events of this series, is it possible that one of the other main characters has a fling with Francine's boyfriend?

"SiP", as it is commonly known, began as a three-issue mini-series published by Antarctic Press in 1993, which focused entirely on the relationship between the three main characters and Francine's boyfriend, with whom she remains loyal and faithful despite the many challenges. This is now known as "Volume 1.” Thirteen issues were published under Moore's own "Abstract Studio" imprint, and these make up "Volume 2.” This is where the "thriller" plot was introduced. The series moved to Image Comics' Homage imprint for the start of "Volume 3,” but after eight issues moved back to Abstract Studio, where it continued with the same numbering. Volume 3 concluded at issue #90, released June 6, 2007.

q20

unfaithful

"SiP", as it is commonly known, began as a three-issue mini-series published by Antarctic Press in 1993, which focused entirely on the relationship between the three main characters and Francine's unfaithful boyfriend. This is now known as "Volume 1.” Thirteen issues were published under Moore's own "Abstract Studio" imprint, and these make up "Volume 2.” This is where the "thriller" plot was introduced. The series moved to Image Comics' Homage imprint for the start of "Volume 3,” but after eight issues moved back to Abstract Studio, where it continued with the same numbering. Volume 3 concluded at issue #90, released June 6, 2007.

NO

"SiP", as it is commonly known, began as a three-issue mini-series published by Antarctic Press in 1993, which focused entirely on the relationship between the three main characters and Francine's unfaithful boyfriend.

Given the limited information about this series, is it possible that Francine herself was also having intimate relations with one of the other main characters?

"SiP", as it is commonly known, began as a three-issue mini-series published by Antarctic Press in 1993, which focused entirely on the relationship between the three main characters and Francine's boyfriend, with whom she remains loyal and faithful despite the many challenges. This is now known as "Volume 1.” Thirteen issues were published under Moore's own "Abstract Studio" imprint, and these make up "Volume 2.” This is where the "thriller" plot was introduced. The series moved to Image Comics' Homage imprint for the start of "Volume 3,” but after eight issues moved back to Abstract Studio, where it continued with the same numbering. Volume 3 concluded at issue #90, released June 6, 2007.

q30

unfaithful

"SiP", as it is commonly known, began as a three-issue mini-series published by Antarctic Press in 1993, which focused entirely on the relationship between the three main characters and Francine's unfaithful boyfriend. This is now known as "Volume 1.” Thirteen issues were published under Moore's own "Abstract Studio" imprint, and these make up "Volume 2.” This is where the "thriller" plot was introduced. The series moved to Image Comics' Homage imprint for the start of "Volume 3,” but after eight issues moved back to Abstract Studio, where it continued with the same numbering. Volume 3 concluded at issue #90, released June 6, 2007.

NO

"SiP", as it is commonly known, began as a three-issue mini-series published by Antarctic Press in 1993, which focused entirely on the relationship between the three main characters and Francine's unfaithful boyfriend.

Based on the brief description, would a reader consider Francine to have been victimized in her relationship with her boyfriend?

"SiP", as it is commonly known, began as a three-issue mini-series published by Antarctic Press in 1993, which focused entirely on the relationship between the three main characters and Francine's boyfriend, with whom she remains loyal and faithful despite the many challenges. This is now known as "Volume 1.” Thirteen issues were published under Moore's own "Abstract Studio" imprint, and these make up "Volume 2.” This is where the "thriller" plot was introduced. The series moved to Image Comics' Homage imprint for the start of "Volume 3,” but after eight issues moved back to Abstract Studio, where it continued with the same numbering. Volume 3 concluded at issue #90, released June 6, 2007.

q10

in the absence of

Early in the Cenozoic, following the K-Pg event, the planet was dominated by relatively small fauna, including small mammals, birds, reptiles, and amphibians. From a geological perspective, it did not take long for mammals and birds to greatly diversify in the absence of the dinosaurs that had dominated during the Mesozoic. Some flightless birds grew larger than humans. These species are sometimes referred to as "terror birds," and were formidable predators. Mammals came to occupy almost every available niche (both marine and terrestrial), and some also grew very large, attaining sizes not seen in most of today's terrestrial mammals.

YES

From a geological perspective, it did not take long for mammals and birds to greatly diversify in the absence of the dinosaurs that had dominated during the Mesozoic.

Does the K-Pg event allow mammals to benefit, in that dinosaurs can't compete with them?

Early in the Cenozoic, following the K-Pg event, the planet was dominated by relatively small fauna, including small mammals, birds, reptiles, and amphibians. From a geological perspective, it did not take long for mammals and birds to greatly diversify in the absence of the dinosaurs that had dominated during the Mesozoic. Some flightless birds grew larger than humans. These species are sometimes referred to as "terror birds," and were formidable predators. Mammals came to occupy almost every available niche (both marine and terrestrial), and some also grew very large, attaining sizes not seen in most of today's terrestrial mammals.

q20

in the absence of

Early in the Cenozoic, following the K-Pg event, the planet was dominated by relatively small fauna, including small mammals, birds, reptiles, and amphibians. From a geological perspective, it did not take long for mammals and birds to greatly diversify in the absence of the dinosaurs that had dominated during the Mesozoic. Some flightless birds grew larger than humans. These species are sometimes referred to as "terror birds," and were formidable predators. Mammals came to occupy almost every available niche (both marine and terrestrial), and some also grew very large, attaining sizes not seen in most of today's terrestrial mammals.

YES

From a geological perspective, it did not take long for mammals and birds to greatly diversify in the absence of the dinosaurs that had dominated during the Mesozoic.

Do birds develop more diversity after the K-Pg event than Dinosaurs?

Early in the Cenozoic, following the K-Pg event, the planet was dominated by relatively small fauna, including small mammals, birds, reptiles, and amphibians. From a geological perspective, it did not take long for mammals and birds to greatly diversify in the absence of the dinosaurs that had dominated during the Mesozoic. Some flightless birds grew larger than humans. These species are sometimes referred to as "terror birds," and were formidable predators. Mammals came to occupy almost every available niche (both marine and terrestrial), and some also grew very large, attaining sizes not seen in most of today's terrestrial mammals.

q30

in the absence of

Early in the Cenozoic, following the K-Pg event, the planet was dominated by relatively small fauna, including small mammals, birds, reptiles, and amphibians. From a geological perspective, it did not take long for mammals and birds to greatly diversify in the absence of the dinosaurs that had dominated during the Mesozoic. Some flightless birds grew larger than humans. These species are sometimes referred to as "terror birds," and were formidable predators. Mammals came to occupy almost every available niche (both marine and terrestrial), and some also grew very large, attaining sizes not seen in most of today's terrestrial mammals.

Both thrived well.

From a geological perspective, it did not take long for mammals and birds to greatly diversify in the absence of the dinosaurs that had dominated during the Mesozoic.

During the Cenozoic period which type of life seemed to adapt and thrive more universally; Birds or mammals?

Early in the Cenozoic, following the K-Pg event, the planet was dominated by relatively small fauna, including small mammals, birds, reptiles, and amphibians. From a geological perspective, it did not take long for mammals and birds to greatly diversify in the absence of the dinosaurs that had dominated during the Mesozoic. Some flightless birds grew larger than humans. These species are sometimes referred to as "terror birds," and were formidable predators. Mammals came to occupy almost every available niche (both marine and terrestrial), and some also grew very large, attaining sizes not seen in most of today's terrestrial mammals.

q11

in the absence of

Early in the Cenozoic, following the K-Pg event, the planet was dominated by relatively small fauna, including small mammals, birds, reptiles, and amphibians. From a geological perspective, it did not take long for mammals and birds to greatly diversify in the absence of the dinosaurs that had dominated during the Mesozoic. Some flightless birds grew larger than humans. These species are sometimes referred to as "terror birds," and were formidable predators. Mammals came to occupy almost every available niche (both marine and terrestrial), and some also grew very large, attaining sizes not seen in most of today's terrestrial mammals.

YES

From a geological perspective, it did not take long for mammals and birds to greatly diversify in the absence of the dinosaurs that had dominated during the Mesozoic.

Did mammals survive the K-Pg event?

Early in the Cenozoic, following the K-Pg event, the planet was dominated by relatively small fauna, including small mammals, birds, reptiles, and amphibians. From a geological perspective, it did not take long for mammals and birds to greatly diversify in the absence of the dinosaurs that had dominated during the Mesozoic. Some flightless birds grew larger than humans. These species are sometimes referred to as "terror birds," and were formidable predators. Mammals came to occupy almost every available niche (both marine and terrestrial), and some also grew very large, attaining sizes not seen in most of today's terrestrial mammals.

q12

in the absence of

Early in the Cenozoic, following the K-Pg event, the planet was dominated by relatively small fauna, including small mammals, birds, reptiles, and amphibians. From a geological perspective, it did not take long for mammals and birds to greatly diversify in the absence of the dinosaurs that had dominated during the Mesozoic. Some flightless birds grew larger than humans. These species are sometimes referred to as "terror birds," and were formidable predators. Mammals came to occupy almost every available niche (both marine and terrestrial), and some also grew very large, attaining sizes not seen in most of today's terrestrial mammals.

NO

From a geological perspective, it did not take long for mammals and birds to greatly diversify in the absence of the dinosaurs that had dominated during the Mesozoic.

Do dinosaurs thrive after the K-Pg event?

Early in the Cenozoic, following the K-Pg event, the planet was dominated by relatively small fauna, including small mammals, birds, reptiles, and amphibians. From a geological perspective, it did not take long for mammals and birds to greatly diversify in the absence of the dinosaurs that had dominated during the Mesozoic. Some flightless birds grew larger than humans. These species are sometimes referred to as "terror birds," and were formidable predators. Mammals came to occupy almost every available niche (both marine and terrestrial), and some also grew very large, attaining sizes not seen in most of today's terrestrial mammals.

q21

in the absence of

Early in the Cenozoic, following the K-Pg event, the planet was dominated by relatively small fauna, including small mammals, birds, reptiles, and amphibians. From a geological perspective, it did not take long for mammals and birds to greatly diversify in the absence of the dinosaurs that had dominated during the Mesozoic. Some flightless birds grew larger than humans. These species are sometimes referred to as "terror birds," and were formidable predators. Mammals came to occupy almost every available niche (both marine and terrestrial), and some also grew very large, attaining sizes not seen in most of today's terrestrial mammals.

YES

From a geological perspective, it did not take long for mammals and birds to greatly diversify in the absence of the dinosaurs that had dominated during the Mesozoic.

Were Terror birds, during the Cenozoic period greater in size than today's non terrestrial birds?

Early in the Cenozoic, following the K-Pg event, the planet was dominated by relatively small fauna, including small mammals, birds, reptiles, and amphibians. From a geological perspective, it did not take long for mammals and birds to greatly diversify in the absence of the dinosaurs that had dominated during the Mesozoic. Some flightless birds grew larger than humans. These species are sometimes referred to as "terror birds," and were formidable predators. Mammals came to occupy almost every available niche (both marine and terrestrial), and some also grew very large, attaining sizes not seen in most of today's terrestrial mammals.

q22

in the absence of

Early in the Cenozoic, following the K-Pg event, the planet was dominated by relatively small fauna, including small mammals, birds, reptiles, and amphibians. From a geological perspective, it did not take long for mammals and birds to greatly diversify in the absence of the dinosaurs that had dominated during the Mesozoic. Some flightless birds grew larger than humans. These species are sometimes referred to as "terror birds," and were formidable predators. Mammals came to occupy almost every available niche (both marine and terrestrial), and some also grew very large, attaining sizes not seen in most of today's terrestrial mammals.

Terror bird

From a geological perspective, it did not take long for mammals and birds to greatly diversify in the absence of the dinosaurs that had dominated during the Mesozoic.

Which would weigh more an Emu or a Terror bird from the Cenozoic period?

Early in the Cenozoic, following the K-Pg event, the planet was dominated by relatively small fauna, including small mammals, birds, reptiles, and amphibians. From a geological perspective, it did not take long for mammals and birds to greatly diversify in the absence of the dinosaurs that had dominated during the Mesozoic. Some flightless birds grew larger than humans. These species are sometimes referred to as "terror birds," and were formidable predators. Mammals came to occupy almost every available niche (both marine and terrestrial), and some also grew very large, attaining sizes not seen in most of today's terrestrial mammals.

q10

in the absence of

Early in the Cenozoic, following the K-Pg event, the planet was dominated by relatively small fauna, including small mammals, birds, reptiles, and amphibians. From a geological perspective, it did not take long for mammals and birds to greatly diversify in the absence of the dinosaurs that had dominated during the Mesozoic. Some flightless birds grew larger than humans. These species are sometimes referred to as "terror birds," and were formidable predators. Mammals came to occupy almost every available niche (both marine and terrestrial), and some also grew very large, attaining sizes not seen in most of today's terrestrial mammals.

YES

From a geological perspective, it did not take long for mammals and birds to greatly diversify in the absence of the dinosaurs that had dominated during the Mesozoic.

Does the K-Pg event allow mammals to benefit, in that dinosaurs can't compete with them?

Early in the Cenozoic, following the K-Pg event, the planet was dominated by relatively small fauna, including small mammals, birds, reptiles, and amphibians. From a geological perspective, mammals and birds were able to greatly diversify because dinosaurs that had dominated during the Mesozoic had died off. Some flightless birds grew larger than humans. These species are sometimes referred to as "terror birds," and were formidable predators. Mammals came to occupy almost every available niche (both marine and terrestrial), and some also grew very large, attaining sizes not seen in most of today's terrestrial mammals.

q20

in the absence of

Early in the Cenozoic, following the K-Pg event, the planet was dominated by relatively small fauna, including small mammals, birds, reptiles, and amphibians. From a geological perspective, it did not take long for mammals and birds to greatly diversify in the absence of the dinosaurs that had dominated during the Mesozoic. Some flightless birds grew larger than humans. These species are sometimes referred to as "terror birds," and were formidable predators. Mammals came to occupy almost every available niche (both marine and terrestrial), and some also grew very large, attaining sizes not seen in most of today's terrestrial mammals.

YES

From a geological perspective, it did not take long for mammals and birds to greatly diversify in the absence of the dinosaurs that had dominated during the Mesozoic.

Do birds develop more diversity after the K-Pg event than Dinosaurs?

Early in the Cenozoic, following the K-Pg event, the planet was dominated by relatively small fauna, including small mammals, birds, reptiles, and amphibians. From a geological perspective, mammals and birds were able to greatly diversify because dinosaurs that had dominated during the Mesozoic had died off. Some flightless birds grew larger than humans. These species are sometimes referred to as "terror birds," and were formidable predators. Mammals came to occupy almost every available niche (both marine and terrestrial), and some also grew very large, attaining sizes not seen in most of today's terrestrial mammals.

q30

in the absence of

Early in the Cenozoic, following the K-Pg event, the planet was dominated by relatively small fauna, including small mammals, birds, reptiles, and amphibians. From a geological perspective, it did not take long for mammals and birds to greatly diversify in the absence of the dinosaurs that had dominated during the Mesozoic. Some flightless birds grew larger than humans. These species are sometimes referred to as "terror birds," and were formidable predators. Mammals came to occupy almost every available niche (both marine and terrestrial), and some also grew very large, attaining sizes not seen in most of today's terrestrial mammals.

mammals

From a geological perspective, it did not take long for mammals and birds to greatly diversify in the absence of the dinosaurs that had dominated during the Mesozoic.

During the Cenozoic period which type of life seemed to adapt and thrive more universally; Birds or mammals?

Early in the Cenozoic, following the K-Pg event, the planet was dominated by relatively small fauna, including small mammals, birds, reptiles, and amphibians. From a geological perspective, mammals and birds were able to greatly diversify because dinosaurs that had dominated during the Mesozoic had died off. Some flightless birds grew larger than humans. These species are sometimes referred to as "terror birds," and were formidable predators. Mammals came to occupy almost every available niche (both marine and terrestrial), and some also grew very large, attaining sizes not seen in most of today's terrestrial mammals.

q11

in the absence of

Early in the Cenozoic, following the K-Pg event, the planet was dominated by relatively small fauna, including small mammals, birds, reptiles, and amphibians. From a geological perspective, it did not take long for mammals and birds to greatly diversify in the absence of the dinosaurs that had dominated during the Mesozoic. Some flightless birds grew larger than humans. These species are sometimes referred to as "terror birds," and were formidable predators. Mammals came to occupy almost every available niche (both marine and terrestrial), and some also grew very large, attaining sizes not seen in most of today's terrestrial mammals.

YES

From a geological perspective, it did not take long for mammals and birds to greatly diversify in the absence of the dinosaurs that had dominated during the Mesozoic.

Did mammals survive the K-Pg event?

Early in the Cenozoic, following the K-Pg event, the planet was dominated by relatively small fauna, including small mammals, birds, reptiles, and amphibians. From a geological perspective, mammals and birds were able to greatly diversify because dinosaurs that had dominated during the Mesozoic had died off. Some flightless birds grew larger than humans. These species are sometimes referred to as "terror birds," and were formidable predators. Mammals came to occupy almost every available niche (both marine and terrestrial), and some also grew very large, attaining sizes not seen in most of today's terrestrial mammals.

q12

in the absence of

Early in the Cenozoic, following the K-Pg event, the planet was dominated by relatively small fauna, including small mammals, birds, reptiles, and amphibians. From a geological perspective, it did not take long for mammals and birds to greatly diversify in the absence of the dinosaurs that had dominated during the Mesozoic. Some flightless birds grew larger than humans. These species are sometimes referred to as "terror birds," and were formidable predators. Mammals came to occupy almost every available niche (both marine and terrestrial), and some also grew very large, attaining sizes not seen in most of today's terrestrial mammals.

NO

From a geological perspective, it did not take long for mammals and birds to greatly diversify in the absence of the dinosaurs that had dominated during the Mesozoic.

Do dinosaurs thrive after the K-Pg event?

Early in the Cenozoic, following the K-Pg event, the planet was dominated by relatively small fauna, including small mammals, birds, reptiles, and amphibians. From a geological perspective, mammals and birds were able to greatly diversify because dinosaurs that had dominated during the Mesozoic had died off. Some flightless birds grew larger than humans. These species are sometimes referred to as "terror birds," and were formidable predators. Mammals came to occupy almost every available niche (both marine and terrestrial), and some also grew very large, attaining sizes not seen in most of today's terrestrial mammals.

q21

in the absence of

Early in the Cenozoic, following the K-Pg event, the planet was dominated by relatively small fauna, including small mammals, birds, reptiles, and amphibians. From a geological perspective, it did not take long for mammals and birds to greatly diversify in the absence of the dinosaurs that had dominated during the Mesozoic. Some flightless birds grew larger than humans. These species are sometimes referred to as "terror birds," and were formidable predators. Mammals came to occupy almost every available niche (both marine and terrestrial), and some also grew very large, attaining sizes not seen in most of today's terrestrial mammals.

YES

From a geological perspective, it did not take long for mammals and birds to greatly diversify in the absence of the dinosaurs that had dominated during the Mesozoic.

Were Terror birds, during the Cenozoic period greater in size than today's non terrestrial birds?

Early in the Cenozoic, following the K-Pg event, the planet was dominated by relatively small fauna, including small mammals, birds, reptiles, and amphibians. From a geological perspective, mammals and birds were able to greatly diversify because dinosaurs that had dominated during the Mesozoic had died off. Some flightless birds grew larger than humans. These species are sometimes referred to as "terror birds," and were formidable predators. Mammals came to occupy almost every available niche (both marine and terrestrial), and some also grew very large, attaining sizes not seen in most of today's terrestrial mammals.

q22

in the absence of

Early in the Cenozoic, following the K-Pg event, the planet was dominated by relatively small fauna, including small mammals, birds, reptiles, and amphibians. From a geological perspective, it did not take long for mammals and birds to greatly diversify in the absence of the dinosaurs that had dominated during the Mesozoic. Some flightless birds grew larger than humans. These species are sometimes referred to as "terror birds," and were formidable predators. Mammals came to occupy almost every available niche (both marine and terrestrial), and some also grew very large, attaining sizes not seen in most of today's terrestrial mammals.

Terror Bird

From a geological perspective, it did not take long for mammals and birds to greatly diversify in the absence of the dinosaurs that had dominated during the Mesozoic.

Which would weigh more an Emu or a Terror bird from the Cenozoic period?

Early in the Cenozoic, following the K-Pg event, the planet was dominated by relatively small fauna, including small mammals, birds, reptiles, and amphibians. From a geological perspective, mammals and birds were able to greatly diversify because dinosaurs that had dominated during the Mesozoic had died off. Some flightless birds grew larger than humans. These species are sometimes referred to as "terror birds," and were formidable predators. Mammals came to occupy almost every available niche (both marine and terrestrial), and some also grew very large, attaining sizes not seen in most of today's terrestrial mammals.

q10

in the absence of

Early in the Cenozoic, following the K-Pg event, the planet was dominated by relatively small fauna, including small mammals, birds, reptiles, and amphibians. From a geological perspective, it did not take long for mammals and birds to greatly diversify in the absence of the dinosaurs that had dominated during the Mesozoic. Some flightless birds grew larger than humans. These species are sometimes referred to as "terror birds," and were formidable predators. Mammals came to occupy almost every available niche (both marine and terrestrial), and some also grew very large, attaining sizes not seen in most of today's terrestrial mammals.

YES

From a geological perspective, it did not take long for mammals and birds to greatly diversify in the absence of the dinosaurs that had dominated during the Mesozoic.

Does the K-Pg event allow mammals to benefit, in that dinosaurs can't compete with them?

Early in the Cenozoic, following the K-Pg event, the planet was dominated by relatively small fauna, including birds, reptiles, and amphibians. From a geological perspective, it did not take long for birds to greatly diversify in the absence of the mammals that had dominated during the Mesozoic. Some flightless birds grew larger than dinosaurs. These species are sometimes referred to as "terror birds," and were formidable predators. birds came to occupy almost every available niche (both marine and terrestrial), and some also grew very large, attaining sizes not seen in most of today's terrestrial birds.

q20

in the absence of

Early in the Cenozoic, following the K-Pg event, the planet was dominated by relatively small fauna, including small mammals, birds, reptiles, and amphibians. From a geological perspective, it did not take long for mammals and birds to greatly diversify in the absence of the dinosaurs that had dominated during the Mesozoic. Some flightless birds grew larger than humans. These species are sometimes referred to as "terror birds," and were formidable predators. Mammals came to occupy almost every available niche (both marine and terrestrial), and some also grew very large, attaining sizes not seen in most of today's terrestrial mammals.

YES

From a geological perspective, it did not take long for mammals and birds to greatly diversify in the absence of the dinosaurs that had dominated during the Mesozoic.

Do birds develop more diversity after the K-Pg event than Dinosaurs?

Early in the Cenozoic, following the K-Pg event, the planet was dominated by relatively small fauna, including birds, reptiles, and amphibians. From a geological perspective, it did not take long for birds to greatly diversify in the absence of the mammals that had dominated during the Mesozoic. Some flightless birds grew larger than dinosaurs. These species are sometimes referred to as "terror birds," and were formidable predators. birds came to occupy almost every available niche (both marine and terrestrial), and some also grew very large, attaining sizes not seen in most of today's terrestrial birds.

q30

in the absence of

Early in the Cenozoic, following the K-Pg event, the planet was dominated by relatively small fauna, including small mammals, birds, reptiles, and amphibians. From a geological perspective, it did not take long for mammals and birds to greatly diversify in the absence of the dinosaurs that had dominated during the Mesozoic. Some flightless birds grew larger than humans. These species are sometimes referred to as "terror birds," and were formidable predators. Mammals came to occupy almost every available niche (both marine and terrestrial), and some also grew very large, attaining sizes not seen in most of today's terrestrial mammals.

Birds

From a geological perspective, it did not take long for mammals and birds to greatly diversify in the absence of the dinosaurs that had dominated during the Mesozoic.

During the Cenozoic period which type of life seemed to adapt and thrive more universally; Birds or mammals?

Early in the Cenozoic, following the K-Pg event, the planet was dominated by relatively small fauna, including birds, reptiles, and amphibians. From a geological perspective, it did not take long for birds to greatly diversify in the absence of the mammals that had dominated during the Mesozoic. Some flightless birds grew larger than dinosaurs. These species are sometimes referred to as "terror birds," and were formidable predators. birds came to occupy almost every available niche (both marine and terrestrial), and some also grew very large, attaining sizes not seen in most of today's terrestrial birds.

q11

in the absence of

Early in the Cenozoic, following the K-Pg event, the planet was dominated by relatively small fauna, including small mammals, birds, reptiles, and amphibians. From a geological perspective, it did not take long for mammals and birds to greatly diversify in the absence of the dinosaurs that had dominated during the Mesozoic. Some flightless birds grew larger than humans. These species are sometimes referred to as "terror birds," and were formidable predators. Mammals came to occupy almost every available niche (both marine and terrestrial), and some also grew very large, attaining sizes not seen in most of today's terrestrial mammals.

YES

From a geological perspective, it did not take long for mammals and birds to greatly diversify in the absence of the dinosaurs that had dominated during the Mesozoic.

Did mammals survive the K-Pg event?

Early in the Cenozoic, following the K-Pg event, the planet was dominated by relatively small fauna, including birds, reptiles, and amphibians. From a geological perspective, it did not take long for birds to greatly diversify in the absence of the mammals that had dominated during the Mesozoic. Some flightless birds grew larger than dinosaurs. These species are sometimes referred to as "terror birds," and were formidable predators. birds came to occupy almost every available niche (both marine and terrestrial), and some also grew very large, attaining sizes not seen in most of today's terrestrial birds.

q12

in the absence of

Early in the Cenozoic, following the K-Pg event, the planet was dominated by relatively small fauna, including small mammals, birds, reptiles, and amphibians. From a geological perspective, it did not take long for mammals and birds to greatly diversify in the absence of the dinosaurs that had dominated during the Mesozoic. Some flightless birds grew larger than humans. These species are sometimes referred to as "terror birds," and were formidable predators. Mammals came to occupy almost every available niche (both marine and terrestrial), and some also grew very large, attaining sizes not seen in most of today's terrestrial mammals.

NO

From a geological perspective, it did not take long for mammals and birds to greatly diversify in the absence of the dinosaurs that had dominated during the Mesozoic.

Do dinosaurs thrive after the K-Pg event?

Early in the Cenozoic, following the K-Pg event, the planet was dominated by relatively small fauna, including birds, reptiles, and amphibians. From a geological perspective, it did not take long for birds to greatly diversify in the absence of the mammals that had dominated during the Mesozoic. Some flightless birds grew larger than dinosaurs. These species are sometimes referred to as "terror birds," and were formidable predators. birds came to occupy almost every available niche (both marine and terrestrial), and some also grew very large, attaining sizes not seen in most of today's terrestrial birds.

q21

in the absence of

Early in the Cenozoic, following the K-Pg event, the planet was dominated by relatively small fauna, including small mammals, birds, reptiles, and amphibians. From a geological perspective, it did not take long for mammals and birds to greatly diversify in the absence of the dinosaurs that had dominated during the Mesozoic. Some flightless birds grew larger than humans. These species are sometimes referred to as "terror birds," and were formidable predators. Mammals came to occupy almost every available niche (both marine and terrestrial), and some also grew very large, attaining sizes not seen in most of today's terrestrial mammals.

YES

From a geological perspective, it did not take long for mammals and birds to greatly diversify in the absence of the dinosaurs that had dominated during the Mesozoic.

Were Terror birds, during the Cenozoic period greater in size than today's non terrestrial birds?

Early in the Cenozoic, following the K-Pg event, the planet was dominated by relatively small fauna, including birds, reptiles, and amphibians. From a geological perspective, it did not take long for birds to greatly diversify in the absence of the mammals that had dominated during the Mesozoic. Some flightless birds grew larger than dinosaurs. These species are sometimes referred to as "terror birds," and were formidable predators. birds came to occupy almost every available niche (both marine and terrestrial), and some also grew very large, attaining sizes not seen in most of today's terrestrial birds.

q22

in the absence of

Early in the Cenozoic, following the K-Pg event, the planet was dominated by relatively small fauna, including small mammals, birds, reptiles, and amphibians. From a geological perspective, it did not take long for mammals and birds to greatly diversify in the absence of the dinosaurs that had dominated during the Mesozoic. Some flightless birds grew larger than humans. These species are sometimes referred to as "terror birds," and were formidable predators. Mammals came to occupy almost every available niche (both marine and terrestrial), and some also grew very large, attaining sizes not seen in most of today's terrestrial mammals.

YES

From a geological perspective, it did not take long for mammals and birds to greatly diversify in the absence of the dinosaurs that had dominated during the Mesozoic.

Which would weigh more an Emu or a Terror bird from the Cenozoic period?

Early in the Cenozoic, following the K-Pg event, the planet was dominated by relatively small fauna, including birds, reptiles, and amphibians. From a geological perspective, it did not take long for birds to greatly diversify in the absence of the mammals that had dominated during the Mesozoic. Some flightless birds grew larger than dinosaurs. These species are sometimes referred to as "terror birds," and were formidable predators. birds came to occupy almost every available niche (both marine and terrestrial), and some also grew very large, attaining sizes not seen in most of today's terrestrial birds.

q10

in the absence of

Early in the Cenozoic, following the K-Pg event, the planet was dominated by relatively small fauna, including small mammals, birds, reptiles, and amphibians. From a geological perspective, it did not take long for mammals and birds to greatly diversify in the absence of the dinosaurs that had dominated during the Mesozoic. Some flightless birds grew larger than humans. These species are sometimes referred to as "terror birds," and were formidable predators. Mammals came to occupy almost every available niche (both marine and terrestrial), and some also grew very large, attaining sizes not seen in most of today's terrestrial mammals.

YES

From a geological perspective, it did not take long for mammals and birds to greatly diversify in the absence of the dinosaurs that had dominated during the Mesozoic.

Does the K-Pg event allow mammals to benefit, in that dinosaurs can't compete with them?

Early in the Cenozoic, following the K-Pg event, the planet was dominated by relatively small fauna, including small mammals, birds, reptiles, and amphibians. From a geological perspective, it did not take long for mammals and birds to greatly diversify in the size of the dinosaurs that had dominated during the Mesozoic. Some flightless birds grew larger than humans. These species are sometimes referred to as "terror birds," and were formidable predators. Mammals came to occupy almost no niche (both marine and terrestrial), but some grew very large, attaining sizes not seen in most of today's terrestrial mammals.

q20

in the absence of

Early in the Cenozoic, following the K-Pg event, the planet was dominated by relatively small fauna, including small mammals, birds, reptiles, and amphibians. From a geological perspective, it did not take long for mammals and birds to greatly diversify in the absence of the dinosaurs that had dominated during the Mesozoic. Some flightless birds grew larger than humans. These species are sometimes referred to as "terror birds," and were formidable predators. Mammals came to occupy almost every available niche (both marine and terrestrial), and some also grew very large, attaining sizes not seen in most of today's terrestrial mammals.

YES

From a geological perspective, it did not take long for mammals and birds to greatly diversify in the absence of the dinosaurs that had dominated during the Mesozoic.

Do birds develop more diversity after the K-Pg event than Dinosaurs?

Early in the Cenozoic, following the K-Pg event, the planet was dominated by relatively small fauna, including small mammals, birds, reptiles, and amphibians. From a geological perspective, it did not take long for mammals and birds to greatly diversify in the size of the dinosaurs that had dominated during the Mesozoic. Some flightless birds grew larger than humans. These species are sometimes referred to as "terror birds," and were formidable predators. Mammals came to occupy almost no niche (both marine and terrestrial), but some grew very large, attaining sizes not seen in most of today's terrestrial mammals.

q30

in the absence of

Early in the Cenozoic, following the K-Pg event, the planet was dominated by relatively small fauna, including small mammals, birds, reptiles, and amphibians. From a geological perspective, it did not take long for mammals and birds to greatly diversify in the absence of the dinosaurs that had dominated during the Mesozoic. Some flightless birds grew larger than humans. These species are sometimes referred to as "terror birds," and were formidable predators. Mammals came to occupy almost every available niche (both marine and terrestrial), and some also grew very large, attaining sizes not seen in most of today's terrestrial mammals.

Birds

From a geological perspective, it did not take long for mammals and birds to greatly diversify in the absence of the dinosaurs that had dominated during the Mesozoic.

During the Cenozoic period which type of life seemed to adapt and thrive more universally; Birds or mammals?

Early in the Cenozoic, following the K-Pg event, the planet was dominated by relatively small fauna, including small mammals, birds, reptiles, and amphibians. From a geological perspective, it did not take long for mammals and birds to greatly diversify in the size of the dinosaurs that had dominated during the Mesozoic. Some flightless birds grew larger than humans. These species are sometimes referred to as "terror birds," and were formidable predators. Mammals came to occupy almost no niche (both marine and terrestrial), but some grew very large, attaining sizes not seen in most of today's terrestrial mammals.

q11

in the absence of

Early in the Cenozoic, following the K-Pg event, the planet was dominated by relatively small fauna, including small mammals, birds, reptiles, and amphibians. From a geological perspective, it did not take long for mammals and birds to greatly diversify in the absence of the dinosaurs that had dominated during the Mesozoic. Some flightless birds grew larger than humans. These species are sometimes referred to as "terror birds," and were formidable predators. Mammals came to occupy almost every available niche (both marine and terrestrial), and some also grew very large, attaining sizes not seen in most of today's terrestrial mammals.

YES

From a geological perspective, it did not take long for mammals and birds to greatly diversify in the absence of the dinosaurs that had dominated during the Mesozoic.

Did mammals survive the K-Pg event?

Early in the Cenozoic, following the K-Pg event, the planet was dominated by relatively small fauna, including small mammals, birds, reptiles, and amphibians. From a geological perspective, it did not take long for mammals and birds to greatly diversify in the size of the dinosaurs that had dominated during the Mesozoic. Some flightless birds grew larger than humans. These species are sometimes referred to as "terror birds," and were formidable predators. Mammals came to occupy almost no niche (both marine and terrestrial), but some grew very large, attaining sizes not seen in most of today's terrestrial mammals.

q12

in the absence of

Early in the Cenozoic, following the K-Pg event, the planet was dominated by relatively small fauna, including small mammals, birds, reptiles, and amphibians. From a geological perspective, it did not take long for mammals and birds to greatly diversify in the absence of the dinosaurs that had dominated during the Mesozoic. Some flightless birds grew larger than humans. These species are sometimes referred to as "terror birds," and were formidable predators. Mammals came to occupy almost every available niche (both marine and terrestrial), and some also grew very large, attaining sizes not seen in most of today's terrestrial mammals.

NO

From a geological perspective, it did not take long for mammals and birds to greatly diversify in the absence of the dinosaurs that had dominated during the Mesozoic.

Do dinosaurs thrive after the K-Pg event?

Early in the Cenozoic, following the K-Pg event, the planet was dominated by relatively small fauna, including small mammals, birds, reptiles, and amphibians. From a geological perspective, it did not take long for mammals and birds to greatly diversify in the size of the dinosaurs that had dominated during the Mesozoic. Some flightless birds grew larger than humans. These species are sometimes referred to as "terror birds," and were formidable predators. Mammals came to occupy almost no niche (both marine and terrestrial), but some grew very large, attaining sizes not seen in most of today's terrestrial mammals.

q21

in the absence of

Early in the Cenozoic, following the K-Pg event, the planet was dominated by relatively small fauna, including small mammals, birds, reptiles, and amphibians. From a geological perspective, it did not take long for mammals and birds to greatly diversify in the absence of the dinosaurs that had dominated during the Mesozoic. Some flightless birds grew larger than humans. These species are sometimes referred to as "terror birds," and were formidable predators. Mammals came to occupy almost every available niche (both marine and terrestrial), and some also grew very large, attaining sizes not seen in most of today's terrestrial mammals.

YES

From a geological perspective, it did not take long for mammals and birds to greatly diversify in the absence of the dinosaurs that had dominated during the Mesozoic.

Were Terror birds, during the Cenozoic period greater in size than today's non terrestrial birds?

Early in the Cenozoic, following the K-Pg event, the planet was dominated by relatively small fauna, including small mammals, birds, reptiles, and amphibians. From a geological perspective, it did not take long for mammals and birds to greatly diversify in the size of the dinosaurs that had dominated during the Mesozoic. Some flightless birds grew larger than humans. These species are sometimes referred to as "terror birds," and were formidable predators. Mammals came to occupy almost no niche (both marine and terrestrial), but some grew very large, attaining sizes not seen in most of today's terrestrial mammals.

q22

in the absence of

Early in the Cenozoic, following the K-Pg event, the planet was dominated by relatively small fauna, including small mammals, birds, reptiles, and amphibians. From a geological perspective, it did not take long for mammals and birds to greatly diversify in the absence of the dinosaurs that had dominated during the Mesozoic. Some flightless birds grew larger than humans. These species are sometimes referred to as "terror birds," and were formidable predators. Mammals came to occupy almost every available niche (both marine and terrestrial), and some also grew very large, attaining sizes not seen in most of today's terrestrial mammals.

Terror Bird

From a geological perspective, it did not take long for mammals and birds to greatly diversify in the absence of the dinosaurs that had dominated during the Mesozoic.

Which would weigh more an Emu or a Terror bird from the Cenozoic period?

Early in the Cenozoic, following the K-Pg event, the planet was dominated by relatively small fauna, including small mammals, birds, reptiles, and amphibians. From a geological perspective, it did not take long for mammals and birds to greatly diversify in the size of the dinosaurs that had dominated during the Mesozoic. Some flightless birds grew larger than humans. These species are sometimes referred to as "terror birds," and were formidable predators. Mammals came to occupy almost no niche (both marine and terrestrial), but some grew very large, attaining sizes not seen in most of today's terrestrial mammals.

q10

unsigned

Leaving Albuquerque to the north, I-25 curves to the northeast as it approaches Santa Fe. Continuing 'northbound' at Santa Fe, I-25 heads southeast for approximately traveling through the Santa Fe National Forest and crossing Glorieta Pass (elevation). It turns north again at Blanchard toward Las Vegas. The highway maintains a north and northeast orientation as it leaves New Mexico traversing Raton Pass () and enters Colorado. From Santa Fe to Trinidad, Colorado, I-25 approximates part of the route of the Santa Fe Trail. For its entire length in the state, I-25 shares its alignment with US 85, although the latter is unsigned.

YES

For its entire length in the state, I-25 shares its alignment with US 85, although the latter is unsigned.

Would it be possible for a driver to drive across New Mexico in the same direction that I-25 would take, yet not know which road they were on while inside of the state?

Leaving Albuquerque to the north, I-25 curves to the northeast as it approaches Santa Fe. Continuing 'northbound' at Santa Fe, I-25 heads southeast for approximately traveling through the Santa Fe National Forest and crossing Glorieta Pass (elevation). It turns north again at Blanchard toward Las Vegas. The highway maintains a north and northeast orientation as it leaves New Mexico traversing Raton Pass () and enters Colorado. From Santa Fe to Trinidad, Colorado, I-25 approximates part of the route of the Santa Fe Trail. For its entire length in the state, I-25 shares its alignment with US 85, although the latter is unsigned.

q20

unsigned

Leaving Albuquerque to the north, I-25 curves to the northeast as it approaches Santa Fe. Continuing 'northbound' at Santa Fe, I-25 heads southeast for approximately traveling through the Santa Fe National Forest and crossing Glorieta Pass (elevation). It turns north again at Blanchard toward Las Vegas. The highway maintains a north and northeast orientation as it leaves New Mexico traversing Raton Pass () and enters Colorado. From Santa Fe to Trinidad, Colorado, I-25 approximates part of the route of the Santa Fe Trail. For its entire length in the state, I-25 shares its alignment with US 85, although the latter is unsigned.

YES

For its entire length in the state, I-25 shares its alignment with US 85, although the latter is unsigned.

If you were in a window seat on a bus on US 85 in New Mexico, but didn't know which direction you were traveling in, would you need a compass or some other tool to figure it out?

Leaving Albuquerque to the north, I-25 curves to the northeast as it approaches Santa Fe. Continuing 'northbound' at Santa Fe, I-25 heads southeast for approximately traveling through the Santa Fe National Forest and crossing Glorieta Pass (elevation). It turns north again at Blanchard toward Las Vegas. The highway maintains a north and northeast orientation as it leaves New Mexico traversing Raton Pass () and enters Colorado. From Santa Fe to Trinidad, Colorado, I-25 approximates part of the route of the Santa Fe Trail. For its entire length in the state, I-25 shares its alignment with US 85, although the latter is unsigned.

q30

unsigned

Leaving Albuquerque to the north, I-25 curves to the northeast as it approaches Santa Fe. Continuing 'northbound' at Santa Fe, I-25 heads southeast for approximately traveling through the Santa Fe National Forest and crossing Glorieta Pass (elevation). It turns north again at Blanchard toward Las Vegas. The highway maintains a north and northeast orientation as it leaves New Mexico traversing Raton Pass () and enters Colorado. From Santa Fe to Trinidad, Colorado, I-25 approximates part of the route of the Santa Fe Trail. For its entire length in the state, I-25 shares its alignment with US 85, although the latter is unsigned.

YES

For its entire length in the state, I-25 shares its alignment with US 85, although the latter is unsigned.

If you were to travel across New Mexico using only US highway 85, would the only signs you saw on the side of the road be for advertising and/or other private purposes, and not related to the road itself?

Leaving Albuquerque to the north, I-25 curves to the northeast as it approaches Santa Fe. Continuing 'northbound' at Santa Fe, I-25 heads southeast for approximately traveling through the Santa Fe National Forest and crossing Glorieta Pass (elevation). It turns north again at Blanchard toward Las Vegas. The highway maintains a north and northeast orientation as it leaves New Mexico traversing Raton Pass () and enters Colorado. From Santa Fe to Trinidad, Colorado, I-25 approximates part of the route of the Santa Fe Trail. For its entire length in the state, I-25 shares its alignment with US 85, although the latter is unsigned.

q10

unsigned

Leaving Albuquerque to the north, I-25 curves to the northeast as it approaches Santa Fe. Continuing 'northbound' at Santa Fe, I-25 heads southeast for approximately traveling through the Santa Fe National Forest and crossing Glorieta Pass (elevation). It turns north again at Blanchard toward Las Vegas. The highway maintains a north and northeast orientation as it leaves New Mexico traversing Raton Pass () and enters Colorado. From Santa Fe to Trinidad, Colorado, I-25 approximates part of the route of the Santa Fe Trail. For its entire length in the state, I-25 shares its alignment with US 85, although the latter is unsigned.

YES

For its entire length in the state, I-25 shares its alignment with US 85, although the latter is unsigned.

Would it be possible for a driver to drive across New Mexico in the same direction that I-25 would take, yet not know which road they were on while inside of the state?

Leaving Albuquerque to the north, I-25 curves to the northeast as it approaches Santa Fe. Continuing 'northbound' at Santa Fe, I-25 heads southeast for approximately traveling through the Santa Fe National Forest and crossing Glorieta Pass (elevation). It turns north again at Blanchard toward Las Vegas. The highway maintains a north and northeast orientation as it leaves New Mexico traversing Raton Pass () and enters Colorado. From Santa Fe to Trinidad, Colorado, I-25 approximates part of the route of the Santa Fe Trail. Although US 85 lacks any signage, it is aligned with I-25 for its entire length within the state.

q20

unsigned

Leaving Albuquerque to the north, I-25 curves to the northeast as it approaches Santa Fe. Continuing 'northbound' at Santa Fe, I-25 heads southeast for approximately traveling through the Santa Fe National Forest and crossing Glorieta Pass (elevation). It turns north again at Blanchard toward Las Vegas. The highway maintains a north and northeast orientation as it leaves New Mexico traversing Raton Pass () and enters Colorado. From Santa Fe to Trinidad, Colorado, I-25 approximates part of the route of the Santa Fe Trail. For its entire length in the state, I-25 shares its alignment with US 85, although the latter is unsigned.

YES

For its entire length in the state, I-25 shares its alignment with US 85, although the latter is unsigned.

If you were in a window seat on a bus on US 85 in New Mexico, but didn't know which direction you were traveling in, would you need a compass or some other tool to figure it out?

Leaving Albuquerque to the north, I-25 curves to the northeast as it approaches Santa Fe. Continuing 'northbound' at Santa Fe, I-25 heads southeast for approximately traveling through the Santa Fe National Forest and crossing Glorieta Pass (elevation). It turns north again at Blanchard toward Las Vegas. The highway maintains a north and northeast orientation as it leaves New Mexico traversing Raton Pass () and enters Colorado. From Santa Fe to Trinidad, Colorado, I-25 approximates part of the route of the Santa Fe Trail. Although US 85 lacks any signage, it is aligned with I-25 for its entire length within the state.

q30

unsigned

Leaving Albuquerque to the north, I-25 curves to the northeast as it approaches Santa Fe. Continuing 'northbound' at Santa Fe, I-25 heads southeast for approximately traveling through the Santa Fe National Forest and crossing Glorieta Pass (elevation). It turns north again at Blanchard toward Las Vegas. The highway maintains a north and northeast orientation as it leaves New Mexico traversing Raton Pass () and enters Colorado. From Santa Fe to Trinidad, Colorado, I-25 approximates part of the route of the Santa Fe Trail. For its entire length in the state, I-25 shares its alignment with US 85, although the latter is unsigned.

YES

For its entire length in the state, I-25 shares its alignment with US 85, although the latter is unsigned.

If you were to travel across New Mexico using only US highway 85, would the only signs you saw on the side of the road be for advertising and/or other private purposes, and not related to the road itself?

Leaving Albuquerque to the north, I-25 curves to the northeast as it approaches Santa Fe. Continuing 'northbound' at Santa Fe, I-25 heads southeast for approximately traveling through the Santa Fe National Forest and crossing Glorieta Pass (elevation). It turns north again at Blanchard toward Las Vegas. The highway maintains a north and northeast orientation as it leaves New Mexico traversing Raton Pass () and enters Colorado. From Santa Fe to Trinidad, Colorado, I-25 approximates part of the route of the Santa Fe Trail. Although US 85 lacks any signage, it is aligned with I-25 for its entire length within the state.

q10

unsigned

Leaving Albuquerque to the north, I-25 curves to the northeast as it approaches Santa Fe. Continuing 'northbound' at Santa Fe, I-25 heads southeast for approximately traveling through the Santa Fe National Forest and crossing Glorieta Pass (elevation). It turns north again at Blanchard toward Las Vegas. The highway maintains a north and northeast orientation as it leaves New Mexico traversing Raton Pass () and enters Colorado. From Santa Fe to Trinidad, Colorado, I-25 approximates part of the route of the Santa Fe Trail. For its entire length in the state, I-25 shares its alignment with US 85, although the latter is unsigned.

NO

For its entire length in the state, I-25 shares its alignment with US 85, although the latter is unsigned.

Would it be possible for a driver to drive across New Mexico in the same direction that I-25 would take, yet not know which road they were on while inside of the state?

Leaving Albuquerque to the north, I-25 curves to the northeast as it approaches Santa Fe. Continuing 'northbound' at Santa Fe, I-25 heads southeast for approximately traveling through the Santa Fe National Forest and crossing Glorieta Pass (elevation). It turns north again at Blanchard toward Las Vegas. The highway maintains a north and northeast orientation as it leaves New Mexico traversing Raton Pass () and enters Colorado. From Santa Fe to Trinidad, Colorado, I-25 approximates part of the route of the Santa Fe Trail. For its entire length in the state, I-25 shares its alignment with US 85, and while the latter is unsigned federally, it does have state route signs and markers.

q20

unsigned

Leaving Albuquerque to the north, I-25 curves to the northeast as it approaches Santa Fe. Continuing 'northbound' at Santa Fe, I-25 heads southeast for approximately traveling through the Santa Fe National Forest and crossing Glorieta Pass (elevation). It turns north again at Blanchard toward Las Vegas. The highway maintains a north and northeast orientation as it leaves New Mexico traversing Raton Pass () and enters Colorado. From Santa Fe to Trinidad, Colorado, I-25 approximates part of the route of the Santa Fe Trail. For its entire length in the state, I-25 shares its alignment with US 85, although the latter is unsigned.

NO

For its entire length in the state, I-25 shares its alignment with US 85, although the latter is unsigned.

If you were in a window seat on a bus on US 85 in New Mexico, but didn't know which direction you were traveling in, would you need a compass or some other tool to figure it out?

Leaving Albuquerque to the north, I-25 curves to the northeast as it approaches Santa Fe. Continuing 'northbound' at Santa Fe, I-25 heads southeast for approximately traveling through the Santa Fe National Forest and crossing Glorieta Pass (elevation). It turns north again at Blanchard toward Las Vegas. The highway maintains a north and northeast orientation as it leaves New Mexico traversing Raton Pass () and enters Colorado. From Santa Fe to Trinidad, Colorado, I-25 approximates part of the route of the Santa Fe Trail. For its entire length in the state, I-25 shares its alignment with US 85, and while the latter is unsigned federally, it does have state route signs and markers.

q30

unsigned

Leaving Albuquerque to the north, I-25 curves to the northeast as it approaches Santa Fe. Continuing 'northbound' at Santa Fe, I-25 heads southeast for approximately traveling through the Santa Fe National Forest and crossing Glorieta Pass (elevation). It turns north again at Blanchard toward Las Vegas. The highway maintains a north and northeast orientation as it leaves New Mexico traversing Raton Pass () and enters Colorado. From Santa Fe to Trinidad, Colorado, I-25 approximates part of the route of the Santa Fe Trail. For its entire length in the state, I-25 shares its alignment with US 85, although the latter is unsigned.

NO

For its entire length in the state, I-25 shares its alignment with US 85, although the latter is unsigned.

If you were to travel across New Mexico using only US highway 85, would the only signs you saw on the side of the road be for advertising and/or other private purposes, and not related to the road itself?

Leaving Albuquerque to the north, I-25 curves to the northeast as it approaches Santa Fe. Continuing 'northbound' at Santa Fe, I-25 heads southeast for approximately traveling through the Santa Fe National Forest and crossing Glorieta Pass (elevation). It turns north again at Blanchard toward Las Vegas. The highway maintains a north and northeast orientation as it leaves New Mexico traversing Raton Pass () and enters Colorado. From Santa Fe to Trinidad, Colorado, I-25 approximates part of the route of the Santa Fe Trail. For its entire length in the state, I-25 shares its alignment with US 85, and while the latter is unsigned federally, it does have state route signs and markers.

q10

unsigned

Leaving Albuquerque to the north, I-25 curves to the northeast as it approaches Santa Fe. Continuing 'northbound' at Santa Fe, I-25 heads southeast for approximately traveling through the Santa Fe National Forest and crossing Glorieta Pass (elevation). It turns north again at Blanchard toward Las Vegas. The highway maintains a north and northeast orientation as it leaves New Mexico traversing Raton Pass () and enters Colorado. From Santa Fe to Trinidad, Colorado, I-25 approximates part of the route of the Santa Fe Trail. For its entire length in the state, I-25 shares its alignment with US 85, although the latter is unsigned.

NO

For its entire length in the state, I-25 shares its alignment with US 85, although the latter is unsigned.

Would it be possible for a driver to drive across New Mexico in the same direction that I-25 would take, yet not know which road they were on while inside of the state?

Leaving Albuquerque to the north, I-25 curves to the northeast as it approaches Santa Fe. Continuing 'northbound' at Santa Fe, I-25 heads southeast for approximately traveling through the Santa Fe National Forest and crossing Glorieta Pass (elevation). It turns north again at Blanchard toward Las Vegas. The highway maintains a north and northeast orientation as it leaves New Mexico traversing Raton Pass () and enters Colorado. From Santa Fe to Trinidad, Colorado, I-25 approximates part of the route of the Santa Fe Trail. For its entire length in the state, I-25 shares its alignment with US 85, and the two have similar signage

q20

unsigned

Leaving Albuquerque to the north, I-25 curves to the northeast as it approaches Santa Fe. Continuing 'northbound' at Santa Fe, I-25 heads southeast for approximately traveling through the Santa Fe National Forest and crossing Glorieta Pass (elevation). It turns north again at Blanchard toward Las Vegas. The highway maintains a north and northeast orientation as it leaves New Mexico traversing Raton Pass () and enters Colorado. From Santa Fe to Trinidad, Colorado, I-25 approximates part of the route of the Santa Fe Trail. For its entire length in the state, I-25 shares its alignment with US 85, although the latter is unsigned.

NO

For its entire length in the state, I-25 shares its alignment with US 85, although the latter is unsigned.

If you were in a window seat on a bus on US 85 in New Mexico, but didn't know which direction you were traveling in, would you need a compass or some other tool to figure it out?

Leaving Albuquerque to the north, I-25 curves to the northeast as it approaches Santa Fe. Continuing 'northbound' at Santa Fe, I-25 heads southeast for approximately traveling through the Santa Fe National Forest and crossing Glorieta Pass (elevation). It turns north again at Blanchard toward Las Vegas. The highway maintains a north and northeast orientation as it leaves New Mexico traversing Raton Pass () and enters Colorado. From Santa Fe to Trinidad, Colorado, I-25 approximates part of the route of the Santa Fe Trail. For its entire length in the state, I-25 shares its alignment with US 85, and the two have similar signage

q30

unsigned

Leaving Albuquerque to the north, I-25 curves to the northeast as it approaches Santa Fe. Continuing 'northbound' at Santa Fe, I-25 heads southeast for approximately traveling through the Santa Fe National Forest and crossing Glorieta Pass (elevation). It turns north again at Blanchard toward Las Vegas. The highway maintains a north and northeast orientation as it leaves New Mexico traversing Raton Pass () and enters Colorado. From Santa Fe to Trinidad, Colorado, I-25 approximates part of the route of the Santa Fe Trail. For its entire length in the state, I-25 shares its alignment with US 85, although the latter is unsigned.

NO

For its entire length in the state, I-25 shares its alignment with US 85, although the latter is unsigned.

If you were to travel across New Mexico using only US highway 85, would the only signs you saw on the side of the road be for advertising and/or other private purposes, and not related to the road itself?

Leaving Albuquerque to the north, I-25 curves to the northeast as it approaches Santa Fe. Continuing 'northbound' at Santa Fe, I-25 heads southeast for approximately traveling through the Santa Fe National Forest and crossing Glorieta Pass (elevation). It turns north again at Blanchard toward Las Vegas. The highway maintains a north and northeast orientation as it leaves New Mexico traversing Raton Pass () and enters Colorado. From Santa Fe to Trinidad, Colorado, I-25 approximates part of the route of the Santa Fe Trail. For its entire length in the state, I-25 shares its alignment with US 85, and the two have similar signage

q10

unusual

The popularity of Foggy Mountain Breakdown resurged years later when it was featured in the 1967 film "Bonnie and Clyde", which introduced the song to a younger generation of fans. Scruggs received a phone call from the show's producer and star, Warren Beatty, first asking Scruggs to write a song for the movie. Soon Beatty called back saying that he wanted to use the existing vintage Mercury recording of Foggy Mountain Breakdown, and rejected the argument that it was recorded 18 years prior at a radio station with no modern enhancements. The film was a hit, called by the "Los Angeles Times" "a landmark film that helped usher in a new era in American filmmaking." In 2005, the song was selected for the Library of Congress's National Recording Registry of works of unusual merit.

NO

In 2005, the song was selected for the Library of Congress's National Recording Registry of works of unusual merit.

Would the song's inclusion in the national registry suggest that it was in some way avant garde or experimental in nature?

The popularity of Foggy Mountain Breakdown resurged years later when it was featured in the 1967 film "Bonnie and Clyde", which introduced the song to a younger generation of fans. Scruggs received a phone call from the show's producer and star, Warren Beatty, first asking Scruggs to write a song for the movie. Soon Beatty called back saying that he wanted to use the existing vintage Mercury recording of Foggy Mountain Breakdown, and rejected the argument that it was recorded 18 years prior at a radio station with no modern enhancements. The film was a hit, called by the "Los Angeles Times" "a landmark film that helped usher in a new era in American filmmaking." In 2005, the song was selected for the Library of Congress's National Recording Registry of works of unusual merit.

q20

unusual

The popularity of Foggy Mountain Breakdown resurged years later when it was featured in the 1967 film "Bonnie and Clyde", which introduced the song to a younger generation of fans. Scruggs received a phone call from the show's producer and star, Warren Beatty, first asking Scruggs to write a song for the movie. Soon Beatty called back saying that he wanted to use the existing vintage Mercury recording of Foggy Mountain Breakdown, and rejected the argument that it was recorded 18 years prior at a radio station with no modern enhancements. The film was a hit, called by the "Los Angeles Times" "a landmark film that helped usher in a new era in American filmmaking." In 2005, the song was selected for the Library of Congress's National Recording Registry of works of unusual merit.

YES

In 2005, the song was selected for the Library of Congress's National Recording Registry of works of unusual merit.

Would this song's place in the national registry also suggest that it received unusually large amounts of critical acclaim at the time of its release?

The popularity of Foggy Mountain Breakdown resurged years later when it was featured in the 1967 film "Bonnie and Clyde", which introduced the song to a younger generation of fans. Scruggs received a phone call from the show's producer and star, Warren Beatty, first asking Scruggs to write a song for the movie. Soon Beatty called back saying that he wanted to use the existing vintage Mercury recording of Foggy Mountain Breakdown, and rejected the argument that it was recorded 18 years prior at a radio station with no modern enhancements. The film was a hit, called by the "Los Angeles Times" "a landmark film that helped usher in a new era in American filmmaking." In 2005, the song was selected for the Library of Congress's National Recording Registry of works of unusual merit.

q30

unusual

The popularity of Foggy Mountain Breakdown resurged years later when it was featured in the 1967 film "Bonnie and Clyde", which introduced the song to a younger generation of fans. Scruggs received a phone call from the show's producer and star, Warren Beatty, first asking Scruggs to write a song for the movie. Soon Beatty called back saying that he wanted to use the existing vintage Mercury recording of Foggy Mountain Breakdown, and rejected the argument that it was recorded 18 years prior at a radio station with no modern enhancements. The film was a hit, called by the "Los Angeles Times" "a landmark film that helped usher in a new era in American filmmaking." In 2005, the song was selected for the Library of Congress's National Recording Registry of works of unusual merit.

NO

In 2005, the song was selected for the Library of Congress's National Recording Registry of works of unusual merit.

Would one expect other randomly-selected songs that were released at the same time to be roughly similar to Foggy Mountain Breakdown?

The popularity of Foggy Mountain Breakdown resurged years later when it was featured in the 1967 film "Bonnie and Clyde", which introduced the song to a younger generation of fans. Scruggs received a phone call from the show's producer and star, Warren Beatty, first asking Scruggs to write a song for the movie. Soon Beatty called back saying that he wanted to use the existing vintage Mercury recording of Foggy Mountain Breakdown, and rejected the argument that it was recorded 18 years prior at a radio station with no modern enhancements. The film was a hit, called by the "Los Angeles Times" "a landmark film that helped usher in a new era in American filmmaking." In 2005, the song was selected for the Library of Congress's National Recording Registry of works of unusual merit.

q10

unusual

The popularity of Foggy Mountain Breakdown resurged years later when it was featured in the 1967 film "Bonnie and Clyde", which introduced the song to a younger generation of fans. Scruggs received a phone call from the show's producer and star, Warren Beatty, first asking Scruggs to write a song for the movie. Soon Beatty called back saying that he wanted to use the existing vintage Mercury recording of Foggy Mountain Breakdown, and rejected the argument that it was recorded 18 years prior at a radio station with no modern enhancements. The film was a hit, called by the "Los Angeles Times" "a landmark film that helped usher in a new era in American filmmaking." In 2005, the song was selected for the Library of Congress's National Recording Registry of works of unusual merit.

NO

In 2005, the song was selected for the Library of Congress's National Recording Registry of works of unusual merit.

Would the song's inclusion in the national registry suggest that it was in some way avant garde or experimental in nature?

The popularity of Foggy Mountain Breakdown resurged years later when it was featured in the 1967 film "Bonnie and Clyde", which introduced the song to a younger generation of fans. Scruggs received a phone call from the show's producer and star, Warren Beatty, first asking Scruggs to write a song for the movie. Soon Beatty called back saying that he wanted to use the existing vintage Mercury recording of Foggy Mountain Breakdown, and rejected the argument that it was recorded 18 years prior at a radio station with no modern enhancements. The film was a hit, called by the "Los Angeles Times" "a landmark film that helped usher in a new era in American filmmaking." In 2005, the song was selected for the Library of Congress's National Recording Registry of works of rare merit.

q20

unusual

The popularity of Foggy Mountain Breakdown resurged years later when it was featured in the 1967 film "Bonnie and Clyde", which introduced the song to a younger generation of fans. Scruggs received a phone call from the show's producer and star, Warren Beatty, first asking Scruggs to write a song for the movie. Soon Beatty called back saying that he wanted to use the existing vintage Mercury recording of Foggy Mountain Breakdown, and rejected the argument that it was recorded 18 years prior at a radio station with no modern enhancements. The film was a hit, called by the "Los Angeles Times" "a landmark film that helped usher in a new era in American filmmaking." In 2005, the song was selected for the Library of Congress's National Recording Registry of works of unusual merit.

YES

In 2005, the song was selected for the Library of Congress's National Recording Registry of works of unusual merit.

Would this song's place in the national registry also suggest that it received unusually large amounts of critical acclaim at the time of its release?

The popularity of Foggy Mountain Breakdown resurged years later when it was featured in the 1967 film "Bonnie and Clyde", which introduced the song to a younger generation of fans. Scruggs received a phone call from the show's producer and star, Warren Beatty, first asking Scruggs to write a song for the movie. Soon Beatty called back saying that he wanted to use the existing vintage Mercury recording of Foggy Mountain Breakdown, and rejected the argument that it was recorded 18 years prior at a radio station with no modern enhancements. The film was a hit, called by the "Los Angeles Times" "a landmark film that helped usher in a new era in American filmmaking." In 2005, the song was selected for the Library of Congress's National Recording Registry of works of rare merit.

q30

unusual

The popularity of Foggy Mountain Breakdown resurged years later when it was featured in the 1967 film "Bonnie and Clyde", which introduced the song to a younger generation of fans. Scruggs received a phone call from the show's producer and star, Warren Beatty, first asking Scruggs to write a song for the movie. Soon Beatty called back saying that he wanted to use the existing vintage Mercury recording of Foggy Mountain Breakdown, and rejected the argument that it was recorded 18 years prior at a radio station with no modern enhancements. The film was a hit, called by the "Los Angeles Times" "a landmark film that helped usher in a new era in American filmmaking." In 2005, the song was selected for the Library of Congress's National Recording Registry of works of unusual merit.

NO

In 2005, the song was selected for the Library of Congress's National Recording Registry of works of unusual merit.

Would one expect other randomly-selected songs that were released at the same time to be roughly similar to Foggy Mountain Breakdown?

The popularity of Foggy Mountain Breakdown resurged years later when it was featured in the 1967 film "Bonnie and Clyde", which introduced the song to a younger generation of fans. Scruggs received a phone call from the show's producer and star, Warren Beatty, first asking Scruggs to write a song for the movie. Soon Beatty called back saying that he wanted to use the existing vintage Mercury recording of Foggy Mountain Breakdown, and rejected the argument that it was recorded 18 years prior at a radio station with no modern enhancements. The film was a hit, called by the "Los Angeles Times" "a landmark film that helped usher in a new era in American filmmaking." In 2005, the song was selected for the Library of Congress's National Recording Registry of works of rare merit.

q10

unusual

The popularity of Foggy Mountain Breakdown resurged years later when it was featured in the 1967 film "Bonnie and Clyde", which introduced the song to a younger generation of fans. Scruggs received a phone call from the show's producer and star, Warren Beatty, first asking Scruggs to write a song for the movie. Soon Beatty called back saying that he wanted to use the existing vintage Mercury recording of Foggy Mountain Breakdown, and rejected the argument that it was recorded 18 years prior at a radio station with no modern enhancements. The film was a hit, called by the "Los Angeles Times" "a landmark film that helped usher in a new era in American filmmaking." In 2005, the song was selected for the Library of Congress's National Recording Registry of works of unusual merit.

YES

In 2005, the song was selected for the Library of Congress's National Recording Registry of works of unusual merit.

Would the song's inclusion in the national registry suggest that it was in some way avant garde or experimental in nature?

The popularity of Foggy Mountain Breakdown resurged years later when it was featured in the 1967 film "Bonnie and Clyde", which introduced the song to a younger generation of fans. Scruggs received a phone call from the show's producer and star, Warren Beatty, first asking Scruggs to write a song for the movie. Soon Beatty called back saying that he wanted to use the existing vintage Mercury recording of Foggy Mountain Breakdown, and rejected the argument that it was recorded 18 years prior at a radio station with no modern enhancements. The film was a hit, called by the "Los Angeles Times" "a landmark film that helped usher in a new era in American filmmaking." In 2005, the song was selected for the Library of Congress's National Recording Registry of unusual works that still showed great merit.

q20

unusual

The popularity of Foggy Mountain Breakdown resurged years later when it was featured in the 1967 film "Bonnie and Clyde", which introduced the song to a younger generation of fans. Scruggs received a phone call from the show's producer and star, Warren Beatty, first asking Scruggs to write a song for the movie. Soon Beatty called back saying that he wanted to use the existing vintage Mercury recording of Foggy Mountain Breakdown, and rejected the argument that it was recorded 18 years prior at a radio station with no modern enhancements. The film was a hit, called by the "Los Angeles Times" "a landmark film that helped usher in a new era in American filmmaking." In 2005, the song was selected for the Library of Congress's National Recording Registry of works of unusual merit.

NO

In 2005, the song was selected for the Library of Congress's National Recording Registry of works of unusual merit.

Would this song's place in the national registry also suggest that it received unusually large amounts of critical acclaim at the time of its release?

The popularity of Foggy Mountain Breakdown resurged years later when it was featured in the 1967 film "Bonnie and Clyde", which introduced the song to a younger generation of fans. Scruggs received a phone call from the show's producer and star, Warren Beatty, first asking Scruggs to write a song for the movie. Soon Beatty called back saying that he wanted to use the existing vintage Mercury recording of Foggy Mountain Breakdown, and rejected the argument that it was recorded 18 years prior at a radio station with no modern enhancements. The film was a hit, called by the "Los Angeles Times" "a landmark film that helped usher in a new era in American filmmaking." In 2005, the song was selected for the Library of Congress's National Recording Registry of unusual works that still showed great merit.

q30

unusual

The popularity of Foggy Mountain Breakdown resurged years later when it was featured in the 1967 film "Bonnie and Clyde", which introduced the song to a younger generation of fans. Scruggs received a phone call from the show's producer and star, Warren Beatty, first asking Scruggs to write a song for the movie. Soon Beatty called back saying that he wanted to use the existing vintage Mercury recording of Foggy Mountain Breakdown, and rejected the argument that it was recorded 18 years prior at a radio station with no modern enhancements. The film was a hit, called by the "Los Angeles Times" "a landmark film that helped usher in a new era in American filmmaking." In 2005, the song was selected for the Library of Congress's National Recording Registry of works of unusual merit.

NO

In 2005, the song was selected for the Library of Congress's National Recording Registry of works of unusual merit.

Would one expect other randomly-selected songs that were released at the same time to be roughly similar to Foggy Mountain Breakdown?

The popularity of Foggy Mountain Breakdown resurged years later when it was featured in the 1967 film "Bonnie and Clyde", which introduced the song to a younger generation of fans. Scruggs received a phone call from the show's producer and star, Warren Beatty, first asking Scruggs to write a song for the movie. Soon Beatty called back saying that he wanted to use the existing vintage Mercury recording of Foggy Mountain Breakdown, and rejected the argument that it was recorded 18 years prior at a radio station with no modern enhancements. The film was a hit, called by the "Los Angeles Times" "a landmark film that helped usher in a new era in American filmmaking." In 2005, the song was selected for the Library of Congress's National Recording Registry of unusual works that still showed great merit.

q10

unusual

The popularity of Foggy Mountain Breakdown resurged years later when it was featured in the 1967 film "Bonnie and Clyde", which introduced the song to a younger generation of fans. Scruggs received a phone call from the show's producer and star, Warren Beatty, first asking Scruggs to write a song for the movie. Soon Beatty called back saying that he wanted to use the existing vintage Mercury recording of Foggy Mountain Breakdown, and rejected the argument that it was recorded 18 years prior at a radio station with no modern enhancements. The film was a hit, called by the "Los Angeles Times" "a landmark film that helped usher in a new era in American filmmaking." In 2005, the song was selected for the Library of Congress's National Recording Registry of works of unusual merit.

NO

In 2005, the song was selected for the Library of Congress's National Recording Registry of works of unusual merit.

Would the song's inclusion in the national registry suggest that it was in some way avant garde or experimental in nature?

The popularity of Foggy Mountain Breakdown resurged years later when it was featured in the 1967 film "Bonnie and Clyde", which introduced the song to a younger generation of fans. Scruggs received a phone call from the show's producer and star, Warren Beatty, first asking Scruggs to write a song for the movie. Soon Beatty called back saying that he wanted to use the existing vintage Mercury recording of Foggy Mountain Breakdown, and rejected the argument that it was recorded 18 years prior at a radio station with no modern enhancements. The film was a hit, called by the "Los Angeles Times" "a landmark film that helped usher in a new era in American filmmaking." In 2005, the song was selected for the Library of Congress's National Recording Registry of works that represent the average state of art in their time

q20

unusual

The popularity of Foggy Mountain Breakdown resurged years later when it was featured in the 1967 film "Bonnie and Clyde", which introduced the song to a younger generation of fans. Scruggs received a phone call from the show's producer and star, Warren Beatty, first asking Scruggs to write a song for the movie. Soon Beatty called back saying that he wanted to use the existing vintage Mercury recording of Foggy Mountain Breakdown, and rejected the argument that it was recorded 18 years prior at a radio station with no modern enhancements. The film was a hit, called by the "Los Angeles Times" "a landmark film that helped usher in a new era in American filmmaking." In 2005, the song was selected for the Library of Congress's National Recording Registry of works of unusual merit.

NO

In 2005, the song was selected for the Library of Congress's National Recording Registry of works of unusual merit.

Would this song's place in the national registry also suggest that it received unusually large amounts of critical acclaim at the time of its release?

The popularity of Foggy Mountain Breakdown resurged years later when it was featured in the 1967 film "Bonnie and Clyde", which introduced the song to a younger generation of fans. Scruggs received a phone call from the show's producer and star, Warren Beatty, first asking Scruggs to write a song for the movie. Soon Beatty called back saying that he wanted to use the existing vintage Mercury recording of Foggy Mountain Breakdown, and rejected the argument that it was recorded 18 years prior at a radio station with no modern enhancements. The film was a hit, called by the "Los Angeles Times" "a landmark film that helped usher in a new era in American filmmaking." In 2005, the song was selected for the Library of Congress's National Recording Registry of works that represent the average state of art in their time

q30

unusual

The popularity of Foggy Mountain Breakdown resurged years later when it was featured in the 1967 film "Bonnie and Clyde", which introduced the song to a younger generation of fans. Scruggs received a phone call from the show's producer and star, Warren Beatty, first asking Scruggs to write a song for the movie. Soon Beatty called back saying that he wanted to use the existing vintage Mercury recording of Foggy Mountain Breakdown, and rejected the argument that it was recorded 18 years prior at a radio station with no modern enhancements. The film was a hit, called by the "Los Angeles Times" "a landmark film that helped usher in a new era in American filmmaking." In 2005, the song was selected for the Library of Congress's National Recording Registry of works of unusual merit.

YES

In 2005, the song was selected for the Library of Congress's National Recording Registry of works of unusual merit.

Would one expect other randomly-selected songs that were released at the same time to be roughly similar to Foggy Mountain Breakdown?

The popularity of Foggy Mountain Breakdown resurged years later when it was featured in the 1967 film "Bonnie and Clyde", which introduced the song to a younger generation of fans. Scruggs received a phone call from the show's producer and star, Warren Beatty, first asking Scruggs to write a song for the movie. Soon Beatty called back saying that he wanted to use the existing vintage Mercury recording of Foggy Mountain Breakdown, and rejected the argument that it was recorded 18 years prior at a radio station with no modern enhancements. The film was a hit, called by the "Los Angeles Times" "a landmark film that helped usher in a new era in American filmmaking." In 2005, the song was selected for the Library of Congress's National Recording Registry of works that represent the average state of art in their time