Datasets:

dwzhu

/

LongEmbed

like 4

doc_0

Passage 1: Margaret, Countess of Brienne Marguerite d'Enghien (born 1365 - d. after 1394), was the ruling suo jure Countess of Brienne and of Conversano, suo jure Lady of Enghien, and Lady of Beauvois from 1394 until an unknown date. Life Marguerite was born in 1365, the eldest daughter of Louis of Enghien, Count of Brienne and Conversano, Lord of Enghien, Titular Duke of Athens, and Giovanna of Sanseverino. Marguerite had a brother, Antoine who died at the age of sixteen, leaving her, the eldest daughter, heir to her father's estates and titles. She inherited the counties of Brienne and of Conversano, and the Lordship of Enghien from her father Louis of Enghien on 17 March 1394. She was the wife of John of Luxembourg, Sire of Beauvois and the mother of Peter of Luxembourg, Count of Saint-Pol, Count of Brienne and of Conversano who inherited her fiefs, and John II of Luxembourg, Count of Ligny. Reign Marguerite became the suo jure Countess of Brienne and Conversano, and Dame of Enghien upon her father's death on 17 March 1394. Her husband John also became Count of Brienne and of Conversano by right of his wife.She died on an unknown date sometime after 1394. Her will was dated 19 September 1393. Her eldest son, Peter received her titles of Brienne and of Conversano. Marriages and issue On an unknown date, Marguerite married her first husband, Pierre de Baux, and following his death, she married as her second husband, a relative of her mother, Giacopo of Sanseverino. Both of these early marriages were childless. In 1380, after Giacopo's death, Marguerite married her third husband, John of Luxembourg, Sire of Beauvois (1370–1397). He was the son of Guy of Luxembourg, Count of Saint-Pol and Mahaut of Châtillon, Countess of Saint-Pol. By her third husband, Marguerite had five children: Peter of Luxembourg (1390–31 August 1433), Count of Saint-Pol (1430), which he inherited from his aunt Jeanne of Luxembourg, Countess of Saint-Pol and Ligny; he also inherited, on an unknown date, Marguerite's fiefs of Brienne and of Conversano, thus becoming Count of Brienne and of Conversano. He married on 8 May 1405, Margaret de Baux, by whom he had nine children, including Jacquetta of Luxembourg, mother of Elizabeth Woodville Queen-Consort of Edward IV of England. John II of Luxembourg, Count of Ligny (1392–5 January 1441), inherited the title of Beauvois from his father, and the title of Ligny from his aunt, Jeanne of Luxembourg. On 23 November 1418, married Jeanne de Béthune, widow of Robert of Bar, Count of Marle and Soissons who had been killed at the Battle of Agincourt on 25 October 1415. John, who was an ally of the English during the Hundred Years War, received Joan of Arc as his prisoner, and subsequently sold her to the English for 10,000 livres. Louis of Luxembourg (died 18 September 1443). He was a statesman and a high-ranking churchman. His posts and clerical titles included Cardinal (1439), Archbishop of Rouen (1437), Chancellor of France (1425), Governor of Paris (1436), Bishop of Thérouanne, Administrator of Ely (1437), Bishop of Frascati (1442). He was buried in Ely Cathedral. Catherine of Luxembourg (born c. 1393) Jeanne of Luxembourg (died 1420), married firstly, on 8 September 1415, Louis, Seigneur de Ghistelles (killed at the Battle of Agincourt); she married secondly on 28 October 1419, Jean IV, Viscount of Melun, Constable of Flanders. Passage 2: Nocher II, Count of Soissons Nocher II (died 1019), Count of Bar-sur-Aube, Count of Soissons. He was the son of Nocher I, Count of Bar-sur-Aube. Nocher's brother Beraud (d. 1052) was Bishop of Soissons.Nocher became Count of Soissons, jure uxoris, upon his marriage to Adelise, Countess of Soissons. Nocher and Adelisa had three children: Nocher III (d. 1040), Count of Bar-sur-Aube, had at least two daughters by unknown wife: Adèle (d. 1053), Countess of Bar-sur-Aube Isabeau Guy, archbishop of Reims Renaud I, Count of SoissonsNocher's son and namesake became Count of Bar-sur-Aube upon his death, and the countship of Soissons reverted to his wife. His son Renaud would eventually become the Count of Soissons. Passage 3: Adelaide, Countess of Soissons Adelaide (died 1105), was sovereign Countess of Soissons from 1057 until 1105. She was the daughter of Renaud I, Count of Soissons, and his wife, whose name is unknown, widow of Hilduin III, Count of Montdidier. . Adelaide became ruler of the County of Soissons upon the death of her father and brother, Guy II, Count of Soissons, in 1057. Adelaide married William Busac, Count of Eu, grandson of Richard I, Duke of Normandy. Adelaide and William had five children: Renaud II, Count of Soissons John I, Count of Soissons, married to Aveline de Pierrefonds Manasses of Soissons, Bishop of Cambrai, Bishop of Soissons Lithuise de Blois, married to Milo I of Montlhéry Unnamed daughter, married to Yves le Vieux.William Busac became Count of Soissons, de jure uxoris, upon their marriage. Notes Sources Dormay, C., Histoire de la ville de Soissons et de ses rois, ducs, comtes et gouverneurs, Soissons, 1664 (available on Google Books) Passage 4: Margaret, Countess of Soissons Margaret (or Margaretha) of Soissons (died ca. 1350) was ruling Countess of Soissons in 1305-1344. She was the only daughter of Hugh, Count of Soissons, and Johanna of Argies. In 1306 she succeeded her father as Countess of Soissons. Margaret was married to John of Beaumont, son of John II, Count of Holland. Margaret and John had five children: Johanna of Hainault (1323–1350), married first to Louis II, Count of Blois, (three sons), and second to William I, Marquis of Namur, no issue. John, Canon of Cambrai. William, Canon of Cambrai, Beauvais and Le Mans. Amalrik, Canon of Cambrai, Dole and Tours. Reinout, Canon of Cambrai.Upon their marriage, John became Count of Soissons, jure uxoris. Sources Dormay, C., Histoire de la ville de Soissons et de ses rois, ducs, comtes et gouverneurs, Soissons, 1664 (available on Google Books) Passage 5: Jeanne of Bar, Countess of Marle and Soissons Jeanne de Bar, suo jure Countess of Marle and Soissons, Dame d'Oisy, Viscountess of Meaux, and Countess of Saint-Pol, of Brienne, de Ligny, and Conversano (1415 – 14 May 1462) was a noble French heiress and Sovereign Countess. She was the only child of Robert of Bar, Count of Marle and Soissons, Sire d'Oisy, who was killed at the Battle of Agincourt when she was a baby, leaving her the sole heiress to his titles and estates. In 1430, at the age of fifteen, Jeanne was one of the three women placed in charge of Joan of Arc when the latter was a prisoner in the castle of John II of Luxembourg, Count of Ligny, Jeanne's stepfather. She was the first wife of Louis of Luxembourg, Count of Saint-Pol, of Brienne, de Ligny, and Conversano, Constable of France. Family Jeanne was born in 1415, the only child of Robert of Bar, Count of Marle and Soissons, Sire d'Oisy (1390- 25 October 1415), whose own mother was Marie de Coucy, Countess of Soissons, granddaughter of English King Edward III of England. Her mother was Jeanne de Béthune, Viscountess of Meaux (c.1397- late 1450).On 25 October 1415, her father was killed in the Battle of Agincourt, leaving Jeanne, who was a baby, as sole heiress to her father's titles and estates. In 1418, her mother married secondly John II of Luxembourg, Count of Ligny and de Guise (1392 – 5 January 1441), son of John of Luxembourg, Sire de Beauvois and Marguerite of Enghien, Countess of Brienne and of Conversano. The marriage was childless. It was Jeanne's stepfather John who received Joan of Arc as his prisoner, and kept her at his castle of Beaurevoir. Joan, who was three years Jeanne's senior, was placed in the care of Jeanne, her mother and Jeanne of Luxembourg, John's elderly aunt. The three ladies did all they could to comfort Joan in her captivity, and unsuccessfully tried to persuade her to abandon her masculine clothing for feminine attire. They earned Joan's gratitude for their kind and compassionate treatment of her. Despite the pleas of Jeanne and the other two women, John sold Joan of Arc to the English, who were his allies, for 10,000 livres. Marriage and issue On 16 July 1435, at the age of twenty, Jeanne married Louis of Luxembourg, Count of Saint-Pol, Brienne, de Ligny, and Conversano, Constable of France (1418 – 19 December 1475). The marriage took place at the Chateau de Bohain. She was Louis' first wife. Louis was the eldest son of Peter of Luxembourg, Count of Saint-Pol, Brienne, and Conversano, by his wife Margaret de Baux. Louis had been brought up by his paternal uncle, who was Jeanne's stepfather, John II of Luxembourg, Count of Ligny and Guise; therefore the young couple were well-acquainted with one another. John designated Louis as his heir to the counties of Ligny and Guise, but upon John's death in 1441, King Charles VII of France sequestered the estates and titles. The title of Ligny was eventually restored to Louis. The title and estates of Guise were given to Louis' youngest sister, Isabelle as her dowry, which passed to her husband, Charles, Count of Maine, upon their marriage in 1443. Jeanne succeeded as Viscountess of Meaux suo jure upon the death of her mother in late 1450. Jeanne and Louis had seven children: John of Luxembourg, Count of Marle and Soissons, Governor of Burgundy (killed at the Battle of Morat on 22 June 1476) Jacqueline of Luxembourg (died 1511), married Philippe de Croy, 2nd Count of Porcien, by whom she had issue. Pierre II de Luxembourg, Count of Saint-Pol, of Brienne, de Ligny, Marle and Soissons (1448 – 25 October 1482), on 12 July 1466, married Marguerite of Savoy (1439 Turin – 9 March 1483 Bruges), the daughter of Louis, Duke of Savoy and Anne de Lusignan of Cyprus, and widow of Giovanni IV Paleologo, Margrave of Montferrat, by whom he had issue, including Marie de Luxembourg (c. April 1467 – 1 April 1547), wife of François de Bourbon, Count of Vendôme, and from whom Mary, Queen of Scots, King Henry IV of France, the subsequent Bourbon kings of France, and the Lorraine Dukes of Guise were directly descended. Helene of Luxembourg (died 23 August 1488), married Janus of Savoy, Count of Faucigny, Governor of Nice (1440–1491), the brother of her sister-in-law, Marguerite of Savoy, by whom she had a daughter, Louise of Savoy (1467 – 1 May 1530). Charles of Luxembourg, Bishop of Laon (1447 – 24 November 1509), had several illegitimate children by an unknown mistress. Anthony I, Count of Ligny, Brienne, and Roussy (died 1519), married firstly Antoinette de Bauffrémont, Countess de Charny, by whom he had issue; he married secondly, Françoise de Croÿ-Chimay, by whom he had issue; he married thirdly Gillette de Coélivy. His last marriage was childless. By his mistress, Peronne de Machefert, he had an illegitimate son, Antoine of Luxembourg, Bastard of Brienne, who married and left descendants. Philippe of Luxembourg (died 1521), Abbesse at Moncel Death Jeanne died on 14 May 1462 aged about forty-seven years. Her husband married secondly Marie of Savoy (20 March 1448 – 1475), daughter of Louis, Duke of Savoy and Anne of Cyprus, by whom he had three more children. Marie was a younger sister of his daughter-in-law Marguerite of Savoy. Louis of Luxembourg was imprisoned in the Bastille and afterward beheaded in Paris on 19 December 1475 for treason against King Louis XI of France. Ancestry Passage 6: John of Luxembourg, Count of Soissons John of Luxembourg (died 22 June 1476) was Count of Marle and Count of Soissons between 1462 and 1476, Lord of Dunkirk, Gravelines and Bourbourg. John was the eldest son of Louis de Luxembourg, Count of Saint-Pol and Jeanne de Bar, Countess of Marle and Soissons. He became Count of Marle and Soissons, following the death of his mother in 1462. In 1473, John became a member in the Order of the Golden Fleece. He was unable to inherit his father's lands, since his father was beheaded for treason in 1475 and his lands confiscated. John was killed at the Battle of Morat, 22 June 1476. He never married and his lands went to his younger brother Peter. Passage 7: William Busac William Busac (1020–1076), son of William I, Count of Eu, and his wife Lesceline, was Count of Eu and Count of Soissons, de jure uxoris. William was given the nickname Busac by the medieval chronicler Robert of Torigni. William appealed to King Henry I of France, who gave him in marriage Adelaide, the heiress of the county of Soissons. Adelaide was daughter of Renaud I, Count of Soissons and Grand Master of the Hotel de France. William then became Count of Soissons in right of his wife. William and Adelaide had four children: Renaud II, Count of Soissons (died 1099) John I, Count of Soissons (died after 1115), married to Aveline de Pierrefonds Manasses of Soissons, Bishop of Cambrai, Bishop of Soissons (died 1 Mar 1108) Lithuise de Blois, married to Milo I of Montlhéry Raintrude, married to Raoul I of Nesle, a member of the House of Nesle.His son Renaud became Count of Soissons upon William's death, and he was succeeded by his brother John. Passage 8: John V, Count of Soissons John V (21 March 1281 – 1304), son of John IV, Count of Soissons, and his wife Marguerite of Rumigny. Count of Soissons. John inherited the countship of Soissons from his father in 1302. Nothing is known about his brief rule of the county. He never married and died with no heirs. Upon his death, his brother Hugh became Count of Soissons. Sources Dormay, C., Histoire de la ville de Soissons et de ses rois, ducs, comtes et gouverneurs, Soissons, 1664 (available on Google Books) Passage 9: John III, Count of Soissons John III (died before 8 October 1286), son of John II, Count of Soissons, and Marie de Chimay. Count of Soissons and Seigneur of Chimay. John inherited the countship of Soissons upon his father’s death in 1272. John married Marguerite de Montfort, daughter of Amaury, Count of Montfort, and his wife Beatrix de Viennois. John and Marguerite had: Marie de Nesle (d. after 1272), married to Guy de Saint-Rémy John IV, Count of Soissons Unnamed daughter, married Eustache IV de Conflans, Seigneur de Mareuil, son of Eustache III de Conflans Raoul de Nesle (killed in the battle of Courtrai, 11 July 1302) Auchier de Nesle. Hugh de Nesle, d.1306 Passage 10: Guy II, Count of Soissons Guy II (d. 1057), son of Renaud I, Count of Soissons, and his wife (name unknown), widow of Hilduin III, Count of Montdidier. Guy was identified as Count of Soissons in 1042 in a charter in which Gaunilo of Marmoutiers, the treasurer of St. Martin, denoted property. Guy died with his father in 1057 at the siege of Soissons. It is not known whether or not Guy was married and no children are recorded. Upon his death, his sister Adelaide assumed the countship of Soissons. Sources Dormay, C., Histoire de la ville de Soissons et de ses rois, ducs, comtes et gouverneurs, Soissons, 1664 (available on Google Books)

doc_1

Passage 1: Victoria's Secret Fashion Show 2003 The Victoria's Secret Fashion Show is an annual fashion show sponsored by Victoria's Secret, a brand of lingerie and sleepwear. Victoria's Secret uses the show to promote and market its goods in high-profile settings. The show features some of the world's leading fashion models, such as current Victoria's Secret Angels Tyra Banks, Heidi Klum, Gisele Bündchen, and Adriana Lima. The Victoria's Secret Fashion Show 2003 was recorded in New York City, United States at the 69th Regiment Armory. The show featured musical performances by Sting, Mary J. Blige, and Eve. Angel Heidi Klum was wearing the Victoria's Secret Fantasy Bra : Very Sexy Fantasy Bra worth $11,000,000. Fashion show segments Segment 1: Sexy Super Heroines Segment 2: Razor Sharp Latex Ladies Special Performance Segment 3 : Rock Chicks Rockin' Out Special Performance Segment 4 : Sexy Kittens Special Performance Segment 5 : Glaaaaamaaazons Index Finale Angels: Adriana Lima, Gisele Bündchen, Tyra Banks, Heidi Klum. Returning Models: Michelle Alves, Alessandra Ambrosio, Carmen Kass, Dewi Driegen, Naomi Campbell, Ana Beatriz Barros, Angela Lindvall, Frankie Rayder, Mini Andén, Eugenia Volodina, Oluchi Onweagba, Liya Kebede, Lindsay Frimodt, Fernanda Tavares, Letícia Birkheuer, Ujjwala Raut, Karolina Kurkova. Newcomers: Isabeli Fontana, Marcelle Bittar, Jacquetta Wheeler, Margarita Svegzdaite, Deanna Miller. External links VSFS 2003 Gallery Passage 2: Victoria's Secret Fashion Show 2001 The Victoria's Secret Fashion Show is an annual fashion show sponsored by Victoria's Secret, a brand of lingerie and sleepwear. Victoria's Secret uses the show to promote and market its goods in high-profile settings. The show features some of the world's leading fashion models, such as current Victoria's Secret Angels Tyra Banks, Heidi Klum, Daniela Peštová, Gisele Bündchen, and Adriana Lima. The Victoria's Secret Fashion Show 2001 was recorded in New York, United States at the Bryant Park. The show featured musical performances by Andrea Bocelli and Mary J. Blige. Angel Heidi Klum was wearing the Victoria's Secret Fantasy Bra: The Heavenly Star Bra worth $12,500,000. Fashion show segments Special Performance Segment 1 Special Performance Segment 2 Index Finale Angels: Gisele Bündchen, Heidi Klum, Adriana Lima, Tyra Banks, Daniela Peštová. Returning models: Karolína Kurková, Caroline Ribeiro, Eva Herzigová, Mini Andén, Fernanda Tavares, Trish Goff, Bridget Hall, Aurélie Claudel, Rhea Durham, Alessandra Ambrosio, Inés Rivero. Newcomers: Rie Rasmussen, Maggie Rizer, Alek Wek, Omahyra Mota, Karen Elson, Molly Sims, Audrey Marnay, Diána Mészáros, Anouck Lepere, Emma Heming. External links VSFS 2001 Gallery Passage 3: List of Victoria's Secret models This is a list of current and former Victoria's Secret Angels and fashion models who have walked in the Victoria's Secret Fashion Show since its inception in 1995. Victoria's Secret Angels Models who were chosen as Victoria's Secret Angels are listed in the table below. In June 2021, Victoria's Secret announced that it was ending its Angels brand. PINK spokesmodels The following is the list of models who have been contracted as spokesmodels for Victoria's Secret's PINK brand. Notes Passage 4: Victoria's Secret Fashion Show 2002 The Victoria's Secret Fashion Show is an annual fashion show sponsored by Victoria's Secret, a brand of lingerie and sleepwear. Victoria's Secret uses the show to promote and market its goods in high-profile settings. The show features some of the world's leading fashion models, such as current Victoria's Secret Angels Tyra Banks, Heidi Klum, Gisele Bündchen, and Adriana Lima. The Victoria's Secret Fashion Show 2002 was recorded in New York, United States at the 69th Regiment Armory. The show featured musical performances by Destiny's Child, Marc Anthony, and Phil Collins. Karolína Kurková was wearing the Victoria's Secret Fantasy Bra : Star of Victoria Fantasy Bra worth $10,000,000. Fashion show segments Special Performance Segment 1: Religious Holiday Special Performance Segment 2: Jungle Animals Special Performance Segment 3: Flamenco Frills Segment 4: Neon Angels Finale Angels: Gisele Bündchen, Heidi Klum, Adriana Lima, Tyra Banks, Karolína Kurková. Returning models: Carmen Kass, Bridget Hall, Naomi Campbell, Fernanda Tavares, Alessandra Ambrosio, Frankie Rayder, Caroline Ribeiro, Oluchi Onweagba. Newcomers: Yfke Sturm, Eugenia Volodina, Lindsay Frimodt, Michelle Alves, Nadine Strittmatter, Raquel Zimmermann, Liya Kebede, Dewi Driegen, Ana Beatriz Barros, Caitriona Balfe, Inga Savits, Ujjwala Raut, Ana Hickmann, Reka Ebergenyi, Letícia Birkheuer. Index External links VSFS 2002 Gallery Passage 5: Victoria's Secret Fashion Show 2005 The Victoria's Secret Fashion Show is an annual fashion show sponsored by Victoria's Secret, a brand of lingerie and sleepwear. Victoria's Secret uses the show to promote and market its goods in high-profile settings. The show features some of the world's leading fashion models, such as current Victoria's Secret Angels Tyra Banks, Heidi Klum, Gisele Bündchen, Adriana Lima, Karolína Kurková, Alessandra Ambrosio, Selita Ebanks, and Izabel Goulart. The Victoria's Secret Fashion Show 2005 was recorded in New York City, United States at the 69th Regiment Armory. The show featured musical performances by Chris Botti, Seal, and Ricky Martin. Gisele Bündchen was wearing the Victoria's Secret Fantasy Bra : Sexy Splendor Fantasy Bra worth $12,500,000. Fashion Show segments Segment 1: Sexy Santa Helpers Segment 2: Sexy Shadow Dreams Segment 3: Sexy Crystal Princesses Segment 4: Sexy Delicious This segment was swapped in order of appearance with the fifth segment, Sexy Russian Babes, in the edited TV version. Segment 5: Sexy Russian Babes This segment was swapped in order of appearance with the fourth segment, Sexy Delicious, in the edited TV version. Special Performance Segment 6: Sexy Toys Finale Tyra Banks led the finale. == Index == Passage 6: The Gravity Group The Gravity Group is a wooden roller coaster design firm based in Cincinnati, Ohio, United States. The firm was founded in July 2002 out of the engineering team of the famed but now defunct Custom Coasters International. The core group of designers and engineers at The Gravity Group have backgrounds in civil, structural and mechanical engineering. Their experience comes from work on over 40 different wooden roller coasters around the world. The first coaster designed under the Gravity Group opened as Hades at Mount Olympus Theme Park in 2005. The Gravity Group also designed The Voyage at Holiday World in Santa Claus, Indiana, which opened in May 2006 and is the second-longest wooden roller coaster in the world. These first two accomplishments of the team have been received with great success by both the industry and coaster enthusiasts alike. In 2007, The Gravity Group opened Boardwalk Bullet, an intense wooden roller coaster that was built at Kemah Boardwalk and opened as the only wooden coaster in the Greater Houston area. The Gravity Group designed Ravine Flyer II at Waldameer in Erie, Pennsylvania, which was opened at the start of the 2008 season. In 2009, Wooden Coaster - Fireball was opened at Happy Valley in China, becoming China's first wooden roller coaster. In 2011 Quassy Amusement Park opened Wooden Warrior, the company's sixth wooden roller coaster. The Gravity Group was also involved in the rebuilding of Libertyland's Zippin Pippin at Bay Beach Amusement Park in Green Bay, Wisconsin. In 2008, members of The Gravity Group announced the development of their own wooden coaster trains called Timberliners. They are being produced by Gravitykraft Corporation, a sister company to The Gravity Group. The Gravity Group promotes their trains as the only wooden coaster trains capable of steering through curves, resulting in a more comfortable and maintenance-friendly ride. Timberliners were planned to debut on The Voyage at Holiday World for the 2010 season, but after four years of delays, Holiday World officially cancelled the project on August 16, 2013. However, in 2011, the Timberliners appeared on Wooden Warrior at Quassy Amusement Park in Connecticut and on Twister at Gröna Lund in Sweden, and in 2013 were added to Hades as part of its transformation to Hades 360. List of roller coasters As of 2019, The Gravity Group has built 28 roller coasters around the world. Passage 7: The Cú Chulainn Coaster The Cú Chulainn Coaster is a wooden roller coaster located at Emerald Park in Ashbourne, County Meath, Ireland. Manufactured by The Gravity Group, the wooden coaster features an overbanked turn and opened on 6 June 2015. History The Cú Chulainn Coaster was officially announced by Tayto Park in a press release on 19 February 2015, although construction started earlier in August 2014. Ohio-based company The Gravity Group was selected to build the roller coaster, marking their second installation in Europe following Twister at Gröna Lund in Sweden. Construction was completed in May 2015, and the roller coaster opened on 6 June 2015. It was part of a €26 million investment at Tayto Park, which also included 7 other new attractions for the 2015 season. Its theme is based on the mythological lore surrounding Irish hero Cú Chulainn, whom the ride is named after. Reception Passage 8: Victoria's Secret Victoria's Secret is an American lingerie, clothing, and beauty retailer known for high visibility marketing and branding, starting with a popular catalog and followed by an annual fashion show with supermodels dubbed Angels. As the largest retailer of lingerie in the United States, the brand has struggled since 2016 due to shifting consumer preferences and controversy surrounding corporate leadership's business practices. Founded in 1977 by Roy and Gaye Raymond, the company's five lingerie stores were sold to Leslie Wexner in 1982. Wexner rapidly expanded into American shopping malls, growing the company into 350 stores nationally with sales of $1 billion by the early 1990s when Victoria's Secret became the largest lingerie retailer in the United States.From 1995 through 2018, the Victoria's Secret Fashion Show was an essential part of the brand's image featuring an annual runway spectacle of models promoted by the company as fantasy Angels. The 1990s saw the company's further expansion throughout shopping malls along with the introduction of the 'miracle bra', the new brand Body by Victoria, and the development of a line of fragrances and cosmetics. In 2002 Victoria's Secret announced the launch of PINK, a brand that was aimed to appeal to teenagers. Starting in 2008, Victoria's Secret expanded internationally, with retail outlets within international airports, franchises in major cities overseas, and in company-owned stores throughout Canada and the UK.By 2016, Victoria's Secret's market share began to decline due to competition from other brands that embraced a wider range of sizes and a growing consumer preference for athleisure. The company canceled the circulation of their famous catalog in 2016. The brand struggled to maintain its market position following criticism and controversy over the unsavory behavior and business practices of corporate leadership under Wexner and Ed Razek. As of May 2020, with over 1,070 stores, Victoria's Secret remained the largest lingerie retailer in the United States. History 1977–1981 Victoria's Secret was founded by Roy Raymond, and his wife, Gaye Raymond, on June 12, 1977. The first store was opened in the Stanford Shopping Center in Palo Alto, California. Years earlier, Raymond was embarrassed when purchasing lingerie for his wife at a department store. Newsweek reported Roy Raymond stating: "When I tried to buy lingerie for my wife, I was faced with racks of terry-cloth robes and ugly floral-print nylon nightgowns, and I always had the feeling the department store saleswomen thought I was an unwelcome intruder." Raymond reportedly spent the next eight years studying the lingerie market.At the time when the Raymonds founded Victoria's Secret, the undergarments market in the U.S. was dominated by pragmatic items from Fruit of the Loom, Hanes, and Jockey, often sold in packs of three at department stores, while lingerie was reserved for special occasions such as one's honeymoon. Considered niche products, lingerie items (such as lacy thongs and padded push-up bras) were only found in specialty shops like Frederick's of Hollywood, located "alongside feathered boas and provocative pirate costumes". In 1977, Raymond borrowed $40,000 from family and $40,000 from a bank to establish Victoria's Secret: a store in which men could feel comfortable buying lingerie. The store was named in reference to Queen Victoria and the associated refinement of the Victorian era, while the "secret" was hidden underneath the clothes.Victoria's Secret grossed $500,000 in its first year of business, enough to finance the expansion from a headquarters and warehouse to four new store locations and a mail-order operation. The fourth store, added in 1982 at 395 Sutter Street in San Francisco, operated at that location until 1990, when it was moved to the larger Powell Street frontage of the Westin St. Francis.In April 1982, Raymond sent out his 12th catalog at a cost to customers of $3 (equivalent to $9.1 in 2022); catalog sales accounted for 55% of the company's $7 million annual sales that year. Victoria's Secret was a minor player in the underwear market at this time, with the business described as "more burlesque than Main Street." 1982–1990 In 1982, Victoria's Secret had grown to five stores, a 40-page catalog, and was grossing $6 million annually. Raymond sold the company to Les Wexner, creator of Limited Stores Inc of Columbus, Ohio, for $1 million. In 1983, Wexner revamped Victoria's Secret's sales model towards a greater focus on female customers. Victoria's Secret transformed into a mainstay that sold broadly accepted underwear with "new colors, patterns and styles that promised sexiness packaged in a tasteful, glamorous way and with the snob appeal of European luxury" meant to appeal to female buyers. To further this image, the Victoria's Secret catalog continued the practice that Raymond began: listing the company's headquarters on catalogs at a fake London address, with the real headquarters in Columbus, Ohio. The stores were redesigned to evoke 19th century England. The New York Times reported in 1982 that the financial success of the Victoria's Secret catalog influenced other catalogs by presenting lingerie as "romantic and sensual but tasteful", "in which models are photographed in ladylike poses against elegant backgrounds." Howard Gross became president in 1985. In October of that year, the Los Angeles Times reported that Victoria's Secret was stealing market share from department stores; in 1986, Victoria's Secret was the only national chain devoted to lingerie.The New York Times reported that Victoria's Secret swiftly expanded to 100 stores by 1986. and described it in 1987 as a "highly visible leader" that used "unabashedly sexy high-fashion photography to sell middle-priced underwear." In 1990, analysts estimated that sales had quadrupled in four years, making it one of the fastest growing mail-order businesses. Sales and profits from the catalog continued to expand due to the addition of clothing, swimwear and shoes and wider circulation.Cynthia Fedus-Fields oversaw the company's direct business, including its catalog, from the mid-1980s until 2000. During her tenure, total revenues increased to nearly $1 billion. In 1987, Victoria's Secret was reported to be among the bestselling catalogs. 1991–2005 Victoria's Secret experienced quality problems with their product in the early 1990s and was working to resolve the issues. In 1991, Howard Gross was assigned to fix the L Brands subsidiary Limited Stores. In 1993, Business Week reported that both divisions suffered. Gross was succeeded by Grace Nichols, who worked to improve the product quality. The company's margins tightened, resulting in a slower growth of profits.Victoria's Secret expanded beyond apparel in the 1990s with the launch of their own line of fragrances in 1991, followed by their entrance into the billion dollar cosmetics market in 1998.Victoria's Secret introduced the 'Miracle Bra' in 1993, selling two million within the first year. When faced with competition from Sara Lee's WonderBra a year later in 1994, the company responded with a TV campaign. At the same time, in 1994, Wexner discussed the creation of a company fashion event with Ed Razek. The first Victoria's Secret Fashion Show, held in 1995 in New York, became a mainstay for the company's image for the next 23 years. By 1998, Victoria's Secret's market share of the intimate apparel market was 14 percent and the company also entered the $3.5 billion cosmetic market. The following year, in 1999, the company added the Body by Victoria line. The catalog had achieved "an almost cult-like following". In May 2000, Cynthia Fedus-Fields stepped down as CEO after delivering record profits in 1999 and early 2000. Fedus-Fields later stated that, up until the point of her departure, the company was guided by sensibilities of what a European woman would choose to wear. After her departure in 2000, the brand pursued an image that was "much more blatantly sexy."In May 2000, Wexner installed Sharen Jester Turney, previously of Neiman Marcus Direct, as the new chief executive of Victoria's Secret Direct to turn around catalog sales that were lagging behind other divisions. Forbes reported Turney stating, "We need to quit focusing on all that cleavage." In 2000, Turney began to redefine Victoria's Secret catalog from "breasts—spilling over the tops of black, purple and reptile-print underthings" to one that would appeal to an "upscale customer who now feels more comfortable buying La Perla or Wolford lingerie."; "dimming the hooker looks" such as "tight jeans and stilettos"; and moving from "a substitute for Playboy in some dorm rooms," to something closer to a Vogue lifestyle layout, where lingerie, sleepwear, clothes and cosmetics appear throughout the catalog. Beginning in 2000, Grace Nichols, CEO of Victoria's Secret Direct, led a similar change at Victoria's Secret's stores—moving away from an evocation of 1800s England (or a Victorian bordello). 2006–2020 By 2006, Victoria's Secret's 1,000 stores across the United States accounted for one third of all purchases in the intimate apparel industry. In May 2006, Wexner promoted Turney from the Victoria's Secret catalog and online units to lead the whole company. In 2008, she acknowledged "product quality that doesn't equal the brand's hype." In September 2006, Victoria's Secret reportedly tried to make their catalog feel more like magazines by head-hunting writers from Women's Wear Daily.The company had about a third of the market share in its category in 2013.In February 2016, Turney stepped down as CEO of Victoria's Secret after being in the business for a decade. Victoria's Secret was split into three divisions: Victoria's Secret Lingerie, Victoria's Secret Beauty, and Pink, each with a separate CEO. In 2016, direct sales only grew 1.6% and fell by 7.4% in the last quarter of the year, typically a high revenue period due to the holidays. The company discontinued its use of a print catalog and dropped certain categories of clothing such as swimwear. Sales revenue continued to stagnate and drop in early 2017.In late 2018, CEO Jan Singer resigned amid declining sales. The Wall Street Journal reported that only one quarter showed an increase in same-store sales between 2016 and 2018. Singer's announcement came one week after CMO Ed Razek made a controversial comment that the company does not cast transgender or plus-size models in its annual fashion show "because the show is a fantasy." After a 40% stock plunge in a single year, Victoria's Secret announced the closure of 53 stores in the U.S. in 2019, as well as the relaunch of its swimwear line. L Brands, the parent company of Victoria's Secret, came under public pressure in 2019 from an activist shareholder of Barrington Capital Group who took issue with the performance of Razek and urged the company to update its brand image and switch up its predominantly male board of directors.In August 2019, chief marketing officer, Ed Razek, resigned following a disastrous Vogue interview in which he made inflammatory statements about transgender models. Also in 2019, executive vice president April Holy stepped down after 16 years. In November 2019, Victoria's Secret announced it would no longer hold the annual fashion show featuring its angels, indicating a major change in marketing strategy. In January 2020, L Brands chairman and CEO Lex Wexner was in talks to step down. Reports of widespread bullying and harassment at Victoria's Secret surfaced in February 2020. On February 1, 2020, The New York Times published an exposé on "the culture of misogyny" at Victoria's Secret, which painted a picture of long-time influential executive Ed Razek's rampant sexual misconduct.The company announced a sale in February 2020 to private equity firm Sycamore Partners for $525 million, with L Brands retaining a 45% minority stake. On April 22, 2020, The Wall Street Journal reported that Sycamore Partners wanted out of the deal which included exceptions for a pandemic. The deal ultimately fell through. Wexner stepped down but maintains a role as chairman emeritus. In June 2020, a shareholder filed a lawsuit against the company for inaction following reports of harassment, discrimination, and retaliation at Victoria's Secret.Shareholders of parent company L Brands filed a complaint in the Court of Chancery of Delaware on January 14, 2021, stating that former chair Wexner, among others, created an "entrenched culture of misogyny, bullying and harassment" and was aware of abuses being committed by accused sex trafficker Jeffrey Epstein, which breached his fiduciary duty to the company, causing devaluation of the brand. The complaint also names Wexner's wife, Abigail, current chair, Sarah E. Nash, and former marketing officer, Ed Razek, whose "widely known misconduct" was long allowed at the company. 2021–present In 2021, after the resignation of Razek as well as the sale of the company by Wexner, Victoria's Secret's new ownership and management implemented policy changes and new partnerships with a number of new spokeswomen including Megan Rapinoe, Priyanka Chopra Jonas, and Naomi Osaka. Wexner's parent company L Brands spun Victoria's Secret off to become an independent business (trading on the NYSE as VSCO) on August 3, 2021. Following this brand positioning, Victoria's Secret reported sales increase in all three completed quarters of 2021.Martin Waters was named CEO in 2021, replacing Stuart Burgdorfer who had served as interim CEO. In July 2022, Victoria's Secret named Amy Hauk chief executive of both the Victoria's Secret and Pink brands.In November 2022, it was announced Victoria's Secret has acquired the New York-headquartered lingerie brand, Adore Me for $400 million USD. Products In addition to the primary brand of lingerie for Victoria's Secret, the company has secondary product lines: namely, activewear known as Victoria sports, swimwear, and a beauty division with fragrances, make-up, accessories, and other bath and body products. The swimwear, introduced in 2002, was made available until April 2016, when the company announced that the line would end and be replaced by a new line of activewear. The swim line was relaunched in November 2018. In March 2019, the swim line was made available in shops.In 2010, Victoria's Secret launched the 'Incredible' bra. The company released the Victoria's Secret Designer Collection in 2012, described by Vogue as the company's "first high end lingerie line." In 2016, Victoria's Secret confined the elimination of swimwear, apparel, shoes, and accessories. In 2017, the company began to put more emphasis on bralettes (bras without underwire, often intended to be worn visibly) and sports bras (under the Victoria Sport label) to appeal to a younger customer base.In 2019, Victoria's Secret relaunched its product line of eyewear and footwear, in hopes of boosting struggling sales for the brand.In October 2021, Pink launched a line of reusable period panties.In 2022, Victoria's Secret & Co. announced they would no longer use cashmere in their product lines. Operating divisions The Victoria's Secret brand is organized into three divisions: 'Victoria's Secret Stores' (physical locations), 'Victoria's Secret Direct' (online and catalog operations), and 'Victoria's Secret Beauty' (bath and cosmetics). The change was made in 2016 by Wexner to "refocus on core business" and it required each division to have its own CEO. Physical locations The physical store locations were an important part of establishing the brand and remained concentrated in the United States from 1977 until the early 2000s. Victoria's Secret stores took over the lingerie market during the 1980s by using a fabricated sense of Britain, featuring this romantic styling and soft classical music. In the early years, Wexner himself was involved in carefully orchestrating store interior design through the use of English floral wallpaper circa 1890, gilded fixtures, classical music, soft lighting, the scent of old-fashioned sachet, and elegant perfume bottles that "look like your grandmother's crystal". During the 1990s, in-store sales at Victoria's Secret increased by 30% after the company tracked and applied data analysis of where specific styles, sizes, and colors were selling. The decade also brought an expansion of store size to triple from 1,400 square feet (130 m2) to an average 4,500 square feet (420 m2). The trend continued into 2002 when the average Victoria's Secret store was 6,000 square feet (560 m2).In 2000, the Los Angeles Times reported that the company continued the practice of putting on "a British air—or what the Ohio-based chain thinks Americans believe is British. Boudoirish. Tony. Upscale."By 2010, there were 1,000 Victoria's Secret lingerie stores and 100 independent Victoria's Secret Beauty Stores in the United States, mostly in shopping centers, then offering bras, panties, hosiery, cosmetics, and sleepwear. International stores The international expansion of Victoria's Secret stores began in 2008. As of 2016, L Brands maintained control of operations at company-owned stores in Canada, the UK, and China but relied on franchises elsewhere in the world for its Victoria's Secret Beauty & Accessory (VSBA) locations. Canada The drive for growth coupled with a maturing American retail market led to a shift towards expansion, first into Canada. In 2010, the first Canadian store opened in Edmonton, Alberta. In 2012 Victoria's Secret opened stores in Nova Scotia and Quebec. Several of the company's stores in Canada are considered large by retail standards and span more than 10,000 square feet (930 m2) each. As of 2020, the company's Canadian locations included cities in all ten provinces, from British Columbia all the way to the Maritimes. However, the company announced, in May 2020, plans to permanently shutter 13 of its 38 Canadian stores, representing a loss of one third of the Canadian fleet. United Kingdom Victoria's Secret opened a store at the Westfield Shopping Centre, Stratford, London in July 2012. Their flagship 40,386-square-foot- (3,752.0 m2) store on New Bond Street, London followed in August 2012. Locations in the United Kingdom include the cities of Leeds, Manchester, Sheffield, Birmingham, Bristol, Westfield London, Bluewater, Brent Cross and Glasgow. As of June 2020, there were 25 stores in the United Kingdom. That same month, Retail Dive reported that as the brand's UK arm filed the "equivalent of Chapter 11" bankruptcy, as it struggled with falling sales, profits, and market share. China In 2016, it was reported that L Brands fully purchased 26 stores back from its franchise partners in China. The company announced plans to expand on the existing 26 Victoria's Secret Beauty & Accessory (VSBA) stores (boutiques which sold beauty products in airports or malls), through the addition of flagship stores in Shanghai and Beijing.Reuters reported that, as of June 2020, Victoria's Secret had two dozen stores in Greater China. That same month, the company permanently closed its 50,000 square feet (4,600 m2) flagship store in Causeway Bay, Hong Kong after only two years of operation.On January 25, 2022, Victoria's Secret announced a Joint venture partnership agreement with Regina Miracle International (Holdings) Limited. Under the terms of the agreement, Victoria's Secret will own 51% of the joint venture and Regina Miracle will own 49%. CEO Martin Waters commented, "I am delighted to announce this partnership with Regina Miracle, who has been a valued merchandise supplier partner for more than twenty years. Together with Regina Miracle, we aim to grow the China business through joint investment in product development, distribution, and marketing. We expect the partnership will positively impact the speed and agility of the business to benefit consumers and provide us with a platform for a strong future in this important market." Victoria's Secret Direct Catalog (1977 - 2016) Prior to the emergence of e-commerce, the company's catalogs were a key aspect of successfully marketing a product considered risqué to consumers in the privacy of their own homes. According to Joseph Sugarman, the 1979 catalog was "a lot more sensuous" and took the form of "an upmarket version of a Frederick's of Hollywood lingerie catalog."The New York Times reported that the success of Victoria's Secret catalogs influenced others to present lingerie as "romantic and sensual but tasteful" with models photographed in elegant settings. The company was known for accepting phone orders at any hour which helped it establish dominance of the lingerie market. The Los Angeles Times described the catalog in 2000 as having achieved "an almost cult-like following." The company was mailing more than 400 million catalogs annually in 2010.In May 2016, the brand decided to discontinue the catalog which had run at a cost of $125 million to $150 million annually due to concern that catalogs had grown stale as a marketing device and confidence that sales would not be affected. E-commerce Victoria's Secret spent three years building an e-commerce website that was officially launched on December 4, 1998. Following heavy promotion of the 1999 fashion show, the website experienced high traffic volumes, with visitors enduring "slowdowns and bottlenecks" while viewing the first online fashion show on February 3, 1999, the largest online streaming event to date, reaching an estimated 1.5 million viewers. Ad placement in the Wall Street Journal and a 30-minute TV spot during the Super Bowl contributed to drive record numbers of visitors to the website. Victoria's Secret Beauty In 1998, Intimate Brands Inc., the parent company of Victoria's Secret, created a new entity: Intimate Beauty Corporation. The goal for Intimate Beauty Corporation was to manage and develop the bath, fragrance and cosmetic products for Victoria's Secret. By 2006 the Victoria's Secret Beauty division had reported sales of nearly US$1 billion. The company sought to expand its beauty and accessories stores at airports around the world in the early 2010s. Franchise locations worldwide (VSBA) Victoria's Secret Beauty opened a provisional UK boutique at Heathrow Airport in 2005 through partnership with World Duty Free.In 2010, Victoria's Secret expanded with Victoria's Secret Beauty & Accessory (VSBA) franchises internationally. That year M.H. Alshaya Co. opened the first Victoria's Secret store in the Marina Mall in Kuwait, selling cosmetics and accessories but not the company's lingerie line. Two VSBA stores were opened in the early 2010s at Schiphol International Airport, Netherlands. That same year the first Latin American franchise store opened in Isla Margarita, Venezuela, followed by a store in Bogota, Colombia, in July 2012. An additional store opened in the Multiplaza Mall in San Salvador, El Salvador in 2012.A Caribbean location opened in November 2011 at Plaza Las Americas in San Juan, Puerto Rico followed by a store in Santo Domingo, Dominican Republic at the Agora, and Sambil Santo Domingo malls in 2012. In July 2012 the first Polish store opened at the Złote Tarasy shopping mall in Warsaw, also operated by M.H. Alshaya Co.A Serbian store opened in January 2014 at the Nikola Tesla Airport in Belgrade.As of 2016, L Brands had more than 370 VSBA franchise shops worldwide, with the company's largest international market reportedly in Turkey and the Middle East. Corporate affairs Ownership and name The company's business name changed from Victoria's Secret, Inc. to Victoria's Secret Stores, Inc., after the 1982 sale to Wexner. In 2005, the name was revised to Victoria's Secret Stores, LLC.Victoria's Secret was originally owned by The Limited. Victoria's Secret's parent company was Intimate Brands, a separately traded entity with Ed Razek as president. In 2002, Intimate Brands was combined with the Limited, then renamed Limited Brands.By 2006, the majority of the revenue for Limited Brands came from Victoria's Secret and Bath & Body Works.In July 2007, Limited Brands sold a 75% interest in Limited Stores and Express to Sun Capital Partners, in order to focus on expanding their Victoria's Secret and Bath & Body Works units. The sale resulted in Limited Brands taking a $42 million after-tax loss.In 2013, parent company Limited Brands officially changed its name to L Brands.Victoria's Secret recorded peak worldwide net sales in 2016 of $7.78 billion. In 2019, worldwide net sales had receded to $6.81 billion. Management structure At 'Victoria's Secret Stores', Howard Gross was promoted to president of the division in 1985. Grace Nichols succeeded Gross and led the division from 1991 through 2007. Victoria's Secret Stores was helmed by Lori Greely from 2007 until 2013.Cynthia Fedus-Fields served as president and CEO and oversaw the Victoria's Secret Direct business, including its catalog, from the mid-1980s until 2000. She was succeeded in May 2000 by Sharen Jester Turney as chief executive of the division. Turney stepped down in 2016 and was succeeded by Jan Singer as CEO of Victoria's Secret Direct from 2016 to 2018. John Mehas was appointed CEO starting in 2019. He was replaced by Martin Waters in November 2020.Hired by L Brands in 1998, Robin Burns was CEO of Victoria's Secret Beauty until 2004. Burns was succeeded in August 2004 by duo Jill Granoff, COO, and Sherry Baker, president. In May 2006, Christine Beauchamp was named president and CEO of Victoria's Secret Beauty. Shashi Batra was appointed president of the division in 2009. In November 2012 Susie Coulter became president of Victoria's Secret Beauty. Greg Unis was hired to serve as CEO of the beauty division in 2016. Manufacturing and environmental record In 2006, the Financial Times reported that Victoria's Secret paid factory workers $7 per day to make bras in Thailand. The Huffington Post stated in 2011 that working conditions in factories producing Victoria's Secret items in Jordan were comparable to slave labor as a result of the Jordan–United States Free Trade Agreement, which retreated from standards established in the 1990s. In 2012, Victoria's Secret was manufacturing bras in the South Indian city of Guduvanchery.In 2021, Victoria's Secret fronted the money to more than 1,250 Thai garment workers who were owed $8.3 million when their factory, Brilliant Alliance, closed after declaring bankruptcy.After years of pressure from environmentalists, Victoria's Secret and a conservation group reached an agreement to make the catalog more environmentally friendly in 2006. Catalog wood pulp was required to contain 10 percent recycled paper and avoid source forests with woodland caribou habitats in Canada, unless certified by the Forest Stewardship Council. The company bought organic and fair trade-grown cotton to make some of its panties in 2012. Marketing The mail order catalog was the primary form of marketing used by the company in the 1970s. Early catalogs featured lingerie-clad models holding violins and glasses of sherry. Catalog marketing shifted towards female models accompanied by men for several years in the 1980s, a practice that was eventually abandoned by 1991.In the early 1980s, Victoria's Secret used FCB/Leber Katz Partners for the development of their brand, marketing, and advertising. In 1989, FCB/Leber Katz Partners and Victoria's Secret executed a national advertising campaign with a ten-page glossy insert in the November issue of Elle, Vogue, Vanity Fair, Victoria, House Beautiful, Bon Appétit, New Woman, and People magazines. Victoria's Secret used the insert to announce their expansion into the toiletries and fragrance business. Prior to the insert, the company's growth had been driven by their catalog, sporadic ads in fashion publications, and word of mouth.Ed Razek joined in-house branding operations at the Limited in the 1980s and increasingly began to shape the marketing and branding at Victoria's Secret. However, Razek credited Wexner as the creative force behind much of the marketing. The company gained notoriety in the early 1990s after it began to hire supermodels for its advertising and fashion shows. Well-known models hired in the early 1990s included Stephanie Seymour, Karen Mulder, Yasmeen Ghauri, and Jill Goodacre. The models helped the brand gain an audience and were soon featured in televised commercials. The Victoria's Secret Fashion Show was a major marketing tool used by L Brands from 1995 to 2018. The show was a mix of "beautiful models scantily clad in lingerie" and A-list entertainers that over time became "less about fashion and more about show". The 2000 fashion show in France was produced with the help of Harvey Weinstein.In 1999, a 30-second Super Bowl advertisement resulted in one million visits to the company's website within an hour of airing.Victoria's Secret sued a strip-mall store in Elizabethtown, Kentucky called Victor's Little Secret over the issue of trademark dilution. On March 4, 2003, the U.S. Supreme Court ruled against Victoria's Secret in Moseley v. V Secret Catalogue, Inc. on the grounds that there was insufficient proof of actual harm to the trademark.In 2004, following the Super Bowl halftime show controversy over indecent exposure on broadcast television, Victoria's Secret sent their models out on an Angels Across America Tour. Victoria's Secret also presented an uncharacteristic advertisement with Bob Dylan as an alternative means of promoting the brand. Razek, then chief creative officer, credited Wexner himself with the idea to cast Dylan in a commercial. The ad proved to be memorable, but more out of a tendency to unsettle and baffle viewers familiar with Dylan.Victoria's Secret TV commercials, directed by Michael Bay, were released in 2010 and 2012 with mixed results, regarded by critics as macho and misguided.In 2014, the company created a campaign to market its Body bra line called The Perfect Body that elicited substantial controversy for supporting only a limited and unhealthy body type.Victoria's Secret announced the appointment of Raul Martinez as head creative director in December 2020. Martinez, formerly of Condé Nast, took on the role following the departure of chief executive John Mehas who stepped down in November 2020. Victoria's Secret Fashion Show The first Victoria's Secret Fashion Show was held in 1995 and was broadcast on primetime American television. The fashion show, overseen by Ed Razek, was described by Newsweek as "a combination of self-assured strutting for women and voyeuristic pleasures for men" that made lingerie mainstream entertainment.Ken Weil, vice president at Victoria's Secret, and Tim Plzak, responsible for IT at Victoria's Secret's parent company Intimate Brands, led Victoria's Secret's first-ever online streaming of their fashion show in 1999. The 18 minutes webcast streamed February 2, 1999, was at the time the Internet's "biggest event" since inception. The 1999 webcast was reported as a failure by a number of newspapers on account of some user's inability to watch the show featuring Tyra Banks, Heidi Klum, and Stephanie Seymour as a result of Victoria's Secret's technology falling short being able to meet the online user demand resulting in network congestion and users who could see the webcast receiving jerky frames. In all, the company's website saw over 1.5 million visits, a number significantly higher than the 250,000 and 500,000 simultaneous viewers that Broadcast.com, the website hosting the show, was able to handle. In total, 1.5 million viewers either attempted or viewed the webcast.The 1999 webcast served to create a database for Victoria's Secret of over 500,000 current and potential customers by requiring users to submit their contact details to view the webcast. The next spring Victoria's Secret avoided technical issues by partnering with Broadcast.com, America Online, and Microsoft. The 2000 webcast attracted more than two million viewers.By 2011, the budget for the fashion show was $12 million up from the first show's budget of $120,000. In November 2019, Victoria's Secret canceled its runway show. In July 2021, the company said there are plans to relaunch the show, but without the Victoria's Secret Angels. Victoria's Secret Angels The company's Angels underwear collection was marketed in 1997 by a TV commercial that included supermodels Helena Christensen, Karen Mulder, Daniela Peštová, Stephanie Seymour, and Tyra Banks. In the commercial, the Angels appear in a white cloudscape in dialog with "God", played by Welsh singer Tom Jones, widely known for his fans' tradition of tossing their panties at him during shows. The spoof proved popular and the Angels, as characters, became a regular feature of the advertising as brand ambassadors. The term "Angel" soon became synonymous with the brand. Official Angels have greater responsibilities than other runway models for the brand, as the Angels are obliged to appear in marketing campaigns, talk shows, major runway shows, and the annual fashion show. The Angels are contracted spokesmodels for the brand, but the company is not transparent about the terms of these contracts. In 1998, the Angels made their runway debut at Victoria's Secret's 4th annual fashion show, (Chandra North filled in for Christensen). The brand's Fashion Show and the Angels were closely connected through 2018, the final year that event was held. Some of the early Victoria's Secret Angels included Inés Rivero and Laetitia Casta.In 2004, the company did not hold a fashion show due fallout from the Super Bowl XXXVIII halftime show controversy, and instead alternately marketed the brand via a tour called Angels Across America. Victoria's Secret sent its five contract models (Banks, Klum, Bündchen, Lima, and Ambrosio) out for the event. Victoria's Secret's Angels continued to be featured in popular culture, and were chosen to be part of People magazine's annual "100 Most Beautiful People in the World" in 2007. The Angels became the first trademark awarded a star on the Hollywood Walk of Fame on November 13, 2007, with Klum, Lima, Ambrosio, Kurkova, Goulart, Ebanks, Marisa Miller, and Miranda Kerr at hand. Alongside new Angel Doutzen Kroes, they also took part in the grand reopening of the Fontainebleau in Miami in 2008.In 2009, the brand held a nationwide competition for a new Runway Angel. Thousands of contestants applied; Kylie Bisutti prevailed as the winner but soon grew disillusioned and parted ways with the brand. Ellingson, Kroes, and Kloss departed after the 2014 fashion show.Several promotional tours featuring the Angels have been organized by the brand. These included the 2010 Bombshell tour, the 2012 VSX tour, and the 2013 Swim tour. In 2015, Angels featured on the brand's first Swim Special were Elsa Hosk, Martha Hunt, Jac Jagaciak, Stella Maxwell, Lais Ribeiro, and Jasmine Tookes, along with model Joan Smalls.In 2019, new Angels Leomie Anderson, Grace Elizabeth, Alexina Graham, and Barbara Palvin, were added to the roster. Palvin made her fashion show debut with Victoria's Secret in 2012, not appearing again until 2018, while Graham, (the first redheaded Angel) walked in both 2017 and 2018. Anderson began walking in 2015, while Elizabeth (a PINK spokesmodel, 2016 - 2019) walked her first Victoria's Secret show in 2016.The Victoria's Secret brand has had at least 3 dozen official Angels (as of 2020) Other notable spokesmodels for the brand have included Claudia Schiffer, Eva Herzigová, Oluchi Onweagba, Jessica Stam, Ana Beatriz Barros, and Bregje Heinen, as well as celebrities such as Taylor Momsen.In 2021, the brand confirmed it was moving away from the Angel concept, with only Taylor Hill, Elizabeth, and Christensen (who had recently started working for the brand again in 2020 after a more-than-20-year hiatus) still working with them. Pink spokesmodels Criticisms and controversies Harassment and abuse In 2019, nonprofit advocacy group Model Alliance and several other publications reported on initiatives underway in California, New York and the United States aiming to protect models from harassment and sexual abuse. Silencing of harassment complaints After Razek left Victoria's Secret in 2019, Monica Mitro, a high-ranking executive at the company reported she had been repeatedly verbally abused by Razek during his time there. Mitro was executive vice president of public relations for the brand and was heavily involved in the production of its annual fashion show, having been one of the public faces of the brand. The day after Mitro made her allegations, she showed up to work to find she had been locked out of the building and placed on administrative leave. Though the brand claimed this decision was made prior to Mitro lodging her complaint, many believed this was a retaliatory action by the company and in late 2019 Mitro indicated she was pursuing legal action against her dismissal. It was reported in 2020 that she had settled with the brand for an undisclosed sum. Connections with Jeffrey Epstein Les Wexner, who founded the Victoria's Secret along with Bath & Body Works, Inc. was reportedly having direct ties with Jeffrey Epstein, an American sex offender and a pedophile, which he met sometime around 1986. Wexner was also reported giving Epstein attorney powers, and have been reportedly shacked up in his "Wexner Xanadu", which is a property of Les Wexner located in Ohio. Wexner also reportedly given Epstein his money, an Upper East Side townhouse (which later sold for $51 million), and a Boeing 727 owned by L Brands. Racism and corporate apologies The company has faced a number of major complaints of racism, profiling, and discrimination by both managers and employees, with several recurring issues being raised by former employees, the federal government, state governments, and customers in the United States. Each time, Victoria's Secret management or a corporate spokesperson has issued an apology and disavowed the discriminatory actions of any individual employee. Victoria's Secret has changed some employment practices, and settled some of the cases, including a $12 million settlement in California and New York reached in 2017, and a $179,300 settlement with the United States Equal Employment Opportunity Commission. Influence on socio-cultural body image norms In the 2008 academic research article "Victoria's Dirty Secret: How Sociocultural Norms Influence Adolescent Girls and Women", authors from Wilfrid Laurier University and the University of Waterloo stated: "Women's body dissatisfaction is influenced by socio-cultural norms for ideal appearance that are pervasive in society and particularly directed at women", cautioning that the marketing practices of Victoria's Secret, delivered through TV commercials, ads, and magazines send a message to girls and women that their models are a realistic standard of beauty, concluding that "Exposure to societal messages that reflect the socio-cultural norm for ideal appearance has a negative effect on women."On June 30, 2022 the singer Jax released the song Victoria's Secret, which criticizes the store for exploiting unrealistic body shape expectations, saying that Victoria's secret is that "she's an old man who lives in Ohio / making money off of girls like me". Perfect Body campaign In 2014, a petition against the company's newly released lingerie collection Body by Victoria was created when the poster ads displayed the words 'The Perfect Body' over well-known Victoria's Secret Angels. Organizers called for the company to take responsibility for advertising unrealistic standards and perpetuating negative body images. The petition also demanded changes to the wording of Perfect Body advertisements to "something that does not promote unhealthy and unrealistic standards of beauty," urging the company not to use such harmful marketing in the future. Petitioners created the hashtag "#iamperfect", which trended on Twitter for body shaming women. The petition had over 30,000 signatures.Although there was no formal apology released, Victoria's Secret changed the words on their ad campaign to 'A Body for Every Body'. Cultural appropriation The company has repeatedly been criticized for appropriating the designs of other cultures while displaying their fashions on abnormally thin and uniform body types.During the 2010 Victoria's Secret Fashion Show, the segment 'Wild Things' caused controversy due to the "tribal style" outfits on display. The most notable of these was worn by Afro-Brazilian model Emanuela De Paula who, alongside a group of dancers, was painted with black lines, meant to depict tribal body art. This outfit received backlash from the media, not only for appropriating African culture but for the racist connotations associated with dressing a woman of color in animal print lingerie and body art and branding her a 'Wild Thing'. No apology was released by the brand.In 2012, the company drew criticism for a lingerie collection offer for sale on their website that was titled 'Go East', with a tagline that pledged to women the capacity to "indulge in touches of eastern delight with lingerie inspired by the exquisite beauty of secret Japanese gardens." The collection included a 'Sexy Little Geisha' outfit that was pulled by the company after critics described the items as "stereotypical images that use racist transgression to create an exotic edge." The Wall Street Journal confirmed that the geisha outfit was "accessorized with a miniature fan and a kimono-esque obi sash" and the Asian-themed collection "that traded in sexualized, generic pan-Asian ethnic stereotypes" was removed by the company.At the 2012 Victoria's Secret Fashion Show, an outfit in the 'Calendar Girls' segment caused controversy. The outfit, worn by Karlie Kloss, was meant to represent November and the American holiday of Thanksgiving, but featured a Native American headdress alongside an animal print bikini. This caused outrage among members of the Native American community, who stated that the headdress depicted had deep cultural significance, and was only worn by certain notable war chiefs and warriors. After media backlash over the offensiveness of the outfit and the uncomfortable position that the brand put Kloss in, the outfit was cut from the show's final broadcast. Kloss apologized for the incident via Twitter and the brand later made a statement of apology.At the 2016 Victoria's Secret Fashion Show, the brand was accused of cultural appropriation during the segment entitled 'The Road Ahead' which drew inspiration from both Chinese and Mexican culture. Kendall Jenner's flame tail wings, Elsa Hosk's dragon costume, and Adriana Lima's embroidered thigh-high boots caused an uproar, as some media and fans believed it was inappropriate for women of other descents to wear items important to Chinese culture. Victoria's Secret claimed it included this segment in the 2016 show because of their recent expansion into the Chinese market, and believed a segment featuring Chinese garments, as well as Liu Wen and Ming Xi, two popular Chinese models, would be a good way to appeal to their new Chinese customer base. No apology or statement was released from the brand.In the 2017 Victoria's Secret Fashion Show, the brand faced further controversy and allegations of cultural appropriation. The criticism was directed at fashions in the 'Nomadic Adventures' segment that appropriated Native American and Indigenous African cultures. Nylon magazine suggested that the company had learned nothing from previous, similar incidents. Transphobia In a November 2018 interview with Vogue, Victoria's Secret president Ed Razek stated (when discussing diversity the Victoria's Secret Fashion Show): "Shouldn't you have transsexuals in the show? No. No, I don't think we should. Well, why not? Because the show is a fantasy. It's a 42-minute entertainment special. That's what it is." These comments received immediate backlash from many in the modeling community, including transgender model Carmen Carrera, Kendall Jenner, then Angel Lily Aldridge, and former Angel Karlie Kloss.Razek later issued an apology, stating "My remark regarding the inclusion of transgender models in the Victoria's Secret Fashion Show came across as insensitive. I apologize. To be clear, we would absolutely cast a transgender model for the show."In August 2019, the brand cast its first openly transgender Brazilian model Valentina Sampaio, who was hired to work for PINK. That same month, Razek stepped down. In 2022, the brand hired Emira D'Spain as their first Black transgender model. See also List of Victoria's Secret models Victoria's Secret Swim Special Notes Passage 9: Lake Victoria (disambiguation) Lake Victoria or Victoria Lake may refer to: Lake Victoria, a lake in Africa in Australia: Lake Victoria (New South Wales), a lake in New South Wales, Australia Lake Victoria (Victoria), a shallow saline lake on the Bellarine Peninsula in Victoria, Australia Lake Victoria, one of the Gippsland Lakes in Victoria, Australia Lake Victoria, Michigan, United States, a small lake and census-designated place Lake Victoria (Minnesota), a lake in Douglas County, Minnesota Laguna Victoria, a lake in Bolivia Victoria Lake (Newfoundland and Labrador), a lake in Canada Victoria Lake (New Zealand), a lake in Hagley Park, Christchurch, New Zealand Zorkul, a lake on the border between Afghanistan and Tajikistan once known as Lake Victoria See also Queen Victoria Sea Passage 10: Roar-o-Saurus Roar-o-Saurus is a wooden roller coaster located at Story Land in Glen, New Hampshire, United States. The coaster was designed and built by American wooden coaster design firm The Gravity Group.

doc_2

Passage 1: Henry III, Duke of Münsterberg-Oels Henry III of Münsterberg-Oels (also: Henry III of Poděbrady, Henry III of Bernstadt; German: Heinrich III. von Podiebrad; Czech: Jindřich III-Minstrbersko Olešnický; 29 April 1542, Oleśnica – 10 April 1587, Oleśnica) was Duke of Münsterberg from 1565 to 1574 and Duke of Bernstadt. He also held the title of Count of Glatz. Life Henry's parents were Henry II of Münsterberg and Oels and Margaret (1515–1559), daughter of Henry V of Mecklenburg-Schwerin. Henry III was married to Magdalena Meseritsch of Lomnitz (Czech: Magdaléna Mezeřícká z Lomnice). When his father died in 1548, Henry was only six years old, so he initially stood under the guardianship of his uncle John, who called himself "Duke of Bernstadt" from 1548 until his death in 1565. In 1565, Henry III took up the rule of the Duchy of Bernstadt. He was excessively in debt, and in 1574, he had to sell the Duchy of Bernstadt, including the castle and several more villages, to the von Schindel family. Henry III died childless in 1587. The Duchy of Bernstadt was bought back in 1604 by Henry's brother Charles II. References ad sources Hugo Weczerka: Handbuch der historischen Stätten: Schlesien, Stuttgart, 1977, ISBN 3-520-31601-3, p. 19 and genealogical tables on p. 602–603. Rudolf Žáček: Dějiny Slezska v datech, Prague, 2004, ISBN 80-7277-172-8, p. 145, 410 and 436. External links Marek, Miroslav. "Genealogy of Poděbrady". Genealogy.EU. Passage 2: Olaf III of Norway Olaf III or Olaf Haraldsson (Old Norse: Óláfr Haraldsson, Norwegian: Olav Haraldsson; c. 1050 – 22 September 1093), known as Olaf the Peaceful (Old Norse: Óláfr kyrri, Norwegian: Olav Kyrre), was King of Norway from 1067 until his death in 1093.He was present at the Battle of Stamford Bridge in England in 1066 where his father, King Harald Hardrada, saw defeat and was killed in action, an event that directly preceded his kingship. During his rule, Olaf made peace with regards to earlier royal conflicts with the church, strengthened the power of the monarchy, and is traditionally credited with founding the city of Bergen circa 1070. Around 1225, Snorri Sturluson wrote Olav Kyrres saga about King Olaf in the Heimskringla. Biography Olaf was a son of King Harald Hardrada and Tora Torbergsdatter. Olaf joined his father during the invasion of England during 1066. However, he was only 16 years old during the Battle of Stamford Bridge in September 1066. He stayed on a ship and did not participate in the fighting. After the Norwegian defeat, he sailed with the remains of the Norwegian strike force back to Orkney, where they wintered. The return journey to Norway took place in summer 1067.After the death of his father, Olaf shared the kingdom with his brother Magnus II (Magnus 2 Haraldsson) who had become king the previous year. When King Magnus died during 1069, Olaf became the sole ruler of Norway.During his reign, the nation of Norway experienced a rare extended period of peace. He renounced any offensive foreign policy, instead protecting Norway's sovereignty through agreements and marriage connections. Domestically he emphasized the church's organization and the modernization of the kingdom. The latter resulted in, among other things, the reorganization of the body-guard and of measures under which key cities, especially Bergen, could better serve as a royal residence. According to the Heimskringla by Snorri Sturluson, Olaf is said to have founded the city of Bergen (originally called Bjørgvin).The death of Harald Hardrada and the serious defeat suffered by the Norwegians in 1066 tempted the Danish king, Svend Estridsen, to prepare for an attack on Norway. King Svend no longer felt bound by the ceasefire agreement signed with Harald Hardrada in 1064, since it would only be valid for the two kings during their own lives. However Olaf made peace with King Svend and married the king's daughter Ingerid. Later, Olav's half sister Ingegerd married King Svend's son Olaf. Although there were some attacks on England by Danish forces, peace persisted between Denmark and Norway. Olaf also made peace with William the Conqueror of England. King Olaf broke with his father's line in his relationship to the church. Harald Hardrada had developed a continuing conflict with the Archbishopric of Bremen due to the archbishop's authority over the Norwegian church. Unlike his father, Olav recognized that authority fully. Political considerations may have been behind this conciliatory attitude, as may have been Olaf's concern with the church organization. Until his time bishops had formed part of the king's court and traveled with him around the country to take care of the ecclesiastical affairs while the king took care of worldly matters. The bishops established fixed residence in Oslo, Nidaros and Bergen. King Olaf also took the initiative for the construction of churches, including Christ Church in Bergen and Nidaros Cathedral in Trondheim.Olaf strengthened the power of the king and instituted the system of guilds in Norway. There are strong indications that the government of King Olaf began writing secure provincial laws to a greater extent. The Norwegian law Gulatingsloven was probably put in writing for the first time during his reign.King Olaf died of illness on 22 September 1093 in Haukbø, Rånrike, then part of Norway (now Håkeby, Tanum Municipality, Sweden). He was buried at the Nidaros Cathedral. His marriage to Ingerid did not produce any children. His successor as king, Magnus III nicknamed Magnus Barefoot (Magnus Berrføtt), was acknowledged to be his illegitimate son. Appearance and character The Morkinskinna (c. 1220) describes Olaf III as: "[A] tall man, and everyone agrees that there has never been seen a fairer man or a man of nobler appearance." "He had blond hair, a light complexion, and pleasing eyes, and he was well proportioned. He was taciturn for the most part, and not much of a speechmaker, though he was good company after drink."Another description is found in the Heimskringla of Snorri Sturluson: "Olaf was a stout man, well grown in limbs; and every one said a handsomer man could not be seen, nor of a nobler appearance." "His hair was yellow as silk, and became him well; his skin was white and fine over all his body; his eyes beautiful, and his limbs well proportioned. He was rather silent in general, and did not speak much even at Things; but he was merry in drinking parties. He loved drinking much, and was talkative enough then; but quite peaceful." "He was cheerful in conversation, peacefully inclined during all his reign, and loving gentleness and moderation in all things." Memorial A memorial to King Olaf Kyrre was placed in Bergen, Norway in connection with the city's 900-year anniversary. The abstract equestrian statue by noted Norwegian sculptor Knut Steen was unveiled on 21 May 1998. The "Maine penny" The Maine penny - a Norwegian silver coin discovered in the US State of Maine in 1957 and suggested as evidence of Pre-Columbian trans-oceanic contact - has been dated to the time of Olaf III. The circumstances of its arrival from Norway to a Native American village in the present US territory remain unclear and highly disputed. See also List of Norwegian monarchs Passage 3: Ingerid of Denmark Ingerid Swendsdatter of Denmark (also spelt Ingrid; 11th century – after 1093) was a Danish princess who became Queen of Norway as the spouse of King Olaf III of Norway. Ingerid Swensdatter was the daughter of King Sweyn II of Denmark. It is not known which one of her father's wives and concubines who was the mother of Ingerid.She was married to Olav Kyrre in 1067 in a marriage arranged as a part of the peace treaty between Denmark and Norway, and became Queen of Norway upon marriage the same year. To further strengthen the alliance Olav Kyrre's half-sister, Ingegerd Haraldsdatter, married King Olaf I of Denmark, who was the brother of Queen Ingerid.Ingerid Svendsdatter was Olaf Kyrre's official consort and queen. There are not much information about her personality or her acts as queen. Queen Ingerid had no children by King Olaf. After the death of King Olav in 1093, queen dowager Ingerid, according to unconfirmed tradition, moved to Sogn and married Svein Brynjulfsson of Aurland, with whom she reportedly had a daughter, Hallkattla She seem to have retired to private life as a widow and there is nothing to indicate that she played any political part after the death of her spouse. Ancestry Notes Passage 4: Ingeborg of Denmark, Queen of Norway Ingeborg Eriksdotter (c. 1244 – 24/26 March 1287) was Queen of Norway and the wife of King Magnus VI. She was born a Danish princess, daughter of Eric IV of Denmark. As queen dowager, she played an important part in politics during the minority of her son King Eirik II of Norway in 1280-82. Biography Ingeborg was born to Eric IV of Denmark and Jutta of Saxony. Ingeborg was only about six years-old when her father was killed. Her mother returned to Saxony and married Count Burchard VIII of Querfurt-Rosenburg. In large part, Ingeborg and her three sisters lived in the court of her uncle King Christopher I of Denmark and Queen Margaret Sambiria. The four sisters were heirs to substantial lands in Denmark. The struggle to claim Ingeborg's inheritance from her murdered father would later involve Norway in intermittent conflicts with Denmark for decades to come. Ingeborg was promised in marriage by the Danish regency government to Magnus, the son of King Haakon IV of Norway. Ingeborg arrived in Tønsberg on 28 July 1261, after she being retrieved at the instruction of King Haakon from the monastery in Horsens (dominikanerkloster ved Horsens). On 11 September 1261, she married Magnus in Bergen. Magnus and Ingeborg were crowned directly after their marriage, and Magnus was given the district of Ryfylke for his personal upkeep. The marriage was described as happy.On 16 December 1263 King Haakon IV of Norway died while fighting the Scottish king over the Hebrides, and Magnus became the ruler of Norway. Ingeborg is not known to have played any part in politics as queen. Her two older sons Olaf (1262 – 15 March 1267) and Magnus (b. and d. 1264) died in infancy, but the youngest two would later become Kings of Norway: Eric II (1268 – 13 July 1299) and Haakon V (ca. 10 April 1270 – 8 May 1319). In 1280, she became a widow. Ingeborg was an important figure in the leadership of the country during the minority of King Eirik, though she was not formally named regent. Her influence grew after her son was declared adult in 1283. Her principal ally was Alv Erlingsson, who had been a second cousin of her husband King Magnus and served as the governor Borgarsyssel which today makes up the county of Østfold. During the reign of her cousin King Eric V of Denmark, Ingeborg begun a feud regarding her inheritance, which she had never received. This largely private feud caused hostility between Norway and the German Hanseatic cities and a tense relationship with Denmark. Several Danish nobles, including Count Jacob of Halland, took her side against the Danish monarch, but she died before the affair was finished. Passage 5: Hallvard Trætteberg Hallvard Trætteberg (21 April 1898 in Løten – 21 November 1987 in Oslo) was the leading Norwegian heraldic artist and the expert adviser on heraldry to the Government of Norway and the Norwegian Royal Family for much of the 20th century. From about 1930 he played a central role in the renewal of public heraldry in Norway with an emphasis on simplification. He gave the Coat of arms of Norway a modern design and designed several county and municipal coats of arms, seals of the bishops of the Church of Norway, and monograms. He also wrote several books.He was a Knight First Class of the Order of St. Olav and a member of L'Académie Internationale d'Héraldique. He was employed at the National Archives of Norway from 1924. Trætteberg was the acting national archivist of Norway from 1963 to 1964. Gallery The years shown are the years in which the arms were approved, not necessarily the years in which the arms were designed. If the original drawings are signed with earlier dates, these will be indicated within parentheses. Drawings below may differ slightly from Hallvard Trætteberg's original drawings. County arms Municipal arms Publications Fylkesmerker. Forslag fra Norges Bondelags fylkesmerkenevnd, Oslo 1930 Norges våbenmerker - Norske by- og adelsvåben, Kaffe Hag AS, Oslo 1933 "Norges statssymboler inntil 1814", Historisk Tidsskrift, vol. 29, no. 8 and 9, Oslo 1933 "Norges krone og våpen". I Festskrift til Francis Bull, Oslo 1937 "Heraldiske farvelover", Meddelanden från Riksheraldikerämbetet, bind 7, Stockholm 1938 "Statens forhold til heraldikken i Norge", Meddelanden från Riksheraldikerämbetet, bind 7, Stockholm 1938 "Måne- og stjernevåpen", Meddelelser til slekten Mathiesen, Oslo 1946 "The Coat of Arms of Norway", The American-Scandinavian Review, June 1964 Borg i segl, mynt og våpen, Oslo 1967 "A History of the Flags of Norway", The Flag Bulletin, (XVIII:3), 1978 Literature Hallvard Trætteberg - Offentlig heraldikk i Norge 1921-1975 - Våpen flagg segl symboler (Exhibition catalogue) Hans Cappelen: Règles pour utilisation des armoiries communales en Norvège. Archivum Heraldicum (1-2) 1976. Hans Cappelen: Norwegian Simplicity. The principles of recent public heraldry in Norway. The Coat of Arms, Vol. VII, No. 138, London 1988. Footnotes Passage 6: Where Do You Go Where Do You Go may refer to: "Where Do You Go" (Cher song) "Where Do You Go" (La Bouche song), also covered by No Mercy "Where Do You Go", a song by Bryan Rice from Confessional "Where Do You Go?", a song by Frank Sinatra from No One Cares See also "Where Do You Go To (My Lovely)?", a song by Peter Sarstedt Passage 7: Olaf III (disambiguation) Olaf III of Norway was King 1067–1093. Olaf III may also refer to: Olaf Guthfrithson, King of Dublin 934–939 Olof Skötkonung, King of Sweden 980–1022 Olaf II of Denmark, sometimes numbered as III when counting a previous anti-king Olaf Haraldsson Passage 8: Kyrre Kyrre is a common Norwegian given name. The name comes from the Old Norse word kyrr, which translates to "calm, peaceful". It is believed to have been derived from Olaf III of Norway, who was nicknamed "Olaf Kyrre" (Olaf the Peaceful). People named Kyrre As first nameKyrre Andreassen, Norwegian author Kyrre Haugen Bakke, Norwegian actor and translator Kyrre Eggen, Norwegian lawyer Kyrre Fritzner, Norwegian musician Kyrre Grepp (1879–1922), Norwegian politician Kyrre Gørvell-Dahll (born 1991), Norwegian DJ, known by stage name Kygo Kyrre Hellum, Norwegian actor Kyrre Holm Johannessen, Norwegian host Kyrre Lekve (born 1968), Norwegian biologist Kyrre Lindanger, Norwegian politician Kyrre Nakkim (born 1966), Norwegian journalist Kyrre Haugen Sydness, Norwegian actor Kyrre Sæther, Norwegian author and humoristAs second nameKristen Kyrre Bremer, Norwegian theologian and bishop See also All pages with titles beginning with Kyrre All pages with titles containing Kyrre Karre Passage 9: Inga of Varteig Inga Olafsdatter of Varteig (Inga Olafsdatter fra Varteig) (Varteig, Østfold, 1183 or c. 1185 – 1234 or 1235) was the mistress of King Haakon III of Norway and the mother of King Haakon IV of Norway. Biography Inga, from Varteig in Østfold, maintained a relationship with King Haakon III who visited nearby in Borg (now Sarpsborg) during late 1203. King Haakon subsequently died in early 1204. His reign had been marked by competition between the Bagler and Birkebeiner factions for control of Norway during a period of civil war. King Haakon was succeeded as King of Norway, first by his nephew Guttorm Sigurdsson and later by the appointment of Inge Bardsson.Shortly after the death of King Haakon, Inga gave birth to a son who she claimed was the child of the recently deceased king. Inga's claim was supported by several of King Haakon's Birkebeiner followers. However, her claim placed both her and her son in a dangerous position. Consequently, a group of Birkebeiner loyalists fled with Inga and her son from Lillehammer in eastern Norway over the mountains during the mid-winter 1205–06. The cross-country skiing trip continued north through Østerdalen to Trøndelag, where they came under the protection of King Inge.After King Inge died in April 1217, Inga successfully performed a trial by ordeal to prove her son's right of succession. Her son Haakon succeeded to the Norwegian throne at the age of 13. Reportedly Inga became seriously ill and died before Christmas in Bergen during 1234. See also Birkebeinerrennet Civil war era in Norway Primary Source The primary source of information regarding Inga of Varteig is from the Saga of Haakon Haakonarson which was written following the death of King Haakon IV. Passage 10: Harald Hardrada Harald Sigurdsson (Old Norse: Haraldr Sigurðarson; c. 1015 – 25 September 1066), also known as Harald III of Norway and given the epithet Hardrada (harðráði; modern Norwegian: Hardråde, roughly translated as "stern counsel" or "hard ruler") in the sagas, was King of Norway from 1046 to 1066. Additionally, he unsuccessfully claimed both the Danish throne until 1064 and the English throne in 1066. Before becoming king, Harald had spent around fifteen years in exile as a mercenary and military commander in Kievan Rus' and as a chief of the Varangian Guard in the Byzantine Empire. When he was fifteen years old, in 1030, Harald fought in the Battle of Stiklestad together with his half-brother Olaf Haraldsson (later Saint Olaf). Olaf sought to reclaim the Norwegian throne, which he had lost to the Danish king Cnut the Great two years prior. In the battle, Olaf and Harald were defeated by forces loyal to Cnut, and Harald was forced into exile to Kievan Rus' (the sagas' Garðaríki). He thereafter spent some time in the army of Grand Prince Yaroslav the Wise, eventually obtaining rank as a captain, until he moved on to Constantinople with his companions around 1034. In Constantinople, he soon rose to become the commander of the Byzantine Varangian Guard, and saw action on the Mediterranean Sea, in Asia Minor, Sicily, possibly in the Holy Land, Bulgaria and in Constantinople itself, where he became involved in the imperial dynastic disputes. Harald amassed considerable wealth during his time in the Byzantine Empire, which he shipped to Yaroslav in Kievan Rus' for safekeeping. He finally left the Byzantine Empire in 1042, and arrived back in Kievan Rus' in order to prepare his campaign of reclaiming the Norwegian throne. Possibly to Harald's knowledge, in his absence the Norwegian throne had been restored from the Danes to Olaf's illegitimate son Magnus the Good. In 1046, Harald joined forces with Magnus's rival in Denmark (Magnus had also become king of Denmark), the pretender Sweyn II of Denmark, and started raiding the Danish coast. Magnus, unwilling to fight his uncle, agreed to share the kingship with Harald, since Harald in turn would share his wealth with him. The co-rule ended abruptly the next year as Magnus died, and Harald thus became the sole ruler of Norway. Domestically, Harald crushed all local and regional opposition, and outlined the territorial unification of Norway under a national governance. Harald's reign was probably one of relative peace and stability, and he instituted a viable coin economy and foreign trade. Probably seeking to restore Cnut's "North Sea Empire", Harald also claimed the Danish throne, and spent nearly every year until 1064 raiding the Danish coast and fighting his former ally, Sweyn. Although the campaigns were successful, he was never able to conquer Denmark. Not long after Harald had renounced his claim to Denmark, the former Earl of Northumbria, Tostig Godwinson, brother of the newly chosen (but reigning not for long) English king Harold Godwinson (also known as Harold of Wessex), pledged his allegiance to Harald and invited him to claim the English throne. Harald went along and invaded northern England with 10,000 troops and 300 longships in September 1066, raided the coast and defeated English regional forces of Northumbria and Mercia in the Battle of Fulford near York on 20 September 1066. Although initially successful, Harald was defeated and killed in a surprise attack by Harold Godwinson's forces in the Battle of Stamford Bridge on 25 September 1066, which wiped out almost his entire army. Modern historians have often considered Harald's death, which brought an end to his invasion, as the end of the Viking Age. Epithets Harald's most famous epithet is Old Norse harðráði, which has been translated variously as 'hard in counsel', 'tyrannical', 'tyrant', 'hard-ruler', 'ruthless', 'savage in counsel', 'tough', and 'severe'. While Judith Jesch has argued for 'severe' as the best translation, Alison Finlay and Anthony Faulkes prefer 'resolute'. Harðráði has traditionally been Anglicised as 'Hardrada', though Judith Jesch characterises this form as 'a bastard Anglicisation of the original epithet in an oblique case'. This epithet predominates in the later Icelandic saga-tradition.However, in a number of independent sources associated with the British Isles, mostly earlier than the Icelandic sagas, Harald is given epithets deriving from Old Norse hárfagri (literally 'hair-beautiful'). These sources include: Manuscript D of the Anglo-Saxon Chronicle ('Harold Harfagera', under the year 1066) and the related histories by Orderic Vitalis ('Harafagh', re events in 1066), John of Worcester ('Harvagra', s.aa. 1066 and 1098), and William of Malmesbury (Gesta regum Anglorum, 'Harvagre', regarding 1066). Marianus Scotus of Mainz ('Arbach', d. 1082/1083). The Life of Gruffydd ap Cynan ('Haralld Harfagyr', later twelfth century).In Icelandic sagas the name Harald Fairhair is more famously associated with an earlier Norwegian king, and twentieth-century historians assumed that the name was attached to Harald Hardrada in error by Insular historians. However, recognising the independence of some of the Insular sources, historians have since favoured the idea that Harald Hardrada was widely known as Harald Fairhair, and indeed now doubt that the earlier Harald Fairhair existed in any form resembling the later saga-accounts.Sverrir Jakobsson has suggested that 'fairhair' 'might be the name by which King Harald wished himself to be known. It must have been his opponents who gave him the epithet "severe" (ON. harðráði), by which he is generally known in thirteenth-century Old Norse kings' sagas'. Early life Harald was born in Ringerike, Norway in 1015 (or possibly 1016) to Åsta Gudbrandsdatter and her second husband Sigurd Syr. Sigurd was a petty king of Ringerike, and among the strongest and wealthiest chieftains in the Uplands. Through his mother Åsta, Harald was the youngest of King Olaf II of Norway / Olaf Haraldsson's (later Saint Olaf) three half-brothers. In his youth, Harald displayed traits of a typical rebel with big ambitions, and admired Olaf as his role model. He thus differed from his two older brothers, who were more similar to their father, down-to-earth and mostly concerned with maintaining the farm.The Icelandic sagas, in particular Snorri Sturluson in Heimskringla, claim that Sigurd, like Olaf's father, was a great-grandson of King Harald Fairhair in the male line. Most modern scholars believe that the ancestors attributed to Harald Hardrada's father, along with other parts of the Fairhair genealogy, are inventions reflecting the political and social expectations of the time of the authors (around two centuries after Harald Hardrada's lifetime) rather than historical reality. Harald Hardrada's alleged descent from Harald Fairhair is not mentioned and played no part during Harald Hardrada's own time, which seems odd considering that it would have provided significant legitimacy in connection with his claim to the Norwegian throne.Following a revolt in 1028, Harald's brother Olaf was forced into exile until he returned to Norway in early 1030. On hearing news of Olaf's planned return, Harald gathered 600 men from the Uplands to meet Olaf and his men upon their arrival in the east of Norway. After a friendly welcome, Olaf went on to gather an army and eventually fight in the Battle of Stiklestad on 29 July 1030, in which Harald took part on his brother's side. The battle was part of an attempt to restore Olaf to the Norwegian throne, which had been captured by the Danish king Cnut the Great (Canute). The battle resulted in defeat for the brothers at the hands of those Norwegians who were loyal to Cnut, and Olaf was killed while Harald was badly wounded. Harald was nonetheless remarked to have shown considerable military talent during the battle. Exile in the East To Kievan Rus' After the defeat at the Battle of Stiklestad, Harald managed to escape with the aid of Rögnvald Brusason (later Earl of Orkney) to a remote farm in Eastern Norway. He stayed there for some time to heal his wounds, and thereafter (possibly up to a month later) journeyed north over the mountains to Sweden. A year after the Battle of Stiklestad, Harald arrived in Kievan Rus' (referred to in the sagas as Garðaríki or Svíþjóð hin mikla). He likely spent at least part of his time in the town of Staraya Ladoga (Aldeigjuborg), arriving there in the first half of 1031. Harald and his men were welcomed by Grand Prince Yaroslav the Wise, whose wife Ingegerd was a distant relative of Harald. Badly in need of military leaders, Yaroslav recognised a military potential in Harald and made him a captain of his forces. Harald's brother Olaf Haraldsson had previously been in exile to Yaroslav following the revolt in 1028, and Morkinskinna says that Yaroslav embraced Harald first and foremost because he was the brother of Olaf. Harald took part in Yaroslav's campaign against the Poles in 1031, and possibly also fought against other 1030s Kievan enemies and rivals such as the Chudes in Estonia, and the Byzantines, as well as the Pechenegs and other steppe nomad people. In Byzantine service After a few years in Kievan Rus', Harald and his force of around 500 men moved on south to Constantinople (Miklagard), the capital of the Eastern Roman Empire (later known as the Byzantine Empire), probably in 1033 or 1034, where they joined the Varangian Guard. Although the Flateyjarbók maintains that Harald at first sought to keep his royal identity a secret, most sources agree that Harald and his men's reputation was well known in the east at the time. While the Varangian Guard was primarily meant to function as the emperor's bodyguard, Harald was found fighting on "nearly every frontier" of the empire. He first saw action in campaigns against Arab pirates in the Mediterranean Sea, and then in inland towns in Asia Minor / Anatolia that had supported the pirates. By this time, he had, according to Snorri Sturluson (a contemporary Icelandic historian, poet, and politician), become the "leader over all the Varangians". By 1035, the Byzantines had pushed the Arabs out of Asia Minor to the east and southeast, and Harald took part in campaigns that went as far east as the Tigris River and Euphrates River in Mesopotamia, where according to his skald (poet) Þjóðólfr Arnórsson (recounted in the sagas) he participated in the capture of eighty Arab strongholds, a number which historians Sigfus Blöndal and Benedikt Benedikz see no particular reason to question. Although not holding independent command of an army as the sagas imply, it is not unlikely that King Harald and the Varangians at times could have been sent off to capture a castle or town. During the first four years of the reign of Byzantine Emperor Michael IV the Paphlagonian, Harald probably also fought in campaigns against the Pechenegs.Thereafter, Harald is reported in the sagas to have gone to Jerusalem and fought in battles in the area. Although the sagas place this after his expedition to Sicily, historian Kelly DeVries has questioned that chronology. Whether his trip was of a military or peaceful nature would depend on whether it took place before or after the 1036 peace treaty between Michael IV and the Muslim Fatimid Caliph Ma'ad al-Mustansir Billah (in reality the Caliph's mother, originally a Byzantine Christian, since the Caliph was a minor), although it is considered unlikely to have been made before. Modern historians have speculated that Harald may have been in a party sent to escort pilgrims to Jerusalem (possibly including members of the Imperial family) following the peace agreement, as it was also agreed that the Byzantines were allowed to repair the Church of the Holy Sepulchre. Furthermore, this may in turn have presented Harald with opportunities to fight against bandits who preyed on Christian pilgrims.In 1038, Harald joined the Byzantines in their expedition to Sicily, in George Maniakes's (the sagas' "Gyrge") attempt to reconquer the island from the Muslim Saracens, who had established the Emirate of Sicily on the island. During the campaign, Harald fought alongside Norman mercenaries such as William Iron Arm. According to Snorri Sturluson, Harald captured four towns on Sicily. In 1041, when the Byzantine expedition to Sicily was over, a Lombard-Norman revolt erupted in southern Italy, and Harald led the Varangian Guard in multiple battles. Harald fought with the Catepan of Italy, Michael Dokeianos with initial success, but the Normans, led by their former ally William Iron Arm, defeated the Byzantines in the Battle of Olivento in March, and in the Battle of Montemaggiore in May. After the defeat, Harald and the Varangian Guard were called back to Constantinople, following Maniakes' imprisonment by the emperor and the onset of other more pressing issues. Harald and the Varangians were thereafter sent to fight in the southeastern European frontier in Bulgaria, where they arrived in late 1041. There, he fought in the army of Emperor Michael IV in the Battle of Ostrovo of the 1041 campaign against the Bulgarian uprising led by Peter Delyan, which later gained Harald the nickname the "Bulgar-burner" (Bolgara brennir) by his skald.Harald was not affected by Maniakes' conflict with Emperor Michael IV, and received honours and respect upon his return to Constantinople. In a Greek book written in the 1070s, the Strategikon of Kekaumenos, Araltes (i.e. Harald) is said to have won the favour of the emperor. The book says that the Byzantine emperor first appointed him manglabites (possibly identified with the title protospatharios), a soldier of the imperial guard, after the Sicilian campaign. Following the campaign against the Bulgarians, in which Harald again served with distinction, he received the rank while at Mosynopolis of spatharokandidatos, identified by DeVries as a promotion to the possibly third highest Byzantine rank, but by Mikhail Bibikov as a lesser rank than protospatharios that was ordinarily awarded to foreign allies to the emperor. The Strategikon indicates that the ranks awarded to Harald were rather low, since Harald reportedly was "not angry for just having been appointed to manglabites or spatharokandidatos". According to his skald Þjóðólfr Arnórsson, Harald had participated in eighteen greater battles during his Byzantine service. Harald's favour at the imperial court quickly declined after the death of Michael IV in December 1041, which was followed by conflicts between the new emperor Michael V and the powerful empress Zoe.During the turmoil, Harald was arrested and imprisoned, but the sources disagree on the grounds. The sagas state that Harald was arrested for defrauding the emperor of his treasure, as well as for requesting marriage with an apparently fictional niece or granddaughter of Zoe, called Maria (his suit supposedly being turned down by the empress because she wanted to marry Harald herself). William of Malmesbury states that Harald was arrested for defiling a noble woman, while according to Saxo Grammaticus he was imprisoned for murder. DeVries suggests that the new emperor may have feared Harald because of his loyalty to the previous emperor. The sources also disagree on how Harald got out of prison, but he may have been helped by someone outside to escape in the midst of the revolt that had begun against the new emperor. While some of the Varangians helped guard the emperor, Harald became the leader of the Varangians who supported the revolt. The emperor was in the end dragged out of his sanctuary, blinded and exiled to a monastery, and the sagas claim that it was Harald himself who blinded Michael V (or at least claimed to have done so). Back to Kievan Rus' Harald became extremely rich during his time in the east, and secured the wealth collected in Constantinople by shipments to Kievan Rus' for safekeeping (with Yaroslav the Wise acting as safekeeper for his fortune). The sagas note that aside from the significant spoils of battle he had retained, he had participated three times in polutasvarf (loosely translated as "palace-plunder"), a term which implies either the pillaging of the palace exchequer on the death of the emperor, or perhaps the disbursement of funds to the Varangians by the new emperor in order to ensure their loyalty. It is likely that the money Harald made while serving in Constantinople allowed him to fund his claim for the crown of Norway. If he participated in polutasvarf three times, these occasions must have been the deaths of Romanos III, Michael IV, and Michael V, in which Harald would have opportunities, beyond his legitimate revenues, to carry off immense wealth.After Zoe had been restored to the throne in June 1042 together with Constantine IX, Harald requested to be allowed to return to Norway. Although Zoe refused to allow this, Harald managed to escape into the Bosphorus with two ships and some loyal followers. Although the second ship was destroyed by the Byzantine cross-strait iron chains, Harald's ship sailed safely into the Black Sea after successfully manoeuvring over the barrier. Despite this, Kekaumenos lauds the "loyalty and love" Harald had for the empire, which he reportedly maintained even after he returned to Norway and became king. Following his escape from Constantinople, Harald arrived back in Kievan Rus' later in 1042. During his second stay there, he married Elisabeth (referred to in Scandinavian sources as Ellisif), daughter of Yaroslav the Wise and granddaughter of the Swedish king Olof Skötkonung. Shortly after Harald's arrival in Kiev, Yaroslav attacked Constantinople, and it is considered likely that Harald provided him with valuable information about the state of the empire.It is possible that the marriage with Elisiv had been agreed to already during Harald's first time in Rus', or that they at least had been acquainted. During his service in the Byzantine Empire, Harald composed a love poem which included the verse "Yet the goddess in Gardarike / will not accept my gold rings" (whom Snorri Sturluson identifies with Elisiv), although Morkinskinna claims that Harald had to remind Yaroslav of the promised marriage when he returned to Kiev. According to the same source, Harald had spoken with Yaroslav during his first time in Rus', requesting to marry Elisiv, only to be rejected because he was not yet wealthy enough. It is in any case significant that Harald was allowed to marry the daughter of Yaroslav, since his other children were married to figures such as Henry I of France, Andrew I of Hungary and the daughter of Constantine IX. King of Norway Return to Scandinavia Seeking to regain for himself the kingdom lost by his half-brother Olaf Haraldsson, Harald began his journey westwards in early 1045, departing from Novgorod (Holmgard) to Staraya Ladoga (Aldeigjuborg) where he obtained a ship. His journey went through Lake Ladoga, down the Neva River, and then into the Gulf of Finland and the Baltic Sea. He arrived in Sigtuna in Sweden, probably at the end of 1045 or in early 1046. When he arrived in Sweden, according to the skald Tjodolv Arnorsson, his ship was unbalanced by its heavy load of gold. In Harald's absence, the throne of Norway had been restored to Magnus the Good, an illegitimate son of Olaf. Harald may actually have known this, and it could have been the reason why Harald wanted to return to Norway in the first place. Since Cnut the Great's sons had chosen to abandon Norway and instead fight over England, and his sons and successors Harold Harefoot and Harthacnut had died young, Magnus's position as king had been secured. No domestic threats or insurrections are recorded to have occurred during his eleven-year reign. After the death of Harthacnut, which had left the Danish throne vacant, Magnus had in addition been selected to be the king of Denmark, and managed to defeat the Danish royal pretender Sweyn Estridsson. Having heard of Sweyn's defeat by Magnus, Harald met up with his fellow exile in Sweden (who was also his nephew), as well as with the Swedish king Anund Jacob, and the three joined forces against Magnus. Their first military exploit consisted of raiding the Danish coast. The purpose of that was to impress the natives by demonstrating that Magnus offered them no protection, and thus leading them to submit to Harald and Sweyn. Learning about their actions, Magnus knew that their next target would be Norway. Harald may have planned to be taken as king of his father's petty kingdom, and thereafter claim the rest of the country. In any case, the people were unwilling to turn against Magnus, and on hearing news of Harald's schemes, Magnus (abroad at the time) went home to Norway with his entire army. Instead of going to war, Magnus's advisors recommended the young king not fight his uncle, and a compromise was reached in 1046 in which Harald would rule Norway (not Denmark) jointly with Magnus (although Magnus would have precedence). Notably, Harald also had to agree to share half of his wealth with Magnus, who at the time was effectively bankrupt and badly in need of funds. During their short co-rule, Harald and Magnus had separate courts and kept to themselves, and their only recorded meetings nearly ended in physical clashes.In 1047, Magnus and Harald went to Denmark with their leidang forces. Later that year in Jylland, less than a year into their co-rule, Magnus died without an heir. Before his death, he had decided that Sweyn was to inherit Denmark and Harald to inherit Norway. On hearing the news of Magnus's death, Harald quickly gathered the local leaders in Norway and declared himself king of Norway as well as of Denmark. Although Magnus had appointed Sweyn his successor as king of Denmark, Harald immediately announced his plans to gather an army and oust his former ally from the country. In response, the army and the chieftains, headed by Einar Thambarskelfir, opposed any plans of invading Denmark. Although Harald himself objected to bringing the body of Magnus back to Norway, the Norwegian army prepared to transport his body to Nidaros (now Trondheim), where they buried him next to Saint Olaf in late 1047. Einar, an opponent of Harald, claimed that "to follow Magnus dead was better than to follow any other king alive".Under Harald's rule, Norway introduced a royal monopoly on the minting of coins. The coins minted under Harald's rule appear to have been accepted as a commonly used currency (as opposed to continued use of primarily foreign-minted coins). Minting of coins likely provided a substantial part of Harald's annual revenues. Minting of coinage collapsed in Norway in the late 14th century. Invasions of Denmark Harald also wanted to re-establish Magnus's rule over Denmark, and in the long term probably sought to restore Cnut the Great's "North Sea Empire" in its entirety. While his first proposal to invade Denmark fell through, the next year Harald embarked on what would turn into constant warfare against Sweyn, from 1048 almost yearly until 1064. Similar to his campaigns (then together with Sweyn) against Magnus's rule in Denmark, most of his campaigns against Sweyn consisted of swift and violent raids on the Danish coasts. In 1048, he plundered Jutland, and in 1049 he pillaged and burned Hedeby, at the time the most important Danish trade center, and one of the best protected and most populous towns in Scandinavia. Hedeby as a civil town never recovered from Harald's destruction, and was left completely desolate when what remained was looted by Slavic tribes in 1066. One of two conventional battles was set to be fought between the two kings later the same year, but, according to Saxo Grammaticus, Sweyn's smaller army was so frightened when approached by the Norwegians that they chose to jump in the water trying to escape; most drowned. Although Harald was victorious in most of the engagements, he was never successful in occupying Denmark. The second, more significant battle, a naval encounter, was the Battle of Niså on 9 August 1062. As Harald had not been able to conquer Denmark despite his raids, he wanted to win a decisive victory over Sweyn. He eventually set out from Norway with a great army and a fleet of around 300 ships. Sweyn had also prepared for the battle, which had been preassigned a time and place. Sweyn did not appear at the agreed time, and Harald thus sent home his non-professional soldiers (bóndaherrin), which had made up half of his forces. When the dismissed ships were out of reach, Sweyn's fleet finally appeared, possibly also with 300 ships. The battle resulted in great bloodshed as Harald defeated the Danes (70 Danish ships were reportedly left "empty"), but many ships and men managed to escape, including Sweyn. During the battle, Harald actively shot with his bow, like most others in the early phase of the battle.Fatigue and the huge cost of the indecisive battles eventually led Harald to seek peace with Sweyn, and in 1064 (or 1065 according to Morkinskinna) the two kings agreed on an unconditional peace agreement. By the agreement, they retained their respective kingdoms with the former boundaries, and there would be no payments of reparations. In the subsequent winter of 1065, Harald travelled through his realm and accused the farmers of withholding taxes from him. In response, he acted with brutality, and had people maimed and killed as a warning to those who disobeyed him. Harald maintained control of his nation through the use of his hird, a private standing army maintained by Norwegian lords. Harald's contribution to the strengthening of Norway's monarchy was the enforcement of a policy that only the king could retain a hird, thus centralising power away from local warlords. Domestic opposition According to historian Knut Helle, Harald completed the first phase of what he has termed the "national territorial unification of Norway". Having forced his way to the kingship, Harald would have to convince the aristocracy that he was the right person to rule Norway alone. To establish domestic alliances, he married Tora Torbergsdatter of one of the most powerful Norwegian families. The primary opposition to Harald's rule would be the descendants of Haakon Sigurdsson, from the powerful dynasty of Earls of Lade who had controlled Northern Norway and Trøndelag with much autonomy under the Norwegian king. Haakon had even ruled the whole of Norway (nominally under the Danish king) from 975 until 995, when he was killed during the takeover by Olaf Tryggvasson. Even after Haakon's death, his offspring held a certain degree of sovereignty in the north, and by Harald's early reign the family was headed by Einar Thambarskelfir, who was married to Haakon's daughter. While the family had maintained good relations with Magnus, Harald's absolutism and consolidation of the kingship soon led to conflict with Einar.It was from his power-struggle with the Norwegian aristocracy that Harald got himself the reputation that gave him the nickname "Hardrada", or "the hard ruler". Although the relationship between Harald and Einar was poor from the start, confrontation did not occur before Harald went north to his court in Nidaros. One time in Nidaros, Einar arrived at Harald's court, and in a display of power was accompanied by "eight or nine longships and almost five hundred men", obviously seeking confrontation. Harald was not provoked by the incident. Although the sources differ on the circumstances, the next event nonetheless led to the murder of Einar by Harald's men, which threatened to throw Norway into a state of civil war. Although the remaining descendants of Haakon Sigurdsson considered rebellion against the king, Harald eventually managed to negotiate peace with them, and secured the family's submission for the remainder of his reign. By the death of Einar and his son around 1050, the Earls of Lade had outplayed their role as a base of opposition, and Trøndelag was definitely subordinated to Harald's national kingdom.Before the Battle of Niså, Harald had been joined by Haakon Ivarsson, who distinguished himself in the battle and gained Harald's favour. Harald reportedly even considered giving Haakon the title of Earl, and Haakon was greatly upset when Harald later backed down from his promise. With a strong hold over the Uplands, Haakon was additionally given the earldom of Värmland by the Swedish king Stenkil. In early 1064, Haakon entered the Uplands and collected their taxes, the region thus effectively threatened to renounce their loyalty to Harald in response. The revolt of Haakon and the farmers in the Uplands may have been the main reason why Harald finally had been willing to enter a peace agreement with Sweyn Estridsson. After the agreement, Harald went to Oslo and sent tax collectors to the Uplands, only to find that the farmers would withhold their taxes until Haakon arrived. In response, Harald entered Sweden with an army and quickly defeated Haakon. Still facing opposition from the farmers, Harald embarked on a campaign to crush the areas that had withheld their taxes. Due to the remote location of the region in the interior of the country, the Uplands had never been an integrated part of the Norwegian king's realm. Using harsh measures, Harald burned down farms and small villages, and had people maimed and killed. Starting in Romerike, his campaign continued into Hedmark, Hadeland and Ringerike. Since the regions contained several rich rural communities, Harald strengthened his economic position by confiscating farming estates. By the end of 1065 there was probably peace in Norway, as any opposition had either been killed, chased into exile or silenced. Policies Harald's reign was marked by his background as a military commander, as he often solved disputes with a brute force. One of his skalds even boasted about how Harald broke settlements he had made, in his battles in the Mediterranean. While the sagas largely focus on Harald's war with Sweyn and the invasion of England, little is said about his domestic policies. Modern historians have taken this as a sign that, despite his absolutism, his reign was one of peace and progress for Norway. Harald is considered to have instituted good economic policies, as he developed a Norwegian currency and a viable coin economy, which in turn allowed Norway to participate in international trade. He initiated trade with Kievan Rus' and the Byzantine Empire through his connections, as well as with Scotland and Ireland. According to the later sagas, Harald founded Oslo, where he spent much time.Harald also continued to advance Christianity in Norway, and archaeological excavations show that churches were built and improved during his reign. He also imported bishops, priests and monks from abroad, especially from Kievan Rus' and the Byzantine Empire. A slightly different form of Christianity was thus introduced in Norway from the rest of northern Europe, although the East–West Schism had not yet taken place. Since the clergy was not ordained in England or France, it nonetheless caused controversy when Harald was visited by papal legates. The protests by the legates led Harald to throw the Catholic clergy out of his court, and he reportedly stated to the legates that "he did not know of any other archbishop or lord of Norway than the king himself". Norwegian historian Halvdan Koht has remarked that the "words seemed as if spoken by a Byzantine despot". It is possible that Harald maintained contacts with Byzantine emperors after he became king, which could suggest a background for his church policies. Northern explorations Once he had returned to Norway, Harald seems to have displayed an interest in exploring his own realm, as for instance the Morkinskinna recounts Harald's trip into the Uplands. Harald is also said to have explored the seas beyond his kingdom, as the contemporary Adam of Bremen reports of such naval expeditions conducted by Harald: The most enterprising Prince Haraldr of the Norwegians lately attempted this [sea]. Who, having searched thoroughly the length of the northern ocean in ships, finally had before his eyes the dark failing boundaries of the savage world, and, by retracing his steps, with difficulty barely escaped the deep abyss in safety. Kelly DeVries has suggested that Harald "may even have known of and sought out the legendary land called Vinland, which Viking sailors had discovered only a short time before", which Adam mentions earlier in the same passage to have been widely reported in Denmark and Norway. H. H. Lamb has on the other hand proposed that the land he reached may have been either Spitsbergen or Novaya Zemlya. Invasion of England Background and preparations Accepting he could not conquer Denmark, Harald switched attention to England; his claim was based on a 1038 agreement between Magnus and its previous ruler, Harthacnut, who died childless in 1042. The agreement stated that if either die, the other would inherit his lands; however, it was unlikely Magnus assumed he would gain the English throne without fighting. Harthacnut himself preferred his brother, Edward the Confessor, who became king with the backing of Earl Godwin, father of Harold Godwinson. Plans by Magnus to invade England in 1045 were suspended, while he dealt with an uprising by Sweyn of Denmark.After Magnus died in 1047, Harald took over his claim; however, Edward kept potential enemies happy by hinting they might succeed him; in addition to Harald, these included Sweyn, and William, Duke of Normandy. In 1058, a fleet under Harald's son Magnus supported a large scale Welsh raid into England, although details are limited. This may have shown Harald that he could not simultaneously fight Denmark and England; this became crucial when Edward died in January 1066, and Harold Godwinson was proclaimed king of England.Harold's brother Tostig Godwinson, formerly Earl of Northumbria, now appeared on the scene; hoping to regain his titles and lands, he reportedly approached both William and Sweyn Estridsson for their support. However, since Northern England was the most suitable landing place for a Norwegian invasion, he was more valuable to Harald. Details are limited, but it is suggested Tostig sent a fellow exile, Copsig, to meet with Harald in Norway and agree plans, while he remained in France. If correct, this would also have allowed Tostig to increase both their chances by simultaneously supporting an invasion by William, who also claimed the throne. In March or April 1066, Harald began assembling his fleet at Solund, in the Sognefjord, a process completed by the start of September 1066; it included his flagship, Ormen, or "Serpent". Before leaving Norway, he had Magnus proclaimed king of Norway, and left Tora behind, taking with him Elisiv, his daughters, and Olaf. En route, he stopped at the Norwegian-held islands of Shetland and Orkney, where he collected additional troops, including Paul and Erlend Thorfinnsson, the Earls of Orkney. At Dunfermline, he met Tostig's ally, Malcolm III of Scotland, who gave him around 2,000 Scottish soldiers.Although possible he also met Tostig there, most sources suggest they linked up at Tynemouth, on 8 September, Harald bringing around 10–15,000 men, on 240–300 longships. Tostig had only 12 ships, his connections being far more significant. The chronicler, John of Worcester, suggests he left Flanders in May or June, raiding the heartland of Harold's estates in southern England, from the Isle of Wight to Sandwich. Having made it seem an attack from Normandy was imminent, he then sailed north, while his brother and most of his troops remained in the south, waiting for William. Early raids, invasion, and Battle of Fulford After embarking from Tynemouth, Harald and Tostig probably landed at the River Tees. They then entered Cleveland, and started plundering the coast. They encountered the first resistance at Scarborough, where Harald's demand for surrender was opposed. In the end, Harald resorted to burning down the town and this action led to other Northumbrian towns surrendering to him. After further raiding, Harald and Tostig sailed up the Humber, disembarking at Riccall on 20 September. News of the early raids had reached the earls Morcar of Northumbria and Edwin of Mercia, and they fought against Harald's invading army three kilometres (2 mi) south of York at the Battle of Fulford, also on 20 September. The battle was a decisive victory for Harald and Tostig, and led York to surrender to their forces on 24 September. This would be the last time a Scandinavian army defeated English forces. The same day as York surrendered to Harald and Tostig, Harold Godwinson arrived with his army in Tadcaster, just eleven kilometres (7 mi) from the anchored Norwegian fleet at Riccall. From there, he probably scouted the Norwegian fleet, preparing a surprise attack. As Harald had left no forces in York, Harold Godwinson marched right through the town to Stamford Bridge. Battle of Stamford Bridge Early on 25 September, Harald and Tostig departed their landing place at Riccall with most of their forces, but left a third of their forces behind. They brought only light armour, as they expected to just meet the citizens of York, as they had agreed the day before, at Stamford Bridge to decide on who should manage the town under Harald. Once there Harald saw Godwinson's forces approaching, heavily armed and armoured, and greatly outnumbering Harald's. Although (according to non-saga sources) the English forces were held up at the bridge for some time by a single gigantic Norwegian, allowing Harald and Tostig to regroup into a shield-wall formation, Harald's army was in the end heavily beaten. Harald was struck in the throat by an arrow and killed early in the battle, later termed the Battle of Stamford Bridge, in a state of berserkergang, having worn no body armour and fought aggressively with both hands around his sword.When the battle was almost over, some reserve forces from Riccall led by Eystein Orre finally appeared, but they were exhausted as they had run all the way. Eystein picked up Harald's fallen banner, the "Landwaster" (Landøyðan), and initiated a final counter-attack. Although they for a moment appeared to almost breach the English line, Eystein was suddenly killed, which left the rest of the men to flee from the battlefield. Among those left at Riccall after the battle, who were allowed to return home peacefully by the English forces, was Harald's son Olaf. Although sources state that Harald's remaining army only filled 20–25 ships on the return to Norway, it is likely that this number only accounts for the Norwegian forces. Most of the forces from Scotland and Orkney probably remained at Riccall throughout the battle (the earls Paul and Erlend Thorfinnsson are certainly known to have been stationed there the entire time), and has not been counted in the traditional figure.Harold Godwinson's victory was short-lived, as only a few weeks later he was defeated by William the Conqueror and killed at the Battle of Hastings. The fact that Harold had to make a forced march to fight Hardrada at Stamford Bridge and then move at utmost speed south to meet the Norman invasion, all in less than three weeks, is widely seen as a primary factor in William's victory at Hastings. Personal life Harald is described by Snorri Sturluson to have been physically "larger than other men and stronger". It is said that he had light hair, a light beard, and a long "upper beard" (moustache), and that one of his eyebrows was somewhat higher situated than the other. He also reportedly had big hands and feet, and could measure five ells in height. It is not known whether Snorri's description of Harald's physical appearance actually represents historical facts. The tall stature of Harald is also substantiated by a story that relates that before the Battle of Stamford Bridge, Harold Godwinson offered Tostig back the earldom of Northumbria, and Harald "six feet of the ground of England, or perhaps more seeing that he is taller than most men" (according to Henry of Huntingdon) or "six feet of English ground, or seven feet as he was taller than other men" (according to Snorri Sturluson).Harald himself composed skaldic poetry. According to Lee M. Hollander, composing poetry was normal for Norwegian kings, but Harald was the only one who "showed a decided talent." According to one poem, Harald had mastered a number of activities that were considered sports in the Viking Age, in addition to poetry, brewing, horse riding, swimming, skiing, shooting, rowing and playing the harp. The sagas state that Harald and his Varangians at least once took a break during the siege of a town to enjoy sports.With regards to religion, Harald had, according to DeVries, a "religious inclination towards Christianity" and was "publicly close to the Christian Church", although he was influenced by the Eastern Christian culture of Kievan Rus' (Garderike) and the Byzantine Empire, having spent most of his life there. He was clearly interested in advancing Christianity in Norway, which can be seen by the continued building and improvement of churches throughout his reign. Despite this, DeVries notes that Harald's "personal morality appears not to have matched the Christian ideal", citing his marriage arrangements. Issue Harald married Elisiv of Kiev (c. 1025 – after 1066) around 1044/45, and they had an unknown number, possibly several children. According to Snorri Sturluson, they had two daughters: Ingegerd (c. 1050 – c. 1120). Married first to the future Olaf I of Denmark, and after his death, to the future Philip of Sweden. Maria (died 25 September 1066). Promised away for marriage to Eystein Orre (brother of Tora Torbergsdatter), but reportedly died on Orkney the same day that Harald (and Eystein) died at Stamford Bridge.According to the sagas, Harald married Tora Torbergsdatter (c. 1025 – after 1066) around 1048. Some modern historians have disputed this, since Harald in that case would be in a bigamous marriage, as he was still married to Elisiv. It is nonetheless possible that such a marriage could take place in Norway in the 11th century, and although Harald had two wives, only Elisiv is noted to have held the title of Queen. Harald and Tora had at least two children: Magnus II (c. 1049 – c. 1069). Reigned as king of Norway from 1066 to 1069. Olaf III (c. 1050 – c. 1093). Reigned as king of Norway from 1067 to 1093. Legacy Burial A year after his death at Stamford Bridge, Harald's body was moved to Norway and buried at the Mary Church in Nidaros (Trondheim). About a hundred years after his burial, his body was reinterred at the Helgeseter Priory, which was demolished in the 17th century. On 25 September 2006, the 940th anniversary of Harald's death, the newspaper Aftenposten published an article on the poor state of Norway's ancient royal burial sites, including that of Harald, which is reportedly located underneath a road built across the monastery site. In a follow-up article on 26 September, the Municipality of Trondheim revealed they would be examining the possibility of exhuming the king and reinterring him in Nidaros Cathedral, currently the burial place of nine Norwegian kings, among them Magnus the Good and Magnus Haraldsson, Harald's predecessor and successor respectively. A month later it was reported that the proposal to exhume the king had been scrapped. Modern memorials Two monuments have been erected in honour of Harald in Oslo, the city which he is traditionally held to have founded. A bronze relief on granite by Lars Utne depicting Harald on horseback was raised on the eponymously named square Harald Hardrådes plass in 1905. In 1950, a large relief by Anne Grimdalen, also of Harald on horseback, was unveiled on the western façade of the Oslo City Hall. In popular culture Harald appears in a number of historical fiction books. In H. P. Lovecraft's novella The Call of Cthulhu, one key character "lay in the Old Town of King Harold Haardrada, which kept alive the name of Oslo during all the centuries that the greater city masqueraded as 'Christiana'." Justin Hill's Viking Fire is the second in his Conquest Trilogy, and tells the life of Harald in his own voice. He serves as the protagonist in two children's books by Henry Treece, The Last of the Vikings/The Last Viking (1964) and Swords from the North/The Northern Brothers (1967). He also appears as the protagonist in the trilogy The Last Viking (1980) by Poul and Karen Anderson, and in Byzantium (1989) by Michael Ennis, which chronicles Harald's career in the Byzantine Empire. The alternative history book Crusader Gold (2007) by marine archeologist David Gibbins features Harald as a key figure, as it follows him in acquiring the lost Menorah among his treasures during his service in the Byzantine Varangian Guard. Harald also makes an appearance in Meadowland (2005) by Tom Holt. Harald's unorthodox departure from Constantinople is featured in music by the Finnish folk metal band Turisas in the song "The Great Escape"; in addition, he is followed loosely throughout the story of the albums The Varangian Way (2007) and Stand Up and Fight (2011). Harald is a playable character in the Mobile/PC Game Rise of Kingdoms. Harald is a playable character as "Harald Hardrada" in the turn-based strategy PC Game Civilization VI. He is a leader presenting the Norwegian civilization. Harald is depicted in Netflix drama series Vikings: Valhalla. His role is played by English actor Leo Suter. Explanatory footnotes Citations General sources Barlow, Frank (1970). Edward the Confessor. University of California. ISBN 978-0520016712. Beeler, John (1971). Warfare in Feudal Europe: 730–1200. Cornell University. ISBN 978-0-8014-9120-7. Bibikov, Mikhail (2004). "Byzantine Sources for the History of Balticum and Scandinavia". In Volt, Ivo; Päll, Janika (eds.). Byzanto-Nordica. Tartu, Estonia: Tartu University. ISBN 9949-11-266-4. Blöndal, Sigfús (2007). Benedikz, Benedikt S. (ed.). The Varangians of Byzantium. Cambridge University. ISBN 978-0-521-21745-3. DeVries, Kelly (1999). The Norwegian Invasion of England in 1066. Boydell & Brewer Ltd. ISBN 978-0-85115-763-4. DeVries, Kelly (2008). "Medieval mercenaries: methodology, definitions and problems". In France, John (ed.). Mercenaries and paid men: the mercenary identity in the middle ages: proceedings of Conference held at University of Wales, Swansea, 7th–9th july 2005. Brill. p. 58. ISBN 978-90-04-16447-5. DeVries, Kelly (2001). Harold Godwinson in Wales: Military Legitimacy in Late Anglo-Saxon England in The Normans and their Adversaries at War: Essays in Memory of C. Warren Hollister (Warfare in History). Boydell Press. ISBN 978-0851158471. Gravett, Christopher; Nicolle, David (2007). The Normans: Warrior Knights and Their Castles. Osprey. ISBN 978-1-84603-218-9. Henriksen, Vera (2011). Dronningsagaen; Kongespeil [Queen's Day; King's Mirror] (in Norwegian). Aschehoug. ISBN 978-8203350788. Hjardar, Kim; Vike, Vegard (2011). Vikinger i krig (in Norwegian). Spartacus. ISBN 978-82-430-0475-7. Jakobsson, Sverrir (2008). "The Schism that never was: Old Norse views on Byzantium and Russia". Byzantinoslavica. Slovanský ústav Akademie věd ČR, v. v. i. and Euroslavica. pp. 173–188. Moseng, Ole Georg; et al. (1999). Norsk historie: 750–1537 (in Norwegian). Vol. I. Aschehoug. ISBN 978-82-518-3739-2. van Nahl, Jan Alexander (2016). "The Medieval Mood of Contingency. Chance as a Shaping Factor in Hákonar saga góða and Haralds saga Sigurðarsonar". Mediaevistik, International Journal of Interdisciplinary Medieval Research 29. pp. 81–97. Schive, C. I. (1865). Norges Mynter i Middelalderen (in Norwegian). Christiania: H. Tønsberg. Skaare, Kolbjørn (1995). Norges mynthistorie: mynter og utmyntning i 1000 år, pengesedler i 300 år, numismatikk i Norge (in Norwegian). Vol. 1. Universitetsforlaget. ISBN 82-00-22666-2. Stenton, F. M. (1971). Anglo-Saxon England. Oxford History of England. Vol. II (3rd ed.). Oxford: Clarendon Press-Oxford University Press. ISBN 978-0-19-821716-9. Sverre, Bagge (1990). "Harald Hardråde i Bysants. To fortellinger, to kulturer". In Andersen; Øivind; Hägg, Tomas (eds.). Hellas og Norge: kontakt, komparasjon, kontrast : en artikkelsamling (in Norwegian). University of Bergen. pp. 169–192. ISBN 82-991411-3-3. Thunberg, Carl L. (2012). Att tolka Svitjod [To interpret Svitjod] (in Swedish). Göteborgs universitet, CLTS. ISBN 978-91-981859-4-2. Tjønn, Halvor (2010). Harald Hardråde. Sagakongene (in Norwegian). Saga Bok/Spartacus. ISBN 978-82-430-0558-7. External links Haraldr Sigurðarson's arrival in Rus' and his participation in the campaign against Poland in 1031 Saga of Harald Hardrade by Snorri Sturluson (c. 1230), English translation Ágrip (af Nóregskonungasögum) (c. 1180s), in Old Norse with English translation An Account of the Ancient History of the Norwegian Kings by Theodoric the Monk (c. 1180), English translation Morkinskinna (c. 1220s), in Old Norse Fagrskinna (c. 1220s), in Old Norse Flateyjarbók (14th/15th century), in Icelandic

doc_3

Passage 1: The Museums at Washington and Chapin The Museums at Washington and Chapin are several museums that share a campus in South Bend, Indiana. The name is derived from the location, at the corner of Washington Street and Chapin Street in South Bend. Both museums have one common entrance off Thomas Street, one block south of Washington Street. The museums currently include the History Museum and Studebaker National Museum. External links Studebaker National Museum The History Museum Passage 2: William P. Didusch Center for Urologic History The William P. Didusch Center for Urologic History is a museum and the headquarters of the American Urological Association in Linthicum, Maryland. It is described as encompassing "a rich and varied collection of drawings, photographs, and instruments of historical importance to urology, many displayed in the urological exhibits during the American Urological Association (AUA) conventions." Background The center is named in honor of William Didusch, the museum's founder and first curator. Didusch was a notable scientific illustrator, and Executive Secretary of the AUA. Didusch had begun working at Johns Hopkins University in 1915 as an illustrator and eventually a lecturer. Didusch was an artist but more committed to the drawing of illustrations, rather than paintings, of anatomy. As result he became a legend during his time after his work in Johns Hopkins Hospital. Some of his many illustrations were those of the anatomy of the urinary tract and instruments used to treat the urinary diseases. The museum was formally established in 1971 as the William P. Didusch Museum, following Didusch's gift to the American Urological Association of his many original urological drawings. It was accommodated within the headquarters buildings of the AUA, then on Charles Street in Baltimore. Didusch curated the museum until his death in 1981, when he was succeeded by Herbert Brendler. After Brendler's death in 1986, William W. Scott (a colleague of Nobel Laureate Charles Huggins at the University of Chicago) became curator of the museum. When Scott retired in 1993, the post of curator went to Rainer Engel of Johns Hopkins. In 2003 – when the AUA moved to Linthicum, Maryland – the museum also moved. Its scope was extended to relate to the topic of research in urologic history. Engel remained curator until 2011, when Michael Moran took over the position. Collection The museum provides 300 years of the history of urology, beginning from early and extremely dangerous kidney stone surgeries to modern ultra sound treatments that "pulverizes these jagged mineral clumps without any need to enter the body". It includes illustrations, urological tools such as catheters, cystoscopes (includes Nitze cystoscopes made in 1890 with platinum loops for illumination and rotating cystoscopes), operating resectoscopes, laparoscopes, lithotriptors, and resectoscopes; some of this urologic equipment was sterilized using formaldehyde or cyanide. All was donated by urologists, including Ernest F. Hock of Binghamton, New York, Hans Reuter of Stuttgart, Germany and Adolf A. Kutzmann of Los Angeles.The Center also aids research in all fields of urologic history in the United States. It contains an extensive urological library, with early urological and medical texts, and the AUA archives.Current AUA Historian Engel considers the museum to show how medical history in urology evolved, and notes that the implements on display frequently scare visitors. Amongst its items are "long, thick metal tubes that once opened the floodgates between some unfortunate soul's bladder and the outside world", lassoes and nutcrackers on the end of steel tubes to break bladder stones, and Hugh Hampton Young's "Prostate Punch", which resembles a "massively enlarged and curved hypodermic needle designed for the blind resection of prostate tissues", used in prostate surgery (to ream out the tube of prostate tissue blindly); this last implement was used on the wealthy railway magnate Diamond Jim Brady, who—cured of a prostate problem—gave a generous donation to Johns Hopkins which enabled the establishment of the Brady Urological Institute and also the museum.A number of very large mineral samples of kidney stones are also on display. The collection in the museum also includes more than 30 microscopes dating as far back as the 18th century, along with operating manuals; this acquisition on loan from a German urology family.A popular display is the "spermatorrhea ring", a device from the early 20th century used to prevent ejaculations while sleeping. It is made of a double ring of metal, with the inner ring clipped over the penis and the outer ring, which is lined on the inside with an armature of blunt metal teeth, on the shaft. These teeth constitute what could be called the "medically active ingredient". In the event of voluntary unknowing erection while sleeping, "the sensitive skin of the engorged part expands against the spiky outer ring, and the sleeper is pricked into consciousness in time to prevent nature from committing an unspeakable crime against itself". Passage 3: Lake City-Columbia County Historical Museum Lake City-Columbia County Historical Museum is a living history museum at the May Vinzant Perkins House in Lake City, Florida. History The Lake City-Columbia County Historical Museum is located in the Vinzant House. The house was built in the 1880s and purchased by John Vinzant Jr. for $450. Vinzant had come to Lake City after serving in the American Civil War as a sergeant in the 1st Florida Cavalry. Vinzant was the Columbia County Clerk of the Circuit Court and County Tax Collector. Vinzant also contributed to the Florida Agricultural College Fund when it was established about 1 mile south from the house in 1888. Vinzant was married to Mattie Vinzant and had three daughters: Cronin Ives, Birdie Livingston and May Perkins. John Vinzant died in 1907. Vinzant's youngest daughter May Perkins was married to Herbert Perkins and moved away to Washington, D.C. In 1912 May Perkins had a son but he died in infancy and then her husband died shortly afterwards. May Perkins returned to her father's house in Lake City. May Perkins' mother Mattied died in 1926 leaving her to live alone at the house until her death in 1981 at 102 years old. Perkins became a notable Lake City poet and historian. Since the death of Perkins in 1981 the house is still called the May Vinzant Perkins house. The Historic Preservation Board of Lake City and Columbia County jointly bought the house with the Blue-Grey Army, Inc. in 1983. The two groups wanted to restore the house and make it a historical and cultural center as well as a museum. The house was renovated in 1984 by the Blue-Grey Army to turn the May Vinzant Perkins house into a museum as well as to save the house from being demolished since it was in poor condition. In 2000 a plaque was placed on the front of the house commemorating May Vinzant Perkins as a notable Floridian.Lake City holds an annual Battle of Olustee festival in downtown. Events are held at the Lake City-Columbia County Museum related to civil war history such as caring for wounded civil war soldiers or performing plays in relation to the civil war. Due to the COVID-19 pandemic the museum had to close from March to the second week of May 2020. Blue-Grey Army The Blue-Grey Army is an organization that has collected civil war artifacts and annually sponsors the Battle of Olustee Festival in Lake City. The organization jointly bought the Vinzant house with the Lake City Columbia County Historical Society. A room in the museum holds the Blue-Grey Army's civil war artifacts and is called the Blue-Grey Army room. Gallery Passage 4: Historical Museum of Serbia The Historical Museum of Serbia (Serbian: Историјски музеј Србије/Istorijski muzej Srbije, IMUS) is a public institution dedicated to documentation of history of Serbia from prehistory up to the present. The museum was established in 1963 and today it preserves over 35,000 exhibits in its collection. Over the years the museum was located at different locations around the capital city of Belgrade. In 2020, as a part of the Belgrade Waterfront development project, the museum was granted the historical building of the Belgrade Main railway station as its new permanent base. The museum is one of the leading institutions of its kind in the city and the country. History The first unsuccessful initiative to establish the museum was taken in 1950 with the enactment of the Decree on the establishment of the History Museum of the People's Republic of Serbia. The proposal was reinitiated in 1954 with the establishment of the Serbian Revolution Museum (hosted by the Residence of Prince Miloš) commemorating the 150th anniversary of the First Serbian Uprising.The Historical Museum of Serbia was established by the decision of the People's Republic of Serbia authorities on 20 February 1963 with the new institution absorbing the Serbian Revolution Museum. The task of the Museum was defined in 1966 as follows: ″to collect, record, store, arrange, study and exhibit material from the history of the Serbian people and Serbia from the earliest times to the present day″.Until 2003 the museum published the scientific journal Zbornik Istorijskog muzeja Srbije. Initially, from 1954 to 1965, it was published by the Serbian Revolution Museum.In November 2020 the Serbian government made the decision to relocate the museum to a far bigger building, which formerly served as Belgrade Main railway station. See also List of museums in Serbia Passage 5: Museum of the Sea (Uruguay) The Museum of the Sea, opened in 1996, is a museum of natural history located in La Barra, in the department of Maldonado, Uruguay. It occupies about 2,300 m2 (25,000 sq ft) and is divided into four large halls, which are open to the public all year round. Overview The museum contains over 5,000 specimens of marine fauna, all of which are clearly labelled. Among these specimens are whale skeletons, sea urchins, starfish and turtle shells. In addition, there are old photographs and an old bathing machine used by women in the early days of the 20th century, as well as telescopes and blunderbusses of the period. There is also an exhibit about the most famous pirates. This huge collection of objects, exhibits, photographs and stories is the work of the museum's creator, Pablo Etchegaray. This self-taught collector began his collection of marine-related items many years ago. Exhibit halls The Museum of the Sea is composed of four museums in one. In the Museum of the Sea, everything is related to marine life: whale skeletons, seashells, a deep sea room, interactive exhibits, an area where children can draw their own pictures, a section devoted to pirates and another to treasure. The Beach Resort Museum shows the history of holiday resorts, some of which are now city neighbourhoods, such as Pocitos and Carrasco, while others are tourist destinations, such as Punta del Este, La Paloma, Piriápolis, Atlántida, Mar del Plata and Copacabana. The Nostalgia Museum holds collections of vintage objects such as jars, tins, radio sets, medical remedies, photographs, and beach-related items such as beach umbrellas and pails that were used decades ago. Three collections and 38,000 specimens of insects are exhibited in the Insectarium. Most of the specimens are beetles, but there are also moths, cicadas, and grasshoppers, among other species. Passage 6: Joliet Area Historical Museum The Joliet Area Historical Museum is a historical museum located in Joliet, Illinois. The museum documents the history of Joliet and surrounding Will County. Description and history The museum adaptively reuses an urban space formerly occupied by the Ottawa Street Methodist Church, which was designed by Joliet architect G. Julian Barnes and built in 1909. Located on one of the alternate paths of old historic U.S. Route 66, the museum's modern ground-floor addition features the Route 66 Welcome Center, which presents a permanent exhibit called the Route 66 Experience. This newer part of the museum also connects to the historic Joliet Chamber of Commerce Clubhouse next door (now known as the Renaissance Center of the City Center campus of Joliet Junior College) and to the JJC Renaissance Center's main dining room, which is staffed by the college's hospitality and culinary school students and open to the public.During the late 20th century, formerly rural Will County townships grew rapidly, while properties in central city Joliet were threatened. In 2002, the former church's urban space was reconfigured as a historic museum. A separate wing is home to an exhibit about the Joliet-raised NASA engineer and JJC graduate John C. Houbolt, honored as the chief conceptualizer of the lunar orbit rendezvous segment of the U.S. Apollo program and the use of a lunar module to shuttle astronauts to and from the surface of the Moon.The museum is located at 204 N. Ottawa Street in central Joliet. An admission fee is charged.As of 2014, the museum was seeking to establish guided tours of the landmark former Collins Street Prison for Route 66 travelers and other interested tourists. As of 2018, the museum began providing tours of the Collins Street Prison. Passage 7: Aalborg Historical Museum Aalborg Historical Museum (Danish: Aalborg Historiske Museum) is a historical and cultural museum in the city of Aalborg in Denmark. The museum was established in 1863 and is now part of The Historical Museum of Northern Jutland (Nordjyllands Historiske Museum). History Aalborg Historical Museum was organized to explain the history of the city and the surrounding region for the past 1000 years. It was established in 1863, making it one of the earliest provincial museums in Denmark. The present museum was constructed in 1878 and expanded in the early 1890s to house the growing collection of items from the region's earliest inhabitants to modern times. Aalborg Historical Museum has rotating exhibitions from its large collections and is particularly noted for its fine silver and glass collections. The museum also has a large collection of clothing and textiles items from the 18th century to the present. Of particular interest is the Aalborgstuen 1602. This well-preserved Renaissance paneled wooden room is claimed to be 'The best preserved middle class Renaissance interior' in Denmark. In the 1950s Aalborg Historical Museum, conducted a series of archaeological excavations at Iron Age and Viking sites in the area, including Lindholm Høje, resulting ultimately in Lindholm Høje Museet at Lindholm Høje.In 1994 and 1995 the museum conducted excavations at the site of the former Greyfriars Friary (gråbrødrekloster) in central Aalborg. The excavations resulted in the creation of the "in situ" underground Gråbrødrekloster Museum (Gråbrødrekloster Museet). Recent history In 2004 several organizations banded together to form The Historical Museum of Northern Jutland. The museum system is administered by a 12-member committee made of members from the constituent organizations which make up the museum. These include: The Museum Society of Hadsund, the Museum Society for Hals Kommune, the Aalborg History Association, the North Jutland Association of Archaeology for Jutland, the Historical Community of Himmerland and Kjaer District, and the Cultural Historic Society of North Jutland. The umbrella organization coordinates research, outreach programs, educational programs, as well as manages the many properties in North Jutland which have been preserved by the various organizations. Gallery Passage 8: Halifax Historical Museum The Halifax Historical Museum displays local history from 5,000 BC to the present day in a National Register of Historic Places listed building designed by Wilbur B. Talley in Daytona Beach, Florida, United States. The museum is housed in the former Merchants Bank building (1910), added to the U.S. National Register of Historic Places on January 6, 1986. It is located at 252 South Beach Street. Passage 9: National Historical Museum, Athens The National Historical Museum (Greek: Εθνικό Ιστορικό Μουσείο, Ethnikó Istorikó Mouseío) is a historical museum in Athens. Founded in 1882, is the oldest of its kind in Greece. It is located in the Old Parliament House at Stadiou Street in Athens, which housed the Hellenic Parliament from 1875 until 1932. A branch of the National History Museum has been organized and operated there since 2001. Collections The museum houses the collection of the Historical and Ethnological Society of Greece (IEEE), founded in 1882. It is the oldest collection of its kind in Greece, and prior to its transfer to the Old Parliament, it was housed in the main building of the National Technical University. The collection contains historical items concerning the period from the capture of Constantinopolis by the Ottomans in 1453 to the Second World War, emphasizing especially the period of the Greek Revolution and the subsequent establishment of the modern Greek state. Among the items displayed are weapons, personal belongings and memorabilia from historical personalities, historical paintings by Greek and foreign artists, manuscripts, as well as a large collection of traditional Greek costumes from various regions. The collection is displayed in the corridors and rooms of the building, while the great central hall of the National Assembly is used for conferences. Passage 10: White River Valley Museum White River Valley Museum is a historical museum located in Auburn, Washington. History Created through the combined effort of the City of Auburn and the White River Valley Historical Society, the White River Valley Museum has been open to the public as far back as January 1996. Since then, the museum has published a monthly newsletter, "White River Journal", while working to preserve regional historical artifacts and sites, including the Mary Olsen Farm. In 2001, the White River Valley Museum applied for and received the Mary Olson Farm's placement onto the National Register of Historic Places. Mission The White River Valley Museum's mission statement is: "The White River Valley Museum is a partnership with the city of Auburn and combines history and culture to create an exciting and educational experience for visitors." Exhibits The White River Valley Museum has both permanent exhibits and four temporary exhibits per year. The museum's collections focus on local Puget Sound history, Northwest Indian culture, Japanese-Americans, and the Northern Pacific Railroad. 1924 Auburn Depot - visitors can view and experience the Northern Pacific Railroad depot and caboose. 1915 Japanese Farmhouse - teaches visitors about the Iseri Family of Thomas Washington, including picture brides, Buddhist home altars, and life on truck farms. Downtown Auburn in the 1920s - includes the Auburn Public Market and the Auburn Hat Shop with replica hats that museum visitors may handle. Muckleshoot Indian Tribe (the original settlers of the region) - includes a c 1890 river canoe display and a scale model of a winter house. Northern Clay Company, aka Gladding, McBean - illustrates the architectural terra cotta of Seattle and Tacoma, and the clay industry of the Green River Valley, the Auburn laborers, and Vienna designers. Tourist Hotel of 1924 - illustrates Auburn as a boom town in the 1920s and includes photos of the 1924 mayor Otto Bersch and a conductor for the Northern Pacific Railroad.Examples of the museum's temporary exhibits include "On Track": a collection of railroad photographs of Warren McGee taken between the 1930s and 1970s, and a collection of Auburn "Our Story" Videos covering a variety of regional historical topics. Collections The White River Valley Museum's collections include the historic site Mary Olson's Farm, as well as an archive of the monthly museum publication "White River Journal". The museum's photograph collection contains thousands of regional historic images dating between 1894 and 1982, while the museum's small research library holds books, diaries and regional newspapers from the same period. The museum also has an extensive collection of regional artifacts from both historic Auburn and its people, as well as objects from regional Native American tribes, including the Salish and Muckleshoot.

doc_4

Passage 1: The Rebel Gladiators The Rebel Gladiators (Italian: Ursus il gladiatore ribelle/ Ursus, the Rebel Gladiator) is a 1962 Italian peplum film directed by Domenico Paolella starring Dan Vadis, Josè Greci and Alan Steel. Plot The newly crowned emperor Commodus kidnaps the beautiful Arminia, who happens to be betrothed to the mighty gladiator Ursus. Obsessed with a desire to physically best all other men, he uses the girl as a hostage to force Ursus to fight him in the arena, but when Ursus beats him up and actually forces the dictator to beg for his life, he accuses Ursus of being in league with a group of usurpers who oppose Commodus' tyrannical rule. Ursus finally leads a slave revolt that overthrows Commodus, who is killed in the uprising, and Ursus is reunited with Arminia. Cast Dan Vadis as Ursus Josè Greci as Arminia Alan Steel as Commodo/Commodus Tullio Altamura as Antonino Nando Tamberlani as Marco Aurelio Gloria Milland Gianni Santuccio as Emilio Leto Sal Borghese as gladiator Bruno Scipioni Andrea Aureli as gladiator instructor Carlo Delmi as Settimio Passage 2: Voice of Free China The Voice of Free China (Chinese: 自由中國之聲; pinyin: Zìyóu Zhōngguó Zhīshēng) was the international broadcasting station of the Republic of China from 1949 until 1998. During the Cold War era the station was the source of Chinese Nationalist propaganda largely aimed at discrediting the People's Republic of China and buttressing the Nationalists' claims to be the sole legitimate government of all of China. The Voice of Free China, for many years, was owned by the Broadcasting Corporation of China. This was a private company under a government contract to provide public radio programming. The BCC still exists today, but in 1998 the Voice of Free China and the government-owned Central Broadcasting System merged. With the easing of cross-strait relations and the liberalization of Taiwan's government, the Voice of Free China changed its name to Radio Taipei International in 1998 and also used the name "Voice of Asia" for some broadcasts. In 2003, it became Radio Taiwan International reflecting the defeat of the Kuomintang government in 2000 and the new government's orientation towards Taiwan independence from China. Today, this station is now known as Radio Taiwan International. See also Propaganda in the Republic of China Passage 3: Ellen Bass Ellen Bass (born June 16, 1947) is an American poet and author. She has won three Pushcart Prizes and a Lambda Literary Award for her 2002 book Mules of Love. She co-authored the 1991 child sexual abuse book The Courage to Heal. She received a fellowship from the National Endowment for the Arts in 2014 and was elected a chancellor of the Academy of American Poets in 2017. Bass has taught poetry at Pacific University and founded poetry programs for prison inmates. Life Bass grew up in Pleasantville, New Jersey, where her parents owned a liquor store. Her family later moved to Ventnor City, New Jersey. She attended Goucher College, where she graduated magna cum laude in 1968 with a bachelor's degree. She pursued a master's degree in creative writing at Boston University, where she studied with Anne Sexton, and graduated in 1970. From 1970 to 1974, Bass worked at Project Place, a social service center in Boston.From 1983 to 2003, she worked in the field of healing from childhood sexual abuse: writing the best-selling The Courage to Heal in 1991, developing training seminars for professionals, offering workshops for survivors, and lecturing to mental health professionals nationally and internationally. She is a co-founder of the Survivors Healing Center in Santa Cruz, a non-profit organization offering services to survivors of child sexual abuse. Bass has taught poetry at the low-residency Master of Fine Arts program at Pacific University in Oregon since 2007. She has taught workshops in Santa Cruz, California since 1974 and also nationally. In 2013, she founded the Poetry Program at the Salinas Valley State Prison, which offers a weekly workshop to incarcerated men. In 2014, she also founded the Santa Cruz Poetry Project, which offers six weekly workshops to men and women incarcerated in the Santa Cruz County jails. Among Bass' poetry books are Indigo, (2020) which was a finalist for the Paterson Poetry Prize, the Publishers Triangle Award and the Northern California Book Award; Like a Beggar (2014), which was a finalist for the Paterson Poetry Prize, the Publishing Triangle Award, the Milt Kessler Poetry Award, the Lambda Literary Award, and the Northern California Book Award; The Human Line (2007), and Mules of Love (2002), which won the Lambda Literary Award. Her poems have been published widely in journals and anthologies, including the New Yorker, the American Poetry Review, the Kenyon Review, and Ploughshares.Her nonfiction books include I Never Told Anyone: Writings by Women Survivors of Child Sexual Abuse (HarperCollins, 1983), Free Your Mind: The Book for Gay, Lesbian and Bisexual Youth and Their Allies (HarperCollins, 1996), and The Courage to Heal: A Guide for Women Survivors of Child Sexual Abuse (HarperCollins, 1988, 2008), which has been translated into twelve languages.In 2017, Bass was elected as a Chancellor of the Academy of American Poets.Bass was named the Santa Cruz County Artist of the Year in 2019. Bass lives in Santa Cruz, California with her wife, Janet Bryer. She has two children, Saraswati Bryer-Bass and Max Bryer-Bass. Awards Bass was awarded the Elliston Book Award for Poetry from the University of Cincinnati, Nimrod/Hardman's Pablo Neruda Prize, The Missouri Review’s Larry Levis Award, the Greensboro Poetry Prize, the New Letters Poetry Prize, the Chautauqua Poetry Prize, four Pushcart Prizes (2003, 2015, 2017), Fellowships from The Guggenheim Foundation, The National Endowment for the Arts, and the California Arts Council.Indigo, (2020) was a finalist for the Paterson Poetry Prize, the Publishers Triangle Award and the Northern California Book Award. Like a Beggar (Copper Canyon Press, 2014) was a finalist for the Paterson Poetry Prize, the Publishing Triangle Award, the Milt Kessler Poetry Award, the Lambda Literary Award, and the Northern California Book Award. The Human Line (Copper Canyon Press, 2007) was named among the notable books of 2007 in the poetry section by the San Francisco Chronicle, and Mules of Love (BOA Editions, 2002) won the 2002 Lambda Literary Award. Published works Poetry I'm not your laughing daughter. University of Massachusetts Press. 1973. ISBN 9780870231285. No More Masks! An Anthology of Poems by Women. Co-edited with Florence Howe. Doubleday. 1973. ISBN 9780385025539.{{cite book}}: CS1 maint: others (link) Of Separateness and Merging. Autumn Press, 1977. ISBN 978-0394734309. For Earthly Survival. A letter press chapbook, Moving Parts Press, 1980. Our Stunning Harvest. New Society Publishers, 1984. ISBN 978-0865710535. Mules of Love. BOA Editions. 2002. ISBN 9781929918225. The Human Line. Copper Canyon Press. 2007. ISBN 9781556592553. Like A Beggar. Copper Canyon Press. 2014. ISBN 9781556594649. Indigo. Copper Canyon Press. 2020. ISBN 9781556595752. Nonfiction I Never Told Anyone: Writings by Women Survivors of Child Sexual Abuse. Co-authored with Louise Thornton and others. Harper Collins. 1991 [1983]. ISBN 9780060965730.{{cite book}}: CS1 maint: others (link) The Courage to Heal: A Guide for Women Survivors of Child Sexual Abuse. Co-authored with Laura Davis. Harper Collins. 2008 [1988]. ISBN 9780061284335.{{cite book}}: CS1 maint: others (link) Beginning to Heal: A First Book for Men and Women Who Were Sexually Abused as Children. Co-authored with Laura Davis. Harper Collins. 2003 [1993]. ISBN 9780062270597.{{cite book}}: CS1 maint: others (link) Free Your Mind: The Book for Gay, Lesbian and Bisexual Youth—and Their Allies. Co-authored with Kate Kaufman. Harper Collins. 1996. ISBN 9780060951047.{{cite book}}: CS1 maint: others (link) Children's books I Like You to Make Jokes with Me, But I Don't Want You to Touch Me. Lollipop Power Books/Carolina Wren Press. 1993 [1981]. ISBN 9780914996279. Passage 4: The Wonderful World of Captain Kuhio The Wonderful World of Captain Kuhio (クヒオ大佐, Kuhio Taisa, lit. "Captain Kuhio") is a 2009 Japanese comedy-crime film, directed by Daihachi Yoshida, based on Kazumasa Yoshida's 2006 biographical novel, Kekkon Sagishi Kuhio Taisa (lit. "Marriage swindler Captain Kuhio"), that focuses on a real-life marriage swindler, who conned over 100 million yen (US$1.2 million) from a number of women between the 1970s and the 1990s.The film was released in Japan on 10 October 2009. Cast Masato Sakai - Captain Kuhio Yasuko Matsuyuki - Shinobu Nagano Hikari Mitsushima - Haru Yasuoka Yuko Nakamura - Michiko Sudo Hirofumi Arai - Tatsuya Nagano Kazuya Kojima - Koichi Takahashi Sakura Ando - Rika Kinoshita Masaaki Uchino - Chief Fujiwara Kanji Furutachi - Shigeru Kuroda Reila Aphrodite Sei Ando Awards At the 31st Yokohama Film Festival Best Actor – Masato Sakai Best Supporting Actress – Sakura Ando Passage 5: Chlorox, Ammonium and Coffee Chlorox, Ammonia and Coffee (Norwegian: Salto, salmiakk og kaffe) is a 2004 Norwegian comedy film written and directed by Mona J. Hoel, starring Benedikte Lindbeck, Kjersti Holmen and Fares Fares. The film follows multiple storylines, and is about having the courage to take chances in life. External links Chlorox, Ammonium and Coffee at IMDb Chlorox, Ammonium and Coffee at Rotten Tomatoes Chlorox, Ammonium and Coffee at Filmweb.no (in Norwegian)Chlorox, Ammonium and Coffee! at the Norwegian Film Institute Passage 6: Free China: The Courage to Believe Free China: The Courage to Believe is a 2012 documentary film (61 minutes) about the persecution of Falun Gong, starring Jennifer Zeng and Dr. Charles Lee. Description The film is based on a true story of a mother and former Communist Party member, Jennifer Zeng, who along with more than 70 million Chinese were practicing Falun Gong, a belief that combined Buddhism and Daoism until the Chinese Government outlawed it. The Internet police intercepted an email and Jennifer was imprisoned for her faith. As she endured physical and mental torture, she had to decide: does she stand her ground and languish in jail, or does she recant her belief so she can tell her story to the world and be reunited with her family?A world away, Dr. Charles Lee, a Chinese American businessman, wanted to do his part to stop the persecution by attempting to broadcast uncensored information on state controlled television. He was arrested in China and sentenced to three years of re-education in a prison camp where he endured forced labor, making amongst other things, Homer Simpson slippers sold at stores throughout the US.With more than one hundred thousand protests occurring each year inside China, unrest among Chinese people is building with the breaking of each political scandal. As China's prisoners of conscience are subjected to forced labor and possibly organ harvesting, but at this time it is unconfirmed. This timely documentary exposes profound issues such as genocide and unfair trade practices with the West. The film also highlights how new Internet technologies are helping bring freedom to more than 1.3 billion people living in China and other repressive regimes throughout the world. Interviewees in the film Jennifer Zeng - author of Witnessing History: One Chinese Woman’s Fight for Freedom Dr. Charles Lee - Chinese American businessman and labor camp survivor David Kilgour - human rights investigator and former Canadian Secretary of State (Asia-Pacific) Chris Smith - US Congressman and chair of the Congressional-Executive Commission on China Ethan Gutmann - China analyst, human rights investigator, author of The Slaughter: Mass Killings, Organ Harvesting, and China's Secret Solution to Its Dissident Problem and Losing The New China: A Story of Commerce, Desire, and Betrayal. Contributor for The Wall Street Journal Asia Awards and other information The film won awards at 8 film festivals, including American INSIGHT's 2012 Free Speech Film Festival and WorldFest's 2012 Film Festival. The film was produced and directed by awarding winning filmmakers Kean Wong and Michael Perlman. The film has screened at over 700 private venues including the UK, European and Israeli parliaments and the US Congress. The film will be available in over 20 languages by the end of 2014.The soundtrack, trailers, and DVDs of the film are available on the Free China website. The most recent screenings of the film were on 5–7 December 2014 in Taiwan.The online premiere was on 3 February 2015. See also Persecution of Falun Gong Documentaries about the Persecution of Falun Gong Organ harvesting from Falun Gong practitioners in China Passage 7: The Rebel Set The Rebel Set is a 1959 American crime drama film in black and white directed by Gene Fowler Jr. It was later featured and riffed on Mystery Science Theater 3000 in Season 4. Plot summary Mr. Tucker (Platt), proprietor of a Los Angeles coffee house, hires three down-on-their-luck classic beatnik patrons: out-of-work actor John Mapes (Palmer); struggling writer Ray Miller (Lupton); and George Leland (Sullivan), the wayward son of movie star Rita Leland, to participate in an armored car robbery to take place during a four-hour stopover in Chicago during the trio's train trip from Los Angeles to New York. Mapes' worried wife Jeanne (Crowley) joins him on the train, concerned about his not having had a job in more than a year. Tucker and his henchman Sidney (Glass) fly ahead to set up the robbery, which goes off without a hitch. John, Ray and George take the train to Chicago. George shoots out a tire on the armored truck. Then Sidney drives a car into the truck. As the security guards get out to check the accident, John and Ray drive up disguised as policemen in a police car. The three guards are tied up and the almost one million dollars is transferred into the fake police car. The five then drive off to another site to bury their clothes, guns and other crime gear. The money is placed into a gift box and entrusted to George. The men continue on the train to New York. Tucker promised the three $200,000 apiece. However, once back on the train, Leland's greed gets the better of him and he decides to keep all of the money for himself. John and Ray go to talk to him but find him murdered with a suicide note left behind. Tucker has disguised himself as a man of the cloth and is on the train. He double crosses the trio, first eliminating Leland and Miller next, leaving Mapes as the only one left to stop Tucker from getting away with murder and keeping the entire haul. John confesses to his wife Jeanne his role in the robbery. When the cops board the train in Newark to investigate the Leland murder, John confesses. Tucker jumps from the train with the money and Mapes chases after him. Two cops chase and fire shots. Tucker and Mapes tangle all over and through the train railyard. Finally, Tucker falls onto an electric transformer and dies while Mapes surrenders to police. As Jeanne gives her husband a goodbye hug, movie star Rita Leland waits for her son George to arrive on the train, unaware that he is dead. Cast Soundtrack External links The Rebel Set at IMDb The Rebel Set is available for free viewing and download at the Internet Archive Passage 8: Free China The term "Free China" may mean: Free China (Second Sino-Japanese War), areas of China not under the control of the invading Imperial Japanese Army Free area of the Republic of China, a term used by the ROC government to contrast itself with the People's Republic of China and avoid acknowledging their control over mainland China; often shortened to "Free China" and used in contrast to "Red China" Free China Journal, a former publication of the government of the Republic of China (Taiwan) Free China (junk) (zh:自由中國號), a Chinese junk boat The Free China Movement, a coalition of about 30 pro-democracy and human rights organizations promoting democracy in China Free China: The Courage to Believe a 2012 American film Free China Relief Association, a non-governmental organization See also Nationalist China (disambiguation) Red China (disambiguation) Communist China (disambiguation) Passage 9: Land of Make Believe Land of Make Believe or The Land of Make Believe may refer to: Music "Land of Make Believe" (Easybeats song), 1968 Land of Make Believe (Chuck Mangione album), 1973 Land of Make Believe (Kidz in the Hall album), 2010 "The Land of Make Believe", a 1980 song by Bucks Fizz "The Land of Make-Believe", a song by R. Nelson, U. Ray, D. Alex recorded by Fats Domino "The Land of Make Believe", a song by R. Miller and A. Miller, performed by Diana Ross and the Supremes from The Never-Before-Released Masters "The Land of Make-Believe", a song by The Moody Blues from the Seventh Sojourn album "(In the) Land of Make Believe", a song written by Burt Bacharach & Hal David and sung by The Drifters, Dionne Warwick, Dusty Springfield and others Other Land of Make Believe (amusement park), an amusement park in Hope Township, New Jersey, United States Land of Makebelieve, a former amusement park in Upper Jay, New York, United States The Neighborhood of Make-Believe, a segment on the children's television program Mister Rogers' Neighborhood Passage 10: Do You Believe? Do You Believe? or Do You Believe may refer to: "Do You Believe?" (The Beatnuts song) "Do You Believe" (Julie-Anne Dineen song) "Do You Believe" (Maurice Williams song) Do You Believe? (film) Do You Believe? (Cher tour) "Believe" (Cher song) See also Do You Believe in Magic (disambiguation)

doc_5

Passage 1: Bill Smith (footballer, born 1897) William Thomas Smith (9 April 1897 – after 1924) was an English professional footballer. Career During his amateur career, Smith played in 17 finals, and captained the Third Army team in Germany when he was stationed in Koblenz after the armistice during the First World War. He started his professional career with Hull City in 1921. After making no appearances for the club, he joined Leadgate Park. He joined Durham City in 1921, making 33 league appearances in the club's first season in the Football League.He joined York City in the Midland League in July 1922, where he scored the club's first goal in that competition. He made 75 appearances for the club in the Midland League and five appearances in the FA Cup before joining Stockport County in 1925, where he made no league appearances. Passage 2: Thomas Scott (diver) Thomas Scott (1907 - date of death unknown) was an English diver. Boxing He competed in the 10 metre platform at the 1930 British Empire Games for England. Personal life He was a police officer at the time of the 1930 Games. Passage 3: Fred Bradley (rower) Frederick Bradley (1908 – date of death unknown) was an English rower. Rowing He competed in the single sculls at the 1930 British Empire Games for England and won a bronze medal. Personal life He was listed as having no occupation at the time of the 1930 Games. Passage 4: Parimala Nagappa Parimala Nagappa is a politician from the state of Karnataka and wife of Late H. Nagappa. Parimala was elected as M.L.A from Hanur constituency on a Janata Dal (Secular) ticket in the 2004 Karnataka assembly elections. On 16 March 2017, she joined the Bharatiya Janata Party. Passage 5: Albert Thompson (footballer, born 1912) Albert Thompson (born 1912, date of death unknown) was a Welsh footballer. Career Thompson was born in Llanbradach, Wales, and joined Bradford Park Avenue from Barry Town in 1934. After making 11 appearances and scoring two goals in the league for Bradford, he joined York City in 1936. He was York City's top scorer for the 1936–37 season, with 28 goals. He joined Swansea Town in 1937, after making 29 appearances and scoring 28 goals for York. After making 4 appearances in the league for Swansea, he joined Wellington Town. == Notes == Passage 6: Harry Wainwright (footballer) Harry Wainwright (born 1899; date of death unknown) was an English footballer. Career Wainwright played for Highfields before joining Port Vale as an amateur in December 1919. After making his debut in a 1–0 defeat at Barnsley on Boxing Day he signed as a professional the following month. He was unable to nail down a regular place however, and was released at the end of the season with just four appearances to his name.He returned to Highfields before moving on to Doncaster Rovers where he scored in their return to football following WW1, in the 2–1 defeat to Rotherham Town in the Midland League. He scored two more goals that season, and none the following season.He then went to Brodsworth Main, Frickley Colliery, Sheffield United, Boston Town, Scunthorpe & Lindsey United and Newark Town. Career statistics Source: Passage 7: Etan Boritzer Etan Boritzer (born 1950) is an American writer of children’s literature who is best known for his book What is God? first published in 1989. His best selling What is? illustrated children's book series on character education and difficult subjects for children is a popular teaching guide for parents, teachers and child-life professionals.Boritzer gained national critical acclaim after What is God? was published in 1989 although the book has caused controversy from religious fundamentalists for its universalist views. The other current books in the What is? series include: What is Love?, What is Death?, What is Beautiful?, What is Funny?, What is Right?, What is Peace?, What is Money?, What is Dreaming?, What is a Friend?, What is True?, What is a Family?, and What is a Feeling? The series is now also translated into 15 languages. Boritzer was first published in 1963 at the age of 13 when he wrote an essay in his English class at Wade Junior High School in the Bronx, New York on the assassination of John F. Kennedy. His essay was included in a special anthology by New York City public school children compiled and published by the New York City Department of Education. Boritzer now lives in Venice, California and maintains his publishing office there also. He has helped numerous other authors to get published through How to Get Your Book Published! programs. Boritzer is also a yoga teacher who teaches regular classes locally and guest-teaches nationally. He is also recognized nationally as an erudite speaker on The Teachings of the Buddha. Passage 8: Harry Johnson (wrestler) Harry Johnson (born 1903, date of death unknown) was an English wrestler. Wrestling He competed in the welterweight category at the 1930 British Empire Games for England. Personal life He was a turner at the time of the 1930 Games and lived in 31 Kambala Road, Battersea. Passage 9: H. Nagappa H. Nagappa was a Janata Dal (United) political leader, two term member of the Karnataka Legislative Assembly and minister for agricultural marketing in the J. H. Patel cabinet.He was abducted by forest brigand Veerappan and his gang members on 25 August 2002 from the Kamagere village of Chamarajanagar district. On 8 December 2002, Nagappa was killed by Veerappan or his gang members or by Tamil nadu police at Changadi forest area near M. M. Hills bordering the state of Tamil Nadu.who killed him is a mystery . Passage 10: Theodred II (Bishop of Elmham) Theodred II was a medieval Bishop of Elmham. The date of Theodred's consecration unknown, but the date of his death was sometime between 995 and 997.

doc_6

Passage 1: Brian Kennedy (gallery director) Brian Patrick Kennedy (born 5 November 1961) is an Irish-born art museum director who has worked in Ireland and Australia, and now lives and works in the United States. He was the director of the Peabody Essex Museum in Salem for 17 months, resigning December 31, 2020. He was the director of the Toledo Museum of Art in Ohio from 2010 to 2019. He was the director of the Hood Museum of Art from 2005 to 2010, and the National Gallery of Australia (Canberra) from 1997 to 2004. Career Brian Kennedy currently lives and works in the United States after leaving Australia in 2005 to direct the Hood Museum of Art at Dartmouth College. In October 2010 he became the ninth Director of the Toledo Museum of Art. On 1 July 2019, he succeeded Dan Monroe as the executive director and CEO of the Peabody Essex Museum. Early life and career in Ireland Kennedy was born in Dublin and attended Clonkeen College. He received B.A. (1982), M.A. (1985) and PhD (1989) degrees from University College-Dublin, where he studied both art history and history. He worked in the Irish Department of Education (1982), the European Commission, Brussels (1983), and in Ireland at the Chester Beatty Library (1983–85), Government Publications Office (1985–86), and Department of Finance (1986–89). He married Mary Fiona Carlin in 1988.He was Assistant Director at the National Gallery of Ireland in Dublin from 1989 to 1997. He was Chair of the Irish Association of Art Historians from 1996 to 1997, and of the Council of Australian Art Museum Directors from 2001 to 2003. In September 1997 he became Director of the National Gallery of Australia. National Gallery of Australia (NGA) Kennedy expanded the traveling exhibitions and loans program throughout Australia, arranged for several major shows of Australian art abroad, increased the number of exhibitions at the museum itself and oversaw the development of an extensive multi-media site. Although he oversaw several years of the museum's highest ever annual visitation, he discontinued the emphasis of his predecessor, Betty Churcher, on showing "blockbuster" exhibitions. During his directorship, the NGA gained government support for improving the building and significant private donations and corporate sponsorship. However, the initial design for the building proved controversial generating a public dispute with the original architect on moral rights grounds. As a result, the project was not delivered during Dr Kennedy's tenure, with a significantly altered design completed some years later. Private funding supported two acquisitions of British art, including David Hockney's A Bigger Grand Canyon in 1999, and Lucian Freud's After Cézanne in 2001. Kennedy built on the established collections at the museum by acquiring the Holmgren-Spertus collection of Indonesian textiles; the Kenneth Tyler collection of editioned prints, screens, multiples and unique proofs; and the Australian Print Workshop Archive. He was also notable for campaigning for the construction of a new "front" entrance to the Gallery, facing King Edward Terrace, which was completed in 2010 (see reference to the building project above). Kennedy's cancellation of the "Sensation exhibition" (scheduled at the NGA from 2 June 2000 to 13 August 2000) was controversial, and seen by some as censorship. He claimed that the decision was due to the exhibition being "too close to the market" implying that a national cultural institution cannot exhibit the private collection of a speculative art investor. However, there were other exhibitions at the NGA during his tenure, which could have raised similar concerns. The exhibition featured the privately owned Young British Artists works belonging to Charles Saatchi and attracted large attendances in London and Brooklyn. Its most controversial work was Chris Ofili's The Holy Virgin Mary, a painting which used elephant dung and was accused of being blasphemous. The then-mayor of New York, Rudolph Giuliani, campaigned against the exhibition, claiming it was "Catholic-bashing" and an "aggressive, vicious, disgusting attack on religion." In November 1999, Kennedy cancelled the exhibition and stated that the events in New York had "obscured discussion of the artistic merit of the works of art". He has said that it "was the toughest decision of my professional life, so far."Kennedy was also repeatedly questioned on his management of a range of issues during the Australian Government's Senate Estimates process - particularly on the NGA's occupational health and safety record and concerns about the NGA's twenty-year-old air-conditioning system. The air-conditioning was finally renovated in 2003. Kennedy announced in 2002 that he would not seek extension of his contract beyond 2004, accepting a seven-year term as had his two predecessors.He became a joint Irish-Australian citizen in 2003. Toledo Museum of Art The Toledo Museum of Art is known for its exceptional collections of European and American paintings and sculpture, glass, antiquities, artist books, Japanese prints and netsuke. The museum offers free admission and is recognized for its historical leadership in the field of art education. During his tenure, Kennedy has focused the museum's art education efforts on visual literacy, which he defines as "learning to read, understand and write visual language." Initiatives have included baby and toddler tours, specialized training for all staff, docents, volunteers and the launch of a website, www.vislit.org. In November 2014, the museum hosted the International Visual Literacy Association (IVLA) conference, the first Museum to do so. Kennedy has been a frequent speaker on the topic, including 2010 and 2013 TEDx talks on visual and sensory literacy. Kennedy has expressed an interest in expanding the museum's collection of contemporary art and art by indigenous peoples. Works by Frank Stella, Sean Scully, Jaume Plensa, Ravinder Reddy and Mary Sibande have been acquired. In addition, the museum has made major acquisitions of Old Master paintings by Frans Hals and Luca Giordano.During his tenure the Toledo Museum of Art has announced the return of several objects from its collection due to claims the objects were stolen and/or illegally exported prior being sold to the museum. In 2011 a Meissen sweetmeat stand was returned to Germany followed by an Etruscan Kalpis or water jug to Italy (2013), an Indian sculpture of Ganesha (2014) and an astrological compendium to Germany in 2015. Hood Museum of Art Kennedy became Director of the Hood Museum of Art in July 2005. During his tenure, he implemented a series of large and small-scale exhibitions and oversaw the production of more than 20 publications to bring greater public attention to the museum's remarkable collections of the arts of America, Europe, Africa, Papua New Guinea and the Polar regions. At 70,000 objects, the Hood has one of the largest collections on any American college of university campus. The exhibition, Black Womanhood: Images, Icons, and Ideologies of the African Body, toured several US venues. Kennedy increased campus curricular use of works of art, with thousands of objects pulled from storage for classes annually. Numerous acquisitions were made with the museum's generous endowments, and he curated several exhibitions: including Wenda Gu: Forest of Stone Steles: Retranslation and Rewriting Tang Dynasty Poetry, Sean Scully: The Art of the Stripe, and Frank Stella: Irregular Polygons. Publications Kennedy has written or edited a number of books on art, including: Alfred Chester Beatty and Ireland 1950-1968: A study in cultural politics, Glendale Press (1988), ISBN 978-0-907606-49-9 Dreams and responsibilities: The state and arts in independent Ireland, Arts Council of Ireland (1990), ISBN 978-0-906627-32-7 Jack B Yeats: Jack Butler Yeats, 1871-1957 (Lives of Irish Artists), Unipub (October 1991), ISBN 978-0-948524-24-0 The Anatomy Lesson: Art and Medicine (with Davis Coakley), National Gallery of Ireland (January 1992), ISBN 978-0-903162-65-4 Ireland: Art into History (with Raymond Gillespie), Roberts Rinehart Publishers (1994), ISBN 978-1-57098-005-3 Irish Painting, Roberts Rinehart Publishers (November 1997), ISBN 978-1-86059-059-7 Sean Scully: The Art of the Stripe, Hood Museum of Art (October 2008), ISBN 978-0-944722-34-3 Frank Stella: Irregular Polygons, 1965-1966, Hood Museum of Art (October 2010), ISBN 978-0-944722-39-8 Honors and achievements Kennedy was awarded the Australian Centenary Medal in 2001 for service to Australian Society and its art. He is a trustee and treasurer of the Association of Art Museum Directors, a peer reviewer for the American Association of Museums and a member of the International Association of Art Critics. In 2013 he was appointed inaugural eminent professor at the University of Toledo and received an honorary doctorate from Lourdes University. Most recently, Kennedy received the 2014 Northwest Region, Ohio Art Education Association award for distinguished educator for art education. == Notes == Passage 2: Only the Lonely (film) Only the Lonely is a 1991 American romantic comedy-drama film written and directed by Chris Columbus, produced by John Hughes, and stars John Candy, Maureen O'Hara (in her final film role), Ally Sheedy and Anthony Quinn. The film is a comedic take on the premise established in the 1953 television play Marty and the 1955 film Marty, while the title comes from the song "Only the Lonely" by Roy Orbison. The story follows a bachelor who is looking to settle down and start a family with a mortuary beautician, while coping with his controlling mother who wants him all to herself. Plot Danny Muldoon, a 38-year-old Chicago policeman, lives with his controlling Irish mother, Rose Muldoon. A lonely bachelor, he falls in love with Theresa Luna, an introverted girl who works in her father's funeral home. On their first date, they have a picnic on Comiskey Park field. Dating becomes difficult as Rose fears Theresa is trying to steal her son away. Danny's brother Patrick tries to convince him to remain unmarried and move to Florida with their mother to take care of her; Salvatore "Sal" Buonarte, one of Danny's married friends and a fellow officer, advises him not to settle down just yet, as he did. Danny begins to feel guilty about his relationship, especially towards his mother. This leads to his interrupting dates with Theresa to check on her. When Theresa finally meets Rose at a fancy dinner, Rose immediately begins to put her down, mocking her Sicilian and Polish heritage. Theresa stands up to her, then berates Danny for not doing so himself. After Theresa leaves, Danny scolds his mother for being so cruel, saying that her way of "telling it like it is" hurts people. He reminds her she lost a $450,000 account for his late father's company by making anti-Semitic remarks. He then tells Rose he will propose to Theresa, whether she approves or not. Danny apologizes to Theresa, proposing to her from the bucket of a Chicago fire truck. She says yes and they are set to be married. However, even though Rose finally approves, Danny calls to check on his mother in front of Theresa on the night before the wedding. Angered that they might never be alone, she walks off. Neither of them show up for the wedding. A few weeks later, Danny's friends ask why they called off the wedding, but he gives no answer. When a friend named Doyle suddenly passes away, alone with no wife or children, Danny realizes he doesn't want to end up that way. Finally, the day Danny and Rose are scheduled to move to Florida, Danny tells Rose that he can't let Theresa go because she's the best thing that ever happened to him. Reluctant at first, Rose finally goes to Florida without him, telling him to get married, have a family and be happy. Danny then goes to the funeral home, looking for Theresa. However, her father tells him that she left for New York City by train. Danny contacts the railroad station manager, who stops the train at a station outside the city. There, Danny apologizes to Theresa and proclaims his love for her. He tells her that he will move to New York with her and join the NYPD. Having no more guilt about his mother, they board the train for New York to live the rest of their lives together. Throughout the film, the Muldoons' Greek neighbor, Nick Acropolis — who has been encouraging Danny to pursue Theresa — attempts to woo Rose. She initially resists, but as she gradually softens her stance regarding Danny's relationship with Theresa, she ultimately warms to Nick, who takes Danny's place on the flight to Florida with her. Cast John Candy as Officer Daniel "Danny" Muldoon, Chicago Police Department Maureen O'Hara as Rose Muldoon Ally Sheedy as Theresa Luna Anthony Quinn as Nick Acropolis James Belushi as Officer Salvatore "Sal" Buonarte, Chicago Police Department Kevin Dunn as Patrick Muldoon Macaulay Culkin as Billy Muldoon Kieran Culkin as Patrick Muldoon, Jr. Milo O'Shea as Doyle Bert Remsen as Spats Joe Greco as Joey Luna Production Casting Chris Columbus wrote the part of Rose specifically for Maureen O'Hara, but did not know that she had retired from acting and was living in the Virgin Islands. Columbus contacted O'Hara's younger brother Charles B. Fitzsimons, a producer and actor in the film industry, to ask him to send O'Hara a copy of the script, which he did, telling her, "This you do!". O'Hara read the script and loved it. She was reported to have replied to Fitzsimons, "This I do!". However, she would not commit until she met co-star John Candy. Co-star Jim Belushi recounted this story: On the set of Only the Lonely, the producers stuck Maureen O’Hara in a tiny trailer. When John Candy complained on her behalf, he was told the budget was being spent on the picture, not on accommodations for old movie stars. Candy responded by giving O'Hara his trailer and going without one until the studio finally caved in and got a trailer for each actor. John Hughes co-produced the film. This movie marked Macaulay Culkin's third film with Hughes and Candy (after Home Alone and Uncle Buck). Other than New Port South, it was the only film Hughes produced that he did not write. Filming Most of the film was shot on location in Chicago. Danny and Rose Muldoon's house is located at the intersection of Clark Street and Roscoe Street, as is the front façade of O'Neils' Pub. The inside of the pub was shot at Emmett's Pub, a Chicago landmark that was also used in Uncle Buck, another film with John Candy. At the request of producer John Hughes (a Chicagoan and big fan of the Chicago White Sox) and sports fan John Candy, the baseball stadium where Danny and Theresa's first date took place was arranged to be set at old Comiskey Park (home of the Chicago White Sox until 1990). Hughes hastily arranged the filming, as the stadium was slated to be torn down imminently. There is also a shot showing old Comiskey Park and the new Guaranteed Rate Field, the current home of the White Sox, under construction next door. Comiskey Park was located at the corner of 35th St. and Shields Ave., on the South Side of Chicago. The scene where Danny and Theresa kiss along Lake Michigan is located at Lincoln Park, Chicago, and the dinner scene was shot at One Ambassador East, also known as the Ambassador East Hotel, located at 1301 North State Parkway in Chicago's Gold Coast. The church scenes were filmed at St. John Cantius Church in West Town on 825 N Carpenter St. The final scene with Danny and Theresa was shot at the Amtrak station in Niles, Michigan, which was renamed to Willoughby and decorated with Christmas lights for the filming. Music Roy Orbison's song "Only the Lonely" is played in its entirety in the movie's opening scene. "Someone Like You" by Van Morrison is played during one of Danny and Theresa's dates. "Dreams to Remember" by Etta James is played, also in its entirety. Also, "Pachelbel's Canon" is played briefly during the wedding scene. The film's original music was composed and conducted by Maurice Jarre. The soundtrack album was released by Varèse Sarabande, featuring 28 minutes of Jarre's score and the songs "Only the Lonely" and "Someone Like You." Reception On Rotten Tomatoes, the film has an approval rating of 65% based on reviews from 23 critics, with an average rating of 6/10. On Metacritic, the film has a weighted average score of 47 out of 100 based on 21 critics, indicating "mixed or average reviews". Audiences polled by CinemaScore gave the film an average grade of "B+" on an A+ to F scale.Entertainment Weekly gave it a grade C. Passage 3: Now Where Did the 7th Company Get to? Now Where Did the 7th Company Get To? (French: Mais où est donc passée la septième compagnie?) is a 1973 French-Italian comedy war film directed by Robert Lamoureux. The film portrays the adventures of a French Army squad lost somewhere on the front in May 1940 during the Battle of France. Plot During the Battle of France, while German forces are spreading across the country, the 7th Transmission Company suffers an air raid near the Machecoul woods, but survive and hide in the woods. Captain Dumont, the company commander, sends Louis Chaudard, Pithiviers and Tassin to scout the area. After burying the radio cable beneath a sandy road, the squad crosses the field, climbs a nearby hill, and takes position within a cemetery. One man cut down the wrong tree for camouflage, pulling up the radio cable and revealing it to the passing German infantry. The Germans cut the cable, surround the woods, and order a puzzled 7th Company to surrender. The squad tries to contact the company, but then witness their capture and run away. Commanded by Staff Sergeant Chaudard, the unit stops in a wood for the night. Pithiviers is content to slow down and wait for the end of the campaign. The next day, he goes for a swim in the lake, in sight of possible German fighters. When Chaudard and Tassin wake up, they leave the camp without their weapons to look for Pithiviers. Tassin finds him and gives an angry warning, but Pithiviers convinces Tassin to join him in the lake. Chaudard orders them to get out, but distracted by a rabbit, falls into the lake. While Chaudard teaches his men how to swim, two German fighter planes appear, forcing them out of the water. After shooting down one of the German planes, a French pilot, Lieutenant Duvauchel, makes an emergency landing and escapes before his plane explodes. PFC Pithiviers, seeing the bad shape of one of his shoes, destroys what is left of his shoe sole. Tassin is sent on patrol to get food and a new pair of shoes for Pithiviers. Tassin arrives in a farm, but only finds a dog, so he returns and Chaudard goes to the farm after nightfall. The farmer returns with her daughter-in-law and Lt Duvauchel, and she welcomes Chaudard. Duvauchel, who is hiding behind the door, comes out upon hearing the news and decides to meet Chaudard's men. When Chaudard and Duvauchel return to the camp, Tassin and Pithiviers are roasting a rabbit they caught. Duvauchel realizes that Chaudard has been lying and takes command. The following day, the men leave the wood in early morning and capture a German armored tow truck after killing its two drivers. They originally planned to abandon the truck and the two dead Germans in the woods, but instead realized that the truck is the best way to disguise themselves and free the 7th Company. They put on the Germans' uniforms, recover another soldier of the 7th Company, who succeeded in escaping, and obtain resources from a collaborator who mistook them for Germans. On their way, they encounter a National Gendarmerie patrol, who appear to be a 5th column. The patrol injures the newest member of their group, a young soldier, and then are killed by Tassin. In revenge, they destroy a German tank using the tow truck's cannon gun. They planned to go to Paris but are misguided by their own colonel, but find the 7th Company with guards who are bringing them to Germany. Using their cover, they make the guards run in front of the truck, allowing the company to get away. When Captain Dumont joins his Chaudard, Tassin, and Pithiviers in the truck, who salute the German commander with a great smile. Casting Jean Lefebvre : PFC Pithiviers Pierre Mondy : Staff Sergent Paul Chaudard Aldo Maccione: PFC Tassin Robert Lamoureux: Colonel Blanchet Erik Colin: Lieutenant Duvauchel Pierre Tornade: Captain Dumont Alain Doutey: Carlier Robert Dalban : The peasant Jacques Marin: The collaborationist Robert Rollis: A French soldier Production The film's success spawned two sequels:– 1975 : On a retrouvé la septième compagnie (The Seventh Company Has Been Found) by Robert Lamoureux; – 1977 : La Septième Compagnie au clair de lune (The Seventh Company Outdoors)) by Robert Lamoureux.The story is set in Machecoul woods, but it was actually filmed near Cerny and La Ferté-Alais, as well as Jouars-Pontchartrain and Rochefort-en-Yvelines. The famous grocery scene was filmed in Bazoches-Sur-Guyonne. Robert Lamoureux based this film on his own personal experiences in June 1940 during the war. The final scene with the parachute is based on a true story. The 58 Free French paratroopers were parachuted into Brittany in groups of three, on the night of 7 June 1944 to neutralize the rail network of Normandy Landings in Brittany, two days before. Box office The movie received a great success in France reaching the third best selling movie in 1974. Notes External links Mais où est donc passée la septième compagnie? at IMDb Passage 4: Jerrod Bettis Jerrod Bettis is an American music producer, composer, and musician. Bettis has composed songs for Adele, The Lonely Island, Melissa Etheridge, KJ-52, Serena Ryderand more. He has also produced work for artists including Hilary Duff, Gavin DeGraw, Needtobreathe, Birdy, Melissa Etheridge, and The Lonely Island. Bettis has been nominated for an Emmy Award in 2011 for his work on The Lonely Island's "I Just Had Sex". Passage 5: Chris Columbus (filmmaker) Chris Joseph Columbus (born September 10, 1958) is an American filmmaker. Born in Spangler, Pennsylvania, Columbus studied film at Tisch School of the Arts where he developed an interest in filmmaking. After writing screenplays for several teen comedies in the mid-1980s, he made his directorial debut with a teen adventure, Adventures in Babysitting (1987). Columbus gained recognition soon after with the highly successful Christmas comedy Home Alone (1990) and its sequel Home Alone 2: Lost in New York (1992). The comedy Mrs. Doubtfire (1993), starring Robin Williams, was another box office success for Columbus. He went on to direct several other films throughout the 1990s, which were mostly met with lukewarm reception. However, he found commercial success again for directing the film adaptations of J. K. Rowling's novels, Harry Potter and the Sorcerer's Stone (2001) and its sequel, Harry Potter and the Chamber of Secrets (2002), which are his highest-grossing films to date. In addition to directing, Columbus was a producer for Harry Potter and the Prisoner of Azkaban (2004), and the drama The Help (2011). He also directed the fantasy Percy Jackson & the Olympians: The Lightning Thief (2010) and the 3D action comedy Pixels (2015). Columbus is the co-founder of 1492 Pictures, a film production company that has produced some of his films since 1995. More recently, he co-founded another production firm with his daughter in 2014, called Maiden Voyage Pictures. In 2017, he launched ZAG Animation Studios, alongside Michael Barnathan, Haim Saban, and Jeremy Zag. Columbus is also known for his collaboration with composer John Williams, with whom he had worked on the films Home Alone and Harry Potter. Early life Columbus was born in Spangler, Pennsylvania, and raised in Champion, Ohio, the only child born to Mary Irene (née Puskar), a factory worker, and Alex Michael Columbus, an aluminum plant worker and coal miner. He is of Italian and Czech descent. As a child, he enjoyed drawing storyboards and began making 8mm films in high school.After graduating from John F. Kennedy High School in Warren, Ohio, he went on to study at New York University's film school at the Tisch School of the Arts, where he was a schoolmate of screenwriter Charlie Kaufman and Alec Baldwin. Although he received a scholarship, he forgot to renew it and was forced to take a factory job to pay for schooling. While on shifts, he secretly worked on a 20-page screenplay, which one of his teachers would later use to help him get an agent. Columbus now states that the experience "saved my life" and he was able to acknowledge "the terrifying reality I faced of having to live and work in that factory for the rest of my life in that town if I didn't make it".In 1980, while at NYU, Columbus directed a short film entitled I Think I'm Gonna Like It Here that was later noticed by Steven Spielberg. I Think I'm Gonna Like It Here was preserved by the Academy Film Archive in 2014. Film career 1984–1990: Early success Columbus' professional career began in the early 1980s, as a writer for the screenplay of Reckless (1984). Columbus later said, "it wasn't my best work. I intended it to be semi-biographical ... and the film was based on my attempts to break free. But the director turned it into a clumsy teen sex drama and the experience was so degrading." Dissatisfied, Columbus conceived a new screenplay whilst living in an apartment loft, a comedy-horror titled Gremlins (1984). In late 1981, he eventually received a phone call from Steven Spielberg, who expressed an interest buying the script. Upon release, the film was a critical success. Columbus then moved to Los Angeles to work for Spielberg's Amblin Entertainment, writing more scripts including The Goonies and Young Sherlock Holmes (both 1985).After staying in Los Angeles for two years, he said, "There's an unreality to the place, a lack of connection with real people." He decided to move back to New York City. He wrote episodes for the animated series Galaxy High (1986) and received screenwriting credit for Little Nemo: Adventures in Slumberland (1989). Columbus then started his directing career with the teen comedy Adventures in Babysitting (1987). The film received mixed reviews from critics and was regarded as a "mediocre debut". Next, he wrote and directed Heartbreak Hotel (1988) which is a story about Elvis Presley being kidnapped and finding himself offering counsel and help to a small-town family. The film was a commercial failure at the box office and it also received mixed-to-negative reviews. In the late 1980s, fellow filmmaker John Hughes approached Columbus to direct Home Alone (1990), a comedy film written by Hughes, where eight-year-old Kevin McCallister must defend his home from two burglars. Columbus had left National Lampoon's Christmas Vacation before shooting started, because of a personality clash with actor Chevy Chase, who Columbus said treated him "like dirt". Columbus particularly enjoyed the Christmas theme of the Home Alone script and quickly accepted the offer. Subsequently, Columbus hired Macaulay Culkin, Joe Pesci, Daniel Stern, John Heard, and Catherine O'Hara as the principal cast. Filming took four months between February and May 1990 and the film was released to theaters on November 16, 1990, to commercial success. Home Alone grossed $285 million in North America and $190 million elsewhere for a worldwide $476.7 million, against a budget of $18 million. Nominated for two Academy Awards and two Golden Globe Awards, the film served as Culkin's breakthrough role. Dave Kehr of Chicago Tribune praised Hughes for writing recognizable characters, and Columbus for direction with "wit and warmth". Home Alone has since been regarded as a "classic" to watch during the holiday season. 1991–2000: Comedies and romances In 1991, Columbus wrote and directed the romantic comedy-drama Only the Lonely (1991), with John Hughes serving as co-producer. Starring John Candy, Maureen O'Hara, Ally Sheedy, and Anthony Quinn, the film depicts a Chicago policeman who must balance his loyalty between his mother and a shy funeral home employee, a loose adaptation of Marty. The film managed to garner some favourable reviews despite performing tepidly at the box office. In 1992, Columbus returned to direct a sequel to Home Alone, titled Home Alone 2: Lost in New York. Featuring the same principal cast of its predecessor, the plot takes place one year after the events of the first film. The film follows Kevin McCallister as he accidentally boards the wrong flight to New York City and finds himself confronted by the same two burglars. Home Alone 2: Lost in New York was released on November 20, 1992, to mixed reviews, but strong box office results, grossing $359 million worldwide. Janet Maslin for The New York Times wrote that "Home Alone 2 may be lazily conceived, but it is staged with a sense of occasion and a lot of holiday cheer. The return of Mr. Culkin in this role is irresistible, even if this utterly natural comic actor has been given little new to do. Mr. Pesci and Mr. Stern bring great gusto to their characters' stupidity".Columbus' next directorial feature was Mrs. Doubtfire (1993), an adaptation of Anne Fine's novel Alias Madame Doubtfire about an unemployed father who disguises himself as a nanny so he can spend time with his children. Starring Robin Williams, Sally Field and Pierce Brosnan, Williams was given creative freedom to improvise his lines, provoking amusement to all of the cast and crew. The film was released by 20th Century Fox in November 1993 to mixed and positive reception. Film review aggregator Rotten Tomatoes gave the film an approval rating of 72%, praising Williams. Roger Ebert calls Williams "a mercurial talent who loves to dart in and out of many different characters and voices", but thought Mrs. Doubtfire "has the values and depth of a sitcom". However, the film performed well at the box office, earning $441.3 million worldwide. The film also won the Academy Award for Best Makeup, Golden Globe Award for Best Actor and Golden Globe Award for Best Picture.In 1995, Columbus co-founded his own production company, 1492 Pictures, named after the year that Christopher Columbus reached the Americas; a pun on his own name. He then wrote and directed another film, a remake of the French film Neuf mois titled Nine Months (1995), which was produced by 1492 Pictures. A romantic comedy, Nine Months starred Hugh Grant, Julianne Moore, Tom Arnold, Joan Cusack, Jeff Goldblum, and Robin Williams. The story centers on a man who finds out that his longtime girlfriend is pregnant and has to change his lifestyle. Although the film was criticized for being "mismanaged", it was a commercial success, grossing $138.5 million at the box office. Columbus followed up on this effort with Stepmom (1998), a comedy-drama starring Julia Roberts, Susan Sarandon, and Ed Harris. Writing for the Los Angeles Times, Kenneth Turan praises Roberts and Harris' performances despite the script having a "tiny handful of honest moments". With an estimated budget of $50 million, the film grossed a healthy $159.7 million worldwide. Sarandon also earned a Golden Globe nomination for Best Actress in a Motion Picture Drama.Columbus reunited with Robin Williams for his next project, 1999's Bicentennial Man. Based on the novel The Positronic Man, by Isaac Asimov and Robert Silverberg, the film tells the story of a robot who becomes human-like and acquires emotions. The supporting cast included Sam Neill, Embeth Davidtz, Wendy Crewson, and Oliver Platt. The film was released on December 17, 1999, and was a commercial failure, grossing $87.4 million from a budget of $100 million. Critical response to the film were mixed, with Ben Falk of the BBC describing it as "the worst kind of movie – one with no direction, no identity, and above all no heart". Peter Stack of San Francisco Chronicle opined of the film, "It's a bit strange, and strained. More syrupy melodrama than comedy [...] doesn't have much of the usual Williams manic antics", but compliments the computer-generated imagery. Bicentennial Man was nominated for the Academy Award for Best Makeup at the 72nd Academy Awards. 2001–2010: Harry Potter and other film series After reading J. K. Rowling's 1997 fantasy novel Harry Potter and the Philosopher's Stone, Columbus expressed a strong desire to direct the film adaptation. In 2000, he convinced Warner Bros. to select him as director for it. The film is the first installment of the Harry Potter film series and was written by Steve Kloves and produced by David Heyman. The story follows Harry Potter's first year at Hogwarts School of Witchcraft and Wizardry and his self-discovery as a famous wizard. Columbus relocated to the United Kingdom with his family to focus on directing. Columbus said the casting process was "very intense", but Daniel Radcliffe, Rupert Grint, and Emma Watson were eventually picked for the lead roles. Filming began on September 29, 2000, and lasted for 180 days. The film premiered at the Odeon Leicester Square in London on November 4, 2001, to critical and commercial success, grossing $975.1 million worldwide. The film was praised for its sets, costumes, casting, musical score, cinematography and special effects. In addition, it was nominated for three Academy Awards for Best Original Score, Best Art Direction and Best Costume Design.In 2002, Columbus returned to direct the second installment, Harry Potter and the Chamber of Secrets (2002), based on Rowling's second novel. Featuring much of the same cast from the first film, the story follows Harry Potter's second year at the school when a chamber is opened unleashing a monster. Producer David Heyman said, "Fortunately, we benefited from the experience of the first film ... [the cast] have maintained their enthusiasm, sense of wonder". Columbus also opted to use more handheld cameras for freedom of movement. The film was released to theaters on November 15, 2002. Harry Potter and the Chamber of Secrets shared similar critical acclaim to the first film, and grossed $879 million worldwide. A. O. Scott of The New York Times observed that the film was long but praised it for the special effects and "thrilling" sequences. At the 2003 BAFTA Awards, the film garnered nominations for Best Production Design, Best Sound, and Best Special Visual Effects.In 2004, Columbus wrote and produced Christmas with the Kranks, a Christmas comedy based on the 2001 novel Skipping Christmas by John Grisham; the film was a box office success but received mostly negative reviews. In the same year, Columbus returned for the third installment of the Harry Potter series, Harry Potter and the Prisoner of Azkaban. Physically exhausted from the first two films, he decided not to direct but serve as producer alongside Heyman and director Alfonso Cuarón. The film premiered on May 31, 2004, in the United Kingdom to strong critical praise and earned $796.9 million worldwide. After returning to the United States in 2005, Columbus intended to produce a superhero film, Fantastic Four, but due to disagreements with director Tim Story, he was fired. Next, he directed 2005's Rent, a musical drama adapted from the 1996 Broadway musical of the same name. The film, starring six of the original Broadway cast members, depicts the lives of several Bohemians and their struggles living in East Village of New York City from 1989 to 1990. The film had mixed reviews and a poor box office performance.In 2006, Columbus served as a producer for Night at the Museum, a fantasy film based on the 1993 children's book of the same name by illustrator Milan Trenc, and is the first installment in the Night at the Museum series. The film stars Ben Stiller as Larry Daley, a father who applies for a job at the American Museum of Natural History and subsequently discovers that the exhibits come to life at night. Next, he served as an executive producer for Fantastic Four: Rise of the Silver Surfer (2007), a sequel to the first film which was also a commercial success. In 2009, he produced Night at the Museum: Battle of the Smithsonian, the second installment of the series. Despite mixed reviews, the film was a box office success, earning $413.1 million worldwide. That same year, he directed I Love You, Beth Cooper, a comedy starring Hayden Panettiere and Paul Rust, based on a novel by Larry Doyle. The film was released in July 2009 to negative reviews; Peter Travers of Rolling Stone wrote that Columbus "flattens every joke and sucks the life out of the actors", adding it is "super bad".Despite this setback, Columbus was hired by 20th Century Fox to direct Percy Jackson & the Olympians: The Lightning Thief (2010), which he also produced. The film is the first installment in the Percy Jackson series and is based on fantasy Greek mythology: the 2005 novel The Lightning Thief by Rick Riordan. Starring an ensemble led by Logan Lerman, the film received mixed reviews (and was panned by fans of the original series) but found box office success upon its release in February. The film grossed $226.4 million worldwide. Kenneth Turan of the Los Angeles Times described it as "unadventurous and uninteresting" and criticized screenwriter Craig Titley for changing the original story. The Toronto Star's Linda Barnard praised Columbus' ability to "woo a young audience" but thought the film lacked Harry Potter charm. 2011–present: Focus as a producer and Pixels As early as 2009, Variety magazine reported that Columbus, Michael Barnathan, and Mark Radcliffe were working on a film adaptation of Kathryn Stockett's novel The Help. Released in 2011, the film of the same name was directed by Tate Taylor with Columbus serving as producer. The film and novel recount the story of a young white aspiring journalist, Eugenia "Skeeter" Phelan, and her relationship with two black maids, Aibileen Clark and Minny Jackson, during the Civil Rights Movement. The film received critical and commercial success, earning $216.6 million worldwide. Roger Ebert described it as "involving and wonderfully acted", and Amy Biancolli of the San Francisco Chronicle called it "a film that makes us root for the good guys, hiss at the bad and convulse in laughter when good wreaks vengeance with a smile". At the 84th Academy Awards, Octavia Spencer won the Academy Award for Best Supporting Actress for her role. The film also received three other nominations: Best Picture, Best Actress and Best Supporting Actress. The film won the Screen Actors Guild Award for Outstanding Performance by a Cast in a Motion Picture.In 2013, Columbus co-authored the House of Secrets book series with Ned Vizzini. Shortly, Columbus returned to the Percy Jackson series, as an executive producer for the sequel titled Percy Jackson: Sea of Monsters. Directed by Thor Freudenthal, and starring much of the cast from the previous installment, the film grossed $200.9 million worldwide. However, it received a divided critical reaction. Columbus next produced Night at the Museum: Secret of the Tomb, the final installment in the Night at the Museum series. Released in December 2014, the film was a financial success, grossing $363.2 million at the box office. It was also Robin Williams' final film appearance before his death. In 2014, Columbus cofounded production company Maiden Voyage Pictures with his daughter, Eleanor. He also co-founded an animation studio called ZAG Animation Studios with Saban Capital Group and ZAG Entertainment.Columbus directed the science fiction comedy Pixels (2015). He first learned about the project from Adam Sandler; Columbus said "he gave me the Pixels script after we hit it off. My daughter read it and said, 'You have to read this movie. It's completely fun and unexpected'". The film is based on Patrick Jean's 2010 short film of the same name, which depicts aliens who attack the Earth in the form of arcade video games. Principal photography took three months in Toronto, after which computer-generated imagery and visual effects were then applied. Starring Sandler, Kevin James, Michelle Monaghan, Peter Dinklage, Josh Gad and Brian Cox, Pixels was met with mixed reviews but earned $244.9 million at the box office. Marjorie Baumgarten of The Austin Chronicle said the film is "flat-footed and grows tedious after the first hour" but praised the 3D effects which "enhances the action". Peter Travers of Rolling Stone gave the film one star out of four, calling it "a 3D metaphor for Hollywood's digital assault on our eyes and brains [...] relentless and exhausting".Also in 2015, Columbus served as a producer for three films: supernatural horror The Witch, Italian drama Mediterranea, and a comedy titled It Had to Be You. During 2016, Columbus produced small-scale and independent features. First, The Young Messiah, a fictional story of a seven-year-old Jesus who tries to discover the truth about his life when he returns to Nazareth from Egypt. Second, Tallulah, a comedy drama starring Elliot Page, Allison Janney, and Tammy Blanchard; the film is about a young woman who takes a baby from its negligent mother and pretends the child is her own. Tallulah premiered at the Sundance Film Festival on January 23, 2016 and was released on Netflix on July 29, 2016. In 2017, Columbus served as an executive producer for Menashe, and a producer for Patti Cake$ and I Kill Giants. Columbus also produced The Christmas Chronicles (2018), a family film directed by Clay Kaytis. In 2019, Columbus joined the producers of The Lighthouse, a film directed by Robert Eggers and starring Willem Dafoe and Robert Pattinson as two lighthouse keepers who lose their sanity. In 2018 it was announced that Columbus would serve as an executive producer for Scoob!, an animated adventure film featuring characters from the Scooby-Doo franchise; it was released on May 15, 2020. He has also directed The Christmas Chronicles 2, a sequel to the film he had co-produced. Upcoming projects Columbus has been attached as a director to upcoming films; a Hello Ghost remake was announced in 2011, while Melody and a Five Nights at Freddy's film adaptation were both announced in 2015. However, on September 29, 2021, Columbus officially backed out of his involvement of the Five Nights at Freddy's film. Speaking to Slashfilm in 2017, Columbus said he had written a script for Gremlins 3 which is currently in development. Filmmaking style Columbus' films are often grounded in stories about unconventional and dysfunctional families, and explore characters who lose their loved ones. He is regarded as a "sentimental" filmmaker due to his exploration of contemporary domesticity. "One of the themes I've always been fascinated by is a character facing the potential of losing their family and what that means," Columbus said in 2017. Columbus is also known for creating "emotionally vivid scenes", and admits that he is drawn to extreme emotions.Burhan Wazir of The Guardian states that Columbus prefers characters that are the "everyday American men, women, and children who struggle to uphold family traditions against a changing, sometimes intimidating society". In 1993, Columbus said: "I can understand the validity of showing people the ugliness of the world, but I also think there is a place for movies to leave people with a sense of hope. If your film isn't going to do that, I just don't think it's worth making". Culture website The Take opined that Columbus excels in creating heartwarming family films with untrained child actors, but found box office success without an "incredibly distinct cinematic style" to his work. Personal life Columbus married choreographer Monica Devereux in 1983. The couple have four children named Eleanor, Violet, Brendan, and Isabella. Eleanor had a non-speaking role as Susan Bones in the first two Harry Potter films which her father directed. The family reside in San Francisco. Columbus endorsed Democratic candidate Hillary Clinton in the 2016 United States presidential election. He is also a partner at Ocean Blue Entertainment, a creative content company focused on film production. Filmography Critical reception Below are the average ratings of Columbus's films provided by two review aggregator websites. See also Chris Columbus's unrealized projects Passage 6: Olav Aaraas Olav Aaraas (born 10 July 1950) is a Norwegian historian and museum director. He was born in Fredrikstad. From 1982 to 1993 he was the director of Sogn Folk Museum, from 1993 to 2010 he was the director of Maihaugen and from 2001 he has been the director of the Norwegian Museum of Cultural History. In 2010 he was decorated with the Royal Norwegian Order of St. Olav. Passage 7: Dana Blankstein Dana Blankstein-Cohen (born March 3, 1981) is the executive director of the Sam Spiegel Film and Television School. She was appointed by the board of directors in November 2019. Previously she was the CEO of the Israeli Academy of Film and Television. She is a film director, and an Israeli culture entrepreneur. Biography Dana Blankstein was born in Switzerland in 1981 to theatre director Dedi Baron and Professor Alexander Blankstein. She moved to Israel in 1983 and grew up in Tel Aviv. Blankstein graduated from the Sam Spiegel Film and Television School, Jerusalem in 2008 with high honors. During her studies she worked as a personal assistant to directors Savi Gabizon on his film Nina's Tragedies and to Renen Schorr on his film The Loners. She also directed and shot 'the making of' film on Gavison's film Lost and Found. Her debut film Camping competed at the Berlin International Film Festival, 2007. Film and academic career After her studies, Dana founded and directed the film and television department at the Kfar Saba municipality. The department encouraged and promoted productions filmed in the city of Kfar Saba, as well as the established cultural projects, and educational community activities. Blankstein directed the mini-series "Tel Aviviot" (2012). From 2016-2019 was the director of the Israeli Academy of Film and Television. In November 2019 Dana Blankstein Cohen was appointed the new director of the Sam Spiegel Film and Television School where she also oversees the Sam Spiegel International Film Lab. In 2022, she spearheaded the launch of the new Series Lab and the film preparatory program for Arabic speakers in east Jerusalem. Filmography Tel Aviviot (mini-series; director, 2012) Growing Pains (graduation film, Sam Spiegel; director and screenwriter, 2008) Camping (debut film, Sam Spiegel; director and screenwriter, 2006) Passage 8: The Seventh Company Outdoors The Seventh Company Outdoors (French: La Septième Compagnie au clair de lune) is a 1977 French comedy film directed by Robert Lamoureux. It is a sequel to Now Where Did the 7th Company Get to?. Cast Jean Lefebvre - Pithivier Pierre Mondy - Chaudard Henri Guybet - Tassin Patricia Karim - Suzanne Chaudard Gérard Hérold - Le commandant Gilles Gérard Jugnot - Gorgeton Jean Carmet - M. Albert, le passeur André Pousse - Lambert Michel Berto Passage 9: Peter Levin Peter Levin is an American director of film, television and theatre. Career Since 1967, Levin has amassed a large number of credits directing episodic television and television films. Some of his television series credits include Love Is a Many Splendored Thing, James at 15, The Paper Chase, Family, Starsky & Hutch, Lou Grant, Fame, Cagney & Lacey, Law & Order and Judging Amy.Some of his television film credits include Rape and Marriage: The Rideout Case (1980), A Reason to Live (1985), Popeye Doyle (1986), A Killer Among Us (1990), Queen Sized (2008) and among other films. He directed "Heart in Hiding", written by his wife Audrey Davis Levin, for which she received an Emmy for Best Day Time Special in the 1970s. Prior to becoming a director, Levin worked as an actor in several Broadway productions. He costarred with Susan Strasberg in "[The Diary of Ann Frank]" but had to leave the production when he was drafted into the Army. He trained at the Carnegie Mellon University. Eventually becoming a theatre director, he directed productions at the Long Wharf Theatre and the Pacific Resident Theatre Company. He also co-founded the off-off-Broadway Theatre [the Hardware Poets Playhouse] with his wife Audrey Davis Levin and was also an associate artist of The Interact Theatre Company. Passage 10: Ian Barry (director) Ian Barry is an Australian director of film and TV. Select credits Waiting for Lucas (1973) (short) Stone (1974) (editor only) The Chain Reaction (1980) Whose Baby? (1986) (mini-series) Minnamurra (1989) Bodysurfer (1989) (mini-series) Ring of Scorpio (1990) (mini-series) Crimebroker (1993) Inferno (1998) (TV movie) Miss Lettie and Me (2002) (TV movie) Not Quite Hollywood: The Wild, Untold Story of Ozploitation! (2008) (documentary) The Doctor Blake Mysteries (2013)

doc_7

Passage 1: George Alagiah George Maxwell Alagiah ( born 22 November 1955) is a British newsreader, journalist and television news presenter. Since 3 December 2007, he has been the presenter of the BBC News at Six and was previously the main presenter of GMT on BBC World News since its launch on 1 February 2010. Background Alagiah was born in Colombo, Ceylon on 22 November 1955. His parents, Donald Alagiah, an engineer, and Therese, were Sri Lankan Tamil. In 1961, his parents moved to Ghana in West Africa, where he had his primary education at Christ the King International School. He has four sisters. His secondary education took place at St John's College, an independent Roman Catholic school in Portsmouth, England, after which he read politics at Van Mildert College, Durham University. Whilst at Durham, he wrote for and became editor of the student newspaper Palatinate and was a sabbatical officer of Durham Students' Union. In 2004, he returned to his grandfather's original home in Sri Lanka in the aftermath of the Asian tsunami to survey the damage. The family's former home had been destroyed, but he was able to recognise an old well where he had played with his sisters, although the well was unsalvageable. Broadcasting career Alagiah joined the BBC in 1989 after seven years in print journalism with South Magazine. Before becoming a presenter, he was Developing World correspondent, based in London, and then Southern Africa correspondent in Johannesburg. As one of the BBC's leading foreign correspondents, he reported on events ranging from the genocide in Rwanda to the plight of the Marsh Arabs in southern Iraq to the civil wars in Afghanistan, Liberia, Sierra Leone and Somalia.He was the presenter of BBC Four News from its launch in 2002; the programme was later relaunched as The World and then another edition of World News Today. In January 2003 he joined the BBC Six O'Clock News, which he co-presented with Sophie Raworth until October 2005, and with Natasha Kaplinsky until October 2007. Since 3 December 2007, he has been the sole presenter of the Six O'Clock News. Prior to that, he had been the deputy anchor of the BBC One O'Clock News and BBC Nine O'Clock News from 1999. Since 3 July 2006, he has presented World News Today on BBC World News and BBC Two, which was rebranded GMT on 1 February 2010. He last appeared on the programme in 2014. He was formerly a relief presenter on BBC News at Ten, presenting mainly Monday to Thursday when main presenters Huw Edwards and Fiona Bruce were unavailable. A specialist on Africa and the developing world, Alagiah has interviewed, among others, Nelson Mandela, Archbishop Desmond Tutu, former Secretary-General of the United Nations Kofi Annan and President Robert Mugabe of Zimbabwe. His other documentaries and features include reports on why affirmative action in America is a 'Lost Cause', for the Assignment programme, Saddam Hussein's genocidal campaign against the Kurds of northern Iraq for the BBC's Newsnight programme and a report on the last reunion of the veterans of Dunkirk. Awards and interests In 2000, Alagiah was part of the BBC team which collected a BAFTA award for its coverage of the Kosovo conflict. He has won numerous awards including Best International Report at the Royal Television Society in 1993 and in 1994 was the overall winner of the Amnesty International UK Media Awards. He was appointed Officer of the Order of the British Empire (OBE) in the 2008 New Year Honours. His appearances at literary festivals include Cheltenham, Keswick, Hay-on-Wye and London, and he has spoken at the Royal Geographical Society, the Royal Society of Arts and at the Royal Overseas League. He is on the Board of the Royal Shakespeare Company. From 2002 to 2009, Alagiah was a patron of the Fairtrade Foundation from which in July 2009, he was obliged to resign by BBC Management who claimed professional conflict of interest. Complaints were received at the BBC from members of the public who were unhappy that Alagiah had been asked to step down. The BBC responded that in keeping with its principles of impartiality, it would be inappropriate for one of its leading journalists to be seen supporting a movement that clearly represents a controversial view of global trade. He has also been actively involved in supporting microfinance as a tool for development, including recent appearances in support of Opportunity International. He has been a patron of Parenting UK since 2000. In 2010, he received the Outstanding Achievement in Television award at the Asian Awards.In 2020, his debut novel The Burning Land was shortlisted for a Society of Authors' award. The book is described as a "gripping, pacy thriller about corruption and homicide in South Africa". Personal life He is married to Frances Robathan, whom he met at Durham University. The couple have two children, Adam and Matthew. He lives in Stoke Newington, North London.On 17 April 2014, it was announced that Alagiah was being treated for colorectal cancer. A statement from the BBC said: "He is grateful for all the good wishes he has received thus far and is optimistic for a positive outcome." On 28 June, Alagiah announced on Twitter that he was making "encouraging progress". In late October 2015 he announced on Twitter that the treatment was officially over, and he returned to the BBC on 10 November. In January 2018 it emerged that the cancer had returned and he would undergo further treatment.In March 2018, in an interview with The Sunday Times, Alagiah noted that his cancer was terminal and could have been caught earlier if the screening programme in England, which is automatically offered from the age of 60, was the same as that in Scotland, where it is automatically offered from the age of 50.In June 2020 Alagiah said that the cancer had spread to his lungs, liver and lymph nodes, but was not at a "chronic" or "terminal" stage. In October 2022, Alagiah announced that his cancer had spread further and he took a break from TV to undergo a new series of treatment. Passage 2: William Crawley William Crawley, MRIA, is a Belfast-born BBC journalist and broadcaster. He is the presenter of Talkback, a daily radio programme on BBC Radio Ulster, and he is a presenter of Sunday on BBC Radio 4. He has also made several television series for BBC Northern Ireland. Early life William Hugh Galloway Crawley was born and raised in North Belfast. He was educated at Grove Primary School, Dunlambert Secondary School, Belfast Royal Academy and Queen's University, where he studied Philosophy (B.A., M.Phil.). He read Theology (M.Div.) at Princeton Theological Seminary. In 1999 Crawley was awarded a PhD by Queen's for a thesis on the epistemology of the American philosopher Alvin Plantinga.Prior to his career in the media, Crawley worked as a university lecturer in Philosophy and Theology. Having been licensed, then subsequently ordained into the ministry of the Presbyterian Church in Ireland in the mid-1990s, he worked as assistant minister in First Presbyterian Church, New York City, and Fisherwick Presbyterian Church, Belfast, before serving as Presbyterian chaplain at the University of Ulster. He later resigned from the ordained ministry and from membership of the church before beginning his career as a journalist. He has described himself as "a lapsed Protestant." Television programmes Blueprint NI, a three-part series examining Ireland's natural history, first broadcast in 2008. The late-night television interview show, William Crawley Meets..., a series of 30 minutes in duration with leading thinkers and social reformers from across the world, including the philosopher Peter Singer, the scientist Richard Dawkins, the writer and broadcaster Melvyn Bragg, and the gay bishop Gene Robinson. Frozen North (BBC One, 2008), a documentary examining the possible future impact of global warming. Festival Nights (BBC Two), television coverage of the 2005, 2006 and 2007 Belfast Festival at Queens. Hearts and Minds, a Northern Ireland politics programme. What's Wrong With ...? (BBC One), a six-part round-table current affairs discussion programme. More Than Meets The Eye (BBC Two, 2008), a series investigating folklore in contemporary Ireland. He anchored the BBC's live coverage of the Queen's official visit to Northern Ireland in 2008. In 2010, he presented an episode of Spotlight (BBC One NI) concerning the Vatican. In 2012, he wrote and presented a 60-minute documentary exploring the history of the Ulster Covenant. In 2013, his series An Independent People examined the history of Ireland's Presbyterians. His 2013 one-hour documentary It's a Blas followed his year-long effort to learn Irish sufficiently well to present a live radio programme in the language. The 2013 programme The Man Who Shrank The World told the story of the engineering feat carried out by the scientist Lord Kelvin in the creation of a transatlantic communications cable was made as part of the Groundbreakers series for BBC Four. His 2014 four-part series for BBC Two Northern Ireland, It's a Brave New World -- New Zealand, examined the links between Northern Ireland and New Zealand. 2015 Brave New World: USA (4 part series). 2016 Brave New World: Australia (4 part series). 2017 Brave New World: Canada (4 part series). 2018 Brave New World: Bringing It Home (1 episode). 2019 Spend It Like Stormont. Radio programmes He presented Sunday Sequence on BBC Radio Ulster from 2002 to 2014. Since 2008, he has presented Sunday on BBC Radio 4. He has presented the daily radio phone-in show Talkback on BBC Radio Ulster since 2015. He has presented Radio 4's Beyond Belief and The Moral Maze. Awards and memberships Fellow of the Royal Society of the Arts (FRSA). Fellow of the British-American Project. Recipient of Eisenhower Fellowship (2012). Honorary Doctor of Letters (D.Lit.), Queen's University Belfast, 2012, for services to broadcasting. Andrew Cross Award for Speech Broadcaster of the Year 2006, and other programme content awards. Thinker and Explainer of the Year, Slugger O'Toole/Channel 4 Political Awards 2011. Aisling Award, 2013, for contribution to Irish language broadcasting. Patron, Belfast Film Festival. Member of advisory board of Irish Pages: A Journal of Contemporary Writing. 2015 Royal Television Society Documentary Award for Brave New World: New Zealand. Member of the Royal Irish Academy. 2022 IMRO Speech Broadcaster of the Year (Gold Award). Passage 3: Tim Russert Timothy John Russert (May 7, 1950 – June 13, 2008) was an American television journalist and lawyer who appeared for more than 16 years as the longest-serving moderator of NBC's Meet the Press. He was a senior vice president at NBC News, Washington bureau chief and also hosted an eponymous CNBC/MSNBC weekend interview program. He was a frequent correspondent and guest on NBC's The Today Show and Hardball. Russert covered several presidential elections, and he presented the NBC News/Wall Street Journal survey on the NBC Nightly News during the 2008 U.S. presidential election. Time magazine included Russert in its list of the 100 most influential people in the world in 2008. Russert was posthumously revealed as a 30-year source for syndicated columnist Robert Novak. Early life Russert was born in Buffalo, New York, the son of Elizabeth "Betty" (née Seeley; January 9, 1929 – August 14, 2005), a homemaker, and Timothy Joseph "Big Russ" Russert (November 29, 1923 – September 24, 2009), a sanitation worker. Elizabeth and Joseph were married for 30 years, before separating in 1976. Russert was the only son and the second of four children; his sisters are Betty Ann (B.A.), Kathleen (Kathy) and Patricia (Trish). His parents were Catholics, and he had German and Irish ancestry. He received a Jesuit education from Canisius High School in Buffalo. He received his Bachelor of Arts in 1972 from John Carroll University and a Juris Doctor with honors from the Cleveland State University College of Law in 1976. Russert commented on Meet the Press that he went to Woodstock "in a Buffalo Bills jersey with a case of beer." While in law school, an official from his alma mater, John Carroll University, called Russert to ask if he could book some concerts for the school as he had done while a student. He agreed, but said he would need to be paid because he was running out of money to pay for law school. One concert that Russert booked was headlined by a then-unknown singer, Bruce Springsteen, who charged $2,500 for the concert appearance. Russert told this story to Jay Leno when he was a guest on The Tonight Show on NBC on June 6, 2006. John Carroll University has since named its Department of Communication and Theatre Arts in Russert's honor. Professional career Political Prior to becoming host of Meet the Press, Russert ran one of U.S. Senator Daniel Moynihan's five major offices, based in Buffalo, New York. He later served as special counsel and as chief of staff to Moynihan, a Democrat from Hell's Kitchen, New York. In 1983, he became a top aide to New York Governor Mario Cuomo, also a Democrat. NBC News: Washington bureau chief and host of Meet the Press He was hired by NBC News' Washington bureau in 1984 and became bureau chief by 1989. Russert became host of the Sunday morning program Meet the Press in 1991, and was the longest-serving host of the program. Its name was changed to Meet the Press with Tim Russert, and, at his suggestion, expanded to an hour in 1992. The show also shifted to a greater focus on in-depth interviews with high-profile guests, where Russert was known for extensive preparatory research and cross-examining style. One approach he developed was to find old quotes or video clips that were inconsistent with guests' more recent statements, present them on-air to his guests and then ask them to clarify their positions. With Russert as host the audience grew to more than four million viewers per week, and it was recognized as one of the most important sources of political news. Time magazine named Russert one of the 100 most influential people in the world in 2008, and Russert often moderated political campaign debates. Political coverage and debates During NBC's coverage of the 2000 presidential election, Russert calculated possible Electoral College outcomes using a whiteboard (now in the Smithsonian Institution) on the air and memorably summed up the outcome as dependent upon "Florida, Florida, Florida." TV Guide described the scene as "one of the 100 greatest moments in TV history." Russert again accurately predicted the final battleground of the presidential election of 2004: "Ohio, Ohio, Ohio." In the course of the debate leading up to that election, Russert used February 2004 interviews with the two candidates to home in on the paradoxical fact (and the possible consequences for democracy) of their both apparently having been members of Yale University's Skull and Bones secret society. On the MSNBC show Tucker, Russert predicted the battleground states of the 2008 presidential election would be New Mexico, Colorado, Arizona and Nevada, saying, "If Democrats can win three of those four, they can lose Ohio and Florida, and win the presidency." Red states and blue states According to The Washington Post, the phrases red states and blue states were coined by Tim Russert, although in that same article Russert states that he wasn't the first to use the terminology. This term refers to those states of the United States of America whose residents predominantly vote for the Republican Party (red) or Democratic Party (blue) presidential candidates, respectively. John Chancellor, Russert's NBC colleague, is credited with using red and blue to represent the states on a US map for the 1976 presidential election, but at that time Republican states were blue, and Democratic states were red. (How the colors got reversed is not entirely clear.) During the 1984 presidential election, between Ronald Reagan and Walter Mondale, ABC News used a map which showed Republican states as red and Democratic states as blue. According to David Brinkley, that was because Red = R = Reagan. Mainstream political discussion following the 2000 presidential election used red state/blue state more frequently. CIA leak scandal In the Plame affair, Scooter Libby, convicted chief of staff for Vice President Dick Cheney, told special prosecutor Patrick Fitzgerald that Russert told him of the identity of Central Intelligence Agency officer Valerie Plame (who is married to former ambassador Joseph C. Wilson). Russert testified previously, and again in United States v. I. Lewis Libby, that he would neither testify whether he spoke with Libby nor would he describe the conversation. Russert did say, however, that Plame's identity as a CIA operative was not leaked to him. Russert testified again in the trial on February 7, 2007. According to The Washington Post, Russert testified that "when any senior government official calls him, they are presumptively off the record," saying: "when I talk to senior government officials on the phone, it's my own policy our conversations are confidential. If I want to use anything from that conversation, then I will ask permission."At the trial, the prosecution asserted that a Federal Bureau of Investigation agent had called Russert regarding Russert's phone call with Libby, and that Russert had told the agent that the subject of Plame had not come up during his conversation with Libby. Russert was posthumously revealed as a thirty-year source of columnist Robert Novak, whose original article revealed Plame's affiliation with the CIA. In a Slate.com article, Jack Shafer argued that "the Novak-Russert relationship poses a couple of questions. [...] Russert's long service as an anonymous source to Novak...requires further explanation." In a posthumous commentary, the L.A. Times wrote that, "Like former New York Times reporter Judith Miller, Russert was one of the high-level Washington journalists who came out of the Libby trial looking worse than shabby." The article's author, Tim Rutten, argued that although Russert and NBC had claimed that these conversations were protected by journalistic privilege, "it emerged under examination [that] Russert already had sung like a choirboy to the FBI concerning his conversation with Libby—and had so voluntarily from the first moment the Feds contacted him. All the litigation was for the sake of image and because the journalistic conventions required it." Iraq War In the lead-up to the Iraq War, Meet the Press featured interviews with top government officials including Vice President Dick Cheney. CBS Evening News correspondent Anthony Mason praised Russert's interview techniques: "In 2003, as the United States prepared to go to war in Iraq, Russert pressed Vice President Dick Cheney about White House assumptions." However, Salon.com reported a statement from Cheney press aide Cathie Martin regarding advice she says she offered when the Bush administration had to respond to charges that it manipulated pre-Iraq War intelligence: "I suggested we put the vice president on Meet the Press, which was a tactic we often used. It's our best format." David Folkenflik quoted Russert in his May 19, 2004, Baltimore Sun article: I don't think the public was, at that time, particularly receptive to hearing it," Russert says. "Back in October of 2002, when there was a debate in Congress about the war in Iraq—three-fourths of both houses of Congress voted with the president to go. Those in favor were so dominant. We don't make up the facts. We cover the facts as they were. Folkenflik went on to write: Russert's remarks would suggest a form of journalism that does not raise the insolent question from outside polite political discourse—so, if an administration's political foes aren't making an opposing case, it's unlikely to get made. In the words of one of my former editors, journalists can read the polls just like anybody else. In the 2007 PBS documentary, Buying the War, Russert commented: My concern was, is that there were concerns expressed by other government officials. And to this day, I wish my phone had rung, or I had access to them. 2008 presidential debate At the February debate, Russert was criticized for what some perceived as disproportionately tough questioning of Democratic presidential contender Hillary Clinton. Among the questions, Russert had asked Clinton, but not Obama, to provide the name of the new Russian President (Dmitry Medvedev). This was later parodied on Saturday Night Live. In October 2007, liberal commentators accused Russert of harassing Clinton over the issue of supporting drivers' licenses for illegal immigrants. Enthusiasm for sports Russert grew up as a New York Yankees fan, switching his allegiance to the Washington Nationals when they were established in Washington, D.C. Russert held season tickets to both the Nationals and the Washington Wizards and was elected to the board of directors of the Baseball Hall of Fame in Cooperstown, New York in 2003. A lifelong fan of the Buffalo Bills football team, Russert often closed Sunday broadcasts during the football season with a statement of encouragement for the franchise. The team released a statement on the day of his death, saying that listening to Russert's "Go Bills" exhortation was part of their Sunday morning game preparation. He once prayed publicly on the show with his father when the Bills were going for the Super Bowl for the fourth consecutive time before Super Bowl XXVIII. On July 23, 2008, U.S. Route 20A leading to the Bills' Ralph Wilson Stadium in Orchard Park, New York was renamed the "Timothy J. Russert Highway".Russert was also a Buffalo Sabres fan and appeared on an episode of Meet the Press next to the Stanley Cup during a Sabres playoff run. While his son was attending Boston College, he often ended Meet the Press with a mention of the success of various Boston College sports teams. Russert, then a student at the Cleveland–Marshall College of Law, attended Ten Cent Beer Night, a promotion by the Cleveland Indians which ended in a riot at the stadium. "I went with $2 in my pocket," he recalled. "You do the math." Author In 2004 Russert penned a best-selling autobiography, Big Russ and Me, which chronicled his life growing up in the predominantly Irish-American working-class neighborhood of South Buffalo and his education at Canisius High School. Russert's father Timothy Joseph Russert, "Big Russ", was a World War II veteran who held down two jobs after the war, emphasized the importance of maintaining strong family values, the reverence of faith, and never taking a short cut to reach a goal. Russert claimed to have received over 60,000 letters from people in response to the book, detailing their own experiences with their fathers. He released Wisdom of Our Fathers: Lessons and Letters from Daughters and Sons in 2005, a collection of some of these letters. This book also became a best-seller. Cameo television appearance Russert made a cameo appearance in 1995 on the critically acclaimed police drama, Homicide: Life on the Street. He played the cousin of fictional Baltimore homicide detective Megan Russert. He was mentioned by name again on the show in 1996, when it was said that he had introduced his "cousin" to a French diplomat, with whom she then went abroad. Homicide executive producer Tom Fontana attended the same Buffalo high school as Russert. Awards During his career, Russert received 48 honorary doctorates and won several awards for excellence in journalism: Paul White Award from the Radio-Television News Directors Association (2009), John Peter Zenger Freedom of the Press Award American Legion Journalism Award Veterans of Foreign Wars News Media Award, Congressional Medal of Honor Society Journalism Award Allen H. Neuharth Award for Excellence in Journalism David Brinkley Award for Excellence in Communication Catholic Academy for Communication's Gabriel Award 2005 Emmy Award for coverage of the funeral of former President Ronald Reagan. 2005 Golden Plate Award of the American Academy of Achievement presented by Awards Council member Michael Bloomberg.Minor planet 43763 Russert is named in his honor. Personal life Russert met Maureen Orth at the 1980 Democratic National Convention; they married in 1983 at the Basilica de San Miguel in Madrid, Spain. Orth has been a special correspondent for Vanity Fair since 1993. Russert delivered the 2007 Washington University in St. Louis commencement speech.Their son, Luke, graduated from Boston College in 2008. He hosts the XM Radio show 60/20 Sports with James Carville, and was an intern with ESPN's Pardon the Interruption and NBC's Late Night with Conan O'Brien. On July 31, 2008, NBC News announced that Luke Russert would serve as an NBC News correspondent covering the youth perspective on the 2008 United States presidential election.The Russert family lived in northwest Washington, D.C. and also spent time at a vacation home on Nantucket Island, where Tim served on the board of several non-profit organizations. In an interview in the 2010 documentary Mister Rogers & Me, he spoke of his admiration for his friend Fred Rogers, host of the iconic PBS children's program "Mister Rogers' Neighborhood" whom he and his family met on Nantucket. Russert, a devout Catholic, said many times he had made a promise to God to never miss Sunday Mass if his son were born healthy. In his writing and in his news reporting, Russert spoke openly and fondly of his Catholic school education and of the role of the Catholic Church in his life. He was an outspoken supporter of Catholic education on all levels. Russert said that his father, a sanitation worker who never finished high school, "worked two jobs all his life so his four kids could go to Catholic school, and those schools changed my life." He also spoke warmly of the Catholic nuns who taught him. "Sister Mary Lucille founded a school newspaper and appointed me editor and changed my life," he said. Teachers in Catholic schools "taught me to read and write, but also how to tell right from wrong."Russert also contributed his time to numerous Catholic charities. He was particularly devoted and concerned for the welfare of street kids in the United States and children who died from street violence. He told church workers attending the 2005 Catholic Social Ministry Gathering that "if there's an issue that Democrats, Republicans, conservatives and liberals can agree on, it's our kids."Russert's favorite beer was Rolling Rock, and, at his funeral, friend and fellow anchor Tom Brokaw brought and raised a Rolling Rock in Russert's memory.Shortly before his death, he had an audience with Pope Benedict XVI. Death Shortly after 1:30 pm on Friday, June 13, 2008, Russert collapsed at the offices of WRC-TV, which houses the Washington, D.C. bureau of NBC News where he was chief. He was recording voiceovers for the Sunday edition of Meet the Press. In a speech he gave at the Kennedy Center, Brian Williams said that Russert's last words were, "What's happening?" spoken as a greeting to NBC Washington bureau editing supervisor Candace Harrington as he passed her in the hallway. He then walked down the hallway to record voiceovers in the soundproof booth and collapsed. A co-worker began to perform CPR on him. The District of Columbia Fire and Rescue service received a call from NBC at 1:40 pm, and dispatched an EMS unit which arrived at 1:44 pm. Paramedics attempted to defibrillate Russert's heart three times, but he did not respond. Russert was then transported to Sibley Memorial Hospital, arriving at 2:23 pm, where he was pronounced dead. He was 58 years old. In accordance with the American journalistic standard established in the 1950s, the public announcement of Russert's death was withheld by the wire services and his network's competitors until Russert's family had been notified. Retired NBC Nightly News anchor Tom Brokaw then delivered, live on NBC, CNBC, and MSNBC, the breaking news of his death. NBC Nightly News anchor Brian Williams was on assignment in Afghanistan and could not anchor the special report. CBS and ABC also interrupted programming to report Russert's death. Armen Keteyian reported the news for CBS and Charles Gibson reported for ABC. Russert had just returned from a family vacation in Rome, Italy, where he had celebrated his son's graduation from Boston College. While his wife and son remained in Rome, Russert had returned to prepare for his Sunday television show.Russert's longtime friend and physician, Dr. Michael Newman, said that his asymptomatic coronary artery disease had been controlled with medication (LDL-C was <70 mg/dL) and exercise, and that he had performed well on a stress test on April 29 of that year. An autopsy performed on the day of his death determined that his history of coronary artery disease led to a myocardial infarction (heart attack) and ventricular fibrillation with the immediate cause being an occlusive coronary thrombosis in the left anterior descending artery resulting from a ruptured cholesterol plaque.Russert is buried at Rock Creek Cemetery. The Newseum in Washington, D.C., exhibited a recreation of Russert's office with original elements such as his desks, bookshelves, folders, loose leaf papers and notebooks. In August 2014, the exhibit was disassembled at the Newseum and transported to the Buffalo History Museum. The exhibit entitled "Inside Tim Russert's Office: If it's Sunday It's Meet the Press", opened in October 2014 with Luke Russert and others giving opening remarks. The exhibit can be viewed during the normal business hours of the Buffalo History Museum. Reaction On the evening of his death, the entire, nearly commercial-free half-hour of NBC Nightly News was dedicated to Russert's memory. Bill and Hillary Clinton released a joint statement saying Russert "had a love of public service and a dedication to journalism that rightfully earned him the respect and admiration of not only his colleagues but also those of us who had the privilege to go toe to toe with him." Many of his colleagues in both newspaper and television reporting also offered tribute to Russert in this and other programs. Other major news agencies, including CBS, ABC, CNN, Fox News, and the BBC spent large segments of their programming on June 13 reporting about Russert's life and career. President George W. Bush stated in a news conference with French president Nicolas Sarkozy: "America lost a really fine citizen yesterday when Tim Russert passed away. I've had the privilege of being interviewed by Tim Russert. I found him to be a hardworking, thorough, decent man. And Tim Russert loved his country, he loved his family, and he loved his job a lot." Bruce Springsteen, a friend of Russert's, gave an on-stage tribute to him while performing in Cardiff, Wales, on June 14 and again at Russert's televised Kennedy Center memorial service, calling him "an important irreplaceable voice in American journalism" and offering condolences to his family. On the June 13, 2008, episode of Late Night with Conan O'Brien, O'Brien simply walked onto the stage at the start of the show. Instead of his usual upbeat antics and monologue, O'Brien announced that he had just received news about the sudden death of his good friend, fellow NBC employee and frequent Late Night guest Tim Russert. O'Brien proceeded to show two clips of his favorite Russert Late Night moments.Some journalists criticized the amount of media coverage that Russert's death received. Jack Shafer of Slate called NBC's coverage a "never-ending video wake." Washington Post writer Paul Farhi also expressed disapproval, noting that a print journalist would likely not have received similar attention. Chicago Tribune columnist Julia Keller questioned the volume of coverage as well as the labeling of Russert's death as "a national tragedy."Mark Leibovich of The New York Times Magazine wrote in his book, This Town: Two Parties and a Funeral—Plus, Plenty of Valet Parking!—in America's Gilded Capital, about how Russert's funeral in many ways became a spectacle of some of Washington's worst cultural characteristics, largely centering on self-interest and posturing, while feigning remorse for the loss of the deceased. Some attendees even went as far as handing out business cards and vying for good seating. Mika Brzezinski of MSNBC's Morning Joe dubbed the scene "a new low, even for Washington tackiness". Career timeline Political career1977–1982 – chief of staff to Daniel Patrick Moynihan 1983–1984 – counselor to Mario CuomoBroadcast career1984–1988 – senior vice president of NBC News' Washington operations 1995 – Homicide: Life on the Street (cameo appearance as self, but as fictitious cousin of Captain Megan Russert) 1988–2008 – Washington bureau chief of NBC News 1991–2008 – moderator of Meet the Press 1992–2006 – co-anchor of NBC News' election night coverageDebates moderated1991 – Ex-Gov. Edwin Edwards and State Rep. David Duke, candidates for Governor of Louisiana 1994 – Gov. Lawton Chiles and Jeb Bush, candidates for Governor of Florida 1998 – Sen. Bob Graham vs. State Sen. Charlie Crist, candidates for U.S. Senate from Florida January 2000 – in New Hampshire involving Republican candidates for President January 2000 – in New Hampshire involving Democratic candidates for President 2000 – Bill McCollum vs. Bill Nelson, candidates for U.S. Senate from Florida September 2000 – in Buffalo Rep. Rick Lazio and First Lady Hillary Clinton, candidates for U.S. Senate from New York October 2000 – involving candidates for U.S. Senate from Florida 2002 – Bill McBride and Gov. Jeb Bush, candidates for Governor of Florida 2002 – Shannon O'Brien vs. Mitt Romney, candidates for Governor of Massachusetts 2004 – Betty Castor and HUD Secretary Mel Martinez, candidates for U.S. Senate from Florida October 2005 – A.G. Jerry Kilgore and Lt. Gov. Tim Kaine, candidates for governor of Virginia November 2006 – in Orlando Sen. Bill Nelson and Rep. Katherine Harris, candidates for U.S. Senate from Florida September 2007 – in New Hampshire involving Democratic candidates for U.S. President October 2007 – (co-moderator) of debate in Philadelphia involving Democratic candidates for U.S. president January 2008 – in Boca Raton, Florida, involving Republican candidates for President January 2008 – in Las Vegas, Nevada, involving Democratic candidates for President March 2008 – (co-moderator) at Cleveland State between Sen. Hillary Clinton and Sen. Barack Obama, Democratic candidates for U.S. President Passage 4: Lerato Mbele Lerato Mbele is a South African journalist and broadcaster working for the BBC. Mbele currently presents Talking Business Africa for the network. She previously presented the Africa Business Report and Newsday. Early life Mbele was born in Soweto, South Africa and grew up in Pimville. She graduated with a bachelor's degree in politics and international relations from the University of Cape Town and a master's in development studies from a university in London. Career Mbele began working for the South African Broadcasting Corporation in 1999, rising to become an anchor for its programme News at Ten. In 2007 Mbele joined CNBC Africa at its launch as one of the channel's senior business presenters. While at CNBC she hosted regular programmes on the channel in addition to coverage of many other business events, such as the World Economic Forum.In 2012 Mbele joined BBC News to help launch and present Newsday on the BBC World Service with Lawrence Pollard. The two presented from 6–8.30am (UK time) each weekday. Now she is the presenter of “Talking Business Africa” a lifestyle business show focusing on prominent entrepreneurs and their business mindset in the boardroom and on the factory floor, which Mbele explores alongside them for a hands on experience. She was also the long standing presenter for Africa Business Report, a weekly programme that provided analyses on different sectors of the economy across African countries. It also featured leading business personalities from the African continent. Interviews by Mbele also appear on BBC World News and on World Business Report. In 2014 Mbele was named a Young Global Leader by the Switzerland based World Economic Forum, in the cohort selected that year. Passage 5: Tim Russert (talk show) Timothy John Russert (May 7, 1950 – June 13, 2008) was an American television journalist and lawyer who appeared for more than 16 years as the longest-serving moderator of NBC's Meet the Press. He was a senior vice president at NBC News, Washington bureau chief and also hosted an eponymous CNBC/MSNBC weekend interview program. He was a frequent correspondent and guest on NBC's The Today Show and Hardball. Russert covered several presidential elections, and he presented the NBC News/Wall Street Journal survey on the NBC Nightly News during the 2008 U.S. presidential election. Time magazine included Russert in its list of the 100 most influential people in the world in 2008. Russert was posthumously revealed as a 30-year source for syndicated columnist Robert Novak. Early life Russert was born in Buffalo, New York, the son of Elizabeth "Betty" (née Seeley; January 9, 1929 – August 14, 2005), a homemaker, and Timothy Joseph "Big Russ" Russert (November 29, 1923 – September 24, 2009), a sanitation worker. Elizabeth and Joseph were married for 30 years, before separating in 1976. Russert was the only son and the second of four children; his sisters are Betty Ann (B.A.), Kathleen (Kathy) and Patricia (Trish). His parents were Catholics, and he had German and Irish ancestry. He received a Jesuit education from Canisius High School in Buffalo. He received his Bachelor of Arts in 1972 from John Carroll University and a Juris Doctor with honors from the Cleveland State University College of Law in 1976. Russert commented on Meet the Press that he went to Woodstock "in a Buffalo Bills jersey with a case of beer." While in law school, an official from his alma mater, John Carroll University, called Russert to ask if he could book some concerts for the school as he had done while a student. He agreed, but said he would need to be paid because he was running out of money to pay for law school. One concert that Russert booked was headlined by a then-unknown singer, Bruce Springsteen, who charged $2,500 for the concert appearance. Russert told this story to Jay Leno when he was a guest on The Tonight Show on NBC on June 6, 2006. John Carroll University has since named its Department of Communication and Theatre Arts in Russert's honor. Professional career Political Prior to becoming host of Meet the Press, Russert ran one of U.S. Senator Daniel Moynihan's five major offices, based in Buffalo, New York. He later served as special counsel and as chief of staff to Moynihan, a Democrat from Hell's Kitchen, New York. In 1983, he became a top aide to New York Governor Mario Cuomo, also a Democrat. NBC News: Washington bureau chief and host of Meet the Press He was hired by NBC News' Washington bureau in 1984 and became bureau chief by 1989. Russert became host of the Sunday morning program Meet the Press in 1991, and was the longest-serving host of the program. Its name was changed to Meet the Press with Tim Russert, and, at his suggestion, expanded to an hour in 1992. The show also shifted to a greater focus on in-depth interviews with high-profile guests, where Russert was known for extensive preparatory research and cross-examining style. One approach he developed was to find old quotes or video clips that were inconsistent with guests' more recent statements, present them on-air to his guests and then ask them to clarify their positions. With Russert as host the audience grew to more than four million viewers per week, and it was recognized as one of the most important sources of political news. Time magazine named Russert one of the 100 most influential people in the world in 2008, and Russert often moderated political campaign debates. Political coverage and debates During NBC's coverage of the 2000 presidential election, Russert calculated possible Electoral College outcomes using a whiteboard (now in the Smithsonian Institution) on the air and memorably summed up the outcome as dependent upon "Florida, Florida, Florida." TV Guide described the scene as "one of the 100 greatest moments in TV history." Russert again accurately predicted the final battleground of the presidential election of 2004: "Ohio, Ohio, Ohio." In the course of the debate leading up to that election, Russert used February 2004 interviews with the two candidates to home in on the paradoxical fact (and the possible consequences for democracy) of their both apparently having been members of Yale University's Skull and Bones secret society. On the MSNBC show Tucker, Russert predicted the battleground states of the 2008 presidential election would be New Mexico, Colorado, Arizona and Nevada, saying, "If Democrats can win three of those four, they can lose Ohio and Florida, and win the presidency." Red states and blue states According to The Washington Post, the phrases red states and blue states were coined by Tim Russert, although in that same article Russert states that he wasn't the first to use the terminology. This term refers to those states of the United States of America whose residents predominantly vote for the Republican Party (red) or Democratic Party (blue) presidential candidates, respectively. John Chancellor, Russert's NBC colleague, is credited with using red and blue to represent the states on a US map for the 1976 presidential election, but at that time Republican states were blue, and Democratic states were red. (How the colors got reversed is not entirely clear.) During the 1984 presidential election, between Ronald Reagan and Walter Mondale, ABC News used a map which showed Republican states as red and Democratic states as blue. According to David Brinkley, that was because Red = R = Reagan. Mainstream political discussion following the 2000 presidential election used red state/blue state more frequently. CIA leak scandal In the Plame affair, Scooter Libby, convicted chief of staff for Vice President Dick Cheney, told special prosecutor Patrick Fitzgerald that Russert told him of the identity of Central Intelligence Agency officer Valerie Plame (who is married to former ambassador Joseph C. Wilson). Russert testified previously, and again in United States v. I. Lewis Libby, that he would neither testify whether he spoke with Libby nor would he describe the conversation. Russert did say, however, that Plame's identity as a CIA operative was not leaked to him. Russert testified again in the trial on February 7, 2007. According to The Washington Post, Russert testified that "when any senior government official calls him, they are presumptively off the record," saying: "when I talk to senior government officials on the phone, it's my own policy our conversations are confidential. If I want to use anything from that conversation, then I will ask permission."At the trial, the prosecution asserted that a Federal Bureau of Investigation agent had called Russert regarding Russert's phone call with Libby, and that Russert had told the agent that the subject of Plame had not come up during his conversation with Libby. Russert was posthumously revealed as a thirty-year source of columnist Robert Novak, whose original article revealed Plame's affiliation with the CIA. In a Slate.com article, Jack Shafer argued that "the Novak-Russert relationship poses a couple of questions. [...] Russert's long service as an anonymous source to Novak...requires further explanation." In a posthumous commentary, the L.A. Times wrote that, "Like former New York Times reporter Judith Miller, Russert was one of the high-level Washington journalists who came out of the Libby trial looking worse than shabby." The article's author, Tim Rutten, argued that although Russert and NBC had claimed that these conversations were protected by journalistic privilege, "it emerged under examination [that] Russert already had sung like a choirboy to the FBI concerning his conversation with Libby—and had so voluntarily from the first moment the Feds contacted him. All the litigation was for the sake of image and because the journalistic conventions required it." Iraq War In the lead-up to the Iraq War, Meet the Press featured interviews with top government officials including Vice President Dick Cheney. CBS Evening News correspondent Anthony Mason praised Russert's interview techniques: "In 2003, as the United States prepared to go to war in Iraq, Russert pressed Vice President Dick Cheney about White House assumptions." However, Salon.com reported a statement from Cheney press aide Cathie Martin regarding advice she says she offered when the Bush administration had to respond to charges that it manipulated pre-Iraq War intelligence: "I suggested we put the vice president on Meet the Press, which was a tactic we often used. It's our best format." David Folkenflik quoted Russert in his May 19, 2004, Baltimore Sun article: I don't think the public was, at that time, particularly receptive to hearing it," Russert says. "Back in October of 2002, when there was a debate in Congress about the war in Iraq—three-fourths of both houses of Congress voted with the president to go. Those in favor were so dominant. We don't make up the facts. We cover the facts as they were. Folkenflik went on to write: Russert's remarks would suggest a form of journalism that does not raise the insolent question from outside polite political discourse—so, if an administration's political foes aren't making an opposing case, it's unlikely to get made. In the words of one of my former editors, journalists can read the polls just like anybody else. In the 2007 PBS documentary, Buying the War, Russert commented: My concern was, is that there were concerns expressed by other government officials. And to this day, I wish my phone had rung, or I had access to them. 2008 presidential debate At the February debate, Russert was criticized for what some perceived as disproportionately tough questioning of Democratic presidential contender Hillary Clinton. Among the questions, Russert had asked Clinton, but not Obama, to provide the name of the new Russian President (Dmitry Medvedev). This was later parodied on Saturday Night Live. In October 2007, liberal commentators accused Russert of harassing Clinton over the issue of supporting drivers' licenses for illegal immigrants. Enthusiasm for sports Russert grew up as a New York Yankees fan, switching his allegiance to the Washington Nationals when they were established in Washington, D.C. Russert held season tickets to both the Nationals and the Washington Wizards and was elected to the board of directors of the Baseball Hall of Fame in Cooperstown, New York in 2003. A lifelong fan of the Buffalo Bills football team, Russert often closed Sunday broadcasts during the football season with a statement of encouragement for the franchise. The team released a statement on the day of his death, saying that listening to Russert's "Go Bills" exhortation was part of their Sunday morning game preparation. He once prayed publicly on the show with his father when the Bills were going for the Super Bowl for the fourth consecutive time before Super Bowl XXVIII. On July 23, 2008, U.S. Route 20A leading to the Bills' Ralph Wilson Stadium in Orchard Park, New York was renamed the "Timothy J. Russert Highway".Russert was also a Buffalo Sabres fan and appeared on an episode of Meet the Press next to the Stanley Cup during a Sabres playoff run. While his son was attending Boston College, he often ended Meet the Press with a mention of the success of various Boston College sports teams. Russert, then a student at the Cleveland–Marshall College of Law, attended Ten Cent Beer Night, a promotion by the Cleveland Indians which ended in a riot at the stadium. "I went with $2 in my pocket," he recalled. "You do the math." Author In 2004 Russert penned a best-selling autobiography, Big Russ and Me, which chronicled his life growing up in the predominantly Irish-American working-class neighborhood of South Buffalo and his education at Canisius High School. Russert's father Timothy Joseph Russert, "Big Russ", was a World War II veteran who held down two jobs after the war, emphasized the importance of maintaining strong family values, the reverence of faith, and never taking a short cut to reach a goal. Russert claimed to have received over 60,000 letters from people in response to the book, detailing their own experiences with their fathers. He released Wisdom of Our Fathers: Lessons and Letters from Daughters and Sons in 2005, a collection of some of these letters. This book also became a best-seller. Cameo television appearance Russert made a cameo appearance in 1995 on the critically acclaimed police drama, Homicide: Life on the Street. He played the cousin of fictional Baltimore homicide detective Megan Russert. He was mentioned by name again on the show in 1996, when it was said that he had introduced his "cousin" to a French diplomat, with whom she then went abroad. Homicide executive producer Tom Fontana attended the same Buffalo high school as Russert. Awards During his career, Russert received 48 honorary doctorates and won several awards for excellence in journalism: Paul White Award from the Radio-Television News Directors Association (2009), John Peter Zenger Freedom of the Press Award American Legion Journalism Award Veterans of Foreign Wars News Media Award, Congressional Medal of Honor Society Journalism Award Allen H. Neuharth Award for Excellence in Journalism David Brinkley Award for Excellence in Communication Catholic Academy for Communication's Gabriel Award 2005 Emmy Award for coverage of the funeral of former President Ronald Reagan. 2005 Golden Plate Award of the American Academy of Achievement presented by Awards Council member Michael Bloomberg.Minor planet 43763 Russert is named in his honor. Personal life Russert met Maureen Orth at the 1980 Democratic National Convention; they married in 1983 at the Basilica de San Miguel in Madrid, Spain. Orth has been a special correspondent for Vanity Fair since 1993. Russert delivered the 2007 Washington University in St. Louis commencement speech.Their son, Luke, graduated from Boston College in 2008. He hosts the XM Radio show 60/20 Sports with James Carville, and was an intern with ESPN's Pardon the Interruption and NBC's Late Night with Conan O'Brien. On July 31, 2008, NBC News announced that Luke Russert would serve as an NBC News correspondent covering the youth perspective on the 2008 United States presidential election.The Russert family lived in northwest Washington, D.C. and also spent time at a vacation home on Nantucket Island, where Tim served on the board of several non-profit organizations. In an interview in the 2010 documentary Mister Rogers & Me, he spoke of his admiration for his friend Fred Rogers, host of the iconic PBS children's program "Mister Rogers' Neighborhood" whom he and his family met on Nantucket. Russert, a devout Catholic, said many times he had made a promise to God to never miss Sunday Mass if his son were born healthy. In his writing and in his news reporting, Russert spoke openly and fondly of his Catholic school education and of the role of the Catholic Church in his life. He was an outspoken supporter of Catholic education on all levels. Russert said that his father, a sanitation worker who never finished high school, "worked two jobs all his life so his four kids could go to Catholic school, and those schools changed my life." He also spoke warmly of the Catholic nuns who taught him. "Sister Mary Lucille founded a school newspaper and appointed me editor and changed my life," he said. Teachers in Catholic schools "taught me to read and write, but also how to tell right from wrong."Russert also contributed his time to numerous Catholic charities. He was particularly devoted and concerned for the welfare of street kids in the United States and children who died from street violence. He told church workers attending the 2005 Catholic Social Ministry Gathering that "if there's an issue that Democrats, Republicans, conservatives and liberals can agree on, it's our kids."Russert's favorite beer was Rolling Rock, and, at his funeral, friend and fellow anchor Tom Brokaw brought and raised a Rolling Rock in Russert's memory.Shortly before his death, he had an audience with Pope Benedict XVI. Death Shortly after 1:30 pm on Friday, June 13, 2008, Russert collapsed at the offices of WRC-TV, which houses the Washington, D.C. bureau of NBC News where he was chief. He was recording voiceovers for the Sunday edition of Meet the Press. In a speech he gave at the Kennedy Center, Brian Williams said that Russert's last words were, "What's happening?" spoken as a greeting to NBC Washington bureau editing supervisor Candace Harrington as he passed her in the hallway. He then walked down the hallway to record voiceovers in the soundproof booth and collapsed. A co-worker began to perform CPR on him. The District of Columbia Fire and Rescue service received a call from NBC at 1:40 pm, and dispatched an EMS unit which arrived at 1:44 pm. Paramedics attempted to defibrillate Russert's heart three times, but he did not respond. Russert was then transported to Sibley Memorial Hospital, arriving at 2:23 pm, where he was pronounced dead. He was 58 years old. In accordance with the American journalistic standard established in the 1950s, the public announcement of Russert's death was withheld by the wire services and his network's competitors until Russert's family had been notified. Retired NBC Nightly News anchor Tom Brokaw then delivered, live on NBC, CNBC, and MSNBC, the breaking news of his death. NBC Nightly News anchor Brian Williams was on assignment in Afghanistan and could not anchor the special report. CBS and ABC also interrupted programming to report Russert's death. Armen Keteyian reported the news for CBS and Charles Gibson reported for ABC. Russert had just returned from a family vacation in Rome, Italy, where he had celebrated his son's graduation from Boston College. While his wife and son remained in Rome, Russert had returned to prepare for his Sunday television show.Russert's longtime friend and physician, Dr. Michael Newman, said that his asymptomatic coronary artery disease had been controlled with medication (LDL-C was <70 mg/dL) and exercise, and that he had performed well on a stress test on April 29 of that year. An autopsy performed on the day of his death determined that his history of coronary artery disease led to a myocardial infarction (heart attack) and ventricular fibrillation with the immediate cause being an occlusive coronary thrombosis in the left anterior descending artery resulting from a ruptured cholesterol plaque.Russert is buried at Rock Creek Cemetery. The Newseum in Washington, D.C., exhibited a recreation of Russert's office with original elements such as his desks, bookshelves, folders, loose leaf papers and notebooks. In August 2014, the exhibit was disassembled at the Newseum and transported to the Buffalo History Museum. The exhibit entitled "Inside Tim Russert's Office: If it's Sunday It's Meet the Press", opened in October 2014 with Luke Russert and others giving opening remarks. The exhibit can be viewed during the normal business hours of the Buffalo History Museum. Reaction On the evening of his death, the entire, nearly commercial-free half-hour of NBC Nightly News was dedicated to Russert's memory. Bill and Hillary Clinton released a joint statement saying Russert "had a love of public service and a dedication to journalism that rightfully earned him the respect and admiration of not only his colleagues but also those of us who had the privilege to go toe to toe with him." Many of his colleagues in both newspaper and television reporting also offered tribute to Russert in this and other programs. Other major news agencies, including CBS, ABC, CNN, Fox News, and the BBC spent large segments of their programming on June 13 reporting about Russert's life and career. President George W. Bush stated in a news conference with French president Nicolas Sarkozy: "America lost a really fine citizen yesterday when Tim Russert passed away. I've had the privilege of being interviewed by Tim Russert. I found him to be a hardworking, thorough, decent man. And Tim Russert loved his country, he loved his family, and he loved his job a lot." Bruce Springsteen, a friend of Russert's, gave an on-stage tribute to him while performing in Cardiff, Wales, on June 14 and again at Russert's televised Kennedy Center memorial service, calling him "an important irreplaceable voice in American journalism" and offering condolences to his family. On the June 13, 2008, episode of Late Night with Conan O'Brien, O'Brien simply walked onto the stage at the start of the show. Instead of his usual upbeat antics and monologue, O'Brien announced that he had just received news about the sudden death of his good friend, fellow NBC employee and frequent Late Night guest Tim Russert. O'Brien proceeded to show two clips of his favorite Russert Late Night moments.Some journalists criticized the amount of media coverage that Russert's death received. Jack Shafer of Slate called NBC's coverage a "never-ending video wake." Washington Post writer Paul Farhi also expressed disapproval, noting that a print journalist would likely not have received similar attention. Chicago Tribune columnist Julia Keller questioned the volume of coverage as well as the labeling of Russert's death as "a national tragedy."Mark Leibovich of The New York Times Magazine wrote in his book, This Town: Two Parties and a Funeral—Plus, Plenty of Valet Parking!—in America's Gilded Capital, about how Russert's funeral in many ways became a spectacle of some of Washington's worst cultural characteristics, largely centering on self-interest and posturing, while feigning remorse for the loss of the deceased. Some attendees even went as far as handing out business cards and vying for good seating. Mika Brzezinski of MSNBC's Morning Joe dubbed the scene "a new low, even for Washington tackiness". Career timeline Political career1977–1982 – chief of staff to Daniel Patrick Moynihan 1983–1984 – counselor to Mario CuomoBroadcast career1984–1988 – senior vice president of NBC News' Washington operations 1995 – Homicide: Life on the Street (cameo appearance as self, but as fictitious cousin of Captain Megan Russert) 1988–2008 – Washington bureau chief of NBC News 1991–2008 – moderator of Meet the Press 1992–2006 – co-anchor of NBC News' election night coverageDebates moderated1991 – Ex-Gov. Edwin Edwards and State Rep. David Duke, candidates for Governor of Louisiana 1994 – Gov. Lawton Chiles and Jeb Bush, candidates for Governor of Florida 1998 – Sen. Bob Graham vs. State Sen. Charlie Crist, candidates for U.S. Senate from Florida January 2000 – in New Hampshire involving Republican candidates for President January 2000 – in New Hampshire involving Democratic candidates for President 2000 – Bill McCollum vs. Bill Nelson, candidates for U.S. Senate from Florida September 2000 – in Buffalo Rep. Rick Lazio and First Lady Hillary Clinton, candidates for U.S. Senate from New York October 2000 – involving candidates for U.S. Senate from Florida 2002 – Bill McBride and Gov. Jeb Bush, candidates for Governor of Florida 2002 – Shannon O'Brien vs. Mitt Romney, candidates for Governor of Massachusetts 2004 – Betty Castor and HUD Secretary Mel Martinez, candidates for U.S. Senate from Florida October 2005 – A.G. Jerry Kilgore and Lt. Gov. Tim Kaine, candidates for governor of Virginia November 2006 – in Orlando Sen. Bill Nelson and Rep. Katherine Harris, candidates for U.S. Senate from Florida September 2007 – in New Hampshire involving Democratic candidates for U.S. President October 2007 – (co-moderator) of debate in Philadelphia involving Democratic candidates for U.S. president January 2008 – in Boca Raton, Florida, involving Republican candidates for President January 2008 – in Las Vegas, Nevada, involving Democratic candidates for President March 2008 – (co-moderator) at Cleveland State between Sen. Hillary Clinton and Sen. Barack Obama, Democratic candidates for U.S. President Passage 6: David Whiteley For the American racehorse trainer see: David A. WhiteleyDavid Whiteley is a British TV and radio presenter. He is the co-presenter of ITV News Anglia alongside Becky Jago. Whiteley presented the regional BBC One programme Inside Out East until it was cancelled in 2020.He has presented two BBC documentaries about Star Wars: The Galaxy Britain Built: Droids, Darth Vader and Lightsabers, and Toy Empire: The British Force Behind Star Wars Toys about the toymaker Palitoy.In 2021, Whiteley replaced Jonathan Wills as co-presenter of ITV News Anglia. Bibliography Whiteley, David (2019). The Galaxy Britain Built - The British Talent Behind Star Wars. BearManor Media. ISBN 9781629334981. Passage 7: Andy Muirhead Andrew Robert Muirhead (born 1975) is an Australian former radio and television presenter for the Australian Broadcasting Corporation. He was the presenter of ABC Radio Hobart's breakfast program in Tasmania and also the presenter of the Collectors television program from 2005 to 2010. In 2012, he pleaded guilty to accessing child pornography and served four months of a five-month jail sentence. Career Muirhead had worked in TV and radio since 2004 and had also performed comedy prior to the convictions. He represented Tasmania in the 2003 Raw Comedy National finals and had appeared at the Melbourne International Comedy Festival from 2004 prior to the convictions. Personal life Muirhead was born in Sale, Victoria and moved to Hobart, Tasmania with his family. He graduated from the University of Tasmania in 1998. He worked as a biologist for a forestry company doing insect and mammal surveys while also doing stand-up comedy. He lived in Hobart with his long-term partner prior to the convictions. Child pornography conviction In June 2010 he went on unpaid leave and production of Collectors was temporarily suspended when he was charged with one count of accessing child pornography. Production of Collectors resumed in July without Muirhead, and repeats of episodes featuring him were pulled from the ABC's schedule. He was bailed and pleaded not guilty in February 2011. The case was referred back to the Magistrates Court for 1 August 2011. The hearing on that day lasted only an hour rather than the expected two days and was adjourned again. Appearing in court again on 13 March 2012 he pleaded not guilty and the case was adjourned to 14 May 2012, then again to June 2012.On 31 July 2012, represented by barrister Kim Baumeler, Muirhead pleaded guilty. He was remanded in custody by Ewan Crawford, Tasmanian Chief Justice. On 14 August 2012 the sentencing was adjourned until 7 September 2012, with Muirhead again remanded in custody. On 1 October he was sentenced to 19 months in prison. His sentence was subsequently reduced to five months and security of $5,000 for a three-year period of good behaviour. He was released after four months of the sentence following routine therapy and community service. Post conviction A scandal involving the use of video material featuring Muirhead in New South Wales public schools occurred in 2019. A video featuring Muirhead presenting Collectors had been used as a teaching resource for an unknown number of distance education students across New South Wales and formed part of the material in the Year 10 History course that was sent out to distance education students studying through Camden Haven High School on the NSW mid-north coast. A spokesperson for the NSW Department of Education said the DVD of the episode had been withdrawn and other distance education centres that used the course material were made aware so that they no longer used it. The matter became public knowledge after a parent had reported the matter to the school and had spoken to the ABC; the parent reported that a teacher had told him the DVD had been used "for years". Passage 8: Theodred II (Bishop of Elmham) Theodred II was a medieval Bishop of Elmham. The date of Theodred's consecration unknown, but the date of his death was sometime between 995 and 997. Passage 9: Mike Sherman (TV presenter) Mike Sherman is the presenter of "On the Mike with Mike Sherman" that aired from 2006 to 2011. Prior to that, he presented The Mike Sherman Show. Today, he is the presenter of Before the Fame, a celebrity-based weekly television show from Miami, Florida that showcases well-known celebrities before they were famous.Mike received a Film, Recording and Entertainment Council (FREC) award in 2010 for Best TV Host in South Florida. External links Mike Sherman on IMDb Passage 10: Spencer Kelly Spencer Kelly is the presenter of the BBC's technology programme Click, broadcast on the BBC World News and the BBC News Channel in the United Kingdom. Early life Kelly, then known as Spencer Bignell, grew up in Bishopstoke, near Eastleigh in Hampshire, and attended Wyvern Secondary School in neighbouring Fair Oak, then Barton Peveril College in Eastleigh. He obtained a double first in Computer Science from Churchill College, Cambridge. Career It was as a student that Kelly first became involved in broadcasting, initially at Radio Glen at Southampton University, and he went on to run Cambridge University Radio. After graduating, he got a job as a traffic presenter - going by the name of "Commander Kelly in the Flying Eye" on the local radio station for Portsmouth and Southampton, Ocean FM. He later became the station's breakfast show host, a position he held for six years. He joined the BBC in January 2003 as one of five iPresenters (interactive presenters). The team pioneered new forms of interactive broadcasting, using the web, digital television and digital radio. This included interactive LiveChats, which were live interviews with celebrities, streamed across the web, in which the audience had the opportunity to ask live questions to the guests. He also began reporting for BBC World's Click Online show for two and a half years and appeared on Five's The Gadget Show. He became the presenter of the renamed Click series in January 2006, taking over from Stephen Cole.He was awarded an Honorary Doctorate of Technology by Coventry University. He is represented by the agency Curtis Brown.

doc_8

Passage 1: Ottakoothar Ottakoothar (c. 12th century CE) was a Tamil court poet to three Later Chola kings, namely Vikrama Chola, Kulotunga II and Rajaraja II. He wrote poems in praise of these three kings.The poet's memorial is believed to be still in a place known as Darasuram in Kumbakonam, just opposite the famous Airavatesvara Temple. According to legend, the goddess Saraswati blessed him in Koothanur, then he became a famous poet. Family According to a legend, there was once a Chola king called Muchukundan who had his capital at Karur. He is said to have won the favor of God Murugan after deep penances and the latter is said to have bestowed upon him his personal bodyguards to aid him in his wars. Muchukundan Chola then married Chitravalli, daughter of the warrior chief and Murugan's bodyguard called Virabahu and spawned a new line. The poet Ottakoothar is presented as the scion of the family of this Sengunthar chief in his work Eeti-elupattu. It is worth mentioning that this Muchukunda Chola figures in the ancestry of Rajendra I as detailed in his Tiruvalangadu copper plates. Literary works Ottakoothar (Tamil: ஒட்டக்கூத்தர்) is renowned for his Ula poems on the three successive kings, Vikrama Chola, Kulothunga II and Rajaraja II. The Ula poems are generally written in honor of the king and describe the triumphant procession of the king amidst the people and his subjects. He also authored a work dealing with the Kulottunga II's childhood called Kulottunga Cholan Pillai Tamil. Ottakoothar wrote Uttara Kandam, the seventh (last chapter) kandam of the Tamil epic Ramayanam. Ottakoothar's works can be found at the open access Tamil literature repository Project Madurai.During this period when he was very popular, the Sengunthar community, the one to which he belonged, requested him to compose a work in their honor. He initially refused but then later agreed provided they brought him 1008 heads of their first born sons. Accordingly, 1008 members of the community sacrificed their lives so that he could write about their history. The poet then wrote, Eeti-elupattu, a poem consisting of seventy verses in honor of the spear and extolled the glorious past of the Sengunthar chiefs and soldiers. He later wrote another poem called Elupp-elupattu in order to bring back the 1008 dead members to life. When he sang it the heads are said to have miraculously attached to their bodies and the dead became alive once again. The poet Koothar thus came to be known as Otta Koothar for he attached the heads to the bodies and revived them. Popular culture In the 1957 Tamil film Ambikapathy, the character of Ottakoothar was portrayed and was performed by M. N. Nambiar. The character was also played by Rajesh in Mahasakthi Mariamman, a 1986 Tamil film. See also Koothanur Maha Saraswathi Temple Passage 2: Rajaraja II Rajaraja II was a chola emperor who reigned from 1150 CE to 1173 CE. He was made his heir apparent and Co-Regent in 1146 and so the inscriptions of Rajaraja II count his reign from 1146. Rajaraja's reign began to show signs of the coming end of the dynasty. Growing weakness The extent of the Chola territories remained as it was during Rajaraja's predecessors. The Vengi country was still firmly under the Chola rule. The Chola central administration did show weaknesses with regard to their control and effective administration over the outlying parts of the empire, which became pronounced towards the end of Raja Raja-II's reign. However, Rajaraja regained adequate control of provinces like Vengi, Kalinga, Pandya and Chera territories. He probably even invaded Sri Lanka as is explained in one of the Tamil poems written during his time. This is borne out by the fact that not just Rajaraja, but also his successors like Kulothunga III bore titles like Tribhuvana Chakravartin attesting to their military capabilities and cultural achievements. During the last years of Rajaraja's reign, a civil unrest as a result of a succession dispute convulsed the Pandya country, further weakening Chola influence there. This was only to be expected as even though the Pandyas were subjugated by the Cholas since the time of Aditya I and were firmly controlled until the time of Virarajendra, the Madurai kingdom nevertheless kept making efforts from time to time, for gaining their independence from their occupiers. Later Pandyas like Maravarman or Maravaramban Sundara Pandyan, Jatavarman Vira Pandyan and Jatavarman Sundara Pandyan steadily went on increasing their power and prestige and were to emerge as the most powerful kingdom in South India during the period 1200–1300. These developments were to slowly but surely weaken the Chola kingdom, though there was a minor revival during the fairly steady rule of Kulothunga III (1178–1218). In as much as the cholas during his time were dominant militarily is noted by some literature that mention Raja Raja's conquest and his innovative management initiatives. Here is excerpt from an inscription of his from the Rajagopala Perumal temple: ..Having won the heart (of the goddess) of the earth for countless ages, (he) was pleased to be seated on the throne of heroes, (made) of pure gold..while the Villavar (Cheras), Telungar, Minavar (Pandyas),..and other kings prostrated themselves (before him). In the 8th year (of the reign) of (this) king Parakesarivarman, alias the emperor of the three worlds, Sri-Rajarajadeva. Death and succession The last regnal year cited in Rajaraja's inscription is 26. That makes the last year of his reign 1173. Rajaraja was not destined to live long. Rajaraja did not have any suitable direct descendant to ascend the Chola throne so he chose Rajadhiraja Chola II a grandson of Vikrama Chola as his heir. According to the Pallavarayanpettai inscription, Rajaraja died four years after he made Rajadhiraja Chola II as heir-apparent. Since, Rajadhiraja himself was quite young, he would require the help of Pallavarayar to usher the young sons of Rajaraja to safety. According to the inscription, Pallavarayar took steps immediately after the death of Rajaraja for the protection of the king's children, aged one and two years. According to historian Krishnaswami Aiyangar, Kulothunga Chola III who is widely considered as the last great Chola sovereign was the son of Rajaraja II. Socio-Religious Achievements KUMBAKONAM One of the most important achievements of Rajaraja II was that despite being considered a weak king, it appears that he did enjoy periods of calm and peace especially during the later half of his 26-year rule. It was during this period that he initiated construction of the very famous Airavatesvarar Temple at Darasuram, Kumbakonam . This royal Siva temple, which is one of the trinity of the Great Living Chola Temples along with the Brihadeeswarar Temple Temples at Thanjavur and Gangaikonda Cholapuram all of which are World Heritage Sites. The Airavateswarar Temple was completed either by the time his rule ended or during the initial period of his successor, Rajadhiraja II. The Airavateswarar Temple is considered an architectural marvel of the Later Chola period and this tradition was carried on by Kulothunga III who built the Kampahareswarar Temple at Tribhuvanam in commemoration of his conquest of Madurai, Kalinga, Karuvur and his defeat of the Hoysala King Veera Ballala II This temple contains innumerable miniature freezes containing stories from Ramayanam, Periya Puranam and other stories devoted to Siva-Parvati, Vinayagar, Karthikeya etc. The temple is also a symbol of continuing architectural tradition of the Chola craftsmen for it also has musical stairs called the Saptasvaras near a small shrine for Ganapati. The Mukhamandapam or the Mukhyamandapam of this temple is a real architectural marvel containing many great architectural specimen and was a continuation of the Later Chola tradition of building temples in the shape of giant elephant-driven Rathas or Chariots as like as in Melakadambur siva temple built by Kulothunga I, which was also carried on not just by later Chola kings such as Kulothunga III but also by the kings of Kalinga and culminated in construction of the Sun Temple of Konarak by Eastern Ganga king Narasinghdeo. This is one of the later Chola temples which have remained unparalleled in terms of architectural excellence to date, that left a lasting impression on the succeeding dynasties to the Chola rule. Rajaraja also made numerous grants to the temples at Tanjore, Chidambaram, Kanchi, Srirangam, Tiruchy as well as to the temples at Madurai. He was also believed to be a regular visitor to the temples in Parasurama's country (Kerala), which were also recipients of his grants. During his time the chola navies did remain dominant in the western sea as well as eastern sea. Overall he was a benevolent king who did put up good administrative processes, including efficient revenue generation systems as evidenced by his relief measures to the people during the times of both the famine and civil unrest, which though did take some effort to subdue, but which finally ensured that he retained the loyalty and respect of his ministers, commanders and the general sections of the populace. Extent of the Empire and Summary of the rule Even though there was a famine which further caused a civil disturbance, Raja Raja-II nevertheless, kept most of his adversaries under control and also succeeded in largely maintaining the Chola territories consisting of their possessions in Tamizhagam including Kongunadu, Madurai and Thirunelveli, Nellore-Guntur areas (with Renandu and Telugu Cholas having allegiance to Raja Raja-II but controlling their areas with more authority than before), Visaiyavadai(Vijayawada)-Eluru-Rajahmundry-Prakasham (Draksharama) areas traditionally controlled by Vengi kings, Kalinga (whose King was a tribute paying subordinate and a supportive feudatory to Chola overlordship).. up to the banks of Hooghly. In addition, he also had Northern Sri Lanka (as was the case during the time of his illustrious predecessor, Raja Raja-I) under his loose control while as compared to before, even though he had subdued Chera kings, due to the re-emergence of Pandya power, he was forced to allow more autonomy to Malainadu kings with whom he was believed to be having marital relations. But somehow, Raja Raja-II proved not strong enough to regain control of the eastern Gangavadi province, which was lost to the Hoysalas by his predecessor, the great Vikrama Chola. Possibly, the Hoysalas themselves were trying to free themselves from the control of Western Chalukyas and other rapidly growing adversaries like Kalachuris and Kakatiyas, who were as hostile to the Chalukyas and Hoysalas, as they were to the Cholas and even the Pandyas, as would be evidenced in the later years. Notes Passage 3: Ali Rahuma Ali Khalifa Rahuma (Arabic: علي ارحومه) (born May 16, 1982) is a Libyan football midfielder, also a Libyan national. He currently plays for Al-Ittihad, and is a member of the Libya national football team. External links Ali Rahuma at National-Football-Teams.com SoccerPunter. “Ali Khalifa Rahuma Profile and Statistics.” SoccerPunter. SoccerPunter, n.d. Web. 6 Sept. 2016 Passage 4: Nayelly Hernández Nayelly Hernández (born 23 February 1986) is a former Mexican professional squash player. She has represented Mexico internationally in several international competitions including the Central American and Caribbean Games, Pan American Games, Women's World Team Squash Championships. Nayelly achieved her highest career ranking of 57 in October 2011 during the 2011 PSA World Tour. Her husband Chris Walker whose nationality is English is also a professional squash player. She joined the Trinity College in 2008 as the first Mexican female to join a US college for squash and graduated in 2010. Career Nayelly joined PSA in 2006 and took part in the PSA World Tour until 2016, the 2015-16 PSA World Tour was her last World Tour prior to the retirement. Nayelly Hernandez represented Mexico at the 2007 Pan American Games and claimed a bronze medal as a part of the team event on her maiden appearance at the Pan American Games. In the 2011 Pan American Games she clinched gold in the women's doubles event along with Samantha Teran and settled for bronze in the team event. She has also participated at the Women's World Team Squash Championships on four occasions in 2010, 2012, 2014 and in 2016. Passage 5: Eleni Gabre-Madhin Eleni Zaude Gabre-Madhin (born 12 July 1964) is an Ethiopian-born Swiss economist, and former chief executive officer of the Ethiopia Commodity Exchange (ECX). She has had many years of experience working on agricultural markets – particularly in Sub-Saharan Africa – and has held senior positions in the World Bank, the International Food Policy Research Institute (Washington), and United Nations (Geneva). Eleni Gebremedhn Eleni was born in Addis Ababa, Ethiopian Empire on 12 July 1964. She grew up in four different African countries including Kenya, Tanzania and South Africa. She speaks fluent Swahili, English, Amharic and French. She graduated from Rift Valley Academy in Kenya with the highest of honours. She has a PhD in Applied Economics from Stanford University, master's degrees from Michigan State University and bachelor's in economics from Cornell University. Eleni was selected as "Ethiopian Person of the Year" for the 2002 ET calendar year (2009/2010 Gregorian) by the Ethiopian newspaper Jimma Times. Career She was the main driving force behind the development of the Ethiopia Commodity Exchange (ECX). Whilst working as a researcher for the International Food Policy Research Institute (IFPRI) she examined agricultural markets for many years and noticed, as had many others, that whilst in some years or regions there were severe shortages or droughts in others there were surpluses or bumper harvests. Specifically in her survey of grain traders in 2002, she found that a key factor was the lack of effective infrastructure and services needed for grain markets to function properly. Traders often failed to have access to sufficient credit, information about the market, transportation and other vital resources and contract compliance was difficult to enforce. In 2004 she moved home from the US to lead an IFPRI program to improve Ethiopia's agricultural policies and markets. Specifically she undertook the important role of coordinating the advisory body developing the ECX. She became CEO of the new exchange in 2008, and argued that "(W)hen farmers can sell their crops on the open market and get a fair price, they will have much more incentive to be productive, and Ethiopia will be much less prone to food crises" .... and that the "ECX will allow farmers and traders to link to the global economy, propelling Ethiopian agriculture forward to a whole new level."In February 2013, she became a director of Syngenta.In 2013, Eleni launched eleni LLC, a company intended to build and invest in commodity exchanges in markets in the developing world, including Africa.In November 2021, the Canadian novelist Jeff Pearce leaked a video that depicts Eleni's participation in a virtual meeting discussion, along with Professor Ephraim Isaac, former Ethiopian Minister of Foreign Affairs and current TPLF spokesperson Berhane Gebre-Christos and several Western diplomats, that mentioned a transitional government during Tigray War. Shortly, she was removed from membership of the Independent Economic Council, which formed to support Prime Minister Abiy Ahmed economic transition. On 25 November, Eleni released a statement that denying the allegation as "deliberately misrepresented". Two days before the leaked video unveiled, police forces searched her house and remained undisclosed for suspected foul play. The incident stirred public outrage in Ethiopia and its diaspora, condemning her as traitor. The University of Gondar also revoked an honorary doctorate it had awarded her. Awards In 2010, Eleni was named Ethiopian Person of the Year for the 2002 Ethiopian year. Eleni was listed as one of the 50 Women Shaping Africa in 2011.In 2012, Eleni was awarded the Yara Laurate Prize from the Norwegian fertilizer manufacturer Yara International for her outstanding contributions to sustainable food production and distribution with socio-economic impact. Previous recipients of the prize include former prime minister of Ethiopia Meles Zenawi. That same year, she was recognized as one of New African Magazine's 100 Most Influential Africans, won the African Banker Icon Award, and invited to the G8 Summit at Camp David.She was granted The Power with Purpose Award from Devex and McKinnsey in 2016.Formerly, Eleni Gabre-Madhin received an honorary doctorate, in 2013, from the University of Gondar in Ethiopia. However, later in November 2021, the University of Gondar revoked the Honorary Doctorate of Eleni Gabre-Madhin in relation to her involved clandestine video meeting aimed at toppling the democratically elected government of Ethiopia. Passage 6: Kulothunga Chola II Kulothunga II (died 1150 CE) was a Chola Emperor from 1133 CE to 1150 CE. He succeeded Vikrama Chola to the throne in 1135 CE. Vikrama Chola made Kulothunga his heir apparent and coregent in 1133 CE, so the inscriptions of Kulothunga II count his reign from 1133 CE. According to historians Nilakanta Sastri and T.N Subramanian, Kulottunga Chola II was not the son of Vikrama Chola and they have suggested that there was a break in the line of succession. Personal life and family Kulothunga II preferred to live in Chidambaram rather than the royal capital at Gangaikonda Cholapuram. Of the various titles he had, Anapaaya was perhaps his favourite. It is found in his inscriptions as well in the poetic tribute Kulothunga Cholan Ula. He was also called Tirunirruchola.Kulothunga II was succeeded by Rajaraja Chola II in 1150 CE. Extent of Empire The extent of empire as inherited from his predecessor Vikrama Chola was well maintained. The Western Chalukya kingdom was overthrown by the Yadava chiefs of Devagiri and Hoysalas of Dwarasamudra during this period. Kulottunga II took advantage of the internal skirmishes and rebellions in the Kannada and Chalukya country to establish his hold over Vengi and Eastern Chalukya territories. Gonka II of the Velanadu Choda family who ruled over northern part of Vengi acknowledged his supremacy. Similarly the Kadapa-Nellore chief, Madurantaka Pottapi Choda, son of Betta I and Buddhavarman III of the Kondavidu branch and his son Mandaya II also acknowledged the king's authority in the Andhra country. Patron of Chidambaram Chidambaram is one of those five places where Chola princes were invested with the crown. Kulothunga was a great devotee of the Chidambaram Temple to Lord Shiva in that city, and he celebrated his coronation there. An inscription of the king from Tirumanikuli hails this event and states that king celebrated his coronation so as to add lustre to the city of Tillai (Chidambaram).He also financed an elaborate renovation of the temple as described in the poem Kulothunga Cholan Ula. It is possible that this renovation work was a continuation of work started by Vikrama Chola. Kulottunga II is credited with gilding the Perambalam of the Nataraja Temple, Chidambaram with gold. He is also said to have constructed its gopurams and the Thousand Pillared Hall. Literature Kulottunga Chola II's reign was marked by literary activity as evidenced by the works of Sekkizhar and Ottakoothar. Sekkizhar composed the Periyapuranam, a religious treatise on Shaivism during his reign. The Kulottunga Cholan Ula and the Kulottunga Cholan Pillai Tamil, a work dealing with the king's childhood were authored by Ottakoothar in honor of the king. Persecution of Vaishnavas Some scholars identify Kulothunga II with Krimikanta Chola or worm-necked Chola so called as he is said to have suffered from cancer of the throat or neck. The latter finds mention in the Vaishnava Guruparampara and is said to have been a strong opponent of the Vaishnavas. The work Parpannamritam (17th century) refers to the Chola king called Krimikanta who is said to have removed the Govindaraja idol from the Chidambaram Nataraja temple. The Kulothunga Cholan Ula states that during the reign of Kulottunga II, God Vishnu was sent back to his original abode, that is the sea. However, according to "Koil Olugu" (temple records) of the Srirangam temple, Kulottunga Chola was the son of Krimikanta Chola. The former, unlike his father, is said to have been a repentant son who supported Vaishnavism. Ramanuja is said to have made Kulottunga II as a disciple of his nephew, Dasarathi. The king then granted the management of the Ranganathaswamy temple to Dasarathi and his descendants as per the wish of Ramanuja. Inscriptions The Tyagarajaswami temple in Tiruvarur contains an inscription of the king in which he styles himself as Anapaaya and a bee at the lotus feet of Natesa at Chidambaram. As per the Muchukundasahasranamam, Anapaaya Mahipaala is another name of the deity Thyagaraja of Thiruvarur. In popular culture In the film Dasavathaaram (2008), actor Napoleon plays the role of Kulothunga Chola II. Notes Passage 7: Roberto Savio Roberto Savio (born in Rome, Italy, but also holding Argentine nationality) is a journalist, communication expert, political commentator, activist for social and climate justice and advocate of global governance. He has spent most of his career with Inter Press Service (IPS), the news agency which he founded in 1964 along with Argentine journalist Pablo Piacentini.Savio studied Economics at the University of Parma, followed by post-graduate courses in Development Economics under Gunnar Myrdal, History of Art and International Law in Rome. He started his professional career as a research assistant in International Law at the University of Parma. Early activities While at university, Roberto Savio acted as an international officer with Italy’s National Student Association and the Youth Movement of Italy’s Christian Democracy party, eventually taking on responsibility for Christian Democracy’s relations with developing countries. After leaving university, he became international press chief for former Italian Prime Minister Aldo Moro. After the 1973 Chilean coup d’etat, Roberto Savio left Italian politics to pursue journalism. Early journalistic career Roberto Savio’s career in journalism began with Italian daily ‘Il Popolo’ and he went on to become Director for News Services for Latin America with RAI, Italy’s state broadcasting company. He received a number of awards for TV documentaries, including the Saint-Vincent Award for Journalism, the most prestigious journalism award in Italy. Inter Press Service (IPS) Throughout his student years, Roberto Savio had cultivated an interest in analysing and explaining the huge information and communication gap that existed between the North and the South of the world, particularly Latin America. Together with Argentine journalist Pablo Piacentini, he decided to create a press agency that would permit Latin American exiles in Europe to write about their countries for a European audience. That agency, which was known in the early days as Roman Press Agency, was the seed for what was to become the Inter Press Service (IPS) news agency, which was formally established at a meeting in the Schloss Eichholz conference centre of the Konrad Adenauer Foundation (the foundation of the CDU), in Wesseling near Bonn, then the capital city of West Germany. From the outset, it was decided that IPS would be a non-profit cooperative of journalists and its statute declared that two-thirds of the members should come from the South. Roberto Savio gave IPS its unique mission – “giving a voice to the voiceless” – acting as a communication channel that privileges the voices and the concerns of the poorest and creates a climate of understanding, accountability and participation around development, promoting a new international information order between the South and the North. The agency grew rapidly throughout the 1970s and 1980s until the dramatic events of 1989-91 – the fall of the Berlin Wall and the collapse of the Soviet Union – prompted new goals and definitions: IPS was the first news outlet to identify itself as “global” and define the new concept of neoliberal globalisation as contributing to the distancing of developing countries from wealth, trade and policy-making. IPS offers communication services to improve South–South cooperation and South-North exchanges and carries out projects with international partners to open up communication channels to all social sectors. IPS has been recognised by the United Nations and granted NGO consultative status (category I) with ECOSOC. With the strengthening of the process of globalisation, IPS has dedicated itself to global issues, becoming the news agency for global civil society: more than 30,000 NGOs subscribe to its services, and several million people are readers of its online services. Under Roberto Savio, IPS won the Washington-based Population Institute’s “most conscientious news service” award nine time in the 1990s, beating out the major wire services year in and year out.IPS won FAO’s A.H. Boerma Award for journalism in 1997 for its "significant contribution to covering sustainable agriculture and rural development in more than 100 countries, filling the information gap between developed and developing countries by focusing on issues such as rural living, migration, refugees and the plight of women and children". On the initiative of Roberto Savio, IPS established the International Journalism Award in 1985 to honour outstanding journalists whose efforts, and often lives, contributed significantly to exposing human rights violations and advancing democracy, most often in developing countries. In 1991, the scope of the award was broadened to reflect the tremendous changes taking place in the world following the historic break-up of the Soviet Union and the end of the Cold War. The Award, renamed the International Achievement Award, was given in recognition of the work of individuals and organisations that “continue to fight for social and political justice in the new world order”. Roberto Savio is now President Emeritus of IPS and Chairman of the IPS Board of Trustees, which also includes former U.N. Secretary-General Boutros Boutros-Ghali, former Portuguese President Mario Soares, former UNESCO Director-General Federico Mayor Zaragoza, former Finnish President and Nobel Peace Prize laureate Martti Ahtisaari, former Costa Rican President and Nobel Peace Prize laureate Oscar Arias and former Japanese Prime Minister Toshiki Kaifue. After stepping down as Director-General of IPS, Roberto Savio has continued his interest in “alternative” communication and information, founding Other News as an international non-governmental association of people concerned about the decline of the information media. Other News In 2008, Roberto Savio launched the online Other News service to provide “information that markets eliminate”. Other News publishes reports that have already appeared in niche media but not in mass circulation media, in addition to opinions and analyses from research centres, universities and think tanks – material that is intended to give readers access to news and opinion that they will not find in their local newspapers but which they might wish to read “as citizens who care about a world free from the pernicious effects of today’s globalisation”. Other News also distributes daily analysis on international issues, particularly the themes of global governance and multilateralism, to several thousand policy-makers and leaders of civil society, in both English and Spanish. Communication initiatives An internationally renowned expert in communications issues, Roberto Savio has helped launched numerous communication and information projects, always with an emphasis on the developing world. Among others, Roberto Savio helped launch the National Information Systems Network (ASIN) for Latin America and the Caribbean, the UNESCO-sponsored Agencia Latinoamericana de Servicios Especiales de Informacion [Latin American Special Information Services Agency] (ALASEI), and the Women’s Feature Service (WFS), initially an IPS service and now an independent NGO with headquarters in New Delhi. He also founded the Technological Information Promotion System (TIPS), a major U.N. project to implement and foster technological and economic cooperation among developing countries, and he developed Women into the New Network for Entrepreneurial Reinforcement (WINNER), a TIPS training project aimed at educating and empowering small and medium woman entrepreneurs in developing countries. The activities of TIPS are currently carried by the executing agency, Development Information Network (DEVNET), an international association which Roberto Savio helped create and which has been recognised by the United Nations as an NGO holding consultative status (category I) with the U.N. Economic and Social Council (ECOSOC). Roberto Savio has also been actively involved in promoting exchanges between regional information services, such as between ALASEI and the Organisation of Asian News Agencies (OANA) now known as the Organisation of Asia-Pacific News Agencies, and between the PanAfrican News Agency (PANA) and the Federation of Arab News Agencies (FANA). Roberto Savio was instrumental in placing the concept of a Development Press Bulletin Service Tariff on the agenda of UNESCO’s International Commission for the Study of Communication Problems (MacBride Commission). Roberto Savio has also worked closely in the field of information and communication with many United Nations organisations, including the United Nations Development Programme (UNDP), the United Nations Environment Programme (UNEP), the United Nations Educational, Scientific and Cultural Organisation (UNESCO), the United Nations Population Fund (UNFPA), the United Nations Children’s Fund (UNICEF) and the United Nations Institute for Training and Research (UNITAR). Achievements and awards In 1970, Roberto Savio received the Saint-Vincent Award for Journalism, the most prestigious journalism award in Italy, for a five-part series on Latin America which was recognised as “best TV transmission”. He was awarded the Hiroshima Peace Award in 2013 for his “contribution towards the construction of a century of peace by ‘giving voice to the voiceless’ through Inter Press Service for nearly five decades”. The award was established by Soka Gakkai, a lay Buddhist organisation based in Tokyo. He received the Joan Gomis Memorial Award (Catalunya) for Journalism for Peace in 2013.In October 2016, during the 31st Festival of Latin American Cinema in Trieste, Italy, Roberto Savio received the "Salvador Allende" award, given to honour a personality from the world of culture, art or politics who actively supported the conservation of Latin America's rich history and culture.In 2019, he received a special diploma from the President of Chile, Michelle Bachelet, for his role of solidarity during the Chilean military dictatorship. He was appointed by President of the Republic Mattarella, one of the twelve Knights of the Order of Merit of the Italian Republic for 2021. He also received an honorary degree in political science from the United Nations Peace University in 2021. Advisory activities Roberto Savio served as Senior Adviser for Strategies and Communication to the Director General of the International Labour Organization (ILO) from 1999 to 2003. He also served as an internal communication consultant to Catherine Bertini, Executive Director of the World Food Programme (WFP), in 2000. Affiliations From 1999 to 2003, Roberto Savio was a board member of the Training Centre for Regional Integration, based in Montevideo, Uruguay. After several years as a member of the Governing Council of the Society for International Development (SID), the world’s oldest international civil society development organisation, he was elected Secretary-General for three terms, and is now the organisation’s Secretary-General Emeritus. Roberto Savio was founder and President of Indoamerica, an NGO that promotes education in poor areas of Argentina suffering from social breakdown. He has been a member of the International Committee of the World Social Forum (WSF) since it was established in 2001, a member of the International Council and was elected as Coordinator of the ‘Media, Culture and Counter-Hegemony’ thematic area at WSF 2003. Roberto Savio is co-founder of Media Watch International, based in Paris, of which he is Secretary General. Until 2009, Roberto Savio was Chairman of the Board of the Alliance for a New Humanity, an international foundation established in Puerto Rico, which has been promoting the culture of peace since 2001 and whose Board includes thinker Deepak Chopra, Spanish judge Balthazar Garzon, Nobel prize winners Oscar Arias and Betty Williams, and philanthropists Ray Chambers, Solomon Levis and Howard Rosenfield. He is now a member of the Board.He is Deputy Director of the Scientific Council of the New Policy Forum (formerly the World Policy Forum), founded by Mikhail Gorbachev and based in Luxembourg, to provide a space for reflection and new thinking on the current international situation by influential global leaders. Roberto Savio is responsible for international relations of the European Centre for Peace and Development, based in Belgrade, whose mission is to contribute to peace and development in Europe and to international cooperation in the transfer of knowledge based on the premise that development under conditions of peace is only possible when conceived as human development. Roberto Savio is Chairman of Accademia Panisperna, a cultural meeting space in the centre of Rome, and is President of Arcoiris TV, an online TV channel with the world’s largest collection of videos and registrations of political and cultural events (over 70,000 hours), based in Modena, Italy. In 2016, Roberto Savio started contributing on a monthly basis to the Wall Street International Magazine with an economical and political column. Films and publications In 1972, Roberto Savio produced a three-part documentary on Che Guevara titled ‘Che Guevara – Inchiesta su un mito’ (Che Guevara – Investigation of a Myth), and has also produced five films, two of which were presented at the Venice and Cannes film festivals. Roberto Savio has published several books, including ‘Verbo America’ together with Alberto Luna (1990), which deals with the cultural identity of Latin America, and ‘The Journalists Who Turned the World Upside Down’ (2012), which has been published in three languages (English, Italian and Spanish), is a collection of narratives by over 100 IPS journalists and key global players, including Nobel Peace Prize laureates, who have supported the agency. It looks at information and communication as key elements in changes to the old post-Second World War and post-Cold War worlds. It provides an insight into the idealism that fired many of those who worked for the agency as well as the high esteem in which it was held by many prominent figures in the international community. In October 2016, Roberto Savio presented the first Other News publication: “Remembering Jim Grant: Champion for Children”, an online edition of the book dedicated to Jim Grant, UNICEF Executive Director 1980-1995, who saved 25 million children Current activities Roberto Savio is currently engaged in a campaign for the governance of globalisation and social and climate justice, which takes him as a speaker to numerous conferences worldwide, and about which he produces a continuous stream of articles and essays.He is Deputy Director of the Scientific Council of the New Policy Forum (formerly the World Policy Forum), founded by Mikhail Gorbachev and based in Luxembourg, to provide a space for reflection and new thinking on the current international situation by influential global leaders. Roberto Savio is responsible for international relations of the European Centre for Peace and Development, based in Belgrade, whose mission is to contribute to peace and development in Europe and to international cooperation in the transfer of knowledge based on the premise that development under conditions of peace is only possible when conceived as human development. Roberto Savio is Chairman of Accademia Panisperna, a cultural meeting space in the centre of Rome, and is President of Arcoiris TV, an online TV channel with the world’s largest collection of videos and registrations of political and cultural events (over 70,000 hours), based in Modena, Italy. Member of the Executive Committee for Fondazione Italiani, established in Rome, which publishes an online weekly magazine and organizes conferences about global issues. Member of the Maurice Strong Sustainability Award Selection Panel, established by the Global Sustainability Forum. External links Roberto Savio's stories published by IPS News Other News service Roberto Savio's stories on Other News Other News Facebook page Roberto Savio's Facebook page PREMIO SALVADOR ALLENDE A ROBERTO SAVIOInterviews and Articles The ‘Acapulco Paradox’ – Two Parallel Worlds Each Going Their Own Way What if Youth Now Fight for Social Change, But From the Right? Global governance and common values: the unavoidable debate Banks, Inequality and Citizens It is now official: the current inter-governmental system is not able to act in the interest of humankind Europe has lost its compass Ever Wondered Why the World is a Mess? Sliding Back to the Victorian Age Global Inequality and the Destruction of Democracy A Future With No Safety Net? How Brutal Austerity Cuts Are Dismantling the European Dream WE NEED BETTER, NOT MORE, INFORMATION Passage 8: Anangabhima Deva III Anangabhima Deva III was an Eastern Ganga monarch who ruled an early medieval Odisha centered empire in eastern India from the year 1211 CE to 1238 CE. He was successful in maintaining a large extent of territory that stretched from the river Ganga in the north to Godavari in the South. He had successfully defeated the Kalachuris on the western frontiers of the empire and established a matrimonial alliance with them. His brother or brother in law, Rajaraja II became the ruler of the Dynasty in 1198. When Anangabhima III came into power, in 1211, he expelled the Muslims of Bengal from his kingdom. He had a son, Narasingha Deva I, who would later invade Bengal in 1244, and captured the capital city, Gauda. He was a reformist in the social and spiritual structure of the Odia society as the vaishnavite deity Jagannath was declared as the supreme ruler of the empire and the emperor as the deputy under him. The Madala Panji records he claiming himself as Shri Purushottama dedicating everything to lord Jagannath. He built Pradaskhina mandapa of Srikurmam temple. Foundation of Bidanasi Katak or Cuttack City Ananga Bhima Deva III became the ruler of the ancient land of Kalinga in the year 1211 A.D. At the time of his coronation, his kingdom faced repeated attacks from the Muslim forces of Ghiyasuddin Iwaj Shah, the ruler of Bengal. The Kalachuri kings had been struggling to take over the territory of Odisha from the times of the Somavanshi rulers and the western frontier of Anangabhima's kingdom was repeatedly violated by them. Anangabhima chose the strategic location on the bifurcation of rivers Mahanadi and Kathajodi for the site of his new capital and moved his capital to Bidanasi Katak. In 1230 A.D he moved his headquarters to the new capital. Katak literally means a fortification. The city was named as Bidanasi Katak (new Varanasi fort) and a new fort complex called Barabati was constructed to build up his military force under the guidance of his able Brahman minister and military adviser named as Vishnu. Military career and achievements Anangabhima Deva III was the most successful achiever of military objectives after a long line of limited rulers in the region. While regaining lost territories, he also managed to defend his kingdom from greater threats of the Bengal Muslim rulers by crossing over into their territory and also expanded his empire in southern India till Srirangam that is situated in the heart land of today's Tamil Nadu state. Victory Over the Kalachuris at Seori Narayana Anangabhima Deva III was at the threshold of the continuous conflict with the eventually depleting Ratnapura Kalachuri dynasty which had defeated the Somavamshis and occupied the western tracts of ancient Kalinga kingdom at its height in the past or the complete Tri Kalinga region. The southern Haihaya kings of Tumana in modern Bilaspur district were also to a certain extent fighting against the Ganga forces. Anantavarman Chodaganga Deva , the ancestor of Anangabhimadeva III was unsuccessful in reclaiming these lost territories despite his numerous military achievements. The Kalachuri king, Pratapmalla continued his attempts to invade the frontiers of the Ganga territory along with his son Paramardi Dev. Anangabhima send a large force under the command of his able Brahman commander, Vishnu. The two forces met face to face at the Seori Narayana village in undivided Sambalpur district on the banks of the river called Bhima near the Vindhya hills and the Kalchuris were defeated for the first time in a major way by the Gangas. According to the Chateswara Temple Inscription of Anangabhima mentions that Vishnu terrorized the Kalachuri king to an extent when he lost his psychological balance.Vindhyadreradhisima-Bhimatatini-kunje....Vishnu-Vishnu-. Rasavasaviti-Bhayadvai-Tandisah-Pasyatah....Visvam-Visnumayam Yatha Parinatam Tummana Prithivipateh Which means: Vishnu, the Brahamin minister and general of Anangabhima Deva III frightened the king of Tummana on the bank of the Bhima river near Vindhyas so much so that the latter perceived Vishnu every where through out his kingdom. Pratapmalla was taken prisoner and forced to cede the Sambalpur-Sonepur-Bolangir tracts along with parts of what is now Chhattishgarh state to the Ganga kingdom. Later with the advice of his minister Vishnu, Anangabhima established a diplomatic and matrimonial alliance with the Kalachuris by offering the hand of his daughter Chandrika in marriage to the Kalachuri prince, Parmardi Dev. Once the alliance was secured, the Ganga forces multiplied in strength. This diplomatic decision was made keeping in eye the long term prospects of a major threat from the Muslim rulers of Bengal. Chandrika, the Ganga Princess Chandrika, the daughter of Anangabhima III was an expert in music and dance. She was a devout Vaishnavite and later built the Ananta Vasudeva temple at Bhubaneswar with the permission of his brother Narasingha Deva I after he inherited the throne. She was married to the Haihaya prince Parmardi Deva by the wishes of her father for the foundation of a military alliance through a marital relation between the Eastern Gangas and the Kalachuri-Haihaya princedoms of Tumana. She lost her gallant Haihaya husband in the final recorded battle of Narasingha Deva I's invasion of Bengal at Umurdan (Amarda in Mayurbhanj district). Paramardi Deva had led the Eastern Ganga forces with possibly the other conscript soldiers from the independent and Semi independent Hindu kingdoms in Eastern India against the Muslim rulers of Bengal under the command of his Eastern Ganga brother in law. War with the Invading Khilji Malik of Bengal (1223-1225 A.D.) After defeating the Kalchuris, Anangabhima faced a major threat from the invading Muslim forces of Khilji Maliks from Bengal. His prime enemy Ghiyasuddin Iwaj Shah, the ruler of Bengal was a successor of Muhammad bin Bakhtiyar Khilji who was a successful military general of Qutb Ud Din Aibak. Ghiyassuddin had built a powerful navy and set out for conquest of neighboring kingdoms like Kamarupa and Odisha. He invaded the northern territories and also sent naval armadas over the river Mahanadi to capture his newly founded capital, destabilize his military strength and occupy lands. During the series of these events the newly built Barabati Fort was successfully used to repulse the enemy attacks from the river. His able minister and military adviser, Vishnu commanded a force that chased the invading Muslims on the land out of northern Odisha. The inscriptions of Chateswar temple (Salepur in Cuttack district) and Ananta Vasudeva temple confirm that the Muslim forces of Bengal were defeated by the able commander Vishnu who was able to pull his bow string until his ears and shot arrows killing many enemy soldiers. Odia forces are noted to have crossed over into Bengal, giving chase to the fleeing Yavanas during the conflict as mentioned in the inscriptions. Chateswara Temple Inscription Statements Indicating the Role of Vishnu in the Battle Against the Yavanas (Muslims) :Karnottam- Sita-Savakasya-Subhata-Nekakina Nighnatah Kimbruna-Yavanavanindra-Samare Tattasaya-VarabratamAnantavasudeva Temple Inscription Statements:Yadvamse-Vaijayanti-Patamiva-Subhato-Anangabhimah Pravavah-Pradhvastaratiraja Vraja -Yuvati-Yanodgita GambhirasarahAsidasivisire-Radhikataratarasta Drugarvorugarobah-Svante Svantapasarpata Yavamapi Yavanam Sangare Sanjahara. Which Means: In Chodaganga Deva's lineage was like a flag the heroic Anangabhima, whose profound strength was celebrated by the damsels of a multitude of hostile kings destroyed by his power, and who was exceedingly proud of his swift horses, the speed of which surpassed that of snakes' foes Garuda. He made an end of the war by defeating the Yavanas with impetuosity after entering into their territory beyond the frontier. Conflicts in Southern India and Conquests till Kanchi and Srirangam (1230 A.D.) In the first stage of this campaign on his southern rival Ganapatideva, Anangabhima advanced until the Krishna river and camped there. The territories were included in the Odisha in the year 1230 A.D. However, in the second stage the Kakatiya king by the name Narasimha II defeated his forces and the territories until East Godavari were lost to the Kakatiyas. Taking advantage of the Kakatiya king Ganapati Deva's invasion on the Chola territory and according to Allalanatha temple inscription, Anangabhima III overran the Kanchipuram and Srirangam towns in south India. His queen Somaladevi Mahadevi is recorded to have made a valuable gift to the temple of Allalanatha. Anangabima became the first Eastern Ganga ruler to place his inscription in the Simhanchalam temple.Historian T.V. Mahalingam states that Anangabhima Deva III took the advantage of political situation in the Chola kingdom during the rule of Rajaraja III and occupied Kanchipuram. Anangabhimadeva might have been invited by the rebellious vassal of the Chola ruler Kopperunjinga who had imprisoned Rajaraja III at Sandamangalam in the south Arcot district. Vira Narasimha II of the Hoysala dynasty who reinstated Rajaraja III back on the throne has also inscribed that he uprooted a contingent of Kalingan forces from the city of Kanchipuram.This eventful conflicts in the southern regions let the Odishan forces extend their hegemony till the Krishna river in the south. Personality, Constructive Activities and Cultural Contribution Srikumam and Draksarama inscriptions mention that Anangabhima was a devout Vaishnavite and extremely spiritual person. The Allalnath Perumal inscription at Kanchipuram of his wife Somaladevi says he used to follow the fasting ritual of Ekadasibrata of Vaishnavism and was the son of Purrushottama (a name of Vishnu). He assumed the title of Anangabhima-Rauta-Deva (Rauta meaning deputy) and declared himself as the sole deputy of Lord Purushottama or Lord Jagannath. He also assumed the titles of Parama Vaishnava and Parama Mahesvara to legalize his higher spiritual position in the state. It was during his rule that Lord Jagannath of Puri was officially accepted as the national deity. In the year 1238 A.D. he declared his regnal year or Anka as the regnal year of Lord Purushottama. He is speculated to have build a new Jagannath temple at Cuttack, his newly founded capital city along with two Shiva temples like Meghesvara at Bhubaneswar. Anangbhima Deva III is also credited for the construction of the Chateswara Shiva temple situated near Salepur in Cuttack district along with the Jagannath temple at Jajpur town that was destroyed by the invading forces of Suleiman Karani in the sixteenth century and was later rebuild by Maratha ruler Raghuji Bhonsle I of Nagpur in the eighteenth century. He had also erected the original Baladevjew temple at Tulasi Khetra in Kendrapada and it was later demolished by the Mughal subedar of Aurangzeb named as Khan-I- Dwina in 1663 to erect a Mosque. The original deities were taken into hiding by the priests and later restored to a new location and in a new temple erected after a century by local Zamindars and rulers with the permission of the Maratha ruler Janoji. The later temple is still existing while the Mosque stands on the original site. During his rule the leaning temple of Huma at Sambalpur was also built which was later renovated or reconstructed by Chauhan kings in seventeenth century. Anangabhima Deva financed and monitored constructions along with serious maintenance activities of the old structures within the Jagannath temple complex at Puri. Some four inscriptions recording details about daily food offerings and land donations to lord Jagannath has been found in the entrance walls of Pataleswara temple inside the complex. Anangabhima Deva declared himself as Purushottamaputra, Rudraputra and Durgaputra in his Draksarama inscription. This indicates the state policy of all the three Brhaminical cults came together under a harmonious unified spiritual structure during his rule. He donated to multiple Shaiva shrines across his empire. He completed the construction of Puri Jagannath temple. He introduced the Chattishaniyoga or 36 types of services to the lord Jagannath. Some four recorded inscriptions of the Ganga king has been found inside the Jagannath temple of Puri and in which mentions about huge land grants to the temple and lord Jagannath. He had also introduced the ‘Panda’ or priest care system at the Puri shrine. The Draksarama Nagari plate inscription also credits him for making many land grants to the Brahmins. His Chatesvara temple inscription states that he undertook numerous public welfare projects for construction of roads, tanks, houses and temples for the people. As per the Madalapanji temple records of Puri Jagannath, the king undertook a land settlement by the assistance of his two revenue ministers Damodar Badapanda and Isana Pattanayak. The total revenue collected during his rule was four crores and forty-three lakhs of tankas. He also ordered repairing of old temples and places of historical significance. Temples built Chateshwar Temple Original Baladevjew Temple in Kendrapara (Demolished by Mughals in 1663 and a Masjid erected on its foundation) Original Jagannath Temple in Jajpur Town (Damaged by invading Muslim army of Suleiman Karani from Bengal 1568-1569) Original Shaivite temple at Huma in Sambalpur (It was rebuilt from its ruins by Chauhan king Baliar Singh who ruled from 1660 to 1690 A.D.) Meghesvara Temple Naganath Temple, Nagena, Dhenkanal Jagannath Temple at Cuttack (No more existing) Renovations or construction of additional structures at Puri Jagannath temple. Completion of the sanctum happened during this time. See also Eastern Ganga Dynasty Narasimha Deva I Passage 9: Amyntas III of Macedon Amyntas III (Ancient Greek: Ἀμύντας) was king of the ancient Greek kingdom of Macedonia from 393/2 to 388/7 BC and again from 387/6 to 370 BC. He was a member of the Argead dynasty through his father Arrhidaeus, grandson of Amyntas, one of the sons of Alexander I. His most famous son is Philip II, father of Alexander the Great. Family Polygamy was used by Macedonian kings both before and after Amyntas to secure marriage alliances and produce enough heirs to offset losses from intra-dynastic conflict. Consequently, Amyntas took two wives: Eurydice and Gygaea. He first married the former, daughter of the Lyncestian-Illyrian Sirras, by 390 BC and possibly in the aftermath of an Illyrian invasion. Through Eurydice, Amyntas had three sons, all of whom became kings of Macedonia one after the other, and a daughter: Alexander II, Perdiccas III, Philip II, and Eurynoe. The Roman historian Justin relates several, possibly apocryphal, stories about Eurydice and Eurynoe. He claims that Eurynoe prevented her mother and her lover (unnamed, but likely Ptolemy of Aloros) from assassinating Amyntas late in his reign by revealing the plan to her father. However, Eurynoe is not referred to by name in any other source and, moreover, is unlikely to have known the details of this supposedly secret plot. According to Justin, Amyntas spared Eurydice because they shared children, but that she would later help murder Alexander and Perdiccas in order to place Ptolemy on the throne. Alexander was in fact killed by friends of Ptolemy at a festival in 368, but the extent to which Eurydice knew of or participated in this plot is opaque. Perdiccas, on the other hand, assassinated Ptolemy in 365 only to be killed in battle by the Illyrians in 359.Amyntas most likely married Gygaea soon after marrying Eurydice, because Gygaea's children made no attempt to claim the throne before the 350s, implying that they were younger than Eurydice's children. Additionally, both Diodorus and Justin call Alexander II the eldest son of Amyntas. Through Gygaea, Amyntas had three more sons: Archelaus, Arrhidaeus, and Menelaus. Unlike Eurydice's children, none of Gygaea's sons ascended to the throne and were all killed by their half-brother Philip II.Amyntas also adopted the Athenian general Iphicrates around 386 in recognition of his military services and marital ties with the Thracian king, Cotys I. Lineage and accession Amyntas became king at a troubled time for Macedonia and the Argead dynasty. The unexpected death of his great-grandfather King Alexander I in 454 BC triggered a dynastic crisis between his five sons: Perdiccas II, Menelaus, Philip, Alcetas, and Amyntas' grandfather, Amyntas. Perdiccas would eventually emerge victorious, extinguishing the line of Philip. The elder Amyntas evidently retired to his lands at some point in the conflict and no part in the exercise of power. Archelaus, Perdiccas' son, ascended to the throne around 413 and allegedly murdered Alcetas and his son, thus eliminating that family branch as well. However, Archelaus would himself be killed, possibly murdered, in 400 or 399 by his lover Craterus. His death prompted another succession crisis, resulting in five kings ruling in less than seven years, with nearly all ending violently. As Diodorus tells us, the younger Amyntas seized the throne at this point in 393/2 after assassinating the previous king Pausanias. Following his accession, Macedonia experienced no major internal political problems for the entirety of Amyntas' reign. King of Macedon Shortly after he became king in 393 or 392, he was driven out by the Illyrians, but in the following year, with the aid of the Thessalians, he recovered his kingdom. Medius, head of the house of the Aleuadae of Larissa, is believed to have provided aid to Amyntas in recovering his throne. The mutual relationship between the Argeadae and the Aleuadae dates to the time of Archelaus. To shore up his country against the threat of the Illyrians, Amyntas established an alliance with the Chalcidian League led by Olynthus. In exchange for this support, Amyntas granted them rights to Macedonian timber, which was sent back to Athens to help fortify their fleet. With money flowing into Olynthus from these exports, their power grew. In response, Amyntas sought additional allies. He established connections with Kotys, chief of the Odrysians. Kotys had already married his daughter to the Athenian general Iphicrates. Prevented from marrying into Kotys' family, Amyntas soon adopted Iphicrates as his son. After the King's Peace of 387 BC, Sparta was anxious to re-establish its presence in northern Greece. In 385 BC, Bardylis and his Illyrians attacked Epirus instigated and aided by Dionysius I of Syracuse, in an attempt to restore the Molossian king Alcetas I of Epirus to the throne. When Amyntas sought Spartan aid against the growing threat of Olynthus, the Spartans eagerly responded. That Olynthus was backed by Athens and Thebes, rivals to Sparta for the control of Greece, provided them with an additional incentive to break up this growing power in the north. Amyntas thus concluded a treaty with the Spartans, who assisted him in a war against Olynthus. First Spartan-Macedonian forces suffered two defeats but in 379 they managed to destroy Olynthus. He also entered into a league with Jason of Pherae, and assiduously cultivated the friendship of Athens. In 371 BC at a Panhellenic congress of the Lacedaemonian allies, he voted in support of the Athenians' claim and joined other Greeks in voting to help Athens to recover possession of Amphipolis.With Olynthus defeated, Amyntas was now able to conclude a treaty with Athens and keep the timber revenues for himself. Amyntas shipped the timber to the house of the Athenian Timotheus, in Piraeus. Amyntas died aged 50, leaving his throne to his eldest son, Alexander II. See also Treaties between Amyntas III and the Chalcidians Amyntaio Citations External links Coins of Amyntas III Atheno-Macedonian Alliance-Translation of Epigraphy Passage 10: Baglan Mailybayev Baglan Mailybayev (Kazakh: Бағлан Асаубайұлы Майлыбаев, Bağlan Asaubaiūly Mailybaev) was born on 20 May 1975 in Zhambyl region, Kazakhstan. His nationality is Kazakh. He is a politician of the Republic of Kazakhstan, Deputy Head of the Presidential Administration of the Republic of Kazakhstan, Doctor of Law (2002) (under the supervision of Professor Zimanov S.Z. – scientific advisor and academician of National Academy of Sciences of the Republic of Kazakhstan) and PhD in political science (1998). Biography In 1996 he obtained a bachelor's degree in journalism from the Kazakh State National University named after Al-Farabi. In 1998 he was awarded a degree of PhD in political science after graduating from a graduate school of Political Science and Political Administration of the Russian Academy of Public Administration under the president of the Russian Federation. Between 1998 and 2002 he used to work as a senior researcher at the Institute of State and Law of the National Academy of Sciences of the Republic of Kazakhstan as well as a lecturer at the Kazakh State University of International Relations and World Languages named after Abylai Khan. Between February and May 2002 he worked as the Head of Mass Media Department of the Ministry of Culture, Information and Public Accord of the Republic of Kazakhstan. Between May 2002 and September 2003 he was a President of the Joint Stock Company "Republican newspaper "Kazakhstanskaya Pravda"". Between September 2003 and December 2004 he was a President of the Joint Stock Company "Zan". Since December 2004 he had served as the Head of the Press office of the President of the Republic of Kazakhstan. Since October 2008 he had been a Chairman of the Committee of Information and Archives of Ministry of Culture and Information of the Republic of Kazakhstan. Since December 2008 he had been a Vice Minister of Culture and Information of the Republic of Kazakhstan. Between June 2009 and October 2011 he worked as Press Secretary of the President of the Republic of Kazakhstan. In October 2011 he was appointed as a Deputy Head of the Presidential Administration of the Republic of Kazakhstan by the Presidential decree. Personal life Marital status: He is married and has two children. Awards Baglan Mailybayev was awarded "Kurmet", "Parasat" orders, medals and a letter of acknowledgement of the President of the Republic of Kazakhstan. In 1998 he became a prizewinner at the award of Young Scientists of National Academy of Sciences of the Republic of Kazakhstan. Publications He is the author of 4 monographs and more than 150 scientific publications, published in Kazakhstani as well as in foreign editions. He is also the author of a number of feature stories, supervisor and a scriptwriter of television projects and documentaries. Research interests Comparative Political Science, Theory of State and Law, History of State and Law, Constitutional Law. Language abilities: He speaks Kazakh, Russian and English fluently. Note The predecessor of Baglan Mailybayev at the position of a Deputy Head of the Presidential Administration of the Republic of Kazakhstan was Maulen Ashimbayev.

doc_9

Passage 1: Dance of Death (disambiguation) Dance of Death, also called Danse Macabre, is a late-medieval allegory of the universality of death. Dance of Death or The Dance of Death may also refer to: Books Dance of Death, a 1938 novel by Helen McCloy Dance of Death (Stine novel), a 1997 novel by R. L. Stine Dance of Death (novel), a 2005 novel by Douglas Preston and Lincoln Child Theatre and film The Dance of Death (Strindberg play), a 1900 play by August Strindberg The Dance of Death, a 1908 play by Frank Wedekind The Dance of Death (Auden play), a 1933 play by W. H. Auden Film The Death Dance, a 1918 drama starring Alice Brady The Dance of Death (1912 film), a German silent film The Dance of Death (1919 film), an Austrian silent film The Dance of Death (1938 film), crime drama starring Vesta Victoria; screenplay by Ralph Dawson The Dance of Death (1948 film), French-Italian drama based on Strindberg's play, starring Erich von Stroheim The Dance of Death (1967 film), a West German drama film Dance of Death or House of Evil, 1968 Mexican horror film starring Boris Karloff Dance of Death (1969 film), a film based on Strindberg's play, starring Laurence Olivier Dance of Death (1979 film), a Hong Kong film featuring Paul Chun Music Dance of Death (album), a 2003 album by Iron Maiden, or the title song The Dance of Death & Other Plantation Favorites, a 1964 album by John Fahey The Dance of Death (Scaramanga Six album) "Death Dance", a 2016 song by Sevendust See also Dance of the Dead (disambiguation) Danse Macabre (disambiguation) Bon Odori, a Japanese traditional dance welcoming the spirits of the dead La danse des morts, an oratorio by Arthur Honegger Totentanz (disambiguation) Passage 2: Sennedjem Sennedjem was an Ancient Egyptian artisan who was active during the reigns of Seti I and Ramesses II. He lived in Set Maat (translated as "The Place of Truth"), contemporary Deir el-Medina, on the west bank of the Nile, opposite Thebes. Sennedjem had the title "Servant in the Place of Truth". He was buried along with his wife, Iyneferti, and members of his family in a tomb in the village necropolis. His tomb was discovered January 31, 1886. When Sennedjem's tomb was found, it contained furniture from his home, including a stool and a bed, which he used when he was alive.His titles included Servant in the Place of Truth, meaning that he worked on the excavation and decoration of the nearby royal tombs. See also TT1 – (Tomb of Sennedjem, family and wife) Passage 3: Kristján Eldjárn Kristján Eldjárn (Icelandic: [ˈkʰrɪstjaun ˈɛltjaurtn̥]; 6 December 1916 – 14 September 1982) was the third president of Iceland, from 1968 to 1980. Biography Kristján was born in Tjörn, Svarfaðardal, Iceland. His parents were Þórarinn Kr. Eldjárn, a teacher in Tjörn, and Sigrún Sigurhjartardóttir. He graduated in archaeology from the University of Copenhagen and taught at the University of Iceland. In 1957 he was awarded a doctorate for his research into pagan burials in Iceland. He was a teacher at the Akureyri Grammar School and the College of Navigation in Reykjavík, becoming a curator at the National Museum of Iceland in 1945 and its Director in 1947, a position he held until the 1968 presidential election. In 1966–68 he hosted a series of educational TV programs on the (then new) Icelandic National Television (RÚV), in which he showed the audience some of the National Museum's artefacts and explained their historical context. These programs became quite popular, making him a well known and respected popular figure. This no doubt gave him the incentive needed to run in the 1968 presidential election as a politically non-affiliated candidate. Starting as the underdog in the 1968 presidential election, running against Ambassador Gunnar Thoroddsen who initially had a 70% lead in the opinion polls, Kristján won 65.6% of the vote on a 92.2% voter turnout. He was re-elected unopposed in 1972 and 1976. In 1980 he decided not to run for another term, wanting to devote his remaining years entirely to continuing his lifelong academic work. President Kristján Eldjárn died following heart surgery in Cleveland, Ohio on 13 September 1982.His son Þórarinn Eldjárn is one of Iceland's most popular authors, specializing in short stories, but also writing poetry and an occasional novel. His daughter Sigrún Eldjárn is also an author and illustrator of several children's books. Þórarinn's son, Ari Eldjárn, is Iceland's most prominent stand-up comedian. Passage 4: Place of birth The place of birth (POB) or birthplace is the place where a person was born. This place is often used in legal documents, together with name and date of birth, to uniquely identify a person. Practice regarding whether this place should be a country, a territory or a city/town/locality differs in different countries, but often city or territory is used for native-born citizen passports and countries for foreign-born ones. As a general rule with respect to passports, if the place of birth is to be a country, it's determined to be the country that currently has sovereignty over the actual place of birth, regardless of when the birth actually occurred. The place of birth is not necessarily the place where the parents of the new baby live. If the baby is born in a hospital in another place, that place is the place of birth. In many countries, this also means that the government requires that the birth of the new baby is registered in the place of birth. Some countries place less or no importance on the place of birth, instead using alternative geographical characteristics for the purpose of identity documents. For example, Sweden has used the concept of födelsehemort ("domicile of birth") since 1947. This means that the domicile of the baby's mother is the registered place of birth. The location of the maternity ward or other physical birthplace is considered unimportant. Similarly, Switzerland uses the concept of place of origin. A child born to Swiss parents is automatically assigned the place of origin of the parent with the same last name, so the child either gets their mother's or father's place of origin. A child born to one Swiss parent and one foreign parent acquires the place of origin of their Swiss parent. In a Swiss passport and identity card, the holder's place of origin is stated, not their place of birth. In Japan, the registered domicile is a similar concept. In some countries (primarily in the Americas), the place of birth automatically determines the nationality of the baby, a practice often referred to by the Latin phrase jus soli. Almost all countries outside the Americas instead attribute nationality based on the nationality(-ies) of the baby's parents (referred to as jus sanguinis). There can be some confusion regarding the place of birth if the birth takes place in an unusual way: when babies are born on an airplane or at sea, difficulties can arise. The place of birth of such a person depends on the law of the countries involved, which include the nationality of the plane or ship, the nationality(-ies) of the parents and/or the location of the plane or ship (if the birth occurs in the territorial waters or airspace of a country). Some administrative forms may request the applicant's "country of birth". It is important to determine from the requester whether the information requested refers to the applicant's "place of birth" or "nationality at birth". For example, US citizens born abroad who acquire US citizenship at the time of birth, the nationality at birth will be USA (American), while the place of birth would be the country in which the actual birth takes place. Reference list 8 FAM 403.4 Place of Birth Passage 5: Beaulieu-sur-Loire Beaulieu-sur-Loire (French pronunciation: ​[boljø syʁ lwaʁ], literally Beaulieu on Loire) is a commune in the Loiret department in north-central France. It is the place of death of Jacques MacDonald, a French general who served in the Napoleonic Wars. Population See also Communes of the Loiret department Passage 6: Place of origin In Switzerland, the place of origin (German: Heimatort or Bürgerort, literally "home place" or "citizen place"; French: Lieu d'origine; Italian: Luogo di attinenza) denotes where a Swiss citizen has their municipal citizenship, usually inherited from previous generations. It is not to be confused with the place of birth or place of residence, although two or all three of these locations may be identical depending on the person's circumstances. Acquisition of municipal citizenship Swiss citizenship has three tiers. For a person applying to naturalise as a Swiss citizen, these tiers are as follows: Municipal citizenship, granted by the place of residence after fulfilling several preconditions, such as sufficient knowledge of the local language, integration into local society, and a minimum number of years lived in said municipality. Cantonal (state) citizenship, for which a Swiss municipal citizenship is required. This requires a certain number of years lived in said canton. Country citizenship, for which both of the above are required, also requires a certain number of years lived in Switzerland (except for people married to a Swiss citizen, who may obtain simplified naturalisation without having to reside in Switzerland), and involves a criminal background check.The last two kinds of citizenship are a mere formality, while municipal citizenship is the most significant step in becoming a Swiss citizen. Nowadays the place of residence determines the municipality where citizenship is acquired, for a new applicant, whereas previously there was a historical reason for preserving the municipal citizenship from earlier generations in the family line, namely to specify which municipality held the responsibility of providing social welfare. The law has now been changed, eliminating this form of allocating responsibility to a municipality other than that of the place of residence. Care needs to be taken when translating the term in Swiss documents which list the historical "Heimatort" instead of the usual place of birth and place of residence. However, any Swiss citizen can apply for a second, a third or even more municipal citizenships for prestige reasons or to show their connection to the place they currently live – and thus have several places of origin. As the legal significance of the place of origin has waned (see below), Swiss citizens can often apply for municipal citizenship for no more than 100 Swiss francs after having lived in the same municipality for one or two years. In the past, it was common to have to pay between 2,000 and 4,000 Swiss francs as a citizenship fee, because of the financial obligations incumbent on the municipality to grant the citizenship. A child born to two Swiss parents is automatically granted the citizenship of the parent whose last name they hold, so the child gets either the mother's or the father's place of origin. A child born to one Swiss parent and one foreign parent acquires the citizenship, and thus the place of origin, of the Swiss parent. International confusion Almost uniquely in the world (with the exception of Japan, which lists one's Registered Domicile; and Sweden, which lists the mother's place of domicile as place of birth), the Swiss identity card, passport and driving licence do not show the holder's birthplace, but only their place of origin. The vast majority of countries show the holder's actual birthplace on identity documents. This can lead to administrative issues for Swiss citizens abroad when asked to demonstrate their actual place of birth, as no such information exists on any official Swiss identification documents. Only a minority of Swiss citizens have a place of origin identical to their birthplace. More confusion comes into play through the fact that people can have more than one place of origin. Significance and history A citizen of a municipality does not enjoy a larger set of rights than a non-citizen of the same municipality. To vote in communal, cantonal or national matters, only the current place of residence matters – or in the case of citizens abroad, the last Swiss place of residence. The law previously required that a citizen's place of origin continued to bear all their social welfare costs for two years after the citizen moved away. In 2012, the National Council voted by 151 to 9 votes to abolish this law. The place of domicile is now the sole payer of welfare costs.In 1923, 1937, 1959 and 1967, more cantons signed treaties that assured that the place of domicile had to pay welfare costs instead of the place of origin, reflecting the fact that fewer and fewer people lived in their place of origin (1860: 59%, in 1910: 34%).In 1681, the Tagsatzung – the then Swiss parliament – decided that beggars should be deported to their place of origin, especially if they were insufficiently cared for by their residential community.In the 19th century, Swiss municipalities even offered free emigration to the United States if the Swiss citizen agreed to renounce municipal citizenship, and with that the right to receive welfare. See also Ancestral home (Chinese) Bon-gwan Registered domicile == Notes and references == Passage 7: Motherland (disambiguation) Motherland is the place of one's birth, the place of one's ancestors, or the place of origin of an ethnic group. Motherland may also refer to: Music "Motherland" (anthem), the national anthem of Mauritius National Song (Montserrat), also called "Motherland" Motherland (Natalie Merchant album), 2001 Motherland (Arsonists Get All the Girls album), 2011 Motherland (Daedalus album), 2011 "Motherland" (Crystal Kay song), 2004 Film and television Motherland (1927 film), a 1927 British silent war film Motherland (2010 film), a 2010 documentary film Motherland (2015 film), a 2015 Turkish drama Motherland (2022 film), a 2022 documentary film about the Second Nagorno-Karabakh War Motherland (TV series), a 2016 British television series Motherland: Fort Salem, a 2020 American science fiction drama series Other uses Motherland Party (disambiguation), the name of several political groups Personifications of Russia, including a list of monuments called Motherland See also All pages with titles containing Motherland Mother Country (disambiguation) Passage 8: Valley of Death Valley of Death may refer to: Places Valley of Death (Bydgoszcz), the site of a 1939 Nazi mass murder and mass grave site in northern Poland Valley of Death (Crimea), the site of the Charge of the Light Brigade in the 1854 Battle of Balaclava Valley of Death (Gettysburg), the 1863 Gettysburg Battlefield landform of Plum Run Valley of Death (Dukla Pass), the site of a tank battle during the Battle of the Dukla Pass in 1944 (World War II) The Valley of Death, an area of poisonous volcanic gas near the Kikhpinych volcano in Russia The Valley of Death, an area of poisonous volcanic gas near the Tangkuban Perahu volcano in Indonesia Valley of Death, a nickname for the highly polluted city of Cubatão, Brazil Other uses The Valley of Death (audio drama), a Doctor Who audio play The Valley of Death (film), a 1968 western film "Valley of Death", the flawed NewsStand: CNN & Time debut program that caused the Operation Tailwind controversy A literary element of "The Charge of the Light Brigade" by Alfred, Lord Tennyson A reference to the difficulty of covering negative cash flow in the early stages of a start-up company; see Venture capital "The Valley of Death", a song by the Swedish heavy metal band Sabaton from the 2022 album The War to End All Wars See also All pages with titles containing Valley of Death Death Valley (disambiguation) Valley of the Shadow of Death (disambiguation) Passage 9: Halldóra Eldjárn Halldóra Eldjárn (24 November 1923 – 21 December 2008) was the wife of Icelandic President Kristján Eldjárn and First Lady of Iceland from 1968 to 1980. Halldóra Ingólfsdóttir was born and raised in Ísafjörður. Her parents were Ingólfur Árnason, a businessman, and his wife Ólöf Sigríður Jónasdóttir; she was the eldest of four children. She graduated from the Commercial College of Iceland in 1942 and worked in an office in Reykjavík until her marriage to archaeologist and museum director Kristján Eldjárn in 1947. They lived in Reykjavík and had four children. He retired in 1980 after three terms as President; after his death in 1982, Halldóra worked for the University of Iceland dictionary for a number of years. Passage 10: Where Was I "Where Was I?" may refer to: Books "Where Was I?", essay by David Hawley Sanford from The Mind's I Where Was I?, book by John Haycraft 2006 Where was I?!, book by Terry Wogan 2009 Film and TV Where Was I? (film), 1925 film directed by William A. Seiter. With Reginald Denny, Marian Nixon, Pauline Garon, Lee Moran. Where Was I? (2001 film), biography about songwriter Tim Rose Where Was I? (TV series) 1952–1953 Quiz show with the panelists attempting to guess a location by looking at photos "Where Was I?" episode of Shoestring (TV series) 1980 Music "Where was I", song by W. Franke Harling and Al Dubin performed by Ruby Newman and His Orchestra with vocal chorus by Larry Taylor and Peggy McCall 1939 "Where Was I", single from Charley Pride discography 1988 "Where Was I" (song), a 1994 song by Ricky Van Shelton "Where Was I (Donde Estuve Yo)", song by Joe Pass from Simplicity (Joe Pass album) "Where Was I?", song by Guttermouth from The Album Formerly Known as a Full Length LP (Guttermouth album) "Where Was I", song by Sawyer Brown (Billy Maddox, Paul Thorn, Anne Graham) from Can You Hear Me Now 2002 "Where Was I?", song by Kenny Wayne Shepherd from Live On 1999 "Where Was I", song by Melanie Laine (Victoria Banks, Steve Fox) from Time Flies (Melanie Laine album) "Where Was I", song by Rosie Thomas from With Love (Rosie Thomas album)

doc_10

Passage 1: Stella's oorlog Stella's oorlog (Dutch for Stella's war) is a 2009 Dutch drama film directed by Diederik van Rooijen. Cast Passage 2: Don Juan in a Girls' School Don Juan in a Girls' School (German: Don Juan in der Mädchenschule) is a 1928 German silent comedy film directed by and starring Reinhold Schünzel. It is based on Hans Stürm's play The Unfaithful Eckehart. The film's art direction was by Gustav A. Knauer and Willy Schiller. Two later film versions were The Unfaithful Eckehart (1931) and The Unfaithful Eckehart (1940). Cast In alphabetical order Ernst Behmer as Studienrat Meisel Adolphe Engers as Fritz Stürmer Carl Geppert as Studienrat Schäden Else Groß as Mädchen für alles bei Susanne Bach Max Gülstorff as Oberstudienrat Arminius Niedlich Julius E. Herrmann as Sala Mander Carola Höhn Valerie Jones as Eva Maria Kamradek as Susanne Bach Lydia Potechina as Frau Tiedemann F. W. Schröder-Schrom Reinhold Schünzel as Dr. Eckehart Bleibtreu Lotte Stein as Perle im Hause Bleibtreu Jakob Tiedtke as Herr Tiedemann Rolf von Goth as Prinz Osram Hilde von Stolz as Trude Passage 3: The Unfaithful Eckehart (1931 film) The Unfaithful Eckehart (German: Der ungetreue Eckehart) is a 1931 German comedy film directed by Carl Boese and starring Ralph Arthur Roberts, Fritz Schulz and Paul Hörbiger. The film is based on the play of the same title by Hans Stürm. It was remade in 1940. A silent film was made by Reinhold Schünzel in 1928 under the title Don Juan in a Girls' School. Synopsis A man who is faithful to his wife is mistakenly blamed for the philandering antics of his brother-in-law. Cast Passage 4: Diederik van Rooijen Diederik van Rooijen (born 26 December 1975) is a Dutch television and film director. Career Film Van Rooijen graduated in 2001 from the Netherlands Film Academy with his English-language film Chalk. Chalk was also one of the graduation films of cinematographer Lennert Hillege. Van Rooijen and Hillege worked together on many films in the years that followed, including Mass (2005), De bode (2005), Bollywood Hero (2009), Stella's oorlog (2009), Taped (2012) and Daylight (Daglicht) (2013).In 2002, he directed the film A Funeral for Mr. Smithee which follows an unnamed girl (Priscilla Knetemann) burying a dead bird. His short film Babyphoned won the NPS Award for Best Short Film at the 2002 Netherlands Film Festival.Van Rooijen made his feature film debut with his 2003 film Zulaika. The film is the first Antillean youth film spoken entirely in Papiamento.Van Rooijen won the UNESCO Award Prix Jeunesse for his film Genji (2006).His 2007 film Een trui voor kip Saar was made during the 2007 Netherlands Film Festival on request of the guest of honor Burny Bos who asked to adapt his 1986 children's book of the same name. Van Rooijen moved to Los Angeles late 2014 to work on projects in the United States. Van Rooijen made his debut in Hollywood with the 2018 horror film The Possession of Hannah Grace.In 2019, the film Penoza: The Final Chapter concluded the story of the television series Penoza that he also directed. The film became the best visited Dutch film of 2019. Television He directed the Dutch television series Penoza as well as episodes of the television series Meiden van de Wit, Parels & zwijnen, Keyzer & De Boer Advocaten and Spoorloos verdwenen. The television series Penoza was adapted into the 2013 American drama series Red Widow by Melissa Rosenberg. Penoza was also adapted into the 2015 Swedish television series Gåsmamman. Van Rooijen also directed many commercials for the Dutch supermarket chain Albert Heijn featuring Harry Piekema playing the role of a supermarket manager. Van Rooijen also made commercials for other companies and brands, such as McDonald's, KPN, Ziggo and Unox. He won a Bronze Lion award at the Cannes Film Festival in 2006 for his Volkswagen GTI commercial.In 2019, Van Rooijen worked on the television series Heirs of the Night based on the German book series Die Erben der Nacht written by Ulrike Schweikert. The first episode aired in October 2019 and a second season aired in 2020. He also directed the 2023 crime television series Anoniem. Filmography Film 2001: Chalk 2002: A Funeral for Mr. Smithee 2002: Babyphoned 2003: Zulaika 2005: Mass 2005: De bode 2006: Dummy 2006: Genji 2007: Een trui voor kip Saar 2007: Het boze oog 2009: Bollywood Hero 2009: Stella's oorlog 2012: Taped 2013: Daylight (Daglicht) 2018: The Possession of Hannah Grace 2019: Penoza: The Final Chapter Television 2003 – 2005: Meiden van de Wit 2005 – 2008: Parels & zwijnen 2005: Keyzer & De Boer Advocaten 2006: Spoorloos verdwenen 2008: Deadline 2010 – 2015: Penoza 2019 – 2020: Heirs of the Night 2023: Anoniem Notes Passage 5: Reinhold Schünzel Reinhold Schünzel (7 November 1888 – 11 November 1954) was a German actor and director, active in both Germany and the United States. The son of a German father and a Jewish mother, he was born in St. Pauli, the poorest part of Hamburg. Despite being of Jewish ancestry, Schünzel was allowed by the Nazis to continue making films for several years until he eventually left in 1937 to live abroad. Life in Germany Reinhold Schünzel (or Schuenzel) started his career as an actor in 1915 with a role in the film Werner Krafft. He directed his first film in 1918's Mary Magdalene and in 1920 directed The Girl from Acker Street and Catherine the Great. He was one of Germany's best-known silent film stars after World War I, a period during which films were significantly influenced by the consequences of the war. Schünzel performed in both comedies and dramas, often appearing as a villain or a powerful and corrupt man. He was influenced by filmmakers such as his mentor Richard Oswald and Ernst Lubitsch, for whom he worked as an actor in the film Madame Du Barry in 1919. Schünzel's work was very popular in Germany and the Nazi regime gave him the title of Ehrenarier or Honorary Aryan, allowing him to continue to direct and act despite his Jewish heritage (his mother was Jewish). He found that the government, first under Kaiser Wilhelm II and later under Adolf Hitler, interfered with his film projects, compelling him to leave in 1937. Schuenzel described both the Kaiser and Hitler "persons of recognized authority and the worst possible dramatic taste." Moving to the United States, he worked in Hollywood, playing Nazis and scientists. One of many examples was the film The Hitler Gang (1944), directed by John Farrow. Made in the style of a gangster film, it depicts the rise of Hitler from a small political adventurer to the dictator of Germany. Reinhold Schünzel played the role of General Erich Ludendorff. Family Schünzel had a daughter Marianne Stewart, who was born in Berlin, Germany and followed her father by becoming an actress. She appeared in Broadway plays and was known for The Facts of Life (1960), Hush...Hush, Sweet Charlotte (1964), and Time Table (1956). Schünzel in the United States Schünzel came to the United States in 1937, and began his American career in Hollywood at Metro-Goldwyn-Mayer. Among the films he directed were Rich Man, Poor Girl (1938), Ice Follies (1939), Balalaika (1939), and New Wine (1941). He also acted in films like The Hitler Gang (1944), Dragonwyck (1946), and The Vicious Circle (1948), among others. His most memorable performance was as Dr. Anderson, a Nazi conspirator, in the film Notorious released in 1946. Schünzel went to New York in 1945 to make a debut on Broadway. He acted in Temper the Wind in 1946 and Montserrat in 1949. Among the prizes he received was the Federal West German Film prize for the best supporting role in the movie My Father's Horses. He became a U.S citizen in 1943 and he returned to Germany in 1949. Schünzel died of a heart attack in Munich, Germany. Before returning to Germany, he starred in the 1949 Clifford Odets Broadway play The Big Knife. Filmography German films American films Rich Man, Poor Girl (1938, director) The Ice Follies of 1939 (1939, director) Balalaika (1939, director) The Great Awakening (1941, director) Hangmen Also Die! (1943) as Gestapo Insp. Ritter First Comes Courage (1943) as Col. Kurt von Elser Hostages (1943) as Kurt Daluege The Hitler Gang (1944) as Gen. Ludendorff The Man in Half Moon Street (1945) as Dr. Kurt van Bruecken Dragonwyck (1946) as Count De Grenier (uncredited) Notorious (1946) as Dr. Anderson Plainsman and the Lady (1946) as Michael H. Arnesen Golden Earrings (1947) as Prof. Otto Krosigk Berlin Express (1948) as Walther The Vicious Circle (1948) as Baron Arady Washington Story (1952) as Peter Kralik West German films The Dubarry (1951, director) Meines Vaters Pferde I. Teil Lena und Nicoline (1954) as Konsul Rittinghaus Meines Vaters Pferde, 2. Teil: Seine dritte Frau (1954) as Konsul Rittinghaus A Love Story (1954) as Schlumberger, Schauspieldirektor (final film role) Passage 6: Don Juan (1969 film) Don Juan (Czech: Don Šajn) is a 1969 Czechoslovak short film by Jan Švankmajer, based on traditional Czech puppet plays of the Don Juan legend. Plot Within an old dilapidated and seemingly automated theater, human-sized marionettes perform a production of the Don Juan legend without the aid of puppeteers or an audience. In the play, Don Juan's fiancée Maria is secretly seeing his brother Don Phillipe. Unbeknownst to the two lovers, Don Juan is watching them from one of the balconies. Horrified by the thought of Maria leaving him for Philippe, he calls upon his Jester servant for help. So that he can pay for a wedding, Juan sends the Fool into town to ask for money from the Mayor (Juan and Phillipe's father), under the false pretense that Juan needs the money to pay off medical bills. When Juan's father learns about his son's true intentions, he gives the Jester two coins so he and Juan can buy some rope to hang themselves with. Outraged by this, Don Juan murders his own father backstage and heads over to the garden where Maria and Philippe were planning to meet. Maria arrives shortly after, but is shocked to discover Don Juan there instead of her true love — Philippe. Demanding that she return his feelings or face the consequences, he chases after Maria but is stopped by her father, Don Vespis, who now realizes Juan is unfit to marry his daughter and threatens to have him arrested. Don Juan dispatches of Maria's father by cutting his face off, and as he lay dying, he swears his ghost will haunt Don Juan to exact his revenge. Philippe soon discovers Maria mourning her dead father, and swears to avenge them both. He eventually finds Don Juan and the two engage in a duel which ends with Philippe's gory demise. The Jester then arrives to tell Juan that there is a spectral man who wants to speak with him in the cemetery. The man turns out to be the spirit of Maria's dead father, who warns Don Juan that his soul will be dragged to Hell at midnight. As in the traditional Czech puppet plays, Juan urges children not to commit evil deeds like him. Juan's physical body keels over dead into an open grave, while his spirit is lowered into a trapdoor. Instead of being dragged into Hell as the legend suggests, the lifeless puppet merely falls into a compartment beneath the stage. Upon discovering an inanimate Don Juan, The Jester asks how he is going to get paid with his master dead. Passage 7: Don Juan in Hell (film) Don Juan in Hell (Spanish: Don Juan en los infiernos) is a 1991 Spanish drama film directed by Gonzalo Suárez. It was entered into the 17th Moscow International Film Festival. Cast Fernando Guillén as Don Juan Mario Pardo as Esganarel Charo López as Doña Elvira Héctor Alterio as Padre de Don Juan Ana Álvarez as Chiquilla India Manuel de Blas as Buhonero Iñaki Aierra as Rey Felipe II (as Ignacio Aierra) Olegar Fedoro as Marido Luis de Moor Yelena Samarina as Dama Ermita Ayanta Barilli as Dama Alicia Sánchez as Prostituta Passage 8: Henry Moore (cricketer) Henry Walter Moore (1849 – 20 August 1916) was an English-born first-class cricketer who spent most of his life in New Zealand. Life and family Henry Moore was born in Cranbrook, Kent, in 1849. He was the son of the Reverend Edward Moore and Lady Harriet Janet Sarah Montagu-Scott, who was one of the daughters of the 4th Duke of Buccleuch. One of his brothers, Arthur, became an admiral and was knighted. Their great grandfather was John Moore, Archbishop of Canterbury from 1783 to 1805. One of their sisters was a maid of honour to Queen Victoria.Moore went to New Zealand in the 1870s and lived in Geraldine and Christchurch. He married Henrietta Lysaght of Hāwera in November 1879, and they had one son. In May 1884 she died a few days after giving birth to a daughter, who also died.In 1886 Moore became a Justice of the Peace in Geraldine. In 1897 he married Alice Fish of Geraldine. They moved to England four years before his death in 1916. Cricket career Moore was a right-handed middle-order batsman. In consecutive seasons, 1876–77 and 1877–78, playing for Canterbury, he made the highest score in the short New Zealand first-class season: 76 and 75 respectively. His 76 came in his first match for Canterbury, against Otago. He went to the wicket early on the first day with the score at 7 for 2 and put on 99 for the third wicket with Charles Corfe before he was out with the score at 106 for 3 after a "very fine exhibition of free hitting, combined with good defence". Canterbury were all out for 133, but went on to win the match. His 75 came in the next season's match against Otago, when he took the score from 22 for 2 to 136 for 6. The New Zealand cricket historian Tom Reese said, "Right from the beginning he smote the bowling hip and thigh, going out of his ground to indulge in some forceful driving." Canterbury won again.Moore led the batting averages in the Canterbury Cricket Association in 1877–78 with 379 runs at an average of 34.4. Also in 1877–78, he was a member of the Canterbury team that inflicted the only defeat on the touring Australians. In 1896–97, at the age of 47, he top-scored in each innings for a South Canterbury XVIII against the touring Queensland cricket team. Passage 9: Don Juan in Sicily Don Giovanni in Sicilia, internationally released as Don Juan in Sicily, is a 1967 Italian comedy-drama film directed by Alberto Lattuada. It is loosely based on the novel with the same title by Vitaliano Brancati. Cast Lando Buzzanca: Giovanni Percolla Katia Moguy: Ninetta Marconella Katia Christine: Françoise Ewa Aulin: Wanda Stefania Careddu: Landlady Carletto Sposito: Scannapieco Elio Crovetto Passage 10: Julie Dawall Jakobsen Julie Dawall Jakobsen (born 25 March 1998) is a Danish badminton player. She won gold medals in the girls' doubles at the 2015 European Junior Championships and in the girls' singles event in 2017. Achievements European Junior Championships Girls' singles Girls' doubles BWF International Challenge/Series (7 titles, 5 runners-up) Women's singles Women's doubles BWF International Challenge tournament BWF International Series tournament BWF Future Series tournament

doc_11

Passage 1: O Valencia! "O Valencia!" is the fifth single by the indie rock band The Decemberists, and the first released from their fourth studio album, The Crane Wife. The music was written by The Decemberists and the lyrics by Colin Meloy. It tells a story of two star-crossed lovers. The singer falls in love with a person who belongs to an opposing gang. At the end of the song, the singer's lover jumps in to defend the singer, who is confronting his lover's brother (the singer's "sworn enemy") and is killed by the bullet intended for the singer. Track listing The 7" single sold in the UK was mispressed, with "Culling of the Fold" as the B-side despite the artwork and record label listing "After the Bombs" as the B-side. Music videos For the "O Valencia!" music video, The Decemberists filmed themselves in front of a green screen and asked fans to complete it by digitally adding in background images or footage. Stephen Colbert of The Colbert Report, having recently asked fans to do the same with a video of him with a light saber in front of a green screen, brought up The Decemberists on his segment "Look Who's Riding on My Coattails Now" and accused the band of stealing the idea. The Decemberists' response was to challenge Stephen Colbert to a guitar solo showdown on December 20, 2006, on The Colbert Report.On January 19, 2007, The Decemberists premiered an alternate music video of "O Valencia!", directed by Aaron Stewart-Ahn, on MTV2. The video follows a character named Patrick, played by Meloy, as he and his love Francesca (Lisa Molinaro), daughter of "the Boss", plan an escape to an unknown location. At a cafe, a man in a suit, portrayed by the band member Chris Funk, tells him to hide in the "Valencia" hotel (the Super Value Inn on North Interstate Avenue in Portland, Oregon) while he gets them the necessary documentation to escape. Above the name of the hotel, there is a neon sign that reads "Office". The letters have all burnt out except for the "O", creating the title of the song. The video then introduces other characters - various assassination teams - who sit in different rooms of the hotel waiting for the chance to catch the two lovers. Most are portrayed by other members of the band (along with Meloy's wife, Carson Ellis). They kill off any potential witnesses to their plan. Patrick manages to take down one member from each team, before they gang up on him. The Boss arrives, along with the man from the cafe, who reveals that he snitched on Patrick and Francesca. They execute Francesca, while forcing Patrick to watch. After they leave, Patrick finds a note by Francesca, which reveals that she never fell in love with him, and only wanted protection. 2 months later, Patrick and the man, who has lost an eye from a previous assassination attempt, have a sit-down at the same cafe. The man reveals that he snitched on Patrick just to take over the town. Patrick reveals that he poisoned a drink the man was having, but before he could get away, the man stabs Patrick in the neck with a fork before dying, followed by Patrick. The video is somewhat influenced by the distinct style and themes of director Wes Anderson, with bold fonts being used to introduce characters and groups on the bottom of the screen (much like in the film The Royal Tenenbaums). The band had previously (and more explicitly) drawn influence from Anderson's Rushmore in their video for "Sixteen Military Wives". The layout of the hotel is also similar to the one used in Bottle Rocket. Kurt Nishimura was chosen as the winner by mtvU for his video that depicted a love affair between a woman and her television, with the TV containing the green-screened Decemberists video footage. Passage 2: Mimi (song) "Mimi" is a popular song written by Richard Rodgers, with words by Lorenz Hart. It was featured in the movie Love Me Tonight (1932), in which it was first sung by Maurice Chevalier to Jeanette MacDonald, then later reprised by the entire company. Sergio Franchi performed this song January 2, 1964 on the ABC Television special, Victor Borge At Carnegie Hall. Sergio Franchi also recorded "Mimi" on his 1963 RCA Victor Red Seal album. Women In My Life. Passage 3: Caspar Babypants Caspar Babypants is the stage name of children's music artist Chris Ballew, who is also the vocalist and bassist of The Presidents of the United States of America. History Ballew's first brush with children's music came in 2002, when he recorded and donated an album of traditional children's songs to the nonprofit Program for Early Parent Support titled "PEPS Sing A Long!" Although that was a positive experience for him, he did not consider making music for families until he met his wife, collage artist Kate Endle. Her art inspired Ballew to consider making music that "sounded like her art looked" as he has said. Ballew began writing original songs and digging up nursery rhymes and folk songs in the public domain to interpret and make his own. The first album, Here I Am!, was recorded during the summer of 2008 and released in February 2009. Ballew began to perform solo as Caspar Babypants in the Seattle area in January 2009. Fred Northup, a Seattle-based comedy improvisor, heard the album and offered to play as his live percussionist. Northrup also suggested his frequent collaborator Ron Hippe as a keyboard player. "Frederick Babyshirt" and "Ronald Babyshoes" were the Caspar Babypants live band from May 2009 to April 2012. Both Northup and Hippe appear on some of his recordings but since April 2012 Caspar Babypants has exclusively performed solo. The reasons for the change were to include more improvisation in the show and to reduce the sound levels so that very young children and newborns could continue to attend without being overstimulated. Ballew has made two albums of Beatles covers as Caspar Babypants. Baby Beatles! came out in September 2013 and Beatles Baby! came out in September 2015. Ballew runs the Aurora Elephant Music record label, books shows, produces, records, and masters the albums himself. Distribution for the albums is handled by Burnside Distribution in Portland, Oregon. Caspar Babypants has released a total of 17 albums. The 17th album, BUG OUT!, was released on May 1, 2020. His album FLYING HIGH! was nominated for a Grammy Award for Best Children's Album. All 17 of the albums feature cover art by Ballew's wife, Kate Endle. "FUN FAVORITES!" and "HAPPY HITS!" are two vinyl-only collections of hit songs that Caspar Babypants has released in the last couple of years. Discography AlbumsPEPS (2002) Here I Am! (Released 03/17/09) Special guests: Jen Wood, Fysah Thomas More Please! (Released 12/15/09) Special guests: Fred Northup, Ron Hippe This Is Fun! (Released 11/02/10) Special guests: Fred Northup, Ron Hippe, Krist Novoselic, Charlie Hope Sing Along! (Released 08/16/11) Special guests: Fred Northup, Ron Hippe, "Weird Al" Yankovic, Stone Gossard, Frances England, Rachel Loshak Hot Dog! (Released 04/17/12) Special guests: Fred Northup, Ron Hippe, Rachel Flotard (Visqueen) I Found You! (Released 12/18/12) Special guests: Steve Turner (Mudhoney), Rachel Flotard (Visqueen), John Richards Baby Beatles! (Released 09/15/13) Rise And Shine! (Released 09/16/14) Night Night! (Released 03/17/15) Beatles Baby! (Released 09/18/2015) Away We Go! (Released 08/12/2016) Winter Party! (Released 11/18/16) Jump For Joy! (Released 08/18/17) Sleep Tight! (Released 01/19/18) Keep It Real! (Released 08/17/18) Best Beatles! (Released 03/29/19) Flying High! (Released 08/16/19) Bug Out! (released 05/1/20) Happy Heart! (Released 11/13/20) Easy Breezy! (Released 11/05/21)AppearancesMany Hands: Family Music for Haiti CD (released 2010) – Compilation of various artists Songs Stories And Friends: Let's Go Play – Charlie Hope (released 2011) – vocals on Alouette Shake It Up, Shake It Off (released 2012) – Compilation of various artists Keep Hoping Machine Running – Songs Of Woody Guthrie (released 2012) – Compilation of various artists Apple Apple – The Harmonica Pocket (released 2013) – vocals on Monkey Love Simpatico – Rennee and Friends (released 2015) – writer and vocals on I Am Not Afraid Sundrops – The Harmonica Pocket (released 2015) – vocals on Digga Dog Kid Passage 4: Dáithí Sproule Dáithí Sproule (born 23 May 1950) is a guitarist and singer of traditional Irish music. He is the grandson of Frank Carney and uncle of singer Claire Sproule. Biography Born and raised in Derry, Northern Ireland, at the age of 18 he moved to Dublin in Ireland, where he attended university. Growing up, he listened to Bob Dylan, Bert Jansch, the Beatles, British folk songs and traditional Irish music. It was in Dublin that he entered the music scene which was prominent in Ireland at the time. As a teenager he had met the Ó Domhnaill family during trips to the Gaeltacht area of Rann na Feirste in Co. Donegal, and while in Dublin they formed a band, Skara Brae who would go on to have a great effect on Irish traditional music. Dáithí is well known as a guitarist and was one of the first guitarists to use the DADGAD guitar tuning for Irish music after the originator Davy Graham. In 1992 he joined Irish supergroup Altan with whom he sings and plays guitar. Of his use of DADGAD tuning, Sproule says, it "just seemed to instantly gel with Irish music. The nature of the tuning meant that you didn't really produce anything that was terribly, drastically, offensively wrong to people. I was always a singer, but when I started playing with instrumentalists in sessions and pubs, I was able to develop a style by just playing along with them quietly and tactfully." He was deemed "a seminal figure in Irish music" by The Rough Guide to Irish Music. Sproule is also a member of various other bands and has recorded further solo albums; he also teaches DADGAD guitar and traditional songs at the Center for Irish Music in St. Paul, Minnesota. Discography Solo albums The Crow in the Sun (2007) Lost River, Vol. 1 (New Folk, 2011) A Heart Made of Glass (1995) with Altan Other bands Bright and Early (with Paddy O'Brien and Nathan Gourley - 2015 - New Folk Records) From Uig to Duluth (with Laura MacKenzie and Andrea Stern - 2014) The Pinery (with Laura MacKenzie – 2009 – New Folk Records) Seanchairde (with Tara Bingham and Dermy Diamond – 2008 – New Folk Records) Fingal (with Randal Bays and James Keane – 2008 – New Folk Records) Snug in the Blanket (with Jamie Gans and Paddy O'Brien – 2004) Overland (with Randal Bays – 2004) Trian II (with Liz Carroll and Billy McComiskey – 1995) A Thousand Farewells (with Martin and Christine Dowling – 1995) Trian (with Liz Carroll and Billy McComiskey – 1992) Stranger at the Gate (with Paddy O'Brien – 1988) The Iron Man (with Tommy Peoples – 1984) Carousel (with Seamus and Manus McGuire – 1984) Spring in the Air (with James Kelly and Paddy O'Brien – 1981) Is it Yourself? (with James Kelly and Paddy O'Brien – 1979) Skara Brae (Skara Brae – 1971) Guest appearances Four & Eight String Favorites (Bone Tone Records) 2021 - Eric Mohring & Friends Merrijig Creek - Fintan Vallely Spinning Yarns (Two Tap Records) 2015 - Norah Rendell Heigh Ho, The Green Holly (New Folk Records) 2015 - Laura MacKenzie Minnesota Lumberjack Songs (Two Tap Records) 2011 - Brian Miller Side by Side (Dawros Music) 2010 - Liz and Yvonne Kane 40 Acre Notch (New Folk Records) 2008 – the HiBs The Essential Chieftains (RCA) 2006 – The Chieftains Blue Waltz 2004 – Julee Glaub Evidence (New Folk Records) 2003 – Laura MacKenzie Over the Water (Heart Productions) 2002 – Ross Sutter Little Sparrow (Sugarhill) 2001 – Dolly Parton Lost in the Loop (Green Linnet) 2001 – Liz Carroll Shine (Swallowtail) 2001 – Katie McMahon Persevere 2000 – The Proclaimers Water from the Well (RCA) 2000 – The Chieftains Tis the Season (Compass) 1997 – Laura MacKenzie Irish Women Musicians of America (Shanachie) 1995 – Cherish the Ladies Heartsongs (Sony) 1994 – Dolly Parton Mamma, Will you Buy Me a Banana? (Heart Productions) 1991 – Ross Sutter Blue Mesa (Red House) 1989 – Peter Ostroushko Liz Carroll (Green Linnet) 1988 – with Liz Carroll Sean O'Driscoll (Shanachie/Meadowlark) 1987 – Sean O'Driscoll Capel Street (Capelhouse) 1986 – James Kelly The Streets of My Old Neighborhood (Rounder) 1983 – Peter Ostroushko Sluz Duz Music (Rounder) 1982 – Peter Ostroushko Compilations A Harvest Home: Center for Irish Music Live Recordings, Vol. 5 2013 Strings Across the North Shore 2009 Young Irish Musicians Weekend Live! 2008 – with James Kelly and Paddy O'Brien New Folk Records Sampler 2007 (New Folk Records) 2007 Masters of the Irish Guitar (Shanachie) 2006 The Independence Suite (Celtic Crossings) 2005 – with Randal Bays Simply Folk Sampler 3 (Wisconsin Public Radio) 2005 Festival International des Arts Traditionnels de Québec (Folklore) 2004 – with Trian The Ice Palace – Irish Originals from Minnesota (IMDA) 2001 The Last Bar – Irish Music from Minnesota (IMDA) 2000 Alternate Tunings Guitar Collection (String Letter) 2000 – with Trian As They Pass Through (Kieran's) 2000 Best of Thistle and Shamrock, Vol. 1 (Hearts of Space) 1999 – with Altan Celtic Colours International Festival – the Second Wave (Stephen McDonald) 1999 – with Altan A Winter's Tale (Universal) 1998 – with Altan Gaelic Roots (Kells) 1997 – with James Kelly, Paddy O'Brien and Gerry O'Connor Celtic Music from Mountain Stage (Blue Plate) 1997 – with Altan Hunger No More (Éire Arts) 1997 Passage 5: Bernie Bonvoisin Bernard Bonvoisin (French pronunciation: ​[bɛʁnaʁ bɔ̃vwazɛ̃]), known as Bernie Bonvoisin (French pronunciation: ​[bɛʁni bɔ̃vwazɛ̃], born 9 July 1956 in Nanterre, Hauts-de-Seine), is a French hard rock singer and film director. He is best known for having been the singer of Trust. He was one of the best friends of Bon Scott the singer of AC/DC and together they recorded the song "Ride On" which was one of the last songs by Bon Scott. External links Bernie Bonvoisin at IMDb Passage 6: Astrid North Astrid North (Astrid Karina North Radmann; 24 August 1973, West Berlin – 25 June 2019, Berlin) was a German soul singer and songwriter. She was the singer of the German band Cultured Pearls, with whom she released five Albums. As guest singer of the band Soulounge she published three albums. Career North had her first experiences as a singer with her student band Colorful Dimension in Berlin. In March 1992 she met B. La (Bela Braukmann) and Tex Super (Peter Hinderthür) who then studied at the Hochschule für Musik und Theater Hamburg and who were looking for a singer for their band Cultured Pearls. The trio entered the German charts with four singles and four albums. In 1994 North sang for the dance-pop band Big Light on their hit single Trouble Is. In 1996 she was a guest on the side project Little Red Riding Hood by Fury in the Slaughterhouse brothers Kai and Thorsten Wingenfelder which resulted in the release of the single Life's Too Short from the eponymous album.The song Sleepy Eyes, texted and sung by North, appears in the soundtrack of the movie Tor zum Himmel (2003) by director Veit Helmer. In 2003 she appeared at the festival Das Fest in Karlsruhe and sang alongside her own songs a cover version of the Aerosmith hit Walk This Way together with the German singer Sasha. North also toured with the American singer Gabriel Gordon.After the end of her band Cultured Pearls in 2003 North moved 2004 to New York City to write new songs, work with a number of different musicians and to experiment with her music.In 2005 she joined the charity project Home, which produced an album for the benefit of the orphans from the Beluga School for Life in Thailand which have been affected by the Indian Ocean earthquake in 2004 and the subsequent tsunami. Beside the orphans themselves also the following artists have been involved, guitarist Henning Rümenapp (Guano Apes), Kai Wingenfelder (Fury in the Slaughterhouse), Maya Saban and others. With Bobby Hebb Astrid North recorded a new version of his classic hit Sunny. It was the first time Hebb sung this song as duett and it appeared on his last album That's All I Wanna Know. North sang in 2006 My Ride, Spring Is Near and No One Can Tell on the album The Ride by Basic Jazz Lounge, a project by jazz trumpeter Joo Kraus. In addition, she worked as a workshop lecturer of the Popkurs at the Hochschule für Musik und Theater Hamburg. In spring 2010 North performed as the opening act of the Fakebling-Tour of Miss Platnum. The magazine Der Spiegel described her as one of the "leading ladies of the local soul scene". On 20 July 2012 her solo debut album North was released. On 16 September 2016 Astrid North released her second solo album, Precious Ruby, dedicated to her grandmother Precious Ruby North. North used crowdfunding to finance the album. The first single published from this album was the song Miss Lucy. In 2016 she also started her concert series North-Lichter in Berlin's Bar jeder Vernunft to which she invited singers such as Katharina Franck, Elke Brauweiler, Lizzy Scharnofske, Mia Diekow, Lisa Bassenge or Iris Romen. Life Astrid North was born in West Berlin, West Germany to Sondria North and Wolf-Dieter Radmann. She commuted between her birth city and her family in Houston, Texas until she was nine years old. In the USA she lived mainly with her grandparents and her time there significantly shaped her musical development.Besides her music career Astrid North worked also as lecturer in Hamburg at the Hochschule für Musik und Theater and as yoga teacher. North was the mother of two children, her daughter was born in 2001 and her son in 2006. Her sister Ondria North works as make-up artist and hair stylist in the German film industry. She died in June 2019 at the age of 45 years from pancreatic cancer. Discography with Cultured PearlsAlbums 1996: Sing Dela Sing (German chart position 92, 3 weeks) 1997: Space Age Honeymoon (German chart position 54, 6 weeks) 1999: Liquefied Days (German chart position 19, 9 weeks) 2002: Life on a Tuesday (German chart position 74, 1 week)Singles 1996: Tic Toc (1996) (German chart position 65, 10 weeks) 1997: Sugar Sugar Honey (German chart position 72, 9 weeks) 1998: Silverball (German chart position 99, 2 weeks) 1999: Kissing the Sheets (German chart position 87, 9 weeks)with Soulounge 2003: The Essence of the Live Event – Volume One 2004: Home 2006: Say It AllSolo 2005: Sunny (Single, Bobby Hebb feat. Astrid North) 2012: North (Album, 20. Juli 2012) 2013: North Live (Album, live recordings from different venues in Germany) 2016: Sunny (Compilation, Bobby Hebb feat. Astrid North) 2016: Precious Ruby (Album, 16. September 2016)as guest singer 1994: Trouble Is – Big Light (Single) 1996: Life's Too Short – Little Red Riding Hood (Single) 2006: Basic Jazz Lounge: The Ride – Joo Kraus (Album) Passage 7: Panda (Astro song) Astro is the first album of long duration (after the EP Le disc of Astrou) of Chilean indie band Astro, released in 2011. The first single from the album was "Ciervos" and followed "Colombo", "Panda" and "Manglares". This album was chosen by National Public Radio among the 50 discs of 2012. Track listing All tracks written by Andrés Nusser, except where noted. Ciervos (Deer) Coco (Coconut) Colombo Druida de las nubes (Druid of the clouds) Panda Miu-Miu Manglares (Mangroves) Mira, está nevando en las pirámides (Look, it's snowing in the pyramids) Volteretas (Tumbles) Pepa Nueces de Bangladesh (Nuts of Bangladesh) Miu-Miu reaparece (Miu-Miu reappears) Personnel Astro Andrés Nusser – vocals, guitar Octavio Caviares – drums Lego Moustache – keyboards, percussion Zeta Moustache – keyboards, bassProduction Andrés Nusser – producer, recording and mixing Chalo González – mixing and mastering Cristóbal Carvajal – recording Ignacio Soto – recording Passage 8: Billy Milano Billy Milano (born June 3, 1964) is an American heavy metal and hardcore punk musician. He is the singer and occasionally guitarist and bassist of crossover thrash band M.O.D., and was the singer of its predecessor, Stormtroopers of Death. Prior to these bands, Milano played in early New York hardcore band the Psychos, which also launched the career of future Agnostic Front vocalist Roger Miret. Milano was also the singer of United Forces, which included his Stormtroopers of Death bandmate Dan Lilker. Milano managed a number of bands, including Agnostic Front, for whom he also co-produced the 1997 Epitaph Records release Something's Gotta Give and roadie for Anthrax. Discography Stormtroopers of Death albums Stormtroopers of Death videos Method of Destruction (M.O.D.) Mastery Passage 9: Maurice Chevalier Maurice Auguste Chevalier (French: [moʁis ʃəvalje]; 12 September 1888 – 1 January 1972) was a French singer, actor and entertainer. He is perhaps best known for his signature songs, including "Livin' In The Sunlight", "Valentine", "Louise", "Mimi", and "Thank Heaven for Little Girls" and for his films, including The Love Parade, The Big Pond, The Smiling Lieutenant, One Hour with You and Love Me Tonight. His trademark attire was a boater hat and tuxedo. Chevalier was born in Paris. He made his name as a star of musical comedy, appearing in public as a singer and dancer at an early age before working in menial jobs as a teenager. In 1909, he became the partner of the biggest female star in France at the time, Fréhel. Although their relationship was brief, she secured him his first major engagement, as a mimic and a singer in l'Alcazar in Marseille, for which he received critical acclaim by French theatre critics. In 1917, he discovered jazz and ragtime and went to London, where he found new success at the Palace Theatre. After this, he toured the United States, where he met the American composers George Gershwin and Irving Berlin and brought the operetta Dédé to Broadway in 1922. He developed an interest in acting and had success in Dédé. When talkies arrived, he went to Hollywood in 1928, where he played his first American role in Innocents of Paris. In 1930, he was nominated for the Academy Award for Best Actor for his roles in The Love Parade (1929) and The Big Pond (1930), which secured his first big American hits, "You Brought a New Kind of Love to Me" and "Livin' in the Sunlight, Lovin' in the Moonlight". In 1957, he appeared in Love in the Afternoon, which was his first Hollywood film in more than 20 years. In 1958, he starred with Leslie Caron and Louis Jourdan in Gigi. In the early 1960s, he made eight films, including Can-Can in 1960 and Fanny the following year. In 1970, he made his final contribution to the film industry where he sang the title song of the Disney film The Aristocats. He died in Paris, on 1 January 1972, from complications of a suicide attempt. Early life Chevalier was born on September 12, 1888, in Paris to Victor Charles Chevalier (1854-), a French house painter, and Joséphine (née Van Den Bossche, 1852–1929) a lace-maker of Belgian (Flemish) descent. He had two brothers, Charles (1877-1938) and Paul (1884–1969). Victor, an alcoholic, deserted the family in 1896, leaving Joséphine to feed and take care of the children on her own; forced to work much longer hours, she was hospitalized for overwork in 1898. Charles, the eldest, took over some responsibilities but was married in 1900, leaving his mother to take care of Maurice and Paul on her own. Paul was forced to find work, and eventually secured a job at a metal-engraving factory; the brothers became very close with their mother during this time, nicknaming her "La Louque", which Maurice would later name his Marnes-la-Coquette estate after. Determined to be an acrobat, Maurice left school aged ten but was convinced to abandon this after a severe injury. He tried a number of other jobs: a carpenter's apprentice, an electrician, a printer, and even as a doll painter. Chevalier was eventually able to hold down a job at a mattress factory, and became interested in performing; while daydreaming his finger was crushed in a machine and he was forced to stop working.While recovering, in 1900, he offered his services as a performer to the skeptical owner of a nearby cafe. Chevalier performed his first song there, V'la Les Croquants, although his performance was met with laughter as he had sung three octaves too high. Discouraged, Maurice returned home, where his mother and brother Paul encouraged him to continue practicing. He continued singing, unpaid, at the café until a member of the theatre saw him and suggested he try for a local musical. Chevalier got the part, and began to make a name as a mimic and a singer. His act in l'Alcazar in Marseille was so successful, on his return to Paris he was met by an admiring crowd. In 1909, he became the partner of the biggest female star in France, Fréhel. However, due to her alcoholism and drug addiction, their liaison ended in 1911. Chevalier later said that he became addicted to cocaine during this time, a habit he was able to quit because he had no access to the drug as a prisoner of war in World War I. After splitting with Fréhel, he then started a relationship with 36-year-old Mistinguett at the Folies Bergère, where he was her younger dance partner; they eventually played out a public romance. World War I When World War I broke out, Chevalier was in the middle of his national service, already in the front line, where he was wounded by shrapnel in the back in the first weeks of combat and was taken as a prisoner of war in Germany for two years, where he learned English. In 1916, he was released through the secret intervention of Mistinguett's admirer, King Alfonso XIII of Spain, the only king of a neutral country who was related to both the British and German royal families.In 1917, Chevalier became a star in le Casino de Paris and played before British soldiers and Americans. He discovered jazz and ragtime and started thinking about touring the United States. In the prison camp, he had studied English and had an advantage over other French artists. He went to London, where he found new success at the Palace Theatre, even though he still sang in French. Paris and Hollywood After the war, Chevalier went back to Paris and created several songs still known today, such as "Valentine" (1924). He played in a few pictures, including Chaplin's A Woman of Paris (1923), a rare drama for Chaplin, in which his character of The Tramp does not appear, and made an impression in the operetta Dédé. He met the American composers George Gershwin and Irving Berlin and brought Dédé to Broadway in 1922. The same year he met Yvonne Vallée, a young dancer, who became his wife in 1927. When Douglas Fairbanks was on honeymoon in Paris in 1920, he offered him star billing with his new wife Mary Pickford, but Chevalier doubted his own talent for silent movies (his previous ones had largely failed). When sound arrived, he made his Hollywood debut in 1928. He signed a contract with Paramount Pictures and played his first American role in Innocents of Paris. In 1930, he was nominated for the Academy Award for Best Actor for his roles in The Love Parade (1929) and The Big Pond (1930). The Big Pond gave Chevalier his first big American hit songs: "Livin' in the Sunlight, Lovin' in the Moonlight" with words and music by Al Lewis and Al Sherman, plus "A New Kind of Love" (or "The Nightingales"). He collaborated with film director Ernst Lubitsch. He appeared in Paramount's all-star revue film Paramount on Parade (1930). While Chevalier was under contract with Paramount, his name was so recognized that his passport was featured in the Marx Brothers film Monkey Business (1931). In this sequence, each brother uses Chevalier's passport, and tries to sneak off the ocean liner where they were stowaways by claiming to be the singer—with unique renditions of "You Brought a New Kind of Love to Me" with its line "If the nightingales could sing like you". In 1931, Chevalier starred in a musical called The Smiling Lieutenant with Claudette Colbert and Miriam Hopkins. Despite the disdain audiences held for musicals in 1931, it proved a successful film.In 1932, he starred with Jeanette MacDonald in Paramount's film musical One Hour With You, which became a success and one of the films instrumental in making musicals popular again. Due to its popularity, Paramount starred Maurice Chevalier in another musical called Love Me Tonight (also 1932), and again co-starring Jeanette MacDonald. It is about a tailor who falls in love with a princess when he goes to a castle to collect a debt and is mistaken for a baron. Featuring songs by Richard Rodgers and Lorenz Hart, it was directed by Rouben Mamoulian, who, with the help of the songwriters, was able to put into the score his ideas of the integrated musical (a musical which blends songs and dialogue so the songs advance the plot). It is considered one of the greatest film musicals of all time. In 1934, he starred in the first sound film of the Franz Lehár operetta The Merry Widow, one of his best-known films, though he felt his role was too narrow and repetitive. He then signed with MGM for The Man from the Folies Bergère, his own favourite of his films. After a disagreement over his star-billing, he returned to France in 1935 to resume his music-hall career. Even when he was the highest-paid star in Hollywood, Chevalier had a reputation as a penny-pincher. He later admitted that he was hesitant to spend money on things such as changing the blade of his razor as he had grown up in poverty, remarking that "poverty is a disease that can never be cured." When not playing around with young chorus-girls, he actually felt quite lonely, and sought the company of Adolphe Menjou and Charles Boyer, also French, but both much better educated than Chevalier. Boyer in particular introduced him to art galleries and good literature, and Chevalier would try to copy him as the man of taste. But at other times, he would 'revert to type' as the bitter and impoverished street-kid he was at heart. When performing in English, he always put on a heavy French accent, although his normal spoken English was quite fluent and sounded more American.In 1937, Chevalier married the dancer Nita Raya. He had several successes, such as his revue Paris en Joie in the Casino de Paris. A year later, he performed in Amours de Paris. His songs remained big hits, such as "Prosper" (1935), "Ma Pomme" (1936) and "Ça fait d'excellents français" (1939). World War II Chevalier continued performing for as long as he could freely, retreating to the free zone in the south of France with his Jewish wife and her parents as well as some friends following the 1940 invasion by German Nazi troops. During this time, patriotic songs such as "Ça sent si bon la France" and "Paris sera Toujours Paris" became popular, and he held charity balls and performed to raise money for resistance efforts. Chevalier consistently refused to perform for the Vichy France collaborators, and feigned illness, but eventually, out of fear for the safety of his wife and her parents, he reluctantly agreed to a deal. He refused to perform on the collaborating station Radio Paris, but agreed to perform for prisoners of war at the very camp in which he had been incarcerated during World War I. The performance was given in exchange for the release of ten French prisoners.In 1942, Chevalier was named on a list of French collaborators with Germany to be killed during the war, or tried after it. That year he moved to La Bocca, near Cannes, but returned to the capital city in September. In 1944 when Allied forces freed France, Chevalier was accused of collaboration. The August 28, 1944, issue of Stars and Stripes, the daily newspaper of U.S. armed forces in the European Theater of Operations, reported in error that "Maurice Chevalier Slain By Maquis, Patriots Say". Even though he was acquitted by a French convened court, the English-speaking press remained hostile and he was refused a visa for several years. In a review of the 1969 Oscar-nominated documentary film about French collaboration Le chagrin et la pitié (The Sorrow and the Pity), Simon Heffer draws attention to “a clip of Maurice Chevalier explaining, entirely dishonestly, to an anglophone audience how he had not collaborated.” In his own country, however, he was still popular. In 1946, he split from Nita Raya and, at the age of 58, began writing his memoirs, which took many years to complete. He started to collect and paint art, and acted in Le silence est d'or (Man About Town) (1946) by René Clair. He toured throughout the United States and other parts of the world, then returned to France in 1948. In 1944, he had participated in a Communist demonstration in Paris. He was therefore even less popular in the U.S. during the McCarthyism period; in 1951, he was refused re-entry into the U.S. because he had signed the Stockholm Appeal. In 1949, he performed in Stockholm in a Communist benefit against nuclear arms. Also in 1949, Chevalier was the subject of the first official roast at the New York Friars' Club, although celebrities had been informally "roasted" at banquets since 1910.In 1952, he bought a large property in Marnes-la-Coquette, near Paris, and named it La Louque, as a homage to his mother's nickname. He started a relationship in 1952 with Janie Michels, a young divorcee with three children. In 1954, after the McCarthy era abated, Chevalier was welcomed back in the United States. His first full American tour was in 1955, with Vic Schoen as arranger and musical director. The Billy Wilder film Love in the Afternoon (1957) with Audrey Hepburn and Gary Cooper, was his first Hollywood film in more than 20 years.In 1957, Chevalier was awarded The George Eastman Award, given by George Eastman House for distinguished contribution to the art of film. Chevalier appeared in the movie musical Gigi (1958) with Leslie Caron and Hermione Gingold, with whom he shared the song "I Remember It Well", and several Walt Disney films. The success of Gigi prompted Hollywood to give him an Academy Honorary Award that year for achievements in entertainment. In 1957, he appeared as himself in an episode of The Jack Benny Program titled "Jack in Paris". He also appeared as himself in an episode of The Lucy-Desi Comedy Hour, titled "Lucy Goes to Mexico". Final years In the early 1960s, he toured the United States and between 1960 and 1963 made eight films, including Can-Can (1960) with Frank Sinatra. In 1961, he starred in the drama Fanny with Leslie Caron and Charles Boyer, an updated version of Marcel Pagnol's "Marseilles Trilogy". In 1962, he filmed Panic Button (not released until 1964), playing opposite Jayne Mansfield. In 1965, at age 77, he made another world tour. In 1967 he toured in Latin America, again, the US, Europe and Canada, where he appeared as a special guest at Expo 67. The following year, on October 1, 1968, he announced his farewell tour. Historical newsreel footage of Chevalier appeared in the 1969 Marcel Ophüls documentary The Sorrow and the Pity. In a wartime short film near the end of the film's second part, he explained his disappearance during World War II, as rumors of his death lingered at that time, and he emphatically denied any collaboration with the Nazis. His theme song, "Sweepin' the Clouds Away", from the film Paramount on Parade (1930), was one of the film's theme songs and was played in the end credits of the second part. In 1970, two years after his retirement, songwriters Richard M. and Robert B. Sherman convinced him to sing the title song of the Disney film The Aristocats, which ended up being his final contribution to the film industry. Death and burial Chevalier suffered from bouts of depression throughout his adult life. On March 7, 1971, he attempted suicide by overdosing on barbiturates. Rushed to the hospital, Chevalier was saved but suffered liver and kidney damage as a result of the drug. In the following months, he suffered memory lapses, chronic tiredness, and spent much of his time alone. On December 12, he fell ill and was taken to Paris's Necker Hospital and placed on dialysis. By December 30, doctors announced his kidneys were no longer responding to dialysis. Too frail for a transplant, he underwent surgery as a last-ditch effort to save his life. It was unsuccessful; Chevalier died from a cardiac arrest following kidney surgery on New Year's Day 1972, aged 83. He is interred in the cemetery of Marnes-la-Coquette in Hauts-de-Seine, outside Paris, France with his mother, "La Louque".Chevalier has a star on the Hollywood Walk of Fame at 1651 Vine Street.Author Michael Freedland later claimed in his 1981 biography of Chevalier that the actor Felix Paquet, who became close to Chevalier during the 1960s, cut off contact with all of his friends and family in hopes of securing access to his fortune. Freedland alleges that Paquet, eighteen years Chevalier's junior, intercepted mail and withheld information about Maurice's health in the months before his death. Notable songs == Selected filmography == Passage 10: Kristian Leontiou Kristian Leontiou (born February 1982) is an English singer. Formerly a solo artist, he is the lead singer of indie rock band One eskimO. Early life Kristian Leontiou was born in London, England and is of Greek Cypriot descent. He went to Hatch End High School in Harrow and worked several jobs in and around London whilst concentrating on music when he had any free time. In 2003 he signed a major record deal with Polydor. At the time, Leontiou was dubbed "the new Dido" by some media outlets. His debut single "Story of My Life" was released in June 2004 and reached #9 in the UK Singles Chart. His second single "Shining" peaked at #13 whilst the album Some Day Soon was certified gold selling in excess of 150,000 copies. Leontiou toured the album in November 2004 taking him to the US to work with L.A Reid, Chairman of the Island Def Jam music group. Unhappy with the direction his career was going, on a flight back from the US in 2004 he decided to take his music in a new direction. Splitting from his label in late 2005, he went on to collaborate with Faithless on the song "Hope & Glory" for their album ‘'To All New Arrivals'’. It was this release that saw him unleash the One eskimO moniker. It was through working with Rollo Armstrong on the Faithless album, that Rollo got to hear an early demo of "Astronauts" from the One eskimO project. Being more than impressed by what he heard, Rollo opened both his arms and studio doors to Leontiou and they began to co-produce the ‘'All Balloons’' album. It was at this time that he paired up with good friend Adam Falkner, a drummer/musician, to introduce a live acoustic sound to the album. They recorded the album with engineer Phill Brown (engineer for Bob Marley and Robert Plant) at Ark studios in St John's Wood where they recorded live then headed back to Rollo's studio to add the cinematic electro touches that are prominent on the album. Shortly after its completion, One eskimO's "Hometime" was used on a Toyota Prius advert in the USA. The funds from the advert were then used to develop the visual aspect of One eskimO. He teamed up with friend Nathan Erasmus (Gravy Media Productions) along with animation team Smuggling Peanuts (Matt Latchford and Lucy Sullivan) who together began to develop the One eskimO world, the first animation produced was for the track ‘Hometime’ which went on to win a British animation award in 2008. In 2008 Leontiou started a new management venture with ATC Music. By mid-2008 Time Warner came on board to develop all 10 One eskimO animations which were produced the highly regarded Passion Pictures in London. Now with all animation complete and a debut album, One eskimO prepare to unveil themselves fully to the world in summer 2009. Leontiou released a cover version of Tracy Chapman's "Fast Car", which was originally released as a single in 2005. Leontiou's version was unable to chart, however, due to there being no simultaneous physical release alongside the download single, a UK chart rule that was in place at the time. On 24 April 2011, the song entered the singles chart at number 88 due to Britain's Got Talent contestant Michael Collings covering the track on the show on 16 April 2011. Discography Albums Singles Notes A - Originally released as a single in April 2005, Leontiou's version of "Fast Car" did not chart until 2011 in the UK. Also featured on Now That's What I Call Music! 58 (Story of My Life) Win a Date with Tad Hamilton! OST, Love Love Songs - The Ultimate Love Collection (Shining) Summerland OST (The Crying)

doc_12

Passage 1: Lyon Cohen Lyon Cohen (born Yehuda Leib Cohen; May 11, 1868 – August 17, 1937) was a Polish-born Canadian businessman and a philanthropist. He was the grandfather of singer/poet Leonard Cohen. Biography Cohen was born in Congress Poland, part of the Russian Empire, to a Jewish family on May 11, 1868. He immigrated to Canada with his parents in 1871. He was educated at the McGill Model School and the Catholic Commercial Academy in Montreal. In 1888, he entered the firm of Lee & Cohen in Montreal; later became partner with his father in the firm of L. Cohen & Son; in 1895, he established W. R. Cuthbert & Co; in 1900, he organized the Canadian Improvement Co., a dredging contractor; in 1906, he founded The Freedman Co. in Montreal; and in May 1919, he organized and became President of Canadian Export Clothiers, Ltd. The Freedman Company went on to become one of Montreal’s largest clothing companies.In 1897, Cohen and Samuel William Jacobs founded the Canadian Jewish Times, the first English-language Jewish newspaper in Canada. The newspaper promoted the Canadianization of recent East European Jewish immigrants and encouraged their acceptance of Canadian customs as Cohen felt that the old world customs of immigrant Jews were one of the main causes of anti-Semitism. In 1914, the paper was purchased by Hirsch Wolofsky, owner of the Yiddish-language Keneder Adler, who transformed it into the Canadian Jewish Chronicle.He died on August 17, 1937, at the age of 69. Philanthropy Cohen was elected the first president of the Canadian Jewish Congress in 1919 and organized the Jewish Immigrant Aid Services of Canada. Cohen was also a leader of the Young Men’s Hebrew Benevolent Society (later the Baron de Hirsch Institute) and the United Talmud Torahs, a Jewish day school in Montreal. He also served as president of Congregation Shaar Hashomayim and president of the Jewish Colonization Association in Canada. Personal life Cohen married Rachel Friedman of Montreal on February 17, 1891. She was the founder and President of Jewish Endeavour Sewing School. They had three sons and one daughter: Nathan Bernard Cohen, who served as a lieutenant in the World War; he married Lithuanian Jewish immigrant Masha Klonitsky and they had one daughter and one son: Esther Cohen and singer/poet Leonard Cohen. Horace Rives Cohen, who was a captain and quartermaster of his battalion in World War I; Lawrence Zebulun Cohen, student at McGill University, and Sylvia Lillian Cohen. Passage 2: Trịnh Cương Trịnh Cương (Hán tự: 鄭棡; 9 July 1686 – 20 December 1729) was the lord who ruled Tonkin from 1709 to 1729 (his title as ruler was An Đô Vương). Trịnh Cương was born to Trịnh Bính, a grandson of the former lord Trịnh Căn. He belonged to the line of Trịnh lords who had ruled parts of Vietnam since 1545. Like his great-grandfather and predecessor, Trịnh Căn, his reign was mostly devoted to administrative reforms. Biography Trịnh Cương ruled Việt Nam during a time of external peace but growing internal strife. He enacted many governmental reforms in both financial matters and judicial rules. His main concern was the growing problem of landless peasants. Unlike the Nguyễn lords who were constantly expanding their territory south, the Trịnh lords had little room for expansion. Hence, the land supply was essentially fixed but the population kept growing. Trịnh Cương tried various legislative means to solve the problem. He tried to limit private land holdings. He tried to redistribute the communal fields of the small villages. Nothing really worked and the problem became very serious over the succeeding decades. According to historian R. H. Bruce Lockhart, the governmental reforms enacted by Trịnh Cương and his great-grandfather, Trịnh Căn, made the government more effective but, they also made the government more of a burden to the people. This had the effect of increasing the hatred felt by the people towards the Trịnh rulers in Hanoi. Trịnh Cương passed an edict forbidding people to practice Christianity in 1712. Like previous efforts to suppress Christianity, this had little real effect in Vietnam. However, he tried to offer the people an alternative, and he had many Buddhist pagodas constructed during his rule. As far as the Lê dynasty was concerned, the emperor, Lê Dụ Tông, ruled throughout Trịnh Cương's lifetime. The two men died within a few months of each other in 1729. Sources Encyclopedia of Asian History, Volume 4. 1988. Charles Scribner's Sons, New York. Annam and its Minor Currency Chapter 16 (downloaded May 2006) See also Trịnh lords Lê dynasty Passage 3: Kaya Alp Kaya Alp (Ottoman Turkish: قایا الپ, lit. 'Brave Rock') was, according to Ottoman tradition, the son of Kızıl Buğa or Basuk and the father of Suleyman Shah. He was the grandfather of Ertuğrul Ghazi, the father of the founder of the Ottoman Empire, Osman I. He was also famously known for being the successing name of Ertokus Bey’s son Kaya Alp. He was a descendant of the ancestor of his tribe, Kayı son of Gun son of Oghuz Khagan, the legendary progenitor of the Oghuz Turks. Passage 4: Nguyễn Thị Ngọc Diễm Nguyễn Thị Ngọc Diễm (Hán tự: 阮氏玉琰, 1721–1784), posthumous name Từ Trạch (慈澤), was a consort of lord Trịnh Doanh. Biography Lady Nguyễn Thị Ngọc Diễm was born in 1721 at Linh Đường village, Linh Đàm commune, Thanh Trì district, Southern of Phụng Thiên prefect. She was commended to Trịnh clan's palace by her father who was Duke Nguyễn Văn Luân (阮文倫, 1686–1739). She became a concubine of prince Trịnh Doanh and was granted the title Hoa Dung (花容). Passage 5: Zhao Shoushan Zhao Shoushan (simplified Chinese: 赵寿山; traditional Chinese: 趙壽山; pinyin: Zhào Shòushān; 12 November 1894 – 20 June 1965) was a KMT general and later Chinese Communist Party politician. He is the grandfather of Zhao Leji. Career Zhao Shoushan was born in Hu County, Shaanxi in 1894. After the foundation of the People's Republic of China, Zhao was the CCP Chairman of Qinghai and Governor of Shaanxi. External links (in Chinese) Biography of Zhao Shoushan, Shaanxi Daily July 9, 2006. Passage 6: Trịnh Doanh Trịnh Doanh (4 December 1720 – 15 February 1767) ruled northern Vietnam (Tonkin) from 1740 to 1767 (he ruled with the title Minh Đô Vương). Trịnh Doanh was the third son of Trịnh Cương, and belonged to the line of Trịnh lords who ruled northern Vietnam. His rule was spent putting down rebellions against Trịnh rule. Trịnh Doanh took over from his brother, Trịnh Giang, who, through financial mismanagement and bad behavior, provoked a wave of revolts against his rule. This was a time of increasing peasant revolts in both the north and the south under the Nguyễn lords. In the north, some of the revolts were apparently led by members of the royal Lê family. The rebellions which broke out in Tonkin during this period, were almost without number. Princes belonging to the royal family, generals, civil mandarins, common people, and out-casts from the hills, all rose in the provinces against the tyranny of the Trịnh, as well as for their personal interests. Chapter 16 (continued) Despite the many revolts, Trịnh Doanh defeated them all and passed the rule of Vietnam to his son, Trịnh Sâm. As far as the Lê dynasty was concerned, there was just one emperor, Lê Hien Tông (1740–1786), who occupied the royal throne in Hanoi. See also Lê dynasty Sources Encyclopedia of Asian History, Volumes 4. 1988. Charles Scribner's Sons, New York. Annam and its Minor Currency Chapter 16 (downloaded May 2006) Passage 7: Henry Krause Henry J. "Red" Krause, Jr. (August 28, 1913 – February 20, 1987) was an American football offensive lineman in the National Football League for the Brooklyn Dodgers and the Washington Redskins. He played college football at St. Louis University. Passage 8: Abd al-Muttalib Shayba ibn Hāshim (Arabic: شَيْبَة إبْن هَاشِم; c. 497–578), better known as ʿAbd al-Muṭṭalib, (Arabic: عَبْد ٱلْمُطَّلِب, lit. 'Servant of Muttalib') was the fourth chief of the Quraysh tribal confederation. He was the grandfather of the Islamic prophet Muhammad. Early life His father was Hashim ibn 'Abd Manaf,: 81  the progenitor of the distinguished Banu Hashim, a clan of the Quraysh tribe of Mecca. They claimed descent from Ismā'īl and Ibrāhīm. His mother was Salma bint Amr, from the Banu Najjar, a clan of the Khazraj tribe in Yathrib (later called Madinah). Hashim died while doing business in Gaza, before Abd al-Muttalib was born.: 81 His real name was "Shaiba" meaning 'the ancient one' or 'white-haired' because of the streak of white through his jet-black hair, and is sometimes also called Shaybah al-Ḥamd ("The white streak of praise").: 81–82  After his father's death he was raised in Yathrib with his mother and her family until about the age of eight, when his uncle Muttalib ibn Abd Manaf went to see him and asked his mother Salmah to entrust Shaybah to his care. Salmah was unwilling to let her son go and Shaiba refused to leave his mother without her consent. Muṭṭalib then pointed out that the possibilities Yathrib had to offer were incomparable to Mecca. Salmah was impressed with his arguments, so she agreed to let him go. Upon first arriving in Mecca, the people assumed the unknown child was Muttalib's servant and started calling him 'Abd al-Muttalib ("servant of Muttalib").: 85–86 Chieftain of Hashim clan When Muṭṭalib died, Shaiba succeeded him as the chief of the Hāshim clan. Following his uncle Al-Muṭṭalib, he took over the duties of providing the pilgrims with food and water, and carried on the practices of his forefathers with his people. He attained such eminence as none of his forefathers enjoyed; his people loved him and his reputation was great among them.: 61  'Umar ibn Al-Khaṭṭāb's grandfather Nufayl ibn Abdul Uzza arbitrated in a dispute between 'Abdul-Muṭṭalib and Ḥarb ibn Umayyah, Abu Sufyan's father, over the custodianship of the Kaaba. Nufayl gave his verdict in favour of 'Abdul-Muṭṭalib. Addressing Ḥarb ibn Umayyah, he said: Why do you pick a quarrel with a person who is taller than you in stature; more imposing than you in appearance; more refined than you in intellect; whose progeny outnumbers yours and whose generosity outshines yours in lustre? Do not, however, construe this into any disparagement of your good qualities which I highly appreciate. You are as gentle as a lamb, you are renowned throughout Arabia for the stentorian tones of your voice, and you are an asset to your tribe. Discovery of Zam Zam Well 'Abdul-Muṭṭalib said that while sleeping in the sacred enclosure, he had dreamed he was ordered to dig at the worship place of the Quraysh between the two deities Isāf and Nā'ila. There he would find the Zamzam Well, which the Jurhum tribe had filled in when they left Mecca. The Quraysh tried to stop him digging in that spot, but his son Al-Ḥārith stood guard until they gave up their protests. After three days of digging, 'Abdul-Muṭṭalib found traces of an ancient religious well and exclaimed, "Allahuakbar!" Some of the Quraysh disputed his claim to sole rights over water, then one of them suggested that they go to a female shaman who lived afar. It was said that she could summon jinns and that she could help them decide who was the owner of the well. So, 11 people from the 11 tribes went on the expedition. They had to cross the desert to meet the priestess but then they got lost. There was a lack of food and water and people started to lose hope of ever getting out. One of them suggested that they dig their own graves and if they died, the last person standing would bury the others. So all began digging their own graves and just as Abdul-Muṭṭalib started digging, water spewed out from the hole he dug and everyone became overjoyed. It was then and there decided that Abdul-Muttalib was the owner of the Zam Zam well. Thereafter he supplied pilgrims to the Kaaba with Zam Zam water, which soon eclipsed all the other wells in Mecca because it was considered sacred.: 86–89 : 62–65 The Year of the Elephant According to Muslim tradition, the Ethiopian governor of Yemen, Abrahah al-Ashram, envied the Kaaba's reverence among the Arabs and, being a Christian, he built a cathedral on Sana'a and ordered pilgrimage be made there.: 21  The order was ignored and someone desecrated (some saying in the form of defecation: 696 note 35 ) the cathedral. Abrahah decided to avenge this act by demolishing the Kaaba and he advanced with an army towards Mecca.: 22–23 There were thirteen elephants in Abrahah's army: 99 : 26  and the year came to be known as 'Ām al-Fīl (the Year of the Elephant), beginning a trend for reckoning the years in Arabia which was used until 'Umar ibn Al-Khaṭṭāb replaced it with the Islamic Calendar in 638 CE (17 AH), with the first year of the Islamic Calendar being 622 CE. When news of the advance of Abrahah's army came, the Arab tribes of Quraysh, Kinānah, Khuzā'ah and Hudhayl united in defence of the Kaaba. A man from the Ḥimyar tribe was sent by Abrahah to advise them that he only wished to demolish the Kaaba and if they resisted, they would be crushed. "Abdul-Muṭṭalib told the Meccans to seek refuge in the nearest high hills while he, with some leading members of Quraysh, remained within the precincts of the Kaaba. Abrahah sent a dispatch inviting 'Abdul-Muṭṭalib to meet him and discuss matters. When 'Abdul-Muṭṭalib left the meeting he was heard saying, "The Owner of this House is its Defender, and I am sure He will save it from the attack of the adversaries and will not dishonour the servants of His House.": 24–26 It is recorded that when Abrahah's forces neared the Kaaba, Allah commanded small birds (abābīl) to destroy Abrahah's army, raining down pebbles on it from their beaks. Abrahah was seriously wounded and retreated towards Yemen but died on the way.: 26–27  This event is referred to in the following Qur'anic chapter: Have you not seen how your Lord dealt with the owners of the Elephant? Did He not make their treacherous plan go astray? And He sent against them birds in flocks, striking them with stones of baked clay, so He rendered them like straw eaten up. Most Islamic sources place the event around the year that Muhammad was born, 570 CE, though other scholars place it one or two decades earlier. A tradition attributed to Ibn Shihab al-Zuhri in the musannaf of ʽAbd al-Razzaq al-Sanʽani places it before the birth of Muhammad's father. Sacrificing his son Abdullah Al-Harith was 'Abdul-Muṭṭalib's only son at the time he dug the Zamzam Well.: 64  When the Quraysh tried to help him in the digging, he vowed that if he were to have ten sons to protect him, he would sacrifice one of them to Allah at the Kaaba. Later, after nine more sons had been born to him, he told them he must keep the vow. The divination arrows fell upon his favourite son Abdullah. The Quraysh protested 'Abdul-Muṭṭalib's intention to sacrifice his son and demanded that he sacrifice something else instead. 'Abdul-Muṭṭalib agreed to consult a "sorceress with a familiar spirit". She told him to cast lots between Abdullah and ten camels. If Abdullah were chosen, he had to add ten more camels, and keep on doing the same until his Lord accepted the camels in Abdullah's place. When the number of camels reached 100, the lot fell on the camels. 'Abdul-Muṭṭalib confirmed this by repeating the test three times. Then the camels were sacrificed, and Abdullah was spared.: 66–68 Family Wives Abd al-Muttalib had six known wives. Sumra bint Jundab of the Hawazin tribe. Lubnā bint Hājar of the Khuza'a tribe. Fatima bint Amr of the Makhzum clan of the Quraysh tribe. Halah bint Wuhayb of the Zuhrah clan of the Quraysh tribe. Natīla bint Janab of the Namir tribe. Mumanna'a bint Amr of the Khuza'a tribe. Children According to Ibn Hisham, ʿAbd al-Muṭṭalib had ten sons and six daughters.: 707–708 note 97  However, Ibn Sa'd lists twelve sons.: 99–101 By Sumra bint Jundab: Al-Ḥārith.: 708  He was the firstborn and he died before his father.: 99  Quthum.: 100  He is not listed by Ibn Hisham.By Fatima bint Amr: Al-Zubayr.: 707  He was a poet and a chief; his father made a will in his favour.: 99  He died before Islam, leaving two sons and daughters.: 101 : 34–35  Abu Talib, born as Abd Manaf,: 99 : 707  father of the future Caliph Ali. He later became chief of the Hashim clan. Abdullah, the father of Muhammad.: 99 : 707  Umm Hakim al-Bayda,: 100 : 707  the maternal grandmother of the third Caliph Uthman.: 32  Barra,: 100 : 707  the mother of Abu Salama.: 33  Arwa.: 100 : 707  Atika,: 100 : 707  a wife of Abu Umayya ibn al-Mughira.: 31  Umayma,: 100 : 707  the mother of Zaynab bint Jahsh and Abd Allah ibn Jahsh.: 33 By Lubnā bint Hājar: Abd al-'Uzzā, better known as Abū Lahab.: 100 : 708 By Halah bint Wuhayb: Ḥamza,: 707  the first big leader of Islam. He killed many leaders of the kufar and was considered as the strongest man of the quraysh. He was martyred at Uhud.: 100  Ṣafīyya.: 100 : 707  Al-Muqawwim.: 707  He married Qilaba bint Amr ibn Ju'ana ibn Sa'd al-Sahmia, and had children named Abd Allah, Bakr, Hind, Arwa, and Umm Amr (Qutayla or Amra). Hajl.: 707  He married Umm Murra bint Abi Qays ibn Abd Wud, and had two sons, named Abd Allah, Ubayd Allah, and three daughters named Murra, Rabi'a, and Fakhita.By Natīlah bint Khubāb: al-'Abbas,: 100 : 707  ancestor of the Abbasid caliphs. Ḍirār,: 707  who died before Islam.: 100  Jahl, died before Islam Imran, died before IslamBy Mumanna'a bint 'Amr: Mus'ab, who, according to Ibn Saad, was the one known as al-Ghaydāq.: 100  He is not listed by Ibn Hisham. Al-Ghaydaq, died before Islam. Abd al-Ka'ba, died before Islam.: 100  Al-Mughira,: 100  who had the byname al-Ghaydaq. The family tree and some of his important descendants Death Abdul Muttalib's son 'Abdullāh died four months before Muḥammad's birth, after which Abdul Muttalib took care of his daughter-in-law Āminah. One day Muhammad's mother, Amina, wanted to go to Yathrib, where her husband, Abdullah, died. So, Muhammad, Amina, Abd al-Muttalib and their caretaker, Umm Ayman started their journey to Medina, which is around 500 kilometres away from Makkah. They stayed there for three weeks, then, started their journey back to Mecca. But, when they reached halfway, at Al-Abwa', Amina became very sick and died six years after her husband's death. She was buried over there. From then, Muhammad became an orphan. Abd al-Muttalib became very sad for Muhammad because he loved him so much. Abd al-Muttalib took care of Muhammad. But when Muhammad was eight years old, the very old Abd al-Muttalib became very sick and died at age 81-82 in 578-579 CE. Shaybah ibn Hāshim's grave can be found in the Jannat al-Mu'allā cemetery in Makkah, Saudi Arabia. See also Family tree of Muhammad Family tree of Shaiba ibn Hashim Sahaba Passage 9: Fred Le Deux Frederick David Le Deux (born 4 December 1934) is a former Australian rules footballer who played with Geelong in the Victorian Football League (VFL). He is the grandfather of Tom Hawkins. Early life Le Deux grew up in Nagambie and attended Assumption College, after which he went to Bendigo to study teaching. Football While a student at Bendigo Teachers' Training College, Le Deux played for the Sandhurst Football Club. He then moved to Ocean Grove to take up a teaching position and in 1956 joined Geelong.A follower and defender, Le Deux made 18 appearances for Geelong over three seasons, from 1956 to 1958 He was troubled by a back injury in 1958, which kept him out of the entire 1959 VFL season.In 1960 he joined Victorian Football Association club Mordialloc, as he had transferred to a local technical school. Family Le Deux's daughter Jennifer was married to former Geelong player Jack Hawkins. Jennifer died in 2015. Their son, Tom Hawkins, currently plays for Geelong. Passage 10: John Westley Rev. John Wesley (1636–78) was an English nonconformist minister. He was the grandfather of John Wesley (founder of Methodism). Life John Wesly (his own spelling), Westley, or Wesley was probably born at Bridport, Dorset, although some authorities claim he was born in Devon, the son of the Rev. Bartholomew Westley and Ann Colley, daughter of Sir Henry Colley of Carbery Castle in County Kildare, Ireland. He was educated at Dorchester Grammar School and as a student of New Inn Hall, Oxford, where he matriculated on 23 April 1651, and graduated B.A. on 23 January 1655, and M.A. on 4 July 1657. After his appointment as an evangelist, he preached at Melcombe Regis, Radipole, and other areas in Dorset. Never episcopally ordained, he was approved by Oliver Cromwell's Commission of Triers in 1658 and appointed Vicar of Winterborne Whitechurch.The report of his interview in 1661 with Gilbert Ironside the elder, his diocesan, according to Alexander Gordon writing in the Dictionary of National Biography, shows him to have been an Independent. He was imprisoned for not using the Book of Common Prayer, imprisoned again and ejected in 1662. After the Conventicle Act 1664 he continued to preach in small gatherings at Preston and then Poole, until his death at Preston in 1678. Family He married a daughter of John White, who was related also to Thomas Fuller. White, the "Patriarch of Dorchester", married a sister of Cornelius Burges. Westley's eldest son was Timothy (born 1659). Their second son was Rev. Samuel Wesley, a High Church Anglican vicar and the father of John and Charles Wesley. A younger son, Matthew Wesley, remained a nonconformist, became a London apothecary, and died on 10 June 1737, leaving a son, Matthew, in India; he provided for some of his brother Samuel's daughters. Notes Additional sources Matthews, A. G., "Calamy Revised", Oxford University Press, 1934, page 521. This article incorporates text from a publication now in the public domain: "Wesley, Samuel (1662-1735)". Dictionary of National Biography. London: Smith, Elder & Co. 1885–1900.

doc_13

Passage 1: La Punta La Punta, Spanish for "the point" or the promontory and may refer to: La Punta, San Luis, Argentina La Punta District, Peru San Giovanni la Punta, Italy San Salvador de la Punta Fortress, Cuba See also Punta (disambiguation) Passage 2: Turning Point A turning point, or climax, is the point of highest tension in a narrative work. Turning Point or Turning Points may refer to: Film The Turning Point, a 1914 silent film starring Caroline Cooke The Turning Point (1920 film), an American film starring Katherine MacDonald The Turning Point (1945 film), a Soviet film by Fridrikh Markovitch Ermler The Turning Point (1952 film), a crime drama starring Edmond O'Brien Turning Point (1960 film), an Australian TV play The Turning Point (1977 film), a drama starring Shirley MacLaine and Anne Bancroft The Turning Point (1978 film), a Soviet drama film directed by Vadim Abdrashitov The Turning Point (1983 film), an East German film by Frank Beyer Turning Point (2009 Hong Kong film), a spin-off to the 2009 Hong Kong television drama series E.U. Turning Point (2009 American film), a documentary film on the travels of Michelle Yeoh Turning Point (2012 film), a 2012 drama film by Niyi Towolawi The Turning Point (2022 film), an Italian film Literature The Turning Point (book), a 1982 nonfiction book by Fritjof Capra Batman: Turning Points, a 5-issue limited series of comics The Turning Point, a 1942 autobiography by Klaus Mann The Turning Point, a 1988 short story by Isaac Asimov Music Turning Point (American band), an American straight-edge hardcore band Turning Point (UK band), a late 1970s UK fusion band Albums Turning Point (Benny Golson album) (1962) Turning Point (Mario album) (2004) The Turning Point (John Mayall album) (1969) The Turning Point (McCoy Tyner album) (1992) Turning Point (Lonnie Smith album) (1969) Turning Point (Pink Lady album) (1980) Turning Point (Chuck Wicks album) (2016) Turning Point (Paul Bley album) Turning Point, a 1995 album by Rory Block Turning Point (Dr SID album) (2010) Songs "Turning Point" (Tyrone Davis song) (1976) "Turning Point", a song by Buckwheat Zydeco "Turning Point", a 2013 song by Killswitch Engage from Disarm the Descent "Turning Point", a song by Mighty Joe Young "Turning Point", a 1967 song by Nina Simone from Silk & Soul "The Turning Point", a song by Toto from Tambu Organizations Turning Point (institute), a training and counseling institute in Ireland Turning Point (charity), a social care organisation in the United Kingdom Turning Point Alcohol and Drug Centre, in Melbourne, Australia Turning Point USA, an American conservative, right-wing organization Turning Point UK, an off-shoot of Turning Point USA Television Turning Point (ministry), carried on TBN, broadcast from San Diego County, United States Turning Point, an American dramatic anthology series broadcast on NBC from April to October 1958 consisting of two unsold pilots and reruns from other series Turning Point (1991 TV series), an Indian science magazine TV series Turning Point (TV program) (1994–1999), an American news program Turning Points of History, a History Television series Impact Wrestling Turning Point, a professional wrestling pay-per-view event and episode of Impact Wrestling Turning Point (2004 wrestling), the first event in the series Turning Point (2005 wrestling), a professional wrestling pay-per-view event Turning Point (2006 wrestling), a professional wrestling pay-per-view event Turning Point (2007 wrestling), a professional wrestling pay-per-view event Turning Point (2008 wrestling), a professional wrestling pay-per-view event Turning Point (2009 wrestling), a professional wrestling pay-per-view event Turning Point (2010 wrestling), a professional wrestling pay-per-view event Turning Point (2011 wrestling), a professional wrestling pay-per-view event Turning Point (2012 wrestling), a professional wrestling pay-per-view event Turning Point (2013 wrestling), a professional wrestling episode of Impact Wrestling Turning Point (January 2015 wrestling), a professional wrestling pay-per-view event as part of the One Night Only series Turning Point (August 2015 wrestling), a professional wrestling episode of Impact Wrestling Turning Point (2016 wrestling), a professional wrestling episode of Impact Wrestling Turning Point (2019 wrestling), a professional wrestling exclusive event on Impact Plus "Turning Point" (Amphibia), an episode of Amphibia "Turning Point" (Planetes episode) "Turning Point" (Spider-Man), an episode of the 1994 animated series "The Turning Point" (The Vampire Diaries), a 2009 episode of The Vampire Diaries Other uses Turning Point: Fall of Liberty, a 2008 first-person shooter video game Turning point, in mathematics: a stationary point at which the derivative changes sign See also Cursus (classical) Turning (disambiguation) Passage 3: Edoardo Mulargia Edoardo Mulargia (10 December 1925 – 7 September 2005) was an Italian director and screenwriter. Life and career Born in Torpè, Nuoro, Mulargia graduated in Law, first working as a journalist, then directing numerous scientific and industrial short films. After being assistant of Pietro Germi and Luciano Emmer, in 1963 he made his feature film debut with Le due leggi. As a film director Mulargia specialized in the spaghetti western genre, in which he was usually credited as Tony Moore and Edward G. Muller. In the 1980s he abandoned cinema to work for RAI television. Selected filmography The Invincible Brothers Maciste (screenwriter, 1964) Three Swords for Rome (screenwriter, 1964) Night of Violence (screenwriter, 1965) Perché uccidi ancora (director and screenwriter, 1965) Cjamango (director, 1967) The Reward's Yours... The Man's Mine (director and screenwriter, 1969) Shango (director and screenwriter, 1970) W Django! (director, 1971) La figliastra (director, 1976) Orinoco: Prigioniere del sesso (director, 1979) – American re-edited version: Savage Island (1985, with Linda Blair) Escape from Hell (director, 1980) Passage 4: Julie Holland Julie Holland (born December 13, 1965) is an American psychopharmacologist, psychiatrist, and author. She is the author of five books, including Weekends at Bellevue: Nine Years on the Night Shift at the Psych ER, a memoir documenting her experience as the weekend head of the psychiatric emergency room at Bellevue Hospital in New York City An advocate for the appropriate use of consciousness expanding substances as part of mental health treatment, she is a medical monitor for MAPS studies, which involve, in part, developing psychedelics into prescription medication. Personal background Julie Holland was born on December 13, 1965, in New York City. She grew up in Framingham, Massachusetts, a suburb of Boston.She attended the University of Pennsylvania, where she majored in the Biological Basis of Behavior, a series of courses combining the study of psychology and neural sciences, with a concentration on psychopharmacology. She received her medical degree from Temple University; during her residency, at Mount Sinai Hospital in New York, she served as Chief Resident of the Schizophrenia Research Ward. A principal investigator in a research study examining a new medication for schizophrenia, Holland earned a National Institute of Health Outstanding Resident Award in 1994.While in college, Holland wrote an extensive research paper on MDMA; it became the foundation for her 2001 book Ecstasy: The Complete Guide. Professional background From 1995 through 2004, Holland was an attending psychiatrist in the Comprehensive Psychiatric Emergency Program at Bellevue Hospital in New York. Her national bestseller, Weekends at Bellevue: Nine Years on the Night Shift at the Psych ER, was published in 2009. In describing the book, The New York Times wrote: "Dr. Holland brings readers into the psychiatric emergency room, where she was in charge on weekends for nine years. She explains the language, characters, policies and politics of the highly charged environment of caring for those in crisis. At the same, she walks readers through her mind and its substantial struggles. The book is as much a story about her own internal dramas as it is about mental health care in New York City." Weekends at Bellevue was optioned by Fox for a television pilot in 2011; the pilot was not picked up. In November 2013, The Hollywood Reporter reported that HBO was developing a comedy based on Holland's book Moody Bitches: The Truth About the Drugs You're Taking, the Sex You're Not Having, The Sleep You're Missing and What's Really Making You Crazy.From 1995 through 2012, Holland was an Assistant Clinical Professor of Psychiatry at the New York University School of Medicine.Now a medical advisor to MAPS, Holland was the medical monitor for several therapeutic studies of MDMA assisted psychotherapy in the treatment of Post Traumatic Stress Disorder. In addition to serving as a forensic consultant for drug-related cases, Holland is a frequent lecturer, and has appeared as a drug and behavior expert on CNN, National Geographic Channel, Fox, VH1, MTV and Good Morning America. She has appeared on The Today Show over twenty-five times and is in private practice in New York. Honors and awards 2011: Norman Zinberg Award for Medical Excellence National Institute of Health Outstanding Resident Award Published works BooksHolland, Julie (2001). Ecstasy: The Complete Guide: A Comprehensive Look at the Risks and Benefits of MDMA, New York: Park Street Press, ISBN 0892818573 Holland, Julie (2010). The Pot Book: A Complete Guide to Cannabis, New York: Park Street Press, ISBN 1594773688 Holland, Julie (2010). Weekends at Bellevue: Nine Years on the Night Shift at the Psych ER, New York: Bantam, ISBN 0553386522 Holland, Julie (2015). Moody Bitches: The Truth About the Drugs You're Taking, the Sleep You're Missing, the Sex You're Not Having, and What's Really Making You Crazy, New York, Penguin Press, ISBN 978-1-59420-580-4 Holland, Julie (2020). Good Chemistry: The Science of Connection, from Soul to Psychedelics , New York; Harper Wave, ISBN 978-0062862884PapersFeduccia, A. A., Jerome, L., Mithoefer, M. C., & Holland, J. (2020). Discontinuation of medications classified as reuptake inhibitors affects treatment response of MDMA-assisted psychotherapy. Psychopharmacology, 1–8. Mithoefer, M. C., Mithoefer, A. T., Feduccia, A. A., Jerome, L., Wagner, M., Wymer, J., Holland, J. ... & Doblin, R. (2018). 3, 4-methylenedioxymethamphetamine (MDMA)-assisted psychotherapy for post-traumatic stress disorder in military veterans, firefighters, and police officers: a randomised, double-blind, dose-response, phase 2 clinical trial. The Lancet Psychiatry, 5(6), 486–497. Feduccia, A. A., Mithoefer, M. C., Jerome, L., Holland, J., Emerson, A., & Doblin, R. (2018). Response to the consensus statement of the PTSD Psychopharmacology Working Group. Biological psychiatry, 84(2), e21-e22. Feduccia, A. A., Holland, J., & Mithoefer, M. C. (2018). Progress and promise for the MDMA drug development program. Psychopharmacology, 1–11. Doblin, R., Greer, G., Holland, J., Jerome, L., Mithoefer, M. C., & Sessa, B. (2014). A reconsideration and response to Parrott AC (2013)“Human psychobiology of MDMA or ‘Ecstasy’: an overview of 25 years of empirical research”. Human Psychopharmacology: Clinical and Experimental, 29(2), 105–108. Holland, J.A.; Nelson, L.W.; Ravikumar, P.R. (1998). "Embalming Fluid-Soaked Drugs: New Drug or New Guise for PHP?". Journal of Psychoactive Drugs. 30 (2): 215–219. doi:10.1080/02791072.1998.10399693. PMID 9692385. Holland, Julie; and Kevin C. Riley. "Characterizing Auditory Hallucinations: An Aid in the Differential Diagnosis of Malingering" Brašić JR, Holland JA. Reliable classification of case-control studies of autistic disorder and obstetric complications. J Dev Phys Disabil. 2006;18(4):355–381.</ref> Brašić JR, Holland JA. Reliable classification of case-control studies of autistic disorder and obstetric complications. J Dev Phys Disabil. 2006;18(4):355–381.</ref> Holland, Julie. "Positron emission tomography findings in heavy users of MDMA" Holland, Julie. "Hallucinogenic Drugs in Experimental Psychiatric Research" Holland, Julie. "Raves for Research or Psychedelic Researchers: The Next Generation" See also Psychedelia – Film about the history of psychedelic drugs Passage 5: Point Point or points may refer to: Places Point, Lewis, a peninsula in the Outer Hebrides, Scotland Point, Texas, a city in Rains County, Texas, United States Point, the NE tip and a ferry terminal of Lismore, Inner Hebrides, Scotland Points, West Virginia, an unincorporated community in the United States Business and finance Point (loyalty program), a type of virtual currency in common use among mercantile loyalty programs, globally Point (mortgage), a percentage sometimes referred to as a form of pre-paid interest used to reduce interest rates in a mortgage loan Basis point, 1/100 of one percent, denoted bp, bps, and ‱ Percentage points, used to measure a change in percentage absolutely Pivot point (technical analysis), a price level of significance in analysis of a financial market that is used as a predictive indicator of market movement "Points", the term for profit sharing in the American film industry, where creatives involved in making the film get a defined percentage of the net profits or even gross receipts Royalty points, a way of sharing profit between companies and unit holders Vigorish point, the commission charged on a gambling bet or loanshark's loan Mathematics Point (geometry), an entity that has a location in space or on a plane, but has no extent; more generally, an element of some abstract topological space Point, or Element (category theory), generalizes the set-theoretic concept of an element of a set to an object of any category Critical point (mathematics), a stationary point of a function of an arbitrary number of variables Decimal point Point-free geometry Stationary point, a point in the domain of a single-valued function where the value of the function ceases to change Measurement units Point (gemstone), 2 milligrams, or one hundredth of a carat Point (typography), a measurement used in printing, the meaning of which has changed over time Point, in hunting, the number of antler tips on the hunted animal (e.g. 9 point buck) Point, for describing paper-stock thickness, a synonym of mil and thou (one thousandth of an inch) Point, a hundredth of an inch or 0.254 mm, a unit of measurement formerly used for rainfall in Australia Paris point, 2/3 cm, used for shoe sizes Points of the compass, one of the 32 directions on a traditional compass, equal to one eighth of a right angle (11.25 degrees) Sports Point (American football) Point (basketball) Point (ice hockey) Point (pickleball) Point (tennis) Point, fielding (cricket) Point, in sports Score Point guard, in basketball Points (association football) Points decision, in boxing and some other fighting sports The point (ice hockey), the location of an ice hockey player Technology and transport Point, a data element in a SCADA system representing a single input or output Points, a contact breaker in an ignition system Points, a railroad switch (British English) Points, the clock position of an object seen from a moving vessel or aircraft on an imaginary horizontal clock with 12:00 at the front; e.g., two points to starboard is 2:00 Points of sail, a sailing boat's course in relation to wind direction Point system (driving), a system of demerits for driving offenses Projectile point, a hafted archaeological artifact used as a knife or projectile tip Public Oregon Intercity Transit, styled POINT, a public transit system Arts, entertainment, and media Music Point (album), a 2001 album by Cornelius Point #1, a 1999 album of Chevelle Point Music, a record label Points (album), by jazz pianist Matthew Shipp "The Points", a 1995 single and video from the Panther soundtrack Point (Yello album), a 2020 album by Yello "Point", a song by the American band Bright from their self-titled album Other uses in arts, entertainment, and media High card points, used for hand evaluation in contract bridge Le Point, a French weekly On Point, a radio show Point Broadcasting, a radio broadcasting company Pointe technique, a ballet technique for dancing on the tips of toes Take Point (2018), a South Korean action film Other uses Point (coat color), animal fur coloration of the extremities Point (geography), a peninsula or headland Point (surname), a surname Make a point or come to a point, a hunting term referring to a pointing dog's standing rigid and facing the prey On point, someone who possesses abundant and various qualities of competence, leadership or style, or to specific acts which demonstrate such qualities Point man, one who takes point (defined below) on patrol, the lookout in the commission of a crime, a defense position in ice hockey, or someone who leads the defense of a political position Point mutation, a change in a single nucleotide Take point (or walk point, be on point, or be a point man), to be the lead, and likely most vulnerable, soldier, vehicle, or unit in a combat military formation Point University, West Point, Georgia See also Endpoint (disambiguation) Lapointe (disambiguation), also Lepoint/La Pointe/Le Point Midpoint (disambiguation) Point Lookout (disambiguation) Pointing (disambiguation) Points system (disambiguation) Start Point (disambiguation) The Point (disambiguation) Tipping point (disambiguation) All pages with titles beginning with Point All pages with titles containing Point Passage 6: La figliastra La figliastra: Storia di corna e di passioni is a 1976 commedia sexy all'italiana film directed by Edoardo Mulargia. It features Bruno Scipioni with Austrian sexploitation star Sonja Jeannine (credited as Sonia Jeanine). In France, the film was released in an adult version with added hardcore scenes and under the title Veuves excitées. Plot The wife of the Sicilian barone Francesco 'Cocò' Laganà (Bruno Scipioni) dies of heart failure while having sex with the lecherous gardener Fefè (Nino Terzo). Cocò marries a Northerner widow named Nadia (Maristella Greco), her beautiful teenage daughter Daniela (Sonja Jeannine) later moving to her stepfather's house. Both Cocò and Fefè (who is now married to Cocò's nymphomaniac sister Agata (Lucrezia Love)) make sexual advances to Daniela but to no avail. Meanwhile Cocò's heirship to a large inheritance is in jeopardy because his late wife did not beget him a child and Nadia cannot get pregnant, the Sicilian customary law barring a man without offspring from heirship. Passage 7: Juan Bustillo Oro Juan Bustillo Oro (2 June 1904 – 10 June 1989) was a Mexican film director, screenwriter and producer, whose career spanned over 38 years.Among his works there are In the Times of Don Porfirio, Here's the Point, Arm in Arm Down the Street, Cuando los hijos se van and those listed below. Selected filmography Two Monks (1934) The Black Angel (1942) My Memories of Mexico (1944) Seven Women (1953) Passage 8: You're Missing the Point You're Missing the Point (Spanish: Ahí está el detalle) is a 1940 Mexican comedy film starring Cantinflas. It was produced by Jesús Grovas and directed by Juan Bustillo Oro, and also features Joaquín Pardavé, Sara García, Sofía Álvarez, and Dolores Camarillo. It was the twelfth film in Cantinflas's career, considered one of his best by Mexican film critics, as well as one of Mexico's best films.The film's sets were designed by the art director Carlos Toussaint. Plot summary Cantinflas is the boyfriend of Paz, the household maid of Cayetano Lastre. It is dinnertime and Cantinflas is waiting outside the mansion for Paz's whistle: a sign for Cantinflas to enter the kitchen to eat. This is because there is a dog in the front yard named "Bobby", and Paz's boss is unaware of Cantinflas's forays into the house. While waiting, another man also arrives to do the same, pulling out a cigarette and dropping his wallet in the process, which Cantinflas picks up when entering the house. Though like other times Cantinflas goes straight in to eat, this time his girlfriend has a favor to ask him: to kill the dog "Bobby" who has suffered a sudden onset of rabies and doesn't let Cayetano leave for an appointment. Seeing his hesitation, Paz is adamant: if he does not kill the dog, he does not get to eat. Cantinflas is nervous about the idea, but eventually kills the dog with a gun. Meanwhile, inside the house, after Cayetano leaves, his wife Dolores del Paso has given entrance to the other man: her ex-boyfriend Bobby Lechuga, a con artist who plans to blackmail her with some undated letters with a new date unless she does as he says. However, Cayetano suddenly returns to the house, as his over-bearing jealousy has led him to think that his wife cheats on him and has plotted a scheme to expose her supposed "adultery" red-handed. Hearing his arrival, Paz hides Cantlinflas and later does the same with Bobby. Cayetano finds and catches Cantinflas, assuming he is his wife's lover, but Dolores pretends that Cantinflas is her long-estranged brother, Leonardo del Paso. Being that his father-in-law (Dolores and Leonardo's father) needed the presence of all heirs to read and distribute their inheritance, Cayetano (whose business have been slow lately) begins treating Cantinflas like a king in order to gain his trust. Naturally, Cantinflas takes advantage of the situation. Things get complicated when Clotilde Regalado, Leonardo's partner, reads a newspaper clip mentioning Leonardo and the reading of the will, and makes her presence in the company of all of the couple's sons (and then some). Cantinflas tries to tell the truth about his identity to Cayetano, but as Dolores needs "Leonardo" to conceal the blackmail and Clotilde needs him to recognize and support her children, he continues to play along with the charade. Fully aware that Cantinflas is not the real Leonardo, she still moves over to Cayetano's house with the rest of her family, who are as much freeloaders as Cantinflas is. Intending for "Leonardo" to settle down, as well as to prevent him running away from "his" family and, by extension, further delay the reading of the will, Cayetano arranges for "Leonardo" to marry Clotilde. Cantinflas understandably hesitates and tries as much as he can to avoid being married, and when he is about to be forced to do so by using his fingerprints, policemen arrive at the house, looking for Leonardo. Confusion arises, as Bobby Lechuga has been killed and Cantinflas admits to killing "Bobby" (the dog, not the gangster), exacerbate by the fact that Bobby's wallet (which he picked up at the beginning) is found among his clothes, so he is arrested and put on trial. In a prolonged courtroom sequence, Cantinflas again confesses to killing "Bobby" the rabid dog, but as almost everyone in court sees him as Leonardo confessing to the murder of Bobby the con-artist, he is inevitably found guilty. Fortunately for him, the real Leonardo appears and explains about Bobby's blackmailing and the fact that he killed the extorter in self-defense. Cantinflas is fully acquitted and returns to his old antics, waiting outside Cayetano's mansion for Paz's whistle at dinnertime and then entering the kitchen to eat. Cast Mario Moreno as Cantinflas Joaquín Pardavé as Cayetano Lastre Sofía Álvarez as Dolores del Paso Dolores Camarillo as Paz Sara García as Clotilde Regalado, Leonardo del Paso's mistress Manuel Noriega as the Judge Antonio R. Frausto as Cantinflas' lawyer Agustín Isunza as a prosecutor who tries "Leonardo". Antonio Bravo as Bobby Lechuga "The Fox Terrier" Francisco Jambrina as the real Leonardo del Paso. Joaquín Coss as the Magistrate Eduardo Arozamena as the deaf judge Rafael Icardo as the dim-witted policeman Alfredo Varela, Jr. as the federal scribe Ángel T. Sala as the inspector Estanislao Schillinsky as the deaf judge's assistant Max Langler as the policeman Narciso Busquets as one of Clotilde and Leonardo's sons Wilfrido Moreno as an extra Adolfo Bernáldez as an extra Production The film was released under the title You're Missing the Point in the United States. You're Missing the Point was the first feature film in which Mario Moreno was the lead actor. Under the name of his character in this film, Cantinflas, he achieved fame and used it as his stage name and the name of his characters in other films. In this film, he changed the film's director Juan Bustillo Oro's conventional sense of humor by presenting himself as linguistically as well as in appearance as a man of the common people, instead of using high-quality Spanish. The film's last scene is based on true events involving Mexican criminal Álvaro Chapa, which inspired Cantinflas' form of speech for this film, also known as "cantinfleada". Bustillo Oro based it largely on his experience as a pro bono lawyer at the Cárcel de Belén. The film was completed in only three weeks, with the only problems arising from Cantinflas's improvisation over what he considered to be a poorly written script. In a comprehensive list of the 100 best Mexican films between 1919 and 1992, which was created by 25 film critics, filmmakers and historians and published on 16 July 1994 in the magazine Somos, You're Missing the Point was placed tenth. In 1950, the film was remade as Vivillo desde chiquillo. Passage 9: Julie Holland Julie Holland (born December 13, 1965) is an American psychopharmacologist, psychiatrist, and author. She is the author of five books, including Weekends at Bellevue: Nine Years on the Night Shift at the Psych ER, a memoir documenting her experience as the weekend head of the psychiatric emergency room at Bellevue Hospital in New York City An advocate for the appropriate use of consciousness expanding substances as part of mental health treatment, she is a medical monitor for MAPS studies, which involve, in part, developing psychedelics into prescription medication. Personal background Julie Holland was born on December 13, 1965, in New York City. She grew up in Framingham, Massachusetts, a suburb of Boston.She attended the University of Pennsylvania, where she majored in the Biological Basis of Behavior, a series of courses combining the study of psychology and neural sciences, with a concentration on psychopharmacology. She received her medical degree from Temple University; during her residency, at Mount Sinai Hospital in New York, she served as Chief Resident of the Schizophrenia Research Ward. A principal investigator in a research study examining a new medication for schizophrenia, Holland earned a National Institute of Health Outstanding Resident Award in 1994.While in college, Holland wrote an extensive research paper on MDMA; it became the foundation for her 2001 book Ecstasy: The Complete Guide. Professional background From 1995 through 2004, Holland was an attending psychiatrist in the Comprehensive Psychiatric Emergency Program at Bellevue Hospital in New York. Her national bestseller, Weekends at Bellevue: Nine Years on the Night Shift at the Psych ER, was published in 2009. In describing the book, The New York Times wrote: "Dr. Holland brings readers into the psychiatric emergency room, where she was in charge on weekends for nine years. She explains the language, characters, policies and politics of the highly charged environment of caring for those in crisis. At the same, she walks readers through her mind and its substantial struggles. The book is as much a story about her own internal dramas as it is about mental health care in New York City." Weekends at Bellevue was optioned by Fox for a television pilot in 2011; the pilot was not picked up. In November 2013, The Hollywood Reporter reported that HBO was developing a comedy based on Holland's book Moody Bitches: The Truth About the Drugs You're Taking, the Sex You're Not Having, The Sleep You're Missing and What's Really Making You Crazy.From 1995 through 2012, Holland was an Assistant Clinical Professor of Psychiatry at the New York University School of Medicine.Now a medical advisor to MAPS, Holland was the medical monitor for several therapeutic studies of MDMA assisted psychotherapy in the treatment of Post Traumatic Stress Disorder. In addition to serving as a forensic consultant for drug-related cases, Holland is a frequent lecturer, and has appeared as a drug and behavior expert on CNN, National Geographic Channel, Fox, VH1, MTV and Good Morning America. She has appeared on The Today Show over twenty-five times and is in private practice in New York. Honors and awards 2011: Norman Zinberg Award for Medical Excellence National Institute of Health Outstanding Resident Award Published works BooksHolland, Julie (2001). Ecstasy: The Complete Guide: A Comprehensive Look at the Risks and Benefits of MDMA, New York: Park Street Press, ISBN 0892818573 Holland, Julie (2010). The Pot Book: A Complete Guide to Cannabis, New York: Park Street Press, ISBN 1594773688 Holland, Julie (2010). Weekends at Bellevue: Nine Years on the Night Shift at the Psych ER, New York: Bantam, ISBN 0553386522 Holland, Julie (2015). Moody Bitches: The Truth About the Drugs You're Taking, the Sleep You're Missing, the Sex You're Not Having, and What's Really Making You Crazy, New York, Penguin Press, ISBN 978-1-59420-580-4 Holland, Julie (2020). Good Chemistry: The Science of Connection, from Soul to Psychedelics , New York; Harper Wave, ISBN 978-0062862884PapersFeduccia, A. A., Jerome, L., Mithoefer, M. C., & Holland, J. (2020). Discontinuation of medications classified as reuptake inhibitors affects treatment response of MDMA-assisted psychotherapy. Psychopharmacology, 1–8. Mithoefer, M. C., Mithoefer, A. T., Feduccia, A. A., Jerome, L., Wagner, M., Wymer, J., Holland, J. ... & Doblin, R. (2018). 3, 4-methylenedioxymethamphetamine (MDMA)-assisted psychotherapy for post-traumatic stress disorder in military veterans, firefighters, and police officers: a randomised, double-blind, dose-response, phase 2 clinical trial. The Lancet Psychiatry, 5(6), 486–497. Feduccia, A. A., Mithoefer, M. C., Jerome, L., Holland, J., Emerson, A., & Doblin, R. (2018). Response to the consensus statement of the PTSD Psychopharmacology Working Group. Biological psychiatry, 84(2), e21-e22. Feduccia, A. A., Holland, J., & Mithoefer, M. C. (2018). Progress and promise for the MDMA drug development program. Psychopharmacology, 1–11. Doblin, R., Greer, G., Holland, J., Jerome, L., Mithoefer, M. C., & Sessa, B. (2014). A reconsideration and response to Parrott AC (2013)“Human psychobiology of MDMA or ‘Ecstasy’: an overview of 25 years of empirical research”. Human Psychopharmacology: Clinical and Experimental, 29(2), 105–108. Holland, J.A.; Nelson, L.W.; Ravikumar, P.R. (1998). "Embalming Fluid-Soaked Drugs: New Drug or New Guise for PHP?". Journal of Psychoactive Drugs. 30 (2): 215–219. doi:10.1080/02791072.1998.10399693. PMID 9692385. Holland, Julie; and Kevin C. Riley. "Characterizing Auditory Hallucinations: An Aid in the Differential Diagnosis of Malingering" Brašić JR, Holland JA. Reliable classification of case-control studies of autistic disorder and obstetric complications. J Dev Phys Disabil. 2006;18(4):355–381.</ref> Brašić JR, Holland JA. Reliable classification of case-control studies of autistic disorder and obstetric complications. J Dev Phys Disabil. 2006;18(4):355–381.</ref> Holland, Julie. "Positron emission tomography findings in heavy users of MDMA" Holland, Julie. "Hallucinogenic Drugs in Experimental Psychiatric Research" Holland, Julie. "Raves for Research or Psychedelic Researchers: The Next Generation" See also Psychedelia – Film about the history of psychedelic drugs Passage 10: Tipping point Tipping point or TippingPoint or The Tipping Point may refer to: Science and technology Tipping point (physics), a threshold in a sharp hysteresis loop; once reached, the system rapidly changes its state Tipping point (sociology), an event when a previously rare phenomenon becomes rapidly and dramatically more common Tipping point, in catastrophe theory, the value of the parameter in which the set of equilibria abruptly changes Tipping points in the climate system, thresholds that, when exceeded, can lead to large changes in the state of the system As a proper name Arts, entertainment, and media Literature The Tipping Point, a 2000 book by Malcolm Gladwell Music Tipping Point (band), an experimental contemporary jazz quartet from England, founded in 2013 The Tipping Point (Authority Zero album), 2013 The Tipping Point (The Roots album), 2004 The Tipping Point (Tears for Fears album), 2022 Television Tipping Point (game show), a British game show "Tipping Point", an episode of CSI: Miami "The Tipping Point" (The Outer Limits), a TV episode Other uses as a proper name Tipping Point Community, a US philanthropic organization TippingPoint, a network security company Other uses Tipping-point state, in US presidential elections, the state that secures a candidate's victory, when all states are arranged in order of their vote margins See also Inflection point Tip (disambiguation) Tipping (disambiguation)

doc_14

Passage 1: Joely Collins Joely Collins (born Joely Meri Bertorelli; August 8, 1972) is a Canadian actress. She is the daughter of Andrea Bertorelli and of English musician Phil Collins. Early life Born and raised largely in Vancouver, British Columbia, Collins studied at the Vancouver Youth Theatre, and later at London's Royal Academy of Dramatic Arts. She was adopted by her mother's husband, Phil Collins, upon their marriage in 1975. They later had one child, son Simon (born in 1976). She was named Canada's "Best Leading Actress" at the age of 22 for her work on the television series Madison. She appeared on the long-running drama Cold Squad. In 2009, she co-founded StoryLab Productions and produced the award-winning feature film Becoming Redwood.Actress Lily Collins is her half-sister, born to her father Phil Collins and his second wife Jill Tavelman after he and her mother Andrea Bertorelli divorced in 1980. Collins won the award for Best Actress in a Canadian Film at the Vancouver Film Critics Circle Awards 2004 for The Love Crimes of Gillian Guess. Personal life Collins married Dutch-born Stefan Buitelaar on August 23, 2008, in Leiden, Netherlands. On October 26, 2009, Collins gave birth to their daughter, Zoë Amelie. Filmography Film Television Passage 2: Phil Collins Philip David Charles Collins (born 30 January 1951) is an English singer, drummer, songwriter, record producer and actor. He was the drummer and later lead singer of the rock band Genesis and also has a career as a solo performer. Between 1982 and 1990, Collins achieved three UK and seven US number one singles as a solo artist. When his work with Genesis, his work with other artists, as well as his solo career are totalled, he was responsible for more US top 40 singles than any other artist during the 1980s. His most successful singles from the period include "In the Air Tonight", "Against All Odds (Take a Look at Me Now)", "One More Night", "Sussudio", "Another Day in Paradise" and "I Wish It Would Rain Down". Born and raised in west London, Collins began playing drums at five and completed drama school training, which secured him various roles as a child actor, with his first major role at 13 as the Artful Dodger in the West End musical Oliver!. He then pursued a musical career, joining Genesis in 1970 as their drummer and becoming lead singer in 1975 following the departure of Peter Gabriel. Collins began a successful solo career in the 1980s, initially inspired by his marital breakdown and love of soul music, releasing the albums Face Value (1981), Hello, I Must Be Going (1982), No Jacket Required (1985) and ...But Seriously (1989). Collins became, in the words of AllMusic, "one of the most successful pop and adult contemporary singers of the '80s and beyond". He also became known for a distinctive gated reverb drum sound on many of his recordings. In 1985, he was the only artist to perform at both Live Aid concerts. He also resumed his acting career, appearing in Miami Vice and subsequently starring in the film Buster (1988). Collins left Genesis in 1996 to focus on solo work; this included writing songs for Disney's animated film Tarzan (1999). He wrote and performed the songs, "Two Worlds", "Son of Man", "Strangers Like Me" and "You'll Be in My Heart", the latter of which earned him the Academy Award for Best Original Song. He rejoined Genesis for their Turn It On Again Tour in 2007. Following a five-year retirement to focus on his family life, Collins released his memoir in 2016 and completed his Not Dead Yet Tour in 2019. He then rejoined Genesis in 2020 for a second reunion tour, ending in March 2022. Collins's discography includes eight studio albums that have sold 33.5 million certified units in the US and an estimated 150 million records sold worldwide, making him one of the world's best-selling artists. He is one of only three recording artists, along with Paul McCartney and Michael Jackson, who have sold over 100 million records both as solo artists and separately as principal members of a band. He has won eight Grammy Awards, six Brit Awards (winning Best British Male Artist three times), two Golden Globe Awards, one Academy Award, and a Disney Legend Award. He was awarded six Ivor Novello Awards from the British Academy of Songwriters, Composers and Authors, including the International Achievement Award. He received a star on the Hollywood Walk of Fame in 1999, and was inducted into the Songwriters Hall of Fame in 2003 and the Rock and Roll Hall of Fame as a member of Genesis in 2010. He has also been recognised by music publications with induction into the Modern Drummer Hall of Fame in 2012, and the Classic Drummer Hall of Fame in 2013. Early life Philip David Charles Collins was born on 30 January 1951 at Putney Hospital in Wandsworth, south-west London. His father, Greville Philip Austin Collins (1907–1972), was an insurance agent for London Assurance and his mother, Winifred June Collins (née Strange, 1913–2011), worked in a toy shop and later as a booking agent at the Barbara Speake Stage School, an independent performing arts school in East Acton. Collins is the youngest of three children: his sister Carole competed as a professional ice skater and followed her mother's footsteps as a theatrical agent, and his brother Clive was a noted cartoonist. The family moved twice by the time Collins had reached two; they settled at 453 Hanworth Road in Hounslow, Middlesex.Collins was given a toy drum kit for Christmas when he was five, and later his two uncles made him a makeshift set with triangles and tambourines that fitted into a suitcase. As Collins grew older, these were followed by more complete sets bought by his parents. He practised by playing along to music on the television and radio. During a family holiday at a Butlin's, a seven-year-old Collins entered a talent contest singing "The Ballad of Davy Crockett", but stopped the orchestra halfway through to tell them they were in the wrong key. The Beatles were a major early influence on Collins, including their drummer Ringo Starr. He followed the lesser-known London band the Action, whose drummer he would copy and whose work introduced him to the soul music of Motown and Stax Records. Collins was also influenced by jazz and big band drummer Buddy Rich, whose opinion on the importance of the hi-hat prompted him to stop using two bass drums and start using the hi-hat.Around twelve, Collins received basic piano and music tuition from his father's aunt. He studied drum rudiments under Lloyd Ryan and later under Frank King, and considered this training "more helpful than anything else because they're used all the time. In any kind of funk or jazz drumming, the rudiments are always there." Collins never learned to read or write musical notation and devised his own system, which he regretted in later life. "I've always felt that if I could hum it, I could play it. For me, that was good enough, but that attitude is bad."Collins attended Nelson Primary School until he was eleven. He was accepted into Chiswick County Grammar School, where he took to football and formed the Real Thing, a school band that had Andrea Bertorelli, his future wife, and friend Lavinia Lang, as backup singers. Both women would have an impact on Collins' personal life in later years. Collins' next group was the Freehold, with whom he wrote his first song, "Lying, Crying, Dying", and played in a group named the Charge. Career 1963–1970: Early acting roles and bands Collins quit school at fourteen to become a full-time pupil at Barbara Speake. He had an uncredited part as an extra in the Beatles' film A Hard Day's Night (1964), where he is amongst the screaming teenagers during the television concert sequence. Later in 1964, Collins was cast as the Artful Dodger in two West End runs of the musical Oliver! He was paid £15 a week, and called the role "the best part for a kid in all London". His days as the Dodger were numbered when his voice broke during a performance and had to speak his lines for the rest of the show. Collins starred in Calamity the Cow (1967), a film produced by the Children's Film Foundation. After a falling out with the director, Collins decided to quit acting to pursue music. He was to appear in Chitty Chitty Bang Bang (1968) as one of the children who storm the castle, but his scene was cut. Collins auditioned for the role of Romeo in Romeo and Juliet (1968), but the role went to Leonard Whiting. He also travelled the country teaching people the "crunch" dance made popular by a Smith's crisps advertising campaign.Collins's enthusiasm towards music grew during his acting years. He frequented the Marquee Club on Wardour Street so often, eventually the managers asked him to set out the chairs, sweep the floors, and assist in the cloakroom. It was here where Collins saw The Action and newcomers Yes perform, which greatly influenced him. When auditions for Vinegar Joe and Manfred Mann Chapter Three were unsuccessful, Collins secured a position in the Cliff Charles Blues Band and toured the country. This was followed by a stint in The Gladiators, a backing band for a black vocal quartet, which also featured Collins's schoolmate Ronnie Caryl on guitar. Around this time, Collins learned that Yes were looking for a new drummer and spoke to frontman Jon Anderson, who invited him to an audition the following week. Collins failed to turn up, and later wondered what his life would have been like had he gone ahead with it.In 1969, Collins and Caryl joined John Walker's backing band for a European tour, which also consisted of guitarist Gordon Smith and keyboardist Brian Chatton. The tour finished, and the quartet formed a rock band, Hickory, which recorded one single ("Green Light"/"The Key"). Still in 1n 1969, they were later renamed Flaming Youth. They signed to Fontana Records and recorded Ark 2 (1969), a concept album written and produced by Ken Howard and Alan Blaikley that tells the story of man's evacuation from a burning Earth and its voyage into space. Each member sings a lead vocal.In May 1970, after Flaming Youth split, Collins played congas on George Harrison's song "Art of Dying", but his contribution was omitted. Years later, Collins asked Harrison about the omission. Harrison sent Collins a recording allegedly containing Collins's performance; Collins was embarrassed to hear that the performance was poor. When Collins apologised, Harrison confessed that the recording was a prank, which Collins accepted in good humour. 1970–1978: Genesis, later role as lead singer, and Brand X In July 1970, the rock band Genesis had signed with Charisma Records and recorded their second album Trespass (1970), but suffered a setback following the departures of drummer John Mayhew and guitarist Anthony Phillips. They decided to continue, and placed an advert in the Melody Maker for a drummer "sensitive to acoustic music" and a 12-string acoustic guitarist. Collins recognised Charisma owner Tony Stratton-Smith's name on it, and he and Caryl went for the auditions. The group, who had been a full-time working band for less than a year, consisted of school friends from Charterhouse School, a private boarding school: singer Peter Gabriel, keyboardist Tony Banks, and bassist/guitarist Mike Rutherford. Collins and Caryl arrived early, so Collins took a swim in the pool at Gabriel's parents' house and memorised the pieces the drummers before him were playing. He recalled: "They put on 'Trespass', and my initial impression was of a very soft and round music, not edgy, with vocal harmonies, and I came away thinking Crosby, Stills and Nash." On 8 August 1970, Collins became their fourth drummer. Genesis then took a two-week holiday, during which Collins earned money as an exterior decorator. Rutherford thought Caryl was not a good fit; in 1971, the band enlisted Steve Hackett. From 1970 to 1975, Collins played drums, percussion, and largely sang backing vocals on Genesis albums and concerts. His first album as a member, Nursery Cryme, features the acoustic song "For Absent Friends" that has Collins singing lead vocal. He sang "More Fool Me" on their 1973 album Selling England by the Pound. In 1974, during the recording of The Lamb Lies Down on Broadway, Collins played drums on Brian Eno's second album Taking Tiger Mountain (By Strategy) after Eno had contributed electronic effects to two songs on the album.In August 1975, Gabriel's departure from the band was publicly announced. Genesis advertised for a replacement in Melody Maker and received around 400 replies. After a lengthy auditioning process, during which he sang backup vocals for applicants, Collins became the band's lead vocalist during the recording of their album A Trick of the Tail. The album was a commercial and critical success, reaching number 3 in the UK charts and 31 in the US. Rolling Stone wrote that Genesis "has managed to turn the possible catastrophe of Gabriel's departure into their first broad-based American success." For the tour, Collins accepted former Yes and King Crimson drummer Bill Bruford to play drums while Collins sang. Wind & Wuthering was the last Genesis album recorded with Hackett before he left the group. In 1976, Collins brought in American drummer Chester Thompson, formerly of Frank Zappa and Weather Report who became a mainstay of Genesis' and Collins' backing bands until 2010. When Collins, Banks, and Rutherford decided to continue Genesis as a trio in 1977, they recorded ...And Then There Were Three.... This marked a shift from their progressive rock roots to a more radio-friendly, pop rock sound, and included the band's first UK Top 10 and US Top 40 single, "Follow You Follow Me". The level of commercial success that Genesis had reached by this time allowed Collins and his wife to move into Old Croft, a home in Shalford, Surrey, in the spring of 1978.Collins pursued various guest spots and solo projects from his time as Genesis's drummer. In 1973, he and Hackett were among the musicians who performed on the solo debut of ex-Yes guitarist Peter Banks. In 1975, Collins sang and played drums, vibraphone, and percussion on Hackett's first solo album, Voyage of the Acolyte; performed on Eno's albums Another Green World, Before and After Science, and Music for Films; and replaced drummer Phil Spinelli of the jazz fusion group Brand X before recording their first two albums, Unorthodox Behaviour and Moroccan Roll. Collins played percussion on Johnny the Fox by Thin Lizzy, and sang on Anthony Phillips' debut solo album, The Geese & the Ghost. 1978–1984: Solo debut with Face Value and Hello, I Must Be Going! After Genesis finished touring in December 1978, the group went on hiatus after Collins went to Vancouver, Canada to try to save his failing marriage. The attempt failed, leaving his wife to return to England with their children while living apart. Collins returned to Old Croft, their home in Shalford, Surrey, and their divorce was finalised in 1981. Banks and Rutherford were recording their first solo albums during this time, so Collins rejoined Brand X for their album Product and its accompanying tour, played on John Martyn's album Grace and Danger, and started writing demos of his own at home. This was followed by Genesis resuming activity and recording and touring through 1980 with their album Duke (1980). The three members contributed two tracks each; Collins put forward "Please Don't Ask" and "Misunderstanding". In February 1981, Collins released his debut solo album Face Value. He signed with Virgin Records and WEA for American distribution in order to distance himself from the Charisma label, and oversaw every step of its production; he wrote the liner notes himself and by hand. His divorce was the focus of its lyrical themes and song titles: "I had a wife, two children, two dogs, and the next day I didn't have anything. So a lot of these songs were written because I was going through these emotional changes." Collins produced the album in collaboration with Hugh Padgham, with whom he had worked on Peter Gabriel's self-titled 1980 album. Face Value reached number one on the UK Albums Chart. It was also an international success, reaching number one in six other countries and number seven in the US where it went on to sell 5 million copies. "In the Air Tonight", the album's lead single, became a hit and reached number two in the UK charts. The song is known for the gated reverb effect used on Collins's drums, a technique developed by Padgham when he worked as an engineer on Gabriel's song "Intruder", on which Collins played drums.Following an invitation by record producer Martin Lewis, Collins performed live as a solo artist at an Amnesty International benefit show The Secret Policeman's Other Ball at the Theatre Royal, Drury Lane in London in September 1981, performing "In the Air Tonight" and "The Roof Is Leaking". Collins also worked again with John Martyn in this year, producing his album Glorious Fool. In September 1981, Genesis released Abacab. This was followed by its 1981 supporting tour and a two-month tour in 1982 promoting the Genesis live album Three Sides Live. In early 1982, Collins produced and played on Something's Going On, the third solo album by Anni-Frid Lyngstad of ABBA, and performed most of the drum parts on Pictures at Eleven, the first solo album by Led Zeppelin singer Robert Plant. In October 1982, Collins took part in the one-off Genesis reunion concert Six of the Best held at the Milton Keynes Bowl in Buckinghamshire, which marked the return of Gabriel on lead vocals and Hackett on guitar.Collins's second solo album, Hello, I Must Be Going!, was released in November 1982. His marital problems continued to provide inspiration for his songs, including "I Don't Care Anymore" and "Do You Know, Do You Care". The album reached number 2 in the UK and number 8 in the US, where it sold 3 million copies. Its second single, a cover of "You Can't Hurry Love" by the Supremes, became Collins's first UK number one single and went to number 10 in the US. Collins supported the album with the Hello, I Must Be Going! tour of Europe and North America from November 1982 to February 1983. Following the tour, Collins played drums on Plant's second solo album, The Principle of Moments, and produced and played on two tracks for Adam Ant's album Strip, "Puss 'n Boots" and the title track. In May 1983, Collins, Banks and Rutherford recorded a self-titled Genesis album; its tour ended with five shows in Birmingham, England in February 1984. The latter shows were filmed and released as Genesis Live – The Mama Tour. 1984–1989: No Jacket Required and commercial ubiquity Collins wrote and performed on "Against All Odds", the main theme for the romantic film of the same name, which demonstrated a more pop-oriented and commercially accessible sound than his previous work. Released in February 1984, it was the first single of his solo career to reach number one on the Billboard Hot 100 chart; it peaked at number two in the UK. Collins won a Grammy Award for Best Pop Vocal Performance, Male. The song also earned him an Academy Award nomination for Best Original Song, and he arranged his 1985 tour to accommodate the possibility of performing it at the awards ceremony. However, a note to Atlantic Records from show producer Larry Gelbart explaining a lack of invitation stated: "Thank you for your note regarding Phil Cooper [sic]. I'm afraid the spots have already been filled", and Collins watched actress and dancer Ann Reinking perform it. The Los Angeles Times said: "Reinking did an incredible job of totally destroying a beautiful song." Collins would introduce it at subsequent concerts by saying: "I'm sorry Miss Ann Reinking couldn't be here tonight; I guess I just have to sing my own song."In 1984, Collins contributed to the production on Chinese Wall by Earth, Wind & Fire vocalist Philip Bailey, which included a duet from the two, "Easy Lover". The song was number one in the UK for four weeks, and peaked at number 2 in the US. He also produced and played drums on several tracks on Behind the Sun by Eric Clapton. In November, Collins was part of the charity supergroup Band Aid in aid of Ethiopian famine relief and played drums on its single, "Do They Know It's Christmas?".Collins's third album, No Jacket Required, was recorded in 1984 and marked a turning point in his output. He departed from lyrics about his personal life and wrote more upbeat and dance-orientated songs with strong hooks and melodies, such as "Sussudio", "One More Night", and "Take Me Home". The album also featured guest backing vocals from Sting, Peter Gabriel, and Helen Terry. No Jacket Required was released in February 1985 and became a huge worldwide success, reaching number one in several countries. "Sussudio" and "One More Night" topped the US singles chart, and "Don't Lose My Number" and "Take Me Home" made the US top ten. The album remains Collins's most successful of his career, selling over 12 million copies in the US and 1.9 million in the UK. Although the album was criticised for being overly commercial, David Fricke of Rolling Stone wrote: "After years on the art-rock fringe, Collins has established himself firmly in the middle of the road. Perhaps he should consider testing himself and his new fans' expectations next time around." "Sussudio" attracted negative attention for sounding too similar to Prince's "1999", a charge that Collins did not deny, and its hook line has been named as the most widely disliked element of his career. No Jacket Required earned Collins the first two of his six Brit Awards, winning Best British Male and Best British Album. Collins scored three US number one songs in 1985, the most by any artist that year. No Jacket Required won three Grammy Awards including Album of the Year. The No Jacket Required World Tour saw Collins perform 85 shows between February and July 1985. On 13 July, Collins took part in the Live Aid concerts, a continuation of the fundraising effort started by Band Aid. Collins was the only performer to appear at the London concert at Wembley Stadium and the US concert at JFK Stadium in Philadelphia on the same day. After performing "Against All Odds", "In the Air Tonight", and playing alongside Sting, Collins flew to Philadelphia on a Concorde to perform his solo material, play drums for Clapton, and drum with Plant and Jimmy Page for a Led Zeppelin reunion. The latter performance was poorly received and later disowned by the band. Page later said that Collins had not learned his parts for the set. Collins responded that the band "weren't very good", that a "dribbling" Page had made him feel uncomfortable, and he only continued with the set rather than leave the stage in order to avoid negative attention. In November 1985, the song "Separate Lives", a duet featuring Collins and Marilyn Martin for the musical drama film White Nights, was released and became a US number one hit. By the end of 1985, the music press noted that Collins's astronomical success as a solo artist had made him more popular than Genesis. Before the release of No Jacket Required, Collins insisted that he would not leave the band and that he felt "happier with what we're doing now, because I feel it's closer to me." In October 1985, he reunited with Banks and Rutherford to record Genesis's thirteenth album, Invisible Touch. Released in 1986, it became the group's biggest selling album with 6 million copies sold in the US, and 1.2 million sold in the UK. Its title track was released as a single and reached No. 1 in the US, the only Genesis song to do so. The group received a Grammy Award (their only one) and a nomination for the MTV Video Music Award for Video of the Year in 1987 for "Land of Confusion", which features puppet caricatures from the British satirical program Spitting Image. Several music critics drew comparisons between the album and Collins's solo work, but Rolling Stone's J. D. Considine praised the album's commercial appeal, stating, "every tune is carefully pruned so that each flourish delivers not an instrumental epiphany but a solid hook". March 1986 saw the release of "No One Is to Blame", a hit single by Howard Jones which included Collins on drums, backing vocals, and co-production alongside Padgham. Collins was one of the drummers, backing vocalists, and producers on Eric Clapton's 1986 album August.After touring with Genesis in 1987, Collins was aware that his music had gained too much exposure and took a year off from writing and recording. He took on his first acting role since the late 1960s, starring as Buster Edwards opposite Julie Walters (who played his wife, June) in the romantic comedy drama-crime film Buster which centred around the Great Train Robbery from 1963 in Ledburn, Buckinghamshire. Reviews for the film were mixed and controversy ensued over its subject matter; Prince Charles and Princess Diana declined an invitation to the première after it was accused of glorifying crime. Collins contributed four songs to the film's soundtrack; his ballad rendition of "A Groovy Kind of Love", originally by the Mindbenders, became his only single to reach No. 1 in the UK and the US. The film also spawned the US #1 single "Two Hearts", which he co-wrote with Lamont Dozier and won the pair a Golden Globe for Best Original Song and an Oscar nomination in the same category. Film critic Roger Ebert said Collins "played [the role of Buster] with surprising effectiveness". In 1988, Collins was the subject of an episode of the British TV series This Is Your Life. 1989–1996: ...But Seriously, Both Sides, and leaving Genesis In August 1989, Collins appeared as a special guest for The Who on their 1989 tour for two shows, performing "Fiddle About" as Uncle Ernie and "Tommy's Holiday Camp" from their rock opera Tommy (1969).From April to October 1989, Collins recorded his fourth album ...But Seriously in England and Los Angeles, which saw him address social and political themes in his lyrics. The album was released in November 1989 to worldwide commercial success, spending No. 1 in the UK for fifteen weeks and in the US for three. It became the UK's best-selling album of 1990 and is among the best-selling albums in UK chart history. It is the second best-selling album in Germany. Its lead single "Another Day in Paradise" is an anti-homelessness song and features David Crosby singing backing vocals. Upon its release in October 1989, it went to No. 1 in the US to become the final number one single there of the 1980s. Despite its success, the song was also heavily criticised and became linked to allegations of hypocrisy made against Collins. Responding to criticism of the song, Collins stated: "When I drive down the street, I see the same things everyone else sees. It's a misconception that if you have a lot of money you're somehow out of touch with reality." In 1991, "Another Day in Paradise" won the Grammy Award for Record of the Year. Other songs from ...But Seriously also reached the top-five in the US: "Something Happened on the Way to Heaven", "Do You Remember?", and "I Wish It Would Rain Down" featuring Eric Clapton on guitar....But Seriously was supported with the Seriously, Live! World Tour which ran between February and October 1990 and covered 121 dates. The tour spawned the live album Serious Hits... Live!, which sold 1.2 million copies in the UK and over 4 million in the US. In February 1990, Collins performed "Another Day in Paradise" at the 1990 Brit Awards which won British Single of the Year, and in September he performed "Sussudio" at the 1990 MTV Video Music Awards in Los Angeles. He also played drums on the 1989 Tears for Fears single, "Woman in Chains".In 1991, Collins reconvened with Banks and Rutherford to write and record a new Genesis album, We Can't Dance. It became the band's fifth consecutive No. 1 album in the UK and reached No. 4 in the US, where it sold over 4 million copies. It features the singles "Jesus He Knows Me", "I Can't Dance", "No Son of Mine", and "Hold on My Heart". Collins performed on their 1992 tour. At the 1993 American Music Awards, Genesis won the award for Favorite Pop/Rock Band, Duo, or Group. Collins co-wrote, sang and played on the 1993 single "Hero" by David Crosby.Collins worked on his fifth studio album, Both Sides, in 1992 and 1993. It marked a departure from his more polished and up-tempo songs on recent albums to material more experimental in nature, with Collins performing all the instruments and producing the record himself, because the songs written "were becoming so personal, so private, I didn't want anyone else's input". The decline of his second marriage was a focal point of the album. Released in November 1993, Both Sides reached No. 1 in eight countries, including the UK, and No. 13 in the US. It marked a drop in sales in the latter when compared to his previous records, only reaching a single platinum certification by the end of the year. Its two biggest singles were "Both Sides of the Story" and "Everyday". The Both Sides of the World Tour saw Collins perform 165 shows across four legs between April 1994 and May 1995. Collins turned down the chance to contribute to Tower of Song, an album of covers of Leonard Cohen songs, due to his touring commitments. On 29 March 1996, Collins's decision to leave Genesis to concentrate on his solo career was publicly announced. 1996–2006: Phil Collins Big Band, Dance into the Light, Disney work, and Testify In the months surrounding his departure from Genesis, Collins formed the Phil Collins Big Band, seating himself on the drums. He had wanted to undertake the project for some time and felt inspired from the Burning for Buddy project that drummer Neil Peart had put together. Having moved to Switzerland, an invitation to perform at the Montreux Jazz Festival led to the band to come together, which featured Quincy Jones as conductor and Tony Bennett on vocals. The group toured summer jazz festivals in July 1996 with a set of jazz renditions of Genesis and Collins' solo material. Their first date was at the Royal Albert Hall for a Prince's Trust concert with Queen Elizabeth II and Nelson Mandela in attendance. To learn his parts, Collins devised his own notation on sheets. The band then went on hiatus until a US and European tour in the summer of 1998, which spawned the live album A Hot Night in Paris. In October 1996, Collins released his sixth solo album, Dance into the Light. It reached No. 4 in the UK and No. 23 in the US. The album was received negatively by the music press and sold less than his previous albums. Entertainment Weekly reviewed by saying that "even Phil Collins must know that we all grew weary of Phil Collins". Singles from the album included "Dance into the Light", which reached No. 9 in the UK, and the Beatles-inspired "It's in Your Eyes". The album was certified Gold in the US. Collins toured the album throughout 1997 with his Trip into the Light World Tour, covering 82 dates. He performed "In the Air Tonight" and "Take Me Home" at the Music for Montserrat benefit concert in London alongside Paul McCartney, Elton John, Eric Clapton, Mark Knopfler, and Sting.In October 1998, Collins released his first compilation album ...Hits which contains a new track, a cover of "True Colors" by Cyndi Lauper that was produced by Kenneth "Babyface" Edmonds. The album was a commercial success worldwide, reaching No. 1 in the UK charts and selling 3.4 million copies in the US by 2012. In the mid-1990s Collins was recruited to write and perform songs for its adventure film Tarzan (1999), integrated with a score by Mark Mancina. Collins also sang his songs in French, Italian, German, and Spanish for the dubbed versions of the film's soundtrack. His song "You'll Be in My Heart" was released in June 1999 and spent 19 weeks at No. 1 on the Billboard Adult Contemporary chart, the longest time ever up to that point. In 2000, the song won Collins an Academy Award and a Golden Globe Award, both for Best Original Song. He performed "Two Worlds" at that year's ceremony and the Disney-themed Super Bowl halftime show. In June 1999, Collins was awarded a star on the Hollywood Walk of Fame. In 2000, he became partially deaf in one ear due to a viral infection. In June 2002, Collins accepted an invitation to drum for the house band at the Party at the Palace concert held on the grounds of Buckingham Palace, an event which celebrated Queen Elizabeth II's Golden Jubilee. In 2002, he received the Disney Legend award.On 11 November 2002, Collins released his seventh solo album, Testify. Metacritic's roundup of album reviews found this record to be the worst-reviewed album at the time of its release, though it has since been surpassed by three more recent releases. The album's single "Can't Stop Loving You" (a Leo Sayer cover) was a number-one Adult Contemporary hit. Testify sold 140,000 copies in the US by year's end.Disney hired Collins to compose and perform on the soundtrack to its 2003 animated feature Brother Bear, which included the song "Look Through My Eyes". In the same year he was inducted into the Songwriters Hall of Fame. From June 2004 to November 2005, Collins performed his First Final Farewell Tour, a reference to the multiple farewell tours of other popular artists. In 2006, he worked with Disney on a musical production of Tarzan. 2006–2015: First Genesis reunion, Going Back, and retirement Collins reunited with Banks and Rutherford and announced Turn It On Again: The Tour on 7 November 2006, nearly 40 years after the band first formed. The tour took place during summer 2007, and played in twelve countries across Europe, followed by a second leg in North America. During the tour Genesis performed at the Live Earth concert at Wembley Stadium, London. In 2007 they were honoured at the second annual VH1 Rock Honors, performing "Turn It On Again", "No Son of Mine" and "Los Endos" at the ceremony in Las Vegas. On 22 May 2008 Collins received his sixth Ivor Novello Award from the British Academy of Songwriters, Composers and Authors when he was presented the International Achievement Award at a ceremony held at the Grosvenor House Hotel, London.In October 2009, it was reported that Collins was to record a Motown covers album. He told a German newspaper, "I want the songs to sound exactly like the originals", and that the album would feature up to 30 songs. In January 2010, Chester Thompson said that the album had been completed and would be released some time soon. He also revealed that Collins managed to play the drums on the album despite a spinal operation. The resulting album, Going Back, was released on 13 September 2010. It reached number one on the UK Albums Chart. In summer 2010, Collins played six concerts with the music from Going Back. These included a special programme, Phil Collins: One Night Only, aired on ITV1 on 18 September 2010. Collins also promoted Going Back with his first and only appearance on the BBC's music series Later... with Jools Holland, broadcast on 17 September 2010.In March 2010, Collins was inducted into the Rock and Roll Hall of Fame as a member of Genesis at a ceremony in New York City. As of January 2011, Collins has spent 1,730 weeks in the German music charts—766 weeks of them with Genesis albums and singles and 964 weeks with solo releases. On 4 March 2011, citing health problems and other concerns, Collins announced that he was taking time off from his career, prompting widespread reports of his retirement. On 7 March his UK representative told the press, "He is not, has no intention of, retiring." However, later that day, Collins posted a message to his fans on his own website, confirming his intention to retire to focus on his family life. In July 2012, Collins's greatest hits collection ...Hits re-entered the US charts, reaching No. 6 on the Billboard 200.In November 2013, Collins told German media that he was considering a return to music and speculated that this could mean further live shows with Genesis, stating: "Everything is possible. We could tour in Australia and South America. We haven't been there yet." Speaking to reporters in Miami, Florida in December 2013 at an event promoting his charity work, Collins indicated that he was writing music once again and might tour again.On 24 January 2014, Collins announced in an interview with Inside South Florida that he was writing new compositions with fellow English singer Adele. Collins said he had no idea who Adele was when he learned she wanted to collaborate with him. He said "I wasn't actually too aware [of her]. I live in a cave." Collins agreed to join her in the studio after hearing her voice. He said, "[She] achieved an incredible amount. I really love her voice. I love some of this stuff she's done, too." However, in September 2014, Collins revealed that the collaboration had ended and he said it had been "a bit of a non-starter". In May 2014, Collins gave a live performance of "In the Air Tonight" and "Land of Confusion" with young student musicians at the Miami Country Day School in Miami, Florida. Collins was asked to perform there by his sons, who are students at the school. In August 2014, Collins was reported to have accepted an invitation to perform in December at a benefit concert in Miami in aid of his Little Dreams Foundation charity. He ultimately missed the concert due to illness. 2015–present: Out of retirement, Not Dead Yet Tour, and second Genesis reunion In May 2015, Collins signed a deal with Warner Music Group to have his solo albums remastered and reissued with previously unreleased material. In October of that year, he announced that he was no longer retired and had started plans to tour and make a new album. By mid-2016, all eight of his albums were reissued with the artwork updated to display Collins as his older self, the exception being Going Back, which had a new cover. In 2019, the additional digital only releases Other Sides and Remixed Sides followed.In October 2016, Collins's autobiography Not Dead Yet was published. At a press conference held at the Royal Albert Hall in the same month, Collins announced his Not Dead Yet Tour which initially took form as a short European trek from June 2017. The tour included five nights at the Royal Albert Hall which sold out in fifteen seconds, prompting the announcement of Collins's headline spot at the 2017 BST Hyde Park festival which became his largest solo concert. His band included his son Nicolas on the drums. A review in The Telegraph stated: "Unlike the body, the voice is largely unravaged by time. It's still soulful, sometimes silky, occasionally bruised." In 2017, the tour was extended worldwide and ran until October 2019 for a total of 97 shows.In March 2020, Collins, Banks, and Rutherford announced they had reformed Genesis once more to undertake The Last Domino? Tour. This time the band were joined by Collins's son Nic on the drums, leaving his father to handle lead vocals. After the tour was rescheduled twice due to the COVID-19 pandemic, it began in September 2021 and finished in London on 26 March 2022. At the last show, at the O2 Arena in London, Collins said on stage: "It's the last show for Genesis". Drumming and influence In his book on the "legends" who defined progressive rock drumming, American drummer Rich Lackowski wrote: "Phil Collins's grooves in early Genesis recordings paved the way for many talented drummers to come. His ability to make the drums bark with musicality and to communicate so convincingly in odd time signatures left many a drummer tossing on the headphones and playing along to Phil's lead." In 2014, readers of Rhythm voted Collins the fourth most influential progressive rock drummer for his work on the 1974 Genesis album The Lamb Lies Down on Broadway. In 2015, MusicRadar named Collins one of the six pioneers of progressive rock drumming. In 2005, Planet Rock listeners voted Collins the fifth greatest rock drummer in history. Collins was ranked tenth in "The Greatest Drummers of All Time" list by Gigwise and number nine in a list of "The 20 greatest drummers of the last 25 years" by MusicRadar in 2010. In 1987, Collins looked back at his fast playing in Brand X and early Genesis: "I actually can't play like that anymore".Foo Fighters drummer Taylor Hawkins cited Collins as one of his drumming heroes. He said, "Collins is an incredible drummer. Anyone who wants to be good on the drums should check him out – the man is a master." In the April 2001 issue of Modern Drummer, Dream Theater drummer Mike Portnoy named Collins in an interview when asked about drummers he was influenced by and had respect for. In another conversation in 2014, Portnoy lauded his "amazing progressive drumming" back in the early and mid-1970s. Rush drummer Neil Peart praised his "beautiful drumming" and "lovely sound" on the 1973 Genesis album Selling England by the Pound, which he called "an enduring masterpiece of drumming". Marco Minnemann, drummer for artists including Joe Satriani and Steven Wilson, described Collins as "brilliant" for the way "he composes his parts, and the sounds he gets". He said, "Phil is almost like John Bonham to me. I hear his personality, his perspective." He singled out the drumming on "In the Air Tonight" as an example of "ten notes that everybody knows" and concluded "Phil is a insanely talented drummer."Other drummers who have cited him as an influence or expressed admiration for his drumming work are Brann Dailor of Mastodon, Nick D'Virgilio of Spock's Beard and Big Big Train, Jimmy Keegan of Spock's Beard, Matt Mingus of Dance Gavin Dance, John Merryman of Cephalic Carnage, Craig Blundell of Steven Wilson and Frost*, and Charlie Benante of Anthrax. According to Jason Bonham, his father "respected Phil Collins' drumming very much" and one of his favourite songs was Genesis' "Turn It On Again", which he used to love playing with him.Modern Drummer readers voted for Collins every year between 1987 and 1991 as Pop/Mainstream Rock drummer of the year. In 2000, he was voted as Big Band drummer of the year. In 2012, he was inducted into the Hall of Fame. Equipment Collins is a left-handed drummer, and uses Gretsch drums, Noble & Cooley solid snare drums, Remo heads, Sabian cymbals and he uses his signature Promark sticks. Past kits he used were made by Pearl and Premier.Other instruments associated with Collins's sound (particularly in his post-1978 Genesis and solo career) include the Roland TR-808, Roland TR-909, the Simmons SDS-V electronic drum set, and the LinnDrum drum machines. Collins also used a Roland CR-78, Sequential Circuits Prophet-5 synthesizer, Fender Rhodes electric piano, and a vocoder for his voice. Other Korg instruments include the Wavestation, the Karma and the Trinity. Cameo film and television appearances Collins had cameo appearances in Steven Spielberg's Hook (1991) and the AIDS docudrama And the Band Played On (1993). He starred in Frauds, which competed for the Palme d'Or at the 1993 Cannes Film Festival. He supplied voices to two animated features: Amblin's Balto (1995) and Disney's The Jungle Book 2 (2003). A long-discussed but never completed project was a film titled The Three Bears; originally meant to star Collins, Danny DeVito, and Bob Hoskins. He often mentioned the film, though an appropriate script never materialised. Collins's music is featured in the satirical black comedy film American Psycho, with psychotic lead character Patrick Bateman (played by Christian Bale) portrayed as an obsessive fan who reads deep meaning into his work, especially with Genesis, while describing his solo music as "...more commercial and therefore more satisfying, in a narrower way." Bateman delivers a monologue praising Collins and Genesis during a sequence in which he engages the services of two prostitutes while playing "In Too Deep" and "Sussudio". Collins told The New Musical Express: "I don't think him being a psychopath and liking my music is linked – my music was just omnipresent in that era."During the 1980s, Collins was among the celebrities caricatured on the satirical television puppet show Spitting Image—the show's creators were then commissioned by Genesis to create puppets of the entire band to appear in their 1986 music video "Land of Confusion". Collins twice hosted the Billboard Music Awards on television, which were produced and directed by his longtime music video and TV special collaborators, Paul Flattery and Jim Yukich of FYI (Flattery Yukich Inc). He also appeared in an episode of the series Miami Vice, entitled "Phil the Shill", in which he plays a cheating con-man. In the 1980s he appeared in several comedy sketches with The Two Ronnies on BBC One. In 2001, Collins was one of several celebrities who were tricked into appearing in a controversial British comedy series, Brass Eye, shown on public service broadcaster Channel 4. In the episode, Collins endorsed a hoax anti-paedophile campaign wearing a T-shirt with the words "Nonce Sense" and warned children against speaking to suspicious people. Collins was reported by the BBC to have consulted lawyers regarding the programme, which was originally pulled from broadcast but eventually rescheduled. Collins said he had taken part in the programme "in good faith for the public benefit", believing it to be "a public service programme that would be going around schools and colleges in a bid to stem child abduction and abuse". Collins also accused the makers of the programme of "some serious taste problems" and warned it would prevent celebrities from supporting "public spirited causes" in the future.In 2006, Collins played a fictional version of himself in the PSP and PS2 video game Grand Theft Auto: Vice City Stories. Set in 1984, he appears in three missions in which the main character, Victor, must save him from Mafia-hired hitmen, who are trying to kill Collins because his manager refused to pay his $3 million debt to them. The final mission occurs during his concert, where the player must defend the scaffolding against saboteurs while Collins is performing "In the Air Tonight". After this, the player is given the opportunity to watch this performance of "In the Air Tonight" for the cost of 6,000 in-game dollars. "In the Air Tonight" is part of the official Vice City Stories soundtrack, and can be also heard on the in-game radio station Emotion 98.3. The song has also been featured in films such as Aqua Teen Hunger Force Colon Movie Film For Theaters (2007) and The Hangover (2009)."In the Air Tonight" featured in the 2007 Gorilla commercial for Cadbury's Dairy Milk chocolate. Many believed that Collins himself was the drummer. When asked about Gorilla, Collins jokingly commented that "Not only is he a better drummer than me, he also has more hair. Can he sing too?" The advertisement—which won Gold at the British Television Advertising Awards in 2008—helped the song re-enter the New Zealand RIANZ Singles Chart at No. 3 in July 2008, the following week reaching No. 1, beating its original 1981 No. 6 peak. "In the Air Tonight" was also sampled in the song "I Can Feel It" on Sean Kingston's self-titled debut album.Collins was portrayed in the cartoon South Park in the episode "Timmy 2000" holding his Oscar throughout, referring to his 1999 win for "You'll Be in My Heart", which defeated "Blame Canada" from South Park: Bigger, Longer & Uncut. The show's creators admitted resenting losing to Collins, as they felt their other competitors were more worthy. The episode "Cartman's Silly Hate Crime 2000" involves a sled race down the landmark known as Phil Collins Hill, which has an impression of Collins' face in the side. The Phil Collins character returns once more and gets killed off in the episode 200. Collins appears briefly in the Finnish animated sitcom Pasila in the episode "Phil Collins Hangover". The music of this episode is a pastiche of Collins's "Another Day in Paradise". Collins was mentioned in the Psych episode "Disco Didn't Die. It Was Murdered!" as resembling Shawn Spencer's father, Henry, portrayed by actor Corbin Bernsen. Critical and public perceptions Criticism According to a 2000 BBC biography of Collins, "critics sneer at him" and "bad publicity also caused problems", which "damaged his public profile". Rock historian Martin C. Strong wrote that Collins "truly polarised opinion from the start, his ubiquitous smugness and increasingly sterile pop making him a favourite target for critics". According to Guardian writer Paul Lester, Collins would "regularly" call music journalists to take issue with negative reviews. Over time, he came to be personally disliked; in 2009, journalist Mark Lawson told how Collins's media profile had shifted from "pop's Mr. Nice guy, patron saint of ordinary blokes", to someone accused of "blandness, tax exile and ending a marriage by sending a fax". Collins has rejected accusations of tax avoidance, and despite confirming that some of the divorce-related correspondence between him and second wife, Jill Tavelman, was by fax (a message from Collins regarding access to their daughter was reproduced for the front cover of The Sun in 1993), he states that he did not terminate the marriage in that fashion. Nevertheless, the British media has often repeated the fax claim. Collins has been the victim of scathing remarks in regard to his alleged right-wing political leanings. Caroline Sullivan, a music critic of The Guardian, referred to his cumulative negative publicity in her 2007 article "I wish I'd never heard of Phil Collins", writing that it was difficult for her to hear his work "without being riven by distaste for the man himself".Several critics have commented on Collins's omnipresence, especially in the 1980s and early 1990s. Journalist Frank DiGiacomo wrote a 1999 piece for New York Observer titled The Collins Menace; he said, "Even when I sought to escape the sounds [of Collins] in my head by turning on the TV, there would be Mr. Collins ... mugging for the cameras—intent on showing the world just how hard he would work to sell millions of records to millions of stupid people." In his 2010 article "Love Don't Come Easy: Artists we Love to Hate", The Irish Times critic Kevin Courtney expressed similar sentiments. Naming Collins as one of the ten most disliked pop stars in the world, he wrote: "[Collins] performed at Live Aid, playing first at Wembley, then flying over to Philadelphia via Concorde, just to make sure no one in the U.S. got off lightly. By the early 1990s, Phil phatigue [sic] had really set in." Tim Chester of the New Musical Express alluded to the backlash against Collins in an article titled, "Is It Time We All Stopped Hating Phil Collins?" Chester said of the unrelenting derision he has suffered, "a lot of it he brings on himself." He also said that Collins was "responsible for some of the cheesiest music ever committed to acetate". Erik Hedegaard of Rolling Stone mentioned that Phil Collins hate sites had "flourished" online, and acknowledged that he had been called "the sellout who took Peter Gabriel's Genesis, that paragon of prog-rock, and turned it into a lame-o pop act and went on to make all those supercheesy hits that really did define the 1980s".According to author Dylan Jones in his 2013 publication on 1980s popular music, many of Collins's peers "despised" him. Some fellow artists have made negative comments about Collins publicly. In 1990, former Pink Floyd frontman Roger Waters criticised Collins's "ubiquitous nature", including his involvement in the Who's 1989 reunion tour. David Bowie dismissed some of his own 1980s output as his "Phil Collins years/albums". In addition to the song's negative press from music journalists, singer-songwriter and political activist Billy Bragg criticised Collins for writing "Another Day in Paradise", stating: "Phil Collins might write a song about the homeless, but if he doesn't have the action to go with it he's just exploiting that for a subject." Oasis songwriter Noel Gallagher criticised Collins on multiple occasions, including the comment: "Just because you sell lots of records, it doesn't mean to say you're any good. Look at Phil Collins." Collins said he has "at times, been very down" about Noel Gallagher's comments. Gallagher's brother, Oasis singer Liam, also recalled the "boring" Collins's chart dominance in the 1980s and stated that, by the 1990s, it was "time for some real lads to get up there and take charge". Appearing on the BBC television series Room 101 in 2005, in which guests discuss their most hated things and people, Collins nominated the Gallaghers to be sent into the eponymous room. He described them as "horrible" and stated: "They're rude and not as talented as they think they are. I won't mince words here, but they've had a go at me personally."Collins acknowledged in 2010 that he had been "omnipresent". He said of his character: "The persona on stage came out of insecurity ... it seems embarrassing now. I recently started transferring all my VHS tapes onto DVD to create an archive, and everything I was watching, I thought, 'God, I'm annoying.' I appeared to be very cocky, and really I wasn't." Collins concedes his status as a figure of contempt for many people and has said that he believes this is a consequence of his music being overplayed. In 2011 he said: "The fact that people got so sick of me wasn't really my fault. ... It's hardly surprising that people grew to hate me. I'm sorry that it was all so successful. I honestly didn't mean it to happen like that!" He described criticism of his physical appearance over the years as "a cheap shot", but has acknowledged the "very vocal element" of Genesis fans who believe that the group sold out under his tenure as lead singer. Collins denied that his retirement in 2011 was due to negative attention and said that his statements had been taken out of context. He said: "I have ended up sounding like a tormented weirdo who thinks he was at the Alamo in another life, who feels very sorry for himself, and is retiring hurt because of the bad press over the years. None of this is true." Praise Paul Lester of The Guardian wrote in 2013 that Collins is one of several pop acts that "used to be a joke" but are "now being hailed as gods". Collins has become an important figure in US urban music, influencing artists such as Kanye West, Alicia Keys and Beyoncé. His songs have been sampled by various hip-hop and contemporary R&B acts, and performers including Lil' Kim, Kelis, and Wu-Tang Clan co-founder Ol' Dirty Bastard covered his work on the 2001 tribute album Urban Renewal.In 2004, DCFC and Postal Service musician Ben Gibbard described Collins as a "great vocalist". Collins has been championed by his contemporary, the heavy metal singer Ozzy Osbourne, David Crosby called him "a dear friend" who has helped him "enormously", Queen guitarist Brian May called him "a great guy and an amazing drummer", and Robert Plant paid tribute to him as "the most spirited and positive and really encouraging force" when commencing his own solo career after the break-up of Led Zeppelin. Collins has been championed by modern artists in diverse genres, including indie rock groups the 1975, Generationals, Neon Indian, Yeasayer, St. Lucia and Sleigh Bells, electronica artist Lorde, and soul singer Diane Birch, who said in 2014, "Collins walks a really fine line between being really cheesy and being really sophisticated. He can seem appalling, but at the same time, he has awesome production values and there's a particular richness to the sound. It's very proficient in the instrumentation and savvy about melodies."Genesis bandmate Mike Rutherford has praised Collins's personality, saying that "he always had a bloke-next-door, happy-go-lucky demeanour about him: let's have a drink in the pub, crack a joke, smoke a cigarette or a joint". In 2014, ex-Genesis frontman Peter Gabriel, whom they both cross-collaborated with on some of their solo albums in the 1980s, referred to Collins as the "workaholics' workaholic". He has been characterised by favourable critics as a "rock god", and an artist who has remained "down to earth". In The New Rolling Stone Album Guide, published in 2004, J. D. Considine wrote: "For a time, Phil Collins was nearly inescapable on the radio, and enormously popular with the listening public — something that made him an obvious target for critics. Despite his lumpen-pop appeal, however, Collins is an incisive songwriter and resourceful musician."Tim Chester of the New Musical Express described Collins as "the go-to guy for ironic appreciation and guilty pleasures" and stated he was responsible for "some moments of true genius (often accompanied, it must be said, by some real stinkers)". Creation Records founder Alan McGee wrote in 2009 that there was a "non-ironic revival of Phil Collins" happening. According to McGee: "The kids don't care about 'indie cred' anymore. To them, a great pop song is just that: a great pop song. In this time of revivals, nothing is a sacred cow anymore, and that can only be a good thing for music." Commenting on Collins's popularity with hip-hop acts, he argued: "It's not surprising. Collins is a world-class drummer whose songs immediately lend themselves to being sampled."In 2010, Gary Mills of The Quietus made an impassioned defence of Collins: "There can't be many figures in the world of pop who have inspired quite the same kind of hatred-bordering-on-civil-unrest as Collins, and there can't be too many who have shifted anything like the 150 million plus units that he's got through as a solo artist either ... The disgrace of a career bogged entirely in the determined dross of No Jacket Required however is simply not justified, regardless of how Collins gained either his fortune, or his public image." David Sheppard wrote for the BBC in 2010: "Granted, Collins has sometimes been guilty of painting the bull's-eye on his own forehead (that self-aggrandising Live Aid Concorde business, the cringe-worthy lyrics to 'Another Day in Paradise', Buster, etc.), but nonetheless, the sometime Genesis frontman's canon is so substantial and his hits so profuse that it feels myopic to dismiss him merely as a haughty purveyor of tortured, romantic ballads for the middle income world."Rolling Stone journalist Erik Hedegaard expressed disapproval of the widespread criticism which Collins has received, suggesting that he has been "unfairly and inexplicably vilified". Martin C. Strong stated in 2011 that "the enigmatic and amiable Phil Collins has had his fair share of mockers and critics over the years, although one thing is sure, and that is his dexterity and undeniable talent". In a piece the following year, titled "10 Much-Mocked Artists It's Time We Forgave", New Musical Express critic Anna Conrad said Collins had been portrayed as a "villain", and wrote: "Was the bile really justified? ... come on, admit it. You've air drummed to 'In the Air Tonight', and loved it." The Guardian journalist Dave Simpson wrote a complimentary article in 2013; while acknowledging "few pop figures have become as successful and yet reviled as Phil Collins", he argued "it's about time we recognised Collins's vast influence as one of the godfathers of popular culture". Personal life Family and relationships Collins has divorced three times. From 1975 to 1980, he was married to Canadian-born Andrea Bertorelli. They met as 11-year-old students in a London drama class and reconnected in 1974 when Genesis performed in Vancouver. They married in England when both were 24, after which Collins legally adopted Bertorelli's daughter Joely (b. 1972), who became an actress and film producer. They also had a son, Simon Collins (b. 1976), who is the former vocalist and drummer of the progressive rock band Sound of Contact. In 2016, Bertorelli took legal action against Collins pertaining to his account of their relationship in his autobiography.In 1984, Collins married American-born Jill Tavelman. They have one daughter, Lily Collins (b. 1989), who became an actress. The marriage encountered problems that culminated in Collins twice having an affair with Lavinia Lang, a former drama school classmate, while touring with Genesis in 1992. The two were previously engaged, but the relationship ended before they married. In 1994, Collins openly stated that he had fallen out of love with Tavelman and had filed for divorce, which finalised in 1996. As part of the settlement, Collins paid £17 million to Tavelman.In 1999, Collins married Orianne Cevey, a Swiss national who worked as his translator at the start of his 1994 tour when she was 22. They have two sons, Nicholas and Matthew. They lived in the former house of Jackie Stewart in Begnins, Switzerland. In 2006 they divorced. Collins paid £25 million to Cevey, which became the largest settlement in a British celebrity divorce. Collins continued to live in Féchy, Switzerland, while he also maintained homes in New York City and Dersingham, Norfolk.From 2007 to 2016, Collins was in a relationship with American news anchor Dana Tyler. In 2008, Cevey and her two sons moved to Miami, Florida. Collins recalled: "I went through a few bits of darkness; drinking too much. I killed my hours watching TV and drinking, and it almost killed me." He said in 2015 that he had been teetotal for three years. In January 2016, after moving to Miami Beach, Florida in the previous year to be closer to his two youngest sons, Collins reunited with Cevey and they lived together in Miami. In October 2020, Collins filed an eviction notice against Cevey after she secretly married another man in August. Collins sold his Miami home in 2021, for $39 million.Collins' brother Clive was a cartoonist. Phil appeared at his brother's investiture ceremony at Buckingham Palace in 2012 when he was awarded an MBE for services to art, with Phil stating, "I shared a bedroom with him when we were boys and he was always drawing. He used to do Christmas cards and birthday cards for the family." Wealth In 2012, Collins was estimated to be the second wealthiest drummer in the world, surpassed only by Ringo Starr. Collins was estimated to have a fortune of £120 million in the Sunday Times Rich List of 2018, making him one of the 25 wealthiest people in the British music industry. Court case On 29 March 2000, Collins launched a case against two former musicians from his band to recoup £500,000 in royalties that were overpaid. Louis Satterfield and Rahmlee Davis claimed their contract entitled them to 0.5 per cent of the royalties from Serious Hits... Live!, a live album recorded during Collins's Seriously, Live! World Tour in 1990. Their claim was they were an integral part of the whole album, but Collins responded the two should only receive royalties from the five tracks in which they were involved. On 19 April 2000, the High Court in London ruled that the two musicians would receive no more royalty money from Phil Collins. The amount that Collins was seeking was halved, and Satterfield and Davis (who originally brought the suit forward in California) would not have to repay any of it. The judge agreed with Collins's argument that Satterfield and Davis should have been paid for only the five tracks on which they performed, including the hit "Sussudio". Health In 1999, Collins developed sudden hearing loss in his left ear following a recording session in Los Angeles. He consulted three doctors, who told him that there was nothing they could do and that the chance of a full recovery was slim. Two years later, he had recovered most of his hearing. Collins later found that it was caused by a viral infection, and that it resolved after treatment.In April 2009, Collins had surgery on his upper neck, to correct an issue that began while drumming on the 2007 Genesis tour. Following the operation, he lost feeling in his fingers and could only grip drumsticks if they were taped to his hands. In 2010, Collins alluded to feelings of depression and low self-worth in recent years and said he had contemplated suicide, but he resisted for the sake of his children. In 2014, Collins said that he was still unable to play the drums and that it was not arthritis, but an undiagnosed nerve problem. In 2015, he underwent a spine operation. In 2016, he said he was still unable to drum with his left hand. His doctor advised him that if he wanted to play the drums again, he would need to practice as long as he took it step by step.In his 2016 autobiography, Collins acknowledged that he had struggled with an alcohol problem following his retirement and third divorce. At that point he also stated that he had been sober for three years.In January 2017, Collins said he was a type 2 diabetic and had received treatment with a hyperbaric chamber after developing a diabetic abscess on his foot that became infected. In June 2017, Collins cancelled two shows after he slipped in his hotel room during the night and hit his head on a chair as he fell, resulting in stitches for a severe gash close to his eye. The fall was caused by his foot drop, resulting from his back operation.In 2017, Collins began to use a cane to assist with walking, and to sit in a chair while performing on stage. Honorary degrees Collins has received several honorary degrees in recognition of his work in music and his personal interests. In 1987, he received an honorary doctorate of fine arts at Fairleigh Dickinson University. In 1991, he received an honorary doctorate of music at the Berklee College of Music. On 12 May 2012, he received an honorary doctorate of history at the McMurry University in Abilene, Texas, for his research and collection of Texas Revolution artefacts and documents (see other interests section). Politics Collins has often been mentioned erroneously in the British media as being a supporter of the Conservative Party and a critic of the Labour Party. This derives from the famous article in The Sun, printed on the day of the 1992 UK general election, titled "If Kinnock wins today will the last person to leave Britain please turn out the lights", which stated that Collins was among several celebrities who were planning to leave Britain in the event of a Labour victory.Collins is often reported in the British press to have left the UK and moved to Switzerland in protest at the Labour Party's victory in the 1997 general election. Shortly before the 2005 election (when Collins was living in Switzerland), Labour supporter Noel Gallagher was quoted: "Vote Labour. If you don't and the Tories get in, Phil Collins is threatening to come back and live here. And let's face it, none of us want that." However, Collins has since stated that although he did once say many years earlier that he might leave Britain if most of his income was taken in tax, which was Labour Party policy at that time for top earners, he has never been a Conservative Party supporter and he left Britain for Switzerland in 1994 purely because he started a relationship with a woman who lived there. He said of Gallagher: "I don't care if he likes my music or not. I do care if he starts telling people I'm a wanker because of my politics. It's an opinion based on an old, misunderstood quote."Despite his statement that he did not leave Britain for tax purposes, Collins was one of several wealthy figures living in tax havens who were singled out for criticism in a 2008 report by the charity Christian Aid. The Independent included Collins as one of their "ten celebrity tax exiles", erroneously repeating that he had left the country when Labour won the 1997 general election and that he threatened to return if the Conservatives won in 2005. Referring to the 1997 general election in his article "Famous men and their misunderstood politics" for MSN, Hugh Wilson stated: "Labour won it in a landslide, which just goes to show the influence pop stars really wield". He also wrote that Collins's reported comments and subsequent move to Switzerland led to "accusations of hypocrisy" since he had "bemoaned the plight of the homeless in the song 'Another Day in Paradise'", making him "an easy target when future elections came round". The Paul Heaton and Jacqui Abbott song "When I Get Back to Blighty", from their 2014 album What Have We Become?, made reference to Collins as "a prisoner to his tax returns".Questioned about his politics by Mark Lawson in an interview for the BBC, broadcast in 2009, Collins said: "My father was Conservative but it wasn't quite the same, I don't think, when he was alive. Politics never loomed large in our family anyway. I think the politics of the country were very different then." In a 2016 interview in The Guardian, Collins stated that talking about politics to The Sun was one of his biggest regrets. When asked whether he had ever voted Conservative, he said: "I didn't vote, actually. And that's not something I'm proud of. I was just so busy that I rarely was here."Collins is a member of the Canadian charity Artists Against Racism and has worked with them on campaigns including radio PSAs. In October 2020, Collins issued a cease and desist order to Donald Trump and his campaign for playing "In the Air Tonight" at a rally. Other interests Collins has a long-standing interest in the Alamo. He has collected hundreds of artefacts related to the famous 1836 battle in San Antonio, Texas, narrated a light and sound show about the Alamo, and has spoken at related events. His passion for the Battle of the Alamo has also led him to write the book The Alamo and Beyond: A Collector's Journey, published in 2012. A short film was released in 2013 called Phil Collins and the Wild Frontier which captures Collins on a book tour in June 2012. On 26 June 2014, a press conference was held from the Alamo, where Collins spoke, announcing that he was donating his entire collection to the Alamo via the State of Texas. On 11 March 2015, in honour of his donation, Collins was named an honorary Texan by the state legislature.Like Rod Stewart, Eric Clapton, and Neil Young, Collins is a model railway enthusiast. He also has an interest in King & Country toy soldiers. He is an honorary president of Richmond Yacht Club, of which his parents used to be members. Charity work Collins has performed at the Secret Policeman's Ball, a benefit show co-founded by Monty Python member John Cleese on behalf of Amnesty International. He made his first appearance at the 1981 show held in London's Theatre Royal, Drury Lane, and he subsequently became an activist. Collins was appointed a Lieutenant of the Royal Victorian Order (LVO) in the 1994 Birthday Honours, in recognition of his work on behalf of The Prince's Trust, a leading UK youth charity founded by King Charles III (then-Prince of Wales) which provides training, personal development, business start up support, mentoring, and advice. Since appearing at the first Prince's Trust's rock concert in 1982 which included a performance as part of singer Kate Bush's backing band, Collins has played at the event numerous times since, most recently at the Royal Albert Hall in 2010.On 9 April 1989, Collins topped the bill at a benefit concert for the veteran English comic actor Terry-Thomas. Held at the Theatre Royal, Drury Lane, the event raised over £75,000 for Terry-Thomas and Parkinson's UK.Collins has stated he is a supporter of animal rights and People for the Ethical Treatment of Animals (PETA). In 2005 he donated autographed drumsticks in support of PETA's campaign against Kentucky Fried Chicken.In February 2000, Collins and Cevey launched the Little Dreams Foundation, a non-profit organisation that aims to "...realise the dreams of children in the fields of sports and art" by providing future prodigies aged 4 to 16 years with financial, material, and mentoring support with the help of experts in various fields. Collins took the action after receiving letters from children asking him how they could break into the music industry. Mentors to the students who have benefited from his foundation include Tina Turner and Natalie Cole. In 2013 he visited Miami Beach, Florida, to promote the expansion of his foundation.Collins supports the South African charity Topsy Foundation, which provides relief services to some of South Africa's most under-resourced rural communities through a multi-faceted approach to the consequences of HIV/AIDS and extreme poverty. He donates all the royalties earned from his music sales in South Africa to the organisation. Awards and nominations Discography Studio albums Face Value (1981) Hello, I Must Be Going! (1982) No Jacket Required (1985) ...But Seriously (1989) Both Sides (1993) Dance into the Light (1996) Testify (2002) Going Back (2010) Concert tours The Hello, I Must Be Going Tour (1982–1983) The No Jacket Required World Tour (1985) Seriously, Live! World Tour (1990) Both Sides of the World Tour (1994–1995) Trip into the Light World Tour (1997) The First Final Farewell Tour (2004–2005) Not Dead Yet Tour (2017–2019) Filmography Film Television Video games Books The Alamo and Beyond: A Collector's Journey (2012) Not Dead Yet: The Autobiography (2016)

doc_15

Passage 1: George IV, Count of Erbach-Fürstenau George IV, Count of Erbach-Fürstenau (12 May 1646 – 20 June 1678), was a member of the German House of Erbach who held the fiefs of Fürstenau, Michelstadt, Reichenberg, Bad König and Breuberg. Born in Hanau, he was the eighth child and fifth (but third surviving) son of George Albert I, Count of Erbach-Schönberg and his third wife Elisabeth Dorothea, a daughter of George Frederick II, Count of Hohenlohe-Waldenburg in Schillingsfürst. Life Because he and his brothers were still minors at the time of their father's death in 1647, the guardianship and rule over the Erbach domains were assigned to their eldest half-brother George Ernest, who ruled alone until his death in 1669, without issue. George IV and his surviving younger brothers George Louis I and George Albert II jointly held the Erbach lands until 1672, when formal division of their possessions was effected: George IV received the districts of Fürstenau, Michelstadt, Bad König and Breuberg. George IV pursued a military career, and eventually he was appointed major-general in the Netherlands. He died in the Waal river near Tiel, aged 32, at the end of the Franco-Dutch War, and was buried in Michelstadt. Marriage and issue In Arolsen on 22 August 1671 George IV married Louise Anna (18 April 1653 – 30 June 1714), heiress of Culemborg and daughter of Prince Georg Friedrich of Waldeck by his wife Elisabeth Charlotte of Nassau-Siegen. They had four children: Sophie Charlotte (23 September 1672 – April 1673) Amalie Mauritiana (1674 – 1675) William Frederick (March 1676 – 18 August 1676) Charlotte Wilhelmine Albertine (posthumously; 18 September 1678 – 20 March 1683)Because he died without surviving male issue, his domains reverted to his brothers, who divided them between themselves. == Notes == Passage 2: George Albert II, Count of Erbach-Fürstenau George Albert II, Count of Erbach-Fürstenau (26 February 1648 – 23 March 1717), was a member of the German House of Erbach who held the fiefs of Fürstenau, Schönberg, Seeheim, Reichenberg and Breuberg. Born in Fürstenau, he was the ninth child and sixth (but fourth surviving) son of George Albert I, Count of Erbach-Schönberg and his third wife Elisabeth Dorothea, a daughter of George Frederick II, Count of Hohenlohe-Waldenburg in Schillingsfürst. He was born three months after his father's death, on 25 November 1647. Life He pursued a military career and became an Oberstleutnant of the Imperial army. Following the division of the Erbach patrimony in 1672, George Albert II received the districts of Schönberg, Seeheim and 1/4 of Breuberg; in 1678, following the death of his brother George IV, he added to his domains the districts of Fürstenau and Reichenberg.George Albert II died in Fürstenau aged 69 and was buried in Michelstadt. == Notes == Passage 3: George Albert I, Count of Erbach-Schönberg George Albert I, Count of Erbach-Schönberg (16 December 1597 – 25 November 1647), was a German prince member of the House of Erbach and ruler over Schönberg, Seeheim, Reichenberg, Fürstenau and since 1643 over all the Erbach family lands. Born in Erbach, he was the fourth child and second (but eldest surviving) son of George III, Count of Erbach-Breuberg and his fourth wife Maria, a daughter of Count Albert X of Barby-Mühlingen. Life After the death of their father, George Albert I and his surviving elder half-brothers divided the Erbach domains in 1606: he received the districts of Schönberg and Seeheim. In 1617 he was captured by pirates and taken to Tunis, but shortly after he was ransomed.In 1623, after the death of his eldest half-brother Frederick Magnus without surviving issue, the remaining brothers divided his domains: George Albert I received the district of Reichenberg. In 1627, with the death of another half-brother, John Casimir, unmarried and without issue, was made another land division; this time George Albert I received Fürstenau. Finally, the death of his last surviving half-brother Louis I in 1643 without living sons, allowed George Albert I to reunite all the Erbach family possessions. George Albert I died in Erbach aged 49 and was buried in Michelstadt. Marriages and Issue In Erbach on 29 May 1624 George Albert I married firstly with Magdalena (13 November 1595 – 31 July 1633), a daughter of Johann VI, Count of Nassau-Dillenburg and his third wife Johannetta of Sayn-Wittgenstein. They had six children: Ernest Louis Albert (6 October 1626 – 10 May 1627). Louise Albertine (5 October 1628 – 20 October 1645). George Ernest, Count of Erbach-Wildenstein (7 October 1629 – 25 August 1669). Maria Charlotte (24 March 1631 – 8 June 1693), married on 15 June 1650 to Count Johann Ernest of Isenburg-Büdingen in Wächtersbach. Anna Philippina (15 July 1632 – 16 March 1633). Stillborn son (31 July 1633).On 23 February 1634 George Albert I married secondly with Anna Dorothea (1612 – 23 June 1634), a daughter of Albert, Schenk of Limpurg-Gaildorf and his wife Emilie of Rogendorf. They had no children.In Frankfurt am Main on 26 July 1635 George Albert I married thirdly with Elisabeth Dorothea (27 August 1617 – 12 November 1655), a daughter of George Frederick II, Count of Hohenlohe-Waldenburg in Schillingsfürst and his wife Dorothea Sophie of Solms-Hohensolms. They had nine children: George Frederick, Count of Erbach-Breuberg (6 October 1636 – 23 April 1653). William Louis (born and died 7 December 1637). Sophie Elisabeth (13 May 1640 – 18 June 1641). Juliana Christina Elisabeth (10 September 1641 – 26 November 1692), married on 12 December 1660 to Count Salentin Ernest of Manderscheid in Blankenheim. George Louis I, Count of Erbach-Erbach (8 May 1643 – 30 April 1693). George Albert (14 May 1644 – 27 March 1645). Mauritia Susanna (30 March 1645 – 17 November 1645). George IV, Count of Erbach-Fürstenau (12 May 1646 – 20 June 1678). George Albert II, Count of Erbach-Fürstenau (posthumously 26 February 1648 – 23 March 1717). == Notes == Passage 4: George Louis I, Count of Erbach-Erbach George Louis I, Count of Erbach-Erbach (8 May 1643 – 30 April 1693), was a German prince member of the House of Erbach and ruler over Erbach, Freienstein, Wildenstein, Michelstadt and Breuberg. Born in Fürstenau, he was the fifth child and third (but second surviving) son of George Albert I, Count of Erbach-Schönberg and his third wife Elisabeth Dorothea, a daughter of George Frederick II, Count of Hohenlohe-Waldenburg in Schillingsfürst. Life Because he and his brothers were still minors at the time of their father's death in 1647, the guardianship and rule over the Erbach domains were assigned to their eldest half-brother George Ernest, who ruled alone until his death in 1669, without issue. George Louis I and his surviving younger brothers George IV and George Albert II ruled jointly the Erbach lands until 1672, when was made the formal division of their possessions: George Louis I received the districts of Erbach, Freienstein and Wildenstein. The death of George IV in 1678 without surviving issue forced another division in the Erbach patrimony; this time George Louis received the districts of Michelstadt and Breuberg. George Louis I died in Arolsen aged 49 and was buried in Michelstadt. Marriage and issue In Culemborg on 26 December 1664 George Louis I married with Countess Amalia Katharina of Waldeck-Eisenberg (13 August 1640 – 4 January 1697), a daughter of Philipp Dietrich, Count of Waldeck-Eisenberg and his wife Maria Magdalena von Nassau-Siegen. They had sixteen children: Henriette (27 September 1665 – 28 September 1665). Henriette Juliane (15 October 1666 – 27 February 1684). Philipp Louis, Count of Erbach-Erbach (10 June 1669 – 17 June 1720). Charles Albert Louis (16 June 1670 – k.a. Dapfing a.d.Donau, 18 August 1704). George Albert (born and died 1 July 1671). Amalie Katharina (13 May 1672 – 18 June 1676). Frederick Charles (19 April 1673 – 20 April 1673). A son (born and died 16 September 1674). Wilhelmine Sophie (16 February 1675 – 20 August 1675). Magdalena Charlotte (6 February 1676 – 3 December 1676). Wilhelm Louis (21 March 1677 – 19 February 1678). Amalie Katharina (born and died 18 February 1678). Fredericka Charlotte (19 April 1679 – 21 April 1679). Frederick Charles, Count of Erbach-Limpurg (21 May 1680 – 20 February 1731). Ernest (23 September 1681 – 2 March 1684). Sophia Albertine (30 July 1683 – 4 September 1742), married on 4 February 1704 to Ernest Frederick I, Duke of Saxe-Hildburghausen. == Notes == Passage 5: George Frederick, Count of Erbach-Breuberg George Frederick, Count of Erbach-Breuberg (6 October 1636 – 23 April 1653), was a German prince member of the House of Erbach and ruler over Breuberg. He was the eldest child of George Albert I, Count of Erbach-Schönberg and his third wife Elisabeth Dorothea, a daughter of George Frederick II, Count of Hohenlohe-Waldenburg in Schillingsfürst. Life Because he and his brothers were still minors at the time of their father's death in 1647, the guardianship and rule over the Erbach domains were assigned to their eldest half-brother George Ernest, who in 1653 gave George Frederick the district of Breuberg when he attained his majority; however, he died shortly after, unmarried and childless, and Breuberg merged back to the rule of George Ernest. == Notes == Passage 6: John Casimir, Count of Erbach-Breuberg John Casimir, Count of Erbach-Breuberg (10 August 1584 – 14 January 1627), was a German prince member of the House of Erbach and ruler over Breuberg, Wildenstein and Fürstenau. Born in Erbach, he was the eleventh child and fourth (but third surviving) son of George III, Count of Erbach-Breuberg and his second wife Anna, a daughter of Frederick Magnus, Count of Solms-Laubach-Sonnenwalde. Life After the death of their father, John Casimir and his surviving brothers divided the Erbach domains in 1606: he received the districts of Breuberg and Wildenstein. In 1623, after the death of his eldest brother Frederick Magnus without surviving issue, the remaining brothers divided his domains: John Casimir received the district of Fürstenau. John Casimir died in Schweidnitz aged 41 and was buried in Michelstadt. Because he never married or had children, his brothers divided his land after his death. == Notes == Passage 7: George August, Count of Erbach-Schönberg George August was the Count of Erbach-Schönberg and an Imperial counselor. Biography He was the youngest son of George Albert II, Count of Erbach-Fürstenau and Countess Anna Dorothea of Hohenlohe-Waldenburg. He was born on Sunday 17 June 1691 in Waldenburg. Georg died on Wednesday 29 March 1758 in Konig, aged 66. Family At the age of 28, Georg married Ferdinande Henriette, Countess of Stolberg-Gedern, aged 20, on Friday 15 December 1719 in Gedern. She was born on Friday 2 October 1699 in Gedern, daughter of Ludwig Christian of Stolberg-Wernigerode and Duchess Christine of Mecklenburg-Güstrow. Ferdinande died on Saturday 31 January 1750 in Erbach, aged 50. Issue Countess Christine of Erbach-Schonberg (b. Schönberg, Starkenburg, Hesse-Darmstadt, 5 May 1721 – d. Eschleiz, Reuss-Juengere-Linie, Thuringia, 26 November 1769), married in Schönberg on 2 October 1742 to Heinrich XII, Count of Reuss-Schleiz (Schleiz 15 May 1716-Kirschkau 25 June 1784). Georg Ludwig II, Count of Erbach-Schonberg (b. Schönberg, 27 January 1723 – d. Plön, Holstein, 11 February 1777), married in Plön on 11 November 1764 to Duchess Friederike of Schleswig-Holstein-Sonderburg-Plön (1736–1769). Count Franz Karl of Erbach (b. Schönberg, 28 July 1724 – d. Schönberg, 29 September 1788), married in Bergheim, Oberhesse, Hesse-Darmstadt on 4 September 1778 to Countess Auguste Karoline of Ysenburg und Büdingen zu Büdingen. Christian Adolf, Count of Erbach (b. Gedern, 23 August 1725 – d. Gedern, 29 March 1726). Countess Karoline Ernestine of Erbach-Schönberg (b. Gedern, 20 August 1727 – d. Ebersdorf, 22 April 1796), married Heinrich XXIV, Count Reuss-Ebersdorf, on 28 June 1754 in Thurnau, Bavaria. Count Christian of Erbach (b. Gedern, 7 October 1728 – d. Mergentheim, 29 May 1799). Countess Auguste Friederike of Erbach (b. Schönberg, 20 March 1730 – d. Thurnau, 5 September 1801), married in Schönberg on 13 September 1753 to Christian Count of Giech-Wolfstein. Count Georg August of Erbach (b. Schönberg, 9 March 1731 – d. König, 8 February 1799). Count Karl of Erbach-Schonberg (b. Schönberg, 10 February 1732 – d. Schönberg, 29 July 1816) married in Cernetice, Strakonice, Bohemia then Habsburg monarchy, now Czech Republic, on 1 July 1783 to Maria Johanna Nepomucena Zadubsky von Schönthal. Count Friedrich of Erbach (b. Schönberg, 22 January 1733 – d. Schönberg, 6 April 1733). Countess Louise Leonore of Erbach (b. Schönberg, 26 August 1735 – d. Schönberg, 23 January 1816), married on 6 July 1750 to Leopold Casimir, Count of Rechteren. Count Kasimir of Erbach (b. Schönberg, 27 September 1736 – d. Prague, Bohemia then Habsburg monarchy, now Czech Republic, 6 April 1760). Count Gustav Ernst of Erbach-Schönberg (b. Schönberg, 27 April 1739 – d. Zwingenberg, 17 February 1812), married in Rottleberode on 3 August 1753 to Countess Henriette of Stolberg-Stolberg. Passage 8: George Ernest, Count of Erbach-Wildenstein George Ernest, Count of Erbach-Wildenstein (7 October 1629 – 25 August 1669), was a German prince member of the House of Erbach and ruler over Wildenstein, Kleinheubach und Breuberg. He was the third child and second (but eldest surviving son) of George Albert I, Count of Erbach-Schönberg and his first wife Magdalena, a daughter of Johann VI, Count of Nassau-Dillenburg. Life After the death of his father in 1648, he ruled jointly with his half-brothers their domains until 1653, when he ceded Breuberg to George Frederick, but his early death allowed him to reunite this district to his government. Because his other three half-brothers are still minors, George Ernest continue to be sole ruler until his death. In Fürstenau on 22 November 1656 George Ernest married with her step-aunt Charlotte Christiana (6 November 1625 – 13 August 1677), a daughter of George Frederick II, Count of Hohenlohe-Waldenburg in Schillingsfürst and his wife Dorothea Sophie of Solms-Hohensolms. They had no children. George Ernest died in Kleinheubach aged 39. Because he died without issue, his domains where inherited by his surviving half-brothers, who ruled jointly until 1672, when they divided their lands between them. == Notes == Passage 9: Frederick Magnus, Count of Erbach-Fürstenau Frederick Magnus, Count of Erbach-Fürstenau (18 April 1575 – 26 March 1618), was a German prince member of the House of Erbach and ruler over Fürstenau and Reichenberg. Born in Erbach, he was the third child and second (but eldest surviving) son of George III, Count of Erbach-Breuberg and his second wife Anna, a daughter of Frederick Magnus, Count of Solms-Laubach-Sonnenwalde. He was named after his maternal grandfather. Life After the death of their father, Frederick Magnus and his surviving brothers divided the Erbach domains in 1606: he received the districts of Fürstenau and Reichenberg. Frederick Magnus died in Reichenberg aged 42 and was buried in Michelstadt. Because he died without surviving male issue, his brothers divided his domains between them. Passage 10: Louis I, Count of Erbach-Erbach Louis I, Count of Erbach-Erbach (3 September 1579 – 12 April 1643), was a German prince member of the House of Erbach and ruler over Erbach, Freienstein, Michelstadt, Bad König and Wildenstein. Born in Erbach, he was the seventh child and third (but second surviving) son of George III, Count of Erbach-Breuberg and his second wife Anna, a daughter of Frederick Magnus, Count of Solms-Laubach-Sonnenwalde. Life After the death of their father, Louis I and his surviving brothers divided the Erbach domains in 1606: he received the districts of Erbach and Freienstein. When their older brother Frederick Magnus died in 1618 without surviving male issue, the brothers divided his domains among them, but this took place only in 1623, when Louis I received Michelstadt and Bad König. In 1627, the death of another of the brother, John Casimir, unmarried and childless, caused another division of the paternal inheritance: this time, Louis I received Wildenstein. Louis died in Erbach aged 63 and was buried in Michelstadt. Because he died without surviving male issue, his only remaining brother, George Albert I inherited his domains, and with this reunited all the Erbach family lands. == Notes ==

doc_16

Passage 1: Agatha (wife of Samuel of Bulgaria) Agatha (Bulgarian: Агата, Greek: Άγάθη; fl. late 10th century) was the wife of Emperor Samuel of Bulgaria. Biography According to a later addition to the history of the late-11th-century Byzantine historian John Skylitzes, Agatha was a captive from Larissa, and the daughter of the magnate of Dyrrhachium, John Chryselios. Skylitzes explicitly refers to her as the mother of Samuel's heir Gavril Radomir, which means that she was probably Samuel's wife. On the other hand, Skylitzes later mentions that Gavril Radomir himself also took a beautiful captive, named Irene, from Larissa as his wife. According to the editors of the Prosopographie der mittelbyzantinischen Zeit, this may have been a source of confusion for a later copyist, and Agatha's real origin was not Larissa, but Dyrrhachium. According to the same work, it is likely that she had died by ca. 998, when her father surrendered Dyrrhachium to the Byzantine emperor Basil II.Only two of Samuel's and Agatha's children are definitely known by name: Gavril Radomir and Miroslava. Two further, unnamed, daughters are mentioned in 1018, while Samuel is also recorded as having had a bastard son.Agatha is one of the central characters in Dimitar Talev's novel Samuil. Passage 2: Nína Tryggvadóttir Nína Tryggvadóttir (March 16, 1913 – June 18, 1968) was born Jónína Tryggvadóttir in Seyðisfjörður, Iceland. She was one of Iceland's most important abstract expressionist artists and one of very few Icelandic female artists of her generation. Early life Nína Tryggvadóttir was born on March 16, 1913, in Seyðisfjörður. In 1920 the family moved to Reykjavik. She studied art from Ásgrímur Jónsson, a close relative on her father’s side. From 1933 to 1935 she also attended classes of Finnur Jonsson and Johann Briem. She moved to Copenhagen in 1935 where she studied art at the Royal Academy of Art. After graduating from the Academy in 1939 she spent time studying in Paris and was quite taken by the city. Career In 1942 she and her fellow artist Louisa Matthíasdóttir moved to New York City to study at the Art Students League of New York and develop her art further. There she took an active part in the city’s art scene. In 1949 she married Alfred L. Copley (alter ego: L. Alcopley). Later that year she went to Iceland for a short visit. There she was informed that she was not able to return to the United States because she was suspected of being a Communist sympathizer.During her exile from the United States she lived in various places in Europe, Iceland being one of them. Copley joined her in Paris where they lived for a few years together with their daughter Una Dóra Copley, born 1951. During those years Nina kept making and practicing her art, exhibiting in many places and traveling through Europe. They returned to New York City in 1959 where Nína continued to work on her art and exhibiting mostly in Europe. During all her years abroad Nína kept exhibiting in Iceland and was her input very valuable to the art society in Iceland. Mainly working in painting she also did paper collage, stained glass work, mosaic and more. She frequently based her compositions on nature where Icelandic landscape and the Nordic light played an important role. Death She died on June 18, 1968, in New York. Legacy and recognition In 2012, a crater on Mercury was named after Tryggvadóttir.In May 2018, the Reykjavík City Council signed a declaration of intent between the city and couple Una Dóra Copley and Scott Jeffries to set up an art museum dedicated to Nína Tryggvadóttir. The couple donated their art collection to the city.In 2023 her work was included in the exhibition Action, Gesture, Paint: Women Artists and Global Abstraction 1940-1970 at the Whitechapel Gallery in London. See also List of Icelandic women artists Passage 3: Alfred L. Copley Alfred Lewin Copley (1910–1992) was a German-American medical scientist and an artist at the New York School in the 1950s. As an artist he worked under the name L. Alcopley. He is best known as an artist for his abstract expressionist paintings, and as a scientist for his work in the field of hemorheology. He was married to the Icelandic artist Nína Tryggvadóttir. Work as a medical scientist As a scientist, Copley studied the rheology of blood. In 1948 he introduced the word biorheology to describe rheology in biological systems. In 1952 he introduced the word hemorheology, to describe the study of the way blood and blood vessels function as part of the living organism. In 1966 he established the International Society of Hemorheology, which changed its name and scope in 1969 to the International Society of Biorheology (ISB). In 1972 the ISB awarded him its Poiseuille gold medal. Work as an artist In 1949 he was one of twenty artists who founded the Eighth Street Club. The group also included Franz Kline, Willem de Kooning and Alcopley's close friend, the composer Edgard Varèse.He participated in the Ninth Street Show in 1951 and had a solo exhibition at the Stedelijk Museum, Amsterdam in 1962. His work is held in the collection of the National Museum of Modern Art, Tokyo. See also Biorheology, the study of flow properties(rheology) of biological fluids. Hemorheology, the study of flow properties of blood and its elements . Passage 4: James Copley (bobsleigh) James Copley (born October 18, 1951) is an American bobsledder. He competed in the four man event at the 1972 Winter Olympics. Passage 5: Pheonix Copley Pheonix Copley (born January 18, 1992) is an American professional ice hockey goaltender for the Los Angeles Kings of the National Hockey League (NHL). Playing career USHL and College Undrafted, Copley played in the United States Hockey League (USHL) with the Tri-City Storm and Des Moines Buccaneers before committing to play collegiate hockey with Michigan Tech of the Western Collegiate Hockey Association (WCHA). At the conclusion of his sophomore season, Copley opted to turn professional in agreeing to a two-year entry-level contract with the Washington Capitals on March 20, 2014. St. Louis Blues and Washington Capitals Copley was assigned to AHL affiliate, the Hershey Bears, to begin his first full professional season in 2014–15. In sharing the crease, he impressed with the Bears, earning 17 wins in 26 games. In the off-season, Copley was included in a trade, which also included Troy Brouwer and a third-round pick in 2016, to the St. Louis Blues in exchange for T. J. Oshie on July 2, 2015.In the 2015–16 season, Copley made his NHL debut with the Blues in relief in a defeat to the Nashville Predators on February 27, 2016.During the 2016–17 season, on January 20, 2017, Copley was recalled from the Chicago Wolves of the AHL by the Blues. He made the first start of his NHL career on January 21 against the Winnipeg Jets, where the Blues lost 5–3. After he was returned to the Wolves, on February 27, 2017, Copley was traded back to the Capitals in a deadline trade along with Kevin Shattenkirk in exchange for Zach Sanford, Brad Malone, a 2017 first-round pick, and a conditional second-round pick in 2019. Copley was called up to the NHL during the Capitals' 2018 Stanley Cup playoffs run and although he did not play during the playoffs, he stayed with the team as they won the 2018 Stanley Cup.Copley made the Capitals opening-night roster to begin the 2018–19 season. He recorded his first NHL win in a 4–3 shootout win over the Calgary Flames on October 27, 2018. He spent the 2019–20 and 2020–21 seasons with the Hershey Bears, where he earned the Harry "Hap" Holmes Memorial Award with Zachary Fucale for the 2020–21 season's best save percentage. Los Angeles Kings As a free agent following the 2021–22 season, Copley signed a one-year, $850,000 contract with the Los Angeles Kings on July 13, 2022. After Kings goaltenders Cal Petersen and Jonathan Quick struggled at the start of the 2022–23 season, the Kings called up Copley from the AHL in December 2022. Copley would quickly established himself as the team's starting goaltender, becoming just the fifth goaltender in franchise history to win seven games in a row. Personal life Copley was born on January 18, 1992, in North Pole, Alaska, to parents Peter Copley and Mary Sanford. His older brother Navarone also plays ice hockey. At a young age, his family moved to Ohio so his father could pursue an advanced degree. Eventually, his parents divorced and Mary, Navarone and Pheonix moved back to Alaska. In honor of his birthplace, Copley has candy canes on his goaltender mask. Career statistics Passage 6: Paul Copley Paul Mackriell Copley (born 25 November 1944) is an English actor and voiceover artist. From 2011 to 2015 he appeared as Mr. Mason, father of William Mason, in 16 episodes of Downton Abbey, and from 2020 to 2021, he appeared in the ITV soap opera Coronation Street as Arthur Medwin. Early life Copley was born in Denby Dale, West Riding of Yorkshire, and grew up beside a dairy farm there. His father, Harold, was involved with local amateur dramatic productions, as were the rest of his family. He went to Penistone Grammar School, then to the Northern Counties College of Education in Newcastle upon Tyne, where he received an Associate of the Drama Board (ADB) in Drama. He taught English and Drama in Walthamstow, before he joined the Leeds Playhouse Theatre-in-education Company in 1971. Career Copley was the male lead character in the four-part BBC series Days of Hope in 1975, which depicted events between the First World War and the General Strike from a family involved in socialist politics.In 1976, Copley won the Laurence Olivier Award for Actor of the Year in a New Play for his role in John Wilson's For King and Country.After appearing as Private Wicks in the film A Bridge Too Far (1977), he played a small but noticeable role in Zulu Dawn (1979) as Cpl Storey in the British Army. He appeared in the then controversial ATV drama Death of a Princess (1980), playing a British witness to the killing of an Arabian princess and her lover. He has played Matthews in Hornblower, Ian in Roughnecks and Jerry in This Life and Peter Quinlan in The Lakes. In the critically acclaimed Queer as Folk he played Nathan Maloney's father. He was in Big Finish's July 2002 Doctor Who story Spare Parts and appeared in Shameless as a water sports enthusiast. In 1980 he appeared in the highly successful comedy drama series Minder playing George Palmer in episode The Old School Tie. He narrates the Channel 4 programme How Clean Is Your House?. He featured in the ITV children's hit show Best Friends in 2005–2006, playing the grandfather. He is a regular actor in Radio 4 drama, usually in gritty or romantic plays or series about hard-working folk set in the north of England, often repeated on BBC Radio 4 Extra. Whenever a genial Yorkshire accent has been cast in the BBC radio drama department, he has often been summoned. Copley played the long-suffering teacher Geoff Long in Radio 4's long running King Street Junior. Covering ten series and some seventy-six episodes, this ran on BBC Radio 4 from 1985 to 1998. He also narrated the Yorkshire Television nine-part serial adaptation of The Pilgrim's Progress (1985) entitled Dangerous Journey. On 13 February 2006, Copley appeared as an angry hostage-taker in an episode of the crime drama Life on Mars. Copley appeared in the TV Soap Coronation Street on 8 August 2007, portraying a character called Ivor Priestley, and in the TV adaptation of The Worst Witch by Jill Murphy, as wizard and former-frog Algernon Rowan-Webb. From 1998 to 2003, Copley played Mathews in the Meridian Television series Hornblower. He appeared as Clement MacDonald in Children of Earth, the third series of BBC One show Torchwood, in 2009. The following year, he was seen in episodes of BBC One shows Casualty and Survivors. From 2011 to 2015 he appeared as Mr. Mason, father of William Mason, in 16 episodes of Downton Abbey; in 2012, he played Alan in the television series White Heat. Between 2012 and 2020 he played Harry in 5 seasons of the TV series Last Tango in Halifax. In 2014 he played the part of Malcolm Kenrich in the episode "On Harbour Street" of the TV series Vera. In 2014 he narrated the Channel 5 programme The Railway – First Great Western of which there are 12 episodes. He also features as the father in Tom Wrigglesworth's Hang-Ups, a comedy on BBC Radio 4. In 2016, he appeared in the BBC series The Coroner episode 2.4 "The Beast of Lighthaven" as John Roxwell. In 2017, Copley appeared in Jimmy McGovern's acclaimed series Broken, Red Production Company's Trust Me, and in episode 5 of Doc Martin he played the eccentric Walter O'Donnell. He also took part in What Does an Idea Sound Like promoting the Veterans Work Campaign and narrated A Celebrity Taste of Italy for Channel 5. In 2018, he played the role of Charlie Rainbird in the short film Thousand Yesterdays, currently in post production, and continues to voice Morrisons advertisements on radio and television in the UK. Additionally in 2018, Copley played Charity Dingle's father Obadiah in Emmerdale. On 7 February 2019, he made his first appearance as Leonard (Jill Archer's new love interest) in the BBC radio 4 soap Opera The Archers. On 9 January 2020 he appeared as Feste in Father Brown on BBC1. Personal life He married the actress Natasha Pyne in 1972, after performing with her in a Leeds Playhouse production of Frank Wedekind's Lulu, adapted by Peter Barnes, directed by Bill Hays in 1971. Filmography Radio Passage 7: Clara McMillen Clara Bracken McMillen (October 2, 1898 – April 30, 1982) was an American researcher. The wife of Alfred Kinsey, whose nickname for her was "Mac", she contributed to the Kinsey Reports on human sexuality. Life and career Born in Bloomington, Indiana, the only child of Josephine (née Bracken) and William Lincoln McMillen. She enjoyed a middle class upbringing, growing up in Brookville, Indiana. Her father was an English professor and her mother studied music but gave up her career once her daughter was born. Clara described her parents as 'in-active Protestants'. She excelled at sports as a teenager, including swimming. She attended Fort Wayne Public High School. In 1924, tragedy struck and her father died of pneumonia, then her mother died six months later.In 1917, she enrolled to study chemistry at Indiana University, graduating with Phi Beta Kappa, Sigma Xi, and other honors. She also attended graduate school which she eventually left after marrying Alfred Kinsey. She first met him briefly when he visited Indiana University before joining the faculty and they met again at a zoology department picnic in 1920. The couple were married from 3 June 1921 until Alfred's death in 1956. Alfred was bisexual and polyamorous. Clara and Kinsey had an open relationship. Clara slept with other men (as well as with him), and Kinsey slept with other men, including his student Clyde Martin. Over the years, she supported and contributed to her husband's work and legacy.Alfred and Clara had four children: Donald (1922–1927), Anne (1924–2016), Joan (1925–2009), and Bruce (1928). Donald died of diabetes shortly before his fifth birthday. Alfred died in 1956. Death Clara Kinsey died on April 30, 1982, and is buried with her husband in Bloomington, Indiana. Portrayal in media Laura Linney was nominated for the Academy Award for Best Supporting Actress for her portrayal of Clara McMillen in the 2004 film Kinsey. Passage 8: Empress Shōken Empress Dowager Shōken (昭憲皇太后, Shōken-kōtaigō, 9 May 1849 – 9 April 1914), born Masako Ichijō (一条勝子, Ichijō Masako), was the wife of Emperor Meiji of Japan. She is also known under the technically incorrect name Empress Shōken (昭憲皇后, Shōken-kōgō). She was one of the founders of the Japanese Red Cross Society, whose charity work was known throughout the First Sino-Japanese War. Early life Lady Masako Ichijō was born on 9 May 1849, in Heian-kyō, Japan. She was the third daughter of Tadayoshi Ichijō, former Minister of the Left and head of the Fujiwara clan's Ichijō branch. Her adoptive mother was one of Prince Fushimi Kuniie's daughters, but her biological mother was Tamiko Niihata, the daughter of a doctor from the Ichijō family. Unusually for the time, she had been vaccinated against smallpox. As a child, Masako was somewhat of a prodigy: she was able to read poetry from the Kokin Wakashū by the age of 4 and had composed some waka verses of her own by the age of 5. By age seven, she was able to read some texts in classical Chinese with some assistance and was studying Japanese calligraphy. By the age of 12, she had studied the koto and was fond of Noh drama. She excelled in the studies of finances, ikebana and Japanese tea ceremony.The major obstacle to Lady Masako's eligibility to become empress consort was the fact that she was 3 years older than Emperor Meiji, but this issue was resolved by changing her official birth date from 1849 to 1850. They became engaged on 2 September 1867, when she adopted the given name Haruko (美子), which was intended to reflect her serene beauty and diminutive size. The Tokugawa Bakufu promised 15,000 ryō in gold for the wedding and assigned her an annual income of 500 koku, but as the Meiji Restoration occurred before the wedding could be completed, the promised amounts were never delivered. The wedding was delayed partly due to periods of mourning for Emperor Kōmei, for her brother Saneyoshi, and the political disturbances around Kyoto between 1867 and 1868. Empress of Japan Lady Haruko and Emperor Meiji's wedding was finally officially celebrated on 11 January 1869. She was the first imperial consort to receive the title of both nyōgō and of kōgō (literally, the emperor's wife, translated as "empress consort"), in several hundred years. However, it soon became clear that she was unable to bear children. Emperor Meiji already had 12 children by 5 concubines, though: as custom in Japanese monarchy, Empress Haruko adopted Yoshihito, her husband's eldest son by Lady Yanagihara Naruko, who became Crown Prince. On 8 November 1869, the Imperial House departed from Kyoto for the new capital of Tokyo. In a break from tradition, Emperor Meiji insisted that the Empress and the senior ladies-in-waiting should attend the educational lectures given to the Emperor on a regular basis about national conditions and developments in foreign nations. Influence On 30 July 1886, Empress Haruko attended the Peeresses School's graduation ceremony in Western clothing. On 10 August, the imperial couple received foreign guests in Western clothing for the first time when hosting a Western Music concert.From this point onward, the Empress' entourage wore only Western-style clothes in public, to the point that in January 1887 Empress Haruko issued a memorandum on the subject: traditional Japanese dress was not only unsuited to modern life, but Western-style dress was closer than the kimono to clothes worn by Japanese women in ancient times.In the diplomatic field, Empress Haruko hosted the wife of former US President Ulysses S. Grant during his visit to Japan. She was also present for her husband's meetings with Hawaiian King Kalākaua in 1881. Later that same year, she helped host the visit of the sons of future British King Edward VII: Princes Albert Victor and George (future George V), who presented her with a pair of pet wallabies from Australia.On 26 November 1886, Empress Haruko accompanied her husband to Yokosuka, Kanagawa to observe the new Imperial Japanese Navy cruisers Naniwa and Takachiho firing torpedoes and performing other maneuvers. From 1887, the Empress was often at the Emperor's side in official visits to army maneuvers. When Emperor Meiji fell ill in 1888, Empress Haruko took his place in welcoming envoys from Siam, launching warships and visiting Tokyo Imperial University. In 1889, Empress Haruko accompanied Emperor Meiji on his official visit to Nagoya and Kyoto. While he continued on to visit naval bases at Kure and Sasebo, she went to Nara to worship at the principal Shinto shrines.Known throughout her tenure for her support of charity work and women's education during the First Sino-Japanese War (1894–95), Empress Haruko worked for the establishment of the Japanese Red Cross Society. She participated in the organization's administration, especially in their peacetime activities in which she created a money fund for the International Red Cross. Renamed "The Empress Shōken Fund", it is presently used for international welfare activities. After Emperor Meiji moved his military headquarters from Tokyo to Hiroshima to be closer to the lines of communications with his troops, Empress Haruko joined her husband in March 1895. While in Hiroshima, she insisted on visiting hospitals full of wounded soldiers every other day of her stay. Death After Emperor Meiji's death in 1912, Empress Haruko was granted the title Empress Dowager (皇太后, Kōtaigō) by her adoptive son, Emperor Taishō. She died in 1914 at the Imperial Villa in Numazu, Shizuoka and was buried in the East Mound of the Fushimi Momoyama Ryo in Fushimi, Kyoto, next to her husband. Her soul was enshrined in Meiji Shrine in Tokyo. On 9 May 1914, she received the posthumous name Shōken Kōtaigō (昭憲皇太后). Her railway-carriage can be seen today in the Meiji Mura Museum, in Inuyama, Aichi prefecture. Honours National Grand Cordon of the Order of the Precious Crown, 1 November 1888 Foreign She received the following orders and decorations: Russian Empire: Grand Cross of the Order of St. Catherine, 13 December 1887 Spain: Dame of the Order of Queen Maria Luisa, 29 November 1889 Siam: Dame of the Order of the Royal House of Chakri, 12 October 1899 German Empire: Dame of the Order of Louise, 1st Class, 19 May 1903 Kingdom of Bavaria: Dame of Honour of the Order of Theresa, 29 February 1904 Korean Empire: Grand Cordon of the Order of the Auspicious Phoenix, 27 July 1908 Ancestry See also Empress of Japan Ōmiya Palace Notes Passage 9: Artaynte Artaynte (f. 478 BC), was the wife of the Crown Prince Darius. Life Daughter of an unnamed woman and Prince Masistes, a marshall of the armies during the invasion of Greece in 480-479 BC, and the brother of King Xerxes I. During the Greek campaign Xerxes developed a passionate desire for the wife of Masistes, but she would constantly resist and would not bend to his will. Upon his return to Sardis, the king endeavoured to bring about the marriage of his son Daris to Artaynte, the daughter of this woman the wife of Masistes, supposing that by doing so he could obtain her more easily. After moving to Susa he brought Artaynte to the royal house with him for his son Daris, but fell in love with her himself, and after obtaining her they became lovers. At the behest of Xerxes, Artaynte committed adultery with him (Xerxes). When queen Amestris found out, she did not seek revenge against Artaynte, but against her mother, Masistes' wife, as Amestris thought that it was her connivance. On Xerxes' birthday, Amestris sent for his guards and mutilated Masistes' wife by cutting off her breasts and threw them to dogs, and her nose and ears and lips also, and cutting out her tongue as well. On seeing this, Masistes fled to Bactria to start a revolt, but was intercepted by Xerxes' army who killed him and his sons. Passage 10: Eunoë (wife of Bogudes) Eunoë Maura was the wife of Bogudes, King of Western Mauretania. Her name has also been spelled Euries or Euryes or Eunoa. Biography Early life Eunoë Maura was thought to be descended from Berbers, but her name is Greek so it appears she might have been from there or had Greek ancestry. She was likely of very high status, as she is mentioned by historian Suetonius in the same context as Cleopatra. Marriage At an unspecified early date in her marriage to her husband Bogud he mounted an expedition along the Atlantic coast, seemingly venturing into the tropics. When he returned he presented his wife Eunoë with gigantic reeds and asparagus he had found on the journey.She is believed to have been a mistress of Julius Caesar. She may have replaced Cleopatra in Caesar's affections, when he arrived in North Africa prior to the Battle of Thapsus on 6 April 46 BC, the two were among several queens courted by Caesar. It is also possible that they first met in Spain if she accompanied her husband there on a campaign. Only a brief romance for the Roman, both Eunoe and Bogudes profited through gifts bestowed on them by Caesar. Caesar departed from Africa in June 46 BC, five and a half months after he landed. Cultural depictions Eunoë and Caesar's affair is greatly exaggerated and expanded on in the Medieval French prose work Faits des Romains. Jeanette Beer in her book A Medieval Caesar states that the Roman general is "transformed into Caesar, the medieval chevalier" in the text, and that the author is more interested in Caesar's sexual dominance over the queen than the political dominance he held over her husband Bogud. The text describes her; "Eunoe was the most beautiful woman in four kingdoms — nevertheless, she was Moorish", which Beer further analysed as being indicative of the fact that it was unimaginable to audiences of the time to believe that a lover of Caesar could be ugly, but that Moors still represented everything that was ugly to them.Eunoë has also been depicted in several novels about Caesar, as well as serialized stories in The Cornhill Magazine. In such fiction her character often serves as a foil for the relationship between Caesar and another woman, mostly Cleopatra, such as in The Memoirs of Cleopatra, The Bloodied Toga and When We Were Gods. In Song of the Nile she also plays a posthumous role as a person of interest for Cleopatra's daughter Selene II who became queen of Mauritania after her.Eunoe has also been depicted in a numismatic drawing by Italian artist and polymath Jacopo Strada, who lived in the 16th century. There is however no archaeological evidence of a coin that bears her name or picture. See also Women in ancient Rome

doc_17

Passage 1: Abe Meyer Abe Meyer (1901–1969) was an American composer of film scores. Selected filmography Painted Faces (1929) Honeymoon Lane (1931) Unholy Love (1932) A Strange Adventure (1932) Take the Stand (1934) Legong (1935) The Unwelcome Stranger (1935) Suicide Squad (1935) The Mine with the Iron Door (1936) The Devil on Horseback (1936) Song of the Trail (1936) County Fair (1937) The 13th Man (1937) Raw Timber (1937) Roaring Timber (1937) The Law Commands (1937) The Painted Trail (1938) My Old Kentucky Home (1938) The Secret of Treasure Island (1938) Saleslady (1938) Numbered Woman (1938) The Marines Are Here (1938) Fisherman's Wharf (1939) Undercover Agent (1939) Passage 2: Tarcisio Fusco Tarcisio Fusco was an Italian composer of film scores. He was the brother of the composer Giovanni Fusco and the uncle of operatic soprano Cecilia Fusco. Selected filmography Boccaccio (1940) Free Escape (1951) Abracadabra (1952) The Eternal Chain (1952) Beauties in Capri (1952) Milanese in Naples (1954) Conspiracy of the Borgias (1959) Passage 3: Thomas Morse Thomas Morse (born June 30, 1968) is a composer of film and concert music. Life and composing career He began his musical career while in high school, writing his first orchestral work. After receiving a bachelor's degree in composition from the University of North Texas, Morse began a composition master's degree at USC in Los Angeles, changing over to the film scoring program in the second year.In the years that followed, Morse composed orchestral scores for more than a dozen feature films including The Big Brass Ring, based on an Orson Welles script, with William Hurt & Miranda Richardson who received a Golden Globe nomination for her performance; The Sisters (Maria Bello & Elizabeth Banks); and The Apostate (with Dennis Hopper), as well as the noted orchestral score for Jerry Bruckheimer's CBS series The Amazing Race.Working parallel in the field of popular music, he created string arrangements on songs for numerous artists including a posthumous Michael Hutchence release entitled Possibilities.In 2013 he signed a worldwide publishing agreement with Music Sales Group in New York, parent company of G. Schirmer. Notable music for film and television Notable music for film and television: 2014 Come Back to Me 2005 The Sisters 2001-2005 The Amazing Race (69 Episodes) 2001 Lying in Wait 2000 The Apostate 1999 The Big Brass Ring Opera 2017 Frau Schindler Other works 2013 Code Novus (album) Passage 4: Yandé Codou, la griotte de Senghor Yandé Codou, la griotte de Senghor is a 2008 Belgian-Senegalese documentary film written and directed by Angèle Diabang Brener and starring Yandé Codou Sène — two years prior to her death. The documentary is a portrayal of the life and work of Yandé Codou Sène, official griot to President Léopold Sédar Senghor, and one of the most influential Senegalese and Senegambian artists for decades despite not recording her first album until the age of sixty-five. The music is provided by Yandé Codou Sène, Wasis Diop and Youssou N'Dour. Synopsis The griotte Yandé Codou Sène, who is now around 80 years old, is one of the last representatives of the Serer polyphonic poetry. This documentary, shot over four years, is an intimate portrait of the diva that traveled through the history of Senegal by the side of one of the country's legendary figures, poet President, Léopold Sédar Senghor. A sweet and bitter story about greatness, glory and the passage of time. Awards Festival de Cine de Dakar 2008: Audience Award for Best Documentary (6 December 2008) Passage 5: André Senghor André Koupouleni Senghor (born 28 January 1986), is a Senegalese footballer who played as a striker. He is currently playing for Chinese Super League team Cangzhou Mighty Lions. Club career Senghor was loaned to Raja Casablanca, where he scored two goals in his first league match, against CODM Meknès, the second was one of the best of season. Senghor also played an important role in Al-Karamah's run in the AFC Champions League 2007, while he was with the club on loan during 2007. International career On 28 March 2009, he made his debut for the Senegal national football team against Oman. Career statistics As of 3 January 2023. Notes Passage 6: Bert Grund Bert Grund (1920–1992) was a German composer of film scores. Selected filmography Crown Jewels (1950) Immortal Light (1951) I Can't Marry Them All (1952) We're Dancing on the Rainbow (1952) My Wife Is Being Stupid (1952) Knall and Fall as Detectives (1952) The Bachelor Trap (1953) The Bird Seller (1953) The Immortal Vagabond (1953) The Sun of St. Moritz (1954) The Witch (1954) The Major and the Bulls (1955) Operation Sleeping Bag (1955) Love's Carnival (1955) The Marriage of Doctor Danwitz (1956) Between Time and Eternity (1956) That Won't Keep a Sailor Down (1958) Arena of Fear (1959) The Thousand Eyes of Dr. Mabuse (1960) The Count of Luxemburg (1972) Mathias Sandorf (1979, TV series) Die Wächter (1986, TV miniseries) Carmen on Ice (1990) Passage 7: Henri Verdun Henri Verdun (1895–1977) was a French composer of film scores. Selected filmography Napoléon (1927) The Sweetness of Loving (1930) The Levy Department Stores (1932) The Lacquered Box (1932) The Weaker Sex (1933) The Flame (1936) Girls of Paris (1936) The Assault (1936) Les Disparus de Saint-Agil (1938) The Woman Thief (1938) Ernest the Rebel (1938) Rail Pirates (1938) The Fatted Calf (1939) Camp Thirteen (1940) The Man Without a Name (1943) The Bellman (1945) My First Love (1945) The Murderer is Not Guilty (1946) Distress (1946) The Fugitive (1947) The Ironmaster (1948) The Tragic Dolmen (1948) The Ladies in the Green Hats (1949) La Fugue de Monsieur Perle (1952) The Lovers of Midnight (1953) The Big Flag (1954) Blood to the Head (1956) Passage 8: Walter Ulfig Walter Ulfig was a German composer of film scores. Selected filmography Das Meer (1927) Venus im Frack (1927) Svengali (1927) Bigamie (1927) Homesick (1927) The Awakening of Woman (1927) The Famous Woman (1927) Alpine Tragedy (1927) The Strange Case of Captain Ramper (1927) Assassination (1927) Queen Louise (1927) Homesick (1927) Das Schicksal einer Nacht (1927) The Hunt for the Bride (1927) The Orlov (1927) Serenissimus and the Last Virgin (1928) Mariett Dances Today (1928)) The Woman from Till 12 (1928) The Beloved of His Highness (1928) The Schorrsiegel Affair (1928) It Attracted Three Fellows (1928) Miss Chauffeur (1928) The King of Carnival (1928) The Weekend Bride (1928) Honeymoon (1928) Spring Awakening (1929) The Right of the Unborn (1929) The Heath Is Green (1932) Höllentempo (1933) The Two Seals (1934) Pappi (1934) Mädchenräuber (1936) Bibliography Jung, Uli & Schatzberg, Walter. Beyond Caligari: The Films of Robert Wiene. Berghahn Books, 1999. External links Walter Ulfig at IMDb Passage 9: Alonso Mudarra Alonso Mudarra (c. 1510 – April 1, 1580) was a Spanish composer of the Renaissance, and also played the vihuela, a guitar-shaped string instrument. He was an innovative composer of instrumental music as well as songs, and was the composer of the earliest surviving music for the guitar. Biography The place of his birth is not recorded, but he grew up in Guadalajara, and probably received his musical training there. He most likely went to Italy in 1529 with Charles V, in the company of the fourth Duke of the Infantado, Íñigo López de Mendoza, marqués de Santillana. When he returned to Spain he became a priest, receiving the post of canon at the cathedral in Seville in 1546, where he remained for the rest of his life. While at the cathedral, he directed all of the musical activities; many records remain of his musical activities there, which included hiring instrumentalists, buying and assembling a new organ, and working closely with composer Francisco Guerrero for various festivities. Mudarra died in Seville, and his sizable fortune was distributed to the poor of the city according to his will. Mudarra wrote numerous pieces for the vihuela and the four-course guitar, all contained in the collection Tres libros de musica en cifras para vihuela ("Three books of music in numbers for vihuela"), which he published on December 7, 1546 in Seville. These three books contain the first music ever published for the four-course guitar, which was then a relatively new instrument. The second book is noteworthy in that it contains eight multi-movement works, all arranged by "tono", or mode. Compositions represented in this publication include fantasias, variations (including a set on La Folia), tientos, pavanes and galliards, and songs. Modern listeners are probably most familiar with his Fantasia X, which has been a concert and recording mainstay for many years. The songs are in Latin, Spanish and Italian, and include romances, canciones (songs), villancicos, (popular songs) and sonetos (sonnets). Another innovation was the use of different signs for different tempos: slow, medium, and fast. References and further reading John Griffiths: "Alonso Mudarra", Grove Music Online ed. L. Macy (Accessed March 24, 2005), (subscription access) Gustave Reese, Music in the Renaissance. New York, W.W. Norton & Co., 1954. ISBN 0-393-09530-4 Guitar Music of the Sixteenth Century, Mel Bay Publications (transcribed by Keith Calmes) The Eight Masterpieces of Alonso Mudarra, Mel Bay Publications (transcribed by Keith Calmes) Fantasia VI in hypermedia (Shockwave Player required) at the BinAural Collaborative Hypertext Jacob Heringman and Catherine King: "Alonso Mudarra songs and solos". Magnatune.com (http://www.magnatune.com/artists/albums/heringman-mudarra/hifi_play) External links Free scores by Alonso Mudarra in the Choral Public Domain Library (ChoralWiki) Free scores by Alonso Mudarra at the International Music Score Library Project (IMSLP) Passage 10: Yandé Codou Sène Yandé Codou Sène (also Yande Codou Sene) was a Senegalese singer from the Serer ethnic group. She was born in 1932 at Somb in the Sine-Saloum delta and died on July 15, 2010 at Gandiaye in Sénégal. She was the official griot of president Léopold Sédar Senghor. Most of her music is in the Serer language. Career Yandé Codou sings in the old Serer tradition and have had a significant impact on Senegambian music as well as artists including Youssou N'Dour whom she has inspired immensely. Although she has been singing since she was a child and have had a profound effect on Senegambia's music scene, she did not record her first album (Night Sky in Sine Saloum) until she was aged 65. Her first recording debut on an album "Gainde" was in 1995 that she shared with Youssou N'Dour in which she received rave reviews. In that same year, her vocals were showcased on the full-length album Youssou N'Dour Presents Yandé Codou Sène. RootsWorld described her as someone who: "can move mountains with her positively poetic voice."In Safi Faye's Mossane (a 1996 film), Yandé's powerful vocals received rave reviews whose song in the film is associated with the evocation of the Serer Pangool (ancestral spirits and Serer Saints in the Serer religion).President Senghor who is famous for adopting the African griot technique of "naming" in his poems is adopted from the Serer tradition as in his poem "Aux tirailleurs Sénégalais morts pour la France." Yandé Codou who is proficient in this technique used a similar technique in the funeral of President Senghor. Albums Gainde, Yandé Codou Sène and Youssou N'Dour, 1995 Yandé Codou Sène, Night Sky in Sine Saloum, 1997 Tracks Salmon Faye (sang in a cappella) Gainde Keur Maang Codou Bofia Tigue Waguene Salmon Faye Gnaikha Gniore Ndianesse Natangue Keur Mang Codou Filmography Yandé Codou Sène, Diva Sérère, documentary film by Laurence Gavron, 2008 Yandé Codou, la griotte de Senghor, documentary film by Angèle Diabang Brener, 2008 Mossane, film by Safi Faye, 1996 Karmen Gei, film, directed by Joseph Gai Ramaka, 2001 Ousmane Sembene's film Faat Kine Notes External links All music Portrait, Music. Télérama.fr Telerama.fr Portrait France24 France24.com New York Times review of Mossan Yandé Codou Sène, R.I.P. – Voice of America News

doc_18

Passage 1: Secrets of a Door-to-Door Salesman Secrets of a Door-to-Door Salesman is a 1973 sex comedy film directed by Wolf Rilla. Also known as Naughty Wives. Plot The film is about a young man who gets a job as a vacuum salesman and finds that he has to fight off advances from female customers. Cast Brendan Price – David Clyde Sue Longhurst – Penny Felicity Devonshire – Susanne Victoria Burgoyne – Sally Cockburn Graham Stark - Charlie Vincent Chic Murray – Policeman Bernard Spear - Jake Tripper Jean Harrington – Martina Steve Patterson – Anthony Clyde Jacqueline Logan – Mrs. Donovan Elizabeth Romilly – Nancy Jan Servais – Jane Jacqueline Afrique – Rachel Johnny Briggs - Loman Karen Boyes – Girlfriend David Rayner – Bruce, the art director Ron Alexander – Ron, the assistant Noelle Finch – Edith Simons, the reporter Passage 2: Bill Porter (salesman) William Douglas Porter (September 9, 1932 – December 3, 2013) was an American salesman, who worked for Watkins Incorporated based out of Winona, Minnesota. Born with cerebral palsy, Porter's background and work was brought to the public's attention in 1995 when an Oregon-based newspaper published a series of feature stories about him. Life Porter was born in San Francisco, California, and at a young age moved to Portland, Oregon along with his mother. He was unable to gain employment due to his cerebral palsy, but refused to go on disability. Porter eventually convinced Watkins Incorporated to give him a door-to-door salesman job, selling its products on a seven-mile route in the Portland area. He eventually became Watkins' top seller, and worked for the company for over forty years.In 1995, the newspaper The Oregonian ran a feature story about Porter. The story of his optimistic determination made him the subject of media attention across the United States. He was featured in Reader's Digest and on ABC's 20/20. The 20/20 broadcast received over 2000 phone calls and letters, which was the most ever for a 20/20 story. Porter was the subject of a 2002 made-for-TV movie on TNT called Door to Door, featuring William H. Macy, Kyra Sedgwick and Helen Mirren. In 2009 the Japanese TBS network aired a TV movie loosely based on Bill Porter, also called Door to Door. It starred Ninomiya Kazunari and Rosa Kato as fictional versions of Porter and Brady. Porter died of an infection in Gresham, Oregon, on December 3, 2013, at the age of 81. Passage 3: The Fuller Brush Man The Fuller Brush Man is a 1948 American comedy film starring Red Skelton as a door-to-door salesman for the Fuller Brush Company who becomes a murder suspect. Plot Success doesn't exactly stare the unfortunate street cleaner Red Jones (Red Skelton) in the eye, and when he decides to propose to his sweetheart Ann Elliot (Janet Blair), who is a secretary at the Fuller Brush company, she demands that he makes something more of himself before she can accept the offer. She suggests he should follow the example of a salesman and friend of hers, Keenan Wallick (Don McGuire), who works at her company. Red gets a chance to prove himself worthy sooner than he had expected when he is fired from his job as a cleaner by his boss, Gordon Trist (Nicholas Joy), because he accidentally sets a trash can on fire in the line of duty, and smashes Trist's car window. Ann gives him a chance to show his skills as a door-to-door salesman for the Fuller Brush company, and he is teamed up with her friend Keenan. Both Ann and Red are unaware that Keenan himself has a romantic interest in Ann, and wants to get Red out of the way as soon as possible, so he can pursue Ann without competition. Keenan assigns Red a list of the hardest homes, and Red fails tremendously with his task of selling to an almost impossible potential customer. He has a comical run-in with a troublesome small boy, and a beautiful model at another home tries to seduce him. Seeing how unsuccessful Red's sales attempts are, Keenan comes up with the idea of a bet – the winner gets to pursue Ann without interference of the other man – which he suggests to Red. The bet is that Red won't be able to sell a single brush to the households on their run. Red takes the bet, and the next household on their run is the mansion of his old boss Gordon Trist. After Red tries to hide from Gordon and the groundskeeper, Gordon recognizes Red and sends him packing, but his wife comes after Red and buys ten brushes from him. Red returns to Anna and Keenan in high spirits, until he realizes he forgot to collect the payment money from Mrs. Trist. When Red comes back to the Trist home, he overhears a conversation between his former boss, Keenan, Gregory Cruckston (Donald Curtis) and a few other persons, as they discuss their involvement in a racketeering operation. Red is caught eavesdropping and knocked unconscious after he is brought into the house. When he comes back to life, Gordon has been murdered in the dark, and everyone present in the house is arrested by police lieutenant Quint (Arthur Space), all suspected of murder. Red is released since there is no evidence pointing to him being the killer, and when he comes home he discovers Mrs. Trist (Hillary Brooke) waiting for him with the money. Soon after, Sara arrives at his home, and shortly after that Freddie Trist (Ross Ford), Gordon's son, with two armed gangsters. The gangsters hold everyone hostage as they search in vain for the murder weapon that killed Gordon. Ann and Red conclude that the weapon must have been a Fuller brush, molded into a knife-looking object. Cruckston stops them from telling policeman Quint about the weapon, and it turns out Cruckston, who is Gordon's partner in crime, is the murderer. Ann and Red escape from him and his gangsters. Cruckston is arrested and Red is the hero of the day, winning Ann's heart in the process. Cast Red Skelton as Red Jones Janet Blair as Ann Elliott Don McGuire as Keenan Wallick Hillary Brooke as Mildred Trist Adele Jergens as Miss Sharmley Ross Ford as Freddie Trist Trudy Marshall as Sara Franzen Nicholas Joy as Commissioner Gordon Trist Donald Curtis as Gregory Cruckston Arthur Space as Lieutenant Quint Production The project had been in development for four years. Producer Simon got permission from the Fuller Brush company and wrote the story with Skelton in mind but was unable to secure studio interest until the success of Miracle on 34th Street (1947) showed the benefits of commercial tie-ins for feature films. He set the project up at Columbia conditional upon MGM agreeing to loan him out. Producer Edward Small was owed a favour by MGM as he agreed not to make a film called D'Artagnan to clash with their production of The Three Musketeers (1948). Small and Simon then purchased a story in the Saturday Evening Post by Roy Huggins. Fuller Brush gave their final approval provided it was clear in the final movie that the character Skelton played was an independent dealer and not an employee of the Fuller Brush company. See also The Fuller Brush Girl Passage 4: Wolf Rilla Wolf Peter Rilla (16 March 1920 – 19 October 2005) was a film director and writer of German background, although he worked mainly in the United Kingdom.Rilla is known for directing Village of the Damned (1960). He wrote many books for students, such as The Writer and the Screen: On Writing for Film and Television and The A to Z of Movie Making. Early life and career Rilla was born in Berlin, where his father Walter Rilla was an actor and producer. In common with many others in entertainment and the arts, Walter recognised the dangers when Hitler came to power, and the family moved to London in 1934 when Wolf was 14. He completed his schooling at the enlightened co-educational Frensham Heights School, Surrey, and went on to St Catharine's College, Cambridge. In 1942, he joined the BBC External Service's German section, beginning as a script editor, but transferred to television in the late 1940s. Film and television career Rilla left the BBC staff in 1952 to pursue a career making films, but continued to take on television productions as a freelance. For television, he directed episodes of series such as The Adventures of Aggie, a sitcom, and The Adventures of the Scarlet Pimpernel (both 1956), both produced for ITV, but also aimed at the American market. Later, he wrote episodes of the Paul Temple television series.Meanwhile, in the cinema he worked for Group 3, a production company set up by the National Film Finance Corporation with Michael Balcon, John Baxter and John Grierson in charge. The intention was to give young talent a chance to make modestly budgeted films (those costing less than £50,000), but the arrangement only survived until 1956. By 1960, Rilla was working regularly for MGM-British Studios. His best remembered film, Village of the Damned (1960), dates from his period with the American studio's British subsidiary. Derived from John Wyndham's sci-fi novel The Midwich Cuckoos. As well as directing the film, Rilla collaborated with producer Ronald Kinnoch (using the pseudonym George Barclay) and Stirling Silliphant on the adaptation. George Sanders co-starred with Barbara Shelley. In his other film for MGM-British, Rilla directed his father, along with George Sanders and Richard Johnson, in Cairo (1963), a remake of John Huston's The Asphalt Jungle, with Tutankhamun's jewels in a Cairo museum now the target of the robbers.His novels included Greek Chorus, The Dispensable Man, The Chinese Consortium and one simply entitled Movie. Rilla also wrote an episode of Doomwatch entitled The Devil's Demolition however the series was cancelled before it was produced. Personal life Rilla married the actress and director Valerie Hanson after they appeared together in a BBC television production of The Portugal Lady; the couple had a daughter, Madeleine, in 1955. In 1967, he married Shirley Graham-Ellis, a publicist for tea suppliers Jacksons of Piccadilly and London Films. Rilla and Graham-Ellis had a son, Nico, who has been a filmmaker and chef. His daughter Madeline died in a car crash in 1985. After Rilla had held office in both the film technicians' union ACTT and the Directors' Guild, he and Shirley moved to the south of France, to buy and run a hotel at Fayence in Provence. Filmography Noose for a Lady (1953) Glad Tidings (1953) The Large Rope (1953) Marilyn (US: Roadhouse Girl, 1953) The Black Rider (1954) The End of the Road (1954) Stock Car (1955) The Blue Peter (1955) Pacific Destiny (1956) The Scamp (1957) Bachelor of Hearts (1958) Jessy (1959) Witness in the Dark (1959) Die zornigen jungen Männer (1960) Village of the Damned (1960) Piccadilly Third Stop (1960) Watch it, Sailor! (1961) The World Ten Times Over (1963) Cairo (1963) Pax? (1968) Secrets of a Door-to-Door Salesman (1973) Bedtime with Rosie (1974) Passage 5: Lee Miglin Lee Albert Miglin (July 12, 1924 – May 4, 1997) was an American business tycoon and philanthropist. After starting his career as a door-to-door salesman and then broker, Miglin became a successful real estate developer. He was an early developer of business parks. His firm, at one point, proposed the construction of the Miglin-Beitler Skyneedle, which was planned to be the tallest building in the world. Miglin was murdered in his home in May 1997 by Andrew Cunanan, a spree killer. Life and career Miglin was one of seven children born to a Roman Catholic family of Lithuanian descent. His father was a Czech immigrant who worked as a Central Illinois coal miner and also owned a tavern, ice cream parlor, and soda distributorship. Miglin was born in Westville, Illinois.Miglin trained as an air cadet during World War II, before attending the University of Illinois.Miglin began his professional career selling silverware door-to-door and pancake batter out of the trunk of his car. After this, he sold frozen cheesecakes, and subsequent to that sold TV dinners. He quit his salesman job to spend a six month trip across Europe. After this, he decided to make an effort to go into real estate to make substantial money.In 1956, at the age of 31, Miglin began his real estate career. In the early 1960s, he took a job as a broker with Chicago real estate magnate Arthur Rubloff. At Arthur Rubloff & Co., Miglin would first get involved with warehouse construction, later moving into office development. One of the projects he was involved in was the development of the first two of the three towers at the President's Plaza office complex near Chicago's O'Hare International Airport. Miglin would later develop the third tower in 1985 with his firm Miglin-Beitler. Miglin was regarded as an early developer of the business park developments. He worked at Rubloff & Co. for 25 years.In 1959, Miglin married 20-year-old Marilyn Klecka, a Roman Catholic of Czech descent. Klecka, a successful entrepreneur known as the Queen of Makeovers, established a prominent perfume and cosmetics company and appeared on the Home Shopping Network. They would have two children together, Marlena (born 1968) and Duke Miglin (born 1971), the latter of whom would become an actor.Miglin formed a successful real estate development partnership with J. Paul Beitler, who had also worked at Rubloff & Co. Together, they founded the firm Miglin-Beitler Developments in 1982. Among the projects developed by the firm were Madison Plaza (200 West Madison), 181 West Madison Street, and Oakbrook Terrace Tower (the tallest building in Illinois outside of Chicago). In addition to constructing developments, the firm also managed properties.In 1988, Miglin-Beitler Developments unveiled plans to construct a 1,999 foot 125-floor skyscraper in Chicago to be called the Miglin-Beitler Skyneedle. This would have been the tallest building in the world at the time of its planned completion. However, the building was never built, with plans faltering during a 1990 downturn of Chicago's downtown office market. Miglin-Beitler had held hopes of resurrecting the project, but these hopes would be dashed by Miglin's murder.After Miglin-Beitler Developments began shifting its focus away from development and towards property management in the 1990s, Miglin gradually withdrew from the daily operations but still remained involved in the company.Miglin was a well-regarded figure in Chicago and was known for his philanthropy.Miglin was murdered on May 4, 1997, by the spree killer Andrew Cunanan. Miglin's body was found in the garage of his home in Chicago's Gold Coast Historic District. He had been bound at the wrists, and his head was bound with tape, with only a breathing space under his nostrils. He had been tortured with a saw and a screwdriver, his ribs had been broken, he had been beaten and stabbed, and his throat had been slashed with a gardener's bow saw. Cunanan was already wanted in Minneapolis for murdering his friend Jeffrey Trail and his own ex-lover David Madson a few days earlier. Legacy Miglin-Beitler Developments merged in 1998 with the New York City real estate Howard and Edward Milstein to form the Chicago-based firm Miglin Beitler Real Estate (MBRE). In 2022, it was announced that Houston-based Transwestern was acquiring the firm. Some of the properties developed by Miglin are today managed by Miglin Properties, LLC. In popular culture The second season of the anthology television series American Crime Story: The Assassination of Gianni Versace, recounted the Cunanan spree. It included appearances by Miglin, portrayed by Mike Farrell. This portrayal was based on Vulgar Favors: Andrew Cunanan, Gianni Versace, and the Largest Failed Manhunt in U.S. History by Maureen Orth, who speculated that Miglin may have been a closeted bisexual man in a secret relationship with Cunanan. The Miglin family has refuted this story, and has insisted that there was no relationship of any kind between Miglin and Cunanan. When the Federal Bureau of Investigation had investigated allegations that Cunnanan had known Miglin or a relative of Miglin's they were unable to establish any link between Miglin and Cunanan. See also List of homicides in Illinois Passage 6: Victoria Burgoyne Victoria Burgoyne (born 3 April 1953) is an English actress. She is known for being a guest actress in the infamously uncompleted 1979 Doctor Who serial Shada, the making of which was abandoned as the result of a BBC strike. She provided her voice to complete the serial using animation in 2017. Burgoyne was a regular cast member on the series Howards' Way as Vicki Rockwell during its 1989 series. Other TV credits include: Doctors Daughters, where she was one of the leads, The Professionals, Give Us a Break and Ever Decreasing Circles. Her film credits include Mr Smith (1976), Secrets of a Door-to-Door Salesman (1973), Death Ship (1980), Where Is Parsifal? (1984), and a role as a prostitute in the costume drama Stealing Heaven (1988). Filmography External links Victoria Burgoyne at IMDb Passage 7: Ruth Weyher Ruth Weyher (28 May 1901 – 27 January 1983) was a German film actress of the silent era. She appeared in 60 films between 1920 and 1930. She starred in the 1926 film Secrets of a Soul, which was directed by Georg Wilhelm Pabst. Selected filmography Passage 8: William Richard Sutton William Richard Sutton (1833 – 20 May 1900) was the founder of the UK's first door-to-door long distance parcel service and founder of the William Sutton housing trust. Early life William Richard Sutton was born in 1833 at London's Cheapside. Career Sutton founded the business of Sutton and Co., general carriers in 1861. He noted that the Royal Mail could carry letters from door to door, but they did not carry parcels; instead the sender had to arrange for delivery to a railway station, goods freight to a station near the destination, and then make separate arrangements for delivery to the final destination. Sutton Carriers would take care of all those stages. The railway companies obstructed this and Sutton took them to court with a case that lasted over seven years; the House of Lords ruled to break the railway companies' monopoly on pricing and allowed him to deliver packages door-to-door. At his death in 1900 his business had grown to 600 branches. Sutton Carriers was eventually nationalised in the 1950s. Sutton also had a partnership in Sutton, Carden and Co. which was a brewer, bottler, distiller, hotelier and merchant of wines, tea, coffee, and tobacco. Death and legacy Sutton died at his home in Adelaide Crescent, Hove, and was buried in West Norwood Cemetery. His will bequeathed almost all of his considerable wealth into philanthropic trusts for housing of the poor, although during his life he had held no public office and did no charity work. His will was disputed by his family and by existing large landlords, among them the London County Council, who were worried that these cheap and desirable dwellings would lead to lower rents. Nonetheless, his will was proved and The Sutton Model Dwellings Trust (now known as Clarion Housing Group) built estates for the poor across England, beginning in Bethnal Green, then Chelsea, Islington, Rotherhithe, Plymouth and Birmingham. Passage 9: Live Now, Pay Later Live Now, Pay Later is a 1962 British black-and-white film starring Ian Hendry, June Ritchie and John Gregson. Hendry plays a smooth-talking, conniving door-to-door salesman. Plot Unsavoury door-to-door salesman Albert Argyle's (Ian Hendry) technique involves bedding his female customers in an attempt to seduce them to buy on credit. As well as being unfaithful to his pregnant girlfriend (June Ritchie), the unrepentant Albert is also cheating his boss (John Gregson) out of profits, and also trying his hand at a spot of blackmail. Preservation status The only known print was discovered and finally made available on DVD in June 2020. The film premiered on Talking Pictures TV on 9 October 2022. Cast Production Filming locations included London, Elstree and Luton. A collection of location stills and corresponding contemporary photographs is hosted at reelstreets.com. Critical reception In a contemporary review, Variety considered it to have "many amusing moments, but overall it is untidy and does not develop the personalities of some of the main characters sufficiently"; whereas more recently, the Radio Times gave the film four out of five stars, noting "...a remarkably cynical and revealing portrait of Britain shifting from postwar austerity into rampant consumerism and the Swinging Sixties." Passage 10: Our Willi Is the Best Our Willi Is the Best (German: Unser Willi ist der Beste ) is a 1971 German comedy film directed by Werner Jacobs and starring Heinz Erhardt, Ruth Stephan and Rudolf Schündler. Now retired from his civil service job, Willi becomes a door-to-door salesman. Is the third part of the 'Willi' series of films. Cast Heinz Erhardt as Willi Winzig Ruth Stephan as Heidelinde Hansen Rudolf Schündler as Ottokar Mümmelmann Elsa Wagner as Alte Dame Paul Esser as Herr Kaiser Jutta Speidel as Biggi Hansen Henry Vahl as Opa Hansen Martin Hirthe as Hauswirt Graumann Edith Hancke as Elsetraut Knöpfke Hans Terofal as Emil Klingelberg Martin Jente as Butler Edu Wolfgang Völz as Rolls-Royce Chauffeur

doc_19

Passage 1: Karl Wilhelm Wach Karl Wilhelm Wach (also Carl Wilhelm or Wilhelm Wach) (11 September 1787 – 24 November 1845) was a German painter. Life Wach was born in Berlin in 1787, studied art at the Prussian Academy of Arts and was a pupil of painter Karl Kretschmar. At the age of just 20, Wach was commissioned to paint an altar piece for the Paretz village church and produced his "Christ with four Apostles" (1807). Five years later came his artistic breakthrough, his painting of Königin Luise (1812). After spending 1813 to 1815 in the Prussian army, Wach then established himself in Paris. He met William Hensel and the two became pupils of the painters Antoine Jean Gros and Jacques-Louis David. In 1817 Wach undertook a longer study trip to Italy, above all to study artists from Quattrocento. His strongest influence – according to his own statements – was however Raphael. Two years later Wach returned to Berlin (1819) and set himself up himself as a freelance artist. His first large commission was a picture for Berlin Concert Hall. Wach created for it a cover painting of the nine Muses. Prussian king Frederick William III made available to Wach premises in which he then furnished a studio. Due to its influence and its many pupils, this studio soon became a school. By 1837 it had nearly 70 pupils, almost all of whom went on to forge artistic careers. His activity as a teacher did not noticeably impair his artistic work. Wach was honoured with the title professor and appointed a member of Prussian Academy of Arts (1820). To mark his 40th birthday Wach was officially promoted to royal painter (1827). Wach died in 1845. Selected works Christ with four Apostles (1807) Königin Luise (1812) The Communion and the Auferstehung Christ (in the Evangelist church of St Peter & Paul, Moscow) The beautiful Velletrinerin, (1820) Madonna picture (1826, for Prince Frederik of the Netherlands) The Three Himmlischen Virtues (1830, in Friedrichswerder Church in Berlin) Carl von Clausewitz (1830) Christ at the oil mountain Psyche of Amor surprise A life-large Nymphe Bildnis Bettina von Savigny (1834) Johannes in the desert (1838) Judith with the head of the Holofernes (1838) Königin Elisabeth von Preußen (1840) Passage 2: Wilhelm Karl Ritter von Haidinger Wilhelm Karl Ritter von Haidinger (or Wilhelm von Haidinger, or most often Wilhelm Haidinger) (5 February 1795 – 19 March 1871) was an Austrian mineralogist. Early life Haidinger's father was the mineralogist Karl Haidinger (1756–1797), who died when Wilhelm was only two years old. The books on mineralogy and the collection of rocks and minerals of his father will almost certainly have raised the interest of young Wilhelm. The collection of his uncle, banker Jakob Friedrich van der Nüll, was by far larger and much more precious, even to such a degree that the famous professor Friedrich Mohs of Freiberg (Germany) had been asked to describe it in detail. Young Wilhelm Haidinger and the professor often met in the house of Wilhelm's uncle. After completing the "Normalschule" and the "Grammatikalschule" Wilhelm started out his pre-academical training at the local "Gymnasium". However, after completing only his first year, the "Humanitätsclasse", Wilhelm (now 17 years old) was asked by professor Friedrich Mohs to join him as his assistant at the newly founded Universalmuseum Joanneum in Graz. Scientific career During the next five years in Graz and the following six years in Freiberg Wilhelm Haidinger remained a devoted assistant and admirer of professor Friedrich Mohs. During these years Haidinger became more and more involved in scientific work. In 1821 Wilhelm Haidinger published his first scientific paper: "On the crystallisation of copper-pyrites" in the Memoirs of the Wernerian Natural History Society (Edinburgh), volume 4, pp. 1–18. This paper formed the start of a grand total of some 350 scientific publications, all of which are listed in volume 3 of the Catalogue of Scientific Papers (1800–1863) and volume 10 of the same catalogue for the years 1864–1883. Apart from all these papers Wilhelm Haidinger published several books: Anfangsgründe der Mineralogie, an account on the collection of the "k. k. Hofkammer im Münz- und Bergwesen"; a review of mineralogical research (which grew into a well-known series edited by Gustav Adolph Kenngott); his Handbuch der bestimmenden Mineralogie; an atlas to this textbook on mineralogy and the first complete geological map of Austria-Hungary.In 1822 Wilhelm Haidinger accompanied August Graf von Breunner-Enckevoirt (1796–1877) on a six-month trip; they traveled from Linz to Munich, Basel, Paris, London and Edinburgh. In Edinburgh banker Thomas Allan provided Haidinger with the means to translate Mohs' Grundriss der Mineralogie into English. (The translation appeared in 1823 in three volumes: Treatise on Mineralogy.) In 1823 Wilhelm Haidinger left Freiberg to re-settle in Edinburgh, where he stayed until the summer of 1825. In Edinburgh Haidinger met mineralogists Robert Jameson and Robert Ferguson of Raith, geologist James Hall, chemists Thomas Thomson and Edward Turner, and physicist David Brewster. The years in Edinburgh are among Haidinger's most productive: The translation of the comprehensive textbook by Mohs appeared in print and 33 scientific papers were written and published (in, for example, The Edinburgh Journal of Science of David Brewster and in the Philosophical Journal of Robert Jameson). While in Edinburgh Haidinger's friend Pierre Berthier named a new mineral (an iron antimony sulfide) "Haidingérite". Return to Austria A long journey with Robert Allan (the son of Thomas Allan) in 1825 and 1826 brought Wilhelm Haidinger to Norway, Sweden, Denmark, Germany, Austria, and northern Italy. The winter months of 1825 and 1826 were spent by Wilhelm Haidinger in the highest scientific circles of Berlin; here he met for example Gustav Rose and Heinrich Rose, Friedrich Wöhler, Eilhard Mitscherlich, Heinrich Gustav Magnus, and Johann Christian Poggendorff. In the spring of 1826 the journey was continued and visits to Friedrich Mohs in Freiberg, to Johann Friedrich Ludwig Hausmann and Friedrich Stromeyer in Göttingen, Hermann von Meyer in Frankfurt, Carl Cäsar Ritter von Leonhard and Leopold Gmelin in Heidelberg, Christian Gmelin, Franz von Kobell in Munich and Franz Xaver Riepl in Vienna completed their trip. In 1827 Wilhelm Haidinger returned to Austria and became one of the directors of the "Erste (böhmische) Porzellan-Industrie Aktien Gesellschaft (Epiag)" in Elbogen (now Loket, Czech Republic). Working in the ceramics factory owned by his brothers Eugen and Rudolf did not prevent Wilhelm from continuing his mineralogical research and writing scientific papers. In the years 1827 to 1840 Haidinger published some 24 papers (according to the Catalogue of Scientific Papers), which appeared in such well known journals as Poggendorff's Annalen and the Zeitschrift für Physik. One of the papers described the occurrence of fossil plants in the brown coal and sandstones of the surroundings of Elbogen (Loket). In 1840 Wilhelm Haidinger moved to Vienna to succeed his tutor Friedrich Mohs as director of the mineralogical collection of the "Kaiserlich-Königlichen Hofkammer im Münz- und Bergwesen". How much Haidinger devoted himself to science in general is evident from the fact that he founded a non-governmental scientific society: the "Freunde der Naturwissenschaften in Wien". Becker, in 1871, recalled how Haidinger had been able to organize his scientific society in spite of serious opposition from the Austrian police. Haidinger, founder and president of the "Freunde der Naturwissenschaften in Wien" undertook to publish its proceedings from 1840 to 1850. The last meeting of the "Freunde der Naturwissenschaften in Wien" took place on 29 November 1850. After that the learned society ceased to exist. In addition to his work on the collections of the mineralogical museum, his lectures on mineralogy and geology to young mining engineers, Wilhem Haidinger found the time to continue his own research and published some 105 papers during the years 1849 to 1860. Dolomitization Haidinger's scientific work became more and more concentrated on the phenomenon of "pseudomorphosis": that is minerals which have taken up the outer aspect of another mineral. For example, anhydrite would have changed into gypsum, but the original cleavage planes and crystal habitus would give the impression of anhydrite. Another example given by Haidinger was that of calcium carbonate, which would readily change into calcium magnesium carbonate (dolomite). In his own words: ... part of the carbonate of lime is replaced by carbonate of magnesia, so as to form in the new species a compound of one atom each. How this change was brought about, is a difficult question to resolve, though the fact cannot be doubted, as we have in the specimen described a demonstration of it, approaching in certainty almost to ocular evidence. To geologists Haidinger is known especially for his postulate of the "dolomitization" reaction that would change calcium carbonate into dolomite at low temperatures (below 100 degrees Celsius). A solution of magnesium sulfate would convert calcium carbonate into dolomite plus calcium sulfate in solution. Nonetheless, in 1844 Haidinger related how his friends, the well-known chemists Friedrich Wöhler, Eilhard Mitscherlich, and Leopold Gmelin had explained to him, that powdered dolomite will react, even at room temperature, with a solution of calcium sulfate to give calcium carbonate plus a solution of magnesium sulfate. ("Durch meinem verehrten Freund Wöhler wurde ich auf die Beobachtung, die auch Mitscherlich und L. Gmelin anführen, aufmerksam gemacht, daß man Dolomit in Pulverform künstlich zerlegen kann, wenn man eine Auflösung von Gyps durch denselben dringen läßt. Bittersalz wird gebildet und kohlensaurer Kalk bleibt zurück. Dieser Versuch erläutert wohle mit hinreichender Evidenz die Bildung des Kalkspathes aus Dolomit bei unserer gewöhnlichen Temperatur und atmosphärischer Pressung": Haidinger, 1844, p. 250.) It was Haidinger's employee at the "Kaiserlich-Königlichen Hofkammer im Münz- und Bergwesen", Adolph von Morlot, who undertook to investigate the formation of dolomite in the laboratory (no doubt at the request of Haidinger). The outcome of the experiments confirmed what Friedrich Wöhler had predicted in 1843: dolomite does not form from calcium carbonate plus a solution of magnesium sulfate unless high temperatures (more than 200 degrees Reamur = 250 degrees Celsius) and high pressures were applied. Von Morlot used calcite powder soaked in a concentrated solution of magnesium sulfate sealed in a glass tube. Heating the glass tube in an oil bath increased the pressure inside it to at least 15 bar. The glass tube was able to withstand this high pressure only because it had been placed inside a gun barrel filled with sand. In this way Von Morlot in 1847 had clearly demonstrated the existence of a minimum temperature for the synthesis of the mineral dolomite. When Von Morlot (1847 A) reacted dolomite powder with a concentrated solution of calcium sulfate at room temperature, the result was (solid) calcium carbonate plus a solution of magnesium sulfate. ("Wenn man nämlich durch gepulverten Dolomit eine Auflösung von Gyps filtriert, so entsteht die umgekehrte doppelte Zersetzung in der Art, daß Bittersalz aufgelöst durch's Filtrum geht, während kohlensaurer Kalk zurück bleibt": Von Morlot, 1847 A, p. 309.) Moral standards Ritter von Hauer (1871), in his necrology of Wilhelm Haidinger, recalled with great pride how open-minded Haidinger had been. The very thought of censoring any scientific publication would have been alien to Wilhelm Haidinger. In this regard, it must be remembered how Wilhelm Haidinger had allowed Adolph von Morlot to publish his accounts on the laboratory syntheses of dolomite first and foremost in Haidinger's own Berichte über die Mittheilungen von Freunden der Naturwissenschaften in Wien (at the same time Morlot's paper on the synthesis of dolomite appeared in four other well-known journals.) As part of his mineralogical research Haidinger studied the optical behaviour of minerals, which led to his discovery of the phenomenon of pleochroïsm.A major step in Haidinger's career took place in 1849: the founding of the "Kaiserlich-Königliche geologische Reichs-Anstalt" on 15 November 1849 in Vienna. Wilhelm Haidinger became its first director. The "k. k. Hofkammer im Münz- und Bergwesen" now became part of this newly founded geological office of Imperial Austria-Hungary. A detailed account of all events in relation with this major re-organization was published by Haidinger in 1864. Details of Haidinger's years as director of the Austrian geological survey were published by Haidinger's successor Franz Ritter von Hauer.There can be little or no doubt as to the scientific status that Wilhelm Haidinger achieved during the years 1850 to 1866: the "Kaiserlich-Königliche Geologische Reichsanstalt" became the epicentre of geological research of its time. Haidinger's unselfish attitude is best reflected in his motto: "Förderung der Wissenschaft, nicht Monopolisirung der Arbeit" (Advancement of science, not monopolisation of research). Political activity According to Döll (1871) Wilhelm Haidinger played a major role in the founding of the "k. k. Geographischen Gesellschaft zu Wien" (Becker, 1871 mentions how Haidinger had started the Austrian Geographical Society after the example of the famous Royal Geographical Society of London); the "Werner-Verein zur geologischen Durchforschung Mährens und Schlesiens", the "Geologischer Verein für Ungarn" in Pest, the "Società Geologica" in Milan, Italy and its successor the "Società Italiana di Scienze naturali". Haidinger remained convinced that such scientific organizations outside the official governmental societies were necessary, if not essential. In 1860 Wilhelm Haidinger read in the Wiener-Zeitung that his "k. k. Geologischer Reichsanstalt" was going to be incorporated into the "Kaiserlichen Akademie der Wissenschaften". Haidinger was shocked, not only because he had to read this news in the paper, but especially because the two institutes were truly incompatible. After several months of great uncertainty the Imperial Government, the Reichsrath, decided to cancel the planned forceful unification. Thus Haidinger was able to continue his work at the Imperial Geological Survey. With considerable pride Wilhelm Haidinger related, how Emperor Franz-Josef of Austria-Hungary had visited the building of the k. k. Geologischer Reichsanstalt in Vienna on 15 February 1862. In 1866 Wilhelm Haidinger became seriously ill and asked the Government for early retirement; it was generously granted. After retirement Haidinger continued his studies at home; this time meteorites held his main interest (and several papers followed). Awards and honours Emperor Franz Josef I of Austria-Hungary bestowed great honour onto Wilhelm Haidinger: the Order of Franz Joseph and the Order of Leopold with his elevation to knighthood ("Ritter von Haidinger") on 30 July 1864. Haidinger had received from the King of Prussia on 24 January 1857 the highly coveted civil version of the Königlich Preußischer Orden "Pour le Mérite".Wilhelm Karl Ritter von Haidinger | ORDEN POUR LE MÉRITE Furthermore, the King of Bavaria bestowed the Bavarian Maximilian Order for Science and Art; the King of Sweden gave the Nordstern Orden; and the King of Portugal made Wilhelm Haidinger Commander in the Portuguese Order of Christ. Although Wilhelm Haidinger had never completed his academic training, he was promoted to Doctor honoris causa in philosophy by the Charles University in Prague and to Doctor honoris causa in medicine by the University of Jena (see: Von Wurzbach, 1861). After a short illness Wilhelm Haidinger died at his home in Vienna on 19 March 1871. Optical Research Haidinger fringe See also Haidinger's brush Notes and References Further reading Woodward, Horace Bolingbroke (1911). "Haidinger, Wilhelm Karl" . Encyclopædia Britannica. Vol. 12 (11th ed.). p. 820. Wevers, Joyce (1970–1980). "Haidinger, Wilhelm Karl". Dictionary of Scientific Biography. Vol. 6. New York: Charles Scribner's Sons. pp. 18–20. ISBN 978-0-684-10114-9. Passage 3: Wilhelm Meise Wilhelm Meise (12 September 1901 in Essen - 24 August 2002 in Hamburg) was a German ornithologist. He studied at the University of Berlin from 1924 to 1928, where he did his Ph.D. dissertation on the distribution of the carrion crow and the hooded crow, and hybridization between them under the supervision of Professor Erwin Stresemann, (1889–1972). He also analysed taxonomic and historic relationships between the house sparrow and the Spanish sparrow in particular the status of the "Italian sparrow". He was curator of vertebrates at the Museum of Natural History in Dresden from 1929 until World War II. Meise produced the first review of bird species new to science in 1934 at the eighth International Ornithological Congress (IOC), followed by an update at the ninth IOC in 1938. He spent three years in a prison camp in Siberia after the war, and joined the Berlin's Natural History Museum in 1948. In 1951, he was appointed curator of ornithology at the Museum of Natural History in Hamburg and professor at the University of Hamburg.During the 1950s, Meise was the President of the Jordsand Club for the Protection of Seabirds at a time when such endeavours were at an early stage. He undertook an expedition to Angola in 1955 and, during the following years, published several papers on geographical variation, speciation, and evolution of African birds. Meise produced 47 parts of Max Schönwetter's handbook Handbuch der Oologie between 1960 and 1992, following Schönwetter's death in 1960. The work consists of 3666 pages and presents in detail all species and subspecies whose eggs are known. According to Meise, there are 30000 - 35000 sub-species of birds, and the eggs of only half of these are known to science.Meise's 170 publications dealt mainly with birds, but occasionally with the taxonomy of scorpions, spiders, lizards, snakes, and molluscs. He retired in 1972, and died aged 101 in 2002. Passage 4: Motu Hafoka Motu Hafoka (13 March 1987 – 30 June 2012) was a Samoan footballer who played as a goalkeeper. He represented Samoa in the 2012 OFC Nations Cup and in the 2007 OFC U-20 Championship.He committed suicide by hanging himself from a tree in his family's back yard on Saturday, 30 June 2012. It is believed that "differences with his family" were the cause of the suicide. Passage 5: Wilhelm Loewe Wilhelm Loewe (14 November 1814 in Olvenstedt – 2 November 1886 in Meran, County of Tyrol) was a German physician and Liberal politician, also called Wilhelm Loewe-Kalbe or Wilhelm Loewe von Kalbe. He was president of the "rump parliament" remnant of the Frankfurt Parliament. Biography He was educated at the University of Halle and became a practicing physician. In 1848, he was elected to the Frankfurt Parliament, was a prominent member of the extreme Democratic Party, was soon chosen first vice-president of the Parliament. After it moved to Stuttgart, he was made president. At first acquitted on the charge of sedition for his part in this revolutionary movement, he was finally sentenced to life imprisonment for contumacy. He spent several years in Switzerland, Paris, and London, and then practiced medicine for eight years in New York City. In 1861, he benefited by the amnesty and returned to Germany. Two years later he was elected to the Prussian House of Deputies, and in 1867 to the North German Reichstag as a member of the Progressist Party. In 1874, he quarreled with his party on the military law of that year, and tried to form with other independents a Liberal Party which would agree in political matters with the Progressist Party, but would be free on economic questions. In carrying out this policy, he eagerly defended the protective tariff of 1879. He was defeated for reelection in 1881. Notes Passage 6: Wilhelm Baur Wilhelm Baur or Wilhelm Baur de Betaz (17 February 1883 in Metz – 26 May 1964 in Lindenfels) was a German Lieutenant General (Generalleutnant) of the Heer during Second World War. Biography Wilhelm Baur was born in Metz (February 17, 1883), in Alsace-Lorraine, which was then part of Germany. He joined the army at twenty years old. He served in the 61st Artillery Regiment, from 1903 until 1914. Baur was detached to the Military Technical Academy in 1909, before being detached to the War-Academy from 1912 to 1914. During the First World War, Baur served as a company-grade officer. He was awarded the Iron Cross. At the beginning of the Second World War, Wilhelm Baur was appointed Chief of Staff of the Higher Flying-Training-Commander. In March 1940, he took command of the Special-Purpose-Combat-Group in Norway. In September 1940, he was appointed commander of the air district of Greifswald, then commander of the air district of Döberitz. Baur was promoted to the rank of major general (Generalmajor) in July 1941. In May 1942, Baur worked at the headquarters of the armies, with General Walther von Unruh. He was appointed Chief of the Defence Economy Staff, in Norway. Baur was promoted General Lieutenant (Generalleutnant) in August 1943. In September 1944, Wilhelm Baur was eventually placed in Führer-Reserve until the end of the war. Staff positions Group-Director in the War-Scientific-Department, RLM (1 May 1937-07 Sep 1939) Chief of Staff of the Higher Flying-Training-Commander 4 (08 Sep 1939-28 Mar 1940) Commander of the Special-Purpose-Combat-Group (Norway) (29 Mar 1940-20 Sep 1940) Airport-Area-Commandant, Greifswald (21 Sep 1940-06 Feb 1941) Airport-Area-Commandant, Döberitz (07 Feb 1941-4 May 1942) Representative of the Luftwaffe in OKW, Special-Staff of General von Unruh (5 May 1942-31 Oct 1942) Chief of the Defence Economy Staff Norway (01 Nov 1942-30 Jun 1943) Field-Economics-Commander Norway (01 Jul 1943-30 Apr 1944) Higher Field-Economics-Officer with the Wehrmacht-Commander Norway (1 May 1944-18 Sep 1944) Promotions Fähnrich (18 Oct 1903); Leutnant (24 Apr 1904); Oberleutnant (24 Jul 1912); Hauptmann (8 Nov 1914); Charakter als Major (8 Apr 1920); Oberstleutnant (1 Mar 1935); Oberst (1 Aug 1937); Generalmajor (1 Jul 1941); Generalleutnant (1 Aug 1943) Decorations Knight's Cross of the Royal Prussian House Order of Hohenzollern with Swords Iron Cross (1914), 1st and 2nd classes Royal Prussian Plane Spotters badge Honour Cross for Combatants Wehrmacht Long Service Award, 4th to 2nd class Clasp to the Iron Cross German Cross in Silver Passage 7: Fred H. Frank Fred H. Frank (July 1, 1895 in Lessor, Wisconsin – July 10, 1957) was a member of the Wisconsin State Assembly who lived in Appleton. During World War I, he served with the First Army of the American Expeditionary Forces. From 1940 to 1945, Frank was Sheriff of Outagamie County, Wisconsin. Political career Frank first served in the Assembly from 1945 to 1949. He was re-elected to the Assembly in 1956 and remained a member until his death. Previously, Frank had been a member of the Outagamie County Board from 1930 to 1936. He was a Republican. Passage 8: William Charles John Pitcher William John Charles Pitcher (21 March 1858 – 2 March 1925), known as Wilhelm or C. Wilhelm, was an English artist, costume and scenery designer, best known for his designs for ballets, pantomimes, comic operas and Edwardian musical comedies. Life and career Wilhelm was born at Northfleet, in Kent, England, the son of a shipbuilder.The young artist showed early promise, and J. R. Planché recommended him to design for the Theatre Royal, Drury Lane. There, Wilhelm created costumes, beginning in 1877, for numerous works, including the famous pantomimes of Sir Augustus Harris and for others until 1897, including the spectacular drama, Armada (1888). He also designed costumes for various music hall artists and for many London theatres, including Her Majesty's Theatre, The Coliseum and The Crystal Palace, and for three pantomimes at the Lyceum Theatre. For Robert Courtneidge in Manchester, England, Wilhelm designed two Shakespeare plays: A Midsummer Night's Dream and As You Like It. Wilhelm also designed costumes for numerous pantomimes, including Cinderella, Dick Whittington and Blue Beard. He was the designer for some of the costumes in several of the original Gilbert and Sullivan operas at the Savoy Theatre in the 1880s, including Iolanthe, Princess Ida, The Sorcerer (revival), The Mikado, and Ruddigore. He also designed costumes for Jane Annie at the Savoy (1893) and for the Olympia, London spectacles Nero (1889) and Venice (1891). Wilhelm was, perhaps, best known for his work for the Empire Theatre, London, from 1887 to 1915, where he designed both scenery and costumes for (and sometimes produced) numerous ballets, many of which starred Adeline Genée, and which established a fashion for stage design and were much imitated. His later costume designs included The New Aladdin (1906); Edward German's opera Tom Jones (1907); Peter Pan (the famous mermaid costumes for the 1905 revival); and The Arcadians (1909) and The Mousmé (1911), among other musical comedies. Wilhelm's costume designs were seen on Broadway in Ruddigore (1887), A Runaway Girl (1898–99), The Toreador (1902), Three Little Maids (1903), The Babes and the Baron (1905–06), The Red Mill (1906–07), The Soul Kiss (1908), The Silver Star (1909–10), The Old Town (1910), The Arcadians (1910), The Girl in the Train (1910), The Lady of the Slipper (1912–13), Chin Chin (1914–15), The Yankee Princess (1922), Stepping Stones (scenic and costume design, 1923–24) and Madame Pompadour (1924–25).London's The Times wrote, "Wilhelm excelled especially in rendering the spirit and detail of historical periods, but he had also an amusing skill in turning modern costumes to his fantastic purposes.... to his imaginative gifts he added remarkable precision and firmness in execution and great ingenuity in the treatment of colour." Wilhelm also contributed a number of articles on the art of the theatre to The Magazine of Art, including "Art in Ballet" (1895). In his last years, he focused on watercolour painting, especially of flowers and plant life, and illustrating children's books, including The Child of the Air, and he was elected to the Royal Institute of Painters in Water Colours in 1920. He died in London just short of his 67th birthday and is buried in Brompton cemetery. Notes External links Numerous designs and notes by Wilhelm, 1890s Numerous Wilhelm costume designs Wilhelm design for The Mikado, 1885 Photos of a Mikado production prominently showing reproductions of the Wilhelm costumes Wilhelm designs for Iolanthe, 1882 Information about the portrayal of Wilhelm in the film Topsy-Turvey Wilhelm at the Victoria and Albert Museum Passage 9: Guillermo Bauer Guillermo Bauer or Wilhelm Bauer was the proprietor of the first steam-operated flour mill in Argentina. Biography He was born on 17 February 1844 in Berg, Stuttgart, Germany as George Philip Wilhelm Bauer. His parents were Philip Bauer and Catharina Uhlmann. He married María Elisa Sigel, born on 18 December 1851, in Wilheim-Kirchheim, Baden-Württemberg, Germany, who was also German. The first mill was authorized in 1859 by the provincial government of Antonio Gaspoz, who built it on the banks of the Cululú River. The steam mill was installed in the colony of San Carlos by Guillermo Bauer and Juan Siegel, who hoped to have eight mills operational before 1890. They benefitted from the inauguration of the railroad in 1885, because they were able to ship their product to the port of Rosario, where Guillermo was able to receive more money for his product. By the late 1800s, they were able to cut normal operating costs to the point where the horse-driven mills were closing. Soon after, in the 1890s, Guillermo was honored by the local governor, Luciano Leiva, for giving flour to the poor and contributing money to the local area to stimulate growth. After contributing to the health of many people and giving selflessly, he was honored by a reprographic shop in Rosario, and eventually met Pope Leo XIII, who was touched by his kindness. Guillermo was made the patron saint of reprographers in the early 1900s, and is still honored in many shops today. He died on 26 April 1912 in Argentina. Passage 10: Maximus of Tyre Maximus of Tyre (Greek: Μάξιμος Τύριος; fl. late 2nd century AD), also known as Cassius Maximus Tyrius, was a Greek rhetorician and philosopher who lived in the time of the Antonines and Commodus, and who belongs to the trend of the Second Sophistic. His writings contain many allusions to the history of Greece, while there is little reference to Rome; hence it is inferred that he lived longer in Greece, perhaps as a professor at Athens. Although nominally a Platonist, he is really a sophist rather than a philosopher, although he is still considered one of the precursors of Neoplatonism. Writings The Dissertations There exist 41 essays or discourses on theological, ethical, and other philosophical subjects, collected into a work called The Dissertations. The central theme is God as the supreme being, one and indivisible though called by many names, accessible to reason alone: In such a mighty contest, sedition and discord, you will see one according law and assertion in all the earth, that there is one God, the king and father of all things, and many gods, sons of God, ruling together with him. As animals form the intermediate stage between plants and human beings, so there exist intermediaries between God and man, viz. daemons, who dwell on the confines of heaven and earth. The soul in many ways bears a great resemblance to the divinity; it is partly mortal, partly immortal, and, when freed from the fetters of the body, becomes a daemon. Life is the sleep of the soul, from which it awakes at death. The style of Maximus is superior to that of the ordinary sophistical rhetorician, but scholars differ widely as to the merits of the essays themselves.Dissertation XX discusses "Whether the Life of a Cynic is to Be Preferred". He begins with a narrative of how Prometheus created mankind, who initially lived a life of ease "for the earth supplied them with aliment, rich meadows, long-haired mountains, and abundance of fruits" – in other words, a Garden of Eden that resonates with Cynic ideas. It was "a life without war, without iron, without a guard, peaceful, healthful unindigent". Then, taking perhaps from Lucretius, he contrasts that Garden to mankind's "second life", which started with the division of the earth into property, which they then enclosed into fortifications and walls, and started to wear jewellery and gold, built houses, “molested the earth by digging into it for metals”, and invaded the sea and the air (killing animals, fish and birds), in what he described as a “slaughter and all-various gore, pursuing gratification of the body”. Humans became unhappy and, to compensate, sought wealth, “fearing poverty...dreading death...neglecting the care of life...They blamed base actions but did not abstain from them and “the hated to live, but dreaded to die”.He then contrasts the two lives – that of the original Garden and of the “second life” he has just described and asks, which man would not choose the first, who “knows that by the change he shall be liberated from a multitude of evils” and what he calls “a dreadful prison of unhappy men, confined to a dreadful prison of unhappy men, confined in a dark recess, with large iron fetters round their feet, a great weight about their neck…passing their time in filth, in torment, and in weeping”. He asks, “Which of these images shall we proclaim blessed”? He goes on to praise Diogenes of Sinopeus, the Cynic, for choosing his ascetic life, but only because he avoided the often fearful fates of other philosophers – such as Socrates being condemned. But there is no mention of he himself taking up the ascetic life himself; rather he only talks about how the Garden would be preferable to the life mankind has made for itself. So it is unlikely he was a Cynic, but was just envious of that idealised pre-civilisation Life in the Garden.Maximus of Tyre must be distinguished from the Stoic Claudius Maximus, tutor of Marcus Aurelius. Ancient Greek Text Maximus Tyrius, Philosophumena, Dialexeis - Edited by George Leonidas Koniaris, Publisher Walter de Gruyter, 1995, DOI: https://doi.org/10.1515/9783110882568 - this critical edition presents the Ancient Greek text of Maximus of Tyre. Translations Taylor, Thomas, The Dissertations of Maximus Tyrius. C. Wittingham (1804) Trapp, Michael. Maximus of Tyre: The Philosophical Orations, (NY: Oxford University Press, 1997)

doc_20

Passage 1: S. N. Mathur S.N. Mathur was the Director of the Indian Intelligence Bureau between September 1975 and February 1980. He was also the Director General of Police in Punjab. Passage 2: Brian Kennedy (gallery director) Brian Patrick Kennedy (born 5 November 1961) is an Irish-born art museum director who has worked in Ireland and Australia, and now lives and works in the United States. He was the director of the Peabody Essex Museum in Salem for 17 months, resigning December 31, 2020. He was the director of the Toledo Museum of Art in Ohio from 2010 to 2019. He was the director of the Hood Museum of Art from 2005 to 2010, and the National Gallery of Australia (Canberra) from 1997 to 2004. Career Brian Kennedy currently lives and works in the United States after leaving Australia in 2005 to direct the Hood Museum of Art at Dartmouth College. In October 2010 he became the ninth Director of the Toledo Museum of Art. On 1 July 2019, he succeeded Dan Monroe as the executive director and CEO of the Peabody Essex Museum. Early life and career in Ireland Kennedy was born in Dublin and attended Clonkeen College. He received B.A. (1982), M.A. (1985) and PhD (1989) degrees from University College-Dublin, where he studied both art history and history. He worked in the Irish Department of Education (1982), the European Commission, Brussels (1983), and in Ireland at the Chester Beatty Library (1983–85), Government Publications Office (1985–86), and Department of Finance (1986–89). He married Mary Fiona Carlin in 1988.He was Assistant Director at the National Gallery of Ireland in Dublin from 1989 to 1997. He was Chair of the Irish Association of Art Historians from 1996 to 1997, and of the Council of Australian Art Museum Directors from 2001 to 2003. In September 1997 he became Director of the National Gallery of Australia. National Gallery of Australia (NGA) Kennedy expanded the traveling exhibitions and loans program throughout Australia, arranged for several major shows of Australian art abroad, increased the number of exhibitions at the museum itself and oversaw the development of an extensive multi-media site. Although he oversaw several years of the museum's highest ever annual visitation, he discontinued the emphasis of his predecessor, Betty Churcher, on showing "blockbuster" exhibitions. During his directorship, the NGA gained government support for improving the building and significant private donations and corporate sponsorship. However, the initial design for the building proved controversial generating a public dispute with the original architect on moral rights grounds. As a result, the project was not delivered during Dr Kennedy's tenure, with a significantly altered design completed some years later. Private funding supported two acquisitions of British art, including David Hockney's A Bigger Grand Canyon in 1999, and Lucian Freud's After Cézanne in 2001. Kennedy built on the established collections at the museum by acquiring the Holmgren-Spertus collection of Indonesian textiles; the Kenneth Tyler collection of editioned prints, screens, multiples and unique proofs; and the Australian Print Workshop Archive. He was also notable for campaigning for the construction of a new "front" entrance to the Gallery, facing King Edward Terrace, which was completed in 2010 (see reference to the building project above). Kennedy's cancellation of the "Sensation exhibition" (scheduled at the NGA from 2 June 2000 to 13 August 2000) was controversial, and seen by some as censorship. He claimed that the decision was due to the exhibition being "too close to the market" implying that a national cultural institution cannot exhibit the private collection of a speculative art investor. However, there were other exhibitions at the NGA during his tenure, which could have raised similar concerns. The exhibition featured the privately owned Young British Artists works belonging to Charles Saatchi and attracted large attendances in London and Brooklyn. Its most controversial work was Chris Ofili's The Holy Virgin Mary, a painting which used elephant dung and was accused of being blasphemous. The then-mayor of New York, Rudolph Giuliani, campaigned against the exhibition, claiming it was "Catholic-bashing" and an "aggressive, vicious, disgusting attack on religion." In November 1999, Kennedy cancelled the exhibition and stated that the events in New York had "obscured discussion of the artistic merit of the works of art". He has said that it "was the toughest decision of my professional life, so far."Kennedy was also repeatedly questioned on his management of a range of issues during the Australian Government's Senate Estimates process - particularly on the NGA's occupational health and safety record and concerns about the NGA's twenty-year-old air-conditioning system. The air-conditioning was finally renovated in 2003. Kennedy announced in 2002 that he would not seek extension of his contract beyond 2004, accepting a seven-year term as had his two predecessors.He became a joint Irish-Australian citizen in 2003. Toledo Museum of Art The Toledo Museum of Art is known for its exceptional collections of European and American paintings and sculpture, glass, antiquities, artist books, Japanese prints and netsuke. The museum offers free admission and is recognized for its historical leadership in the field of art education. During his tenure, Kennedy has focused the museum's art education efforts on visual literacy, which he defines as "learning to read, understand and write visual language." Initiatives have included baby and toddler tours, specialized training for all staff, docents, volunteers and the launch of a website, www.vislit.org. In November 2014, the museum hosted the International Visual Literacy Association (IVLA) conference, the first Museum to do so. Kennedy has been a frequent speaker on the topic, including 2010 and 2013 TEDx talks on visual and sensory literacy. Kennedy has expressed an interest in expanding the museum's collection of contemporary art and art by indigenous peoples. Works by Frank Stella, Sean Scully, Jaume Plensa, Ravinder Reddy and Mary Sibande have been acquired. In addition, the museum has made major acquisitions of Old Master paintings by Frans Hals and Luca Giordano.During his tenure the Toledo Museum of Art has announced the return of several objects from its collection due to claims the objects were stolen and/or illegally exported prior being sold to the museum. In 2011 a Meissen sweetmeat stand was returned to Germany followed by an Etruscan Kalpis or water jug to Italy (2013), an Indian sculpture of Ganesha (2014) and an astrological compendium to Germany in 2015. Hood Museum of Art Kennedy became Director of the Hood Museum of Art in July 2005. During his tenure, he implemented a series of large and small-scale exhibitions and oversaw the production of more than 20 publications to bring greater public attention to the museum's remarkable collections of the arts of America, Europe, Africa, Papua New Guinea and the Polar regions. At 70,000 objects, the Hood has one of the largest collections on any American college of university campus. The exhibition, Black Womanhood: Images, Icons, and Ideologies of the African Body, toured several US venues. Kennedy increased campus curricular use of works of art, with thousands of objects pulled from storage for classes annually. Numerous acquisitions were made with the museum's generous endowments, and he curated several exhibitions: including Wenda Gu: Forest of Stone Steles: Retranslation and Rewriting Tang Dynasty Poetry, Sean Scully: The Art of the Stripe, and Frank Stella: Irregular Polygons. Publications Kennedy has written or edited a number of books on art, including: Alfred Chester Beatty and Ireland 1950-1968: A study in cultural politics, Glendale Press (1988), ISBN 978-0-907606-49-9 Dreams and responsibilities: The state and arts in independent Ireland, Arts Council of Ireland (1990), ISBN 978-0-906627-32-7 Jack B Yeats: Jack Butler Yeats, 1871-1957 (Lives of Irish Artists), Unipub (October 1991), ISBN 978-0-948524-24-0 The Anatomy Lesson: Art and Medicine (with Davis Coakley), National Gallery of Ireland (January 1992), ISBN 978-0-903162-65-4 Ireland: Art into History (with Raymond Gillespie), Roberts Rinehart Publishers (1994), ISBN 978-1-57098-005-3 Irish Painting, Roberts Rinehart Publishers (November 1997), ISBN 978-1-86059-059-7 Sean Scully: The Art of the Stripe, Hood Museum of Art (October 2008), ISBN 978-0-944722-34-3 Frank Stella: Irregular Polygons, 1965-1966, Hood Museum of Art (October 2010), ISBN 978-0-944722-39-8 Honors and achievements Kennedy was awarded the Australian Centenary Medal in 2001 for service to Australian Society and its art. He is a trustee and treasurer of the Association of Art Museum Directors, a peer reviewer for the American Association of Museums and a member of the International Association of Art Critics. In 2013 he was appointed inaugural eminent professor at the University of Toledo and received an honorary doctorate from Lourdes University. Most recently, Kennedy received the 2014 Northwest Region, Ohio Art Education Association award for distinguished educator for art education. == Notes == Passage 3: Richard Halliburton Richard Halliburton (January 9, 1900 – presumed dead after March 24, 1939) was an American travel writer and adventurer who swam the length of the Panama Canal and paid the lowest toll in its history—36 cents in 1928. He disappeared at sea while attempting to sail the Chinese junk Sea Dragon across the Pacific Ocean from Hong Kong to the Golden Gate International Exposition in San Francisco, California. Early life and education Richard Halliburton was born in Brownsville, Tennessee, to Wesley Halliburton, a civil engineer and real estate speculator, and Nelle Nance Halliburton. A brother, Wesley Jr., was born in 1903. The family moved to Memphis, where the brothers, who were not close, spent their childhood. Richard attended Memphis University School, where his favorite subjects were geography and history; he also showed promise as a violinist, and was a fair golfer and tennis player. In 1915 he developed a rapid heartbeat and spent some four months in bed before its symptoms were relieved. This included some time at the Battle Creek Sanitarium in Michigan, run by the eccentric and innovative John Harvey Kellogg, whose philosophy of care featured regular exercise, sound nutrition, and frequent enemas. In 1917, following an apparent bout of rheumatic fever, Wesley Jr., thought strong and in fine health, suddenly died.: 8 At 5'7" (170 cm) and about 140 pounds (64 kg), Halliburton was never robust but would seldom complain of sickness or poor stamina. He graduated from the Lawrenceville School in 1917, where he was chief editor of The Lawrence. In 1921 he graduated from Princeton University, where he was on the editorial board of The Daily Princetonian and chief editor of The Princetonian Pictorial Magazine. He also attended courses in public speaking and considered a career as a lecturer. Career "An even tenor" Leaving college temporarily during 1919, Halliburton became an ordinary seaman and boarded the freighter Octorara that July, bound from New Orleans to England.: 19–23  He toured historic places in London and Paris, but soon returned to Princeton in early 1920 to finish his schooling.: 55–57  His trip inspired in him a lust for even more travel; seizing the day became his credo. The words of Oscar Wilde, who in works like The Picture of Dorian Gray enjoined experiencing the moment before it vanished, inspired Halliburton to reject marriage, family, a regular job, and conventional respectability as the obvious steps after graduation. He liked bachelorhood, youthful adventure, and the thrill of the unknown. To earn a living he intended to write about his adventures. He dedicated his first book to his Princeton roommates, "...whose sanity, consistency and respectability ... drove [him] to this book".Halliburton's father advised him to get the wanderlust out of his system, return to Memphis and adjust his life to "an even tenor": "I hate that expression", Richard responded, expressing the view that distinguished his life-style, "and as far as I am able I intend to avoid that condition. When impulse and spontaneity fail to make my way uneven then I shall sit up nights inventing means of making my life as conglomerate and vivid as possible.... And when my time comes to die, I'll be able to die happy, for I will have done and seen and heard and experienced all the joy, pain and thrills—any emotion that any human ever had—and I'll be especially happy if I am spared a stupid, common death in bed. Witness to the wedding of the emperor of China In 1922 Halliburton witnessed the last ceremonial marriage of a Chinese Emperor, the wedding of Emperor Puyi to Empress Wanrong in Beijing. The Royal Family would be permanently expelled less than 2 years later. Halliburton wrote of the event in his memoir as follows: At four in the morning this gorgeous spectacle moved through the moonlit streets of Peking en-route to the prison-palace. The entire city was awake and the people thronged the line of march. A forest of pennants blazed and fluttered past ...gold dragons on black silk, blue dragons on gold silk; and swaying lanterns, and gilded kiosques containing the bride’s ceremonial robes, and princes on horseback surrounded by their colorful retinues. There was more than enough music. Last of all came the bride’s sedan hung with yellow brocade, roofed with a great gold dragon, and borne along by sixteen noblemen. I followed close behind the shrouded chair, and wondered about the state of mind of the little girl inside. Headed straight for prison, she was on the point of surrendering forever the freedom she had hitherto enjoyed... The procession wound its way to the 'Gate of Propitious Destiny,' one of the entrances to the palace, and halted before it. Torches flared. There was subdued confusion and whispers. mandarins and court officials hurried back and forth. Slowly, darkly, the great gates swung open,—I could look inside the courtyard and see the blazing avenue of lamps down which the procession would move up to the throne room where the emperor waited. Into the glitter and glamour of this 'Great Within' the trembling little girl, hidden in her flowered box, was carried. Then as I watched, the gates boomed shut and the princess became an empress. Lecturer and pioneer of adventure journalism While Halliburton was attending Princeton, Field and Stream magazine paid him $150 for an article (equivalent to $2,190 in 2022). This initial success encouraged him to choose travel writing as a career. His fortunes changed when a representative of the Feakins Agency heard him deliver a talk, and soon Halliburton was given bookings for lectures. Despite a high-pitched voice and occasional discomfort on the details, Halliburton displayed such enthusiasm and recounted such vivid recreations of his often bizarre foreign encounters that he became popular with audiences. On the strength of his lecturing and increasing celebrity appeal, publisher Bobbs-Merrill, whose editor-in-chief David Laurance Chambers was also a Princeton graduate, accepted Halliburton's first book, The Royal Road to Romance (1925), which became a bestseller. Two years later he published The Glorious Adventure, which retraced Ulysses' adventures throughout the Classical Greek world as recounted in Homer's Odyssey, and included his visiting the grave of English poet Rupert Brooke on the island of Skyros. In 1929, Halliburton published New Worlds To Conquer, which recounted his famous swim of the Panama Canal, his retracing the track of Hernán Cortés' conquest of Mexico, and his enactment in full goat-skin costume, of the role of Robinson Crusoe in Alexander Selkirk's, "cast away" on the island of Tobago. Animals figure prominently in this and many other of Halliburton's adventures. Ascent to fame Halliburton's friends during this time included movie stars, writers, musicians, painters, and politicians, including writers Gertrude Atherton and Kathleen Norris, Senator James Phelan, philanthropist Noël Sullivan, and actors Ramón Novarro and Rod La Rocque. Casual acquaintances were many, as lectures, personal appearances (notably to promote India Speaks), syndicated columns, and radio broadcasts made him a household name associated with romantic travel.Halliburton was acquainted with swashbuckling cinema star Douglas Fairbanks, Sr., who was also a world traveler. Halliburton himself, though several times approached about film versions of his adventures (notably by Fox Film Corporation in 1933 for The Royal Road to Romance), only appeared in one movie, the Walter Futter-produced semi-documentary India Speaks (1932; re-released in 1947 as Bride of Buddha or Bride of the East). Flying Carpet Expedition In 1930 Halliburton hired pioneer aviator Moye Stephens on the strength of a handshake for no pay, but unlimited expenses—to fly him around the world in an open cockpit biplane. The modified Stearman C-3B was named the Flying Carpet after the magic carpet of fairy tales, subsequently the title of his 1932 best-seller. They embarked on "one of the most fantastic, extended air journeys ever recorded" taking 18 months to circumnavigate the globe, covering 33,660 miles (54,100 km) and visiting 34 countries. The pair started on Christmas Day 1930, making stops along the way, from Los Angeles to New York City, where they crated the airplane and boarded it on the oceanliner RMS Majestic. They sailed to England, where their extended mission began. They flew to France, then Spain, the British possession of Gibraltar, and on to Africa at Fez, Morocco (where Stephens performed aerobatics for the first air meet held in that country). They crossed the Atlas mountains and set out across the Sahara to Timbuktu, using the fuel caches of the Shell Oil Company. While in Timbuktu, they were guests of Pere Yakouba, a French Augustinian friar who had fled years before from the distractions of modern society and become a patriarch and a noted scholar of the community. They flew to their destination without mishap, then continued northward and eastward, spending several weeks in Algeria with the French Foreign Legion, and continuing via Cairo and Damascus, with a side trip to Petra. In Persia (now Iran) they met German aviator Elly Beinhorn, who was grounded by mechanical problems. They assisted her and then worked out shared itineraries. Later, Halliburton wrote a foreword to her book Flying Girl about the adventures she had in the air. In spite of being exhausted, and their plane becoming less safe, Stephens and Halliburton continued their eastward journey. In Persia, they took Crown Princess Mahin Banu for a ride in the airplane; in neighbouring Iraq, they gave the young Crown Prince Ghazi a ride, flying him over his school yard. In India, Halliburton visited the Taj Mahal, which he had first visited in 1922. In Nepal, as The Flying Carpet flew past Mount Everest, Halliburton stood up in the open cockpit of the plane and took the first aerial photograph of the mountain, and to the delight of an amazed Maharajah of Nepal, Stephens and Beinhorn performed daring aerobatics. In Borneo, Halliburton and Stephens were feted by Sylvia Brett, wife of the White Rajah of Sarawak. They gave her a ride, making Ranee Sylvia the first woman to fly in that country. At the Rajang River, they took the chief of the Dyak head hunters for a flight; he gave them 60 kilos of shrunken heads, which they dared not refuse but dumped as soon as possible. They were the first Americans to fly to the Philippines; after arriving in Manila on April 27, the plane was again loaded onto a ship (SS President McKinley) to cross the ocean. They flew the final leg from San Francisco to Los Angeles. A fictionalized account of his travels in India and Asia was depicted in the 1933 film India Speaks. Moye Stephens was a skilled pilot. Halliburton, in a reassuring letter to his parents (January 23, 1932), recited his many flight skills. Stephens, for instance, during one aerobatic display, astutely aborted a slow roll the moment he realized that Halliburton had not fastened his seat belt. Stephens later became chief test pilot of the Northrop Flying Wing, which evolved into today's B-2 Spirit stealth bomber. The around-the-world trip had cost Halliburton over $50,000, plus fuel. In the first year, the book, entitled The Flying Carpet (after his valiant plane) earned him royalties of $100,000, in those depression-era days a remarkably large sum. Barbara H. Schultz's Flying Carpets, Flying Wings – The Biography of Moye Stephens (2011), besides recounting the Flying Carpet Expedition from a flier's viewpoint and documenting Stephens' (1906–1995) contributions to aviation history, contains Stephens' extended reports of the adventure. With rare glimpses into the travel writer's art, these give historic balance to Halliburton's often romanticized renditions. Commissioned research travel and feature article writing Early in 1934 the Bell Syndicate Newspapers contracted with newspapers throughout the United States, beginning with the Boston Globe, to publish weekly feature stories prepared by Halliburton. About one thousand words each with pictures, ultimately fifty stories resulted. Among these were stories about the Seri Indians of Southern California, Fort Jefferson, where Dr. Samuel Mudd, convicted of conspiracy in the assassination of President Abraham Lincoln, was imprisoned; Admiral Richmond Pearson Hobson, who deliberately sank his own ship during the Spanish–American War, the Battle of Santiago de Cuba a month later; Henri Christophe and the Citadelle Laferrière in Haiti; Christopher Columbus, Lord Byron, and "The Girl from Martinique Who Wrecked Napoleon". Paid well, to fullfill his end of the deal, Halliburton traveled extensively to Cuba, Haiti, Martinique, Miami, Washington, D. C. (to do research at the Library of Congress), to New York, Europe, and finally to Russia. At the height of his popularity, he appeared on radio, attended celebrity parties (including one at the home of novelist Kathleen Norris who also wrote stories that appeared regularly in the newspapers). After the purchasing a used Ford roadster, he explored the heartland of California and the beauties of the Lake Tahoe area. Other commissions followed: United Artists was producing a movie about Benvenuto Cellini; they asked him to do a story on the Renaissance artist's love life. Halliburton also gave frequent lectures and even turned down offers; a radio company offered him the considerable sum of $500 a week for 26 weeks, "to speak on a beer program". The Memphis Commercial Appeal, and newspapers in Milwaukee, Kansas City, Columbus, and Toronto published his syndicated stories. At the end of the year, Halliburton returned to Europe to fulfill his dream of emulating Hannibal by crossing the Alps on an elephant - one chosen for the task from a Paris zoo named "Miss Dalrymple", going from Martigny (Switzerland) to Aosta (Italy). The following year Bobbs-Merrill published Halliburton's Seven League Boots, filled with his latest adventures and arguably the last of the great travel works of the classic period. Hangover House in Laguna Beach, California In 1937 William Alexander Levy designed a house for Halliburton in Laguna Beach, California, which is now known as "a landmark of modern architecture". Alexander was a novice architect, a recent graduate of the New York University School of Architecture and close friend of Paul Mooney. Mooney managed the construction of the house. The house, built of concrete and steel, fortress-like in appearance, contains a spacious living room and dining room and three bedrooms: one for Halliburton, which featured a wall-sized map of the world, one for Mooney and one for Levy. Because of its position, perched 400 feet (120m) above a sheer canyon, it was called "Hangover House" by Mooney, and this title was cast into a retaining wall on the site. Writer Ayn Rand, who visited the house in 1937 while still an unknown writer, is believed to have based the "Heller House" in The Fountainhead (1943) upon Halliburton's house. Sea Dragon expedition and disappearance On September 23, 1938, Halliburton boarded the SS President Coolidge, bound for Hong Kong. From Hong Kong he intended to sail a Chinese junk across the Pacific Ocean to San Francisco. The junk, named the Sea Dragon (Chinese: 海龍; pinyin: Hǎi Lóng), was an essentially a Wenchow-style junk, 75 ft (23 m) in length, modified to Halliburton's specifications and built in the shipyards of Kowloon by cartwright Fat Kau. Its stern was emblazoned with a colorful dragon, its interior hull was equipped with a diesel engine; the Sea Dragon, a dramatic symbol of East meeting West, was to be an attraction at the Golden Gate International Exposition (GGIE) in San Francisco (at Treasure Island); there, after its three-month voyage across the Pacific, it would dock and, for a small admission fee, take fair-goers on excursions around San Francisco Bay.According to Halliburton's first cousin, whom he visited in 1938, the trip was meant, in part, to renew interest in Halliburton whose fame at the time was in decline. Biographers credit the idea for the voyage to Walter Gaines Swanson, who, as the Exposition's public relations manager, promoted its goal of celebrating both the Oakland and Golden Gate bridges as well as the cultures of the Pacific rim. Despite having an interest in sailing craft since childhood, Halliburton had little practical navigation experience. Seeking capable leadership, he hired veteran mariner John Wenlock Welch as his captain and Henry Von Fehren as his engineer. Besides Halliburton's secretary Paul Mooney, the initial crew included George Barstow III, a 21-year-old student at Juilliard, Dartmouth "lads" John Rust Potter, Robert Hill Chase, and Gordon Ellicott Torrey. The crew composition would change; engineer's assistant Richard L. Davis would bow out, ship's cook James Sligh, and able-bodied seamen Ralph Granrud and Benjamin Flagg would be added and a last-minute entry, student globetrotter Velman Fitch of the University of Minnesota. A Chinese messboy, a Chinese bosun and two Chinese sailors completed the crew. After he inspected a number of junks along the China coast, finding most either too expensive or wholly unseaworthy, Halliburton decided to have a junk built. Although it took less than six weeks to complete; its construction was marked by cost overruns, delays, engineering errors, and what Halliburton perceived as the primitive work habits of the Chinese carpenters, issues prompting him to write, "If any one of my readers wishes to be driven rapidly and violently insane, and doesn't know how to go about it, let me make a suggestion: Try building a Chinese junk in a Chinese shipyard during a war with Japan." From the start, funding for the project was a main problem. The corporate sponsors whom Halliburton approached thought the risks of the enterprise greater than its rewards. Chinese venture capitalists in Chinatown thought it far too dangerous while China was torn by war and Buick refused to be associated with something called a "junk". While the Sea Dragon Expedition was partly funded through: paid subscriptions for a projected series of progress reports that Halliburton intended to send from China, sales of commemorative tokens and other keepsakes, and expected tourist excursions. Major and immediate funding came from Halliburton's wealthy relatives, including the wife of his cousin Erle Halliburton. $14,000 of the $26,500 raised ($300,000 to $400,000 in today's money) came from the three crew members from Dartmouth: Robert Chase, John "Brue" Potter, and Gordon Torrey, who had extensive amateur sailing experience.A trial run in January 1939 revealed the vessel's flaws; the completed Sea Dragon, distinctly top heavy, rode precariously low, rolling and heeling in moderately active waters. Nevertheless, on January 27, Halliburton assured his subscribers that the dry deck of the craft indicated its buoyancy and, implicitly, its seaworthiness. To improve its stability, however, ten tons of concrete ballast were supposedly poured into its hull. There were other concerns. Many observers thought the heavy diesel engine, which released endangering fumes, was out of place aboard a vessel that traditionally sailed sufficiently without mechanical assistance. Moreover, Chief Officer Dale Collins of the SS President Coolidge, along with others noted that the masts and sails were far too heavy, and that the poop deck, meant to house a radio cabin and galley, was 10 feet (3.0 m) higher than befit a junk of its size. The first attempted voyage in February was forced to turn back on the 14th after a week at sea, due to an illness among the crew. For medical reasons, Potter stayed behind after the junk's unsuccessful first voyage and later offered an account of his experiences, as did Torrey. Besides poor performance by the junk in rough seas, the February attempt was aborted due to an injury sustained by Potter when struck by the mainsail boom while handling the 18 foot (5.5m) tiller. Sea Dragon Expedition researcher Gerry Max has noted that Potter, as well as Torrey, who did not make the trip, and a couple of other crew members may have contracted gonorrhea during their time in Hong Kong at the start of the voyage. Dysentery also afflicted several crew members including Captain Welch. Halliburton himself suffered from a skin rash, the result perhaps of high anxiety, and nervous exhaustion. Days before the first crossing attempt, Mooney broke an ankle after falling down a ladder. Halliburton sent four letters to subscribers from Hong Kong between November 20, 1938, and February 16, 1939; the fifth, he promised, would be sent from Midway Island. Hastily repaired and recaulked, the Sea Dragon left port once again on March 4, 1939. Recruits added to replace Potter and Torrey included able-bodied seamen Ben Flagg and Ralph Granrud, both in their early twenties. Globe-trotter Velman Fitch, who's seaman skills were uncertain, hitched a ride at the last minute. The first few weeks of the voyage, if uneventful, went according to plan. Calamity struck on March 23rd, three weeks out to sea, when the ship headed into a typhoon approximately 1,200 miles (1,900 km) west of Midway, where it was due to call on April 3. The closest friendly ship to the junk was the liner President Coolidge, 400 miles (640 km) away, and 1,180 miles (1,900 km) west of Midway Island, itself battling huge seas. It was presumed to be on its way to rendezvous with the beleaguered craft. Among the radio messages the liner received from the junk's Captain Welch was an ironically cheerful one: "Having a wonderful time. Wish you were here instead of me." As noted by the Coolidge, waves during those dire moments were estimated at 40 feet (12 m) high. The next message was different: "Southerly gale. Heavy Rain Squalls. High sea. Barometer 29.46. True course 100. Speed 5.5 knots. Position 1200 GCT 31.10 north 155.00 east. All well. When closer may we avail ourselves of your direction finder. Regards Welch." That was the last message heard from the junk. Until then, Halliburton had kept regular, if sporadic, contact with radio stations and trans-Pacific Ocean liners. At first the Coast Guard at Hawaii delayed searching for the missing ship, possibly thinking Halliburton staged his disappearance as a publicity stunt. After the Sea Dragon was a week overdue to call at Midway, on April 10, friends petitioned the Coast Guard to send a search vessel. A Yugoslavian freighter, SS Recina, was the first to arrive at the last reported position of Sea Dragon, on April 16. Later in May, an extensive US Navy search with several ships and scout planes, including USS Astoria, scouring 152,000 square miles (390,000 km2) over the course of many days, found no trace of the junk or the crew, and the effort was ended. By June, Halliburton's mother abandoned hope that he would be found alive. As with Amelia Earhart, many rumors and reports of Halliburton's fate continued to arise over the years, with fans hoping he might yet turn up alive.The ocean liner SS President Pierce, captained by Charles Jokstad, passed flotsam in the middle of the Pacific, covered with an estimated one year's growth of barnacles in 1940, believed to be from the wreck of the Sea Dragon, perhaps the ship's rudder. Later, in 1945 a 30-foot skeleton of a 150-foot boat of oriental design, mistaken by some as that of the 75-foot Sea Dragon, washed ashore in San Diego, California. Missing at sea since March 1939, Halliburton was declared dead on October 5, 1939, by the Memphis Chancery Court. His empty grave is at Forest Hill Cemetery in Memphis at the Halliburton family gravesite. His ghost is reputed to haunt his final residence, Hangover House, completed in 1938 by architect William Alexander Levy in Laguna Beach. Personal life Halliburton never married. In his teens he dated several young women and, as revealed in letters to them, was infatuated with at least two of them. As an adult, his companions were chiefly male. Among those romantically linked to him were film star Ramón Novarro and philanthropist Noël Sullivan, both of whom enjoyed, as Halliburton did, a bohemian lifestyle. Halliburton's most enduring relationship was with freelance journalist Paul Mooney, with whom he often shared living quarters and who assisted him with his written work. French police reports, dated 1935, noted the famed traveler's homosexual activity when in Paris at about the time of his planned crossing by elephant over the Alps: "Mr Halliburton is a homosexual well known in some specialized establishments. He is in the habit of soliciting on Saint-Lazare Street" (near the station of the same name). Private writing Halliburton admired English poet Rupert Brooke (1887–1915), whose beauty and patriotic verse captivated a generation. Halliburton intended to write his biography and kept ample notes for the task, interviewing in person or corresponding with prominent British literary and salon figures who had known Brooke, including Lady Violet Asquith Bonham-Carter, Walter de la Mare, Cathleen Nesbitt, Noel Olivier, Alec Waugh, and Virginia Woolf. Halliburton never began the book, but his notes were used by Arthur Springer to write Red Wine of Youth—A Biography of Rupert Brooke (New York: Bobbs-Merrill, 1952).A vigorous correspondent, Halliburton wrote numerous letters to fans, friends, editors, sponsors, and literary acquaintances. To his parents alone, he wrote well over a thousand letters; a large selection of these, edited in part by his father Wesley, was published in 1940 by Bobbs-Merrill as Richard Halliburton: His Story of His Life's Adventure As Told to His Mother and Father. Character of published work In his colorful and simply-told travel adventures Halliburton was the "innocent abroad", receptive to new ideas with a quiet erudition. He displayed a romantic readiness that shone through his best prose, prose at once picturesque, gently informative, extroverted, and personally confiding. He often described his attaching himself to a famous historic person (or key event for which that person was known) or to a revered place, such as the Taj Mahal. Acting as sort of an emcee, or performing some often cleverly garish stunt, he recalled that person and invoked a place associated with him; by so doing, he escorted readers to a different time and locale, with some reflective asides added for perspective into his narrative. Thus he duplicated Hannibal's crossing of the Alps by elephant – naming the pachyderm he had gotten from a Paris zoo Miss Elysabethe Dalrymple; he emulated Ulysses' myriad adventures in the Mediterranean dressed often as a beach-comber or playboy; he re-enacted Robinson Crusoe's island solitude, adopting a menagerie of domestic pets with names such as Listerine, Kitty and Susie. Examples of this cultural self-enlistment filled his work and helped define his public image. Of further note, he retraced the fateful expedition of Hernando Cortez to the heart of the Aztec Empire, like his hero Lord Byron, he swam the Hellespont, metaphorically bridging Europe and Asia, and he lived among the French Foreign Legion in North Africa. Halliburton was an early proponent of what Susan Sontag in her essay "Notes on 'Camp'" tagged "the theatricalization of experience." He did not just view legendary places and landscapes, but dramatized them, often by performing, in relationship to them, some athletic feat ultimately intended to thrill armchair travelers as well as to educate them: he swam the Panama Canal, climbed the Matterhorn and Mount Fuji (achieving its first documented winter ascent), and twice he descended into the Mayan Well of Death, the Sacred Cenote of Chichen Itza. The occasional trouble that he received from authorities only contributed to the excitement of his adventures. Such run-ins occurred when he breached security to take photos of the guns at Gibraltar and was arrested; again, when he attempted to enter Mecca, which is forbidden to non-Muslims; and yet again when he snuck past the gatekeepers at the Taj Mahal where, beneath a moonlit sky, he indulged in a swim in the sacred pool that faced the worshiped tomb. Halliburton's books were meant for the general reading public. Into households across America, they brought the world's many divergent peoples and cultures. Racist comments their author made, though for the time not unique to him, when revisited today, are unsettling. At times ethnocentric, he thought it "extraordinary" that "such a primitive race" as the Seri Indians residing in Lower California "should live so close to (presumably civilized) Hollywood." Of the blending of races and cultures he encountered, Halliburton attempted to be descriptive rather than judgmental. Still, intrigued by the "slim Sonias" working in Blood Alley in Shanghai, he seemed both amused and dismayed by the interracial mingling that their physical appearances suggested to him: "When Chinese blood and foreign blood are mixed, especially if the foreign blood is Russian, Portuguese or French, the devastating result is something to write home about." Halliburton's ideas on miscegenation are traceable partly to racist notions prevalant in his day. One source was Lothrop Stoddard's The Rising Tide of Color Against White World-Supremacy (1920), a work that is referred to in F. Scott's Fitzgerald's The Great Gatsby and retitled "The Rise of the Colored Empires" by "Goddard."Halliburton's love of the world's natural wonders, and such monuments of mankind that seemed best to compliment those wonders, derives in part from the Romanticism of poets William Wordsworth and Samuel Taylor Coleridge. His admiration may have been piqued by his exposure at Princeton to English Professor Henry Van Dyke, a popular essayist and poet of his time who was also a teacher of Halliburton's editor, David Laurance Chambers. Like them, Halliburton took a dim view of technology, and he gently urged that one see the world's marvels before "modern Progress" obliterated them.Halliburton was a cultural relativist; believing that "culture was king." He adhered to the credibility of multiple perspectives such as adopting the garb of a particular region by "going native". Perhaps this attitude explains his claim of having purchased a slave child in Africa; more likely the claim was made for shock interest; according to travel companion Moye Stephens, it did not happen. As a sort of cultural ambassador, he met heads of state from Peruvian dictator Augusto Leguia, to Emperor Haile Selassie of Ethiopia, to the Last Emperor of China, to King Feisal al Husain of Iraq and his son the Crown Prince.Over time Halliburton's social and political views shifted. An early letter (1923) expressed his "virulent antipathy for democracy as practiced in America" and a hatred "for the laboring class", but these views contrast with the plight he shared with the abused prisoners at Devil's Island, and is evident in some early maritime adventures of working alongside rough-hewn seamn. In "Straight Talk From Russia," in Seven League Boots (1935), he contrasted the suspension of freedoms in the Communist nation to the freedoms people enjoyed in democratic America, exuberantly praising the latter. In his last writings, done in collaboration with journalist Paul Mooney, the four letters (of a projected seven) comprising Letters from the Sea Dragon as well as in the fifteen articles comprising The Log of the Sea Dragon, their descriptions of the displacement of peoples engendered by the Japanese advance suggest the war-reportorial course his writing might have taken had he lived. A news correspondent's role is also suggested by his skilled interview with the executioner of the Romanovs, the last ruling dynasty of Russia. Distinguished by their readerliness, the essays of historic personages appearing in both his books and newspaper articles, notably of Spanish–American War hero Captain Richard Hobson and of Haitian leader Henri Christophe, show the skills of a natural biographer, and offer a further hint of career evolution; he may even have been moving toward a sort of proto-gonzo journalism. Legacy Publisher James O'Reilly, who reissued The Royal Road to Romance to celebrate the centenary of Halliburton's birth, characterized him: "From the Jazz Age through the Great Depression to the eve of World War II, he thrilled an entire generation of readers." He was "clever, resourceful, undaunted, cheerful in the face of dreadful odds, ever-optimistic about the world and the people around him, always scheming about his next adventure." He wrote that Halliburton's "manhood spanned the brief interval between the two World Wars" and acclaims him as a "spokesman for the youth of a generation". Halliburton insisted throughout his career on the importance of travel abroad as a means of self-improvement and discovery. He was an advocate by example of the 'grand tour' championed by monarchs and the upper classes from the days of Henry VIII through to the Belle Epoque, and he championed the study abroad programs featured in the curricula of many colleges and universities. Halliburton wanted to be remembered as the most-traveled man who ever lived, but he was surpassed by the contemporary globetrotters and influences, Burton Holmes and Harry Franck. In his day he had few rivals, though Carveth Wells (Adventure!), Eugene Wright (The Great Horn Spoon) and Martin and Osa Johnson (Safari) could equally captivate. Called the "Richard Halliburton of the occult," William Seabrook (1884-1945) (Jungle Ways) commanded nearly as wide a readership. For contemporaries Thomas Wolfe, F. Scott Fitzgerald, Corey Ford and Ernest Hemingway, Halliburton held some literary (and for humorist Ford, some satiric) appeal. Writers Paul Theroux, Jim Harrison and Susan Sontag, among others, acknowledged debts of gratitude for his influence on their work. Television news celebrity and author Walter Cronkite, who heard him lecture in the mid-1930s, credited Halliburton with steering him to a career in journalism. As the writer of a succession of bestsellers, and as a popular lecturer, Halliburton figured prominently in educating several generations of young Americans in the rudiments of geography, history and culture, especially through his two Books of Marvels, re-issued in one volume after his death. Two structures commemorate Halliburton: Hangover House in Laguna Beach, California, and the Memorial Tower at Rhodes College in Memphis, Tennessee. Architecture historian and writer Ted Wells considers Hangover House, which Halliburton commissioned, to be one of the "best modern houses in the United States". Nearly a quarter century after Halliburton's disappearance, his father donated $400,000 to build an imposing bell tower. It was dedicated in 1962 as the Richard Halliburton Memorial Tower; the elder man died the following year at age 95. In his Second Book of Marvels, Halliburton stated, "Astronomers say that the Great Wall is the only man-made thing on our planet visible to the human eye from the moon." Although untrue, this statement was a possible source for the urban legend that the Great Wall of China could be seen from space.The Richard Halliburton Papers are held at Princeton University Library and the Richard Halliburton Collection at Paul Barret, Jr. Library at Rhodes College.Beginning with Gerry Max's Horizon Chasers: The Lives and Adventures of Richard Halliburton and Paul Mooney published in 2007, a succession of books about Halliburton has appeared. John Hamilton's Journalism's Roving Eye: A History of American Newsgathering Abroad published in 2009, devotes considerable space to Halliburton and his contemporaries in the travel writing field. The Forgotten Adventures of Richard Halliburton: A High Flying Life from Tennessee to Timbuktu by R. Scott Williams appeared in 2014, American Daredevil: The Extraordinary Life of Richard Halliburton, the World's First Celebrity Travel Writer by Cathryn J. Prince in 2016, and Richard Halliburton and the Voyage of the Sea Dragon by Gerry Max in 2020. Of interest is Garrett Drake's fictional The Secret of the King's Tomb (one of a series) subtitled "a Richard Halliburton Adventure" (Green E-Book, 2019). The World War II liberty ship SS Richard Halliburton was named in his honor. Works Monographs— (1925). The Royal Road to Romance. Indianapolis, Indiana: The Bobbs-Merrill Company. Covering the Matterhorn, Andorra, the Alhambra, Seville, Gibraltar, Monte Carlo, the Nile, Punjab, Kashmir, Ladakh, the Khyber Pass, Angkor, Bangkok, Bali, Japan and the ascent of Mt. Fuji — (1927). The Glorious Adventure. Indianapolis, Indiana: The Bobbs-Merrill Company. Following the path of Ulysses around the Mediterranean — (1929). New Worlds to Conquer. Indianapolis, Indiana: The Bobbs-Merrill Company. Covering Central and South America, including the Panama Canal, the Mayan Well of Death, and Devil's Island — (1932). The Flying Carpet. Indianapolis, Indiana: The Bobbs-Merrill Company. See above — (1935). Seven League Boots. Indianapolis, Indiana: The Bobbs-Merrill Company. Covering Ethiopia, Russia, Arabia, the Alps — (1937). Richard Halliburton's Book of Marvels: the Occident. Indianapolis, Indiana: The Bobbs-Merrill Company. Originally titled Marvels of the West — (1938). Richard Halliburton's Second Book of Marvels: the Orient. Indianapolis, Indiana: The Bobbs-Merrill Company. — (1940). Richard Halliburton: His Story of His Life's Adventure, as Told in Letters to His Mother and Father. Indianapolis, Indiana: The Bobbs-Merrill Company. — (1941). Richard Halliburton's Complete Book of Marvels. Indianapolis, Indiana: The Bobbs-Merrill Company. — (1947). The Royal Adventures of Richard Halliburton. Indianapolis, Indiana: The Bobbs-Merrill Company. Republication of The Royal Road to Romance (1925), The Glorious Adventure (1927), and New Worlds to Conquer (1929) in a single volumeAs contributorIndia Speaks with Richard Halliburton, Grosset & Dunlap-Publishers, New York, 1933 "Richard Halliburton, who in the photoplay India Speaks, plays the part of a young American traveling in India and Tibet in search of adventure. The photographs that follow are stills selected from the film taken by several different cameramen sent to Asia for the purpose-film which supplies the authentic background for the photoplay." One Hundred Years of Delightful Indigestion – Memphis Priceless and Treasured Receipts, Introduction by Richard Halliburton, World Traveler, Author and Epicure (Memphis: James Lee Memorial Academy of Arts, 1935) Notes and references Further reading Alt, John H. Don't Die in Bed: The Brief, Intense Life of Richard Halliburton. Atlanta: Quincunx Press, 2013 Austen, Roger. Playing the Game: The Homosexual Novel in America. 1977 Blankenship, Michael. "A Fellow Traveler," The Advocate--The National Gay and Lesbian News Magazine, July 18, 1989, pp. 38-43. Cortese, James. Richard Halliburton's Royal Road. Memphis: White Rose Press, 1989 Deffaa, Chip. "On the Trail of Richard Halliburton '21: A Young Alumnus Searches for the Man Behind the Legend," Princeton Alumni Weekly, May 13, 1973. Gilliam, Ronald, "Richard Halliburton and Moye Stephens: Traveling Around the World in the Flying Carpet",Aviation History (date unclear) Heaver, Stuart. "Richard Halliburton: The Hero Time Forgot," South China Morning Post, March 23, 2014. Hochschild, Adam, American Midnight - The Great War, A Violent Peace, and Democracy's Forgotten Crisis. New York: Mariner Books/Harper/Collins Publishers, 2022. Max, Gerry. Horizon Chasers: The Lives and Adventures of Richard Halliburton and Paul Mooney. Jefferson, N.C.: McFarland & Co., 2007 Max, Gerry. "The Royal Road To Romance in the USA: Thomas Wolfe, Richard Halliburton, Eco-Tourism and Eco-Poetry", Thomas Wolfe Review, Volume 38, Nos. 1 & 2, 2014, pp. 80–94. Max, Gerry. Richard Halliburton and the Voyage of the Sea Dragon, Knoxville, Tennessee: University of Tennessee Press, 2020. Morris, Charles E. (III), "Richard Halliburton's Bearded Tales", Quarterly Journal of Speech, Vol. 95, No. 2, May 2009, pp. 123–147. Prince, Cathryn J. American Daredevil: The Extraordinary Life of Richard Halliburton, the World's First Celebrity Travel Writer. Chicago: Chicago Review Press, 2016. Root, Jonathan. Halliburton: The Magnificent Myth. New York: Coward-McCann, 1965. Schultz, Barbara H. Flying Carpets, Flying Wings: The Biography of Moye Stephens. Lancaster, California: Plane Mercantile, c2011. Schwartz, David M. "On the Royal Road to Adventures with 'Daring Dick.'" Smithsonian Magazine 19.12, March 1, 1989, pp. 159–160, 162–164, 166, 168, 170, 172, 174–178 Taylor, William R. A Shooting Star Meets the Well of Death, Why and How Richard Halliburton Conquered the World, Abbeville, SC: Moonshine Cove Publishing, 2013, ISBN 1937327353. Townsend, Guy. "Richard Halliburton: The Forgotten Myth" at the Wayback Machine (archived February 13, 2002), Memphis Magazine, originally published August 1977, reprinted April 2001 "Fair-Haired Carpeteer". Time. November 14, 1932. Archived from the original on April 12, 2010. Retrieved August 5, 2008., a 1932 Time magazine review of The Flying Carpet Wilde, Winston. Legacies of Love: A Heritage of Queer Bonding (Haworth Press) Williams, R. Scott. The Forgotten Adventures of Richard Halliburton: A High Flying Life From Tennessee to Timbuktu, Charleston, South Carolina: The History Press, c2014. External links Works by Richard Halliburton at Faded Page (Canada) Works by or about Richard Halliburton at Internet Archive Passage 4: Peter Levin Peter Levin is an American director of film, television and theatre. Career Since 1967, Levin has amassed a large number of credits directing episodic television and television films. Some of his television series credits include Love Is a Many Splendored Thing, James at 15, The Paper Chase, Family, Starsky & Hutch, Lou Grant, Fame, Cagney & Lacey, Law & Order and Judging Amy.Some of his television film credits include Rape and Marriage: The Rideout Case (1980), A Reason to Live (1985), Popeye Doyle (1986), A Killer Among Us (1990), Queen Sized (2008) and among other films. He directed "Heart in Hiding", written by his wife Audrey Davis Levin, for which she received an Emmy for Best Day Time Special in the 1970s. Prior to becoming a director, Levin worked as an actor in several Broadway productions. He costarred with Susan Strasberg in "[The Diary of Ann Frank]" but had to leave the production when he was drafted into the Army. He trained at the Carnegie Mellon University. Eventually becoming a theatre director, he directed productions at the Long Wharf Theatre and the Pacific Resident Theatre Company. He also co-founded the off-off-Broadway Theatre [the Hardware Poets Playhouse] with his wife Audrey Davis Levin and was also an associate artist of The Interact Theatre Company. Passage 5: Olav Aaraas Olav Aaraas (born 10 July 1950) is a Norwegian historian and museum director. He was born in Fredrikstad. From 1982 to 1993 he was the director of Sogn Folk Museum, from 1993 to 2010 he was the director of Maihaugen and from 2001 he has been the director of the Norwegian Museum of Cultural History. In 2010 he was decorated with the Royal Norwegian Order of St. Olav. Passage 6: Michael Govan Michael Govan (born 1963) is the director of the Los Angeles County Museum of Art. Prior to his current position, Govan worked as the director of the Dia Art Foundation in New York City. Early life and education Govan was born in 1963 in North Adams, Massachusetts, and was raised in the Washington D.C. area, attending Sidwell Friends School.He majored in art history and fine arts at Williams College, where he met Thomas Krens, who was then director of the Williams College Museum of Art. Govan became closely involved with the museum, serving as acting curator as an undergraduate. After receiving his B.A. from Williams in 1985, Govan began an MFA in fine arts from the University of California, San Diego. Career As a twenty-five year old graduate student, Govan was recruited by his former mentor at Williams, Thomas Krens, who in 1988 had been appointed director of the Solomon R. Guggenheim Foundation. Govan served as deputy director of the Solomon R. Guggenheim Museum under Krens from 1988 to 1994, a period that culminated in the construction and opening of the Frank Gehry designed Guggenheim branch in Bilbao, Spain. Govan supervised the reinstallation of the museum's permanent collection galleries after its extensive renovation. Dia Art Foundation From 1994 to 2006, Govan was president and director of Dia Art Foundation in New York City. There, he spearheaded the conversion of a Nabisco box factory into the 300,000 square foot Dia:Beacon in New York's Hudson Valley, which houses Dia's collection of art from the 1960s to the present. Built in a former Nabisco box factory, the critically acclaimed museum has been credited with catalyzing a cultural and economic revival within the formerly factory-based city of Beacon. Dia's collection nearly doubled in size during Govan's tenure, but he also came under criticism for "needlessly and permanently" closing Dia's West 22nd Street building. During his time at Dia, Govan also worked closely with artists James Turrell and Michael Heizer, becoming an ardent supporter of Roden Crater and City, the artists' respective site-specific land art projects under construction in the American southwest. Govan successfully lobbied Washington to have the 704,000 acres in central Nevada surrounding City declared a national monument in 2015. LACMA In February 2006, a search committee composed of eleven LACMA trustees, led by the late Nancy M. Daly, recruited Govan to run the Los Angeles County Museum of Art. Govan has stated that he was drawn to the role not only because of LACMA's geographical distance from its European and east coast peers, but also because of the museum's relative youth, having been established in 1961. "I felt that because of this newness I had the opportunity to reconsider the museum," Govan has written, "[and] Los Angeles is a good place to do that."Govan has been widely regarded for transforming LACMA into both a local and international landmark. Since Govan's arrival, LACMA has acquired by donation or purchase over 27,000 works for the permanent collection, and the museum's gallery space has almost doubled thanks to the addition of two new buildings designed by Renzo Piano, the Broad Contemporary Art Museum (BCAM) and the Lynda and Stewart Resnick Pavilion. LACMA's annual attendance has grown from 600,000 to nearly 1.6 million in 2016. Artist collaborations Since his arrival, Govan has commissioned exhibition scenography and gallery designs in collaboration with artists. In 2006, for example, Govan invited LA artist John Baldessari to design an upcoming exhibition about the Belgian surrealist René Magritte, resulting in a theatrical show that reflected the twisted perspective of the latter's topsy-turvy world. Baldessari has also designed LACMA's logo. Since then, Govan has also commissioned Cuban-American artist Jorge Pardo to design LACMA's Art of the Ancient Americas gallery, described in the Los Angeles Times as a "gritty cavern deep inside the earth ... crossed with a high-style urban lounge."Govan has also commissioned several large-scale public artworks for LACMA's campus from contemporary California artists. These include Chris Burden's Urban Light (2008), a series of 202 vintage street lamps from different neighborhoods in Los Angeles, arranged in front of the entrance pavilion, Barbara Kruger's Untitled (Shafted) (2008), Robert Irwin's Primal Palm Garden (2010), and Michael Heizer's Levitated Mass, a 340-ton boulder transported 100 miles from the Jurupa Valley to LACMA, a widely publicized journey that culminated with a large celebration on Wilshire Boulevard. Thanks in part to the popularity of these public artworks, LACMA was ranked the fourth most instagrammed museum in the world in 2016.In his first three full years, the museum raised $251 million—about $100 million more than it collected during the three years before he arrived. In 2010, it was announced that Govan will steer LACMA for at least six more years. In a letter dated February 24, 2013, Govan, along with the LACMA board's co-chairmen Terry Semel and Andrew Gordon, proposed a merger with the financially troubled Museum of Contemporary Art, Los Angeles and a plan to raise $100 million for the combined museum. Zumthor Project Govan's latest project is an ambitious building project, the replacement of four of the campus's aging buildings with a single new state of the art gallery building designed by architect Peter Zumthor. As of January 2017, he has raised about $300 million in commitments. Construction is expected to begin in 2018, and the new building will open in 2023, to coincide with the opening of the new D Line metro stop on Wilshire Boulevard. The project also envisages dissolving all existing curatorial departments and departmental collections. Some commentators have been highly critical of Govan's plans. Joseph Giovannini, recalling Govan's technically unrealizable onetime plan to hang Jeff Koons' Train sculpture from the facade of the Ahmanson Gallery, has accused Govan of "driving the institution over a cliff into an equivalent mid-air wreck of its own". Describing the collection merging proposal as the creation of a "giant raffle bowl of some 130,000 objects", Giovannini also points out that the Zumthor building will contain 33% less gallery space than the galleries it will replace, and that the linear footage of wall space available for displays will decrease by about 7,500 ft, or 1.5 miles. Faced with losing a building named in its honor, and anticipating that its acquisitions could no longer be displayed, the Ahmanson Foundation withdrew its support. On the merging of the separate curatorial divisions to create a non-departmental art museum, Christopher Knight has pointed out that "no other museum of LACMA's size and complexity does it" that way, and characterized the museum's 2019 "To Rome and Back" exhibition, the first to take place under the new scheme, as "bland and ineffectual" and an "unsuccessful sample of what's to come". Personal life Govan is married and has two daughters, one from a previous marriage. He and his family used to live in a $6 million mansion in Hancock Park that was provided by LACMA - a benefit worth $155,000 a year, according to most recent tax filings - until LACMA decided that it would sell the property to make up for the museum's of almost $900 million in debt [2]. That home is now worth nearly $8 million and Govan now lives in a trailer park in Malibu's Point Dume region. Los Angeles CA 90020 United States. He has had a private pilot's license since 1995 and keeps a 1979 Beechcraft Bonanza at Santa Monica Airport. Passage 7: Jesse E. Hobson Jesse Edward Hobson (May 2, 1911 – November 5, 1970) was the director of SRI International from 1947 to 1955. Prior to SRI, he was the director of the Armour Research Foundation. Early life and education Hobson was born in Marshall, Indiana. He received bachelor's and master's degrees in electrical engineering from Purdue University and a PhD in electrical engineering from the California Institute of Technology. Hobson was also selected as a nationally outstanding engineer.Hobson married Jessie Eugertha Bell on March 26, 1939, and they had five children. Career Awards and memberships Hobson was named an IEEE Fellow in 1948. Passage 8: India Speaks India Speaks is a 1933 Pre-Code adventure film, combining elements of documentaries and travelogue programs, mostly taking place on the Indian sub-continent along with staged bits spliced in to aid story flow. Produced by Walter Futter from a screenplay by Norman Houston, the film was directed, narrated and starring Richard Halliburton. A sequel to the popular film Africa Speaks!. Plot Ostensibly a filmed recollection of Richard Halliburton's travels on the Indian sub-continent, the film combined actual footage shot in India, with scenes which were created on the sound stages of Hollywood. Halliburton was a well-known adventurer of the day, having traveled the world extensively, and even becoming the first man to swim the Panama Canal. The film follows Halliburton's travels, from the Hindu temple of the Goddess of Kali, through the deserted temples of Angkor Wat, where he is tempted to try to gain a fortune in jewels, only to be thwarted by a guardian cobra. He watches as Hindu devotees wash away their sins in the Ganges River, and is discovered as he attempts to sneak into the great mosque in Delhi during the feast of Ramadan. He falls in love with a 16-year-old princess from Kashmir, only to have the relationship aborted by the weather, then becomes friends with a high-ranking Lama in Tibet. At one point, the film contains the first ever footage of ecstatic rites by Hindus, in the city of Madras, whereby they pierce their cheeks and tongues with sharp needles, and pull large carts which are attached to their bodies by means of hooks inserted in their flesh.The only credited cast member is Richard Halliburton, who stars as "The Adventurer", as well as being the narrator of the film. Production In 1932, United Artists reached an agreement with the producer, Walter Futter, to produce a dramatized version of a travelogue of the travels of the well-known adventurer, Richard Halliburton. In March 1933, the distribution rights were transferred to RKO Radio Pictures. The working title of this film was Jade, but was changed to India Speaks in January 1931. This film was the second in Futter's series of dramatic travelogues, the first being Africa Speaks.The cinematographers, Peverell Marley, Robert Connell, and H. T. Cowling, spent several months in India and southeast Asia, taking footage used in the film. While many industry sources of the period claimed that Halliburton had overseen the photography in Asia, in a personal appearance at Radio City Music Hall, admitted that he had not been in Asia while the footage was being shot. This point is also highlighted by Futter in an on-screen forward to the film.The film's release was delayed when Futter developed a case of pneumonia. Controversy arose after the film was released, with one of the cameramen, Herford Tynes Cowling (H.T. Cowling), claiming to be the producer of the film, and that his footage was being misused. He filed a grievance with the Federal Trade Commission to bar the film from being shown, but no record exists that the grievance was successful. Reception Most of the reviews at the time were positive. Screenland stated that "Though some of the picture bears the obvious stamp of Hollywood, as a whole it is fairly interesting." The New York American called the picture "a fascinating film record of the eternal Mother India ... rest assured that you'll applaud the offering as did the first audiences." The Daily News called it "thrilling", while Film Daily described it as an "Exciting, interesting and thrilling adventure film with unusually fine narrative."However, Variety said of the film, "It turns out to be a wearisome 80 minutes of travelog, irritatingly interrupted by indifferent acting"; and Mordaunt Hall of The New York Times called it "a curious concoction of fact and fiction". Preservation status This is now considered a lost film. Popular culture The title of this film, along with other films with similar titles such as Africa Speaks! and Mussolini Speaks, gave Duke Ellington the idea to call his song "Harlem Speaks". The film was also made into a novel, although it is not clear whether this happened before or after the film was released to the public. The book was written by Will C. Murphey. See also List of lost films Passage 9: Ian Barry (director) Ian Barry is an Australian director of film and TV. Select credits Waiting for Lucas (1973) (short) Stone (1974) (editor only) The Chain Reaction (1980) Whose Baby? (1986) (mini-series) Minnamurra (1989) Bodysurfer (1989) (mini-series) Ring of Scorpio (1990) (mini-series) Crimebroker (1993) Inferno (1998) (TV movie) Miss Lettie and Me (2002) (TV movie) Not Quite Hollywood: The Wild, Untold Story of Ozploitation! (2008) (documentary) The Doctor Blake Mysteries (2013) Passage 10: Dana Blankstein Dana Blankstein-Cohen (born March 3, 1981) is the executive director of the Sam Spiegel Film and Television School. She was appointed by the board of directors in November 2019. Previously she was the CEO of the Israeli Academy of Film and Television. She is a film director, and an Israeli culture entrepreneur. Biography Dana Blankstein was born in Switzerland in 1981 to theatre director Dedi Baron and Professor Alexander Blankstein. She moved to Israel in 1983 and grew up in Tel Aviv. Blankstein graduated from the Sam Spiegel Film and Television School, Jerusalem in 2008 with high honors. During her studies she worked as a personal assistant to directors Savi Gabizon on his film Nina's Tragedies and to Renen Schorr on his film The Loners. She also directed and shot 'the making of' film on Gavison's film Lost and Found. Her debut film Camping competed at the Berlin International Film Festival, 2007. Film and academic career After her studies, Dana founded and directed the film and television department at the Kfar Saba municipality. The department encouraged and promoted productions filmed in the city of Kfar Saba, as well as the established cultural projects, and educational community activities. Blankstein directed the mini-series "Tel Aviviot" (2012). From 2016-2019 was the director of the Israeli Academy of Film and Television. In November 2019 Dana Blankstein Cohen was appointed the new director of the Sam Spiegel Film and Television School where she also oversees the Sam Spiegel International Film Lab. In 2022, she spearheaded the launch of the new Series Lab and the film preparatory program for Arabic speakers in east Jerusalem. Filmography Tel Aviviot (mini-series; director, 2012) Growing Pains (graduation film, Sam Spiegel; director and screenwriter, 2008) Camping (debut film, Sam Spiegel; director and screenwriter, 2006)

doc_21

Passage 1: Konstantin Lopushansky Konstantin Sergeyevich Lopushansky (Russian: Константин Сергеевич Лопушанский; born June 12, 1947) is a Soviet and Russian film director, film theorist and author. He is best known for directing the apocalyptic and post-apocalyptic films Dead Man's Letters (1986), A Visitor to a Museum (1989), Russian Symphony (1994), and The Ugly Swans (2006). In 1997, Lopushansky was awarded the Honored Artist of the Russian Federation honorary title. In 2007, he was awarded the People's Artist of Russia honorary title, the highest Russian civilian honor for performing arts. Biography Early life Konstantin Lopushansky was born on June 12, 1947, in Dnepropetrovsk, Ukrainian SSR. His mother was Sofia Petrovna Lopushanskaya, who worked as a linguistic professor at Volgograd State University. His father was Sergei Timofeyevich Lopushansky, a front-line soldier who died in 1953 from wounds he sustained in war. Education and early career In 1970, Konstantin Lopushansky graduated from Kazan Conservatory as a violinist, and in 1973 he completed a postgraduate course at Leningrad Conservatory with a Ph.D. thesis in art criticism. Afterwards, Lopushansky taught at the Kazan and Leningrad conservatories for several years. Lopushansky took higher courses for scriptwriters and film directors from the director's department at the workshop of Emil Loteanu.Upon graduating from the directorial courses in 1979, Lopushansky assisted Andrei Tarkovsky in directing the legendary film Stalker, based on the novel Roadside Picnic by Boris Strugatsky.Lopushansky's thesis film Solo made in 1980 was about a musician playing his last concert during the Siege of Leningrad.Since 1980 Lopushansky has worked as a production director at the Lenfilm cinema studio. Dead Man's Letters and breakthrough In 1986, Konstantin Lopushansky made his feature film directorial debut with the post-apocalyptic film Dead Man's Letters, which was co-written by Boris Strugatsky. It was screened at the International Critics' Week section of the Cannes Film Festival in 1987 and received the FIPRESCI prize at the 35th International Filmfestival Mannheim-Heidelberg.Lopushanksy's 1989 film A Visitor to a Museum was entered into the 16th Moscow International Film Festival where it won the Silver St. George and the Prix of Ecumenical Jury.Lopushansky's 1994 film Russian Symphony was screened in the Forum section of the 45th Berlin International Film Festival where it received the Prize of the Ecumenical Jury.Lopushansky made the 2006 film The Ugly Swans, based on the novel by Arkady and Boris Strugatsky. The science-fiction film was about a writer who visits a boarding school for gifted children where the teachers are mutants.Lopushansky's 2013 drama film The Role told the story of an actor who decides to impersonate a deceased commander of the Red Army. It was shown in competition at the 35th Moscow International Film Festival. It received the Nika Award for Best Screenplay.Konstantin Lopushansky's drama film Through the Black Glass was released in 2019. Filmography Passage 2: Vyacheslav Rybakov Vyacheslav Rybakov (Russian: Вячеслав Михайлович Рыбаков; born January 1954 in Leningrad), is a Russian science fiction author and an orientalist, interested in the medieval bureaucracy of China. He is a frequent collaborator with science fiction director Konstantin Lopushansky. Screenwriting for his films The Ugly Swans, based on the 1972 novel by Arkady and Boris Strugatsky. As well as Dead Man's Letters in 1986, which he would later receive a Governmental Award of the RSFSR for the screenplay in 1987 after its premiere at the Toronto Film Festival. Biography Rybakov graduated from the Oriental Studies Department of the Leningrad State University in 1976, mostly focusing on writings about the medieval bureaucracy of China and started. Soon after he studied at the Leningrad branch of the USSR Academy of Sciences Oriental Institute where he was able to publish over 40 thesis papers. While studying at Leningrad, the KGB had gained access to rough drafts of his anti-Soviet novel Trust due to Rybakov sending drafts to friends and classmates. This resulted in the copies being seized by the KGB and a warning. Although the KGB has checked in with Rybakov several years later, Rybakov insisted on writing the final draft of the novel using previous remaining drafts and memory. The novel was later published a decade later. In 1983, Rybakov had met Konstantin Lopushansky to discuss writing the screenplay for his film Dead Man's Letters. The process of developing the film allowed both artists to freely express their visions for the production of the film and further productions further on, this was a stark contrast to Russia's strict censorship rules at the time. Science fiction Among Rybakov's works were first published and include the prize-winning novels: Fireplace on a Tower (Ochag na bashne, 1990), and Gravilyot Tsesarevitch (1993) which depicts an alternative world featuring a Russian Empire in which communism is merely a religion, and our world is just an insane scientific experiment. His Death of Ivan Ilyich (1997) reveals the inner world of a contemporary person in a moment before his death. The novel Na budushchiy god v Moskve (In the adjacent year in Moscow, 2003) explores a Russia torn apart into small, poor countries, ruled by those idealists of the late Soviet Union who sincerely hated totalitarianism but didn't notice any good features of the nation, ruined the whole system of government and survived with help of the West. In the story, space is ruled by Darths and Vaders, and a Russian rocket scientist Ivan Obiwankin attempts to resurrect his people's feelings of nationalism by launching his own space ship. Rybakov preaches equality of cultures and states that cultures are often based on restrictions, and that simply removing the restrictions as anti-democratic may ruin the culture. Rybakov's novel also examines the Russian mentality, criticizing its tendency to understand and agree with the positions of others as an inappropriate way to deal with the encroaching Western civilization. He argues that all living civilizations are unique, and that in the future it may become essential to save some other civilization from stagnation, because a world ruled by only one civilization has no future. He shows through an example of the ruined family of the main character Alexey that, "the surest way for you to cease being esteemed and appreciated... even just loved... is to implicitly cede something essential and principal." Vyacheslav Rybakov and Igor Alimov were also the authors of There are no bad people. The work was originally attributed to Holm van Zaichik but was later proved to be a hoax. The series tells the story of the world of the Orduss, a fictional country with a humane and rich culture, that unifies lands of China, Russia and the Near East. English translations Artist (Story) The Trial Sphere (Story) Passage 3: The Dance of Death (1948 film) The Dance of Death (French: La danse de mort, Italian: La prigioniera dell'isola) is a 1948 French-Italian drama film directed by Marcel Cravenne and starring Erich von Stroheim, Denise Vernac and Palau. It is based on August Strindberg's The Dance of Death. The film's sets were designed by Georges Wakhévitch. Plot An egocentric artillery Captain and his venomous wife engage in savage unremitting battles in their isolated island fortress off the coast of Sweden at the turn of the century. Alice, a former actress who sacrificed her career for secluded military life with Edgar, reveals on the occasion of their 25th wedding anniversary, the veritable hell their marriage has been. Edgar, an aging schizophrenic who refuses to acknowledge his severe illness, struggles to sustain his ferocity and arrogance with an animal disregard for other people. Sensing that Alice, together with her cousin and would-be lover, Kurt, may ally against him, retaliates with vicious force. Alice lures Kurt into the illusion of sharing a passionate assignation and recruits him in a plot to destroy Edgar. Cast Erich von Stroheim as Edgar Denise Vernac as Théa Palau as Le sergent / Il sergente Massimo Serato as Stéphane / Stefano Paul Oettly as Le général / Il generale Marie Olivier Henri Pons as Le timonier / Il timoniere Roberto Villa Galeazzo Benti Margo Lion as Mathilde - la servante Jean Servais as Kurt María Denis as Rita Roberto Bertea Passage 4: Dead Man's Letters Dead Man's Letters (Russian: Письма мёртвого человека, romanized: Pis'ma myortvogo cheloveka), also known as Letters from a Dead Man, is a 1986 Soviet post-apocalyptic drama film directed and written by Konstantin Lopushansky. He wrote it along with Vyacheslav Rybakov and Boris Strugatsky. It marks his directorial debut. The film was screened at the International Critics' Week section of the Cannes Film Festival in 1987 and received the FIPRESCI prize at the 35th International Filmfestival Mannheim-Heidelberg.In the aftermath of nuclear apocalypse, a group of people are forced to live underground in bunkers. They cannot go outside their dwellings without wearing protective clothing and gas masks. They try to find hope in the disturbing new world. Among these people is a history teacher who tries to contact via letters his missing son. Plot The film is set in a town after a nuclear war; the town is destroyed and polluted with radioactive elements. The main character, Professor Larsen, played by Rolan Bykov, is a Nobel Prize in Physics laureate, who lives in the basement of a museum along with his sick wife and several other people who used to work at the museum. He often writes letters to his son Eric, though he has no way of contacting him. Larsen believes the war has ended and that more surviving humans exist outside the central bunker, but nobody else believes his theories. Larsen visits an orphanage where the current caretaker of the surviving children explains that she's thinking of evacuating to the central bunker, though may have to leave the children behind as they likely won't be allowed in since they're sick, to Larsen's disapproval. Larsen is informed that he also might be rejected from entering the central bunker due to his old age. With his wife's health declining, Larsen sneaks past several soldiers during curfew hours and attempts to find medicine for his wife, escaping from a military raid in the process. When he returns to the museum's basement, however, he finds that his wife died. The other museum employees bury her body. In one of his letters to Eric, Larsen tells a darkly humorous story on how someone failed to prevent the nuclear war. According to him, an operator from an electronics center had a chance to cancel the first missile launch (which happened due to a computer error), but was unable to reach the computer in time to abort the launch as he was slowed down by a cup of coffee in his hands. The operator then hung himself in return. Larsen makes a trip to the central bunker in an effort to find Eric. After sneaking into a medical facility, he enters the children's department, only to find all the children sick, injured, and screaming in agony, much to Larsen's horror. After returning to the museum's basement, he finds that a museum employee is about to take his life as he thinks the history of mankind has ended and that mankind was doomed from the very beginning. He then leaves the group, lies down in a grave, and shoots himself dead, to the horror of his son. Later, while salvaging books from a flooded library, Larsen talks with a man who disagrees with his theory on how there's hope for mankind, referencing how Jesus said mankind was doomed. Larsen visits the orphanage where he learns the children were rejected from entering the central bunker. The caretaker leaves the children for Larsen to look after, as she is evacuating to the central bunker herself. The remaining museum employees also evacuate to the central bunker, though Larsen stays behind to look after the children (it's assumed they're the only people left in the town). On Christmas Day, Larsen creates a makeshift Christmas tree out of sticks and candles while the children design Christmas ornaments to decorate it with. In his final letter to Eric, Larsen writes that he finally found purpose in life and that he hopes his son doesn't leave him alone in the world. The final scene is narrated by one of the children Larsen looked after, who explains that Larsen died some time later. On his deathbed, he told the children to leave the museum and find somewhere else to go while they have the strength, still believing that life exists elsewhere. The film ends with the children wandering through the apocalyptic landscape together, their fates unknown. Cast Rolan Bykov - Professor Larsen Vatslav Dvorzhetsky - Pastor Vera Mayorova - Anna Vadim Lobanov Viktor Mikhaylov Svetlana Smirnova - Theresa Vladimir Bessekernyh Vyacheslav Vasiliev - doctor dosimetrist Natalya Vlasova Themes Due to the heated climate between North America and Russia during the events of The Cold War, many critics believe that Dead Man's Letters is a response to American films like WarGames and The Day After discussing their perspective on the Nuclear Arms Race. TBS purchased the rights to show Dead Man's Letters, deciding to air it alongside Amerika, a twelve-hour ABC miniseries about what the United States would be like as a Soviet satellite state. The heavy reliance on themes like warfare, uncertainty, and grief as well as Americans involved in the war are interwoven through the production design from Yelena Amshinskaya and Viktor Ivanov. The use of defense equipment in the film, including gas masks and shelter equipment, makes its portrayal of a post-nuclear setting an eerie mirror image of the Soviet program. Production Around the time the film started production, it was common knowledge that Russia had a strict censorship policy following the death of Stalin, resulting in a three year waiting period for Lopushansky and the crew consisting of various re-rewrites, possibly most likely due to Vyacheslav Rybakov's involvement with anti-Soviet literature and run-ins with the KGB. However, censorship started to loosen around the mid to late 80s towards discussing sensitive topics regarding current or previous events in Russia's history, so producers and film studios became more lenient with what was shown in cinemas. Gorbachev established a policy of allowing more open discussion of previously sensitive political issues making it possible for well connected civil defense skeptics to popularize their views. The patronage of Anatoly Gromyko-historian, member of the USSR Academy of Sciences, and son of Soviet foreign minister Andrei Gromyko enabled the production by Lenfilm in 1986 of the first portrayal of the aftermath of nuclear war in Soviet cinema.Before production started on this film and his short Solo, Lopunshansky served as an apprentice for Tarkovsky and would later work as a production assistant for his 1979 film Stalker. Tarkovsky's teachings played a huge influence on Lopushansky's directing style as well as many aspects of the film from the set design, cinematography, and signature slow yet otherworldly pacing. In a 2017 interview with Indie Cinema, Lopunshansky states "I noticed that his lectures, in fact, are not about certain professional skills, but are more philosophical, about understanding the essence of art, its essence." This can be seen through the film's brutal realism and constant feelings of hopelessness and confusion, a sentiment shared with by various members of the crew. The use of monochrome coloring on the film stock gives a resemblance to the greenish tint seen in various scenes in Stalker, in order to give the film a more foreboding atmosphere. Reception In 1989, The New York Times published a somewhat positive review of the film. Praising the film for its brutal realism and stunning set design, but found that the film was somewhat dismissed by its meandering in certain scenes stating "despite its technical virtues, seems just a bit too contrived to truly convince, much less to deeply move. Yet, in stripping the ideological gloss from the vision of ultimate calamity, Mr. Lopushinsky does succeed in creating a cultural artifact that makes the specter of the most dreadful possible event common to both sides of the superpower divide". See also Vyacheslav Rybakov List of nuclear holocaust fiction Nuclear weapons in popular culture Passage 5: Michael Verhoeven Michael Verhoeven (born 13 July 1938) is a German film director. Life and work Verhoeven is the son of the German film director Paul Verhoeven (not to be confused with the Dutch film director Paul Verhoeven). He married actress Senta Berger in 1966; their sons are actor-director Simon Verhoeven (born 1972) and actor Luca Verhoeven (born 1979). Together, the couple have a production company to make films. The 1970 anti-Vietnam War film, o.k. was entered into the 20th Berlin International Film Festival, but led to a scandal that forced the collapse of the festival without the awarding of any prizes.In 1982, Verhoeven released Die weiße Rose (The White Rose), which, with the Best Foreign film nomination of Das schreckliche Mädchen (The Nasty Girl) in 1990, cemented his reputation as an important political contributor to German film. Along with his films My Mother's Courage and documentary Der unbekannte Soldat (The Unknown Soldier), they have been hailed as an unstinting examination of Germany's Nazi period. In 1992, he was a member of the jury at the 42nd Berlin International Film Festival. Awards 1990 Silver Bear for Best Director, 40th Berlin International Film Festival for The Nasty Girl 1995 Bavarian Film Awards, Best Production 2006 Bavarian Film Awards, Honorary Award Selected filmography Director Film The Dance of Death (1967) – based on The Dance of Death by August Strindberg Up the Establishment (1969) – screenplay by Franz Geiger Student of the Bedroom (1970) – screenplay by Volker Vogeler, based on a novel by Finn Søeborg o.k. (1970) He Who Loves in a Glass House (1971) MitGift (1976) Scrounged Meals (1977) – screenplay by Elke Heidenreich and Bernd Schroeder Sunday Children (1980) – based on a play by Gerlind Reinshagen Die weiße Rose (1982) Killing Cars (1986) The Nasty Girl (1990) My Mother's Courage (1995) – based on a story by George Tabori Let's Go! (2014) – based on an autobiographical novel by Laura WacoTelevision Der Kommissar: Dr. Meinhardts trauriges Ende (1970, TV series episode) Tatort: Kressin und der Mann mit dem gelben Koffer (1972, TV series episode) Ein unheimlich starker Abgang (1973) – based on a play by Harald Sommer Krempoli – Ein Platz für wilde Kinder (1975, TV series) Die Herausforderung (1975) – screenplay by Elke Heidenreich and Bernd Schroeder Bier und Spiele (1977, TV series) – screenplay by Bernd Schroeder Das Männerquartett (1978) – based on a novel by Leonhard Frank 1982: Gutenbach (1978) – screenplay by Michael Mansfeld Verführungen (1979) – screenplay by Elke Heidenreich Freundinnen: Edith und Marlene (1979, TV series episode) – screenplay by Elke Heidenreich and Irene Rodrian Am Südhang (1980) – screenplay by Manfred Bieler, based on a novella by Eduard von Keyserling Die Ursache (1980) – based on a novella and a play by Leonhard Frank Die Mutprobe (1982) Das Tor zum Glück (1984) Stinkwut (1986) – based on a play by Fitzgerald Kusz Gundas Vater (1987) Gegen die Regel (1987) – screenplay by Daniel Christoff Ignaz Semmelweis – Arzt der Frauen (1988) – biographical film about Ignaz Semmelweis Die schnelle Gerdi (1989, TV series) Schlaraffenland (1990) Lilli Lottofee (1992, TV series) Eine unheilige Liebe (1993) Zimmer mit Frühstück (2000) – screenplay by Conny Lens Enthüllung einer Ehe (2000) – screenplay with Nicole Walter-Lingen Die schnelle Gerdi, second season (2004, TV series) Tatort: Die Spieler (2005, TV series episode) Bloch: Vergeben, nicht vergessen (2008, TV series episode) Bloch: Heißkalte Seele (2012, TV series episode) Bloch: Die Lavendelkönigin (2013, TV series episode) Glückskind (2014) – based on a novel by Steven UhlyDocumentary and short films Tische (1970) Bonbons (1971) Coiffeur (1973) Liebe Melanie (1983) – film about Melanie Horeschowsky Das Mädchen und die Stadt oder: Wie es wirklich war (1990) The Legend of Mrs. Goldman and the Almighty God (1996) – with George Tabori George Tabori – Theater ist Leben (1998) – film about George Tabori Der Fall Liebl (2001) Die kleine Schwester – Die weiße Rose: Ein Vermächtnis (2002) Der unbekannte Soldat (The Unknown Soldier, 2006) Menschliches Versagen (Human Failure, 2008) The Second Execution of Romell Broom (2012) Producer Die Spider Murphy Gang (dir. Georg Kostya, 1983) Welcome to Germany (dir. Simon Verhoeven, 2016) Actor The Flying Classroom (1954), as Ferdinand Marianne of My Youth (1955), as Alexis The Crammer (1958), as Peter Wieland That's No Way to Land a Man (1959), as Horst Burkhardt The Juvenile Judge (1960), as Fred Kaiser Mit 17 weint man nicht (1960), as Richard Denger The House in Montevideo (1963), as Herbert Tales of a Young Scamp (1964), as Karl Schultheiss Onkel Filser – Allerneueste Lausbubengeschichten (1966), as Karl Schultheiss Der Kommissar: Dr. Meinhardts trauriges Ende (1970, TV series episode), as Harro Vogt Der Kommissar: Kellner Windeck (1971, TV series episode), as Johannes Windeck Passage 6: W. Augustus Barratt W. Augustus Barratt (3 June 1873 – 12 April 1947) was a Scottish-born, later American, songwriter and musician. Early life and songs Walter Augustus Barratt was born 3 June 1873 in Kilmarnock, the son of composer John Barratt; the family later lived in Paisley. In 1893 he won a scholarship for composition to the Royal College of Music. In his early twenties he contributed to The Scottish Students' Song Book, with three of his own song compositions and numerous arrangements. By the end of 1897 he had published dozens of songs, such as Sir Patrick Spens, The Death of Cuthullin, an album of his own compositions, and arrangements of ten songs by Samuel Lover. He then, living in London, turned his attention to staged musical comedy, co-creating, with Adrian Ross, The Tree Dumas Skiteers, a skit, based on Sydney Grundy's The Musketeers that starred Herbert Beerbohm Tree. He co-composed with Howard Talbot the successful Kitty Grey (1900).He continued to write songs and to receive recognition for them. The 1901 and 1902 BBC Promenade Concerts, "The Proms", included four of his compositions, namely Come back, sweet Love, The Mermaid, My Peggy and Private Donald. His setting of My Ships, a poem by Ella Wheeler Wilcox, was performed by Clara Butt and republished several times. It also appeared four times, with different singers, in the 1913 and 1914 Proms. America In September 1904 he went to live in New York City, finding employment with shows on Broadway, including the following roles: on-stage actor (Sir Benjamin Backbite) in Lady Teazle (1904-1905), a musical version of The School for Scandal; musical director of The Little Michus (1907), also featuring songs by Barratt; co-composer of Miss Pocahontas (1907), a musical comedy; musical director of The Love Cure (1909–1910), a musical romance; composer of The Girl and the Drummer (1910), a musical romance with book by George Broadhurst. Tried out in Chicago and elsewhere, it did not do well and never reached Broadway; musical director of The Quaker Girl (1911–1912); co-composer and musical director of My Best Girl (1912); musical director of The Sunshine Girl (1913); musical director of The Girl who Smiles (1915), a musical comedy; musical director and contributor to music and lyrics of Her Soldier Boy (1916–1917); composer, lyricist and musical director of Fancy Free (1918), with book by Dorothy Donnelly and Edgar Smith; contributor of a song to The Passing Show of 1918; composer and musical director of Little Simplicity (1918), with book and lyrics by Rida Johnson Young; contributor of lyrics to The Melting of Molly (1918–1919), a musical comedy; musical director of What's in a Name? (1920), a musical revue 1921 in London Though domiciled in the US, he made several visits back to England. During an extended stay in 1921 he played a major part in the creation of two shows, both produced by Charles B. Cochran, namely League of Notions, at the New Oxford Theatre, for which he composed the music and co-wrote, with John Murray Anderson, the lyrics; Fun of the Fayre, at the London Pavilion, for which similarly he wrote the music and co-wrote the lyrics Back to Broadway Back in the US he returned to Broadway, working as composer and lyricist of Jack and Jill (1923), a musical comedy; musical director of The Silver Swan (1929), a musical romance Radio plays In later years he wrote plays and operettas mostly for radio, such as: Snapshots: a radioperetta (1929) Sushannah and the Brush Wielders: a play in 1 act (1929) The Magic Voice: a radio series (1933) Men of Action: a series of radio sketches (1933) Say, Uncle: a radio series (1933) Sealed Orders: a radio drama (1934) Sergeant Gabriel (with Hugh Abercrombie) (1945) Personal In 1897 in London he married Lizzie May Stoner. They had one son. In 1904 he emigrated to the US and lived in New York City. His first marriage ended in divorce in 1915 and, in 1918, he married Ethel J Moore, who was American. In 1924, he became a naturalized American citizen. He died on 12 April 1947 in New York City. Note on his first name The book British Musical Biography by Brown & Stratton (1897) in its entry for John Barratt refers to "his son William Augustus Barratt" with details that make it clear that Walter Augustus Barratt is the same person and that a "William" Augustus Barratt is a mistake. For professional purposes up to about 1900 he appears to have written as "W. Augustus Barratt", and thereafter mostly as simply "Augustus Barratt". Passage 7: Dance of Death (film) Dance of Death, also called Danse Macabre, is a late-medieval allegory of the universality of death. Dance of Death or The Dance of Death may also refer to: Books Dance of Death, a 1938 novel by Helen McCloy Dance of Death (Stine novel), a 1997 novel by R. L. Stine Dance of Death (novel), a 2005 novel by Douglas Preston and Lincoln Child Theatre and film The Dance of Death (Strindberg play), a 1900 play by August Strindberg The Dance of Death, a 1908 play by Frank Wedekind The Dance of Death (Auden play), a 1933 play by W. H. Auden Film The Death Dance, a 1918 drama starring Alice Brady The Dance of Death (1912 film), a German silent film The Dance of Death (1919 film), an Austrian silent film The Dance of Death (1938 film), crime drama starring Vesta Victoria; screenplay by Ralph Dawson The Dance of Death (1948 film), French-Italian drama based on Strindberg's play, starring Erich von Stroheim The Dance of Death (1967 film), a West German drama film Dance of Death or House of Evil, 1968 Mexican horror film starring Boris Karloff Dance of Death (1969 film), a film based on Strindberg's play, starring Laurence Olivier Dance of Death (1979 film), a Hong Kong film featuring Paul Chun Music Dance of Death (album), a 2003 album by Iron Maiden, or the title song The Dance of Death & Other Plantation Favorites, a 1964 album by John Fahey The Dance of Death (Scaramanga Six album) "Death Dance", a 2016 song by Sevendust See also Dance of the Dead (disambiguation) Danse Macabre (disambiguation) Bon Odori, a Japanese traditional dance welcoming the spirits of the dead La danse des morts, an oratorio by Arthur Honegger Totentanz (disambiguation) Passage 8: The Dance of Death (1967 film) The Dance of Death (German: Paarungen) is a 1967 West German drama film directed by Michael Verhoeven and starring Lilli Palmer, Paul Verhoeven and Karl Michael Vogler. It is an adaptation of August Strindberg's play of the same title. It was shot in Eastmancolor. Plot An egocentric artillery Captain and his venomous wife engage in savage unremitting battles in their isolated island fortress off the coast of Sweden at the turn of the century. Alice, a former actress who sacrificed her career for secluded military life with Edgar, reveals on the occasion of their 25th wedding anniversary, the veritable hell their marriage has been. Edgar, an aging schizophrenic who refuses to acknowledge his severe illness, struggles to sustain his ferocity and arrogance with an animal disregard for other people. Sensing that Alice, together with her cousin and would-be lover, Kurt, may ally against him, retaliates with vicious force. Alice lures Kurt into the illusion of sharing a passionate assignation and recruits him in a plot to destroy Edgar. Cast Lilli Palmer as Alice Paul Verhoeven as Edgar Karl Michael Vogler as Kurt Ilona Grübel as Judith Michael von Harbach as Allan Melanie Horeschowsky as Maja Dietrich Kerky as Prisoner Dieter Klein as Ekmark Inken Sommer as Jenny Passage 9: Elsa Barker Elsa Barker (1869–1954) was an American novelist, short-story writer and poet. She became best known for Letters from a Living Dead Man (1914), War Letters from the Living Dead Man (1915), and Last Letters From the Living Dead Man (1919), books containing what she said were messages from a dead man produced through automatic writing. Biography Barker was born in 1869 in Leicester, Vermont to Albert G. and Louise Marie Barker, both of whom died while she was young. Her earliest work was as a shorthand reporter, teacher, and newspaper writer. She was an editor of the Consolidated Encyclopedia Library in 1901, was a lecturer for the New York Board of Education in 1904-1905, and was on the editorial staff of Hamptons magazine in 1909-1910. She also authored a "labor play", The Scab, produced in New York and Boston in 1904-1906. Her first novel, The Son of Mary Bethel, was published in 1909.Barker's father had been interested in the occult and she shared this interest, becoming a member of the Theosophical Society. She also was initiated into the Rosicrucian Order of Alpha et Omega.Barker lived in Europe from 1910 to 1914, first in Paris and then in London. She was in London at the outbreak of World War I. In 1912, while in Paris, she felt compelled to write a passage, although she said she did not know where the words came from. She said she was "strongly impelled to take up a pencil and write." She signed the passage "X", which at first meant nothing to her. She was told that "X" was the nickname of a Los Angeles judge called David P. Hatch and then discovered that Hatch had died before she "received" the message. In 1914 she published a book of these messages called Letters from a Living Dead Man. She said that the passages were genuine messages from the dead man and Hatch's son also believed that the communications were from his father. She published two more volumes of Hatch's messages — War Letters from the Living Dead Man (1915), and Last Letters From the Living Dead Man (1919). Around the time of the publication of War Letters from the Living Dead Man in 1915, Barker developed an interest in psychoanalysis. By 1919 she was studying 14 hours a day. From 1928 to 1930 she lived on the French Riviera. Barker died August 31, 1954. Selected works The Son of Mary Bethel (1909) The Frozen Grail & Other Poems (1910) Stories from the New Testament for Children (1911) The Book of Love (1912) Letters from a Living Dead Man (1914, 1920) War Letters from the Living Dead Man (1915) Songs of a Vagrom Angel (1916) Last Letters From the Living Dead Man (1919) Fielding Sargent (1922) The Cobra Candlestick (1928) The C.I.D. of Dexter Drake (1929) The Redman Cave Murder (1930) Passage 10: Avenger X Avenger X (Italian: Mister-X) is a 1967 film based on the Italian comic series Mister-X. Plot George Lamarro is the head of a pharmaceutical company that is also involved in the production and distribution of illegal narcotics. When his secretary attempts to blackmail him for a share of the profits and his hand in marriage, he has her killed with her death arranged in a way to implicate a master criminal called "Mister X" who is a master of disguise, efficient killer and professional golf champion. The real Mister X uses his skills to discover the criminals are involved in a scheme by an unnamed foreign nation using the company and a Scottish and an American criminal to distribute illegal narcotics in the Western World. Cast Pier Paolo Capponi as Mister X Gaia Germani as Timmy Armando Calvo as George Lamar Anna Zinnemann as Dolly Umberto Raho as MacDoug Renato Baldini as Jack Caruso Franco Fantasia as Inspector Roux Dante Posani as Jim Helga Liné as Gloria Production Avenger X was based on the comic series Mister-X as created by writer Cesare Melloncelli and drawing artist Giancarlo Tenenti. The comic was first published by Milan's Edizioni Cervinia in October 1964. Unlike other fumetti neri of the era, Mister-X had very little violent content, with the titular character being a gentleman thief similar to Arsène Lupin. In the film, the titular character Mister X visually differs from the comics design who had a black hood and leotard opposed to the red cape, white boots and hood that covers his face that his comic book counterpart wears.Parts of the film were shot in Rome including location shooting at the Stadio dei Marmi. Release Avenger X was released in Italy in 1967 as Mister X. The English-language title of the film ignores the characters name and is titled Avenger X. Director Piero Vivarelli stated most of the violent scenes in the film were removed from the Italian version of the film to earn a V.M.14 rating. Censors documents only suggested that 47 seconds of the film were cut in Italy This included scenes where a blowtorch approaches Mister-X's bare chest and a shot of a speedboat moving towards a reef. The film grossed 112 million Italian lire in Italy during its theatrical run. The film was distributed by Euro International.The film was released in Spain on 22 January 1968 where it sold 707,889 admissions. See also List of films based on comics List of Italian films of 1967 List of Spanish films of 1967

doc_22

Passage 1: Thomas Scott (diver) Thomas Scott (1907 - date of death unknown) was an English diver. Boxing He competed in the 10 metre platform at the 1930 British Empire Games for England. Personal life He was a police officer at the time of the 1930 Games. Passage 2: William Jolliffe, 4th Baron Hylton William George Hervey Jolliffe, 4th Baron Hylton (2 December 1898 – 14 November 1967), was a British peer and soldier. Hylton was the son of Hylton Jolliffe, 3rd Baron Hylton, and Lady Alice Adeliza Hervey. He achieved the rank of Lieutenant-Colonel in the Coldstream Guards and also served as Lord Lieutenant of Somerset from 1949 to 1964. Lord Hylton married Lady Perdita Rose Mary Asquith, daughter of Katharine and Raymond Asquith, eldest son of Prime Minister H. H. Asquith, in 1931. He died in November 1967, aged 68. He was succeeded in his titles by his elder son Raymond. The writer (of eg. Raymond Asquith: Life and Letters) John Hedworth Jolliffe is his younger son; his daughter Mary is the wife of John Paget Chancellor, son of Christopher Chancellor of Reuters. Mary and John Chancellor are the parents of the actress Anna Chancellor and the financial historian Edward Chancellor. Passage 3: William Jolliffe, 1st Baron Hylton William George Hylton Jolliffe, 1st Baron Hylton (7 December 1800 – 1 June 1876), known as Sir William Jolliffe, Bt, between 1821 and 1866, was a British soldier and Conservative politician. He was a member of the Earl of Derby's first two administrations as Under-Secretary of State for the Home Department in 1852 and as Parliamentary Secretary to the Treasury between 1858 and 1859. Background Jolliffe was the son of Reverend William John Jolliffe, the son of William Jolliffe and his wife Eleanor Hylton, daughter and heir of Sir Richard Hylton, 5th Baronet (who had assumed the surname of Hylton in lieu of his patronymic Musgrave; see Musgrave Baronets) and his wife Anne, sister and co-heiress of John Hylton, de jure 18th Baron Hylton. Jolliffe first served in the Army and achieved the rank of captain in the 15th Dragoons. He notably took part in the events at St Peter's Field in Manchester in 1819 (the "Peterloo Massacre"). In 1821, at the age of twenty, Jolliffe was created a Baronet, of Merstham in the County of Surrey. Political career Jolliffe served a year as High Sheriff of Surrey in 1830 and then sat as a Member of Parliament for Petersfield from 1830 to 1832, 1837 to 1838 and 1841 to 1866 and served under the Earl of Derby as Under-Secretary of State for the Home Department in 1852 and as Parliamentary Secretary to the Treasury from 1858 to 1859. He was admitted to the Privy Council in 1859 and in 1866 he was raised to the peerage as Baron Hylton, of Hylton in the County Palatine of Durham and of Petersfield in the County of Southampton. Cricket Jolliffe played a single first-class match for Hampshire in 1825 against Sussex. Jolliffe scored 12 runs in the match. Family Lord Hylton married, firstly, Eleanor Paget, daughter of the Hon. Berkeley Thomas Paget, in 1825. Their eldest son Hylton Jolliffe was a captain in the Coldstream Guards but died from cholera during the Crimean War. Hylton married, secondly, Sophia Penelope, daughter of Sir Robert Sheffield, 4th Baronet, and widow of William Fox-Strangways, 4th Earl of Ilchester, in 1867. He died at Merstham House near Reigate on 1 June 1876, aged 75, and was succeeded in his titles by his second but eldest surviving son from his first marriage, Hedworth. His granddaughter Gertrude Crawford became the first commandant of the Women's Royal Air Force. Passage 4: Bill Smith (footballer, born 1897) William Thomas Smith (9 April 1897 – after 1924) was an English professional footballer. Career During his amateur career, Smith played in 17 finals, and captained the Third Army team in Germany when he was stationed in Koblenz after the armistice during the First World War. He started his professional career with Hull City in 1921. After making no appearances for the club, he joined Leadgate Park. He joined Durham City in 1921, making 33 league appearances in the club's first season in the Football League.He joined York City in the Midland League in July 1922, where he scored the club's first goal in that competition. He made 75 appearances for the club in the Midland League and five appearances in the FA Cup before joining Stockport County in 1925, where he made no league appearances. Passage 5: Etan Boritzer Etan Boritzer (born 1950) is an American writer of children’s literature who is best known for his book What is God? first published in 1989. His best selling What is? illustrated children's book series on character education and difficult subjects for children is a popular teaching guide for parents, teachers and child-life professionals.Boritzer gained national critical acclaim after What is God? was published in 1989 although the book has caused controversy from religious fundamentalists for its universalist views. The other current books in the What is? series include: What is Love?, What is Death?, What is Beautiful?, What is Funny?, What is Right?, What is Peace?, What is Money?, What is Dreaming?, What is a Friend?, What is True?, What is a Family?, and What is a Feeling? The series is now also translated into 15 languages. Boritzer was first published in 1963 at the age of 13 when he wrote an essay in his English class at Wade Junior High School in the Bronx, New York on the assassination of John F. Kennedy. His essay was included in a special anthology by New York City public school children compiled and published by the New York City Department of Education. Boritzer now lives in Venice, California and maintains his publishing office there also. He has helped numerous other authors to get published through How to Get Your Book Published! programs. Boritzer is also a yoga teacher who teaches regular classes locally and guest-teaches nationally. He is also recognized nationally as an erudite speaker on The Teachings of the Buddha. Passage 6: Henry Hylton, de jure 12th Baron Hylton Henry Hylton, de jure 12th Baron Hylton (1586 – 30 March 1641) was an English nobleman. Hylton was the eldest son of Thomas Hylton (himself the son of William Hylton, de jure 11th Baron Hylton) and his wife, Anne née Bowes (daughter of Sir George Bowes of Streatlam Castle). In 1600, Hylton inherited the right to the barony of Hylton from his grandfather. Sources Henry Hylton b.1585 - AncestryUK.com The Gentlemen's Magazine, March 1821 Passage 7: Theodred II (Bishop of Elmham) Theodred II was a medieval Bishop of Elmham. The date of Theodred's consecration unknown, but the date of his death was sometime between 995 and 997. Passage 8: Hylton Jolliffe, 3rd Baron Hylton Hylton George Hylton Jolliffe, 3rd Baron Hylton (10 November 1862 – 26 May 1945) was a British peer and Conservative politician.Hylton was the eldest son of Hedworth Jolliffe, 2nd Baron Hylton, and Lady Agnes Mary Byng. Henry Paget, 1st Marquess of Anglesey was his maternal great-grandfather. Career George succeeded the barony in 1899; prior to that he was educated at Eton college and Oriel College, Oxford. He pursued a brief military career as capital for the Somerset imperial yeomanry, then diplomatic service in 1888, then 3rd secretary in 1890 and 2nd secretary in 1894. He became Justice of the peace and county Alderman for Somerset where he sat in politics.Hylton entered the Diplomatic Service in 1888, but in 1895 he was elected to the House of Commons for Wells. He held this seat until 1899, when he succeeded his father as third Baron Hylton and entered the House of Lords. In June 1915 Hylton was appointed a Lord-in-waiting (government whip in the House of Lords) in the newly formed coalition government, and in 1918 he was promoted him to Captain of the Yeomen of the Guard. The coalition government of David Lloyd George fell in 1922, but Hylton continued as Deputy Chief Whip also under Bonar Law and Stanley Baldwin. However, after the first Baldwin government fell in January 1924, he never returned to office. He was created Viscount Hylton and owned much of Chaldon, of which he was Lord of the manor.Lord Hylton married Lady Alice Adeliza Hervey, daughter of Frederick Hervey, 3rd Marquess of Bristol, in 1896. He died in May 1945, aged 82, and was succeeded in his titles by his son William George Hervey Jolliffe. Lady Hylton died in 1962. Passage 9: Hedworth Jolliffe, 2nd Baron Hylton Hedworth Hylton Jolliffe, 2nd Baron Hylton DL (23 June 1829 – 31 October 1899), was a British peer and Conservative Member of Parliament. Birth and education Hylton was the second son of William George Hylton Jolliffe, 1st Baron Hylton, and Eleanor Paget. He was educated at Eton and Oriel College, Oxford. Crimean War service In 1849, he joined the 4th Light Dragoons and served in the Crimean War, where his older brother was killed at Sebastopol. He was present at the Charge of the Light Brigade. He retired from the Army in 1856, following his election to Parliament. Parliamentary service He was elected to the House of Commons for Wells in 1855, a seat he held until 1868. In 1870 he succeeded his father as second Baron Hylton and entered the House of Lords. Marriages Lord Hylton married his second cousin, Lady Agnes Mary Byng, daughter of George Byng, 2nd Earl of Strafford, in 1858. Their divorce was a Cause célèbre. There were children of this marriage, sons and a daughter, Agatha Eleanor Augusta Jolliffe, who married Ailwyn Fellowes MP. Lord Hylton married again to Anne, daughter of Henry Lambert, who was the second wife and the widow of the third Earl of Dunraven. Death and succession He died in October 1899, aged 70, and was succeeded in his titles by his surviving son Hylton George Hylton Jolliffe. Notes Passage 10: William Jolliffe (1745–1802) William Jolliffe (16 April 1745 – 20 February 1802) was a British politician who sat in the House of Commons from 1768 to 1802. Life He was the eldest son of the politician John Jolliffe and his wife Mary, daughter of Samuel Holden. He was educated at Winchester College and Brasenose College, Oxford.Jolliffe was elected as Member of Parliament for Petersfield in 1768, a seat controlled by his father, who died in 1771 leaving him a sitting patron. He held it until 1802. He was a Lord of Trade from 1772 to 1779 and Lord of the Admiralty during 1783.He bought the lease for his residence on King Street in 1772 for what he called "very cheap," but Edward Gibbon described the place as "excellent." After his death, his son Hylton sold it to Henry Francis Greville, who opened it as the Argyll Rooms. Family He married Eleanor Hylton, daughter and heir of Sir Richard Hylton, 5th Baronet, and Anne, sister and co-heiress of John Hylton, de jure 18th Baron Hylton. Jolliffe died in February 1802, aged 56, after falling through a trapdoor into a cellar at his home. His wife died the same year. Their grandson William George Hylton Jolliffe became a prominent Conservative politician and was created Baron Hylton in 1866. Notes

doc_23

Passage 1: Immilla of Turin Immilla (also Emilia, Immula, Ermengard, or Irmgard) (born c. 1020; died January 1078) was a duchess consort of Swabia by marriage to Otto III, Duke of Swabia, and a margravine of Meissen by marriage to Ekbert I of Meissen. She was regent of Meissen during the minority of her son, Ekbert II. Life Immilla was the daughter of Ulric Manfred II of Turin and Bertha of Milan and thereby a member of the Arduinici dynasty. Her older sister was Adelaide of Susa. Her first husband was Otto III, Duke of Swabia, whom she married c. 1036. After Otto's death in September 1057, Immilla married again (c.1058). Her second husband was Ekbert I of Meissen.In 1067, shortly before his death, Ekbert I attempted to repudiate Immilla in order to marry Adela of Louvain, daughter of Lambert II, Count of Louvain and the widow of Otto I, Margrave of Meissen. After Ekbert's death in 1068, Immilla spent some time at the imperial court with her niece Bertha, before returning to Italy. It is possible that she acted as regent for her young son, Ekbert II, at this time.Immilla died in Turin in January 10, 1078. She is sometimes said to have become a nun before her death. Marriages and children With her first husband, Otto, Immilla had five daughters: Bertha (or Alberada) (died 1 April 1103), married firstly Herman II, Count of Kastl, and married secondly Frederick, Count of Kastl Gisela, inherited Kulmbach and Plassenburg, married Arnold IV, Count of Andechs Judith (died 1104), married firstly Conrad I, Duke of Bavaria, and secondly Botho, Count of Pottenstein Eilika, abbess of Niedermünster Beatrice (1040–1140), inherited Schweinfurt, married Henry II, Count of Hildrizhausen and Margrave of the NordgauWith her second husband, Ekbert I, Immilla had the following children: Ekbert II Gertrude Passage 2: Volkold Volkold of Meissen (also Wolcold, Folcold, Folchold, Volhold, Volkhuld, Volchrad, Vocco; died 23 August 992) was the second Bishop of Meissen. Life Before his elevation to the episcopate all that is known of Volkold's life is that he was at the court of Emperor Otto I as one of the tutors of the Emperor's son, the future Otto II. He seems to have been appointed Bishop of Meissen in 969. Before his elevation Volkold was the patron of the young Willigis, later Saint Willigis, and used his influence to obtain for him a position in the Imperial service. In 972 Volkold attended a synod in Ingelheim.When Boleslaus II, Duke of Bohemia, besieged the Albrechtsburg and the town of Meissen in 984 in support of the Imperial ambitions of Henry II of Bavaria after the death of Otto II, Volkold was obliged to seek refuge from the Sorbs in Erfurt, under the protection of Willigis, and was not able to return to his badly-damaged headquarters until after the re-conquest by Ekkehard I, Margrave of Meissen, in 987. In that year he put the diocese under Imperial protection.Doubtless as compensation for the bishopric's many losses he received from Otto II several gifts of estates, tolls and uses.While on a visit to Prague he suffered a stroke, on Good Friday 992, and returned paralysed to Meissen, where he died on 23 August and was buried. Passage 3: Albrecht I of Meissen Albrecht I of Meissen (died 1 August 1152) was Bishop of Meissen from 1150 to 1152. Life Albrecht I is not extensively documented. He was supposedly from a family of the Sorbian nobility. Before his elevation to the bishopric he was a cathedral provost. Otto von Freising mentions Albrecht in 1151 in connection with the dispute between Friedrich II of Berg and Herman van Horne over the office of bishop of Utrecht. With the agreement of the Pope, the bishopric of Meissen, like that of Naumburg, was under the protection of Burggraf Conrad I of Meissen, in return for which the bishops were expected to undertake appropriate tasks from time to time. At the beginning of 1152 Conrad III entrusted Albrecht, who had the reputation of being talented at languages, with a diplomatic mission to the Byzantine Emperor Manuel I Komnenos. The bishop died either on the way to Constantinople or in the city itself. Passage 4: John I, Duke of Brunswick-Grubenhagen John I, Duke of Brunswick-Grubenhagen (born: before 1322; died: 23 May 1367) was provost of the St. Alexandri Minster in Einbeck. He was the son of Duke Henry I "the Marvelous" of Brunswick-Grubenhagen and his wife Agnes of Meissen, daughter of Margrave Albert II of Meissen. Passage 5: Agnes of Waiblingen Agnes of Waiblingen (1072/73 – 24 September 1143), also known as Agnes of Germany, Agnes of Poitou and Agnes of Saarbrücken, was a member of the Salian imperial family. Through her first marriage, she was Duchess of Swabia; through her second marriage, she was Margravine of Austria. Family She was the daughter of Henry IV, Holy Roman Emperor, and Bertha of Savoy. First marriage In 1079, aged seven, Agnes was betrothed to Frederick, a member of the Hohenstaufen dynasty; at the same time, Henry IV invested Frederick as the new duke of Swabia. The couple married in 1086, when Agnes was fourteen. They had twelve children, eleven of whom were named in a document found in the abbey of Lorsch: Hedwig-Eilike (1088–1110), married Friedrich, Count of Legenfeld Bertha-Bertrade (1089–1120), married Adalbert, Count of Elchingen Frederick II of Swabia Hildegard Conrad III of Germany Gisihild-Gisela Heinrich (1096–1105) Beatrix (1098–1130), became an abbess Kunigunde-Cuniza (1100–1120/1126), wife of Henry X, Duke of Bavaria (1108–1139) Sophia, married Konrad II, Count of Pfitzingen Fides-Gertrude, married Hermann III, Count Palatine of the Rhine Richildis, married Hugh I, Count of Roucy Second marriage Following Frederick's death in 1105, Agnes married Leopold III (1073–1136), the Margrave of Austria (1095–1136). According to a legend, a veil lost by Agnes and found by Leopold years later while hunting was the instigation for him to found the Klosterneuburg Monastery.Their children were: Adalbert Leopold IV Henry II of Austria Berta, married Heinrich of Regensburg Agnes, "one of the most famous beauties of her time", married Wladyslaw II of Poland Ernst Uta, wife of Liutpold von Plain Otto of Freising, bishop and biographer Conrad, Bishop of Passau, and Archbishop of Salzburg Elisabeth, married Hermann, Count of Winzenburg Judith, m. c. 1133 William V of Montferrat. Their children formed an important Crusading dynasty. Gertrude, married Vladislav II of BohemiaAccording to the Continuation of the Chronicles of Klosterneuburg, there may have been up to seven other children (possibly from multiple births) stillborn or who died in infancy. In 2013, documentation regarding the results of DNA testing of the remains of the family buried in Klosterneuburg Abbey strongly favor that Adalbert was the son of Leopold and Agnes.In 1125, Agnes' brother, Henry V, Holy Roman Emperor, died childless, leaving Agnes and her children as heirs to the Salian dynasty's immense allodial estates, including Waiblingen. In 1127, Agnes' second son, Konrad III, was elected as the rival King of Germany by those opposed to the Saxon party's Lothar III. When Lothar died in 1137, Konrad was elected to the position. Passage 6: Margaret of Sicily Margaret of Sicily (also called Margaret of Hohenstaufen or Margaret of Germany) (1 December 1241, in Foggia – 8 August 1270, in Frankfurt-am-Main) was a Princess of Sicily and Germany, and a member of the House of Hohenstaufen. By marriage she was Landgravine of Thuringia and Countess Palatine of Saxony (German: Landgräfin von Thüringen und Pfalzgräfin von Sachsen). She was the daughter of Frederick II, Holy Roman Emperor, King of Sicily and Germany, by his third wife, Isabella of England. Her paternal grandparents were Henry VI, Holy Roman Emperor and Constance of Sicily. Her maternal grandparents were John of England and Isabella of Angoulême. Birth The date of her birth is difficult to ascertain because there is controversy over the exact number of children borne by her mother. Some sources say that she was the first or second child, born by the end of 1237; others say that she was the last child, born in December 1241, when Isabella died in childbirth. Historians commonly accept the latter date. Life Shortly after her birth (1242), Margaret was betrothed to Albert "the Degenerate", eldest son and heir of Henry III "the Illustrious", Margrave of Meissen. The marriage took place in June 1255, the bride receiving Pleissnerland (the towns of Altenburg, Zwickau, Chemnitz and Leisnig) as her dowry. The couple settled at his residence in Eckartsberga and later moved to Wartburg, where she bore five children: three sons (Henry, Frederick and Dietzmann) and two daughters (Margaret and Agnes). Through her second son Frederick – later Margrave of Meissen – Margaret was the direct ancestor of the Electors and Kings of Saxony and English Queen consorts Margaret of Anjou and Anne of Cleves. In 1265 her husband received the titles of Landgrave of Thuringia and Count Palatine of Saxony (German: Pfalzgräf von Sachsen) after the abdication of his father, who retained control of Meissen. After the execution of her nephew Conradin (29 October 1268), Margaret, as the next legitimate relative, became the rightful Queen of Sicily and the general heiress of the Hohenstaufen claims over the Duchy of Swabia and the Kingdom of Jerusalem (despite the fact she was not descended from the Kings of Jerusalem, her father Frederick II had claimed the kingdom for himself). Her son Frederick assumed by some time this titles on her right. After discovering the adultery of her husband with Kunigunde of Eisenberg, Margaret left Wartburg; according to a legend, before her departure she bit her son Frederick in the cheek; he was called henceforth Frederick the Bitten (de: Friedrich der Gebissene). The flight took place on 24 June 1270. Margaret went to Frankfurt-am-Main and was supported there by the citizens. She died there six weeks later. Issue Margaret and Albert had five children: Henry (b. 21 March 1256 – d. 25 January/23 July? 1282), inherited the Pleissnerland in 1274. Frederick (b. 1257 – d. Wartburg, 16 November 1323), Margrave of Meissen. Theodoric, called Dietzmann (b. 1260 – murdered Leipzig, 10 December 1307), Margrave of Lusatia. Margaret (b. 1262 – d. young, after 17 April 1273). Agnes of Meissen (b. 1264 – d. September 1332), married before 21 July 1282 to Henry I, Duke of Brunswick-Grubenhagen. Passage 7: Elisabeth of Meissen Elisabeth of Meissen, Burgravine of Nuremberg (22 November 1329 – 21 April 1375) was the daughter of Frederick II, Margrave of Meissen and Mathilde of Bavaria and a member of the House of Wettin. Marriage and children She was born in Wartburg. On 7 September 1356, at the age of twenty six, she married Frederick V, Burgrave of Nuremberg in Jena. In 1357 her husband succeeded to the title, and from that time until her death in 1375, she was styled as Burgravine of Nuremberg. Together Frederick and Elisabeth had nine children, seven girls and two boys, who survived to adulthood: Elisabeth (1358–26 July 1411, Heidelberg), married in Amberg 1374 to Rupert of Germany. Beatrix (c. 1362, Nuremberg–10 June 1414, Perchtoldsdorf), married in Vienna 1375 Duke Albert III of Austria Anna (c. 1364–after 10 May 1392), a nun in Seusslitz. Agnes (1366 – 22 May 1432), Convent in Hof (1376–1386) married in Konstance 1386 Baron Friedrich of Daber, Returned to Convent in Hof (1406) Abbess in Hof (1411–1432). John (c. 1369–11 June 1420, Plassenburg). Frederick (1371–1440) was the last Burgrave of Nuremberg from 1397 to 1427 (as Frederick VI), Margrave of Brandenburg-Ansbach from 1398, Margrave of Brandenburg-Kulmbach from 1420, and Elector of Brandenburg (as Frederick I) from 1415 until his death. He became the first member of the House of Hohenzollern to rule the Margraviate of Brandenburg. Margarete (died 1406, Gudensberg), married in Kulmbach 1383 Landgrave Hermann of Hesse. Katharina (died 1409), Abbess in Hof. Veronica of Hohenzollern, married Barnim VI, Duke of Pomerania.Elisabeth died at the age of 45. Passage 8: Agnes II, Abbess of Quedlinburg Agnes II (Agnes of Meissen; 1139 – 21 January 1203) was a member of the House of Wettin who reigned as Princess-Abbess of Quedlinburg. Life She was born in Meissen as the daughter of Conrad, Margrave of Meissen, and Luitgard of Swabia. In 1184, she was elected successor to Princess-Abbess Adelaide III. Agnes was a significant patron of art, as well as miniaturist and engraver. During her reign, the nuns of Quedlinburg Abbey made large curtains that are indispensable in the study of the art industry of the era. She also wrote and illuminated books for divine service. However, her greatest masterpiece was the manufacture of wall-hangings, of which one set was intended to be sent to the Pope; this tapestry is the best preserved piece of Romanesque textile. She was known for combining her embroidering with her literary composition and even composed Latin verses on a piece of tapestry.She died in Quedlinburg Abbey on 21 January 1203. Legacy Agnes is a featured figure on Judy Chicago's installation piece The Dinner Party, being represented as one of the 999 names on the Heritage Floor. Passage 9: Albert, Margrave of Meissen (1934–2012) Prince Albert Joseph Maria Franz-Xaver of Saxony, Duke of Saxony, Margrave of Meissen (30 November 1934 – 6 October 2012) was the head of the Royal House of Saxony and a German historian. The fourth child and youngest son of Friedrich Christian, Margrave of Meissen and his wife Princess Elisabeth Helene of Thurn and Taxis, he was the younger brother of Maria Emanuel, Margrave of Meissen, who was his predecessor as head of the Royal House of Saxony. Had he been King he would have been known as Albert II Life Albert received his secondary education at the Federal Gymnasium in Bregenz, Austria. He passed his matura in 1954. His parents and their children then moved to Munich, with support from his mother's relatives from the Thurn und Taxis dynasty. In Munich, Albert studied at the Ludwig Maximilian University. He initially studied macroeconomics, and later switched to history and ethnography. On 13 February 1961, he received his PhD for a thesis on his great-great-grandfather, King John of Saxony, and his reform of Saxon commercial law. On 30 January 1960 the Studiengruppe für Sächsische Geschichte und Kultur e.V. ("Study group for Saxon history and culture") was founded by Albert together with his parents, his elder brother Maria Emanuel, some other Saxon nobles, the Chapter of the Military Order of St. Henry, the chapter of the association of people from Dresden, and the association of Heimatvertriebene in the history department of the University of Munich. This study group became one of the largest historical societies in West Germany. After completing his studies, Albert worked as a historian and referent. He studied the history of the Duchy of Saxony and the Kingdom of Saxony, in particular the relationship of Saxony to Bavaria. At times, he was vice president of the Bund der Mitteldeutschen ("Association of Central Germans"). In 1972, he joined the Mitteldeutschen Kulturrat e.V. ("Central German Culture Council"), where he represented the interests of the Free State of Saxony. In the summer of 1982, he was allowed to visit Saxony for the first time since his youth. He visited again in 1983 and 1985. He was then not allowed to enter the German Democratic Republic again, for unknown reasons, until 1989/1990. On 22 January 1990, he participated in a Monday demonstration in Dresden and was unexpectedly asked to address the crowd. He told his audience about their task to rebuild Saxony and ended with the words "Long live Saxony, Germany, Europe and the western-Christian culture." In the subsequent elections for the Saxon parliament, he ran as a DSU candidate; he was not elected, nor did the newly elected government of Saxony employ him as an advisor. After the German reunification, he has tried to reclaim some of his family's former possessions. Marriage Albert morganatically wed Elmira Henke in a civil ceremony on 10 April 1980 in Munich, and in a religious ceremony on 12 April 1980, in the Theatine Church, also in Munich. Elmira assisted Albert with his scientific and historical studies; she specialized in ethnographic topics. Albert and Elmira had no children. Succession The headship of the Royal House of Saxony is a matter of dispute in the Saxon Royal Family. The conflict stems from the fact that the last undisputed head of the house Maria Emanuel, Margrave of Meissen, and the other princes of his generation either had no children or, in the case of Prince Timo, had children (including Prince Rüdiger of Saxony) who were deemed not to be members of the Royal House of Saxony.The first designated dynastic heir of Maria Emanuel was his and Albert's nephew Prince Johannes of Saxe-Coburg and Gotha, only son of their youngest sister Princess Mathilde of Saxony by her marriage to Prince Johannes Heinrich of Saxe-Coburg and Gotha, dynast of a ducal branch of the House of Wettin senior patrilineally to the royal branch. After the early death of Prince Johannes, the heirless Maria Emanuel then considered as potential heir another nephew, Alexander Afif, the eldest son of Princess Anna of Saxony and her husband Roberto Afif, despite the Afif-Saxony marriage being contrary to the traditional laws of the House of Saxony which required equal marriages for descendants to inherit dynastic rights. On 14 May 1997 the Margrave of Meissen proposed his nephew Alexander Afif as heir and drew up a document that was signed by the other male and female members of the Royal House (including previously non-dynastic spouses of princes) setting out that Alexander would succeed on his death. The document was signed by: Anastasia, Margravine of Meissen, Prince Albert and his wife, née Elmira Henke, Prince Dedo (for himself, for his brother Prince Gero and for their stepmother née Virginia Dulon – his brother Prince Timo had died in 1982), the Princesses Maria Josepha, Anna and Mathilde, and Prince Timo's third wife, née Erina Eilts. Two years later on 1 July 1999 the Margrave adopted his nephew Alexander Afif, who had used the title Alexander, Prince of Saxe-Gessaphe since 1972, based on his patrilineal descent from the once-sovereign Lebanese "Afif" (or Gessaphe) dynasty.The 1997 agreement proved to be controversial and in the summer of 2002 three of the signatories, Princes Albert, Dedo and Gero (the latter consented via proxy but had not personally signed the document) retracted their support for the agreement. The following year Prince Albert wrote that it is through Prince Rüdiger and his sons that the direct line of the Albertine branch of the House of Wettin will continue, and thus avoid becoming extinct. Until his death, however, the Margrave, as head of the former dynasty, continued to regard his nephew and adopted son, Prince Alexander, as the contractual heir entitled to succeed.Immediately following the death of Maria Emanuel in July 2012, Prince Albert assumed the position of head of the Royal House of Saxony. According to the Eurohistory Journal prior to the Margrave's funeral Albert met with his nephew, Alexander, and recognised him as Margrave of Meissen. However this claim is contradicted by Albert himself in his final interview, given after the funeral, where he states that he needs recognition as Margrave of Meissen. Prince Alexander, citing the 1997 agreement, has also assumed the headship. Albert, Margrave of Meissen died at a hospital in Munich on 6 October 2012 at the age of 77. Prior to the requiem for Margrave Maria Emanuel, Rüdiger, who had sought to be recognised by his cousin as a dynastic member of the House of Saxony but was refused, conducted a demonstration outside the cathedral with Saxon royalists in protest against the late Margrave Maria Emanuel's decision to appoint Alexander as heir. The family website of Prince Rüdiger states that, prior to his death, Albert determined Rüdiger to be his successor and instituted a clear succession plan. On this basis following Albert's death Prince Rüdiger assumed the headship of the house. Ancestry Publications by Prince Albert Die Reform der sächsischen Gewerbegesetzgebung (1840–1861), PhD thesis, University of Munich, 1970 Dresden, Weidlich, Frankfurt 1974, ISBN 3-8035-0474-0 Leipzig und das Leipziger Land, Weidlich, Frankfurt 1976, ISBN 3-8035-8511-2 Die Albertinischen Wettiner — Geschichte des Sächsischen Königshauses (1763–1932), 1st ed., St.-Otto-Verlag, Bamberg, 1989, ISBN 3-87693-211-4; 2d ed., Gräfelfing, 1992, ISBN 3-87014-020-8 Weihnacht in Sachsen, Bayerische Verlagsanstalt, Munich, 1992, ISBN 3-87052-799-4 Die Wettiner in Lebensbildern, Styria-Verlag, Vienna, Graz and Cologne, 1995, ISBN 3-222-12301-2 Die Wettiner in Sachsen und Thüringen, König-Friedrich-August-Institut, Dresden, 1996 Das Haus Wettin und die Beziehungen zum Haus Nassau-Luxemburg, Bad Ems, 2003 Bayern & Sachsen — gemeinsame Geschichte, Kunst, Kultur und Wirtschaft (with Elmira of Saxony and Walter Beck), Universitas, Munich, 2004, ISBN 3-8004-1462-7 Königreich Sachsen: 1806–1918; Traditionen in Schwarz und Gelb, Verlagsgesellschaft Marienberg, 2007, ISBN 978-3-931770-67-9 Passage 10: Agnes of Meissen Agnes of Meissen (born before 1264 – died after September 1332) was a noblewoman, the daughter of Albert II, Margrave of Meissen and his wife Margaret of Sicily.Agnes was married with Henry I "the Marvelous" of Brunswick-Grubenhagen, in 1282. They had 16 children: Elizabeth (born c. 1282), married Frederick, Count of Beichlingen Otto (born c. 1283, died in or before 1309) Albert (born c. 1284, died after 1341), joined the Teutonic Order Adelaide (1285–1320), married King Henry I of Bohemia Facie (daughter; born c. 1286, died before or in 1312) Agnes, Abbess of Osterode Henry II, Duke of Brunswick-Lüneburg Frederick Adelheid of Brunswick, married to Andronikos III Palaiologos Conrad (c. 1294 – c. 1320) Mechtild (c. 1295 – 14 March 1344), married John II of Werle Ernest I, Duke of Brunswick-Grubenhagen William, Duke of Brunswick-Grubenhagen Richardis, Abbess of Osterode Margaret (born c. 1300, died in or after 1312) John I, Duke of Brunswick-Grubenhagen

doc_24

Passage 1: Cry of the Hunted Cry of the Hunted is a 1953 American crime film noir directed by Joseph H. Lewis. The drama features Vittorio Gassman, Barry Sullivan and Polly Bergen. Plot An obsessive lawman (Barry Sullivan) who works for the state chases an escaped fugitive (Vittorio Gassman) through the Louisiana bayou. Cast Vittorio Gassman as Jory Barry Sullivan as Lieutenant Tunner Polly Bergen as Janet Tunner William Conrad as Goodwin Mary Zavian as Ella Robert Burton as Warden Keeley Harry Shannon as Sheriff Brown Jonathan Cott as Deputy Davis Reception According to MGM records the film earned $376,000 in the US and Canada and $249,000 elsewhere resulting in a loss of $179,000. Critical response Film critic Hal Erickson, of Allmovie, has praised the directing of the film, writing, "On the whole, the MGM B product of the 1950s contained some of the studio's best-ever 'small' pictures...Cry of the Hunted is directed with flair by Joseph H. Lewis, who always managed to rise above the slimmest of budgets and the barest of production values."TV Guide in its film guide also wrote well of the film, "Stylishly directed chase film from Lewis who had previously shown his talent in Gun Crazy...At one point he is caught but again breaks free, only to be recaptured again at the finale. Interesting subplot has Conrad waiting for Sullivan to make a wrong move so he can grab his job." Noir analysis Critics Alain Silver and Elizabeth Ward, in various sections of their analysis of the film, discuss a sub silentio theme found in the movie: the homosexual undercurrent of the protagonists; they write, "After an initial scene, in which Sullivan and Gassman wrestle each other to exhaustion and then sit sharing cigarettes like brothers," and, "...even in his sleep [Sullivan] is obsessive as he dreams of the escapee in homoerotic terms," and, "Gassman too seems drawn to his pursuer."Film critic Eddie Muller, in an interview for Bright Lights Film Journal, agrees, "I once showed this goofy B film called Cry of the Hunted, with Barry Sullivan and William Conrad — it's swamp noir. In Los Angeles, the audience adored it. They howled, especially at the over-the-top gay subtext between the two lead actors. They fight, and when it's obvious the fight is over, they're still wrestling around the floor. Then they lie against the wall and smoke cigarettes. The L.A. audience ate it up." Passage 2: The Hunted (2015 film) The Hunted is a 2015 American film based on the action comedy web series The Hunted (2001) created and directed by Robert Chapin. Starring Chapin and Monique Ganderton in lead roles. It tells the story of a struggling actor who leads a group of misfit slayers against an army of vampires. The film is one of the first to be produced under SAG’s New Media contract and was distributed online through Vimeo VOD. Plot Coming to terms with his unsuccessful attempts at becoming an actor, Bob (Chapin) is bitten by a vampire named Susan, (Ganderton) who is the daughter of a crazed vigilante slayer. Consequently, Bob becomes one of the Hunted, a small group of humans, bitten but not turned, who use cold steel and fighting technique to fend off vampires. The vampires, however, have developed an immunity to everything over the years, and the only way they can be killed is with a sword. Luckily, Bob knows how to wield a sword, mostly due to his starring role in a cheesy 80’s action flick called, “Vampslayer”. Find How Bob helps Susan and the Hunted defend the vampires forms the rest of the story. Cast Robert Chapin as Bob Monique Ganderton as Susan David Lain Baker as Harry Gary Kasper as Dragos Tex Wall as Lore Master Andrew Helm as Kevin Anthony De Longis as Vincent Production Conception and writing The Hunted began in 2001 as a long-standing Internet series, created by Chapin in an effort to train his credentials as a stuntman and VFX-artist. Embracing his skills with a sword and his technical abilities behind the camera, he collaborated with his friends and colleagues in order to combine their talents and undertake an underdog story of LA-based vampire hunters. The fact that user-generated content created by fans became the main content source for the online series is reflected in the theme of the film, where soccer moms learn to become vampire slayers, just like fans learning to become filmmakers, thus providing everyone a chance to discover their true potential. The dialogues in the film make use of copious lines from well-known films and poems, ranging from Scarface (1983) and Independence Day (1996) to Shakespeare. Filming The film received financial support in June 2011 via a Kickstarter campaign. The film was shot in Hollywood, California in 2012 and is co-produced by New Deal Studios, the Academy Award-winning effects studio behind numerous blockbuster films, including Inception (2010) and Interstellar (2014). Post-production was completed in March 2015. The majority of the film's cast consisted of stunt people. Passage 3: Scotty Fox Scott Fox is a pornographic film director who is a member of the AVN Hall of Fame. Awards 1992 AVN Award – Best Director, Video (The Cockateer) 1995 AVN Hall of Fame inductee Passage 4: Adrian Brunel Adrian Brunel (4 September 1892 – 18 February 1958) was an English film director and screenwriter. Brunel's directorial career started in the silent era, and reached its peak in the latter half of the 1920s. His surviving work from the 1920s, both full-length feature films and shorts, is highly regarded by silent film historians for its distinctive innovation, sophistication and wit. With the arrival of talkies, Brunel's career ground to a halt and he was absent from the screen for several years before returning in the mid-1930s with a flurry of quota quickie productions, the majority of which are now classed as lost. Brunel's last credit as director was in a 1940 comedy film, although he worked for a few years more as a "fixer-up" for films directed or produced by friends in the industry.After decades of neglect, Brunel's work has latterly been rediscovered and has undergone a critical re-evaluation. His lost films are eagerly sought, and the British Film Institute includes two, The Crooked Billet (1929) and Badger's Green (1934), on its "75 Most Wanted" list of missing British feature films. Early life and career Born in Brighton in 1892, Brunel was educated at Harrow School. His mother Adey was a drama teacher so he grew up in a stage milieu and dabbled in acting and writing plays, as well as training in opera. On leaving school he worked for a time as a local journalist in Brighton before taking employment in London in the bioscope show distribution division of music hall chain Moss Empires. This spurred his interest in cinema, and in 1916 he and a friend formed a company called Mirror Films, which produced one film, The Cost of a Kiss, the following year.In 1920 Brunel joined with actor Leslie Howard and author A. A. Milne to set up Minerva Films, which produced six comedy shorts over a two-year period. Brunel's major break came in 1923, when he was offered the directorial role for the film The Man Without Desire, starring Ivor Novello. His feature film debut was a time-travelling story set in Venice and included location filming in the Italian city. Studio and post-production work took place in Germany, and the resulting work has been described as "one of the stranger films to emerge from Britain in the 1920s". Comedy shorts Between 1923 and 1925, Brunel directed a series of sophisticated comedy burlesque short films, frequently lampooning fads or institutions of the day. Initially these were produced and distributed independently, but their popularity among film insiders and cognoscenti brought them to the attention of Michael Balcon, who offered Brunel the opportunity to produce them through Gainsborough Pictures. These films were replete with punning intertitles and playful visual wit, with a number parodying the silhouette animation technique pioneered by Lotte Reiniger by using live actors in place of animated cutouts (Two-Chinned Chow, Shimmy Sheik, and Yes, We Have No...! – in which a man is driven to distraction by the ubiquity of the song "Yes! We Have No Bananas" and travels to ever-more exotic and outlandish locations to escape it, only to find that no matter where in the world he goes, the song has got there first). Other films were self-referential in highlighting the ability of film to produce a manipulated and distorted picture of reality. Brunel's most highly admired production of this period is 1924's Crossing the Great Sagrada, a spoof of the hugely popular travelogue genre of the time, in which its conventions are laid bare as the absurdities they are. Brunel uses the film to satirise the prevalent colonial view of "native people", while highlighting the dishonesty inherent in the genre with ludicrously incongruous intertitles, tagging a view of an African mud-hut village as Wapping, and a sequence of the heroes struggling across a desert landscape as Blackpool beach. Critic Jamie Sexton notes: "The film's surreal humour prefigures that of later innovative British comedy, such as Monty Python's Flying Circus.Brunel also targeted the British film industry itself, with So This Is Jollygood bemoaning what he saw as its general ineptitude in comparison with its American counterpart, and Cut It Out attacking the over-zealousness of the British film censors. Gainsborough films Impressed with Brunel's short film output, Balcon invited him to try his hand at directing full-length features for Gainsborough. This resulted in five films between 1926 and 1929, all of which were high profile, big-budget productions with star names, and were designed as serious prestige vehicles with none of the opportunities for the humour and facetiousness of most of Brunel's earlier work. The first release was Blighty, a class-based study of life during World War I, written by Brunel's friend Ivor Montagu. It was reported that Brunel was initially uneasy about directing a "war film" as it went against his moral values; however the finished product contained no militaristic or jingoistic material, concentrating instead on the effects of the unseen war on an English family.In 1928 there followed two films which reunited Brunel with Novello as his leading actor: the first screen adaptation of Margaret Kennedy's best-selling novel The Constant Nymph and a version of the Noël Coward play The Vortex. Brunel's third film of 1928 was A Light Woman starring Benita Hume, while 1929 brought the Madeleine Carroll vehicle The Crooked Billet, which Brunel described in his autobiography as "my last, and perhaps my best, silent film". The film's "lost" status however precludes it from being critically evaluated alongside his surviving work. Later career With the introduction of talkies to British cinema, Brunel's career impetus came to a sudden halt. It is not exactly clear why Brunel in particular should have found his career so comprehensively derailed at this time, although it is suggested that his pursuance of a legal claim against Gainsborough for alleged non-payment of fees may well have tarnished his reputation in the film industry by making him appear a potential trouble-maker. After writing and partly directing 1930's Elstree Calling for British International Pictures, he was sacked by the studio, who enlisted Alfred Hitchcock to finish the picture, and no further film offers were forthcoming.Brunel returned to film directing in 1933, and over the following four years made 17 quota quickies, mainly for Fox British. As was the norm with quota quickie directors, Brunel's films in this period encompassed a range of genres from comedy and musicals, through drama, to thrillers and crime. However, few of these films are known to survive. Brunel's last three feature films, The Rebel Son (1938); The Lion Has Wings (1939), a three-way directorial venture with Michael Powell and Brian Desmond Hurst; and The Girl Who Forgot (1940), were more visible productions which do survive. Following these, Brunel drew a line under his directorial career, although he did continue for a time to offer uncredited help as a favour, most notably to his old friend Leslie Howard on The First of the Few (1942) and The Gentle Sex (1943). He published an autobiography Nice Work in 1949, and died in February 1958, aged 65. In an assessment of Brunel's significance in British cinema history, Geoff Brown concludes: "...(his) career was clearly not what it might have been, and the apparent absence of surviving copies of many of his talkies makes a thorough re-evaluation of his work difficult. But the burlesque comedies alone give him a distinctive place in British cinema history as a satirical jester, and a key player in the film industry's uneasy war between art and commerce." Filmography (director) Bibliography Brunel wrote two guides to filmmaking and a memoir detailing his time in the industry. Filmcraft: the Art of Picture Production (1935) Film script: The Technique of Writing for the Screen (1948) Nice Work: Thirty Years in British Films (1949) Passage 5: Joseph H. Lewis Joseph H. Lewis (April 6, 1907 – August 30, 2000) was an American B-movie film director whose stylish flourishes came to be appreciated by auteur theory-espousing film critics in the years following his retirement in 1966. In a 30-year directorial career, he helmed numerous low-budget westerns, action pictures, musicals, adventures, and thrillers. Today he is remembered for mysteries and film noir stories: My Name Is Julia Ross (1945) and So Dark the Night (1946) as well as his most highly regarded features, 1950's Gun Crazy, which spotlighted a desperate young couple (Peggy Cummins and John Dall) who embark on a deadly crime spree, and the 1955 film noir The Big Combo, with its stunning cinematography by John Alton. Life and career Born in Brooklyn, the son of Russian Jewish immigrants, Ernestine (née Miriamson) and Leopold Lewis. His father was an optometrist. He grew up on the Upper East Side of New York City and attended DeWitt Clinton High School in the Bronx and when his brother, Ben, moved to Hollywood in 1927, he decided to follow with the hope of becoming an actor. Ben found him a job as camera assistant and, subsequently, young Joseph became an assistant film editor just as the film industry was converting to sound. He began his directorial career (1937–40) by turning out low-budget B-Westerns starring Bob Baker, Charles Starrett, and Bill Elliott. Film editors referred to Lewis as "Wagon-Wheel Joe," because of his tendency to use wagon wheels in the foreground to create interesting visual compositions. Lewis served with the United States Army Signal Corps as a Sergeant during World War II, making training films at the Army's Astoria Studios. One on how to shoot the M-1 rifle was shown well into the 1960s. Lewis was equally comfortable working in different genres: horror (Bela Lugosi, The Invisible Ghost), comedy (The East Side Kids, That Gang of Mine), detective mystery (Tom Conway, The Falcon in San Francisco), costume adventure (Larry Parks, The Swordsman), and musicals (Benny Fields, Minstrel Man). Lewis's creative compositions for Minstrel Man won him the assignment of staging the musical sequences for The Jolson Story. Today, Lewis is primarily known for his work in film noir during the 1940s and early 1950s. Gun Crazy is a dark romance about gun-obsession, notable for its use of location photography and, for film students and buffs, a particularly arresting shot which lasts for ten minutes, as the audience suddenly becomes a passenger in the getaway car following a bank robbery committed by the young leads. Toward the end of Lewis's career, he worked in television, directing mostly westerns: The Rifleman, Bonanza, The Big Valley, Gunsmoke, and the pilot for Branded. He also directed the 1961 CBS crime adventure-drama series The Investigators. Lewis suffered a major heart attack at the age of 46, but continued working until his 59th birthday in April 1966, at the end of the 1965–66 TV season. He later lectured at film schools and fan gatherings as well as at retrospectives such as the Telluride Film Festival, along with European venues in France, Germany and other locations. In 1997 he became the recipient of the Los Angeles Film Critics Association Lifetime Achievement Award. Nearly five months after his 93rd birthday, Lewis died at his home in Los Angeles County's seaside community of Marina del Rey. Active until the end, he made his final public appearance five weeks earlier to introduce a screening of Gun Crazy at the University of California at Los Angeles. He was married to Buena Vista Lewis; they had one daughter, Candy Lewis Sangster. Selected filmography Passage 6: The Hunted (2003 film) The Hunted is a 2003 American action thriller film directed by William Friedkin and starring Tommy Lee Jones, Benicio del Toro, and Connie Nielsen. Plot U.S. Army Sergeant First Class Aaron Hallam, a former Delta Force operator, has spent much of his career performing covert assassinations and black operations for the U.S. government. He is awarded the Silver Star for his service in the Kosovo War, but is left wracked with PTSD from the atrocities he witnessed. In the wilderness of Silver Falls State Park, Oregon, Hallam encounters two hunters equipped with expensive scoped rifles. Hallam tells them that, due to their use of guns and scopes, they are not "true hunters". Insulted, the hunters pursue him, but are overwhelmed by Hallam's tactics and traps and are killed. L.T. Bonham, a former civilian instructor of military survival and combat training, lives secluded deep in the woods of British Columbia. He is approached by the FBI, who ask him to help apprehend Hallam, one of his former students. Bonham agrees and joins the FBI task force pursuing Hallam, led by Assistant Special Agent in Charge Abby Durrell. Bonham discovers Hallam's personal effects in a tree and encounters Hallam. As the two of them fight, Hallam is struck by an FBI tranquilizer and taken into custody. During his interrogation, Hallam is uncooperative and looks mainly to Bonham, who he views as a father figure. The FBI, unsure what to do, hand him to the custody of his fellow JSOC operators, who tell the FBI that Hallam cannot stand trial due to the classified operations he had participated in. While being transported, the operators indicate that they intend to kill Hallam to ensure his silence; Hallam manages to kill all the operatives and escape. Alerted to the incident, Bonham and the FBI search for Hallam. Bonham finds him at the house of his ex-girlfriend and her daughter in Portland, but he flees after Abby arrives to apprehend him. Pursued by the FBI and the Portland Police Bureau, Hallam ambushes and kills pursuing FBI agents in a sewer and attempts to board a streetcar to blend in. The police block the bridge the streetcar is on, and he dives off the bridge, fleeing upstream. Resurfacing up the river, Hallam crafts a knife out of reclaimed metal, as Bonham taught him. Meanwhile, Bonham crafts his own knife out of stone and enters the wilderness alone in search of Hallam. Bonham is caught by one of Hallam's traps and is thrown down a waterfall. Surviving, he meets Hallam at the bottom, and they engage in hand-to-hand combat. The two sustain severe injuries, and Bonham's knife is broken, but Bonham manages to gain the upper hand and stab Hallam with his own knife, killing him as Abby and the FBI arrive. Bonham, mostly recovered, returns to his home in British Columbia. He starts to burn Hallam's letters, in which he expressed his concerns over the things he witnessed during his service. Cast Tommy Lee Jones as L.T. Bonham Benicio del Toro as Sergeant Aaron Hallam Connie Nielsen as FBI Special Agent Abby Durrell Leslie Stefanson as Irene Kravitz John Finn as FBI Special Agent Ted Chenoweth José Zúñiga as FBI Special Agent Bobby Moret Ron Canada as FBI Special Agent Harry Van Zandt Mark Pellegrino as Dale Hewitt Jenna Boyd as Loretta Kravitz Aaron DeCone as Stokes (as Aaron Brounstein) Carrick O'Quinn as Kohler Lonny Chapman as Zander Rex Linn as Powell, The Hunter Eddie Velez as Richards, The Hunter Johnny Cash as The Narrator (uncredited) Production The film was partially filmed in and around Portland, Oregon and Silver Falls State Park. Portland scenes were filmed in Oxbow Park, the South Park Blocks, the Columbia Blvd Treatment Plant, and Tom McCall Waterfront Park. The technical adviser for the film was Tom Brown Jr., an American outdoorsman and wilderness survival expert. The story is partially inspired by a real-life incident involving Brown, who was asked to track down a former pupil and Special Forces sergeant who had evaded capture by authorities. This story is told in Tom's book, Case Files Of The Tracker. Chapter 2 of this book, "My Frankenstein," describes Brown's tracking and fight with a former special operations veteran.The hand-to-hand combat and knife fighting in the film featured Filipino Martial Arts. Thomas Kier and Rafael Kayanan of Sayoc Kali were brought in by Benicio del Toro. They were credited as knife fight choreographers for the film. Reception Box office The box office for the film was less than its reported production budget of $55 million. The Hunted opened on March 14, 2003 at #3 in 2,516 theaters across North America and grossed $13.48 million during its opening weekend. It went on to gross $34,244,097 in North America and $11,252,437 internationally markets for a worldwide total of $45,496,534.Buena Vista International handles the distribution in Argentina, Australia, Belgium, Netherlands and parts of Latin America. Columbia TriStar Film Distributors International handles Finnish & Swedish theatrical distribution through its then distribution partner Nordisk Film. In United Kingdom - Redbus Film Distribution handles distribution under the name Helkon SK. It was released on 6th June 2003 (despite being renamed to Redbus on 6th May 2003). Critical response The overall critical reaction to the movie was negative. It scored a "Rotten" 29% rating on Rotten Tomatoes based on 148 reviews.Many reviewers noted striking similarities to First Blood, with which this film was unfavorably compared. Rolling Stone called it "Just a Rambo rehash." While there was some praise for the cinematography and the action scenes, much criticism was directed at the thin plot and characterization, and the general implausibility. Rex Reed of the New York Observer called it a "Ludicrous, plotless, ho-hum tale of lurid confrontation." The UK magazine, Total Film said the film was "scarcely exciting to watch."However, the film also received praise from other high profile critics, particularly for the fact it kept the special effects and stunts restrained. For example, Roger Ebert said, "We've seen so many fancy high-tech computer-assisted fight scenes in recent movies that we assume the fighters can fly. They live in a world of gravity-free speed-up. Not so with Friedkin's characters." He reviewed the film on his own site and scored it 3 1/2 out of 4 stars. Time Out London was also positive saying, "Friedkin's lean, mean thriller shows itself more interested in process than context, subtlety and character development pared away in favour of headlong momentum and crunching set pieces." Passage 7: Elliot Silverstein Elliot Silverstein (born August 3, 1927) is a retired American film and television director. He directed the Academy Award-winning western comedy Cat Ballou (1965), and other films including The Happening (1967), A Man Called Horse (1970), Nightmare Honeymoon (1974), and The Car (1977). His television work includes four episodes of The Twilight Zone (1961–1964). Career Elliot Silverstein was the director of six feature films in the mid-twentieth century. The most famous of these by far is Cat Ballou, a comedy-western starring Jane Fonda and Lee Marvin. The other Silverstein films, in chronological order, are The Happening, A Man Called Horse, Nightmare Honeymoon, The Car, and Flashfire. Other work included directing for the television shows The Twilight Zone, The Nurses, Picket Fences, and Tales from the Crypt. While Silverstein was not a prolific director, his films were often decorated. Cat Ballou, for instance, earned one Oscar and was nominated for four more. His high quality work was rewarded in 1990 with a Lifetime Achievement Award by the Directors Guild of America. Awards In 1965, at the 15th Berlin International Film Festival, he won the Youth Film Award – Honorable Mention, in the category of Best Feature Film Suitable for Young People for Cat Ballou. He was also nominated for the Golden Berlin Bear.In 1966, he was nominated for the DGA Award in the category for Outstanding Directorial Achievement in Motion Pictures (Cat Ballou). In 1971, he won the Bronze Wrangler award at the Western Heritage Awards in the category of Theatrical Motion Picture for A Man Called Horse, along with producer Sandy Howard, writer Jack DeWitt, and actors Judith Anderson, Jean Gascon, Corinna Tsopei and Richard Harris.In 1985, he won the Robert B. Aldrich Achievement Award from the Directors Guild of America. In 1990, he was awarded the DGA Honorary Life Member Award. Personal life Silverstein has been married three times, each ending in divorce. His first marriage was to Evelyn Ward in 1962; the couple divorced in 1968. His second marriage was to Alana King. During his first marriage, he was the step-father of David Cassidy. He currently lives in North Hollywood, Los Angeles. Actively retired, Silverstein has taught film at USC and continues to work on screen plays and other projects. Filmography Tales from the Crypt (TV Series) (1991–94) Picket Fences (TV Series) (1993) Rich Men, Single Women (TV Movie) (1990) Fight for Life (TV Movie) (1987) Night of Courage (TV Movie) (1987) Betrayed by Innocence (TV Movie) (1986) The Firm (TV Series) (1982–1983) The Car (1977) Nightmare Honeymoon (1974) A Man Called Horse (1970) The Happening (1967) Cat Ballou (1965) Kraft Suspense Theatre (TV Series) (1963–64) The Defenders (TV Series) (1962–64) Arrest and Trial (TV Series) (1964) The Doctors and the Nurses (TV Series) (1962–64) Twilight Zone (TV Series) (1961–64) Breaking Point (TV Series) (1963) Dr. Kildare (TV Series) (1961–63) The Dick Powell Theatre (TV Series) (1962) Belle Sommers (TV Movie) (1962) Naked City (TV Series) (1961–62) Have Gun - Will Travel (TV Series) (1961) Route 66 (TV Series) (1960–61) Checkmate (TV Series) (1961) The Westerner (TV Series) (1960) Assignment: Underwater (TV Series) (1960) Black Saddle (TV Series) (1960) Suspicion (TV Series) (1958) Omnibus (TV Series) (1954–56) Passage 8: Salvage with a Smile Salvage with a Smile is a 1940 British, black-and-white, sponsored war film, directed by Adrian Brunel and starring Ronald Shiner as the Dustman. It was produced by Ealing Studios and the Ministry of Supply for the Ministry of Information. Synopsis The educational film aims to help the "people back home" save paper, bones and metal, for the war effort. Cast Aubrey Mallalieu as The Professor Kathleen Harrison as The Housekeeper Ronald Shiner as The Dustman Phyllis Morris as Miss Green Passage 9: Ben Palmer Ben Palmer (born 1976) is a British film and television director. His television credits include the Channel 4 sketch show Bo' Selecta! (2002–2006), the second and third series of the E4 sitcom The Inbetweeners (2009–2010) and the Sky Atlantic comedy-drama Breeders (2020). Palmer has also directed films such as the Inbetweeners spin-off, The Inbetweeners Movie (2011) and the romantic comedy Man Up (2015). Biography Palmer was born and raised in Penny Bridge, Barrow-in-Furness. He attended Chetwynde School.His first directing job was the Channel 4 sketch show Bo' Selecta!, which he co-developed with its main star, Leigh Francis. Palmer directed the second and third series of the E4 sitcom The Inbetweeners in 2009 and 2010, respectively. Filmography Bo' Selecta! (2002–06) Comedy Lab (2004–2010) Bo! in the USA (2006) The Inbetweeners (2009–2010) The Inbetweeners Movie (2011) Comedy Showcase (2012) Milton Jones's House of Rooms (2012) Them from That Thing (2012) Bad Sugar (2012) Chickens (2013) London Irish (2013) Man Up (2015) SunTrap (2015) BBC Comedy Feeds (2016) Nigel Farage Gets His Life Back (2016) Back (2017) Comedy Playhouse (2017) Urban Myths (2017–19) Click & Collect (2018) Semi-Detached (2019) Breeders (2020) Passage 10: Sex with a Smile II Sex with a Smile II (originally titled Spogliamoci così, senza pudor) is a 1976 commedia sexy all'italiana film directed by Sergio Martino. Like its predecessor, Sex with a Smile, it is an anthology sex comedy film with a series of four comedic sketches that parody Italian sexual mores. Cast Ursula Andress: Marina Johnny Dorelli: Marco Antonioli Aldo Maccione: the detective Barbara Bouchet: Violante Enrico Montesano: Dante Zatteroni Alberto Lionello: Giangi Busacca Nadia Cassini: Françoise Ninetto Davoli: Pietro Maria Baxa: Maria Alvaro Vitali: Broccolini Gianrico Tedeschi: Silvestri Brenda Welch: soccer player Daniele Vargas: Lawyer Sante Zenaro See also List of Italian films of 1976

doc_25

Passage 1: Still of the Night Still of the Night or In the Still of the Night may refer to: In the Still of the Night (film), a Czech film Still of the Night (film), 1982 psychological thriller film, directed by Robert Benton "Still of the Night" (song), 1987, by Whitesnake "Still of the Night", a song by Quiet Riot from QR III "In the Still of the Night", a 1932 popular song written by Hoagy Carmichael and Jo Trent "In the Still of the Night" (Cole Porter song), a popular song by Cole Porter "In the Still of the Night" (The Five Satins song), 1956 doo-wop song, covered in 1992 by Boyz II Men In the Still of the Night (album), a 1989 Johnny Mathis album "Lost in the Fifties Tonight (In the Still of the Night)", a 1985 medley containing the Five Satins song Passage 2: Emile Ardolino Emile Ardolino (May 9, 1943 – November 20, 1993) was an American television and film director and producer, best known for his work on the films Dirty Dancing (1987) and Sister Act (1992). He won an Academy Award for Best Documentary Feature for his film He Makes Me Feel Like Dancin' (1983). Early life and career Ardolino was born in Maspeth, a neighborhood of Queens, the son of Italian immigrants Ester (nee Pesiri) and Emilio Ardolino.He began his career as an actor in Off-Broadway productions, and then moved to the production side of the business. In 1967, he founded Compton-Ardolino Films with Gardner Compton. In the 1970s and 1980s, Ardolino worked for PBS. He profiled dancers and choreographers for their Dance in America and Live from Lincoln Center series. Ardolino won an Academy Award for Best Documentary Feature for the 1983 film He Makes Me Feel Like Dancin'. He found commercial success with the Academy Award-winning 1987 hit Dirty Dancing. Death Ardolino died in California on November 20, 1993 of complications from AIDS. His last films, The Nutcracker (based on George Balanchine's New York City Ballet adaptation) and the television production of Gypsy starring Bette Midler, were released and shown posthumously. Ardolino is buried beside his parents at St. John Cemetery in New York. Personal life Ardolino was openly gay. Awards 1969 Obie Award for the Broadway production of Oh! Calcutta! 19 Emmy Award nominations, winning three 1983 Academy Award for Best Documentary Feature for He Makes Me Feel Like Dancin'. Partial filmography He Makes Me Feel Like Dancin' (1983) Dirty Dancing (1987) Chances Are (1989) Three Men and a Little Lady (1990) Sister Act (1992) The Nutcracker (1993) Gypsy (1993, TV movie) Passage 3: Ultimate Dirty Dancing Ultimate Dirty Dancing is a soundtrack album containing every song from the 1987 film Dirty Dancing, sequenced in the order it appears in the film. It was released on December 9, 2003, by RCA Records. Track listing Track listing "Be My Baby" – The Ronettes "Big Girls Don't Cry" – Frankie Valli & The Four Seasons "Merengue" – Michael Lloyd & Le Disc "Trot the Fox" – Michael Lloyd & Le Disc "Johnny's Mambo" – Michael Lloyd & Le Disc "Time of My Life" (instrumental version) – The John Morris Orchestra "Where Are You Tonight?" – Tom Johnston "Do You Love Me" – The Contours "Love Man" – Otis Redding "Gazebo Waltz" – Michael Lloyd "Stay" – Maurice Williams and the Zodiacs "Wipe Out" – The Surfaris "Hungry Eyes" – Eric Carmen "Overload" – Zappacosta "Hey! Baby" – Bruce Channel "De Todo Un Poco" – Michael Lloyd & Le Disc "Some Kind of Wonderful" – The Drifters "These Arms of Mine" – Otis Redding "Cry to Me" – Solomon Burke "Will You Love Me Tomorrow" – The Shirelles "Love Is Strange" – Mickey & Sylvia "You Don't Own Me" – The Blow Monkeys "Yes" – Merry Clayton "In the Still of the Night" – The Five Satins "She's Like the Wind" – Patrick Swayze "Kellerman's Anthem" – The Emile Bergstein Chorale "(I've Had) The Time of My Life" – Bill Medley & Jennifer Warnes Charts Certifications Passage 4: Dirty Dancing (disambiguation) Dirty Dancing is a 1987 film. Dirty Dancing may also refer to: Dirty Dancing (1988 TV series), an American television series that aired on CBS Dirty Dancing (2006 TV series), an American reality series that aired on WE tv network Dirty Dancing (2017 film), a musical television remake of the 1987 film Dirty Dancing (album), by Swayzak "Dirty Dancing" (song), by New Kids On The Block Dirty Dancing (soundtrack), soundtrack to the 1987 film Dirty Dancing: Havana Nights (also known as Dirty Dancing 2 or Dirty Dancing 2: Havana Nights), a 2004 film Dirty Dancing: The Classic Story on Stage, a stage musical Dirty Dancing: The Time of Your Life, a UK TV series Passage 5: La Bestia humana La Bestia humana is a 1957 Argentine film whose story is based on the 1890 novel La Bête Humaine by the French writer Émile Zola. External links La Bestia humana at IMDb Passage 6: Dirty Dancing: Havana Nights Dirty Dancing: Havana Nights (also known as Dirty Dancing 2 or Dirty Dancing 2: Havana Nights) is a 2004 American dance musical romance film directed by Guy Ferland and starring Diego Luna, Romola Garai, Sela Ward, John Slattery, Jonathan Jackson, January Jones, and Mika Boorem. The film is an unrelated prequel/"re-imagining" of the 1987 blockbuster Dirty Dancing, reusing the same basic plot, but transplanting it from upstate New York to Cuba on the cusp of the Cuban Revolution. Patrick Swayze, star of the original Dirty Dancing, appears as a dance instructor. It was mostly filmed in Old San Juan, Puerto Rico. Plot In 1958, Katey Miller (Romola Garai), her parents (Sela Ward and John Slattery), and her younger sister Susie (Mika Boorem) arrive in Cuba during the Cuban revolution. A self-described bookworm, Katey is not very happy about having to move to a different country during her senior year of high school, as she had been planning to attend Radcliffe College, although the rest of her family seem extremely pleased to be in Cuba. Meeting several other rich American teenagers down by the pool - including James Phelps (Jonathan Jackson), the son of her father's boss - Katey becomes disgusted when one of the teenagers insults a local waiter when he drops their drinks because Katey accidentally bumped into him. Katey attempts to talk to the waiter—Javier (Diego Luna), who works at the hotel to support his family—because she feels awful about what had occurred, but he is not interested. Katey watches a film of her mother and father dancing and wishes she could dance as well as they did. She and her father dance a bit. The next day in class, Katey is asked to read aloud from the Odyssey - a passage about love and passion. After class, James invites her to a party at the country club the next day and she accepts. While walking home from school, she sees Javier dancing to street music, and he offers to walk her home. They stop to listen to a street band and police show up, stopping Javier while Katey runs away. The next day, Katey tries some of the dance moves she saw. Javier sees her and asks her to come see the real dancers Saturday night, but she says she is already going to the country club. Javier gets upset and leaves. Katey wears one of her maid's dresses to the country club party and impresses James. Katey convinces him to take her to the Cuban nightclub La Rosa Negra (The Black Rose) where Javier is dancing with the ladies. Javier dances with Katey while James sits at the bar. Soon he is accosted by Javier's brother, Carlos, who tells him that they will eventually kick the Americans out of Cuba. Javier comes over and argues with his brother. James takes Katey back to the car and assaults her after she refuses to kiss him. She slaps him and runs into the club, and Javier agrees to walk her home. The next day, Katey walks by a dance class. The teacher (Patrick Swayze) asks if anyone wants to enter the big dance contest and then dances with Katey for a bit. She grabs a flyer for the competition. While walking to the pool, James apologizes to Katey and then tells her that Susie saw Javier with her and got him fired. Katey argues with Susie and goes to find Javier. He is now working at a chop shop with Carlos. She asks him to enter the dance contest with her, but he refuses. Meanwhile, it is becoming apparent that Carlos is helping the revolutionaries. The next day, Javier shows up at Katey's school and agrees to enter the dance contest with her. They start teaching each other dance moves and Javier convinces her to "feel the music." They practice all the time, and Katey dances some more with the dance teacher, until it is the night of the dance. Katey and Javier dance with the other couples on the floor and are chosen to go on to the next round. Katey's parents disapprove of her relationship with Javier, but Katey reconciles with them. On the night of the contest's final round, while Katey and Javier are on the dance floor, Javier sees his brother and some revolutionaries disguised as waiters, and the police soon try to arrest them. The contest stops as everyone flees the club, and Javier has to save Carlos from the police. Javier and Carlos talk about how they miss their dad, then they hear that Batista has fled the country and join the celebration. Later, Javier comes to the hotel and finds Katey. He takes her to the beach and they have sex. The next day, Katey's parents tell her they are leaving Cuba and she has one last night with Javier. They go to the Cuban club where they first danced, and the floor is theirs as they are dubbed King and Queen. Katey's family is there to see her, and Katey narrates that she doesn't know when she will see Javier again, but this will not be their last time to dance together. Cast Romola Garai as Katey Miller Diego Luna as Javier Suarez Sela Ward as Jeannie Miller John Slattery as Bert Miller Mika Boorem as Susie Miller Jonathan Jackson as James Phelps Rene Lavan as Carlos Suarez Patrick Swayze as Dance Class Instructor January Jones as Eve Mýa Harrison as Lola Martinez Angélica Aragón as Mrs. Suarez Kaly Cordova as Dancer Production Havana Nights is based on an original screenplay by playwright and NPR host Peter Sagal, based on the real life experience of producer JoAnn Jansen, who lived in Cuba as a 15-year-old in 1958–59. Sagal wrote the screenplay, which he titled Cuba Mine, about a young American woman who witnessed the Cuban revolution and had a romance with a young Cuban revolutionary. The screenplay was to be a serious political romance story, documenting, among other stories, how the Cuban revolution transformed from idealism to terror. It was commissioned in 1992 by Lawrence Bender, who was rising to fame with his production of Quentin Tarantino's Reservoir Dogs and Pulp Fiction. The screenplay was bought by a film studio, which requested several rewrites before deciding not to produce the film. A decade later, Bender decided to make a Dirty Dancing sequel, and the film was very loosely adapted from Sagal's script. Not a single line from Sagal's original screenplay appears in the final film and Sagal says that the only remnants of the political theme that existed in his script is a scene wherein some people are executed.Natalie Portman was offered the role of Katey Miller but she turned it down. Ricky Martin was also considered for the role of Javier Suarez. The film was British actress Romola Garai's first Hollywood film and she repeatedly has cited the filming of the movie as being an extremely negative experience which caused her to re-evaluate working in Hollywood. In a 2004 interview with The Telegraph she explained that the filmmakers "were obsessed with having someone skinny. I just thought, why didn't they get someone like Kate Bosworth, if that's what they wanted?"In October 2017, in the midst of producer Harvey Weinstein's sexual abuse allegations in Hollywood, Garai later revealed that Weinstein, whose company Miramax was co-producing the film, had required her to meet him alone in a hotel room while he was wearing only a bathrobe to obtain the part: "I had to go to his hotel room in the Savoy, and he answered the door in his bathrobe. I was only 18. I felt violated by it, it has stayed very clearly in my memory." Reception Review aggregator Rotten Tomatoes gives the film a 23% rating based on 108 reviews from critics, with an average rating of 4.2/10. The website provides a brief critical consensus: "Cheesy, unnecessary remake." On Metacritic, the film has a weighted average score of 39 out of 100, based on 32 critics, indicating "generally unfavorable reviews".Robert Denerstein of the Rocky Mountain News gave it a D+, saying: "Tries to add Cuban flavor to a familiar plot but comes up with nothing more than a bubbling stew of cliches." Peter Howell of the Toronto Star thought it to be "Charmless, clumsy and culturally offensive all at the same time" and merited it 1 out of 5 stars. Wesley Morris of The Boston Globe awarded it 2 out of 4 stars, saying: "As you might expect, the movie is as square as a sock hop." Philip Martin of the Arkansas Democrat-Gazette, who rated it B−, because "aside from the triteness of the dialogue, the mathematical predictability of the script and the muddling of numbskulled politics, DD: HN is a fairly enjoyable experience." According to Louis Hobson of Jam! Magazine, who thought the movie was worth 3.5 out of 5 stars, the main redeeming factor was the choreography: "You may have problems with the obvious, clichéd story, but the dancing is incredible." Philip Wuntch of The Dallas Morning News gave the film a C, stating that "both the dance numbers and the personal drama are largely listless." Soundtrack "Dance Like This" – Wyclef Jean featuring Claudette Ortiz "Dirty Dancing" – The Black Eyed Peas "Guajira (I Love U 2 Much)" – Yerba Buena "Can I Walk By" – Phalon Alexander featuring Monica Arnold "Satellite (From "Havana Nights")" – Santana featuring Jorge Moreno "El Beso Del Final" – Christina Aguilera "Represent, Cuba" – Orishas featuring Heather Headley "Do You Only Wanna Dance" – Mýa Harrison "You Send Me" – Shawn Kane "El Estuche" – Aterciopelados "Do You Only Wanna Dance" – Julio Daivel Big Band (conducted by Cucco Peña) "Satellite (Spanish Version) Nave Espacial (From "Havana Nights")" – Santana featuring Jorge Moreno Passage 7: Dirty Dancing Dirty Dancing is a 1987 American romantic drama dance film written by Eleanor Bergstein, produced by Linda Gottlieb, and directed by Emile Ardolino. Starring Patrick Swayze and Jennifer Grey, it tells the story of Frances "Baby" Houseman (Grey), a young woman who falls in love with dance instructor Johnny Castle (Swayze) at a vacation resort. The film was based on screenwriter Bergstein's own childhood. She originally wrote a screenplay for the Michael Douglas film It's My Turn, but ultimately ended up conceiving a story for a film which became Dirty Dancing. She finished the script in 1985, but management changes at Metro-Goldwyn-Mayer put the film in development hell. The production company was changed to Vestron Pictures with Emile Ardolino as director and Linda Gottlieb as producer. Filming took place in Lake Lure, North Carolina, and Mountain Lake, Virginia, with the film's score composed by John Morris and dance choreography by Kenny Ortega. Dirty Dancing premiered at the 1987 Cannes Film Festival on May 12, 1987, and was released on August 21, 1987, in the United States, earning over $214 million worldwide, and was the first film to sell more than a million copies for home video. It earned positive reviews from critics, who particularly praised the performances of Grey and Swayze, and its soundtrack, created by Jimmy Ienner, generated two multi-platinum albums and multiple singles. "(I've Had) The Time of My Life", performed by Bill Medley and Jennifer Warnes, won the Academy Award for Best Original Song, the Golden Globe Award for Best Original Song, and the Grammy Award for Best Pop Performance by a Duo or Group with Vocals.The film's popularity led to a 2004 prequel, Dirty Dancing: Havana Nights, and a stage version which has had sellout performances in Australia, Europe, and North America. A made-for-TV remake was also released in 2017. A sequel is scheduled to be released in 2024, with Grey reprising her role. Plot In the summer of 1963, 17-year-old Frances "Baby" Houseman is vacationing with her family—cardiologist father Jake, mother Marge and older sister Lisa—at Kellerman's, an upscale Catskills resort in the Borscht Belt owned by Jake's sarcastic best friend Max. Exploring one night, Baby secretly observes Max instructing the waiters, all Ivy League students, to romance the guests' daughters, no matter how unattractive. Max also demeans the working class entertainment staff, including Johnny Castle, one of the dance instructors. Baby is attracted to Johnny and dances briefly with him after his kindhearted cousin, Billy, introduces them at a secret "dirty dancing" party for resort staff. Max's grandson Neil flirts with Baby in the meantime. Baby learns Johnny's dance partner Penny is pregnant by Robbie, a waiter and womanizer who attends Yale School of Medicine and now has his eye on Lisa. When Robbie refuses to help Penny, Baby, without explaining why, borrows money from her father to pay for Penny's abortion. At first, Penny declines as it would cause her and Johnny to miss a performance at a nearby resort, costing them the season's salary, but Baby volunteers to stand in for Penny. During her dance sessions with Johnny, they develop a mutual attraction, and despite their failure to execute a climactic lift, Johnny and Baby's performance is successful. Back at Kellerman's, Penny is gravely injured by the botched abortion, and Baby enlists her father's help to stabilize Penny. Angered by Baby's deception, and assuming Johnny got Penny pregnant, Dr. Houseman orders Baby to stay away from them. Baby sneaks off to apologize to Johnny for her father's treatment, but Johnny feels he deserves it due to his lower status; Baby reassures him of his worth, declaring her love. They begin secretly seeing each other, and her father refuses to talk to her. Johnny rejects an indecent proposal by Vivian Pressman, an adulterous wife, who instead sleeps with Robbie, inadvertently foiling Lisa's plan to lose her virginity to him. When Vivian spots Baby leaving Johnny's cabin, she feels spurned and attempts revenge on Johnny by claiming he stole her husband's wallet. Max is ready to fire Johnny, but Baby backs up his alibi, revealing she was with Johnny the night of the theft. The real thieves, Sydney and Sylvia Schumacher, are caught, but Johnny is still fired for mixing with Baby. Before leaving, Johnny tries to talk to Dr. Houseman but is accused of only trying to get at Baby. Baby later apologizes to her father for lying, but not for her romance with Johnny, and then accuses him of classism. At the end-of-season talent show, Dr. Houseman gives Robbie a recommendation letter for medical school, but when Robbie admits that he got Penny pregnant, and then insults her and Baby, Dr. Houseman angrily grabs the letter back. Johnny arrives and disrupts the final song by bringing Baby up on stage and declaring that she has made him a better person, and then they perform the dance they practiced all summer, ending with a successful climactic lift. Dr. Houseman admits he was wrong about Johnny and reconciles with Baby, and all the staff and guests join Baby and Johnny dancing to "(I've Had) The Time of My Life". Cast Bruce Morrow appears in a cameo as a magician; Morrow himself could be heard as a DJ's voice in different parts of the film. Emile Ardolino and Matthew Broderick (who was dating Grey at the time and co-starred with her in Ferris Bueller's Day Off) have cameos. Soundtrack The Dirty Dancing album held the number one spot on the Billboard album chart for over four months. As of July 2022, the Dirty Dancing album has sold over 14 million copies. Production Pre-production Dirty Dancing is based in large part on screenwriter Eleanor Bergstein's own childhood: she is the younger daughter of a Jewish doctor from New York and had spent summers with her family in the Catskills where she participated in "Dirty Dancing" competitions; she was also nicknamed "Baby" herself as a girl. In 1980, Bergstein wrote a screenplay for the Michael Douglas film, It's My Turn; however, the producers cut an erotic dancing scene from the script, prompting her to conceive a new story that took inspiration from her youth dance competitions. In 1984, she pitched the idea to Metro-Goldwyn-Mayer (MGM) executive Eileen Miselle, who liked it and teamed Bergstein with producer Linda Gottlieb. They set the film in 1963, with the character of Baby based on Bergstein's own life and the character of Johnny based on the stories of Michael Terrace, a dance instructor whom Bergstein met in the Catskills in 1985 while she was researching the story. She finished the script in November 1985, but management changes at MGM put the script into turnaround, or limbo.Bergstein gave the script to other studios but was repeatedly rejected until she brought it to Vestron Pictures. While honing their pitch to Vestron, Gottlieb had agreed to cut the proposed budget in half. Bergstein and Gottlieb then chose Emile Ardolino as the film's director; Ardolino had never directed a feature film, but was extremely passionate about the project after reading the script while he was on jury duty. The team of Gottlieb, Bergstein, and Ardolino then presented their vision for the film to Vestron's president, Jon Peisinger, and the company's vice president for production, Mitchell Cannold. By the end of the meeting, Peisinger had greenlit the project to become Vestron's first feature film production. The approved film was budgeted at the relatively low amount of $5 million, at a time when the average cost for a film was $12 million.For choreographer, Bergstein chose Kenny Ortega, who had been trained by Gene Kelly. For a location, they did not find anything suitable in the Catskills (as many of the Borscht Belt resorts had been shut down at that point), so they decided on a combination of two locations: Lake Lure, North Carolina, and the Mountain Lake Hotel near Pembroke, Virginia, and with careful editing made it look like all shooting was done in the same area. Casting Director Ardolino was adamant that they choose dancers, such as Swayze, who could also act, as he did not want to use the "stand-in" method that had been used with Flashdance (1983).For the female lead of Frances "Baby" Houseman, Winona Ryder, Sarah Jessica Parker and Sharon Stone were considered. Bergstein chose the 26-year-old Jennifer Grey, daughter of the Oscar-winning actor and dancer Joel Grey (e.g., of the film Cabaret (1972)). Grey was paid $50,000 for her role. The producers then sought a male lead, initially considering 20-year-old Billy Zane, though initial screen tests when he was partnered with Grey did not meet expectations. Val Kilmer and Benicio del Toro were also considered for Johnny. The next choice was 34-year-old Patrick Swayze, who appeared in Grandview, U.S.A. (1984) and had co-starred with Grey on Red Dawn (1984). He was a seasoned dancer, with experience from the Joffrey Ballet. The producers were thrilled with him, but his resume read "No dancing" after a knee injury. However, Swayze read the script, liked the multi-level character of Johnny, and took the part anyway. After this, Johnny's heritage was changed from being Italian to Irish. Grey was initially not happy about the choice, as she and Swayze had difficulty getting along on Red Dawn, but when they did their dancing screen test, the chemistry between them was obvious. Bergstein described it as "breathtaking". Other casting choices were Broadway actor Jerry Orbach as Dr. Jake Houseman, Baby's father; and Jane Brucker as Lisa Houseman, her older sister. Bergstein, as the film's writer, also attempted to cast her friend, sex therapist Dr. Ruth Westheimer, to play Mrs. Schumacher (and Joel Grey as Dr. Ruth's husband). However, Westheimer backed out when she learned the role involved her playing a thief. The role went instead to 89-year-old Paula Trueman. Another role went to Bergstein's friend, New York radio personality "Cousin Brucie" Morrow. She initially wanted him to portray the social director, but then later asked him to play the part of the magician. Morrow himself could be heard at different parts of the movie as a New York area DJ (at the time of the film's setting he was working at WABC, a top 40 station), and served as period music consultant. The role of the social director went to the then-unknown Wayne Knight (later of Seinfeld and 3rd Rock from the Sun fame).The part of Baby's mother was originally given to Lynne Lipton, who is briefly visible in the beginning, when the Houseman family first pulls into Kellerman's (she is in the front seat for a few seconds; her blonde hair is the only indication), but she became ill during the first week of shooting and was replaced by actress Kelly Bishop, who had already been cast to play resort guest Vivian Pressman. Bishop moved into the role of Mrs. Houseman, and the film's assistant choreographer Miranda Garrison took on the role of Vivian. (When Baby is dancing in the final scene, the line that her mother says to Jerry Orbach, "She gets that from me ..." is a wink to the fact that Kelly Bishop was in the original cast of A Chorus Line, using the name at that time of Carole Bishop, and had been a professional dancer.) Filming Principal photography for Dirty Dancing took place in Lake Lure, North Carolina, and Mountain Lake, Virginia. Scenes in Lake Lure were filmed at a former Boy Scout Camp called Camp Occoneechee, which is now a private, residential community known as Firefly Cove. These scenes included the interior dancing scenes, Baby carrying the watermelon and practicing on the signature stairs, Johnny's cabin, the staff cabins, the golf scene where Baby asks her father for $250 and the famous "log" scenes. The climactic lift scene was filmed in the ballroom of the Lake Lure Inn. Scenes filmed at Mountain Lake included dining scenes, Kellerman's Hotel, the beach games, the Houseman family's cabins, the water lift scene and Penny crying in the kitchen. Filming started for Dirty Dancing on September 5, 1986, and lasted just 43 days. The production had to battle bad weather, including outside temperatures of 105 °F (41 °C). With the camera and lighting equipment needed for filming, the temperature inside could be as high as 120 °F (49 °C). According to choreographer Kenny Ortega, 10 people passed out within 25 minutes of shooting one day. Paula Trueman collapsed and was taken to the local emergency room to be treated for dehydration. Patrick Swayze also required a hospital visit; insisting on doing his own stunts, he repeatedly fell off the log during the "balancing" scene and injured his knee so badly he had to have fluid drained from the swelling.Delays in the shooting schedule pushed filming into the autumn, which required the set decorators to spray-paint the autumn leaves green. The weather became cold, causing the lake's temperatures to drop to near 40 °F (4 °C) for the famous swimming scene, which was filmed in October. Despite her character's enjoyment, Grey later described the water as "horrifically" cold, and she might not have gone into the lake, except that she was "young and hungry".Relations between the two main stars varied throughout production. They had already had trouble getting along in their previous project, Red Dawn (1984), and worked things out enough to have an extremely positive screen test, but that initial cooperation soon faded, and they were soon "facing off" before every scene. To address this, producer Bergstein and director Ardolino forced the stars to re-watch their initial screen-tests—the ones with the "breathtaking" chemistry. This had the desired effect, and Swayze and Grey were able to return to the film with renewed energy and enthusiasm.Some of the scenes in the film are improvised. For example, the scene where Grey was to stand in front of Swayze with her back to him and put her arm up behind his head while he trailed his fingers down her arm. Grey was exhausted at the time and found the move ticklish, and could not stop giggling each time Swayze tried it, and he became annoyed. The footage was found in the editing room and the producers decided the scene worked as it was and put it into the film, complete with Grey's giggling and Swayze's annoyed expression. It became one of the most famous scenes in the movie, turning out, as choreographer Kenny Ortega put it, "as one of the most delicate and honest moments in the film." Post-production The shooting wrapped on October 27, 1986, both on-time and on-budget. No one on the team, however, liked the rough cut that was put together, and Vestron executives were convinced the film was going to be a flop. Thirty-nine percent of people who viewed the film did not realize abortion was the subplot. In May 1987, the film was screened for producer Aaron Russo. According to Vestron executive Mitchell Cannold, Russo's reaction at the end was to say simply, "Burn the negative, and collect the insurance."Further disputes arose over whether a corporate sponsor could be found to promote the film. Marketers of the Clearasil acne product liked the film, seeing it as a vehicle to reach a teen target audience. However, when they learned the film contained an abortion scene, they asked for that part of the plot to be cut. As Bergstein refused, the Clearasil promotion was dropped. Consequently, Vestron promoted the film themselves and initially aimed for a July premiere before setting the premiere on August 16, 1987. The Vestron executives had planned to release the film in theaters for a weekend, and then home video, since Vestron had been in the video distribution business before film production. Reception Critical response Review aggregator Rotten Tomatoes gives the film a rating of 72% based on reviews from 74 critics and a rating average of 6.30/10. The site's critical consensus reads, "Like its winsome characters, Dirty Dancing uses impressive choreography and the power of song to surmount a series of formidable obstacles." Metacritic, another review aggregator, assigned the film a weighted average score of 65 out of 100, based on 20 critics, indicating "generally favorable reviews". Audiences polled by CinemaScore gave the film an average grade of "A−" on an A+ to F scale.The New York Times described the film as "a metaphor for America in the summer of 1963— orderly, prosperous, bursting with good intentions, a sort of Yiddish-inflected Camelot." Other reviews were more mixed: Gene Siskel gave the film a "marginal Thumbs Up" as he liked Jennifer Grey's acting and development of her character, while Roger Ebert gave it "Thumbs Down" due to its "idiot plot", calling it a "tired and relentlessly predictable story of love between kids from different backgrounds." Time magazine was lukewarm, saying, "If the ending of Eleanor Bergstein's script is too neat and inspirational, the rough energy of the film's song and dance does carry one along, past the whispered doubts of better judgment." In a retrospective review, Jezebel's Irin Carmon called the film "the greatest movie of all time" as "a great, brave movie for women" with "some subtle, retrospectively sharp-eyed critiques of class and gender."Abortion rights advocates have called the film the "gold standard" for cinematic portrayals of abortion, which author Yannis Tzioumakis described as offering a "compassionate depiction of abortion in which the woman seeking an abortion was not demonized with the primary concerns being her health and preserving her capacity to bear children at a future time rather than the ethical dilemma that might or might not inform her decision, a portrayal that is not necessarily available in current films."The film drew adult audiences instead of the expected teens, with viewers rating the film highly. Many filmgoers, after seeing the film once, went back into the theater to watch it a second time. Word-of-mouth promotion took the film to the number one position in the United States, and in 10 days it had broken the $10 million mark. By November, it was also achieving international fame. Within seven months of release, it had brought in $63 million in the US and boosted attendance in dance classes across America. It was one of the highest-grossing films of 1987, earning $170 million worldwide.The film's popularity continued to grow after its initial release. It was the number one video rental of 1988 and became the first film to sell a million copies on video. When the film was re-released in 1997, ten years after its original release, Swayze received his own star on the Hollywood Walk of Fame, and videos were still selling at the rate of over 40,000 per month. As of 2005, it was selling a million DVDs per year, with over ten million copies sold as of 2007.A May 2007 survey by Britain's Sky Movies listed Dirty Dancing as number one on "Women's most-watched films", above the Star Wars trilogy, Grease, The Sound of Music, and Pretty Woman. The film's popularity has also caused it to be called "the Star Wars for girls."The film's music has also had considerable impact. The closing song, "(I've Had) The Time of My Life", has been listed as the "third most popular song played at funerals" in the UK.In October 2021, amid a dispute over abortion in Texas, magazine The Hollywood Reporter recommended the film as one to revisit on abortion in the cinema industry. Angie Han, writing for the magazine, highlighted Eleanor Bergstein's writing of the film. Awards and honors The film is recognized by American Film Institute in these lists: 2002: AFI's 100 Years...100 Passions – #93 2004: AFI's 100 Years...100 Songs: "(I've Had) The Time of My Life" – #86 "Do You Love Me" – Nominated 2005: AFI's 100 Years...100 Movie Quotes: Johnny Castle: "Nobody puts Baby in a corner." – #98 2006: AFI's 100 Years...100 Cheers – Nominated Music Rehearsals for the dancing, and some filming, used music from Bergstein's personal collection of gramophone records. When it came time to select actual music for the film, Vestron chose Jimmy Ienner as music supervisor. Ienner, who had previously produced albums and songs for John Lennon and Three Dog Night, opted to stick with much of the music that had already been used during filming and obtained licenses for the songs from Bergstein's collection. He also enlisted Swayze to sing the new song "She's Like the Wind". Swayze had written the song a few years earlier with Stacy Widelitz, originally intending for it to be used in the film Grandview, U.S.A. (1984).John Morris composed the film's score. The lyrics for the Kellermans' song that closes the talent show were written specifically for the film and were sung to the tune of "Annie Lisle", a commonly used theme for school alma maters. Kenny Ortega and his assistant Miranda Garrison chose the song for the finale by going through an entire box of tapes, listening to each one. According to Ortega, literally the last tape they listened to had "The Time of My Life", which they saw as the obvious choice. Ienner then insisted that Bill Medley and Jennifer Warnes record it. The song won the 1988 Grammy Award for Best Pop Performance by a Duo or Group, an Academy Award for Best Original Song, and the Golden Globe Award for Best Original Song.The film's soundtrack started an oldies music revival, and demand for the album caught RCA Records by surprise. The Dirty Dancing album spent 18 weeks at number one on the Billboard 200 album sales charts and went platinum 14 times, selling more than 32 million copies worldwide. It spawned a follow-up multi-platinum album in February 1988, entitled More Dirty Dancing.Songs from the album that appeared on the charts included: "(I've Had) The Time of My Life," performed by Bill Medley and Jennifer Warnes, composed by Franke Previte, John deNicola, and Donald Markowitz – this song rose to No. 1 on the pop charts. "She's Like the Wind," performed by lead actor Patrick Swayze, composed by Swayze and Stacy Widelitz; this song peaked at No. 3 in 1988. "Hungry Eyes," performed by Eric Carmen, composed by Franke Previte and John deNicola; this song peaked at No. 4 in 1988. "Yes," performed by Merry Clayton, composed by Neal Cavanaugh, Terry Fryer, and Tom Graf; this song peaked No. 45 in 1988.Additionally, the resurgence in popularity of the oldies contained in the movie led to a re-release of The Contours' single "Do You Love Me." "Do You Love Me" was featured in the movie but was omitted from the original soundtrack; it was included on More Dirty Dancing. Upon being re-released, "Do You Love Me" became a surprise hit all over again, this time peaking at No. 11 (it originally hit No. 3 back in 1962). Legacy Various images and lines from the film have worked their way into popular culture. Johnny Castle's line, "Nobody puts Baby in a corner", has been used in song lyrics, as the title of the "Nobody Puts Baby in a Corner" episode of the TV series Veronica Mars, and as the title of a Fall Out Boy song. "Nobody puts Baby in a corner" was also quoted in Supernatural: when Dean says the line concerning his beloved Impala and his brother Sam retorts that the line is from a Swayze movie; Dean responds: "Swayze always gets a pass". The line was parodied in the webcomic Looking for Group where Richard, one of the primary characters, uttered a variation involving his own name, and in Family Guy, where the scene is parodied by Baby's parents questioning Johnny due to her youth. In Sweden, feminist art group Sisters of Jam put the text "Nobody puts Baby in a corner" (in English) in white neon light at Umeå Bus Square (2008) and at Karlstad University (2012).Family Guy also parodies the scene where Baby first sees Johnny dancing with the staff. In the TV series How I Met Your Mother, Barney Stinson attempts to pass off the Dirty Dancing story as the story of his own loss of virginity because he is ashamed of his actual story; the original "Love is Strange" scene is shown with Barney replacing Johnny. The famous lift scene is also widely referenced in popular culture. In the 2011 film Crazy, Stupid, Love Ryan Gosling's character is able to perform the "move from Dirty Dancing” and does it with Emma Stone's character. In 2015, UnitedHealthcare released a commercial with a couple dancing and attempting to perform the "lift" scene. In the soap opera Coronation Street the famous lift dance sequence was rehearsed for the 2018 wedding of Steve McDonald and Tracy Barlow and was also performed to "The Time of My Life" as in the film. The French film Heartbreaker (2010) pays homage to the film, as a plot detail, with some clips from the film shown and a "recreation" by the two main characters of the "lift" scene. In the first episode of the TV series New Girl, the female lead Jess watches the film repeatedly after her break up. Jess continues to repeatedly watch the film after various break-ups throughout the series. The resort where Dirty Dancing was filmed has themed weekend activities, such as dance lessons, guided tours, film screenings, parties, and lawn games.The film is screened annually for incoming first-years at Mount Holyoke College, specifically for the line "Baby's starting Mount Holyoke in the fall." Alternate versions Stage version The film was adapted for the stage in 2004 as a musical, Dirty Dancing: The Classic Story on Stage. Produced by Jacobsen Entertainment in Australia for $6.5 million, it was written by Eleanor Bergstein and had the same songs as the film, plus a few extra scenes. Musical direction was by Chong Lim (one of the composers for the 2000 Summer Olympics in Sydney), and the initial production starred Kym Valentine as Baby and Sydney Dance Company's Josef Brown as Johnny. Although reviews were mixed, the production was a commercial success, selling over 200,000 tickets during its six-month run. It has also had sellout runs in Germany and in London's West End, where it opened at the Aldwych Theatre on October 23, 2006, with the highest pre-sell in London history, earning £6 million (US$12 million). As of March 2011, over 1 million people have seen the musical in London, selling out 6 months in advance. The original West End production closed in July 2011 after a five-year run, prior to a two-year national tour. The show returned to the West End at the Piccadilly Theatre and ran from July 13, 2013, to February 22, 2014, before resuming its tour of the United Kingdom and the Republic of Ireland.A New York production was in the planning stage in 2006, with the show first starting in other North American cities. It broke box office records in May 2007 for its first such venue, selling $2 million on the first day of ticket sales in Toronto, Ontario, Canada. The production opened on November 15, 2007, at the Royal Alexandra Theatre, with an all-Canadian cast, except for Monica West (Baby Housman), Britta Lazenga (Penny), and Al Sapienza (Jack Housman). After Toronto, the musical opened in Chicago in previews on September 28, 2008, and officially on October 19, 2008, running through January 17, 2009, followed by Boston (February 7 – March 15, 2009) and Los Angeles.An official American tour began in September 2014 at the National Theatre in Washington, DC with dates scheduled in 31 cities. Previews started August 26 and the official opening night was on September 2. The original tour's cast included Jillian Mueller as Frances "Baby" Houseman, Samuel Pergande as Johnny Castle, Jenny Winton as Penny Johnson, Mark Elliot Wilson as Dr. Jack Houseman, Emily Rice as Lisa Houseman, Gary Lynch as Max Kellerman, Jesse Liebman as Neil Kellerman, Caralyn Kozlowski as Marjorie Houseman, Sam Edgerly as Robbie Gould, Jerome Harmann-Hardeman as Tito Suarez, Doug Carpenter as Billy Kostecki, Amanda Brantley as Vivian Pressman, Jon Drake as Moe Pressman, and Herman Petras as Mr. Schumacher. Tours and TV show Dirty Dancing has appeared in other forms than the stage version. In 1988, a music tour named Dirty Dancing: Live in Concert, featuring Bill Medley and Eric Carmen, played 90 cities in three months. Also in 1988, the CBS network launched a Dirty Dancing television series, however with none of the original cast or crew. The series was canceled after only a few episodes. Sequel In 2020, a sequel to the film was announced. Jennifer Grey will reprise the role as Baby Houseman. As part of their presentation during CinemaCon 2022, producer and, through their ownership of the Vestron library, current owner of the film Lionsgate announced the film had the tentative title of DD and reaffirmed that Grey would still reprise her role as Baby. On May 9, 2022, it was announced that the film was eyeing a 2024 release date, with Jonathan Levine announced to direct. Prequel In 2004, a prequel of the film was released, entitled Dirty Dancing: Havana Nights. It tells the story of a sheltered American teenager learning about life through dance, when her family relocates to Havana, Cuba just before the 1959 Cuban Revolution. Swayze was paid $5 million to appear in a cameo role as a dance teacher. 20th anniversary releases For the 20th anniversary in 2007, the film was re-released in theaters with additional footage, while the original film version was re-released on DVD with deleted scenes, and included writer commentary. At the same time, Codemasters released Dirty Dancing: The Video Game. In the United Kingdom, the anniversary was marked by a reality TV show based on the film; titled Dirty Dancing: The Time of Your Life, the TV show was filmed at the Mountain Lake resort. In the UK, to mark the 20th anniversary of the film, Channel 5 broadcast a special documentary called Seriously Dirty Dancing. It was presented by Dawn Porter, an investigative journalist and a self-confessed Dirty Dancing addict. The documentary was very successful, being Channel Five's highest rated documentary of 2007. Porter visited the set of the film, met other Dirty Dancing fanatics, and learned the last dance, which she performed at the end of the documentary in front of family and friends. Remake In August 2011, Lionsgate, which owns the film rights, announced their plan to remake the film. It was confirmed that the studio had hired the film's choreographer, Kenny Ortega, to direct. "We believe that the timing couldn't be better to modernize this story on the big screen, and we are proud to have Kenny Ortega at the helm", Joe Drake, president of Lionsgate's Motion Picture Group, explained about the project. A miniseries version of Dirty Dancing had been scheduled to be shot in Western North Carolina. As of July 29, 2015, the miniseries has been put on hold.In December 2015, ABC ordered a three-hour musical remake of Dirty Dancing, starring Abigail Breslin, Colt Prattes, Debra Messing, Sarah Hyland, Nicole Scherzinger, Billy Dee Williams & Shane Harper. It aired on May 24, 2017. It received negative reviews from a majority of critics. Passage 8: Curtis Bernhardt Curtis Bernhardt (15 April 1899 – 22 February 1981) was a German film director born in Worms, Germany, under the name Kurt Bernhardt. Career He trained as an actor in Germany, and performed on the stage, before starting as a film director in 1924, with Nameless Heroes. Other films include A Stolen Life (1946) and Sirocco (1951). Bernhardt made films in Germany from 1925 until 1933, when he was forced to flee the Third Reich — who briefly had him arrested — because he was Jewish. Bernhardt directed films in France and England before moving on to Hollywood to work for Warner Brothers in 1940. He produced and directed his last Hollywood picture, Kisses for My President (1964), about the nation's first female Chief Executive starring Polly Bergen and Fred MacMurray.He is interred at Glendale's Forest Lawn Memorial Park Cemetery, near his wife, Pearl Argyle Wellman Bernhardt. Filmography Passage 9: Torments of the Night Torments of the Night (German: Qualen der Nacht) is a 1926 German silent drama film directed by Curtis Bernhardt and starring Claire Rommer, Ernö Verebes and William Dieterle. It was distributed by the German subsidiary of the American company Fox Film. Cast Claire Rommer as Minnie Hinrichsen Ernö Verebes as Kurt Elversam William Dieterle as Jap Geel Fritz Rasp as Kellner Alexander Granach as Murphy Margarete Kupfer Hermann Vallentin Passage 10: Dirty Dancing: Havana Nights Dirty Dancing: Havana Nights (also known as Dirty Dancing 2 or Dirty Dancing 2: Havana Nights) is a 2004 American dance musical romance film directed by Guy Ferland and starring Diego Luna, Romola Garai, Sela Ward, John Slattery, Jonathan Jackson, January Jones, and Mika Boorem. The film is an unrelated prequel/"re-imagining" of the 1987 blockbuster Dirty Dancing, reusing the same basic plot, but transplanting it from upstate New York to Cuba on the cusp of the Cuban Revolution. Patrick Swayze, star of the original Dirty Dancing, appears as a dance instructor. It was mostly filmed in Old San Juan, Puerto Rico. Plot In 1958, Katey Miller (Romola Garai), her parents (Sela Ward and John Slattery), and her younger sister Susie (Mika Boorem) arrive in Cuba during the Cuban revolution. A self-described bookworm, Katey is not very happy about having to move to a different country during her senior year of high school, as she had been planning to attend Radcliffe College, although the rest of her family seem extremely pleased to be in Cuba. Meeting several other rich American teenagers down by the pool - including James Phelps (Jonathan Jackson), the son of her father's boss - Katey becomes disgusted when one of the teenagers insults a local waiter when he drops their drinks because Katey accidentally bumped into him. Katey attempts to talk to the waiter—Javier (Diego Luna), who works at the hotel to support his family—because she feels awful about what had occurred, but he is not interested. Katey watches a film of her mother and father dancing and wishes she could dance as well as they did. She and her father dance a bit. The next day in class, Katey is asked to read aloud from the Odyssey - a passage about love and passion. After class, James invites her to a party at the country club the next day and she accepts. While walking home from school, she sees Javier dancing to street music, and he offers to walk her home. They stop to listen to a street band and police show up, stopping Javier while Katey runs away. The next day, Katey tries some of the dance moves she saw. Javier sees her and asks her to come see the real dancers Saturday night, but she says she is already going to the country club. Javier gets upset and leaves. Katey wears one of her maid's dresses to the country club party and impresses James. Katey convinces him to take her to the Cuban nightclub La Rosa Negra (The Black Rose) where Javier is dancing with the ladies. Javier dances with Katey while James sits at the bar. Soon he is accosted by Javier's brother, Carlos, who tells him that they will eventually kick the Americans out of Cuba. Javier comes over and argues with his brother. James takes Katey back to the car and assaults her after she refuses to kiss him. She slaps him and runs into the club, and Javier agrees to walk her home. The next day, Katey walks by a dance class. The teacher (Patrick Swayze) asks if anyone wants to enter the big dance contest and then dances with Katey for a bit. She grabs a flyer for the competition. While walking to the pool, James apologizes to Katey and then tells her that Susie saw Javier with her and got him fired. Katey argues with Susie and goes to find Javier. He is now working at a chop shop with Carlos. She asks him to enter the dance contest with her, but he refuses. Meanwhile, it is becoming apparent that Carlos is helping the revolutionaries. The next day, Javier shows up at Katey's school and agrees to enter the dance contest with her. They start teaching each other dance moves and Javier convinces her to "feel the music." They practice all the time, and Katey dances some more with the dance teacher, until it is the night of the dance. Katey and Javier dance with the other couples on the floor and are chosen to go on to the next round. Katey's parents disapprove of her relationship with Javier, but Katey reconciles with them. On the night of the contest's final round, while Katey and Javier are on the dance floor, Javier sees his brother and some revolutionaries disguised as waiters, and the police soon try to arrest them. The contest stops as everyone flees the club, and Javier has to save Carlos from the police. Javier and Carlos talk about how they miss their dad, then they hear that Batista has fled the country and join the celebration. Later, Javier comes to the hotel and finds Katey. He takes her to the beach and they have sex. The next day, Katey's parents tell her they are leaving Cuba and she has one last night with Javier. They go to the Cuban club where they first danced, and the floor is theirs as they are dubbed King and Queen. Katey's family is there to see her, and Katey narrates that she doesn't know when she will see Javier again, but this will not be their last time to dance together. Cast Romola Garai as Katey Miller Diego Luna as Javier Suarez Sela Ward as Jeannie Miller John Slattery as Bert Miller Mika Boorem as Susie Miller Jonathan Jackson as James Phelps Rene Lavan as Carlos Suarez Patrick Swayze as Dance Class Instructor January Jones as Eve Mýa Harrison as Lola Martinez Angélica Aragón as Mrs. Suarez Kaly Cordova as Dancer Production Havana Nights is based on an original screenplay by playwright and NPR host Peter Sagal, based on the real life experience of producer JoAnn Jansen, who lived in Cuba as a 15-year-old in 1958–59. Sagal wrote the screenplay, which he titled Cuba Mine, about a young American woman who witnessed the Cuban revolution and had a romance with a young Cuban revolutionary. The screenplay was to be a serious political romance story, documenting, among other stories, how the Cuban revolution transformed from idealism to terror. It was commissioned in 1992 by Lawrence Bender, who was rising to fame with his production of Quentin Tarantino's Reservoir Dogs and Pulp Fiction. The screenplay was bought by a film studio, which requested several rewrites before deciding not to produce the film. A decade later, Bender decided to make a Dirty Dancing sequel, and the film was very loosely adapted from Sagal's script. Not a single line from Sagal's original screenplay appears in the final film and Sagal says that the only remnants of the political theme that existed in his script is a scene wherein some people are executed.Natalie Portman was offered the role of Katey Miller but she turned it down. Ricky Martin was also considered for the role of Javier Suarez. The film was British actress Romola Garai's first Hollywood film and she repeatedly has cited the filming of the movie as being an extremely negative experience which caused her to re-evaluate working in Hollywood. In a 2004 interview with The Telegraph she explained that the filmmakers "were obsessed with having someone skinny. I just thought, why didn't they get someone like Kate Bosworth, if that's what they wanted?"In October 2017, in the midst of producer Harvey Weinstein's sexual abuse allegations in Hollywood, Garai later revealed that Weinstein, whose company Miramax was co-producing the film, had required her to meet him alone in a hotel room while he was wearing only a bathrobe to obtain the part: "I had to go to his hotel room in the Savoy, and he answered the door in his bathrobe. I was only 18. I felt violated by it, it has stayed very clearly in my memory." Reception Review aggregator Rotten Tomatoes gives the film a 23% rating based on 108 reviews from critics, with an average rating of 4.2/10. The website provides a brief critical consensus: "Cheesy, unnecessary remake." On Metacritic, the film has a weighted average score of 39 out of 100, based on 32 critics, indicating "generally unfavorable reviews".Robert Denerstein of the Rocky Mountain News gave it a D+, saying: "Tries to add Cuban flavor to a familiar plot but comes up with nothing more than a bubbling stew of cliches." Peter Howell of the Toronto Star thought it to be "Charmless, clumsy and culturally offensive all at the same time" and merited it 1 out of 5 stars. Wesley Morris of The Boston Globe awarded it 2 out of 4 stars, saying: "As you might expect, the movie is as square as a sock hop." Philip Martin of the Arkansas Democrat-Gazette, who rated it B−, because "aside from the triteness of the dialogue, the mathematical predictability of the script and the muddling of numbskulled politics, DD: HN is a fairly enjoyable experience." According to Louis Hobson of Jam! Magazine, who thought the movie was worth 3.5 out of 5 stars, the main redeeming factor was the choreography: "You may have problems with the obvious, clichéd story, but the dancing is incredible." Philip Wuntch of The Dallas Morning News gave the film a C, stating that "both the dance numbers and the personal drama are largely listless." Soundtrack "Dance Like This" – Wyclef Jean featuring Claudette Ortiz "Dirty Dancing" – The Black Eyed Peas "Guajira (I Love U 2 Much)" – Yerba Buena "Can I Walk By" – Phalon Alexander featuring Monica Arnold "Satellite (From "Havana Nights")" – Santana featuring Jorge Moreno "El Beso Del Final" – Christina Aguilera "Represent, Cuba" – Orishas featuring Heather Headley "Do You Only Wanna Dance" – Mýa Harrison "You Send Me" – Shawn Kane "El Estuche" – Aterciopelados "Do You Only Wanna Dance" – Julio Daivel Big Band (conducted by Cucco Peña) "Satellite (Spanish Version) Nave Espacial (From "Havana Nights")" – Santana featuring Jorge Moreno

doc_26

Passage 1: O Valencia! "O Valencia!" is the fifth single by the indie rock band The Decemberists, and the first released from their fourth studio album, The Crane Wife. The music was written by The Decemberists and the lyrics by Colin Meloy. It tells a story of two star-crossed lovers. The singer falls in love with a person who belongs to an opposing gang. At the end of the song, the singer's lover jumps in to defend the singer, who is confronting his lover's brother (the singer's "sworn enemy") and is killed by the bullet intended for the singer. Track listing The 7" single sold in the UK was mispressed, with "Culling of the Fold" as the B-side despite the artwork and record label listing "After the Bombs" as the B-side. Music videos For the "O Valencia!" music video, The Decemberists filmed themselves in front of a green screen and asked fans to complete it by digitally adding in background images or footage. Stephen Colbert of The Colbert Report, having recently asked fans to do the same with a video of him with a light saber in front of a green screen, brought up The Decemberists on his segment "Look Who's Riding on My Coattails Now" and accused the band of stealing the idea. The Decemberists' response was to challenge Stephen Colbert to a guitar solo showdown on December 20, 2006, on The Colbert Report.On January 19, 2007, The Decemberists premiered an alternate music video of "O Valencia!", directed by Aaron Stewart-Ahn, on MTV2. The video follows a character named Patrick, played by Meloy, as he and his love Francesca (Lisa Molinaro), daughter of "the Boss", plan an escape to an unknown location. At a cafe, a man in a suit, portrayed by the band member Chris Funk, tells him to hide in the "Valencia" hotel (the Super Value Inn on North Interstate Avenue in Portland, Oregon) while he gets them the necessary documentation to escape. Above the name of the hotel, there is a neon sign that reads "Office". The letters have all burnt out except for the "O", creating the title of the song. The video then introduces other characters - various assassination teams - who sit in different rooms of the hotel waiting for the chance to catch the two lovers. Most are portrayed by other members of the band (along with Meloy's wife, Carson Ellis). They kill off any potential witnesses to their plan. Patrick manages to take down one member from each team, before they gang up on him. The Boss arrives, along with the man from the cafe, who reveals that he snitched on Patrick and Francesca. They execute Francesca, while forcing Patrick to watch. After they leave, Patrick finds a note by Francesca, which reveals that she never fell in love with him, and only wanted protection. 2 months later, Patrick and the man, who has lost an eye from a previous assassination attempt, have a sit-down at the same cafe. The man reveals that he snitched on Patrick just to take over the town. Patrick reveals that he poisoned a drink the man was having, but before he could get away, the man stabs Patrick in the neck with a fork before dying, followed by Patrick. The video is somewhat influenced by the distinct style and themes of director Wes Anderson, with bold fonts being used to introduce characters and groups on the bottom of the screen (much like in the film The Royal Tenenbaums). The band had previously (and more explicitly) drawn influence from Anderson's Rushmore in their video for "Sixteen Military Wives". The layout of the hotel is also similar to the one used in Bottle Rocket. Kurt Nishimura was chosen as the winner by mtvU for his video that depicted a love affair between a woman and her television, with the TV containing the green-screened Decemberists video footage. Passage 2: Donna Summer Donna Adrian Gaines (December 31, 1948 – May 17, 2012), known professionally as Donna Summer, was an American singer and songwriter. She gained prominence during the disco era of the 1970s and became known as the "Queen of Disco", while her music gained a global following.Influenced by the counterculture of the 1960s, Summer became the lead singer of a psychedelic rock band named Crow and moved to New York City. In 1968, she joined a German adaptation of the musical Hair in Munich, where she spent several years living, acting, and singing. There, she met music producers Giorgio Moroder and Pete Bellotte, and they went on to record influential disco hits together such as "Love to Love You Baby" and "I Feel Love", marking Summer's breakthrough into international music markets. Summer returned to the United States in 1976, and more hits such as "Last Dance", her version of "MacArthur Park", "Heaven Knows", "Hot Stuff", "Bad Girls", "Dim All the Lights", "No More Tears (Enough Is Enough)" with Barbra Streisand, and "On the Radio" followed. Summer amassed a total of 32 chart singles on the US Billboard Hot 100 in her lifetime, including 14 top ten singles and four number one singles. She claimed a top-40 hit every year between 1976 and 1984, and from her first top-ten hit in 1976, to the end of 1982, she had 12 top-ten hits (10 were top-five hits), more than any other act during that time period. She returned to the Hot 100's top five in 1983, and claimed her final top-ten hit in 1989 with "This Time I Know It's for Real". She was the first artist to have three consecutive double albums reach the top of the US Billboard 200 chart and charted four number-one singles in the US within a 12-month period. She also charted two number-one singles on the R&B Singles chart in the US and a number-one single in the United Kingdom. Her last Hot 100 hit came in 1999 with "I Will Go with You (Con te partirò)". While her fortunes on the Hot 100 waned in subsequent decades, Summer remained a force on the Billboard Dance Club Songs chart throughout her entire career. Summer died in 2012 from lung cancer, at her home in Naples, Florida. She sold over 100 million records worldwide, making her one of the best-selling music artists of all time. She won five Grammy Awards. In her obituary in The Times, she was described as the "undisputed queen of the Seventies disco boom" who reached the status of "one of the world's leading female singers." Moroder described Summer's work on the song "I Feel Love" as "really the start of electronic dance" music. In 2013, Summer was inducted into the Rock and Roll Hall of Fame. In December 2016, Billboard ranked her sixth on its list of the "Greatest of All Time Top Dance Club Artists". Early life Donna Adrian Gaines was born on December 31, 1948, in Boston, Massachusetts, to Andrew and Mary Gaines, and was third of seven children. She was raised in the Boston neighborhood of Mission Hill. Her father was a butcher, and her mother was a schoolteacher.Summer's performance debut occurred at church when she was ten years old, replacing a vocalist who failed to appear. She attended Boston's Jeremiah E. Burke High School where she performed in school musicals and was considered popular. In 1967, just weeks before graduation, Summer left for New York City, where she joined the blues rock band Crow. After a record label passed on signing the group since it was only interested in the band's lead singer, the group agreed to dissolve.Summer stayed in New York and auditioned for a role in the counterculture musical, Hair. She landed the part of Sheila and agreed to take the role in the Munich production of the show, moving there in August 1968 after getting her parents' reluctant approval. She eventually became fluent in German, singing various songs in that language, and participated in the musicals Ich bin ich (the German version of The Me Nobody Knows), Godspell, and Show Boat. Within three years, she moved to Vienna, Austria, and joined the Vienna Volksoper. She briefly toured with an ensemble vocal group called FamilyTree, the creation of producer Günter "Yogi" Lauke.In 1968, Summer released (as Donna Gaines) on Polydor her first single, a German version of the title "Aquarius" from the musical Hair, followed in 1971 by a second single, a remake of the Jaynetts' 1963 hit, "Sally Go 'Round the Roses", from a one-off European deal with Decca Records. In 1969, she issued the single "If You Walkin' Alone" on Philips Records.She married Austrian actor Helmuth Sommer in 1973, and gave birth to their daughter Natalia Pia Melanie "Mimi" Sommer, the same year. She provided backing vocals for producer-keyboardist Veit Marvos on his Ariola Records release Nice to See You, credited as "Gayn Pierre". Several subsequent singles included Donna performing with the group, and the name "Gayn Pierre" was used while performing in Godspell with Helmuth Sommer during 1972. Their marriage subsequently ended in divorce, and she married singer-guitarist Bruce Sudano in 1980. Music career 1974–1979: Initial success While working as a model part-time and backing singer in Munich, Summer met producer Giorgio Moroder and Pete Bellotte during a recording session for Three Dog Night at Musicland Studios. The trio forged a working partnership, and Donna was signed to their Oasis label in 1974. A demo tape of Summer's work with Moroder and Bellotte led to a deal with the European-distributed label Groovy Records. Due to an error on the record cover, Donna Sommer became Donna Summer; the name stuck. Summer's first album was Lady of the Night. It became a hit in the Netherlands, Sweden, Germany and Belgium on the strength of two songs, "The Hostage" and the title track "Lady of the Night". "The Hostage" reached the top of the charts in France, but was removed from radio playlists in Germany because of the song's subject matter: a high ranking politician that had recently been kidnapped and held for ransom. One of her first TV appearances was in the television show, Van Oekel's Discohoek, which started the breakthrough of "The Hostage", and in which she gracefully went along with the scripted absurdity and chaos in the show. In 1975, Summer passed on an idea for a song to Moroder who was working with another artist; a song that would be called "Love To Love You Baby". Summer, Moroder and Bellotte wrote the song together, and together they worked on a demo version with Summer singing the song. Moroder decided that Summer's version should be released. Seeking an American release for the song, it was sent to Casablanca Records president Neil Bogart. Bogart played the song at one of his extravagant industry parties, where it was so popular with the crowd, they insisted that it be played over and over, each time it ended. Bogart requested that Moroder produce a longer version for discothèques. Moroder, Bellotte, and Summer returned with a 17-minute version. Bogart tweaked the title and Casablanca signed Summer, releasing the single in November 1975. The shorter 7" version of the single was promoted by radio stations, while clubs regularly played the 17-minute version (the longer version would also appear on the album). By early 1976, "Love to Love You Baby" had reached No. 2 on the US Hot 100 chart and had become a Gold single, while the album had sold over a million copies. The song generated controversy due to Summer's moans and groans, which emulated lovemaking, and some American stations, like those in Europe with the initial release, refused to play it. Despite this, "Love to Love You Baby" found chart success in several European countries, and made the Top 5 in the United Kingdom despite the BBC ban. Casablanca Records wasted no time releasing the follow-up album A Love Trilogy, featuring "Try Me, I Know We Can Make It". In 1977, Summer released the concept album I Remember Yesterday. The song "I Feel Love", reached No. 6 on the Hot 100 chart. and No. 1 in the UK. She received her first American Music Award nomination for Favorite Soul/R&B Female Artist. The single would attain Gold status and the album went Platinum in the US. Another concept album, also released in 1977, was Once Upon a Time, a double album which told of a modern-day Cinderella "rags to riches" story. This album would attain Gold status. Summer recorded the song "Down Deep Inside" as the theme song for the 1977 film The Deep. In 1978, Summer acted in the film Thank God It's Friday, the film met with modest success; the song "Last Dance", reached No. 3 on the Hot 100. The soundtrack and single both went Gold and resulted in Summer winning her first Grammy Award, for Best Female R&B Vocal Performance. Its writer, Paul Jabara, won both an Academy Award and Golden Globe Award for the composition. Summer also had "With Your Love" and "Je t'aime... moi non plus", on the soundtrack. Her version of the Jimmy Webb ballad, "MacArthur Park", became her first No. 1 hit on the Hot 100 chart. It was also the only No. 1 hit for songwriter Jimmy Webb; the single went Gold and topped the charts for three weeks. She received a Grammy nomination for Best Female Pop Vocal Performance. The song was featured on Summer's first live album, Live and More, which also became her first album to hit number one on the US Billboard 200 chart and went double-Platinum, selling over 2 million copies. The week of November 11, 1978, Summer became the first female artist of the modern rock era to have the No. 1 single on the Hot 100 and album on the Billboard 200 charts, simultaneously. The song "Heaven Knows", which featured Brooklyn Dreams singer Joe "Bean" Esposito; reached No. 4 on the Hot 100 and became another Gold single. In 1979, Summer won three American Music Awards for Single, Album and Female Artist, in the Disco category at the awards held in January. Summer performed at the world-televised Music for UNICEF Concert, joining contemporaries such as ABBA; Olivia Newton-John; the Bee Gees; Andy Gibb; Rod Stewart; John Denver; Earth, Wind & Fire; Rita Coolidge; and Kris Kristofferson for a TV special that raised funds and awareness for the world's children. Artists donated royalties of certain songs, some in perpetuity, to benefit the cause. Summer began work on her next project with Moroder and Bellotte, Bad Girls. Moroder brought in Harold Faltermeyer, with whom he had collaborated on the soundtrack of film Midnight Express, to be the album's arranger. In 1979, Summer gained 5 big hits such as "Hot Stuff" and "Bad Girls", "Heaven Knows", "Dim All the Lights", and No More Tears (Enough Is Enough)". The week of June 16, 1979, Summer would again have the number-one single on the Hot 100 chart, and the number-one album on the Billboard 200 chart; when "Hot Stuff" regained the top spot on the Hot 100 chart. The following week, "Bad Girls" would be on top of the US Top R&B albums chart. 1980–1985: She Works Hard For The Money, unreleased album, new record label Summer received four nominations for the 7th Annual American Music Awards in 1980, and took home awards for Female Pop/Rock and Female Soul/R&B Artist; and well as Pop/Rock single for "Bad Girls". In 1980, her single "On the Radio", reached No. 5, selling over a million copies in the US alone, making it a Gold single. "The Wanderer" reached #3 on the Hot 100. Summer would again receive a Grammy nomination for Best Female Pop Vocal Performance. Just over a week after the awards, Summer had her own nationally televised special, The Donna Summer Special, which aired on ABC network on January 27, 1980. After the release of the On the Radio album, Summer wanted to branch out into other musical styles, which led to tensions between her and Casablanca Records. Casablanca wanted her to continue to record disco only. Summer was upset with President Neil Bogart over the early release of the single "No More Tears (Enough Is Enough)", because Casablanca didn't wait until her previous single, "Dim All the Lights", had peaked; she had penned "Dim All the Lights" alone, and was hoping for a number-one hit as a songwriter. Summer and the label parted ways in 1980, and she signed with Geffen Records, the new label started by David Geffen. Summer filed a $10 million lawsuit against Casablanca; the label counter-sued. In the end, she did not receive any money, but won the rights to her own lucrative song publishing.Summer's first Geffen album, The Wanderer, featured an eclectic mixture of sounds, bringing elements of rock, rockabilly, new wave, and gospel music. The Wanderer was rushed to market; the producers of the album wanted more production time. The album continued Summer's streak of Gold albums with the "title track" peaking at No. 3 on the Hot 100 chart. Its follow-up singles were, "Cold Love", No. 33; and "Who Do You Think You're Foolin'", No. 40. Summer was nominated for Best Female Rock Vocal Performance for "Cold Love", and Best Inspirational Performance for "I Believe in Jesus" at the 1981 Grammy Awards. She would soon be working on her next album. It was to be another double album set. When David Geffen stopped by the studio for a preview, he was warned that it was a work in progress, but it was almost done. That was a mistake, because only a few tracks had been finished, and most of them were in demo phase. He heard enough to tell producers that it was not good enough; the project was canceled. It would be released years later in 1996, under the title I'm a Rainbow. Over the years, a few of the tracks would be released. The song "Highway Runner" appears on the soundtrack for the film Fast Times at Ridgemont High. "Romeo" appears on the Flashdance soundtrack. Both, "I'm a Rainbow" and "Don't Cry for Me Argentina" would be on her 1993 anthology album. David Geffen hired top R&B and pop producer Quincy Jones to produce Summer's next album, the eponymously titled Donna Summer. The album took over six months to record as Summer, who was pregnant at the time, found it hard to sing. During the recording of the project, Neil Bogart died of cancer in May 1982 at age 39. Summer would sing at his funeral. The album included the top-ten hit "Love Is in Control (Finger on the Trigger)"; for which she received a Grammy nomination for Best Female R&B Vocal Performance. Summer was also nominated for Best Female Rock Vocal Performance for "Protection", penned for her by Bruce Springsteen. Other singles included a cover of the Jon and Vangelis song "State of Independence" (No. 41 pop) and "The Woman in Me" (No. 33 pop). By then Geffen Records had been notified by Polygram Records, which now owned Casablanca, that Summer still needed to deliver to them one more album to fulfill her contract. Summer had her biggest success in the 1980s while on Geffen's roster with her next album She Works Hard for the Money and its title song—which were released by Mercury Records in a one-off arrangement to settle Summer's split with the soon-to-be-defunct Casablanca Records, whose catalogue now resided with Mercury and Casablanca's parent company PolyGram. Summer recorded and delivered the album She Works Hard for the Money and Polygram released it on its Mercury imprint in 1983. The title song became a major hit, reaching No. 3 on the US Hot 100, as well as No. 1 on Billboard's R&B chart for three weeks. It also garnered Summer another Grammy nomination, for Best Female Pop Vocal Performance. "Unconditional Love", which featured the British group Musical Youth, and "Love Has a Mind of Its Own" did not crack the top 40. The album itself was certified Gold, and climbed to No. 9 on the Billboard 200 chart; the highest chart position of any female artist in male-dominated 1983. The song "He's a Rebel" would win Summer her third Grammy Award, this time for Best Inspirational Performance. British director Brian Grant was hired to direct Summer's video for "She Works Hard for the Money". The video was a success, being nominated for Best Female Video and Best Choreography at the 1984 MTV Music Video Awards; Summer became one of the first African-American artists, and the first African-American female artist to have her video played in heavy rotation on MTV. Grant would also be hired to direct Summer's Costa Mesa HBO concert special, A Hot Summers Night. Grant, who was a fan of the song "State of Independence", had an idea for a grand finale. He wanted a large chorus of children to join Summer on stage at the ending of the song. His team looked for local school children in Orange County, to create a chorus of 500 students. On the final day of rehearsals, the kids turned up and they had a full rehearsal. According to Grant, "It looked and sounded amazing. It was a very emotional, very tearful experience for everyone who was there." He thought if this was that kind of reaction in rehearsal, then what an impact it would have in the concert. After the rehearsal Grant was informed that he could not use the kids because the concert would end after 10 pm; children could not be licensed to be on stage at such a late hour (California had strict child labor laws in 1983). "It's a moment that I regret immensely: a grand finale concept I came up with that couldn't be filmed in the end". When the final sequence was filmed, Summer's daughter Mimi and her family members joined her on stage for "State of Independence". In late 1983, David Geffen enlisted "She Works Hard for the Money's" producer Michael Omartian to produce Cats Without Claws. Summer was happy that Geffen and his executives stayed out of the studio during the recording and thanked him in the album's liner notes, but her request for the lead single would be rejected. The album failed to attain Gold status in the US, her first album not to do so. It was first album not to yield a top-ten hit, since 1977's Once Upon a Time. The Drifters cover "There Goes My Baby" reached No. 21 and "Supernatural Love" went to No. 75. She would win another Grammy for Best Inspirational Performance for the song "Forgive Me". On January 19, 1985, she sang at the nationally televised 50th Presidential Inaugural Gala the day before the second inauguration of Ronald Reagan. 1986–1989: All Systems Go, Another Place and Time In 1986, Harold Faltermeyer wrote the title song for a German ski movie called Fire and Ice, and thought Summer would be ideal to sing the song. He decided to reach out to Summer and, although she was not interested in singing the song, she was very much interested in working with Faltermeyer again. After a meeting with David Geffen he was on board with the project. Summer's main objective for the album was that it have stronger R&B influences; Faltermeyer who had just finished doing the soundtracks to Top Gun and Fletch, was after a tough FM-oriented sound. On completion, Geffen liked what he heard, but his executives did not think there were enough songs that could be deemed singles. They wanted Faltermeyer to produce "Dinner with Gershwin", but he was already busy with another project, so another producer was found. They also substituted a previous recording called "Bad Reputation", songs like "Fascination", fell by the wayside. Geffen had shared the vision of moving Summer into the R&B market as a veteran artist, but these expectations were not met. Faltermeyer, in a 2012 interview with Daeida Magazine, said, "She was an older artist by then and the label's priority may have been on the youth market. The decision was made afterward by executives who were looking for a radio hit for 1987 and not something that would perhaps last beyond then." The label's President Ed Rosenblatt would later admit: "The company never intended to focus on established superstars". The album All Systems Go, did not achieve Gold status and became her lowest charting studio album in the US to date. The single "Dinner with Gershwin" (written by Brenda Russell) stalled at 48 in the US, though it became a hit in the UK, peaking at No. 13. The album's title track, "All Systems Go", was released only in the UK, where it peaked at No. 54.For Summer's next album, Geffen Records hired the British hit production team of Stock Aitken Waterman (or SAW), who enjoyed incredible success writing and producing for such acts as Kylie Minogue, Bananarama, and Rick Astley, among others. The SAW team describe the working experience as a labour of love, and said it was their favourite album of all that they had recorded. Geffen decided not to release the album Another Place and Time, and Summer and Geffen Records parted ways in 1988. The album was released in Europe in March 1989 on Warner Bros. Records, which had been Summer's label in Europe since 1982. The single "This Time I Know It's for Real" became a top ten hit in several countries in Europe, prompting Warner Bros.' sister company, Atlantic Records, to sign Summer in the US. The single peaked at No. 7 on the US Hot 100 and became her 12th Gold single in America. She scored two more UK hits from the album, "I Don't Wanna Get Hurt" (UK No. 7) and "Love's About to Change My Heart" (UK No. 20).In 1989, Summer and her husband, Bruce Sudano, had been in talks to do a new kind of reality-based sitcom. It would be based on their own hectic household. At the time, they lived with their children Amanda, Brooklyn and Mimi, two sets of in-laws, and a maid. The television network started changing the premise of the show, making it less funny, says Sudano, "And because we were an interracial couple, they didn't want us to be married anymore". In 1989, this was "an issue. So with that mentality we just backed out of it." 1990–1999: Mistaken Identity, acting, and Live & More Encore In 1990, a Warner compilation, The Best of Donna Summer, was released (no US issue). The album went Gold in the UK after the song "State of Independence" was re-released there to promote the album. The following year, Summer worked with producer Keith Diamond emerged with the album Mistaken Identity, which included elements of R&B as well as new jack swing. "When Love Cries" continued her success on the R&B charts, reaching No. 18. However, the album was commercially unsuccessful, failing to enter the US Billboard 200 and any chart outside the United States. It only entered at number 97 on the US Top R&B Albums chart. In 1992, Summer embarked on a world tour and later that year received a star on the Hollywood Walk of Fame. She reunited with Giorgio Moroder, for the song "Carry On", which was included on the 1993, Polygram issued The Donna Summer Anthology, it contained 34 tracks of Summer's material with Casablanca and Mercury Records, and from her tenures with Atlantic and Geffen.Summer signed with Mercury/Polygram that same year, and in 1994 she re-teamed with producer Michael Omartian to record a Christmas album, Christmas Spirit, which included classic Christmas songs such as "O Holy Night" and "White Christmas" and three Summer-penned songs, "Christmas is Here", "Lamb of God" and the album's title track. Summer was accompanied by the Nashville Symphony Orchestra. Another hits collection, Endless Summer: Donna Summer's Greatest Hits, was released featuring eighteen songs. There were two new tracks "Melody of Love (Wanna Be Loved)" and "Any Way at All". In 1994, she also contributed to the Tribute to Edith Piaf album, singing "La Vie En Rose". In 1995, "Melody of Love (Wanna Be Loved)" went No. 1 on the US dance charts, and No. 21 in the UK. In 1996, Summer recorded a duet with Bruce Roberts, "Whenever There Is Love", which appeared on the soundtrack to the film Daylight. In 1996, Summer also recorded "Does He Love You" with Liza Minnelli, which appeared Minnelli's Gently. During this time, Summer had role on the sitcom Family Matters as Steve Urkel's (Jaleel White) Aunt Oona. She made two appearances, season 5's "Aunt Oona" and season 8's "Pound Foolish". In 1998, Summer received the first Grammy Award for Best Dance Recording, after a remixed version of her 1992 collaboration with Giorgio Moroder, "Carry On", was released in 1997. In 1999, Summer was asked to do the Divas 2 concert, but when she went in and met with the producers, it was decided that they would do Donna in concert by herself. Summer taped a live television special for VH1 titled Donna Summer – Live & More Encore, producing the second-highest ratings for the network that year, after their annual Divas special. A CD of the event was released by Epic Records and featured two studio recordings, "I Will Go with You (Con te partirò)" and "Love Is the Healer", both of which reached No. 1 on the US dance charts. 2000–2009: Later recordings and Crayons In 2000, Summer participated in VH1's third annual Divas special, dedicated to Diana Ross; she sang the Supremes hit Reflections, and her own material for the show. "The Power of One" is a theme song for the movie Pokémon: The Movie 2000. The dramatic ballad was produced by David Foster and dance remixes were also issued to DJs and became another dance floor success for Summer, peaking at No. 2 on the same chart in 2000. In 2003, Summer issued her autobiography, Ordinary Girl: The Journey, and released a best-of set titled The Journey: The Very Best of Donna Summer. In 2004, Summer was inducted into the Dance Music Hall of Fame as an artist, alongside the Bee Gees and Barry Gibb. Her classic song, "I Feel Love", was inducted that night as well. In 2004 and 2005, Summer's success on the dance charts continued with the songs "You're So Beautiful" and "I Got Your Love". In 2004, Summer re-recorded 'No More Tears (Enough Is Enough)' with the Irish pop band Westlife (with a live performance) for the compilation album, DiscoMania. In 2008, Summer released her first studio album of fully original material in 17 years, entitled Crayons. Released on the Sony BMG label Burgundy Records, it peaked at No. 17 on the US Top 200 Album Chart, her highest placing on the chart since 1983. The songs "I'm a Fire", "Stamp Your Feet" and "Fame (The Game)" all reached No. 1 on the US Billboard Dance Chart. The ballad "Sand on My Feet" was released to adult contemporary stations and reached No. 30 on that chart. Summer said, "I wanted this album to have a lot of different directions on it. I did not want it to be any one baby. I just wanted it to be a sampler of flavors and influences from all over the world. There's a touch of this, a little smidgeon of that, a dash of something else, like when you're cooking." On December 11, 2009, Donna Summer appeared at the Nobel Peace Prize Concert for Barack Obama. 2010–present: Final recordings and posthumous releases On July 29, 2010, Summer gave an interview with Allvoices.com wherein she was asked if she would consider doing an album of standards. She said, "I actually am, probably in September. I will begin work on a standards album. I will probably do an all-out dance album and a standards album. I'm going to do both and we will release them however we're going to release them. We are not sure which is going first."In August 2010, Summer released the single "To Paris With Love", co-written with Bruce Roberts and produced by Peter Stengaard. The single went to No. 1 on the US Billboard Dance Chart in October 2010. That month, Summer also appeared on the PBS television special Hitman Returns: David Foster and Friends. In it, Summer performed with Seal on a medley of the songs "Un-Break My Heart", "Crazy", and "On the Radio" before closing the show with "Last Dance".On September 15, 2010, Summer appeared as a guest celebrity, singing alongside contestant Prince Poppycock, on the television show America's Got Talent.Also in 2010, Summer recorded a version of the Dan Fogelberg song "Nether Lands" for a Fogelberg tribute project. According to a comment on Fogelberg's website, the song had great personal significance for Summer. On June 6, 2011, Summer was a guest judge on the show Platinum Hit, in an episode entitled "Dance Floor Royalty". In July of that same year, Summer was working at Paramount Recording Studios in Los Angeles with her nephew, the rapper and producer O'Mega Red. Together they worked on a track titled "Angel".On December 11, 2012, after four prior nominations, Summer was posthumously announced to be one of the 2013 inductees to the Rock and Roll Hall of Fame, and was inducted on April 18, 2013, at Los Angeles' Nokia Theater.A remix album titled Love to Love You Donna, containing new remixes of some of Summer's classics, was released in October 2013. "MacArthur Park" was remixed by Laidback Luke for the remix collection; it was also remixed by Ralphi Rosario, which version was released to dance clubs all over America and successfully peaked at No. 1, giving Summer her first posthumous number-one single, and her sixteenth number-one on the charts.In 2021, Summer's estate released a reedited version of her ninth studio album I'm a Rainbow, subtitled Recovered & Recoloured. The new edition is reduced to 10 tracks (15 on vinyl and streaming releases), with each song remixed by contemporary producers and remixers.Her self-titled album was re-released in 2022 by Summer's estate subtitled as 40th Anniversary Edition. In 2023, Summer’s “She Works Hard For The Money” album was re-released with additional mixes to commemorate the album’s 40th Anniversary. That same year, a documentary revolving around Summer and her career, Love to Love You, Donna Summer, directed by her daughter, Brooklyn Sudano and Roger Ross Williams had its world premiere at the 73rd Berlin International Film Festival in February 2023, and was released in May 2023, on HBO. Controversy In the mid-1980s, Summer was embroiled in a controversy when she allegedly made anti-gay remarks regarding the relatively new disease AIDS. Summer publicly denied she had ever made such comments and in a letter to the AIDS campaign group ACT UP in 1989 said it was "a terrible misunderstanding." In explaining why she had not responded to ACT UP sooner, Summer stated, "I was unknowingly protected by those around me from the bad press and hate letters. If I have caused you pain, forgive me." She closed her letter with Bible quotes (from Chapter 13 of 1 Corinthians).In 1989, Summer told The Advocate magazine, "A couple of the people I write with are gay, and they have been ever since I met them. What people want to do with their bodies is their personal preference". A couple of years later, she filed a lawsuit against New York magazine when it printed an old story about the rumors as fact, just as she was about to release her album Mistaken Identity in 1991. According to a Biography television program dedicated to Summer in which she participated in 1995, the lawsuit was settled out of court, though neither side was able to divulge any details. Personal life Summer was raised in the African Methodist Episcopal Church. She married Austrian actor Helmuth Sommer in 1973 and gave birth to their daughter, Natalia Pia Melanie Sommer (called Mimi) the same year. The couple divorced in 1976, but Summer adopted the Anglicized version of her ex-husband's surname as her stage name.Summer married Brooklyn Dreams singer Bruce Sudano on July 16, 1980. On January 5, 1981, she gave birth to their daughter Brooklyn Sudano (who is now an actress, singer and dancer), and on August 11, 1982, she gave birth to their daughter Amanda Sudano (who in 2005 became one half of the musical duo Johnnyswim, alongside Abner Ramirez). Summer was also one of the founding members of Oasis Church in Los Angeles.Summer and her family moved from the Sherman Oaks area of Los Angeles to Nashville, Tennessee, in 1995, where she took time off from show business to focus on painting, a hobby she had developed in the 1980s. Death Summer died on May 17, 2012, aged 63, at her home in Naples, Florida, from lung cancer. Being a nonsmoker, Summer theorized that her cancer had been caused by inhaling toxic fumes and dust from the September 11 attacks in New York City; she was in her apartment near Ground Zero when the attacks occurred. However, some reports have instead attributed the cancer to Summer's smoking during her younger years, her continued exposure to second-hand smoking while performing in clubs well after she had quit, and a predisposition to this disease in the family. Summer was survived by her husband, Bruce Sudano, and her three daughters.Summer's funeral service was held in Christ Presbyterian Church in Nashville, Tennessee, on the afternoon of May 23, 2012. The exact location and time of the service were kept private. Several hundred of Summer's friends and relatives attended the funeral, according to CNN. The funeral was a private ceremony, and cameras were not allowed inside the church. She was interred in the Harpeth Hills Memory Gardens cemetery in Nashville. Reaction Singers and music industry professionals around the world reacted to Summer's death. Gloria Gaynor said she was "deeply saddened" and that Summer was "a fine lady and human being". Liza Minnelli said, "She was a queen, The Queen Of Disco, and we will be dancing to her music forever." She said that her "thoughts and prayers are with her family always." Dolly Parton said, "Donna, like Whitney, was one of the greatest voices ever. I loved her records. She was the disco queen and will remain so. I knew her and found her to be one of the most likable and fun people ever. She will be missed and remembered." Janet Jackson wrote that Summer "changed the world of music with her beautiful voice and incredible talent." Barbra Streisand wrote, "I loved doing the duet with her. She had an amazing voice and was so talented. It's so sad." Quincy Jones wrote that Summer's voice was "the heartbeat and soundtrack of a generation."Aretha Franklin said, "It's so shocking to hear about the passing of Donna Summer. In the 1970s, she reigned over the disco era and kept the disco jumping. Who will forget 'Last Dance'? A fine performer and a very nice person." Chaka Khan said, "Donna and I had a friendship for over 30 years. She is one of the few black women I could speak German with and she is one of the few friends I had in this business." Gloria Estefan averred that "It's the end of an era", and posted a photo of herself with Summer. Mary J. Blige tweeted "RIP Donna Summer !!!!!!!! You were truly a game changer !!!" Lenny Kravitz wrote "Rest in peace Donna, You are a pioneer and you have paved the way for so many of us. You transcended race and genre. Respect. Lenny".Beyoncé wrote a personal note: "Donna Summer made music that moved me both emotionally and physically to get up and dance. You could always hear the deep passion in her voice. She was so much more than the queen of disco she became known for, she was an honest and gifted singer with flawless vocal talent. I've always been a huge fan and was honored to sample one of her songs. She touched many generations and will be sadly missed. My love goes out to her family during this difficult time. Love, B".David Foster said, "My wife and I are in shock and truly devastated. Donna changed the face of pop culture forever. There is no doubt that music would sound different today if she had never graced us with her talent. She was a super-diva and a true superstar who never compromised when it came to her career or her family. She always did it with class, dignity, grace and zero attitude. She lived in rare air ... She was the most spectacular, considerate, constant, giving, generous and loving friend of 35 years. I am at a total loss trying to process this tragic news."US President Barack Obama said, "Michelle and I were saddened to hear about the passing of Donna Summer. A five-time Grammy Award winner, Donna truly was the 'Queen of Disco.' Her voice was unforgettable and the music industry has lost a legend far too soon. Our thoughts and prayers go out to Donna's family and her dedicated fans."Summer was honored at the 2012 Billboard Music Awards ceremony. Singer Natasha Bedingfield honored Summer, calling her "a remarkable woman who brought so much light and who inspired many women, including myself, through her music. And if we can remember her through her music, this will never really be the last dance." After her statement, she began to sing "Last Dance", Summer's Academy Award-winning song. As she sang the song, photos of Summer were displayed on a screen overhead.Fans paid tribute to Summer by leaving flowers and memorabilia on her star on the Hollywood Walk of Fame. A few days after her death, her album sales increased by 3,277%, according to Nielsen SoundScan. Billboard magazine reported that the week before she died, Summer sold about 1,000 albums. After her death that number increased to 26,000. Legacy According to singer Marc Almond, Summer's collaboration with producer Giorgio Moroder "changed the face of music". Summer was the first artist to have three consecutive double albums reach No. 1 on Billboard's album chart: Live and More, Bad Girls and On the Radio: Greatest Hits Volumes I & II. She became a cultural icon and her prominence on the dance charts, for which she was referred to as the Queen of Disco, made her not just one of the defining voices of that era, but also an influence on pop artists from Madonna to Beyoncé. Unlike some other stars of disco who faded as the music became less popular in the early 1980s, Summer was able to grow beyond the genre and segued to a pop-rock sound. She had one of her biggest hits in the 1980s with "She Works Hard For the Money", which became another anthem, this time for women's rights. Summer was the first black woman to be nominated for an MTV Video Music Award. Summer remained a force on the Billboard Dance/Club Play Songs chart throughout her career and notched 16 number one singles. Her last studio album, 2008's Crayons, spun off three No. 1 dance/club hits with "I'm a Fire", "Stamp Your Feet" and "Fame (The Game)". In May 2012, it was announced that "I Feel Love" was included in the list of preserved recordings at the Library of Congress' National Recording Registry. Her Rock and Roll Hall of Fame page listed Summer as "the Diva De Tutte Dive, the first true diva of the modern pop era".In 2018, Summer: The Donna Summer Musical, a biographical musical featuring Summer's songs, began performances on Broadway at the Lunt-Fontanne Theatre, following a 2017 world premiere at the La Jolla Playhouse in San Diego.In the 2019 film How to Build a Girl, Donna Summer is among the figures featured in Johanna's wall collage.In 2023, Rolling Stone ranked Summer at number 122 on its list of the 200 Greatest Singers of All Time. Concert tours Discography Filmography Awards and nominations Passage 3: Kristian Leontiou Kristian Leontiou (born February 1982) is an English singer. Formerly a solo artist, he is the lead singer of indie rock band One eskimO. Early life Kristian Leontiou was born in London, England and is of Greek Cypriot descent. He went to Hatch End High School in Harrow and worked several jobs in and around London whilst concentrating on music when he had any free time. In 2003 he signed a major record deal with Polydor. At the time, Leontiou was dubbed "the new Dido" by some media outlets. His debut single "Story of My Life" was released in June 2004 and reached #9 in the UK Singles Chart. His second single "Shining" peaked at #13 whilst the album Some Day Soon was certified gold selling in excess of 150,000 copies. Leontiou toured the album in November 2004 taking him to the US to work with L.A Reid, Chairman of the Island Def Jam music group. Unhappy with the direction his career was going, on a flight back from the US in 2004 he decided to take his music in a new direction. Splitting from his label in late 2005, he went on to collaborate with Faithless on the song "Hope & Glory" for their album ‘'To All New Arrivals'’. It was this release that saw him unleash the One eskimO moniker. It was through working with Rollo Armstrong on the Faithless album, that Rollo got to hear an early demo of "Astronauts" from the One eskimO project. Being more than impressed by what he heard, Rollo opened both his arms and studio doors to Leontiou and they began to co-produce the ‘'All Balloons’' album. It was at this time that he paired up with good friend Adam Falkner, a drummer/musician, to introduce a live acoustic sound to the album. They recorded the album with engineer Phill Brown (engineer for Bob Marley and Robert Plant) at Ark studios in St John's Wood where they recorded live then headed back to Rollo's studio to add the cinematic electro touches that are prominent on the album. Shortly after its completion, One eskimO's "Hometime" was used on a Toyota Prius advert in the USA. The funds from the advert were then used to develop the visual aspect of One eskimO. He teamed up with friend Nathan Erasmus (Gravy Media Productions) along with animation team Smuggling Peanuts (Matt Latchford and Lucy Sullivan) who together began to develop the One eskimO world, the first animation produced was for the track ‘Hometime’ which went on to win a British animation award in 2008. In 2008 Leontiou started a new management venture with ATC Music. By mid-2008 Time Warner came on board to develop all 10 One eskimO animations which were produced the highly regarded Passion Pictures in London. Now with all animation complete and a debut album, One eskimO prepare to unveil themselves fully to the world in summer 2009. Leontiou released a cover version of Tracy Chapman's "Fast Car", which was originally released as a single in 2005. Leontiou's version was unable to chart, however, due to there being no simultaneous physical release alongside the download single, a UK chart rule that was in place at the time. On 24 April 2011, the song entered the singles chart at number 88 due to Britain's Got Talent contestant Michael Collings covering the track on the show on 16 April 2011. Discography Albums Singles Notes A - Originally released as a single in April 2005, Leontiou's version of "Fast Car" did not chart until 2011 in the UK. Also featured on Now That's What I Call Music! 58 (Story of My Life) Win a Date with Tad Hamilton! OST, Love Love Songs - The Ultimate Love Collection (Shining) Summerland OST (The Crying) Passage 4: Panda (Astro song) Astro is the first album of long duration (after the EP Le disc of Astrou) of Chilean indie band Astro, released in 2011. The first single from the album was "Ciervos" and followed "Colombo", "Panda" and "Manglares". This album was chosen by National Public Radio among the 50 discs of 2012. Track listing All tracks written by Andrés Nusser, except where noted. Ciervos (Deer) Coco (Coconut) Colombo Druida de las nubes (Druid of the clouds) Panda Miu-Miu Manglares (Mangroves) Mira, está nevando en las pirámides (Look, it's snowing in the pyramids) Volteretas (Tumbles) Pepa Nueces de Bangladesh (Nuts of Bangladesh) Miu-Miu reaparece (Miu-Miu reappears) Personnel Astro Andrés Nusser – vocals, guitar Octavio Caviares – drums Lego Moustache – keyboards, percussion Zeta Moustache – keyboards, bassProduction Andrés Nusser – producer, recording and mixing Chalo González – mixing and mastering Cristóbal Carvajal – recording Ignacio Soto – recording Passage 5: Astrid North Astrid North (Astrid Karina North Radmann; 24 August 1973, West Berlin – 25 June 2019, Berlin) was a German soul singer and songwriter. She was the singer of the German band Cultured Pearls, with whom she released five Albums. As guest singer of the band Soulounge she published three albums. Career North had her first experiences as a singer with her student band Colorful Dimension in Berlin. In March 1992 she met B. La (Bela Braukmann) and Tex Super (Peter Hinderthür) who then studied at the Hochschule für Musik und Theater Hamburg and who were looking for a singer for their band Cultured Pearls. The trio entered the German charts with four singles and four albums. In 1994 North sang for the dance-pop band Big Light on their hit single Trouble Is. In 1996 she was a guest on the side project Little Red Riding Hood by Fury in the Slaughterhouse brothers Kai and Thorsten Wingenfelder which resulted in the release of the single Life's Too Short from the eponymous album.The song Sleepy Eyes, texted and sung by North, appears in the soundtrack of the movie Tor zum Himmel (2003) by director Veit Helmer. In 2003 she appeared at the festival Das Fest in Karlsruhe and sang alongside her own songs a cover version of the Aerosmith hit Walk This Way together with the German singer Sasha. North also toured with the American singer Gabriel Gordon.After the end of her band Cultured Pearls in 2003 North moved 2004 to New York City to write new songs, work with a number of different musicians and to experiment with her music.In 2005 she joined the charity project Home, which produced an album for the benefit of the orphans from the Beluga School for Life in Thailand which have been affected by the Indian Ocean earthquake in 2004 and the subsequent tsunami. Beside the orphans themselves also the following artists have been involved, guitarist Henning Rümenapp (Guano Apes), Kai Wingenfelder (Fury in the Slaughterhouse), Maya Saban and others. With Bobby Hebb Astrid North recorded a new version of his classic hit Sunny. It was the first time Hebb sung this song as duett and it appeared on his last album That's All I Wanna Know. North sang in 2006 My Ride, Spring Is Near and No One Can Tell on the album The Ride by Basic Jazz Lounge, a project by jazz trumpeter Joo Kraus. In addition, she worked as a workshop lecturer of the Popkurs at the Hochschule für Musik und Theater Hamburg. In spring 2010 North performed as the opening act of the Fakebling-Tour of Miss Platnum. The magazine Der Spiegel described her as one of the "leading ladies of the local soul scene". On 20 July 2012 her solo debut album North was released. On 16 September 2016 Astrid North released her second solo album, Precious Ruby, dedicated to her grandmother Precious Ruby North. North used crowdfunding to finance the album. The first single published from this album was the song Miss Lucy. In 2016 she also started her concert series North-Lichter in Berlin's Bar jeder Vernunft to which she invited singers such as Katharina Franck, Elke Brauweiler, Lizzy Scharnofske, Mia Diekow, Lisa Bassenge or Iris Romen. Life Astrid North was born in West Berlin, West Germany to Sondria North and Wolf-Dieter Radmann. She commuted between her birth city and her family in Houston, Texas until she was nine years old. In the USA she lived mainly with her grandparents and her time there significantly shaped her musical development.Besides her music career Astrid North worked also as lecturer in Hamburg at the Hochschule für Musik und Theater and as yoga teacher. North was the mother of two children, her daughter was born in 2001 and her son in 2006. Her sister Ondria North works as make-up artist and hair stylist in the German film industry. She died in June 2019 at the age of 45 years from pancreatic cancer. Discography with Cultured PearlsAlbums 1996: Sing Dela Sing (German chart position 92, 3 weeks) 1997: Space Age Honeymoon (German chart position 54, 6 weeks) 1999: Liquefied Days (German chart position 19, 9 weeks) 2002: Life on a Tuesday (German chart position 74, 1 week)Singles 1996: Tic Toc (1996) (German chart position 65, 10 weeks) 1997: Sugar Sugar Honey (German chart position 72, 9 weeks) 1998: Silverball (German chart position 99, 2 weeks) 1999: Kissing the Sheets (German chart position 87, 9 weeks)with Soulounge 2003: The Essence of the Live Event – Volume One 2004: Home 2006: Say It AllSolo 2005: Sunny (Single, Bobby Hebb feat. Astrid North) 2012: North (Album, 20. Juli 2012) 2013: North Live (Album, live recordings from different venues in Germany) 2016: Sunny (Compilation, Bobby Hebb feat. Astrid North) 2016: Precious Ruby (Album, 16. September 2016)as guest singer 1994: Trouble Is – Big Light (Single) 1996: Life's Too Short – Little Red Riding Hood (Single) 2006: Basic Jazz Lounge: The Ride – Joo Kraus (Album) Passage 6: Bernie Bonvoisin Bernard Bonvoisin (French pronunciation: ​[bɛʁnaʁ bɔ̃vwazɛ̃]), known as Bernie Bonvoisin (French pronunciation: ​[bɛʁni bɔ̃vwazɛ̃], born 9 July 1956 in Nanterre, Hauts-de-Seine), is a French hard rock singer and film director. He is best known for having been the singer of Trust. He was one of the best friends of Bon Scott the singer of AC/DC and together they recorded the song "Ride On" which was one of the last songs by Bon Scott. External links Bernie Bonvoisin at IMDb Passage 7: Protection (Donna Summer song) "Protection" is a song written by Bruce Springsteen for Donna Summer. It was originally featured on Summer's 1982 self-titled album which was produced by Quincy Jones. In 1997 it was also included on One Step Up/Two Steps Back: The Songs Of Bruce Springsteen. It was released as a single in Belgium and Japan and was nominated for a Grammy Award as Best Female Rock Vocal Performance alongside Linda Ronstadt, Pat Benatar, Bonnie Raitt, and Kim Carnes. David Geffen approached Jon Landau, Springsteen's manager and producer, and asked if Springsteen would be interested in writing a song for Summer. Summer had just recently signed for Geffen Records. Springsteen agreed to write a song and, while working with Gary U.S. Bonds, he gathered the E Street Band to record a demo. However, when Landau heard the result, "Cover Me", he persuaded Springsteen to keep that song for himself. Springsteen then wrote "Protection". He recorded a version with the E Street Band at The Hit Factory during January or February 1982 and registered it at the United States Copyright Office on March 8, 1982. In the same month Springsteen and Roy Bittan also travelled to Los Angeles to help record Summer's version of the song. Bruce and Donna allegedly also recorded a duet vocal version at her sessions but it remains unreleased. On the released version by Summer, Springsteen played the guitar solo and can clearly be heard on fadeout vocals. Springsteen's own version of the song was seriously considered for Born in the USA, however it remains unreleased. He has performed the song in concert and can be found on YouTube. The song peak No. 26 in Spain Radio chart. Personnel Musicians Donna Summer – lead vocals, cody Bruce Springsteen – guitar solo, backing vocals Ernie Watts – saxophones Steve Lukather – guitars David Paich – synthesizers Greg Phillinganes – synthesizers Roy Bittan – acoustic piano Louis Johnson – bass Jeff Porcaro – drums Steve Porcaro – synthesizer programming Production Quincy Jones – producer Bruce Swedien – engineer, mixing Passage 8: Billy Milano Billy Milano (born June 3, 1964) is an American heavy metal and hardcore punk musician. He is the singer and occasionally guitarist and bassist of crossover thrash band M.O.D., and was the singer of its predecessor, Stormtroopers of Death. Prior to these bands, Milano played in early New York hardcore band the Psychos, which also launched the career of future Agnostic Front vocalist Roger Miret. Milano was also the singer of United Forces, which included his Stormtroopers of Death bandmate Dan Lilker. Milano managed a number of bands, including Agnostic Front, for whom he also co-produced the 1997 Epitaph Records release Something's Gotta Give and roadie for Anthrax. Discography Stormtroopers of Death albums Stormtroopers of Death videos Method of Destruction (M.O.D.) Mastery Passage 9: Jim Bob James Robert Morrison, known as Jim Bob, is a British musician and author. He was the singer of indie punk band Carter the Unstoppable Sex Machine. Biography Jim Bob played in various bands during the late 1970s and early 1980s, including Jamie Wednesday, who were performing between 1984 and 1987. In 1987 Jamie Wednesday split up just before a gig at the London Astoria. Morrison and Les "Fruitbat" Carter filled in, playing along to a backing tape, and Carter USM was born. Jim Bob and Les Carter had known each other since the late 1970s, when their bands The Ballpoints (featuring Jim on vocals) and Dead Clergy (Les on bass and vocals) used to rehearse at the same studio behind Streatham station. When The Ballpoints' bassist quit at the end of 1980, Carter joined the band, who than went on to play several gigs under the name Peter Pan's Playground. He was a member of Carter USM. The band split up in 1997. Since Carter USM, Jim Bob has released two albums and three singles with his disco-pop-punk group Jim's Super Stereoworld, seven solo albums as Jim Bob or James Robert Morrison, and played various live shows both with his band and solo. In 2001, he joined his old Carter bandmate Fruitbat on stage once again, as part of the group Who's The Daddy Now?. In 2005, Cherry Red released a DVD of a live solo acoustic performance, titled Live From London, featuring songs from his solo career as well as many Carter USM tracks. This was followed by a concept album, School, released in March 2006. A best-of album was released in the autumn of 2006, accompanied by a UK tour. This was originally intended as a download-only release, but a physical CD was produced. The album was accompanied by a free CD of Jim Bob and Jim's Super Stereoworld rarities. The cover design was re-worked by Jim Bob from an image by Jim Connolly. The album A Humpty Dumpty Thing was released in November 2007 by Cherry Red Records. The album came with a Jim Bob-penned-mini novel, "Word Count". A single from the album, "Battling The Bottle", was released with Jim Bob's re-working of the children's song "The Wheels on the Bus" on the B-side. Jim Bob's next solo record, Goffam, was a semi-concept album about a city in the grip of crime, deserted by its superheroes. He toured the UK in April and September 2009 promoting the album. In December 2009 Jim Bob performed his 2004 song "Angelstrike!" as part of the shows The Return of 9 Lessons and Carols for Godless People for two nights at the Bloomsbury Theatre and at Hammersmith Apollo. This was broadcast on BBC4 television under the title 'Nerdstack'. His debut novel Storage Stories was released on the day of a UK general election, 6 May 2010, by Ten Forty Books. This was followed by three novels with major publishers: Driving Jarvis Ham, The Extra Ordinary Life of Frank Derrick, Age 81 and Frank Derrick's Holiday of a Lifetime. Jim Bob's autobiography, Goodnight Jim Bob – On The Road With Carter The Unstoppable Sex Machine, was published by Cherry Red Books in 2004. The sequel, Jim Bob from Carter, was published by Cherry Red Books on 23 March 2019. The double novel A Godawful Small Affair and Harvey King Unboxes His Family, written under the name J.B. Morrison, was published by Cherry Red Books in March 2020. The 26-second song "2020 WTF!" was released in March 2020 on Cherry Red Records. It was the first single from Jim Bob's August 2020 album, Pop Up Jim Bob. The second single, "Jo's Got Papercuts", followed in June, and a third, "If it Ain't Broke", was released in July. The album Pop Up Jim Bob was released on Cherry Red Records on 14 August 2020. Entering the official UK album chart at number 26, it was Jim Bob's first top-30 LP since Carter The Unstoppable Sex Machine. Jim Bob's 13th solo album, Who Do We Hate Today, was released on Cherry Red Records on 20 August 2021 and reached 34 in the UK album charts, his second top-40 solo LP. Solo discography All releases credited as Jim Bob unless otherwise stated. See Carter USM and Jamie Wednesday for those bands' discographies. Albums Jim's Super Stereoworld, 2001 (Jim's Super Stereoworld) JR, 2001 (James Robert Morrison) Big Flash Car on a Saturday Night, 2002 (Jim's Super Stereoworld) Goodnight Jim Bob, 2003 Angelstrike!, 2004 School, 2006 Best of Jim Bob, 2006 A Humpty Dumpty Thing, November 2007 Goffam, April 2009 What I Think About When I Think About You, November 2013 Jim Bob Sings Again, November 2016 Pop Up Jim Bob, August 2020 Who Do We Hate Today, August 2021 The Essential Jim Bob, November 2022 Thanks for Reaching Out, June 2023 Singles Jim's Super Stereoworld – "Bonkers in the Nut", 1999 Jim's Super Stereoworld – "Could U B The 1 I Waited 4", 1999 Jim's Super Stereoworld – "Bubblegum EP", 2002 "Dumb and Dumber", March 2005 "Battling The Bottle (Fighting The Flab, At War with the World)", November 2007 "The Man Behind the Counter of the Science Fiction Superstore", Marc 2009 "Our Heroes", June 2009 "Dream Come True", September 2013 "Breaking News", October 2013 "2020 WTF!", April 2020 Other releases Acoustic Party 7A Free CD recorded by Morrison at home and given away to the first 10 people to visit the T-shirt stall and ask for Marc or Neil on the October 2003 tour Stolen from Westlife25 readers of Morrison's book won a copy of the CD 'Stolen From Westlife' – 8 cover versions recorded by Morrison – after answering some questions posed by the author on page 95. BuskerA free CD recorded by Morrison and containing six acoustic covers, the CD is currently being issued only to members of Morrison's "street team". The CD includes a cover of a track originally written and recorded by his former Carter bandmate Les Carter. DVDs Live From London, 2005A DVD featuring a live acoustic performance of Jim Bob songs and Carter USM songs. Bonus features include an interview with Morrison, Morrison reading excerpts from his autobiography and the video for the Jim's Super Stereoworld song "Bubblegum". NATIONAL TREASURE – Live at the Shepherd’s Bush Empire , July 2019 Bibliography Non-fiction Goodnight Jim Bob (2006) – On the Road With Carter The Unstoppable Sex Machine Jim Bob's autobiographic tale of his time on tour with Carter USM. Published by Cherry Red Books. Jim Bob from Carter: In the Shadow of my Former Self (2019) Published by Cherry Red BooksFiction Storage Stories (2010) – Jim Bob's debut novel, which took six years to write. described as a darkly comic rollercoaster ride full of thrills, spills and warm sick on the back of the neck. Published by 1040 Books. Driving Jarvis Ham (2012) – Jim Bob's second novel, following the life of the awkward character of Jarvis Ham, from the perspective of his oldest friend. A brilliantly witty story of unconventional, unwavering, and regularly exasperating friendship. Published by The Friday Club/HarperCollins The Extra Ordinary Life of Frank Derrick, Age 81 (June 2014) – Under the name J.B. Morrison. Published by Pan Macmillan. Frank Derrick's Holiday Of A Lifetime (2015) Published by Pan Macmillan A Godawful Small Affair b/w Harvey King Unboxes His Family (2020) – Under the name J.B. Morrison. Published by Cherry Red Books Passage 10: Caspar Babypants Caspar Babypants is the stage name of children's music artist Chris Ballew, who is also the vocalist and bassist of The Presidents of the United States of America. History Ballew's first brush with children's music came in 2002, when he recorded and donated an album of traditional children's songs to the nonprofit Program for Early Parent Support titled "PEPS Sing A Long!" Although that was a positive experience for him, he did not consider making music for families until he met his wife, collage artist Kate Endle. Her art inspired Ballew to consider making music that "sounded like her art looked" as he has said. Ballew began writing original songs and digging up nursery rhymes and folk songs in the public domain to interpret and make his own. The first album, Here I Am!, was recorded during the summer of 2008 and released in February 2009. Ballew began to perform solo as Caspar Babypants in the Seattle area in January 2009. Fred Northup, a Seattle-based comedy improvisor, heard the album and offered to play as his live percussionist. Northrup also suggested his frequent collaborator Ron Hippe as a keyboard player. "Frederick Babyshirt" and "Ronald Babyshoes" were the Caspar Babypants live band from May 2009 to April 2012. Both Northup and Hippe appear on some of his recordings but since April 2012 Caspar Babypants has exclusively performed solo. The reasons for the change were to include more improvisation in the show and to reduce the sound levels so that very young children and newborns could continue to attend without being overstimulated. Ballew has made two albums of Beatles covers as Caspar Babypants. Baby Beatles! came out in September 2013 and Beatles Baby! came out in September 2015. Ballew runs the Aurora Elephant Music record label, books shows, produces, records, and masters the albums himself. Distribution for the albums is handled by Burnside Distribution in Portland, Oregon. Caspar Babypants has released a total of 17 albums. The 17th album, BUG OUT!, was released on May 1, 2020. His album FLYING HIGH! was nominated for a Grammy Award for Best Children's Album. All 17 of the albums feature cover art by Ballew's wife, Kate Endle. "FUN FAVORITES!" and "HAPPY HITS!" are two vinyl-only collections of hit songs that Caspar Babypants has released in the last couple of years. Discography AlbumsPEPS (2002) Here I Am! (Released 03/17/09) Special guests: Jen Wood, Fysah Thomas More Please! (Released 12/15/09) Special guests: Fred Northup, Ron Hippe This Is Fun! (Released 11/02/10) Special guests: Fred Northup, Ron Hippe, Krist Novoselic, Charlie Hope Sing Along! (Released 08/16/11) Special guests: Fred Northup, Ron Hippe, "Weird Al" Yankovic, Stone Gossard, Frances England, Rachel Loshak Hot Dog! (Released 04/17/12) Special guests: Fred Northup, Ron Hippe, Rachel Flotard (Visqueen) I Found You! (Released 12/18/12) Special guests: Steve Turner (Mudhoney), Rachel Flotard (Visqueen), John Richards Baby Beatles! (Released 09/15/13) Rise And Shine! (Released 09/16/14) Night Night! (Released 03/17/15) Beatles Baby! (Released 09/18/2015) Away We Go! (Released 08/12/2016) Winter Party! (Released 11/18/16) Jump For Joy! (Released 08/18/17) Sleep Tight! (Released 01/19/18) Keep It Real! (Released 08/17/18) Best Beatles! (Released 03/29/19) Flying High! (Released 08/16/19) Bug Out! (released 05/1/20) Happy Heart! (Released 11/13/20) Easy Breezy! (Released 11/05/21)AppearancesMany Hands: Family Music for Haiti CD (released 2010) – Compilation of various artists Songs Stories And Friends: Let's Go Play – Charlie Hope (released 2011) – vocals on Alouette Shake It Up, Shake It Off (released 2012) – Compilation of various artists Keep Hoping Machine Running – Songs Of Woody Guthrie (released 2012) – Compilation of various artists Apple Apple – The Harmonica Pocket (released 2013) – vocals on Monkey Love Simpatico – Rennee and Friends (released 2015) – writer and vocals on I Am Not Afraid Sundrops – The Harmonica Pocket (released 2015) – vocals on Digga Dog Kid

doc_27

Passage 1: S. N. Mathur S.N. Mathur was the Director of the Indian Intelligence Bureau between September 1975 and February 1980. He was also the Director General of Police in Punjab. Passage 2: Sweepstakes (film) Sweepstakes is a 1931 American pre-Code comedy film directed by Albert S. Rogell from a screenplay written by Lew Lipton and Ralph Murphy. The film stars Eddie Quillan, James Gleason, Marian Nixon, Lew Cody, and Paul Hurst, which centers around the travails and romances of jockey Buddy Doyle, known as the "Whoop-te-doo Kid" for his trademark yell during races. Produced by the newly formed RKO Pathé Pictures, this was the first film Charles R. Rogers would produce for the studio, after he replaced William LeBaron as head of production. The film was released on July 10, 1931, through RKO Radio Pictures. Plot Bud Doyle is a jockey who has discovered the secret to get his favorite mount, Six-Shooter, to boost his performance. If he simply chants the phrase, "Whoop-te-doo", the horse responds with a burst of speed. There is a special bond between the jockey and his mount, but there is increasing tension between Doyle and the horse's owner, Pop Blake (who also raised Doyle), over Doyle's relationship with local singer Babe Ellis. Blake sees Ellis as a distraction prior to the upcoming big race, the Camden Stakes. The owner of the club where Babe sings, Wally Weber, has his eyes on his horse winning the Camden Stakes. When the issues between Pop and Doyle come to a head, Pop tells Doyle that he has to choose: either he stops seeing Babe, or he'll be replaced as Six-Shooter's jockey in the big race. Angry and frustrated, Doyle quits. Weber approaches him to become the jockey for Rose Dawn, Weber's horse, and Doyle agrees, with the precondition that he not ride Royal Dawn in the Camden Stakes, for he wants Six-Shooter to still win the race. Weber accedes to that one precondition, however, on the day of the race, he makes it clear that Doyle is under contract, and that he will ride Rose Dawn in the race. Upset, Doyle has no choice but to ride Rose Dawn. However, during the race, he manages to chant his signature "Whoop-te-doo" to Six-Shooter, causing his old mount to win the race. Furious that his horse lost, Weber goes to the judges, who rule that Doyle threw the race, pulling back on Rose Dawn, to allow Six-Shooter to win, and suspend Doyle from horse-racing. Devastated, Doyle wanders from town to town, riding in small local races, until his identity is uncovered, and he is forced to move on. Soon, he is out of racing all together, and forced to taking one odd-job after another. Eventually, he ends up south of the border, in Tijuana, Mexico, working as a waiter. Doyle's friend, Sleepy Jones, hears of Doyle's plight. Jones gets the racing commission to lift the ban, by proving Doyle's innocence. He then, accompanied by Babe, gets a group to buy Six-Shooter from Pop, and they take the horse down to Tijuana, where there is another big race in the near future, the Tijuana Handicap. Doyle is reluctant to ride at first, however, he is eventually cajoled into it by Sleepy and Babe, and of course, his bond with Six-Shooter is there. He rides the horse to victory, re-establishing his credentials as a rider. The film ends by jumping a few years into the future, which shows Doyle and Babe happily married, with a child of their own. Cast (Cast list as per AFI database) Eddie Quillan as Bud Doyle Lew Cody as Wally Weber James Gleason as Sleepy Jones Marian Nixon as Babe Ellis King Baggot as Mike Paul Hurst as Cantina Bartender Clarence Wilson as Mr. Emory Frederick Burton as Pop Blake Billy Sullivan as Speed Martin Lillian Leighton as Ma Clancy Mike Donlin as The Dude Production Critical response Mordaunt Hall of The New York Times gave a very non-committal review of this film, with neither much praise or criticism. While he gave no indication of what he thought about the quality of the film, he enjoyed the performances of James Gleason and Lew Cody, and he called Quillan's performance as Doyle "original". See also List of films about horse racing Passage 3: Albert S. Rogell Albert S. Rogell (August 21, 1901 Oklahoma City, Oklahoma - April 7, 1988 Los Angeles, California) was an American film director.Rogell directed more than a hundred movies between 1921 and 1958. He was the uncle of producer Sid Rogell. Filmography Passage 4: Ian Barry (director) Ian Barry is an Australian director of film and TV. Select credits Waiting for Lucas (1973) (short) Stone (1974) (editor only) The Chain Reaction (1980) Whose Baby? (1986) (mini-series) Minnamurra (1989) Bodysurfer (1989) (mini-series) Ring of Scorpio (1990) (mini-series) Crimebroker (1993) Inferno (1998) (TV movie) Miss Lettie and Me (2002) (TV movie) Not Quite Hollywood: The Wild, Untold Story of Ozploitation! (2008) (documentary) The Doctor Blake Mysteries (2013) Passage 5: Peter Levin Peter Levin is an American director of film, television and theatre. Career Since 1967, Levin has amassed a large number of credits directing episodic television and television films. Some of his television series credits include Love Is a Many Splendored Thing, James at 15, The Paper Chase, Family, Starsky & Hutch, Lou Grant, Fame, Cagney & Lacey, Law & Order and Judging Amy.Some of his television film credits include Rape and Marriage: The Rideout Case (1980), A Reason to Live (1985), Popeye Doyle (1986), A Killer Among Us (1990), Queen Sized (2008) and among other films. He directed "Heart in Hiding", written by his wife Audrey Davis Levin, for which she received an Emmy for Best Day Time Special in the 1970s. Prior to becoming a director, Levin worked as an actor in several Broadway productions. He costarred with Susan Strasberg in "[The Diary of Ann Frank]" but had to leave the production when he was drafted into the Army. He trained at the Carnegie Mellon University. Eventually becoming a theatre director, he directed productions at the Long Wharf Theatre and the Pacific Resident Theatre Company. He also co-founded the off-off-Broadway Theatre [the Hardware Poets Playhouse] with his wife Audrey Davis Levin and was also an associate artist of The Interact Theatre Company. Passage 6: Jason Moore (director) Jason Moore (born October 22, 1970) is an American director of film, theatre and television. Life and career Jason Moore was born in Fayetteville, Arkansas, and studied at Northwestern University. Moore's Broadway career began as a resident director of Les Misérables at the Imperial Theatre in during its original run. He is the son of Fayetteville District Judge Rudy Moore.In March 2003, Moore directed the musical Avenue Q, which opened Off-Broadway at the Vineyard Theatre and then moved to Broadway at the John Golden Theatre in July 2003. He was nominated for a 2004 Tony Award for his direction. Moore also directed productions of the musical in Las Vegas and London and the show's national tour. Moore directed the 2005 Broadway revival of Steel Magnolias and Shrek the Musical, starring Brian d'Arcy James and Sutton Foster which opened on Broadway in 2008. He directed the concert of Jerry Springer — The Opera at Carnegie Hall in January 2008.Moore, Jeff Whitty, Jake Shears, and John "JJ" Garden worked together on a new musical based on Armistead Maupin's Tales of the City. The musical premiered at the American Conservatory Theater, San Francisco, California in May 2011 and ran through July 2011.For television, Moore has directed episodes of Dawson's Creek, One Tree Hill, Everwood, and Brothers & Sisters. As a writer, Moore adapted the play The Floatplane Notebooks with Paul Fitzgerald from the novel by Clyde Edgerton. A staged reading of the play was presented at the New Play Festival at the Charlotte, North Carolina Repertory Theatre in 1996, with a fully staged production in 1998.In 2012, Moore made his film directorial debut with Pitch Perfect, starring Anna Kendrick and Brittany Snow. He also served as an executive producer on the sequel. He directed the film Sisters, starring Tina Fey and Amy Poehler, which was released on December 18, 2015. Moore's next project will be directing a live action Archie movie. Filmography Films Pitch Perfect (2012) Sisters (2015) Shotgun Wedding (2022)Television Soundtrack writer Pitch Perfect 2 (2015) (Also executive producer) The Voice (2015) (1 episode) Passage 7: Brian Kennedy (gallery director) Brian Patrick Kennedy (born 5 November 1961) is an Irish-born art museum director who has worked in Ireland and Australia, and now lives and works in the United States. He was the director of the Peabody Essex Museum in Salem for 17 months, resigning December 31, 2020. He was the director of the Toledo Museum of Art in Ohio from 2010 to 2019. He was the director of the Hood Museum of Art from 2005 to 2010, and the National Gallery of Australia (Canberra) from 1997 to 2004. Career Brian Kennedy currently lives and works in the United States after leaving Australia in 2005 to direct the Hood Museum of Art at Dartmouth College. In October 2010 he became the ninth Director of the Toledo Museum of Art. On 1 July 2019, he succeeded Dan Monroe as the executive director and CEO of the Peabody Essex Museum. Early life and career in Ireland Kennedy was born in Dublin and attended Clonkeen College. He received B.A. (1982), M.A. (1985) and PhD (1989) degrees from University College-Dublin, where he studied both art history and history. He worked in the Irish Department of Education (1982), the European Commission, Brussels (1983), and in Ireland at the Chester Beatty Library (1983–85), Government Publications Office (1985–86), and Department of Finance (1986–89). He married Mary Fiona Carlin in 1988.He was Assistant Director at the National Gallery of Ireland in Dublin from 1989 to 1997. He was Chair of the Irish Association of Art Historians from 1996 to 1997, and of the Council of Australian Art Museum Directors from 2001 to 2003. In September 1997 he became Director of the National Gallery of Australia. National Gallery of Australia (NGA) Kennedy expanded the traveling exhibitions and loans program throughout Australia, arranged for several major shows of Australian art abroad, increased the number of exhibitions at the museum itself and oversaw the development of an extensive multi-media site. Although he oversaw several years of the museum's highest ever annual visitation, he discontinued the emphasis of his predecessor, Betty Churcher, on showing "blockbuster" exhibitions. During his directorship, the NGA gained government support for improving the building and significant private donations and corporate sponsorship. However, the initial design for the building proved controversial generating a public dispute with the original architect on moral rights grounds. As a result, the project was not delivered during Dr Kennedy's tenure, with a significantly altered design completed some years later. Private funding supported two acquisitions of British art, including David Hockney's A Bigger Grand Canyon in 1999, and Lucian Freud's After Cézanne in 2001. Kennedy built on the established collections at the museum by acquiring the Holmgren-Spertus collection of Indonesian textiles; the Kenneth Tyler collection of editioned prints, screens, multiples and unique proofs; and the Australian Print Workshop Archive. He was also notable for campaigning for the construction of a new "front" entrance to the Gallery, facing King Edward Terrace, which was completed in 2010 (see reference to the building project above). Kennedy's cancellation of the "Sensation exhibition" (scheduled at the NGA from 2 June 2000 to 13 August 2000) was controversial, and seen by some as censorship. He claimed that the decision was due to the exhibition being "too close to the market" implying that a national cultural institution cannot exhibit the private collection of a speculative art investor. However, there were other exhibitions at the NGA during his tenure, which could have raised similar concerns. The exhibition featured the privately owned Young British Artists works belonging to Charles Saatchi and attracted large attendances in London and Brooklyn. Its most controversial work was Chris Ofili's The Holy Virgin Mary, a painting which used elephant dung and was accused of being blasphemous. The then-mayor of New York, Rudolph Giuliani, campaigned against the exhibition, claiming it was "Catholic-bashing" and an "aggressive, vicious, disgusting attack on religion." In November 1999, Kennedy cancelled the exhibition and stated that the events in New York had "obscured discussion of the artistic merit of the works of art". He has said that it "was the toughest decision of my professional life, so far."Kennedy was also repeatedly questioned on his management of a range of issues during the Australian Government's Senate Estimates process - particularly on the NGA's occupational health and safety record and concerns about the NGA's twenty-year-old air-conditioning system. The air-conditioning was finally renovated in 2003. Kennedy announced in 2002 that he would not seek extension of his contract beyond 2004, accepting a seven-year term as had his two predecessors.He became a joint Irish-Australian citizen in 2003. Toledo Museum of Art The Toledo Museum of Art is known for its exceptional collections of European and American paintings and sculpture, glass, antiquities, artist books, Japanese prints and netsuke. The museum offers free admission and is recognized for its historical leadership in the field of art education. During his tenure, Kennedy has focused the museum's art education efforts on visual literacy, which he defines as "learning to read, understand and write visual language." Initiatives have included baby and toddler tours, specialized training for all staff, docents, volunteers and the launch of a website, www.vislit.org. In November 2014, the museum hosted the International Visual Literacy Association (IVLA) conference, the first Museum to do so. Kennedy has been a frequent speaker on the topic, including 2010 and 2013 TEDx talks on visual and sensory literacy. Kennedy has expressed an interest in expanding the museum's collection of contemporary art and art by indigenous peoples. Works by Frank Stella, Sean Scully, Jaume Plensa, Ravinder Reddy and Mary Sibande have been acquired. In addition, the museum has made major acquisitions of Old Master paintings by Frans Hals and Luca Giordano.During his tenure the Toledo Museum of Art has announced the return of several objects from its collection due to claims the objects were stolen and/or illegally exported prior being sold to the museum. In 2011 a Meissen sweetmeat stand was returned to Germany followed by an Etruscan Kalpis or water jug to Italy (2013), an Indian sculpture of Ganesha (2014) and an astrological compendium to Germany in 2015. Hood Museum of Art Kennedy became Director of the Hood Museum of Art in July 2005. During his tenure, he implemented a series of large and small-scale exhibitions and oversaw the production of more than 20 publications to bring greater public attention to the museum's remarkable collections of the arts of America, Europe, Africa, Papua New Guinea and the Polar regions. At 70,000 objects, the Hood has one of the largest collections on any American college of university campus. The exhibition, Black Womanhood: Images, Icons, and Ideologies of the African Body, toured several US venues. Kennedy increased campus curricular use of works of art, with thousands of objects pulled from storage for classes annually. Numerous acquisitions were made with the museum's generous endowments, and he curated several exhibitions: including Wenda Gu: Forest of Stone Steles: Retranslation and Rewriting Tang Dynasty Poetry, Sean Scully: The Art of the Stripe, and Frank Stella: Irregular Polygons. Publications Kennedy has written or edited a number of books on art, including: Alfred Chester Beatty and Ireland 1950-1968: A study in cultural politics, Glendale Press (1988), ISBN 978-0-907606-49-9 Dreams and responsibilities: The state and arts in independent Ireland, Arts Council of Ireland (1990), ISBN 978-0-906627-32-7 Jack B Yeats: Jack Butler Yeats, 1871-1957 (Lives of Irish Artists), Unipub (October 1991), ISBN 978-0-948524-24-0 The Anatomy Lesson: Art and Medicine (with Davis Coakley), National Gallery of Ireland (January 1992), ISBN 978-0-903162-65-4 Ireland: Art into History (with Raymond Gillespie), Roberts Rinehart Publishers (1994), ISBN 978-1-57098-005-3 Irish Painting, Roberts Rinehart Publishers (November 1997), ISBN 978-1-86059-059-7 Sean Scully: The Art of the Stripe, Hood Museum of Art (October 2008), ISBN 978-0-944722-34-3 Frank Stella: Irregular Polygons, 1965-1966, Hood Museum of Art (October 2010), ISBN 978-0-944722-39-8 Honors and achievements Kennedy was awarded the Australian Centenary Medal in 2001 for service to Australian Society and its art. He is a trustee and treasurer of the Association of Art Museum Directors, a peer reviewer for the American Association of Museums and a member of the International Association of Art Critics. In 2013 he was appointed inaugural eminent professor at the University of Toledo and received an honorary doctorate from Lourdes University. Most recently, Kennedy received the 2014 Northwest Region, Ohio Art Education Association award for distinguished educator for art education. == Notes == Passage 8: Jesse E. Hobson Jesse Edward Hobson (May 2, 1911 – November 5, 1970) was the director of SRI International from 1947 to 1955. Prior to SRI, he was the director of the Armour Research Foundation. Early life and education Hobson was born in Marshall, Indiana. He received bachelor's and master's degrees in electrical engineering from Purdue University and a PhD in electrical engineering from the California Institute of Technology. Hobson was also selected as a nationally outstanding engineer.Hobson married Jessie Eugertha Bell on March 26, 1939, and they had five children. Career Awards and memberships Hobson was named an IEEE Fellow in 1948. Passage 9: Dana Blankstein Dana Blankstein-Cohen (born March 3, 1981) is the executive director of the Sam Spiegel Film and Television School. She was appointed by the board of directors in November 2019. Previously she was the CEO of the Israeli Academy of Film and Television. She is a film director, and an Israeli culture entrepreneur. Biography Dana Blankstein was born in Switzerland in 1981 to theatre director Dedi Baron and Professor Alexander Blankstein. She moved to Israel in 1983 and grew up in Tel Aviv. Blankstein graduated from the Sam Spiegel Film and Television School, Jerusalem in 2008 with high honors. During her studies she worked as a personal assistant to directors Savi Gabizon on his film Nina's Tragedies and to Renen Schorr on his film The Loners. She also directed and shot 'the making of' film on Gavison's film Lost and Found. Her debut film Camping competed at the Berlin International Film Festival, 2007. Film and academic career After her studies, Dana founded and directed the film and television department at the Kfar Saba municipality. The department encouraged and promoted productions filmed in the city of Kfar Saba, as well as the established cultural projects, and educational community activities. Blankstein directed the mini-series "Tel Aviviot" (2012). From 2016-2019 was the director of the Israeli Academy of Film and Television. In November 2019 Dana Blankstein Cohen was appointed the new director of the Sam Spiegel Film and Television School where she also oversees the Sam Spiegel International Film Lab. In 2022, she spearheaded the launch of the new Series Lab and the film preparatory program for Arabic speakers in east Jerusalem. Filmography Tel Aviviot (mini-series; director, 2012) Growing Pains (graduation film, Sam Spiegel; director and screenwriter, 2008) Camping (debut film, Sam Spiegel; director and screenwriter, 2006) Passage 10: Olav Aaraas Olav Aaraas (born 10 July 1950) is a Norwegian historian and museum director. He was born in Fredrikstad. From 1982 to 1993 he was the director of Sogn Folk Museum, from 1993 to 2010 he was the director of Maihaugen and from 2001 he has been the director of the Norwegian Museum of Cultural History. In 2010 he was decorated with the Royal Norwegian Order of St. Olav.

doc_28

Passage 1: Royal Tramp II Royal Tramp II is a 1992 Hong Kong film based on Louis Cha's novel The Deer and the Cauldron. The film is a sequel to Royal Tramp, which was released earlier in the same year. Plot Having been revealed as the false Empress Dowager, Lung-er returns to the Dragon Sect camp. There, the sect leader reminds her of their mission to support Ng Sam-kwai's, a military general, campaign for the throne before abdicating her title to Lung-er. Siu-bo lounges at the brothel where he once worked but is then attacked by disciples of the One Arm Nun, an anti-Qing revolutionary figure, before being quickly subdued. When Siu-bo tries to take advantage of them, Ng Ying-hung, Ng Sam-kwai's son, exposes his lies. Scorned and unaware of the stranger's title, Siu-bo sends his men after Ying-Hung, but Lung-er, now disguised as Ying-hung's male bodyguard, easily fends them off. At the palace, The Emperor, wary of Ng Sam-kwai's intentions, marries off the Princess to Ying-hung and assigns Siu-bo to be the Imperial Inspector General of the wedding march, so that he can keep his eyes on the general's activities. This complicates Siu-bo's relationship with Princess when she tells Siu-bo she's pregnant with his child. The One Arm Nun and her disciple, Ah Ko, later ambushes the procession. Fighting to a standstill with Lung-er, the assailants escape with Ying-hung and Siu-bo. However, Siu-bo garners some respect from her when he reveals his dual identity as a Heaven and Earth Society commander. Lung-er finally catches up to them with reinforcements at an inn but only manages to rescue Siu-bo. Having been saved by Ying-hung before, Ah Ko elopes with him amid the confusion. At the Dragon Sect camp, Ying-hung and Fung Sek-fan secretly poisons Lung-er and turn the followers against her. She escapes with Siu-bo but must have sex with a man before dawn, otherwise she will die. However, this will transfer 4/5th of her martial arts' power to whomever she sleeps with. Despite Siu-bo's lecherous personality, Lung-er accepts his blunt honesty as a sign of virtue and chooses to sacrifice her virginity to Siu-bo and becomes his third wife. When Siu-bo gets back to the Princess, they execute a plan to castrate Ying-hung. With her betrothed no longer able to produce heirs, the Princess is taken by Siu-bo as his fourth wife. Enraged by the end of his family line, Ng Ying-hung prematurely gathers his troops and sets out to wage war with the Emperor. He tasks Fung Sek-fan with killing the Princess and Siu-bo. Though Chan Kan-nam manages to intervene and lets his disciple escape. Later, the One Arm Nun captures the elopers, Ying-hung and Ah Ko, and offers them to Siu-bo. Siu-bo pardons them and even takes Ah Ko as his fifth wife. Afterward, Fung Sek-fan is promoted when he surrenders Ng Sam-kwai's battle plans and Chan Kan-nam to the Emperor. Given Siu-bo's muddied history with the Heaven and Earth Society, the Emperor tasks him with Chan's execution. Siu-bo's newfound power is difficult for him to control, and Chan helps him master it in time for him to use it against Fung. Siu-bo also uncovers the secret of the 42 Chapters books after burning them in frustration, revealing hidden stones that are left unburned, revealing map coordinates to the location of the treasure all major parties have been attempting to locate. In order to save his master, Siu-bo defeats Fung with his newly acquired martial arts power after both falling into a hidden cave wherein the treasure is found, and swaps Feng's body with Chan's before the execution to save his master. And just as he was about to escape with his wives and Chan, the Emperor arrives with his troops, having been sold out by Siu-bo's opportunistic friend To-lung who is now involved romantically with Siu-bo's sister. But seeing that they are friends, his sister is in love with Siu-bo, and with Siu-bo bluffing that he's strong enough to demolish the Emperor and his entire army if he wanted, the Emperor lets them go, declaring that Siu-bo has died and no longer exists as far as he's concerned. Siu-bo laughs afterward that the Emperor fell for his bluff. Cast Stephen Chow as Wai Siu-bo Brigitte Lin as Lung-er Chingmy Yau as Princess Kin-ning Michelle Reis as Ah Ko/Li Ming-ko Natalis Chan as To-lung Damian Lau as Chan Kan-nam Deric Wan as Hong-hei Emperor Kent Tong as Ng Ying-hung, Sam-kwai's son Paul Chun as Ng Sam-kwai Sandra Ng as Wai Chun-fa Fennie Yuen as Seung-yee twin Vivian Chan as Seung-yee twin Yen Shi-kwan as Fung Sek-fan Helen Ma as Kau-nan/one-armed Divine nun Sharla Cheung as Mo Tung-chu / Empress Dowager Law Lan as founder of Divine Dragon Sect Tam Suk-moi as Ah Nong Hoh Choi-chow as Palace guard Wen Shan Lun Yeung Jing-jing Wan Seung-lam Lee Fai Cheng Ka-sang Ho Wing-cheung Kwan Yung To Wai-wo Passage 2: Coney Island Baby (film) Coney Island Baby is a 2003 comedy-drama in which film producer Amy Hobby made her directorial debut. Karl Geary wrote the film and Tanya Ryno was the film's producer. The music was composed by Ryan Shore. The film was shot in Sligo, Ireland, which is known locally as "Coney Island". The film was screened at the Newport International Film Festival. Hobby won the Jury Award for "Best First Time Director". The film made its premiere television broadcast on the Sundance Channel. Plot After spending time in New York City, Billy Hayes returns to his hometown. He wants to get back together with his ex-girlfriend and take her back to America in hopes of opening up a gas station. But everything isn't going Billy's way - the townspeople aren't happy to see him, and his ex-girlfriend is engaged and pregnant. Then, Billy runs into his old friends who are planning a scam. Cast Karl Geary - Billy Hayes Laura Fraser - Bridget Hugh O'Conor - Satchmo Andy Nyman - Franko Patrick Fitzgerald - The Duke Tom Hickey - Mr. Hayes Conor McDermottroe - Gerry David McEvoy - Joe Thor McVeigh - Magician Sinead Dolan - Julia Music The film's original score was composed by Ryan Shore. External links Coney Island Baby (2006) at IMDb MSN - Movies: Coney Island Baby Passage 3: The Wonderful World of Captain Kuhio The Wonderful World of Captain Kuhio (クヒオ大佐, Kuhio Taisa, lit. "Captain Kuhio") is a 2009 Japanese comedy-crime film, directed by Daihachi Yoshida, based on Kazumasa Yoshida's 2006 biographical novel, Kekkon Sagishi Kuhio Taisa (lit. "Marriage swindler Captain Kuhio"), that focuses on a real-life marriage swindler, who conned over 100 million yen (US$1.2 million) from a number of women between the 1970s and the 1990s.The film was released in Japan on 10 October 2009. Cast Masato Sakai - Captain Kuhio Yasuko Matsuyuki - Shinobu Nagano Hikari Mitsushima - Haru Yasuoka Yuko Nakamura - Michiko Sudo Hirofumi Arai - Tatsuya Nagano Kazuya Kojima - Koichi Takahashi Sakura Ando - Rika Kinoshita Masaaki Uchino - Chief Fujiwara Kanji Furutachi - Shigeru Kuroda Reila Aphrodite Sei Ando Awards At the 31st Yokohama Film Festival Best Actor – Masato Sakai Best Supporting Actress – Sakura Ando Passage 4: Lloyd (film) Lloyd is a 2001 American comedy film. The film was released on May 4, 2001. Plot Lloyd is the "class clown." He often gets in trouble with teachers, one of whom is very strict. When he tries to rebel, he is put into a class for "less enthusiastic students." Once there, he joins the other students in the group: Troy, Carla, and Storm. He soon falls in love with the class's newest member, Tracy (Kristin Parker). However, she is taken by storm. When Lloyd talks to his mother, she tells him that he can still win her back by being himself. The role of Lloyd is played by Todd Bosley. Tom Arnold, a friend of the producers, played a small role. Cast Todd Bosley - Lloyd Brendon Ryan Barrett - Troy Mary Mara - Joann Chloe Peterson - Carla Sammy Elliott - Nathan Patrick Higgins - Storm Kristin Parker - Tracy Tom Arnold - Tom Taylor Negron - Mr. Weid Production The film was shot in Sunnyvale, California, in 1997. External links Lloyd at IMDb Passage 5: La Princesse de Clèves (film) La Princesse de Clèves (Italian: La principessa di Cleves) is a 1961 French-Italian drama film based on the 1678 novel of the same name. Cast Marina Vlady – La princesse de Clèves Jean Marais – Le prince de Clèves Jean-François Poron – Jacques, Duke of Nemours Henri Piégay – Le vidame de Chartres Annie Ducaux – Diane de Poitiers Lea Padovani – Catherine de' Medici Passage 6: Nous, princesses de Clèves Nous, princesses de Clèves is a French documentary film directed by Régis Sauder, filmed at the Lycée Diderot and released on 3 March 2011. Synopsis The movie follows the thoughts and emotions of various teenagers as they prepare to take their Baccalauréat by reading the classic 1678 French novel, La Princesse de Clèves. The film highlights the differences and connections between the lives of the students, many of which are from immigrant and working-class families, and the passions and plots of the 17th century French court. Festivals and awards The film was screened at different film festivals throughout the world, including: 2011 Doc à Tunis - Tunis; 2011 Docudays - Beirut International Documentary Festival - Beyrouth (Liban); 2011 RIDM - Rencontres Internationales du Documentaire de Montréal - Montréal (Canada); 2011 SFFF - San Francisco International Film Festival - San Francisco (États-Unis); 2011 Visions du Réel - Nyon (Suisse), ... and received the 2011 Étoile de la Scam. Selected cast Sarah Yagoubi as herself Abou Achoumi as himself Laura Badrane as herself Morgane Badrane as herself Manel Boulaabi as herself Virginie Da Vega as herself Thérèse Demarque as herself Passage 7: Invasion of the Neptune Men Invasion of the Neptune Men (宇宙快速船, Uchū Kaisokusen) is a 1961 superhero film produced by Toei Company Ltd. The film stars Sonny Chiba as Iron Sharp (called Space Chief in the U.S. version).The film was released in 1961 in Japan and was later released in 1964 direct to television in the United States. In 1998, the film was featured on an episode of Mystery Science Theater 3000. Plot Astronomer Shinichi Tachibana has a secret identity as superhero "Iron Sharp" and has many children as friends. When they are attacked by a group of metallic aliens ("Neptune Men" in English), Iron Sharp drives the aliens away. The resourceful Tachibana helps develop an electric barrier to block the aliens from coming to the Earth. After several losses by the aliens, they announce that they will invade the Earth, throwing the world into a state of panic. The aliens destroy entire cities with their mothership and smaller fighters. After Iron Sharp destroys multiple enemy ships, Japan fires nuclear missiles at the mothership, destroying it. Cast Sonny Chiba as scientist Shinichi Tachibana / Iron Sharp Kappei Matsumoto as Dr. Tanigawa Ryuko Minakami as Yōko (Tanigawa's daughter) Shinjirō Ehara as scientist Yanagida Mitsue Komiya as scientist Saitō Style Invasion of the Neptune Men is part of Japan's tokusatsu genre, which involves science fiction and/or superhero films that feature heavy use of special effects. Production Invasion of the Neptune Men was an early film for Sonny Chiba. Chiba started working in Japanese television where he starred in superhero television series in 1960. Chiba continued working back and forth between television and film until the late 1960s when he became a more popular star. Release Uchū Kaisokusen was released in Japan on 19 July 1961. The film was not released theatrically in the United States, but it was released directly to American television by Walter Manley on March 20, 1964, dubbed in English and retitled Invasion of the Neptune Men.The film was also released as Space Chief, Space Greyhound and Invasion from a Planet. Reception and legacy In later reviews of the film, Bruce Eder gave the film a one-star rating out of five, stating that the film was "the kind of movie that gave Japanese science fiction films a bad name. The low-quality special effects, the non-existent acting, the bad dubbing, and the chaotic plotting and pacing were all of a piece with what critics had been saying, erroneously, about the Godzilla movies for years." The review referred to the film's "cheesy special effects and ridiculous dialogue taking on a sort of so-bad-they're-good charm", and described the film as a "thoroughly memorable (if not necessarily enjoyable, outside of the MST3K continuum) specimen of bad cinema."On October 11, 1997 the film was shown on the movie-mocking television show Mystery Science Theater 3000. In his review of the film, Bruce Eder of AllMovie described the episode as a memorable one, specifically the cast watching the repetitive aerial dogfights between spaceships, and one of the hosts remarking that "Independence Day seems a richly nuanced movie". Criticism of the film included excessive use of WWII stock footage in the action scenes (especially the obviously noticeable shot featuring a picture of Adolf Hitler in one building).In his book Japanese Science Fiction, Fantasy and Horror Films, Stuart Galbraith IV stated that the film "had a few surprises" despite a "woefully familiar script". Galbraith noted that the film was not as over-the-top as Prince of Space and that the opticals in the film were as strong as anything Toho had produced at the time. Galbraith suggested the effects may have been lifted from Toei's The Final War (aka World War III Breaks Out) from 1961. See also List of Japanese films of 1961 List of Mystery Science Theater 3000 episodes List of science fiction films of the 1960s Notes Passage 8: It's a King It's a King is a 1933 British comedy film directed by Jack Raymond and starring Sydney Howard, Joan Maude and Cecil Humphreys. It was made at Elstree Studios by the producer Herbert Wilcox's British and Dominions company. Plot Farce in which insurance agent Albert King is discovered to be the exact double of the king of Helgia, and even has his name in reverse (King Albert). Insurance man Albert enjoys a romance with a princess, before finally saving the King from assassination by anarchists. Cast Sydney Howard as Albert King / King Albert Joan Maude as Princess Yasma Cecil Humphreys as Count Yendoff George De Warfaz as Colonel Brandt Arthur Goullet as Leader Franklyn Bellamy as Salvatore Bela Berkes as himself Lew Stone as himself Passage 9: Vai Raja Vai Vai Raja Vai (transl. Place It King, Place It) is a 2015 Indian Tamil language black comedy crime thriller film written and directed by Aishwarya Dhanush, and produced by AGS Entertainment featuring an ensemble cast starring Gautham Karthik, Priya Anand, Vivek, Gayathri Raguram and Daniel Balaji with S. J. Suryah, Taapsee Pannu and Dhanush playing guest appearances. The film was announced on 12 September 2013, along with the commencement of principal photography.Yuvan Shankar Raja composed the film's soundtrack and score. The film's plot summary is a mix of Hollywood movies Next and 21. The film was released on 1 May 2015 to mixed reviews from critics and was declared successful at the box office. Plot Karthik is a middle-class boy gifted with extrasensory perception who works at an IT company. He has a girlfriend Priya. During school days, he scores good in the exams using his power, so his father asks him to suppress this power to avoid suspicion due to prior incidents. Then Karthik meets Pandian aka Panda at his office and befriends him. Panda, a gambler, learns of Karthik's power and asks him to play cricket gambling by using his power. Rangarajan aka Rande is in charge of cricket gambling under an unknown man known as Kumar. Karthik wins a crore in gambling and uses 10 lakhs for his elder sister Gayathri's marriage. Panda, Karthik and Sathish vacation in Goa to spend the gambling money. There, Rande threatens Karthik to play roulette in the Casino Royale ship. Initially Karthik hesitates, but Rande threatens him by kidnapping Priya. Karthik accepts to play. By this incident, Priya realises Karthik's power. To train Karthik, Shreya comes to help. Karthik plays the game and tricks Rande to take his place in gambling. The casino officials arrest Rande. Karthik, with his money won in the gambling with Panda, Sathish and Priya, escapes and goes back home. Shreya helps Rande escape from guards by the saying of Kumar. Rande traces Karthik and takes him to his place. There, Karthik uses his power to fight Rande's sidekicks and threatens Rande. At that time, a Rolls-Royce Phantom arrives and is revealed that the unknown man Kumar is Kokki Kumar, and he asks Karthik to play for him in politics. Cast Production Casting Initially, director Aishwarya's choice for the lead actor was Atharvaa, but due to schedule conflicts he was unable to work on the project, therefore, Gautham Karthik was signed to play the male lead. It was later announced that Priya Anand was going to be the female lead opposite Gautham in the film. Velraj was confirmed as cinematographer for the film.Director Vasanth was cast as Gautham's father to make his acting debut, while choreographer Gayathri Raguram was signed to play Gautham's sister, making her return as an actress after a ten-year hiatus. Taapsee Pannu and Daniel Balaji were chosen to perform guest appearances in the film. Taapsee's role would be a surprise element in the film as for the first time she plays a character with a negative shade. She later stated that she was not playing the villain in the film but "an aloof girl who is a regular at casinos". In November 2014, Dhanush also shot for a cameo role, reprising the role he played in the film Pudhupettai, Kokki Kumar. Filming The film was mostly shot in Chennai, with major portions being shot at Pacifica Tech Park, OMR. The climax scenes were filmed in a cruise liner as the ship sailed a seven-night itinerary across Singapore, Thailand and Vietnam. In December 2013, the crew filmed a song in Osaka, Japan. Gayathri Raguram, besides acting in the film, choreographed the love duet. A few scenes and songs were also canned in Goa. Soundtrack Yuvan Shankar Raja was chosen to compose the film's soundtrack and score, making his first collaboration with Aishwarya R. Dhanush. The soundtrack album featuring five tracks was released on 10 December 2014 in Chennai. Four months earlier, a single from the album, "Move Your Body", a song in the trap-and-bass genre, which was written by Aishwarya's husband, actor Dhanush and sung by Maestro Ilaiyaraaja, was released on YouTube on 18 August 2014. Besides Dhanush, Madhan Karky wrote two songs, while Gana Bala and Hiphop Tamizha wrote and performed each a song. Release A first-look teaser of 70 seconds was released on 18 April 2014 which received a good response. The trailer was released alongside the soundtrack on 10 December 2014. The satellite rights of the film were sold to STAR Vijay. Critical reception The New Indian Express stated the film was "compact, breezy, stylish and a pleasant watch". Sify called the film "a perfect recipe of a full-on entertainer without even a dash of obscenity or violence...the film is smartly packaged as an exciting and stylish entertainer". The Times of India gave 3 stars out of 5 and wrote, "The film isn't perfect, far from it, it has a few weak spots that could have been disastrous but the confidence with which Aishwaryaa manages to narrate this story helps us tide over its issues".The Hindu wrote that "her second film too suffers from bipolar disorder". Indo-Asian News Service gave 2 stars out of 5 and wrote, "Vai Raja Vai is a good effort gone completely awry", noting that "the first half is incredible fun" but that the film "goes haywire post interval". Rediff gave the same rating and wrote, "Despite a good storyline, young enthusiastic cast and an impressive technical crew, the film barely manages to hold your attention", calling the film a "let down". Box office The film collected ₹3.35 crore (US$420,000) in Tamil Nadu in first day. Passage 10: Rakka (film) Rakka is a 2017 American-Canadian military science fiction short film made by Oats Studios and directed by Neill Blomkamp. It was released on YouTube and Steam on 14 June 2017. Plot Chapter 1: World In the near future, Earth will be attacked by technologically superior and highly aggressive reptilian aliens called the Klum (pronounced "klume"). Humanity is nearing extinction with millions dead or enslaved. The Klum transform the Earth in favor of their own ideal living conditions. They do this at first by burning forests and destroying cities. Then they build megastructures that alter the atmosphere by pumping out methane. The gas makes it progressively harder for terrestrial life to breathe. And it warms the climate, which leads to flooding of coastal cities. The story begins in 2020, from the viewpoint of resistance fighters in Texas, a group of US Army soldiers and many others who have banded together. Most human survivors live underground or among ruins. They have barely enough provisions, weapons, and ammunition. The humans fight by using whatever they can against the primary Klum weapon: an omnipresent nanite in their weaponry, and telepathic control over any human that makes direct eye contact with them. The resistance makes "brain-barriers" that block this mind control. The Klum know, however, that a scarcity of materials means a scarcity of brain barriers. They hope, therefore, to win a war of attrition against the human survivors. Some prisoners are living incubators for the Klum's young, which inevitably kills the victims. Others are dissected. Still other humans are converted into human loudspeakers that urge humans to surrender into "conservatories". Very few humans ever escape. After the Klum destroy a militia convoy with an airstrike, one of the surviving soldiers witnesses an angel-like being materialize from thin air. The narration describes ″them″ as mankind's saviours. Chapter 2: Amir & Nosh Nosh is a tech-savvy pyromaniac and bomb-maker, eking out a living in a scrapyard far from the resistance. The resistance despises Nosh for his murderous glee and demands - giving the sick or suicidal over as bait during his many IED ambushes. They must, however, give in to Nosh's demands to secure the IEDs and the brain-barriers he makes. The resistance stumble across Amir, a mute who has escaped from the Klum. He has extensive cybernetics across his head and shoulders. Amid opposition from her lieutenants, the resistance leader, Jasper, releases Amir from her custody into the care of a resistance fighter named Sarah. Sarah, having lost her daughter to the Klum's experiments, takes a liking to him. She gives Amir food and drink while trying to persuade him to help the resistance fight the Klum by using the precognitive abilities he acquired via the aliens' experiments. Chapter 3: Siege Amir recovers physically and mentally. Then, because of his implant, he has a premonition involving a wounded Klum on the run from militia forces. Sarah pleads with Amir to help the militia officers to stop the genocide. The more she talks to him, the more his eyes change, seeing the premonition of the impending attack more clearly. Amir, still mute, foresees the militia successfully shooting down an alien aircraft, and the pilot is the alien on the run. Sarah asks Amir if they will be able to learn how to hunt the Klum and teach them how to fear. Unable to answer, he foresees the Klum telekinetically bashing one of the militia soldiers, disconnecting his brain barrier and causing him to be mind-controlled, turning on his comrades, who are forced to kill him. Sarah tells Amir that he now has the abilities the aliens have and that he is to use them for humanity. Back in the vision, the militia surround the Klum; Jasper orders the militia to cut off its head. The film ends with Sarah urging Amir to use his abilities because he is humanity's last hope. Cast Sigourney Weaver as Jasper Eugene Khumbanyiwa as Amir Robert Hobbs as Carl Carly Pope as Sarah Brandon Auret as Nosh Mike Huff as Policeman Owen McCrae as Klum Connor Page as Child Jay Anstey as A suicide bomber Justin Shaw as Man in medical device Carla Marais as eight-year-old girl Ryan Angilley as Martinez Alec Gillis as Militia officer 1 Ruan Coetzee as Militia officer 2 Paul Davies as Militia officer 3 Pieter Jacobz as Militia officer 4

doc_29

Passage 1: Peter Burroughs Peter Burroughs (born 27 January 1947) is a British television and film actor and the director of Willow Management. He is the father-in-law of actor and TV presenter Warwick Davis. Early career Burroughs initially ran a shop in his village at Yaxley, Cambridgeshire. His first dramatic role was that of the character "Branic" in the 1979 television series The Legend of King Arthur. He also acted in the television shows Dick Turpin, The Goodies, Doctor Who in the serial The King's Demons and One Foot in the Grave. Film career Burroughs played roles in Hollywood movies such as Flash Gordon, George Lucas' Star Wars: Episode VI – Return of the Jedi (a swinging ewok), Willow, The Dark Crystal, Labyrinth and The Hitchhiker's Guide to the Galaxy. In 1995, Burroughs set up Willow Management, an agency for short actors, along with co-actor Warwick Davis. He portrayed a bank goblin in the Harry Potter series (Harry Potter and the Philosopher's Stone and Harry Potter and the Deathly Hallows – Part 2). Personal life His daughter Samantha (born 1971), is married to Star Wars: Episode VI – Return of the Jedi and Willow film star Warwick Davis. He has another daughter, Hayley Burroughs, who is also an actress. His granddaughter is Annabelle Davis. Filmography Passage 2: Ogawa Mataji Viscount Ogawa Mataji (小川又次, 22 August 1848 – 20 October 1909) was a general in the early Imperial Japanese Army. He was also the father-in-law of Field Marshal Gen Sugiyama. Life and military career Ogawa was born to a samurai family; his father was a retainer to the daimyō of Kokura Domain, in what is now Kitakyushu, Fukuoka. He studied rangaku under Egawa Hidetatsu and fought as a Kokura samurai against the forces of Chōshū Domain during the Bakumatsu period. After the Meiji Restoration, Ogawa attended the Imperial Japanese Army Academy and was commissioned as a second lieutenant in January 1871 and promoted to lieutenant in February 1874. He participated in the Taiwan Expedition of April 1874. Afterwards, he served with the IJA 1st Infantry Regiment under the Tokyo Garrison, and as a battalion commander with the IJA 13th Infantry Regiment from April 1876. From February 1877, he fought in the Satsuma Rebellion, but was wounded in combat in April and promoted to major the same month. In March 1878, Ogawa was Deputy Chief-of-Staff to the Kumamoto Garrison. He was sent as a military attaché to Beijing from April to July 1880. In February 1881, he was promoted to lieutenant-colonel and chief of staff of the Osaka Garrison. In March 1882, he was chief of staff of the Hiroshima Garrison. Promoted to colonel in October 1884, he was assigned the IJA 8th Infantry Regiment. In May 1885, he joined the Imperial Japanese Army General Staff Office. German General Jakob Meckel, hired by the Japanese government as a foreign advisor and instructor in the Imperial Japanese Army Academy highly praised Ogawa and fellow colonel Kodama Gentarō as the two most outstanding officers in the Imperial Japanese Army. Ogawa was especially noted for his abilities as a military strategist and planner, and earned the sobriquet “the modern Kenshin") from General Kawakami Soroku. First Sino-Japanese War Ogawa was promoted to major general in June 1890, and given command of the IJA 4th Infantry Brigade, followed by command of the 1st Guards Brigade. At the start of the First Sino-Japanese War in August 1894, he was chief of staff of the Japanese First Army. In August 1895, he was elevated to the kazoku peerage with the title of danshaku (baron). He commanded the 2nd Guards Brigade from January 1896 and was subsequently promoted to lieutenant general in April 1897, assuming command of the IJA 4th Infantry Division. In May 1903, he was awarded the Order of the Sacred Treasures, first class. Russo-Japanese War During the Russo-Japanese War of 1904-1905, Ogawa retained command of the IJA 4th Division under the Japanese Second Army of General Oku Yasukata. The division was in combat at the Battle of Nanshan, Battle of Telissu and Battle of Liaoyang. At the Battle of Liaoyang, Ogawa was injured in combat, and forced to relinquish his command and return to Tokyo. In January 1905, he was promoted to general, but took a medical leave from December 1905. He was awarded the Order of the Golden Kite, 2nd class in 1906. In September 1907 he was elevated to viscount (shishaku) He officially retired in November. Ogawa died on 20 October 1909 due to peritonitis after being hospitalized for dysentery. His grave is located at Aoyama Cemetery in Tokyo, and he also has a grave in his hometown of Kokura. Decorations 1885 – Order of the Rising Sun, 3rd class 1895 – Order of the Sacred Treasure, 2nd class 1895 – Order of the Rising Sun, 2nd class 1895 – Order of the Golden Kite, 3rd class 1903 – Grand Cordon of the Order of the Sacred Treasure 1906 – Grand Cordon of the Order of the Rising Sun 1906 – Order of the Golden Kite, 2nd class Passage 3: Prince Rupert of the Rhine Prince Rupert of the Rhine, Duke of Cumberland, (17 December 1619 (O.S.) [27 December 1619 (N.S.)] – 29 November 1682 (O.S.) [9 December 1682 (N.S)]) was an English army officer, admiral, scientist, and colonial governor. He first came to prominence as a Royalist cavalry commander during the English Civil War. Rupert was the third son of the German Prince Frederick V of the Palatinate and Elizabeth, eldest daughter of King James VI and I of Scotland and England. Prince Rupert had a varied career. He was a soldier as a child, fighting alongside Dutch forces against Habsburg Spain during the Eighty Years' War (1568–1648), and against the Holy Roman Emperor in Germany during the Thirty Years' War (1618–1648). Aged 23, he was appointed commander of the Royalist cavalry during the English Civil War, becoming the archetypal "Cavalier" of the war and ultimately the senior Royalist general. He surrendered after the fall of Bristol and was banished from England. He served under King Louis XIV of France against Spain, and then as a Royalist privateer in the Caribbean Sea. Following the Restoration, Rupert returned to England, becoming a senior English naval commander during the Second Anglo-Dutch War and Third Anglo-Dutch War, and serving as the first governor of the Hudson's Bay Company. He died in England in 1682, aged 62. Rupert is considered to have been a quick-thinking and energetic cavalry general, but ultimately undermined by his youthful impatience in dealing with his peers during the Civil War. In the Interregnum, Rupert continued the conflict against Parliament by sea from the Mediterranean to the Caribbean, showing considerable persistence in the face of adversity. As the head of the Royal Navy in his later years, he showed greater maturity and made impressive and long-lasting contributions to the Royal Navy's doctrine and development. As a colonial governor, Rupert shaped the political geography of modern Canada: Rupert's Land was named in his honour, and he was a founder of the Hudson's Bay Company. Rupert's varied and numerous scientific and administrative interests, combined with his considerable artistic skills, made him one of the more colourful public figures in England of the Restoration period. Parents and ancestry Rupert's father was Frederick V of the Palatinate, of the Palatinate-Simmern branch of the House of Wittelsbach. As Elector Palatine, Frederick was one of the most important princes of the Holy Roman Empire. He was also head of the Protestant Union, a coalition of Protestant German states. The Palatinate was a wealthy state, and Frederick lived in great luxury.Frederick's mother, Countess Louise Juliana of Nassau, was daughter of William the Silent and half-sister of Maurice, Prince of Orange, who as stadtholders of Holland and other provinces were the leaders of the Dutch Republic.Rupert's mother was Elizabeth Stuart, daughter of King James VI of Scotland and I of England. Thus Rupert was nephew of King Charles I of England and Scotland, and first cousin of King Charles II of England and Scotland, who made him Duke of Cumberland and Earl of Holderness. His sister Electress Sophia was the mother of George I of Great Britain.Rupert was named in honour of Rupert, King of Germany, a famous Wittelsbach ancestor. Early life and exile Rupert was born in Prague, Bohemia, in 1619, and was declared a prince by the principality of Lusatia. His father had just been elected king by the largely Protestant estates of Bohemia. This was perceived as an act of rebellion by the Catholic House of Habsburg, who had been kings of Bohemia since 1526, and initiated the Thirty Years' War. Frederick was not supported by the Protestant Union, and in 1620 was defeated by Emperor Ferdinand II in the Battle of White Mountain. Rupert's parents were thus mockingly termed the "Winter King and Queen". Rupert was almost left behind in the court's rush to escape Ferdinand's advance on Prague, until courtier Kryštof z Donína (Christopher Dhona) tossed the prince into a carriage at the last moment.Rupert accompanied his parents to The Hague, where he spent his early years at the Hof te Wassenaer (the Wassenaer Court). Rupert's mother paid her children little attention even by the standards of the day, apparently preferring her pet monkeys and dogs. Instead, Frederick employed a French couple, Monsieur and Madame de Plessen, as governors to his children. They were raised with a positive attitude towards the Bohemians and the English, and as strict Calvinists. The result was a strict school routine including logic, mathematics, writing, drawing, singing, and playing instruments.As a child, Rupert was at times badly behaved, "fiery, mischievous, and passionate" and earned himself the nickname Robert le Diable, or "Rupert The Devil". Nonetheless, Rupert proved to be an able student. By the age of three he could speak some English, Czech, and French, and mastered German while still young, but had little interest in Latin and Greek. He excelled in art, being taught by Gerard van Honthorst, and found mathematics and science easy. By the time he was 18 he stood about 6 ft 4 in (1.93 m) tall.Rupert's family continued their attempts to regain the Palatinate during their time in The Hague. Money was short, with the family relying upon a relatively small pension from The Hague, the proceeds from family investments in Dutch raids on Spanish shipping, and revenue from pawned family jewellery. Frederick set about convincing an alliance of nations—including England, France and Sweden — to support his attempts to regain the Palatinate and Bohemia. By the early 1630s Frederick had built a close relationship with King Gustavus of Sweden, the dominant Protestant leader in Germany. In 1632, however, the two men disagreed over Gustavus' insistence that Frederick provide equal rights to his Lutheran and Calvinist subjects after regaining his lands; Frederick refused and set off to return to The Hague. He died of a fever along the way and was buried in an unmarked grave.Rupert had lost his father at the age of 13, and Gustavus' death at the Battle of Lützen in the same month deprived the family of a critical Protestant ally. With Frederick gone, King Charles proposed that the family move to England; Rupert's mother declined, but asked that Charles extend his protection to her remaining children instead. Teenage years Rupert spent the beginning of his teenage years in England between the courts of The Hague and his uncle King Charles I, before being captured and imprisoned in Linz during the middle stages of the Thirty Years' War. Rupert had become a soldier early; at the age of 14 he attended the Dutch pas d'armes with the Protestant Frederick Henry, Prince of Orange. Later that year he fought alongside him and the Duke of Brunswick at the Anglo-German siege of Rheinberg, and by 1635 he was acting as a military lifeguard to Prince Frederick. Rupert went on to fight against imperial Spain in the successful campaign around Breda in 1637 during the Eighty Years' War in the Netherlands. By the end of this period, Rupert had acquired a reputation for fearlessness in battle, high spirits and considerable industry.In between these campaigns Rupert had visited his uncle's court in England. The Palatinate cause was a popular Protestant issue in England, and in 1637 a general public subscription helped fund an expedition under Charles Louis to try to regain the electorate as part of a joint French campaign. Rupert was placed in command of a Palatinate cavalry regiment, and his later friend Lord Craven, an admirer of Rupert's mother, assisted in raising funds and accompanied the army on the campaign. The campaign ended badly at the Battle of Vlotho (17 October 1638) during the invasion of Westphalia; Rupert escaped death, but was captured by the forces of the Imperial General Melchior von Hatzfeldt towards the end of the battle.After a failed attempt to bribe his way free of his guards, Rupert was imprisoned in Linz. Lord Craven, also taken in the battle, attempted to persuade his captors to allow him to remain with Rupert, but was refused. Rupert's imprisonment was surrounded by religious overtones. His mother was deeply concerned that he might be converted from Calvinism to Catholicism; his captors, encouraged by Emperor Ferdinand III, deployed Jesuit priests in an attempt to convert him. The emperor went further, proffering the option of freedom, a position as an Imperial general and a small principality if Rupert would convert. Rupert refused.Rupert's imprisonment became more relaxed on the advice of the Archduke Leopold, Ferdinand's younger brother, who met and grew to like Rupert. Rupert practised etching, played tennis, practised shooting, read military textbooks and was taken on accompanied hunting trips. He also entered into a romantic affair with Susan Kuffstein, the daughter of Count von Kuffstein, his gaoler. He received a present of a rare white poodle that Rupert called Boy or sometimes Pudel, and which remained with him into the English Civil War. Despite attempts by a Franco-Swedish army to seize Linz and free Rupert, his release was ultimately negotiated through Leopold and the Empress Maria Anna; in exchange for a commitment never again to take up arms against the emperor, Rupert would be released. Rupert formally kissed the emperor's hand at the end of 1641, turned down a final offer of an imperial command and left Germany for England. Career during the First English Civil War Rupert is probably best remembered today for his role as a Royalist commander during the English Civil War. He had considerable success during the initial years of the war, his drive, determination and experience of European techniques bringing him early victories. As the war progressed, Rupert's youth and lack of maturity in managing his relationships with other Royalist commanders ultimately resulted in his removal from his post and ultimate retirement from the war. Throughout the conflict, however, Rupert also enjoyed a powerful symbolic position: he was an iconic Royalist Cavalier and as such was frequently the subject of both Parliamentarian and Royalist propaganda, an image which has endured over the years. Early phases, 1642–1643 Rupert arrived in England following his period of imprisonment and final release from captivity in Germany. In August 1642, Rupert, along with his brother Prince Maurice and a number of professional soldiers, ran the gauntlet across the sea from the United Provinces, and after one initial failure, evaded the pro-Parliamentary navy and landed in Newcastle. Riding across country, he found the King with a tiny army at Leicester Abbey, and was promptly appointed General of Horse, a coveted appointment at the time in European warfare. Rupert set about recruiting and training: with great effort he had put together a partially trained mounted force of 3,000 cavalry by the end of September. Rupert's reputation continued to rise and, leading a sudden, courageous charge, he routed a Parliamentarian force at Powick Bridge, the first military engagement of the war. Although a small engagement, this had a propaganda value far exceeding the importance of the battle itself, and Rupert became an heroic figure for many young men in the Royalist camp.Rupert joined the King in the advance on London, playing a key role in the resulting Battle of Edgehill in October. Once again, Rupert was at his best with swift battlefield movements; the night before, he had undertaken a forced march and seized the summit of Edgehill, giving the Royalists a superior position. When he quarrelled with his fellow infantry commander, Robert Bertie, however, some of the weaknesses of Rupert's character began to display themselves. Rupert vigorously interjected—probably correctly, but certainly tactlessly—that Lindsey should deploy his men in the modern Swedish fashion that Rupert was used to in Europe, which would have maximised their available firepower. The result was an argument in front of the troops and Lindsey's resignation and replacement by Sir Jacob Astley. In the subsequent battle Rupert's men made a dramatic cavalry charge, but despite his best efforts a subsequent scattering and loss of discipline turned a potential victory into a stalemate. After Edgehill, Rupert asked Charles for a swift cavalry attack on London before the Earl of Essex's army could return. The King's senior counsellors, however, urged him to advance slowly on the capital with the whole army. By the time they arrived, the city had organised defences against them. Some argue that, in delaying, the Royalists had perhaps lost their best chance of winning the war, although others have argued that Rupert's proposed attack would have had trouble penetrating a hostile London. Instead, early in 1643, Rupert began to clear the South-West, taking Cirencester in February before moving further against Bristol, a key port. Rupert took Bristol in July with his brother Maurice using Cornish forces and was appointed governor of the city. By mid-1643, Rupert had become so well known that he was an issue in any potential peace accommodation—Parliament was seeking to see him punished as part of any negotiated solution, and the presence of Rupert at the court, close to the King during the negotiations, was perceived as a bellicose statement in itself. Later stages, 1644–1646 During the second half of the war, political opposition within the Royalist senior leadership against Prince Rupert continued to grow. His personality during the war had made him both friends and enemies. He enjoyed a "frank and generous disposition", showed a "quickness of... intellect", was prepared to face grave dangers, and could be thorough and patient when necessary. However, Prince Rupert lacked the social gifts of a courtier, and his humour could turn into a "sardonic wit and a contemptuous manner": with a hasty temper, he was too quick to say whom he respected and whom he disliked. The result was that, while he could inspire great loyalty in some, especially with his men, he also made many enemies at the Royal court. When Prince Rupert took Bristol, he also slighted the Marquess of Hertford, the lethargic but politically significant Royalist leader of the South-West. Most critically, he fell out with George Digby, a favourite of both the King and the Queen. Digby was a classic courtier and Rupert fell to arguing with him repeatedly in meetings. The result was that towards the end of the war Prince Rupert's position at court was increasingly undermined by his enemies. Rupert continued to impress militarily. By 1644, now the Duke of Cumberland and Earl of Holderness, he led the relief of Newark and York and its castle. Having marched north, taking Bolton and Liverpool along the way in two bloody assaults, Rupert then intervened in Yorkshire in two highly effective manoeuvres, in the first outwitting the enemy forces at Newark with speed; in the second, striking across country and approaching York from the north. Rupert then commanded much of the royalist army at its defeat at Marston Moor, with much of the blame falling on the poor working relationship between Rupert and the Marquess of Newcastle, and orders from the King that wrongly conveyed a desperate need for a speedy success in the north.In November 1644, Rupert was appointed general of the entire Royalist army, which increased already marked tensions between him and a number of the King's councillors. By May 1645, and now desperately short of supplies, Rupert captured Leicester, but suffered a severe reversal at the Battle of Naseby a month later. Although Rupert had counselled the King against accepting battle at Naseby, the opinions of Digby had won the day in council: nonetheless, Rupert's defeat damaged him, rather than Digby, politically. After Naseby, Rupert regarded the Royalist cause as lost, and urged Charles to conclude a peace with Parliament. Charles, still supported by an optimistic Digby, believed he could win the war. By late summer, Prince Rupert had become trapped in Bristol by Parliamentary forces. Faced with an impossible military situation on the ground, Rupert surrendered Bristol in September 1645, and Charles dismissed him from his service and command.Rupert responded by making his way across Parliamentary held territory to the King at Newark with Prince Maurice and around a hundred men, fighting their way through smaller enemy units and evading larger ones. King Charles attempted to order Rupert to desist, fearing an armed coup, but Rupert arrived at the royal court anyway. After a difficult meeting, Rupert convinced the King to hold a court-martial over his conduct at Bristol, which exonerated him and Maurice. After a final argument over the fate of his friend Richard Willis, the governor of Newark, who had let Rupert into the royal court to begin with, Rupert resigned and left the service of King Charles, along with most of his best cavalry officers. Earlier interpretations of this event focused on Rupert's concern for his honour in the face of his initial dismissal by the King; later works have highlighted the practical importance of the courts martial to Rupert's future employability as a mercenary in Europe, given that Rupert knew that the war by this point was effectively lost. Rupert and Maurice spent the winter of 1645 in Woodstock, examining options for employment under the Republic of Venice, before returning to Oxford and the King in 1646. Rupert and the King were reconciled, the Prince remaining to defend Oxford when the King left for the north. After the ensuing siege and surrender of Oxford in 1646, Parliament banished both Rupert and his brother from England. Reputation Rupert's contemporaries believed him to have been involved in some of the bloodier events of the war, although later histories have largely exonerated him. Rupert had grown up surrounded by the relatively savage customs of the Thirty Years' War in Europe. Shortly after his arrival in England he caused consternation by following similar practices; one of his early acts was to demand two thousand pounds from the people of Leicester for the King as the price of not sacking Leicester. Although in keeping with European practices, this was not considered appropriate behaviour in England and Rupert was reprimanded by the King.Rupert's reputation never truly recovered, and in subsequent sieges and attacks he was frequently accused of acting without restraint. Birmingham, a key arms producing town, was taken in April 1643, and Rupert faced allegations—probably untrue—of wilfully burning the town to the ground (see the Battle of Camp Hill). Shortly afterwards Rupert attempted to take the town of Lichfield, whose garrison had executed Royalist prisoners, angrily promising to kill all the soldiers inside. Only the urgent call for assistance from the King prevented him from doing so, forcing him to agree to more lenient terms in exchange for a prompt surrender. Towards the end of the war, practices were changing for the worse across all sides; a rebellious Leicester was retaken by the Prince in May 1645, and no attempt was made to limit the subsequent killing and plunder.Rupert was accordingly a prominent figure in Parliamentary propaganda. He faced numerous accusations of witchcraft, either personally or by proxy through his pet dog, Boy, sometimes called Pudel, a large white hunting poodle which accompanied Rupert everywhere from 1642 up until the dog's death at Marston Moor and which was suspected of being a witch's familiar. There were numerous accounts of Boy's abilities; some suggested that he was the Devil in disguise, come to help Rupert. Pro-Royalist publications ultimately produced parodies of these, including one which listed Rupert's dog as being a "Lapland Lady" transformed into a white dog; Boy was able, apparently, to find hidden treasure, possessed invulnerability to attack, could catch bullets fired at Rupert in his mouth, and could prophesy as well as the 16th-century soothsayer, Mother Shipton. Similar stories from the period relate to Rupert's pet monkey. Like his dog, the monkey was featured in newsprint of the day and was also reputed to have shapeshifting powers, being able to disguise itself behind enemy lines. Second English Civil War and Interregnum After the end of the First English Civil War Rupert was employed by the young King Louis XIV of France to fight the Spanish during the final years of the Thirty Years' War. Rupert's military employment was complicated by his promises to the Holy Roman Emperor that had led to his release from captivity in 1642, and his ongoing commitment to the English Royalist faction in exile. He also became a Knight of the Garter in 1642. Throughout the period Rupert was inconvenienced by his lack of secure income, and his ongoing feuds with other leading members of the Royalist circle. Service in the French army Rupert first travelled to the Royal court in exile at St Germain but found it still dominated by the Queen and her favourite, Rupert's enemy Digby. Instead, Rupert moved on, accepting a well paid commission from Anne of Austria to serve Louis XIV as a mareschal de camp, subject to Rupert being free to leave French service to fight for King Charles, should he be called upon to do so. In 1647, Rupert fought under Marshal Jean de Gassion against the Spanish. After a three-week siege, Rupert took the powerful fortress of La Bassée through quiet negotiations with the enemy commander—an impressive accomplishment, and one that won him favour in French court circles. Gassion and Rupert were ambushed shortly afterwards by a Spanish party; during the resulting fight, Rupert was shot in the head and seriously injured. Afterwards, Gassion noted: "Monsieur, I am most annoyed that you are wounded." "And me also," Rupert is recorded as replying. Gassion was himself killed shortly afterwards, and Rupert returned to St Germain to recuperate. Service in the Royalist navy In 1648, the relatively brief Second English Civil War broke out, and Rupert informed the French King that he would be returning to King Charles's service. The Parliamentary navy mutinied in favour of the King and sailed for Holland, providing the Royalists with a major fleet for the first time since the start of the civil conflict; Rupert joined the fleet under the command of the Duke of York, who assumed the rank of Lord High Admiral.Rupert argued that the fleet should be used to rescue the King, then being held prisoner on the Isle of Wight, while others advised sailing in support of the fighting in the north. The fleet itself rapidly lost discipline, with many vessels' crews focussing on seizing local ships and cargoes. This underlined a major problem for the Royalists—the cost of maintaining the new fleet was well beyond their means. Discipline continued to deteriorate and Rupert had to intervene personally several times, including defusing one group of mutinous sailors by suddenly dangling the ringleader over the side of his vessel and threatening to drop him into the sea. Most of the fleet finally switched sides once more, returning to England in late 1648.Then, following a degree of reconciliation with Charles, Rupert obtained command of the Royalist fleet himself. The intention was to restore Royalist finances by using the remaining vessels of the fleet to conduct a campaign of organised piracy against English shipping across the region. One of the obstacles that this plan faced was the growing strength of the Parliamentary fleet and the presence of Robert Blake, one of the finest admirals of the period, as Rupert's opponent during the campaign. Rupert's naval campaign formed two phases. The first involved the Royalist fleet sailing from Kinsale in Ireland to Lisbon in Portugal. He took three large ships, HMS Constant Reformation, the Convertine and the Swallow, accompanied by four smaller vessels. Rupert sailed to Lisbon taking several prizes en route, where he received a warm welcome from King John IV, the ruler of recently independent Portugal, who was a supporter of Charles II. Blake arrived shortly afterwards with a Parliamentary fleet, and an armed stand-off ensued. Tensions rose, skirmishes began to break out and King John became increasingly keen for his Royalist guests to leave. In October 1650, Rupert's fleet, now comprising six vessels, broke out and headed into the Mediterranean. Still pursued by Blake, the Royalist fleet manoeuvred up the Spanish coast, steadily losing vessels to their pursuers.The second phase of the campaign then began. Rupert crossed back into the Atlantic and, during 1651, cut west to the Azores, capturing vessels as he went. He intended to continue on to the West Indies, where there would be many rich targets. Instead he encountered a late summer storm, leading to the sinking of the Constant Reformation with the loss of 333 lives—almost including Rupert's brother, Prince Maurice, who only just escaped — and a great deal of captured treasure. Turning back to regroup, repair and re-equip in early 1652, Rupert's reduced force moored at Cape Blanc, an island near what is now Mauritania. Rupert took the opportunity to explore and acquired a Moorish servant boy, who remained in his service for many years. Rupert also explored 150 miles up the Gambia River, taking two Spanish vessels as prizes and contracting malaria in the process.Rupert then finally made a successful crossing into the Caribbean, landing first at Saint Lucia, before continuing up the chain of the Antilles to the Virgin Islands. There the fleet was hit by a hurricane, which scattered the ships and sank the Defiance, this time with Prince Maurice on board. It was a while before Maurice's death became certain, which came as a terrible blow to Rupert. He was forced to return to Europe, arriving in France in March 1653 with a fleet of five ships. It became clear, as the profits and losses of the piracy campaign were calculated, that the venture had not been as profitable as hoped. This complicated tensions in the Royalist court, and Charles II and Rupert eventually split the spoils, after which Rupert, tired and a little bitter, returned to France to recuperate from the long campaign.In 1654, Rupert appears to have been involved in a plot to assassinate Oliver Cromwell, an event that would then have been followed by a coup, the landing of a small army in Sussex, and the restoration of Charles II. Charles himself is understood to have rejected the assassination proposal, but three conspirators—who implicated Rupert in the plan—were arrested and confessed in London.Rupert's presence at the royal court continued to be problematic; as in 1643, he was regarded by Edward Hyde (later Earl of Clarendon) and others as a bellicose figure and an obstacle to peace negotiations; in 1655 Rupert left for Germany. Service in Germany After his quarrel with the Royalist court in exile, Rupert travelled to Heidelberg to visit his brother Charles Louis, now partially restored as Elector Palatine, where the two had an ambivalent reunion. Charles Louis and Rupert had not been friendly as children and had almost ended up on opposite sides during the Civil War. To make matters worse, Charles Louis had been deprived of half the old Palatinate under the Peace of Westphalia, leaving him badly short of money, although he still remained responsible under the Imperial laws of apanage for providing for his younger brother and had offered the sum of £375 per annum, which Rupert had accepted. Rupert travelled on to Vienna, where he attempted to claim the £15,000 compensation allocated to him under the Peace of Westphalia from the Emperor. Ferdinand III warmly welcomed him, but was unable to pay such a sum immediately—instead, he would have to pay in installments, to the disadvantage of Rupert.Over the next twelve months, Rupert was asked by the Duke of Modena in Northern Italy to raise an army against the Papal States—having done so, and with the army stationed in the Palatinate, the enterprise collapsed, with the Duke requesting that Rupert invade Spanish held Milan instead. Rupert moved on, having placed his brother Charles Louis in some diplomatic difficulties with Spain. Rupert travelled onwards, continuing to attempt to convince Ferdinand to back Charles II's efforts to regain his throne.In 1656, relations between Rupert and Charles Louis deteriorated badly. Rupert had fallen in love with Louise von Degenfeld, one of his sister-in-law's maids of honour. One of Rupert's notes proffering his affections accidentally fell into the possession of Charles Louis' wife Charlotte, who believed it was written to her. Charlotte was keen to engage in an affair with Rupert and became unhappy when she was declined and the mistake explained. Degenfeld was uninterested in Rupert, but was engaged in an affair with Charles Louis; this was discovered in due course, leading to the annulment of the marriage. Rupert, for his part, was unhappy that Charles Louis could not endow him with a suitable estate, and the two parted on bad terms in 1657, Rupert refusing ever to return to the Palatinate again and taking up employment under Ferdinand III in his Kingdom of Hungary. Interest in art During this period Rupert became closely involved in the development of mezzotint, a "negative" or intaglio printmaking process which eventually superseded the older woodcut process. Rupert appears to have told a range of associates that he had conceived of the mezzotint process through having watched a soldier scrape the rust from the barrel of his musket during a military campaign. John Evelyn credited Rupert as the inventor of the technique in 1662, and Rupert's story was further popularised by Horace Walpole during the 18th century. Considerable academic debate surrounds the issue, but the modern consensus is that mezzotint was instead invented in 1642 by Ludwig von Siegen, a German lieutenant-colonel who was also an amateur artist. Siegen may or may not have met Rupert: Siegen had worked as chamberlain, and probably part-tutor, to Rupert's young cousin William VI, Landgrave of Hesse-Kassel, with whom Rupert discussed the technique in letters from 1654. Rupert did, however, become a noted artist in mezzotint in his own right. He produced a few stylish prints in the technique, mostly interpretations of existing paintings, and introduced the form to England after the Restoration, though it was Wallerant Vaillant, Rupert's artistic assistant or tutor, who first popularised the process and exploited it commercially. Rupert's most famous and largest art work, The Great Executioner, produced in 1658, is still regarded by critics such as Arthur Hind and Antony Griffiths as full of "brilliance and energy", "superb" and "one of the greatest mezzotints" ever produced; other important works by Rupert include the Head of Titian and The Standard Bearer. Career following the Restoration Following the Restoration of the monarchy under Charles II in 1660, Rupert returned to England, where Charles had already largely completed the process of balancing the different factions across the country in a new administration. Since most of the better government posts were already taken, Rupert's employment was limited, although Charles rewarded him with the second highest pension he had granted, £4,000 a year. Rupert's close family ties to King Charles were critical to his warm reception; following the deaths of the Duke of Gloucester and Princess Mary, Rupert was the King's closest adult relation in England after his brother, the Duke of York, and so a key member of the new regime. Rupert, as the Duke of Cumberland, resumed his seat in the House of Lords. For the first time in his life, Rupert's financial position was relatively secure, and he had matured. Near-contemporaries described how "his temper was less explosive than formerly and his judgement sounder". Rupert continued to serve as an admiral in the Royal Navy throughout the period, ultimately rising to the rank of "General at Sea and Land". Restoration statesman Rupert was appointed to the King's Privy Council in 1662, taking roles on the Foreign Affairs Committee, the Admiralty Committee and the Tangier Committee. Accounts vary of Rupert's role in all these committees of government. Samuel Pepys, no friend of Rupert's, sat on the Tangier Committee with him and later declared that all Rupert did was to laugh and swear occasionally: other records, such as those of the Foreign Affairs Committee, show him taking a full and active role in proceedings.In 1668, the King appointed Rupert to be the Constable of Windsor Castle. Rupert was already one of the Knights of the Garter, who had their headquarters at the castle, and was a close companion of the King, who would wish to be suitably entertained at the castle. Rupert immediately began to reorder the castle's defences, sorting out the garrison's accommodation, repairing the Devil's Tower, reconstructing the real tennis court and improving the castle's hunting estate. Rupert acquired his own apartments in the castle, which were recorded as being "very singular" with some decorated with an "extraordinary" number of "pikes, muskets, pistols, bandoliers, holsters, drums, back, breast, and head pieces", and his inner chambers "hung with tapisserie, curious and effeminate pictures". King Charles II and Rupert spent much time together over the years hunting and playing tennis together at Windsor, and Rupert was also a close companion of James, the Duke of York. Rupert was considered by Pepys to be among the four best tennis players in England.Rupert became romantically engaged to Frances Bard (1646–1708), the daughter of the English explorer and Civil War veteran Henry Bard. Frances claimed to have secretly married Rupert in 1664, although this was denied by him and no firm proof exists to support the claim. Rupert acknowledged the son he had with Frances, Dudley Bard (1666–86), often called "Dudley Rupert", who was schooled at Eton College. In 1673, Rupert was urged by Charles Louis to return home, marry and father an heir to the Palatinate, as it appeared likely that Charles Louis's own son would not survive childhood. Rupert refused, and remained in England. Career in the Restoration navy For much of the 17th century, England was embroiled in conflict with commercial rival Holland through the Anglo-Dutch Wars. Rupert became closely involved in these as a senior admiral to King Charles II, rising to command the Royal Navy by the end of his career. Although several famous admirals of the day had previously been army commanders, including Blake and Monck, they had commanded relatively small land forces and Rupert was still relatively unusual for the period in having both practical experience of commanding large land armies and having extensive naval experience from his campaigns in the 1650s.At the start of the Second Anglo-Dutch War (1665–1667), Rupert was appointed as one of the three squadron commanders of the English fleet, under the overall command of the Duke of York, taking HMS Royal James as his flagship. As the commander of the White Squadron, Rupert fought at the Battle of Lowestoft in 1665, breaking through the enemy defences at a critical moment; Rupert's leg was injured in the battle, an injury that caused him ongoing pain. Recalled to accompany the King during the plague that was sweeping London, Rupert continued to argue in favour of the fleet's seeking a set-piece engagement with the Dutch that would force the Dutch back to the negotiating table. The following year, Rupert was made joint commander of the fleet with Monck and given the opportunity to put this plan into practice. In June 1666, they fought the Dutch at the Four Days' Battle, one of the longest naval battles in history; the battle saw the new aggressive tactics of Rupert and Monck applied, resulting in "a sight unique till then in sailing-ship warfare, the English beating upwind and breaking the enemy's line from leeward." However, the Four Days' Battle was considered a victory for the Dutch, but the St. James's Day Battle the following month allowed Rupert and Monck to use the same tactics to inflict heavy damage on the Dutch and the battle resulted in a significant English victory. The Dutch however would see a favourable end to the war with the decisive Raid on the Medway.Rupert also played a prominent role in the Third Anglo-Dutch War (1672–74). This time Louis XIV of France was a key English ally against Holland, and it was decided that the French would form a squadron in a combined fleet. The English fleet had been much expanded, and Rupert had three ships, HMS Royal Charles, HMS Royal James and HMS Royal Oak, equipped with a high-specification, annealed and lathe-produced gun of his own design, the Rupertinoe. The cost of the weapon—three times that of a normal gun—prevented its wider deployment in the fleet. The French role in the conflict proved a problem when Charles turned to the appointment of an admiral. Rupert's objection to the French alliance was well known, and accordingly the King appointed the Duke of York to the role instead. Rupert was instead instructed to take over the Duke's work at the Admiralty, which he did with gusto. The Allied naval plans were stalled after the Duke's inconclusive battle with the Dutch at Solebay. The English plan for 1673 centred on first achieving naval dominance, followed by landing an army in Zeeland. The King appointed the Duke as supreme commander, with Rupert as his deputy, combining the ranks of general and vice admiral of England. During the winter of 1672, however, Charles—still (legitimately) childless—decided that the risk to the Duke, his heir, was too great and made Rupert supreme Allied commander in his place. Rupert began the 1673 campaign against the Dutch knowing the logistical support for his fleet remained uncertain, with many ships undermanned. The result was the Battle of Schooneveld in June and the Battle of Texel in August, a controversial sequence of engagements in which, at a minimum, poor communications between the French and English commanders assisted the marginal Dutch victory. Many English commentators were harsher, blaming the French for failing to fully engage in the battles and Rupert—having cautioned against the alliance in the first place—was popularly hailed as a hero. Rupert finally retired from active seagoing command later that year.Rupert had a characteristic style as an admiral; he relied upon "energetic personal leadership backed by close contact with his officers"; having decided how to proceed in a naval campaign, however, it could be difficult for his staff to change his mind. Recent work on Rupert's role as a commander has also highlighted the progress the prince made in formulating the way that orders were given to the British fleet. Fleet communications were limited during the period, and the traditional orders from admirals before a battle were accordingly quite rigid, limiting a captain's independence in the battle. Rupert played a key part in the conferences held by the Duke of York in 1665 to review tactics and operational methods from the First Anglo-Dutch War, and put these into practice before the St James Day battle. These instructions and supplementary instructions to ships' captains, which attempted to balance an adherence to standing orders with the need to exploit emerging opportunities in a battle, proved heavily influential over the next hundred years and shaped the idea that an aggressive fighting spirit should be at the core of British naval doctrine.After 1673, Rupert remained a senior member of the Royal Navy and Charles's administration. Rupert allied himself with Lord Shaftesbury on matters of foreign policy, but remained loyal to King Charles II on other issues, and was passionate about protecting the royal prerogative. As a consequence, he opposed Parliament's plan in 1677 to appoint him to Lord High Admiral—on the basis that only the King should be allowed to propose such appointments—but noted that he was willing to become Admiral if the King wished him to do so. The King's solution was to establish a small, empowered Admiralty Commission, of which Rupert became the first commissioner. As a result, from 1673 to 1679 Rupert was able to focus on ensuring a closer regulation of manning, gunning and the selection of officers. He was also involved in setting priorities between the different theatres of operations that the Royal Navy was now involved in around the world. Rupert was also appointed to the supreme position of "General at Sea and Land", effectively assuming the wartime powers of the Lord High Admiral. Later life After the end of his seagoing naval career Rupert continued to be actively involved in both government and science, although he was increasingly removed from current politics. To the younger members of the court the prince appeared increasingly distant—almost from a different era. The Count de Gramont described Rupert as "brave and courageous even to rashness, but cross-grained and incorrigibly obstinate... he was polite, even to excess, unseasonably; but haughty, and even brutal, when he ought to have been gentle and courteous... his manners were ungracious: he had a dry hard-favoured visage, and a stern look, even when he wished to please; but, when he was out of humour, he was the true picture of reproof". Rupert's health during this period was also less robust; his head wound from his employment in France required a painful trepanning treatment, his leg wound continued to hurt and he still suffered from the malaria he had caught while in the Gambia. Colonial administration Rupert had demonstrated an interest in colonial issues for many years. On arriving in England in 1663, he had encouraged the government to continue his own exploration of the Gambia in an attempt to find gold, leading to Robert Holmes's expedition the following year. Rupert was an active shareholder in the Company of Royal Adventurers Trading into Africa that was established as a result in 1662. The company continued operations for the next eight years, with backers including the King, the Duke of York and the Royal Society, with operations including engaging in the West African slave trade until it folded in 1670. The company's operations merged with those of the Gambia Merchants' Company into the new Royal African Company, with a royal charter to right to set up forts and factories, maintain troops, and exercise martial law in West Africa, in pursuit of trade in gold, silver, and slaves; Rupert was the third named member of the company's board.By then, however, Rupert's attention had turned to North America. The French explorers Pierre-Esprit Radisson and Médard des Groseilliers had come to England after conducting a joint exploration of the Hudson's Bay region in 1659; there their account attracted the attention of the King and Rupert. Rupert put an initial investment of £270 of his own money into a proposal for a fresh expedition and set about raising more; despite setbacks, including the Great Fire of London, by 1667 he had formed a private syndicate and leased the Eaglet from the King for the expedition. The Eaglet failed, but her sister vessel, the Nonsuch, made a successful expedition, returning in 1669 with furs worth £1,400. In 1670, the King approved the charter for "The Governor and Company of Adventurers of England trading into Hudson's Bay" that would form the Hudson's Bay Company, which was granted a trading monopoly in the whole Hudson Bay watershed area, an immense territory named Rupert's Land, with Rupert appointed the first Governor. Rupert's first company secretary was Sir James Hayes and Radisson named the Hayes River, in present-day Manitoba, in his honour. The company continued to prosper, forming the basis for much of the commercial activity of colonial Canada. Rupert's role in colonial commerce was marked by his being asked to lay the cornerstone of the new Royal Exchange in 1670, and being made one of its first councillors. Science and the Royal Society After Rupert's retirement from active seafaring in around 1674, he was able to spend more time engaged in scientific research and became credited with many inventions and discoveries, although some subsequently turned out to be the innovative introduction of European inventions into England. Rupert converted some of the apartments at Windsor Castle to a luxury laboratory, complete with forges, instruments, and raw materials, from where he conducted a range of experiments.Rupert had already become the third founding member of the scientific Royal Society, being referred to by contemporaries as a "philosophic warrior", and guided the Society as a Councillor during its early years. Very early on in the Society's history, Rupert demonstrated Prince Rupert's drops to King Charles II and the Society, glass teardrops which explode when the tail is cracked; although credited with their invention at the time, later interpretations suggest that he was instead responsible for the introduction of an existing European discovery into England. He demonstrated a new device for lifting water at the Royal Society, and received attention for his process for "painting colours on marble, which, when polished, became permanent". During this time, Rupert also formulated a mathematical question concerning the paradox that a cube can pass through a slightly smaller cube; Rupert questioned how large a cube had to be in order to fit. The question of Prince Rupert's cube was first solved by the Dutch mathematician Pieter Nieuwland. Rupert was also known for his success in breaking cypher codes.Many of Rupert's inventions were military. After designing the Rupertinoe naval gun, Rupert erected a watermill on Hackney Marshes for a revolutionary method of boring guns, however his secret died with him, and the enterprise failed. Rupert enjoyed other military problems, and took to manufacturing gun locks; he devised both a gun that fired multiple rounds at high speed, and a "handgun with rotating barrels". He is credited with the invention of a form of gunpowder, which when demonstrated to the Royal Society in 1663, had a force of over ten times that of regular powder; a better method for using gunpowder in mining; and a torpedo. He also developed a form of grapeshot for use by artillery. Rupert also focussed on naval inventions: he devised a balancing mechanism to allow improved quadrant measurements at sea, and produced a diving engine for retrieving objects on the ocean floor. While recovering from his trepanning treatment Rupert set about inventing new surgical equipment to improve future operations.Other parts of Rupert's scientific work lay in the field of metallurgy. Rupert invented a new brass alloy, slightly darker in hue than regular brass involving three parts of copper to one part of zinc, combined with charcoal; this became known as "Prince's metal" in his honour—sometimes also referred to as "Bristol Brass". Rupert invented the alloy in order to improve naval artillery, but it also became used as a replacement for gold in decorations. Rupert was also credited with having devised an exceptional method for tempering kirby fish hooks, and for casting objects into an appearance of perspective. He also invented an improved method for manufacturing shot of varying sizes in 1663, that was later refined by the scientist Robert Hooke, one of Rupert's Royal Society friends during the period. Family Margaret Hughes Towards the end of his life Rupert fell in love with an attractive Drury Lane actress named Margaret "Peg" Hughes. Rupert became involved with her during the late 1660s, leaving his previous mistress, Frances Bard, although Hughes appears to have held out from reciprocating his attentions with the aim of negotiating a suitable settlement. Hughes rapidly received advancement through his patronage; she became a member of the King's Company by 1669, giving her status and immunity from arrest for debt, and was painted four times by Sir Peter Lely, the foremost court artist of the day.Despite being encouraged to do so, Rupert did not marry Hughes, but acknowledged their daughter, Ruperta (born in 1673 and who later became Mrs Emanuel Howe). Hughes lived an expensive lifestyle during the 1670s, enjoying gambling and jewels; Rupert gave her at least £20,000 worth of jewellery during their relationship, including several items from the Palatinate royal collection. Hughes continued to act even after Ruperta's birth, returning to the stage in 1676 with the prestigious Duke's Company at the Dorset Garden Theatre, near the Strand in London. The next year Rupert established Hughes with a "grand building" worth £25,000 that he bought in Hammersmith from Sir Nicholas Crispe. Rupert seems rather to have enjoyed the family lifestyle, commenting that his young daughter "already rules the whole house and sometimes argues with her mother, which makes us all laugh." Death Rupert died at his house at Spring Gardens, Westminster, on 29 November 1682 after a bout of pleurisy, and was buried in the crypt of Westminster Abbey on 6 December in a state funeral. Rupert left most of his estate, worth some £12,000, equally to Hughes and Ruperta. Hughes had an "uncomfortable widowhood" without Rupert's support, allegedly not helped by her unproductive gambling.Presents from Rupert such as his mother's earrings were sold to the Duchess of Marlborough, while a pearl necklace given by Elector Frederick to Electress Elizabeth was sold to fellow actress Nell Gwynn. Hughes sold the house in Hammersmith to two London merchants: Timothy Lannoy and George Treadwell—it was then purchased by the Margrave of Brandenburg-Ansbach and became known as Brandenburg (or Brandenburgh) House.Ruperta later married Emanuel Scrope Howe, future MP and English general, and had five children, Sophia, William, Emanuel, James and Henrietta. Through William's daughter, Mary, Rupert is an ancestor of the Bromley baronets. Rupert's son, Dudley Bard, became a military officer, frequently known as "Captain Rupert", and died fighting at the siege of Buda while in his late teens. Legacy According to Ian Gentles: Charles I's nephew. Prince Rupert of the Rhine, was a famed warrior who won hardly any battles on land or sea. Beloved by his men for his death-defying courage and his high sense of military honour, he was nonetheless a bad tempered and arrogant leader. His defects of character became more accentuated with age. Yet he remains one of the most romantic figures in English history, admired for his reckless cavalry charges, and his equally reckless naval charges against the much stronger Parliamentary, and later Dutch, fleets....The prince alienated many because he was frequently irascible, tactless, impatient, and—most seriously—a poor judge of character.Prince Rupert's memory is well attested in the geography of Canada. The lands of the Hudson's Bay Company, being all the land drained by rivers flowing into Hudson Bay, were known as Rupert's Land from 1670 until 1870. The Anglican Diocese of Rupert's Land, based in Winnipeg, Manitoba, is the relic of this period, as are Prince Rupert Avenue, Rupert Avenue, and Rupertsland Avenue in Winnipeg.Elsewhere in Canada, the city of Prince Rupert, British Columbia, the community of Prince Rupert in the city of Edmonton, Alberta and the Rupert River in Quebec are all named after the Prince. Rupert's Bay on St Helena may also be named after him. In Bristol, there was also a street, Rupert Street, and formerly a public house, The Prince Rupert in Rupert Street, named to commemorate Prince Rupert. Genealogical table In fiction Prince Rupert is the protagonist of Poul Anderson's alternative history/fantasy book A Midsummer Tempest, where the Prince, with the help of various Shakespearean characters who are actual persons in this timeline, eventually defeats Cromwell and wins the English Civil War. Prince Rupert is the key character in the King Crimson song Lizard from their 1970 album of the same name. The 23-minute suite includes several sections, one named Prince Rupert Awakes and another The Battle of Glass Tears (an artistic reference to the battle of Naseby) in turn including a sub-section called Prince Rupert's Lament. Prince Rupert appears in The Oak Apple and The Black Pearl, volumes 4 and 5 of The Morland Dynasty, a series of historical novels by author Cynthia Harrod-Eagles. He is assisted during the Civil War by the staunchly Royalist fictional Morland family, and is father to the illegitimate Annunciata Morland, with whom he has a complicated relationship. Prince Rupert and his sister Elisabeth are minor characters in Eric Flint's 1632 series books Grantville Gazette IV and Grantville Gazette VI Prince Rupert is the protagonist of Margaret Irwin's novel The Stranger Prince and appears in her later novel The Bride. Both novels deal with the Civil War period. Prince Rupert is the subject of Samuel Edwards's biographical novel The White Plume, published by William Morrow and Company Ltd. in 1961, a semi-fictional account of his life from his late teens until his marriage to Peg (Margaret Hughes). Prince Rupert's Tower is the name given to a Georgian lock-up in the Everton area of Liverpool. Rupert stayed in the area during the siege of Liverpool. Film and television Rupert was portrayed by Nigel Bruce in the 1940 film Hudson's Bay Rupert was portrayed by Timothy Dalton in the 1970 film Cromwell. Harry Lloyd played Rupert in the 2008 TV drama The Devil's Whore. Rupert was portrayed by Will Bowden in the 2015 Dutch film Michiel de Ruyter. See also Canadian locations named after Rupert Notes Passage 4: Margaret Hughes Margaret Hughes (29 May 1630 – 1 October 1719), also Peg Hughes or Margaret Hewes, was an English actress who is often credited as the first professional actress on the English stage, as a result of her appearance on 8 December 1660. Hughes was the mistress of the English Civil War general Prince Rupert of the Rhine. Women in Restoration drama Hughes became an actress during a period of great change in English drama which had suffered greatly during the English Civil War and the Interregnum, being banned by the Puritan Long Parliament in 1642. This ban was finally lifted upon the Restoration of King Charles II. Charles was a keen theatre-goer, and promptly gave two royal patents to Sir Thomas Killigrew and Sir William Davenant. During the Renaissance women did not appear as actresses on the stage; instead, male actors played female roles. There were also concerns over this practice encouraging "unnatural vice", i.e. homosexuality, which reinforced Charles in his decision in 1662 to issue a royal warrant declaring that all female roles should be played only by actresses. Killigrew and Davenant began casting women almost immediately following the Restoration and, once women began appearing professionally on the stage in the early 1660s, they won quick acceptance. Killigrew staged an all-female-cast production of his own play The Parson's Wedding in 1664 and again in 1672. At the age of 30, Hughes made theatre history by becoming the first woman known to perform on an English stage, when on 8 December 1660, she played the role of Desdemona in William Shakespeare's play Othello, in a production by Thomas Killigrew's new King's Company at their Vere Street theatre. Some historians identify Anne Marshall as the first actress to step onto the English stage. However, there has been much analysis of the early recollections of John Downes, whose memories of the 1660s form a key part of Hughes' claim in this regard. Personal life Hughes was famous for her charms as an actress; diarist Samuel Pepys considered her "a mighty pretty woman", and she was said to be "a great beauty, with dark ringletted hair, a fine figure, and particularly good legs". Pepys suggested that she was a lover of Sir Charles Sedley, a noted dramatist and "famous fop", in the 1660s; she was reportedly also involved with Charles II himself, if only briefly. It is believed that Hughes had an illegitimate son named Arthur, but there is no conclusive evidence of this. Most famously, however, Hughes became associated with Prince Rupert (sometimes known as "Rupert of the Rhine"), as his lover. Rupert fell in love with her in the late 1660s, although Hughes appears to have held out reciprocating his attentions with the aim of negotiating a suitable settlement. Prince Rupert was one of the most senior members of the royal family at court, and Hughes rapidly received advancement through his patronage; she became a member of the King's Company by 1669, giving her status and immunity from arrest for debt, and was painted four times by Sir Peter Lely, the foremost court artist of the day.Despite being encouraged to do so, Rupert did not formally marry Hughes, but acknowledged their daughter, Ruperta (later Howe), born in 1673. Hughes lived an expensive lifestyle during the 1670s, enjoying gambling and jewels; Rupert gave her at least £20,000 worth of jewellery during their relationship, including several items from the Palatinate royal collection. The two appear to have been close – Prince Rupert's older brother, Charles Louis, Elector Palatine, once sounded out Rupert as to his willingness to return to the Rhineland and marry appropriately, but his suggestion was rejected. Hughes continued to act even after Ruperta's birth, returning to the stage in 1676 with the prestigious Duke's Company at the Dorset Garden Theatre, near the Strand in London. The next year Rupert established Hughes in a "grand building" on the Fulham Road in Hammersmith worth £25,000 that he bought from Sir Nicholas Crispe.Prince Rupert died in 1682, leaving most of his estate, worth some £12,000, equally to Hughes and Ruperta. Hughes had an "uncomfortable widowhood" without Rupert's support, allegedly not helped by her continued gambling. Presents from Rupert such as Elizabeth of Bohemia's earrings were sold to the Duchess of Marlborough, whilst a pearl necklace given by Rupert's father to Hughes was sold to fellow actress Nell Gwyn. Hughes sold the house in Hammersmith to two London merchants, Timothy Lannoy and George Treadwell; ultimately it was purchased by the Margrave of Brandenburg-Anspach and became known as Brandenburg (or Brandenburgh) House. Hughes' daughter, Ruperta, ultimately married Emanuel Scrope Howe, future MP and English general.Hughes died in 1719. Professional career Hughes certainly played Desdemona in the performance of Othello seen by Samuel Pepys on 6 February 1669. She also played: St Catherine in John Dryden's Tyrannick Love Panura in John Fletcher's The Island Princess.She probably played: Theodocia in Dryden's An Evening's Love Angellina in James Shirley's The Sisters.Hughes left the stage for Prince Rupert in 1669 or 1670. In 1676 she emerged from retirement for one busy year with the Duke's Company. For that company, she played: Octavia in Edward Ravenscroft's The Wrangling Lovers Gerana in Elkanah Settle's Pastor Fido Mirva in Elkanah Settle's Ibrahim Mrs Moneylove in Thomas Rawlins's Tom Essence Charmion in Sir Charles Sedley's Antony and Cleopatra Valeria in Aphra Behn's The Rover Leonora in Thomas Porter's The French Conjuror Cordelia in Thomas d'Urfey's A Fond Husband In popular culture A one-act play about Margaret Hughes, entitled The First Actress, was performed in 1911, at the Kingsway Theatre in London, by a group of suffragette actresses who called themselves the Pioneer Players. Ellen Terry played Nell Gwyn in this production.Jeffrey Hatcher wrote a play about Edward Kynaston entitled Compleat Female Stage Beauty (2000), and later adapted his play for the 2004 film Stage Beauty, directed by Richard Eyre and starring Claire Danes as Hughes. Hughes's first stage appearance is also discussed in the 2015 play Nell Gwynn, but she remains an offstage character. Hughes is the main character of Diana Norman's historical novel The Vizard Mask (1994). She is depicted as a stuttering American Puritan, Penitence Hurd, who becomes a successful Restoration actress. Notes and references Bibliography Gilder, Rosamond. Enter the Actress: The First Women in the Theatre. Boston, Houghton Mifflin, 1931. Halliday, F. E., A Shakespeare Companion 1564–1964. Baltimore, Penguin, 1964. Highfill, Philip H., Kalman A. Burnim and Edward A. Langhans. Volume 8 of A Biographical Dictionary of Actors, Actresses, Musicians, Dancers, Managers and Other Stage Personnel in London, 1660–1800. Southern Illinois University Press, 1982. Howe, Elizabeth. The First English Actresses: Women and Drama, 1660–1700. Cambridge, Cambridge University Press, 1992. Rennert, Hugo Albert. The Spanish Stage in the Time of Lope de Vega. Hispanic Society of America, 1909. Spencer, Charles. Prince Rupert: The Last Cavalier. London: Phoenix, 2007. ISBN 978-0-7538-2401-6. Thomson, Peter, et al., eds. The Cambridge History of British Drama. 3 Volumes, Cambridge, Cambridge University Press, 2004. Wilson, John Harold. All the King's Ladies: Actress of the Restoration. Chicago, University of Chicago Press, 1958 Macqueen-Pope, W. Ladies First; the Story of Woman's Conquest of the British Stage. London: Allen, 1952 Passage 5: Ludwig von Westphalen Johann Ludwig von Westphalen (11 July 1770 – 3 March 1842) was a liberal Prussian civil servant and the father-in-law of Karl Marx. Biography Early life Johann Ludwig von Westphalen was born on 11 July 1770 in Bornum am Elm. He was the youngest son of Philipp von Westphalen (1724–92), who himself was the son of a Blankenburg postmaster. Philipp von Westphalen had been ennobled in 1764 with the predicate Edler von Westphalen by Duke Ferdinand of Brunswick for his military services. He had served as the duke's de facto "chief of staff" during the Seven Years' War. Through his mother, Jane Wishart of Pittarrow, he was the descendant of many Scottish and European noble families.He received extensive education and spoke German and English, and read Latin, Greek, Italian, French and Spanish. He studied at the Collegium Carolinum, the forerunner of today's Braunschweig University of Technology, and at Göttingen. Career In 1794, he entered government's service in Brunswick. In 1797 he married Elisabeth von Veltheim, who bore him four children. In 1804 he entered the government service of the Duchy of Brunswick and Lunenburg (Wolfenbüttel). With the establishment of the Napoleonic state in Westphalia (the Kingdom of Westphalia) in 1807, he entered its service. He was likely motivated in this by a desire to see reforms carried out. He did, however, oppose the French dominance of the local government, and other policies, and for his critique he was eventually arrested by orders from Louis-Nicolas Davout and imprisoned in the fortress of Gifhorn. In the same year, he lost his first wife. In the summer of 1809 Louis was appointed sub-prefect of Salzwedel, where three years later in 1812 he married Karoline Heubel; they had three children. After Salzwedel was again under Prussian administration, in 1816 Ludwig von Westphalen was transferred to the newly established regional government in Trier. Personal life It was in Trier that he met and befriended Heinrich Marx, the father of Karl Marx. The children of the respective families, in particular Jenny and Edgar von Westphalen, and Sophie and Karl Marx, became close friends as well. In 1836, Jenny von Westphalen and Karl Marx became engaged; at first secretly but Ludwig approved the marriage in 1837, even though some saw Marx, who was both middle class and younger than her, as well as of Jewish descent, as an inappropriate partner for the noble daughter. In fact, Ludwig was seen as the mentor and role model of Karl Marx, who referred to him as a "dear fatherly friend". Ludwig filled Marx with enthusiasm for the romantic school and read him Homer and Shakespeare, who remained Marx's favorite authors all his life. Marx also read Voltaire and Racine with Ludwig. Ludwig devoted much of his time to the young Marx and the two went for intellectual walks through "the hills and woods" of the neighbourhood. It was Ludwig who first introduced Marx to the personality and socialist teachings of Saint-Simon. Marx dedicated his doctoral thesis "The Difference Between the Democritean and Epicurean Philosophy of Nature" written in 1841 to Ludwig in a most effusive manner in which Marx wrote "You, my fatherly friend, have always been for me the living proof that idealism is no illusion, but the true reality" In 1842, Marx was present at the deathbed of Ludwig von Westphalen. Jenny and Karl became married in 1843, a year after Ludwig's death. He was the father of Ferdinand von Westphalen, a conservative and reactionary Prussian Minister of the Interior. Death He died on 3 March 1842 in Trier. Passage 6: Bill Dundee William Cruickshanks (born 24 October 1943) is a retired Scottish-born Australian professional wrestler and author better known by his stage name Bill Dundee. Cruickshanks is the father of Jamie Dundee and was the father-in-law of wrestler Bobby Eaton. Career Dundee was born in Angus, Scotland, and raised in Melbourne. At 16, he joined the circus as a trapeze artist. He started wrestling in Australia in 1962 and finally arrived in the United States as "Superstar" Bill Dundee in 1974 with his tag team partner George Barnes. Dundee made a name for himself in the Memphis Territory, where he regularly teamed and feuded with Jerry Lawler and Jimmy Valiant for years. Dundee and Lawler ventured to the American Wrestling Association in 1987 and captured the AWA World Tag Team Championship twice. As a singles wrestler, he held the Southern Heavyweight Championship belt several times from 1975 to 1985. Also, he had a successful team with "Nature Boy" Buddy Landel that wreaked havoc in Tennessee. Dundee had a brief run in the NWA's Jim Crockett Promotions, Central States Wrestling and Florida Championship Wrestling in 1986, where he teamed with Jimmy Garvin and feuded with Sam Houston for the NWA Central States Heavyweight Championship. He also briefly managed The Barbarian and The MOD Squad while in those territories. He also had a run in World Championship Wrestling in the early 1990s as Sir William, the manager for Lord Steven Regal. Dundee worked as a booker for Memphis, Louisiana and Georgia. Dundee is still active as of 2019 in Memphis Wrestling, where he has been a heel and a baby face. He frequently appears on Jackson, Tennessee, talk radio station WNWS 101.5 with Dan Reeves and on a talk show on Public-access television cable TV channels in West Tennessee. He still promotes indy cards across Tennessee and in Southaven, Mississippi. He currently runs a podcast on Anchor named If You Don't Want the Answer, Don't Ask the Question. On 20 July 2019, Dundee, at 75 years old, defeated Tony Deppen to win the unofficial WOMBAT Television Championship for Game Changer Wrestling in Tullahoma, Tennessee. Books If You Don't Want The Answer, Don't Ask The Question: Bill Dundee's Life Story Personal life Dundee's son Jamie Dundee, also became a wrestler, whereas his daughter Donna, married wrestler Bobby Eaton. His grandson, Dylan Eaton, wrestles as well. In the early 1990s he partnered with Doug Hurt, brother of Jerry Lawler's manager, in the opening of a furniture store in Evansville, Indiana called "Superstar Dundee Furniture". The store collapsed about a year after opening. On 26 June 2021, his daughter Donna died at the age of 57 from breast cancer. Just over a month later, his son-in-law Bobby Eaton died on 4 August 2021 at the age of 62, just two weeks after suffering a fall at his home. Championships and accomplishments American Wrestling Federation AWF Heavyweight Championship (1 time) Central States Wrestling NWA Central States Heavyweight Championship (1 time) Memphis Wrestling Hall of Fame Class of 2017 Mid-South Wrestling Association Mid-South Television Championship (1 time) NWA Mid-America / Continental Wrestling Association / Championship Wrestling Association AWA Southern Heavyweight Championship (9 times) AWA Southern Tag Team Championship (14 times) – with Norvell Austin (1), Robert Gibson (1), Jerry Lawler (4), Robert Fuller (1), Tommy Rich (2), Dream Machine (2), Steve Keirn (2) and Dutch Mantel (1) AWA World Tag Team Championship (2 times) – with Jerry Lawler1 CWA International Heavyweight Championship (4 times) CWA International Tag Team Championship (1 time) – with Rocky Johnson CWA Southwestern Heavyweight Championship (1 time) CWA World Heavyweight Championship (1 time) CWA World Tag Team Championship (1 time) – with Tommy Rich NWA Mid-America Heavyweight Championship (1 time) NWA Mid-America Tag Team Championship (1 time) – with Ricky Gibson NWA Southern Heavyweight Championship (Memphis version) (1 time) NWA Southern Tag Team Championship (Mid-America version) (3 times) – with Big Bad John (2) and Tommy Rich (1) NWA United States Junior Heavyweight Championship (2 times) Ohio Valley Wrestling OVW Heavyweight Championship (1 time) Power Pro Wrestling PPW Tag Team Championship (1 time) – with Jerry Lawler Pro Wrestling Illustrated Ranked No. 56 of the 100 top tag teams of the "PWI Years" with Jerry Lawler in 2003 Pro Wrestling This Week Wrestler of the Week (21–27 June 1987) Southeastern Championship Wrestling NWA Southeastern Tag Team Championship (1 time) – with Tommy Rich NWA United States Junior Heavyweight Championship (Southeastern version) (1 time) Supreme Wrestling Supreme Mid-America Tag Team Championship (1 time) – with Rob Royale United States Wrestling Association USWA Unified World Heavyweight Championship (1 time) USWA Junior Heavyweight Championship (2 times) USWA Southern Heavyweight Championship (3 times) USWA Texas Heavyweight Championship (3 times) USWA World Tag Team Championship (3 times) – with Jerry Lawler (2) and Jamie Dundee (1) WOMBAT Wrestling WOMBAT Television Championship (1 time, current) World Class Wrestling Association CWA Southwestern Heavyweight Championship (2 times)21Dundee's and Lawler's reigns with the AWA World Tag Team Championship began on cards hosted by the CWA through the interpromotional relationship between the AWA and CWA that also allowed the defense of the AWA Southern Heavyweight and Southern Tag Team Championships primarily within the CWA.2The CWA Southwestern Heavyweight Championship was promoted in both the CWA and WCWA while the promotions had a working relationship in 1989 and 1990.

doc_30

Passage 1: One Does Not Play with Love One Does Not Play with Love (German: Man spielt nicht mit der Liebe) is a 1926 silent German drama film directed by G. W. Pabst. The film is an adaptation of the 1834 play by Alfred de Musset, On ne badine pas avec l'amour. The film is considered to be a lost film. Cast Werner Krauss as Fürst Colalto (Prince Colalto) Lili Damita as Calixta Erna Morena as Florence, ehemalige Opernsängerin (alumna opera singer) Egon von Jordan as Eugen Lewis Artur Retzbach as Nepallek, Hofmobiliardirektor (Director of the furniture of the court) (as Artur Retzbach-Erasiny) Oreste Bilancia as Der Freund (the friend) Gustav Czimeg Tala Birell as Bit Role (as Thala Birell) Karl Etlinger Maria Paudler Mathilde Sussin See also List of lost films Passage 2: Gustav Czimeg Gustav Czimeg (December 20, 1877 – August 21, 1939) was a German actor of the silent period. He appeared in films such as Madame DuBarry (1919), in which he played Duke Aiguillon, Die Rache des Titanen (1919), Glasprinzessin (1921), and One Does Not Play with Love (1926). Passage 3: The Flesh Is Weak The Flesh Is Weak is a 1957 British film directed by Don Chaffey. It stars John Derek and Milly Vitale. Distributors Corporation of America released the film in the USA as a double feature with Blonde in Bondage. Plot Tony Giani is a Soho pimp who preys on young provincial women who come to London seeking work. Marissa Cooper, one such girl, has just arrived in London. Giani spots her and offers her a job in the Golden Bucket, a nightclub. In her innocence, she does not realize the club is a front for prostitution. When she tries to escape from the pimp's control, she is set up by Giani and his brother Angelo and arrested by the police. Investigative journalist Lloyd Buxton persuades her to give evidence against the brothers leading to their imprisonment and her freedom. Cast John Derek as Tony Giani Milly Vitale as Marissa Cooper William Franklyn as Lloyd Buxton Martin Benson as Angelo Giani Freda Jackson as Trixie Norman Wooland as Inspector Kingcombe Harold Lang as Henry Patricia Jessel as Millie John Paul as Sergeant Franks Denis Shaw as Saradine Joe Robinson as Lofty Roger Snowden as Benny Patricia Plunkett as Doris Newman Shirley Anne Field as SusanSource: BFI Production The film was based on the Messina vice gang who operated in the West End of London. Its original title was Women of Night then Not for Love before being changed to The Flesh is Weak. Reception The film was a box office success - according to Variety it was the fourth highest grossing film in England. The movie is not listed in Kinematograph Weekly as one of the most popular British films of 1957 but that magazine did say the movie was "enjoying a triumphant West End run".The reception to the film enabled the producer and director to raise finance for another movie, A Question of Adultery. Passage 4: Blonde in Bondage Blonde in Bondage (Swedish: Blondin i fara) is a 1957 Swedish drama crime film directed by Robert Brandt, who also wrote lyrics to the film's two songs. Distributors Corporation of America released the film in the US as a double feature with The Flesh Is Weak. It was shot at the Metronome Studios in Stockholm. Plot New York City reporter Larry Brand is sent to Stockholm to do a story on Swedish morals. A traffic accident leads him into rescuing a strip tease artiste from drug addiction and pits him against a ruthless criminal gang. Cast Mark Miller as Larry Brand Anita Thallaug as Mona Mace Lars Ekborg as Max Ruth Johansson as Laila Birgitta Ander as Birgitta Eva Laräng as Ingrid Anita Strindberg as Telephone operator (credited as Anita Edberg) Erik Strandmark as Olle Stig Järrel as Kreuger Börje Mellvig as Chief Inspector Dangy Helander as a Prostitute Norma Sjöholm as a second Prostitute Sangrid Nerf as a taxi driver Alexander von Baumgarten as Kuger's valet John Starck ... Chief of guards Soundtrack The Blues Music by Ulf CarlénLyrics by Robert Brandt Shock Around the ClockMusic by Ulf Carlén Lyrics by Robert Brandt External links Blonde in Bondage at IMDb Passage 5: But the Flesh Is Weak But the Flesh Is Weak is a 1932 American pre-Code comedy film directed by Jack Conway and written by Ivor Novello based on his 1928 play The Truth Game. The film stars Robert Montgomery, Nora Gregor, Heather Thatcher, Edward Everett Horton, C. Aubrey Smith and Nils Asther. The film was released on April 9, 1932, by Metro-Goldwyn-Mayer. But the Flesh Is Weak was remade in 1941 as Free and Easy. Plot Max Clement and his father Florian, short of money, take advantage of wealthy British women by romancing them. Max's problem is that he is far more attracted to more attractive women, ones without the means to support him. While seeing a pleasant but plain Lady Joan Culver socially, Max is introduced to Austrian widow Rosine Brown, quickly falling in love with her. Max is persistent in his romantic advances, but Rosine reveals that she is penniless and, much like Max, counting on a richer but less exciting man, Sir George Kelvin, to marry and take care of her. Florian's gambling losses in the casino leave him heavily in debt. The only way Max knows how to aid his father is by marrying Lady Joan, who can afford to solve his financial difficulties. Max's guilty conscience and true love lead him back to Rosine, and the sudden engagement of Florian to a wealthy woman helps bring everyone together. Cast Robert Montgomery as Max Clement Nora Gregor as Mrs. Rosine Brown Heather Thatcher as Lady Joan Culver Edward Everett Horton as Sir George Kelvin C. Aubrey Smith as Florian Clement Nils Asther as Prince Paul Frederick Kerr as Duke of Hampshire Eva Moore as Lady Florence Ridgway Forrester Harvey as Gooch Desmond Roberts as Findley Passage 6: The Flesh The Flesh (Italian: La carne) is a 1991 Italian drama film directed by Marco Ferreri. It was entered into the 1991 Cannes Film Festival. Plot Paolo is a municipal employee, who in his spare time works at the piano bar of a club, is divorced and has two children who live with his ex-wife. Paolo often recalls his mother and his First Communion, with which he seems to live a totalizing experience in the divine. In his friend Nicola's nightclub, Paolo meets the young Francesca, back from a relationship with an Indian guru, who has just had an abortion and is alone. Intimacy develops between the two: according to Paolo, this is the victory of the ultra sex and of the fusion that completes and exalts everything, a fusion that Francesca assures him thanks to a special oriental technique, which allows the partner a state of permanent efficiency. They shut themselves up in his beach house south of Rome where, after filling the fridge, they spend their time eating and making love, interrupted only by a quick incursion of Paolo's two sons visiting him and a small group of friends. But Francesca at a given moment thinks of leaving for other shores, while Paolo understands that in order to "communicate" there is really only one alternative: either to love each other totally, or to tear apart that voluptuous female body, put it in the fridge and eat it by the sea in front of the sun. Thus, after having made animalistic love in the kennel of the beloved dog Giovanni, Paolo's insane anxiety is satisfied: he kills Francesca, cuts her up and keeps her in the refrigerator, eating her piece by piece. Cast Sergio Castellitto - Paolo Francesca Dellera - Francesca Philippe Léotard Farid Chopel Petra Reinhardt Gudrun Gundelach Nicoletta Boris Clelia Piscitelli Elena Wiedermann Sonia Topazio Fulvio Falzarano Pino Tosca Eleonora Cecere Matteo Ripaldi Daniele Fralassi Salvatore Esposito Passage 7: Don Chaffey Donald Chaffey (5 August 1917 – 13 November 1990) was a British film director, writer, producer, and art director. Chaffey's film career began as an art director in 1947, and his directorial debut was in 1953. He remained active in the industry until his death in 1990 from heart failure. His film Charley One-Eye (1973) was entered into the 24th Berlin International Film Festival.He is chiefly remembered for his fantasy films, which include Jason and the Argonauts (1963), The Three Lives of Thomasina (1963), One Million Years B.C. (1966), The Viking Queen (1967), Creatures the World Forgot (1971), Pete's Dragon (1977), and C.H.O.M.P.S. (1979), his final feature film. Concurrent with his theatrically released films, Chaffey directed episodes of numerous British television series, including multiple installments of Danger Man, The Prisoner, and The Avengers. From the 1980s until his death, all of his work was in American made-for-TV movies, and in such TV series as Fantasy Island, Stingray, MacGyver, Vega$, T. J. Hooker, Matt Houston, and Charlie's Angels. Career Chaffey began his career in the art department of Gainsborough Productions where he worked as a draftsman on Madonna of the Seven Moons (1945), The Rake's Progress (1945), and Caravan (1946). He was art director of The Adventures of Dusty Bates (1947) and The Little Ballerina (1948). He directed the documentary shorts Thames Tideway (1948) and Cape Cargoes (1948).Chaffey directed the short features The Mysterious Poacher (1950) and The Case of the Missing Scene (1950). He returned to the art department for King of the Underworld (1950), The Stolen Plans (1952), Murder at the Grange (1952), Murder at Scotland Yard (1952), and Black 13 (1953). Director Chaffey resumed his directing career with the family film Skid Kids (1953). He made the short Watch Out (1953), then did Strange Stories (1953), Bouncer Breaks Up (1953, a short), The Mask (1952), and A Good Pull Up (1953). Chaffey directed Time Is My Enemy (1954). After the short Dead on Time (1955) he made The Secret Tent (1956), The Flesh Is Weak (1957) and The Girl in the Picture (1957). He also directed "The Man Upstairs" (1958) starring Richard Attenborough. He directed episodes of TV series like Theatre Royal, The Adventures of the Big Man, Chevron Hall of Stars, The Errol Flynn Theatre, Assignment Foreign Legion, The Adventures of Robin Hood, Dial 999, and The New Adventures of Charlie Chan. He interspersed these with features like A Question of Adultery (1958), The Man Upstairs (1958), Danger Within (1959), Dentist in the Chair (1960), Lies My Father Told Me (1960), and Nearly a Nasty Accident (1961). Disney and Fantasy He did Greyfriars Bobby: The True Story of a Dog (1961) then A Matter of WHO (1961), a version of The Prince and the Pauper (1962) for Disney, and The Webster Boy (1962).He had a big hit with Jason and the Argonauts (1963) with Ray Harryhausen. Then it was back to Disney for The Three Lives of Thomasina (1963).Chaffey directed They All Died Laughing (1964), The Crooked Road (1965), and One Million Years B.C. (1966) for Hammer. He returned to television to do episodes of Danger Man, The Baron, The Prisoner, Man in a Suitcase, Journey to the Unknown, The Avengers, The Pathfinders, and The Protectors. Chaffey did The Viking Queen (1967) for Hammer, A Twist of Sand (1968), Creatures the World Forgot (1971) for Hammer, Clinic Exclusive (1973), Charley-One-Eye (1973), and Persecution (1974). Australia and US TV Chaffey went to Australia where he directed Ben Hall (1975), Ride a Wild Pony (1975), The Fourth Wish (1976), and Shimmering Light (1978).He worked in America too making CHiPs, Pete's Dragon (1977) for Disney, The Magic of Lassie (1978), Lassie: A New Beginning (1978), The Gift of Love (1978), C.H.O.M.P.S. (1979), and Casino (1980).He eventually focused almost exclusively on episodic TV: Vega$, Charlie's Angels, Strike Force, Fantasy Island, Gavilan, The Renegade, Lottery!, Hotel, Matt Houston, Finder of Lost Loves, International Airport (1985, a pilot), Spenser: For Hire, Hollywood Beat, Airwolf, Hunter, Outlaws, MacGyver, Stingray and Mission: Impossible. Personal life Chaffey married American actress Paula Kelly in 1985 and they had one child together. Chaffey died of a heart attack in 1990. Filmography Film Television Passage 8: Promise of the Flesh Promise of the Flesh (Korean: 육체의 약속; RR: Yukche-ui yaksok) is a 1975 South Korean film directed by Kim Ki-young. Plot A melodrama about a female prisoner who meets a man while on leave to visit her mother's grave. Not knowing that the man is a thief, she promises to meet him at a park two years later, after she is released from prison. Cast Kim Ji-mee Lee Jung-gil Park Jung-ja Park Am Jo Jae-seong Han Se-hun Yu Chun-su Yeo Han-dong Kim Chung-chul Lee Yong-ho Awards Grand Bell Awards (1975)Best Actress (Kim Ji-mee) Best Supporting Actress (Park Jung-ja) Notes Bibliography Berry, Chris. "Promise of the Flesh". The House of Kim Ki-young. Archived from the original on 2004-05-05. Retrieved 2008-01-21. Berry, Chris. "Whose Story Is It? Gender, Narrative and Narration in Promise of the Flesh". The House of Kim Ki-young. Archived from the original on 2004-05-05. Retrieved 2008-01-21. "Kim, Ki-young Master of Madness (From the 41st San Francisco International Film Festival)". www.cinekorea.com. Archived from the original on 2008-02-12. Retrieved 2008-01-19. External links Promise of the Flesh at IMDb Passage 9: G. W. Pabst Georg Wilhelm Pabst (25 August 1885 – 29 May 1967) was an Austrian film director and screenwriter. He started as an actor and theater director, before becoming one of the most influential German-language filmmakers during the Weimar Republic. Early years Pabst was born in Raudnitz, Bohemia, Austria-Hungary (today's Roudnice nad Labem, Czech Republic), the son of a railroad official. While growing up in Vienna, he studied drama at the Academy of Decorative Arts and initially began his career as a stage actor in Switzerland, Austria and Germany. In 1910, Pabst traveled to the United States, where he worked as an actor and director at the German Theater in New York City.In 1914, he decided to become a director, and he returned to recruit actors in Europe. Pabst was in France when World War I began, he was arrested and held as an enemy alien and interned in a prisoner-of-war camp near Brest. While imprisoned, Pabst organised a theatre group at the camp and directed French-language plays. Upon his release in 1919, he returned to Vienna, where he became director of the Neue Wiener Bühne, an avant-garde theatre. Career Pabst began his career as a film director at the behest of Carl Froelich who hired Pabst as an assistant director. He directed his first film, The Treasure, in 1923. He developed a talent for "discovering" and developing the talents of actresses, including Greta Garbo, Asta Nielsen, Louise Brooks, and Leni Riefenstahl.Pabst's best known films concern the plight of women, including The Joyless Street (1925) with Greta Garbo and Asta Nielsen, Secrets of a Soul (1926) with Lili Damita, The Loves of Jeanne Ney (1927) with Brigitte Helm, and Pandora's Box (1929) and Diary of a Lost Girl (1929) with American actress Louise Brooks. He also co-directed with Arnold Fanck a mountain film entitled The White Hell of Pitz Palu (1929) starring Leni Riefenstahl. After the coming of sound, he made a trilogy of films that secured his reputation: Westfront 1918 (1930), The Threepenny Opera (1931) with Lotte Lenya (based on the Bertolt Brecht and Kurt Weill musical), and Kameradschaft (1931). Pabst also filmed three versions of Pierre Benoit's novel L'Atlantide in 1932, in German, English, and French, titled Die Herrin von Atlantis, The Mistress of Atlantis, and L'Atlantide, respectively. In 1933, Pabst directed Don Quixote, once again in German, English, and French versions. After making A Modern Hero (1934) in the USA and Street of Shadows (1937) in France, Pabst (who was planning to emigrate to the United States) was caught in France in 1939, when war was declared, whilst visiting his mother, and was forced to return to Nazi Germany. Under the auspices of propaganda minister, Josef Goebbels, Pabst made two films in Germany during this period: The Comedians (1941) and Paracelsus (1943). Pabst directed four opera productions in Italy in 1953: La forza del destino for the Maggio Musicale Fiorentino in Florence (conducted by Dimitri Mitropoulos, the cast included Renata Tebaldi, Fedora Barbieri, Mario del Monaco, Aldo Protti, Cesare Siepi), and a few weeks later, for the Arena di Verona Festival, a spectacular Aïda, with Maria Callas in the title role (conducted by Tullio Serafin, with del Monaco), Il trovatore and again La forza del destino.He directed The Last Ten Days (1955), the first post-war German feature film to feature Adolf Hitler as a character. Death On 29 May 1967, Pabst died in Vienna at the age of 81. He was interred at the Zentralfriedhof in Vienna. Awards 1941, Venice Film Festival: Gold Medal of the Biennale for Best Director for his film The Comedians Filmography See also Max Deutsch, composer Passage 10: Devil in the Flesh 2 Devil in the Flesh 2 (also known as Teacher's Pet) is a 2000 erotic thriller film directed by Marcus Spiegel. It is a sequel to Devil in the Flesh (1998), which stars Rose McGowan. Plot Debbie Strand a beautiful psychopath, escapes from the mental institution she was sent off to in the first installment of the series. After a teenage girl who took Debbie in her car dies when retreating from Debbie and accidentally impaling herself, Debbie steals both the girl's identity and her car, and heads off to the college the dead girl was supposed to attend as a freshman. There, Debbie instantly develops a psychotic crush on her dashing writing professor, Dr. Sam Deckner after being impressed by their shared interests as well as his personality on their first interaction. Debbie assumed the role of a wealthy man's daughter while going by the deceased girl's name "Tracy Carlay" as her new identity. She is checked into same room with Laney, a naive girl who she soon influences. Further interactions with Sam renders Debbie further psychotic and in order to strengthen their love she soon begins killing anyone who she believes served as a threat to their perceived relationship. Laney, her computer-literate roommate discovers the truth about Debbie's past, and instantly panics then falls to her death after being agitated by Debbie's presence. Debbie described this as a suicide to the cops and soon begins to stalk Sam, unable to move on from their earlier intimate encounter. She repeatedly threatens Carla, Sam's girlfriend, especially after Carla revealed to Sam she was pregnant by him. Debbie, out of jealousy, throws a stone at the glass window while the couple were getting intimate and prompted a police inquiry. Debbie becomes more unhinged and at night, goes over to Carla's house, finds a knife and lurked around, intent on murdering Carla but is hindered by the presence of two cops both of whom she wounded before inadvertently stabbing herself in a scuffle with Sam. The film ends with a stabbed Debbie being picked off the road by the father of the real Tracy Carlay, the teenage girl who had picked up Debbie in the film's opening. Tracy's father comments on Debbie's striking resemblance with his daughter and made mention of his daughter's troubles at school. Cast Jodi Lyn O'Keefe as Debbie Strand /Tracy Carlay Jsu Garcia as Sam Deckner Sarah Lancaster as Tracy Carlay Katherine Kendall as Carla Briggs Jeanette Brox as Laney Christiana Frank as Sydney Hollings Todd Robert Anderson as Deputy Toby Taylor Bill Gratton as Sheriff Bill Taylor

doc_31

Passage 1: Ian Barry (director) Ian Barry is an Australian director of film and TV. Select credits Waiting for Lucas (1973) (short) Stone (1974) (editor only) The Chain Reaction (1980) Whose Baby? (1986) (mini-series) Minnamurra (1989) Bodysurfer (1989) (mini-series) Ring of Scorpio (1990) (mini-series) Crimebroker (1993) Inferno (1998) (TV movie) Miss Lettie and Me (2002) (TV movie) Not Quite Hollywood: The Wild, Untold Story of Ozploitation! (2008) (documentary) The Doctor Blake Mysteries (2013) Passage 2: Brian Kennedy (gallery director) Brian Patrick Kennedy (born 5 November 1961) is an Irish-born art museum director who has worked in Ireland and Australia, and now lives and works in the United States. He was the director of the Peabody Essex Museum in Salem for 17 months, resigning December 31, 2020. He was the director of the Toledo Museum of Art in Ohio from 2010 to 2019. He was the director of the Hood Museum of Art from 2005 to 2010, and the National Gallery of Australia (Canberra) from 1997 to 2004. Career Brian Kennedy currently lives and works in the United States after leaving Australia in 2005 to direct the Hood Museum of Art at Dartmouth College. In October 2010 he became the ninth Director of the Toledo Museum of Art. On 1 July 2019, he succeeded Dan Monroe as the executive director and CEO of the Peabody Essex Museum. Early life and career in Ireland Kennedy was born in Dublin and attended Clonkeen College. He received B.A. (1982), M.A. (1985) and PhD (1989) degrees from University College-Dublin, where he studied both art history and history. He worked in the Irish Department of Education (1982), the European Commission, Brussels (1983), and in Ireland at the Chester Beatty Library (1983–85), Government Publications Office (1985–86), and Department of Finance (1986–89). He married Mary Fiona Carlin in 1988.He was Assistant Director at the National Gallery of Ireland in Dublin from 1989 to 1997. He was Chair of the Irish Association of Art Historians from 1996 to 1997, and of the Council of Australian Art Museum Directors from 2001 to 2003. In September 1997 he became Director of the National Gallery of Australia. National Gallery of Australia (NGA) Kennedy expanded the traveling exhibitions and loans program throughout Australia, arranged for several major shows of Australian art abroad, increased the number of exhibitions at the museum itself and oversaw the development of an extensive multi-media site. Although he oversaw several years of the museum's highest ever annual visitation, he discontinued the emphasis of his predecessor, Betty Churcher, on showing "blockbuster" exhibitions. During his directorship, the NGA gained government support for improving the building and significant private donations and corporate sponsorship. However, the initial design for the building proved controversial generating a public dispute with the original architect on moral rights grounds. As a result, the project was not delivered during Dr Kennedy's tenure, with a significantly altered design completed some years later. Private funding supported two acquisitions of British art, including David Hockney's A Bigger Grand Canyon in 1999, and Lucian Freud's After Cézanne in 2001. Kennedy built on the established collections at the museum by acquiring the Holmgren-Spertus collection of Indonesian textiles; the Kenneth Tyler collection of editioned prints, screens, multiples and unique proofs; and the Australian Print Workshop Archive. He was also notable for campaigning for the construction of a new "front" entrance to the Gallery, facing King Edward Terrace, which was completed in 2010 (see reference to the building project above). Kennedy's cancellation of the "Sensation exhibition" (scheduled at the NGA from 2 June 2000 to 13 August 2000) was controversial, and seen by some as censorship. He claimed that the decision was due to the exhibition being "too close to the market" implying that a national cultural institution cannot exhibit the private collection of a speculative art investor. However, there were other exhibitions at the NGA during his tenure, which could have raised similar concerns. The exhibition featured the privately owned Young British Artists works belonging to Charles Saatchi and attracted large attendances in London and Brooklyn. Its most controversial work was Chris Ofili's The Holy Virgin Mary, a painting which used elephant dung and was accused of being blasphemous. The then-mayor of New York, Rudolph Giuliani, campaigned against the exhibition, claiming it was "Catholic-bashing" and an "aggressive, vicious, disgusting attack on religion." In November 1999, Kennedy cancelled the exhibition and stated that the events in New York had "obscured discussion of the artistic merit of the works of art". He has said that it "was the toughest decision of my professional life, so far."Kennedy was also repeatedly questioned on his management of a range of issues during the Australian Government's Senate Estimates process - particularly on the NGA's occupational health and safety record and concerns about the NGA's twenty-year-old air-conditioning system. The air-conditioning was finally renovated in 2003. Kennedy announced in 2002 that he would not seek extension of his contract beyond 2004, accepting a seven-year term as had his two predecessors.He became a joint Irish-Australian citizen in 2003. Toledo Museum of Art The Toledo Museum of Art is known for its exceptional collections of European and American paintings and sculpture, glass, antiquities, artist books, Japanese prints and netsuke. The museum offers free admission and is recognized for its historical leadership in the field of art education. During his tenure, Kennedy has focused the museum's art education efforts on visual literacy, which he defines as "learning to read, understand and write visual language." Initiatives have included baby and toddler tours, specialized training for all staff, docents, volunteers and the launch of a website, www.vislit.org. In November 2014, the museum hosted the International Visual Literacy Association (IVLA) conference, the first Museum to do so. Kennedy has been a frequent speaker on the topic, including 2010 and 2013 TEDx talks on visual and sensory literacy. Kennedy has expressed an interest in expanding the museum's collection of contemporary art and art by indigenous peoples. Works by Frank Stella, Sean Scully, Jaume Plensa, Ravinder Reddy and Mary Sibande have been acquired. In addition, the museum has made major acquisitions of Old Master paintings by Frans Hals and Luca Giordano.During his tenure the Toledo Museum of Art has announced the return of several objects from its collection due to claims the objects were stolen and/or illegally exported prior being sold to the museum. In 2011 a Meissen sweetmeat stand was returned to Germany followed by an Etruscan Kalpis or water jug to Italy (2013), an Indian sculpture of Ganesha (2014) and an astrological compendium to Germany in 2015. Hood Museum of Art Kennedy became Director of the Hood Museum of Art in July 2005. During his tenure, he implemented a series of large and small-scale exhibitions and oversaw the production of more than 20 publications to bring greater public attention to the museum's remarkable collections of the arts of America, Europe, Africa, Papua New Guinea and the Polar regions. At 70,000 objects, the Hood has one of the largest collections on any American college of university campus. The exhibition, Black Womanhood: Images, Icons, and Ideologies of the African Body, toured several US venues. Kennedy increased campus curricular use of works of art, with thousands of objects pulled from storage for classes annually. Numerous acquisitions were made with the museum's generous endowments, and he curated several exhibitions: including Wenda Gu: Forest of Stone Steles: Retranslation and Rewriting Tang Dynasty Poetry, Sean Scully: The Art of the Stripe, and Frank Stella: Irregular Polygons. Publications Kennedy has written or edited a number of books on art, including: Alfred Chester Beatty and Ireland 1950-1968: A study in cultural politics, Glendale Press (1988), ISBN 978-0-907606-49-9 Dreams and responsibilities: The state and arts in independent Ireland, Arts Council of Ireland (1990), ISBN 978-0-906627-32-7 Jack B Yeats: Jack Butler Yeats, 1871-1957 (Lives of Irish Artists), Unipub (October 1991), ISBN 978-0-948524-24-0 The Anatomy Lesson: Art and Medicine (with Davis Coakley), National Gallery of Ireland (January 1992), ISBN 978-0-903162-65-4 Ireland: Art into History (with Raymond Gillespie), Roberts Rinehart Publishers (1994), ISBN 978-1-57098-005-3 Irish Painting, Roberts Rinehart Publishers (November 1997), ISBN 978-1-86059-059-7 Sean Scully: The Art of the Stripe, Hood Museum of Art (October 2008), ISBN 978-0-944722-34-3 Frank Stella: Irregular Polygons, 1965-1966, Hood Museum of Art (October 2010), ISBN 978-0-944722-39-8 Honors and achievements Kennedy was awarded the Australian Centenary Medal in 2001 for service to Australian Society and its art. He is a trustee and treasurer of the Association of Art Museum Directors, a peer reviewer for the American Association of Museums and a member of the International Association of Art Critics. In 2013 he was appointed inaugural eminent professor at the University of Toledo and received an honorary doctorate from Lourdes University. Most recently, Kennedy received the 2014 Northwest Region, Ohio Art Education Association award for distinguished educator for art education. == Notes == Passage 3: George L. Cox George L. Cox (1878–1947) was an American actor and film director. Selected filmography The House of Toys (1920) The Gamesters (1920) The Week-End (1920) The Thirtieth Piece of Silver (1920) A Light Woman (1920) The Blue Moon (1920) Sunset Jones (1921) Payment Guaranteed (1921) Their Mutual Child (1921) Passage 4: The Dangerous Talent The Dangerous Talent is a lost 1920 silent film directed by George L. Cox and starring Margarita Fischer and Harry Hilliard. It was released by Pathé Exchange. Cast Margarita Fischer - Leila Mead Harry Hilliard - Gilbert Ellis Beatrice Van - Mildred Shedd Harvey Clark - Horton Neil Hardin - Bob Ames George Periolat - Peyton Dodge Mae Talbot - A Derelict Passage 5: Dana Blankstein Dana Blankstein-Cohen (born March 3, 1981) is the executive director of the Sam Spiegel Film and Television School. She was appointed by the board of directors in November 2019. Previously she was the CEO of the Israeli Academy of Film and Television. She is a film director, and an Israeli culture entrepreneur. Biography Dana Blankstein was born in Switzerland in 1981 to theatre director Dedi Baron and Professor Alexander Blankstein. She moved to Israel in 1983 and grew up in Tel Aviv. Blankstein graduated from the Sam Spiegel Film and Television School, Jerusalem in 2008 with high honors. During her studies she worked as a personal assistant to directors Savi Gabizon on his film Nina's Tragedies and to Renen Schorr on his film The Loners. She also directed and shot 'the making of' film on Gavison's film Lost and Found. Her debut film Camping competed at the Berlin International Film Festival, 2007. Film and academic career After her studies, Dana founded and directed the film and television department at the Kfar Saba municipality. The department encouraged and promoted productions filmed in the city of Kfar Saba, as well as the established cultural projects, and educational community activities. Blankstein directed the mini-series "Tel Aviviot" (2012). From 2016-2019 was the director of the Israeli Academy of Film and Television. In November 2019 Dana Blankstein Cohen was appointed the new director of the Sam Spiegel Film and Television School where she also oversees the Sam Spiegel International Film Lab. In 2022, she spearheaded the launch of the new Series Lab and the film preparatory program for Arabic speakers in east Jerusalem. Filmography Tel Aviviot (mini-series; director, 2012) Growing Pains (graduation film, Sam Spiegel; director and screenwriter, 2008) Camping (debut film, Sam Spiegel; director and screenwriter, 2006) Passage 6: S. N. Mathur S.N. Mathur was the Director of the Indian Intelligence Bureau between September 1975 and February 1980. He was also the Director General of Police in Punjab. Passage 7: Jesse E. Hobson Jesse Edward Hobson (May 2, 1911 – November 5, 1970) was the director of SRI International from 1947 to 1955. Prior to SRI, he was the director of the Armour Research Foundation. Early life and education Hobson was born in Marshall, Indiana. He received bachelor's and master's degrees in electrical engineering from Purdue University and a PhD in electrical engineering from the California Institute of Technology. Hobson was also selected as a nationally outstanding engineer.Hobson married Jessie Eugertha Bell on March 26, 1939, and they had five children. Career Awards and memberships Hobson was named an IEEE Fellow in 1948. Passage 8: Jason Moore (director) Jason Moore (born October 22, 1970) is an American director of film, theatre and television. Life and career Jason Moore was born in Fayetteville, Arkansas, and studied at Northwestern University. Moore's Broadway career began as a resident director of Les Misérables at the Imperial Theatre in during its original run. He is the son of Fayetteville District Judge Rudy Moore.In March 2003, Moore directed the musical Avenue Q, which opened Off-Broadway at the Vineyard Theatre and then moved to Broadway at the John Golden Theatre in July 2003. He was nominated for a 2004 Tony Award for his direction. Moore also directed productions of the musical in Las Vegas and London and the show's national tour. Moore directed the 2005 Broadway revival of Steel Magnolias and Shrek the Musical, starring Brian d'Arcy James and Sutton Foster which opened on Broadway in 2008. He directed the concert of Jerry Springer — The Opera at Carnegie Hall in January 2008.Moore, Jeff Whitty, Jake Shears, and John "JJ" Garden worked together on a new musical based on Armistead Maupin's Tales of the City. The musical premiered at the American Conservatory Theater, San Francisco, California in May 2011 and ran through July 2011.For television, Moore has directed episodes of Dawson's Creek, One Tree Hill, Everwood, and Brothers & Sisters. As a writer, Moore adapted the play The Floatplane Notebooks with Paul Fitzgerald from the novel by Clyde Edgerton. A staged reading of the play was presented at the New Play Festival at the Charlotte, North Carolina Repertory Theatre in 1996, with a fully staged production in 1998.In 2012, Moore made his film directorial debut with Pitch Perfect, starring Anna Kendrick and Brittany Snow. He also served as an executive producer on the sequel. He directed the film Sisters, starring Tina Fey and Amy Poehler, which was released on December 18, 2015. Moore's next project will be directing a live action Archie movie. Filmography Films Pitch Perfect (2012) Sisters (2015) Shotgun Wedding (2022)Television Soundtrack writer Pitch Perfect 2 (2015) (Also executive producer) The Voice (2015) (1 episode) Passage 9: Olav Aaraas Olav Aaraas (born 10 July 1950) is a Norwegian historian and museum director. He was born in Fredrikstad. From 1982 to 1993 he was the director of Sogn Folk Museum, from 1993 to 2010 he was the director of Maihaugen and from 2001 he has been the director of the Norwegian Museum of Cultural History. In 2010 he was decorated with the Royal Norwegian Order of St. Olav. Passage 10: Peter Levin Peter Levin is an American director of film, television and theatre. Career Since 1967, Levin has amassed a large number of credits directing episodic television and television films. Some of his television series credits include Love Is a Many Splendored Thing, James at 15, The Paper Chase, Family, Starsky & Hutch, Lou Grant, Fame, Cagney & Lacey, Law & Order and Judging Amy.Some of his television film credits include Rape and Marriage: The Rideout Case (1980), A Reason to Live (1985), Popeye Doyle (1986), A Killer Among Us (1990), Queen Sized (2008) and among other films. He directed "Heart in Hiding", written by his wife Audrey Davis Levin, for which she received an Emmy for Best Day Time Special in the 1970s. Prior to becoming a director, Levin worked as an actor in several Broadway productions. He costarred with Susan Strasberg in "[The Diary of Ann Frank]" but had to leave the production when he was drafted into the Army. He trained at the Carnegie Mellon University. Eventually becoming a theatre director, he directed productions at the Long Wharf Theatre and the Pacific Resident Theatre Company. He also co-founded the off-off-Broadway Theatre [the Hardware Poets Playhouse] with his wife Audrey Davis Levin and was also an associate artist of The Interact Theatre Company.

doc_32

Passage 1: Traces of Death Traces of Death is a 1993 Z movie mondo shockumentary that consists of various scenes of stock footage depicting death and real scenes of violence. Unlike most earlier Faces of Death which usually included fake deaths and reenactments, Traces consists mostly of actual footage depicting death and injury, and consists also of public domain footage from other films. It was written and narrated by Damon Fox. Since its release, Traces of Death has been followed by four sequels. The first sequel, Traces of Death II, was released in June 1994. This was followed by Traces of Death III in December 1994, Traces of Death IV: Resurrected in 1996 and Traces of Death V: Back in Action in April 2000. Film content In the first two films of the series, Damon Fox was the narrator. Darrin Ramage, who would later become the founder of Brain Damage Films, would become the host for the third, fourth and fifth volumes. Unlike Faces of Death, the footage throughout the entire films are real and are not staged or reenacted. Starting with Traces of Death II, scenes were accompanied by background music from death metal and grindcore bands. Also contained in the series, especially in the first one, is footage of step-by-step autopsy procedures, which are shown from a coroner's point of view. Most of the other footage is recognizably notable. Among the footage samples seen on Traces of Death and in the sequels that followed are listed below. Traces of Death (1993) The 1993 murder of Maritza Martin Munoz The 1988 police chase of armed bank robber Phillip Hutchinson The 1980 Iranian Embassy siege The 1989 suicide attempt of Terry Rossland The 1984 race car crash of Ricky Rudd The 1990 race car crash of Allan McNish The 1990 racing incident of Willy T. Ribbs The 1992 racing crash of Kerry Madsen The 1986 Rally de Portugal crash The 1992 crash of the monster truck Bad Medicine The 1966 motorcycle stunt crash of Evel Knievel The 1967 Caesar Palace jump stunt crash of Evel Knievel The 1990 Dinamo–Red Star riot The 1986 Calgary Stampede chuckwagon accident The 1989 horse riding accident of Bill Peck The 1990 parachute skydiving accident of Mike Mcgee and Greg Jones The 1992 Maracanã Stadium collapse Anatoly Kvochur's plane at the 1989 Paris Air Show crashing after a birdstrike The 1987 press conference suicide of R. Budd DwyerThe first film of the series also contains allegedly staged footage from Savage Man Savage Beast, where a tourist, Pit Dernitz supposedly gets mauled and eaten by African lions. Other scenes that feature animals include undated footage of a pig experiment by military scientists at the Burn Center in Fort Sam Houston (derived from a 1987 mondo film entitled True Gore), an animal control officer, Florence Crowell being attacked by a pit bull in Los Angeles, California in 1987, and a black bear getting shocked off a utility pole in Albuquerque, New Mexico in 1989. The first two films both contain scenes of sex reassignment surgery, which is featured in the 1974 mondo film Shocking Asia. Some autopsy footages were taken from the 1961 U.S. Army training film Basic Autopsy Procedure. Also included is an interview with James Vance, who had attempted suicide with a shotgun at a church playground in Sparks, Nevada (taken from the documentary Dream Deceivers). The only known footage showing evidence of Ilse Koch is included as well. Traces of Death II (1994) Iranian soldiers slaughtered by the Iraqi Regime during the Iran–Iraq War The 1981 assassination of Anwar Sadat Boston bomb expert Randolph G. LaMattina blasted in the face by a pipe bomb following its removal in 1985 [1] A robber blowing himself up after holding up a bank and being cornered by police at gunpoint in León, Spain in 1983 A 1984 fire in a Rio de Janeiro apartment building, which led to four women falling to their deaths The 1974 Joelma fire The 1979 Egyptian Embassy Siege in Ankara, Turkey The 1983 public execution of double murderer Ibrahim Tarraf Animal attacks such as a rodeo horse stomping its rider's face and goring from running of the bulls The 1963 self-immolation of Vietnamese monk Thích Quảng Đức Nelson Piquet fighting with Eliseo Salazar after a collision during the 1982 German Grand Prix A brawl at a press conference in Salt Lake City, Utah The 1985 Sanrizuka Struggle riots The 1980 Scottish Cup Final riot Football hooliganism in Germany in 1988 The 1985 Heysel Stadium disaster A courtroom outburst in Mobile, Alabama, in 1992 Riots in Seoul, South Korea in 1987 The death of Karl Wallenda The 1984 shooting of Jeff Doucet by Gary Plauché The 1986 Peruvian prison massacres The 1987 assault on Prime Minister Rajiv Gandhi The execution of Ishola Oyenusi A 1984 hot air balloon accident The murder of Mark Kilroy A deadly airshow crash in San Diego in 1978 A Blue Angels air show crash in 1985 The Controlled Impact Demonstration The 1988 crash of Air France Flight 296 The 1981 Belgian Grand Prix racing crash The 1966 Indy 500 crash The death of Eddie Sachs The death of Riccardo PalettiThere is one unusual piece of footage taken at a monster truck show in Baltimore, Maryland, on March 23, 1992. What makes this footage so unusual is that the robot transformer at the show malfunctioned. A large rod from the malfunctioning robot went into the actor of the alien suit's chest, and exploded. Another notable air show crash in the film took place in Plainview, Texas, on September 11, 1983, where the pilot lost both his plane's wings in mid-air and plummeted into the field below. There are many other various plane crashes and race car crashes during the middle and towards the end of the film. Traces of Death III (1995) The first Markale Massacre in 1994 The 1994 Hadera bus station suicide bombing Killings of children during the Algerian Civil War Necklacing in South Africa Villager killings during the 1984 elections in El Salvador El Cordobés during his career in the bullring The Sabra and Shatila Massacre The 1991 discovery of Ötzi A 1988 crash involving the monster truck Wild Stang, which was one of the first monster truck crashes to be captured on film The 1985 race car crash of Bosco Lowe Rare scenes of body parts from victims of the Cambodian genocide and Burundian Genocide in 1972 The assassination of a Haitian lawyer in 1994 The 1994 assassination of Luis Donaldo Colosio Discoveries of skeletal remains in the Killing Fields in CambodiaThe third edition starts with crime scenes in urban American cities such as New York City, ranging from murders to traffic crashes. These pieces look as if taken from the '60s and '70s. This volume also shows what it is like to survive an attack, as in a 1991 press conference of Frank Tempest, an English man disfigured in the face when he was attacked by two pit bulls. Also included is graphic content of gang violence in Russia, various motocross and amateur race car crashes, and cockfighting held in the Philippines. Traces of Death IV (1996) The 1972 assassination attempt of George Wallace The stunt accident of Alexandre Kareem The 1992 Agdam Massacre, which was a massacre of Azerbaijanian civilians by Armenian militants during the First Nagorno-Karabakh War. Executions of Kurdish civilians during the Anfal Genocide A terrorist attack on a yacht perpetrated by the PLO in Cyprus in 1985. The Amiriyah shelter bombing The 1968 execution Of Nguyễn Văn Lém Riots in Seoul, South Korea in 1994 and 1987. Riots in Moscow, Russia, in 1993 Bosnian soldiers caught in sniper crossfire during the Bosnian War The 1984 Kent and Dollar Farm massacres A 1986 stabbing attack in East Jerusalem, where a Palestinian terrorist is shot in the head by Israeli soldiers after they witnessed him stab a Jewish resident to death in the town square. A mortar attack in Bosnia that killed six people waiting for water in 1993. A mortar attack in Belgrade, Yugoslavia (now Serbia) that killed 16 civilians in line for water and bread on May 27, 1992. Villager killings during the 1984 elections in El SalvadorAnother piece of notable footage in the fourth volume is a moose killing a man in Anchorage, Alaska on January 9, 1995. Towards the start of the film graphic photographs of birth defects are shown. There is also footage of traffic crashes from the graphic driving education film, Signal 30. Traces of Death V (2000) The 1980 murders of U.S. missionaries in El Salvador The 1998 Cúa hostage crisis The 1992 attack on Reginald Denny The 1990 Poll Tax Riots The 1990 Temple Mount riots in Al Aqsa, Jerusalem, Israel South Korean student clashing with riot police The 1998 suicide of Daniel V. Jones backyard wrestlingThe last volume starts with three police chases. The first was in Los Angeles in June 1996. The second was also in Los Angeles, but it took place in June 1995. The third took place in Whittier, California in September 1995. All were televised live by helicopter pilot Zoey Tur. Soundtrack The music clearance were provided by Subtempeco Muzik (pseudonymously credited as T.O.D.), which derived from various film soundtracks. Later in Traces of Death 3, the first soundtrack album was released on CD. The soundtrack for the first installment were tracks by J.R. Bookwalter from the 1989 film Robot Ninja. Traces of Death III Soundtrack The soundtrack for Traces Of Death III was released on CD by Relapse Records in 1995. The music featured in the film include: Regina Confessorum by Dead World Orgy Of Self-Mutilation by Dead World Brainpan Blues by Pungent Stench Revenge by Core (band) Traces Of Death by Mortician (band) Frozen In Time by Kataklysm Slaughtered by Hypocrisy (band) Stained by Purge Sadistic Intent by Sinister (band) Violent Generation by Brutality (band) Skin Her Alive by Dismember (band) Into The Bizarre by Deceased (band) Low by Gorefest Vanished by Meshuggah Open Season by Exit-13 Nightstalker by Macabre (band) Blood Everywhere by Dead World Down On Whores by Benediction (band) God Is A Lie by Hypocrisy (band) Bodily Dismemberment by Repulsion (band) Darkened Soul by Core (band) I Lead You Towards Glorious Times by Merzbow Home media In 2003, a box set of the entire series was released on DVD by Brain Damage Films. Controversy The original Traces of Death has run into controversy worldwide due to its graphic content. In 1997, Amy Hochberg, a woman living in Coaldale, Pennsylvania rented the film from a video store and was so disgusted by the film's content that she considered keeping the tape to prevent children from procuring it from the store. She also contacted multiple animal rights groups after witnessing a scene in the film wherein a pig is experimented on with a blowtorch. She also lodged a complaint with the video store she had rented it from, as she thought the film was simply "911 calls with a little more".In 2003, a DVD boxset of the film and its sequels were confiscated by the Australian Customs and Border Protection Service, after being deemed to "contravene Regulation 4A(1A)(a) of the Customs (Prohibited Imports) Regulations."In 2005, the British Board of Film Classification refused to give the first film an age certificate, effectively banning it. The BBFC considered the film to have "no journalistic, educational or other justifying context for the images shown", while also suggesting that the film could potentially breach UK law under the Obscene Publications Act. See also Banned from Television Passage 2: Ravina (actress) Ravina is an Indian actress who acted in Dhallywood movies. She acted in the 1997 film Praner Cheye Priyo with Riaz. She also appeared in Sabdhan and Dolopoti, again opposite Riaz. Selected filmography Praner Cheye Priyo Sabdhan Dolopoti Passage 3: Querelle Querelle is a 1982 West German-French English-language arthouse film directed by Rainer Werner Fassbinder and starring Brad Davis, adapted from French author Jean Genet's 1947 novel Querelle of Brest. It was Fassbinder's last film, released shortly after his death at the age of 37. Plot The plot centers on the handsome Belgian sailor Georges Querelle, who is also a thief and murderer. When his ship, Le Vengeur, arrives in Brest, he visits the Feria, a bar and brothel for sailors run by the Madame Lysiane, whose lover, Robert, is Querelle's brother. Querelle has a love/hate relationship with his brother: when they meet at La Feria, they embrace, but also punch one another slowly and repeatedly in the belly. Lysiane's husband Nono works behind the bar and also manages La Feria's underhanded affairs with the assistance of his friend, the corrupt police captain Mario. Querelle makes a deal to sell opium to Nono. During the execution of the deal, he murders his accomplice Vic by slitting his throat. After delivering the drugs, Querelle announces that he wants to sleep with Lysiane. He knows that this means he will have to throw dice with Nono, who has the privilege of playing a game of chance with all of her prospective lovers. If Nono loses, the suitor is allowed to proceed with his affair. If the suitor loses, however, he must submit to anal sex with Nono first, according to Nono's maxim that "That way, I can say my wife only sleeps with arseholes." Querelle deliberately loses the game, allowing himself to be sodomized by Nono. When Nono gloats about Querelle's "loss" to Robert, who won his dice game, the brothers end up in a violent fight. Later, Querelle becomes Lysiane's lover, and also has sex with Mario. Luckily for Querelle, a builder, Gil, murders his work mate Theo, who had been harassing and sexually assaulting him. Gil hides from the police in an abandoned prison, and Roger, who is in love with Gil, establishes contact between Querelle and Gil in the hopes that Querelle can help Gil flee. Querelle falls in love with Gil, who closely resembles his brother. Gil returns his affections, but Querelle betrays Gil by tipping off the police. Querelle cleverly arranged it so that the murder of Vic is also blamed on Gil. Querelle's superior, Lieutenant Seblon, is in love with Querelle, and constantly tries to prove his manliness to him. Seblon is aware that Querelle murdered Vic, but chooses to protect him. Later, Seblon reveals his love and concern to a drunken Querelle, and they kiss and embrace before returning to Le Vengeur. Cast Brad Davis as Querelle Franco Nero as Lieutenant Seblon Jeanne Moreau as Lysiane Laurent Malet as Roger Bataille Hanno Pöschl as Robert / Gil Günther Kaufmann as Nono Burkhard Driest as Mario Roger Fritz as Marcellin Dieter Schidor as Vic Rivette Natja Brunckhorst as Paulette Werner Asam as Worker Axel Bauer as Worker Neil Bell as Theo Robert van Ackeren as Drunken legionnaire Wolf Gremm as Drunken legionnaire Frank Ripploh as Drunken legionnaire Production According to Genet's biographer Edmund White, Querelle was originally going to be made by Werner Schroeter, with a scenario by Burkhard Driest, and produced by Dieter Schidor. However, Schidor could not find the money to finance a film by Schroeter, and therefore turned to other directors, including John Schlesinger and Sam Peckinpah, before finally settling on Fassbinder. Driest wrote a radically different script for Fassbinder, who then "took the linear narrative and jumbled it up". White quotes Schidor as saying "Fassbinder did something totally different, he took the words of Genet and tried to meditate on something other than the story. The story became totally unimportant for him. He also said publicly that the story was a sort of third-rate police story that wouldn't be worth making a movie about without putting a particular moral impact into it".Schroeter had wanted to make a black and white film with amateur actors and location shots, but Fassbinder instead shot it with professional actors in a lurid, expressionist color, and on sets in the studio. Edmund White comments that the result is a film in which, "Everything is bathed in an artificial light and the architectural elements are all symbolic." Soundtrack Jeanne Moreau – "Each Man Kills the Things He Loves" (music by Peer Raben, lyrics from Oscar Wilde's poem "The Ballad of Reading Gaol") "Young and Joyful Bandit" (Music by Peer Raben, lyrics by Jeanne Moreau)Both songs were nominated to the 1984 Razzie Awards for "Worst Original Song". Release Querelle sold more than 100,000 tickets in the first three weeks after its release in Paris, the first time that a film with a gay theme had achieved such success. On review aggregator Rotten Tomatoes, which categorizes reviews as positive or negative only, the film has an approval rating of 57% calculated based on 14 critics comments. By comparison, with the same opinions being calculated using a weighted arithmetic mean, the rating is 6.10/10. Writing for The New York Times critic Vincent Canby noted that Querelle was "a mess...a detour that leads to a dead end." Penny Ashbrook calls Querelle Fassbinder's "perfect epitaph: an intensely personal statement that is the most uncompromising portrayal of gay male sensibility to come from a major filmmaker." Edmund White considers Querelle the only film based on Genet's book that works, calling it "visually as artificial and menacing as Genet's prose." Genet, in discussion with Schidor, said that he had not seen the film, commenting "You can't smoke at the movies." Passage 4: J. Lee Thompson John Lee Thompson (1 August 1914 – 30 August 2002) was a British film director, active in London and Hollywood, best known for award-winning films such as Woman in a Dressing Gown, Ice Cold in Alex and The Guns of Navarone along with cult classics like Cape Fear, Conquest of the Planet of the Apes and The White Buffalo. Early life Thompson was born in Bristol on 1 August 1914. His family had links to the theatre. Thompson studied at Dover College then went to work in the theatre, joining the Nottingham Repertory Company as an actor and stagehand. He later went to work for a repertory company in Croydon, Surrey.He wrote plays in his spare time, and had started when he was nine. One of them, Murder Happens? was performed at Croydon in 1934. His second staged play, Double Error, had a brief West End run at the Fortune Theatre in 1935. An article from this time about the play said he had written 40 plays already, including four in between his first two staged plays. A company worth £10,000 was formed to exploit Thompson's writings over the next seven years but this appears to have not had a long life.Thompson later said he had written a part for himself to perform, but when management asked him if he wanted to do so he said "of course not," and "the die was cast. Later I decided if I didn't have the guts to admit I wanted to play the role I should never act again and I never did." Screenwriter The film rights to Double Error were purchased for £100. Thompson was hired to work in the scriptwriting department at British International Pictures at Elstree Studios. While there he made his one appearance as an actor in films, playing a small role in Midshipman Easy (1935). His first credit was The Price of Folly (1937), based on his play. He also worked on the scripts for Glamorous Night (1937), and he worked as dialogue coach on Jamaica Inn (1939), directed by Alfred Hitchcock. He wrote the scripts for The Middle Watch (1940), made at Associated British Picture Corporation (ABPC) and East of Piccadilly (1941). World War II Thompson served in World War II as a tailgunner and wireless operator in the RAF. In 1942 a revised version of Double Error, titled Murder Without Crime, opened at the Comedy Theatre in London. The play had a run on Broadway in 1943. Post War After the war Thompson returned to his work as scriptwriter under contract at Associated British on such films as No Place for Jennifer (1949) and For Them That Trespass (1949), the latter starring Richard Todd in his debut. Thompson was dialogue director on The Hasty Heart (1949), which turned Todd into a star. He later said he gave up dialogue directing because he found the job "impossible. My job was to take stars through their lines but I felt that I was also expected to be a spy for the front office. If a word was altered they wanted to know why. It was a way of keeping control."The same year his play The Human Touch, co written with Dudley Leslie, ran for more than a hundred performances at the Savoy Theatre in a production starring Alec Guinness. British film director Early films His first film as a director was Murder Without Crime (1950), made at ABPC, who put Thompson under contract. Thompson was offered £500 for the screen rights to the play and £500 to direct. He said "it was not so much that I wanted to direct movies it was to get the money so I could continue writing plays. But while directing it I got the feeling that I wanted to be a movie director."Thompson said "the fact is I found directing to be much easier than writing and I enjoyed it much more than writing as well. So I became a film director."The film was about a man who thinks he has committed murder. Thompson also wrote the screenplay, based on his own play Double Error. In the words of Thompson's Screenonline profile "this well structured film went largely unnoticed but contained many of the themes which were to characterise Lee Thompson's work: a good person's struggle with their conscience, an external force of evil, and an out-of-character moment of violence which has long-term consequences. Believing people can "commit crimes without being criminals", he sought to make his audiences condone or at least understand behaviour that they would normally condemn."Thompson's first film success was one he directed and co-wrote (with Anne Burnaby), The Yellow Balloon (1953), the story of a child who is blackmailed into helping a criminal after accidentally causing his friend's death. He followed it with a comedy, For Better, For Worse (1954) starring Dirk Bogarde, which was even more popular though it is little remembered today. Social Realist films Thompson's fourth film as director The Weak and the Wicked (1954), portrays the lives of women in prison and is based on memoirs by Joan Henry, who became Thompson's second wife. Thompson wrote the script, again in collaboration with Anne Burnaby. It starred Glynis Johns and Diana Dors and was a hit at the box office. The success of the film greatly added to Thompson's prestige and he began to be regarded as one of the leading directors in the country.Thompson was loaned to Rank Films to direct a Jack Buchanan comedy, As Long as They're Happy (1955), co-starring Dors and An Alligator Named Daisy (1955), also starring Dors, along with Donald Sinden. He returned to ABPC and the theme of female prisoners in Yield to the Night (1956), an anti-capital punishment tale with Diana Dors as the condemned prisoner. Thompson later said the "pattern" of his ABPC films was "two pieces of tepid rubbish for one decent project - if I could persuade Robert Clark, who was head of production. He used to wring his hands when I insisted. 'Okay,' he'd finally say. 'Do it if you must. But it won't make money.' I admired him for that really. He did give you a bit of a chance."The Good Companions (1957) was lighter fare, based on a book by J. B. Priestley. According to one obituary Thompson "made excellent use of the CinemaScope screen, assembled a fine supporting cast and, with zestful choreography... came up with one of the few successes in a genre for which the British cinema was not noted."Woman in a Dressing Gown (1957), with Yvonne Mitchell, Anthony Quayle and Sylvia Syms and written by Ted Willis, deals with the collapse of a 20-year marriage. Action director Thompson had a big success with Ice Cold in Alex (1958), the story of a British Army unit trekking across North Africa in the Second World War. It featured John Mills, Sylvia Syms, Anthony Quayle and Harry Andrews. It won three BAFTA Awards, including Best British Film. He followed it with North West Frontier (1959), an adventure film set in British India starring Kenneth More and Lauren Bacall. It was one of the most popular films in Britain in 1959.No Trees in the Street (1959) was a thriller written by Willis. Also in that genre was Tiger Bay (1959), starring John Mills. It introduced cinema audiences to Mills' daughter Hayley and German actor Horst Buchholz. Hayley Mills also earned a BAFTA for Most Promising Newcomer portraying a 12-year-old girl who refuses to betray a sailor accused of murder. Thompson followed this with I Aim at the Stars (1960). Hollywood career Guns of Navarone and Cape Fear Thompson vaulted to international fame with The Guns of Navarone (1961) as a last-minute replacement for director Alexander Mackendrick. His take-charge attitude during its production earned him the nickname 'Mighty Mouse' from lead actor Gregory Peck. Co-star Anthony Quinn said Thompson: Never read a scene until he had to shoot it and approached each shot on a whim. And yet the cumulative effect was astonishing. Lee Thompson made a marvelous picture but how? Perhaps his inventiveness lay in defying convention, in rejecting the accepted methods of motion picture making and establishing his own. Perhaps it was in his very formlessness that he found the one form he could sustain, and nurture, the one form that could, in turn, sustain and nurture him. Perhaps he was just a lucky Englishman who pulled a good picture out of his ass. The Guns of Navarone, a World War II epic filmed on location in Rhodes, Greece, was nominated for seven Academy Awards including Thompson for Best Director. In 1961 he said "primarily I am in the business to entertain. This does not mean that I never want to try artistic movies again. But I do not think you can sell art on the big movie circuits. Art belongs in the art houses." Later he said "I liked the character bits best" about Navarone. "Anyone can make an explosion."The success of Navarone won him entry into Hollywood, where he directed Cape Fear (1962), a psychological thriller with Gregory Peck, Robert Mitchum, Polly Bergen and Lori Martin; Peck and Mitchum co-producing the film. Based on a novel called The Executioners by John D. MacDonald, Cape Fear shows how a sex offender can manipulate the justice system and terrorise an entire family. Highly controversial for its time, the film was cut heavily in both the United States and the United Kingdom. He worked on a project with Warren Beatty and Clifford Odets based on an idea of Beatty's. It was never made. Neither was The Short Cut which he discussed doing with Darryl F. Zanuck, or The Living Room from a novel by Graham Greene or Chips with Everything by Arnold Wesker. Mirisch Brothers Thompson directed Yul Brynner in the Cossack epic Taras Bulba (1962) for producer Harold Hecht. Thompson was going to follow it with Big Charlie starring Brynner but the movie was not made. In 1962 the Mirisch Brothers signed the director to a four-picture contract. The first film made under this contract was the Mayan Indian epic Kings of the Sun (1963), starring Brynner. In September 1962 Thompson said he would make I Love Louisa with Elizabeth Taylor produced by Arthur Jacobs. (This film became What a Way to Go!(1964) with Shirley MacLaine.) He would put actors under personal contract like Talitha Pol.In September 1963 Thompson announced he had formed a company, Bowhall Productions, to make around four films a year in the $120,000-$160,000 budget range. Thompson said it was "unlikely" the films would "make a profit" but they were movies he "deeply wanted to make". They included Chips with Everything, Rose without a Thorn by Clifford Bax, and a film in Spain. Following Return from the Ashes he would also make a $7 million movie in Africa Thunder of Giants.Instead he did another with MacLaine, John Goldfarb, Please Come Home (1965). Back in England Thompson made Return from the Ashes (1965) for the Mirisch Brothers. In April 1965 Thompson announced he would make High Citadel based on a novel by Desmond Bagley for the Mirisch Brothers. These plans were postponed when Thompson received an offer to replace Michael Anderson, who had fallen ill before he was to start directing a thriller about cults with David Niven, Eye of the Devil (1967) (originally titled 13). High Citadel was never filmed. Another film announced but never filmed was The Case Against Colonel Sutton which he was going to do with producer Martin Poll. Neither was a proposed musical remake of The Private Lives of Henry VIII.After a war film, Before Winter Comes (1968) Thompson was reunited with the star, producer and writer of Navarone in the Western Mackenna's Gold (1969) but it did poorly at the box office. So too did the espionage tale The Chairman (1969) with Gregory Peck. He was meant to follow that with You?, about assassination from a script by Andrew Sinclair. It was never filmed. "I freely admit I've done some pretty bad stuff," he said in 1968. "It's entirely my own fault. The trouble was I accepted some dismal scripts. I wasn't tough enough... Writing is the fundamental thing." Some have argued that Thompson's creative decline coincided with the end of his relationship with Henry. Apes Movies Back in the UK he directed Country Dance, also known as Brotherly Love (1970). Thompson's handling of a smaller scale film impressed producer Arthur Jacobs, with whom Thompson had made What a Way to Go; Thompson was the first director attached to the Jacobs production The Planet of the Apes and Thompson says he turned down the first two sequels. He was available to make the fourth and fifth movies in the series, Conquest of the Planet of the Apes and Battle for the Planet of the Apes. Writer Paul Dehn said Thompson had a reputation as someone with a drinking problem but that he had overcome it by the time of the Apes films."They were cutting back on the budgets the whole time after the first one", said Thompson later. "It was a bad policy." Later career US Television Thompson began working more in US television, directing the television films A Great American Tragedy (1972), Huckleberry Finn (1974) starring Jeff East and Paul Winfield, The Reincarnation of Peter Proud (1974) and Widow (1976) as well as the pilot episode of The Blue Knight (1975). He returned to playwriting with Getting Away with Murder (1976). Charles Bronson In 1976, Thompson began a long collaboration with actor Charles Bronson on the Warner Bros. crime story St. Ives . John Crowther, who worked with both men, later said "Thompson was the total antithesis of Charlie and they got along famously. They really worked well together.”In 1977, Bronson and Thompson teamed again on an unconventional western film called The White Buffalo.Thompson directed two films starring Anthony Quinn, The Greek Tycoon and The Passage. Reviewing the latter The Guardian called Thompson a director who "should know better but often doesn't". The Globe and Mail argued Thompson was "possibly the worst experienced director working in the world today."Thompson directed the horror film, Happy Birthday to Me in 1980. In 1981 Thompson and Bronson made the film Caboblanco, which opened on Los Angeles on 24 April. Also that year he directed an episode of the TV show Code Red, and which he followed with another Bronson movie, 10 to Midnight.Thompson worked with Bronson again on, The Evil That Men Do (1984), which was shot in Mexico. Thompson was hired to replace original director Fielder Cook, who was fired shortly before filming began. Producer Pancho Okhenr said Thompson "knew exactly what shots he needed to put together the film... [Bronson] had a lot of respect for Lee. The whole crew appreciated when the director did not make them work over and over to get the same shot from different angles... He was just a terrific filmmaker.”Also released that year was The Ambassador, starring Robert Mitchum. On 22 November 1985, King Solomon's Mines premiered. Thompson made this film as an Indiana Jones-style pastiche. It was shot in Zimbabwe and starred Richard Chamberlain. The film was reasonably successful at the box office. On 18 April 1986, Murphy's Law, the Thompson and Bronson collaboration of that year, started its theatrical run. It is a neo-noir thriller film. Acting in the film are Kathleen Wilhoite, Carrie Snodgress, Robert F. Lyons, and Richard Romanus. Thompson tried another Indiana Jones-type tale with Firewalker, which premiered on 21 November. The film paired the actors Chuck Norris with Louis Gossett Jr. as its leads. The action adventure co-stars Will Sampson and Melody Anderson. Norris and Gossett play Max Donigan and Leo Porter, two soldiers of fortune, whose adventures rarely result in any notable gain. They are befriended by an inscrutable woman of mystery Patricia (Anderson). Patricia's map leads them on a quest for treasure in Central America. The name of the movie comes from the powerful guardian of the treasure. Now working exclusively for Cannon, Thompson made two more Charles Bronson thrillers. On 6 November 1987 Death Wish 4: The Crackdown was released and 16 September 1988 saw the opening of Messenger of Death. He later reflected, "I realized these films were not going to enhance my reputation. I had to live with that. You're not going to be offered the great films at a certain age."3 February 1989, Thompson's final directorial effort was released Kinjite: Forbidden Subjects starring Charles Bronson.In 1990 Thompson moved to Sooke.In 1992 Thompson said he was trying to finance a remake of Tiger Bay with Anna Chumsky and Alec Baldwin. The director said "I have certain regrets now. I would rather have stuck to making films like Yield to the Night which had some integrity and importance. But the British film industry caved in. I shouldn't denigrate myself too much because I have enjoyed making my films but I suppose I sort of sold out." Personal life Thompson was married three times. His first wife was Florence Bailey, whom he married in 1935 when he was 20. They had a son, Peter (1938–1997), who became a film editor on several of his father's films and predeceased him, and a daughter, Lesley, who survived him. They divorced in 1957. His second wife was prisoner and author Joan Henry, whom he married in 1958. They collaborated on Weak and the Wicked and Yield to the Night. He left her for actress Susan Hampshire. In March 1962 Hedda Hopper reported that Thompson was "sweating it out" in Los Angeles while Henry and Hampshire were "awaiting his decision in London." Thompson confirmed this in an interview, and Hampshire and Henry were less forthcoming to the press.In September, Hopper reported that it was over between Thompson and Hampshire. Henry and Thompson were divorced in the late 1960s.In November 1962, Thompson said he had proposed to Shirley Ann Field whom he said accepted then changed her mind.His third wife was Penny, who was his widow. Death Thompson died of congestive heart failure on 30 August 2002, at his holiday home in Sooke, British Columbia, aged 88. Critical appraisal The Guardian obituary called him "a compelling craftsman". The Washington Post said "he directed adventure films noted for their punchy pacing, rich atmosphere and nuanced characterization." Variety said he was "Known as a craftsman who had a clear sense of how each film should play, scene by scene".The Independent said "he lent his acute sense of atmosphere and vivid visual style to a wide range of material. His intimate kitchen-sink melodramas... were unflinching portraits of social realism unusually stark for their time. His thrillers were tautly edited exercises in suspense, and he also made some engaging comedies and a bracing musical...Though his later films can most kindly be labelled potboilers, his body of work in the Fifties and early Sixties was an impressive one."In 2000 he stated that he made so many American films "because of my insecurity and effort to stay here. If I was given a script and it had something good in it I'd say, 'Good, I've got my next picture!' That is not the way to make good films, so some of them were good and some not so good.... What an idiot! 'You should have stayed at what you really wanted to make.' If I have anything to say to young directors today it's don't make a film for the sake of making it. Make it only if you really believe in it. Then success will eventually come to you." Awards Nominated, Best Director Academy Award, The Guns of Navarone (1961) Nominated, Best Director Directors Guild of America, The Guns of Navarone (1961) Nominated, Best Director Golden Globe, The Guns of Navarone (1961) Winner, Best Film Golden Globe, The Guns of Navarone (1961) Nominated, Best Film BAFTA, Tiger Bay (1959) Nominated, Best Film BAFTA, North West Frontier (1959) Nominated, Golden Bear Berlin International Film Festival, Tiger Bay (1959) Winner, FIPRESCI Prize Berlin International Film Festival, Ice Cold in Alex (1958) Nominated, Golden Bear Berlin International Film Festival, Ice Cold in Alex (1958) Winner, Special Mention Berlin International Film Festival, Woman in a Dressing Gown (1957) Winner, FIPRESCI Prize Berlin International Film Festival, Woman in a Dressing Gown (1957) Nominated, Golden Bear Berlin International Film Festival, Woman in a Dressing Gown (1957) Nominated, Palme d'Or Cannes Film Festival, Yield to the Night (1956) Selected filmography Screenwriter The Price of Folly (1937) The Middle Watch (1940) Last Holiday 1950 film: additional dialogue contributions to J B Priestley's Script. Director 1950s Murder Without Crime (1950) The Yellow Balloon (1953) For Better, for Worse (1954) The Weak and the Wicked (1954) As Long as They're Happy (1955) An Alligator Named Daisy (1955) Yield to the Night (1956) The Good Companions (1957) Woman in a Dressing Gown (1957) Ice Cold in Alex (1958) North West Frontier (1959) No Trees in the Street (1959) Tiger Bay (1959) 1960s I Aim at the Stars (1960) The Guns of Navarone (1961) Cape Fear (1962) Taras Bulba (1962) Kings of the Sun (1963) What a Way to Go! (1964) John Goldfarb, Please Come Home (1965) Return from the Ashes (1965) Eye of the Devil (1967) Mackenna's Gold (1969) Before Winter Comes (1969) The Chairman (1969) 1970s Country Dance (1970) Conquest of the Planet of the Apes (1972) A Great American Tragedy (1972) (TV) Battle for the Planet of the Apes (1973) Huckleberry Finn (1974) The Reincarnation of Peter Proud (1975) Widow (1976) (TV) St. Ives (1976) The White Buffalo (1977) The Greek Tycoon (1978) The Passage (1979) 1980s Caboblanco (1980) Happy Birthday to Me (1981) 10 to Midnight (1983) The Evil That Men Do (1984) The Ambassador (1984) King Solomon's Mines (1985) Murphy's Law (1986) Firewalker (1986) Death Wish 4: The Crackdown (1987) Messenger of Death (1988) Kinjite: Forbidden Subjects (1989) Notes and references External links J. Lee Thompson at IMDb J. Lee Thompson at the BFI's Screenonline Passage 5: Le Masque de la Méduse Le masque de la Méduse (English: The Mask of Medusa) is a 2009 fantasy horror film directed by Jean Rollin. The film is a modern-day telling of the Greek mythological tale of the Gorgon and was inspired by the 1964 classic Hammer Horror film of the same name and the 1981 cult classic Clash of the Titans. It was Rollin's final film, as the director died in 2010. Cast Simone Rollin as la Méduse Sabine Lenoël as Euryale Marlène Delcambre as Sthéno Juliette Moreau as Juliette Delphine Montoban as Cornelius Jean-Pierre Bouyxou as le gardien Bernard Charnacé as le collectionneur Agnès Pierron as la colleuse d'affiche au Grand-Guignol Gabrielle Rollin as la petite contrebassiste Jean Rollin as l'homme qui enterre la tête Thomas Smith as Thomas Production It was thought that Rollin's 2007 film La nuit des horloges was the final film of his career, as he had mentioned in the past. However, in 2009, Rollin began preparation foe Le masque de la Méduse. Rollin originally directed the film as a one-hour short, which was screened at the Cinémathèque de Toulouse, but after the release, Rollin decided to add 20 minutes of additional scenes and then cut the film into two distinct parts, as he did with his first feature, Le Viol du Vampire. The film was shot on location at the Golden Gate Aquarium and Père Lachaise Cemetery, as well as on stage at the Theatre du Grande Guignol, which is where the longest part of the film takes place. It was shot on HD video on a low budget of €150,000. Before the release, it was transferred to 35mm film. Release The film was not released theatrically, although it premiered on 19 November 2009 at the 11th edition of the Extreme Cinema Film Festival at the Cinémathèque de Toulouse. As part of "An Evening with Jean Rollin", it was shown as a double feature with Rollin's 2007 film La nuit des horloges. Home media No official DVD was released, although for a limited time, a DVD of La masque de la Méduse was included with the first 150 copies of Rollin's book Jean Rollin: Écrits complets Volume 1. Passage 6: Mohsen Eslamzadeh Mohsen Eslamzadeh is an Iranian documentary filmmaker. He is the director of Alone Among The Taliban. This film has won the best documentary award at the 44th Athens International Film and Video Festival in the United States. This film has won the best documentary award at the 12th Marbella International Film Festival in Spain. This film has won the Shahid Avini Award offers. Filmography “The Sunnies of Iran” “Mothers of the Revolution” “Mysteries of Abu-Salim Prison” “In the name of Liberty” “Looking for Peace” “Alone Among The Taliban” The Dream of Marjaan Awards and honors The competition of the international festival of documentary films "Meetings in Siberia" | Russia, 2018 The competition of the "Tiburon International Film Festival" | USA, 2017 The best documentary of “Athen international film + video festival” | USA, 2017The best documentary of “Marbella international film festival” | Spain, 2017The “Moscow detective film festival” | Russia, 2017 The competition of the “Thin line film festival” | USA, 2017The competition of the “Asia-Pacific Film Festival” | 2016 The competition of the “Human rights film festival” | Italy, 2017The competition of the “Ismailia international film festival” | Egypt, 2017The winner of the “Shahid Avini” international section of the “Cinema Verite” | Iran, 2015 The winner of the “Ammar popular film festival” | Iran, 2015 The 8th “Ammar film festival” for The Documentary of “Qasr-e-Qand” | Iran, 2018 The 7th “Ammar film festival” for The TV show of “Vatandar” | Iran, 2017 The winner of the 5th Ammar festival for the film "Sunnis in Iran" The winner of the international section of the forth Ammar festival for the film "Journey to the Land of Pashtuns" The winner of the special section of “Ruyesh” (growth) festival for the film “Mother of the Revolution” The winner of the international section of the third Ammar festival for the film “ the Thought of Being” The honored young documentary director from Mashhad in 2010 chosen by Mashhad's Islamic Revolution Cultural Centre. The honored in the “Awakening Sequence” for the film “the Lover” The honored in the first Ammar film Festival for the film “the Street of Martyrdom”He is a former guest of the many film festivals such as: The “Nahj film festival” for The documentary of “Me and the commander” | Iraq, 2016 The Festival as a guest speaker “Aljazeera film festival” for the film “Mysteries of Abusalim Prison” | Qatar, 2013 The “Resistance international film festival” for the film of “Al-Sheikh Sabah” | Iran, 2015Eslamzadeh participated in few film festivals such as: “Fajr”, “Cinema Verity” and “Rooyesh” in Iran. Eslamzadeh has won numerous awards and fellowships including “Aljazeera” in Qatar and “Human Rights” in Spain and he awarded in some of them. Passage 7: Alain Jessua Alain Jessua (16 January 1932 – 30 November 2017) was a French film director and screenwriter. He directed ten films between 1956 and 1997. He worked as assistant director for Jacques Becker on the set of Casque d'or, with Max Ophüls for Madame de... and Lola Montès and with Marcel Carné on Wasteland. Léon la lune his first short film won the influential Prix Jean Vigo in 1957. He directed first feature film in 1963 La vie à l'envers that won Best First Film at Venice Film Festival, in 1964. His 1967 film Jeu de massacre was entered into the 1967 Cannes Film Festival, where it won the award for Best Screenplay. His 1979 film The Dogs was entered into the 11th Moscow International Film Festival. In 1984 Alain Jessua directed Frankenstein 90, inspired by Mary Shelley's book, with Eddy Mitchell in the role of the creature. Filmography Léon la lune (1956) La vie à l'envers (1964) Jeu de massacre (1967) Traitement de choc (1973) Armaguedon (1977) Les chiens (1979) Paradis pour tous (1982) Frankenstein 90 (1984) En toute innocence (1988) Les couleurs du diable (1997) Passage 8: Frankenstein 90 Frankenstein 90 is a 1984 French comedy film directed, produced and written by Alain Jessua. The film stars Jean Rochefort and Eddy Mitchell. Release The film was released in France on VHS in 1995. Reception Variety stated that Alain Jessua and Paul Gégauff "manages some facile but amiable comic situations" but that "Jessua gropes unsuccessfully for the right macabre-satiric tone." The review stated that Eddy Mitchell was "an inveterate film buff" and "no doubt had fun with the part," but that "Rochefort and other players seem less at ease." AllMovie gave the film one and a half stars out of five, calling it an "uneven spoof". Notes Passage 9: Messenger of Death Messenger of Death is a 1988 American crime-action thriller film starring Charles Bronson about an attempt by a water company to start a family feud among fundamentalist Mormons to take the family's land for the company. The movie marks the eighth collaboration between Bronson and director J. Lee Thompson (following 1976's St. Ives, 1977's The White Buffalo, 1980's Caboblanco, 1983's 10 to Midnight, 1984's The Evil That Men Do, 1986's Murphy's Law, and 1987's Death Wish 4: The Crackdown). Plot Children play outside a rural Colorado home. They belong to Orville Beecham (Charles Dierkop) and his three wives. Two masked men pull up in a truck and wait for the children to go inside. They proceed to kill the three mothers, who are sister wives, and the children. The police arrive before the father, Orville, who returns to find his family massacred. Arriving on the scene with the chief of police, Barney Doyle (Daniel Benzali) is a Denver newspaper reporter, Garret Smith (Charles Bronson). They were having lunch with a wealthy local businessman, Homer Foxx (Laurence Luckinbill), to discuss how to get Barney elected Denver mayor when Barney was called about the murders. Garret does a news story on the massacre. Orville is in a local jail, there "for his own protection." Orville is reluctant to talk to Garret but does reveal that his father, Willis Beecham (Jeff Corey), may have been involved. Willis lives in a compound with his followers. He is an excommunicated fundamentalist Mormon who practices polygamy, as do his son and followers. Willis is the sect's prophet. Willis tells the reporter that he believes that it was his brother, Zenas Beecham (John Ireland), who killed Orville's family. Willis and Zenas are alienated from each other by a doctrinal dispute. Garret, aided by a local editor named Jastra Watson (Trish Van Devere), begins to investigate if Zenas could be behind the killings. Zenas lives in a different Colorado county on a large farm that happens to sit on an artesian lake that a large corporation, The Colorado Water Company, has wanted for years. Zenas tells the reporter that Willis probably killed the family of his own son because Willis preaches blood atonement. The symbol of both brothers is an avenging angel, which is alleged to be an early Mormon symbol with a doctrinal counterpart reflecting the idea of blood atonement. As soon as Orville is released from jail, he returns to his father's compound and plots to attack Zenas in retaliation. Garret tries to warn Zenas, but it's too late. Armed men back each man and they open fire. Garret gets them to agree to a cease fire, but a third-party shoots Zenas (not one of the followers) and the shooting begins again. Zenas and Willis both are killed. Garret realizes what is happening—The Colorado Water Company is behind everything. The company has hired an assassin (John Solari) and a junior partner (Gene Davis) to murder Orville's family, counting on the feud between the brothers to eliminate the rest. Garret is approached by the junior assassin to make a deal, but the senior assassin kills his partner. It turns out the person who hired the assassin is Foxx, the businessman trying to get the police chief elected mayor. The assassin shows up at a fundraising party for Doyle thrown by Foxx, where he attempts to kill Garret. The reporter gains the upper hand and gets the assassin to reveal that it was Foxx who was responsible for all of the murders. Foxx steals the chief's gun and kills himself. Cast Production The film was based on a novel The Avenging Angel by Rex Burns which was published in 1983. It was the fifth in a series of novels starring Denver detective Gabe Wager. The New York Times said "There is plenty of action in the book, culminating in a real Western shoot-out. And, of course, we learn a lot - perhaps more than we want to - about Wager's emotional life. Still, Mr. Burns is a skillful and sensitive writer, and The Avenging Angel moves in a big, logical curve up to its wingding ending. It is as welcome as its predecessors."Filming took place in LA and Colorado in 1987.Bronson had just made Death Wish IV and expressed interest in making different types of films. "I prefer to play different characters in films. And I wouldn't want to be in a weekly TV series. I imagine a lot of series stars fall asleep playing the same guy every week. Some of them relax when they know their show is signed for a whole season. I admire Tom Selleck; he keeps bringing new things to his series.""It's a nice script," said co star Trish Van Devere. "It's a Charles Bronson movie without much violence; I think that's why it interested him."Marilyn Hassett said "It's nice to be playing just an ordinary, all-American girl after a career cast as serious, emotionally disturbed or crippled people." Reception Critical response In the New York Times, Richard F. Shepard wrote that if the film "were a novel, it could be called a decent page turner, one that holds the eye and makes one wonder whodunit... Mr. Bronson is more a messenger of peace, an intermediary between the warring factions who is more shot upon than shooting. He does not even tote a gun in this movie... Bronson fans need not worry that their hero and his movies are going soft, however. There are enough bodies, car-crushings and lingering scenes of victims crossing over into death to slake any aficionado's thirst for blood."In the Los Angeles Times, Kevin Thomas called it "a solid, efficient mystery, crisply directed by J. Lee Thompson...a genre piece from start to finish, nothing more, nothing less. But its cast is effective, and it gains from its Colorado locations, which include two religious communities that have the look of the real thing." Passage 10: Thulasi (1987 film) Thulasi is a 1987 Indian Tamil-language romantic drama film directed by Ameerjan. The film stars Murali and Seetha. It was released on 27 November 1987. Plot Thirunavukarasu is considered as a God by his villagers. Nevertheless, his son Sammadham is an atheist and he doesn't believe in his father's power. Sammadham and Ponni, a low caste girl, fall in love with each other. Sammadham's best friend Siva, a low caste boy, passes the Master of Arts degree successfully. Thirunavukarasu's daughter Thulasi then develops a soft corner for Siva. Thirunavukarasu cannot accept for his son Sammadham's marriage with Ponni due to caste difference. Sammadham then challenges him to marry her. Thirunavukarasu appoints henchmen to kill her and Ponni is found dead the next day in the water. In the meantime, Siva also falls in love with Thulasi. The rest of the story is what happens to Siva and Thulasi. Cast Murali as Sivalingam "Siva" Seetha as Thulasi Chandrasekhar as Sammadham Major Sundarrajan as Thirunavukarasu Senthil Charle as Khan Thara as Ponni Mohanapriya as Sarasu Vathiyar Raman A. K. Veerasamy as Kaliyappan Soundtrack The music was composed by Sampath Selvam, with lyrics written by Vairamuthu. Reception The Indian Express gave a negative review calling it "thwarted love".

doc_33

Passage 1: Inoue Masaru (bureaucrat) Viscount Inoue Masaru (井上 勝, August 25, 1843 – August 2, 1910) was the first Director of Railways in Japan and is known as the "father of the Japanese railways". Biography He was born into the Chōshū clan at Hagi, Yamaguchi, the son of Katsuyuki Inoue. He was briefly adopted into the Nomura family and became known as Nomura Yakichi, though he was later restored to the Inoue family. Masaru Inoue was brought up as the son of a samurai belonging to the Chōshū fief. At 15, he entered the Nagasaki Naval Academy established by the Tokugawa shogunate under the direction of a Dutch naval officer. In 1863, Inoue and four friends from the Chōshū clan stowed away on a vessel to the United Kingdom. He studied civil engineering and mining at University College London and returned to Japan in 1868. After working for the government as a technical officer supervising the mining industry, he was appointed Director of the Railway Board in 1871. Inoue played a leading role in Japan's railway planning and construction, including the construction of the Nakasendo Railway, the selection of the alternative route (Tokaido), and the proposals for future mainline railway networks.In 1891 Masaru Inoue founded Koiwai Farm with Yanosuke Iwasaki and Shin Onogi. After retirement from the government, Inoue founded Kisha Seizo Kaisha, the first locomotive manufacturer in Japan, becoming its first president in 1896. In 1909 he was appointed President of the Imperial Railway Association. He died of an illness in London in 1910, during an official visit on behalf of the Ministry of Railways. Honors Inoue and his friends later came to be known as the Chōshū Five. To commemorate their stay in London, two scholarships, known as the Inoue Masaru Scholarships, are available each session under the University College London 1863 Japan Scholarships scheme to enable University College students to study at a Japanese University. The value of the scholarships are £3000 each. His tomb is in the triangular area of land where the Tōkaidō Main Line meets the Tōkaidō Shinkansen in Kita-Shinagawa. Chōshū Five These are the four other members of the "Chōshū Five": Itō Shunsuke (later Itō Hirobumii) Inoue Monta (later Inoue Kaoru) Yamao Yōzō who later studied engineering at the Andersonian Institute, Glasgow, 1866-68 while working at the shipyards by day Endō Kinsuke See also Japanese students in Britain Statue of Inoue Masaru Passage 2: Obata Toramori Obata Toramori (小畠虎盛, 1491 – July 14, 1561) was Japanese samurai warrior of the Sengoku Period. He is known as one of the "Twenty-Four Generals of Takeda Shingen" He also recorded as having been wounded 41 times in 36 encounters. He was the father of Obata Masamori. See also Isao Obata Passage 3: Takayama Tomoteru Takayama Tomoteru (高山友照) (1531–1596) was a Japanese samurai of the Azuchi–Momoyama period, who served Matsunaga Hisahide. He was the father of Takayama Ukon, and was a Kirishitan. Passage 4: Wendell Willkie Wendell Lewis Willkie (born Lewis Wendell Willkie; February 18, 1892 – October 8, 1944) was an American lawyer, corporate executive and the 1940 Republican nominee for President. Willkie appealed to many convention delegates as the Republican field's only interventionist: although the U.S. remained neutral prior to Pearl Harbor, he favored greater U.S. involvement in World War II to support Britain and other Allies. His Democratic opponent, incumbent President Franklin D. Roosevelt, won the 1940 election with about 55% of the popular vote and took the electoral college vote by a wide margin. Willkie was born in Elwood, Indiana, in 1892; both his parents were lawyers, and he also became one. He served in World War I but was not sent to France until the final days of the war, and saw no action. Willkie settled in Akron, Ohio, where he was initially employed by Firestone, but left for a law firm, becoming one of the leaders of the Akron Bar Association. Much of his work was representing electric utilities, and in 1929 Willkie accepted a job in New York City as counsel for Commonwealth & Southern Corporation (C&S), a utility holding company. He was rapidly promoted, and became corporate president in 1933. Roosevelt was sworn in as U.S. president soon after Willkie became head of C&S, and announced plans for a Tennessee Valley Authority (TVA) that would supply power in competition with C&S. Between 1933 and 1939, Willkie fought against the TVA before Congress, in the courts, and before the public. He was ultimately unsuccessful, but sold C&S's property for a good price, and gained public esteem. A longtime Democratic activist, Willkie changed his party registration to Republican in late 1939. He did not run in the 1940 presidential primaries, but positioned himself as an acceptable choice for a deadlocked convention. He sought backing from uncommitted delegates, while his supporters—many youthful—enthusiastically promoted his candidacy. As German forces advanced through western Europe in 1940, many Republicans did not wish to nominate an isolationist like Robert A. Taft, or a non-interventionist like Thomas E. Dewey, and turned to Willkie, who was nominated on the sixth ballot. Willkie's support for aid to Britain removed it as a major factor in his race against Roosevelt, and Willkie also backed the president on a peacetime draft. Both men took more isolationist positions towards the end of the race. Roosevelt won an unprecedented third term, taking 38 of the 48 states. After the election, Willkie made two wartime foreign trips as Roosevelt's informal envoy, and as nominal leader of the Republican Party gave the president his full support. This angered many conservatives, especially as Willkie increasingly advocated liberal or internationalist causes. Willkie ran for the Republican nomination in 1944, but bowed out after a disastrous showing in the Wisconsin primary in April. He and Roosevelt discussed the possibility of forming a liberal political party after the war, but Willkie died in October 1944 before the idea could bear fruit. Willkie is remembered for giving Roosevelt vital political assistance in 1941, which helped the president to pass Lend-Lease to send supplies to the United Kingdom and other Allied nations. Youth, education and World War I service Lewis Wendell Willkie was born in Elwood, Indiana, on February 18, 1892, the son of Henrietta (Trisch) and Herman Francis Willkie. Both of his parents were lawyers, his mother being one of the first women admitted to the Indiana bar. His father was born in Germany, son of Joseph Wilhelm Willecke or Willcke, born 1826. His mother was born in Indiana, to German parents; his grandparents were involved in the unsuccessful 1848 revolutions in Germany. The Trisches initially settled in Kansas Territory but, as they were abolitionists, moved to Indiana after the territory was opened to slavery in the mid-1850s. Willkie was the fourth of six children, all intelligent, and learned skills during the nightly debates around the dinner table that would later serve him well.Although given the first name Lewis, Willkie was known from childhood by his middle name. Herman Willkie, who had come from Prussia with his parents at age four, was intensely involved in progressive politics, and in 1896 took his sons to a torchlight procession for Democratic presidential candidate William Jennings Bryan, who had come to Elwood during his campaign. The Willkie boys had a sidewalk fight with Republican youths, and though the Willkies won their battle, Bryan lost his to William McKinley. When Bryan ran again in 1900, he stayed overnight at the Willkie home, and the Democratic candidate for president became the first political hero for the boy who would later seek that office.By the time Willkie reached age 14 and enrolled in Elwood High School, his parents were concerned about a lack of discipline and a slight stoop, and they sent him to Culver Military Academy for a summer in an attempt to correct both. Willkie began to shine as a student in high school, inspired by his English teacher; one classmate said that Philip "Pat" Bing "fixed that boy up. He started preaching to Wendell to get to work and that kid went to town." Faced with a set of athletic brothers—Edward became an Olympic wrestler—Willkie joined the football team but had little success; he enjoyed the debate team more, but was several times disciplined for arguing with teachers. He was class president his final year, and president of the most prominent fraternity, but resigned from the latter when a sorority blackballed his girlfriend, Gwyneth Harry, as the daughter of immigrants.During Willkie's summer vacations from high school, he worked, often far from home. In 1909, aged 17, his journey took him from Aberdeen, South Dakota, where he rose from dishwasher to co-owner of a flophouse, to Yellowstone National Park, where he was fired after losing control of the horses drawing a tourist stagecoach. Back in Elwood, Herman Willkie was representing striking workers at the local tin plate factory, and in August journeyed with Wendell to Chicago in an attempt to get liberal attorney Clarence Darrow to take over the representation. They found Darrow willing, but at too high a price for the union to meet; Darrow told Wendell Willkie, "there is nothing unethical in being adequately compensated for advocating a cause in which you deeply believe."After graduation from Elwood High in January 1910, Willkie enrolled at Indiana University in Bloomington. There, he became a student rebel, chewing tobacco, reading Marx, and petitioning the faculty to add a course on socialism to the curriculum. He also involved himself in campus politics, successfully managing the campaign of future Indiana governor Paul McNutt for student office, but when Willkie ran himself, he was defeated. He graduated in June 1913, and to earn money for law school, taught high school history in Coffeyville, Kansas, coaching debaters and several sports teams. In November 1914, he left his job there for one as a lab assistant in Puerto Rico arranged by his brother Fred. Wendell Willkie's commitment to social justice was deepened by the sight of workers suffering abuse there.Willkie enrolled at Indiana School of Law in late 1915. He was a top student, and graduated with high honors in 1916. At the commencement ceremony, with the state supreme court present, he gave a provocative speech criticizing his school. The faculty withheld his degree, but granted it after two days of intense debate. Willkie joined his parents' law firm, but volunteered for the United States Army on April 2, 1917, the day President Woodrow Wilson asked Congress for a declaration of war against Germany. An army clerk transposed his first two names; with Willkie unwilling to invest the time to have the bureaucracy correct it, he kept his name as Wendell Lewis Willkie. Commissioned as a first lieutenant, Willkie was sent for artillery training. He arrived in France as the war was ending and did not see combat. In January 1918 he married Edith Wilk, a librarian from Rushville, Indiana; the couple had one son, Philip. In France, Willkie was assigned to defending soldiers who had slipped away for time in Paris against orders. He was recommended for promotion to captain, but was discharged in early 1919 before the paperwork went through. Lawyer and executive (1919–1939) Akron attorney and activist Discharged from the army, Willkie returned to Elwood. He considered a run for Congress as a Democrat, but was advised that the district was so Republican he would be unlikely to keep the seat even if he could win it, and his chances might be better in a more urban area. Herman Willkie wanted Wendell and Robert to rejoin the family law firm, but Henrietta was opposed, feeling that opportunities in Elwood were too limited for her sons. She got her way, and in May 1919 Wendell Willkie successfully applied for a job with the Firestone Tire and Rubber Company in Akron, Ohio as head of the legal office that advised workers on wills and other personal matters. He was soon bored there, and on the advice of his wife, left for a law firm despite an offer from Harvey Firestone to double his salary. Firestone told the departing lawyer that he would never amount to anything because he was a Democrat.Willkie became active in the Akron Democratic Party, becoming prominent enough while still with Firestone to introduce the Democratic presidential nominee, Ohio Governor James M. Cox, when he came to town during the 1920 campaign. He was a delegate to the 1924 Democratic National Convention, and supported New York Governor Al Smith through the record 103 ballots, when the nomination fell to former West Virginia congressman John W. Davis. More important to Willkie, though, was a fight against the Ku Klux Klan, which had become powerful in much of the nation and in the Democratic Party, but he and other delegates were unsuccessful in their attempt to include a plank in the party platform condemning the Klan. He also backed a proposed plank in support of the League of Nations that ultimately failed. In 1925, Willkie led a successful effort to oust Klan members on the Akron school board.After leaving Firestone in 1920, Willkie joined leading Akron law firm Mather & Nesbitt, which represented several local public utilities. Although he quickly gained a reputation as a leading trial lawyer, he was especially noted for presenting utility cases before the Ohio Public Utilities Commission. In 1925, he became president of the Akron Bar Association. One of Willkie's clients, Ohio Power & Light, was owned by New York-based Commonwealth & Southern Corporation (C&S), whose chairman, B.C. Cobb, noticed him. Cobb wrote to the senior partner of Willkie's firm, "I think he is a comer and we should keep an eye on him." In 1929, Cobb offered Willkie a salary of $36,000 (equal to $613,535 today) to be corporate counsel to C&S, a job which would involve a move to New York, and Willkie accepted. Commonwealth & Southern executive Wendell and Edith Willkie moved to New York in October 1929, only weeks before the Wall Street Crash of 1929, and found an apartment overlooking Central Park. Initially intimidated by the size and anonymity of the big city, Wendell Willkie soon learned to love it. He attended the Broadway theatre, and read through ten newspapers each day. Willkie and his wife had little in common, and grew apart through the 1930s. He acquired a social life, and met Irita Van Doren, the book review editor of the New York Herald Tribune who became a friend, and later his lover. Cultured, brilliant and well connected, Van Doren introduced him to new books, new ideas, and new circles of friends. Unlike Van Doren, Willkie was indiscreet about their relationship, and their affair was well known to the reporters covering him during his 1940 presidential campaign. None of them printed a word.At C&S, Willkie rose rapidly under the eye of Cobb, impressing his superiors. Much of his work was outside New York City; Willkie was brought in to help try important cases or aid in the preparation of major legal briefs. Cobb, a pioneer in the electricity transmission business, had presided over the 1929 merger of 165 utilities that made C&S the largest electric utility holding company in the country. He promoted Willkie over 50 junior executives, designating the younger man as his successor. In January 1933, Willkie became president of C&S.Willkie maintained his interest in politics, and was a delegate to the 1932 Democratic National Convention. Since the incumbent Republican president, Herbert Hoover, was widely blamed for the Depression that had followed the stock market crash, the nominee would have a good chance of becoming president. The major candidates were Smith (the 1928 nominee), Smith's successor as New York's governor, Franklin D. Roosevelt, Speaker of the House John Nance Garner, and former Secretary of War Newton D. Baker. Willkie backed Baker, and was an assistant floor manager for his campaign. With a two-thirds majority needed to gain the Democratic presidential nomination, Willkie and others tried to deadlock the convention in the hope that it would turn to Baker. Roosevelt was willing to swing his votes to Baker in the event of a stalemate, but this did not occur, as Governor Roosevelt gained the nomination on the fourth ballot. Willkie, although disappointed, backed Roosevelt, and donated $150 to his successful campaign. TVA battle Soon after taking office, President Roosevelt proposed legislation creating the Tennessee Valley Authority (TVA), a government agency with far-reaching influence that promised to bring flood control and cheap electricity to the impoverished Tennessee Valley. However, the TVA would compete with existing private power companies in the area, including C&S subsidiaries. Willkie appeared before the House Military Affairs Committee on April 14, 1933. He approved of the ideas for development of the Tennessee Valley, but felt that the government role should be limited to selling power generated by dams. Although the House of Representatives passed a bill limiting the TVA's powers, the Senate took the opposite stance, and the latter position prevailed. Negotiations took place through the remainder of 1933 for C&S to sell assets, including a transmission line, to allow the TVA to distribute energy to retail customers, leading to an agreement on January 4, 1934. TVA head David Lilienthal was impressed by Willkie, who left him "somewhat overwhelmed" and "pretty badly scared". C&S agreed to sell some of its properties in part of the Tennessee Valley, and the government agreed that the TVA would not compete with C&S in many areas. In October 1934, holders of securities issued by a C&S subsidiary filed suit to block the transfer. Willkie angrily denied that he had prompted the lawsuit, though plaintiffs' counsel proved later to have been paid by the Edison Electric Institute, of which Willkie was a board member. Willkie warned that New York capital might avoid Tennessee if the TVA experiment continued, and when Roosevelt gave a speech in praise of the agency, issued a statement rebutting him. By 1934, Willkie had become the spokesman for the private electric power industry.Amid this tension, Willkie and Roosevelt met for the first time, at the White House on December 13, 1934. The meeting was outwardly cordial, but each man told his own version of what occurred: the president boasted of having outtalked Willkie, while the executive sent a soon-to-be-famous telegram to his wife: "CHARM OVERRATED ... I DIDNT TELL HIM WHAT YOU THINK OF HIM" Roosevelt decided that the utility holding companies had to be broken up, stated so in his 1935 State of the Union address and met with Willkie later in January to inform him of his intent. In the meantime, the companies did their best to sabotage the TVA; farmers were told by corporate representatives that lines from the new Norris Dam could not carry enough power to make a light bulb glow, and the company ran "spite lines" that might not even carry power in an effort to invoke the non-compete agreement over broad areas. Through 1935, as the breakup legislation wound through Congress, and litigation through the courts, Willkie was the industry's chief spokesman and lobbyist. When the Senate narrowly passed a bill for the breakup, Willkie made a series of speeches asking the public to oppose the legislation, and a storm of letters to congressmen followed. After the House of Representatives defeated the breakup clause, investigation proved that many of these communications were funded by the electric companies, signed with names taken from the telephone book, though Willkie was not implicated. Amid public anger, Roosevelt pressured Congress to pass a bill requiring the breakup to take place within three years.In September 1936, Roosevelt and Willkie met again at the White House, and a truce followed as both sides waited to see if Roosevelt would be re-elected over the Republican, Kansas Governor Alf Landon. Willkie, who voted for Landon, expected a narrow victory for the Republican, but Roosevelt won an overwhelming landslide as Landon won only Maine and Vermont. In December, a federal district court judge granted the C&S companies an injunction against the TVA, and negotiations broke off by Roosevelt's order as the litigation continued. Willkie took his case to the people, writing columns for major publications, and proposing terms for an agreement that The New York Times described as "sensible and realistic". He received favorable press, and many invitations to speak.The January 1938 Supreme Court ruling in Alabama Power Co. v. Ickes, resolving the 1934 case, and the lifting of the injunction by an appeals court, sent the parties back to the negotiating table. Willkie kept the public pressure on: like most corporate executives, he had not spoken out against Roosevelt's New Deal policies, but in January stated in a radio debate that anti-utility policies were depressing share prices, making it hard to attract investment that would help America to recover. "For several years now, we have been listening to a bedtime story, telling us that the men who hold office in Washington are, by their very positions, endowed with a special virtue." The Saturday Evening Post dubbed Willkie "the man who talked back".Willkie and Lilienthal negotiated for a year, with Willkie wanting $88 million for C&S's properties in and around the Tennessee Valley, and the TVA offering $55 million. After a final, January 1939, legal defeat for C&S in the Supreme Court, the pace of the talks quickened, and on February 1, 1939, C&S sold the assets to the TVA for $78.6 million. Securities and Exchange Commission chairman William O. Douglas deemed Willkie to have outsmarted Lilienthal. Though defeated in the courts, Willkie had gained national stature for driving a hard bargain for his shareholders, and was seen by some as a potential presidential candidate in 1940. 1940 presidential election Dark horse candidate The 1940 presidential campaign was conducted against the backdrop of World War II raging in Europe. Although the United States remained neutral, the nation—and especially the Republican Party—was deeply divided between isolationists, who felt the nation should avoid any steps that could lead America into the war, and interventionists, who felt that America's survival depended upon helping the Allies defeat Nazi Germany. The three leading candidates for the 1940 Republican nomination were all isolationists to varying degrees: Senators Robert A. Taft of Ohio and Arthur Vandenberg of Michigan, and Thomas E. Dewey, the young (only 38 years old), "gangbusting" Manhattan District Attorney in New York City. Roosevelt's popularity had declined since the 1936 landslide, but many still hoped he would run for an unprecedented third term. He had long contemplated one, but made no announcement. Roosevelt's decision-making on this point is uncertain: as late as April 1940, he may have been thinking of retirement. If he stepped aside, possible candidates included Vice President Garner, Secretary of State Cordell Hull and Postmaster General and patronage handler James A. Farley. On the assumption Roosevelt would not seek a third term, Willkie had been spoken of as a possible Democratic presidential candidate as early as 1937. He raised his stock considerably when on January 3, 1938, he debated Assistant Attorney General Robert H. Jackson on the radio show Town Meeting of the Air. With the topic of the debate being the cooperation between the public and private sectors, Willkie came across as a businessman with a heart, while Jackson appeared dull. A stream of positive press mentions for Willkie continued through 1938 and into 1939, culminating with a favorable cover story in Time magazine in July 1939. Willkie was initially dismissive of the many letters he received urging him to run for president, but soon changed his mind. Van Doren thought Willkie could be president, and worked to persuade her contacts. After hosting the Willkies for a weekend, Fortune magazine managing editor Russell Davenport became convinced Wendell Willkie had presidential timber; he devoted the magazine's April 1940 issue to Willkie, and later served as his campaign manager. In that issue, Willkie wrote an article, "We The People: A Foundation for a Political Platform for Recovery," urging both major parties to omit anti-business policies from their party platforms, protect individual rights, and oppose foreign aggression while supporting world trade. This piece won him applause and supporters from the press.Willkie never had any doubt that Roosevelt would run for a third term, and that his route to the White House would have to be through the Republican Party. In late 1939 he changed his registration from Democratic to Republican, and early in 1940 announced that he would accept the Republican nomination if it were offered to him. He blamed his allegiance shift on the Roosevelt policies that he deemed anti-business. He had voted for Landon in 1936, he said, and he felt that the Democrats no longer represented the values he advocated. As he later characterized it, "I did not leave my party. My party left me."The start of the war in September 1939 alarmed Americans, but the majority thought the U.S. should not get involved. Willkie spoke often about the threat to America and the need to aid Britain and other Allies. Willkie biographer Steve Neal wrote that the war "transformed Willkie from a big-business critic of the New Deal into a champion of freedom. And it gave his candidacy new purpose." Despite the chatter about Willkie, there were many who were skeptical about his chances should he seek the nomination. Kenneth F. Simpson, Republican National Committeeman from New York, initially thought the idea of a Willkie run to be silly. Indiana Senator James Eli Watson stated that he did not mind if "the town whore" joined the church, but she should not lead the choir the first week.Willkie did not enter the Republican primaries, placing his hope in a deadlocked convention. His campaign was composed mostly of political amateurs. New York lawyer Orem Root, Jr. (grandnephew of former Secretary of State Elihu Root) formed a network of local Willkie Clubs, which attracted a large membership among Republicans discontented with their leadership and seeking a new figure who might beat Roosevelt. He especially appealed to liberal, Eastern Establishment Republicans who saw none of the declared candidates to their liking. His rumpled suits, country-style haircut, and Indiana twang were reminiscent of ordinary midwesterners, which led to some derision as the efforts to nominate him became more obvious. Interior Secretary Harold L. Ickes mocked Willkie as "a simple, barefoot Wall Street lawyer". Alice Roosevelt Longworth stated that the Willkie campaign came "from the grass roots of ten thousand country clubs".His failure to enter primaries did not greatly disadvantage Willkie because most were "beauty contests" serving only to show voter preferences and not to elect delegates. The primaries were governed by a complex set of unwritten rules about who would enter which primary and Taft ran only in his native Ohio, where Dewey did not enter his name. Even those delegates who were pledged to support a candidate were not strongly committed: what was important to most Republicans was to field a nominee who could beat Roosevelt. The run-up to the June convention in Philadelphia coincided with Hitler's advance in Western Europe, and delegates had second thoughts about running an isolationist, let alone a young one without national experience such as Dewey. Willkie, who had spoken out against isolationism, and who was a successful executive, was an attractive possibility. Willkie made speeches widely, including in a tour of New England that paid off with promises of support, though delegates might first support a favorite son candidate for a ballot or two. Important converts to Willkie's cause included Minnesota Governor Harold Stassen and Massachusetts Governor Leverett Saltonstall. The move to Willkie was reflected in polls; he went from 3 to 29 percent in the seven weeks before the convention, while Dewey, the frontrunner, fell from 67 to 47 percent. Convention The 1940 Republican National Convention opened at the Philadelphia Civic Center on June 24, 1940. As the delegates assembled, they discussed the war, the candidates, and Roosevelt's appointment of two Republican interventionists to his cabinet four days before the convention. Henry L. Stimson, Secretary of War under President Taft and Secretary of State under Hoover, was restored to the War position, and Landon's 1936 running mate, Frank Knox, was appointed Navy Secretary. The cabinet appointments divided the Republicans, who accused Roosevelt of dirty politics. Willkie arrived by train in Philadelphia on June 22, two days before the convention, and immediately attracted attention by walking from 30th Street Station to his hotel, answering questions from reporters and anyone else who could get close enough to be heard. Dewey, Vandenberg and Taft had large public headquarters, but Willkie's campaign was run from clandestine rooms at the Benjamin Franklin Hotel. Root's Willkie Clubs and other supporters bombarded the delegates with telegrams urging support for their candidate, to the annoyance of some. Key convention officials were Willkie supporters; these included House Minority Leader Joe Martin, Massachusetts' favorite son and permanent chairman of the convention. When the head of the Committee on Arrangements, Ralph Williams (deemed likely to support Taft), died just before the convention, he was succeeded by the vice chairman, Sam Pryor, a firm Willkie backer. This placed a Willkie supporter in charge of tickets for the public galleries. With noted publicist Steve Hannagan, the Willkie campaign gained tremendous momentum. The opening night of the convention saw the keynote speech by Governor Stassen; he subsequently announced his support for Willkie and became one of the candidate's floor managers. The second night featured a speech by the only living former president, Herbert Hoover, who hoped to stampede the convention to a third nomination. His address went almost unheard in the hall because of problems with the sound system. In the meantime, the Dewey campaign, faced with the German announcement that with France taken, Hitler's forces would sail on Britain, did its best to stem the flow of delegates to Willkie. Negotiations among Dewey, Taft, and Vandenberg came to nothing because none would accept less than the presidential nomination. A blaze of publicity followed Willkie wherever he went, as he caucused with delegates and appeared at press conferences with supporters, including the entire Connecticut delegation. A strong minority of African Americans still supported the Republicans, and Willkie met with a group of them, urging those delegates to visit him in the White House in 1941.Indiana Congressman Charles Halleck gave the nominating speech for Willkie on the evening of June 26, arguing that Willkie's recent conversion to the Republican Party was no reason not to nominate him, "is the Republican Party a closed corporation? Do you have to be born into it?" When Halleck mentioned Willkie's name, there were initially boos from some delegates, but they were quickly drowned out by those in the public balconies, who thunderously chanted, "We want Willkie!". Pryor had cut ticket allocations to delegations that were not for Willkie, and distributed thousands of standing room passes to Willkie partisans. The vocal support for Willkie among spectators led to complaints that other campaigns had been shorted in the distribution of tickets, but provided one of the convention's most dramatic moments.Dewey had predicted he would have 400 of the 501 votes needed to be nominated on the first ballot and he kept nothing in reserve so that he might show momentum in future ballots. When delegates first balloted on the afternoon of June 27, he had only 360 to 189 for Taft, 105 for Willkie, and 76 for Vandenberg. On the second ballot, Dewey began to slip, falling to 338 to Taft's 203 and 171 for Willkie. The losses greatly damaged Dewey's campaign, because other than the trivial losses suffered in the early rounds of balloting by Warren G. Harding in 1920, no Republican candidate had ever lost support from the previous ballot and won the nomination. Dewey came under pressure from his advisors to withdraw during the dinner break that followed the second ballot, and when the convention resumed to chants of "We want Willkie!" from the packed galleries, Dewey continued to slip as the convention became a two-horse race between Taft and Willkie. Listening by radio from his hotel room, Willkie refused to make a deal to get support from Taft delegates in exchange for making the Ohioan his running mate, and became convinced he would lose on the fifth ballot. Dewey had planned to go to the convention and withdraw, hoping to stop Willkie by endorsing Taft, but by the time he decided this, the fifth ballot was about to begin and he could not get to the Civic Center in time. Willkie led with 429 delegates after the fifth ballot, while Taft held 377 and Dewey only 57. The large states whose votes still were not committed to one of the two leaders were Pennsylvania (Governor Arthur James was the favorite son) and Michigan, most of whose delegates stayed with Senator Vandenberg. Although Willkie had thus far refrained from making deals, to get Michigan he agreed to allow the Republican organization there to pick that state's federal judges. The sixth ballot, held at 12:20 am on June 28, saw Taft, then Willkie take the lead. As those in the gallery continued to call for Willkie, Vandenberg released his delegates, most of whom went to Willkie. Pennsylvania also broke for him, making Willkie the Republican nominee for president on a vote that was made unanimous. Willkie had offered the vice presidential nomination to Connecticut Governor Raymond Baldwin, a key supporter, but scuttled those plans after his advisors and Republican officials felt that a New York-Connecticut ticket would not give sufficient geographic balance. They urged Willkie to select Senator Charles McNary of Oregon instead. A lawyer, advocate of public power, and farmer, McNary was popular and respected in the West. Willkie agreed, and got Baldwin to withdraw as others persuaded McNary, who had called Willkie a tool of Wall Street after arriving in Philadelphia. The convention dutifully nominated McNary. Before departing Philadelphia, Willkie went to the Civic Center to appear before the delegates who had chosen him, becoming the first Republican nominee to speak to the convention after gaining its endorsement: Democracy and our way of life is facing the most crucial test it has ever faced in all its long history; and we here are not Republicans, alone, but Americans, to dedicate ourselves to the democratic way of life in the United States because here stands the last firm, untouched foothold of freedom in all the world. General election campaign After the convention, Willkie returned to New York. When he went to the movies or play, he received a standing ovation. He resigned from C&S on July 8, 1940, confident that even if he lost his presidential bid, he would not lack for work. He had Republican National Committee (RNC) chairman John Hamilton dismissed on the advice of some of his advisors, who felt Hamilton was too conservative and isolationist, though the former chairman was given the post of executive director with partial responsibility for the Willkie campaign. Congressman Martin became RNC chair. At a time when little campaigning was done until after Labor Day, Willkie left on a five-week working vacation to The Broadmoor, a resort in Colorado Springs, but found neither peace nor privacy.Roosevelt had been surprised by the outcome of the Republican convention, having expected to oppose a conservative isolationist. The polls showed Willkie behind by only six points, and the president expected this to be a more difficult race than he had faced in his defeats of Hoover and Landon. Roosevelt felt that Willkie's nomination would remove the war issue from the campaign. Roosevelt was nominated by the Democratic convention in Chicago in July, though he stated that because of the world crisis, he would not actively campaign, leaving that to surrogates. The fact that both major-party presidential candidates favored intervention frustrated isolationists, who considered wooing Charles Lindbergh as a third-party candidate.Willkie formally accepted the nomination at Elwood on August 17 before a crowd of at least 150,000, the largest political gathering in U.S. history to that point. It was an extremely hot day, and Willkie, who tried to read his speech from a typed manuscript without enlargement, failed to ignite the crowd. He remained in Rushville, where he owned farmland, over the next month, trying to become more associated with his native state than with Wall Street. He gave interviews to reporters there, and his firm support of Roosevelt's aid to the Allies led Congressman Martin and Senator McNary to support a peacetime draft despite the strident objections of many Republicans and some Democrats. Roosevelt contacted Willkie through intermediaries to ensure the Republican candidate would not make a political issue out of the Destroyers for Bases Agreement; Willkie was supportive of the transfer, though he felt Congress should act, and opposed Roosevelt sending armaments to Britain by executive order. Conservatives and isolationists had little enthusiasm for the Willkie campaign, and the moderates wanted to see stronger positions on progressive issues and foreign policy. Publisher Henry Luce decried both Roosevelt and Willkie for failing to be honest with the American people, "America will never be ready for any war until she makes her mind up there is going to be a war." (italics in original) Despite his pledge not to campaign, Roosevelt made inspection tours to military installations, well covered by the press. The president did not mention Willkie by name, seeking to avoid giving him publicity. According to Susan Dunn in her book in the 1940 campaign, this forced Willkie "to box against a phantom opponent and carry on a one-sided partisan debate ... Even in Willkie's speeches, Roosevelt occupied center stage". Willkie promised to keep New Deal social welfare programs intact, expand Social Security, and provide full employment, a job for everyone: "I pledge a new world".On September 12, Willkie began a whistle-stop tour by train, and between then and November 2, he reached 31 of the 48 states. He did not visit the Solid South, though he spoke in Texas, hoping to win it as Hoover had in 1928. Willkie filled the Los Angeles Coliseum with 70,000 middle-class supporters, but reporters saw few working-class people at his rallies, and he cancelled some appearances at auto plants in the Midwest. Other people in working-class areas booed the candidate, held up signs in support of Roosevelt, or pelted his motorcade with overripe fruit. Although Edith Willkie accompanied her husband on his tour (he had little time for contact with Van Doren), she disliked the media attention and did not give interviews, completing the campaign without ever giving a speech. On one occasion, she looked at her husband and stated, "Politics makes strange bedfellows". The Democrats knew of Willkie's affair with Van Doren, but the Republicans had letters from Henry A. Wallace, the Democratic vice presidential nominee, to his former guru, Russian mystic Nicholas Roerich, and neither issue became a factor in the campaign.With polls released on October 6 showing Roosevelt well ahead, Willkie began to sound an isolationist theme, accusing Roosevelt of being a warmonger. Many of Willkie's speeches to that point had been on domestic issues, but he had been advised by Martin, Hamilton, and other advisors that the war was the issue the voters really cared about. Willkie began to argue that Roosevelt would not keep the U.S. out of war, but that he would. He was given room to make this argument by the United Kingdom's increasing success in the Battle of Britain, as it was clear a German invasion was not imminent. The polls showed voters responding positively to this new tack, and Willkie kept on this course for the remainder of the campaign. Roosevelt reacted by scheduling five speeches for the final days, in which he proposed to rebut Willkie's "falsifications". The president stated, "I have said this before, but I shall say it again and again and again. Your boys are not going to be sent into any foreign war." Willkie was prone to ad lib remarks, which sometimes led to gaffes: addressing steelworkers, he pledged to appoint a new Secretary of Labor, "and it will not be a woman either". This allusion to Secretary Frances Perkins, the only woman to hold a cabinet position in American history to that point, did not aid him among female voters. Willkie concluded his campaign on November 2 with a large rally at New York's Madison Square Garden. Polls showed him four points behind Roosevelt, but with a trend towards the Republicans. Many pundits expected a tight race. On Election Day, November 5, 1940, the returns were initially encouraging, but quickly turned against Willkie. By 11 pm, radio commentators were reporting that Roosevelt had won a third term. Willkie received 45 percent of the popular vote to Roosevelt's 55 percent. The president received 27.2 million votes to Willkie's 22.3 million, and won 449 to 82 in the Electoral College. Willkie won 10 states to the president's 38 though he did better than Hoover and Landon had against Roosevelt. Willkie's popular vote total of 22,348,480 set a record for a Republican not broken until Eisenhower in 1952.The endorsement of CIO head John L. Lewis probably gave Willkie Michigan, and he gained ground in the suburbs and rural areas, but Roosevelt consolidated his 1936 coalition of working-class Americans, ethnics, and white Southerners to take the election. On the evening of November 11, Willkie gave a nationwide radio address, urging those who had voted for him not to oppose Roosevelt on all issues, but to give support where it was called for. In late November, Willkie interrupted a Florida vacation for a speech he concluded by offering a toast "to the health and happiness of the President of the United States"; Roosevelt confided to his son James: "I'm happy I've won, but I'm sorry Wendell lost". Activist and statesman (1940–1943) Visit to the United Kingdom Although defeated in the election, Willkie had become a major figure on the public scene, and at age 48, was deemed likely to remain one for years to come. Landon had received some 6,000 letters commiserating with him in his defeat; Willkie received over 100,000. Financially independent, he was in no hurry to decide among the many offers of employment from top law firms and major corporations. He resumed his affair with Van Doren.While on vacation, Willkie decided his next cause should be military aid to embattled Britain, and announced support of the president's Lend-Lease program on January 13, 1941. Lend-Lease was highly unpopular in the Republican Party, and Willkie's announcement created a firestorm, with Landon and Taft decrying his actions. Former RNC chairman Hamilton wrote that of the almost 200 Republican members of the House and Senate, "Willkie couldn't dig up ten friends if his life depended on it."Roosevelt, both appreciating Willkie's talents, and seeking to divide and conquer his opposition, had been mulling over ways his former opponent might be of use. The president's onetime advisor, Justice Felix Frankfurter, had suggested that Willkie should travel across the Atlantic to demonstrate bipartisan support of Britain. Willkie had already been planning a visit in support for Britain. Roosevelt believed that the visit of the nominal head of the opposition party would be far more effective in demonstrating American support than sending one of his advisors.Willkie visited the president at the White House for the first time as an ally on January 19, 1941, the evening before Roosevelt's third swearing-in. The president asked Willkie to be his informal personal representative to Britain, and Willkie accepted. Eleanor Roosevelt recorded that family members and White House staff found excuses to observe Willkie, and she would have done so herself had she been aware of the visit as it was happening. Roosevelt urged Willkie to see W. Averell Harriman and Harry Hopkins, both in London on missions from Roosevelt, and gave his former rival a letter to be hand-delivered to the British prime minister, Winston Churchill. At this time it was not routine for politicians to travel abroad; McNary, with considerable influence in foreign affairs, had never left North America. Thus, there was much public attention to Willkie's mission. He departed from New York Municipal Field for London on January 22.Upon arrival, Willkie told the press, "I want to do all I can to get the United States to give England the utmost aid possible in her struggle". Willkie saw the damage Nazi bombing had inflicted on Britain, visiting bombed-out sites in London, Birmingham, Coventry, Manchester and Liverpool. In London during the Blitz, he walked the streets at night without helmet or gas mask (until Churchill gave him some), visiting bomb shelters. Churchill hosted Willkie at an official luncheon at 10 Downing Street and had him as a guest at Chequers. In his writings, Churchill recalled "a long talk with this most able and forceful man".Although it was cut short by Roosevelt's desire to have him testify before Congress on Lend-Lease, Willkie's visit to Britain was deemed a triumph. Willkie also went to Ireland, hoping to persuade Éamon de Valera to abandon neutrality, but his urging was unavailing. Willkie left London for Washington on February 5; because of the risk of being shot down by Nazi aircraft, the roundabout journey home took four days. He testified before the Senate Foreign Relations Committee on February 11, and his support was key to passing Lend-Lease.Willkie's Senate testimony made him the leading interventionist outside the government, with Lindbergh (who had testified against Lend-Lease) the leading isolationist, and they debated in the pages of magazines. Roosevelt weighed in, backing his former opponent in a radio address on March 29. "The leader of the Republican Party himself—Mr. Wendell Willkie—in word and in action is showing what patriotic Americans mean by rising above partisanship and rallying to the common cause." That same month, a Gallup poll showed that 60 percent of Americans believed Willkie would have made a good president.In April 1941, Willkie joined the New York law firm of Miller, Boston, and Owen as a senior partner, with the firm changing its name to Willkie, Owen, Otis, Farr, and Gallagher. Two months later, he agreed to represent motion picture producers before a Senate subcommittee which was investigating claims that Hollywood was producing pro-war propaganda. Willkie defended the rights of the studios to make films that reflected their views, and warned, "the rights of the individuals mean nothing if freedom of speech and freedom of the press are destroyed." Congress took no further action.In late 1941, Willkie fought for the repeal of the Neutrality Act. In September, Lindbergh accused American Jews of "agitating for war"; Willkie responded that the aviator's speech was "the most un-American made in my time". Willkie lobbied Republican congressmen to repeal the act. The measure passed Congress with the aid of Republican votes, though most of that party voted against it. Roosevelt invited Willkie to dedicate Mount Rushmore, but because of other commitments, Willkie could not. Roosevelt also sought to have Willkie join his administration, which the Republican was reluctant to do, wishing to preserve independence of word and action. Wartime advocate After the Japanese attack on Pearl Harbor on December 7, 1941, Willkie offered his full support to Roosevelt. Willkie was interested in the post of war production czar, but that position went to Donald M. Nelson. Labor Secretary Perkins offered to have Willkie arbitrate between management and labor in war industries, but Willkie declined after White House officials informed the press. In early 1942, Willkie considered a run for Governor of New York. He later stated that Roosevelt had been willing to endorse him, but Willkie ultimately concluded that the Dewey forces were too strong and a defeat might eliminate him from a possible run for president in 1944. In July, Willkie proposed to Roosevelt that he go on another foreign mission, and the following month Willkie announced that he would be visiting the Soviet Union, China, and the Middle East. Dewey wrote, "I hear he is going to Russia before the Republican [state] convention, so he will be where he belongs and I hope he stays there until Christmas".According to Dunn, Willkie's mission was to be Roosevelt's personal representative, "demonstrating American unity, gathering information, and discussing with key heads of state plans for the postwar future". After leaving the U.S. on August 26, Willkie's first stop was in North Africa, where he met General Montgomery and toured the front at El Alamein. In Beirut, he stayed with General de Gaulle, leader of the Free French. In Jerusalem, Willkie met with Jews and Arabs, told the British rulers of Palestine that both peoples should be brought into the government, and he later wrote that the conflict there was so ancient, it was unrealistic to think that it could "be solved by good will and simple honesty". Willkie had been moved to add the Soviet Union to his itinerary when three Western reporters there urged him by telegram to do so. There, he met with Stalin, and upon his return he advocated more liberal Lend-Lease terms for the USSR. In China, Willkie was hosted by Chiang Kai-shek and was deeply fascinated by Madame Chiang. Willkie was taken to the front in order to observe the Chinese military forces in their fight against the Japanese, and he spoke out against colonialism, in China and elsewhere. His statements were reported widely in Britain, angering Churchill, who responded by saying, "We mean to hold our own. I have not become the King's First Minister in order to preside over the liquidation of the British Empire." While in the USSR, Willkie urged the opening of a second front against the Germans; when reporters asked Roosevelt about those comments, the president responded flippantly by saying that he had read the headlines but had not considered the speculative comments worth the reading. This angered Willkie, and on his return from his 49-day trip, he confronted Roosevelt about it when making his report at the White House.On October 26, 1942, Willkie made a "Report to the People", telling Americans about his trip in a radio speech heard by about 36 million people. The following April, he published One World, a book Van Doren edited, in which he recounted his travels and urged America to join a supernational global organization after the war was successfully concluded. The book was an immediate bestseller, selling a million copies in its first month. It was especially influential because Willkie was seen by many as having transcended partisan politics. According to Samuel Zipp's The Idealist, Willkie was interested in creating 'a body of public opinion' to force policymakers and politicians of both parties to embrace the robust multilateralism he envisioned. Civil rights activism During his 1940 campaign, Willkie had pledged to integrate the civil service and armed forces, and proudly pointed to what he deemed the strongest civil rights plank in history in the Republican platform. He also promised to end racial segregation in Washington, D.C. He gained the endorsements of the two largest African American newspapers, the Pittsburgh Courier and the Baltimore Afro-American. With Willkie running to the left of Roosevelt on civil rights, Roosevelt feared that blacks would return to their traditional home in the Republican Party, and he secured several prominent promotions or hirings of African Americans. Roosevelt was successful in keeping the majority of the black vote. After the election, Willkie promised to keep fighting for civil rights.Willkie warned Republicans that only a full commitment to equal rights for minorities would woo African Americans back to the party, and he criticized Roosevelt for yielding to Southern racists among the Democrats. Willkie addressed a convention of the National Association for the Advancement of Colored People (NAACP) in 1942, one of the most prominent politicians to do so up to that point. He urged integration of the armed forces, and when a violent race riot broke out in Detroit in June 1943, he went on national radio in order to criticize both parties for ignoring racial issues. When the movie hearings of 1941 ended without further action, Willkie had been made chairman of the board of Twentieth-Century Fox. In 1943, he worked with Walter White, executive secretary of the NAACP, to try to convince Hollywood to give blacks better treatment in films. Movie moguls promised changes, and some films featured blacks in major roles, but faced with objections from white Southerners, they reverted to giving blacks stereotyped roles after Willkie's death in 1944, such as servants. After his death, the NAACP named its headquarters the Wendell Willkie Memorial Building.On November 9, 1942, soon after making his reports to Roosevelt and the American people, Willkie argued the case of Schneiderman v. United States before the Supreme Court. William Schneiderman, secretary of the California Communist Party, was a naturalized American until the government revoked his citizenship, stating that he had concealed his membership on his application for naturalization in 1927. Two lower federal courts upheld the denaturalization. Representing a communist, even in wartime, did nothing to shore up Willkie's diminishing support in the Republican Party, but he wrote to a friend saying, "I am sure I am right in representing Schneiderman. Of all the times when civil liberties should be defended, it is now." In his argument Willkie quoted Abraham Lincoln and Thomas Jefferson by saying that the people could, if they deemed it necessary, remake the government, and he stated that Marx's view of revolution was mild by comparison. In 1943, the Supreme Court ruled for Schneiderman, 5–3, restoring his citizenship. Although Willkie refrained from criticizing Roosevelt's internment of Japanese Americans, he stated in a speech that war was no excuse for depriving groups of people of their rights. He spoke out against those who blamed the Jews for the war, warning against "witch-hanging and mob-baiting". For his activities, he received the American Hebrew Medal for 1942. 1944 presidential campaign Willkie spent much of 1943 preparing for a second presidential run, addressing Republican and nonpartisan groups. He did not meet with Roosevelt; with the presidential election approaching and with both men likely to run in it as candidates, their continued association would have been awkward. Although they differed with him on many issues, Republican leaders recognized Willkie's appeal and they had wanted him to campaign for the party in the 1942 midterm elections, but he went around the world instead. The huge publicity received by the titular head of the Republican Party as an emissary for a Democratic president frustrated leading Republicans. In 1942, the Republicans gained seats in both the House and the Senate. Though they still remained in the minority, they formed a Conservative coalition with Southern Democrats that took control of domestic issues in Congress. Few Republican members of Congress were by then willing to support Willkie, and he dropped to second place behind General Douglas MacArthur in polls of likely voters in the party's 1944 presidential primaries. By 1943, even liberal Democrats did not doubt Willkie's progressive credentials. He spoke of appointing an African American to either the cabinet or the Supreme Court, and he warned California's Republican committee that the New Deal was irreversible and he stated that all they would get by opposing it was oblivion.Willkie made his candidacy clear in an interview with Look magazine in early October 1943, arguing that a return to isolationism would lead the party to disaster. He decided to enter several presidential primaries in order to demonstrate his public support of the party, and he chose Wisconsin, with a primary on April 4, 1944, as the first major test. Willkie had not taken Wisconsin's electoral votes in 1940, though he had won in all parts of the state except Milwaukee. His advisors feared the large German-American vote in Wisconsin, which had contributed to the state being firmly isolationist until Pearl Harbor. None of the other major candidates—Dewey, Stassen, MacArthur and Ohio Governor John Bricker—spoke in Wisconsin; MacArthur and Stassen were on active duty and could not do so. Willkie stated that if he did badly in Wisconsin, he would end his campaign.The New Hampshire primary had not taken on the significance it later would, and Willkie won it on March 14, taking six out of eleven delegates. This was deemed a disappointment because he had spoken there many times since 1940, and was expected to do better. In Wisconsin, Willkie ran a slate of delegates led by future governor Vernon W. Thomson, and he devoted two weeks to campaigning there. He was endorsed by most newspapers, but polls showed him well behind Dewey both in the state and nationwide.On March 16, his first day of campaigning in Wisconsin, Willkie made eight speeches, and the pace took a toll on his voice. The weather did not cooperate, and he travelled 200 miles (320 km) through a blizzard to reach a rally in the northern part of the state. Willkie attracted large crowds in most places, and he told them that the Republican party would fail unless it accepted the New Deal and recognized the need for the U.S. to remain active in the world after the war. The Democrats, he alleged, had been in office too long and they did not have the vision that was needed in the postwar world. Willkie's speech in Milwaukee attracted 4,000 people to a hall that could hold 6,000, and he left the state on the 29th for Nebraska, where he had also entered the primary. Once he was gone, Dewey's backers, including most of the Wisconsin Republican leadership, flooded the state with billboard advertisements and radio commercials. On April 4, Dewey gained 17 of Wisconsin's 24 delegates, Stassen 4, and MacArthur 3. Willkie's delegates ran last in every district. The following night, after giving his speech in Omaha, Willkie addressed the crowd: I quite deliberately entered the Wisconsin primary to test whether the Republican voters of that state would support me ... It is obvious now that I cannot be nominated. I therefore am asking my friends to desist from any activity toward that end and not to present my name at the convention. I earnestly hope that the Republican convention will nominate a candidate and write a platform that really represents the views which I have advocated and which I believe are shared by millions of Americans. I shall continue to work for these principles and policies for which I have fought during the last five years. Final months and death Defeated in his second bid for the White House, Willkie announced that he was returning to the practice of law, but his friends doubted that he would be content there. Roosevelt was anxious to dump Vice President Wallace from the ticket in his bid for a fourth term, and he had an intermediary sound out Willkie about running in Wallace's place. Willkie was reluctant even to respond, knowing that Roosevelt had made promises to potential running mates which he did not follow through on. There were further discussions between Willkie and the White House, of which third parties were aware though the details are not known; the vice presidential nomination went to Harry S. Truman. Willkie got Roosevelt interested in a new liberal party which would be formed once peace came that would combine the left of the two existing major parties, but Willkie broke off contact with the White House after there were leaks of this to the press, because he felt that Roosevelt had used him for political gain. Roosevelt sent a letter expressing his regret for the leak, but that too was printed in the papers, and Willkie stated, "I've been lied to for the last time."In spite of their breach, Roosevelt continued to try to conciliate Willkie. Roosevelt's son Elliott later stated that his father hoped to have Willkie be the first Secretary General of the United Nations, and the two men agreed to meet later in the year. Willkie had not been invited to speak at the 1944 Republican National Convention in Chicago that nominated Dewey for president, and he declined a pass as an "honored guest". Dewey hoped to get Willkie's endorsement, and he sent his foreign policy advisor, John Foster Dulles, to see Willkie. The former candidate refused to be drawn, and he made no endorsement before he died. Willkie wrote two articles for Collier's, one urging an internationalist foreign policy, and the other demanding advances in civil rights for African Americans. He also explored becoming a newspaper publisher.Willkie had long been neglectful of his health and diet, smoking heavily and rarely exercising. His heavy drinking had charmed the reporters in Philadelphia in 1940, but by 1944 it was becoming a problem. In August 1944, Willkie felt weak while traveling by train to his Rushville home. There, he suffered a heart attack, but he had to be persuaded to see a doctor and he refused to be admitted to a hospital.Willkie's condition only worsened as the weeks went on. He went to New York by rail in mid-September, but on the trip he was stricken with another heart attack. Although his advisors told him to seek treatment and abandon the trip, Willkie pressed on. When he arrived in New York, Willkie was in great pain and his press secretary called an ambulance to take him to Lenox Hill Hospital. He recovered to some extent, enough so that his friends expected him to be discharged. He spent time working on the galleys of his second book, An American Program, and planned future projects. On October 4, Willkie caught a throat infection, which was treated with penicillin. As he was recovering, Willkie's now chronic heart attacks struck again and he suffered three more attacks on October 7. The hospital, which had been issuing reassuring bulletins to the public, was now forced to inform the public that Willkie's condition had worsened and that he was critically ill. The next morning, Willkie suffered one last attack, which proved fatal. He had suffered over a dozen heart attacks in Lenox Hill Hospital.Roosevelt released a statement applauding Willkie's "tremendous courage" which "prompted him more than once to stand alone ... In this hour of grave crisis the nation loses a great citizen." War Secretary Stimson offered to have Willkie buried in Arlington National Cemetery, but Edith Willkie wanted her husband to be buried in his native Indiana, at Rushville. His casket was placed in the center aisle of the Fifth Avenue Presbyterian Church; 60,000 people filed by his casket, and 35,000 crowded around the church during the service, including many blacks—as, Eleanor Roosevelt noted in her column, was fitting. Wendell and Edith Willkie rest together in Rushville's East Hill Cemetery, the gravesite was marked by a cross, and a book was carved in stone, designed by sculptor Malvina Hoffman, and inscribed with quotations from One World.: 11 Legacy and remembrance Soon after the 1940 convention, Roosevelt described Willkie's nomination as a "Godsend to our country", because it ensured that the presidential race would not turn on the issue of aid to Britain. Walter Lippmann believed Willkie's nomination to have been crucial to Britain's survival, "second only to the Battle of Britain, the sudden rise and nomination of Willkie was the decisive event, perhaps providential, which made it possible to rally the free world when [Britain] was almost conquered. Under any other leadership but his the Republican party in 1940 would have turned its back on Great Britain, causing all who resisted Hitler to feel abandoned". Charles Peters wrote that "it is arguable that [Willkie's] impact on [the United States] and the world was greater than that of most men who actually held the office [of president]. At a crucial moment in history, he stood for the right things at the right time." When Georgia Senator Zell Miller, a Democrat, gave the keynote address at the 2004 Republican National Convention, he urged unity instead of partisan strife in the War on Terror, and recalled Willkie's actions, "He gave Roosevelt the critical support he needed for a peacetime draft, an unpopular idea at the time. And he made it clear that he would rather lose the election than make national security a partisan campaign issue."Historian Hugh Ross argued that in gaining the nomination, Willkie "gave exceptional promise of being a winner. There were ample precedents from American political history in which a minority party, queasy over prospects for survival, bypassed professional leadership in order to entrust its political fortunes to a man without political experience. In most of the previous instances, the nomination had gone to a military man. In 1940, it went to a businessman." Richard Moe, in his book on the 1940 election, suggested that the nomination of Willkie left long-lasting scars on the Republican Party, with conservatives angered by the success of its Eastern Establishment wing; "whatever else it did, Philadelphia gave birth to the bitter proprietary division within the Republican Party, one accentuated by ideology and geography, that would define the party for decades to come." Among those converted from isolationism by Willkie's oratory, and who worked intensely on the Willkie campaign in Michigan, was Gerald R. Ford, who wrote many years later in his memoirs, "I now realize that my participation did not make much difference at all to the political fate of Wendell Willkie. But it made a lot of difference to me."Correspondent and author Warren Moscow wrote that after 1940, Willkie helped Roosevelt, who was always careful not to go too far in front of public opinion, "as a pace-setter with the President's blessing". Willkie's global trip and the publication of One World increased public support for the idea that the United States should remain active internationally once the war was won, and should not withdraw into a new isolationism. Indiana University president Herman B Wells noted that One World "has had such a profound influence on the thinking of Americans". Historian Samuel Zipp noted, "He launched the most successful and unprecedented challenge to conventional nationalism in modern American history ... He urged [Americans] to imagine and feel a new form of reciprocity with the world, one that millions of Americans responded to with unprecedented urgency."His advocacy came at a cost to his standing in the Republican Party. According to Moscow, "his appeal for the party to be the party of the Loyal Opposition, supporting the President, was treason to the diehards; his trip around the world marked him as a Presidential agent seeking to infiltrate the Republican Party". This decline was accelerated as it became apparent that Willkie was a liberal, standing to the left of Roosevelt and proposing even higher taxes than the president was willing to stomach.The World War II Liberty Ship SS Wendell L. Willkie was named in his honor. In 1965, Indiana University completed Willkie Quadrangle, an 11-story undergraduate residence hall, on the Bloomington campus that was named after Willkie.In 1992, the United States Postal Service marked the centennial of Willkie's birth with a 75-cent stamp in the Great Americans series. Dunn concluded that Willkie "died as he had lived, an idealist, a humanitarian—and a lone wolf". Willkie's biographer, Neal, wrote of him, Though he never became President, he had won something much more important, a lasting place in American history. Along with Henry Clay, William Jennings Bryan, and Hubert Humphrey, he was the also-ran who would be long remembered. "He was a born leader," wrote historian Allan Nevins, "and he stepped to leadership at just the moment when the world needed him." Shortly before his death, Willkie told a friend, "If I could write my own epitaph and if I had to choose between saying, 'Here lies an unimportant President', or, 'Here lies one who contributed to saving freedom at a moment of great peril', I would prefer the latter." Works One World (1943) An American Program, Simon and Schuster, 1944 (short essay collection) See also State of the Union, play believed to be based on Willkie's presidential run. Notes Explanatory notes Passage 5: Eystein Glumra Eystein Glumra ("Eystein the Noisy" or "Eystein the Clatterer"; Modern Norwegian Øystein Glumra), also known as Eystein Ivarsson, was reputedly a petty king on the west coast of Norway during the 9th century. The Heimskringla saga states that Eystein Glumra was the father of Rognvald Eysteinsson and Sigurd Eysteinsson: "The first earl of the Orkney Islands was ... Sigurd ... a son of Eystein Glumra, and brother of Ragnvald earl of More. After Sigurd, his son Guthorm was earl for one year. After him Torf-Einar, a son of Ragnvald ... was long earl, and was a man of great power". According to the Orkneyinga saga, Eystein Glumra was the son of Ivar Halfdansson and grandson of Halfdan the Old. The Orkneyinga Saga also named Eystein Glumra as the father of Rognvald Eysteinsson: "Heiti, Gorr's son, was father of Sveiði the sea-king, [who was] the father of Halfdan the old, [who was] the father of Ivar the Uplanders' earl, [who was] the father of Eystein the noisy, [who was] the father of earl Rognvald the mighty and wise in council". Two novels by Linnea Hartsuyker, The Half-Drowned King (2017) and The Sea Queen (2018), cover the lives of Eystein's children. Passage 6: Philip Willkie Philip Herman Willkie (December 7, 1919 – April 10, 1974) was an American lawyer and a Republican politician from Indiana. He was the only child of Wendell Willkie, the Republican candidate for President of the United States in the election of 1940, and Edith Willkie. Willkie was educated at Harvard University, Columbia University and Princeton University. He also graduated from the American Bankers Association Stonier Graduate School of Banking. During World War II, he served as a lieutenant in the United States Navy and was second in command under Commander Weems. Willkie was president of the Rushville National Bank in Rushville, Indiana, a farmer and cattleman, and a businessman who served on several corporate boards. He was for three two-year terms a member of the Indiana House of Representatives from 1949 to 1955. In 1960, Willkie ran for Indiana Superintendent of Public Instruction, but lost to the incumbent, William Earl Wilson by 0.87%.Willkie supported allowing foreign-trained doctors the ability to practice in small-town America. He also advocated the preservation of the independence of small-town banking. His professional and social associations included Beta Theta Pi fraternity, the Masonic lodge, Moose International, Benevolent and Protective Order of Elks, Press Club, and the Columbia Club of Indianapolis. He was an admitted to the bar in New York, Washington D.C., and Indiana. He died by suicide on April 10, 1974. News reports indicated that his suicide followed the early stages of an investigation of the Rushville National Bank by federal regulators. The bank was shut down by the Office of the Comptroller of the Currency in 1992 as insolvent. He was survived by both his former wife, Rosalie Heffelfinger whom he married in 1950 and divorced in 1962, and their three sons Wendell II, Philip and Frank Willkie; and his then-current wife, Virginia Isabell, whom he married in 1965, and their two sons, Benjamin J. and David W. Willkie and a step daughter Laura Selm. Virginia died in Indianapolis at the age of 89. Passage 7: Anacyndaraxes Anacyndaraxes (Greek: Ἀνακυνδαράξης) was the father of Sardanapalus, king of Assyria. Notes This article incorporates text from a publication now in the public domain: Smith, William, ed. (1870). "Anacyndaraxes". Dictionary of Greek and Roman Biography and Mythology. Vol. 1. p. 157-158. Passage 8: Arthur Beauchamp Arthur Beauchamp (1827 – 28 April 1910) was a Member of Parliament from New Zealand. He is remembered as the father of Harold Beauchamp, who rose to fame as chairman of the Bank of New Zealand and was the father of writer Katherine Mansfield. Biography Beauchamp came to Nelson from Australia on the Lalla Rookh, arriving on 23 February 1861.He lived much of his life in a number of locations around the top of the South Island, also Whanganui when Harold was 11 for seven years and then to the capital (Wellington). Then south to Christchurch and finally Picton and the Sounds. He had business failures and was bankrupted twice, in 1879 and 1884. He married Mary Stanley on the Victorian goldfields in 1854; Arthur and Mary lived in 18 locations over half a century, and are buried in Picton. Six of their ten children born between 1855 and 1893 died, including the first two sons born before Harold.Beauchamp represented the Picton electorate from 1866 to 1867, when he resigned. He had the energy and sociability required for politics, but not the private income then required to be a parliamentarian. He supported the working man and the subdivision of big estates, opposed the confiscation of Māori land and was later recognised as a founding Liberal, the party that Harold supported and was a "fixer" for. Yska calls their life an extended chronicle of rootlessness, business failure and almost ceaseless family tragedy and Harold called his father a rolling stone by instinct. Arthur also served on the council of Marlborough Province and is best-remembered for a 10-hour speech to that body when an attempt was made to relocate the capital from Picton to Blenheim.In 1866 he attempted to sue the Speaker of the House, David Monro. At the time the extent of privilege held by Members of Parliament was unclear; a select committee ruled that the case could proceed, but with a stay until after the parliamentary session. See also Yska, Redmer (2017). A Strange Beautiful Excitement: Katherine Mansfield's Wellington 1888-1903. Dunedin: Otago University Press. pp. 91–99. ISBN 978-0-947522-54-4.

doc_34

Passage 1: Louis, Count of Gravina Louis of Durazzo (1324 – 22 July 1362) was Count of Gravina and Morrone. He was the son of John of Durazzo and Agnes of Périgord.In 1337, he was named Vicar- and Captain-General of the Kingdom of Albania. During the ascension of the Durazzeschi at the court of Naples during the reign of Joanna I, he was one of the royal ambassadors to the Roman Curia. Upon the invasion of Louis I of Hungary and the execution of his elder brother, Charles, Duke of Durazzo, in 1348, he was imprisoned, with his younger brother Robert of Durazzo, until 1352. The rest of his life was spent stirring up revolts against Joanna in Apulia with the aid of some Free Companions. These were ultimately quashed in 1360 by Louis of Taranto, and Louis of Durazzo was imprisoned in the Castel dell'Ovo in Naples and murdered by poison. Family He married Margaret of Sanseverino in 1343, by whom he had three children: Louis (1344–d. young) Charles III of Naples (1345–1386) Agnes (1347–d. young) Passage 2: Louisa Montagu Douglas Scott, Duchess of Buccleuch Louisa Jane Montagu Douglas Scott, Duchess of Buccleuch and Queensberry (26 August 1836 – 16 March 1912) was the daughter of James Hamilton, 1st Duke of Abercorn. In 1884, she became the Duchess of Buccleuch and Duchess of Queensberry, the wife of William Henry Walter Montagu Douglas Scott, 6th Duke of Buccleuch and 8th Duke of Queensberry. She was the paternal grandmother of Princess Alice, Duchess of Gloucester, and of Marian Louisa, Lady Elmhirst, as well as a maternal great-grandmother of Prince William of Gloucester and Prince Richard, Duke of Gloucester, and a great-great-grandmother of Sarah, Duchess of York. Diana, Princess of Wales, is one of her great-great-great-nieces. Early life, marriage, and family Louisa Jane Hamilton was born on Friday 26 August 1836 in Brighton, Sussex, England, the third child of fourteen born to James Hamilton, 1st Duke of Abercorn, and the former Lady Louisa Russell, daughter of John Russell, 6th Duke of Bedford.She married William Montagu Douglas Scott, Earl of Dalkeith, on 22 November 1859 in London. Lord Dalkeith was the eldest son of the Walter Montagu Douglas Scott, 5th Duke of Buccleuch, and his wife, the former Lady Charlotte Thynne. They had six sons and two daughters: Walter Henry Montagu Douglas Scott, Earl of Dalkeith (17 January 1861 – 18 September 1886) John Charles Montagu Douglas Scott, 7th Duke of Buccleuch (30 March 1864 – 19 October 1935) Lord George William Montagu Douglas Scott (31 August 1866 – 23 February 1947); married on 30 April 1903 Lady Elizabeth Emily Manners (daughter of John Manners, 7th Duke of Rutland and Janetta Hughan) and had issue Lord Henry Francis Montagu Douglas Scott (15 January 1868 – 19 April 1945) Lord Herbert Andrew Montagu Douglas Scott (30 November 1872 – 17 June 1944); married 26 April 1905 Marie Josephine Edwards and had issue, maternal grandfather of Sarah, Duchess of York Lady Katharine Mary Montagu Douglas Scott (25 March 1875 – 7 March 1951); married Thomas Brand, 3rd Viscount Hampden, and had issue Lady Constance Anne Montagu Douglas Scott (10 March 1877 – 7 May 1970); married on 21 January 1908 The Hon. Douglas Halyburton Cairns (son of Hugh Cairns, 1st Earl Cairns and Mary Harriet McNeill) and had issue Lord Francis George Montagu Douglas Scott (1 November 1879 – 26 July 1952); married on 11 February 1915 Lady Eileen Nina Evelyn Sibell Elliot-Murray-Kynynmound (daughter of Gilbert Elliot-Murray-Kynynmound, 4th Earl of Minto, and Lady Mary Caroline Grey) and had issue Career She served as Mistress of the Robes to Queen Victoria from 1885 – 1892 (Conservative), and again from 1895 – 1901. She was appointed Mistress of the Robes to Queen Alexandra in 1901, a position in which she served until her death in 1912. Death The duchess died on Saturday 16 March 1912, in her 76th year, at Dalkeith Palace, Midlothian, Scotland. She was survived by her husband, and six of her children and their families. She was buried on Wednesday 20 March 1912 in the Buccleuch family crypt in St. Mary's Church, Dalkeith Palace, Midlothian, Scotland. Titles, styles, and honours 16 April 1884 – 1912: The Duchess of Buccleuch and Queensberry Honours 1885: Invested as Lady, Royal Order of Victoria and Albert (VA), 3rd Class 1885 – 1892 and 1895 – 1901: Mistress of the Robes to Queen Victoria 1901 – 1912: Mistress of the Robes to Queen Alexandra Ancestry Passage 3: Joanna, Duchess of Durazzo Joanna of Durazzo (1344 – 20 July 1387) was the eldest daughter and eldest surviving child of Charles, Duke of Durazzo, and his wife, Maria of Calabria. She succeeded as duchess on the death of her father in 1348 when she was only a child of four years old. Joanna was a member of the House of Anjou-Durazzo. She reigned as Duchess of Durazzo from 1348-1368. She married twice; firstly to Louis of Navarre and then to Robert IV of Artois, Count of Eu. Life Joanna's father died in 1348 and Joanna succeeded him, being the eldest surviving child. However, Joanna remained in Naples rather than going to Durazzo. It was here she was betrothed to her cousin Charles Martel, son of Queen Joan. Charles Martel was heir in Hungary due to a lack of male heirs. The boy was moved to Hungary, however the engagement was broken when the young boy died around 1348 in Hungary.In 1365 aged twenty one, Joanna married her first husband Louis of Navarre, who became Duke of Durazzo in right of his wife. He was the son of Joan II of Navarre. In 1368 Durazzo was captured by the Albanian Topia dynasty under the leadership of warlord Karl Thopia. Joanna and her husband immediately began planning the reconquest of not only Durazzo, but all the lands of the former Angevin Kingdom of Albania, conquered by the Bulgarian Sratsimir dynasty in 1332. They were successful in rallying the support of Louis' brother Charles II the Bad and Charles V King of France in this undertaking. In 1372, Louis brought over the Navarrese Company of mercenaries, who had fought with him during the war in France, to assist them in taking Durazzo. Their ranks swelled considerably in 1375 with new recruits directly from Navarre. Many documents survive telling us of the complex nature of the military planning and engineering which was undertaken to ensure success. This they attained, taking the city in midsummer 1376. Louis died shortly after. Louis and Joanna had no children. Joanna never fully regained full control of Durazzo and by 1385 the City was back in the hands of Karl Thopia. Around 1376 Joanna remarried to Robert IV of Artois, Count of Eu. This marriage was also childless. Robert was not Count of Eu for long, he and Joanna were not informed of his father's death in 1387. Joanna and Robert were staying at Castel dell'Ovo in Naples where they were both poisoned on July 20, 1387 on the orders of Joanna's sister Margaret, queen dowager and regent of Naples. Joanna is buried in San Lorenzo (Naples). Passage 4: Agnes of Périgord Agnes of Périgord (died 1345) was Duchess consort of Durazzo, through her marriage to John of Gravina, Duke of Durazzo, who was also the ruler of the Kingdom of Albania. Although Agnes was never styled as Queen consort, she became politically influential. Following the death of Robert, King of Naples in 1343, she organised a marriage for her eldest son to Robert's granddaughter, who was second-in-line to the Neapolitan throne. Agnes's ambition was to bring her family closer to the line of succession. Early life and marriage Agnes was daughter of Helie VII, Count of Périgord and his second wife, Brunissende of Foix. Amongst her siblings was Hélie de Talleyrand-Périgord, a Cardinal who would become a major figure in the Avignon Papacy.The marriage between Agnes and John was likely arranged by King Robert of Sicily due to his favour for the Avignon Papacy. The King had anti-Ghibelline ambitions in Northern Italy and desired support from the Papacy and the French in achieving them. Agnes's family had marital ties to Pope John XXII as her sister Rosemburge was married to Jacques de Lavie, the Pope's grand-nephew. Acting upon this during his visit to Avignon, Robert arranged for his brother to marry Jacques's sister-in-law.The marriage contract is dated 14 November 1321. The couple were married shy of fourteen years and had three sons: Charles, Duke of Durazzo (1323–1348) Louis of Durazzo (1324–1362), Count of Gravina Robert of Durazzo (1326–1356)Agnes became, through her husband's brotherly quarrel with Philip I, Prince of Taranto, duchess of Durazzo. Her husband died in 1335 and he was succeeded by their son, Charles. Political intrigues Any plans that the Durazzo family may have had of marrying Joanna, heiress to Robert's throne, were thwarted in 1333 when Robert arranged for her to marry Andrew of Hungary. However, in his final will and testament, Robert instructed that if Joanna were to die without issue, the Neapolitan throne should pass to her sister, Maria, who was unmarried. Whilst the monarch was spoken for, the heir was not. Agnes did her best to make her family appear favourable towards the royals, in the hope that Robert would consider a Durazzo match for Maria. In 1338, she supported her son's position at the head of Robert's armada to conquer Sicily. However, the campaign failed due to the outbreak of typhus. Agnes used her own position at court to her advantage, making friendly overtures towards Queen Sancha and the young princesses. This too did not result in any marriage plans. King Robert died in January 1343. Agnes's tactics during his final years had proven unsuccessful therefore, she took matters into her own hands. Immediately after Robert's death, she orchestrated the marriage between her eldest son and Maria. The timing of this marriage was crucial as Joanna strongly favoured the Taranto faction, having an affair with Prince Robert, son of Catherine, and Maria was promised in marriage to one of Andrew's brothers. The two matters would only have politically isolated the Durazzo clan and thwarted their chances of reaching the throne. Agnes used her connection to her influential brother, Cardinal Talleyrand, to put aside the Hungarian match for Maria and obtain the Pope's permission for the ambitious marriage. Not relying on family feeling alone, Agnes bribed her brother with 22,000 florins left over from her dowry in order to ensure absolute support. Building up a friendship with Queen Sancha also appears to have paid off as the dowager queen supported the match. On the other hand, the Taranto clan were horrified when they discovered Agnes's scheme and used their influence over Joanna to put an end to it. Catherine instructed the young queen to oppose the match, hoping that the lack of royal favour would act as a deterrent.Much to the dismay of the Tarantos, their control over Joanna was not enough to prevent Agnes, who responded by abducting Maria one night in April 1343 and marrying her off to Charles. The marriage was a great insult to Joanna and Andrew as their royal authority was defied and the latter's family lost out on their chance for total control of the succession. The Tarantos were ready for armed warfare against their Durazzo cousins, Naples stood on the brink of civil war. To remedy the matter, the Pope wrote letters to both Joanna and Agnes, confirming the validity of the papal dispensation, asking them to put aside their differences and to urge Joanna to allow an official marriage ceremony. The letter to Agnes also informs that the Pope was sending Talleyrand's chamberlain, Roger of Vintrono, who had experience in the Papal service in Italy, to mend the breach amongst the Neapolitans. Roger's efforts clearly worked as Andrew pardoned Agnes and her family and the marriage was officially recognised on 14 July. The fact that Maria was pregnant probably also helped resolve the issue, no more scandals were desired.Agnes then became involved in the marital disputes between Joanna and Andrew. As the latter was initially refused joint authority with his wife, he wrote to his mother Elisabeth, announcing plans to flee Naples. Elisabeth decided to make a state visit and threatened to take Andrew with her when she returned home. For the first time, Agnes, Catherine and Joanna worked together to persuade Elisabeth not to do so. All three women were aware that Andrew would only return with a Hungarian army; according to Domenico de Gravina, Joanna and Catherine were motivated purely by this threat however, Agnes was genuinely concerned with the welfare of Andrew. The appeals worked and Andrew remained. Despite her assistance in this matter, Joanna did not forgive Agnes for her marital scheming. Death Much like her life, Agnes's death was also surrounded by political intrigue. During the early months of 1345, the duchess had managed to make herself even more unpopular with Joanna by meddling in diplomacy linked to the Papacy. In addition, she had attempted to have one of her sons married to Catherine's daughter, in the hope of penetrating the Taranto clan. In May, she fell ill. Allegedly, the doctor asked for a urine sample and when this was taken that evening, it was switched with that of a pregnant lady-in-waiting, who was a friend of Joanna's. When the doctor discovered that Agnes was supposedly pregnant, it caused a scandal and led to her son, Charles, keeping his distance from her. This made for perfect conditions for the ladies-in-waiting to poison Agnes.Although, it is quite possible that these events are fictional, they are accounted by Domenico de Gravina, whom as noted from the encounter with Elisabeth, appeared sympathetic to Agnes rather than Joanna and Catherine. It is just as possible that Agnes succumbed to a bacterial infection, worsened by the hot climate.Charles and Maria never ascended the throne, the former was executed three years after the death of his mother for his own political intrigues involving Joanna and the Hungarians. Despite this, Charles, a grandson of Agnes through her son, Louis, succeeded to the throne in 1382. Much like his family, he clashed with Joanna but he managed to depose her and had her strangled. He was married to Margaret, a daughter of Charles and Maria. Ancestry Passage 5: Charles, Duke of Durazzo Charles of Durazzo (Italian: Carlo di Durazzo 1323 – 23 January 1348) was a Neapolitan nobleman, the eldest son of John, Duke of Durazzo and Agnes of Périgord. Life He succeeded his father as Duke of Durazzo and Count of Gravina in 1336. On 21 April 1343, he married Maria of Calabria, Countess of Alba, in Naples. She was the younger daughter of Charles, Duke of Calabria and sister of Joan I of Naples, and had been intended as a bride for Louis I of Hungary or John II of France, but was abducted by Charles and his mother to make a marriage that would place Charles closer to the throne of Naples. Keeping carefully aloof from the conspiracy that murdered Joan's husband Andrew, Duke of Calabria, he led a faction opposing Joan and Louis of Taranto. He contacted the Hungarian court, seeking their support. He hoped to turn the invasion of Louis of Hungary and the flight of Joan to his own ends: but he was seized and beheaded by the Hungarians at Aversa. Issue Charles and Maria had: Louis (December 1343 – 14 January 1344) Joanna (1344–1387), Duchess of Durazzo; married first in 1366 Louis of Navarre, Count of Beaumont (d. 1372), married second Robert IV of Artois, Count of Eu (d. 1387) Agnes (1345–1383, Naples), married first on 6 June 1363 Cansignorio della Scala, Lord of Verona (d. 1375), married second James of Baux (d. 1383) Clementia (1346–1363, Naples) Margaret (28 July 1347 – 6 August 1412), married in February 1368 Charles III of Naples Passage 6: Marie of Blois, Duchess of Anjou Marie of Blois (1345–1404) was a daughter of Joan of Penthièvre, Duchess of Brittany and Charles of Blois, Duke of Brittany. Through her marriage to Louis I, Duke of Anjou, she became Duchess of Anjou, Countess of Maine, Duchess of Touraine, titular Queen of Naples and Jerusalem and Countess of Provence. Biography Marie married Louis I, son of John II of France, in 1360. Throughout their marriage his official titles increased, though he would never actually rule the Kingdom of Naples. After his death in 1384, most of the towns in Provence revolted against her son, Louis II. Marie pawned her valuables and raised an army. She, her young son and the army went from town to town to gain support. In 1387 Louis II was formally recognized as Count in Aix-en-Provence. She then appealed to Charles VI of France to support her son in obtaining Naples. In 1390, Louis, supported by the pope and the French, set sail for Naples. Marie negotiated for a marriage between Louis and Yolande of Aragon, to prevent the Aragonese from obstructing him there. They finally wed in 1400. Marie was an able administrator and on her deathbed revealed to Louis that she had saved the amount of 200,000 écus. This was to make sure that she could pay his ransom in case he was captured. Issue With Louis I she had the following children: Marie (1370 – after 1383) Louis II of Anjou (1377 – 1417) Charles (1380 – 1404, Angers), Prince of Taranto, Count of Roucy, Étampes, and Gien Passage 7: Joanna, Duchess of Brabant Joanna, Duchess of Brabant (24 June 1322 – 1 December 1406), also known as Jeanne, was a ruling Duchess (Duke) of Brabant from 1355 until her death. She was duchess of Brabant until the occupation of the duchy by her brother-in-law Louis II of Flanders. Following her death, the rights to the duchy of Brabant went to her great-nephew Anthony of Burgundy, son of Philip the Bold. Life Joanna was born 24 June 1322, the daughter of John III, Duke of Brabant and Marie d'Évreux. Her first marriage, in 1334, was to William II, Count of Hainaut (1307–1345), who subsequently died in battle and their only son William died young, thus foiling the project of unifying their territories. Joanna's second marriage was to Wenceslaus of Luxemburg. The famous document, the foundation of the rule of law in Brabant called the Blijde Inkomst ("Joyous Entry"), was arrived at in January 1356, in order to assure Joanna and her consort peaceable entry into their capital and to settle the inheritance of the Duchy of Brabant on her "natural heirs", who were Joanna's sisters, they being more acceptable to the burghers of Brabant than rule by the House of Luxembourg. The document was seen as a dead letter, followed by a military incursion in 1356 into Brabant by Louis II of Flanders, who had married Margaret, Joanna's younger sister, and considered himself Duke of Brabant by right of his wife. With the Duchy overrun by Louis' forces, Joanna and Wencelaus signed the humiliating Treaty of Ath, which ceded Mechelen and Antwerp to Louis. By August 1356 Joanna and Wencelaus had called upon the Emperor, Charles IV to support them by force of arms. Charles met at Maastricht with the parties concerned, including representatives of the towns, and all agreed to nullify certain terms of the Blijde Inkomst, to satisfy the Luxembourg dynasty. The duchy continued to deteriorate with Wencelaus's defeat and capture at the battle of Baesweiler in 1371.On Joanna's death, by agreement the Duchy passed to her great-nephew Antoine, the second son of her niece Margaret III, Countess of Flanders. Tomb Her tomb was not erected in the Carmelite church in Brussels until the late 1450s; it was paid for in 1459 by her sister's great-grandson, Philip the Good. Though it was destroyed in the course of the French Revolutionary Wars, its appearance has been reconstructed from drawings and descriptions by Lorne Campbell, who concluded that the tomb was an afterthought, providing an inexpensive piece of propaganda for Philip's dynastic rights. See also Dukes of Brabant family tree Passage 8: Louis, Duke of Durazzo Louis of Évreux (also called "of Navarre"; 1341 – 1376) was the youngest son of Philip III of Navarre and Joan II of Navarre. He inherited the county of Beaumont-le-Roger from his father (1343) and became Duke of Durazzo in right of his second wife, Joanna, in 1366. Louis's first marriage was to Maria de Lizarazu in 1358. He took part on behalf of his brother Charles II of Navarre in the war against the Dauphin Charles. His second marriage to Joanna, Duchess of Durazzo, brought him the rights to Durazzo and the Kingdom of Albania, which he strove to recover. He received assistance from both his brother and the king of France in this undertaking, for Durazzo (the remnant of the kingdom) was in the hands of Charles Thopia. In 1372, he brought over the Navarrese Company of mercenaries, who had fought with him during the war in France, to assist him in taking Durazzo. Their ranks swelled considerably in 1375 with new recruits directly from Navarre. Many documents survive telling us of the complex nature of the military planning and engineering which was undertaken to ensure success. This they attained, taking the city in midsummer 1376. Louis died shortly after. He had an illegitimate son, Carlos de Beaumont, who would be the founder of the House of Beaumont, which would have a main role in the Navarrese Civil War next century. Passage 9: Emma Harrison Emma Harrison may refer to: Emma Harrison (actress) Emma Harrison (entrepreneur) Passage 10: Maria of Calabria Maria of Calabria (6 May 1329 – 20 May 1366), Countess of Alba, was a Neapolitan princess of the Capetian House of Anjou whose descendants inherited the crown of Naples following the death of her older sister, Queen Joanna I. Life Early years Maria was the fifth and posthumous child of Charles, Duke of Calabria (eldest son of King Robert the Wise of Naples) and Marie of Valois (half-sister of King Philip VI of France). She was born approximately six months following her father's death, on 9 November 1328. At the time of her birth, from her older three sisters and one brother, only her sister Joanna, born in March 1325, was alive. Two years later, on 23 October 1331, Maria's mother Marie of Valois died during a pilgrimage to Bari, leaving Maria and her older sister Joanna (now heiress of the throne of Naples) orphans. Both were raised at the court of their paternal grandfather King Robert in Naples. By a bull dated on 30 June 1332, Pope John XXII officially decreed that Maria and her older sister would be married to the sons of the King Charles I of Hungary: Joanna was betrothed with Andrew of Hungary, while Maria was destined to his older brother and heir of the Hungarian throne, Louis I of Hungary; however, this engagement was conditioned that if Joanna died before her marriage could be consummated, then Maria would marry his younger brother Andrew. In this way, King Robert wanted to reconcile his bloodline with the descendants of his older brother, deprived from the crown of Naples in his favor. Maria's grandfather died on 20 January 1343. By the provisions of his will, her elder sister Joanna was to become ruler of Naples, while Maria was not only given the County of Alba and a vast inheritance but also was confirmed to be betrothed to Louis I of Hungary, or in the case that this union never happened, the King of Naples instructed that she then could marry John, Duke of Normandy, heir of the French throne (although he was already married since 1332). First marriage However, shortly after the death of her grandfather King Robert, Maria was abducted by Agnes of Périgord, widow of John, Duke of Durazzo who arranged the marriage of Maria to her son, Charles, Duke of Durazzo. The marriage took place on 21 April 1343, the bride being almost fourteen years old and the groom twenty. They had five children: Louis of Durazzo (December 1343 – 14 January 1344) Joanna, Duchess of Durazzo (1344 – 20 July 1387); married firstly on 19 June 1366 to Infante Louis, Count of Beaumont (d. 1372), and secondly on 1376 to Robert IV of Artois, Count of Eu (d. 1387). There was no issue from either marriage. Agnes of Durazzo (1345 – 15 July 1388, Naples), married firstly on 6 June 1363 Cansignorio della Scala, Lord of Verona (d. 1375), and secondly on 1382 to James of Baux, Emperor of Constantinople (d. 1383). There was no issue from either marriage. Clementia of Durazzo (1346 – 1363, Naples) Margaret of Durazzo (28 July 1347 – 6 August 1412, Mela), married in January 1369 to Charles of Durazzo, Conte of Gravina and Morrone, who later became King of Naples and Hungary.Maria and her husband Charles headed a faction opposing Maria's sister Queen Joanna of Naples and her second husband, Louis of Taranto. On 15 January 1348, Maria's husband was named Lieutenant General and Governor of the Kingdom of Naples. Charles apparently seeing an opportunity to claim power when the King and Queen of Naples had fled Naples in the face of an invasion by King Louis I of Hungary. He was however captured by the Hungarians only days later, near Aversa. On 23 January 1348, Maria's husband was decapitated in front of San Pietro a Maiella. His period of power had lasted less than a week. Maria thus became a nineteen-year-old widow. Second marriage With Charles dead, Maria fled Naples for Avignon. She sought refuge at the court of Pope Clement VI. In 1348, the Black Death reached the Italian Peninsula, forcing the King of Hungary and the majority of his army to retreat back to their homeland in hope of escaping the spreading epidemic. Maria returned to Naples and settled at the Castel dell'Ovo. According to the Chronicle of Parthénope, the Neapolitan Princes, whom King Louis I of Hungary had imprisoned during his first campaign in Southern Italy, proposed him to marry Maria, his previous bride. During the siege of Aversa in the summer of 1350, the Hungarian King met her envoy in the nearby Trentola-Ducenta and the terms of their marriage were accepted. However before the marriage could take place, she was abducted again, this time by Hugh IV, Count of Avellino and Lord of Baux, who forced Maria to marry with his eldest son and heir, Robert of Avellino. They had no children.Count Hugh IV of Avellino was murdered on the orders of Maria's brother-in-law Louis of Taranto in 1351. Two years later (1353), Maria was finally rescued by King Louis I, however her husband Robert was captured and imprisoned by her brother-in-law at Castel dell'Ovo, where he was killed by Maria's orders. She reportedly witnessed the murder first hand. Third marriage Shortly after her second husband's death, Maria was again imprisoned, this time by her brother-in-law himself, Louis of Taranto, and was released only after her marriage in April 1355 to Philip II of Taranto, the younger brother of Louis. Maria and Philip had three sons who died young: Philip (1356), Charles (1358), and Philip (1360). They also had two stillborn sons, in 1362 and in 1366. In 1364, Philip succeeded as titular Latin Emperor of Constantinople and Prince of Achaea and Taranto on the death of his oldest brother, Robert II of Taranto, Emperor of Constantinople. Due to her grandfather's will, Maria was the heiress to the Kingdom of Naples in the event that her elder sister Joanna I died childless. When Maria died in 1366, her claims passed to her three surviving daughters, of whom Charles of Durazzo –husband of her third daughter Margaret– eventually claimed the throne of Naples in 1382 as King Charles III after deposed and killed Joanna I. Maria died at age 37, probably from childbirth complications, and was buried at Santa Chiara Basilica, Naples. Notes

doc_35

Passage 1: Beatrice of Bourbon, Queen of Bohemia Beatrice of Bourbon (1320 – 23 December 1383) was a French noblewoman. A member of the House of Bourbon, she was by marriage Queen of Bohemia and Countess of Luxembourg. She was the youngest daughter of Louis I, Duke of Bourbon, and Mary of Avesnes. Life Marriage On 28 September 1330, Queen Elisabeth of Bohemia, wife of King John of Bohemia, died: "The news was that the King, distraught for the loss of his wife manifested his feelings using mourning clothes, after all, they were married for twenty years, and yet remained completely himself with a brief time, this was in Bohemia, the other side used to be mostly in their county or elsewhere, where he discussed the matter."Despite the fact that John and Elisabeth became estranged during the last years of their marriage, the king remained a widower for the next four years. The French King Philip VI wanted to tie John more closely with France, and he suggested to the Bohemian king a second marriage. The proposed bride was Beatrice, youngest daughter of the Duke of Bourbon and member of a cadet branch of the House of Capet. Beatrice was already betrothed, however, to Philip, the second son of Philip I, Prince of Taranto, as of 29 May 1321. The engagement was broken soon after the marriage negotiations with Bohemia started. The marriage of King John of Bohemia and Beatrice of Bourbon was solemnized in the Château de Vincennes in December 1334, at which time she was fourteen years old. But because the two were related in a prohibited degree (they were second cousins through their common descent from Henry V, Count of Luxembourg, and his wife Margaret of Bar), Pope Benedict XII had to give dispensation for the marriage, which was granted in Avignon on 9 January 1335 at the request of Philip VI. The marriage contract stipulated that if a son was born from the marriage, the County of Luxembourg (King John's paternal heritage), as well as lands belonging to it, would go to him. King John's sons from his first marriage, Charles and John Henry, were not informed of the contents of the marriage contract, but both princes were compelled to accept it along with the knights and citizens of Luxembourg in August 1335. Life in Bohemia Beatrice arrived in Bohemia on 2 January 1336: "...our father came to Bohemia and brought him a wife, named Beatrix, daughter of the Duke of Bourbon and relative of the King of the Frenchs..."In the Bohemian court, Beatrice took care of the wife of her oldest stepson Charles, Blanche of Valois. Both women could easily communicate in French. The Queen soon felt ill-at-ease in Prague, where she was always compared unfavorably with the Margravine of Moravia (Blanche's title as wife of the Bohemian heir). Also, the Czech people were offended by her coldness, insolence and aversion to learning their language. The new Queen of Bohemia and Countess of Luxembourg brought with her an annual income of 4,000 livres extracted from her father's County of Clermont. On 25 February 1337, Beatrice gave birth in Prague to her only child, a son named Wenceslaus after the holy patron of the Přemyslid dynasty; probably calling her son with this name either the queen or her husband tried to gain the favor of the Bohemians. There is some indirect evidence that this was the first caesarean section that was survived by both the mother and child. However, the relationship between Beatrice and her new subjects remained estranged: her coronation as Queen of Bohemia in St. Vitus Cathedral three months later, on 18 May, was an event of spectacular indifference from the citizens of Prague. Shortly after her coronation, in June 1337, Beatrice left Bohemia leaving her son behind, and went to live in Luxembourg. After this, she rarely visited the Bohemian Kingdom. Later Years On 26 August 1346 King John was killed in the Battle of Crécy and Beatrice ceased to be queen consort. Her stepson, now King Charles of Bohemia, confirmed the provisions of her marriage contract. Beatrice, now Dowager Queen of Bohemia, received in perpetuity lands in the County of Hainaut, the rent of 4,000 livres and the towns of Arlon, Marville and Damvillers (where she settled her residence) as her widow's estate. These revenues were used not only for their own needs, but also for the education of her son. King Charles also left her all the movable property and income from the mines in Kutná Hora. In addition, when her father Duke Louis I of Bourbon died in 1342, she received the sum of 1,000 livres, which was secured from the town of Creil. Around 1347, Beatrice married for a second time to Eudes II, Lord of Grancey, (then a widower) at her state of Damvillers. Despite her new marriage, she retained the title of Queen of Bohemia. The couple had no children. Soon after her second marriage, she arranged the betrothal of her son Wenceslaus with the widowed Joanna, Duchess of Brabant, daughter and heiress of John III, Duke of Brabant, who was fifteen years older than he was. The marriage took place in Damvillers four years later, on 17 May 1351. Despite all the grants of land and money given to Beatrice, the Bohemian king delayed the investiture of his young half-brother Wenceslaus as Count of Luxembourg. In fact, he held on to the title until 1353, when Wenceslaus finally obtained sovereignty over the County. One year later (13 March 1354) the County was elevated to the rank of a Duchy. Beatrice died on 27 December 1383, having outlived her son (for only sixteen days) and all her stepchildren. She was buried in the now-demolished church of the Couvent des Jacobins in Paris - her effigy is now in the Basilica of St Denis. Her second husband survived her by six years. Passage 2: Obata Toramori Obata Toramori (小畠虎盛, 1491 – July 14, 1561) was Japanese samurai warrior of the Sengoku Period. He is known as one of the "Twenty-Four Generals of Takeda Shingen" He also recorded as having been wounded 41 times in 36 encounters. He was the father of Obata Masamori. See also Isao Obata Passage 3: Bonne of Armagnac Bonne of Armagnac (19 February 1399 – 1430/35) was the eldest daughter of Bernard VII, Count of Armagnac and Constable of France, and his wife Bonne of Berry. Marriage On 15 April 1410 at the age of 11, she married Charles, Duke of Orléans (left an orphan by his father Louis's assassination in 1407). This marriage made the constable not only Charles's father-in-law but also his natural defender. The Orléans party, left without a leader by Louis's death, thus became the Armagnac party, the name it held up to the treaty of Arras in 1435.Following the French defeat at the Battle of Agincourt on 25 October 1415, Charles was taken prisoner by the English. Bonne had not borne any children prior to his imprisonment. She died sometime between 1430 and 1435 while her husband was still in captivity. In literature and art Bonne appears in the critically acclaimed historical novel Het woud der verwachting (1949) by Hella Haasse, (translated into English in 1989 under the title "In a Dark Wood Wandering"). The novel portrays the life of Bonne's husband Charles. Charles and Bonne's marriage at the Chateau de Dourdan is thought to be depicted in the elaborate illuminated manuscript entitled Très Riches Heures du duc de Berry (Very Rich Hours of the Duke of Berry) in the illustration for April. Ancestry Passage 4: Mathilde of Bourbon Mathilde of Bourbon (French: Mahaut de Bourbon; c. 1165/69 – 18 June 1228) was a French noblewoman who was the ruling Lady of Bourbon from 1171 until her death. Life Mathilde was the only child of Archambault of Bourbon and his wife Alix (or Adelaide) of Burgundy (daughter of Odo II). She was born in the second half of the 1160s. Her father, the heir apparent of Bourbon, died in 1169, without ever inheriting the lordship. Her grandfather, Archambault VII, died in 1171. Mathilde, as his only surviving grandchild, succeeded him. Before 1183, she married Gaucher IV of Vienne, Lord of Salins. After he returned from the Third Crusade, they frequently quarreled. In the end, he became violent and had her locked up.: p. 117  She fled to her grandmother's estate in Champagne: p. 217  During her escape, she allegedly also used violence,: p. 117  and for this she was excommunicated by Archbishop Henri de Sully of Bourges. After she arrived in Champagne, she asked Pope Celestine III for a divorce from her husband, arguing that Gaucher IV and she were close relatives and that the marriage therefore had been inadmissible. The Pope tasked the bishops of Autun and Troyes and the abbot of Monthiers-en-Argonne with investigating her claim. These men found that Mathilde and her husband were third cousins, as they were both great-great-grandchildren of William II, Count of Burgundy, and that, therefore, her claim that they were too closely related was justified. The pope granted the divorce, and also lifted the excommunication. In September 1196, only a few months after her divorce, she married Lord Guy II of Dampierre. Thus, the Bourbonnais fell to the House of Dampierre. This marriage lasted 20 years: he died in 1216. Mathilde died twelve years after her husband. After her death, Margaret, her daughter from her first marriage claimed the Lordship of Bourbon. Guy II had initially recognized Margaret as heir of Bourbon, however, he later claimed the Lordship for his oldest son, Archambault VIII. In the end, Archambault prevailed. Marriages and issue Mathilde married Gaucher IV of Vienne, Lord of Salins. Together, they had one daughter: Margaret of Vienne (c. 1190/95 – c. 1259), married William III of Forcalquier, later she married Joceran, Lord of BrancionMathilde's second husband was Guy II of Dampierre. With him, she had: Archambaud VIII (1189–1242), Lord of Bourbon William II (1196–1231), married Margaret II, Countess of Flanders and Hainaut (d. 1280), a daughter of Latin Emperor Baldwin I of Constantinople Philippe (d. 1223), married in 1205 to Guigues IV, Count of Forez (d. 1241) Guy of Saint Just (d. 22 March 1275) Marie, married 1201 to Hervé of Vierzon, later married 1220 to Henry I of Sully Matilde, married Guigues V of Forez Sources Theodore Evergates: The aristocracy in the county of Champagne, 1100–1300, University of Pennsylvania Press, Philadelphia, 2007, ISBN 978-0-8122-4019-1, pp. 117, 217, 343 (Partially online). Devailly, Guy (1973). Le Berry du X siecle au milieu du XIII (in French). Mouton & Co. Passage 5: John II, Duke of Bourbon Jean (John) de Bourbon, Duke of Bourbon (1426 – 1 April 1488), sometimes referred to as John the Good and The Scourge of the English, was a son of Charles I of Bourbon and Agnes of Burgundy. He was Duke of Bourbon and Auvergne from 1456 to his death. Life John earned his nicknames "John the Good" and "The Scourge of the English" for his efforts in helping drive out the English from France. He was made constable of France in 1483 by his brother Peter and sister-in-law Anne, to neutralize him as a threat to their regency.In an effort to win discontented nobles back to his side, Louis XI of France made great efforts to give out magnificent gifts to certain individuals; John was a recipient of these overtures. According to contemporary chronicles, the King received John in Paris with "honours, caresses, pardon, and gifts; everything was lavished upon him". John is notable for making three brilliant alliances but leaving no legitimate issue. First Marriage In 1447, his father, the Duke of Bourbon, had John married to a daughter of Charles VII, King of France, Joan of Valois. They were duly married at the Château de Moulins. They had no surviving issue. Second marriage In 1484 at St. Cloud to Catherine of Armagnac, daughter of Jacques of Armagnac, Duke of Nemours, who died in 1487 while giving birth to: John of Bourbon (Moulins, 1487 - 1487), styled Count of Clermont Third marriage In 1487 he married Jeanne of Bourbon-Vendôme, daughter of John of Bourbon, Count of Vendôme (from a cadet branch of the House of Bourbon), by whom he had one son: Louis of Bourbon (1488 - 1488), styled Count of Clermont Illegitimate issue By Louise of Albret, daughter of Jean I d'Albret (- 8 September 1494): Charles, Bastard of Bourbon (- 1502), Viscount of Lavedan jure uxoris, married before 1462 Louise du Lion (- aft. 25 February 1505), Viscountess of Lavedan, and had issue, four sonsBy Marguerite de Brunant: Mathieu, the Great Bastard of Bourbon (- Château de Chambrou-en-Forez, 19 August 1505), Lord of Botheon and Lord and Baron of Roche-en-Régnier, unmarried and without issueBy unknown women: Hector, Bastard of Bourbon (- 1502, bur. Toulouse), 15th Archbishop of Toulouse (1491 - 1502), 17th Bishop of Lavaur (1497 - 1500) Peter, Bastard of Bourbon, died young, unmarried and without issue Marie, Bastard of Bourbon (- 22 July 1482), married at the Château de Beseneins-en-Dombes in 1470 Jacques de Sainte Colombe, Lord of Thil Marguerite, Bastard of Bourbon (1445 - 1482), legitimized in 1464, married in Moulins in 1462 Jean de Ferrières (- 1497) Death and aftermath John died in 1488 at the Château de Moulins and was succeeded by his younger brother Charles. However, this succession was strongly contested due to the political strength of Peter and Anne. Within a span of days, Charles was forced to renounce his claims to the Bourbon lands to Peter in exchange for a financial settlement. Ancestry Notes Passage 6: Bernard d'Armagnac, Count of Pardiac Bernard d'Armagnac, Count of Pardiac (died 1462) was a younger son of Bernard VII, Count of Armagnac and Bonne of Berry. Bernard fought at the Battle of Patay in 1429. That year he married Eleanor of Bourbon-La Marche, daughter and ultimately heir of James II, Count of La Marche. Count James was the consort of Queen Joanna II of Naples. Bernard served as lieutenant-general in La Marche and governor of Limousin in 1441, and later as lieutenant-general of Languedoc and Roussillon in 1461. Bernard was the father of: Jacques d'Armagnac, Duke of Nemours John d'Armagnac (1440-1493) Passage 7: Princess Urraca of Bourbon-Two Sicilies Princess Urraca of Bourbon-Two Sicilies (Italian: Urraca Maria Isabella Carolina Aldegonda Carmela, Principessa di Borbone delle Due Sicilie; 14 July 1913, Nymphenburg Palace, Munich, Kingdom of Bavaria – 3 May 1999, Sigmaringen, Baden-Württemberg, Germany) was a member of the House of Bourbon-Two Sicilies and a Princess of Bourbon-Two Sicilies. Early life and family Princess Urraca of Bourbon-Two Sicilies was born on 14 July 1913, at Nymphenburg Palace in Munich, Kingdom of Bavaria. She was the sixth and youngest child of Prince Ferdinand Pius of Bourbon-Two Sicilies, Duke of Castro (1869–1960) and his wife Princess Maria Ludwiga Theresia of Bavaria (1872–1954). Ferdinand Pius was the Head of the House of Bourbon-Two Sicilies and pretender to the defunct throne of the Kingdom of the Two Sicilies from 26 May 1934 to 7 January 1960. Urraca had five older siblings, four sisters and one brother: Princess Maria Antonietta (1898–1957), Princess Maria Cristina (1899–1985), Prince Ruggiero Maria, Duke of Noto (1901–1914), Princess Barbara Maria (1902–1927), and Princess Lucia (1908–2001).Through her father, Urraca was a granddaughter of Prince Alfonso of Bourbon-Two Sicilies, Count of Caserta (1841–1934) and his wife Princess Maria Antonietta of Bourbon-Two Sicilies (1851–1938). Urraca was descended from King Francis I of the Two Sicilies (1777–1830) through her paternal great-grandfathers, King Ferdinand II of the Two Sicilies (1810–1859) and Prince Francis of Bourbon-Two Sicilies, Count of Trapani (1827–1892). Through her mother, she was a granddaughter of King Ludwig III of Bavaria (1845– 1921) and his wife Archduchess Maria Theresa of Austria-Este (1849–1919).Urraca chose not to celebrate her birthday, stating: "How can a Bourbon celebrate on the day of the Bastille's taking?" Adult life As the daughter of the heir-apparent, then head of the House of Bourbon-Two Sicilies, Urraca regularly represented her family at royal and aristocratic functions and charitable events. She attended the funeral of her great uncle Prince Leopold of Bavaria on 3 October 1930, at St. Michael's Church in Munich. Urraca, her mother, and her sister Lucia attended an afternoon dance tea at the Hotel Vier Jahreszeiten and the Hungarian Aid Association's Hungarian Ball in Munich in January 1934. She also took part in the closing events of Munich's Carnival celebrations in February 1936. On 16 April 1936, Urraca attended the wedding of her first cousin Infante Alfonso of Spain, Prince of Bourbon-Two Sicilies to Princess Alicia of Bourbon-Parma at the Minoritenkirche in Vienna. She was a guest of honor at the Austrian Armed Forces' Spring Parade in April 1936, along with Alfonso XIII of Spain, Princess Maria Anna of Bourbon-Parma, and Prince Elias of Bourbon-Parma. Urraca attended the Baltic Red Cross Ball and the ball of Countess Adelheid Arco-Valley in the Cherubinsälen of the Hotel Vier Jahreszeiten in February 1938. On 23 October 1957, she attended the wedding of her first cousin Princess Marie Gabrielle of Bavaria and Georg, Prince of Waldburg zu Zeil und Trauchburg in Munich.On the night of 10 January 1957, Urraca was driving her eldest sister Maria Antonietta to her home in Lindau, Germany when their automobile collided with a truck that had skid on ice near Winterthur, Switzerland. Maria Antonietta was killed in the accident and Urraca was seriously injured.Urraca was also an active supporter of Duosicilian historical societies and other royalty and nobility organizations. In October 1993, she attended a conference of over 200 Italian nobles and aristocrats at the Palazzo Pallavicini-Rospigliosi in Rome, which advocated for the nobility's renewed leadership in the defense of Catholic principles in political and cultural institutions. Her first cousin once removed and claimant to the Duosicilian throne, Infante Carlos, Duke of Calabria, was also in attendance. In February 1994, Urraca traveled to Gaeta where she participated in a tribute to the centenary of the death of Francis II, King of the Two Sicilies and an observation of the 133rd anniversary of the conclusion of the Siege of Gaeta which marked the victory of the Kingdom of Sardinia over Two Sicilies. Death Urraca died on 3 May 1999, in Sigmaringen, Baden-Württemberg, Germany. Titles, styles, honours and arms Titles and styles 14 July 1913 – 3 May 1999: Her Royal Highness Princess Urraca of Bourbon-Two Sicilies Honours Dame Grand Cross of Justice of the Sacred Military Constantinian Order of Saint George Dame of Honor and Devotion of the Sovereign Military Order of Malta Ancestry Passage 8: Peter II, Duke of Bourbon Peter II, Duke of Bourbon (1 December 1438 – 10 October 1503 in Moulins), was the son of Charles I, Duke of Bourbon, and Agnes of Burgundy, and a member of the House of Bourbon. He and his wife Anne of France ruled as regents during the minority of Charles VIII of France. Life, marriage, and royal favour A loyal and capable subject of the crown, Peter earned the grudging respect of Louis XI through his demonstration of the Bourbon family's "meekness and humility". Initially he was betrothed to Marie d'Orleans, sister of Louis, Duke of Orleans (the future Louis XII); Louis XI, who wanted to prevent such an alliance between two of the greatest feudal houses in France, broke the engagement, and took measures to bind both families closer to the crown. A marriage between Peter and the King's elder daughter, Anne, was arranged (as was another marriage between Louis of Orleans and Anne's younger sister, Joan); as a mark of his favour, the King forced Peter's older brother John II, Duke of Bourbon to grant the Bourbon fief of Beaujeu (Beaujolais) to Peter, who was also given a seat on the royal council. Peter and Anne were married on 3 November 1473. Regent of France and Duke of Bourbon At the time of Louis XI's death in 1483, Peter was one of the few royal servants to have remained consistently in favour during the King's reign, and it was to him that Louis, on his deathbed, granted guardianship over the new King, Charles VIII. Peter and his wife Anne immediately took up their duties, and began to position themselves as leaders of a regency government. The King was swiftly crowned, preventing the need for a regency government; instead, the thirteen-year-old King undertook personal rule of the Kingdom—theoretically on his own, but in reality guided by the Beaujeu couple. Having assisted his wife in the governing of France, in 1488 both were able to begin building up a power-base of their own in the Bourbonnais. Anne was already Countess of Gien, and Peter was Count of Clermont and La Marche, as well as Lord of Beaujeu; but the death of his eldest brother, John II, and the subsequent enforced renunciation of the family rights by his next eldest brother, Charles II, delivered the Bourbon inheritance (the Duchies of Bourbon and Auvergne, and the Counties of Forez and l'Isle-en-Jordain) into Peter's hands. The new Duke and Duchess of Bourbon then proceeded to add to these domains, adding Bourbon-Lancy in December 1488, and trading l'Isle-en-Jordain with the Armagnacs in June 1489 for Carlades and Murat. These domains were granted to them by the King in absolute right – they would not revert to the crown, and were not obligated to pass to the next heirs to the Bourbon inheritance, the Bourbon-Montpensiers – the Duke and Duchess could bequeath them to whomsoever they wished. On 10 May 1491, the pair finally acquired an heir of their own, a daughter, Suzanne (Anne had an earlier pregnancy in 1476, but about this existed contradictory accounts: some say the baby was miscarried or been stillborn, but others reported that a living son was born, Charles, styled Count of Clermont in 1488 as was customary for the heir of the Duchy of Bourbon, who died aged 22 in 1498 and was buried in the Abbey of Souvigny, Auvergne). By 1491, the Bourbon influence over the crown was waning; Charles VIII was an adult now, unwilling to accept tutelage from his family. Against the better judgement of Anne and Peter, Charles chose to renounce his unconsummated marriage to Margaret of Austria, and instead marry Anne, Duchess of Brittany; he then went against them by returning Margaret's dowry – Artois and Franche-Comté – to her brother, Philip the Handsome. Nor were either able to prevent Charles' disastrous Italian expeditions, although both were left in control of France on several of his absences. Both continued to be major figures in the court for the rest of Charles VIII's reign, but restricted in power. After Charles VIII's death, and the accession of Louis XII, Peter largely retired from court politics and devoted his few remaining years to his family, being particularly devoted to his daughter Suzanne. Succession to the Duchy of Bourbon Without surviving male issue, the next heir to the Bourbon Duchy was Suzanne. It was in the question of the future of Suzanne and the Bourbon territories that Peter and Anne found themselves opposing each another in his final years. With Charles VIII dead and the more cautious Louis XII on the throne, Suzanne needed a husband to support her in her inheritance, which risked being disputed by the crown and the Montpensiers. The Duke and Duchess had initially groomed the next Bourbon heir, Louis of Bourbon-Montpensier, as a son-in-law; but he mortally offended Peter by condemning letters patent of Louis XII which confirmed Suzanne's rights of inheritance (having been wrung from him as the price of Bourbon support upon his accession). Peter then decided to betroth Suzanne to Charles IV, Duke of Alençon, a favourite of Louis XII, and so likely to protect the duchy against royal encroachment and Montpensier challenges. This contract was signed on 21 March 1501 at Moulins, Charles being 11, Suzanne 9. Before this marriage could be completed, however, Peter died of a fever. Following this, Anne arranged for Suzanne to marry the next Bourbon heir-male, Charles of Bourbon-Montpensier (Louis of Bourbon-Montpensier having died the year before), thereby averting a succession dispute over the Bourbon inheritance, which the young pair inherited jointly. Family tree Passage 9: Peter I, Duke of Bourbon Peter I of Bourbon (Pierre Ier, Duc de Bourbon in French; 1311 – 19 September 1356) was the second Duke of Bourbon, from 1342 to his death. Peter was son of Louis I of Bourbon, whom he also succeeded as Grand Chamberlain of France, and Mary of Avesnes. Peter is reported to have been somewhat mentally unstable, a trait of nervous breakdowns (presumably hereditary, if mental illness is hereditary) that showed clearly for example in his daughter Joan of Bourbon, the queen, and in her son, king Charles VI of France, as well as in Peter's only surviving son, Duke Louis II. Early career Peter took part in several of the early campaigns of the Hundred Years War which broke out in 1337. In the summer of 1339, he took part in Jean de Marigny, Bishop of Beauvais's failed attack on Bordeaux. In autumn 1341 he took part in the John, Duke of Normandy's campaign in Brittany. He was present at the coronation of Pope Clement VI at Avignon 19 May 1342.By the summer 1342, Peter together with the Raoul I of Brienne, Count of Eu, was given command of the covering force protecting France from attacks from the north while King Philip VI campaigned in Brittany. In August 1343 he and the Dauphin of Viennois were the French ambassadors at a peace conference at Avignon, but the negotiations were fruitless, as Edward III of England declined to send any but the most junior members of the embassy. Lieutenant in Languedoc On 8 August 1345 Peter was appointed by Philip VI as his lieutenant on the south-west march. His opponent was to be Henry, Earl of Derby (later Earl and Duke of Lancaster) who completed disembarking his army at Bordeaux the day after Peter's appointment. Peter arrived to take up his lieutenancy in Languedoc in September. By then the Earl of Derby had already opened his campaign, throwing the French defences into disarray with the capture of Bergerac and the destruction of the French army present there the previous month. Bourbon set up headquarters at Angoulême and begun an extensive recruitment campaign to raise a new army, command of which fell to the Duke of Normandy. However on 21 October the Earl of Derby won another crushing victory outside Auberoche over parts of this force. The Duke of Normandy abandoned his campaign once he heard the news. In early November he disbanded his army and left for the north. The Earl of Derby exploited the absence of a French commander in the field to lay siege to the important fortress-city of La Réole. Bourbon proclaimed the arrière-ban in Languedoc and the march provinces in an attempt to find troops to relieve the siege. However the results were poor as many of the potential recruits were still on their way home from the army just disbanded by John of Normandy. Attempts by John I, Count of Armagnac to raise troops from his domains in the Rouergue also produced little. Early January 1346 the garrison of La Réole marched away under truce. Winter 1346 Bourbon kept his winter quarters at the provincial capital of Agen, a city which quickly was becoming isolated as many of the lesser towns were captured or defected to the English. Spring however opened with the so far greatest French effort in the south-west. Bourbon and the Bishop of Beauvais raised a new army at Toulouse, in part financed by the Pope whose nephew had been captured by Derby the previous year, while John of Normandy brought with him a substantial number of nobles from the north including such dignitaries as the Eudes IV, Duke of Burgundy, Raoul II of Brienne, Count of Eu the Constable of France, both Marshals and the Master of Crossbowmen. In April Normandy laid siege to the town of Aiguillon which controlled the confluence of the Lot and the Garonne. There they still remained in August when John of Normandy was urgently recalled to the north to help stop Edward III who had landed in Normandy. Derby exploited this with a devastating autumn campaign. And so the French 1346 campaign in the south ended having accomplished nothing. Diplomatic missions In July 1347 he took part in fruitless negotiations with the English outside Calais in the days just before that city's capitulation. On 8 February 1354, Peter was together with the Guy, Cardinal of Boulogne appointed as King John II's commissioners to King Charles II of Navarre, empowered to offer whatever Charles wanted. The two met the King of Navarre in the castle of Mantes, accompanied by the two dowager Queens and droves of courtiers and ministers, most of who more or less openly sympathized with Charles of Navarre. The treaty concluded 22 February granted to Charles of Navarre a considerable part of Lower Normandy which he was to hold with the same rights as the Duke of Normandy. In January 1355, Peter was sent together with the Chancellor of France Pierre de la Forêt on a diplomatic mission to Avignon where they were to meet with an English embassy led by Henry of Lancaster and Richard FitzAlan, 10th Earl of Arundel. The purpose of the mission was to formally ratify a peace treaty based on a draft drawn up at Guînes the previous year. However since then French policy had changed, the French ambassadors had only come to reject the English demands and had nothing new to offer. Negotiations therefore quickly broke down and the conference ended having accomplished nothing except prolonging the existing truce a few more months until 24 June. May 1355 when it became apparent that open war was about to break out between the King of France and a King of Navarre allied to England the Duke of Bourbon belonged to the party fronted by the Dowager Queens who lobbied John II on Charles of Navarre's behalf. In the end John II gave way and on 31 May agreed to pardon Charles of Navarre. In July the Duke of Bourbon and the Chancellor met with English ambassadors to negotiate the extension of the truce. As both the French and English governments had decided to resume the war these negotiations were naturally quite empty and fruitless. Peter was killed in the Battle of Poitiers 19 September 1356 and buried in the now-demolished church of the Couvent des Jacobins in Paris. Marriage and issue On 25 January 1336 he married Isabella of Valois, daughter of Charles, Count of Valois and his third wife Mahaut of Châtillon. Peter and Isabella had: Louis II (1337–1410) Joanna (1338–1378), married King Charles V of France Blanche (1339–1361, Medina-Sidonia), married King Pedro of Castile in 1353 in Valladolid, poisoned by her husband Bonne (1341 – 19 January 1402, Château de Mâcon), married Amadeus VI, Count of Savoy in 1355 in Paris Catherine (1342–1427, Paris), married John VI of Harcourt Margaret (1344–1416), married Arnaud Amanieu, Viscount of Tartas Isabelle (b. 1345) Marie (1347–1401, Poissy), Prioress of Poissy Passage 10: Bonne of Bourbon Bonne of Bourbon (1341 – 19 January 1402) was a Countess of Savoy by marriage to Amadeus VI of Savoy. She served as regent of Savoy during the absence of her spouse from 1366 to 1367, with her son in 1383, and finally during the minority of her grandson Amadeus VIII, Duke of Savoy in 1391–1395. Biography Bonne was the daughter of Peter I, Duke of Bourbon, and Isabella of Valois. She was engaged to Amadeus VI, Count of Savoy as part of the Treaty of Paris (1355), which included a dowry of three thousand florins per year. She married Amadeus in September 1355 in Paris. Immediately after their wedding, her husband had to return to his army, still engaged in the Hundred Years' War. First regency In 1366, when her husband left on a crusade to Bulgaria, he named her as regent of Savoy for the duration of his absence, to be advised by his council. In 1367, James, lord of Piedmont, a cousin of Amadeus, died. There was a dispute over his inheritance between his eldest son, Philip and his widow, Margaret of Beaujeu, representing the interests of her young sons, Amadeus and Louis. Bonne, acting as regent, was only able to keep them from open war. She was not able to settle the dispute, and Philip had to go to Amadeus in Venice to try to get resolution.She greatly enjoyed the Alpine mountain lakes of Savoy, and tried to ensure the castles she stayed in had good views of them. In 1371, she oversaw the building of the chateau at Ripaille, seeking to build a manor that would more easily accommodate the larger court of the Count. The new chateau had large windows overlooking Lake Geneva. She was a great patron of music, and was known for her skill on the harp.In July 1382, funds were running low for her husband's ongoing wars in Italy, so she sold some of her jewelry for more than 400 florins to help him re-equip. Second regency In 1383, when her husband, Amadeus VI, died, he left a will granting his wife power over the government of Savoy despite their son, Amadeus VII, being in his early twenties. With the support of the Council, led by Louis de Cossonay and composed of several of her allies, such as Otton de Grandson, Bonne governed Savoy in her son's name. According to Max Bruchet, one of the fears of the Council in those days was the growing influence of French princes over Savoy: the Duke of Berry had married his daughter to Amadeus VII and his grandson, Amadeus VIII, would one day rule Savoy. The young Amadeus was also betrothed to Mary, the daughter of Philip II, the Duke of Burgundy. Both princes had been younger brothers of Charles V, the King of France, and were now acting as regents for their nephew, Charles VI. Third regency When Amadeus VII died of tetanus in 1391, and Bonne became regent. Her influence over Savoy came to an end when Amadeus VII's doctor (widely seen to have been responsible for the Count's death) accused the Countess of ordering her son's death in 1395. The Dukes of Berry and Burgundy also accused several members of the Count's Council of being complicit in the murder and Bonne was relieved of the regency and of caring for her grandson, the new Count Amadeus VIII. Bonne died at the Château de Mâcon. Issue She and Amadeus had three children: A daughter, born 1358, who died after a few weeks Amadeus VII of Savoy (March 1360 – November 1, 1391). He married Bonne of Berry (1365–1435), daughter of Duke John of Berry and a niece of Bonne of Bourbon. Louis of Savoy, born late 1364, died before the end of the year Ancestry

doc_36

Passage 1: John G. Adolfi John Gustav Adolfi (February 19, 1888 – May 11, 1933) was an American silent film director, actor, and screenwriter who was involved in more than 100 productions throughout his career. An early acting credit was in the recently restored 1912 film Robin Hood. Biography He was born in New York City to Gustav Adolfi and Jennie Reinhardt. Adolfi entered films as an actor in The Spy: A Romantic Story of the Civil War in 1907, but after appearing in thirty or so films he switched roles and concentrated on directing until his death in 1933 from a brain hemorrhage in British Columbia, Canada while hunting bears. Filmography Passage 2: Who's Your Daddy? (film) Who's Your Daddy? is a 2002 American comedy film directed and directed by Andy Fickman. Synopsis Chris Hughes (Brandon Davis), an adopted and geeky Ohio high school senior, discovers that his recently deceased birth parents are the proprietors of a vast pornography empire and he is the inherited heir. Dropped into a bitter power struggle, his new flock of beautiful co-workers come to his aid. Chris Hughes is an outsider and geek in Ohio. He is in the middle of his senior year at high school and he is 18 years old. Chris earns extra money working on a paper route riding a moped. Right now, he would do anything to get out of the job. Chris is raised by his religious parents, Carl Hughes (Dave Thomas) and Beverly Hughes (Colleen Camp). They own a grocery store and are very strict on no drinking, smoking. sex until marriage. They also don't tolerate porn or porn magazines that Chris hides under his bed. His little adopted brother Danny Hughes (Justin Berfield) is popular and has a better chance with a girl than Chris. Danny usually gets away with murder from his parents; Chris always ends up getting in trouble. Chris is a reporter in the school newspaper, and he is a good writer. However, he is always late on deadlines or dedication. He has a crush on the most popular girl Brittany Van Horn (Marnette Patterson), who is the mean girl of their school. She dreams about getting out of town and becoming a famous actress or model. She has an entourage, too, and she is dating Hudson Reed (Ryan Bittle) on and off. Hudson is the popular jock—handsome and able to get any girl he wants. Chris always wished he could be like him sometimes. Chris even fantasizes a lot of times, wishing he could hook up with Brittany. It is never going to happen, as she does not know Chris even exists. Brittany only dates good-looking popular guys. Chris and his friends, who are nerdy perverts like Adam Torey (Charlie Talbert), Scooter (Martin Starr), Murphy (Robert Ri'chard) and Steven Chambers, are labeled as the outsiders and geeks of their high school. For once, they want to do something noticeable to earn a ticket to popularity. Chris had an idea to throw a party at his house while his parents are out of town. They need the booze to attract the popular crowd, especially Brittany and her entourage. Production and release The film's producers intended for Who's Your Daddy? to capitalize on the start of the 21st century's teenage sex comedy revival, as spearheaded by 1999's American Pie. Fickman shot the film in 2001, but after an unsuccessful test-screening process in 2002, the film was shelved for a number of years. Unreleased theatrically in North America, Who's Your Daddy? finally reached US audiences on DVD in January 2005, followed by a short run in Icelandic cinemas the following summer. Passage 3: Hassan Zee Hassan "Doctor" Zee is a Pakistani-American film director who was born in Chakwal, Pakistan. Early life Doctor Zee grew up in Chakwal, a small village in Punjab, Pakistan. as one of seven brothers and sisters His father was in the military and this fact required the family to move often to different cities. As a child Zee was forbidden from watching cinema because his father believed movies were a bad influence on children. At age 13, Doctor Zee got his start in the world of entertainment at Radio Pakistan where he wrote and produced radio dramas and musical programs. It was then that he realized his passion for storytelling At the age of 26, Doctor Zee earned his medical doctorate degree and did his residency in a burn unit at the Pakistan Institute of Medical Sciences. He cared for women who were victims of "Bride Burning," the archaic practice used as a form of punishment against women who fail to provide sufficient dowry to their in-laws after marriage or fail to provide offspring. He also witnessed how his country’s transgender and intersex people, called “hijras”, were banned from having jobs and forced to beg to survive. These experiences inspired Doctor Zee to tackle the issues of women’s empowerment and gender inequality in his films.In 1999, he came to San Francisco to pursue his dream of filmmaking and made San Francisco his home Education He received his early education from Jinnah Public School, Chakwal. He got his medical doctor degree at Rawalpindi Medical College, Pakistan. Film career Doctor Zee's first film titled Night of Henna was released in 2005. The theme of the film dealt with "the conflict between Old World immigrant customs and modern Western ways..." Night of Henna focused on the problems of Pakistani expatriates who found it hard to adjust in American culture. Many often landed themselves in trouble when it came to marrying off their children. His second film Bicycle Bride came out in 2010, which was about "the clash between the bonds of family and the weight of tradition." His third film House of Temptation that came out in 2014 was about a family which struggles against the temptations of the Devil. His fourth film “Good Morning Pakistan”, concerned a young American’s journey back to Pakistan where he confronts the contradictory nature of a beautiful and ancient culture that's marred by economic, educational and gender inequality His upcoming fifth film, "Ghost in San Francisco" is a supernatural thriller starring Felissa Rose, Dave Sheridan, and Kyle Lowder where a soldier comes home from Afghanistan to discover that his wife is having an affair with his best friend. While battling with his inner ghosts and demons, he meets a mysterious woman in San Francisco who promises him a ritual for his cure. Passage 4: Henry Moore (cricketer) Henry Walter Moore (1849 – 20 August 1916) was an English-born first-class cricketer who spent most of his life in New Zealand. Life and family Henry Moore was born in Cranbrook, Kent, in 1849. He was the son of the Reverend Edward Moore and Lady Harriet Janet Sarah Montagu-Scott, who was one of the daughters of the 4th Duke of Buccleuch. One of his brothers, Arthur, became an admiral and was knighted. Their great grandfather was John Moore, Archbishop of Canterbury from 1783 to 1805. One of their sisters was a maid of honour to Queen Victoria.Moore went to New Zealand in the 1870s and lived in Geraldine and Christchurch. He married Henrietta Lysaght of Hāwera in November 1879, and they had one son. In May 1884 she died a few days after giving birth to a daughter, who also died.In 1886 Moore became a Justice of the Peace in Geraldine. In 1897 he married Alice Fish of Geraldine. They moved to England four years before his death in 1916. Cricket career Moore was a right-handed middle-order batsman. In consecutive seasons, 1876–77 and 1877–78, playing for Canterbury, he made the highest score in the short New Zealand first-class season: 76 and 75 respectively. His 76 came in his first match for Canterbury, against Otago. He went to the wicket early on the first day with the score at 7 for 2 and put on 99 for the third wicket with Charles Corfe before he was out with the score at 106 for 3 after a "very fine exhibition of free hitting, combined with good defence". Canterbury were all out for 133, but went on to win the match. His 75 came in the next season's match against Otago, when he took the score from 22 for 2 to 136 for 6. The New Zealand cricket historian Tom Reese said, "Right from the beginning he smote the bowling hip and thigh, going out of his ground to indulge in some forceful driving." Canterbury won again.Moore led the batting averages in the Canterbury Cricket Association in 1877–78 with 379 runs at an average of 34.4. Also in 1877–78, he was a member of the Canterbury team that inflicted the only defeat on the touring Australians. In 1896–97, at the age of 47, he top-scored in each innings for a South Canterbury XVIII against the touring Queensland cricket team. Passage 5: Who's Your Brother? Who's Your Brother? is a 1919 American silent drama film directed by John G. Adolfi and starring Edith Taliaferro, Frank Burbeck and Paul Panzer. It was also released under the alternative title Keep to the Right. Cast Edith Taliaferro as Esther Field Frank Burbeck as Stephen Field Paul Panzer as Stephen Field (20 years earlier) Coit Albertson as Dr. William Morris Herbert Fortier as Robert E. Graham Sr. Gladden James as Robert E. Graham Jr. Elizabeth Garrison as Mrs. Robert Graham Elizabeth Kennedy as The kid Edith Stockton as Dorothy Graham Passage 6: Wale Adebanwi Wale Adebanwi (born 1969) is a Nigerian-born first Black Rhodes Professor at St Antony's College, Oxford where he was, until June 2021, a Professor of Race Relations, and the Director of the African Studies Centre, School of Interdisciplinary Area Studies, and a Governing Board Fellow. He is currently a Presidential Penn Compact Professor of Africana Studies at the University of Pennsylvania. Adebanwi's research focuses on a range of topics in the areas of social change, nationalism and ethnicity, race relations, identity politics, elites and cultural politics, democratic process, newspaper press and spatial politics in Africa. Education background Wale Adebanwi graduated with a first degree in Mass Communication from the University of Lagos, and later earned his M.Sc. and Ph.D. in Political Science from the University of Ibadan. He also has an MPhil. and a Ph.D. in Social Anthropology from the University of Cambridge. Career Adebanwi worked as a freelance reporter, writer, journalist and editor for many newspapers and magazines before he joined the University of Ibadan's Department of Political Science as a lecturer and researcher. He was later appointed as an assistant professor in the African American and African Studies Department of the University of California, Davis, USA. He became a full professor at UC Davis in 2016.Adebanwi is the co-editor of Africa: Journal of the International African Institute and the Journal of Contemporary African Studies. Works His published works include: Nation as Grand Narrative: The Nigerian Press and the Politics of Meaning (University of Rochester Press, 2016) Yoruba Elites and Ethnic Politics in Nigeria: Obafemi Awolowo and Corporate Agency (Cambridge University Press, 2014) Authority Stealing: Anti-corruption War and Democratic Politics in Post-Military Nigeria (Carolina Academic Press, 2012)In addition, he is the editor and co-editor of other books, including. The Political Economy of Everyday Life in Africa: Beyond the Margins (James Currey Publishers, 2017) Writers and Social Thought in Africa (Routledge, 2016) (co-edited with Ebenezer Obadare) Governance and the Crisis of Rule in Contemporary Africa (Palgrave Macmillan, 2016) (co-edited with Ebenezer Obadare) Democracy and Prebendalism in Nigeria: Critical Interpretations (Palgrave Macmillan, 2013). (co-edited with Ebenezer Obadare) Nigeria at Fifty: The Nation in Narration (Routledge, 2012) (co-edited with Ebenezer Obadare) Encountering the Nigerian State (Palgrave Macmillan, 2010). Awards Rhodes Professorship in Race Relations awarded by Oxford University to Faculty of African and Interdisciplinary Area Studies. Passage 7: Lewis R. Foster Lewis Ransom Foster (August 5, 1898 – June 10, 1974) was an American screenwriter, film/television director, and film/television producer. He directed and wrote over one hundred films and television series between 1926 and 1960. Selected filmography Director Double Whoopee (1929) Berth Marks (1929) Angora Love (1929) Dizzy Dates (1930) Blondes Prefer Bonds (1931) Love Letters of a Star (1936) The Man Who Cried Wolf (1937) El Paso (1949) The Lucky Stiff (1949) Manhandled (1949) Captain China (1950) Passage West (1951) Hong Kong (1952) Tropic Zone (1953) Those Redheads From Seattle (1953) filmed in 3-D Four Star Playhouse (1 episode, 1954) Crashout (1955) The Bold and the Brave (1956) Cavalcade of America (2 episodes, 1955–1956) The Adventures of Jim Bowie (21 episodes, 1956–1957) Tonka (1958) The Wonderful World of Disney (8 episodes, 1957–1960) Writer The Merry Widower (1926) Wrong Again (Story, 1929) Broken Wedding Bells (1930) The Great Pie Mystery (1931) Air Eagles (1931) The Girl in the Tonneau (1932) Cheating Blondes (1933) Stolen Harmony (1935) Two in a Crowd (1936) The Magnificent Brute (1936) She's Dangerous (1937) Tom Sawyer, Detective (1938) Mr. Smith Goes to Washington (Story, 1939) Million Dollar Legs (1939) Golden Gloves (1940) The Farmer's Daughter (1940) Adventure in Washington (1941) I Live on Danger (1942) Alaska Highway (1943) The More The Merrier (1943) Can't Help Singing (1944) It's in the Bag! (1945) I Wonder Who's Kissing Her Now (1947) The Lucky Stiff (1949) The Eagle and the Hawk (1950) Crosswinds (1951) The Blazing Forest (1952) Crashout (1955) The Adventures of Jim Bowie (5 episodes, 1956) Tales of Wells Fargo (2 episodes, 1957–1961) The Wonderful World of Disney (3 episodes, 1959–1960) Awards and nominations External links Lewis R. Foster at IMDb Lewis R. Foster at AllMovie Lewis R. Foster at Find a Grave Passage 8: Hartley Lobban Hartley W Lobban (9 May 1926 – 15 October 2004) was a Jamaican-born first-class cricketer who played 17 matches for Worcestershire in the early 1950s. Life and career Lobban played little cricket in Jamaica. He went to England at the end of World War II as a member of the Royal Air Force, and settled in Kidderminster in Worcestershire in 1947, where he worked as a civilian lorry driver for the RAF. He began playing for Kidderminster Cricket Club in the Birmingham League, and at the start of the 1952 season, opening the bowling for the club's senior team, he had figures of 7 for 9 and 7 for 37.Worcestershire invited him to play for them, and he made his first-class debut against Sussex in July 1952. He took five wickets in the match (his maiden victim being Ken Suttle) and then held on for 4 not out with Peter Richardson (20 not out) to add the 12 runs needed for a one-wicket victory after his county had collapsed from 192 for 2 to 238 for 9. A week later he claimed four wickets against Warwickshire, then a few days later still he managed 6 for 52 (five of his victims bowled) in what was otherwise a disastrous innings defeat to Derbyshire. In the last match of the season he took a career-best 6 for 51 against Glamorgan; he and Reg Perks (4 for 59) bowled unchanged throughout the first innings. Worcestershire won the game and Lobban finished the season with 23 wickets at 23.69.He took 23 wickets again in 1953, but at a considerably worse average of 34.43, and had only two really successful games: against Oxford University in June, when he took 5 for 70, and then against Sussex in July. On this occasion Lobban claimed eight wickets, his most in a match, including 6 for 103 in the first innings. He also made his highest score with the bat, 18, but Sussex won by five wickets.In 1954 Lobban made only two first-class appearances, and managed only the single wicket of Gloucestershire tail-ender Bomber Wells. In his final game, against Warwickshire at Dudley, his nine first-innings overs cost 51. He bowled just two overs in the second innings as Warwickshire completed an easy ten-wicket win. Lobban played one more Second XI game, against Glamorgan II at Cardiff Arms Park; in this he picked up five wickets. He was also a professional boxer and played rugby union for Kidderminster.He later moved to Canada, where he worked as a teacher in Burnaby, British Columbia. He and his wife Celia had a son and two daughters. Passage 9: The Last Outpost (1951 film) The Last Outpost is a 1951 American Technicolor Western film directed by Lewis R. Foster, set in the American Civil War with brothers on opposite sides. The film is character actor Burt Mustin's film debut at the age of 67. The film earned an estimated $1,225,000 at the US box office in 1951. The Last Outpost had the distinction of being the most successful film for the prolific B movie company, Pine-Thomas Productions. The film was re-released in 1962 by Citation Films Inc. under the title Cavalry Charge. Plot In 1862, Confederate Army Captain Vance Britton (Reagan) and his cavalry force are capturing most of the supplies sent east along the Santa Fe Trail before they reach the Union Army outpost at San Gil, Arizona, where trading post owner Sam McQuade (Ridgely) deals with the Apache Indians. Union Colonel Jeb Britton (Bennett), Vance's brother, is sent West to stop the Confederate raids, unaware that his brother is his adversary. When he arrives with only a small detachment of troops, McQuade tries to persuade Jeb to use the Apaches to subdue the Rebels, but Jeb rejects the idea, certain the Indians would kill settlers as well as Confederate soldiers. That evening McQuade, believing that Jeb rather than Vance is the Britton who was once the fiancé of McQuade's lonely and unhappy wife Julie (Fleming), tries to embarrass them both socially. McQuade angrily tells Julie that she is still pining for Vance and she leaves him. Vance turns the tables on Jeb’s attempt to trap the Rebels and humiliates him. Returning to the fort on foot and bootless, Jeb is informed by McQuade that he has persuaded the government to negotiate with the Apaches. Soon afterwards McQuade is attacked and killed by Apaches. Vance finds a letter on McQuade's body stating that a Union officer is on his way from Washington, D.C. to parley with the Apache chiefs. Vance waylays the officer and takes his place, discovering that Chief Grey Cloud is actually a disgraced former Army general who married an Apache. Gray Cloud knows the real emissary and Britton admits that he is a Confederate officer trying to keep the Apaches out of the war. A group of Apaches is arrested for McQuade's murder. Gray Cloud gives Vance 24 hours to free the prisoners as the price of keeping the Apaches from joining forces with the Union troops. Still posing as a Yankee officer, Vance goes to the jail in San Gil, where the jailed Apaches tell him that McQuade was killed for selling them defective guns and tainted liquor. He encounters Julie, who angrily rejects his explanation that he jilted her because he chose the Confederacy. Before Vance can arrange the escape of the prisoners or seize a shipment of gold coin being sent east by stagecoach, Jeb returns from searching for the Rebels and captures his brother. Vance escapes and reluctantly decides to return to Texas. Grey Cloud, under a flag of truce, comes to San Gil with his warriors and promises to stay out of the white man’s war if the prisoners are released, but is killed by a civilian. Vance and his command learn of the ensuing Apache attack, and he orders his men to charge the Apaches and save the town. After the battle, Julie returns to the East, promising to reunite with Vance someday. The brothers shake hands before the Confederates ride away. Cast Ronald Reagan as Capt. Vance Britton Rhonda Fleming as Julie McQuade Bruce Bennett as Colonel Jeb Britton Bill Williams as Seargent Tucker Noah Beery Jr. as Seargent Calhoun Hugh Beaumont as Lieutenant Fenton Peter Hansen as Lieutenant Crosby Lloyd Corrigan as Mr. Delacourt John Ridgely as Sam McQuade Burt Mustin as Marshal (uncredited) Passage 10: Rumbi Katedza Rumbi Katedza is a Zimbabwean Film Producer and Director who was born on 17 January 1974. Early life and education She did her Primary and Secondary Education in Harare, Zimbabwe. Katedza graduated with a Bachelor of Arts in English from McGill University, Canada in 1995. In 2008 Katedza received the Chevening Scholarship that enabled her to further her studies in film. She also holds a MA in Filmmaking from Goldsmiths College, London University. Work and filmography Katedza has experience in Film and TV Production, Directing, Writing as well as Producing and presenting Radio shows. From 1994 to 2000, She produced and presented radio shows on Women's issues, Arts and Culture, Hip Hop and Acid Jazz for the CKUT (Montreal) and ZBC Radio 3 (Zimbabwe). From 2004 - 2006, she served as the Festival Director of the Zimbabwe International Film Festival. Whilst there, she produced the Postcards from Zimbabwe Series. In 2008, Katedza founded Mai Jai Films and has produced numerous films and television productions under the banner namely Tariro (2008); Big House, Small House (2009); The Axe and the Tree (2011); The Team (2011) Playing Warriors (2012)Her early works include: Danai (2002); Postcards from Zimbabwe (2006); Trapped (2006 – Rumbi Katedza, Marcus Korhonen); Asylum (2007); Insecurity Guard (2007)Rumbi Katedza is a part-time lecturer at the University of Zimbabwe, in the department of Theatre Arts. She is a judge and monitor at the National Arts Merit Awards, responsible for monitoring new film and TV productions throughout the year on behalf of the National Arts Council of Zimbabwe. She has also lobbied Zimbabwean government to actively support the film industry.

doc_37

Passage 1: Dana Blankstein Dana Blankstein-Cohen (born March 3, 1981) is the executive director of the Sam Spiegel Film and Television School. She was appointed by the board of directors in November 2019. Previously she was the CEO of the Israeli Academy of Film and Television. She is a film director, and an Israeli culture entrepreneur. Biography Dana Blankstein was born in Switzerland in 1981 to theatre director Dedi Baron and Professor Alexander Blankstein. She moved to Israel in 1983 and grew up in Tel Aviv. Blankstein graduated from the Sam Spiegel Film and Television School, Jerusalem in 2008 with high honors. During her studies she worked as a personal assistant to directors Savi Gabizon on his film Nina's Tragedies and to Renen Schorr on his film The Loners. She also directed and shot 'the making of' film on Gavison's film Lost and Found. Her debut film Camping competed at the Berlin International Film Festival, 2007. Film and academic career After her studies, Dana founded and directed the film and television department at the Kfar Saba municipality. The department encouraged and promoted productions filmed in the city of Kfar Saba, as well as the established cultural projects, and educational community activities. Blankstein directed the mini-series "Tel Aviviot" (2012). From 2016-2019 was the director of the Israeli Academy of Film and Television. In November 2019 Dana Blankstein Cohen was appointed the new director of the Sam Spiegel Film and Television School where she also oversees the Sam Spiegel International Film Lab. In 2022, she spearheaded the launch of the new Series Lab and the film preparatory program for Arabic speakers in east Jerusalem. Filmography Tel Aviviot (mini-series; director, 2012) Growing Pains (graduation film, Sam Spiegel; director and screenwriter, 2008) Camping (debut film, Sam Spiegel; director and screenwriter, 2006) Passage 2: Brian Kennedy (gallery director) Brian Patrick Kennedy (born 5 November 1961) is an Irish-born art museum director who has worked in Ireland and Australia, and now lives and works in the United States. He was the director of the Peabody Essex Museum in Salem for 17 months, resigning December 31, 2020. He was the director of the Toledo Museum of Art in Ohio from 2010 to 2019. He was the director of the Hood Museum of Art from 2005 to 2010, and the National Gallery of Australia (Canberra) from 1997 to 2004. Career Brian Kennedy currently lives and works in the United States after leaving Australia in 2005 to direct the Hood Museum of Art at Dartmouth College. In October 2010 he became the ninth Director of the Toledo Museum of Art. On 1 July 2019, he succeeded Dan Monroe as the executive director and CEO of the Peabody Essex Museum. Early life and career in Ireland Kennedy was born in Dublin and attended Clonkeen College. He received B.A. (1982), M.A. (1985) and PhD (1989) degrees from University College-Dublin, where he studied both art history and history. He worked in the Irish Department of Education (1982), the European Commission, Brussels (1983), and in Ireland at the Chester Beatty Library (1983–85), Government Publications Office (1985–86), and Department of Finance (1986–89). He married Mary Fiona Carlin in 1988.He was Assistant Director at the National Gallery of Ireland in Dublin from 1989 to 1997. He was Chair of the Irish Association of Art Historians from 1996 to 1997, and of the Council of Australian Art Museum Directors from 2001 to 2003. In September 1997 he became Director of the National Gallery of Australia. National Gallery of Australia (NGA) Kennedy expanded the traveling exhibitions and loans program throughout Australia, arranged for several major shows of Australian art abroad, increased the number of exhibitions at the museum itself and oversaw the development of an extensive multi-media site. Although he oversaw several years of the museum's highest ever annual visitation, he discontinued the emphasis of his predecessor, Betty Churcher, on showing "blockbuster" exhibitions. During his directorship, the NGA gained government support for improving the building and significant private donations and corporate sponsorship. However, the initial design for the building proved controversial generating a public dispute with the original architect on moral rights grounds. As a result, the project was not delivered during Dr Kennedy's tenure, with a significantly altered design completed some years later. Private funding supported two acquisitions of British art, including David Hockney's A Bigger Grand Canyon in 1999, and Lucian Freud's After Cézanne in 2001. Kennedy built on the established collections at the museum by acquiring the Holmgren-Spertus collection of Indonesian textiles; the Kenneth Tyler collection of editioned prints, screens, multiples and unique proofs; and the Australian Print Workshop Archive. He was also notable for campaigning for the construction of a new "front" entrance to the Gallery, facing King Edward Terrace, which was completed in 2010 (see reference to the building project above). Kennedy's cancellation of the "Sensation exhibition" (scheduled at the NGA from 2 June 2000 to 13 August 2000) was controversial, and seen by some as censorship. He claimed that the decision was due to the exhibition being "too close to the market" implying that a national cultural institution cannot exhibit the private collection of a speculative art investor. However, there were other exhibitions at the NGA during his tenure, which could have raised similar concerns. The exhibition featured the privately owned Young British Artists works belonging to Charles Saatchi and attracted large attendances in London and Brooklyn. Its most controversial work was Chris Ofili's The Holy Virgin Mary, a painting which used elephant dung and was accused of being blasphemous. The then-mayor of New York, Rudolph Giuliani, campaigned against the exhibition, claiming it was "Catholic-bashing" and an "aggressive, vicious, disgusting attack on religion." In November 1999, Kennedy cancelled the exhibition and stated that the events in New York had "obscured discussion of the artistic merit of the works of art". He has said that it "was the toughest decision of my professional life, so far."Kennedy was also repeatedly questioned on his management of a range of issues during the Australian Government's Senate Estimates process - particularly on the NGA's occupational health and safety record and concerns about the NGA's twenty-year-old air-conditioning system. The air-conditioning was finally renovated in 2003. Kennedy announced in 2002 that he would not seek extension of his contract beyond 2004, accepting a seven-year term as had his two predecessors.He became a joint Irish-Australian citizen in 2003. Toledo Museum of Art The Toledo Museum of Art is known for its exceptional collections of European and American paintings and sculpture, glass, antiquities, artist books, Japanese prints and netsuke. The museum offers free admission and is recognized for its historical leadership in the field of art education. During his tenure, Kennedy has focused the museum's art education efforts on visual literacy, which he defines as "learning to read, understand and write visual language." Initiatives have included baby and toddler tours, specialized training for all staff, docents, volunteers and the launch of a website, www.vislit.org. In November 2014, the museum hosted the International Visual Literacy Association (IVLA) conference, the first Museum to do so. Kennedy has been a frequent speaker on the topic, including 2010 and 2013 TEDx talks on visual and sensory literacy. Kennedy has expressed an interest in expanding the museum's collection of contemporary art and art by indigenous peoples. Works by Frank Stella, Sean Scully, Jaume Plensa, Ravinder Reddy and Mary Sibande have been acquired. In addition, the museum has made major acquisitions of Old Master paintings by Frans Hals and Luca Giordano.During his tenure the Toledo Museum of Art has announced the return of several objects from its collection due to claims the objects were stolen and/or illegally exported prior being sold to the museum. In 2011 a Meissen sweetmeat stand was returned to Germany followed by an Etruscan Kalpis or water jug to Italy (2013), an Indian sculpture of Ganesha (2014) and an astrological compendium to Germany in 2015. Hood Museum of Art Kennedy became Director of the Hood Museum of Art in July 2005. During his tenure, he implemented a series of large and small-scale exhibitions and oversaw the production of more than 20 publications to bring greater public attention to the museum's remarkable collections of the arts of America, Europe, Africa, Papua New Guinea and the Polar regions. At 70,000 objects, the Hood has one of the largest collections on any American college of university campus. The exhibition, Black Womanhood: Images, Icons, and Ideologies of the African Body, toured several US venues. Kennedy increased campus curricular use of works of art, with thousands of objects pulled from storage for classes annually. Numerous acquisitions were made with the museum's generous endowments, and he curated several exhibitions: including Wenda Gu: Forest of Stone Steles: Retranslation and Rewriting Tang Dynasty Poetry, Sean Scully: The Art of the Stripe, and Frank Stella: Irregular Polygons. Publications Kennedy has written or edited a number of books on art, including: Alfred Chester Beatty and Ireland 1950-1968: A study in cultural politics, Glendale Press (1988), ISBN 978-0-907606-49-9 Dreams and responsibilities: The state and arts in independent Ireland, Arts Council of Ireland (1990), ISBN 978-0-906627-32-7 Jack B Yeats: Jack Butler Yeats, 1871-1957 (Lives of Irish Artists), Unipub (October 1991), ISBN 978-0-948524-24-0 The Anatomy Lesson: Art and Medicine (with Davis Coakley), National Gallery of Ireland (January 1992), ISBN 978-0-903162-65-4 Ireland: Art into History (with Raymond Gillespie), Roberts Rinehart Publishers (1994), ISBN 978-1-57098-005-3 Irish Painting, Roberts Rinehart Publishers (November 1997), ISBN 978-1-86059-059-7 Sean Scully: The Art of the Stripe, Hood Museum of Art (October 2008), ISBN 978-0-944722-34-3 Frank Stella: Irregular Polygons, 1965-1966, Hood Museum of Art (October 2010), ISBN 978-0-944722-39-8 Honors and achievements Kennedy was awarded the Australian Centenary Medal in 2001 for service to Australian Society and its art. He is a trustee and treasurer of the Association of Art Museum Directors, a peer reviewer for the American Association of Museums and a member of the International Association of Art Critics. In 2013 he was appointed inaugural eminent professor at the University of Toledo and received an honorary doctorate from Lourdes University. Most recently, Kennedy received the 2014 Northwest Region, Ohio Art Education Association award for distinguished educator for art education. == Notes == Passage 3: William Dear William Dear (born November 30, 1943) is a Canadian actor, director, producer and screenwriter. He is known for directing the films Harry and the Hendersons, If Looks Could Kill, Angels in the Outfield, Wild America, and Santa Who?.He also directed episodes of the television series Saturday Night Live, Television Parts, Amazing Stories, Dinosaurs, Covington Cross, and The Wannabes Starring Savvy. Dear was born on November 30, 1943, in Toronto, Ontario. He is the father of actor and storyboard artist, Oliver Dear. Filmography Director Nymph (1973) Northville Cemetery Massacre (1976) PopClips (1980) Elephant Parts (1981) Timerider: The Adventure of Lyle Swann (1982) Harry and the Hendersons (1987) If Looks Could Kill (1991) Journey to the Center of the Earth (1993) Angels in the Outfield (1994) Wild America (1997) Balloon Farm (1999) Santa Who? (2000) School of Life (2005) Simon Says (2006) The Foursome (2006) The Sandlot: Heading Home (2007) Free Style (2008) The Perfect Game (2009) Mr. Troop Mom (2009) Politics of Love (2011) A Mile in His Shoes (2011) Actor Timerider: The Adventure of Lyle Swann (1982) - 3rd Technician Harry and the Hendersons (1987) - Sighting Man Darkman (1990) - Limo Driver If Looks Could Kill (1991) - Bomb Tester Angels in the Outfield (1994) - Toronto Manager Midnight Stallion (2013) - Whip T. Vicker Razor (2017) - Bill Passage 4: S. N. Mathur S.N. Mathur was the Director of the Indian Intelligence Bureau between September 1975 and February 1980. He was also the Director General of Police in Punjab. Passage 5: Ian Barry (director) Ian Barry is an Australian director of film and TV. Select credits Waiting for Lucas (1973) (short) Stone (1974) (editor only) The Chain Reaction (1980) Whose Baby? (1986) (mini-series) Minnamurra (1989) Bodysurfer (1989) (mini-series) Ring of Scorpio (1990) (mini-series) Crimebroker (1993) Inferno (1998) (TV movie) Miss Lettie and Me (2002) (TV movie) Not Quite Hollywood: The Wild, Untold Story of Ozploitation! (2008) (documentary) The Doctor Blake Mysteries (2013) Passage 6: Jason Moore (director) Jason Moore (born October 22, 1970) is an American director of film, theatre and television. Life and career Jason Moore was born in Fayetteville, Arkansas, and studied at Northwestern University. Moore's Broadway career began as a resident director of Les Misérables at the Imperial Theatre in during its original run. He is the son of Fayetteville District Judge Rudy Moore.In March 2003, Moore directed the musical Avenue Q, which opened Off-Broadway at the Vineyard Theatre and then moved to Broadway at the John Golden Theatre in July 2003. He was nominated for a 2004 Tony Award for his direction. Moore also directed productions of the musical in Las Vegas and London and the show's national tour. Moore directed the 2005 Broadway revival of Steel Magnolias and Shrek the Musical, starring Brian d'Arcy James and Sutton Foster which opened on Broadway in 2008. He directed the concert of Jerry Springer — The Opera at Carnegie Hall in January 2008.Moore, Jeff Whitty, Jake Shears, and John "JJ" Garden worked together on a new musical based on Armistead Maupin's Tales of the City. The musical premiered at the American Conservatory Theater, San Francisco, California in May 2011 and ran through July 2011.For television, Moore has directed episodes of Dawson's Creek, One Tree Hill, Everwood, and Brothers & Sisters. As a writer, Moore adapted the play The Floatplane Notebooks with Paul Fitzgerald from the novel by Clyde Edgerton. A staged reading of the play was presented at the New Play Festival at the Charlotte, North Carolina Repertory Theatre in 1996, with a fully staged production in 1998.In 2012, Moore made his film directorial debut with Pitch Perfect, starring Anna Kendrick and Brittany Snow. He also served as an executive producer on the sequel. He directed the film Sisters, starring Tina Fey and Amy Poehler, which was released on December 18, 2015. Moore's next project will be directing a live action Archie movie. Filmography Films Pitch Perfect (2012) Sisters (2015) Shotgun Wedding (2022)Television Soundtrack writer Pitch Perfect 2 (2015) (Also executive producer) The Voice (2015) (1 episode) Passage 7: Jesse E. Hobson Jesse Edward Hobson (May 2, 1911 – November 5, 1970) was the director of SRI International from 1947 to 1955. Prior to SRI, he was the director of the Armour Research Foundation. Early life and education Hobson was born in Marshall, Indiana. He received bachelor's and master's degrees in electrical engineering from Purdue University and a PhD in electrical engineering from the California Institute of Technology. Hobson was also selected as a nationally outstanding engineer.Hobson married Jessie Eugertha Bell on March 26, 1939, and they had five children. Career Awards and memberships Hobson was named an IEEE Fellow in 1948. Passage 8: Peter Levin Peter Levin is an American director of film, television and theatre. Career Since 1967, Levin has amassed a large number of credits directing episodic television and television films. Some of his television series credits include Love Is a Many Splendored Thing, James at 15, The Paper Chase, Family, Starsky & Hutch, Lou Grant, Fame, Cagney & Lacey, Law & Order and Judging Amy.Some of his television film credits include Rape and Marriage: The Rideout Case (1980), A Reason to Live (1985), Popeye Doyle (1986), A Killer Among Us (1990), Queen Sized (2008) and among other films. He directed "Heart in Hiding", written by his wife Audrey Davis Levin, for which she received an Emmy for Best Day Time Special in the 1970s. Prior to becoming a director, Levin worked as an actor in several Broadway productions. He costarred with Susan Strasberg in "[The Diary of Ann Frank]" but had to leave the production when he was drafted into the Army. He trained at the Carnegie Mellon University. Eventually becoming a theatre director, he directed productions at the Long Wharf Theatre and the Pacific Resident Theatre Company. He also co-founded the off-off-Broadway Theatre [the Hardware Poets Playhouse] with his wife Audrey Davis Levin and was also an associate artist of The Interact Theatre Company. Passage 9: Olav Aaraas Olav Aaraas (born 10 July 1950) is a Norwegian historian and museum director. He was born in Fredrikstad. From 1982 to 1993 he was the director of Sogn Folk Museum, from 1993 to 2010 he was the director of Maihaugen and from 2001 he has been the director of the Norwegian Museum of Cultural History. In 2010 he was decorated with the Royal Norwegian Order of St. Olav. Passage 10: Northville Cemetery Massacre Northville Cemetery Massacre is a 1976 outlaw biker film written and directed by William Dear and Thomas L. Dyke. Nick Nolte did an uncredited voice over for the film's lead actor, David Hyry. Plot An outlaw motorcycle club commits illegal acts, but only to make a point against police corruption. They are normally law-abiding, even going so far as to help an elderly couple whose car stops running. When a police officer rapes a woman, he frames the crime on the bikers. The town's citizens attack the gang in revenge, leading to a battle. Production William Dear asked Michael Nesmith to compose the film's music and Nesmith agreed. The film's crew was unable to pay him, but he composed the music for free. The author Steven Puchalski referred to the film as the "perfect funeral wreath to the biker movie phenomenon". It was filmed using 16 mm film. Reception Bill Gibron, writing for DVD Verdict, said, "amid all its gory, blood-soaked brazenness, there's a message about personal and public perspective that is awfully hard to miss". Scott Weinberg, of DVD Talk, said, "Highly recommended to anyone who's old enough to remember and appreciate this type of low-budget, down & dirty, occasionally terrible but entirely watchable genre fare."A TV Guide review said, "Unimaginatively directed and too bloody for words". Home media The film was released on VHS under Northville Cemetery Massacre, as well as Freedom R.I.P. and Harley's Angels. It was released on DVD in 2006 with three commentaries, behind the scenes pictures, previous film posters, three film trailers, and biographies. The DVD is the 30th Anniversary Director's Cut.

doc_38

Passage 1: Danny DeVito Daniel Michael DeVito Jr. (born November 17, 1944) is an American actor, comedian, and filmmaker. He gained prominence for his portrayal of the taxi dispatcher Louie De Palma in the television series Taxi (1978–1983), which won him a Golden Globe Award and an Emmy Award. He plays Frank Reynolds on the FX and FXX sitcom It's Always Sunny in Philadelphia (2006–present). He is known for his film roles in One Flew Over the Cuckoo's Nest (1975), Terms of Endearment (1983), Romancing the Stone (1984), Throw Momma from the Train (1987), Twins (1988), The War of the Roses (1989), Batman Returns (1992), Jack the Bear (1993), Junior (1994), Get Shorty (1995), Matilda (1996), L.A. Confidential (1997), The Big Kahuna (1999), Big Fish (2003), Deck the Halls (2006), When in Rome (2010), Wiener-Dog (2016) and Jumanji: The Next Level (2019). He is also known for his voice roles in such films as Hercules (1997), The Lorax (2012) and Smallfoot (2018). DeVito and Michael Shamberg founded Jersey Films. Soon afterwards, Stacey Sher became an equal partner. The production company is known for films such as Pulp Fiction, Garden State, and Freedom Writers. DeVito also owned Jersey Television, which produced the Comedy Central series Reno 911!. DeVito and wife Rhea Perlman starred together in his 1996 film Matilda, based on Roald Dahl's children's novel. DeVito was also one of the producers nominated for an Academy Award for Best Picture for Erin Brockovich (2000). In 2017, he earned a Tony Award nomination for Best Featured Actor in a Play for his performance in the Broadway revival of Arthur Miller's The Price. Early life DeVito was born at Raleigh Fitkin-Paul Morgan Memorial Hospital in Neptune Township, New Jersey, the son of Daniel DeVito Sr., a small business owner, and Julia DeVito (née Moccello). He grew up in a family of five, with his parents and two older sisters. He is of Italo-Albanian descent; his family is originally from San Fele, Basilicata, as well as from the Arbëresh Albanian community of Calabria. He was raised in Asbury Park, New Jersey. He lived a few miles away from the original Jersey Mike's location and would eat there frequently, which would inspire him to become the sub shop's first celebrity spokesman in a line of commercials that began to air in September 2022.DeVito was raised as a Catholic. When he was 14, he persuaded his father to send him to boarding school to "keep him out of trouble", and graduated from Oratory Preparatory School in Summit, New Jersey, in 1962. While working as a beautician at his sister's salon, his search for a professional makeup instructor led him to the American Academy of Dramatic Arts, where he graduated in 1966. In his early theater days, he performed with the Colonnades Theater Lab at the Eugene O'Neill Theater Center in Waterford, Connecticut. Along with his future wife Rhea Perlman, he appeared in plays produced by the Westbeth Playwrights Feminist Collective. Career Film work DeVito played Martini in the 1975 film One Flew Over the Cuckoo's Nest, reprising his role from the 1971 off-Broadway play of the same title. After his time on the Taxi series ended, DeVito devoted more effort to a growing successful film career, appearing as Vernon Dalhart in the 1983 hit Terms of Endearment; as the comic rogue Ralph in the romantic adventure Romancing the Stone (1984), starring Michael Douglas and Kathleen Turner; and its sequel, The Jewel of the Nile (1985). In 1986, DeVito starred in Ruthless People with Bette Midler and Judge Reinhold, and in 1987 he made his feature-directing debut with the dark comedy Throw Momma from the Train, in which he starred with Billy Crystal and Anne Ramsey. He reunited with Douglas and Turner two years later in The War of the Roses (1989), which he directed and in which he co-starred. Other work included Other People's Money with Gregory Peck; director Barry Levinson's Tin Men, as a rival salesman to Richard Dreyfuss' character; the comedies Junior (1994) and Twins (1988) with Arnold Schwarzenegger; playing the villain The Penguin in director Tim Burton's Batman Returns (1992); and the film adaptation Matilda (1996), which he directed and co-produced, along with playing the role of Matilda's father, the villainous car dealer Harry Wormwood. Although generally a comic actor, DeVito expanded into dramatic roles with The Rainmaker (1997); Hoffa (1992), which he directed and in which he co-starred with Jack Nicholson; Jack the Bear (1993); neo-noir film L.A. Confidential (1997); The Big Kahuna (1999); and Heist (2001), as a gangster nemesis of Joe Moore (Gene Hackman). DeVito has an interest in documentaries. In 2006 he began a partnership with Morgan Freeman's company ClickStar, for whom he hosts the documentary channel Jersey Docs. He was also interviewed in the documentary Revenge of the Electric Car, discussing his interest in and ownership of electric vehicles. Theatre In April 2012, DeVito made his West End acting debut in a revival of the Neil Simon play The Sunshine Boys as Willie Clark, alongside Richard Griffiths. It previewed at the Savoy Theatre in London from April 27, 2012, opened on May 17, and played a limited 12-week season until July 28.DeVito made his Broadway debut in a Roundabout Theatre Company revival of the Arthur Miller play The Price as Gregory Solomon, for which he was nominated for a Tony Award. The production began preview performances at the American Airlines Theatre on February 16, 2017, and opened on March 16 for a limited run-through on May 7. Producing DeVito has become a major film and television producer. DeVito founded Jersey Films in 1991, producing films like Pulp Fiction, Get Shorty, Erin Brockovich (for which he received an Academy Award nomination for Best Picture), Gattaca, and Garden State. In 1999, he produced and co-starred in Man on the Moon, a film about the unusual life of his former Taxi co-star Andy Kaufman, played in the film by Jim Carrey. DeVito also produced the Comedy Central series Reno 911!, the film spin-off Reno 911!: Miami, and the revival on Quibi. Directing DeVito made his directorial debut in 1984 with The Ratings Game. He then directed and starred in Throw Momma from the Train (1987), The War of the Roses (1989), Hoffa (1992), Matilda (1996), Death to Smoochy (2002) and Duplex (2003). The War of the Roses was a commercial and critical success, as was the film adaptation of Roald Dahl's Matilda; Death to Smoochy and Duplex had mixed reviews. He also directed the TV movie Queen B in 2005.DeVito has directed eight short films between 1973 and 2016, five of which were released across 2010 and 2011. These are The Sound Sleeper (1973), Minestrone (1975), Oh Those Lips (2010), Evil Eye (2010), Poison Tongue (2011), Skin Deep (2011), Nest of Vipers (2011) and Curmudgeons (2016). Television and voice-over work In 1977, DeVito played the role of John "John John the Apple" DeAppoliso in the Starsky & Hutch episode "The Collector". DeVito gained fame in 1978 playing Louie De Palma, the short but domineering dispatcher for the fictional Sunshine Cab Company, on the hit TV show Taxi. In 1986, he directed and starred in the black comedy "The Wedding Ring", a season 2 episode of Steven Spielberg's anthology series Amazing Stories, where his character acquires an engagement ring for his wife (played by DeVito's real-life wife, actress Rhea Perlman). When the ring is slipped on his wife's finger, she is possessed by the ring's former owner, a murderous black widow. That year, DeVito also voiced the Grundle King in My Little Pony: The Movie. In 1990, he and Rhea Perlman played the couple Vic & Paula, commenting on the state of the environment in The Earth Day Special. In 1991 and 1992, DeVito voiced Herb Powell in The Simpsons episodes "Brother, Can You Spare Two Dimes?" and "Oh Brother, Where Art Thou?". In 2013, he would voice Herb for a third time in the episode "The Changing of the Guardian".In 1996, he provided the voice of Mr. Swackhammer in Space Jam. In 1997, he was the voice of Philoctetes in the Disney film Hercules. In 1999, DeVito hosted the last Saturday Night Live episode before the year 2000. He earned a 2004 Emmy nomination for Outstanding Guest Actor in a Comedy Series for an episode of Friends, following four Emmy nominations (including a 1981 win) for Outstanding Supporting Actor in a Comedy for Taxi. In 2006, he joined the cast of It's Always Sunny in Philadelphia as Frank Reynolds. In 2011, DeVito received a star on the Hollywood Walk of Fame for his work in television. In 2012, he voiced the title character in the animated version of Dr. Seuss' The Lorax. He appeared in the Angry Birds Friends "Champions for Earth" tournament advertisement in September 2015. Following the Japanese release of the Nintendo 3DS game Detective Pikachu, dedicated Pokémon fans submitted a 40,000-signature petition requesting that DeVito be the English voice actor for the title character. However, he declined to audition for the role, commenting that he was unfamiliar with the franchise. Appearances in other media DeVito played a fictional version of himself in the music video of One Direction's song "Steal My Girl". He also appeared in the short film Curmudgeons, which he also produced and directed. In 2021, DeVito wrote a 12-page story centered on the Penguin and Catwoman for the anthology comic Gotham City Villains. Personal life DeVito stands 4 feet 10 inches (1.47 metres) tall. His short stature is the result of multiple epiphyseal dysplasia (Fairbank's disease), a rare genetic disorder that affects bone growth. On January 17, 1971, DeVito met Rhea Perlman when she went to see a friend in the single performance of the play The Shrinking Bride, which featured DeVito. They moved in together two weeks later and married on January 28, 1982. They have three children: Lucy Chet DeVito (born March 11, 1983), Grace Fan DeVito (born March 1985), and Jacob Daniel DeVito (born October 1987).Perlman and DeVito have acted alongside each other several times, including in the television show Taxi and the feature film Matilda (where they played Matilda's parents). They separated in October 2012, after 30 years of marriage and over 40 years together, then reconciled in March 2013. They separated for a second time in March 2017, but remained on amicable terms and Perlman stated they had no intent of filing for divorce. In 2019, Perlman told interviewer Andy Cohen that she and DeVito have become closer friends after their separation than they were in their final years as a couple.DeVito and Perlman resided in a 14,579-square-foot (1,354 m2) house in Beverly Hills, California, that they purchased in 1994, until selling it for US$24 million in April 2015. They also own a bungalow near Rodeo Drive in Beverly Hills, and a multi-residence compound on Broad Beach in Malibu. They also frequented a home they owned in Interlaken, New Jersey to get away from Los Angeles.Politically, DeVito is a Democrat and a staunch supporter of Bernie Sanders. Filmography DeVito has an extensive film career, dating back to the early 1970s. Selected work: Awards and nominations DeVito has a large and varied body of work as an actor, producer and director in stage, television and film. He has been nominated for Academy awards, Creative Arts Emmy awards, Golden Globe awards, Primetime Emmy awards, Producers Guild awards, Screen Actors Guild awards and Tony awards. In 2011 he was honored with a star on the Hollywood Walk of Fame, at 6909 Hollywood Blvd., for his contributions to television. Passage 2: Henry Moore (cricketer) Henry Walter Moore (1849 – 20 August 1916) was an English-born first-class cricketer who spent most of his life in New Zealand. Life and family Henry Moore was born in Cranbrook, Kent, in 1849. He was the son of the Reverend Edward Moore and Lady Harriet Janet Sarah Montagu-Scott, who was one of the daughters of the 4th Duke of Buccleuch. One of his brothers, Arthur, became an admiral and was knighted. Their great grandfather was John Moore, Archbishop of Canterbury from 1783 to 1805. One of their sisters was a maid of honour to Queen Victoria.Moore went to New Zealand in the 1870s and lived in Geraldine and Christchurch. He married Henrietta Lysaght of Hāwera in November 1879, and they had one son. In May 1884 she died a few days after giving birth to a daughter, who also died.In 1886 Moore became a Justice of the Peace in Geraldine. In 1897 he married Alice Fish of Geraldine. They moved to England four years before his death in 1916. Cricket career Moore was a right-handed middle-order batsman. In consecutive seasons, 1876–77 and 1877–78, playing for Canterbury, he made the highest score in the short New Zealand first-class season: 76 and 75 respectively. His 76 came in his first match for Canterbury, against Otago. He went to the wicket early on the first day with the score at 7 for 2 and put on 99 for the third wicket with Charles Corfe before he was out with the score at 106 for 3 after a "very fine exhibition of free hitting, combined with good defence". Canterbury were all out for 133, but went on to win the match. His 75 came in the next season's match against Otago, when he took the score from 22 for 2 to 136 for 6. The New Zealand cricket historian Tom Reese said, "Right from the beginning he smote the bowling hip and thigh, going out of his ground to indulge in some forceful driving." Canterbury won again.Moore led the batting averages in the Canterbury Cricket Association in 1877–78 with 379 runs at an average of 34.4. Also in 1877–78, he was a member of the Canterbury team that inflicted the only defeat on the touring Australians. In 1896–97, at the age of 47, he top-scored in each innings for a South Canterbury XVIII against the touring Queensland cricket team. Passage 3: Anne Ramsey Angelina Anne Ramsey-Mobley (March 27, 1929 – August 11, 1988) was an American actress. She was best known for her film roles as Mama Fratelli in The Goonies (1985) and as Mrs. Lift in Throw Momma from the Train (1987), the latter of which earned her nominations for an Academy Award and a Golden Globe Award. Early life Ramsey was born in Omaha, Nebraska, the daughter of Eleanor (née Smith), the former national treasurer of the Girl Scouts of the USA, and Nathan Mobley, an insurance executive. Her mother was a descendant of the Pilgrims (William Brewster), and her uncle was U.S. Ambassador David S. Smith. Ramsey was raised in Great Neck, New York and Greenwich, Connecticut. She attended Bennington College where she became interested in theatre. She performed in several Broadway productions in the 1950s and married actor Logan Ramsey in 1954. They moved to Philadelphia where they formed the Theatre of the Living Arts. Career In the 1970s, Ramsey began a successful Hollywood career in character roles and appeared in such television programs as Little House on the Prairie, Wonder Woman, Three's Company and Ironside. She appeared with her husband in seven films, including her first, The Sporting Club (1971), and her last, Meet the Hollowheads (1989). In 1988, Ramsey was nominated for the Academy Award for Best Supporting Actress and the Golden Globe Award for Best Supporting Actress – Motion Picture for her performance in Throw Momma from the Train (1987), with Billy Crystal and Danny DeVito. The film also earned her a second Saturn Award for Best Supporting Actress; she had received her first for The Goonies (1985). In February 1988, she guest-starred on an episode of ALF that aired six months before her death. She also appeared in six films released in the two years after her death. Death Ramsey's somewhat slurred speech, a trademark of her later performances, was caused in part from having had some of her tongue and her jaw removed during surgery for esophageal cancer in 1984.In 1988, Ramsey's cancer returned. She died on August 11 at the Motion Picture & Television Country House and Hospital in Woodland Hills, California. Ramsey is buried at Forest Lawn Cemetery in North Omaha, Nebraska. Filmography Film Television Passage 4: Joaquín Pardavé Joaquín Pardavé Arce (30 September 1900 – 20 July 1955) was a Mexican film actor, director, songwriter and screenwriter of the Golden Age of Mexican cinema. He was best known for starring and directing various comedy films during the 1940s. In some of them, Pardavé paired with one of Mexico's most famous actresses, Sara García. The films in which they starred are El baisano Jalil, El barchante Neguib, El ropavejero, and La familia Pérez. These actors had on-screen chemistry together, and are both noted for playing a wide variety of comic characters from Lebanese foreigners to middle-class Mexicans. Early life Pardavé was born to Spanish immigrants Joaquín Pardavé Bernal and Delfina Arce Contreras, theater actors, in Pénjamo, Guanajuato. His parents came to Mexico with the theatrical company "Betril".After the death of his mother in 1916, Pardavé decided to settle in the city of Monterrey where he worked as a telegrapher in the Ferrocarriles Nacionales de México. There he composed the song "Carmen", dedicated to his girlfriend Carmen Delgado. Three years later, he returned to Mexico City after he learned of the death of his father. Career Theatrical career At age 18, Joaquín Pardavé followed in the footsteps of his parents. He began his acting career in the operetta Los sobrinos del capitán Grant, in the company of his uncle Carlos Pardavé, when he asked to meet an actor. Later he joined the company of Jose Campillo, where he met and teamed for 12 years, Roberto "Panzón" Soto. His first role in this company was in the operetta La banda de las trompetas (1920). Later he won fame in the Mexican Rataplan Journal (1925). Film career He started his film career in the silent film era. Pardavé's film debut was in Viaje redondo in 1919. He participated in other films such as El águila y el nopal (1929), Águilas frente al sol (1932), La zandunga (1937), La tía de las muchachas (1938), En tiempos de Don Porfirio (1939). Juan Bustillo Oro contracted Pardavé to co-star with Cantinflas in the comedy film Ahí está el detalle (1940). In the film, Pardavé portrays "Cayetano Lastre", the rich and jealous husband of Sofía Álvarez's character Dolores del Paso. The character is later entreated to believe that Cantinflas' "pelado" character is his wife's long-lost brother, the person whom Lastre was eagerly waiting for to reclaim his wife's inheritance. Other co-stars in the film were Sara García and Dolores Camarillo. Ahí está el detalle was ranked thirty-seventh among the top 100 films of Mexican cinema.Later in the 1940 decade, Pardavé worked in ¡Ay, qué tiempos señor don Simón! (1941) and Yo bailé con don Porfirio (1942). In 1942 he debuts as a film director with El baisano Jalil starring himself and Sara García as "Jalil and Suad Farad", Lebanese entrepreneurs settled in Mexico. Film and theater actress Sara García would soon become Pardavé's on-screen partner. Both starred in the films El barchante Neguib (1946) also as Lebanese-immigrants, El ropavejero (1947), and La familia Pérez (1949). Personal life In 1925, Pardavé met Soledad Rebollo, whom he married on October 26, 1925. Soledad became the love of his life and his inspiration for the songs "Plegaria", "Bésame en la boca", "Negra consentida", and "Varita de Nardo". Death On July 20, 1955, at three-o'clock in the morning, Joaquín Pardavé died victim of a stroke caused by stress of excess of work, he was participating in two films simultaneously and in the theatrical play, Un Minuto de Parada. After his death, an urban legend started to circulate that Pardavé had been buried alive. The actor's niece María Elena Pardavé Robles confirmed that the rumor was a lie. She quoted "Joaquín Pardavé was not buried alive like many people believe. His remains have never been exhumed, not even when his wife died. She, my aunt, occupies a place in the same tomb, but my uncle's remains were never exhumed... we insist that his coffin has never been opened. That is how we categorically deny the rumors that circulate". Filmography Passage 5: Larry Brezner Lawrence Ira "Larry" Brezner (August 23, 1942 – October 5, 2015) was an American film producer, most notable for producing films such as Good Morning, Vietnam, Throw Momma from the Train, and Ride Along. Life and career Born in the Bronx in New York City in 1942, Brezner studied at the University of Bridgeport and St. John's University from which he graduated with a Masters in Psychology. He then was a teacher at an elementary school in Spanish Harlem before he moved on to the entertainment industry. In 1974 he opened a night club in Manhattan, where he met the producer Jack Rollins. In the same year he joined the company of Rollins & Charles H. Joffe with Buddy Morra and was their partner in the late 1970s. After Rollins and Joffe withdrew from the company, he, Buddy Morra, David Steinberg and Stephen Tenenbaum formed a new company, MBST Entertainment, Inc. (Morra Brezner Steinberg & Tenenbaum). His first wife was the singer Melissa Manchester; they met when she performed at his club, and Brezner managed her career during their seven-year marriage. His second marriage to Bett Zimmerman also ended in divorce.From the mid-1980s, Brezner served as the executive producer for various comedy specials on US television. Brezner also managed the careers of artists such as Billy Crystal, Robin Williams, Martin Short, Bette Midler and many other comedic talents. In 1981 his first film project was the original Arthur, his first project as film producer in 1984 was Throw Momma from the Train. This was followed by Good Morning, Vietnam, The 'Burbs, and The Vanishing "Krippendorf's Tribe", "The Greatest Game". In 2014 he produced the comedy Ride Along. His final project, Ride Along 2, was released in January 2016.He died in Duarte, California in October 2015 from leukemia, which was diagnosed a few months earlier. Brezner is survived by his third wife, Dominique Cohen-Brezner, and two daughters, Lauren Azbill and China Brezner. Selected filmography He was a producer in all films unless otherwise noted. Film Thanks Television Thanks Passage 6: Wale Adebanwi Wale Adebanwi (born 1969) is a Nigerian-born first Black Rhodes Professor at St Antony's College, Oxford where he was, until June 2021, a Professor of Race Relations, and the Director of the African Studies Centre, School of Interdisciplinary Area Studies, and a Governing Board Fellow. He is currently a Presidential Penn Compact Professor of Africana Studies at the University of Pennsylvania. Adebanwi's research focuses on a range of topics in the areas of social change, nationalism and ethnicity, race relations, identity politics, elites and cultural politics, democratic process, newspaper press and spatial politics in Africa. Education background Wale Adebanwi graduated with a first degree in Mass Communication from the University of Lagos, and later earned his M.Sc. and Ph.D. in Political Science from the University of Ibadan. He also has an MPhil. and a Ph.D. in Social Anthropology from the University of Cambridge. Career Adebanwi worked as a freelance reporter, writer, journalist and editor for many newspapers and magazines before he joined the University of Ibadan's Department of Political Science as a lecturer and researcher. He was later appointed as an assistant professor in the African American and African Studies Department of the University of California, Davis, USA. He became a full professor at UC Davis in 2016.Adebanwi is the co-editor of Africa: Journal of the International African Institute and the Journal of Contemporary African Studies. Works His published works include: Nation as Grand Narrative: The Nigerian Press and the Politics of Meaning (University of Rochester Press, 2016) Yoruba Elites and Ethnic Politics in Nigeria: Obafemi Awolowo and Corporate Agency (Cambridge University Press, 2014) Authority Stealing: Anti-corruption War and Democratic Politics in Post-Military Nigeria (Carolina Academic Press, 2012)In addition, he is the editor and co-editor of other books, including. The Political Economy of Everyday Life in Africa: Beyond the Margins (James Currey Publishers, 2017) Writers and Social Thought in Africa (Routledge, 2016) (co-edited with Ebenezer Obadare) Governance and the Crisis of Rule in Contemporary Africa (Palgrave Macmillan, 2016) (co-edited with Ebenezer Obadare) Democracy and Prebendalism in Nigeria: Critical Interpretations (Palgrave Macmillan, 2013). (co-edited with Ebenezer Obadare) Nigeria at Fifty: The Nation in Narration (Routledge, 2012) (co-edited with Ebenezer Obadare) Encountering the Nigerian State (Palgrave Macmillan, 2010). Awards Rhodes Professorship in Race Relations awarded by Oxford University to Faculty of African and Interdisciplinary Area Studies. Passage 7: Throw Momma from the Train Throw Momma from the Train is a 1987 American crime comedy film starring and directed by Danny DeVito in his theatrical directorial debut. The film co-stars Billy Crystal, Anne Ramsey, Rob Reiner, Branford Marsalis, Kim Greist, and Kate Mulgrew.The title comes from Patti Page's 1956 hit song, "Mama from the Train (A Kiss, A Kiss)". The film was inspired by the 1951 Alfred Hitchcock thriller Strangers on a Train, which is also seen in the film.The film received mixed reviews, but was a commercial success. Anne Ramsey was singled out for praise for her portrayal of the overbearing Mrs. Lift; she won a Saturn Award and was nominated for a Golden Globe Award and the Academy Award for Best Supporting Actress. Plot Novelist Larry Donner struggles with writer's block due to his resentment towards his ex-wife Margaret, who took all the credit for his manuscript and received acclaim for it, while Larry, struggling to make ends meet, takes a job teaching creative writing at a community college. Owen Lift is a timid, middle-aged man who still lives with his overbearing, harsh and paranoid mother. Owen fantasizes about killing his mother but can't summon the courage to bring his desires to fruition. As a student in Larry's class, Owen is given advice by Larry to view an Alfred Hitchcock film to gain some insight into plot development for his murder stories. He sees Strangers on a Train, in which two strangers conspire to commit a murder for each other, figuring their lack of connection to the victim will, in theory, establish a perfect alibi. Having overheard Larry's public rant that he wished his ex-wife dead, Owen forms a plan to kill Margaret, believing that Larry will, in return, kill his mother. Owen tracks Margaret down to Hawaii and eventually follows her onto a cruise ship she is taking to her book signing, where he plans to push her overboard. He returns from Hawaii to tell Larry of Margaret's death and that he now "owes" him the murder of his mother, lest he inform the police that Larry was the killer. After having spent the night drinking alone on a beach during the hours of Margaret's disappearance, Larry panics because he lacks a sufficient alibi. That, along with a news report announcing that the police suspect foul play, convinces Larry that he's the prime suspect. Larry goes to stay with Owen and his mother in an attempt to hide from the police. He meets Mrs. Lift, but despite her harsh treatment of him he refuses to kill her. Eventually, when she drives Owen to the breaking point, Larry finally relents and agrees to go through with the murder. After two unsuccessful attempts, Larry flees the Lift home when Mrs. Lift recognizes him as a suspect from a news broadcast about his ex-wife's disappearance. He boards a train to Mexico and, surprisingly, Owen and Mrs. Lift come along so as to avoid having to lie for him. During the journey, Larry's patience with Mrs. Lift finally runs out when she impolitely gives him advice on writing. Larry follows her to the caboose with the intent of killing her, but Owen begins having second thoughts about having her killed and gives chase. In the ensuing struggle, Mrs. Lift hangs from the train, but is rescued by Owen and a repentant Larry. She is grateful to her son for saving her, but unappreciative of Larry's help and kicks him, resulting in him losing his balance and falling off the train to the tracks below. During his recovery in the hospital, Larry discovers that Margaret is still alive; she had fallen overboard accidentally and was rescued by a Polynesian fisherman whom she has decided to marry. Much to his annoyance, Larry learns that Margaret plans to sell the rights of her ordeal for $1.5 million. On the advice of a fellow patient, Larry chooses to free himself of his obsession with his ex-wife and instead focus on his own life, and write about what recently happened to him, thereby freeing him of his writer's block. A year later, Larry has finished a novel based on his experiences with Owen and Mrs. Lift, and titled Throw Momma from the Train. Owen visits and informs to him that his mother has died (albeit naturally) and that he's going to New York City for the release of his own book. Unfortunately for Larry, Owen reveals that his book is also about their experiences together. Thinking that his book has been scooped once again, an enraged Larry proceeds to strangle him, but stops when Owen shows him that his book is a children's pop-up book called Momma, and Owen, and Owen's Friend, Larry with the story drastically altered to be suitable for children. A few months later, Larry, Owen, and Larry's girlfriend Beth (Kim Greist) vacation together in Hawaii, and reflecting on the final line of Larry's book. Larry and Owen's books have now become best sellers, making them both successful writers, as well as close friends. Cast Danny DeVito as Owen Lift Billy Crystal as Larry Donner Anne Ramsey as Mrs. "Momma" Lift Kim Greist as Beth Ryan Kate Mulgrew as Margaret Donner Branford Marsalis as Lester Rob Reiner as Joel, Larry's Agent Bruce Kirby as Detective DeBenedetto Joey Depinto as Sergeant Annie Ross as Mrs. Hazeltine Raye Birk as Pinsky Olivia Brown as Ms. GladstoneFarley Granger and Robert Walker appear via archive footage from Strangers on a Train as Guy Haines and Bruno Anthony, respectively. Oprah Winfrey also appears as herself in a fictional episode of The Oprah Winfrey Show. Production In June 1987, Warner Bros. and Orion Pictures made a trade-off agreement to facilitate the filming of the movie, as well as the development of Arthur 2: On the Rocks, which was supplied for Warner Bros., and the deal was provided by producer Larry Brezner, who produced the movie as well as the original Arthur, and in return to use permission from Strangers on a Train, a 1951 Warner Bros. film, Brezner's production company surrendered the remake and sequel rights of the 1981 film Arthur to Warner Bros., which the original Arthur rights were jointly owned by Rollins, Joffe, Morra and Brezner and Warner Bros., and the Warners could not have proceeded with the Arthur sequel without the consent of Brezner's company. Reception On Rotten Tomatoes, the film has an approval score of 64% based on 36 reviews. The site's critical consensus reads, "Danny DeVito's direction is too broad to offer the kind of nastiness that would have made Throw Momma from the Train truly special, but DeVito's on-screen chemistry with co-star Billy Crystal makes this a smoothly entertaining comedy." On Metacritic, the film has a score of 56 based on 14 reviews, indicating "mixed or average reviews". Audiences polled by Cinemascore gave the film a "C+" grade on a scale from A+ to F. Roger Ebert gave the film 2 stars out of 4, stating that "The plot in "Throw Mama from the Train" is top-heavy, but the movie doesn't make as much as it could from its weird characters." Awards and nominations Passage 8: Dona Mariquita of My Heart Dona Mariquita of My Heart (Spanish: Doña Mariquita de mi corazón) is a 1953 Mexican comedy film directed by Joaquín Pardavé and starring Pardavé, Silvia Pinal and Fernando Fernández. Cast Joaquín Pardavé as Ubaldo Silvia Pinal as Paz Alegre Fernando Fernández as Adolfo; Javier Perla Aguiar as Mari Tere Agustín Isunza as Leo Óscar Pulido as Rogelio Fanny Schiller as doña Micaela Alfredo Varela as José Luis Gloria Mange as Marisa Emperatriz Carvajal as doña Mariquita José Chávez María Herrero as Rosa, sirvienta Francisco Llopis Carlos Robles Gil as Hombre bailando en cabaret Manuel Trejo Morales Hernán Vera Passage 9: Stu Silver Stu Silver is an American screenwriter and television writer best known for such films and television series as Throw Momma from the Train, Webster, It's a Living, Bosom Buddies and Soap. Silver also wrote the first half of Good Morning, Vietnam. Passage 10: Burden of My Heart Burden of My Heart (Sydämeni taakka) is a 2011 Finnish documentary film about the surviving victims of the genocide in Rwanda. It was directed by Yves Montand Niyongabo. The documentary was chosen for premiere at the 2011 DOK Leipzig film festival. The documentary also received the Jury Youth Prize and Best Domestic Documentary Award at the Tempo film festival in Finland.

doc_39

Passage 1: Worskla Forest The Worskla Forest (на Ворскле) is in the Belgorod Oblast of Russia. It is part of the (Sapowednik) Belogorye Nature Reserve. It lies on the high right side of the Worskla river, between the Worskla and the Gotnja rivers. It covers an area of 1,038 hectares (2,560 acres). Geographically the area belongs to the southern part of the forest-steppe zone. The nature reserve is bordered to the north-west by the village of Krasny Kutok, to the southeast by Borisovka, and in the north and the south and west by the Worsklatal. On the left bank of the Vorskla, is the village of Dubino (Landsgemeinde Belenkoje). The territory of the forest itself is part of the rural community Kryukovo. Geography The western, northwestern and southern edges form the river terraces and slopes of Woskla and Loknjatal Rivers. The highest point in the forest at 217 metres (712 ft) is located in the northeastern part of the forest. The lowest point (137 metres (449 ft)) is located in Worsklatal. Through the forest run numerous small gullies that are called in this region "Jar". In the forest there are no springs and watercourses although the forest is quite wet at the beginning of spring, after the snow melts, flowing rivulets at the bottom of canyons. The rivers Vorskla, Gotnja and Loknja flow along the forest edge for a distance of 10 to 900 metres (33 to 2,953 ft). On the territory of the forest there is no natural pond. Only in the protection zone of the nature reserve, in the Worsklatalaue, there are small backwaters. In the 20th century, ponds were built in the Klosterrunse whose dams broke through snow meltwater. Only a pond remained at the top of the gully. Soils The soils of the forest at the Vorskla developed on different parent materials, especially on the loam, which is found in the eastern half of the forest. In the northwestern part of the forest, old alluvium sands play a role. They are distributed on the river terraces of Gotnja and Loknja. At the southern and south-eastern edge of the forest an oligozänischer sandy loam is common parent rock. In some places in the southern part of the forest, a rust-colored clay comes out. The oligozänische sandy loam and the rust-colored clay are the starting materials of soil formation, where erosion has removed the loess. Under the oligozänischen clay are rocks from the Cretaceous, which do not appear on the surface in the territory of the forest. Here 20 different soil types are distinguished. They differ on the degree of podsolisation and the humus content. All floors of the Forest on the Vorskla are based on the Russian soil classification from 1977 about the types of gray forest soils. According to the USDA soil classification they belong to the Alfi sols, after the German soil classification if they were classified as Luvisols. History Until the 17th century, the Worskla forest was a part of an undivided oak forest that stretched along the high right bank of the Vorskla River. Forest was used as a natural barrier against depredations of the Tartars. Therefore, logging of the woods was strictly forbidden. At the end of the 17th century, however, the Tartar threat had diminished. In the Early 18th century the forest was protected from being cut down by regulations of Peter I. In 1701, the deforestation along the rivers was banned, then in 1703, the ban was extended to the small rivers. The edict included a ban on grazing and oaks, pines, maples and elms with trunk thicknesses of more than 54 centimetres (21 in) were excluded from felling.In 1705 the forest was owned by Count Boris Sheremetev who created a conservation area and hunting reserve. In 1714 Count Sheremetev founded a nunnery in Borisovka on the edge of the forest, today it is a nature reserve. In the 1880s and 1890s the first major deforestation in the fourth section of the forest and in the northern part of the tenth section the deforestation continued into the 20th century.After the October Revolution, the forest on the Vorskla was in danger with felling beginning in 1917, with grazing and vegetable gardens being introduced. Larger native animals almost disappeared. It fell to the entomologist Malyshev to begin a movement to save the forest. He knew the forest at the Vorskla from the time before the revolution when as a student he undertook entomological research there. In 1919 he wrote appeals to various authorities. He also appeared in the People's Assembly of the residents of Borisovka and made propaganda work for forest conservation in schools and village libraries. His efforts were successful, and after the establishment of Zoopsychologischen Station (in 1922) the forest was made a nature reserve in 1924. Malyshev organized the protection of forests. In the nature reserve began scientific research, the nature reserve, the Natural History Museum was founded. In Russian and Germany scientific journals first article on the forest at the Vorskla were published. However, Malyshev was subject to a political witch-hunt under Joseph Stalin and he was dismissed from his role at the Nature Reserve and in 1934, Malyshev was transported to Leningrad. In 1934 the forest was transferred to control of Leningrad University. During World War II, the forest fell under German occupation who felled tens of thousands of trees. During the Battle of Kursk, trenches were laid out in the forest, causing soil erosion, which can be seen to this day.In 1994, the Nature Reserve of the University of St. Petersburg was handed over to the Ministry of Natural Resources. Today an area of 160 hectares (400 acres), is the only forest with 300-year-old oak trees to have survived in the European part of the former Soviet Union. Gallery Passage 2: Pearl Airways Pearl Airways or Pearl Airways Compagne Haitienne was an airline based in Haiti. Passage 3: Olavina Udugore Olavina Udugore is a 1987 Indian Kannada-language film directed, written and co-produced by D. Rajendra Babu. The film stars Ambareesh, Manjula Sharma and Ramakrishna. The music was composed by M. Ranga Rao and the script was written by B. L. Venu. Cast Ambareesh as Suresh Ilavarasi(Manjula Sharma) as Suma and Uma (Dual Role) Leelavathi as Rathnamma, Suresh's Mother Ramakrishna as Ramesh, Suresh's Cousin Keerthiraj as Prathap Balakrishna as Raganna Dinesh as Shridhara Raya, Suma's Adoptive Father N. S. Rao as Baalu, Suresh's Classmate Umashree as Baby, Suresh's Classmate Shanthamma Soundtrack All songs were composed by M. Ranga Rao, with lyrics by R. N. Jayagopal and Shyamasundara Kulkarni. The album consists of five tracks. The title song will recreated for his son's debut film Amar Awards Filmfare Award for Best Actor - Kannada - Ambareesh Passage 4: Operation Leopard La légion saute sur Kolwezi, also known as Operation Leopard, is a French war film directed by Raoul Coutard and filmed in French Guiana. The script is based on the true story of the Battle of Kolwezi that happened in 1978. It was diligently described in a book of the same name by former 1st Foreign Parachute Regiment Captain Pierre Sergent. He published his book in 1979, and the film came out in 1980. Coutard shot the film in a documentary style. Plot The film is based on true events. In 1978, approximately 3,000 heavily armed fighters from Katanga crossed the border to the Zaire and marched into Kolwezi, a mining centre for copper and cobalt. They took 3,000 civilians as hostages. Within a few days, between 90 and 280 hostages were killed. The rebels appeared to be unpredictable and are reported to have threatened to annihilate all civilians. Mobutu Sese Seko, Zaire's head of state, urged Belgium, France and the United States to help. France sent the Foreign Legion's 2nd Foreign Parachute Regiment, which were flown from Corsica to Kolwezi. Following their arrival, they secured the perimeter, in co-operation with Belgian soldiers from Zaire, and then started to evacuate the civilians. Within two days more than 2,000 Europeans and about 3,000 African citizens were saved. The film strives to depict the events in a dramatised form, concentrating on the Europeans' plight. Production The late Jean Seberg had filmed scenes on location for the film, but her death caused her to be replaced by another French American actress, Mimsy Farmer, who reshot Seberg's scenes. Cast Bruno Cremer: Pierre Delbart Jacques Perrin:Ambassador Berthier Laurent Malet: Phillipe Denrémont Pierre Vaneck: Colonel Grasser Mimsy Farmer: Annie Devrindt Giuliano Gemma: Adjudant Fédérico Robert Etcheverry : Colonel Dubourg Jean-Claude Bouillon : Maurois Passage 5: A Pearl in the Forest A Pearl in the Forest (Mongolian: Мойлхон, Moilkhon, Buckthorn) is a 2008 Mongolian historical film.This is a story about a young couple whose newly planned life was destroyed by the impact of the Great Purge of 1934–1938 in Mongolia. The main goal of this movie was to provide a testimony for the many Buryats and Mongolians who were persecuted during the Great Purges initiated by Joseph Stalin. In 1937 and 1938, many people, and even entire families, were killed after being wrongfully accused of conspiracies. The movie was shot on location near the Buryat village of Dadal in the Khentii province of Mongolia. The acting and other participation of many local villagers was a great addition to the authenticity of the film. Synopsis In the 1930s in Mongolia, a former villager returns as a government informer, and is determined to use his authority to crush a village in order to take by force what he cannot win by love: a young woman who is engaged to another man. Cast Bayarmaa Baatar : Sendem Zolboot Gombo : Markhaa Narankhuu Khatanbaatar : Dugar G. Altanshagai : Sodnom Passage 6: Cristaria (bivalve) Cristaria is a genus of freshwater mussels or pearl mussels, aquatic bivalve mollusks in the family Unionidae. Species Species in the genus Cristaria include: Cristaria beirensis Cristaria plicata Cristaria radiata Cristaria tenuis Cristaria truncata Human relevance In China, one of the species in this genus, Cristaria plicata is "one of the most important freshwater mussels for pearl production" in the country. It is also used for medicinal purposes. Passage 7: Pearl in the Crown Pearl in the Crown (Polish: Perła w koronie) is a 1972 Polish drama film directed by Kazimierz Kutz. It was entered into the 1972 Cannes Film Festival. The film was also selected as the Polish entry for the Best Foreign Language Film at the 45th Academy Awards, but was not accepted as a nominee. Plot The film takes place in August 1934 in the Polish part of Upper Silesia. The film tells the story of a strike in the fictional mine "Zygmunt". Jaś, a young miner who works in the mine in question, has a wife and two young sons. Jaś comes home from shift. The next day he learns that the unprofitable mine is to be closed by flooding with water. A strike breaks out. Families help the strikers, despite the fact that the mine is surrounded by a police cordon. Petitions to the Government remain unanswered, the management persists, so the miners announce a hunger strike. The police retaliate by violently breaking up the demonstration. The determined miners decide to continue the strike underground despite the imminent threat of the mine being flooded, as per the original plan. Finally though, the management signs a settlement, and the miners come to the surface and they go back to their families. Cast Łucja Kowolik - Wikta Olgierd Łukaszewicz - Jas Jan Englert - Erwin Maliniok Franciszek Pieczka - Hubert Siersza Jerzy Cnota - August Mol Bernard Krawczyk - Franciszek Bula Tadeusz Madeja - Ochman Henryk Maruszczyk - Alojz Grudniok Marian Opania - Albert Jerzy Siwy - Milenda See also List of submissions to the 45th Academy Awards for Best Foreign Language Film List of Polish submissions for the Academy Award for Best Foreign Language Film Passage 8: Pearl Diver (disambiguation) Pearl Diver (1944–1971) was a French Thoroughbred racehorse which won the Derby in 1947. Pearl Diver or Pearl Divers may also refer to: Pearl diver, one who recovers pearls from wild molluscs. Books Pearl Diver, a 1930 biography of pioneering diver Victor Berge (1891–1974) The Pearl Diver, a 2004 novel by Sujata Massey Film Sisid (TV series) (International title: Pearl Diver), a Philippine underwater action drama Pearl Diver, a film which won 2005 award at Indianapolis International Film Festival Music The Pearl Diver: A Japanese Legend (Ship At Sea), a 2016 violin composition and single by Edward W. Hardy Les pêcheurs de perles (The Pearl Fishers) opera by Bizet Other uses Dead Pearl Diver, a sculpture by Benjamin Paul Akers Pearl Diver, one of the LNER Peppercorn Class A2 steam locomotives named in 1948 The pearl diver cocktail, a tiki cocktail developed by Donn Beach Passage 9: Greta (given name) The name Greta is derived from the name Margareta, which comes from the Greek word margarites or "pearl". Notable people with the name include: Greta Almroth (1888–1981), Swedish actress Greta Andersen (1927–2023), Danish swimmer Gréta Arn (born 1979), Hungarian tennis player Greta Svabo Bech (born 1987), Faroese singer Greta Bösel (1908–1947), German Nazi concentration camp guard and nurse executed for war crimes Greta Chi, Danish actress Greta Christina (born 1961), American atheist author and activist Greta Cicolari (born 1981), Italian beach volleyball player Greta Duréel (died 1696), Swedish fraud Greta Espinoza (born 1995), Mexican footballer Greta Garbo (1905–1990), Swedish-American actress Greta Gerwig (born 1983), American actress and filmmaker Greta Grönholm (1923–2015), Finnish canoeist Greta Gynt (1916–2000), Norwegian singer, dancer and actress Greta Hällfors-Sipilä (1899–1974), Finnish painter Greta Hodgkinson (born 1973), American-Canadian ballet dancer Grethe Hjort (1903–1967), Danish writer and professor of Danish and English literature Greta Johansson (1895–1978), Swedish diver and swimmer Greta Johnson (born 1977), American lawyer and politician Greta Kempton (1901–1991), American painter Gréta Kerekes (born 1992), Hungarian hurdler Greta Kline, (born 1994), American musician Greta Knutson (1899–1983), Swedish artist, poet and critic Greta Lee (born 1983), American actress Greta M. Ljung (born 1941), Finnish-American statistician Greta Magnusson-Grossman (1906–1999), Swedish designer and architect Greta Mikalauskytė, Lithuanian beauty pageant contestant Greta Molander (1908–2002), Swedish-Norwegian rally driver and writer Greta Morkytė (born 1999), Lithuanian figure skater Greta N. Morris, American diplomat Greta Naterberg (1772–1818), Swedish folk singer Greta Neimanas (born 1988), American Paralympic cyclist Greta Nissen (1906–1988), Norwegian-American actress Greta Podleski, Canadian chef, author and television host Greta De Reyghere, Belgian soprano Greta Richioud (born 1996), French cyclist Greta Scacchi (born 1960), Italian-Australian actress Greta Schröder (1891–1967), German actress Greta Salpeter (born 1988), American singer Greta Skogster (1900–1994), Finnish textile artist Greta Salóme Stefánsdóttir (born 1986), Icelandic singer and violinist Greta Mjöll Samúelsdóttir (born 1987), Icelandic singer and footballer Greta Schiller (born 1954), American film director Greta Small (born 1995), Australian alpine skier Greta Stevenson (1911–1990), New Zealand botanist and mycologist Gréta Szakmáry (born 1991), Hungarian volleyball player Greta Thunberg (born 2003), climate change activist from Sweden Greta Thyssen (1927–2018), Danish-American actress Greta Vaillant (1942–2000), French actress Greta Van Susteren (born 1954), American television journalist Greta Wrage von Pustau (1902–1989), German dancer Fictional characters Greta, character from Liar Liar portrayed by Anne Haney Greta, character on Lost portrayed by Lana Parrilla Greta (Chuck), one of several characters on Chuck Greta, character from The Sisterhood of the Traveling Pants 2 portrayed by Blythe Danner Greta, hair salon assistant at Christian Grey's choice salon in Fifty Shades Darker Greta von Amberg, character on the soap opera Days of Our Lives Greta, a female Gremlin from the 1990 horror comedy movie Gremlins 2: The New Batch Greta Catchlove, witch from the Harry Potter series, also known as Gerda Curd Greta Gibson, character in A Nightmare on Elm Street 5: The Dream Child portrayed by Erika Anderson Greta Grimly from TV's Fargo, portrayed by Joey King Dr. Greta Guttman, character on Mad Men Greta Hayes, Secret (Greta Hayes) in DC Comics Greta James, a struggling musician played by Keira Knightley in Begin Again Dr. Greta Mantleray, famous therapist and mother to another character in Maniac (miniseries) Greta Martin, character on The Vampire Diaries, portrayed by Lisa Tucker Greta Matthews, character from short-lived CW cult show Hidden Palms Greta McClure, character on Family Matters portrayed by Tammy Townsend Greta O'Donnell, main character from the movie According to Greta played by Hilary Duff Greta Ohlsson, character from Murder on the Orient Express Greta Wolfcastle, the daughter of Rainier Wolfcastle from The Simpsons voiced by Reese Witherspoon Greta, the main character in Projection: First Light Passage 10: Mount Cole State Forest The Mount Cole State Forest is in western Victoria, Australia, near the town of Beaufort. The forest is around Mount Cole, which formed 390 million years ago. The Indigenous Australians, the Beeripmo balug people, called it Bereep-bereep, which means wild. The forest covers an area of 12,150 hectares, including the forest around Mount Lonarch.The forest is on a plateau which is above grassy plains. The plateau is about 760 metres above sea level. High peaks in the forest include Mount Buangor (1,090 metres), Mount Cole (899 metres) and Ben Nevis (877 metres).The main trees in the southern part of the forest are Messmate (Eucalyptus obliqua), Manna Gum (Eucalyptus viminalis), and Blue Gums (Eucalyptus globulus). In the north, which is drier, there are Yellow Box (Eucalyptus melliodora), and Red Stringybark (Eucalyptus macrorhyncha). There is also the rare Mount Cole Grevillea, Grevillea montis-cole. On the high peaks there are groups of Snow Gums (Eucalyptus pauciflora).There have been 130 different birds seen in the forest, including the Powerful owl (Ninox strenua). Animals include kangaroos, wallabies, echidna, koalas and possums. In 1954, 160 koalas were set free in the forest to as part of a plan to re-establish the animals in Victorian forests. In the 19th century, deer were introduced and Sambar deer are still living in the wet gullies in the south of the forest. Activities in the forest include camping, walking, four wheel driving, horse riding, and bird watching.The purpose of the forest is to supply good quality hardwood logs for sawmills. The management plan for the forest also protects the water catchments of several creeks which supply water to nearby towns. On 24 June 2021, the Andrews State Government, following an extensive review and recommendation, declerated that the Mt Cole State Forest would be added to the National Park register, providing it with additional protections. The proposed Mt Buangor National Park would be staged over the next 8 years in addition to 60,000 hectares of State forests and parks also to be added. Mount Buangor State Park An area of 1,940 hectares, the Mount Buangor State Park, was protected from logging in 1973. This park includes the waterfalls on Middle Creek, and the large rock faces and caves on Cave Hill. Climate As the ranges face into the prevailing westerly storm track, maximum temperatures are particularly cold for the altitude and latitude. Heavy snowfalls occur regularly throughout the year, and sub-freezing daily maximum temperatures have been recorded well into spring at Lookout Hill (965 metres). Cold weather is present even at the height of summer: on 02 February 2005, the daily maximum temperature did not exceed 4.5 °C (40.1 °F) at Lookout Hill. The ranges can be classed as having a cool mediterranean climate. Winters are extraordinarily cloudy, evident from the afternoon relative humidity readings at Lookout Hill.

doc_40

Passage 1: Olav Aaraas Olav Aaraas (born 10 July 1950) is a Norwegian historian and museum director. He was born in Fredrikstad. From 1982 to 1993 he was the director of Sogn Folk Museum, from 1993 to 2010 he was the director of Maihaugen and from 2001 he has been the director of the Norwegian Museum of Cultural History. In 2010 he was decorated with the Royal Norwegian Order of St. Olav. Passage 2: John Donatich John Donatich is the Director of Yale University Press. Early life He received a BA from New York University in 1982, graduating magna cum laude. He also got a master's degree from NYU in 1984, graduating summa cum laude. Career Donatich worked as director of National Accounts at Putnam Publishing Group from 1989 to 1992.His writing has appeared in various periodicals including Harper's, The Atlantic Monthly and The Village Voice. He worked at HarperCollins from 1992 to 1996, serving as director of national accounts and then as vice president and director of product and marketing development.From 1995 to 2003, Donatich served as publisher and vice president of Basic Books. While there, he started the Art of Mentoring series of books, which would run from 2001 to 2008. While at Basic Books, Donatich published such authors as Christopher Hitchens, Steven Pinker, Samantha Power, Alan Dershowitz, Sir Martin Rees and Richard Florida. In 2003, Donatich became the director of the Yale University Press. At Yale, Donatich published such authors as Michael Walzer, Janet Malcolm, E. H. Gombrich, Michael Fried, Edmund Morgan and T. J. Clark. Donatich began the Margellos World Republic of Letters, a literature in translation series that published such authors as Adonis, Norman Manea and Claudio Magris. He also launched the digital archive platform, The Stalin Digital Archive and the Encounters Chinese Language multimedia platform. In 2009, he briefly gained media attention when he was involved in the decision to expunge the Muhammad cartoons from the Yale University Press book The Cartoons that Shook the World, for fear of Muslim violence.He is the author of a memoir, Ambivalence, a Love Story, and a novel, The Variations. Books Ambivalence, a Love Story: Portrait of a Marriage (memoir), St. Martin's Press, 2005. The Variations (novel), Henry Holt, March, 2012 Articles Why Books Still Matter, Journal of Scholarly Publishing, Volume 40, Number 4, July 2009, pp. 329–342, E-ISSN 1710-1166 Print ISSN 1198-9742 Personal life Donatich is married to Betsy Lerner, a literary agent and author; together they have a daughter, Raffaella. Passage 3: Dana Blankstein Dana Blankstein-Cohen (born March 3, 1981) is the executive director of the Sam Spiegel Film and Television School. She was appointed by the board of directors in November 2019. Previously she was the CEO of the Israeli Academy of Film and Television. She is a film director, and an Israeli culture entrepreneur. Biography Dana Blankstein was born in Switzerland in 1981 to theatre director Dedi Baron and Professor Alexander Blankstein. She moved to Israel in 1983 and grew up in Tel Aviv. Blankstein graduated from the Sam Spiegel Film and Television School, Jerusalem in 2008 with high honors. During her studies she worked as a personal assistant to directors Savi Gabizon on his film Nina's Tragedies and to Renen Schorr on his film The Loners. She also directed and shot 'the making of' film on Gavison's film Lost and Found. Her debut film Camping competed at the Berlin International Film Festival, 2007. Film and academic career After her studies, Dana founded and directed the film and television department at the Kfar Saba municipality. The department encouraged and promoted productions filmed in the city of Kfar Saba, as well as the established cultural projects, and educational community activities. Blankstein directed the mini-series "Tel Aviviot" (2012). From 2016-2019 was the director of the Israeli Academy of Film and Television. In November 2019 Dana Blankstein Cohen was appointed the new director of the Sam Spiegel Film and Television School where she also oversees the Sam Spiegel International Film Lab. In 2022, she spearheaded the launch of the new Series Lab and the film preparatory program for Arabic speakers in east Jerusalem. Filmography Tel Aviviot (mini-series; director, 2012) Growing Pains (graduation film, Sam Spiegel; director and screenwriter, 2008) Camping (debut film, Sam Spiegel; director and screenwriter, 2006) Passage 4: Michael Govan Michael Govan (born 1963) is the director of the Los Angeles County Museum of Art. Prior to his current position, Govan worked as the director of the Dia Art Foundation in New York City. Early life and education Govan was born in 1963 in North Adams, Massachusetts, and was raised in the Washington D.C. area, attending Sidwell Friends School.He majored in art history and fine arts at Williams College, where he met Thomas Krens, who was then director of the Williams College Museum of Art. Govan became closely involved with the museum, serving as acting curator as an undergraduate. After receiving his B.A. from Williams in 1985, Govan began an MFA in fine arts from the University of California, San Diego. Career As a twenty-five year old graduate student, Govan was recruited by his former mentor at Williams, Thomas Krens, who in 1988 had been appointed director of the Solomon R. Guggenheim Foundation. Govan served as deputy director of the Solomon R. Guggenheim Museum under Krens from 1988 to 1994, a period that culminated in the construction and opening of the Frank Gehry designed Guggenheim branch in Bilbao, Spain. Govan supervised the reinstallation of the museum's permanent collection galleries after its extensive renovation. Dia Art Foundation From 1994 to 2006, Govan was president and director of Dia Art Foundation in New York City. There, he spearheaded the conversion of a Nabisco box factory into the 300,000 square foot Dia:Beacon in New York's Hudson Valley, which houses Dia's collection of art from the 1960s to the present. Built in a former Nabisco box factory, the critically acclaimed museum has been credited with catalyzing a cultural and economic revival within the formerly factory-based city of Beacon. Dia's collection nearly doubled in size during Govan's tenure, but he also came under criticism for "needlessly and permanently" closing Dia's West 22nd Street building. During his time at Dia, Govan also worked closely with artists James Turrell and Michael Heizer, becoming an ardent supporter of Roden Crater and City, the artists' respective site-specific land art projects under construction in the American southwest. Govan successfully lobbied Washington to have the 704,000 acres in central Nevada surrounding City declared a national monument in 2015. LACMA In February 2006, a search committee composed of eleven LACMA trustees, led by the late Nancy M. Daly, recruited Govan to run the Los Angeles County Museum of Art. Govan has stated that he was drawn to the role not only because of LACMA's geographical distance from its European and east coast peers, but also because of the museum's relative youth, having been established in 1961. "I felt that because of this newness I had the opportunity to reconsider the museum," Govan has written, "[and] Los Angeles is a good place to do that."Govan has been widely regarded for transforming LACMA into both a local and international landmark. Since Govan's arrival, LACMA has acquired by donation or purchase over 27,000 works for the permanent collection, and the museum's gallery space has almost doubled thanks to the addition of two new buildings designed by Renzo Piano, the Broad Contemporary Art Museum (BCAM) and the Lynda and Stewart Resnick Pavilion. LACMA's annual attendance has grown from 600,000 to nearly 1.6 million in 2016. Artist collaborations Since his arrival, Govan has commissioned exhibition scenography and gallery designs in collaboration with artists. In 2006, for example, Govan invited LA artist John Baldessari to design an upcoming exhibition about the Belgian surrealist René Magritte, resulting in a theatrical show that reflected the twisted perspective of the latter's topsy-turvy world. Baldessari has also designed LACMA's logo. Since then, Govan has also commissioned Cuban-American artist Jorge Pardo to design LACMA's Art of the Ancient Americas gallery, described in the Los Angeles Times as a "gritty cavern deep inside the earth ... crossed with a high-style urban lounge."Govan has also commissioned several large-scale public artworks for LACMA's campus from contemporary California artists. These include Chris Burden's Urban Light (2008), a series of 202 vintage street lamps from different neighborhoods in Los Angeles, arranged in front of the entrance pavilion, Barbara Kruger's Untitled (Shafted) (2008), Robert Irwin's Primal Palm Garden (2010), and Michael Heizer's Levitated Mass, a 340-ton boulder transported 100 miles from the Jurupa Valley to LACMA, a widely publicized journey that culminated with a large celebration on Wilshire Boulevard. Thanks in part to the popularity of these public artworks, LACMA was ranked the fourth most instagrammed museum in the world in 2016.In his first three full years, the museum raised $251 million—about $100 million more than it collected during the three years before he arrived. In 2010, it was announced that Govan will steer LACMA for at least six more years. In a letter dated February 24, 2013, Govan, along with the LACMA board's co-chairmen Terry Semel and Andrew Gordon, proposed a merger with the financially troubled Museum of Contemporary Art, Los Angeles and a plan to raise $100 million for the combined museum. Zumthor Project Govan's latest project is an ambitious building project, the replacement of four of the campus's aging buildings with a single new state of the art gallery building designed by architect Peter Zumthor. As of January 2017, he has raised about $300 million in commitments. Construction is expected to begin in 2018, and the new building will open in 2023, to coincide with the opening of the new D Line metro stop on Wilshire Boulevard. The project also envisages dissolving all existing curatorial departments and departmental collections. Some commentators have been highly critical of Govan's plans. Joseph Giovannini, recalling Govan's technically unrealizable onetime plan to hang Jeff Koons' Train sculpture from the facade of the Ahmanson Gallery, has accused Govan of "driving the institution over a cliff into an equivalent mid-air wreck of its own". Describing the collection merging proposal as the creation of a "giant raffle bowl of some 130,000 objects", Giovannini also points out that the Zumthor building will contain 33% less gallery space than the galleries it will replace, and that the linear footage of wall space available for displays will decrease by about 7,500 ft, or 1.5 miles. Faced with losing a building named in its honor, and anticipating that its acquisitions could no longer be displayed, the Ahmanson Foundation withdrew its support. On the merging of the separate curatorial divisions to create a non-departmental art museum, Christopher Knight has pointed out that "no other museum of LACMA's size and complexity does it" that way, and characterized the museum's 2019 "To Rome and Back" exhibition, the first to take place under the new scheme, as "bland and ineffectual" and an "unsuccessful sample of what's to come". Personal life Govan is married and has two daughters, one from a previous marriage. He and his family used to live in a $6 million mansion in Hancock Park that was provided by LACMA - a benefit worth $155,000 a year, according to most recent tax filings - until LACMA decided that it would sell the property to make up for the museum's of almost $900 million in debt [2]. That home is now worth nearly $8 million and Govan now lives in a trailer park in Malibu's Point Dume region. Los Angeles CA 90020 United States. He has had a private pilot's license since 1995 and keeps a 1979 Beechcraft Bonanza at Santa Monica Airport. Passage 5: Etan Boritzer Etan Boritzer (born 1950) is an American writer of children’s literature who is best known for his book What is God? first published in 1989. His best selling What is? illustrated children's book series on character education and difficult subjects for children is a popular teaching guide for parents, teachers and child-life professionals.Boritzer gained national critical acclaim after What is God? was published in 1989 although the book has caused controversy from religious fundamentalists for its universalist views. The other current books in the What is? series include: What is Love?, What is Death?, What is Beautiful?, What is Funny?, What is Right?, What is Peace?, What is Money?, What is Dreaming?, What is a Friend?, What is True?, What is a Family?, and What is a Feeling? The series is now also translated into 15 languages. Boritzer was first published in 1963 at the age of 13 when he wrote an essay in his English class at Wade Junior High School in the Bronx, New York on the assassination of John F. Kennedy. His essay was included in a special anthology by New York City public school children compiled and published by the New York City Department of Education. Boritzer now lives in Venice, California and maintains his publishing office there also. He has helped numerous other authors to get published through How to Get Your Book Published! programs. Boritzer is also a yoga teacher who teaches regular classes locally and guest-teaches nationally. He is also recognized nationally as an erudite speaker on The Teachings of the Buddha. Passage 6: Tanikella Bharani Tanikella Bharani (born 14 July 1954) is an Indian actor, screenwriter, poet, playwright and director who works predominantly in Telugu cinema. He has worked as an actor in more than 750 films, including some in Tamil and Hindi; while he was also screenwriter for 52 films. He has won three Andhra Pradesh State Nandi Awards. Early life Tanikella Bharani's ancestors includes poets and literary figures of Telugu literature. Diwakarla Venkatavadhani and Viswanatha Satyanarayana were his grand uncles. Divakarla Tirupati Sastry, one of the Telugu poet duo Tirupati Venkata Kavulu, was his great-granduncle.He was born into a Telugu Brahmin family. He is fluent in Telugu, English, Hindi, Tamil. He is a religious Hindu who is known for singing devotional songs in praise of Sri Shiva and Devi Parvati, and propagates to his fellow Hindus to not just read the Bhagavad Gita but to follow what it teaches. Career Tanikella did stage plays in the mid 70s and during this time he made the acquaintance of Rallapalli, a Tollywood actor. With his help Tanikella started writing small dialogues and stage scenes. Later, he took a diploma in Theatre arts. Following Rallapalli's advice he moved to Chennai. He started his career as a dialogue writer for Kanchu Kavachum in 1984 and has written dialogues for various movies like Ladies Tailor (1985), Sri Kanaka Mahalakshmi Recording Dance Troupe (1987), Varasudochhadu (1988), Chettu Kinda Pleader (1989), Swara Kalpana (1989), Shiva (1989) and Seenu Vasanthi Lakshmi (2004). He also penned and sung the lyrics of Gundamma Gaari Manavadu (Bhale Bhaleti Mandu). He has acted in more than 750 movies starting with Ladies Tailor (1985) & Sri Kanaka Mahalakshmi Recording Dance Troupe (1987) in which he was seen as Dora Babu. In 1989 he appeared in the hit film Shiva, by Ram Gopal Varma, which starred Nagarjuna. With the release of the film Shiva, he received much recognition and his character Nanaji impressed the whole Telugu audience. He also played a supporting role in the comedy film Bombay Priyudu in 1996. His powerful antagonism in Samudram won him the Nandi award as the Best Villain. After 2000, he started playing more mature roles in movies like Manmadhudu (2002), Okariki Okaru (2003), Samba (2004), Malliswari, Godavari (2006), and Happy (2006). He directed Telugu Drama film Mithunam is a 2012 featuring S. P. Balasubrahmanyam and Lakshmi. He received CineMAA Award Special Jury Award for Best Direction for this film.He wrote seven Telugu devotional songs song for the album "Nee Lona Shivudu Galudu, Na Lona Shivudu Galadu," literally translating as "The Lord Shiva in you and the Lord Shiva in me can rule the world." He also sang the title song for Nalona sivudu galadu and Shahabash Raa Shankara which were written by him. Personal life He married Durga Bhavani in 1988. The couple has two children, Teja and Soundarya Lahari. They reside in Yousufguda, Hyderabad. Teja made his debut as an actor in the film Mr Lavangam (2012). Awards Nandi AwardsBest Villain – Samudhram Best Character Actor – Nuvvu Nenu Nandi Award for Best Dialogue Writer – MithunamLiterary AwardsSri Pada Subhramanya Sastry Literary Award – Polamuru Bhanumathi Award – Hyderabad Sri Vanamamalai Varadacharyulu Literary Award – Adilabad Fellowship Jawahar Bharathi – Kavali Allu Ramalingayyiah National Award – Hyderabad Akkineni Swarna Kankanam – Hyderabad Nagabhairava Koteswara Rao literary Award – NelloreCineMAA AwardsSpecial Jury Award for Best Director – Mithunam (2013)Sangam Academy AwardsSangam Academy award for completing Twenty five years in Telugu CinemaAwards for Short Films (as a Director)Tenth Mumbai International Film Festival Award Idaho Panhandle – Hyderabad International Film Festival Award for Sira-The InkLok Nayak Foundation Sahitya PuraskarLok Nayak Foundation Sahitya Puraskar presented to Tanikella Bharani in Visakhapatnam. Literary works BooksParikini Nakshatra Darsanam Maathralu Endaro MahanubavuluPlays (Drama)Jambu Dweepam Kokkorokko Chal Chal Gurram Gaardhabhaandam Gograhanam Naalugo KothiPlaylets (Telugu) Gaardhabhanda Gograhanam Kokkoroko Chalchal Gurram Jambudweepam Grahanam Pattina Ratri Sani Grahalu Goyyi Panjaram Lo Elaka HulakkiSong compositions"Naalona Sividu Kaladu" is a composition of 7 songs written by Tanikella. "Sabhash raa sankara!" Is composition by Tanikella about the concept of Shiva. "Naamanasu Kothi raa Raama!"Spiritual BooksAata Gadaraa Siva Sabhashuraa Sankara Filmography Telugu films ActorWriterDubbing artist Tamil films Hindi films Kannada films Naga Devathe (2000) See also List of Indian writers Passage 7: John Farrell (businessman) John Farrell is the director of YouTube in Latin America. Education Farrell holds a joint MBA degree from the University of Texas at Austin and Instituto Tecnologico de Estudios Superiores de Monterrey (ITESM). Career His business career began at Skytel, and later at Iridium as head of Business Development, in Washington DC, where he supported the design and launched the first satellite location service in the world and established international distribution agreements.He co-founded Adetel, the first company to provide internet access to residential communities and businesses in Mexico. After becoming General Manager of Adetel, he developed a partnership with TV Azteca in order to create the first internet access prepaid card in the country known as the ToditoCard. Later in his career, John Farrell worked for Televisa in Mexico City as Director of Business Development for Esmas.com. There he established a strategic alliance with a leading telecommunications provider to launch co-branded Internet and telephone services. He also led initial efforts to launch social networking services, leveraging Televisa’s content and media channels. Google Farrel joined Google in 2004 as Director of Business Development for Asia and Latin America. On April 7, 2008, he was promoted to the position of General Manager for Google Mexico, replacing Alonso Gonzalo. He is now director of YouTube in Latin America, responsible for developing audiences, managing partnerships and growing Google’s video display business. John is also part of Google’s Latin America leadership management team and contributes to Google’s strategy in the region. He is Vice President of the IAB (Interactive Advertising Bureau), a member of the AMIPCI (Mexican Internet Association) Advisory Board, an active Endeavor mentor, and member of YPO. Passage 8: Peter Levin Peter Levin is an American director of film, television and theatre. Career Since 1967, Levin has amassed a large number of credits directing episodic television and television films. Some of his television series credits include Love Is a Many Splendored Thing, James at 15, The Paper Chase, Family, Starsky & Hutch, Lou Grant, Fame, Cagney & Lacey, Law & Order and Judging Amy.Some of his television film credits include Rape and Marriage: The Rideout Case (1980), A Reason to Live (1985), Popeye Doyle (1986), A Killer Among Us (1990), Queen Sized (2008) and among other films. He directed "Heart in Hiding", written by his wife Audrey Davis Levin, for which she received an Emmy for Best Day Time Special in the 1970s. Prior to becoming a director, Levin worked as an actor in several Broadway productions. He costarred with Susan Strasberg in "[The Diary of Ann Frank]" but had to leave the production when he was drafted into the Army. He trained at the Carnegie Mellon University. Eventually becoming a theatre director, he directed productions at the Long Wharf Theatre and the Pacific Resident Theatre Company. He also co-founded the off-off-Broadway Theatre [the Hardware Poets Playhouse] with his wife Audrey Davis Levin and was also an associate artist of The Interact Theatre Company. Passage 9: Ian Barry (director) Ian Barry is an Australian director of film and TV. Select credits Waiting for Lucas (1973) (short) Stone (1974) (editor only) The Chain Reaction (1980) Whose Baby? (1986) (mini-series) Minnamurra (1989) Bodysurfer (1989) (mini-series) Ring of Scorpio (1990) (mini-series) Crimebroker (1993) Inferno (1998) (TV movie) Miss Lettie and Me (2002) (TV movie) Not Quite Hollywood: The Wild, Untold Story of Ozploitation! (2008) (documentary) The Doctor Blake Mysteries (2013) Passage 10: Mithunam (2012 film) Mithunam is a 2012 Indian Telugu-language drama film directed by Tanikella Bharani. It features S. P. Balasubrahmanyam and Lakshmi. The film is based on a best selling Telugu novel of the same name, written by Sri Ramana. The film won four state Nandi Awards. The film is considered one of the "25 Greatest Telugu Films Of The Decade" by Film Companion. It also considered Lakshmi's performance as one of the "100 best performances". Mithunam means couple in Telugu. It also a zodiac sign. AMR Productions released Mithunam all over India on 21 December 2012, to positive reviews. Plot Appadasu (S. P. Balasubrahmanyam) is a retired teacher who lives in his native village with his wife Buchchi Lakshmi (Lakshmi). Both are senior citizens, and all of their children are living abroad, though instead of feeling lonely and insecure about their life, both Appadasu and Buchchi have their own share of romance happening. They treat each and every day as a special day and enjoy the moments. This relationship also has its share of ups and downs, and what life has in store for them forms the rest of the story. Cast S. P. Balasubrahmanyam as Appadaasu Lakshmi as Buchchi Lakshmi Mohan Krishna Indraganti (Voice-over) Brahmanandam as the voice of one of the sons Prakash Raj as the voice of one of the sons Awards CineMAA Awards CineMAA Award Special Jury Award for Best Direction (2013) – Tanikella BharaniNandi Awards Nandi Award for Third Best Feature Film (2013) – Bronze Special Jury Award: - S. P. Balasubrahmanyam Special Jury Award: - Lakshmi Best Dialogue Writer- Tanikella Bharani Soundtrack Reception Critical response Mithunam received excellent response from critics. Idlebrain has said that this film is of ‘world cinema’ quality on international circuit. On a whole, Mithunam is a film that every Indian should watch.

doc_41

Passage 1: Jesse E. Hobson Jesse Edward Hobson (May 2, 1911 – November 5, 1970) was the director of SRI International from 1947 to 1955. Prior to SRI, he was the director of the Armour Research Foundation. Early life and education Hobson was born in Marshall, Indiana. He received bachelor's and master's degrees in electrical engineering from Purdue University and a PhD in electrical engineering from the California Institute of Technology. Hobson was also selected as a nationally outstanding engineer.Hobson married Jessie Eugertha Bell on March 26, 1939, and they had five children. Career Awards and memberships Hobson was named an IEEE Fellow in 1948. Passage 2: Ashwamedha (film) Ashwamedha is a 1990 Indian Kannada language action film directed by C. R. Simha. It stars Kumar Bangarappa and Geethanjali with Srividya, Srinath, Balakrishna, Avinash and Ramesh Bhat essaying other important roles. The story was written by C. R. Simha who co-wrote the screenplay and dialogues with Keerthi. The film was produced by Shanthilal Jain in the banner of Sri Renukamba Enterprises. The film was edited by S. Manohar while R. Deviprasad handled the cinematography. The film met with positive reviews upon release and is often regarded as one of the best films in Kumar Bangarappa's career. Cast Soundtrack Sangeetha Raja composed the background score for the film and to the soundtracks, with the lyrics for all the soundtracks penned by Doddarange Gowda. The album consists of five soundtracks. The soundtrack "Hrudaya Samudra Kalaki" sung by actor and playback singer, Rajkumar, was received very well and is often considered one of his best songs. The song is still being played in cultural and religious activities, and concerts across Karnataka. Passage 3: Peter Levin Peter Levin is an American director of film, television and theatre. Career Since 1967, Levin has amassed a large number of credits directing episodic television and television films. Some of his television series credits include Love Is a Many Splendored Thing, James at 15, The Paper Chase, Family, Starsky & Hutch, Lou Grant, Fame, Cagney & Lacey, Law & Order and Judging Amy.Some of his television film credits include Rape and Marriage: The Rideout Case (1980), A Reason to Live (1985), Popeye Doyle (1986), A Killer Among Us (1990), Queen Sized (2008) and among other films. He directed "Heart in Hiding", written by his wife Audrey Davis Levin, for which she received an Emmy for Best Day Time Special in the 1970s. Prior to becoming a director, Levin worked as an actor in several Broadway productions. He costarred with Susan Strasberg in "[The Diary of Ann Frank]" but had to leave the production when he was drafted into the Army. He trained at the Carnegie Mellon University. Eventually becoming a theatre director, he directed productions at the Long Wharf Theatre and the Pacific Resident Theatre Company. He also co-founded the off-off-Broadway Theatre [the Hardware Poets Playhouse] with his wife Audrey Davis Levin and was also an associate artist of The Interact Theatre Company. Passage 4: C. R. Simha Channapatna Ramaswami Simha (16 June 1942 – 28 February 2014), better known as C. R. Simha, was an Indian actor, director, dramatist and playwright. He was best known for his work in Kannada films and for his work in stage shows. Starting his career in Prabhat Kalavidaru, a theatre group based in Bangalore, he acted in numerous Kannada plays which reached the cult status. He started his own theatre group called "Nataranga" in 1972 and directed many successful plays such as Kakana Kote, Thughlaq and Sankranthi. Simha also directed and acted in the Kannada adaptation of Shakespeare's Midsummer Night's Dream and Othello. These plays found a widespread presentation across many states in India. Following this, he directed and acted in many English plays written by eminent personalities such as Moliere, Bernard Shaw, Edward Albee and Neil Simon among others. Apart from theatre, Simha acted in more than 150 feature films in Kannada which include both artistic and commercially viable projects. He also directed about five feature films with the most prominent being his own film adaptation of Kakana Kote. Simha received many awards in both the cinema and theatre fields. In 2003, he was awarded with the prestigious Sangeet Natak Akademi Award by the Government of India recognising his contribution to theatre acting and direction. Early life Simha was born in Karnataka on 16 June 1942 into a Hoysala Karnataka Brahmin family. His younger brother Srinath is a film actor who acted in several mainstream Kannada cinema as both the leading actor and supporting actor. Simha appeared on stage at the age of twelve. He wrote a book at the age of thirteen titled "Family Doctor" and got a publisher for a remuneration of ₹15. He was a student of National College at Basavanagudi, Bangalore. In 1959, he joined the National College Histrionics Club, an institution nurtured by Dr. H. Narasimhaiah. Simha then acted in many Kannada plays like "Bahaddur Ganda" and "Manavemba Markata". Career Theatre Simha, along with his friends, started a theatre group called "Nataranga" in 1972. He acted in and directed many successful plays like Kakana Kote and Tughlaq. Simha also acted in and directed straight translations of Shakespeare's plays such as Midsummer Night's Dream and Othello, which besides Karnataka, were also performed in Delhi, Bombay (Mumbai), Madras (Chennai) & Calcutta (Kolkata). In 1960, Simha became a member of "Bangalore Little Theatre" (BLT) and since then directed some of the reputed English plays which included his portrayal of Cyrano de Bergerac which was hailed as a memorable performance. His other notable works for BLT were Utpal Dutt's Suryashikar and Girish Karnad's Thuglaq. In 1983, Simha started another theatre group called "Vedhike" in which his one-man show Typical Kailasam became a success. It was the first amateur Kannada play to be performed abroad (in the United States of America, Canada and England). Some of the other notable plays which made news through "Vedhike" are Meese Bandoru, Bhairavi, Karna, Rasa Rishi Kuvempu, Macbeth, Maduve Maduve, Haavu Yeni and 8/15. Among these, Rasa Rishi Kuvempu, based on the life and literature of Kuvempu, was made into a film, directed by Simha's son Rithwik Simha, in which Simha plays the role of Kuvempu. Films Besides making his strong presence in theatre, Simha was also a popular mainstream character actor in numerous Kannada films. He acted in close to 150 feature films. His portrayal of roles varied from critically acclaimed award-winning films like Samskara, Bara, Chithegoo Chinte and Anuroopa and also in commercially acclaimed films such as Indina Ramayana, Nee Bareda Kadambari, Parameshi Prema Prasanga, Rayaru Bandaru Mavana Manege and Nee Thanda Kanike. Simha played negative roles, against Anant Nag in Ramapurada Ravana (1984) and with Dr. Rajkumar in Parashuram (1990). Simha's villainous role in Parashuram was said to be very menacing. Besides acting, Simha has directed five films including Kakana Kote (1977), Shikaari, Simhasana, Ashwamedha (1990) and Angayalli Apsare (1993). Television Simha made his strong presence in television too and acted in several tele-serials in Kannada, Hindi and English languages. This includes the serial Malgudi Days. Another serial was Goruru in America based on the travelogue written by the humorist Gorur Ramaswamy Iyengar. Simha played the part of Gorur and the serial was shot extensively in America including New York, Washington D.C., Niagara Falls, Disneyland and Universal Studios – Hollywood. Publications Simha wrote and published five plays in Kannada. He was a popular columnist, he wrote a column called "Nimma Simha" every Friday for six years in the popular daily newspaper Vijaya Karnataka and three volumes of this are published in the Book forum. Filmography Actor Director Shikari (1981) Ashwamedha (1992) Angaili Apsare (1993) Death In February 2014, Simha was admitted to Sevakshetra Hospital, Bangalore having been suffering from prostate cancer from over a year. He died on 28 February 2014. On 1 March, his body was kept at the Samsa Bayalu Rangamandira for people to pay homage and his favourite songs were sung by theatre artists. He was cremated at the Banashankari crematorium in Bangalore the same day. Simha's last public appearance was at the press meet of the film Rasarishi Kuvempu in which he played the lead role. Passage 5: Ian Barry (director) Ian Barry is an Australian director of film and TV. Select credits Waiting for Lucas (1973) (short) Stone (1974) (editor only) The Chain Reaction (1980) Whose Baby? (1986) (mini-series) Minnamurra (1989) Bodysurfer (1989) (mini-series) Ring of Scorpio (1990) (mini-series) Crimebroker (1993) Inferno (1998) (TV movie) Miss Lettie and Me (2002) (TV movie) Not Quite Hollywood: The Wild, Untold Story of Ozploitation! (2008) (documentary) The Doctor Blake Mysteries (2013) Passage 6: Dana Blankstein Dana Blankstein-Cohen (born March 3, 1981) is the executive director of the Sam Spiegel Film and Television School. She was appointed by the board of directors in November 2019. Previously she was the CEO of the Israeli Academy of Film and Television. She is a film director, and an Israeli culture entrepreneur. Biography Dana Blankstein was born in Switzerland in 1981 to theatre director Dedi Baron and Professor Alexander Blankstein. She moved to Israel in 1983 and grew up in Tel Aviv. Blankstein graduated from the Sam Spiegel Film and Television School, Jerusalem in 2008 with high honors. During her studies she worked as a personal assistant to directors Savi Gabizon on his film Nina's Tragedies and to Renen Schorr on his film The Loners. She also directed and shot 'the making of' film on Gavison's film Lost and Found. Her debut film Camping competed at the Berlin International Film Festival, 2007. Film and academic career After her studies, Dana founded and directed the film and television department at the Kfar Saba municipality. The department encouraged and promoted productions filmed in the city of Kfar Saba, as well as the established cultural projects, and educational community activities. Blankstein directed the mini-series "Tel Aviviot" (2012). From 2016-2019 was the director of the Israeli Academy of Film and Television. In November 2019 Dana Blankstein Cohen was appointed the new director of the Sam Spiegel Film and Television School where she also oversees the Sam Spiegel International Film Lab. In 2022, she spearheaded the launch of the new Series Lab and the film preparatory program for Arabic speakers in east Jerusalem. Filmography Tel Aviviot (mini-series; director, 2012) Growing Pains (graduation film, Sam Spiegel; director and screenwriter, 2008) Camping (debut film, Sam Spiegel; director and screenwriter, 2006) Passage 7: Olav Aaraas Olav Aaraas (born 10 July 1950) is a Norwegian historian and museum director. He was born in Fredrikstad. From 1982 to 1993 he was the director of Sogn Folk Museum, from 1993 to 2010 he was the director of Maihaugen and from 2001 he has been the director of the Norwegian Museum of Cultural History. In 2010 he was decorated with the Royal Norwegian Order of St. Olav. Passage 8: S. N. Mathur S.N. Mathur was the Director of the Indian Intelligence Bureau between September 1975 and February 1980. He was also the Director General of Police in Punjab. Passage 9: Brian Kennedy (gallery director) Brian Patrick Kennedy (born 5 November 1961) is an Irish-born art museum director who has worked in Ireland and Australia, and now lives and works in the United States. He was the director of the Peabody Essex Museum in Salem for 17 months, resigning December 31, 2020. He was the director of the Toledo Museum of Art in Ohio from 2010 to 2019. He was the director of the Hood Museum of Art from 2005 to 2010, and the National Gallery of Australia (Canberra) from 1997 to 2004. Career Brian Kennedy currently lives and works in the United States after leaving Australia in 2005 to direct the Hood Museum of Art at Dartmouth College. In October 2010 he became the ninth Director of the Toledo Museum of Art. On 1 July 2019, he succeeded Dan Monroe as the executive director and CEO of the Peabody Essex Museum. Early life and career in Ireland Kennedy was born in Dublin and attended Clonkeen College. He received B.A. (1982), M.A. (1985) and PhD (1989) degrees from University College-Dublin, where he studied both art history and history. He worked in the Irish Department of Education (1982), the European Commission, Brussels (1983), and in Ireland at the Chester Beatty Library (1983–85), Government Publications Office (1985–86), and Department of Finance (1986–89). He married Mary Fiona Carlin in 1988.He was Assistant Director at the National Gallery of Ireland in Dublin from 1989 to 1997. He was Chair of the Irish Association of Art Historians from 1996 to 1997, and of the Council of Australian Art Museum Directors from 2001 to 2003. In September 1997 he became Director of the National Gallery of Australia. National Gallery of Australia (NGA) Kennedy expanded the traveling exhibitions and loans program throughout Australia, arranged for several major shows of Australian art abroad, increased the number of exhibitions at the museum itself and oversaw the development of an extensive multi-media site. Although he oversaw several years of the museum's highest ever annual visitation, he discontinued the emphasis of his predecessor, Betty Churcher, on showing "blockbuster" exhibitions. During his directorship, the NGA gained government support for improving the building and significant private donations and corporate sponsorship. However, the initial design for the building proved controversial generating a public dispute with the original architect on moral rights grounds. As a result, the project was not delivered during Dr Kennedy's tenure, with a significantly altered design completed some years later. Private funding supported two acquisitions of British art, including David Hockney's A Bigger Grand Canyon in 1999, and Lucian Freud's After Cézanne in 2001. Kennedy built on the established collections at the museum by acquiring the Holmgren-Spertus collection of Indonesian textiles; the Kenneth Tyler collection of editioned prints, screens, multiples and unique proofs; and the Australian Print Workshop Archive. He was also notable for campaigning for the construction of a new "front" entrance to the Gallery, facing King Edward Terrace, which was completed in 2010 (see reference to the building project above). Kennedy's cancellation of the "Sensation exhibition" (scheduled at the NGA from 2 June 2000 to 13 August 2000) was controversial, and seen by some as censorship. He claimed that the decision was due to the exhibition being "too close to the market" implying that a national cultural institution cannot exhibit the private collection of a speculative art investor. However, there were other exhibitions at the NGA during his tenure, which could have raised similar concerns. The exhibition featured the privately owned Young British Artists works belonging to Charles Saatchi and attracted large attendances in London and Brooklyn. Its most controversial work was Chris Ofili's The Holy Virgin Mary, a painting which used elephant dung and was accused of being blasphemous. The then-mayor of New York, Rudolph Giuliani, campaigned against the exhibition, claiming it was "Catholic-bashing" and an "aggressive, vicious, disgusting attack on religion." In November 1999, Kennedy cancelled the exhibition and stated that the events in New York had "obscured discussion of the artistic merit of the works of art". He has said that it "was the toughest decision of my professional life, so far."Kennedy was also repeatedly questioned on his management of a range of issues during the Australian Government's Senate Estimates process - particularly on the NGA's occupational health and safety record and concerns about the NGA's twenty-year-old air-conditioning system. The air-conditioning was finally renovated in 2003. Kennedy announced in 2002 that he would not seek extension of his contract beyond 2004, accepting a seven-year term as had his two predecessors.He became a joint Irish-Australian citizen in 2003. Toledo Museum of Art The Toledo Museum of Art is known for its exceptional collections of European and American paintings and sculpture, glass, antiquities, artist books, Japanese prints and netsuke. The museum offers free admission and is recognized for its historical leadership in the field of art education. During his tenure, Kennedy has focused the museum's art education efforts on visual literacy, which he defines as "learning to read, understand and write visual language." Initiatives have included baby and toddler tours, specialized training for all staff, docents, volunteers and the launch of a website, www.vislit.org. In November 2014, the museum hosted the International Visual Literacy Association (IVLA) conference, the first Museum to do so. Kennedy has been a frequent speaker on the topic, including 2010 and 2013 TEDx talks on visual and sensory literacy. Kennedy has expressed an interest in expanding the museum's collection of contemporary art and art by indigenous peoples. Works by Frank Stella, Sean Scully, Jaume Plensa, Ravinder Reddy and Mary Sibande have been acquired. In addition, the museum has made major acquisitions of Old Master paintings by Frans Hals and Luca Giordano.During his tenure the Toledo Museum of Art has announced the return of several objects from its collection due to claims the objects were stolen and/or illegally exported prior being sold to the museum. In 2011 a Meissen sweetmeat stand was returned to Germany followed by an Etruscan Kalpis or water jug to Italy (2013), an Indian sculpture of Ganesha (2014) and an astrological compendium to Germany in 2015. Hood Museum of Art Kennedy became Director of the Hood Museum of Art in July 2005. During his tenure, he implemented a series of large and small-scale exhibitions and oversaw the production of more than 20 publications to bring greater public attention to the museum's remarkable collections of the arts of America, Europe, Africa, Papua New Guinea and the Polar regions. At 70,000 objects, the Hood has one of the largest collections on any American college of university campus. The exhibition, Black Womanhood: Images, Icons, and Ideologies of the African Body, toured several US venues. Kennedy increased campus curricular use of works of art, with thousands of objects pulled from storage for classes annually. Numerous acquisitions were made with the museum's generous endowments, and he curated several exhibitions: including Wenda Gu: Forest of Stone Steles: Retranslation and Rewriting Tang Dynasty Poetry, Sean Scully: The Art of the Stripe, and Frank Stella: Irregular Polygons. Publications Kennedy has written or edited a number of books on art, including: Alfred Chester Beatty and Ireland 1950-1968: A study in cultural politics, Glendale Press (1988), ISBN 978-0-907606-49-9 Dreams and responsibilities: The state and arts in independent Ireland, Arts Council of Ireland (1990), ISBN 978-0-906627-32-7 Jack B Yeats: Jack Butler Yeats, 1871-1957 (Lives of Irish Artists), Unipub (October 1991), ISBN 978-0-948524-24-0 The Anatomy Lesson: Art and Medicine (with Davis Coakley), National Gallery of Ireland (January 1992), ISBN 978-0-903162-65-4 Ireland: Art into History (with Raymond Gillespie), Roberts Rinehart Publishers (1994), ISBN 978-1-57098-005-3 Irish Painting, Roberts Rinehart Publishers (November 1997), ISBN 978-1-86059-059-7 Sean Scully: The Art of the Stripe, Hood Museum of Art (October 2008), ISBN 978-0-944722-34-3 Frank Stella: Irregular Polygons, 1965-1966, Hood Museum of Art (October 2010), ISBN 978-0-944722-39-8 Honors and achievements Kennedy was awarded the Australian Centenary Medal in 2001 for service to Australian Society and its art. He is a trustee and treasurer of the Association of Art Museum Directors, a peer reviewer for the American Association of Museums and a member of the International Association of Art Critics. In 2013 he was appointed inaugural eminent professor at the University of Toledo and received an honorary doctorate from Lourdes University. Most recently, Kennedy received the 2014 Northwest Region, Ohio Art Education Association award for distinguished educator for art education. == Notes == Passage 10: Jason Moore (director) Jason Moore (born October 22, 1970) is an American director of film, theatre and television. Life and career Jason Moore was born in Fayetteville, Arkansas, and studied at Northwestern University. Moore's Broadway career began as a resident director of Les Misérables at the Imperial Theatre in during its original run. He is the son of Fayetteville District Judge Rudy Moore.In March 2003, Moore directed the musical Avenue Q, which opened Off-Broadway at the Vineyard Theatre and then moved to Broadway at the John Golden Theatre in July 2003. He was nominated for a 2004 Tony Award for his direction. Moore also directed productions of the musical in Las Vegas and London and the show's national tour. Moore directed the 2005 Broadway revival of Steel Magnolias and Shrek the Musical, starring Brian d'Arcy James and Sutton Foster which opened on Broadway in 2008. He directed the concert of Jerry Springer — The Opera at Carnegie Hall in January 2008.Moore, Jeff Whitty, Jake Shears, and John "JJ" Garden worked together on a new musical based on Armistead Maupin's Tales of the City. The musical premiered at the American Conservatory Theater, San Francisco, California in May 2011 and ran through July 2011.For television, Moore has directed episodes of Dawson's Creek, One Tree Hill, Everwood, and Brothers & Sisters. As a writer, Moore adapted the play The Floatplane Notebooks with Paul Fitzgerald from the novel by Clyde Edgerton. A staged reading of the play was presented at the New Play Festival at the Charlotte, North Carolina Repertory Theatre in 1996, with a fully staged production in 1998.In 2012, Moore made his film directorial debut with Pitch Perfect, starring Anna Kendrick and Brittany Snow. He also served as an executive producer on the sequel. He directed the film Sisters, starring Tina Fey and Amy Poehler, which was released on December 18, 2015. Moore's next project will be directing a live action Archie movie. Filmography Films Pitch Perfect (2012) Sisters (2015) Shotgun Wedding (2022)Television Soundtrack writer Pitch Perfect 2 (2015) (Also executive producer) The Voice (2015) (1 episode)

doc_42

Passage 1: Barthold A. Butenschøn Sr. Hans Barthold Andresen Butenschøn (27 December 1877 – 28 November 1971) was a Norwegian businessperson. He was born in Kristiania as a son of Nils August Andresen Butenschøn and Hanna Butenschøn, and grandson of Nicolay Andresen. Together with Mabel Anette Plahte (1877–1973, a daughter of Frithjof M. Plahte) he had the son Hans Barthold Andresen Butenschøn Jr. and was through him the father-in-law of Ragnhild Butenschøn and grandfather of Peter Butenschøn. Through his daughter Marie Claudine he was the father-in-law of Joakim Lehmkuhl, through his daughter Mabel Anette he was the father-in-law of Harald Astrup (a son of Sigurd Astrup) and through his daughter Nini Augusta he was the father-in-law of Ernst Torp.He took commerce school and agricultural school. He was hired in the family company N. A. Andresen & Co, and became a co-owner in 1910. He eventually became chief executive officer. The bank changed its name to Andresens Bank in 1913 and merged with Bergens Kreditbank in 1920. The merger was dissolved later in the 1920s. He was also a landowner, owning Nedre Skøyen farm and a lot of land in Enebakk. He chaired the board of Nydalens Compagnie from 1926, having not been a board member before that.He also chaired the supervisory council of Forsikringsselskapet Viking and Nedre Glommen salgsforening, and was a supervisory council member of Filharmonisk Selskap. He was a member of the gentlemen's club SK Fram since 1890, and was proclaimed a lifetime member in 1964.He was buried in Enebakk. Passage 2: Peter Burroughs Peter Burroughs (born 27 January 1947) is a British television and film actor and the director of Willow Management. He is the father-in-law of actor and TV presenter Warwick Davis. Early career Burroughs initially ran a shop in his village at Yaxley, Cambridgeshire. His first dramatic role was that of the character "Branic" in the 1979 television series The Legend of King Arthur. He also acted in the television shows Dick Turpin, The Goodies, Doctor Who in the serial The King's Demons and One Foot in the Grave. Film career Burroughs played roles in Hollywood movies such as Flash Gordon, George Lucas' Star Wars: Episode VI – Return of the Jedi (a swinging ewok), Willow, The Dark Crystal, Labyrinth and The Hitchhiker's Guide to the Galaxy. In 1995, Burroughs set up Willow Management, an agency for short actors, along with co-actor Warwick Davis. He portrayed a bank goblin in the Harry Potter series (Harry Potter and the Philosopher's Stone and Harry Potter and the Deathly Hallows – Part 2). Personal life His daughter Samantha (born 1971), is married to Star Wars: Episode VI – Return of the Jedi and Willow film star Warwick Davis. He has another daughter, Hayley Burroughs, who is also an actress. His granddaughter is Annabelle Davis. Filmography Passage 3: Brijlal Nehru Brijalal Nehru (5 May 1884 – 27 May 1964) was a noted civil servant and member of the Nehru family. He was the son of Pandit Nandlal Nehru (the elder brother of Motilal Nehru) and the cousin of Jawaharlal Nehru. Nandlal Nehru was Diwan of Khetri State for 11 years.Brijlal was born on 5 May 1884 in Allahabad and he grew up in Anand Bhawan. Brijlal had been sent to Oxford in 1905 to compete for the Indian Civil Service by Motilal Nehru. He was a senior officer of the Audit and Accounts Service. After his retirement, he served Finance Minister of Princely State of Jammu & Kashmir during reign of Maharaja Hari Singh.He was married to Rameshwari Raina, a noted social and women activist and a freedom fighter and recipient of Padma Bhushan in 1955, Later she also won the Lenin Peace Prize in 1961.Their son was Braj Kumar Nehru (1909-2001), an administrator and Padma Vibhushan recipient.Brijlal died on 27 May 1964, the same day on which his illustrious cousin died. Passage 4: James Armour (Master mason) James Armour (15 January 1731 – 20 September 1798) was a master mason and father of Jean Armour, and therefore the father-in-law of the poet Robert Burns. His birth year was shown here as 1730. The Scotland's People database has no record of this year of birth for a James Armour. Wikitree and several other data sources have his birth date as 10th/24th January 1731. The Scotland's People database has this record but showing his baptism on 24 January 1731. His birth on the original Old Parish Record is shown as 15 January 1731 to John Armour and Margrat(sic) Picken in Kilmarnock. James named his first son John which would normally be after James's father i.e. John. The chances of there being two James's born on exactly the same date exactly one year apart appear very remote and the naming of the first child seems to validate the conclusion that James Armour was born in 1731 and not 1730. Life and background At Mauchline on 7 December 1761 he married Mary Smith, the daughter of stonemason Adam Smith. James died on 30 September 1798 and was buried in the family lair in Mauchline churchyard. His wife died in 1805 and was buried with her husband. Family James' eleven offspring with Mary, were, in birth order, John, Jean, James, Robert, Adam, Helen, Mary, Robert (2nd), Mary (2nd), Janet and Robert (3rd). Three siblings died in childhood. Dr John Armour was the eldest son who was born in Mauchline on 14 November 1762 and died in 1834. He had his practice in Kincardine-on-Forth where he died and was buried. He had two children, Janet and John, and married Janet Coventry on 10 March 1787. James and Mary's son James was born in Mauchline on 26 April 1767, married Betthaia Walker in 1794, Martha in 1818 and Janet in 1822. Their offspring were James and Betthaia. Adam Armour was named after Adam Smith, James Armour's father-in-law.The Armours' single-storey house stood in Cowgate, separated from John Dove's Whitefoord Arms by a narrow lane. Jean's bedroom window looked on to a window of the inn, thereby allowing Burns to converse with her from the public house itself. The Whitefoord Inn was often frequented by Burns and was also the meeting place of the so-called Court of Equity and linked to a significant incident in the life of Jean's brother Adam regarding the mistreatment of Agnes Wilson. Occupation and social standing James was a master mason and contractor rather than an architect, regardless of Burns' attempts to describe him as one. He is known to have carried out contract work at Dumfries House near Cumnock and tradition links him to the building of Howford Bridge on the River Ayr, Greenan Bridge on the River Doon; Skeldon House, Dalrymple; and several other bridges in Ayrshire. Both the Armours and his wife's family had been stone-masons for several generations. William Burnes, Robert Burns' cousin, was apprenticed to James Armour.James was an adherent of the 'Auld Licht' style of religion and rented at 10/8 per year one of the most expensive pews in Mauchline church. James was rigid and austere, apparently living an exemplary life. Robert Burns-Begg, Burns' great-nephew, states that in contrast to her husband, Mary Armour was "Partaken somewhat of the gay and frivolous.".William 'Willie' Patrick, a source of many anecdotes about Robert and his family, stated about James that "he was only a bit mason body, wha used to snuff a guid deal and gae afen tak a bit dram!" He went on to say regarding James' attitude to Robert Burns that "The thing was, he hated him, and would raither hae seen the Deil himsel comin to the hoose to coort his dochter than him! He cu'dna bear the sicht o'm, and that was the way he did it!". Association with Robert Burns James had disapproved of Burns's courtship of Jean, being aware of his affair with Elizabeth Paton, his 'New Licht' leanings and his poor financial situation. When informed in March 1786 by his distraught wife that Jean was pregnant he fainted and upon recovering consciousness and being given a strong cordial drink he enquired who the father was, fainting again when he was told that it was Robert Burns. The couple persuaded Jean to travel to Paisley and lodge with their relative Andrew Purdie, husband of her aunt Elizabeth Smith. Robert Wilson lived in Paisley, a possible suitor who had shown a romantic interest in Jean previously, appears to have been only part of the reason for this action, for on 8 April Mary Armour had vehemently denied to James Lamie, a member of the Kirk Session, that Jean was pregnant. Robert Burns produced a paper, probably a record of their "Marriage by Declaration" possibly witnessed by James Smith. This document, no longer extant, was defaced under James Armour's direction, probably by the lawyer Robert Aitken, with the names of both Robert and Jean being cut out. This act did not in fact effect its legality. Robert wrote that James Armour's actions had "...cut my very veins", a feeling enhanced by Jean having handed over "the unlucky paper" and had agreed to go to Paisley. James Armour in the meantime forced his daughter to sign a complaint and a warrant "in meditatione fugae" against Robert was issued to prevent his abandoning her. Burns fled to Old Rome Forest near Gatehead in South Ayrshire, where Jean Brown, Agnes Broun's half-sister and therefore an aunt of Burns, lived with her husband, James Allan. Twins were born to Jean and Robert on 3 September 1786, named after their parents as was the kirk's protocol for children born out of wedlock. Robert, notified of the birth by Adam Armour, that Sunday went to the Armour's house with a gift of tea, sugar and a Guinea that proved most acceptable. Robert only returned from Edinburgh in the summer of 1787 to find that he was, thanks to his newly found fame as a published poet, actively welcomed into the family. Jean however fell pregnant out of official wedlock once more, with the result that she felt forced to leave the Armour's home due to her father's anger. She was taken in by Willie Muir and his wife at Tarbolton Mill. It had previously been agreed that baby Jean would stay with her mother and baby Robert would join Bess at Mossgiel. The second set of twins did not live long and are buried, unnamed, in the Armour lair in Mauchline churchyard. Robert was in Edinburgh and did not arrive back until 23 February 1788; he then arranged accommodation for Jean.Whilst at the Brow Well Robert Burns wrote two of his last letters to his father-in-law asking that Mary Armour, who was away visiting relatives in Fife, be sent to Dumfries to help care for Jean who was heavily pregnant. On 10 July 1796 his last letter was signed "Your most affectionate son. R. Burns."Upon the death of Robert Burnes his nephew Robert arranged for his cousin William to become a mason or building worker, working with James Armour, Burns' father-in-law. The Inveraray marble Punch Bowl Of the many surviving Robert Burns artefacts few have such distinguished provenance as the punch bowl that was a nuptial gift in 1788 from James Armour to his daughter Jean and her new husband Robert Burns. As a stone-mason James had carved it himself (22cm x 14cm ) from dark green Inveraray marble and after residing at their various homes, Jean in 1801 presented it to her husband's great friend and Burns family benefactor Alexander Cunningham whilst she was on a visit to Edinburgh and staying with George Thomson. He had it mounted with a silver base and a rim, engraved upon which are the words “Ye whom social pleasure charms .. Come to my Bowl! Come to my arms, My FRIENDS, my BROTHERS!” taken from Burns’s “The Epistle to J. Lapraik.”Alexander died in 1812 and it was then sold at auction in 1815 for the impressive price of 80 Guineas to a London publican who, falling upon hard times, sold it to Archibald Hastie Esq of London. A copy is held by the Robert Burns Birthplace Museum at Alloway, whilst the original is in the British Museum in London, presented to that institution by Archibald Hastie in 1858. See also Adam Armour Jean Armour Robert Burnes William Burnes Passage 5: John Adams (merchant) John Adams (1672 or 1673 – c. 1745) was an American-born Canadian merchant and member of the Nova Scotia Council. He was the father-in-law of Henry Newton. Biography Adams was born in Boston in either 1672 or 1673 to John and Avis Adams. Growing up as a petty merchant, Adams joined Sir Charles Hobby's New England regiment, participating in the capture of Port-Royal in 1710. Shortly thereafter, Adams settled in Annapolis Royal, Nova Scotia, returning to civilian life. There, he traded manufactured goods with the province's Acadian and Native Americans, and took up the role of a real estate agent and contractor. Adams joined the Executive Council of Nova Scotia on 28 April 1720, holding his position there for 20 years; the records show that few served as long as he did. He also held several other public positions in the province. Adams was appointed a notary public and deputy collector of customs for Annapolis Royal in 1725, and he was commissioned a justice of the peace in March 1727.Around the mid-1720s, Adams' poor eyesight began to fail, leading to his near-blindness in 1730. After this, he was less active in community activities and trade. Adams petitioned to the king for a pension several times, but failed. He blamed his disability on over-exposure to the sun during an Indian attack on Annapolis Royal in 1724. In December 1739, Lieutenant Governor Lawrence Armstrong died. With the absence of Major Mascarene to take Armstrong's place, Adams became the new president of the council and head of the civil government. (Alexander Cosby was also vying for the position.) In a meeting on 22 March 1740, with the return of Mascarene, the councilors declared that he was the council's rightful president. This turn of events led Adams to retire to Boston in late August or early September 1740, where he stayed for the rest of his life. He died some time after 1745. Notes Passage 6: Mohammad Ilyas (cricketer) Mohammad Ilyas Mahmood (Urdu: محمد الیاس محمود ; born 19 March 1946) is a former Pakistani cricketer who played in ten Test matches between 1964 and 1969. Cricket career Ilyas was an opening batsman and occasional leg-spin bowler. He played first-class cricket in Pakistan from 1961 to 1972. He scored 126 in the Third Test against New Zealand in Karachi in April 1965, when Pakistan needed 202 to win in five and half hours, and reached the target with a session to spare for the loss of only two wickets. He made his highest first-class score in December 1964, when he scored 154 against South Australia.He toured Australia a second time with the Pakistan team in 1972–73, but was injured early in the tour and omitted from the team before it left for the New Zealand leg of the tour. At the time he decided to stay in Australia to live, but he later returned to Pakistan. He served for a time as a national selector, but was dismissed in 2011 for allegedly violating the Pakistan Cricket Board's code of conduct. Family He is the father-in-law of Imran Farhat and Kamran Akmal. Nazar Mohammad was his uncle. Passage 7: Rameshwari Nehru Rameshwari Nehru (née Rameshwari Raina; 10 December 1886 – 8 November 1966) was a social worker of India. She worked for the upliftment of the poorer classes and of women. In 1902, she married Brijlal Nehru, a nephew of Motilal Nehru and cousin of the first prime minister of independent India, Jawaharlal Nehru. Her son Braj Kumar Nehru was an Indian civil servant who served as governor of several states. She edited Stri Darpan, a Hindi monthly for women, from 1909 to 1924. She was one of the founders of All India Women's Conference (AIWC) and was elected its president in 1942. She led delegations to the World Women's Congress in Copenhagen and the first Afro-Asian Women's Conference in Cairo (1961).Nehru was awarded the Padma Bhushan by the Government of India for her social work, in 1955, and won the Lenin Peace Prize in 1961.She was one of the signatories of the Agreement to convene a convention for drafting a world constitution. As a result, for the first time in human history, a World Constituent Assembly convened to draft and adopt a Constitution for the Federation of Earth. Passage 8: Ludwig von Westphalen Johann Ludwig von Westphalen (11 July 1770 – 3 March 1842) was a liberal Prussian civil servant and the father-in-law of Karl Marx. Biography Early life Johann Ludwig von Westphalen was born on 11 July 1770 in Bornum am Elm. He was the youngest son of Philipp von Westphalen (1724–92), who himself was the son of a Blankenburg postmaster. Philipp von Westphalen had been ennobled in 1764 with the predicate Edler von Westphalen by Duke Ferdinand of Brunswick for his military services. He had served as the duke's de facto "chief of staff" during the Seven Years' War. Through his mother, Jane Wishart of Pittarrow, he was the descendant of many Scottish and European noble families.He received extensive education and spoke German and English, and read Latin, Greek, Italian, French and Spanish. He studied at the Collegium Carolinum, the forerunner of today's Braunschweig University of Technology, and at Göttingen. Career In 1794, he entered government's service in Brunswick. In 1797 he married Elisabeth von Veltheim, who bore him four children. In 1804 he entered the government service of the Duchy of Brunswick and Lunenburg (Wolfenbüttel). With the establishment of the Napoleonic state in Westphalia (the Kingdom of Westphalia) in 1807, he entered its service. He was likely motivated in this by a desire to see reforms carried out. He did, however, oppose the French dominance of the local government, and other policies, and for his critique he was eventually arrested by orders from Louis-Nicolas Davout and imprisoned in the fortress of Gifhorn. In the same year, he lost his first wife. In the summer of 1809 Louis was appointed sub-prefect of Salzwedel, where three years later in 1812 he married Karoline Heubel; they had three children. After Salzwedel was again under Prussian administration, in 1816 Ludwig von Westphalen was transferred to the newly established regional government in Trier. Personal life It was in Trier that he met and befriended Heinrich Marx, the father of Karl Marx. The children of the respective families, in particular Jenny and Edgar von Westphalen, and Sophie and Karl Marx, became close friends as well. In 1836, Jenny von Westphalen and Karl Marx became engaged; at first secretly but Ludwig approved the marriage in 1837, even though some saw Marx, who was both middle class and younger than her, as well as of Jewish descent, as an inappropriate partner for the noble daughter. In fact, Ludwig was seen as the mentor and role model of Karl Marx, who referred to him as a "dear fatherly friend". Ludwig filled Marx with enthusiasm for the romantic school and read him Homer and Shakespeare, who remained Marx's favorite authors all his life. Marx also read Voltaire and Racine with Ludwig. Ludwig devoted much of his time to the young Marx and the two went for intellectual walks through "the hills and woods" of the neighbourhood. It was Ludwig who first introduced Marx to the personality and socialist teachings of Saint-Simon. Marx dedicated his doctoral thesis "The Difference Between the Democritean and Epicurean Philosophy of Nature" written in 1841 to Ludwig in a most effusive manner in which Marx wrote "You, my fatherly friend, have always been for me the living proof that idealism is no illusion, but the true reality" In 1842, Marx was present at the deathbed of Ludwig von Westphalen. Jenny and Karl became married in 1843, a year after Ludwig's death. He was the father of Ferdinand von Westphalen, a conservative and reactionary Prussian Minister of the Interior. Death He died on 3 March 1842 in Trier. Passage 9: Bill Dundee William Cruickshanks (born 24 October 1943) is a retired Scottish-born Australian professional wrestler and author better known by his stage name Bill Dundee. Cruickshanks is the father of Jamie Dundee and was the father-in-law of wrestler Bobby Eaton. Career Dundee was born in Angus, Scotland, and raised in Melbourne. At 16, he joined the circus as a trapeze artist. He started wrestling in Australia in 1962 and finally arrived in the United States as "Superstar" Bill Dundee in 1974 with his tag team partner George Barnes. Dundee made a name for himself in the Memphis Territory, where he regularly teamed and feuded with Jerry Lawler and Jimmy Valiant for years. Dundee and Lawler ventured to the American Wrestling Association in 1987 and captured the AWA World Tag Team Championship twice. As a singles wrestler, he held the Southern Heavyweight Championship belt several times from 1975 to 1985. Also, he had a successful team with "Nature Boy" Buddy Landel that wreaked havoc in Tennessee. Dundee had a brief run in the NWA's Jim Crockett Promotions, Central States Wrestling and Florida Championship Wrestling in 1986, where he teamed with Jimmy Garvin and feuded with Sam Houston for the NWA Central States Heavyweight Championship. He also briefly managed The Barbarian and The MOD Squad while in those territories. He also had a run in World Championship Wrestling in the early 1990s as Sir William, the manager for Lord Steven Regal. Dundee worked as a booker for Memphis, Louisiana and Georgia. Dundee is still active as of 2019 in Memphis Wrestling, where he has been a heel and a baby face. He frequently appears on Jackson, Tennessee, talk radio station WNWS 101.5 with Dan Reeves and on a talk show on Public-access television cable TV channels in West Tennessee. He still promotes indy cards across Tennessee and in Southaven, Mississippi. He currently runs a podcast on Anchor named If You Don't Want the Answer, Don't Ask the Question. On 20 July 2019, Dundee, at 75 years old, defeated Tony Deppen to win the unofficial WOMBAT Television Championship for Game Changer Wrestling in Tullahoma, Tennessee. Books If You Don't Want The Answer, Don't Ask The Question: Bill Dundee's Life Story Personal life Dundee's son Jamie Dundee, also became a wrestler, whereas his daughter Donna, married wrestler Bobby Eaton. His grandson, Dylan Eaton, wrestles as well. In the early 1990s he partnered with Doug Hurt, brother of Jerry Lawler's manager, in the opening of a furniture store in Evansville, Indiana called "Superstar Dundee Furniture". The store collapsed about a year after opening. On 26 June 2021, his daughter Donna died at the age of 57 from breast cancer. Just over a month later, his son-in-law Bobby Eaton died on 4 August 2021 at the age of 62, just two weeks after suffering a fall at his home. Championships and accomplishments American Wrestling Federation AWF Heavyweight Championship (1 time) Central States Wrestling NWA Central States Heavyweight Championship (1 time) Memphis Wrestling Hall of Fame Class of 2017 Mid-South Wrestling Association Mid-South Television Championship (1 time) NWA Mid-America / Continental Wrestling Association / Championship Wrestling Association AWA Southern Heavyweight Championship (9 times) AWA Southern Tag Team Championship (14 times) – with Norvell Austin (1), Robert Gibson (1), Jerry Lawler (4), Robert Fuller (1), Tommy Rich (2), Dream Machine (2), Steve Keirn (2) and Dutch Mantel (1) AWA World Tag Team Championship (2 times) – with Jerry Lawler1 CWA International Heavyweight Championship (4 times) CWA International Tag Team Championship (1 time) – with Rocky Johnson CWA Southwestern Heavyweight Championship (1 time) CWA World Heavyweight Championship (1 time) CWA World Tag Team Championship (1 time) – with Tommy Rich NWA Mid-America Heavyweight Championship (1 time) NWA Mid-America Tag Team Championship (1 time) – with Ricky Gibson NWA Southern Heavyweight Championship (Memphis version) (1 time) NWA Southern Tag Team Championship (Mid-America version) (3 times) – with Big Bad John (2) and Tommy Rich (1) NWA United States Junior Heavyweight Championship (2 times) Ohio Valley Wrestling OVW Heavyweight Championship (1 time) Power Pro Wrestling PPW Tag Team Championship (1 time) – with Jerry Lawler Pro Wrestling Illustrated Ranked No. 56 of the 100 top tag teams of the "PWI Years" with Jerry Lawler in 2003 Pro Wrestling This Week Wrestler of the Week (21–27 June 1987) Southeastern Championship Wrestling NWA Southeastern Tag Team Championship (1 time) – with Tommy Rich NWA United States Junior Heavyweight Championship (Southeastern version) (1 time) Supreme Wrestling Supreme Mid-America Tag Team Championship (1 time) – with Rob Royale United States Wrestling Association USWA Unified World Heavyweight Championship (1 time) USWA Junior Heavyweight Championship (2 times) USWA Southern Heavyweight Championship (3 times) USWA Texas Heavyweight Championship (3 times) USWA World Tag Team Championship (3 times) – with Jerry Lawler (2) and Jamie Dundee (1) WOMBAT Wrestling WOMBAT Television Championship (1 time, current) World Class Wrestling Association CWA Southwestern Heavyweight Championship (2 times)21Dundee's and Lawler's reigns with the AWA World Tag Team Championship began on cards hosted by the CWA through the interpromotional relationship between the AWA and CWA that also allowed the defense of the AWA Southern Heavyweight and Southern Tag Team Championships primarily within the CWA.2The CWA Southwestern Heavyweight Championship was promoted in both the CWA and WCWA while the promotions had a working relationship in 1989 and 1990. Passage 10: Ogawa Mataji Viscount Ogawa Mataji (小川又次, 22 August 1848 – 20 October 1909) was a general in the early Imperial Japanese Army. He was also the father-in-law of Field Marshal Gen Sugiyama. Life and military career Ogawa was born to a samurai family; his father was a retainer to the daimyō of Kokura Domain, in what is now Kitakyushu, Fukuoka. He studied rangaku under Egawa Hidetatsu and fought as a Kokura samurai against the forces of Chōshū Domain during the Bakumatsu period. After the Meiji Restoration, Ogawa attended the Imperial Japanese Army Academy and was commissioned as a second lieutenant in January 1871 and promoted to lieutenant in February 1874. He participated in the Taiwan Expedition of April 1874. Afterwards, he served with the IJA 1st Infantry Regiment under the Tokyo Garrison, and as a battalion commander with the IJA 13th Infantry Regiment from April 1876. From February 1877, he fought in the Satsuma Rebellion, but was wounded in combat in April and promoted to major the same month. In March 1878, Ogawa was Deputy Chief-of-Staff to the Kumamoto Garrison. He was sent as a military attaché to Beijing from April to July 1880. In February 1881, he was promoted to lieutenant-colonel and chief of staff of the Osaka Garrison. In March 1882, he was chief of staff of the Hiroshima Garrison. Promoted to colonel in October 1884, he was assigned the IJA 8th Infantry Regiment. In May 1885, he joined the Imperial Japanese Army General Staff Office. German General Jakob Meckel, hired by the Japanese government as a foreign advisor and instructor in the Imperial Japanese Army Academy highly praised Ogawa and fellow colonel Kodama Gentarō as the two most outstanding officers in the Imperial Japanese Army. Ogawa was especially noted for his abilities as a military strategist and planner, and earned the sobriquet “the modern Kenshin") from General Kawakami Soroku. First Sino-Japanese War Ogawa was promoted to major general in June 1890, and given command of the IJA 4th Infantry Brigade, followed by command of the 1st Guards Brigade. At the start of the First Sino-Japanese War in August 1894, he was chief of staff of the Japanese First Army. In August 1895, he was elevated to the kazoku peerage with the title of danshaku (baron). He commanded the 2nd Guards Brigade from January 1896 and was subsequently promoted to lieutenant general in April 1897, assuming command of the IJA 4th Infantry Division. In May 1903, he was awarded the Order of the Sacred Treasures, first class. Russo-Japanese War During the Russo-Japanese War of 1904-1905, Ogawa retained command of the IJA 4th Division under the Japanese Second Army of General Oku Yasukata. The division was in combat at the Battle of Nanshan, Battle of Telissu and Battle of Liaoyang. At the Battle of Liaoyang, Ogawa was injured in combat, and forced to relinquish his command and return to Tokyo. In January 1905, he was promoted to general, but took a medical leave from December 1905. He was awarded the Order of the Golden Kite, 2nd class in 1906. In September 1907 he was elevated to viscount (shishaku) He officially retired in November. Ogawa died on 20 October 1909 due to peritonitis after being hospitalized for dysentery. His grave is located at Aoyama Cemetery in Tokyo, and he also has a grave in his hometown of Kokura. Decorations 1885 – Order of the Rising Sun, 3rd class 1895 – Order of the Sacred Treasure, 2nd class 1895 – Order of the Rising Sun, 2nd class 1895 – Order of the Golden Kite, 3rd class 1903 – Grand Cordon of the Order of the Sacred Treasure 1906 – Grand Cordon of the Order of the Rising Sun 1906 – Order of the Golden Kite, 2nd class

doc_43

Passage 1: Tjuyu Thuya (sometimes transliterated as Touiyou, Thuiu, Tuya, Tjuyu or Thuyu) was an Egyptian noblewoman and the mother of queen Tiye, and the wife of Yuya. She is the grandmother of Akhenaten, and great grandmother of Tutankhamun. Biography Thuya is believed to be a descendant of Queen Ahmose-Nefertari, and she held many official roles in the interwoven religion and government of ancient Egypt. She was involved in many religious cults; her titles included 'Singer of Hathor' and 'Chief of the Entertainers' of both Amun and Min. She also held the influential offices of Superintendent of the Harem of the god Min of Akhmin and of Amun of Thebes. She married Yuya, a powerful ancient Egyptian courtier of the Eighteenth Dynasty. She is believed to have died in around 1375 BC in her early to mid 50s. Children Yuya and Thuya had a daughter named Tiye, who became the Great Royal Wife of Pharaoh Amenhotep III. The great royal wife was the highest Egyptian religious position, serving alongside of the pharaoh in official ceremonies and rituals. Yuya and Thuya also had a son named Anen, who carried the titles Chancellor of Lower Egypt, Second Prophet of Amun, sm-priest of Heliopolis and Divine Father.They also may have been the parents of Ay, an Egyptian courtier active during the reign of pharaoh Akhenaten who became pharaoh after the death of Tutankhamun. However, there is no conclusive evidence regarding the kinship of Yuya and Ay, although certainly, both men came from Akhmim. Tomb Thuya was interred in tomb KV46 in the Valley of the Kings, together with her husband Yuya, where their largely intact burial was found in 1905. It was the best-preserved tomb discovered in the Valley before that of Tutankhamun, Thuya's great-grandson. The tomb was discovered by a team of workmen led by archaeologist James Quibell on behalf of the American millionaire Theodore M. Davis. Though the tomb had been robbed in antiquity, much of its contents were still present, including beds, boxes, chests, a chariot, and the sarcophagi, coffins, and mummies of the two occupants.Thuya's large gilded and black-painted wooden sarcophagus was placed against the south wall of the tomb. It is rectangular, with a lid shaped like the sloping roof of the per-wer shrine of Upper Egypt, and sits on ornamental sledge runners, their non-functionality underscored by the three battens attached below them. Ancient robbers had partially dismantled it to access her coffins and mummy, placing its lid and one long side on a bed on the other side of the tomb; the other long side had been leaned against the south wall. Her outer gilded anthropoid coffin had been removed, its lid placed atop the beds, and the trough put into the far corner of the tomb; the lid of her second (innermost) coffin, also gilded, had been removed and placed to one side although the trough and her mummy remained inside the sarcophagus. Quibell suggests this is due to the robbers having some difficulty in removing the lid of this coffin. Mummy Thuya's mummified body was found covered with a large sheet of linen, knotted at the back and secured by four bandages. These bands were covered with resin and opposite each band were her gilded titles cut from gold foil. The resin coating on the lower layers of bandages preserved the impression of a large broad collar. The mummy bands that had once covered her wrapped mummy were recovered above the storage jars on the far side of the room.The first examination of her body was conducted by Australian anatomist Grafton Elliot Smith. He found her to be an elderly woman of small stature, 1.495 metres (4.90 ft) in height, with white hair. Both of her earlobes had two piercings. Her arms are straight at her sides with her hands against the outside of her thighs. Her embalming incision is stitched with thread, to which a carnelian barrel bead is attached at the lower end; her body cavity is stuffed with resin-soaked linen. When Dr. Douglas Derry, (who later conducted the first examination of Tutankhamun's mummy) assisting Smith in his examination, exposed Thuya's feet to get an accurate measurement of her height, he found her to be wearing gold foil sandals. Smith estimated her age at more than 50 years based on her outward appearance alone. Recent CT scanning has estimated her age at death to be 50–60 years old. Her brain was removed, though no embalming material was inserted, and both nostrils were stuffed with linen. Embalming packs had been placed into her eye sockets, and subcutaneous filling had been placed into her mid and lower face to restore a lifelike appearance; embalming material had also been placed into her mouth and throat. Her teeth were in poor condition at the time of her death, with missing molars. Heavy wear and abscesses had been noted in earlier x-rays. The scan revealed that she had severe scoliosis with a Cobb angle of 25 degrees. No cause of death could be determined. Her mummy has the inventory number CG 51191. Archaeological items pertaining to Thuya Passage 2: Kaoru Hatoyama Kaoru Hatoyama (鳩山 薫, Hatoyama Kaoru, 21 November 1888 – 15 August 1982) was an educator and an administrator, the schoolmaster of Kyoritsu Women's University, which was founded by her mother-in-law, Haruko Hatoyama. She is well known as the wife of Ichirō Hatoyama, who was the 52nd–54th Prime Minister of Japan, serving terms from December 10, 1954 through December 23, 1956. She was the mother of Iichirō Hatoyama, who was Japan's Foreign Minister from 1976 through 1977. After the elections of 2009, she became more widely known as the grandmother of Prime Minister Yukio Hatoyama and his politician brother Kunio Hatoyama. See also Hatoyama Hall (Hatoyama Kaikan) Notes Passage 3: Anne Denman Anne Denman (1587–1661) was born in Olde Hall, Retford, Nottinghamshire. Through a second marriage with Thomas Aylesbury, she became the grandmother of Lady Anne Hyde, Duchess of York and great-grandmother of Queen Mary II and Queen Anne. Early life Anne was born in Olde Hall, West Retford in around 1587. She was the younger daughter of Francis Denman of Retford and Anne (Blount) Denman. Francis (born c. 1531, died 1599) was the rector of West Retford, Notts from 1578. He was the second son of Anne Hercy by her first husband, Nicholas Denman esq of East Retford, Notts. Francis had several sons who pre-deceased him and left two daughters as his heirs: Barbara (born c. 1583) who married Edward Darell (born c. 1582); and Anne.Anne's nephew, Dr John Darrell, was the youngest child of Barbara Denman and Edward Darell, and inherited substantial properties from both the Denman and Darell families. In 1665 just before his death he made a will dividing his estate between three charities. He donated the childhood home of Anne and Barbara, Olde Hall, to create a hospital for elderly men (an alms house), which became the site for Trinity Hospital, Retford (a Grade II listed building). Marriages Anne was married at 20 and left a widow at 23 after the death of her first husband William, the younger son of Sir Thomas Darell. William was the half-brother of her sister Barbara's husband Edward. Anne left Retford due to some unknown trouble, or loss of fortune, in 1610 and proceeded to London by waggon-coach. Wilmshurst (1908) records that there had been a lawsuit between the two sisters in 1605. After reaching London, Anne is said to have halted at a hostel called the 'Goat and Compasses', where she rested before looking out for an occupation suitable for a country lady of good birth and family. The owner (not the landlord) of the hostel was Mr Thomas Aylesbury, a rich brewer of the Parish of St Andrew's, Holborn who happened to be making an inspection of his 'Houses' and required a housekeeper for his household, engaging Anne to this position. Thomas was a widower of 34, and a year later made Anne an offer of marriage. The marriage of Anne and Thomas was recorded in the Bishop of London's Registry, dated 3 October 1611, giving the couple's address as St Andrew's, Holborn. The registry notes that the marriage has 'the consent of his father, William Aylesbury, Esquire'. She is described in the register as 'Anne Darell, of the City of London, widow, whose husband died a year before'. Edwin Wilmshurst (1908) notes that Anne's first husband, William Darrel is described as 'of London', and apparently died there. He says this suggests Anne 'may have become acquainted with Mr Thomas Aylesbury before she became so young a widow and he a widower'. He also comments that on 17 April 1611, there was a partition of Estate between Edward Darrel and Barbara his wife, and her sister Anne, by an Indenture. This took place while she was working for Thomas Aylesbury but before she married him. Marrying Thomas was fortunate for Anne, as in 1627, he was created a Baronet, Master of the Mint, and Master of the Requests, by Charles I. After the King's death, the family moved to Antwerp with other Royalists. During this time in exile, Barbara, Anne's daughter died. Lady Anne Hyde, Duchess of York, and granddaughter of Anne Denman, later noted in her pocket book that her aunt Barbara died in Antwerp in 1652 and unmarried. 'My dear Aunt Bab was, when she died, 24 years of age.' Barbara, when in exile in Holland, was attached to the then Princess of Orange, as a lady in waiting at the Hague. Children The issue of Anne Denman's marriage with Thomas Aylesbury were: William baptised in 1612 at St Margaret's Lothbury in London, died in Jamaica in 1656 Thomas (probably died young) Frances born 1617 died 1667, married Edward Hyde in 1634, had issue Lady Anne (1637–1671), married King James II/VII Hon. Henry, later 2nd Earl of Clarendon (1638–1709) Hon. Laurence, later 1st Earl of Rochester (1641–1711) Hon. Edward, (born c 1645, died 1665) buried 13 January 1665 having died at age 19 while a student at Oxford Hon. James drowned in HMS Gloucester in 1682 in the suite of the Duke of York Lady Frances, married Thomas Keightley, Irish revenue commissioner and privy councillor in 1675. Anne, baptised at St Margaret's and married there in 1637 to John Brigham Jane (probably died young) Barbara baptised at St Margaret's, Westminster, 9 May 1627 died 1652 in Antwerp, no issue.Through her daughter Frances, Anne Denman is the maternal grandmother of Anne Hyde, the first wife of James II, and is the maternal great-grandmother of Mary II of England and Queen Anne. Sir Thomas' death and will In 1657, Sir Thomas died in exile in Breda, aged 81. Anne returned to London. Sir Thomas's will was in favour of Anne and her daughter Frances, but was disputed. Fortunately, Anne had the help of the eminent lawyer Edward Hyde (b. 18 February 1608/9 d. 1674) who was married to her daughter Frances. The deaths of Frances' brothers and sisters meant that by the time of her father's death she was the heiress for her father's estate. Edward Hyde Edward Hyde was Anne's son-in-law. The Registers of Westminster Abbey show that he married Frances, daughter of Sir Thomas Aylesbury and his wife Anne, at the Church of St Mar­garet's, Westminster (in which Parish Sir Thomas and Anne were resident), on 10 July 1634, under a Licence from the Dean and Chapter of Westminster, issued the same day. He was said to be 26 years of age having been born in the ninth year of King Charles' reign (1609), and was already a widower. He married his first wife Anne in 1629, and she died about six months later after catching smallpox. His second wife, Frances was about 21 upon her marriage. Edward Hyde had risen rapidly in his profession. When King Charles was at Oxford, he was knighted on 22 February 1642–3, and was then made Lord Chancellor and Privy Councillor at the age of 34. Upon King Charles' death, he had to flee from Puritan vengeance. He was with King Charles II in exile in Flanders, and in Bruges on 29 January 1657–58, he was again appointed Lord Chancellor in prospectu. With the restitution of the monarchy, Edward and Frances Hyde were now in high favour. For his long service to the King, and his fidelity to the Crown, Edward was created Baron Hyde of Hindon, Wiltshire in 1660. In 1661, he was raised to be Viscount Cornberry (in which year Frances died). He was later created Earl of Clarendon (1662), taking his title from the Estate and Park of Clarendon, near Salisbury. Edward and Frances had six children. Their daughter Lady Anne (1637–1671), married King James II/VII. Death and burial Anne Denman is interred in the Hyde family vault in Westminster Abbey. She seems to have secured the regard of her grandson-in-law, James, Duke of York, as Samuel Pepys notes in his Diary that, in 1661, The Duke of York was in mourning for his wife's grandmother, who (he adds) was thought of with a great deal of fondness — and which grandmother was Anne Denman, of the Old Manor House, West Retford, Notts, now the Trinity Hospital. Queen Anne portrait Anne Denman's childhood home, the Old Hall in Retford, was given by her nephew John Darrell in his will to become a hospital for old men of good repute. As the last member of the Denman-Darrell family, he carried out the wishes of his father, Edward, in this respect. The Old Hall became Trinity Hospital, on Hospital Road, Retford. It is administered by a Trust which owns considerable property around Retford. A portrait of Queen Anne in Trinity Hospital was recently attributed (1999) by the auctioneers Phillips to Sir Godfrey Kneller. John was the nephew of Anne Denman, the first cousin of Frances Hyde, and therefore a cousin twice removed of Queen Anne. == Notes == Passage 4: Mona Hopton Bell Mona Hopton Bell (1867–1940) was a British artist, best known for her portraits of civic figures.She was the grandmother of the painter Jean H. Bell. Passage 5: Archduke Leopold Salvator of Austria Archduke Leopold Salvator, Prince of Tuscany (Leopold Salvator Maria Joseph Ferdinand Franz von Assisi Karl Anton von Padua Johann Baptist Januarius Aloys Gonzaga Rainer Wenzel Galius von Österreich-Toskana) (15 October 1863 – 4 September 1931), was the son of Archduke Karl Salvator of Austria and Princess Maria Immaculata of Bourbon-Two Sicilies. Biography Leopold was born in Stará Boleslav, Bohemia. He was a member of the House of Habsburg-Lorraine, and held the title Archduke of Austria. He was a Knight in the Order of the Golden Fleece and was awarded Order of the White Eagle. Marriage and issue On October 24, 1889 Leopold Salvator married Infanta Blanca of Spain (1868-1949), eldest daughter of Carlos, Duke of Madrid. They had 10 children: Archduchess Dolores of Austria (5 May 1891 – 10 April 1974) Archduchess Immaculata of Austria (9 September 1892 – 3 September 1971); married in 1932 Nobile Igino Neri-Serneri. Archduchess Margaretha of Austria (8 May 1894 – 21 January 1986); married in 1937 Francesco Maria Taliani de Marchio. Archduke Rainer of Austria (21 November 1895 – 25 May 1930) Archduke Leopold of Austria (30 January 1897 – 14 March 1958); married morganatically in 1919 Dagmar Baroness Nicolics-Podrinska; they were married until 1931. He married secondly in 1932 (also morganatically) Alicia Gibson Coburn. Archduchess Maria Antonia of Austria (13 July 1899 – 22 October 1977); married in 1924 Don Ramón de Orlandis y Villalonga (died 1936); married secondly in 1942 Luis Perez Sucre. Archduke Anton of Austria (20 March 1901 – 22 October 1987); was married from 1931 to 1954 to Princess Ileana of Romania. Archduchess Assunta of Austria (10 August 1902 – 24 January 1993); was married from 1939 to 1950 to Joseph Hopfinger. Archduke Franz Josef of Austria (4 February 1905 – 9 May 1975); married morganatically in 1937 Maria Aloisa Baumer; the marriage ended the following year in 1938. He married secondly in 1962 (also morganatically) Maria Elena Seunig. Archduke Karl Pius of Austria (4 December 1909 – 24 December 1953); was married from 1938 to 1950 to Christa Satzger de Bálványos. Ancestry Passage 6: Archduchess Dolores of Austria Archduchess Dolores of Austria German: Dolores Erzherzogin von Österreich-Toskana;(5 May 1891 – 10 April 1974) was a daughter of Archduke Leopold Salvator of Austria. She was member of the Tuscan branch of the Imperial House of Habsburg, an Archduchess of Austria and Princess of Tuscany by birth. After the fall of the Austro Hungary Empire, she lived under reduced circumstances with her family in Spain, Austria, and Italy. She died unmarried. Early life Archduchess Dolores was born in Lemberg, Austria, the eldest child of Archduke Leopold Salvator of Austria (1863–1931) and of his wife Blanca de Borbón y de Borbón-Parma (1868–1949). Her mother was the eldest daughter of Carlos, Duke of Madrid, Carlist claimant to the throne of Spain. Dolores was given the baptismal names Maria de los Dolores Beatrix Carolina Blanca Leopoldina von Habsburg-Lothringen. Archduchess Dolores grew up in the last period of the Austrian-Hungarian Empire. She was educated in splendor. Her father, who had followed a career in the army, was also an inventor with a number of military patents under his name. Her mother was the domineering force in the family. Theirs was a multi-cultural household. Dolores's paternal ancestors had reigned in Austria, Tuscany and the Kingdom of the Two Sicilies. Her mother's family had reigned in Spain, Parma and France. Archduchess Dolores was educated with her sisters Immaculata and Margaretha. The three sisters, very close in age, were artistically inclined. Dolores was particularity skillful at drawing. Her education emphasised languages, and in addition to her native German, she learned French, Spanish, Hungarian and Italian. The family was wealthy. They had the Palais Toskana in Vienna and Schloss Wilhelminenberg as their country state. Vacations were spent in Italy where Infanta Blanca owned a rural property near Viareggio. During World War I, Archduchess Dolores's father and two eldest brothers fought with the Austro-Hungarian army. Exile At the fall of Habsburg monarchy, the republican government of Austria confiscated all the properties of the Habsburgs. Dolores' family lost all their fortune. Her two eldest brothers, Archdukes Rainer and Leopold, decided to remain in Austria and recognized the new republic. Dolores with her parents and her other siblings emigrated to Spain. In January 1919 they arrived in Barcelona where they settled for over a decade. They lived modestly. While in Wilhelminenberg the family employed no less than 80 servants to attend their large household, by contrast in Barcelona, Dolores her mother and sisters had to fence for themselves doing the house chores. With income from her father's military patents in France and with the sell of some of her mother jewels they were able to buy a house in Barcelona. Archduchess Dolores remained unmarried. She was mildly handicapped by a limp since childhood. The convulsed political situation in Spain during the Second Spanish Republic made the family returned to Austria. They were able to rent three rooms at their former residence in Vienna, the Palais Toskana. In March 1938 Hitler annexed Austria and Archduchess Dolores with her mother and youngest brother moved to Tenuta Reale, a villa belonging to his mother's family near Viareggio in Italy. As the situation there became increasingly dire due to the war, Archduchess Dolores her mother, her youngest brother, Archduke Karl, and his family moved back to Barcelona. When the war ended they returned to Viareggio. After the death of her mother, Archduchess Dolores returned to live in Barcelona. In the 1960s her family lost contact with her. It was later discovered that she was living in Lleida being held in semi imprisonment by the family of the postman who used to deliver her letters. They were trying to get hold on her inheritance. Rescued by her sister Margaretha, Dolores remained at Tenuta Reale for the rest of her life living with her sisters Margaretha and Immaculata who were by then widows. She died on 10 April 1974 at age 82 at Viareggio, Italy. Ancestry Notes Bibliography Harding, Bertita. Lost Waltz: A Story of Exile. Bobbs-Merrill, 1944. ASIN: B0007DXCLY McIntosh, David. The Unknown Habsburgs. Rosvall Royal Books, 2000, ISBN 91-973978-0-6 Mateos Sainz de Medrano, Ricardo. An Unconventional Family. Royalty Digest N 37 July 1994. Passage 7: Hubba bint Hulail Hubba bint Hulail (Arabic: حبة بنت هليل) was the grandmother of Hashim ibn 'Abd Manaf, thus the great-great-great-grandmother of the Islamic prophet Muhammad. Biography Hubbah was the daughter of Hulail ibn Hubshiyyah ibn Salul ibn Ka’b ibn Amr al-Khuza’i of Banu Khuza'a who was the trustee and guardian of the Ka‘bah (Arabic: كَـعْـبَـة, 'Cube'). She married Qusai ibn Kilab and after her father died, the keys of the Kaaba were committed to her. Qusai, according to Hulail's will, had the trusteeship of the Kaaba after him. Hubbah never gave up ambitious hopes for the line of her favourite son Abd Manaf. Her two favourite grandsons were the twin sons Amr and Abd Shams, of ‘Ātikah bint Murrah. Hubbah hoped that the opportunities missed by Abd Manaf would be made up for in these grandsons, especially Amr, who seemed much more suitable for the role than any of the sons of Abd al-Dar. He was dear to the ‘ayn (Arabic: عـيـن, eye) of his grandmother Hubbah. Family Qusai ibn Kilab had four sons by Hubbah: Abd-al-Dar ibn Qusai dedicated to his house, Abdu’l Qusayy dedicated to himself, Abd-al-Uzza ibn Qusai to his goddess (Al-‘Uzzá) and Abd Manaf ibn Qusai to the idol revered by Hubbah. They also had two daughters, Takhmur and Barrah. Abd Manaf's real name was 'Mughirah', and he also had the nickname 'al-Qamar' (the Moon) because he was handsome. Hubbah was related to Muhammad in more than one way. Firstly, she was the great-great-grandmother of his father Abdullah. She was also the great-grandmother of Umm Habib and Abdul-Uzza, respectively the maternal grandmother and grandfather of Muhammad's mother Aminah. Family tree * indicates that the marriage order is disputed Note that direct lineage is marked in bold. See also Family tree of Muhammad List of notable Hijazis Passage 8: Archduchess Maria Carolina of Austria (1740–1741) Archduchess Maria Carolina of Austria (Maria Carolina Ernestina Antoina Johanna Josefa; 12 January 1740 – 25 January 1741) was the third child and daughter of Maria Theresa, Holy Roman Empress, and Francis I, Holy Roman Emperor. Biography In Maria Theresa's third pregnancy, expectations for a male heir were intense. The disappointment was correspondingly great when, on 12 January 1740, a third daughter was born. She was immediately baptized on the evening of her birth. After the death of her older sister Maria Elisabeth on 7 June, she became second in the line of succession, preceded only by her older sister Maria Anna. Five months later, on 20 October, her grandfather Emperor Charles VI died and her mother inherited the Austrian and Bohemian lands, and with this began the War of the Austrian Succession. On 24 January 1741, the young Archduchess suddenly became gravely ill with violent seizures, dying around noon of the next day. The cause of death was believed to be either tetany or spasmophilia; however, at the time of her death an autopsy was carried out on the corpse, but no explanation was given for her demise. She was buried in the Maria Theresa Vault at the Imperial Crypt, Vienna. Two other sisters were named after her: another short-lived one (born and died in 1748) and another (born in 1752), later Queen of Naples and Sicily. Ancestry Passage 9: Hannah Arnold Hannah Arnold may refer to: Hannah Arnold (née Waterman) (c.1705–1758), mother of Benedict Arnold Hannah Arnold (beauty queen) (born 1996), Filipino-Australian model and beauty pageant titleholder Passage 10: Diana Guardato Diana Guardato was a member of the aristocratic Patrician Guardato family. She had at least two children with King Ferdinand I. Her first child was Ferdinando d' Aragona y Guardato, 1st Duke of Montalto who married 1st, Anna Sanseverino, 2nd, Castellana de Cardona whose daughter Maria d'Aragona, married Antonio Todeschini Piccolomini, Duke of Amalfi, a nephew of Pope Pius II and brother of Pope Pius III. Her second child was Giovanna d’ Aragona, who married Leonardo della Rovere, Duke of Arce and Sora, a nephew of Pope Sixtus IV and brother of Pope Julius II.

doc_44

Passage 1: Ben Palmer Ben Palmer (born 1976) is a British film and television director. His television credits include the Channel 4 sketch show Bo' Selecta! (2002–2006), the second and third series of the E4 sitcom The Inbetweeners (2009–2010) and the Sky Atlantic comedy-drama Breeders (2020). Palmer has also directed films such as the Inbetweeners spin-off, The Inbetweeners Movie (2011) and the romantic comedy Man Up (2015). Biography Palmer was born and raised in Penny Bridge, Barrow-in-Furness. He attended Chetwynde School.His first directing job was the Channel 4 sketch show Bo' Selecta!, which he co-developed with its main star, Leigh Francis. Palmer directed the second and third series of the E4 sitcom The Inbetweeners in 2009 and 2010, respectively. Filmography Bo' Selecta! (2002–06) Comedy Lab (2004–2010) Bo! in the USA (2006) The Inbetweeners (2009–2010) The Inbetweeners Movie (2011) Comedy Showcase (2012) Milton Jones's House of Rooms (2012) Them from That Thing (2012) Bad Sugar (2012) Chickens (2013) London Irish (2013) Man Up (2015) SunTrap (2015) BBC Comedy Feeds (2016) Nigel Farage Gets His Life Back (2016) Back (2017) Comedy Playhouse (2017) Urban Myths (2017–19) Click & Collect (2018) Semi-Detached (2019) Breeders (2020) Passage 2: Mel Welles Mel Welles (February 17, 1924 – August 19, 2005) was an American film actor and director. His best-remembered role may be that of hapless flower shop owner Gravis Mushnick in the 1960 low-budget Roger Corman dark comedy, The Little Shop of Horrors. Life and career Welles was born Ira W. Meltcher in the Bronx, New York City, son of Max and Sally Grichewsky Meltcher. He was raised in Mount Carmel, Pennsylvania and graduated from Mt. Carmel High School, in 1940. He went on to receive a Bachelor of Arts degree from Penn State University, a Master of Arts degree from West Virginia University, and a Ph.D. in psychology from Columbia University. Welles held a number of jobs during his lifetime; at one time or another he worked as a clinical psychologist, radio DJ, television actor, writer and film director. He did some stage work before traveling to Hollywood, where in 1953 he appeared in his first film, Appointment in Honduras. His favorite role (The Little Shop of Horrors) was also his last in the U.S. for many years. In the early 1960s, he left the United States initially to make a film in Germany. After the producer was arrested he travelled to Rome to act, produce and direct mostly uncredited primarily in Europe several film productions including the cult horror films Maneater of Hydra (1967) and Lady Frankenstein (1971). His fluency in five languages proved to be most helpful where he started a dubbing company that by his own estimate dubbed over 800 European made films. He also served as a film consultant. Later, he returned to the U.S., appearing in a number of films, doing voice work, and teaching voice acting. Probably his most widely seen work in the late 1970s was his English adaptation of the Japanese television show, Spectreman which was seen on UHF and cable across the United States. While he shares writing credit with two other people, it's clear that most of the English voice work, and the offbeat humor, is his. Reportedly, Welles also wrote gag material for Lord Buckley at some point in his career.In 1998, Welles took to the stage in a community theater production of Little Shop of Horrors as Mushnik, the role he created in the original Roger Corman film. Welles had never performed in the musical and was happy to be asked to do the role, which he described as a "mitzvah" for Scotts Valley Performing Arts. Jonathan Haze, who played Seymour in the original film, attended the opening, and Welles also received a visit from Martin P. Robinson, the designer of the Audrey II plant puppets used in the off-Broadway production (Robinson is also famous for his puppetry on Sesame Street). Arguably his most remembered piece is the beat poem he wrote for the classic film High School Confidential (1958). Famously delivered by Phillipa Fallon, Dragsville, has become a classic piece of literary and cinema history. Welles was working on a horror screenplay, tentatively titled House of a Hundred Horrors, at the time of his death. Filmography Notes External links Mel Welles at IMDb Passage 3: Edward Ludwig Edward Irving Ludwig (October 7, 1899 – August 20, 1982) was a Russian-born American film director and writer. He directed nearly 100 films between 1921 and 1963 (some under the names Edward I. Luddy and Charles Fuhr). Ludwig was born in Ukraine, then part of the Russian Empire, entered the United States from Canada on March 6, 1911, became a naturalized citizen December 23, 1932, and died in Santa Monica, California. Partial filmography Passage 4: The Fighting Seabees The Fighting Seabees is a 1944 war film, directed by Edward Ludwig and starring John Wayne and Susan Hayward. The supporting cast includes Dennis O'Keefe, William Frawley, Leonid Kinsky, Addison Richards and Grant Withers. The Fighting Seabees portrays a heavily fictionalized account of the dilemma that led to the creation of the U.S. Navy's "Seabees" in World War II. At the 17th Academy Awards, the film received a nomination for Best Scoring of a Dramatic or Comedy Picture for Walter Scharf and Roy Webb but the award went to Max Steiner for Since You Went Away. Plot "Wedge" Donovan is a tough construction boss, building airstrips in the Pacific for the US Navy during World War II. He clashes with his liaison officer, Lieutenant Commander Robert Yarrow, over the fact that his men are not allowed to arm themselves against the Japanese. When the enemy lands in force on the island, Donovan's men want to help fight. Donovan initially tries to dissuade them, but after a Japanese fighter kills or wounds several workers, he changes his mind and leads his men into the fray. This prevents Yarrow from springing a carefully devised trap that would have wiped out the invaders in a murderous machine gun crossfire, with minimal American losses. Instead, many of Donovan's men are killed unnecessarily. As a result of this tragedy, Yarrow finally convinces the Navy to form Construction Battalions (CBs, or the more familiar "Seabees") with Donovan's assistance, despite their mutual romantic interest in war correspondent Constance Chesley. Donovan and many of his men enlist and receive formal military training. The two men are teamed together on another island. The Japanese launch a major attack, which the Seabees barely manage to hold off, sometimes using heavy construction machinery such as bulldozers and a clamshell bucket. When word reaches Donovan of another approaching enemy column, there are no sailors left to counter this new threat. In desperation, he rigs a bulldozer with explosives on its blade, intending to ram it into a petroleum storage tank. The plan works, sending a cascade of burning liquid into the path of the Japanese, who retreat in panic, right into the sights of waiting machine guns. However, Donovan is shot in the process and dies in the explosion. Cast Production The Fighting Seabees had the biggest budget in Republic's history, $1.5 million. The film was completed in collaboration with the US Navy and the US Marine Corps, and took place on several bases in California (Camp Hueneme and Camp Pendleton), Virginia (Camp Peary) and Rhode Island (Camp Endicott). Principal photography took place from September 20 to early December 1943.The bulk of the outdoor locations for The Fighting Seabees was filmed on the Iverson Movie Ranch in Chatsworth, Calif., widely considered to be the most heavily filmed outdoor filming location in the history of film and television. The production took over virtually the entire 500-acre location ranch for a period of time in 1943, constructing extensive sets on both the Upper Iverson and the Lower Iverson. Palm trees were brought in to transform Iverson's rocky Western landscape into a version of the Pacific islands where the film's action was set.A massive landing strip was constructed on the Upper Iverson to simulate the takeoffs and landings of combat aircraft, as well as enemy bombing raids on the U.S.-built installation. On other parts of the ranch, Quonset huts, observation towers, large fuel tanks and other props were built, with the construction process in many cases filmed and featured as part of the film. Graphic scenes depicting tank battles, sniper attacks and hand-to-hand combat were filmed in the Iverson Gorge, Garden of the Gods and other sections of the movie ranch, in one of the largest productions in the ranch's history.The aircraft in The Fighting Seabees were: Brewster F2A-3 Buffalo Douglas TBD Devastator Douglas SBD Dauntless Mitsubishi Ki-21 Grumman F4F-3 Wildcat Propaganda During World War Two, the enemy in Europe was Nazism, while the enemy in the Pacific was the entire race of Japanese people, according to Dower. Japanese atrocities including the Rape of Nanking, the Bataan Death March, and the kamikaze pilots were partly to blame for these attitudes, but other aspects such as the Attack on Pearl Harbor were also at work. As a result of these attitudes, anti-Japanese attitudes were common, including in films of the time. In 'The Fighting Seabees', Dennis O'Keefe informs John Wayne "We're not fighting men anymore, we're fighting animals." The films climactic scene shows Wayne as he punctures and ignites a large fuel tank, flooding the advancing enemy with burning oil. '"That'll scorch those Nips back six generations," he exults.' Reception Film historian Leonard Maltin in Leonard Maltin's 2013 Movie Guide (2012) considered The Fighting Seabees, "action-packed" and "spirited". Film historian Alun Edwards in Brassey's Guide to War Films (2000) was more effusive in his evaluation: "With oodles of eulogies and even a Seabees song to sing, you can't fail to leave the Roxy dewey-eyed and with Stars and Stripes fluttering."A positive review in the Rushville Republican included as highlights expertly scened battle sequences, tense dramatic interludes, moments of comedy contrasting with moments of suspense; concluding that this film is 'among the most spectacular ever filmed in Hollywood.' This review also drew attention to the fact that the 'Seabees' are less known to the public than most other branches of service, despite providing invaluable service: 'They are, quite literally, the "men in front of the man behind the gun." They land in combat zones ahead of the troops, and prepare docks, landing fields, barracks, everything that the invading troops require.' See also John Wayne filmography List of American films of 1944 Passage 5: Edward Yates Edward J. Yates (September 16, 1918 – June 2, 2006) was an American television director who was the director of the ABC television program American Bandstand from 1952 until 1969. Biography Yates became a still photographer after graduating from high school in 1936. After serving in World War II, he became employed by Philadelphia's WFIL-TV as a boom microphone operator. He was later promoted to cameraman (important as most programming was done live and local during the early years of television) and earned a bachelor's degree in communications in 1950 from the University of Pennsylvania. In October 1952, Yates volunteered to direct Bandstand, a new concept featuring local teens dancing to the latest hits patterned after the "950 Club" on WPEN-AM. The show debuted with Bob Horn as host and took off after Dick Clark, already a radio veteran at age 26, took over in 1956. It was broadcast live in its early years, even after it became part of the ABC network's weekday afternoon lineup in 1957 as American Bandstand. Yates pulled records, directed the cameras, queued the commercials and communicated with Clark via a private line telephone located on his podium. In 1964, Clark moved the show to Los Angeles, taking Yates with him. Yates retired from American Bandstand in 1969, and moved his family to the Philadelphia suburb of West Chester. He died in 2006 at a nursing home where he had been for the last two months of his life. External links Edward Yates at IMDb Passage 6: Catherine I of Russia Catherine I Alekseevna Mikhailova (Russian: Екатери́на I Алексе́евна Миха́йлова, tr. Ekaterína I Alekséyevna Mikháylova; born Polish: Marta Helena Skowrońska, Russian: Ма́рта Самуи́ловна Скавро́нская, tr. Márta Samuílovna Skavrónskaya; 15 April [O.S. 5 April] 1684 – 17 May [O.S. 6 May] 1727) was the second wife and empress consort of Peter the Great, and empress regnant of Russia from 1725 until her death in 1727. Life as a servant The life of Catherine I was said by Voltaire to be nearly as extraordinary as that of Peter the Great himself. Only uncertain and contradictory information is available about her early life. Said to have been born on 15 April 1684 (o.s. 5 April), she was originally named Marta Helena Skowrońska. Marta was the daughter of Samuel Skowroński (later spelled Samuil Skavronsky), a Roman Catholic farmer from the eastern parts of the Polish–Lithuanian Commonwealth, born to Minsker parents. In 1680 he married Dorothea Hahn at Jakobstadt. Her mother is named in at least one source as Elizabeth Moritz, the daughter of a Baltic German woman and there is debate as to whether Moritz's father was a Swedish officer. It is likely that two stories were conflated, and Swedish sources suggest that the Elizabeth Moritz story is probably incorrect. Some biographies state that Marta's father was a gravedigger and handyman, while others speculate that he was a runaway landless serf. Marta's parents died of the plague around 1689, leaving five children. According to one of the popular versions, at the age of three Marta was taken by an aunt and sent to Marienburg (the present-day Alūksne in Latvia, near the border with Estonia and Russia) where she was raised by Johann Ernst Glück, a Lutheran pastor and educator who was the first to translate the Bible into Latvian. In his household she served as a lowly servant, likely either a scullery maid or washerwoman. No effort was made to teach her to read and write and she remained illiterate throughout her life. Marta was considered a very beautiful young girl, and there are accounts that Frau Glück became fearful that she would become involved with her son. At the age of seventeen, she was married off to a Swedish dragoon, Johan Cruse or Johann Rabbe, with whom she remained for eight days in 1702, at which point the Swedish troops were withdrawn from Marienburg. When Russian forces captured the town, Pastor Glück offered to work as a translator, and Field Marshal Boris Sheremetev agreed to his proposal and took him to Moscow. There are unsubstantiated stories that Marta worked briefly in the laundry of the victorious regiment, and also that she was presented in her undergarments to Brigadier General Rudolph Felix Bauer, later the Governor of Estonia, to be his mistress. She may have worked in the household of his superior, Sheremetev. It is not known whether she was his mistress, or household maid. She travelled back to the Russian court with Sheremetev's army.Afterwards she became part of the household of Prince Alexander Menshikov, who was the best friend of Peter the Great of Russia. Anecdotal sources suggest that she was purchased by him. Whether the two of them were lovers is disputed, as Menshikov was already engaged to Darya Arsenyeva, his future wife. It is clear that Menshikov and Marta formed a lifetime alliance. It is possible that Menshikov, who was quite jealous of Peter's attentions and knew his tastes, wanted to procure a mistress on whom he could rely. In any case, in 1703, while visiting Menshikov at his home, Peter met Marta. In 1704, she was well established in the Tsar's household as his mistress, and gave birth to a son, Peter. In 1703, she converted to Orthodoxy and took the new name Catherine Alexeyevna (Yekaterina Alexeyevna). She and Darya Menshikova accompanied Peter and Menshikov on their military excursions. Marriage and family life Though no record exists, Catherine and Peter are described as having married secretly between 23 October and 1 December 1707 in Saint Petersburg. They had twelve children, two of whom survived into adulthood, Anna (born 1708) and Elizabeth (born 1709). Peter had moved the capital to St. Petersburg in 1703. While the city was being built he lived in a three-room log cabin with Catherine, where she did the cooking and caring for the children, and he tended a garden as though they were an ordinary couple. The relationship was the most successful of Peter's life and a great number of letters exist demonstrating the strong affection between Catherine and Peter. As a person she was very energetic, compassionate, charming, and always cheerful. She was able to calm Peter in his frequent rages and was often called in to do so. Catherine went with Peter on his Pruth Campaign in 1711. There, she was said to have saved Peter and his Empire, as related by Voltaire in his book Peter the Great. Surrounded by overwhelming numbers of Turkish troops, Catherine suggested before surrendering, that her jewels and those of the other women be used in an effort to bribe the Ottoman grand vizier Baltacı Mehmet Pasha into allowing a retreat. Mehmet allowed the retreat, whether motivated by the bribe or considerations of trade and diplomacy. In any case Peter credited Catherine and proceeded to marry her again (this time officially) at Saint Isaac's Cathedral in St. Petersburg on 9 February 1712. She was Peter's second wife; he had previously married and divorced Eudoxia Lopukhina, who had borne him the Tsarevich Alexis Petrovich. Upon their wedding, Catherine took on the style of her husband and became Tsarina. When Peter elevated the Russian Tsardom to Empire, Catherine became Empress. The Order of Saint Catherine was instituted by her husband on the occasion of their wedding. Issue Catherine and Peter had twelve children, all of whom died in childhood except Anna and Elizabeth: Peter Petrovich (1704–1707), died in infancy Paul Petrovich (October 1705–1707), died in infancy Catherine Petrovna (7 February 1707–7 August 1708) Grand Duchess Anna Petrovna (27 January 1708–15 May 1728) Grand Duchess Elizabeth Petrovna (29 December 1709–5 January 1762) Grand Duchess Mary Natalia Petrovna (20 March 1713–17 May 1715) Grand Duchess Margaret Petrovna (19 September 1714–7 June 1715) Grand Duke Peter Petrovich (9 November 1715–6 May 1719) Grand Duke Paul Petrovich (13 January 1717–14 January 1717) Grand Duchess Natalia Petrovna (31 August 1718–15 March 1725) Grand Duke Peter Petrovich (7 October 1723–7 October 1723) Grand Duke Paul Petrovich (1724–1724) Siblings Upon Peter's death, Catherine found her four siblings, Krystyna, Anna, Karol, and Fryderyk, gave them the newly created titles of Count and Countess, and brought them to Russia. Krystyna Skowrońska, renamed Christina (Russian: Христина) Samuilovna Skavronskaya (1687–14 April 1729), had married Simon Heinrich (Russian: Симон Гейнрих) (1672–1728) and their descendants became the Counts Gendrikov. Anna Skowrońska, renamed Anna Samuilovna Skavronskaya, had married one Michael-Joachim N and their descendants became the Counts Efimovsky. Karol Skowroński, renamed Karel Samuilovich Skavronsky, was created a Count of the Russian Empire on 5 January 1727 and made a Chamberlain of the Imperial Court; he had married Maria Ivanovna, a Russian woman, by whom he had descendants who became extinct in the male line with the death of Count Paul Martinovich Skavronskyi (1757-1793), father of Princess Catherine Bagration. Fryderyk Skowroński, renamed Feodor Samuilovich Skavronsky, was created a Count of the Russian Empire on 5 January 1727 and was married twice: to N, a Lithuanian woman, and to Ekaterina Rodionovna Saburova, without having children by either of them. Reign as empress regnant Catherine was crowned in 1724. The year before his death, Peter and Catherine had an estrangement over her support of Willem Mons, brother of Peter's former mistress Anna, and brother to one of the current ladies in waiting for Catherine, Matryona. He served as Catherine's secretary. Peter had fought his entire life to clear up corruption in Russia. Catherine had a great deal of influence over who could gain access to her husband. Willem Mons and his sister Matryona had begun selling their influence to those who wanted access to Catherine and, through her, to Peter. Apparently this had been overlooked by Catherine, who was fond of both. Peter found out and had Willem Mons executed and his sister Matryona exiled. He and Catherine did not speak for several months. Rumors flew that she and Mons had had an affair, but there is no evidence for this. Peter died (28 January 1725 Old Style) without naming a successor. Catherine represented the interests of the "new men", commoners who had been brought to positions of great power by Peter based on competence. A change of government was likely to favor the entrenched aristocrats. For that reason during a meeting of a council to decide on a successor, a coup was arranged by Menshikov and others in which the guards regiments with whom Catherine was very popular proclaimed her the ruler of Russia. Supporting evidence was "produced" from Peter's secretary Makarov and the Bishop of Pskov, both "new men" with motivation to see Catherine take over. The real power, however, lay with Menshikov, Peter Tolstoy, and other members of the Supreme Privy Council. Catherine viewed the deposed empress Eudoxia as a threat, so she secretly moved her to Shlisselburg Fortress near St. Petersburg to be put in a secret prison under strict custody as a state prisoner. Death Catherine I died two years after Peter I, on 17 May 1727 at age 43, in St. Petersburg, where she was buried at St. Peter and St. Paul Fortress. Tuberculosis, diagnosed as an abscess of the lungs, caused her early demise. Before her death she recognized Peter II, the grandson of Peter I and Eudoxia, as her successor. Assessment and legacy Catherine was the first woman to rule Imperial Russia, opening the legal path for a century almost entirely dominated by women, including her daughter Elizabeth and granddaughter-in-law Catherine the Great, all of whom continued Peter the Great's policies in modernizing Russia. At the time of Peter's death the Russian Army, composed of 130,000 men and supplemented by another 100,000 Cossacks, was easily the largest in Europe. However, the expense of the military was proving ruinous to the Russian economy, consuming some 65% of the government's annual revenue. Since the nation was at peace, Catherine was determined to reduce military expenditure. For most of her reign, Catherine I was controlled by her advisers. However, on this single issue, the reduction of military expenses, Catherine was able to have her way. The resulting tax relief on the peasantry led to the reputation of Catherine I as a just and fair ruler.The Supreme Privy Council concentrated power in the hands of one party, and thus was an executive innovation. In foreign affairs, Russia reluctantly joined the Austro-Spanish league to defend the interests of Catherine's son-in-law, the Duke of Holstein, against Great Britain. Catherine gave her name to Catherinehof near St. Petersburg, and built the first bridges in the new capital. She was also the first royal owner of the Tsarskoye Selo estate, where the Catherine Palace still bears her name. The city of Yekaterinburg is named after her, Yekaterina being the Russian form of her name. She also gave her name to the Kadriorg Palace (German: Katharinental, meaning "Catherine's Valley"), its adjacent Kadriorg Park and the later Kadriorg neighbourhood of Tallinn, Estonia, which today houses the Presidential Palace of Estonia. The name of the neighbourhood is also used as a metonym for the institution of the President. In general, Catherine's policies were reasonable and cautious. The story of her humble origins was considered by later generations of tsars to be a state secret. See also Bibliography of Russian history (1613–1917) Rulers of Russia family tree Notes Passage 7: Hassan Zee Hassan "Doctor" Zee is a Pakistani-American film director who was born in Chakwal, Pakistan. Early life Doctor Zee grew up in Chakwal, a small village in Punjab, Pakistan. as one of seven brothers and sisters His father was in the military and this fact required the family to move often to different cities. As a child Zee was forbidden from watching cinema because his father believed movies were a bad influence on children. At age 13, Doctor Zee got his start in the world of entertainment at Radio Pakistan where he wrote and produced radio dramas and musical programs. It was then that he realized his passion for storytelling At the age of 26, Doctor Zee earned his medical doctorate degree and did his residency in a burn unit at the Pakistan Institute of Medical Sciences. He cared for women who were victims of "Bride Burning," the archaic practice used as a form of punishment against women who fail to provide sufficient dowry to their in-laws after marriage or fail to provide offspring. He also witnessed how his country’s transgender and intersex people, called “hijras”, were banned from having jobs and forced to beg to survive. These experiences inspired Doctor Zee to tackle the issues of women’s empowerment and gender inequality in his films.In 1999, he came to San Francisco to pursue his dream of filmmaking and made San Francisco his home Education He received his early education from Jinnah Public School, Chakwal. He got his medical doctor degree at Rawalpindi Medical College, Pakistan. Film career Doctor Zee's first film titled Night of Henna was released in 2005. The theme of the film dealt with "the conflict between Old World immigrant customs and modern Western ways..." Night of Henna focused on the problems of Pakistani expatriates who found it hard to adjust in American culture. Many often landed themselves in trouble when it came to marrying off their children. His second film Bicycle Bride came out in 2010, which was about "the clash between the bonds of family and the weight of tradition." His third film House of Temptation that came out in 2014 was about a family which struggles against the temptations of the Devil. His fourth film “Good Morning Pakistan”, concerned a young American’s journey back to Pakistan where he confronts the contradictory nature of a beautiful and ancient culture that's marred by economic, educational and gender inequality His upcoming fifth film, "Ghost in San Francisco" is a supernatural thriller starring Felissa Rose, Dave Sheridan, and Kyle Lowder where a soldier comes home from Afghanistan to discover that his wife is having an affair with his best friend. While battling with his inner ghosts and demons, he meets a mysterious woman in San Francisco who promises him a ritual for his cure. Passage 8: Maneater of Hydra Maneater of Hydra is a Spanish–German co-production released in 1967 directed by American expatriate Mel Welles. The alternate titles include La isla de la muerte, Island of the Doomed and The Blood Suckers (U.K. title). The horror film is set on a remote island off the shore of an unidentified European country, in which the central character is a mad scientist (Cameron Mitchell) who creates hybrid trees that feed on human blood. Plot Synopsis from Doomed Marathon: "A group of tourists travel to an island to see its exotic botanicals. There they meet Baron von Weser (played by Cameron Mitchell), a reclusive scientist studying esoteric horticulture and experimenting with crossbreeding dangerous varieties of plants. One of the Baron’s creations is draining the blood of human beings (through a small hole in their cheek) and the tourists are dying one by one." Critical reception According to one reviewer, "This Spanish/German co-production...is pretty bloody for its time (especially the finale) but, unfortunately, the print used for the DVD from Shout! Factory (as part of their "Elvira Movie Macabre" series) is a terribly soft fullframe speckled mess that's full of drop-outs, emulsion scratches and jitter. It's also obvious that it's a TV print (although it appears to be uncut), as every ten minutes the film fades to black. If you've never seen this film before, it's a pretty decent mystery/horror film with some fluid camerawork, atmosphere and a few good scares."DVD Verdict reported Maneater of Hydra is "...a badly acted and dubbed Eurohorror that gives us carnivorous trees feasting on unsuspecting tourists. Unfortunately, these tourists are so whiny and clueless that they come off as idiots, so you end up rooting for the trees." Passage 9: W. Augustus Barratt W. Augustus Barratt (3 June 1873 – 12 April 1947) was a Scottish-born, later American, songwriter and musician. Early life and songs Walter Augustus Barratt was born 3 June 1873 in Kilmarnock, the son of composer John Barratt; the family later lived in Paisley. In 1893 he won a scholarship for composition to the Royal College of Music. In his early twenties he contributed to The Scottish Students' Song Book, with three of his own song compositions and numerous arrangements. By the end of 1897 he had published dozens of songs, such as Sir Patrick Spens, The Death of Cuthullin, an album of his own compositions, and arrangements of ten songs by Samuel Lover. He then, living in London, turned his attention to staged musical comedy, co-creating, with Adrian Ross, The Tree Dumas Skiteers, a skit, based on Sydney Grundy's The Musketeers that starred Herbert Beerbohm Tree. He co-composed with Howard Talbot the successful Kitty Grey (1900).He continued to write songs and to receive recognition for them. The 1901 and 1902 BBC Promenade Concerts, "The Proms", included four of his compositions, namely Come back, sweet Love, The Mermaid, My Peggy and Private Donald. His setting of My Ships, a poem by Ella Wheeler Wilcox, was performed by Clara Butt and republished several times. It also appeared four times, with different singers, in the 1913 and 1914 Proms. America In September 1904 he went to live in New York City, finding employment with shows on Broadway, including the following roles: on-stage actor (Sir Benjamin Backbite) in Lady Teazle (1904-1905), a musical version of The School for Scandal; musical director of The Little Michus (1907), also featuring songs by Barratt; co-composer of Miss Pocahontas (1907), a musical comedy; musical director of The Love Cure (1909–1910), a musical romance; composer of The Girl and the Drummer (1910), a musical romance with book by George Broadhurst. Tried out in Chicago and elsewhere, it did not do well and never reached Broadway; musical director of The Quaker Girl (1911–1912); co-composer and musical director of My Best Girl (1912); musical director of The Sunshine Girl (1913); musical director of The Girl who Smiles (1915), a musical comedy; musical director and contributor to music and lyrics of Her Soldier Boy (1916–1917); composer, lyricist and musical director of Fancy Free (1918), with book by Dorothy Donnelly and Edgar Smith; contributor of a song to The Passing Show of 1918; composer and musical director of Little Simplicity (1918), with book and lyrics by Rida Johnson Young; contributor of lyrics to The Melting of Molly (1918–1919), a musical comedy; musical director of What's in a Name? (1920), a musical revue 1921 in London Though domiciled in the US, he made several visits back to England. During an extended stay in 1921 he played a major part in the creation of two shows, both produced by Charles B. Cochran, namely League of Notions, at the New Oxford Theatre, for which he composed the music and co-wrote, with John Murray Anderson, the lyrics; Fun of the Fayre, at the London Pavilion, for which similarly he wrote the music and co-wrote the lyrics Back to Broadway Back in the US he returned to Broadway, working as composer and lyricist of Jack and Jill (1923), a musical comedy; musical director of The Silver Swan (1929), a musical romance Radio plays In later years he wrote plays and operettas mostly for radio, such as: Snapshots: a radioperetta (1929) Sushannah and the Brush Wielders: a play in 1 act (1929) The Magic Voice: a radio series (1933) Men of Action: a series of radio sketches (1933) Say, Uncle: a radio series (1933) Sealed Orders: a radio drama (1934) Sergeant Gabriel (with Hugh Abercrombie) (1945) Personal In 1897 in London he married Lizzie May Stoner. They had one son. In 1904 he emigrated to the US and lived in New York City. His first marriage ended in divorce in 1915 and, in 1918, he married Ethel J Moore, who was American. In 1924, he became a naturalized American citizen. He died on 12 April 1947 in New York City. Note on his first name The book British Musical Biography by Brown & Stratton (1897) in its entry for John Barratt refers to "his son William Augustus Barratt" with details that make it clear that Walter Augustus Barratt is the same person and that a "William" Augustus Barratt is a mistake. For professional purposes up to about 1900 he appears to have written as "W. Augustus Barratt", and thereafter mostly as simply "Augustus Barratt". Passage 10: Rumbi Katedza Rumbi Katedza is a Zimbabwean Film Producer and Director who was born on 17 January 1974. Early life and education She did her Primary and Secondary Education in Harare, Zimbabwe. Katedza graduated with a Bachelor of Arts in English from McGill University, Canada in 1995. In 2008 Katedza received the Chevening Scholarship that enabled her to further her studies in film. She also holds a MA in Filmmaking from Goldsmiths College, London University. Work and filmography Katedza has experience in Film and TV Production, Directing, Writing as well as Producing and presenting Radio shows. From 1994 to 2000, She produced and presented radio shows on Women's issues, Arts and Culture, Hip Hop and Acid Jazz for the CKUT (Montreal) and ZBC Radio 3 (Zimbabwe). From 2004 - 2006, she served as the Festival Director of the Zimbabwe International Film Festival. Whilst there, she produced the Postcards from Zimbabwe Series. In 2008, Katedza founded Mai Jai Films and has produced numerous films and television productions under the banner namely Tariro (2008); Big House, Small House (2009); The Axe and the Tree (2011); The Team (2011) Playing Warriors (2012)Her early works include: Danai (2002); Postcards from Zimbabwe (2006); Trapped (2006 – Rumbi Katedza, Marcus Korhonen); Asylum (2007); Insecurity Guard (2007)Rumbi Katedza is a part-time lecturer at the University of Zimbabwe, in the department of Theatre Arts. She is a judge and monitor at the National Arts Merit Awards, responsible for monitoring new film and TV productions throughout the year on behalf of the National Arts Council of Zimbabwe. She has also lobbied Zimbabwean government to actively support the film industry.

doc_45

Passage 1: Gerald Rudolff Ford Gerald Rudolff Ford (December 9, 1890 – January 26, 1962) was an American businessman and Republican politician who was the stepfather of U.S. President Gerald Ford and for whom Ford legally changed his name. Early life Ford was born in Grand Rapids, Michigan, where he raised the future President. His parents were George R. and Frances (Pixley) Ford.The senior Ford's father George Ford died in a train accident in 1903 forcing him to drop out of school to support the family. He was working as a paint salesman at the Grand Rapids Wood Finishing Company when he met the future president's mother Dorothy Ayer Gardner King. Dorothy had fled to Michigan from Omaha, Nebraska, in 1913, 16 days after the President's birth, after her husband (and her son's birth father), Leslie Lynch King Sr., had physically abused her. She came to Grand Rapids to be near her parents, Levi Addison Gardner and Adele Augusta Ayer Gardner, who lived in the town. Family The couple married on February 1, 1917, following Dorothy's divorce from King when the future president was three and began calling Dorothy's first son "Gerald." Gerald Rudolff Ford and Dorothy Ford had three children – sons Thomas Gardner Ford (July 15, 1918 – August 28, 1995); Richard Addison Ford (June 3, 1924 – March 20, 2015); and James Francis Ford (August 11, 1927 – January 23, 2001).The president was to write later that in the household there were three rules for him and his half brothers: "tell the truth, work hard and come to dinner on time."The elder Ford founded the Ford Paint and Varnish Company in 1929 just before the Great Depression. After the Depression hit, Ford asked his employees to work for $5/week and likewise paid himself the same salary until all could be paid more. The future president was enrolled in the Grand Rapids school system under the name of his stepfather. When the president's birth father Leslie Lynch King reappeared in 1929 (or 1930 depending on accounts), he stopped at schools searching for a "Leslie King" before finding him at Grand Rapids South High School after asking for a "Junior Ford." The future president turned down an offer from his biological father to move with him to Wyoming.Leslie's father Charles King had been paying child support for Ford until 1929 when the stock market crash wiped out his fortune. After Leslie's father died, Dorothy sought an order to get money from the $50,000 Leslie had inherited. However, since Leslie had moved to Wyoming he was out of the jurisdiction of the Nebraska court.The elder Ford never legally adopted the president. The president changed his name in 1935 after the deaths of his paternal King family grandparents to an Anglicized version of his stepfather's name: Gerald Rudolph Ford. Early career The elder Ford was active on various functions including the formation of the Youth Commonwealth to help disadvantaged youth. He was director of the Grand Rapids Chamber of Commerce and chairman of the Kent County, Michigan Republican Committee from 1944 until 1948 when he stepped down after the future President began his first run for Congress.The elder Ford was active with his four sons in the Boy Scouts of America. The future President would be the first Eagle Scout to become Vice President or President. The President was to say later that the award was one of his proudest accomplishments.The President was to write later: He was the father that I grew up to believe was my father, the father I loved and learned from and respected. He was my dad... Dad was one of the truly outstanding people I ever knew in my life. Death The elder Ford died on January 26, 1962, in Grand Rapids, Michigan. He and his wife are buried in Woodlawn Cemetery in Grand Rapids. Passage 2: Caroline Kennedy Caroline Bouvier Kennedy (born November 27, 1957) is an American author, attorney, and diplomat serving as the United States Ambassador to Australia since 2022. She previously served in the Obama administration as the United States Ambassador to Japan from 2013 to 2017. A prominent member of the Kennedy family, she is the only surviving child of former U.S. president John F. Kennedy (JFK) and former first lady Jacqueline Bouvier Kennedy. JFK won the 1960 presidential election when Caroline was two years old. Spending her early childhood years in the White House during the Kennedy Administration, she was almost six when he was assassinated on November 22, 1963. The following year, she and her brother John F. Kennedy Jr. moved with their mother Jacqueline to the Upper East Side of Manhattan, where Caroline attended grade school. Kennedy graduated from Harvard University and worked at Manhattan's Metropolitan Museum of Art, where she met her future husband, exhibit designer Edwin Schlossberg. She later earned a J.D. degree from Columbia Law School. Most of Kennedy's professional life has been in law, politics, education reform, and charitable work. She has also acted as a spokesperson for her family's legacy, especially that of her father, and co-authored two books with Ellen Alderman on civil liberties. Early in the primary race for the 2008 presidential election, Kennedy and her uncle, Ted Kennedy, endorsed Democratic candidate Barack Obama. She later stumped for him in Florida, Indiana, and Ohio, served as co-chair of his Vice Presidential Search Committee, and addressed the 2008 Democratic National Convention in Denver.After Obama selected United States senator Hillary Clinton to serve as secretary of state, Kennedy expressed interest in being appointed to Clinton's vacant Senate seat from New York, but later withdrew from consideration for personal reasons. In 2013, President Obama appointed Kennedy as the United States ambassador to Japan. Eight years later, Joe Biden appointed Kennedy as United States ambassador to Australia and she took office following her confirmation on June 10, 2022. Early life White House years Caroline Bouvier Kennedy was born by caesarean section on November 27, 1957, at New York Hospital in Manhattan's Upper East Side to John Fitzgerald Kennedy (then a U.S. senator from Massachusetts) and Jacqueline Lee Bouvier Kennedy. A year before Caroline's birth, her parents had a stillborn daughter. Caroline had a younger brother, John Jr., who was born just before her third birthday in 1960. Another brother, Patrick, died two days after his premature birth in 1963. Caroline lived with her parents in Georgetown, Washington, D.C. during the first three years of her life. When Caroline was three years old, the family moved to the White House after her father was sworn in as the president of the United States.Caroline frequently attended kindergarten in classes that were organized by her mother, and she was often photographed riding her pony "Macaroni" around the White House grounds. One such photo in a news article inspired singer-songwriter Neil Diamond to write his Top Ten hit song, "Sweet Caroline", which he revealed when he performed it for Caroline's 50th birthday. As a small child, Caroline received numerous gifts from dignitaries, including a puppy from Soviet Premier Nikita Khrushchev and a Yucatán pony from Vice President Lyndon B. Johnson. A short-lived comic strip was created about her.Historians described Caroline's childhood personality as "a trifle remote and a bit shy at times" yet "remarkably unspoiled." "She's too young to realize all these luxuries", her paternal grandmother, Rose Kennedy, said of her. "She probably thinks it's natural for children to go off in their own airplanes. But she is with her cousins, and some of them dance and swim better than she. They do not allow her to take special precedence. Little children accept things".On the day of JFK's assassination on November 22, 1963, nanny Maud Shaw took Caroline and John Jr. away from the White House to the home of their maternal grandmother, Janet Bouvier Auchincloss, who insisted that Shaw would be the one to tell Caroline that her father was assassinated. That evening, Caroline and John Jr. returned to the White House, and while Caroline was sleeping in her bed, Shaw broke the news to her. Shaw soon found out that Jacqueline had wanted to be the one to tell the two children; this caused a rift between Shaw and Jacqueline. On December 6, two weeks after the assassination, Jacqueline, Caroline, and John Jr. moved out of the White House and returned to Georgetown. However, their new home soon became a popular tourist attraction. The family left Georgetown the following year and later moved to a penthouse apartment at 1040 Fifth Avenue on the Upper East Side. Later childhood years In 1967, Caroline christened the U.S. Navy aircraft carrier USS John F. Kennedy in a widely publicized ceremony in Newport News, Virginia. Over that summer, Jacqueline took the children on a six-week "sentimental journey" to Ireland, where they met President Éamon de Valera and visited the Kennedy ancestral home at Dunganstown. In the midst of the trip, Caroline and John were surrounded by a large number of press photographers while playing in a pond. The incident caused their mother to telephone Ireland's Department of External Affairs and request the issuing of a statement that she and the children wanted to be left in peace. As a result of the request, further attempts by press photographers to photograph the threesome ended with arrests by local police and the photographers being jailed.Robert F. Kennedy became a major presence in the lives of Caroline and John Jr. following their father's assassination, and Caroline saw her uncle as a surrogate father. However, when Bobby Kennedy was assassinated in 1968, Jacqueline sought a means of protecting her children, stating: "I hate this country. I despise America and I don't want my children to live here anymore. If they're killing Kennedys, my kids are the number one targets. I have the two main targets. I want to get out of this country". Jacqueline Kennedy married Greek shipping tycoon Aristotle Onassis several months later and she and the children moved to Skorpios, his Greek island. The next year, 11-year-old Caroline attended the funeral of her grandfather, Joseph P. Kennedy Sr. Her cousin, David, asked her about her feelings towards her mother's new husband and she replied, "I don't like him".In 1970, Jacqueline wrote her brother-in-law Ted Kennedy a letter stating that Caroline had been without a godfather since Robert Kennedy's death and would like Ted to assume the role. Ted began making regular trips from Washington to New York to see Caroline, where she was in school. In 1971, Caroline returned to the White House for the first time since her father's assassination when she was invited by President Richard Nixon to view the official portrait of her father.Onassis died in March 1975, and Caroline returned to Skorpios for his funeral. A few days later she and her mother and brother attended the presentation by French president Valéry Giscard d'Estaing of the Legion of Honor award to her aunt, Eunice Kennedy Shriver. Later that year, Caroline was visiting London to complete a year-long art course at the Sotheby's auction house, when an IRA car bomb placed under the car of her hosts, Conservative MP Sir Hugh Fraser and his wife, Antonia, exploded shortly before she and the Frasers were due to leave for their daily drive to Sotheby's. Caroline had not yet left the house, but a neighbor, oncologist Professor Gordon Hamilton Fairley, was passing by when he was walking his dog and was killed by the explosion. Education and personal life Kennedy began her education with kindergarten classes in the White House organized by her mother. Before the family's move to New York, she was registered at Stone Ridge School of the Sacred Heart. She attended The Brearley School and Convent of the Sacred Heart in New York City and graduated from Concord Academy in Massachusetts in 1975. She was a photographer's assistant at the 1976 Winter Olympics in Innsbruck, Austria. In 1977, she worked as a summer intern at the New York Daily News, earning $156 a week ($753 in 2022 dollars), "fetching coffee for harried editors and reporters, changing typewriter ribbons and delivering messages." Kennedy reportedly "sat on a bench alone for two hours the first day before other employees even said hello to her"; and, according to Richard Licata, a former News reporter, "Everyone was too scared." Kennedy also wrote for Rolling Stone about visiting Graceland shortly after the death of Elvis Presley.In 1980, she earned a Bachelor of Arts from Radcliffe College at Harvard University. During college, Kennedy had "considered becoming a photojournalist, but soon realized she could never make her living observing other people because they were too busy watching her." After graduating, Kennedy was hired as a research assistant in the Film and Television Department of the Metropolitan Museum of Art in New York. She later became a "liaison officer between the museum staff and outside producers and directors shooting footage at the museum", helping coordinate the Sesame Street special Don't Eat the Pictures. On December 4, 1984, Caroline was threatened when a man telephoned the museum and stated his name and address while reporting that a bomb had been planted there. Three days later, he was arrested for the threat. In 1988, she earned a Juris Doctor from Columbia Law School, graduating in the top ten percent of her class.Caroline was romantically linked to many famous men, including Mark Shand, Guillermo Vilas, Sebastian Taylor, and Jonathan Guinness.While working at the Met, Kennedy met her future husband, exhibit designer Edwin Schlossberg. They married in 1986 at Our Lady of Victory Church in Centerville, Massachusetts. Kennedy's first cousin Maria Shriver served as the bride's matron of honor, and Ted later walked her down the aisle. Kennedy is sometimes incorrectly referred to as "Caroline Kennedy Schlossberg", but she did not change her name at the time she married. Kennedy has three children: Rose Kennedy Schlossberg (born 1988), Tatiana Celia Kennedy Schlossberg (born 1990), and John Bouvier Kennedy Schlossberg, known as Jack (born 1993). Raised in Manhattan and somewhat separated from their Hyannisport cousins, Caroline and John Jr. were very close, and especially so following their mother's death in 1994. After John Jr. died in a plane crash in 1999, Caroline was the only remaining survivor of President Kennedy's immediate family, and she preferred not to have a public memorial service for her brother. She decided that his remains would be cremated and his ashes scattered into the Atlantic Ocean off the coast of Martha's Vineyard, where he met his fate. John Jr. bequeathed Caroline his half ownership of George magazine, but Caroline believed that her brother would not have wanted the magazine to continue following his death, and the magazine ceased publication two years later.Kennedy owns her mother's 375-acre (152 ha) estate known as Red Gate Farm in Aquinnah (formerly Gay Head) on Martha's Vineyard. The New York Daily News estimated Kennedy's net worth in 2008 at over $100 million. During her 2013 nomination to serve as ambassador to Japan, financial disclosure reports showed her net worth to be between $67 million and $278 million, including family trusts, government and public authority bonds, commercial property in New York, Chicago and Washington, and holdings in the Cayman Islands. Public career: 1989–present Kennedy is an attorney, writer, and editor who has served on the boards of numerous non-profit organizations. With Ellen Alderman, she co-wrote the book, In Our Defense: The Bill of Rights In Action, which was published in 1991. During an interview regarding the volume, Kennedy explained that the two wanted to show why the Fourth Amendment of the United States Constitution was written. She attended the Robin Hood Foundation annual breakfast on December 7, 1999. Her brother John had been committed to the organization, which she spoke of at the event. In 2000, she supported Al Gore for the presidency and mentioned feeling a kinship with him since their fathers served together in the Senate. Kennedy spoke at the 2000 Democratic National Convention which was held in Los Angeles, California, the first time since the 1960 Democratic National Convention, where her father had been nominated by the Democratic Party for the presidency.From 2002 through 2004, she worked as director of the Office of Strategic Partnerships for the New York City Department of Education, appointed by School Chancellor Joel Klein. The three-day-a-week job paid her a salary of $1 and had the goal of raising private money for the New York City public schools; she helped raise more than $65 million. She served as one of two vice chairs of the board of directors of The Fund for Public Schools and is currently honorary director of the fund. She has also served on the board of trustees of Concord Academy, which she attended as a teen.Kennedy and other members of her family created the Profile in Courage Award in 1989. The award is given to a public official or officials whose actions demonstrate politically courageous leadership in the spirit of John F. Kennedy's book, Profiles in Courage. In 2001, she presented the award to former president Gerald Ford for his controversial pardon of former president Richard M. Nixon almost 30 years prior. She is also president of the Kennedy Library Foundation and an adviser to the Harvard Institute of Politics. Kennedy is a member of the New York and Washington, D.C., bar associations. She is also a member of the boards of directors of the Commission on Presidential Debates and the NAACP Legal Defense and Educational Fund, and is an honorary chair of the American Ballet Theatre. Kennedy represented her family at the funeral services of former presidents Ronald Reagan and Gerald Ford and former First Ladies Lady Bird Johnson and Barbara Bush. She also represented her family at the dedication of the Bill Clinton Presidential Center and Park in Little Rock, Arkansas, in November 2004, and at the dedication of the George H. W. Bush Presidential Library in 1997. Kennedy attended the fiftieth-anniversary ceremony of the March on Washington on August 28, 2013. On December 7, 2019, Kennedy christened the new USS John F. Kennedy (CVN-79) at Newport News Shipbuilding.After her post as ambassador to Japan ended, the Boeing Company elected her in August 2017 to serve on its board of directors. She resigned her position on the board of directors on January 15, 2021. 2008 and 2012 presidential elections On January 27, 2008, Kennedy announced in a New York Times op-ed piece entitled, "A President Like My Father," that she would endorse Barack Obama in the 2008 U.S. presidential election. Her concluding lines were: "I have never had a president who inspired me the way people tell me that my father inspired them. But for the first time, I believe I have found the man who could be that president—not just for me, but for a new generation of Americans."Federal Election Commission records show that Kennedy contributed $2,300 to the Hillary Rodham Clinton presidential campaign committee on June 29, 2007. She previously contributed a total of $5,000 to Clinton's 2006 senatorial campaign. On September 18, 2007, she contributed $2,300 to Barack Obama's presidential campaign committee.On June 4, 2008, Obama named Kennedy, along with Jim Johnson and Eric Holder, to co-chair his Vice Presidential Search Committee. (Johnson withdrew one week later.) Filmmaker Michael Moore called on Kennedy to "Pull a Cheney", and name herself as Obama's vice presidential running mate (Dick Cheney headed George W. Bush's vice presidential vetting committee in 2000—Cheney himself was chosen for the job). On August 23, Obama announced that Senator Joe Biden of Delaware would be his running mate. Kennedy addressed the 2008 Democratic National Convention in Denver, introducing a tribute film about her uncle, Senator Ted Kennedy. The Topps trading card company memorialized Caroline Kennedy's involvement in the campaign by featuring her on a card in a set commemorating Obama's road to the White House.Kennedy was among the 35 national co-chairs of Obama's 2012 re-election campaign. On June 27, 2012, Kennedy made appearances in Nashua and Manchester, New Hampshire, to campaign for the re-election of President Obama.There was media speculation that she might become a possible candidate for the 2020 Presidential primaries and election but this did not come to pass. United States Senate seat In December 2008, Kennedy expressed interest in the United States Senate seat occupied by Hillary Clinton, who had been selected to become Secretary of State. This seat was to be filled through 2010 by appointment of New York Governor David Paterson. This same seat was held by Kennedy's uncle Robert F. Kennedy from January 1965 until his assassination in June 1968, when he was a candidate for the Democratic presidential nomination. Kennedy's appointment was supported by Congresswoman Louise Slaughter, State Assemblyman Vito Lopez, New York City mayor Michael Bloomberg, former New York City Mayor Ed Koch, and the New York Post editorial page.She was criticized for not voting in a number of Democratic primaries and general elections since registering in 1988 in New York City and for not providing details about her political views. In response, Kennedy released a statement through a spokeswoman that outlined some of her political views including that she supported legislation legalizing same-sex marriage, was pro-choice, against the death penalty, for restoring the Federal Assault Weapons Ban, and believed the North American Free Trade Agreement (NAFTA) should be re-examined. On foreign policy, her spokeswoman reiterated that Kennedy opposed the Iraq War from the beginning as well as that she believed that Jerusalem should be the undivided capital city of Israel. Kennedy declined to make disclosures of her financial dealings or other personal matters to the press, stating that she would not release the information publicly unless she were selected by Governor Paterson. She did complete a confidential 28-page disclosure questionnaire required of hopefuls, reported to include extensive financial information.In an interview with the Associated Press, Kennedy acknowledged that she would need to prove herself. "Going into politics is something people have asked me about forever", Kennedy said. "When this opportunity came along, which was sort of unexpected, I thought, 'Well, maybe now. How about now?' [I'll have to] work twice as hard as anybody else..... I am an unconventional choice..... We're starting to see there are many ways into public life and public service". In late December 2008, Kennedy drew criticism from several media outlets for lacking clarity in interviews, and for using the phrase "you know" 168 times during a 30-minute interview with NY1.Shortly before midnight on January 22, 2009, Kennedy released a statement that she was withdrawing from consideration for the seat, citing "personal reasons". Kennedy declined to expand upon the reasons that led to her decision. One day after Kennedy's withdrawal, Paterson announced his selection of Representative Kirsten Gillibrand to fill the Senate seat. United States Ambassador to Japan (2013–2017) On July 24, 2013, President Obama announced Kennedy as his nominee to be United States Ambassador to Japan to succeed Ambassador John Roos. The prospective nomination was first reported in February 2013 and, in mid-July 2013, formal diplomatic agreement to the appointment was reportedly received from the Japanese government.On September 19, 2013, Kennedy sat before the Senate Foreign Relations Committee and responded to questions regarding her potential appointment. Kennedy explained that her focus would be military ties, trade, and student exchange if she was selected for the position. On September 30, 2013, the committee favorably reported her nomination to the Senate floor. She was confirmed on October 16, 2013, by voice vote as the first female U.S. Ambassador to Japan and was sworn in by Secretary of State John Kerry on November 12. Kennedy arrived in Japan on November 15 and met Japanese diplomats three days later. On November 19, NHK showed live coverage of Kennedy's arrival at the Imperial Palace to present her diplomatic credentials to Emperor Akihito. Tenure In December 2013, she visited Nagasaki to meet with survivors of the 1945 atomic bombing of that city. On August 5, 2014, she attended a memorial ceremony for victims of the atomic bombing of Hiroshima; she was the second U.S. ambassador to attend the annual memorial. This was her second visit to Hiroshima, having visited in 1978 with her uncle, Senator Ted Kennedy.In February 2014, Kennedy visited the southern Japanese island of Okinawa, the site of the large military bases of United States Forces Japan, and was received by protests against the American military presence and placards with "no base" written on them. The protesters are opposed to the American military presence citing various concerns over sexual assaults and the environmental impact of the base. Kennedy subsequently met with Okinawa's governor, Hirokazu Nakaima, who was re-elected in 2010 in opposition to the base. She pledged to reduce the burden of the American military presence in Okinawa. In April 2015, Kennedy visited the Hiroshima Peace Memorial Museum, which displayed the impact from the 1945 atomic bombing. Kennedy called her visit a "solemn honor" and also planted dogwood trees on a road, participating in a U.S. project to spread 3,000 dogwood trees across Japan.On August 6, 2015, Kennedy accompanied US Under Secretary of State for Arms Control and International Security Affairs Rose Gottemoeller to the memorial for the atomic bombing of Hiroshima, Japan by the United States in World War II. It marked the 70th anniversary of the bombing, and Gottemoeller became the first senior American official to attend the annual memorial. Kennedy was only the second US ambassador to attend. With representatives of 100 countries in attendance, Japanese prime minister Shinzō Abe reiterated Japan's official support for the abolition of nuclear weapons.Kennedy resigned as the United States Ambassador to Japan shortly before Donald Trump was sworn in as the 45th President of the United States. She formally left Japan as Ambassador on January 18, 2017. In recognition of her service, Kennedy was awarded Japan's Grand Cordon of the Order of the Rising Sun in 2021. United States Ambassador to Australia On December 15, 2021, President Joe Biden nominated Kennedy to be the United States Ambassador to Australia. Hearings on her nomination were held before the Senate Foreign Relations Committee on April 7, 2022. The committee favorably reported her to the Senate floor on May 4, 2022. She was confirmed by the Senate on May 5, 2022, by voice vote. Kennedy was officially sworn in on June 10, 2022. She presented her credentials to Governor-General David Hurley on July 25, 2022. Works published Kennedy and Ellen Alderman have written two books together on civil liberties: In Our Defense: The Bill of Rights In Action (1991) The Right to Privacy (1995)On her own, Kennedy has edited these New York Times best-selling volumes: The Best-Loved Poems of Jacqueline Kennedy Onassis (2001); Profiles in Courage for Our Time (2002); A Patriot's Handbook (2003); A Family of Poems: My Favorite Poetry for Children (2005).She is also the author of A Family Christmas, a collection of poems, prose, and personal notes from her family history (2007, ISBN 978-1-4013-2227-4). In April 2011, a new collection of poetry, She Walks In Beauty – A Woman's Journey Through Poems, edited and introduced by Caroline Kennedy, was published. She launched the book at the John F Kennedy Library & Museum at Columbia Point, Dorchester, MA. See also Kennedy family tree Passage 3: Alexander von Hanstein, Count of Pölzig and Beiersdorf Maximilian Elisäus Alexander von Hanstein, Count of Pölzig and Beiersdorf (9 June 1804, Burghaig, Kulmbach – 18 April 1884, Schmölln) was a Thuringian count. He was the stepfather of Albert, Prince Consort, and grandfather of Hans Poelzig. Life Alexander von Hanstein came from the Thüringer noble family of Hanstein Castle and was the son of Baron Friedrich von Hanstein and his wife, Anna Maria. In 1824, Alexander was equerry (Stallmeister) for Ernest III, Duke of Saxe-Coburg-Saalfeld. The duke's marriage was rocky; his first wife, Princess Louise of Saxe-Gotha-Altenburg, had an affair with von Hanstein, and Louise was exiled from the dukedom in the autumn of 1824. She was assigned a residence in the Principality of Lichtenberg, now in Saarland, and Alexander followed her there. On the death of Frederick IV, Duke of Saxe-Gotha-Altenburg, on 11 February 1825, Louise became sole heiress of the House of Saxe-Gotha-Altenburg. In the subsequent discussions over the inheritance, a separation agreement was hammered out and the Saxon duchies were re-organised. Ernest separated from Louise on 31 March 1826, and in the same year exchanged Saalfeld for Gotha. Now free, Louise planned to marry von Hanstein, and in preparation for such a marriage Alexander was created Count of Pölzig and Beiersdorf on 19 July 1826 by Louise’s uncle Frederick, Duke of Saxe-Altenburg. On 18 October 1826, Alexander and Louise married at St. Wendel, the capital of the small principality of Lichtenberg. They resided in the castle there and spent some happy years; but the marriage remained childless and Louise was prohibited by her first husband from contacting her children in Coburg. After Louise's early death from cancer in 1831, Alexander went into the Prussian service and commanded the regiment of the corps Cürrassier in Potsdam. He married the 21-year-old Marie Therese von Carlowitz (1812-1845) on 18 April 1833 in Coburg. As Count and Countess of Pölzig, they lived at Schloss Pölzig and had three children: Maximilan Anton (18 February 1834 – between 1865 and 1871) Clara Henriette Marie (3 April 1835 – 25 April 1879) Thekla Marie Agnes (29 November 1841 – 4 April 1903)In 1845, Alexander approached his stepson Prince Albert, who in the meantime had married Queen Victoria, and Albert allowed him a pension. His second daughter, Clara, married the British shipowner George Acland Ames on 13 July 1854. Their sixth child, Hans, was born on 30 April 1869 in Berlin. Because Ames did not acknowledge Hans as his son, he was given the surname Poelzig. Clara and Ames separated in July 1869, and Clara returned to Pölzig. She lived as a "the young countess" in the Schloss and died 10 years later in Beiersdorf. Hans Poelzig grew up in Berlin and became a world-famous architect and set designer. Alexander's grandchildren, the Ames family in England, inherited the schloss on his death in 1884. Passage 4: Albert E. Austin Albert Elmer Austin (November 15, 1877 – January 26, 1942) was a surgeon and Republican member of the United States House of Representatives from 1939 to 1941 and member of the Connecticut House of Representatives from 1917 to 1919 and from 1921 to 1923. He was the stepfather of Clare Boothe Luce. Biography Born in Medway, Massachusetts, Austin attended the public schools and graduated from Amherst College in 1899 and served as member of the faculty of Attleboro High School (Massachusetts) from 1899 to 1900. He graduated from Jefferson Medical College, Philadelphia, Pennsylvania, in 1905. He was married to Anne Tyrell Christy and they divorced in 1916. During the First World War, Austin served as regimental surgeon in the Two Hundred and Fourteenth Engineers, Fourteenth (Wolverine) Division from 1918 to 1919. He was married on May 17, 1919, to Anne Clara Snyder who was killed in automobile-train accident in Miami, Florida in 1938. She was the mother of Clare Boothe Luce. He married Lillian V. Lounsbury on September 3, 1939.Austin was a practicing physician in Old Greenwich, Connecticut from 1907 to 1939. He also engaged in banking in Old Greenwich, Connecticut from 1926 to 1942.Austin was a very active member of Acacia Lodge No. 85 of Ancient, Free and Accepted Masons in Greenwich, Connecticut. He was raised to the sublime degree of a Master Mason on October 31, 1916. He became the worshipful master of the lodge in 1919 and served in such capacity with great achievement and distinction for five years. He led the successful efforts in raising the necessary funds for a permanent masonic temple building in town. For five years he raised the money necessary to purchase the land from Oliver D. Mead's old homestead which is where Havemeyer Place meets Milbank Avenue. Austin was the first to turn the sod on the Mead lot and the building still stands proudly at 28 Havemeyer Place (though the lodge no longer meets there having sold it many decades ago). Austin also served as the first District Deputy of the First Masonic District of the Most Worshipful Grand Lodge of the State of Connecticut. He was also a member of the York Rite and Scottish Rite bodies. In 1939, in recognition for all his efforts for Masonry, public health and in the National Government he was conferred the 33rd degree.Austin served as member of the Connecticut House of Representatives from 1917 to 1919; and from 1921 to 1923. He was elected as a Republican to the Seventy-sixth Congress and served from January 3, 1939, to January 3, 1941. He was an unsuccessful candidate for reelection in 1940 to the Seventy-seventh Congress. Death Austin resumed his medical profession until his death in Greenwich, Connecticut on January 26, 1942, aged 64 years, 72 days. He is interred at Ferncliff Cemetery, Hartsdale, New York. He was a member of the American Medical Association. Learning of Austin's death, the Most Worshipful Grand Lodge of the State of Connecticut wrote a resolution in their proceedings for that year to honor Albert E. Austin. It ended with the following words, "His death brought to an end a busy life spent for the betterment of his fellowman." Passage 5: Héctor Barrantes Héctor Barrantes Sansoni (1939–1990) was an Argentine polo player. He was the stepfather of Sarah, Duchess of York. Biography Early life He was a member of the patrician Figueroa family, and was born in 1939 in Argentina. He was the son of Martín Barrantes Figueroa y Arias and Clelia Josefina Sansoni Pais, both born in Salta, Argentina. The Figueroa family descended directly from Francisco de Toledo y Figueroa (10 July 1515 – 15 August 1582) who was an aristocrat and soldier of the Kingdom of Spain and the fifth Viceroy of Peru. Career He started playing polo at the age of fifteen. In 1967, he moved to England to play polo with Samuel Vestey, 3rd Baron Vestey in Stowell Park. In 1983, he was barred from the international polo field for a year for a bout of anger.Héctor Barrantes enlisted in the Argentine Army during the Falklands War of 1982 between Argentina and the United Kingdom, but did not fight.Later, he bred polo ponies on his 1,000-acre (400 ha) ranch in Guaminí, 335 miles (540 km) southwest of Buenos Aires. His polo pony called Luna, which he bred on his ranch, won the Lady Townley Cup in 1989 and 1990, ridden by Gonzalo Pieres. Personal life His first wife died in a car crash. In 1974, he started an affair with Susan Ferguson, the mother of Sarah Ferguson, who divorced her husband Major Ronald Ferguson and left her two daughters in England. In 1975, they married in a civil ceremony in Argentina. They resided on a polo ranch in Guaminí, Argentina. Death He died of cancer in August 1990. He was buried, initially, in the Peace Garden cemetery in Buenos Aires. Later he was reinterred in a vault under his home and next to a polo field on his 'El Pucara' estate where, in 1998, his widow Susan was buried following her death. Honours A major polo trophy in Argentina has been named in Barrantes's honour, the Copa Héctor Barrantes. Passage 6: Albert Visetti Albert Anthony Visetti (13 May 1846–10 July 1928) was a Dalmatian musician who moved to London where he was Professor of Singing at the Royal College of Music, becoming a Fellow in 1921. He was the stepfather of the novelist Radclyffe Hall. Early life Born in Solin in Dalmatia to a landowner Italian father and an English mother, Visetti was originally intended by his father for a career as a surgeon so was sent to the University of Padua to study medicine, but affected by the sights of the dissecting room he withdrew and turned instead to music. He was awarded musical scholarships from the Austrian and Italian governments. He studied music at the Milan Conservatory where a friend was Arrigo Boito who wrote the libretto for Visetti's Cantico des Cantici, and where he was a pupil of Alberto Mazzucato in class composition, winning several awards. While here he made the acquaintance of Verdi. Visetti was later engaged as a conductor at Nice before moving to Paris where he was an assistant to the composer Daniel Auber at the Court of Napoleon III. While in Paris he composed the opera Les Trois Mousquetaires after he met Alexander Dumas, who wrote the libretto. However, the almost complete manuscript was destroyed in a fire during the Siege of Paris. Move to London Visetti moved to England in May 1871 after the turmoil of the Siege of Paris, living there for the rest of his life, being naturalised in 1884. Here he became a champion of English music and musicians, arranging for the works of such composers as Arthur Sullivan, William Sterndale Bennett and Charles Villiers Stanford to be performed for the first time at La Scala in Milan and in Rome and Naples.Visetti became one of the leading professors of singing in the country, teaching singing at the Guildhall School of Music where his students included Bruce Carey; the London Academy of Music, at Watford School and the Royal College of Music, where his students included Clara Butt, Denise Orme, Gwynn Parry Jones, Louise Kirkby Lunn, Phyllis Lett and Agnes Nicholls. Visetti was musical adviser to the soprano Adelina Patti for five years, and wrote the popular song La Diva for her. He was Director and Conductor of the Philharmonic Society of Bath from 1878 to 1890 and for whom he wrote two cantatas, The Desert and The Praise of Song. In 1880 Umberto I the King of Italy conferred on him the Order of the Crown of Italy for his literary achievements. He wrote and translated several books including a life of Giovanni Palestrina and wrote a biography of Verdi for the Bells Miniature Series of Musicians (1905). In 1921 Visetti was made a Fellow of the Royal College of Music. Personal life By marriage he became the stepfather of the novelist Radclyffe Hall in 1889; he had a tempestuous relationship with her mother Marie (née Sager) because of his affairs with his female students and Radclyffe Hall, who hated him, claimed he made sexual advances to her when she was a teenager.He died in London in 1928 and is buried with his wife Marie in the Catholic Section of Brookwood Cemetery. Passage 7: Lolo Soetoro Lolo Soetoro (EYD: Lolo Sutoro; Javanese: [ˈlɒlɒ suːˈtɒrɒː]; 2 January 1935 – 2 March 1987), also known as Lolo Soetoro Mangunharjo or Mangundikardjo, was a Indonesian geographer who was the stepfather of Barack Obama, the 44th president of the United States. Early life and education Soetoro was born in Bandung, West Java, Dutch East Indies (now Indonesia), the ninth of 10 children of Soewarno Martodihardjo, an employee of a mining office from Yogyakarta. Soetoro earned his bachelor's degree in geography from Gadjah Mada University, in Yogyakarta. In 1962, Soetoro, then a civilian employee of the Indonesian Army Topographic Service, obtained an East–West Center grant for graduate study in geography at the University of Hawaii at Manoa. He arrived in Honolulu in September 1962 and graduated from the university with a M.A. in geography in June 1964. Marriage to Ann Dunham Soetoro met the divorced Ann Dunham at the East-West Center while both were students at the University of Hawaii, and married on 15 March 1965. Soetoro, a geographer, returned to Indonesia in 1966 to help map Western New Guinea for the Indonesian government, while Dunham and her son Barack Obama moved into her parents' house in Honolulu to complete her studies.Dunham and her six-year-old son joined Soetoro in Jakarta in 1967. The family initially lived for two and a half years in a modest stucco and red tile house in a newly built neighborhood in Menteng Dalam village in South Jakarta and owned a new Japanese motorcycle. Dunham worked as assistant director of the Indonesia-America Friendship Institute while Obama attended the Indonesian-language Santo Fransiskus Asisi (St. Francis of Assisi) Catholic School.In 1970, with a new job in government relations at Union Oil Company, Soetoro moved his family two miles north to a rented house, with a car replacing their motorcycle. Dunham was a department head and a director of the Lembaga Pendidikan dan Pengembangan Manajemen (LPPM)–the Institute of Management Education and Development. Obama attended the Indonesian-language Besuki School.On 15 August 1970, Soetoro and Dunham had a daughter, Maya Kasandra Soetoro.In mid-1971, Obama moved back to Hawaii to attend Punahou School. In August 1972, Dunham rejoined Obama with her daughter and began graduate study at the University of Hawaii at Manoa. She gained an M.A. in anthropology in December 1974 and returned with her daughter to Jakarta in 1975 while Obama remained in Hawaii. In 1976, Dunham and her daughter lived for half a year with Soetoro's 76-year-old mother.Dunham became increasingly interested in Indonesian culture while Soetoro became more interested in that of the West, and their relationship was in conflict over differing values. They divorced on 6 November 1980.In his 1995 memoir Dreams from My Father, Obama described Soetoro as well-mannered, even-tempered, and easy with people; he wrote of the struggles he felt Soetoro had to deal with after his return to Indonesia from Hawaii. He described his stepfather as following "a brand of Islam that could make room for the remnants of more ancient, classical, and Dharmic philosophies such as that of the Hindu." In a 2007 article, Chicago Tribune foreign correspondent Kim Barker reported that Soetoro "was much more of a free spirit than a devout Muslim, according to former friends and neighbors." Later life Soetoro married Erna Kustina in 1980 and had two children, son Yusuf Aji Soetoro (born 1981), and daughter Rahayu Nurmaida Soetoro (born 1984).Soetoro died, age 52, on 2 March 1987, of liver failure, and was buried in Tanah Kusir Cemetery, South Jakarta. Notes Passage 8: Jerrold Wexler Jerrold Wexler (June 27, 1924 – November 10, 1992) was a noted American businessman and film producer. He was the brother of cinematographer Haskell Wexler and the stepfather of actress Daryl Hannah. Early life and education Wexler was born to a Jewish family in Chicago, the son of Lottie and Simon Wexler, and attended Northwestern University. His father founded the Columbia Radio Corporation in 1921 and the Allied Radio Corporation in 1928. Allied Radio was an American radio manufacturer and retailer, which sold radio sets, tubes, capacitors, amateur radio equipment, citizen's band (CB) radios, and consumer audio systems through retail stores and beginning in 1962, also via mail-order. In 1970, Allied Radio was purchased by the Tandy Corporation, the parent company of Radio Shack. His brother was cinematographer, film producer, and director Haskell Wexler. Business ventures By his early 30s, he was building a reputation for financing monumental skyscrapers, including 400 East Randolph a luxury apartment building in Chicago's Loop. With his father's help, he brokered the construction of the Executive Plaza Hotel on Wacker Drive (now known as Hotel 71).In 1979 he, along with his business partner Edward W. Ross, purchased the Drake Hotel. The Drake was successfully nominated for the National Register of Historic Places in 1980. In 1983, Wexler's Jupiter Industries, which had interests in the Playboy Building, Lake Point Tower, Michigan Avenue real estate, dozens of Chicago hotels, and property holdings in both New York City and Los Angeles, saved Goldblatt's from bankruptcy. Jupiter also developed the Vista International Hotel at the World Trade Center, later known as the Marriott World Trade Center, which was destroyed in the September 11, 2001 attacks. He was known for pioneering new development areas; the Executive Plaza was the first hotel in Chicago in decades, and the Vista was the first hotel in downtown Manhattan for decades. He also built the Outer Drive East development in Chicago, which expanded the downtown into an industrial and shipping area in decline.When Bertram Lee failed to come up with his ten percent share to purchase the National Basketball Association Denver Nuggets in 1989, Peter Bynoe recruited Jerrold Wexler and Jay Pritzker to keep the deal alive. The group held an interest in the team until 1992 when COMSAT bought out Drexel Burnham Lambert, Bynoe and his partners. In addition to his business interests, he was a very active political contributor. In addition, he served on the board of trustees of the John Austin Cheley Foundation. Personal life In 1946, Wexler married Lolly Lurie; they had four children: Susan Wexler Piser; Jane Wexler Feil; Diane Wexler Grant; and Judith Wexler Gigliotti. They divorced in 1968. In 1969, he married Susan Jeanne Metzger, with whom he had one child: film director Tanya Wexler. He has three stepchildren from his marriage to Metzger: actress Daryl Hannah, Donald Hannah, and actress Page Hannah Adler. Death and legacy In November 1992, Wexler died of lymphoma at the Stanford Hospital in Palo Alto, California. In 1993, he was inducted posthumously into the Chicago Association of REALTORS Hall of Fame.His estate continued to sell off his business interests for several years after his death.In 2003, the United States National Film Preservation Board added the 1969 film Medium Cool, co-produced by Jerrold and Haskell Wexler, to the National Film Registry. Passage 9: Rose Schlossberg Rose Kennedy Schlossberg (born June 25, 1988) is an American actress, the oldest child of Caroline Kennedy, and first-born grandchild of John F. Kennedy. She is a 2010 graduate of Harvard University. Schlossberg has been described as a look-alike of her maternal grandmother, First Lady Jacqueline Kennedy Onassis. In 2016, Schlossberg, along with Mara Nelson-Greenberg, co-launched End Time Girls Club, an end time-apocalyptic web series on YouTube. Early life Schlossberg was born on June 25, 1988, at Weill Cornell Medical Center in New York City, New York, to designer Edwin Schlossberg and Caroline Kennedy, the oldest and only surviving child of U.S. President John F. Kennedy and his wife First Lady Jacqueline Bouvier Kennedy Onassis. She was named after her maternal great-grandmother, Rose Kennedy. Schlossberg has two younger siblings, Tatiana and Jack. Schlossberg's mother is a Catholic of Irish, French, Scottish, and English descent, while her father comes from an Orthodox Jewish family of Ukrainian descent. She was raised in her mother's religion, but also observes Jewish traditions, holidays and holy days.During her early childhood, Schlossberg attended Brearley School on the Upper East Side of Manhattan. In first grade, she went on a school field trip to the American Museum of Natural History accompanied by her grandmother, Jacqueline Kennedy Onassis. "She was the only grandparent in the group," said a father whose daughter was in the same class as Schlossberg.In 1999, Schlossberg's uncle John F. Kennedy Jr., with whom she was close, died in a plane crash. Education In 2006, Schlossberg enrolled at Harvard College in Cambridge, Massachusetts where she earned a bachelor's degree in English studies, took film courses, and cultivated an interest in fashion. She graduated in 2010, going back to school a year later—at New York University's Interactive Telecommunications Program (ITP) —earning a Master of Professional Studies in 2013. Career In 2016, Schlossberg co-launched a comedy and end time-apocalyptic web series with Mara Nelson-Greenberg, titled End Times Girls Club, produced by Above Average Productions. The series follows two twentysomething young women, Bee (portrayed by Schlossberg) and Lara (portrayed by Nelson-Greenberg), as they give women comic tips to surviving the apocalypse. "It came up as a response to seeing the way that New York City responded to Hurricane Sandy, and how people were grossly underprepared – specifically, girls in damsel in distress mode," Schlossberg told Mashable. "I thought it would be interesting to create this world where girls have to be survivalists without compromising their cute factor." Politics During the 2008 United States presidential election, Schlossberg donated to Barack Obama's 2008 campaign and volunteered for Democrat Alan Khazei's campaign for the United States Senate in the 2010 special election in Massachusetts. Passage 10: Morris Harvey Morris Harvey (25 September 1877 – 24 August 1944) was a British actor and writer. A renowned character actor, he also wrote for the stage, including material for Broadway revues, in which he also appeared. He was the stepfather of film director Anthony Harvey. Filmography

doc_46

Passage 1: Spy Kids Spy Kids is an American family action-adventure spy comedy franchise created by Robert Rodriguez. The plot follows adventures of Carmen and Juni Cortez, two children who become involved in their parents' espionage organization. The films include Latino themes, as Rodriguez is of Mexican descent. Background Influences Spy Kids was influenced by James Bond films. The first film was "a fusion of Willy Wonka and James Bond" and the second was the "Mysterious Island and James Bond mix". The spy organization in the films is called the OSS. These initials are from the Office of Strategic Services, a former U.S. intelligence organization during World War II which later evolved into the CIA. The character Donnagon Giggles was named after William Joseph Donovan, the director of the original OSS. The initials in the Spy Kids universe are never specified on screen, but, in one of the books, they stand for the Organization of Super Spies. Themes One of the main themes of Spy Kids is the unity of family. The children have adult responsibilities, and a lesson is that keeping secrets from family members can have a negative effect on relationships. The first film also deals extensively with sibling rivalry and the responsibility of older children. There is also a strong sense of Latino heritage. Technical innovations The other films were shot with High Definition digital video, parts of the third film using an anaglyphic process to create the 3-D effect. Audiences were given red/blue 3D glasses with their tickets in movie theatres. Four sets of these glasses were also included in the DVD release. The third film was used as a test for a special Texas Instruments digital projector which can project polarized 3D, which does not require the red-blue lenses, later reused for The Adventures of Sharkboy and Lavagirl in 3-D (2005). Films Spy Kids (2001) After retiring from espionage for ten years, Gregorio and Ingrid (Antonio Banderas and Carla Gugino) are pulled back into duty for their important assignment despite the fact they were out of practice, and were captured. Their two children, Carmen and Juni (Alexa Vega and Daryl Sabara), stay with their uncle Felix Gumm (Cheech Marin) and discover the truth of their parents' past, which they had neglected to tell them because they were afraid that if they knew, they would picture danger at every corner; and decide to rescue them. On their first mission, Carmen and Juni manage to bring around their estranged uncle, Isador "Machete" Cortez (Danny Trejo), a genius gadget inventor and Juni helps to redeem a TV show host named Fegan Floop (Alan Cumming). Together, Carmen and Juni thwart the plan of Floop's notorious second in-command Alexander Minion (Tony Shalhoub) to develop an army of androids resembling young children (including Carmen and Juni themselves) for a mastermind named Mr. Lisp (Robert Patrick) and his partner Ms. Gradenko (Teri Hatcher). The robots based on Carmen and Juni became part of Floop's show. Spy Kids 2: The Island of Lost Dreams (2002) As agents of the OSS, Carmen and Juni try to save the daughter (Taylor Momsen) of The President Of The United States (Christopher McDonald) while facing a particularly hard competition with Gary and Gerti Giggles (Matt O'Leary and Emily Osment), the two children of a double-dealing agent Donnagon Giggles (Mike Judge), whom Carmen and Juni helped to rescue them from the first film. Juni gets fired from the OSS after fighting with Gary over a smaller version of the transmooker, a device that can shut off all electronic devices even though it was Gary who started the fight. Juni loses his spot for the best spy kid of the year award, while Donnagon plans to steal the transmooker to take over the world. On their second mission, Carmen and Juni follow the trail to the mysterious island of Leeke Leeke which is home to Romero (Steve Buscemi), an eccentric scientist who attempted to create genetically miniaturised animals, but instead ended up with his island inhabited by mutant monsters. Eventually, Donnagon is fired and Gary is suspended, and the transmooker is destroyed. Juni is offered his job back, but in order to take a break from the OSS, he retires to start his own private eye agency. Spy Kids 3-D: Game Over (2003) After retiring from the OSS, Juni is thrust back into service when an evil mastermind named Sebastian "The Toymaker" (Sylvester Stallone) creates a fictional video game called Game Over, which hypnotizes its users. Carmen was sent on a mission to disable the game, but disappeared on Level 4. With the help of his maternal grandfather, Valentin Avellan (Ricardo Montalban), who uses a wheelchair, Juni is sent after Carmen and helps her to disable the game in order to save the world. It is revealed that Sebastian was the one who disabled Valentin in the first place. Instead of avenging his former partner, Valentin forgives Sebastian who is redeemed. Spy Kids: All the Time in the World (2011) The OSS has become the world's top spy agency, while the Spy Kids department has become defunct. A retired spy Marissa (Jessica Alba) is thrown back into the action along with her two stepchildren, Rebecca and Cecil (Rowan Blanchard and Mason Cook), when a maniacal Timekeeper (Jeremy Piven) attempts to take over the world. In order to save the world, Rebecca and Cecil must team up with Marissa. Spy Kids: Armageddon (2023) The fifth installment, Spy Kids: Armageddon, serving as a reboot of the franchise, is in development, with a film involving a plot that centers around a multicultural family. Robert Rodriguez again serves as writer/director, while the project is a joint-venture production between Skydance Media and Spyglass Media Group. The film is scheduled for distribution on Netflix, making it the second Spy Kids project produced for the platform. Gina Rodriguez, Zachary Levi, Everly Carganilla and Connor Esterson were set to star, along with Billy Magnussen and D. J. Cotrona. The plotline for the film is as follows: "When the children of the world's greatest secret agents unwittingly help a powerful Game Developer unleash a computer virus that gives him control of all technology, they must become spies themselves to save their parents and the world". Production of the film wrapped in late August 2022, and is set to be released on Netflix in Q3-Q4 2023. Television Spy Kids: Mission Critical (2018) An animated series based on the films, Spy Kids: Mission Critical, was released on Netflix in 2018. The first and second seasons both consist of 10 episodes and is produced by Mainframe Studios. Robert Rodriguez served as one of the executive producers on the show. Main cast and characters Additional crew and production details Reception Box office performance Critical and public response Though the first and second film received positive reviews, the series experienced a steadily declining critical reception with each film. Home media September 18, 2001 (Spy Kids) on DVD by Buena Vista Home Entertainment February 18, 2003 (Spy Kids 2: The Island of Lost Dreams) on DVD by Buena Vista Home Entertainment February 24, 2004 (Spy Kids 3D: Game Over) on DVD by Buena Vista Home Entertainment August 2, 2011 (Spy Kids, Spy Kids 2: The Island of Lost Dreams, and Spy Kids 3-D: Game Over) on DVD and Blu-ray Disc by Lionsgate (However, all 3 DVDs are still the original Buena Vista Home Entertainment copies.) November 15, 2011 (Spy Kids, Spy Kids 2: The Island of Lost Dreams, and Spy Kids 3-D: Game Over Triple Feature) on Blu-ray Disc by Lionsgate November 22, 2011 (Spy Kids: All the Time in the World) on DVD and Blu-ray by Anchor Bay Entertainment December 4, 2012 (Spy Kids 3-D: Game Over, The Adventures of Sharkboy and Lavagirl in 3-D 3D Double Feature) on Blu-ray 3D Disc by Lionsgate September 22, 2020 (Spy Kids, Spy Kids 2: The Island of Lost Dreams, and Spy Kids 3-D: Game Over Triple Feature) on DVD and Blu-ray Disc reissue by Paramount Other media Video games Spy Kids Challenger (Game Boy Advance) Spy Kids Mega Mission Zone (PC/Mac) Spy Kids 3-D: Game Over (Game Boy Advance and PC/Mac) Spy Kids: Learning Adventures series (PC/Mac) Spy Kids: All the Time in the World (Nintendo DS) See also Related film series Isador "Machete" Cortez, who appeared in all four Spy Kids film series as a supporting character, additionally had a series of two stand-alone films: Machete and Machete Kills, also written and directed by Robert Rodriguez. However, the Machete films share little in common with the Spy Kids films thematically and are not considered direct spin-offs, the first film instead being an adult-oriented action exploitation film, with the second film introducing science fiction elements; both films additionally share several cast members and characters with the Spy Kids films. The idea for a Machete film came from a fake trailer promoting the Grindhouse double-feature by Rodriguez and Quentin Tarantino. Trejo and Rodriguez have made two conflicting statements regarding its canonicity to the Spy Kids films; Trejo claimed that the films depict "what Uncle Machete does when he's not taking care of the kids", while Rodriguez said in a Reddit AMA that they are alternate universes. Regardless, Rodriguez claimed that he was prompted by an incident on the set of the first Machete film to start envisioning a fourth film in the main Spy Kids film series, casting Jessica Alba as Machete's sister Marissa, a different character to the one she portrayed in Machete, with Trejo additionally reprising his role alongside her. Notes Passage 2: Legion of Lost Flyers Legion of Lost Flyers (aka Legion of Lost Fliers) is a 1939 American B movie drama film directed by Christy Cabanne. It stars Richard Arlen, Andy Devine, and Anne Nagel. Legion of Lost Flyers was released by Universal Pictures on November 3, 1939. Plot A group of pilots, because of unsavory or unearned reputations, establish an outpost of their own, running charter-flights and hauling supplies in the frozen wastelands of Alaska. Gene "Loop" Gillian (Richard Arlen), Gillian came to Alaska because he has been blamed for a crash where four men where killed. Bill Desert (Theodore Von Eltz), the head of the commercial airlines, refuses to hire him as a pilot, but at the request of aircraft mechanic "Beef" Brumley (Andy Devine), Desert hires Loop as a "grease jockey". Brumley knows Gillian and does not believe the story about the deaths. Regarded as a coward by the other pilots, Ralph Perry (William Lundigan), Jake Halley (Guinn "Big Boy" Williams) and Smythe (Leon Ames), Gillian claims he is innocent of causing the deaths because it was really Perry who had taken the flight that night. Rumours continue to swirl about the incident. Perry decides he has had enough and takes off in an stolen aircraft loaded with gold from a local mine. He ends up crashing in the wilderness in a remote canyon, with Gillian, the only one willing to fly to his rescue. After loading Perry on board, the take off ends in the aircraft suffering heavy damage. On the return flight, the aircraft is falling to pieces. Perry panics and as Gillian nears the airfield, he forces Perry to confess on the radio about his involvement in the men's death. Gillian is reinstated as a pilot and falls in love with Paula (Anne Nagel) who had been the boss's sweetheart. Cast Production Production dates for principal photography for Legion of Lost Flyers began on July 26, 1939.The aircraft used in Legion of Lost Flyers was: Stearman C3B Fleet 1 c/n 374, NC792V Fokker F.10 Travel Air 2000 NC446W Reception Frank Nugent in his film review for The New York Times described the film as "You've seen all this before in your Class "C" dreams: Shacklike hangar, old crates to fly, mountainous terrain, handful of desperate crag-hoppers and so on. But this one has some new features which we'll wager you had never visualized as possibilities: for one, Richard Arlen wasn't the man who violated the code by bailing out of that big transport, leaving his passengers to perish, though how the guilty pilot was substituted in midair is not explained. For another, Mr. Arlen thrice performs the impossible: (1) lands his plane safely in a snow-clogged canyon, (2) takes off again without landing gear in spite of stumps, boulders and underbrush, and (3) after his plane has lost a wing and he himself has been concussively conked by his enemy, who does another bailout, what do you think becomes of Mr. Arlen? Well, sir, the broken plane crashes in a skidding, sickening heap on a convenient modern landing field, with streamlined ambulance service, and Mr. Arlen emerges from the wreckage with nothing worse than a bandage bound picturesquely around his brow." Passage 3: Spy Kids 2: The Island of Lost Dreams Spy Kids 2: The Island of Lost Dreams is a 2002 American spy action comedy film written, shot, edited and directed by Robert Rodriguez. Rodriguez also produced with Elizabeth Avellán. It stars Antonio Banderas, Carla Gugino, Alexa Vega, Daryl Sabara, Mike Judge, Ricardo Montalbán, Holland Taylor, Christopher McDonald, and Steve Buscemi. The second installment in the Spy Kids film series, which began with 2001's Spy Kids, the film premiered at the Grauman's Chinese Theatre in Hollywood on July 28, 2002. Dimension Films theatrically released the film on August 7. Upon release, Spy Kids 2 received mostly positive reviews from critics and grossed over $119 million worldwide. Plot The OSS now has a full child spy section, of which Carmen Cortez and Juni Cortez are now Level 2 agents. Although they are the first of the new Spy Kids Division, they face fierce competition from Gary and Gerti Giggles, the children of Donnagon Giggles (the agent whom Carmen and Juni rescued on their first mission). Carmen defends Gary, even after the two outperform them on a mission to rescue the president's daughter Alexandra from an out of control theme park ride, straining her relationship with Juni. At the OSS awards banquet, Donnagon hacks into the president's teleprompter, and is named director of the OSS instead of Gregorio Cortez. In his acceptance speech, Donnagon announces his two children are being promoted from Level 3 to Level 1. However, the adults are rendered unconscious by a group of "Magna Men", who are seeking the "Transmooker", a highly coveted device owned by the president, which can shut off all electronic devices around the world. The Spy Kids hold them off but the Magna Men manage to steal the Transmooker after Gary causes Juni to drop it in a scuffle. Gary blames Juni for the theft, resulting in him being fired from the OSS. The next morning Carmen hacks into the database, reinstating Juni as an agent and taking the Ukata assignment, a mission originally meant for Gary and Gerti, to recover the stolen Transmooker. Using some hints from their former arch-nemesis, Alexander Minion, they follow the trail to a mysterious island where no electronics work. Meanwhile, Gary and Gerti are rerouted to the Gobi Desert and while trying to pinpoint their position fall into a pit of camel feces, whereupon they swear revenge. Carmen and Juni manage to reach the island, but realize that none of their gadgets work. After falling into a volcano, the two meet Romero, a scientist and sole human inhabitant of the island who has been attempting to create genetically miniaturized animals to sell to kids as "miniature zoos". After creating hybrid animals, Romero accidentally poured a growth concoction over them, greatly increasing their size. He also reveals that he created the Transmooker device, as a mean of hiding his island from the outside world, meaning that the stolen Transmooker was a prototype and the real one is on the island somewhere. Romero fears being eaten, so is unwilling to leave his lab, but shows Carmen and Juni the way to the real Transmooker. As both Gregorio and Ingrid are tracking where Juni and Carmen are, they are joined by Ingrid's parents who want to help them find their children. Carmen is captured by a Spork, a flying pig, and dropped into its nest with Gerti, who tells her that Gary is genuinely evil. Her feelings for Gary change after he and a Slizard he tamed attack Juni and his Spider Monkey. Carmen manages to incapacitate Gary and she and Juni leave to retrieve the Transmooker. Romero, encouraged by Juni, leaves his lab and discovers his creatures are much friendlier than he thought. Carmen and Juni eventually find and recover the Transmooker, eliminating the cloaking around the island, and are surprised when their family joins them. Donnagon then confronts the group, takes the Transmooker and, after a fight with Gregorio tries to destroy the Cortez family with it, but it malfunctions. Gerti reveals she sabotaged it and threatens Donnagon with telling everything to her mother, which he detests. Romero arrives alongside his creatures and destroys the prototype Transmooker as well. The President and his staff arrive on the island. He and his daughter fire Donnagon; Gary is temporarily disavowed, and Alexandra appoints Gregorio as director of the OSS on her father's behalf. Even though offered a promotion to Level 1, Juni resigns due to the impersonal treatment he had received by the OSS after being framed. As the Cortez family leaves the island, Romero gives Juni a miniature spider-monkey as a gift, and the island's inhabitants bid farewell to the Cortez family. During the credits, Isador "Machete" Cortez hosts a concert featuring Carmen (with a microphone which helps her sing, and a belt that helps her dance), and Juni (with a guitar that plays itself), but realizes too late that he never put any batteries in the devices before they went onstage. When he breaks this news to Carmen and Juni, this shocks them, realizing they have musical talent. Meanwhile, Dinky Winks, the owner of Troublemakers theme park where Juni rescued Alexandra, paddles to Romero's island to offer a business deal. Cast Antonio Banderas as Gregorio Cortez, the father of Juni and Carmen who is now called back to the OSS Carla Gugino as Ingrid Cortez, the mother of Juni and Carmen Alexa Vega as Carmen Cortez, daughter of Gregorio and Ingrid who is now an OSS member of their spy kid division Daryl Sabara as Juni Cortez, son of Gregorio and Ingrid and Carmen's brother, also a member of the OSS's spy kid division Mike Judge as Donnagon Giggles, an OSS agent turned director who was previously rescued by Carmen and Juni, but is now seeking world domination Ricardo Montalbán as Grandfather Valentin Avellan Holland Taylor as Grandmother Helga Avellan Christopher McDonald as the President of the United States Danny Trejo as Isador "Machete" Cortez, gadget inventor and Juni and Carmen's uncle Alan Cumming as Fegan Floop, host of Floop's Fooglies Tony Shalhoub as Alexander Minion, Floop's assistant Matt O'Leary as Gary Giggles, the son of Donnagon Giggles and a rival OSS agent of Juni and Carmen's love interest Taylor Momsen as Alexandra, the President's daughter Emily Osment as Gerti Giggles, daughter of Donnagon Giggles and a rival OSS agent of Carmen Cheech Marin as Felix Gumm, an OSS agent Steve Buscemi as RomeroAdditionally, Bill Paxton appears as Dinky Winks, a theme park owner. Production Spy Kids 2 was filmed entirely on High Definition digital video. After seeing George Lucas using digital video for Star Wars: Episode II – Attack of the Clones, Rodriguez tested the technology during re shoots for the first Spy Kids film. Rodriguez used the cameras unfiltered. Filming sites Arenal Lake, Costa Rica Austin, Texas, USA Big Bend National Park, Texas, USA Manuel Antonio, Costa Rica San Antonio, Texas, USA Six Flags Over Texas, Arlington, Texas, USA Special effects Despite using over twice the amount of special effects than the first film, Rodriguez did not ask the producers for a larger budget; he said that he wanted to be more creative instead of asking the studio for more money for special effects. Rodriguez picked some visual effects companies who were eager and less established, as well as starting up his own Troublemaker Studios, and reemploying Hybrid, who had worked with him on the first film. Gregor Punchatz, the film's lead animator, employed a certain technique to make the movements of the computer generated creatures resemble the stop-motion work of filmmaker Ray Harryhausen, who has a cameo in the film. The scene with the army of live skeletons was shot on a real rock formation, with the two young actors on safety wires, and the computer generated skeletons added later to over three dozen shots. Music The film score was co-written by director Robert Rodriguez and composer John Debney, who had also co-written the score for Spy Kids. The sound is a mix of rock, pop, and indie rock, and includes songs performed by Alan Cumming and Alexa Vega. Unusually, the orchestral score was recorded in the auditorium of a local high school in Austin, Georgetown High School.All tracks composed by Debney and Rodriguez, and performed by the Texas Philharmonic Orchestra. "The Juggler" "Spy Ballet" "Magna Men" "Treehouse" "R.A.L.P.H." "Floop's Dream" (performed by Alan Cumming) "Escape from Dragon-spy" "Spy-parents" "Island of Lost Dreams" "Donnagon's Big Office"/"The Giggles" "Mysterious Volcano Island" "Romero's Zoo Too" "Mothership"/"SpyGrandparents" "Magna Racers" "Aztec Treasure Room" "Skeletons" "Creature Battle" "Romero's Creatures"/"SpyBeach" "SpyDad vs. SpyDad"/"Romero's Gift" "Isle of Dreams" (performed by Alexa Vega)Additional music not on the soundtrack album includes "Oye Como Spy", which is an adaptation of Tito Puente's "Oye Como Va", performed by Los Lobos (the song is on the soundtrack album from the first Spy Kids film). Release Home media The film was released on VHS and DVD in the United States on February 18, 2003. The film is also available to download on iTunes. A Blu-ray re-release was scheduled for August 2, 2011 to coincide with the fourth film. Reception Box office Spy Kids 2: The Island of Lost Dreams opened theatrically on August 7, 2002 in 3,307 venues and earned $16,711,716 in its first weekend, ranking third in the North American box office behind XXX and the second weekend of Signs. The film ended its run on January 12, 2003, having grossed $85,846,429 in the United States and Canada, and $33,876,929 overseas for a worldwide total of $119,723,358. Critical response On Rotten Tomatoes, Spy Kids 2: The Island of Lost Dreams has a 75% approval score based on 136 reviews and an average rating of 6.6/10. The site's critical consensus reads: "Though the concept is no longer fresh, Spy Kids 2 is still an agreeable and energetic romp". Metacritic reports a 66 out of 100 rating based on reviews from 29 critics, indicating "generally favorable reviews". Audiences polled by CinemaScore gave the film an average grade of "A-" on an A+ to F scale.Roger Ebert gave the film 3 out of 4 stars and commented: "With Spy Kids 2: The Island of Lost Dreams, the Spy Kids franchise establishes itself as a durable part of the movie landscape: a James Bond series for kids". Kenneth Turan of the New York Times gave it 4 out of 5 stars said: "The movie is a gaudy, noisy thrill ride -- hyperactive, slightly out of control and full of kinetic, mischievous charm". Lisa Schwarzbaum of Entertainment Weekly wrote: "The antics are a tad more frantic, and the gizmos work overtime, as if ... Robert Rodriguez felt the hot breath of el diablo on his neck. On the other hand, the inventiveness is still superior and the network of fiends [sic] and family is extended". Michael Wilmington of Metro mix Chicago, noting how Rodriguez borrows many elements from television and earlier films, stated that "Rodriguez recycles and refurbishes all these old movie bits with the opportunistic energy of a man looting his old attic toy chest -- but he also puts some personal feeling into the movie. This is a film about families staying together, children asserting themselves and even, to some degree, Latino power". Other media Sequels It was followed up in 2003 by a third film in the series, Spy Kids 3-D: Game Over, and in 2011 by a fourth film, Spy Kids: All the Time in the World. Novelization Talk Miramax Books released a novelization of the film in June/July 2002. The novel was written by children's book author Kiki Thorpe. The posters and end of the credits even say "Read the Talk/Miramax Books", telling the viewers to read the print retelling. Passage 4: Port of Lost Dreams Port of Lost Dreams is a 1934 American drama film directed by Frank R. Strayer and starring William Boyd, Lola Lane and George F. Marion. Cast William Boyd as Lars Christensen Lola Lane as Molly Deshon / Molly Clark Christensen George F. Marion as Capt. Morgan Rock Edward Gargan as Porky the Freda's 'Crew' Harold Huber as Louis Constolos Robert Elliott as Lt. Andersen Evelyn Carter Carrington as Mother McGee, Bar Owner Charles C. Wilson as Warden Robert Frazer as Radio Announcer Lafe McKee as Justice of the Peace Lew Kelly as First Hospital Detective Eddie Phillips as Constolos' Lawyer Passage 5: Island of Lost Souls Island of Lost Souls may refer to Island of Lost Souls (1932 film), a movie featuring Charles Laughton and Bela Lugosi Island of Lost Souls (2007 film), a Danish film by director Nikolaj Arcel "Island of Lost Souls" (song), 1982 single by Blondie Passage 6: Port of Lost Dreams Port of Lost Dreams is a 1934 American drama film directed by Frank R. Strayer and starring William Boyd, Lola Lane and George F. Marion. Cast William Boyd as Lars Christensen Lola Lane as Molly Deshon / Molly Clark Christensen George F. Marion as Capt. Morgan Rock Edward Gargan as Porky the Freda's 'Crew' Harold Huber as Louis Constolos Robert Elliott as Lt. Andersen Evelyn Carter Carrington as Mother McGee, Bar Owner Charles C. Wilson as Warden Robert Frazer as Radio Announcer Lafe McKee as Justice of the Peace Lew Kelly as First Hospital Detective Eddie Phillips as Constolos' Lawyer Passage 7: Spy Kids 3-D: Game Over Spy Kids 3-D: Game Over (also known as Spy Kids 3: Game Over) is a 2003 American spy action comedy film, the sequel to Spy Kids 2: The Island of Lost Dreams, and the third installment overall in the Spy Kids film series. Written and directed by Robert Rodriguez and co-produced by Elizabeth Avellán, the film stars Antonio Banderas, Carla Gugino, Alexa Vega, Daryl Sabara, Elijah Wood, Ricardo Montalbán, Holland Taylor, Mike Judge, Salma Hayek, Matt O'Leary, Emily Osment, Cheech Marin, Bobby Edner, Courtney Jines, Robert Vito, Ryan Pinkston, Danny Trejo, Alan Cumming, Tony Shalhoub, and Sylvester Stallone. It was released in the United States on July 25, 2003, by Dimension Films. Despite mixed to negative reviews, the film grossed $197 million on a $38 million budget, becoming the highest-grossing film in the series. Though this was initially intended to be the final installment in the Spy Kids film franchise, it was eventually followed by a fourth film, Spy Kids: All the Time in the World, in 2011. Plot Juni Cortez, sometime after the events of the second film, has retired from the OSS and now lives quietly, working as a private detective, though on a minuscule salary. One day, he is contacted by President Devlin, the former head of the OSS, who informs him that his sister, Carmen Cortez, is missing after a mission gone wrong. Arriving at the technological and computer department of OSS, Juni is reunited with a now reformed Donnagon Giggles and his wife Francesca, who explain that Carmen was captured by the Toymaker, a former OSS informant who was imprisoned in cyberspace but has since created Game Over, a virtual reality-based video game which he intends on using to permanently take control of children's minds. Juni agrees to venture into the game, save Carmen, and shut it down, with only twelve hours to win. He is also informed that his sister was last seen on Level 4. In the game, Juni finds the challenges difficult, having only nine lives and already losing one at the start. While roaming a cartoon-like medieval village, he finds three beta-testers, Francis, Arnold, and Rez, who provide him with passage to the Moon and launch him into space, but mostly to eliminate the competition. Juni lands hard on the Moon, consequently losing another life, and receives an opportunity to bring in an ally for assistance. He chooses his grandfather Valentin, who uses a wheelchair and has a personal history with the Toymaker. Valentin receives a power-up which gives him a robotic bodysuit, allowing him to walk and possess superhuman strength and durability. Distracted by a butterfly, he abandons Juni, telling him they will regroup later. Searching for the entrance to Level 2, Juni ventures into a robot battle arena where he fights a girl named Demetra to return to Earth and Level 2. In the fight, he receives a more powerful robotic suit, and is placed on a huge mecha to combat Demetra. In the 3-round fight, in which he loses another life, he defeats her and he is allowed to keep his power suit. He meets the beta-testers again who believe that he is a character named "The Guy", who can supposedly beat the allegedly "un-winnable" Level 5. Rez is unconvinced and challenges Juni to a "Mega-race" involving a multitude of vehicles, which will allow them onto Level 3. The only apparent rule of this game is "win at any cost". Juni wins the race with help from Valentin, and Demetra joins them; she and Juni display romantic feelings, with him giving her a med-pack with extra lives and her providing him with an illegal map of the game. Upon entering Level 3, Arnold and Juni are forced to battle, the loser getting an immediate game over. During the fight, Juni loses almost all of his lives, but Demetra swaps places with him and is defeated, seemingly getting a game over, upsetting Juni. The group arrives at Level 4 where Juni finds Carmen, released by the Toymaker, who leads the group. Carmen notices their grandfather is with them and tells Juni the Toymaker is the reason their grandfather uses a wheelchair. Juni follows a map to a lava-filled gorge and the group surfs their way through it. The OSS finds out about the history between the Toymaker and Valentin. Fearing that Valentin might seek revenge, Donnagon attempts to prevent them from reaching Level 5, but fails. They fall into the lava and discover it is harmless, and they reach a cavern where they find the door to Level 5. Carmen asks how much time is remaining, and Juni informs the group that they only have 5 minutes. After the other gamers start to think that Carmen and Juni are deceivers and Rez threatens to give Juni a game over, the real Guy appears, gives the group a pep talk, zaps the door open and walks in, arrogantly thinking it was easy. However, as part of a booby trap set by the Toymaker, he is struck by lightning which causes him collapse and his life count to rapidly drop from 99 to .5, and after The Guy nervously says "Oops", the life count drops to 0, giving him a permanent Game Over, forcing the group to move on without him. In the Level 5 zone, a purple cyberspace, Demetra appears, claiming to have re-entered the game via a glitch but Carmen identifies her as "The Deceiver", a program used to mislead players. Demetra confirms this and apologizes to a stunned Juni before the Toymaker attacks them with giant robots. Valentin appears, holding the entrance back to the real world open so the group can escape. Demetra, shedding a tear, quickly holds the door open so he can go with them. Upon return though, it is revealed that Valentin had released the Toymaker with the villain's robot army now attacking the city. Juni and Carmen summon their family members: parents Gregorio and Ingrid, Gregorio's brother Isador "Machete" Cortez, their grandmother, and Uncle Felix. With too many robots to handle, Juni calls out for everyone to help, summoning Fegan Floop, his assistant Minion, the robot children, Dinky Winks and his son, Romero and a spork, as well as Gary and Gerti Giggles. All of the robots are destroyed except for the Toymaker's. Valentin confronts The Toymaker and forgives him for what he did, which Valentin had been trying to do for 30 years. The Toymaker shuts down his robot and joins the rest of the Cortez family and their friends in celebrating their families. Cast Additionally, Salma Hayek appears as Francesca Giggles, Steve Buscemi appears as Romero, Bill Paxton appears as Dinky Winks, George Clooney appears as Devlin, Elijah Wood appears as The Guy, Selena Gomez appears as Waterpark Girl, Glen Powell appears as Long-fingered Boy, and James Paxton appears as Dinky Winks Jr. Production Filming Filming took place from January 10 to April 2003.Green screen was widely used, with about 90% of the film being green screen footage. Music The film score was composed by Robert Rodriguez and is the first score for which he takes solo credit. Rodriguez also performs in the "Game Over" band, playing guitar, bass, keyboard and drums, including the title track, "Game Over", performed by Alexa Vega.All selections composed by Rodriguez and performed by Texas Philharmonic Orchestra, conducted by George Oldziey and Rodriguez. "Game Over" (vocals by Alexa Vega) "Thumb Thumbs" "Pogoland" "Robot Arena" "Metal Battle" "Toymaker" "Mega Racer" "Programmerz" "Bonus Life" "Cyber Staff Battle" "Tinker Toys" "Lava Monster Rock" "The Real Guy" "Orbit" "Welcome to the Game" "Heart Drive" (performed by Bobby Edner and Alexa Vega) "Game Over (Level 5 Mix)" (performed by Alexa Vega) "Isle of Dreams (Cortez Mix)" (performed by Alexa Vega)Tracks 17–18 produced by Dave Curtin for DeepMix. Release Home media The film was released via VHS and DVD on February 24, 2004, by Dimension Home Video. The film's 3-D effect was not removable on the DVD release, but a 2D version (Spy Kids 3: Game Over) was available on a second disc, and on television airings. In April 2011, the film was re-released on DVD, but only in 2D and named Spy Kids 3: Game Over. The 2D version was released via Blu-ray on August 2, 2011. On December 4, 2012, Lionsgate released the 3D version as a double feature with The Adventures of Sharkboy and Lavagirl on Blu-ray 3D. Reception Box office Spy Kids 3-D: Game Over opened theatrically on July 25, 2003, in 3,344 venues, earning $33,417,739 in its first weekend and ranking first at the North American box office. It is the series' highest-grossing opening weekend. The film ended its run on February 5, 2004, having grossed $111,761,982 domestically and $85,250,000 internationally for a worldwide total of $197,011,982, making it the best performing film in the series. Critical response Spy Kids 3-D: Game Over received mixed reviews from critics. Review aggregation website Rotten Tomatoes gives the film a 45% approval rating based on 143 reviews, with an average rating of 5.42/10. The website's critical consensus states: "The movie will be found wanting if one is not taken in by the 3-D visuals". Metacritic reports a 57/100 rating based on 30 critics, indicating "mixed or average reviews". Audiences polled by CinemaScore gave the film an average grade of "B+" on an A+ to F scale.Bob Longino of the Atlanta Journal-Constitution wrote that "the 3-D process will hurt your eyes. The onscreen characters, who also wear 3-D glasses, even say so when it's time to take them off". However, he also stated that it helped mask what he deemed as an overall lack of a story. Jim Lane of Sacramento News and Review called the 3D scenes "murky and purple like a window smeared with grape jell-o". Roger Ebert gave the film one and a half stars out of four, suggesting that perhaps Rodriguez was held back by the film's technical constraints. Ebert also admitted to showing disdain for the 3D gimmick, saying that the picture quality with the 3D glasses is more murky and washed out than the crisper and more colorful 2D films. Mick LaSalle of the San Francisco Chronicle noted Carmen's absence for much of the film and criticized the plot's repeated scenes of Juni attempting over and over again to reach Level Five. Kimberly Jones of the Austin City Chronicle praised the visuals but called the plot twig-thin and stated that the parents' near absence in the story makes Rodriguez's continuing theme of family ties seem much less resonant than in the other films. The reason the characters were in minor roles and cameos was because Rodriguez was filming Once Upon a Time in Mexico while writing the third Spy Kids film.For his performance as The Toymaker, Sylvester Stallone earned a Golden Raspberry Award for Worst Supporting Actor at John J. B. Wilson's 2003 Golden Raspberry Awards ceremony. Other media Sequel After the release of the film, there were plans of an animated, straight-to-DVD sequel, but it never went past pre-production and was simply an idea.The film was eventually followed up in 2011 by a fourth film in the series, Spy Kids: All the Time in the World. Novelization Talk Miramax Books released a novelization of the movie in June 2003. The novel was written by children's book author Kitty Richards. The posters and end of the credits even say "Read the Talk/Miramax Books", telling the viewers to read the print retelling. In popular culture In "The Never-Ending Stories" episode of the animated TV series American Dad (Season 15, episode 9), CIA agent Stan Smith tells the class he is teaching that he is the only contributor to the Wikipedia article on Spy Kids 3-D: Game Over. Passage 8: Spy Kids: All the Time in the World Spy Kids: All the Time in the World (also known as Spy Kids 4-D: All the Time in the World) is a 2011 American spy action comedy film written and directed by Robert Rodriguez. It is the fourth and final installment in the original Spy Kids film series, and is a stand-alone sequel to 2003's Spy Kids 3-D: Game Over. The film stars Rowan Blanchard, Mason Cook, Jessica Alba, Joel McHale, Alexa Vega, Daryl Sabara, Ricky Gervais, and Jeremy Piven. It is the first film in the series without the participation of Antonio Banderas or Carla Gugino and not to be distributed by Miramax Films. The film held its world premiere screening on July 31, 2011, in Los Angeles, California and was then released in the United States on August 19. The film uses "Aroma-scope" which allows audiences to smell odors and aromas from the film via scratch & sniff cards, reminiscent of Rugrats Go Wild (2003). Plot OSS agent Marissa Wilson is attempting to capture a criminal named Tick Tock, who purchases a mini-disk stolen from the OSS. Despite being nine months pregnant, she continues her pursuit against the admonitions of her boss Danger D'Amo. Tick Tock is captured and the mini-disk, which contains information on a weapon of mass destruction called Project: Armageddon, is retrieved. At the hospital, Marissa meets her spy-hunting TV host husband, Wilbur, and her two stepchildren, twins Rebecca and Cecil. Marissa gives birth to a daughter, Maria. A year later, Wilbur has created a 5-year plan in which if his show is successful, he will spend more time with the kids. Rebecca does not accept Marissa as a replacement for her deceased mother and delights in playing pranks on her. Attempting to strengthen her rapport with Rebecca, Marissa gives her a red-sapphire necklace. The media reports that time is speeding up at an increasing rate. A criminal mastermind called the Time Keeper claims responsibility, saying that he will unleash Project: Armageddon as a punishment upon a society that he believes wastes time with meaningless pursuits instead of treasuring time with their loved ones. The Time Keeper demands that Tick Tock bring him the Chronos Sapphire, which is revealed to be the jewel in the necklace Marissa gave to Rebecca. The OSS calls Marissa out of retirement and instructs her to bring the Sapphire with her. When Marissa asks for it from Rebecca, it further strains their relationship. At OSS Headquarters, Marissa discovers that Rebecca has swapped out the Chronos Sapphire for baby food. Tick Tock's henchmen break into Marissa's house, and Rebecca and Cecil are directed to take refuge in a Panic Room, where they view a video of Marissa informing them of her secret career and that their dog Argonaut is a talking, weaponized robot. The twins escape and go to OSS headquarters, where Marissa's niece and their step-cousin, Carmen Cortez, gives the twins a tour of the defunct Spy Kids Division, allowing them to take a gadget as a souvenir each. The twins go after the Time Keeper, where their search leads them to a clock shop, which is Tick Tock's headquarters. The twins view a video of the Wells Experiment, which reveals the nature of the Chronos Sapphire in Rebecca's necklace, as it saves a boy frozen in time by the experiment. The twins are captured by Tick Tock but are rescued by Marissa and Carmen, though Tick Tock manages to steal the Sapphire. Wilbur begins an investigation to capture his first spy and unknowingly captures footage of his family fighting off the Time Keeper's henchmen. Shocked to learn that Marissa is a spy, he gets fired when he destroys the footage that he and his cameraman filmed of the battle and becomes estranged from Marissa and the children. As time continues to speed up, OSS agents are debriefed on the Wells Experiment. The OSS shut down the experiment and place the device under lockdown. Among the agents assigned to the case is Carmen's estranged brother, Juni Cortez. The twins confront Danger over the fact that his watch is similar to the one worn by the Time Keeper, and his name is an anagram of "Armageddon". He reveals that he is the Time Keeper and imprisons them in their room. When a group of OSS agents led by Marissa, Carmen, and Juni return to the clock shop to confront the Time Keeper, he freezes the agents in time using circuitry in their ID badges and does the same to 18 major cities. Juni, who wasn't frozen due to Carmen angrily throwing away his ID badge into the trash, manages to free Marissa and Carmen. Danger reveals the Armageddon Device was created to travel back in time and that his father was head of the Wells Experiment, and he was the boy frozen in time. His father spent the rest of his life trying unsuccessfully to set him free. The OSS managed to shut down the experiment with a solution that "literally fell from the sky", the Chronos Sapphire. Now, Danger plans to use the Armageddon Device to go back in time to spend more time with his father. Cecil deduces that Danger has already tried this before multiple times, but he comes back worse each time and reveals that Tick Tock and his minions are all versions of himself. Rebecca tells Danger that he should use what time he has wisely instead of trying to acquire more. Danger enters the finally open time vortex and goes to finally meets his father, then he returns as an elderly form of himself and realizes that Cecil was right. He shuts down the device, and Tick Tock is apprehended by Wilbur, who is reunited with Marissa and the children, promising he won't wait to have time for them, instead he will make time for them. Carmen and Juni announce they will co-lead a revived Spy Kids program, while Rebecca and Cecil become recruiters of new agents, including the kids watching the movie. Cast Rowan Blanchard as Rebecca Wilson, Wilbur's daughter and Marissa's step-daughter. Mason Cook as Cecil Wilson, Wilbur's son and Marissa's step-son who has hearing loss. Jessica Alba as Marissa Wilson (née Cortez), Rebecca and Cecil's step-mother, Gregorio and Machete's sister, and Carmen and Juni's paternal aunt. Joel McHale as Wilbur Wilson, Marissa's spy-hunting reporter husband. Alexa Vega as Carmen Cortez, a top-secret agent for the OSS and former Spy Kid. Daryl Sabara as Juni Cortez, Carmen's brother, a formerly retired OSS agent and former Spy Kid. Ricky Gervais as the voice of Argonaut, Rebecca and Cecil's robot dog. Jeremy Piven as Dane "Danger" D'Amo/Timekeeper, the leader of OSS who becomes a supervillain. Piven also portrays Tick-Tock, the Timekeeper's second in command, as well as Professor D'Amo (Danger's father) and the Time Keeper's henchmen.Additionally, Belle and Genny Solorzano portray Maria Wilson/Spy Baby, Marissa and Wilbur's daughter, and Rebecca and Cecil's half-sister. Danny Trejo portrays Isador "Machete" Cortez, Carmen and Juni's uncle and Marissa's brother and Angela Lanza portrays Female Spy OSS Agent. Production Development Robert Rodriguez was prompted by an incident on the set of Machete (a stand-alone film focusing on the Spy Kids supporting character of the same name) to start envisioning a fourth main film in the Spy Kids series. Star Jessica Alba had her then-one year old baby Honor Marie and was dressed to appear on camera when her baby's diaper "exploded". Watching Alba change the diaper while trying not to get anything on her clothes prompted Rodriguez to think "What about a spy mom?" Production on the film was officially announced in September 2009, six years after the release of Spy Kids 3-D: Game Over, by Dimension Films. The script for the film was completed by Robert Rodriguez in December the same year. The title for the film was officially revealed as Spy Kids: All the Time in the World as well as an August 2011 release window, which was later updated to an August 19 release date. Filming Filming began on October 27, 2010 and concluded in February 2011. Release Home media The film was released on DVD, Blu-ray, 3D Blu-ray and on DVD + Blu-ray + Digital Copy combo packs on November 22, 2011. Reception Box office The film took in $4 million on its opening day and $11 million over the three-day weekend, debuting in third place behind The Help and Rise of the Planet of the Apes. That was on the low end of expectations, but an executive of The Weinstein Company said: "We're okay with this number. We're going to be in good shape with this film, and it will play for the rest of the summer". The following weekend, it dropped 48% to $6 million, and took sixth place, and on the following weekend, it earned an additional $6.8 million over the four-day Labor Day Weekend. As of November 2011, the film earned $38 million in the U.S and $47 million in other countries for a worldwide gross of $85 million, becoming the poorest performing film in the series. Critical response On Rotten Tomatoes the film has an approval rating of 23% based on 61 reviews, with an average rating of 3.9/10. The website's critics consensus states: "Burdened by a rote plot and unfunny scatological humor, All the Time in the World suggests that the Spy Kids franchise has run its course." On Metacritic it has a weighted average score of 37 out of 100 based on 14 critics, indicating "generally unfavorable reviews". Audiences polled by CinemaScore gave the film an average grade of "B+" on an A+ to F scale.Common Sense Media gave the film 1 out of 5 stars, writing: "Positive messages can't save [the] worst film in action series". Accolades Other media Cancelled sequel Dimension Films had announced the fifth installment in the Spy Kids film series following Spy Kids: All the Time in the World. It was under talks to have the original cast expected to return. However, the film was permanently delayed from its intended 2012 production, as the film's stars Rowan Blanchard and Mason Cook, who are no longer kids, were both committed to other projects (Girl Meets World and Speechless respectively), and the planned sequel got cancelled as a result. Animated television series An animated series based on the films, Spy Kids: Mission Critical, was released in 2018 on Netflix. Reboot film A reboot of the film series, titled Spy Kids: Armageddon, is in development, with Robert Rodriguez serving as the director and writer of the film and is a joint-venture production between Skydance Media and Spyglass Media Group. Netflix acquired the distribution rights for the film. The film's title was the original title for Spy Kids: All the Time in the World. Gina Rodriguez, Zachary Levi, Everly Carganilla, Connor Esterson and Billy Magnussen were set to star in the film. Notes Passage 9: State Rowdy State Rowdy is a 1989 Indian Telugu-language action film directed by B. Gopal. The film stars Chiranjeevi, while Radha, Bhanupriya, Sharada, Rao Gopal Rao, Thiagarajan and Nutan Prasad are among the cast. Plot Kalicharan is a rowdy who kidnaps all the leading rowdies from different parts of the state working under two rivals, and provides them with good jobs. Asha has interest in him and assists with his good deeds. To get rid of this "state rowdy," the villains learn that he has a mother and a cousin, Radha, and informed them on his whereabouts. It is known that Kali is actually Prithvi who was aspiring to become a police officer but could not get the job due to Naagamani, even though he performed well at the interview and tests. He becomes an outlaw due to this and turns as state rowdy to eliminate all the other rowdies by taking law into his own hands. When his mother and Radha see him, he is forced to reveal the secret that he is actually a police informer working for Naagamani to bring criminals to justice. Naagamani has lost her husband and daughter in fighting the villains. Later, it is learnt that Asha is Naagamani's daughter, and she is accused of murdering Rao Gopal Rao's younger brother. The rest of the story forms on how she is acquitted with Kali's help, and how Kali and Naagamani get rid of their enemies by bringing them to justice. Cast Chiranjeevi as Kalicharan/Prithvi Radha as Radha Bhanupriya as Asha Rao Gopal Rao as Narendra Bhupathi Jagayya as Vice-Chancellor Mukunda Rao Sharada as SP Naagamani M. Rao Thiagarajan as Phanindra Bhupathi Nutan Prasad as Bankamatti Bhaskar Rao Sudhakar as Manthri Jayamalini as Urvashi Jyothi Lakshmi as Rambha Kaikala Satyanarayana as Kamendra Bhupathi Ranganath Gummadi Annapurna as Prithviraj's mother Allu Rama Lingaiah as Quotation Chakravarthy Vijayachander as Judge Varalakshmi as Lalitha Rani Nirmalamma Narra Venkateswara Rao Chalapathi Rao Soundtrack Passage 10: Island of Lost Souls (2007 film) Island of Lost Souls (Danish: De fortabte sjæles ø) is a 2007 Danish fantasy film directed by Nikolaj Arcel. Plot The 14-year-old protagonist Lulu moves to a small provincial town with her mother and little brother, where she gets bored and dreams of a more magical world. Suddenly, the little brother is possessed by a spirit. With the help from a rich kid named Oliver, and Ricard, disillusioned clairvoyant and inventor, they fight the dark forces hiding on the island of the lost souls. Cast Sara Langebæk Gaarmann - Lulu Lucas Munk Billing - Sylvester Lasse Borg - Oliver Nicolaj Kopernikus - Richard Lars Mikkelsen - Necromancer Anette Støvelbæk - Beate External links Island of Lost Souls at IMDb Island of Lost Souls in the Danish Film Database

doc_47

Passage 1: Buffalo Bill, Hero of the Far West Buffalo Bill, Hero of the Far West (Buffalo Bill, l'eroe del far west) is a 1964 Italian Spaghetti Western directed by Mario Costa. Story Buffalo Bill is sent west by President Ulysses S. Grant to settle an Indian uprising started by Yellow Hand and supported by gun smugglers. Cast Gordon Scott as Colonel William "Buffalo Bill" Cody Mario Brega as Donaldson Jan Hendriks as Monroe Catherine Ribeiro as Rayon-de-Lune/Moonbeam Piero Lulli as Red Mirko Ellis as Yellow Hand Hans von Borsody as Captain Hunter Roldano Lupi as Colonel Peterson Ingeborg Schöner as Mary Peterson Feodor Chaliapin, Jr. as Chief White Fox Ugo Sasso as Snack Luigi Tosi as barman Franco Fantasia as George, a poker player Andrea Scotti as poker player Passage 2: Battling with Buffalo Bill Battling with Buffalo Bill is a 1931 American pre-Code Western serial film directed by Ray Taylor and starring Tom Tyler, Lucile Browne, William Desmond, Rex Bell, and Francis Ford. Based on the book The Great West That Was by William F. "Buffalo Bill" Cody, the film is about a cowboy named Buffalo Bill who goes up against a shady gambler who is attempting to scare off the townspeople so he can gain possession of a gold strike. When a nearby Indian tribe is provoked into attacking the town, the cavalry rides in to the rescue. Cody's book was also used as the inspiration for the studio's highly successful 1930 serial The Indians Are Coming.Battling with Buffalo Bill was Universal Pictures's 78th serial, the 10th with sound and 4th with full sound, of the studio's total of 137 serials. Plot The plot is a variation on the standard B-Western "Land Grab" plot: Gold has been discovered in the area and gambler Jim Rodney intends to make sole claim to it by pushing the rightful owners off the land and taking it for himself. To do so he has his henchmen kill an Indian woman, provoking attacks from her tribe. This brings Buffalo Bill and the United States Cavalry into the town. Buffalo Bill proceeds to defeat Rodney and his schemes. Cast Tom Tyler as William "Buffalo Bill" Cody Lucile Browne as Jane Mills, Buffalo Bill's love interest William Desmond as John Mills Rex Bell as Dave Archer, Buffalo Bill's sidekick. Francis Ford as Jim Rodney, villainous gambler trying to illicitly claim a local gold strike George Regas as 'Breed' Johns Yakima Canutt as Scout Jack Brady Bud Osborne as Joe Tampas, one of Rodney's henchmen Joe Bonomo as Joe Brady Jim Thorpe as Swift Arrow Production Along with the more successful The Indians Are Coming (1930) this serial was based on the book "The Great West That Was" by Buffalo Bill Cody. Stunts Joe Bonomo Yakima Canutt Cliff Lyons Chapter titles Captured by Redskins Circling Death Between Hostile Tribes The Savage Horde The Fatal Plunge Trapped The Unseen Killer Sentenced to Death The Death Trap A Shot from Ambush The Flaming Death Cheyenne VengeanceSource: See also List of American films of 1931 List of film serials by year List of film serials by studio Passage 3: Buffalo Bill William Frederick Cody (February 26, 1846 – January 10, 1917), known as Buffalo Bill, was an American soldier, bison hunter, and showman. He was born in Le Claire, Iowa Territory (now the U.S. state of Iowa), but he lived for several years in his father's hometown in modern-day Mississauga, Ontario, Canada, before the family returned to the Midwest and settled in the Kansas Territory. Buffalo Bill started working at the age of 11, after his father's death, and became a rider for the Pony Express at age 15. During the American Civil War, he served the Union from 1863 to the end of the war in 1865. Later he served as a civilian scout for the U.S. Army during the Indian Wars, receiving the Medal of Honor in 1872. One of the most famous and well-known figures of the American Old West, Buffalo Bill's legend began to spread when he was only 23. Shortly thereafter he started performing in shows that displayed cowboy themes and episodes from the frontier and Indian Wars. He founded Buffalo Bill's Wild West in 1883, taking his large company on tours in the United States and, beginning in 1887, in Great Britain and continental Europe. Early life and education Cody was born on February 26, 1846, on a farm just outside Le Claire, Iowa. His father, Isaac Cody, was born on September 5, 1811, in Toronto Township, Upper Canada, now part of Mississauga, Ontario, directly west of Toronto. Mary Ann Bonsell Laycock, Bill's mother, was born about 1817 in Trenton, New Jersey. She moved to Cincinnati to teach school, and there she met and married Isaac. She was a descendant of Josiah Bunting, a Quaker who had settled in Pennsylvania. There is no evidence to indicate Buffalo Bill was raised as a Quaker. In 1847 the couple moved to Ontario, having their son baptized in 1847, as William Cody, at the Dixie Union Chapel in Peel County (present-day Peel Region, of which Mississauga is a part), not far from the farm of his father's family. The chapel was built with Cody money, and the land was donated by Philip Cody of Toronto Township. They lived in Ontario for several years. In 1853, Isaac Cody sold his land in rural Scott County, Iowa, for $2000 (around $68,000 in today's money) and the family moved to Fort Leavenworth, Kansas Territory. In the years before the Civil War, Kansas was overtaken by political and physical conflict over the slavery question. Isaac Cody was against slavery. He was invited to speak at Rively's store, a local trading post where pro-slavery men often held meetings. His antislavery speech so angered the crowd that they threatened to kill him if he did not step down. A man jumped up and stabbed him twice with a Bowie knife. Rively, the store's owner, rushed Cody to get treatment, but he never fully recovered from his injuries. In Kansas, the family was frequently persecuted by pro-slavery supporters. Cody's father spent time away from home for his safety. His enemies learned of a planned visit to his family and plotted to kill him on the way. Bill, despite his youth and being ill at the time, rode thirty miles (48 km) to warn his father. Isaac Cody went to Cleveland, Ohio, to organize a group of thirty families to bring back to Kansas, to add to the antislavery population. During his return trip, he caught a respiratory infection which, compounded by the lingering effects of his stabbing and complications from kidney disease, led to his death in April 1857.After his death, the family suffered financially. At age 11, Bill took a job with a freight carrier as a "boy extra". On horseback he would ride up and down the length of a wagon train and deliver messages between the drivers and workmen. Next, he joined Johnston's Army as an unofficial member of the scouts assigned to guide the United States Army to Utah, to put down a rumored rebellion by the Mormon population of Salt Lake City.According to Cody's account in Buffalo Bill's Own Story, the Utah War was where he began his career as an "Indian fighter": Presently the moon rose, dead ahead of me; and painted boldly across its face was the figure of an Indian. He wore this war-bonnet of the Sioux, at his shoulder was a rifle pointed at someone in the river-bottom 30 feet [9 meters] below; in another second he would drop one of my friends. I raised my old muzzle-loader and fired. The figure collapsed, tumbled down the bank and landed with a splash in the water. "What is it?" called McCarthy, as he hurried back. "It's over there in the water." "Hi!" he cried. "Little Billy's killed an Indian all by himself!" So began my career as an Indian fighter. At the age of 14, in 1860, Cody was caught up in the "gold fever", with news of gold at Fort Colville and the Holcomb Valley Gold Rush in California. On his way to the goldfields, however, he met an agent for the Pony Express. He signed with them, and after building several stations and corrals, Cody was given a job as a rider. He worked at this until he was called home to his sick mother's bedside.Cody claimed to have had many jobs, including trapper, bullwhacker, "Fifty-Niner" in Colorado, Pony Express rider in 1860, wagonmaster, stagecoach driver, and a hotel manager, but historians have had difficulty documenting them. He may have fabricated some for publicity. Namely, it is argued that in contrast to Cody's claims, he never rode for the Pony Express, but as a boy, he did work for its parent company, the transport firm of Russell, Majors, and Waddell. In contrast to the adventurous rides, hundreds of miles long, that he recounted in the press, his real job was to carry messages on horseback from the firm's office in Leavenworth to the telegraph station three miles away. Military services After his mother recovered, Cody wanted to enlist as a soldier in the Union Army during the American Civil War but was refused because of his young age. He began working with a freight caravan that delivered supplies to Fort Laramie in present-day Wyoming. In 1863, at age 17, he enlisted as a teamster with the rank of private in Company H, 7th Kansas Cavalry, and served until discharged in 1865.The next year, Cody married Louisa Frederici. They had four children. Two died young, while the family was living in Rochester, New York. They and a third child are buried in Mount Hope Cemetery, in Rochester.In 1866, he reunited with his old friend Wild Bill Hickok in Junction City, Kansas, then serving as a scout. Cody enlisted as a scout himself at Fort Ellsworth and scouted between there and Fort Fletcher (later renamed and moved to Fort Hays). He was attached as a scout, variously, to Captain George Augustus Armes (Battle of the Saline River) and Lieutenant Colonel George Armstrong Custer (guide and impromptu horse race to Fort Larned). It was during this service at Fort Ellsworth that he met William Rose, with whom he would found the short-lived settlement of Rome.In 1867, with the construction of the Kansas Pacific Railway completing through Hays City and Rome, Cody was granted a leave of absence to hunt buffalo to supply railroad construction workers with meat. This endeavor continued into 1868, which saw his hunting contest with William Comstock.Cody returned to Army service in 1868. From his post in Fort Larned, he performed an exceptional feat of riding as a lone dispatch courier from Fort Larned to Fort Zarah (escaping brief capture), Fort Zarah to Fort Hays, Fort Hays to Fort Dodge, Fort Dodge to Fort Larned, and, finally, Fort Larned to Fort Hays, a total of 350 miles in 58 hours through hostile territory, covering the last 35 miles on foot. In response, General Philip Sheridan assigned him Chief of Scouts for the 5th Cavalry Regiment.He was also Chief of Scouts for the Third Cavalry in later campaigns of the Plains Wars. In January 1872, Cody was a scout for the highly publicized hunting expedition of the Grand Duke Alexei Alexandrovich of Russia. Medal of Honor Cody was awarded the Medal of Honor in 1872 for documented gallantry above and beyond the call of duty as an Army scout in the Indian Wars. It was revoked in 1917, along with medals of 910 other recipients dating back to the Revolutionary War, when Congress decided to create a hierarchy of medals, designating the "Medal of Honor" as the highest military honor it could bestow. Subsequent regulations authorized the War Department to revoke prior Medal of Honor awards it considered not meeting requirements since the introduction of strict regulations promulgated under the 1917 law. Those regulations required the medal to be awarded for acts of bravery above and beyond the call of duty by officers or enlisted soldiers. Ironically, the law was enacted days before Buffalo Bill died, so he never knew a law might rescind the medal awarded to him. All civilian scout medals were rescinded since they did not appear to meet the basic criterion of being officers or enlisted soldiers, which had been expressly listed in every authorizing statute ever enacted for the Medal of Honor. Cody was one of five scouts affected. Their medals were stripped shortly after Cody died in 1917. Cody's relatives objected, and, for over 72 years, they wrote repeatedly to the US Congress seeking reconsideration. All efforts failed, until a 1988 letter to the Senate from Cody's grandson received by the office of senator Alan K. Simpson of Wyoming, when a newly minted legislative assistant (K. Yale) took up the cause in 1989. The legal brief he drafted and submitted to the Department of Defense on behalf of the relatives of Buffalo Bill argued that civilian scouts were technically officers, as their native American counterparts were nominally scouts. However, they were given the rank and pay of officers – both for retention purposes. Also, scouts were the equivalent of "reconnaissance" for the military and thus provided highly valued services. In addition, a practical reason was to avoid mistaking them for opponents in skirmishes. Moreover, although civilian scouts might have normally been officers because of their highly valued skills, the military drawdown and related budget cuts after the Civil War left no billets available for the civilian scouts to fill, and thus they were relegated to a highly qualified status that treated them as valuable military assets without the designation or retirement benefits of officers. Nevertheless, they were treated as high-ranking military officials and had status of officers alongside their native American brethren. The brief argued for retroactive restoration of the Medal of Honor to Buffalo Bill, and the Department of Defense required the appeal to be adjudicated by the Army Board for Correction of Military Records. After months of deliberation, the Board agreed with the persuasive legal brief and made the decision to restore the Medal of Honor, not only to Buffalo Bill but also several other civilian scouts whose medals had also been rescinded. Long after the medal was restored, the decision was thought to be controversial for several reasons. Some people interpreted Simpson's submission as arguing that the law had never required Cody to be a soldier. However, this was never a key element of Simpson's brief. According to these interpretations, Simpson's submission cited a book, Above and Beyond, to illustrate the lack of requirement to be a soldier. However, it was recognized in the legal brief that Medal of Honor recipients had to be an officer or enlisted soldier. Another problem cited by some was the authority of the Board to contravene several federal statutes because the Medal of Honor revocation had been expressly authorized by Congress, meaning that the restoration went against the law in force in 1872, the law requiring the revocation in 1916, and the modern statute enacted in 1918 that remains substantially unmodified today. However, the legal brief clearly did not suggest overturning of the law, but rather conforming the status of civilian scouts to that of other scouts similarly situated (source: copy of the actual legal brief, by the author). Since the Board of Correction is merely a delegation of the Secretary of the Army's authority, some suggest a separation of powers conflict, since even the president cannot contravene a clear statute and, although Cody's case was dealt with below the cabinet level, the legal brief was written in conformance with the statutes. Modern Medal of Honor cases originating from the board, such as the recent case of Garlin Conner, required both executive action as well as a statutory waiver from Congress, which underscores the point that some cases might be in conflict with statutes. In the Cody case, the board's governing assistant secretary recognized that it lacked the authority to reinstate the medal directly, and so decided to return the case to the board for reconsideration. As a result, the board amended Cody's record to make him an enlisted soldier – aligning it with the legal argument that civilian scouts were the equivalent to officers or enlisted soldiers – so that he would fall within the legal requirements and did the same for four other civilian guides who had also had their medals rescinded. In doing so, the board overlooked the fact that Cody was a civilian guide with far greater employment flexibility than a soldier, including the ability to resign at will. Nevertheless the Board did recognize the value that all scouts provided, whether Native American or otherwise, and how they volunteered to put themselves in harm's way (in the case of Buffalo Bill, saving the lives of several soldiers by rushing onto an active battlefield and pulling them to safety while under fire) instead of pursuing less demanding civilian jobs. Nickname Cody received the nickname "Buffalo Bill" after the American Civil War, when he had a contract to supply Kansas Pacific Railroad workers with buffalo (American bison) meat. Cody is purported to have killed 4,282 buffalo in eighteen months in 1867 and 1868. Cody and another hunter, Bill Comstock, competed in an eight-hour buffalo-shooting match over the exclusive right to use the name, which Cody won by killing 68 animals to Comstock's 48. Comstock, part Cheyenne and a noted hunter, scout, and interpreter, used a fast-shooting Henry repeating rifle, while Cody competed with a larger-caliber Springfield Model 1866, which he called Lucretia Borgia, after the notorious Italian noblewoman, the subject of a popular contemporary Gaetano Donizetti opera Lucrezia Borgia, based on Victor Hugo's play of the same name. Cody explained that while his formidable opponent, Comstock, chased after his buffalo, engaging from the rear of the herd and leaving a trail of killed buffalo "scattered over a distance of three miles", Cody – likening his strategy to a billiards player "nursing" his billiard balls during "a big run" – first rode his horse to the front of the herd to target the leaders, forcing the followers to one side, eventually causing them to circle and create an easy target, and dropping them close together. Birth of the legend In 1869, the 23-year-old Cody met Ned Buntline, who later published a story based on Cody's adventures (largely invented by the writer) in Street and Smith's New York Weekly and then published a highly successful novel, Buffalo Bill, King of the Bordermen, which was first serialized on the front page of the Chicago Tribune, beginning that December 15. Many other sequels followed by Buntline, Prentiss Ingraham and others from the 1870s through the early part of the twentieth century. Cody later became world-famous for Buffalo Bill's Wild West, a touring show which traveled around the United States, Great Britain, and Continental Europe. Audiences were enthusiastic about seeing a piece of the American West. Emilio Salgari, a noted Italian writer of adventure stories, met Buffalo Bill when he came to Italy and saw his show; Salgari later featured Cody as a hero in some of his novels. Buffalo Bill's Wild West In December 1872, Cody traveled to Chicago to make his stage debut with his friend Texas Jack Omohundro in The Scouts of the Prairie, one of the original Wild West shows produced by Ned Buntline. The effort was panned by critics – one critic compared Cody's acting to a "diffident schoolboy" – but the handsome performer was a hit with the sold-out crowds.In 1873, Cody invited "Wild Bill" Hickok to join the group in a new play called Scouts of the Plains. Hickok did not enjoy acting and often hid behind scenery; in one show, he shot at the spotlight when it focused on him. He was therefore released from the group after a few months. Cody founded the Buffalo Bill Combination in 1874, in which he performed for part of the year while scouting on the prairies the rest of the year. The troupe toured for ten years. Cody's part typically included a reenactment of an 1876 incident at Warbonnet Creek, where he claimed to have scalped a Cheyenne warrior.In 1883, in the area of North Platte, Nebraska, Cody founded Buffalo Bill's Wild West, a circus-like attraction that toured annually. (Contrary to the popular misconception, the word Show was not a part of the title.) In 1886, Cody and Nate Salsbury, his theatrical manager, entered into partnership with Evelyn Booth (1860–1901), a big-game hunter and scion of the aristocratic Booth family. It was at this time Buffalo Bill's Cowboy Band was organized. The band was directed by William Sweeney, a cornet player who served as leader of the Cowboy Band from 1883 until 1913. Sweeney handled all of the musical arrangements and wrote a majority of the music performed by the Cowboy Band.In 1893, Cody changed the title to Buffalo Bill's Wild West and Congress of Rough Riders of the World. The show began with a parade on horseback, with participants from horse-culture groups that included the US and another military, cowboys, American Indians, and performers from all over the world in their best attire. Turks, gauchos, Arabs, Mongols and Georgians displayed their distinctive horses and colorful costumes. Visitors would see main events, feats of skill, staged races, and sideshows. Many historical western figures participated in the show. For example, Sitting Bull appeared with a band of 20 of his braves. Cody's headline performers were well-known in their own right. Annie Oakley and her husband, Frank Butler, were sharpshooters, together with the likes of Gabriel Dumont and Lillian Smith. Performers re-enacted the riding of the Pony Express, Indian attacks on wagon trains, and stagecoach robberies. The show was said to end with a re-enactment of Custer's Last Stand, in which Cody portrayed General Custer, but this is more legend than fact. The finale was typically a portrayal of an Indian attack on a settler's cabin. Cody would ride in with an entourage of cowboys to defend a settler and his family. This finale was featured predominantly as early as 1886 but was not performed after 1907; it was used in 23 of 33 tours. Another celebrity appearing on the show was Calamity Jane, as a storyteller as of 1893. The show influenced many 20th-century portrayals of the West in cinema and literature. With his profits, Cody purchased a 4,000-acre (16-km²) ranch near North Platte, Nebraska, in 1886. The Scout's Rest Ranch included an eighteen-room mansion and a large barn for winter storage of the show's livestock. In 1887, invited by the British businessman John Robinson Whitley, Cody took the show to Great Britain in celebration of the Jubilee year of Queen Victoria, who attended a performance. It played in London and then in Birmingham and Salford, near Manchester, where it stayed for five months. In 1889, the show toured Europe, and, in 1890, Cody met Pope Leo XIII. On March 8, 1890, a competition took place. Buffalo Bill had met some Italian butteri (a less-well-known sort of Italian equivalent of cowboys) and said his men were more skilled at roping calves and performing other similar actions. A group of Buffalo Bill's men challenged nine butteri, led by Augusto Imperiali, at Prati di Castello neighbourhood in Rome. The butteri easily won the competition. Augusto Imperiali became a local hero after the event: a street and a monument were dedicated to him in his hometown, Cisterna di Latina, and he was featured as the hero in a series of comic strips in the 1920s and 1930s. Cody set up an independent exhibition near the Chicago World's Fair of 1893, which greatly contributed to his popularity in the United States. It vexed the promoters of the fair, who had rejected his request to participate.In 1894, Edison Studios invited Buffalo Bill and his show to be filmed in an early silent film: Buffalo Bill. On 29 October, 1901, outside Lexington, North Carolina, a freight train crashed into one unit of the train carrying Buffalo Bill's show from Charlotte, North Carolina, to Danville, Virginia. The freight train's engineer had thought that the entire show train had passed, not realizing it was three units, and returned to the tracks; 110 horses, including his mounts Old Pap and Old Eagle, were killed in the crash or had to be killed later. No people were killed, but Annie Oakley's injuries were so severe that she was told she would never walk again. She did recover and continued performing later. The incident put the show out of business for a while, and this disruption may have led to its eventual demise. "My People the Sioux", pp. 270–272. Agonito, pp. 245–246 states that three young Indians were killed in the train accident and many others injured. In 1908, Pawnee Bill and Buffalo Bill joined forces and created the Two Bills show. That show was foreclosed on when it was playing in Denver, Colorado. The Buffalo Bill and Pawnee Bill Film Company, based in New York City, produced a three-reel motion picture in 1912 titled The Life of Buffalo Bill. Cody himself appears in scenes that bookend the short film, a series of adventures presented in flashback as Buffalo Bill's dreams. The film had two other directors before it was successfully completed by John B. O'Brien. The film is in the collection of the Library of Congress. Buffalo Bill's Wild West tours of Europe Buffalo Bill's Wild West toured Europe eight times, the first four tours between 1887 and 1892, and the last four from 1902 to 1906.The Wild West first went to London in 1887 as part of the American Exhibition, which coincided with the Golden Jubilee of Queen Victoria. The Prince of Wales, later King Edward VII, requested a private preview of the Wild West performance; he was impressed enough to arrange a command performance for Queen Victoria. The Queen enjoyed the show and meeting the performers, setting the stage for another command performance on June 20, 1887, for her Jubilee guests. Royalty from all over Europe attended, including the future Kaiser Wilhelm II and the future King George V. These royal encounters provided Buffalo Bill's Wild West an endorsement and publicity that ensured its success. Also, at this time, Buffalo Bill was presented with written accolades from several of America's high ranking generals including William T. Sherman, Philip H. Sheridan and William H. Emory testifying to his service, bravery, and character. Among the presentations was a document signed by Governor John M. Thayer of Nebraska appointing Cody as aide-de-camp on the Governor's staff with the rank of colonel dated March 8, 1887. The rank had little official authority but the English press quickly capitalized on the new title of "Colonel Cody". Buffalo Bill's Wild West closed its successful London run in October 1887 after more than 300 performances, with more than 2.5 million tickets sold. The tour made stops in Birmingham and Manchester before returning to the United States in May 1888 for a short summer tour. Buffalo Bill's Wild West returned to Europe in May 1889 as part of the Exposition Universelle in Paris, an event that commemorated the 100th anniversary of the Storming of the Bastille and featured the debut of the Eiffel Tower. On this tour, his portrait was painted by Europe's leading female painter Rosa Bonheur. The tour moved to the South of France and Barcelona, Spain, then on to Italy. While in Rome, a Wild West delegation was received by Pope Leo XIII. Buffalo Bill was disappointed that the condition of the Colosseum did not allow it to be a venue; however, at Verona, the Wild West did perform in the ancient Roman amphitheater. The tour finished with stops in Austria-Hungary and Germany. In 1891 the show toured cities in Belgium and the Netherlands before returning to Great Britain to close the season. Cody depended on several staffs to manage arrangements for touring with the large and complex show: in 1891 Major Arizona John Burke was the general manager for the Buffalo Bill Wild West Company; William Laugan [sic], supply agent; George C. Crager, Sioux interpreter, considered leader of relations with the Indians; and John Shangren, a native interpreter. In 1891, Buffalo Bill performed in Karlsruhe, Germany, in the Südstadt Quarter. The inhabitants of Südstadt are nicknamed Indianer (German for "American Indians") to this day, and the most accepted theory says that this is due to Buffalo Bill's show. In October Cody brought the show to Dennistoun, Glasgow, where it ran from 16 November until 27 February 1892 in the East End Exhibition Building, and George C. Crager sold The Ghost Shirt to the Kelvingrove Museum.The show's 1892 tour was confined to Great Britain; it featured another command performance for Queen Victoria. The tour finished with a six-month run in London before leaving Europe for nearly a decade.Buffalo Bill's Wild West returned to Europe in December 1902 with a fourteen-week run in London, capped by a visit from King Edward VII and the future King George V. The Wild West traveled throughout Great Britain in a tour in 1902 and 1903 and a tour in 1904, performing in nearly every city large enough to support it. The 1905 tour began in April with a two-month run in Paris, after which the show traveled around France, performing mostly one-night stands, concluding in December. The final tour, in 1906, began in France on March 4 and quickly moved to Italy for two months. The show then traveled east, performing in Austro-Hungarian territories of Bohemia (now the Czech Republic) and Croatia-Slavonia, before returning west to tour in Galicia (now part of Poland), then Germany, and Belgium.The show was enormously successful in Europe, making Cody an international celebrity and an American icon. Mark Twain commented, "It is often said on the other side of the water that none of the exhibitions which we send to England are purely and distinctly American. If you will take the Wild West show over there you can remove that reproach." The Wild West brought an exotic foreign world to life for its European audiences, allowing a last glimpse at the fading American frontier. Several members of the Wild West show died of accidents or disease during these tours in Europe: Surrounded by the Enemy (1865–1887), of the Oglala Lakota band, died of a lung infection. His remains were buried at Brompton Cemetery in London. Red Penny, the one-year-old son of Little Chief and Good Robe, had died four months earlier and was buried in the same cemetery. Paul Eagle Star (1864–1891), of the Brulé Lakota band, died in Sheffield, of tetanus and complications from injuries caused when his horse fell on him, breaking his leg. He was buried in Brompton Cemetery. His remains were exhumed in March 1999 and transported to the Rosebud Indian Reservation, in South Dakota, by his grandchildren Moses and Lucy Eagle Star II. The remains were reburied in the Lakota cemetery in Rosebud two months later. Long Wolf (1833–1892), of the Oglala Lakota band, died of pneumonia and was buried in Brompton Cemetery. His remains were exhumed and transported to South Dakota's Pine Ridge Indian Reservation in September 1997 by his descendants, including his great-grandson, John Black Feather. The remains were reburied at Saint Ann's Cemetery, in Denby. White Star Ghost Dog (1890–1892), of the Oglala Lakota band, died after a horse-riding accident and was buried in Brompton Cemetery. Her remains were exhumed and transported to the Pine Ridge Indian Reservation, in South Dakota, in September 1997, with those of Long Wolf, and were reburied at Saint Ann's Cemetery, in Denby. Life in Cody, Wyoming In 1895, Cody was instrumental in the founding of the town of Cody, the seat of Park County, in northwestern Wyoming. Today the Old Trail Town museum is at the center of the community and commemorates the traditions of Western life. Cody first passed through the region in the 1870s. He was so impressed by the development possibilities from irrigation, rich soil, grand scenery, hunting, and proximity to Yellowstone Park that he returned in the mid-1890s to start a town. Streets in the town were named after his associates: Beck, Alger, Rumsey, Bleistein, and Salsbury. The town was incorporated in 1901. In November 1902, Cody opened the Irma Hotel, named after his daughter. He envisioned a growing number of tourists coming to Cody on the recently opened Burlington rail line. He expected that they would proceed up Cody Road, along the north fork of the Shoshone River, to visit Yellowstone Park. To accommodate travelers, Cody completed the construction of the Wapiti Inn and Pahaska Tepee in 1905 along Cody Road with the assistance of the artist and rancher Abraham Archibald Anderson. Cody established the TE Ranch, located on the south fork of the Shoshone River about thirty-five miles from Cody. When he acquired the TE property, he stocked it with cattle sent from Nebraska and South Dakota. The new herd carried the TE brand. The late 1890s were relatively prosperous years for the Wild West show, and he bought more land to add to the ranch. He eventually held about eight thousand acres (12+1⁄2 square miles; 32 square kilometers) of private land for grazing operations and ran about a thousand head of cattle. He operated a dude ranch, pack-horse camping trips, and big-game hunting business at and from the TE Ranch. In his spacious ranch house, he entertained notable guests from Europe and America. Cody founded the local newspaper, The Cody Enterprise, in 1899 with Col. John Peake.Cody published his autobiography, The Life and Adventures of Buffalo Bill, in 1879. Another autobiography, The Great West That Was: "Buffalo Bill's" Life Story, was serialized in Hearst's International Magazine from August 1916 to July 1917. and ghostwritten by James J. Montague. It contained several errors, in part because it was completed after Cody's death in January 1917.Bill's Daughter, Irma Cody, died in Cody in 1918. She is buried at Riverside Cemetery in Cody, Wyoming. Irrigation Larry McMurtry, along with historians such as R. L. Wilson, asserted that at the turn of the 20th century, Cody was the most recognizable celebrity on Earth. While Cody's show brought an appreciation for the Western and American Indian cultures, he saw the American West change dramatically during his life. Bison herds, which had once numbered in the millions, were threatened with extinction. Railroads crossed the plains, barbed wire, and other types of fences divided the land for farmers and ranchers, and the once-threatening Indian tribes were confined to reservations. Wyoming's coal, oil and natural gas were beginning to be exploited toward the end of his life.The Shoshone River was dammed for hydroelectric power and irrigation. In 1897 and 1899, Cody and his associates acquired from the State of Wyoming the right to take water from the Shoshone River to irrigate about 169,000 acres (680 km2) of land in the Big Horn Basin. They began developing a canal to carry water diverted from the river, but their plans did not include a water storage reservoir. Cody and his associates were unable to raise sufficient capital to complete their plan. Early in 1903, they joined with the Wyoming Board of Land Commissioners in urging the federal government to step in and help with irrigation in the valley. The Shoshone Project became one of the first federal water development projects undertaken by the newly formed Reclamation Service, later known as the Bureau of Reclamation. After Reclamation took over the project in 1903, investigating engineers recommended constructing a dam on the Shoshone River in the canyon west of Cody. Construction of the Shoshone Dam started in 1905, a year after the Shoshone Project was authorized. When it was completed in 1910, it was the tallest dam in the world. Almost three decades after its construction, the name of the dam and reservoir was changed to Buffalo Bill Dam by an act of Congress. Marriage Cody married Louisa Frederici on March 6, 1866, just a few days after his twentieth birthday. The couple met when Cody had traveled to St. Louis under his command during the Civil War. Cody's Autobiography barely mentioned the courtship to Frederici but declared, "I now adored her above any other young lady I had ever seen." Cody suggested in letters and his autobiography that Frederici had pestered him into marriage, but he was aware that it was "very smart to be engaged." This rhetoric became pushed more and more in his explanations for marriage as the relationship between him and his wife began to decline. Frederici stayed home with their four children in North Platte, while he stayed outside the home, hunting, scouting, and building up his acting career in the Wild West show. As Cody began to travel more frequently and to places farther from home, problems over infidelity, real or imagined, began to arise. These concerns grew so great that in 1893, Frederici showed up at his hotel room in Chicago unannounced and was led to "Mr. and Mrs. Cody's suite." Cody mentions in his autobiography that he was "embarrassed by the throng of beautiful ladies" who surrounded him both in the cast and the audiences, and this trend continued as he became involved with more and more actresses who were not afraid to show their attraction to him in front of an audience. Cody filed for divorce in 1904, after 38 years of marriage. His decision was made after years of jealous arguments, bad blood between his wife and his sisters, and friction between the children and their father. By 1891, Cody had instructed his brother-in-law to handle Frederici's affairs and property, saying "I often feel sorry for her. She is a strange woman but I don't mind her – remember she is my wife – and let it go at that. If she gets cranky, just laugh at it, she can't help it." Cody hoped to keep the divorce quiet, to not disrupt his show or his stage persona, but Frederici had other ideas. Filing for divorce was scandalous in the early 20th century when marital unions were seen as binding for life. This furthered Cody's determination to get Frederici to agree to a "quiet legal separation," to avoid "war and publicity." The court records and depositions that were kept with the court case threatened to ruin Cody's respectability and credibility. His private life had not been open to the public before, and the application for divorce brought unwanted attention to the matter. Not only did townspeople feel the need to take sides in the divorce, but headlines rang out with information about Cody's alleged infidelities or Frederici's excesses.Cody's two main allegations against his wife were that she attempted to poison him on multiple occasions (this allegation was later proved false) and that she made living in North Platte "unbearable and intolerable" for Cody and his guests. The press picked up on the story immediately, creating a battle between Cody and Frederici's teams of lawyers, both of which seemed to be the better authority on Nebraska divorce law. Divorce laws varied from state to state in the early 1900s. Desertion was the main grounds for divorce, but in some jurisdictions, such as Kansas, divorce could be granted if a spouse was "intolerable." The Victorian ideal of marriage did not allow for divorce in any case, but the move westward forced a change in the expectations of husbands and wives and the ability to remain married. In Lewis and Clark County, Montana, 1867 records show that there were more divorces in that year than marriages. Part of the appeal of the frontier was that "a man cannot keep his wife here." After Cody's announcement that he was suing for divorce, Frederici began to fight back. She claimed that she had never attempted to poison him and that she wished to remain married. The trial then moved to court in February 1905. One of the witnesses who spoke to a newspaper was Mrs. John Boyer, a housekeeper in the Cody home who was married to a man who worked for the Wild West show. She claimed that Frederici acted inhospitably towards Cody's guests and that, when Cody was not at the ranch, she would "feed the men too much and talk violently about Cody and his alleged sweethearts ... and that she was seen putting something into his coffee." Other witnesses mentioned Cody's comment that to handle his wife he had to "get drunk and stay drunk." The battle in court continued, with testimony from three witnesses, Mary Hoover, George Hoover, and M. E. Vroman. After the witnesses had testified, Cody changed his mind about the divorce. Cody's change of mind was not due to any improvement in his relationship with Frederici but rather was due to the death of their daughter, Arta Louise, in 1904 from "organic trouble." With this weighing heavily on him, Cody sent a telegram to Frederici hoping to put aside "personal differences" for the funeral. Frederici was furious and refused any temporary reconciliation. Cody decided to continue pursuing the divorce, adding to his complaint that Frederici would not sign mortgages and that she had subjected him to "extreme cruelty" in blaming him for the death of Arta. When the trial proceeded a year later, in 1905, both their tempers were still hot. The final ruling was that "incompatibility was not grounds for divorce," so that the couple was to stay legally married. The judge and the public sided with Frederici, the judge deciding that her husband's alleged affairs and his sisters' meddling in his marriage had caused his unhappiness, not his wife. Cody returned to Paris to continue with the Wild West show and attempted to maintain a hospitable, but distant, relationship with his wife. The two reconciled in 1910, after which Frederici often traveled with her husband until he died in 1917. Death Cody died on January 10, 1917. He was baptized in the Catholic Church the day before his death by Father Christopher Walsh of the Cathedral Basilica of the Immaculate Conception. He received a full Masonic funeral. Upon the news of Cody's death, tributes were made by King George V, Kaiser Wilhelm II, and President Woodrow Wilson. His funeral service was held at the Elks Lodge Hall in Denver. The governor of Wyoming, John B. Kendrick, a friend of Cody, led the funeral procession to the cemetery. At the time of his death, Cody's once-great fortune had dwindled to less than $100,000 (approximately $2,284,200 in July 2023). He left his burial arrangements with his wife. She said that he had always said he wanted to be buried on Lookout Mountain, which was corroborated by their daughter Irma, Cody's sisters, and family friends. But other family members joined the people of Cody in saying that he should be buried in the town he founded. On June 3, 1917, Cody was buried on Lookout Mountain, in Golden, Colorado, west of Denver, on the edge of the Rocky Mountains, overlooking the Great Plains. His burial site was selected by his sister Mary Decker. In 1948, the Cody chapter of the American Legion offered a $10,000 reward (approximately $121,800 in 2023) to anyone who could steal Cody's body and deliver it to Cody, Wyoming. In response, the Denver chapter of the American Legion mounted a guard over the grave. There are still rumors about the true burial place of Buffalo Bill Cody. Although Lookout Mountain has a gravesite behind a fence and under concrete, there are claims that Cody, Wyoming, was the beneficiary of a body swap carried out before he was buried in Colorado and that he was instead laid to rest on top of Cedar Mountain in Cody.On June 9, 1917, his show was sold to Archer Banker of Salina, Kansas, for $105,000 (approximately $2,398,360 today). Philosophy As a frontier scout, Cody respected Native Americans and supported their civil rights. He employed many Native Americans, as he thought his show offered them good pay with a chance to improve their lives. He described them as "the former foe, present friend, the American" and once said that "every Indian outbreak that I have ever known has resulted from broken promises and broken treaties by the government."Cody supported the rights of women. He said, "What we want to do is give women, even more, liberty than they have. Let them do any kind of work they see fit, and if they do it as well as men, give them the same pay." Women such as Annie Oakley and Calamity Jane had legendary roles in his show, and later in life Cody continued to hire and treat women fairly. Cody said in an interview in 1898, "Set that down in great big black type that Buffalo Bill favors woman suffrage… These fellows who prate about the women taking their places make me laugh… If a woman can do the same work that a man can do and do it just as well, she should have the same pay."In his shows, the Indians were usually depicted attacking stagecoaches and wagon trains and were driven off by cowboys and soldiers. Many family members traveled with the men; Cody encouraged the wives and children of his Native American performers, as part of the show, to set up camp just as they would in their homelands. He wanted the paying public to see the human side of the "fierce warriors".Cody was known as a conservationist who spoke out against hide-hunting and advocated the establishment of a hunting season. Cody as a Freemason Cody was active in the concordant bodies of the fraternal organization of Freemasonry having been initiated in Platte Valley Lodge No. 32, in North Platte, Nebraska, on March 5, 1870. He received his second and third degrees on April 2, 1870, and January 10, 1871, respectively. He became a Knight Templar in 1889 and received his 32nd degree in the Scottish Rite of Freemasonry in 1894. Legacy and honors In 1872, Cody was awarded the Medal of Honor for service as a civilian scout to the 3rd Cavalry Regiment, for "gallantry in action" at Loupe Forke, Platte River, Nebraska. In 1917, after Congress revised the standards for the award, the U.S. Army removed from the rolls 911 medals previously awarded to civilians or for actions that would not warrant a Medal of Honor under the new higher standards. Cody's medal was among those revoked. In 1977, Congress began reviewing numerous cases; it reinstated the medals for Cody and four other civilian scouts on June 12, 1989. The Buffalo Bill Cody Scenic Byway through the Shoshone National Forest is a National Forest Scenic Byway and Wyoming Scenic Byway named after Buffalo Bill Because of his funding and planning with The Shoshone Project The Buffalo Bill Dam, The Buffalo Bill Reservoir created by the dam, and the Buffalo Bill State Park at the reservoir are all named after him. The Buffalo Bill Ranch State Park, also known as the Scout's Rest Ranch in North Platte, Nebraska was designated as a Nebraska State Historical Park in 1965, and designated a National Historic Landmark in 2021. Cody was honored by two U.S. postage stamps. One was a fifteen-cent Great Americans series stamp. The Buffalo Bill Center of the West was founded in Cody, Wyoming. The town is named in his honor.Buffalo Bill's Wild West and the Progressive Image of American Indians is a collaborative project of the Buffalo Bill Historical Center and the history department of the University of Nebraska–Lincoln, with assistance from the Center for Digital Research in the Humanities at the University of Nebraska in Lincoln. This digital history project contains letters, official programs, newspaper reports, posters, and photographs. The project highlights the social and cultural forces that shaped how American Indians were defined, debated, contested, and controlled in this period. This project was based on the Papers of William F. Cody project of the Buffalo Bill Historical Center. The National Museum of American History's Photographic History Collection at the Smithsonian Institution preserves and displays Gertrude Käsebier's photographs of the Wild West show. Michelle Delaney has published Buffalo Bill's Wild West Warriors: Photographs by Gertrude Käsebier. Some Oglala Lakota people carry on family show business traditions from ancestors who were Carlisle Indian School alumni and worked for Buffalo Bill and other Wild West shows. Several national projects celebrate Wild Westers and Wild Westing. Wild Westers still perform in movies, powwows, pageants, and rodeos. The Buffalo Bills, a National Football League team based in Buffalo, New York, were named after the entertainer. Other early football teams (such as the Buffalo Bills of the All-America Football Conference) used the nickname, solely for name recognition, as Cody had no special connection with the city of Buffalo. He did however live for a few years in nearby Rochester. Three of Buffalo Bill's children are buried at Mount Hope Cemetery in Rochester, New York. Euro Disneyland Railroad locomotive #1 is named the W. F. Cody in his honor. In 1958, he was inducted into the Hall of Great Westerners of the National Cowboy & Western Heritage Museum. Bubble O' Bill, an ice cream in the shape of a cowboy currently sold in Australia and previously available in the United States and United Kingdom, is named as such after Cody's stage name. Statues "The Scout" 1924, by Gertrude Vanderbilt Whitney, in Cody, Wy "Buffalo Bill – Plainsman" 1976, by Bob Scriver, in Cody, Wy "The Spirit of Cody" 1999 by Jeffery B. Rudolph in Cody, Wy "Born Under a Wandering Star" by Vic Payne in Cody, Wy "Howdy Folks" 2000, by Jeffery Rudolph in Golden, Colorado "Buffalo Bill Monument" 2004 by Charlie Norton in Oakley, Kansas "Buffalo Bill " at the National Cowboy & Western Heritage Museum in Oklahoma City "Buffalo Bill Statue" 2006 in Glasgow "America" 1876 by John Bell (sculptor), a section of the Albert Memorial in Hyde Park, London features a western figure that bears a resemblance to Buffalo Bill standing next to an American Bison. Representation in popular culture Buffalo Bill has been portrayed in many literary, musical, and theatrical works, movies, and television shows, especially during the 1950s and 1960s, when Westerns were most popular. Some examples are listed below. Film 1926: With Buffalo Bill on the U. P. Trail, starring Roy Stewart as Buffalo Bill. 1931: Battling with Buffalo Bill, starring Tom Tyler as Buffalo Bill. 1935: The Miracle Rider, starring Tex Cooper as Buffalo Bill. 1935: Annie Oakley, starring Moroni Olsen as Buffalo Bill. 1936: The Plainsman, starring James Ellison as Buffalo Bill. 1940: Young Buffalo Bill, starring Roy Rogers as Buffalo Bill. 1944: Buffalo Bill, starring Joel McCrea as Buffalo Bill. 1950: Cody of the Pony Express, starring Dickie Moore as Buffalo Bill. 1950: Annie Get Your Gun, starring Louis Calhern as Buffalo Bill. 1952: Buffalo Bill in Tomahawk Territory, starring Clayton Moore as Buffalo Bill. 1953: Pony Express, starring Charlton Heston as Buffalo Bill. 1954: Riding with Buffalo Bill, starring Marshall Reed as Buffalo Bill. 1963: The Raiders, starring Jim McMullan as Buffalo Bill. 1964: Buffalo Bill, Hero of the Far West, starring Gordon Scott as Buffalo Bill. 1965: Seven Hours of Gunfire, starring Rik Van Nutter as Buffalo Bill. 1966: The Plainsman, starring Guy Stockwell as Buffalo Bill. 1974: Don't Touch the White Woman!, starring Michel Piccoli as Buffalo Bill. 1976: Buffalo Bill and the Indians, or Sitting Bull's History Lesson, is a fictional film by Robert Altman that features the Wild West show, with Paul Newman as Cody and Geraldine Chaplin as Annie Oakley. The film is based on the play "Indians", by Arthur Kopit. 1979: The Last Ride of the Dalton Gang, starring Buff Brady as Buffalo Bill. 1981: The Legend of the Lone Ranger, starring Ted Flicker as Buffalo Bill. 1989-92: The Young Riders, a series with Stephen Baldwin as Cody. As a fictionalized version of his Pony Express riding days. 1991: In this film adaptation of Thomas Harris's 1988 novel, Silence of the Lambs, serial killer Jame Gumb is nicknamed Buffalo Bill because he skins his victims, mirroring how Buffalo Bill reportedly scalped a Cheyenne. 1995: Wild Bill, is a film based on legends about "Wild Bill" Hickok, in which Buffalo Bill briefly appears in the play Scouts of the Plains, with Jeff Bridges as Hickok, Keith Carradine as Cody, and Ellen Barkin as Calamity Jane. 1995: Buffalo Girls is a TV miniseries based on legends about Calamity Jane, with Peter Coyote as Buffalo Bill, Anjelica Huston as Calamity Jane, Reba McEntire as Annie Oakley, and Russell Means as Chief Sitting Bull. 2004: Hidalgo is a film based on the legend of Frank Hopkins, featuring the Wild West show, with J. K. Simmons as Buffalo Bill and Elizabeth Berridge as Annie Oakley. Literature Buffalo Bill Dime novel series 1901-1910: Buffalo Bill Stories - A Dime novel publication with 500 issues featuring Buffalo Bill was published by Street & Smith. 1912-1919: New Buffalo Bill Weekly - A Dime novel publication with about 356 issues featuring Buffalo Bill was published by Street & Smith. 1917-1925: Buffalo Bill Border Stories - A Dime novel publication with about 211 issues featuring Buffalo Bill was published by Street & Smith. 1907: A Horse's Tale, by Mark Twain, features Buffalo Bill and his horse. 1911: In the thirteenth entry of Leon Sazie's Zigomar series, it is established that the fictional detective Nick Carter is Buffalo Bill's cousin, and that they are working under P. T. Barnum at the time of the story. 1920: "Buffalo Bill's Defunct" is a poem by E. E. Cummings. In Poetry, edited by J. Hunter, it is entitled "Portrait". 1988: In Silence of the Lambs, the serial killer at large is nicknamed Buffalo Bill by the FBI because he skins his victims, mirroring how Buffalo Bill reportedly scalped a Cheyenne. Music The vocal quartet Buffalo Bills was a prominent barbershop quartet in the 1950s and 1960s, formed in Buffalo, New York in 1947, the name inspired by the professional football team which began that year in Buffalo. The group starred in the Broadway and Hollywood versions of Meredith Willson's musical comedy The Music Man. The cover art for the 2011 album Goblin, by Tyler, the Creator, features a picture of Buffalo Bill at the age of 19. "Bufalo Bill", a song by singer Francesco de Gregori "Buffalo Bill", a song by rapper Eminem "Buffalo Bill", a song by singer Moxie Raia "Buffalo Bill", a song by singer Willi Carlisle The Continuing Story of Bungalow Bill, a song by The Beatles Theater Buffalo Bill is a character in the 1946 Broadway musical Annie Get Your Gun, in the 1968 play Indians, by Arthur Kopit as well as in The Wild West Spectacular, a musical that takes place in the town he founded: Cody, Wyoming Sports The NFL team the Buffalo Bills is named after Buffalo Bill after a fan cast the idea in a contest to find the next team name KAA Ghent, a football club, sports the name in its nickname "The Buffalo's". Attended a Rangers FC match at Ibrox Stadium in November 1891. Television Cody was featured as a historical character on such television series about the West as The Life and Legend of Wyatt Earp, Bat Masterson and Bonanza. He has been portrayed as an elder statesman or as a flamboyant, self-serving exhibitionist. Cody was portrayed by Britt Lomond in the episode "A Legend of Buffalo Bill" (1959) of the ABC/Warner Brothers Western television series Colt .45. Cody was portrayed by John Lupton in a few episodes of Death Valley Days (1959–1962). In The Young Riders, a highly fictionalized story of the Pony Express, Cody was portrayed by Stephen Baldwin. Buffalo Bill Cody was portrayed by Dennis Weaver in season one of Lonesome Dove: The Series. Cody, portrayed by Nicholas Campbell, and his Wild West show are featured in the Murdoch Mysteries episode "Mild Mild West". Mister Peabody and Sherman visited Buffalo Bill in episode 59 of "Peabody's Improbable History" titled "Buffalo Bill" on January 9, 1962. The photo of Cody and Sitting Bull was used in the titles of The Real West which ran on A&E TV from 1991 to 1994 and later on The History Channel. Congo youth culture Movies about Cody inspired a youth subculture in the Belgian Congo in the 1950s, with young men and women dressing like him and forming neighborhood gangs. After Congolese independence, some of the "Bills" went on to careers in the music industry. See also Buffalo Bill Cody Homestead Bungalow Bill List of Medal of Honor recipients for the Indian Wars Ned Buntline Pony Express Show Indians Wild Westing William "Doc" Carver William Sloan Tough Passage 4: Buffalo Bill in Tomahawk Territory Buffalo Bill in Tomahawk Territory is a 1952 Western starring Clayton Moore as Buffalo Bill. Directed by Bernard B. Ray and produced by Edward Finney as his final Western, the film was the final appearance of sidekick Slim Andrews. Plot Buffalo Bill is sent by the government to stop the caravans of the Native American chief White Cloud. Cast Clayton Moore as Buffalo Bill Cody Slim Andrews as Cactus Charles Harvey as Lieutenant Bryan Rodd Redwing as Running Deer Chief Yowlachie as Chief White Cloud Chief Thundercloud as Black Hawk Merrill McCormick as Rider (uncredited) Passage 5: The Five of Hearts The Five of Hearts is an Australian film. It is also known as A Maiden's Distress or Buffalo Bill. It was reportedly the longest of Cole's films.It is considered a lost film. Plot In the old American west, Rose, the daughter of Colonel Daniels, is kidnapped by a desperado named Black Bill at the instigation of Captain Clarke, a rejected lover. She is taken to an Indian camp where she is subjected to torture by being tied to a tree, and daggers thrown all round her until she is completely surrounded by them. She is rescued by Buffalo Bill, her lover. Black Bill and Captain Clarke are killed.According to contemporary reports, the scenes of the film were: Captain Clarke's Treachery; Chloroformed; On the Trail; Jim Blake's Shanty; In the Indian Camp; Rose Tortured; Surrounded by Daggers; Rescued; Buffalo Bill at the Stake; The Indian Chiefs Fight with Knives; Black Bill's Lair; The Traitors Punished.Another report said that "'the scene is laid on the outskirts of the Indian Reservation, a country made famous by the exploits of the renowned Buffalo Bill, and the story of the play treats of the adventures of the colonel in charge of the military post and a notorious cattle stealer whom he eventually makes captive." Cast E.I. Cole as Buffalo Bill Frank Mills Bella Cole Vene Linden as Rose Daniels Original Play The film is an adaptation of an open-air stage show regularly produced by Cole and his Bohemian Dramatic Company, Buffalo Bill, or the Five of Hearts, about an Indian woman who refuses to marry a cowboy. The Indian has daggers thrown at her in a test of courage. The cowboy tries to kill the woman but Chief Wild Friday intervenes and frees her. According to one report "Buffalo Bill is 'a part which Mr Cole has created, and made "his own", his personality entirely fitting him for it. He is helped by a striking resemblance to Colonel Cody." Production The film was shot near Melbourne. Release The film sometimes screened on a double bill with another movie of Cole's, Sentenced for Life, and was accompanied by songs and lectures.According to one review, "the play Is well staged, and the acting Is of a high order, and, on the whole, the film augurs well for the success of the industry in the Commonwealth." Another said the film "forms a thrilling subject."Only four and a half minutes of the film survive today. Passage 6: George Pearson (filmmaker) George Pearson OBE, (19 March 1875 – 6 February 1973) was a pioneering English film director, producer and screenwriter, mainly in the silent film era. He was born in London. Biography The only son of George Pearson, a silk tie cutter, George Pearson's first profession after Culham College, near Oxford (not a college of the University of Oxford) was teaching. He excelled in this role, becoming a headmaster by 1902 at the age of 26. His major post was at Staples Rd School Loughton Essex, on which there is a blue plaque. He was originally drawn to film making as an educational aid. In 1913 Pearson entered the film industry, initially as a script writer. Pearson worked for Gaumont and later joined the Colonial Film Unit (later the Commonwealth Film Unit), remaining in employment until the age of 81. Though little of his work is known to have survived, Pearson is credited with pioneering the use of the moving camera shot. Awards and personal life In 1951, he was awarded the OBE. Pearson married Edith Stacey (1881-1961) in 1901. They had two sons and two daughters. One daughter, Winifred, worked as a film editor. He died in Great Malvern, Worcestershire in 1973, aged nearly 98, outliving Winifred and his elder son, Malcolm, a surgeon. In 1957, his autobiography, Flashback, was published. Selected filmography Peg Woffington (1912) The Fool (1913) Heroes of the Mine (1913) A Study in Scarlet (1914) [1] John Halifax, Gentleman (1915) A Cinema Girl's Romance (1915) Ultus and the Grey Lady (1916) [2] Sally Bishop (1916) The Kiddies in the Ruins (1918) The Romance of Old Bill (1918) Nothing Else Matters (1920) Mary Find the Gold (1921) Squibs Wins the Calcutta Sweep (1922) Mord Em'ly (1922) Squibs' Honeymoon (1923) Squibs M.P. (1923) Love, Life and Laughter (1923) The Romany (1923) Reveille (1924) The Little People (1926) Blinkeyes (1926) Huntingtower (1927) Love's Option (1928) Auld Lang Syne (1929) Journey's End (1930) [3] East Lynne on the Western Front (1931) The Good Companions (1933) (associate producer) A Shot in the Dark (1933) Whispering Tongues (1934) The Ace of Spades (1935) That's My Uncle (1935) Jubilee Window (1935) Checkmate (1935) Midnight at Madame Tussaud's (1936) Follow Your Star (1938) Bibliography Flashback: an Autobiography of A British Film Maker, George Allen & Unwin (1957) External links George Pearson entry at the National Record of Archives. George Pearson at IMDb Screenonline entry Britmovie biography Passage 7: With Buffalo Bill on the U. P. Trail With Buffalo Bill on the U.P. Trail, alternately called Buffalo Bill on the U.P. Trail, is a 1926 American silent historical Western film starring Roy Stewart as Buffalo Bill Cody. It was directed by Frank Mattison and produced by Anthony J. Xydias.This film is available from the Prelinger Archives, San Francisco and the Grapevine video, Phoenix, and is preserved at the Library of Congress.Several members of the cast and crew of this film later worked on General Custer at the Little Big Horn (1926). Cast See also In the Days of Buffalo Bill Fighting with Buffalo Bill Passage 8: A Cinema Girl's Romance A Cinema Girl's Romance is a 1915 British silent drama film directed by George Pearson and starring Agnes Glynne, Fred Paul and Alice De Winton. It was based on a novel by Ladbroke Black. The film was made at Isleworth Studios. Cast Agnes Glynne as Hazel Wilmot Fred Paul as Sir Robert Loftus Alice De Winton as Ruth Roland Bernard Vaughan Donald Young Passage 9: Mario Costa (director) Mario Costa (30 May 1904, in Rome – 22 October 1995, in Rome) was an Italian actor, director and screenwriter, active from 1934 to 1971. Selected filmography Passage 10: Buffalo Bill Rides Again Buffalo Bill Rides Again is a 1947 American Western film starring Richard Arlen. It was also known as Return of Buffalo Bill. Cast Richard Arlen as Buffalo Bill Jennifer Holt as Dale Harrington Lee Shumway as Steve Harrington John Dexter as Tom Russell Production The film was the first produced by Jack Schwarz under a three-year contract with Screen Guild Productions. It was meant to result in 12 films.

doc_48

Passage 1: Henry II, Count of Reuss-Gera Henry II of Reuss (younger line) (10 June 1572 in Gera – 23 December [O.S. 13 December] 1635 in Gera), nicknamed the Posthumous because his father died two months before he was born, was Lord of Gera, Lord of Lobenstein and Lord of Oberkranichfeld. Life Henry II was born posthumously, as the only son of Henry XVI of Reuss-Gera (1530-1572), the founder of the Younger Line, and his wife, Countess Dorothea of Solms-Sonnewalde (1547-1595), daughter of Frederick Magnus I, Count of Solms-Laubach. Henry successfully promoted education and the economy of his country. In 1608, he founded the Rutheneum Gymnasium in Gera (now the Goethe-Gymnasium/Rutheneum). Against the advice of his theological councillor, he granted asylum to Calvinist refugees from Flanders and housed them in his capital city Gera. This led to an upsurge in wool production and an economic boom. During his reign, Gera also developed into the cultural centre of the Reuss areas. He had a particular fondness for "ring riding", and was a frequent guest at the courts in Vienna and Dresden. Henry II died on 23 December 1635 and was buried in the Salvator Church in Gera. The composer Heinrich Schütz wrote his Musikalische Exequien for this occasion. His elaborately decorated copper outer coffin, with biblical proverbs and evangelical chorals, was transferred from the Salvator Church to the St. John church in 1995. In 2011, it was displayed in an exhibition about funeral practices in the early modern age in the city museum of Gera. It has also been on display in the Museum for Sepulchral Culture in Kassel. Marriages and issue In Weikersheim on 7 February 1594, Henry II married firstly Magdalena (28 December 1572 – 2 April 1596), daughter of Wolfgang, Count of Hohenlohe-Weikersheim-Langenburg. They had one daughter: Dorothea Magdalena (25 February 1595 – 29 October 1647), married in 1620 to Burgrave George of Kirchberg.In Rudolstadt on 22 May 1597, Henry II married secondly Magdalena (12 Apr 1580 – 22 Apr 1652), daughter of Count Albert VII of Schwarzburg-Rudolstadt. They had seventeen children: Juliane Marie (1 February 1598 – 4 January 1650), married in 1614 to Count David of Mansfeld-Schraplau. Henry I (21 February 1599 – 27 July 1599) Agnes (17 April 1600 – 1 February 1642), married in 1627 to Count Ernest Louis of Mansfeld-Heldrungen. Elisabeth Magdalene (8 May 1601 – 4 April 1641). Henry II (14 August 1602 – 28 May 1670), Lord of Gera and Saalburg. Henry III (31 Oct 1603 – 12 July 1640), Lord of Schleiz. Henry IV (21 December 1604 – 3 November 1628). Henry V (3 November 1606 – 3/7 November 1606), twin with Henry VI. Henry VI (3 November 1606 – 3/7 November 1606), twin with Henry V. Sophie Hedwig (24 February 1608 – 22 January 1653). Dorothea Sibylle (7 October 1609 – 25 November 1631), married in 1627 to Baron Christian Schenk of Tautenburg. Henry VII (15 October 1610 – 24 July 1611). Henry VIII (19 June 1613 – 24 September 1613). Anna Katharina (24 March 1615 – 16 February 1682). Henry IX (22 May 1616 – 9 January 1666), Lord of Schleiz. Ernestine (19 March 1618 – 23 February 1650), married in 1639 to Otto Albert of Schönburg-Hartenstein. Henry X (9 September 1621 – 25 January 1671), Lord of Lobenstein and Ebersdorf. Honors Since 2008, the motor car of one of the trams in Gera bears his name. Passage 2: Enguerrand V de Coucy Enguerrand V, Lord of Coucy (-after 1321) inherited the title of Lord of Coucy and castle from his maternal uncle, Enguerrand IV in 1311. He was also lord of Oisy and Montmirail. Biography Enguerrand was the second son of Arnould III, Count of Guînes and Alix de Coucy, daughter of Enguerrand III, Lord of Coucy. His father, Arnould, sold the county of Guines to King Louis IX of France, forcing Enguerrand to find his fortune abroad. After arriving in Scotland, he married Christiana Lindsay in Scotland. Christiana was the daughter of William Lindsay and Ada Balliol, sister of John Balliol. Their wedding was arranged by their mutual cousin, King Alexander III of Scotland. Enguerrand was present at the recognition of Margaret as Alexander III's heir and the Treaty of Birgham in 1290.On 28 May 1283, Enguerrand pledged his service to King Edward I of England. When Enguerrand's maternal uncle, Enguerrand IV, died without leaving any heirs, the titles and lands of Coucy were passed to Enguerrand. Issue Enguerrand and Christiana had four sons: Guillaume de Coucy, Lord of Coucy, Marle, La Fère, Oisy and Montmirel, married Isabeau de Châtillon-Saint-Pol, had issue. Enguerrand de Coucy, Viscount of Meaux, Lord of La Ferté-Ancoul, Tresmes and Belonnes, married firstly Marie de Vianden, Dame de Rumpt and secondly Allemande Flotte de Revel, had issue. Baudouin de Coucy Robert de Coucy, Lord of La Ferté-Gaucher. Passage 3: Charles II Henri van de Werve, Lord of Schilde Baron Charles-Henri van de Werve (1672-1721), Lord of Schilde, Lord of Giessen-Oudkerk, Lord of Wavre-Notre-Dame and Lord of Wavrans, formed part of a very old, important and noble family of Antwerp, House van de Werve. Family He was the son of Charles I Bruno van de Werve, Lord of Schilde; and of Cornélie van de Werve, daughter of the Lord of Westkercke. Through his grandmother side he is one of the descendants of Erasmus II Schetz. He married Eléonore de Varick in 1696. Eléonore was the daughter of Charles-Hyacinthe de Varick, Lord of Court St-Etienne and of Witterzée; and of Eléonore-Louise de Haynin, Lady of Wavrans. They had 4 children's: Eléonore-Marie van de Werve (1698–1726). X1(1716): She married Charles-François Boot, Lord of Veltem, Oppem, Sombeke and La Motte. X2(1724): She married Ferdinand-Joseph, marquess de la Puente y Reiffenberg, baron of Limal, Lord of Bierges. Gertrude-Madeleine van de Werve (1700–1746): She married in 1725 her cousin Philippe-Adrien de Varick, viscount of Brussels, baron of Woluwe-Saint-Lambert and of Libersart, Lord of Boendaal, Ixelles, Huizingen and Eizingen. Baron Charles-Philippe van de Werve (1702–1744), Lord of Schilde, Giessen-Oudkerk and Wavre-Notre-Dame. Charles III Philippe van de Werve, 1st Count of Vorsselaer (1706–1776): baron of Lichtaert and of Rielen, Lord of Giessen-Oudkerk. He married Marie-Anne de Pret, Lady of Vorsselaer, Lichtaert and Rielen. Ancestry External links https://web.archive.org/web/20070312045421/http://vandewerve.skyblog.com/ Passage 4: Eric Longlegs, Lord of Langeland Erik Eriksøn, also known as Eric Longlegs (Danish: Erik Langben), (1272–1310), Lord of Langeland, was the second son of Eric I, Duke of Schleswig and younger brother of Valdemar IV, Duke of Schleswig. Life Eric was born in 1272 as the second son of Eric I, Duke of Schleswig, by his wife Margaret of Rugia. He held the island of Langeland in fief and inherited the properties of the ducal family in southern Funen, just as his uncle, Abel, Lord of Langeland, had before him. He is mentioned for the first time as responsible for the killing of the seneschal Skjalm Stigsen on 23 August 1292. The murder was probably a result of the enmity caused when King Eric VI of Denmark, after coming of age, confiscated the fief of Langeland and the properties of the ducal family in southern Funen. Together with his brother, Duke Valdemar, he joined the king's enemies. In 1293, there was a clash between the two parties at Sommersted Heath near Haderslev which resulted in a compromise where Eric received Langeland as a fief. Subsequently, he married Sophia of Querfurt, a daughter of Jutta of Saxony, widow of King Eric IV of Denmark in her second marriage to Burchard VIII, Count of Querfurt-Rosenburg. Sophia was thus a half-sister of King Eric IV's daughters, among which were the deceased Queen Ingeborg of Norway, mother of King Eric II of Norway. The marriage thus connected Eric to the king of Norway, who knighted him, and also led to a new conflict with King Eric VI, who retained his wife's inheritance from her half-sisters. On 3 February 1296 a compromise was entered in Vordingborg, in which the king promised to hand over Sophia's inheritance, but where the ducal family's properties in southern Funen, which had formerly belonged to Abel, Lord of Langeland, were kept by the king as lawfully acquired from Abel's daughter. Only the city of Rudkøbing was transferred to become part of the fief of Langeland, and Eric confirmed the city's rights on the same day. Eric died in 1310. In 1315, Sophia, in the presence of the king and several noblemen, donated the inheritance of her sisters to Saint Agnes' Priory in Roskilde, keeping only the city of Skælskør for herself. Marriage and issue Eric married Sophia of Querfurt, a daughter of Burchard VIII, Count of Querfurt-Rosenburg, Burgrave of Magdeburg and Jutta of Saxony, widow of Eric IV of Denmark. The marriage was childless. Ancestry Passage 5: Abel, Lord of Langeland Abel Abelsøn (1252 – 2 April 1279), Lord of Langeland, was the third son of King Abel of Denmark, Duke of Schleswig, and younger brother of Valdemar III, Duke of Schleswig and Eric I, Duke of Schleswig. As a member of the ducal family, he held several fiefs in Southern Denmark. Life Abel was born in 1252 as the third and posthumous son of King Abel of Denmark, Duke of Schleswig, by his wife, Mechtild of Holstein. In the settlement with his brother Eric after the death of their elder brother Duke Valdemar III, Abel received the cities of Svendborg, Rudkøbing, and possibly also Faaborg on the island of Funen, and as a fief the island of Langeland. Abel died on Easter Day 1279 in Svendborg and was buried in Greyfriars’ Abbey. At his death, he left only a daughter Margaret, who entered the convent of Zarrentin in Mecklenburg and donated her father's properties to her relatives, the counts of Holstein. They later sold it to King Eric VI of Denmark. Marriage and issue Abel appears to have married a daughter of Gunzelin III, Count of Schwerin: Margaret, abbess of Zarrentin. As abbess, she instituted a requiem mass for her father in 1317. Ancestry Passage 6: John I, Lord of Polanen John I, Lord of Polanen (c. 1285 – 26 September 1342) was Lord of Polanen, Lord of De Lek and Lord of Breda. Life John was a son of Philips III van Duivenvoorde (?-c. 1308) and Elisabeth van Vianen. Lord of Polanen Upon the death of his father, John I became Lord of Polanen Castle. In his early years, John got help from his uncle Diederik van der Wale. Lord of Heemskerk In 1327 John bought Oud Haerlem Castle and the lordships (ambachtsheerlijkheden) of Heemskerk and Castricum. The price was only 100 pounds.In 1328 John took part in the Battle of Cassel, and in 1329 he was knighted. In 1339 he became bailiff of Kennemerland Lord of Breda In 1322 John married Catharina van Van Brederode (died 1372). He was the father of John II, Lord of Polanen. Passage 7: John I, Lord of Egmond John I, Lord of Egmond (before 1310 – 28 December 1369) was Lord of Egmond, Lord of IJsselstein, bailiff of Kennemerland (1353-1354) and stadtholder of Holland. Life He was a son of Walter II and his wife, Beatrix of Doortogne. He is first mentioned in 1328, when he fights in the Battle of Cassel and accompanies Count William III of Holland to Flanders, to assist the Count of Flanders suppressing a rebellion in Bruges and the surrounding area. In 1343, he is a member of a group of bailiffs who administer Holland while the Count is travelling. In 1344, he is enfeoffed with Nieuwendoorn castle. He participated in the third crusade of Count William IV to Prussia and in the Siege of Utrecht in 1345, but not in the disastrous Battle of Warns later that year. In subsequent years, he played an important role in the politics of Holland. In 1350, he was one of the signatories of the Cod Alliance Treaty that set off the Hook and Cod wars. He fought in the Battle of Naarden in 1350 and in the Battle of Zwartewaal in 1351. He was then sent to England to mediate in the dispute between Countess Margaret and her son, Count William V, however, he was unsuccessful. After he returned to Holland, he began a campaign against the citizens of Bunschoten in 1355. In the winter of 1356, he besieged the castle of Nyevelt, on the orders of the count, and took it after a seven-week siege. In 1356, William V appointed him governor of the area above the Meuse, jointly with his brother Gerry. In 1358, William V was declared insane by his brother Albert. John I was a member of the regency council. In 1359, he is one of the Cod leaders to sign a reconciliation with the city of Delft. In 1363, his father-in-law, Lord Arnold of IJsselstein died and John I inherited the Lordship of IJsselstein. He died in 1369 and was buried in the church of IJsselstein. Marriage and issue He married Guida of IJsselstein and had the following children: Arnold (c. 1337– 1409), his successor Gerry Albert, a canon in Utrecht Beatrix, married Ghisbert of Vianen Bearte Maria (d. c. 1384), married Philip IV of Wassenaer Catherine, married Bartholomew of Raephorst Antonia, abbess in 's-Hertogenbosch Elisabeth Greta Passage 8: Eric I, Duke of Schleswig Eric I Abelsøn (Danish: Erik 1. Abelsøn af Danmark) (died 27 May 1272) was a Danish nobleman. He was the ruling Duke of Schleswig from 1260 until his death in 1272. He was the second son of King Abel of Denmark, Duke of Schleswig and Mechtild of Holstein. Early life After the death of his elder brother Duke Valdemar III in 1257, Eric inherited the claim to the Duchy of Schleswig. However, his uncle and potential feudal overlord King Christopher I of Denmark refused to install him as duke. Subsequently, Eric participated in the coalition of Bishop Peder Bang of Roskilde and Prince Jaromar II of Rugia against King Christopher. He took part in the military campaign of 1259 which resulted in the conquest of Copenhagen. Duke of Schleswig After the death of Christopher in 1259, he was created Duke of Schleswig by the new king Eric V in 1260. Already the following year, fighting with the king broke out anew. The Queen Dowager, Margaret Sambiria, acting as regent for her under age son, feared aggression from the Duke. However, Duke Eric was able to defeat the royal army at the Battle of Lohede and capture the young King Eric and his mother. As a result, he was able to obtain huge advantages for his duchy at the subsequent treaty in 1264. In 1268, he acquired Gottorp Castle from Bishop Bonde of Schleswig, who then moved his residence to Schwabstedt. Duke Eric died 27 May 1272. Marriage and issue Eric married Margaret of Rugia, a daughter of Jaromar II, Prince of Rugia in 1259 or 1260. They had the following children: Margaret (died after 1313), married Helmold III, Count of Schwerin Valdemar IV, Duke of Schleswig (app. 1265–1312) Eric (Longbone), from 1295 Lord of Langeland (1272–1310), married Sophia Burghardsdatter (died 1325), daughter of Queen dowager Jutta of Denmark and Count Burchard VIII of Querfurt-Rosenburg, Burgrave of Magdeburg == Ancestry == Passage 9: John II, Lord of Polanen John III, Lord of Polanen (c. 1325 – 3 November 1378 in Breda) was Lord of Polanen, Lord of De Lek and Lord of Breda. Life He was a son of John I, Lord of Polanen and Catherine of Brederode. Polanen Castle near Monster was the ancestral seat of the family. In 1327 John I had acquired Oud Haerlem Castle. In 1339, John II purchased the Lordship of Breda and built Breda Castle, together with his father. John succeeded his father in 1342 and also took over his father's position as councilor of the Count of Holland and Zeeland. In the autumn of 1343, he accompanied Count William IV on a pilgrimage to the Holy Land. He also participated in a crusade against the Prussians. He was not present in the September 1345 campaign against the Frisians, which saw William IV killed during the disastrous Battle of Warns. On 17 November 1345, John II granted Polanen Castle in arrear fief to his younger brother Philip I of Polanen. First phase of the Hook and Cod Wars William of Duivenvoorde and his nephew John II were leaders of what would become known as the 'Hook' party during the Hook and Cod wars. In 1350, they travelled to Hainaut to pay homage to Countess Margaret II. Somewhere between 1347 and 1350, John was appointed Burgrave of Geertruidenberg. In 1350, he purchased the Land of Breda for 43000 florins from John III, Duke of Brabant. He also acquired high justice over Breda. The Hook and Cod wars started in earnest in about March 1351. Polanen Castle was besieged for 2 weeks and then demolished. Oud Haerlem Castle was taken after a siege which lasted more than 6 months, even though John van not present. The Siege of Geertuidenberg Castle lasted from October 1351 to August 1352. Here John's brother Philip commanded as his lieutenant. As a result of the war John lost the Lordship of De Lek. During the regency of Albert of Bavaria In 1358, Albert of Bavaria became regent of Holland for his brother. This was good for the members of the old Hook faction. In 1358 John was somewhat compensated for his losses with other fiefs and possessions. In Brabant Whatever the later events in Holland, John seems to have concentrated his efforts on extending his holdings in the Breda area. It made him more of a Brabant than a Holland lord. John II was captured during the 1371 Battle of Baesweiler. He was released several months later, after his relatives had paid a ransom. In 1375, he was appointed stadtholder of the Great Holme. John II died in 1378 and was buried in the Church of Our Lady in Breda. Marriages and issue John II of Polanen married three times. In 1340, he married Oda of Horne-Altena (1318-1353), daughter of Willem IV of Horne. They had three children: John III, his heir Beatrice (c. 1344 – 1394); married Henry VIII, the son of Henry VII, Lord of Bautershem, who was also Lord of Bergen op Zoom as Henry I, and his wife, Maria Merxheim, Lady of Wuustwezel and Brecht Oda (c. 1351 – 15th century), married Henry III, Burgrave of MontfoortIn 1353, he married Matilda (c. 1324 – 1366), an illegitimate daughter of John III, Duke of Brabant. They had two sons: Dirck of the Leck (d. 1416), married Gilisje of Cralingen. He was outlawed for a while, because he was suspected of having participated in the murder of Aleid van Poelgeest Henry of the Leck (d. 1427), married Jeanne of Ghistelles, and was a councillor of Countess Jacqueline of HollandIn 1370, he married Margaret, a daughter of Otto, Lord of Lippe and Irmgard of the Marck. They had one son: Otto (d. before 20 October 1428), married before 1396 to Sophia, a daughter of Count Frederick III of Bergh-'s-Heerenberg and Catherine of Buren Passage 10: Anne Holck Anne Holck (7 December 1602, Tryggevælde - 5 June 1660, Stensgaard, Langeland) was a Danish noble. She became famous for her defense of the island of Langeland against the Swedish army during the Dano-Swedish War (1658–1660) in 1659. She was the daughter of noble Ditlev Holck and married nobleman Vincents Steensen until Stensgaard from Langeland in 1623. In 1659, her spouse died from the wounds he received when he led the defense of Langeland against Swedish invasion, and after his death, she took over and defended the island against the attack until she was forced to surrender. After having been captured and imprisoned on her estate, she managed to trick a Swedish troupe down a vine cellar, where they were killed by local peasantry.

doc_49

Passage 1: Judah Even Shemuel Yehuda Even Shemuel (Ukraine, 1886-Jerusalem, 1976) was an Israeli Jewish scholar, translator and lexicographer. He won the Israel Prize in 1973. Yehuda Kaufman (later Even Shemuel) was born in Balta, Ukraine. He studied in three yeshivot. At the age of eighteen, after passing the examination of a six-years’ course in a Russian gymnasium, he studied in London and then Paris, where he was accepted to the law school of the University of Paris. He immigrated to Montreal, Canada in 1913.His English-Hebrew dictionary was known as The Kaufman Dictionary. Passage 2: Erik Kilpatrick Erik Kilpatrick (born 1952) is an American actor who is best known for playing Curtis Jackson on the CBS television series The White Shadow. He is the son of Lincoln Kilpatrick. Erik and his father co-starred in "Here's Mud in Your Eye", an episode from the first season of The White Shadow. Kilpatrick has a younger brother, Lincoln Kilpatrick Jr., and a sister, DaCarla Kilpatrick, who also are actors. Kilpatrick is the father of Erika Kurzawa and Toussaint Kilpatrick. Married to Chris Anthony. Today, Kilpatrick devotes much of his time directing and is the founder and Artistic Director of KOLA Theatre. Passage 3: Lincoln Kilpatrick Lincoln Kilpatrick (February 12, 1931 – May 18, 2004) was an American film, television, and stage actor. Biography Career Born in St. Louis, Missouri, Kilpatrick attended Lincoln University and earned a degree in drama before he began acting. Encouraged by Billie Holiday, Kilpatrick began his career in 1959 in the Broadway production of A Raisin in the Sun. In the 1960s, he mainly guest-starred in television roles and bit parts in movies. His primary acting talents were showcased in stage and theater work, which he remained active in until his death. Kilpatrick was co-founder of the Kilpatrick-Cambridge Theatre Arts School in Hollywood, California. He was also the first African-American member of the Lincoln Center Repertory Company. Personal life and death Kilpatrick was married 47 years to the singer and stage performer Helena Ferguson from 1957 until his death from lung cancer in 2004. Kilpatrick had five children: actor and composer Lincoln Kilpatrick Jr.; writer, director and actor DaCarla Kilpatrick; actor and director Erik Kilpatrick; actor Jozella Reed; and producer Marjorie L. Kilpatrick. He was buried at the Forest Lawn, Hollywood Hills Cemetery in Los Angeles. Filmography Passage 4: Jean Daninos Jean Daninos (2 December 1906 – 13 October 2001) was a Greek-French constructor of luxury cars Facel Vega, born in Paris. The brother of the Pierre Daninos, Jean Daninos had founded the company FACEL (Forges et Ateliers des Constructions d'Eure-et-Loir, forge and construction workshop for the department of Eure-et-Loir) in 1939 with hopes of one day designing and manufacturing his own automobile. An engineer, he had previously collaborated with Citroën on the Traction Avant and had worked in the aviation field. The FACEL company produced the bodies of custom cars like the Panhard Dyna cabriolet and the Ford Comète.He had also a long time business partnership with Henri Théodore Pigozzi CEO of Simca. All the stylish Aronde sports derivatives (coupes and convertibles called PLein Ciel and Océane, targeted for well to do women customers ) were manufactured by Facel. However Pigozzi and Simca chose cheaper and more trendy Carrozeria Bertone for the later the Simca 1000 derivatives (Simca 1200S) and ended the Simca partnership. The first Facel Vega model, designed by Daninos himself, debuted in 1954, equipped with a Chrysler engine. Daninos counted among his clients celebrities including (Tony Curtis, Ava Gardner) and racing drivers (Stirling Moss, Maurice Trintignant). Several sports car models followed until the company's demise in the mid-1960s. During ten years of production, FACEL had manufactured 3,000 automobiles. Daninos died in Cannes at age 94 from cancer. He was buried with his relatives in Jouy-en-Josas. Passage 5: Alexander Fuks Alexander Fuks (30 May 1917 – 29 November 1978) was a German-born, later Israeli historian, archaeologist and papyrologist. He worked with Victor Tcherikover and Menahem Stern on the standard edition of Jewish papyri. He was a specialist in the study of Hellenistic Judaism. Passage 6: Patrick Kilpatrick Patrick Kilpatrick (born August 20, 1949), is an American actor, director, screenwriter, producer, journalist, international entertainment speaker and teacher. He has appeared in over 180 films and television series.Kilpatrick ran for Governor of California in the 2021 recall election as a Democrat. Early life Kilpatrick was born in Orange, Virginia, the son of Robert Donald Kilpatrick Sr. and Ellie Faye (born Ellwood Fay) Hines Kilpatrick. His ancestors are Scottish, Scots-Irish, a bit of Welsh, and English, having come to the U.S. as early as 1620, and he has relatives who fought in both the American Revolution and for the Confederacy in the Civil War. His father was a World War II "Beach Jumper", a predecessor to the modern U.S. Navy Seals, who received a Silver Star and Purple Heart in the Pacific and was a winner of the National Collegiate Baseball Championship for the University of Richmond.When Kilpatrick was six, the family moved to Connecticut from Virginia, where his father (formerly a teacher) began his career in insurance underwriting. Kilpatrick Sr. was head of Connecticut General, and was a key figure in the merger that created the Cigna Corporation; he died on January 27, 1997, at age 72. His mother was a public school educator, coach, councilor and psychologist in private practice. The family bought property in Virginia in 1980. After nearly dying in a car crash at the age of 17 on November 17, 1967, he was rehabilitated to the point where he could later perform his own stunts. Kilpatrick graduated from the University of Richmond in 1972 with a Bachelor of Arts degree in English, History, and Teaching and attended New York University's Professional Film and Television Graduate Program. Career Film and television Kilpatrick's entertainment career has spanned more than 180 films and television shows as lead actor, producer, screenwriter, director and acting coach/entertainment teacher. Most commonly playing the role of a villain, Kilpatrick has joked, "I’ve been killed, beaten-up or jailed by nearly every leading actor on earth and in outer space."His action-film villain appearances include Class of 1999 (1990), Showdown (1993), The Replacement Killers (1998), Eraser (1996), Last Man Standing (1996), Minority Report (2002), Under Siege 2: Dark Territory (1995), Death Warrant (film) (1990),The Presidio (1988), and two Westerns opposite Tom Selleck, Last Stand at Saber River (1997) and Crossfire Trail (2001). Kilpatrick also starred in Free Willy 3: The Rescue (1997). In one 18-month period Kilpatrick, reportedly acted in five major-studio films and two independent films while making 27 television guest-star spots on 18 different shows. Other appearances include films such as Remo Williams: The Adventure Begins (1985); 3 Ninjas Knuckle Up (1995), and the PBS miniseries American Playhouse: Roanoak (1981), which became the largest production in the history of PBS. Television appearances include Dark Angel; Lois & Clark: The New Adventures of Superman (1994); Walker, Texas Ranger (1994); Babylon 5 (1995); Dr. Quinn, Medicine Woman as Sergeant O'Connor for 9 episodes from 1996 to 1997; ER (1997); JAG (1997 & 2000); The X-Files (2001); General Hospital (2003); CSI: Crime Scene Investigation (2005); 24 (2005); Terminator: The Sarah Connor Chronicles (2008) and Chuck ("Chuck Versus the Gravitron"). He guess-starred in the Star Trek: Voyager episodes "Initiations" (1995) and "Drive" (2000) and in the Star Trek: Deep Space Nine episode "The Siege of AR-558" (1998). In January 2019, he began filming Catalyst (scheduled for 2021 release). Stage Kilpatrick had a theatrical run at Los Angeles Theater Center for Shakespeare's Antony and Cleopatra, acted Off-Broadway in Hanoi Hilton at the Harold Clurman Theater (1984), Linda Her and The Fairy Garden (1984) at the Second Stage, and in regional theater, Requiem for a Heavyweight (1985). He has directed Off-Broadway and was a founding member of Divine Theater in New York City. His play, Zone of Bells/Room of Seesaws, premiered at the 1984 East Village Arts Festival. He was assistant director on Broadway with The Golden Age (1984) and Entertaining Mr. Sloane, (1984, Cherry Lane Theatre), and on Death Trap (1984) in the West End of London. Author In 2018, Kilpatrick released a memoir, Dying for living: Sins & Confessions of a Hollywood Villain & Libertine Patriot Vol. 1 – Upbringing, published by Boulevard Books (NYC) on October 1, 2018, launched October 3, 2018 at National Press Club and Kennedy Center for Performing Arts. The book received the "Best of LA" Award 2018 with 5-star reviews.Kilpatrick's follow-up, Dying for living: Wasted Talent in the Valley of Debacle (Vol. 2 - Showbiz), was set for publication at the end of 2019. 2021 California gubernatorial recall election In July 2021, Kilpatrick announced that he was running as a candidate in the 2021 California gubernatorial recall election as one of nine Democrats attempting to recall California's governor, Gavin Newsom. The 50% threshold to recall Newsom was not reached, and Kilpatrick received 1.2% of the replacement candidate vote. Filmography Film Television Awards and nominations Passage 7: Lincoln Hurst Lincoln Douglas Hurst (May 6, 1946 – November 11, 2008), also known as "Lincoln Hurst", "L. D. Hurst", or "Lincoln D. Hurst", was an American scholar of the Bible, religious history and film. He was Emeritus Professor at the University of California, Davis (1983–2006), and adjunct professor at Fuller Theological Seminary, Pasadena, California (1987–2008). Life and career Born in Chicago and raised in Arlington Heights, Illinois, Hurst graduated from Arlington High School, and later received the Bachelor of Arts degree in history from Trinity College (now Trinity International University), Deerfield, Illinois (1969). He was then granted the Master of Divinity (1973) and Master of Theology (1976) degrees from Princeton Theological Seminary (where he worked under the late Bruce M. Metzger) and the Doctor of Philosophy (1982) degree from Oxford University (Mansfield College), England, where he worked under the late G. B. Caird. Anglican Bishop N.T. Wright also did his doctoral work under Caird, and three years after Caird's death Hurst and Wright co-edited a volume in his memory. Hurst also acted as Caird's family-appointed literary executor, insofar as some of Caird's work was left hanging in mid-air when he died. Before taking up a post at the University of California, Davis in 1983, he was an Instructor at Bloomfield College, New Jersey (1973–74), lecturer (1979–80) and junior dean (1980–81) at Mansfield College, Oxford, and visiting fellow at Princeton Theological Seminary (fall, 1982). He was a lifelong proponent of animal welfare. Committed to preserving the memories of G. B. Caird and Errol Flynn, he spent the final weeks of his life writing about the historic achievements of both men. Hurst died suddenly from a heart attack in November 2008. Areas of Activity Biblical studies Having written extensively on the Epistle to the Hebrews, Hurst's work has also focused on a variety of other topics, including ethics in religion, the Aramaic language of the Gospels and Acts, the Dead Sea scrolls, the development of early Christian thought about Jesus, New Testament Theology, and the relationship of religion and film. His work has shown a maverick tendency, with a willingness to take up unpopular positions that go against the mainstream. His discussion of Hebrews (Hurst 1990) accordingly is unconcerned about the identity of the unknown author - a common preoccupation - but is rather directed at uncovering the particular religious milieu out of which he or she came. He is insistent that the author was not a disciple of either Plato or Philo, or that he was a former member of the Qumran community - prevailing views for much of the twentieth century. The writer instead was a mainstream first century Christian who was heavily influenced by Paul the Apostle and the Jewish Apocalyptic tradition. He also maintains, against virtually all scholars and commentators, that the first chapter of Hebrews is designed to illustrate not the deity of Christ, but his perfect humanity. The first-century writer wishes his readers to know that in Jesus God has restored the human race to its proper predestined place "above the angels" (Psalm 8:4-6; Hurst 1987). His interest in the question of the Historical Jesus led him to question the linguistic techniques by which the majority of scholars have attempted to reconstruct Jesus's original Aramaic words beneath the later Greek gospels (Hurst 1986). The ethical dimensions of Jesus's teaching is another area into which he has delved; he considers Jesus's ethics to be indissolubly linked to Realized eschatology - the idea (associated with C. H. Dodd) that for Jesus the Kingdom of God had already, in substantial form, arrived in the teaching, life, and death of Jesus (Hurst 1992). A central facet of Christian doctrine since the early centuries of the church has been the Pre-existence of Christ, and this is another area that has attracted his attention. His claim (following G. B. Caird) that Paul the Apostle represents both the earliest and the highest thinking about Jesus in the New Testament (as opposed, for instance, to the Gospel of John) runs counter to the view of the majority of scholars, and in this case he has had a notable disagreement with University of Durham theology Professor James Dunn (Hurst, 1986); he and Dunn have appeared in the same volume "discussing" the question (Martin and Dodd, 1998). Hurst's interest in the subject of New Testament Theology, sparked by his posthumous completion of G. B. Caird's work of that title, remains a continuing thrust of his research. The messianism of the Dead Sea scrolls has been one of the most widely discussed topics of the past sixty years in western religious circles; here it has been almost a dogma among scholars that the members of the Qumran community were idiosyncratic in that they expected not one, but two Messiahs. Hurst has stood against this idea, claiming that the members of the desert sect held to a thoroughly orthodox Jewish belief in one Messiah (Hurst 1999) (there is little, if any, evidence that his arguments in this regard have made even a negligible impact on the field). He is also concerned to explore the influence of Christianity in general, and the Bible in particular, on the films of the twentieth and twenty-first centuries - especially those that use the Bible symbolically in "modern" settings (Hurst 2004). Film History In addition to studies in religion and the Bible, Hurst has maintained a long interest in the history of film. For most of his life he studied cinema as an avocation, but in his later years it consumed an increasing amount of his time. For approximately ten years he taught a popular course on film at the University of California, Davis, where his work tended to center on the relationship of film and music and of film and religion. He was an accredited film historian, having appeared in many documentary features (on DVD and television, including Britain (the BBC) and Australia (the ABC)) dealing with various aspects of some of the most significant films in American cinematic history. He displayed a special fondness for crime films, having publicly commented on three of what he considered (in addition to The Godfather trilogy) to be among the most historically crucial: Angels with Dirty Faces, The Roaring Twenties and (most significantly) White Heat. He is seen notably in features accompanying the Warner Brothers DVD releases of the classic 1941 release of "The Maltese Falcon", and in various 'signature collection' DVDs, including those of Humphrey Bogart and Errol Flynn, featuring on the commentaries alongside Martin Scorsese, Eric Lax, Michael Madsen, and Theresa Russell, among others. In 2005 he recorded the full-length audio commentary for the Warner Home Video DVD release of the 1939 classic James Cagney crime film, The Roaring Twenties, included in "The Warner Gangsters Collection". Selected works Books (with N. T. Wright, ed.), The Glory of Christ in the New Testament: Studies in Christology in Memory of George Bradford Caird. Oxford: Clarendon Press, Oxford, 1987. The Epistle to the Hebrews: Its Background of Thought. SNTS Monograph Series No. 65. Cambridge: Cambridge University Press, 1990. New Testament Theology, by G. B. Caird, Completed and Edited by L. D. Hurst. Oxford and New York: Oxford University Press, 1994 (Paperback 1995). Swashbuckler at the Front: Errol Flynn, the Spanish Civil War, Religion, and Fascism. Lanham, MD: Scarecrow Press (forthcoming). Articles & Essays "How 'Platonic' are Hebrews viii.5 and ix.23ff.?", Journal of Theological Studies n.s. 34 (1983), pp. 156ff. "Eschatology and 'Platonism' in the Epistle to the Hebrews," Society of Biblical Literature Seminar Papers 23, Chico (1984), pp. 41ff. "Apollos, Hebrews and Corinth: Bishop Montefiore's Theory Examined," Scottish Journal of Theology 38 (1986), pp. 505ff. "The Christology of Hebrews 1 and 2," in Hurst and Wright (eds.), The Glory of Christ in the New Testament (see above), pp. 151ff. "The Ethics of Jesus," in Joel B. Green, Scot McKnight, and I. Howard Marshall (eds.), Dictionary of Jesus and the Gospels. Downers Grove: InterVarsity, 1992, pp. 210ff. "The Neglected Role of Semantics in the Search for the Aramaic Words of Jesus," Journal for the Study of the New Testament 28 (1986), pp. 63ff. (reprinted in Craig A. Evans and Stanley E. Porter [eds.], The Historical Jesus: A Sheffield Reader. Sheffield: Sheffield Academic Press, 1995, pp. 219ff.) "New Testament Theological Analysis," Introducing New Testament Interpretation, ed. Scot McKnight (Grand Rapids, MI: Baker Books, 1989), pp. 133-161. "Priest, High Priest," in Ralph P. Martin and Peter H. Davids (eds.), Dictionary of the Later New Testament and Its Developments. Downers Grove: InterVarsity, 1997, pp. 963ff. (with Joel B. Green), "Priest, Priesthood," in Joel B. Green, Scot McKnight, and I. Howard Marshall (eds.), Dictionary of Jesus and the Gospels. Downers Grove: InterVarsity, 1992, pp. 633ff. "Qumran," in Ralph P. Martin and Peter H. Davids (eds.), Dictionary of the Later New Testament and Its Developments. Downers Grove: InterVarsity, 1997, pp. 997ff. "Re-Enter the Pre-Existent Christ in Philippians 2.5-11?", New Testament Studies 32 (1986), pp. 449ff. (reprinted, with new material, as "Christ, Adam, and Pre-Existence Revisited," in Ralph P. Martin and Brian Dodd (eds.), Where Christology Began. Louisville, Ky.: Westminster/John Knox, 1998), pp. 84ff. "George Bradford Caird," A Historical Handbook of Major Biblical Interpreters, ed. Donald McKim (Downers Grove, Il: Intervarsity, 1998), 456-462. "Did Qumran Expect Two Messiahs?", Bulletin of Biblical Research 9 (1999), pp. 157ff. "Foreword," G. B. Caird, Principalities and Powers. Eugene, Or: Wipf and Stock, 2003, pp. 1–9. "Six-Gun Savior: George Stevens' 'Shane' and Paul's Letter to the Romans," in Sheila E. McGinn (ed.), Celebrating Romans: Template for Pauline Theology. Essays in Honor of Robert Jewett. Grand Rapids: Eerdmans, 2004, pp. 240ff. External links "Popular former UC Davis professor dies at age 62," The California Aggie, 4 December 2008. Eulogy in Memory of L. D. Hurst, Fremont Presbyterian Church, Sacramento, CA, 17 January 2009. Lincoln Hurst at IMDb Lincoln Hurst UC Davis Wiki profile Bruce M. Metzger's review of New Testament Theology, by George B. Caird and Lincoln D. Hurst Passage 8: Lincoln Kilpatrick Jr. Lincoln Kilpatrick Jr. (born October 4, 1961) is a former child star and American actor during the 1970s. Biography Early life Kilpatrick was born on October 4, 1961 in North Hollywood, California. He was born the eldest of five children born to actor Lincoln Kilpatrick and former performer Helena Ferguson. Career Kilpatrick appeared in his first film and began his career at the age of 10 in the movie Dead Men Tell No Tales in 1971 as the role of Mike Carter. Kilpatrick also played the minor role of Jeff in the 1977 TV movie Alexander: The Other Side of Dawn. Kilpatrick made his first television appearance on the March 9, 1973 episode of the NBC sitcom Sanford and Son. Kilpatrick also made a television appearance on the CBS sitcom Good Times in the episode Michael, the Warlord as Ratbone, the leader of the "Junior Warlords" street gang Michael has been bullied into. The episode aired on October 13, 1976. Family Kilpatrick is the son of longtime film and television actor Lincoln Kilpatrick and performer Helena Ferguson. He is also the nephew of actor John Kilpatrick. Kilpatrick is also the brother of actress DaCarla Kilpatrick, actor/director Erik Kilpatrick, actress Jozella Reed, and producer Marjorie L. Reed. Filmography Dead Men Tell No Tales (Mike Carter) (1971)Sanford and Son (Jason) (Episode: "The Kid" air date - March 9, 1973) Good Times (Ratbone) (Episode: "Michael, the Warlord") Alexander: The Other Side of Dawn (Jeff) (1977) Passage 9: Catherine I of Russia Catherine I Alekseevna Mikhailova (Russian: Екатери́на I Алексе́евна Миха́йлова, tr. Ekaterína I Alekséyevna Mikháylova; born Polish: Marta Helena Skowrońska, Russian: Ма́рта Самуи́ловна Скавро́нская, tr. Márta Samuílovna Skavrónskaya; 15 April [O.S. 5 April] 1684 – 17 May [O.S. 6 May] 1727) was the second wife and empress consort of Peter the Great, and empress regnant of Russia from 1725 until her death in 1727. Life as a servant The life of Catherine I was said by Voltaire to be nearly as extraordinary as that of Peter the Great himself. Only uncertain and contradictory information is available about her early life. Said to have been born on 15 April 1684 (o.s. 5 April), she was originally named Marta Helena Skowrońska. Marta was the daughter of Samuel Skowroński (later spelled Samuil Skavronsky), a Roman Catholic farmer from the eastern parts of the Polish–Lithuanian Commonwealth, born to Minsker parents. In 1680 he married Dorothea Hahn at Jakobstadt. Her mother is named in at least one source as Elizabeth Moritz, the daughter of a Baltic German woman and there is debate as to whether Moritz's father was a Swedish officer. It is likely that two stories were conflated, and Swedish sources suggest that the Elizabeth Moritz story is probably incorrect. Some biographies state that Marta's father was a gravedigger and handyman, while others speculate that he was a runaway landless serf. Marta's parents died of the plague around 1689, leaving five children. According to one of the popular versions, at the age of three Marta was taken by an aunt and sent to Marienburg (the present-day Alūksne in Latvia, near the border with Estonia and Russia) where she was raised by Johann Ernst Glück, a Lutheran pastor and educator who was the first to translate the Bible into Latvian. In his household she served as a lowly servant, likely either a scullery maid or washerwoman. No effort was made to teach her to read and write and she remained illiterate throughout her life. Marta was considered a very beautiful young girl, and there are accounts that Frau Glück became fearful that she would become involved with her son. At the age of seventeen, she was married off to a Swedish dragoon, Johan Cruse or Johann Rabbe, with whom she remained for eight days in 1702, at which point the Swedish troops were withdrawn from Marienburg. When Russian forces captured the town, Pastor Glück offered to work as a translator, and Field Marshal Boris Sheremetev agreed to his proposal and took him to Moscow. There are unsubstantiated stories that Marta worked briefly in the laundry of the victorious regiment, and also that she was presented in her undergarments to Brigadier General Rudolph Felix Bauer, later the Governor of Estonia, to be his mistress. She may have worked in the household of his superior, Sheremetev. It is not known whether she was his mistress, or household maid. She travelled back to the Russian court with Sheremetev's army.Afterwards she became part of the household of Prince Alexander Menshikov, who was the best friend of Peter the Great of Russia. Anecdotal sources suggest that she was purchased by him. Whether the two of them were lovers is disputed, as Menshikov was already engaged to Darya Arsenyeva, his future wife. It is clear that Menshikov and Marta formed a lifetime alliance. It is possible that Menshikov, who was quite jealous of Peter's attentions and knew his tastes, wanted to procure a mistress on whom he could rely. In any case, in 1703, while visiting Menshikov at his home, Peter met Marta. In 1704, she was well established in the Tsar's household as his mistress, and gave birth to a son, Peter. In 1703, she converted to Orthodoxy and took the new name Catherine Alexeyevna (Yekaterina Alexeyevna). She and Darya Menshikova accompanied Peter and Menshikov on their military excursions. Marriage and family life Though no record exists, Catherine and Peter are described as having married secretly between 23 October and 1 December 1707 in Saint Petersburg. They had twelve children, two of whom survived into adulthood, Anna (born 1708) and Elizabeth (born 1709). Peter had moved the capital to St. Petersburg in 1703. While the city was being built he lived in a three-room log cabin with Catherine, where she did the cooking and caring for the children, and he tended a garden as though they were an ordinary couple. The relationship was the most successful of Peter's life and a great number of letters exist demonstrating the strong affection between Catherine and Peter. As a person she was very energetic, compassionate, charming, and always cheerful. She was able to calm Peter in his frequent rages and was often called in to do so. Catherine went with Peter on his Pruth Campaign in 1711. There, she was said to have saved Peter and his Empire, as related by Voltaire in his book Peter the Great. Surrounded by overwhelming numbers of Turkish troops, Catherine suggested before surrendering, that her jewels and those of the other women be used in an effort to bribe the Ottoman grand vizier Baltacı Mehmet Pasha into allowing a retreat. Mehmet allowed the retreat, whether motivated by the bribe or considerations of trade and diplomacy. In any case Peter credited Catherine and proceeded to marry her again (this time officially) at Saint Isaac's Cathedral in St. Petersburg on 9 February 1712. She was Peter's second wife; he had previously married and divorced Eudoxia Lopukhina, who had borne him the Tsarevich Alexis Petrovich. Upon their wedding, Catherine took on the style of her husband and became Tsarina. When Peter elevated the Russian Tsardom to Empire, Catherine became Empress. The Order of Saint Catherine was instituted by her husband on the occasion of their wedding. Issue Catherine and Peter had twelve children, all of whom died in childhood except Anna and Elizabeth: Peter Petrovich (1704–1707), died in infancy Paul Petrovich (October 1705–1707), died in infancy Catherine Petrovna (7 February 1707–7 August 1708) Grand Duchess Anna Petrovna (27 January 1708–15 May 1728) Grand Duchess Elizabeth Petrovna (29 December 1709–5 January 1762) Grand Duchess Mary Natalia Petrovna (20 March 1713–17 May 1715) Grand Duchess Margaret Petrovna (19 September 1714–7 June 1715) Grand Duke Peter Petrovich (9 November 1715–6 May 1719) Grand Duke Paul Petrovich (13 January 1717–14 January 1717) Grand Duchess Natalia Petrovna (31 August 1718–15 March 1725) Grand Duke Peter Petrovich (7 October 1723–7 October 1723) Grand Duke Paul Petrovich (1724–1724) Siblings Upon Peter's death, Catherine found her four siblings, Krystyna, Anna, Karol, and Fryderyk, gave them the newly created titles of Count and Countess, and brought them to Russia. Krystyna Skowrońska, renamed Christina (Russian: Христина) Samuilovna Skavronskaya (1687–14 April 1729), had married Simon Heinrich (Russian: Симон Гейнрих) (1672–1728) and their descendants became the Counts Gendrikov. Anna Skowrońska, renamed Anna Samuilovna Skavronskaya, had married one Michael-Joachim N and their descendants became the Counts Efimovsky. Karol Skowroński, renamed Karel Samuilovich Skavronsky, was created a Count of the Russian Empire on 5 January 1727 and made a Chamberlain of the Imperial Court; he had married Maria Ivanovna, a Russian woman, by whom he had descendants who became extinct in the male line with the death of Count Paul Martinovich Skavronskyi (1757-1793), father of Princess Catherine Bagration. Fryderyk Skowroński, renamed Feodor Samuilovich Skavronsky, was created a Count of the Russian Empire on 5 January 1727 and was married twice: to N, a Lithuanian woman, and to Ekaterina Rodionovna Saburova, without having children by either of them. Reign as empress regnant Catherine was crowned in 1724. The year before his death, Peter and Catherine had an estrangement over her support of Willem Mons, brother of Peter's former mistress Anna, and brother to one of the current ladies in waiting for Catherine, Matryona. He served as Catherine's secretary. Peter had fought his entire life to clear up corruption in Russia. Catherine had a great deal of influence over who could gain access to her husband. Willem Mons and his sister Matryona had begun selling their influence to those who wanted access to Catherine and, through her, to Peter. Apparently this had been overlooked by Catherine, who was fond of both. Peter found out and had Willem Mons executed and his sister Matryona exiled. He and Catherine did not speak for several months. Rumors flew that she and Mons had had an affair, but there is no evidence for this. Peter died (28 January 1725 Old Style) without naming a successor. Catherine represented the interests of the "new men", commoners who had been brought to positions of great power by Peter based on competence. A change of government was likely to favor the entrenched aristocrats. For that reason during a meeting of a council to decide on a successor, a coup was arranged by Menshikov and others in which the guards regiments with whom Catherine was very popular proclaimed her the ruler of Russia. Supporting evidence was "produced" from Peter's secretary Makarov and the Bishop of Pskov, both "new men" with motivation to see Catherine take over. The real power, however, lay with Menshikov, Peter Tolstoy, and other members of the Supreme Privy Council. Catherine viewed the deposed empress Eudoxia as a threat, so she secretly moved her to Shlisselburg Fortress near St. Petersburg to be put in a secret prison under strict custody as a state prisoner. Death Catherine I died two years after Peter I, on 17 May 1727 at age 43, in St. Petersburg, where she was buried at St. Peter and St. Paul Fortress. Tuberculosis, diagnosed as an abscess of the lungs, caused her early demise. Before her death she recognized Peter II, the grandson of Peter I and Eudoxia, as her successor. Assessment and legacy Catherine was the first woman to rule Imperial Russia, opening the legal path for a century almost entirely dominated by women, including her daughter Elizabeth and granddaughter-in-law Catherine the Great, all of whom continued Peter the Great's policies in modernizing Russia. At the time of Peter's death the Russian Army, composed of 130,000 men and supplemented by another 100,000 Cossacks, was easily the largest in Europe. However, the expense of the military was proving ruinous to the Russian economy, consuming some 65% of the government's annual revenue. Since the nation was at peace, Catherine was determined to reduce military expenditure. For most of her reign, Catherine I was controlled by her advisers. However, on this single issue, the reduction of military expenses, Catherine was able to have her way. The resulting tax relief on the peasantry led to the reputation of Catherine I as a just and fair ruler.The Supreme Privy Council concentrated power in the hands of one party, and thus was an executive innovation. In foreign affairs, Russia reluctantly joined the Austro-Spanish league to defend the interests of Catherine's son-in-law, the Duke of Holstein, against Great Britain. Catherine gave her name to Catherinehof near St. Petersburg, and built the first bridges in the new capital. She was also the first royal owner of the Tsarskoye Selo estate, where the Catherine Palace still bears her name. The city of Yekaterinburg is named after her, Yekaterina being the Russian form of her name. She also gave her name to the Kadriorg Palace (German: Katharinental, meaning "Catherine's Valley"), its adjacent Kadriorg Park and the later Kadriorg neighbourhood of Tallinn, Estonia, which today houses the Presidential Palace of Estonia. The name of the neighbourhood is also used as a metonym for the institution of the President. In general, Catherine's policies were reasonable and cautious. The story of her humble origins was considered by later generations of tsars to be a state secret. See also Bibliography of Russian history (1613–1917) Rulers of Russia family tree Notes Passage 10: W. Augustus Barratt W. Augustus Barratt (3 June 1873 – 12 April 1947) was a Scottish-born, later American, songwriter and musician. Early life and songs Walter Augustus Barratt was born 3 June 1873 in Kilmarnock, the son of composer John Barratt; the family later lived in Paisley. In 1893 he won a scholarship for composition to the Royal College of Music. In his early twenties he contributed to The Scottish Students' Song Book, with three of his own song compositions and numerous arrangements. By the end of 1897 he had published dozens of songs, such as Sir Patrick Spens, The Death of Cuthullin, an album of his own compositions, and arrangements of ten songs by Samuel Lover. He then, living in London, turned his attention to staged musical comedy, co-creating, with Adrian Ross, The Tree Dumas Skiteers, a skit, based on Sydney Grundy's The Musketeers that starred Herbert Beerbohm Tree. He co-composed with Howard Talbot the successful Kitty Grey (1900).He continued to write songs and to receive recognition for them. The 1901 and 1902 BBC Promenade Concerts, "The Proms", included four of his compositions, namely Come back, sweet Love, The Mermaid, My Peggy and Private Donald. His setting of My Ships, a poem by Ella Wheeler Wilcox, was performed by Clara Butt and republished several times. It also appeared four times, with different singers, in the 1913 and 1914 Proms. America In September 1904 he went to live in New York City, finding employment with shows on Broadway, including the following roles: on-stage actor (Sir Benjamin Backbite) in Lady Teazle (1904-1905), a musical version of The School for Scandal; musical director of The Little Michus (1907), also featuring songs by Barratt; co-composer of Miss Pocahontas (1907), a musical comedy; musical director of The Love Cure (1909–1910), a musical romance; composer of The Girl and the Drummer (1910), a musical romance with book by George Broadhurst. Tried out in Chicago and elsewhere, it did not do well and never reached Broadway; musical director of The Quaker Girl (1911–1912); co-composer and musical director of My Best Girl (1912); musical director of The Sunshine Girl (1913); musical director of The Girl who Smiles (1915), a musical comedy; musical director and contributor to music and lyrics of Her Soldier Boy (1916–1917); composer, lyricist and musical director of Fancy Free (1918), with book by Dorothy Donnelly and Edgar Smith; contributor of a song to The Passing Show of 1918; composer and musical director of Little Simplicity (1918), with book and lyrics by Rida Johnson Young; contributor of lyrics to The Melting of Molly (1918–1919), a musical comedy; musical director of What's in a Name? (1920), a musical revue 1921 in London Though domiciled in the US, he made several visits back to England. During an extended stay in 1921 he played a major part in the creation of two shows, both produced by Charles B. Cochran, namely League of Notions, at the New Oxford Theatre, for which he composed the music and co-wrote, with John Murray Anderson, the lyrics; Fun of the Fayre, at the London Pavilion, for which similarly he wrote the music and co-wrote the lyrics Back to Broadway Back in the US he returned to Broadway, working as composer and lyricist of Jack and Jill (1923), a musical comedy; musical director of The Silver Swan (1929), a musical romance Radio plays In later years he wrote plays and operettas mostly for radio, such as: Snapshots: a radioperetta (1929) Sushannah and the Brush Wielders: a play in 1 act (1929) The Magic Voice: a radio series (1933) Men of Action: a series of radio sketches (1933) Say, Uncle: a radio series (1933) Sealed Orders: a radio drama (1934) Sergeant Gabriel (with Hugh Abercrombie) (1945) Personal In 1897 in London he married Lizzie May Stoner. They had one son. In 1904 he emigrated to the US and lived in New York City. His first marriage ended in divorce in 1915 and, in 1918, he married Ethel J Moore, who was American. In 1924, he became a naturalized American citizen. He died on 12 April 1947 in New York City. Note on his first name The book British Musical Biography by Brown & Stratton (1897) in its entry for John Barratt refers to "his son William Augustus Barratt" with details that make it clear that Walter Augustus Barratt is the same person and that a "William" Augustus Barratt is a mistake. For professional purposes up to about 1900 he appears to have written as "W. Augustus Barratt", and thereafter mostly as simply "Augustus Barratt".

doc_50

Passage 1: Nayelly Hernández Nayelly Hernández (born 23 February 1986) is a former Mexican professional squash player. She has represented Mexico internationally in several international competitions including the Central American and Caribbean Games, Pan American Games, Women's World Team Squash Championships. Nayelly achieved her highest career ranking of 57 in October 2011 during the 2011 PSA World Tour. Her husband Chris Walker whose nationality is English is also a professional squash player. She joined the Trinity College in 2008 as the first Mexican female to join a US college for squash and graduated in 2010. Career Nayelly joined PSA in 2006 and took part in the PSA World Tour until 2016, the 2015-16 PSA World Tour was her last World Tour prior to the retirement. Nayelly Hernandez represented Mexico at the 2007 Pan American Games and claimed a bronze medal as a part of the team event on her maiden appearance at the Pan American Games. In the 2011 Pan American Games she clinched gold in the women's doubles event along with Samantha Teran and settled for bronze in the team event. She has also participated at the Women's World Team Squash Championships on four occasions in 2010, 2012, 2014 and in 2016. Passage 2: Eleni Gabre-Madhin Eleni Zaude Gabre-Madhin (born 12 July 1964) is an Ethiopian-born Swiss economist, and former chief executive officer of the Ethiopia Commodity Exchange (ECX). She has had many years of experience working on agricultural markets – particularly in Sub-Saharan Africa – and has held senior positions in the World Bank, the International Food Policy Research Institute (Washington), and United Nations (Geneva). Eleni Gebremedhn Eleni was born in Addis Ababa, Ethiopian Empire on 12 July 1964. She grew up in four different African countries including Kenya, Tanzania and South Africa. She speaks fluent Swahili, English, Amharic and French. She graduated from Rift Valley Academy in Kenya with the highest of honours. She has a PhD in Applied Economics from Stanford University, master's degrees from Michigan State University and bachelor's in economics from Cornell University. Eleni was selected as "Ethiopian Person of the Year" for the 2002 ET calendar year (2009/2010 Gregorian) by the Ethiopian newspaper Jimma Times. Career She was the main driving force behind the development of the Ethiopia Commodity Exchange (ECX). Whilst working as a researcher for the International Food Policy Research Institute (IFPRI) she examined agricultural markets for many years and noticed, as had many others, that whilst in some years or regions there were severe shortages or droughts in others there were surpluses or bumper harvests. Specifically in her survey of grain traders in 2002, she found that a key factor was the lack of effective infrastructure and services needed for grain markets to function properly. Traders often failed to have access to sufficient credit, information about the market, transportation and other vital resources and contract compliance was difficult to enforce. In 2004 she moved home from the US to lead an IFPRI program to improve Ethiopia's agricultural policies and markets. Specifically she undertook the important role of coordinating the advisory body developing the ECX. She became CEO of the new exchange in 2008, and argued that "(W)hen farmers can sell their crops on the open market and get a fair price, they will have much more incentive to be productive, and Ethiopia will be much less prone to food crises" .... and that the "ECX will allow farmers and traders to link to the global economy, propelling Ethiopian agriculture forward to a whole new level."In February 2013, she became a director of Syngenta.In 2013, Eleni launched eleni LLC, a company intended to build and invest in commodity exchanges in markets in the developing world, including Africa.In November 2021, the Canadian novelist Jeff Pearce leaked a video that depicts Eleni's participation in a virtual meeting discussion, along with Professor Ephraim Isaac, former Ethiopian Minister of Foreign Affairs and current TPLF spokesperson Berhane Gebre-Christos and several Western diplomats, that mentioned a transitional government during Tigray War. Shortly, she was removed from membership of the Independent Economic Council, which formed to support Prime Minister Abiy Ahmed economic transition. On 25 November, Eleni released a statement that denying the allegation as "deliberately misrepresented". Two days before the leaked video unveiled, police forces searched her house and remained undisclosed for suspected foul play. The incident stirred public outrage in Ethiopia and its diaspora, condemning her as traitor. The University of Gondar also revoked an honorary doctorate it had awarded her. Awards In 2010, Eleni was named Ethiopian Person of the Year for the 2002 Ethiopian year. Eleni was listed as one of the 50 Women Shaping Africa in 2011.In 2012, Eleni was awarded the Yara Laurate Prize from the Norwegian fertilizer manufacturer Yara International for her outstanding contributions to sustainable food production and distribution with socio-economic impact. Previous recipients of the prize include former prime minister of Ethiopia Meles Zenawi. That same year, she was recognized as one of New African Magazine's 100 Most Influential Africans, won the African Banker Icon Award, and invited to the G8 Summit at Camp David.She was granted The Power with Purpose Award from Devex and McKinnsey in 2016.Formerly, Eleni Gabre-Madhin received an honorary doctorate, in 2013, from the University of Gondar in Ethiopia. However, later in November 2021, the University of Gondar revoked the Honorary Doctorate of Eleni Gabre-Madhin in relation to her involved clandestine video meeting aimed at toppling the democratically elected government of Ethiopia. Passage 3: Khalid al-Habib Khalid Habib (Arabic: خالد حبيب) (died October 16, 2008), born Shawqi Marzuq Abd al-Alam Dabbas (Arabic: شوقي مرزوق عبد العليم دباس), was an ascending member of al-Qaeda's central structure in Pakistan and Afghanistan. His nationality was reported as Egyptian (by CBS News) and as Moroccan (by The New York Times). Habib was the operations commander for the region. He was one of several al-Qaeda members who were more battle-hardened by combat experience in Iraq, Chechnya, and elsewhere. This experience rendered them more capable than their predecessors. According to The New York Times, this cadre was more radical than the previous generation of al-Qaeda leadership. The FBI described Habib as "one of the five or six most capable, most experienced terrorists in the world.In 2008, Habib relocated from Wana to Taparghai, Pakistan to avoid missile strikes launched from US-operated MQ-1 Predator aircraft which targeted al Qaeda and Taliban personnel. Khalid Habib was killed by a Predator strike near Taparghai on October 16, 2008. Habib was reportedly sitting in a Toyota station wagon which was struck by the missile. On October 28, militants confirmed to the Asia Times that Habib was killed in the drone attack. Passage 4: Baglan Mailybayev Baglan Mailybayev (Kazakh: Бағлан Асаубайұлы Майлыбаев, Bağlan Asaubaiūly Mailybaev) was born on 20 May 1975 in Zhambyl region, Kazakhstan. His nationality is Kazakh. He is a politician of the Republic of Kazakhstan, Deputy Head of the Presidential Administration of the Republic of Kazakhstan, Doctor of Law (2002) (under the supervision of Professor Zimanov S.Z. – scientific advisor and academician of National Academy of Sciences of the Republic of Kazakhstan) and PhD in political science (1998). Biography In 1996 he obtained a bachelor's degree in journalism from the Kazakh State National University named after Al-Farabi. In 1998 he was awarded a degree of PhD in political science after graduating from a graduate school of Political Science and Political Administration of the Russian Academy of Public Administration under the president of the Russian Federation. Between 1998 and 2002 he used to work as a senior researcher at the Institute of State and Law of the National Academy of Sciences of the Republic of Kazakhstan as well as a lecturer at the Kazakh State University of International Relations and World Languages named after Abylai Khan. Between February and May 2002 he worked as the Head of Mass Media Department of the Ministry of Culture, Information and Public Accord of the Republic of Kazakhstan. Between May 2002 and September 2003 he was a President of the Joint Stock Company "Republican newspaper "Kazakhstanskaya Pravda"". Between September 2003 and December 2004 he was a President of the Joint Stock Company "Zan". Since December 2004 he had served as the Head of the Press office of the President of the Republic of Kazakhstan. Since October 2008 he had been a Chairman of the Committee of Information and Archives of Ministry of Culture and Information of the Republic of Kazakhstan. Since December 2008 he had been a Vice Minister of Culture and Information of the Republic of Kazakhstan. Between June 2009 and October 2011 he worked as Press Secretary of the President of the Republic of Kazakhstan. In October 2011 he was appointed as a Deputy Head of the Presidential Administration of the Republic of Kazakhstan by the Presidential decree. Personal life Marital status: He is married and has two children. Awards Baglan Mailybayev was awarded "Kurmet", "Parasat" orders, medals and a letter of acknowledgement of the President of the Republic of Kazakhstan. In 1998 he became a prizewinner at the award of Young Scientists of National Academy of Sciences of the Republic of Kazakhstan. Publications He is the author of 4 monographs and more than 150 scientific publications, published in Kazakhstani as well as in foreign editions. He is also the author of a number of feature stories, supervisor and a scriptwriter of television projects and documentaries. Research interests Comparative Political Science, Theory of State and Law, History of State and Law, Constitutional Law. Language abilities: He speaks Kazakh, Russian and English fluently. Note The predecessor of Baglan Mailybayev at the position of a Deputy Head of the Presidential Administration of the Republic of Kazakhstan was Maulen Ashimbayev. Passage 5: Roberto Savio Roberto Savio (born in Rome, Italy, but also holding Argentine nationality) is a journalist, communication expert, political commentator, activist for social and climate justice and advocate of global governance. He has spent most of his career with Inter Press Service (IPS), the news agency which he founded in 1964 along with Argentine journalist Pablo Piacentini.Savio studied Economics at the University of Parma, followed by post-graduate courses in Development Economics under Gunnar Myrdal, History of Art and International Law in Rome. He started his professional career as a research assistant in International Law at the University of Parma. Early activities While at university, Roberto Savio acted as an international officer with Italy’s National Student Association and the Youth Movement of Italy’s Christian Democracy party, eventually taking on responsibility for Christian Democracy’s relations with developing countries. After leaving university, he became international press chief for former Italian Prime Minister Aldo Moro. After the 1973 Chilean coup d’etat, Roberto Savio left Italian politics to pursue journalism. Early journalistic career Roberto Savio’s career in journalism began with Italian daily ‘Il Popolo’ and he went on to become Director for News Services for Latin America with RAI, Italy’s state broadcasting company. He received a number of awards for TV documentaries, including the Saint-Vincent Award for Journalism, the most prestigious journalism award in Italy. Inter Press Service (IPS) Throughout his student years, Roberto Savio had cultivated an interest in analysing and explaining the huge information and communication gap that existed between the North and the South of the world, particularly Latin America. Together with Argentine journalist Pablo Piacentini, he decided to create a press agency that would permit Latin American exiles in Europe to write about their countries for a European audience. That agency, which was known in the early days as Roman Press Agency, was the seed for what was to become the Inter Press Service (IPS) news agency, which was formally established at a meeting in the Schloss Eichholz conference centre of the Konrad Adenauer Foundation (the foundation of the CDU), in Wesseling near Bonn, then the capital city of West Germany. From the outset, it was decided that IPS would be a non-profit cooperative of journalists and its statute declared that two-thirds of the members should come from the South. Roberto Savio gave IPS its unique mission – “giving a voice to the voiceless” – acting as a communication channel that privileges the voices and the concerns of the poorest and creates a climate of understanding, accountability and participation around development, promoting a new international information order between the South and the North. The agency grew rapidly throughout the 1970s and 1980s until the dramatic events of 1989-91 – the fall of the Berlin Wall and the collapse of the Soviet Union – prompted new goals and definitions: IPS was the first news outlet to identify itself as “global” and define the new concept of neoliberal globalisation as contributing to the distancing of developing countries from wealth, trade and policy-making. IPS offers communication services to improve South–South cooperation and South-North exchanges and carries out projects with international partners to open up communication channels to all social sectors. IPS has been recognised by the United Nations and granted NGO consultative status (category I) with ECOSOC. With the strengthening of the process of globalisation, IPS has dedicated itself to global issues, becoming the news agency for global civil society: more than 30,000 NGOs subscribe to its services, and several million people are readers of its online services. Under Roberto Savio, IPS won the Washington-based Population Institute’s “most conscientious news service” award nine time in the 1990s, beating out the major wire services year in and year out.IPS won FAO’s A.H. Boerma Award for journalism in 1997 for its "significant contribution to covering sustainable agriculture and rural development in more than 100 countries, filling the information gap between developed and developing countries by focusing on issues such as rural living, migration, refugees and the plight of women and children". On the initiative of Roberto Savio, IPS established the International Journalism Award in 1985 to honour outstanding journalists whose efforts, and often lives, contributed significantly to exposing human rights violations and advancing democracy, most often in developing countries. In 1991, the scope of the award was broadened to reflect the tremendous changes taking place in the world following the historic break-up of the Soviet Union and the end of the Cold War. The Award, renamed the International Achievement Award, was given in recognition of the work of individuals and organisations that “continue to fight for social and political justice in the new world order”. Roberto Savio is now President Emeritus of IPS and Chairman of the IPS Board of Trustees, which also includes former U.N. Secretary-General Boutros Boutros-Ghali, former Portuguese President Mario Soares, former UNESCO Director-General Federico Mayor Zaragoza, former Finnish President and Nobel Peace Prize laureate Martti Ahtisaari, former Costa Rican President and Nobel Peace Prize laureate Oscar Arias and former Japanese Prime Minister Toshiki Kaifue. After stepping down as Director-General of IPS, Roberto Savio has continued his interest in “alternative” communication and information, founding Other News as an international non-governmental association of people concerned about the decline of the information media. Other News In 2008, Roberto Savio launched the online Other News service to provide “information that markets eliminate”. Other News publishes reports that have already appeared in niche media but not in mass circulation media, in addition to opinions and analyses from research centres, universities and think tanks – material that is intended to give readers access to news and opinion that they will not find in their local newspapers but which they might wish to read “as citizens who care about a world free from the pernicious effects of today’s globalisation”. Other News also distributes daily analysis on international issues, particularly the themes of global governance and multilateralism, to several thousand policy-makers and leaders of civil society, in both English and Spanish. Communication initiatives An internationally renowned expert in communications issues, Roberto Savio has helped launched numerous communication and information projects, always with an emphasis on the developing world. Among others, Roberto Savio helped launch the National Information Systems Network (ASIN) for Latin America and the Caribbean, the UNESCO-sponsored Agencia Latinoamericana de Servicios Especiales de Informacion [Latin American Special Information Services Agency] (ALASEI), and the Women’s Feature Service (WFS), initially an IPS service and now an independent NGO with headquarters in New Delhi. He also founded the Technological Information Promotion System (TIPS), a major U.N. project to implement and foster technological and economic cooperation among developing countries, and he developed Women into the New Network for Entrepreneurial Reinforcement (WINNER), a TIPS training project aimed at educating and empowering small and medium woman entrepreneurs in developing countries. The activities of TIPS are currently carried by the executing agency, Development Information Network (DEVNET), an international association which Roberto Savio helped create and which has been recognised by the United Nations as an NGO holding consultative status (category I) with the U.N. Economic and Social Council (ECOSOC). Roberto Savio has also been actively involved in promoting exchanges between regional information services, such as between ALASEI and the Organisation of Asian News Agencies (OANA) now known as the Organisation of Asia-Pacific News Agencies, and between the PanAfrican News Agency (PANA) and the Federation of Arab News Agencies (FANA). Roberto Savio was instrumental in placing the concept of a Development Press Bulletin Service Tariff on the agenda of UNESCO’s International Commission for the Study of Communication Problems (MacBride Commission). Roberto Savio has also worked closely in the field of information and communication with many United Nations organisations, including the United Nations Development Programme (UNDP), the United Nations Environment Programme (UNEP), the United Nations Educational, Scientific and Cultural Organisation (UNESCO), the United Nations Population Fund (UNFPA), the United Nations Children’s Fund (UNICEF) and the United Nations Institute for Training and Research (UNITAR). Achievements and awards In 1970, Roberto Savio received the Saint-Vincent Award for Journalism, the most prestigious journalism award in Italy, for a five-part series on Latin America which was recognised as “best TV transmission”. He was awarded the Hiroshima Peace Award in 2013 for his “contribution towards the construction of a century of peace by ‘giving voice to the voiceless’ through Inter Press Service for nearly five decades”. The award was established by Soka Gakkai, a lay Buddhist organisation based in Tokyo. He received the Joan Gomis Memorial Award (Catalunya) for Journalism for Peace in 2013.In October 2016, during the 31st Festival of Latin American Cinema in Trieste, Italy, Roberto Savio received the "Salvador Allende" award, given to honour a personality from the world of culture, art or politics who actively supported the conservation of Latin America's rich history and culture.In 2019, he received a special diploma from the President of Chile, Michelle Bachelet, for his role of solidarity during the Chilean military dictatorship. He was appointed by President of the Republic Mattarella, one of the twelve Knights of the Order of Merit of the Italian Republic for 2021. He also received an honorary degree in political science from the United Nations Peace University in 2021. Advisory activities Roberto Savio served as Senior Adviser for Strategies and Communication to the Director General of the International Labour Organization (ILO) from 1999 to 2003. He also served as an internal communication consultant to Catherine Bertini, Executive Director of the World Food Programme (WFP), in 2000. Affiliations From 1999 to 2003, Roberto Savio was a board member of the Training Centre for Regional Integration, based in Montevideo, Uruguay. After several years as a member of the Governing Council of the Society for International Development (SID), the world’s oldest international civil society development organisation, he was elected Secretary-General for three terms, and is now the organisation’s Secretary-General Emeritus. Roberto Savio was founder and President of Indoamerica, an NGO that promotes education in poor areas of Argentina suffering from social breakdown. He has been a member of the International Committee of the World Social Forum (WSF) since it was established in 2001, a member of the International Council and was elected as Coordinator of the ‘Media, Culture and Counter-Hegemony’ thematic area at WSF 2003. Roberto Savio is co-founder of Media Watch International, based in Paris, of which he is Secretary General. Until 2009, Roberto Savio was Chairman of the Board of the Alliance for a New Humanity, an international foundation established in Puerto Rico, which has been promoting the culture of peace since 2001 and whose Board includes thinker Deepak Chopra, Spanish judge Balthazar Garzon, Nobel prize winners Oscar Arias and Betty Williams, and philanthropists Ray Chambers, Solomon Levis and Howard Rosenfield. He is now a member of the Board.He is Deputy Director of the Scientific Council of the New Policy Forum (formerly the World Policy Forum), founded by Mikhail Gorbachev and based in Luxembourg, to provide a space for reflection and new thinking on the current international situation by influential global leaders. Roberto Savio is responsible for international relations of the European Centre for Peace and Development, based in Belgrade, whose mission is to contribute to peace and development in Europe and to international cooperation in the transfer of knowledge based on the premise that development under conditions of peace is only possible when conceived as human development. Roberto Savio is Chairman of Accademia Panisperna, a cultural meeting space in the centre of Rome, and is President of Arcoiris TV, an online TV channel with the world’s largest collection of videos and registrations of political and cultural events (over 70,000 hours), based in Modena, Italy. In 2016, Roberto Savio started contributing on a monthly basis to the Wall Street International Magazine with an economical and political column. Films and publications In 1972, Roberto Savio produced a three-part documentary on Che Guevara titled ‘Che Guevara – Inchiesta su un mito’ (Che Guevara – Investigation of a Myth), and has also produced five films, two of which were presented at the Venice and Cannes film festivals. Roberto Savio has published several books, including ‘Verbo America’ together with Alberto Luna (1990), which deals with the cultural identity of Latin America, and ‘The Journalists Who Turned the World Upside Down’ (2012), which has been published in three languages (English, Italian and Spanish), is a collection of narratives by over 100 IPS journalists and key global players, including Nobel Peace Prize laureates, who have supported the agency. It looks at information and communication as key elements in changes to the old post-Second World War and post-Cold War worlds. It provides an insight into the idealism that fired many of those who worked for the agency as well as the high esteem in which it was held by many prominent figures in the international community. In October 2016, Roberto Savio presented the first Other News publication: “Remembering Jim Grant: Champion for Children”, an online edition of the book dedicated to Jim Grant, UNICEF Executive Director 1980-1995, who saved 25 million children Current activities Roberto Savio is currently engaged in a campaign for the governance of globalisation and social and climate justice, which takes him as a speaker to numerous conferences worldwide, and about which he produces a continuous stream of articles and essays.He is Deputy Director of the Scientific Council of the New Policy Forum (formerly the World Policy Forum), founded by Mikhail Gorbachev and based in Luxembourg, to provide a space for reflection and new thinking on the current international situation by influential global leaders. Roberto Savio is responsible for international relations of the European Centre for Peace and Development, based in Belgrade, whose mission is to contribute to peace and development in Europe and to international cooperation in the transfer of knowledge based on the premise that development under conditions of peace is only possible when conceived as human development. Roberto Savio is Chairman of Accademia Panisperna, a cultural meeting space in the centre of Rome, and is President of Arcoiris TV, an online TV channel with the world’s largest collection of videos and registrations of political and cultural events (over 70,000 hours), based in Modena, Italy. Member of the Executive Committee for Fondazione Italiani, established in Rome, which publishes an online weekly magazine and organizes conferences about global issues. Member of the Maurice Strong Sustainability Award Selection Panel, established by the Global Sustainability Forum. External links Roberto Savio's stories published by IPS News Other News service Roberto Savio's stories on Other News Other News Facebook page Roberto Savio's Facebook page PREMIO SALVADOR ALLENDE A ROBERTO SAVIOInterviews and Articles The ‘Acapulco Paradox’ – Two Parallel Worlds Each Going Their Own Way What if Youth Now Fight for Social Change, But From the Right? Global governance and common values: the unavoidable debate Banks, Inequality and Citizens It is now official: the current inter-governmental system is not able to act in the interest of humankind Europe has lost its compass Ever Wondered Why the World is a Mess? Sliding Back to the Victorian Age Global Inequality and the Destruction of Democracy A Future With No Safety Net? How Brutal Austerity Cuts Are Dismantling the European Dream WE NEED BETTER, NOT MORE, INFORMATION Passage 6: Ali Rahuma Ali Khalifa Rahuma (Arabic: علي ارحومه) (born May 16, 1982) is a Libyan football midfielder, also a Libyan national. He currently plays for Al-Ittihad, and is a member of the Libya national football team. External links Ali Rahuma at National-Football-Teams.com SoccerPunter. “Ali Khalifa Rahuma Profile and Statistics.” SoccerPunter. SoccerPunter, n.d. Web. 6 Sept. 2016 Passage 7: Chu Lingqu Chu Lingqu (褚令璩) was an empress of the Chinese Southern Qi dynasty. Her husband was Xiao Baojuan. Chu Lingqu came from an aristocratic family, as the daughter of the official Chu Cheng (褚澄), a younger brother of Chu Yuan, who served as a high-level official during late Liu Song and later served as prime minister for Southern Qi's founding emperor, Emperor Gao. Xiao Baojuan's father Emperor Ming took Chu Lingqu to be the wife of Xiao Baojuan, who was then crown prince, in 495, and she thereafter carried the title of Crown Princess. She was not favored by Xiao Baojuan, who was, according to the History of Southern Dynasties, carrying on an incestuous affair with his sister the Princess Shanyin. However, after Emperor Ming died in 498 and was succeeded by Xiao Baojuan, Xiao Baojuan did create Crown Princess Chu empress. She continued to be not favored, however, and the couple had no children. (His favorite was Consort Pan Yunu, and his only known son Xiao Song (蕭誦) was born of Consort Huang, who died shortly after giving birth to Xiao Song. Empress Chu might have raised Xiao Song as her own son.) Xiao Baojuan was a violent ruler who executed officials whimsically, and this eventually drew a number of rebellions, the last of which, by the general Xiao Yan, overthrew him, as he was assassinated within the capital Jiankang in 501 as Xiao Yan sieged it. Once Xiao Yan entered the capital, he had Xiao Baojuan posthumously demoted to the title of Marquess of Donghun, and he had both Empress Chu and Crown Prince Song demoted to commoner status. Nothing further is known in history about her, including when she died. Passage 8: Emperor Gong of Jin Emperor Gong of Jin (simplified Chinese: 晋恭帝; traditional Chinese: 晉恭帝; pinyin: Jìn Gōng Dì; Wade–Giles: Chin Kung-ti; 386 – October or November 421), personal name Sima Dewen (Chinese: 司馬德文; pinyin: Sīmǎ Déwén), was the last emperor of the Eastern Jin Dynasty (266–420) in China. He became emperor in 419 after his developmentally disabled brother Emperor An was killed by the regent Liu Yu, and during his brief reign, actual power was in Liu Yu's hands. On 5 July 420, under pressure from Liu Yu, he yielded the throne to Liu Yu, ending Jin's existence. Liu Yu founded Liu Song, and in October or November 421, believing that the former Jin emperor posed a threat to his rule, had him asphyxiated with a blanket. Early life Sima Dewen was the second son of Emperor Xiaowu of Jin and his concubine Consort Chen Guinü in 386, born four years after Consort Chen had given birth to their oldest son, Sima Dezong. Contrary to his older brother who was described as so developmentally disabled that he was unable to speak, clothe himself, or express whether he was hungry or full, Sima Dewen was described as an intelligent child. From childhood, he became accustomed to care for his brother, especially after their mother's death in 390. Their father did not have any other sons. Despite Sima Dezong's severe developmental disability, he was made crown prince in 387 at the age of five by Emperor Xiaowu. On 27 Dec 392, Emperor Xiaowu bestowed upon Sima Dewen the title of "Prince of Langye" — the second most prestigious title for a prince after "Crown Prince". In 396, Emperor Xiaowu was strangled by his favorite concubine Honoured Lady Zhang after making an offensive remark about her age, and in 397 Sima Dezong succeeded the throne as Emperor An of Jin. Sima Dewen continued to care for his brother after his ascension to the throne. During Emperor An's reign Sometime during Emperor An's reign, Sima Dewen married his wife, Chu Lingyuan, who was from an aristocratic family. She had two daughters, Sima Maoying, later created the Princess Haiyan, and the later Princess Fuyang. Throughout Emperor An's early reign, Sima Dewen received increasingly honorific offices, but had little actual power, as the power was initially in the hands of his uncle, the regent Sima Daozi the Prince of Kuaiji, and later in the hands of Sima Daozi's son Sima Yuanxian. The situation continued after Sima Yuanxian was overthrown by the warlord Huan Xuan in 402. In 403, Huan Xuan forced Emperor An to yield the throne to him, temporarily ending Jin. Huan Xuan established a new state of Chu, and he created Emperor An the Prince of Pinggu (平固王) and Sima Dewen the Duke of Shiyang (石阳县公), but kept them close to him to watch them. In 404, however, a rebellion by the general Liu Yu quickly led to Huan Xuan's destruction and Emperor An's restoration. When, however, later that year Emperor An and Sima Dewen fell into the hands of Huan Xuan's nephew Huan Zhen (桓振), Huan Zhen considered executing Emperor An to avenge Huan Xuan's young son Huan Sheng (桓昇), who was killed by the rebels. It took great pleading on Sima Dewen's part, explaining that neither he nor Emperor An had had anything to do with Huan Sheng's death, for Huan Zhen to spare Emperor An. In early 405, Huan Zhen was defeated, and Emperor An and Sima Dewen returned to the capital Jiankang, but by this point power was in Liu Yu's hands, albeit in a power-sharing agreement with a number of allies whom he had had to recruit in his campaign against Huan Xuan. As the years went by, Liu Yu gradually concentrated more and more power in his hands, destroying rivals including Liu Yi (劉毅), Zhuge Zhangmin (諸葛長民), and Sima Xiuzhi (司馬休之), while greatly showing his strength in campaigns destroying rival states Southern Yan, Western Shu, and Later Qin. Sima Dewen continued to be largely ceremonially honored but actually powerless during this period. In 416, during Liu Yu's campaign against Later Qin, Sima Dewen asked to undertake a mission in Luoyang, recently captured from Later Qin, to try to restore the imperial tombs of the early Jin emperors, but it is not known what came of the mission. He returned to Jiankang in 418 after Liu Yu destroyed Later Qin. Late that year, Liu Yu, intending to seize the throne and believing a prophecy stating, "There will be two more emperors after Changming" (Changming, which meant "dawn," was the courtesy name of Emperor Xiaowu), became intent on killing Emperor An and replacing him with Sima Dewen. However, because Sima Dewen continuously attended to his brother, assassins whom Liu Yu sent to poison Emperor An did not have the opportunity to do so. However, around the new year 419, Sima Dewen was ill and had to be at his own house, and Liu Yu's assassin Wang Shaozhi (王韶之) took the opportunity to kill Emperor An. Liu Yu then declared Sima Dewen emperor, as Emperor Gong. Reign Emperor Gong's reign was a brief and powerless one. He created his wife Princess Chu empress in spring 419. He also promoted Liu Yu, then carrying the title Duke of Song, to the Prince of Song, which Liu Yu initially declined but accepted in fall 419. In spring 420, Liu Yu, then at Shouyang sent his assistant Fu Liang to Jiankang to pressure Emperor Gong to yield the throne. Emperor Gong responded by summoning Liu Yu back to the capital in summer 419, and Fu then offered him a draft of an abdication edict, requesting that he write it personally. Sima Dewen did so, and then left the palace and went to his old house while he was Prince of Langya. Five days later, Liu Yu took the throne and established the Liu Song dynasty, ending Jin. After abdication Liu Yu created Sima Dewen the Prince of Lingling and built a palace for him near Jiankang. He had the general Liu Zunkao (劉遵考), a distant cousin, lead a group of guards, ostensibly to protect the prince but instead to keep him under watch. Soon, Liu Yu, still believing Sima Dewen to be a threat, sent Sima Dewen's former attendant Zhang Wei (張偉) a bottle of poisoned wine, ordering him to poison Sima Dewen. Zhang, not wanting to carry out the order, drank the wine himself and died. Meanwhile, however, in order to prevent any likelihood that Sima Dewen would have a male heir, Liu Yu ordered Princess Chu's brothers Chu Xiuzhi (褚秀之) and Chu Danzhi (褚淡之) to poison any male children whom Princess Chu or Sima Dewen's concubines would bear. Sima Dewen himself feared death greatly, and he and Princess Chu remained in the same house, cooking their own meals, with Princess Chu paying for the material herself. Assassins whom Liu Yu sent initially could find no chance to kill the former emperor. In fall 421, Liu Yu sent Chu Danzhi and his brother Chu Yuzhi (褚裕之) to visit their sister. As Princess Chu came out to meet her brothers in a different house, soldiers sent by Liu Yu intruded into Sima Dewen's house and ordered him to take poison. He refused, stating that Buddhist doctrines prohibit suicide and that those who commit suicide could not be reborn as humans in their next lives. The assassins therefore used a blanket to cover his head and asphyxiated him. He was buried with imperial honors. As for the title of "Prince of Lingling", it remained in the Sima clan until it was abolished by Emperor Wu of Liang in April 502, when he ascended the throne. The last known Prince of Lingling was Sima Yaoshi (司马药师), who died on 30 March 490. Era name Yuanxi (元熙, Yuánxī): 11 February 419 – 10 July 420 Family Consorts and Issue: Empress Gongsi, of the Chu clan of Henan (恭思皇后 河南褚氏; 384–436), personal name Lingyuan (靈媛) Princess Haiyan (海鹽公主; 403–439), personal name Maoying (茂英) Married Liu Yifu (406–424) Princess Fuyang (富陽公主) Ancestry Passage 9: Chu Lingyuan Chu Lingyuan (Chinese: 褚靈媛) (384 – 7 August 436), formally Empress Gongsi (恭思皇后), was the last empress consort of the Chinese Eastern Jin dynasty. Her husband was the last emperor of the dynasty, Emperor Gong (Sima Dewen). Family background Chu Lingyuan was a daughter of the commandery governor Chu Shuang (褚爽), who was a grandson of the official Chu Pou (via Pou's son Chu Xin), making Chu Lingyuan a grandniece of Emperor Kang's wife Empress Chu Suanzi. Chu Lingyuan also had three older brothers: Chu Xiuzhi (褚秀之; 378-424), Chu Danzhi (褚淡之; 380-424), and Chu Yuzhi (褚裕之; 381-424) [known by his courtesy name Shudu (叔度) in records as his "Yu" is the same as Liu Yu's name]. Biography It is not known exactly when she married Emperor Gong, but the marriage took place while he was the Prince of Langye (from 27 December 392, to 27 Jan 419, with an interruption from 404 to April/May 405), during the reign of his developmentally disabled brother Emperor An. During their marriage, she bore two daughters – Sima Maoying (who was created the Princess Haiyan), and the Princess Fuyang, whose name is lost to history.After the regent Liu Yu killed Emperor An in 419 and made Sima Dewen emperor, she was created empress. Emperor Gong subsequently was forced to give up the throne to Liu Yu in 420, ending Jin. Liu Yu, who established the Liu Song dynasty, created the former Jin emperor the Prince of Lingling, and Empress Chu received the title Princess of Lingling. However, Liu Yu viewed the former emperor and any male progeny that he might bear as threats, and therefore had Chu Xiuzhi and Chu Danzhi (both Liu-Song officials) poison any male infants that Princess Chu or his concubines might bear. The former emperor himself feared death. He lived in the same house as his princess, and they set up a stove next to their bed, cooking their own meals (to try to prevent poisoning), and the princess herself paid for the material of the meals. The assassins that Liu Yu sent had little chance to poison him. However, in fall 421, Liu Yu sent Chu Danzhi and Chu Yuzhi to meet Princess Chu, and as they gathered in another house, assassins Liu Yu sent jumped into the prince's residence and try to force him to take poison. The former emperor refused, stating that Buddhist doctrines prohibited suicide and that those who committed suicide could not receive human bodies in the next reincarnation. The assassins therefore used a blanket to cover his head and asphyxiated him. Little is known about Princess Chu's life after her husband's death. Liu Yu had her adopt a son, presumably another member of the imperial Sima household, to inherit the title of Prince of Lingling, but this adopted son's name and identity is otherwise unknown. After the adoption, she became known as the Princess Dowager of Lingling (零陵王太妃). Her daughter Sima Maoying married Liu Yu's crown prince Liu Yifu, and after Liu Yu died in 422, Liu Yifu became emperor (as Emperor Shao) and created Sima Maoying empress, although Liu Yifu was himself removed and killed in 424 by imperial officials dissatisfied with his abilities to govern, and Empress Sima was demoted to being Princess of Yingyang. The former Jin empress died in August 436 and was buried with imperial honors with her husband Emperor Gong. == Notes and references == Passage 10: Emperor Mu of Jin Emperor Mu of Jin (simplified Chinese: 晋穆帝; traditional Chinese: 晉穆帝; pinyin: Jìn Mù Dì; Wade–Giles: Chin Mu-ti; 343 – July 10, 361), personal name Sima Dan (司馬聃), courtesy name Pengzi (彭子), was an emperor of the Eastern Jin Dynasty. While he "reigned" 17 years, most of these years were as a child, with the actual power in such figures as his mother Empress Chu Suanzi, He Chong, his granduncle Sima Yu the Prince of Kuaiji, Yin Hao, and Huan Wen. It was during his reign that Jin's territory temporarily expanded to its greatest extent since the fall of northern China to Han Zhao, as Huan destroyed Cheng Han and added its territory to Jin's, and Later Zhao's collapse allowed Jin to regain most of the territory south of the Yellow River. Prior to reign Sima Dan was born in 343, during the reign of his father Emperor Kang; his mother was Empress Chu Suanzi, Emperor Kang's wife. He was his father's only son. When he was only one year old in 344, Emperor Kang grew seriously ill. His granduncles from his paternal grandmother's side, the key officials Yu Bing (庾冰) and Yu Yi (庾翼), wanted to support his granduncle, a son of his great-grandfather Emperor Yuan, Sima Yu the Prince of Kuaiji, as the new emperor, but Emperor Kang accepted the advice of another key official, He Chong (何充), and decided to pass the throne to Sima Dan despite his young age. (He Chong had, two years earlier, given identical advice to Emperor Kang's older brother and predecessor Emperor Cheng (i.e., he should pass the throne to a son), advice which was not followed.) He therefore created Sima Dan crown prince. He died less than a month later, and Crown Prince Dan succeeded to the throne as Emperor Mu. Under Empress Dowager Chu's regency Due to Emperor Mu's young age, his mother Empress Dowager Chu became the ruling authority at court and served as regent, although she largely followed the advice of He Chong and Sima Yu the Prince of Kuaiji, who served as co-prime ministers. (Sima Yu took that position after Empress Dowager Chu's father, Chu Pou (褚裒), declined) After He Chong's death in 346, his role was taken by Cai Mo. In 345, after Yu Yi, who had served as the commander of military forces in the western provinces (roughly covering modern Hubei, Hunan, Guizhou, and Yunnan), died, the ambitious general Huan Wen (an uncle of Emperor Mu by marriage, having married his aunt Sima Xingnan (司馬興男) the Princess Nankang) was put in charge of those provinces. In late 346, Huan, despite a lack of approval from the central government, started a campaign to conquer Cheng Han, a rival state that possessed modern Sichuan and Chongqing. In 347, Cheng Han fell to him, allowing Jin to control all of southern China. From this point, however, Huan became effectively independent in his decision-making over the western provinces. Sima Yu, in apprehension that Huan intended to take over the empire entirely, invited the renowned official Yin Hao to join him and Cai as a high-level official as well, intending to use Yin to counter Huan. In 349, with rival Later Zhao in a state of disarray following the death of its emperor Shi Hu and the subsequent internecine warfare between his sons and his adopted grandson Shi Min, many of Later Zhao's southern provinces switched their allegiance to Jin, and Huan prepared a northern excursion. Instead, the imperial government, under Sima Yu and Yin, sent Emperor Mu's grandfather Chu Pou. Chu, however, withdrew after some initial failures, and the campaign resulted in the death of many civilians who were intending to defect to Jin. (He died in distress soon thereafter) Minor campaigns carried out by the general Sima Xun were also largely unsuccessful. In 350, Yin himself prepared a campaign north, but failed to immediately carry out that campaign; instead, he seized even more power after accusing Cai, by repeatedly declining an honor conferred on him, was being disrespectful to the emperor, and reducing Cai to commoner status. Meanwhile, Huan became impatient after his requests were being rebuffed by Sima Yu and Yin and, around the new year 352, Huan mobilized his troops and gestured as if he were about to attack the capital. Yin was shocked, and initially considered either resigning or send the imperial banner of peace (Zouyu Fan, 騶虞幡) to order Huan to stop. After advice from Wang Biaozhi (王彪之), however, he instead asked Sima Yu to write a carefully worded letter to Huan, persuading Huan to stop. Later in 352, Yin launched his own campaign, but upon the start of the campaign, former Later Zhao generals in control of Xuchang and Luoyang rebelled, and his venture had to halt to deal with these rebellions. Subsequently, when his assistants, the generals Xie Shang and Yao Xiang tried to attack Zhang Yu (張遇), the general in control of Xuchang, Former Qin forces came to Zhang's aid and defeated Xie's troops. Yin then abandoned the campaign entirely. In fall 352, Yin prepared a second campaign. Initially, the campaign had some success, recovering Xuchang from Former Qin. However, Yin became suspicious of Yao's military capabilities and independence, and therefore tried to assassinate Yao. Yao discovered this, and, as Yin headed north, he ambushed Yin's troops, inflicting heavy losses on Yin. Yao then took over the Shouchun region. The people despised Yin for his military losses, and Huan submitted a petition demanding Yin's ouster. The imperial government was compelled to demote Yin to commoner status and exile him. From that point on, the imperial government was under Sima Yu alone, although it was forced to yield to Huan much of the decision-making power. In 354, Huan launched a major campaign against Former Qin, but after advancing all the way to the vicinity of Former Qin's capital Chang'an, hesitated on further advancements, and he eventually ran out of food supplies and was forced to withdraw. In 356, Huan proposed that the capital be moved back to Luoyang (where it had been until its fall to Han Zhao in 311), but his proposal was rejected. He then carried out a campaign against Yao, who was largely in control of the region at the time. He dealt Yao some severe losses, and Yao eventually tried to advance west and was defeated and killed by Former Qin. Once again in control of the Luoyang region, Huan reproposed his idea to move the capital back to Luoyang, but the imperial government again declined. Later that year, the Jin vassal Duan Kan (段龕), who was in control of modern Shandong as the Duke of Qi, was defeated by Former Yan's general Murong Ke, and his domain was seized by Former Yan. In spring 357, as Emperor Mu had his rite of passage (at age 13), Empress Dowager Chu terminated her own regency, and from that point on, Emperor Mu became officially the decision maker, although effectively, Sima Yu and Huan Wen continued to make the decisions. As "adult" emperor In September 357, Emperor Mu married He Fani as his empress. In 358, Sima Yu offered to resign all of his powers, but Emperor Mu declined. Later that year, a northern campaign by the general Xun Xian, intending to recapture the Shandong Peninsula, failed. In 359, with Former Yan exerting pressure on Jin possessions south of the Yellow River, the generals Xie Wan (謝萬), Zhuge You (諸葛攸), and Chi Tan (郗曇) advanced north to attack Former Yan, but the forces collapsed after Xie wrongly believed that Former Yan forces were near and ordered a retreat. Without aid, Jin possessions south of the Yellow River began to fall into Former Yan hands. In July 361, Emperor Mu died without a son. Empress Dowager Chu therefore ordered that his cousin, Sima Pi the Prince of Langya, be made emperor. Sima Pi then succeeded to the throne as Emperor Ai. Era names Yonghe (永和, py. Yǒnghé): 21 February 345 – 5 February 357 Shengping (升平, py. Shēngpíng): 6 February 357 – 2 March 362 Family Consorts: Empress Muzhang, of the He clan of Lujiang (穆章皇后 廬江何氏; 339–404), personal name Fani (法倪) Ancestry

doc_51

Passage 1: Jack Goohsen Jack Goohsen (born November 7, 1942) is a farmer and former political figure in Saskatchewan, Canada. Goohsen was born in Gull Lake, Saskatchewan and studied agricultural management at the University of Saskatchewan. He established a farm in the Gull Lake area. He served on the council for the rural municipality of Carmichael, serving as reeve from 1981 to 1992, and was elected to represent Maple Creek in the 1991 Saskatchewan general election and again in the new Cypress Hills district in the 1995 Saskatchewan general election to the Legislative Assembly of Saskatchewan as a Progressive Conservative. In the spring of 1997, Goohsen was criminally charged after he was accused of trying to buy sex from a 14-year-old girl. As a result of this scandal, he was not invited to join the caucus of the newly founded Saskatchewan Party when it was formed by the remaining Progressive Conservative members along with some Saskatchewan Liberal Party MLA's that summer. Goohsen remained in the legislature as an independent member while his case made its way through the courts. Gooshen resigned as an MLA after being convicted in 1999 on the child prostitution charge. He lost his appeal to the SK Court of Appeal. Passage 2: Ray Danyluk Raymond Bruce "Ray" Danyluk (born 1952 or 1953) is a farmer and former provincial politician from Alberta, Canada. He served as a Member of the Legislative Assembly of Alberta from 2001 to 2012 with the Progressive Conservative caucus before being defeated by Wildrose Party candidate Shayne Saskiw in the 2012 election. During his time in office Danyluk served as a cabinet minister in the government of Premier Ed Stelmach, serving in various portfolios since 2006. Early life Danyluk was born in Calgary, Alberta, Canada. He attended post secondary education at the University of Alberta. He farms near the community of Elk Point, Alberta. Political career Danyluk ran for a seat to the Alberta Legislature as a Progressive Conservative candidate in the 2001 Alberta general election. He ran in the electoral district of Lac La Biche-St. Paul in a hotly contested three candidate race. The seat was open due to the departure of incumbent Paul Langevin. Danyluk held the seat for the Progressive Conservatives to win his first term in office. He faced a strong challenge from Liberal candidate Vital Ouellette but still finished first by a couple thousand votes.Danyluk ran for a second term in office in the 2004 Alberta general election. He faced three opposition candidates including the former Sergent at Arms of the Legislature Oscar Lacombe who ran under the Alberta Alliance banner. Danyluk held his seat winning just over half the popular vote, despite seeing a decline in his support. The Liberal candidate saw his party's popular vote almost cut in half but still managed to finish a distant second, while Lacombe finished a close third out of fourth place.Premier Ed Stelmach appointed Danyluk to his first cabinet portfolio in the Executive Council of Alberta as Minister of Municipal Affairs and Housing on December 15, 2006. Danyluk ran for a third term in office in the 2008 Alberta general election with ministerial advantage. He faced two other candidates significantly increasing his popular vote returning to office with a landslide majority.Premier Stelmach slightly changed Danyluk's cabinet portfolio after the 2008 election. On March 12, 2008 he became Minister of Municipal Affairs. He held that portfolio until Stelmach appointed him as Minister of Infrastructure on January 15, 2010. Passage 3: Adam Zolotin Adam Zolotin (born November 29, 1983, in New York City, New York) is an American actor, best known for appearing in Leave It to Beaver and Jack. Filmography Film Jack (1996) as Louis Durante Leave It to Beaver (1997) as Eddie Haskell Dog's Best Friend (1997) as Wylie Thompson Zerophilia (2005) as Chad What News? (2007) as Tommy Lonely Boy (2013) as Mike Television Law & Order (1996) as Lonnie Rickman (1 episode) Love and Marriage (1996) as Christopher Nardini Storm of the Century (1996) as Davey Hopewell Law & Order: SVU (2000) as Justin McKenna (1 episode) What I Like About You (2005) as Chris's Friend (1 episode) The New Adventures of Old Christine (2006) as Mark (1 episode) Scrubs (2004) as Reuben (1 episode) Mr. Robot (2016) as David (1 episode) Theater Sirens Recognition Awards and nominations 1996, YoungStar Awards nomination for 'Best Young Actor in a Comedy Film' for Jack 1996, Young Artist Awards nomination for 'Best Performance in a Feature Film - Supporting Young Actor' for Jack 1998, Young Artist Awards nomination for 'Best Performance in a Feature Film - Supporting Young Actor' for Leave It to Beaver Passage 4: Alexander McKenzie (footballer) Alexander McKenzie was an Australian rules footballer for Port Adelaide. He was noted to be able to kick a football 75 yards without the assistance of wind. Port Adelaide (1889) In the lead up to the 1889 SAFA season a football reporter writing under the pseudonym 'Centre' for the Port Adelaide News forecasted that "A. McKenzie (as I have mentioned before) and P. Begg have indications of making really first class players. When the Association matches start I think the Port club will have a team that will stand a lot of knocking about, and also take a lot to beat". McKenzie made his debut in the first game of the 1889 SAFA season in a win against Medindie (North Adelaide) on Alberton Oval with 'Goalpost' writing for the Evening Journal commenting on Alexander's likeness to his brother John stating that "McKenzie has his brothers style, both marking and kicking well".During 1889 the North Melbourne Football Club visited South Australia and played a game on the Adelaide Oval against Port Adelaide. Star forward Charlie Fry was a late withdrawal for the game allowing then rookie Alex McKenzie to be named as a late inclusion for the match. McKenzie kicked a goal in Port Adelaide's six goal defeat of North Melbourne. Adelaide (1890) During the 1890 season McKenzie's older brother John, who also played as a key position forward, was keeping Alexander out of the Port Adelaide side. As a result, Alexander McKenzie moved to the Adelaide Football Club halfway though the 1890 SAFA season seeking greater opportunities to play as a key forward. Alexander's best game for Adelaide was in a game against Medindie (North Adelaide) where he kicked three goals in a two-goal win on Adelaide Oval. At the time Adelaide were struggling and at the beginning of the 1891 season John prematurely flagged his retirement thus enticing his brother Alex back to Port Adelaide. Port Adelaide (1891–1895) McKenzie's move back to his original club proved a good decision as he would go on to lead that clubs goal-kicking four times in 1892, 1893, 1894 and 1895. In 1892 McKenzie was selected in the South Australian state side for the first time. During the match against Victoria on the Melbourne Cricket Ground Alexander kicked two goals.In a game against Old Adelaide on Alberton Oval during the 1893 SAFA season Alexander McKenzie kicked 13 goals. Western Australia (1896–1900) In 1896 McKenzie moved to the Western Australian Goldfields likely drawn by that states gold rush. During June and July 1896 McKenzie appeared for the Imperials Football Club (a club which later disbanded with the majority of players forming the East Fremantle Football Club) in the Western Australian Football Association, kicking four goals in his first game against the Rovers on the WACA.By August 1896 Alexander McKenzie had moved to the goldfields and began playing football and cricket for Coolgardie. In 1897 McKenzie won a premiership with Kalgoorlie City. That year he led the Goldfields Football League goal kicking with 27 majors. In 1898 McKenzie had retired as a player and helped umpire the Goldfields Football League.In 1900 McKenzie won first prize in the W.A. Tattersalls Ballarat Charles Sweep netting £1,098. McKenzie used this windfall to relocate to South Africa. Move to South Africa In 1902 Alexander McKenzie had made it to South Africa and was in Johannesburg. By 1913 Alexander McKenzie was running a hotel in Johannesburg. Personal life McKenzie had four brothers – Rod, Duncan, Ken and Jack; the latter two played for Port Adelaide with Alexander. Alexander married Edith Jane Lloyd and fathered two girls, Maisie Jessie McKenzie and Lorna Jean McKenzie. McKenzie died on 25 September 1914 in South Africa. Passage 5: David Ji David Longfen Ji is an American businessman who co-founded Apex Digital, an electronics manufacturer.In 2004, he was arrested in China following a dispute with Sichuan Changhong Electric, a supplier owned by the city of Mianyang and the province of Sichuan. Changhong accused him of defrauding them through bad checks. Ji was taken, according to an account by his lawyer, to the senior management and told, "I decide whether you live or die." He has been held in China without charges. Ji's case highlighted an "implicit racism" in dealings with American businessmen. As a U.S. citizen he was not granted the same treatment by authorities as non-ethnically Chinese businessmen sharing the same nationality. Passage 6: Ed Stelmach Edward Michael Stelmach (; born May 11, 1951) is a Canadian politician who served as the 13th premier of Alberta, from 2006 to 2011. The grandson of Ukrainian immigrants, Stelmach was born and raised on a farm near Lamont and fluently speaks the distinctive Canadian dialect of Ukrainian. He spent his entire pre-political adult life as a farmer, except for some time spent studying at the University of Alberta. His first foray into politics was a 1986 municipal election, when he was elected to Lamont County council. A year into his term, he was appointed reeve. He continued in this position until his entry into provincial politics. In the 1993 provincial election, Stelmach was elected as the Member of the Legislative Assembly (MLA) for Vegreville-Viking (later Fort Saskatchewan-Vegreville). A Progressive Conservative, he served in the cabinets of Ralph Klein—at various times holding the portfolios of Intergovernmental Relations, Transportation, Infrastructure, and Agriculture, Food, and Rural Development—where he developed a reputation as a low-key politician who avoided the limelight. When Klein resigned the party's leadership in 2006, Stelmach was among the first to present his candidature to replace him. After a third-place finish on the first ballot of the leadership race, he won an upset second ballot victory over former provincial treasurer Jim Dinning. Stelmach's premiership was heavily focused on management of the province's oil reserves, especially those of the Athabasca Oil Sands. He rejected calls from environmentalists to slow the pace of development in the Fort McMurray area, and similarly opposed calls for carbon taxes. Other policy initiatives included commencing an overhaul of the province's health governance system, amendments to the Alberta human rights code, a re-introduction of all-party committees to the Legislature, and the conclusion of a major labour agreement with Alberta's teachers. His government also attracted controversy for awarding itself a 30% pay increase shortly after its re-election, and featured strained relations with Calgary, one of Klein's former strongholds. Despite this, Stelmach increased the Progressive Conservatives' already substantial majority in the 2008 election. With the advent of the late-2000s recession, Stelmach had to cope with a deteriorating economic situation and the Alberta government's first budget deficit in 16 years. Stelmach was succeeded as Premier by Alison Redford on October 7, 2011. He joined the board of Covenant Health a year later, and has been its chair since January 2016. Background Edward Michael Stelmach was born on a farm near Lamont, Alberta, the grandson of immigrants from Zavyche, Ukraine. His grandparents settled near Andrew, Alberta in 1898, after bypassing Saskatchewan because they did not care for the terrain. His parents, Nancy (née Koroluk) and Michael N. Stelmach, had five children, of whom Edward was the youngest, ten years younger than his closest sibling. Stelmach was raised speaking Ukrainian, and did not learn English until he started attending school. He was raised a Ukrainian Catholic, and continues to attend church regularly, sing in the church choir, and act as a volunteer caretaker for the cemetery. Through high school, he worked as a well-digger and a Fuller Brush salesman, where he said his grasp of Ukrainian helped him make sales. After graduating high school—his grade 12 yearbook called him a future Prime Minister of Canada—he attended the University of Alberta, intending to become a lawyer. He continued there, working as an assistant manager at Woodward's, until 1973, when his oldest brother, Victor, died. While his family had intended for Victor to take over the farm that his grandparents had settled 75 years before, Stelmach dropped out of university, returned home, and bought the land from his parents. He continues to farm the land today.As a teenager, he met Marie Warshawski at the wedding of a mutual friend. They married in 1973, and have three sons and a daughter.Stelmach entered politics in 1986 with his election to the council of Lamont County; one year later, he was appointed county reeve, a position he held until his entry into provincial politics in 1993. MLA and minister Stelmach ran for the Legislative Assembly of Alberta as a Progressive Conservative in the 1993 provincial election, defeating incumbent New Democrat Derek Fox in the riding of Vegreville-Viking. Stelmach became a member of the Deep Six, a group of enthusiastically fiscally conservative rookie MLAs; in addition to supporting Premier Ralph Klein's aggressive deficit-cutting, Stelmach practiced fiscal restraint himself, incurring low office expenses and declining a government vehicle. During his first term, Stelmach served as Deputy Whip and, later, Chief Government Whip for the P.C. caucus. As a backbencher, he sponsored the Lloydminster Hospital Act Repeal Act. This was a government bill that dissolved the then-existing Lloydminster hospital board in preparation for an arrangement compliant with both the Alberta government's new system of regional health authorities and the Saskatchewan government's system. Lloydminster sits on the border of Alberta and Saskatchewan, and the hospital, although built and operated by the Alberta government, sits on the Saskatchewan side. It passed the legislature with little debate. In 1996, shortly before an April by-election in Redwater, Stelmach was accused of "pork barrel politics" for presenting, along with colleague Peter Trynchy and P.C. candidate Ross Quinn, a large cheque to a local seniors centre. Stelmach said that he had only stepped in to help the riding after its MLA, Nicholas Taylor, had been appointed to the Senate.After the 1997 provincial election, Klein appointed Stelmach Minister of Agriculture, Food, and Rural development. While he held this office, his department encouraged the establishment of feedlots. The opposition parties charged that the government was not regulating these sufficiently, but Stelmach responded that municipalities had the authority necessary to effectively regulate them. On the Canadian Wheat Board controversy, Stelmach sided with farmers who wanted an end to the federal body's monopoly on grain sales in the western provinces. Legislatively, Stelmach sponsored five bills while in the Agriculture, Food, and Rural Development portfolio, all of which passed through the legislature. 1997's Meat Inspection Amendment Act required meat inspectors to acquire a search warrant before entering a private dwelling, but also allowed for fines to be voluntarily paid without requiring a court case. It was called by Liberal agriculture critic Ken Nicol "a really good bill". The Livestock and Livestock Products Amendment Act of the same year eliminated government guarantee of the Livestock Patrons' Assurance Fund, designed to protect cattle producers from payment defaults by livestock dealers, in favour of leaving the Fund entirely in the hands of the industry. It too was supported by the Liberals, with Nicol calling it "very easy for us to accept". In 1998, Stelmach sponsored the Agriculture Statutes (Penalties) Amendment Act, which overhauled the penalty system for violation of various agricultural statutes, setting maximum fines and leaving the precise amount up to judges on a case-by-case basis. It also passed with Liberal support, as MLA Ed Gibbons said that it "really makes a lot of sense". Another 1998 bill was the Marketing of Agricultural Products Amendment Act, which allowed provincial agricultural marketing boards to revise their marketing plans, and was supported by the opposition. Finally, Stelmach initiated the Agriculture Statutes (Livestock Identification) Amendment Act, which allowed the government to delegate the inspection of branding to the cattle industry. The bill was the subject of considerable debate on second reading, but was ultimately supported by the Liberals on the third and final reading.In 1999, Klein shifted Stelmach to the new Infrastructure portfolio, where he made traffic safety a priority, increasing fines for traffic offenses, sometimes by as much as 700%. He also briefly aroused controversy by proposing reversing the slow and fast lanes on provincial highways, on the grounds that this would equalize the rate at which the lanes broke down and therefore save on maintenance costs; nothing came of the proposal. He established a fund for capital projects, but was criticized for not doing enough to address the deterioration of the province's infrastructure. In 2001, Klein separated Transportation out of the Infrastructure portfolio and appointed Stelmach to it, where the new minister advocated the use of public-private partnerships to build ring roads around Edmonton and Calgary. He also introduced a program of graduated driver licensing and initiated a review of traffic safety programs. Stelmach was re-elected by his largest majority yet during the 2001 election, and retained the Transportation portfolio until 2004, when he was reassigned to the position of Minister of Intergovernmental Relations. He resigned this position in 2006 in order to contest the P.C. leadership election (Klein had required that ministers intending to campaign to succeed him resign from cabinet).As minister, Stelmach kept a low profile. Mark Lisac, who was the Edmonton Journal's provincial affairs columnist during much of Stelmach's time in cabinet, later recalled that Stelmach "never did anything that was flashy or controversial in any way" and that "not a thing" stood out about Stelmach's ministerial service. This low-key style earned Stelmach the moniker "Steady Eddie", which would follow him to the Premier's office. 2006 leadership election Stelmach was the first candidate to declare his intention to run for the P.C. leadership, and picked up endorsements from nineteen members of his caucus (including cabinet ministers Pearl Calahasen and Iris Evans). However, former provincial Treasurer Jim Dinning had twice as many caucus endorsements (despite not having held elected office since 1997) and was generally considered the race's front-runner. Stelmach ran a low-profile campaign, touring the province in a custom-painted campaign bus, while most media attention was focussed on the rivalry between Dinning and the socially conservative Ted Morton.According to the race's rules, the three candidates receiving the most votes on the first ballot would move on to a second ballot, which would use a preferential voting system to select a winner. Stelmach finished third on the first ballot with 15.3% of the vote, 3,329 votes ahead of fourth place Lyle Oberg and 10,647 votes behind second place Morton. However, the fourth, fifth, and sixth place candidates (Oberg, Dave Hancock, and Mark Norris) all endorsed Stelmach for the second ballot. On this ballot, he finished in first place on the first count, fewer than five hundred votes ahead of Dinning. A majority of Morton's votes went to Stelmach on the second count, and he was elected leader. Financing Stelmach raised more than $1.1 million for his leadership campaign. After his victory, he revealed the names of the donors of 85% of this money, but declined to release the names of eighty supporters, citing their requests for privacy. These supporters had donated a total of more than $160,000. Party rules did not require any disclosure, and the disclosures by candidates varied—Norris named all of his donors, while Morton did not reveal any. Stelmach's partial disclosure was deemed insufficient by opposition leaders and Democracy Watch, whose head suggested that Albertans should assume that Stelmach's anonymous donors placed him in a conflict of interest until he proved otherwise. Stelmach also acknowledged receiving a $10,000 donation from the Beaver Regional Waste Management Service's Commission, a landfill operator owned by five municipalities in Stelmach's riding. While asserting that the donation was legal, Stelmach admitted that it was "clearly unethical", blamed overzealous campaign volunteers for soliciting it, and returned it after the end of the campaign.In the wake of the leadership campaign, Stelmach, along with Oberg, Hancock, and Norris, organized two $5,000 per plate dinners in January 2007 to pay campaign debts. After critics argued that the dinners were essentially selling access to the premier and two senior ministers, Stelmach cancelled them. Premier 2008 election Stelmach was sworn in as Premier December 14, 2006. On February 4, 2008, immediately after Lieutenant Governor Norman Kwong read the throne speech to open the legislative session, Stelmach requested a dissolution of the legislature with an election to follow March 3. Shortly before the writ was dropped, a group calling itself Albertans for Change began to buy print and television ads that attacked Stelmach for lacking a plan and portrayed him as unfit to lead the province. The group was funded by the Alberta Building Trades Council and the Alberta Federation of Labour, which led to a series of ads purchased by the National Citizens Coalition and Merit Contractors, in which it was accused of "putting your [union members'] money where [union leadership's] mouths are." Despite a campaign that was called disorganized and uninspired, Stelmach's Progressive Conservatives won 72 seats in the 83-seat Legislative Assembly, an increase from the 62 that the party had won in the previous election and only two seats short of Ralph Klein's 2001 landslide. Political analysts attributed the party's win to its ability to present Stelmach as "a cautious, straightforward and hard-working man with a plan for Alberta's future".The voter turnout in the election was 41%, the lowest in Alberta's history, and roughly a quarter of these had to swear an oath on election day after discovering they weren't on the voter's list. Opposition politicians and media blamed Stelmach's government for these problems, arguing that riding-level returning officers, who were nominated by Progressive Conservative constituency associations and who were responsible for voter enumeration, were not appointed early enough. According to the Canadian Broadcasting Corporation, "about half" of the 83 returning officers in the 2008 election had ties to the P.C. Party; the returning officer in Stelmach's Fort Saskatchewan–Vegreville riding had donated between $500 and $1,000 to Stelmach's leadership campaign.Alberta Chief Returning Officer Lorne Gibson, as one of his 182 post-election recommendations to the government, suggested that the appointment of returning officers be handled by his own, non-partisan, office. He had previously made this suggestion in 2006, but the government had not acted on it. He also recommended following the election that his office, rather than the government's Justice department, be responsible for prosecuting election-related offenses; the latter did not lay charges in any of 19 alleged campaign finance violations Gibson brought to its attention. In February 2009, Gibson appeared before the legislature's all-party committee on legislative offices to answer questions about the conduct of the election; there, he echoed opposition claims that the government, and not his office, was to blame for most problems. Shortly after, the committee voted 8–3 against re-appointing him, with all Progressive Conservatives on the committee opposing his re-appointment and all opposition MLAs supporting it. Opposition leaders David Swann and Brian Mason suggested that Gibson was being punished for criticizing the government. Energy and environmental policy Much of Stelmach's term as Premier was dominated by questions related to the Athabasca Oil Sands. The rapid development of these reserves was fuelling the Alberta economy's strong growth, but also raised environmental questions. After winning the Premiership, Stelmach emphasized that he had no intention of taking measures that would slow down oilsands development and suggested that the economy would find its own appropriate growth rate. He aggressively defended Alberta's oil at home and abroad, and called the idea that it was extracted at an unacceptably high environmental cost "a myth". When Liberal Party of Canada leader Stéphane Dion proposed a federal carbon tax to reduce emissions of greenhouse gases, Stelmach rejected the policy on the basis that it would hurt the economy and would unfairly penalize the western provinces. Instead, he championed the development of carbon capture technology. In July 2008, Stelmach announced $2 billion worth of funding for carbon capture initiatives, for which he was applauded by industry groups. However, the Canadian Federation of Independent Business called it "a huge amount of money to spend on something that isn't proven", and Mike Hudema of Greenpeace suggesting that there were better environmental uses of the money available. Though Stelmach pledged not to do anything to curb the development of the oilsands, he did promise to review royalty rates—the rates paid by oil companies for the privilege of extracting Alberta's oil. He also committed to reducing the proportion of bitumen that left Alberta to be upgraded out of province, likening the export of bitumen to "scraping off the top soil" from farmland. Soon after becoming Premier, he commissioned the Alberta Royalty Review panel to make recommendations on the province's royalty regime; opposition politicians had accused the government of undercharging substantially. Stelmach rejected many of the panel's recommendations, and claimed to increase royalty rates by approximately 20% (25% less than recommended by the panel), however instead of an increase in royalties on oil and gas, Alberta collected $13.5 billion less from 2009 to 2014. Just after the 2008 election, Stelmach's government announced a five-year royalty break worth $237 million per year to encourage development that it feared would have become uneconomical under the new plan. He was less decisive in increasing in-province bitumen upgrading; in 2008 he conceded that Alberta would continue upgrading between sixty and sixty-five percent of the bitumen it produced for the foreseeable future, rather than the seventy-two percent target he had previously announced for 2016. This admission came in the wake of his government's approval of three new pipelines designed to export bitumen.In January 2008, Stelmach unveiled the province's "made in Alberta"—as distinct from imposed by the federal government or by international treaty—plan to cut carbon emissions in order to fight global warming. The plan called for reducing greenhouse gas emissions by 14% (from 2007 levels) by 2050. Environmental groups and opposition parties suggested that this was insufficient in light of British Columbia's plan to cut emissions by 80% (from 2007 levels) during the same period, but Stelmach argued that Alberta's position as a supplier of oil to the rest of the country justified higher emissions. This was followed in June by the unveiling of the government's campaign to ask Albertans to make "one simple act"—such as composting, using reusable shopping bags, and replacing incandescent light bulbs with the more efficient fluorescent bulbs. Opponents argued that the emphasis on personal responsibility by individuals did nothing to address the greater environmental damage caused by the development of the Athabasca Oil Sands.In late April 2008 hundreds of ducks landed in a northern Alberta tailings pond belonging to Syncrude, where most died. The incident was a blow to Stelmach's efforts to convince the world that Alberta's oil sands were environmentally friendly. The number of ducks that died was originally reported at around 500, but in March 2009 Syncrude revealed that the number was in fact more than 1,600. In response to accusations from opposition and environmental groups that his government, which had known the actual number since the summer of 2008, had participated in covering it up to save face, Stelmach asserted that it had refrained from making the higher number public for fear of jeopardizing its investigation of whether Syncrude had violated any provincial regulations in the incident. Investigations were centred around the questions of whether Syncrude had immediately reported the incident as required (the government had first heard of it from an anonymous tip, though Syncrude reported it several hours later) and whether the company had the required measures in place to prevent ducks from landing on its tailings ponds (it had noisemakers designed to deter waterfowl, but these had not been set up at the time of the incident due to winter weather conditions). Syncrude was eventually charged with "failing to have systems in place to divert waterfowl", which carries a maximum fine of $800,000.Partially in an effort to counter-act negative publicity from oil sands-related issues—for example, the March 2009 edition of National Geographic Magazine contained a 20-page article portraying Alberta's oil sands operations as being highly environmentally damaging—in 2009 Stelmach's government spent $25 million on a rebranding campaign for the province. Among other things, it replaced the "Alberta Advantage" slogan that had long been in use with "Alberta: Freedom to create. Spirit to achieve." The campaign became the subject of some ridicule when the Edmonton Journal revealed that one of the photos used in it was not taken in Alberta, but at a North Sea beach in Northumberland. While the government initially claimed that it had intentionally used a foreign image to represent Alberta's engagement with the world, it later admitted that this was not the case, and that the photo had been used in error. Stelmach responded to the image, which showed two children running along a beach, by saying that "children, no matter where they are around the world, they are the next generation. And air quality, water quality, no matter where we live on this big globe, we're all responsible, and that's the message we're trying to portray." Energy and Utilities Board affair and land use policy In June 2007, the government-mandated Alberta Energy and Utilities Board admitted that it had hired private investigators to spy on landowners who opposed the construction of a major power line in the Rimbey area. Stelmach initially downplayed the incident, but ordered a judicial investigation once the province's Information and Privacy Commissioner initiated an investigation of his own. This investigation found that the EUB had violated provincial law and infringed on the landowners' privacy, while the judicial investigation criticized the EUB's tactics as "repulsive". The opposition parties called for the dismissal of the entire EUB and Energy Minister Mel Knight; Stelmach instead opted to appoint a new EUB chair. Stelmach's government also responded with legislation entitled the Alberta Utilities Commission Act (Bill 46), which would split the EUB into two parts: the Alberta Utilities Commission (responsible for regulating utilities) and the Energy Resources Conservation Board (responsible for regulating oil and gas). The legislation was controversial, as elements of the EUB's governing legislation that provided for public notice and consultation in the event of energy construction projects were left out. Opposition parties and advocacy groups charged that this was an assault on both landowners' rights and the environment. The legislation ultimately passed, and took effect at the beginning of 2008.Stelmach clashed with rural landowners again in 2009 when his government introduced the Land Assembly Project Area Act, designed to make it easier for the government to acquire large blocks of land for public purposes such as ring roads or reservoirs. The act allowed the government to identify land that it may be interested in expropriating at some point in the future and to indefinitely prohibit any development on that land that could conflict with the government's purposes. Despite vigorous opposition from landowners and the opposition parties, the bill passed the legislature in late April. Fiscal policy Ralph Klein's major focus for much of his premiership had been the elimination of the provincial deficit, and the government ran a record $8.9 billion surplus during Stelmach's first year in office. Alberta was in the midst of a major economic expansion driven by high energy prices and major oilsands development. This growth continued into 2007–2008, when the government's surplus was $4.6 billion. Both of these surpluses were higher than expected, and Stelmach's government followed a policy of placing one third of unanticipated surpluses into savings and two-thirds into construction projects. Critics, including Liberal MLA Laurie Blakeman and the Canadian Taxpayers Federation, charged that the government was not saving enough money in anticipation of a fall in energy prices.In her April 2008 budget, Stelmach's Finance Minister Iris Evans forecast a $1.6 billion surplus for 2008–2009. By August, she had revised this prediction to $8.5 billion. The major reason for this change is an increase in oil prices: while she had estimated in April that they would average $78 per barrel over the fiscal year, by August increases—including a high of $147 per barrel in July—have led her to make a new estimate of a $119.25 per barrel average. By November, prices had fallen to $55 per barrel, and Evans estimated a $2 billion surplus. By February 2009, the government of Alberta appeared poised to run a $1 billion deficit. In April 2009, Evans released her budget for 2009–2010, in which she anticipated a $4.6 billion deficit. This is the largest deficit in Alberta's history, and its first in sixteen years. The government's fiscal plan includes deficits until 2012–2013, when it again anticipates a surplus.Stelmach's approach to this deteriorating fiscal situation, part of a global recession, was to invest heavily in infrastructure in an effort to stimulate the economy and take advantage of low construction costs. He went as far as to advocate borrowing for capital construction, a departure from the Klein government's notoriously anti-debt approach. However, his government was also one of only two in Canada (the other being Saskatchewan's) to cut overall spending in the 2009–2010 budget. This approach drew the ire of Liberal leader David Swann, who supported increased government spending for economic stimulus purposes, but drew support from some economists and was defended by Evans on the basis that capital spending was at twice the per capital level of the Canadian average. Teachers pension liability During his first year in office, Stelmach and his education minister Ron Liepert concluded a deal with the Alberta Teachers Association (ATA) in which the province agreed to contribute $2.1 billion towards the $6.6 billion unfunded pension liability. This liability resulted from insufficient contributions to the teachers' pension plan during the period leading up to 1992. In exchange, the ATA agreed to a five-year contract extension. The deal was applauded by the opposition Liberals and New Democrats, but was criticized by the Canadian Taxpayers Federation, which called for a plebiscite on the issue. Pay increases Shortly after winning an increased majority in the 2008 election, Stelmach's cabinet approved substantial raises for themselves, increasing the salary paid to cabinet ministers from $142,000 to $184,000 and that paid to the Premier from $159,450 to $213,450. The increases also affect the severance paid to ministers who resign or are defeated in elections—under the program implemented by Ralph Klein's government to replace the previously existing pension program, departing MLAs receive three months' pay for every year they served, with the level of the pay based on their three highest-earning years. The increases were attacked by the Canadian Taxpayers Federation and the opposition parties, but Stelmach defended the raises as the first received by cabinet ministers in fifteen years and as being necessary to attract qualified people to politics.In early 2009, in response to the Late-2000s recession, Stelmach announced that his caucus would decline an automatic 4.9% cost of living pay increase. The following week, the legislature's all-party Standing Committee on Member Services extended this to all MLAs by voting unanimously to freeze MLA salaries for the fiscal year. Health policy Stelmach's policy on health care was highlighted by his removal of the province's health care premiums effective the end of 2008. Critics had denounced the premiums as being regressive, both because they were the same amount regardless of the payer's income and because people with better-paying jobs often had their premiums covered by their employer. The opposition Liberal and New Democratic parties had long called for their removal. This elimination was announced in a throne speech immediately before the dissolution of the legislature for the 2008 election, although it was initially promised to take effect by 2012. During this campaign, Stelmach promised to increase the capacity of Alberta universities to train doctors and nurses over four years, eventually resulting in the graduation of 225 more doctors, 350 more registered nurses, and 220 licensed practical nurses. After the registrar of the Alberta College of Physicians and Surgeons called the plan unfeasible, Health Minister Dave Hancock clarified that most of the increase would in fact come from the immigration of foreign doctors to Alberta, rather than from in-province training.Following the election, Stelmach's new Minister of Health, Ron Liepert, released the government's new health plan. In it, Liepert refused to characterize the problems in the health care system as being the result of doctor shortages, and instead promised structural reforms. He indicated that these may include consolidating health authorities, closing rural hospitals, and de-listing some health services from coverage under the province's public health insurance scheme. In May, the government took the first step in implementing these structural reforms by combining the province's nine health authorities into one health "superboard".In June 2008, three senior health officials announced that they would be leaving the province's employment at the expiration of their contracts in August. Liepert blamed their departures on better offers from other employers, although New Democrat leader Brian Mason speculated that the government's health restructuring may have been to blame. Detractors pointed out that the optics of allowing the employees to depart for more money elsewhere soon after the government had approved a substantial pay hike for cabinet ministers were not good.As the province's fiscal situation worsened in late 2008, the government adapted its health policy. In December, Liepert announced a new seniors drug plan that made drugs free for seniors making less than $21,325 but required those making more to pay as much as $7,500 for their drugs. In response to protests from seniors, he amended the plan in April 2009 to reduce both the income level at which seniors would have to start paying and the amount which those seniors would have to pay. Liepert said that the plan, $10 million more expensive than the one he had announced in December, would see 60% of seniors pay less than they did under the status quo. The same month, Stelmach's government's budget revealed changes to which medical services it would cover: those de-listed included chiropractic services, at an annual savings of $53 million, and sex change operations, at an annual savings of $700,000. While the Canada Health Act requires the federal government to financially penalize provinces that do not support all "medically necessary" procedures, Liepert maintained that the de-listed services were not "medically necessary" from the perspective of the act, and said that he anticipated no trouble from the federal government.During the 2009 H1N1 pandemic, Stelmach initially announced that the government would make the vaccine available to all Albertans, though vaccine shortages resulted in a limited number of clinics, which experienced long lineups. In response, Liberal leader David Swann accused the government of managing limited vaccine supplies poorly by not giving priority to the most vulnerable groups. Liepert defended the government's record by saying that high risk populations had been given priority, but that the government's policy was to turn nobody away; he blamed many of the problems on the federal government's delivery to the province of fewer doses of the vaccine than promised. Further controversy erupted when it was revealed that hockey players on the Calgary Flames were vaccinated with vaccine received directly from Alberta Health Services, which prompted Stelmach to announce an investigation. Two Alberta Health Services employees were fired as a result of the investigation. Human Rights, Citizenship, and Multiculturalism Act In spring 2009, Stelmach's government announced its intention to overhaul the Alberta Human Rights, Citizenship, and Multiculturalism Act. In 1998's Vriend v. Alberta, the Supreme Court of Canada had found that the legislation's failure to include sexual orientation among the grounds on which discrimination was prohibited violated the Canadian Charter of Rights and Freedoms and had "read in" this protection. However, the text of the act continued not to mention sexual orientation. Gay rights activists and opposition politicians hoped that the government's proposed changes to the act would change this.This section had been used to try to prosecute Ezra Levant for publishing the cartoons at the centre of the Jyllands-Posten Muhammad cartoons controversy in his Western Standard magazine, and to successfully prosecute the Red Deer Advocate for publishing a letter to the editor entitled "Homosexual agenda wicked".The changes that were eventually tabled included the enshrining of sexual orientation as protected grounds but not the removal of the section dealing with "exposing to contempt." This omission was criticized, Levant said that it made him "deeply embarrassed as a conservative," but Stelmach said that his caucus was comfortable that another provision, requiring that the impugned section should not "be deemed to interfere with the free expression of opinion on any subject", protected Albertans against its abusive use. The proposal also included a section entitling parents to advance notice from schools if their children were going to be taught "subject-matter that deals explicitly with religion, sexuality or sexual orientation" and the right to remove their children from such classes. Stelmach called this a "very, very fundamental right" and suggested that it would allow parents to opt out of having their children learn about evolution, though his Education Minister Dave Hancock argued that the new wording didn't extend beyond current practice. Alberta Teachers' Association President Frank Bruseker expressed concern that this would make the teaching of science and geography in public schools very difficult, and suggested that parents who did not wish to have their children exposed to evolution should home school them or send them to private school. New Democratic Party leader Brian Mason suggested that the changes would make Alberta "sound like Arkansas". Democratic reform Klein's government had received criticism for reducing the importance of the legislature by sitting it fewer days than any other province's legislature and for directing business through standing policy committees of the Progressive Conservative caucus. These committees met in private, unlike the legislature's all-party committees, which fell almost entirely out of use during the Klein years. In April 2007, Stelmach initiated the creation of four new legislative "policy field committees" which would include opposition representation. The same month, his government introduced new legislation on conflicts of interest, such that former cabinet ministers would have to wait one year before doing business with the government or lobbying it on behalf of third parties (up from six months). It also created a similar cooling-off period for senior bureaucrats, which lasted six months. However, an Order in Council passed by Stelmach's cabinet shortly before the 2008 election delayed the implementation of these rules until one month after the election, meaning that cabinet ministers who retired or lost their bids for re-election would be exempt from the new rules. Relationship with Calgary Critics of Stelmach suggest that, as a farmer from the central part of the province, he is biased against Calgary and urban Alberta in general. They pointed to the fact that the city, which was considered the heartland of Jim Dinning's support during the leadership race, had only three members (Ron Liepert, Ron Stevens, and Greg Melchin) in his first eighteen-member cabinet (Stelmach supporters pointed out that Edmonton had only one minister, Dave Hancock). Stelmach also found himself in a feud with Calgary mayor Dave Bronconnier during his first year as premier as Bronconnier accused Stelmach of failing to keep a promise to the city regarding infrastructure spending during his first budget. Several Stelmach supporters suggested that the mayor, a Liberal, might be angling to take over as leader of the official opposition if Kevin Taft fumbled. During the by-election to fill Ralph Klein's Calgary Elbow seat, P.C. candidate Brian Heninger went so far as to tell a voter he'd like to choke his party's leader (Stelmach told media that this was the sort of enthusiasm he wanted from his MLAs). Heninger was defeated by Liberal Craig Cheffins and, in the 2008 election, Calgary was the only area of the province in which Stelmach lost seats on his way to an increased majority.After Deputy Premier Ron Stevens resigned his Calgary-Glenmore seat to accept a judgeship, a 2009 by-election elected outgoing Wildrose Alliance Party (WRA) leader Paul Hinman to replace him. Hinman had been the WRA's only MLA until he lost his Cardston-Taber-Warner to Progressive Conservative Broyce Jacobs in the 2008 election. Shortly after Hinman's election, polls showed that the Wildrose Alliance, under new leader Danielle Smith, was the second most popular party province-wide, and led the Conservatives 34 percent to 30 percent in Calgary. Politics and public opinion Critics at first compared Stelmach to Harry Strom, the last Social Credit premier of the province. Strom was regarded as honest but ineffective and lacking charisma; he survived only long enough as Premier to lose the 1971 election soundly. Thus ended the last long one-party rule, and observers asked if history would repeat with Stelmach. After Stelmach's landslide win in the 2008 election, however, the comparisons largely ceased.In late 2009, the Conservatives' plunging popularity at the polls and the surge in support for the right-wing Wildrose Alliance led to speculation that Stelmach would receive lukewarm support at his mandatory leadership review, to be held at the November 2009 Progressive Conservative convention. Klein's resignation came in the wake of his receiving only 55% support at such a review, and Klein suggested that Stelmach should resign if he received less than 70%. The question was whether party leaders would blame Stelmach for the party's decline and look for new leadership in the face of Stelmach's own weakening poll numbers. Instead, Stelmach met the criterion set up by his critics and won 77.4% support, a strong endorsement. Resignation On January 25, 2011, Stelmach announced that he would not seek re-election; he also promised a leadership race before the next election. He did not specify his date of resignation at that time, however he submitted his letter of resignation in June, writing that he would leave office on October 1. In the early hours of October 2, 2011, Alison Redford was declared the new leader of the party, and Stelmach resigned as premier on October 7. Awards and recognitions Order of Prince Yaroslav the Wise, Class III (Ukraine, 2009) Alberta Order of Excellence (2020) Electoral record Party leadership contests Passage 7: Cindy Ady Cindy Lou Ady is a Canadian politician and was a member of the Legislative Assembly of Alberta. She served in this capacity from the 2001 provincial election, being re-elected in both the 2004 provincial election and 2008 provincial election, until the 2012 election, sitting as a Progressive Conservative. From 2008 to 2011, she served as the Minister of the Tourism, Parks and Recreation department in the Ed Stelmach government. On March 5, 2012, Ady announced that she would not seek re-election in the upcoming provincial general election. Early life Ady was born in San Antonio, Texas and attended Brigham Young University from 1975 until 1979, where she studied Communications. She owned a custom home construction business and was later, after moving to Canada, a self-employed community development consultant. In this capacity she developed a business plan and funding proposal for Centennial High School, which opened in 2004. Political career Electoral record Ady first sought public office in the 2001 provincial election in the constituency of Calgary-Shaw. In that election, she received 80.7% of the vote. In 2004, she was re-elected with 63.4% of the vote, receiving the greatest percentage of the popular vote in Calgary next to Art Johnston, who garnered 63.8%. In the 2008 provincial election, Ady won her seat again, receiving 58.2% of the vote: the largest percentage of the popular vote of any elected Calgary MLA. Backbencher Ady started off as a backbencher in the Ralph Klein government. During her first term, she sponsored the St. Mary's College Amendment Act, a private bill that allowed St. Mary's College to become a university college and grant degrees after being passed without objection. During her second term she sponsored a pair of government bills. The Pharmacy and Drug Amendment Act, which passed with all-party support, changed the regulatory regime faced by pharmacies and eliminated the requirement that doctors' prescriptions include a precise amount to be prescribed, to allow pharmacists some discretion on the question. The Personal Directives Amendment Act amended the province's statute involving personal directives - a written instruction on personal matters to be brought into effect in the event of the director's incapacity - to allow them to be suspended in the event that somebody making one regains capacity. It too passed with all-party support. Minister On June 21, Premier Ed Stelmach appointed Ady Associate Minister of Tourism Promotion as part of an effort to put more Calgarians in cabinet after his party lost the riding of Calgary Elbow to Liberal Craig Cheffins. After the 2008 election, she was promoted to a full minister, of Tourism, Parks and Recreation. In this capacity, she sponsored the Travel Alberta Act, which would establish Travel Alberta, hitherto a government department, as a statutory corporation. Ady has a strong record in terms of attendance in the legislature for Members. Her absenteeism is one of the lowest for all MLAs and Ministers. Ady's accessibility and use of resources to keep the public informed on key issues has been praised. In October, 2011, she was replaced as Minister of Tourism, Parks and Recreation by Jack Hayden (politician). Olympics Minister Ady attended the 2010 Vancouver Winter Olympic Games, representing the Government of Alberta. Part of the government's advertising was showcased through exclusive booking of the Rocky Mountaineer, which did runs between Vancouver and Whistler. As part of her role as Minister for Tourism, Parks and Recreation, Ady also helped host a provincial pavilion known as Alberta House, at the corner of Beaty and Robson Streets in Vancouver. Some estimates have pegged the return on investment for the whole marketing project to be near $70 million, versus the $7 million initial investment. The Government of Alberta official report stated that the media exposure and return generated was worth nearly $70 million. Post-Olympic Recreation Promotion Following the 2010 Vancouver Winter Olympics, Minister Ady supported the establishment of an Olympic Legacy Network. Ady stated that the project looked to utilize, "...opportunities to use our Olympic legacies for the long-term benefit of sport and tourism." The project has already had success with the December 2010 Alberta/British Columbia Joint Legacy Event. This event hosted the World Championships for bobsleigh and skeleton racing in 2010. Personal life Ady is married to Don Ady, son of former Cardston and Cardston-Chief Mountain MLA Jack Ady, whom she identifies as her political hero. The pair has four sons: Brent, Jeffrey, Justin, and Scott. They currently reside in south Calgary, within her riding of Calgary-Shaw. Ady is an active member of the Church of Jesus Christ of Latter-day Saints. Election results Passage 8: James Newton (footballer) James I. Newton, known as Jimmy Newton and Jack Newton (born 1898) was an English professional footballer who played as a goalkeeper. Career Born in Horsforth, Newton spent his early career with Anderston Victoria, Glasgow Perthshire, and Rutherglen Glencairn. He then played for Queen's Park between 1921 and 1923. He joined Bradford City in June 1923, making 5 league appearances for the club. He left the club in May 1924 to sign for Halifax Town. He later played for Coventry City, Brighton & Hove Albion, Otley and Burley Grove United. Sources Frost, Terry (1988). Bradford City A Complete Record 1903-1988. Breedon Books Sport. ISBN 0-907969-38-0. Passage 9: Jim Dinning James Francis Dinning (born December 4, 1952) is a Canadian Progressive Conservative politician and businessman. He was a Member of the Legislative Assembly of Alberta (1986–1997), and now serves on the board of directors of a variety of Canadian companies. Dinning ran for the leadership of the Alberta Progressive Conservatives to replace Ralph Klein as Premier of Alberta. Dinning raised over 2 million dollars for his leadership bid but was ultimately defeated by leadership candidate Ed Stelmach when party members voted for Klein's replacement on December 2, 2006. In June 2010, he was selected as the 12th Chancellor of the University of Calgary. Dinning sits as an advisor to Canada's Ecofiscal Commission. Political history After graduating at Western Canada High School in 1970, Dinning went on to obtain his Bachelor of Commerce honours degree from Queen's University in 1974. He also earned a Master's degree in Public Administration from Queen's in 1977. Elected in the riding of Calgary-Shaw in 1986, Dinning held the riding until 1993. During this time he served in a variety of positions within the provincial government. He was the Minister of Community and Occupational Health from 1986 to 1988, the Minister of Education from 1988 to 1992, and he served as the Provincial Treasurer from 1992 to 1997. In 2006, Dinning ran for leadership of the Progressive Conservative Association of Alberta party. Dinning ultimately lost the party election to Ed Stelmach as a result of a second ballot vote on December 2, 2006. During much of the campaign, he held at least a 20-point lead over his closest competitor and over a 40-point lead on Stelmach. Today he serves as a corporate director, advisor and consultant to various companies, not-for-profits and governments. Electoral record 1986 Calgary-Shaw Jim Dinning (PC) 6,694 61.5% Brendan Dunphy (Lib) 2,727 25.1% Len Curie (NDP) 1,166 10.7% Byron L. Chenger (Rep) 295 2.7% 1989 Calgary-Shaw Jim Dinning (PC) 7,412 52.9% (-8.6%) Bob Crump (Lib) 4,865 34.7% (+9.7%) Gordon M. Christie (NDP) 1,728 12.3% (+1.6%) 1993 Calgary-Lougheed (compared to Calgary-Shaw, which covered much of the same area in southwest Calgary) Jim Dinning (PC) 7,280 52.8% (-0.2%) Jack Driscoll (Lib) 5,803 42.1% (+7.3%) Catherine Rose (NDP) 502 3.6% (-8.7%) Peter Hope (CoR) 122 0.9% (-) Ida Bugmann (NLP) 88 0.6% (-) Career history After retiring from active politics in 1997, he was a senior vice-president and then executive vice-president of TransAlta Corporation from August 1997 to December 2004. Dinning currently serves on the board of directors of four companies that are listed on the Toronto Stock Exchange. They are: Liquor Stores NA Ltd where he serves as chair of the board, Parkland Fuel Corp., Russel Metals Inc., and Oncolytics Biotech Inc. Dinning also serves as chairman of the board of the Western Financial Group, Export Development Canada and the Canada West Foundation, and as chancellor of the University of Calgary. Dinning was the chair of the Calgary Health Region from 1999 to 2001. He was a governor of the Banff Centre, and served as a director of Finning International, Shaw Communications, the Canadian Policy Research Networks (CPRN), and the Alberta Energy Research Institute. Dinning has also served as chairman of the Canadian Clean Power Coalition, which comprised major power producers such as ATCO, Epcor, TransAlta, Luscar, SaskPower, and Nova Scotia Power. The University of Calgary honoured Dinning in 2002 with an honorary Doctor of Laws degree. In 2011, he joined former Alberta Premier Ralph Klein when together they were honoured by the Canadian Taxpayers Federation with their Tax Fighter Award. He was named a Member of the Order of Canada in 2015.

doc_52

Passage 1: Peter Levin Peter Levin is an American director of film, television and theatre. Career Since 1967, Levin has amassed a large number of credits directing episodic television and television films. Some of his television series credits include Love Is a Many Splendored Thing, James at 15, The Paper Chase, Family, Starsky & Hutch, Lou Grant, Fame, Cagney & Lacey, Law & Order and Judging Amy.Some of his television film credits include Rape and Marriage: The Rideout Case (1980), A Reason to Live (1985), Popeye Doyle (1986), A Killer Among Us (1990), Queen Sized (2008) and among other films. He directed "Heart in Hiding", written by his wife Audrey Davis Levin, for which she received an Emmy for Best Day Time Special in the 1970s. Prior to becoming a director, Levin worked as an actor in several Broadway productions. He costarred with Susan Strasberg in "[The Diary of Ann Frank]" but had to leave the production when he was drafted into the Army. He trained at the Carnegie Mellon University. Eventually becoming a theatre director, he directed productions at the Long Wharf Theatre and the Pacific Resident Theatre Company. He also co-founded the off-off-Broadway Theatre [the Hardware Poets Playhouse] with his wife Audrey Davis Levin and was also an associate artist of The Interact Theatre Company. Passage 2: Benjamin Stoloff Benjamin Stoloff (October 6, 1895 – September 8, 1960) was an American film director and producer. He began his career as a short film comedy director and gradually moved into feature film directing and production later in his career. Director filmography 1940s–1950s Home Run Derby (1959) – TV Series Footlight Varieties (1951) It's a Joke, Son! (1947) Johnny Comes Flying Home (1946) Take It or Leave It (1944) Bermuda Mystery (1944) The Mysterious Doctor (1943) The Hidden Hand (1942) Secret Enemies (1942) Three Sons o' Guns (1941) The Great Mr. Nobody (1941) The Marines Fly High (1940) 1930s The Lady and the Mob (1939) The Affairs of Annabel (1938) Radio City Revels (1938) Fight for Your Lady (1937) Super-Sleuth (1937) Sea Devils (1937) Don't Turn 'Em Loose (1936) Two in the Dark (1936) To Beat the Band (1935) Swellhead (1935) Transatlantic Merry-Go-Round (1934) Palooka (1934) Night of Terror (1933) Obey the Law (1933) The Devil Is Driving (1932) The Night Mayor (1932) By Whose Hand? (1932) Destry Rides Again (1932) Perfect Control (1932) Slide, Babe, Slide (1932) Goldie (1931) Three Rogues (1931) Not Exactly Gentlemen (1931) Soup to Nuts (1930) New Movietone Follies of 1930 (1930) 1920s The Girl from Havana (1929) Happy Days (1929/I) Protection (1929) Speakeasy (1929) The Bath Between (1928) Plastered in Paris (1928) A Horseman of the Plains (1928) Mind Your Business (1928) Silver Valley (1927) The Gay Retreat (1927) The Circus Ace (1927) The Canyon of Light (1926) It's a Pipe (1926) Matrimony Blues (1926) The Mad Racer (1926) The Fighting Tailor (1926) East Side, West Side (1925/II) The Heart Breaker (1925) Sweet Marie (1925) Roaring Lions at Home (1924) Stolen Sweeties (1924) In-Bad the Sailor (1924) Stretching the Truth (1924) When Wise Ducks Meet (1924) On the Job (1924) Screenwriter Gas House Kids Go West (1947) Producer Law of the Tropics (1941) The Spiritualist (1948) also known as The Amazing Mr. X The Cobra Strikes (1948) External links Benjamin Stoloff at IMDb Passage 3: Howard W. Koch Howard Winchel Koch (April 11, 1916 – February 16, 2001) was an American producer and director of film and television. Life and career Koch was born in New York City, the son of Beatrice (Winchel) and William Jacob Koch. His family was Jewish. He attended DeWitt Clinton High School and the Peddie School in Hightstown, New Jersey. He began his film career as an employee at Universal Studios office in New York then made his Hollywood filmmaking debut in 1947 as an assistant director. He worked as a producer for the first time in 1953 and a year later made his directing debut. In 1964, Paramount Pictures appointed him head of film production, a position he held until 1966 when he left to set up his own production company. He had a production pact with Paramount for over 15 years.Among his numerous television productions, Howard W. Koch produced the Academy Awards show on eight occasions. Dedicated to the industry, he served as President of the Academy of Motion Picture Arts and Sciences from 1977 to 1979. In 1990 the Academy honored him with The Jean Hersholt Humanitarian Award and in 1991 he received the Frank Capra Achievement Award from the Directors Guild of America. Together with actor Telly Savalas, Howard Koch owned the thoroughbred racehorse Telly's Pop, winner of several important California races for juveniles including the Norfolk Stakes and Del Mar Futurity. Howard W. Koch suffered from Alzheimer's disease and died in at his home in Beverly Hills, California on February 16, 2001. He had two children from a marriage of 64 years to Ruth Pincus, who died in March 2009. In 2004, his son Hawk Koch was elected to the Board of Governors of the Academy of Motion Picture Arts and Sciences. Filmography Director Film (director) Shield for Murder (1954) Big House, U.S.A. (1955) Untamed Youth (1957) Bop Girl Goes Calypso (1957) Jungle Heat (1957) The Girl in Black Stockings (1957) Fort Bowie (1957) Violent Road (1958) Frankenstein 1970 (1958) Born Reckless (1958) Andy Hardy Comes Home (1958) The Last Mile (1959) Badge 373 (1973)Television (director) Maverick (1957) (1 episode) Hawaiian Eye (1959) (2 episodes) Cheyenne (1958) (1 episode) The Untouchables (1959) (4 episodes) The Gun of Zangara (1960) (TV movie taken from The Untouchables (1959 TV series)) Miami Undercover (1961) (38 episodes) Texaco Presents Bob Hope in a Very Special Special: On the Road with Bing (1977) Producer Film (producer): War Paint (1953) Beachhead (1954) Shield for Murder (1954) Big House, U.S.A. (1955) Rebel in Town (1956) Frankenstein 1970 (1958) Sergeants 3 (1962) The Manchurian Candidate (1962) Come Blow Your Horn (1963) Robin and the 7 Hoods (1964) The Odd Couple (1968) On a Clear Day You Can See Forever (1970) A New Leaf (1971) Plaza Suite (1971) Last of the Red Hot Lovers (1972) Jacqueline Susann's Once Is Not Enough (1975) The Other Side of Midnight (1977) Airplane! (1980) Some Kind of Hero (1982) Airplane II: The Sequel (1982) Ghost (1990)Television (producer) Magnavox Presents Frank Sinatra (1973) Passage 4: Barney Platts-Mills Barney Platts-Mills (15 October 1944 – 5 October 2021) was a British film director, best known for his award-winning films, Bronco Bullfrog and Private Road. Biography Platts-Mills was born in 1944 in Colchester, England, a son of barrister John Platts-Mills (who was briefly a Labour MP), and was educated at University College School, London, and at Bryanston School, Blandford, Dorset. He entered the film industry in 1960, as 3rd assistant editor at Shepperton Studios and worked on Stanley Kubrick's Spartacus, Lewis Gilbert's The Greengage Summer and John Schlesinger's A Kind of Loving among other films, for editors including Peter R. Hunt and Reggie Beck. Platts-Mills worked as editor for Anglia TV's Survival and Granada TV's World in Action. In 1966, he established Maya Films with James Scott, Adam Barker-Mill and Andrew St. John. Platts-Mills produced and edited Love's Presentation, a 30-minute documentary on the work of David Hockney, directed by James Scott, and also produced and directed St Christopher, a 45-minute documentary on children in the care of St Christopher's School, Bristol, and the Camphill Village Trust, Botton, Yorkshire. He wrote, produced and directed The War, a cinema short, starring Colin Welland and Eric Burdon (15 minutes, B&W 35 mm Panavision). He wrote and directed Everybody's an Actor, Shakespeare Said, a documentary on the work of Joan Littlewood, with young people in the East End of London (35 minutes, 16 mm Eastmancolor). In 1969, he wrote and directed Bronco Bullfrog with young people from the East End (83 minutes, 35 mm B&W) Selectione a l'Unanimite pour Semain de la Critique, Festival de Cannes. The film won a Screenwriters' Guild award for Best Original Screenplay. In 1971, he wrote and directed Private Road (86 minutes, 35 mm Eastmancolor), starring Bruce Robinson, Susan Penhaligon and Michael Feast. It was awarded the Golden Leopard at the Locarno Festival for Best Film.In 1972, Platts-Mills was made a Governor and Honorary Life Member of the British Film Institute and Director of the Prodigal Trust, Inner London School's video project. He took piano lessons with Trevor Fisher. Platts-Mills' screenplay Double Trouble was published as a novel by Duckworth in 1976. The following year, he wrote screenplays for The Scotsman and Hero. After two years' preparation he directed Hero (82 minutes, 16 mm Eastmancolor) for Film Four in ancient Gaelic with actors drawn from a Glasgow youth gang. Hero was an official entry at the Venice Film Festival. In 1983, Platts-Mills wrote the screenplay for Ebb Tide by Robert Louis Stevenson, to be filmed for Film Four in Sri Lanka starring Harry Dean Stanton and Christopher Lee. The project abandoned when war broke out in that country. Between 1984 and 1988, he was resident in Sussex with his two young children, Roland and Ruby. In 1989, Platts-Mills wrote and directed Blasphemy for Channel Four's Dispatches. In 1990, he worked in The Special Unit at HMP Barlinnie, Glasgow, on various projects, including a musical to be staged by prisoners in the jail and the first-ever performance by a circus (Archaos) in a British jail. He edited John Steele's The Bird That Never Flew, an autobiography of a prison trouble-maker published by Sinclair-Stevenson in 1992. Platts-Mills was advisor to the development of Wornington Green Residents' Association Video Project for disadvantaged youth in 1993, and in 1994 he set up and supervised the first year of the North Kensington Video Drama Project (NKVDP), including work for the Metropolitan Police Scam scheme and the Youth Enterprise Scheme. In 1995, together with students from the NKVDP he established Massive Videos at North Kensington Community Centre and worked on the development of Courttia Newland's The Scholar. Between 1996 and 1999, Massive Videos made many short films by and about disadvantaged young people and founded the Film and Video Festival. In Liverpool they established the Workhaus project in a five-storey building in the city centre and the North X Northwest Film Festival. In 1999, Platts-Mills met Tunde Olayinka and acted as adviser to The Alpha Male, Olayinka's first film. Platts-Mills went to Morocco in 2000 and lived for a year on a farm near Larache, writing the screenplay for Lovesways. He built a house in Mejlaou near Assilah in 2004 and wrote the screenplay for Zohra: A Moroccan Fairytale. Bronco Bullfrog and Private Road were re-released in 2010 by the BFI and the National Film Theater. Platts-Mills' films were screened in retrospectives at the Edinburgh Film Festival, Gijion Film Festival, BAFICI, Copenhagen Film Festival and the opening night Premiere at the East End Film Festival. Platts-Mills joined the film production company Miraj Films in 2010 as a producer and completed the production of Zohra: A Moroccan Fairytale, his love poem to Morocco and his comeback after 30 years, which had its world premiere at the 40th International Rotterdam Film Festival. Platts-Mills is credited with founding the independent production company, Peabody Productions. He died on 5 October 2021, at the age of 76. Passage 5: Hanro Smitsman Hanro Smitsman, born in 1967 in Breda (Netherlands), is a writer and director of film and television. Film and Television Credits Films Brothers (2017) Schemer (2010) Skin (2008) Raak (aka Contact) (2006) Allerzielen (aka All Souls) (2005) (segment "Groeten uit Holland") Engel en Broer (2004) 2000 Terrorists (2004) Dajo (2003) Gloria (2000) Depoep (2001) Television 20 leugens, 4 ouders en een scharrelei (2013) De ontmaskering van de vastgoedfraude (TV mini-series, 2013) Moordvrouw (2012-) Eileen (2 episodes, 2011) Getuige (2011) Vakantie in eigen land (2011) De Reis van meneer van Leeuwen(2010) De Punt (2009) Roes (2 episodes, 2008) Fok jou! (2006) Van Speijk (2006) Awards In 2005, Engel en Broer won Cinema Prize for Short Film at the Avanca Film Festival.In 2007, Raak (aka Contact) won the Golden Berlin Bear Award at the Berlin International Film Festival, the Spirit Award at the Brooklyn Film Festival, the first place jury prize for "Best Live Action under 15 minutes" at the Palm Springs International Short Film Festival, and the Prix UIP Ghent Award for European Short Films at the Flanders International Film Festival.In 2008, Skin won the Movie Squad Award at the Nederlands Film Festival, an actor in the film also won the Best Actor Award. It also won the Reflet d’Or for Best Film at the Cinema tous ecrans Festival in Geneva in the same year. Passage 6: Brian Johnson (special effects artist) Brian Johnson (born 29 June 1939 or 29 June 1940) is a British designer and director of film and television special effects. Life and career Born Brian Johncock, he changed his surname to Johnson during the 1960s. Joining the team of special effects artist Les Bowie, Johnson started his career behind the scenes for Bowie Films on productions such as On The Buses, and for Hammer Films. He is known for his special effects work on TV series including Thunderbirds (1965–66) and films including Alien (1979), for which he received the 1980 Academy Award for Best Visual Effects (shared with H. R. Giger, Carlo Rambaldi, Dennis Ayling and Nick Allder). Previously, he had built miniature spacecraft models for Stanley Kubrick's 1968 film 2001: A Space Odyssey.Johnson's work on Space: 1999 influenced the effects of the Star Wars films of the 1970s and 1980s. Impressed by his work, George Lucas visited Johnson during the production of the TV series to offer him the role of effects supervisor for the 1977 film. Having already been commissioned for the second series of Space: 1999, Johnson was unable to accept at the time. He worked on the sequel, The Empire Strikes Back (1980), whose special effects were recognised in the form of a 1981 Special Achievement Academy Award (which Johnson shared with Richard Edlund, Dennis Muren and Bruce Nicholson). Awards Johnson has won Academy Awards for both Alien (1979) and The Empire Strikes Back (1980). He was further nominated for an Academy Award for his work on Dragonslayer (1981). In addition, Johnson is the recipient of a Saturn Award for The Empire Strikes Back and a BAFTA Award for James Cameron's Aliens. Filmography Special effects Director Scragg 'n' Bones (2006) Passage 7: Rachel Feldman Rachel Feldman is an American director of film and television and screenwriter of television films. Life and career Born in New York City, New York, Feldman began her career as a child actor performing extensively in commercials and television series.Her credits as a television director include: ((The Rookie)), ((Criminal Minds)), ((Blue Bloods)), and some beloved shows like Doogie Howser, M.D., The Commish, Dr. Quinn, Medicine Woman, Picket Fences, Sisters,Lizzie McGuire, at the start of her career. She has written and directed several features including: Witchcraft III: The Kiss of Death (1991), Post Modern Romance (1993), She's No Angel (2001) starring Tracey Gold, Recipe for a Perfect Christmas (2005) starring Christine Baranski, Love Notes (2007) starring Laura Leighton, Lilly (2023) starring Patricia Clarkson. Films Feature Films Lilly (2023) - Director/Writer Love Notes (2007) - Writer Recipe for a Perfect Christmas ((2005) - Writer She's No Angel (2001) - Writer/Director Witchcraft III: The Kiss of Death (1991) - Director Shorts Here Now (2017) - Writer/Director Happy Sad Happy (2014) - Writer/Director Post Modern Romance (1993) - Writer/Director Wunderkind (1984) - Writer/Director Guistina (1981) - Writer/Director Activism Feldman is active in the fight for gender equality in the film and television industry. Her activism takes form in speaking out about issues such as equal pay, job stability for women, sexual harassment, sexual discrimination and female representation within the industry. Feldman is also an activist for women behind the camera, who can be seen in the Geena Davis produced documentary This Changes Everything. Feldman was the former chair of the DGA Women's Steering Committee (WSC). The focus of the WSC is to support and uplift women in the film and television industry. Personal life and education Feldman grew up in the Bronx and now lives in Los Angeles. She attended New York University where she received a Master of Fine Arts Degree and has taught classes in directing and screenwriting at the USC School of Cinematic Arts.Feldman is married to artisan contractor and colorist Carl Tillmanns; together they have two children, Nora and Leon. They are both alumni of Sarah Lawrence College, where they first met. Passage 8: Ian Barry (director) Ian Barry is an Australian director of film and TV. Select credits Waiting for Lucas (1973) (short) Stone (1974) (editor only) The Chain Reaction (1980) Whose Baby? (1986) (mini-series) Minnamurra (1989) Bodysurfer (1989) (mini-series) Ring of Scorpio (1990) (mini-series) Crimebroker (1993) Inferno (1998) (TV movie) Miss Lettie and Me (2002) (TV movie) Not Quite Hollywood: The Wild, Untold Story of Ozploitation! (2008) (documentary) The Doctor Blake Mysteries (2013) Passage 9: Hero (1982 film) Hero is a 1982 British independent adventure-fantasy film written and directed by Barney Platts-Mills. Set in the medieval age, it is spoken entirely in Scottish Gaelic.The film was entered into the main competition at the 39th edition of the Venice Film Festival. Plot Cast Derek McGuire as Dermid O'Duinne Caroline Kenneil as Princess Grannia Alastair Kenneil as Finn MacCumhaill Stewart Grant as Osin Harpo Hamilton as Oscar Passage 10: Happy Days (1929 film) Happy Days is a 1929 American pre-Code musical film directed by Benjamin Stoloff, which was the first feature film shown entirely in widescreen anywhere in the world, filmed using the Fox Grandeur 70 mm process. French director Abel Gance's Napoléon (1927) had a final widescreen segment in what Gance called Polyvision. Paramount released Old Ironsides (1927), with two sequences in a widescreen process called "Magnascope", while MGM released Trail of '98 (1928) in a widescreen process called "Fanthom Screen".The film features an array of stars who were contracted to William Fox's Fox Film Corporation at that time, including Marjorie White, Will Rogers, Charles Farrell, Janet Gaynor, George Jessel, El Brendel, Ann Pennington, Victor McLaglen, Dixie Lee, Edmund Lowe, and Frank Richardson. It also featured the first appearance of Betty Grable on film, aged 12, as a chorus girl, and Sir Harry Lauder's nephew, Harry Lauder II, a conductor for Fox, who was drafted into the chorus. Plot Originally titled New Orleans Frolic, the story centers around Margie (played by Marjorie White), a singer on a showboat who, when she hears that the showboat is in financial trouble, travels to New York City in an effort to persuade all the boat's former stars to perform in a show to rescue it. She is successful and the stars all fly to New Orleans to surprise the showboat's owner, Colonel Billy Blacher, with a grand show, the proceeds of which will go to rescue the showboat. Cast Charles E. Evans as Colonel Billy Batcher Marjorie White as Margie Richard Keene as Dick Stuart Erwin as Jig Martha Lee Sparks as Nancy Lee Clifford Dempsey as Sheriff Benton James J. Corbett as Interlocutor - Minstrel Show George MacFarlane as Interlocutor - Minstrel Show Janet Gaynor as Janet Gaynor Charles Farrell as Charles Farrell Victor McLaglen as Minstrel Show Performer Edmund Lowe as Minstrel Show Performer El Brendel as Minstrel Show Performer William Collier Sr. as End Man - Minstrel Show Walter Catlett as End Man - Minstrel Show Tom Patricola as Minstrel Show Performer George Jessel as Minstrel Show Performer Will Rogers as Minstrel Show Performer Warner Baxter as Minstrel Show Performer Ann Pennington as "Snake Hips" Speciality Dancer Release After a preview on September 17, 1929, Happy Days premiered at the Roxy Theater in New York City on February 13, 1930 with a Niagara Falls widescreen short on a Grandeur screen of 42x20 ft, compared to the standard 24x18 ft screen. It was also shown in Grandeur at the Carthay Circle Theatre in Los Angeles, from February 28, 1930. At a screening at the Roxy Theater, film critic Mordaunt Hall praised the cinematography, which was noted to be enhanced by the wider format. However, he regarded the film itself as "not one that gives as full a conception of the possibilities as future films of this type will probably do."Owing to the Great Depression, few movie theaters invested in equipment for this format and it was soon abandoned. Fox Film Corporation's heavy investment in Grandeur technology led to William Fox losing his business, which was eventually merged in 1935 with Twentieth Century Pictures to form 20th Century Fox. No widescreen print of Happy Days is known to have survived. See also List of early sound feature films (1926–1929)

doc_53

Passage 1: Heather D. Gibson Heather Denise Gibson (Greek: Χέδερ Ντενίζ Γκίμπσον) is a Scottish economist currently serving as Director-Advisor to the Bank of Greece (since 2011). She was the spouse of Euclid Tsakalotos, former Greek Minister of Finance. Academic career Before assuming her duties at the Bank of Greece and alternating child-rearing duties with her husband, Gibson worked at the University of Kent, where she published two volumes on international exchange rate mechanisms and wrote numerous articles on this and other topics, sometimes in cooperation with her husband, who was teaching at Kent at the time. Personal life Gibson first came to Greece in 1993, with her husband, with whom she took turns away from their respective economic studies to raise their three children while the other worked.The couple maintain two homes in Kifisia, along with an office in Athens and a vacation home in Preveza. In 2013, this proved detrimental to Tsakalotos and his party when his critics began calling him «αριστερός αριστοκράτης» (aristeros aristokratis, "aristocrat of the left"), while newspapers opposed to the Syriza party seized on his property holdings as a chance to accuse the couple of hypocrisy for enjoying a generous lifestyle in private while criticizing the "ethic of austerity" in public. One opposition newspaper published on the front page criticism reasoning that Tsakalotos own family wealth came from the same sort of investments in companies as made by financial institutions JP Morgan and BlackRock. Works Editor Economic Bulletin, Bank of Greece Books The Eurocurrency Markets, Domestic Financial Policy and International Instability (London, etc., Longman: 1989) ISBN 0312028261 International Finance: Exchange Rates and Financial Flows in the International Financial System (London, etc., Longman: 1996) ISBN 0582218136 Economic Transformation, Democratization and Integration into the European Union (London: Palgrave Macmillan: 2001) ISBN 9780333801222 Articles and papers "Fundamentally Wrong: Market Pricing of Sovereigns and the Greek Financial Crisis," Journal of Macroeconomics, Elsevier, vol. 39(PB), pp. 405–419 (with Stephen G. & Tavlas, George S., 2014) "Capital flows and speculative attacks in prospective EU member states" (with Euclid Tsakalotos, Economics of Transition Volume 12, Issue 3, pages 559–586, September 2004) "A Unifying Framework for Analysing Offsetting Capital Flows and Sterilisation: Germany and the ERM" (with Sophocles Brissimis & Euclid Tsakalotos, International Journal of Finance & Economics, 2002, vol. 7, issue 1, pp. 63–78) "Internal vs External Financing of Acquisitions: Do Managers Squander Retained Profits" (with Andrew Dickerson and Euclid Tsakalotos, Studies in Economics, 1996; Oxford Bulletin of Economics and Statistics, 2000) "Are Aggregate Consumption Relationships Similar Across the European Union" (with Alan Carruth & Euclid Tsakalotos, Regional Studies, Volume 33, Issue 1, 1999) Takeover Risk and the Market for Corporate Control: The Experience of British Firms in the 1970s and 1980 (with Andrew Dickerson and Euclid Tsakalotos, 1998) PDF "The Impact of Acquisitions on Company Performance: Evidence from a Large Panel of UK Firms" (with Andrew Dickerson and Euclid Tsakalotos, Oxford Economic Papers New Series, Vol. 49, No. 3 (Jul., 1997), pp. 344–361) "Short-Termism and Underinvestment: The Influence of Financial Systems" (with Andrew Dickerson and Euclid Tsakalotos, The Manchester School of Economic & Social Studies, 1995, vol. 63, issue 4, pp. 351–67) "Testing a Flow Model of Capital Flight in Five European Countries" (with Euclid Tsakalotos, The Manchester School of Economic and Social Studies, Volume 61, Issue 2, pp. 144–166, June 1993) Full list of articles by Heather D Gibson. researchgate.net. Recovered 7 July 2015 Passage 2: Adib Kheir Adib Kheir (Arabic: أديب الخير) was a leading Syrian nationalist of the 1920s. He was the owner of the Librairie Universelle in Damascus. His granddaughter is the spouse of Manaf Tlass. Passage 3: Sophia Magdalena of Denmark Sophia Magdalena of Denmark (Danish: Sophie Magdalene; Swedish: Sofia Magdalena; 3 July 1746 – 21 August 1813) was Queen of Sweden from 1771 to 1792 as the wife of King Gustav III. Born into the House of Oldenburg, the royal family of Denmark-Norway, Sophia Magdalena was the first daughter of King Frederick V of Denmark and Norway and his first consort, Princess Louise of Great Britain. Already at the age of five, she was betrothed to Gustav, the heir apparent to the throne of Sweden, as part of an attempt to improve the traditionally tense relationship between the two Scandinavian realms. She was subsequently brought up to be the Queen of Sweden, and they married in 1766. In 1771, Sophia's husband ascended to the throne and became King of Sweden, making Sophia Queen of Sweden. Their coronation was on 29 May 1772. The politically arranged marriage was unsuccessful. The desired political consequences for the mutual relations between the two countries did not materialize, and on a personal level the union also proved to be unhappy. Sophia Magdalena was of a quiet and serious nature, and found it difficult to adjust to her husband's pleasure seeking court. She dutifully performed her ceremonial duties but did not care for social life and was most comfortable in quiet surroundings with a few friends. However, she was liked by many in the Caps party, believing she was a symbol of virtue and religion. The relationship between the spouses improved somewhat in the years from 1775 to 1783, but subsequently deteriorated again. After her husband was assassinated in 1792, Sophia Magdalena withdrew from public life, and led a quiet life as dowager queen until her death in 1813. Early life Princess Sophie Magdalene was born on 3 July 1746 at her parents' residence Charlottenborg Palace, located at the large square, Kongens Nytorv, in central Copenhagen. She was the second child and first daughter of Crown Prince Frederick of Denmark and his first consort, the former Princess Louise of Great Britain, and was named for her grandmother, Queen Sophie Magdalene. She received her own royal household at birth. Just one month after her birth, her grandfather King Christian VI died, and Princess Sophie Magdalene's father ascended the throne as King Frederick V. She was the heir presumptive to the throne of Denmark from the death of her elder brother in 1747 until the birth of her second brother in 1749, and retained her status as next in line to the Danish throne after her brother until her marriage. She was therefore often referred to as Crown Princess of Denmark.In the spring of 1751, at the age of five, she was betrothed to Gustav, the heir apparent to the throne of Sweden, and she was brought up to be the Queen of Sweden. The marriage was arranged by the Riksdag of the Estates, not by the Swedish royal family. The marriage was arranged as a way of creating peace between Sweden and Denmark, which had a long history of war and which had strained relations following the election of an heir to the Swedish throne in 1743, where the Danish candidate had lost. The engagement was met with some worry from Queen Louise, who feared that her daughter would be mistreated by the Queen of Sweden, Louisa Ulrika of Prussia. The match was known to be disliked by the Queen of Sweden, who was in constant conflict with the Parliament; and who was known in Denmark for her pride, dominant personality and hatred of anything Danish, which she demonstrated in her treatment of the Danish ambassadors in Stockholm.After the death of her mother early in her life, Sophia Magdalena was given a very strict and religious upbringing by her grandmother and her stepmother, who considered her father and brother to be morally degenerate. She is noted to have had good relationships with her siblings, her grandmother and her stepmother; her father, however, often frightened her when he came before her drunk, and was reportedly known to set his dogs upon her, causing in her a lifelong phobia. In 1760, the betrothal was again brought up by Denmark, which regarded it as a matter of prestige. The negotiations were made between Denmark and the Swedish Queen, as King Adolf Frederick of Sweden was never considered to be of any more than purely formal importance. Louisa Ulrika favored a match between Gustav and her niece Philippine of Brandenburg-Schwedt instead, and claimed that she regarded the engagement to be void and forced upon her by Carl Gustaf Tessin. She negotiated with Catherine the Great and her brother Frederick the Great to create some political benefit for Denmark in exchange for a broken engagement. However, the Swedish public was very favorable to the match due to expectations Sophia Magdalena would be like the last Danish-born Queen of Sweden, Ulrika Eleonora of Denmark, who was very loved for her kindness and charity. This view was supported by the Caps political party, which expected Sophia Magdalena to be an example of a virtuous and religious representative of the monarchy in contrast to the haughty Louisa Ulrika. Fredrick V of Denmark was also eager to complete the match: "His Danish Majesty could not have the interests of his daughter sacrificed because of the prejudices and whims of the Swedish Queen". In 1764 Crown Prince Gustav, who was at this point eager to free himself from his mother and form his own household, used the public opinion to state to his mother that he wished to honor the engagement, and on 3 April 1766, the engagement was officially celebrated. When a portrait of Sophia Magdalena was displayed in Stockholm, Louisa Ulrika commented: "why Gustav, you seem to be already in love with her! She looks stupid", after which she turned to Prince Charles and added: "She would suit you better!" Crown Princess On 1 October 1766, Sophia Magdalena was married to Gustav by proxy at Christiansborg Palace in Copenhagen with her brother Frederick, Hereditary Prince of Denmark, as representative of her groom. She traveled in the royal golden sloop from Kronborg in Denmark over Öresund to Hälsingborg in Sweden; when she was halfway, the Danish cannon salute ended, and the Swedish started to fire. In Helsingborg, she was welcomed by her brother-in-law Prince Charles of Hesse, who had crossed the sea shortly before her, the Danish envoy in Stockholm, Baron Schack, as well as Crown Prince Gustav himself. As she was about to set foot on ground, Gustav was afraid that she would fall, and he therefore reached her his hand with the words: "Watch out, Madame!", a reply which quickly became a topic of gossip at the Swedish court. The couple then traveled by land toward Stockholm, being celebrated on the way. She met her father-in-law the King and her brothers-in-law at Stäket Manor on 27 October, and she continued to be well-treated and liked by them all during her life in Sweden. Thereafter, she met her mother-in-law the Queen and her sister-in-law at Säby Manor, and on the 28th, she was formally presented for the Swedish royal court at Drottningholm Palace. At this occasion, Countess Ebba Bonde noted that the impression about her was: "By God, how beautiful she is!", but that her appearance was affected by the fact that she had a: "terrible fear of the Queen". On 4 November 1766, she was officially welcomed to the capital of Stockholm, where she was married to Gustav in person in the Royal Chapel at Stockholm Royal Palace.Sophia Magdalena initially made a good impression upon the Swedish nobility with her beauty, elegance and skillful dance; but her shy, silent, and reserved nature soon made her a disappointment in the society life. Being of a reserved nature, she was considered cold and arrogant. Her mother-in-law Queen Louisa Ulrika, who once stated that she could comprehend nothing more humiliating than the position of a Queen Dowager, harassed her in many ways: a typical example was when she invited Gustav to her birthday celebrations, but asked him to make Sophia Magdalena excuse herself by pretending to be too ill to attend. Louisa Ulrika encouraged a distance between the couple in various ways, and Gustav largely ignored her so as not to make his mother jealous. Sophia Magdalena was known to be popular with the Caps, who were supported by Denmark, while Louisa Ulrika and Gustav sided with the Hats. The Caps regarded Sophia Magdalena to be a symbol of virtue and religion in a degenerated royal court, and officially demonstrated their support. Sophia Magdalena was advised by the Danish ambassador not to involve herself in politics, and when the spies of Louisa Ulrika reported that Sophia Magdalena received letters from the Danish ambassador through her Danish entourage, the Queen regarded her to be a sympathizer of the Danish-supported Caps: she was isolated from any contact with the Danish embassy, and the Queen encouraged Gustav to force her to send her Danish servants home. This she did not do until 1770, and his demand contributed to their tense and distant relationship. In 1768, Charlotta Sparre tried to reconcile the couple at their summer residence Ekolsund Castle, but the marriage remained unconsummated.After King Adolf Frederick of Sweden died in 1771, Gustav III became King of Sweden. The following year, on 29 May, Sophia Magdalena was crowned Queen. Early reign as Queen The coronation of Gustav III and Sophia Magdalena took place on 29 May 1772. She was not informed about the coup of Gustav III, which reinstated absolute monarchy and ended the parliamentary rule of the Estates in the revolution of 1772. At the time she was deemed as suspicious and politically untrustworthy in the eyes of the King, primarily by her mother-in-law, who painted her as pro-Danish. Denmark was presumed to oppose the coup; there were also plans to conquer Norway from Denmark. Sophia Magdalena was informed about politics nonetheless: she expressed herself pleased with the 1772 parliament because Count Fredrik Ribbing, for whom she had taken an interest, had regained his seat. The conflict between her and her mother-in-law was publicly known and disliked, and the sympathies were on her side. In the contemporary paper Dagligt Allehanda, a fable was presented about Rävinnan och Turturduvan ("The She Fox and the Turtle Dove"). The fable was about the innocent turtle dove (Sophia Magdalena) who was slandered by the wicked she fox (Louisa Ulrika), who was supported by the second she fox (Anna Maria Hjärne) and the other foxes (the nobility). The fable was believed to have been sent from the Caps party.Queen Sophia Magdalena was of a shy and reserved character, and was never a member of the King's inner circle. At the famous amateur court theater of Gustav III, Sophia Magdalena is occasionally named as participator in the documents. In 1777, for example, she dressed as an Italian sailor and participated in a battle between Italian and Spanish sailors. Usually it was rather her role to act as the passive lady of games and tournaments, and to decorate the winner with the award. She did her ceremonial duties, but disliked the vivid lifestyle of the court around her outgoing spouse.As queen, she was expected to do a great deal of representation – more than what had been expected from previous queens due to her husband's adoration of representation. On formal occasions, she was at her best: she performed beautifully according to royal court etiquette, and was seen as dignified and impressive. For instance, on 17 September 1784, she cut the cord to let off the first air balloons from the Stockholm observatory. During the King's Italian journey in 1783–84, she hosted a grand formal public dinner every two weeks. During that time, she appeared at the Royal Swedish Opera and at the French Theater, but otherwise preferred her solitude. This attracted attention as during the absence of the King she had been expected to represent the royal couple all the more. Sophia appeared to have enjoyed nature trips in the country side with only one lady-in-waiting and two footmen, however, her country side visitations were stopped because it was deemed 'unsuitable'. Several of her ladies-in-waiting were well known Swedish women of the era, among them The Three Graces: Augusta von Fersen, Ulla von Höpken and Lovisa Meijerfelt, as well as Marianne Ehrenström and Charlotta Cedercreutz, who were known artists. Sophia Magdalena was a popular Queen: on 22 July 1788, for example, during the absence of her spouse in Finland, several members of the Royal Dramatic Theater and the musical society Augustibröder, among them Bellman, took a spontaneous trip by boat from the capital to Ulriksdal Palace, where she was, and performed a poem by Bellman to her honor at the occasion of her name day. In the famous diary of her sister-in-law, Princess Hedwig Elizabeth Charlotte, Sophia Magdalena is described as beautiful, cold, silent and haughty, very polite and formal, reserved and unsociable. When she performed her duties as Queen, her sister-in-law, Hedwig Elizabeth Charlotte of Holstein-Gottorp, described her as "Forced to meet people".Sophia Magdalena preferred to spend her days in solitude whenever she could. She had two very intimate friends, Maria Aurora Uggla and Baroness Virginia Charlotta Manderström, but otherwise rarely participated in any social life outside of what was absolutely necessary to perform her representational duties. She frequently visited the theater, and she also had a great interest for fashion. As a result of this, she was somewhat criticized for being too vain: even when she had no representational duties to dress up for and spend her days alone in her rooms, she is said to have changed costumes several times daily, and according her chamberlain Adolf Ludvig Hamilton, she never passed a mirror without studying herself in it. She was also interested in literature, and educated herself in various subjects: her library contained works about geography, genealogy and history. She educated herself in Swedish, English, German and Italian, and regularly read French magazines. According to Augusta von Fersen, Sophia Magdalena was quite educated, but she was not perceived as such because she rarely engaged in conversation.In 1784, after the King had returned from his trip to Italy and France, the relationship between the King and Queen soured. At this time, Gustav III spent more and more time with male favorites. In 1786, this came to an open conflict. The King had taken to spend more time at intimate evenings with his favorite Gustaf Mauritz Armfelt, from which he excluded her company. When he gave some of her rooms at the Royal Palace to Armfelt, Sophia Magdalena refused to participate in any representation until the rooms were given back to her, and she also banned her ladies-in-waiting from accepting his invitations without her permission. In 1787, she threatened him with asking for the support of the parliament against him if he took their son with him to Finland, which she opposed, and the year after, she successfully prevented him from doing so. She also reprimanded him from allowing his male favorites to slander her before him. Queen Sophia Magdalena was never involved in politics, except for one on one occasion. In August 1788, during the Russo-Swedish War (1788–1790), the King gave her the task to enter in negotiations with Denmark to prevent a declaration of war from Denmark during the ongoing war against Russia. He asked her to call upon the Danish ambassador Reventlow and give him a letter to be read in the Danish royal council before her brother, the Danish King. He gave her the freedom to write as she wished, but to use the argument that she spoke as a sister and mother to a son with the right to the Danish throne and upon her own initiative. Sophia Magdalena called upon the Danish ambassador, held a speech to him followed by a long conversation and then handed him a letter written as a "warm appeal" to her brother. A copy was sent to Gustav III, and her letter was read in the royal Danish council, where it reportedly made a good impression. However, her mission was still unsuccessful, as the Russo-Danish alliance made it unavoidable for Denmark to declare war shortly afterward. At the time, there was a note that she met two Russian prisoners of war in the park of the Haga Palace, and gave them 100 kronor each. At the parliament of 1789 Gustav III united the other estates against the nobility and to gain support for the war and for his constitutional reform. Coming into conflict with the nobility, he had many of its representatives imprisoned. This act led to a social boycott of the monarch by the female members of the aristocracy, who followed the example of Jeanna von Lantingshausen as well as the King's sister and sister-in-law, Sophie Albertine of Sweden and Hedvig Elisabeth Charlotte. The Queen did not participate in this political demonstration and refused to allow any talk of politics in her presence. She was nevertheless involved in the conflict. When the King informed his son about the event, he discovered the child to be already informed in other ways than what he had intended. He suspected Sophia Magdalena to be responsible, and asked the governor of the prince, Count Nils Gyldenstolpe, to speak to her. Gyldenstolpe, however, sent one of the king's favorites, Baron Erik Boye. The Queen, who despised the favorites of the King, furiously told Boye that she spoke to her son how she wished and that only her contempt for him prevented her from having him thrown out of the window. She was known to dislike the reforms of 1789, and she did let it be known to its representatives. At the celebrations of the Victory at Fredrikshamn in 1790, she refused to be escorted by riksråd Count Joakim Beck-Friis, who was in favor of the reform, and demanded to be escorted by Count Axel von Fersen the Elder, who was in opposition to it. In the autumn of 1790, the King chose to remain in the summer residence of Drottningholm Palace well in to the autumn because of the social boycott. Finally, the Queen returned to the capital without his consent. He accused her of having been manipulated by the female courtiers into participating in the political demonstration, and refusing him the company of her ladies-in-waiting by leaving. This applied especially to Hedvig Ulrika De la Gardie and Augusta von Fersen, who did not participate in the boycott: he suspected Hedvig Eleonora von Fersen to have persuaded the Queen to participate in the boycott. This is however is not considered to have been true: though the Queen did oppose to the act of 1789, she is reported never to have allowed any one to speak of politics in her presence. The reason to why she wished to leave was reportedly due to her health, as Drottningholm was quite cold by that time of the year and she had been afflicted by an ear infection. The King did in any case suspect her of being in political opposition to him, and before his trip to Aachen in 1791, he ordered that his son was to be separated from her during his absence abroad. When she was made aware of this, Sophia Magdalena caused a public scene when she visited him in his box at the opera and demanded to be given access to her son. This led to a heated argument and she left the box with the words: "I will have my vengeance, monsieur! I give you my sacred vow on that!" Succession issues Sophia Magdalena is mostly known in Swedish history for the scandal created around the consummation of her marriage and the questioned legitimacy of her son. Her marriage was a then normal arranged royal match for political convenience, in which Sophia Magdalena at first was described by her spouse as "cold as ice". Sophia Magdalena's religious upbringing and introverted character made her avoid the lively and spontaneous Gustavian court life, which made her even less attractive in the eyes of her outgoing spouse.Their marriage was not consummated until 1775, nine years after the wedding. The status quo between Gustav III and his consort was nurtured by the Queen Dowager, Louisa Ulrika, who did not want competition in her influence over her son. There were rumors that the King was a homosexual or sexually underdeveloped. His sexuality, which had much effect on Sophia Magdalena's life, as a royal marriage was designed to produce offspring, has been much debated. His sexual inexperience has been blamed on immaturity or him also being asexual. As a teenager, Gustav had a crush on Axel von Fersen's mother, Hedvig Catharina De la Gardie, though this affection was never physical. In 1768, he had another infatuation with the noble Charlotte Du Rietz, but this is not believed to have been sexually consummated either. Various documents written during his lifetime alleged that he was bisexual or homosexual. His sister-in-law, Princess Charlotte, claims that the King did participate in homosexual activity after his trip to Italy in 1784 and that there were several rumors about this: she claims that she herself had witnessed that the park at Drottningholm Palace had become a place where male courtiers searched for homosexual partners, and in a letter to Sophie von Fersen, she writes in code: "It is said that the King recently attacked a young man in the park at night and offered him the post of chamberlain to the Queen if he agreed to his lusts, but the young man preferred to leave. Agree that this is to take things too far. It is said that the trips to Svartsjö Palace are made to be provide privacy, it is unbelievable, but it is what it is said. I could tell you a million things about this." In 1791, Sophia Magdalena herself paid a surprise visit to the King during his stay at the Gustav III's Pavilion, where the King had spent more time since he came in conflict with the nobility after the 1789 parliament; and where he was reputed to indulge in orgies. She found the King in bed, and he asked one of his favorites, Count Fabian Wrede, to show her around. In the King's private chamber, however, the Queen found the actor and page of the King, Lars Hjortsberg, sleeping, naked. The Queen reacted by interrupting the tour by saying to Wrede that he apparently did not know his way around Haga, as he had obviously showed her the chamber of the staff rather than the King by mistake.Some sources explain that both the Queen and the King had serious anatomical problems resulting in erotic complications. Erik Lönnroth has concluded that there is no factual proof for the rumors that Gustav III was inclined toward homosexuality or bisexuality, nor that Gustav Adolf was illegitimate. During the Coup of Gustav III on 19 August 1772, Sophia Magdalena was at Ekolsund Castle. After having been told of the successful coup where her consort had reinstated absolute monarchy, she confided to her Mistress of the Robes, Countess Anna Maria Hjärne, that she was afraid that she would now be divorced by Gustav, because she knew she was not liked by him, because she had not given birth, and because she knew she was being slandered before him. Gustav III was told of this and her words led to a conflict. At a following ball at Ekolsund, the King told Count Axel von Fersen the Elder, that he did plan to divorce her on the grounds of pro-Danish plots and adultery with riksråd Count Fredrik Sparre and Marcus Gerhard Rosencrone of the Danish legation in Stockholm. Von Fersen, however, convinced him not to by saying that she should not be regarded to participate in pro-Danish plots just for her love of her Danish chamber-maids, and that as a neglected wife, she should not be blamed for enjoying the compliments of Count Ribbing, which were not grounds for suspicions of adultery. During this period, it had been noted that Count Ribbing was often seen in the company of the Queen and had paid her compliments and made her laugh, among other things by caricaturing her Mistress of the Robes Countess Anna Maria Hjärne. Countess Hjärne had informed the King that the Queen was pregnant, "And the riksråd Ribbing is her favorite."The King had given Countess Ulrica Catharina Stromberg the task to investigate this, and she was told by the chamber madame of Sophia Magdalena, Charlotta Hellman, that: "information, which where dubious, especially since the clearest evidence could be gathered from the linen of the Queen". Her contact with Rosencrone is said to have been restricted to the fact that he handled her correspondence with Denmark. After the reconciliation of Sophia Magdalena and Gustav III, he apologized to her for having believed these rumors. In 1774, the King arranged the marriage between his brother, the future Charles XIII of Sweden, and Hedwig Elizabeth Charlotte of Holstein-Gottorp, to solve, for the time being, the immediate question of an heir to the throne. The Duchess had false pregnancies and miscarriages only, which may have hastened the King to expedite the consummation of his own marriage and produce a son of his own. In 1778, Sophia Magdalena gave birth to Gustav Adolf, successor to the throne, and in 1782, she gave birth to a second son, Charles Gustav, who only lived for one year. It was suggested in some circles that King Gustav's first son was sired by someone else. When the heir was born, the father was believed, by the Queen Dowager among others, to be Count Adolf Fredrik Munck af Fulkila, then Riksstallmästare. This rumor was believed by elements of the public and the royal court, and her acquiescence to it led to a year-long break between the Queen Dowager and her son. Succession scandal The King, claiming to be sexually inexperienced, called upon Munck to help him with a reconciliation with his spouse, instruct the couple in the ways of sexual intercourse, and physically show them how to consummate their marriage. Munck, a Finnish nobleman and, at the time, a stable master was, at that point, the lover of Anna Sofia Ramström, the Queen's chamber maid. Through Anna Sofia Ramström, Munck contacted Ingrid Maria Wenner, who was assigned to inform the queen of the king's wish, because she was married and the confidant of the queen. Munck and Ramström were to be present in a room close to the bedchamber, ready to be of assistance when needed, and he was, at some points, called into the bedchamber. Munck himself writes in his written account, which is preserved at the National Archives of Sweden, that to succeed, he was obliged to touch them both physically.When it became known that Munck participated in the reconciliation between the royal couple, there were rumours that he was the father of Sophia Magdalena's firstborn.These became the subject of accusations from the political opposition, as late as in 1786 and 1789,: 132  where it was claimed that the whole nation was aware of the rumour that the King had asked Munck to make the Queen pregnant.: 118  Pamphlets to that end were posted on street corners all over Stockholm.: 143 This was also caricatured by Carl August Ehrensvärd in private letters discovered later – his drawing was published in 1987 —, where he passed on a number of rumors and jokes about Gustav III, Sophia Magdalena and Munck without inferring that he believed they were true. There was also a rumour that the King and Queen had divorced in secret and that the Queen had married Munck.There is no proof that Munck was the father of the crown prince. Erik Lönnroth has suggested that the anatomical problems mentioned in Munck's account, known only to a few initiated persons, were the primary factor in their delay in producing an heir. At the time, the rumors became more persistent, however, when the royal couple presented Munck with gifts: the King promoted him, and the Queen gave Munck a pension, a diamond ring, and a watch with her image.A few socialites took the Queen Mother's side in supporting and spreading the rumors, such as Anna Charlotta Schröderheim and Eva Helena Löwen.The circle around the King's brother, Duke Charles, the future Charles XIII of Sweden, who desired the throne, also encouraged these rumors. Their mother was quoted as saying, during the pregnancy of Sophia Magdalena, that there were rumors among the public that the future child was illegitimate, and that she herself believed that the King had hired Munck to impregnate the Queen, and that she would never accept that the throne would come into the hands of "a common nobleman's illegitimate offspring".: 103–4 The Queen Mother ordered Duke Charles to interrogate Munck, and word spread to the King, who was shocked. Sophia Magdalena was equally shocked by the accusations. She swore she would never speak to the Queen Dowager again, and indeed she never did. The King arranged for his mother to make a public apology for her accusation in the presence of the rest of the Royal Family the 12 May 1778. The scene gained a lot of attention and broke the bonds between Gustav III and his mother. The scandal disturbed celebrations, as did an accident with the public banquet. The public was invited to a great feast to celebrate the birth of the heir, but too many people were let in, and the crowd panicked. Between sixty and one hundred people were trampled to death in the crowd. Sven Anders Hedin, a medical doctor at the royal court, and married to one of the Queen's chambermaids, Charlotta Hellman, contributed two statements which have been quoted in connection with the scandal. In the summer of 1780, during the King's absence abroad, he passed through the private apartments of the Queen, which were expected to be empty at that hour. There, he claimed to have seen the Queen and Baron Munck embracing each other through the not-quite closed door to her bedroom. To warn them that they were not alone, he hummed a tune and pretended to speak to himself, saying that he would be in trouble if the Queen discovered him there, and then left the room. He claimed to have found three expensive court costumes in his room a few days after this event. In October 1781, Hedin met the King in the corridor on his way to the Queen's bedchamber. Gustav III asked Hedin what time it was, and Hedin claims to have added to his reply: "In nine months, I will be able to answer exactly!" in which Hedin insinuated that the King had expected him to remember the time should the fatherhood of the next child be questioned. In 1782, Sophia Magdalena had a second son. After the death of her younger son in 1783, her marriage deteriorated. In May 1784, Sophia Magdalena is believed to have had a miscarriage, and after this, there are no further notes of any pregnancies. A brief reconciliation in 1787 was deemed by Duchess Hedwig Elizabeth Charlotte in her diaries as temporary, with no hope of being complete and lasting,: 191  as the King was not "receptive to female charm": another insinuation that he was homosexual. In 1787, Sophia Magdalena deposited a sum of 50.000 riksdaler in an account for Munck, which was generally rumoured to be a "farewell gift".: 156–7  At this point, Munck had started an affair with the ballerina Giovanna Bassi, to whom Sophia Magdalena showed great dislike.: 157  The King was terrified when he heard that the Queen had made that deposit, and he tried to prevent the transaction from becoming public knowledge, which, however, did not succeed.: 157  Munck was, however, continued to be used as a go-between and a messenger between the King and the Queen, especially during conflicts. A child of Giovanna Bassi's, rumored to be the child of Munck, bore a strong likeness to the Crown Prince. Queen Dowager On 16 March 1792 Gustav III was attacked and mortally wounded. Sophia Magdalena was reportedly shocked and horrified by the attack. The conspirators intended to make her the regent of her son during his minority.: 443  As a Guardian government had been necessary by putting a minor monarch on the throne, their plan was to offer this role to Sophia Magdalena by taking military control and offering the Queen dowager the role of presiding over the guardian council instead of her brother-in-law Duke Charles. Directly after she was told of the attack, Sophia Magdalena sent for the king's favorite, Gustav Mauritz Armfelt, and was taken by him to the sick bed of the King. There, she took the hands of the King between hers and cried out to Armfelt: "How horrifying! Such a cruel atrocity!" She was kept informed of his state by Armfelt, but she was prevented from further visits because Gustav did not wish to receive visits from women because of the smell from his wounds. At the death of Gustav III 29 March 1792, she attempted to visit him, but she was blocked by her brother-in-law Duke Charles, who fell on his knees before her to stop her from entering the bed room. Sophia Magdalena caused a scandal as it was noted that she did not dress in mourning except when she was forced to do so at visits and on formal occasions.: 442  This criticism was likely worsened because she was exposed to some suspicions, as it was known that the conspirators had planned to make her regent. As Queen Dowager, it was a relief to Sophia Magdalena to withdraw from public life. Her brother-in-law, Duke Charles, became regent, and she eschewed a political role. As a widow, Sophia Magdalena lived a withdrawn life. She did not wish to take part in any representational duties, and she gave up her quarters at Drottningholm Palace to be relieved of them. She lived in the Royal Palace in Stockholm during the winter, and at Ulriksdal Palace during the summer. She lived in a circle of her own court, and seldom entertained any guests other than her lifelong friends Maria Aurora Uggla and Virginia Manderström. It is noted that, although she had hated the male favorites of her spouse during his lifetime, she gave several of them positions in her court as a widow. Sophia Magdalena had a close relationship with her son, King Gustav IV Adolf, who visited her regularly and with whom she shared an interest in religion. In 1797, she insisted on skipping the protocol at the reception of her daughter-in-law, Frederica of Baden. The etiquette demanded that as Queen Dowager, she should not greet her daughter-in-law at the stair of the royal palace with the rest of the royal family, but wait for her in her own salon, but she refused: "I know myself how I suffered, when I arrived to Sweden, and how painfully I reacted to the cold reception I was given by Queen Louisa Ulrika. As for my daughter-in-law, I have decided to spare her from having to experience such bitter emotions!" During the reign of her son, she seldom showed herself at court except on Sundays and at court presentations, and preferred to stay at her estate. She regularly met her son and his family on family visits, but she did not participate in court life. In 1809 she witnessed the coup and following abdication of her son, King Gustav IV Adolf of Sweden, after Sweden lost Finland to Russia. She was deeply affected by his deposition. On the day of the coup, she was informed by her friend Maria Aurora Uggla, and in her company she immediately rushed to the quarters of her son. She was prevented from seeing him by guards, and burst into tears in the arms of Uggla. Shortly after, she was visited in her quarters by Duke Charles in the company of guards, who officially told her what had happened and made her burst into tears again by officially banning her from seeing her son. When she, during the captivity of her son, formally applied for permission to see him, and was told by Charles that she could not unless given permission by the government, she publicly commented: "The government was not asked for permission for the murder of my husband, neither any permission was sought to depose and imprison my son, but I must have their permission, to speak to my child." She was never to see her son again, but she corresponded with him for the rest of her life. He was sent into exile and replaced by his paternal uncle Charles XIII, but she remained in Sweden until her death. She did, however, say goodbye to her daughter-in-law and her grandchildren when they left Stockholm to join Gustav Adolf. In January 1810, she was presented to the elected heir to the throne, Charles August, Crown Prince of Sweden. During his visit, he stopped before the portrait of her grandson Gustav, and informed her that he wished to adopt him for his successor. Later that year (2 November 1810), she was presented to the next elected heir to the throne, Jean Baptiste Bernadotte. He regarded her with suspicion and believed that she did not wish to see him, but she commented: "I am grateful for the sensitivity of the Crown prince, but he is mistaken, if he believes that I do not wish to see him! It would be unfair if I were to hold the least bit of dislike toward him, for it is not he who has deposed my son!" At the meeting, her face was said to have turned white, but at the end, she is said to have been delighted by his charm. In 1811, she was one of the few in the Swedish Court who were nice to Désirée Clary. In September 1812, Germaine de Staël was presented to her, and gave her the impression of her: "Her Majesty analyzed my books as an educated woman, whose judgement showed as much thoroughness as well as delicate feeling. Never has any one impressed me such as your Queen! I almost dared not reply to her, so taken was I by the royal glory around her – it gave me such respect, that I shivered!" When the Crown Prince banned any contact between Swedes and the former royal family, Germaine de Staël asked that an exception was to be made for Sophia Magdalena, and it was: her letters were however read by foreign minister Lars von Engeström. Later life and death Sophia Magdalena lived more isolated towards the end of her life and was affected by worsened health. From 1812, she devoted much of her time to her friendship with the young amateur botanic Baron Anton Fredrik Wrangel. She never fully recovered after having suffered a stroke in May 1813. Children In popular culture The affair of the consummation of her marriage and the succession scandal was portrayed in SVT's period drama production of "Gustav III:s äktenskap" (The Marriage of Gustav III) in 2001, where Sophia Magdalena was portrayed by Danish actress Iben Hjejle. It was also used to inspire the novel Drottningens juvelsmycke, famous in Sweden, where the character of Tintomara is portrayed as a half sibling of Gustav IV Adolf through Count Munck. Ancestry Inline references Bibliographic references Alm, Mikael (2003–2006). Sophia Magdalena. Svenskt biografiskt lexikon (in Swedish). Vol. 32. Retrieved 28 April 2022. Bech, Claus (1983). Sophie Magdalene. Dansk Biografisk Leksikon (in Danish). Vol. 13 (3 ed.). Copenhagen: Gyldendals Forlag. ISBN 8700055514. Jørgensen, Harald (1942). Sophie Magdalene (PDF). Dansk Biografisk Leksikon (in Danish). Vol. 22 (2 ed.). Copenhagen: J.H. Schultz Forlag. pp. 314–315. Laursen, Laurs (1902). "Sophie Magdalene af Danmark". Dansk biografisk Lexikon, tillige omfattende Norge for tidsrummet 1537-1814 (in Danish) (1st ed.). Copenhagen: Gyldendalske Boghandels Forlag. XVI: 179–180. Svenskt biografiskt handlexikon [Swedish biographical dictionary] (in Swedish), Runeberg, 1906 Stålberg, Wilhelmina (1864), Anteckningar om svenska qvinnor [Notes on Swedish women] (in Swedish), Runeberg. Munk (in Swedish), SE: Passagen, archived from the original on 9 January 2001 Personakt för Gustav III av >> Holstein-Gottorp, Född 1746-01-24 (in Swedish), NU: Historiska Personer, archived from the original on 9 November 2007, retrieved 9 November 2007 Starbäck, Carl Georg; Bäckström, Per Olof (1885–1986), "Nionde bandet. Gustaf III. Gustaf IV Adolf", Berättelser ur svenska historien [Tales from the history of Sweden] (in Swedish) Svenskt biografiskt handlexikon [Swedish biographical hand-dictionary] (in Swedish), Runeber, 1906 Andersson, Ingvar (1979). Gustavianskt [The Gustavian age] (in Swedish). Fletcher & Son. ISBN 91-46-13373-9. Ribbing, Gerd, Gustav III:s hustru Sofia Magdalena [Sophia Madalena, wife of Gustav III] Hartmann, Godfred (1993). "Gode Dronning" – Om den svenske konge Gustaf III's dronning Sophie Magdalene (1746–1813) og hendes ulykkelige skæbne ["Good Queen" – About the Swedish king Gustaf III's queen Sophie Magdalene (1746–1813) and her unfortunate fate] (in Danish). København: Gyldendal. ISBN 87-00-15758-9. Primary sources af Klercker, Cecilia, ed. (1942). Hedvig Elisabeth Charlottas Dagbok [The diaries of Hedvig Elizabeth Charlotte] (in Swedish). Vol. IX. PA Norstedt & Söners förlag. Unknown ID 412070. on WorldCat Further reading Sophia Magdalena of Denmark at Svenskt kvinnobiografiskt lexikon Passage 4: Maria Teresa, Grand Duchess of Luxembourg Maria Teresa (born María Teresa Mestre y Batista; 22 March 1956) is the Grand Duchess of Luxembourg as the wife of Grand Duke Henri, who acceded to the throne in 2000. Early life and education Maria Teresa was born on 22 March 1956 in Marianao, Havana, Cuba, to José Antonio Mestre y Álvarez (1926–1993) and wife María Teresa Batista y Falla de Mestre (1928–1988), both from bourgeois families of Spanish descent. She is also the granddaughter of Agustín Batista y González de Mendoza, who was the founder of the Trust Company of Cuba, the most powerful Cuban bank prior to the Cuban Revolution.In October 1959, at the time of the Cuban Revolution, Maria Teresa Mestre’s parents left Cuba with their children, because the new government headed by Fidel Castro confiscated their properties. The family settled in New York City, where as a young girl she was a pupil at Marymount School. From 1961 she carried on her studies at the Lycée Français de New York. In her childhood, Maria Teresa Mestre took ballet and singing courses. She practices skiing, ice-skating and water sports. She later lived in Santander, Spain, and in Geneva, Switzerland, where she became a Swiss citizen.In 1980, Maria Teresa graduated from the Graduate Institute of International and Development Studies in Geneva with a degree in political sciences. While studying there, she met her future husband Henri of Luxembourg. Social and humanitarian interests Soon after her marriage, Maria Teresa and the then Hereditary Grand Duke Henri established The Prince Henri and Princess Maria Teresa Foundation to help those with special needs integrate fully into society. In 2001, she and her husband created The Grand Duke and Grand Duchess Foundation, launched upon the accession of the couple as the new Grand Duke and Duchess of Luxembourg. In 2004, the Grand Duke Henri and the Grand Duchess Maria Teresa Foundation was created after the merging of the two previous foundations. In 1997, Maria Teresa was made a special ambassador for UNESCO, working to expand education for young girls and women and help to fight poverty.Since 2005, Maria Teresa has been the chairwoman of the international jury of the European Microfinance Award, which annually awards holders of microfinance and inclusive finance initiatives in developing countries. Also, since 2006, Maria Teresa has been honorary president of the LuxFLAG (Luxembourg Fund Labeling Agency), the first agency to label responsible microfinance investment funds around the world.On 19 April 2007, the Grand Duchess was appointed UNICEF Eminent Advocate for Children, in which role she has visited Brazil (2007), China (2008), and Burundi (2009).She is a member of the Honorary Board of the International Paralympic Committee and a patron of the Ligue Luxembourgeoise de Prévention et d’Action medico-sociales and SOS Villages d’Enfants Monde. The Grand Duchess and her husband Grand Duke Henri are the members of the Mentor Foundation (London), created under the patronage of the World Health Organization. She is also the president of the Luxembourg Red Cross and the Cancer Foundation. In 2016, she organized the first international forum on learning disabilities in Luxembourg.The Grand Duchess supports the UNESCO “Breaking the Poverty Cycle of Women” project in Bangladesh, India, Nepal and Pakistan. The purpose of this project is to improve the living conditions of girls, women and their families. As honorary president of her own foundation, Grand Duchess Maria Teresa set up a project called Projet de la Main Tendue after visiting the Bujumbura prison in 2009 in Burundi. The purpose of this project is to liberate minor people from prison and to give them new opportunities for their future. In October 2016, Maria Teresa accepted an invitation to join the eminent international Council of Patrons of the Asian University for Women (AUW) in Chittagong, Bangladesh. The university, which is the product of east-west foundational partnerships (Bill and Melinda Gates Foundation, Open Society Foundation, IKEA Foundation, etc.) and regional cooperation, serves extraordinarily talented women from 15 countries across Asia and the Middle East.In 2019, Maria Teresa presented her initiative "Stand Speak Rise Up!" to end sexual violence in fragile environments, launched in cooperation with the Women’s Forum and with the support of the Luxembourg government. The conference is in partnership with the Dr. Denis Mukwege Foundation and We Are Not Weapons of War.In 2020 the Prime Minister of Luxembourg commissioned a report into the Cour le Grand Ducal following concerns over its working. The report found that up to 1/3 of employees had left since 2015 and that "The most important decisions in the field of personnel management, whether at the level of recruitment, assignment to the various departments or even at the dismissal level are taken by HRH the Grand Duchess.” Several newspaper reports at the time highlighted a 'culture of fear' around the Grand Duchess and "that no-one bar the Prime Minister dared confront her". The report also raised concerns about the use of public funds to pay for the Grand Duchess' personal website and that this had been prioritised over the Cour's own official website. There were also allegations that staff at the Court has been subject to physical abuse and these reports were investigated by the Luxembourg judicial police. In February 2023 it was reported by several Luxembourg based media that the Grand Duchess had once again been accused of treating staff poorly during an outfit fitting in October 22. The incident even involved the Prime Minister of Luxembourg having to speak to the Grand Duke and Grand Duchess about the treatment of the staff and commissioning a report into it. Family Maria Teresa married Prince Henri of Luxembourg in a civil ceremony on 4 February 1981 and a religious ceremony on 14 February 1981, since Valentine's Day was their favourite holiday. The consent of the Grand Duke had been previously given on 7 November 1980. She received a bouquet of red roses and a sugarcane as a wedding gift from Cuban leader, Fidel Castro. The couple has five children: Guillaume, Hereditary Grand Duke of Luxembourg, Prince Félix of Luxembourg, Prince Louis of Luxembourg, Princess Alexandra of Luxembourg, and Prince Sébastien of Luxembourg, They were born at Maternity Hospital in Luxembourg City. Honours National Luxembourg: Knight of the Order of the Gold Lion of the House of Nassau Grand Cross of the Order of Adolphe of Nassau Foreign Austria: Grand Star of the Decoration of Honour for Services to the Republic of Austria Belgium: Grand Cordon of the Order of Leopold I Brazil: Grand Cross of the Order of the Southern Cross Denmark: Knight of the Order of the Elephant Finland: Grand Cross of the Order of the White Rose of Finland France: Grand Cross of the Order of National Merit Greece: Grand Cross of the Order of Beneficence Italy: Knight Grand Cross of the Order of Merit of the Italian Republic Japan: Grand Cordon (Paulownia) of the Order of the Precious Crown Latvia: Commander Grand Cross of the Order of the Three Stars Netherlands: Knight Grand Cross of the Order of the Netherlands Lion Grand Cross of the Order of the Crown Norway: Grand Cross of the Order of Saint Olav Portugal- Portuguese Royal Family: Dame Grand Cross of the Royal Order of Saint Isabel Portugal: Grand Cross of the Order of Christ Grand Cross of the Order of Saint James of the Sword Grand Cross of the Order of Infante Henry Grand Cross of the Order of Camões Romania: Grand Cross of the Order of the Star of Romania Spain: Dame Grand Cross of the Order of Charles III Sweden: Member of the Royal Order of the Seraphim Commander Grand Cross of the Royal Order of the Polar Star Recipient of the 50th Birthday Badge Medal of King Carl XVI Gustaf Footnotes External links Media related to Maria Teresa, Grand Duchess of Luxembourg at Wikimedia Commons Official website The Mentor Foundation charity website Passage 5: The Glass Boat The Glass Boat (French: Le bateau de verre, German: Das brennende Schiff) is a 1927 French-German silent film directed by Constantin J. David and Jacqueline Milliet and starring André Nox, Françoise Rosay and Eric Barclay.The film's sets were designed by the art director Karl Görge. Cast André Nox as Armand d'Arcy, Besitzer einer Glashütte Françoise Rosay as Frau d'Arcy, seine Gattin Eric Barclay as Robert d'Arcy, ihr Sohn Mary Kid as Violet Blanchard, eine junge Schloßherrin Käthe von Nagy as Anni Arthur Duarte as Allan, Ihr Bruder José Davert as Der Steuermann der 'Kerrock' Mathilde Sussin as Tante Marie Albert Paulig as Konsul Brown Passage 6: Constantin J. David Constantin J. David (18 February 1886 – 19 February 1964) was a German journalist, film director, film producer, and actor. He is also known for his marriage to the Hungarian actress, singer, and model Käthe von Nagy. Biography Early life and family The son of a Spanish Jewish mother and a German Jewish father, he lived in Constantinople in the Ottoman Empire, until the age of 16. Once in Germany, David first showed talent as a journalist and writer. He earned his doctorate at the Sorbonne in Paris, and went on to study literature and art in Berlin and then Munich. David then worked for a literary magazine until 1918. In 1921 he founded the International Institute of Modern Art, and from 1922 to 1925 he worked as a producer and co-owner of the German film company Greenbaum Filme. Film career At the beginning of 1925, David took his first steps as a film director with the Greenbaum company's first film as a producer and co-director. After five years in this profession and a handful of moderately interesting productions (including two with his then-wife, actress Käthe von Nagy), he turned back to his studies in literature and art. From 1929 onwards he focused on the establishment of the first Italian sound film studios in Turin and Rome, and soon after he did the same thing in Spain. War years and later life 1936, at the outbreak of the Spanish Civil War, David left the country and went via Italy in 1937 to Turkey, where he designed a five-year plan for the state's film-making. During the Second World War David spend most of his time in France, after which he traveled to the United States to continue his film career. Constantin J. David died in 1964. He married in 1941. He and his wife had two daughters. Filmography Footnotes External links Constantin J. David at IMDb Passage 7: Gertrude of Bavaria Gertrude of Bavaria (Danish and German: Gertrud; 1152/55–1197) was Duchess of Swabia as the spouse of Duke Frederick IV, and Queen of Denmark as the spouse of King Canute VI. Gertrude was born to Henry the Lion of Bavaria and Saxony and Clementia of Zähringen in either 1152 or 1155. She was married to Frederick IV, Duke of Swabia, in 1166, and became a widow in 1167. In 1171 she was engaged and in February 1177 married to Canute of Denmark in Lund. The couple lived the first years in Skåne. On 12 May 1182, they became king and queen. She did not have any children. During her second marriage, she chose to live in chastity and celibacy with her husband. Arnold of Lübeck remarked of their marriage, that her spouse was: "The most chaste one, living thus his days with his chaste spouse" in eternal chastity. Passage 8: Mehdi Abrishamchi Mehdi Abrishamchi (Persian: مهدی ابریشم‌چی born in 1947 in Tehran) is a high-ranking member of the People's Mujahedin of Iran (MEK). Early life Abrishamchi came from a well-known anti-Shah bazaari family in Tehran, and participated in June 5, 1963, demonstrations in Iran. He became a member of Hojjatieh, and left it to join the People's Mujahedin of Iran (MEK) in 1969. In 1972 he was imprisoned for being a MEK member, and spent time in jail until 1979. Career Shortly after Iranian Revolution, he became one of the senior members of the MEK. He is now an official in the National Council of Resistance of Iran. Electoral history Personal life Abrishamchi was married to Maryam Rajavi from 1980 to 1985. Shortly after, he married Mousa Khiabani's younger sister Azar. Legacy Abrishamchi credited Massoud Rajavi for saving the People's Mojahedin Organization of Iran after the "great schism". Passage 9: Princess Auguste of Bavaria (1875–1964) Princess Auguste of Bavaria (German: Auguste Maria Luise Prinzessin von Bayern; 28 April 1875 – 25 June 1964) was a member of the Bavarian Royal House of Wittelsbach and the spouse of Archduke Joseph August of Austria. Birth and family Auguste was born in Munich, Bavaria, the second child of Prince Leopold of Bavaria and his wife, Archduchess Gisela of Austria. She had one older sister, Princess Elisabeth Marie of Bavaria and two younger brothers, Prince Georg of Bavaria and Prince Konrad of Bavaria. Marriage and issue She married Joseph August, Archduke of Austria, on 15 November 1893 in Munich. The couple had six children; Archduke Joseph Francis of Austria, born on 28 March 1895; died on 25 September 1957(1957-09-25) (aged 62) Archduchess Gisela Auguste Anna Maria, born on 5 July 1897; died on 30 March 1901(1901-03-30) (aged 3) Archduchess Sophie Klementine Elisabeth Klothilde Maria, born on 11 March 1899; died on 19 April 1978(1978-04-19) (aged 79) Archduke Ladislaus Luitpold, born on 3 January 1901; died on 29 August 1946(1946-08-29) (aged 44) Archduke Matthias Joseph Albrecht Anton Ignatius, born on 26 June 1904; died on 7 October 1905(1905-10-07) (aged 1) Archduchess Magdalena Maria Raineria, born on 6 September 1909; died on 11 May 2000(2000-05-11) (aged 90) Ancestry World War I On the outbreak of war with Italy in 1915, Augusta Maria Louise, though in her 40s and the mother of a son serving as an officer, went to the front with the cavalry regiment of which her husband, the Archduke Josef August, a corps commander, was honorary colonel, and served a common soldier, wearing a saber and riding astride, until the end of the war. Passage 10: Marie-Louise Coidavid Queen Marie Louise Coidavid (1778 – 11 March 1851) was the Queen of the Kingdom of Haiti 1811–20 as the spouse of Henri Christophe. Early life Marie-Louise was born into a free black family; her father was the owner of Hotel de la Couronne, Cap-Haïtien. Henri Christophe was a slave purchased by her father. Supposedly, he earned enough money in tips from his duties at the hotel that he was able to purchase his freedom before the Haitian Revolution. They married in Cap-Haïtien in 1793, having had a relationship with him from the year prior. They had four children: François Ferdinand (born 1794), Françoise-Améthyste (d. 1831), Athénaïs (d. 1839) and Victor-Henri. At her spouse's new position in 1798, she moved to the Sans-Souci Palace. During the French invasion, she and her children lived underground until 1803. Queen In 1811, Marie-Louise was given the title of queen upon the creation of the Kingdom of Haiti. Her new status gave her ceremonial tasks to perform, ladies-in-waiting, a secretary and her own court. She took her position seriously, and stated that the title "given to her by the nation" also gave her responsibilities and duties to perform. She served as the hostess of the ceremonial royal court life performed at the Sans-Souci Palace. She did not involve herself in the affairs of state. She was given the position of Regent should her son succeed her spouse while still being a minor. However, as her son became of age before the death of his father, this was never to materialize.After the death of the king in 1820, she remained with her daughters Améthyste and Athénaïs at the palace until they were escorted from it by his followers together with his corpse; after their departure, the palace was attacked and plundered. Marie-Louise and her daughters were given the property Lambert outside Cap. She was visited by president Jean Pierre Boyer, who offered her his protection; he denied the spurs of gold she gave him, stating that he was the leader of poor people. They were allowed to settle in Port-au-Prince. Marie-Louise was described as calm and resigned, but her daughters, especially Athénaïs, were described as vengeful. Exile The Queen was in exile for 30 years. In August 1821, the former queen left Haiti with her daughters under the protection of the British admiral Sir Home Popham, and travelled to London. There were rumours that she was searching for the money, three million, deposited by her spouse in Europe. Whatever the case, she did live the rest of her life without economic difficulties. The English climate and pollution during the Industrial Revolution was determintal to Améthyste's health, and eventually they decided to leave.In 1824, Marie-Louise and her daughters moved in Pisa in Italy, where they lived for the rest of their lives, Améthyste dying shortly after their arrival and Athénaïs in 1839. They lived discreetly for the most part, but were occasionally bothered by fortune hunters and throne claimers who wanted their fortune. Shortly before her death, she wrote to Haiti for permission to return. She never did, however, before she died in Italy. She is buried in the church of San Donnino. A historical marker was installed in front of the church on April 23, 2023 to commemorate the Queen, her daughter and her sister. See also Marie-Claire Heureuse Félicité Adélina Lévêque

doc_54

Passage 1: Demos Chiang Demos Yu-bou Chiang (Chinese: 蔣友柏), born on 10 September 1976 in Taipei, Taiwan, is a Taiwanese and Canadian businessman. He founded DEM Inc. (橙果設計), a popular design studio in Taiwan in July 2003 and has served as its chairman since then. He is also known for being the great-grandson of the late Republic of China (ROC) President Chiang Kai-shek and the grandson of late President Chiang Ching-kuo. His grandmother was Faina Ipatyevna Vakhreva, also known as Chiang Fang-liang. Biography Born to Chiang Ching-kuo's third son Chiang Hsiao-yung and his wife Chiang Fang Chi-yi, he is the eldest of three sons. Demos Chiang was raised in Taipei until his grandfather's death in 1988. After his grandfather's death, Chiang's parents sent him to live in Canada and later the United States, though he still retained his ROC nationality, it also started the departure from politics for Demo's parents. Chiang received a bachelor's degree in Information Management from New York University in late 1990s. After graduating, Chiang worked in the entertainment and fashion industries in Taiwan, Hong Kong and Singapore, until founding DEM Inc. in 2003. In Spring 2001, Chiang began a relationship with local starlet Lin Heng-yi (林姮怡), the daughter of Buddhist Tzu Chi General Hospital's then president Lin Hsin-jung (林欣榮). The couple married in February 2003 and now have a daughter born in 2003 and a son born in 2005. Despite his pedigree and celebrity identity, Demos Chiang has repeatedly announced in recent years that he is not interested in political affairs. He has also accused both the Kuomintang and the Democratic Progressive Party for "poor political tactics", especially for utilizing Chiang Kai-shek and Chiang Ching-kuo as figures of worship or denigration. In contrast to other prominent members of the Chiang family, such as John Chiang and his mother Chiang Fang Chi-yi, Demos Chiang has expressed his belief that the controversies of his ancestors should be faced fairly and left to history. He started a personal blog in January 2008 to further explain his beliefs. Passage 2: Chiang Hsiao-wen Chiang Hsiao-wen (Chinese: 蔣孝文; also known as Alan Chiang; 14 December 1935 – 14 April 1989) was the eldest son of Chiang Ching-kuo, the President of the Republic of China in Taiwan from 1978 to 1988. His mother is Faina Ipatyevna Vakhreva, also known as Chiang Fang-liang. He had one younger sister, Hsiao-chang, and two younger brothers, Hsiao-wu and Hsiao-yung. He had two half-brothers, Winston Chang and John Chiang, with whom he shared the same father. He married Xu Nai Jin (Nancy) (Chinese: 蔣徐乃錦) in 1960 and had a daughter, Yomei, in 1961. He suffered brain damage in 1970 while being treated for diabetes. He died of throat cancer on April 14, 1989. Passage 3: John Adams (merchant) John Adams (1672 or 1673 – c. 1745) was an American-born Canadian merchant and member of the Nova Scotia Council. He was the father-in-law of Henry Newton. Biography Adams was born in Boston in either 1672 or 1673 to John and Avis Adams. Growing up as a petty merchant, Adams joined Sir Charles Hobby's New England regiment, participating in the capture of Port-Royal in 1710. Shortly thereafter, Adams settled in Annapolis Royal, Nova Scotia, returning to civilian life. There, he traded manufactured goods with the province's Acadian and Native Americans, and took up the role of a real estate agent and contractor. Adams joined the Executive Council of Nova Scotia on 28 April 1720, holding his position there for 20 years; the records show that few served as long as he did. He also held several other public positions in the province. Adams was appointed a notary public and deputy collector of customs for Annapolis Royal in 1725, and he was commissioned a justice of the peace in March 1727.Around the mid-1720s, Adams' poor eyesight began to fail, leading to his near-blindness in 1730. After this, he was less active in community activities and trade. Adams petitioned to the king for a pension several times, but failed. He blamed his disability on over-exposure to the sun during an Indian attack on Annapolis Royal in 1724. In December 1739, Lieutenant Governor Lawrence Armstrong died. With the absence of Major Mascarene to take Armstrong's place, Adams became the new president of the council and head of the civil government. (Alexander Cosby was also vying for the position.) In a meeting on 22 March 1740, with the return of Mascarene, the councilors declared that he was the council's rightful president. This turn of events led Adams to retire to Boston in late August or early September 1740, where he stayed for the rest of his life. He died some time after 1745. Notes Passage 4: Barthold A. Butenschøn Sr. Hans Barthold Andresen Butenschøn (27 December 1877 – 28 November 1971) was a Norwegian businessperson. He was born in Kristiania as a son of Nils August Andresen Butenschøn and Hanna Butenschøn, and grandson of Nicolay Andresen. Together with Mabel Anette Plahte (1877–1973, a daughter of Frithjof M. Plahte) he had the son Hans Barthold Andresen Butenschøn Jr. and was through him the father-in-law of Ragnhild Butenschøn and grandfather of Peter Butenschøn. Through his daughter Marie Claudine he was the father-in-law of Joakim Lehmkuhl, through his daughter Mabel Anette he was the father-in-law of Harald Astrup (a son of Sigurd Astrup) and through his daughter Nini Augusta he was the father-in-law of Ernst Torp.He took commerce school and agricultural school. He was hired in the family company N. A. Andresen & Co, and became a co-owner in 1910. He eventually became chief executive officer. The bank changed its name to Andresens Bank in 1913 and merged with Bergens Kreditbank in 1920. The merger was dissolved later in the 1920s. He was also a landowner, owning Nedre Skøyen farm and a lot of land in Enebakk. He chaired the board of Nydalens Compagnie from 1926, having not been a board member before that.He also chaired the supervisory council of Forsikringsselskapet Viking and Nedre Glommen salgsforening, and was a supervisory council member of Filharmonisk Selskap. He was a member of the gentlemen's club SK Fram since 1890, and was proclaimed a lifetime member in 1964.He was buried in Enebakk. Passage 5: Chiang Ching-kuo Chiang Ching-kuo (27 April 1910 – 13 January 1988) was a politician of the Republic of China. The eldest and only biological son of Generalissimo Chiang Kai-shek, he held numerous posts in the government of the Republic of China and ended martial law in 1987. He served as premier of the Republic of China between 1972 and 1978, and was president of the Republic of China from 1978 until his death in 1988. Born in Zhejiang, Ching-kuo was sent as a teenager to study in the Soviet Union during the First United Front in 1925, when his father's Nationalist Party and the Chinese Communist Party were in alliance. He attended university there and spoke Russian fluently, but when the Chinese Nationalists violently broke with the Communists, Stalin sent him to work in a steel factory in the Ural Mountains. There, Chiang met and married Faina Vakhreva. With war between China and Japan imminent in 1937, Stalin sent the couple to China. During the war, Ching-kuo's father gradually came to trust him, and gave him more and more responsibilities, including administration. After the Japanese surrender, Ching-kuo was given the job of ridding Shanghai of corruption, which he attacked with ruthless efficiency. The victory of the Communists in 1949 drove the Chiang family and their ROC government to retreat to Taiwan. Ching-kuo was first given control of the secret police, a position he retained until 1965 and in which he used arbitrary arrests and torture to ensure tight control as part of the White Terror. He then became Minister of Defense (1965–1969), Vice-Premier (1969–1972) and Premier (1972–1978). After his father's death in 1975, he took leadership of the Kuomintang (KMT) as chairman, and was elected president in 1978 and again in 1984. Under his tenure as president, the government of the Republic of China in Taiwan, while remaining authoritarian, became more open and tolerant of political dissent. Chiang courted Taiwanese voters, and reduced the preference for those who had come from the mainland after the war. Toward the end of his life, Chiang decided to relax government controls on the media and speech, and allowed Han born in Taiwan into positions of power, including his eventual successor Lee Teng-hui. He is the last president of the Republic of China to be born during the rule of the Qing dynasty. Ching-kuo was credited for his Soviet-inspired city planning policies, economic development with Ten Major Construction Projects in Taiwan, efforts to clamp down on corruption, as well as the democratic transition of Taiwan and gradually shifting away from the authoritarian dictatorial rule of his own father Chiang Kai-shek. Biography Early life The son of Chiang Kai-shek and his first wife, Mao Fumei, Chiang Ching-kuo was born in Fenghua, Zhejiang, with the courtesy name of Jiànfēng (建豐). He had an adopted brother, Chiang Wei-kuo. "Ching" literally means "longitude", while "kuo" means "nation"; in his brother's name, "wei" literally means "parallel (of latitude)". The names are inspired by the references in Chinese classics such as the Guoyu, in which "to draw the longitudes and latitudes of the world" is used as a metaphor for a person with great abilities, especially in managing a country. While the young Chiang Ching-kuo had a good relationship with his mother and grandmother (who were deeply rooted to their Buddhist faith), his relationship with his father was strict, utilitarian and often rocky. Chiang Kai-shek appeared to his son as an authoritarian figure, sometimes indifferent to his problems. Even in personal letters between the two, Chiang Kai-shek would sternly order his son to improve his Chinese calligraphy. From 1916 until 1919 Chiang Ching-kuo attended the "Grammar School" in Wushan in Hsikou. Then, in 1920, his father hired tutors to teach him the Four Books, the central texts of Confucianism. On 4 June 1921, Ching-kuo's grandmother died. What might have been an immense emotional loss was compensated for when Chiang Kai-shek moved the family to Shanghai. Chiang Ching-kuo's stepmother, historically known as the Chiang family's "Shanghai Mother", went with them. During this period Chiang Kai-shek concluded that Chiang Ching-kuo was a son to be taught, while Chiang Wei-kuo was a son to be loved. During his time in Shanghai, Chiang Ching-kuo was supervised by his father and made to write a weekly letter of 200–300 Chinese characters. Chiang Kai-shek also underlined the importance of classical books and of learning English, two areas he was hardly proficient in himself. On 20 March 1924, Chiang Ching-kuo was able to present to his now-nationally famous father a proposal concerning the grass-roots organization of the rural population in Hsikou. Chiang Ching-kuo planned to provide free education to allow people to read and to write at least 1000 characters. In his own words: I have a suggestion to make about the Wushan School, although I do not know if you can agree to it. My suggestion is that the school establish a night school for common people who cannot afford to go to the regular school. My school established a night school with great success. I can tell you something about the night school: Name: Wuschua School for the Common People Tuition fee: Free of charge with stationery supplied Class hours: 7 pm to 9 pm Age limit: 14 or older Schooling protocol: 16 or 20 weeks. At the time of the graduation, the trainees will be able to write simple letters and keep simple accounts. They will be issued a diploma if they pass the examinations. The textbooks they used were published by the Commercial Press and were entitled "One thousand characters for the common people." I do not know whether you will accept my suggestion. If a night school is established at Wushan, it will greatly benefit the local people. In early 1925, Chiang entered Shanghai's Pudong College, but Chiang Kai-shek decided to send him on to Beijing because of warlord action and spontaneous student protests in Shanghai. In Beijing, he attended the school organized by a friend of his father, Wu Zhihui, a renowned scholar and linguist. The school combined classical and modern approaches to education. While there, Ching-kuo started to identify himself as a progressive revolutionary and participated in the flourishing social scene inside the young Communist community. The idea of studying in Moscow now seized his imagination. Within the help program provided by the Soviet Union to the countries of East Asia there was a training school that later became the Moscow Sun Yat-sen University. The participants to the university were selected by the CPSU and KMT members, with a participation of CPC Central Committee.Chiang Ching-kuo asked Wu Zhihui to name him as a KMT candidate. Wu did not try to dissuade him, even though Wu was a key figure of the right-leaning and anti-Communist "Western Hills Group" of the KMT. In the summer of 1925, Chiang Ching-kuo traveled south to Whampoa Military Academy to discuss his plans for study in Moscow with his father. Chiang Kai-shek was not keen, but after a discussion with Chen Guofu he finally agreed. In a 1996 interview, Ch'en's brother, Chen Li-fu, recalled that Chiang Kai-shek accepted the plan because of the need to have Soviet support at a time when his hold over the KMT was tenuous. Moscow With or without his father's enthusiastic approval, Chiang Ching-kuo went on to Moscow in late 1925. He stayed in the Soviet Union for nearly twelve years. While there, Chiang was given the Russian name Nikolai Vladimirovich Elizarov (Николай Владимирович Елизаров) and put under the tutelage of Karl Radek at the Communist University of the Toilers of the East. Noted for having an exceptional grasp of international politics, his classmates included other children of influential Chinese families, most notably the future Chinese Communist party leader, Deng Xiaoping. Chiang Ching-kuo joined the Communist Youth League under Deng. Soon Ching-kuo was an enthusiastic student of Communist ideology, particularly Trotskyism; though following the Great Purge, Joseph Stalin privately met with him and ordered him to publicly denounce Trotskyism. Chiang even applied to be a member of the All-Union Communist Party, although his request was denied. In April 1927, however, Chiang Kai-shek purged KMT leftists, had Communists arrested or killed, and expelled his Soviet advisers. Chiang Ching-kuo responded from Moscow with an editorial that harshly criticized his father's actions but was nonetheless detained as a "guest" of the Soviet Union, a practical hostage. Debate still continues as to whether he was forced to write the editorial, but he had seen Trotskyist friends arrested and killed by the Soviet secret police. The Soviet government sent him to work in the Ural Heavy Machinery Plant, a steel factory in the Urals, Yekaterinburg (then Sverdlovsk), where he met Faina Ipat'evna Vakhreva, a native Belarusian. They married on 15 March 1935, and she would later take the Chinese name, Chiang Fang-liang. In December of that year, their son, Hsiao-wen was born. Chiang Kai-shek refused to negotiate a prisoner swap for his son in exchange for a Chinese Communist Party leader. He wrote in his diary, "It is not worth it to sacrifice the interest of the country for the sake of my son." In 1937, he maintained that "I would rather have no offspring than sacrifice our nation's interests", since he had no intention of stopping the war against the Communists. Return to China and WWII Stalin allowed Chiang Ching-kuo to return to China with his Belarusian wife and son in April 1937 after living in the USSR for 12 years.By then, the NRA under Chiang Kai-shek and the Communists under Mao Zedong had signed a ceasefire to create the Second United Front and fight the Japanese invasion of China, which began in July 1937. Stalin hoped the Chinese would keep Japan from invading the Soviet Pacific coast, and he hoped to form an anti-Japanese alliance with the senior Chiang.On Ching-kuo's return, his father assigned a tutor, Hsu Dau-lin, to assist with his readjustment to China. Chiang Ching-Kuo was appointed as a specialist in remote districts of Jiangxi where he was credited with training of cadres and fighting corruption, opium consumption, and illiteracy. Chiang Ching-kuo was appointed as commissioner of Gannan Prefecture (贛南) between 1939 and 1945; there he banned smoking, gambling and prostitution, studied governmental management, allowed for economic expansion and a change in social outlook. His efforts were hailed as a miracle in the political war in China, then coined as the "Gannan New Deal" (贛南新政). During his time in Gannan, from 1940 he implemented a "public information desk" where ordinary people could visit him if they had problems, and according to records, Chiang Ching-kuo received a total of 1,023 people during such sessions in 1942.In regard to the ban on prostitution and closing of brothels, Chiang implemented a policy where former prostitutes became employed in factories. Due to the large number of refugees in Ganzhou as a result from the ongoing war, thousands of orphans lived on the street; in June 1942, Chiang Ching-kuo formally established the Chinese Children's Village (中華兒童新村) in the outskirts of Ganzhou, with facilities such as a nursery, kindergarten, primary school, hospital and gymnasium. During the last years of the 1930s, he met Wang Sheng, with whom he would remain close for the next 50 years.The paramilitary "Sanmin Zhuyi Youth Corps" was under Chiang's control. Chiang used the term "big bourgeoisie", in a disparaging manner to call H.H. Kung and T. V. Soong.While in mainland China, Chiang and his wife had a daughter, Hsiao-chang, born in Nanchang (1938), and two more sons, Hsiao-wu, born in Chungking (1945), and Hsiao-yung, born in Shanghai (1948). Relationship with Chang Ya-juo and her death Chiang met Chang Ya-juo when she was working at a training camp for enlistees and he was serving as the head of Gannan Prefecture during the war. The two had a relationship that brought twin sons: Chang Hsiao-tz'u and Chang Hsiao-yen, born in 1942. In August 1942, Chang felt sick at a dinner party, and died the next day in a Guilin hospital. The circumstances of her death raised speculation that it was murder. Over the years, many of her relatives, including her sons and highly ranked ex-security personnel, insisted that KMT's security apparatus orchestrated her murder to keep a lid on CCK's marital affair, and to protect CCK's political career. Hostage claim Jung Chang and Jon Halliday claim Chiang Kai-shek allowed the Communists to escape on the 1934–1935 Long March because he wanted Stalin to return Chiang Ching-kuo. This is contradicted by Chiang Kai-shek's diary, "It is not worth it to sacrifice the interest of the country for the sake of my son." He refused to negotiate for a prisoner swap of his son in exchange for the Chinese Communist Party leader. Again in 1937 he stated about his son: "I would rather have no offspring than sacrifice our nation's interests." Chiang had absolutely no intention of stopping the war against the Communists. Chang and Halliday likewise claim that Chiang Ching-kuo was "kidnapped" in spite of the evidence that he went to study in the Soviet Union with his father's own approval. Economic policies in Shanghai After the Second Sino-Japanese War and during the Chinese Civil War, Chiang Ching-kuo briefly served as a liaison administrator in Shanghai, trying to eradicate the corruption and hyperinflation that plagued the city. He was determined to do this because of the fears arising from the Nationalists' increasing lack of popularity during the Civil War. Given the task of arresting dishonest businessmen who hoarded supplies for profit during the inflationary spiral, he attempted to assuage the business community by explaining that his team would only go after big war profiteers. Chiang Ching-kuo copied Soviet methods, which he learned during his stay in the Soviet Union, to start a social revolution by attacking middle class merchants. He also enforced low prices on all goods to raise support from the Proletariat.As riots broke out and savings were ruined, bankrupting shopowners, Chiang Ching-kuo began to attack the wealthy, seizing assets and placing them under arrest. The son of the gangster Du Yuesheng was arrested by him. Ching-kuo ordered KMT agents to raid the Yangtze Development Corporation's warehouses, which was privately owned by H.H. Kung and his family, as the company was accused of hoarding supplies. H.H. Kung's wife was Soong Ai-ling, the sister of Soong Mei-ling who was Chiang Ching-kuo's stepmother. H.H. Kung's son David was arrested, and the Kungs responded by blackmailing the Chiangs, threatening to release information about them. He was eventually freed after negotiations, and Chiang Ching-kuo resigned, ending the terror on the Shanghainese merchants. Political career in Taiwan After the Nationalists lost control of mainland China to the Communists in the Chinese Civil War, Chiang Ching-kuo followed his father and the retreating Nationalist forces to Taiwan. On 8 December 1949, the Nationalist capital was moved from Chengdu to Taipei, and early on 10 December 1949, Communist troops laid siege to Chengdu, the last KMT-controlled city on mainland China. Chiang Kai-shek and Chiang Ching-kuo directed the city's defense from the Chengdu Central Military Academy, before the aircraft May-ling evacuated them to Taiwan; they would never return to mainland China. In 1950, Chiang's father appointed him director of the secret police, which he remained until 1965. An enemy of the Chiang family, Wu Kuo-chen, was kicked out of his position of governor of Taiwan by Chiang Ching-kuo and fled to America in 1953. Chiang Ching-kuo, educated in the Soviet Union, initiated Soviet-style military organization in the Republic of China Military, reorganizing and Sovietizing the political officer corps, surveillance, and KMT party activities were propagated throughout the military. Opposed to this was Sun Li-jen, who was educated at the American Virginia Military Institute. Chiang orchestrated the controversial court-martial and arrest of General Sun Li-jen in August 1955, allegedly for plotting a coup d'état with the American CIA against his father. General Sun was a popular Chinese war hero from the Burma Campaign against the Japanese and remained under house arrest until Chiang Ching-kuo's death in 1988. Ching-kuo also approved the arbitrary arrest and torture of prisoners. Chiang Ching-kuo's activities as director of the secret police remained widely criticized as heralding a long era of human rights abuses in Taiwan. From 1955 to 1960, Chiang administered the construction and completion of Taiwan's highway system. Chiang's father elevated him to high office when he was appointed as the ROC Defense Minister from 1965 until 1969. He was the nation's Vice Premier between 1969 and 1972, during which he survived a 1970 assassination attempt while visiting the U.S. Afterwards he was appointed the nation's Premier between 1972 and 1978. As Chiang Kai-shek entered his final years, he gradually gave more responsibilities to his son, and when he died in April 1975, Vice President Yen Chia-kan became president for the balance of Chiang Kai-shek's term, while Chiang Ching-kuo succeeded to the leadership of the KMT (he opted for the title "Chairman" rather than the elder Chiang's title of "Director-General"). Presidency Chiang Ching-kuo was elected president of the ROC in the 1978 Taiwanese presidential election by the National Assembly on 20 May 1978. He was reelected to another term in the 1984 Taiwanese presidential election. At that time, the National Assembly consisted mostly of "ten thousand year" legislators, men who had been elected in 1947–48 before the fall of mainland China and who would hold their seats indefinitely. Starting from the 1970s when his father grew sick, Chiang became the de facto leader of the regime and reformed many of his father's autocratic policies and gradually phased out of the white terror by allowing the freedom of peaceful assemblies and political pluralism of the Tangwai movement, which later became the DPP. Chiang also turned down many of the suggestions of the conservatives in the KMT regime to violently suppress the protesters.In a move he launched the "Ten Major Construction Projects" and the "Twelve New Development Projects" which contributed to the "Taiwan Miracle". Among his accomplishments was accelerating the process of economic modernization to give Taiwan a 13% growth rate, $4,600 per capita income, and the world's second largest foreign exchange reserves. On 16 December 1978, U.S. president Jimmy Carter announced that the United States would no longer recognize the ROC as the legitimate government of China. Under the Taiwan Relations Act, the United States would continue to sell weapons to Taiwan, but the TRA was purposely vague in any promise of defending Taiwan in the event of an invasion. Chiang Ching-kuo also enacted major labor rights reforms throughout the 1970s and the 1980s that addressed child labor, women's employment, working time, pensions, paid leave, employment contract with several legislations such as the "Labor Safety and Hygiene Law" in 1974 and the "Factory Law" in 1975. The average salary of Taiwanese workers tripled under his rule. Chiang Ching-kuo also loosened the harsh anti-strike laws and union busting practice, thus giving the labor movement more opportunity to bargain for fairer wages as he lifted the martial law provisions.In an effort to bring more Taiwan-born citizens into government services, Chiang Ching-kuo "exiled" his over-ambitious chief of General Political Warfare Department, General Wang Sheng, to Paraguay as an ambassador (November 1983), and hand-picked Lee Teng-hui as vice-president of the ROC (formally elected May 1984), first-in-the-line of succession to the presidency. Chiang emphatically declared that his successor would not be from the Chiang family in a Constitution Day speech on 25 December 1985: The first question is the succession to the presidency. This sort of question only exists in despotic and totalitarian countries. It does not exist in the Republic of China, based on the Constitution. So the next president will be elected in accordance with constitutional procedure by the National Assembly on behalf of the people. Some people may raise the question whether any member of my family would run for the next presidency. My answer is: it can't be and it won't be. Chiang Wei-kuo, Chiang's younger brother, would later repudiate the declaration in 1990 after he was selected as a vice-presidential candidate.On 15 July 1987, Chiang finally ended martial law and allowed his family to visit the mainland. The ban on tourism to Hong Kong and Macau was also lifted. His administration saw a gradual loosening of political controls and opponents of the Nationalists were no longer forbidden to hold meetings or publish political criticism papers. Opposition political parties, though still formally illegal, were allowed to operate without harassment or arrest. When the Democratic Progressive Party was established on 28 September 1986, President Chiang decided against dissolving the group or persecuting its leaders, but its candidates officially ran in elections as independents in the Tangwai movement. Chiang Ching-kuo also increased the political representation of Native Taiwanese under his rule, allowing them to have various positions, which paved the way for Lee Teng-hui to come to power and further democratize Taiwan. Death and legacy Chiang Ching-kuo died at Taipei Veterans General Hospital on 13 January 1988, aged 77, from a heart attack. He used a wheelchair during the last months of his life, and also had diabetes, alongside vision and heart problems. He was interred temporarily in Daxi Township, Taoyuan County (now Daxi District, Taoyuan City), but in a separate mausoleum in Touliao, a mile down the road from his father's burial place. The hope was to have both buried at their birthplace in Fenghua once mainland China was recovered. Composer Hwang Yau-tai wrote the Chiang Ching-kuo Memorial Song in 1988. In January 2004, Chiang Fang-liang asked that both father and son be buried at Wuchih Mountain Military Cemetery in Hsichih, Taipei County (now New Taipei City). The state funeral ceremony was initially planned for Spring 2005, but was eventually delayed to winter 2005. It may be further delayed due to the recent death of Chiang Ching-kuo's oldest daughter-in-law, who had served as the de facto head of the household since Chiang Fang-liang's death in 2004. Chiang Fang-liang and Soong Mei-ling had agreed in 1997 that the former leaders be first buried, but still be moved to mainland China.Murray A. Rubinstein called Chiang Ching-kuo more of a civilian leader than his father, whom Rubenstein refers to as a "quasi-warlord."Jay Taylor has described Chiang Ching-kuo as a figure who mixed the ideologies of Soviet communism, Chinese nationalism, Taiwanese localism and American democracy, who became the helmsman of the democratization of Taiwan.Unlike his highly controversial father, Chiang Ching-kuo's reputation is overwhelmingly positive among the Taiwanese population as the people of Taiwan recognizes his economic and social achievements, as well as his efforts of democratization. 38.7% of the population considers him the best president who contributed the most to Taiwan, and he was rated 84.8/100 by the Taiwanese population. Memorials Road names Jingguo road (in Hsinchu) Jingguo road (in Taoyuan) The Republic of China Air Force The AIDC, the ROC's air defense company, has nicknamed its AIDC F-CK Indigenous Defense Fighter the Ching Kuo in his memory. Coin 27 April 2010. 蔣經國先生百年誕辰紀念流通硬幣」 [Coin commemorating the 100th anniversary of Chiang Ching-kuo's birth] Song Chiang Ching-kuo Memorial Song Family Wife: Faina Chiang Fang-liang, Chiang and she had 3 sons and 1 daughter. First son: Alan Chiang Hsiao-wen (14 December 1935 – 14 April 1989) Chiang Yu-mei (1961–), British Chinese. First daughter: Chiang Hsiao-chang (1938–), married to Yu Yang-ho (俞揚和) until his death in 2010. Theodore Yu Tsu-sheng (俞祖聲) Second son: Alex Chiang Hsiao-wu (25 April 1945 – 1 July 1991) Alexandra Chiang Yo-lan (蔣友蘭) Johnathan Chiang Yo-sung (蔣友松), married in 2002. a daughter (May 2003–) Third son: Eddie Chiang Hsiao-yung (1 October 1948 – 22 December 1996) Demos Chiang Yo-bo (10 September 1976–), DEM Inc (橙果設計) founder. He was married in 2003 to Ms Lin Hen Yi (林姮怡). Chiang De Xi (蔣得曦, 10 July 2003–) Chiang De Yung (蔣得勇, 2005–) Edward Chiang Yo-chang (9 November 1978–) Andrew Chiang Yo-ching (14 June 1990–) Mistress: Chang Ya-juo (1913–1942), Chiang and she had 2 sons. Winston Chang Hsiao-tzu Chang Ching-sung (章勁松), married on 2 November 1999. Chang Yu-chu (章友菊, 1978–) John Chiang Hsiao-yen Vivian Chang (?–), married in 2004. Chiang Hui-yun (蔣蕙筠, 1977–), married on 29 April 2007. Chiang Wan-an (26 December 1978–), married in 2008. Chiang De Ri (蔣得立, June 2011–), born in the United States. Family tree See also Chiang Ching-kuo Foundation Cross-Strait relations Views on Chiang Ching-kuo History of the Republic of China Military of the Republic of China National Revolutionary Army Politics of the Republic of China Seven Seas Residence Sun Yat-sen Sino-Soviet relations Taiwan–United States relations Notes Passage 6: Ludwig von Westphalen Johann Ludwig von Westphalen (11 July 1770 – 3 March 1842) was a liberal Prussian civil servant and the father-in-law of Karl Marx. Biography Early life Johann Ludwig von Westphalen was born on 11 July 1770 in Bornum am Elm. He was the youngest son of Philipp von Westphalen (1724–92), who himself was the son of a Blankenburg postmaster. Philipp von Westphalen had been ennobled in 1764 with the predicate Edler von Westphalen by Duke Ferdinand of Brunswick for his military services. He had served as the duke's de facto "chief of staff" during the Seven Years' War. Through his mother, Jane Wishart of Pittarrow, he was the descendant of many Scottish and European noble families.He received extensive education and spoke German and English, and read Latin, Greek, Italian, French and Spanish. He studied at the Collegium Carolinum, the forerunner of today's Braunschweig University of Technology, and at Göttingen. Career In 1794, he entered government's service in Brunswick. In 1797 he married Elisabeth von Veltheim, who bore him four children. In 1804 he entered the government service of the Duchy of Brunswick and Lunenburg (Wolfenbüttel). With the establishment of the Napoleonic state in Westphalia (the Kingdom of Westphalia) in 1807, he entered its service. He was likely motivated in this by a desire to see reforms carried out. He did, however, oppose the French dominance of the local government, and other policies, and for his critique he was eventually arrested by orders from Louis-Nicolas Davout and imprisoned in the fortress of Gifhorn. In the same year, he lost his first wife. In the summer of 1809 Louis was appointed sub-prefect of Salzwedel, where three years later in 1812 he married Karoline Heubel; they had three children. After Salzwedel was again under Prussian administration, in 1816 Ludwig von Westphalen was transferred to the newly established regional government in Trier. Personal life It was in Trier that he met and befriended Heinrich Marx, the father of Karl Marx. The children of the respective families, in particular Jenny and Edgar von Westphalen, and Sophie and Karl Marx, became close friends as well. In 1836, Jenny von Westphalen and Karl Marx became engaged; at first secretly but Ludwig approved the marriage in 1837, even though some saw Marx, who was both middle class and younger than her, as well as of Jewish descent, as an inappropriate partner for the noble daughter. In fact, Ludwig was seen as the mentor and role model of Karl Marx, who referred to him as a "dear fatherly friend". Ludwig filled Marx with enthusiasm for the romantic school and read him Homer and Shakespeare, who remained Marx's favorite authors all his life. Marx also read Voltaire and Racine with Ludwig. Ludwig devoted much of his time to the young Marx and the two went for intellectual walks through "the hills and woods" of the neighbourhood. It was Ludwig who first introduced Marx to the personality and socialist teachings of Saint-Simon. Marx dedicated his doctoral thesis "The Difference Between the Democritean and Epicurean Philosophy of Nature" written in 1841 to Ludwig in a most effusive manner in which Marx wrote "You, my fatherly friend, have always been for me the living proof that idealism is no illusion, but the true reality" In 1842, Marx was present at the deathbed of Ludwig von Westphalen. Jenny and Karl became married in 1843, a year after Ludwig's death. He was the father of Ferdinand von Westphalen, a conservative and reactionary Prussian Minister of the Interior. Death He died on 3 March 1842 in Trier. Passage 7: Peter Burroughs Peter Burroughs (born 27 January 1947) is a British television and film actor and the director of Willow Management. He is the father-in-law of actor and TV presenter Warwick Davis. Early career Burroughs initially ran a shop in his village at Yaxley, Cambridgeshire. His first dramatic role was that of the character "Branic" in the 1979 television series The Legend of King Arthur. He also acted in the television shows Dick Turpin, The Goodies, Doctor Who in the serial The King's Demons and One Foot in the Grave. Film career Burroughs played roles in Hollywood movies such as Flash Gordon, George Lucas' Star Wars: Episode VI – Return of the Jedi (a swinging ewok), Willow, The Dark Crystal, Labyrinth and The Hitchhiker's Guide to the Galaxy. In 1995, Burroughs set up Willow Management, an agency for short actors, along with co-actor Warwick Davis. He portrayed a bank goblin in the Harry Potter series (Harry Potter and the Philosopher's Stone and Harry Potter and the Deathly Hallows – Part 2). Personal life His daughter Samantha (born 1971), is married to Star Wars: Episode VI – Return of the Jedi and Willow film star Warwick Davis. He has another daughter, Hayley Burroughs, who is also an actress. His granddaughter is Annabelle Davis. Filmography Passage 8: Chiang Hsiao-chang Chiang Hsiao-chang (Chinese: 蔣孝章; pinyin: Jiǎng Xiàozhāng; born 1938) is the only daughter of Chiang Ching-kuo, the President of the Republic of China in Taiwan from 1978 to 1988. Her mother was Chiang Fang-liang. She had one older brother, Hsiao-wen, and two younger brothers, Hsiao-wu and Hsiao-yung. She is the only living member of Chiang Ching-kuo's legitimate children, and was the only one among the siblings who could converse in Russian with their mother. She also has twin half-brothers, Winston Chang and John Chiang, with whom she shares the same father. She attended Mills College and was featured in LIFE during her college years. She was married to Yu Yang-ho (俞揚和; Yú Yánghé) until his death in 2010; he was the son of former Taiwan defense minister Yu Ta-wei (俞大維; Yú Dàwéi). She and Yu have one son, Theodore Yu Tsu-sheng (俞祖聲; Yú Zǔshēng). Passage 9: Ogawa Mataji Viscount Ogawa Mataji (小川又次, 22 August 1848 – 20 October 1909) was a general in the early Imperial Japanese Army. He was also the father-in-law of Field Marshal Gen Sugiyama. Life and military career Ogawa was born to a samurai family; his father was a retainer to the daimyō of Kokura Domain, in what is now Kitakyushu, Fukuoka. He studied rangaku under Egawa Hidetatsu and fought as a Kokura samurai against the forces of Chōshū Domain during the Bakumatsu period. After the Meiji Restoration, Ogawa attended the Imperial Japanese Army Academy and was commissioned as a second lieutenant in January 1871 and promoted to lieutenant in February 1874. He participated in the Taiwan Expedition of April 1874. Afterwards, he served with the IJA 1st Infantry Regiment under the Tokyo Garrison, and as a battalion commander with the IJA 13th Infantry Regiment from April 1876. From February 1877, he fought in the Satsuma Rebellion, but was wounded in combat in April and promoted to major the same month. In March 1878, Ogawa was Deputy Chief-of-Staff to the Kumamoto Garrison. He was sent as a military attaché to Beijing from April to July 1880. In February 1881, he was promoted to lieutenant-colonel and chief of staff of the Osaka Garrison. In March 1882, he was chief of staff of the Hiroshima Garrison. Promoted to colonel in October 1884, he was assigned the IJA 8th Infantry Regiment. In May 1885, he joined the Imperial Japanese Army General Staff Office. German General Jakob Meckel, hired by the Japanese government as a foreign advisor and instructor in the Imperial Japanese Army Academy highly praised Ogawa and fellow colonel Kodama Gentarō as the two most outstanding officers in the Imperial Japanese Army. Ogawa was especially noted for his abilities as a military strategist and planner, and earned the sobriquet “the modern Kenshin") from General Kawakami Soroku. First Sino-Japanese War Ogawa was promoted to major general in June 1890, and given command of the IJA 4th Infantry Brigade, followed by command of the 1st Guards Brigade. At the start of the First Sino-Japanese War in August 1894, he was chief of staff of the Japanese First Army. In August 1895, he was elevated to the kazoku peerage with the title of danshaku (baron). He commanded the 2nd Guards Brigade from January 1896 and was subsequently promoted to lieutenant general in April 1897, assuming command of the IJA 4th Infantry Division. In May 1903, he was awarded the Order of the Sacred Treasures, first class. Russo-Japanese War During the Russo-Japanese War of 1904-1905, Ogawa retained command of the IJA 4th Division under the Japanese Second Army of General Oku Yasukata. The division was in combat at the Battle of Nanshan, Battle of Telissu and Battle of Liaoyang. At the Battle of Liaoyang, Ogawa was injured in combat, and forced to relinquish his command and return to Tokyo. In January 1905, he was promoted to general, but took a medical leave from December 1905. He was awarded the Order of the Golden Kite, 2nd class in 1906. In September 1907 he was elevated to viscount (shishaku) He officially retired in November. Ogawa died on 20 October 1909 due to peritonitis after being hospitalized for dysentery. His grave is located at Aoyama Cemetery in Tokyo, and he also has a grave in his hometown of Kokura. Decorations 1885 – Order of the Rising Sun, 3rd class 1895 – Order of the Sacred Treasure, 2nd class 1895 – Order of the Rising Sun, 2nd class 1895 – Order of the Golden Kite, 3rd class 1903 – Grand Cordon of the Order of the Sacred Treasure 1906 – Grand Cordon of the Order of the Rising Sun 1906 – Order of the Golden Kite, 2nd class Passage 10: Chiang Fang-liang Faina Chiang Fang-liang (Chinese: 蔣方良; pinyin: Jiǎng Fāngliáng, born Faina Ipat'evna Vakhreva (Russian: Фаина Ипатьевна Вахрева, Belarusian: Фаіна Іпацьеўна Вахрава; 15 May 1916 – 15 December 2004) was the First Lady of the Republic of China on Taiwan from 1978 to 1988 as the wife of President Chiang Ching-kuo. Early life On 15 May 1916, Faina was born near Orsha, part of the Russian Empire, then part of the Soviet Union, now in Belarus. Faina was orphaned at a young age and raised by her older sister Anna. Career At age 16, as a member of the Soviet Union's Communist Youth League, Faina worked at the Ural Heavy Machinery Plant, where she met Chiang Ching-kuo, her supervisor. Biography In December 1936, Joseph Stalin granted Chiang's return to China. By some other account, however, the couple fled fearing arrest of Chiang Ching-kuo. After the couple was received by Chiang Kai-shek and his wife Soong Mei-ling in Hangzhou, they traveled to the Chiang home in Xikou, Zhejiang, where they held a second marriage ceremony. Fang-liang stayed behind to live with Chiang Ching-kuo's mother, Mao Fumei. She was assigned a tutor to learn Mandarin Chinese, but she learned the local Ningbo dialect of Wu Chinese instead. She reportedly got along well with Mao Fumei and did her own housework. As a First lady When Chiang Ching-kuo became President, Fang-liang rarely performed the traditional roles of First Lady. That is partly due to her lack of formal education; her husband also encouraged her not to get into politics. She largely stayed out of the public spotlight and little was ever known of her in an anti-communist atmosphere in the government. She never returned to Russia, and traveled abroad only three times in the last 50 years of her life, all to visit her children and their families. In 1992, she received a visit from a delegation including future president Alexander Lukashenko, a mayor of Minsk (the capital of Belarus) at the time. Personal life Faina met Chiang Ching-kuo, son of Chiang Kai-shek, while working at the Ural Heavy Machine Plant in Sverdlovsk, Russian SFSR. On 15 March 1935, aged 18, Faina married him. Children On 14 December 1935, their first son Chiang Hsiao-wen was born in the Soviet Union. Each of her three younger children were born in different parts of China, reflecting turbulent years as an official of China. Faina had four children: Chiang Hsiao-wen (b. 1935, Sverdlovsk) Chiang Hsiao-chang (b. 1938 in Nanchang) Chiang Hsiao-wu (b. 1945 in Chekiang) Chiang Hsiao-yung (b. 1948 in Shanghai)All her children were sent to study in foreign universities – Hsiao-wen to West Point and Park College, MO, Hsiao-wu to Munich, West Germany and the remaining children to the United States. All three sons died shortly after Ching-kuo's death in 1988: Hsiao-wen in April 1989, Hsiao-wu in July 1991, and Hsiao-yung in December 1996. Fang-liang then lived in the suburbs of Taipei. She received occasional visitors, such as some prominent politicians who went to pay their respects every few years. In the Taiwanese media, if she ever received coverage, she was depicted as a virtuous wife who never complained and endured her loneliness with dignity. Death Chiang died of respiratory and cardiac failure stemming from lung cancer in Taipei Veterans General Hospital at the age of 88 (or 89 according to East Asian age reckoning). Legacy Chiang's funeral was held on 27 December 2004, with President Chen Shui-bian and Vice President Annette Lu in attendance. Kuomintang politicians Wang Jin-pyng, Lin Cheng-chih, P. K. Chiang, and Ma Ying-jeou draped her casket with the Kuomintang party flag, and Kuomintang party elders Lee Huan, Hau Pei-tsun, Chiu Chuang-huan, and Shih Chi-yang draped her casket with the ROC national flag. Chiang was cremated and her ashes taken to her husband's temporary mausoleum in Touliao, Taoyuan County (now Taoyuan City). They were buried together in the Wuchih Mountain Military Cemetery. See also Cafe Astoria Franziska Donner

doc_55

Passage 1: Maria Manuela, Princess of Portugal Dona Maria Manuela (15 October 1527 – 12 July 1545) was the eldest daughter and second child of King John III of Portugal and his wife Catherine of Austria. She was Princess of Asturias and Duchess of Milan as the first wife of the future Philip II of Spain, and Princess of Portugal as heir presumptive to the Portuguese throne between 1527 and 1535. Early life Maria was born in Coimbra on 15 October 1527 and was one of the two children of John III to survive childhood. In her youth, Maria received a humanistic education that was considered typical for a princess of her time. Marriage and later life She married her double first cousin Philip II of Spain on 12 November 1543 at Salamanca. As she was to be married to the Prince of Asturias, heir apparent to the Spanish crown, and being an Infanta of Portugal, their wedding became one of the most remarkable in the history of Spain due to its opulence. Contemporary writers have left detailed descriptions of the journey from Madrid to Badajoz to Salamanca to receive the princess and of the luxuries she was given by the Duke of Medina Sidonia in Badajoz. She gave birth to their son Carlos on 8 July 1545 in Valladolid, but died four days later due to a haemorrhage. She was initially buried in the Royal Chapel of Granada on 30 March 1549 but was later transferred to Royal Crypt of the Monastery of El Escorial. Ancestry Notes Passage 2: Philip II of Spain Philip II (21 May 1527 – 13 September 1598), also known as Philip the Prudent (Spanish: Felipe el Prudente), was King of Spain from 1556, King of Portugal from 1580, and King of Naples and Sicily from 1554 until his death in 1598. He was also jure uxoris King of England and Ireland from his marriage to Queen Mary I in 1554 until her death in 1558. He was also Duke of Milan from 1540. From 1555, he was Lord of the Seventeen Provinces of the Netherlands. The son of Emperor Charles V and Isabella of Portugal, Philip inherited his father's Spanish Empire in 1556 and succeeded to the Portuguese throne in 1580 following a dynastic crisis. The Spanish conquests of the Inca Empire and of the Philippines, named in his honor by Ruy López de Villalobos, were completed during his reign. Under Philip II, Spain reached the height of its influence and power, sometimes called the Spanish Golden Age, and ruled territories in every continent then known to Europeans. Philip led a highly debt-leveraged regime, seeing state defaults in 1557, 1560, 1569, 1575, and 1596. This policy was partly the cause of the declaration of independence that created the Dutch Republic in 1581. Philip finished building the royal palace El Escorial in 1584. Deeply devout, Philip saw himself as the defender of Catholic Europe against the Ottoman Empire and the Protestant Reformation. In 1584, Philip signed the Treaty of Joinville funding the French Catholic League over the following decade in its civil war against the French Huguenots. In 1588, he sent an armada to invade Protestant England, with the strategic aim of overthrowing Elizabeth I and re-establishing Catholicism there, but his fleet was defeated in a skirmish at Gravelines (northern France) and then destroyed by storms as it circled the British Isles to return to Spain. The following year Philip's naval power was able to recover after the failed invasion of the English Armada into Spain. Two more Spanish armadas unsuccessfully tried to invade England in 1596 and 1597. The Anglo-Spanish war carried on until 1604, six years after Philip's death.Under Philip, an average of about 9,000 soldiers were recruited from Spain each year, rising to as many as 20,000 in crisis years. Between 1567 and 1574, nearly 43,000 men left Spain to fight in Italy and the Low Countries (modern-day Belgium, Luxembourg, and the Netherlands).Philip was described by the Venetian ambassador Paolo Fagolo in 1563 as "slight of stature and round-faced, with pale blue eyes, somewhat prominent lip, and pink skin, but his overall appearance is very attractive. ... He dresses very tastefully, and everything that he does is courteous and gracious." Philip was married four times; all his wives predeceased him. Early life: 1527–1544 A member of the House of Habsburg, Philip was the son of Emperor Charles V, who was also king of Castile and Aragon, and Isabella of Portugal. He was born in the Castilian capital of Valladolid on 21 May 1527 at Palacio de Pimentel, which was owned by Don Bernardino Pimentel (the first Marqués de Távara). The culture and courtly life of Castile were an important influence in his early life. He was entrusted to the royal governess Leonor de Mascareñas, and tutored by Juan Martínez Siliceo, the future archbishop of Toledo. Philip displayed reasonable aptitude in arts and letters alike. Later he would study with more illustrious tutors, including the humanist Juan Cristóbal Calvete de Estrella. Though Philip had good command over Latin, Spanish, and Portuguese, he never managed to equal his father, Charles V, as a polyglot. While Philip was also an archduke of Austria, he was seen as a foreigner in the Holy Roman Empire. The feeling was mutual. Philip felt himself to be culturally Spanish; he had been born in Castile and raised in the Castilian court, his native language was Spanish, and he preferred to live in the Spanish kingdoms. This ultimately impeded his succession to the imperial throne.In April 1528, when Philip was eleven months old, he received the oath of allegiance as heir to the crown from the Cortes of Castile. From that time until the death of his mother Isabella in 1539, he was raised in the royal court of Castile under the care of his mother and one of her Portuguese ladies, Doña Leonor de Mascarenhas, to whom he was devotedly attached. Philip was also close to his two sisters, María and Juana, and to his two pages, the Portuguese nobleman Rui Gomes da Silva and Luis de Requesens, the son of his governor Juan de Zúñiga. These men would serve Philip throughout their lives, as would Antonio Pérez, his secretary from 1541. Philip's martial training was undertaken by his governor, Juan de Zúñiga, a Castilian nobleman who served as the commendador mayor of Castile. The practical lessons in warfare were overseen by the Duke of Alba during the Italian Wars. Philip was present at the Siege of Perpignan in 1542 but did not see action as the Spanish army under Alba decisively defeated the besieging French forces under the Dauphin of France. On his way back to Castile, Philip received the oath of allegiance of the Aragonese Cortes at Monzón. His political training had begun a year previously under his father, who had found his son studious, grave, and prudent beyond his years, and having decided to train and initiate him in the government of the Spanish kingdoms. The king-emperor's interactions with his son during his stay in Castile convinced him of Philip's precocity in statesmanship, so he determined to leave in his hands the regency of the Spanish kingdoms in 1543. Philip, who had previously been made the Duke of Milan in 1540, began governing the most extensive empire in the world at the young age of sixteen. Charles left Philip with experienced advisors—notably the secretary Francisco de los Cobos and the general Duke of Alba. Philip was also left with extensive written instructions that emphasised "piety, patience, modesty, and distrust". These principles of Charles were gradually assimilated by his son, who would grow up to become grave, self-possessed and cautious. Personally, Philip spoke softly and had an icy self-mastery; in the words of one of his ministers, "he had a smile that was cut by a sword". Domestic policy After living in the Netherlands in the early years of his reign, Philip II decided to return to Castile. Although sometimes described as an absolute monarch, Philip faced many constitutional constraints on his authority, influenced by the growing strength of the bureaucracy. The Spanish Empire was not a single monarchy with one legal system but a federation of separate realms, each jealously guarding its own rights against those of the House of Habsburg. In practice, Philip often found his authority overruled by local assemblies and his word less effective than that of local lords.Philip carried several titles as heir to the Spanish kingdoms and empire, including Prince of Asturias. The newest constituent kingdom in the empire was Navarre, a realm invaded by Ferdinand II of Aragon mainly with Castilian troops (1512), and annexed to Castile with an ambiguous status (1513). War across Navarre continued until 1528 (Treaties of Madrid and Cambrai). Charles V proposed to end hostilities with King Henry II of Navarre—the legitimate monarch of Navarre—by marrying his son Philip to the heiress of Navarre, Jeanne III of Navarre. The marriage would provide a dynastic solution to instability in Navarre, making him king of all Navarre and a prince of independent Béarn, as well as lord of a large part of southern France. However, the French nobility under Francis I opposed the arrangement and successfully ended the prospects of marriage between the heirs of Habsburg and Albret in 1541. In his will, Charles stated his doubts over Navarre and recommended that his son give the kingdom back. Both King Charles and his son Philip II failed to abide by the elective (contractual) nature of the Crown of Navarre and took the kingdom for granted. This sparked mounting tension not only with King Henry II and Queen Jeanne III of Navarre but also with the Parliament of the Spanish Navarre (Cortes, The Three States) and the Diputación for breach of the realm specific laws (fueros)—violation of the pactum subjection is as ratified by Ferdinand. Tensions in Navarre came to a head in 1592 after several years of disagreements over the agenda of the intended parliamentary session. In November 1592, the Parliament (Cortes) of Aragón revolted against another breach of the realm-specific laws, so the Attorney General (Justicia) of the kingdom, Juan de Lanuza, was executed on Philip II's orders, with his secretary Antonio Perez taking exile in France. In Navarre, the major strongholds of the kingdom were garrisoned by troops alien to the kingdom (Castilians) in a conspicuous violation of the local laws, and the Parliament had long been refusing to pledge loyalty to Philip II's son and heir apparent without a proper ceremony. On 20 November 1592 a ghostly Parliament session was called, pushed by Philip II, who had arrived in Pamplona at the head of an unspecified military force, and with one only point on his agenda—attendance to the session was kept blank on the minutes: unlawful appointments of trusted Castilian officials and imposition of his son as the future king of Navarre at the Santa Maria Cathedral. A ceremony was held before the bishop of Pamplona (22 November), but its customary procedure and terms were altered. Protests erupted in Pamplona, but they were quelled. Philip II also grappled with the problem of the large Morisco population in the Spanish kingdoms, who had been forcibly converted to Christianity by his predecessors. In 1569, the Morisco Revolt broke out in the southern province of Granada in defiance of attempts to suppress Moorish customs. Philip ordered the expulsion of the Moriscos from Granada and their dispersal to other provinces. Despite its immense dominions, the Spanish kingdoms had a sparse population that yielded a limited income to the crown (in contrast to France, for example, which was much more heavily populated). Philip faced major difficulties in raising taxes, and the collection was largely farmed out to local lords. He was able to finance his military campaigns only by taxing and exploiting the local resources of his empire. The flow of income from the New World proved vital to his militant foreign policy, but his exchequer several times faced bankruptcy. Spanish culture flourished during Philip's reign, beginning the "Spanish Golden Age", creating a lasting legacy in literature, music, and the visual arts. One of the notable artists from Philip II's court was Sofonisba Anguissola, who gained fame for her talent and unusual role as a woman artist. Economy Charles V had left his son Philip with a debt of about 36 million ducats and an annual deficit of 1 million ducats. This debt caused Philip II to default on loans in 1557, 1560, 1575, and 1596 (including debt to Poland, known as Neapolitan sums). Lenders had no power over the King and could not force him to repay his loans. These defaults were just the beginning of Spain's economic troubles as its kings would default six more times in the next 65 years. Aside from reducing state revenues for overseas expeditions, the domestic policies of Philip II further burdened the Spanish kingdoms and would, in the following century, contribute to its decline, as maintained by some historians.The Spanish kingdoms were subject to different assemblies: the Cortes in Castile, the assembly in Navarre, and one each for the three regions of Aragon, which preserved traditional rights and laws from the time when they were separate kingdoms. This made the Spanish kingdoms and its possessions difficult to rule, unlike France, which while divided into regional states, had a single Estates-General. The lack of a viable supreme assembly led to power defaulting into Philip II's hands, especially as manager and final arbiter of the constant conflict between different authorities. To deal with the difficulties arising from this situation, authority was administered by local agents appointed by the crown and viceroys carrying out crown instructions. Philip II felt it necessary to be involved in the detail, and he presided over specialised councils for state affairs, finance, war, and the Inquisition. Philip II played groups against each other, leading to a system of checks and balances that managed affairs inefficiently, even to the extent of damaging state business, as in the Perez affair. Following a fire in Valladolid in 1561, he resisted calls to move his Court to Lisbon, an act that could have curbed centralisation and bureaucracy domestically as well as relaxed rule in the Empire as a whole. Instead, with the traditional Royal and Primacy seat of Toledo now essentially obsolete, he moved his Court to the Castilian stronghold of Madrid. Except for a brief period under Philip III of Spain, Madrid has remained the capital of Spain. It was around this time that Philip II converted the Royal Alcázar of Madrid into a royal palace; the works, which lasted from 1561 until 1598, were done by tradesmen who came from the Netherlands, Italy, and France. King Philip II ruled at a critical turning point in European history toward modernity whereas his father Charles V had been forced to an itinerant rule as a medieval king. He mainly directed state affairs, even when not at Court. Indeed, when his health began failing, he worked from his quarters at the Palace-Monastery-Pantheon of El Escorial that he had built in 1584, a palace built as a monument to Spain's role as a center of the Christian world. But Philip did not enjoy the supremacy that King Louis XIV of France would in the next century, nor was such a rule necessarily possible at his time. The inefficiencies of the Spanish state and the restrictively regulated industry under his rule were common to many contemporary countries. Further, the dispersal of the Moriscos from Granada – motivated by the fear they might support a Muslim invasion – had serious negative effects on the economy, particularly in that region. Foreign policy Philip's foreign policies were determined by a combination of Catholic fervour and dynastic objectives. He considered himself the chief defender of Catholic Europe, both against the Ottoman Turks and against the forces of the Protestant Reformation. He never relented from his fight against heresy, defending the Catholic faith and limiting freedom of worship within his territories. These territories included his patrimony in the Netherlands, where Protestantism had taken deep root. Following the Revolt of the Netherlands in 1568, Philip waged a campaign against Dutch heresy and secession. It also dragged in the English and the French at times and expanded into the German Rhineland with the Cologne War. This series of conflicts lasted for the rest of his life. Philip's constant involvement in European wars took a significant toll on the treasury and caused economic difficulties for the Crown and even bankruptcies. In 1588, the English defeated Philip's Spanish Armada, thwarting his planned invasion of the country to reinstate Catholicism. But war with England continued for the next sixteen years, in a complex series of struggles that included France, Ireland and the main battle zone, the Low Countries. It would not end until all the leading protagonists, including himself, had died. Earlier, however, after several setbacks in his reign and especially that of his father, Philip did achieve a decisive victory against the Turks at Lepanto in 1571, with the allied fleet of the Holy League, which he had put under the command of his illegitimate brother, John of Austria. He also successfully secured his succession to the throne of Portugal. The administration of overseas conquests was reformed. Extensive questionnaires were distributed to every major town and region in New Spain called relaciones geográficas. These surveys helped the Spanish monarchy to govern Philip's overseas possessions more effectively. Italy Charles V abdicated the throne of Naples to Philip on 25 July 1554, and the young king was invested with the kingdom (officially called "Naples and Sicily") on 2 October by Pope Julius III. The date of Charles' abdication of the throne of Sicily is uncertain, but Philip was invested with this kingdom (officially "Sicily and Jerusalem") on 18 November 1554 by Julius. In 1556, Philip decided to invade the Papal States and temporarily held territory there, perhaps in response to Pope Paul IV's anti-Spanish outlook. According to Philip II, he was doing it for the benefit of the Church. In a letter to the Princess Dowager of Portugal, Regent of the Spanish kingdoms, dated 22 September 1556, Francisco de Vargas wrote: I have reported to your Highness what has been happening here, and how far the Pope is going in his fury and vain imaginings. His Majesty could not do otherwise than have a care for his reputation and dominions. I am sure your Highness will have had more recent news from the Duke of Alva, who has taken the field with an excellent army and has penetrated so far into the Pope's territory that his cavalry is raiding up to ten miles from Rome, where there is such panic that the population would have run away had not the gates been closed. The Pope has fallen ill with rage, and was struggling with a fever on the 16th of this month. The two Carafa brothers, the Cardinal and Count Montorio, do not agree, and they and Piero Strozzi are not on as good terms as they were in the past. They would like to discuss peace. The best thing would be for the Pope to die, for he is the poison at the root of all this trouble and more which may occur. His Majesty's intention is only to wrest the knife from this madman's hand and make him return to a sense of his dignity, acting like the protector of the Apostolic See, in whose name, and that of the College of Cardinals, his Majesty has publicly proclaimed that he has seized all he is occupying. The Pope is now sending again to the potentates of Italy for help. I hope he will gain as little thereby as he has done in the past, and that the French will calm down. May God give us peace in the end, as their Majesties desire and deserve! In response to the invasion, Pope Paul IV called for a French military intervention. After minor fights in Lazio and near Rome, Fernando Alvarez de Toledo (Duke of Alba and Viceroy of Naples) met Cardinal Carlo Carafa and signed the Treaty of Cave as a compromise: French and Spanish forces left the Papal states and the Pope declared a neutral position between France and the Spanish kingdoms.Philip led the Spanish kingdoms into the final phase of the Italian Wars. A Spanish advance into France from the Low Countries led to their important victory at the Battle of St. Quentin in 1557. The French were defeated again at the Battle of Gravelines in 1558. The resulting Treaty of Cateau-Cambresis in 1559 secured Piedmont to the Duchy of Savoy, and Corsica to the Republic of Genoa. Both Genoa and Savoy were allies of Spain and, although Savoy subsequently declared its neutrality between France and Spain, Genoa remained a crucial financial ally for Philip during his entire reign. The treaty also confirmed Philip's direct control over Milan, Naples, Sicily, and Sardinia. Therefore, all of southern Italy was under direct Spanish rule. Sicily and Naples were viceroyalties of the Crown of Castile, while Sardinia was part of the Crown of Aragon. In the north, Milan was a Duchy of the Holy Roman Empire held by Philip. Attached to the Kingdom of Naples, the State of Presidi in Tuscany gave Philip the possibility to monitor maritime traffic to southern Italy. The Council of Italy was set up by Philip in order to co-ordinate his rule over the states of Milan, Naples and Sicily. Ultimately, the treaty ended the 60-year Franco-Habsburg wars for supremacy in Italy. It marked also the beginning of a period of peace between the Pope and Philip, as their European interests converged, although political differences remained and diplomatic contrasts eventually re-emerged. By the end of the wars in 1559, Habsburg Spain had been established as the premier power of Europe, to the detriment of France. In France, Henry II was fatally wounded in a joust held during the celebrations of the peace. His death led to the accession of his 15-year-old son Francis II, who in turn soon died. The French monarchy was thrown into turmoil, which increased further with the outbreak of the French Wars of Religion that would last for several decades. The states of Italy were reduced to second-rate powers, and Milan and Naples were annexed directly to Aragon. Mary Tudor's death in 1558 enabled Philip to seal the treaty by marrying Henry II's daughter, Elisabeth of Valois, later giving him a claim to the throne of France on behalf of his daughter by Elisabeth, Isabel Clara Eugenia. France The French Wars of Religion (1562–1598) were primarily fought between French Catholics and Protestants (Huguenots). The conflict involved the factional disputes between the aristocratic houses of France, such as the House of Bourbon and House of Guise (Lorraine), and both sides received assistance from foreign sources. Philip claimed descent from Constantine I and Charlemagne, justifying his intervention in French Wars of Religion and his continuing efforts to depose Henry IV of France.Philip signed the Treaty of Vaucelles with Henry II of France in 1556. Based on the terms of the treaty, the territory of Franche-Comté in Burgundy was to be relinquished to Philip. However, the treaty was broken shortly afterwards. France and the Spanish kingdoms waged war in northern France and Italy over the following years. Spanish victories at St. Quentin and Gravelines led to the Treaty of Cateau-Cambresis, in which France recognised Spanish sovereignty over Franche-Comté. During the War of the Portuguese Succession, the pretender António fled to France following his defeats and, as Philip's armies had not yet occupied the Azores, he sailed there with a large Anglo-French fleet under Filippo Strozzi, a Florentine exile in the service of France. The naval Battle of Terceira took place on 26 July 1582, in the sea near the Azores, off São Miguel Island, as part of the War of the Portuguese Succession and the Anglo-Spanish War (1585–1604). The Spanish navy defeated the combined Anglo-French fleet that had sailed to preserve control of the Azores under António. The French naval contingent was the largest French force sent overseas before the age of Louis XIV. The Spanish victory at Terceira was followed by the Battle of the Azores between the Portuguese loyal to the claimant António, supported by French and English troops, and the Spanish-Portuguese forces loyal to Philip commanded by the admiral Don Álvaro de Bazán. Victory in Azores completed the incorporation of Portugal into the Spanish Empire.Philip financed the Catholic League during the French Wars of Religion. He directly intervened in the final phases of the wars (1589–1598), ordering the Duke of Parma into France in an effort to unseat Henry IV, and perhaps dreaming of placing his favourite daughter, Isabel Clara Eugenia, on the French throne. Elizabeth of Valois, Philip's third wife and Isabella's mother, had already ceded any claim to the French Crown with her marriage to Philip. However the Parliament of Paris, in power of the Catholic party, gave verdict that Isabella Clara Eugenia was "the legitimate sovereign" of France. Philip's interventions in the fighting – sending the Duke of Parma to end Henry IV's siege of Paris in 1590 and the siege of Rouen in 1592 – contributed in saving the French Catholic Leagues's cause against a Protestant monarchy. In 1593, Henry agreed to convert to Catholicism; weary of war, most French Catholics switched to his side against the hardline core of the Catholic League, who were portrayed by Henry's propagandists as puppets of a foreign monarch, Philip. By the end of 1594 certain League members were still working against Henry across the country, but all relied on the support of the Spanish Crown. In January 1595, therefore, Henry officially declared war on the Spanish Crown, to show Catholics that Philip was using religion as a cover for an attack on the French state, and Protestants that he had not become a puppet of the Spanish Crown through his conversion, while hoping to reconquer large parts of northern France from the Franco-Spanish Catholic forces.French victory at the Battle of Fontaine-Française in Burgundy, 5 June 1595, marked an end to the Catholic League in France. The French also made some progress during an invasion of the Spanish Netherlands. They captured Ham and massacred the small Spanish garrison, provoking anger among the Spanish ranks. The Spanish launched a concerted offensive that year, taking Doullens, Cambrai, and Le Catelet; at Doullens, they massacred 4,000 of its citizens. On 24 April 1596, the Spanish also conquered Calais. Following the Spanish capture of Amiens in March 1597, the French Crown laid siege to it until it managed to reconquer Amiens from the overstretched Spanish forces in September 1597. Henry then negotiated a peace with the Spanish Crown. The war was only drawn to an official close, however, after the Edict of Nantes, with the Peace of Vervins in May 1598. The 1598 Treaty of Vervins was largely a restatement of the 1559 Peace of Câteau-Cambrésis and Spanish forces and subsidies were withdrawn; meanwhile, Henry issued the Edict of Nantes, which offered a high degree of religious toleration for French Protestants. The military interventions in France thus failed to oust Henry from the throne or suppress Protestantism in France, and yet they had played a decisive part in helping the French Catholic cause gain the conversion of Henry, ensuring that Catholicism would remain France's official and majority faith – matters of paramount importance for the devoutly Catholic Spanish king. Mediterranean In the early part of his reign Philip was concerned with the rising power of the Ottoman Empire under Suleiman the Magnificent. Fear of Islamic domination in the Mediterranean caused him to pursue an aggressive foreign policy. In 1558, Turkish admiral Piyale Pasha captured the Balearic Islands, especially inflicting great damage on Menorca and enslaving many, while raiding the coasts of the Spanish mainland. Philip appealed to the Pope and other powers in Europe to bring an end to the rising Ottoman threat. Since his father's losses against the Ottomans and against Hayreddin Barbarossa in 1541, the major European sea powers in the Mediterranean, namely the Spanish Crown and Venice, became hesitant in confronting the Ottomans. The myth of "Turkish invincibility" was becoming a popular story, causing fear and panic among the people. In 1560, Philip II organised a Holy League between the Spanish kingdoms and the Republic of Venice, the Republic of Genoa, the Papal States, the Duchy of Savoy and the Knights of Malta. The joint fleet was assembled at Messina and consisted of 200 ships (60 galleys and 140 other vessels) carrying a total of 30,000 soldiers under the command of Giovanni Andrea Doria, nephew of the famous Genoese admiral Andrea Doria. On 12 March 1560, the Holy League captured the island of Djerba, which had a strategic location and could control the sea routes between Algiers and Tripoli. As a response, Suleiman sent an Ottoman fleet of 120 ships under the command of Piyale Pasha, which arrived at Djerba on 9 May 1560. The battle lasted until 14 May 1560, and the forces of Piyale Pasha and Turgut Reis (who joined Piyale Pasha on the third day of the battle) won an overwhelming victory at the Battle of Djerba. The Holy League lost 60 ships (30 galleys) and 20,000 men, and Giovanni Andrea Doria was barely able to escape with a small vessel. The Ottomans retook the Fortress of Djerba, whose Spanish commander, D. Álvaro de Sande, attempted to escape with a ship but was followed and eventually captured by Turgut Reis. In 1565 the Ottomans sent a large expedition to Malta, which laid siege to several forts on the island, taking some of them. The Spanish sent a relief force, which finally drove the Ottoman army out of the island. The grave threat posed by the increasing Ottoman domination of the Mediterranean was reversed in one of history's most decisive battles, with the destruction of nearly the entire Ottoman fleet at the Battle of Lepanto in 1571, by the Holy League under the command of Philip's half brother, Don Juan of Austria. A fleet sent by Philip, again commanded by Don John, reconquered Tunis from the Ottomans in 1573. The Turks soon rebuilt their fleet, and in 1574 Uluç Ali Reis managed to recapture Tunis with a force of 250 galleys and a siege that lasted 40 days. Thousands of Spanish and Italian soldiers became prisoners. Nevertheless, Lepanto marked a permanent reversal in the balance of naval power in the Mediterranean and the end of the threat of Ottoman control. In 1585 a peace treaty was signed with the Ottomans. Colonial policy Strait of Magellan During Philip's reign Spain considered the Pacific Ocean a mare clausum – a sea closed to other naval powers. As the only known entrance from the Atlantic, the Strait of Magellan was at times patrolled by fleets sent to prevent entrance of non-Spanish ships. To end navigation by rival powers in the Strait of Magellan Spanish viceroy Francisco de Toledo ordered Pedro Sarmiento de Gamboa to explore the strait and found settlements on its shores.In 1584, Pedro Sarmiento de Gamboa founded two colonies in the strait: Nombre de Jesús and Ciudad del Rey Don Felipe. The latter was established north of the strait with 300 settlers. The new colonies suffered from high death rates; likely as consequence executions, brawls, violent encounters with indigenous peoples, and most important, diseases which were rife. Deeper contributing causes for failure of the settlement and death of most settlers may have been the poor mood settlers showed already from the beginning of the settlement. This mood can in part be explained by a series of difficulties the expedition had to go through between the departure from Spain and the arrival to the strait. Philip II's inaction despite repeated pleas by Sarmiento to aid the ailing colony has been attributed to the strain on Spain's resources that resulted from wars with England and Dutch rebels.In 1587 English corsairs renamed Ciudad del Rey Don Felipe Puerto del Hambre, or "Port Famine"—most of the settlers had died by cold or starvation. When Sir Thomas Cavendish landed at the site of Rey Don Felipe in 1587, he found only ruins of the settlement. He renamed it Port Famine. The Spanish failure at colonizing the Strait of Magellan made Chiloé Archipelago assume the role of protecting western Patagonia from foreign intrusions. Valdivia and Chiloé acted as sentries, being hubs where the Spanish collected intelligence from all over Patagonia. Revolt in the Netherlands Philip's rule in the Seventeen Provinces known collectively as the Netherlands faced many difficulties, leading to open warfare in 1568. He appointed his half-sister Margaret of Parma as Governor of the Netherlands, when he left the low countries for the Spanish kingdoms in 1559, but forced her to adjust policy to the advice of Cardinal Granvelle, who was greatly disliked in the Netherlands, after he insisted on direct control over events in the Netherlands despite being over two weeks' ride away in Madrid. There was discontent in the Netherlands about Philip's taxation demands and the incessant persecution of Protestants. In 1566, Protestant preachers sparked anti-clerical riots known as the Iconoclast Fury; in response to growing Protestant influence, the army of the Iron Duke (Fernando Álvarez de Toledo, 3rd Duke of Alba) went on the offensive. In 1568, Alba had Lamoral, Count of Egmont and Philip de Montmorency, Count of Horn executed in Brussels' central square, further alienating the local aristocracy. There were massacres of civilians in Mechelen, Naarden, Zutphen and Haarlem. In 1571, Alba erected at Antwerp a bronze statue of himself trampling the rebellious Dutch under his horse's hooves, cast from the melted-down cannon looted by the Spanish troops after the Battle of Jemmingen in 1568; it was modelled on medieval images of the Spanish patron Saint James "the Moorslayer" riding down Muslims and caused such outrage that Philip had it removed and destroyed.In 1572, a prominent exiled member of the Dutch aristocracy, William of Orange (Prince of Orange), invaded the Netherlands with a Protestant army, but he only succeeded in holding two provinces, Holland and Zeeland. Because of the Spanish repulse in the Siege of Alkmaar (1573) led by his equally brutal son Fadrique, Alba resigned his command, replaced by Luis de Requesens. Alba boasted that he had burned or executed 18,600 persons in the Netherlands, in addition to the far greater number he massacred during the war, many of them women and children; 8,000 persons were burned or hanged in one year, and the total number of Alba's Flemish victims can not have fallen short of 50,000. Under Requesens, the Army of Flanders reached a peak strength of 86,000 in 1574 and retained its battlefield superiority, destroying Louis of Nassau's German mercenary army at the Battle of Mookerheyde on 14 April 1574, killing both him and his brother Henry. Rampant inflation and the loss of treasure fleets from the New World prevented Philip from paying his soldiers consistently, leading to the so-called Spanish Fury at Antwerp in 1576, where soldiers ran amok through the streets, burning more than 1,000 homes and killing 6,000 citizens. Philip sent in Alexander Farnese, Duke of Parma, as Governor-General of the Spanish Netherlands from 1578 to 1592. Farnese defeated the rebels in 1578 at the Battle of Gembloux, and he captured many rebel towns in the south: Maastricht (1579), Tournai (1581), Oudenaarde (1582), Dunkirk (1583), Bruges (1584), Ghent (1584), and Antwerp (1585). The States General of the northern provinces, united in the 1579 Union of Utrecht, passed an Act of Abjuration in 1581 declaring that they no longer recognised Philip as their king. The southern Netherlands (what is now Belgium and Luxembourg) remained under Spanish rule. In 1584, William the Silent was assassinated by Balthasar Gérard, after Philip had offered a reward of 25,000 crowns to anyone who killed him, calling him a "pest on the whole of Christianity and the enemy of the human race". The Dutch forces continued to fight on under Orange's son Maurice of Nassau, who received modest help from the Queen of England in 1585. The Dutch gained an advantage over the Spanish because of their growing economic strength, in contrast to Philip's burgeoning economic troubles. The war came to an end in 1648, when the Dutch Republic was recognised by the Spanish Crown as independent; the eight decades of war came at a massive human cost, with an estimated 600,000 to 700,000 victims, of which 350,000 to 400,000 were civilians killed by disease and what would later be considered war crimes. King of Portugal In 1578 young king Sebastian of Portugal died at the Battle of Alcácer Quibir without descendants, triggering a succession crisis. His granduncle, the elderly Cardinal Henry, succeeded him as king, but Henry had no descendants either, having taken holy orders. When Henry died two years after Sebastian's disappearance, three grandchildren of Manuel I claimed the throne: Infanta Catarina, Duchess of Braganza; António, Prior of Crato; and Philip II of Spain. António was acclaimed King of Portugal in many cities and towns throughout the country, but members of the Council of Governors of Portugal who had supported Philip escaped to the Spanish kingdoms and declared him to be the legal successor of Henry. Philip II then marched into Portugal and defeated Prior António's troops in the Battle of Alcântara. The Portuguese suffered 4,000 killed, wounded, or captured, while the Spanish sustained only 500 casualties. The troops commanded by Fernando Álvarez de Toledo the 3rd Duke of Alba imposed subjection to Philip before entering Lisbon, where he seized an immense treasure. Philip II of Spain assumed the Portuguese throne in September 1580 and was crowned Philip I of Portugal in 1581 (recognized as king by the Portuguese Cortes of Tomar) and a near sixty-year personal union under the rule of the Philippine Dynasty began. This gave Philip control of the extensive Portuguese empire. When Philip left for Madrid in 1583, he made his nephew Albert of Austria his viceroy in Lisbon. In Madrid he established a Council of Portugal to advise him on Portuguese affairs, giving prominent positions to Portuguese nobles in the Spanish courts, and allowing Portugal to maintain autonomous law, currency, and government. This is on the well-established pattern of rule by councils. Relations with England and Ireland King of England and Ireland Philip's father arranged his marriage to 37-year-old Queen Mary I of England, Charles' maternal first cousin. His father ceded the crown of Naples, as well as his claim to the Kingdom of Jerusalem, to him. Their marriage at Winchester Cathedral on 25 July 1554 took place just two days after their first meeting. Philip's view of the affair was entirely political. Lord Chancellor Gardiner and the House of Commons petitioned Mary to consider marrying an Englishman, preferring Edward Courtenay. Under the terms of the Act for the Marriage of Queen Mary to Philip of Spain, Philip was to enjoy Mary I's titles and honours for as long as their marriage should last. All official documents, including Acts of Parliament, were to be dated with both their names, and Parliament was to be called under the joint authority of the couple. Coins were also to show the heads of both Mary and Philip. The marriage treaty also provided that England would not be obliged to provide military support to Philip's father in any war. The Privy Council instructed that Philip and Mary should be joint signatories of royal documents, and this was enacted by an Act of Parliament, which gave him the title of king and stated that he "shall aid her Highness ... in the happy administration of her Grace's realms and dominions". In other words, Philip was to co-reign with his wife. As the new King of England could not read English, it was ordered that a note of all matters of state should be made in Latin or Spanish. Acts making it high treason to deny Philip's royal authority were passed in Ireland and England. Philip and Mary appeared on coins together, with a single crown suspended between them as a symbol of joint reign. The Great Seal shows Philip and Mary seated on thrones, holding the crown together. The coat of arms of England was impaled with Philip's to denote their joint reign. During their joint reign, they waged war against France, which resulted in the loss of Calais, England's last remaining possession in France. Philip's wife had succeeded to the Kingdom of Ireland, but the title of King of Ireland had been created in 1542 by Henry VIII after he was excommunicated, and so it was not recognised by Catholic monarchs. In 1555, Pope Paul IV rectified this by issuing a papal bull recognising Philip and Mary as rightful King and Queen of Ireland. King's County and Philipstown in Ireland were named after Philip as King of Ireland in 1556. The couple's joint royal style after Philip ascended the Spanish throne in 1556 was: Philip and Mary, by the Grace of God, King and Queen of England, Spain, France, Jerusalem, both the Sicilies and Ireland, Defenders of the Faith, Archdukes of Austria, Dukes of Burgundy, Milan and Brabant, Counts of Habsburg, Flanders and Tirol. However, the couple had no children. Mary died in 1558 before the union could revitalise the Roman Catholic Church in England. With her death, Philip lost his rights to the English throne (including the ancient English claims to the French throne) and ceased to be King of England, Ireland and (as claimed by them) France. Philip's great-grandson, Philippe I, Duke of Orléans, married Princess Henrietta of England in 1661; in 1807, the Jacobite claim to the British throne passed to the descendants of their child Anne Marie d'Orléans. After Mary I's death Upon Mary's death, the throne went to Elizabeth I. Philip had no wish to sever his tie with England, and had sent a proposal of marriage to Elizabeth. However, she delayed in answering, and in that time learned Philip was also considering a Valois alliance. Elizabeth I was the Protestant daughter of Henry VIII and Anne Boleyn. This union was deemed illegitimate by English Catholics, who disputed the validity of both the annulment of Henry's marriage to Catherine of Aragon and of his subsequent marriage to Boleyn, and hence claimed that Mary, Queen of Scots, the Catholic great-granddaughter of Henry VII, was the rightful monarch. For many years Philip maintained peace with England, and even defended Elizabeth from the Pope's threat of excommunication. This was a measure taken to preserve a European balance of power. Ultimately, Elizabeth allied England with the Protestant rebels in the Netherlands. Further, English ships began a policy of piracy against Spanish trade and threatened to plunder the great Spanish treasure ships coming from the New World. English ships went so far as to attack a Spanish port. The last straw for Philip was the Treaty of Nonsuch signed by Elizabeth in 1585 – promising troops and supplies to the rebels. Although it can be argued this English action was the result of Philip's Treaty of Joinville with the Catholic League of France, Philip considered it an act of war by England. The execution of Mary, Queen of Scots, in 1587 ended Philip's hopes of placing a Catholic on the English throne. He turned instead to more direct plans to invade England and return the country to Catholicism. In 1588, he sent a fleet, the Spanish Armada, to rendezvous with the Duke of Parma's army and convey it across the English Channel. However, the operation had little chance of success from the beginning, because of lengthy delays, lack of communication between Philip II and his two commanders and the lack of a deep bay for the fleet. At the point of attack, a storm struck the English Channel, already known for its harsh currents and choppy waters, which devastated large numbers of the Spanish fleet. There was a tightly fought battle against the English Royal Navy; it was by no means a slaughter (only one Spanish ship was sunk), but the Spanish were forced into a retreat, and the overwhelming majority of the Armada was destroyed by the harsh weather. Whilst the English Royal Navy may not have destroyed the Armada at the Battle of Gravelines, they had prevented it from linking up with the army it was supposed to convey across the channel. Thus whilst the English Royal Navy may have only won a slight tactical victory over the Spanish, it had delivered a major strategic one—preventing the invasion of England. Through a week of fighting the Spanish had expended 100,000 cannonballs, but no English ship was seriously damaged. However, over 7,000 English sailors died from disease during the time the Armada was in English waters. The defeat of the Spanish Armada gave great heart to the Protestant cause across Europe. The storm that smashed the Armada was seen by many of Philip's enemies as a sign of the will of God. While the invasion had been averted, England was unable to take advantage of this success. An attempt to use her newfound advantage at sea with a counter-armada the following year failed disastrously with 40 ships sunk and 15,000 men lost. Likewise, English buccaneering and attempts to seize territories in the Caribbean were defeated by Spain's rebuilt navy and their improved intelligence networks (although Cádiz was sacked by an Anglo-Dutch force after a failed attempt to seize the treasure fleet). The Habsburgs also struck back with the Dunkirkers, who took an increasing toll on Dutch and English shipping. Eventually, the Spanish attempted two further Armadas, in October 1596 and October 1597. The 1596 Armada was destroyed in a storm off northern Spain; it had lost as many as 72 of its 126 ships and suffered 3,000 deaths. The 1597 Armada was frustrated by adverse weather as it approached the English coast undetected. This Anglo-Spanish War (1585–1604) would be fought to a grinding end, but not until both Philip II (d. 1598) and Elizabeth I (d. 1603) were dead. Some of the fighting was done on land in Ireland, France, and the Netherlands, with the English sending expeditionary forces to France and the Netherlands to fight Spain, and Spain attempting to assist Irish rebellions in Ireland. Death Philip II died in El Escorial, near Madrid, on 13 September 1598, of cancer. He was succeeded by his 20-year-old son, Philip III. Legacy Under Philip II, Spain reached the peak of its power. However, in spite of the great and increasing quantities of gold and silver flowing into his coffers from the American mines, the riches of the Portuguese spice trade, and the enthusiastic support of the Habsburg dominions for the Counter-Reformation, he would never succeed in suppressing Protestantism or defeating the Dutch rebellion. Early in his reign, the Dutch might have laid down their weapons if he had desisted in trying to suppress Protestantism, but his devotion to Catholicism would not permit him to do so. He was a devout Catholic and exhibited the typical 16th century disdain for religious heterodoxy; he said, "Before suffering the slightest damage to religion in the service of God, I would lose all of my estates and a hundred lives, if I had them, because I do not wish nor do I desire to be the ruler of heretics."As he strove to enforce Catholic orthodoxy through an intensification of the Inquisition, students were barred from studying elsewhere, and books printed by Spaniards outside the kingdom were banned. Even a highly respected churchman like Archbishop Carranza of Toledo was jailed by the Inquisition for 17 years, for publishing ideas that seemed sympathetic in some degree with Protestantism. Such strict enforcement of orthodox belief was successful, and Spain avoided the religiously inspired strife tearing apart other European dominions. The School of Salamanca flourished under his reign. Martín de Azpilcueta, highly honoured at Rome by several popes and looked on as an oracle of learning, published his Manuale sive Enchiridion Confessariorum et Poenitentium (Rome, 1568), long a classical text in the schools and in ecclesiastical practice. Francisco Suárez, generally regarded as the greatest scholastic after Thomas Aquinas and regarded during his lifetime as being the greatest living philosopher and theologian, was writing and lecturing, not only in Spain but also in Rome (1580–1585), where Pope Gregory XIII attended the first lecture that he gave. Luis de Molina published his De liberi arbitrii cum gratiae donis, divina praescientia, praedestinatione et reprobatione concordia (1588), wherein he put forth the doctrine attempting to reconcile the omniscience of God with human free will that came to be known as Molinism, thereby contributing to what was one of the most important intellectual debates of the time; Molinism became the de facto Jesuit doctrine on these matters, and is still advocated today by William Lane Craig and Alvin Plantinga, among others. Because Philip II was the most powerful European monarch in an era of war and religious conflict, evaluating both his reign and the man himself has become a controversial historical subject. Even before his death in 1598, his supporters had started presenting him as an archetypical gentleman, full of piety and Christian virtues, whereas his enemies depicted him as a fanatical and despotic monster, responsible for inhuman cruelties and barbarism. This dichotomy, further developed into the so-called Spanish Black Legend and White Legend, was helped by King Philip himself. Philip prohibited any biographical account of his life to be published while he was alive, and he ordered that all his private correspondence be burned shortly before he died. Moreover, Philip did nothing to defend himself after being betrayed by his ambitious secretary Antonio Perez, who published incredible calumnies against his former master; this allowed Perez's tales to spread all around Europe unchallenged. That way, the popular image of the king that survives to today was created on the eve of his death, at a time when many European princes and religious leaders were turned against Spain as a pillar of the Counter-Reformation. This means that many histories depict Philip from deeply prejudiced points of view, usually negative.However, some historians classify this anti-Spanish analysis as part of the Black Legend. In a more recent example of popular culture, Philip II's portrayal in Fire Over England (1937) is not entirely unsympathetic; he is shown as a very hardworking, intelligent, religious, somewhat paranoid ruler whose prime concern is his country, but who had no understanding of the English, despite his former co-monarchy there. Even in countries that remained Catholic, primarily France and the Italian states, fear and envy of Spanish success and domination created a wide receptiveness for the worst possible descriptions of Philip II. Although some efforts have been made to separate legend from reality, that task has proved extremely difficult, since many prejudices are rooted in the cultural heritage of European countries. Spanish-speaking historians tend to assess his political and military achievements, sometimes deliberately avoiding issues such as the king's inflexible Catholicism. English-speaking historians tend to show Philip II as a fanatical, despotical, criminal, imperialist monster, minimising his military victories (Battle of Lepanto, Battle of Saint Quentin, etc.) to mere anecdotes, and magnifying his defeats (namely the Armada) even though at the time those defeats did not result in great political or military changes in the balance of power in Europe. Moreover, it has been noted that objectively assessing Philip's reign would necessitate a re-analysis of the reign of his greatest opponents, namely England's Queen Elizabeth I and the Dutch William the Silent, who are popularly regarded as great heroes in their home nations; if Philip II is to be shown to the English or Dutch public in a more favourable light, Elizabeth and William would lose their cold-blooded, fanatical enemy, thus decreasing their own patriotic accomplishments.He ended French Valois ambitions in Italy and brought about the Habsburg ascendency in Europe. He secured the Portuguese kingdom and empire. He succeeded in increasing the importation of silver in the face of English, Dutch, and French privateers, overcoming multiple financial crises and consolidating Spain's overseas empire. Although clashes would be ongoing, he ended the major threat posed to Europe by the Ottoman navy. Historian Geoffrey Parker offers a management-psychological explanation, as summarized by Tonio Andrade and William Reger: One might have expected that Philip—being a dedicated, persistent, and hard-working man, and being the head of Western Europe's wealthiest and largest empire—would have succeeded in his aims. He didn't. His endeavors were doomed by his own character, or at least that's how Parker sees it. Drawing on studies in management science and organizational psychology, Parker argues that a successful manager of a large organization must keep attention on the big picture, must have a good strategy for dealing with copious information, must know how to delegate, and must be flexible. Philip failed on all counts. He was a micromanager who got bogged down in details, refusing to delegate and trying to read every dispatch that came to his desk. He obsessed and dithered, so that by the time his decisions were made and his orders reached the men meant to carry them out, the situation on the ground had changed. Philip was also inflexible, unwilling to abandon ineffective policies. Most pernicious of all was Philip's tendency toward messianic thinking, a belief that he was doing God's work and that heaven would support him with miracles. Titles, honours and styles Heir titles Prince of Gerona: 21 May 1527 – 16 January 1556 Prince of Asturias 1528–1556 King of Castile as Philip II: 16 January 1556 – 13 September 1598 King of Castile, of León, of Granada, of Toledo, of Galicia, of Seville, of Cordoba, of Murcia, of Jaen, of the Algarves, of Algeciras, of Gibraltar, of the Canary Islands, of the Indias, the Islands and Mainland of the Ocean Sea; Lord of Molina Lord of Biscay King of Aragon as Philip I: 16 January 1556 – 13 September 1598 King of Aragón King of the Two Sicilies King of Naples, of Jerusalem (from 25 July 1554) King of Sicily. Duke of Athens, of Neopatria King of Valencia King of Majorca King of Sardinia and of Corsica, Margrave of Oristano, Count of Goceano King of Navarre Count of Barcelona, of Roussillon, of Cerdanya King of Portugal as Philip I: 12 September 1580 – 13 September 1598 King of Portugal and the Algarves of either side of the sea in Africa, Lord of Guinea and of Conquest, Navigation, and Commerce of Ethiopia, Arabia, Persia, and India, etc. King of England de jure uxoris as Philip I: 25 July 1554 – 17 November 1558King of England, France (titular); Defender of the Faith King of Ireland Imperial and Habsburg patrimonial titles: Duke of Milan: 11 October 1540 (secret donation) / 25 July 1554 (public investiture) – 13 September 1598 Imperial vicar of Siena: since 30 May 1554 Archduke of Austria Princely Count of Habsburg and of Tyrol Prince of Swabia Burgundian titles Lord of the Netherlands: 25 October 1555 – 13 September 1598 Duke of Lothier, of Brabant, of Limburg, of Luxemburg, of Guelders. Count of Flanders, of Artois, of Hainaut, of Holland, of Zeeland, of Namur, of Zutphen. Margrave of the Holy Roman Empire, Lord of Frisia, Salins, Mechelen, the cities, towns and lands of Utrecht, Overyssel, Groningen Count Palatine of Burgundy from 10 June 1556; Count of Charolais from 21 September 1558 Duke of Burgundy Dominator in Asia, Africa Honours Knight of the Golden Fleece: 1531 – 13 September 1598 Grand Master of the Order of the Golden Fleece: 23 October 1555 – 13 September 1598 Grand Master of the Order of Calatrava: 16 January 1556 – 13 September 1598 Grand Master of the Order of Alcantara: 16 January 1556 – 13 September 1598 Grand Master of the Order of Santiago: 16 January 1556 – 13 September 1598 Grand Master of the Order of Montesa: 8 December 1587 – 13 September 1598Philip continued his father's style of "Majesty" (Latin: Maiestas; Spanish: Majestad) in preference to that of "Highness" (Celsitudo; Alteza). In diplomatic texts, he continued the use of the title "Most Catholic" (Rex Catholicissimus; Rey Católico) first bestowed by Pope Alexander VI on Ferdinand and Isabella in 1496. Following the Act of Parliament sanctioning his marriage with Mary, the couple was styled "Philip and Mary, by the grace of God King and Queen of England, France, Naples, Jerusalem, and Ireland, Defenders of the Faith, Princes of Spain and Sicily, Archdukes of Austria, Dukes of Milan, Burgundy and Brabant, Counts of Habsburg, Flanders and Tyrol". Upon his inheritance of Spain in 1556, they became "Philip and Mary, by the grace of God King and Queen of England, Spain, France, both the Sicilies, Jerusalem and Ireland, Defenders of the Faith, Archdukes of Austria, Dukes of Burgundy, Milan and Brabant, Counts of Habsburg, Flanders and Tyrol".In the 1584 Treaty of Joinville, he was styled "Philip, by the grace of God second of his name, king of Castille, Leon, Aragon, Portugal, Navarre, Naples, Sicily, Jerusalem, Majorca, Sardinia, and the islands, Indies, and terra firma of the Ocean Sea; archduke of Austria; duke of Burgundy, Lothier, Brabant, Limbourg, Luxembourg, Guelders, and Milan; Count of Habsburg, Flanders, Artois, and Burgundy; Count Palatine of Hainault, Holland and Zeeland, Namur, Drenthe, Zutphen; prince of "Zvuanem"; marquis of the Holy Roman Empire; lord of Frisia, Salland, Mechelen, and of the cities, towns, and lands of Utrecht, Overissel, and Groningen; master of Asia and Africa".His coinage typically bore the obverse inscription "PHS·D:G·HISP·Z·REX" (Latin: "Philip, by the grace of God King of Spain et cetera"), followed by the local title of the mint ("DVX·BRA" for Duke of Brabant, "C·HOL" for Count of Holland, "D·TRS·ISSV" for Lord of Overissel, etc.). The reverse would then bear a motto such as "PACE·ET·IVSTITIA" ("For Peace and Justice") or "DOMINVS·MIHI·ADIVTOR" ("The Lord is my helper"). A medal struck in 1583 bore the inscriptions "PHILIPP II HISP ET NOVI ORBIS REX" ("Philip II, King of Spain and the New World") and "NON SUFFICIT ORBIS" ("The world is not enough"). Heraldry Family Philip was married four times and had children with three of his wives. He also had two long-term relationships with Isabel Osorio and Eufrasia de Guzmán. First marriage Philip's first wife was his double first cousin, Maria Manuela, Princess of Portugal. She was a daughter of Philip's maternal uncle, John III of Portugal, and paternal aunt, Catherine of Austria. They were married at Salamanca on 12 November 1543. The marriage produced one son in 1545, after which Maria died four days later due to haemorrhage: Carlos, Prince of Asturias (8 July 1545 – 24 July 1568), died unmarried at the age of 23 and without issue. Second marriage Philip's second wife was his first cousin once removed, Queen Mary I of England. The marriage, which took place on 25 July 1554 at Winchester Cathedral, was political. By this marriage, Philip became jure uxoris King of England and Ireland, although the couple was apart more than together as they ruled their respective countries. The marriage produced no children, although there was a false pregnancy, and Mary died in 1558, ending Philip's reign in England and Ireland. Third marriage Philip's third wife was Elisabeth of Valois, the eldest daughter of Henry II of France and Catherine de' Medici. The original ceremony was conducted by proxy (the Duke of Alba standing in for Philip) at Notre Dame prior to Elisabeth's departure from France. The actual ceremony was conducted in Guadalajara upon her arrival in Spain. During their marriage (1559–1568) they conceived five daughters, though only two of the girls survived. Elisabeth died a few hours after the loss of her last child. Their children were: Miscarried twin daughters (August 1564). Isabella Clara Eugenia (12 August 1566 – 1 December 1633, aged 67), married Albert VII, Archduke of Austria, Catherine Michaela (10 October 1567 – 6 November 1597, aged 30), married Charles Emmanuel I, Duke of Savoy, and had issue. Joan (3 October 1568) died shortly after birth. Fourth marriage Philip's fourth and final wife was his niece, Anna of Austria. Pope Pius V initially refused to grant Philip the dispensation needed to marry Anna, citing biblical prohibitions and the danger of birth defects. The pope reluctantly gave his permission when Philip threatened to abandon the Holy League in their fight against the Ottoman Turks. By contemporary accounts, this was a convivial and satisfactory marriage (1570–1580) for both Philip and Anna. This marriage produced four sons and one daughter. Anna died of heart failure 8 months after giving birth to Maria in 1580.Their children were: Ferdinand, Prince of Asturias (4 December 1571 – 18 October 1578, aged six). Charles Laurence (12 August 1573 – 30 June 1575, aged one). Diego Félix (15 August 1575 – 21 November 1582, aged seven). Philip III of Spain (14 April 1578 – 31 March 1621, aged 42). Maria (14 February 1580 – 5 August 1583, aged three). Ancestry See also Descendants of Isabella I of Castile and Ferdinand II of Aragon The empire on which the sun never sets List of Spanish monarchs Royal Armoury of Madrid Ruy Gómez de Silva, 1st Prince of Éboli Notes Passage 3: Ogawa Mataji Viscount Ogawa Mataji (小川又次, 22 August 1848 – 20 October 1909) was a general in the early Imperial Japanese Army. He was also the father-in-law of Field Marshal Gen Sugiyama. Life and military career Ogawa was born to a samurai family; his father was a retainer to the daimyō of Kokura Domain, in what is now Kitakyushu, Fukuoka. He studied rangaku under Egawa Hidetatsu and fought as a Kokura samurai against the forces of Chōshū Domain during the Bakumatsu period. After the Meiji Restoration, Ogawa attended the Imperial Japanese Army Academy and was commissioned as a second lieutenant in January 1871 and promoted to lieutenant in February 1874. He participated in the Taiwan Expedition of April 1874. Afterwards, he served with the IJA 1st Infantry Regiment under the Tokyo Garrison, and as a battalion commander with the IJA 13th Infantry Regiment from April 1876. From February 1877, he fought in the Satsuma Rebellion, but was wounded in combat in April and promoted to major the same month. In March 1878, Ogawa was Deputy Chief-of-Staff to the Kumamoto Garrison. He was sent as a military attaché to Beijing from April to July 1880. In February 1881, he was promoted to lieutenant-colonel and chief of staff of the Osaka Garrison. In March 1882, he was chief of staff of the Hiroshima Garrison. Promoted to colonel in October 1884, he was assigned the IJA 8th Infantry Regiment. In May 1885, he joined the Imperial Japanese Army General Staff Office. German General Jakob Meckel, hired by the Japanese government as a foreign advisor and instructor in the Imperial Japanese Army Academy highly praised Ogawa and fellow colonel Kodama Gentarō as the two most outstanding officers in the Imperial Japanese Army. Ogawa was especially noted for his abilities as a military strategist and planner, and earned the sobriquet “the modern Kenshin") from General Kawakami Soroku. First Sino-Japanese War Ogawa was promoted to major general in June 1890, and given command of the IJA 4th Infantry Brigade, followed by command of the 1st Guards Brigade. At the start of the First Sino-Japanese War in August 1894, he was chief of staff of the Japanese First Army. In August 1895, he was elevated to the kazoku peerage with the title of danshaku (baron). He commanded the 2nd Guards Brigade from January 1896 and was subsequently promoted to lieutenant general in April 1897, assuming command of the IJA 4th Infantry Division. In May 1903, he was awarded the Order of the Sacred Treasures, first class. Russo-Japanese War During the Russo-Japanese War of 1904-1905, Ogawa retained command of the IJA 4th Division under the Japanese Second Army of General Oku Yasukata. The division was in combat at the Battle of Nanshan, Battle of Telissu and Battle of Liaoyang. At the Battle of Liaoyang, Ogawa was injured in combat, and forced to relinquish his command and return to Tokyo. In January 1905, he was promoted to general, but took a medical leave from December 1905. He was awarded the Order of the Golden Kite, 2nd class in 1906. In September 1907 he was elevated to viscount (shishaku) He officially retired in November. Ogawa died on 20 October 1909 due to peritonitis after being hospitalized for dysentery. His grave is located at Aoyama Cemetery in Tokyo, and he also has a grave in his hometown of Kokura. Decorations 1885 – Order of the Rising Sun, 3rd class 1895 – Order of the Sacred Treasure, 2nd class 1895 – Order of the Rising Sun, 2nd class 1895 – Order of the Golden Kite, 3rd class 1903 – Grand Cordon of the Order of the Sacred Treasure 1906 – Grand Cordon of the Order of the Rising Sun 1906 – Order of the Golden Kite, 2nd class Passage 4: Barthold A. Butenschøn Sr. Hans Barthold Andresen Butenschøn (27 December 1877 – 28 November 1971) was a Norwegian businessperson. He was born in Kristiania as a son of Nils August Andresen Butenschøn and Hanna Butenschøn, and grandson of Nicolay Andresen. Together with Mabel Anette Plahte (1877–1973, a daughter of Frithjof M. Plahte) he had the son Hans Barthold Andresen Butenschøn Jr. and was through him the father-in-law of Ragnhild Butenschøn and grandfather of Peter Butenschøn. Through his daughter Marie Claudine he was the father-in-law of Joakim Lehmkuhl, through his daughter Mabel Anette he was the father-in-law of Harald Astrup (a son of Sigurd Astrup) and through his daughter Nini Augusta he was the father-in-law of Ernst Torp.He took commerce school and agricultural school. He was hired in the family company N. A. Andresen & Co, and became a co-owner in 1910. He eventually became chief executive officer. The bank changed its name to Andresens Bank in 1913 and merged with Bergens Kreditbank in 1920. The merger was dissolved later in the 1920s. He was also a landowner, owning Nedre Skøyen farm and a lot of land in Enebakk. He chaired the board of Nydalens Compagnie from 1926, having not been a board member before that.He also chaired the supervisory council of Forsikringsselskapet Viking and Nedre Glommen salgsforening, and was a supervisory council member of Filharmonisk Selskap. He was a member of the gentlemen's club SK Fram since 1890, and was proclaimed a lifetime member in 1964.He was buried in Enebakk. Passage 5: Ludwig von Westphalen Johann Ludwig von Westphalen (11 July 1770 – 3 March 1842) was a liberal Prussian civil servant and the father-in-law of Karl Marx. Biography Early life Johann Ludwig von Westphalen was born on 11 July 1770 in Bornum am Elm. He was the youngest son of Philipp von Westphalen (1724–92), who himself was the son of a Blankenburg postmaster. Philipp von Westphalen had been ennobled in 1764 with the predicate Edler von Westphalen by Duke Ferdinand of Brunswick for his military services. He had served as the duke's de facto "chief of staff" during the Seven Years' War. Through his mother, Jane Wishart of Pittarrow, he was the descendant of many Scottish and European noble families.He received extensive education and spoke German and English, and read Latin, Greek, Italian, French and Spanish. He studied at the Collegium Carolinum, the forerunner of today's Braunschweig University of Technology, and at Göttingen. Career In 1794, he entered government's service in Brunswick. In 1797 he married Elisabeth von Veltheim, who bore him four children. In 1804 he entered the government service of the Duchy of Brunswick and Lunenburg (Wolfenbüttel). With the establishment of the Napoleonic state in Westphalia (the Kingdom of Westphalia) in 1807, he entered its service. He was likely motivated in this by a desire to see reforms carried out. He did, however, oppose the French dominance of the local government, and other policies, and for his critique he was eventually arrested by orders from Louis-Nicolas Davout and imprisoned in the fortress of Gifhorn. In the same year, he lost his first wife. In the summer of 1809 Louis was appointed sub-prefect of Salzwedel, where three years later in 1812 he married Karoline Heubel; they had three children. After Salzwedel was again under Prussian administration, in 1816 Ludwig von Westphalen was transferred to the newly established regional government in Trier. Personal life It was in Trier that he met and befriended Heinrich Marx, the father of Karl Marx. The children of the respective families, in particular Jenny and Edgar von Westphalen, and Sophie and Karl Marx, became close friends as well. In 1836, Jenny von Westphalen and Karl Marx became engaged; at first secretly but Ludwig approved the marriage in 1837, even though some saw Marx, who was both middle class and younger than her, as well as of Jewish descent, as an inappropriate partner for the noble daughter. In fact, Ludwig was seen as the mentor and role model of Karl Marx, who referred to him as a "dear fatherly friend". Ludwig filled Marx with enthusiasm for the romantic school and read him Homer and Shakespeare, who remained Marx's favorite authors all his life. Marx also read Voltaire and Racine with Ludwig. Ludwig devoted much of his time to the young Marx and the two went for intellectual walks through "the hills and woods" of the neighbourhood. It was Ludwig who first introduced Marx to the personality and socialist teachings of Saint-Simon. Marx dedicated his doctoral thesis "The Difference Between the Democritean and Epicurean Philosophy of Nature" written in 1841 to Ludwig in a most effusive manner in which Marx wrote "You, my fatherly friend, have always been for me the living proof that idealism is no illusion, but the true reality" In 1842, Marx was present at the deathbed of Ludwig von Westphalen. Jenny and Karl became married in 1843, a year after Ludwig's death. He was the father of Ferdinand von Westphalen, a conservative and reactionary Prussian Minister of the Interior. Death He died on 3 March 1842 in Trier. Passage 6: Manuel, Prince of Portugal (1531–1537) Manuel (11 November 1531 – 14 April 1537), was the Hereditary Prince of Portugal from 1535 to his death in 1537. He was the fifth child and second son of king John III of Portugal and Catherine of Austria. In 1535, his father officially designated him as Prince of Portugal, taking the place of his eldest sister Infanta Maria Manuela. However, after his premature death at five years old, his younger brother Infante Filipe became the next Prince of Portugal. Ancestry Passage 7: Afonso, Prince of Portugal (1526) Afonso, Hereditary Prince of Portugal was the first son of king John III of Portugal and his queen, Catherine of Austria. He was the Prince of Portugal but died in the same year he was born, in 1526.

doc_56

Passage 1: Maurice FitzGerald, 2nd Earl of Desmond Maurice FitzMaurice FitzGerald, 2nd Earl of Desmond (d. 1358) (Maurice Óg) was the son of Maurice FitzGerald, 1st Earl of Desmond, and his first wife, Catherine de Burgh. (Some sources list her as Margaret.)The 2nd Earl married Beatrice de Stafford, daughter of Ralph de Stafford, 1st Earl of Stafford and Margaret Audley, but died at Castle Maine without any male issue, and was therefore succeeded in the Earldom of Desmond by his half-brother Gerald FitzGerald, 3rd Earl of Desmond. FitzGerald's widow married Thomas de Ros, 4th Baron de Ros around a year after FitzGerald's death. He was buried in Tralee Abbey. Passage 2: William Feilding, 1st Earl of Denbigh Admiral William Feilding, 1st Earl of Denbigh (c. 1587 – 8 April 1643, Cannock) was an English naval officer and courtier. Biography William Feilding was the son of Basil Fielding of Newnham Paddox in Warwickshire (High Sheriff of Warwickshire in 1612) and of Elizabeth Aston, daughter of Sir Walter Aston (1530–1599).Feilding matriculated at Emmanuel College, Cambridge in 1603. In 1606 Feilding married Susan, daughter of Sir George Villiers and sister of George Villiers, 1st Duke of Buckingham, who was ennobled as the favourite of King James I. With the rise of Villiers, both Feilding and his wife received various offices and dignities.Knighted on 4 March 1607, William Feilding was created Baron and Viscount Feilding in 1620. Two years later he was appointed Master of the Great Wardrobe and Custos Rotulorum of Warwickshire and Earl of Denbigh on 14 September 1622. He attended Prince Charles on the Spanish adventure, served as admiral in the unsuccessful Cadiz Expedition in 1625, and commanded the disastrous attempt upon Rochelle in 1628, becoming the same year a member of the Council of war, and in 1633 a Member of the Council of Wales and the Marches. In 1631, Lord Denbigh ventured to the East as erstwhile ambassador to the court of Safi of Persia. He visited the East India Company's fledgling Indian possessions where, in 1632, Lord Denbigh met with the Mogul emperor. He returned to England in late 1633.On 6 July 1641 a barge carrying Feilding, his daughter Elizabeth, Lady Kinalmeaky, Lady Cornwallis, and Anne Kirke capsized while shooting the rapids at London Bridge. Kirke was drowned but the other passengers were rescued.On the outbreak of the English Civil War he served under Prince Rupert of the Rhine and was present at the Battle of Edgehill. On 3 April 1643 during Rupert's attack on Birmingham he was wounded and died from the effects on the 8th, being buried at Monks Kirby in Warwickshire. His courage, unselfishness and devotion to duty are much praised by Edward Hyde, Earl of Clarendon. Family Sir William and his wife, Susan Villiers, had six children: Basil Feilding, 2nd Earl of Denbigh (c. 1608–1675) George Feilding, 1st Earl of Desmond (c. 1614–1665) Lady Mary Feilding (1613–1638), married James Hamilton, 1st Duke of Hamilton. Lady Anne Feilding (died 1636), married Baptist Noel, 3rd Viscount Campden Elizabeth Feilding, Countess of Guildford (died 1667), married Lewis Boyle, 1st Viscount Boyle. Lady Henrietta Marie Feilding (died young)His daughter, Lady Mary Feilding (1613–1638), also known as Margaret, was married to James Hamilton, 1st Duke of Hamilton, one of the heirs to the throne of Scotland after the descendants of James VI (James I of England). Her portrait was painted by Anthony van Dyck and Henry Pierce Bone. His eldest son, Basil, inherited the title of Earl of Denbigh. His second son, George Feilding, was awarded the right to the title of Earl of Desmond at the same time as his father was made Earl of Denbigh in 1622. George Feilding was around eight years old at the time. Earl of Desmond was a lesser title than Earl of Denbigh, being a title in the Irish, rather than English, peerage. Ancestry Notes Passage 3: George Feilding, 1st Earl of Desmond George Feilding, 1st Earl of Desmond (c. 1614 – 31 January 1665) was an English aristocrat, awarded the title of Earl of Desmond in the Peerage of Ireland by Charles I of England under the terms of a letter patent issued by James I of England. George Feilding was the second son of William Feilding, 1st Earl of Denbigh, and his wife, the former Susan Villiers. Susan was the sister of George Villiers, 1st Duke of Buckingham, confidant and lover of James I, and her family were showered with titles and preferment as a result of George Villiers' immense influence.In 1622, when George Feilding was around 8 years old, James I created him Baron Fielding, of Lecaghe in the County of Tipperary, and Viscount Callan, of Callan in the County of Kilkenny. At the same time, George was given the right to the title Earl of Desmond as and when the previous holder of that title, Richard Preston, died without a male heir. Preston had also been a favourite and probably a lover of James I; he had a daughter who, the plan was, George Feilding would marry, but this did not happen. In 1628 Preston died and George inherited the title.All three titles were in the Peerage of Ireland. Earl of Desmond is an ancient Irish title, the 1622 creation was its 4th, and current, creation. George married Bridget Stanhope, who was the daughter of Sir Michael Stanhope and Elizabeth Read and a sister-in-law of George Berkeley, 8th Baron Berkeley. The couple had several children: Lady Frances Feilding (died 1680), who married Sir Edward Gage, 1st Baronet, as his third wife Lady Mary Feilding (died 1691), who married Sir Charles Gawdy, 1st Baronet Lady Bridget Feilding (died 1669), who married Arthur Parsons William Feilding, 2nd Earl of Desmond, later 3rd Earl of Denbigh Hon. George Feilding, who married a daughter of Sir John Lee Colonel Hon. Sir Charles Feilding (1641–1722), who married Ursula Stockton, daughter of Sir Thomas Stockton and Ursula Bellot, and widow of Sir William Aston, (both Stockton and Aston were High Court judges in Ireland) and had two daughters Rev. Hon. John Feilding (1641–1697), who married Bridget Cokayne and had children, including John, secretary to the Governor of Jamaica Hon. Basil Feilding (died May 1667), killed in a quarrel by his brother Christopher Hon. Christopher Feilding, sentenced to death in July 1667 for killing his brother Basil in a drunken quarrel."No one pitied him" was the terse verdict of Samuel Pepys. Passage 4: Gerald FitzGerald, 3rd Earl of Desmond Gerald FitzMaurice FitzGerald (1335–1398), also known by the Irish Gaelic Gearóid Iarla (Earl Gerald), was the 3rd Earl of Desmond, in southwestern Ireland, under the first creation of that title, and a member of the Hiberno-Norman dynasty of the FitzGerald, or Geraldines. He was the son of Maurice FitzGerald, 1st Earl of Desmond, by his third wife Aveline (Eleanor), daughter of Nicholas FitzMaurice, 3rd Lord of Kerry. He was half-brother to Maurice FitzGerald, 2nd Earl of Desmond.Maurice Fitzgerald, 2nd Earl of Desmond, would have been followed by Gerald's older brother, Nicholas, but Nicholas was described as "an idiot", and so was passed over for the earldom. Because of this, some older histories list Gerald as the 4th Earl. Life In 1356 he was brought to England as a hostage for his father's good behaviour, but as his father died that same year, he was soon released. Three years later, he succeeded his brother Maurice, who had died without male heirs, and became the 3rd Earl of Desmond.King Edward III confirmed Gerald in his large estates in Munster, provided that he marry Eleanor Butler, daughter of the Justiciar, James Butler, 2nd Earl of Ormond. Gerald did so, but did not make peace with Ormond, nor adopt English ways and customs as expected. Career and poetry According to Alfred Webb: "[He was] surnamed 'Gerald the Poet', [and] succeeded to the estates and honours of the family. He married, by the King's command, Eleanor, daughter of James, 2nd Earl of Ormond, who brought with her as her portion the barony of Inchiquin in Imokelly. Gerald was Lord Justice of Ireland, 1367. In 1398 he disappeared, and is fabled to live beneath the waters of Lough Gur, near Kilmallock, on whose banks he appears once every seven years. O'Donovan quotes the following concerning his character: 'A nobleman of wonderful bountie, mirth, cheerfulness in conversation, charitable in his deeds, easy of access, a witty and ingenious composer of Irish poetry, and a learned and profound chronicler; and, in fine, one of the English nobility that had Irish learning and professors thereof in greatest reverence of all the English in Ireland, died penitently after receipt of the sacraments of the holy church in proper form.' Fragments of Anglo-Norman verse attributed to him, known as Proverbs of the Earl of Desmond, survive."Duanaire Ghearóid Iarla (‘'The Poem-Book of Earl Gerald’') is preserved in a fifteenth-century manuscript, the Book of Fermoy. In addition, nine of his poems are preserved in the Book of the Dean of Lismore. Duanaire Ghearóid Iarla was published by Gearóid Mac Niocaill in Studia Hibernica 3 (1963): 7-59.In 1367 Desmond was made Lord Chief Justice of Ireland, but was soon replaced by Sir William de Windsor. In 1370 Brian O'Brien of Thomond expelled his cousin Turlough. Desmond attempted to reinstate him. Brian marched on Limerick, and defeated Desmond, burning the city and Desmond's lands and imprisoning him.While in prison, Gerald wrote poetry in Irish, most famously the poem Mairg adeir olc ris na mnáibh (Speak not ill of womankind). Also an accomplished poet in Norman French, Gerald was instrumental in the move by the Desmond Geraldines towards greater use of the Irish language. In legend In legend, Gerald's conception was the result of his father's romantic relationship with, or rape of, the goddess Áine, a legend that draws upon a pre-existing Celtic legend about the King of Munster Ailill Aulom raping this deity, updating it with themes drawn from the Francophone courtly love poetry of Continental Europe, in particular the motif of the man who falls in love with a swan maiden. The Geraldine claim to an association with Áine is typical of the family's Gaelicisation. After his disappearance in 1398, another legend grew up that Gerald sleeps in a cave beside (or under) Lough Gur, and will someday awaken and ride forth on a silver-shod steed to rule again in Desmond, – one of the many worldwide versions of the King asleep in mountain mythologisation of heroes. Marriage and issue In 1359 Gerald married Eleanor (or Ellen) Butler, daughter of James Butler, 2nd Earl of Ormond. She died in 1404. They had four sons: John FitzGerald, 4th Earl of Desmond Maurice FitzGerald James FitzGerald, 6th Earl of Desmond, 'the Usurper' Robert FitzGerald de Adairand two daughters: Joan, who married Maurice FitzJohn, Lord of Kerry Catherine, who married John FitzThomas See also List of people who disappeared Ancestry Passage 5: Maurice FitzGerald, 9th Earl of Desmond Maurice FitzGerald, 9th Earl of Desmond (died 1520) was the brother of James FitzGerald, 8th Earl of Desmond. Life Upon the murder of James FitzThomas FitzGerald, the 8th Earl of Desmond, in 1487, his brother Maurice became the 9th Earl of Desmond. The murderer, John Murtagh was apprehended and put to death. In 1489 a plague ravaged the country, followed by a famine in 1497, and many died.According to Alfred Webb: "Being lame, and usually carried in a horse-litter, he was styled 'Vehiculus,' and by some, on account of his bravery, 'Bellicosus.'"In 1495, Maurice FitzThomas FitzGerald supported the pretender, Perkin Warbeck, in the Siege of Waterford and other expeditions. Nevertheless, making a humble submission, King Henry VII not only forgave, but took him into favour, 26 August 1497, and granted him all the 'customs, pockets, poundage, and prize-wines of Limerick, Cork, Kingsale, Baltimore, and Youghall, with other privileges and advantages.' About the year 1500, Maurice FitzGerald rebuilt Desmond Castle, a three-story tower house in the town of Kinsale, to serve as a Customs House for wine and gunpowder. "The condition of the inhabitants within the Pale at this period is thus described by a contemporary writer: 'What with the extortion of coyne and lyverye dayly, and wyth the wrongful exaction of osteing money, and of carryage and cartage dayly, and what with the Kinge's great subsydye yerely, and with the said trybute, and blak-rent to the Kinge's Iryshe enymyes, and other infynyt extortions, and dayly exactions, all the Englyshe folke of the countys of Dublyn, Kyldare, Meathe, and Uryell ben more oppressyd with than any other folke of this land, Englyshe or Iryshe, and of worsse condition be they athysside than in the marcheis.' O'Daly thus writes of Earl Maurice: 'This man was subsequently far famed for his martial exploits. He augmented his power and possessions — for all his sympathies were English — and a furious scourge was he to the Irish, who never ceased to rebel against the crown of England. The bitterest enemy of the Geraldines he made his prisoner, to wit, MacCarthy Mor, Lord of Muskerry; and now having passed thirty years opulent, powerful, and dreaded, he died [1520] to the sorrow of his friends and the exultation of his enemies.' He was buried at Tralee. His first wife was daughter of Lord Fermoy; his second, daughter of the White Knight." Marriage and issue Maurice first married Ellen, daughter of Maurice Roche, 2nd Lord of Fermoy (distantly related to the Barons Fermoy), and his wife Lady Joan FitzGerald, daughter of James FitzGerald, 8th Earl of Desmond, and had issue: Thomas FitzMaurice, who predeceased his father, leaving behind one daughter James FitzGerald, 10th Earl of Desmond Joan, who married Cormac Óg MacCarthy Ellis, who married Connor O'Brien, King of ThomondMaurice's second wife was Honora, daughter of the White Knight. Passage 6: John FitzGerald, de facto 12th Earl of Desmond John FitzGerald, de facto 12th Earl of Desmond (died December 1536) was the brother of Thomas FitzGerald, 11th Earl of Desmond. Upon his brother's death in 1534, John disputed the title to the earldom of his brother's grandson, James FitzGerald, de jure 12th Earl of Desmond.According to the Annals of the Four Masters, John FitzThomas FitzGerald was believed to have instigated the murder of his older brother, James FitzGerald, 8th Earl of Desmond in 1487, and had been expelled by his brother Maurice FitzGerald, 9th Earl of Desmond.John died in 1536. His grandnephew, the de jure earl, died in 1540, and was succeeded by John's son, James FitzGerald, 13th Earl of Desmond. Alfred Webb tells us of this earl that he, "being supported by a large faction, was de facto [12th] Earl. This Sir John died about Christmas 1536." Passage 7: James FitzGerald, 6th Earl of Desmond James FitzGerald, 6th Earl of Desmond (d. 1462), called 'the Usurper', was a younger son of Gerald FitzGerald, 3rd Earl of Desmond, and Lady Eleanor, daughter of James Butler, 2nd Earl of Ormond. Life The younger brother of John FitzGerald, 4th Earl of Desmond, James was uncle to the 4th Earl's only son Thomas FitzGerald, 5th Earl of Desmond, whom he was able to deprive of his earldom and dispossess in 1418 for marrying far below his station. The marriage between a man of Norman ancestry and a woman of Gaelic blood was in violation of the Statutes of Kilkenny. James FitzGerald took a leading role in forcing his nephew into exile in France where he died at Rouen two years later. Although not acknowledged until 1422, he was in 1420 made Seneschal of Imokilly, Inchiquin, and the town of Youghal, by James Butler, 4th Earl of Ormond. Also in 1420, he founded the Franciscan friary at Askeaton Abbey.In 1423 he was made Constable of Limerick for life. In 1445 he was excused attendance at Parliament. Along with his son-in-law Thomas FitzGerald, 7th Earl of Kildare, James was a prominent Irish supporter of the House of York. He was also godfather to George Plantagenet, 1st Duke of Clarence. Dying in 1462 or 1463, Desmond was buried at the Franciscan friary in Youghal. Marriage and issue James married Mary, daughter of William de Burgh, and they had issue two sons: Thomas FitzGerald, 7th Earl of Desmond Sir Gerald Mor FitzGerald, ancestor of the FitzGerald Lords of Decies of County Waterfordand two daughters: Honor, married Thomas Fitzmaurice., Lord of Kerry Joan/Jane, married Thomas FitzGerald, 7th Earl of Kildare Ancestry Notes Passage 8: John FitzGerald, 4th Earl of Desmond John FitzGerald, 4th Earl of Desmond (died 1399) was the son of Gerald FitzGerald, 3rd Earl of Desmond. He married and had one son, Thomas, who succeeded him as Earl of Desmond.According to Burke, John FitzGerald married Joan Roche, the daughter of Lord Fermoy. On 4 March 1399, FitzGerald drowned at Ardfinnan on the River Suir, returning from an incursion into the territory of the Earl of Ormond..He was buried at Youghal, and succeeded by his son Thomas FitzJohn FitzGerald, 5th Earl of Desmond. Passage 9: William Feilding, 3rd Earl of Denbigh William Feilding, 3rd Earl of Denbigh, 2nd Earl of Desmond (29 December 1640 – 23 August 1685) was an aristocrat in the Peerage of England. He was the son of George Feilding, 1st Earl of Desmond, and his wife, the former Bridget Stanhope, daughter of Sir Michael Stanhope.Feilding inherited the title of Earl of Denbigh from his paternal uncle Basil Feilding, 2nd Earl of Denbigh, who died without heirs in 1675.He married, firstly, Mary King (died 1669), daughter of Sir Robert King and Frances Folliott, daughter of Henry Folliott, 1st Baron Folliott and Anne Strode, and widow of Sir William Meredyth. Secondly, he married Lady Mary Carey, daughter of Henry Carey, 2nd Earl of Monmouth. He died on 23 August 1685 at age 44. By his first wife, Mary King, Feilding had the following children: Lady Mary Feilding (c. 1668 – c. December 1697), who married Evelyn Pierrepont, 1st Duke of Kingston-upon-Hull, and had children. Basil Feilding, 4th Earl of Denbigh (1668 – 18 March 1717), who married Hester Firebrace, and had childrenThere were no children from the earl's second marriage. Passage 10: James FitzGerald, 1st Earl of Desmond James FitzGerald (c. 1570 – November 1601), an Irish nobleman, was the successor of Gerald FitzGerald, 14th Earl of Desmond. He assumed the title of Earl of Desmond, which had been suppressed in 1582 after the Desmond Rebellions. He spent much of his life in captivity, and was temporarily, but unsuccessfully, restored to the earldom in 1600–01 by the English in an attempt to pacify Munster during the Nine Years War. He thus became the 1st Earl of Desmond, but soon returned to England, where he died in obscurity. Early life James FitzGerald, the son of the 14th Earl and Eleanor Butler, was born during the earlier of the Desmond Rebellions; Queen Elizabeth of England was his godmother. He was resident in Ireland in 1579, when his father joined the later rebellion against the crown, and at that time his mother chose to deliver him to Sir William Drury, lord deputy of Ireland, who placed him in custody in Dublin Castle. In August 1582, his mother complained bitterly to Lord Burghley that her son's education was being neglected and sought better care for him. After the death of his fugitive father, FitzGerald's gaolers made a petition to the English government for his removal to the Tower of London. The petition was granted in 1584, and before the end of the year, he was removed to the Tower, where he remained for the next 16 years. Captivity FitzGerald was the heir to the earldom of Desmond, but in 1585 his late father's estate was attainted by the Irish parliament and all its property confiscated by the crown. Most of the hereditary lands in the province of Munster then underwent a radical plantation by English settlers (see Plantation of Munster), but such was the loyalty attached to the FitzGerald name there that the government had good cause to fear a future rebellion. These events occurred during the Anglo-Spanish War (1585–1604), and English fear was increased with the prospect of an intervention by the Spanish, who had a historical affinity with the west coast of Ireland. It was in this context that the young heir found himself nurtured in London, where he was to lead a miserable existence. He appears to have been sickly, as shown by the accounts kept between 1588 and 1598 of payments for medicines, ointments, pills and syrups administered to him. In 1593, he wrote in pathetic terms to the queen's secretary, Sir Robert Cecil, but the government really only had one use for him. Irish campaign In 1600, during the Nine Years War (Ireland) and following hostile intrusions into Munster at the direction of Hugh O'Neill, 3rd Earl of Tyrone, it was suggested by Sir George Carew that FitzGerald be paraded through the province as the true Earl of Desmond, to counter the popularity of the pretender to the earldom, James FitzThomas FitzGerald, (known as the Súgán – i.e. Hayrope – Earl). The queen hesitated at this suggestion, but was convinced by Cecil that the risk was worth taking. A patent for the title of Earl of Desmond (the second creation) passed the great seal, without restoration of the confiscated lands and restricting any inheritance of the title; an allowance of £500 pa. was granted. FitzGerald was to remain in the custody of Captain Price and Miler Magrath, archbishop of Cashel; Price was charged with keeping him faithful to the queen and the Protestant religion, and was to maintain a frugal household. Carew was instructed by Cecil to keep FitzGerald under close observation, ready to arrest him if he showed sympathy with the rebels while allowing the appearance of liberty. FitzGerald's party set out from Bristol in October 1600, bound for Cork, but the prisoner suffered such a severe bout of sea-sickness that he had to be landed at Youghal in south Munster. He was received enthusiastically by the Geraldine supporters – though the mayor of Cork was not courteous – and was quickly transferred to Mallow, and then to Kilmallock in the heart of Desmond country, where he was given lodgings by the English commander Sir George Thornton. On his arrival he praised the queen's clemency and was well-liked; the next day – a Sunday – he ostentatiously made his way to the Protestant church, while his followers awaited him in the Catholic chapel, a disappointment for which he was instantly derided by the people. In November 1600 the fortress of Castlemaine was surrendered to FitzGerald by a servant of the Súgán Earl, but owing to his failure to command the allegiance of the people the government soon discarded the Desmond heir. Death FitzGerald resented the meanness of his allowance and was forbidden by Cecil to marry the widow Norreys, since a better match in England was hoped for. In March 1601 he was brought to London with a letter from Carew recommending him for a grant of land and a settled income. In August he complained of being penniless and despised, and appealed to Cecil for some of the lands that had been held by the Súgán Earl. He died in London in early November 1601, but it was only in January 1602 that the death was announced. His guardians were then released from their charge, one of whom, William Power, wrote for pecuniary assistance for FitzGerald's four sisters. Ancestry Sources Richard Bagwell, Ireland under the Tudors 3 vols. (London, 1885–1890) John O'Donovan (ed.) Annals of Ireland by the Four Masters (1851) Calendar of State Papers: Carew MSS. 6 vols. (London, 1867–1873) Calendar of State Papers: Ireland (London) Colm Lennon Sixteenth Century Ireland – The Incomplete Conquest (Dublin, 1995) ISBN 0-312-12462-7. Nicholas P. Canny Making Ireland British, 1580–1650 (Oxford University Press, 2001) ISBN 0-19-820091-9. Steven G. Ellis Tudor Ireland (London, 1985) ISBN 0-582-49341-2. Hiram Morgan Tyrone's War (1995) Anne Chambers As Wicked a Woman (Dublin, 1986) ISBN 0-86327-190-1. Standish O'Grady (ed.) "Pacata Hibernia" 2 vols. (London, 1896) Cyril Falls Elizabeth's Irish Wars (1950; reprint London, 1996) ISBN 0-09-477220-7. Gerard Anthony Hayes McCoy Irish Battles (Belfast, 1989) ISBN 0-86281-212-7. Dictionary of National Biography 22 vols. (London, 1921–1922).

doc_57

Passage 1: Pooja Bhatt Pooja Bhatt (born 24 February 1972) is an Indian film director, actress, voice over artist and film maker. Born into the Bhatt family, she is the daughter of Indian filmmaker, Mahesh Bhatt and the half-sister of Alia Bhatt and cousin of Emraan Hashmi. Bhatt played her first leading role in Mahesh Bhatt's television film Daddy in 1989. For the film, she won the Filmfare Award for Lux New Face of the Year for Best Female Debut. She is also seen in the Bigg Boss OTT (Hindi season 2) Early life Pooja Bhatt was born on 24 February 1972 to Mahesh Bhatt and Kiran Bhatt (born Loraine Bright). On her father's side, Bhatt is of Gujarati descent and on her mother's side, she is of English, Scottish, Armenian, and Burmese ancestry. She is the step-daughter of Soni Razdan. She has a brother, Rahul Bhatt and half-sisters Shaheen and Alia Bhatt. Her cousins are Hitarth Bhat and Emraan Hashmi. Career Bhatt made her acting debut at age 17, in 1989 with Daddy, a TV film directed by her father Mahesh Bhatt. In the film she portrayed a soul-searching teenage girl in an estranged relationship with her alcoholic father, played by actor Anupam Kher. Her biggest solo hit and her big screen debut came with the musical hit Dil Hai Ke Manta Nahin (1991), which was a remake of the Oscar-winning Hollywood classic It Happened One Night. Pooja Bhatt appeared in many bold shoots like Stardust.Her most well-known films in the 1990s included Sadak opposite Sanjay Dutt (1991), Junoon, Jaanam, and Phir Teri Kahani Yaad Aayee opposite Rahul Roy, Sir (1993) and Guneghar (1995) opposite Atul Agnihotri, Tadipaar (1993) and Naaraaz (1994) opposite Mithun Chakraborty, Hum Dono opposite Rishi Kapoor, Angrakshak opposite Sunny Deol (1995), Chaahat opposite Shah Rukh Khan (1996), Tamanna (1997), the super-hit and multi-starrer Border (1997) and Zakhm (1998), opposite Ajay Devgan. Her last film appearance was in the English language film Everybody Says I'm Fine! in 2001. From 2003 to 2012, she focused on producing and directing. She made her directorial debut with Paap in 2004, starring John Abraham and Udita Goswami. Since then, she has made four more directorial ventures: Holiday (2006), Dhokha (2007), Kajraare (2010) and Jism 2 (2012).In 2020, Bhatt returned to acting with Sadak 2, a sequel to the hit 1991 film. Her father returned to directing with this film after 20 years. It was released on 28 August 2020 on the streaming platform Disney+ Hotstar.In 2021, Bhatt made her web series debut in the Netflix series Bombay Begums. It also featured Rahul Bose, Amruta Subhash, Shahana Goswami, Plabita Borthakur and Aadhya Anand.In 2022, she appeared in the film Chup: Revenge of the Artist. Currently , She is a Participant of Bigg Boss OTT 2 Filmography Acting roles Television Awards and recognitions Passage 2: Peter Hamel Peter Hamel (1911–1979) was a German screenwriter and a director of film and television. He appeared as himself in the 1948 comedy Film Without a Title. He is the father of the composer Peter Michael Hamel. Selected filmography Film Without a Title (1948) Artists' Blood (1949) Oh, You Dear Fridolin (1952) The Daring Swimmer (1957) Passage 3: Ian Barry (director) Ian Barry is an Australian director of film and TV. Select credits Waiting for Lucas (1973) (short) Stone (1974) (editor only) The Chain Reaction (1980) Whose Baby? (1986) (mini-series) Minnamurra (1989) Bodysurfer (1989) (mini-series) Ring of Scorpio (1990) (mini-series) Crimebroker (1993) Inferno (1998) (TV movie) Miss Lettie and Me (2002) (TV movie) Not Quite Hollywood: The Wild, Untold Story of Ozploitation! (2008) (documentary) The Doctor Blake Mysteries (2013) Passage 4: Yasuichi Oshima Yasuichi Oshima (大島 やすいち, Ōshima Yasuichi, born 24 March 1954 in Kyoto) is a Japanese manga artist. In 1984, he won the Kodansha Manga Award for shōnen for Bats & Terry.He is the father of manga artist Towa Oshima. Selected works Kenkaku Shōbai (2008–2021) Passage 5: Paul Brooke Paul Brooke (born 22 November 1944) is a retired English actor of film, television and radio. He made his film debut in 1972 in the Hammer film Straight on till Morning, followed by performances in For Your Eyes Only (1981), Return of the Jedi (1983), Scandal (1989), Saving Grace (2000), Bridget Jones's Diary (2001), Alfie (2004), The Phantom of the Opera (2004), and Oliver Twist (2005). Brooke is the father of actor Tom Brooke. Career Brooke began as a stage actor and has played in many London productions, including several years as a member of Frank Dunlop's original Young Vic Company. He played Malakili the Rancor Keeper in the 1983 Star Wars film Return of the Jedi (his voiced dubbed over by Ernie Fosselius). He played British Conservative politician Ian Gow in the 2004 BBC series The Alan Clark Diaries. In 2006, he guest starred in the Doctor Who audio adventure Year of the Pig as well as the 1990 Mr. Bean sketch "The Library". He played Mr. Fitzherbert in the 2001 film Bridget Jones's Diary. Other appearances in television dramas and comedies featuring Brooke include The Blackadder, Bertie and Elizabeth, the BBC adaptation of Blott on the Landscape, Lovejoy, Foyle's War, Rab C. Nesbitt, Kavanagh QC, Sharpe's Revenge, Midsomer Murders, Hustle, Covington Cross, The Kit Curran Radio Show, Between the Lines, Relic Hunter and Mornin' Sarge. He appeared in the miniseries Nostromo in 1997. He played Gríma Wormtongue in the 1981 BBC radio adaptation of The Lord of the Rings. He, Linal Haft and Frank Mills are the only actors to appear in both the Classic and New series of Minder, but playing different roles in each. Filmography Film Television External links Paul Brooke at IMDb Passage 6: Cleomenes II Cleomenes II (Greek: Κλεομένης; died 309 BC) was king of Sparta from 370 to 309 BC. He was the second son of Cleombrotus I, and grandfather of Areus I, who succeeded him. Although he reigned for more than 60 years, his life is completely unknown, apart from a victory at the Pythian Games in 336 BC. Several theories have been suggested by modern historians to explain such inactivity, but none has gained consensus. Life and reign Cleomenes was the second son of king Cleombrotus I (r. 380–371), who belonged to the Agiad dynasty, one of the two royal families of Sparta (the other being the Eurypontids). Cleombrotus died fighting Thebes at the famous Battle of Leuctra in 371. His eldest son Agesipolis II succeeded him, but he died soon after in 370. Cleomenes' reign was instead exceptionally long, lasting 60 years and 10 months according to Diodorus of Sicily, a historian of the 1st century BC. In a second statement, Diodorus nevertheless tells that Cleomenes II reigned 34 years, but he confused him with his namesake Cleomenes I (r. 524–490). Despite the outstanding length of his reign, very little can be said about Cleomenes. He has been described by modern historians as a "nonentity". Perhaps that the apparent weakness of Cleomenes inspired the negative opinion of the hereditary kingship at Sparta expressed by Aristotle in his Politics (written between 336 and 322). However, Cleomenes may have focused on internal politics within Sparta, because military duties were apparently given to the Eurypontid Agesilaus II (r. 400–c.360), Archidamus III (r. 360–338), and Agis III (r. 338–331). As the Spartans notably kept their policies secret from foreign eyes, it would explain the silence of ancient sources on Cleomenes. Another explanation is that his duties were assumed by his elder son Acrotatus, described as a military leader by Diodorus, who mentions him in the aftermath of the Battle of Megalopolis in 331, and again in 315.Cleomenes' only known deed was his chariot race victory at the Pythian Games in Delphi in 336. In the following autumn, he gave the small sum of 510 drachmas for the reconstruction of the Temple of Apollo at Delphi, which had been destroyed by an earthquake in 373. Cleomenes might have made this gift as a pretext to go to Delphi and engage in informal diplomacy with other Greek states, possibly to discuss the consequences of the recent assassination of the Macedonian king Philip II.One short witticism of Cleomenes regarding cockfighting is preserved in the Moralia, written by the philosopher Plutarch in the early 2nd century AD: Somebody promised to give to Cleomenes cocks that would die fighting, but he retorted, "No, don't, but give me those that kill fighting." As Acrotatus died before Cleomenes, the latter's grandson Areus I succeeded him while still very young, so Cleomenes' second son Cleonymus acted as regent until Areus' majority. Some modern scholars also give Cleomenes a daughter named Archidamia, who played an important role during Pyrrhus' invasion of the Peloponnese, but the age difference makes it unlikely. Passage 7: Obata Toramori Obata Toramori (小畠虎盛, 1491 – July 14, 1561) was Japanese samurai warrior of the Sengoku Period. He is known as one of the "Twenty-Four Generals of Takeda Shingen" He also recorded as having been wounded 41 times in 36 encounters. He was the father of Obata Masamori. See also Isao Obata Passage 8: Lars Eliasson Lars Eliasson (December 8, 1914 – June 5, 2002) was a Swedish politician. He was a member of the Centre Party. He was the party's first vice chairman 1957-69 and a member of the Parliament of Sweden 1952–1970. For a short time in 1957, he was a minister in the Government of Sweden, in the Second cabinet of Erlander. He is the father of the later Member of Parliament Anna Eliasson. Passage 9: Kajraare Kajraare (transl. Collyrium) is a 2010 Indian Hindi-language film directed by Pooja Bhatt, starring Himesh Reshammiya and Sara Loren in the lead roles. Reshammiya plays a singer who falls in love with a bar dancer and the film is centred on how they find true love. It is the first Hindi film to be shot in Petra, often called "the eighth wonder of the world." Plot Rajiv Bhel (Himesh Reshammiya) is haunted by his very own past which torments him. He moves to Jordan where he has a job as a bartender, however Avtaar Singh forbids him to stay and immediately wants him to return to India. Rajiv then contemplates suicide but the eyes of a ravishing beauty strikes his own eyes. A chase ensues, until another man appears and takes the "beauty" in his own hands. The guy tells Rajiv if he wants to see what she does, he must come to the bar to "watch her dance". Rajiv visits the aquarium and he sees the lady again and develops immense love for her. The woman is Nargis who is revealed as a prostitute. He then falls in love. One night, Rajiv visits the "bar", and watches her (Nargis) dance. Embarrassed and feeling unworthy, Rajiv runs away, however, after the end of the night, its time to head home. Nargis and her colleagues get in a taxi which Rajiv follows. At the end of the trip, Rajiv gets closer to Nargis only for Rajiv to return the scarf that Nargis dropped at the bar. Mockingly, Nargis refuses it but Rajiv says if she keeps disappearing like this, he will hang himself with the scarf. Nargis offers for a longer one in a jokingly way. Regardless, Rajiv wants to marry Nargis. Rajiv wants Nargis to be free from prostitution. Rajiv must now get past Zohra Baano. She owns a prostitution business and hires other women to do their dirty work, the only source of income. Zohra Baano wants a price in exchange and Rajiv is willing to do that. Slowly, Nargis begins to develop feelings for Rajiv. One night, Nargis escapes the brothel, Rajiv finds her and takes her to a hotel. Nargis realises this was a mistake so she must return to the brothel. As soon as the "couple" leave the hotel, 3 drunkards approach them and one of them recognizes Rajiv as "Rocky". In fact, this is his real name, although "Rajiv" denies it. Rajiv fights off the drunkards and realises that Nargis knows the truth. So he decides to come clean about his life story. Rocky Desai (also Himesh Reshammiya), a singer, is on the aeroplane. An ardent boy, who's a fan of Rocky, and his granny wants an autograph so Rocky writes one for them. On the plane, an uneasy passenger heads for the restroom but he is a terrorist. He threatens the entire crew, until Rocky sees this. He gets into a fight but suddenly the gun goes off killing the terrorist. Avtaar tells Rocky, he just killed Babbar's brother. Babbar is a most-wanted terrorist. He vows revenge on Rocky. Avtaar recommends Rocky to change his identity and start afresh. And this is how Rocky becomes Rajiv. Rajiv breaks Avtaar's oath by going back to UK. He's playing with his sister in the park until he receives a call. It is Avtaar who wants him to return to London (as a cover up) Babbar is targeting his sister. After the call, his sister is gone. The white woman who witnessed the event says a man just took her. Babbar then tells Rocky he's sister is dead. This shatters him completely. What follows is the underlying quest for true love. At the climax, Babbar captures Zohra Baano and Nargis. Rajiv / Rocky rescues them and kills Babbar. At the end, they are married. Cast Himesh Reshammiya as Rajiv Behl / Rocky Desai Sara Loren as Nargis (Mona Lizza) Amrita Singh as Zohra Baano Natasha Sinha as Nargis (Mona Lizza)'s mother Gaurav Chanana as Sadiq - Dead Javed Sheikh as Tariq Anwar Gulshan Grover as Avtaar Singh Anupam Shyam as Nawaz Adnan Shah as Babur Altaf Khan Veeru Krishnan Release The film was supposed to be released on 6 August 2010, along with Aisha, but due to clashes between director Pooja Bhatt and the producer, Bhushan Kumar, the release was delayed. According to sources, Kumar later sold the satellite rights to a television channel, which wanted it to have an official theatrical release before they could air it. On 15 October 2010, the film was released in only two theatres in Mumbai. Bhushan Kumar stated in an interview that the film will release worldwide on the TV channel Colors in December 2010.The film was previewed on UTV Movies on 28 May 2011. The Film was also previewed on Star Gold Channel. Home media The DVDs and VCDs of Kajraare were released by Eros in the first week of December 2010. Soundtrack The soundtrack of Kajraare was released on 30 May 2010. The album has 7 tracks and 4 remixes. All songs are composed and sung by Himesh Reshammiya with lyrics by Sameer. Track listing Passage 10: Inoue Masaru (bureaucrat) Viscount Inoue Masaru (井上 勝, August 25, 1843 – August 2, 1910) was the first Director of Railways in Japan and is known as the "father of the Japanese railways". Biography He was born into the Chōshū clan at Hagi, Yamaguchi, the son of Katsuyuki Inoue. He was briefly adopted into the Nomura family and became known as Nomura Yakichi, though he was later restored to the Inoue family. Masaru Inoue was brought up as the son of a samurai belonging to the Chōshū fief. At 15, he entered the Nagasaki Naval Academy established by the Tokugawa shogunate under the direction of a Dutch naval officer. In 1863, Inoue and four friends from the Chōshū clan stowed away on a vessel to the United Kingdom. He studied civil engineering and mining at University College London and returned to Japan in 1868. After working for the government as a technical officer supervising the mining industry, he was appointed Director of the Railway Board in 1871. Inoue played a leading role in Japan's railway planning and construction, including the construction of the Nakasendo Railway, the selection of the alternative route (Tokaido), and the proposals for future mainline railway networks.In 1891 Masaru Inoue founded Koiwai Farm with Yanosuke Iwasaki and Shin Onogi. After retirement from the government, Inoue founded Kisha Seizo Kaisha, the first locomotive manufacturer in Japan, becoming its first president in 1896. In 1909 he was appointed President of the Imperial Railway Association. He died of an illness in London in 1910, during an official visit on behalf of the Ministry of Railways. Honors Inoue and his friends later came to be known as the Chōshū Five. To commemorate their stay in London, two scholarships, known as the Inoue Masaru Scholarships, are available each session under the University College London 1863 Japan Scholarships scheme to enable University College students to study at a Japanese University. The value of the scholarships are £3000 each. His tomb is in the triangular area of land where the Tōkaidō Main Line meets the Tōkaidō Shinkansen in Kita-Shinagawa. Chōshū Five These are the four other members of the "Chōshū Five": Itō Shunsuke (later Itō Hirobumii) Inoue Monta (later Inoue Kaoru) Yamao Yōzō who later studied engineering at the Andersonian Institute, Glasgow, 1866-68 while working at the shipyards by day Endō Kinsuke See also Japanese students in Britain Statue of Inoue Masaru

doc_58

Passage 1: Köpekler Adası Köpekler Adası is a 1997 Turkish film, directed by Halit Refiğ and starring Mursit Bag, Ekrem Dümer, and Tanju Gürsu. Passage 2: Borsalino & Co. Borsalino & Co. is a 1974 French crime film directed by Jacques Deray and starring Alain Delon, Riccardo Cucciolla and Daniel Ivernel. It is the sequel to the 1970 film Borsalino, opening with the criminal Siffredi as he searches Marseille for the gang that murdered his friend Capella. Plot Siffredi, a prominent gangster in 1930s Marseille, learns that the murder of his associate and closest friend Capella was ordered by a new arrival in the city, Volpone. In revenge, he kills Volpone's brother by throwing him from a moving train. A gang war ensues. Volpone's men win, capturing Siffredi and putting his mistress Lola in a brothel. Siffredi is humiliated by the gang by turning him into an alcoholic wreck who is shut up in a psychiatric hospital. Rescued by the only other survivor of the gang, he escapes by boat to Italy. Left supreme in Marseille, Volpone is backed by the government of Nazi Germany and has the police in his pocket. Three years later, Siffredi has recovered his health, made some money and assembled a new gang. Returning to Marseille, they free Lola from the brothel and in a new war eliminate most of Volpone's men. Capturing his right-hand man together with the police commissioner who kowtows to him, Siffredi makes the two roaring drunk and calls in journalists to publicise the shameful spectacle. A new police commissioner decides to let Siffredi finish the job. When Volpone tries to flee to Germany, Siffredi captures him on the train and stuffs him into the firebox of the locomotive. Not wanting to start again in Marseille, with Lola and his gang he then takes a ship for the United States. Partial cast Alain Delon - Roch Siffredi Riccardo Cucciolla - Volpone Daniel Ivernel - Inspector Fanti Reinhard Kolldehoff - Sam André Falcon - Inspector Cazenave Lionel Vitrant - Fernand Adolfo Lastretti - Luciano Greg Germain - Le 'Nègre' Pierre Koulak - Spada Marius Laurey - Teissere Serge Davri - Charlie Günter Meisner - Le médecin Jacques Debary - Le préfet Djéloul Beghoura - Lucien Bruno Balp - Un spectateur de l'Alcazar Catherine Rouvel - Lola Anton Diffring - German Mireille Darc - Cameo Production Filming took place from 29 March to 25 June 1974. Reception The film was a box office disappointment, especially considering the success of the first movie. Passage 3: Hassan Zee Hassan "Doctor" Zee is a Pakistani-American film director who was born in Chakwal, Pakistan. Early life Doctor Zee grew up in Chakwal, a small village in Punjab, Pakistan. as one of seven brothers and sisters His father was in the military and this fact required the family to move often to different cities. As a child Zee was forbidden from watching cinema because his father believed movies were a bad influence on children. At age 13, Doctor Zee got his start in the world of entertainment at Radio Pakistan where he wrote and produced radio dramas and musical programs. It was then that he realized his passion for storytelling At the age of 26, Doctor Zee earned his medical doctorate degree and did his residency in a burn unit at the Pakistan Institute of Medical Sciences. He cared for women who were victims of "Bride Burning," the archaic practice used as a form of punishment against women who fail to provide sufficient dowry to their in-laws after marriage or fail to provide offspring. He also witnessed how his country’s transgender and intersex people, called “hijras”, were banned from having jobs and forced to beg to survive. These experiences inspired Doctor Zee to tackle the issues of women’s empowerment and gender inequality in his films.In 1999, he came to San Francisco to pursue his dream of filmmaking and made San Francisco his home Education He received his early education from Jinnah Public School, Chakwal. He got his medical doctor degree at Rawalpindi Medical College, Pakistan. Film career Doctor Zee's first film titled Night of Henna was released in 2005. The theme of the film dealt with "the conflict between Old World immigrant customs and modern Western ways..." Night of Henna focused on the problems of Pakistani expatriates who found it hard to adjust in American culture. Many often landed themselves in trouble when it came to marrying off their children. His second film Bicycle Bride came out in 2010, which was about "the clash between the bonds of family and the weight of tradition." His third film House of Temptation that came out in 2014 was about a family which struggles against the temptations of the Devil. His fourth film “Good Morning Pakistan”, concerned a young American’s journey back to Pakistan where he confronts the contradictory nature of a beautiful and ancient culture that's marred by economic, educational and gender inequality His upcoming fifth film, "Ghost in San Francisco" is a supernatural thriller starring Felissa Rose, Dave Sheridan, and Kyle Lowder where a soldier comes home from Afghanistan to discover that his wife is having an affair with his best friend. While battling with his inner ghosts and demons, he meets a mysterious woman in San Francisco who promises him a ritual for his cure. Passage 4: Edward Yates Edward J. Yates (September 16, 1918 – June 2, 2006) was an American television director who was the director of the ABC television program American Bandstand from 1952 until 1969. Biography Yates became a still photographer after graduating from high school in 1936. After serving in World War II, he became employed by Philadelphia's WFIL-TV as a boom microphone operator. He was later promoted to cameraman (important as most programming was done live and local during the early years of television) and earned a bachelor's degree in communications in 1950 from the University of Pennsylvania. In October 1952, Yates volunteered to direct Bandstand, a new concept featuring local teens dancing to the latest hits patterned after the "950 Club" on WPEN-AM. The show debuted with Bob Horn as host and took off after Dick Clark, already a radio veteran at age 26, took over in 1956. It was broadcast live in its early years, even after it became part of the ABC network's weekday afternoon lineup in 1957 as American Bandstand. Yates pulled records, directed the cameras, queued the commercials and communicated with Clark via a private line telephone located on his podium. In 1964, Clark moved the show to Los Angeles, taking Yates with him. Yates retired from American Bandstand in 1969, and moved his family to the Philadelphia suburb of West Chester. He died in 2006 at a nursing home where he had been for the last two months of his life. External links Edward Yates at IMDb Passage 5: Catherine I of Russia Catherine I Alekseevna Mikhailova (Russian: Екатери́на I Алексе́евна Миха́йлова, tr. Ekaterína I Alekséyevna Mikháylova; born Polish: Marta Helena Skowrońska, Russian: Ма́рта Самуи́ловна Скавро́нская, tr. Márta Samuílovna Skavrónskaya; 15 April [O.S. 5 April] 1684 – 17 May [O.S. 6 May] 1727) was the second wife and empress consort of Peter the Great, and empress regnant of Russia from 1725 until her death in 1727. Life as a servant The life of Catherine I was said by Voltaire to be nearly as extraordinary as that of Peter the Great himself. Only uncertain and contradictory information is available about her early life. Said to have been born on 15 April 1684 (o.s. 5 April), she was originally named Marta Helena Skowrońska. Marta was the daughter of Samuel Skowroński (later spelled Samuil Skavronsky), a Roman Catholic farmer from the eastern parts of the Polish–Lithuanian Commonwealth, born to Minsker parents. In 1680 he married Dorothea Hahn at Jakobstadt. Her mother is named in at least one source as Elizabeth Moritz, the daughter of a Baltic German woman and there is debate as to whether Moritz's father was a Swedish officer. It is likely that two stories were conflated, and Swedish sources suggest that the Elizabeth Moritz story is probably incorrect. Some biographies state that Marta's father was a gravedigger and handyman, while others speculate that he was a runaway landless serf. Marta's parents died of the plague around 1689, leaving five children. According to one of the popular versions, at the age of three Marta was taken by an aunt and sent to Marienburg (the present-day Alūksne in Latvia, near the border with Estonia and Russia) where she was raised by Johann Ernst Glück, a Lutheran pastor and educator who was the first to translate the Bible into Latvian. In his household she served as a lowly servant, likely either a scullery maid or washerwoman. No effort was made to teach her to read and write and she remained illiterate throughout her life. Marta was considered a very beautiful young girl, and there are accounts that Frau Glück became fearful that she would become involved with her son. At the age of seventeen, she was married off to a Swedish dragoon, Johan Cruse or Johann Rabbe, with whom she remained for eight days in 1702, at which point the Swedish troops were withdrawn from Marienburg. When Russian forces captured the town, Pastor Glück offered to work as a translator, and Field Marshal Boris Sheremetev agreed to his proposal and took him to Moscow. There are unsubstantiated stories that Marta worked briefly in the laundry of the victorious regiment, and also that she was presented in her undergarments to Brigadier General Rudolph Felix Bauer, later the Governor of Estonia, to be his mistress. She may have worked in the household of his superior, Sheremetev. It is not known whether she was his mistress, or household maid. She travelled back to the Russian court with Sheremetev's army.Afterwards she became part of the household of Prince Alexander Menshikov, who was the best friend of Peter the Great of Russia. Anecdotal sources suggest that she was purchased by him. Whether the two of them were lovers is disputed, as Menshikov was already engaged to Darya Arsenyeva, his future wife. It is clear that Menshikov and Marta formed a lifetime alliance. It is possible that Menshikov, who was quite jealous of Peter's attentions and knew his tastes, wanted to procure a mistress on whom he could rely. In any case, in 1703, while visiting Menshikov at his home, Peter met Marta. In 1704, she was well established in the Tsar's household as his mistress, and gave birth to a son, Peter. In 1703, she converted to Orthodoxy and took the new name Catherine Alexeyevna (Yekaterina Alexeyevna). She and Darya Menshikova accompanied Peter and Menshikov on their military excursions. Marriage and family life Though no record exists, Catherine and Peter are described as having married secretly between 23 October and 1 December 1707 in Saint Petersburg. They had twelve children, two of whom survived into adulthood, Anna (born 1708) and Elizabeth (born 1709). Peter had moved the capital to St. Petersburg in 1703. While the city was being built he lived in a three-room log cabin with Catherine, where she did the cooking and caring for the children, and he tended a garden as though they were an ordinary couple. The relationship was the most successful of Peter's life and a great number of letters exist demonstrating the strong affection between Catherine and Peter. As a person she was very energetic, compassionate, charming, and always cheerful. She was able to calm Peter in his frequent rages and was often called in to do so. Catherine went with Peter on his Pruth Campaign in 1711. There, she was said to have saved Peter and his Empire, as related by Voltaire in his book Peter the Great. Surrounded by overwhelming numbers of Turkish troops, Catherine suggested before surrendering, that her jewels and those of the other women be used in an effort to bribe the Ottoman grand vizier Baltacı Mehmet Pasha into allowing a retreat. Mehmet allowed the retreat, whether motivated by the bribe or considerations of trade and diplomacy. In any case Peter credited Catherine and proceeded to marry her again (this time officially) at Saint Isaac's Cathedral in St. Petersburg on 9 February 1712. She was Peter's second wife; he had previously married and divorced Eudoxia Lopukhina, who had borne him the Tsarevich Alexis Petrovich. Upon their wedding, Catherine took on the style of her husband and became Tsarina. When Peter elevated the Russian Tsardom to Empire, Catherine became Empress. The Order of Saint Catherine was instituted by her husband on the occasion of their wedding. Issue Catherine and Peter had twelve children, all of whom died in childhood except Anna and Elizabeth: Peter Petrovich (1704–1707), died in infancy Paul Petrovich (October 1705–1707), died in infancy Catherine Petrovna (7 February 1707–7 August 1708) Grand Duchess Anna Petrovna (27 January 1708–15 May 1728) Grand Duchess Elizabeth Petrovna (29 December 1709–5 January 1762) Grand Duchess Mary Natalia Petrovna (20 March 1713–17 May 1715) Grand Duchess Margaret Petrovna (19 September 1714–7 June 1715) Grand Duke Peter Petrovich (9 November 1715–6 May 1719) Grand Duke Paul Petrovich (13 January 1717–14 January 1717) Grand Duchess Natalia Petrovna (31 August 1718–15 March 1725) Grand Duke Peter Petrovich (7 October 1723–7 October 1723) Grand Duke Paul Petrovich (1724–1724) Siblings Upon Peter's death, Catherine found her four siblings, Krystyna, Anna, Karol, and Fryderyk, gave them the newly created titles of Count and Countess, and brought them to Russia. Krystyna Skowrońska, renamed Christina (Russian: Христина) Samuilovna Skavronskaya (1687–14 April 1729), had married Simon Heinrich (Russian: Симон Гейнрих) (1672–1728) and their descendants became the Counts Gendrikov. Anna Skowrońska, renamed Anna Samuilovna Skavronskaya, had married one Michael-Joachim N and their descendants became the Counts Efimovsky. Karol Skowroński, renamed Karel Samuilovich Skavronsky, was created a Count of the Russian Empire on 5 January 1727 and made a Chamberlain of the Imperial Court; he had married Maria Ivanovna, a Russian woman, by whom he had descendants who became extinct in the male line with the death of Count Paul Martinovich Skavronskyi (1757-1793), father of Princess Catherine Bagration. Fryderyk Skowroński, renamed Feodor Samuilovich Skavronsky, was created a Count of the Russian Empire on 5 January 1727 and was married twice: to N, a Lithuanian woman, and to Ekaterina Rodionovna Saburova, without having children by either of them. Reign as empress regnant Catherine was crowned in 1724. The year before his death, Peter and Catherine had an estrangement over her support of Willem Mons, brother of Peter's former mistress Anna, and brother to one of the current ladies in waiting for Catherine, Matryona. He served as Catherine's secretary. Peter had fought his entire life to clear up corruption in Russia. Catherine had a great deal of influence over who could gain access to her husband. Willem Mons and his sister Matryona had begun selling their influence to those who wanted access to Catherine and, through her, to Peter. Apparently this had been overlooked by Catherine, who was fond of both. Peter found out and had Willem Mons executed and his sister Matryona exiled. He and Catherine did not speak for several months. Rumors flew that she and Mons had had an affair, but there is no evidence for this. Peter died (28 January 1725 Old Style) without naming a successor. Catherine represented the interests of the "new men", commoners who had been brought to positions of great power by Peter based on competence. A change of government was likely to favor the entrenched aristocrats. For that reason during a meeting of a council to decide on a successor, a coup was arranged by Menshikov and others in which the guards regiments with whom Catherine was very popular proclaimed her the ruler of Russia. Supporting evidence was "produced" from Peter's secretary Makarov and the Bishop of Pskov, both "new men" with motivation to see Catherine take over. The real power, however, lay with Menshikov, Peter Tolstoy, and other members of the Supreme Privy Council. Catherine viewed the deposed empress Eudoxia as a threat, so she secretly moved her to Shlisselburg Fortress near St. Petersburg to be put in a secret prison under strict custody as a state prisoner. Death Catherine I died two years after Peter I, on 17 May 1727 at age 43, in St. Petersburg, where she was buried at St. Peter and St. Paul Fortress. Tuberculosis, diagnosed as an abscess of the lungs, caused her early demise. Before her death she recognized Peter II, the grandson of Peter I and Eudoxia, as her successor. Assessment and legacy Catherine was the first woman to rule Imperial Russia, opening the legal path for a century almost entirely dominated by women, including her daughter Elizabeth and granddaughter-in-law Catherine the Great, all of whom continued Peter the Great's policies in modernizing Russia. At the time of Peter's death the Russian Army, composed of 130,000 men and supplemented by another 100,000 Cossacks, was easily the largest in Europe. However, the expense of the military was proving ruinous to the Russian economy, consuming some 65% of the government's annual revenue. Since the nation was at peace, Catherine was determined to reduce military expenditure. For most of her reign, Catherine I was controlled by her advisers. However, on this single issue, the reduction of military expenses, Catherine was able to have her way. The resulting tax relief on the peasantry led to the reputation of Catherine I as a just and fair ruler.The Supreme Privy Council concentrated power in the hands of one party, and thus was an executive innovation. In foreign affairs, Russia reluctantly joined the Austro-Spanish league to defend the interests of Catherine's son-in-law, the Duke of Holstein, against Great Britain. Catherine gave her name to Catherinehof near St. Petersburg, and built the first bridges in the new capital. She was also the first royal owner of the Tsarskoye Selo estate, where the Catherine Palace still bears her name. The city of Yekaterinburg is named after her, Yekaterina being the Russian form of her name. She also gave her name to the Kadriorg Palace (German: Katharinental, meaning "Catherine's Valley"), its adjacent Kadriorg Park and the later Kadriorg neighbourhood of Tallinn, Estonia, which today houses the Presidential Palace of Estonia. The name of the neighbourhood is also used as a metonym for the institution of the President. In general, Catherine's policies were reasonable and cautious. The story of her humble origins was considered by later generations of tsars to be a state secret. See also Bibliography of Russian history (1613–1917) Rulers of Russia family tree Notes Passage 6: Jacques Deray Jacques Deray (born Jacques Desrayaud; 19 February 1929 – 9 August 2003) was a French film director and screenwriter. Deray is prominently known for directing many crime and thriller films. Biography Born Jacques Desrayaud in Lyon, France, in 1929 to a family of Lyon industrialists. At the age of 19 he went to Paris to study drama under René Simon. Deray played minor roles on the stage and in films from the age of 19. From 1952, Deray worked as assistant to a number of directors, including Luis Buñuel, Gilles Grangier, Jules Dassin, and Jean Boyer.Deray's first film was the drama Le Gigolo released in 1960. Deray was fascinated by American film noir and began to focus on crime stories. Deray's early work includes Du rififi à Tokyo, an homage to Jules Dassin's Rififi. Deray's reputation was established with the 1969 film La Piscine which starred Romy Schneider and Alain Delon. La Piscine was not distributed widely outside France, but the follow-up gave Deray his biggest international hit with Borsalino, a film starring Delon and Jean-Paul Belmondo about two small-time gangsters who murder their way to the top in bustling 1930s Marseilles.Deray became dedicated to the genre that won him favor with audiences and continued to make thrillers, action films, and spy films throughout the rest of his career adapting works of both French and English authors including Georges Simenon, Jean-Patrick Manchette, and Derek Raymond. In 1981, Deray served as president of the jury of the 34th Cannes Film Festival. Deray's last theatrical release was L'Ours en peluche in 1994. Deray worked professionally in television until his death in 2003. On his death, French President Jacques Chirac praised Deray, noting his "innate sense of storytelling and action" and adding that "France has lost one of its most talented filmmakers." Jacques Deray Prize Created by in 2005 to honor Deray, who served as vice-president of the Institut Lumière until his death, the Jacques Deray Prize rewards the best French crime-thriller film of the year. Among the first laureates are 36 Quai des Orfèvres by Olivier Marchal, The Beat That My Heart Skipped by Jacques Audiard, Tell No One by Guillaume Canet, The Second Wind by Alain Corneau, and later Polisse by Maïwenn (2012). Filmography Passage 7: Halit Refiğ Halit Refiğ (5 March 1934 – 11 October 2009) was a Turkish film director, film producer, screenwriter and writer. He made around sixty films, including feature films, documentaries and TV serials. He is considered to be the pioneer of the National Cinema movement and the initiator of the production of TV serials in Turkey. Biography Halit Refiğ graduated from Şişli Terakki High School in 1951 and studied engineering at Robert College in Istanbul. Refiğ directed his first films in 8mm while he served as a military reserve officer in Korea, Japan and Ceylon. He wrote articles on cinema at newspapers in 1956 and published the Sinema Dergisi magazine together with Nijat Özön. He began his career as Atıf Yılmaz's assistant in 1957 together with Yılmaz Güney. He worked as scriptwriter for Atıf Yılmaz and Memduh Ün. His directorial debut was Forbidden Love (Yasak Aşk) (1961). His 1962 film Stranger in the City was entered into the 3rd Moscow International Film Festival.In the 1970s, with the decline in Turkish cinema, he started to work extensively for TV. In 1974, he contributed as an instructor to the first cinema education programs initiated by the Istanbul State Fine Arts Academy (the Mimar Sinan Fine Arts University of today) where he started to work as lecturer in 1975. In 1975, he directed the TV series Aşk-ı Memnu (Forbidden Love) which was aired on the Turkish Radio Television, TRT. This TV serial is considered to be the first miniseries on Turkish television stations. In 1978, he wrote a script for a documentary about the life of Mimar Sinan on commission from the Mimar Sinan University. The project was not completed but the script was published. In 1999, on commission from the then Prime Minister Bülent Ecevit, he began developing a feature film project titled Devlet Ana (Mother State), to be released on the 700th anniversary of the establishment of the Ottoman Empire. The project was going to be conducted in collaboration with the Mimar Sinan University (MSU). In 2001, Refiğ stated that he will not collaborate with MSU and thus the project was not realized. Censorship Refiğ's 1979-81 adaptation of Kemal Tahir's novel, Yorgun Savaşçı, for TRT, where he served as an advisor, was banned from broadcast by TRT on accounts of incorporating scenes which were anti-Atatürk, anti-Turkish Independence War, and pro-Çerkes Ethem. A commission of seven people comprising three colonels, a representative of the Ministry of Interior, a representative of the press office of the Prime Minister, two TRT representatives, and Turgut Özakman, the director of the Turkish State Theatres, representing the Ministry of Culture, was formed on order from President Kenan Evren and Prime Minister Bülent Ulusu and the prints were burnt in 1983 by TRT director Macit Akman, at the furnaces of the Turkish General Staff printhouse under the supervision of the said commission. This censorship caused public controversy. A surviving copy surfaced in 1993 and the 8-episode miniseries was broadcast in its entirety on TRT. Academic life He lectured at the University of Wisconsin in 1976, where he directed The Intercessors, and at Denison University in Ohio in 1984, where he shot In the Wilderness with his students. He was given the title of "Honorary Professor" by Marmara University in 1997. Death He suffered from cholangiocarcinoma and died on 11 October 2009 in Istanbul, aged 75. He was interred in the Zincirlikuyu Cemetery two days later, following the funeral service held at Teşvikiye Mosque. Filmography as director Producer Yaşamak Hakkımdır 1958 İstanbul'un Kızları 1964 Canım Sana Feda 1965 İki Yabancı 1990 Screenwriter Passage 8: W. Augustus Barratt W. Augustus Barratt (3 June 1873 – 12 April 1947) was a Scottish-born, later American, songwriter and musician. Early life and songs Walter Augustus Barratt was born 3 June 1873 in Kilmarnock, the son of composer John Barratt; the family later lived in Paisley. In 1893 he won a scholarship for composition to the Royal College of Music. In his early twenties he contributed to The Scottish Students' Song Book, with three of his own song compositions and numerous arrangements. By the end of 1897 he had published dozens of songs, such as Sir Patrick Spens, The Death of Cuthullin, an album of his own compositions, and arrangements of ten songs by Samuel Lover. He then, living in London, turned his attention to staged musical comedy, co-creating, with Adrian Ross, The Tree Dumas Skiteers, a skit, based on Sydney Grundy's The Musketeers that starred Herbert Beerbohm Tree. He co-composed with Howard Talbot the successful Kitty Grey (1900).He continued to write songs and to receive recognition for them. The 1901 and 1902 BBC Promenade Concerts, "The Proms", included four of his compositions, namely Come back, sweet Love, The Mermaid, My Peggy and Private Donald. His setting of My Ships, a poem by Ella Wheeler Wilcox, was performed by Clara Butt and republished several times. It also appeared four times, with different singers, in the 1913 and 1914 Proms. America In September 1904 he went to live in New York City, finding employment with shows on Broadway, including the following roles: on-stage actor (Sir Benjamin Backbite) in Lady Teazle (1904-1905), a musical version of The School for Scandal; musical director of The Little Michus (1907), also featuring songs by Barratt; co-composer of Miss Pocahontas (1907), a musical comedy; musical director of The Love Cure (1909–1910), a musical romance; composer of The Girl and the Drummer (1910), a musical romance with book by George Broadhurst. Tried out in Chicago and elsewhere, it did not do well and never reached Broadway; musical director of The Quaker Girl (1911–1912); co-composer and musical director of My Best Girl (1912); musical director of The Sunshine Girl (1913); musical director of The Girl who Smiles (1915), a musical comedy; musical director and contributor to music and lyrics of Her Soldier Boy (1916–1917); composer, lyricist and musical director of Fancy Free (1918), with book by Dorothy Donnelly and Edgar Smith; contributor of a song to The Passing Show of 1918; composer and musical director of Little Simplicity (1918), with book and lyrics by Rida Johnson Young; contributor of lyrics to The Melting of Molly (1918–1919), a musical comedy; musical director of What's in a Name? (1920), a musical revue 1921 in London Though domiciled in the US, he made several visits back to England. During an extended stay in 1921 he played a major part in the creation of two shows, both produced by Charles B. Cochran, namely League of Notions, at the New Oxford Theatre, for which he composed the music and co-wrote, with John Murray Anderson, the lyrics; Fun of the Fayre, at the London Pavilion, for which similarly he wrote the music and co-wrote the lyrics Back to Broadway Back in the US he returned to Broadway, working as composer and lyricist of Jack and Jill (1923), a musical comedy; musical director of The Silver Swan (1929), a musical romance Radio plays In later years he wrote plays and operettas mostly for radio, such as: Snapshots: a radioperetta (1929) Sushannah and the Brush Wielders: a play in 1 act (1929) The Magic Voice: a radio series (1933) Men of Action: a series of radio sketches (1933) Say, Uncle: a radio series (1933) Sealed Orders: a radio drama (1934) Sergeant Gabriel (with Hugh Abercrombie) (1945) Personal In 1897 in London he married Lizzie May Stoner. They had one son. In 1904 he emigrated to the US and lived in New York City. His first marriage ended in divorce in 1915 and, in 1918, he married Ethel J Moore, who was American. In 1924, he became a naturalized American citizen. He died on 12 April 1947 in New York City. Note on his first name The book British Musical Biography by Brown & Stratton (1897) in its entry for John Barratt refers to "his son William Augustus Barratt" with details that make it clear that Walter Augustus Barratt is the same person and that a "William" Augustus Barratt is a mistake. For professional purposes up to about 1900 he appears to have written as "W. Augustus Barratt", and thereafter mostly as simply "Augustus Barratt". Passage 9: Rumbi Katedza Rumbi Katedza is a Zimbabwean Film Producer and Director who was born on 17 January 1974. Early life and education She did her Primary and Secondary Education in Harare, Zimbabwe. Katedza graduated with a Bachelor of Arts in English from McGill University, Canada in 1995. In 2008 Katedza received the Chevening Scholarship that enabled her to further her studies in film. She also holds a MA in Filmmaking from Goldsmiths College, London University. Work and filmography Katedza has experience in Film and TV Production, Directing, Writing as well as Producing and presenting Radio shows. From 1994 to 2000, She produced and presented radio shows on Women's issues, Arts and Culture, Hip Hop and Acid Jazz for the CKUT (Montreal) and ZBC Radio 3 (Zimbabwe). From 2004 - 2006, she served as the Festival Director of the Zimbabwe International Film Festival. Whilst there, she produced the Postcards from Zimbabwe Series. In 2008, Katedza founded Mai Jai Films and has produced numerous films and television productions under the banner namely Tariro (2008); Big House, Small House (2009); The Axe and the Tree (2011); The Team (2011) Playing Warriors (2012)Her early works include: Danai (2002); Postcards from Zimbabwe (2006); Trapped (2006 – Rumbi Katedza, Marcus Korhonen); Asylum (2007); Insecurity Guard (2007)Rumbi Katedza is a part-time lecturer at the University of Zimbabwe, in the department of Theatre Arts. She is a judge and monitor at the National Arts Merit Awards, responsible for monitoring new film and TV productions throughout the year on behalf of the National Arts Council of Zimbabwe. She has also lobbied Zimbabwean government to actively support the film industry. Passage 10: Ben Palmer Ben Palmer (born 1976) is a British film and television director. His television credits include the Channel 4 sketch show Bo' Selecta! (2002–2006), the second and third series of the E4 sitcom The Inbetweeners (2009–2010) and the Sky Atlantic comedy-drama Breeders (2020). Palmer has also directed films such as the Inbetweeners spin-off, The Inbetweeners Movie (2011) and the romantic comedy Man Up (2015). Biography Palmer was born and raised in Penny Bridge, Barrow-in-Furness. He attended Chetwynde School.His first directing job was the Channel 4 sketch show Bo' Selecta!, which he co-developed with its main star, Leigh Francis. Palmer directed the second and third series of the E4 sitcom The Inbetweeners in 2009 and 2010, respectively. Filmography Bo' Selecta! (2002–06) Comedy Lab (2004–2010) Bo! in the USA (2006) The Inbetweeners (2009–2010) The Inbetweeners Movie (2011) Comedy Showcase (2012) Milton Jones's House of Rooms (2012) Them from That Thing (2012) Bad Sugar (2012) Chickens (2013) London Irish (2013) Man Up (2015) SunTrap (2015) BBC Comedy Feeds (2016) Nigel Farage Gets His Life Back (2016) Back (2017) Comedy Playhouse (2017) Urban Myths (2017–19) Click & Collect (2018) Semi-Detached (2019) Breeders (2020)

doc_59

Passage 1: Henry Krause Henry J. "Red" Krause, Jr. (August 28, 1913 – February 20, 1987) was an American football offensive lineman in the National Football League for the Brooklyn Dodgers and the Washington Redskins. He played college football at St. Louis University. Passage 2: Carlo I Cybo-Malaspina Carlo I Cybo-Malaspina (18 November 1581 - 13 February 1662) was an Italian nobleman, who was prince of Massa and marquis of Carrara from 1623 until his death. Born in Ferrara, he was the son of Alderano Cybo-Malaspina and Marfisa d'Este. He was also Duke of Ferentillo and held other patrician positions in several of the numerous Italian states of the time. In 1605, he married the Genoese noblewoman Brigida Spinola, from whom he had numerous children. The eldest of them, Alberico, succeeded him after his death in 1662. Passage 3: Abd al-Muttalib Shayba ibn Hāshim (Arabic: شَيْبَة إبْن هَاشِم; c. 497–578), better known as ʿAbd al-Muṭṭalib, (Arabic: عَبْد ٱلْمُطَّلِب, lit. 'Servant of Muttalib') was the fourth chief of the Quraysh tribal confederation. He was the grandfather of the Islamic prophet Muhammad. Early life His father was Hashim ibn 'Abd Manaf,: 81  the progenitor of the distinguished Banu Hashim, a clan of the Quraysh tribe of Mecca. They claimed descent from Ismā'īl and Ibrāhīm. His mother was Salma bint Amr, from the Banu Najjar, a clan of the Khazraj tribe in Yathrib (later called Madinah). Hashim died while doing business in Gaza, before Abd al-Muttalib was born.: 81 His real name was "Shaiba" meaning 'the ancient one' or 'white-haired' because of the streak of white through his jet-black hair, and is sometimes also called Shaybah al-Ḥamd ("The white streak of praise").: 81–82  After his father's death he was raised in Yathrib with his mother and her family until about the age of eight, when his uncle Muttalib ibn Abd Manaf went to see him and asked his mother Salmah to entrust Shaybah to his care. Salmah was unwilling to let her son go and Shaiba refused to leave his mother without her consent. Muṭṭalib then pointed out that the possibilities Yathrib had to offer were incomparable to Mecca. Salmah was impressed with his arguments, so she agreed to let him go. Upon first arriving in Mecca, the people assumed the unknown child was Muttalib's servant and started calling him 'Abd al-Muttalib ("servant of Muttalib").: 85–86 Chieftain of Hashim clan When Muṭṭalib died, Shaiba succeeded him as the chief of the Hāshim clan. Following his uncle Al-Muṭṭalib, he took over the duties of providing the pilgrims with food and water, and carried on the practices of his forefathers with his people. He attained such eminence as none of his forefathers enjoyed; his people loved him and his reputation was great among them.: 61  'Umar ibn Al-Khaṭṭāb's grandfather Nufayl ibn Abdul Uzza arbitrated in a dispute between 'Abdul-Muṭṭalib and Ḥarb ibn Umayyah, Abu Sufyan's father, over the custodianship of the Kaaba. Nufayl gave his verdict in favour of 'Abdul-Muṭṭalib. Addressing Ḥarb ibn Umayyah, he said: Why do you pick a quarrel with a person who is taller than you in stature; more imposing than you in appearance; more refined than you in intellect; whose progeny outnumbers yours and whose generosity outshines yours in lustre? Do not, however, construe this into any disparagement of your good qualities which I highly appreciate. You are as gentle as a lamb, you are renowned throughout Arabia for the stentorian tones of your voice, and you are an asset to your tribe. Discovery of Zam Zam Well 'Abdul-Muṭṭalib said that while sleeping in the sacred enclosure, he had dreamed he was ordered to dig at the worship place of the Quraysh between the two deities Isāf and Nā'ila. There he would find the Zamzam Well, which the Jurhum tribe had filled in when they left Mecca. The Quraysh tried to stop him digging in that spot, but his son Al-Ḥārith stood guard until they gave up their protests. After three days of digging, 'Abdul-Muṭṭalib found traces of an ancient religious well and exclaimed, "Allahuakbar!" Some of the Quraysh disputed his claim to sole rights over water, then one of them suggested that they go to a female shaman who lived afar. It was said that she could summon jinns and that she could help them decide who was the owner of the well. So, 11 people from the 11 tribes went on the expedition. They had to cross the desert to meet the priestess but then they got lost. There was a lack of food and water and people started to lose hope of ever getting out. One of them suggested that they dig their own graves and if they died, the last person standing would bury the others. So all began digging their own graves and just as Abdul-Muṭṭalib started digging, water spewed out from the hole he dug and everyone became overjoyed. It was then and there decided that Abdul-Muttalib was the owner of the Zam Zam well. Thereafter he supplied pilgrims to the Kaaba with Zam Zam water, which soon eclipsed all the other wells in Mecca because it was considered sacred.: 86–89 : 62–65 The Year of the Elephant According to Muslim tradition, the Ethiopian governor of Yemen, Abrahah al-Ashram, envied the Kaaba's reverence among the Arabs and, being a Christian, he built a cathedral on Sana'a and ordered pilgrimage be made there.: 21  The order was ignored and someone desecrated (some saying in the form of defecation: 696 note 35 ) the cathedral. Abrahah decided to avenge this act by demolishing the Kaaba and he advanced with an army towards Mecca.: 22–23 There were thirteen elephants in Abrahah's army: 99 : 26  and the year came to be known as 'Ām al-Fīl (the Year of the Elephant), beginning a trend for reckoning the years in Arabia which was used until 'Umar ibn Al-Khaṭṭāb replaced it with the Islamic Calendar in 638 CE (17 AH), with the first year of the Islamic Calendar being 622 CE. When news of the advance of Abrahah's army came, the Arab tribes of Quraysh, Kinānah, Khuzā'ah and Hudhayl united in defence of the Kaaba. A man from the Ḥimyar tribe was sent by Abrahah to advise them that he only wished to demolish the Kaaba and if they resisted, they would be crushed. "Abdul-Muṭṭalib told the Meccans to seek refuge in the nearest high hills while he, with some leading members of Quraysh, remained within the precincts of the Kaaba. Abrahah sent a dispatch inviting 'Abdul-Muṭṭalib to meet him and discuss matters. When 'Abdul-Muṭṭalib left the meeting he was heard saying, "The Owner of this House is its Defender, and I am sure He will save it from the attack of the adversaries and will not dishonour the servants of His House.": 24–26 It is recorded that when Abrahah's forces neared the Kaaba, Allah commanded small birds (abābīl) to destroy Abrahah's army, raining down pebbles on it from their beaks. Abrahah was seriously wounded and retreated towards Yemen but died on the way.: 26–27  This event is referred to in the following Qur'anic chapter: Have you not seen how your Lord dealt with the owners of the Elephant? Did He not make their treacherous plan go astray? And He sent against them birds in flocks, striking them with stones of baked clay, so He rendered them like straw eaten up. Most Islamic sources place the event around the year that Muhammad was born, 570 CE, though other scholars place it one or two decades earlier. A tradition attributed to Ibn Shihab al-Zuhri in the musannaf of ʽAbd al-Razzaq al-Sanʽani places it before the birth of Muhammad's father. Sacrificing his son Abdullah Al-Harith was 'Abdul-Muṭṭalib's only son at the time he dug the Zamzam Well.: 64  When the Quraysh tried to help him in the digging, he vowed that if he were to have ten sons to protect him, he would sacrifice one of them to Allah at the Kaaba. Later, after nine more sons had been born to him, he told them he must keep the vow. The divination arrows fell upon his favourite son Abdullah. The Quraysh protested 'Abdul-Muṭṭalib's intention to sacrifice his son and demanded that he sacrifice something else instead. 'Abdul-Muṭṭalib agreed to consult a "sorceress with a familiar spirit". She told him to cast lots between Abdullah and ten camels. If Abdullah were chosen, he had to add ten more camels, and keep on doing the same until his Lord accepted the camels in Abdullah's place. When the number of camels reached 100, the lot fell on the camels. 'Abdul-Muṭṭalib confirmed this by repeating the test three times. Then the camels were sacrificed, and Abdullah was spared.: 66–68 Family Wives Abd al-Muttalib had six known wives. Sumra bint Jundab of the Hawazin tribe. Lubnā bint Hājar of the Khuza'a tribe. Fatima bint Amr of the Makhzum clan of the Quraysh tribe. Halah bint Wuhayb of the Zuhrah clan of the Quraysh tribe. Natīla bint Janab of the Namir tribe. Mumanna'a bint Amr of the Khuza'a tribe. Children According to Ibn Hisham, ʿAbd al-Muṭṭalib had ten sons and six daughters.: 707–708 note 97  However, Ibn Sa'd lists twelve sons.: 99–101 By Sumra bint Jundab: Al-Ḥārith.: 708  He was the firstborn and he died before his father.: 99  Quthum.: 100  He is not listed by Ibn Hisham.By Fatima bint Amr: Al-Zubayr.: 707  He was a poet and a chief; his father made a will in his favour.: 99  He died before Islam, leaving two sons and daughters.: 101 : 34–35  Abu Talib, born as Abd Manaf,: 99 : 707  father of the future Caliph Ali. He later became chief of the Hashim clan. Abdullah, the father of Muhammad.: 99 : 707  Umm Hakim al-Bayda,: 100 : 707  the maternal grandmother of the third Caliph Uthman.: 32  Barra,: 100 : 707  the mother of Abu Salama.: 33  Arwa.: 100 : 707  Atika,: 100 : 707  a wife of Abu Umayya ibn al-Mughira.: 31  Umayma,: 100 : 707  the mother of Zaynab bint Jahsh and Abd Allah ibn Jahsh.: 33 By Lubnā bint Hājar: Abd al-'Uzzā, better known as Abū Lahab.: 100 : 708 By Halah bint Wuhayb: Ḥamza,: 707  the first big leader of Islam. He killed many leaders of the kufar and was considered as the strongest man of the quraysh. He was martyred at Uhud.: 100  Ṣafīyya.: 100 : 707  Al-Muqawwim.: 707  He married Qilaba bint Amr ibn Ju'ana ibn Sa'd al-Sahmia, and had children named Abd Allah, Bakr, Hind, Arwa, and Umm Amr (Qutayla or Amra). Hajl.: 707  He married Umm Murra bint Abi Qays ibn Abd Wud, and had two sons, named Abd Allah, Ubayd Allah, and three daughters named Murra, Rabi'a, and Fakhita.By Natīlah bint Khubāb: al-'Abbas,: 100 : 707  ancestor of the Abbasid caliphs. Ḍirār,: 707  who died before Islam.: 100  Jahl, died before Islam Imran, died before IslamBy Mumanna'a bint 'Amr: Mus'ab, who, according to Ibn Saad, was the one known as al-Ghaydāq.: 100  He is not listed by Ibn Hisham. Al-Ghaydaq, died before Islam. Abd al-Ka'ba, died before Islam.: 100  Al-Mughira,: 100  who had the byname al-Ghaydaq. The family tree and some of his important descendants Death Abdul Muttalib's son 'Abdullāh died four months before Muḥammad's birth, after which Abdul Muttalib took care of his daughter-in-law Āminah. One day Muhammad's mother, Amina, wanted to go to Yathrib, where her husband, Abdullah, died. So, Muhammad, Amina, Abd al-Muttalib and their caretaker, Umm Ayman started their journey to Medina, which is around 500 kilometres away from Makkah. They stayed there for three weeks, then, started their journey back to Mecca. But, when they reached halfway, at Al-Abwa', Amina became very sick and died six years after her husband's death. She was buried over there. From then, Muhammad became an orphan. Abd al-Muttalib became very sad for Muhammad because he loved him so much. Abd al-Muttalib took care of Muhammad. But when Muhammad was eight years old, the very old Abd al-Muttalib became very sick and died at age 81-82 in 578-579 CE. Shaybah ibn Hāshim's grave can be found in the Jannat al-Mu'allā cemetery in Makkah, Saudi Arabia. See also Family tree of Muhammad Family tree of Shaiba ibn Hashim Sahaba Passage 4: John Westley Rev. John Wesley (1636–78) was an English nonconformist minister. He was the grandfather of John Wesley (founder of Methodism). Life John Wesly (his own spelling), Westley, or Wesley was probably born at Bridport, Dorset, although some authorities claim he was born in Devon, the son of the Rev. Bartholomew Westley and Ann Colley, daughter of Sir Henry Colley of Carbery Castle in County Kildare, Ireland. He was educated at Dorchester Grammar School and as a student of New Inn Hall, Oxford, where he matriculated on 23 April 1651, and graduated B.A. on 23 January 1655, and M.A. on 4 July 1657. After his appointment as an evangelist, he preached at Melcombe Regis, Radipole, and other areas in Dorset. Never episcopally ordained, he was approved by Oliver Cromwell's Commission of Triers in 1658 and appointed Vicar of Winterborne Whitechurch.The report of his interview in 1661 with Gilbert Ironside the elder, his diocesan, according to Alexander Gordon writing in the Dictionary of National Biography, shows him to have been an Independent. He was imprisoned for not using the Book of Common Prayer, imprisoned again and ejected in 1662. After the Conventicle Act 1664 he continued to preach in small gatherings at Preston and then Poole, until his death at Preston in 1678. Family He married a daughter of John White, who was related also to Thomas Fuller. White, the "Patriarch of Dorchester", married a sister of Cornelius Burges. Westley's eldest son was Timothy (born 1659). Their second son was Rev. Samuel Wesley, a High Church Anglican vicar and the father of John and Charles Wesley. A younger son, Matthew Wesley, remained a nonconformist, became a London apothecary, and died on 10 June 1737, leaving a son, Matthew, in India; he provided for some of his brother Samuel's daughters. Notes Additional sources Matthews, A. G., "Calamy Revised", Oxford University Press, 1934, page 521. This article incorporates text from a publication now in the public domain: "Wesley, Samuel (1662-1735)". Dictionary of National Biography. London: Smith, Elder & Co. 1885–1900. Passage 5: Fred Le Deux Frederick David Le Deux (born 4 December 1934) is a former Australian rules footballer who played with Geelong in the Victorian Football League (VFL). He is the grandfather of Tom Hawkins. Early life Le Deux grew up in Nagambie and attended Assumption College, after which he went to Bendigo to study teaching. Football While a student at Bendigo Teachers' Training College, Le Deux played for the Sandhurst Football Club. He then moved to Ocean Grove to take up a teaching position and in 1956 joined Geelong.A follower and defender, Le Deux made 18 appearances for Geelong over three seasons, from 1956 to 1958 He was troubled by a back injury in 1958, which kept him out of the entire 1959 VFL season.In 1960 he joined Victorian Football Association club Mordialloc, as he had transferred to a local technical school. Family Le Deux's daughter Jennifer was married to former Geelong player Jack Hawkins. Jennifer died in 2015. Their son, Tom Hawkins, currently plays for Geelong. Passage 6: Lyon Cohen Lyon Cohen (born Yehuda Leib Cohen; May 11, 1868 – August 17, 1937) was a Polish-born Canadian businessman and a philanthropist. He was the grandfather of singer/poet Leonard Cohen. Biography Cohen was born in Congress Poland, part of the Russian Empire, to a Jewish family on May 11, 1868. He immigrated to Canada with his parents in 1871. He was educated at the McGill Model School and the Catholic Commercial Academy in Montreal. In 1888, he entered the firm of Lee & Cohen in Montreal; later became partner with his father in the firm of L. Cohen & Son; in 1895, he established W. R. Cuthbert & Co; in 1900, he organized the Canadian Improvement Co., a dredging contractor; in 1906, he founded The Freedman Co. in Montreal; and in May 1919, he organized and became President of Canadian Export Clothiers, Ltd. The Freedman Company went on to become one of Montreal’s largest clothing companies.In 1897, Cohen and Samuel William Jacobs founded the Canadian Jewish Times, the first English-language Jewish newspaper in Canada. The newspaper promoted the Canadianization of recent East European Jewish immigrants and encouraged their acceptance of Canadian customs as Cohen felt that the old world customs of immigrant Jews were one of the main causes of anti-Semitism. In 1914, the paper was purchased by Hirsch Wolofsky, owner of the Yiddish-language Keneder Adler, who transformed it into the Canadian Jewish Chronicle.He died on August 17, 1937, at the age of 69. Philanthropy Cohen was elected the first president of the Canadian Jewish Congress in 1919 and organized the Jewish Immigrant Aid Services of Canada. Cohen was also a leader of the Young Men’s Hebrew Benevolent Society (later the Baron de Hirsch Institute) and the United Talmud Torahs, a Jewish day school in Montreal. He also served as president of Congregation Shaar Hashomayim and president of the Jewish Colonization Association in Canada. Personal life Cohen married Rachel Friedman of Montreal on February 17, 1891. She was the founder and President of Jewish Endeavour Sewing School. They had three sons and one daughter: Nathan Bernard Cohen, who served as a lieutenant in the World War; he married Lithuanian Jewish immigrant Masha Klonitsky and they had one daughter and one son: Esther Cohen and singer/poet Leonard Cohen. Horace Rives Cohen, who was a captain and quartermaster of his battalion in World War I; Lawrence Zebulun Cohen, student at McGill University, and Sylvia Lillian Cohen. Passage 7: Camillo Cybo Camillo Cybo Malaspina (April 25, 1681 in Massa Carrara – January 12, 1743 in Rome) was an Italian cardinal of the Catholic Church. Early life Born into the aristocratic Cybo Malaspina family, he was the son of Carlo II Cybo, duke of Massa, who was a descendant of Pope Innocent VIII and Teresa Pamfili. Cybo was great grand nephew of Pope Innocent X, and nephew of Cardinal Benedetto Pamphili. Ecclesiastical career 1705 — Ordained as Priest 1718 — Appointed as Titular Patriarch of Constantinople. He was ordained Bishop that same year, and named Auditor general of the Apostolic Chamber. 1729 — Elevated to Cardinal Santo Stefano al Monte Celio in the Consistory of March 23, under Benedict XIII. 1731 — Appointed Cardinal-Priest of Santa Maria del Popolo 1741 — Appointed Protector of Santa Maria degli Angeli Patronage of the arts As many important figures of the time, Cybo was a patron of the arts. One of his proteges was Pietro Locatelli, who dedicated his Concerti Grossi Op 1 to him in 1721. Passage 8: Zhao Shoushan Zhao Shoushan (simplified Chinese: 赵寿山; traditional Chinese: 趙壽山; pinyin: Zhào Shòushān; 12 November 1894 – 20 June 1965) was a KMT general and later Chinese Communist Party politician. He is the grandfather of Zhao Leji. Career Zhao Shoushan was born in Hu County, Shaanxi in 1894. After the foundation of the People's Republic of China, Zhao was the CCP Chairman of Qinghai and Governor of Shaanxi. External links (in Chinese) Biography of Zhao Shoushan, Shaanxi Daily July 9, 2006. Passage 9: Marfisa d'Este Marfisa d'Este (c.1554 in Ferrara – 16 October 1608 in Ferrara) was a Ferrarese noblewoman. She was the illegitimate daughter of Francesco d'Este and Maria Folch de Cardona. She and her sister Bradamante (born 1559) were legitimised by both pope Gregory XIII and Alfonso II d'Este. She was also notable as a patron of the arts and the protector of Torquato Tasso.On 5 May 1578 she married her cousin Alfonsino di Montecchio, son of Alfonso di Montecchio, who died just under four months after the wedding. She was also left a palace that year by her father, who began building it in 1559; it was called after her Palazzina Marfisa d'Este and was slowly abandoned after her death. She also inherited the San Silvestro building and Palazzo Schifanoia from him. On 30 January 1580, she married Alderano Cybo-Malaspina, heir apparent of the Principality of Massa and Carrara. After the Duchy of Ferrara's devolution to the Papal States in 1598, due to the absence of legitimate male heirs of the House of Este, Marfisa refused to join her family in Modena, and remained in Ferrara with her husband in the palace she inherited from her father. Issue Alderano and Marfisa had eight children: Carlo (1581-1662), his father's heir. Married Brigida Spinola, with issue; Francesco (1584-1616); Odoardo (1585-1612), colonel in the Spanish army; Cesare (1587-1588), died in infancy; Vittoria (1588-1635), married Ercole Pepoli, count of Castiglione; Ferdinando (1590-1623), canon of San Lorenzo in Genoa; Alessandro (1594-1639), knight of the Order of Malta; Alfonso (1596). == Note == Passage 10: Kaya Alp Kaya Alp (Ottoman Turkish: قایا الپ, lit. 'Brave Rock') was, according to Ottoman tradition, the son of Kızıl Buğa or Basuk and the father of Suleyman Shah. He was the grandfather of Ertuğrul Ghazi, the father of the founder of the Ottoman Empire, Osman I. He was also famously known for being the successing name of Ertokus Bey’s son Kaya Alp. He was a descendant of the ancestor of his tribe, Kayı son of Gun son of Oghuz Khagan, the legendary progenitor of the Oghuz Turks.

doc_60

Passage 1: The Brave Archer The Brave Archer, also known as Kungfu Warlord, is a 1977 Hong Kong film adapted from Louis Cha's novel The Legend of the Condor Heroes. The film was produced by the Shaw Brothers Studio and directed by Chang Cheh, starring Alexander Fu Sheng and Tien Niu in the lead roles. The film is the first part of a trilogy and was followed by The Brave Archer 2 (1978) and The Brave Archer 3 (1981). The trilogy has two unofficial sequels, The Brave Archer and His Mate (1982) and Little Dragon Maiden (1983). Plot Guo Jing and Yang Kang are the sons of two rebels. The rebels are killed by imperial soldiers, and then, the boys are rescued by six skilled pugilists. The pugilists agree to separate the two boys, tutor them separately in martial arts, and let them meet again when they have grown up, to determine whose abilities are better. Guo becomes the student of the "Seven Freaks of Jiangnan" while Yang Kang becomes the foster son of a Jurchen prince inadvertently. When he reaches adulthood, Guo Jing travels to a local town, where he meets and befriends a beggar named Huang Rong, who is actually the daughter of Huang Yaoshi, master of Peach Blossom Island. He also meets Yang Kang, without knowing Yang's true identity, during a contest to win the hand-in-marriage of Mu Nianci, the adopted daughter of Yang's father. Yang's father is actually still alive. Yang Kang is tempted by the wealth and fame of being a noble, and he refuses to acknowledge and betrays his father, while his mother commits suicide. Huang Rong reveals to Guo Jing later that she is actually a woman and they go on adventure together. Guo Jing learns the "Eighteen Dragon-Subduing Palms" from the "Nine-fingered Beggar" Hong Qigong, while Huang Rong is groomed by Hong to become his successor as chief of the Beggars' Sect. Guo and Huang travel to Peach Blossom Island later to meet Huang's father. Huang Yaoshi is does not approve of his daughter's marriage to Guo Jing. While exploring the island, Guo Jing meets a strange man called Zhou Botong who teaches him special martial arts techniques and forces him to read a manual, which is later revealed to be written by Huang Rong's late mother. Ouyang Feng visits Peach Blossom Island with his nephew Ouyang Ke, and he proposes a marriage between his nephew and Huang Rong. Just then, Hong Qigong also arrives and he strongly supports Guo Jing to marry Huang Rong. Eventually, Huang Yaoshi arranges for a contest between Guo Jing and Ouyang Ke to determine who is worthy of his daughter's hand-in-marriage. The last part of the contest involves both of them having to read a manual and recite it from memory later. As Guo had already read the manual earlier, he recites it easily and wins the contest. Huang Yaoshi agrees to his daughter's marriage to Guo Jing. However, Ouyang Feng realizes that the manual is actually the fabled Nine Yin Manual and he wants it for himself. Cast External links The Brave Archer at IMDb The Brave Archer at the Hong Kong Movie DataBase Passage 2: Little Dragon Maiden Little Dragon Maiden, also known as The Brave Archer 5, is a 1983 Hong Kong film adapted from Louis Cha's novel The Return of the Condor Heroes. Little Dragon Maiden is seen as an unofficial sequel to the The Brave Archer, The Brave Archer 2, The Brave Archer 3, and The Brave Archer and His Mate. Cast External links Little Dragon Maiden at IMDb Little Dragon Maiden at the Hong Kong Movie DataBase Passage 3: Robert Rossen Robert Rossen (March 16, 1908 – February 18, 1966) was an American screenwriter, film director, and producer whose film career spanned almost three decades. His 1949 film All the King's Men won Oscars for Best Picture, Best Actor and Best Supporting Actress, while Rossen was nominated for the Academy Award for Best Director. He won the Golden Globe for Best Director and the film won the Golden Globe Award for Best Picture. In 1961, he directed The Hustler, which was nominated for nine Oscars and won two. After directing and writing for the stage in New York, Rossen moved to Hollywood in 1937. From there, he worked as a screenwriter for Warner Bros. until 1941, and then interrupted his career to serve until 1944 as the chairman of the Hollywood Writers Mobilization, a body to organize writers for the effort in World War II. In 1945, he joined a picket line against Warner Bros. After making one film for Hal B. Wallis's newly formed production company, Rossen made one for Columbia Pictures, another for Wallis and most of his later films for his own companies, usually in collaboration with Columbia. Rossen was a member of the American Communist Party from 1937 to about 1947, and believed the Party was "dedicated to social causes of the sort that we as poor Jews from New York were interested in."He ended all relations with the Party in 1949. Rossen was twice called before the House Un-American Activities Committee (HUAC), in 1951 and in 1953. He exercised his Fifth Amendment rights at his first appearance, refusing to state whether he had ever been a Communist. As a result, he found himself blacklisted by Hollywood studios as well as unable to renew his passport. At his second appearance he named 57 people as current or former Communists and his blacklisting ended. In order to repair finances he produced his next film, Mambo, in Italy in 1954. While The Hustler in 1961 was a great success, conflicts on the set of Lilith in 1964 so disillusioned him that it was his last film before his death two years later. Biography Early life and career Robert Rosen was born on March 16, 1908, and raised on the Lower East Side of New York City. His parents were Russian Jewish immigrants and his father, Philip Rosen, was a house painter. As a youth, he attended New York University, hustled pool and fought some prizefights - the latter two providing crucial background for his two greatest films, The Hustler and Body and Soul, respectively. He changed his name from "Rosen" to "Rossen" in 1931.He started his theatrical career as a stage manager and director in stock and off-Broadway productions, mainly in the social and radical theaters that flourished in New York in the early and mid-1930s, as did John Huston, Elia Kazan and Joseph Losey. In 1932 Rossen directed John Wexley's Steel, about labor agitation, and Richard Maibaum's The Tree, about a lynching. A year later Rossen directed Birthright, in which Maibaum attacked Nazism, which had just triumphed in Germany with the dictatorship of Adolf Hitler in 1933. In 1935, Rossen wrote and directed his first play, The Body Beautiful, a comedy about a naive burlesque dancer. Although the play closed after four performances, Warner Bros. director Mervyn LeRoy was so impressed that he signed Rossen to a personal screenwriting contract. Marriage In 1936, Rossen married Susan Siegal; the couple had three children: Carol, Stephen and Ellen. Work in Hollywood For his first credit in Hollywood, in 1937 Rossen co-wrote with Abem Finkel a script based on the prosecution of crime lord Lucky Luciano and eventually titled Marked Woman. Although some of Warner Bros. management saw Rossen as an unknown quantity, the result won praise from both Jack L. Warner and the Daily Worker. Rossen's first solo script was for They Won't Forget (1937), a fictionalized account of the lynching of Leo Frank, featuring Lana Turner in her debut performance.Dust Be My Destiny, co-written in 1939 by Rossen, is the story of a fugitive from justice who is eventually acquitted with help from an attorney and a journalist, the latter arguing that "a million boys all over the country" were in a similar plight. Warner Bros. then ordered producer Lou Edelman to cut the script, adding that "This is the story of two people – not a group. It is an individual problem – not a national one." Rossen was one of three writers on the gangster melodrama The Roaring Twenties, released in 1939. A remake of the 1932 play and film Life Begins was written in 1939 by Rossen and released in 1940 as A Child Is Born. The plot recounted the experiences of six expectant mothers, and there was little scope to modify the original.The Sea Wolf, released in 1941, was based on Jack London's novel. Although the film had a strong cast and production, Rossen's re-draft of the script may be the greatest influence on the film. While the character of Captain Larsen remained both victim and oppressed in a capitalist hierarchy, he became a symbol of fascism. He split the novel's idealist hero into an intellectual bosun and a rebellious seaman. Warner Bros. cut many political points during production.Blues in the Night, written by Rossen and two colleagues and released in 1941, shows a group of jazz musicians traveling in the Depression. Their informal methods represent working-class culture rather than the commercialized music of the big bands. However, The New York Times' reviewer thought the soundtrack was "about all the film has to offer", and Warner was disappointed with the sales.After the attack on Pearl Harbor on December 7, 1941, the Screen Writers Guild set up on December 8, 1941, the Hollywood Writers Mobilization, a body to organize writers for the war effort. Rossen served as the body's chairman until 1944 and advocated the opening of a Second Front to support West European resistance against the Nazis. His earnings were much greater than in 1937. However, his work for Hollywood Writers Mobilization and for the Communist Party forced him to abandon some partly developed film projects, including The Treasure of the Sierra Madre, which John Huston eventually directed in 1948.In 1945 Rossen joined a picket line against Warner Bros, making an enemy of Jack Warner. Rossen signed a contract with an independent production company formed by Hal Wallis, who had previously been Warner Bros.' head of production. However Rossen wrote only two full scripts for this company, The Strange Love of Martha Ivers in 1946 and Desert Fury in 1947. In The Strange Love of Martha Ivers Rossen used a short story by John Patrick to introduce the main plot, which was set 15 years later and which Rossen wrote. The relationship between Rossen and Wallis broke down when Rossen received offers from other production companies.Dick Powell had been a crooner but was making a new career as a dramatic actor. When Columbia Pictures agreed to make Johnny O'Clock for him in 1947, Powell successfully campaigned for Rossen to direct, and this became Rossen's debut in directing. As this crime melodrama proved a modest success, Roberts Productions signed Rossen to direct Abraham Polonsky's script of Body and Soul, described by Bob Thomas as "possibly the best prizefight film ever made." Rossen preferred an ending in which the hero wins a boxing match and then is killed by a gangster, but Polonsky insisted on his own ending, in which the hero escapes into obscurity before the fight. Following the success of Body and Soul, Rossen formed his own production company and signed with Columbia Pictures a contract that gave him wide autonomy over every second film that he made at the studio.All the King's Men (1949) was based on the novel of the same name by Robert Penn Warren, which in turn was based on the career of politician Huey Long. Rossen introduced a new concept, that the defenders of the ordinary people can in turn become the new exploiters. As a requirement for his participation in the film, Rossen had to write to Columbia's Harry Cohn saying that he was no longer a Communist Party member. Cohn's critiques of the draft of Rossen's script included scrapping a framing structure that was difficult for audiences to follow and several improvements in the relationships and motivations of characters. A meeting of the Communist Party in Los Angeles severely criticized the film, and Rossen severed all relations with the Party. All the King's Men won the Academy Award for Best Picture, Broderick Crawford won the award for Best Actor and Mercedes McCambridge was honored as Best Supporting Actress. Rossen was nominated for the Academy Award for Best Director but lost to Joseph L. Mankiewicz for A Letter to Three Wives. Rossen won the Golden Globe for Best Director and the film won the Golden Globe for Best Picture. His next film, The Brave Bulls, was directed in 1950 and released in 1951. This was Rossen's last work before the studios blacklisted him. New York Times critic Bosley Crowther called this "the best film on bull-fighting yet." Examinations by HUAC After the end of World War II in 1945, the spread of Coummunism became the major concern in the United States. In 1946, the Republicans gained an overwhelming majority in the Congressional elections. and used this power to investigate Communist elements in the media. The Communist victory of China in 1949 and the start of the Korean War in 1950 reinforced the anti-communist concerns present at the time. During hearings in 1947, Jack Warner included Rossen among the many openly leftist writers whom his studio Warner Bros. had hired as the earliest and most openly anti-Nazi studio in Hollywood. (Warner Bros. had made Confessions of a Nazi Spy [1939] and was criticized by the Republicans for their leftist writers at the time.) Warner reportedly accused Rossen of incorporating communist propaganda in scripts and fired him as a result, though some believe he was also unhappy with the writers’ union activities.Rossen was one of 19 "unfriendly witnesses" subpoenaed in October 1947 by the House Un-American Activities Committee (HUAC) during the second Red Scare but was one of eight not called to testify. In 1951, Rossen was named as a Communist by several HUAC witnesses and he appeared before HUAC for the first time in June 1951. He exercised his rights under the Fifth Amendment against self-incrimination, taking what came to be known as the "augmented Fifth". He testified that he was not a member of the Communist Party and that he disagreed with the aims of the party, but when asked to state whether he had ever been a member of the party, Rossen refused to answer. He was placed on the unofficial blacklist by the Hollywood studios, and Columbia broke its production contract with him.In a widespread practice during HUAC investigations, the U.S. State Department refused to renew Rossen's passport. This, and his inability to find work, brought Rossen, like his friend, ex-Communist Elia Kazan, back to the committee in May 1953, where he identified 57 people as Communists. He explained to the committee why he chose to testify: "I don't think, after two years of thinking, that any one individual can indulge himself in the luxury of personal morality or pit it against what I feel today very strongly is the security and safety of this nation." Stephen Rossen later shed light on his father's decision: It killed him not to work. He was torn between his desire to work and his desire not to talk, and he didn't know what to do. What I think he wanted to know was, what would I think of him if he talked? He didn't say it in that way, though. Then he explained to me the politics of it—how the studios were in on it, and there was never any chance of his working. He was under pressure, he was sick, his diabetes was bad, and he was drinking. By this time I understood that he had refused to talk before and had done his time, from my point of view. What could any kid say at that point? You say, 'I love you and I'm behind you.' Like Elia Kazan's testimony, Rossen's HUAC admissions destroyed many lifelong friendships, along with impacting the careers of many of Rossen's colleagues. Kazan's career flourished and Rossen's career also quickly regained the productivity he had enjoyed prior to the blacklist. He produced, directed and co-wrote The Hustler, in 1961, and he was nominated for Best Picture, Best Director, and Best Writing, Screenplay Based on Material from Another Medium Academy Awards, sharing the nomination with his co-writer Sidney Carroll. Return to filmmaking From 1952 to 1953, Rossen wrote Mambo, trying to repair his finances after almost two years without work following the 1951 HUAC hearing. He had to produce the film in Italy, and it was premiered in Italy in 1954 and the USA in 1955. Rossen later said "Mambo was to be for fun only," but he "took it seriously, and it didn't come off." Critics dismissed the film. However, in 2001, Dorothea Fischer-Hornung concluded that the film achieved more than Rossen and contemporary critics realized. The female lead resolves her own conflicts by devoting herself to dance. Katherine Dunham's choreography highlights this process; and innovative cinematography intensifies the dance scenes.Rossen hoped Alexander the Great (1956) would be a blockbuster, but the majority of the reviews criticized the film for failing to keep the audience's interest. However, the review from The New York Times wrote that "its moments of boredom are rare...an overlong but thoughtful and spectacular entertainment." In 1961, Rossen co-wrote, produced and directed The Hustler. Drawing upon his own experiences as a pool hustler, he teamed with Sidney Carroll to adapt the novel of the same name for the screen. The Hustler was nominated for nine Academy Awards and won two. Rossen was nominated as Best Director, and with Carroll for Best Adapted Screenplay, but did not win either award. He was named Best Director by the New York Film Critics Circle and shared with Carroll the Writers Guild of America Award for Best Written Drama. The Hustler was an enormous popular success and is credited with sparking a resurgence in the popularity of pool in the United States, which had been on the decline for decades.Rossen was already ill when he started on his final film, Lilith (1964), and it was poorly received in the United States. After it Rossen lost interest in directing, reportedly because of conflicts with the film's star, Warren Beatty. The filmmaker said, "It isn't worth that kind of grief. I won't take it any more. I have nothing to say on the screen right now. Even if I never make another picture, I've got The Hustler on my record. I'm content to let that one stand for me." However, at the time of his death Rossen was planning Cocoa Beach, a script he conceived in 1962, showing the hopes and struggles of transients in a local community and contrasting this with nearby Cape Canaveral, which Leftist writer Brian Neve described as a "symbol of America's imperial [sic] reach". Death Rossen died in New York City at age 57 on February 18, 1966, following a series of illnesses and is interred at Westchester Hills Cemetery in Hastings-on-Hudson, New York. His grandchild, Daniel Rossen, is the guitarist/vocalist of alternative bands Grizzly Bear and Department of Eagles. Reception Rossen was one of the directors who developed film gris (French for "grey film"). In his films for Warner Brothers between 1937 and 1944, consistent themes were the conditions of working people, the portrayal of gangsters and racketeers, and opposition to fascism. After Dust Be My Destiny, written by Rossen and released in 1939, Frank Nugent, who regularly reviewed for The New York Times, complained about Warner Brothers' long line of melodramas about boys from poor neighborhoods. Unlike filmmakers such as John Ford and Howard Hawks, Rossen was willing to explain his aims as a director: "The element common to many of my films is the desire for success, ambition, which is an important element in American life. It is an important element, and has become increasingly more important in what is known as Western Civilization." Polonsky commented that "Rossen's talent is force applied everywhere without let-up." Neve acknowledged that social concerns were central in most of Rossen's works, but commented that Lilith was different from Rossen's earlier films as it emphasized mood rather than narrative and examined through pictures and silences the nature of maladjustment and madness.Farber noted the strong female characters of the 1930s and 1940s, and laments the replacement of them by all-male relationships from the 1950s onward. For the earlier pattern Farber cited Rossen's 1946 script The Strange Love of Martha Ivers, which was over melodramatic but portrayed a woman consumed by power, money and success. Lilith created one of the few strong women in the 1960s. Rossen generally destroyed the main character.All of Rossen's playscripts were adaptations except Marked Woman, Racket Buster and Alexander the Great, based on real events. Before he was blacklisted in 1951, only two of Rossen's adaptions were of serious novels, and Rossen's early drafts of the script for All the King's Men received serious criticisms within Columbia.While head of production at Warner, Hal Wallis considered that some of his best films – including The Roaring Twenties, Marked Woman and The Sea Wolf – were written by Rossen. Wallis was very pleased with Rossen's script in 1946 for The Strange Love of Martha Ivers, which was produced by Wallis own company. However, Rossen turned down Wallis's next two films. Both Wallis as producer and Rossen as writer-director wanted to operate as independents, rather than under the control of a studio.All the King's Men was one of the later social "message" films as America turned conservative. Thomas Schatz regarded All the King's Men as possibly the best of the genre, as it examined alcoholism, adultery, political corruption and the influence of journalism. In 2001 the United States National Film Registry preserved the film as "culturally, historically, or aesthetically significant."Rossen produced, directed and co-wrote The Hustler in 1961. At the time, Variety praised the cast, complained about the "sordid aspects" of the story and felt the film was far too long. The New Republic praised the cast and Rossen's "sure, economical" direction, but thought the script "strains hard to give an air of menace and criminality." The film won two Academy Awards and was nominated for another seven, was nominated in four of the Golden Globes' categories, and gained many other awards and nominations.In 1997. the National Film Registry preserved The Hustler as "culturally, historically, or aesthetically significant." In 2002, Roger Ebert described the film as one "where scenes have such psychic weight that they grow in our memories" and praised Rossen's decision to develop all four main characters, and James Berardinelli listed the film in his All Time Top 100 for similar reasons. Ebert also praised Rossen's decision to shoot the film in the "stygian gloom of the billiard parlor" created by black-and-white. Other accolades appeared in the 2000s (decade).Nina Leibman regarded Lilith as the most extreme of the American film industry's applications, or rather misapplications, of psychoanalytic concepts, as the patient is already psychotic and has a track record of previous conquests. In The New Biographical Dictionary of Film, David Thomson describes Lilith as "an oddity, the only one of [Rossen's] films that seems passionate, mysterious and truly personal. The other films will look increasingly dated and self-contained, but Lilith may grow." Preservation The Academy Film Archive preserved several of Robert Rossen's films, including The Hustler, All the King's Men, and Lilith. Theater Plays Other theater work Film Films Other film work Notes Passage 4: The Brave Bulls (film) The Brave Bulls is a 1951 American drama film directed by Robert Rossen and written by John Bright. The film stars Mel Ferrer, Miroslava, Anthony Quinn, Eugene Iglesias, José Torvay and Charlita. The film was released on April 18, 1951 by Columbia Pictures. Plot Cast Mel Ferrer as Luis Bello Miroslava as Linda de Calderon Anthony Quinn as Raul Fuentes Eugene Iglesias as Pepe Bello José Torvay as Eladio Gomez Charlita as Raquelita Jose Luis Vasquez as Yank Delgado Alfonso Alvirez as Loco Ruiz Alfredo Aguilar as Pancho Perez Francisco Balderas as Monkey Garcia Felipe Mota as Jackdaw Pepe López as Farique Jose Meza as Little White Vicente Cárdenas as Goyo Salinas Manuel Orozco as Abundio de Lao Estive Domínguez as Tacho Silviano Sánchez as Policarpe Cana Francisco Reiguera as Lara Eduardo Arozamena as Don Alberto Iriarte Luis Corona as Rufino Vega Esther Laquin as Señora Bello Juan Assael as Alfredo Bello Delfino Morales as Indio Rita Conde as Lala Ramón Díaz Meza as Don Tiburcio Balbuenna Fanny Schiller as Mamacita Fernando Del Valle as Don Felix Aldemas Passage 5: The Brave Archer 2 The Brave Archer 2, also known as Kungfu Warlord 2, is a 1978 Hong Kong film adapted from Louis Cha's novel The Legend of the Condor Heroes. The film was produced by the Shaw Brothers Studio and directed by Chang Cheh, starring Alexander Fu Sheng and Niu-niu in the lead roles. The film is the second part of a trilogy and was preceded by The Brave Archer (1977) and followed by The Brave Archer 3 (1981). The trilogy has two unofficial sequels, The Brave Archer and His Mate (1982) and Little Dragon Maiden (1983). Plot Huang Rong is taken hostage by Ouyang Feng, who attempts to use her to seize the Nine Yin Manual from Guo Jing. Guo and Hong Qigong rescue Huang Rong and Guo gives Ouyang an "edited" version of the manual, that will eventually cause Ouyang to become insane after he practises the skills in the manual wrongly. Ouyang, Hong and Guo get into a fight, in which Ouyang Ke is injured, and Guo and Hong use the opportunity to escape. However, Hong Qigong is also wounded and he gives Huang Rong his Dog Beating Staff, effectively handing over his leadership of the Beggars' Sect to her. Ouyang Feng and Ouyang Ke pursue Guo Jing and Huang Rong to a deserted town for revenge. Guo and Huang take shelter in an abandoned tavern inhabited by only a retarded girl called Shagu. Guo Jing and Huang Rong meet Zhou Botong again to find treasure. Guo is wounded and Zhou Botong fights with Ouyang Feng, while Guo retreats with Huang Rong so that he can get time to heal. They find a secret chamber in the abandoned tavern and hide there while Guo recuperates. At this point, the story splits into several sub-plots, all taking place in the tavern. Yang Kang kills Ouyang Ke when Ouyang is about to molest Mu Nianci, and takes the Dog Beating Staff, which Huang Rong had carelessly dropped; Lu Guanying comes in search of Guo Jing; Mei Chaofeng appears and fights with the "Seven Immortals of Quanzhen". Huang Yaoshi comes here in search of his daughter and Guo and Huang Rong come out of their hiding place to meet him. Huang Yaoshi takes Shagu back to Peach Blossom Island after realizing that she is the daughter of one of his former disciples. Guo Jing and Huang Rong are kidnapped by members of the Beggars' Sect later, who do not recognize them. Just then, the Qiu Qianren leads his Iron Palm Sect to confront the Beggars' Sect. Yang Kang lies that he is the new chief of the Beggars' Sect as he has the Dog Beating Staff, a symbol of the sect's leadership. However, Guo Jing and Huang Rong break free and challenge Yang Kang. Yang's false identity is revealed and he escapes to join Qiu Qianren, while Huang Rong is officially recognized as the new chief of the Beggars' Sect. Cast External links The Brave Archer 2 at IMDb The Brave Archer 2 at the Hong Kong Movie DataBase Passage 6: Brian Kennedy (gallery director) Brian Patrick Kennedy (born 5 November 1961) is an Irish-born art museum director who has worked in Ireland and Australia, and now lives and works in the United States. He was the director of the Peabody Essex Museum in Salem for 17 months, resigning December 31, 2020. He was the director of the Toledo Museum of Art in Ohio from 2010 to 2019. He was the director of the Hood Museum of Art from 2005 to 2010, and the National Gallery of Australia (Canberra) from 1997 to 2004. Career Brian Kennedy currently lives and works in the United States after leaving Australia in 2005 to direct the Hood Museum of Art at Dartmouth College. In October 2010 he became the ninth Director of the Toledo Museum of Art. On 1 July 2019, he succeeded Dan Monroe as the executive director and CEO of the Peabody Essex Museum. Early life and career in Ireland Kennedy was born in Dublin and attended Clonkeen College. He received B.A. (1982), M.A. (1985) and PhD (1989) degrees from University College-Dublin, where he studied both art history and history. He worked in the Irish Department of Education (1982), the European Commission, Brussels (1983), and in Ireland at the Chester Beatty Library (1983–85), Government Publications Office (1985–86), and Department of Finance (1986–89). He married Mary Fiona Carlin in 1988.He was Assistant Director at the National Gallery of Ireland in Dublin from 1989 to 1997. He was Chair of the Irish Association of Art Historians from 1996 to 1997, and of the Council of Australian Art Museum Directors from 2001 to 2003. In September 1997 he became Director of the National Gallery of Australia. National Gallery of Australia (NGA) Kennedy expanded the traveling exhibitions and loans program throughout Australia, arranged for several major shows of Australian art abroad, increased the number of exhibitions at the museum itself and oversaw the development of an extensive multi-media site. Although he oversaw several years of the museum's highest ever annual visitation, he discontinued the emphasis of his predecessor, Betty Churcher, on showing "blockbuster" exhibitions. During his directorship, the NGA gained government support for improving the building and significant private donations and corporate sponsorship. However, the initial design for the building proved controversial generating a public dispute with the original architect on moral rights grounds. As a result, the project was not delivered during Dr Kennedy's tenure, with a significantly altered design completed some years later. Private funding supported two acquisitions of British art, including David Hockney's A Bigger Grand Canyon in 1999, and Lucian Freud's After Cézanne in 2001. Kennedy built on the established collections at the museum by acquiring the Holmgren-Spertus collection of Indonesian textiles; the Kenneth Tyler collection of editioned prints, screens, multiples and unique proofs; and the Australian Print Workshop Archive. He was also notable for campaigning for the construction of a new "front" entrance to the Gallery, facing King Edward Terrace, which was completed in 2010 (see reference to the building project above). Kennedy's cancellation of the "Sensation exhibition" (scheduled at the NGA from 2 June 2000 to 13 August 2000) was controversial, and seen by some as censorship. He claimed that the decision was due to the exhibition being "too close to the market" implying that a national cultural institution cannot exhibit the private collection of a speculative art investor. However, there were other exhibitions at the NGA during his tenure, which could have raised similar concerns. The exhibition featured the privately owned Young British Artists works belonging to Charles Saatchi and attracted large attendances in London and Brooklyn. Its most controversial work was Chris Ofili's The Holy Virgin Mary, a painting which used elephant dung and was accused of being blasphemous. The then-mayor of New York, Rudolph Giuliani, campaigned against the exhibition, claiming it was "Catholic-bashing" and an "aggressive, vicious, disgusting attack on religion." In November 1999, Kennedy cancelled the exhibition and stated that the events in New York had "obscured discussion of the artistic merit of the works of art". He has said that it "was the toughest decision of my professional life, so far."Kennedy was also repeatedly questioned on his management of a range of issues during the Australian Government's Senate Estimates process - particularly on the NGA's occupational health and safety record and concerns about the NGA's twenty-year-old air-conditioning system. The air-conditioning was finally renovated in 2003. Kennedy announced in 2002 that he would not seek extension of his contract beyond 2004, accepting a seven-year term as had his two predecessors.He became a joint Irish-Australian citizen in 2003. Toledo Museum of Art The Toledo Museum of Art is known for its exceptional collections of European and American paintings and sculpture, glass, antiquities, artist books, Japanese prints and netsuke. The museum offers free admission and is recognized for its historical leadership in the field of art education. During his tenure, Kennedy has focused the museum's art education efforts on visual literacy, which he defines as "learning to read, understand and write visual language." Initiatives have included baby and toddler tours, specialized training for all staff, docents, volunteers and the launch of a website, www.vislit.org. In November 2014, the museum hosted the International Visual Literacy Association (IVLA) conference, the first Museum to do so. Kennedy has been a frequent speaker on the topic, including 2010 and 2013 TEDx talks on visual and sensory literacy. Kennedy has expressed an interest in expanding the museum's collection of contemporary art and art by indigenous peoples. Works by Frank Stella, Sean Scully, Jaume Plensa, Ravinder Reddy and Mary Sibande have been acquired. In addition, the museum has made major acquisitions of Old Master paintings by Frans Hals and Luca Giordano.During his tenure the Toledo Museum of Art has announced the return of several objects from its collection due to claims the objects were stolen and/or illegally exported prior being sold to the museum. In 2011 a Meissen sweetmeat stand was returned to Germany followed by an Etruscan Kalpis or water jug to Italy (2013), an Indian sculpture of Ganesha (2014) and an astrological compendium to Germany in 2015. Hood Museum of Art Kennedy became Director of the Hood Museum of Art in July 2005. During his tenure, he implemented a series of large and small-scale exhibitions and oversaw the production of more than 20 publications to bring greater public attention to the museum's remarkable collections of the arts of America, Europe, Africa, Papua New Guinea and the Polar regions. At 70,000 objects, the Hood has one of the largest collections on any American college of university campus. The exhibition, Black Womanhood: Images, Icons, and Ideologies of the African Body, toured several US venues. Kennedy increased campus curricular use of works of art, with thousands of objects pulled from storage for classes annually. Numerous acquisitions were made with the museum's generous endowments, and he curated several exhibitions: including Wenda Gu: Forest of Stone Steles: Retranslation and Rewriting Tang Dynasty Poetry, Sean Scully: The Art of the Stripe, and Frank Stella: Irregular Polygons. Publications Kennedy has written or edited a number of books on art, including: Alfred Chester Beatty and Ireland 1950-1968: A study in cultural politics, Glendale Press (1988), ISBN 978-0-907606-49-9 Dreams and responsibilities: The state and arts in independent Ireland, Arts Council of Ireland (1990), ISBN 978-0-906627-32-7 Jack B Yeats: Jack Butler Yeats, 1871-1957 (Lives of Irish Artists), Unipub (October 1991), ISBN 978-0-948524-24-0 The Anatomy Lesson: Art and Medicine (with Davis Coakley), National Gallery of Ireland (January 1992), ISBN 978-0-903162-65-4 Ireland: Art into History (with Raymond Gillespie), Roberts Rinehart Publishers (1994), ISBN 978-1-57098-005-3 Irish Painting, Roberts Rinehart Publishers (November 1997), ISBN 978-1-86059-059-7 Sean Scully: The Art of the Stripe, Hood Museum of Art (October 2008), ISBN 978-0-944722-34-3 Frank Stella: Irregular Polygons, 1965-1966, Hood Museum of Art (October 2010), ISBN 978-0-944722-39-8 Honors and achievements Kennedy was awarded the Australian Centenary Medal in 2001 for service to Australian Society and its art. He is a trustee and treasurer of the Association of Art Museum Directors, a peer reviewer for the American Association of Museums and a member of the International Association of Art Critics. In 2013 he was appointed inaugural eminent professor at the University of Toledo and received an honorary doctorate from Lourdes University. Most recently, Kennedy received the 2014 Northwest Region, Ohio Art Education Association award for distinguished educator for art education. == Notes == Passage 7: Ian Barry (director) Ian Barry is an Australian director of film and TV. Select credits Waiting for Lucas (1973) (short) Stone (1974) (editor only) The Chain Reaction (1980) Whose Baby? (1986) (mini-series) Minnamurra (1989) Bodysurfer (1989) (mini-series) Ring of Scorpio (1990) (mini-series) Crimebroker (1993) Inferno (1998) (TV movie) Miss Lettie and Me (2002) (TV movie) Not Quite Hollywood: The Wild, Untold Story of Ozploitation! (2008) (documentary) The Doctor Blake Mysteries (2013) Passage 8: The Brave Archer and His Mate The Brave Archer and His Mate, also known as The Brave Archer 4 and Mysterious Island, is a 1982 Hong Kong film adapted from Louis Cha's novels The Legend of the Condor Heroes and The Return of the Condor Heroes, the first two books in he Condor Heroes Trilogy of novels. The Brave Archer and His Mate is a direct sequel to The Brave Archer, The Brave Archer 2 and The Brave Archer 3, being an adaptation of the final part of the Legend of the Condor Heroes novel and the first part of The Return of the Condor Heroes novel, with the same director, writer, and cast. Little Dragon Maiden (1983) unofficially continues the story where The Brave Archer and His Mate leaves off, though everyone behind and in front of the camera is different. Plot Guo Jing and Huang Rong return to Peach Blossom Island and are shocked to see that Guo's first martial arts teachers, the "Seven Freaks of Jiangnan", have all been murdered except for Ke Zhen'e. Guo Jing is tricked into believing that Huang Rong's father, Huang Yaoshi, is responsible for the murders and he attempts to avenge his teachers by fighting Huang Yaoshi. The intelligent Huang Rong eventually uncovers the truth and reveals that the murders are actually part of a plot masterminded by Ouyang Feng and Yang Kang. Ouyang and Yang want to make Guo Jing and Huang Yaoshi kill each other and Yang can learn Ouyang's newly mastered skills from the fake copy of the Nine Yin Manual. Yang Kang gets his retribution eventually and dies in the Temple of the Iron Spear. He had fathered a child with Mu Nianci, and Mu entrusts their orphaned son, Yang Guo, to Guo Jing and Huang Rong before she dies as well. The film's setting moves to eighteen years later on Peach Blossom Island, where Yang Guo is now a grown-up. Guo Jing and Huang Rong have a teenage daughter, Guo Fu, and Guo Jing has also accepted two young disciples, the brothers Wu Xiuwen and Wu Dunru. Guo teaches the Wu brothers martial arts, but refuses to teach Yang Guo, because he is afraid that Yang Guo will follow his treacherous father's footsteps. Yang Guo develops a rivalry with the Wu brothers and Guo Fu and he leaves the island. Yang meets Ouyang Feng, who has become insane after practising the skills in the fake copy of the Nine Yin Manual. Ouyang likes Yang Guo and teaches Yang his "Toad Skill". Yang begins to suspect that Guo Jing and Huang Rong might be responsible for the death of his parents, after listening to Ouyang Feng's incomplete account of the story. The situation is resolved eventually by Guo Jing, who brings Yang Guo to the Quanzhen Sect to be tutored in martial arts and moral principles by Yang Kang's former teachers. Guo Jing and Yang Guo arrive at Quanzhen Sect's headquarters and see an ongoing battle between Quanzhen and some intruders, led by Huodu and Da'erba. Huodu and Da'erba attempt to break their way into a tomb near Quanzhen's headquarters, but Guo Jing and Yang Guo thwart their plans and defeat them. Cast External links The Brave Archer and His Mate at IMDb The Brave Archer and His Mate at the Hong Kong Movie DataBase Passage 9: Thomas C. Lea III Thomas Calloway Lea III (July 11, 1907 – January 29, 2001) was an American muralist, illustrator, artist, war correspondent, novelist, and historian. The bulk of his art and literary works were about Texas, north-central Mexico, and his World War II experience in the South Pacific and Asia. Two of his most popular novels, The Brave Bulls and The Wonderful Country, are widely considered to be classics of southwestern American literature. Early life and education Lea was born on July 11, 1907, in El Paso, Texas, to Thomas Calloway Lea Jr. and Zola May (née Utt). From 1915 to 1917, his father was mayor of El Paso. As mayor, his father made a public declaration that he would arrest Pancho Villa if he dared enter El Paso, after Villa raided Columbus, New Mexico on March 9, 1916. Villa then responded by offering a thousand pesos gold bounty on Lea. For six months Tom and his brother Joe had to have a police escort to and from school, and there was a 24-hour guard on the house.He graduated from El Paso High School in 1924. From 1924 to 1926 he attended the Art Institute of Chicago and then apprenticed and assisted John W. Norton, a Chicago muralist, from 1927 to 1932.In 1927, he wed Nancy June Taylor, a fellow art student. In 1930 Norton suggested that Tom take an art tour of Europe to study the masters. He and Nancy went to Paris and saw an exhibit of Eugène Delacroix at the Louvre, and Delacroix was his "favorite". Next they traveled to Florence, Orvieto, Rome, Capri. Then, after a four-month tour, it was back to Le Havre to catch the SS Ile de France.After the tour of Italy they moved to Santa Fe to be with other artists and be in the Southwest. When Nancy became ill (a botched appendectomy) they moved to El Paso, and Lea found work from the New Deal art projects. Career Lea won the Section of Painting and Sculpture competition for a mural commission in the United States Post Office Department Building (now the William Jefferson Clinton Federal Building) in Washington, D.C., called The Nesters. His other murals included the post offices in Odessa, Texas (Stampede), Pleasant Hill, Missouri (Back Home, April 1865), and Seymour, Texas (Comanches). In 1936, his wife (in April), grandmother (in June), and his mother (in December), all died in that year.In 1937 he started doing illustration work, and this led to a partnership with a friend of his father, author J. Frank Dobie. Dobie wrote about the rough life of settling the Texas frontier and Lea's illustrations are mostly of cowboys and the wild Texas landscapes. While painting a mural in El Paso Federal Courthouse (Pass of the North), he met and married his second wife, Sarah Catherine Beane (née Dighton), in July 1938. Sarah had come from Monticello, Illinois, to El Paso to visit friends. Sarah had a son, James (Jim), from a previous marriage whom Lea adopted. While painting his courthouse mural, Lea also met artist José Cisneros and they were able to connect as friends and business contacts. That same year his started his lifelong partnership with Carl Hertzog (Jean Carl Hertzog Sr.), an El Paso book designer and typographer. 1937–1938 would prove to be the antithesis of 1936, providing Lea with three lifelong partners and friends.In 1940 he applied for and won Rosenwald Fellowship, but by the end of the summer of 1941, he got a telegram from LIFE asking him to go to sea with the United States Navy on a North Atlantic Patrol. In the fall of 1941, he decided to paint for LIFE as war artist and correspondent aboard a destroyer. He traveled all over the world with the United States military from 1941 to 1945. This included: China, Great Britain, Italy, India, North Africa, North Atlantic, the Middle East, and the Western Pacific. He went on deployment with the aircraft carrier USS Hornet in the Pacific Ocean in 1942, where he met the famous Army Air Corps pilot Jimmy Doolittle. Lea was on board the Hornet (September 15, 1942) when the USS Wasp was sunk by torpedoes from a Japanese submarine. He painted several pictures of the sinking of the Wasp. In 1943, during his visit to China, he met Theodore H. White, and he painted the portraits of Generalissimo Chiang Kai-shek and his wife, Soong Mei-ling; and General Claire Lee Chennault, leader of the Flying Tigers. It was during his time in the western Pacific in 1944 as a combat correspondent with the United States 1st Marine Division during the invasion of the tiny island of Peleliu that he would really make a name for himself among the readers of LIFE. "My work there consisted of trying to keep from getting killed and trying to memorize what I saw and felt," Lea says. His vivid, realistic, images of the beach landing, and Battle of Peleliu, would impact both readers and himself. The Price and That 2,000 Yard Stare would become among his most famous works. (1,794 Americans died in a two-month period in what many call the war's most controversial battle, due to its questionable strategic value and high death toll.) In 1947 Lea finished a graphite sketch on kraft paper of his wife called Study for Sarah in the Summertime. He had started the sketch two years earlier, about six months after he got home from the war. The life size work (71" × 30¼") was based on a photograph, taken of Sarah in the backyard of their home at 1520 Raynolds Boulevard in El Paso, that he had carried in his wallet throughout the war. An oil painting, Sarah in the Summertime (67" × 32"), was then done from the sketch. He spent longer on this combined work than any other painting.After finishing his last novel, The Hands of Cantu (an account of horse training in 16th-century Nueva Vizcaya) in 1964, Lea traveled to Boston to meet with his publishers, Little, Brown and Company. He told them that he wasn't interested in another novel, so they suggested a book about his pictures. This 1968 work, A Picture Gallery, was his "autobiography", writing of why and when he did his paintings. Working on A Picture Gallery would lead him to once again focus on painting and turn away from working on literature. Right before finishing this work, Baylor University paid tribute to his writing by bestowing him, and his long-time friend Carl Hertzog, with an honorary doctorate's in literature. The El Paso Museum of Art established its Tom Lea Gallery in 1996, and in 1997 he was honored as a Fellow in the Texas State Historical Association. President George W. Bush had Lea's painting Rio Grande displayed in the Oval Office. Lea died in El Paso on January 29, 2001, at the age of 93. Awards Lifetime achievement 1967: Honorary doctorate – Baylor University 1970: Honorary doctorate – Southern Methodist University 1971: Distinguished Public Service Award – United States Navy 1975: Hall of Honor – El Paso County Historical Society 1981: Lon Tinkle Award – Texas Institute of Letters 1990: Ima Hogg Historical Achievement Award ____: Colonel John W. Thomason Jr. Award for Artistic Achievement – United States Marine Corps 1995: Hall of Great Westerners – National Cowboy & Western Heritage Museum 2007: Tom Lea Centennial Celebration – United States Congress ____: S. Res. 267 (Hutchison Resolution) – U.S. Senate July 2007 as "Tom Lea Month" ____: H. Res. 519 – U.S. House of Representatives Literature 1992: Owen Wister Award – Western Writers of America Art works Public murals State of Texas Centennial Commission, Federal Art Project (FAP) for the Works Progress Administration (WPA) and Public Works of Art Project for the United States Department of the Treasury. "Illinois Heritage Series" (4 murals; 8' H. × W. 12' each) – Calumet Park Field House, Chicago, Illinois, 1927–28Native-American Ceremony Father Jacques Marquette and Louis Joliet Native-American Hunting Party Returning Home Native-Americans and Fur Traders (These murals were restored in 2005 by The Chicago Park District and The Chicago Conservation Center.)South Park Commission Building (auditorium), Gage Park, Chicago, Illinois, 1931 Hall of State, Texas State Fair Grounds, Dallas, Texas, 1935 The Nesters, – Ariel Rios Federal Building, 1937, mural (lost)(Environmental Protection Agency; formerly Post Office Department Building & Benjamin Franklin Post Office)Pass of the North, – El Paso Federal Courthouse, 1938, oil on canvas Back Home: April 1865, – U.S. Post Office – Pleasant Hill, Missouri, 1939, oil on canvas Stampede, – U.S. Post Office – Odessa, Texas, 1940, oil on canvas Comanches, – U.S. Post Office – Seymour, Texas, 1942, oil on canvas Conquistadors, – New Mexico State University, College Library, Mesilla Park, New Mexico (PWAP funding) Southwest, – El Paso Public Library, El Paso, Texas, 1954, (donated work) Paintings That 2,000 Yard Stare, – United States Army Center of Military History, Fort Lesley J. McNair, Washington, D.C., – 1944, oil on canvas(This painting defined the term "thousand yard stare" in culture.)Rio Grande, – Oval Office – White House, Washington D.C., – 1954, oil on canvas(since 2001; on loan to George W. and Laura Bush from the El Paso Museum of Art)Southwest, Study for, – American Art Museum, Smithsonian, Washington, D.C., – 1956. Oil on canvas, 10 × 32 in. (Frame: 19½ × 41¼ × 2)(This is a scale study of the mural, Southwest, at the El Paso Public Library.) Major exhibitions 1948: Dallas Museum of Art – Dallas, Texas, – "Drawings and Illustrations" (February 8 March 7) 1948: Dallas Museum of Art – Dallas, Texas, – "Paintings/Western Beef Cattle" (October 7, 1950-January 14) 1961: Fort Worth Art Center – Fort Worth, Texas 1963: El Paso Museum of Art – El Paso, Texas 1969: Institute of Texan Cultures – San Antonio, Texas 1971: El Paso Museum of Art – El Paso, Texas 1994: El Paso Museum of Art – El Paso, Texas 2015: Bullock Texas State History Museum – Austin, Texas 2015: National Museum of the Pacific War – Fredericksburg, Texas 2016: National WWII Museum – New Orleans, Louisiana Permanent collections Austin, Texas: The Tom Lea Collections – Harry Ransom Humanities Research Center at the University of Texas at Austin, Blanton Museum of Art Dallas, Texas: Dallas Museum of Art El Paso, Texas: Tom Lea Gallery – El Paso Museum of Art Tom Lea Papers – University Library—Special Collections at the University of Texas at El Paso Tom Lea – Adair Margo Gallery Tom Lea – El Paso County Historical Society Laramie, Wyoming: University of Wyoming Art Museum Santa Fe, New Mexico: New Mexico Museum of Art Bibliography Works by Illustrative works 1939: Dobie, J. Frank (author). – Apache Gold and Yaqui Silver. – Boston: Little, Brown and Company. – 90499641984: – Austin, Texas: University of Texas Press. – ISBN 978-0-292-70381-01941: Dobie, J. Frank (author). – The Longhorns. – Boston: Little, Brown and Company. – 5612141980: – Austin, Texas: University of Texas Press. – ISBN 978-0-292-74627-51946: Calendar of Twelve Travelers through the Pass of the North. – El Paso: Carl Hertzog. – 26914721981: – El Paso, Texas: El Paso Electric Company. – 7968462 Non-fiction works with illustrations 1945: Peleliu Landing. – El Paso: Carl Hertzog. – 2637403 1949: Bullfight Manual for Spectators. – Ciudad Juárez, Mexico: Plaza de Toros. – 18626061957: – El Paso, Texas: Carl Hertzog. – 31979541957: The King Ranch. – with Richard King. – Boston: Little, Brown and Company. – 692613Kingsville, Texas: Printed for the King Ranch by Carl Hertzog. – 29817761968: Tom Lea, A Picture Gallery: Paintings and Drawings. – Boston: Little, Brown and Company. – 438075 (autobiography) 1974: In the Crucible of the Sun. – Kingsville, Texas: King Ranch. – 1195170 1998: Battle Stations: A Grizzly from the Coral Sea, Peleliu Landing. – Dallas: Still Point Press. – ISBN 978-0-933841-07-9 Fiction works with illustrations 1949: The Brave Bulls, A Novel. – Boston: Little, Brown and Company. – 46229732002: – Austin, Texas: University of Texas Press. – ISBN 978-0-292-74733-31952: The Wonderful Country, A Novel. – Boston: Little, Brown and Company. – 2887042002: – Fort Worth, Texas: TCU Press. – ISBN 978-0-87565-261-01960: The Primal Yoke, A Novel. – Boston: Little, Brown and Company. – 1306682 1964: The Hands of Cantú. – Boston: Little, Brown and Company. – 1379124 Works about Lea, Tom (illustrations), and the Fort Worth Art Center, (1961). – Tom Lea. – Fort Worth, Texas: Fort Worth Art Center. – 79168047 Lea, Tom (illustrations and interviews), Rebecca McDowell Craver and Adair Margo, (1995). – Tom Lea: An Oral History. – El Paso, Texas: Texas Western Press. – ISBN 978-0-87404-234-4 Lea, Tom (illustrations), and Kathleen G Hjerter, (1989). – The Art of Tom Lea. – College Station, Texas: Texas A & M University Press. – ISBN 978-0-89096-366-12003: "A Memorial Edition". – College Station: Texas A&M University Press. – ISBN 978-1-58544-282-9Lea, Tom (illustrations), and Brendan M Greeley, (2008). – The Two Thousand Yard Stare: Tom Lea's World War II. – College Station, Texas: Texas A&M University Press. – ISBN 978-1-60344-008-0 Passage 10: Jonathan Benair Jonathan Benair (July 4, 1950 – June 29, 1998) was an American actor who did the voice of the Black and White TV in the animated film The Brave Little Toaster and Jim Bob in The Brave Little Toaster to the Rescue, the latter of which was released posthumously. Early life Jonathan Benair was born on July 4, 1950, in Los Angeles, the son of Zvi Benair and Muriel (née Dubov). Benair had one brother, Daniel. Career Benair did very few acting roles and had an independent career. He had played roles in Hollywood Game, The Brave Little Toaster and The Brave Little Toaster to the Rescue, his final acting role. Benair was also a screenwriter, having sold three movie scripts, and contributed articles to Movieline, the Los Angeles Reader and L.A. Style.He worked as a film programmer for the Los Angeles County of Museum Art for eight years during the 1970s and 1980s, and was a member of the Writers Guild of America and the British Academy of Film and Television Arts. An amateur film historian, Benair would talk frequently at film festivals, offering his knowledge of cinema to writers who wanted his assistance. Death On June 28, 1998, Benair died of a cerebral hemorrhage and heart attack in Van Nuys, California at age 47, six days shy of his 48th birthday. Filmography Film

doc_61

Passage 1: Vera Miletić Vera Miletić (Serbian Cyrillic: Вера Милетић; 8 March 1920 – 7 September 1944) was a Serbian student and soldier. She was notable for being the mother of Mira Marković, posthumously making her the mother-in-law of Serbian president Slobodan Milošević. Personal life Her cousin was Davorjanka Paunović who was the personal secretary of Communist Party of Yugoslavia leader Josip Broz Tito. Passage 2: Beatrice of Provence Beatrice of Provence (c. 1229 – 23 September 1267), was ruling Countess of Provence and Forcalquier from 1245 until her death, as well as Countess of Anjou and Maine, Queen of Sicily and Naples by marriage to Charles I of Naples. She was the fourth and youngest daughter of Ramon Berenguer IV, Count of Provence and Forcalquier by his wife Beatrice, in turn daughter of Count Thomas I of Savoy and Margaret of Geneva. Life Inheritance of Provence and Forcalquier Beatrice, like her sisters, mother and grandmother was known for her beauty. A description of Beatrice said she "set men's hearts thumping and the fingers of troubadours to fevered twanging of lyres. Two of the balladists at the Provencal court were temporarily deprived of reason for love of the entrancing Beatrice" All Ramon Berenguer IV's three older daughters married to titles of status: The eldest, Margaret, was Queen of France by marriage to Louis IX; the second, Eleanor, was Queen of England by marriage to Henry III, and the third, Sanchia, was titular Queen of Germany by marriage to Henry's brother Richard, Earl of Cornwall. King Louis IX's marriage to Margaret had been arranged by his mother, Blanche of Castile, with the hopes that he would inherit Provence and Forcalquier when her father died. In his will signed on 20 June 1238 at Sisteron, Ramon Berenguer IV unexpectedly left the Counties of Provence and Forcalquier to his youngest and still unmarried daughter, Beatrice. Countess of Provence and Forcalquier Ramon Berenguer IV died on 19 August 1245 at Aix-en-Provence, and according to his will, Beatrice became Countess of Provence and Forcalquier in her own right, with the provision that the Dowager Countess could retain the usufruct of the County of Provence for her lifetime. Now, Beatrice became one of the most attractive heiresses in medieval Europe, and soon several suitors appeared for her hand. Firstly, the neighboring rulers of her domains began their claims: the twice-divorced Raymond VII, Count of Toulouse and King James I of Aragon, who, despite being married to Violant of Hungary, invaded Provence and seized the residence of the countess. In addition, the thrice-widowed Frederick II, Holy Roman Emperor, dispatched the imperial navy to Provence to ensure Beatrice could marry one of his sons or even himself. In such a difficult situation, the Dowager Countess decided to act quickly, placing herself and Beatrice in a safe fortress in Aix, secured the trust of its people and then asked Pope Innocent IV for his protection. In Cluny during December 1245, a secret meeting between Pope Innocent IV, Louis IX of France, his mother Blanche of Castile, and his youngest brother Charles took place. It was decided that in return for Louis IX supporting the Pope militarily against Frederick II, the Pope would allow that Charles marry Beatrice. Mother and daughter were satisfied with this selection, but under the terms of the treaty, Provence was to never go to France outright through Charles. It was agreed that if Charles and Beatrice had children, the Counties would go to them; if there was no issue, then the Provence and Forcalquier would go to Sanchia of Provence, and if she died without heirs, the Counties would go to the King of Aragon. Henry III of England protested these terms, arguing that he had not yet received the full dowry for his wife Eleanor nor his brother for Sanchia. He also still had the castles in Provence against the loan he had made to the late Count.Charles, along with Philip of Savoy and five hundred knights, rode from Lyon to Provence. On their way, they ran into Raymond VII of Toulouse, who also had an army on the way to Provence. Raymond VII had been deceived by knights in favour of Charles and for that reason he had brought fewer men, and Charles and his army were quicker. When Charles got to Aix-en-Provence, James I of Aragon, who had been there all along but was not allowed to see Beatrice, had his soldiers surrounding the castle in which the young Beatrice and her mother were. There was a brief struggle, but the King of Aragon retreated with dignity.To the young Beatrice, Charles (who was described as "an admirable young man") was a satisfactory resolution to her problems. Their marriage took place on 31 January 1246 at Aix-en-Provence. They had soldiers on guard and the bride was escorted down the aisle by her uncle, Thomas, Count of Flanders. The inheritance of Beatrice also caused conflicts with her older sisters, who hoped that once their father had died, his domains would be divided between the four; Charles refused to share the Counties with his sisters-in-law. In consequence, the relationship of Charles and Beatrice with the three sisters, who felt cheated by their father's will, remained always tense.As soon as Charles became Count of Provence, he brought in his own team of French lawyers and accountants. He excluded his mother-in-law from the running of the county and began taking castles, power and fees away from the nobles who had previously enjoyed a certain degree of independence in the running of their cities. Charles made himself very unpopular. The Dowager Countess moved herself to Forcalquier in protest, and in Marseille, Charles's officials were thrown out of the city. In the family conflict, Beatrice sided with her husband. Seventh Crusade In May 1247, Charles and Beatrice were recorded as being in Melun, where Charles was knighted by his brother Louis. Beatrice accompanied Charles on the Seventh Crusade in 1248. Led by Louis IX, the crusaders made an extended procession through France. Before they left, Charles and Beatrice met with the Dowager Countess in Beaucaire to try to come to some terms of agreement concerning Provence. Whilst the more important matters were left until Charles and Beatrice returned, it was decided that Beatrice of Savoy would give up the rights to "the castle at Aix in exchange for a percentage of the county's revenue."In Nicosia, Beatrice gave birth to her first child, "a very elegant and wellformed son", as her brother-in-law Robert of Artois wrote home to his mother the Queen; the child lived only a few days. Beatrice stayed with her sister Margaret in Damietta, when they lost contact with the King and his army; here Beatrice gave birth to her second child, while her sister Margaret too gave birth. Later in 1250, they were reunited with the rest of the crusade at Acre, where the King's ransom was paid. Charles and Beatrice, along with several other nobles, left soon after and journeyed to the court of Emperor Frederick II, to ask him to send the King of France more men for his crusade. The Emperor, who had been excommunicated, needed his army to fight the Pope, and refused. Beatrice and Charles returned to Provence in 1251, where some riots erupted at Arles and Avignon, instigated by Beatrice's mother, who felt Charles had failed to respect her claims in Provence. By July 1252 Charles had managed to defeat the revolt and was in the process of exercising his power as Count of Provence. In November of the same year, Blanche of Castile, regent of France while her son Louis IX was on crusade, died. Charles and Beatrice had to go to Paris, where Charles became co-regent of France with his brother, Alphonse. The Pope offered Charles the Kingdom of Sicily in 1252, but Charles had to turn the offer down, as he was preoccupied with other affairs and he also did not have sufficient funds. The crusaders returned in 1254. Charles and Beatrice spent Christmas in Paris that year, where all of Beatrice's sisters and their mother were present; it was noted that the other four women treated the younger Beatrice coldly, due to Raymond Berenguer's will. Queen of Sicily Beatrice's sister Margaret, the new Queen of France, publicly offended her in 1259, by not seating her at the family table; she claimed because Beatrice was not a queen like her sisters, she could not sit with them. Margaret had hoped to provoke her sister in treacherous behaviour so she would have a valid reason to invade Provence. Beatrice "with great grief", went to Charles and he reportedly told her: "Be at peace, for I will shortly make thee a greater Queen than them". When the newly elected Pope Clement IV granted Charles the Kingdom of Sicily, he had to defeat King Manfred, who had fallen out of papal favour. Another contender to win the throne of Sicily was Beatrice's nephew, Edmund Crouchback, but it soon became clear that Charles was the more promising candidate. In order to achieve his goal, Charles needed an army and Beatrice helped her husband raise one. She called on all her knights as well as the young men of France, and according to the later historian Angelo di Costanzo she pledged all her jewels, to make sure they joined her husband's army: Beatrice, to aid [Charles] in the gratification of her ambition, sold all her jewels and personal ornaments, and expended her private treasure in collecting round her standard, not only her own vassals, but the chivalric youth of France, who were attracted to her service not less by her personal solicitations than by her rich gifts. In 1265 Charles of Anjou, with a small contingent, embarked and by sea arrived in Rome, where, on 28 June, he was invested as King of Sicily by the Pope. According to the storia di Manfredi, re di Sicilia e di Puglia of Giuseppe di Cesare who followed the narrative of the storia di Saba Malaspina, Beatrice followed her husband with the remaining army by sea, arriving to Italy only four months later. In November of that year, the army of Charles, composed by 5,000 soldiers and 25,000 infantrymen entered Italy and arrived in Rome in January 1266, where on 6 January both Charles and Beatrice were crowned King and Queen of Sicily by five cardinals sent by the Pope (who was sheltering in Perugia). As soon as the coronation festivities had ended, Beatrice stayed in Rome with a small force to hold the city, whilst Charles rode out to the battle of Benevento. After her husband's victory, she chose the castle of Melfi as their residence. Death Beatrice died on 23 September 1267, a little over a year after becoming queen in either the Castello del Parco at Nocera Inferiore or in Naples (according to the storia di Saba Malaspina). The cause of her death was not recorded, although it is believed that complications following a pregnancy could be the reason. She was initially buried at Cathedral of San Gennaro in Naples, but in 1277 her husband transferred her remains to Aix-en-Provence at the Church of Saint-Jean-de-Malta.Beatrice was the last ruling Countess of Provence and Forcalquier from the House of Barcelona; on her death, she left her Counties to her husband Charles. Issue Charles and Beatrice had the following children: Blanche (1250 – bef. 10 January 1270), married in 1265 Robert of Flanders, Lord of Béthune and Dendermonde (he became Count Robert III in 1305, long after Blanche's death), by whom she had one son, Charles, who died young. Beatrice (1252 – 17 November/12 December 1275), married in 1273 Philip of Courtenay, titular emperor of Constantinople, by whom she had one daughter, Catherine I of Courtenay, titular Empress of Constantinople. Charles II (1254 – 6 May 1309), Count of Anjou and Provence, King of Naples, married Maria of Hungary, by whom he had issue. Philippe (1256 – 1 January 1277), titular King of Thessalonica from 1274 and Prince of Achaïea, married in 1271 Isabella of Villehardouin, Princess of Achaïea and Morea. Robert (1258 – bef. 9 May 1265). Isabelle (1261 – October 1303), married to Ladislaus IV of Hungary. Their marriage was childless. Ancestry Notes Passage 3: Priscilla Pointer Priscilla Marie Pointer (born May 18, 1924) is an American retired actress. She began her career in the theater in the late 1940s, including productions on Broadway. Later, Pointer moved to Hollywood and making appearances on television in the early 1950s. She didn't however become a regular screen actress until the 1970s. She is the mother of actress and singer Amy Irving, (whom she often appeared alongside as her mother or mother-in-law) therefore making her the former mother-in-law of filmmakers Steven Spielberg and Bruno Barreto and the mother-in-law of documentary filmmaker Kenneth Bowser, Jr. Personal life Pointer was born on May 18, 1924, in New York City. Her mother Augusta Leonora (née Davis) was an artist and an illustrator, and her father Kenneth Keith Pointer was an artist. One of her maternal great-grandfathers, Jacob Barrett Cohen, was from a Jewish family that had lived in the United States since the 1700s. Marriages and family Pointer was previously married to film and stage director Jules Irving, former artistic director of Lincoln Center, from 1947 until his death in 1979; they are the parents of Katie Irving, director David Irving, and actress Amy Irving. In 1980, she married actor/director/producer Robert Symonds, who had been Jules Irving's producing partner at Lincoln Center. She appeared several times in stage productions with Symonds, and they remained married until the latter's death in 2007. Her granddaughter is artist and photographer Austin Irving Career Early career Pointer has been a performer since thee late 1940s starting her career in theatre and appearing on Broadway, and she featured in the TV series China Smith (The New Adventures of China Smith) in 1954. After a long hiatus, she seemed to have caught the acting bug again, in the early 1970s and has been a regular performer ever since. Pointer' first major starring role was on the TV soap opera Where the Heart Is as Adrienne Harris Rainey from 1972 and 1973 Films Pointer has appeared in many films, including Carrie (1976), in which she played the onscreen mother of Amy Irving's character; The Onion Field (1979); Mommie Dearest (1981); Twilight Zone: The Movie (1983); A Nightmare on Elm Street 3: Dream Warriors (1987); David Lynch's Blue Velvet; and Coyote Moon (1999). In addition to Carrie, she has played the onscreen mother to Amy Irving in Honeysuckle Rose (1980) and Carried Away (1996). They were both in the films The Competition in 1980 and Micki & Maude in 1984. Pointer appeared in three films that her son David Irving directed: Rumpelstiltskin (a 1987 musical version, which starred her daughter), Good-bye, Cruel World, and C.H.U.D. II: Bud the C.H.U.D. Television She has made many guest appearances on television, including Adam-12, L.A. Law, The A-Team, Judging Amy, The Rockford Files, and Cold Case. From 1981 to 1983, Pointer had a recurring role on the soap opera Dallas as Rebecca Barnes Wentworth, the mother of Cliff Barnes (Ken Kercheval), Pamela Barnes Ewing (Victoria Principal), and Katherine Wentworth (Morgan Brittany). Filmography Film Partial Television Credits Passage 4: Eldon Howard Eldon Howard was a British screenwriter. She was the mother-in-law of Edward J. Danziger and wrote a number of the screenplays for films by his company Danziger Productions. Selected filmography A Woman of Mystery (1958) Three Crooked Men (1958) Moment of Indiscretion (1958) (with Brian Clemens) Innocent Meeting (1959) An Honourable Murder (1960) The Spider's Web (1960) The Tell-Tale Heart (1960) Highway to Battle (1961) Three Spare Wives (1962) Passage 5: Charles I of Anjou Charles I (early 1226/1227 – 7 January 1285), commonly called Charles of Anjou or Charles d'Anjou, was a member of the royal Capetian dynasty and the founder of the second House of Anjou. He was Count of Provence (1246–1285) and Forcalquier (1246–1248, 1256–1285) in the Holy Roman Empire, Count of Anjou and Maine (1246–1285) in France; he was also King of Sicily (1266–1285) and Prince of Achaea (1278–1285). In 1272, he was proclaimed King of Albania, and in 1277 he purchased a claim to the Kingdom of Jerusalem. The youngest son of Louis VIII of France and Blanche of Castile, Charles was destined for a Church career until the early 1240s. He acquired Provence and Forcalquier through his marriage to their heiress, Beatrice. His attempts to restore central authority brought him into conflict with his mother-in-law, Beatrice of Savoy, and the nobility. Charles received Anjou and Maine from his brother, Louis IX of France, in appanage. He accompanied Louis during the Seventh Crusade to Egypt. Shortly after he returned to Provence in 1250, Charles forced three wealthy autonomous cities—Marseilles, Arles and Avignon—to acknowledge his suzerainty. Charles supported Margaret II, Countess of Flanders and Hainaut, against her eldest son, John, in exchange for Hainaut in 1253. Two years later Louis IX persuaded him to renounce the county, but compensated him by instructing Margaret to pay him 160,000 marks. Charles forced the rebellious Provençal nobles and towns into submission and expanded his suzerainty over a dozen towns and lordships in the Kingdom of Arles. In 1263, after years of negotiations, he accepted the offer of the Holy See to seize the Kingdom of Sicily from the Hohenstaufens. This kingdom included, in addition to the island of Sicily, southern Italy to well north of Naples and was known as the Regno. Pope Urban IV declared a crusade against the incumbent Manfred of Sicily and assisted Charles in raising funds for the military campaign. Charles was crowned king in Rome on 5 January 1266. He annihilated Manfred's army and occupied the Regno almost without resistance. His victory over Manfred's young nephew, Conradin, at the Battle of Tagliacozzo in 1268 strengthened his rule. In 1270 he took part in the Eighth Crusade organised by Louis IX, and forced the Hafsid Caliph of Tunis to pay a yearly tribute to him. Charles's victories secured his undisputed leadership among the Papacy's Italian partisans (known as Guelphs), but his influence on papal elections and his strong military presence in Italy disturbed the popes. They tried to channel his ambitions towards other territories and assisted him in acquiring claims to Achaea, Jerusalem and Arles through treaties. In 1281 Pope Martin IV authorised Charles to launch a crusade against the Byzantine Empire. Charles's ships were gathering at Messina, ready to begin the campaign when the Sicilian Vespers rebellion broke out on 30 March 1282 which put an end to Charles's rule on the island of Sicily. He was able to defend the mainland territories (or the Kingdom of Naples) with the support of France and the Holy See. Charles died while making preparations for an invasion of Sicily. Early life Childhood Charles was the youngest child of King Louis VIII of France and Blanche of Castile. The date of his birth has not survived, but he was probably born posthumously in early 1227. Charles was Louis' only surviving son to be "born in the purple" (after his father's coronation), a fact he often emphasised in his youth, as the contemporaneous chronicler Matthew Paris noted in his Chronica Majora. He was the first Capetian to be named for Charlemagne. Louis VIII died in November 1226 and his eldest son, Louis IX, succeeded him. The late King willed that his youngest sons were to be prepared for a career in the Roman Catholic Church. The details of Charles's tuition are unknown, but he received a good education. He understood the principal Catholic doctrines and could identify errors in Latin texts. His passion for poetry, medical sciences, and law is well documented.Charles later said that his mother had a strong impact on her children's education; in reality, Blanche was fully engaged in state administration, and could likely spare little time for her youngest children. Charles lived at the court of a brother, Robert I, Count of Artois, from 1237. About four years later he was put into the care of his youngest brother, Alphonse, Count of Poitiers. His participation in his brothers' military campaign against Hugh X of Lusignan, Count of La Marche, in 1242 showed that he was no longer destined for a Church career. Provence and Anjou Raymond Berengar V of Provence died in August 1245, bequeathing Provence and Forcalquier to his youngest daughter, Beatrice, allegedly because he had given generous dowries to her three sisters. The dowries were actually not fully discharged, causing two of her sisters, Margaret (Louis IX's wife) and Eleanor (the wife of Henry III of England), to believe that they had been unlawfully disinherited. Their mother, Beatrice of Savoy, claimed that Raymond Berengar had willed the usufruct of Provence to her.The Hohenstaufen Emperor Frederick II (whom Pope Innocent IV had recently excommunicated for his alleged "crimes against the Church"), Count Raymond VII of Toulouse and other neighbouring rulers proposed themselves or their sons as husbands for the young Countess. Her mother put her under the protection of the Holy See. Louis IX and Margaret suggested that Beatrice should be given in marriage to Charles. To secure the support of France against Frederick II, Pope Innocent IV accepted their proposal. Charles hurried to Aix-en-Provence at the head of an army to prevent other suitors from invading Provence, and married Beatrice on 31 January 1246. Provence was a part of the Kingdom of Arles and so of the Holy Roman Empire, but Charles never swore fealty to the emperor. He ordered a survey of the counts' rights and revenues, outraging both his subjects and his mother-in-law, who regarded this action as an attack against her rights.Being a younger child, destined for a church career, Charles had not received an appanage (a hereditary county or duchy) from his father. Louis VIII had willed that his fourth son, John, should receive Anjou and Maine upon reaching the age of majority, but John died in 1232. Louis IX knighted Charles at Melun in May 1246 and three months later bestowed Anjou and Maine on him. Charles rarely visited his two counties and appointed baillies (or regents) to administer them.While Charles was absent from Provence, Marseilles, Arles and Avignon—three wealthy cities, directly subject to the emperor—formed a league and appointed a Provençal nobleman, Barral of Baux, as the commander of their combined armies. Charles's mother-in-law put the disobedient Provençals under her protection. Charles could not deal with the rebels as he was about to join his brother's crusade. To pacify his mother-in-law he acknowledged her right to rule Forcalquier and granted a third of his revenues from Provence to her. Seventh Crusade In December 1244 Louis IX took a vow to lead a crusade. Ignoring their mother's strong opposition, his three brothers—Robert, Alphonse and Charles—also took the cross. Preparations for the crusade lasted for years, with the crusaders embarking at Aigues-Mortes on 25 August 1248. After spending several months in Cyprus they invaded Egypt on 5 June 1249. They captured Damietta and decided to attack Cairo in November. During their advance Louis's biographer Jean de Joinville noted Charles's personal courage which saved dozens of crusaders' lives. Robert of Artois died fighting against the Egyptians at Al Mansurah. His three brothers survived, but they had to abandon the campaign. While withdrawing from Egypt, they fell into captivity on 6 April 1250. The Egyptians released Louis, Charles and Alphonse in exchange for 800,000 bezants and the surrender of Damietta on 6 May. During their voyage to Acre, Charles outraged Louis by gambling while the king was mourning Robert's death. Louis remained in the Holy Land, but Charles returned to France in October 1250. Wider ambitions Conflicts and consolidation Charles's officers continued the survey of the counts' rights and revenues in Provence, provoking a new rebellion during his absence. On his return he applied both diplomacy and military force to deal with them. The Archbishop of Arles and the Bishop of Digne ceded their secular rights in the two towns to Charles in 1250. He received military assistance from his brother, Alphonse. Arles was the first town to surrender to them in April 1251. In May they forced Avignon to acknowledge their joint rule. A month later Barral of Baux also capitulated. Marseilles was the only town to resist for several months, but it also sought peace in July 1252. Its burghers acknowledged Charles as their lord, but retained their self-governing bodies. Charles's officials continued to ascertain his rights, visiting each town and holding public enquiries to obtain information about all claims. The count's salt monopoly (or gabelle) was introduced in the whole county. Income from the salt trade made up about 50% of state revenues by the late 1250s. Charles abolished local tolls and promoted shipbuilding and grain trade. He ordered the issue of new coins, called provencaux, to enable the use of the local currency in smaller transactions.Emperor Frederick II, who was also the ruler of Sicily, died in 1250. The Kingdom of Sicily, also known as the Regno, included the island of Sicily and southern Italy nearly as far as Rome. Pope Innocent IV claimed that the Regno had reverted to the Holy See. The Pope first offered it to Richard of Cornwall, but Richard did not want to fight against Frederick's son, Conrad IV of Germany. Then the Pope proposed to enfeoff Charles with the kingdom. Charles sought instructions from Louis IX, who forbade him to accept the offer, because he regarded Conrad as the lawful ruler. After Charles informed the Holy See on 30 October 1253 that he would not accept the Regno, the Pope offered it to Edmund of Lancaster.Queen Blanche, who had administered France during Louis' crusade, died on 1 December 1252. Louis made Alphonse and Charles co-regents, so that he could remain in the Holy Land. Margaret II, Countess of Flanders and Hainaut had come into conflict with her son by her first marriage, John of Avesnes. After her sons by her second marriage were captured in July 1253, she needed foreign assistance to secure their release. Ignoring Louis IX's 1246 ruling that Hainaut should pass to John, she promised the county to Charles. He accepted the offer and invaded Hainaut, forcing most local noblemen to swear fealty to him. After his return to France, Louis IX insisted that his ruling was to be respected. In November 1255 he ordered Charles to restore Hainaut to Margaret, but her sons were obliged to swear fealty to Charles. Louis also ruled that she was to pay 160,000 marks to Charles over the following 13 years.Charles returned to Provence, which had again become restive. His mother-in-law continued to support the rebellious Boniface of Castellane and his allies, but Louis IX persuaded her to return Forcalquier to Charles and relinquish her claims for a lump sum payment from Charles and a pension from Louis in November 1256. A coup by Charles's supporters in Marseilles resulted in the surrender of all political powers there to his officials. Charles continued to expand his power along the borders of Provence in the next four years. He received territories in the Lower Alps from the Dauphin of Vienne. Raymond I of Baux, Count of Orange, ceded the title of regent of the Kingdom of Arles to him. The burghers of Cuneo—a town strategically located on the routes from Provence to Lombardy—sought Charles's protection against Asti in July 1259. Alba, Cherasco, Savigliano and other nearby towns acknowledged his rule. The rulers of Mondovì, Ceva, Biandrate and Saluzzo did homage to him.Emperor Frederick II's illegitimate son, Manfred, had been crowned king of Sicily in 1258. After the English barons had announced that they opposed a war against Manfred, Pope Alexander IV annulled the 1253 grant of Sicily to Edmund of Lancaster. Alexander's successor, Pope Urban IV, was determined to put an end to the Emperor's rule in Italy. He sent his notary, Albert of Parma, to Paris to negotiate with Louis IX for Charles to be placed on the Sicilian throne. Charles met with the Pope's envoy in early 1262.Taking advantage of Charles's absence, Boniface of Castellane stirred up a new revolt in Provence. The burghers of Marseilles expelled Charles's officials, but Barral of Baux stopped the spread of the rebellion before Charles's return. Charles renounced Ventimiglia in favour of the Republic of Genoa to secure her neutrality. He defeated the rebels and forced Castellane into exile. The mediation of James I of Aragon brought about a settlement with Marseilles: its fortifications were dismantled and the townspeople surrendered their arms, but the town retained its autonomy. Conquest of the Regno Louis IX decided to support Charles's military campaign in Italy in May 1263. Pope Urban IV promised to proclaim a crusade against Manfred, while Charles pledged that he would not accept any offices in the Italian towns. Manfred staged a coup in Rome, but the Guelphs elected Charles senator (or the head of the civil government of Rome). He accepted the office, at which a group of cardinals requested that the Pope revoke the agreement with him, but the Pope, being otherwise defenceless against Manfred, could not break with Charles.In the spring of 1264 Cardinals Simon of Brie and Guy Foulquois were sent to France to reach a compromise and start raising support for the crusade. Charles sent troops to Rome to protect the Pope against Manfred's allies. At Foulquois' request, Charles's sister-in-law Margaret (who had not abandoned her claims to her dowry) pledged that she would not take actions against Charles during his absence. Foulquois also persuaded the French and Provençal prelates to offer financial support for the crusade. Pope Urban died before the final agreement was concluded. Charles made arrangements for his campaign against Sicily during the interregnum; he concluded agreements to secure his army's route across Lombardy and had the leaders of the Provençal rebels executed.Foulquois was elected pope in February 1265; he soon confirmed Charles's senatorship and urged him to come to Rome. Charles agreed that he would hold the Kingdom of Sicily as the popes' vassal for an annual tribute of 8,000 ounces of gold. He also promised that he would never seek the imperial title. He embarked at Marseilles on 10 May and landed at Ostia ten days later. He was installed as senator on 21 June and four cardinals invested him with the Regno a week later. To finance further military actions he borrowed money from Italian bankers with the Pope's assistance, who had authorised him to pledge Church property. Five cardinals crowned him king of Sicily on 5 January 1266. The crusaders from France and Provence—reportedly 6,000 fully equipped mounted warriors, 600 mounted bowmen and 20,000 foot soldiers—arrived in Rome ten days later. Charles decided to invade southern Italy without delay, because he was unable to finance a lengthy campaign. He left Rome on 20 January 1266. He marched towards Naples, but changed his strategy after learning of a muster of Manfred's forces near Capua. He led his troops across the Apennines towards Benevento. Manfred also hurried to the town and reached it before Charles. Worried that further delays might endanger his subjects' loyalty, Manfred attacked Charles's army, then in disarray from the crossing of the hills, on 26 February 1266. In the ensuing battle, Manfred's army was defeated and he was killed.Resistance throughout the Regno collapsed and towns surrendered even before Charles's troops reached them. The Saracens of Lucera – a Muslim colony established during Frederick II's reign – paid homage to him. His commander, Philip of Montfort, took control of the island of Sicily. Manfred's widow, Helena of Epirus, and their children were captured. Charles laid claim to her dowry – the island of Corfu and the region of Durazzo (now Durrës in Albania) – by right of conquest. His troops seized Corfu before the end of the year. Conradin Charles was lenient with Manfred's supporters, but they did not believe that this conciliatory policy could last. They knew that he had promised to return estates to the Guelph lords expelled from the Regno. Neither could Charles gain the commoners' loyalty, partly because he continued enforcing the subventio generalis despite the popes declaring it an illegal charge. He introduced a ban on the use of foreign currency in large transactions and made a profit of the compulsory exchange of foreign coinage for locally minted currency. He also traded in grain, spices and sugar, through a joint venture with Pisan merchants.Pope Clement censured Charles for his methods of state administration, describing him as an arrogant and obstinate monarch. The consolidation of Charles's power in northern Italy also alarmed Clement. To appease the Pope, Charles resigned his senatorship in May 1267. His successors, Conrad Monaldeschi and Luca Savelli, demanded the re-payment of the money that Charles and the Pope had borrowed from the Romans.Victories by the Ghibellines, the imperial family's supporters, forced the Pope to ask Charles to send his troops to Tuscany. Charles's troops ousted the Ghibellines from Florence in April 1267. After being elected the Podestà (ruler) of Florence and Lucca for seven years, Charles hurried to Tuscany. Charles's expansionism along the Papal States's borders alarmed Pope Clement and he decided to change the direction of Charles's ambitions. The Pope summoned him to Viterbo, forcing him to promise that he would abandon all claims to Tuscany in three years. He persuaded Charles to conclude agreements with William of Villehardouin, Prince of Achaea, and the titular Latin Emperor Baldwin II in late May. According to the first treaty, Villehardouin acknowledged Charles's suzerainty and made Charles's younger son, Philip, his heir, also stipulating that Charles would inherit Achaea if Philip died childless. Baldwin confirmed the first agreement and renounced his claims to suzerainty over his vassals in favour of Charles. Charles pledged that he would assist Baldwin in recapturing Constantinople from the Byzantine emperor, Michael VIII Palaiologos, in exchange for one third of the conquered lands. Charles returned to Tuscany and laid siege to the fortress of Poggibonsi, but it did not fall until the end of November. Manfred's staunchest supporters had meanwhile fled to Bavaria to attempt to persuade Conrad IV's 15-year-old son Conradin to assert his hereditary right to the Kingdom of Sicily. After Conradin accepted their proposal, Manfred's former vicar in Sicily, Conrad Capece, returned to the island and stirred up a revolt. At Capece's request Muhammad I al-Mustansir, the Hafsid caliph of Tunis, allowed Manfred's former ally, Frederick of Castile, to invade Sicily from North Africa. Frederick's brother, Henry—who had been elected senator of Rome—also offered support to Conradin. Henry had been Charles's friend, but Charles had failed to repay a loan to him.Conradin left Bavaria in September 1267. His supporters' revolt was spreading from Sicily to Calabria; the Saracens of Lucera also rose up. Pope Clement urged Charles to return to the Regno, but he continued his campaign in Tuscany until March 1268, when he met with the Pope. In April, the Pope made Charles imperial vicar of Tuscany "during the vacancy of the empire", a move of dubious legality. Charles marched to southern Italy and laid siege to Lucera, but he then had to hurry north to prevent Conradin's invasion of Abruzzo in late August. At the Battle of Tagliacozzo, on 23 August 1268, it appeared that Conradin had won the day, but a sudden charge by Charles's reserve routed Conradin's army.The burghers of Potenza, Aversa and other towns in Basilicata and Apulia massacred their fellows who had agitated on Conradin's behalf, but the Sicilians and the Saracens of Lucera did not surrender. Charles marched to Rome where he was again elected senator in September. He appointed new officials to administer justice and collect state revenues. New coins bearing his name were struck. During the following decade, Rome was ruled by Charles's vicars, each appointed for one year.Conradin was captured at Torre Astura. Most of his retainers were summarily executed, but Conradin and his friend, Frederick I, Margrave of Baden, were brought to trial for robbery and treason in Naples. They were sentenced to death and beheaded on 29 October. Conrad of Antioch was Conradin's only partisan to be released, but only after his wife threatened to execute the Guelph lords she held captive in her castle. The Ghibelline noblemen of the Regno fled to the court of Peter III of Aragon, who had married Manfred's daughter, Constance. Mediterranean empire Italy Charles's wife, Beatrice of Provence, had died in July 1267. The widowed Charles married Margaret of Nevers in November 1268. She was co-heiress to her father, Odo, the eldest son of Hugh IV, Duke of Burgundy. Pope Clement died on 29 November 1268. The papal vacancy lasted for three years, which strengthened Charles's authority in Italy, but it also deprived him of the ecclesiastic support that only a pope could provide.Charles returned to Lucera to personally direct its siege in April 1269. The Saracens and the Ghibellines who had escaped to the town resisted until starvation forced them to surrender in August 1269. Charles sent Philip and Guy of Montfort to Sicily to force the rebels there into submission, but they could only capture Augusta. Charles made William l'Estandart the commander of the army in Sicily in August 1269. L'Estandart captured Agrigento, forcing Frederick of Castile and Frederick Lancia to seek refuge in Tunis. After L'Estandart's subsequent victory at Sciacca, only Capece resisted, but he also had to surrender in early 1270.Charles's troops forced Siena and Pisa—the last towns to resist him in Tuscany—to sue for peace in August 1270. He granted privileges to the Tuscan merchants and bankers which strengthened their position in the Regno. His influence was declining in Lombardy, because the Lombard towns no longer feared an invasion from Germany after Conradin's death. In May 1269 Charles sent Walter of La Roche to represent him in the province, but this failed to strengthen his authority. In October Charles's officials convoked an assembly at Cremona, and invited the Lombard towns to attend. The Lombard towns accepted the invitation, but some towns—Milan, Bologna, Alessandria and Tortona—only confirmed their alliance with Charles, without acknowledging his rule. Eighth Crusade Louis IX never abandoned the idea of the liberation of Jerusalem, but he decided to begin his new crusade with a military campaign against Tunis. According to his confessor, Geoffrey of Beaulieu, Louis was convinced that al-Mustansir of Tunis was ready to convert to Christianity. The 13th-century historian Saba Malaspina stated that Charles persuaded Louis to attack Tunis, because he wanted to secure the payment of the tribute that the rulers of Tunis had paid to the former Sicilian monarchs.The French crusaders embarked at Aigues-Mortes on 2 July 1270; Charles departed from Naples six days later. He spent more than a month in Sicily, waiting for his fleet. By the time he landed at Tunis on 25 August, dysentery and typhoid fever had decimated the French army. Louis died the day Charles arrived.The crusaders twice defeated Al-Mustansir's army, forcing him to sue for peace. According to the peace treaty, signed on 1 November, Al-Mustansir agreed to fully compensate Louis' son and successor, Philip III of France, and Charles for the expenses of the military campaign and to release his Christian prisoners. He also promised to pay a yearly tribute to Charles and to expel Charles's opponents from Tunis. The gold from Tunis, along with silver from the newly opened mine at Longobucco, enabled Charles to mint new coins, known as carlini, in the Regno.Charles and Philip departed Tunis on 10 November. A storm dispersed their fleet at Trapani and most of Charles's galleys were lost or damaged. Genoese ships returning from the crusade were also sunk or forced to land in Sicily. Charles seized the damaged ships and their cargo, ignoring all protests from the Ghibelline authorities of Genoa. Before leaving Sicily he granted temporary tax concessions to the Sicilians, because he realised that the conquest of the island had caused much destruction. Attempts to expand Charles accompanied Philip III as far as Viterbo in March 1271. Here they failed to convince the cardinals to elect a new pope. Charles's brother, Alphonse of Poitiers, fell ill. Charles sent his best doctors to cure him, but Alphonse died. He claimed the major part of Alphonse's inheritance, including the Marquisate of Provence and the County of Poitiers, because he was Alphonse's nearest kin. After Philip III objected, he took the case to the Parlement of Paris. In 1284 the court ruled that appanages escheated to the French crown if their rulers died without descendants. An earthquake destroyed the walls of Durazzo in the late 1260s or early 1270s. Charles's troops took possession of the town with the assistance of the leaders of the nearby Albanian communities. Charles concluded an agreement with the Albanian chiefs, promising to protect them and their ancient liberties in February 1272. He adopted the title of King of Albania and appointed Gazzo Chinardo as his vicar-general. He also sent his fleet to Achaea to defend the principality against Byzantine attacks.Charles hurried to Rome to attend the enthronement of Pope Gregory X on 27 March 1272. The new pope was determined to put an end to the conflicts between the Guelphs and the Ghibellines. While in Rome Charles met with the Guelph leaders who had been exiled from Genoa. After they offered him the office of captain of the people, Charles promised military assistance to them. In November 1272 Charles commanded his officials to take prisoner all Genoese within his territories, except for the Guelphs, and to seize their property. His fleet occupied Ajaccio in Corsica. Pope Gregory condemned his aggressive policy, but proposed that the Genoese should elect Guelph officials. Ignoring the Pope's proposal, the Genoese made alliance with Alfonso X of Castile, William VII of Montferrat and the Ghibelline towns of Lombardy in October 1273.The conflict with Genoa prevented Charles from invading the Byzantine Empire, but he continued to forge alliances in the Balkan Peninsula. The Bulgarian ruler, Konstantin Tih, was the first to conclude a treaty with him in 1272 or 1273. John I Doukas of Thessaly and Stefan Uroš I, King of Serbia, joined the coalition in 1273. However, Pope Gregory forbade Charles to attack, because he hoped to unify the Orthodox and Catholic churches with the assistance of Emperor Michael VIII.The renowned theologian Thomas Aquinas died unexpectedly near Naples on 7 March 1274, before departing to attend the Second Council of Lyon. According to a popular legend, immortalised by Dante Alighieri, Charles had him poisoned, because he feared that Aquinas would make complaint against him. The historian Steven Runciman emphasises that "there is no evidence for supposing that the great doctor's death was not natural". Southern Italian churchmen at the council accused Charles of tyrannical acts. Their report reinforced the Pope's attempt to reach a compromise with Rudolf of Habsburg, who had been elected king of Germany by the prince-electors of the Holy Roman Empire. In June, the Pope acknowledged Rudolf as the lawful ruler of both Germany and Italy. Charles's sisters-in-law, Margaret and Eleanor, approached Rudolf, claiming that they had been unlawfully disinherited in favour of Charles's late wife.Michael VIII's personal envoy announced at the Council of Lyon on 6 July that he had accepted the Catholic creed and papal primacy. About three weeks later, Pope Gregory again prohibited Charles from launching military actions against the Byzantine Empire. The Pope also tried to mediate a truce between Charles and Michael, but the latter chose to attack several smaller states in the Balkans, including Charles's vassals. The Byzantine fleet took control of the maritime routes between Albania and southern Italy in the late 1270s. Gregory only allowed Charles to send reinforcements to Achaea. The organisation of a new crusade to the Holy Land remained the Pope's principal object. He persuaded Charles to start negotiations with Maria of Antioch about purchasing her claim to the Kingdom of Jerusalem. The High Court of Jerusalem had already rejected her in favour of Hugh III of Cyprus, but the Pope had a low opinion of Hugh.The war with Genoa and the Lombard towns increasingly occupied Charles's attention. He appointed his nephew Robert II of Artois as his deputy in Piedmont in October 1274, but Artois could not prevent Vercelli and Alessandria from joining the Ghibelline League. The following summer, a Genoese fleet plundered Trapani and the island of Gozo. Convinced that only Rudolf I could achieve a compromise between the Guelphs and Ghibellines, the Pope urged the Lombard towns to send envoys to him. He also urged Charles to renounce Tuscany. In the autumn of 1275 the Ghibellines offered to make peace with Charles, but he did not accept their terms. Early the next year the Ghibellines defeated his troops at Col de Tende, forcing them to withdraw to Provence. Papal elections Pope Gregory X died on 10 January 1276. After the hostility he experienced during Gregory's pontificate, Charles was determined to secure the election of a pope willing to support his plans. Gregory's successor, Pope Innocent V, had always been Charles's partisan and he rapidly confirmed Charles as senator of Rome and imperial vicar of Tuscany. He also mediated a peace treaty between Charles and Genoa, which was signed in Rome on 22 June 1276. Charles restored the privileges of the Genoese merchants and renounced his conquests, and the Genoese acknowledged his rule in Ventimiglia.Pope Innocent died on 30 June 1276. After the cardinals assembled in the Lateran Palace, Charles's troops surrounded it, enabling only his allies to communicate with other cardinals and with outsiders. On 11 July the cardinals elected Charles's old friend, Ottobuono de' Fieschi, pope, but he died on 18 August. The cardinals met again, this time at Viterbo. Although Charles was staying in the nearby Vetralla, he could not directly influence the election, because his vehement opponent, Cardinal Giovanni Gaetano Orsini, dominated the papal conclave. Pope John XXI, who was elected on 20 September, excommunicated Charles's opponents in Piedmont and prohibited Rudolf from coming to Lombardy, but did not forbid the Lombardian Guelph leaders swearing fealty to Rudolf. The Pope also confirmed the treaty concluded by Charles and Maria of Antioch on 18 March which transferred her claims to Jerusalem to Charles for 1,000 bezants and a pension of 4,000 livres tournois.Charles appointed Roger of San Severino to administer the Kingdom of Jerusalem as his bailiff. San Severino landed at Acre on 7 June 1277. Hugh III's bailiff, Balian of Arsuf, surrendered the town without resistance. Although initially only the Knights Hospitaller and the Venetians acknowledged Charles as the lawful ruler, the barons of the realm also paid homage to San Severino in January 1278, after he had threatened to confiscate their estates. The Mamluks of Egypt had already confined the kingdom to a coastal strip covering 2,600 km2 (1,000 square miles) and Charles had ordered San Severino to avoid conflicts with Egypt.Pope John died on 20 May 1277. Charles was ill and could not prevent the election of Giovanni Gaetano Orsini as Pope Nicholas III on 25 November. The Pope soon declared that no foreign prince could rule in Rome and reminded Charles that he had been elected senator for ten years. Charles swore fealty to the new pope on 24 May 1278 after lengthy negotiations. He had to pledge that he would renounce both the senatorship of Rome and the vicariate of Tuscany in four months. On the other hand, Nicholas III confirmed the excommunication of Charles's enemies in Piedmont and started negotiations with Rudolf to prevent him from making an alliance against Charles with Margaret of Provence and her nephew, Edward I of England. The negotiations with Rudolf lay behind Nicholas' refusal to renew Charles's vicariate in Tuscany, to which Rudolf had appointed his own vicar.Charles announced his resignation from the senatorship and the vicariate on 30 August 1278. He was succeeded by the Pope's brother, Matteo Orsini, in Rome, and by the Pope's nephew, Cardinal Latino Malabranca, in Tuscany. To ensure that Charles fully abandoned his ambitions in central Italy the Pope started negotiations with Rudolf about the restoration of the Kingdom of Arles for Charles's grandson, Charles Martel. Margaret of Provence sharply opposed the plan, but Philip III of France did not stand by his mother. After lengthy negotiations, in the summer of 1279 Rudolf recognised Charles as the lawful ruler of Provence without demanding his oath of fealty. An agreement about Charles Martel's rule in Arles and his marriage to Rudolf's daughter, Clemence, was signed in May 1280. The plan disturbed the rulers of the lands along the Upper Rhone, especially Duke Robert II and Count Otto IV of Burgundy.Charles had meanwhile inherited the Principality of Achaea from William II of Villehardouin, who had died on 1 May 1278. He appointed the unpopular senechal of Sicily, Galeran of Ivry, as his baillif in Achaea. Galeran could not pay his troops who started to pillage the peasants' homes. John I de la Roche, Duke of Athens, had to lend money to him to finance their salaries. Nicephoros I of Epirus acknowledged Charles's suzerainty on 14 March 1279 to secure his assistance against the Byzantines. Nicephoros also ceded three towns—Butrinto, Sopotos and Panormos—to Charles.Pope Nicholas died on 22 August 1280. Charles sent agents to Viterbo to promote the election of one of his supporters, taking advantage of the rift between the late Pope's relatives and other Italian cardinals. When a riot broke out in Viterbo, after the cardinals had not reached a decision for months, Charles's troops took control of the town. On 22 February 1281 his staunchest supporter, Simon of Brie, was elected pope. Pope Martin IV dismissed his predecessor's relatives and made Charles the senator of Rome again. Guido I da Montefeltro rose up against the Pope, but Charles's troops under Jean d'Eppe stopped the spread of the rebellion at Forlì. Charles also sent an army to Piedmont, but Thomas I, Marquess of Saluzzo, annihilated it at Borgo San Dalmazzo in May. End of the Church union Pope Martin excommunicated Emperor Michael VIII on 10 April 1281 because the Emperor had not imposed the Church union in his empire. The Pope soon authorised Charles to invade the empire. Charles's vicar in Albania, Hugh of Sully, had already laid siege to the Byzantine fortress of Berat. A Byzantine army of relief under Michael Tarchaneiotes and John Synadenos arrived in March 1281. Sully was ambushed and captured, his army put to flight and the interior of Albania was lost to the Byzantines. On 3 July 1281 Charles and his son-in-law, Philip of Courtenay, the titular Latin emperor, made an alliance with Venice "for the restoration of the Roman Empire". They decided to start a full-scale campaign early the next year.Margaret of Provence called Robert and Otto of Burgundy and other lords who held fiefs in the Kingdom of Arles to a meeting at Troyes in the autumn of 1281. They were willing to unite their troops to prevent Charles's army from taking possession of the kingdom, but Philip III of France strongly opposed his mother's plan and Edward I of England would not promise any assistance to them. Charles acknowledged that his wife held the County of Tonnerre and her other inherited estates as a Burgundian fief, which appeased Robert of Burgundy. Charles's ships started to assemble at Marseilles to sail up the Rhone in the spring of 1282. Another fleet was gathering at Messina to start the crusade against the Byzantine Empire. The empire's collapse Sicilian Vespers Always in need of funds, Charles could not cancel the subventio generalis, although it was the most unpopular tax in the Regno. Instead he granted exemptions to individuals and communities, especially to the French and Provençal colonists, which increased the burden on those who did not enjoy such privileges. The yearly, or occasionally more frequent, obligatory exchange of the deniers—the coins almost exclusively used in local transactions—was also an important, and unpopular, source of revenue for the royal treasury. Charles took out forced loans whenever he needed "immediately a large sum of money for certain arduous and pressing business", as he explained in one of his decrees.Purveyances, the requisitioning of goods, increased the unpopularity of Charles's government in southern Italy and Sicily. His subjects were also liable to be forced to guard prisoners or lodge soldiers in their homes. The restoration of old fortresses, bridges and aqueducts and the building of new castles required the employment of craftsmen, although most of them were unwilling to participate in such lengthy projects. Thousands of people were forced to serve in the army in foreign lands, especially after 1279. Trading in salt was declared a royal monopoly. In December 1281, Charles again ordered the collection of the subventio generalis, requiring the payment of 150% of the customary amount.Charles did not pay attention to the island of Sicily, although it had been the centre of resistance against him in 1268. He transferred the capital from Palermo to Naples. He did not visit the island after 1271, preventing Sicilians from directly informing him of their grievances. Sicilian noblemen were seldom employed as royal officials, although he often appointed their southern Italian peers to represent him in his other realms. Furthermore, having seized large estates on the island in the late 1260s Charles almost exclusively employed French and Provençal clerics to administer them.Popular stories credited John of Procida—Manfred of Sicily's former chancellor—with staging an international plot against Charles. Legend says that he visited Constantinople, Sicily and Viterbo in disguise in 1279 and 1280 to convince Michael VIII, the Sicilian barons and Pope Nicholas III to support a revolt. On the other hand, Michael VIII would later claim that he "was God's instrument in bringing freedom to the Sicilians" in his memoirs. The Emperor's wealth enabled him to send money to the discontented Sicilian barons. Peter III of Aragon decided to lay claim to the Kingdom of Sicily in late 1280: he did not hide his disdain when he met with Charles's son, Charles, Duke of Salerno, in Toulouse in December 1280. He began to assemble a fleet, ostensibly for another crusade to Tunis.Rioting broke out in Sicily after a burgher of Palermo killed a drunken French soldier who had insulted his wife before the Church of the Holy Spirit on Easter Monday (30 March), 1282. When the soldier's comrades attacked the murderer, the mob turned against them and started to massacre all the French in the town. The riot, known since the 16th century as the Sicilian Vespers, developed into an uprising and most of Charles's officials were killed or forced to flee the island. Charles ordered the transfer of soldiers and ships from Achaea to Sicily, but could not stop the spread of the revolt to Calabria. San Severino also had to return to Italy, accompanied by the major part of the garrison at Acre. Odo Poilechien, who succeeded him in Acre, had limited authority.The burghers of the major Sicilian towns established communes which sent delegates to Pope Martin, asking him to take them under the protection of the Holy See. Instead of accepting their offer, the Pope excommunicated the rebels on 7 May. Charles issued an edict on 10 June, accusing his officials of having ignored his instructions on good administration, but he failed to promise fundamental changes. In July he sailed to Sicily and laid siege to Messina. War with Aragon Peter III of Aragon's envoy, William of Castelnou, started negotiations with the rebels' leaders in Palermo. Realizing that they could not resist without foreign support, they acknowledged Peter and Constance as their king and queen. They appointed envoys to accompany Castelnou to Collo where the Aragonese fleet was assembling. After a short hesitation, Peter decided to intervene on the rebels' behalf and sailed to Sicily. He was declared king of Sicily at Palermo on 4 September. Thereafter two realms, each ruled by a monarch styled king (or queen) of Sicily, coexisted for more than a century, with Charles and his successors ruling in southern Italy (known as the Kingdom of Naples) while Peter and his descendants ruled the island of Sicily.In the face of the Aragonese landing, Charles was compelled to withdraw from the island, but the Aragonese moved swiftly and destroyed part of his army and most of his baggage. Peter took control of the whole island and sent troops to Calabria, but they could not prevent Charles of Salerno from leading an army of 600 French knights to join his father at Reggio Calabria. Further French troops arrived under the command of Charles's nephews, Robert II of Artois and Peter of Alençon, in November. In the same month, the Pope excommunicated Peter.Neither Peter nor Charles could afford to wage a lengthy war. Charles made an astonishing proposal in late December 1282, challenging Peter to a judicial duel. Peter insisted that the war should be continued, but agreed that a battle between the two kings, each accompanied by 100 knights, should decide the possession of Sicily. The duel was set to take place at Bordeaux on 1 June 1283, but they did not fix the hour. Charles appointed Charles of Salerno to administer the Regno during his absence. To secure the loyalty of the local lords in Achaea, he made one of their peers, Guy of Dramelay, baillif. Pope Martin declared the war against the Sicilians a crusade on 13 January 1283. Charles met with the Pope in Viterbo on 9 March, but he ignored the Pope's ban on his duel with Peter of Aragon. After visiting Provence and Paris in April, he left for Bordeaux to meet with Peter. The duel turned into a farce; the two kings each arriving at different times on the same day, declaring a victory over their absent opponent, and departing.Skirmishes and raids continued to occur in southern Italy. Aragonese guerrillas attacked Catona and killed Peter of Alençon in January 1283; the Aragonese seized Reggio Calabria in February; and the Sicilian admiral, Roger of Lauria, annihilated a newly raised Provençal fleet at Malta in April. However, tensions arose between the Aragonese and the Sicilians and in May 1283 one of the leaders of the anti-Angevin rebellion, Walter of Caltagirone, was executed for his secret correspondence with Charles's agents. Pope Martin declared the war against Aragon a crusade and conferred the kingdom upon Philip III of France's son, Charles of Valois, on 2 February 1284.Charles started to raise new troops and a fleet in Provence, and instructed his son, Charles of Salerno, to maintain a defensive posture until his return. Roger of Lauria based a small squadron on the island of Nisida to blockade Naples in May 1284. Charles of Salerno attempted to destroy the squadron, but most of his fleet was captured, and he himself was taken prisoner after a short, sharp fight on 5 June. News of the reverse caused a riot in Naples, but the papal legate, Gerard of Parma, crushed it with the assistance of local noblemen. Charles learnt of the disaster when he landed at Gaeta on 6 June. He was furious at Charles of Salerno and his disobedience. He allegedly stated that "Who loses a fool loses nothing", referring to his son's capture.Charles left Naples for Calabria on 24 June 1284. A large army—reportedly 10,000 mounted warriors and 40,000 foot-soldiers—accompanied him as far as Reggio Calabria. He laid siege to the town by sea and land in late July. His fleet approached the coast of Sicily, but his troops could not land in the island. After Lauria landed troops near Reggio Calabria, Charles had to lift the siege and retreat from Calabria on 3 August. Death Charles went to Brindisi and made preparations for a campaign against Sicily in the new year. He dispatched orders to his officials for the collection of the subventio generalis. However, he fell seriously ill before travelling to Foggia on 30 December. He made his last will on 6 January 1285, appointing Robert II of Artois regent for his grandson, Charles Martel, who was to rule his realms until Charles of Salerno was released. He died in the morning of 7 January. He was buried in a marble sepulchre in Naples, but his heart was placed at the Couvent Saint-Jacques in Paris. His corpse was moved to a chapel of the newly built Naples Cathedral in 1296. Family All records show that Charles was a faithful husband and a caring father. His first wife, Beatrice of Provence, gave birth to at least six children. According to contemporaneous gossips, she persuaded Charles to claim the Kingdom of Sicily, because she wanted to wear a crown like her sisters. Before she died in July 1267, she had willed the usufruct of Provence to Charles. Blanche, the eldest daughter of Charles and Beatrice, became the wife of Robert of Béthune in 1265, but she died four years later. Beatrice, her younger sister, married Philip, the titular Latin emperor, in 1273. Charles II, Charles's eldest son and namesake was granted the Principality of Salerno in 1272. Charles the Lame (as he was called) and his wife, Maria of Hungary, had fourteen children, which secured the survival of the Capetian House of Anjou. Philip, Charles and Beatrice's next son, was elected king of Sardinia by the local Guelphs in 1269, but without the pope's consent. He died childless in 1278. Robert, Charles's third son, died in 1265. Elisabeth, Charles's youngest daughter, was given in marriage to the future Ladislaus IV of Hungary in 1269, but Ladislaus preferred his mistresses to her.The widowed Charles first proposed himself to Margaret of Hungary. However, Margaret, who had been brought up in a Dominican nunnery, did not want to marry. According to legend, she disfigured herself to prevent the marriage. Charles and his second wife, Margaret of Nevers, had several children, but none survived to adulthood. Legacy The works of two 13th-century historians, Bartholomaeus of Neocastro and Saba Malaspina, strongly influenced modern views about Charles, although they were biased. The former described Charles as a tyrant to justify the Sicilian Vespers, the latter argued for the cancellation of the crusade against Aragon in 1285. Charles had continued his imperial predecessors' policies in several fields, including coinage, taxation, and the employment of unpopular officials from Amalfi. Nevertheless, the monarchy underwent a "Frenchification" or "Provençalistion" during his reign. He donated estates in the Regno to about 700 noblemen from France or Provence. He did not adopt the rich ceremonial robes, inspired by Byzantine and Islamic art, of earlier Sicilian kings, but dressed like other western European monarchs, or as "a simple knight", as it was observed by the chronicler Thomas Tuscus who visited Naples in 1267. Around 1310, the Florentine historian, Giovanni Villani, stated that Charles had been the most powerful Christian monarch in the late 1270s. Luchetto Gattilusio, a Genoese poet, compared Charles directly with Charlemagne. Both reports demonstrate that Charles was regarded almost as an emperor. Among modern historians, Runciman says that Charles tried to build an empire in the eastern Mediterraneum; Gérard Sivéry writes that he wanted to dominate the west; and Jean Dunbabin argues that his "agglomeration of lands was in the process of forming an empire".The historian Hiroshi Takayama concludes that Charles's dominion "was too large to control". Nevertheless, economic links among his realms strengthened during his reign. Provençal salt was transported to his other lands, grain from the Regno was sold in Achaea, Albania, Acre and Tuscany, and Tuscan merchants settled in Anjou, Maine, Sicily and Naples. His highest-ranking officials were transferred from their homelands to represent him in other territories: his senechals in Provence were from Anjou; French and Provençal noblemen held the highest offices in the Regno; and he chose his vicars in Rome from among southern Italian and Provençal nobles. Although his empire collapsed before his death, his son retained southern Italy and Provence.Charles always emphasised his royal rank, but did not adopt "imperial rhetoric". His renowned justiciar, Marino de Caramanico, developed a new political theory. Traditional interpretators of Roman law were convinced that the Holy Roman Emperors had a monopoly on law-making. In contrast with them, Caramanico stated that an emperor could not claim sovereignty over a king and emphasised Charles full competence to issue decrees. To promote legal education Charles paid high salaries—20–50 ounces of gold in a year—to masters of law at the University of Naples. Masters of medicine received similar remunerations, and the university became a principal centre of medical science. Charles's personal interest in medicine grew during his life and he borrowed Arabic medical texts from the rulers of Tunis to have them translated. He employed at least one Jewish scholar, Moses of Palermo, who could translate texts from Arabic to Latin. Muhammad ibn Zakariya al-Razi's medical encyclopaedia, known as Kitab al-Hawi, was one of the books translated at Charles's order.Charles was also a poet, which distinguished him from his Capetian relatives. He composed love songs and a jeu-parti (the latter with Pierre d'Angicourt). He was requested to judge two poetic competitions in his youth, but modern scholars do not esteem his poetry. The Provençal troubadours were mostly critical when writing of Charles, but French poets were willing to praise him. Bertran d'Alamanon wrote a poem against the salt tax and Raimon de Tors de Marseilha rebuked Charles for invading the Regno. The trouvère Adam de la Halle dedicated an unfinished epic poem, entitled The King of Sicily, to Charles and Jean de Meun glorified his victories in the Romance of the Rose. Dante described Charles—"who bears a manly nose"—singing peacefully together with his one-time rival, Peter III of Aragon, in Purgatory.Charles also showed interest in architecture. He designed a tower in Brindisi, but it soon collapsed. He ordered the erection of the Castel Nuovo in Naples, of which only the palatine chapel survives. He is also credited with the introduction of French-style glassed windows in southern Italy. Notes Passage 6: Marian Shields Robinson Marian Lois Robinson (née Shields; born July 29, 1937) is the mother of Michelle Obama, former First Lady of the United States, and Craig Robinson, a basketball executive. She is the mother-in-law of 44th U.S. President Barack Obama. Ancestry and early life Marian Shields was born in Chicago in 1937, the fourth of seven children—five girls, followed by two boys—born to Purnell Nathaniel Shields, a house painter and carpenter, and his wife Rebecca Jumper, a licensed practical nurse. Both parents had multi-racial ancestry. Her mother's grandfather, Dolphus T. Shields (c. 1860–1950), was a direct descendant of slavery, with his mother a slave and his white father the heir of the slaveowner; he had moved from rural Georgia to Birmingham, Alabama, where he established his own carpentry and tool sharpening business. His descendants would eventually move to Chicago during the Great Migration. Personal life Shields married Fraser Robinson III on October 27, 1960, in Chicago. They had two children together, Craig Malcolm and Michelle LaVaughn, named after Fraser's mother. She worked as a secretary for mail-order retailer Spiegel, the University of Chicago, and a bank. In the late 60's, Shields lived with her family in a rented second floor apartment of a brick bungalow the South Side of Chicago that belonged to her aunt Robbie and her husband Terry. This is where she raised her two children, Michelle and Craig, and continued to live until she eventually moved to the White House with the Obamas. Michelle Obama, in her book Becoming, describes her mother's strong attachment to her Chicago home and her commitment to raising her children as a stay at home mother. Shields resumed work as an executive assistant at a bank when her daughter Michelle started high school. Relationship with Michelle Obama Michelle describes her mother as forthright and honest, and speaks of her implacability and her silent support as a child and beyond. Shields used to take her daughter Michelle to the library long before she started school and used to sit beside her as she learned to read and write. Usually the kind of mother who expected her children to settle their own disputes, Shields was quick to see real distress and stepped in to help when needed. For example, when Michelle was in second grade and was distressed because of being devalued by a teacher, Shields advocated for her and was instrumental in getting her daughter better learning opportunities at school. Shields encouraged her children to communicate with her about all subjects by being available when needed and giving practical advice. She entertained Michelle's school friends when they visited and enabled her to make her own choices in important matters. Obama campaign and life in the White House While Michelle and Barack Obama campaigned for his candidacy as president in 2008, Robinson helped them by providing support to her granddaughters, Malia and Sasha Obama. During Barack Obama's presidency, Robinson was living at the White House with the First Family.

doc_62

Passage 1: Pablo Alborán Pablo Moreno de Alborán Ferrándiz (born 31 May 1989), popularly known as Pablo Alborán, is a Spanish musician and singer-songwriter. Throughout his career, Alborán has released five studio albums, two live albums, and various musical collaborations. His records are distributed by Warner Music Spain which he was signed to in 2013. That year he released "Solamente Tú", the lead single from his 2011 self-titled debut album. The track topped the charts in his home country for two consecutive weeks. The album peaked at number one in its first week of sales, making Alborán the first solo artist to sign a complete debut album to rank to the top since 1998 in Spain. Alborán was nominated for Best New Artist at the 12th Latin Grammy Awards.Alborán's sophomore record Tanto (2012) spawned the number one singles "Quién" and "El Beso". It received a Latin Grammy Award for Album of the Year. His third studio album Terral (2014) spawned the chart-topping singles "Por Fin" and "Pasos de Cero" and received a Grammy Award nomination for Best Latin Pop Album. Alborán embarked on a huge concert tour Tour Terral, which visited Europe, North, and South America. Its respective live album Tres Noches en Las Ventas marked Alborán's second Album of the Year nomination. In 2017, Alborán released his fourth studio album Prometo to critical and commercial success. It spawned the singles "Saturno" and "No Vaya a Ser", among others. He released his fifth album Vértigo in 2020, followed by his sixth album La Cuarta Hoja in 2022. Throughout his career, Alborán has won a Goya Award for Best Original Song, nine LOS40 Music Awards, two Gaviota de Oro and two Premios Dial, among others. Throughout the years, Alborán has been nominated for three Grammy Awards as well as twenty-three Latin Grammy Awards. Music career From a very young age, he was interested in learning to play various musical instruments such as piano, classical guitar, flamenco guitar, and acoustic guitar, and attended singing lessons with professional artists in Málaga and Madrid. In 2002, at the age of 12, he composed his first songs, "Amor de Barrio" (Neighbourhood Love) and "Desencuentro" (Disagreement) which would be featured 10 years later on his debut album. In Málaga he performed for the first time with a Flamenco band in a restaurant, and he was nicknamed El Blanco Moreno (The White Moreno), because he "was very pale-skinned and Moreno was my family name", as he stated in an interview in early 2011. Later, Pablo met producer Manuel Illán and recorded a demo, which included a cover of "Deja de Volverme Loca" (Stop Driving Me Crazy) by Diana Navarro. Upon hearing this recording, Navarro expressed great interest in Alborán and became his musical mentor.In preparation for his first album, Alborán composed a total of 40 songs from which the playlist would be selected. During the recording of this studio album, Pablo Alborán, he uploaded a few songs on YouTube, which gained the attention of many, including singer Kelly Rowland who was amazed by his voice, as far as saying "I'm in love with Pablo Alboran!". His videos have since received millions of views. "Solamente Tú" (Only You) was digitally released in Spain in October 2010 as the first single of his debut album, which was released in February 2011. Both the single and the album were a huge success, managing to top the Spanish music charts for several consecutive weeks. The album won multiple awards, including RTVE's Album of the Year for 2011, and became Spain's best-selling album of that year.Alborán began his first world tour on 27 May 2011 in Madrid at the Palacio Vistalegre, and has since performed in many Latin American countries, among which are Argentina, Chile and Mexico. Following his success, he released his first live album, En Acústico, in November of the same year. It included acoustic versions of most of the tracks in his debut album, as well as two new songs and four bonus tracks. The song "Perdóname" (Forgive Me) was re-recorded featuring Portuguese singer Carminho, and was released as the first single of the album, peaking at number one on the Spanish singles chart on 13 November 2011, thus helping En Acústico to debut also at number one on the albums chart one week later, on 20 November 2011, and to top the Portuguese Albums Chart in January 2012. On 19 December 2011, Alborán received the 2011 Best New Act award in Los Premios 40 Principales. Both his albums Pablo Alborán and En Acústico were featured in Spain's official list of top-selling albums of 2011, at number 1 and number 6, respectively, and singles "Solamente Tú" and "Perdóname" were the respective third and nineteenth best-selling songs in Spain in 2011.In January 2012, Alborán collaborated on the charity single, "Cuestión de Prioridades por el Cuerno de África" (A matter of priorities for the horn of Africa).In September 2012, Alborán released the lead single "Tanto" from his forthcoming album Tanto which was released in November 2012. The album was certified 10× Platinum in Spain and was the highest selling album in Spain in 2012 and 2013. The album included two number one singles in Spain, "El Beso" (The Kiss) and "Quién" (Who). The album received Latin Grammy Awards.Alborán released his third studio album Terral in November 2014. The album became his fourth straight number 1 album in Spain and has been certified 8× Platinum. It was the highest selling album in Spain in 2014.In April 2016, "Se Puede Amar" was released, which is the first single of the forthcoming fourth studio album. Throughout 2016, Alborán toured Central America. In August, Alboran re-released "Dónde está el Amor" with Brazilian singer Tiê. It was included in the telenovela soundtrack Haja Coração.On 8 September 2017, after a two-year break, Alborán announced on his social networks that he was finishing preparing what would be his fourth studio album, Prometo. He released two singles ("Saturno" and "No Vaya a Ser") on the same day. "Saturno" is a ballad, reminiscent of his beginnings as a singer, while "No Vaya a Ser" is a different style flirting with electronics and African rhythms. Prometo was released on 17 November 2017 and debuted at number 1 in Spain. Personal life Alborán is the son of Spanish architect Salvador Moreno de Alborán Peralta and Elena Ferrándiz Martínez. From a father from Malaga and a French mother, the daughter of Spaniards born in Casablanca during the French protectorate of Morocco.In June 2020, Alborán came out as gay. As of December 2020, Alborán resides in Málaga. Discography Studio albums Live albums Singles As main artist As featured artist Other charting songs Awards Grammy Awards The Grammy Awards are awarded annually by the National Academy of Recording Arts and Sciences in the United States. Alborán has received three nominations. Latin Grammy Awards The Latin Grammy Awards are awarded annually by the Latin Academy of Recording Arts & Sciences in the United States. Alborán has received twenty-four nominations. TVyNovelas Awards The TVyNovelas Awards are presented annually by Televisa and the magazine TVyNovelas to honor the best Mexican television productions, including telenovelas. Goya Awards The Goya Awards, known in Spanish as los Premios Goya, are awarded annually by the Academia de las Artes y las Ciencias Cinematográficas de España (Spanish Academy of Cinematic Art and Science) in Spain. Alborán has received one award. Notes Passage 2: Kristian Leontiou Kristian Leontiou (born February 1982) is an English singer. Formerly a solo artist, he is the lead singer of indie rock band One eskimO. Early life Kristian Leontiou was born in London, England and is of Greek Cypriot descent. He went to Hatch End High School in Harrow and worked several jobs in and around London whilst concentrating on music when he had any free time. In 2003 he signed a major record deal with Polydor. At the time, Leontiou was dubbed "the new Dido" by some media outlets. His debut single "Story of My Life" was released in June 2004 and reached #9 in the UK Singles Chart. His second single "Shining" peaked at #13 whilst the album Some Day Soon was certified gold selling in excess of 150,000 copies. Leontiou toured the album in November 2004 taking him to the US to work with L.A Reid, Chairman of the Island Def Jam music group. Unhappy with the direction his career was going, on a flight back from the US in 2004 he decided to take his music in a new direction. Splitting from his label in late 2005, he went on to collaborate with Faithless on the song "Hope & Glory" for their album ‘'To All New Arrivals'’. It was this release that saw him unleash the One eskimO moniker. It was through working with Rollo Armstrong on the Faithless album, that Rollo got to hear an early demo of "Astronauts" from the One eskimO project. Being more than impressed by what he heard, Rollo opened both his arms and studio doors to Leontiou and they began to co-produce the ‘'All Balloons’' album. It was at this time that he paired up with good friend Adam Falkner, a drummer/musician, to introduce a live acoustic sound to the album. They recorded the album with engineer Phill Brown (engineer for Bob Marley and Robert Plant) at Ark studios in St John's Wood where they recorded live then headed back to Rollo's studio to add the cinematic electro touches that are prominent on the album. Shortly after its completion, One eskimO's "Hometime" was used on a Toyota Prius advert in the USA. The funds from the advert were then used to develop the visual aspect of One eskimO. He teamed up with friend Nathan Erasmus (Gravy Media Productions) along with animation team Smuggling Peanuts (Matt Latchford and Lucy Sullivan) who together began to develop the One eskimO world, the first animation produced was for the track ‘Hometime’ which went on to win a British animation award in 2008. In 2008 Leontiou started a new management venture with ATC Music. By mid-2008 Time Warner came on board to develop all 10 One eskimO animations which were produced the highly regarded Passion Pictures in London. Now with all animation complete and a debut album, One eskimO prepare to unveil themselves fully to the world in summer 2009. Leontiou released a cover version of Tracy Chapman's "Fast Car", which was originally released as a single in 2005. Leontiou's version was unable to chart, however, due to there being no simultaneous physical release alongside the download single, a UK chart rule that was in place at the time. On 24 April 2011, the song entered the singles chart at number 88 due to Britain's Got Talent contestant Michael Collings covering the track on the show on 16 April 2011. Discography Albums Singles Notes A - Originally released as a single in April 2005, Leontiou's version of "Fast Car" did not chart until 2011 in the UK. Also featured on Now That's What I Call Music! 58 (Story of My Life) Win a Date with Tad Hamilton! OST, Love Love Songs - The Ultimate Love Collection (Shining) Summerland OST (The Crying) Passage 3: Billy Milano Billy Milano (born June 3, 1964) is an American heavy metal and hardcore punk musician. He is the singer and occasionally guitarist and bassist of crossover thrash band M.O.D., and was the singer of its predecessor, Stormtroopers of Death. Prior to these bands, Milano played in early New York hardcore band the Psychos, which also launched the career of future Agnostic Front vocalist Roger Miret. Milano was also the singer of United Forces, which included his Stormtroopers of Death bandmate Dan Lilker. Milano managed a number of bands, including Agnostic Front, for whom he also co-produced the 1997 Epitaph Records release Something's Gotta Give and roadie for Anthrax. Discography Stormtroopers of Death albums Stormtroopers of Death videos Method of Destruction (M.O.D.) Mastery Passage 4: O Valencia! "O Valencia!" is the fifth single by the indie rock band The Decemberists, and the first released from their fourth studio album, The Crane Wife. The music was written by The Decemberists and the lyrics by Colin Meloy. It tells a story of two star-crossed lovers. The singer falls in love with a person who belongs to an opposing gang. At the end of the song, the singer's lover jumps in to defend the singer, who is confronting his lover's brother (the singer's "sworn enemy") and is killed by the bullet intended for the singer. Track listing The 7" single sold in the UK was mispressed, with "Culling of the Fold" as the B-side despite the artwork and record label listing "After the Bombs" as the B-side. Music videos For the "O Valencia!" music video, The Decemberists filmed themselves in front of a green screen and asked fans to complete it by digitally adding in background images or footage. Stephen Colbert of The Colbert Report, having recently asked fans to do the same with a video of him with a light saber in front of a green screen, brought up The Decemberists on his segment "Look Who's Riding on My Coattails Now" and accused the band of stealing the idea. The Decemberists' response was to challenge Stephen Colbert to a guitar solo showdown on December 20, 2006, on The Colbert Report.On January 19, 2007, The Decemberists premiered an alternate music video of "O Valencia!", directed by Aaron Stewart-Ahn, on MTV2. The video follows a character named Patrick, played by Meloy, as he and his love Francesca (Lisa Molinaro), daughter of "the Boss", plan an escape to an unknown location. At a cafe, a man in a suit, portrayed by the band member Chris Funk, tells him to hide in the "Valencia" hotel (the Super Value Inn on North Interstate Avenue in Portland, Oregon) while he gets them the necessary documentation to escape. Above the name of the hotel, there is a neon sign that reads "Office". The letters have all burnt out except for the "O", creating the title of the song. The video then introduces other characters - various assassination teams - who sit in different rooms of the hotel waiting for the chance to catch the two lovers. Most are portrayed by other members of the band (along with Meloy's wife, Carson Ellis). They kill off any potential witnesses to their plan. Patrick manages to take down one member from each team, before they gang up on him. The Boss arrives, along with the man from the cafe, who reveals that he snitched on Patrick and Francesca. They execute Francesca, while forcing Patrick to watch. After they leave, Patrick finds a note by Francesca, which reveals that she never fell in love with him, and only wanted protection. 2 months later, Patrick and the man, who has lost an eye from a previous assassination attempt, have a sit-down at the same cafe. The man reveals that he snitched on Patrick just to take over the town. Patrick reveals that he poisoned a drink the man was having, but before he could get away, the man stabs Patrick in the neck with a fork before dying, followed by Patrick. The video is somewhat influenced by the distinct style and themes of director Wes Anderson, with bold fonts being used to introduce characters and groups on the bottom of the screen (much like in the film The Royal Tenenbaums). The band had previously (and more explicitly) drawn influence from Anderson's Rushmore in their video for "Sixteen Military Wives". The layout of the hotel is also similar to the one used in Bottle Rocket. Kurt Nishimura was chosen as the winner by mtvU for his video that depicted a love affair between a woman and her television, with the TV containing the green-screened Decemberists video footage. Passage 5: Astrid North Astrid North (Astrid Karina North Radmann; 24 August 1973, West Berlin – 25 June 2019, Berlin) was a German soul singer and songwriter. She was the singer of the German band Cultured Pearls, with whom she released five Albums. As guest singer of the band Soulounge she published three albums. Career North had her first experiences as a singer with her student band Colorful Dimension in Berlin. In March 1992 she met B. La (Bela Braukmann) and Tex Super (Peter Hinderthür) who then studied at the Hochschule für Musik und Theater Hamburg and who were looking for a singer for their band Cultured Pearls. The trio entered the German charts with four singles and four albums. In 1994 North sang for the dance-pop band Big Light on their hit single Trouble Is. In 1996 she was a guest on the side project Little Red Riding Hood by Fury in the Slaughterhouse brothers Kai and Thorsten Wingenfelder which resulted in the release of the single Life's Too Short from the eponymous album.The song Sleepy Eyes, texted and sung by North, appears in the soundtrack of the movie Tor zum Himmel (2003) by director Veit Helmer. In 2003 she appeared at the festival Das Fest in Karlsruhe and sang alongside her own songs a cover version of the Aerosmith hit Walk This Way together with the German singer Sasha. North also toured with the American singer Gabriel Gordon.After the end of her band Cultured Pearls in 2003 North moved 2004 to New York City to write new songs, work with a number of different musicians and to experiment with her music.In 2005 she joined the charity project Home, which produced an album for the benefit of the orphans from the Beluga School for Life in Thailand which have been affected by the Indian Ocean earthquake in 2004 and the subsequent tsunami. Beside the orphans themselves also the following artists have been involved, guitarist Henning Rümenapp (Guano Apes), Kai Wingenfelder (Fury in the Slaughterhouse), Maya Saban and others. With Bobby Hebb Astrid North recorded a new version of his classic hit Sunny. It was the first time Hebb sung this song as duett and it appeared on his last album That's All I Wanna Know. North sang in 2006 My Ride, Spring Is Near and No One Can Tell on the album The Ride by Basic Jazz Lounge, a project by jazz trumpeter Joo Kraus. In addition, she worked as a workshop lecturer of the Popkurs at the Hochschule für Musik und Theater Hamburg. In spring 2010 North performed as the opening act of the Fakebling-Tour of Miss Platnum. The magazine Der Spiegel described her as one of the "leading ladies of the local soul scene". On 20 July 2012 her solo debut album North was released. On 16 September 2016 Astrid North released her second solo album, Precious Ruby, dedicated to her grandmother Precious Ruby North. North used crowdfunding to finance the album. The first single published from this album was the song Miss Lucy. In 2016 she also started her concert series North-Lichter in Berlin's Bar jeder Vernunft to which she invited singers such as Katharina Franck, Elke Brauweiler, Lizzy Scharnofske, Mia Diekow, Lisa Bassenge or Iris Romen. Life Astrid North was born in West Berlin, West Germany to Sondria North and Wolf-Dieter Radmann. She commuted between her birth city and her family in Houston, Texas until she was nine years old. In the USA she lived mainly with her grandparents and her time there significantly shaped her musical development.Besides her music career Astrid North worked also as lecturer in Hamburg at the Hochschule für Musik und Theater and as yoga teacher. North was the mother of two children, her daughter was born in 2001 and her son in 2006. Her sister Ondria North works as make-up artist and hair stylist in the German film industry. She died in June 2019 at the age of 45 years from pancreatic cancer. Discography with Cultured PearlsAlbums 1996: Sing Dela Sing (German chart position 92, 3 weeks) 1997: Space Age Honeymoon (German chart position 54, 6 weeks) 1999: Liquefied Days (German chart position 19, 9 weeks) 2002: Life on a Tuesday (German chart position 74, 1 week)Singles 1996: Tic Toc (1996) (German chart position 65, 10 weeks) 1997: Sugar Sugar Honey (German chart position 72, 9 weeks) 1998: Silverball (German chart position 99, 2 weeks) 1999: Kissing the Sheets (German chart position 87, 9 weeks)with Soulounge 2003: The Essence of the Live Event – Volume One 2004: Home 2006: Say It AllSolo 2005: Sunny (Single, Bobby Hebb feat. Astrid North) 2012: North (Album, 20. Juli 2012) 2013: North Live (Album, live recordings from different venues in Germany) 2016: Sunny (Compilation, Bobby Hebb feat. Astrid North) 2016: Precious Ruby (Album, 16. September 2016)as guest singer 1994: Trouble Is – Big Light (Single) 1996: Life's Too Short – Little Red Riding Hood (Single) 2006: Basic Jazz Lounge: The Ride – Joo Kraus (Album) Passage 6: Caspar Babypants Caspar Babypants is the stage name of children's music artist Chris Ballew, who is also the vocalist and bassist of The Presidents of the United States of America. History Ballew's first brush with children's music came in 2002, when he recorded and donated an album of traditional children's songs to the nonprofit Program for Early Parent Support titled "PEPS Sing A Long!" Although that was a positive experience for him, he did not consider making music for families until he met his wife, collage artist Kate Endle. Her art inspired Ballew to consider making music that "sounded like her art looked" as he has said. Ballew began writing original songs and digging up nursery rhymes and folk songs in the public domain to interpret and make his own. The first album, Here I Am!, was recorded during the summer of 2008 and released in February 2009. Ballew began to perform solo as Caspar Babypants in the Seattle area in January 2009. Fred Northup, a Seattle-based comedy improvisor, heard the album and offered to play as his live percussionist. Northrup also suggested his frequent collaborator Ron Hippe as a keyboard player. "Frederick Babyshirt" and "Ronald Babyshoes" were the Caspar Babypants live band from May 2009 to April 2012. Both Northup and Hippe appear on some of his recordings but since April 2012 Caspar Babypants has exclusively performed solo. The reasons for the change were to include more improvisation in the show and to reduce the sound levels so that very young children and newborns could continue to attend without being overstimulated. Ballew has made two albums of Beatles covers as Caspar Babypants. Baby Beatles! came out in September 2013 and Beatles Baby! came out in September 2015. Ballew runs the Aurora Elephant Music record label, books shows, produces, records, and masters the albums himself. Distribution for the albums is handled by Burnside Distribution in Portland, Oregon. Caspar Babypants has released a total of 17 albums. The 17th album, BUG OUT!, was released on May 1, 2020. His album FLYING HIGH! was nominated for a Grammy Award for Best Children's Album. All 17 of the albums feature cover art by Ballew's wife, Kate Endle. "FUN FAVORITES!" and "HAPPY HITS!" are two vinyl-only collections of hit songs that Caspar Babypants has released in the last couple of years. Discography AlbumsPEPS (2002) Here I Am! (Released 03/17/09) Special guests: Jen Wood, Fysah Thomas More Please! (Released 12/15/09) Special guests: Fred Northup, Ron Hippe This Is Fun! (Released 11/02/10) Special guests: Fred Northup, Ron Hippe, Krist Novoselic, Charlie Hope Sing Along! (Released 08/16/11) Special guests: Fred Northup, Ron Hippe, "Weird Al" Yankovic, Stone Gossard, Frances England, Rachel Loshak Hot Dog! (Released 04/17/12) Special guests: Fred Northup, Ron Hippe, Rachel Flotard (Visqueen) I Found You! (Released 12/18/12) Special guests: Steve Turner (Mudhoney), Rachel Flotard (Visqueen), John Richards Baby Beatles! (Released 09/15/13) Rise And Shine! (Released 09/16/14) Night Night! (Released 03/17/15) Beatles Baby! (Released 09/18/2015) Away We Go! (Released 08/12/2016) Winter Party! (Released 11/18/16) Jump For Joy! (Released 08/18/17) Sleep Tight! (Released 01/19/18) Keep It Real! (Released 08/17/18) Best Beatles! (Released 03/29/19) Flying High! (Released 08/16/19) Bug Out! (released 05/1/20) Happy Heart! (Released 11/13/20) Easy Breezy! (Released 11/05/21)AppearancesMany Hands: Family Music for Haiti CD (released 2010) – Compilation of various artists Songs Stories And Friends: Let's Go Play – Charlie Hope (released 2011) – vocals on Alouette Shake It Up, Shake It Off (released 2012) – Compilation of various artists Keep Hoping Machine Running – Songs Of Woody Guthrie (released 2012) – Compilation of various artists Apple Apple – The Harmonica Pocket (released 2013) – vocals on Monkey Love Simpatico – Rennee and Friends (released 2015) – writer and vocals on I Am Not Afraid Sundrops – The Harmonica Pocket (released 2015) – vocals on Digga Dog Kid Passage 7: Jim Bob James Robert Morrison, known as Jim Bob, is a British musician and author. He was the singer of indie punk band Carter the Unstoppable Sex Machine. Biography Jim Bob played in various bands during the late 1970s and early 1980s, including Jamie Wednesday, who were performing between 1984 and 1987. In 1987 Jamie Wednesday split up just before a gig at the London Astoria. Morrison and Les "Fruitbat" Carter filled in, playing along to a backing tape, and Carter USM was born. Jim Bob and Les Carter had known each other since the late 1970s, when their bands The Ballpoints (featuring Jim on vocals) and Dead Clergy (Les on bass and vocals) used to rehearse at the same studio behind Streatham station. When The Ballpoints' bassist quit at the end of 1980, Carter joined the band, who than went on to play several gigs under the name Peter Pan's Playground. He was a member of Carter USM. The band split up in 1997. Since Carter USM, Jim Bob has released two albums and three singles with his disco-pop-punk group Jim's Super Stereoworld, seven solo albums as Jim Bob or James Robert Morrison, and played various live shows both with his band and solo. In 2001, he joined his old Carter bandmate Fruitbat on stage once again, as part of the group Who's The Daddy Now?. In 2005, Cherry Red released a DVD of a live solo acoustic performance, titled Live From London, featuring songs from his solo career as well as many Carter USM tracks. This was followed by a concept album, School, released in March 2006. A best-of album was released in the autumn of 2006, accompanied by a UK tour. This was originally intended as a download-only release, but a physical CD was produced. The album was accompanied by a free CD of Jim Bob and Jim's Super Stereoworld rarities. The cover design was re-worked by Jim Bob from an image by Jim Connolly. The album A Humpty Dumpty Thing was released in November 2007 by Cherry Red Records. The album came with a Jim Bob-penned-mini novel, "Word Count". A single from the album, "Battling The Bottle", was released with Jim Bob's re-working of the children's song "The Wheels on the Bus" on the B-side. Jim Bob's next solo record, Goffam, was a semi-concept album about a city in the grip of crime, deserted by its superheroes. He toured the UK in April and September 2009 promoting the album. In December 2009 Jim Bob performed his 2004 song "Angelstrike!" as part of the shows The Return of 9 Lessons and Carols for Godless People for two nights at the Bloomsbury Theatre and at Hammersmith Apollo. This was broadcast on BBC4 television under the title 'Nerdstack'. His debut novel Storage Stories was released on the day of a UK general election, 6 May 2010, by Ten Forty Books. This was followed by three novels with major publishers: Driving Jarvis Ham, The Extra Ordinary Life of Frank Derrick, Age 81 and Frank Derrick's Holiday of a Lifetime. Jim Bob's autobiography, Goodnight Jim Bob – On The Road With Carter The Unstoppable Sex Machine, was published by Cherry Red Books in 2004. The sequel, Jim Bob from Carter, was published by Cherry Red Books on 23 March 2019. The double novel A Godawful Small Affair and Harvey King Unboxes His Family, written under the name J.B. Morrison, was published by Cherry Red Books in March 2020. The 26-second song "2020 WTF!" was released in March 2020 on Cherry Red Records. It was the first single from Jim Bob's August 2020 album, Pop Up Jim Bob. The second single, "Jo's Got Papercuts", followed in June, and a third, "If it Ain't Broke", was released in July. The album Pop Up Jim Bob was released on Cherry Red Records on 14 August 2020. Entering the official UK album chart at number 26, it was Jim Bob's first top-30 LP since Carter The Unstoppable Sex Machine. Jim Bob's 13th solo album, Who Do We Hate Today, was released on Cherry Red Records on 20 August 2021 and reached 34 in the UK album charts, his second top-40 solo LP. Solo discography All releases credited as Jim Bob unless otherwise stated. See Carter USM and Jamie Wednesday for those bands' discographies. Albums Jim's Super Stereoworld, 2001 (Jim's Super Stereoworld) JR, 2001 (James Robert Morrison) Big Flash Car on a Saturday Night, 2002 (Jim's Super Stereoworld) Goodnight Jim Bob, 2003 Angelstrike!, 2004 School, 2006 Best of Jim Bob, 2006 A Humpty Dumpty Thing, November 2007 Goffam, April 2009 What I Think About When I Think About You, November 2013 Jim Bob Sings Again, November 2016 Pop Up Jim Bob, August 2020 Who Do We Hate Today, August 2021 The Essential Jim Bob, November 2022 Thanks for Reaching Out, June 2023 Singles Jim's Super Stereoworld – "Bonkers in the Nut", 1999 Jim's Super Stereoworld – "Could U B The 1 I Waited 4", 1999 Jim's Super Stereoworld – "Bubblegum EP", 2002 "Dumb and Dumber", March 2005 "Battling The Bottle (Fighting The Flab, At War with the World)", November 2007 "The Man Behind the Counter of the Science Fiction Superstore", Marc 2009 "Our Heroes", June 2009 "Dream Come True", September 2013 "Breaking News", October 2013 "2020 WTF!", April 2020 Other releases Acoustic Party 7A Free CD recorded by Morrison at home and given away to the first 10 people to visit the T-shirt stall and ask for Marc or Neil on the October 2003 tour Stolen from Westlife25 readers of Morrison's book won a copy of the CD 'Stolen From Westlife' – 8 cover versions recorded by Morrison – after answering some questions posed by the author on page 95. BuskerA free CD recorded by Morrison and containing six acoustic covers, the CD is currently being issued only to members of Morrison's "street team". The CD includes a cover of a track originally written and recorded by his former Carter bandmate Les Carter. DVDs Live From London, 2005A DVD featuring a live acoustic performance of Jim Bob songs and Carter USM songs. Bonus features include an interview with Morrison, Morrison reading excerpts from his autobiography and the video for the Jim's Super Stereoworld song "Bubblegum". NATIONAL TREASURE – Live at the Shepherd’s Bush Empire , July 2019 Bibliography Non-fiction Goodnight Jim Bob (2006) – On the Road With Carter The Unstoppable Sex Machine Jim Bob's autobiographic tale of his time on tour with Carter USM. Published by Cherry Red Books. Jim Bob from Carter: In the Shadow of my Former Self (2019) Published by Cherry Red BooksFiction Storage Stories (2010) – Jim Bob's debut novel, which took six years to write. described as a darkly comic rollercoaster ride full of thrills, spills and warm sick on the back of the neck. Published by 1040 Books. Driving Jarvis Ham (2012) – Jim Bob's second novel, following the life of the awkward character of Jarvis Ham, from the perspective of his oldest friend. A brilliantly witty story of unconventional, unwavering, and regularly exasperating friendship. Published by The Friday Club/HarperCollins The Extra Ordinary Life of Frank Derrick, Age 81 (June 2014) – Under the name J.B. Morrison. Published by Pan Macmillan. Frank Derrick's Holiday Of A Lifetime (2015) Published by Pan Macmillan A Godawful Small Affair b/w Harvey King Unboxes His Family (2020) – Under the name J.B. Morrison. Published by Cherry Red Books Passage 8: Panda (Astro song) Astro is the first album of long duration (after the EP Le disc of Astrou) of Chilean indie band Astro, released in 2011. The first single from the album was "Ciervos" and followed "Colombo", "Panda" and "Manglares". This album was chosen by National Public Radio among the 50 discs of 2012. Track listing All tracks written by Andrés Nusser, except where noted. Ciervos (Deer) Coco (Coconut) Colombo Druida de las nubes (Druid of the clouds) Panda Miu-Miu Manglares (Mangroves) Mira, está nevando en las pirámides (Look, it's snowing in the pyramids) Volteretas (Tumbles) Pepa Nueces de Bangladesh (Nuts of Bangladesh) Miu-Miu reaparece (Miu-Miu reappears) Personnel Astro Andrés Nusser – vocals, guitar Octavio Caviares – drums Lego Moustache – keyboards, percussion Zeta Moustache – keyboards, bassProduction Andrés Nusser – producer, recording and mixing Chalo González – mixing and mastering Cristóbal Carvajal – recording Ignacio Soto – recording Passage 9: Bernie Bonvoisin Bernard Bonvoisin (French pronunciation: ​[bɛʁnaʁ bɔ̃vwazɛ̃]), known as Bernie Bonvoisin (French pronunciation: ​[bɛʁni bɔ̃vwazɛ̃], born 9 July 1956 in Nanterre, Hauts-de-Seine), is a French hard rock singer and film director. He is best known for having been the singer of Trust. He was one of the best friends of Bon Scott the singer of AC/DC and together they recorded the song "Ride On" which was one of the last songs by Bon Scott. External links Bernie Bonvoisin at IMDb Passage 10: El Beso (song) El Beso may refer to: El Beso (sculpture), a sculpture in the Miraflores district of Lima, Peru El Beso (Mon Laferte song) El Beso (Pablo Alborán song)

doc_63

Passage 1: Troy Andes Troy Andes (born April 16, 1981, in Pittsburgh, Pennsylvania) is an American politician and a Republican member of the West Virginia House of Delegates representing District 58 since January 12, 2013. Andes served consecutively from January 2007 until January 2013 in a District 14 seat. Education Andes earned his BS from Virginia Tech and his MBA from Marshall University. Elections 2012 Redistricted to District 15, and with its incumbents redistricted to District 16, Andes was challenged in the May 8, 2012 Republican Primary, winning with 1,792 votes (82.0%), and was unopposed for the November 6, 2012 General election, winning with 7,004 votes. 2006 When District 14 Republican Representative Mike Hall ran for West Virginia Senate and left a district seat open, Andes placed in the five-way 2006 Republican Primary and was elected in the three-way two-position November 7, 2006 General election against Democratic nominee Gene Estel. 2008 Andes and fellow Republican incumbent Representative Patti Schoen were unopposed for the May 13, 2008 Republican Primary, where Andes placed first with 2,337 votes (52.2%), and placed first in the four-way two-position November 4, 2008 General election with 9,323 votes (31.4%) ahead of Representative Schoen and Democratic nominees Jeffrey Martin and Karen Corea. 2010 When Representative Schoen retired and left a district seat open, Andes placed first in the five-way May 11, 2010 Republican Primary, winning with 2,034 votes (42.8%), and placed first in the three-way two-position November 2, 2010 General election with 8,159 votes (40.3%) ahead of fellow Republican nominee Brian Savilla and Democratic nominee Catherine Larck. Passage 2: LeRoy D. Brown LeRoy D. Brown was the first president of University of Nevada. History Nevada became a state in 1864. Its constitution mandated the establishment of a state university with departments in agriculture, the mechanic arts, and mining, along with a state normal school for teacher training. The constitution specified that the state university would be controlled by an elected Board of Regents. The Nevada Legislature established the first State University campus in Elko, Nevada. Its Preparatory Department opened for enrollment in October 1874 with the goal of enhancing Nevada's young people to be ready for college-level study. D. R. Sessions served as Principal of the preparatory department. The Elko campus closed on July 15, 1885, when it was determined that Reno would provide a larger population for higher education students. The Board of Regents selected Dr. Leroy D. Brown to be the first president of the University of Nevada at the new Reno campus. A veteran of the American Civil War, he had taught in Ohio for twenty years and had been elected to the office of Commissioner of Education in Ohio. He was working for a bank in Ohio when he was recruited to Nevada. His administration began in September, 1887, before the first campus building, Morrill Hall, was completely constructed. By October, 50 students were enrolled. The Board of Regents selected Hannah Keziah Clapp of Carson City to be his assistant and a faculty member of the university. President Brown established the departments of mining and metallurgy, natural science and the Nevada State Normal School. The Secretary of War detailed a U. S. Army officer to provide drill and military tactics instruction to all male students. The first group of cadets was organized in the fall of 1888. Lieutenant Arthur C. Ducat was also employed as Professor of Modern Languages, later providing drawing instruction and calisthenics training for female students the first physical education curriculum at the university. President Brown and the other faculty developed organized a curriculum involving three areas of study: the School of Liberal Arts, the School of Agriculture, and the School of Mechanic Arts and Mining. The Nevada Agricultural Experiment Station was founded in response to the Congressional Hatch Act of March 2, 1887. Hatch Hall was completed in 1889, becoming the second building on the Reno campus. By the end of Brown's administration, the School of Mechanic Arts was separate from the School of Mining, and a Business (Commercial) Department had been created. The Commercial Department was for non-college students. Its first diplomas were issued in 1889. He resigned on January 1, 1890, later sending his son to attend the university. Timeline 1848 - Born in Center Township, Noble County, Ohio on November 3. Developed a reading habit, early in his life and visited the old township library in his neighborhood. 1864 - Ran away from home and enlisted as a member of Company H, 116 O. V. I. in which he served until the end of the war. 1866-1867 – Taught school 1867 – Brown prepared for college at an academy in Athens, Ohio 1869 – Became a student and was later awarded graduation at Ohio Wesleyan University at Delaware, Ohio. (A.B. ’79, A.M ’82) 1871 – Appointed Noble County Examiner 1873 – Principal of graded school in Newport, Ohio 1874 – Called to superintendency of the Belpre Ohio schools 1875 – Superintendent at Eaton, Ohio 1878 – Married Miss Esther Emma Gable of Eaton, Ohio 1879 – Brown was elected to position of Superintendent of Public schools at Hamilton, Ohio and was reelected and held the office until he became State Commissioner. 1883 – Earned Ph.D. at Baker University, San Luis Obispo. 1884-1887 – Entered into a three-year office as Ohio State Commissioner of Common Schools. 1887 – Brown moved his family to Alliance, Ohio to pursue the banking business. 1887 – 1890 - At age 38, LeRoy Brown received an offer and moved his family of seven (wife, Esther, plus five small children) to Reno, Nevada to become Nevada State University President (September 1887 - January 1, 1890). 1890-1892 – Became supervising Principal of Santa Monica Schools from 1890 to 1892 1893 to 1894 – moved to Los Angeles and became superintendent of city schools. He was reelected for another year and his salary was raised from $2,700 to $3,000 per year. Two weeks later he resigned, as he preferred the principal position of a High School and there was a vacant position. 1898 – Died January 13. San Luis Obispo, California Passage 3: Tsuruichi Hayashi Tsuruichi Hayashi (林 鶴一, Hayashi Tsuruichi, June 13, 1873 – October 4, 1935) was a Japanese mathematician and historian of Japanese mathematics. He was born in Tokushima, Japan.He was the founder of the Tohoku Mathematical Journal. Passage 4: Keith Andes Keith Andes (born John Charles Andes, July 12, 1920 – November 11, 2005) was an American film, radio, musical theater, stage and television actor. Early life and education Andes was born to Mr. and Mrs. William G. Andes in Ocean City, New Jersey. By the age of 12, he was featured on the radio.The family moved to Upper Darby, Pennsylvania, near Philadelphia. Andes attended Upper Darby High School and found work on radio singing and acting throughout his high school years.He attended St Edward's School in Oxford, England, and graduated from Temple University in Philadelphia, where he was a member of Sigma Pi fraternity, in 1943 with a bachelor's degree in education. While at Temple, he did not participate in the university's theater program, but spent his time working as a disc jockey for several Philadelphia-area radio stations, including KYW, WFIL, and WIP. After graduating from Temple, he studied voice at the Philadelphia Conservatory of Music in Center City Philadelphia. He was known for his baritone voice. Career Early performances He began his acting career while serving in the United States Army Air Forces during World War II. He served three years and sang and acted in United Service Organization shows. He was cast in the play Winged Victory and then cast by 20th Century Fox in the film Winged Victory (1944).In 1947, Andes received a Theater World Award for his Broadway debut performance in a revival of the operetta The Chocolate Soldier.In 1947, he had a role in the movie The Farmer's Daughter, the film that won Loretta Young her Best Actress Oscar. Andes, Lex Barker and James Arness played the title character's powerfully built and highly protective brothers. Andes' first leading role in a feature film came with Project X (1949), a low-budget, independent movie. In June 1950, he joined the cast of Kiss Me, Kate on Broadway, taking over the lead from Alfred Drake, starring in the show for over a year, in New York and on tour. This re-ignited Hollywood's interest in him. RKO and Universal Andes appeared as Marilyn Monroe's sweetheart and Barbara Stanwyck's brother in the cult film Clash by Night (1952), directed by Fritz Lang and co-written by Clifford Odets, for RKO.Also for that studio, he played the heroic Lt. Maynard in Blackbeard, the Pirate (1952) and a supporting role in Split Second (1953). In 1953 he starred in a short-lived Broadway musical, Maggie.In 1954, he signed a new contract with RKO even though that studio had kept him idle for a year, causing him to miss a part in The High and the Mighty. He was under contract to RKO for three years.He co-starred with Angela Lansbury in the film noir A Life at Stake (1954) and was one of several male leads in The Second Greatest Sex (1955) at Universal, where he signed a long-term contract. Andes begin guest starring on TV shows like Celebrity Playhouse, The Ford Television Theatre, Matinee Theatre, The Loretta Young Show, Conflict and Playhouse 90. He also starred in TV adaptations of The Great Waltz (playing Johann Strauss, Jr.), Bloomer Girl (1956) and Holiday (based on The Grand Tour) (1956).He made two films with Jeff Chandler at Universal, Away All Boats (1956) and Pillars of the Sky (1956), and did Back from Eternity (1956) at RKO. In 1956, he starred in a pilot for the series Doctor Mike, that was not picked up.At Universal, he had a role in Interlude (1957), then he appeared in The Girl Most Likely (1958), the last film made by RKO. Andes guest starred on Jane Wyman Presents The Fireside Theatre, Goodyear Theatre, Alcoa Theatre and The Gale Storm Show: Oh! Susanna. In 1958, Andes starred as crusading former Louisiana State Police Superintendent Francis Grevemberg in the film Damn Citizen at Universal. His co-stars were Margaret Hayes as Dorothy Maguire Grevemberg and Gene Evans as Police Major Al Arthur.He starred in two low-budget features: Model for Murder (1959) in England and Surrender - Hell! (1960) in the Philippines. Television Andes was cast in a regular series, playing Frank Dawson in the police drama This Man Dawson (1959–60), the story of a former United States Marine Corps colonel who is hired to stop police corruption in a large, unnamed city. William Conrad did the series narration.On Broadway, Andes starred opposite Lucille Ball in the musical Wildcat (1960–61) which ran for 175 performances.When Wildcat ended Andes resumed his television career, guest starring on Sea Hunt, Have Gun - Will Travel, Follow the Sun, Vacation Playhouse and The Rifleman. In 1963, Andes was cast with Victor Buono and Arch Johnson in the episode "Firebug" of the anthology series GE True, hosted by Jack Webb. In the story line, Buono portrays Charles Colvin, a barber in Los Angeles, who is by night a pyromaniac. The United States Forest Service works to find Colvin before he can set more fires.Later in 1963, Andes was cast in a regular role as the lawyer-husband on the 1963 sitcom Glynis, starring Glynis Johns as his wife, a mystery writer and amateur sleuth. He guest-starred on 77 Sunset Strip, Perry Mason (in the episode "Illicit Illusion"), The Outer Limits (in the episode "Expanding Human"), Mickey Rooney's short-lived sitcom Mickey, The Littlest Hobo, Death Valley Days, Valentine's Day, Branded, The Lucy Show, and Run for Your Life.Andes starred as the manager of a radio station in the serial Paradise Bay, which debuted September 27, 1965.He returned to guest-star roles in Daniel Boone, The Andy Griffith Show, Star Trek (in the episode "The Apple"), and I Spy. His work included voice acting in the animated Birdman and the Galaxy Trio (1967) as Birdman. In 1967, he toured in a production of Man of La Mancha. Later career He appeared as General George C. Marshall in the film Tora! Tora! Tora! and in the biker movie Hell's Bloody Devils (1970). He guest-starred on Petticoat Junction, The Bold Ones: The New Doctors, Dan August, The Streets of San Francisco, Search, Gunsmoke, Cannon, Caribe, and The Magical World of Disney ("Twister, Bull from the Sky"). His later appearances included the films ...And Justice for All (1979) and The Ultimate Impostor (1979) as well as playing Minister Darius in the Buck Rogers in the 25th Century episode "Buck's Duel to the Death". His last appearance was in the TV movie Blinded by the Light (1980). He then retired. He later said "I was divorced, my kids were grown, and that is when I bought a boat and lived on it and ran charters on it over to Catalina and down to Mexico and back. I just had a ball." Personal life On November 30, 1946, Andes married Jean A. Cotton, a nurse, in Upper Darby, Pennsylvania. The couple divorced in 1961. They had two sons: musicians Mark Andes (in bands Spirit, Jo Jo Gunne, Firefall and Heart) and Matt Andes (also a member of Spirit and Jo Jo Gunne).In 1961, he married Sheila Hackett during a break in Wildcat. Death On November 11, 2005, Andes was found dead at the age of 85 at his home in Santa Clarita, California. He had been suffering from bladder cancer and other ailments (he had been a smoker). His death was ruled as suicide by asphyxiation, according to a report from the Los Angeles County Coroner's Office. His remains were donated to medical science. Filmography Passage 5: Mario Laserna Pinzón Mario Laserna Pinzón (August 21, 1923 – July 16, 2013) was a Colombian educator and politician born in Paris of Colombian parents. Laserna Pinzón is credited for being the founder of the Los Andes University in Bogotá, which was incorporated in 1948 and is a private institution modeled on the United States liberal arts educational system. He also served as Senator of Colombia, and Ambassador to France and Austria and is an author of several books. Career Education He was born in Paris, France, on August 21, 1923, to Colombian parents, Francisco Laserna Bravo and Elena Pinzón Castillo, and was raised first in Colombia where he attended the Instituto La Salle and then from 1931 to 1932 in Queens in NYC. He graduated from the Gimnasio Moderno in 1940 and went on to study Law for three years at Our Lady of the Rosary University to later change his career and move to the United States to attend Columbia University where he completed his undergraduate studies in Mathematics, Physics, and Humanities in 1948. He would go on to obtain a master's degree at Princeton University and to study German and philosophy at the University of Heidelberg in Germany, and he later obtained a Doctorate at the Free University of Berlin. For his life's work he was awarded a Doctorate Honoris Causa by Brandeis University.Mario Laserna Pinzón is widely admired in his country as an educator, a politician, and a passionate seeker of knowledge, with numerous books and studies to his credit. During the late 1940s and 1950s he became acquainted with many important scientific figures of the day, including Albert Einstein, whom he met while studying at Princeton, and Nicolás Gómez Dávila, his mentor.In 1948, upon graduating from Columbia, he returned to Colombia and dedicated himself to the creation of a private secular institution of higher learning in Bogotá. His dream became a reality on November 16, 1948, when Los Andes University was founded, institution of which he became rector between 1953 and 1954. He also served as rector of the National University of Colombia (1958–1960). Politics Given his high-profile Laserna was absorbed into politics by those who wanted to present the world with one of the best examples of Colombian intellect, and so he served as the Colombian Ambassador to his native France (1976–1979) and to Austria (1987–1990), served in the Senate of Colombia and served as councillor of Bogotá.He worked in politics as a philosopher interested in learning the workings of government and people which led him to run as Senator representing the radical liberal party of the M-19 Democratic Alliance, even though he himself belonged to the Colombian Conservative Party, he said he joined the M-19 in spite of being a conservative because he "wanted to know how the people who had been [hiding] in the mountain and had returned to civil life thought. Also because they had Bolivarian roots", as he himself was a believer of Bolivarianism. As a Senator he had to answer to accusations of working with the fugitive Roberto Soto Prieto who had allegedly stolen US$13.5 million and with whom Laserna had connections in Austria through his work as Ambassador, at which time Soto Prieto was an alleged refugee in that country, and through alleged business deals in which Soto was found to be indirectly involved. At the request of the Colombian Minister of Foreign Affairs Noemí Sanín the last five ambassadors to Austria and all employees of the embassy were investigated by the Inspector General of Colombia and the Attorney General of Colombia, among those was Mario Laserna Pinzón. Laserna was later cleared of all charges in respect to the case. Because of his life's work and contribution to the country, President Álvaro Uribe Vélez honored him with the Order of Boyacá in the Rank of the Grand Cross, the highest civilian honour bestowed by the Republic of Colombia. Works Mario Laserna was a very prolific reader and writer, which led him to write for various newspapers and to become the director of Revista Semana and the newspaper La República. He also authored various books and essays on Colombian history and government, development in the Third World, and philosophy. Mario Laserna Pinzón; Alberto Lleras Camargo (1955), Misión y problema de la universidad [Mission and Problem of the University], Bogotá: Universidad de los Andes, OCLC 24004078 Mario Laserna Pinzón (1961), Estado fuerte o caudillo: el dilema colombiano [Strong State or Leader: The Colombian Dilemma], Bogotá: Ediciones Mito, OCLC 1969093 Mario Laserna Pinzón (1963), "Klassenlogik und formale Einteilung der Wissenschaft" [Class logic and Formal Classification in Science], (Dissertation) (in German), Berlin: E. Reuter-Gesellschaft, OCLC 22468251 Mario Laserna Pinzón (1965), Rousseau y la antinomia de la libertad de Loewenthal [Rousseau and the Antinomy of the Liberty of Loewenthal], Bogotá, OCLC 54993021 Mario Laserna Pinzón (1966), Estado, consenso, democracia y desarrollo [State, Consensus, Democracy and Development], Bogotá: Ediciones Tercer Mundo, OCLC 3201311 Mario Laserna Pinzón (1966), La revolución, ¿para qué? : y otros ensayos [The Revolution, For What?: And Other Essays], Bogotá: Ed. Revista Colombiana, LCCN 66077255 Mario Laserna Pinzón (1969), Individuo y sociedad [Individual and Society], Bogotá: Editorial Revista Colombiana, LCCN 78473074 Mario Laserna Pinzón (c. 1970), Sociedad post-industrial y países sub-desarrollados [Post-Industrial Society and Underdeveloped Countries], Bogotá: Universidad de los Andes, Programa Alta Gerencia Mario Laserna Pinzón (1974), Informe sobre las UPAC y sus incidencias sociales y económicas, Bogotá: Tall. Ed. de la Impr. Nacional de Colombia, ISBN 958-601-074-0 Mario Laserna Pinzón (1986), Bolívar, un euro-americano frente a la Ilustración : y otros ensayos de interpretación de la historia indo-iberoamericana [Bolivar, a Euro-American in Front of the Enlightenment: and Other Interpretive Essays about Latin-American History], Bogotá: Ediciones Tercer Mundo, ISBN 958-601-074-0 Mario Laserna Pinzón (1999), Dos ensayos sobre la posibilidad de la historia: Carta de Heidelberg [Two Essays about the Possibility of History: Letter of Heidelberg], Bogotá: Ediciones Uniandes, ISBN 958-695-030-1 Mario Laserna Pinzón (2003), Reflexiones sobre la Revolución Científica del siglo XVII. [Reflections on the Scientific Revolution of the 17th Century], Bogotá: Universidad de los Andes, ISBN 958-695-102-2 Mario Laserna Pinzón (2004), La Crítica de la Razón Pura, Metalenguaje de la Ciencia. [The Critique of Pure Reason, Metalanguage of Science], Bogotá: Universidad de los Andes, ISBN 958-695-136-7 Passage 6: John De Margheriti John De Margheriti (born July 1962) is an Italian-born Australian electrical engineer, software developer and entrepreneur. De Margheriti is widely seen as a founding 'father' of Australia's video games industry and Australia's most experienced interactive entertainment business executive.He is the founder and former CEO of BigWorld Pty Limited and the founder of parent company Micro Forté Pty Limited. De Margheriti is also the Executive Chairman of the Academy of Interactive Entertainment, the Chairman of Canberra Technology Park, the founder of the Game Developers' Association of Australia, the founder of the Australian Game Developers Conference, and the founder of the three Canberra business parks, the co-founder of DEMS Entertainment, the co-founder of Dreamgate Studios, the co-founder of Game Plus and co-founder of The Film Distillery. De Margheriti has been recognised as an Honorary Ambassador for Canberra due to his contribution to Australia's national capital and in 2022 was awarded the Pearcey Medal, Australia's highest honour in the ICT Industry, for his lifetime contribution to the establishment and ongoing success of the Australian games industry. Without his vision, tenacity and passion, the industry would not be as successful and vibrant as it is in now. John has effectively had an influence on just about every Australian games studio and developer in operation today, not to mention his contribution to the broader ICT community and the international games industry. Early years Born in Rome, Italy, De Margheriti arrived in Canberra with his family in 1970. He experimented with CB radios and electronics early as a young teenager. When he was sixteen De Margheriti experimented with making computer games independently. During his senior years at Hawker College, De Margheriti co-created an amateur 8 millimetres (0.31 in) science fiction film after watching the 1977 film, Star Wars: Episode IV – A New Hope. During the development of his amateur film, he co-developed a robotics system entitled 3DIM that would enable him to film complex stop-motion animation footage of large scale spaceship models. De Margheriti's need to create scrolling film credits led him to discover computers as a tool. The film involved dozens of actors and as a result, De Margheriti gained his first taste in management working with actors and prop builders. During filming he met Steve Wang which would later form the basis of a longstanding business association. He wrote his first computer game called “Maze” on a PDP-11 and his peer, Steve Wang developed a computer game called “Caves”, also on a PDP-11 computer. De Margheriti graduated with a degree in electrical engineering from the UNSW Sydney (UNSW), and holds an MBA from Sydney University. Wang also went on to study at UNSW in the field of computer science. Together they devoted much of their time during university hours to developing computer games. They pooled their money to purchase a Commodore PET. During this time John also met Stephen Lewis and he joined the group, helping make games on the Commodore PET. The most memorable game that they developed during university years was made for the Commodore 64. Whilst working part-time at the Computer 1 computer store in Randwick to put himself through university, De Margheriti met Gerry Gerlach who was interested in finding a person who could develop a computer game based on the recent Australian win of the Americas Cup 12 metres (39 ft) sailing. After a conversation with Gerlach, De Margheriti approached his friends at the university and pulled together a team including Wang, Stephen Lewis and John Reidy capable of developing the simulation game. The team spent 72 hours straight developing a demo, pitched it to Armchair Entertainment and won a contract to develop the Americas Cup Sailing Simulation game for the Commodore 64 and Amstrad which was ultimately developed and then sold to Electronic Arts. Soon after starting to develop their first game, Wang and Lewis tactfully told De Margheriti that his true strength was not programming but managing and winning new projects for the fledgling group. This “truth” ultimately saw De Margheriti become the entrepreneur and visionary for a group of profit and not for profit companies that have offices around the globe. In addition to the Americas Cup Sailing Simulation, De Margheriti went on to program two other of games for Electronic Arts including Demon Stalkers and Fireking for the Commodore 64 and IBM PC, which was later released by Sydney-based Strategic Studies Group. http://www.ssg.com.au/ Later career Micro Forte Pty Limited Between 1985 and 1988, De Margheriti turned his focus towards business negotiations and contract development. He co-founded a games development company called Micro Forté Pty Limited and wrote games for a new company called Electronic Arts. In 1995 De Margheriti came up with the concept of developing a software solution that would somehow group bulletin board services (BBS) together so that many people could play games together. He called this concept Game Net. Game Net was a precursor to what would later become known as BigWorld Technology. De Margheriti's idea was to allow large scale Multi User Dungeons [MUDs] to be developed where hundreds of people could be playing together in a multiplayer game. He was greatly influenced by an EA friend Danielle/Dan Bunten who had designed M.U.L.E, Modem Wars as well as a game called Command HQ which he often played with Stephen Lewis. Those seminal games influenced De Margheriti in terms of coming up with the concept of building what is now commonly known as Massively Multiplayer Online Games (MMOGs). While developing the idea of Game Net, De Margheriti became increasingly more aware of the advent of the internet particularly after playing Ultima Online and Meridian 59, two of the first MMOGs. He realised that these two games were an extension of the multiplayer games he loved and that in the future many developers would want to create massively multiplayer games. De Margheriti decided to switch his focus away from BBS, and made the decision to build a middleware engine that would help developers deal with the complexities of creating these online games. In 1996 Stephen Lewis and John lodged patents for a Communication System and Method and in 1999 he lodged an application for funding through AusIndustry's R&D Start program and received a multimillion-dollar grant. This was subsequently matched by venture capital from Allen & Buckeridge, an Australian Venture capital firm. The name of “Large Scale Multi Player Universe” (LSMPU) was originally used to describe the server, client and tools middleware system that De Margheriti had in mind. In 2011 the Micro Forte company acquired all the shares from the venture capital company. The Academy of Interactive Entertainment In 1996, during Micro Forté's expansion years, there was a need for the hiring of 3D animators and artists. At that time there was a clear lack of knowledge in that area and little or no available talent. De Margheriti established the Academy of Interactive Entertainment (AIE) as a business unit of Micro Forté to work towards solving this problem. The academy was to focus on developing 3D animation skills, and a course taught by De Margheriti, Steve Wang and other 3D experts was created for a group of 10 students. Later on in 1997 it was spun out as a separate non profit organisation called the Academy of Interactive Entertainment Limited (AIE) to assist the greater industry. De Margheriti had realised that Micro Forté's shortages were not just his shortages; other industry related companies like Beam Software were also suffering a similar fate. The AIE has since grown from a small division of Micro Forté with 10 students, to an independent, nationally accredited, small registered training organisation that specialises in education for computer game development and the 3D Digital Content Industry. The AIE now has campuses in Canberra, Sydney, Melbourne, Online, Adelaide, Seattle, and Lafayette. The Founding of the Australian Game Development Industry In 1999 De Margheriti realised that to really help the Australian games industry grow, not only for Micro Forté's needs, but to solve the problem that the nation had, a wider support infrastructure was needed for the Australian industry. He established, personally funded and launched the inaugural Australian Game Developers Conference (AGDC) to foster the growth and collective presence of the Australian Games Industry. The AGDC at its peak had over 1,200 delegates and brought in numerous international speakers and publishers. The conference also brought capital to the Australian games industry. In December 2005, the GDAA announced that it would hold its own conference, Game Connect Asia Pacific (GCAP), and so De Margheriti in turn also announced the closing of the privately held (AGDC) to ensure that the GDAA would not have to compete with AGDC. In his AGDC closing talk he hoped that the GDAA could take their new conference, GCAP, to a whole new level for Australia. It was at the inaugural Australian Game Developers Conference (AGDC) that De Margheriti, along with Adam Lancman and others, formed the local industry representative body titled the Game Developers Association of Australia [GDAA] in order to increase the profile of the Australian games industry both domestically and internationally. De Margheriti acted as treasurer until late 2005 when he resigned from the Board to focus his energies on expanding BigWorld Pty Limited. De Margheriti is credited with creating and personally funding the GDAA (determining its aims and objectives, board composition, voting rights, constitution, web pages and accounting needs) as well as choosing its first President and Board. The AIE funded the Australian Game Developers Conference and donated most if not all its profits made from AGDC to the GDAA. De Margheriti is a founding member of the Association of Christian Entertainment. De Margheriti established Canberra Technology Park (CTP) in 1997, a business park to facilitate the growth of the computer game development, 3D animation and other information technology [IT] related industries within Canberra. In November 2000, ACT Chief Minister, Gary Humphries, appointed De Margheriti Honorary Ambassador for Canberra in recognition of De Margheriti's contribution in assisting Canberra to develop a significant business base. De Margheriti continues to foster business growth for start ups, mentor industry rookies and support industry development. He has participated as a guest presenter at industry conferences; is pro-active in seeking government support and assistance for the Australian industry, and features in industry related media. Since 2005 De Margheriti has focused more on his growing world-wide businesses and is less involved in local industry politics. In 2005 De Margheriti took over the site management of the Capital Region Enterprise and Employment Development Association (CREEDA) Business Centres Downer, Narrabundah and Erindale that had gone into liquidation, with a view to negotiate a long term lease on the sites. De Margheriti's main motivation in taking over the defunct sites was to restore an important business incubator function in Australia's capital city, Canberra. The sites were re-branded as Canberra Business Parks and in May 2008, De Margheriti largely donated the CBP name [and associated brands] and business, which were now a profitable business [almost operating at full capacity] to the ACT Government and the local business community. De Margheriti saw an opportunity within the online game market for a definitive MMOG middleware solution. His studios shifted their focus into developing the multi award-winning BigWorld Technology which he later [2002] spun out into a middleware company - BigWorld Pty Limited. On 7 August 2012 Wargaming acquired BigWorld middleware firm for $45M. Published games Passage 7: Mark Andes Mark Andes (born February 19, 1948) is an American musician, known for his work as a bassist with Canned Heat, Spirit, Jo Jo Gunne, Firefall, Heart, and Mirabal. Early life Andes was born in Philadelphia, but grew up in Los Angeles, one of two sons of actor Keith Andes (1920–2005). Career As a teenager, he was an early member of Canned Heat, but left before the band was signed to a recording contract. Andes was a founding member of the band Spirit. He played bass on their first four albums and on some subsequent reunion albums. During a bout with the flu, Mark co-wrote one of Spirit's first singles, "Mechanical World," with fellow Spirit member Jay Ferguson who was a friend from high school.Spirit was noted for its hybrid sound of rock and jazz styles. The group released groundbreaking works such as Twelve Dreams of Dr. Sardonicus (1970), that critically were lauded later, but commercial success largely eluded them at the time.When the original line-up of Spirit broke up, Andes and Jay Ferguson formed the band Jo Jo Gunne. He recruited his brother, Matt Andes, to play guitar. Andes only recorded one album with Jo Jo Gunne before semi-retiring from music around 1972. During his stay, the band had a Top 40 hit with the song "Run, Run, Run". When Jo Jo Gunne reformed for a new album and gigs in 2004, Andes was included in the line-up. Andes moved to Boulder, Colorado, where he lived in the basement of local musician Jeff Reaves. In 1975, he was recruited by former Flying Burrito Brothers vocalist Rick Roberts and former Byrds and Flying Burrito Brothers drummer Michael Clarke to form the country-rock band Firefall. For six years, Mark would be in a band that had a string of hit singles, including the Top 10 hit, "You Are the Woman." During the early 1980s, Andes also collaborated briefly with future Yes guitarist Trevor Rabin and future Quiet Riot drummer Frank Banali. Following a move back to California, and some session work, Andes joined Heart. He appeared on their final album for Epic Records, Passionworks (1983), and remained with the band until 1993. During this time, Heart found mainstream success, with several number one singles, and a number one album, Heart (1985). After a decade with Heart, Andes returned to session work. In 1995, he joined up with Native American musician Robert Mirabal to collaborate on his album entitled Mirabal. In 1998, he played bass in the backing band for Iain Matthews (The Swinelakers) on their European tour. He plays on Iain Matthews' album "A Tiniest Wham" released in 2000. Andes played in Austin, Texas, with Ian McLagan and the Bump Band, Alejandro Escovedo, Jo Carol Pierce, and Three Balls of Fire. He very briefly played in a band called MPTU with drummer Pat Mastelotto (King Crimson, Mr. Mister), singer Malford Milligan and Phil Brown (Little Feat). Andes now lives near Houston in Magnolia, Texas, with his wife Valerie. He released his first solo album, Real World Magic, in February 2009.In 2012, Andes played with Kenny Cordray & Love Street on the album titled It Takes Everything. Andes began playing with Firefall again in 2014, becoming the third original member in the band's current lineup, along with Jock Bartley and David Muse.He played with French artist Chardeau on his albums Fauves & Pastels (2015) and Sanguines (2017), with Robert Lamm and Jason Scheff (Chicago), John McFee (Doobie Brothers), Brian Auger (Oblivion Express) and Jerry Goodman (Mahavishnu Orchestra). Spirit Spirit – 1968 The Family That Plays Together – 1968 Clear – 1969 Twelve Dreams of Dr. Sardonicus – 1970 Farther Along – 1976 The Thirteenth Dream – 1984 Rapture in the Chambers – 1989 Jo Jo Gunne Jo Jo Gunne – 1972 Jumpin' the Gunne – 1973 Big Chain – 2005 Firefall Firefall – 1976 Luna Sea – 1977 Elan – 1978 Undertow – 1979 Heart Passionworks – 1983 Heart – 1985 Bad Animals – 1987 Brigade – 1990 Rock the House Live! – 1991 Other appearances John Fahey: The Yellow Princess – 1968 Richard Torrance: Anything's Possible – 1978 Jay Ferguson: White Noise – 1982 Kim Carnes: Café Racers – 1983 Joe Walsh: The Confessor – 1985 Eliza_Gilkyson: Legends of Rainmaker - 1989 Dan Fogelberg: Something Old, Something New, Something Borrowed...and Some Blues – 1994,1995 album released 2000 Mirabal: Mirabal – 1997 Robert McEntee: Preserving the Error – 1999 Iain Matthews: A Tiniest Wham – 2000 Jackie Lomax: The Ballad of Liverpool Slim – 2001 Jon Dee Graham: Hooray for the Moon – 2002 David Lee Holt: Perpetual Motion - 2004 The Champion Sisters: Unfit to be Tied – 2011 John Egenes: The Stone Soup Sessions – 2011 Kenny Cordray & Love Street: It Takes Everything – 2012 Peter Blast: Painting Without Canvas – 2015 Peter Blast: Wind Horses – 2017 Chardeau : Fauves & Pastels – 2015 Chardeau : Sanguines – 2017 Mark Taylor Project: Tales From The Yellow Rose – 2021 Passage 8: Robert Altenkirch Robert A. Altenkirch was the President of University of Alabama in Huntsville and the New Jersey Institute of Technology. Life Altenkirch holds a B.S. from Purdue University, a M.S. from the University of California, Berkeley, and a Ph.D. from Purdue University, all in Mechanical Engineering. He is the author of over 50 publications and nearly 100 presentations in combustion and heat transfer and served as principal investigator for ten Space Shuttle experiments investigating the spread of fire in reduced gravity. He is a Fellow of the American Society of Mechanical Engineers. While an undergraduate at Purdue, Altenkirch became a member of the Sigma Alpha Epsilon fraternity.From 1988 to 1995, Altenkirch was professor of mechanical engineering and dean of the College of Engineering at Mississippi State University (MSU). While dean of engineering at MSU, he led the effort to secure National Science Foundation (NSF) funding for the establishment of the MSU Engineering Research Center for Computational Field Simulation in 1990. He also served as professor and chair of mechanical engineering at the University of Kentucky. He served as professor of mechanical and materials engineering and dean of the College of Engineering and Architecture at Washington State University. He was vice president for research at Mississippi State University. During his tenure as vice president, science and engineering expenditures, as reported to NSF, increased by 75 percent from 1997 to 2001. In addition to the research program, his responsibilities encompassed congressional relations, intellectual property management and economic development. From 2003 until 2011, Altenkirch was the seventh president of the New Jersey Institute of Technology (NJIT). On September 21, 2011, Dr. Altenkirch was named the new president of the University of Alabama in Huntsville. He retired from the position in June 2019. Passage 9: University of Los Andes (Colombia) The University of the Andes (Spanish: Universidad de los Andes), also commonly self-styled as Uniandes, is a private research university located in the city centre of Bogotá, Colombia. Founded in 1948 by a group of Colombian intellectuals led by Mario Laserna Pinzón, it was the first Colombian university established as nonsectarian (independent from any political party or religious institution). The university was ranked #220 globally and #5 in Latin America by the QS World University Rankings in 2023, placing itself as the top Colombian university.The university is academically composed of nine schools, three special academic entities—the Alberto Lleras Camargo School of Government, the Center for Research and Training in Education (Spanish: Centro de Investigación y Formación en Educación, CIFE), and the Interdisciplinary Center for Development Studies (Spanish: Centro Interdisciplinario de Estudios sobre Desarrollo, CIDER)—and a joint academic venture with the medical institution Santa Fe de Bogotá Foundation, offering 31 undergraduate, 18 doctoral, and 38 graduate degree-granting programs in areas of human knowledge such as medicine, engineering, science, law and others.As of 2011, the university had produced 128 research groups recognized by Colciencias, most of them in the social sciences, mathematics, physics and engineering. By 2017, the number of groups recognized by Colciencias has increased to 153 research groups. It is one of the few Colombian universities to have received the maximum high quality institutional accreditation by the Colombian Ministry of Education, given in January 2015. History Historical context In 1930, the Colombian presidential elections resulted in the appointment of Liberal party candidate Enrique Olaya Herrera to an office that had been, since 1880, under Conservative control. The latter years of this Conservative Republic were punctuated by events such as the Banana massacre, which may have been a contributing factor to the Colombian Conservative Party's loss of the presidency. During this new period of Liberal government, known as the Liberal Republic, the administrations of Alfonso López Pumarejo (1934-1938 and 1942–1946) implemented changes intended to modernize the country. Restructuring of higher education, in particular of the National University of Colombia in 1935, agrarian reform in 1936, and general promotion of industrialization resulted in rapid economic changes and growth. According to some estimates, around 50% of existing Colombian corporations in 1945 were founded between 1940 and 1945, promoting the accumulation of wealth and the creation of a new middle class with political interests and international aspirations.: 30 However, in order to continue industrial development, there was an urgent need for skilled labor, reflected in the speech given by the Colombian Minister of Education to the Congress of Colombia in 1946: We have a lack of engineers, architects, physicians, dentists, agronomists, veterinarians, chemists and even lawyers (...) in sufficient quantities to attend to the country's needs, and the only solution lies in the enlargement of the universities... in the creation of a university for the country, that responds to what the country calls for. These words echo the suggestions made around 35 years earlier by liberal leader Rafael Uribe Uribe regarding the need for the modernization of the educational system.: 35  These intellectual currents were coherent with previous educational developments such as the foundation of the Gimnasio Moderno in 1914.: 37 : 43–50  Amid the political tension and violence caused by the loss of liberal power in the 1946 elections, social unrest, and industrial growth, leftist liberal presidential candidate Jorge Eliécer Gaitán was assassinated on April 9, 1948, in an event that shook the country and was taken by the founders as "the best argument for the foundation of the university".: 54 Foundation and early years (1949-1955) In November 1948, around a year after arriving back in Colombia from Columbia University, accompanied by intellectuals from the elites of both traditional parties, Mario Laserna Pinzón founded the Universidad de los Andes as the first nonsectarian and non-politically affiliated university in Colombia. The main goals with the establishment of the university were to provide Colombia with professionals whose technical knowledge benefited the development of the country, which made it necessary for them to study abroad and bring this knowledge back;: 77  and who would become leaders of their nation in the post-war world, facilitated by founders, faculty, and staff occupying important posts in government and institutions.: 58  In practice, Uniandes would be modeled after the American university,: 110  and its students would receive not only technical but also liberal education, in accordance to the need for the development of the human intellect for a practical, altruistic purpose, as per the Declaration of the Principles of the Founders.Classes started the 29th of March, 1949, with only 80 students taking courses from a small set of faculties and schools. Of note was the Colegio de Estudios Superiores, or college, which was modeled on the American university college and had the responsibilities of offering classes on Humanities, Spanish, English, Contemporary Civilization, and Colombian Geography & History. Classes belonging to distinct curricula, but not specific to each, such as mathematics for Engineering and Architecture students, were also the responsibility of the college.: 67  By the second academic year, in 1950, there were around 400 applications for 110 places of study in Uniandes.: 110 Increasing political violence in Colombia during the 1950s did not change the university's stance towards political neutrality, and the inclusion of government representatives in the Board, as well as rectors and administrative staff belonging to both Conservative and Liberal parties, ensured good relations with conservative, military, and liberal Colombian administrations.: 83–84 Starting in 1950, the three/two program was established at first with the University of Illinois at Urbana–Champaign.: 102  Through it, Uniandes students were able to course 5 semesters, or three years, at home, and then transfer to an American university to complete their undergraduate program. Participating universities included Pittsburgh, MIT, Vanderbilt, and Texas, among others.: 103  The funds for tuition expenses in the United States were initially provided by Colombian industries such as Avianca and Paz del Río Steelworks; American philanthropic institutions (the Rockefeller Foundation); and Colombian, Canadian, and American private individuals. To manage these assets, the university hired ICETEX, a government agency established by University founder and then-Minister of Education Gabriel Betancourt, whose objective was to promote Colombian students abroad through grants and scholarships.: 104 Throughout the early 1950s, diverse experiments were carried out by the University as per its aspirations to fulfill the needs of its country and become an internationally recognized institution. Some of them failed, such as the Faculty of Aeronautic Sciences, due to low student interest; the Institute for Conservation of Natural Resources, which granted non-professional degrees on its subject matter; and the Preparatory Lyceum of Pereira, intended to equip high school students of this city with the necessary tools to thrive in Uniandes.: 112  Important successes were attained by the Cultural Extension Section: the organization of academic conferences whose speakers included the likes of John von Neumann, Arnold J. Toynbee, Hideki Yukawa, Thornton Wilder, and others.: 114  The subjects and structure of these conferences would give way to the establishment of the Female Section of the university in 1953, though its programs of study did not confer professional degrees.: 115  Active recruitment of foreign professors from abroad and from other Colombian educational institutions, such as the National University, the Normal Superior School, and the Gimnasio Moderno, was also an important strategy for the administrative staff in the initial years of Uniandes.: 116 Administration and organization The university was legally established as a common-utility nonprofit corporation in February 1948. The Colombian government granted it University status in 1964. As of 2022, the Statutes that define the university's structure were last amended and ratified in 2009.: 1  Uniandes' organs of government are the Board of Trustees, the Board of Directors, the Rector (president), one or more Vice-Rectors, a Secretary, the Academic Council, the Deans, the Faculty Councils, and support administrative officers.: 5 The Board of Trustees is the supreme organ of the university, tasked with setting its general policies, having the power to amend the Statutes. The board has 30-45 members at all times, 2 of which must be Professors, and 2 of which must be students.: 6–10  The Board of Directors is responsible for the management and administration of the university, through reviews and approvals of the PDI (Programa de Desarrollo Integral): a 5-year development program prepared by the office of the Rector.: 11  The latter is the university's legal representative, and it is responsible for implementing the PDI, setting the budgets, and appointing Departmental, Research Center, and Administrative Unit directors.: 14  The Deans are the administrative heads of each faculty, and together with the Rector, Vice-Rectors, and Directors of academic units, they comprise the Academic Council, entrusted with disciplinary and academic matters (such as modifying and terminating academic programs and units).: 16–17 There are 14 academic units: 10 faculties, the CIDER (Spanish: Centro Interdisciplinario de Estudios sobre Desarrollo), the Alberto Lleras Camargo School of Government, Conecta-te (Spanish: Centro de Innovación en Tecnología y Educación de la Universidad de los Andes), and the dean of students. The academic units are home to 745 non-faculty staff as of 2021. There is a total of 20 Administrative Units, which accrue an additional 853 non-faculty staff.: 128 According to a financial audit performed by Ernst & Young Colombia in 2020, the value of the university's assets totaled Col$1.74 trillion by the end of the year, corresponding to US$426.1 million at the COP/USD exchange rate for December 31, 2020. These amounts comprise cash and cash equivalents, investments, intangible assets, investment properties, among others.: 4 Mission The university's Statutes state:: 2  Universidad de los Andes is an autonomous and independent institution that fosters pluralism, diversity, dialogue, debate, criticism, tolerance and respect for the ideas, beliefs, and values of its members. It also seeks academic excellence, and imparts a critical and ethical formation to its students, in order to strengthen their awareness of their social and civic responsibilities, and their commitment to the analysis and solution of the problems of Colombia. (...) Staff As of 2014 Los Andes' faculty members were mainly full-time academics, of whom 70% had a PhD from a top university in the world. Los Andes has traditionally supported instructors in undertaking their master's and PhD studies in different subject areas in renowned foreign universities. Student population 55% male, 45% female 30% come from outside Bogotá. 95% of the undergraduate students were the top 1% high school students in the country. Academic structure Students can register in classes from all academic programs offered at Los Andes; this interdisciplinary approach allows students to design their own curricular program, with the assistance of academic advisors. The following scheme shows the academic structure at Uniandes, which includes four cycles: a Basic Professional Cycle (CBP, in Spanish), which refers to the basic subjects belonging to each program; a Cycle of Elective Courses in Socio-humanistic issues (CSH, in Spanish), common to all programs and that offers about 180 courses; a Professional Cycle (CP, in Spanish), which includes the main professional subject for each program; and a Professional Complementary Cycle (CPC), which includes subjects from the specific program and subjects from other programs. International students International students can attend the university as visiting students, who must be enrolled in at least three courses per semester, or exchange students, who can take between two and six courses per semester. Los Andes has academic exchange programs with more than 119 universities in 34 countries worldwide. Campus Uniandes started academic activities in terrains rented from the Community of the Good Shepherd, a religious institution, and would continue to do so for around five years before buying the first plots of land, with a size of approximately 0.025 square kilometers. Included in the purchase were several buildings that were used by the religious community, such as a convent and a prison for women. Due to the low university population, the existing buildings were mostly restored and conditioned to provide adequate facilities for academic activities. The campus is largely made up of a mixture of renovated industrial and religious buildings and newly constructed facilities. The infrastructure covers 180,551 sq mt and includes approximately 116 classrooms, 219 laboratories, a central library, and five satellite libraries (specialized by areas), were more than 445,000 books are available for students. It also has 26 computer rooms and six service units that hire out laptops, offering nearly 2,000 computers for student use (16.5 computers for each 100 students). As of 2017, there are 3,019 computers available for student use in the computer rooms. In 1956 a metallic cylindrical structure now known as La Caneca (the Trash Bin) was installed on campus. La Caneca is the sports center of the university and it is composed of a gym, a pool, and various courts for sports like tennis, squash, and football. The university's campus is in Bogota's historical center, an area that houses most of the city's buildings of cultural interest, universities, banks, and large Colombian companies; the main offices of the national and local government; and a variety of cultural meeting places, such as libraries, museums, theatres, scientific and literary centers, and art galleries. Also on campus are: Central cafeteria and many other food stations inside and outside the campus Gym and sports facilities Health services Rest and study areasIn addition to the main campus, the university also has an Internships Center for the Medicine Faculty, located at the Fundación Santa Fe de Bogotá, in the northern part of the city. Uniandes and Fundación Santa Fe—one of the most renowned medical institutions in the country—engage in a joint academic venture. University rankings Universidad de los Andes has been consistently ranked as the best university in Colombia and, has been considered one of the top 5 Latin American universities and one of the top 200 in the world. Mascot The mascot of Uniandes is a goat called Seneca, after Lucius Annaeus Seneca, the Roman Stoic philosopher. Its story dates back to the late 1940s when a goat roamed the campus freely. Students adopted it, and it soon became a symbol of the university. The goat died in 1966 when it fell off a cliff. Today it is not possible to keep a goat on campus, but Seneca is fondly remembered. The wireless spots are named after the goat, and every year a goat is brought to the university to celebrate "Students' Day." Notable alumni César Gaviria – President of Colombia (1990–1994). María Ángela Holguín – Ministry of Foreign Affairs (Colombia). Fernando Botero Zea – Ministry of National Defense (Colombia). Gabriel Silva Luján – Ministry of National Defense (Colombia). Rafael Pardo Rueda – Ministry of National Defense (Colombia). Manuel José Cepeda Espinosa – Constitutional Court of Colombia. Alejandro Gaviria – Rector and Ministry of National Education (Colombia). Mauricio Cárdenas Santamaría – Ministry of Finance and Public Credit. Luis Caballero – Colombian painter Fidel Cano Correa – CEO El Espectador Roberto Pombo Holguín – CEO El Tiempo Helena Groot – professor, microbiologist, geneticist Ana Maria Rey – Colombian theoretical physicist. Diana Uribe – Historian Gabriela Tafur – Miss Colombia (2018) Paola Turbay – Miss Colombia (1992) Simón Vélez – prize-winning architect known for his innovative use of bamboo as an essential building component See also List of Muisca research institutes Excellence research centers in Colombia Passage 10: Cliff Ollier Cliff Ollier (born 26 October 1931) is a geologist, geomorphologist, soil scientist, emeritus professor and honorary research fellow, at the School of Earth and Geographical Sciences University of Western Australia. He was formerly at Australian National University, University of New England, Australia, Canberra University, University of Papua New Guinea, and University of Melbourne.In the late 1950s he worked on a soil survey in the Northern and Eastern provinces of Uganda.Throughout his career he was a prolific author (as C.D Ollier), and he has contributed to reference works such as The Oxford Companion to the Earth. Publications Why the Greenland and Antarctic Ice Sheets are Not Collapsing Lysenko and Global Warming, Energy & Environment, 20 (2009), 197–200. Volcanoes; (1st ed 1969); (2nd ed 1988) The Origin of Mountains with Colin Pain (2000) Ancient landforms

doc_64

Passage 1: Wonny Song Wonny Song (born 1978) is a Canadian pianist. Biography Song was born in South Korea and grew up in Montreal. He began piano studies at the age of eight and received a full scholarship to Philadelphia's Curtis Institute of Music in 1994. He earned a bachelor's degree from Montreal University in 1998 and continued his studies with Anton Kuerti at the University of Toronto and at The Glenn Gould School with Marc Durand. He completed his doctoral studies at the University of Minnesota in 2004, studying with Lydia Artymiw. He has also studied with Leon Fleisher, Jorge Chaminé and Marie-Francoise Bucquet. He has performed as a soloist with the Cincinnati Symphony, the Peoria Symphony Orchestra, the Orchestre Symphonique de Montréal, the Toronto Symphony Orchestra, the National Arts Centre Orchestra and the EuroAsian Philharmonic Orchestra in Korea and Thailand. Song was director and director of artists-in-residence project of Lambda School of Music and Fine Arts in Montreal from 2008 to 2020. Wonny Song has been appointed Artistic Director of Orford Music (formerly the Orford Arts Centre) in May 2015. Mr. Song officially assumed his position at the beginning of summer 2015, at which time he began to prepare the 2016 program. Awards and recognitions 1994 – Gold Medal at the World Piano Competition, Cincinnati. 1995 – First Prize and Best Artistic Interpretation Prize at the Montreal Symphony Piano Competition. 1997 – Ludmila Knezkova Piano Competition, Nova Scotia. 2000 – First Elinor Bell Fellowship, University of Minnesota. 2001 – First and Grand Prize winner of the Minnesota Orchestra's WAMSO Competition. 2002 – Galaxy Rising Stars Award, Ottawa. 2003 – Prix d'Europe, Canada. 2010 – Young Canadian Musicians Award. Claire Tow Prize. Miriam Brody Aronson Prize. Fergus Orchestra Soloist Prize. Washington Performing Arts Society Prize. Saint Vincent College Concert Series Prize. Discography See also Pianists Canadian classical music Young Concert Artists Lambda School of Music and Fine Arts Passage 2: Hwang Te-song Hwang Te-Song (born December 20, 1989) is a South Korean football player. Club statistics Passage 3: Ciara Ciara Princess Wilson ( see-AIR-ə; née Harris; born October 25, 1985) is an American singer, songwriter, businesswoman, dancer, model and actress. She rose to prominence with her debut studio album Goodies (2004), which spawned the top five singles "1, 2 Step" (featuring Missy Elliott), "Oh" (featuring Ludacris), and "Goodies" (featuring Petey Pablo), the latter of which topping the Billboard Hot 100 and the UK Singles Chart. The album was certified triple platinum by the Recording Industry Association of America (RIAA), and garnered two nominations at the 48th Annual Grammy Awards. Ciara was also featured on Missy Elliott's "Lose Control" and Bow Wow's "Like You", both of which reached number three on the Billboard Hot 100. Her second studio album, Ciara: The Evolution (2006), topped the Billboard 200 and spawned the hit singles "Get Up" (featuring Chamillionaire), "Promise", "Like a Boy" and "Can't Leave 'em Alone" (featuring 50 Cent). Ciara's third studio album Fantasy Ride (2009), produced the international top-ten single "Love Sex Magic" (featuring Justin Timberlake), which received a Grammy Award nomination for Best Pop Collaboration with Vocals. Her fourth studio album Basic Instinct (2010), included the R&B top-five single "Ride" (featuring Ludacris). After Basic Instinct was met with low sales, Ciara signed a new record deal with Epic Records in 2011. Ciara's fifth studio album, Ciara (2013), peaked at number two on the Billboard 200 and spawned the hit single "Body Party". Her sixth album, Jackie (2015), included the singles "I Bet" and "Dance like We're Making Love". The next year, Ciara would sign a modeling contract with IMG, become a Global Brand Ambassador for the cosmetics giant Revlon, and marry quarterback Russell Wilson. Her seventh album, Beauty Marks (2019), included the hit single "Level Up". Ciara signed a new record deal with Republic Records and Uptown Records, in partnership with her label Beauty Marks Entertainment. She released her single "Jump" as the lead for her upcoming eighth studio album on July 8, 2022.Ciara is also an actress, having appeared in All You've Got (2006), Mama, I Want to Sing! (2012), That's My Boy (2012), and The Game (2013). In March 2022, it was announced that Ciara had joined the cast of the 2023 remake of The Color Purple as Nettie. Ciara has received multiple accolades, including a Grammy Award, two BET Awards, the Woman of the Year award from Billboard Women in Music, two MTV Video Music Awards, seven Soul Train Awards, and thirteen Ascap Music Awards. As of 2019, Ciara's worldwide sales total over 45 million. Early life Ciara Princess Harris was born in Fort Hood, Texas, on October 25, 1985, the only child of Jackie and Carlton Clay Harris. An army brat, she grew up in Georgia, New York, Utah, California, Arizona, and Nevada. She was named after the Revlon fragrance Ciara which was introduced in 1973. During her teens, Ciara and her family settled in College Park, Georgia, a suburb of Atlanta, where she attended North Clayton High School before graduating from Riverdale.In her mid-teens, Ciara formed the all-girl group Hearsay with two of her friends. The group recorded demos, but as time went on, they began to have differences and eventually parted ways. Despite this setback, Ciara signed a publishing deal as a songwriter. Her first writing credit was on Blu Cantrell's debut album, So Blu, for the song "10,000 Times". She also wrote the song "Got Me Waiting" for R&B singer Fantasia Barrino's debut album, Free Yourself. It was when she was writing songs that she met music producer Jazze Pha, whom she called her "music soulmate". In 2002, the two recorded four demos: "1, 2 Step", "Thug Style", "Pick Up the Phone", and "Lookin' at You", which all appeared on her debut album that was released two years later. "1, 2 Step" was the second single released from the album and it was a hit. Career 2003–2005: Goodies After graduating from Riverdale High School in Riverdale, Georgia, in 2003, she was signed by LaFace Records executive, L.A. Reid, whom she was introduced to by Jazze Pha. She began production on her debut album later that year. In early 2004, she wrote a demo with record producer, Sean Garrett, which came to the attention of Lil Jon and became her debut single "Goodies". Lil Jon stated later that he knew it would be big seeing how it sounded similar to Usher's international hit, "Yeah!".Ciara released her debut album Goodies on September 28, 2004. The album debuted at number three on the U.S. Billboard 200, selling 125,000 copies in its initial week and topped the Top R&B/Hip-Hop Albums chart. Following the release of the album, Ciara was called the "First Lady of Crunk&B". Goodies had a 71-week run on the Billboard 200, and was certified triple platinum by the Recording Industry Association of America on October 10, 2006. Charting at twenty-two on the Canadian Albums Chart, it was certified Platinum by the Canadian Recording Industry Association. The album charted at 26 on the UK Albums Chart, and spent 20 weeks on the chart. It was certified Gold by the British Phonographic Industry.Goodies' lead single, the title track, featuring Petey Pablo, was released on June 8, 2004. Conceived as a crunk female counterpart to Usher's "Yeah!", the lyrical content goes against the grain, speaking of abstinence, rejecting advances because "the goodies will stay in the jar." Critics hailed it as an "anthem of the summer" and one of the best singles of the year, complementing its dance-feel and beat, and the irony of the "clever" lyrics. The single performed well worldwide, topping the charts in Canada, the United States and the United Kingdom, and charting in the top 10 of other charts, receiving Platinum certification in the United States. "1, 2 Step" featuring Missy Elliott was released as the album's second single. The song peaked in the top 10 of many countries, topping the charts in Canada, and went on to become Platinum or Gold in many countries. "Oh" featuring Ludacris was released as the third single on March 5, 2005. The song performed well worldwide, appearing in the top 10 of seven charts, and certified either Platinum or Gold in multiple regions.Following the success of the album, Ciara released a CD/DVD entitled Goodies: The Videos & More in the United States on July 12, 2005, which featured remixes to "1, 2 Step" and "Oh", as well as two new songs. The release was certified platinum in the United States. She made guest appearances on Missy Elliott's single "Lose Control" and on Bow Wow's single "Like You", which both peaked at number three in the United States and obtained worldwide success. She was an opening act for Gwen Stefani's Harajuku Lovers Tour 2005 and went on tour with Chris Brown and Bow Wow on the Holiday Jam Tour in December 2005. At the 48th Annual Grammy Awards, Ciara received four nominations for Best New Artist, Best Rap/Sung Collaboration for "1, 2 Step", Best Rap Song for Missy Elliott's single "Lose Control", and won her last nomination, Best Short Form Music Video for "Lose Control". 2006–2007: Ciara: The Evolution and acting debut On December 5, 2006, Ciara released her second studio album, Ciara: The Evolution. According to the singer, the title of the album is "about so much more than just my personal growth – it's about the evolution of music, the evolution of dance, the evolution of fashion." The source of the album's creativity such as the sound and edge comes from Ciara in general. Ciara: The Evolution became Ciara's first and only number one album on the U.S. Billboard 200, and her second number one on the Top R&B/Hip-Hop Albums charts with sales of 338,000 in the first week. The album went on to be certified platinum by the RIAA in the United States, and has sold 1.3 million copies according to Nielsen SoundScan. The album's international lead single, "Get Up", which features Chamillionaire, reached number seven in the United States and gained a platinum accreditation. It reached number five in New Zealand. The song was used for the film Step Up (2006) and featured on the film's soundtrack. The album's US lead single, "Promise", reached number 11 on the Billboard Hot 100 and became her third number one single on the Hot R&B/Hip-Hop Songs chart. "Like a Boy" was released as the second international single which reached within the top 20 in the UK, Finland, France, Ireland, Sweden Switzerland, and also in the United States. The fourth and final single from the album, "Can't Leave 'em Alone", reached number 10 on the Hot R&B/Hip-Hop Songs chart and number 40 on the Billboard Hot 100. The song became Ciara's fifth single to peak in the top in New Zealand, peaking at number 4. The song achieved moderate success in other international markets. In support of the album, Ciara went on her first headlining tour in October 2006. The tour went to seventeen different clubs in cities throughout the United States. The tour was met with mixed to positive reviews; critics were divided regarding the pre-recorded backing tracks and remarked that Ciara was slightly under-prepared to host her headlining tour, but ultimately praised her energetic choreography. In August 2007, she headlined the Screamfest '07 tour with fellow rapper, T.I. Critics praised her performance for her gracious dancing and being able to command a sold-out arena. Ciara, along with Chris Brown and Akon, was a support act for Rihanna's Good Girl Gone Bad Tour in the United Kingdom. She made a guest appearance on "So What" by Field Mob. The single went on to become a top 10 hit on the Billboard Hot 100. She also appeared on Tiffany Evans' single "Promise Ring". The song achieved little success on the Hot R&B/Hip-Hop Songs chart. In addition to her music, Ciara made her acting debut in the MTV Films production All You've Got in May 2006. In the movie she played Becca Whiley, a teenager who is competing in a volleyball tournament. The movie received mixed to positive reviews; critics said the movie was predictable but still enjoyable. 2008–2011: Fantasy Ride, Basic Instinct and label change In October 2008, Ciara was honored as Billboard's "Woman of the Year", because of her success as a recording artist and leadership in embracing the changing music business. Although her third album was originally scheduled for a September 2008 release, Fantasy Ride was released after several delays in May 2009. The album combines her R&B and hip hop sound from her previous albums along with a new pop and dance sound. While talking to MTV News, Ciara said, "I'm having a bit more fun with my lyrics. I'm not afraid. In the beginning, I was conscious and really protective and somewhat scared about doing some things. With this album I'm not holding back, there's freedom. It's just the space I'm in right now." It became Ciara's first top ten album in the UK. "Go Girl" was the first single released from the album. It was originally the lead single from the album, but the single achieved minimum success and was later deemed a promo single. However, the single managed to reach the top of the charts in Japan. The album's official lead single, "Never Ever", which features Young Jeezy, was released in the United States in January 2009 and reached a peak of number nine on the U.S. Hot R&B/Hip-Hop Songs. The second single, "Love Sex Magic", featuring Justin Timberlake, became a worldwide hit, peaking within the top 10 in 20 countries including the U.S., where it peaked at number 10 on the Billboard Hot 100. It went on to be certified platinum in Australia and received a gold accreditation in New Zealand. It received a nomination for "Best Pop Collaboration with Vocals" at the 52nd Annual Grammy Awards and also for Best Choreography in a Video at the 2009 MTV Video Music Awards. "Work", the final single, achieved moderate success in international markets. In July 2009, Ciara headlined the Jay-Z & Ciara Live tour with Jay-Z. Her performance received mixed reviews; critics said although her dancing was top-notch, she seemed disconnected from the crowd. She was also the support act for Britney Spears's Circus tour, where she performed eight nights at London's prestigious O2 Arena during June 2009. Her performance received rave reviews from critics and fans alike, who noted her dancing skills as being spectacular and arguably better than Britney Spears'. Ciara made a guest appearance on Nelly's single "Stepped On My J'z" from his album Brass Knuckles. The song achieved minimal success in the U.S.. Ciara was also featured on Enrique Iglesias' single, "Takin' Back My Love", from his Greatest Hits album. The song became an international hit, peaking in the top 10 of over 15 countries, and being certified Gold in Russia, with sales of over 100,000. In February 2010, Ciara along with Pitbull was featured on the remix to Ludacris' hit single "How Low". The following month, Ciara made a cameo appearance in the music video of Usher's single, "Lil' Freak". Ciara released her fourth studio album, Basic Instinct, on December 14, 2010. She told Pete Lewis of Blues & Soul magazine that the album is about her trusting her instinct and going back to the R&B/urban basics, in the days of "Goodies" and "1, 2 Step". It was executive-produced by the singer alongside her A&R agent Mark Pitts and writing/production duo Tricky Stewart and The-Dream who also produced records for her previous album, Fantasy Ride. Basic Instinct debuted at number forty-four on the U.S. Billboard 200 chart, with first-week sales of 37,000 copies, becoming her first album to not peak within the top three. On the U.S. R&B/Hip-Hop Albums chart, the album opened at number 11, her only album to not peak within the top two of the chart. The lead single, "Ride", which features Ludacris, was released on April 26, 2010. It peaked at number 42 on the U.S. Billboard Hot 100, number three on the U.S. Hot R&B/Hip-Hop Songs chart, becoming her twelfth top ten hit on the chart, and number seventy-five on the UK Singles Chart. The accompanying music video won the award for "Best Dance Performance" at the 2010 Soul Train Music Awards. "Speechless" was released as the second single from the album and achieved minimal success, peaking at only number 74 on the Hot R&B/Hip-Hop Songs chart. "Gimmie Dat", the third single from the album was praised by critics but failed to become a hit, peaking at only 63 on the Hot R&B/Hip-Hop Songs chart, and number 27 on the urban charts in the UK. In November 2010, Ciara performed at the Summerbeatz tour alongside Flo Rida, Jay Sean, Akon, Travie McCoy and Ja Rule. In the summer of 2011, Ciara was a part of the Malibu Rum Tour. She performed in seven shows across the US.In February 2011, following rumors that Ciara had been dropped by Jive Records, she released an official statement to her Facebook page complaining of inadequate promotion and funding from the label. She stated that she received a lack of support from the label, and even paid for the promotion of some singles, such as "Gimmie Dat", herself. The frustration she felt while working with her third and fourth albums led her to request that she be released from her contract. In May 2011, Ciara was removed from the Jive Records website roster. On July 12, 2011, it was reported that she had reunited with L.A. Reid by signing with his record label Epic Records, and was confirmed in September 2011. 2012–2013: Ciara and further acting During an interview with Sway in the Morning in February 2012, Ciara revealed that she would be taking her time recording her fifth studio album, stating: "It's just really about the vibe, and I'll just tell you that it's a good vibe going. It's really important for me to take my time with this record and it's important for the whole team. It's really, really good energy." She has been working on the album with a number of producers and songwriters, including Hit-Boy, Soundz, Diane Warren, Tricky Stewart, and The Underdogs. In an interview, Ciara said "I worked with some people that are very fresh, which I'm excited about... When it comes to artists, when it comes to writers, when it comes to producers, I really wanted to push. We pretty much reached out and worked with a lot of people that I've never worked with before, which is really fun."During a press conference with MTV in May 2012, Ciara announced her fifth studio album would be titled One Woman Army and said the lead single, "Sweat", would be out very soon. The single, which features rapper 2 Chainz, premiered online on June 4, 2012, and was to be released via iTunes on June 19, 2012. However, the release of the single was scrapped at the last minute for unknown reasons. On August 13, 2012, Ciara revealed that the official lead single for the album would be titled "Sorry". On September 13, 2012, the official music video for "Sorry" was premiered on BET's 106 & Park as well as VEVO. "Sorry" was made available for purchase as a digital download on September 25, 2012, and impacted U.S. Urban contemporary and Rhythmic radio stations on October 9, 2012. In the United States, "Sorry" reached a peak at 40 on the U.S. Billboard Hot R&B/Hip-Hop Songs chart while charting at number 22 on Billboard's Bubbling Under Hot 100 Singles chart listing of the top 25 songs that have yet to enter the Billboard Hot 100. On October 21, 2012, Rap-Up magazine posted a behind-the-scenes sneak peek of "Got Me Good", the second single from the album. The song and video, which was directed by Joseph Kahn, premiered on the Sony JumboTron in Times Square in New York City on October 25, 2012. The single was released via digital download on November 6, 2012. "Got Me Good" impacted rhythmic radio on November 13, and mainstream radio on December 4.On April 15, 2013, the same day the album's track listing was revealed, it was also announced that the album is not titled One Woman Army anymore and that the new title is Ciara. Due to their low performance on the charts, the label decided not to include "Sweat", "Sorry", and "Got Me Good" on the tracklist. Instead, it was later announced that a new song titled "Body Party" would serve as the lead single. It was released in March 2013 and reached number 22 on the Billboard Hot 100 and number two on the U.S. Billboard "Hot R&B/Hip-Hop Songs" chart. The second single was "I'm Out" featuring Nicki Minaj. The album was released on July 9, 2013. The album debuted at number two on the Billboard 200 chart, with first-week sales of 59,000 copies in the U.S. The album became Ciara's fourth album to chart within the top three of the Billboard chart. The album charted at number two on the Top R&B/Hip-Hop AlbumsAside from music in 2012, Ciara also starred in two movies during this time. She starred in the straight-to-DVD film, Mama, I Want to Sing!. She played Amara Winter, a preacher's daughter who was discovered by a well-established musician. She appeared as Brie in the 2012 comedy film, That's My Boy. Ciara made an appearance as herself playing Lauren London's best friend on the Season 6 premiere of BET's The Game which aired on March 26, 2013, she continued to be a recurring cast member throughout the season. 2014–2016: Jackie and motherhood In September 2013, producer Mike WiLL Made It revealed that Ciara had begun work on her sixth studio album. In December 2013, Ciara confirmed she was in the process of making a new album. During an interview with Rap-Up magazine Ciara revealed that recording for her sixth album began around Thanksgiving of 2013 and she would be releasing new music "really soon". In late January 2014, Ciara premiered a live version of a song entitled "Anytime" at the Degree Women Grammys Celebration in Los Angeles, on February 2, 2014, Ciara premiered the studio version, produced Boi-1da and Katalyst featuring her then-boyfriend and rapper Future. After her engagement to Future, Ciara revealed to W in April 2014 that her sixth studio album would be predominantly inspired by her then-fiancé. Ciara gave birth to her first child in May 2014, a boy fathered by Future. After claims of Future's infidelity during their relationship had surfaced, it was reported that the couple's engagement had been called off. Following their very public break-up, Ciara's album release was further postponed to 2015, and during this time the singer "quietly" recorded new music, while concentrating on motherhood."I Bet", the lead single from her album Jackie, was released on January 26, 2015. In May 2015, Ciara embarked on her first headlining tour in six years. The month-long Jackie Tour kicked off on May 3, 2015, in Chicago and included stops in New York, Boston, New Orleans, Dallas, and Los Angeles. The first round of US dates wrapped May 31 in San Francisco. Ciara's sixth album, Jackie, was released on May 1, 2015. It includes the singles "I Bet" and "Dance like We're Making Love". The album debuted at number 17 on the Billboard 200 with 25,000 units (19,900 in sales), and has the lowest first-week sales amongst her first six albums.After appearing in the US talent show, I Can Do That, she host the 2016 edition of the Billboard Music Awards. A few months later, she announced during the red-carpet of the American Music Awards that she was pregnant. 2017–2021: Beauty Marks and entrepreneur projects During 2016, Ciara worked on her seventh studio album and stated that the album would feature her undertaking a new musical direction. On January 27, 2017, it was announced that Ciara had signed a deal with Warner Bros. Records. On July 17, 2018, Ciara released the single and its accompanying music video, "Level Up". The song was the first single from her seventh studio album Beauty Marks, released on May 10, 2019. In addition to "Level Up", the album spawned the singles "Freak Me", "Dose", "Greatest Love" and "Thinkin Bout You". Ciara performed "Thinkin Bout You" at the 2019 Billboard Music Awards.In July 2019, it was announced that Ciara would appear as a judge alongside David Dobrik and Debbie Gibson in a new musical competition on Nickelodeon titled America's Most Musical Family. On December 23, 2019, Ciara featured on the remix of longtime friend Blanco Brown's "The Git Up".After taking a break from music to focus on her pregnancy, Ciara released a new song and video titled "Rooted", featuring Ester Dean, on August 13, 2020. Between 2020 and 2021, Ciara and her husband Russell Wilson embarked on several business projects, opening the fashion house The House of LR&C, and signed a first look deal with Amazon Studios to start Why Not You Productions. 2022–present: New record deal and eighth studio album In May 2022, it was announced that Ciara would appear on the cover of the 2022 Sports Illustrated Swimsuit Issue, making her the third musician to do so since the issue launched in 1964.On June 29, 2022, it was announced that Ciara had signed a new record deal with Republic and Uptown Records, in partnership with her label, Beauty Marks Entertainment. Ciara's eighth studio album will be released through the partnership. The first release from the deal was announced to be the single, "Jump", released on July 8, 2022. In September 2022, it was insinuated that Ciara had collaborated with Summer Walker for a second time. On September 28, 2022, Ciara released the uptempo single "Better Thangs", which features Walker. The official music video, directed by Mia Barnes premiered online on September 30, 2022. On choosing Walker to collaborate with, Ciara divulged "I've always done collaborations because it felt right, it was authentic. It felt like the artist was going to bring a certain flair to this song that it needed… I played [Summer Walker] a few songs on the album and [...] this is the one song that I thought was perfect for her, but I wanted it for her because she also really liked it." The single has reached 13 on the US Billboard Adult R&B Songs chart, becoming Ciara's first top twenty hit on the chart. In November 2022 a remix of "Better Thangs" featuring rapper GloRilla was released. On March 24, 2023, Ciara released the single "Da Girls", which was followed on April 14, 2023, with a remix with Lola Brooke and Lady London. Ciara then appeared as a guest performer during Jackson Wang's Coachella performance; the pair performed XG's song "Left, Right", and a medley of Ciara's songs: "Lose Control", "Level Up", "Goodies" and "1, 2, Step". The set also included a short snippet of Wang and Ciara's song "Slow", which was released as a single on the same day. On April 25, 2023, the pair released the official music video to "Slow", featuring dance-heavy choreography. On May 12, 2023, Ciara released Versions, an EP with remixes to "Da Girls", featuring Derrick Milano, Lay Bankz and the previously released Girls Mix. On June 30, 2023, Ciara released "Get Loose" with Agnez Mo. Artistry Vocals and musical style Ciara is known for her often "breathy soprano" vocals. Allison Stewart of The Washington Post commented that she has a "reedy, agile voice, capable of conveying the only three emotions (sexy, sassy, sad) an R&B singer needs". Randall Roberts of the Los Angeles Times said that she "has been the most synthetic of the R&B divas over the past decade, an electro-leaning vocalist whose instrumental palate has heavily favored stark 808 beats, sassy and seductive vocal lines, and, often, weird, futuristic Gary Numan-esque bleeps woven through." He further commented: "Ciara's sights are mostly set on one aspect of said universal truth -- desire -- and how it manifests itself on the dance floor ... at the mall ... or in the bedroom... Ciara's debut album featured production from Jazze Pha. In reviewing the album, Slant Magazine noted the influence of Destiny's Child, and compared some of its material to Aaliyah's, albeit "less sexy". In reviewing her second album Ciara: The Evolution, Jody Rosen of Entertainment Weekly wrote: "Ciara's comfort with rave-inspired beats sets her apart from Cassie, Amerie, Rihanna, and other would-Beyoncés...[Her] singing is nimble throughout: She whispers, coos, wails, and reels off speedy syncopations worthy of Beyoncé herself." Her third album, Fantasy Ride, saw the singer showcasing a new pop and dance direction, which she recalled later on her sixth album Jackie. Ciara's music is generally contemporary R&B, but it also incorporates other genres including hip hop, crunk, dance-pop, electropop and funk. Critics have described her singles "Goodies", "1, 2 Step", "Get Up", and "Go Girl" as club bangers. Ciara has also dabbled in gospel, country, and afrobeats. Influences Ciara said that watching Destiny's Child and Janet Jackson perform on television inspired her to pursue a career in music, and cites Jackson and her brother Michael as her biggest inspirations. Ciara considered herself to reach "a career pinnacle" when she featured on Janet Jackson's 2008 album Discipline. Ciara spoke of Michael Jackson's legacy, "Whenever someone asks me who inspires me to do what I do, I always say Michael. That's it for me. He's everything to me. He's really a part of the reason why. He's going to be remembered in so many ways for me. I feel it's important for me to continue to let my generation know how important he was to music."Ciara also cites TLC, Jodeci, Sade, Frank Sinatra, Aaliyah, and Whitney Houston as some of her other musical influences. Her second studio album Ciara: The Evolution (2006) was influenced by Michael Jackson, Prince, and pop singer Madonna. During the recording of her fifth self-titled album Ciara (2013), she was inspired by Al Green and Missy Elliott. Stage presence, dancing, and music videos Ciara has received mostly praise for her stage presence and routines during live performances. Dalondo Moultrie of The Morning Call's applauded Ciara's stage presence saying that she "put on one of the best performances I have seen yet at [Crocodile Rock]". Moultrie continued to call her dance steps "incredible", notings her "pelvic thrusts", "body bending twists", "periodic bursts of light", and commending her for being in sync with the music. In summary, he praised Ciara's live performances for their "high-energy songs, sexy dance moves, flawless vocals, and [the] top-flight light show". Sia Michel of The New York Times also praised Ciara's relentless professional presence stating: "Ciara led a squad of hip-hop dancers through stylishly choreographed routines. Striding about in a headset, she was a commanding and relentlessly professional presence." Bill White of Seattle Post-Intelligencer wrote that due to Ciara's high energy, "it hardly mattered that she was singing to backing tracks ... Usually this type of performance seems cut-rate and dishonest, but Ciara, with the help of slick lighting and sharp choreography, made it work".Ciara has still gotten some criticism for her performances, typically relating to her vocals. Jon Caramanica of The New York Times gave a mixed reception of Ciara's performance ability, writing that her physical style reduced her emotional impact, and that her "lack of vocal presence guarantees that it is easier to connect with her music physically than emotionally." Vincent Jackson of The Press of Atlantic City also noted Ciara's limited vocal ability when critiquing her first headlining tour, but praised her confidence and approved of her decision "to put most of her energy into her almost nonstop, aerobic dance performance".Dance is big part of Ciara's artistry and music videos. Writing for The Guardian, Bim Adewunmi said "She makes music to dance to, and her videos are testament to that ... Ciara's currency as a dancer is precision and high difficulty. Her body becomes a sort of human syncopated beat – an urgent thing, parts moving seemingly independently but all working to a greater good. On a purely technical level, her dancing is damn near untouchable". Ciara's dancing is generally praised and she's often considered one of the best or most emulable dancers in music. Ciara's dance ability has been compared to Michael and Janet Jackson. Her dancing is often described as sexy, energetic, and precise. Ciara is noted for her often tomboyish dance aesthetic and androgynous choreography, particularly in her videos for 1, 2 Step and Like A Boy. Ciara's style of dancing is generally street, but she has also done ballroom and step in her videos and performances. Ciara also did an interpretive dance routine in pointe shoes for her I Bet music video, though her use of the shoes prompted some backlash from the ballet community. Alter ego At the time of Fantasy Ride's (2009) release, Ciara introduced her alter ego "Super C". Ciara said that Super C is her "inner strength and aggressive persona" – a futuristic, superhero-esque woman, loosely based on the robotic character Ciara portrayed in the "Go Girl" music video. Ciara described her reasoning for developing an alter ego, "There's so much negative energy in the world, especially within the blogging world, they try so hard to tear you down. [With the superhero concept] it's like, 'I refuse to let you and that negative energy tear me down or stop any blessing that I know is there for me.' That's when the inner superhero comes out." Legacy With the release of her debut single "Goodies", Ciara was dubbed the Princess of Crunk or the First Lady of Crunk&B. In the early to mid-2000s, "Goodies" along with other crunk music hits like "Get Low", "Yeah!" and "Freek-a-Leek" produced by Lil Jon climbed to the Top 10 of the Billboard Hot 100 charts. "Yeah!" and "Goodies" were the first tracks to introduce the substyle of crunk music and contemporary R&B, called crunk&B, to the public. Both of those tracks (performed by Usher and Ciara, respectively) were the top mainstream hits of 2004. Since then, crunk&B has been one of the most popular genres of sung African-American music along with electropop, the genre that replaced crunk and crunk&B on the charts in 2008. "Goodies" spent seven weeks at number one on the Billboard Hot 100, becoming the longest-running number-one debut single by a female artist since 1977.The album's lead single's success exemplified urban music's commercial dominance during the early 2000s, which featured massive crossover success on the Billboard charts by R&B and hip hop artists. In 2004, all 12 songs that topped the Billboard Hot 100 were African-American recording artists and accounted for 80% of the number-one R&B hits that year. Along with Usher's streak of singles, Top 40 radio and both pop and R&B charts were topped by OutKast's "Hey Ya!", Snoop Dogg's "Drop It Like It's Hot", Terror Squad's "Lean Back", and Ciara's "Goodies". Chris Molanphy of The Village Voice later remarked that "by the early 2000s, urban music was pop music."Ciara is considered to be "one of the most reliable suppliers" of beat-driven party music and the female face of crunk. Her debut album has been credited with helping "return R&B to Atlanta" and setting the standard for a new generation of R&B singers. Many female R&B and K-pop acts have had their image or style of music compared to Ciara's. Ciara peaked commercially in the mid-2000s, but she continued releasing hit songs in the 2010s. Billboard writer Natalie Weiner said that Ciara's 2013 hit "Body Party" was "one of [her] biggest and most critically acclaimed songs". It was certified double platinum in the U.S. and received numerous accolades. Ciara's 2015 single "I Bet" also went platinum in the U.S. Pitchfork journalist Katherine St. Asaph took note of Ciara's longevity, and responded to her reemergence in 2018: "Ciara's "Goodies" came out almost 15 years ago. That's a testament to just how improbably resilient Ciara's career has been. Though she's never quite regained that initial "princess of crunk-n-B" level of mainstream stardom, she has sustained a cult fanbase and delivered a remarkably consistent run of songs to back it up. Ciara's viral 2018 hit "Level Up" was likely the most saturated hit single of her career. Along with the wildly popular #LevelUp dance challenge that accompanied, the song was pushed to the forefront of Arizona politician Mark Kelly's winning campaign for the senate. The song is also noted for helping to bring Jersey and Baltimore club music to the mainstream, with the former being incorporated into its production. Ciara's music in general is popular and influential amongst club and underground music producers, with many remixes sampling her voice gaining popularity over the years. Canadian underground producer Jacques Greene was convinced to prioritize his music career after his song "Another Girl", which leaned on her vocals, gained traction. Latin R&B artist Rauw Alejandro admired Ciara early in his career because her music was 'club-friendly' and 'ripe for remixing'.Ciara has been credited with elevating the standard of dance, choreography, and visual art in her respective generation, and is regarded as an icon within the fields of dance, entertainment, and R&B for her contributions. According to The Fader, Ciara positioned herself as a "tomboyish, androgynous alternative" to her peers and the gender-swapping looks from her "Like A Boy" video both predates similar efforts from artists like Beyoncé and Lady Gaga, and made gender-swapping "cool" for female popstars. The publication also said her dance videos created a template for artists like Tinashe and raised discussion on female sexuality before feminism became more prominent in the music industry. Ciara has been cited as a musical influence or inspiration by many artists, including Ari Lennox, Baby Tate, Chloe × Halle, DaniLeigh, Dawn Richard, Dua Lipa, Girls' Generation, Grimes, Haim, Iza, Jackson Wang, Jesy Nelson, Jhené Aiko, Kehlani, Keke Palmer, LaTocha Scott, Latto, Layton Greene, Lil Mama, Masego, Normani, Rauw Alejandro, Scott Hoying, Tate McRae, Taylor Swift, Tierra Whack, Tinashe, and 2ne1. Ciara's journey in her personal life inspired tracks from K. Michelle and Summer Walker, both titled "Ciara's Prayer". Personal life In 2013, Ciara became engaged to rapper Future, with whom she has a son, born on May 19, 2014. She ended their engagement in August 2014 due to his infidelity. Ciara began dating NFL quarterback Russell Wilson in early 2015. They announced their engagement on March 11, 2016,. They married on July 6 at Peckforton Castle in Cheshire, England. Ciara took Wilson's last name when they married. Their first child, a daughter, was born on April 28, 2017, and their second child, a son, was born on July 23, 2020.Ciara identifies as a Christian. Other ventures Business Ciara became the face of Jay-Z's Rocawear clothing line and spokesperson for the women campaign titled "I Will Not Lose", which debuted in the summer of 2007. In the October issue of Vibe Magazine, she appeared, apparently nude, on the magazine cover but claimed Vibe had airbrushed her clothes off. She told MTV News that she was hurt by the photos and was quite shocked when she finally got her hands on the month's issue. She later confirmed that she was in fact clothed.In 2009, Ciara signed a multimillion-dollar deal with the modeling agency Wilhelmina Models. After signing the deal, she has been in many magazine spreads. In addition to that, she also has her eyes set on beginning a new clothing line. In June 2008, she was in talks with the department store Steve & Barry's to create an affordable clothing line, but it never happened. On November 9, 2009, it was announced that Ciara would be modeling in the German edition of Vogue. During that time, it was also announced that Ciara would be the new face of a major multimedia ad campaign for Verizon's smartphone the LG Chocolate Touch. Ciara filmed a commercial for the campaign, which features her dancing to her 2009 single, "Work". In March 2010, it was officially confirmed and announced that Ciara was the spokesperson in the new ad campaign for Adidas Originals. A commercial for the campaign was released the same month, featuring numerous other celebrities.On May 12, 2016, it was announced that Ciara signed a modeling contract with IMG. Later that year, she became a Global Brand Ambassador for the cosmetics giant Revlon.In August 2019, she and her husband Russell Wilson became part of the ownership group of Seattle Sounders FC in Major League Soccer.In 2020, along with her husband and entrepreneur and mentor Christine Day, she founded the fashion house The House of LR&C, combining the Good Man Brand, LITA by Ciara and Human Nation collections. In 2021, Ciara releases the Dare To Roam collection of recycled plastic backpacks and bags.Ciara, along with her husband, owns the television entertainment, advertising, and film production company Why Not You Productions, which has been affiliated with Amazon Prime Video since 2021.In October 2021, Ciara has joined Caribbean rum brand Ten To One Rum as an investor and co-owner. Ciara will be responsible for marketing, creative, and business development, as well as strategic alliances, in her new position.In September 2021, Ciara and Wilson announced that they were writing a children's book called Why Not You? (Random House, 2022) to help kids pursue their dreams. The book, cowritten with JaNay Brown-Wood and released on March 1, 2022, received a starred review from School Library Journal and was a New York Times bestseller.Later in August, Ciara would announce the launch of her skincare line, On A Mission, set for mid-September. Philanthropy In September 2008, Ciara contributed to the song "Just Stand Up!" with fifteen other female artists, who shared the stage to perform the song live on September 5, 2008, during the "Stand Up to Cancer" television special. The proceeds from the single were given to the fundraiser. The television special helped raise $100 million for cancer research.In 2009, Ciara became the face of Dosomething.org's "Do Something 101" campaign to raise school supplies for those in need at the start of the school year. She filmed a public service announcement to endorse the campaign.In December 2017, Ciara joined her husband's nonprofit 'Why Not You' Foundation as a board director. Through the foundation, she would eventually open a charter school called Why Not You Academy in June 2021 following an announcement eight months prior. They would also partner with the NFL Players Association and Goalsetter to open checking accounts for students at Denny International Middle School with a donation of $35,000 in May 2021. Ciara would later partner with the Black Women's Health Imperative and Hologic's Project Health Equality on their collaborative 'Cerving Confidence' campaign to raise awareness about the disproportionate effects of cervical cancer on black women.Amid the COVID-19 pandemic, Ciara donated one million meals to Food Lifeline to help the Puget Sound Region. Discography Goodies (2004) Ciara: The Evolution (2006) Fantasy Ride (2009) Basic Instinct (2010) Ciara (2013) Jackie (2015) Beauty Marks (2019) Tours Headlining 2006: Ciara: Live in Concert 2007: Screamfest '07 (with T.I.) 2009: Jay-Z & Ciara Live (with Jay-Z) 2015: Jackie Tour 2019: Beauty Marks Tour Supporting act 2005: Harajuku Lovers Tour 2005 (Gwen Stefani) 2007: Good Girl Gone Bad Tour (Rihanna) 2009: The Circus Starring Britney Spears (Britney Spears) 2018: 24K Magic World Tour (Bruno Mars) Festivals 2010: Summerbeatz 2011: Supafest 2022: Lovers & Friends Fest Filmography See also List of artists who reached number one in the United States List of awards and nominations received by Ciara List of dancers Passage 4: Xue Song (badminton) Xue Song (Chinese: 薛松; born 22 January 1994) is a Chinese badminton player who specializes in men's singles. Career In 2002, Xue was sent to train at the badminton school in Jiangsu, and at aged 13, he won the national junior title in singles and doubles event. At the age of 15, he trained in Hong Kong for two years, then he joined the badminton club in Guangdong. In 2011, he was selected to join the national team. He first attracted international attention when he defeated 2010 champion Viktor Axelsen at the 2012 World Junior Championships and went on to reach the final, where he lost to Kento Momota.He started his senior career at the 2013 Australian Open, and at that tournament, he beat a former world No. 1 Taufik Hidayat, and also a Vietnamese senior player Nguyễn Tiến Minh. In the final, he was defeated by his compatriot Tian Houwei in the rubber game. He also was the runner-up at the New Zealand Open lost to the Japanese player Riichi Takeshita. He won his first international title at the 2014 India Open Grand Prix Gold tournament. Achievements World Junior Championships Boys' singles BWF Grand Prix The BWF Grand Prix had two levels, the BWF Grand Prix and Grand Prix Gold. It was a series of badminton tournaments sanctioned by the Badminton World Federation (BWF) which was held from 2007 to 2017. Men's singles BWF Grand Prix Gold tournament BWF Grand Prix tournament Passage 5: Billy Milano Billy Milano (born June 3, 1964) is an American heavy metal and hardcore punk musician. He is the singer and occasionally guitarist and bassist of crossover thrash band M.O.D., and was the singer of its predecessor, Stormtroopers of Death. Prior to these bands, Milano played in early New York hardcore band the Psychos, which also launched the career of future Agnostic Front vocalist Roger Miret. Milano was also the singer of United Forces, which included his Stormtroopers of Death bandmate Dan Lilker. Milano managed a number of bands, including Agnostic Front, for whom he also co-produced the 1997 Epitaph Records release Something's Gotta Give and roadie for Anthrax. Discography Stormtroopers of Death albums Stormtroopers of Death videos Method of Destruction (M.O.D.) Mastery Passage 6: Bernie Bonvoisin Bernard Bonvoisin (French pronunciation: ​[bɛʁnaʁ bɔ̃vwazɛ̃]), known as Bernie Bonvoisin (French pronunciation: ​[bɛʁni bɔ̃vwazɛ̃], born 9 July 1956 in Nanterre, Hauts-de-Seine), is a French hard rock singer and film director. He is best known for having been the singer of Trust. He was one of the best friends of Bon Scott the singer of AC/DC and together they recorded the song "Ride On" which was one of the last songs by Bon Scott. External links Bernie Bonvoisin at IMDb Passage 7: Heng Kim Song Heng Kim Song (Chinese: 王锦松; born 1963) is a Singaporean editorial cartoonist. Career Heng was born in 1963. He studied business at Ngee Ann Polytechnic (graduating in 1983) and then became an editorial cartoonist. He won first place in Singapore's National Drawing Competition.Since 1984, Heng has drawn editorial cartoons for Lianhe Zaobao, the largest Chinese-language newspaper in Singapore. His work was first syndicated internationally in 1991; since that time, his work has been published in The Straits Times, The New York Times, the International Herald Tribune, and Newsweek. In 2000, Heng became the first Asian to win the award for best world news cartoon at the International Political Satire Festival, held in Italy.Singapore's major national media outlets are deferential to the national government, and "as a result, national newspapers do not carry political cartoons that caricature the country's politicians." Heng's work focuses on international, rather than domestic, politics.A freelancer, Heng also completed commissioned work. His work was displayed in a solo exhibition entitled Heng On The World at Singapore's Arts House gallery in 2011.In September 2014, around the time when India's Mars Orbiter Mission probe was to go into Mars orbit, the International New York Times published a cartoon by Heng Kim Song depicting a turban-wearing man with a bull knocking at the door of the "Elite Space Club" with members inside reading a newspaper with a headline about India's Mars mission. Heng received both support and criticism of the cartoon. Critics asserted that the cartoon was racist. Heng stated that the work was not intended to be racist, as critics charged, saying: "I was trying to say that India has come a long way from its humble beginnings. It used to rely on cows for transport but is now part of an elite club because it made it to Mars." Times editorial page editor Andrew Rosenthal, apologized, writing in a Facebook post: A large number of readers have complained about a recent editorial cartoon in The International New York Times, about India's foray into space exploration. The intent of the cartoonist ... was to highlight how space exploration is no longer the exclusive domain of rich, Western countries. Mr. Heng ... uses images and text – often in a provocative way – to make observations about international affairs. We apologize to readers who were offended by the choice of images in this cartoon. Mr. Heng was in no way trying to impugn India, its government or its citizens. According to the Straits Times, Heng's cartoons, executed in black-and-white, have a distinctive "droll" and "light-hearted" style. In addition to his editorial cartooning work, Heng is also an illustrator and greeting card designer. Personal life Heng is married and has three sons. == Notes == Passage 8: So Tae-song So Tae-song (born 10 September 1990) is a North Korean footballer who plays as a forward. Passage 9: Greatest Love (Ciara song) "Greatest Love" is a song by American singer-songwriter Ciara released on February 12, 2019, by Beauty Marks Entertainment. The track was written and produced by regular collaborators, Theron Thomas, who previously worked on Ciara and Jackie, and Jasper Cameron, who has been working with Ciara since her debut album Goodies (2004). Composition The song lasts for 3 minutes and 43 seconds and has a slower tempo compared to previously released singles "Level Up", "Freak Me" and "Dose". It has been described as having a grinding R&B groove punctuated by heavy bass and layered with waves of airy synths. Music video The music video was released the same day as the song. Track listing Digital download"Greatest Love" – 3:43 Charts Passage 10: Liu Song (snooker player) Liu Song (Chinese: 刘菘; born 8 December 1983) is a Chinese former professional snooker player from Tianjin. Life and career In 2003, Liu reached the final of the IBSF Under 21 World Championship, in Taupo, New Zealand. Liu faced Neil Robertson, with the score being 11–5 in the Australian's favour.Liu was the first Chinese player to qualify for the final stages of a ranking tournament, the 2004 Welsh Open. To get to the tournament, Liu played four qualifying matches, the fourth against Fergal O'Brien. Liu was eventually knocked out of the tournament by Marco Fu. Liu's best performance in a ranking tournament to date has been in the 2007 Grand Prix, where he reached the quarter-finals, where he lost to Marco Fu again, 0–5. In 2010 Liu became the first Chinese player to attain the World Snooker coaching badge. Since 2008 Liu has been managed by Romford-based Grove Leisure and is a stablemate of Ronnie O'Sullivan. Liu finished the 2011/2012 season outside the top 64, therefore he would be relegated from the main tour and dropped from the world rankings. Performance and ranking timeline Career finals Amateur finals: 1

doc_65

Passage 1: Michael Govan Michael Govan (born 1963) is the director of the Los Angeles County Museum of Art. Prior to his current position, Govan worked as the director of the Dia Art Foundation in New York City. Early life and education Govan was born in 1963 in North Adams, Massachusetts, and was raised in the Washington D.C. area, attending Sidwell Friends School.He majored in art history and fine arts at Williams College, where he met Thomas Krens, who was then director of the Williams College Museum of Art. Govan became closely involved with the museum, serving as acting curator as an undergraduate. After receiving his B.A. from Williams in 1985, Govan began an MFA in fine arts from the University of California, San Diego. Career As a twenty-five year old graduate student, Govan was recruited by his former mentor at Williams, Thomas Krens, who in 1988 had been appointed director of the Solomon R. Guggenheim Foundation. Govan served as deputy director of the Solomon R. Guggenheim Museum under Krens from 1988 to 1994, a period that culminated in the construction and opening of the Frank Gehry designed Guggenheim branch in Bilbao, Spain. Govan supervised the reinstallation of the museum's permanent collection galleries after its extensive renovation. Dia Art Foundation From 1994 to 2006, Govan was president and director of Dia Art Foundation in New York City. There, he spearheaded the conversion of a Nabisco box factory into the 300,000 square foot Dia:Beacon in New York's Hudson Valley, which houses Dia's collection of art from the 1960s to the present. Built in a former Nabisco box factory, the critically acclaimed museum has been credited with catalyzing a cultural and economic revival within the formerly factory-based city of Beacon. Dia's collection nearly doubled in size during Govan's tenure, but he also came under criticism for "needlessly and permanently" closing Dia's West 22nd Street building. During his time at Dia, Govan also worked closely with artists James Turrell and Michael Heizer, becoming an ardent supporter of Roden Crater and City, the artists' respective site-specific land art projects under construction in the American southwest. Govan successfully lobbied Washington to have the 704,000 acres in central Nevada surrounding City declared a national monument in 2015. LACMA In February 2006, a search committee composed of eleven LACMA trustees, led by the late Nancy M. Daly, recruited Govan to run the Los Angeles County Museum of Art. Govan has stated that he was drawn to the role not only because of LACMA's geographical distance from its European and east coast peers, but also because of the museum's relative youth, having been established in 1961. "I felt that because of this newness I had the opportunity to reconsider the museum," Govan has written, "[and] Los Angeles is a good place to do that."Govan has been widely regarded for transforming LACMA into both a local and international landmark. Since Govan's arrival, LACMA has acquired by donation or purchase over 27,000 works for the permanent collection, and the museum's gallery space has almost doubled thanks to the addition of two new buildings designed by Renzo Piano, the Broad Contemporary Art Museum (BCAM) and the Lynda and Stewart Resnick Pavilion. LACMA's annual attendance has grown from 600,000 to nearly 1.6 million in 2016. Artist collaborations Since his arrival, Govan has commissioned exhibition scenography and gallery designs in collaboration with artists. In 2006, for example, Govan invited LA artist John Baldessari to design an upcoming exhibition about the Belgian surrealist René Magritte, resulting in a theatrical show that reflected the twisted perspective of the latter's topsy-turvy world. Baldessari has also designed LACMA's logo. Since then, Govan has also commissioned Cuban-American artist Jorge Pardo to design LACMA's Art of the Ancient Americas gallery, described in the Los Angeles Times as a "gritty cavern deep inside the earth ... crossed with a high-style urban lounge."Govan has also commissioned several large-scale public artworks for LACMA's campus from contemporary California artists. These include Chris Burden's Urban Light (2008), a series of 202 vintage street lamps from different neighborhoods in Los Angeles, arranged in front of the entrance pavilion, Barbara Kruger's Untitled (Shafted) (2008), Robert Irwin's Primal Palm Garden (2010), and Michael Heizer's Levitated Mass, a 340-ton boulder transported 100 miles from the Jurupa Valley to LACMA, a widely publicized journey that culminated with a large celebration on Wilshire Boulevard. Thanks in part to the popularity of these public artworks, LACMA was ranked the fourth most instagrammed museum in the world in 2016.In his first three full years, the museum raised $251 million—about $100 million more than it collected during the three years before he arrived. In 2010, it was announced that Govan will steer LACMA for at least six more years. In a letter dated February 24, 2013, Govan, along with the LACMA board's co-chairmen Terry Semel and Andrew Gordon, proposed a merger with the financially troubled Museum of Contemporary Art, Los Angeles and a plan to raise $100 million for the combined museum. Zumthor Project Govan's latest project is an ambitious building project, the replacement of four of the campus's aging buildings with a single new state of the art gallery building designed by architect Peter Zumthor. As of January 2017, he has raised about $300 million in commitments. Construction is expected to begin in 2018, and the new building will open in 2023, to coincide with the opening of the new D Line metro stop on Wilshire Boulevard. The project also envisages dissolving all existing curatorial departments and departmental collections. Some commentators have been highly critical of Govan's plans. Joseph Giovannini, recalling Govan's technically unrealizable onetime plan to hang Jeff Koons' Train sculpture from the facade of the Ahmanson Gallery, has accused Govan of "driving the institution over a cliff into an equivalent mid-air wreck of its own". Describing the collection merging proposal as the creation of a "giant raffle bowl of some 130,000 objects", Giovannini also points out that the Zumthor building will contain 33% less gallery space than the galleries it will replace, and that the linear footage of wall space available for displays will decrease by about 7,500 ft, or 1.5 miles. Faced with losing a building named in its honor, and anticipating that its acquisitions could no longer be displayed, the Ahmanson Foundation withdrew its support. On the merging of the separate curatorial divisions to create a non-departmental art museum, Christopher Knight has pointed out that "no other museum of LACMA's size and complexity does it" that way, and characterized the museum's 2019 "To Rome and Back" exhibition, the first to take place under the new scheme, as "bland and ineffectual" and an "unsuccessful sample of what's to come". Personal life Govan is married and has two daughters, one from a previous marriage. He and his family used to live in a $6 million mansion in Hancock Park that was provided by LACMA - a benefit worth $155,000 a year, according to most recent tax filings - until LACMA decided that it would sell the property to make up for the museum's of almost $900 million in debt [2]. That home is now worth nearly $8 million and Govan now lives in a trailer park in Malibu's Point Dume region. Los Angeles CA 90020 United States. He has had a private pilot's license since 1995 and keeps a 1979 Beechcraft Bonanza at Santa Monica Airport. Passage 2: The Seventh Company Outdoors The Seventh Company Outdoors (French: La Septième Compagnie au clair de lune) is a 1977 French comedy film directed by Robert Lamoureux. It is a sequel to Now Where Did the 7th Company Get to?. Cast Jean Lefebvre - Pithivier Pierre Mondy - Chaudard Henri Guybet - Tassin Patricia Karim - Suzanne Chaudard Gérard Hérold - Le commandant Gilles Gérard Jugnot - Gorgeton Jean Carmet - M. Albert, le passeur André Pousse - Lambert Michel Berto Passage 3: Peter Levin Peter Levin is an American director of film, television and theatre. Career Since 1967, Levin has amassed a large number of credits directing episodic television and television films. Some of his television series credits include Love Is a Many Splendored Thing, James at 15, The Paper Chase, Family, Starsky & Hutch, Lou Grant, Fame, Cagney & Lacey, Law & Order and Judging Amy.Some of his television film credits include Rape and Marriage: The Rideout Case (1980), A Reason to Live (1985), Popeye Doyle (1986), A Killer Among Us (1990), Queen Sized (2008) and among other films. He directed "Heart in Hiding", written by his wife Audrey Davis Levin, for which she received an Emmy for Best Day Time Special in the 1970s. Prior to becoming a director, Levin worked as an actor in several Broadway productions. He costarred with Susan Strasberg in "[The Diary of Ann Frank]" but had to leave the production when he was drafted into the Army. He trained at the Carnegie Mellon University. Eventually becoming a theatre director, he directed productions at the Long Wharf Theatre and the Pacific Resident Theatre Company. He also co-founded the off-off-Broadway Theatre [the Hardware Poets Playhouse] with his wife Audrey Davis Levin and was also an associate artist of The Interact Theatre Company. Passage 4: Colin Low (filmmaker) Colin Archibald Low (July 24, 1926 – February 24, 2016) was a Canadian animation and documentary filmmaker with the National Film Board of Canada (NFB). He was known as a pioneer, one of Canada's most important filmmakers, and was regularly referred to as "the gentleman genius". His numerous honors include five BAFTA awards, eight Cannes Film Festival awards, and six Academy Award nominations. Early life Low was born and raised in Cardston, Alberta, to Gerald and Marion Low, ranchers who were members of The Church of Jesus Christ of Latter-day Saints. The town borders the Kainai Nation (Blood Tribe), which later became the subject of two of his films; his 1960 film Circle of the Sun marked the first time the Kainai Nation's sacred Sun Dance was filmed. Career Low studied graphic design and animation at the Banff School of Fine Arts and then the Calgary Institute of Technology. In 1946, while he was at the latter, the National Film Board of Canada was hiring and put out a call for student submissions; one of Low's teachers suggested that he send in his portfolio and, a week later, he was hired by the prominent NFB filmmaker Norman McLaren. McLaren placed Low under the tutelage of George Dunning, who would act as his mentor for five years. To hone his animation skills, he was also put to work with NFB animator Evelyn Lambart.Low was recognized as a filmmaker in 1949. In 1950, he was appointed Head of the Animation Unit. From 1972 to 1976, he was an executive producer for the NFB's Studio C; in 1976, he became Director of Regional Production. He would stay with the NFB for the rest of his life, making 203 films and acting as a researcher and advisor on many others. He officially retired in 1997, but continued to write about animation and large-format film, and to work on film projects. Influence on Stanley Kubrick and Ken Burns Low's 1957 documentary City of Gold made use of slow pans and zooms across archival photos and has been cited by Ken Burns as a key inspiration for the so-called 'Ken Burns effect'.In 1960, Low and Roman Kroitor co-directed Universe, capturing the attention of Stanley Kubrick, who was preparing to make 2001: A Space Odyssey. Low was invited to work on 2001: A Space Odyssey but had to decline because he was making In the Labyrinth, a multi-screen production for Expo 67. Some of his ideas and techniques were incorporated into Kubrick's film and Kubrick used the narrator from Universe (Douglas Rain) as the voice of his HAL 9000 computer. Challenge for Change From 1966 to 1968, Low worked with the people of Fogo Island, Newfoundland to shoot 27 films for the NFB's Challenge for Change program, using media as a tool to bring about social change and combat poverty. IMAX Low was involved in a series of firsts in the wide-screen genre. The experimental multi-screen production In the Labyrinth helped lead to the creation of the IMAX format. Low co-directed the first IMAX 3D production Transitions for Expo 86 in Vancouver, and co-directed Momentum, the first film in 48 frames per-second IMAX HD for Expo 92 in Seville, Spain. Lifetime achievement recognition In 1972, at the 24th Canadian Film Awards, Low received the inaugural Grierson Award for "an outstanding contribution to Canadian cinema."In 2002, the Large Format Cinema Association presented Low and the NFB with its Abel Gance Award for outstanding work in large format filmmaking.In 1997, Low was awarded the Prix Albert-Tessier, given to individuals for an outstanding career in Québec cinema. In 2013, the DOXA Documentary Film Festival created the annual Colin Low Award, presented to the best Canadian documentary film in the festival program. Low was a member of the Royal Canadian Academy of Arts and, in 1996, in recognition of his extraordinary contributions to cinema in Canada and around the world, was invested as a Member of the Order of Canada. Personal life and death Shortly after joining the NFB, Low met Eugénie (Jean) St. Germain in Montreal. They married in 1947 and had three sons. He was survived by his wife and sons when he died in Montreal on February 24, 2016. Filmography All for the National Film Board of Canada Cadet Rousselle - animated short, George Dunning 1946 - co-animator with George Dunning Christmas Carols - animated short, Jim MacKay 1947 - co-animator with Grant Munro, Helen MacKay, Robert Verrall, George Dunning and Lyle Enright Time and Terrain - documentary short 1948 - director, animator, co-editor with Robert Verrall Teamwork - Past and Present - animated short, Michael Spencer 1950 - editor, animator Challenge: Science Against Cancer - documentary short, Morten Parker 1950 - co-animator with Evelyn Lambart The Fight: Science Against Cancer - documentary short, Morten Parker 1950 - co-animator with Evelyn Lambart The Outlaw Within - documentary short, Morten Parker 1951 - co-animator with Evelyn Lambart Age of the Beaver - documentary short 1952 - director The Romance of Transportation in Canada, Part 1 - animated short 1952 - director The Romance of Transportation in Canada, Part 2 - animated short 1953 - director A Thousand Million Years - documentary short 1954 - director One Little Indian - puppet film, Grant Munro 1954 - co-producer with Tom Daly Corral - documentary short 1954 - writer, director Riches of the Earth - documentary short 1954 - director Gold - documentary short 1955 - director The Jolifou Inn - documentary short 1955 - editor, director It's a Crime - animated short Wolf Koenig 1957 - production designer City of Gold - documentary short 1957 - with Wolf Koenig, co- cinematographer and co-director The Living Stone - documentary short, John Feeney 1958 - co-cinematographer with Patrick Carey and Wally Gentleman City Out of Time - documentary short 1959 - director A is for Architecture - documentary short, Gerald Budner and Robert Verrall 1960 - co-producer with Tom Daly Hors-d'oeuvre - animated short, Gerald Potterton, Robert Verrall, Arthur Lipsett, Derek Lamb, Jeff Hale and Kaj Pindal 1960 - co-producer with Victor Jobin Universe - documentary short 1960 - co-director with Roman Kroitor Circle of the Sun - documentary short 1960 - writer, director The Days of Whiskey Gap - documentary short 1961 - director Very Nice, Very Nice - documentary short, Arthur Lipsett 1961 - co-producer with Tom Daly Do You Know the Milky Way? - documentary short 1961 - director My Financial Career - cartoon, Gerald Potterton 1962 - co-producer with Tom Daly The Peep Show - cartoon, Kaj Pindal 1962 - producer The World of David Milne - documentary short, Gerald Budner 1962 - co-producer with Tom Daly Pot-pourri - montage, Jeff Hale, Derek Lamb, Austin Campbell, Kaj Pindal, Grant Munro, Cameron Guess, Rhoda Leyer 1962 - co-producer with Victor Jobin 21-87 - documentary short, Arthur Lipsett 1963 - co-producer with Tom Daly The Ride - short film, Gerald Potterton 1963 - producer I Know an Old Lady Who Swallowed a Fly - animated short, Derek Lamb 1963 - producer The Hutterites - documentary short 1964 - director Free Fall - experimental short, Arthur Lipsett 1964 - co-producer with Tom Daly An Essay on Science - documentary short, Guy L. Coté 1964 - co-animator with Pierre L'Amare Riches of the Earth, Revised - documentary short 1966 - director McGraths At Home and Fishing - documentary short 1967 - director The Mercer Family - documentary short 1967 - director The Merchant and the Teacher - documentary short 1967 - director The Songs of Chris Cobb - documentary short 1967 - director Tom Best on Co-Operatives - documentary short 1967 - director A Wedding and a Party - documentary short 1967 - director Citizen Discussions - documentary short 1967 - director Dan Roberts on Fishing - documentary short 1967 - director Discussion on Welfare - documentary short 1967 - director Fishermen's Meeting - documentary short 1967 - director Some Problems of Fogo - documentary short 1967 - director The Story of the Up Top - documentary short 1967 - director Two Cabinet Ministers - documentary short 1967 - director The Fogo Island Improvement Committee - documentary short 1967 - director Fogo's Expatriates - documentary short 1967 - director The Founding of the Co-operatives - documentary short 1967 - director Jim Decker Builds a Longliner - documentary short 1967 - director Jim Decker's Party - documentary short 1967 - director Joe Kinsella on Education - documentary short 1967 - director Thoughts on Fogo and Norway - documentary short 1967 - director Andrew Britt at Shoal Bay - documentary short 1967 - director Billy Crane Moves Away - documentary short 1967 - director Brian Earle on Merchants and Welfare - documentary short 1967 - director The Children of Fogo Island - documentary short 1967 - director William Wells Talks About the Island - documentary short 1967 - director A Woman's Place - documentary short 1967 - director In the Labyrinth - documentary short 1967 - co-director with Roman Kroitor and Hugh O'Connor Introduction to Fogo Island - documentary short 1968 - director The Winds of Fogo - documentary short 1969 - director Of Many People - documentary short, Stanley Jackson 1970 - co-editor with Malca Gillson and John Spotton Cell 16 - documentary short, Martin Duckworth 1971 - producer The Sea - documentary short, Bané Jovanovic 1971 - co-producer with Tom Daly and William Brind Time Piece - documentary short, Albert Kish 1971 - producer God Help the Man Who Would Part with His Land - documentary, George C. Stoney 1971 - co-producer with Tom Daly I Don't Think It's Meant For Us... - documentary short, Kathleen Shannon 1971 - co-producer with George C. Stoney Here is Canada - documentary short, Tony Ianzelo 1972 - producer The Question of TV Violence - documentary, Graeme Ferguson 1972 - producer That Gang of Hoodlums? - documentary short, Robert Nichol 1972 - co-executive producer with Len Chatwin A Memo from Fogo - documentary, Roger Hart 1972 - producer When I Go...That's It! - documentary short 1972 - co-producer and co-director with George C. Stoney, Ron Alexander and Dennis Sawyer Child, Part 1: Jamie, Ethan and Marlon: The First Two Months - documentary short, Robert Humble 1973 - executive producer Child, Part 2: Jamie, Ethan and Keir: 2-14 Months - documentary short, Robert Humble 1973 - executive producer Child, Part 3: Debbie and Robert: 12-24 Months - documentary short, Robert Humble 1973 - executive producer The Greenlanders - documentary short, Hubert Schuurman 1973 - co-executive producer with Len Chatwin Rock-A-Bye - documentary short, Jacques Bensimon 1973 - executive producer Kainai - documentary short, Raoul Fox 1973 - producer Do Your Thing - documentary short, Len Chatwin 1973 - production team The Man Who Can't Stop - documentary, Michael Rubbo 1973 - executive producer Coming Home - documentary, Bill Reid 1973 - co-producer with Tom Daly Sub-Igloo - documentary short, James de Beaujeu Domville and Joseph B. MacInnis 1973 - executive producer Freshwater World - documentary short, Giles Walker 1974 - executive producer King of the Hill - documentary, William Canning and Donald Brittain 1974 - executive producer Another Side of the Forest - documentary short, Raoul Fox and Strowan Robertson 1974 - executive producer Running Time - feature, Mort Ransen 1974 - executive producer Sananguagat: Inuit Masterworks - documentary short, Derek May 1974 - executive producer Thoughts on the Future with George McRobie - documentary short, Roger Hart 1974 - executive producer The Boat That Ian Built - documentary short, Andy Thomson 1974 - co-producer with Stanley Jackson Cree Hunters of Mistassini - documentary, Boyce Richardson and Tony Ianzelo 1974 - producer In Praise of Hands - documentary short, Donald Winkler 1974 - co-producer with Tom Daly In Search of the Bowhead Whale - documentary, Bill Mason 1974 - executive producer The New Alchemists - documentary short, Dorothy Todd Hénaut 1974 - producer Our Land is Our Life - documentary, Boyce Richardson and Tony Ianzelo 1974 - producer Sisters of the Space Age - documentary short, James Carney 1974 - executive producer Bate's Car: Sweet as a Nut - documentary short, Tony Ianzelo 1974 - executive producer Waiting for Fidel - documentary, Michael Rubbo 1974 - executive producer Bill Loosley's Heat Pump - documentary short, Kenneth McCready 1975 - executive producer I Am an Old Tree - documentary, Michael Rubbo 1975 - executive producer In All Seasons - documentary short, Ernest Reid 1975 - executive producer Jack Rabbit - documentary short, William Brind 1975 - executive producer The Lady and the Owl - documentary short, William Canning 1975 - executive producer Metal Workers - documentary short, Robert Fortier and Donald Winkler 1975 - co-producer with Rick Raxlen and Tom Daly Musicanada - documentary, Malca Gillson and Tony Ianzelo 1975 - executive producer A New Bargain - documentary short, Roger Hart 1975 - executive producer Vietnam Recall - documentary, Desmond Dew 1975 - executive producer New Romance (Aspects of Sexuality and Sexual Roles) - documentary short, Janet Walczewski and Susan Gabori 1975 - executive producer Operation G.A.T.E. - documentary short, Don Virgo 1975 - executive producer Descent - documentary short, Giles Walker and Paul Cowan 1975 - executive producer Earthware - documentary short, Rick Raxlen and Donald Winkler 1975 - co-producer with Rick Raxlen and Tom Daly First Born - documentary short, Joan Henson 1975 - executive producer The Forest Watchers - documentary short, Peter Raymont 1975 - executive producer Hinchinbrook Diary - documentary short, Rick Raxlen 1975 - executive producer Niagara for Sale - documentary, William Canning 1975 - executive producer No Way They Want to Slow Down - documentary short, Giles Walker 1975 - executive producer Operation High Test - training film, Douglas Cameron 1975 - executive producer Alberta Girls - documentary short, Malca Gillson and Tony Ianzelo 1975 - executive producer Arctic IV - documentary, James de Beaujeu Domville 1975 - producer Lumsden - documentary short, Peter Raymont 1975 - executive producer The Mad Canadian - documentary short, Robert Fortier 1976 - executive producer The Other World - documentary short, Claudia Overing 1976 - executive producer The Land: A New Priority - documentary short, Roger Hart 1976 - executive producer Blackwood - documentary short, Tony Ianzelo and Andy Thomson 1976 - executive producer A Sense of Place - documentary, René Bonnière 1976 - executive producer The Sword of the Lord - documentary, Giles Walker 1976 - executive producer Threads - documentary short, Donald Winkler and Anne Henderson 1976 - co-producer with Diane Beaudry and Tom Daly Waterloo Farmers - documentary short, Italo Costa 1976 - executive producer Wax and Wool - documentary short, Donald Winkler and Rick Raxlen 1976 - co-producer with Rick Raxlen and Tom Daly The Whales are Waiting - documentary short, Tony Ianzelo, Andy Thomson and Strowan Robertson 1976 - executive producer The Canadian Air Connection - training film, Douglas Cameron 1976 - executive producer Christ is Risen - documentary short, William Canning 1976 - executive producer Potatoes - documentary short, Robert Lang 1976 - executive producer A Sense of Hummus - documentary short, Christopher Chapman 1976 - executive producer We Can't Stand Still Can We? - documentary short, Kenneth McCready 1976 - executive producer Coaches - documentary, Paul Cowan 1976 - executive producer First Steps - documentary short, Philip Bridgeman and Alec MacLeod 1976 - executive producer The Great Clean-Up - documentary, James Carney 1976 - executive producer A Great White Bird - documentary, Michael McKennirey 1976 - executive producer Log House - documentary short, Michael Rubbo and Andreas Poulsson 1976 - executive producer Los Canadienses - documentary, Albert Kish 1976 - co-producer with Tom Daly Have I Ever Lied to You Before? - documentary, John Spotton 1976 - executive producer High Grass Circus - documentary, Torben Schioler and Tony Ianzelo 1976 - executive producer Little Big Top - documentary short, Torben Schioler and Tony Ianzelo 1977 - co-executive producer with Michael McKennirey Path of the Paddle: Solo Basic - documentary short, Bill Mason 1977 - executive producer Path of the Paddle: Doubles Basic - documentary short, Bill Mason 1977 - executive producer Path of the Paddle: Solo Whitewater - documentary short, Bill Mason 1977 - executive producer Path of the Paddle: Doubles Whitewater - documentary short, Bill Mason 1977 - executive producer Child, Part 4: Kathy and Ian: Three-Year-Olds - documentary short, Robert Humble 1977 - executive producer River (Planet Earth) - documentary short, Peter Raymont 1977 - executive producer You're Eating For Two - documentary short, Malca Gillson 1977 - executive producer Forest Under Siege - documentary short, Desmond Dew 1977 - executive producer The Biosphere - documentary, William Pettigrew 1979 - co-producer with Barrie Howells A Pinto for the Prince - documentary short 1979 - co-director with John Spotton Atmos - documentary short 1980 - director Standing Alone - documentary 1982 - director The Contour Connection - documentary short 1983 - director Starlife - documentary short, Sidney Goldsmith 1983 - producer Starbreaker - short film, Bruce Mackay 1984 - special effects Transitions - documentary short, IMAX 1986 - writer and, with Tony Ianzelo, director Emergency - short film, IMAX 1988 - writer, co-director with Tony Ianzelo Echoes of the Sun - documentary short, IMAX, Nelson Max and Roman Kroitor 1990 - writer Momentum - documentary short, IMAX 1992 - co-director with Tony Ianzelo Making Momentum - documentary short 1996 - director, with Tony Ianzelo Path of the Paddle: Quiet Water - documentary, Bill Mason 1996 - producer Path of the Paddle: White Water - documentary, Bill Mason 1996 - producer Louisbourg Under Siege - documentary, Albert Kish 1997 - co-cinematographer with Tony Ianzelo, Ernest McNabb and Kent Nason Moving Pictures - documentary, 2000 - director and, with Boyce Richardson, writer Awards As Director, Executive Producer or Producer Cadet Rousselle (1946) Filmfestival del Garda, Gardone Riviera: Award of Merit, 1949 American Film and Video Festival, New York: Blue Ribbon, 1960 Columbus International Film & Animation Festival, Columbus, Ohio: Chris Statuette, 1961 Columbus International Film & Animation Festival, Columbus, Ohio: Chris Certificate, Education, Art and Music, 1961The Romance of Transportation in Canada (1952) 1953 Cannes Film Festival, Cannes, France: Award for Best Animation, 1953 7th British Academy Film Awards, London: BAFTA Special Award, 1954 25th Academy Awards, Los Angeles: Nominee, Best Short Subject, Cartoons, 1953Age of the Beaver (1952) 5th Canadian Film Awards, Toronto: Honorable Mention, Non-Theatrical, 1953Corral (1954) Venice Film Festival, Venice, Italy: First Prize, Documentary Films, 1954 Durban International Film Festival, Durban, South Africa: Second Prize/Bronze Medal, Documentary, 1954 Edinburgh International Film Festival, Edinburgh, Scotland: Diploma of Merit, Arts, 1954 Golden Reel International Film Festival, Film Council of America, New York: Recognition of Merit, 1955 7th Canadian Film Awards, Toronto: Special Mention, Non-Theatrical Short, 1955Riches of the Earth (1954) 7th Canadian Film Awards, Toronto: Best Film, Non-Theatrical Short, 1955 International Survey of Scientific and Didactic Films, Padua, Italy: First Award for Best Film, 1956A Thousand Million Years (1954) Venice Film Festival, Venice: Honourable Mention, Scientific Films, 1954One Little Indian (1954) 7th Canadian Film Awards, Toronto: Honorable Mention, Non-Theatrical, 1955 National Committee on Films for Safety, Chicago: First Prize, Bronze Plaque, Traffic & Transportation, 1955 Golden Reel International Film Festival, Film Council of America, New York: Recognition of Merit, 1955 Kootenay Film Festival, Nelson, British Columbia: Certificate of Merit, Second Award, Artistic Achievement, 1955 Rapallo International Film Festival, Rapallo, Italy: Great Cup of the Province of Genoa, 1956 Rapallo International Film Festival, Rapallo, Italy: First Prize & Silver Medal, Abstract Films, 1956The Jolifou Inn (1955) 8th Canadian Film Awards, Stratford, Ontario: Honorable Mention, Theatrical Short, 1956 Yorkton Film Festival, Yorkton, Saskatchewan: Golden Sheaf Award, Best Film, Creative Arts, 1956 Kootenay Film Festival, Nelson, British Columbia: First Achievement Award, 1957 Ibero-American-Filipino Documentary Film Contest, Bilbao, Spain: Best Film of an Educational and Cultural Character, 1959 Ibero-American-Filipino Documentary Film Contest, Bilbao, Spain: Special Prize, 1959Gold (1955) Edinburgh International Film Festival, Edinburgh, Scotland: Diploma of Merit, 1955 8th Canadian Film Awards, Stratford, Ontario: Gold Award, Theatrical Short, 1956City of Gold (1957) 1957 Cannes Film Festival, Cannes, France: First Prize, Documentary, 1957 Cork International Film Festival, Cork, Ireland: First Prize - Statuette of St. Finbarr, General Interest 1957 10th Canadian Film Awards, Toronto: Genie Award, Film of the Year 1958 10th Canadian Film Awards, Toronto: Genie Award, Best Film, Arts and Experimental, 1958 Yorkton Film Festival, Yorkton, Saskatchewan: Golden Sheaf Award, Best Film, General 1958 International Festival of Mountain and Exploration Films, Trento, Italy: Gold Medal 1958 Chicago Festival of Contemporary Arts, University of Illinois Chicago: Documentary Prize 1958 International Festival of Films on People and Countries, La Spezia, Italy: Gold Caravelle, 2nd prize 1958 Vancouver International Film Festival, Vancouver: First Prize, Documentary 1958 SODRE International Festival of Documentary and Experimental Films, Montevideo, Uruguay: Honourable Mention 1958 Robert J. Flaherty Film Awards, City College Institute of Film Techniques: Honourable Mention, 1958 Ibero-American-Filipino Documentary Film Contest, Bilbao, Spain: First Prize, 1959 American Film and Video Festival, New York: Blue Ribbon, History & Biography, 1959 Columbus International Film & Animation Festival, Columbus, Ohio: Chris Award, First Prize 1960 Festival dei Popoli, Florence, Italy: Gold Medal, 1960 Festival of Experimental and Documentary Films, Santiago, Chile: Honourable Mention 1960 30th Academy Awards, Los Angeles: Nominee, Short Subject, Live Action, 1958City Out of Time (1959) Vancouver International Film Festival, Vancouver: Special Diploma, Fine Arts, 1960A is for Architecture (1960) Yorkton Film Festival, Yorkton, Saskatchewan: Golden Sheaf Award, First Prize, 1960 12th Canadian Film Awards, Toronto: Genie Award for Best Film, General Information, 1960 Ibero-American-Filipino Documentary Film Contest, Bilbao, Spain: Special CIDALC Prize, Silver Medal, 1960 International Exhibition of Electronics, Nuclear Energy, Radio, Television and Cinema, Trieste, Italy: Silver Cup, 1960 Rapallo International Film Festival, Rapallo, Italy: Third Prize - Silver Cup and Medal, 1960 Yorkton Film Festival, Yorkton, Saskatchewan: Certificate of Merit, 1960 Columbus International Film & Animation Festival, Columbus, Ohio: Chris Award, First Prize, 1962Circle of the Sun (1960) 14th Canadian Film Awards: Genie Award for Best Film, General Information, 1962 Yorkton Film Festival, Yorkton, Saskatchewan: Golden Sheaf Award, First Prize, 1962 Festival of Tourist and Folklore Films, Brussels: Best Film on Folklore, 1962 La Plata International Children's Film Festival, La Plata, Argentina: Silver Oak Leaf, First Prize, Documentary, 1962 Electronic, Nuclear and Teleradio Cinematographic Review, Rome: First Prize, Tourist Films, 1962 SODRE International Festival of Documentary and Experimental Films, Montevideo, Uruguay: Honorable Mention, 1962 Festival dei Popoli/International Film Festival on Social Documentary, Florence, Italy: Honorable Mention, 1962 Victoria Film Festival, Victoria, British Columbia: Best Film, 1963 International Tourism Film Festival, Tarbes, France: Diploma of Honour and Trophy, 1967Universe (1960) Cannes Film Festival, Cannes, France: Jury Prize for Exceptional Animation Quality, 1960 Cannes Film Festival, Cannes, France: Technical Mention of the Commission Supérieure Technique du Cinéma Français, 1960 Yorkton Film Festival, Yorkton, Saskatchewan: Golden Sheaf Award, Best Film of the Festival, 1960 Vancouver International Film Festival, Vancouver: First Prize, Documentary, 1960 Vancouver International Film Festival, Vancouver: Diploma, Scientific Films, 1960 International Festival of Scientific and Technical Films, Belgrade, Serbia: Diploma of Honour, 1960 Stratford Film Festival, Stratford, Ontario: Special Commendation, 1960 Cork International Film Festival, Cork, Ireland: First Prize, Diploma of Merit, 1960 Edinburgh International Film Festival, Edinburgh, Scotland: Diploma of Merit, Science, 1960 14th British Academy Film Awards, London: BAFTA Award for Best Animated Film, 1961 13th Canadian Film Awards: Genie Award for Film of the Year, 1961 13th Canadian Film Awards: Genie Award for Best Theatrical Short, 1961 Philadelphia International Festival of Short Films, Philadelphia: Award for Exceptional Merit, 1961 Salerno Film Festival, Salerno, Italy: First Prize – Documentary, 1961 American Film and Video Festival, New York: Blue Ribbon, Science and Mathematics, 1961 Columbus International Film & Animation Festival, Columbus, Ohio: Chris Award, Information/Education, 1961 Rapallo International Film Festival, Rapallo, Italy: Cup of the Minister of Tourism and Entertainment, 1961 Mar del Plata International Film Festival, Mar del Plata, Argentina: Grand Prize, 1962 International Festival of Educational Films, Mar del Plata, Argentina: Best Documentary, 1962 La Plata International Children's Festival, La Plata, Argentina: Silver Oak Leaf, First Prize, Scientific Films, 1962 Scientific Film Festival, Caracas, Venezuela: Award of Merit, 1963 Scholastic Teacher Magazine Annual Film Awards: Award of Merit, 1963 International Educational Film Festival, Tehran: Golden Delfan, First Prize, Scientific Films, 1964 Educational Film Library Association of America, New York: Nomination, 10 Best Films of the Decade List, 1968 33rd Academy Awards, Los Angeles: Nominee: Best Documentary Short Subject, 1961Hors-d'oeuvre (1960) 13th Canadian Film Awards: Award of Merit, Sales and Promotion, 1961Do You Know the Milky Way? (1961) International Days of Short Films, Tours, France: Special Jury Prize, 1961 Columbus International Film & Animation Festival, Columbus, Ohio: Chris Award, Experimental, 1962Very Nice, Very Nice (1961) 34th Academy Awards – Nominee, Academy Award for Best Live Action Short Film, 1962The Days of Whiskey Gap (1961) Canadian Historical Association, Toronto: Certificate of Merit "for outstanding contribution to local history in Canada", 1962 Vancouver International Film Festival, Vancouver: Honorable Mention, Sociology, 1962Pot-pourri (1962) 14th Canadian Film Awards, Toronto: Award of Merit - Filmed Commercials (Public Service), 1962My Financial Career (1962) Golden Gate International Film Festival, San Francisco: First Prize, Animated Film, 1962 American Film and Video Festival, New York: Blue Ribbon, Literature in Films, 1964 36th Academy Awards, Los Angeles: Nominee, Best Short Subject, Cartoons, 196321-87 (1963) Ann Arbor Film Festival, Ann Arbor, Michigan: First Prize, 1964 Palo Alto Filmmakers’ Festival, Palo Alto: Second Prize, 1964 Midwest Film Festival, University of Chicago, Chicago: Most Popular Film, 1964I Know an Old Lady Who Swallowed a Fly (1963) Chicago International Film Festival, Chicago: Certificate of Merit – Cartoons, 1965 Zlín Film Festival/International Film Festival for Children and Youth, Gottwaldov, Czechoslovakia: Diploma of Merit, 1965 Santa Barbara Children's Film Festival, Santa Barbara, California: Second Satellite Award, Short Entertainment, 1966Free Fall (1964) Golden Gate International Film Festival, San Francisco: Award of Merit, 1964 Montreal International Film Festival, Montreal: Honorable Mention, Shorts, 1964The Hutterites (1964) Montreal International Film Festival, Montreal: First Prize, Shorts, 1964 Columbus International Film & Animation Festival, Columbus, Ohio: Chris Award, First Prize, Religion, 1964 Yorkton Film Festival, Yorkton, Saskatchewan: Golden Sheaf Award, First Prize, Human Relations, 1964 Melbourne Film Festival, Melbourne: Honorable Mention, 1964 American Film and Video Festival, New York: Blue Ribbon, Doctrinal and Denominational Topics, 1965 Landers Associates Awards, Los Angeles: Award of Merit, 1965 Festival dei Popoli/International Film Festival on Social Documentary, Florence, Italy: Second Prize, 1965The Children of Fogo Island (1967) Conference on Children, Washington, DC: Certificate of Merit, 1970The Sea (1971) 23rd Canadian Film Awards, Toronto: Genie Award for Best Documentary Under 30 minutes, 1971 International Film Festival of Man, Air, Water, Versailles: First Prize of the Festival, 1972 International Review of Maritime Documentary / International Film, TV Film and Documentary Film Market (MIFED), Milan: Jury Award - Gold Medal of the President of the Republic, 1972 Melbourne International Film Festival, Melbourne: Diploma of Merit, 1972 International Week of Nautical Cinema, Palma: Gold Anchovy, 1974 International Documentary Film Days on the Environment, Ouistreham-Riva-Bella: Gold Medal and Grand Prize of the President of the Republic, 1974Here is Canada (1972) Festival of Tourist and Folklore Films, Brussels: Award of the Ministry of National Education, 1973 Golden Gate International Film Festival, San Francisco: First Prize, Special Jury Mention, 1973The Question of TV Violence (1972) Columbus International Film & Animation Festival, Columbus, Ohio: Chris Award, Best Documentary, 1973Coming Home (1973) 25th Canadian Film Awards, Montreal: Genie Award for Best Theatrical Documentary, 1973Sub-Igloo (1973) International Oceanographic Film Festival, Bordeaux, France: First Prize, 1976The Man Who Can't Stop (1973) Chicago International Film Festival, Chicago: Certificate of Merit, 1974Child, Part 1: Jamie, Ethan and Marlon: The First Two Months (1973) Columbus International Film & Animation Festival, Columbus, Ohio: Chris Award, Bronze Plaque, Education, 1976Cree Hunters of Mistassini (1974) 28th British Academy Film Awards, London: BAFTA Award for Best Documentary (Robert Flaherty Award), 1975 26th Canadian Film Awards, Niagara-on-the-Lake, ON: Genie Award for Best Documentary, 1975 Melbourne Film Festival: Silver Boomerang, Best Film Made for TV, 1975Sananguagat: Inuit Masterworks (1974) Festival international du film sur l'art, Paris: Grand Prize, 1975 International Tourism Film Festival, Tarbes, France: Award of Merit, 1975Another Side of the Forest (1974) International Green Film Week, Berlin, Germany: Silver Ear of Corn Award, Natural Environment, 1976Bate's Car: Sweet as a Nut (1974) Biofest, Novi Sad, Yugoslavia: Award of Merit, 1976In Praise of Hands (1974) International Craft Film Festival, New York: Award of Merit, 1976 International Festival of Television Programs of Folk Crafts (RADUGA), Moscow: Diploma for Impressive Transmission of Deep Thought of Unity of the Sources of Folk Creativity, 1979In Search of the Bowhead Whale (1974) American Film and Video Festival, New York: Blue Ribbon, Environment, Nature and Wildlife, 1975 St. Thomas International Film Festival, St. Thomas, U.S. Virgin Islands: Silver Venus Medallion for Best Film, TV Documentary, 1975 Columbus International Film & Animation Festival, Columbus, Ohio: Chris Award, 1976 International Wildlife Film Festival, Missoula, Montana: Highest Merit, Non-Invited Films, 1978 Black Orca Film Festival, Seattle: Best Film, Exploration & Discovery, 1978 International Festival of Films on the Arctic, Dieppe, France: Jules Verne Award for Best Exploration Film, 1983Waiting for Fidel (1974) American Film and Video Festival, New York: Red Ribbon, World Concerns, 1976King of the Hill (1974) International Short Film Festival Oberhausen, Oberhausen, Germany: Main Prize by the International Jury for Cinema and Television Films, 1975Arctic IV (1975) International Festival of Mountain and Exploration Films, Trento, Italy: Special Mention, 1977Jack Rabbit (1975) International Ski Film Festival, New York: Award of Merit, 1976Descent (1975) Banff Mountain Film Festival, Banff, Alberta: Best Film of the Festival, 1977 Banff Mountain Film Festival, Banff, Alberta: Best Film Produced by a Canadian, 1977The Lady and the Owl (1975) Columbus International Film & Animation Festival, Columbus, Ohio: Chris Bronze Plaque, 1977Musicanada (1975) Golden Gate International Film Festival, San Francisco: Special Jury Award, 1976Blackwood (1976) Festival international du film sur l'art, Paris: Grand Prize for the Quality of the Image, 1977 Festival of Tourist and Folklore Films, Brussels: Prize of the Principality of Monaco for the Best Film Evocating the Past of a Region by the Means of Art, 1977 Yorkton Film Festival, Yorkton, Saskatchewan: Golden Sheaf Award, Best Short Film, 1977 49th Academy Awards, Los Angeles: Nominee, Best Documentary Short Subject, 1977A Great White Bird (1976) Salerno Film Festival, Salerno, Italy: First Prize – Documentary, 1979High Grass Circus (1976) Yorkton Film Festival, Yorkton, Saskatchewan: Golden Sheaf Award, Best Film of the Festival, 1977 Film Advisory Board, Los Angeles: Award of Excellence, 1978 50th Academy Awards, Los Angeles: Nominee: Best Documentary Feature, 1978The Land: A New Priority (1976) International Contest of Agrarian Cinema, Zaragoza, Spain: EXCMA Trophy for Best Film, 1978Log House (1976) Festival of Tourist and Folklore Films, Brussels: Prize of the Belgian National Centre of Films for Children, 1977 American Film and Video Festival, New York: Blue Ribbon, Environmental Issues, 1980Waterloo Farmers (1976) Festival of Agricultural Films & Rural Themes, Santarém, Portugal: Bronze Bunch, Third Prize, 1976Los Canadienses (1976) International Filmfestival Mannheim-Heidelberg, Mannheim: Special Mention from the Fédération internationale de la presse cinématographique, 1976 International Filmfestival Mannheim-Heidelberg, Mannheim: Special Prize for the Best Film, 1976 Chicago International Film Festival, Chicago: Silver Hugo Award, 1977 Yorkton Film Festival, Yorkton, Saskatchewan: Golden Sheaf Award, Best Documentary, 1977 Melbourne Film Festival: TV Award for Best Film Made for TV, 1977 American Film and Video Festival, New York: Blue Ribbon, International History and Culture, 1977 30th British Academy Film Awards, London: BAFTA Award for Best Documentary, 1977Path of the Paddle: Doubles Whitewater (1977) International Short Film Festival Oberhausen, Oberhausen, Germany: Grand Prix of the Cultural Ministry of Nordrhein-Westfalen, 1977 Golden Gate International Film Festival, San Francisco: Special Jury Award for Outstanding Achievement - Film as Communication, 1977 Columbus International Film & Animation Festival, Columbus, Ohio: Chris Bronze Plaque, Education, 1978 31st British Academy Film Awards, London: BAFTA award for Best Specialised Film, 1978 C.I.D.A.L.C. International Festival of Sports Films, Rennes, France: René Barthélemy Award 1982 International Film Festival for River Descent, Vénissieux, France: Best Script (to Bill Mason), 1983Standing Alone (1982) HEMISFILM, San Antonio TX: Bronze Medallion for Best Long Documentary, 1983 International Film Festival for Children and Young People, Vancouver: Certificate of Merit, 1983Starlife (1983) Golden Gate International Film Festival, San Francisco: Honorable Mention, 1985Momentum (1992) International Audiovisual Festival (FIAV), Seville, Spain: Award for Technical Quality of the Image, 1992Moving Pictures (2000) Columbus International Film & Animation Festival, Columbus, Ohio: Chris Bronze Plaque, Arts Passage 5: Circle of the Sun Circle of the Sun is a 1960 short documentary film on Kainai Nation, or Blood Tribe, of Southern Alberta, which captured their Sun Dance ritual on film for the first time. Tribal leaders, who worried the traditional ceremony might be dying out, had permitted filming as a visual record.The film was directed by Colin Low, who was from the area. Low's father had been a foreman of the Cochrane Church Ranch in the area, southern Alberta and had known many Blood Tribe people since childhood. Colin Low had first witnessed the Sun Dance in 1953, the year he shot Corral. Footage of the Sun Dance was shot in 1956 and 1957, with the film completed in 1959. The film also included modern aspects of Blood Tribe life by shooting on an oil well on the reserve. Pete Standing Alone Circle of the Sun features narration from Pete Standing Alone, a young member of the Blood Tribe who worked on oil rigs. When Low had finished editing in 1959, he played a recorded conversation with Standing Alone for Stanley Jackson. Jackson was so impressed that Standing Alone was flown to the NFB's headquarters in Montreal to work on the narration. Standing Alone's participation in the film ended up being quite extensive, at a time when genuine Aboriginal voices were not often heard on the screen.In 1982, Low directed the NFB documentary Standing Alone, which was broadcast nationally on the Canadian Broadcasting Corporation. The hour-long film follows 25 years in Standing Alone's life, beginning with his youth as an oil-rig roughneck, rodeo rider and cowboy, and explores his concerns about preserving his tribe's spiritual heritage in the industrial age.On National Aboriginal Day in 2011, the NFB released the Pete Standing Alone trilogy, which includes Circle of the Sun, Standing Alone and a 2010 film, Round Up. The trilogy documents 50 years in the life of the Kainai Nation, as well as Standing Alone's personal development from a youth to a tribal elder. Awards 14th Canadian Film Awards: Genie Award for Best Film, General Information, 1962 Yorkton Film Festival, Yorkton, Saskatchewan: Golden Sheaf Award, First Prize, 1962 Festival of Tourist and Folklore Films, Brussels: Best Film on Folklore, 1962 La Plata International Children's Film Festival, La Plata, Argentina: Silver Oak Leaf, First Prize, Documentary, 1962 Electronic, Nuclear and Teleradio Cinematographic Review, Rome: First Prize, Tourist Films, 1962 SODRE International Festival of Documentary and Experimental Films, Montevideo, Uruguay: Honorable Mention, 1962 Festival dei Popoli/International Film Festival on Social Documentary, Florence, Italy: Honorable Mention, 1962 Victoria Film Festival, Victoria, British Columbia: Best Film, 1963 International Tourism Film Festival, Tarbes, France: Diploma of Honour and Trophy, 1967 Passage 6: Dana Blankstein Dana Blankstein-Cohen (born March 3, 1981) is the executive director of the Sam Spiegel Film and Television School. She was appointed by the board of directors in November 2019. Previously she was the CEO of the Israeli Academy of Film and Television. She is a film director, and an Israeli culture entrepreneur. Biography Dana Blankstein was born in Switzerland in 1981 to theatre director Dedi Baron and Professor Alexander Blankstein. She moved to Israel in 1983 and grew up in Tel Aviv. Blankstein graduated from the Sam Spiegel Film and Television School, Jerusalem in 2008 with high honors. During her studies she worked as a personal assistant to directors Savi Gabizon on his film Nina's Tragedies and to Renen Schorr on his film The Loners. She also directed and shot 'the making of' film on Gavison's film Lost and Found. Her debut film Camping competed at the Berlin International Film Festival, 2007. Film and academic career After her studies, Dana founded and directed the film and television department at the Kfar Saba municipality. The department encouraged and promoted productions filmed in the city of Kfar Saba, as well as the established cultural projects, and educational community activities. Blankstein directed the mini-series "Tel Aviviot" (2012). From 2016-2019 was the director of the Israeli Academy of Film and Television. In November 2019 Dana Blankstein Cohen was appointed the new director of the Sam Spiegel Film and Television School where she also oversees the Sam Spiegel International Film Lab. In 2022, she spearheaded the launch of the new Series Lab and the film preparatory program for Arabic speakers in east Jerusalem. Filmography Tel Aviviot (mini-series; director, 2012) Growing Pains (graduation film, Sam Spiegel; director and screenwriter, 2008) Camping (debut film, Sam Spiegel; director and screenwriter, 2006) Passage 7: Olav Aaraas Olav Aaraas (born 10 July 1950) is a Norwegian historian and museum director. He was born in Fredrikstad. From 1982 to 1993 he was the director of Sogn Folk Museum, from 1993 to 2010 he was the director of Maihaugen and from 2001 he has been the director of the Norwegian Museum of Cultural History. In 2010 he was decorated with the Royal Norwegian Order of St. Olav. Passage 8: Now Where Did the 7th Company Get to? Now Where Did the 7th Company Get To? (French: Mais où est donc passée la septième compagnie?) is a 1973 French-Italian comedy war film directed by Robert Lamoureux. The film portrays the adventures of a French Army squad lost somewhere on the front in May 1940 during the Battle of France. Plot During the Battle of France, while German forces are spreading across the country, the 7th Transmission Company suffers an air raid near the Machecoul woods, but survive and hide in the woods. Captain Dumont, the company commander, sends Louis Chaudard, Pithiviers and Tassin to scout the area. After burying the radio cable beneath a sandy road, the squad crosses the field, climbs a nearby hill, and takes position within a cemetery. One man cut down the wrong tree for camouflage, pulling up the radio cable and revealing it to the passing German infantry. The Germans cut the cable, surround the woods, and order a puzzled 7th Company to surrender. The squad tries to contact the company, but then witness their capture and run away. Commanded by Staff Sergeant Chaudard, the unit stops in a wood for the night. Pithiviers is content to slow down and wait for the end of the campaign. The next day, he goes for a swim in the lake, in sight of possible German fighters. When Chaudard and Tassin wake up, they leave the camp without their weapons to look for Pithiviers. Tassin finds him and gives an angry warning, but Pithiviers convinces Tassin to join him in the lake. Chaudard orders them to get out, but distracted by a rabbit, falls into the lake. While Chaudard teaches his men how to swim, two German fighter planes appear, forcing them out of the water. After shooting down one of the German planes, a French pilot, Lieutenant Duvauchel, makes an emergency landing and escapes before his plane explodes. PFC Pithiviers, seeing the bad shape of one of his shoes, destroys what is left of his shoe sole. Tassin is sent on patrol to get food and a new pair of shoes for Pithiviers. Tassin arrives in a farm, but only finds a dog, so he returns and Chaudard goes to the farm after nightfall. The farmer returns with her daughter-in-law and Lt Duvauchel, and she welcomes Chaudard. Duvauchel, who is hiding behind the door, comes out upon hearing the news and decides to meet Chaudard's men. When Chaudard and Duvauchel return to the camp, Tassin and Pithiviers are roasting a rabbit they caught. Duvauchel realizes that Chaudard has been lying and takes command. The following day, the men leave the wood in early morning and capture a German armored tow truck after killing its two drivers. They originally planned to abandon the truck and the two dead Germans in the woods, but instead realized that the truck is the best way to disguise themselves and free the 7th Company. They put on the Germans' uniforms, recover another soldier of the 7th Company, who succeeded in escaping, and obtain resources from a collaborator who mistook them for Germans. On their way, they encounter a National Gendarmerie patrol, who appear to be a 5th column. The patrol injures the newest member of their group, a young soldier, and then are killed by Tassin. In revenge, they destroy a German tank using the tow truck's cannon gun. They planned to go to Paris but are misguided by their own colonel, but find the 7th Company with guards who are bringing them to Germany. Using their cover, they make the guards run in front of the truck, allowing the company to get away. When Captain Dumont joins his Chaudard, Tassin, and Pithiviers in the truck, who salute the German commander with a great smile. Casting Jean Lefebvre : PFC Pithiviers Pierre Mondy : Staff Sergent Paul Chaudard Aldo Maccione: PFC Tassin Robert Lamoureux: Colonel Blanchet Erik Colin: Lieutenant Duvauchel Pierre Tornade: Captain Dumont Alain Doutey: Carlier Robert Dalban : The peasant Jacques Marin: The collaborationist Robert Rollis: A French soldier Production The film's success spawned two sequels:– 1975 : On a retrouvé la septième compagnie (The Seventh Company Has Been Found) by Robert Lamoureux; – 1977 : La Septième Compagnie au clair de lune (The Seventh Company Outdoors)) by Robert Lamoureux.The story is set in Machecoul woods, but it was actually filmed near Cerny and La Ferté-Alais, as well as Jouars-Pontchartrain and Rochefort-en-Yvelines. The famous grocery scene was filmed in Bazoches-Sur-Guyonne. Robert Lamoureux based this film on his own personal experiences in June 1940 during the war. The final scene with the parachute is based on a true story. The 58 Free French paratroopers were parachuted into Brittany in groups of three, on the night of 7 June 1944 to neutralize the rail network of Normandy Landings in Brittany, two days before. Box office The movie received a great success in France reaching the third best selling movie in 1974. Notes External links Mais où est donc passée la septième compagnie? at IMDb Passage 9: Ian Barry (director) Ian Barry is an Australian director of film and TV. Select credits Waiting for Lucas (1973) (short) Stone (1974) (editor only) The Chain Reaction (1980) Whose Baby? (1986) (mini-series) Minnamurra (1989) Bodysurfer (1989) (mini-series) Ring of Scorpio (1990) (mini-series) Crimebroker (1993) Inferno (1998) (TV movie) Miss Lettie and Me (2002) (TV movie) Not Quite Hollywood: The Wild, Untold Story of Ozploitation! (2008) (documentary) The Doctor Blake Mysteries (2013) Passage 10: Brian Kennedy (gallery director) Brian Patrick Kennedy (born 5 November 1961) is an Irish-born art museum director who has worked in Ireland and Australia, and now lives and works in the United States. He was the director of the Peabody Essex Museum in Salem for 17 months, resigning December 31, 2020. He was the director of the Toledo Museum of Art in Ohio from 2010 to 2019. He was the director of the Hood Museum of Art from 2005 to 2010, and the National Gallery of Australia (Canberra) from 1997 to 2004. Career Brian Kennedy currently lives and works in the United States after leaving Australia in 2005 to direct the Hood Museum of Art at Dartmouth College. In October 2010 he became the ninth Director of the Toledo Museum of Art. On 1 July 2019, he succeeded Dan Monroe as the executive director and CEO of the Peabody Essex Museum. Early life and career in Ireland Kennedy was born in Dublin and attended Clonkeen College. He received B.A. (1982), M.A. (1985) and PhD (1989) degrees from University College-Dublin, where he studied both art history and history. He worked in the Irish Department of Education (1982), the European Commission, Brussels (1983), and in Ireland at the Chester Beatty Library (1983–85), Government Publications Office (1985–86), and Department of Finance (1986–89). He married Mary Fiona Carlin in 1988.He was Assistant Director at the National Gallery of Ireland in Dublin from 1989 to 1997. He was Chair of the Irish Association of Art Historians from 1996 to 1997, and of the Council of Australian Art Museum Directors from 2001 to 2003. In September 1997 he became Director of the National Gallery of Australia. National Gallery of Australia (NGA) Kennedy expanded the traveling exhibitions and loans program throughout Australia, arranged for several major shows of Australian art abroad, increased the number of exhibitions at the museum itself and oversaw the development of an extensive multi-media site. Although he oversaw several years of the museum's highest ever annual visitation, he discontinued the emphasis of his predecessor, Betty Churcher, on showing "blockbuster" exhibitions. During his directorship, the NGA gained government support for improving the building and significant private donations and corporate sponsorship. However, the initial design for the building proved controversial generating a public dispute with the original architect on moral rights grounds. As a result, the project was not delivered during Dr Kennedy's tenure, with a significantly altered design completed some years later. Private funding supported two acquisitions of British art, including David Hockney's A Bigger Grand Canyon in 1999, and Lucian Freud's After Cézanne in 2001. Kennedy built on the established collections at the museum by acquiring the Holmgren-Spertus collection of Indonesian textiles; the Kenneth Tyler collection of editioned prints, screens, multiples and unique proofs; and the Australian Print Workshop Archive. He was also notable for campaigning for the construction of a new "front" entrance to the Gallery, facing King Edward Terrace, which was completed in 2010 (see reference to the building project above). Kennedy's cancellation of the "Sensation exhibition" (scheduled at the NGA from 2 June 2000 to 13 August 2000) was controversial, and seen by some as censorship. He claimed that the decision was due to the exhibition being "too close to the market" implying that a national cultural institution cannot exhibit the private collection of a speculative art investor. However, there were other exhibitions at the NGA during his tenure, which could have raised similar concerns. The exhibition featured the privately owned Young British Artists works belonging to Charles Saatchi and attracted large attendances in London and Brooklyn. Its most controversial work was Chris Ofili's The Holy Virgin Mary, a painting which used elephant dung and was accused of being blasphemous. The then-mayor of New York, Rudolph Giuliani, campaigned against the exhibition, claiming it was "Catholic-bashing" and an "aggressive, vicious, disgusting attack on religion." In November 1999, Kennedy cancelled the exhibition and stated that the events in New York had "obscured discussion of the artistic merit of the works of art". He has said that it "was the toughest decision of my professional life, so far."Kennedy was also repeatedly questioned on his management of a range of issues during the Australian Government's Senate Estimates process - particularly on the NGA's occupational health and safety record and concerns about the NGA's twenty-year-old air-conditioning system. The air-conditioning was finally renovated in 2003. Kennedy announced in 2002 that he would not seek extension of his contract beyond 2004, accepting a seven-year term as had his two predecessors.He became a joint Irish-Australian citizen in 2003. Toledo Museum of Art The Toledo Museum of Art is known for its exceptional collections of European and American paintings and sculpture, glass, antiquities, artist books, Japanese prints and netsuke. The museum offers free admission and is recognized for its historical leadership in the field of art education. During his tenure, Kennedy has focused the museum's art education efforts on visual literacy, which he defines as "learning to read, understand and write visual language." Initiatives have included baby and toddler tours, specialized training for all staff, docents, volunteers and the launch of a website, www.vislit.org. In November 2014, the museum hosted the International Visual Literacy Association (IVLA) conference, the first Museum to do so. Kennedy has been a frequent speaker on the topic, including 2010 and 2013 TEDx talks on visual and sensory literacy. Kennedy has expressed an interest in expanding the museum's collection of contemporary art and art by indigenous peoples. Works by Frank Stella, Sean Scully, Jaume Plensa, Ravinder Reddy and Mary Sibande have been acquired. In addition, the museum has made major acquisitions of Old Master paintings by Frans Hals and Luca Giordano.During his tenure the Toledo Museum of Art has announced the return of several objects from its collection due to claims the objects were stolen and/or illegally exported prior being sold to the museum. In 2011 a Meissen sweetmeat stand was returned to Germany followed by an Etruscan Kalpis or water jug to Italy (2013), an Indian sculpture of Ganesha (2014) and an astrological compendium to Germany in 2015. Hood Museum of Art Kennedy became Director of the Hood Museum of Art in July 2005. During his tenure, he implemented a series of large and small-scale exhibitions and oversaw the production of more than 20 publications to bring greater public attention to the museum's remarkable collections of the arts of America, Europe, Africa, Papua New Guinea and the Polar regions. At 70,000 objects, the Hood has one of the largest collections on any American college of university campus. The exhibition, Black Womanhood: Images, Icons, and Ideologies of the African Body, toured several US venues. Kennedy increased campus curricular use of works of art, with thousands of objects pulled from storage for classes annually. Numerous acquisitions were made with the museum's generous endowments, and he curated several exhibitions: including Wenda Gu: Forest of Stone Steles: Retranslation and Rewriting Tang Dynasty Poetry, Sean Scully: The Art of the Stripe, and Frank Stella: Irregular Polygons. Publications Kennedy has written or edited a number of books on art, including: Alfred Chester Beatty and Ireland 1950-1968: A study in cultural politics, Glendale Press (1988), ISBN 978-0-907606-49-9 Dreams and responsibilities: The state and arts in independent Ireland, Arts Council of Ireland (1990), ISBN 978-0-906627-32-7 Jack B Yeats: Jack Butler Yeats, 1871-1957 (Lives of Irish Artists), Unipub (October 1991), ISBN 978-0-948524-24-0 The Anatomy Lesson: Art and Medicine (with Davis Coakley), National Gallery of Ireland (January 1992), ISBN 978-0-903162-65-4 Ireland: Art into History (with Raymond Gillespie), Roberts Rinehart Publishers (1994), ISBN 978-1-57098-005-3 Irish Painting, Roberts Rinehart Publishers (November 1997), ISBN 978-1-86059-059-7 Sean Scully: The Art of the Stripe, Hood Museum of Art (October 2008), ISBN 978-0-944722-34-3 Frank Stella: Irregular Polygons, 1965-1966, Hood Museum of Art (October 2010), ISBN 978-0-944722-39-8 Honors and achievements Kennedy was awarded the Australian Centenary Medal in 2001 for service to Australian Society and its art. He is a trustee and treasurer of the Association of Art Museum Directors, a peer reviewer for the American Association of Museums and a member of the International Association of Art Critics. In 2013 he was appointed inaugural eminent professor at the University of Toledo and received an honorary doctorate from Lourdes University. Most recently, Kennedy received the 2014 Northwest Region, Ohio Art Education Association award for distinguished educator for art education. == Notes ==

doc_66

Passage 1: Practical Jokers Practical Jokers is a 1938 Our Gang short comedy film directed by George Sidney. It was the 174th Our Gang short (175th episode, 86th talking short, 87th talking episode, and sixth MGM produced episode) that was released. Plot Hoping to get even for all the practical jokes perpetrated by neighborhood troublemaker Butch, the Gang plans to sabotage Butch's birthday party. The weapon of choice is a firecracker, which is substituted for one of the birthday candles. Unfortunately, the kids in general and Alfalfa in particular are unable to escape from the party before the big (and tasty) explosion. Cast The Gang Darla Hood as Darla Eugene Lee as Porky George McFarland as Spanky Carl Switzer as Alfalfa Billie Thomas as Buckwheat Additional cast Tommy Bond as Butch Gary Jasgur as Gary Sidney Kibrick as Woim Leonard Landy as Leonard Marie Blake as Butch's mother Grace Bohanon as Party extra Joe Levine as Party extra See also Our Gang filmography Passage 2: Henry Moore (cricketer) Henry Walter Moore (1849 – 20 August 1916) was an English-born first-class cricketer who spent most of his life in New Zealand. Life and family Henry Moore was born in Cranbrook, Kent, in 1849. He was the son of the Reverend Edward Moore and Lady Harriet Janet Sarah Montagu-Scott, who was one of the daughters of the 4th Duke of Buccleuch. One of his brothers, Arthur, became an admiral and was knighted. Their great grandfather was John Moore, Archbishop of Canterbury from 1783 to 1805. One of their sisters was a maid of honour to Queen Victoria.Moore went to New Zealand in the 1870s and lived in Geraldine and Christchurch. He married Henrietta Lysaght of Hāwera in November 1879, and they had one son. In May 1884 she died a few days after giving birth to a daughter, who also died.In 1886 Moore became a Justice of the Peace in Geraldine. In 1897 he married Alice Fish of Geraldine. They moved to England four years before his death in 1916. Cricket career Moore was a right-handed middle-order batsman. In consecutive seasons, 1876–77 and 1877–78, playing for Canterbury, he made the highest score in the short New Zealand first-class season: 76 and 75 respectively. His 76 came in his first match for Canterbury, against Otago. He went to the wicket early on the first day with the score at 7 for 2 and put on 99 for the third wicket with Charles Corfe before he was out with the score at 106 for 3 after a "very fine exhibition of free hitting, combined with good defence". Canterbury were all out for 133, but went on to win the match. His 75 came in the next season's match against Otago, when he took the score from 22 for 2 to 136 for 6. The New Zealand cricket historian Tom Reese said, "Right from the beginning he smote the bowling hip and thigh, going out of his ground to indulge in some forceful driving." Canterbury won again.Moore led the batting averages in the Canterbury Cricket Association in 1877–78 with 379 runs at an average of 34.4. Also in 1877–78, he was a member of the Canterbury team that inflicted the only defeat on the touring Australians. In 1896–97, at the age of 47, he top-scored in each innings for a South Canterbury XVIII against the touring Queensland cricket team. Passage 3: John McMahon (Surrey and Somerset cricketer) John William Joseph McMahon (28 December 1917 – 8 May 2001) was an Australian-born first-class cricketer who played for Surrey and Somerset County Cricket Clubs in England from 1947 to 1957. Surrey cricketer McMahon was an orthodox left-arm spin bowler with much variation in speed and flight who was spotted by Surrey playing in club cricket in North London and brought on to the county's staff for the 1947 season at the age of 29. In the first innings of his first match, against Lancashire at The Oval, he took five wickets for 81 runs.In his first full season, 1948, he was Surrey's leading wicket-taker and in the last home game of the season he was awarded his county cap – he celebrated by taking eight Northamptonshire wickets for 46 runs at The Oval, six of them coming in the space of 6.3 overs for seven runs. This would remain the best bowling performance of his first-class career, not surpassed, but he did equal it seven years later. In the following game, the last away match of the season, he took 10 Hampshire wickets for 150 runs in the match at Bournemouth. In the 1948 season as a whole, he took 91 wickets at an average of 28.07. As a tail-end left-handed batsman, he managed just 93 runs in the season at an average of 4.22.The emergence of Tony Lock as a slow left-arm bowler in 1949 brought a stuttering end of McMahon's Surrey career. Though he played in 12 first-class matches in the 1949 season, McMahon took only 19 wickets; a similar number of matches in 1950 brought 34 wickets. In 1951, he played just seven times and in 1952 only three times. In 1953, Lock split the first finger of his left hand, and played in only 11 of Surrey's County Championship matches; McMahon played as his deputy in 14 Championship matches, though a measure of their comparative merits was that Lock's 11 games produced 67 wickets at 12.38 runs apiece, while McMahon's 14 games brought him 45 wickets at the, for him, low average of 21.53. At the end of the 1953 season, McMahon was allowed to leave Surrey to join Somerset, then languishing at the foot of the County Championship and recruiting widely from other counties and other countries. Somerset cricketer Somerset's slow bowling in 1954 was in the hands of leg-spinner Johnny Lawrence, with support from the off-spin of Jim Hilton while promising off-spinner Brian Langford was on national service. McMahon filled a vacancy for a left-arm orthodox spinner that had been there since the retirement of Horace Hazell at the end of the 1952 season; Hazell's apparent successor, Roy Smith, had failed to realise his promise as a bowler in 1953, though his batting had advanced significantly. McMahon instantly became a first-team regular and played in almost every match during his four years with the county, not missing a single Championship game until he was controversially dropped from the side in August 1957, after which he did not play in the Championship again.In the 1954 season, McMahon, alongside fellow newcomer Hilton, was something of a disappointment, according to Wisden: "The new spin bowlers, McMahon and Hilton, did not attain to the best standards of their craft in a wet summer, yet, like the rest of the attack, they would have fared better with reasonable support in the field and from their own batsmen," it said. McMahon took 85 wickets at an average of 27.47 (Hilton took only 42 at a higher average). His best match was against Essex at Weston-super-Mare where he took six for 96 in the first innings and five for 45 in the second to finish with match figures of 11 for 141, which were the best of his career. He was awarded his county cap in the 1954 season, but Somerset remained at the bottom of the table. The figures for the 1955 were similar: McMahon this time took 75 wickets at 28.77 apiece. There was a small improvement in his batting and the arrival of Bryan Lobb elevated McMahon to No 10 in the batting order for most of the season, and he responded with 262 runs and an average of 9.03. This included his highest-ever score, 24, made in the match against Sussex at Frome. A week later in Somerset's next match, he equalled his best-ever bowling performance, taking eight Kent wickets for 46 runs in the first innings of a match at Yeovil through what Wisden called "clever variation of flight and spin". These matches brought two victories for Somerset, but there were only two others in the 1955 season and the side finished at the bottom of the Championship for the fourth season running.At the end of the 1955 season, Lawrence retired and McMahon became Somerset's senior spin bowler for the 1956 season, with Langford returning from National Service as the main support. McMahon responded with his most successful season so far, taking 103 wickets at an average of 25.57, the only season in his career in which he exceeded 100 wickets. The bowling average improved still further in 1957 to 23.10 when McMahon took 86 wickets. But his season came to an abrupt end in mid-August 1957 when, after 108 consecutive Championship matches, he was dropped from the first team during the Weston-super-Mare festival. Though he played some games for the second eleven later in August, he regained his place in the first team for only a single end-of-season friendly match, and he was told that his services were not required for the future, a decision, said Wisden, that "proved highly controversial". Sacked by Somerset The reason behind McMahon's sacking did not become public knowledge for many years. In its obituary of him in 2002, McMahon was described by Wisden as "a man who embraced the antipodean virtues of candour and conviviality". It went on: "Legend tells of a night at the Flying Horse Inn in Nottingham when he beheaded the gladioli with an ornamental sword, crying: 'When Mac drinks, everybody drinks!'" The obituary recounts a further escapade in second eleven match at Midsomer Norton where a curfew imposed on the team was circumvented by "a POW-type loop" organised by McMahon, "with his team-mates escaping through a ground-storey window and then presenting themselves again". As the only Somerset second eleven match that McMahon played in at Midsomer Norton was right at the end of the 1957 season, this may have been the final straw. But in any case there had been "an embarrassing episode at Swansea's Grand Hotel" earlier in the season, also involving Jim Hilton, who was also dismissed at the end of the season. Team-mates and club members petitioned for McMahon to be reinstated, but the county club was not to be moved. After a period in Lancashire League cricket with Milnrow Cricket Club, McMahon moved back to London where he did office work, later contributing some articles to cricket magazines. == Notes and references == Passage 4: Hartley Lobban Hartley W Lobban (9 May 1926 – 15 October 2004) was a Jamaican-born first-class cricketer who played 17 matches for Worcestershire in the early 1950s. Life and career Lobban played little cricket in Jamaica. He went to England at the end of World War II as a member of the Royal Air Force, and settled in Kidderminster in Worcestershire in 1947, where he worked as a civilian lorry driver for the RAF. He began playing for Kidderminster Cricket Club in the Birmingham League, and at the start of the 1952 season, opening the bowling for the club's senior team, he had figures of 7 for 9 and 7 for 37.Worcestershire invited him to play for them, and he made his first-class debut against Sussex in July 1952. He took five wickets in the match (his maiden victim being Ken Suttle) and then held on for 4 not out with Peter Richardson (20 not out) to add the 12 runs needed for a one-wicket victory after his county had collapsed from 192 for 2 to 238 for 9. A week later he claimed four wickets against Warwickshire, then a few days later still he managed 6 for 52 (five of his victims bowled) in what was otherwise a disastrous innings defeat to Derbyshire. In the last match of the season he took a career-best 6 for 51 against Glamorgan; he and Reg Perks (4 for 59) bowled unchanged throughout the first innings. Worcestershire won the game and Lobban finished the season with 23 wickets at 23.69.He took 23 wickets again in 1953, but at a considerably worse average of 34.43, and had only two really successful games: against Oxford University in June, when he took 5 for 70, and then against Sussex in July. On this occasion Lobban claimed eight wickets, his most in a match, including 6 for 103 in the first innings. He also made his highest score with the bat, 18, but Sussex won by five wickets.In 1954 Lobban made only two first-class appearances, and managed only the single wicket of Gloucestershire tail-ender Bomber Wells. In his final game, against Warwickshire at Dudley, his nine first-innings overs cost 51. He bowled just two overs in the second innings as Warwickshire completed an easy ten-wicket win. Lobban played one more Second XI game, against Glamorgan II at Cardiff Arms Park; in this he picked up five wickets. He was also a professional boxer and played rugby union for Kidderminster.He later moved to Canada, where he worked as a teacher in Burnaby, British Columbia. He and his wife Celia had a son and two daughters. Passage 5: Sepideh Farsi Sepideh Farsi (Persian: سپیده فارسی; born 1965) is an Iranian director. Early years Farsi left Iran in 1984 and went to Paris to study mathematics. However, eventually she was drawn to the visual arts and initially experimented in photography before making her first short films. A main theme of her works is identity. She still visits Tehran each year. Awards/Recognition Farsi was a Member of the Jury of the Locarno International Film Festival in Best First Feature in 2009. She won the FIPRESCI Prize (2002), Cinéma du Réel and Traces de Vie prize (2001) for "Homi D. Sethna, filmmaker" and Best documentary prize in Festival dei Popoli (2007) for "HARAT". Recent News One of her latest films is called Tehran Bedoune Mojavez (Tehran Without Permission). The 83-minute documentary shows life in Iran's crowded capital city of Tehran, facing international sanctions over its nuclear ambitions and experiencing civil unrest. It was shot entirely with a Nokia camera phone because of the government restrictions over shooting a film. The film shows various aspects of city life including following women at the hairdressers talking of the latest fads, young men speaking of drugs, prostitution and other societal problems, and the Iranian rapper “Hichkas”. The dialogue is in Persian with English and Arabic subtitles. In December 2009, Tehran Without Permission was shown at the Dubai International Film Festival. Filmography Red Rose (2014) Cloudy Greece (2013) Zire Âb / The house under the water (2010) Tehran bedoune mojavez / Tehran without permission (2009) If it were Icarus (2008) Harat (2007) Negah / The Gaze (2006) Khab-e khak / Dreams of Dust (2003) Safar-e Maryam / The journey of Maryam (2002) Mardan-e Atash / Men of Fire (2001) Homi D. Sethna, filmmaker (2000) Donya khaneye man ast / The world is my home (1999) Khabe Âb / Water dreams (1997) Bâd-e shomal / Northwind (1993) Passage 6: Claude Weisz Claude Weisz is a French film director born in Paris. Filmography Feature films Une saison dans la vie d'Emmanuel (1972) with Germaine Montéro, Lucien Raimbourg, Florence Giorgetti, Jean-François Delacour, Hélène Darche, Manuel Pinto, etc.Festival de Cannes 1973 - Quinzaine des réalisateurs Jury Prize: Festival Jeune Cinéma 1973 La Chanson du mal aimé (1981) with Rufus, Daniel Mesguich, Christine Boisson, Věra Galatíková, Mark Burns, Philippe Clévenot, Dominique Pinon, Madelon Violla, Paloma Matta, Béatrice Bruno, Catherine Belkhodja, Véronique Leblanc, Philippe Avron, Albert Delpy, etc.Festival de Cannes 1982 - Perspectives du cinéma français Competition selections: Valencia, Valladolid, Istanbul, Montréal On l'appelait... le Roi Laid (1987) with Yilmaz Güney (mockumentary)Valencia Festival 1988 - Grand Prix for documentaries "Laurel Wreath" Competition selections: Rotterdam, Valladolid, Strasbourg, Nyon, Cannes, Lyon, Cairo Paula et Paulette, ma mère (2005) Documentary - Straight to DVD Short and mid-length La Grande Grève (1963 - Co-directed CAS collective, IDHEC) L'Inconnue (1966 - with Paloma Matta and Gérard Blain - Prix CNC Hyères, Sidney) Un village au Québec Montréal Deux aspects du Canada (1969) La Hongrie, vers quel socialisme ? (1975 - Nominated for best documentary - Césars 1976) Tibor Déry, portrait d'un écrivain hongrois (1977) L'huître boudeuse Ancienne maison Godin ou le familistère de Guise (1977) Passementiers et Rubaniers Le quinzième mois C'était la dernière année de ma vie (1984 - FIPRESCI Prize- Festival Oberhausen 1985 - Nomination - Césars 1986) Nous aimons tant le cinéma (Film of the European year of cinema - Delphes 1988) Participation jusqu'en 1978 à la réalisation de films "militants" Television Series of seven dramas in German Numerous documentary and docu-soap type films (TVS CNDP) Initiation à la vie économique (TV series - RTS promotion) Contemplatives... et femmes (TF1 - 1976) Suzel Sabatier (FR3) Un autre Or Noir (FR3) Vivre en Géorgie Portrait d'une génération pour l'an 2000 (France 5 - 2000) Femmes de peine, femmes de coeur (FR3 - 2003) Television documentaries La porte de Sarp est ouverte (1998) Une histoire balbynienne (2002) Tamara, une vie de Moscou à Port-au-Prince (unfinished) Hana et Khaman (unfinished) En compagnie d'Albert Memmi (unfinished) Le Lucernaire, une passion de théâtre Les quatre saisons de la Taillade ou une ferme l'autre Histoire du peuple kurde (in development) Les kurdes de Bourg-Lastic (2008) Réalisation de films institutionnels et industriels Passage 7: Wale Adebanwi Wale Adebanwi (born 1969) is a Nigerian-born first Black Rhodes Professor at St Antony's College, Oxford where he was, until June 2021, a Professor of Race Relations, and the Director of the African Studies Centre, School of Interdisciplinary Area Studies, and a Governing Board Fellow. He is currently a Presidential Penn Compact Professor of Africana Studies at the University of Pennsylvania. Adebanwi's research focuses on a range of topics in the areas of social change, nationalism and ethnicity, race relations, identity politics, elites and cultural politics, democratic process, newspaper press and spatial politics in Africa. Education background Wale Adebanwi graduated with a first degree in Mass Communication from the University of Lagos, and later earned his M.Sc. and Ph.D. in Political Science from the University of Ibadan. He also has an MPhil. and a Ph.D. in Social Anthropology from the University of Cambridge. Career Adebanwi worked as a freelance reporter, writer, journalist and editor for many newspapers and magazines before he joined the University of Ibadan's Department of Political Science as a lecturer and researcher. He was later appointed as an assistant professor in the African American and African Studies Department of the University of California, Davis, USA. He became a full professor at UC Davis in 2016.Adebanwi is the co-editor of Africa: Journal of the International African Institute and the Journal of Contemporary African Studies. Works His published works include: Nation as Grand Narrative: The Nigerian Press and the Politics of Meaning (University of Rochester Press, 2016) Yoruba Elites and Ethnic Politics in Nigeria: Obafemi Awolowo and Corporate Agency (Cambridge University Press, 2014) Authority Stealing: Anti-corruption War and Democratic Politics in Post-Military Nigeria (Carolina Academic Press, 2012)In addition, he is the editor and co-editor of other books, including. The Political Economy of Everyday Life in Africa: Beyond the Margins (James Currey Publishers, 2017) Writers and Social Thought in Africa (Routledge, 2016) (co-edited with Ebenezer Obadare) Governance and the Crisis of Rule in Contemporary Africa (Palgrave Macmillan, 2016) (co-edited with Ebenezer Obadare) Democracy and Prebendalism in Nigeria: Critical Interpretations (Palgrave Macmillan, 2013). (co-edited with Ebenezer Obadare) Nigeria at Fifty: The Nation in Narration (Routledge, 2012) (co-edited with Ebenezer Obadare) Encountering the Nigerian State (Palgrave Macmillan, 2010). Awards Rhodes Professorship in Race Relations awarded by Oxford University to Faculty of African and Interdisciplinary Area Studies. Passage 8: The Ugly Ones The Ugly Ones (es: El precio de un hombre, lit. "The Price of a Man", it: The Bounty Killer, later La morte ti segue... ma non ha fretta, lit. "Death follows you... but not in a hurry") is a 1966 Spanish-Italian Spaghetti Western film directed by Eugenio Martín.The film marked the debut of Tomás Milián in the western genre and was the first film score of composer Stelvio Cipriani. It was also the first Spanish western to receive a state funding for the "artistic interest of the work". The film was based on the 1958 novel The Bounty Killer by Marvin H. Albert. It was shown as part of a retrospective on Spaghetti Western at the 64th Venice International Film Festival. On October 11, 2017 Eugenio Martín was honored for the fiftieth anniversary of this at the 7º Almería Western Film Festival. Plot The notorious bounty hunter, Luke Chilson, pursues Mexican fugitive Jose Gomez. He follows him through the desert and arrives in a Mexican village where Gomez manages to turn the peasants against his pursuer. Unaware of the danger, Chilson finds himself trapped. Cast Passage 9: Eugenio Martín Eugenio Martín Márquez (15 May 1925 – 23 January 2023) was a Spanish film director and screenwriter. He was known for the low-budget genre films he made in the 1960s and 1970s, including Bad Man's River, The Bounty Killer, and Horror Express, the latter being particularly notable for its inclusion of the well-known English actors Christopher Lee and Peter Cushing, famous for their work with Hammer Films. Though never remarkably successful either at the box office or among critics, Martín's films, particularly Horror Express, have achieved cult status. The popular horror film magazine Fangoria included Horror Express in its book, 101 Best Horror Movies You've Never Seen: A Celebration of the World's Most Unheralded Fright Flicks. Early life and first films Martín was born on 15 May 1925 in Ceuta. He was a child when the Spanish Civil War broke out. Since the uprising first broke out among Nationalist generals in Spanish Africa, the African port city of Ceuta was immediately embroiled in violence. Following the death or arrest of friends and family members, Martín's family fled to Granada on the Spanish mainland. After publishing a volume of verse, Martín's interests veered toward cinema, and while still at university he created Granada's first film society. Though he considered leaving Francoist Spain for a less censorious environment, he eventually decided to stay in Spain, accepted into the "Institute of Cinematic Investigation and Experiences" in Madrid. At the institute, Martín made a series of well-regarded short films and documentaries before making his first feature film Despedida de soltero ("Farewell to the Single Life"), in 1957. International collaborations and commercial success When European film crews began frequently using Spain as an affordable site for location shooting, Martín took advantage of opportunities for collaboration and worked with a number of foreign directors, most notably Nicholas Ray. He had the opportunity to direct films using international casts and crew which familiarized him with many different players in 1960s cinema, by many accounts among the most fertile and creative periods in film history.In 1966 Martín directed The Bounty Killer (released as The Ugly Ones in the United States), the first of many Westerns he was to create. It remains among his better known works; dialogue from the film was sampled in the RZA track, "Ode to Django," which appeared in the credits of the 2012 Quentin Tarantino film Django Unchained. The director maintained that the concept behind his film antedated and influenced the Sergio Leone film For a Few Dollars More, worked on by Duccio Tessari - a mutual acquaintance of Martín and his friend and former teacher José G. Maesso.Martín made several musicals and giallo-type films in the following years, solidifying his reputation as "an auteur in every genre", per the subtitle of a recent biography. The director's filmography and competence in English led American producer Philip Yordan to contract him for three films, which remain among his better-known works: Bad Man's River, Pancho Villa, and Horror Express. These films have decidedly uneven critical reputations, but the latter especially remains a favorite among fans of its lead actors, Christopher Lee and Peter Cushing.Martín's international profile dropped significantly after his 1973 film, A Candle for the Devil, released in North America as It Happened at Nightmare Inn. After this release, most of his work was in Spanish-language television. On 11 October 2017, he was honored for the fiftieth anniversary of his film El precio de un hombre (1967) at the 7º Almería Western Film Festival. Personal life and death Martín died in Madrid on 23 January 2023, at the age of 97. Selected filmography Il conquistatore di Maracaibo (1961), starring Hans von Borsody Despedida de soltero (1961), starring Germán Cobos, Silvia Solar Nur tote Zeugen schweigen (1962), starring Götz George, Jean Sorel, Heinz Drache Golden Goddess of Rio Beni (1964), starring Pierre Brice Captain from Toledo (1965), starring Stephen Forsyth The Bounty Killer (1967), starring Tomas Milian Requiem for a Gringo (1968) Una señora estupenda (1967), starring Lola Flores Las Leandras (1969), starring Rocío Dúrcal La vida sigue igual (1969), starring Julio Iglesias The Fourth Victim (1971) a.k.a. Death at the Deep End of the Swimming Pool, starring Carroll Baker Bad Man's River (1971), starring Lee Van Cleef, Gina Lollobrigida, James Mason Horror Express (1972), starring Peter Cushing, Christopher Lee, Telly Savalas Pancho Villa (1972), starring Telly Savalas, Clint Walker A Candle for the Devil (1973) a.k.a. It Happened at Nightmare Inn, starring Judy Geeson The Girl from the Red Cabaret (1973), starring Mel Ferrer, Marisol No quiero perder la honra (1975), starring Ángela Molina, José Sacristán Esclava te doy (1976), starring Alfredo Landa Call Girl (1976) Tengamos la guerra en paz (1977) Aquella casa en las afueras (1980) aka The House in the Outskirts Supernatural (1981) a.k.a. Return of the Poltergeist, starring Cristina Galbó La sal de la vida (1996), starring Patxi Andión, Ivonne Reyes, Juan Diego Botto Further reading Aguilar, Carlos and Anita Haas. Eugenio Martín, un autor para todos los géneros. Retroback & Séptimo Vicio. Spain: 2008. Lukeman, Adam, ed. 101 Best Horror Movies You've Never Seen: A Celebration of the World's Most Unheralded Fright Flicks. New York: Random House, 2011. Passage 10: George Sidney George Sidney (October 4, 1916 – May 5, 2002) was an American film director and producer who worked primarily at Metro-Goldwyn-Mayer. His work includes cult classics Bye Bye Birdie (1963) and Viva Las Vegas (1964). With an extensive background in acting, stage direction, film editing, and music, Sidney created many of post-war Hollywood’s big budget musicals, such as Annie Get Your Gun (1950), Show Boat (1951), Kiss Me Kate (1953); Jupiter's Darling (1955), and Pal Joey (1957). He was also a president of the Screen Directors Guild for 16 years.A founding partner of Hanna-Barbera animation studio, Sidney was a proponent of the integration of animation into live action, which is immortalized in the dance scene between actor Gene Kelly and Jerry Mouse in Anchors Aweigh (1945). An avid art collector, gardener, musician, painter, and photographer, George Sidney was known for his impeccable sense of style and generosity. His clothing, original scripts, notes, and personal papers are housed in a namesake collection at The Smithsonian National Museum of American History. Biography Early life George Sidney was born into show business. His father, Louis “L.K.” Sidney, was the CEO with Loew's Incorporated theatre chain. An only child, George tagged along with his father to work at Radio City Music Hall, where he learned the art of choreography, set design, and stage direction. His mother, Hazael Mooney, was a famous Vaudeville star and half of the aquacade team, The Mooney Sisters. Sidney attended Riverdale Country School in the Bronx, New York. George Sidney absorbed the world of New York City theatre and art. At five years old, George Sidney became the most famous child actor in the world when he played the lead role in The Littlest Cowboy, a 1921 film with western super star, Tom Mix. After a reputed tryst with a showgirl from The Rockettes , George was sent to Los Angeles at age 15 to learn the movie business from his “uncle,” studio head of Metro-Goldwyn-Mayer, Louis B. Mayer. George Sidney began as a dog walker and errand boy in the early 1930s. Early career at MGM Sidney soon learned the art of editing at MGM, where he worked alongside aspiring film maker Fred Zinnemann, who went on to direct From Here to Eternity (1953) and Oklahoma! (1955). By the age of 20, Sidney directed many screen tests, with established and aspiring stars, including Errol Flynn, Tyrone Power, Judy Garland and Ava Gardner. Sidney honed his skills with 85 one-reel shorts—a genre that eventually gave him two Academy Awards with “Quicker’n A Wink” (1940) and “Of Pups and Puzzles” (1941). In 1938 at age 22, Sidney directed the Our Gang short comedies, which MGM had acquired from Hal Roach upon George’s recommendation. A mere nine years older than his actors, Sidney proved his leadership and moved on to direct the Crime Does Not Pay series and popular Pete Smith specialties. During World War II, George Sidney was assigned to the Air Force to supervise the Atomic Energy Commission Film Program at Eniwetok, for which received the Certificate of Merit from the Department of Defense and the Plaque of Honor from the United States Air Force. George Sidney was a central figure in the filming of nuclear testing projects. Feature films George Sidney came to the fore of American popular cinema with his blockbuster musical, The Harvey Girls (1946), starring Judy Garland and Angela Lansberry. The film introduced Cyd Charisse in her first speaking part. Sidney’s adaptions of theatrical works to film include Annie Get Your Gun (1950), Show Boat(1951), Kiss Me Kate (1953); Jupiter’s Darling (1955), and Bye Bye Birdie (1963). His cast Frank Sinatra in his film Pal Joey(1957). These lavish productions brought George Sidney international acclaim. Sidney’s romantic comedies, including Key to the City (1949), Who Was That Lady? (1960), and The Swinger (1966) diversified his filmography. His period adventure films, including The Three Musketeers (1948),) and the Oscar-winning Merry Wives of Windsor (1954), earned the respect of his colleagues. Sidney’s personal favorite was Scaramouche (1952), a period piece set in pre-revolutionary France that starred Janet Leigh. Sidney left MGM to make The Eddy Duchin Story (1956) at Columbia Pictures where he made his base for the next decade for such films as Jeanne Eagels (1957),Pepe (1960), and Bye Bye Birdie (1963). He returned to MGM to film A Ticklish Affair (1963) and Elvis Presley's Viva Las Vegas (1964). In both his technical skill and artistic vision, George Sidney stands among the 20th century’s most celebrated film directors. He was ranked second 11 years later. Sidney’s dedication to the craft of movie making gave his films a visual intensity that captivated the American public and created the foundation for the big-budget Hollywood productions. Sidney’s final film Half a Sixpence was released in 1967. Animation Sidney became good friends with MGM animation directors William Hanna and Joseph Barbera. Hanna and Barbera's Jerry Mouse appeared alongside Gene Kelly in Sidney's film Anchors Aweigh (1945). After MGM closed its animation studio on May 15, 1957, Sidney helped Hanna and Barbera form a deal with Screen Gems, the television division of Columbia Pictures, to form the successful television animation studio Hanna-Barbera Productions, and was a shareholder in the company. Sidney later featured Hanna-Barbera's Fred Flintstone, Barney Rubble, Huckleberry Hound, and Yogi Bear in Bye Bye Birdie (1963). In 1961, Sidney appeared as himself, along with the canine Lassie in the episode "The Stones Go to Hollywood" of the sitcom The Donna Reed Show. The episode plugged Sidney's then current feature film Pepe, in which Donna Reed made a cameo. Professional service, awards and tributes Sidney devoted much of his later life to professional service as a mentor to directors, writers, and educators. Sidney became the youngest president of the Directors Guild of America, having been nominated by his friend, director John Ford. A lifelong learner, Sidney attended law school at the University of Southern California and lectured extensively about film production. George Sidney’s work has been celebrated at museums and film festivals around the world: Paris; Barcelona; Helsinki; Moscow; Las Vegas; Palm Springs; Deauville; and Honolulu. He has a star on the Hollywood Walk of Fame. at the Northwest corner of Hollywood Boulevard and Vine. Sidney was nominated for the Directors Guild of America Award four times, starting with the lush Technicolor remake of Show Boat. In 1958, he was presented with a Golden Globe Award for Best World Entertainment through Musical Films. Posthumously, Sidney’s widow, Corinne Entratter Sidney, donated the director’s extensive professional archive to the Smithsonian Institution. These artifacts include scripts with handwritten notes, personal correspondence, and his extensive photography collection spanning Sidney’s 60-year career in the film industry. A renown clotheshorse, Sidney was routinely on Mr. Blackwell’s Best Dressed List. He was known for his love of Hermes neckwear and British tailoring. His clothing is in the costume collection at Los Angeles County Museum of Art and the State Museum of Nevada Las Vegas. Personal life In his personal life, Sidney was married in 1942 to drama coach, Lillian "Burnsie" Burns Salzer (1903–1998). He was fifteen years her junior. In the late 1970s, he married his second wife, Jane Adler Robinson (d. 1991), who was the widow of actor Edward G. Robinson (1893–1973). In 1991, Sidney married his third wife, actress, model and journalist Corinne Kegley Entratter, also known as Corinne Cole, who was the widow of showman and Las Vegas entrepreneur Jack Entratter. Sidney was a prolific photographer. He collected art and was an avid and skilled gardener. Sidney was a member of the Royal Horticultural Society. He died in Las Vegas, Nevada at age 85 from lymphoma on May 5, 2002. Awards and nominations Partial filmography Further reading Monder, Eric (1994). George Sidney:a Bio-Bibliography. Greenwood Press. ISBN 9780313284571. External links George Sidney at IMDb George Sidney at AllMovie George Sidney at Find a Grave George Sidney Collection Finding Aid at the National Museum of American History - https://sova.si.edu/record/NMAH.AC.0867

doc_67

Passage 1: The Slaughter Rule The Slaughter Rule is a 2002 independent film directed by Alex Smith and Andrew J. Smith and starring Ryan Gosling and David Morse. The film, set in contemporary Montana, explores the relationship between a small-town high school football player (Gosling), and his troubled coach (Morse). The film was nominated for the Grand Jury Prize at the 2002 Sundance Film Festival. Plot Roy Chutney is a high school senior in the fictional Montana town of Blue Springs. Roy does not have an especially close relationship with his mother Evangeline and has not seen his father in years. That does not prevent Roy from feeling emotionally devastated when he learns that his father has killed himself, and Roy's self-esteem takes a beating when he is cut from the high school football team shortly afterward. Roy whiles away his time by swilling beer with his best friend, Tracy Two Dogs, and falling into a romance with Skyla, a barmaid at a local tavern, but Roy's short time on the high school gridiron seems to have impressed Gideon Ferguson, a local character who coaches an unsanctioned high school six-man football team when he is not delivering newspapers or trying to score a gig singing country songs at nearby honky-tonks. Gideon thinks that Roy has potential and asks him to join his team; encouraged by Gideon's belief in him, Roy agrees, and he persuades Tracy and his friend Russ to tag along. While playing hardscrabble six-man football helps restore Roy's self-confidence, he finds it does not answer his questions about his future or his relationship with Skyla. When Gideon's overwhelming interest in Roy begins to lend credence to town rumors that Gideon is gay, Roy starts to wonder just why he was asked to join the team. Cast Ryan Gosling as Roy Chutney David Morse as Gideon Ferguson Clea DuVall as Skyla Sisco Kelly Lynch as Evangeline Chutney David Cale as Studebaker Eddie Spears as Tracy Two Dogs Amy Adams as Doreen Ken White as Russ Colfax Production Jay Farrar, founder of the alternative country bands Uncle Tupelo and Son Volt, composed the film's musical score. New songs were written and performed by Vic Chesnutt and Freakwater, and existing songs by Ryan Adams, Uncle Tupelo, and the Pernice Brothers were also included.Filming for the movie largely took place in Great Falls, Montana, and a series of small towns in the Great Falls vicinity.The title of the film comes from the term "slaughter rule." The unofficial rule provides for an athletic competition's premature conclusion if one team is ahead of the other by a certain number of points prior to game's end. The rule helps to avoid humiliating the losing team further. Release The film premiered in January 2002 during the Sundance Film Festival. Later that year, the film entered the South by Southwest Film Festival and the AFI Film Festival. It went into limited release nationwide beginning January 2003. Critical reception On review aggregator website Rotten Tomatoes, the film has an approval rating of 74% based on 31 reviews, and an average rating of 5.9/10. The website's critical consensus reads, "A bleak but original indie, The Slaughter Rule benefits from outstanding performances by Ryan Gosling and David Morse." On Metacritic, the film has a weighted average score of 65 out of 100, based on 13 critics, indicating "generally favorable reviews".While the performances by Morse and Gosling were generally received positively, some reviews of the film criticized the script. Reviewing the film for The New York Times, Stephen Holden praised the performances of Gosling and Morse, but opined that the film is "confused" and "doesn't have much dramatic momentum". In her review for the Los Angeles Times, Manohla Dargis praised the film's cinematography but wrote that although the film has the virtue of sincerity, the story is "over-explained".Joe Leydon of Variety claimed the script "plays like a first draft". However, Marjorie Baumgarten of The Austin Chronicle thought that the "writing and directing team of twin brothers Alex and Andrew Smith have made an astonishingly good first feature". J. R. Jones, writing in Chicago Reader, described the film as "powerful" and especially praised David Morse's performance. Accolades The film received the FIPRESCI Prize at the 2002 Stockholm Film Festival and the Milagro Award at the 2002 Santa Fe Film Festival. The film was also nominated for the John Cassavetes Award at the 2003 Film Independent Spirit Awards and the Grand Jury Prize at the 2002 Sundance Film Festival. See also List of American football films Passage 2: It's Never Too Late (1956 film) It's Never Too Late is a 1956 British comedy film directed by Michael McCarthy and starring Phyllis Calvert, Patrick Barr, Susan Stephen and Guy Rolfe. It was based on a 1952 play of the same name by Felicity Douglas. Plot Feeling her combative family has long taken her for granted, genteel British housewife Laura Hammond somehow finds time to write a film script amidst the chaos of her home life. Her work catches the attention of a Hollywood producer, and Laura unexpectedly finds herself the author of a hit film. She also finds she can only write when she's surrounded by her dysfunctional family. Eventually, Laura must choose between being a highly paid writer and celebrity or a housewife. Cast Phyllis Calvert as Laura Hammond Patrick Barr as Charles Hammond Susan Stephen as Tessa Hammond Guy Rolfe as Stephen Hodgson Jean Taylor Smith as Grannie Sarah Lawson as Anne Hammond Delphi Lawrence as Mrs Madge Dixon Peter Hammond as Tony Richard Leech as John Hammond Robert Ayres as Leroy Crane Peter Illing as Guggenheimer Irene Handl as Neighbour Sam Kydd Uncredited Fred Griffiths as Removal Man (uncredited) Critical reception TV Guide noted, "some clever moments, but the film suffers from a staginess that makes it a mildly amusing comedy at best" ; while the Radio Times found it "an amiable comedy...This is very much of its time, with its West End origins masked by skilful art direction, but the period cast is a British film fan's delight: Guy Rolfe, Patrick Barr, Susan Stephen, Irene Handl, and even a young Shirley Anne Field. Director Michael McCarthy whips up a fair old storm in this particular teacup, and, although nothing really happens, there's a great deal of pleasure to be had from watching Calvert attempt to rule over her unruly household." Passage 3: Never Too Late (1997 film) Never Too Late is a 1996 Canadian comedy-drama film starring Olympia Dukakis, Jean Lapointe, Cloris Leachman and Corey Haim. It was filmed in Montreal, Quebec. Plot summary Joseph, Rose, and Olive suspect Carl, the owner of a retirement home, of misusing the funds of the home's residents. Together they set out to see that no one takes advantage of their unhealthy friend Woody. Cast Olympia Dukakis as Rose Cloris Leachman as Olive Jan Rubeš as Joseph Matt Craven as Carl Jean Lapointe as Woody Corey Haim as Max Awards At the 17th Genie Awards in 1996, Paola Ridolfi received a nomination for Best Art Direction/Production Design, and Donald Martin was nominated for Best Original Screenplay. Passage 4: Never Too Late (1935 film) Never Too Late is a 1935 American crime film directed by Bernard B. Ray and stars Richard Talmadge, Thelma White and Robert Frazer. Plot Cast Richard Talmadge as Det. Dick Manning Thelma White as Helen Lloyd Robert Frazer as Commissioner George Hartley Mildred Harris as Marie Lloyd Hartley Vera Lewis as Mother Hartley Robert Walker as Matt Dunning - Henchman bidding at auction George Chesebro as Dude Hannigan - Second Henchman At Auction Bull Montana as Monte, an escaped convict Paul Ellis as Lavelle, the jewel thief Lloyd Ingraham as Chief of Detectives Winter Passage 5: It's Never Too Late to Mend It's Never Too Late to Mend (alternatively just Never Too Late to Mend; US release title Never Too Late) is a 1937 British melodrama film directed by David MacDonald and starring Tod Slaughter, Jack Livesey and Marjorie Taylor. In the film, a villainous squire and Justice of the Peace conspires to have his rival in love arrested on false charges.It is based on the 1856 novel It Is Never Too Late to Mend by Charles Reade. The film was made at Shepperton Studios as a quota quickie for release by Metro-Goldwyn-Mayer. It was popular enough to be re-released in 1942. The novel was adapted once before, as a British silent film in 1922, starring Russell Thorndike as Squire Meadows. Plot summary Cast Tod Slaughter as Squire John Meadows Jack Livesey as Tom Robinson Marjorie Taylor as Susan Merton Ian Colin as George Fielding Laurence Hanray as Lawyer Crawley D.J. Williams as Farmer Merton Roy Russell as Reverend Mr. Eden John Singer as Matthew Josephs Leonard Sharp as Bradshaw Mavis Villiers as Betty Cecil Bevan as Prison Inspector Douglas Stewart as Prison Inspector Jack Vyvian as Innkeeper Critical reception TV Guide wrote, "Great fun in the old cloak-and-dagger melodrama style...Played in an exaggerated, bigger-than-life manner, this melodrama is a good enough outing, particularly for fans of camp." and Sky Movies wrote, "As usual, Tod Slaughter ignores the intimacy of the film medium and roars through this movie at full throttle, giving the kind of marvellously storming performance that would easily have reached the back row of the upper circle...David MacDonald is more a referee than a conventional director, coming up with a highly entertaining slice of ripe and fruity hokum." Passage 6: Alex Smith (golfer) Alexander Smith (28 January 1874 – 21 April 1930) was a Scottish-American professional golfer who played in the late 19th and early 20th century. He was a member of a famous Scottish golfing family. His brother Willie won the U.S. Open in 1899, and Alex won it in both 1906 and 1910. Like many British professionals of his era he spent much of his adult life working as a club professional in the United States. Early life Smith was born in Carnoustie, Scotland, on 28 January 1874, the son of John D. Smith and Joann Smith née Robinson. On 18 January 1895 he was married to Jessie Maiden—sister of James Maiden—and they had two daughters, Fannie and Margaret, born in 1896 and 1899, respectively. Smith was sometimes referred to as "Alec" Smith, especially early in his career. Golf career He was the head professional at Nassau Country Club in Glen Cove, New York, from 1901 through 1909. James Maiden, who would forge a successful golf career of his own, served as assistant professional under Smith at Nassau.In 1901, Smith lost to Willie Anderson in a playoff for the U.S. Open title. Smith's 1906 U.S. Open victory came at the Onwentsia Club in Lake Forest, Illinois. His 72-hole score of 295 was the lowest at either the U.S. Open or the British Open up to that time, and he won $300. The 1910 U.S. Open was played over the St. Martin's course at the Philadelphia Cricket Club. Smith won a three-man playoff against American John McDermott and another of his own brothers, Macdonald Smith. Alex Smith played in eighteen U.S. Opens in total and accumulated eleven top ten placings. Smith, who partnered with C. A. Dunning in the 1905 Metropolitan Open four-ball tournament held on 16 September 1905 at Fox Hills Golf Club on Staten Island, tied for first place with George Low and Fred Herreshoff with a score of 71. A playoff wasn't held due to the fact that Smith was also competing in the medal competition which he won from Willie Anderson.Smith also won the Western Open twice and the Metropolitan Open four times. Later life In 1910, Smith was a widower and lived with his two young daughters and sister-in-law, Allison Barry, in New Rochelle, New York. He was the head professional at the Westchester Country Club in Rye, New York. After the death of his brother, Willie Smith, he took over responsibility for the design of Club de Golf Chapultepec, which has hosted the Mexican Open multiple times, and the WGC-Mexico Championship since 2017. Death and legacy Smith died on 21 April 1930 at a sanatorium in Baltimore, Maryland. Tournament wins Note: This list may be incomplete1903 Western Open 1905 Metropolitan Open 1906 U.S. Open, Western Open 1909 Metropolitan Open 1910 U.S. Open, Metropolitan Open 1913 Metropolitan Open Major championships Wins (2) 1Defeated John McDermott and MacDonald Smith in an 18-hole playoff – A. Smith 71 (−2), McDermott 75 (+2) & M. Smith 77 (+4). Results timeline Smith died before the Masters Tournament was founded. NYF = Tournament not yet founded NT = No tournament DNP = Did not play WD = Withdrew "T" indicates a tie for a place Green background for wins. Yellow background for top-10 Team appearances France–United States Professional Match (representing the United States): 1913 Passage 7: It Is Never Too Late to Mend (1911 film) It Is Never Too Late to Mend is an Australian feature-length silent film written and directed by W. J. Lincoln. It was based on a stage adaptation of the popular 1865 novel It Is Never Too Late to Mend: A Matter-of-Fact Romance by Charles Reade about the corrupt penal system in Australia. It was called "certainly one of the best pictures ever taken in Australia."The novel has been credited with exposing cruelties in the Australian prison system and having helped end the convict system.It is considered a lost film. It was filmed again in 1913 and in 1937 (the latter film being the definitive version starring Tod Slaughter as the evil squire).The film was made by the Tait family, who also made the first Australian feature film, The Story of the Kelly Gang. The Taits went on to make several more films with Lincoln, including The Mystery of a Hansom Cab (1911), The Luck of Roaring Camp (1911), Called Back (1911), The Lost Chord (May 1911), The Bells (1911) and The Double Event (1911). This was Lincoln's first film in a rather short career, as he died soon after in 1917 in Sydney, Australia at age 47. Plot The film begins at Grance Farm in England, rented by Georgie and William Fileing. The farm is struggling and the brothers have to sell their new hay to stave off the landlord. The Honorable Frank Winchester contemplates going abroad and asks George to accompany him. However, George is in love with his cousin, Susan Merton, and does not want to make the trip. Susan is also loved by the villainous John Meadows. He refuses to lend money to Georgie and there is an eviction sale on the farm.George Fielding travels to Australia to make enough money to marry Susan. George discovers gold and a bushranger gang tries to rob him but the other miners come to George's rescue. There is a subplot about a thief acquaintance of George, Tom Robinson, who is sent to gaol and suffers brutal treatment at the hands of the guards. Susan is about to marry the evil Meadows but he is unmasked at the wedding by Isaac Levy. The wedding goes ahead with Susan marrying George instead. The film consisted of 60 scenes. It was issued with a summary of the story and featured chapter titles which prepared the audiences for incidents before they happened. It was also often accompanied by a lecturer. According to The Age "Interesting phases of early Australian life are revealed, including the fascinating stories of the gold discoveries... in the construction of the story for picture purposes, the salient features of the novel have been retained and a descriptive address accompanies the production." Cast Stanley Walpole Production Stage adaptations of the novel had been popular since 1865.In February 1911 The Bulletin reported that: The Taits are going to produce It’s Never Too Late To Mend in biograph drama form at Melbourne Glaeiarium. "Willie" Lincoln, who was an Australian playwright in his youth, and is nowadays running the "Paradise" Pictures at St. Kilda, is understood to be responsible for this biograph version of Charles Reade’s drama. Picture show condensations of familiar stories, also original film dramas of the sort now imported from America and Europe, might as well be locally fixed up. There’s no better country than Australia for open-air photography, and few that are nearly as good. The film was shot in Melbourne and "enacted by a specially-selected company of Victorian artists" who were "a selected metropolitan company of 60 performers." The estimated budget was £300-£400. Reception Box office The movie debuted at the Olympia Theatre in Haymarket, Sydney in January 1911. A lecturer accompanied screenings and would explain the action that took place. The movie broke box office records at the Olympia. It later drew strong crowds in Melbourne as well. Critical The Bulletin called it: An interesting piece... adapted by W.J. Lincoln for dumb show purposes, and Johnson and Gibson had prepared three or four thousand feet of photographs for reproduction on the screen. The picture promised well for the future of the Australian "art film" industry. Theadapter has "potted" the novel, rather than the drama of the same name, and done it very well. The actors look their parts and play them dramatically, and the heroine, who is a first consideration and the only girl in the piece, fills the bill quite charmingly. For about an hour "It’s Never Too Late To Mend " kept a packed house interested. A man with a ripe, sonorous voice supplied brief descriptive details, and kept the story in a state of coherency, the only noticeable shortcoming being the absence of a moral tag, to the effect that the conversion of the English thief, Tom Robinson, had been fully completed in The Sunny South. The Sydney Sunday Times said there "was special performances by a company of Australian actors."Melbourne's Table Talk called it "a most gratifying success in all ways. The pictures are clear and the acting is adequate, while to our ideas it is more natural, for it has not the Gallic mannerisms and excessive gesture noticeable in some of the imported pictorial dramas, which are usually interpreted by French artists."The Riverine Herald stated "the cast was well chosen and well balanced, and the dramatic action of the play was finely brought out."The Launceston Examiner said "in its construction the adapter has endeavoured to retain all the main and most salient features of the novel, allowing for the bridging over of many incidents, to make a natural sequence and clear-cut story."The Launceston Daily Telegraph said the novel had been "exceedingly well adapted by W. J. Lincoln... [a] magnificent pictorial representation, so full of strong human interest". USA Release The film was released in the US in August 1914. Legacy The box office success of the film encouraged the Tait brothers and Millard and Johnson to appoint Lincoln as the main director for their new company, Amalgamated Pictures, which operated for over a year. Passage 8: It's Never Too Late (1953 film) It's Never Too Late (Italian: Non è mai troppo tardi) is a 1953 Italian comedy film directed by Filippo Walter Ratti. The film is based on the 1843 novella A Christmas Carol by Charles Dickens. Plot Antonio Trabbi is a greedy old man with a very rough personality and obsessed by money. He deprecates charity and love and has no friends or love interest, being lonely and avoided by people. On Christmas Eve he is visited by the ghost of his former business partner, who warns him about his life-style and announces the visit of three spirits, who will show Antonio past, present and future Christmas days. During the night, the three spirits actually appear to Trabbi, showing him his sad past, the bad reputation he has with everyone and the bad outcome of his actions, which will lead him to a lonely death and to terrible punishments in Hell. When Trabbi wakes up he is greatly distressed by the visions and eager to change his life, starting with that very same Christmas Day. Cast Paolo Stoppa as Antonio Trabbi Guglielmo Barnabò Isa Barzizza as Rosanna Gennari Luigi Batzella (as Gigi Batzella) Sergio Bergonzelli Lola Braccini as Antonio's mother Arturo Bragaglia as L'omino Enzo Cerusico as Antonio as child Olinto Cristina as Franci Giorgio De Lullo as The Strange Man in the Pub Giulio Donnini as Orazio Colussi Attilio Dottesio as The man who poses the riddle at the party Leda Gloria as Anna Colussi Susanne Lévesy as Giulia - Daniele's wife Ellida Lorini as Rosanna as child Marcello Mastroianni as Riccardo Leonilde Montesi Valeria Moriconi as Marta Luisa Rivelli Daniela Spallotta Luigi Tosi as Daniele Trabbi See also List of Christmas films List of ghost films Adaptations of A Christmas Carol Passage 9: Alberto Manzi Alberto Manzi (Italian pronunciation: [alˈbɛrto ˈmandzi]; Rome, 3 November 1924 – Pitigliano, 4 December 1997) was an Italian school teacher, writer and television host, best known for being the art director of Non è mai troppo tardi (Italian for It's never too late), an educational TV programme broadcast between 1959 and 1968. Biography He attended navy studies before ending his primary training high school degree and followed a peculiar path of studies, achieving three academic degrees: in biology, pedagogy and philosophy. He worked as an educator in a teen-age prison in Rome before a full-time job as a primary school teacher. He was chosen to host the TV program Non è mai troppo tardi, that made him a celebrity, conceived as an auxiliary help in the social struggle against illiteracy; the show was broadcasting real life primary school classroom lessons, with revolutionary concepts in didactic methods for those times. Several schools in Italy are indeed named after him. He also published several novels the most famous of which is Orzowei (1955), from which a serial was adapted for the Tv dei ragazzi (a now defunct Italian "Children TV"). From 1995 to 1997 he was mayor of Pitigliano, in the province of Grosseto, Tuscany. Passage 10: Michael McCarthy (film director) Michael McCarthy (27 February 1917 – 7 May 1959) was a British screenwriter and television and film director. He entered the film industry in 1934 and worked at the Crown Film Unit.He died aged 42, survived by a wife and three children. A Variety obituary said he was "regarded as a director of considerable promise". Selected filmography Greek Testament (1943) (documentary) - assistant director My Learned Friend (1943) - assistant director San Demetrio London (1943) - assistant director The Halfway House (1944) - assistant director While Nero Fiddled (1944) aka Fiddlers Three - assistant director The Girl of the Canal (1945) aka Painted Boats (short feature) - story Johnny Frenchman (1945) - unit manager Feature Story (1949) (short feature) - director No Highway in the Sky (1951) - actor Assassin for Hire (1951) - director Mystery Junction (1951) - director, writer Road Sense (1951) (instructional film) - director Hunted (1952) - idea Crow Hollow (1952) - director Wheel of Fate (1953) - actor Behind the Headlines (1953) - actor Forces' Sweetheart (1953) - actor Flannelfoot (1953) - actor John of the Fair (1954) - director, writer Douglas Fairbanks, Jr., Presents (1954–55) - director, writer - including The Awakening (1954) Shadow of a Man (1955) - director, additional scenes The Adventures of the Scarlet Pimpernel (1955) - director It's Never Too Late (1956) - director Assignment Foreign Legion (1956–57) (TV series) - director The Traitor (1957) aka The Accursed - director, writer Wire Service (1957) (TV series) - director Sailor of Fortune (1957) (TV series) - director Operation Amsterdam (1959) - director, writer

doc_68

Passage 1: Roy Rowland (film director) Roy Rowland (December 31, 1910 – June 29, 1995) was an American film director. The New York-born director helmed a number of films in the 1950s and 1960s including Our Vines Have Tender Grapes, Meet Me in Las Vegas, Rogue Cop, The 5000 Fingers of Doctor T, and The Girl Hunters. Rowland married Ruth Cummings, the niece of Louis B. Mayer and sister of Jack Cummings (MGM producer/director). They had one son, Steve Rowland, born in 1932, who later became a music producer in the UK. Biography Early life Roy Rowland was born in Brooklyn, the son of Russian Jewish immigrants. The family moved to Edendale, California, when Roy was ten. He graduated from the University of Southern California with a law degree before beginning his career at Metro-Goldwyn-Mayer (MGM) as a script clerk. He then began working as a prop man, grip, and assistant cameraman. In 1927 he met Ruth Cummings at the Santa Monica Beach Club. She was the niece of Louis B. Mayer and the sister of producer Jack Cummings. Her family disapproved of Rowlands, so they eloped. This resulted in Rowland being blacklisted. But Ruth Cummings arranged a rapprochement with Mayer.He was assistant director on most of the Tarzan films, starring Johnny Weissmuller in the 1930s. Short films Rowland made his reputation directing short films, particularly the "How to" series of shorts starring Robert Benchley. One of them, How to Sleep (1937), won an Academy Award. He also worked with producer Pete Smith as the director of several of the short films in the Pete Smith Specialties series, and directed several of the short films in the Crime Does Not Pay series. Features Rowland's debut feature was A Stranger in Town (1943). He made three films with the child actress Margaret O'Brien: Lost Angel (1943), Our Vines Have Tender Grapes (1945), and Tenth Avenue Angel (1948). He also directed musicals such as Hit the Deck (1955), Meet Me in Las Vegas (1956), and The Seven Hills of Rome (1957). He also made The 5,000 Fingers of Dr. T. (1953), from a story by Dr. Seuss. He directed Many Rivers to Cross with Robert Taylor and Gun Glory (1957) with Stewart Granger and Rowland's son Steve.Rowland was survived by his wife Ruth and their son. Partial filmography Hollywood Party (1934) – co-director Sunkist Stars at Palm Springs (1936) – short Cinema Circus (1937) – short Hollywood Party (1937) – short Song of Revolt (1937) – short How to Start the Day (1937) – short A Night at the Movies (1937) – short film with Robert Benchley Music Made Simple (1938) – short An Evening Alone (1938) – short How to Raise a Baby (1938) – short The Courtship of the Newt (1938) – short How to Read (1938) – short How to Watch Football (1938) – short Opening Day (1938) – short Mental Poise (1938) – short How to Sub-Let (1939) – short An Hour for Lunch (1939) – short Dark Magic (1939) – short Home Early (1939) – short How to Eat (1939) – short Think First (1939) – short Jack Pot (1940) – short Please Answer (1940) – short (documentary) You, the People (1940) – short Sucker List (1941) – short Changed Identity (1941) – short A Stranger in Town (1943) Lost Angel (1943) Our Vines Have Tender Grapes (1945) Boys' Ranch (1946) The Romance of Rosy Ridge (1947) Killer McCoy (1947) Tenth Avenue Angel (1948) Scene of the Crime (1949) The Outriders (1950) Two Weeks with Love (1950) Excuse My Dust (1951) Bugles in the Afternoon (1952) The 5,000 Fingers of Dr. T (1953) Affair with a Stranger (1953) The Moonlighter (1953) Rogue Cop (1954) Witness to Murder (1954) Light's Diamond Jubilee (1954, TV special, with six other directors) Many Rivers to Cross (1955) Hit the Deck (1955) Meet Me in Las Vegas (1956) These Wilder Years (1956) Slander (1956) Gun Glory (1957) Seven Hills of Rome (1957) The Life and Legend of Wyatt Earp (1959–60, TV series) – also producer The Girl Hunters (1963) – also writer Gunfighters of Casa Grande (1964) Man Called Gringo (1965) The Sea Pirate (1966) – also producer Il grande colpo di Surcouf (1966) Land Raiders (1970) – associate producer only Passage 2: Querelle Querelle is a 1982 West German-French English-language arthouse film directed by Rainer Werner Fassbinder and starring Brad Davis, adapted from French author Jean Genet's 1947 novel Querelle of Brest. It was Fassbinder's last film, released shortly after his death at the age of 37. Plot The plot centers on the handsome Belgian sailor Georges Querelle, who is also a thief and murderer. When his ship, Le Vengeur, arrives in Brest, he visits the Feria, a bar and brothel for sailors run by the Madame Lysiane, whose lover, Robert, is Querelle's brother. Querelle has a love/hate relationship with his brother: when they meet at La Feria, they embrace, but also punch one another slowly and repeatedly in the belly. Lysiane's husband Nono works behind the bar and also manages La Feria's underhanded affairs with the assistance of his friend, the corrupt police captain Mario. Querelle makes a deal to sell opium to Nono. During the execution of the deal, he murders his accomplice Vic by slitting his throat. After delivering the drugs, Querelle announces that he wants to sleep with Lysiane. He knows that this means he will have to throw dice with Nono, who has the privilege of playing a game of chance with all of her prospective lovers. If Nono loses, the suitor is allowed to proceed with his affair. If the suitor loses, however, he must submit to anal sex with Nono first, according to Nono's maxim that "That way, I can say my wife only sleeps with arseholes." Querelle deliberately loses the game, allowing himself to be sodomized by Nono. When Nono gloats about Querelle's "loss" to Robert, who won his dice game, the brothers end up in a violent fight. Later, Querelle becomes Lysiane's lover, and also has sex with Mario. Luckily for Querelle, a builder, Gil, murders his work mate Theo, who had been harassing and sexually assaulting him. Gil hides from the police in an abandoned prison, and Roger, who is in love with Gil, establishes contact between Querelle and Gil in the hopes that Querelle can help Gil flee. Querelle falls in love with Gil, who closely resembles his brother. Gil returns his affections, but Querelle betrays Gil by tipping off the police. Querelle cleverly arranged it so that the murder of Vic is also blamed on Gil. Querelle's superior, Lieutenant Seblon, is in love with Querelle, and constantly tries to prove his manliness to him. Seblon is aware that Querelle murdered Vic, but chooses to protect him. Later, Seblon reveals his love and concern to a drunken Querelle, and they kiss and embrace before returning to Le Vengeur. Cast Brad Davis as Querelle Franco Nero as Lieutenant Seblon Jeanne Moreau as Lysiane Laurent Malet as Roger Bataille Hanno Pöschl as Robert / Gil Günther Kaufmann as Nono Burkhard Driest as Mario Roger Fritz as Marcellin Dieter Schidor as Vic Rivette Natja Brunckhorst as Paulette Werner Asam as Worker Axel Bauer as Worker Neil Bell as Theo Robert van Ackeren as Drunken legionnaire Wolf Gremm as Drunken legionnaire Frank Ripploh as Drunken legionnaire Production According to Genet's biographer Edmund White, Querelle was originally going to be made by Werner Schroeter, with a scenario by Burkhard Driest, and produced by Dieter Schidor. However, Schidor could not find the money to finance a film by Schroeter, and therefore turned to other directors, including John Schlesinger and Sam Peckinpah, before finally settling on Fassbinder. Driest wrote a radically different script for Fassbinder, who then "took the linear narrative and jumbled it up". White quotes Schidor as saying "Fassbinder did something totally different, he took the words of Genet and tried to meditate on something other than the story. The story became totally unimportant for him. He also said publicly that the story was a sort of third-rate police story that wouldn't be worth making a movie about without putting a particular moral impact into it".Schroeter had wanted to make a black and white film with amateur actors and location shots, but Fassbinder instead shot it with professional actors in a lurid, expressionist color, and on sets in the studio. Edmund White comments that the result is a film in which, "Everything is bathed in an artificial light and the architectural elements are all symbolic." Soundtrack Jeanne Moreau – "Each Man Kills the Things He Loves" (music by Peer Raben, lyrics from Oscar Wilde's poem "The Ballad of Reading Gaol") "Young and Joyful Bandit" (Music by Peer Raben, lyrics by Jeanne Moreau)Both songs were nominated to the 1984 Razzie Awards for "Worst Original Song". Release Querelle sold more than 100,000 tickets in the first three weeks after its release in Paris, the first time that a film with a gay theme had achieved such success. On review aggregator Rotten Tomatoes, which categorizes reviews as positive or negative only, the film has an approval rating of 57% calculated based on 14 critics comments. By comparison, with the same opinions being calculated using a weighted arithmetic mean, the rating is 6.10/10. Writing for The New York Times critic Vincent Canby noted that Querelle was "a mess...a detour that leads to a dead end." Penny Ashbrook calls Querelle Fassbinder's "perfect epitaph: an intensely personal statement that is the most uncompromising portrayal of gay male sensibility to come from a major filmmaker." Edmund White considers Querelle the only film based on Genet's book that works, calling it "visually as artificial and menacing as Genet's prose." Genet, in discussion with Schidor, said that he had not seen the film, commenting "You can't smoke at the movies." Passage 3: Angna Enters Anita "Angna" Enters (April 18, 1897 – February 25, 1989) was an American dancer, mime, painter, writer, novelist and playwright. She studied at the Art Students League of New York and was a 1934 Guggenheim fellow. She wrote a novel and three autobiographies as well as the films Lost Angel (1943) and Tenth Avenue Angel (1948). Early life Enters was born in Milwaukee, Wisconsin and graduated from North Division High School in Milwaukee, Wisconsin. She saw the first Denishawn concert tour in 1925, and the following year, an American tour of Sergei Diaghilev's Les Ballets Russes. Emergence as a dancer Enters moved to New York to study at the Art Students League of New York in 1920, and began to study dance with Michio Itō the following year, eventually performing as Michio's partner in 1933. That year she created her first piece, an evocation of a statue of a Gothic Virgin, entitled Ecclesiastique. The piece later became Moyen Age. In 1934, she borrowed $25 with which to present her first solo program at the Greenwich Village Theater. Her solo program, The Theatre of Angna Enters, toured the United States and Europe until 1939 and was performed, though less often, until 1960. In 1934, Enters was awarded a Guggenheim Fellowship to study Hellenistic art forms in Athens, Greece. Visual artist Enters created a large body of visual art, including sketches, landscape drawings, archaeological studies, costume plates, water colors and oil portraits. Many of her sketches and paintings were exhibited in the United States and Europe. Her sketches were often costume designs for characters of her mime performances or set designs for plays. The Metropolitan Museum of Art in New York holds selected works by Enters, as do other museums. Personal life Enters met journalist Louis Kantor in 1921. The two began dating secretly in 1924, wed quietly in Spain in 1936 but maintained separate households. In 1924, Enters changed her first name to Angna and began using 1907 as her birth year. Kantor also changed his name to Louis Kalonyme in 1924 and began writing art criticism for Arts and Decoration magazine. Kalonyme was friends with many notable thinkers of the day: Eugene O'Neill, George Bernard Shaw, and Georgia O'Keeffe among them. The couple did not have any children and Kalonyme died in 1961 after a long illness.In 1924 the realist painter and printmaker John Sloan, along with his fellow artists Robert Henri and George Bellows, attended one of Enters’s shows. They were enchanted. The following year Sloan asked Enters to pose for him in one of her dance routines, “Contre Danse.” Sloan’s etching of this subject was the first of seven etchings that he produced, from 1925 to 1930, showing Enters performing various of her compositions. Although Enters posed for Sloan’s etching of Contre Danse, his six subsequent etchings were done from drawings executed by him while he was attending her shows. These etchings convincingly portray the attitudes of the characters that Enters created, and they convey a vivid sense of what must have made “The Theatre of Angna Enters” so compelling. Writing Enters wrote three volumes of autobiography – First Person Plural (1937), Silly Girl (1944) and Artist's Life (1958). She also wrote a novel, Among the Daughters (1956), and a book on her work, On Mime (1966). Her plays, Love Possessed Juana: A Play of the Inquisition in Spain, co-written with Louis Kalonyme, and The Unknown Lover, were presented by the Houston Little Theater in 1946 and 1947. Enters is also credited with having co-written two Hollywood films, Lost Angel (1943) and Tenth Avenue Angel (1948). Teaching Enters' first teaching work came at the Stella Adler Studio, where she taught from 1957 to 1960. She was artist-in-residence at the Dallas Theatre Center in 1961 and 1962, and taught mime at Baylor University during that year. She spent the following school year at Wesleyan University in Middletown, Connecticut. In 1970 and 1971 she was artist-in-residence at Pennsylvania State University, during which time she gave her last known public performance. Enters' books First Person Plural. New York: Stackpole Sons, 1937. Love Possessed Juana (queen of Castile) a play in four acts. New York: Twice a Year Press, 1939. Silly Girl, a Portrait of Personal Remembrance. Cambridge, MA: Houghton Mifflin company, 1944. Among the Daughters, a Novel. New York: Coward-McCann, 1955. Artist's Life. New York: Coward-McCann, 1958. On Mime, second edition. Middletown, CT: Wesleyan University Press, 1968 (first edition 1965). Passage 4: Tenth Avenue Angel Tenth Avenue Angel is a 1948 American drama film directed by Roy Rowland and starring Margaret O'Brien, Angela Lansbury, and George Murphy. It chronicles the life and family of Flavia Mills (Margaret O'Brien) in the late 1930s. Filming took place 11 March–15 May 1946, with retakes in April 1947. However, the film was not released until February 20, 1948. Plot Eight-year-old Flavia (Margaret O'Brien) lives in a New York tenement during the Great Depression with mother Helen (Phyllis Thaxter) and father Joe (Warner Anderson), who's nearly broke and needs a job. Her aunt Susan (Angela Lansbury) lives with them, too. Flavia's thrilled because her aunt's sweetheart, Steve (George Murphy), is returning from a one-year absence. The little girl is unaware that Steve has been in jail for associating with a gangster. Flavia sees a mouse and is afraid. Her mother tells Flavia a fable that if you catch a mouse and make a wish, it will turn into money. This leads her to hide a mouse in a cigar box in the alley near Mac (the blind newspaper man)'s stand. Two neighborhood youths rob Mac (Rhys Williams) and, by coincidence, hide the money right by the girl's box with the mouse. Flavia finds it and is overjoyed until the adults accuse her of stealing it from Blind Mac. Her mother has to tell her the truth about the fable and Flavia realizes that so many stories she has heard are "lies". Everybody's desperate for money. Helen's pregnant and faces physical complications. Steve's unable to get his old job, driving a taxi. The gangster offers him a payday for stealing a truck, but Steve's conscience gets the better of him at the last minute. Flavia tries to find the kneeling cow near a railroad before it's too late. Helen is all right, Joe finds a job, and Flavia's thrilled because Susan's going to marry Steve. Cast Margaret O'Brien as Flavia Mills Angela Lansbury as Susan Bratten George Murphy as Steve Abbott Phyllis Thaxter as Helen Mills Warner Anderson as Joseph Mills Rhys Williams as Blind Mac Barry Nelson as Al Parker Connie Gilchrist as Mrs. Murphy Charles Cane as Parole Officer Richard Lane as Street Vendor Reception The film was an expensive failure at the box office, earning only $725,000 in the US and Canada and $75,000 elsewhere, resulting in a loss of $1,227,000.It has received mixed to negative reviews. Passage 5: Thulasi (1987 film) Thulasi is a 1987 Indian Tamil-language romantic drama film directed by Ameerjan. The film stars Murali and Seetha. It was released on 27 November 1987. Plot Thirunavukarasu is considered as a God by his villagers. Nevertheless, his son Sammadham is an atheist and he doesn't believe in his father's power. Sammadham and Ponni, a low caste girl, fall in love with each other. Sammadham's best friend Siva, a low caste boy, passes the Master of Arts degree successfully. Thirunavukarasu's daughter Thulasi then develops a soft corner for Siva. Thirunavukarasu cannot accept for his son Sammadham's marriage with Ponni due to caste difference. Sammadham then challenges him to marry her. Thirunavukarasu appoints henchmen to kill her and Ponni is found dead the next day in the water. In the meantime, Siva also falls in love with Thulasi. The rest of the story is what happens to Siva and Thulasi. Cast Murali as Sivalingam "Siva" Seetha as Thulasi Chandrasekhar as Sammadham Major Sundarrajan as Thirunavukarasu Senthil Charle as Khan Thara as Ponni Mohanapriya as Sarasu Vathiyar Raman A. K. Veerasamy as Kaliyappan Soundtrack The music was composed by Sampath Selvam, with lyrics written by Vairamuthu. Reception The Indian Express gave a negative review calling it "thwarted love". Passage 6: Ingmar Bergman Ernst Ingmar Bergman (14 July 1918 – 30 July 2007) was a Swedish screenwriter and film and theatre director. Widely considered one of the greatest and most influential directors of all time, Bergman's films are known as "profoundly personal meditations into the myriad struggles facing the psyche and the soul." Some of his most acclaimed works include The Seventh Seal (1957), Wild Strawberries (1957), Persona (1966), and Fanny and Alexander (1982); these four films were included in the Sight & Sound Greatest Films of All Time 2012 critics poll. Bergman was ranked 8th in Sight & Sound's 2002 poll of The Greatest Directors of All Time.Bergman directed more than 60 films and documentaries for cinematic release and for television screenings, most of which he also wrote. Most of his films were set in Sweden, and many films from 1961 onward were filmed on the island of Fårö. He also had a theatrical career that ran in parallel with his film career. It included periods as Leading Director of the Royal Dramatic Theatre in Stockholm and of the Residenztheater in Munich. He directed more than 170 plays. He forged a creative partnership with his cinematographers Gunnar Fischer and Sven Nykvist. Among his company of actors were Harriet Andersson, Bibi Andersson, Liv Ullmann, Gunnar Björnstrand, Erland Josephson, Ingrid Thulin, Gunnel Lindblom and Max von Sydow. Biography Early life Ernst Ingmar Bergman was born on 14 July 1918 in Uppsala, Sweden, the son of Erik Bergman, a Lutheran minister and later chaplain to the King of Sweden, and Karin (née Åkerblom), a nurse who also had Walloon ancestors. The Bergman family was originally from Järvsö in Gävleborg county. Bergman's paternal grandfather worked as a pharmacist in Stockholm, and his paternal great-grandfather Henrik Bergman worked as an assistant vicar and was married to Erika Augusta Agrell, daughter of vicar Erik Agrell and Elsa Margareta Hermanni, a daughter of chief accountant Hieronymus Emanuel Hermanni and Anna Katarina Neostadia. The Hermannis were merchants in Stockholm, Hieronymus' father, Simon Daniel, was wholesaler like his grandfather. Via Elsa Margareta Hermanni, Bergman descended from the noble families Bröms, Stockenström, Ehrenskiöld, clergy families of Swedish, Swedish-Finnish origin and burghers of Swedish and German origin. Via his paternal grandmother Alma Katarina Eneroth, Bergman descended from the German noble families Flach and de Frese introduced at the Swedish Riddarhuset. Alma Katarina Eneroth was a cousin of Bergman's maternal grandfather traffic manager Johan Åkerblom. Thus Bergman's parents were second cousins. Bergman's maternal grandmother, Anna Calwagen, was the daughter of Ernst Gottfrid Calwagen, a lector of German and English, and his wife Charlotta Margareta Carsberg. The progenitor of the Calwagen family, the merchant Paul Calwagen, had emigrated from Holland to Karlshamn, Sweden in the 17th century. Paul's wife, the Dutch-Swedish Maria van der Hagen, was descendant of the Dutch-Swedish court painter Laurens van der Plas. Via Ernst Gottfried, Bergman was descendant of the noble families Tigerschiöld and Weinholz as well as the Bure family.He grew up with his older brother Dag and younger sister Margareta surrounded by religious imagery and discussion. His father was a conservative parish minister with strict ideas of parenting. Ingmar was locked up in dark closets for infractions such as wetting himself. "While father preached away in the pulpit and the congregation prayed, sang, or listened", Ingmar wrote in his autobiography Laterna Magica, I devoted my interest to the church's mysterious world of low arches, thick walls, the smell of eternity, the coloured sunlight quivering above the strangest vegetation of medieval paintings and carved figures on ceilings and walls. There was everything that one's imagination could desire—angels, saints, dragons, prophets, devils, humans ... Although raised in a devout Lutheran household, Bergman later stated that he lost his faith at age eight, and came to terms with this fact while making Winter Light in 1962. His interest in theatre and film began early: "At the age of nine, he traded a set of tin soldiers for a magic lantern, a possession that altered the course of his life. Within a year, he had created, by playing with this toy, a private world in which he felt completely at home, he recalled. He fashioned his own scenery, marionettes, and lighting effects and gave puppet productions of Strindberg plays in which he spoke all the parts."Bergman attended the Palmgren School as a teenager. His school years were unhappy, and he remembered them unfavourably in later years. In a 1944 letter concerning the film Torment (sometimes known as Frenzy), which sparked debate on the condition of Swedish high schools (and which Bergman had written), the school's principal Henning Håkanson wrote, among other things, that Bergman had been a "problem child". Bergman wrote in a response that he had strongly disliked the emphasis on homework and testing in his formal schooling. In 1934, aged 16, he was sent to Germany to spend the summer holidays with family friends. He attended a Nazi rally in Weimar at which he saw Adolf Hitler. He later wrote in Laterna Magica (The Magic Lantern) about the visit to Germany, describing how the German family had put a portrait of Hitler on the wall by his bed, and that "for many years, I was on Hitler's side, delighted by his success and saddened by his defeats". Bergman commented that "Hitler was unbelievably charismatic. He electrified the crowd. ... The Nazism I had seen seemed fun and youthful." Bergman did two five-month stretches of mandatory military service in Sweden. He later reflected, "When the doors to the concentration camps were thrown open ... I was suddenly ripped of my innocence."Bergman enrolled at Stockholm University College (later renamed Stockholm University) in 1937, to study art and literature. He spent most of his time involved in student theatre and became a "genuine movie addict". At the same time, a romantic involvement led to a physical confrontation with his father which resulted in a break in their relationship which lasted for many years. Although he did not graduate from the university, he wrote a number of plays and an opera, and became an assistant director at a local theatre. In 1942, he was given the opportunity to direct one of his own scripts, Caspar's Death. The play was seen by members of Svensk Filmindustri, which then offered Bergman a position working on scripts. He married Else Fisher in 1943. Film career until 1975 Bergman's film career began in 1941 with his work rewriting scripts, but his first major accomplishment was in 1944 when he wrote the screenplay for Torment (a.k.a. Frenzy) (Hets), a film directed by Alf Sjöberg. Along with writing the screenplay, he was also appointed assistant director of the film. In his second autobiographical book, Images: My Life in Film, Bergman describes the filming of the exteriors as his actual film directorial debut. The film sparked debate on Swedish formal education. When Henning Håkanson (the principal of the high school Bergman had attended) wrote a letter following the film's release, Bergman, according to scholar Frank Gado, disparaged in a response what he viewed as Håkanson's implication that students "who did not fit some arbitrary prescription of worthiness deserved the system's cruel neglect". Bergman also stated in the letter that he "hated school as a principle, as a system and as an institution. And as such I have definitely not wanted to criticize my own school, but all schools." The international success of this film led to Bergman's first opportunity to direct a year later. During the next ten years he wrote and directed more than a dozen films, including Prison (Fängelse) in 1949, as well as Sawdust and Tinsel (Gycklarnas afton) and Summer with Monika (Sommaren med Monika), both released in 1953. Bergman first achieved worldwide success with Smiles of a Summer Night (Sommarnattens leende, 1955), which won for "Best poetic humour" and was nominated for the Palme d'Or at Cannes the following year. This was followed by The Seventh Seal (Det sjunde inseglet) and Wild Strawberries (Smultronstället), released in Sweden ten months apart in 1957. The Seventh Seal won a special jury prize and was nominated for the Palme d'Or at Cannes, and Wild Strawberries won numerous awards for Bergman and its star, Victor Sjöström. Bergman continued to be productive for the next two decades. From the early 1960s, he spent much of his life on the island of Fårö, where he made several films. In the early 1960s he directed three films that explored the theme of faith and doubt in God, Through a Glass Darkly (Såsom i en Spegel, 1961), Winter Light (Nattvardsgästerna, 1962), and The Silence (Tystnaden, 1963). Critics created the notion that the common themes in these three films made them a trilogy or cinematic triptych. Bergman initially responded that he did not plan these three films as a trilogy and that he could not see any common motifs in them, but he later seemed to adopt the notion, with some equivocation. His parody of the films of Federico Fellini, All These Women (För att inte tala om alla dessa kvinnor) was released in 1964.Largely a two-hander with Bibi Andersson and Liv Ullmann, Persona (1966) is a film that Bergman himself considered one of his most important works. While the highly experimental film won few awards, it has been considered his masterpiece. Other films of the period include The Virgin Spring (Jungfrukällan, 1960), Hour of the Wolf (Vargtimmen, 1968), Shame (Skammen, 1968) and The Passion of Anna (En Passion, 1969). With his cinematographer Sven Nykvist, Bergman made use of a crimson color scheme for Cries and Whispers (1972), which received a nomination for the Academy Award for Best Picture. He also produced extensively for Swedish television at this time. Two works of note were Scenes from a Marriage (Scener ur ett äktenskap, 1973) and The Magic Flute (Trollflöjten, 1975). Tax evasion charges in 1976 On 30 January 1976, while rehearsing August Strindberg's The Dance of Death at the Royal Dramatic Theatre in Stockholm, he was arrested by two plainclothes police officers and charged with income tax evasion. The impact of the event on Bergman was devastating. He suffered a nervous breakdown as a result of the humiliation, and was hospitalised in a state of deep depression. The investigation was focused on an alleged 1970 transaction of 500,000 Swedish kronor (SEK) between Bergman's Swedish company Cinematograf and its Swiss subsidiary Persona, an entity that was mainly used for the paying of salaries to foreign actors. Bergman dissolved Persona in 1974 after having been notified by the Swedish Central Bank and subsequently reported the income. On 23 March 1976, the special prosecutor Anders Nordenadler dropped the charges against Bergman, saying that the alleged crime had no legal basis, saying it would be like bringing "charges against a person who has stolen his own car, thinking it was someone else's". Director General Gösta S Ekman, chief of the Swedish Internal Revenue Service, defended the failed investigation, saying that the investigation was dealing with important legal material and that Bergman was treated just like any other suspect. He expressed regret that Bergman had left the country, hoping that Bergman was a "stronger" person now when the investigation had shown that he had not done any wrong.Although the charges were dropped, Bergman became disconsolate, fearing he would never again return to directing. Despite pleas by the Swedish prime minister Olof Palme, high public figures, and leaders of the film industry, he vowed never to work in Sweden again. He closed down his studio on the island of Fårö, suspended two announced film projects, and went into self-imposed exile in Munich, West Germany. Harry Schein, director of the Swedish Film Institute, estimated the immediate damage as ten million SEK (kronor) and hundreds of jobs lost. Aftermath following arrest Bergman then briefly considered the possibility of working in America; his next film, The Serpent's Egg (1977) was a German-U.S. production and his second English-language film (the first being The Touch, 1971). This was followed by a British-Norwegian co-production, Autumn Sonata (Höstsonaten, 1978) starring Ingrid Bergman (no relation), and From the Life of the Marionettes (Aus dem Leben der Marionetten, 1980) which was a British-German co-production. He temporarily returned to his homeland to direct Fanny and Alexander (Fanny och Alexander, 1982). Bergman stated that the film would be his last, and that afterwards he would focus on directing theatre. After that he wrote several film scripts and directed a number of television specials. As with previous work for television, some of these productions were later theatrically released. The last such work was Saraband (2003), a sequel to Scenes from a Marriage and directed by Bergman when he was 84 years old. Although he continued to operate from Munich, by mid-1978 Bergman had overcome some of his bitterness toward the Swedish government. In July of that year he visited Sweden, celebrating his sixtieth birthday on the island of Fårö, and partly resumed his work as a director at Royal Dramatic Theatre. To honour his return, the Swedish Film Institute launched a new Ingmar Bergman Prize to be awarded annually for excellence in filmmaking. Still, he remained in Munich until 1984. In one of the last major interviews with Bergman, conducted in 2005 on the island of Fårö, Bergman said that despite being active during the exile, he had effectively lost eight years of his professional life. Retirement and death Bergman retired from filmmaking in December 2003. He had hip surgery in October 2006 and was making a difficult recovery. He died in his sleep at age 89; his body was found at his home on the island of Fårö, on 30 July 2007. It was the same day another renowned existentialist film director, Michelangelo Antonioni, died. The interment was private, at the Fårö Church on 18 August 2007. A place in the Fårö churchyard was prepared for him under heavy secrecy. Although he was buried on the island of Fårö, his name and date of birth were inscribed under his wife's name on a tomb at Roslagsbro churchyard, Norrtälje Municipality, several years before his death. Filmography Bibliography Four Screenplays: Smiles of a Summer Night, The Seventh Seal, Wild Strawberries, and The Magician (1969) [screenplays] Three Films: Through a Glass Darkly, Winter Light, and The Silence (1970) [screenplays] Persona and Shame: the Screenplays of Ingmar Bergman (1972) [screenplays] Four Stories: The Touch, Cries and Whispers, The Hour of the Wolf, and The Passion of Anna (1976) [screenplays] From the Life of the Marionettes (1980) [screenplay] Fanny and Alexander (1982) [screenplay] The Marriage Scenarios: Scenes from a Marriage, Face to Face, and Autumn Sonata (1983) [screenplays] The Magic Lantern: An Autobiography (1987) [nonfiction] The Best Intentions (1991) [novel] Sunday's Children (1993) [novel] Private Confessions (1996) [novel] Images: My Life in Film (2017) [nonfiction] Style of working Repertory company Bergman developed a personal "repertory company" of Swedish actors whom he repeatedly cast in his films, including Max von Sydow, Bibi Andersson, Harriet Andersson, Erland Josephson, Ingrid Thulin, Gunnel Lindblom, and Gunnar Björnstrand, each of whom appeared in at least five Bergman features. Norwegian actress Liv Ullmann, who appeared in nine of Bergman's films and one televisual film (Saraband), was the last to join this group (in the film Persona), and ultimately became the most closely associated with Bergman, both artistically and personally. They had a daughter together, Linn Ullmann (born 1966). In Bergman's working arrangement with Sven Nykvist, his best-known cinematographer, the two men developed sufficient rapport to allow Bergman not to worry about the composition of a shot until the day before it was filmed. On the morning of the shoot, he would briefly speak to Nykvist about the mood and composition he hoped for, and then leave Nykvist to work, lacking interruption or comment until post-production discussion of the next day's work. Financing By Bergman's own account, he never had a problem with funding. He cited two reasons for this: one, that he did not live in the United States, which he viewed as obsessed with box-office earnings; and two, that his films tended to be low-budget affairs. (Cries and Whispers, for instance, was finished for about $450,000, while Scenes from a Marriage, a six-episode television feature, cost only $200,000.) Technique Bergman usually wrote his films' screenplays, thinking about them for months or years before starting the actual process of writing, which he viewed as somewhat tedious. His earlier films are carefully constructed and are either based on his plays or written in collaboration with other authors. Bergman stated that in his later works, when on occasion his actors would want to do things differently from his own intention, he would let them, noting that the results were often "disastrous" when he did not do so. As his career progressed, Bergman increasingly let his actors improvise their dialogue. In his later films, he wrote just the ideas informing the scene and allowed his actors to determine the exact dialogue. When viewing daily rushes, Bergman stressed the importance of being critical but unemotive, claiming that he asked himself not if the work was great or terrible, but rather if it was sufficient or needed to be reshot. Subjects Bergman's films usually deal with existential questions of mortality, loneliness, and religious faith. In addition to these cerebral topics, however, sexual desire features in the foreground of most of his films, whether the central event is medieval plague (The Seventh Seal), upper-class family activity in early twentieth century Uppsala (Fanny and Alexander), or contemporary alienation (The Silence). His female characters are usually more in touch with their sexuality than their male equivalents, and unafraid to proclaim it, sometimes with breathtaking overtness (as in Cries and Whispers) as would define the work of "the conjurer," as Bergman called himself in a 1960 TIME cover story. In an interview with Playboy in 1964, he said: "The manifestation of sex is very important, and particularly to me, for above all, I don't want to make merely intellectual films. I want audiences to feel, to sense my films. This to me is much more important than their understanding them." Film, Bergman said, was his demanding mistress. While he was a social democrat as an adult, Bergman stated that "as an artist I'm not politically involved ... I don't make propaganda for either one attitude or the other." Bergman's views on his career When asked in the series of interviews later titled "Ingmar Bergman – 3 dokumentärer om film, teater, Fårö och livet" conducted by Marie Nyreröd for Swedish TV and released in 2004, Bergman said that of his works, he held Winter Light, Persona, and Cries and Whispers in the highest regard. There he also states that he managed to push the envelope of film making in the films Persona and Cries and Whispers. Bergman stated on numerous occasions (for example in the interview book Bergman on Bergman) that The Silence meant the end of the era in which religious questions were a major concern of his films. Bergman said that he would get depressed by his own films: "jittery and ready to cry... and miserable." In the same interview he also stated: "If there is one thing I miss about working with films, it is working with Sven" (Nykvist), the third cinematographer with whom he had collaborated. Theatrical work Although Bergman was universally famous for his contribution to cinema, he was also an active and productive stage director all his life. During his studies at what was then Stockholm University College, he became active in its student theatre, where he made a name for himself early on. His first work after graduation was as a trainee-director at a Stockholm theatre. At twenty-six years, he became the youngest theatrical manager in Europe at the Helsingborg City Theatre. He stayed at Helsingborg for three years and then became the director at Gothenburg city theatre from 1946 to 1949. He became director of the Malmö City Theatre in 1953, and remained for seven years. Many of his star actors were people with whom he began working on stage. He was the director of the Royal Dramatic Theatre in Stockholm from 1960 to 1966, and manager from 1963 to 1966, where he began a long-time collaboration with choreographer Donya Feuer. After Bergman left Sweden because of the tax evasion incident, he became director of the Residenz Theatre of Munich, Germany (1977–1984). He remained active in theatre throughout the 1990s and made his final production on stage with Henrik Ibsen's Ghosts at the Brooklyn Academy of Music in 2003. Personal life Marriages and children Bergman was married five times: 25 March 1943 – 1945, to Else Fisher (1 March 1918 – 3 March 2006), choreographer and dancer (divorced). Children: Lena Bergman, actress, born 1943. 22 July 1945 – 1950, to Ellen Lundström (23 April 1919 – 6 March 2007), choreographer and film director (divorced). Children: Eva Bergman, film director, born 1945 Jan Bergman, film director (1946–2000) the twins Mats and Anna Bergman, both actors and film directors, born in 1948. 1951 – 1959, to Gun Grut (1916–1971), journalist (divorced). Children: Ingmar Bergman Jr., retired airline captain, born 1951. 1959 – 1969, to Käbi Laretei (14 July 1922 – 31 October 2014), concert pianist (divorced). Children: Daniel Bergman, film director, born 1962. 11 November 1971 – 20 May 1995, to Ingrid von Rosen (maiden name Karlebo). Children: Maria von Rosen, author, born 1959.The first four marriages ended in divorce, while the last ended when his wife Ingrid died of stomach cancer in 1995, aged 65. Aside from his marriages, Bergman had romantic relationships with actresses Harriet Andersson (1952–1955), Bibi Andersson (1955–1959), and Liv Ullmann (1965–1970). He was the father of writer Linn Ullmann with Ullmann. In all, Bergman had nine children, one of whom predeceased him. Bergman eventually married all the mothers of his children, with the exception of Liv Ullmann. His daughter with his last wife, Ingrid von Rosen, was born twelve years before their marriage. He had dozens of mistresses throughout his life and would justify the affairs to his various wives by telling them: "I have so many lives."Although Bergman once described himself as one who had lost his faith in an afterlife, in 2000 Bergman stated that a conversation he had had with Erland Josephson helped him to believe that he would see Ingrid again. He said, "I'm not actually afraid of dying. On the contrary, really. I think it'll be interesting." In 2012, Max von Sydow stated in an interview that he had had many discussions with Bergman about religion which seemed to indicate that Bergman believed in an afterlife.In a draft of his autobiography, Bergman admitted to raping his then girlfriend Karin Lannby. This portion was edited out for the final version. Health Bergman suffered from physical ailments such as insomnia and severe stomach issues dating back to childhood. He called his nervous stomach "a calamity as foolish as it is humiliating" and joked that the private lavatories he secured at the theatres in which he worked represented his "most lasting contribution to the history of theatre." Awards and nominations In 1958, he won the Best Director award for Brink of Life at the Cannes Film Festival, and won the Golden Bear for Wild Strawberries at the Berlin International Film Festival. In 1960 Bergman was featured in the cover of TIME, the first foreign-language filmmaker to do so since Leni Riefenstahl in 1936. In 1971, Bergman received the Irving G. Thalberg Memorial Award at the Academy Awards ceremony. Three of his films (Through a Glass Darkly, The Virgin Spring, and Fanny and Alexander) won the Academy Award for Best Foreign Language Film. In 1997, he was awarded the Palme des Palmes (Palm of the Palms) at the 50th anniversary of the Cannes Film Festival. He won many other awards and has been nominated for numerous other awards. Academy Awards Legacy In 1996, Entertainment Weekly ranked Bergman at No. 8 in its "50 Greatest Directors" list. In 2002, Bergman was listed at number nine on the British Film Institute's Sight & Sound list of the top ten film directors of modern times.MovieMaker magazine ranked Bergman at No. 13 on their 2002 list of The 25 Most Influential Directors of All Time. Bergman was ranked at No. 36 on Empire magazine's "Top 40 Greatest Directors of All-Time" list in 2005. In 2007, Total Film magazine ranked Bergman at No. 7 on its "100 Greatest Film Directors Ever" list. In 2017, New York magazine ranked Bergman at number 55 on their list of The 100 Best Screenwriters of All Time.Stanley Kubrick admired the work of Bergman and expressed it in personal letter: "Your vision of life has moved me deeply, much more deeply than I have ever been moved by any films. I believe you are the greatest film-maker at work today [...], unsurpassed by anyone in the creation of mood and atmosphere, the subtlety of performance, the avoidance of the obvious, the truthfulness and completeness of characterization. To this one must also add everything else that goes into the making of a film; [...] and I shall look forward with eagerness to each of your films." Film critic Philip French referred to Bergman as "one of the greatest artists of the 20th century ... he found in literature and the performing arts a way of both recreating and questioning the human condition." Director Martin Scorsese commented that "it's impossible to overestimate the effect that [his] films had on people." Terrence Rafferty of The New York Times wrote that throughout the 1960s, when Bergman "was considered pretty much the last word in cinematic profundity, his every tic was scrupulously pored over, analyzed, elaborated in ingenious arguments about identity, the nature of film, the fate of the artist in the modern world and so on."Bergman's work was a point of reference and inspiration for director Woody Allen. He described Bergman as “probably the greatest film artist, all things considered, since the invention of the motion picture camera”. Bergman's films are mentioned and praised in Annie Hall and other Allen films. Allen also admired Bergman's longtime director of photography Sven Nykvist and invited him to return as his DP on Crimes and Misdemeanors. Danish Director Thomas Vinterberg has cited Bergman as one of his major influences, "Bergman is always in my head. He is part of my upbringing and I was fortunate to meet him and get advice from him." Writer and director Richard Ayoade counts Bergman as one of his inspirations. In 2017, the British Film Institute (BFI) hosted an Ingmar Bergman season and Ayoade said in a Guardian interview that he saw everything in it, "which was one of the best two months ever." The BFI's programme included a discussion with Ayoade on Bergman's 1966 film, Persona, before a screening.After Bergman died, a large archive of notes was donated to the Swedish Film Institute. Among the notes are several unpublished and unfinished scripts both for stage and films, and many more ideas for works in different stages of development. A never-performed play has the title Kärlek utan älskare ("Love without lovers"), and has the note "Complete disaster!" written on the envelope; the play is about a director who disappears and an editor who tries to complete a work he has left unfinished. Other canceled projects include the script for a pornographic film which Bergman abandoned since he did not think it was alive enough, a play about a cannibal, some loose scenes set inside a womb, a film about the life of Jesus, a film about The Merry Widow, and a play with the title Från sperm till spöke ("From sperm to spook"). The Swedish director Marcus Lindeen went through the material, and inspired by Kärlek utan älskare he took samples from many of the works and turned them into a play, titled Arkivet för orealiserbara drömmar och visioner ("The archive for unrealisable dreams and visions"). Lindeen's play premiered on 28 May 2012 at the Stockholm City Theatre.In 2018, in honor of Bergman's 100th birthday, The Criterion Collection compiled and released a Blu-ray disc box set comprising 39 of Bergman's features. The set spans Bergman's early career, beginning in the 1940s, up to his final film in 2003. The films are organized non-chronologically, and are instead presented in four groupings that mimic the procession of a film festival. Accompanying the discs is a book featuring critical essays on each of the films, intended to guide the viewer through the experience. Upon its release, The New York Times critic Glenn Kenny assessed the set as "impressive and almost exhaustive", and interpreted it as "a fresh case for [Bergman's] continuing importance", in response to criticisms such as Jonathan Rosenbaum's 2007 opinion piece "Scenes From an Overrated Career".The Ingmar Bergman International Debut Award is awarded annually at the Gothenburg Film Festival, in partnership with the Ingmar Bergman Foundation, the Bergman Estate and the Bergman Center on Fårö. The prize includes a visit to the Bergman Estate as well as to Bergmans personal archive in Stockholm. See also Cinema of Sweden List of film collaborations Notes Passage 7: John Angel (preacher) John Angel or Angell (died 1655), was an English preacher. Biography Angel was from Gloucestershire, born towards the end of the sixteenth century. He was admitted of Magdalen Hall, Oxford, in 1610. He proceeded to his degrees of B.A. and M.A. He was ordained in holy orders; at a bound became a frequent and popular preacher, and many puns were made on his name. He does not appear to have been presented to any living but to have gone about as an evangelist. In 1629, or earlier, Francis Higginson declined an appointment as town-preacher at Leicester because of his growing nonconformity. Angel, who then conformed to the establishment, was put in his stead by ‘the mayor of Alderney,’ and he is found in 1630 as a lecturer. In 1634, he was suspended by the dean of Arches for preaching without licence; an ordinary minister was not allowed to preach without a licence issued by the bishop of the diocese. With relation to Angel's suspension William Laud wrote in his Diary: "In Leicester the dean of the Arches suspended one Mr. Angell, who had continued a lecturer in that great town for these divers years without any licence at all to preach, yet took liberty enough. I doubt his violence hath cracked his brain, and do therefore use him more tenderly, because I see the hand of God hath overtaken him." The biographer Samuel Clarke wrote that Angel was subject to great spiritual darkness, but Richard Vines relieved and comforted him. In 1650, at Leicester, Angel differed with the Independents and refused to sign the engagement. The Mercers' Company of London stepped in to relieve him. They appointed him as lecturer at Grantham, Lincolnshire, and he remained there until his death in 1655. Anthony à Wood quotes the tributes that contemporaries paid him. Works Published works: "Right Government of the Thoughts, or a Discourse of all Vain, Unprofitable, Idle, and Wicked Thoughts" (1659) "Right Ordering of the Conversation" (1659) "Preparation for the Communion" (1659) "Funeral Sermon for John, Lord Darcey" (1659) Passage 8: Le Masque de la Méduse Le masque de la Méduse (English: The Mask of Medusa) is a 2009 fantasy horror film directed by Jean Rollin. The film is a modern-day telling of the Greek mythological tale of the Gorgon and was inspired by the 1964 classic Hammer Horror film of the same name and the 1981 cult classic Clash of the Titans. It was Rollin's final film, as the director died in 2010. Cast Simone Rollin as la Méduse Sabine Lenoël as Euryale Marlène Delcambre as Sthéno Juliette Moreau as Juliette Delphine Montoban as Cornelius Jean-Pierre Bouyxou as le gardien Bernard Charnacé as le collectionneur Agnès Pierron as la colleuse d'affiche au Grand-Guignol Gabrielle Rollin as la petite contrebassiste Jean Rollin as l'homme qui enterre la tête Thomas Smith as Thomas Production It was thought that Rollin's 2007 film La nuit des horloges was the final film of his career, as he had mentioned in the past. However, in 2009, Rollin began preparation foe Le masque de la Méduse. Rollin originally directed the film as a one-hour short, which was screened at the Cinémathèque de Toulouse, but after the release, Rollin decided to add 20 minutes of additional scenes and then cut the film into two distinct parts, as he did with his first feature, Le Viol du Vampire. The film was shot on location at the Golden Gate Aquarium and Père Lachaise Cemetery, as well as on stage at the Theatre du Grande Guignol, which is where the longest part of the film takes place. It was shot on HD video on a low budget of €150,000. Before the release, it was transferred to 35mm film. Release The film was not released theatrically, although it premiered on 19 November 2009 at the 11th edition of the Extreme Cinema Film Festival at the Cinémathèque de Toulouse. As part of "An Evening with Jean Rollin", it was shown as a double feature with Rollin's 2007 film La nuit des horloges. Home media No official DVD was released, although for a limited time, a DVD of La masque de la Méduse was included with the first 150 copies of Rollin's book Jean Rollin: Écrits complets Volume 1. Passage 9: Brink of Disaster! Brink of Disaster! is a 1972 American film directed by John Florea. Plot A student is held up in the library while a riot rages outside. As SDS protesters head to burn the library down, he has to fend them off with his baseball bat. This film opens with actual footage of civil disturbances in the 1960s, and moves on to images of historical American figures. Cast Ed Nelson Gary Crabbe See also List of American films of 1972 Passage 10: Brink of Life Brink of Life, (Swedish: Nära livet, and known as So Close to Life in the UK) is a 1958 Swedish drama film directed by Ingmar Bergman. Bergman won the Best Director Award and Andersson, Dahlbeck, Ornäs and Thulin won the Best Actress Award at the 1958 Cannes Film Festival. Plot Cecilia Ellius is admitted to a hospital after she has begun badly bleeding during her third month of pregnancy. She is accompanied by her husband, Anders. Before treatment, Cecilia asks Anders if he truly wants the child; Anders replies it is too late to have the discussion. Cecilia undergoes treatment; when she awakes, she realizes she has had a miscarriage. She tearfully tells hospital staff she had wanted the child but Anders did not, and that she knew the child would not be born with only one loving parent. Anders returns to the hospital, and Cecilia initiates a separation, saying she realized Anders did not truly love her as they arrived at the hospital. Another patient, Hjördis, was admitted after she began bleeding during pregnancy. She tried to abort, but did not succeed. She's not married or engaged, doesn't want to have the child, and didn't tell her strict mother about it. Hospital staff tell her unmarried young mothers in Sweden no longer face the social stigma they once did, and Hjördis can find a house and daycare, but she still has doubts. Encouraged by Nurse Brita she calls her mother, who tells her to come home. A third patient, Stina Andersson, is overdue in her pregnancy and is very excited to have her child. She's convinced she will have a boy and intends to name him after her loving husband Harry, who visits her. She gets castor oil and a glass of beer to speed delivery. Her contractions during labour become increasingly violent and excruciating. She is sedated and suffers a stillbirth. She is deeply traumatized and can barely speak. Dr. Nordlander tells her she and the fetus were healthy, but it wasn't meant to be. Cast Reception Brink of Life received generally mixed reviews from critics. Censorship When Brink of Life was first released in Italy in 1960 the Committee for the Theatrical Review of the Italian Ministry of Cultural Heritage and Activities rated it as VM16: not suitable for children under 16. In order for the film to be screened publicly, the Committee imposed the removal of the scene in which Stina is in pain due to labour. The reason for the age restriction and removal of the scene cited in the official documents, is that the film was not suitable to the sexual morals of a minor in the Italian society, and the scene was considered to be shocking. The official document number is: 31260, it was signed on 20 April 1960 by Minister Domenico Magrì.

doc_69

Passage 1: Infanta Adelgundes, Duchess of Guimarães Infanta Adelgundes, Duchess of Guimarães (10 November 1858 – 15 April 1946) was the fifth child and fourth daughter of Miguel of Portugal and his wife Adelaide of Löwenstein-Wertheim-Rosenberg. A member of the House of Braganza by birth, Adelgundes became a member of the House of Bourbon-Parma through her marriage to Prince Henry of Bourbon-Parma, Count of Bardi. She was also the Regent of the Monarchic Representation of Portugal and for that reason assumed the title of Duchess of Guimarães, usually reserved for the Head of the House. Early life Adelgundes de Jesus Maria Francisca de Assis e de Paula Adelaide Eulália Leopoldina Carlota Micaela Rafaela Gabriela Gonzaga Inês Isabel Avelina Ana Estanislau Sofia Bernardina, Infanta de Portugal, Duquesa de Guimarães, was born in Bronnbach, Wertheim, Germany. Her father died on November 14, 1866, a few days after her eighth birthday, and Adelgundes and her siblings were educated in a Catholic and conservative environment by their mother. Her maternal uncle, Prince Carl zu Löwenstein-Wertheim-Rosenberg, was like a second father to the children. Marriage Adelgundes married Prince Henry of Bourbon-Parma, Count of Bardi, fourth child and youngest son of Charles III, Duke of Parma and his wife Princess Louise Marie Thérèse of France, on 15 October 1876 in Salzburg, Austria-Hungary. Henry, who was 25 years old, had been previously married to Princess Luisa Immacolata of the Two Sicilies, who had died three months after their marriage at the age of 19 in 1874. Henry had taken part in the Carlist war and fought in the Battle of Lacar. War wounds turned him into an invalid. Their union produced no issue, as her nine pregnancies all ended in miscarriages. The failed pregnancies, the last of which she suffered in 1890, were a source of great grief to the couple. They divided their time between the Castle of Seebenstein in Austria and the Ca' Vendramin Calergi in Venice. After almost 30 years of marriage, Adelgundes became a widow in 1905. She was close to her many nephews and nieces, particularly Grand Duchess Marie-Adélaïde of Luxembourg, from the time of her abdication to her early death.. The composer, Richard Wagner died of a heart attack at the age of 69 on 13 February 1883 at Ca' Vendramin Calergi, a 16th-century palazzo on the Grand Canal as a guest of Prince Henry, Count of Bardi and Infanta Adelgundes. Regent-in-absentia Between 1920 and 1928, Adelgundes acted as the regent-in-absentia on behalf of her nephew and Miguelist claimant to the Portuguese throne, Duarte Nuno, Duke of Braganza, who was only twelve years old when his father Miguel renounced his claim to the throne in his favor. At the beginning of her regency in 1920, Adelgundes assumed the title of Duchess of Guimarães. In 1921 she authored a manifesto outlining the House of Braganza's goals for the restoration of the Portuguese monarchy. During her regency, the ex-King Manuel II of Portugal agreed that owing to an heir, the rights of succession could pass to Duarte Nuno (although Duarte Nuno's grandfather Miguel I of Portugal was excluded from the throne and the Miguelist line deprived of its dynastic rights of succession). But Infanta Adelgundes failing to get an agreement mentioning the reestablishment of a traditional monarchy, the Integralists withheld their support to an accord, and on September 1925, Adelgundes, in a letter to King Manuel, repudiated the incomplete agreement. Since any pact resolved the issue of succession (former Dover Pact and Paris Pact having been both repudiated) and without known documents, there was no direct heir to the defunct throne, but at the death of King Manuel, however, the monarchist Integralismo Lusitano movement acclaimed Duarte Nuno, Duke of Braganza as King of Portugal. Duarte Nuno lived with Adelgundes at Seebenstein until the German occupation of Austria when the whole family relocated to Bern, Switzerland, where she died in Gunten on 15 April 1946 at age 87. Ancestry Passage 2: Carlota Joaquina of Spain Doña Carlota Joaquina Teresa Cayetana of Spain (25 April 1775 – 7 January 1830) was Queen of Portugal and Brazil as the wife of King Dom John VI. She was the daughter of King Don Charles IV of Spain and Maria Luisa of Parma. Detested by the Portuguese court — where she was called "the Shrew of Queluz" (Portuguese: a Megera de Queluz) — Carlota Joaquina gradually won the antipathy of the people, who accused her of promiscuity and influencing her husband in favor of the interests of the Spanish crown. After the escape of the Portuguese court to Brazil, she began conspiring against her husband, claiming that he had no mental capacity to govern Portugal and its possessions, thus wanting to establish a regency. She also planned to usurp the Spanish crown that was in the hands of Napoleon's brother, Joseph Bonaparte. After the marriage in 1817 of her son Pedro with the Archduchess Leopoldina of Austria and the later return of the royal family to Portugal in 1821, Carlota Joaquina was confined in the Royal Palace of Queluz, where she died alone and abandoned by her children on 7 January, 1830. Life Childhood Born in the Royal Palace of Aranjuez on 25 April 1775 as the second (but eldest surviving) child of Charles, Prince of Asturias, and his wife Maria Luisa of Parma, she was baptized with the names of Carlota Joaquina Teresa Cayetana, but she was called only by her first name, Carlota, a name that honored both her father and paternal grandfather, King Charles III of Spain—Carlota was his favorite granddaughter. Despite the rigidity of her education and court etiquette, the Infanta was described as mischievous and playful. She received a rigid and deeply Catholic education, with bases in the fields of study of religion, geography, painting, and riding (Carlota's favorite sport). The closed and austere temperament of the Spanish monarchy imposed on the family and on the whole court rigid norms of behavior and etiquette. King Charles III, a man of reserved behavior, devoted more time to his family than to the animations of the courtesan life, where his daughter-in-law Maria Luisa took an active part. Carlota's mother soon assumed the organization of entertainments at court, with luxurious parties, where morals were easily forgotten. Soon the Princess of Asturias' image would be linked to that of a promiscuous woman who betrayed her husband to other men. Among them, possibly, was the Prime Minister Manuel Godoy, whose alleged love affair was widely explored by the press at the time. Not even the successive pregnancies and long-hoped birth of a living male heir to the throne in 1784 saved Maria Luísa from the contempt of the population. She would go down in history as one of the most unpopular queens in Spain and her bad reputation deeply affected her children, especially Carlota, the firstborn daughter. Marriage The subject of Carlota Joaquina's marriage was arranged by both King Charles III and his sister Mariana Victoria, Dowager Queen of Portugal, in the late 1770s when Mariana went to Spain to encourage diplomatic relations between the estranged countries. Carlota Joaquina was to marry Infante John, Duke of Beja (youngest grandson of Mariana Victoria), and Infante Gabriel of Spain (Carlota Joaquina's paternal uncle) was to marry Infanta Mariana Vitória of Portugal (only surviving granddaughter and namesake of the Dowager Queen of Portugal). Carlota's apprenticeship would be tested when she underwent a series of public examinations in front of the Spanish court and Portuguese ambassadors sent on behalf of Queen Maria I of Portugal to evaluate the qualities of the princess destined to marry her second son. In October 1785, the Gazeta of Lisbon published an account of the tests: "Everything has satisfied so completely that one can not express the admiration which such a vast instruction ought to cause at such a tender age: but...the decided talent with which God has endowed this most serene Lady, her prodigious memory, understanding and that everything is possible, especially with the awakening and capacity with which the above-mentioned master promotes such useful and glorious applications." Having proven the talent of the bride, there was therefore no impediment to the union with the Portuguese prince, so on 8 May 1785 was celebrated the proxy marriage; three days later, on 11 May, the 10-year-old Carlota Joaquina and her retinue left Spain for Lisbon. On the day she left the Spanish court, Carlota Joaquina asked her mother to make a painting of her in a red dress to place on the wall, instead of the painting of Infanta Margaret Theresa of Spain (which Carlota Joaquina claimed to be more beautiful). As a part of the infanta cortege were Father Felipe Scio, famous Spanish theologian and scholar, Emília O'Dempsy, as lady-in-waiting, and Anna Miquelina, personal maid of Carlota Joaquina. The official wedding ceremony between Infante John of Portugal and Carlota Joaquina took place on 9 June 1785; she was only 10 years old while her husband was 18. Due to the bride's young age, the consummation of the union was delayed until 9 January 1790, when Carlota Joaquina was then able to conceive and bear children. Life in the Portuguese court Nevertheless, the climate in the Braganza court differed in many respects from that of the cheerful Spanish court. While in other parts of the Europe they represented the mark of a new society based on the Age of Enlightenment principles, in Portugal the Catholic Church still imposed norms prohibiting all types of amusement. The dramatization of comedies was banned, including the performance of dances and parties. The reign of Queen Maria I was marked by the rise of a conservative group of the nobility and clergy of Portugal; an extremely "boredom" environment, as defined by Dowager Queen Mariana Victoria (Carlota Joaquina's great-aunt). In this way, Carlota Joaquina found herself in the midst of a very religious and austere environment, in contrast to the extravagance and the faust to which she was accustomed. Despite this, her relationship with her mother-in-law was very tender, as the letters exchanged between them proved. The joy and vivacity of Carlota were responsible for the rare hours of relaxation of the Queen. Her more liberal habits and customs differed in many ways from that of other women at court. Quite traditional in relation to female behavior, Portuguese men disapproved of the ease with which Carlota Joaquina transited in public space, her performance in the political field and her distemper in the family routine. Since most Portuguese women were deprived of social life, Carlota Joaquina's offending behavior allowed some malicious rumors about her in the court. Some of them were prejudiced, like the Duchess of Abrantès, wife of the French General Junot, who later invaded Portugal. During her time in Lisbon, Madame Junot had ridiculed Carlota Joaquina both for her manner of acting and for her dressing, and she had slain her as an extremely ugly woman. Princess of Brazil In 1788, when his eldest brother Joseph, Prince of Brazil died, Infante John became the first in line to his mother's throne. Soon he received the titles Prince of Brazil and 15th Duke of Braganza. Between 1788 and 1816, Carlota Joaquina was known as Princess of Brazil as the wife of the heir-apparent of the Portuguese throne. Some scholars believe that she has had a rough and superficial behavior, attributing to her the fact that she hated Brazil. His religious observances bored her, and they were quite incompatible. Nevertheless, she gave birth to nine children during their marriage and, because they were all handsome, it was rumoured that especially the younger ones had a different father.After Queen Maria I became insane in 1792, Prince John took over the government in her name, even though he only took the title of Prince Regent in 1799. This change in events suited Carlota Joaquina's ambitious and sometimes violent nature. In the Portuguese court she would interfere frequently in matters of state, trying to influence the decisions of her husband; this attempts to meddling in politics displeased the Portuguese nobility and even the population. Because she was excluded from the government decisions many times, Carlota Joaquina organized a plot with the intention to take the reins of power from the Prince Regent, arresting him and declaring that he was incapable of rule like his mother. However, in 1805 this plot was discovered; the Count of Vila Verde proposed the opening of an investigation and the arrest of all those involved, but Carlota Joaquina was saved because her husband, wishing to avoid a public scandal, opposed to her arrest, preferring to confine his wife to Queluz Palace and Ramalhão Palace, while he himself moved to Mafra Palace, effectively separating from her. At that time Carlota Joaquina's enemies claimed that she had bought a retreat where she indulged in sexual orgies. In Brazil In 1807, the Portuguese royal family left Portugal for Brazil because of the Napoleonic invasion. While in Brazil, Carlota Joaquina made attempts to obtain the administration of the Spanish dominions in Hispanic America, a project known as Carlotism. Spain itself was controlled by Napoleon and its kings, her father and brother Ferdinand, were held by Napoleon in France. Carlota Joaquina regarded herself as the heiress of her captured family. Allegedly among her plans was to send armies to occupy Buenos Aires and northern Argentina to style herself "Queen of La Plata". The Portuguese-Brazilian forces, however, only managed to temporarily annex the eastern banks of the Rio de la Plata as Cisplatina, which were kept in the Empire of Brazil after 1822 and seceded in 1828 as the Republic of Uruguay. Queen When the Portuguese royal family returned to Portugal in 1821 after an absence of 14 years, Carlota Joaquina met a country that had changed much since their departure. In 1807, Portugal had lived stably under absolutism. Napoleonic troops and political attitudes fostered by Spain's Cortes of Cádiz had brought revolutionary ideas to Portugal. In 1820, a liberal revolution commenced in Porto. A constitutional Cortes Gerais had been promulgated, and in 1821 it gave Portugal its first constitution. The queen had arch-conservative positions and wanted a reactionary response in Portugal. Her husband, however, did not want to renege on his vows to uphold the constitution. Carlota Joaquina made an alliance with her youngest son Miguel, who shared his mother's conservative views. In 1824, using Miguel's position as army commander, they took power and held the king a virtual prisoner in the palace, where the queen tried to make him abdicate in favor of Miguel. The king received British help against his wife and son and regained power, finally compelling his son to leave the country. The queen had also to go briefly into exile. King John VI lived in Bemposta Palace and Queen Carlota Joaquina in Queluz. Though she lived there quietly, she became decidedly eccentric in dress and behaviour. However, their eldest son Pedro, left behind as regent in Brazil, was proclaimed and crowned on 1 December 1822 as its independent Emperor. John VI refused to accept this until he was persuaded by the British to do so, signing in August 1825 the Treaty of Rio de Janeiro by which he and Carlota Joaquina were granted the honorific title of Emperors of Brasil. He died in March 1826. Claiming ill-health, Carlota Joaquina refused to visit his deathbed and started the rumour that her husband had been poisoned (which was true) by the Freemasons (which likely was not). Pedro, Emperor of Brazil, now became King of Portugal as well, but knowing that carrying out the duties of both positions would be impossible, Pedro abdicated in Portugal and made his eldest daughter Maria the Queen of Portugal as well as betrothing her to Miguel, his younger brother. In the meantime, Carlota Joaquina's daughter, the Infanta Isabel Maria was to be Regent in Portugal instead of Carlota Joaquina, who ordinarily would have held such a post as Queen Dowager. About two years later the little queen set out for Portugal, only to find upon arrival at Gibraltar that her uncle and fiancé had not only removed the regent, but declared himself King of Portugal. Queen Carlota Joaquina died at the Queluz Royal Palace, outside of Sintra. It is speculated whether she died because of natural causes or whether she, in fact, killed herself. Issue Carlota Joaquina married King João VI of Portugal in 1785 and had nine children. Carlota in film and television After her death, Carlota Joaquina (mainly in Brazil) became part of popular culture and an important historical figure, being the subject of several books, films and other media. Carlota Joaquina, Princess of Brazil (1994) – Feature film directed by Carla Camurati, tells a summarized tale, mixing history with legend, of the Princess's life, from her childhood until her (mythical) suicide. Marieta Severo plays adult Carlota, while Ludmila Dayer portrays her as a child. O Quinto dos Infernos (2003) – Betty Lago portrays Carlota in this television miniseries produced by Rede Globo, telling the story of how the Portuguese Royal Family escaped to Brazil. Liberdade, Liberdade (2016) - Susana Ribeiro portrays Carlota in this Globo telenovela that eventually features the Portuguese Royal family going to Brazil. Novo Mundo (2017) - Débora Olivieri portrays Carlota in this Globo telenovela set in 1817 Brazil. Ancestors Passage 3: Isabel of Portugal, Lady of Viseu Isabella of Portugal (1364–1395) was the natural daughter of King Ferdinand I of Portugal, from an unknown mother. Biography Before 1386 she was betrothed to João Afonso Telo de Menezes, 1st Count of Viana (do Alentejo), son of the powerful João Afonso Telo, 4th Count of Barcelos. However, this project was abandoned or dissolved. She married Alfonso Enríquez, Count of Gijón and Noreña, natural son of King Henry II of Castile. Her marriage was one of the clauses of the Treaty of Santarém, signed in 1373, between Portugal and Castile. Through a royal letter issued on 1 October 1377, her father granted her the Lordship of Viseu, Celorico, Linhares and Algodres. She left to the Royal Court of King Henry II of Castile where she lived while waiting for an appropriate age to get married. They finally married in 1377 in the city of Burgos. This marriage gave rise to the Noronha family, still represented in several aristocratic houses, both in Portugal and in Spain. The couple had six children: Pedro de Noronha (1379 – 20 August 1452), Archbishop of Lisbon (1424 – 1452), father of João, Pedro and Fernando de Noronha; Fernando de Noronha, second count of Vila Real by his marriage to Beatrice de Meneses, second countess of Vila Real, daughter and heiress of Pedro de Menezes; Sancho de Noronha, first Count of Odemira, comendador mayor of the Order of Santiago, alcalde-mor of Estremoz and Elvas, Lord of Vimieiro, Mortágua, Aveiro and other territories, married to Mécia de Sousa; Henrique de Noronha, captain in Ceuta, without legitimate male issue; João de Noronha, participated in the siege of Balaguer and was knighted by Infante Duarte in the siege of Ceuta where he was injured. He died from his wounds shortly afterwards without having left any offspring. Constance of Noronha, the second wife of Afonso, Duke of Braganza, without issue.Isabella eventually returned to her native Portugal where her uncle, King John I of Portugal, gave her a warm welcome and protection, both to her and to her children. See also Noronha Noreña Passage 4: Manuel, Prince of Portugal (1531–1537) Manuel (11 November 1531 – 14 April 1537), was the Hereditary Prince of Portugal from 1535 to his death in 1537. He was the fifth child and second son of king John III of Portugal and Catherine of Austria. In 1535, his father officially designated him as Prince of Portugal, taking the place of his eldest sister Infanta Maria Manuela. However, after his premature death at five years old, his younger brother Infante Filipe became the next Prince of Portugal. Ancestry Passage 5: Infanta Maria Antonia of Portugal Infanta Maria Antónia of Portugal (Portuguese: Maria Antónia Adelaide Camila Carolina Eulália Leopoldina Sofia Inês Francisca de Assis e de Paula Micaela Rafaela Gabriela Gonzaga Gregória Bernardina Benedita Andrea; 28 November 1862 – 14 May 1959) was the seventh and last child of Miguel I of Portugal and Adelaide of Löwenstein. Early life She was born in exile as the youngest child of her parents in the Grand Duchy of Baden as her father, Infante Miguel, had been banished from Portugal by his brother, Pedro I of Brazil, after usurping and losing the Portuguese throne in the Liberal Wars. Marriage On 15 October 1884 at Schloss Fischorn, Maria Antonia married Robert I, Duke of Parma as his second wife. They had twelve children. Maria Antonia was widowed when Robert died at Villa Pianore on 16 November 1907. Later on she resided with her daughter Zita while in exile. By 1940, Zita and her family, Maria Antonia and her daughter Isabella were living in reduced circumstances in Quebec. Eventually, after World War II's end, Maria Antonia moved to Berg Castle, Luxembourg where she celebrated her 90th birthday. After lingering for many years, she died there in 1959 aged 96. She was the last surviving grandchild of John VI of Portugal. Many of her children and grandchildren have also lived very long lives. Issue Princess Maria Adelaide of Bourbon-Parma (5 August 1885 – 6 February 1959); she was a Benedictine nun and her religious name of Mother Maria Benedicta of the Benedictine Order of the Sisters of St. Cecile. Prince Sixtus of Bourbon-Parma (1 August 1886 – 14 March 1934); he married Hedwige de La Rochefoucauld on 12 November 1919. Xavier, Duke of Parma (25 May 1889 – 7 May 1977); he married Madeleine de Bourbon-Busset on 12 November 1927. Princess Francesca of Bourbon-Parma (22 April 1890 – 7 October 1978) Princess Zita of Bourbon-Parma (9 May 1892 – 14 March 1989); she married Charles I of Austria on 21 October 1911. Prince Felix of Bourbon-Parma (28 September 1893 – 8 April 1970); he married Charlotte of Luxembourg on 6 November 1919. Prince René of Bourbon-Parma (17 October 1894 – 30 July 1962); he married Princess Margrethe of Denmark on 9 June 1921. Princess Maria Antonia of Bourbon-Parma (7 November 1895 – 19 October 1977) Princess Isabella of Bourbon-Parma (14 June 1898 – 28 July 1984) Prince Louis of Bourbon-Parma (5 December 1899 – 4 December 1967); he married Princess Maria Francesca of Savoy on 23 January 1939. Princess Henrietta Anna of Bourbon-Parma (8 March 1903 – 13 June 1987); she was profoundly deaf. Prince Gaetano of Bourbon-Parma (11 June 1905 – 9 March 1958); he married Princess Margherita della Torre e Tasso (1909-2006) on 29 April 1931 and they were divorced on 24 January 1950. Ancestry See also Descendants of Miguel I of Portugal Passage 6: Anita de Braganza Anita Stewart Morris (August 7, 1886 – September 15, 1977) was an American socialite and heiress who married Prince Miguel, Duke of Viseu, grandson of King Miguel I of Portugal, and the eldest son of Dom Miguel, Duke of Braganza, who was Miguelist claimant to the throne of Portugal from 1866 to 1920. Early life Anita Rhinelander Stewart was born in Elberon, New Jersey, on August 7, 1886. She was the daughter of Anne "Annie" McKee Armstrong (1864–1925) and William Rhinelander Stewart, Sr. (1852–1929). She had one sibling, William Rhinelander Stewart, Jr. Her father was an attorney who managed several trusts for his family. Her parents divorced in August 1906, and afterwards, her mother married James Henry Smith. Smith died in Japan in 1907 while on their honeymoon. Her mother then married Jean de Saint Cyr on April 25, 1915.Her paternal grandparents were Lispenard Stewart (1809–1867) and Mary Rogers (née Rhinelander) Stewart (1821–1893). Her uncle was New York State Senator Lispenard Stewart (1855–1927). Her maternal grandparents were John Armstrong (1823–1884) and Margaretta (née McKee) Armstrong (1833–1900), daughter of William McKee and Ann (née Alricks) McKee. Career After her husband died in 1923, Anita moved to New York City. In order to regain her American citizenship, she had to renounce her royal title. However, society continued to refer to her with her regal title.Following her second marriage, she continued to operate a photography studio in Manhattan and spend time at Malbone, their Gothic Revival estate in Newport, Rhode Island. Personal life On September 15, 1909, Stewart married Prince Miguel, Duke of Viseu (1878–1923) at St. Lawrence's Catholic Church in Dingwall, Scotland, with the reception at Dingwall Castle. On September 6, a week preceding her wedding, Franz Joseph I, the Emperor of Austria, bestowed the title of Prinzessin von Braganza (Princess of Braganza), on her. Her husband was the eldest son of Infante Miguel, Duke of Braganza and Princess Elisabeth of Thurn and Taxis. In order to get the consent of his father to marry Anita, Dom Miguel had to renounce all claim to the throne of Portugal in favor of his younger brother, Prince Francis Joseph. Out of this union, three children were born, all of whom used the title Prince or Princess until 1920, when their parents' marriage was deemed to be in contravention of royal law: Isabel Maria "Nadejda" de Bragança (1910–1946), who married Wlodzimierz "Vadim" Dorozynski in Capri, Italy on August 16, 1930. They divorced in 1932 and in 1942, she married René Millet. John de Bragança (1912–1991), who married Winifred Dodge Seyburn in 1948. They divorced in 1953 and in 1971, he was married to Katharine (née King) Bahnson (1921–2007). Miguel de Bragança (1915–1996), a St. George School graduate who married Anne Hughson in 1946.In 1946, Anita married Lewis Gouverneur Morris (1882–1967), the son of Francis Morris and Harriet Hall (née Bedlow) Morris, in New York City.Anita died at the age of 91, on September 15, 1977, at her home in Newport, Rhode Island. Passage 7: Miguel I of Portugal Dom Miguel I (European Portuguese: [miˈɣɛl]; English: Michael I; 26 October 1802 – 14 November 1866), nicknamed "the Absolutist" (Portuguese: o Absolutista), "the Traditionalist" (o Tradicionalista) and "the Usurper" (o Usurpador), was the King of Portugal between 1828 and 1834, the seventh child and third son of King John VI and his queen, Carlota Joaquina of Spain. Following his exile as a result of his actions in support of absolutism in the April Revolt (Abrilada), Miguel returned to Portugal as regent and fiancé of his niece Queen Maria II. As regent, he claimed the Portuguese throne in his own right, since according to the so-called Fundamental Laws of the Kingdom his older brother Peter IV and therefore the latter's daughter had lost their rights from the moment that Pedro had made war on Portugal and become the sovereign of a foreign state (Brazilian Empire). This led to a difficult political situation, during which many people were killed, imprisoned, persecuted or sent into exile, and which culminated in the Portuguese Liberal Wars between authoritarian absolutists and progressive constitutionalists. In the end Miguel was forced out from the throne and lived the last 32 years of his life in exile. In order to counter the Republican opposition from the Portuguese Freemasons, the dynastic order known as Order of Saint Michael of the Wing was revived in 1848, with statutes issued by King Miguel I of Portugal. Early life Miguel Maria do Patrocinio de Bragança e Bourbon, the third (second surviving) son of King John VI and Carlota Joaquina, was born in the Queluz Royal Palace, Lisbon, and was created by his father Duke of Beja. Some sources have suggested that Miguel I could be the illegitimate son from an adulterous affair between his mother, Queen Carlota, and one of her alleged lovers, possibly D. Pedro José Joaquim Vito de Meneses Coutinho, Marquis of Marialva. Apparently sources close to King John VI confirmed as much by asserting that he had not had sexual relations with his wife for two and a half years prior to Miguel's birth (a period when his parents carried out a conjugal war, during which they were involved in permanent conspiracies, and only encountered each other in rare official circumstances). But despite the gossip, Miguel was always considered to be a son of the king, by the king, by his mother, by the rest of the family, by the court, and by the church. The "illegitimate child" theories may have had their origins in the writings of pro-liberal propagandists or royalists who wanted to denigrate the queen and undermine the claims of Miguel and of his descendants to the Portuguese throne. What is clear is that Miguel was the queen's favourite child. After the death of her firstborn, it was Miguel who received most of her attention, rather than Pedro, who was closer to his father.In 1807, at the age of 5, Miguel accompanied the Portuguese Royal Family on their transfer to Brazil in order to escape from the first Napoleonic invasion of Portugal; he returned in 1821 with John VI and his mother, while his brother Peter remained behind as regent of Brazil. Miguel was a mischievous child, sometimes seen in the miniature uniform of a general. At sixteen he was seen galloping around Mata-Cavalos, knocking off the hats of passers-by with his riding crop. He spent most of his time with a rowdy band of half-caste or Indian farm-hands. In general, Miguel was spoiled by the queen and her royal household, and clearly influenced by the base tendencies of others. The Duke of Palmela described him as: "A good man when among good men, and when among the bad, worse than they." Revolt Miguel was an avowed conservative and admirer of Prince Metternich, who had referred to the liberal revolutions in the 1820s as unrealistic and without any historical roots: "A people who can neither read nor write, whose last word is the dagger – fine material for constitutional principles!...The English constitution is the work of centuries....There is no universal recipe for constitutions."Miguel was 20 years old when he first challenged the liberal institutions established after the 1820 revolution, which may have been part of a wider strategy by the queen. He was at the head of the counter-revolution of 1823, known as the Vilafrancada, which erupted on May 27, 1823, in Vila Franca de Xira. Early in the day, Miguel joined the 23rd Infantry Regiment, commanded by Brigadier Ferreira Sampaio (later Viscount of Santa Mónica) in Vila Franca, where he declared his support for an absolutist monarchy. He immediately called on General Pampluna (later Marquis of Subserra) to join him and his cause. The general, not a fan of the liberal constitution, obeyed his summons and within five days he controlled the insurrectionary forces. The prince, supported by the queen, went so far as to demand the abdication of the king, who, faithful to his earlier oath, wanted to maintain the 1822 Constitution, despite the growing support for absolutist forces in Vila Franca.Miguel and the queen were interested in overthrowing the parliamentary system and, inspired by the return of the absolutist monarchy in Spain (where the Holy Alliance and French Army had intervened to destroy the liberal forces there) they exploited factionalism and plotted with outside reactionaries to overthrow the liberal Cortes. But General Pampluna was loyal to the king, and made it perfectly clear that he would do nothing to defy the monarch, and advised the prince to obey his father's summons. The king himself marched on Vila Franca where he received the submission of the troops and his son. But he also took advantage of the situation to abolish the 1822 Constitution and dismiss the Cortes. Many liberals went into exile. Although Miguel returned to Lisbon in triumph, the king was able to maintain complete control of power and did not succumb to the ultra-reactionary forces that supported his abdication. After the events of the Vilafrancada, Miguel was made Count of Samora Correia and appointed Commander-in-Chief of the Army. But the queen could not tolerate the king's continuing benevolence towards liberals and moderates, nor that he continued to be influenced by and to support ministers such as Palmela and Pamplona, who were more moderate in their outlook. The mysterious death of the Marquis de Loulé in Salvaterra on February 28, 1824, in which it was suspected that Miguel or his friends were involved, was a symptom of the instability of the period. Prince Miguel was always influenced by his mother; and two months later, on April 30, 1824, as Commander-in-Chief of the Army he gathered his troops and ordered them to arrest ministers and other important people under pretext that a masonic conspiracy to assassinate the king existed, and placed his father in protective custody and incommunicado at Bemposta, where Miguel could "defend and secure his life". The Abrilada, as this was to be known, worried many of the foreign powers. The foreign diplomatic corp (and in particular Marshal Beresford), realizing that the king was a prisoner of his son, traveled to Bemposta and was able to ferry the king away and on board a British warship, the Windsor Castle. On board, the king summoned his son, whom he dismissed as Commander-in-Chief of the Army, and immediately exiling him to Vienna, where he remained for over three years. Exile and return While in Vienna, he was a guest and friend of the Prince Metternich. Meanwhile, on March 10, 1826, his father, King John VI, died and his brother Peter, the heir-apparent to the throne, became king as Peter IV. Peter, however, was committed to continuing as Emperor of Brazil and therefore abdicated the crown of Portugal after two months (on May 2) in favor of his daughter, Maria II. Since the young sovereign was not yet of age, he instituted a regency, under his sister, Isabel Maria. Peter had already attempted to coerce Miguel to Brazil (1822) away from their mother without any success. Following the death of their father, Peter once again attempted to mend fences within the family and ensure Maria II's right to the throne by offering Miguel the regency of Portugal (when he became 25) under a new liberal Constitutional Charter that would re-establish a constitutional monarchy. Under this arrangement, Queen Maria II and Miguel would be married when she came of age; until then Miguel would be her regent in Portugal. The new Constitutional Charter gave the crown moderating authority between the legislative, executive and judiciary, and introduced a 100-member Chamber of Peers (which included aristocrats and bishops and archbishops), a royal veto and indirect elections. Miguel accepted the proposal from his brother, swore to uphold the Constitutional Charter and, since the young Queen was only nine years old, waited until she would reach the age of marriage. The regency under Isabel Maria was extremely unstable; discord reigned in the government, there were divisions within the municipal councils, rivalries between ministers and at one point, after the resignation of General Saldanha, a revolt in Lisbon. With Isabel Maria dangerously ill, Peter resolved to entrust his brother Miguel with the kingdom, which Miguel was only too eager to accept. A decree was promulgated on July 3, 1827, that granted Miguel his new role, and he departed from Vienna for Lisbon. On the trip back to Lisbon he stopped in England, arriving on December 30, 1827. He was met by the Duke of Clarence, heir-presumptive to the British throne, and by other upper members of the English Court who had gathered at the dock to meet him. Arthur Wellesley, 1st Duke of Wellington, then leading an unpopular Tory government, hoped that they could mold Miguel into accepting the constitutional framework that Peter IV had devised, and used this visit to facilitate the transition. After lunching at the Hospital Governor's home, he traveled to London with his entourage in regal carriages and, escorted by cavalry officers, to the Palace of Westminster where he was met by a throng of people. While in London he stayed at the palace of Lord Dudley, on Arlington Street where he entertained his new friends; he was received by the ministers, ambassadors and municipal officials of King George IV, and was generally feted by English nobility, attending concerts and pheasant hunts, and visiting public works (such as the Thames Tunnel which was then under construction and, ironically, collapsed after his visit). On New Year's Eve he visited the King at Windsor Castle and was honored with a magnificent banquet. Later at Rutland House, Miguel received members of the Portuguese diaspora living in England, who presented him with a commemorative medallion. Throughout his visit he was generally well received. Regent On January 13, 1828, Miguel departed London; after spending some time at Stratfield Saye, the country home of the Duke of Wellington, he travelled to Plymouth en route to Lisbon. Due to bad weather, he was only able to transfer to the Portuguese frigate Pérola on February 9, which arrived in England accompanied by two British ships. On January 22, the Gazeta de Lisboa (English: Lisbon Gazette) published an open letter from the Ministério da Justiça (English: Ministry of Justice) which permitted any general demonstrations of jubilation (unless otherwise prohibited by law). The prince's ship arrived in Lisbon on February 22 and was met by cannon salvos from ships along the Tagus River and from the hilltops, beginning at two in the afternoon. The river was filled with ships when the Pérola arrived. Although it was expected that the new regent would disembark at the Praça do Comércio, where a stage had been constructed, Miguel preferred to disembark in Belém. It is believed that Miguel's mother had sent a boatman to pick up the prince and with a message to see her upon arriving in Lisbon, in order to tell her where his loyalties lay. On shore the local population acclaimed their regent with cheers, while bells rang from some church towers and cheerful hymns were sung in the streets. There was a triumphal march to the Ajuda Palace, along streets adorned with silk banners, while the ladies of the city threw flowers. Everywhere there was a multitude of citizenry yelling "Viva o Senhor D. Miguel I nosso rei absoluto" (English: Long live the Lord D. Miguel, our Absolute King), while some interjecting cries of "death to D. Pedro" and "death to the liberal constitution".But Miguel's role was clearly delineated by his first night in Lisbon: he would govern as regent in the name of the rightful sovereign of Portugal, Queen Maria II. On her reaching marriageable age, Miguel would be her consort. Furthermore, Miguel was obliged to govern in conformity with Peter's Constitutional Charter, something he accepted as a condition of the regency (even if he did not agree with its principles and favoured an absolute monarchy instead).On February 26, in the main hall of the Ajuda Palace in the presence of both Chambers of the Cortes, the Royal Court and the diplomatic corp, as well as some of the Prince's colleagues from Brazil (carefully orchestrated by the Queen Dowager), the investiture began. At one o'clock Miguel, along with his sister, Isabel Maria, entered the chamber to formally hand over the Regency. After the spectacle of both of them in the same chair, the princess delivered the transitional oath and then left gracefully. Miguel was presented with the written oath to defend the Constitutional Charter along with a Bible, which caused him "...confusion and [he] seemed unable or unwilling to read it." It is also unclear whether he actually swore the oath, since there was no distinct enunciation of the words; nor did any one actually see him kiss the missal (since the Duke of Cadaval obscured the prince during this part of the ceremony). Lord Carnarvon, in Lisbon at the time of the ceremony, wrote of the conclusion of the scene: "During the whole proceeding...his countenance was overcast, and he had the constrained manner of a most unwilling actor in an embarrassing part. I read the approaching fate of the Constitution in his sullen expression, in the imperfect manner in which the oath was administered, and in the strange and general appearance of hurry and concealment."On March 1 some citizens of Lisbon gathered at the palace to acclaim Miguel "Absolute King", infuriating many of the liberal politicians and residents. Invested in his new title of regent, he presented his Ministers of State in the evening: Nuno III Álvares Pereira de Melo (Duke of Cadaval), José António de Oliveira Leite de Barros (later Count of Basto), Furtado do Rio de Mendonça (7th Viscount of Barbacena & 2nd Count of Barbacena), José Luis de Sousa Botelho Mourão e Vasconcelos (Count of Vila Real) and the Count of Lousã. Within a week numerous moderate army officers had been dismissed and the military governors of the provinces replaced, as the Prince and Queen Dowager "cleaned house" of their old enemies and liberalist sympathizers. King of Portugal On March 13, 1828, Miguel dissolved the Cortes without calling new elections, as stipulated in the Constitutional Charter. Some municipal councils, many nobles and clergy, and several important citizens requested that the regent revoke the Constitutional Charter and reign as king. Blood was first spilled by the liberals, when delegates from the University of Coimbra (who ostensibly traveled to Lisbon to present their compliments to Miguel) were murdered on March 18 by hot-headed Coimbran students. On April 25, the senate (of the university), issued a proclamation in which they requested that Miguel assume the throne. This only fueled the divisions between liberals and absolutists. Because of the independence of Brazil, Miguel's supporters considered Miguel to be the legitimate heir to the crown of Portugal. If, to liberals, the name of Miguel was despised, to the legitimists (the absolutists) it was venerated. But Miguel's reign was immediately marked by cruel, almost tyrannical, governance which some attribute to him personally; however some blame the injustices on his subordinates, while others attribute them to the malevolence of Queen Charlotte. On May 3, 1828, the very nobles who had been nominated by Peter to the new Chamber of Peers met in the Palace of the Duke of Lafões, and invited Miguel to convoke a new cortes consisting of the Three Estates with a view to deciding the legitimate succession to the throne. Such a cortes met in June at Ajuda, where the Bishop of Viseu proposed that Miguel should assume the crown since "...the hand of the Almighty led Your Majesty from the banks of the Danube to the shore of the Tagus to save his people...". On July 7 Miguel was acclaimed as absolute ruler, and on July 15 the Three Estate Cortes closed. Shortly afterwards the military garrison in Oporto revolted, formed a provisional governmental junta, and marched on Coimbra to defend the liberal cause. But the general in command of these troops was indecisive, and Miguel was able to raise his own troops, create a battalion of volunteers and blockade Oporto. In Lagos a similar revolt was attempted, but immediately quashed when the liberal General Saraiva was shot by the Miguelist General Póvoas. On this occasion, João Carlos Saldanha (later Duke of Saldanha) and Pedro de Sousa Holstein (later 1st Duke of Palmela), who had arrived from England on board the British ship Belfast in order to lead constitutional forces, quickly re-embarked, judging the liberal cause lost. The liberal army escaped to deplorable conditions in Galicia where they awaited the next move. In the former regency's court there were few strong supporters of a constitutional monarchy; Princess Isabella Maria was supported by weak-willed ministers or incompetents and was personally too timid to stand up to Miguel. The liberals and their supporters escaped into exile. All of Portugal recognized the sovereignty of the monarch, except the islands of Madeira and Terceira; Madeira was easily subjugated, but Terceira remained faithful to the liberal cause. The excess zeal of his supporters to prosecute the liberals would blacken the reputation of Miguel's regime. During the liberal insurrection on March 6, 1829, in Cais do Sodré, Brigadier Moreira, his officers and their supporters were all bayoneted. On May 7, the members of the rebel garrison of Oporto who had revolted were also executed. In some cases, the local population contributed to these horrors and reprisals, as in Vila Franca da Xira where they assassinated 70 people believed to have liberal sympathies. Although these actions were disapproved of by many of Miguel's ministers, the Count of Basto was not one of them. Even the Viscount of Queluz, a medic and intimate friend of the Miguel, was exiled to Alfeite for joining the chorus of those who challenged the reprisal killings. But the Queen Mother continued to support the attacks on liberals, and motivated these actions in order to strengthen the monarchy. Even after she died on January 7, 1830, many atrocities continued to be committed in the name of Miguel, some against foreign nationals who intervened in the politics of Portugal. While Spain, The Holy See, and the United States recognized Miguel as king, in England and France there was little public support for the regime. The imprudence that the Miguelist government showed in harassing English and French foreign nationals provoked them to protest. Eventually Admiral Albin Roussin, was ordered by Louis Philippe I (who, like England, could not obtain any diplomatic satisfaction), to take action; he sailed up the Tagus, captured eight Portuguese ships and forcibly imposed a treaty (July 14, 1831). But, Miguelist reprisals on liberals continued; most sentences were carried out within 24 hours. The 4th Infantry, in Lisbon, registered 29 executions on August 22 and 23, 1831, alone. Liberal Wars Only the island of Terceira in the Azores remained loyal to Queen Maria II; the constitutional government continued to function there in exile. At first João Carlos Saldanha was unable to reach the island, owing to the hostility of an English cruiser, but the Count of Vila Flor (later Duke of Terceira) was more successful; he arrived on the island, rebuilt the defences and quickly beat back Miguel's forces (on August 11, 1829) as they were attempting to invade the island. By 1831 the liberals had taken over all the islands of the Azores. Peter, after abdicating the imperial crown of Brazil, placed himself at the head of the Liberal Army (1831) and from the Azores launched an invasion of northern Portugal, Landing at Mindelo, near Oporto which he quickly occupied. But Miguel's army was formidable, composed of the best troops, with dedicated volunteers and enthusiastic militiamen (although not, perhaps, the best senior officers). They easily encircled the city and lay siege to it. As the defense of Oporto persisted, Miguel resolved to visit his troops in April 1833. But in the meantime Lisbon fell into the hands of the Duke of Terceira, who had left Oporto earlier in the Liberal fleet commanded by Charles John Napier, disembarked in the Algarve and marched across the Alentejo to defeat the Miguelist General Teles Jordão (seizing the city on July 24). Napier, after defeating a Miguelist fleet off Cape St. Vincent, joined the Duke of Terceira in the north, taking control of the Tagus. Miguel was assisted by the French General Bourmont, who, after the fall of Charles X of France came with many of his legitimist officers to the aid of the king of Portugal (that is, Miguel). He was later replaced by the Scottish General Ranald MacDonnell who withdrew the Miguelist army besieging Lisbond to the almost impregnable heights of Santarém, where Miguel established his base of operations. The battles continued in earnest. In Alcácer the Miguelist forces captured some ground but this was quickly lost to General Saldanha in Pernes and Almoster. The latter action (February 18, 1834) was the most violent and bloody of the civil war. In the end, politics sealed Miguel's fate: his alliance with Carlos of Spain alienated the sympathies of Ferdinand VII of Spain, who recognized Maria's claim to the Portuguese throne, and concluded a quadruple alliance with the queen and Peter as well as with the governments of France and England. The Spanish General Rodil entered into Portugal while pursuing D. Carlos and his small force and at the same time the Duke of Terceira won the Battle of Asseiceira (16 May 1834) making D. Miguel's position critical. Miguel escaped Santarém and moved south-east in the direction of Elvas. While Miguel made for Évora, his generals voted in a council of war to suspend hostilities and sue for peace. Miguel accepted the decision.After a three-year civil war, Miguel I was forced to abdicate at the Concession of Evoramonte (26 May 1834). While Carlos was transported to England (he later secretly returned to Spain), Miguel embarked on 1 June 1834 on a British warship from Sines bound for Genoa; he lived in exile first in Italy, then in England, and finally in Germany. He never returned to Portugal. Second exile and death In December 1834 the Portuguese Cortes banished Miguel and all his descendants from Portugal upon pain of immediate death. The Constitution of 1838 (article 98) categorically excluded the collateral Miguelist line from the throne (although with the return to the Constitutional Charter in 1842, this ceased to have force). The 1834 banishment law remained in effect until repealed in May 1950. During his exile, he was known as Duke of Braganza, as well as Marquis of Vila Viçosa, Count of Arraiolos, Count of Barcelos, Count of Neiva and Count of Ourém. On 15 January 1837 the Spanish Cortes, then in midst of the First Carlist War (1833–39), excluded Miguel from the Spanish succession, on the grounds that he was in rebellion along with his maternal uncle Carlos, the first Carlist pretender of Spain. Miguel's eldest sister Teresa, Princess of Beira, and his nephews (three sons of late Infanta Maria Francisca of Portugal, and Sebastian, son of Teresa, Princess of Beira) were also excluded. Miguel lived the rest of his life in exile and, removed from Portuguese politics, his character altered radically; in his later years he was a portly heavily bearded patriarch and lacked the cowboy persona of his early life. He refused to accede to the terms of the Concession of Evoramonte and thereby forfeited his generous pension from the Portuguese government. He lived for a time as a destitute refugee in Rome, in apartments provided by Pope Gregory XVI, who also gave him a small monthly allowance. Following the death of Pope Gregory and the election of Pius IX as Pope, D. Miguel moved to London, arriving on 2 February 1847. In 1851, he moved to the Grand Duchy of Baden in southern Germany and married Princess Adelaide of Löwenstein. They settled in the former Cistercian monastery of Bronnbach, and raised seven children. His widow succeeded in securing advantageous marriages for all their daughters. Miguel died while hunting at Bronnbach, Grand Duchy of Baden on 14 November 1866. He was buried in his wife's family's vault in the Franciscan monastery of Engelberg at Grossheubach, Bavaria. In 1967 his body and that of his wife (then resting in Ryde on the Isle of Wight in England) were transferred to the Braganza pantheon in the old Monastery of São Vicente de Fora in Lisbon. Titles and honours In addition to his hereditary titles, over the course of his career Miguel received many awards and honors, including the following. Portuguese honoursGrand Commander of the Three Military Orders of Christ, Aviz and St. James Grand Cross of the Tower and Sword Grand Cross of the Immaculate Conception of Vila Viçosa Grand Master of the Order of St. Michael of the Wing (revoked) Grand Prior of the Order of St. John of Jerusalem in PortugalForeign dynastic orders Posthumously, or during his reign, Miguel was known by various epithets: O Tradicionalista ("The Traditionalist") O Usurpador ("The Usurper") O Absolutista ("The Absolutist") O Sacrificado ("The Sacrificed") O Rei Absoluto ("The Absolute King") Marriage and descendants In 1851, at the age of 48, he married Princess Adelaide of Löwenstein, by whom he had a son and six daughters. Ancestry Patrilineal descent Passage 8: Philip, Prince of Portugal Filipe (25 March 1533 – 29 April 1539), was the Hereditary Prince of Portugal from 1537 to his death in 1539. He was the sixth child and third son of king John III of Portugal and Catherine of Austria. In 1537, he succeeded his brother Prince Manuel as Prince of Portugal, after his premature death. After Philip's own premature death, two years later, after reaching six years old, his younger brother Infante João Manuel became the next Prince of Portugal. Ancestry Passage 9: Adelaide of Löwenstein-Wertheim-Rosenberg Princess Adelaide of Löwenstein-Wertheim-Rosenberg (3 April 1831 – 16 December 1909) was the wife of Miguel de Bragança, the former occupant of the Portuguese throne but only following his deposition. As a widow, she secured advantageous marriages for their six daughters. Family Princess Adelaide Sofia Amelia of Löwenstein-Wertheim-Rosenberg was born in Kleinheubach, near Miltenberg, Bavaria, on 3 April 1831, Easter Sunday. She was a daughter of Constantine, Hereditary Prince of Löwenstein (1802–1838), and Princess Agnes of Hohenlohe-Langenburg. Adelaide was four and a half years old when her mother died and seven when she also lost her father. Adelaide and her brother, Charles, were brought up by their paternal grandparents, Charles Thomas, Prince of Löwenstein (1783–1849) and his wife Princess Sophie Luise of Windisch-Graetz (1784–1848). Her maternal grandparents were Karl Ludwig, Prince of Hohenlohe-Langenburg and Countess Amalie Henriette of Solms-Baruth. Princess Adelaide belonged to the House of Löwenstein-Wertheim-Rosenberg, an originally morganatic branch of the House of Wittelsbach that was eventually elevated to princely status and then mediatised in 1819. Marriage On 24 September 1851, Adelaide married Miguel de Bragança, the former occupant of the Portuguese throne. The bride was 20 years old while the groom was almost 49. Miguel had at first served as Regent in Portugal for his niece and betrothed Queen Maria II of Portugal but had seized the throne for himself on 23 June 1828. He was an avid conservative and admirer of Klemens Wenzel von Metternich. He overturned the Constitutional Charter written by his brother, Pedro I of Brazil, and tried to rule as an absolute monarch. This resulted in the so-called Liberal Wars (1828–1834), a prolonged civil war between progressive constitutionalists and authoritarian absolutists. The war ended in 1834 with the deposition of Miguel. He renounced all claims to the throne of Portugal in exchange for an annual pension. (Since he reneged on the terms of his deposition, he never collected the pension.) He was forced into a lifelong exile. He remained the senior male member of the Portuguese line of the House of Braganza. However, he was never restored to the throne and it is disputed whether his descendants' dynastic rights were restored. On 15 January 1837, his support of Infante Carlos, Count of Molina, the first Carlist pretender to the Spanish throne, resulted in the removal of his rights to the said throne. Children Ancestry Matchmaker and later life Her husband, Miguel, died on 14 November 1866 before any of their children had reached adulthood. Adelaide, who was a very ambitious woman, would spend the next several decades attempting to secure prominent marriages for her children. As a result of her largely successful attempts, her grandchildren would include (among others) Duarte Nuno, Duke of Braganza, Elisabeth Amalia, Princess of Liechtenstein, Elisabeth, Queen of the Belgians, Marie Gabrielle, Crown Princess of Bavaria, Marie-Adélaïde, Grand Duchess of Luxembourg, Charlotte, Grand Duchess of Luxembourg, Antoinette, Crown Princess of Bavaria, Xavier, Duke of Parma, Zita, Empress of Austria, Felix of Bourbon-Parma and Infanta Maria Adelaide of Portugal. Many of her descendants have inherited her longevity. In 1895, two years after the marriage of her last daughter, Adelaide, a devout Catholic, retired to the abbey of Sainte-Cécile de Solesmes in north-western France. She professed as a nun there on 12 June 1897. The community later moved to Cowes and then to Ryde on the Isle of Wight, where Adelhaid died on 16 December 1909 at the age of 78. In 1967 both her body and that of her husband were moved to the Braganza mausoleum in the Monastery of São Vicente de Fora in Lisbon. During her life, she lived during the reign of 6 Portuguese kings: her future husband Miguel I until 1834; her niece Maria II until 1853 (from 1837 along with her consort Fernando II); her grandnephews Pedro V until 1861 and Luís I until 1889; her great-grandnephew Carlos I until 1908 and her great-great-grandnephew Manuel II from 1908. Sources External links Marek, Miroslav. "A listing of descendants of the Löwenstein-Wertheim-Rochefort family". Genealogy.EU. Passage 10: Afonso, Prince of Portugal (1526) Afonso, Hereditary Prince of Portugal was the first son of king John III of Portugal and his queen, Catherine of Austria. He was the Prince of Portugal but died in the same year he was born, in 1526.

doc_70

Passage 1: Melis Abzalov Melis Abzalov (Uzbek: Melis Abzalov, Мелис Абзалов; Russian: Мелис Абзалов; November 18, 1938 – October 26, 2016) was an Uzbek actor, film director, screenwriter, and film producer. His most famous films include Suyunchi (1982), Kelinlar qoʻzgʻoloni (1984), Armon (1986), and Oʻtgan kunlar (1997). Abzalov is celebrated as one of the founders and prominent members of the Uzbek film making industry. During his lifetime, he received many honorary titles and awards, including the title Meritorious Artist of Uzbekistan (1987). Life and work Melis Oripovich Abzalov was born on November 18, 1938, in Yangiyul, then the Uzbek SSR. He graduated from the Ostrovsky Tashkent Theatre Arts Institute in 1961. A year later, in 1962, he started working at Uzbekfilm. He died on October 26, 2016, in Stockholm. Filmography As director Chinor tagidagi duel (Russian: Дуэль под чинарой) (The Duel under a Plane Tree) (1979) Suyunchi (Russian: Бабушка-генерал) (1982) Kelinlar qoʻzgʻoloni (Russian: Бунт невесток) (The Rebellion of the Brides) (1985) Armon (Russian: Уходя, остаются) (Sorrow) (1986) Maysaraning ishi (Russian: Восточная плутовка) (The Case of Maysara) (1989) Oʻtgan kunlar (Russian: Минувшие дни) (Days Gone By) (1997) Chimildiq (1999) Meshpolvon (2000) Baribir hayot goʻzal (Russian: Жизнь прекрасна или киллер поневоле) (After All, Life is Good) (2004) Sirli sirtmoq (The Secret Trap) (2008) Taʼziyadagi toʻy (Russian: Свадьба на поминках) (The Wedding at a Funeral) (2010) As actor Laylak keldi, yoz boʻldi (Russian: Белые, белые аисты) (White Storks) (1966) (not credited) Влюбленные (The Lovers) (1969) Седьмая пуля (The Seventh Bullet) (1972) Встречи и расставания (Meetings and Partings) (1973) Поклонник (The Worshiper) (1973) Ты, песня моя (You, My Song) (1975) Inson qushlar ortidan boradi (Russian: Человек уходит за птицами) (Man is after the Birds) (1975) Далекие близкие годы (Far, Near Years) (1976) Птицы наших надежд (The Birds of Our Hopes) (1976) Седьмой джинн (The Seventh Genie) (1976) Буйный «Лебедь» (The Wild "Swan") (1977) Qoʻqon voqeasi (Russian: Это было в Коканде) (This Happened in Kokand) (1977) Olovli yoʻllar (Russian: Огненные дороги) (The Fiery Roads) (1978) (series) Любовь моя — революция (My Love — Revolution) (1981) Встреча у высоких снегов (The Meeting at High Snow Mountains) (1982) Новые приключения Акмаля (The New Adventures of Akmal) (1983) (not credited) Уроки на завтра (Lessons for Tomorrow) (1983) Прощай, зелень лета... (Good-Bye, Summer) (1985) (not credited) Я тебя помню (I Remember You) (1985) Armon (Russian: Уходя, остаются) (Sorrow) (1986) Kлиника (The Clinic) (1987) Приключения Арслана (The Adventures of Arslan) (1988) Чудовище или кто-то другой (A Monster or Somebody Else) (1988) Maysaraning ishi (Russian: Восточная плутовка) (The Case of Maysara) (1989) Кодекс молчания (The Code of Silence) (1989) Шок (Shock) (1989) La Batalla de los Tres Reyes (Russian: Битва трех королей) (Battle of the Three Kings) (1990) Tangalik bolalar (Russian: Мальчики из Танги) (1990) (not credited) Ангел в огне (The Angel on Fire) (1992) Маклер (The Broker) (1992) Shaytanat (Russian: Шайтанат — царство бесов) (1998) Alpomish (Russian: Алпомыш) (2000) Дронго (The Drongo) (2002) Синедиктум (Cinedictum) (2002) Devona (Russian: Влюбленный) (2004) Baribir hayot goʻzal (Russian: Жизнь прекрасна или киллер поневоле) (After All, Life is Good) (2004) Vatan (Fatherland) (2006) Ходжа Насреддин: Игра начинается (Hodja Nasreddin: The Game Starts) (2006) Застава (The Outpost) (2007) (TV series) Tilla buva (Russian: Золотой дедушка) (Golden Grandpa) (2011) As screenwriter Oʻtgan kunlar (Russian: Минувшие дни) (Days Gone By) (1997) Awards Abzalov is celebrated as one of the founders of the Uzbek film making industry. He received many honorary titles and awards throughout his career, including the title Meritorious Artist of Uzbekistan (1987). In 2008, he received a Shuhrat Order. Passage 2: Pham Viet Anh Khoa Phạm Việt Anh Khoa (born May 11, 1981) is a Vietnamese movie producer, entrepreneur and founder of Saiga Films, notable by some of Victor Vu films including Inferno (2010), Battle of the Brides (2011), Blood letter (2012), Scandal (2012) và Battle of the Brides 2 Filmography Inferno – Giao Lo Dinh Menh (2010) Battle of the Brides (2011) Blood letter (2012) Scandal (2012) Battle of the Brides 2 (2013) The Mask (2016) Passage 3: Gaius Suetonius Paulinus Gaius Suetonius Paulinus (fl. AD 40–69) was a Roman general best known as the commander who defeated the rebellion of Boudica. Early life Little is known of Suetonius' family, but it likely came from Pisaurum (modern Pesaro), a town on the Adriatic coast of Italy. He is not known to be related to the biographer Suetonius. Mauretanian campaign Having served as praetor in 40 AD, Suetonius was appointed governor of Mauretania the following year. In collaboration with Gnaeus Hosidius Geta, he suppressed the revolt led by Aedemon in the mountainous province that arose from the execution of the local ruler by Caligula. In 41 AD Suetonius was the first Roman commander to lead troops across the Atlas Mountains, and Pliny the Elder quotes his description of the area in his Natural History. Governor of Britain In 58, before being consul, he was appointed governor of Britain, replacing Quintus Veranius, who had died in office. He continued Veranius's policy of aggressively subduing the tribes of modern Wales, and was successful for his first two years in the post. His reputation as a general came to rival that of Gnaeus Domitius Corbulo. Two future governors served under him: Quintus Petillius Cerialis as legate of Legio IX Hispana, and Gnaeus Julius Agricola as a military tribune attached to II Augusta, but seconded to Suetonius's staff. In 60 or 61 Suetonius made an assault on the island of Mona (Anglesey), a refuge for British fugitives and a stronghold of the druids. The tribes of the south-east took advantage of his absence and staged a revolt, led by queen Boudica of the Iceni. The colonia of Camulodunum (Colchester) was destroyed, its inhabitants tortured, raped, and slaughtered, and Petillius Cerialis's legion routed. Suetonius brought Mona to terms and marched along the Roman road of Watling Street to Londinium (London), the rebels' next target, but judged he did not have the numbers to defend the city and ordered it evacuated. The Britons duly destroyed it, the citizens of Londinium suffering the same fate as those of Camulodunum, and then did the same to Verulamium (St Albans).Suetonius regrouped with the XIV Gemina, some detachments of the XX Valeria Victrix, and all available auxiliaries. The II Augusta, based at Exeter, was available, but its prefect, Poenius Postumus, declined to heed the call. Nonetheless, Suetonius was able to assemble a force of about ten thousand men. Heavily outnumbered (the Britons numbered 230,000 according to Cassius Dio), the Romans stood their ground. The resulting battle took place at an unidentified location in a defile with a wood behind him, probably in the West Midlands somewhere along Watling Street – at Cuttle Mill, 2 miles southeast of Towcester in Northamptonshire, in front of a narrow defile which answers the topographical description of Tacitus, human bones have been found over a large area; High Cross in Leicestershire and Manduessedum near the modern day town of Atherstone in Warwickshire have also been suggested - where Roman tactics and discipline triumphed over British numbers. The Britons' flight was impeded by the presence of their own families, whom they had stationed in a ring of wagons at the edge of the battlefield, and defeat turned into slaughter. Tacitus heard reports that almost eighty thousand Britons were killed, compared to only four hundred Romans. Boudica poisoned herself, and Postumus, having denied his men a share in the victory, fell on his sword.Suetonius reinforced his army with legionaries and auxiliaries from Germania and conducted punitive operations against any remaining pockets of resistance, but this proved counterproductive. The new procurator, Gaius Julius Alpinus Classicianus, expressed concern to the Emperor Nero that Suetonius's activities would only lead to continued hostilities. An inquiry was set up under Nero's freedman, Polyclitus, and an excuse, that Suetonius had lost some ships, was found to relieve him of his command. He was replaced by the more conciliatory Publius Petronius Turpilianus. But Suetonius was not disgraced: a lead tessera found in Rome features both his and Nero's names and symbols of victory, and a man named Gaius Suetonius Paulinus was consul in 66, either a son of the same name or the general himself appointed for a second time. Year of Four Emperors In 69, during the year of civil wars that followed the death of Nero (see Year of Four Emperors), he was one of Otho's senior generals and military advisors. He and Aulus Marius Celsus defeated Aulus Caecina Alienus, one of Vitellius's generals, near Cremona, but Suetonius would not allow his men to follow up their advantage and was accused of treachery as a result. When Caecina joined his forces with those of Fabius Valens, Suetonius advised Otho not to risk a battle but was overruled, leading to Otho's decisive defeat at Bedriacum. Suetonius was captured by Vitellius and obtained a pardon by claiming that he had deliberately lost the battle for Otho, although this was almost certainly untrue. His eventual fate remains unknown. Notes Passage 4: The Rebellion of the Brides The Rebellion of the Brides (Uzbek: Келинлар қўзғолони, romanized: Kelinlar qoʻzgʻoloni; Russian: Бунт невесток) is a 1984 Uzbek comedy film based on an eponymous play by the Uzbek writer Said Ahmad and directed by Melis Abzalov. Kelinlar qoʻzgvoloni is one of the most critically acclaimed Uzbek films of the Soviet period. Like Melis Abzalov's previous film Suyunchi, Kelinlar qoʻzgʻoloni tells the story of an authoritative grandmother. Plot Farmon bibi (played by Tursunoy Jaʼfarova) is a wise and loving, but strict mother who lives with the families of her seven sons in one house. Nigora, the wife of her youngest son, rebels against Farmon Bibi and the other wives sympathize with her. In one scene, the mother and her daughters-in-law go to the bazaar. Toward the end of the film, Farmon bibi changes her attitude and gives in to the demands of her daughters-in-law. Passage 5: Le Masque de la Méduse Le masque de la Méduse (English: The Mask of Medusa) is a 2009 fantasy horror film directed by Jean Rollin. The film is a modern-day telling of the Greek mythological tale of the Gorgon and was inspired by the 1964 classic Hammer Horror film of the same name and the 1981 cult classic Clash of the Titans. It was Rollin's final film, as the director died in 2010. Cast Simone Rollin as la Méduse Sabine Lenoël as Euryale Marlène Delcambre as Sthéno Juliette Moreau as Juliette Delphine Montoban as Cornelius Jean-Pierre Bouyxou as le gardien Bernard Charnacé as le collectionneur Agnès Pierron as la colleuse d'affiche au Grand-Guignol Gabrielle Rollin as la petite contrebassiste Jean Rollin as l'homme qui enterre la tête Thomas Smith as Thomas Production It was thought that Rollin's 2007 film La nuit des horloges was the final film of his career, as he had mentioned in the past. However, in 2009, Rollin began preparation foe Le masque de la Méduse. Rollin originally directed the film as a one-hour short, which was screened at the Cinémathèque de Toulouse, but after the release, Rollin decided to add 20 minutes of additional scenes and then cut the film into two distinct parts, as he did with his first feature, Le Viol du Vampire. The film was shot on location at the Golden Gate Aquarium and Père Lachaise Cemetery, as well as on stage at the Theatre du Grande Guignol, which is where the longest part of the film takes place. It was shot on HD video on a low budget of €150,000. Before the release, it was transferred to 35mm film. Release The film was not released theatrically, although it premiered on 19 November 2009 at the 11th edition of the Extreme Cinema Film Festival at the Cinémathèque de Toulouse. As part of "An Evening with Jean Rollin", it was shown as a double feature with Rollin's 2007 film La nuit des horloges. Home media No official DVD was released, although for a limited time, a DVD of La masque de la Méduse was included with the first 150 copies of Rollin's book Jean Rollin: Écrits complets Volume 1. Passage 6: Charles Canning, 1st Earl Canning Charles Canning, 1st Earl Canning, (14 December 1812 – 17 June 1862), also known as The Viscount Canning and Clemency Canning, was a British statesman and Governor-General of India during the Indian Rebellion of 1857 and the first Viceroy of India after the transfer of power from the East India Company to the Crown of Queen Victoria in 1858 after the rebellion was crushed.Canning is credited for ensuring that the administration and most departments of the government functioned normally during the rebellion and took major administrative decisions even during the peak of the Rebellion in 1857, including establishing the first three modern Universities in India, the University of Calcutta, University of Madras and University of Bombay based on Wood's despatch. Canning passed the Hindu Widows' Remarriage Act, 1856 which was drafted by his predecessor Lord Dalhousie before the rebellion. He also passed the General Service Enlistment Act of 1856.After the rebellion he presided over a smooth transfer and reorganisation of government from the East India company to the crown, the Indian Penal Code was drafted in 1860 based on the code drafted by Macaulay and came into force in 1862. Canning met the rebellion '"with firmness, confidence, magnanimity and calm" as per his biographer. Canning was very firm during the rebellion but after that he focused on reconciliation and reconstruction rather than retribution and issued a clemency proclamation. Background Born at Gloucester Lodge, Brompton, near London, Canning was the youngest child of George Canning and Joan, Viscountess Canning, daughter of Major-General John Scott, his father was Prime Minister for a few months in 1827. He was educated at Christ Church, Oxford, where he graduated B.A. in 1833, as first class in classics and second class in mathematics. Political career In 1836 he entered Parliament, being returned as member for the town of Warwick in the Conservative interest. He did not, however, sit long in the House of Commons; for, on the death of his mother in 1837, he succeeded to the peerage and entered the House of Lords. His first official appointment was that of Parliamentary Under-Secretary of State for Foreign Affairs, in the administration formed by Sir Robert Peel in 1841, his chief being the Earl of Aberdeen. This post he held till January 1846; and from January to July of that year, when the Peel administration was broken up, Lord Canning filled the post of First Commissioner of Woods and Forests. He served on the Royal Commission on the British Museum (1847–49). He declined to accept office under the Earl of Derby; but on the formation of the coalition ministry under the Earl of Aberdeen in January 1853, he received the appointment of Postmaster General. In this office, he showed not only a large capacity for hard work but also general administrative ability and much zeal for the improvement of the service. He retained his post under Lord Palmerston's ministry until July 1855, when, in consequence of the departure of Lord Dalhousie and a vacancy in the governor-generalship of India, he was selected by Lord Palmerston to succeed to that great position. This appointment appears to have been made rather on the ground of his father's great services than from any proof as yet given of special personal fitness on the part of Lord Canning. The new governor sailed from England in December 1855 and entered upon the duties of his office in India at the close of February 1856.According to the Encyclopædia Britannica of 1911, "In the year following his accession to office, the deep-seated discontent of the people broke out in the Indian Rebellion of 1857. Fears were entertained, and even the friends of the Governor-General to some extent shared them, that he was not equal to the crisis. But the fears proved groundless. He had a clear eye for the gravity of the situation, a calm judgment, and a prompt, swift hand to do what was really necessary. ... He carried the Indian empire safely through the stress of the storm, and, what was perhaps a harder task still, he dealt wisely with the enormous difficulties arising at the close of such a war. ... The name of Clemency Canning, which was applied to him during the heated animosities of the moment, has since become a title of honour." He was derisively called "Clemency" on account of a Resolution dated 31 July 1857, which distinguished between sepoys from regiments which had mutinied and killed their officers and European civilians, and those Indian soldiers who had disbanded and dispersed to their villages, without being involved in violence. While subsequently regarded as a humane and sensible measure, the Resolution made Canning unpopular at a time when British popular opinion favoured collective and indiscriminate reprisals. The Encyclopædia Britannica of 1911 continues, "While rebellion was raging in Oudh he issued a proclamation declaring the lands of the province forfeited, and this step gave rise to much angry controversy. A secret despatch, couched in arrogant and offensive terms, was addressed to Canning by Lord Ellenborough, then a member of the Derby administration, which would have justified the Governor-General in immediately resigning. But from a strong sense of duty, he continued at his post, and ere long the general condemnation of the despatch was so strong that the writer felt it necessary to retire from office. Lord Canning replied to the despatch, calmly and in a statesman-like manner explaining and vindicating his censured policy" and in 1858 he was rewarded by being made the first Viceroy of India. The Encyclopædia Britannica of 1911 adds, "In April 1859 he received the thanks of both Houses of Parliament for his great services during the rebellion. He was also made an extra civil grand cross of the Order of the Bath, and in May of the same year he was raised to the dignity of an Earl, as Earl Canning. ...By the strain of anxiety and hard work his health and strength were seriously impaired, while the death of his wife was also a great shock to him; in the hope that rest in his native land might restore him, he left India, reaching England in April 1862. But it was too late. He died in London on 17 June. About a month before his death he was created a Knight of the Garter. As he died without issue the titles became extinct."Prior to the rebellion, Canning and his wife, Charlotte, had desired to produce a photographic survey of Indian people, primarily for their own edification. This project was transformed into an official government study as a consequence of the rebellion, after which it was seen as useful documentation in the effort to learn more about native communities and thereby better understand them. It was eventually published as an eight-volume work, The People of India, between 1868 and 1875. Places named after Canning Canning Town in London Fort Canning Hill, a hill in Singapore, is named after Viscount Charles Canning, although many people mistakenly believe that it is named after his father, George Canning Canning Street in Kemptown, Brighton is named after Viscount Canning Cannington, a neighbourhood in Prayagraj (Allahabad), Uttar Pradesh, India, now known as Civil Lines Canning, South 24 Parganas in West Bengal, India University of Lucknow, India, was formerly named Canning College See also Charlotte Canning, Countess Canning Canning in West Bengal Passage 7: Sam Newfield Sam Newfield, born Samuel Neufeld (December 6, 1899 – November 10, 1964), also known as Sherman Scott or Peter Stewart, was an American B-movie director, one of the most prolific in American film history—he is credited with directing over 250 feature films in a career which began during the silent era and ended in 1958. In addition to his staggering feature output, he also directed one -and two-reel comedy shorts, training films, industrial films, TV episodes and pretty much anything anyone would pay him for. Because of this massive output—he would sometimes direct more than 20 films in a single year—he has been called the most prolific director of the sound era.Many of Newfield's films were made for PRC Pictures. This was a film production company headed by his brother Sigmund Neufeld. The films PRC produced were low-budget productions, the majority being westerns, with an occasional horror film or crime drama. Family and education Newfield completed one year of high school, according to the 1940 US census. Brother Morris Neufeld was a stage actor, according to the 1930 US census. Pseudonyms Sam Newfield was credited as Sherman Scott and Peter Stewart on a number of films he made for PRC. He used these names in order to hide the fact that one person was responsible for so many of PRC's films. Partial filmography Partial filmography is listed below for the different names he used. Film statistics Between 1923 and 1930 Newfield directed over 50 comedies. Feature films statistics per year, starting with 1933, are summarised in the following table. See also Fred Olen Ray, another B movie director who has used many of these pseudonyms Passage 8: Arizona Gang Busters Arizona Gang Busters is a 1940 American Western film directed by Sam Newfield and written by William Lively. The film stars Tim McCoy, Pauline Haddon, Lou Fulton, Forrest Taylor, Julian Rivero and Arno Frey. The film was released on September 16, 1940, by Producers Releasing Corporation. Premise A ring of saboteurs headed by Carl Schmidt is building an arsenal along the US-Mexican border. The US and Mexico send a team of agents to investigate, but when they arrive at the site of an arranged meeting, they discover the men they were to meet have been murdered—and they are arrested for the killings. Cast Tim McCoy as Trigger Tim Rand Pauline Haddon as Sue Lambert Lou Fulton as Sidekick Lanky Forrest Taylor as Ed Lambert Julian Rivero as Captain Rodriguez Arno Frey as Carl Schmidt Paul Ellis as Henchman Mario Kenne Duncan as Sheriff Dan Kirk Jack Rutherford as Thorpe Elizabeth LaMal as Mrs. Kirk Otto Reichow as Henry Hess Lita Cortez as Lola Passage 9: James Corcoran James Corcoran (c.1780 – 1804) was an Irish rebel leader who following the suppression of the United Irish insurrection of 1798, maintained a guerrilla resistance to the British Crown forces in counties Wexford and Kilkenny until his final defeat and death in 1804. Rebel activities Corcoran played an active part in the 1798 rebellion and led a party of rebels at the battle of New Ross. Following the collapse of the rebellion, he and a group of survivors established a base in Killaughrim Woods, north County Wexford from where they launched raids in the area and into County Carlow. In August 1801, an upsurge in Corcoran's activities saw him and his men being declared "dangerous in case of invasion" by Dublin Castle and consequently, a force of 200 soldiers was sent to find and destroy the group. However, they met with little success as the populace shielded them from the military. Corcoran's men were distinguished by their willingness to allow deserters from the military in their ranks and actively sought to subvert soldiers billeted among the populace or at least rob them of their arms. Their fearlessness was demonstrated in an incident near Mount Leinster in June 1802 when they turned to attack a number of pursuing Newtownbarry yeomen who were defeated and soon under pursuit themselves. The defeat of Robert Emmet's rising in July 1803, saw renewed British intent to wipe out all remaining rebel activity in Ireland and a new campaign was launched against Corcoran. This time account was taken of the fact that Corcoran's men enjoyed support from the population in areas where they operated and also that their permanent bases were in remote localities. Consequently, arrests and severe penalties were handed out to those suspected of harbouring rebels, and the building of military roads and barrack were planned to cover the area between Mount Leinster and the Blackstair mountains. Defeat and death The surrender of Michael Dwyer in December 1803 left Corcoran and his men as the only rebel faction still active in Ireland as 1804 began. The ongoing military offensive had by now forced Corcoran to relocate to south Kilkenny from where he continued operations and further incensed the government by targeting mail coaches. A reward of £500 was put on Corcoran's head and the pressure soon forced him to split his group into smaller factions and return to his old base at Killaughrim Woods outside Enniscorthy. The end finally came on 11 February 1804 when the reward offered prompted an informer to betray the location of Corcoran and his remaining few comrades who were surrounded by a party of yeomen at Killaughrim Woods. After fierce resistance all of the unit were killed or captured, Corcoran dying of his wounds shortly after the fighting. His body and that of his comrades were brought to Wexford where they were hung outside the town gaol and left on display for a time. Sources Ruan O'Donnell - "The Rebellion in Wicklow 1798" (1998) ISBN 0-7165-2659-X Ruan O'Donnell - "Aftermath: Post-Rebellion Insurgency in Wicklow, 1799-1803" (2000) ISBN 0-7165-2638-7 Passage 10: Gang Busters (serial) Gang Busters is a 1942 Universal movie serial based on the radio series Gang Busters. Plot The city is terrorized by a crime wave masterminded by the elusive, soft-spoken Professor Mortis (Ralph Morgan) from his base in a forgotten cavern beneath the rails of the city's subway line. He declares over the radio that The League of Murdered Men will exact revenge upon the city unless all the city officials, especially the mayor and Chief of Police, are turned out of office. Mortis's gang members were officially pronounced dead in prison after having supposedly committed suicide (in reality taking a drug that suspended animation) but later revived by medical genius Mortis, who recruited them to do his bidding. Police detective Bill Bannister (Kent Taylor), in charge of investigating the crime wave, is visited by his brother, a reformed criminal who will inform on Mortis. Mortis's men kill Bannister's brother before he talks, and Bannister vows to get Mortis. Together with his partner Tim Nolan (Robert Armstrong) and police chief Martin O'Brien (Joseph Crehan), Bannister uses the latest police methods to track down Mortis. Following the story are newspaper reporter Vicki Logan (Irene Hervey) and her photographer Happy Haskins (Richard Davies). Cast Starring: Kent Taylor as Det. Lt. Bill Bannister Irene Hervey as Vicki Logan, reporter Ralph Morgan as Professor Mortis Robert Armstrong as Det. Tim NolanFeaturing: Richard Davies as Happy Haskins, news photographer Joseph Crehan as Police Chief Martin O'Brien George Watts as Mayor Hansen Ralf Harolde as Chief Henchman Halliger William Haade as Henchman Mike Taboni John Gallaudet as Henchman Wilkerson George J. Lewis as Henchman Mason Victor Zimmerman as Henchman Bernard Johnnie Berkes as Newsboy–Henchman Grubb Edward Emerson as "Frenchy" LudocWith: Pat O'Malley as the Police Scientist Beatrice Roberts as the Chief's Secretary Riley Hill as Jim Bannister (Ch. 1) Grace Cunard as landlady (Ch. 1) Eddie Dean as Blair, ballistics expert (Chs. 1, 6) Eddie Foster as Henchman Jerry Rogan (Chs. 3–4) Stanley Price as Henchman Corky Watts (Chs. 4–5) Ethan Laidlaw as Ludoc's bartender (Chs. 5, 7–8) Mickey Simpson as Bruiser, Ludoc's bouncer (Ch. 7) Karl Hackett as Henry, crooked watchman (Chs. 7–8) Phil Warren as Henchman McKay (Chs. 8–9) Jack Mulhall as Chemist Richards (Chs. 9, 11) Jerry Jerome as Henchman Soupy Collins (Chs. 10–11) Paul McVey as Attorney J.B. "Harry" Malloy (Ch. 12) Dick Hogan as announcer during opening titles Production Gang Busters is one of Universal's most elaborate serials, with many chase and thrill scenes expertly staged in outdoor locations. The directors were Ray Taylor, veteran director responsible for many hit serials, and Noel M. Smith, former silent-screen director who specialized in fast action (Smith directed many of Larry Semon's stunt-filled comedies of the 1920s). Some of the footage in Gang Busters was so good that Universal often reused it in its later cliffhangers. Universal had been making adventure serials since the 1910s, and achieved major success with its Flash Gordon serials of the late 1930s. By the early 1940s, serials were usually shown to juvenile audiences at weekend matinees. Universal intended Gang Busters for adult audiences and possible weeknight showings, and staged the action as a straight crime drama. The studio introduced a new "Streamlined Serials" format to distinguish it from its previous chapter plays. Instead of beginning each chapter with a printed synopsis of the storyline, the new format had the action in each chapter starting immediately. The story characters were shown discussing the latest developments and recapping the story themselves. As a publicity gimmick, Universal hired its "serial queen" of the 1910s, former action star Grace Cunard, to work in Gang Busters. She appears only in the first chapter, as the landlady of a boarding house, but she received prominent billing in the promotional posters and advertising. Critical reception Gang Busters was very successful in its original release, and was re-released in 1949 by Film Classics, Inc. Authors Jim Harmon and Donald F. Glut described Gang Busters as a "well made and interesting serial.", and William C. Cline considered the serial one of Universal's best and that Professor Mortis is one of the best characters ever created for a serial. Chapter titles The League of Murdered Men The Death Plunge Murder Blockade Hangman's Noose Man Undercover Under Crumbling Walls The Water Trap Murder by Proxy Gang Bait Mob Vengeance Wanted at Headquarters The Long Chance Law and OrderSource: See also List of film serials by year List of film serials by studio

doc_71

Passage 1: Nancy Baron Nancy Baron is an American rock singer who was active in New York City in the early 1960s, known for the singles "Where Did My Jimmy Go?" and "I've Got A Feeling". Early life Born into a family of singers and writers, Baron was introduced to many musical genres by her family at an early age. Noting her singing talents, her parents brought their young child to auditions for musical theater productions in New York City. The singer joined Glee clubs at school and formed her own female singing groups at school. At the age of 11, she heard her first "Rock and Roll" song. This affected her taste in music and desire to emulate the style; it was the first time she heard a Rock group with a female lead singer. This was significant since she realized that she could be a lead singer. Recording career At the age of 15, her parents sent her for vocal coaching in Manhattan, N.Y. After a while her coach sent her to record a demonstration record in a sound studio near Broadway. Upon hearing her sing, the sound engineer contacted his friend who was a producer of a small record company in N.Y.C.; he was impressed by her voice and immediately signed her to a contract. The singer's mother co-signed the document since Baron was a fifteen-year-old minor at the time.Baron became one of the many girl group/girl sound singers of the early 1960s. Baron was not a member of a group; her producers would hire "pay for hire" backup groups for her recordings. This "sound" as it is referred to had much to do with Phil Spector, one of its major creators; Spector produced recordings of this genre prolifically. The groups were composed of young adult or teenage girls, each with a lead singer and any number of back up singers.At the time, the troubled label (a small N.Y.C. record company owned by Wally Zober) could not promote Baron's "I've Got A Feeling"/"Oh Yeah" 45 vinyl and so she eventually signed a contract with Jerry Goldstein producer of FGG productions, also located in Manhattan. "Where Did My Jimmy Go"/"Tra la la, I Love You" was the result (Diamond). Later life Baron left the music industry at the age of 19, choosing to enter higher education due to changes in the music industry of those days; she eventually received an advanced degree. Baron's "I've Got a Feeling" was covered by The Secret Sisters on their 2010 self-titled album as well as being released as a single. AllMusic describes Baron's song as "an early-'60s pop/rock obscurity". Passage 2: Elizabeth Brooke (1503–1560) Elizabeth Brooke, Lady Wyatt (1503–1560) was the wife of Sir Thomas Wyatt, the poet, and the mother of Thomas Wyatt the younger who led Wyatt's Rebellion against Mary I. Her parents were Thomas Brooke, 8th Baron Cobham and Dorothy Heydon, the daughter of Sir Henry Heydon. She was the sister of George Brooke, 9th Baron Cobham and was considered a possible candidate for the sixth wife of Henry VIII of England. Marriage and issue Elizabeth married twice. First Marriage In 1520, Elizabeth married Sir Thomas Wyatt (1503 – 6 October 1542) and a year later, bore him a son: Sir Thomas (1521–1554), who led an unsuccessful rebellion against Mary I in 1554. The aim of the rebellion was to replace the Catholic Queen Mary with her Protestant half-sister, Elizabeth.Early in the marriage, marital difficulties arose, with Wyatt claiming they were 'chiefly' her fault. He repudiated her as an adulteress, although there is no record linking her with any specific man. Elizabeth separated from Thomas Wyatt in 1526 and he supported her until around 1537, when he refused to do so any longer and sent her to live with her brother, Lord Cobham. In that same year, Lord Cobham attempted to force Wyatt to continue his financial support. He refused. It wasn't until 1541, when Wyatt, accused of treason, was arrested and his properties confiscated, that the Brooke family was able to force a reconciliation as a condition for Wyatt’s pardon.In a letter to Charles V, the imperial ambassador, Eustace Chapuys wrote that Wyatt had been released from the Tower at the request of Catherine Howard. Chapuys noted that the king had imposed two conditions; that Wyatt 'confess his guilt' and that 'he should take back his wife from whom he had been separated upwards of 15 years, on pain of death if he be untrue to her henceforth.' There is no evidence that this provision was ever enforced or existed. After pursuing Anne Boleyn, before her relationship with the King, Wyatt had begun a long-term affair with Elizabeth Darrell and he continued his association with his mistress.On 14 February 1542, the night after Catherine Howard had been condemned to death for adultery, Henry VIII held a dinner for many men and women. The king was said to have paid great attention to Elizabeth and to Anne Basset and both were thought to be possible choices for his sixth wife. In early 1542, more than a year before Wyatt’s death, Elizabeth Brooke's name appeared in Spanish dispatches as one of three ladies in whom Henry VIII was said to be interested as a possible sixth wife.The imperial ambassador, Chapuys, wrote that the lady for whom the king "showed the greatest regard was a sister of Lord Cobham, whom Wyatt, some time ago, divorced for adultery. She is a pretty young creature, with wit enough to do as badly as the others if she were to try." It would appear that the ambassador was mistaken, as at the time, Elizabeth Brooke was nearly forty years old. Perhaps Elizabeth Brooke had been confused with her beautiful young niece, Elisabeth Brooke, the eldest daughter of George Brooke, 9th Baron Cobham, who married William Parr, 1st Marquess of Northampton. Elisabeth Brooke, Lord Cobham’s daughter, may have been at court on this occasion, since she was definitely there the following year. She would have been nearly sixteen in January 1542 and in later years was accounted one of the most beautiful women of her time. More important to a king who had just rid himself of a wife (Catherine Howard) who had committed adultery, this second Elisabeth had a spotless reputation. Second marriage Following Wyatt’s death, Elizabeth Brooke married Sir Edward Warner (1511–1565), of Polstead Hall and Plumstead, Norfolk, Lord Lieutenant of the Tower. The couple had three sons: Edward, who died in infancy Thomas HenryWarner was removed from his position on July 28, 1553, at the start of the reign of Mary I, and was arrested on suspicion of treason the following January at his house in Carter Lane when Thomas Wyatt the younger rebelled against the Crown. Warner was held for nearly a year. Elizabeth’s son was executed. Edward, the son she had with Warner, died young. Two other sons died in infancy. The family fortunes were restored under Elizabeth I and Warner reclaimed his post at the Tower of London. His wife died there in August 1560 and was buried within its precincts. Ancestry Passage 3: Elizabeth Jocelin Elizabeth Brooke Jocelin (sometimes spelled "Joceline" or "Joscelin") was an English writer believed to have lived from 1595–1622. She is best known for her work The Mother's Legacy to her Vnborn Child. The book was first published two years after Jocelin's death in childbirth. Early life She was the daughter of Sir Richard Brooke of Norton, Cheshire, and his wife Joan, daughter of William Chaderton, bishop of Lincoln. Her parents separated, and her mother returned home. Jocelin's grandfather, Bishop Chaderton, was mainly responsible for her upbringing. Elizabeth's childhood was therefore passed in the house of Bishop Chaderton, who educated her. She was extremely well versed in art, religion and language. According to her editor Thomas Goad, she had an exceptional memory. Later life In 1616 she married Tourell Jocelin of Cambridgeshire. Foreboding her death in childbirth, she wrote a letter which gently but earnestly exhorted her son or daughter to piety and good conduct; and a letter to her husband, giving him advice as to the bringing up of the child. These works are thought to have been written at Crowlands, Oakington. She bore a daughter on 12 October 1622, and died nine days afterwards. The child, named Theodora, became the wife of Samuel Fortrey. The Jocelins appeared to lead a rather happy marriage, one that appeared to be mainly based on genuine love. In The Mother's Legacy to her Vnborn Child Jocelin writes of how excited she is to be carrying her husband's child and that they have been working together to plan the best possible life for their child Jocelin is noted for being "one of the most notable young women of the times of James I” The Legacie The Legacie was first published in 1624 with a long Approbation by Thomas Goad giving some account of Elizabeth Jocelin's life. The second edition is dated 1624 and the third 1625. An exact reprint of the third edition, with an introduction by an anonymous Edinburgh editor, appeared in 1852. The edition printed at Oxford, 'for the satisfaction of the person of quality herein concerned,' in 1684, and reprinted at the end of C. H. Cranford's Sermons in 1840, is an altered one, the editor having made changes in religious matters. The manuscript of the Legacie is in the British Museum (Addit. MS. 27467). It is still somewhat contentious whether the manuscript is by Jocelin, and whether Goad's editorial work brought in substantive change in the content.Jocelin wrote The Mother’s Legacy to her Vnborn Child during the Early Modern period when women were typically defined by their existence in the domestic sphere. Jocelin's work kept in line with the expectations of women during the period because of her clear dedication to her position as a mother. One of the idiosyncratic things about the mother's advice text is Jocelin's choice of tone and word use to insure that whether her child is a boy or a girl he or she will be able to follow the advice she leaves behind. There are clearly different expectations and techniques to raising a son or daughter and Jocelin makes sure to acknowledge these differences while leaving advice for both. For example, she addresses her daughter to respect, obey and be a good mother. Jocelin writes about her desire to protect her daughter “from a potentially difficult and uncomfortable way of life.” Jocelin has been criticised for her different approaches to raising her child based on its gender. Much like women of her time Jocelin desired for her daughter to be acceptable to society even if it meant limiting her intelligence or unhappiness. One of the largest parts of The Mother’s Legacy to her Vnborn Child is the religious advice that Jocelin offers to her unborn child. She urges the child to pray regularly, avoid temptations, acknowledge holy days and be charitable. The tone of the book is one filled with optimism and pride over becoming a new mother. Jocelin is clearly excited about meeting her child even though she seems to understand that birthing the child will be a great risk to herself. Much of the books instruction is directed toward Jocelin's husband including how to properly select a wet nurse for their child if Elizabeth should die. Excerpts from The Mother's Legacy to her Vnborn Child: “I desire her bringing up may bee learning the Bible, as my sisters doe, good housewifery, writing, and good works: other learning a woman needs not; though I admire it in those whom God hath blest with descretion, yet I desired not much in my owne, having seene that sometimes women have greater portions of learning than wisdome, which is of no better use to them than a main saile to a flye-boat, which runs it under water. But where learning and wisdom meet in a vertuous disposed woman she is the fittest closet for all goodnesse. She is like a well-balanced ship that may beare all her saile. She is, Indeed, I should but shame my selfe, if I should goe about to praise her more...Yet I leave it to thy will...If thou desirest a learned daughter, I pray God give her a wise and religious heart, that she may use it to his glory, thy comfort, and her own salvation.” “And if thou beest a daughter, thou maist perhaps thinke I have lost my labour; but reade on, and thou shalt see my love and care of thee and thy salvation is as great, as if thou wert a sonne, and my feare greater”. Posthumous legacy Elizabeth Jocelin is remembered as a dedicated mother and an iconic woman of her time because of her dedication to making sure her child was raised properly even after her death. The Mother's Legacy to her Vnborn Child is regarded as one of the most significant works of the time because of the intimate view it gives of the mindset, beliefs and ideals of women of the time. Notes Passage 4: Thomas Wyatt (poet) Sir Thomas Wyatt (1503 – 11 October 1542) was a 16th-century English politician, ambassador, and lyric poet credited with introducing the sonnet to English literature. He was born at Allington Castle near Maidstone in Kent, though the family was originally from Yorkshire. His family adopted the Lancastrian side in the Wars of the Roses. His mother was Anne Skinner, and his father Henry, who had earlier been imprisoned and tortured by Richard III, had been a Privy Councillor of Henry VII and remained a trusted adviser when Henry VIII ascended the throne in 1509. Thomas followed his father to court after his education at St John's College, Cambridge. Entering the King's service, he was entrusted with many important diplomatic missions. In public life, his principal patron was Thomas Cromwell, after whose death he was recalled from abroad and imprisoned (1541). Though subsequently acquitted and released, shortly thereafter he died. His poems were circulated at court and may have been published anonymously in the anthology The Court of Venus (earliest edition c. 1537) during his lifetime, but were not published under his name until after his death; the first major book to feature and attribute his verse was Tottel's Miscellany (1557), printed 15 years after his death. Early life Thomas Wyatt was born at Allington, Kent, in 1503, the son of Sir Henry Wyatt by Anne Skinner, the daughter of John Skinner of Reigate, Surrey. He had a brother Henry, assumed to have died an infant, and a sister, Margaret who married Sir Anthony Lee (died 1549) and was the mother of Queen Elizabeth's champion, Sir Henry Lee. Education and diplomatic career Wyatt was over six feet tall, reportedly both handsome and physically strong. He was an ambassador in the service of Henry VIII, but he entered Henry's service in 1515 as "Sewer Extraordinary", and the same year he began studying at St John's College, Cambridge. His father had been associated with Sir Thomas Boleyn as constable of Norwich Castle, and Wyatt was thus acquainted with Anne Boleyn.Following a diplomatic mission to Spain, in 1526, he accompanied Sir John Russell, 1st Earl of Bedford, to Rome to help petition Pope Clement VII to annul Henry VIII's marriage to Catherine of Aragon, freeing him to marry Anne Boleyn. Russell being incapacitated, Wyatt was also sent to negotiate with the Republic of Venice. According to some, Wyatt was captured by the armies of Emperor Charles V when they captured Rome and imprisoned the Pope in 1527, but he managed to escape and make it back to England. Between 1528 and 1530 Wyatt acted as high marshal at Calais. In the years following he continued in Henry's service; he was, however, imprisoned in the Tower of London for a month in 1536, perhaps because Henry hoped he would incriminate the queen. He was knighted in 1535 and appointed High Sheriff of Kent for 1536. At this time he was sent to Spain as ambassador to Charles V, who was offended by the declaration of Princess Mary's illegitimacy; he was her cousin and they had once been briefly betrothed. Although Wyatt was unsuccessful in his endeavours, and was accused of disloyalty by some of his colleagues, he was protected by his relationship with Cromwell, at least during the latter's lifetime.Wyatt was elected knight of the shire (MP) for Kent in December 1541. Marriage and issue In 1520 Wyatt married Elizabeth Brooke (1503–1560). A year later, they had a son Thomas (1521–1554) who led Wyatt's rebellion some twelve years after his father's death. In 1524, Henry VIII assigned Wyatt to be an ambassador at home and abroad, and he separated from his wife soon after on grounds of adultery. Wyatt's poetry and influence Wyatt's professed object was to experiment with the English language, to civilise it, to raise its powers to equal those of other European languages. His poetry may be considered as a part of the Petrarchism movement within Renaissance literature. A significant amount of his literary output consists of translations and imitations of sonnets by Italian poet Petrarch; he also wrote sonnets of his own. He took subject matter from Petrarch's sonnets, but his rhyme schemes are significantly different. Petrarch's sonnets consist of an "octave" rhyming abba abba, followed by a "sestet" with various rhyme schemes. Wyatt employs the Petrarchan octave, but his most common sestet scheme is cddc ee. Wyatt experimented in stanza forms including the rondeau, epigrams, terza rima, ottava rima songs, and satires, as well as with monorime, triplets with refrains, quatrains with different length of line and rhyme schemes, quatrains with codas, and the French forms of douzaine and treizaine. He introduced the poulter's measure form, rhyming couplets composed of a 12-syllable iambic line (Alexandrine) followed by a 14-syllable iambic line (fourteener), and he is considered a master of the iambic tetrameter.Wyatt's poetry reflects classical and Italian models, but he also admired the work of Geoffrey Chaucer, and his vocabulary reflects that of Chaucer; for example, he uses Chaucer's word newfangleness, meaning fickleness, in They Flee from Me. Many of his poems deal with the trials of romantic love and the devotion of the suitor to an unavailable or cruel mistress. Other poems are scathing, satirical indictments of the hypocrisies and pandering required of courtiers who are ambitious to advance at the Tudor court. Wyatt's poems are short but fairly numerous. His 96 love poems appeared posthumously (1557) in a compendium called Tottel's Miscellany. The most noteworthy are thirty-one sonnets, the first in English. Ten of them were translations from Petrarch, while all were written in the Petrarchan form, apart from the couplet ending which Wyatt introduced. Serious and reflective in tone, the sonnets show some stiffness of construction and a metrical uncertainty indicative of the difficulty Wyatt found in the new form. Yet their conciseness represents a great advance on the prolixity and uncouthness of much earlier poetry. Wyatt was also responsible for the important introduction of the personal note into English poetry, for although he followed his models closely, he wrote of his own experiences. His epigrams, songs, and rondeaux are lighter than the sonnets, and they reveal the care and the elegance typical of the new romanticism. His satires are composed in the Italian terza rima, again showing the direction of the innovating tendencies. Attribution The Egerton Manuscript is an album containing Wyatt's personal selection of his poems and translations which preserves 123 texts, partly in his handwriting. Tottel's Miscellany (1557) is the Elizabethan anthology which created Wyatt's posthumous reputation; it ascribes 96 poems to him, 33 not in the Egerton Manuscript. These 156 poems can be ascribed to Wyatt with certainty on the basis of objective evidence. Another 129 poems have been ascribed to him purely on the basis of subjective editorial judgment. They are mostly derived from the Devonshire Manuscript Collection and the Blage manuscript. Rebholz comments in his preface to Sir Thomas Wyatt, The Complete Poems, "The problem of determining which poems Wyatt wrote is as yet unsolved". Assessment Critical opinions have varied widely regarding Wyatt's work. Eighteenth-century critic Thomas Warton considered Wyatt "confessedly an inferior" to his contemporary Henry Howard, and felt that Wyatt's "genius was of the moral and didactic species" but deemed him "the first polished English satirist". The 20th century saw an awakening in his popularity and a surge in critical attention. His poems were found praiseworthy by numerous poets, including Ezra Pound, Marianne Moore, John Berryman, Yvor Winters, Basil Bunting, Louis Zukofsky and George Oppen. C. S. Lewis called him "the father of the Drab Age" (i.e. the unornate), from what he calls the "golden" age of the 16th century. Patricia Thomson describes Wyatt as "the Father of English Poetry". Rumoured affair with Anne Boleyn Many have conjectured that Wyatt fell in love with Anne Boleyn in the early- to mid-1520s. Their acquaintance is certain, but it is not certain whether the two shared a romantic relationship. George Gilfillan implies that Wyatt and Boleyn were romantically involved. In his verse, Wyatt calls his mistress Anna and might allude to events in her life: Gilfillan argues that these lines could refer to Anne's trip to France in 1532 prior to her marriage to Henry VIII and could imply that Wyatt was present, although his name is not included among those who accompanied the royal party to France. Wyatt's sonnet "Whoso List To Hunt" may also allude to Anne's relationship with the King: In still plainer terms, Wyatt's late sonnet "If waker care" describes his first "love" for "Brunette that set our country in a roar"—presumably Boleyn. Imprisonment on charges of adultery In May 1536, Wyatt was imprisoned in the Tower of London for allegedly committing adultery with Anne Boleyn. He was released later that year thanks to his friendship or his father's friendship with Thomas Cromwell, and he returned to his duties. During his stay in the Tower, he may have witnessed Anne Boleyn's execution (19 May 1536) from his cell window, as well as the executions of the five men with whom she was accused of adultery; he wrote a poem which might have been inspired by that experience.Around 1537, Elizabeth Darrell was Thomas's mistress, a former maid of honour to Catherine of Aragon. She bore Wyatt three sons. By 1540, he was again in the king's favour, as he was granted the site and many of the manorial estates of the dissolved Boxley Abbey. However, he was charged once more with treason in 1541; the charges were again lifted, but only thanks to the intervention of Queen Catherine Howard and on the condition of reconciling with his wife. He was granted a full pardon and restored once again to his duties as ambassador. After the execution of Catherine Howard, there were rumours that Wyatt's wife Elizabeth was a possibility to become Henry VIII's next wife, despite the fact that she was still married to Wyatt. He became ill not long after and died on 11 October 1542 around age 39. He is buried in Sherborne Abbey. Descendants and relatives Long after Wyatt's death, his only legitimate son Sir Thomas Wyatt the Younger led a thwarted rebellion against Henry's daughter Mary I, for which he was executed. The rebellion's aim was to set on the throne the Protestant-minded Elizabeth, the daughter of Anne Boleyn. Wyatt was an ancestor of Wallis Simpson, wife of the Duke of Windsor, formerly King Edward VIII. Thomas Wyatt's great-grandson was Virginia Colony governor Sir Francis Wyatt. Notes Passage 5: Robert Paul Smith Robert Paul Smith (April 16, 1915 – January 30, 1977) was an American author, most famous for his classic evocation of childhood, Where Did You Go? Out. What Did You Do? Nothing. Biography Robert Paul Smith was born in Brooklyn, grew up in Mount Vernon, NY, and graduated from Columbia College in 1936. He worked as a writer for CBS Radio and wrote four novels: So It Doesn't Whistle (1946) (1941, according to Avon Publishing Co., Inc., reprint edition ... Plus Blood in Their Veins copyright 1952); The Journey, (1943); Because of My Love (1946); The Time and the Place (1951). The Tender Trap, a play by Smith and Dobie Gillis creator Max Shulman, opened in 1954 with Robert Preston in the leading role. It was later made into a movie starring Frank Sinatra and Debbie Reynolds. A classic example of the "battle-of-the-sexes" comedy, it revolves around the mutual envy of a bachelor living in New York City and a settled family man living in the New York suburbs. Where Did You Go? Out. What Did You Do? Nothing is a nostalgic evocation of the inner life of childhood. It advocates the value of privacy to children; the importance of unstructured time; the joys of boredom; and the virtues of freedom from adult supervision. He opens by saying "The thing is, I don't understand what kids do with themselves any more." He contrasts the overstructured, overscheduled, oversupervised suburban life of the child in the suburban 1950's with reminiscences of his own childhood. He concludes "I guess what I am saying is that people who don't have nightmares don't have dreams. If you will excuse me, I have an appointment with myself to sit on the front steps and watch some grass growing." Translations from the English (1958) collects a series of articles originally published in Good Housekeeping magazine. The first, "Translations from the Children," may be the earliest known example of the genre of humor that consists of a series of translations from what is said (e.g. "I don't know why. He just hit me") into what is meant (e.g. "He hit his brother.") How to Do Nothing With Nobody All Alone By Yourself (1958) is a how-to book, illustrated by Robert Paul Smith's wife Elinor Goulding Smith. It gives step-by-step directions on how to: play mumbly-peg; build a spool tank; make polly-noses; construct an indoor boomerang, etc. It was republished in 2010 by Tin House Books. List of works Essays and humor Where Did You Go? Out. What Did You Do? Nothing (1957)Translations from the English (1958) Crank: A Book of Lamentations, Exhortations, Mixed Memories and Desires, All Hard Or Chewy Centers, No Creams(1962)How to Grow Up in One Piece (1963)Got to Stop Draggin’ that Little Red Wagon Around (1969)Robert Paul Smith’s Lost & Found (1973) For children Jack Mack, illus. Erik Blegvad (1960)When I Am Big, illus. Lillian Hoban (1965)Nothingatall, Nothingatall, Nothingatall, illus. Allan E. Cober (1965)How To Do Nothing With No One All Alone By Yourself, illus Elinor Goulding Smith (1958) Republished by Tin House Books (2010) Novels So It Doesn't Whistle (1941) The Journey (1943) Because of My Love (1946)The Time and the Place (1952)Where He Went: Three Novels (1958) Theatre The Tender Trap, by Max Shulman and Robert Paul Smith (first Broadway performance, 1954; Random House edition, 1955) Verse The Man with the Gold-headed Cane (1943)…and Another Thing (1959) External links An Interview, by Edward R Murrow on YouTube Passage 6: Thomas Vesey, 1st Viscount de Vesci The Rt Hon. Thomas Vesey, 1st Viscount de Vesci and 2nd Baron Knapton (c. 1735 – 13 October 1804), was an Anglo-Irish peer. Lord de Vesci was the son of the 1st Baron Knapton and Elizabeth Brownlow. He succeeded to his father's peerage on 25 June 1761 and assumed his seat in the Irish House of Lords. On 22 June 1776 he was made Viscount de Vesci, of Abbeyleix in the Queen's County, in the Peerage of Ireland.On 24 September 1769, Lord Knapton, as he then was, married Elizabeth-Selina Brooke, the eldest daughter and co-heiress of Sir Arthur Brooke, 1st Baronet. Lord de Vesci was succeeded in his titles by his eldest son, John Vesey. Passage 7: Elizabeth Darrell (courtier) Elizabeth Darrell (born c. 1513 – c. 1556) was the long-term mistress and muse of Sir Thomas Wyatt. They had one surviving child, Francis. Wyatt was married to Elizabeth Brooke, Lady Wyatt whom he had accused of committing adultery, resulting in their separation. She was later rumoured to have been involved with Henry VIII. Early years Elizabeth Darrell (sometimes spelt Darell) was the daughter of Sir Edward Darrell of Littlecote, Wiltshire. If she was born circa 1513, she must have been the daughter of Sir Edward's third wife, Alice Flye Stanhope who married him before 1513. Sir Edward was Chamberlain to Catherine of Aragon. Elizabeth was a servant of the Marchioness of Dorset and then afterward, on an unknown date, she became maid of honour to Queen Catherine. Possibly out of loyalty to Catherine or due to her dislike of Anne Boleyn, Elizabeth refused to take the Oath of Supremacy. When Catherine of Aragon died in January 1536, she left Elizabeth a gift of £200 for her future marriage. Thomas Wyatt Around the year 1537, Elizabeth became the mistress of the poet and cousin of the late queen Anne Boleyn, Sir Thomas Wyatt (1503 – 11 October 1542). He was legally married to Elizabeth Brooke, the mother of his son Thomas, although they were separated. Elizabeth bore Sir Thomas three sons: Henry, who died in early infancy Francis, born in 1541 and took the surname of Darrell Edward, whose date of birth is unknown. He may have been born after his father's death.The identity of Edward Wyatt, who was later executed for his part in the Wyatt's Rebellion of 1554, led by Sir Thomas Wyatt, the younger is unclear. Some sources claim that he was the illegitimate son of Thomas Wyatt the elder and Elizabeth Darrell, while others insist that he was the son of Thomas Wyatt the younger. Kenneth Muir in 'The Life and Letters of Sir Thomas Wyatt' , asserts that Elizabeth Darrell was the mistress of Sir Thomas Wyatt the elder and quotes various state papers to support this view. Only Francis is mentioned in Thomas Wyatt the elder's will, although it is possible that Edward may have been born after his father's death. Sir Thomas Wyatt the elder is known to have had an illegitimate daughter, however, the identity of the mother is unknown.Sir Thomas left Elizabeth properties in Dorset. Sir Thomas the Younger transferred Tarrant, Kent to Francis Wyatt in 1542 (or, according to other sources, to Elizabeth in 1544). With the attainder of Sir Thomas the Younger in 1554, those properties held by Elizabeth that would have gone to him on her death, went to the Crown instead. She was in possession of Tintinhull in 1547 but it was occupied by the Crown's tenant, Sir William Petre, in 1556, and papers relating to the lease suggest that Elizabeth had died. The parsonage at Stoke, Somerset was leased to Elizabeth in 1548 and around 1554, at about the same time Mary I seems to have paid Elizabeth a legacy left to her by Queen Catherine of Aragon, Elizabeth married Robert Strode. In popular culture Canadian actress Krystin Pellerin portrayed Darrell in several episodes of the second season of The Tudors. Her fate is however dramatically altered. Instead of returning to royal service after the death of her mistress, as is historically accurate, Darrell hangs herself from the beams of her mistress's former home. The show is correct however in portraying Darrell's and Wyatt's affair. This is the only known portrayal of Elizabeth Darrell in popular culture. She also appears in Hilary Mantel’s Wolf Hall trilogy as an attendant of Catherine of Aragon and later of Princess Mary, and in Elizabeth Cook's Lux as she moves from loyalty to Katherine (as it is spelt in the novel) to Wyatt. Passage 8: Joseph J. Sullivan (vaudeville) Joseph J. Sullivan was a blackface comedian and acrobat in New York. He composed the song Where Did You Get That Hat? and first performed it in 1888. It was a great success and he performed it many times thereafter. Passage 9: Benny Rubinstein Benny Rubinstein (בני רובינשטיין) is an Israeli former footballer and current real estate developer. He played soccer for Maccabi Netanya and Hapoel Netanya. At the 1969 Maccabiah Games, Rubinstein played soccer for Israel, winning a gold medal. Biography Rubinstein was born in Netanya, Israel. His wife is Sarah Rubinstein. Benny's son, Aviram also played football for Maccabi Netanya.He played soccer for Maccabi Netanya and Hapoel Netanya. At the 1969 Maccabiah Games, Rubinstein played soccer for Israel, winning a gold medal.Rubinstein then worked as a real estate agent, and now works in real estate development. Honours Israeli Premier League (1): 1970-71 Passage 10: Andrew Allen (singer) Andrew Allen (born 6 May 1981) is a Canadian singer-songwriter from Vernon, British Columbia. He is signed to Sony/ATV and has released five top ten singles, and written and recorded many others, including Where Did We Go? with Carly Rae Jepsen. He also records covers and posts them on YouTube. Background Raised in British Columbia's Okanagan Valley, his acoustic pop/rock music is inspired by artists like Jason Mraz and Jack Johnson. Career Andrew Allen scored his first hit in 2009, when I Wanna Be Your Christmas cracked the Top Ten in his native Canada. He was honored as the feature performer for the Sochi 2014 hand off finale on the internationally broadcast Closing Ceremony of the 2010 Paralympic Winter Games held at Whistler, British Columbia. Allen continued building an international profile in 2010, and released his biggest single Loving You Tonight, which sold more than 100,000 copies worldwide, was featured on the Gold Selling NOW 37, hit #6 on the Canadian charts for 22 weeks in a row and #30 on the US Hot AC charts, and got him a record deal with Epic after spending much of that year on the road. Because of the song's attention, Allen had the opportunity to perform with some of the world's biggest artists like Bruno Mars, One Republic, The Barenaked Ladies, Train, Matt Nathanson, Joshua Radin, Andy Grammer, The Script, Nick Carter, Kris Allen, Carly Rae Jepsen and many others. Loving You Tonight was also featured on the soundtrack of Abduction starring Taylor Lautner. Collaborations Andrew Allen is also well known in the songwriting community, and has written songs with artists like Meghan Trainor, Rachel Platten, Cody Simpson, Carly Rae Jepsen, Matt Simons, Conrad Sewell as well as writer/producers like Toby Gad, Ryan Stewart, Eric Rosse, Jason Reeves, John Shanks, Nolan Sipes, Mark Pellizzer (Magic), Brian West and Josh Cumbee. Numerous songs he has been a part of writing have been released by various artists, including Last Chance, which was on the Grammy nominated album Atmosphere by Kaskade feat. DJ Project 46, Ad Occhi Chiusi which was on the Double Platinum release by Italian artist Marco Mengoni and Maybe (which Allen also later released himself) released by teen pop sensation Daniel Skye, as well as many others. Singles I Wanna Be Your Christmas (2009) Loving You Tonight (2010) I Want You (2011) Where Did We Go? (2012) Satellite (2012) Play with Fire (2013) Thinking About You (2014) What You Wanted (2016) Favorite Christmas Song (2017) Maybe (2017) Discography The Living Room Sessions (2008) Andrew Allen EP (2009) The Mix Tape (2012) Are We Cool? (2013) All Hearts Come Home (2014) The Writing Room (2020) 12:34 (2022; pre-released on vinyl in 2021) Songwriting credits Last Chance released by Kaskade featuring Project 46 on his Grammy nominated record Atmosphere. Ad Occhi Chiusi released by Marco Mengoni on his Double Platinum record. Reasons released by Project 46. No Ordinary Angel released by Nick Howard from The Voice Germany. Million Dollars released by Nick Howard from The Voice Germany. Maybe released by Daniel Skye.

doc_72

Passage 1: Ian Barry (director) Ian Barry is an Australian director of film and TV. Select credits Waiting for Lucas (1973) (short) Stone (1974) (editor only) The Chain Reaction (1980) Whose Baby? (1986) (mini-series) Minnamurra (1989) Bodysurfer (1989) (mini-series) Ring of Scorpio (1990) (mini-series) Crimebroker (1993) Inferno (1998) (TV movie) Miss Lettie and Me (2002) (TV movie) Not Quite Hollywood: The Wild, Untold Story of Ozploitation! (2008) (documentary) The Doctor Blake Mysteries (2013) Passage 2: The Seventh Company Outdoors The Seventh Company Outdoors (French: La Septième Compagnie au clair de lune) is a 1977 French comedy film directed by Robert Lamoureux. It is a sequel to Now Where Did the 7th Company Get to?. Cast Jean Lefebvre - Pithivier Pierre Mondy - Chaudard Henri Guybet - Tassin Patricia Karim - Suzanne Chaudard Gérard Hérold - Le commandant Gilles Gérard Jugnot - Gorgeton Jean Carmet - M. Albert, le passeur André Pousse - Lambert Michel Berto Passage 3: Now Where Did the 7th Company Get to? Now Where Did the 7th Company Get To? (French: Mais où est donc passée la septième compagnie?) is a 1973 French-Italian comedy war film directed by Robert Lamoureux. The film portrays the adventures of a French Army squad lost somewhere on the front in May 1940 during the Battle of France. Plot During the Battle of France, while German forces are spreading across the country, the 7th Transmission Company suffers an air raid near the Machecoul woods, but survive and hide in the woods. Captain Dumont, the company commander, sends Louis Chaudard, Pithiviers and Tassin to scout the area. After burying the radio cable beneath a sandy road, the squad crosses the field, climbs a nearby hill, and takes position within a cemetery. One man cut down the wrong tree for camouflage, pulling up the radio cable and revealing it to the passing German infantry. The Germans cut the cable, surround the woods, and order a puzzled 7th Company to surrender. The squad tries to contact the company, but then witness their capture and run away. Commanded by Staff Sergeant Chaudard, the unit stops in a wood for the night. Pithiviers is content to slow down and wait for the end of the campaign. The next day, he goes for a swim in the lake, in sight of possible German fighters. When Chaudard and Tassin wake up, they leave the camp without their weapons to look for Pithiviers. Tassin finds him and gives an angry warning, but Pithiviers convinces Tassin to join him in the lake. Chaudard orders them to get out, but distracted by a rabbit, falls into the lake. While Chaudard teaches his men how to swim, two German fighter planes appear, forcing them out of the water. After shooting down one of the German planes, a French pilot, Lieutenant Duvauchel, makes an emergency landing and escapes before his plane explodes. PFC Pithiviers, seeing the bad shape of one of his shoes, destroys what is left of his shoe sole. Tassin is sent on patrol to get food and a new pair of shoes for Pithiviers. Tassin arrives in a farm, but only finds a dog, so he returns and Chaudard goes to the farm after nightfall. The farmer returns with her daughter-in-law and Lt Duvauchel, and she welcomes Chaudard. Duvauchel, who is hiding behind the door, comes out upon hearing the news and decides to meet Chaudard's men. When Chaudard and Duvauchel return to the camp, Tassin and Pithiviers are roasting a rabbit they caught. Duvauchel realizes that Chaudard has been lying and takes command. The following day, the men leave the wood in early morning and capture a German armored tow truck after killing its two drivers. They originally planned to abandon the truck and the two dead Germans in the woods, but instead realized that the truck is the best way to disguise themselves and free the 7th Company. They put on the Germans' uniforms, recover another soldier of the 7th Company, who succeeded in escaping, and obtain resources from a collaborator who mistook them for Germans. On their way, they encounter a National Gendarmerie patrol, who appear to be a 5th column. The patrol injures the newest member of their group, a young soldier, and then are killed by Tassin. In revenge, they destroy a German tank using the tow truck's cannon gun. They planned to go to Paris but are misguided by their own colonel, but find the 7th Company with guards who are bringing them to Germany. Using their cover, they make the guards run in front of the truck, allowing the company to get away. When Captain Dumont joins his Chaudard, Tassin, and Pithiviers in the truck, who salute the German commander with a great smile. Casting Jean Lefebvre : PFC Pithiviers Pierre Mondy : Staff Sergent Paul Chaudard Aldo Maccione: PFC Tassin Robert Lamoureux: Colonel Blanchet Erik Colin: Lieutenant Duvauchel Pierre Tornade: Captain Dumont Alain Doutey: Carlier Robert Dalban : The peasant Jacques Marin: The collaborationist Robert Rollis: A French soldier Production The film's success spawned two sequels:– 1975 : On a retrouvé la septième compagnie (The Seventh Company Has Been Found) by Robert Lamoureux; – 1977 : La Septième Compagnie au clair de lune (The Seventh Company Outdoors)) by Robert Lamoureux.The story is set in Machecoul woods, but it was actually filmed near Cerny and La Ferté-Alais, as well as Jouars-Pontchartrain and Rochefort-en-Yvelines. The famous grocery scene was filmed in Bazoches-Sur-Guyonne. Robert Lamoureux based this film on his own personal experiences in June 1940 during the war. The final scene with the parachute is based on a true story. The 58 Free French paratroopers were parachuted into Brittany in groups of three, on the night of 7 June 1944 to neutralize the rail network of Normandy Landings in Brittany, two days before. Box office The movie received a great success in France reaching the third best selling movie in 1974. Notes External links Mais où est donc passée la septième compagnie? at IMDb Passage 4: Dana Blankstein Dana Blankstein-Cohen (born March 3, 1981) is the executive director of the Sam Spiegel Film and Television School. She was appointed by the board of directors in November 2019. Previously she was the CEO of the Israeli Academy of Film and Television. She is a film director, and an Israeli culture entrepreneur. Biography Dana Blankstein was born in Switzerland in 1981 to theatre director Dedi Baron and Professor Alexander Blankstein. She moved to Israel in 1983 and grew up in Tel Aviv. Blankstein graduated from the Sam Spiegel Film and Television School, Jerusalem in 2008 with high honors. During her studies she worked as a personal assistant to directors Savi Gabizon on his film Nina's Tragedies and to Renen Schorr on his film The Loners. She also directed and shot 'the making of' film on Gavison's film Lost and Found. Her debut film Camping competed at the Berlin International Film Festival, 2007. Film and academic career After her studies, Dana founded and directed the film and television department at the Kfar Saba municipality. The department encouraged and promoted productions filmed in the city of Kfar Saba, as well as the established cultural projects, and educational community activities. Blankstein directed the mini-series "Tel Aviviot" (2012). From 2016-2019 was the director of the Israeli Academy of Film and Television. In November 2019 Dana Blankstein Cohen was appointed the new director of the Sam Spiegel Film and Television School where she also oversees the Sam Spiegel International Film Lab. In 2022, she spearheaded the launch of the new Series Lab and the film preparatory program for Arabic speakers in east Jerusalem. Filmography Tel Aviviot (mini-series; director, 2012) Growing Pains (graduation film, Sam Spiegel; director and screenwriter, 2008) Camping (debut film, Sam Spiegel; director and screenwriter, 2006) Passage 5: The Eagle's Eye The Eagle's Eye is a 1918 American serial film consisting of 20 episodes that dramatizes German espionage in the United States during World War I. The stories are based on the experiences of William J. Flynn during his career as chief of the United States Secret Service from 1912–1917.It features King Baggot as the president of the Criminology Club and Marguerite Snow as a Secret Service agent who investigate spies. Among the events depicted are the sending of the Zimmermann Telegram, Franz von Rintelen's attempts to sabotage cargo loading in San Francisco Harbor, and the capture of the German espionage plans. It was directed by George Lessey, Wellington A. Playter, Leopold Wharton, and Theodore Wharton, and produced by the Whartons Studio. The serial is now considered lost. Because this serial was a commercial failure, it was the last one made by Whartons due to the studio being forced to declare bankruptcy. Background After Flynn's retirement from the Secret Service his work investigating sabotage during the war were interwoven with fictitious characters and events by Courtney Ryley Cooper into a 20-part spy thriller. These were also published as weekly installments in The Atlanta Constitution's magazine section during 1918 under the title The Eagle's Eye: A True Story of the Imperial German Government's Spies and Intrigues in America. Fifteen of the episodes were republished as chapters in a book the following year. Cast King Baggot as Harrison Grant Marguerite Snow as Dixie Mason William Bailey as Heinrich von Lertz Florence Short as Madame Augusta Stephan Bertram Marburgh as Count Johann von Bernstorff Paul Everton as Captain Franz von Papen John P. Wade as Captain Karl Boy-Ed Fred C. Jones as Dr. Heinrich Albert Wellington A. Playter as Franz von Rintelen Louise Hotaling Louis C. Bement as Uncle Sam Allan Murnane F.W. Stewart Robin H. Townley Bessie Wharton as Mrs. Blank Chapter titles Hidden Death The Naval Ball Conspiracy The Plot Against the Fleet Von Rintelen, the Destroyer The Strike Breeders The Plot Against Organized Labor Brown Port Folio The Kaiser's Death Messenger The Munitions Campaign The Invasion of Canada The Burning of Hopewell The Canal Conspirators The Reign of Terror The Infantile Paralysis Epidemic The Campaign Against Cotton The Raid of the U-53 Germany's U-Base in America The Great Hindu Conspiracy The Menace of the I.W.W. The Great Decision Passage 6: George Lessey George Lessey (June 8, 1879 – June 3, 1947) was an American actor and director of the silent era. He appeared in more than 120 films between 1910 and 1946. He also directed more than 70 films between 1913 and 1922. Lessey was born in Amherst, Massachusetts, and as a boy he acted in theatrical productions there. He graduated from Amherst College.For a year, Lessey was a leading man for Edison Studios, after which he directed films for the company for two years. In 1914, he joined Universal Studios as a director. He portrayed Romeo in the initial film version of Romeo and Juliet, directed the first serial, What Happened to Mary, and played the first dual role in film as twins in The Corsican Brothers.On stage, Lessey appeared in the original Broadway production of Porgy and Bess (1935) in one of the few white roles, that of the lawyer Mr. Archdale.In the 1930s, Lessey worked as a model for men's clothes.Lessey was married to the former May Abbey. On June 3, 1947, Lessey died on vacation in Westbrook, Connecticut, aged 67. Selected filmography Passage 7: Arrington High Arrington High (1910 - 1988) was an American journalist and newspaper publisher. He published the Eagle Eye newspaper in Jackson, Mississippi and was an advocate for African American civil rights. Biography Arrington High was born in 1910 to an African American mother and a Euro-American father. He published the Eagle Eye newspaper in Jackson, Mississippi. High wrote and published the Eagle Eye from his own home, located on Maple Street in Jackson. Copies of the newspaper were sold for ten cents and were available for purchase directly from High or from the Farish Street Newsstand. High was known for being a strong, outspoken advocated for social equality and civil rights. The banner of Eagle Eye read, "America's greatest newspaper, bombarding segregation and discrimination."High was fined for publishing criticism of school segregation. He was surveilled by the Mississippi Sovereignty Commission. He was arrested for selling literature without a permit. After publishing criticism of segregationists, he was held in the Mississippi State Asylum in Whitfield until he escaped to Chicago. He reported escaping in a casket. He made allegations against a brothel he said employed African Americans to serve white clients. He continued publishing his newssheet from Chicago. He promoted conspiracy theories in his later publishing career. He died while living with his daughter in Chicago. Further reading Jackson Eagle Eye (September 1954–May 1967) in Jet magazine May 16, 1988 Passage 8: Eye of the Eagle 2: Inside the Enemy Eye of the Eagle 2: Inside the Enemy (released in the Philippines as Killed in Action) is a 1989 film directed by Carl Franklin. It is the sequel to the 1987 film Eye of the Eagle. It was shot in the Philippines. Cast William Todd Field Shirley Tesoro Release Eye of the Eagle 2 was released in the United States in 1989. In the Philippines, the film was released as Killed in Action on August 11, 1989. Critical reception Eric Reifschneider of bloodbrothersfilms.com gave the film a rating of 2.5/5, writing, "It surprisingly is an 'emotionally' driven low-budget war film that's main focus is on characters, not low budget action antics."Nils Bothmann of actionfreunde.de wrote that director Carl Franklin, "illustrates the American disappointment in this unheroic war."Reviewer Vern of outlawvern.com wrote, "this is an example of the kind of thing I like where a director is able to put their stamp on lowbrow genre movies and later evolve into whatever it is they want to do".Timothy Young of mondo-esoterica.com called the film "A complete change of pace for the series, Inside the Enemy is well written, covering some very interesting ideas but some poor editing and generic music leaves the action scenes feeling flat - fortunately this is not an action picture and the rest of the film looks good with some strong acting. Of interest to fans of the more serious war movies." Passage 9: Peter Levin Peter Levin is an American director of film, television and theatre. Career Since 1967, Levin has amassed a large number of credits directing episodic television and television films. Some of his television series credits include Love Is a Many Splendored Thing, James at 15, The Paper Chase, Family, Starsky & Hutch, Lou Grant, Fame, Cagney & Lacey, Law & Order and Judging Amy.Some of his television film credits include Rape and Marriage: The Rideout Case (1980), A Reason to Live (1985), Popeye Doyle (1986), A Killer Among Us (1990), Queen Sized (2008) and among other films. He directed "Heart in Hiding", written by his wife Audrey Davis Levin, for which she received an Emmy for Best Day Time Special in the 1970s. Prior to becoming a director, Levin worked as an actor in several Broadway productions. He costarred with Susan Strasberg in "[The Diary of Ann Frank]" but had to leave the production when he was drafted into the Army. He trained at the Carnegie Mellon University. Eventually becoming a theatre director, he directed productions at the Long Wharf Theatre and the Pacific Resident Theatre Company. He also co-founded the off-off-Broadway Theatre [the Hardware Poets Playhouse] with his wife Audrey Davis Levin and was also an associate artist of The Interact Theatre Company. Passage 10: Olav Aaraas Olav Aaraas (born 10 July 1950) is a Norwegian historian and museum director. He was born in Fredrikstad. From 1982 to 1993 he was the director of Sogn Folk Museum, from 1993 to 2010 he was the director of Maihaugen and from 2001 he has been the director of the Norwegian Museum of Cultural History. In 2010 he was decorated with the Royal Norwegian Order of St. Olav.

doc_73

Passage 1: A Slave of Vanity A Slave of Vanity is a 1920 American silent drama film starring Pauline Frederick, and directed and written by Henry Otto. The film, which was adapted from Arthur Wing Pinero's 1901 play Iris, was produced and distributed by the Robertson-Cole Pictures Corporation that eventually became part of Film Booking Office of America. The film is now considered lost. Plot Iris (Frederick), a British aristocrat, must choose between the poor Laurence (Barrie) and the rich Frederick (Louis). She decides to marry the wealthier Frederick, but at the last minute she changes her mind and runs off to Italy with Laurence. However, things do not work out quite the way she planned. Cast Pauline Frederick as Iris Bellamy Arthur Hoyt as Croker Harrington Nigel Barrie as Laurence Trenwith Willard Louis as Frederick Maldonado Maude Louis as Fanny Sullivan Daisy Jefferson as Aurea Vyse Ruth Handforth as Miss Pinsent Howard Gaye as Arthur Kane See also List of lost films Passage 2: Shape of My Heart Shape of My Heart may refer to: "Shape of My Heart" (Sting song), a 1993 song by Sting from the album Ten Summoner's Tales "Shape of My Heart" (Backstreet Boys song), a 2000 song by the Backstreet Boys "Shape of My Heart" (Noah and the Whale song), 2008 song by Noah and the Whale, charting 94 in the UK Shape of My Heart, a 2009 album by Katia Labèque "Shape of My Heart", a 2012 single by Rick Price from The Water's Edge The Shape of My Heart, the UK title of God-Shaped Hole, a 2003 novel by Tiffanie DeBartolo Passage 3: Half of My Heart (disambiguation) "Half of My Heart" is a 2009 song by John Mayer from his album Battle Studies featuring Taylor Swift. Half of My Heart may also refer to: "Half of My Heart", the love theme from the 1957 film Jeanne Eagels "Half of My Heart", a 1961 song by Emile Ford "Half of My Heart", a 2000 song by The Mooney Suzuki from People Get Ready "Half of My Heart", a 2019 song by Megan McKenna Passage 4: Grace of My Heart Grace of My Heart is a 1996 American musical comedy-drama film written and directed by Allison Anders, and starring Illeana Douglas, Matt Dillon, Eric Stoltz, Patsy Kensit and John Turturro. The film charts the fictional music career of Denise Waverly, an aspiring singer who writes for other artists in the pop music world of the mid-1960s. It premiered at the 1996 Toronto International Film Festival and went into limited release on September 13, 1996. The soundtrack features artists Burt Bacharach, Elvis Costello, Joni Mitchell, Gerry Goffin and Jill Sobule, replicating the musical style that emerged from the Brill Building, New York City's music factory in the heyday of girl groups and "pre-fab" acts like The Monkees. Plot In 1958, Philadelphia steel heiress Edna Buxton enters and wins a talent contest. When she attempts to record a demo, a studio producer tells her that girl singers are not currently getting signed and record companies are even trying to get rid of the ones on their rosters. However, when Edna tells him that she wrote the song she wants to record, he is impressed enough to direct her to producer Joel Milner, who takes her under his wing, renames her "Denise Waverly" and invents a blue-collar persona for her. Milner reworks her song for a male doo-wop group, the Stylettes, as male groups are far more marketable, and the song becomes a hit. Denise moves to New York City and becomes a songwriter in the Brill Building. At a party, she meets the arrogant songwriter Howard Caszatt, and despite an awkward initial meeting, they begin a relationship. Denise offers to write a song specifically for her three girlfriends, which culminates in Joel auditioning the girls and creating the girl group the Luminaries. Howard and Denise also begin writing together and eventually get married and have a child. They pen a song called “Unwanted Number,” based on a young girl's unwanted pregnancy. Although it is banned from radio, it attracts the attention of prominent and influential disc jockey John Murray, who, despite the negative attention around the song, credits Denise with sparking the girl group craze. Joel recruits the beautiful English songwriter Cheryl Steed, who immediately catches Howard's eye, and initially, Denise's disdain. Cheryl diffuses Denise’s suspicion by informing her that she already has a songwriting partner – her husband Matthew. Joel tasks Denise and Cheryl with writing a song for the ingénue singer Kelly Porter. The two women bond over the realization that the young songstress is in a closeted lesbian relationship with her roommate Marion. They write the coded song "My Secret Love" for Kelly, which becomes a hit. Denise’s relationship with Howard becomes strained due to his philandering with other women. When she learns she is pregnant with Howard's second baby, Cheryl convinces her to see an obstetrician, who safely performs an illegal abortion. Denise and Cheryl then become close friends and Denise eventually breaks up with Howard. In 1966, Milner offers to send Denise to the studio to sing for herself. As an added incentive, he offers the production assistance of Jay Phillips, the frontman of California rock group the Riptides, to produce her single. Although initially hesitant as she says she finds the whole "surf and turf" sound laughable, she writes and sings the song "God Give Me Strength" and is delighted by Jay's skillful orchestral arrangement. The record she puts out with him, however, is a commercial failure. Between the loss suffered by her foundering single and the advent of the British Invasion, Milner's fortunes are depleted. Denise blames herself for making the song too personal and bankrupting Joel. He tells her she did more for him than she realized and that it was time for them both to move on. Denise and Jay become a couple and resettle in California. Jay treats Denise’s daughter Luna as his own, but he is reclusive and a user of recreational drugs like marijuana and peyote. Denise has since joined forces with the newly-divorced Cheryl to write songs for a bubblegum pop TV show, Where the Action Is, though Jay insists to Denise that writing music for TV is beneath her. Jay's behavior becomes more erratic and he becomes increasingly paranoid, causing his bandmates to distance themselves from him. He falls into a period of deep depression that seemingly abates after a visit from his friend "Jonesy", who reminds him of the things that are important in his life, including his "groovy new old lady", Denise. Thinking that the worst is over, Denise invites Jay to join her and Cheryl at the Whisky a Go Go to see Doris, a former Luminary member who embarked on a solo career after the girl group broke up, perform. Jay declines, saying he has a song idea he wants to explore, so Denise ends up going with Cheryl. While the women celebrate, Jay is revealed to be still in the throes of his depression; having put on a brave face for Denise's benefit. He walks into the ocean, taking his own life. Denise is further distraught to discover that Jay's fans blame her for not intervening in his death. Numbed by the loss, Denise retires with her family to a hippie commune in northern California and tries to make sense of everything that has happened. Some time later, Joel visits Denise at the commune and takes her and the children to dinner. That night, he criticizes how far down she's allowed her grieving to take her and says that it's destroying her and her talent. Denise angrily lashes out, telling Milner that he'd be nothing without her success. He agrees; however, the more he agrees with her, the angrier she becomes. She strikes him then collapses in tears, grieving for Jay. Milner consoles her and the two are reconciled. With Joel's help, Denise creates the platinum-selling work "Grace of My Heart". As she lays down the piano track for the song, her life is recounted in pictures, leading to the moment when her own mother receives a copy of her album in the mail with a handwritten note. Seemingly proud of her daughter's success, she smiles. Cast Production The story is loosely based on the career arc of singer-songwriter Carole King, who, like Denise, started out writing songs in the Brill Building for artists like Aretha Franklin, The Drifters, and Little Eva. The character Jay Phillips is loosely modeled on Brian Wilson of The Beach Boys.Allison Anders said she was inspired to make the film as a fan of the girl group The Shangri-Las. She was also inspired by the Alan Betrock book Girl Groups: The Story of A Sound, which contained photos of "Carole King and Gerry Goffin then others like Cynthia Weil and Barry Mann...it was interesting to read what Alan had to say about what that time was like back then and how they were all really just kids when they had been a part of that."Martin Scorsese is credited as Grace of My Heart's executive producer, and the film is co-edited by Scorsese’s longtime editor Thelma Schoonmaker. Reception Release Grace of My Heart debuted at the Toronto International Film Festival on September 8, 1996. It was theatrically released a few days later on September 13, 1996, just weeks ahead of Oscar-winning actor Tom Hanks' directorial debut That Thing You Do!, which also covered the early to mid-1960s pop music scene and featured original, retro-styled songs on the soundtrack. Grace of My Heart grossed $660,313 worldwide. Critical response On the review aggregator website Rotten Tomatoes, 79% of 28 critics' reviews are positive, with an average rating of 6.9/10.David Ansen of Newsweek praised the film and wrote while it "is not the smoothest trip" story-wise, "Anders's rough edges are more than offset by the story's contagious vitality...Denise's funky journey to self-discovery is a fresh feminist take on an era that has always been seen through men's eyes. It may not be precision-tooled, but it's triumphantly alive."Time Out wrote, "There's a lovely sequence about a third of the way into Anders' delightful movie which follows a song from conception - the street scene that inspires it - through the writing, to the recording session. This seamlessly edited passage swings like the snappy '60s girl pop it emulates. Like the film as a whole, it works as a musical in its own right, and as history and critique of the pop process." Critics roundly praised the film's music, particularly the Brill Building scenes, and lauded the film's approach of pairing popular songwriters of the 1960s with contemporary artists. Mark Caro of the Chicago Tribune wrote:What Anders captures is the feel of the time: the nervous thrill of singing a song you love; the sanctified atmosphere of a recording studio, with red padded walls that match the singer's lipstick and a slit of a window that reveals a live bassist; the songwriter's excitement in realizing that songs can be about people's actual lives and still be commercial; the breathlessness of keeping up with an industry that may love a cappella vocal groups one day and rock bands the next.Criticism centered on the film's shift of the action from New York City to California to center on Denise's relationship with Jay, with many arguing it is where the story loses focus. Roger Ebert praised the music and Douglas' performance, but said Anders tries to cover too much ground and would have liked a less condensed story.In a 2020 episode of his podcast Kermode on Film, film critic Mark Kermode named Grace of My Heart number one on his countdown of the top five most underrated films of all time. Jim Hemphill of Filmmaker wrote the film "feels both completely of the period in which it takes place and like something that could only have been made in the mid-1990s, an age when the American independent film movement and the studio system intersected in a way that allowed auteurs like Anders to broaden their ambitions and expand their canvasses." Music Actress Douglas’ singing voice is dubbed by singer Kristen Vigard, while the fictional Luminaries are dubbed by girl group For Real.In the beginning, Edna/Denise performs a version of "Hey There", from the musical The Pajama Game, and popularized by singers such as Rosemary Clooney. Another of Denise's big musical moments occurs in the studio to sing tracks for "God Give Me Strength", an expensively produced single that fails to generate excitement on the charts, alluding to Phil Spector's recording of "River Deep – Mountain High" for Tina Turner (written by Spector, Ellie Greenwich and Jeff Barry). Singer Elvis Costello, who co-wrote "God Give Me Strength" with Burt Bacharach for the film, also wrote "Unwanted Number", which is crafted by Denise and Cazsatt for the Luminaries and causes a scandal due to its story of a young, unmarried mother.Singer-composer Lesley Gore co-wrote the song "My Secret Love", performed by the character of young singer Kelly Porter. Gore chose not to be credited as a co-writer because she felt she'd "been brought in too late for a real collaboration" and was not invited to the film's New York City premiere, a logistical oversight Anders regretted. Soundtrack The soundtrack was released in September 1996 by MCA Records. It was produced by Larry Klein, Joni Mitchell's former husband and producer. Klein contributed to the writing of several songs on the soundtrack and appears briefly in the movie as a recording engineer. Joni Mitchell contributed the song "Man from Mars", which is performed by Vigard as heard in the fillm. The soundtrack's initial pressing of 40,000 CD copies contained a version featuring Mitchell's vocals instead of Vigard's. This CD was recalled and re-released a week later with Vigard's vocal restored. Mitchell later re-recorded the song with different-styled music for her 1998 album Taming the Tiger. Other songs Several songs did not make the album soundtrack, such as both of Vigard's renditions of "Hey There"—the contest version and the polished demo. Her version of "In Another World" is swapped out for the fictional Stylettes' rendition (via Portrait). Vigard's "God Give Me Strength" is also swapped for the Costello/Bacharach version. "A Wave Dies", written and performed by Andrew Allen-King and produced by Klein, was also not included in the final cut. The Williams Brothers perform two songs, "Heartbreak Kid" and "Love Doesn't Ever Fail Us", but only the latter is on the album. Home media Grace of My Heart was released as a Blu-ray Collector’s Edition by Scorpion Releasing on November 17, 2020. The Blu-ray includes an audio commentary by Anders and a making-of featurette. Passage 5: Piece of My Heart (disambiguation) "Piece of My Heart" is a song written by Jerry Ragovoy and Bert Berns, best known through performances by Janis Joplin. Piece of My Heart may also refer to: Film and television Piece of My Heart (film), a 2009 New Zealand film A Piece of My Heart (film), a 2019 Swedish film "Piece of My Heart" (Grey's Anatomy), a television episode Literature Piece of My Heart (novel), a 2006 Inspector Banks novel by Peter Robinson Piece of My Heart, a 2020 Under Suspicion novel by Mary Higgins Clark and Alafair Burke A Piece of My Heart, a 1976 novel by Richard Ford Music "Piece of My Heart" (Intermission song), 1993 "Piece of My Heart" (Tara Kemp song), 1991 Piece of My Heart, a 1996 album by Faith Hill "A Piece of My Heart", a song by Gang of Four from Hard Piece of My Heart: The Bert Berns Story, a 2014 jukebox musical Passage 6: King of My Heart King of My Heart may refer to: "King of My Heart", a song by Taylor Swift from Reputation (2017) "King of My Heart", a song by Tara Dettman from Sea to Sea: I See the Cross (2005) "King of My Heart", a song by Bethel Music from Starlight (2017) "King of My Heart", a song by Leeland from Invisible (2016) "King of My Heart", a song from the 2007 London revival of Joseph and the Amazing Technicolor Dreamcoat "King of My Heart", a song by Melba Moore from Read My Lips (1985) Passage 7: Burden of My Heart Burden of My Heart (Sydämeni taakka) is a 2011 Finnish documentary film about the surviving victims of the genocide in Rwanda. It was directed by Yves Montand Niyongabo. The documentary was chosen for premiere at the 2011 DOK Leipzig film festival. The documentary also received the Jury Youth Prize and Best Domestic Documentary Award at the Tempo film festival in Finland. Passage 8: From the Bottom of My Heart From the Bottom of My Heart may refer to: "From the Bottom of My Heart" (Chuck Willis song), recorded by both The Clovers and The Diamonds "From the Bottom of My Heart" (Stevie Wonder song), 2006 Passage 9: Allison Anders Allison Anders (born November 16, 1954) is an American independent film director whose films include Gas Food Lodging, Mi Vida Loca and Grace of My Heart. Anders has collaborated with fellow UCLA School of Theater, Film and Television graduate Kurt Voss and has also worked as a television director. Anders' films have been shown at the Cannes International Film Festival and at the Sundance Film Festival. She has been awarded a MacArthur Genius Grant as well as a Peabody Award. Early life Anders was born in Ashland, Kentucky, to mother Alberta "Rachel" Anders (née Steed) and father Robert "Bob" Anders. She has four sisters, one of whom, Luanna Anders, starred in her first film, Border Radio. Her paternal side has ancestry that traces back to the Southern Hatfield family and, more distantly, to George Washington's spy, Caleb Brewster, while her maternal side includes another Washington spy, Abraham Woodhull.When Anders was 4 years old, her father abandoned the family. Anders' mother and father were divorced when she was 5. At age 12, she was gang raped by three boys at a party in Cape Canaveral, Florida, an event that influenced several of her films. After her mother moved her and her sisters to Los Angeles, Anders suffered a mental breakdown at the age of 15 and was hospitalized. When she came out of the psychiatric ward, she was placed into foster care but ran away. She hitchhiked across the country, at one point ending up in jail. After turning 17, Anders dropped out of her Los Angeles high school and moved back to Kentucky. She later moved to London with the man who fathered her first child.In her early 20s, Anders moved back to Los Angeles with her daughter and attended junior college, Los Angeles Valley College, while working odd jobs. Due to constant relocation as a child, Anders had not had a steady education. She said that growing up, most of her time was spent watching TV and going to movie theaters. Inspired by the films of Wim Wenders and other filmmakers, Anders applied to UCLA Film School. During her time at UCLA, Anders produced her first sound film. Wenders attended the screening. She has called Wenders' 1974 film Alice in the Cities "one of my very favorite films, and a guiding light, since I first saw it at the Nuart in Santa Monica in the 1970s." In 1986, Anders got her B.A. in Motion Picture-Television from the University of California Los Angeles. Career Film In 1986, Anders won a Samuel Goldwyn Writing Award for a script called Lost Highway that she wrote about her father. She said that after writing the script she shared it with her father, and was able to have a relationship with him again.Anders' first film, the punk music-heavy Border Radio, was co-written and co-directed with Kurt Voss and Dean Lent and was made while they were at UCLA. It was nominated for Best Feature of 1988 by the Independent Feature Project for Best First Feature. The film told the story of three musicians who stole money owed to them from a job and then fled to Mexico. The story is set amid the Los Angeles punk-rock scene of the 1980s. With a $2,000 contribution from actor Vic Tayback and loans from Voss's parents to fund the film, the filmmakers made up for the small budget by using local locations and casting performers they knew. For the starring role, they cast Anders' sister, Luanna Anders, and musician Chris D., as the leading man, as well as Anders' daughter, Devon Anders, who played Luanna's daughter in the film. Violating UCLA policy, the filmmakers cut the film at night in the school's editing bays, while Anders' two young daughters slept on the floor. In 2007, Border Radio was given a special release on DVD as part of the Criterion Collection and was lauded as groundbreaking independent cinema.Anders' second feature, the 1992 film Gas Food Lodging, earned her a New York Film Critics Circle Award and National Society of Film Critics honors for Best New Director; and nominations from the Independent Spirit Awards for Best Screenplay and Best Director. Actress Fairuza Balk won a Spirit Award for her role in the film. The film also won the Deauville Film Festival Critics Award and was also nominated for the Golden Bear at the 42nd Berlin International Film Festival. Gas Food Lodging is a coming-of-age story about a truck stop waitress and her two daughters, three vibrant, restless women in an isolated Western town. The screenplay was loosely adapted by Anders from the novel Don't Look and It Won't Hurt by Richard Peck.Her next film, Mi Vida Loca (My Crazy Life), was about girl gangs in the poor Hispanic Echo Park neighborhood of Los Angeles, where Anders lived. It premiered at the Cannes Film Festival in 1993, and saw wide release in 1994. The story features a female perspective on growing up in the inner city. Anders' 1996 film, Grace of My Heart, was a musical drama executive produced by Martin Scorsese, about a songwriter (played by Illeana Douglas) and her career over several years, including work in the early 1960s in music publishing and production offices, a setting based on the Brill Building. This marriage to a songwriting partner and her emergence as a singer-songwriter in the 1970s are among elements paralleling the career of Carole King, but the film is neither a biography nor entirely fiction. The original soundtrack features new songs written in various styles of the era. Elvis Costello and Burt Bacharach had their first collaboration composing a song for the film, "God Give Me Strength," and were nominated for a Grammy Award. In the late 1980s, Anders had become friends with members of pop group Duran Duran, and frequently inserted small references to the band in her films (character names, posters on walls, and so on). In 1999, after bassist John Taylor had left Duran Duran and was beginning to launch an acting career, she and Voss co-wrote and co-directed Sugar Town, about the Los Angeles film and music industry. The film starred several musical friends of Anders', including Taylor, X singer John Doe, Spandau Ballet bassist Martin Kemp, and singer/actor Michael Des Barres. Sugar Town followed the interconnected lives of a handful of power brokers, wanna-bes and has-beens. Gwen (played by Jade Gordon), a self-centered would-be rock star, is working as an assistant to production designer Liz (Ally Sheedy); when Gwen discovers Liz has a date with a music producer (Larry Klein), any loyalty she has to her boss disappears. The film received two Independent Spirit Award nominations, for Best Film and Best Newcomer (Jade Gordon). The film also won Anders and Voss the Fantasporto award for Best Screenplay.Her 2001 autobiographical film, Things Behind the Sun, deals with the long-term aftermath of rape. It was released on the Showtime cable TV network. The film earned an Emmy nomination for actor Don Cheadle as Best Supporting Actor; and three Independent Spirit Award nominations: Cheadle for Best Supporting Actor, Kim Dickens for Best Actress, and Best Film. Anders and co-writer Kurt Voss also received a nomination for an Edgar Award. The film was awarded the SHINE Award as well as the Peabody Award. Things Behind the Sun was inspired by an experience Anders had in 1967 when she was raped by a group of boys. Anders actually shot some of the film in the same location in Cocoa Beach, Florida, where the gang rape occurred.Anders' 2012 film, Strutter, co-directed with Voss, completed a loose trilogy of films about Southern California musicians that began with Border Radio and Sugar Town. A black-and-white road picture, the film featured Luanna Anders from Border Radio, a scene in the motel room where Gram Parsons died, and a score with music by Ariel Pink and J Mascis. The film was funded by a Kickstarter campaign.In 2013, Anders released the Lifetime-produced TV movie Ring of Fire, a June Carter Cash biopic that featured the musician Jewel. The film was inspired by John Carter Cash's book, Anchored in Love: A Tribute to June Carter Cash. Television Anders began directing shows for broadcast and cable television in 1999, including several episodes in the second and third seasons of Sex and the City, as well as episodes of Grosse Pointe, Cold Case, The L Word, Men In Trees, The Mentalist, and What About Brian? In 2011, she directed an episode of the John Wells production, Southland, which involved a car chase scene. Anders directed an episode of Turn: Washington's Spies, which was especially interesting to her because she has distant relatives on both sides of her family who were spies for George Washington. Other work In 2013, Anders interviewed 94-year-old actress and Hollywood legend Marge Champion, who appeared at a 2013 Hollywood film festival screening of 1968 cult film The Swimmer, which starred Burt Lancaster. The interview was featured among behind-the-scenes supplementary material on a 2014 Blu-ray/DVD release of the film by Grindhouse Releasing/Box Office Spectaculars Blu-ray/DVD restoration of the film.Anders and her musician daughter, Tiffany Anders, started the Don't Knock the Rock Film and Music Festival in 2003 in Los Angeles.In 2006, she appeared in the road-trip documentary Wanderlust. Anders has also contributed to the web series Trailers from Hell. In 2013, Anders bid on and won a rock and roll record collection formerly owned by the actress Greta Garbo. She created a website called "Greta's Records" to curate and share the collection of 50 records. In development / past projects Quanah Parker project at AMC Networks with writer Terry Graham Long-term associations Anders counts filmmaker Wim Wenders as a mentor. She started as a fan, sending him letters and music, and Wenders eventually responded. Anders said that she created a faux grant that she "won" so that she and at least one other friend could study under Wenders on location for his film Paris, Texas. They have been friends for over 30 years. Teaching In 2003, Anders became a Distinguished Professor at the University of California Santa Barbara, where she teaches in the Film And Media Studies Department one quarter each year. She has taught courses on topics including autobiographic writing, rock and roll films, and music supervision. Awards 1986: Nicholl Fellowships in Screenwriting – Lost Highway 1986: Samuel Goldwyn Writing Awards – Lost Highway 1988: Independent Spirit Awards for Best First Feature – Border Radio 1992: New York Film Critics Circle for Best New Director – Gas Food Lodging 1992: National Society of Film Critics for Best New Director – Gas Food Lodging 1992: Independent Spirit Awards for Best Screenplay nomination – Gas Food Lodging 1992: Independent Spirit Awards for Best Director nomination – Gas Food Lodging 1995: MacArthur Fellows Program 2001: Independent Spirit Award for Best Film nomination – Things Behind the Sun 2002: Spirit of Silver Lake Award from the Silver Lake Film Festival 2002: Peabody Award for distinguished achievement and meritorious service – Things Behind the Sun 2013: Primetime Emmy Award for Outstanding Directing of a Drama nomination – Ring of Fire Personal life Anders has three children. Her two daughters are Tiffany Anders, a musician and music supervisor, and Devon Anders. Her son, Ruben Goodbear Anders, was fostered (and eventually adopted) by the Anders family for three years after the death of his mother, Nica Rogers, who appeared in Mi Vida Loca. Tiffany was named after the film Breakfast at Tiffany's. Filmography Film Television 1999: Sex and the City – Director, 4 episodes: "The Caste System," "La Donleur Exquise," "Drama Queen," "The Big Time" 2000: Grosse Pointe – Director, 2 episodes: "Boys on the Side," "Star Wars" 2004: Cold Case – Director, 1 episode: "Volunteers" 2006: The L Word – Director, 1 episode: "Last Dance" 2006: Men in Trees – Director, 1 episode: "Power Shift" 2006: What About Brian – Director, 2 episodes: "What About First Steps," "What About the True Confessions?" 2011: SouthLAnd – Director, 2 episodes: "Sideways," "Fallout" 2013: The Mentalist – Director, 1 episode: "The Red Barn" 2014: Orange Is the New Black – Director, 1 episode: "You Also Have a Pizza" 2014: Gang Related – Director, 1 episode: "Invierno Cayó" 2014: The Divide – Director, 1 episode: "Facts Are the Enemy" 2014–2015: Murder in the First – Director, 4 episodes: "Pants on Fire," "Blue on Blue," "The McCormack Mulligan," "Nothing But the Truth" 2015: TURN: Washington's Spies – Director, 1 episode: "False Flag" 2015: Proof – Director, 1 episode: "Memento Vivere" 2017: Time After Time – Director, 1 episode: "Suitcases of Memories" 2017: Riverdale – Director, 2 episodes: "Chapter Seven: In a Lonely Place", "Chapter Fifteen: Nighthawks" 2017: Graves – Director, 1 episode "The Opposite of People" 2018: Sorry for Your Loss – Director, 1 episode: "Visitor" 2019-2023: Mayans MC – Director, 2 episodes: "Kukuklan" and "My Eyes Closed And Then Filled On The Last of Childhood Tears" Works and publications Anders, Allison. "On Claudia Weill's film 'Girlfriends.'" Sight & Sound. Vol. 25 (10). London: British Film Institute, October 2015. ISSN 0037-4806 Passage 10: Henry Otto Henry Otto (August 8, 1877 – August 3, 1952) was an American silent film actor, director, producer, and screenwriter. Otto contributed to over 150 films throughout his career, working as an actor and a director throughout. He directed many films in 1914, in films such as When a Woman Waits, In Tune, The Archeologist, and The Redemption of a Pal working with actors such as Edward Coxen, Charlotte Burton and George Field. He retired from film in 1942. Otto was found dead on August 4, 1952, in Los Angeles. Selected filmography Actor Harbor Island (1912, Short) - General Arieno - Owner of Harbor Island The Lipton Cup: Introducing Sir Thomas Lipton (1913) Margarita and the Mission Funds (1913, Short) - Padre Sandez of the Mission Through the Centuries (1914, Short) - Amos Willing Elizabeth's Prayer (1914) - Richard Lee, A Sporty Acquaintance The Zaca Lake Mystery (1915, Short) - The Hunter Half a Rogue (1916) - Ex-Senator Henderson Mister 44 (1916) - Dick Westfall Lorelei of the Sea (1917) - John Grey The Outlaw Express (1926) - John Mills The Iron Mask (1929) - The King's Valet The Quitter (1929) - Dr. Abott One Hysterical Night (1929) - Dr. Hayden Sea Devils (1931) - Governor Svengali (1931) - Man with Opera Glasses (uncredited) Beware of Ladies (1936) - Plainclothesman (uncredited) The 13th Man (1937) - One Punch (uncredited) Here's Flash Casey (1938) - Dock Warden (uncredited) Silver Queen (1942) - Fight Spectator (uncredited) Sweet Rosie O'Grady (1943) - Minor Role (uncredited) (final film role) Director Betty's Bandit (1912) Beppo (1914) The Measure of Leon Du Bray (1915) Undine (1916) The River of Romance (1916) Mister 44 (1916) Big Tremaine (1916) The River of Romance (1916) The Butterfly Girl (1917) Their Honeymoon Baby (1918) Wild Life (1918) The Island of Intrigue (1919) The Amateur Adventuress (1919) The Great Romance (1919) Fair and Warmer (1919) The Microbe (1919) The Great Victory (1919) The Willow Tree (1920) The Cheater (1920) A Slave of Vanity (1920) Lovebound (1923) The Temple of Venus (1923) Dante's Inferno (1924) The Folly of Vanity (1924) The Ancient Mariner (1925) Alma de Gaucho (1930) Writer Memories of the Past (1911) Oh, Such a Night! (1912) All on Account of a Transfer (1913) Lola (Scenario, 1914) The Phantom Fortune (Scenario, 1915) Half a Rogue (Scenario, 1916) The River of Romance (Scenario, 1916) Big Tremaine (1916) A Slave of Vanity (Scenario, 1920) The Temple of Venus (Story, 1923)

doc_74

Passage 1: La voix (song) "La voix" (French pronunciation: ​[la vwa]; "The voice") is a song by Swedish singer Malena Ernman, which served as the Swedish entry at the 2009 Eurovision Song Contest, held in Moscow, Russia. It was composed by Fredrik Kempe, with lyrics by both Kempe and Ernman. It is the first Swedish entry to contain lyrics in French, as well as being the last Swedish entry to have contained lyrics in a language other than English. Despite the fact that France's Patricia Kaas would get a relatively good placing in the final, Ernman drew further attention to Francophone culture in the semi-final, as well in the grand final (by classing 3rd in the OGAE Second Chance round), despite her ultimate placing (21st). The song was the winner of Melodifestivalen 2009 on 14 March 2009, earning the right to compete for Sweden in the first semi-final of Eurovision 2009 on 12 May 2009. The song qualified for the final round where it finished 21st place with 33 points, making it Sweden's second lowest placing in the contest since 1992's "I morgon är en annan dag" (22nd), and also the second time the country failed to place within the Top 20. In 2010, the song was covered by Russian pop singer Philipp Kirkorov and opera singer Anna Netrebko with Kirkorov singing verses and Netrebko singing chorus. They recorded two versions of the song, one with original French and English lyrics and other sang exclusively in Russian. The song has also been used as the backing track for the musical documentary Spaceplane Sailing. The short film covers the 33-mission career of the Space Shuttle Atlantis and was premiered on YouTube in February 2013. Melodifestivalen and Eurovision "La voix" participated in the fourth heat of the 2009 Melodifestivalen which was held on 28 February 2009 at the Malmö Arena in Malmö. The song was the last of the eight competing entries to perform and directly qualified to the contest final as one of the two songs song which received the most telephone votes. On 14 March, during the final held at the Globe Arena in Stockholm, Ernman were the last of the eleven competing acts to perform, and "La voix" won the contest with 182 points, receiving the highest number of votes from the viewing public via telephone voting despite placing only eighth with the regional and international juries.Sweden participated in the first semi-final of the 2009 Eurovision Song Contest in Moscow, Russia on 12 May 2009. Ernman was the fifth competing artist to perform and Sweden were subsequently announced at the end of the broadcast as one of the ten countries to have qualified for the final. Ernman performed again in the final on 16 May, with Sweden drawn to perform as the fourth country on stage, and subsequently finished in twenty-first place with a total of 33 points. The full breakdown of results published after the final revealed that in the first semi-final Sweden had finished in fourth place with 105 points. Chart performance The song debuted on the Swedish Singles Chart on the week of 13 March 2009 at number 31, before climbing to number 10 the following week and then number four in its third.On 26 April 2009, "La voix" went straight to number one on the Svensktoppen radio chart.In May 2009, the single entered at 29 in the Belgium Ultratip, moved up to 27 in its second week and then fell off the chart. Track listing CD: (Sweden)"La voix" (radio edit) "La voix" (karaoke) Charts Passage 2: Malena Ernman Sara Magdalena Ernman (born 4 November 1970) is a Swedish mezzo-soprano opera singer. Besides operas and operettas, she has also performed chansons, cabaret, jazz, and appeared in musicals. She is a member of the Royal Swedish Academy of Music. Ernman represented Sweden in the Eurovision Song Contest 2009 with the song "La Voix", finishing in 21st place. Life and career Early life Ernman was born in Uppsala, Sweden, spent her childhood and school years in Sandviken, and was educated at the Royal College of Music in Stockholm, the Music Conservatory in Orléans, France, and the school of the Royal Swedish Opera. She is married to actor Svante Thunberg, with whom she had appeared in a 2000 Swedish television musical documentary about the composer Joseph Martin Kraus, played by Thunberg. Together they have two daughters: singer Beata Ernman, and climate activist Greta Thunberg. Operas In 1997, Ernman sang in the premiere of Ivar Hallström's 1897 opera Liten Karin in Vadstena; Opera magazine noted that "the mezzo Malena Ernman was very expressive as Princess Cecilia, King Erik XIV's sister". In 1998, her Rosina in The Barber of Seville at the Royal Opera in Stockholm was described as "displaying impressive technique" and "shaping the character with mocking good humour". The same year, she sang Kaja in the premiere of Sven-David Sandström's Staden under Leif Segerstam also at the Royal Opera in Stockholm, where one reviewer commented that "in vocal focus and expression, her full, rich voice is not that far behind Bartoli". In July 1999, Ernman sang the trouser role of Ziöberg in the premiere of Jonas Forssell's Trädgården (The Garden) at the Drottningholm Palace Theatre in Stockholm, conducted by Roy Goodman, the first new opera to be premiered at the theatre in modern times.In Brussels in 2000, her Nerone in Handel's Agrippina, alongside Rosemary Joshua's Poppea and Anna Caterina Antonacci's Aggripina was described as "the most convincingly brattish young man imaginable".In 2001, Ernman sang Sesto in Handel's Giulio Cesare at the Drottningholm Festival. She sang at the Glyndebourne Festival, in the Summer of 2002 as Nancy in Albert Herring and the next summer as Prince Orlovsky in Johann Strauss's Die Fledermaus, which was also performed at the BBC Proms that year.In 2002/2003 Ernman appeared in Vienna as Diana in La Calisto. In 2003/2004 she sang the part of Donna Elvira in Don Giovanni at La Monnaie in Brussels and appeared at the Aix-en-Provence Festival as Lichas in Hercules by George Frideric Handel, with Les Arts Florissants under conductor William Christie, revived at the Paris Opera and at the Vienna Festival.In the spring and summer of 2005, Ernman created the title role in Philippe Boesmans's Julie, appearing at la Monnaie, at the Vienna Festival, and in Aix-en-Provence. In 2006 she sang as Nerone in L'incoronazione di Poppea in Brussels and Berlin, then as Dido in Dido and Aeneas with William Christie at the Vienna Festival. She also sang in Agrippina at Oper Frankfurt.In August 2006, Ernman made her debut at the Salzburg Festival as Annio in La clemenza di Tito under conductor Nikolaus Harnoncourt. In 2007, her roles included Sesto in Giulio Cesare with René Jacobs in Vienna, Cherubino in Le nozze di Figaro with Daniel Harding in Aix-en-Provence, and Nerone in L'incoronazione di Poppea in Amsterdam. In 2008 she sang Angelina in La Cenerentola with the Royal Swedish Opera and Dido and Aeneas with Christie and the Opéra-Comique in Paris. In 2009 she reprised Angelina in La Cenerentola with Oper Frankfurt and the Swedish Royal Opera, and Dido in Dido and Aeneas with Christie in Vienna and Amsterdam. In 2010, she sang the castrato role of Idamante in Idomeneo under Jérémie Rhorer at the Theatre de la Monnaie in Brussels, where her "feisty" portrayal of the prince was "as if to the gender born, her efforts rewarded by the inclusion of the usually cut aria 'No, la morte'. Vienna saw her in the title role of Serse by Handel in October 2011 at the Theater an der Wien, and the following season she sang Eduige in the Nicolas Harnoncourt-led production of Handel's Rodelinda at the same house, later released on DVD. Back in the city as Elena in La donna del lago in August 2012, she was "impressive... dealing with the vocal difficulties with aplomb and managing the extra dramatic demands made on her with genuine expressivity". She added Béatrice to her repertoire in 2013 in performances at Theater an der Wien of Berlioz's late opéra-comique. Also in 2013 she returned to the part of Aggripina at the Gran Teatre del Liceu in Barcelona, in a production by David McVicar conducted by Harry Bicket.Ernman has sung several major roles with the Staatsoper Berlin, including Cherubino in Le nozze di Figaro and Zerlina in Don Giovanni, both under conductor Daniel Barenboim. She also performed Rosina in Rossini's Il barbiere di Siviglia with Staatsoper Berlin and the Finnish National Opera. With the Royal Opera Stockholm she has also sung the title role in Carmen.Ernman worked with conductor René Jacobs in the roles of Nerone in Agrippina, Roberto in Scarlatti's Griselda and Diana in Cavalli's La Calisto.In 2018, she sang Gabriella in the Swedish musical Så som i himmelen (As It Is in Heaven), based on a 2004 film of the same name, with words by Kay Pollak and Carin Pollak and the score by Fredrik Kempe, which premiered at the Oscarsteatern in September 2018. Concerts Early recitals on Swedish Radio included Rachmaninov in 1994, The airconditioned nightmare by Olov Olofsson, songs by Gunnar de Frumerie, and an eclectic mix of Fauré, Debussy, Jolivet, Ravel, Bizet, Barber, Ives and Lehrer in 1996, Brahms lieder, and works by Carlid, Mahler and Berio in 1998. Ernman has performed several concert pieces as well. At the Salzburg Festival she sang Mozart's "Waisenhausmesse" with conductor Frans Brüggen. She performed Berio's "Folksongs" with the Stockholm Royal Philharmonic Orchestra under Carlo Rizzi, and at the Verbier Festival with Gustavo Dudamel. She sang the world premiere of "Nachtgesänge" by Fabian Müller with the Zurich Tonhalle Orchestra. In Minneapolis she sang Mozart's "Requiem" with Arnold Östman. 2009 Melodifestivalen and Eurovision On 28 November 2008, it was announced that Ernman would enter Melodifestivalen 2009 for the Eurovision Song Contest 2009 with the song "La voix," written by Fredrik Kempe. On 28 February 2009, Ernman competed in the 4th semi-final of Melodifestivalen in Malmö and became a finalist. She went on to win the final on 14 March at the Globe Arena in Stockholm, and to represent Sweden in the Eurovision Song Contest in Moscow. She qualified as a finalist on 12 May and performed in the finals on 16 May, where she finished 21st with 33 points. "La voix" was the first Swedish entry to contain a substantial amount of French lyrics; it was written by Ernman herself, who speaks French fluently. Prior to the competition a documentary about the life and career of Ernman was broadcast on Swedish television entitled 'Rösternas Malena' ('The voice of Malena').Ernman revealed that the dress for her Eurovision performance cost 400,000 kronor (€37,471) and was made by designer Camilla Thulin. Singer Dea Norberg joined Ernman as one of the choirgirls. Ernman later participated in the Second Chance round of Melodifestivalen 2015 as a guest singer for Behrang Miris entry. Personal life Ernman is married to Swedish actor Svante Thunberg. Their first daughter Greta Thunberg rose to worldwide prominence when she initiated the School Strike for Climate. She also has a younger daughter, who is three years younger. Ernman’s career was taking off when Greta was born, and Svante stayed at home to look after their children.In August 2014, 11-year-old Greta suddenly stopped eating, talking, reading, or wanting to do anything. This condition lasted for several months, until she was diagnosed with Asperger syndrome. The acute period of her daughter's condition affected Ernman and her family to such an extent that she had three breakdowns during her professional activity and five performances had to be cancelled. After the crisis was overcome, she turned to the nationwide daily newspaper Expressen, which reported it in detail, because she wanted to help other families in a similar situation.Ernman has been politically active in support of the Paris Agreement; in June 2017 she wrote a collaborative debate piece in Dagens Nyheter. With her husband, she co-wrote the book Scenes from the Heart about her family, the environment, and sustainability. It was published in August 2018. Awards 2010: appointed Hovsångerska (lit. "[royal] court singer") by Carl XVI Gustaf of Sweden 2017: WWF-Sweden "Environmental Hero of the Year" Discography Albums 2000: Naïve (KMH) – songs by Olov Olofsson, Bo Linde, Bror Samuelson, Sandström, among others, with ensemble directed by Chrichan Larson 2001: Cabaret Songs – songs by William Bolcom, Kurt Weill, Friedrich Hollander and Benjamin Britten; with Bengt-Åke Lundin, piano (BIS) 2003: Songs in Season (Nytorp Musik) – songs related to nature and the seasons by Mendelssohn, Grieg, Respighi, Storm, Copland, Koechlin, Mahler, Gefors, Schreker, Fauré, Liszt, Finzi, Sibelius, Tchaikovsky, and Jennefelt. With Francisca Skoogh (piano), recorded in January 2002 at Swedish Radio in Stockholm. 2003: My Love – opera arias (by Rossini, Bizet, Mozart) and songs (by Ravel, Legrand, Mozart, Schubert, Ellington, Lindberg, Nilsson) arranged with guitar accompaniment from Mats Bergström (BIS) 2009: La Voix du Nord – 'pop works', 'One Step From Paradise', 'La voix', 'Min plats på jorden', 'Sempre libera', 'What Becomes of Love', 'Un bel dì', 'Breathless Days', 'Perdus', 'Tragedy', 'All the Lost Tomorrows'; and arias 'Quando me n'vò' (Puccini), 'Voi che sapete' (Mozart), Solveig's song from Peer Gynt (Grieg), 'O mio babbino caro' (Puccini), 'Vedrai, carino' (Mozart), 'Una voce poco fa' (Rossini), 'Lascia ch'io pianga' (Händel), 'Caro mio ben' (Giordani), 'Non più mesta' (Rossini), 'Ombra mai fu' (Händel) and 'When I am laid in earth' (Purcell), conducted by Alberto Hold-Garrido. The record is dedicated to "my daughters Greta and Beata and to my husband Svante". 2010: Santa Lucia – En klassisk jul (Christmas album) 2011: Opera di Fiori (Roxy Recordings/Universal) 2013: I decembertid 2014: SDS (Fyra sånger för Malena and Missa brevis by Sven-David Sandström, with the Musica Vitae, Gustaf Sjökvist Kammarkör conducted by Gustaf Sjökvist) 2015: Advent 2016: SverigeOthersAlfred Schnittke: Symphony No. 2 'St. Florian'; Mikaeli Chamber Choir, Royal Stockholm Philharmonic conducted by Leif Segerstam, with Göran Eliasson, Mikael Bellini, Torkel Borelius (BIS, 1995) Nachtgesänge – song-cycle by Fabian Müller, with the Philharmonia Orchestra, conducted by David Zinman (Col legno) Maurice Duruflé: Requiem, Op. 9 with the Swedish Radio Choir. Recorded 2004, Stockholm. Sven-David Sandström: The High Mass, with the Gewandhaus Orchester Leipzig & MDR Chor Leipzig, Herbert Blomstedt. DG, 2005 Romantic Swedish Vocal Works Vol. 2, with Olle Persson, Bengt-Åke Lundin. Includes Gustav Nordqvist: Tre Bo Bergman-dikter; Ingemar Liljefors: Tre Sånger "Den utvalda", Jag vantar manen, and Lagg din hand i min om du har lust; Åke Uddén: Tre Sånger ur Chansons de Bilitis; Hilding Hallnäs: Fem Dikter "I skogen om natten", Op. 17. (Phono Suecia, 2005) Berio: Folk Songs – part of 'Verbier Festival: 25 Years of Excellence', with the Verbier Festival Orchestra conducted by Gustavo Dudamel (recorded July 2005) (Deutsche Grammophon) Arias by Johann Christoph Bach "Ach, daß ich Wassers genug hätte", Bacri "Lamento", and JS Bach "Wie jammern mich doch die verkehrten Herzen" from Cantata BWV 170, with Ensemble Matheus, directed by Jean-Christophe Spinosi, part of 'Miroirs' (2013, Deutsche Grammophon) Mozart: Così fan tutte, K588; with Christopher Maltman, Simone Kermes, Kenneth Tarver, Konstantin Wolff, Anna Kasyan; MusicAeterna, Teodor Currentzis (Sony, 2014) – as Dorabella Singles 2009: "La voix" - sung at the Eurovision Song Contest 2009 2010: "Min plats på jorden" DVD Strauss: Die Fledermaus with Pamela Armstrong, Thomas Allen, Lyubov Petrova, Håkan Hagegård, London Philharmonic Orchestra, Vladimir Jurowski. Filmed at Glyndebourne 2003 (Opus Arte) – Prince Orlovsky. Handel: Hercules with William Shimell, Joyce DiDonato, Toby Spence, Les Arts Florissants, William Christie. Filmed at the Festival d'Aix-en-Provence 2004 (Bel Air Classiques) – Lichas. Boesmans: Julie with Gary Magee, Kerstin Avemo, the Chamber Orchestra of la Monnaie, Kazushi Ono. Aix-en Provence 2005 (Bel Air Classiques) – title role. Purcell: Dido and Aeneas with Christopher Maltman, Les Arts Florissants, William Christie (conductor). Filmed at the Paris Opéra Comique 2008 (FRA) – Dido. Handel: Rodelinda with Danielle de Niese, Bejun Mehta, Kurt Streit, Concentus Musicus Wien, Nikolaus Harnoncourt. Filmed at the Theater an der Wien, 2011 (Belvedere) – Eduige. Mozart: Don Giovanni with Erwin Schrott, Anna Netrebko, Luca Pisaroni, Charles Castronovo, Katija Dragojevic, Balthasar-Neumann-Orchestra, Thomas Hengelbrock (Sony) 2013 – Donna Elvira. See also Flight shame (aka 'Flygskam') Passage 3: Bernie Bonvoisin Bernard Bonvoisin (French pronunciation: ​[bɛʁnaʁ bɔ̃vwazɛ̃]), known as Bernie Bonvoisin (French pronunciation: ​[bɛʁni bɔ̃vwazɛ̃], born 9 July 1956 in Nanterre, Hauts-de-Seine), is a French hard rock singer and film director. He is best known for having been the singer of Trust. He was one of the best friends of Bon Scott the singer of AC/DC and together they recorded the song "Ride On" which was one of the last songs by Bon Scott. External links Bernie Bonvoisin at IMDb Passage 4: Paule Desjardins Paule Desjardins (29 April 1929 — 31 December 2007), also known as Paule Canat, was a French singer and fashion designer. She represented France in the Eurovision Song Contest 1957 with the song "La belle amour" which finished second with 17 points.In the early 1960s, she ended her musical career to marry the French industrialist Charles Canat. She started a new career as a lingerie designer in Millau. From 1960 to 1992, Paule was responsible for the creation of collections, developing new clothing lines that played an important role in the development of the company.Paule and Charles had a son, Joël. He ran his father’s company from 1991-1996, before selling it to Saaly Holding. Charles passed away on 1 December 2007, at the age of 86. Paule passed away exactly 30 days after his death. Passage 5: Another Girl "Another Girl" is a song by the English rock band the Beatles from their 1965 album Help! and included in the film of the same title. The song was written by Paul McCartney and credited to the Lennon–McCartney partnership. The song is addressed to the singer's girlfriend, who is informed that the singer has found "another girl." Composition and recording McCartney wrote the song while holidaying in Hammamet, a resort in Tunisia. With an up-tempo swing-beat that McCartney favoured ("Can't Buy Me Love", "She's a Woman") it opens with a short refrain, powered by block vocal harmonies, that segues straight into the verse, which is constructed on the blues-mode chord changes the group currently favoured. The bridge theme makes a sudden key change up a minor third from A to C (a harmonic strategy also used on the record's next track "You're Going to Lose That Girl") and features more close three-part harmonies as the aggressively sung verse's apparent threat to a jealous girl turns into a sweet tribute to the "other" girl who "will always be my friend". The Beatles recorded the song on 15 February 1965, having also worked that day on "Ticket to Ride" and "I Need You". The backing track was quickly recorded in a single take. George Harrison added a guitar "flourish" at the end which was omitted from the final mix: McCartney added lead guitar the next day. This is one of several Beatles songs recorded at the time on which McCartney played lead guitar in addition to his usual bass. Four-track recording allowed the group to refine songs' arrangements in the studio and McCartney often had clear ideas about the guitar lines he wanted. He also contributed lead guitar to "Ticket to Ride" and played an electric guitar duet with Harrison on "The Night Before". The song was mixed down on 18 February and again on 23 February.This song features the often-utilized three-part harmonies between Lennon, McCartney and Harrison, but it is one of the only instances in which Lennon sings the highest harmony. McCartney said of this song and other album tracks, "It's a bit much to call them fillers because I think they were a bit more than that, and each one of them made it past the Beatles test. We all had to like it." Live performances The song was performed live for the first time by a Beatle when Paul McCartney returned to the Nippon Budokan, Tokyo, on 28 April 2015; this was 49 years after the Beatles had first played at the venue, in June and July 1966. In a released statement, McCartney said, "It was sensational and quite emotional remembering the first time and then experiencing this fantastic audience tonight." In the film Help! In the film Help!, McCartney lip-syncs "Another Girl" while standing on a coral reef on Balmoral Island in the Bahamas, and plays a girl in a bikini as if she is a guitar. Since McCartney's hands are occupied (with either bass or girl), George Harrison mimes McCartney's guitar fills as if playing them himself. The four of them each change instruments. For instance, Harrison is seen playing McCartney's bass and looks confused. Starr is shown playing acoustic guitar and Lennon mimes playing drums. Another scene was filmed at the Cloisters, a famous Bahamian landmark. Cover versions The George Martin Orchestra covers the track on Help!, their instrumental reworking of the Beatles' album. Berlin-based Lautten Compagney covers the track on their 2021 album "Time Travel" in an arrangement for baroque orchestra and saxophone. Personnel According to George Martin, quoted by Kevin Ryan and Brian Kehew: Paul McCartney – double-tracked lead vocal, bass guitar, lead guitar John Lennon – harmony vocal, electric rhythm guitar George Harrison – harmony vocal, acoustic rhythm guitar Ringo Starr – drums Notes Passage 6: Caspar Babypants Caspar Babypants is the stage name of children's music artist Chris Ballew, who is also the vocalist and bassist of The Presidents of the United States of America. History Ballew's first brush with children's music came in 2002, when he recorded and donated an album of traditional children's songs to the nonprofit Program for Early Parent Support titled "PEPS Sing A Long!" Although that was a positive experience for him, he did not consider making music for families until he met his wife, collage artist Kate Endle. Her art inspired Ballew to consider making music that "sounded like her art looked" as he has said. Ballew began writing original songs and digging up nursery rhymes and folk songs in the public domain to interpret and make his own. The first album, Here I Am!, was recorded during the summer of 2008 and released in February 2009. Ballew began to perform solo as Caspar Babypants in the Seattle area in January 2009. Fred Northup, a Seattle-based comedy improvisor, heard the album and offered to play as his live percussionist. Northrup also suggested his frequent collaborator Ron Hippe as a keyboard player. "Frederick Babyshirt" and "Ronald Babyshoes" were the Caspar Babypants live band from May 2009 to April 2012. Both Northup and Hippe appear on some of his recordings but since April 2012 Caspar Babypants has exclusively performed solo. The reasons for the change were to include more improvisation in the show and to reduce the sound levels so that very young children and newborns could continue to attend without being overstimulated. Ballew has made two albums of Beatles covers as Caspar Babypants. Baby Beatles! came out in September 2013 and Beatles Baby! came out in September 2015. Ballew runs the Aurora Elephant Music record label, books shows, produces, records, and masters the albums himself. Distribution for the albums is handled by Burnside Distribution in Portland, Oregon. Caspar Babypants has released a total of 17 albums. The 17th album, BUG OUT!, was released on May 1, 2020. His album FLYING HIGH! was nominated for a Grammy Award for Best Children's Album. All 17 of the albums feature cover art by Ballew's wife, Kate Endle. "FUN FAVORITES!" and "HAPPY HITS!" are two vinyl-only collections of hit songs that Caspar Babypants has released in the last couple of years. Discography AlbumsPEPS (2002) Here I Am! (Released 03/17/09) Special guests: Jen Wood, Fysah Thomas More Please! (Released 12/15/09) Special guests: Fred Northup, Ron Hippe This Is Fun! (Released 11/02/10) Special guests: Fred Northup, Ron Hippe, Krist Novoselic, Charlie Hope Sing Along! (Released 08/16/11) Special guests: Fred Northup, Ron Hippe, "Weird Al" Yankovic, Stone Gossard, Frances England, Rachel Loshak Hot Dog! (Released 04/17/12) Special guests: Fred Northup, Ron Hippe, Rachel Flotard (Visqueen) I Found You! (Released 12/18/12) Special guests: Steve Turner (Mudhoney), Rachel Flotard (Visqueen), John Richards Baby Beatles! (Released 09/15/13) Rise And Shine! (Released 09/16/14) Night Night! (Released 03/17/15) Beatles Baby! (Released 09/18/2015) Away We Go! (Released 08/12/2016) Winter Party! (Released 11/18/16) Jump For Joy! (Released 08/18/17) Sleep Tight! (Released 01/19/18) Keep It Real! (Released 08/17/18) Best Beatles! (Released 03/29/19) Flying High! (Released 08/16/19) Bug Out! (released 05/1/20) Happy Heart! (Released 11/13/20) Easy Breezy! (Released 11/05/21)AppearancesMany Hands: Family Music for Haiti CD (released 2010) – Compilation of various artists Songs Stories And Friends: Let's Go Play – Charlie Hope (released 2011) – vocals on Alouette Shake It Up, Shake It Off (released 2012) – Compilation of various artists Keep Hoping Machine Running – Songs Of Woody Guthrie (released 2012) – Compilation of various artists Apple Apple – The Harmonica Pocket (released 2013) – vocals on Monkey Love Simpatico – Rennee and Friends (released 2015) – writer and vocals on I Am Not Afraid Sundrops – The Harmonica Pocket (released 2015) – vocals on Digga Dog Kid Passage 7: Kristian Leontiou Kristian Leontiou (born February 1982) is an English singer. Formerly a solo artist, he is the lead singer of indie rock band One eskimO. Early life Kristian Leontiou was born in London, England and is of Greek Cypriot descent. He went to Hatch End High School in Harrow and worked several jobs in and around London whilst concentrating on music when he had any free time. In 2003 he signed a major record deal with Polydor. At the time, Leontiou was dubbed "the new Dido" by some media outlets. His debut single "Story of My Life" was released in June 2004 and reached #9 in the UK Singles Chart. His second single "Shining" peaked at #13 whilst the album Some Day Soon was certified gold selling in excess of 150,000 copies. Leontiou toured the album in November 2004 taking him to the US to work with L.A Reid, Chairman of the Island Def Jam music group. Unhappy with the direction his career was going, on a flight back from the US in 2004 he decided to take his music in a new direction. Splitting from his label in late 2005, he went on to collaborate with Faithless on the song "Hope & Glory" for their album ‘'To All New Arrivals'’. It was this release that saw him unleash the One eskimO moniker. It was through working with Rollo Armstrong on the Faithless album, that Rollo got to hear an early demo of "Astronauts" from the One eskimO project. Being more than impressed by what he heard, Rollo opened both his arms and studio doors to Leontiou and they began to co-produce the ‘'All Balloons’' album. It was at this time that he paired up with good friend Adam Falkner, a drummer/musician, to introduce a live acoustic sound to the album. They recorded the album with engineer Phill Brown (engineer for Bob Marley and Robert Plant) at Ark studios in St John's Wood where they recorded live then headed back to Rollo's studio to add the cinematic electro touches that are prominent on the album. Shortly after its completion, One eskimO's "Hometime" was used on a Toyota Prius advert in the USA. The funds from the advert were then used to develop the visual aspect of One eskimO. He teamed up with friend Nathan Erasmus (Gravy Media Productions) along with animation team Smuggling Peanuts (Matt Latchford and Lucy Sullivan) who together began to develop the One eskimO world, the first animation produced was for the track ‘Hometime’ which went on to win a British animation award in 2008. In 2008 Leontiou started a new management venture with ATC Music. By mid-2008 Time Warner came on board to develop all 10 One eskimO animations which were produced the highly regarded Passion Pictures in London. Now with all animation complete and a debut album, One eskimO prepare to unveil themselves fully to the world in summer 2009. Leontiou released a cover version of Tracy Chapman's "Fast Car", which was originally released as a single in 2005. Leontiou's version was unable to chart, however, due to there being no simultaneous physical release alongside the download single, a UK chart rule that was in place at the time. On 24 April 2011, the song entered the singles chart at number 88 due to Britain's Got Talent contestant Michael Collings covering the track on the show on 16 April 2011. Discography Albums Singles Notes A - Originally released as a single in April 2005, Leontiou's version of "Fast Car" did not chart until 2011 in the UK. Also featured on Now That's What I Call Music! 58 (Story of My Life) Win a Date with Tad Hamilton! OST, Love Love Songs - The Ultimate Love Collection (Shining) Summerland OST (The Crying) Passage 8: O Valencia! "O Valencia!" is the fifth single by the indie rock band The Decemberists, and the first released from their fourth studio album, The Crane Wife. The music was written by The Decemberists and the lyrics by Colin Meloy. It tells a story of two star-crossed lovers. The singer falls in love with a person who belongs to an opposing gang. At the end of the song, the singer's lover jumps in to defend the singer, who is confronting his lover's brother (the singer's "sworn enemy") and is killed by the bullet intended for the singer. Track listing The 7" single sold in the UK was mispressed, with "Culling of the Fold" as the B-side despite the artwork and record label listing "After the Bombs" as the B-side. Music videos For the "O Valencia!" music video, The Decemberists filmed themselves in front of a green screen and asked fans to complete it by digitally adding in background images or footage. Stephen Colbert of The Colbert Report, having recently asked fans to do the same with a video of him with a light saber in front of a green screen, brought up The Decemberists on his segment "Look Who's Riding on My Coattails Now" and accused the band of stealing the idea. The Decemberists' response was to challenge Stephen Colbert to a guitar solo showdown on December 20, 2006, on The Colbert Report.On January 19, 2007, The Decemberists premiered an alternate music video of "O Valencia!", directed by Aaron Stewart-Ahn, on MTV2. The video follows a character named Patrick, played by Meloy, as he and his love Francesca (Lisa Molinaro), daughter of "the Boss", plan an escape to an unknown location. At a cafe, a man in a suit, portrayed by the band member Chris Funk, tells him to hide in the "Valencia" hotel (the Super Value Inn on North Interstate Avenue in Portland, Oregon) while he gets them the necessary documentation to escape. Above the name of the hotel, there is a neon sign that reads "Office". The letters have all burnt out except for the "O", creating the title of the song. The video then introduces other characters - various assassination teams - who sit in different rooms of the hotel waiting for the chance to catch the two lovers. Most are portrayed by other members of the band (along with Meloy's wife, Carson Ellis). They kill off any potential witnesses to their plan. Patrick manages to take down one member from each team, before they gang up on him. The Boss arrives, along with the man from the cafe, who reveals that he snitched on Patrick and Francesca. They execute Francesca, while forcing Patrick to watch. After they leave, Patrick finds a note by Francesca, which reveals that she never fell in love with him, and only wanted protection. 2 months later, Patrick and the man, who has lost an eye from a previous assassination attempt, have a sit-down at the same cafe. The man reveals that he snitched on Patrick just to take over the town. Patrick reveals that he poisoned a drink the man was having, but before he could get away, the man stabs Patrick in the neck with a fork before dying, followed by Patrick. The video is somewhat influenced by the distinct style and themes of director Wes Anderson, with bold fonts being used to introduce characters and groups on the bottom of the screen (much like in the film The Royal Tenenbaums). The band had previously (and more explicitly) drawn influence from Anderson's Rushmore in their video for "Sixteen Military Wives". The layout of the hotel is also similar to the one used in Bottle Rocket. Kurt Nishimura was chosen as the winner by mtvU for his video that depicted a love affair between a woman and her television, with the TV containing the green-screened Decemberists video footage. Passage 9: Billy Milano Billy Milano (born June 3, 1964) is an American heavy metal and hardcore punk musician. He is the singer and occasionally guitarist and bassist of crossover thrash band M.O.D., and was the singer of its predecessor, Stormtroopers of Death. Prior to these bands, Milano played in early New York hardcore band the Psychos, which also launched the career of future Agnostic Front vocalist Roger Miret. Milano was also the singer of United Forces, which included his Stormtroopers of Death bandmate Dan Lilker. Milano managed a number of bands, including Agnostic Front, for whom he also co-produced the 1997 Epitaph Records release Something's Gotta Give and roadie for Anthrax. Discography Stormtroopers of Death albums Stormtroopers of Death videos Method of Destruction (M.O.D.) Mastery Passage 10: Panda (Astro song) Astro is the first album of long duration (after the EP Le disc of Astrou) of Chilean indie band Astro, released in 2011. The first single from the album was "Ciervos" and followed "Colombo", "Panda" and "Manglares". This album was chosen by National Public Radio among the 50 discs of 2012. Track listing All tracks written by Andrés Nusser, except where noted. Ciervos (Deer) Coco (Coconut) Colombo Druida de las nubes (Druid of the clouds) Panda Miu-Miu Manglares (Mangroves) Mira, está nevando en las pirámides (Look, it's snowing in the pyramids) Volteretas (Tumbles) Pepa Nueces de Bangladesh (Nuts of Bangladesh) Miu-Miu reaparece (Miu-Miu reappears) Personnel Astro Andrés Nusser – vocals, guitar Octavio Caviares – drums Lego Moustache – keyboards, percussion Zeta Moustache – keyboards, bassProduction Andrés Nusser – producer, recording and mixing Chalo González – mixing and mastering Cristóbal Carvajal – recording Ignacio Soto – recording

doc_75

Passage 1: Lethal Weapon 3 Lethal Weapon 3 is a 1992 American buddy cop action film directed by Richard Donner and written by Jeffrey Boam and Robert Mark Kamen. The sequel to Lethal Weapon 2 (1989), it is the third installment in the Lethal Weapon film series and stars Mel Gibson, Danny Glover, Joe Pesci, Rene Russo, and Stuart Wilson.In Lethal Weapon 3, LAPD Sergeants Martin Riggs (Gibson) and Roger Murtaugh (Glover) pursue Jack Travis (Wilson), a former LAPD lieutenant turned ruthless arms dealer, during the six days prior to Murtaugh's retirement. Riggs and Murtaugh are joined by Leo Getz (Pesci) as well as internal affairs Sergeant Lorna Cole (Russo). The film was a box office success, grossing over $320 million worldwide. It was the fifth-highest-grossing film of 1992 and the highest-grossing installment in the series overall. The film was followed by Lethal Weapon 4 in 1998. Plot A week before his retirement, L.A.P.D. Sergeant Roger Murtaugh and his partner Martin Riggs are demoted to uniform duties after failing to defuse an office building bomb. While on street patrol they witness the theft of an armored car, and help to thwart the crime assisted by armored car driver Delores. One of the two thieves gets away, but the other is taken into police custody. The suspect is found to be a known associate of Jack Travis, a former LAPD lieutenant who is running an arms smuggling ring in Los Angeles. The department is further concerned that the thieves were using armor-piercing bullets. Riggs and Murtaugh are re-promoted and assigned to work with Sergeant Lorna Cole from internal affairs to track down Travis. Travis is currently negotiating with mobster Tyrone regarding his arms deal. The armored car thief that escaped is brought to Travis, who subsequently kills him in front of Tyrone for putting the police on his trail. Travis then uses his old police credentials to enter the interrogation room and kill the suspect in custody before he can be interviewed. Travis is unaware that closed-circuit cameras have been installed in the station, and Cole is able to confirm Travis' identity. While the three are reviewing the footage, their good friend Leo Getz, who has been helping Murtaugh sell his house, arrives and immediately recognizes Travis from several prior business deals and his love of ice hockey. Murtaugh, Riggs, and Getz narrowly miss capturing Travis at a hockey match, and Getz is wounded. However, Getz manages to provide them with information of a warehouse Travis owns, which they suspect is where he has stored his arms shipments. Riggs and Murtaugh contact Cole for backup before they raid the warehouse, and stop at a food truck to wait for her. As they wait for their food, they witness a drug deal and attempt to stop it. Murtaugh kills a gunman who fired at them, while the rest escape. Murtaugh recognizes the gunman, Darryl, a close friend of his son Nick. With Murtaugh emotionally distraught, Riggs and Cole head to the warehouse, where they successfully secure his next arms shipment delivery. That night, Riggs and Cole find they have feelings for each other and sleep together. Riggs later finds a guilt-ridden Murtaugh drunk in his boat and consoles him in time for Darryl's funeral. There, Darryl's father passionately insists that Murtaugh find the person responsible for giving Darryl the gun. Cole finds that Darryl's gun, the armor-piercing bullets, and the arms they recovered were originally in police custody, meant to be destroyed, and were stolen by Travis; they revoke his credentials from the system. They further tie the guns to Tyrone and interrogate him. Tyrone directs them to an auto garage where many of his henchmen work from. Riggs, Murtaugh, and Cole are able to arrest several of the men. Meanwhile, Travis has one of his men hack into the computer system to find another arms storage area. He then forces Captain Murphy under gunpoint to take him to this new facility so he can steal the guns using Murphy's credentials. Cole finds the evidence of hacking and Murphy's absence, and the three, along with a rookie cop, Edwards, who looks up to Riggs and Murtaugh, intercept Travis. They are able to rescue Murphy and stop Travis and his men before he can take the weapons, but Edwards is killed during their pursuit. Getz provides information on a housing development owned by Travis's shell company. Riggs, Murtaugh, and Cole infiltrate the site at night and enter a large-scale gunfight. Riggs sets the construction site on fire and most of Travis' men are killed, while Travis wounds Cole. When Travis uses a bulldozer to chase down Riggs, using its blade as a bullet shield, Murtaugh tosses Daryl's gun, now loaded with the armor-piercing bullets, to Riggs, who then shoots and kills Travis through the blade. After finding out Cole wore two layers of kevlar vests, Riggs admits his love for her as she is taken away in a chopper. The next day, Murtaugh's family is celebrating his retirement, when Murtaugh reveals to Getz that he has decided to not sell the house and stay with the force, preserving his partnership with Riggs. As the film ends, Riggs announces his relationship with Cole to Murtaugh. Cast Production The movie was filmed from October 1991 to January 1992. Richard Donner, an animal-rights and pro-choice activist, placed many posters and stickers for these causes in the film. Of note are the T-shirt worn by one of Murtaugh's daughters (the actress's idea), an 18-wheeler with an anti-fur slogan on the side, and a sticker on a locker in the police station. Demolition scenes In the film's first scene, Riggs accidentally sets off a bomb that destroys the ICSI Building. The ICSI Building was actually the former City Hall building of Orlando, Florida, located at the intersection of Orange Avenue and South Street in Downtown Orlando. Warner Bros. decided to use the destruction of the building in the film, and as a result paid $500,000 for the demolition. From August to October 1991, the production crew fitted the old Orlando City Hall building featured in the opening scene with carefully placed explosives to create the visual effect of a bomb explosion. Bill Frederick, then mayor of Orlando, Florida, was the policeman who sarcastically claps and said "Bravo!" to Murtaugh and Riggs after the explosion. The building was demolished so that it would collapse slightly forward (toward Orange Avenue), minimizing the chances of it damaging the new City Hall building, built directly behind it. The space was cleared out and became a plaza for the new City Hall, with a fountain and a monument. The film's climax scene, where an under-construction housing development is set ablaze, was filmed at an unfinished housing development in Lancaster, California. The unfinished houses, which had been sitting abandoned and slated to be torn down, were coated in flame retardant and propane gas lines to ensure that the houses could withstand re-shoots. The original homes were eventually demolished and was eventually redeveloped into another housing development. During the closing credits, Riggs and Murtaugh drive up to an old hotel where another bomb has been placed. Before they (their doubles) can exit the car, the bomb explodes and destroys the building. The hotel was actually the former Soreno Hotel in downtown St. Petersburg, Florida. The film's producers agreed to help with the cost of the 68-year-old building's implosion for the purposes of their film. Hockey game A November 26, 1991 NHL game between the Los Angeles Kings and the Toronto Maple Leafs at the Great Western Forum served as the basis for the hockey scene featured in the movie. The league allowed production to capture the real-life action, although goaltender Kelly Hrudey eventually became annoyed with the additional lights used by the crew and asked filming to stop.The NHL also let Donner stage part of the scene, where Riggs commandeers the arena's PA system to lure out Jack Travis, during the game's second intermission. It was completed in two takes. However, the director was not allowed to film the segment where Riggs chases down Travis onto the ice that evening. It was completed after a Kings practice. In closer shots, these sequences used extras dressed in unlicensed jerseys that only roughly resemble those worn by the actual teams. A contemporary AP report cites Lethal Weapon's excessive violence as the reason why the NHL limited its collaboration. However, the organization took a relaxed stance towards the more intense Sudden Death a few years later. The Los Angeles Kings later featured in a season three episode of the Lethal Weapon TV series, entitled "What The Puck?". Writing Jeffrey Boam's first two drafts of the script were different from the final film. The character of Lorna for example was not a woman in original drafts, but the original character still had the same personality and was just as lethal and crazy as Riggs, making him his match. Riggs also had an affair with Roger's daughter Rianne, and a few parts in the final film where Roger suspects that Riggs and Rianne are interested in each other are only parts left from the original drafts. Director Richard Donner demanded some big changes on the script which included changing the original character of Lorna (who had a different name in earlier drafts) into a woman and turning her into Riggs's girlfriend. He also re-worked the script to be less story-oriented and not focus on the main villains but instead on the relationship between Riggs and Murtaugh. He also toned down action scenes from the script and brought back Leo Getz into the story. All of his scenes were written in afterwards. In the original script Leo had left L.A. for New York. Boam had some disagreements with changes that Donner made, but he was not against them. Boam was fired after he wrote his first two drafts of the script. One of the reasons for this was because Donner wasn't interested in the script and he disagreed with some parts of Boam's original draft. After another writer, Robert Mark Kamen, was hired to re-write the script, Boam was called to return to work on it again. The filmmakers realized that Kamen's re-writes were not working. Boam asked to work alone on the script and ended up constantly changing it from October 1991 until January 1992 while filming was taking place. These types of changes also occurred during the filming of Lethal Weapon 2.According to Kamen in a 2012 interview, many of his writing contributions ended up in the final film. Kamen also wrote many parts of the previous film in the series, with the most significant portions being the South African villains.Screenwriter Jeffrey Boam is credited twice in the 'screenplay by' credits. This is because he did one draft by himself (granting him the first credit) and a second draft collaborating with Robert Mark Kamen (granting him the second credit). In this rare scenario, Boam was hired to rewrite his own script with a second writer. After receiving the unusual writing credits, the advertising department assumed it was a misprint and produced posters with the credits "Story by Jeffrey Boam, Screenplay by Jeffrey Boam and Robert Mark Kamen". After a few of the posters had been sent out, the WGA contacted the department, telling them that the initial credits were the correct ones, and ordering the posters to be recalled and destroyed. Carrie Fisher was an uncredited script doctor on the film. Martial arts Russo received martial arts training for a month before shooting from Cheryl Wheeler-Dixon, who had a karate background and was a former kickboxing champion, and Wheeler-Dixon was also her stunt double. Brazilian Jiu-Jitsu instructor Rorion Gracie, who had taught Gibson and Gary Busey in the first movie of the series in 1987, also provided training to Russo and acted as stuntman for a fight scene. Promotion To promote the film, theater lobbies featured a 3-D cutout of the film poster of Riggs and Murtaugh posing with their guns and Leo Getz peeking from the background. On the display, there was a motor which helped Leo's head bob up and down from behind them. Release Box office Lethal Weapon 3 made $33.2 million during its opening weekend. The $35 million film was a big box-office success, earning $145 million. Although slightly less than the $150 million domestic gross of the first sequel, it was nevertheless the second-most successful summer film of 1992 (after Batman Returns) and the fifth most profitable film of the year, as well as the highest-grossing in the film series worldwide with $320 million worldwide. After the film's success, Warner Bros. head Robert A. Daly bought Land Rovers for Gibson, Glover, Pesci, Russo, Donner, Boam, and producer Joel Silver. Daly later said "It cost us $320,000 to buy those Land Rovers, and we were criticized left and right for the expense. Do you know what it got us? Lethal Weapon 4, which made $285 million". Critical reception Rotten Tomatoes gives the film a score of 58%, with an average rating of 5.6/10, based on 48 reviews from critics. The website's "Critics Consensus" for the film reads, "Murtaugh and Riggs remain an appealing partnership, but Lethal Weapon 3 struggles to give them a worthy new adventure as it cranks up the camp along with the mean-spiritedness". Metacritic gives a weighted average rating of 40/100 from 26 critics, indicating "mixed or average reviews". Audiences polled by CinemaScore gave the film an average grade of "A−" on an A+ to F scale.Roger Ebert of the Chicago Sun-Times gave the film a positive review, awarding it 3 out of 4 stars. Home media Lethal Weapon 3 has been released on VHS and DVD numerous times. The first DVD was released in 1997 and featured the film's theatrical version. The 1997 DVD contains both the widescreen and the pan and scan editions. The Director's Cut was released in 2000. Since then, numerous sets have been released that contain all four films in the series (featuring the same DVDs). The film was released on Blu-ray Disc in 2011. Soundtrack Lethal Weapon 3 (Original Motion Picture Soundtrack) was released on June 9, 1992, on audio cassette and CD. The soundtrack was performed and composed by Michael Kamen, Eric Clapton, and David Sanborn. Its title songs, "It's Probably Me", and "Runaway Train" were written and performed by Eric Clapton with the assistance of Sting and Elton John respectively.In 2013 La-La Land Records issued the complete score on a two-disc set as part of Lethal Weapon Soundtrack Collection. Track listing Original album "It's Probably Me" by Sting and Eric Clapton "Runaway Train" by Elton John and Eric Clapton "Grab the Cat" "Leo Getz Goes to the Hockey Game" "Darryl Dies" "Riggs and Rog" "Roger's Boat" "Armour Piercing Bullets" "God Judges Us by Our Scars" "Lorna – A Quiet Evening by the Fire" La-La Land album Tracks with one asterisk are previously unreleased, tracks with two asterisks contain previously unreleased material. Disc one"Trust Me" – 3:34 * "Afterglow" – 0:57 "Jaywalker" – 2:01 * "Armoured Car Chase" – 4:33 * "Leo Getz" – 3:20 ** "Concrete Death" – 1:59 ** "Rianne's Big Break" – 2:16 * "Locker Room" – 0:43 * "Firing Range" – 0:59 * "Jack Kills Billy" – 3:15 * "Hockey Game" – 0:58 * "Dum-Dum Wound" – 1:07 * "Shooting Darryl, Part 1" – 3:12 ** "Shooting Darryl, Part 2/Step into My Office" – 2:17 ** "Man's Best Friend/Lorna's First Fight" – 6:41 **, * "Scars/Love Scene" – 3:45 * "Roger's Boat" – 5:28 ** "Shaving" – 1:17 * "Gun Montage/Lorna's Second Fight" – 3:33 * "Captain Abducted/Captain and Travis" – 1:34 * "Unauthorized Access" – 1:57 * "Gun Battle" – 3:47 ** "Riggs Falls" – 2:11 * "Drive to Housing Development/On Three" – 3:34 * "Fire/Fire Battle/A Quiet Evening by the Fire" – 7:01 *Disc twoOriginal album as above, followed by: Additional tracks "Leo Getz" (alternate) – 2:38 * "Armoured Car Chase" (no overlay) – 4:33 * "Gun Battle" (alternate) – 5:26 * "I Can't Retire" – 1:30 ** Video games Several versions of a Lethal Weapon video game were released in conjunction with this sequel's release, appearing on the NES, SNES, Game Boy, Amiga, Atari ST, and Commodore 64 platforms. Also released was a Lethal Weapon 3 pinball game. Passage 2: Lethal Weapon 2 Lethal Weapon 2 is a 1989 American buddy cop action comedy film directed by Richard Donner, and starring Mel Gibson, Danny Glover, Joe Pesci, Joss Ackland, Derrick O'Connor and Patsy Kensit. It is a sequel to the 1987 film Lethal Weapon and the second installment in the Lethal Weapon film series. Gibson and Glover respectively reprise their roles as LAPD officers Martin Riggs and Roger Murtaugh, who protect an irritating federal witness (Pesci), while taking on a gang of South African drug dealers hiding behind diplomatic immunity. The film was nominated for an Academy Award for Best Sound Editing (for Robert G. Henderson). The film received mostly positive reviews and earned more than $227 million worldwide. Plot Two years after the events of the first film, LAPD sergeants Martin Riggs and Roger Murtaugh are pursuing unidentified suspects suspected of drug trafficking, only to find they have been transporting an illegal shipment of gold in the form of krugerrand coins from the Afrikaner apartheid government of South Africa. Later, consul-general Arjen Rudd and security agent Pieter Vorstedt kill Hans, their man who lost the shipment of krugerrands, and debate how to stir the police away from their activities. Pieter suggests warning Murtaugh off the investigation and commits a home invasion on his residence, causing Captain Murphy to reassign Riggs and Murtaugh to protecting an obnoxious federal witness, Leo Getz. It soon becomes clear that both cases are related: after an attempt on Leo's life, Riggs and Murtaugh learn of the former's murky past laundering funds for vengeful drug smugglers. Leo provides them with information about how laundering works and leads them to the gang, but upon dispatching his would-be assassin and returning with backup they are confronted by Rudd, who invokes diplomatic immunity on behalf of his unscrupulous "associates", leaving the LAPD powerless to take action against them. Though instructed to leave the case alone, Riggs begins to openly harass the South African consulate, defying Rudd and romancing his secretary, Rika van den Haas, a liberal-minded Afrikaner who despises her boss and his racial philosophy. Murtaugh enlists Leo's help in creating a scene at the consulate that wins the support of anti-apartheid protesters outside. Vorstedt is dispatched to murder all of the officers investigating them while Murtaugh deduces that Rudd is attempting to ship funds from his smuggling ring in the United States to Cape Town via Los Angeles Harbor. Two assassins attack Murtaugh at his home, but he kills them both with his contractor's nail gun, though Leo is abducted in the process. After killing many of the investigating officers, Vorstedt seizes Riggs at van den Haas' apartment and discloses that he was responsible for the death of Riggs's wife years earlier during a botched assassination attempt on him. He has his men kill Rika by drowning her and orders them to do the same to Riggs, who escapes and brutally kills both of the men. He phones Murtaugh, declaring an intention to pursue Rudd and avenge his wife, Rika, and their fallen friends; Murtaugh willingly forsakes his badge to aid his partner. After rescuing Leo and destroying Rudd's house, they head for the Alba Varden, Rudd's freighter docked in the Port of Los Angeles, as the South Africans prepare their getaway with hundreds of millions in drug money. While investigating a guarded 40-foot cargo container at the docks, Riggs and Murtaugh discover Rudd's laundered drug money, but are locked inside by Rudd's men. They break out of the box, scattering two pallets of the money into the harbor in the process. Riggs and Murtaugh engage in a firefight with some of Rudd's men aboard the Alba Varden before separating to hunt down Rudd. Riggs confronts and fights Vorstedt hand-to-hand, culminating when Riggs stabs Vorstedt with his own knife and crushes him to death by dropping a container on him. Rudd retaliates by shooting Riggs in the back multiple times. Rudd again invokes diplomatic immunity upon seeing Murtaugh aim his gun at him; Murtaugh fatally shoots him and declares that his immunity has "just been revoked". Murtaugh then tends to Riggs, whom he believes may be dying and encourages him to hang on and that he is not dead until he says he is. Discovering Riggs survived the shooting, they share a laugh as more LAPD personnel respond to the scene. Cast Production Shane Black and Warren Murphy's original Play Dirty script Following the success of the first film, Warner Bros. and producers decided to make the sequel. Producer Joel Silver asked writer of the first film Shane Black to write the script for the sequel in the spring of 1987 and Black agreed. Although he was struggling with personal issues, Black still managed to write the first draft along with his friend, novelist Warren Murphy, co-creator of Remo Williams (the lead character of The Destroyer novels). Their original title for the script was Play Dirty. Although many people thought that their script was brilliant, it was rejected by Silver, studio and director Richard Donner for being too dark and bloody, and because in the ending of the script Riggs dies, while they wanted to keep him alive in case of further sequels. They also wanted the second film to focus more on comedy, while Black's draft focused more on courage and heroics, like Riggs willing to die to protect Murtaugh and his family, due to his love for them.When his script was rejected, Black felt that he had failed the producers. He initially offered to give his payment back, but his agent talked him out of it. Black also refused to re-write the script and quit from the project after working for six months on it. Black later said how the problem with the second film was that they did too much comedy, and how he dislikes the third and fourth films because of the way Riggs' character was changed. The final version of the script written by Jeffrey Boam that was used for filming was completely different from Black's draft, other than the scene where the stilt house is destroyed. The character of Leo Getz was originally a minor character in Black's draft with only one scene and few lines of dialogue. Some of the other differences include more graphic violence throughout the script, which included the South Africans being even more vicious than in the final film; at one point Shapiro, the female police officer working with Riggs and Murtaugh, is tortured to death by them. There was also a scene where Riggs gets tortured by them in a similar way to how he was in first film, but a lot worse. There was also an action scene in the script where a plane full of cocaine gets destroyed and cocaine falls over Los Angeles "like snow". In Black's script the final battle took place on hills covered with a big brush fire, and after destruction of the stilt house Riggs chases the main villain Benedict (Pieter Vorstedt in the film), a much different and more dangerous character in original script and Riggs' "arch-nemesis and worst nightmare" according to Black, into the heart of the fire, after which Riggs gets stabbed and dies slowly from his wounds. The last scene in the script was Murtaugh watching the video tape that Riggs made before the final battle since he knew that he was going to die, and on which he says goodbye to Murtaugh. Black's reason for killing Riggs in his draft of the script, as he said in an interview, was that in first film Riggs was a "suicidal mess" who did not care about living or dying but his friendship with Murtaugh and his family was what helped him, and him sacrificing himself to save them would be the last thing he would have to do to be fully at peace. Black also said how the death scene he wrote for Riggs was "beautiful" and would make the audience cry. Black later labeled his rejected Play Dirty script "the best thing I ever wrote" and said he learned to trust his instincts after this experience. Black's script was never released, despite failed attempts by fans to find a copy of it.Director Richard Donner said in the film's Blu-ray commentary that the film was shot in such a way that it could be edited with two different endings, one in which Riggs dies and one in which he lives. Audiences in test screenings responded well to Riggs' survival, and this was kept, though the last shot in the film with the camera moving away from Murtaugh holding Riggs was shot for the ending in which he dies. Jeffrey Boam's final script When the original Shane Black screenplay was changed, he left the series. The rewrites that resulted in the final film are by Jeffrey Boam (screenwriter for Indiana Jones and the Last Crusade and The Lost Boys). Boam also did some uncredited re-writing of the script for the first film when Donner thought that some parts of it were too dark and violent. Boam initially wrote two different drafts for his re-write of Lethal Weapon 2; one which was hard-boiled action script and one which had more comedy. He was told to mix the two drafts together and make a new one that was going to be used for filming. However, not only did Boam end up having to re-write the script many times even before filming started, but he also had to keep re-writing it during production since Donner would always want to improvise something new in a scene or demanded changes to be made on the script in the middle of filming. Boam also wrote the script for Lethal Weapon 3 and he once again had to re-write his script many times before and during filming of that sequel for same reasons. He also wrote an unused draft for the fourth film around January 1995 which had Riggs and Murtaugh fighting against a neo-Nazi survivalist militia group that was committing a terrorist attack in L.A.Screenwriter Robert Mark Kamen said in October 2012 interview for craveonline that during the time when he was working as screenwriter for Warner Bros. and would often do lot of uncredited work on their films, he also worked on Lethal Weapon 2 and 3. He said how amongst large chunks of the stuff he added in Lethal Weapon 2 script during re-writes were all the parts with South African villains. Although he was uncredited for his work on this film, he did get a credit for his work on Lethal Weapon 3 because he did a lot more work on that sequel.Originally, the character of Rika was intended to survive, with the last scene in the film being Riggs and Rika eating Thanksgiving dinner with the Murtaughs, but the director decided to kill the character to increase Riggs' motivation to destroy the South African drug smugglers. The film was the debut of Leo Getz (Joe Pesci), a crooked but whistle-blowing CPA who is placed in protective custody by Riggs and Murtaugh, and makes the detectives' more difficult due to his neurotic behavior. The Getz character remained a regular throughout the remainder of the film series. Filming The scene where Riggs is on the road outside Arjen's stilt house and grabs onto the front of the truck (the same scene with the surfboard killing a driver) was filmed on March 21, 1989. The opening chase sequence was filmed on November 28, 1988. The scenes where Riggs and Rika are ambushed by helicopters at night on the beach were filmed at Marineland of the Pacific in Rancho Palos Verdes, California, on "Cobble Beach". Other portions of the film were shot in Palm Springs, California.: 168–71 The Star Wars series and Ghostbusters notwithstanding (which were released some years before), the film was among the first of the summer blockbusters to feature the 'title only' style of opening that would become an established feature of 'event' films from that point on. Soundtrack The soundtrack was released on Warner Bros. Records August 8, 1989, and was written and performed by Michael Kamen, Eric Clapton, and David Sanborn.The track list released commercially is as follows: "Cheer Down" by George Harrison "Still Cruisin' (After All These Years)" by The Beach Boys "Knockin' on Heaven's Door" (Bob Dylan) by Randy Crawford, Eric Clapton and David Sanborn "Riggs" "The Embassy" "Riggs and Roger" "Leo" "Goodnight Rika" "The Stilt House" "The Shipyard/Knockin' on Heaven's Door"The soundtrack also includes "I'm Not Scared" performed by Eighth Wonder, which features co-star Patsy Kensit on vocals, and The Skyliners performed "Since I Don't Have You", "This I Swear", "Lonely Way", "How Much", and "Believe Me"; however, none of these are included on the soundtrack album. In 2013 La-La Land Records issued the complete score (plus the original soundtrack album) as Discs 3 and 4 of its Lethal Weapon Soundtrack Collection eight-disc set. Release Box office performance Lethal Weapon 2 was the third most successful film of 1989 in North America (after Batman and Indiana Jones and the Last Crusade), earning nearly $150 million in the US and $80.6 million overseas. Critical reception Lethal Weapon 2 holds an 82% approval rating on Rotten Tomatoes based on 45 reviews and has an average rating of 7.00/10. The consensus reads: "Lethal Weapon 2 may sport a thin plot typical of action fare, but its combination of humor and adrenaline, along with the chemistry between its leads, make this a playful, entertaining sequel." On Metacritic, the film has a weighted average score of 70 out of 100, based on 21 critics, indicating "generally favorable reviews". Audiences polled by CinemaScore gave the film a rare average grade of "A+" on an A+ to F scale.The New York Times stated, "Though it includes a smashed car full of Krugerrands, a hillside house blown off its stilts and a bomb set under a toilet, the point of Lethal Weapon 2 is that Mel Gibson and Danny Glover get to race around in all that chaos, acting crazy. Before it skids out of control in the final sequence, the film is so careful to preserve its successful comic-action formula that it follows the most basic law of sequels. If you liked Lethal Weapon, you'll like Lethal Weapon 2; it's almost as simple as that." Los Angeles Times reviewer Michael Wilmington stated that "though it's nice to have a big-audience action movie attacking apartheid and the slaughter of sea mammals, instead of acting as an enlistment poster for the Army Air Corps, local vigilante groups or the reopening of the Vietnam War, the sentiments don't really transcend the car crashes." Home media Lethal Weapon 2 has been released on VHS and DVD numerous times, along with a singular Blu-ray Disc release. The first DVD was released in 1997 and featured the film's theatrical version. The Director's Cut was released in 2000. Since then, numerous sets have been released that contain all four films in the series (featuring the same DVDs). The theatrical version was also released on Blu-ray in 2006. Passage 3: Hearts or Diamonds? Hearts or Diamonds? is a 1918 American silent mystery film directed by Henry King and starring William Russell, Charlotte Burton, and Howard Davies. Cast William Russell as Larry Hanrahan Charlotte Burton as Adrienne Gascoyne Howard Davies as Col. Paul Gascoyne Carl Stockdale as Bewley John Gough as Wintermute Robert Klein as Hoskins Passage 4: Don't Gamble with Strangers Don't Gamble with Strangers is a 1946 film about two card sharks, pretending to be brother and sister, who clean out a small-town banker, then take over a crooked gambling joint. Cast Kane Richmond as Mike Sarno Bernadene Hayes as Fay Benton Peter Cookson as Bob Randall Gloria Warren as Ruth Hamilton Charles Trowbridge as Creighton Frank Dae as John Randall Anthony Caruso as Pinky Luiz Philip Van Zandt as Morelli External links Don't Gamble with Strangers at IMDb Passage 5: Lethal Weapon 4 Lethal Weapon 4 is a 1998 American buddy cop action film directed and produced by Richard Donner, and starring Mel Gibson, Danny Glover, Joe Pesci, Rene Russo, Chris Rock, and Jet Li (in his international film debut). It is the fourth installment in the Lethal Weapon film series. It is the last film in the series directed by Donner before his death, and the latest to be released theatrically. A sequel titled Lethal Finale is in development for the streaming service Max. Glover and Gibson will reprise their roles as Riggs and Murtaugh, with Gibson also in talks to direct. Plot Lorna Cole is pregnant with LAPD Sergeant Martin Riggs' baby; they are not married, but both are thinking about it. LAPD Sergeant Roger Murtaugh's daughter Rianne is also pregnant. Due to issues with the department's insurance carrier over Riggs and Murtaugh's actions as sergeants, the Police Chief has Captain Murphy promote them to captains. The officers, along with Leo Getz, come upon a Chinese immigrant smuggling ring after running an ocean-going vessel aground, though the captain of the boat escapes. In the subsequent investigation, Murtaugh finds the Hong family hiding from US Immigration officers to avoid deportation. Murtaugh offers them shelter in his home, and their families, along with Riggs and Cole, quickly bond. Grandfather Hong reveals he is looking for his uncle, a skilled engraver, who had paid for their passage to the United States. Riggs discovers through Lorna that the father of Rianne's unborn child is Detective Lee Butters. The family is hiding this from Murtaugh, as he would not approve of his daughter being with a police officer. Continued investigation of the smuggling ring leads the officers to "Uncle" Benny Chan, a crime boss operating from a Chinatown restaurant. There, they are introduced to high-ranking Triad negotiator Wah Sing Ku. Chan forces them out of his restaurant when the officers show no probable cause. Riggs pulls the fire alarm so that the sprinklers can go off, forcing all the restaurant customers to flee. Outside, Riggs spots the escaped ship captain and tries to give chase but fails to capture him. However, Ku later intercepts the captain and kills him as punishment for attracting the police's attention. Chan and Ku take steps to eliminate all those in on their plans. Hong is able to contact his uncle, but this leads the Triads to Murtaugh's house. Ku and the Triad thugs kidnap the Hongs, tie up Murtaugh, his family, Riggs and Cole and set the house ablaze. Ping, Hong's grandson, has evaded capture and helps to free the others in time. Though Riggs and Murtaugh chase down and kill some of the Triad members, Ku escapes. Ku brings Mr. Hong to his uncle at a warehouse, where he has been engraving plates for a counterfeiting operation for Ku and Chan in exchange for transit for his family. Ku kills Hong in front of his uncle to assure his continued work. With Getz serving as a distraction, the officers confront Chan at his dentist's office to interrogate him with laughing gas for more information but are unable to get any leads, and during which Riggs and Butters accidentally reveal the family secret to Murtaugh. Later, as they discuss what they know with Detective Ng, who has worked on cases involving the Chinese government before, Ng recognizes that Ku must be trying to negotiate with a corrupt Chinese general for the release of the Four Fathers, high-ranking Triad members that include Ku's brother. New information leads them to the abandoned warehouse where they find the bodies of Hong, his uncle, and Chan, the latter two killed by Ku after they served their usefulness. Knowing that Ku plans to use counterfeit money, the police intercept the exchange between Ku and the general, telling the general that the money is fake. The enraged general reacts by executing most of the Four Fathers before being shot and killed by the Triads, at which a firefight breaks out between the Triad, the general's private army and the police, and most of the Triad and army are killed; and Butters is wounded shielding Murtaugh. Ku attempts to escape with his brother, but his brother is shot and killed by Murtaugh. Riggs and Murtaugh pursue Ku to a pier where they engage him in a brutal fistfight. Murtaugh impales Ku through the stomach with a rebar before being knocked out by Ku, after which the pier collapses and sends Riggs and Ku into the water. Riggs is able to find a Kalashnikov assault rifle and finish off Ku, while Murtaugh recovers in time to rescue Riggs from a piece of concrete that had pinned him underwater. Later, Riggs visits his dead wife's grave and asks her for advice about his impending marriage with Lorna, about which he still has doubts; Getz arrives and offers a heartfelt childhood story that gives Riggs both a new light on the situation and a new perspective of Getz. They soon discover Lorna is about to give birth and race to the hospital, where Riggs and Lorna are ceremonially married by a rabbi just before she enters labor. Their son and Rianne's daughter are born, and Murtaugh accepts Butters as his son-in-law. Murphy gives Riggs and Murtaugh their rank of sergeant back since the city is insured again and Hong's family is granted asylum. Cast Production In early 1993, after the release and big success of Lethal Weapon 3, Warner Bros. and producer Joel Silver tried buying a new spec script titled Simon Says in hopes of rewriting it into a script for Lethal Weapon 4. Written by Jonathan Hensleigh, the story was about a police detective and a shop owner forced to find and stop bombs planted all over a city as part of a mad bomber's revenge plot against the detective. However, 20th Century Fox purchased the script first, planning a project for Brandon Lee's next film after The Crow. It was considered for a standalone film or to be re-written into a sequel to his 1992 action film, Rapid Fire, when Lee was killed during filming on The Crow. Fox would then use the script as the basis for a third Die Hard film they were having trouble developing. After many rewrites by several writers, it was finally made into Die Hard With a Vengeance (1995).In July 1993, Warner Bros. and Silver started working on not just the fourth Lethal Weapon film but a fifth as well. Screenwriter and script doctor Jonathan Lemkin, who had just done some uncredited work for them on Demolition Man (1993), was hired to write the script for Lethal Weapon 4 while another writer worked on the script for Lethal Weapon 5. According to Silver, the plan was to shoot both films back-to-back, with the possibility of using the best parts of both scripts for a single film.In June 1994, Richard Donner was still planning on making both films. Asked about them in an interview at the time, however, Mel Gibson said he wasn't interested in doing any more Lethal Weapon sequels.Between late 1994 and early 1995, screenwriter Jeffrey Boam was brought in to rewrite the script for the fourth film. Boam had previously done uncredited work on the first Lethal Weapon, rewrote an original script by Shane Black and Warren Murphy called Play Dirty into Lethal Weapon 2, and wrote the story and script for Lethal Weapon 3. He was initially unsure of working on the film, as he had problems with the script and following a bad experience on the third film: he had to keep rewriting that script all through filming and was fired at one point only to be rehired later. Agreeing to work on the fourth script, he tossed out the existing story and began work on his own. His first draft was completed in January 1995, focusing on Riggs and Murtaugh fighting neo-Nazi survivalists committing terrorist attacks on L.A., including using Stinger missiles to attempt to shoot down a jet carrying the Los Angeles Lakers. He said in an interview at the time that he would probably have to write at least three more drafts. By October 1995, Boam was still working on the script, while at the same time also working on a fourth Indiana Jones film which went unproduced.Peter Bart's book The Gross: The Hits, The Flops -- The Summer That Ate Hollywood offered many details regarding Lethal Weapon 4's troubled production, from writing to release. While Boam was still working on his version of the story, other writers were brought in to pen their own versions, all of which were rejected. Though many were positive on the darker, edgier, more serious tone of Boam's script that recalled the first film, it was ultimately rejected because of the tone. Finally, Warner Bros. decided that they wanted to focus on a storyline involving the Chinese Triads. Boam would later say he felt that the main plot about counterfeiting Chinese money wasn't a good or suspenseful enough plot for a Lethal Weapon sequel. Jonathan Lemkin was once again brought in to write the first version of the script involving the Triads, about four years after he wrote his first rejected script. Although his new script was received very positively, Warner Bros. again had other writers work on their own versions of the story. Alfred Gough and Miles Millar wrote one of the unused scripts; they would be credited with Lemkin for the story of the finished film. Silver ultimately brought in TV writer Channing Gibson to work on the script, after he was impressed by Gibson's rewrite of a spec script titled Sandblast, an action adventure thriller by screenwriter Steven Maeda described as "Die Hard (1988) meets Cliffhanger (1993)". Gibson took the gig thinking it would be a more relaxed writing job than anything he did for TV. However, much like the previous two sequels, the script kept getting changed and rewritten over and over again. Gibson would end up doing more work and revisions on it than on all of his TV work put together. Production even started with only half of the script. The ending wasn't written until it was finally time to film it. The characters of Leo Getz and Lee Butters weren't in the original scripts. Joe Pesci was hired and paid $1 million for three weeks of work, forcing rewrites. Gibson was "three-fourths" through his newest draft when Chris Rock was hired, which caused yet another rewrite. Butters was originally written to be a gay detective. When they started filming the police station scene between Riggs, Murtaugh, Leo, and Butters, everyone felt the character didn't work. He was changed to be Rianne's husband and father to her unborn child. The two only share one scene in the final film with no written dialogue, due to last minute changes made to his character. Besides Lemkin, Gibson, Gough and Millar, other writers did uncredited work on the script, including Michael Curtis, Greg Malins, Fred Dekker (who came up with the scene where Riggs and Murtaugh drive their car off the freeway and through the building), and even Boam was brought in to work on the script. The film entered production in early January 1998 with a planned summer release of that same year. Due to issues during filming, including the script changes, production ended around mid May, less than two months before its scheduled July release. Editors had to work very quickly to have the film ready, which is why the trailers feature some deleted and alternate scenes which are not in the film. Despite this, the film was finished and released as planned. Release Box office Lethal Weapon 4 debuted at No. 1 at the box office with $34.05 million. Although the film grossed $130 million in the U.S., it was not considered a runaway financial success as the previous three films had been.Shooting began in January 1998, just months before the film's release, with a production budget estimated at $120–$150 million (although Warner Bros. maintained it cost less than $100 million) and an additional $50 million spent on marketing and distribution. This made the fourth film the most expensive entry of the series. Its profit margin was saved in part due to the combined foreign box office sales making the film gross approximately $285 million in total, making the second highest-grossing film in the Lethal Weapon film series behind, Lethal Weapon 3 (1992). Still, like its predecessors, Lethal Weapon 4 was among the top ten grossing films of its release year. Reception Critical reaction to Lethal Weapon 4 was mixed. The film currently holds a rating of 53% on Rotten Tomatoes based on reviews from 69 critics, and an average rating of 6.4 out of 10. The site's consensus states: "Jet Li's arrival breathes fresh life into a tired franchise formula -- but not enough to put Lethal Weapon 4 on equal footing with its predecessors." Metacritic, which assigns a normalized rating of 0-100 from mainstream critics, calculated a score of 37 out of 100 based on reviews from 21 critics, which means it has an indication of "generally unfavorable reviews". Audiences polled by CinemaScore gave the film an average grade of "A−" on an A+ to F scale.James Berardinelli gave the film three stars out of four, writing: "Given the expectations that constrain it, Lethal Weapon 4 is probably the best motion picture that could possibly result from another teaming of Martin Riggs and Roger Murtaugh. The series has lost a lot of steam since the first two entries, and, although the fourth movie ratchets up the energy level from the moribund state of the disappointing Lethal Weapon 3, there's no sense of spontaneity."Roger Ebert gave Lethal Weapon 4 two stars out of four, writing: "Lethal Weapon 4 has all the technical skill of the first three movies in the series, but lacks the secret weapon, which was conviction. All four movies take two cop buddies and put them into spectacular and absurd action sequences, but the first three at least went through the motions of taking the plot seriously (and the first one did such a good job, it made my 'best 10' list of that year). This time, we're watching an exercise."Michael O'Sullivan of The Washington Post called it a "stupid and violent delicacy" that balances a "patented blend of high action and low comedy".The film was nominated for a Razzie Award for Worst Supporting Actor for Pesci. Home media Lethal Weapon 4 has been released on VHS and DVD numerous times. It has been re-released in numerous sets that contain all four films in the series. Lethal Weapon 4 was released on Blu-ray Disc as part of a box set with the additional Lethal Weapon films on May 22, 2012. Soundtrack The film's music was composed by Michael Kamen, Eric Clapton, and David Sanborn. This was the only film in the series not to have a soundtrack album released alongside it, but in 2013 La-La Land Records released the score as discs seven and eight of its limited edition Lethal Weapon Soundtrack Collection. Sequel There had long been talk of a fifth Lethal Weapon film, although both Mel Gibson and Danny Glover had initially expressed a lack of interest. In 2007, Moviehole.net received word from sources that Warner Bros. were in the early stages of trying to relaunch the Lethal Weapon series sometime in 2009 or later. A spec script treatment was written by Shane Black and Chuck Mondry, leading to rumors that the sequel was on fast track by Warner Bros. with Black in the director's chair. In 2008, Richard Donner said, "Mel turned it down. I would like to think that Mel turned it down because I wasn't involved." Donner said that he and Lethal Weapon 4 writer Channing Gibson "had an incredibly strong story for the fifth movie" but that the studio had opted to work with Joel Silver instead.In November 2017, Mel Gibson hinted that a fifth movie might happen and that he, Richard Donner, and Danny Glover have discussed the idea to return. In December 2017, Donner confirmed in an interview on the Spocklight podcast that Gibson and Glover have agreed to return as Riggs and Murtaugh respectively and that he has a story all set. The only obstacle is Warner Bros. greenlighting the film. Channing Gibson remains involved as screenwriter. The story will take place in present-day and is intended to be the final film in the series. In February 2018, Donner revealed the film's official title to be Lethal Finale; while also stating that the film is being held up by the production company and story. In January 2020, producer Dan Lin confirmed that Lethal Weapon 5 is in active development, with Mel Gibson and Danny Glover confirmed to return, and Richard Donner returning to direct, but that a script had not yet been finalized. In December 2020, Richard Donner confirmed that he was developing the sequel and would produce and direct it, adding that it would be the last film he directs. However, Donner died on July 5, 2021, leaving the fate of the film unknown. Mel Gibson has been approached for potentially directing the film.On November 15, 2021, Gibson confirmed that he is in talks to direct and star in the fifth Lethal Weapon film, saying that he would be helming the film to honor Donner. It was also revealed that Richard Wenk (The Equalizer, Jack Reacher: Never Go Back) had drafted a screenplay. The production will be exclusive to Max with no theatrical release. Passage 6: Young Hearts (1936 film) Young Hearts or Jonge Harten is a 1936 Dutch film directed and written by nl:Charles Huguenot van der Linden and the German exile Heinz Josephson. Cast Rini Otte ... Annie Leo de Hartogh ... Peter Lizzy Dernburg ... Maja Adriaan Van Hees... Hans Martha Posno ... Sip Passage 7: A Gamble with Hearts A Gamble with Hearts is a 1923 British silent crime film produced by Master Films, directed by Edwin J. Collins and starring Milton Rosmer, Madge Stuart, and Olaf Hytten. The film was adapted from a novel by Anthony Carlyle. Cast Milton Rosmer - Dallas Chalfont Madge Stuart - Morag Lannon Olaf Hytten - Dallas Junior Valia - Rosaleen Erle George Bishop - Inspector Duer Margaret Hope - Fanette Fraser Cecil Morton York - Vickers Mickey Brantford C. Hargrave Mansell Pat Fitzgerald Passage 8: Yachts and Hearts, or The Opium Smugglers Yachts and Hearts, or The Opium Smugglers is a 1918 Australian silent film about opium smugglers in Sydney.It is considered a lost film. Plot Opium smugglers work in Sydney. There is a car chase which ends in a crash, a cabaret which turns into a church, a yacht race in Sydney harbour, and 40 bathing beauties. According to one contemporary report the film consisted of "5 heart throbbing acts, wholly and solely produced in Australia by Antipodes Films. See the great motor smash, police raid on gambling saloon, and a girl's thrilling biplane flight over Sydney." Cast Beryl Clifton as Ella Deane Chris Olsen as Maurice Dean Arthur Spence as detective Clare St Clair as Mrs Friedman Billie Monckton as crippled boy Edith Clarke Vera Chamberlain Melville Stevenson Dorothy and Lola Campbell David Edelsten Marjorie Sergeant Production This was the second movie from Antipodes Films, who had previously made A Romance of Burke and Wills Expedition of 1860. The movie was shot in January 1918. Release The film seems to have made little impact. It played as a support feature in some cinemas.Antipodes made no more movies. Passage 9: Don't Gamble with Love Don't Gamble with Love is a 1936 American drama film directed by Dudley Murphy and starring Ann Sothern, Bruce Cabot and Irving Pichel. Partial cast Ann Sothern as Ann Edwards Bruce Cabot as Jerry Edwards Irving Pichel as Rick Collins Ian Keith as John Crane Thurston Hall as Martin Gage Elisabeth Risdon as Grace Phillip Trent as Bob Grant Franklin Pangborn as Salesman Passage 10: Lethal Weapon Lethal Weapon is a 1987 American buddy cop action comedy film directed and co-produced by Richard Donner, written by Shane Black, and co-produced by Joel Silver. It stars Mel Gibson and Danny Glover alongside Gary Busey, Tom Atkins, Darlene Love, and Mitchell Ryan. In Lethal Weapon, a pair of mismatched LAPD detectives – Martin Riggs (Gibson), a former Green Beret who has become suicidal following the death of his wife, and veteran officer and family man Roger Murtaugh (Glover) – work together as partners. The film was released on March 6, 1987. Upon its release, Lethal Weapon grossed over $120 million (against a production budget of $15 million) and was nominated for the Academy Award for Best Sound. It spawned a franchise that includes three sequels and a television series, with a fourth sequel in development. Plot Following the recent death of his wife, Los Angeles Police Department (LAPD) narcotics Sergeant Martin Riggs, a former Special Forces soldier, has become suicidal and erratic, at the point of being completely reckless and dangerous as a cop. Despite the protests of the police therapist, the captain believes Riggs is faking his psychosis to be forcibly retired with a generous pension and partners him with fellow war veteran and seasoned Homicide Sergeant Roger Murtaugh. Riggs and Murtaugh do not get along as Murtaugh is equally dismissive of Riggs's mental state, but is eventually convinced Riggs is truly suicidal, and very much a danger to himself and Murtaugh. Murtaugh is contacted by a former Vietnam War friend, Michael Hunsaker, ostensibly to help his daughter Amanda escape her life of prostitution and pornography, but Amanda kills herself by jumping from an apartment balcony before she and Murtaugh meet. Her autopsy shows she was fatally poisoned with tainted drugs, indicating she was potentially murdered. Riggs and Murtaugh attempt to question her pimp, but are assaulted after finding drugs on the premises, forcing Riggs to kill the pimp to save Murtaugh's life. Their final lead is Dixie, a prostitute who witnessed Amanda's death, and whom the pair believe may have poisoned her. Dixie's home explodes as they arrive and her corpse is later recovered. Riggs locates components of a mercury switch explosive among the debris, a specialty explosive he recalls being used by Central Intelligence Agency (CIA) mercenaries in Vietnam. The suspect is detailed by neighborhood children, who noticed he had an elite special forces tattoo similar to Riggs's. Suspecting Hunsaker is withholding information, Riggs and Murtaugh visit him during Amanda's funeral. He reveals that during the Vietnam War he worked for "Shadow Company", a defunct CIA paramilitary unit tasked with destabilizing the local heroin trade. Following the war, the ex-CIA agents, mercenaries, and soldiers involved reformed Shadow Company as a criminal organization and began shipping large quantities of heroin from Asia to the United States, under the leadership of retired General Peter McAllister and his right-hand man Mr. Joshua. Hunsaker's role as a banker allowed him to make the illicit funds seem legitimate. He initially called Murtaugh to confess and turn witness against Shadow Company, and McAllister had Amanda killed in retaliation. Joshua arrives in a helicopter and kills Hunsaker before escaping. He later attempts to kill Riggs in a drive-by shooting, but the latter is saved by his bulletproof vest; Riggs's death is faked to give the pair an advantage. Concerned Murtaugh knows too much, Shadow Company kidnaps his daughter Rianne and forces Murtaugh to meet them at El Mirage Lake. Riggs provides sniper support to help Murtaugh and Rianne escape, but all three are captured and recovered to a nightclub basement, a Shadow Company front. Riggs and Murtaugh are tortured for information until Riggs escapes, kills several Shadow Company members, and frees Murtaugh and Rianne. Although Joshua escapes, Murtaugh kills McAllister. Deducing Joshua will seek revenge at Murtaugh's home, Riggs and Murtaugh ambush him. Riggs defeats Joshua in a battle, but chooses not to kill him. Police officers take Joshua into custody, but he breaks free, takes an officer's gun, and attempts to shoot Riggs and Murtaugh; the pair return fire and kill Joshua. A short time later, after visiting his wife's grave, Riggs shares a Christmas Day meal with Murtaugh and his family. Riggs gifts Murtaugh a hollow-point bullet he has been saving to commit suicide, as he no longer needs it. Cast Production Development Recent UCLA graduate Shane Black wrote the screenplay in mid-1985. Black stated that his intention was to do an "urban western" inspired by Dirty Harry where a violent character "reviled for what he did, what he is capable of, the things he believed in" is eventually recruited for being the one that could solve the problem. The protagonists would be everymen policemen, "guys shuffling in a town like Los Angeles searching for something noble as justice when they're just guys in washed and worn suits seeking a paycheck". According to Black, his original first draft of the script was very different and much darker than the final film. It was 140 pages long and both the plot and characters were different, and action scenes were also much bigger. The ending of the script contained a chase scene with helicopters and a trailer truck full of cocaine exploding over Hollywood Hills with cocaine snowing over the Hollywood sign. Black hated this first draft and initially discarded it but later picked it up again and re-wrote it into the new drafts that were eventually used for filming.His agent sent the Lethal Weapon script to various studios, being rejected before Warner Bros. executive Mark Canton took a liking to it. Canton brought along producer Joel Silver, who loved the story and worked with Black to further develop the script. Director Richard Donner also brought in writer Jeffrey Boam to do some uncredited re-writes on Black's script after he found parts of it to be too dark. Boam mostly added some more humor into the script, and later did a complete re-write of Shane Black and Warren Murphy's rejected script for the second film. He also wrote the script for the third film and an unused draft for the fourth film.After the script was purchased for $250,000, studio production executives offered it to director Richard Donner, who also loved it. Leonard Nimoy was one of the choices considered for directing, but he did not feel comfortable doing action films, and he was working on Three Men and a Baby at the time. With those key elements in place, the search began for the right combination of actors to play Riggs and Murtaugh. Casting Mel Gibson was invited by Richard Donner as he was interested in working with the actor after Ladyhawke. Casting director Marion Dougherty first suggested teaming Gibson with Danny Glover, given Murtaugh had no set ethnicity in the script. She arranged for Gibson to fly in from his home in Sydney while Glover was flown in from Chicago, where he was appearing in a play, to read through the script. According to June 2007 Vanity Fair magazine article, Bruce Willis was considered for the Riggs role. This is referenced in the spoof of the Lethal Weapon films, Loaded Weapon 1. Bruce (as John McClane) appears after the villains attack the wrong beach residence, looking for the protagonist. According to Donner: "It took about two hours and by the time we were done, I was in seventh heaven. They found innuendoes; they found laughter where I never saw it; they found tears where they didn't exist before; and, most importantly, they found a relationship — all in just one reading. So if you ask about casting... it was magical, just total dynamite". Gibson said that "this particular story was a cut above others I had passed on, because the action is really a sideline which heightens the story of these two great characters. I picture Riggs as an almost Chaplinesque figure, a guy who doesn't expect anything from life and even toys with the idea of taking his own. He's not like these stalwarts who come down from Mt. Olympus and wreak havoc and go away. He's somebody who doesn't look like he's set to go off until he actually does". The draw for Glover was equally strong. Fresh from his success as Mister in The Color Purple, he felt the role of Roger Murtaugh offered a whole new range of character expression and experience: "Aside from the chance to work with Mel, which turned out to be pure pleasure, one of the reasons I jumped at this project was the family aspect. The chance to play intricate relationships and subtle humor that exist in every close family group was an intriguing challenge, as was playing a guy turning 50. Murtaugh's a little cranky about his age until everything he loves is threatened. His reawakening parallels Riggs'". Both actors were signed by early spring 1986. Gibson and Glover then flew home to pack, and, returning to Los Angeles, began an intensive two months of physical training and preparation. Meanwhile, the crucial role of Joshua was settled when Gary Busey asked for a chance to read for the part. An established star since his Academy Award-nominated performance in The Buddy Holly Story, Busey had not auditioned for a film in years. In Busey's comment: "I had butterflies, I'd never played a bad guy. And no one had seen me since I'd lost 60 pounds and got back into shape. But I decided to take the initiative in order to have the opportunity to work with Dick, Joel, Mel, and Danny. I'm constantly looking for someone to pull the best performance out of me and any of those guys could. They even talked me into dyeing my hair!" In his E! True Hollywood Story biography, Busey says he was hired to play Joshua because they were looking for someone big and menacing enough to be a believable foe for Mel Gibson. Busey also credits the film for reviving his failing film career. Pre-production Stunt coordinator Bobby Bass planned and supervised all phases of Gibson's and Glover's intense pre-production training; physical conditioning, weight workouts, and weapons handling and safety. Bass also used his own military experiences to bring a greater depth of understanding to the Riggs character. To familiarize the actors with the specialized skills and sensibilities acquired by undercover cops, arrangements were made for Gibson and Glover to spend time in the field accompanying working L.A.P.D. officers. Throughout filming, technical advisers from the L.A.P.D. as well as the L.A. County Sheriff's Department worked closely with Donner and the actors to ensure authenticity. Cedric Adams was the first technical adviser brought in. Donner said that "Adams thought the best possible way to show just how lethal Riggs really is — is to show his mastery of a form of martial arts never before seen onscreen". Donner wanted Riggs's style of fighting to be unique with the second assistant director Willie Simmons, who was interested in unusual forms of martial arts, choosing three martial arts styles. Gibson and Busey were instructed in Capoeira by Adams, Jailhouse rock by Dennis Newsome and Brazilian Jiu-Jitsu by Rorion Gracie. Bobby Bass, the stunt coordinator, a former US Army Special Forces instructor and judo champion, also provided training in various techniques. At one point, the actors trained in between filming, for four hours a day for six weeks and did months of choreography. Music Michael Kamen, who just completed work on Highlander, composed the score for Lethal Weapon. Editor Stuart Baird had used Edge of Darkness heavily as a temp score for the film, resulting in Kamen being brought on to create the score. The guitar part of Riggs's theme was performed by Eric Clapton. Kamen and Clapton had worked together on the music for the 1985 BBC TV series Edge of Darkness (the feature adaptation of which would later, by coincidence, star Mel Gibson). The saxophone part of Murtaugh's theme was performed by David Sanborn. The Christmas song "Jingle Bell Rock", performed by Bobby Helms, is played during the film's opening credits. Honeymoon Suite's song, "Lethal Weapon", is played during the film's end credits without being credited. Release Box office Released on March 6, 1987, Lethal Weapon was No. 1 at the box office for three weeks before Blind Date supplanted it. It grossed $120.2 million worldwide and was nominated for the Academy Award for Best Sound Mixing (Les Fresholtz, Dick Alexander, Vern Poore and Bill Nelson) (losing to The Last Emperor). Critical reception On Rotten Tomatoes the film holds an approval rating of 80% based on 56 reviews, with an average rating of 6.90/10. The website's critical consensus reads, "The most successful installment in a phenomenally successful franchise, Lethal Weapon helped redefine action movies for the 1980s and 1990s." On Metacritic, the film has a weighted average score of 68 out of 100, based on 23 critics, indicating "generally favorable reviews". Audiences polled by CinemaScore gave the film an average grade of "A" on an A+ to F scale.Variety wrote, "Lethal Weapon is a film teetering on the brink of absurdity when it gets serious, but thanks to its unrelenting energy and insistent drive, it never quite falls." Richard Schickel of Time called it "Mad Max meets The Cosby Show", saying that it works better than expected. Richard Harrington of The Washington Post described it as "a vivid, visceral reminder of just how exciting an action film can be". At The New York Times, Janet Maslin wrote, "The film is all fast action, noisy stunts and huge, often unflattering close-ups, but it packs an undeniable wallop." Roger Ebert of the Chicago Sun-Times gave the film four out of four stars, saying Donner "tops himself". Home media Lethal Weapon has been released on Betamax, VHS and DVD numerous times, along with a single Blu-ray Disc release. The first DVD was released in 1997 and featured the film's theatrical version. The Director's Cut was released in 2000. Since then, numerous sets have been released that contain all four films in the series (featuring the same DVDs). The theatrical version was also released on Blu-ray in 2006. Alternate versions An alternate opening and ending were both filmed and can be seen on the Lethal Weapon 4 DVD. The alternate opening featured Martin Riggs drinking alone in a bar where he is accosted by a couple of thugs who attack him for his money, but are easily subdued by Riggs. Director Richard Donner felt the film should open with a brighter look at Riggs, and replaced the bar scene with the scene in which Riggs awakens in his trailer. The alternate ending featured Riggs telling Murtaugh not to retire. Without even thinking about the possibility of sequels, Donner decided that Riggs and Murtaugh's relationship is one of friendship, and filmed the ending that appears in the completed film. In addition to the film's theatrical release, an extended Director's Cut version was released later on DVD. The Director's Cut version is longer (117 minutes) than the original theatrical release version (110 minutes), and features additional scenes. One extended scene depicts Riggs dispatching a sniper who had been firing at children in a playground. In another scene, Riggs picks up a street-walking prostitute, but instead of having sex with her, he takes her home to watch The Three Stooges on TV, thus illustrating his loneliness following the death of his wife. Reboot In 2011, Warner Bros. announced to reboot the Lethal Weapon franchise without Gibson and Glover. The new franchise was set to feature the same characters but a brand new cast. Will Beall was hired to write the script, but was eventually cancelled. A television version premiered in September 2016 on Fox starring Clayne Crawford as Martin Riggs, Damon Wayans as Roger Murtaugh, and Thomas Lennon as Leo Getz.

doc_76

Passage 1: Ladies in Distress Ladies in Distress is a 1938 American drama film directed by Gus Meins and written by Dorrell McGowan and Stuart E. McGowan. The film stars Alison Skipworth, Polly Moran, Robert Livingston, Virginia Grey, Max Terhune and Berton Churchill. The film was released on June 13, 1938, by Republic Pictures. Plot Cast Alison Skipworth as Josephine Bonney Polly Moran as Lydia Bonney Robert Livingston as Pete Braddock Virginia Grey as Sally Max Terhune as Dave Evans Berton Churchill as Fred Morgan Leonard Penn as Daniel J. Roman Horace McMahon as 2nd Thug Allen Vincent as Spade Eddie Acuff as Horace Charles Anthony Hughes as Lieutenant Jack Carr as Policeman Walter Sande as Duncan Billy Wayne as Brown Passage 2: Kyōen Kobanzame Kyōen Kobanzame (侠艶小判鮫, Kyōen Kobanzame) is a 1958 black-and-white Japanese film directed by Nobuo Nakagawa. There are two parts of the film: the first part Kyōen Kobanzame zenpen (侠艶小判鮫　前篇) and the second part Kyōen Kobanzame kōhen (侠艶小判鮫　後篇). Both parts have the same staff and the same actors. Cast Kanjūrō Arashi (嵐寛寿郎) Misako Uji (宇治 みさ子) Ryūzaburō Nakamura (中村竜三郎) - dual role Ureo Egawa (江川 宇礼雄) Tomohiko Ōtani (大谷友彦) Saburō Sawai (沢井三郎) Tetsurō Tamba (丹波哲郎) Masao Takamatsu (高松政雄) Kōtarō Bandō (坂東好太郎) Fumiko Miyata (宮田文子) Namiji Matsuura (松浦浪路) Passage 3: A Damsel in Distress (1919 film) A Damsel in Distress is a silent romantic comedy film released in 1919, starring June Caprice and Creighton Hale. The film is based on the 1919 novel A Damsel in Distress by English humorist P. G. Wodehouse. The director was George Archainbaud. The same novel later inspired a 1937 film. Plot summary Cast June Caprice as Maud Marsh Creighton Hale as George Bevan William H. Thompson as John W. Marsh Charlotte Granville as Mrs. Caroline Byng Arthur Albro as Reggie Byng George Trimble as Keggs Katherine Johnson as Alice Farraday Mark Smith as Percy Marsh Production The film was directed by George Archainbaud, with Philip Masi as assistant director. The art director was Henri Menessier. Passage 4: Sidney Olcott Sidney Olcott (born John Sidney Allcott, September 20, 1872 – December 16, 1949) was a Canadian-born film producer, director, actor and screenwriter. Biography Born John Sidney Allcott in Toronto, he became one of the first great directors of the motion picture business. With a desire to be an actor, a young Sidney Olcott went to New York City where he worked in the theatre until 1904 when he performed as a film actor with the Biograph Studios. In 1907, Frank J. Marion and Samuel Long, with financial backing from George Kleine, formed a new motion picture company called the Kalem Company and were able to lure the increasingly successful Olcott away from Biograph. Olcott was offered the sum of ten dollars per picture and under the terms of his contract, Olcott was required to direct a minimum of one, one-reel picture of about a thousand feet every week. After making a number of very successful films for the Kalem studio, including Ben Hur (1907) with its dramatic chariot race scene, and Dr. Jekyll and Mr. Hyde (1908), Olcott became the company's president and was rewarded with one share of its stock. In 1910 Sidney Olcott demonstrated his creative thinking when he made Kalem Studios the first ever to travel outside the United States to film on location. Of Irish ancestry, and knowing that in America there was a huge built-in Irish audience, Olcott went to Ireland where he made a film called A Lad from Old Ireland. He would go on to make more than a dozen films there and later on only the outbreak of World War I prevented him from following through with his plans to build a permanent studio in Beaufort, County Kerry, Ireland. The Irish films led to him taking a crew to Palestine in 1912 to make the first five-reel film ever, titled From the Manger to the Cross, the life story of Jesus.The film concept was at first the subject of much scepticism but when it appeared on screen, it was lauded by the public and the critics. Costing $35,000 to produce, From the Manger to the Cross earned the Kalem Company profits of almost $1 million, a staggering amount in 1912. The motion picture industry acclaimed him as its greatest director and the film influenced the direction many great filmmakers would take such as D.W. Griffith and Cecil B. DeMille. From the Manger to the Cross is still shown today to film societies and students studying early film making techniques. In 1998 the film was selected for the National Film Registry of the United States Library of Congress. Despite making the studio owners very rich men, they refused to increase his salary beyond the $150 a week he was then earning. From the enormous profits made for his employers, Olcott's dividend on the one share they had given him amounted to $350. As a result, Sidney Olcott resigned and took some time off, making only an occasional film until 1915 when he was encouraged by his Canadian friend Mary Pickford to join her at Famous Players–Lasky, later Paramount Pictures. The Kalem Company never recovered from the mistake of losing Olcott and a few years after his departure, the operation was acquired by Vitagraph Studios in 1916. Olcott was a founding member of the East Coast chapter of the Motion Picture Directors Association, a forerunner to today's Directors Guild of America and would later serve as its president. Like the rest of the film industry, Sidney Olcott moved to Hollywood, California, where he directed many more successful and acclaimed motion pictures with the leading stars of the day. Olcott married actress Valentine Grant, the star of his 1916 film, The Innocent Lie. During World War II, Olcott opened his home to visiting British Commonwealth soldiers in Los Angeles. In his book titled Stardust and Shadows: Canadians in Early Hollywood, writer Charles Foster tells of this period in Olcott's life, and of how he was introduced to many members of Hollywood's Canadian community through Olcott. Olcott died in Hollywood, California, in the house of his friend Robert Vignola where he lived after the death of Valentine Grant. Wanting to be buried in Canada, he is buried in Park Lawn cemetery in Toronto, Ontario. Partial filmography 1907 1908 1909 1910 1911 1912 1913 1914 1915 1916 1918 1919 Marriage for Convenience (1919) 1920 Scratch My Back (1920) 1921 The Right Way (1921) God's Country and the Law (1921) Pardon My French (1921) 1922 Timothy's Quest (1922) 1923 The Green Goddess (1923) Little Old New York (1923) 1924 The Humming Bird (1924) Monsieur Beaucaire (1924) The Only Woman (1924) 1925 Salome of the Tenements (1925) The Charmer (1925) Not So Long Ago (1925) The Best People (1925) 1926 The White Black Sheep (1926) Ranson's Folly (1926) The Amateur Gentleman (1926) 1927 The Claw (1927) See also Canadian pioneers in early Hollywood Passage 5: When Lovers Part When Lovers Part is an American silent film produced by Kalem Company and directed by Sidney Olcott with Gene Gauntier, Jack J. Clark, Robert Vignola and JP McGowan in the leading roles. A copy is kept in the Desmet collection at Eye Film Institute (Amsterdam). Plot In the Antebellum South, Nell is banned from seeing her lover by her father. They decide to elope, but their plans are thwarted by the father. When the American Civil War begins both Nell's father and former lover enlist the Confederate Army. Nell's father returns and her lover is traumatized and matured by the war, and at her father's funeral Nell finally accepts his hand in marriage. Cast Gene Gauntier - Nell Jack J. Clark - Robert Vignola - Back servant JP McGowan - Nell's father Production notes The film was shot in Jacksonville, Florida. Passage 6: Damsels in Distress (film) Damsels in Distress is a 2011 American comedy-drama film written and directed by Whit Stillman and starring Greta Gerwig, Adam Brody, and Lio Tipton. It is set at a United States East Coast university. First screened at the 68th Venice International Film Festival and the Toronto International Film Festival, it opened in New York and Los Angeles on April 6, 2012. Plot Newly transferred college student Lily becomes friends with Violet, Heather and Rose, a clique who run the campus' suicide prevention center. They date less attractive men to help the men's confidence; they try to clean up the "unhygenic" Doar Dorm; they clash with the editor of the campus newspaper, The Daily Complainer, who wants to close down the "elitist" fraternities; and they try to start a new dance craze, The Sambola! Cast Development Damsels in Distress was Stillman's first produced feature since The Last Days of Disco (1998). In August 1998, he had moved from New York to Paris with his wife and two daughters. In that time, he wrote a novelization of The Last Days of Disco, in addition to several original film scripts which were not made, including one set in Jamaica in the 1960s. He resolved to make a lower-budgeted film in the style of his debut, Metropolitan (1990). In 2006, he met with Liz Glotzer and Mart Shafer at Castle Rock Entertainment, who had financed his second and third films. According to Shafer: Whit said, 'I want to write a movie about four girls in a dorm who are trying to keep things civil in an uncivil world.' It took him a year to write 23 pages. Six months later, a few more dribbled in. He just doesn't work very fast. Finally we had a draft. When we started production he said, 'I think 12 years is the right amount of time between movies.' Castle Rock provided most of the $3 million budget. Production The movie was filmed on location in New York City on Staten Island at the Sailors' Snug Harbor Cultural Center. Filming finished on November 5, 2010.Stillman has said that the film was cut between its festival and theatrical runs: I felt the MPAA helped us out there. I'd hoped to get a PG-13 even with the Venice cut, but in the first viewing they thought it was R. So we looked at it, the editor [Andrew Hafitz] and I, and we saw immediately some things that would make it pretty clearly PG-13, and we felt would help the movie. There could've been a little heaviness of talking a little too much about what was going on, and it would delay the laugh until later – which I think is always good. We were really happy with the small changes we made. We made tiny changes in two scenes: we took out the text for what the ALA stood for... I think it gave it a Lubitschean vagueness and delayed the laugh. Music The film features an original score by Mark Suozzo. The song "Sambola!" is written by Suozzo, Michael A. Levine, and Lou Christie. Reception On review aggregator Rotten Tomatoes, the film has an approval rating of 75% based on reviews from 143 critics. The website's critics consensus reads, "Damsels in Distress can sometimes feel mannered and outlandish, but it's redeemed by director Whit Stillman's oddball cleverness and Greta Gerwig's dryly funny performance." On Metacritic, it has a score of 67% based on reviews from 33 critics.In Variety, Leslie Felperin wrote, "a film that raises laughs even with its end credits, Whit Stillman's whimsical campus comedy Damsels in Distress is an utter delight." In Time, critic Richard Corliss wrote, "Innocence deserted teen movies ages ago, but it makes a comeback, revived and romanticized, in this joyous anachronism." Andrew O'Hehir of Salon praised Gerwig's "powerful and complicated performance" and said that "it's both a relief and a delight to discover that Stillman remains one of the funniest writers in captivity." He concluded, "I laughed until I cried, and you may too (if you don't find it pointless and teeth-grindingly irritating). Either way, Whit Stillman is back at last, bringing his peculiar brand of counterprogramming refreshment to our jaded age." Jordan Hoffman of About.com gave the film four stars out of five, calling Gerwig "a massive, multi-faceted talent" and the film a "love it or hate it movie. Personally, I think the ones who aren't charmed to pieces by its endless banter and preposterous characters very much need our help to expand their tastes and accept a more enlightened purview of what, indeed, is refined and acceptable motion picture entertainment." Notes Passage 7: Nigel Hess Nigel John Hess (born 22 July 1953) is a British composer, best known for his television, theatre and film soundtracks, including the theme tunes to Campion, Maigret, Wycliffe, Dangerfield, Hetty Wainthropp Investigates, Badger and Ladies in Lavender. Biography Hess was born in Weston-super-Mare, Somerset. He was educated at Weston-super-Mare Grammar School for Boys, and went on to study music at Cambridge University, where he was Music Director of the famous Footlights Revue Company. He has since worked extensively as a composer and conductor in television, theatre and film. Hess has composed numerous scores for both American and British television productions, including A Woman of Substance, Vanity Fair, Campion, Testament (Ivor Novello Award for Best TV Theme), Summer's Lease (Television & Radio Industries Club Award for Best TV Theme), Chimera, Titmuss Regained, Maigret, Classic Adventure, Dangerfield, Just William, Wycliffe (Royal Television Society Nomination for Best TV Theme), The One Game, Every Woman Knows a Secret, Hetty Wainthropp Investigates (Ivor Novello Award for Best TV Theme and Royal Television Society Nomination for Best TV Theme), Badger, Ballykissangel, New Tricks and Stick With Me Kid for Disney. His best-known film score is Ladies in Lavender (Classical Brits Nomination for Best Soundtrack Composer) starring Dame Judi Dench and Dame Maggie Smith. The music has become popular worldwide, and was performed in the film by violinist Joshua Bell with the Royal Philharmonic Orchestra. While Hess was House Composer for the Royal Shakespeare Company he contributed twenty scores for RSC productions, and highlights from his Shakespeare scores have been recorded and performed by the RPO in concert as The Food of Love, hosted by Dame Judi Dench and Sir Patrick Stewart. His most recent RSC scores were for Christopher Luscombe's productions of Love's Labour's Lost and Love's Labour's Won. Hess was awarded the New York Drama Desk Award for ‘Outstanding Music in a Play’ for the productions of Much Ado About Nothing and Cyrano de Bergerac on Broadway. His most recent theatre scores have been written for Shakespeare's Globe in London and include The Merry Wives of Windsor, Romeo and Juliet, Henry VIII, The Knight of the Burning Pestle and Nell Gwynn. The debut album of Hess’s vocal group Chameleon (recently reissued as Saylon Dola) won the Music Retailers Association Award for Best MOR Vocal Album, with tracks from the album subsequently covered by several artists, including tenor Russell Watson. Hess has also composed much concert music, particularly for symphonic wind band, including commissions from Royal Air Force Music Services and the Band of the Coldstream Guards. July 2007 saw the première of Hess’s Concerto for Piano and Orchestra (Classical Brits Nomination for Composer of the Year), commissioned by the Prince of Wales in memory of his grandmother. The soloist was internationally renowned pianist Lang Lang. Other commissions include a new ballet based on The Old Man of Lochnagar, a children’s story written by the Prince of Wales in 1980, commissioned and premiered by the National Youth Ballet of Great Britain; A Christmas Overture, commissioned by John Rutter and premiered by the Royal Philharmonic Orchestra at the Royal Albert Hall, and A Celebration Overture, commissioned by the Royal Liverpool Philharmonic Orchestra for its 175th anniversary and also premiered at the Royal Albert Hall in 2015. Hess is the great nephew of British pianist Dame Myra Hess. He named his music publishing company Myra Music in her honour. In 2023, Hess was announced as one of the composers who would each create a brand new piece for the Coronation of Charles III and Camilla. Notable TV compositions Hess's notable television compositions include Testament — awarded the Ivor Novello Award for best television theme Summer's Lease — awarded the Television and Radio Industries Club award for best television theme Wycliffe — nominated for the Royal Television Society best television theme Hetty Wainthropp Investigates — awarded the Ivor Novello Award for best television theme and nominated for the Royal Television Society best television theme award Passage 8: I Want Your Love (film) I Want Your Love is the title of both a 2010 short film and a 2012 feature-length film. Both films were directed and written by Travis Mathews. The drama films both revolve around the friends and ex-lovers of Jesse Metzger, a gay man in his mid-30s who is forced to move back to his hometown from San Francisco due to financial reasons. The actors' own names, along with much of their real-life stories, were used for their characters in both films, which features graphic sexual scenes. The production of both films was aided by the gay pornographic studio NakedSword. This led to the full-length film being refused exemption from classification, which would have allowed it to screen at the Melbourne Queer Film Festival, a decision to which actor James Franco (who invited Mathews to collaborate on Franco's film Interior. Leather Bar.) reacted negatively. 2010 short film Cast Jesse Metzger as Jesse Brenden Gregory as Brenden Plot Jesse and Brenden playfully negotiate their way toward having sex together for the first time on Metzger's last night in San Francisco before he returns to the Midwest. 2012 film Cast Jesse Metzger as Jesse a performance-arts director and the main character, who's forced to move back to his hometown Brontez Purnell as Brontez, a friend of Jesse, who works at a clothing shop Ben Jasper as Ben, Jesse's ex-boyfriend, who works in advertising and stops by to say goodbye Keith McDonald as Keith, Jesse's friend and roommate Wayne Bumb as Wayne Ferrin Solano as Ferrin, Wayne's boyfriend, who moves in with Wayne Jorge Rodolfo as Jorge, Wayne's friend, of whom Ferrin is initially jealous, but who eventually joins Wayne and Ferrin for a threesome Peter Knegt as Peter, Jesse's one-night standOthers; Shannon O'Malley as Shannon Courtney Trouble as Courtney Bob Mathews as Jesse's Dad (voice) Justin Time as Boy Outside of Aunt Charlie's Mike Ojeda as Boy Outside of Aunt Charlie's Ginno Castro as Party Person Ryan Crowder as Party Person Plot Jesse Metzger, a gay man in his mid-30s who works in the domain of performance arts, finds himself forced to move back to his hometown because he can no longer afford living in San Francisco. As he plans his move, his best friend Wayne is having his boyfriend Ferrin move in. The two have trouble acclimating through the movie, and Ferrin is worried about Wayne's increasing interest in Jorge, a friend of Wayne. Jesse discusses his fears about moving with his other roommate, Keith, who seems to always help Jesse by saying the right things. Meanwhile, Jesse is having trouble with his job, which involves creativity, a quality he is losing under all the pressure. He contacts his ex-boyfriend Ben to say goodbye. Ben is excited, and goes shopping to impress Jesse, where he meets with friend Brontez. The two chat and agree to meet in a goodbye party for Jesse, which Wayne had planned for later that night. Jesse, despite having reminisced his love-making with Ben, and Ben feel good about meeting each other, but upon meeting, they both realize their feelings are gone. Later that day, Ben calls Brontez to confirm seeing him later at night in Jesse's party. At the party, Jesse does not show up and stays downstairs with Keith, who is leaving for the weekend. The guests arrive. Ferrin suggests a threesome with Wayne and Jorge, to which they both agree. During the sex, Jorge leaves the two lovers. Meanwhile, Ben and Brontez flirt and eventually have sex. Downstairs, Jesse wears Keith's clothes and lays down listening to music. Keith shows up, surprising Jesse. The two chat until their sexual tension reaches the point where they have sex, which is interrupted by Jesse, who tells Keith that this "isn't what he wants." In the morning, Ben picks up Jesse. On their way to the airport, Jesse laughs loudly, claiming he is, despite his fears, strangely excited. Production I Want Your Love is about gay relationships among a group of San Francisco friends. The short film was released in April 2010, with the cooperation of NakedSword, a gay porn studio, and proceeded to be shown at a number of LGBT film festivals around the world. The full-length film was shown at a number of LGBT film festivals in 2012. Restriction in Australia The Australian Classification Board denied I Want Your Love festival exemption for the Sydney Mardi Gras Film Festival. The move has been controversial, with critics highlighting the fact that Donkey Love, a documentary about zoophilia in Colombia, was permitted to screen at the Sydney Underground Film Festival. In 2013, actor James Franco spoke out in defense of the film, stating that the refusal to grant a festival exemption to the film was "hypocritical" and "an embarrassment". Passage 9: Matt Corboy Matt Corboy (born June 4, 1973) is an American actor. He has appeared in both films and television series. Early life Corboy was born in Honolulu, Hawaii, and grew up there, before leaving to attend Colorado State University, where he earned a degree in business. Career Corboy took up acting in 1996, and has appeared in many commercials, films, and had one-time guest roles in television series. His best-known role was on The Shield, where he appeared as Officer Ray Carlson in 17 episodes. In 2011, he played Cousin Ralph in The Descendants, which received widespread critical acclaim and multiple awards including an Academy Award for Best Adapted Screenplay. While growing up in Hawaii, Corboy would play poker with his friends. His affinity for the game led to him becoming the lead commentator for the Professional Poker Tour in 2006.In mid–2017, Corboy was cast in the recurring character Jared Preston Jr. on the ABC soap opera General Hospital to help facilitate Rebecca Budig's character Hayden Barnes exit off of the soap. Personal life Corboy has been married to Kara McNamara Corboy since August 4, 2001. Filmography Film Television Passage 10: Gus Meins Gus Meins (March 6, 1893 – August 1, 1940), born Gustave Peter Ludwig Luley, was an American film director. He was born in Frankfurt, Germany. Career Meins started out in the 'teens as a cartoonist for the Los Angeles Evening Herald before becoming a comedy writer for Fox Film in 1919.In the 1920s, Meins directed a number of silent short subjects film series for Universal Pictures, including the Buster Brown comedies. He is best known as senior director of Hal Roach's Our Gang comedies from 1934 to 1936, and also as director of Laurel and Hardy's Babes in Toyland (1934). His assistant director was a young Gordon Douglas, who became senior director in 1936 when Meins left Our Gang for other directing jobs at Roach. Meins left Roach in 1937 over creative differences. Death In the summer of 1940, Meins faced prosecution on "morals charges", having been accused of sex offenses against six youths. The director swore his innocence but stated that the case would ruin his career, regardless of the outcome. He left home on the night of Thursday, August 1 telling his son, Douglas: "You probably won't see me again." Meins was found dead in his car on August 4, reportedly having committed suicide by inhaling carbon monoxide days earlier. Bizarrely, the circumstances of his death in a car from suffocation were reminiscent of the demise five years earlier of comedian Thelma Todd, whom he had frequently directed. He was interred at Grand View Memorial Park Cemetery in Glendale, California.He was generally remembered as 'a cheerful, convivial gentleman'. His son Douglas Meins (1918–1987) appeared in at least seven Republic and Warner films in the late 1930s and early 1940s; he then served in the U.S. Army Corps during World War II. Selected filmography Feature films: Babes in Toyland (1934), starring Laurel and Hardy His Exciting Night (1939) The Covered Trailer (1939)ZaSu Pitts/Thelma Todd shorts: Sneak Easily (1933) Asleep in the Feet (1933) Maids à la Mode (1933) One Track Minds (1933)Thelma Todd/Patsy Kelly shorts: Beauty and the Bus (1933) Backs to Nature (1933) Air Fright (1933) Babes in the Goods (1934) Soup and Fish (1934) Maid in Hollywood (1934) I'll Be Suing You (1934) Three Chumps Ahead (1934) One-Horse Farmers (1934) Done In Oil (1934) An All-American Toothache (1936) Hill-Tillies (1936)Our Gang shorts:

doc_77

Passage 1: Ole Arntzen Lützow Ole Arntzen Lützow (14 November 1801 – 2 November 1871) was a Norwegian politician. He was elected to the Parliament of Norway in 1839, 1842 and 1845, representing the rural constituency of Hedemarkens Amt. He worked as a farmer. Passage 2: Harry A. McMackin Harry Albert McMackin (February 10, 1880 – October 13, 1946) was a Canadian politician. He served in the Legislative Assembly of New Brunswick as member of the Progressive Conservative party from 1939 to 1944. Passage 3: Harry A. Keegan Harry Albert Keegan (November 18, 1882 – August 25, 1968) was a member of the Wisconsin State Assembly. Biography Keegan was born on November 18, 1882 in what is now Madison, South Dakota. He later moved to Monroe, Wisconsin. Keegan died in August 1968. Career Keegan was a member of the Assembly twice. First, from 1939 to 1946 and second, from 1949 to 1956. He was a Republican. He was a dairy farmer and also worked in the grocery business. Keegan served on the Monroe Common Council. Passage 4: Harry Sieben Sr. Harry Albert Sieben II (August 23, 1914 - April 25, 1979) was an American public servant, active in government and politics in Minnesota throughout his life. Family, early life, and education Sieben was born on August 23, 1914, in Hastings, Minnesota into a family active in government and politics. Sieben's father, also named Harry Albert Sieben (1890-1945), a 1911 graduate of the University of Illinois, served as mayor of Hastings from 1922 to 1926. Sieben's grandfather, J. George Sieben, served three terms as mayor of Hastings, while also serving on the city council for twelve years.Sieben's mother, Irene H. Buckley Sieben (1891-1982), was a 1911 graduate of the University of Minnesota and was a delegate to the Democratic National Convention in 1948.The Sieben family originally arrived in the United States from Firmenich, near Cologne, Germany, in the then-Kingdom of Prussia, in 1847. Sieben graduated from the University of Minnesota and, later, from William Mitchell College of Law. Early career Before his career in law and government, Sieben managed his family's drug store, which was founded by his grandfather in 1885. During World War II, Sieben joined the Army and served at the bomber modification center at Holman Field in St. Paul.Sieben married his wife, the former Mary Luger, in April 1940, in Minneapolis, where they later made their home before moving to Hastings. Political career Sieben was a long-time member of the Minnesota Democratic–Farmer–Labor Party (DFL) and active in local and state politics for over thirty years. After assisting with the political activity of his father in Hastings, an early political experience of Sieben's came during Hubert Humphrey's successful 1948 bid for US Senate.In 1950, Sieben ran for Minnesota's 2nd Congressional District of the US Congress, against incumbent-since-1941, Joseph O'Hara. Sieben supported the Marshall Plan and providing military assistance to Europe and Asia, including Korea, where his brother James G. Sieben served. Sieben ultimately lost 69,304 to 46,452.In February 1951, he was also appointed acting director of the Office of Price Stabilization in Minnesota after being recommended for it by then-Senator Hubert Humphrey.In 1954, Sieben again ran for US Congress in the 2nd District. A highlight of Sieben's campaign was a fundraising dinner for 700 people in Mankato with sitting Senator Hubert Humphrey at $5 per plate.In January 1955, Minnesota Governor Orville Freeman appointed Sieben as liquor control commissioner. In 1957, Governor Freeman appointed Sieben as the Minnesota highway safety director, a role in which he served for four years.Sieben was appointed as US Marshal for Minnesota by President John F. Kennedy on May 1, 1961.Sieben stepped down from US Marshal position in the summer of 1962 to become the regional director of the Small Business Administration for Minnesota, North and South Dakota, and northern Wisconsin. During this time, Sieben was also a confidante of Governor Karl Rolvaag.In 1966, at the age of 52, he graduated from William Mitchell College of Law and worked as a lawyer. In 1968, Sieben was elected president of the Twin Cities chapter of the Federal Bar Association.From 1971 until his death, Sieben served as chief clerk of the United States District Court for the District of Minnesota. Death & legacy On April 22, 1979, Sieben he suffered a stroke or a heart attack and was hospitalized. He died shortly afterwards on April 25, 1979, in Hastings.Two of Sieben's sons, Harry A. Sieben, Jr. and Mike Sieben, served in the Minnesota House of Representatives: Harry, Jr. served 14 years, including as Speaker of the House, while Mike served 10 years. Harry, Jr. also served as a Major General and Adjutant General of the Minnesota National Guard. Another of Sieben's sons, William, served on Walter Mondale's senate staff in Minnesota, and later, on his White House staff during his vice presidency. Sieben's granddaughter, Katie Sieben, served in the Minnesota Senate. Sieben was also the brother of Major General James G. Sieben, who served as Adjutant General of the Minnesota National Guard. Passage 5: Harry Atkinson (socialist) Harry Albert Atkinson (15 October 1867 – 21 January 1956) was a New Zealand engineer, socialist and insurance agent. He was born in Urenui, Taranaki, New Zealand on 15 October 1867, and was educated at Nelson College. Passage 6: Ole Arntzen Ole Arntzen (4 February 1910 – 7 August 1973) was a Norwegian businessman and resistance member during World War II. He was a brother of Sven Arntzen. He was a member of the Central Committee of Milorg, where he served as General Inspector ("Stor I") from April 1944 to May 1945. His cover name was "Ørnulf". In his World War II memoirs, Gunnar Sønsteby devotes one chapter to the arrest of Milorg leaders Jens Christian Hauge and Arntzen by the State police on 10 April 1945, but their central role was not discovered. Passage 7: Harry Albert Willis Harry Albert Willis (July 11, 1904 – March 23, 1972) was a Canadian Senator and long-time fundraiser and organizer for the Progressive Conservative Party of Canada in Ontario. Born in Belfountain, Ontario, Wilson was Ontario chairman of the federal party's Ontario wing from 1943 until 1963.A lawyer by training, Willis was a graduate of McMaster University and Osgoode Hall Law School. He was appointed to his party position by then federal leader John Bracken.Under John Diefenbaker, Willis was one of the "three musketeers" who ran the Ontario wing along with Edwin A. Goodman and Senator William Brunt.Diefenbaker appointed Willis to the Senate in June 1962. He stepped down as Ontario chairman following the 1963 federal election in which the Tories were defeated by Lester Pearson's Liberals with only 26 Progressive Conservative MPs being elected in Ontario.In the business world, Willis sat on several boards of directors, including those of Denison Mines and Standard Trust. He was president of Caledon Holdings Limited, which developed residential subdivisions. The company owned 1,000 acres (4.0 km2) near which Wilson wished to develop despite the province's plans to create park Forks of the Credit Provincial Park. Wilson continued buying property in the area despite the province's plans. The provincial Progressive Conservative government purchased the land from Wilson in 1971, giving him an 81% profit, which resulted in complaints by the parliamentary opposition and a formal inquiry which found no wrongdoing on the part of Willis but which criticized the government for not bargaining for a lower price.Willis died in flight from Ottawa to Toronto. Passage 8: Charalampos Mavrias Charalampos Mavrias (Greek: Χαράλαμπος Μαυρίας; born 21 February 1994), known as "Charis" (Greek: Χάρης) or "Harry", is a Greek professional footballer who plays as a right back and right midfielder for Greece national team. Club career Panathinaikos Mavrias joined Panathinaikos' youth academy in 2007, aged 13, and was promoted to the first-team squad in 2010, after signing a professional contract in the previous year. On 20 October 2010 he made his first-team – and UEFA Champions League – debut, playing the last 12 minutes of a 0–0 home draw against Rubin Kazan, thus becoming the youngest Greek ever to appear in the competition, and the second youngest overall (only behind Celestine Babayaro, being surpassed later by Alen Halilović, Youri Tielemans and Rayan Cherki). Four days later he made his league debut, again as a substitute in a 0–1 loss at AEK. Mavrias scored his first professional goal on 18 February 2012, netting his side's last of a 2–0 success at Ergotellis; he scored his first European goal on 31 July 2012, again netted the last of a 2–0 win at Motherwell in the first leg of the third qualifying round of the Champions League, one minute after coming onto the pitch as a substitute. Sunderland On 22 August 2013, Mavrias joined English Premier League side Sunderland on a four-year contract, for an undisclosed fee, rumoured to be £2-3 million. However, he was left out of the squad to play Southampton due to lack of match fitness. Mavrias made his debut five days later, coming on as a second-half substitute in a 4–2 home success over Milton Keynes Dons, for the campaign's Football League Cup. He scored his first goal on 25 January of the following year, netting the winner against Kidderminster Harriers in the fourth round of the FA Cup.On 2 February 2015, it was confirmed Mavrias had joined his former club Panathinaikos on loan until the end of the 2014–15 season. Mavrias returned to Sunderland where he has been training and playing for the Black Cats Under-21s – and is understood to have impressed the club's coaching staff with his attitude and contribution. But Mavrias has not come close to being included in the first-team squad, however is not bitter over seeing his career stall on Wearside. “I took the decision to leave Panathinaikos and go to Sunderland, and I think anyone in my position would take this decision,” he told the Greek press. On 9 January 2016, almost two years after his last match with the first team, Mavrias entered the game in second half as a substitute in a 3–1 away loss against Arsenal for FA Cup. Fortuna Düsseldorf He was loaned to Fortuna Düsseldorf on 27 January 2016. Mavrias - who has 18 months remaining on his Sunderland contract - now has a chance to play regular first-team football after joining Düsseldorf until the end of the campaign, with a view to a permanent switch next summer. On 6 February 2016, he made his debut with a club, in a 0–1 home loss against Heidenheim. Mavrias performance in Düsseldorf was satisfying, leading the club to set an offer for the Greek international winger. Unfortunately on 24 June 2016, Sunderland reject Fortuna Düsseldorf's lower bid than the £400,000 clause to convert the loan into a permanent switch. Karlsruher SC On 6 September 2016, after three seasons spent playing for Sunderland, only 7 official caps overall collected as a Black Cats man, plus 2 experiences as a loanee (at Fortuna Düsseldorf and Panathinaikos), he joined 2. Bundesliga side Karlsruher SC for a three-years contract. On 10 September 2016, he made his debut with the club in a 4–0 away loss against Union Berlin. Unfortunately, KSC harboured hopes of promotion back to the Bundesliga this summer, after finishing seventh last term had erupted during the year as the club relegated to Germany's third tier. Rijeka On 24 August 2017, Mavrias joined Rijeka in the Croatian First Football League on a one-year contract with a three-year extension option. Hibernian Mavrias signed with Scottish Premiership club Hibernian in October 2018 on a short-term contract, following a trial period. He made two first-team appearances for Hibernian, but then suffered a hamstring injury and was released at the end of his contract. Omonia On 29 December 2018, Omonia officially announced the signing of Mavrias on a 2,5 year contract. He made his debut for the team on 13 January 2019, on a match against Apollon Limassol for the Cypriot First Division, replacing Saša Živec on the 41st minute. On February 10, he scored his first goal on a match against Doxa Katokopias. Apollon Limassol On 11 June 2021, Apollon Limassol announced him, with a contract lasting until 2023. International career On 19 March 2019, Greece head coach Angelos Anastasiadis announced the call up of Mavrias for the match against Liechtenstein and Bosnia and Herzegovina for UEFA Euro 2020. Mavrias's talent is undoubted and has added versatility to his game, demonstrating he is able to operate as a right back if need be. His form in Cyprus has been patchy which again makes his selection fascinating. Anastasiadis may see him as a ‘wildcard’ option to throw on off the bench as his speed could add another dimension to a team severely lacking such a trait. He has already featured for the Greece national team on five occasions, but his last appearance came in 2014 as the Greece lost to Serbia in a friendly. Career statistics As of 22:01, 08 May 2022 (UTC). Honours Club Rijeka Atlantic Cup: 2017Omonia Cypriot First Division: 2020–21Apollon Limassol Cypriot First Division: 2021–22 International Greece U19 UEFA European Under-19 Championship runner-up: 2012 Passage 9: John J. Casbarian John J. Casbarian is an American architect, currently the Harry K. & Albert K. Smith Professor at Rice University. He is a Fellow at American Academy in Rome.He received a B.A. ('69) and B.Arch. ('72) from Rice University and a MFA in Design from the California Institute of the Arts. In 2002, he founded the Rice School of Architecture in Paris (RSAP), an advanced program of study for Rice graduate architecture students, located in 12th arrondissement in Paris. The program places students in the top architecture firms in Paris to be involved in year-long practicums, while they expand their cultural, political, artistic, and social horizons. Passage 10: Harry Lorraine (English actor) Harry Lorraine (26 March 1885 – 27 March 1970), born Harry Albert Heard in Brighton, Sussex, England, was an actor in English silent films. Early life Harry Heard was the oldest of three children born to Thomas Heard and Harriett (née Ashdown). At age 16 he was working as a painter for his father, but then established himself as a magician, daredevil, and escapologist, sometimes with the spelling Harry Herd, as "The world’s youngest Handcuff King," an English version of Harry Houdini, although it's uncertain whether he met Houdini or saw him perform. Acting career Heard began his film career in 1912 and used the name Harry Lorraine throughout his acting career. It appears to have been strictly a stage name, as he used the surname Heard on his marriage certificate in 1932, and there is no known documentation of a legal name change.Lorraine's first acting role was Little John in Robin Hood Outlawed. The next month, he took the lead role of Lieutenant Rose in Lieutenant Rose and the Train Wreckers. In this movie, typical for the time period, Lorraine's character is traveling on a train which has been directed to a siding by the enemy, and – all while the smallest slip means certain death – as the train is hurtling along, he climbs out of the carriage, swings himself between two coaches, and disconnects the couplings, thereby saving the day by sending on the bulk of the train to destruction while his own carriage remains safely on the track.Lorraine did his own stunts in movies, drawing on his natural strength and the physical skills he had developed prior to acting. During a time when it seemed audiences wanted more and every action movie had to outdo previous movies – and with only visual effects and music – some were quite challenging and even dangerous. Examples of some of the daredevil stunts Lorraine performed include diving into a pool of sharks (filming on location in Jamaica), being thrown bound hand and foot from Walton Bridge into the river thirty feet below, fighting six men single-handedly and getting thrown down onto a table with such force that it splintered (this was an unrehearsed and unexpected thrill), jumping from an airplane, dangling from the jib of a very tall crane while bound, being dragged by a taxicab, and sundry chase scenes.Lorraine's acting career spanned three decades, and its end probably had as much to do with the near-standstill of the British film industry during World War II as with his advancing age for the types of characters he usually played. Personal life In 1932, Lorraine married Gladys Seals in Kingston. His name was recorded as Harry Heard on the marriage certificate. He was forty-five years old and his occupation was listed as film director; she was twenty-four. Gladys used the name Tonie throughout her life. They had two boys, both born in Staines, whose surnames were registered as both Heard and Lorraine, and adopted to use the surname Lorraine.The British film industry was decimated by the effects of World War II, and after the war Lorraine left acting to manage his father’s building business. Known as Lorraine Estates, it was initially involved in repairing bomb damage to property in Battersea and other sites in and around London. Lorraine continued working in the building business almost until his death at age 85 on 27 March 1970, and was recorded as "film director (retired)" on his death certificate. Tonie died in 2002, at age 94. Selected filmography Notes Copies of some of Lorraine's movies are no longer extant, and there are only brief synopses for some. For others, even story lines and listing of credits are not available. During Lorraine's career, there was another actor name Harry Lorraine, an American silent film actor who was noted for comedy and romance films, not action films. Their careers largely overlapped, and due to incomplete records and because the English Harry Lorraine spent time and is thought to filmed movies in the United States, their filmographies have not yet been disambiguated with certainty.

doc_78

Passage 1: The Wonderful World of Captain Kuhio The Wonderful World of Captain Kuhio (クヒオ大佐, Kuhio Taisa, lit. "Captain Kuhio") is a 2009 Japanese comedy-crime film, directed by Daihachi Yoshida, based on Kazumasa Yoshida's 2006 biographical novel, Kekkon Sagishi Kuhio Taisa (lit. "Marriage swindler Captain Kuhio"), that focuses on a real-life marriage swindler, who conned over 100 million yen (US$1.2 million) from a number of women between the 1970s and the 1990s.The film was released in Japan on 10 October 2009. Cast Masato Sakai - Captain Kuhio Yasuko Matsuyuki - Shinobu Nagano Hikari Mitsushima - Haru Yasuoka Yuko Nakamura - Michiko Sudo Hirofumi Arai - Tatsuya Nagano Kazuya Kojima - Koichi Takahashi Sakura Ando - Rika Kinoshita Masaaki Uchino - Chief Fujiwara Kanji Furutachi - Shigeru Kuroda Reila Aphrodite Sei Ando Awards At the 31st Yokohama Film Festival Best Actor – Masato Sakai Best Supporting Actress – Sakura Ando Passage 2: We Dive at Dawn We Dive at Dawn is a 1943 war film directed by Anthony Asquith and starring John Mills and Eric Portman as Royal Navy submariners in the Second World War. It was written by Val Valentine and J. B. Williams with uncredited assistance from Frank Launder. It was produced by Edward Black. The film's sets were designed by Walter Murton. Plot It is April, 1942. Lieutenant Freddie Taylor and some crew of the submarine Sea Tiger are given a week's leave after an unsuccessful patrol. Leading Seaman Hobson goes home to save his marriage, while a reluctant Torpedo Gunner's Mate Corrigan departs for his wedding in London. When the crew are recalled early Corrigan is relieved, though later regrets not completing his marriage. Sea Tiger has been assigned the top secret mission to sink Nazi Germany's new battleship, the Brandenburg, before she transits the Kiel Canal for sea trials in the Baltic Sea. Sea Tiger must put to sea immediately. Crossing the North Sea, the submarine picks up three shot-down Luftwaffe pilots from a rescue buoy, and prevents their radio alert to German forces. When the submarine enters a minefield, an airman panics and reveals the Brandenburg is further ahead than thought. The airman is attacked by a countryman and subsequently dies. Taylor decides on a desperate gamble to pursue the Brandenburg into the German-controlled Baltic Sea. When the Brandenburg is spotted, Sea Tiger fires all its torpedoes, but dives before assessing their impact due to German destroyers dropping depth charges. By expelling oil and other debris including the body of the German airman, Taylor deceives the Germans into believing that the submarine has sunk. Although successfully escaped, Sea Tiger no longer has enough oil to reach Britain. The Germans, convinced that the Sea Tiger has been sunk, have Lord Haw Haw broadcast to Britain announcing the destruction of the Sea Tiger. Taylor decides to have his crew abandon ship on the Danish island of Hågø (which is in fact the island of Bågø). Hobson, a former merchant seaman who speaks German and knows the port on the island, persuades Taylor to let him go ashore and search for oil. He succeeds, and Sea Tiger enters the harbour under cover of darkness, using Hobson's intelligence about the harbour depth. Aided by friendly Danish sailors, they refuel while Hobson and other crewmen hold off the German garrison. Although Pincher (the cook) is killed and Oxford and Lieutenant Johnson are wounded, they get back to the re-fuelled submarine and start to leave the port. While they leave though, the tanker they were able to refuel from is hit by German shells and catches fire. Taylor, not wanting to risk the Sea Tiger any longer, continues to leave the port and makes it out to the open sea. While returning to Britain, the crew are met by an escorting trawler and learn from them that they sank the Brandenburg. The Sea Tiger returns to base, flying the Jolly Roger for the first time. Cast John Mills as Lieutenant Freddie Taylor, Captain Louis Bradfield as Lieutenant Brace, First Officer Ronald Millar as Lieutenant Ronnie Johnson, Third Officer Jack Watling as Lieutenant Gordon, Navigating Officer Reginald Purdell as C/P.O. (Chief Petty Officer) "Dicky" Dabbs, Coxswain Caven Watson as C/P.O. Jock Duncan, Chief Engine Room Artificer Niall MacGinnis as C/P.O. Mike Corrigan, Torpedo Gunner's Mate Eric Portman as L/S (Leading Seaman) James Hobson, on hydrophones Leslie Weston as L/S Tug Wilson, Leading Torpedo Operator Norman Williams as "Canada", Periscope Operator Lionel Grose as "Spud", Torpedo Operator David Peel as "Oxford", Helmsman Philip Godfrey as "Flunkey", Steward Robb Wilton as "Pincher", Cook Joan Hopkins as Ethel Dabbs Walter Gotell as the ardent Nazi pilot, uncredited John Slater as Charlie Philip Friend as Captain Humphries Production We Dive at Dawn was filmed at Gaumont-British Studios in London, with the co-operation of the British Admiralty. John Mills prepared for his role as the captain of Sea Tiger by sailing in a submarine on a training mission down the Clyde. He recalled a crash dive: The ship then seemed to stand on her nose and I felt her speeding like an arrow towards the sea bed; charts and crockery went flying in all directions; I hung on to a rail near the periscope trying to look heroic and totally unconcerned; the only thing that concerned me was the fact that I was sure that my face had turned a pale shade of pea-green. Exterior shots of the submarines P614 and P615 were used for Sea Tiger (with the final number painted over to make "P61"). The vessels were a Turkish S-class submarine that had been part of a consignment ordered by the Turkish Navy from the British company Vickers in 1939. But with the outbreak of World War II, the four boats were requisitioned by the Royal Navy and designated the P611 class in the British Fleet. They were similar in design but slightly smaller than the British S class, although with a higher conning tower. The S-class boat HMS Safari also appears in the film. Home media The film has been issued on VHS by Madacy Records and Timeless Multimedia among others, and on DVD by ITV DVD and Carlton. Passage 3: Coney Island Baby (film) Coney Island Baby is a 2003 comedy-drama in which film producer Amy Hobby made her directorial debut. Karl Geary wrote the film and Tanya Ryno was the film's producer. The music was composed by Ryan Shore. The film was shot in Sligo, Ireland, which is known locally as "Coney Island". The film was screened at the Newport International Film Festival. Hobby won the Jury Award for "Best First Time Director". The film made its premiere television broadcast on the Sundance Channel. Plot After spending time in New York City, Billy Hayes returns to his hometown. He wants to get back together with his ex-girlfriend and take her back to America in hopes of opening up a gas station. But everything isn't going Billy's way - the townspeople aren't happy to see him, and his ex-girlfriend is engaged and pregnant. Then, Billy runs into his old friends who are planning a scam. Cast Karl Geary - Billy Hayes Laura Fraser - Bridget Hugh O'Conor - Satchmo Andy Nyman - Franko Patrick Fitzgerald - The Duke Tom Hickey - Mr. Hayes Conor McDermottroe - Gerry David McEvoy - Joe Thor McVeigh - Magician Sinead Dolan - Julia Music The film's original score was composed by Ryan Shore. External links Coney Island Baby (2006) at IMDb MSN - Movies: Coney Island Baby Passage 4: Murder at Dawn Murder at Dawn is a 1932 American Pre-Code film directed by Richard Thorpe. The film is also known as The Death Ray in the United Kingdom. Cast Jack Mulhall as Danny Josephine Dunn as Doris Farrington Eddie Boland as Freddie Marjorie Beebe as Gertrude Martha Mattox as The Housekeeper Mischa Auer as Henry Phillips Smalley as Judge Folger Crauford Kent as Arnstein Frank Ball as Dr. Farrington Alfred Cross as Goddard External links Murder at Dawn at IMDb Murder at Dawn at the TCM Movie Database Murder at Dawn is available for free viewing and download at the Internet Archive Passage 5: HMS Al Rawdah (1911) HMS Al Rawdah was a ship of the Royal Navy. She was built in 1911 and originally christened Chenab for the Nourse Line of London. In 1930 the ship was sold to Khedivial Mail Steamship & Graving Dock and renamed Ville De Beyrouth. In 1939 the ship was sold again and renamed Al Rawdah. In 1940 the British Ministry of Shipping requisitioned the vessel and she was managed by the British-India Steam Navigation Company Ltd. In 1946 Al Rawdah was returned to her owners, and scrapped in 1953. Internment Between 1940 and 1946 the vessel (described as a "hulk") was used as a military base and prison ship for Irish Republican internees and prisoners. Internment on the Al Rawdah began in 1939 as it was moored just off Killyleagh in Strangford Lough. Conditions on board the ageing ship were not good - food was described as "abominable" by survivors. Internees were packed in "bronchitic squalor" for months or years. On 18 November 1940 Irish Republican internee Jack Gaffney from Belfast died onboard the Al Rawdah. Some of the Irish detainees placed in the hold of Al Rawdah had also been interned on the British prison ship HMS Argenta. See also HMS Argenta HMS Maidstone Passage 6: Tomorrow at Dawn Tomorrow at Dawn (French: Demain dès l'aube) is a 2009 French drama film directed by Denis Dercourt. It competed in the Un Certain Regard section at the 2009 Cannes Film Festival. Cast Vincent Perez as Mathieu Jérémie Renier as Paul Aurélien Recoing as Capitaine Déprées Anne Marivin as Jeanne Françoise Lebrun as Claire Guibert Gérald Laroche as Major Rogart Barbara Probst as Christelle Béatrice Agenin as The Duchess Passage 7: Invasion of the Neptune Men Invasion of the Neptune Men (宇宙快速船, Uchū Kaisokusen) is a 1961 superhero film produced by Toei Company Ltd. The film stars Sonny Chiba as Iron Sharp (called Space Chief in the U.S. version).The film was released in 1961 in Japan and was later released in 1964 direct to television in the United States. In 1998, the film was featured on an episode of Mystery Science Theater 3000. Plot Astronomer Shinichi Tachibana has a secret identity as superhero "Iron Sharp" and has many children as friends. When they are attacked by a group of metallic aliens ("Neptune Men" in English), Iron Sharp drives the aliens away. The resourceful Tachibana helps develop an electric barrier to block the aliens from coming to the Earth. After several losses by the aliens, they announce that they will invade the Earth, throwing the world into a state of panic. The aliens destroy entire cities with their mothership and smaller fighters. After Iron Sharp destroys multiple enemy ships, Japan fires nuclear missiles at the mothership, destroying it. Cast Sonny Chiba as scientist Shinichi Tachibana / Iron Sharp Kappei Matsumoto as Dr. Tanigawa Ryuko Minakami as Yōko (Tanigawa's daughter) Shinjirō Ehara as scientist Yanagida Mitsue Komiya as scientist Saitō Style Invasion of the Neptune Men is part of Japan's tokusatsu genre, which involves science fiction and/or superhero films that feature heavy use of special effects. Production Invasion of the Neptune Men was an early film for Sonny Chiba. Chiba started working in Japanese television where he starred in superhero television series in 1960. Chiba continued working back and forth between television and film until the late 1960s when he became a more popular star. Release Uchū Kaisokusen was released in Japan on 19 July 1961. The film was not released theatrically in the United States, but it was released directly to American television by Walter Manley on March 20, 1964, dubbed in English and retitled Invasion of the Neptune Men.The film was also released as Space Chief, Space Greyhound and Invasion from a Planet. Reception and legacy In later reviews of the film, Bruce Eder gave the film a one-star rating out of five, stating that the film was "the kind of movie that gave Japanese science fiction films a bad name. The low-quality special effects, the non-existent acting, the bad dubbing, and the chaotic plotting and pacing were all of a piece with what critics had been saying, erroneously, about the Godzilla movies for years." The review referred to the film's "cheesy special effects and ridiculous dialogue taking on a sort of so-bad-they're-good charm", and described the film as a "thoroughly memorable (if not necessarily enjoyable, outside of the MST3K continuum) specimen of bad cinema."On October 11, 1997 the film was shown on the movie-mocking television show Mystery Science Theater 3000. In his review of the film, Bruce Eder of AllMovie described the episode as a memorable one, specifically the cast watching the repetitive aerial dogfights between spaceships, and one of the hosts remarking that "Independence Day seems a richly nuanced movie". Criticism of the film included excessive use of WWII stock footage in the action scenes (especially the obviously noticeable shot featuring a picture of Adolf Hitler in one building).In his book Japanese Science Fiction, Fantasy and Horror Films, Stuart Galbraith IV stated that the film "had a few surprises" despite a "woefully familiar script". Galbraith noted that the film was not as over-the-top as Prince of Space and that the opticals in the film were as strong as anything Toho had produced at the time. Galbraith suggested the effects may have been lifted from Toei's The Final War (aka World War III Breaks Out) from 1961. See also List of Japanese films of 1961 List of Mystery Science Theater 3000 episodes List of science fiction films of the 1960s Notes Passage 8: Pistols at Dawn Pistols at Dawn may refer to: Pistols at Dawn, a 2000 album by Cauda Pavonis Pistols at Dawn (EP), a 2004 EP by Aqueduct Pistols at Dawn (Consumed album) See also Duel Passage 9: Promise at Dawn Promise at Dawn may refer to: Promise at Dawn (novel), 1960 autobiographical novel by Romain Gary Promise at Dawn (1970 film), American film directed by Jules Dassin based on the novel Promise at Dawn (2017 film), Franco-Belgian film directed by Éric Barbier based on the novel Passage 10: Eager Bodies Eager Bodies (French: Les Corps impatients) is a 2003 French drama film directed by Xavier Giannoli. Cast Laura Smet - Charlotte Nicolas Duvauchelle - Paul Marie Denarnaud - Ninon Catherine Salviat - La Mère

doc_79

Passage 1: Bernie Bonvoisin Bernard Bonvoisin (French pronunciation: ​[bɛʁnaʁ bɔ̃vwazɛ̃]), known as Bernie Bonvoisin (French pronunciation: ​[bɛʁni bɔ̃vwazɛ̃], born 9 July 1956 in Nanterre, Hauts-de-Seine), is a French hard rock singer and film director. He is best known for having been the singer of Trust. He was one of the best friends of Bon Scott the singer of AC/DC and together they recorded the song "Ride On" which was one of the last songs by Bon Scott. External links Bernie Bonvoisin at IMDb Passage 2: Margery Cuyler Margery Cuyler is an American children's book author. She has written many picture books, including That's Good! That's Bad! and the rest of its series.Cuyler grew up in Princeton, NJ. She graduated from Sarah Lawrence College in 1970. Besides writing her own books, she has worked as a children's book editor and in executive positions at Amazon.com, Marshall Cavendish, Golden Books Family Entertainment, Henry Holt and Company, and Holiday House. In 2011, she appeared on The Celebrity Apprentice television show, judging the contestants on their work creating a children's book.Cuyler lives in Lawrenceville, New Jersey. Bibliography Picture books Sir William and the Pumpkin Monster, Henry Holt, 1984 Freckles and Willie: A Valentine's Day Story, Henry Holt, 1986 Fat Santa, Henry Holt, 1987 Freckles and Jane, Henry Holt, 1989 Shadow's Baby, Clarion Books, 1989 Daisy's Crazy Thanksgiving, Henry Holt, 1990 Baby Dot: A Dinosaur Story, Clarion Books, 1990 Buddy Bear and the Bad Guys, Clarion Books, 1990 That's Good! That's Bad!, Henry Holt, 1991 The Christmas Snowman, Arcade Books, 1992 The Biggest, Best Snowman, Scholastic, 1998 From Here to There, Henry Holt, 1999 100th Day Worries, Simon & Schuster, 2000 Road Signs, Winslow Press, 2000 Stop, Drop and Roll, Simon & Schuster, 2001 Ah-choo!, Scholastic, 2002 That's Good! That's Bad! In the Grand Canyon, Henry Holt, 2002 Skeleton Hiccups, Margaret K. McElderry, 2002 Big Friends, Walker and Company, 2004 Please Say Please! Penguin's Guide to Manners, Scholastic, 2004 Groundhog Stays Up Late, Walker/Bloomsbury, 2005 The Bumpy Little Pumpkin, Scholastic, 2005 Please Play Safe! Penguin's Guide to Playground Safety, Scholastic, 2006 Kindness Is Cooler, Mrs. Ruler, Simon & Schuster, 2007 That's Good! That's Bad! In Washington, D.C., Henry Holt, 2007 Hooray for Reading Day!, Simon & Schuster, 2008 Monster Mess, Margaret McElderry Books/Simon & Schuster, 2008 We’re Going on a Lion Hunt, Marshall Cavendish, 2008 The Little Dump Truck, Henry Holt, 2009 That's Good! That's Bad! On Santa's Journey, Henry Holt, 2009 Bullies Never Win, Simon & Schuster, 2009 Princess Bess Gets Dressed, Simon & Schuster, 2009 I Repeat, Don't Cheat!, Simon & Schuster, 2010 Guinea Pigs Add Up, Walker and Company, 2010 Tick Tock Clock, HarperCollins, 2012 Skeleton for Dinner, Albert Whiteman, 2013 The Little School Bus, Henry Holt, 2014 The Little Dump Truck, Henry Holt, 2014 Novels The Trouble with Soap, E.P. Dutton, 1982 Weird Wolf, Henry Holt, 1989 Invisible in the Third Grade, Henry Holt, 1995 The Battlefield Ghost, Scholastic, 1999 Nonfiction Jewish Holidays, Henry Holt, 1978 The All-Around Pumpkin Book, Henry Holt, 1980 The All-Around Christmas Book, Henry Holt, 1982 Passage 3: That's Good, That's Bad (Frankie Laine song) "That's Good, That's Bad" is a 1951 hit song sung by Jo Stafford and Frankie Laine. It was written by Ervin Drake and Jimmy Shirl. Passage 4: Kristian Leontiou Kristian Leontiou (born February 1982) is an English singer. Formerly a solo artist, he is the lead singer of indie rock band One eskimO. Early life Kristian Leontiou was born in London, England and is of Greek Cypriot descent. He went to Hatch End High School in Harrow and worked several jobs in and around London whilst concentrating on music when he had any free time. In 2003 he signed a major record deal with Polydor. At the time, Leontiou was dubbed "the new Dido" by some media outlets. His debut single "Story of My Life" was released in June 2004 and reached #9 in the UK Singles Chart. His second single "Shining" peaked at #13 whilst the album Some Day Soon was certified gold selling in excess of 150,000 copies. Leontiou toured the album in November 2004 taking him to the US to work with L.A Reid, Chairman of the Island Def Jam music group. Unhappy with the direction his career was going, on a flight back from the US in 2004 he decided to take his music in a new direction. Splitting from his label in late 2005, he went on to collaborate with Faithless on the song "Hope & Glory" for their album ‘'To All New Arrivals'’. It was this release that saw him unleash the One eskimO moniker. It was through working with Rollo Armstrong on the Faithless album, that Rollo got to hear an early demo of "Astronauts" from the One eskimO project. Being more than impressed by what he heard, Rollo opened both his arms and studio doors to Leontiou and they began to co-produce the ‘'All Balloons’' album. It was at this time that he paired up with good friend Adam Falkner, a drummer/musician, to introduce a live acoustic sound to the album. They recorded the album with engineer Phill Brown (engineer for Bob Marley and Robert Plant) at Ark studios in St John's Wood where they recorded live then headed back to Rollo's studio to add the cinematic electro touches that are prominent on the album. Shortly after its completion, One eskimO's "Hometime" was used on a Toyota Prius advert in the USA. The funds from the advert were then used to develop the visual aspect of One eskimO. He teamed up with friend Nathan Erasmus (Gravy Media Productions) along with animation team Smuggling Peanuts (Matt Latchford and Lucy Sullivan) who together began to develop the One eskimO world, the first animation produced was for the track ‘Hometime’ which went on to win a British animation award in 2008. In 2008 Leontiou started a new management venture with ATC Music. By mid-2008 Time Warner came on board to develop all 10 One eskimO animations which were produced the highly regarded Passion Pictures in London. Now with all animation complete and a debut album, One eskimO prepare to unveil themselves fully to the world in summer 2009. Leontiou released a cover version of Tracy Chapman's "Fast Car", which was originally released as a single in 2005. Leontiou's version was unable to chart, however, due to there being no simultaneous physical release alongside the download single, a UK chart rule that was in place at the time. On 24 April 2011, the song entered the singles chart at number 88 due to Britain's Got Talent contestant Michael Collings covering the track on the show on 16 April 2011. Discography Albums Singles Notes A - Originally released as a single in April 2005, Leontiou's version of "Fast Car" did not chart until 2011 in the UK. Also featured on Now That's What I Call Music! 58 (Story of My Life) Win a Date with Tad Hamilton! OST, Love Love Songs - The Ultimate Love Collection (Shining) Summerland OST (The Crying) Passage 5: Frankie Laine Frankie Laine (born Francesco Paolo LoVecchio; March 30, 1913 – February 6, 2007) was an American singer and songwriter whose career spanned nearly 75 years, from his first concerts in 1930 with a marathon dance company to his final performance of "That's My Desire" in 2005. Often billed as "America's Number One Song Stylist", his other nicknames include "Mr. Rhythm", "Old Leather Lungs", and "Mr. Steel Tonsils". His hits included "That's My Desire", "That Lucky Old Sun", "Mule Train", "Jezebel", "High Noon", "I Believe", "Hey Joe!", "The Kid's Last Fight", "Cool Water", "Rawhide", and "You Gave Me a Mountain". He sang well-known theme songs for many Western film soundtracks, including 3:10 To Yuma, Gunfight at the O.K. Corral, and Blazing Saddles, although his recordings were not charted as a country & western. Laine sang an eclectic variety of song styles and genres, stretching from big band crooning to pop, western-themed songs, gospel, rock, folk, jazz, and blues. He did not sing the soundtrack song for High Noon, which was sung by Tex Ritter, but his own version (with somewhat altered lyrics, omitting the name of the antagonist, Frank Miller) was the one that became a bigger hit. He also did not sing the theme to another show he is commonly associated with—Champion the Wonder Horse (sung by Mike Stewart)—but released his own, subsequently more popular, version. Laine's enduring popularity was illustrated in June 2011 when a TV-advertised compilation called Hits reached No. 16 on the UK Albums Chart. The accomplishment was achieved nearly 60 years after his debut on the UK chart, 64 years after his first major U.S. hit and four years after his death. Early life Frankie Laine was born Francesco Paolo LoVecchio on March 30, 1913, to Giovanni and Cresenzia LoVecchio (née Salerno). His Cook County, Illinois, birth Certificate, No. 14436, was already Americanized at the time of his birth, with his name written as "Frank Lovecchio," his mother as "Anna Salerno," and his father as "John Lovecchio," with the "V" lower case in each instance, except in the "Reported by" section with "John Lo Vecchio (father)" written in. His parents had emigrated from Monreale, Sicily, to Chicago's Near West Side, in "Little Italy," where his father worked at one time as the personal barber for gangster Al Capone. Laine's family appears to have had several organized crime connections, and young Francesco was living with his grandfather when the latter was killed by rival gangsters.The eldest of eight children, Laine grew up in the Old Town neighborhood (first at 1446 N. North Park Avenue and later at 331 W. Schiller Street) and got his first taste of singing as a member of the choir in the Church of the Immaculate Conception's elementary school across the street from the North Park Avenue home. He later attended Lane Technical High School, where he helped to develop his lung power and breath control by joining the track and field and basketball teams. He realized he wanted to be a singer when he missed time in school to see Al Jolson's current talking picture, The Singing Fool. Jolson would later visit Laine when both were filming pictures in 1949, and at about this time, Jolson remarked that Laine was going to put all the other singers out of business. Early career and stylistic influences Even in the 1920s, his vocal abilities were enough to get him noticed by a slightly older "in crowd" at his school, who began inviting him to parties and to local dance clubs, including Chicago's Merry Garden Ballroom. At 17, he sang before a crowd of 5,000 at The Merry Garden Ballroom to such applause that he ended up performing five encores on his first night. Laine was giving dance lessons for a charity ball at the Merry Garden when he was called to the bandstand to sing: Soon I found myself on the main bandstand before this enormous crowd, Laine recalled. I was really nervous, but I started singing 'Beside an Open Fireplace,' a popular song of the day. It was a sentimental tune and the lyrics choked me up. When I got done, the tears were streaming down my cheeks and the ballroom became quiet. I was very nearsighted and couldn't see the audience. I thought that the people didn't like me. Some of his other early influences during this period included Enrico Caruso, Carlo Buti, and especially Bessie Smith—a record of whose somehow wound up in his parents' collection: I can still close my eyes and visualize its blue and purple label. It was a Bessie Smith recording of 'The Bleeding Hearted Blues,' with 'Midnight Blues' on the other side. The first time I laid the needle down on that record I felt cold chills and an indescribable excitement. It was my first exposure to jazz and the blues, although I had no idea at the time what to call those magical sounds. I just knew I had to hear more of them! — Frankie Laine: 15  Another singer who influenced him at this time was the singer-songwriter Gene Austin, who is generally considered the first “crooner.” Laine worked after school at a drugstore that was situated across the street from a record store that continually played hit records by Gene Austin over their loudspeakers. He would swab down the windows in time to Austin's songs. Many years later, Laine related the story to Austin when both were guests on the popular television variety show Shower of Stars. He would also co-star in a film, Rainbow 'Round My Shoulder, with Austin's daughter, Charlotte. Shortly after graduating from high school, Laine signed on as a member of The Merry Garden's marathon dance company and toured with them, working dance marathons during the Great Depression (setting the world record of 3,501 hours with partner Ruthie Smith at Atlantic City's Million Dollar Pier in 1932). Still billed as Frank LoVecchio, he would entertain the spectators during the fifteen-minute breaks the dancers were given each hour. During his marathon days, he worked with several up-and-coming entertainers, including Rose Marie, Red Skelton, and a 14-year-old Anita O'Day, for whom he served as a mentor (as noted by Laine in a 1998 interview by David Miller).Other artists whose styles began to influence Laine at this time were Bing Crosby, Louis Armstrong (as a trumpet player), Billie Holiday, Mildred Bailey, and, later, Nat "King" Cole. Laine befriended Cole in Los Angeles, when the latter's career was just beginning to gain momentum. Cole recorded a song, "It Only Happens Once", that fledgling songwriter Laine had composed. They remained close friends throughout the remainder of Cole's life, and Laine was one of the pall bearers at Cole's funeral. His next big break came when he replaced Perry Como in the Freddy Carlone band in Cleveland in 1937; Como made a call to Carlone about Laine. Como was another lifelong friend of Laine's, who once lent Laine the money to travel to a possible gig.Laine's rhythmic style was ill-suited to the sweet sounds of the Carlone band, and the two soon parted company. Success continued to elude Laine, and he spent the next 10 years "scuffling"; alternating between singing at small jazz clubs on both coasts and a series of jobs, including those of a bouncer, dance instructor, used car salesman, agent, synthetic leather factory worker, and machinist at a defense plant. It was while working at the defense plant during the Second World War that he first began writing songs ("It Only Happens Once" was written at the plant). Often homeless during his "scuffling" phases, he hit the lowest point of his career, when he was sleeping on a bench in Central Park. I would sneak into hotel rooms and sleep on the floor. In fact, I was bodily thrown out of 11 different New York hotels. I stayed in YMCAs and with anyone who would let me flop. Eventually I was down to my last four cents, and my bed became a roughened wooden bench in Central Park. I used my four pennies to buy four tiny Baby Ruth candy bars and rationed myself to one a day. — Frankie Laine: 41  He changed his professional name to Frankie Laine in 1938, upon receiving a job singing for the New York City radio station WINS. The program director, Jack Coombs, thought that "LoVecchio" was "too foreign sounding, and too much of a mouthful for the studio announcers," so he Americanized it to "Lane", an homage to his high school. Frankie added the "i" to avoid confusion with a girl singer at the station who went by the name of Frances Lane. It was at this time that Laine got unknown songbird Helen O'Connell her job with the Jimmy Dorsey band. WINS, deciding that they no longer needed a jazz singer, dropped him. With the help of bandleader Jean Goldkette, he got a job with a sustainer (non-sponsored) radio show at NBC. As he was about to start, Germany attacked Poland, and all sustainer broadcasts were pulled off the air in deference to the needs of the military. Laine next found employment in a munitions plant, at a salary of $150.00 a week. He quit singing for what was perhaps the fifth or sixth time of his already long career. While working at the plant, he met a trio of girl singers, and became engaged to the lead singer. The group had been noticed by Johnny Mercer's Capitol Records, and convinced Laine to head out to Hollywood with them as their agent. In 1943, he moved to California, where he sang in the background of several films, including The Harvey Girls, and dubbed the singing voice for an actor in the Danny Kaye comedy The Kid from Brooklyn. It was in Los Angeles in 1944 that he met and befriended disc jockey Al Jarvis and composer/pianist Carl T. Fischer, the latter of whom was to be his songwriting partner, musical director, and piano accompanist until his death in 1954. Their songwriting collaborations included "I'd Give My Life," "Baby, Just For Me," "What Could Be Sweeter?," "Forever More," and the jazz standard "We'll Be Together Again."When the war ended, Laine soon found himself "scuffling" again, and was eventually given a place to stay by Jarvis. Jarvis also did his best to help promote the struggling singer's career, and Laine soon had a small, regional following. In the meantime, Laine would make the rounds of the bigger jazz clubs, hoping that the featured band would call him up to perform a number with them. In late 1946, Hoagy Carmichael heard him singing at Billy Berg's club in Los Angeles, and this was when success finally arrived. Not knowing that Carmichael was in the audience, Laine sang the Carmichael-penned standard "Rockin' Chair" when Slim Gaillard called him up to the stage to sing. This eventually led to a contract with the newly established Mercury records. Laine and Carmichael would later collaborate on a song, "Put Yourself in My Place, Baby". First recordings Laine cut his first record in 1944, for a fledgling company called "Bel-Tone Records." The sides were called "In the Wee Small Hours of the Morning", (an uptempo number not to be confused with the Frank Sinatra recording of the same name) and a wartime propaganda tune entitled "Brother, That's Liberty", though the records failed to make much of an impression. The label soon folded, and Laine was picked up by Atlas Records, a "race label" that initially hired him to imitate his friend Nat "King" Cole. Cole would occasionally "moonlight" for other labels, under pseudonyms, while under contract to Capitol, and as he had previously recorded some sides for Atlas, they reasoned that fans would assume that "Frankie Laine" was yet another pseudonym for "Cole".Laine cut his first two numbers for Atlas in the King mode, backed by R&B artist Johnny Moore's group, The Three Blazers which featured Charles Brown and Cole's guitarist (from "The King Cole Trio"), Oscar Moore. The ruse worked and the record sold moderately well, although limited to the "race" market. Laine cut the remainder of his songs for Atlas in his own style, including standards such as "Roses of Picardy" and "Moonlight in Vermont". It was also at this time that he recorded a single for Mercury Records: "Pickle in the Middle with the Mustard on Top" and "I May Be Wrong (But I Think You're Wonderful)." He appears only as a character actor on the first side, which features the comedic singing of Artie Auerbach (a.k.a., "Mr. Kitzel") who was a featured player on the Jack Benny radio show. In it, Laine plays a peanut vendor at a ball game and can be heard shouting out lines like "It's a munchy, crunchy bag of lunchy!" The flip side features Laine, and is a jazzy version of an old standard done as a rhythm number. It was played by Laine's friend, disc jockey Al Jarvis, and gained the singer a small West Coast following. First successes Even after his discovery by Carmichael, Laine still was considered only an intermission act at Billy Berg's. His next big break came when he dusted off a fifteen-year-old song that few people remembered in 1946, "That's My Desire". Laine had picked up the song from singer June Hart a half a dozen years earlier, when he sang at the College Inn in Cleveland. He introduced "Desire" as a "new" song—meaning new to his repertoire at Berg's—but the audience mistook it for a new song that had just been written. He ended up singing it five times that night. After that, Laine quickly became the star attraction at Berg's, and record company executives took note.Laine soon had patrons lining up to hear him sing "Desire"; among them was R&B artist Hadda Brooks, known for her boogie woogie piano playing. She listened to him every night, and eventually cut her own version of the song, which became a hit on the "harlem" charts. "I liked the way he did it" Brooks recalled; "he sings with soul, he sings the way he feels."He was soon recording for the fledgling Mercury label, and "That's My Desire" was one of the songs cut in his first recording session there. It quickly took the No. 3 spot on the R&B charts, and listeners initially thought Laine was black. The record also made it to the No. 4 spot on the Mainstream charts. Although it was quickly covered by many other artists, including Sammy Kaye who took it to the No. 2 spot, it was Laine's version that became the standard. "Desire" became Laine's first Gold Record, and established him as a force in the music world. He had been over $7,000 in debt, on the day before he recorded this song." His first paycheck for royalties was over five times this amount. Laine paid off all of his debts except one—fellow singer Perry Como refused to let Laine pay him back, and would kid him about the money owed for years to come. The loan to Laine during the time when both men were still struggling singers was one of the few secrets Como kept from his wife, Roselle, who learned of it many years later. A series of hit singles quickly followed, including "Black and Blue", "Mam'selle", "Two Loves Have I", "Shine", "On the Sunny Side of the Street", "Monday Again", and many others. Style A clarion-voiced singer with much style, able to fill halls without a microphone, and one of the biggest hit-makers of the late 1940s and early 1950s, Laine had more than 70 charted records, 21 gold records, and worldwide sales of over 100 million records. Originally a rhythm and blues influenced jazz singer, Laine excelled at virtually every music style, eventually expanding to such varied genres as popular standards, gospel, folk, country, western/Americana, rock 'n' roll, and the occasional novelty number. He was also known as Mr. Rhythm for his driving jazzy style. Laine was the first and biggest of a new breed of singers who rose to prominence in the post–World War II era. This new, raw, emotionally charged style seemed at the time to signal the end of the previous era's singing styles and was, indeed, a harbinger of the rock 'n' roll music that was to come. As music historian Jonny Whiteside wrote:In the Hollywood clubs, a new breed of performers laid down a baffling hip array of new sounds...Most important of all these, though, was Frankie Laine, a big lad with 'steel tonsils' who belted out torch blues while stomping his size twelve foot in joints like Billy Berg's, Club Hangover and the Bandbox...Laine's intense vocal style owed nothing to Crosby, Sinatra, or Dick Haymes. Instead he drew from Billy Eckstine, Big Joe Turner, Jimmy Rushing, and with it Laine had sown the seeds from which an entire new perception and audience would grow...Frank Sinatra represented perhaps the highest flowering of a quarter century tradition of crooning but suddenly found himself an anachronism. First Frankie Laine, then Tony Bennett, and now Johnnie (Ray), dubbed 'the Belters' and 'the Exciters,' came along with a brash vibrancy and vulgar beat that made the old bandstand routine which Frank meticulously perfected seem almost invalid. In the words of Jazz critic Richard Grudens: Frank's style was very innovative, which was why he had such difficulty with early acceptance. He would bend notes and sing about the chordal context of a note rather than to sing the note directly, and he stressed each rhythmic downbeat, which was different from the smooth balladeer of his time. His 1946 recording of "That's My Desire" remains a landmark record signaling the end of both the dominance of the big bands and the crooning styles favored by contemporary Dick Haymes and others. Often called the first of the blue-eyed soul singers,: 82  Laine's style cleared the way for many artists who arose in the late 1940s and early 1950s, including Kay Starr, Tony Bennett, and Johnnie Ray. I think that Frank probably was one of the forerunner of...blues, of...rock 'n' roll. A lot of singers who sing with a passionate demeanor—Frank was and is definitely that. I always used to love to mimic him with 'That's...my...desire.' And then later Johnnie Ray came along that made all of those kind of movements, but Frank had already done them. – Patti Page Throughout the 1950s, Laine enjoyed a second career singing the title songs over the opening credits of Hollywood films and television shows, including Gunfight at the O.K. Corral, 3:10 to Yuma, Bullwhip, and Rawhide. His rendition of the title song for Mel Brooks's 1974 hit movie Blazing Saddles won an Oscar nomination for Best Song, and on television, Laine's featured recording of "Rawhide" for the series of the same name became a popular theme song. You can't categorize him. He's one of those singers that's not in one track. And yet and still I think that his records had more excitement and life into it. And I think that was his big selling point, that he was so full of energy. You know when you hear his records it was dynamite energy. — Herb Jeffries From strength to strength Laine was a jazz singer in the late 1940s. Accompanied by Carl Fischer and some of the best jazz men in the business, he was singing standards like "By the River Sainte Marie", "Black and Blue", "Rockin' Chair", "West End Blues", "At the End of the Road", "Ain't That Just Like a Woman", "That Ain't Right", "Exactly Like You", "Shine" and "Sleepy Ol' River" on the Mercury label. He enjoyed his greatest success after impresario Mitch Miller, who became the A&R man at Mercury in 1948, recognized a universal quality in his voice that led to a succession of chart-topping popular songs, often with a folk or western flavor. Laine and Miller became a formidable hit-making team whose first collaboration, "That Lucky Old Sun", became the number one song in the country three weeks after its release. It was also Laine's fifth Gold record. "That Lucky Old Sun" was something new to the musical scene in 1949: a folk spiritual which, as interpreted by Laine, became both an affirmation of faith and a working man's wish to bring his earthly sufferings to an end. The song was knocked down to the number two position by Laine and Miller's second collaboration, "Mule Train", which proved an even bigger hit, making Laine the first artist to hold the Number One and Two positions simultaneously. "Mule Train", with its whip cracks and echo, has been cited as the first song to use an "aural texture" that "set the pattern for virtually the entire first decade of rock.""Mule Train" represents a second direction in which Laine's music would be simultaneously heading under the guidance of Mitch Miller: as the voice of the great outdoors and the American West. "Mule Train" is a slice of life in the mid-19th century West in which the contents of the packages being delivered by the mule train provide a snapshot into frontier life: "There's some cotton, thread and needles for the folks a-way up yonder/A shovel for a miner who left his home to wander/Some rheumatism pills for the settlers in the hills." The collaboration producing a run of top forty hits that lasted into the early years of the rock and roll era. Other hits included "Dream a Little Dream of Me", "Stars and Stripes Forever", "The Cry of the Wild Goose", "Swamp Girl", "Satan Wears a Satin Gown", and "Music, Maestro Please". "Shine", written in 1910 by Cecil Mack (R.C. McPherson), a ground-breaking African-American songwriter and publisher, was believed to be based on a real-life friend of vaudevillian George Walker, who was with him during the New York City race riots of 1900. The song takes what was then an ethnic slur, "shine", and turns it into something to be proud of. It had been a hit for Laine's idol Louis Armstrong, who would cover several of Laine's hits as well. "Satan Wears a Satin Gown" is the prototype of another recurring motif in Laine's oeuvre, the "Lorelei" or "Jezebel" song (both of which would be the titles of later Laine records). The song, which has a loosely structured melody that switches in tone and rhythm throughout, was pitched to Laine by a young song plugger, Tony Benedetto, who would later go on to achieve success as Tony Bennett. Laine recognized the younger singer's talent, and gave him encouragement. "Swamp Girl" is another entry with the "Lorelei"/"Jezebel" motif in the Laine songbook. In this decidedly gothic tale of a ghostly female spirit who inhabits a metaphorical "swamp", the femme fatale attempts to lure the singer to his death, calling "Come to the deep where your sleep is without a dream." The swamp girl is voiced (in an obligato) by coloratura Loulie Jean Norman, who would later go on to provide a similar vocal for the theme song of the television series Star Trek. The coloratura contrasts well with Laine's rough, masculine voice, and disembodied female voices would continue to appear in the background of many of his records, to great effect. "The Cry of the Wild Goose" would be Laine's last number one hit on the American charts. It was written by folksinger Terry Gilkyson, of The Easy Riders fame. Gilkyson would write many more songs for Laine over the next decade, and he and The Easy Riders would back him on the hit single, "Love Is a Golden Ring". "The Cry of the Wild Goose" falls into the "voice of the great outdoors" category of Laine songs, with the opening line of its chorus, "My heart knows what the wild goose knows", becoming a part of the American lexicon. Laine's influence on today's music can be clearly evidenced in his rendition of the Hoagy Carmichael standard, "Georgia on My Mind." Laine's slow, soulful version was a model for the iconic remake by Ray Charles a decade later. Charles would follow up "Georgia" with remakes of other Frankie Laine hits, including "Your Cheatin' Heart", and "That Lucky Old Sun." (Elvis Presley also remade several of Laine's hits, and his early influence on The Beatles has been well documented.) In an interview, Mitch Miller described the basis of Laine's appeal: He was my kind of guy. He was very dramatic in his singing...and you must remember that in those days there were no videos so you had to depend on the image that the record made in the listener's ears. And that's why many fine artists were not good record sellers. For instance, Lena Horne. Fabulous artist but she never sold many records till that last album of hers. But she would always sell out the house no matter where she was. And there were others who sold a lot of records but couldn't get to first base in personal appearances, but Frankie had it both. — Mitch Miller But the biggest label of all was Columbia Records, and in 1950 Mitch Miller left Mercury to embark upon his phenomenally successful career as the A&R man there. Laine's contract at Mercury would be up for renewal the following year, and Miller soon brought Laine to Columbia as well. Laine's contract with Columbia was the most lucrative in the industry until RCA bought Elvis Presley's contract five years later. Starring with Columbia Laine began recording for Columbia Records in 1951, where he immediately scored a double-sided hit with the single "Jezebel" (#2)/"Rose, Rose, I Love You" (#3). Other Laine hits from this period include "High Noon (Do Not Forsake Me)" (#5), "Jealousy (Jalousie)" (#3), "The Girl in the Wood" (#23), "When You're in Love" (#30), "Way Down Yonder in New Orleans" (with Jo Stafford) (#26), "Your Cheatin' Heart" (#18), "Granada" (#17), "Hey Joe!" (#6), "The Kid's Last Fight" (#20), "Cool Water", "Some Day" (#14), "A Woman in Love" (#19), "Love Is a Golden Ring" (with The Easy Riders) (#10), and "Moonlight Gambler" (#3). One of the signature songs of the early 1950s, "Jezebel" takes the "Lorelei" motif to its end, with Laine shouting "Jezebel!" at the woman who has destroyed him. In Laine's words, the song uses "flamenco rhythms to whip up an atmosphere of sexual frustration and hatred while a guy berated the woman who'd done him wrong.": 113 "High Noon" was the theme song from the western motion picture starring Gary Cooper and Grace Kelly. It had been sung by cowboy star Tex Ritter in the film, but it was Laine's recording that became the big hit. From this point on, Laine would sing the theme songs over the opening credits of many Hollywood and television westerns, becoming so identified with these title songs that Mel Brooks would hire him to sing the theme song for his classic cult film western spoof Blazing Saddles. At this time, Laine had become more popular in the United Kingdom than in the US, as many of his hit records in the UK were only minor hits in his native country. Songs like "The Gandy Dancer's Ball", "The Rock of Gibraltar", and "Answer Me, O Lord" were much bigger hits for him abroad. "Answer Me" would later provide the inspiration for Paul McCartney's composition "Yesterday". It was also there that he broke attendance records when appearing at the Palladium, where he launched his first successful television series (with singer Connie Haines). Mitch Miller teamed Laine with many of Mercury and Columbia's biggest artists. He scored hits with Patti Page ("I Love You for That") at Mercury, Doris Day ("Sugarbush"), Jo Stafford ("Hey Good Lookin'", "Gambella (The Gambling Lady)", "Hambone", "Floatin' Down to Cotton Town", "Settin' the Woods on Fire", and many others), Jimmy Boyd ("Tell Me a Story", "The Little Boy and the Old Man"), the Four Lads ("Rain, Rain, Rain") and Johnnie Ray ("Up Above My Head (I Hear Music in the Air)"). Laine scored a total of 39 hit records on the charts while at Columbia, and many of his songs from this period are most readily associated with him. His Greatest Hits album, released in 1957, has been a perennial best seller that has never gone out of print. His songs at Columbia included everything from pop and jazz standards, novelties, gospel, spirituals, R&B numbers, country, western, folk, rock 'n' roll, calypso, foreign language, children's music, film and television themes, tangos, light operetta. His vocal style could range anywhere from shouting out lines to rhythm numbers to romantic ballads. Both in collaboration with Jo Stafford and as a solo artist, Laine was one of the earliest, and most frequent, Columbia artists to bring country numbers into the mainstream. Late in his career, Laine would go on to record two straight country albums ("A Country Laine" and "The Nashville Connection") that would fully demonstrate his ability to inflect multiple levels of emotional nuances into a line or word. Many of his pop-country hits from the early 1950s featured the steel guitar playing of Speedy West (who played a custom-built, three-neck, four-pedal model). His duets with Doris Day were folk-pop adaptations of traditional South African folk songs, translated by folk singer Josef Marais. Marais would also provide Laine and Jo Stafford with a similar translation of a song which Stafford seems to have particularly disliked called "Chow Willy". Although "Sugarbush" brought Laine & Day a gold record, they would never team up again. In 1953 he set two more records (this time on the UK charts): weeks at No 1 for a song ("I Believe", which held the number one spot for 18 weeks), and weeks at No 1 for an artist in a single year (27 weeks), when "Hey Joe!" and "Answer Me, O Lord" became number one hits as well). In spite of the popularity of rock and roll artists such as Elvis Presley and The Beatles, fifty-plus years later, both of Laine's records still hold.In 1954, Laine gave a Royal Command Performance for Queen Elizabeth II which he cites as one of the highlights of his career. By the end of the decade, he remained far ahead of Elvis Presley as the most successful artist on the British charts. See the "Chart of All Time" for details. "I Believe" is listed as the second most popular song of all time on the British charts as well."I Believe" marked yet another direction for Laine's music, that of the spiritual. A devout Roman Catholic from childhood, Laine would continue to record songs of faith and inspiration throughout his career; beginning with his rocking gospel album with the Four Lads, which, along with the hit song "Rain, Rain, Rain", included renditions of such songs as "Remember Me", "Didn't He Moan", "I Feel Like My Time Ain't Long", and "I Hear the Angels Singing." Other Laine spirituals would include "My Friend", "In the Beginning", "Make Me a Child Again", "My God and I", and "Hey! Hey! Jesus." Mr. Rhythm In 1953, Laine recorded his first long playing album that was released, domestically, solely as an album (prior to this his albums had been compiled from previously released singles). The album was titled "Mr. Rhythm", as Laine was often known at that time, and featured many jazz-flavored, rhythm numbers similar in style to his work on the Mercury label. The album's songlist was made up of "Great American Songbook" standards. The tracks were "Some Day, Sweetheart", "A Hundred Years from Today", "Laughing at Life", "Lullaby in Rhythm", "Willow, Weep for Me", "My Ohio Home", "Judy" and "After You've Gone." The final number features a rare vocal duet with his accompanist/musical director, Carl Fischer. Paul Weston's orchestra provided the music. Portrait of New Orleans Released as a 10" in 1953, and a 12" in 1954, this album features the talents of Laine, Jo Stafford and bandleader Paul Weston, a Tommy Dorsey alumnus who led one of the top bands of the 1950s, and was the husband of Stafford. The album was a mix of solo recordings and duets by the two stars, and of new and previously released material, including Stafford's hits single, "Make Love to Me", "Shrimp Boats", and "Jambalaya." Laine and Stafford duetted on "Way Down Yonder in New Orleans", "Floatin' Down to Cotton Town", and "Basin Street Blues"; and Laine soloed on "New Orleans" (not to be confused with "New Orleans" a.k.a. "The House of the Rising Sun" which Laine later recorded), "Do You Know What It Means to Miss New Orleans?", and "When It's Sleepy Time Down South", along with a pair of cuts taken from his "Mr. Rhythm" album. Jazz Spectacular This album featured not only jazz vocals by Laine, but jazz licks on trumpet by a former featured player in the Count Basie orchestra, Buck Clayton, and trombonists J. J. Johnson and Kai Winding, and piano by Sir Charles Thompson. The tracks included several songs that had long been a standard part of the Laine repertoire over the years: "Sposin'", "Baby, Baby, All the Time", and "Roses of Picardy" along with standards such as "Stars Fell on Alabama", "That Old Feeling", and "Taking a Chance on Love". The album proved popular with jazz and popular music fans, and was often cited by Laine as his personal favorite. An improvised tone is apparent throughout, with Laine at one point reminiscing with one of the musicians about the days they performed together at Billy Berg's. Frankie Laine and the Four Lads The Four Lads (Bernie Toorish, Jimmy Arnold, Frank Busseri and Connie Codarini) had begun as a Canadian-based gospel group, who first gained fame as the backup singer on Johnnie Ray's early chart-busters ("Cry", "The Little White Cloud that Cried"), but garnered a following of their own with songs such as "The Mocking Bird", and "Istanbul (Not Constantinople)". The album produced one hit, "Rain! Rain! Rain!", along with tracks such as "Remember Me", "I Feel That My Time Ain't Long", and "Didn't He Moan". The last four tracks were recorded during a later session. Rockin' One of Laine's most popular albums, this album reset several of his former hits in a driving, brassy orchestration by Paul Weston and his orchestra. Two of the remakes ("That Lucky Old Sun" and "We'll Be Together Again") have gone on to become the best-known versions of the songs (supplanting the original hit versions). Other songs on this album include: "Rockin' Chair", "By the River Sainte Marie", "Black and Blue", "Blue Turning Grey Over You", "Shine", and "West End Blues". The album's title is less a reference to rock and roll than a reference to the Duke Ellington song of that same name. Unlike Mitch Miller, Laine liked the new musical form known as "rock 'n' roll", and was anxious to try his hand at it. With Michel Legrand French composer/arranger Michel Legrand teamed up with Laine to record a pair of albums in 1958. The first, A Foreign Affair, was built around the concept of recording the tracks in different languages: English, French, Spanish, and Portuguese. The album produced a pair of international hits: "La Paloma" in Argentina, and "Não tem solucão" in Brazil. Other tracks included "Mona Lisa", "Mam'selle", "Torna a Sorriento", "Besame Mucho", and "Autumn Leaves." Laine and Legrand teamed up for a second album of jazz standards, titled Reunion in Rhythm, with the vocals limiting themselves to English (and an occasional segue into French). Laine sang the complete lyrics (including the rarely reprised introductions) to such favorites as "Blue Moon", "Lover, Come Back to Me", "Marie", "September in the Rain", "Dream a Little Dream of Me" "I Would Do Most Anything for You", "Too Marvelous for Words", and "I Forget the Time". André Previn was the studio pianist on "I'm Confessin'", "Baby Just For Me," "You're Just The Kind," and "I Forget The Time." With Frank Comstock Laine wrote the lyrics for the title song on another 1958 album, Torchin', which was also his first recorded in stereo. He was backed by trombonist Frank Comstock's orchestra, on a dozen classic torch songs including: "A Cottage for Sale", "I Cover the Waterfront", "You've Changed", "These Foolish Things", "I Got it Bad (And That Ain't Good)", "It's the Talk of the Town", and "Body and Soul". As with his Legrand album, he sings the entire lyric for each song. A second collaboration with Comstock, also recorded in 1958, focused on intimacy. Conceived as a love letter to his second wife, actress Nan Grey (who appears on the cover with him), You Are My Love is easily Laine's most romantic work. His voice was once described (by a British disk jockey) as having "the virility of a goat and the delicacy of a flower petal," and both these elements are well showcased here (particularly the delicate nuances). His recording of the wedding standard, "Because", exemplifies the singer's delicate mode at its most exquisite. He opens the song a cappella, after which a classical, acoustic guitar joins him, with the full orchestra gradually fading in and out before the guitar only climax. Also among the love ballads on this album are versions of: "I Married an Angel", "To My Wife", "Try a Little Tenderness", "Side by Side", and a version of "The Touch of Your Lips". Balladeer Recorded in 1959, "Balladeer" was a folk-blues album. Laine had helped pioneer the folk music movement a full ten years earlier with his hit folk-pop records penned by Terry Gilkyson et al.. This album was orchestrated and arranged by Fred Katz (who had brought Laine "Satan Wears a Satin Gown") and Frank DeVol. Laine and Katz collaborated on some of the new material, along with Lucy Drucker (who apparently inspired the "Lucy D" in one of the songs). Other songs are by folk, country and blues artists such as Brownie McGhee, James A. Bland, Huddie "Leadbelly" Ledbetter, and Hungarian composer Rudolf Friml. The closing track, "And Doesn't She Roll" (co-written by Laine), with its rhythmic counter-chorus in the background foretells Paul Simon's Graceland album two decades later. Included are renditions of "Rocks and Gravel", "Careless Love", "Sixteen Tons", "The Jelly Coal Man", "On a Monday", "Lucy D" (a melody that sounds like the later Simon & Garfunkel hit, "Scarborough Fair", but depicts the murder of a beautiful young woman by her unrequited lover), "Carry Me Back to Old Virginny", "Stack of Blues", "Old Blue", "Cherry Red", and "New Orleans" (better known as "The House of the Rising Sun"), which would become a hit for the British rock group, The Animals a few years later. John Williams arrangements Laine's last four albums at Columbia, Hell Bent for Leather!, Deuces Wild, Call of the Wild, and Wanderlust. were arranged by a young John Williams. Williams recently said the following words about Laine: Frankie Laine was somebody that everybody knew. He was a kind of a household word like Frank Sinatra or Bobby Darin or Peggy Lee or Ella Fitzgerald—Frankie Laine was one of the great popular singers and stylists of that time...And his style...he was one of those artists who had such a unique stamp—nobody sounded like he did. You could hear two notes and you knew who it was and you were right on the beam with it right away. And of course that defines a successful popular artist, at least at that time. These people were all uniquely individual and Frank was on the front rank of those people in his appeal to the public and his success and certainly in his identifiability. — John Williams. Hell Bent for Leather! This album of western classics by Laine established him as "a cowboy singer" for many young fans who grew up in the 1960s. The album's title is taken from a line in the popular television theme song Laine recorded for the popular Eric Fleming/Clint Eastwood western, Rawhide, which appears on the album. The tracks include stereo remakes of several of his biggest western/great outdoors hits: "The Cry of the Wild Goose", "Mule Train", "Gunfight at O.K. Corral", and "The 3:10 to Yuma", as well as new material, including the western rocker, "Wanted Man", and a musical narrative, "Bowie Knife". Deuces Wild Laine's next album continued with the western theme (on several of the numbers), while following up on his last hit single, "Moonlight Gambler" (a stereo remake of which appears on the album). Most of the tracks of this album feature a gambling theme. "The Hard Way" is a story about a hard-luck case who is killed by a cannonball while fighting in the Civil War (for the Confederacy), only to wind up eternally shoveling coal in Hell. The second track is Stephen Foster's "Camptown Races" Other songs on this album include: "Luck Be a Lady" (from the hit musical Guys and Dolls), which Laine performed in an Off Broadway, touring company version of Get Rich Quick; "Horses and Women" (which Laine may have supplied the lyrics to); "Deuces Wild", for which Laine provided the lyrics, and "Dead Man's Hand." Call of the Wild This album continued to play up Chicago-born Laine's western image with songs such as "On the Trail", based on the composition by Ferde Grofé, and "Tumbling Tumbleweeds", written by one of the founding members of The Sons of the Pioneers", Bob Nolan. The majority of its tracks focus more, however, on "the great outdoors", with titles such as: "Song of the Open Road", "North to Alaska", "Beyond the Blue Horizon", "Rolling Stone", and "The New Frontier", which appears to show Laine's support of President John F. Kennedy. The arrangements on many of these songs have an almost classical feel to them, reflecting the classical training of John Williams, who would go on to conduct the Boston Pops for many years. Wanderlust Wanderlust was Laine's final album with Columbia Records. "De Glory Road" is one of both Laine's personal favorites. Other songs on this album include (Ghost) "Riders in the Sky" and a swinging version of Sigmund Romberg's Serenade, from the operetta, The Student Prince. Also included on this album is a version of "I Let Her Go"; an uncensored version of a song that figured prominently in his nightclub act, "On the Road to Mandalay", based on the poem by Rudyard Kipling; and a classic version of "Wagon Wheels" which he'd been singing (though not recording) as far back as his days with the Merry Garden Ballroom marathon dance company in the early 1930s. Laine had met with Columbia officials to renew his contract on the day that John F. Kennedy was assassinated. The meeting was canceled, and neither Laine nor Columbia pressed to reschedule it. At Capitol, ABC, and beyond In 1963 Laine left Columbia for Capitol Records, but during his two years there only produced one album and a handful of singles (mostly of an inspirational nature). He continued performing regularly at this time, including a South African tour. After switching to ABC Records in the late 1960s, Laine found himself at the top of the charts again, beginning with the first song he recorded, "I'll Take Care of Your Cares". Written as a waltz in the mid-1920s, "Cares" had become the unofficial theme song of the Las Vegas call girls, but was virtually unknown outside of the Strip. Laine recorded a swinging version that made it to number 39 on the national and number 2 on the adult contemporary charts. A string of hits followed including "Making Memories", "You Wanted Someone to Play With", "Laura (What's He Got That I Ain't Got)", "To Each His Own", "I Found You", and "Lord, You Gave Me A Mountain" (which was written by Marty Robbins). The last song was a number one hit on the adult contemporary chart (#24 national), and proved that Laine was as big a hit-maker as ever. His last single to hit the Billboard Hot 100 chart (peaking at No. 86 national) was "Dammit Isn't God's Last Name". Seeking greater artistic freedom, Laine left ABC for the much smaller Amos Records, where he cut two albums in a modern, rock-influenced vein. The first album contained contemporary versions of his greatest hits, such as "Your Cheatin' Heart", "That Lucky Old Sun", "I Believe", "Jezebel", "Shine", and "Moonlight Gambler." A re-recorded single of "On The Sunny Side Of The Street" reached the Cashbox "Looking Ahead" chart in 1970. His second album for Amos was called "A Brand New Day" and, along with the title song, was original material including "Mr. Bojangles", "Proud Mary", "Put Your Hand in the Hand", "My God and I", and "Talk About the Good Times". It is one of Frankie Laine's personal favorites.: 69 Amos, which was soon to fold from lack of funds, could not adequately promote them at the time. However, they are still available through CD re-releases. After Amos folded, Laine started his own label, Score Records, which is still producing albums today. Film and television Beginning in the late 1940s, Laine starred in over a half dozen backstage musicals, often playing himself; several of these were written and directed by a young Blake Edwards. The films were: Make Believe Ballroom – Columbia, 1949; When You're Smiling – Columbia, 1950; Sunny Side Of The Street – Columbia, 1951; Rainbow 'Round My Shoulder – Columbia, 1952; Bring Your Smile Along – Columbia, 1955; He Laughed Last – Columbia, 1956; and Meet Me in Las Vegas – MGM, 1956. The latter, a big budget MGM musical starring Cyd Charisse, features Laine performing Hell Hath No Fury. Laine's films were very popular in the United Kingdom, but this success failed to establish him as a movie star in the United States. On television, he hosted three variety shows: The Frankie Laine Hour in 1950, The Frankie Laine Show (with Connie Haines) 1954–55, and Frankie Laine Time in 1955–56. The latter was a summer replacement for The Arthur Godfrey Show that received a Primetime Emmy for Best Male Singer. Frankie Laine Time featured such guest stars as Ella Fitzgerald, Johnnie Ray, Georgia Gibbs, The Four Lads, Cab Calloway, Patti Page, Eddie Heywood, Duke Ellington, Boris Karloff, Patti Andrews, Joni James, Shirley MacLaine, Gene Krupa, Teresa Brewer, Jack Teagarden and Polly Bergen. He had a different sound, you know and he had such emotion and heart. And of course you recognized Frankie, just like Sinatra had that sound that you'd always recognize. That's what made for hit records, as well as being a great singer. But you have to have a real special sound that never changes. He could do it all...but again, you always knew that it was Frankie Laine. — Connie Haines Laine was a frequent guest star on various other shows of the time, including Shower of Stars, The Steve Allen Show, The Ed Sullivan Show, What's My Line?, This Is Your Life, Bachelor Father, The Sinatra Show, The Walter Winchell Show, The Perry Como Show, The Garry Moore Show, Masquerade Party, The Mike Douglas Show, and American Bandstand. He was the mystery guest on the April 12, 1959 episode of What's My Line. Also in 1959 he made a guest appearance on Perry Mason in the title role as comedian Danny Ross in "The Case of the Jaded Joker." In the 1960s, Laine continued appearing on variety shows such as Laugh-In, but took on several serious guest-starring roles in shows like Rawhide, and Burke's Law. His theme song for Rawhide proved to be popular and helped make the show, which starred Eric Fleming and launched the career of Clint Eastwood, a hit. Other TV series for which Laine sang the theme song included Gunslinger, The Misadventures of Sheriff Lobo, and Rango. In 1976, Laine recorded The Beatles song, "Maxwell's Silver Hammer" for the documentary All This and World War II. Laine performed at three Academy Awards ceremonies: 1950 (Mule Train), 1960 (The Hanging Tree), and 1975 (Blazing Saddles). Only last two of these ceremonies were televised. In 1981, he performed a medley of his hits on American Bandstand's 30th Anniversary Special", where he received a standing ovation. Later appearances include Nashville Now, 1989 and My Music, 2006. Social activism Along with opening the door for many R&B performers, Laine played a significant role in the civil rights movements of the 1950s and 1960s. When Nat King Cole's television show was unable to get a sponsor, Laine crossed the color line, becoming the first white artist to appear as a guest (forgoing his usual salary of $10,000.00 as Cole's show only paid scale). Many other top white singers followed suit, including Tony Bennett and Rosemary Clooney, but Cole's show still could not get enough sponsors to continue. In 1965, Laine joined several African American artists who gave a free concert for Martin Luther King Jr.'s supporters during their Selma to Montgomery marches.Laine, who had a strong appreciation of African American music, went so far as to record at least two songs that have being black as their subject matter, "Shine" and Fats Waller's "Black and Blue". Both were recorded early in his career at Mercury, and helped to contribute to the initial confusion among fans about his race. Laine was also active in many charities as well, including Meals on Wheels and The Salvation Army. Among his charitable works were a series of local benefit concerts and his having organized a nationwide drive to provide "Shoes for the Homeless". He donated a large portion of his time and talent to many San Diego charities and homeless shelters, as well as the Salvation Army and St. Vincent de Paul Village. He was also an emeritus member of the board of directors for the Mercy Hospital Foundation. Personal life Laine married actress Nan Grey (June 1950 – July 1993) and adopted her daughters Pam and Jan from a previous marriage to jockey Jackie Westrope. Their 43-year marriage lasted until her death. Laine and Grey guest-starred on a November 18, 1960, episode of Rawhide: "Incident on the Road to Yesterday." They played long-lost lovers. Following a three-year engagement to Anita Craighead, the 86-year-old singer married Marcia Ann Kline in June 1999. This marriage lasted for the remainder of his life. Later years Laine settled on a hilltop in the Point Loma neighborhood of San Diego, where he was a supporter of local events and charities. In 2000, the San Diego Chamber of Commerce dubbed him "The Prince of Point Loma".His career slowed down a little in the 1980s due to triple and quadruple heart bypass surgeries, but he continued cutting albums, including Wheels Of A Dream (1998), Old Man Jazz (2002) and The Nashville Connection (2004). In 1986, he recorded the album Round Up with Erich Kunzel and the Cincinnati Pops Orchestra, which made it to the classical charts. Laine was reportedly pleased and amused, having also placed songs on the rhythm & blues and popular charts in his time. He recorded his last song, "Taps/My Buddy", shortly after the 9/11 terrorist attack on America. The song was dedicated to the New York City firefighters, and Laine stipulated that profits from the song were to be donated, in perpetuity, to the New York Fire Department.On June 12, 1996, he was presented with a Lifetime Achievement Award at the 27th Annual Songwriters’ Hall of Fame awards ceremony at the New York Sheraton. On his 80th birthday, the United States Congress declared him to be a national treasure. Then, a decade later on March 30, 2003, Laine celebrated his 90th birthday, and several of his old friends, Herb Jeffries, Patti Page and Kay Starr, attended his birthday party in San Diego, helping him blow out the candles. Final appearance In 2006, he appeared on the PBS My Music special despite a recent stroke, performing "That's My Desire", and received a standing ovation. It was his last public performance. Laine died of heart failure on February 6, 2007, at Scripps Mercy Hospital in San Diego. A memorial mass was held February 12, at the Immaculata parish church on the campus of the University of San Diego. The following day, his ashes, along with those of his late wife, Nan Grey, were scattered over the Pacific Ocean. Legacy While Laine's influence on popular music, rock and roll and soul is rarely acknowledged by rock historians, his early crossover success as a singer of "race music" not only helped pave the way for other white artists who sang in the black style, like Kay Starr, Johnnie Ray and Elvis Presley, but also helped to increase public acceptance for African-American artists as well. Artists inspired and/or influenced by Laine include Ray Charles, Bobby Darin, Lou Rawls, The Kalin Twins, The Beatles, Tom Jones, James Brown, Billy Fury, and many others. He was inducted into the Hit Parade Hall of Fame in 2008. In 2010, a Golden Palm Star on the Palm Springs, California, Walk of Stars was dedicated to him.For his contributions to the music and television industry, Frankie Laine has two stars on the Hollywood Walk of Fame. The music star is at the north side of the 1600 block on Hollywood Boulevard, the television star is at the west side of the 1600 block on Vine Street. Discography Studio albums Lyrics by Laine Filmography Acting Make Believe Ballroom – Columbia, 1949 When You're Smiling – Columbia, 1950 Sunny Side of the Street – Columbia, 1951 Rainbow 'Round My Shoulder – Columbia, 1952 Bring Your Smile Along – Columbia, 1955 He Laughed Last – Columbia, 1956 Meet Me in Las Vegas – MGM, 1956 Sang title song Blowing Wild – Warner, 1953 Man Without a Star – Universal, 1955 Strange Lady in Town – Warner, 1955 Gunfight at the O.K. Corral – Paramount, 1957 3:10 to Yuma – Columbia, 1957 Bullwhip – Republic, 1958 Blazing Saddles – Warner/Crossbow, 1974 Included in soundtrack The Last Picture Show – sang "Rose, Rose, I Love You", Columbia, 1971 All This and World War II – sang "Maxwell's Silver Hammer", Deluxe, 1976 House Calls – sang "On the Sunny Side of the Street", Universal, 1978 Lemon Popsicle – sang "My Little One", 1978 Going Steady – sang "My Little One", 1980 Raging Bull – sang "That's My Desire", United Artists, 1980 Whore – sang "The Love of Loves", 1991 Chopper – sang "Don't Fence Me In", 2000 Television The Frankie Laine Hour – 1950 The Frankie Laine Show – 1954–55 Frankie Laine Time – 1955–56 Rawhide – 1959–66 (sang the theme song) Gunslinger – 1961 (sang the theme song) Rango – 1967 (sang the theme song, "Rango") The Misadventures of Sheriff Lobo – 1979–81 (sang the theme song for the first season) Guest star appearances Perry Mason – CBS, 1959 Make Room for Daddy – CBS, 1959 Rawhide – CBS, 1960 Bachelor Father – ABC, 1961 Burke's Law – ABC, 1963 Hee Haw – season 4 episodes 20 and 23 – syndication, 1973 Biographies Grudens, Richard (2009). Mr. Rhythm-A Tribute to Frankie Laine. Celebrity Profiles Publishing. ISBN 978-0976387763. Cronbaugh, Craig (2005). Reaching for a Star: A Memoir of My Life, My Music, and My Friendship with Famed Singer Frankie Laine. AuthorHouse. ISBN 978-1420803907. Video documentary Frankie Laine: An American Dreamer, 2003. Narrated by Lou Rawls. Included are interviews with Patti Page, Kay Starr, Pat Boone, Clint Eastwood, Tom Jones, Howard Keel, Connie Haines, John Williams, Michel Legrand, Mitch Miller, Ringo Starr, Dick Clark, and many others. See also List of best-selling music artists Passage 6: Billy Milano Billy Milano (born June 3, 1964) is an American heavy metal and hardcore punk musician. He is the singer and occasionally guitarist and bassist of crossover thrash band M.O.D., and was the singer of its predecessor, Stormtroopers of Death. Prior to these bands, Milano played in early New York hardcore band the Psychos, which also launched the career of future Agnostic Front vocalist Roger Miret. Milano was also the singer of United Forces, which included his Stormtroopers of Death bandmate Dan Lilker. Milano managed a number of bands, including Agnostic Front, for whom he also co-produced the 1997 Epitaph Records release Something's Gotta Give and roadie for Anthrax. Discography Stormtroopers of Death albums Stormtroopers of Death videos Method of Destruction (M.O.D.) Mastery Passage 7: O Valencia! "O Valencia!" is the fifth single by the indie rock band The Decemberists, and the first released from their fourth studio album, The Crane Wife. The music was written by The Decemberists and the lyrics by Colin Meloy. It tells a story of two star-crossed lovers. The singer falls in love with a person who belongs to an opposing gang. At the end of the song, the singer's lover jumps in to defend the singer, who is confronting his lover's brother (the singer's "sworn enemy") and is killed by the bullet intended for the singer. Track listing The 7" single sold in the UK was mispressed, with "Culling of the Fold" as the B-side despite the artwork and record label listing "After the Bombs" as the B-side. Music videos For the "O Valencia!" music video, The Decemberists filmed themselves in front of a green screen and asked fans to complete it by digitally adding in background images or footage. Stephen Colbert of The Colbert Report, having recently asked fans to do the same with a video of him with a light saber in front of a green screen, brought up The Decemberists on his segment "Look Who's Riding on My Coattails Now" and accused the band of stealing the idea. The Decemberists' response was to challenge Stephen Colbert to a guitar solo showdown on December 20, 2006, on The Colbert Report.On January 19, 2007, The Decemberists premiered an alternate music video of "O Valencia!", directed by Aaron Stewart-Ahn, on MTV2. The video follows a character named Patrick, played by Meloy, as he and his love Francesca (Lisa Molinaro), daughter of "the Boss", plan an escape to an unknown location. At a cafe, a man in a suit, portrayed by the band member Chris Funk, tells him to hide in the "Valencia" hotel (the Super Value Inn on North Interstate Avenue in Portland, Oregon) while he gets them the necessary documentation to escape. Above the name of the hotel, there is a neon sign that reads "Office". The letters have all burnt out except for the "O", creating the title of the song. The video then introduces other characters - various assassination teams - who sit in different rooms of the hotel waiting for the chance to catch the two lovers. Most are portrayed by other members of the band (along with Meloy's wife, Carson Ellis). They kill off any potential witnesses to their plan. Patrick manages to take down one member from each team, before they gang up on him. The Boss arrives, along with the man from the cafe, who reveals that he snitched on Patrick and Francesca. They execute Francesca, while forcing Patrick to watch. After they leave, Patrick finds a note by Francesca, which reveals that she never fell in love with him, and only wanted protection. 2 months later, Patrick and the man, who has lost an eye from a previous assassination attempt, have a sit-down at the same cafe. The man reveals that he snitched on Patrick just to take over the town. Patrick reveals that he poisoned a drink the man was having, but before he could get away, the man stabs Patrick in the neck with a fork before dying, followed by Patrick. The video is somewhat influenced by the distinct style and themes of director Wes Anderson, with bold fonts being used to introduce characters and groups on the bottom of the screen (much like in the film The Royal Tenenbaums). The band had previously (and more explicitly) drawn influence from Anderson's Rushmore in their video for "Sixteen Military Wives". The layout of the hotel is also similar to the one used in Bottle Rocket. Kurt Nishimura was chosen as the winner by mtvU for his video that depicted a love affair between a woman and her television, with the TV containing the green-screened Decemberists video footage. Passage 8: Frankie Laine (wrestler) Frank Luhovy (April 16, 1943 – May 24, 2016), known as Cowboy Frankie Laine, was a Canadian professional wrestler. Professional wrestling career Laine wrestled throughout Canada, Puerto Rico, and various parts of the United States. His career started in 1966 as a baby face along with his valet Peggy Laine in Ontario and later in Alberta. Into the early-1970s he wrestled in California and headlined cards in Los Angeles against Goliath and Black Gordman. In the mid-to-late-1970s he was again in Alberta at Stampede Wrestling. Into 1980 he was in the Detroit and Toronto areas. As well he teamed with Dutch Mantel as heels in a bloody feud against Carlos Colon and Victor Jovica as Los Vaqueros Locos and helped sell out the Hiram Bithorn Stadium in Hato Rey, Puerto Rico for 13 weeks straight. In 1985 he worked as a prelim wrestler for the WWF losing to their main stars mostly on TV shows. Luhovy also worked as a promoter for WWE in London, Ontario. Post Retirement After retiring from wrestling, Laine ran his family's 700-acre farm in Alvinston, Ontario. When Owen Hart was accidentally killed in a wrestling stunt, Laine claimed that promoters' greed had led to Hart's death. Death Laine died in Petrolia, Ontario, on May 24, 2016, of multiple sclerosis. Championships and accomplishments Continental Wrestling Association NWA Mid-America Heavyweight Championship (1 time) Mid-Pacific Promotions NWA Hawaii Heavyweight Championship (1 time) NWA Hollywood Wrestling NWA Americas Heavyweight Championship (1 time) Pacific Northwest Wrestling NWA Pacific Northwest Tag Team Championship (3 times) - with Moondog Mayne (1), Bobby Nichols (1) and Big Snuka (1). Stampede Wrestling Stampede North American Heavyweight Championship (2 times) Stampede Wrestling International Tag Team Championship (1 time) - with Les Thorton (1) World Wrestling Council NWA North American Tag Team Championship (Puerto Rico/WWC version) (3 times) - with Dutch Mantel (3)

doc_80

Passage 1: Pete Townshend Peter Dennis Blandford Townshend (; born 19 May 1945) is an English musician. He is the co-founder, leader, guitarist, second lead vocalist and principal songwriter of the Who, one of the most influential rock bands of the 1960s and 1970s. Due to his aggressive playing style and innovative songwriting techniques, Townshend's works with the Who and in other projects have earned him critical acclaim. Townshend has written more than 100 songs for 12 of the Who's studio albums. These include concept albums, the rock operas Tommy (1969) and Quadrophenia (1973), plus popular rock radio staples such as Who's Next (1971); as well as dozens more that appeared as non-album singles, bonus tracks on reissues, and tracks on rarities compilation albums such as Odds & Sods (1974). He has also written more than 100 songs that have appeared on his solo albums, as well as radio jingles and television theme songs. While known primarily as a guitarist, Townshend also plays keyboards, banjo, accordion, harmonica, ukulele, mandolin, violin, synthesiser, bass guitar, and drums; he is self-taught on all of these instruments and plays on his own solo albums, several Who albums, and as a guest contributor to an array of other artists' recordings. Townshend has also contributed to and authored many newspaper and magazine articles, book reviews, essays, books, and scripts, and he has collaborated as a lyricist and composer for many other musical acts. In 1983, Townshend received the Brit Award for Lifetime Achievement and in 1990 he was inducted into the Rock and Roll Hall of Fame as a member of the Who. Townshend was ranked No. 3 in Dave Marsh's 1994 list of Best Guitarists in The New Book of Rock Lists. In 2001, he received a Grammy Lifetime Achievement Award as a member of the Who; and in 2008 he received Kennedy Center Honors. He was ranked No. 10 in Gibson.com's 2011 list of the top 50 guitarists, and No. 10 in Rolling Stone's updated 2011 list of the 100 greatest guitarists of all time. He and Roger Daltrey received The George and Ira Gershwin Award for Lifetime Musical Achievement at UCLA on 21 May 2016. Early life and education Townshend was born in Chiswick, West London, at the Chiswick Hospital, Netheravon Road, in the UK. He came from a musical family: his father, Cliff Townshend, was a professional alto saxophonist in the Royal Air Force's dance band the Squadronaires and his mother, Betty (née Dennis), was a singer with the Sydney Torch and Les Douglass Orchestras. The Townshends had a volatile marriage, as both drank heavily and possessed fiery tempers. Cliff Townshend was often away from his family touring with his band while Betty carried on affairs with other men. The two split when Townshend was a toddler and he was sent to live with his maternal grandmother Emma Dennis, whom Pete later described as "clinically insane". The two-year separation ended when Cliff and Betty purchased a house together on Woodgrange Avenue in middle-class Acton, and the young Pete was happily reunited with his parents. His neighbourhood was one-third Polish, and a devout Jewish family upstairs shared their housing with them and cooking with them—many of his father's closest friends were Jewish.Townshend says he did not have many friends growing up, so he spent much of his boyhood reading adventure novels like Gulliver's Travels and Treasure Island. He enjoyed his family's frequent excursions to the seaside and the Isle of Man. It was on one of these trips in the summer of 1956 that he repeatedly watched the 1956 film Rock Around the Clock, sparking his fascination with American rock and roll. Not long thereafter, he went to see Bill Haley perform in London, Townshend's first concert. At the time, he did not see himself pursuing a career as a professional musician; instead, he wanted to become a journalist.Upon passing the eleven-plus exam, Townshend was enrolled at Acton County Grammar School. At Acton County, he was frequently bullied because he had a large nose, an experience that profoundly affected him. His grandmother Emma purchased his first guitar for Christmas in 1956, an inexpensive Spanish model. Though his father taught him a couple of chords, Townshend was largely self-taught on the instrument and never learned to read music. Townshend and school friend John Entwistle formed a short-lived trad jazz group, the Confederates, featuring Townshend on banjo and Entwistle on horns. The Confederates played gigs at the Congo Club, a youth club run by the Acton Congregational Church, and covered Acker Bilk, Kenny Ball, and Lonnie Donegan. However, both became influenced by the increasing popularity of rock 'n' roll, with Townshend particularly admiring Cliff Richard's debut single, "Move It". Townshend left the Confederates after getting into a fight with the group's drummer, Chris Sherwin, and purchased a "reasonably good Czechoslovakian guitar" at his mother's antique shop.Townshend's brothers Paul and Simon were born in 1957 and 1960, respectively. Lacking the requisite grades to attend university, Pete was faced with the decision of art school, music school, or getting a job. He ultimately chose to study graphic design at Ealing Art College, enrolling in 1961. At Ealing, Townshend studied alongside future Rolling Stones guitarist Ronnie Wood. Notable artists and designers gave lectures at the college such as auto-destructive art pioneer Gustav Metzger. Townshend dropped out in 1964 to focus on music full-time. Musical career 1961–1964: the Detours In late 1961, Entwistle joined the Detours, a skiffle/rock and roll band, led by Roger Daltrey. The new bass player then suggested Townshend join as an additional guitarist. In the early days of the Detours, the band's repertoire consisted of instrumentals by the Shadows and the Ventures, as well as pop and trad jazz covers. Their lineup coalesced around Roger Daltrey on lead guitar, Townshend on rhythm guitar, Entwistle on bass, Doug Sandom on drums, and Colin Dawson as vocalist. Daltrey was considered the leader of the group and, according to Townshend, "ran things the way he wanted them." Dawson quit in 1962 after arguing too much with Daltrey, who subsequently moved to lead vocalist. As a result, Townshend, with Entwistle's encouragement, became the sole guitarist. Through Townshend's mother, the group obtained a management contract with local promoter Robert Druce, who started booking the band as a support act for bands including Screaming Lord Sutch, Cliff Bennett and the Rebel Rousers, Shane Fenton and the Fentones, and Johnny Kidd and the Pirates. In 1963, Townshend's father arranged an amateur recording of "It Was You", the first song his son ever wrote. The Detours became aware of a group of the same name in February 1964, forcing them to change their name. Townshend's roommate Richard Barnes came up with "The Who", and Daltrey decided it was the best choice. 1964–1982: The Who Not long after the name change, drummer Doug Sandom was replaced by Keith Moon, who had been drumming semi-professionally with the Beachcombers for several years. The band was soon taken on by a mod publicist named Peter Meaden who convinced them to change their name to the High Numbers to give the band more of a mod feel. After bringing out one failed single ("I'm the Face/Zoot Suit"), they dropped Meaden and were signed on by two new managers, Chris Stamp and Kit Lambert, who had paired up with the intention of finding new talent and creating a documentary about them. The band anguished over a name that all felt represented the band best, and dropped the High Numbers name, reverting to the Who. In June 1964, during a performance at the Railway Tavern, Townshend accidentally broke the top of his guitar on the low ceiling and proceeded to destroy the entire instrument. The on-stage destruction of instruments soon became a regular part of the Who's live shows.With the assistance of Lambert, the Who caught the ear of American record producer Shel Talmy, who had the band signed to a record contract. Townshend wrote a song, "I Can't Explain", as a deliberate sound-alike of the Kinks, another group Talmy produced. Released as a single in January 1965, "I Can't Explain" was the Who's first hit, reaching number eight on the British charts. A follow-up single ("Anyway, Anyhow, Anywhere"), credited to both Townshend and Daltrey, also reached the top 10 in the UK. However, it was the release of the Who's third single, "My Generation", in November that, according to Who biographer Mark Wilkerson, "cemented their reputation as a hard-nosed band who reflected the feelings of thousands of pissed-off adolescents at the time." The Townshend-penned single reached number two on the UK charts, becoming the Who's biggest hit. The song and its famous line "I hope I die before I get old" was "very much about trying to find a place in society", Townshend stated in an interview with David Fricke.To capitalise on their recent single success, the Who's debut album My Generation (The Who Sings My Generation in the US) was released in late 1965, containing original material written by Townshend and several James Brown covers that Daltrey favoured. Townshend continued to write several successful singles for the band, including "Pictures of Lily", "Substitute", "I'm a Boy", and "Happy Jack". Lambert encouraged Townshend to write longer pieces of music for the next album, which became "A Quick One, While He's Away". The album was subsequently titled A Quick One and reached No. 4 in the charts upon its release in December 1966. In their stage shows, Townshend developed a guitar stunt in which he would swing his right arm against the guitar strings in a style reminiscent of the vanes of a windmill. He developed this style after watching Rolling Stones guitarist Keith Richards warm up before a show. The Who commenced their first US tour on 22 March 1967. Townshend took to trashing his hotel suites, though not to the extent of his bandmate Moon. He also began experimenting with LSD, though stopped taking the drug after receiving a potent hit after the Monterey Pop Festival on 18 June. Released in December, their next album was The Who Sell Out—a concept album based on pirate radio, which had been instrumental in raising the Who's popularity. It included several humorous jingles and mock commercials between songs, and the Who's biggest US single, "I Can See for Miles". Despite the success of "I Can See for Miles", which reached No. 9 on the American charts, Townshend was surprised it was not an even bigger hit, as he considered it the best song he had written up to that point.By 1968, Townshend became interested in the teachings of Meher Baba. He began to develop a musical piece about a deaf, dumb, and blind boy who would experience sensations musically. The piece would explore the tenets of Baba's philosophy. The result was the rock opera Tommy, released on 23 May 1969 to critical and commercial success. In support of Tommy, the Who launched a tour that included a memorable appearance at the Woodstock Festival on 17 August. While the Who were playing, Yippie leader Abbie Hoffman jumped the stage to complain about the arrest of John Sinclair. Townshend promptly knocked him offstage with his guitar, shouting, "Fuck off my fucking stage!"In 1970, the Who released Live at Leeds, which several music critics cite as the best live album of all time. Townshend began writing material for another rock opera. Dubbed Lifehouse, it was designed to be a multi-media project that symbolised the relationship between a musician and his audience. The rest of the band were confused by its convoluted plot and simply wanted another album. Townshend began to feel alienated, and the project was abandoned after he suffered a nervous breakdown. Much of the material intended for Lifehouse was released as a traditional studio album, Who's Next. It became a commercial smash, reaching number one in the UK, and spawned two successful hit singles, "Baba O'Riley" and "Won't Get Fooled Again", that featured pioneering use of the synthesizer. "Baba O'Riley" in particular was written as Townshend's ode to his two heroes at the time, Meher Baba and composer Terry Riley. Townshend began writing songs for another rock opera in 1973. He decided it would explore the mod subculture and its clashes with Rockers in the early 1960s in the UK. Entitled Quadrophenia, it was the only Who album written entirely by Townshend, and he produced the album as well due to the souring of relations with Lambert. It was released in November, and became their highest charting cross-Atlantic success, reaching No. 2 in the UK and US. NME reviewer Charles Shaar Murray called it "prime cut Who" and "the most rewarding musical experience of the year." On tour, the band played the album along to pre-recorded backing tapes, causing much friction. The tapes malfunctioned during a performance in Newcastle, prompting Townshend to drag soundman Bob Pridden onstage, scream at him and kick over all the amplifiers, partially destroying the malfunctioning tapes. On 14 April 1974, Townshend played his first solo concert, a benefit to raise funds for a London community centre.A film version of Tommy was directed by Ken Russell, and starred Roger Daltrey in the title role, Ann-Margret as his mother, and Oliver Reed as his step-father, with cameos by Tina Turner, Elton John, Eric Clapton, and other rock notables; the film premiered on 18 March 1975. Townshend was nominated for an Academy Award for scoring and adapting the music in the film. The Who by Numbers came out in November of that year and peaked at No. 7 in the UK and 8 in the US. It featured introspective songs, often with a negative slant. The album spawned one hit single, "Squeeze Box", that was written after Townshend learned how to play the accordion. After a 1976 tour, Townshend took a year-long break from the band to focus on spending time with his family.The Who continues despite the deaths of two of the original members (Keith Moon in 1978 and John Entwistle in 2002). The band is regarded by many rock critics as one of the best live bands from the 1960s to the 2000s. The Who continues to perform critically acclaimed sets into the 21st century, including highly regarded performances at The Concert For New York City in 2001, the 2004 Isle of Wight Festival, Live 8 in 2005, and the 2007 Glastonbury Festival. Townshend remained the primary songwriter and leader of the group, writing over 100 songs which appeared on the band's eleven studio albums. Among his creations is the rock opera Quadrophenia. Townshend revisited album-length storytelling throughout his career and remains associated with the rock opera form. Many studio recordings also feature Townshend on piano or keyboards, though keyboard-heavy tracks increasingly featured guest artists in the studio, such as Nicky Hopkins, John Bundrick, or Chris Stainton.Townshend is one of the key figures in the development of feedback in rock guitar. When asked who first used feedback, Deep Purple guitarist Ritchie Blackmore said: Pete Townshend was definitely the first. But not being that good a guitarist, he used to just sort of crash chords and let the guitar feedback. He didn't get into twiddling with the dials on the amplifier until much later. He's overrated in England, but at the same time you find a lot of people like Jeff Beck and Hendrix getting credit for things he started. Townshend was the first to break his guitar, and he was the first to do a lot of things. He's very good at his chord scene, too. Similarly, when Jimmy Page was asked about the development of guitar feedback, he said: I don't know who really did feedback first; it just sort of happened. I don't think anybody consciously nicked it from anybody else. It was just going on. But Pete Townshend obviously was the one, through the music of his group, who made the use of feedback more his style, and so it's related to him. Whereas the other players like Jeff Beck and myself were playing more single note things than chords. Many rock guitarists have cited Townshend as an influence, among them Slash, Alex Lifeson, and Steve Jones. 1972–present: solo career In addition to his work with the Who, Townshend has been sporadically active as a solo recording artist. Between 1969 and 1971 Townshend, along with other devotees to Meher Baba, recorded a trio of albums devoted to his teachings: Happy Birthday, I Am, and With Love. In response to bootlegging of these, he compiled his personal highlights (and "Evolution", a collaboration with Ronnie Lane), and released his first major-label solo title, 1972's Who Came First. It was a moderate success and featured demos of Who songs as well as a showcase of his acoustic guitar talents. He collaborated with the Faces' bassist and fellow Meher Baba devotee Ronnie Lane on a duet album (1977's Rough Mix). In 1979 Townshend produced and performed guitar on the novelty single "Peppermint Lump" by Angie on Stiff Records, featuring 11-year-old Angela Porter on lead vocals.Townshend made several solo appearances during the 1970s, two of which were captured on record: Eric Clapton's Rainbow Concert in January 1973 (which Townshend organized to revive Clapton's career after the latter's heroin addiction), and the Paul McCartney-sponsored Concerts for the People of Kampuchea in December 1979. The commercially available video of the Kampuchea concert shows the two rock icons duelling and clowning through Rockestra mega-band versions of "Lucille", "Let It Be", and "Rockestra Theme"; Townshend closes the proceedings with a characteristic split-legged leap.Townshend's solo breakthrough, following the death of Who drummer Keith Moon, was the 1980 release Empty Glass, which included the top-10 single "Let My Love Open the Door", and lesser singles "A Little Is Enough" and "Rough Boys". This release was followed in 1982 by All the Best Cowboys Have Chinese Eyes, which included the popular radio track "Slit Skirts". While not a huge commercial success, noted music critic Timothy Duggan listed it as "Townshend's most honest and introspective work since Quadrophenia." Through the rest of the 1980s and early 1990s Townshend would again experiment with the rock opera and related formats, releasing several story-based albums including White City: A Novel (1985), The Iron Man: A Musical (1989), and Psychoderelict (1993). Townshend also got the chance to play with his hero Hank Marvin for Paul McCartney's "Rockestra" sessions, along with other rock musicians such as David Gilmour, John Bonham, and Ronnie Lane. Townshend has also recorded several concert albums, including one featuring a supergroup he assembled called Deep End, with David Gilmour on guitar, who performed just three concerts and a television show session for The Tube, to raise money for his Double-O charity, supporting drug addicts. In 1993 he and Des McAnuff wrote and directed the Broadway adaptation of the Who album Tommy, as well as a less successful stage musical based on his solo album The Iron Man, based upon the book by Ted Hughes. McAnuff and Townshend later co-produced the animated film The Iron Giant, also based on the Hughes story. A production described as a Townshend rock opera and titled The Boy Who Heard Music debuted as part of Vassar College's Powerhouse Summer Theater program in July 2007. On 2 September 2017 in Lenox, Massachusetts, Townshend embarked with fellow singer and musician Billy Idol, tenor Alfie Boe, and an orchestra on a short (5-date) "Classic Quadrophenia" US tour which ended on 16 September 2017 in Los Angeles, California. 1996–present: latest Who work From the mid-1990s through the present, Townshend has participated in a series of tours with the surviving members of the Who, including a 2002 tour that continued despite Entwistle's death.In February 2006, a major world tour by the Who was announced to promote their first new album since 1982. Townshend published a semi-autobiographical story The Boy Who Heard Music as a serial on a blog beginning in September 2005. The blog closed in October 2006, as noted on Townshend's website. It is now owned by a different user and does not relate to Townshend's work in any way. On 25 February 2006, he announced the issue of a mini-opera inspired by the novella for June 2006. In October 2006 the Who released their first album in 24 years, Endless Wire. The Who performed at the Super Bowl XLIV half-time show on 7 February 2010, playing a medley of songs that included "Pinball Wizard", "Who Are You", "Baba O'Riley", "See Me, Feel Me", and "Won't Get Fooled Again". In 2012, the Who announced they would tour the rock opera Quadrophenia. The Who were the final performers at the 2012 Summer Olympics closing ceremony in London, performing a medley of "Baba O'Riley", "See Me, Feel Me", and "My Generation".On 22 March 2018, Townshend stated that a new Who album should feature original songs by Roger Daltrey as well as him. That album, simply titled Who, was released on 6 December 2019. It was the band's second album as a duo, and their first in thirteen years. Unfinished work The Age of Anxiety, formerly Floss The Musical, is the name given to a work-in-progress by Townshend. The musical has been a work in progress at least since 2009 with an original estimated release of 2011. On 24 January 2012 Townshend sold the rights to all of his back catalog and much of his future work including Floss The Musical if it is ever completed. He summarized the work in an interview with Sirius Satellite Radio published February 2010. In a 2015 interview Townshend stated that the work was intended to be an art installation. In March 2019 it was announced that a work entitled The Age of Anxiety would be published as a novel, with an opera to follow. Musical influences Townshend was born ten days after Nazi Germany surrendered in the Second World War and grew up in the shadow of reconstruction in and around London. According to Townshend, postwar trauma was the driving force behind the rock music revolution in the UK. "Trauma is passed from generation to generation", he said, "I've unwittingly inherited what my father experienced." Townshend notes that growing up in this period produced the narrative that runs through his music of a boy lost in the stresses and pressures of postwar life. In his autobiography, he wrote: I wasn't trying to play beautiful music. I was confronting my audience with the awful, visceral sound of what we all knew was the single absolute of our frail existence—one day an aeroplane would carry the bomb that would destroy us all in a flash. It could happen at any time. Although he grew up in a household with jazz musicians, Townshend absorbed many of his ideas about performance and rock music themes during art school. Townshend's roommate at Ealing Art College, Tom Wright, had a large record collection, and Townshend listened to and became influenced by R&B and rock & roll artists like Howlin' Wolf, John Lee Hooker, Bo Diddley, Booker T. & the MGs, Little Walter, and Chuck Berry. He was also strongly influenced by cellist Malcolm Cecil, who often damaged his cello during performances, along with Gustav Metzger, pioneer of auto-destructive art. In light of these influences, guitar smashing became not just an expression of youthful angst, but also a means of conveying ideas through musical performance. "We advanced a new concept", he writes. "Destruction is art when set to music." Townshend also cited Robbie Basho as a significant influence, saying "I've totally been influenced by him. You can hear it in my work." Equipment Guitars Throughout his solo career and his career with the Who, Townshend has played a large variety of guitars – mostly various Fender, Gibson, and Rickenbacker models. He has also used Guild, Takamine and Gibson J-200 acoustic models, with the J-200 providing his signature recorded acoustic sound in such songs as "Pinball Wizard".In the early days with the Who, Townshend played an Emile Grimshaw SS De Luxe and 6-string and 12-string Rickenbacker semi-hollow electric guitars primarily (particularly the Rose-Morris UK-imported models with special f-holes). When the excited audience responded enthusiastically after he accidentally broke the head off his guitar on a low ceiling during a concert at the Railway Hotel pub in Wealdstone, west London, he incorporated the eventual smashing of his instrument into the band's performances. However, as instrument-smashing became increasingly integrated into the Who's concert sets, he switched to more durable and resilient (and, importantly, cheaper) guitars for smashing, such as the Fender Stratocaster, Fender Telecaster and various Danelectro models. On the Who's The Smothers Brothers Comedy Hour appearance in 1967, Townshend used a Vox Cheetah guitar, which he only used for that performance; the guitar was destroyed by Townshend and Moon's drum explosion. In the late 1960s, Townshend began playing Gibson SG Special models almost exclusively. He used this guitar at the Woodstock and Isle of Wight shows in 1969 and 1970, as well as the Live at Leeds performance in 1970. By 1970 Gibson changed the design of the SG Special which Townshend had been using previously, and he began using other guitars. For much of the 1970s, he used a Gibson Les Paul Deluxe, some with only two mini-humbucker pick-ups and others modified with a third pick-up in the "middle position" (a DiMarzio Superdistortion / Dual Sound). He can be seen using several of these guitars in the documentary The Kids Are Alright, although in the studio he often played a '59 Gretsch 6120 guitar (given to him by Joe Walsh), most notably on the albums Who's Next and Quadrophenia.During the 1980s, Townshend mainly used Fenders, Rickenbackers and Telecaster-style models built for him by Schecter and various other luthiers. Since the late-1980s, Townshend has used the Fender Eric Clapton Signature Stratocaster, with Lace Sensor pick-ups, both in the studio and on tour. Some of his Stratocaster guitars feature a Fishman PowerBridge piezo pick-up system to simulate acoustic guitar tones. This piezo system is controlled by an extra volume control behind the guitar's bridge. During the Who's 1989 Tour Townshend played a Rickenbacker guitar that was ironically smashed accidentally when he tripped over it. Instead of throwing the smashed parts away, Townshend reassembled the pieces as a sculpture. The sculpture was featured at the Rock Stars, Cars And Guitars 2 exhibit during the summer of 2009 at The Henry Ford museum. There are several Gibson Pete Townshend signature guitars, such as the Pete Townshend SG, the Pete Townshend J-200, and three different Pete Townshend Les Paul Deluxes. The SG was clearly marked as a Pete Townshend limited edition model and came with a special case and certificate of authenticity, signed by Townshend himself. There has also been a Pete Townshend signature Rickenbacker limited edition guitar of the model 1998, which was his main 6-string guitar in the Who's early days. The run featured 250 guitars which were made between July 1987 – March 1988, and according to Rickenbacker CEO John Hall, the entire run sold out before serious advertising could be done. He also used the Gibson ES-335, one of which he donated to the Hard Rock Cafe. Townshend also used a Gibson EDS-1275 double-neck very briefly circa late 1967, and both a Harmony Sovereign H1270 and a Fender Electric XII for the studio sessions for Tommy for the 12-string guitar parts. He also occasionally used Fender Jazzmasters on stage in 1967 and 1968 and in the studio for Tommy. In 2006 Townshend had a pedalboard designed by long-time gear guru Pete Cornish. The board apparently comprises a compressor, an old Boss OD-1 overdrive pedal, as well as a T-Rex Replica delay pedal. Amps Over the years, Townshend has used many types of amplifier, including Vox, Selmer, Fender, Marshall, and Hiwatt, sticking to using Hiwatt amps for most of four decades. Around the time of Who's Next, he used a tweed Fender Bandmaster amp (also given to him by Joe Walsh in 1970), which he also used for Quadrophenia and The Who by Numbers. While recording Face Dances and the collaborative album Rough Mix, Townshend made use of a Peavey Vintage 4×10 amplifier in the studio. Since 1989, his rig consisted of four Fender Vibro-King stacks and a Hiwatt head driving two custom made 2×12" Hiwatt/Mesa Boogie speaker cabinets. However, since 2006, he has only three Vibro-King stacks, one of which is a backup. Townshend figured prominently in the development of what is widely known in rock circles as the "Marshall stack". He ordered several speaker cabinets that contained eight 12" speakers in a housing standing nearly six feet in height with the top half of the cabinet slanted slightly upward. These were too heavy to move easily, so Jim Marshall cut the massive speaker cabinet in half, at the suggestion of Townshend, with each cabinet containing four 12-inch speakers. One of the cabinets had half of the speaker baffle slanted upwards and Marshall made these two cabinets stackable. The Marshall stack was born, and Townshend used these as well as Hiwatt stacks. He has always regarded his instruments as being merely tools of the trade and has, in latter years, kept his most prized instruments well away from the concert stage. These instruments include a few vintage and reissue Rickenbackers, the Gretsch 6120, an original 1952 Fender Telecaster, Gibson Custom Shop's artist limited edition reissues of Townshend's Les Paul DeLuxe models 1, 3 and 9 as well his signature SG Special reissue. Keyboards Townshend played keyboards on several Who songs. On Who's Next, he began to work with analogue synthesizers, using the ARP 2600 model that he first encountered at Cambridge University. He had this to say about the instrument: "I like synthesizers because they bring into my hands things that aren't in my hands: the sound of an orchestra, French horns, strings. There are gadgets on synthesizers that enable one to become a virtuoso on the keyboard. You can play something slowly and you press a switch and it plays it back at double speed. Whereas on the guitar you're stuck with as fast as you can play and I don't play fast, I just play hard. So when it goes to playing something fast I go to the synth."The synths Townshend was referring to included the EMS VCS3 and ARP 2600, some of which modified a Lowrey TBO Berkshire organ. Current photos of his home studio also show an ARP 2500. Townshend was featured in ARP promotional materials in the early 1970s.Since the late 1980s Townshend has predominantly used Synclavier Digital Audio systems for keyboard composition, particularly solo albums and projects. He currently owns three systems, one large Synclavier 9600 Tapeless Studio system, originally installed in his riverside Oceanic Studio, later transferred to a seagoing barge moored alongside the studio on the River Thames, and currently based in his home studio. He also uses a special adapted smaller Synclavier 3200 system which can be transported, enabling him to carry on working away from his main studio. This 3200 system was modified to be of similar specification to the 9600, including the addition internally of FM voices, stereo Poly voices and with the large VPK keyboard. This is the only Synclavier 3200 system of this specification in existence, custom-designed and built for Townshend by Steve Hills. The third system Townshend owns is one of the first Synclavier II systems ever built. The ORK (original smaller) keyboard of which is on display in his company's head office alongside a pink Vespa scooter. Literary work Although known for his musical compositions and musicianship, Townshend has been extensively involved in the literary world for more than three decades, writing newspaper and magazine articles, book reviews, essays, books, and scripts. An early example of Townshend's writing came in August 1970 with the first of nine installments of "The Pete Townshend Page", a monthly column written by Townshend for the British music paper Melody Maker. The column provided Townshend's perspective on an array of subjects, such as the media and the state of US concert halls and public address systems, as well as providing valuable insight into Townshend's mindset during the evolution of his Lifehouse project. Townshend also wrote three sizeable essays for Rolling Stone magazine, the first of which appeared in November 1970. In Love With Meher Baba described Townshend's spiritual leanings. "Meaty, Beaty, Big and Bouncy", a blow-by-blow account of the Who compilation album of the same name, followed in December 1971. The third article, "The Punk Meets the Godmother", appeared in November 1977. Also in 1977, Townshend founded Eel Pie Publishing, which specialised in children's titles, music books, and several Meher Baba-related publications. He also opened a bookstore named Magic Bus (after the popular Who song) in London. The Story of Tommy, a book written by Townshend and his art school friend Richard Barnes (now the Who's official biographer) about the writing of Townshend's 1969 rock opera and the making of the 1975 Ken Russell-directed film, was published by Eel Pie the same year. In July 1983, Townshend took a position as an acquisitions editor for London publisher Faber and Faber. Notable projects included editing Animals frontman Eric Burdon's autobiography, Charles Shaar Murray's award-winning Crosstown Traffic: Jimi Hendrix and Post-War Pop, Brian Eno and Russell Mills's More Dark Than Shark, and working with Prince Charles on a volume of his collected speeches. Townshend commissioned Dave Rimmer's Like Punk Never Happened, and was commissioning editor for radical playwright Steven Berkoff. Two years after joining Faber and Faber, Townshend decided to publish a book of his own. Horse's Neck, issued in May 1985, was a collection of short stories he'd written between 1979 and 1984, tackling subjects such as childhood, stardom and spirituality. As a result of his position with Faber and Faber, Townshend developed friendships with both Nobel prize-winning author of Lord of the Flies, Sir William Golding, and British Poet Laureate Ted Hughes. His friendship with Hughes led to Townshend's musical interpretation of Hughes's children's story The Iron Man, six years later, as The Iron Man: The Musical by Pete Townshend, released in 1989. Townshend has written several scripts spanning the breadth of his career, including numerous drafts of his elusive Lifehouse project, the last of which, co-written with radio playwright Jeff Young, was published in 1999. In 1978, Townshend wrote a script for Fish Shop, a play commissioned but not completed by London Weekend Television, and in mid-1984 he wrote a script for White City: A Novel which led to a short film. In 1989 Townshend began work on a novel entitled Ray High & The Glass Household, a draft of which was later submitted to his editor. While the original novel remains unpublished, elements from this story were used in Townshend's 1993 solo album Psychoderelict. In 1993, Townshend authored another book, The Who's Tommy, a chronicle of the development of the award-winning Broadway version of his rock opera. The opening of his personal website and his commerce site Eelpie.com, both in 2000, gave Townshend another outlet for literary work. (Eelpie.com was closed down in 2010.) Several of Townshend's essays have been posted online, including "Meher Baba—The Silent Master: My Own Silence" in 2001, and "A Different Bomb", an indictment of the child pornography industry, the following year. In September 2005, Townshend began posting a novella online entitled The Boy Who Heard Music as background for a musical of the same name. He posted a chapter each week until it was completed, and novella was available to read at his website for several months. Like Psychoderelict, it was yet another extrapolation of Lifehouse and Ray High & The Glass Household. In 1997 Townshend signed a deal with Little, Brown and Company publishing to write his autobiography, reportedly titled Pete Townshend: Who He? Townshend's creative vagaries and conceptual machinations have been chronicled by Larry David Smith in his book The Minstrel's Dilemma (Praeger 1999). After a lengthy delay, Townshend's autobiography, now titled Who I Am, was released 8 October 2012. The book ranked in the top 5 of The New York Times best seller list in October 2012.On 5 March 2019, Townshend announced that his debut novel, titled The Age of Anxiety, would be published on 5 November 2019 by Hodder & Stoughton imprint Coronet. Townshend called the work an "extended meditation on manic genius and the dark art of creativity." The novel will be accompanied by an opera, which is currently in development, with an art installation to follow. Spirituality In 1967 Townshend had begun to explore spirituality. Townshend swiftly absorbed all of Meher Baba's writings that he could find; by April 1968, he announced himself Baba's disciple. At about this time, Townshend, who had been searching the past two years for a basis for a rock opera, created a story inspired by the teachings of Baba and other writings and expressing the enlightenment he believed that he had received from them, which ultimately became Tommy.In interviews Townshend was more open about his beliefs, penning an article on Baba for Rolling Stone magazine in 1970 and stating that following Baba's teachings, he was opposed to the use of all psychedelic drugs, making him one of the first rock stars with counterculture credibility to turn against their use. Personal life Relationships Townshend met Karen Astley, daughter of film composer Edwin Astley, while in art school. They married on 20 May 1968 and moved into a three-bedroom townhouse in Twickenham in outer south-west London that overlooked the Thames. They have three children: Emma (born 1969), who is a gardening columnist, Aminta (born 1971), who works in film production, and Joseph (born 1989), who studied graphic design at Central St. Martins.Townshend and his wife separated in 1994. He has since been in a romantic relationship with arranger and musician Rachel Fuller, whom he secretly married in 2016. Townshend lived at The Wick, Richmond, London, England, but sold the house in August 2021 for more than £15 million. He also owns a house in Churt, Surrey, and in 2010 purchased a lease of part of the National Trust property Ashdown House in Oxfordshire. According to The Sunday Times Rich List his assets were worth £40 million as of 2009. Sexuality In a 1989 interview with radio host Timothy White, Townshend apparently acknowledged his bisexuality, referencing the song "Rough Boys" on his 1980 studio album Empty Glass. He called the song a "coming out, an acknowledgment of the fact that I'd had a gay life, and that I understood what gay sex was about." However, in a 1994 interview for Playboy, he said, "I did an interview about it, saying that 'Rough Boys' was about being gay, and in the interview I also talked about my 'gay life', which—I meant—was actually about the friends I've had who are gay. So the interviewer kind of dotted the t's and crossed the i's and assumed that this was a coming out, which it wasn't at all." Townshend later wrote in his 2012 autobiography Who I Am that he is "probably bisexual". Townshend also stated that he once felt sexually attracted to the Rolling Stones lead vocalist, Mick Jagger. Legal issues Townshend accepted a caution from the Metropolitan Police (the Met) as part of Operation Ore, a major investigation on child pornography conducted in 2002–2003. The Met stated that "it was established that Mr Townshend was not in possession of any downloaded child abuse images". Townshend was on a sex offenders register for five years, beginning in 2003, after admitting he had used his credit card to access a child pornography website. Townshend claimed he accessed the images as research in a campaign against child sexual abuse – specifically, to prove that British banks were complicit in channelling the profits from paedophile rings. Authorities could not prove that the website accessed by Townshend involved children, and no incriminating evidence was found on his personal computer. Hearing loss Townshend suffers from partial deafness and tinnitus, likely the result of noise-induced hearing loss from his extensive exposure to loud music. The Who were renowned as a very loud band in their live performances; some particular incidents include a Who concert at the Charlton Athletic Football Club, London, on 31 May 1976 that was listed as the "Loudest Concert Ever" by the Guinness Book of Records, where the volume level was measured at 126 decibels 32 metres from the stage. Townshend has also attributed the start of his hearing loss to Keith Moon's famous exploding drum set during the Who's 1967 appearance on The Smothers Brothers Comedy Hour.In 1989, Townshend gave the initial funding to allow the formation of the non-profit hearing advocacy group H.E.A.R. (Hearing Education and Awareness for Rockers). After the Who performed at half-time at Super Bowl XLIV, Townshend stated that he is concerned that his tinnitus has grown to such a point that he might be forced to discontinue performing with the band altogether. He told Rolling Stone, "If my hearing is going to be a problem, we're not delaying shows. We're finished. I can't really see any way around the issue." Neil Young introduced him to an audiologist who suggested he use an in-ear monitor, and although they cancelled their spring 2010 touring schedule, Townshend used the device at their one remaining London concert on 30 March 2010, to ascertain the feasibility of Townshend continuing to perform with the Who.In March 2011, Roger Daltrey said in an interview with the BBC that Townshend had recently experienced gradual but severe hearing loss and was now trying to save what remained of his hearing: "Pete's having terrible trouble with his hearing. He's got really, really bad problems with it...not tinnitus, it's deterioration and he's seriously now worried about actually losing his hearing". Referring to that, in July 2011, Townshend wrote at his blog: "My hearing is actually better than ever because after a feedback scare at the indigO2 in December 2008 I am taking good care of it. I have computer systems in my studio that have helped me do my engineering work on the forthcoming Quadrophenia release. I have had assistance from younger forensic engineers and mastering engineers to help me clean up the high frequencies that are out of my range. The same computer systems work wonderfully well on stage, proving to be perfect for me when the Who performed at the Super Bowl and doing Quadrophenia for TCT at the Royal Albert Hall in 2010. I'm 66, I don't have perfect hearing, and if I listen to loud music or go to gigs I do tend to get tinnitus". Political views In 1998, Townshend was named in a list of the biggest private financial donors to the UK Labour Party. He refused to let Michael Moore use "Won't Get Fooled Again" in Fahrenheit 9/11 (2004), saying that he watched Bowling for Columbine (2002) and was not convinced. In 1961 while in art school, Townshend joined the Young Communist League and was a prominent figure in their 1966 "Trend" recruitment campaign. In a 1974 Penthouse interview he stated that he recognised in practice he was a capitalist who was rewarded well for his work, but that his ideals were communist.In a widely reported 2012 interview with ABC, Townshend described himself jokingly as being "a bit of a neocon" stating that, "I like the idea of America as the world's police force. Then we don't have to do it. You guys sort it out."In a 2019 interview with The Times, Townshend revealed he was in favour of the United Kingdom remaining in the European Union, stating, "I'm a Remainer, he [Roger Daltrey] is a Brexiteer. I believe in God, he doesn't." Charity work Townshend has woven a long history of involvement with various charities and other philanthropic efforts throughout his career, both as a solo artist and with the Who. His first solo concert, for example, was a 1974 benefit show which was organised to raise funds for the Camden Square Community Play Centre. The earliest public example of Townshend's involvement with charitable causes was in 1968, when Townshend donated the use of his former Wardour Street apartment to the Meher Baba Association. The following year, the association was moved to another Townshend-owned apartment, the Eccleston Square former residence of his wife Karen. Townshend sat on a committee which oversaw the operation and finances of the centre. "The committee sees to it that it is open a couple of days a week, and keeps the bills paid and the library full", he wrote in a 1970 Rolling Stone article. In 1969 and 1972, Townshend produced two limited-release albums, Happy Birthday and I Am, for the London-based Baba association. This led to 1972's Who Came First, a more widespread release, 15 percent of the revenue of which went to the Baba association. A further limited release, With Love, was released in 1976. A limited-edition boxed set of all three limited releases on CD, Avatar, was released in 2000, with all profits going to the Avatar Meher Baba Trust in India, which provided funds to a dispensary, school, hospital and pilgrimage centre. In July 1976, Townshend opened Meher Baba Oceanic, a London activity centre for Baba followers, which featured film dubbing and editing facilities, a cinema and a recording studio. In addition, the centre served as a regular meeting place for Baba followers. Townshend offered very economical (reportedly £1 per night) lodging for American followers who needed an overnight stay on their pilgrimages to India. Townshend wrote in a 1977 Rolling Stone article: For a few years, I had toyed with the idea of opening a London house dedicated to Meher Baba. In the eight years I had followed him, I had donated only coppers to foundations set up around the world to carry out the Master's wishes and decided it was about time I put myself on the line. The Who had set up a strong charitable trust of its own which appeased, to an extent, the feeling I had that Meher Baba would rather have seen me give to the poor than to the establishment of yet another so-called 'spiritual center'. Townshend also embarked on a project dedicated to the collection, restoration and maintenance of Meher Baba-related films. The project was known as MEFA, or Meher Baba European Film Archive. Children's charities Townshend has been an active champion of children's charities. The debut of Townshend's stage version of Tommy took place at San Diego's La Jolla Playhouse in July 1992. The show was earmarked as a benefit for the London-based Nordoff-Robbins Music Therapy Foundation, an organisation which helps children with autism and intellectual disability. Townshend performed at a 1995 benefit organised by Paul Simon at Madison Square Garden's Paramount Theatre for the Children's Health Fund. The following year, Townshend performed at a benefit for the annual Bridge School Benefit, a California facility for children with severe speech and physical impairments, with concerts organised by Neil and Pegi Young. In 1997, Townshend established a relationship with Maryville Academy, a Chicago area children's charity. Between 1997 and 2002, Townshend played five benefit shows for Maryville Academy, raising at least $1,600,000. His 1998 album A Benefit for Maryville Academy was made to support their activities and proceeds from the sales of his release were donated to them. As a member of the Who, Townshend has also performed a series of concerts, beginning in 2000 to benefit the Teenage Cancer Trust in the UK, which raised several million pounds. In 2005, Townshend performed at New York's Gotham Hall for Samsung's Four Seasons of Hope, an annual children's charity fundraiser. In the same year, he donated a smashed guitar to the Pediatric Epilepsy Project.On 4 November 2011, Roger Daltrey and Townshend launched the Daltrey/Townshend Teen and Young Adult Cancer Program at the Ronald Reagan UCLA Medical Center in Los Angeles, to be funded by the Who's charity Who Cares. The launch, followed on 5 November by a fund-raising event, was also attended by Robert Plant and Dave Grohl. Drug rehabilitation Townshend has also advocated for drug rehabilitation. In a 1985 radio interview, he said: What I'm most active in doing is raising money to provide beds in clinics to help people that have become victims of drug abuse. In Britain, the facilities are very, very, very lean indeed ... although we have a national health service, a free medical system, it does nothing particularly for class A drug addicts – cocaine abusers, heroin abusers ... we're making a lot of progress ... the British government embarked on an anti-heroin campaign with advertising, and I was co-opted by them as a kind of figurehead, and then the various other people co-opted me into their own campaigns, but my main work is raising money to try and open a large clinic. The "large clinic" Townshend was referring to was a drug treatment facility in London that he and drug rehabilitation experimenter, Meg Patterson, had devised, but the plan failed to come to fruition. Two early 1979 concerts by the Who raised £20,000 for Patterson's Pharmakon Clinic in Sussex. Further examples of Townshend's drug rehabilitation activism took place in the form of a 1984 benefit concert (incidentally the first live performance of Manchester band the Stone Roses), an article he wrote a few days later for Britain's Mail on Sunday urging better care for the nation's growing number of drug addicts, and the formation of a charitable organisation, Double-O Charities, to raise funds for the causes he'd recently championed. Townshend also personally sold fund-raising anti-heroin T-shirts at a series of UK Bruce Springsteen concerts and reportedly financed a trip for former Clash drummer Topper Headon to undergo drug rehabilitation treatment. Townshend's 1985–86 band, Deep End, played two benefits at Brixton Academy in 1985 for Double-O Charities. Amnesty International In 1979 Townshend donated his services to the human rights organisation Amnesty International when he performed three songs for its benefit show The Secret Policeman's Ball – performances that were released on record and seen in the film of the show. Townshend's acoustic performances of three of his songs ("Pinball Wizard", "Drowned", and "Won't Get Fooled Again") were subsequently cited as forerunners and inspiration for the "unplugged" phenomenon in the 1990s.Townshend had been invited to perform for Amnesty by Martin Lewis, the producer of The Secret Policeman's Ball, who stated later that Townshend's participation had been the key to his securing the subsequent participation for Amnesty (in the 1981 sequel show) of Sting, Eric Clapton, Jeff Beck, Phil Collins and Bob Geldof. Other performers inspired to support Amnesty International in future Secret Policeman's Ball shows and other benefits because of Townshend's early commitment to the organisation include Peter Gabriel, Bruce Springsteen, David Gilmour and U2's lead singer Bono who in 1986 told Rolling Stone magazine: "I saw The Secret Policeman's Ball and it became a part of me. It sowed a seed...." Discography Solo albums Who Came First (1972) Rough Mix (1977) (with Ronnie Lane) Empty Glass (1980) All the Best Cowboys Have Chinese Eyes (1982) White City: A Novel (1985) The Iron Man: The Musical by Pete Townshend (1989) Psychoderelict (1993)Townshend also released several albums dedicated to his spiritual mentor Meher Baba, listed on the discography page. Guest appearances In 1968 Townshend helped assemble a band called Thunderclap Newman consisting of three musicians he knew: pianist Andy Newman (an old art school friend), drummer John "Speedy" Keen (who had written "Armenia City in the Sky" for the Who to record for their 1967 studio album The Who Sell Out) and teenage guitarist Jimmy McCulloch (later to join Wings). Townshend produced the band and played bass on their recordings under the tongue-in-cheek pseudonym "Bijou Drains". Their first recording was the single "Something in the Air", which became a number one hit in the UK and a substantial hit elsewhere in the world. Following this success, Townshend produced their sole album, Hollywood Dream.In 1971 Townshend, along with Keith Moon and Ronnie Lane, backed Mike Heron (of the Incredible String Band) on one song "Warm Heart Pastry" from Heron's first solo LP, Smiling Men with Bad Reputations. On the album notes, they are listed as "Tommy and the Bijoux". In 1984 Townshend contributed lyrics to the track "I'm the Answer" on his brother Simon's debut solo album, Sweet Sound. Townshend shares songwriting credit on two songs ("Love on the Air" and "All Lovers Are Deranged") on Pink Floyd guitarist David Gilmour's 1984 solo album About Face.Through much of 2005, Townshend recorded and performed alongside his girlfriend Rachel Fuller, a classically trained pianist and singer-songwriter.In 2006 Townshend opened a website for implementation of The Lifehouse Method based on his 1971 Lifehouse concept. This website was in collaboration with composer Lawrence Ball and software developer David Snowden, with instrumentation by Steve Hills. Applicants at the website could input data to compose a musical "portrait" which the musical team could then develop into larger compositions for a planned concert or series of concerts.Other appearances include: The Kids Are Alright with The Who, rockumentary, dir. by Jeff Stein (1979) "Because You're Young" with David Bowie on Scary Monsters (1980) Backing vocals on "Slave" with "The Rolling Stones" Tattoo You (1981) Acoustic guitar on "Ball and Chain" with Elton John on Jump Up! (1982) Backing vocals on "I'm the Answer" with Simon Townshend on Sweet Sound (1983) "Lonely at the Top" and "Hard Woman" with Mick Jagger on She's the Boss (1985) Guitar on "Town of Plenty" with Elton John on Reg Strikes Back (1988) Acoustic guitar with Prefab Sprout on "Hey Manhattan!" on From Langley Park to Memphis (1988) "Substitute" with the Ramones on Acid Eaters (1993) "Joy" and "Gun" with Mick Jagger on Goddess in the Doorway (2001) "Slow Burn" with David Bowie on Heathen (2002) "Angry" and "Move Over Busker" on Paul McCartney's Press to Play (1986) "Travelator" on Jean Michel Jarre's Electronica 1 – The Time Machine (2015) Bibliography The Story of Tommy (1977, Eel Pie Publishing) – with Richard Barnes Horse's Neck (1985, Faber and Faber) – short story collection The Who's Tommy (1993, Pantheon Books) The Who: Maximum R&B (2004, Plexus Publishing) – with Richard Barnes Who I Am (2012, HarperCollins) – autobiography The Age of Anxiety (2019, Coronet) – novel Awards BRIT Awards 1983 – Life Achievement Award Q Awards 1991 – Merit Award International Rock Awards 1991 – Living Legend Award Tony Award 1993 – Best Original Score (music & lyrics) – The Who's Tommy (tie) Grammy Awards 1994 – Best Musical Show Album (as composer and lyricist of The Who's Tommy) Q Awards 1998 – Songwriter Award Grammy Awards 2001 – Lifetime Achievement Award Ivor Novello Awards 2001 – Lifetime Achievement Award South Bank Show Award 2007 – Lifetime Achievement Award Honorary doctorate from University of West London, 2010 MOJO Awards 2008 – Hall of Fame MOJO Awards 2008 – Classic Songwriter Classic Album Award for Quadrophenia from the Classic Rock Roll of Honour Awards at The Roundhouse, 9 November 2011, London, England TEC Awards 2013 – Les Paul Award Stevie Ray Vaughan Award 2015 The George and Ira Gershwin Award 2016 – Lifetime Musical Achievement. American Academy of Achievement 2019 – Golden Plate Award. Townshend received his Golden Plate along with Roger Daltrey and presented by Awards Council member Peter Gabriel. Other lifetime honours 1990 Rock and Roll Hall of Fame 2005 UK Music Hall of Fame 2008 Kennedy Center Honors See also Guitar showmanship Citations General and cited references Giuliano, Geoffrey (2002). Behind Blue Eyes: The Life of Pete Townshend. Cooper Square Press. ISBN 978-1-46173-196-2. Howard, David (2004). Sonic Alchemy: Visionary Music Producers and Their Maverick Recordings. Hal Leonard Corporation. ISBN 978-0-634-05560-7. Marsh, Dave (1983). Before I Get Old: The Story of The Who. Plexus Publishing Ltd. ISBN 978-0-85965-083-0. Neill, Andrew; Kent, Matthew (2009). Anyway Anyhow Anywhere: The Complete Chronicle of The Who 1958–1978. Sterling Publishing. ISBN 978-0-7535-1217-3. Wilkerson, Mark (2006). Amazing Journey: The Life of Pete Townshend. Lulu.com. ISBN 978-1-411-67700-5. Wooldridge, Max (2002). Rock 'n' Roll London. Macmillan. ISBN 978-0-312-30442-3. Further reading Horses Neck by Pete Townshend Mariner Books 1985, new edition, (21 May 1998) ISBN 0-395-90559-1 ISBN 978-0-395-90559-3 The Who: Maximum R&B by Pete Townshend and Richard Barnes Plexus Publishing; 5th edition (27 September 2004) ISBN 0-85965-351-X ISBN 978-0-85965-351-0 Pete Townshend: A Minstrel's Dilemma by Larry David Smith Praeger Publishers (30 March 1999) ISBN 0-275-96472-8, ISBN 978-0-275-96472-6 Who Are You: The Life of Pete Townshend by Mark Ian Wilkerson Omnibus Press; 1st edition (30 November 2008) ISBN 1-84772-243-1 ISBN 978-1-84772-243-0 External links The Who's official web site Pete Townshend at AllMusic Pete Townshend discography at Discogs Pete Townshend at IMDb Pete Townshend at the Internet Broadway Database Pete Townshend's commercial Eelpie web site (Archived version; site was closed down in 2010) Pete Townshend interviewed on the Pop Chronicles (1970) In Love With Meher Baba (Townshend's 1970 Rolling Stone article) Passage 2: Alexander Courage Alexander Mair Courage Jr. (December 10, 1919 – May 15, 2008) familiarly known as "Sandy" Courage, was an American orchestrator, arranger, and composer of music, primarily for television and film. He is best known as the composer of the theme music for the original Star Trek series. Early life Courage was born in Philadelphia, Pennsylvania. He received a music degree from the Eastman School of Music in Rochester, New York, in 1941. He served in the United States Army Air Forces in the western United States during the Second World War. During that period, he also found the time to compose music for the radio. His credits in this medium include the programs Adventures of Sam Spade Detective, Broadway Is My Beat, Hollywood Soundstage, and Romance. Career Courage began as an orchestrator and arranger at MGM studios, which included work in such films as the 1951 Show Boat ("Life Upon the Wicked Stage" number); Hot Rod Rumble (1957 film); The Band Wagon ("I Guess I'll Have to Change My Plan"); Gigi (the can-can for the entrance of patrons at Maxim's); and the barn raising dance from Seven Brides for Seven Brothers. He frequently served as an orchestrator on films scored by André Previn (My Fair Lady, "The Circus is a Wacky World", and "You're Gonna Hear from Me" production numbers for Inside Daisy Clover), Adolph Deutsch (Funny Face, Some Like It Hot), John Williams (The Poseidon Adventure, Superman, Jurassic Park, and the Academy Award-nominated musical films Fiddler on the Roof and Tom Sawyer), and Jerry Goldsmith (Rudy, Mulan, The Mummy, et al.). He also arranged the Leslie Bricusse score (along with Lionel Newman) for Doctor Dolittle (1967).Apart from his work as a respected orchestrator, Courage also contributed original dramatic scores to films, including two westerns: Arthur Penn's The Left Handed Gun (1958) and André de Toth's Day of the Outlaw (1959), and the Connie Francis comedy Follow the Boys (1963). He continued writing music for movies throughout the 1980s and 1990s, including the score for Superman IV: The Quest for Peace (1987), which incorporated three new musical themes by John Williams in addition to Courage's adapted and original cues for the film. Courage's score for Superman IV: The Quest for Peace was released on CD in early 2008 by the Film Music Monthly company as part of its boxed set Superman - The Music, while La-La Land Records released a fully expanded restoration of the score on May 8, 2018, as part of Superman's 80th anniversary. Courage also worked as a composer on such television shows as Daniel Boone, The Brothers Brannagan, Lost in Space, Eight Is Enough, and Voyage to the Bottom of the Sea. Judd, for the Defense, Young Dr. Kildare and The Brothers Brannagan were the only television series besides Star Trek for which he composed the main theme. The composer Jerry Goldsmith and Courage teamed on the long-running television show The Waltons in which Goldsmith composed the theme and Courage the Aaron Copland-influenced incidental music. In 1988, Courage won an Emmy Award for his music direction on the special Julie Andrews: The Sound of Christmas. In the 1990s, Courage succeeded Arthur Morton as Goldsmith's primary orchestrator.Courage and Goldsmith collaborated again on orchestrations for Goldsmith's score for the 1997 film "The Edge." Courage frequently collaborated with John Williams during the latter's tenure with the Boston Pops Orchestra. Family At the age of 35, Courage married Mareile Beate Odlum on October 6, 1955. Mareile, born in Germany, was the daughter of Rudolf Wolff and Elisabeth Loechelt. After Wolff's suicide Elisabeth married Carl Wilhelm Richard Hülsenbeck, renowned for his involvement in the Dada movement in Europe. Hülsenbeck brought his wife (Elisabeth), son (Tom) and step-daughter (Mareile) to the United States in 1938 to avoid the political situation rapidly developing in Europe. After arriving in the US he changed his last name to Hulbeck. Mareile's marriage to Courage was her third. Her second marriage was to Bruce Odlum (son of financier Floyd Odlum) in 1944. That union produced two sons, Christopher (1947) and Brian (1949). When Courage married Mareile he accepted the responsibility of acting stepfather to them. The family originally lived together on Erskine Dr. in Pacific Palisades, but later moved to a mountainside home on Beverly Crest Drive in Beverly Hills. Aside from his musical abilities Courage was also an avid and accomplished photographer. He took many dramatic photos of bullfights and auto racing. He was a racing enthusiast, and his interest in that sport and photography brought him into contact with many racing personalities of the era, notably Phil Hill and Stirling Moss, both of whom he considered friends. Moss paid at least one social visit to the Erskine residence. Though a dedicated stepfather to Christopher and Brian, Courage's musical career took precedence over his familial responsibilities. He sought to interest his step-children in music, and was responsible for arranging Brian's first musical lessons, on alto saxophone. Later in life Brian became a composer of serious electronic music, though the vocation was not apparent during his childhood, as he was a poor saxophone student. Alexander and Mareile were divorced April 1, 1963. Courage subsequently married Kristin M. Zethren on July 14, 1967. That marriage also ended in divorce in 1972. Star Trek theme Courage is best known for writing the theme music for the original Star Trek series, and other music for that series. Courage was hired by Star Trek creator Gene Roddenberry to score the original series at Jerry Goldsmith's suggestion, after Goldsmith turned down the job. Courage went on to score incidental music for episodes "The Man Trap" and "The Naked Time" and some cues for "Mudd's Women." Courage reportedly became alienated from Roddenberry when Roddenberry claimed half of the theme music royalties. Roddenberry wrote words for Courage's theme, not because he expected the lyrics to be sung on television, but so that he (Roddenberry) could receive half of the royalties from the song by claiming credit as the composition's co-writer. Courage was replaced by composer Fred Steiner who was then hired to write the musical scores for the remainder of the first season. After sound editors had difficulty finding the right effect, Courage himself made the iconic "whoosh" sound heard while the Enterprise flies across the screen.He returned to Star Trek to score two more episodes for the show's third and final season, episodes "The Enterprise Incident" and "Plato's Stepchildren," allegedly as a courtesy to Producer Robert Justman. Notably, after later serving as Goldsmith's orchestrator, when Goldsmith composed the music for Star Trek: The Motion Picture, Courage orchestrated Goldsmith's adaptation of his original Star Trek theme. Following Star Trek: The Motion Picture, Courage's iconic opening fanfare to the Star Trek theme became one of the franchise's most famous and memorable musical cues. The fanfare has been used in multiple motion pictures and television series, notably Star Trek: The Next Generation and the four feature films based upon that series, three of which were scored by Goldsmith. Death Courage had been in declining health for several years before he died on May 15, 2008, at the Sunrise assisted-living facility in Pacific Palisades, California. He had suffered a series of strokes prior to his death. His mausoleum is in Westwood Village Memorial Park Cemetery. Passage 3: Walter Robinson (composer) Walter Robinson is an American composer of the late 20th century. He is most notable for his 1977 song Harriet Tubman, which has been recorded by folk musicians such as Holly Near, John McCutcheon, and others. He is also the composer of several operas. Passage 4: Alexandru Cristea Alexandru Cristea (1890–1942) was the composer of the music for "Limba Noastră", current national anthem of Moldova. Biography A choir director, a composer and music teacher. Taught at the "Vasile Kormilov" music school (1928) with Gavriil Afanasiu and the "Unirea" Conservatory (1927–1929) in Chişinău with Alexandru Antonovschi (canto), he was the master of vocal music from Chişinău (1920–1940), professor of music and conductor of the choir in the boys gymnasium "Ion Heliade Rădulescu" in București (1940–1941). Later, between 1941 and 1942, he directed the choir at the "Queen Mother Elena" high school from Chişinău. In 1920, he was ordained as a deacon of the St. George Church in Chişinău, from 1927 to 1941 was a deacon holds the Metropolitan Cathedral of Chişinău. Creation His main creation is considered the music for "Limba Noastră", current national anthem of Moldova, composed in the lyrics of the priest-poet Alexei Mateevici. He was awarded the “Răsplata muncii pentru biserică”. Passage 5: I'm One "I'm One" is a song by The Who. It was released on the group's 1973 rock opera album Quadrophenia. Written and sung by Pete Townshend, the song has since become a fan favorite. Background "I'm One" is one of the main moments of introspection spread throughout the narrative and also an indication that Jimmy, the main character of the album's story, may not be as Mod as he would wish to appear, given the way he asks a fellow Mod where he got his clothes (Mods would lose face asking another Mod where he obtained his clothes from). Pete Townshend said of the song's lyrical inspiration: When I was a nipper I felt that the guitar was all I had. I wasn't tough enough to be in a gang, I wasn't good-looking enough to be in with the birds, not clever enough to make it at school, not good enough on my feet to be good football player. I was a fucking loser. I think everyone feels that way at some point. And somehow being a Mod - even though I was too old to be a Mod really - I wrote this song with that in mind. Jimmy, the hero of the story, is thinking he hasn't got much going for him but at least he's one. The song features an acoustic opening followed by the rest of the band (excluding singer Roger Daltrey) joining in. "I'm One" was one of the ten original Quadrophenia tracks to appear in remixed form on the soundtrack to the Who's 1979 film Quadrophenia, which was based on the original rock opera. This version of the song also saw single release as the B-side to the 1979 remixed single release of "5.15." The song is featured on the soundtrack for Freaks and Geeks in the episode "Dead Dogs and Gym Teachers", which featured many of the Who's songs. Live performances This song was performed first on the band's original 1973-1974 Quadrophenia Tour, but it was never performed with Moon again afterwards. It made sporadic appearances in the 1981 (only once), 1982 (only the first verse; as an intro to "The Punk and the Godfather") and 1989 tours as well. It was then brought back for every concert on the 1996-1997 Quadrophenia Tour. Performances after that, from 2000 onward, were often performed by Pete Townshend alone on stage (although some feature the full band). Appearances The following Who albums and DVDs feature "I'm One": Quadrophenia Quadrophenia (soundtrack) Live at the Royal Albert Hall (with Eddie Vedder) The Who & Special Guests: Live at the Royal Albert Hall (with Eddie Vedder) Tommy and Quadrophenia Live Encore Series 2002 (certain concerts) Encore Series 2004 (one concert) Encore Series 2006 and 2007 (certain concerts) Quadrophenia Live in London Personnel Pete Townshend – lead vocals, guitar, keyboards John Entwistle – bass Keith Moon – drums In Popular Culture The song is featured in the Freaks and Geeks episode "Dead Dogs and Gym Teachers", in a montage where Bill Haverchuck eats and watches TV after school. Passage 6: Michelangelo Faggioli Michelangelo Faggioli (1666–1733) was an Italian lawyer and celebrated amateur composer of humorous cantatas in Neapolitan dialect. A founder of a new genre of Neapolitan comedy, he was the composer of the opera buffa La Cilla in 1706.

doc_81

Passage 1: The Man with the Glass Eye The Man with the Glass Eye (German: Der Mann mit dem Glasauge) is a 1969 West German crime film directed by Alfred Vohrer and starring Horst Tappert, Karin Hübner and Hubert von Meyerinck. It is part of Rialto Film's long-running series of Edgar Wallace adaptations.The film's sets were designed by the art directors Walter Kutz and Wilhelm Vorwerg. It was shot at the Spandau Studios and on location in West Berlin, Hamburg and London. Cast Passage 2: The Return of Pom Pom The Return of Pom Pom (Chinese: 雙龍出海) is a 1984 Hong Kong comedy film directed by Philip Chan and starring Richard Ng and John Shum. It is the second film in the Pom Pom film series which is a spin-off the Lucky Stars series. Plot Having been together for years, police officer Beethoven (John Shum) must find a new place to live as his friend and fellow officer Ng Ah Chow (Richard Ng) is marrying his fiancée Anna (Deanie Yip). Furthermore, the two officers are transferred to a new department run by fearsome Inspector Tien (James Tin Chuen). While here their former boss inspector Chan (Philip Chan) is set up after evidence is stolen by "The Flying Spider" (Lam Ching-ying), the two officers must track down the thief to prove Chan's innocence. Cast Richard Ng as officer Ng Ah Chiu John Shum as officer Beethoven Deannie Yip as Anna, Ng's love interest Lam Ching-Ying as The Flying Spider Philip Chan as Inspector Chan James Tin Chuen as Inspector Tien Passage 3: Mr. Boo Meets Pom Pom Mr. Boo Meets Pom Pom (Chinese: 智勇三寶) is a 1985 Hong Kong comedy film directed by Wu Ma and starring Richard Ng and John Shum. It is the third film in the Pom Pom film series which is a spin-off the Lucky Stars series. Plot Working at the police forensic department Mr Boo (Michael Hui) although absent-minded and scruffy is successful at his job. His beautiful wife (Terry Hu) begin to be courted by handsome billionaire Yang (Stuart Ong) and now Mr Boo must try to win back her love. While on a job involving a bank robbery he befriend detectives Chow (Richard Ng) and Beethoven (John Shum) who promise to help him with his love life. Cast Michael Hui as Mr. Boo Terry Hu as Mr. Boo's wife Richard Ng Yiu-Hon as officer Ng Ah Chiu John Shum Kin-Fun as officer Beethoven Deannie Yip Tak-Han as Anna, Ng's lover Stuart Ong as Yang Passage 4: The Man with the Fake Banknote The Man with the Fake Banknote or The Man with the Counterfeit Money (German: Der Mann mit der falschen Banknote) is a 1927 German silent crime film directed by Romano Mengon and starring Nils Asther, Vivian Gibson and Margarete Lanner.The film's art direction was by Robert A. Dietrich. Cast Nils Asther Vivian Gibson Margarete Lanner Sig Arno Philipp Manning Karl Platen Passage 5: Pom Pom Strikes Back Pom Pom Strikes Back is a 1986 Hong Kong comedy film directed by Wu Ma and starring Richard Ng and John Shum. It is the fourth and final film in the Pom Pom film series which is a spin-off the Lucky Stars series. Plot Police officers Chow (Richard Ng) and Beethoven (John Shum) are close friend who must protect a witness May (May Lo Mei Mei) after she witnesses a gangland murder. Meanwhile Beethoven mistakenly discovers that Chow is dying of cancer and sets out to make his last few months memorable. Cast Richard Ng as officer Ng Ah Chiu John Shum as officer Beethoven Deannie Yip as Mrs Anna Ng, Ng's wife May Lo Mei-Mei as May Passage 6: The Man with Two Faces (1975 film) The Man with Two Faces (Korean: 공포의 이중인간; RR: Gongpoui ijongingan) is a 1975 South Korean horror film. Cast Lee Ye-chun Kim Ok-jin Jin Bong-jin Passage 7: The Pom Pom Girls The Pom Pom Girls (also known as Palisades High) is a 1976 American film directed by Joseph Ruben. The screenplay was written by Ruben and based on a story by him and Robert J. Rosenthal. The movie was shot on location at Chaminade High School in Los Angeles. The Pom Pom Girls is a teensploitation film, female relationships and cheerleaders in locations that are "any town" American, and includes disobedient teens in a date movie with romance and sex, plenty of outdoor activities, stunts that are coordinated for actors and actresses, and indoor activities for a new audience. Plot A football player falls for a girl who is dating another guy, while another cannot figure out which girl he likes. The big game against rival Hardin High School is looming while a full scale prank war is underway. Production The modest profits of the prior exploitation/teensploitation film The Cheerleaders (1975) inspired The Pom Pom Girls writers with cheerleader themes and scenes. Easy Rider had an influence on the film, the huge success of that film had film makers like the scriptwriters Robert Rosenthal and Joseph Ruben, who is the director, include the theme of the value of freedom. Many shots and automobiles were included, drive-in restaurant, "suicide chicken" race, many scenes of nostalgia that was incorporated from the present day. Even a tagline was borrowed from a "50s picture", the exploitation film Rebel Without a Cause (1955). The tagline "How can anyone ever forget the girls who really turned us on?", is a promotional line and used in the film's cover art, and is to express nostalgia. Cast Robert Carradine as Johnnie Jennifer Ashley as Laurie Michael Mullins as Jesse Lisa Reeves as Sally Bill Adler as Duane James Gammon as Coach Susan Player as Su Ann Cheryl Smith (Credited as Rainbeaux Smith) as Roxanne Diane Lee Hart as Judy Sondra Lowell as Miss Pritchett Reception The film earned $4.3 million in rentals during its initial release. DVD This film has been issued on Too Cool For School: 12 Movie Collection from Mill Creek Entertainment September 29, 2009 and on The Starlite Drive-In Theater: (The Pom Pom Girls / The Van ) from BCI / Eclipse September 26, 2006 Passage 8: Alfred Vohrer Alfred Vohrer (29 December 1914 – 3 February 1986) was a German film director and actor. He directed 48 films between 1958 and 1984. His 1969 film Seven Days Grace was entered into the 6th Moscow International Film Festival. His 1972 film Tears of Blood was entered into the 8th Moscow International Film Festival. His 1974 film Only the Wind Knows the Answer was entered into the 9th Moscow International Film Festival. Selected filmography Passage 9: Joseph Ruben Joseph Porter Ruben (born May 10, 1950) is an American retired filmmaker. Movie career His earlier films, such as The Stepfather, have become cult classics. In the 1990s, he went to direct high-grossing mainstream films such as Sleeping with the Enemy starring Julia Roberts (which grossed over $150,000,000 at the box office), the controversial thriller The Good Son starring Macaulay Culkin and Elijah Wood, Money Train starring Woody Harrelson and Wesley Snipes, and Return to Paradise starring Vince Vaughn and Joaquin Phoenix. He frequently collaborates with film editor George Bowers. He has won awards at various film festivals for his films The Stepfather, True Believer, starring Robert Downey Jr. and James Woods, and Dreamscape, starring Dennis Quaid. His 2013 feature, Penthouse North, stars Michael Keaton and Michelle Monaghan. He will return to direct the serial killer thriller Jack after not working for six years. Ruben is also attached to direct the film The Politician's Wife written by Nicholas Meyer. The Ottoman Lieutenant was released around the period of the film The Promise, a film depicting the Armenian genocide. The perceived similarities between the films resulted in accusations that The Ottoman Lieutenant existed to deny the Armenian genocide. Filmography Passage 10: The Man with the Gun The Man with the Gun (Russian: Человек с ружьём, romanized: Chelovek s ruzhyom, lit. 'Person with a rifle') is a 1938 Soviet history drama film directed by Sergei Yutkevich. Plot The film takes place during the October Revolution, when the army is approaching the army of General Krasnov. Ivan Shadrin, a peasant who became a soldier, goes to Petrograd in order to convey a letter to Vladimir Lenin with questions that concern his comrades. Cast Maksim Shtraukh as Vladimir Lenin Mikheil Gelovani as Joseph Stalin (removed from cut version) Boris Tenin as Ivan Shadrin Vladimir Lukin as Nikolai Chibisov Zoya Fyodorova as Katya Faina Ranevskaya as mansion owner, séance psychic (uncredited) Boris Chirkov as Yevtushenko Nikolay Cherkasov as general Nikolai Sosnin as Zakhar Zakharovich Sibirtsev, millionaire Serafima Birman as Varvara Ivanovna, his wife Mark Bernes as Kostya Zhigilyov Stepan Kayukov as Andrei Dymov, sailor Pavel Sukhanov as Matushkin, captive Konstantin Sorokin as honor guard Nikolai Kryuchkov as Sidorov Pavel Kadochnikov as soldier with seeds Mikhail Yanshin as officer, séance guest Yuri Tolubeyev as revolutionary sailor Pyotr Aleynikov as soldier Vladimir Volchik as soldier Yelizaveta Uvarova as freeloader Vasili Vanin as general's batman

doc_82

Passage 1: The Bloom of Yesterday The Bloom of Yesterday (German: Die Blumen von gestern) is a 2016 German-Austrian comedy film directed by Chris Kraus. Cast Reception The film won the Grand Prize and the Audience Award at the 2016 Tokyo International Film Festival and subsequently won several awards and nominations. Martin Schwickert, of Zeit Online, said the dialogue had "almost Woody Allen's brilliance and speed." Passage 2: Shima (film) Shima is a 2007 film from Uzbekistan. Plot At the end of the Second World War, imperial Japanese fanaticism seals the fate of an island's inhabitants and its garrison, through a massacre, interrupting the love between a soldier and a fisherman's daughter. The daughter survives, but the other survivor Taro- a soldier cut off from all communication- continues to serve the emperor for another thirty years. Tormented in his dreams by memories and his secret aspiration for eternal peace. Taro is regularly 'inspected' by his former military inspector Yamada, who exploits the situation to entertain former Japanese officers, nostalgic of Imperial Japan, by luring visitors to the island through his War Veterans Association. The visitors are held captive and enrolled by Taro to serve in the army of the Great Emperor. For the sadistic pleasure of the former Japanese officers, Yamada organises "inspections" during which the new recruits must prove their devotion to the emperor by sacrificing their lives. Many years later Shintaro, the son of the fisherman's daughter, finds himself on the island after searching for his father. He learns his father disappeared on the island just before the massacre. He contacts Yamada through the War Veterans Association, who agrees to take him and others to the island. But once they arrive he abandons them and puts Taro in charge. For Shintaro and his comrades this means forced enrolment, military drills and suffering. After months of torture Shintaro and the other captives start to accept Taro's twisted sense of reality. The training intensifies as Taro prepares the recruits to fight a mysterious enemy. Cast Seidula Moldakhanov as Taro Mikhail Vodzumi as Shintaro Anvar Kenjaev as Yamada Influences Based on the true story of Lieutenant Hiroo Onoda, a Japanese holdout who did not surrender until 1974. During his service, it has been estimated that he killed about thirty people, including American soldiers and local police militia. Passage 3: Circus of Love Circus of Love (German: Rummelplatz der Liebe) is a 1954 drama film directed by Kurt Neumann and starring Eva Bartok, Curd Jürgens and Bernhard Wicki. It was made as a co-production between West Germany and the United States. It premiered at the Berlin International Film Festival. The film was shot at the Bavaria Studios in Munich and on location in the city. The film's sets were designed by the art directors Hans Kuhnert and Theo Zwierski. It was produced by King Brothers and released in West Germany by RKO Pictures. A separate English-language version Carnival Story was shot simultaneously. Cast Eva Bartok as Lilli Curd Jürgens as Toni Bernhard Wicki as Franz Robert Freitag as Richard Willi Rose as Karl Ady Berber as Groppo the Wildman Helene Stanley as Lore Jacob Möslacher as The Dwarf Josef Schneider as The Sword-swallower Amalie Lindinger as The Fat Lady Ly Maria as The Snake Lady Anni Trautner as The Bearded Lady Jadin Wong as The Chinese Dancer Passage 4: Dragon's Gold Dragon's Gold is a 1954 American crime film directed by Aubrey Wisberg and Jack Pollexfen and starring John Archer, Hillary Brooke and Philip Van Zandt. Plot Cast John Archer as Mack Rossiter Hillary Brooke as Vivian Crosby Noel Cravat as General Wong Kai Hai Philip Van Zandt as Sen Marvin Press as Cheng Dayton Lumis as Donald McCutcheon William Kerwin as Gene Passage 5: Kal: Yesterday and Tomorrow Kal: Yesterday and Tomorrow is a 2005 Indian Hindi-language thriller drama film written and directed by Ruchi Narain. Produced by Sudhir Mishra under Sudhir Mishra Productions, the film features an ensemble cast of Chitrangda Singh, Shiney Ahuja, Smriti Mishra, Ram Kapoor, Malaika Shenoy, Sarika and Boman Irani. Shantanu Moitra composed the soundtrack and Sneha Khanwalkar composed the title track and the background score. While Prakash Kutty and Ranjeet Bahadur handled cinematography and editing respectively. The film was premiered at 7th Osian's Cinefan Festival of Asian and Arab Cinema in July 2005 won Indian Critics’ Award and released on 16 September 2005. Plot Bhavna Dayal and Maya Jalan had been fellow collegians and close friends, both come from very wealthy families. Bhavna is in love with another ex-fellow collegian, Tarun Haksar, who also comes from a wealthy family, and is also in love with Bhavna. Their respective families' expect both to marry each other. However, Tarun and Maya suddenly announce their engagement, and get married, leaving a shocked and heart-broken Bhavna to deal with this situation on her own. She eventually breaks off all contact with her former lover and friend respectively. One night, several months later, a disturbed Tarun returns to her life and apartment, and stays there overnight. The next day she is shocked to find out that Maya has been shot dead, and the police suspect Tarun of killing her. The question remains if Tarun had spent the entire night with Bhavna, then who killed Maya, and further why did Tarun decide to return to Bhavna's life all of a sudden? Cast Reception Taran Adarsh writing for Bollywood Hungama gave 1 out of 5 stars stating, "Ruchi has a different style of narrating a story, but cinema such as KAL - YESTERDAY & TOMORROW is not everybody's cup of tea. It gets too complicated as it unfolds!". Passage 6: Cry Vengeance Cry Vengeance is a 1954 American film noir crime film directed by and starring Mark Stevens. The cast also includes Joan Vohs and Martha Hyer. It was produced by Lindsley Parsons and distributed by Allied Artists. Plot San Francisco ex-cop Vic Barron's family has died in a car bombing and he has been disfigured, framed and imprisoned when he crossed the wrong mobsters. After his release, he wants revenge on gangster Tino Morelli, whom he considers responsible. Morelli is hiding out in Ketchikan, Alaska. After his arrival there, Vic finds Morelli and Morelli's charming little daughter. With the help of tavern owner Peggy Harding, Barron discovers that Morelli did not order the bombing and that the true murderer was a hitman named Roxey. Harding also takes Barron on scenic tours of Alaska, hoping to calm his rage and make him realize that life is still worth living. Barron intends to kidnap Morelli's young daughter Marie as "leverage", but the little girl is so friendly toward him and blind to his disfigurement that he cannot go through with it. Morelli's death also cools his initial anger. Roxey, who has followed Barron, murders Morelli, but is wounded by Barron in a shootout, then falls from atop a dam. After saying farewell to Peggy and to Morelli's orphaned daughter, Barron travels back to San Francisco, but with a hint that he might return. Cast Mark Stevens as Vic Barron Martha Hyer as Peggy Harding Skip Homeier as Roxey Joan Vohs as Lily Arnold Douglas Kennedy as Tino Morelli Cheryl Callaway as Marie Morelli Mort Mills as Johnny Blue-eyes Warren Douglas as Mike Walters Lewis Martin as Nick Buda Don Haggerty as Lt. Pat Ryan John Doucette as Red Miller Dorothy Kennedy as Emily Miller Richard Deacon as San Francisco bartender (uncredited) Edward Clark as Pawnbroker (uncredited) Passage 7: The Dark Angel (1925 film) The Dark Angel is a 1925 American silent drama film, based on the play The Dark Angel, a Play of Yesterday and To-day by H. B. Trevelyan, released by First National Pictures, and starring Ronald Colman, Vilma Bánky (in her first American film), and Wyndham Standing. Plot During the First World War, Captain Alan Trent, while on leave in England with his fiancée Kitty Vane, is suddenly recalled to the front before being able to get a marriage license. Alan and Kitty spend a night of love at a country inn "without benefit of clergy" and he sets off. At the front things go badly for Alan, who is blinded and becomes a Prisoner of War after being captured by the Germans. He is reported dead, and his friend, Captain Gerald Shannon, discreetly woos Kitty, seeking to soothe her grief with his gentle love. After the war, however, Gerald discovers that Alan is still alive, in a remote corner of England, writing children's stories for a living. Loyal to his former comrade in arms, Gerald informs Kitty of Alan's reappearance. She goes to him, and Alan conceals his blindness and tells Kitty that he no longer cares for her. She sees through his deception, however, and they are reunited. Cast Reception The film has a 100% fresh rating on Rotten Tomatoes, based on 9 positive contemporary reviews.Mordaunt Hall's October 12, 1925, review for The New York Times conveys what made this film a compelling success 7 years after the end of the First World War. Preservation A print of The Dark Angel has been recently located in a film archive, so it is currently not considered a lost film. See also List of lost films Passage 8: A Kind of America A Kind of America (Hungarian: Valami Amerika) is a Hungarian comedy film from 2002. Plot The film is situated in Budapest, where the brothers Ákos, András, and Tamás live. Tamás is a director of video clips and commercials, but dreams of directing a feature film. He has written a script with the title 'The Guilty City', but has trouble financing the project. At his surprise, he receives an email from an American film producer named Alex Brubeck, who writes that he likes the script. Offering to pay half the budget, he wants to meet Tamás personally in Budapest to talk things through. With the help of his brothers Ákos, a successful manager and sex addict, and András, a failed poet, he does everything to impress the American producer. External links A Kind of America at IMDb Passage 9: Fireworks (1954 film) Fireworks (German: Feuerwerk) is a 1954 West German period musical comedy film directed by Kurt Hoffmann and starring Lilli Palmer, Karl Schönböck, and Romy Schneider. Palmer's rendition of the song "O mein Papa" became a major hit. It was Palmer's debut film in her native Germany, having spent many years in exile in Britain, and launched her career as a major star in the country. The film is based on the 1950 stage musical Das Feuerwerk partly written by Erik Charell. It was made at the Bavaria Studios in Munich and on location in Switzerland. The film's sets were designed by the art director Werner Schlichting. It is a circus film set at the beginning of the twentieth century. Cast Passage 10: Morena Clara Morena Clara is a 1954 film directed by Luis Lucia starring Lola Flores and Fernando Fernán Gómez. Plot The film begins by depicting the fabled tale of how the gypsies came to be. According to folklore gypsies are descendants of an Egyptian pharaoh. In the film, actors are dressed in ancient Egyptian costumes as they dance to flamenco music. As the story continues, the gypsies are run out of their lands and are forced to live nomadic lives, stealing and thieving as a means to survive. The Monty Pythonesque history lesson then continues to present the protagonists’ ancestors and the scene that drives the rest of the film: Trinidad’s (Lola Flores) ancestor places a spell on Enrique’s (Fernando Fernán Gómez) ancestor that will cause his descendant to fall in madly in love with her descendant. The story continues to the present day, that is to say the 1950s, where Trinidad and her uncle Regalito (Miguel Ligero) are charged with stealing six hams from a shop window. This scene presents some of the most entertaining banter in the entire film as Trinidad and Regalito argue their innocence with very matter-of-fact language and mannerisms common to Andalusian gypsies. Their witty mockery, while creating uproars of laughter from the courtroom audience, causes the judges to grow more infuriated with the pair. It is then that Enrique, a lawyer, steps in to defend Trinidad and Regalito. After much deliberation, the two gypsies, after having to pay a fee, are set free. The fee they are required to pay forces Trinidad to find employment. Coincidentally, she finds a job as a maid in Seville at the home of Enrique, the lawyer. Instead of dismissing Trinidad, Enrique decides to make her part of an experiment he plans to conduct. His experiment is to see if he can turn Trinidad from a thieving gypsy into a functioning member of Spanish society. He plans to track change in his Pygmalion-like experiment by playing a song and seeing how she reacts to it. The more refined she becomes, the less she should react to the folkloric music. Trinidad’s reaction to Enrique’s statement, while humorous, presents the moral of the story: she tells him that the spirit of a gypsy is something that no one can tame and that, even though she will try because he has asked her to do this for him, it is an impossible task. Fitted with new, modern clothing, Trinidad’s reaction to the music is a romping performance full of beautiful arm movements and earth-shaking stomps. Trinidad’s performance is so spell binding that, not only is Enrique entranced, but her impromptu tune is so catchy that he hums along to it the very next morning. As the months go by, Enrique’s experiment grows more futile as Trinidad’s charisma wins him over. As Enrique’s coworker sees how entranced he has become by her, he plots to convince Trinidad to leave with the pretense that Enrique’s career might be jeopardized by her presence in his household. Trinidad instantly decides to leave as the last thing she wants to do is hurt Enrique. She makes the decision to say goodbye to him by performing a song dedicated to him. In an emotionally driven performance, Trinidad performs a powerful rendition of “Te Lo Juro Yo,” quickly leaving as soon as the song is done. In the end, Enrique tracks down Trinidad and declares his love for her. Cast Lola Flores Fernando Fernán Gómez Miguel Ligero Manuel Luna Julia Lajos Ana Mariscal Julia Caba Alba Francisco Pierrá Themes Morena Clara, while primarily a comedic movie, deals with issues such as poverty, sexism, socioeconomic discrimination against gypsies, dispelling of the gypsy stereotype, and of course, love.

doc_83

Passage 1: Hiding Place The Hiding Place or Hiding Place may refer to: Film The Hiding Place (Playhouse 90), March 22, 1960 episode of American TV series; based on Robert Shaw's 1959 novel The Hiding Place (film), 1975 American drama based on the 1971 book by Corrie ten Boom The Hiding Place, 2000 American drama starring Kim Hunter and Timothy Bottoms, from the play by Mitch Giannunzio The Hiding Place, 2008 American drama by Jeff Whitty Literature The Hiding Place, 1959 British novel by Robert Shaw The Hiding Place (biography), 1971 memoir by Corrie ten Boom, who hid Dutch Jews during WWII Hiding Place (Wideman novel), 1981 middle volume of "Homewood Trilogy" by American John Edgar Wideman The Hiding Place (Azzopardi novel), 2000 Welsh Booker Prize shortlist The Hiding Place (Bell novel), 2012 American mystery Music Hiding Place (band), Scottish rock band, active from 2004 to 2007 Hiding Place (Selah album), 2004 Hiding Place (Don Moen album), 2006 Hiding Place (Tori Kelly album), 2018 See also No Hiding Place, 1959–1967 British police detective TV series Hiding Places, 2019 American album by Brooklyn rapper Billy Woods Passage 2: Hotel Reserve Hotel Reserve is a 1944 British spy film starring James Mason as an innocent man caught up in pre-Second World War espionage. Other cast members include Lucie Mannheim, Raymond Lovell and Herbert Lom. It was based on Eric Ambler's 1938 novel Epitaph for a Spy. Unusually, it was both directed and produced by a trio: Lance Comfort, Mutz Greenbaum and Victor Hanbury. It was shot at Denham Studios with sets designed by the art director William C. Andrews. The film was produced and distributed by the British branch of RKO Pictures. Plot In 1938, refugee Peter Vadassy decides to take a holiday at the Hotel Reserve to celebrate both his completion of medical school and his impending French citizenship. When he goes to pick up some photographs at the local pharmacy, he is taken away and questioned by Michel Beghin of French naval intelligence. When his negatives had been developed, some of them turned out to be of French military installations. It is discovered that while the camera is the same make as Peter's, the serial number is different. Peter is released on condition that he find out which other hotel guests have cameras like his. Peter does some snooping and eavesdrops on a suspicious conversation between Paul Heimberger and the hotel's proprietor, Madame Suzanne Koch. He searches Heimberger's room and finds several passports, all with different names and nationalities. Heimberger catches him in the act, but eventually matters are straightened out. Heimberger explains that he was originally a Social Democratic newspaper publisher who was anti-Nazi and been sent to a concentration camp for two years. After he was released, he joined an underground movement against the German regime. Peter spots his camera in the pocket of a dressing-gown belonging to Odette and Andre Roux, a couple on their honeymoon. Andre first tries to bribe Peter into giving him the negative and, when that fails, threatens him with a pistol. The police arrive at that moment and arrest Peter for espionage. The Rouxs leave the hotel, but find Heimberger trying to disable the hotel's car. Andre shoots him dead and the couple speed off to Toulon, unaware that they are being tracked by the police. Beghin had known the identity of the spies all along and merely used Peter to further his true goal; to find out who the Rouxs are reporting to. The spy ring is captured. Andre gets away, but is caught on a roof by Peter. Andre slips and falls to his death. Cast James Mason as Peter Vadassy Lucie Mannheim as Madame Suzanne Koch Raymond Lovell as Robert Duclos, a hotel guest given to exaggeration Julien Mitchell as Michel Beghin Herbert Lom as Andre Roux Martin Miller as Walter Vogel Clare Hamilton as Mary Skelton, a hotel guest who is attracted to Peter. A sister of Maureen O'Hara, her real name was Florrie Fitzsimons. This was her only film appearance. Frederick Valk as Emil Schimler, alias Paul Heimberger Patricia Medina as Odette Roux Anthony Shaw as Major Anthony Chandon-Hartley, a guest Laurence Hanray as Police Commissioner (as Lawrence Hanray) David Ward as Henri Asticot, a guest Valentine Dyall as Warren Skelton Joseph Almas as Albert, the waiter (as Josef Almas) Patricia Hayes as Servant (waitress) Hella Kürty as Hilda Vogel Ivor Barnard as P. Molon, the pharmacist Ernst Ulman as Detective in Black Suit Critical reception The Radio Times noted, "this subdued thriller, set just before the Second World War, is lifted by James Mason's performance as a 'wronged man'," and concluded, "The plot has enough suspense and intrigue built in, but this movie only fitfully comes to life as Mason sets out discover who the real villain is"; Dennis Schwartz found it "a visually attractive film, though hampered because it's so slow moving"; whereas Leonard Maltin thought more highly of the piece, finding it a "Suspenseful, moody film." Passage 3: The Hiding Place (film) The Hiding Place is a 1975 film based on the autobiographical book of the same name by Corrie ten Boom that recounts her and her family's experiences before and during their imprisonment in a Nazi concentration camp during the Holocaust during World War II. The film was directed by James F. Collier. Jeanette Clift George received a Golden Globe nomination for Most Promising Newcomer - Female. The film was given limited release in its day and featured the last appearance from Arthur O'Connell. Cast Jeannette Clift as Corrie ten Boom Julie Harris as Betsie ten Boom Arthur O'Connell as Casper ten Boom, 'Papa' Robert Rietti as Willem ten Boom Pamela Sholto as Tine Paul Henley as Peter ten Boom Richard Wren as Kik ten Boom Broes Hartman as Dutch Policeman Lex van Delden as Young German Officer Tom van Beek as Dr. Heemstra Nigel Hawthorne as Pastor De Ruiter John Gabriel as Professor Zeiner Edward Burnham as Underground Leader Cyril Shaps as Building Inspector Smit Forbes Collins as Mason Smit Eileen Heckart as Katje Reviews One review noted that the performers’ “Dutch accents sound quite Swedish on occasion.” See also List of American films of 1975 List of Holocaust films Passage 4: The Wonderful World of Captain Kuhio The Wonderful World of Captain Kuhio (クヒオ大佐, Kuhio Taisa, lit. "Captain Kuhio") is a 2009 Japanese comedy-crime film, directed by Daihachi Yoshida, based on Kazumasa Yoshida's 2006 biographical novel, Kekkon Sagishi Kuhio Taisa (lit. "Marriage swindler Captain Kuhio"), that focuses on a real-life marriage swindler, who conned over 100 million yen (US$1.2 million) from a number of women between the 1970s and the 1990s.The film was released in Japan on 10 October 2009. Cast Masato Sakai - Captain Kuhio Yasuko Matsuyuki - Shinobu Nagano Hikari Mitsushima - Haru Yasuoka Yuko Nakamura - Michiko Sudo Hirofumi Arai - Tatsuya Nagano Kazuya Kojima - Koichi Takahashi Sakura Ando - Rika Kinoshita Masaaki Uchino - Chief Fujiwara Kanji Furutachi - Shigeru Kuroda Reila Aphrodite Sei Ando Awards At the 31st Yokohama Film Festival Best Actor – Masato Sakai Best Supporting Actress – Sakura Ando Passage 5: Coney Island Baby (film) Coney Island Baby is a 2003 comedy-drama in which film producer Amy Hobby made her directorial debut. Karl Geary wrote the film and Tanya Ryno was the film's producer. The music was composed by Ryan Shore. The film was shot in Sligo, Ireland, which is known locally as "Coney Island". The film was screened at the Newport International Film Festival. Hobby won the Jury Award for "Best First Time Director". The film made its premiere television broadcast on the Sundance Channel. Plot After spending time in New York City, Billy Hayes returns to his hometown. He wants to get back together with his ex-girlfriend and take her back to America in hopes of opening up a gas station. But everything isn't going Billy's way - the townspeople aren't happy to see him, and his ex-girlfriend is engaged and pregnant. Then, Billy runs into his old friends who are planning a scam. Cast Karl Geary - Billy Hayes Laura Fraser - Bridget Hugh O'Conor - Satchmo Andy Nyman - Franko Patrick Fitzgerald - The Duke Tom Hickey - Mr. Hayes Conor McDermottroe - Gerry David McEvoy - Joe Thor McVeigh - Magician Sinead Dolan - Julia Music The film's original score was composed by Ryan Shore. External links Coney Island Baby (2006) at IMDb MSN - Movies: Coney Island Baby Passage 6: C.J. Tudor C.J. Tudor is a British author whose books include The Chalk Man and The Hiding Place (The Taking of Annie Thorne). She was born in Salisbury, England but grew up in Nottingham, where she still lives. The Chalk Man The Chalk Man was published in January 2018 by Crown Publishing. Reviews were mixed. The Sun said "[Tudor] weaves a complex and captivating story in her first novel.". The Irish Independent said the book "has an intriguing and creepy premise - but ultimately falls apart after a series of improbable, shading to outlandish, plot twists." The book received the 2019 Barry Award for Best First Novel. The Sixth A book which to be called "The Sixth" was planned in 2022. But with a difficult 12 months between 2020 and 2021, a manuscript was written (approximately 86,000 words) and submitted to the publisher. Unhappy with the result, Tudor got a return from her editor that the book didn't work and needed a complete re-write. Not willing to do the job, Tudor preferred to offer a new book to be published in January 2023 and her publisher will instead publish her first short story collection in Autumn 2022. Bibliography Books The Chalk Man The Taking of Annie Thorne (The Hiding Place) The Other People The Burning Girls “A Sliver of Darkness” “The Drift” Short stories The Man in the Box-Included in "The Other People" audiobook The Lion at the Gate-Included in "The Other People" audiobook The February House-Included in "The Other People" audiobook Butterfly Island in After Sundown anthology Passage 7: Return to the Hiding Place Return to the Hiding Place is a 2013 film based upon the factual accounting of Hans Poley's World War II encounter with Corrie ten Boom, her involvement in the Dutch resistance and the wartime harboring of Jewish refugees. A non-Jewish fugitive after he refused to pledge his allegiance to the Nazis, Poley was the first person hidden from the Nazis in the Ten Boom House, which is today a museum in Haarlem, Netherlands. The film is adapted, in part, from Poley's book, Return to the Hiding Place (1993), personal recollections, relayed to screenwriter Dr. Peter C. Spencer, and research from the Dutch National Archives. The film is neither a prequel nor is it a sequel to the 1975 film The Hiding Place, instead, it is a congruent accounting of the Dutch underground's resistance efforts from Poley's perspective. It was directed by Peter C. Spencer and starred John Rhys-Davies, Mimi Sagadin and Craig Robert Young. Background On May 15, 1940, German occupation of the Netherlands begins with the nation's surrender, food and materials are rationed and evening curfews are imposed, gradually tightening from 10:00 p.m. to 6:00 a.m. Persecution of the Jewish population also is gradually implemented, starting with the requirement of wearing a yellow star bearing the word "Jew" and attacks against Jewish businesses and places of worship and culminating in the mass transport of Jewish citizens to unknown locations. Conspiracy theories begin to emerge on the fate of those being transported to the concentration camps.Corrie ten Boom (15 April 1892 – 15 April 1983) and her family are actively involved in the Dutch underground, invite the persecuted to live in their home and create a hidden room to conceal them during searches. Hans Poley, a young Christian, is the first guest and benefactor of the ten Boom family's extraordinary hospitality in May 1943.Poley's persecution begins with his refusal to sign the Nazi Manifesto, which reads in part: 23. We demand legal opposition to known lies and their promulgation through the press. In order to enable the provision of a German press, we demand, that:a. All writers and employees of the newspapers appearing in the German language be members of the race; b. Non-German newspapers be required to have the express permission of the State to be published. They may not be printed in the German language; c. Non-Germans are forbidden by law any financial interest in German publications, or any influence on them, and as punishment for violations the closing of such a publication as well as the immediate expulsion from the Reich of the non-German concerned. Publications that are counter to the general good are to be forbidden. We demand legal prosecution of artistic and literary forms which exert a destructive influence on our national life, and the closure of organizations opposing the above-made demands.24. We demand freedom of religion for all religious denominations within the state so long as they do not endanger its existence or oppose the moral senses of the Germanic race. The Party as such advocates the standpoint of a positive Christianity without binding itself confessionally to any one denomination. It combats the Jewish-materialistic spirit within and around us, and is convinced that a lasting recovery of our nation can only succeed from within the framework: The good of the state before the good of the individual.25. For the execution of all of this we demand the formation of a strong central power in the Reich. Unlimited authority of the central parliament over the whole Reich and its organizations in general. The forming of state and profession chambers for the execution of the laws made by the Reich within the various states of the confederation. The leaders of the Party promise, if necessary by sacrificing their own lives, to support the execution of the points set forth above without consideration. Cast Cast overview, first billed only: Filming locations Haarlem, North Holland, Netherlands Holland, Michigan, USA Manistee, Michigan, USA Awards See also Return to the Hiding Place, by Hans Poley, Lifejourney Books (1993) ISBN 0781409322 The Hiding Place, a 1971 autobiography by Corrie ten Boom The Hiding Place, a 1975 film based on the book by Corrie ten Boom Passage 8: Reserve Reserve or reserves may refer to: Places Reserve, Kansas, a US city Reserve, Louisiana, a census-designated place in St. John the Baptist Parish Reserve, Montana, a census-designated place in Sheridan County Reserve, New Mexico, a US village Reserve, Wisconsin, a census-designated place in the town of Couderay Reserve Mines, a community in Cape Breton Regional Municipality, Nova Scotia, Canada Auctions Auction reserve, a minimum amount of money bid required for a sale, e.g., in an English auction No-reserve auction (NR), also known as an absolute auction, an auction in which the item for sale will be sold regardless of price Economics and finance Reserve (accounting), any part of shareholders' equity, except for basic share capital Actuarial reserves, a liability equal to the present value of the future expected cash flows of a contingent event Bank reserves, holdings of deposits in central banks plus currency that is physically held in bank vaults Foreign-exchange reserves, the foreign currency deposits held by central banks and monetary authorities Reserve currency, a currency which is held in significant quantities as part of foreign exchange reserves Mineral reserve, natural resources that are economically recoverable Official gold reserves, gold held by central banks as a store of value Reserve study, a long-term capital budget planning tool Land management Game reserve, land set aside for maintenance of wildlife, for tourism or hunting Indian reserve, a tract of land reserved for the use and benefit of a band Indian colony, the concept in the United States Indian reservation, equivalent concept in the United States Indian reserve, equivalent concept in Canada Urban Indian reserve, equivalent concept in Canada Nature reserve, a protected area of importance for wildlife, flora, fauna or features of geological or other special interest Open space reserve, an area of protected or conserved land or water on which development is indefinitely set aside Military Military reserve, military units not initially committed to battle Military reserve force, a military organization composed of citizens who combine a military role with a civilian career Reserve fleet, a collection of partially or fully decommissioned naval vessels not currently needed. Sports Reserve (sport), a player not in the starting lineup Injured reserve list, a list of injured players temporarily unable to play Reserve clause, part of a player contract in North American professional sports Reserve team, the second team fielded by a sports club Other uses Aboriginal reserve, historical government-run settlement in Australia Course reserve, library materials reserved for particular users Dynamic reserve, the set of metabolites that an organism can use for metabolic purposes Fuel reserve, an extra fuel tank, or extra fuel in the main fuel tank Injury Reserve, an Arizona hip hop trio formed in 2013 Reserve Police Officers, auxiliary police officers Reserve power, a power that may be exercised by the head of state without the approval of another branch of the government Reserve wine, a wine that is specially designated Reserved, a Polish clothing store chain Stockpile, a reserve of bulk materials for future use See also Hold Layaway Native Reserve (disambiguation) Preserve (disambiguation) Reserva (disambiguation) Reservation (disambiguation) Reservoir (disambiguation) Western Reserve (disambiguation) All pages with titles beginning with Reserve All pages with titles containing Reserve Passage 9: Situation Hopeless... But Not Serious Situation Hopeless... But Not Serious is a 1965 oddball comedy film shot in black and white directed by Gottfried Reinhardt and starring Alec Guinness, Mike Connors and Robert Redford. It is based on the 1960 novel The Hiding Place by Robert Shaw. The title is a derived from Viennese Alfred Polgar's quip, "The situation is desperate but not serious." Plot On 27 November 1944, during World War II, two American fliers, Captain Hank Wilson and Sergeant Lucky Finder, have to bail out over Germany. They land in the small town of Altheim, where Wilhelm Frick reads his horoscope and it says an exciting change will happen that day. In town, the fliers hide in Frick's cellar. He initially locks them in and is going to inform the authorities when one claims German descent and he softens. They sing German songs together. Frick decides to hide them from the authorities. He leaves them locked there and goes to his job as the pharmacist's assistant at Drogerie Neusel. His boss listens to the radio regarding the Allied advance: the Germans have lost Aachen ... the end of the war is close. American troops march through Altheim outside Frick's work. The two Americans (Finder and Wilson) share the cellar with Frick's cats. They get hobbies: one sketching cartoons while the other does metalwork, which enables him to make a lockpick and they unlock themselves just as Frick returns. Finder has Frick's gun and turns it on him. They debate what will happen if they leave. He convinces them to stay. To ensure they stay, he puts them in shackles while they sleep. He tells them they must stay until the end of the war. He gives them the key to unlock themselves. He brings them a very pretty little Christmas tree. The story then jumps to VE Day (May 1945) with Frick listening to the radio announcement regarding the end of the war. The two have to reshackle themselves when Frick brings them food. On VE Day, he brings a large bottle of 10 year old Swiss kirsch and is about to tell them the news. By the third tumbler of kirsch, Frick is spilling as he pours and all are singing. Frick offers to give them cushions, books... and sunshine. Frick's boss is arrested as a Nazi sympathiser. Finder grows a long beard. Outside, this part of Germany comes under American occupation. Frick tries to barter for extra supplies from the local American quartermaster. In his struggle to keep them entertained, Frick lets slip some Americanisms and Finder queries how he knows them. Frick gives them a false history of the war and simply says that the Americans have captured Strasbourg. He gives them an orange stamped with the word California and they become suspicious. Struggling to explain, he distracts them by saying Paris is totally destroyed. Finder demands a woman and Frick starts to search. He peers in the window of the Daffodil Club and gets invited inside. Inside, he meets Lissie, a madam, who offers him a choice of girls at the bar. He prefers to use her and starts to explain things to her. His conversation in her back office worries her so much that she presses her silent alarm and he gets thrown out. Frick seems to go a bit crazy and is put in a hospital, but security is lax and he steals a bike and goes home. His house is dilapidated... it is unclear how long he has been gone. He unlocks the men. Two police appear outside (for the stolen bike). They ask if Switzerland is still neutral. Finder steals Frick's luger pistol and runs off into the night. The police pursue him presuming he is a robber. In daylight, the two men end in an old ruined castle above a river. The police still pursue them. Frick appears and stops a shooting. Next, the two Americans are hiding in large pipes. They find a scrap of newspaper discussing President Truman and the Iron curtain. The authorities investigate Frick's house and conclude he has had two people imprisoned. The two men try to steal a small boat and are spotted by Wanda, the daughter of the owner. She presumes they have escaped from the American stockade. She invites them in for a "crazy time". They pay $750 to be taken over the Rhine and offer $1000 for a telephone. A boat of SS troops appears - but they are making a movie. They start to realise things are not as they think. A fist fight starts and spreads through the crowd. The game is up and the two fly back to San Francisco. It is Christmas and they are in a bar getting drunk. Frick appears at the window. Frick ends serving drinks at their party. Cast Alec Guinness as Wilhelm Frick Mike Connors as Sgt. Lucky Finder Robert Redford as Captain Hank Wilson Paul Dahlke as Herr Neusel Frank Wolff as Randall the Quartermaster Sergeant Anita Höfer as Edeltraud Mady Rahl as Lissie Elisabeth von Molo as Wanda John Briley as Sergeant (uncredited) Carola Regnier as Senta (uncredited) See also List of American films of 1965 Wake Me When the War Is Over, a 1969 TV film with a similar plot Passage 10: The Hiding Place The Hiding Place or Hiding Place may refer to: Film The Hiding Place (Playhouse 90), March 22, 1960 episode of American TV series; based on Robert Shaw's 1959 novel The Hiding Place (film), 1975 American drama based on the 1971 book by Corrie ten Boom The Hiding Place, 2000 American drama starring Kim Hunter and Timothy Bottoms, from the play by Mitch Giannunzio The Hiding Place, 2008 American drama by Jeff Whitty Literature The Hiding Place, 1959 British novel by Robert Shaw The Hiding Place (biography), 1971 memoir by Corrie ten Boom, who hid Dutch Jews during WWII Hiding Place (Wideman novel), 1981 middle volume of "Homewood Trilogy" by American John Edgar Wideman The Hiding Place (Azzopardi novel), 2000 Welsh Booker Prize shortlist The Hiding Place (Bell novel), 2012 American mystery Music Hiding Place (band), Scottish rock band, active from 2004 to 2007 Hiding Place (Selah album), 2004 Hiding Place (Don Moen album), 2006 Hiding Place (Tori Kelly album), 2018 See also No Hiding Place, 1959–1967 British police detective TV series Hiding Places, 2019 American album by Brooklyn rapper Billy Woods

doc_84

Passage 1: Yan Yan (Three Kingdoms) Yan Yan (fl. 211–214 A.D.) was a Chinese military general and politician who served under Liu Zhang, the Governor of Yi Province (covering present-day Sichuan and Chongqing), during the late Eastern Han dynasty of China. Although there is very little information about Yan Yan in historical records, he is given a much prominent role in the 14th-century historical novel Romance of the Three Kingdoms as a general who initially serves under Liu Zhang before switching allegiance to Liu Bei later. Life Yan Yan was from Linjiang County (臨江縣), Ba Commandery (巴郡), which is around present-day Zhong County, Chongqing. He served as a military officer in Ba Commandery under Liu Zhang, the Governor of Yi Province (covering present-day Sichuan and Chongqing); Ba Commandery was one of the commanderies in Yi Province. In 211, Liu Zhang invited the warlord Liu Bei to lead his troops into Yi Province to help him counter the threat posed by his rival, Zhang Lu, in Hanzhong Commandery. When Yan Yan heard about it, he remarked: "This is equivalent to sitting on an isolated hill and setting a tiger free to protect oneself!"Around 212, conflict broke out between Liu Zhang and Liu Bei when the latter turned against his host and tried to seize control of Yi Province. In 214, Liu Bei summoned reinforcements from his base in Jing Province to enter Yi Province and assist him in attacking Liu Zhang. Zhang Fei, a general under Liu Bei, led troops to attack Jiangzhou (江州; around present-day Yuzhong District, Chongqing), which was defended by Yan Yan. Zhang Fei defeated Yan Yan, captured him alive, and asked him: "When my army showed up, why did you put up resistance instead of surrendering?" Yan Yan replied: "You people launched an unwarranted attack on my home province. There may be generals in my province who will lose their heads, but there are none who will surrender." Zhang Fei was enraged and he ordered Yan Yan's execution. Yan Yan remained expressionless and said: "If you want to chop off my head, then do it! What's with that outburst of anger?" Zhang Fei was so impressed with Yan Yan's courage that he released him and treated him like an honoured guest. Nothing was recorded in history about Yan Yan from this point onwards. In Romance of the Three Kingdoms Yan Yan has a greater role as a character in the 14th-century historical novel Romance of the Three Kingdoms, which romanticises the events before and during the Three Kingdoms period. In Chapter 63 of the novel, as in history, he is defeated and captured by Zhang Fei, who initially wants to execute him but changes his mind and spares him after feeling impressed with Yan Yan's strong sense of loyalty. Zhang Fei also manages to convince Yan Yan to switch his allegiance to Liu Bei. Yan Yan appears again later in Chapters 70 and 71, when he joins Huang Zhong to attack Cao Cao's forces at the Battle of Mount Dingjun. See also Lists of people of the Three Kingdoms Notes Passage 2: Marco Bortolami Marco Bortolami ([ˈmarko bɔrtoˈlami]; born 12 June 1980) is a rugby union coach and retired Italian international player, whose career includes experience playing in the national top-level Italian (Petrarca Padova), French (RC Narbonne), and English (Gloucester Rugby) championships, before joining the then recently-born Pro14 (with Aironi Rugby and then Zebre). Praised for his leadership skills, he captained all the teams he played for at professional level. At international level, he also captained the Italian side since 2002 till the 2007 Rugby World Cup, before being replaced in the permanent role by Sergio Parisse. He currently serves as head coach for Benetton Rugby in the United Rugby Championship. Club career Bortolami began his playing career with the team of his native Padua, making his debut as a second row aged only 18. After a two-year spell with RC Narbonne in the French Top14, in the summer of 2006 he joined English Premiership side Gloucester Rugby when he was considered by many to be one of the best players in the world around the time, being selected into the starting team for their first game of the season and immediately taking the role of captain. At Gloucester he made up a formidable partnership with Alex Brown and shared captaincy with Peter Buxton. Due to injuries and his World Cup commitments, the 2007–08 season ended up not being as consistent in performance and he lost the Italian captaincy to Italian No. 8 Sergio Parisse, but continued to put in powerful performances for Gloucester. His outstanding leadership qualities meant he retained captaincy. He made 23 appearances for Gloucester in 2008–09. In 2010 he returned to Italy signing for the new Aironi team which started to compete in the Celtic League from the 2010–11 season. After Aironi folded due to financial problems, Bortolami signed for the new franchise Zebre in the Pro12 for the 2012/13 season. On 7 May 2016, Bortolami announced his retirement from professional rugby with immediate effect. International career Bortolami was made captain of Italy's Under-21 side, before making his international debut at elite level against Namibia in June, 2001, when he was just 20. At the age of 22, Bortolami was made Italy's youngest ever captain by then coach John Kirwan. In his first-ever World Cup start, against Tonga, he suffered an injury and missed the decisive group-stage match against Wales, which saw the Azzurri eliminated from the competition. After impressing in the 2004 Six Nations Championship, he was once awarded the full captaincy for the 2005 Summer tour of Japan by coach Pierre Berbizier. After this tour he joined French club Narbonne. In the 2007 Six Nations Championship, Bortolami led Italy to their first away win in the competition against Scotland at Murrayfield, which was also the first time Italy have won more than one game in a single Six Nations Championship. At the 2007 Rugby World Cup, he led the Italian team to a decisive final group-stage match against Scotland, again missing access to the knock-out stage. With the 2007 Six Nations Championship, under new coach Nick Mallett, Bortolami was replaced as Italian skipper by Sergio Parisse. Bortolami suffered an injury against Australia in June 2012, but in May 2013 it was announced that he would be returning to the international stage. Coaching career Bortolami left Zebre at the end of the Celtic League 2015/16 season, and became Assistant Coach at Benetton Treviso from the start of the 2016/17 season. Other information In an interview in 2006, Bortolami stated that he wishes to become a mechanic for Ferrari after he retires from professional rugby, using the mechanical skills that he picked up in college. Shortly after the interview had taken place, he received a letter from Ferrari offering him a position as soon as he completed his rugby career. Something must be changed since then because now Bortolami moved into coaching the forwards for Benetton Treviso in Italy, after his last match on 7 May 2016.Although he has never been considered a violent player, his rough and direct playing style and his sometimes conflictual approach with the referees have led Bortolami to collect seven yellow cards in his long international career, surpassed in this unenviable ranking only by the Australian Michael Hooper and the Georgian Viktor Kolelishvili, both with eight. Passage 3: Xiaxue Cheng Yan Yan Wendy (born Cheng Yan Yan; 28 April 1984), better known by her pseudonym Xiaxue, is a Singaporean blogger and online television personality who writes about her life, fashion and local issues in a provocative style. Her main blog, which attracts about 50,000 readers daily, has won prestigious blog awards and earned her sponsorship deals, as well as stints as a columnist and TV show host, but some of her posts have sparked national controversies. She is married to American engineer Mike Sayre and they have one child. Personal life Born in Singapore on 28 April 1984, Wendy Cheng studied at River Valley High School and graduated from Singapore Polytechnic with a diploma in mass media, then briefly worked as a project coordinator. Her father, an antique dealer, and her mother, a property agent, are divorced; she also has a younger brother. For a year, she maintained a paper diary, which her ex-boyfriend's new girlfriend threw away during a Chinese New Year spring cleaning. Wanting to air her thoughts in a space that nobody could throw away, she started blogging in April 2003. She underwent plastic surgery, sponsored by MediaCorp TV, to "correct her bulbous nose" in 2006.In 2010, she married American engineer Mike Sayre, whom she met online and had dated for three years, and in March 2013, she gave birth to a boy named Dashiel.In 2023, she announced that she and Mike Sayre had split up. Blogging Wendy Cheng has several blogs, including her untitled main blog (usually known as xiaxue.blogspot.com), and several private blogs. Although she writes in the English language, she selected her pseudonym Xiaxue (下雪, pronounced something like sh'ya-shweh), which means "snowing" in Mandarin Chinese, because it "had that tinge of mysterious, beautiful girl thing about it". On her main blog, which attracts about 50,000 readers daily, she provides updates about her personal life, posts photographs, writes about topics such as fashion, discusses local issues such as "nasty taxi drivers", and posts paid advertorials. She often uses profanity in her posts and her success has been attributed to her provocative writing style. According to a survey she conducted, which attracted 6000 responses, her readers are mainly Singaporean, female, young adults interested in fashion and "looking for an alternative voice". Awards that her main blog has won include the 2004 and 2005 Wizbang Weblog Awards Best Asian Blog and the 2005 Bloggies Best Asian Weblog. In July 2005, a hacker defaced the blog, but she managed to restore its contents. Her main blog, the first from Singapore to enter the Technorati Global Top 100 Blogs List, was selected for the National Library Board archive in 2008. Other media Due to the popularity of her main blog, Xiaxue has earned jobs in mainstream media, notably as a columnist for national newspapers TODAY and The New Paper, Maxim magazine and Snag magazine. In addition, she has served as an editor for blog aggregator Tomorrow.sg, a Star Blogger for the STOMP portal and a presenter at the 2005 Singapore Writer's Festival. She has struck sponsorship deals with many companies, including online eyewear store HoneyColor, childcare merchandise retailer Mothercare, T-shirt maker LocalBrand, hair salon Kimage and nail studio Voxy. In 2006, she and DJ Rosalyn Lee co-hosted Girls Out Loud, a reality TV series on MediaCorp Channel 5, where they engage in "outrageous antics and no-holds-barred banter". She has a fortnightly series, called Xiaxue's Guide to Life, on the web television channel clicknetwork.tv; its highest-rated episode had more than a million views. The Health Promotion Board selected her as an ambassador for their Get Fresh campaign to discourage women from smoking and help female smokers quit. Controversy In October 2005, Xiaxue wrote an entry condemning a disabled man, who scolded a non-disabled man for using the toilet for the disabled, leading to an online backlash that prompted two sponsors to cancel their deals. Two months later, she suggested that foreign workers be banned from Orchard Road, as they were molesting Singaporean girls; many netizens condemned her posts as "racist rants" and signed an online petition to ban her from Orchard Road. She was accused of impersonating another blogger and abusing her position as a Tomorrow.sg editor to remove comments critical of her in January 2006. In July 2007, she made a post about the "seven most disgusting bloggers" in Singapore, sparking flame wars that were extensively covered by local media. In April 2008, she made a video about the iPhone, which she insists "was meant to be funny", but was dubbed "the worst iPhone review" by American technology writer Daniel Lyons and ridiculed on other technology websites, including Gizmodo. Xiaxue also has a heated rivalry with blogger Dawn Yang, who threatened to sue her for an allegedly defamatory post in June 2008.In February 2020, Xiaxue was accused of “fatphobia” on social media after she called morbidly obese people “disgusting” and that they “don’t live past” the age of 40. Xiaxue claimed in an Instagram story that “they gorge themselves with 30 burgers a day and when they inevitably get a clogged artery or diabetes, taxpayers have to help foot their medical bills when their health conditions are entirely caused by their irresponsible behaviour”. Xiaxue's posts were deleted by Instagram after users reported her for harassment.In July 2020, Xiaxue lost brand sponsorships following police reports over racist tweets, including tweets that were targeted at foreign workers, alleging “they molest people and f*** our maids and leer at girls and flood Little India” and the attempt to use the N-word in certain context. Beauty brand Fresh and Swedish timepiece company Daniel Wellington have publicly confirmed that they have ended their partnerships with Xiaxue following this incident. Reality and lifestyle channel Clicknetwork, with whom Xiaxue has worked with since 2011, dropped Xiaxue as a host. Passage 4: Nieng Yan Yan Ning (Chinese: 颜宁; born 21 November 1977) is a Chinese structural biologist and the founding dean of the Shenzhen Medical Academy of Research and Translation. She previously served as the Shirley M. Tilghman Professor of Molecular Biology at Princeton University where her laboratory studied the structural and chemical basis for membrane transport and lipid metabolism. Early life and education Yan was born in Zhangqiu, Jinan, Shandong province in 1977. She received her B.S. degree from the Department of Biological Sciences & Biotechnology, Tsinghua University, in 2000. She then studied molecular biology at Princeton University, under the supervision of Shi Yigong, and received her Ph.D. degree in 2004. Her doctoral dissertation was titled "Biochemical and structural dissection of the regulation of apoptotic pathways in Drosophila and C. elegans." She was the regional winner of the Young Scientist Award in North America, which is co-sponsored by Science/AAAS and GE Healthcare, for her thesis on the structural and mechanistic study of programmed cell death. She continued her postdoctoral training at Princeton, focusing on the structural characterization of intramembrane proteases, until 2007. Career In 2007, she returned to Tsinghua University with an invitation by Zhao Nanming, director of the Department of Biology at the time. At the age of 30, she became the youngest professor and Ph.D. advisor in Tsinghua. Her research focused on the structure and mechanism of membrane transport proteins, exemplified by the glucose transporter GLUT1 and voltage-gated sodium and calcium channels.In 2017, Yan decided to leave Tsinghua and join Princeton University. The move gained widespread attention in China and led to a national discussion both within the science community and the general public. The cause was widely speculated to be the difficulty to do what she wanted to do under China's academic system, as she had criticized the China National Natural Science Foundation's reluctance to support high risk research in a series of blogs. However, Yan dismissed this claim later, and stated "changing one's environment can bring new pressure and inspiration for academic breakthroughs".For her research achievements, Dr. Yan has won a number of prizes. She was an HHMI international early career scientist in 2012–2017, the recipient of the 2015 Protein Society Young Investigator Award, the 2015 Beverley & Raymond Sackler International Prize in Biophysics, the Alexander M. Cruickshank Award at the GRC on membrane transport proteins in 2016, the 2018 FAOBMB Award for Research Excellence, and the 2019 Weizmann Women & Science Award. Yan was elected a foreign associate of the US National Academy of Sciences in April 2019. Yan was elected as a member of the American Academy of Arts and Sciences in 2021.On November 1, 2022, while speaking at the Shenzhen Global Innovation Forum of Talents, Yan announced that she will be resigning from her position at Princeton and will return to China to become a founding dean of the Shenzhen Medical Academy of Research and Translation. In December 2022, she resigned from Princeton and returned to China, where she accepted her new position.On March 22, 2023, Yan was appointed as director of the Shenzhen Bay Laboratory. Honors and awards 2019 National Academy of Sciences Foreign Associate, National Academy of Sciences Weizmann Women & Science Award, Weizmann Institute of Science 2018 FAOBMB Award for Excellence, Federation of National Societies of Biochemistry and Molecular Biology in the Asian and Oceanian Region 2017 Wu-Janssen Award in Biomedical Basic Research, China Teaching award, Tsinghua University 2016 Alexander M. Cruickshank Award for the Gordon Research Conference on Membrane Transport Proteins: Molecules to Medicine 2015 The Protein Science Young Investigator Award, Protein Society The Raymond and Beverly Sackler International Prize in Biophysics, Tel Aviv University 2014 Cell "40under40", Cell Promega Awards for Biochemistry, Promega Cheung Kong Scholar, Ministry of Education, China The Ho Leung Ho Lee Award for Advancement in Science and Technology, China 2012 Howard Hughes Medical Institute International Early Career Scientist, HHMI Award for “Women in Science” of China CC Tan Award for Innovation in Life Sciences, China 2011 National Outstanding Young Scientist Award, China 2006 Young Scientist Award (North America Regional Winner), AAAS/Science and GE Passage 5: Yan Xing (Han dynasty) Yan Xing (pronunciation ) (fl. 190s–210s), courtesy name Yanming, later renamed Yan Yan, was a Chinese military general and politician serving under the warlord Han Sui during the late Eastern Han dynasty of China. Life Yan Xing was from Jincheng Commandery (金城郡), which is around present-day Yuzhong County, Gansu. He started his career as a military officer under the warlord Han Sui. When conflict broke out between Han Sui and another warlord Ma Teng, during the melee Yan Xing nearly killed Ma Teng's eldest son Ma Chao by piercing him with a spear; the shaft broke so the tip only grazed Ma Chao's head.In 209, Han Sui sent him as an emissary to meet the warlord Cao Cao, who controlled the Han central government and the figurehead Emperor Xian. Cao Cao treated Yan Xing well and appointed him as the Administrator (太守) of Jianwei Commandery (犍為郡; around present-day Meishan, Sichuan). Yan Xing received permission to bring his family to the imperial capital, Xu (許; present-day Xuchang, Henan), after which he returned to Han Sui. He advised Han Sui to become a vassal under Cao Cao and send one of his sons to Xu as a "hostage", so as to express his loyalty to the central government. Although Han Sui was initially reluctant to do so, he eventually agreed and sent his family to Xu as hostages. In 211, when Ma Chao and other warlords in the Guanzhong region were planning to start a rebellion, they approached Han Sui and invited him to join them. Ma Chao even told Han Sui, "Previously, Zhong Yao ordered me to harm you. Now, I know that the people from Guandong (east of Tong Pass) cannot be trusted. Now, I abandon my father, and I'm willing to acknowledge you as my father. You should also abandon your son, and treat me like your son." Yan Xing advised Han Sui not to cooperate with Ma Chao but Han Sui still agreed to the alliance. Ma Chao, Han Sui and the warlords then engaged Cao Cao at the Battle of Tong Pass. During the battle, when Cao Cao requested to meet Han Sui, an old acquaintance of his, for a chat, Yan Xing accompanied Han Sui to the meeting. Cao Cao pointed at Yan Xing and told Han Sui, "Take good care of this filial son." After Cao Cao defeated the warlords at the Battle of Tong Pass, Han Sui and his remaining followers retreated to Jincheng Commandery. As Cao Cao had heard that Yan Xing was reluctant to participate in the rebellion, he spared Yan Xing's family members who were in Xu at the time but executed the families of the other rebels. He then wrote a letter to Yan Xing to inform him that even though his family members were alive and well, the central government could not permanently provide for them. When Han Sui found out that Cao Cao had spared Yan Xing's family members, he plotted to harm them so as to force Yan Xing to remain loyal to him. He then forced Yan Xing to marry his daughter. As Han Sui expected, Cao Cao became suspicious of Yan Xing. At the time, as Han Sui had ordered Yan Xing to take charge of Xiping Commandery (西平郡; around present-day Xining, Qinghai), Yan Xing seized the opportunity to gather his followers and turn against Han Sui. However, he never managed to defeat Han Sui so he gave up and brought along his followers to join Cao Cao's side. Cao Cao enfeoffed him as a marquis. Nothing was recorded in history about Yan Xing from this point onwards. See also Lists of people of the Three Kingdoms Passage 6: Chan Hing-yan Hing-yan Chan is a composer and music educator. He is the James Chen & Yuen-Han Chan Endowed Professor in Music of University of Hong Kong. Chan received his D.M.A. from the University of Illinois at Urbana–Champaign, majoring in composition and minoring in ethnomusicology. Biography Professor Chan Hing-Yan is Professor of Music at The University of Hong Kong (HKU). He is arguably Hong Kong’s most representative and prolific composer in the classical music scene. His recent works include three chamber operas; the most recent being last year’s Ghost Love – a chamber opera after Xu Xu’s novella. The two other operas, Heart of Coral – after the life of Xiao Hong (2013) and Datong – the Chinese Utopia (2015), were commissioned by the Hong Kong Arts Festival, and led to the Festival engaging Professor Chan for the extravaganza staged cantata Hong Kong Odyssey, for which he composed half the music. He was also its Music Director, mentoring three young composers and over 100 musicians. The programme was a highlight of the 2017 Festival to commemorate the 20th anniversary of the city’s handover. Lauded for their subtle mediation between Chinese elements and Western idioms, Professor Chan’s compositions have been heard around the world at festivals such as Canberra International Music Festival (2017); Hong Kong Music Series in London (2017) and Hong Kong Week, Taipei (2014, 2016); the Second Spring of the Chinese Symphony, Beijing (2010); Edinburgh Festival (2009); Chinese Musicians Residency, Cornell (2009); and Hommage a Bartók, Budapest (2006). Professor Chan has closely collaborated with the Hong Kong Sinfonietta (HKS) over the past 20 years. The orchestra has commissioned and performed his works at home and abroad in Europe, the Americas, Taiwan, Beijing, and Shanghai. While serving as HKS’s Artist Associate (2016-18), Professor Chan contributed two works: November Leonids – for orchestra, and Ethereal Is the Moon – for huqin and orchestra. Professor Chan was conferred a Best Artist Award (Music) at the Hong Kong Arts Development Awards 2013, organised by the Hong Kong Arts Development Council. His work with the City Contemporary Dance Company won him much acclaim as well as a Hong Kong Dance Award in 2008. He was also recognised under the Secretary for Home Affairs’ Commendation Scheme that same year. At HKU, Professor Chan was bestowed an Outstanding Research Student Supervisor Award (2013-14). In addition, he has been an advisor to the University’s Cultural Management Office since its inception, and has been instrumental in planning and delivering a number of innovative programmes for its MUSE series, including: The Humanistic Bach; Music Opera and Orchestra: in dialogue with maestro Shao-Chia Lü; The Musical Murakami; Open Rehearsal: the Human Requiem; Szymanowski Quartet and HKU Composers; and Shared Stage. Professor Chan has been involved with the local community as both consultant and speaker, working with the Arts Capacity Development Funding Scheme, the Home Affairs Bureau (since 2011), the Hong Kong Jockey Club Music and Dance Fund (2006-13), the Hong Kong Arts Development Council (since 2009), and the Leisure and Cultural Services Department (LCSD, 2007-16). During his tenure as Chairman of the LCSD’s Music Panel (2007-13), Professor Chan was the architect of various novel initiatives. The 2011 sold-out Mahler Forum, which he instigated and moderated, has remained a benchmark for his successors. Notable works Enigmas of the Moon, for huqin, cello & orchestra(1998) November Leonids(2017) External links Chan's information on Department of Music, The University of Hong Kong James Chen and Yuen-Han Chan Professorship in Music CHAN Hing-yan, Hong Kong Sinfonietta Artist Associate(2016-2018) Passage 7: Yan Yan Mak Yan Yan Mak (Man Yuen-Yan) is a Hong Kong based female award-winning director. Biography She graduated from the Hong Kong Academy for Performing Arts; as a student, Yan Yan worked for the film industry as an assistant director, production manager, art director, and wardrobe designer. Her graduation short film Snapshots won the Distinguish Award at the International Short Film & Video Awards of Hong Kong in 1998. After directing several short dramas for Radio Television Hong Kong, she established her own production company Dragonfly J Ltd., to make her film. Her debut feature film, Gege (Brother), although using a very limited budget, a small crew, and a non-actors cast, was awarded the FIPRESCI Award at the 25th Hong Kong International Film Festival, the POVEGLIA Award at the International Week of Film Critics of the 58th Venice Film Festival, the Woosuk Award at Jeonju International Film Festival in South Korea, as well as the Ecumenical Jury Prize at the International Film Festival Bratislava and Fribourg International Film Festival 2001. Her second film Butterfly (Hudie) was chosen as the Opening Film at Venice Film Festival Critics Week (La Biennale di Venezia), the Hong Kong Gay & Lesbian Film and Video Film Festival 2004 and Créteil International Women's Film Festival in France 2005. The film won the Best Feature award at the Paris Lesbian and Feminist Film Festival. Tian Yuan was awarded as the Best New Artist at the Hong Kong Film Awards in 2005. The film was also nominated at the Taiwan Golden Horse Awards in 2004 for Best Adapted Screenplay (Yan Yan Mak) and Best Supporting Actor (Eric Kot). Butterfly has been screened at the Hong Kong Retrospective, the Hong Kong Gay & Lesbian Film Festival 2019.Since 2005, after becoming a collaborator with Hong Kong Cantopop singer Denise Ho, Yan Yan has produced numerous music videos, music short films, and TV Commercials. The Scarlet Robe won the Best Drama in BigScreen Festival, China 2007. They finished their first feature-length film The Decameron (a documentary about madness, under the music project "10 Days in the Madhouse") in 2009. Recently, Yan Yan has collaborated with Denise Ho as her concert producer and director in Reimagine Hong Kong (2015), Macpherson Woods (2015), Dear Friend, (2016) and On The Pulse Of Hocc Live 2018. She had also produced 'Galactica', a concert by a singer Endy Chow Kwok Yin in 2017/18. Yan Yan completed another feature Merry-Go-Round (Dong Feng Po) in 2010 in Hong Kong. It was elected as the Best Chinese-Language Film by Film Critics China, nominated at The Hong Kong Film Award 2011 for the Best Cinematography Award, and won the Best Film Song Award ("Here to Stay" by Jun Kung), won the Best Actress (Ella Koon) and the Best Actor (Teddy Robin) at Australia Golden Koala Film Festival. Her other feature work, The Great War (2013), a documentary about Grasshopper x Softhard Concert 2012, has had its Gala premiere at the New York Asian Film Festival 2013 as also selected as the closing-film of the film festival.Yan Yan's latest work, 'Sound Of Silence' (SOS), is the Closing Film of the 6th Hong Kong Kids International Film Festival 2022 (KIFF) and won numerous awards in film festivals worldwide. Awards and honours Short film Snapshots 了了 won the Distinguish Award at the International Short Film & Video Awards of Hong Kong in 1998. Advertising work 'Numbers' for The Women's Foundation has been awarded in the Film Craft section of AD STARS 2019 (Korea). Filmography Feature length, as Producer/Director/Scriptwriter: 2001 Brother (Gege) 哥哥 2004 Butterfly (Hudie) 蝴蝶 2006 August Story (Director’s Cut) 八月的故事 2008 The Decameron (Documentary) 十日談 2010 Merry-Go-Round (Dong Fung Po) 東風破 2013 The Great War (Da Zhan) 大戰 (Concert Documentary) 2022 Sound Of Silence Concerts As Creative Director/Concert Producer/Video Producer 2015 Reimagine HK18 (HK Elizabeth Stadium) 2015 Reimagine Live in Macpherson Woods (MacPherson Stadium) 2016 Dear Friend, (Hong Kong Coliseum) 2017 Galactica (MacPherson Stadium) 2018 Galactica Rerun (MacPherson Stadium) 2018 On the Pulse Of HOCC Live 2018 (Hong Kong Science park) 2022 The Flash Back Now Party, Josie & The Uni Boys (Star Hall, KITEC) See also List of female film and television directors List of LGBT-related films directed by women Passage 8: Jan Purwinski Bishop Jan Purwinski or Yan Purvinskyi (Ukrainian: Ян Пурвінський; Polish: Jan Purwiński; Latvian: Jānis Purvinskis; 19 November 1934 – 6 April 2021) was a Latvian-born Ukrainian Roman Catholic prelate who served as the Diocesan Bishop of Kyiv–Zhytomyr since 16 January 1991 until 15 June 2011 (until 25 November 1998 as the Diocesan Bishop of Zhytomyr). Early life Bishop Purwinski was born into a peasant Roman Catholic family of Polish ethnicity in Latgale. After graduation from school he joined the Major Theological Seminary in Riga in 1956, and was ordained as priest on 13 April 1961, for his native Roman Catholic Archdiocese of Riga. Career From 1961 until 1977, Fr. Purwinski began to serve as an assistant priest in Daugavpils and after, as a parish priest and vice-dean in Krāslava, Baltinava and Indra. In 1977 he was transferred to Ukraine and began to learn the Ukrainian language and work as assistant priest in St. Sophia's Cathedral, Zhytomyr (from 1984 he was a dean of the Cathedral). Before moving to Ukraine Fr. Purwinski spoke Polish, Latgalian, Latvian and Russian. Alongside parish work, from 1981 until 1991 he served as a Bishopric Vicar for the Ukraine and Moldova.On January 16, 1991, he was appointed by Pope John Paul II as the Diocesan Bishop of the recreated Roman Catholic Diocese of Zhytomyr. On March 4, 1991, he was consecrated as bishop by Archbishop Francesco Colasuonno and other prelates of the Roman Catholic Church in St. Sophia's Cathedral in Zhytomyr. Later life He retired on June 15, 2011, and resided in Zhytomyr. He died on 6 April 2021, after being hospitalized a few days prior due to COVID-19 complications. Passage 9: Yan Yan Chan Yan Yan Chan (Burmese: ရန်ရန်ချမ်း, pronounced [jàɰ̃ jàɰ̃ tɕʰáɰ̃]; born 5 December 1979) is a Burmese hip hop singer, pioneer of Burmese hip hop, and pro-democracy activist. He is a founding member of Acid, Burma's first hip hop group. He is also one of the coaches from The Voice Myanmar. Early life and education Yan Yan Chan was born on 5 December 1979 in Yangon, Myanmar to parents Thant Zin and his wife Khin Mu. He is the elder of two children, having a younger sister Suzan Nway. He attended high school at Basic Education High School No. 6 Botataung. "Beginning" In 2000, Acid released Burma's first hip-hop album. Despite predictions of failure by many in the Burmese music industry, the album, Beginning, remained in the number one position of the Burmese charts for more than two months. A Democratic Voice of Burma reporter described his music as blending a "combative, angry style with indigenous poeticism". The band's repertoire has been said to contain many "thinly veiled attacks on the regime". The Independent stated that while the band "focused on the mundane, their lyrics inevitably touched on the hardships of life in Burma, drawing them into dangerous territory." Political activities Following the 2007 uprising against the State Peace and Development Council, Burma's military rulers, Yan Yan Chan's bandmate Zayar Thaw helped found the pro-democracy youth movement Generation Wave. Though not an original founder, Yan Yan Chan became involved in the group as well. Generation Wave used graffiti and pamphlets to spread messages opposing the SPDC. and distributed bumper stickers reading "Change New Government" to apply to cars carrying "CNG" stickers (originally for "compressed natural gas"). The group also circulated anti-government films, including Rambo, in which the titular character battles Tatmadaw (Burmese military) soldiers in Karen State. The film had been banned by the government for portraying the SPDC and its soldiers in a negative light.In March 2008, several Generation Wave members were arrested for their anti-government activities, including Zayar Thaw, who was charged with membership in an illegal organization and possession of foreign currency. On 18 April, Yan Yan Chan was also arrested in the Upper Burma town of Monywa, reportedly along with his longtime girlfriend Chilli. Reporters Without Borders speculated that Yan Yan Chan was arrested due to "lyrics in some of his songs referring to the lack of press freedom". After nearly a year's detention, he was released without charges on 7 January 2009.Following the 2021 Myanmar coup d'état, Yan Yan Chan was active in the anti-coup movement both in person at rallies and through social media. Denouncing the military coup, he has taken part in protests since February. He joined the "We Want Justice" three-finger salute movement. The movement was launched on social media, and many celebrities have joined the movement.On 4 April 2021, warrants for his arrest were issued under section 505 (a) of the penal code by the State Administration Council for speaking out against the military coup. Along with several other celebrities, he was charged with calling for participation in the Civil Disobedience Movement (CDM) and damaging the state's ability to govern, with supporting the Committee Representing Pyidaungsu Hluttaw, and with generally inciting the people to disturb the peace and stability of the nation. Family In March 2010, Yan Yan Chan and Chilli announced their intention to wed. On 4 April, they got married in a ceremony at the Traders Hotel in Yangon. Chilli gave birth to their first son in the same year. Passage 10: Hung Yan-yan Hung Yan-yan (born 25 February 1962, also credited as 熊欣欣 or Xiong Xin Xin) is a Hong Kong martial artist, actor, stuntman and action director originally from Liuzhou, Guangxi, China. He was the stunt double for martial arts superstar Jet Li. Early life Hung was born in Liuzhou, Guangxi, China in 1962. He was placed in a martial arts school at age 12 after he was taken away from school. Hung trained for 12 years and won multiple championships. Film career After training, he went to Hong Kong and was discovered by famous filmmaker Lau Kar-leung, who was at that time filming Martial Arts of Shaolin starring Jet Li, and hired Hung as Li's stunt double. He then moved to Hong Kong in 1988. There, Hung became a stuntman, later an actor and action director. He had small roles as an actor. Later, Hung was Jet Li's stunt double in Once Upon a Time in China. Some of the action scenes were too dangerous for Li because of an ankle injury. Hung was then Li's stunt double again in the sequel, Once Upon a Time in China II. He was also featured a role as the leader of the White Lotus Sect, Kau-kung "Priest" Gao. He featured in Once Upon a Time in China III as Kwai Geuk-Chat known as "Clubfoot Seven" Chiu-Tsat. He was so nicknamed due to his disability, being the seventh member of wealthy rival martial artist, Chiu Tin-bak's gang. A fighting enforcer, he fights Wong Fei-hung (Li), loses and is terribly injured after Leung Foon (Max Mok) accidentally releases a stampede of horses from a stable. Clubfoot Seven is then kicked out and abandoned by his former master, Chiu Tin-bak when he called his student Clubfoot a "useless cripple", and becomes discipled to Wong instead. Despite his clubfoot, he showcases his skills which includes his electrifying acrobats and moves. Hung reprised his role as Clubfoot in the next two sequels which do not feature Li, instead it featured Vincent Zhao, who was much younger than Li and more physical so Hung was not much featured as a stunt double. He reprised his role again in the Once Upon a Time in China TV series and in Once Upon a Time in China and America which again features Jet Li and is the last of the Once Upon a Time in China series.He was the main villain, Prince Twelve, in Yuen Wo Ping's Hero Among Heroes starring Donnie Yen. His role was first a friend of Yen's character, who turns him into a drug addict and later betrays him. Hung also followed Tsui Hark to Hollywood in 1998, making a brief performance in Double Team. After working briefly in Hollywood, he returned to Hong Kong. Hung was action director in Chin Siu-tung's Blacksheep Affair and again in Tsui Hark's 2000 film, Time and Tide starring Nicholas Tse. He later returned to Hollywood as stunt choreographer for The Musketeer. Personal life Hung is married to Carrie Choy, a former actress, and they have one child. He learned English by reading books. Filmography Actor Stuntman Once Upon a Time in China III (1993) Once Upon a Time in China (1992) Once Upon a Time in China (1991) Tiger Cage 2 (1990) Tiger On The Beat 2 (1990) City Cops (1989) Tiger On The Beat (1988) Yellow River Fighter (1988) Action director Tiger on the Beat 2 (1990) Skinny Tiger, Fatty Dragon (1990) Wonder Seven (1994) Tristar (1996) ...Till Death Do Us Part (1998) Time and Tide (2000) Reunion (2002) Seven Swords (2005) In the Blue (2006) Coweb (2009) Assistant action director Aces Go Places V (1989) Once Upon a Time in China (1991) Dragon Inn (1992) Once Upon a Time in China IV (1993) Once Upon a Time in China and America (1997) The Blacksheep Affair (1998) Director Coweb (2009) Executive producer Into the Blue (2006)

doc_85

Passage 1: Bernie Bonvoisin Bernard Bonvoisin (French pronunciation: ​[bɛʁnaʁ bɔ̃vwazɛ̃]), known as Bernie Bonvoisin (French pronunciation: ​[bɛʁni bɔ̃vwazɛ̃], born 9 July 1956 in Nanterre, Hauts-de-Seine), is a French hard rock singer and film director. He is best known for having been the singer of Trust. He was one of the best friends of Bon Scott the singer of AC/DC and together they recorded the song "Ride On" which was one of the last songs by Bon Scott. External links Bernie Bonvoisin at IMDb Passage 2: Billy Milano Billy Milano (born June 3, 1964) is an American heavy metal and hardcore punk musician. He is the singer and occasionally guitarist and bassist of crossover thrash band M.O.D., and was the singer of its predecessor, Stormtroopers of Death. Prior to these bands, Milano played in early New York hardcore band the Psychos, which also launched the career of future Agnostic Front vocalist Roger Miret. Milano was also the singer of United Forces, which included his Stormtroopers of Death bandmate Dan Lilker. Milano managed a number of bands, including Agnostic Front, for whom he also co-produced the 1997 Epitaph Records release Something's Gotta Give and roadie for Anthrax. Discography Stormtroopers of Death albums Stormtroopers of Death videos Method of Destruction (M.O.D.) Mastery Passage 3: Just Playing (Dreams) Just Playing (Dreams) is a promotional single by American hip hop artist The Notorious B.I.G. for his 1994 debut album Ready to Die. It was produced by Rashad Smith, and contains a sample of James Brown's "Blues and Pants" from Hot Pants. Complex magazine ranked the song number two on its list of "The 50 Funniest Rap Songs".Although the song does not appear on the original version of Ready to Die, it appears on the 2004 remastered version. Background Some of the lyrics initially appeared on Mary J. Blige's "What's the 411?" remix. The song was released as a promotional single for Biggie's debut album Ready to Die. Composition "Just Playing (Dreams)" was written by The Notorious B.I.G. and Rashad "Ringo" Smith. The song is built on a sample of "Blues and Pants" written by James Brown, and its production was done by Ringo.In the song, Biggie takes aim at 20 of his favorite R&B singers and lists what he'd like to do to them. The list includes female R&B singers Mary J. Blige, Patti LaBelle, Mariah Carey, Chaka Khan, and Rupaul, who didn't take offense to the song. However, Raven-Symoné was 8 years old when Biggie rapped the line, “make Raven-Symoné call date rape.”The R&B quartet Xscape didn't appreciate the song, which contained the line "those ugly-ass Xscape bitches." In a 2009 interview, group member Kandi Burruss said that her bandmate Tameka "Tiny" Cottle ran into Biggie on the evening of his death, and he apologized for the lyric. Cover versions and remixes In 1996, Lil Kim's song "Dreams Freestyle" sampled the lyrics of "Just Playing" on her debut studio album Hard Core. In 1996, Mad Skillz, sampled the line “Everybody, move ya body” as the chorus of his song "Move Ya Body" on his debut album From Where??? In 2015, rapper Young M.A dropped her "Dreams Freestyle" from her debut 13-track mixtape Sleep Walkin. In 2018, rapper Nicki Minaj sampled the song for her studio album Queen in the song "Barbie Dreams". The single reached number 18 on the Billboard Hot 100 and number 36 on the UK Singles Chart. Passage 4: The Notorious B.I.G. Christopher George Latore Wallace (May 21, 1972 – March 9, 1997), better known by his stage names the Notorious B.I.G., Biggie Smalls, or simply Biggie, was an American rapper. Rooted in East Coast hip hop and particularly gangsta rap, he is cited in various media lists as one of the greatest rappers of all time. Wallace became known for his distinctive laid-back lyrical delivery, offsetting the lyrics' often grim content. His music was often semi-autobiographical, telling of hardship and criminality, but also of debauchery and celebration.Born and raised in Brooklyn, New York City, Wallace signed to Sean "Puffy" Combs' label Bad Boy Records as it launched in 1993, and gained exposure through features on several other artists' singles that year. His debut album Ready to Die (1994) was met with widespread critical acclaim, and included his signature songs "Juicy" and "Big Poppa". The album made him the central figure in East Coast hip hop, and restored New York's visibility at a time when the West Coast hip hop scene was dominating hip hop music. Wallace was awarded the 1995 Billboard Music Awards' Rapper of the Year. The following year, he led his protégé group Junior M.A.F.I.A., a team of himself and longtime friends, including Lil' Kim, to chart success. During 1996, while recording his second album, Wallace became ensnarled in the escalating East Coast–West Coast hip hop feud. Following Tupac Shakur's murder in a drive-by shooting in Las Vegas in September 1996, speculations of involvement in Shakur's murder by criminal elements orbiting the Bad Boy circle circulated as a result of Wallace's public feud with Shakur. On March 9, 1997, six months after Shakur's murder, Wallace was murdered by an unidentified assailant in a drive-by shooting while visiting Los Angeles. Wallace's second album Life After Death, a double album, was released two weeks later. It reached number one on the Billboard 200, and eventually achieved a diamond certification in the United States.With two more posthumous albums released, Wallace has certified sales of over 28 million copies in the United States, including 21 million albums. Rolling Stone has called him the "greatest rapper that ever lived", and Billboard named him the greatest rapper of all time. The Source magazine named him the greatest rapper of all time in its 150th issue. In 2006, MTV ranked him at No. 3 on their list of The Greatest MCs of All Time, calling him possibly "the most skillful ever on the mic". In 2020, he was inducted into the Rock and Roll Hall of Fame. Life and career 1972–1991: Early life Christopher George Latore Wallace was born at St. Mary's Hospital in the New York City borough of Brooklyn on May 21, 1972, the only child of Jamaican immigrant parents. His mother, Voletta Wallace, was a preschool teacher, while his father, Selwyn George Latore, was a welder and politician. His father left the family when Wallace was two years old, and his mother worked two jobs while raising him. Wallace grew up at 226 St. James Place in Brooklyn's Clinton Hill, near the border with Bedford-Stuyvesant. Raised Catholic, Wallace excelled at Queen of All Saints Middle School, winning several awards as an English student. He attended St Peter Claver Church in the borough. He was nicknamed "Big" because he was overweight by the age of 10. Wallace claimed to have begun dealing drugs at about age 12. His mother, often at work, first learned of this during his adulthood.He began rapping as a teenager, entertaining people on the streets, and performed with local groups, the Old Gold Brothers as well as the Techniques. His earliest stage name was MC CWest. At his request, Wallace transferred from Bishop Loughlin Memorial High School in Fort Greene to George Westinghouse Career and Technical Education High School in Downtown Brooklyn, which future rappers Jay-Z and Busta Rhymes were also attending. According to his mother, Wallace was still a good student but developed a "smart-ass" attitude at the new school. At age 17 in 1989, Wallace dropped out of high school and became more involved in crime. That same year in 1989, he was arrested on weapons charges in Brooklyn and sentenced to five years' probation. In 1990, he was arrested on a violation of his probation. A year later, Wallace was arrested in North Carolina for dealing crack cocaine. He spent nine months in jail before making bail. 1991–1994: Early career and first child After release from jail, Wallace made a demo tape, Microphone Murderer, while calling himself Biggie Smalls, alluding both to Calvin Lockhart's character in the 1975 film Let's Do It Again and to his own stature and obesity, 6 feet 3 inches (1.91 m) and 300 to 380 pounds (140 to 170 kg). Although Wallace reportedly lacked real ambition for the tape, local DJ Mister Cee, of Big Daddy Kane and Juice Crew association, discovered and promoted it, thus it was heard by The Source rap magazine's editor in 1992.In March, The Source column "Unsigned Hype", dedicated to airing promising rappers, featured Wallace. He then spun the attention into a recording. Upon hearing the demo tape, Sean "Puffy" Combs, still with the A&R department of Uptown Records, arranged to meet Wallace. Promptly signed to Uptown, Wallace appeared on labelmates Heavy D & the Boyz's 1993 song "A Buncha Niggas". Mid-year, or a year after Wallace's signing, Uptown fired Combs, who, a week later, launched Bad Boy Records, instantly Wallace's new label.On August 8, 1993, Jan Jackson, Wallace's long-time girlfriend, gave birth to his first child, T'yanna, although the couple had parted by then. Himself a high-school dropout, Wallace promised his daughter "everything she wanted", reasoning that if only he had that in childhood, he would have graduated at the top of his class. Wallace continued dealing drugs, but Combs discovered this, and obliged him to stop. Later that year, Wallace gained exposure on a remix of Mary J. Blige's single "Real Love". Having found his moniker Biggie Smalls already claimed, he took a new one, holding for good, The Notorious B.I.G.Around this time, Wallace became friends with fellow rapper Tupac Shakur. Lil' Cease recalled the pair as close, often traveling together whenever they were not working. According to him, Wallace was a frequent guest at Shakur's home and they spent time together when Shakur was in California or Washington, D.C. Yukmouth, an Oakland emcee, claimed that Wallace's style was inspired by Shakur.The "Real Love" remix single was followed by another remix of a Mary J. Blige song, "What's the 411?" Wallace's successes continued, if to a lesser extent, on remixes of Neneh Cherry's song "Buddy X" and of reggae artist Super Cat's song "Dolly My Baby", also featuring Combs, all in 1993. In April, Wallace's solo track "Party and Bullshit" was released on the Who's the Man? soundtrack. In July 1994, he appeared alongside LL Cool J and Busta Rhymes on a remix of his own labelmate Craig Mack's "Flava in Ya Ear", the remix reaching No. 9 on the Billboard Hot 100. 1994: Ready to Die and marriage to Faith Evans On August 4, 1994, Wallace married R&B singer Faith Evans, whom he had met eight days prior at a Bad Boy photoshoot. Five days later, Wallace had his first pop chart success as a solo artist with double A-side, "Juicy / Unbelievable", which reached No. 27 as the lead single to his debut album.Ready to Die was released on September 13, 1994. It reached No. 13 on the Billboard 200 chart and was eventually certified four times platinum. The album shifted attention back to East Coast hip hop at a time when West Coast hip hop dominated US charts. It gained strong reviews and has received much praise in retrospect. In addition to "Juicy", the record produced two hit singles: the platinum-selling "Big Poppa", which reached No. 1 on the U.S. rap chart, and "One More Chance", which sold 1.1 million copies in 1995. Busta Rhymes claimed to have seen Wallace giving out free copies of Ready to Die from his home, which Rhymes reasoned as "his way of marketing himself".Wallace also befriended basketball player Shaquille O'Neal. O'Neal said they were introduced during a listening session for "Gimme the Loot"; Wallace mentioned him in the lyrics and thereby attracted O'Neal to his music. O'Neal requested a collaboration with Wallace, which resulted in the song "You Can't Stop the Reign". According to Combs, Wallace would not collaborate with "anybody he didn't really respect" and that Wallace paid O'Neal his respect by "shouting him out". Wallace later met with O'Neal on Sunset Boulevard in 1997. In 2015, Daz Dillinger, a frequent Shakur collaborator, said that he and Wallace were "cool", with Wallace traveling to meet him to smoke cannabis and record two songs. 1995: Collaboration with Michael Jackson, Junior M.A.F.I.A., success and coastal feud Wallace worked with pop singer Michael Jackson on the song "This Time Around", featured on Jackson's 1995 album HIStory: Past, Present and Future, Book I. Lil' Cease later claimed that while Wallace met Jackson, he was forced to stay behind, with Wallace citing that he did not "trust Michael with kids" following the 1993 child sexual abuse allegations against Jackson. Engineer John Van Nest and producer Dallas Austin recalled the sessions differently, saying that Wallace was eager to meet Jackson and nearly burst into tears upon doing so.In the summer, Wallace met Charli Baltimore and they became involved in a romantic relationship. Several months into their relationship, she left him a voicemail of a rap verse that she had written and he began encouraging her to pursue a career in rap music.Wallace was booked to perform in Sacramento. When his group arrived at the venue there weren't many people there, and when they started performing they were getting coins tossed at them. When they left they were held at gunpoint in the venue's parking lot, allegedly set up by E-40's goons, who were angry about an interview Wallace did with a Canadian magazine. When asked to rank a handful of artists on a scale from one to 10, Wallace gave E-40 a zero. One of Wallace's entourage said to get E-40 on the phone, Wallace explained how they had "got him drunk" and had got him "to say anything", E-40 told his men to stand down and safely escorted them to the airport.In August 1995, Wallace's protégé group, Junior M.A.F.I.A. ("Junior Masters At Finding Intelligent Attitudes"), released their debut album Conspiracy. The group consisted of his friends from childhood and included rappers such as Lil' Kim and Lil' Cease, who went on to have solo careers. The record went gold and its singles, "Player's Anthem" and "Get Money", both featuring Wallace, went gold and platinum. Wallace continued to work with R&B artists, collaborating with R&B groups 112 (on "Only You") and Total (on "Can't You See"), with both reaching the top 20 of the Hot 100. By the end of the year, Wallace was the top-selling male solo artist and rapper on the U.S. pop and R&B charts. In July 1995, he appeared on the cover of The Source with the caption "The King of New York Takes Over", a reference to his alias Frank White, based on a character from the 1990 film King of New York. At the Source Awards in August 1995, he was named Best New Artist (Solo), Lyricist of the Year, Live Performer of the Year, and his debut Album of the Year. At the Billboard Awards, he was Rap Artist of the Year.In his year of success, Wallace became involved in a rivalry between the East and West Coast hip hop scenes with Shakur, now his former friend. In an interview with Vibe in April 1995, while serving time in Clinton Correctional Facility, Shakur accused Uptown Records' founder Andre Harrell, Sean Combs, and Wallace of having prior knowledge of a robbery that resulted in him being shot five times and losing thousands of dollars worth of jewelry on the night of November 30, 1994. Though Wallace and his entourage were in the same Manhattan-based recording studio at the time of the shooting, they denied the accusation.Wallace said: "It just happened to be a coincidence that he [Shakur] was in the studio. He just, he couldn't really say who really had something to do with it at the time. So he just kinda' leaned the blame on me." In 2012, a man named Dexter Isaac, serving a life sentence for unrelated crimes, claimed that he attacked Shakur that night and that the robbery was orchestrated by entertainment industry executive and former drug trafficker, Jimmy Henchman.Following his release from prison, Shakur signed to Death Row Records on October 15, 1995. This made Bad Boy Records and Death Row business rivals, and thus intensified the quarrel. 1996: More arrests, accusations regarding Shakur's death, car accident and second child On March 23, 1996, Wallace was arrested outside a Manhattan nightclub for chasing and threatening to kill two fans seeking autographs, smashing the windows of their taxicab, and punching one of them. He pleaded guilty to second-degree harassment and was sentenced to 100 hours of community service. In mid-1996, he was arrested at his home in Teaneck, New Jersey, for drug and weapons possession charges.During the recording for his second album, Wallace was confronted by Shakur for the first time since "the rumors started" at the Soul Train Awards and a gun was pulled.In June 1996, Shakur released "Hit 'Em Up", a diss track in which he claimed to have had sex with Faith Evans, who was estranged from Wallace at the time, and that Wallace had copied his style and image. Wallace referenced the first claim on Jay-Z's "Brooklyn's Finest", in which he raps: "If Faye have twins, she'd probably have two 'Pacs. Get it? 2Pac's?" However, he did not directly respond to the track, stating in a 1997 radio interview that it was "not [his] style" to respond.On September 7, 1996, Shakur was shot multiple times in a drive-by shooting in Las Vegas and died six days later. Rumors of Wallace's involvement with Shakur's murder spread. In a 2002 Los Angeles Times series titled "Who Killed Tupac Shakur?", based on police reports and multiple sources, Chuck Philips reported that the shooting was carried out by a Compton gang, the Southside Crips, to avenge a beating by Shakur hours earlier, and that Wallace had paid for the gun. Los Angeles Times editor Mark Duvoisin wrote that "Philips' story has withstood all challenges to its accuracy, ... [and] remains the definitive account of the Shakur slaying." Wallace's family denied the report, producing documents purporting to show that he was in New York and New Jersey at the time. However, The New York Times called the documents inconclusive, stating: The pages purport to be three computer printouts from Daddy's House, indicating that Wallace was in the studio recording a song called Nasty Boy on the night Shakur was shot. They indicate that Wallace wrote half the session, was in and out/sat around and laid down a ref, shorthand for a reference vocal, the equivalent of a first take. But nothing indicates when the documents were created. And Louis Alfred, the recording engineer listed on the sheets, said in an interview that he remembered recording the song with Wallace in a late-night session, not during the day. He could not recall the date of the session but said it was likely not the night Shakur was shot. We would have heard about it, Mr. Alfred said." Evans remembered her husband calling her on the night of Shakur's death and crying from shock. She said: "I think it's fair to say he was probably afraid, given everything that was going on at that time and all the hype that was put on this so-called beef that he didn't really have in his heart against anyone." Wayne Barrow, Wallace's co-manager at the time, said Wallace was recording the track "Nasty Boy" the night Shakur was shot. Shortly after Shakur's death, he met with Snoop Dogg, who claimed that Wallace declared he never hated Shakur.Two days after the death of Shakur, Wallace and Lil' Cease were arrested for smoking marijuana in public and had their car repossessed. The next day, the dealership chose them a Chevrolet Lumina rental SUV as a substitute, despite Lil' Cease's objections. The vehicle had brake problems but Wallace dismissed them. The car collided with a rail in New Jersey, shattering Wallace's left leg, Lil' Cease's jaw and leaving Charli Baltimore with numerous injuries.Wallace spent months in a hospital following the accident. He was temporarily confined to a wheelchair, forced to use a cane, and had to complete physiotherapy. Despite his hospitalization, he continued to work on the album. The accident was referred to in the lyrics of "Long Kiss Goodnight": "Ya still tickle me, I used to be as strong as Ripple be / Til Lil' Cease crippled me."On October 29, 1996, Evans gave birth to Wallace's son, Christopher "C.J." Wallace Jr. The following month, Junior M.A.F.I.A. member Lil' Kim released her debut album, Hard Core, under Wallace's direction while the two were having a "love affair". Lil' Kim recalled being Wallace's "biggest fan" and "his pride and joy". In a 2012 interview, Lil' Kim said Wallace had prevented her from making a remix of the Jodeci single "Love U 4 Life" by locking her in a room. According to her, Wallace said that she was not "gonna go do no song with them", likely because of the group's affiliation with Tupac and Death Row Records. 1997: Life After Death On January 27, 1997, Wallace was ordered to pay US$41,000 in damages following an incident involving a friend of a concert promoter who claimed Wallace and his entourage beat him following a dispute in May 1995. He faced criminal assault charges for the incident, which remains unresolved, but all robbery charges were dropped. Following the events, Wallace spoke of a desire to focus on his "peace of mind" and his family and friends.In February 1997, Wallace traveled to California to promote his album Life After Death and to record a music video for its lead single, "Hypnotize". That month Wallace was involved in a domestic dispute with girlfriend Charli Baltimore at the Four Seasons hotel, over pictures of Wallace and other girls. Wallace had told Lil' Cease the night prior to take the bag with the photos out of the room, but he had not. Charli Baltimore ended up throwing Wallace's ring and watch from the hotel window. They later found the watch but did not recover the ring. Death On March 8, 1997, Wallace attended Soul Train Awards after-party hosted by Vibe and Qwest Records at the Petersen Automotive Museum. Guests included Evans, Aaliyah and members of the Bloods and Crips gangs. The next day at 12:30 a.m. PST, after the fire department closed the party early due to overcrowding, Wallace left with his entourage in two GMC Suburbans to return to his hotel. He traveled in the front passenger seat alongside associates Damion "D-Roc" Butler, Lil' Cease, and driver Gregory "G-Money" Young. Combs traveled in the other vehicle with two bodyguards. The two trucks were trailed by a Chevrolet Blazer carrying Bad Boy director of security Paul Offord.By 12:45 a.m., the streets were crowded with people leaving the party. Wallace's SUV stopped at a red light 50 yards (46 m) from the Petersen Automotive Museum, and a black Chevy Impala pulled up alongside it. The Impala's driver, an unidentified African-American man dressed in a blue suit and bow tie, rolled down his window, drew a 9 mm blue-steel pistol, and fired at Wallace's car. Four bullets hit Wallace, and his entourage subsequently rushed him to Cedars-Sinai Medical Center, where doctors performed an emergency thoracotomy, but he was pronounced dead at 1:15 a.m. He was 24 years old. His autopsy, which was released 15 years after his death, showed that only the final shot was fatal; it entered through his right hip and struck his colon, liver, heart, and left lung before stopping in his left shoulder.Wallace's funeral was held at the Frank E. Campbell Funeral Chapel in Manhattan on March 18. There were around 350 mourners at the funeral, including Lil' Cease, Queen Latifah, Mase, Faith Evans, SWV, Jay-Z, Damon Dash, DJ Premier, Charli Baltimore, Da Brat, Flavor Flav, Mary J. Blige, Lil' Kim, Run-D.M.C., DJ Kool Herc, Treach, Busta Rhymes, Salt-N-Pepa, DJ Spinderella, Foxy Brown, and Sister Souljah. David Dinkins and Clive Davis also attended the funeral. After the funeral, his body was cremated and the ashes were given to his family. Posthumous releases Sixteen days after his death, Wallace's double-disc second album was released as planned. Originally titled Life After Death...'Til Death Do Us Part and later shortened to Life After Death, the album hit No. 1 on the Billboard 200 charts after making a premature appearance at No. 176 due to street-date violations. The record album featured a much wider range of guests and producers than its predecessor. It gained strong reviews and in 2000 was certified Diamond by the RIAA. Its lead single, "Hypnotize", was the last music video recording in which Wallace would participate. His biggest chart success was with its follow-up "Mo Money Mo Problems", featuring Sean Combs (under the rap alias "Puff Daddy") and Mase. Both singles reached No. 1 on the Hot 100, making Wallace the first artist to achieve this feat posthumously. The third single, "Sky's the Limit", featuring the band 112, was noted for its use of children in the music video, directed by Spike Jonze, who were used to portray Wallace and his contemporaries, including Combs, Lil' Kim, and Busta Rhymes. Wallace was named Artist of the Year and "Hypnotize" Single of the Year by Spin magazine in December 1997.In mid-1997, Combs released his debut album, No Way Out, which featured Wallace on five songs, notably on the fifth single "Victory". The most prominent single from the record album was "I'll Be Missing You", featuring Combs, Faith Evans and 112, which was dedicated to Wallace's memory. At the 1998 Grammy Awards, Life After Death and its first two singles received nominations in the rap category. The album award was won by Combs's No Way Out and "I'll Be Missing You" won the award in the category of Best Rap Performance by a Duo or Group in which "Mo Money Mo Problems" was nominated.In 1996, Wallace started putting together a hip hop supergroup, the Commission, which consisted of himself, Jay-Z, Lil' Cease, Combs, and Charli Baltimore. The Commission was mentioned by Wallace in the lyrics of "What's Beef" on Life After Death and "Victory" from No Way Out, but a Commission album was never completed. A track on Duets: The Final Chapter, "Whatchu Want (The Commission)", featuring Jay-Z, was based on the group. In December 1999, Bad Boy released Born Again. The album consisted of previously unreleased material mixed with new guest appearances, including many artists Wallace had never collaborated with in his lifetime. It gained some positive reviews, but received criticism for its unlikely pairings; The Source describing it as "compiling some of the most awkward collaborations of his career". Nevertheless, the album sold 2 million copies. Wallace also appeared on Michael Jackson's 2001 album, Invincible.Over the course of time, his vocals were heard on hit songs such as "Foolish" and "Realest Niggas" by Ashanti in 2002, and the song "Runnin' (Dying to Live)" with Shakur the following year. In 2005, Duets: The Final Chapter continued the pattern started on Born Again, which was criticized for the lack of significant vocals by Wallace on some of its songs. Its lead single "Nasty Girl" became Wallace's first UK No. 1 single. Combs and Voletta Wallace have stated the album will be the last release primarily featuring new material.A duet album, The King & I, featuring Evans and Notorious B.I.G., was released on May 19, 2017, which largely contained previously unreleased music. Musical style Vocals Wallace mostly rapped in a deep tone described by Rolling Stone as a "thick, jaunty grumble", which went even deeper on Life After Death. He was often accompanied on songs with ad libs from Sean "Puffy" Combs. In The Source's "Unsigned Hype" column, his style was described as "cool, nasal, and filtered, to bless his own material". AllMusic described Wallace as having "a talent for piling multiple rhymes on top of one another in quick succession".Time magazine wrote that he rapped with an ability to "make multi-syllabic rhymes sound smooth", while Krims described his rhythmic style as "effusive". Before starting a verse, Wallace sometimes used onomatopoeic vocables to warm up his voice, for example "uhhh" at the beginning of "Hypnotize" and "Big Poppa", and "what" after certain rhymes in songs such as "My Downfall".Lateef of Latyrx notes that Wallace had "intense and complex flows". Fredro Starr of Onyx said that he was "a master of the flow", and Bishop Lamont stated that he mastered "all the hemispheres of the music". Wallace also often used the single-line rhyme scheme to add variety and interest to his flow. Big Daddy Kane suggested that Wallace did not need a large vocabulary to impress listeners, stating that he "just put his words together a slick way and it worked real good for him".Wallace was known to compose lyrics in his head rather than write them down on paper, in a similar way to Jay-Z. He would occasionally vary from his usual style. On "Playa Hater", he sang in a slow falsetto. On "Notorious Thugs", his collaboration with Bone Thugs-n-Harmony, he modified his style to match the rapid rhyme flow of the group. Themes and lyrics Wallace's lyrical topics and themes included mafioso tales ("Niggas Bleed"), his drug-dealing past ("Ten Crack Commandments"), materialistic bragging ("Hypnotize"), humor ("Just Playing (Dreams)"), and romance ("Me & My Bitch"). In 2004, Rolling Stone named him as "one of the few young male songwriters in any pop style writing credible love songs". In the book How to Rap, rapper Guerilla Black described how Wallace was able to both "glorify the upper echelon" and "[make] you feel his struggle".The New York Times journalist Touré wrote in 1994, that Wallace's lyrics "[mixed] autobiographical details about crime and violence with emotional honesty". Marriott of The New York Times wrote in 1997 that Wallace's lyrics were not strictly autobiographical and that he "had a knack for exaggeration that increased sales". Wallace wrote that his debut album was "a big pie, with each slice indicating a different point in [his] life involving bitches and niggaz... from the beginning to the end".Rolling Stone described Ready to Die as a contrast of "bleak" street visions and being "full of high-spirited fun, bringing the pleasure principle back to hip-hop". AllMusic wrote of "a sense of doom" in some of his songs, and the New York Times noted some songs being "laced with paranoia". Wallace described himself as feeling "broke and depressed" when he made his debut. The final song on Wallace's debut album, "Suicidal Thoughts", featured his "character" contemplating suicide and concluded with him doing it.On Life After Death, Wallace's lyrics went "deeper". Krims explained how upbeat, dance-oriented tracks (which featured less heavily on his debut) alternate with "reality rap" songs on the record and suggested that he was "going pimp" through some of the lyrical topics of the former. XXL magazine wrote that Wallace "revamped his image" through the portrayal of himself between the albums, going from "mid-level hustler" on his debut to "drug lord" on his second album.AllMusic wrote that the success of Ready to Die is "mostly due to Wallace's skill as a storyteller". In 1994, Rolling Stone described his ability in this technique as painting "a sonic picture so vibrant that you're transported right to the scene". On Life After Death, he notably demonstrated this skill on the song "I Got a Story to Tell", creating a story as a rap for the first half of the song and then retelling the same story "for his boys" in conversation form. Legacy Considered one of the greatest rappers of all time, Wallace was described by AllMusic as "the savior of East Coast hip-hop". The Source magazine named him the greatest rapper of all time in its 150th issue in 2002. In 2003, when XXL magazine asked several hip hop artists to list their five favorite MCs, Wallace appeared on more rappers' lists than anyone else. In 2006, MTV ranked him at No. 3 on their list of The Greatest MCs of All Time, calling him possibly "the most skillful ever on the mic".Editors of About.com ranked him at No. 3 on their list of the Top 50 MCs of Our Time (1987–2007). In 2012, The Source ranked him No. 3 on their list of the Top 50 Lyrical Leaders of all time. Rolling Stone has referred to him as the "greatest rapper that ever lived". In 2015, Billboard named Wallace as the greatest rapper of all time.Wallace's lyrics have been sampled and quoted by a variety of artists, including Jay-Z, 50 Cent, Alicia Keys, Fat Joe, Nelly, Ja Rule, Eminem, Lil Wayne, Game, Clinton Sparks, Michael Jackson, and Usher. At the 2005 MTV Video Music Awards, Combs and Snoop Dogg paid tribute to Wallace by hiring an orchestra to play while the vocals from "Juicy" and "Warning" played on the arena speakers. At the 2005 VH1 Hip Hop Honors, a tribute to Wallace headlined the show.Wallace had begun to promote a clothing line called Brooklyn Mint, which was to produce plus-sized clothing, but it fell dormant after he died. In 2004, his managers Mark Pitts and Wayne Barrow launched the clothing line with help from Jay-Z, selling T-shirts with images of Wallace on them. A portion of the proceeds go to the Christopher Wallace Foundation and to Jay-Z's Shawn Carter Scholarship Foundation. In 2005, Voletta Wallace hired branding and licensing agency Wicked Cow Entertainment to guide the estate's licensing efforts. Wallace-branded products on the market include action figures, blankets, and cell phone content.The Christopher Wallace Memorial Foundation holds an annual black-tie dinner ("B.I.G. Night Out") to raise funds for children's school equipment and to honor Wallace's memory. For this particular event, because it is a children's schools' charity, "B.I.G." is also said to stand for "Books Instead of Guns".There is a large portrait mural of Wallace as Mao Zedong on Fulton Street in Brooklyn a half-mile west from Wallace's old block. A fan petitioned to have the corner of Fulton Street and St. James Place, near Wallace's childhood home renamed in his honor, garnering support from local businesses and attracting more than 560 signatures.A large portrait of Wallace features prominently in the Netflix series Luke Cage, due to the fact that he served as muse for the creation of the Marvel Cinematic Universe's version of Marvel Comics character Cornell "Cottonmouth" Stokes. In 2018, a movie chronicling LAPD detective Russell Poole's investigation of Wallace's murder was released. City of Lies is based on journalist Randall Sullivan's book "LAbrynith" and explores the corruption and cover-ups within LAPD that surround Wallace's case. Voletta Wallace believed that Poole was honest and wasn't given the chance to do his job. She supported the movie by appearing as herself.In August 2020, Wallace's son, C.J., released a house remix of his father's hit "Big Poppa".A March 2021 Netflix documentary Biggie: I Got a Story to Tell, executive-produced by Voletta Wallace and Combs, focuses on B.I.G.'s life before he rose to fame as "The King of New York", and features "unprecedented access granted by the Wallace estate". Biopic Notorious is a 2009 biographical film about Wallace and his life that stars rapper Jamal Woolard as Wallace. The film was directed by George Tillman Jr. and distributed by Fox Searchlight Pictures. Producers included Sean Combs, Wallace's former managers Wayne Barrow and Mark Pitts, as well as Voletta Wallace. On January 16, 2009, the movie's debut at the Grand 18 theater in Greensboro, North Carolina was postponed after a man was shot in the parking lot before the show. The film received mixed reviews and grossed over $44 million worldwide.In early October 2007, open casting calls for the role of Wallace began. Actors, rappers and unknowns all tried out. Beanie Sigel auditioned for the role, but was not picked. Sean Kingston claimed that he would play the role of Wallace, but producers denied it. Eventually, it was announced that rapper Jamal Woolard was chosen to play Wallace while Wallace's son, Christopher Wallace Jr. was cast to play Wallace as a child.Other cast members include Angela Bassett as Voletta Wallace, Derek Luke as Sean Combs, Antonique Smith as Faith Evans, Naturi Naughton as Lil' Kim, and Anthony Mackie as Tupac Shakur. Bad Boy also released a soundtrack album to the film on January 13, 2009; it contains many of Wallace's hit singles, including "Hypnotize" and "Juicy", as well as rarities.Woolard would reprise his role as Biggie Smalls in the 2017 Tupac Shakur biopic, All Eyez on Me. Discography Studio albumsReady to Die (1994) Life After Death (1997)Collaboration albumConspiracy with Junior M.A.F.I.A. (1995)Posthumous collaboration albumThe King & I with Faith Evans (2017)Posthumous compilation albumsBorn Again (1999) Duets: The Final Chapter (2005) Media Filmography The Show (1995) as himself Rhyme & Reason (1997 documentary) as himself Biggie & Tupac (2002 documentary) archive footage Tupac Resurrection (2004 documentary) archive footage Notorious B.I.G. Bigger Than Life (2007 documentary) archive footage Notorious (2009) archive footage All Eyez on Me (2017) archive footage Quincy (2018 documentary) archive footage Biggie: The Life of Notorious B.I.G. (2017 documentary) archive footage Biggie: I Got a Story to Tell (2021 documentary) archive footage Transformers: Rise of the Beasts (2023) archive footage Television appearances New York Undercover (1995) as himself Martin (1995) as himself Who Shot Biggie & Tupac? (2017) archive footage Unsolved (2018) archive footage Awards and nominations See also List of murdered hip hop musicians Passage 5: Caspar Babypants Caspar Babypants is the stage name of children's music artist Chris Ballew, who is also the vocalist and bassist of The Presidents of the United States of America. History Ballew's first brush with children's music came in 2002, when he recorded and donated an album of traditional children's songs to the nonprofit Program for Early Parent Support titled "PEPS Sing A Long!" Although that was a positive experience for him, he did not consider making music for families until he met his wife, collage artist Kate Endle. Her art inspired Ballew to consider making music that "sounded like her art looked" as he has said. Ballew began writing original songs and digging up nursery rhymes and folk songs in the public domain to interpret and make his own. The first album, Here I Am!, was recorded during the summer of 2008 and released in February 2009. Ballew began to perform solo as Caspar Babypants in the Seattle area in January 2009. Fred Northup, a Seattle-based comedy improvisor, heard the album and offered to play as his live percussionist. Northrup also suggested his frequent collaborator Ron Hippe as a keyboard player. "Frederick Babyshirt" and "Ronald Babyshoes" were the Caspar Babypants live band from May 2009 to April 2012. Both Northup and Hippe appear on some of his recordings but since April 2012 Caspar Babypants has exclusively performed solo. The reasons for the change were to include more improvisation in the show and to reduce the sound levels so that very young children and newborns could continue to attend without being overstimulated. Ballew has made two albums of Beatles covers as Caspar Babypants. Baby Beatles! came out in September 2013 and Beatles Baby! came out in September 2015. Ballew runs the Aurora Elephant Music record label, books shows, produces, records, and masters the albums himself. Distribution for the albums is handled by Burnside Distribution in Portland, Oregon. Caspar Babypants has released a total of 17 albums. The 17th album, BUG OUT!, was released on May 1, 2020. His album FLYING HIGH! was nominated for a Grammy Award for Best Children's Album. All 17 of the albums feature cover art by Ballew's wife, Kate Endle. "FUN FAVORITES!" and "HAPPY HITS!" are two vinyl-only collections of hit songs that Caspar Babypants has released in the last couple of years. Discography AlbumsPEPS (2002) Here I Am! (Released 03/17/09) Special guests: Jen Wood, Fysah Thomas More Please! (Released 12/15/09) Special guests: Fred Northup, Ron Hippe This Is Fun! (Released 11/02/10) Special guests: Fred Northup, Ron Hippe, Krist Novoselic, Charlie Hope Sing Along! (Released 08/16/11) Special guests: Fred Northup, Ron Hippe, "Weird Al" Yankovic, Stone Gossard, Frances England, Rachel Loshak Hot Dog! (Released 04/17/12) Special guests: Fred Northup, Ron Hippe, Rachel Flotard (Visqueen) I Found You! (Released 12/18/12) Special guests: Steve Turner (Mudhoney), Rachel Flotard (Visqueen), John Richards Baby Beatles! (Released 09/15/13) Rise And Shine! (Released 09/16/14) Night Night! (Released 03/17/15) Beatles Baby! (Released 09/18/2015) Away We Go! (Released 08/12/2016) Winter Party! (Released 11/18/16) Jump For Joy! (Released 08/18/17) Sleep Tight! (Released 01/19/18) Keep It Real! (Released 08/17/18) Best Beatles! (Released 03/29/19) Flying High! (Released 08/16/19) Bug Out! (released 05/1/20) Happy Heart! (Released 11/13/20) Easy Breezy! (Released 11/05/21)AppearancesMany Hands: Family Music for Haiti CD (released 2010) – Compilation of various artists Songs Stories And Friends: Let's Go Play – Charlie Hope (released 2011) – vocals on Alouette Shake It Up, Shake It Off (released 2012) – Compilation of various artists Keep Hoping Machine Running – Songs Of Woody Guthrie (released 2012) – Compilation of various artists Apple Apple – The Harmonica Pocket (released 2013) – vocals on Monkey Love Simpatico – Rennee and Friends (released 2015) – writer and vocals on I Am Not Afraid Sundrops – The Harmonica Pocket (released 2015) – vocals on Digga Dog Kid Passage 6: O Valencia! "O Valencia!" is the fifth single by the indie rock band The Decemberists, and the first released from their fourth studio album, The Crane Wife. The music was written by The Decemberists and the lyrics by Colin Meloy. It tells a story of two star-crossed lovers. The singer falls in love with a person who belongs to an opposing gang. At the end of the song, the singer's lover jumps in to defend the singer, who is confronting his lover's brother (the singer's "sworn enemy") and is killed by the bullet intended for the singer. Track listing The 7" single sold in the UK was mispressed, with "Culling of the Fold" as the B-side despite the artwork and record label listing "After the Bombs" as the B-side. Music videos For the "O Valencia!" music video, The Decemberists filmed themselves in front of a green screen and asked fans to complete it by digitally adding in background images or footage. Stephen Colbert of The Colbert Report, having recently asked fans to do the same with a video of him with a light saber in front of a green screen, brought up The Decemberists on his segment "Look Who's Riding on My Coattails Now" and accused the band of stealing the idea. The Decemberists' response was to challenge Stephen Colbert to a guitar solo showdown on December 20, 2006, on The Colbert Report.On January 19, 2007, The Decemberists premiered an alternate music video of "O Valencia!", directed by Aaron Stewart-Ahn, on MTV2. The video follows a character named Patrick, played by Meloy, as he and his love Francesca (Lisa Molinaro), daughter of "the Boss", plan an escape to an unknown location. At a cafe, a man in a suit, portrayed by the band member Chris Funk, tells him to hide in the "Valencia" hotel (the Super Value Inn on North Interstate Avenue in Portland, Oregon) while he gets them the necessary documentation to escape. Above the name of the hotel, there is a neon sign that reads "Office". The letters have all burnt out except for the "O", creating the title of the song. The video then introduces other characters - various assassination teams - who sit in different rooms of the hotel waiting for the chance to catch the two lovers. Most are portrayed by other members of the band (along with Meloy's wife, Carson Ellis). They kill off any potential witnesses to their plan. Patrick manages to take down one member from each team, before they gang up on him. The Boss arrives, along with the man from the cafe, who reveals that he snitched on Patrick and Francesca. They execute Francesca, while forcing Patrick to watch. After they leave, Patrick finds a note by Francesca, which reveals that she never fell in love with him, and only wanted protection. 2 months later, Patrick and the man, who has lost an eye from a previous assassination attempt, have a sit-down at the same cafe. The man reveals that he snitched on Patrick just to take over the town. Patrick reveals that he poisoned a drink the man was having, but before he could get away, the man stabs Patrick in the neck with a fork before dying, followed by Patrick. The video is somewhat influenced by the distinct style and themes of director Wes Anderson, with bold fonts being used to introduce characters and groups on the bottom of the screen (much like in the film The Royal Tenenbaums). The band had previously (and more explicitly) drawn influence from Anderson's Rushmore in their video for "Sixteen Military Wives". The layout of the hotel is also similar to the one used in Bottle Rocket. Kurt Nishimura was chosen as the winner by mtvU for his video that depicted a love affair between a woman and her television, with the TV containing the green-screened Decemberists video footage. Passage 7: Richard T. Jones Richard Timothy Jones (born January 16, 1972) is an American actor. He has worked extensively in both film and television productions since the early 1990s. His television roles include Ally McBeal (1997), Judging Amy (1998–2005), CSI: Miami (2006), Girlfriends (2007), Grey's Anatomy (2010), Hawaii Five-0 (2011–2014), Narcos (2015), and Criminal Minds (2017). Since 2018, he has played Police Sergeant Wade Grey on the ABC police drama The Rookie.His film roles include portrayals of Lamont Carr in Disney's Full Court Miracle (2003), Laveinio "Slim" Hightower in Rick Famuyiwa's coming-of-age film The Wood (1999), Mike in Tyler Perry's dramatic films Why Did I Get Married? (2007) and Why Did I Get Married Too? (2010), and Captain Russell Hampton in the Hollywood blockbuster Godzilla (2014). Early life Jones was born in Kobe, Japan, to American parents and grew up in Carson, California. He is the son of Lorene, a computer analyst, and Clarence Jones, a professional baseball player who at the time of Jones' birth was playing for the Nankai Hawks in Osaka. He has an older brother, Clarence Jones Jr., who works as a high school basketball coach. They would return to North America after Clarence's retirement following the 1978 season. His parents later divorced. Jones attended Bishop Montgomery High School in Torrance, California, then graduated from Tuskegee University. Career Since the early 1990s, Jones has worked in both film and television productions.His first television role was in a 1993 episode of the series California Dreams. That same year, he appeared as Ike Turner, Jr. in What's Love Got to Do with It. From 1999 to 2005, he starred as Bruce Calvin van Exel in the CBS legal drama series Judging Amy.Over the next two decades, Jones starred or guest-starred in high-profile television series such as Ally McBeal (1997), CSI: Miami (2006), Girlfriends (2007), Grey's Anatomy (2010), Hawaii Five-0 (2011–2014), Narcos (2015), and Criminal Minds (2017).His film roles include portrayals of Lamont Carr in the Disney film Full Court Miracle (2003), Laveinio "Slim" Hightower in Rick Famuyiwa's coming-of-age film The Wood (1999), and Mike in Tyler Perry's dramatic films Why Did I Get Married? (2007) and Why Did I Get Married Too? (2010), and Captain Russell Hampton in the Hollywood blockbuster Godzilla (2014).From 2017 to 2018, Jones played Detective Tommy Cavanaugh in the CBS drama series Wisdom of the Crowd.Since February 2018, Jones has played the role of Sergeant Wade Gray in the ABC police procedural drama series The Rookie with Nathan Fillion. Personal life Joshua Media Ministries claims that its leader, David E. Taylor, mentors Jones in ministry, and that Jones has donated $1 million to its efforts. Filmography Film Television Passage 8: Lamman Rucker Lamman Rucker (born October 6, 1971) is an American actor. Rucker began his career on the daytime soap operas As the World Turns and All My Children, before roles in The Temptations, Tyler Perry's films Why Did I Get Married?, Why Did I Get Married Too?, and Meet the Browns, and its television adaptation. In 2016, he began starring as Jacob Greenleaf in the Oprah Winfrey Network drama series, Greenleaf. Rucker is married to Kelly Davis Rucker, a graduate of Hampton University. As of 2022, he stars in BET+ drama The Black Hamptons. Early life Rucker was born in Pittsburgh, Pennsylvania, the son of Malaya (née Ray) and Eric Rucker. He has partial ancestry from Barbados. Rucker spent his formative years in the greater Washington, DC, Maryland area. He first had an interest in acting after he was placed in many child pageants. His first acting role was as Martin Luther King in the 4th grade. He was in the drama club in 7th grade and then attended high school at the Duke Ellington School of the Arts in Washington, D.C. Rucker studied at Carnegie-Mellon University and Duquesne University.On August 29, 2019, he shared personal life experiences that he credits for his success with the Hampton University football team. Career His major role came in 2002 when he assumed the role of attorney T. Marshall Travers on the CBS daytime soap opera As the World Turns opposite Tamara Tunie. He left the series the following year and portrayed Garret Williams on ABC soap opera All My Children in 2005. He also had the recurring roles on the UPN sitcoms All of Us and Half & Half. Rucker is best known for his roles in the Tyler Perry's films. He co-starred in Why Did I Get Married? (2007) and Why Did I Get Married Too? (2010). He played Will Brown in 2008 film Meet The Browns. He later had a starring role on Perry's sitcom Meet the Browns reprising his role as Will from 2009 to 2011. The following year after Meet the Browns, Rucker was cast in the male lead role opposite Anne Heche in the NBC comedy series Save Me, but left after pilot episode. He later had roles in a number of small movies and TV movies. Rucker also had regular role opposite Mena Suvari in the short-lived WE tv drama series, South of Hell.In 2015, Rucker was cast as one of leads in the Oprah Winfrey Network drama series, Greenleaf. He plays Jacob Greenleaf, the eldest son of Lynn Whitfield' and Keith David's characters. Filmography Film Television Award nominations Passage 9: Kristian Leontiou Kristian Leontiou (born February 1982) is an English singer. Formerly a solo artist, he is the lead singer of indie rock band One eskimO. Early life Kristian Leontiou was born in London, England and is of Greek Cypriot descent. He went to Hatch End High School in Harrow and worked several jobs in and around London whilst concentrating on music when he had any free time. In 2003 he signed a major record deal with Polydor. At the time, Leontiou was dubbed "the new Dido" by some media outlets. His debut single "Story of My Life" was released in June 2004 and reached #9 in the UK Singles Chart. His second single "Shining" peaked at #13 whilst the album Some Day Soon was certified gold selling in excess of 150,000 copies. Leontiou toured the album in November 2004 taking him to the US to work with L.A Reid, Chairman of the Island Def Jam music group. Unhappy with the direction his career was going, on a flight back from the US in 2004 he decided to take his music in a new direction. Splitting from his label in late 2005, he went on to collaborate with Faithless on the song "Hope & Glory" for their album ‘'To All New Arrivals'’. It was this release that saw him unleash the One eskimO moniker. It was through working with Rollo Armstrong on the Faithless album, that Rollo got to hear an early demo of "Astronauts" from the One eskimO project. Being more than impressed by what he heard, Rollo opened both his arms and studio doors to Leontiou and they began to co-produce the ‘'All Balloons’' album. It was at this time that he paired up with good friend Adam Falkner, a drummer/musician, to introduce a live acoustic sound to the album. They recorded the album with engineer Phill Brown (engineer for Bob Marley and Robert Plant) at Ark studios in St John's Wood where they recorded live then headed back to Rollo's studio to add the cinematic electro touches that are prominent on the album. Shortly after its completion, One eskimO's "Hometime" was used on a Toyota Prius advert in the USA. The funds from the advert were then used to develop the visual aspect of One eskimO. He teamed up with friend Nathan Erasmus (Gravy Media Productions) along with animation team Smuggling Peanuts (Matt Latchford and Lucy Sullivan) who together began to develop the One eskimO world, the first animation produced was for the track ‘Hometime’ which went on to win a British animation award in 2008. In 2008 Leontiou started a new management venture with ATC Music. By mid-2008 Time Warner came on board to develop all 10 One eskimO animations which were produced the highly regarded Passion Pictures in London. Now with all animation complete and a debut album, One eskimO prepare to unveil themselves fully to the world in summer 2009. Leontiou released a cover version of Tracy Chapman's "Fast Car", which was originally released as a single in 2005. Leontiou's version was unable to chart, however, due to there being no simultaneous physical release alongside the download single, a UK chart rule that was in place at the time. On 24 April 2011, the song entered the singles chart at number 88 due to Britain's Got Talent contestant Michael Collings covering the track on the show on 16 April 2011. Discography Albums Singles Notes A - Originally released as a single in April 2005, Leontiou's version of "Fast Car" did not chart until 2011 in the UK. Also featured on Now That's What I Call Music! 58 (Story of My Life) Win a Date with Tad Hamilton! OST, Love Love Songs - The Ultimate Love Collection (Shining) Summerland OST (The Crying) Passage 10: Astrid North Astrid North (Astrid Karina North Radmann; 24 August 1973, West Berlin – 25 June 2019, Berlin) was a German soul singer and songwriter. She was the singer of the German band Cultured Pearls, with whom she released five Albums. As guest singer of the band Soulounge she published three albums. Career North had her first experiences as a singer with her student band Colorful Dimension in Berlin. In March 1992 she met B. La (Bela Braukmann) and Tex Super (Peter Hinderthür) who then studied at the Hochschule für Musik und Theater Hamburg and who were looking for a singer for their band Cultured Pearls. The trio entered the German charts with four singles and four albums. In 1994 North sang for the dance-pop band Big Light on their hit single Trouble Is. In 1996 she was a guest on the side project Little Red Riding Hood by Fury in the Slaughterhouse brothers Kai and Thorsten Wingenfelder which resulted in the release of the single Life's Too Short from the eponymous album.The song Sleepy Eyes, texted and sung by North, appears in the soundtrack of the movie Tor zum Himmel (2003) by director Veit Helmer. In 2003 she appeared at the festival Das Fest in Karlsruhe and sang alongside her own songs a cover version of the Aerosmith hit Walk This Way together with the German singer Sasha. North also toured with the American singer Gabriel Gordon.After the end of her band Cultured Pearls in 2003 North moved 2004 to New York City to write new songs, work with a number of different musicians and to experiment with her music.In 2005 she joined the charity project Home, which produced an album for the benefit of the orphans from the Beluga School for Life in Thailand which have been affected by the Indian Ocean earthquake in 2004 and the subsequent tsunami. Beside the orphans themselves also the following artists have been involved, guitarist Henning Rümenapp (Guano Apes), Kai Wingenfelder (Fury in the Slaughterhouse), Maya Saban and others. With Bobby Hebb Astrid North recorded a new version of his classic hit Sunny. It was the first time Hebb sung this song as duett and it appeared on his last album That's All I Wanna Know. North sang in 2006 My Ride, Spring Is Near and No One Can Tell on the album The Ride by Basic Jazz Lounge, a project by jazz trumpeter Joo Kraus. In addition, she worked as a workshop lecturer of the Popkurs at the Hochschule für Musik und Theater Hamburg. In spring 2010 North performed as the opening act of the Fakebling-Tour of Miss Platnum. The magazine Der Spiegel described her as one of the "leading ladies of the local soul scene". On 20 July 2012 her solo debut album North was released. On 16 September 2016 Astrid North released her second solo album, Precious Ruby, dedicated to her grandmother Precious Ruby North. North used crowdfunding to finance the album. The first single published from this album was the song Miss Lucy. In 2016 she also started her concert series North-Lichter in Berlin's Bar jeder Vernunft to which she invited singers such as Katharina Franck, Elke Brauweiler, Lizzy Scharnofske, Mia Diekow, Lisa Bassenge or Iris Romen. Life Astrid North was born in West Berlin, West Germany to Sondria North and Wolf-Dieter Radmann. She commuted between her birth city and her family in Houston, Texas until she was nine years old. In the USA she lived mainly with her grandparents and her time there significantly shaped her musical development.Besides her music career Astrid North worked also as lecturer in Hamburg at the Hochschule für Musik und Theater and as yoga teacher. North was the mother of two children, her daughter was born in 2001 and her son in 2006. Her sister Ondria North works as make-up artist and hair stylist in the German film industry. She died in June 2019 at the age of 45 years from pancreatic cancer. Discography with Cultured PearlsAlbums 1996: Sing Dela Sing (German chart position 92, 3 weeks) 1997: Space Age Honeymoon (German chart position 54, 6 weeks) 1999: Liquefied Days (German chart position 19, 9 weeks) 2002: Life on a Tuesday (German chart position 74, 1 week)Singles 1996: Tic Toc (1996) (German chart position 65, 10 weeks) 1997: Sugar Sugar Honey (German chart position 72, 9 weeks) 1998: Silverball (German chart position 99, 2 weeks) 1999: Kissing the Sheets (German chart position 87, 9 weeks)with Soulounge 2003: The Essence of the Live Event – Volume One 2004: Home 2006: Say It AllSolo 2005: Sunny (Single, Bobby Hebb feat. Astrid North) 2012: North (Album, 20. Juli 2012) 2013: North Live (Album, live recordings from different venues in Germany) 2016: Sunny (Compilation, Bobby Hebb feat. Astrid North) 2016: Precious Ruby (Album, 16. September 2016)as guest singer 1994: Trouble Is – Big Light (Single) 1996: Life's Too Short – Little Red Riding Hood (Single) 2006: Basic Jazz Lounge: The Ride – Joo Kraus (Album)

doc_86

Passage 1: World and Time Enough World and Time Enough is a 1994 independent gay-themed romantic comedy-drama written and directed by Eric Mueller and starring Gregory Giles, Matt Guidry, and Kraig Swartz. Cast Plot Narrated by their friend David (Swartz), World and Time Enough is the story of Mark (Guidry) and Joey (Giles). Mark is an HIV-positive art student who creates temporary "sculptures" on topics including AIDS, abortion and the Bush economy. Joey works as a garbage collector, picking up trash along the roadways. He sometimes brings home interesting items that he finds on the job. Mark's mother was killed when he was a child, in a freak accident in a church when she was crushed by a large falling cross. Since that day, his father has been obsessed with building model cathedrals. Mark and his father are somewhat distant and out of touch and Mark reaches out to him through a series of phone calls, leaving messages on his father's answering machine. Unknown to Mark, his father has died alone in his home but hasn't yet been discovered. Joey's relationship with his adoptive parents is also strained because of his father's issues with Joey's homosexuality. Although he remains close with his sister, Joey feels the need to seek out his birth parents through the adoption social service agency. Mark discovers his father's body and in his grief he assumes his father's obsession with cathedral building. Rather than a model, however, Mark begins work on a full-size cathedral in a local open field. Joey learns the identity of his birth parents, but also learns that they have died. He visits their gravesite and says the things there that he would have told them while they were alive. Mark experiences a vision of his father, who tells him that he's making a mistake, to go home. Mark feverishly climbs the scaffolding and falls off it to the ground. Joey discovers him there. Later, together, out of the scaffolds, surviving bits of Mark's sculptures and the things Joey's gathered, they build their own "cathedral." Production It was filmed on location in Edina and Minneapolis, Minnesota. The film was made with grants from the National Endowment for the Arts, the American Film Institute, and a local film organization. The final budget was about $60,000. Reception The film was generally well-received by critics, although having 2 heterosexual actors play romantic leads in an LGBTQ+ film was noted in reviews. Awards Passage 2: Michael Govan Michael Govan (born 1963) is the director of the Los Angeles County Museum of Art. Prior to his current position, Govan worked as the director of the Dia Art Foundation in New York City. Early life and education Govan was born in 1963 in North Adams, Massachusetts, and was raised in the Washington D.C. area, attending Sidwell Friends School.He majored in art history and fine arts at Williams College, where he met Thomas Krens, who was then director of the Williams College Museum of Art. Govan became closely involved with the museum, serving as acting curator as an undergraduate. After receiving his B.A. from Williams in 1985, Govan began an MFA in fine arts from the University of California, San Diego. Career As a twenty-five year old graduate student, Govan was recruited by his former mentor at Williams, Thomas Krens, who in 1988 had been appointed director of the Solomon R. Guggenheim Foundation. Govan served as deputy director of the Solomon R. Guggenheim Museum under Krens from 1988 to 1994, a period that culminated in the construction and opening of the Frank Gehry designed Guggenheim branch in Bilbao, Spain. Govan supervised the reinstallation of the museum's permanent collection galleries after its extensive renovation. Dia Art Foundation From 1994 to 2006, Govan was president and director of Dia Art Foundation in New York City. There, he spearheaded the conversion of a Nabisco box factory into the 300,000 square foot Dia:Beacon in New York's Hudson Valley, which houses Dia's collection of art from the 1960s to the present. Built in a former Nabisco box factory, the critically acclaimed museum has been credited with catalyzing a cultural and economic revival within the formerly factory-based city of Beacon. Dia's collection nearly doubled in size during Govan's tenure, but he also came under criticism for "needlessly and permanently" closing Dia's West 22nd Street building. During his time at Dia, Govan also worked closely with artists James Turrell and Michael Heizer, becoming an ardent supporter of Roden Crater and City, the artists' respective site-specific land art projects under construction in the American southwest. Govan successfully lobbied Washington to have the 704,000 acres in central Nevada surrounding City declared a national monument in 2015. LACMA In February 2006, a search committee composed of eleven LACMA trustees, led by the late Nancy M. Daly, recruited Govan to run the Los Angeles County Museum of Art. Govan has stated that he was drawn to the role not only because of LACMA's geographical distance from its European and east coast peers, but also because of the museum's relative youth, having been established in 1961. "I felt that because of this newness I had the opportunity to reconsider the museum," Govan has written, "[and] Los Angeles is a good place to do that."Govan has been widely regarded for transforming LACMA into both a local and international landmark. Since Govan's arrival, LACMA has acquired by donation or purchase over 27,000 works for the permanent collection, and the museum's gallery space has almost doubled thanks to the addition of two new buildings designed by Renzo Piano, the Broad Contemporary Art Museum (BCAM) and the Lynda and Stewart Resnick Pavilion. LACMA's annual attendance has grown from 600,000 to nearly 1.6 million in 2016. Artist collaborations Since his arrival, Govan has commissioned exhibition scenography and gallery designs in collaboration with artists. In 2006, for example, Govan invited LA artist John Baldessari to design an upcoming exhibition about the Belgian surrealist René Magritte, resulting in a theatrical show that reflected the twisted perspective of the latter's topsy-turvy world. Baldessari has also designed LACMA's logo. Since then, Govan has also commissioned Cuban-American artist Jorge Pardo to design LACMA's Art of the Ancient Americas gallery, described in the Los Angeles Times as a "gritty cavern deep inside the earth ... crossed with a high-style urban lounge."Govan has also commissioned several large-scale public artworks for LACMA's campus from contemporary California artists. These include Chris Burden's Urban Light (2008), a series of 202 vintage street lamps from different neighborhoods in Los Angeles, arranged in front of the entrance pavilion, Barbara Kruger's Untitled (Shafted) (2008), Robert Irwin's Primal Palm Garden (2010), and Michael Heizer's Levitated Mass, a 340-ton boulder transported 100 miles from the Jurupa Valley to LACMA, a widely publicized journey that culminated with a large celebration on Wilshire Boulevard. Thanks in part to the popularity of these public artworks, LACMA was ranked the fourth most instagrammed museum in the world in 2016.In his first three full years, the museum raised $251 million—about $100 million more than it collected during the three years before he arrived. In 2010, it was announced that Govan will steer LACMA for at least six more years. In a letter dated February 24, 2013, Govan, along with the LACMA board's co-chairmen Terry Semel and Andrew Gordon, proposed a merger with the financially troubled Museum of Contemporary Art, Los Angeles and a plan to raise $100 million for the combined museum. Zumthor Project Govan's latest project is an ambitious building project, the replacement of four of the campus's aging buildings with a single new state of the art gallery building designed by architect Peter Zumthor. As of January 2017, he has raised about $300 million in commitments. Construction is expected to begin in 2018, and the new building will open in 2023, to coincide with the opening of the new D Line metro stop on Wilshire Boulevard. The project also envisages dissolving all existing curatorial departments and departmental collections. Some commentators have been highly critical of Govan's plans. Joseph Giovannini, recalling Govan's technically unrealizable onetime plan to hang Jeff Koons' Train sculpture from the facade of the Ahmanson Gallery, has accused Govan of "driving the institution over a cliff into an equivalent mid-air wreck of its own". Describing the collection merging proposal as the creation of a "giant raffle bowl of some 130,000 objects", Giovannini also points out that the Zumthor building will contain 33% less gallery space than the galleries it will replace, and that the linear footage of wall space available for displays will decrease by about 7,500 ft, or 1.5 miles. Faced with losing a building named in its honor, and anticipating that its acquisitions could no longer be displayed, the Ahmanson Foundation withdrew its support. On the merging of the separate curatorial divisions to create a non-departmental art museum, Christopher Knight has pointed out that "no other museum of LACMA's size and complexity does it" that way, and characterized the museum's 2019 "To Rome and Back" exhibition, the first to take place under the new scheme, as "bland and ineffectual" and an "unsuccessful sample of what's to come". Personal life Govan is married and has two daughters, one from a previous marriage. He and his family used to live in a $6 million mansion in Hancock Park that was provided by LACMA - a benefit worth $155,000 a year, according to most recent tax filings - until LACMA decided that it would sell the property to make up for the museum's of almost $900 million in debt [2]. That home is now worth nearly $8 million and Govan now lives in a trailer park in Malibu's Point Dume region. Los Angeles CA 90020 United States. He has had a private pilot's license since 1995 and keeps a 1979 Beechcraft Bonanza at Santa Monica Airport. Passage 3: Ian Barry (director) Ian Barry is an Australian director of film and TV. Select credits Waiting for Lucas (1973) (short) Stone (1974) (editor only) The Chain Reaction (1980) Whose Baby? (1986) (mini-series) Minnamurra (1989) Bodysurfer (1989) (mini-series) Ring of Scorpio (1990) (mini-series) Crimebroker (1993) Inferno (1998) (TV movie) Miss Lettie and Me (2002) (TV movie) Not Quite Hollywood: The Wild, Untold Story of Ozploitation! (2008) (documentary) The Doctor Blake Mysteries (2013) Passage 4: Peter Levin Peter Levin is an American director of film, television and theatre. Career Since 1967, Levin has amassed a large number of credits directing episodic television and television films. Some of his television series credits include Love Is a Many Splendored Thing, James at 15, The Paper Chase, Family, Starsky & Hutch, Lou Grant, Fame, Cagney & Lacey, Law & Order and Judging Amy.Some of his television film credits include Rape and Marriage: The Rideout Case (1980), A Reason to Live (1985), Popeye Doyle (1986), A Killer Among Us (1990), Queen Sized (2008) and among other films. He directed "Heart in Hiding", written by his wife Audrey Davis Levin, for which she received an Emmy for Best Day Time Special in the 1970s. Prior to becoming a director, Levin worked as an actor in several Broadway productions. He costarred with Susan Strasberg in "[The Diary of Ann Frank]" but had to leave the production when he was drafted into the Army. He trained at the Carnegie Mellon University. Eventually becoming a theatre director, he directed productions at the Long Wharf Theatre and the Pacific Resident Theatre Company. He also co-founded the off-off-Broadway Theatre [the Hardware Poets Playhouse] with his wife Audrey Davis Levin and was also an associate artist of The Interact Theatre Company. Passage 5: M. Venkataraju M Venkataraju (1916-1969) was a music director/composer of Kannada cinema. Filmography List of filmsBhakta Kanakadasa (1960) Raja Satyavrata (1961) Swarna Gowri (1962) Thejaswini (1962) Sri Dharmasthala Mahathme (1962) Nanda Deepa (1963) Jeevana Tharanga (1963) Chandra Kumara (In association with T.Chalapathi Rao) (1963) Passage 6: John Donatich John Donatich is the Director of Yale University Press. Early life He received a BA from New York University in 1982, graduating magna cum laude. He also got a master's degree from NYU in 1984, graduating summa cum laude. Career Donatich worked as director of National Accounts at Putnam Publishing Group from 1989 to 1992.His writing has appeared in various periodicals including Harper's, The Atlantic Monthly and The Village Voice. He worked at HarperCollins from 1992 to 1996, serving as director of national accounts and then as vice president and director of product and marketing development.From 1995 to 2003, Donatich served as publisher and vice president of Basic Books. While there, he started the Art of Mentoring series of books, which would run from 2001 to 2008. While at Basic Books, Donatich published such authors as Christopher Hitchens, Steven Pinker, Samantha Power, Alan Dershowitz, Sir Martin Rees and Richard Florida. In 2003, Donatich became the director of the Yale University Press. At Yale, Donatich published such authors as Michael Walzer, Janet Malcolm, E. H. Gombrich, Michael Fried, Edmund Morgan and T. J. Clark. Donatich began the Margellos World Republic of Letters, a literature in translation series that published such authors as Adonis, Norman Manea and Claudio Magris. He also launched the digital archive platform, The Stalin Digital Archive and the Encounters Chinese Language multimedia platform. In 2009, he briefly gained media attention when he was involved in the decision to expunge the Muhammad cartoons from the Yale University Press book The Cartoons that Shook the World, for fear of Muslim violence.He is the author of a memoir, Ambivalence, a Love Story, and a novel, The Variations. Books Ambivalence, a Love Story: Portrait of a Marriage (memoir), St. Martin's Press, 2005. The Variations (novel), Henry Holt, March, 2012 Articles Why Books Still Matter, Journal of Scholarly Publishing, Volume 40, Number 4, July 2009, pp. 329–342, E-ISSN 1710-1166 Print ISSN 1198-9742 Personal life Donatich is married to Betsy Lerner, a literary agent and author; together they have a daughter, Raffaella. Passage 7: Olav Aaraas Olav Aaraas (born 10 July 1950) is a Norwegian historian and museum director. He was born in Fredrikstad. From 1982 to 1993 he was the director of Sogn Folk Museum, from 1993 to 2010 he was the director of Maihaugen and from 2001 he has been the director of the Norwegian Museum of Cultural History. In 2010 he was decorated with the Royal Norwegian Order of St. Olav. Passage 8: Dana Blankstein Dana Blankstein-Cohen (born March 3, 1981) is the executive director of the Sam Spiegel Film and Television School. She was appointed by the board of directors in November 2019. Previously she was the CEO of the Israeli Academy of Film and Television. She is a film director, and an Israeli culture entrepreneur. Biography Dana Blankstein was born in Switzerland in 1981 to theatre director Dedi Baron and Professor Alexander Blankstein. She moved to Israel in 1983 and grew up in Tel Aviv. Blankstein graduated from the Sam Spiegel Film and Television School, Jerusalem in 2008 with high honors. During her studies she worked as a personal assistant to directors Savi Gabizon on his film Nina's Tragedies and to Renen Schorr on his film The Loners. She also directed and shot 'the making of' film on Gavison's film Lost and Found. Her debut film Camping competed at the Berlin International Film Festival, 2007. Film and academic career After her studies, Dana founded and directed the film and television department at the Kfar Saba municipality. The department encouraged and promoted productions filmed in the city of Kfar Saba, as well as the established cultural projects, and educational community activities. Blankstein directed the mini-series "Tel Aviviot" (2012). From 2016-2019 was the director of the Israeli Academy of Film and Television. In November 2019 Dana Blankstein Cohen was appointed the new director of the Sam Spiegel Film and Television School where she also oversees the Sam Spiegel International Film Lab. In 2022, she spearheaded the launch of the new Series Lab and the film preparatory program for Arabic speakers in east Jerusalem. Filmography Tel Aviviot (mini-series; director, 2012) Growing Pains (graduation film, Sam Spiegel; director and screenwriter, 2008) Camping (debut film, Sam Spiegel; director and screenwriter, 2006) Passage 9: Eric Mueller Eric C. Mueller (born November 6, 1970) is a former Olympic and National team rower, representing the United States at the 1996 and 2000 Olympics. He was born in Kansas City, Missouri. Mueller, one of the most successful men's rowers in Wisconsin history, begins his third season as the Badgers' freshmen coach. Mueller returns to Madison for the second time as an assistant coach. He spent 1998–99 as the assistant varsity coach, before leaving to train for the 2000 Olympic Summer Games in Sydney, Australia. During his previous stint, he was responsible for the Badgers' small boats and led them to four gold medals and one silver medal at the Intercollegiate Rowing Association national championships. The result helped Wisconsin begin a four-year run as winners of the Ten Eyck Trophy as national team points champion. Since his return, the UW freshmen have improved from a bottom six national finish in the year before his joining the program to a return to the national grand finals. As a rower, Mueller secured three letters at Wisconsin while a member of the varsity eight from 1991–93. At national championships during his career, the boat placed sixth, once, and ninth, twice. A Cedarburg, native, Mueller earned a bachelor's degree in mechanical engineering from Wisconsin in 1994. Following his Badger career, Mueller went on to win an Olympic silver medal in the men's quadruple sculls in 1996 in Atlanta. He also placed fifth at the 2000 Olympics with the men's four. U.S. national team member in 1995, ‘96, ‘00, ‘01 and ‘02, he was part of the men's eight champion at the 2002 World Cup in Lucerne, Switzerland, and finished third at the 2002 World Championships in Seville, Spain. His men's four took fourth at the 2001 World Championships, while his men's eight was a bronze medalist at the 2000 World Cup, again in Lucerne. He also won a bronze medal with the men's quadruple sculls in Lucerne at the 1996 World Cup. Passage 10: John Farrell (businessman) John Farrell is the director of YouTube in Latin America. Education Farrell holds a joint MBA degree from the University of Texas at Austin and Instituto Tecnologico de Estudios Superiores de Monterrey (ITESM). Career His business career began at Skytel, and later at Iridium as head of Business Development, in Washington DC, where he supported the design and launched the first satellite location service in the world and established international distribution agreements.He co-founded Adetel, the first company to provide internet access to residential communities and businesses in Mexico. After becoming General Manager of Adetel, he developed a partnership with TV Azteca in order to create the first internet access prepaid card in the country known as the ToditoCard. Later in his career, John Farrell worked for Televisa in Mexico City as Director of Business Development for Esmas.com. There he established a strategic alliance with a leading telecommunications provider to launch co-branded Internet and telephone services. He also led initial efforts to launch social networking services, leveraging Televisa’s content and media channels. Google Farrel joined Google in 2004 as Director of Business Development for Asia and Latin America. On April 7, 2008, he was promoted to the position of General Manager for Google Mexico, replacing Alonso Gonzalo. He is now director of YouTube in Latin America, responsible for developing audiences, managing partnerships and growing Google’s video display business. John is also part of Google’s Latin America leadership management team and contributes to Google’s strategy in the region. He is Vice President of the IAB (Interactive Advertising Bureau), a member of the AMIPCI (Mexican Internet Association) Advisory Board, an active Endeavor mentor, and member of YPO.

doc_87

Passage 1: Salang River The Salang is a 438 kilometre long river of Afghanistan, flowing through Parwan Province. It is a tributary of the Indus River and the Ghorband River and the Panjshir River and the Kabul River. Geography The Salang River originates on the south side of the central mountains of the Hindu Kush in the north-east of Salang Pass, which links the region to Kabul with the northern part of the country. Its valley and the Salang Pass form an important international waterway. It is north–south oriented. The Salang flows into the Ghorband River at the locality of Jabal Saraj in Parwan. In Jabal Saraj, the average annual flow module between 1961 and 1964 was about 763 millimeters per year, which is considered a high rate. Passage 2: Pigna Barney River Pigna Barney River, a partly perennial river of the Manning River catchment, is located in the Upper Hunter district of New South Wales, Australia. Course and features Pigna Barney River rises on the eastern slopes of Mount Royal Range, south of the locale of Glenrock, and flows generally east by south before reaching its confluence with the Manning River, south of Mount Myra. The river descends 818 metres (2,684 ft) over its 40 kilometres (25 mi) course. See also Rivers of New South Wales List of rivers of New South Wales (L–Z) List of rivers of Australia Passage 3: Trubizh River The Trubizh (Ukrainian: Трубі́ж, Russian: Трубе́ж) is a river entirely located in Ukraine, a left tributary of Dnieper. It falls into the Dnieper's Kaniv Reservoir (named after Kaniv). It is 113 kilometres (70 mi) long, and has a drainage basin of 4,700 square kilometres (1,800 sq mi).Major cities: Pereiaslav. Passage 4: Tesechoacan River The Tesechoacan River is a river of Mexico in Veracruz state. It is formed where the Cajones River joins the Manso River, both flowing eastward from the Sierra Madre de Oaxaca and is a tributary of the Papaloapan River. See also List of rivers of Mexico Passage 5: Lunga River (Zambia) The Lunga River is the name of two rivers in Zambia. One is a tributary of the Kafue River and the other a tributary of the Kabompo River, both of which are tributaries of the Zambezi. Passage 6: Yadboro River Yadboro River, a perennial river of the Clyde River catchment, is located in the Southern Tablelands and the upper ranges of the South Coast regions of New South Wales, Australia. Course and features Yadboro River rises below Currockbilly Mountain on the eastern slopes of the Budawang Range within Budawang National Park, east northeast of Braidwood, and flows generally northerly parallel to the range, then east, joined by one minor tributary before reaching its confluence with the Clyde River at Campus Head, near Yadboro Flat. The river descends 965 metres (3,166 ft) over its 26 kilometres (16 mi) course. See also Rivers of New South Wales List of rivers of New South Wales (L–Z) List of rivers of Australia Passage 7: Peters Creek (Pennsylvania) Peters Creek is a 16.8-mile-long (27.0 km) tributary of the Monongahela River and part of the Ohio River and Mississippi River watersheds, flowing through southwestern Pennsylvania in the United States. Variant names According to the Geographic Names Information System, it has also been known historically as: Peter's Creek Course Peters Creek starts in Nottingham Township in Washington County and runs generally northerly until it joins the Monongahela River at Clairton in Allegheny County. Watershed The Peters Creek watershed is a diverse fifty square miles in southwestern Allegheny County and northeastern Washington County. From the heavy industry in the east where Peters Creek enters the Monongahela River, to the commercial northeast, the suburban northern communities, and the still rural and farming south, the watershed is a veritable patchwork of land use types. There is also a county park, a turnpike, a landfill, and a coal mining legacy to add to the mix. Some communities are relatively stable while others are undergoing rapid development. Peters Creek and its tributaries provide utility to them all in a myriad of ways. Tributaries Lewis Run, in Jefferson Hills Beam's Run, in Jefferson Hills Lick Run, in South Park Township Piney Fork Run, in South Park TownshipPeters Creek also collects numerous unnamed tributaries along its course. Water quality and recreation Because of past water quality issues, Peters Creek was not considered to have any recreational purpose, but since the 1990s the water quality has improved dramatically. Once plagued with garbage and acid mine drainage, the water quality is now high enough to support its own fish population, which includes trout, bass, catfish, carp, and bluegill. It is now again possible to enjoy the stream through such activities as fishing, swimming, and during high water, kayaking. There is also a new bike trail that runs along its bank, formerly part of the Montour Railroad. See also List of rivers of Pennsylvania Passage 8: Crocodile River (Limpopo) The Crocodile River (Tswana: Oodi, Afrikaans: Krokodilrivier) is a river in South Africa. At its confluence with the Marico River, the Limpopo River is formed. Course The Crocodile River has its source in the Witwatersrand mountain range, originating in Constantia Kloof, Roodepoort, Gauteng province. The first dam on the river is the Lake Heritage Dam just west of Lanseria International Airport. Just north of this airport is its confluence with the Jukskei River. Further downstream into the North West province are the Hartbeespoort Dam and the Roodekoppies Dam. Beyond the Hartbeespoort Dam, the stream passes the town of Brits. The Elands River joins downstream from the Vaalkop Dam, about 20 km further the Pienaars River joins its right bank, shortly after exiting the Klipvoor Dam. In Limpopo province, about 35 km further, the river passes the town of Thabazimbi and meanders for many miles through a sparsely inhabited area before joining the Marico River just west of Rooibokkraal at the limit of North West province to form the start of the Limpopo River. Tributaries The tributaries of the Crocodile River include the Bloubankspruit, Hennops River, Jukskei River, Magalies River, Sterkstroom River, Rosespruit, Skeerpoort River, Kareespruit, Elands River, Bierspruit River and Sundays River. Pollution The Crocodile River is one of the most polluted river systems in South Africa. The effects of pollution from two of South Africa's metropolitan areas, Johannesburg and Tshwane, has been detrimental to the ecology of the system. Untreated industrial, mining, agricultural and household waste has deteriorated the water quality throughout most of its course and led to massive algal blooms in the Hartbeespoort Dam and Roodekoppies Dam. Invasive plant species have negatively affected the integrity of the system. Unsustainable farming practices have led to sediment overloads and erosion further harming the river. Dams The Crocodile River is part of the Crocodile (West) and Marico Water Management Area. Dams in the river basin are: Hartbeespoort Dam Roodekoppies Dam Rietvlei Dam, in the Rietvlei River Bon Accord Dam and Leeukraal Dam, in the Apies River Klipvoor Dam and Roodeplaat Dam, in the Pienaars/Moretele River Vaalkop Dam, in the Elands River Bospoort Dam, in the Hex River (Matshukubjana) See also Drainage basin A List of rivers of South Africa List of reservoirs and dams in South Africa Passage 9: São Sebastião River There are two rivers named São Sebastião River in Brazil: São Sebastião River (Espírito Santo) São Sebastião River (Paraná) See also São Sebastião (disambiguation) Passage 10: Etheostoma obama Etheostoma obama, the spangled darter, is a species of freshwater ray-finned fish, a darter from the subfamily Etheostomatinae, part of the family Percidae, which also contains the perches, ruffes and pikeperches. It is endemic to the eastern United States where it is only known to occur in the Duck River and the Buffalo River, both in Tennessee. Discovery and naming Steven Layman of Geosyntec Consultants and Rick Mayden of Saint Louis University studied the freshwater darters, most of which are native to Alabama and Tennessee in the United States. While they were studying color variation of Etheostoma stigmaeum, the speckled darter, Layman and Mayden discovered that there were populations with enough variation that they should be described as unique species.This species was one of five distinct species of fish that were named after former U.S. presidents and a vice-president, based on their leadership in conservation. E. obama was named after Barack Obama, for his work "particularly in the areas of clean energy and environmental protection, and because he is one of our first leaders to approach conservation and environmental protection from a more global vision," according to Layman. Description Etheostoma obama males have bright orange and iridescent blue speckles, stripes, and checked patterns, with a bright fan-shaped fin that has orange stripes. The males can reach up to 48 mm (1.9 in) long, while the females reach 43 mm (1.7 in) long. 29% of the studied fish had palatine teeth. See also List of organisms named after famous people (born 1950–present)

doc_88

Passage 1: George Gordon, 2nd Earl of Huntly George Gordon, 2nd Earl of Huntly (died 8 June 1501) was a Scottish nobleman and Chancellor of Scotland from 1498 to 1501. Life George was the son of Alexander (Seton) Gordon, 1st Earl of Huntly and his second wife Elizabeth Crichton, daughter of William Crichton, 1st Lord Crichton. George is first mentioned by name in 1441 when the lands which later became part of the Earldom were settled on him and his heirs. George was almost certainly born shortly before this time, c. 1441 as his parents married before 18 March 1439–40.In his contract with Elizabeth Dunbar, Countess of Moray, dated 20 May 1455 he is styled the Master of Huntley. He is addressed as "Sir George Seton, knight", in a royal precept dated 7 March 1456–7, and in a crown charter dated a year later he uses the name of Gordon for the first time, indicating he had assumed that surname. As George, Lord Gordon, he was keeper of the castles of Kildrummy, Kindrochat and Inverness. He succeeded his father as Earl of Huntly c. 15 July 1470.Shortly after becoming Earl of Huntly he was involved with the Earl of Ross in a private war in which the king, James III of Scotland, interceded. Ross was charged with treason, but after refusing a summons from the king, was outlawed. One of the expeditions sent against the errant Earl of Ross was led by Alexander. After he captured Dingwall Castle and pressed his army into Lochaber, Ross relented and sought pardon for his actions from the king. In 1479 he was justiciary north of the River Forth, one of his primary duties was the suppression of feuds between Highland clans. In 1497 George Gordon was appointed High Chancellor of Scotland, the honour probably bestowed at the same time as his daughter Catherine married Perkin Warbeck, an adventurer in favour with King James IV of Scotland. George was Chancellor until 1500. George, the second earl, died at Stirling Castle on 8 June 1501. Family On 20 May 1455, George Gordon was married by contract to Lady Elizabeth Dunbar, daughter of James Dunbar, 7th Earl of Moray. The marriage was annulled due to affinity, before March 1459–60; the couple had no children.George secondly married, before March 1459–60, Princess Annabella of Scotland, youngest daughter of King James I of Scotland and Joan Beaufort (the granddaughter of John of Gaunt). After several years of marriage, the Earl of Gordon instituted proceedings to have this marriage annulled as well, on the grounds that Princess Annabella was related in the third and fourth degrees of consanguinity to his first wife, Elizabeth Dunbar, and the marriage was dissolved on 24 July 1471.George Gordon had a number of children, but with few exceptions, there remains no clear consensus as to which child was of the second marriage and which was of the third: Lady Isabella Gordon (d. 1485), wife of William Hay, 3rd Earl of Erroll (d. 1507). Alexander Gordon, 3rd Earl of Huntly (died 21 January 1523/24) Adam Gordon, who married Lady Elizabeth de Moravia, daughter and heir of John de Moravia, 8th Earl of Sutherland, and in her right became Countess of Sutherland after her brother's death. Their son was Alexander Gordon, Master of Sutherland. William Gordon, who married Janet Ogilvy and was the ancestor of the Gordons of Gight, from whom Lord Byron was a descendant. James Gordon, mentioned in an entail in 1498. Lady Janet Gordon, who married firstly, Alexander Lindsay, Master of Crawfurd; secondly, Patrick, Master of Gray (annulled); thirdly, Patrick Buttar of Gormark; and fourthly, James Halkerston of Southwood. She died before February 1559. Lady Elizabeth Gordon, mother was Annabella, who was contracted to marry William Keith, 3rd Earl Marischal, in 1481.George obtained an annulment from his second marriage on 24 July 1471. He then married, thirdly, his mistress, Lady Elizabeth Hay, daughter of William Hay, 1st Earl of Erroll, and swore a solemn oath to have no 'actual delen' with the lady until after they were married. He married Elizabeth Hay on 12 May 1476, and they had the following children: Lady Catherine Gordon (died October 1537), probably a daughter of Elizabeth Hay, she married firstly, Perkin Warbeck (d. 1499), notorious for claiming to be Richard of Shrewsbury, 1st Duke of York, one of the young princes who disappeared from history in the Tower of London; she married secondly, James Strangeways of Fyfield (d. 1515); she married thirdly, Matthew Cradock of Swansea (d. 1531); and she married fourthly, Christopher Assheton of Fyfield. She was well received at the court of King Henry VII of England, who styled her "the White Rose." She had no issue by any of her four husbands. Lady Eleanor Gordon Lady Agnes Gordon Notes Passage 2: Hubba bint Hulail Hubba bint Hulail (Arabic: حبة بنت هليل) was the grandmother of Hashim ibn 'Abd Manaf, thus the great-great-great-grandmother of the Islamic prophet Muhammad. Biography Hubbah was the daughter of Hulail ibn Hubshiyyah ibn Salul ibn Ka’b ibn Amr al-Khuza’i of Banu Khuza'a who was the trustee and guardian of the Ka‘bah (Arabic: كَـعْـبَـة, 'Cube'). She married Qusai ibn Kilab and after her father died, the keys of the Kaaba were committed to her. Qusai, according to Hulail's will, had the trusteeship of the Kaaba after him. Hubbah never gave up ambitious hopes for the line of her favourite son Abd Manaf. Her two favourite grandsons were the twin sons Amr and Abd Shams, of ‘Ātikah bint Murrah. Hubbah hoped that the opportunities missed by Abd Manaf would be made up for in these grandsons, especially Amr, who seemed much more suitable for the role than any of the sons of Abd al-Dar. He was dear to the ‘ayn (Arabic: عـيـن, eye) of his grandmother Hubbah. Family Qusai ibn Kilab had four sons by Hubbah: Abd-al-Dar ibn Qusai dedicated to his house, Abdu’l Qusayy dedicated to himself, Abd-al-Uzza ibn Qusai to his goddess (Al-‘Uzzá) and Abd Manaf ibn Qusai to the idol revered by Hubbah. They also had two daughters, Takhmur and Barrah. Abd Manaf's real name was 'Mughirah', and he also had the nickname 'al-Qamar' (the Moon) because he was handsome. Hubbah was related to Muhammad in more than one way. Firstly, she was the great-great-grandmother of his father Abdullah. She was also the great-grandmother of Umm Habib and Abdul-Uzza, respectively the maternal grandmother and grandfather of Muhammad's mother Aminah. Family tree * indicates that the marriage order is disputed Note that direct lineage is marked in bold. See also Family tree of Muhammad List of notable Hijazis Passage 3: James Gordon, 2nd Viscount Aboyne James Gordon, 2nd Viscount Aboyne (c. 1620 – February 1649) was the second son of George Gordon, 2nd Marquess of Huntly, a Scottish royalist commander in the Wars of the Three Kingdoms. Early life Aboyne was a member of the powerful Gordon family, who were notable for their Roman Catholic sympathies in a kingdom where supporters of the Protestant Reformation controlled the central government. Although there is little direct evidence for Aboyne's personal religious views, he was clearly opposed to extreme Protestantism, and he played a significant role in recruiting Catholics for the royalist cause. He was educated at King's College, Aberdeen, and earned youthful military experience in France, where his father commanded of the Garde Écossaise. Unusually for a younger son, James Gordon also inherited a peerage, becoming 2nd Viscount Aboyne in 1636. The Bishops' Wars In 1639, the First Bishops' War broke out, in which the Protestant faction known as the Covenanters attempted to seize control of church and state. The Covenanter army dispatched the dashing young James Graham, Earl of Montrose to deal with the Gordons. Viscount Aboyne was just nineteen, but he seems to have been regarded throughout the campaign as the effective leader of the anti-Covenanter forces, even before his father and elder brother surrendered. Later, he continued the war in spite of a lack of effective support from King Charles's royal government. The teenage general suffered two reverses in June 1639 at Megray Hill and Brig o' Dee, attributed to unsteady infantry and dissent between his officers, but his losses were light, and his cavalry performed credibly, remaining in the field until they learned that the king had made peace with the Covenanters. It is also worth noting that Aboyne's defence of Aberdeen at Brig o'Dee was so determined that the battle lasted two days (18 and 19 June) before Montrose finally dislodged him. In this short campaign, the Gordon cavalry anticipated the tactics of the English Civil War: they often moved as a mounted column without infantry support, and they usually charged with the sword, discovering how ineffective a pistol caracole could be at Megray. Unusually, it seems that Aboyne's elite troop of one hundred "gentleman volunteer cuirassiers" were clad in full armour, in contrast to the buff coats and breastplate now favored by most cavalry regiments. This was still sought-after equipment, as it gave protection against bullet and sword-thrusts, and in the English Civil War it was worn by generals' bodyguards and the famous London lobsters. Scottish Civil War For the next few years, a tenuous peace held in Scotland. Viscount Aboyne seems to have kept a low profile, living partially in England, but in 1642, the First English Civil War broke out, setting King Charles against his Parliament. Aboyne now worked hard to arrange a military alliance with Clan Donald and the Irish Confederates, and came to be associated politically with the Scottish earls of Nithsdale, Crawford and Airlie - all open or suspected Catholics. Not unreasonably, their enemies saw this as a war plan to restore the old religion. But Aboyne also found common cause with his former opponent Montrose, a loyal royalist as well as a committed Presbyterian; both of them believed the Scottish Covenanters were now likely to enter the war on Parliament's side. Aboyne spent 1644 with royalist forces around Carlisle, while his brothers raised the family's forces in the north. The next spring, he returned to Scotland, fighting in Montrose's victories at Auldearn, Alford, and at Kilsyth; in each battle, he led a flanking charge on the left wing that broke the Covenanters' right. After Alford, there is some evidence that he was promoted in the peerage, under the title of Earl of Aboyne. Yet while the army was victorious on the field, Aboyne's personal position was increasingly difficult. His father, the Marquess of Huntly, believed the family's troops should be used to eliminate the Covenanters in the north - in contrast with Montrose, who intended to march south into England. At the same time, the relationship between Montrose and Aboyne was becoming strained, not least when the Earl of Crawford was appointed to command the army's cavalry, an awkward role when Aboyne commanded the only large mounted force. In September 1645, Aboyne and the Gordon cavalry withdrew to the north, shortly before the Battle of Philiphaugh. With hindsight, Aboyne's action is sometimes said to have cost the royalists the battle and the war. In reality, the war was far from over at Philiphaugh. Montrose moved north, and in spite of Huntly's increasingly pathological inability to cooperate with him, the royalist armies proved largely successful in the field. Aboyne, caught between his father and his general, busied himself raising troops in the central Highlands. The cause was undermined not by the Scottish war, but by the weakening position of the king in England. At the end of April 1646, King Charles decided that the best course was joining the Covenanters, and ordered his Scottish troops to lay down their arms. Outlaw and exile Huntly and Aboyne doubted the Covenanters' mercy, and with their cavalry, they withdrew into the Highlands to wage a guerilla war. They remained under arms until December 1647, when the Marquess was captured in a Covenanter raid. Aboyne escaped, but he had only a few troops left. Excluded from the general pardons issued to Scots royalists, he is said to have fled to France and died in exile in Paris around February 1649 - of a fever according to some, while others say he died of grief at the news of King Charles's beheading. Viscount Aboyne had never married, and his title thus became extinct, although the title of Earl of Aboyne was later revived for his younger brother. Since his elder brother's death at Alford, he had also been heir to the Marquessate (with the courtesy title Earl of Enzie, although this was rarely used); these dignities now passed to his younger brother, Lord Lewis Gordon. == Bibliography == Passage 4: John Gordon, 3rd Earl of Aboyne John Gordon, 3rd Earl of Aboyne (April 1700 – 7 April 1732) was the son of Charles Gordon, 2nd Earl of Aboyne and Elizabeth Lyon. He succeeded his father as 3rd Earl of Aboyne in April 1702. On the date of his death 7 April 1732, he was succeeded in his titles by his eldest son. He was just 32 years old. Family He married Grace Lockhart, daughter of George Lockhart and Lady Euphemia Montgomerie, on 20 June 1724, and had issue: 1. Charles Gordon, 4th Earl of Aboyne (c1726-1794): by his first wife, Lady Margaret Stewart, daughter of Alexander Stewart, 6th Earl of Galloway and Lady Catherine Cochrane Lady Margaret Gordon b. 1760, d. 23 May 1786, married William Thomas Beckford, son of William Beckford and Maria Hamilton, daughter of the Hon. George Hamilton George Gordon, 9th Marquess of Huntly b. 28 Jun 1761, d. 17 Jun 1853, married Catherine Cope, daughter of Sir Charles Cope, 2nd Bt. and Catherine Bishoppby his second wife, Lady Mary Douglas, daughter of James Douglas, 14th Earl of Morton and Agatha Halyburton Lord Douglas Halyburton b. 10 Oct 1777, d. 25 Dec 1841, married Louisa Leslie, daughter of Sir Edward Leslie, 1st Baronet2. Lt.-Col. Hon. John Gordon (1728–1778) Major-General John Gordon b. 8 Jul 1765, d. 26 Dec 1832, married Eliza Morris, daughter of Robert Morris Grace Margaret Gordon b. 27 Sep 1766, married William Graham3. Lt.-Col. Hon. Lockhart Gordon (1732–1788), married Catherine (1746–1813), daughter of John Wallop, Viscount Lymington Caroline Gordon b. 1772 d. 13 December 1801, married Lt.-Col. William James, son of Lt.-Col. Sir Charles James and Catherine Napier, daughter of Sir Gerrard Napier, 5th Baronet Reverend Lockhart Gordon Loudon Harcourt Gordon Notes Passage 5: Tjuyu Thuya (sometimes transliterated as Touiyou, Thuiu, Tuya, Tjuyu or Thuyu) was an Egyptian noblewoman and the mother of queen Tiye, and the wife of Yuya. She is the grandmother of Akhenaten, and great grandmother of Tutankhamun. Biography Thuya is believed to be a descendant of Queen Ahmose-Nefertari, and she held many official roles in the interwoven religion and government of ancient Egypt. She was involved in many religious cults; her titles included 'Singer of Hathor' and 'Chief of the Entertainers' of both Amun and Min. She also held the influential offices of Superintendent of the Harem of the god Min of Akhmin and of Amun of Thebes. She married Yuya, a powerful ancient Egyptian courtier of the Eighteenth Dynasty. She is believed to have died in around 1375 BC in her early to mid 50s. Children Yuya and Thuya had a daughter named Tiye, who became the Great Royal Wife of Pharaoh Amenhotep III. The great royal wife was the highest Egyptian religious position, serving alongside of the pharaoh in official ceremonies and rituals. Yuya and Thuya also had a son named Anen, who carried the titles Chancellor of Lower Egypt, Second Prophet of Amun, sm-priest of Heliopolis and Divine Father.They also may have been the parents of Ay, an Egyptian courtier active during the reign of pharaoh Akhenaten who became pharaoh after the death of Tutankhamun. However, there is no conclusive evidence regarding the kinship of Yuya and Ay, although certainly, both men came from Akhmim. Tomb Thuya was interred in tomb KV46 in the Valley of the Kings, together with her husband Yuya, where their largely intact burial was found in 1905. It was the best-preserved tomb discovered in the Valley before that of Tutankhamun, Thuya's great-grandson. The tomb was discovered by a team of workmen led by archaeologist James Quibell on behalf of the American millionaire Theodore M. Davis. Though the tomb had been robbed in antiquity, much of its contents were still present, including beds, boxes, chests, a chariot, and the sarcophagi, coffins, and mummies of the two occupants.Thuya's large gilded and black-painted wooden sarcophagus was placed against the south wall of the tomb. It is rectangular, with a lid shaped like the sloping roof of the per-wer shrine of Upper Egypt, and sits on ornamental sledge runners, their non-functionality underscored by the three battens attached below them. Ancient robbers had partially dismantled it to access her coffins and mummy, placing its lid and one long side on a bed on the other side of the tomb; the other long side had been leaned against the south wall. Her outer gilded anthropoid coffin had been removed, its lid placed atop the beds, and the trough put into the far corner of the tomb; the lid of her second (innermost) coffin, also gilded, had been removed and placed to one side although the trough and her mummy remained inside the sarcophagus. Quibell suggests this is due to the robbers having some difficulty in removing the lid of this coffin. Mummy Thuya's mummified body was found covered with a large sheet of linen, knotted at the back and secured by four bandages. These bands were covered with resin and opposite each band were her gilded titles cut from gold foil. The resin coating on the lower layers of bandages preserved the impression of a large broad collar. The mummy bands that had once covered her wrapped mummy were recovered above the storage jars on the far side of the room.The first examination of her body was conducted by Australian anatomist Grafton Elliot Smith. He found her to be an elderly woman of small stature, 1.495 metres (4.90 ft) in height, with white hair. Both of her earlobes had two piercings. Her arms are straight at her sides with her hands against the outside of her thighs. Her embalming incision is stitched with thread, to which a carnelian barrel bead is attached at the lower end; her body cavity is stuffed with resin-soaked linen. When Dr. Douglas Derry, (who later conducted the first examination of Tutankhamun's mummy) assisting Smith in his examination, exposed Thuya's feet to get an accurate measurement of her height, he found her to be wearing gold foil sandals. Smith estimated her age at more than 50 years based on her outward appearance alone. Recent CT scanning has estimated her age at death to be 50–60 years old. Her brain was removed, though no embalming material was inserted, and both nostrils were stuffed with linen. Embalming packs had been placed into her eye sockets, and subcutaneous filling had been placed into her mid and lower face to restore a lifelike appearance; embalming material had also been placed into her mouth and throat. Her teeth were in poor condition at the time of her death, with missing molars. Heavy wear and abscesses had been noted in earlier x-rays. The scan revealed that she had severe scoliosis with a Cobb angle of 25 degrees. No cause of death could be determined. Her mummy has the inventory number CG 51191. Archaeological items pertaining to Thuya Passage 6: Charles Gordon, 1st Earl of Aboyne Charles Gordon, 1st Earl of Aboyne (c1638 - March 1681). The fourth son of George Gordon, 2nd Marquess of Huntly and Lady Anne Campbell, he was created 1st Earl of Aboyne and 1st Lord Gordon of Strathaven and Glenlivet by Letters Patent on 10 September 1660. At the time of his death in March 1681, he was succeeded in the earldom and lordship by his son. Family He married firstly, Margaret Irvine, daughter of Alexander Irvine, c1662, and had issue: Lady Ann Gordon (d. c1665)His first wife died in 1662. He married secondly, Elizabeth Lyon, daughter of John Lyon, 2nd Earl of Kinghorne and Lady Elizabeth Maule, on 28 August 1665, and had issue: Charles Gordon, 2nd Earl of Aboyne (c1670-1702) Hon. George Gordon Hon. John Gordon (d.1762) Lady Elizabeth Gordon, married John Mackenzie, 2nd Earl of Cromartie (1685) Passage 7: Hannah Arnold Hannah Arnold may refer to: Hannah Arnold (née Waterman) (c.1705–1758), mother of Benedict Arnold Hannah Arnold (beauty queen) (born 1996), Filipino-Australian model and beauty pageant titleholder Passage 8: Charles Gordon, 2nd Earl of Aboyne Charles Gordon, 2nd Earl of Aboyne (c. 1670 – April 1702). The eldest son of Charles Gordon, 1st Earl of Aboyne and Elizabeth Lyon, he succeeded his father as 2nd Earl of Aboyne in March 1681. At the time of his death in April 1702, he was succeeded in his titles by his son. Family He married Elizabeth Lyon, daughter of Patrick Lyon, 3rd Earl of Strathmore and Kinghorne and Helen Middleton, c1662, and had issue: Lady Helen Gordon (d. c1731), married George Kinnaird John Gordon, 3rd Earl of Aboyne (d. 1732) Lady Elizabeth Gordon (d. 1770) Lady Grizel Gordon (d. 1761), married James Grant Passage 9: Charles Gordon, 4th Earl of Aboyne Charles Gordon, 4th Earl of Aboyne (c. 1726 – 28 December 1794). The eldest son of John Gordon, 3rd Earl of Aboyne and Grace Lockhart, he succeeded his father as 4th Earl of Aboyne on 7 April 1732. On his death in 1794 he was succeeded in his titles by his eldest son.His family home was Aboyne Castle, but he had an Edinburgh townhouse in the newly built St Andrews Square in the New Town. Family He married firstly, Lady Margaret Stewart, daughter of Alexander Stewart, 6th Earl of Galloway and Lady Catherine Cochrane, on 22 April 1759, and had issue: Lady Catherine Gordon (1760–1764), died in infancy, buried in Restalrig churchyard George Gordon, 9th Marquess of Huntly (1761–1853) Lady Margaret Gordon (c. 1763–86), married William Beckford (1783)His first wife died on 12 August 1762. He married secondly, Lady Mary Douglas, daughter of James Douglas, 14th Earl of Morton and Agatha Halyburton, on 13 April 1774, and had issue: Lord Douglas Gordon (1777–1841) Notes Passage 10: Margaret de Stafford Margaret Stafford (born c. 1364; died 9 June 1396) was the daughter of Hugh de Stafford, 2nd Earl of Stafford, and Philippa de Beauchamp. She was the first wife of Ralph Neville, 1st Earl of Westmorland, and the grandmother of the 2nd Earl. Family Margaret Stafford was the eldest daughter of Hugh Stafford, 2nd Earl of Stafford, and Philippa Beauchamp, the daughter of Thomas Beauchamp, 11th Earl of Warwick, by Katherine Mortimer, the daughter of Roger Mortimer, 1st Earl of March.Margaret had five brothers and two younger sisters: Sir Ralph Stafford, who was murdered in 1385 by John Holland, 1st Duke of Exeter, half brother of King Richard II, and died unmarried and without issue. Thomas Stafford, 3rd Earl of Stafford (c.1368 – 4 July 1392), who married Anne of Gloucester, daughter of Thomas of Woodstock, 1st Duke of Gloucester. William Stafford, 3rd Earl of Stafford (21 September 1375 – 6 April 1395), who died unmarried and without issue. Edmund Stafford, 5th Earl of Stafford, who married his brother's widow, Anne of Gloucester. Hugh de Stafford, Baron Bourchier (d. 25 October 1420), who married, before September 1410, Elizabeth Bourchier (c.1399 – 1 July 1433), but had no issue by her. After his death, she married Sir Lewis Robesart, standard bearer to King Henry V. Katherine Stafford, who married Michael de la Pole, 2nd Earl of Suffolk. Joan Stafford, who married Thomas Holland, 1st Duke of Surrey. Marriage and issue Margaret Stafford was the first wife of Ralph Neville, 1st Earl of Westmorland. They had two sons and six daughters: Sir John Neville (c. 1387 – before 20 May 1420), who married Elizabeth Holland, fifth daughter of Thomas Holland, 2nd Earl of Kent, and Alice FitzAlan, and by her had three sons, Ralph Neville, 2nd Earl of Westmorland, John Neville, Baron Neville, and Sir Thomas Neville, and a daughter, Margaret Neville. Sir Ralph Neville (d. 25 February 1458), who married, before 1411, his stepsister, Mary Ferrers, daughter of Robert Ferrers, 2nd Baron Ferrers, and Joan Beaufort. Maud Neville (d. October 1438), who married Peter de Mauley, 5th Baron Mauley. Alice Neville, who married firstly Sir Thomas Grey, beheaded 2 August 1415 for his part in the Southampton Plot, and secondly Sir Gilbert Lancaster. Philippa Neville, who married, before 20 July 1399, Thomas Dacre, 6th Baron Dacre of Gilsland (d. 5 January 1458). Elizabeth Neville, who became a nun. Anne Neville (b. circa 1384), who married, before 3 February 1413, Sir Gilbert Umfraville, son of Sir Thomas Umfreville (d. 12 February 1391) and Agnes Grey (d. 25 October 1420), daughter of Sir Thomas Grey of Heaton (d. before 22 October 1369). He was slain at the Battle of Baugé in Anjou on 22 March 1421. Margaret Neville (d. 1463/64), who married firstly, before 31 December 1413, Richard Scrope, 3rd Baron Scrope of Bolton, and secondly, William Cressener, esquire. Death Margaret Stafford died 9 June 1396, and was buried at Brancepeth, Durham.After Margaret Stafford's death, Westmorland married, before 29 November 1396, Joan Beaufort, the widow of Robert Ferrers, 2nd Baron Ferrers. Joan was the legitimated daughter of John of Gaunt, 1st Duke of Lancaster, by his mistress and later third wife, Katherine Swynford. By his second marriage Westmorland had nine sons and five daughters. Ancestors Footnotes

doc_89

Passage 1: Jason Moore (director) Jason Moore (born October 22, 1970) is an American director of film, theatre and television. Life and career Jason Moore was born in Fayetteville, Arkansas, and studied at Northwestern University. Moore's Broadway career began as a resident director of Les Misérables at the Imperial Theatre in during its original run. He is the son of Fayetteville District Judge Rudy Moore.In March 2003, Moore directed the musical Avenue Q, which opened Off-Broadway at the Vineyard Theatre and then moved to Broadway at the John Golden Theatre in July 2003. He was nominated for a 2004 Tony Award for his direction. Moore also directed productions of the musical in Las Vegas and London and the show's national tour. Moore directed the 2005 Broadway revival of Steel Magnolias and Shrek the Musical, starring Brian d'Arcy James and Sutton Foster which opened on Broadway in 2008. He directed the concert of Jerry Springer — The Opera at Carnegie Hall in January 2008.Moore, Jeff Whitty, Jake Shears, and John "JJ" Garden worked together on a new musical based on Armistead Maupin's Tales of the City. The musical premiered at the American Conservatory Theater, San Francisco, California in May 2011 and ran through July 2011.For television, Moore has directed episodes of Dawson's Creek, One Tree Hill, Everwood, and Brothers & Sisters. As a writer, Moore adapted the play The Floatplane Notebooks with Paul Fitzgerald from the novel by Clyde Edgerton. A staged reading of the play was presented at the New Play Festival at the Charlotte, North Carolina Repertory Theatre in 1996, with a fully staged production in 1998.In 2012, Moore made his film directorial debut with Pitch Perfect, starring Anna Kendrick and Brittany Snow. He also served as an executive producer on the sequel. He directed the film Sisters, starring Tina Fey and Amy Poehler, which was released on December 18, 2015. Moore's next project will be directing a live action Archie movie. Filmography Films Pitch Perfect (2012) Sisters (2015) Shotgun Wedding (2022)Television Soundtrack writer Pitch Perfect 2 (2015) (Also executive producer) The Voice (2015) (1 episode) Passage 2: Ian Barry (director) Ian Barry is an Australian director of film and TV. Select credits Waiting for Lucas (1973) (short) Stone (1974) (editor only) The Chain Reaction (1980) Whose Baby? (1986) (mini-series) Minnamurra (1989) Bodysurfer (1989) (mini-series) Ring of Scorpio (1990) (mini-series) Crimebroker (1993) Inferno (1998) (TV movie) Miss Lettie and Me (2002) (TV movie) Not Quite Hollywood: The Wild, Untold Story of Ozploitation! (2008) (documentary) The Doctor Blake Mysteries (2013) Passage 3: Now Where Did the 7th Company Get to? Now Where Did the 7th Company Get To? (French: Mais où est donc passée la septième compagnie?) is a 1973 French-Italian comedy war film directed by Robert Lamoureux. The film portrays the adventures of a French Army squad lost somewhere on the front in May 1940 during the Battle of France. Plot During the Battle of France, while German forces are spreading across the country, the 7th Transmission Company suffers an air raid near the Machecoul woods, but survive and hide in the woods. Captain Dumont, the company commander, sends Louis Chaudard, Pithiviers and Tassin to scout the area. After burying the radio cable beneath a sandy road, the squad crosses the field, climbs a nearby hill, and takes position within a cemetery. One man cut down the wrong tree for camouflage, pulling up the radio cable and revealing it to the passing German infantry. The Germans cut the cable, surround the woods, and order a puzzled 7th Company to surrender. The squad tries to contact the company, but then witness their capture and run away. Commanded by Staff Sergeant Chaudard, the unit stops in a wood for the night. Pithiviers is content to slow down and wait for the end of the campaign. The next day, he goes for a swim in the lake, in sight of possible German fighters. When Chaudard and Tassin wake up, they leave the camp without their weapons to look for Pithiviers. Tassin finds him and gives an angry warning, but Pithiviers convinces Tassin to join him in the lake. Chaudard orders them to get out, but distracted by a rabbit, falls into the lake. While Chaudard teaches his men how to swim, two German fighter planes appear, forcing them out of the water. After shooting down one of the German planes, a French pilot, Lieutenant Duvauchel, makes an emergency landing and escapes before his plane explodes. PFC Pithiviers, seeing the bad shape of one of his shoes, destroys what is left of his shoe sole. Tassin is sent on patrol to get food and a new pair of shoes for Pithiviers. Tassin arrives in a farm, but only finds a dog, so he returns and Chaudard goes to the farm after nightfall. The farmer returns with her daughter-in-law and Lt Duvauchel, and she welcomes Chaudard. Duvauchel, who is hiding behind the door, comes out upon hearing the news and decides to meet Chaudard's men. When Chaudard and Duvauchel return to the camp, Tassin and Pithiviers are roasting a rabbit they caught. Duvauchel realizes that Chaudard has been lying and takes command. The following day, the men leave the wood in early morning and capture a German armored tow truck after killing its two drivers. They originally planned to abandon the truck and the two dead Germans in the woods, but instead realized that the truck is the best way to disguise themselves and free the 7th Company. They put on the Germans' uniforms, recover another soldier of the 7th Company, who succeeded in escaping, and obtain resources from a collaborator who mistook them for Germans. On their way, they encounter a National Gendarmerie patrol, who appear to be a 5th column. The patrol injures the newest member of their group, a young soldier, and then are killed by Tassin. In revenge, they destroy a German tank using the tow truck's cannon gun. They planned to go to Paris but are misguided by their own colonel, but find the 7th Company with guards who are bringing them to Germany. Using their cover, they make the guards run in front of the truck, allowing the company to get away. When Captain Dumont joins his Chaudard, Tassin, and Pithiviers in the truck, who salute the German commander with a great smile. Casting Jean Lefebvre : PFC Pithiviers Pierre Mondy : Staff Sergent Paul Chaudard Aldo Maccione: PFC Tassin Robert Lamoureux: Colonel Blanchet Erik Colin: Lieutenant Duvauchel Pierre Tornade: Captain Dumont Alain Doutey: Carlier Robert Dalban : The peasant Jacques Marin: The collaborationist Robert Rollis: A French soldier Production The film's success spawned two sequels:– 1975 : On a retrouvé la septième compagnie (The Seventh Company Has Been Found) by Robert Lamoureux; – 1977 : La Septième Compagnie au clair de lune (The Seventh Company Outdoors)) by Robert Lamoureux.The story is set in Machecoul woods, but it was actually filmed near Cerny and La Ferté-Alais, as well as Jouars-Pontchartrain and Rochefort-en-Yvelines. The famous grocery scene was filmed in Bazoches-Sur-Guyonne. Robert Lamoureux based this film on his own personal experiences in June 1940 during the war. The final scene with the parachute is based on a true story. The 58 Free French paratroopers were parachuted into Brittany in groups of three, on the night of 7 June 1944 to neutralize the rail network of Normandy Landings in Brittany, two days before. Box office The movie received a great success in France reaching the third best selling movie in 1974. Notes External links Mais où est donc passée la septième compagnie? at IMDb Passage 4: Olav Aaraas Olav Aaraas (born 10 July 1950) is a Norwegian historian and museum director. He was born in Fredrikstad. From 1982 to 1993 he was the director of Sogn Folk Museum, from 1993 to 2010 he was the director of Maihaugen and from 2001 he has been the director of the Norwegian Museum of Cultural History. In 2010 he was decorated with the Royal Norwegian Order of St. Olav. Passage 5: Andrzej Fidyk Andrzej Fidyk (born in 1953, Warsaw) is a Polish documentary filmmaker, producer, and professor of the Krzysztof Kieślowski Film School in Katowice. He is best known for work his 1989 documentary Defilada (The Parade), which depicts the mass parades choreographed to celebrate the fortieth anniversary of the Democratic People's Republic of Korea (North Korea) in 1988.Initially, Fidyk planned to be an economist. During 1972 and 1977 he studied foreign trade at the Central School of Planning and Statistics at the Warsaw School of Economics. After graduation, he worked at the Foreign Trade Bureau for two years, work which he hated He first started working for television in 1980, since when he has made over 40 documentary films shown primarily on Polish and British television. From 1991 to 1996 he worked for the BBC in the Music and Arts Department. Between 1996 and 2004 he was Head of Documentaries at Polish Television. Filmography 1982 Idzie Grześ przez wieś, production, script,1983 Optymistyczny film o niewidomych, director,1984 Ich teatr, director, script,1985 Prezydent, director,1986 Noc w pałacu, director, script, Praga, director, script,1987 Królewna Śnieżka, telefon i krowa, director, script,1988 Paryż, miasto kontrastów, director, script,1989 Defilada, production, script,1990 Ostatki, script, production1993 Sen Staszka w Teheranie, director, script,1994 Niebo oplutych, production, Pocztówka z Japonii, production, script, The Russian Striptease, director, production,1995 Carnaval. The Biggest Party In The World, production, production, Ostatki, production, script,1997 Ciężar nieważkości, editing, Cross, art consultation, Dziewczyny z Szymanowa, production, East Of Eastenders, director, Historia Jednej Butelki, art consultation, Jeden dzień z życia Tomka Karata, art consultation, Kanar, production, El Porvenir de Una Ilusion, production,1998 Dotknięci, art consultation, Ganek, production, Kiniarze z Kalkuty, director, script, production, Marzenia i śmierć, art consultation,1999 24 dni, production, Oni, editing, Takiego pięknego syna urodziłam, art consultation, Twarzą w twarz z Papieżem, editing, 1989-1999 w dziesiątkę, editing,2000 Jan Paweł II w Ziemi Świętej, editing, Ziemia podwójnie obiecana. Jan Paweł II w Ziemi Świętej Ślub w Domu Samotności, editing, Taniec trzcin, production, script,2001 Prawdziwe psy (TV documentary/novel), editing, Serce Z Węgla, editing,2002 Bobrek Dance, editing, Mój syn Romek, editing, Przedszkolandia (TV documentary/novel), editing,2003 Imieniny, art consultation,2008 Yodok Stories, director i script,2009 Balcerowicz. Gra o wszystko, director, script.2016 Lech Walesa, A Portrait, director. Passage 6: Brian Kennedy (gallery director) Brian Patrick Kennedy (born 5 November 1961) is an Irish-born art museum director who has worked in Ireland and Australia, and now lives and works in the United States. He was the director of the Peabody Essex Museum in Salem for 17 months, resigning December 31, 2020. He was the director of the Toledo Museum of Art in Ohio from 2010 to 2019. He was the director of the Hood Museum of Art from 2005 to 2010, and the National Gallery of Australia (Canberra) from 1997 to 2004. Career Brian Kennedy currently lives and works in the United States after leaving Australia in 2005 to direct the Hood Museum of Art at Dartmouth College. In October 2010 he became the ninth Director of the Toledo Museum of Art. On 1 July 2019, he succeeded Dan Monroe as the executive director and CEO of the Peabody Essex Museum. Early life and career in Ireland Kennedy was born in Dublin and attended Clonkeen College. He received B.A. (1982), M.A. (1985) and PhD (1989) degrees from University College-Dublin, where he studied both art history and history. He worked in the Irish Department of Education (1982), the European Commission, Brussels (1983), and in Ireland at the Chester Beatty Library (1983–85), Government Publications Office (1985–86), and Department of Finance (1986–89). He married Mary Fiona Carlin in 1988.He was Assistant Director at the National Gallery of Ireland in Dublin from 1989 to 1997. He was Chair of the Irish Association of Art Historians from 1996 to 1997, and of the Council of Australian Art Museum Directors from 2001 to 2003. In September 1997 he became Director of the National Gallery of Australia. National Gallery of Australia (NGA) Kennedy expanded the traveling exhibitions and loans program throughout Australia, arranged for several major shows of Australian art abroad, increased the number of exhibitions at the museum itself and oversaw the development of an extensive multi-media site. Although he oversaw several years of the museum's highest ever annual visitation, he discontinued the emphasis of his predecessor, Betty Churcher, on showing "blockbuster" exhibitions. During his directorship, the NGA gained government support for improving the building and significant private donations and corporate sponsorship. However, the initial design for the building proved controversial generating a public dispute with the original architect on moral rights grounds. As a result, the project was not delivered during Dr Kennedy's tenure, with a significantly altered design completed some years later. Private funding supported two acquisitions of British art, including David Hockney's A Bigger Grand Canyon in 1999, and Lucian Freud's After Cézanne in 2001. Kennedy built on the established collections at the museum by acquiring the Holmgren-Spertus collection of Indonesian textiles; the Kenneth Tyler collection of editioned prints, screens, multiples and unique proofs; and the Australian Print Workshop Archive. He was also notable for campaigning for the construction of a new "front" entrance to the Gallery, facing King Edward Terrace, which was completed in 2010 (see reference to the building project above). Kennedy's cancellation of the "Sensation exhibition" (scheduled at the NGA from 2 June 2000 to 13 August 2000) was controversial, and seen by some as censorship. He claimed that the decision was due to the exhibition being "too close to the market" implying that a national cultural institution cannot exhibit the private collection of a speculative art investor. However, there were other exhibitions at the NGA during his tenure, which could have raised similar concerns. The exhibition featured the privately owned Young British Artists works belonging to Charles Saatchi and attracted large attendances in London and Brooklyn. Its most controversial work was Chris Ofili's The Holy Virgin Mary, a painting which used elephant dung and was accused of being blasphemous. The then-mayor of New York, Rudolph Giuliani, campaigned against the exhibition, claiming it was "Catholic-bashing" and an "aggressive, vicious, disgusting attack on religion." In November 1999, Kennedy cancelled the exhibition and stated that the events in New York had "obscured discussion of the artistic merit of the works of art". He has said that it "was the toughest decision of my professional life, so far."Kennedy was also repeatedly questioned on his management of a range of issues during the Australian Government's Senate Estimates process - particularly on the NGA's occupational health and safety record and concerns about the NGA's twenty-year-old air-conditioning system. The air-conditioning was finally renovated in 2003. Kennedy announced in 2002 that he would not seek extension of his contract beyond 2004, accepting a seven-year term as had his two predecessors.He became a joint Irish-Australian citizen in 2003. Toledo Museum of Art The Toledo Museum of Art is known for its exceptional collections of European and American paintings and sculpture, glass, antiquities, artist books, Japanese prints and netsuke. The museum offers free admission and is recognized for its historical leadership in the field of art education. During his tenure, Kennedy has focused the museum's art education efforts on visual literacy, which he defines as "learning to read, understand and write visual language." Initiatives have included baby and toddler tours, specialized training for all staff, docents, volunteers and the launch of a website, www.vislit.org. In November 2014, the museum hosted the International Visual Literacy Association (IVLA) conference, the first Museum to do so. Kennedy has been a frequent speaker on the topic, including 2010 and 2013 TEDx talks on visual and sensory literacy. Kennedy has expressed an interest in expanding the museum's collection of contemporary art and art by indigenous peoples. Works by Frank Stella, Sean Scully, Jaume Plensa, Ravinder Reddy and Mary Sibande have been acquired. In addition, the museum has made major acquisitions of Old Master paintings by Frans Hals and Luca Giordano.During his tenure the Toledo Museum of Art has announced the return of several objects from its collection due to claims the objects were stolen and/or illegally exported prior being sold to the museum. In 2011 a Meissen sweetmeat stand was returned to Germany followed by an Etruscan Kalpis or water jug to Italy (2013), an Indian sculpture of Ganesha (2014) and an astrological compendium to Germany in 2015. Hood Museum of Art Kennedy became Director of the Hood Museum of Art in July 2005. During his tenure, he implemented a series of large and small-scale exhibitions and oversaw the production of more than 20 publications to bring greater public attention to the museum's remarkable collections of the arts of America, Europe, Africa, Papua New Guinea and the Polar regions. At 70,000 objects, the Hood has one of the largest collections on any American college of university campus. The exhibition, Black Womanhood: Images, Icons, and Ideologies of the African Body, toured several US venues. Kennedy increased campus curricular use of works of art, with thousands of objects pulled from storage for classes annually. Numerous acquisitions were made with the museum's generous endowments, and he curated several exhibitions: including Wenda Gu: Forest of Stone Steles: Retranslation and Rewriting Tang Dynasty Poetry, Sean Scully: The Art of the Stripe, and Frank Stella: Irregular Polygons. Publications Kennedy has written or edited a number of books on art, including: Alfred Chester Beatty and Ireland 1950-1968: A study in cultural politics, Glendale Press (1988), ISBN 978-0-907606-49-9 Dreams and responsibilities: The state and arts in independent Ireland, Arts Council of Ireland (1990), ISBN 978-0-906627-32-7 Jack B Yeats: Jack Butler Yeats, 1871-1957 (Lives of Irish Artists), Unipub (October 1991), ISBN 978-0-948524-24-0 The Anatomy Lesson: Art and Medicine (with Davis Coakley), National Gallery of Ireland (January 1992), ISBN 978-0-903162-65-4 Ireland: Art into History (with Raymond Gillespie), Roberts Rinehart Publishers (1994), ISBN 978-1-57098-005-3 Irish Painting, Roberts Rinehart Publishers (November 1997), ISBN 978-1-86059-059-7 Sean Scully: The Art of the Stripe, Hood Museum of Art (October 2008), ISBN 978-0-944722-34-3 Frank Stella: Irregular Polygons, 1965-1966, Hood Museum of Art (October 2010), ISBN 978-0-944722-39-8 Honors and achievements Kennedy was awarded the Australian Centenary Medal in 2001 for service to Australian Society and its art. He is a trustee and treasurer of the Association of Art Museum Directors, a peer reviewer for the American Association of Museums and a member of the International Association of Art Critics. In 2013 he was appointed inaugural eminent professor at the University of Toledo and received an honorary doctorate from Lourdes University. Most recently, Kennedy received the 2014 Northwest Region, Ohio Art Education Association award for distinguished educator for art education. == Notes == Passage 7: Dana Blankstein Dana Blankstein-Cohen (born March 3, 1981) is the executive director of the Sam Spiegel Film and Television School. She was appointed by the board of directors in November 2019. Previously she was the CEO of the Israeli Academy of Film and Television. She is a film director, and an Israeli culture entrepreneur. Biography Dana Blankstein was born in Switzerland in 1981 to theatre director Dedi Baron and Professor Alexander Blankstein. She moved to Israel in 1983 and grew up in Tel Aviv. Blankstein graduated from the Sam Spiegel Film and Television School, Jerusalem in 2008 with high honors. During her studies she worked as a personal assistant to directors Savi Gabizon on his film Nina's Tragedies and to Renen Schorr on his film The Loners. She also directed and shot 'the making of' film on Gavison's film Lost and Found. Her debut film Camping competed at the Berlin International Film Festival, 2007. Film and academic career After her studies, Dana founded and directed the film and television department at the Kfar Saba municipality. The department encouraged and promoted productions filmed in the city of Kfar Saba, as well as the established cultural projects, and educational community activities. Blankstein directed the mini-series "Tel Aviviot" (2012). From 2016-2019 was the director of the Israeli Academy of Film and Television. In November 2019 Dana Blankstein Cohen was appointed the new director of the Sam Spiegel Film and Television School where she also oversees the Sam Spiegel International Film Lab. In 2022, she spearheaded the launch of the new Series Lab and the film preparatory program for Arabic speakers in east Jerusalem. Filmography Tel Aviviot (mini-series; director, 2012) Growing Pains (graduation film, Sam Spiegel; director and screenwriter, 2008) Camping (debut film, Sam Spiegel; director and screenwriter, 2006) Passage 8: The Seventh Company Outdoors The Seventh Company Outdoors (French: La Septième Compagnie au clair de lune) is a 1977 French comedy film directed by Robert Lamoureux. It is a sequel to Now Where Did the 7th Company Get to?. Cast Jean Lefebvre - Pithivier Pierre Mondy - Chaudard Henri Guybet - Tassin Patricia Karim - Suzanne Chaudard Gérard Hérold - Le commandant Gilles Gérard Jugnot - Gorgeton Jean Carmet - M. Albert, le passeur André Pousse - Lambert Michel Berto Passage 9: Peter Levin Peter Levin is an American director of film, television and theatre. Career Since 1967, Levin has amassed a large number of credits directing episodic television and television films. Some of his television series credits include Love Is a Many Splendored Thing, James at 15, The Paper Chase, Family, Starsky & Hutch, Lou Grant, Fame, Cagney & Lacey, Law & Order and Judging Amy.Some of his television film credits include Rape and Marriage: The Rideout Case (1980), A Reason to Live (1985), Popeye Doyle (1986), A Killer Among Us (1990), Queen Sized (2008) and among other films. He directed "Heart in Hiding", written by his wife Audrey Davis Levin, for which she received an Emmy for Best Day Time Special in the 1970s. Prior to becoming a director, Levin worked as an actor in several Broadway productions. He costarred with Susan Strasberg in "[The Diary of Ann Frank]" but had to leave the production when he was drafted into the Army. He trained at the Carnegie Mellon University. Eventually becoming a theatre director, he directed productions at the Long Wharf Theatre and the Pacific Resident Theatre Company. He also co-founded the off-off-Broadway Theatre [the Hardware Poets Playhouse] with his wife Audrey Davis Levin and was also an associate artist of The Interact Theatre Company. Passage 10: Defilada Defilada (The Parade) is a Polish 1989 documentary by Andrzej Fidyk. It focused on the cult of personality in North Korea, and was shot in 1988 on the 40th anniversary of the state's founding by Kim Il Sung. Despite its anti-totalitarian message, it has received praise from North Korea itself. Overview The documentary was made on the occasion of the 40th anniversary celebrations of state's founding in North Korea, which the regime intended to use to eclipse the 1988 Summer Olympics taking place that year in Seoul, South Korea. The North Korean regime invited filmmakers from countries then considered friendly (Communist), including People's Republic of Poland, which sent a team under Andrzej Fidyk.The documentary is primarily composed of declarative statements, as well as texts of North Korean newspapers and books. There was no author's commentary. Fidyk commented that he and his team were likely "the most disciplined" foreign team of filmmakers in North Korea, as they did not trouble the regime by looking under the surface - they were content with what they were given and asked to do. Reception In North Korea, the documentary, upon its release, was officially praised, as it contains only officially approved footage and materials. However, the documentary's real aim, widely recognized abroad, was to condemn the totalitarian regime, through shocking contrasts of official images, and documenting artificial behavior of the populace. The message is conveyed not through commentary, but through footage, montage and content selection. Following the official guidelines, Fidyk "winks" at the viewer, showing the falseness of the setting.The film was accepted by the Polish censors, despite its critique of the totalitarianism. In Poland, which has been a much more liberalized socialist country since October 1956, it has been well received. With support from the Polish Ministry of Education it has been incorporated into some Polish educational curriculum, primarily in the Education about Society courses. It is used to illustrate concepts such as propaganda, newspeak, and the totalitarian state. Even more surprisingly, Fidyk also received official thanks from North Korea that year, during the Kraków festival, even as the documentary was gathering praise from various festivals for its anti-totalitarian message. Eventually, however, the real message of the documentary became transparent even to the North Korean regime, which resulted in Fidyk's classification as persona non grata in North Korea.The documentary received the Willy De Luca Prize for Documentaries in 1989 at the Prix Italia. It also received the Grand Prix at the International Film Festival in Leipzig, Golden Ducate in International Film Festival in Mannheim, Srebny Lajkonik (Ogólnopolski Festiwal Filmów Krótkometrażowych in Kraków) and Złoty Ekran (Nagroda Tygodnika "Ekran") in Poland, all in 1989.In 2008, Fidyk returned to this subject with another documentary on North Korea, Yodok Stories.

doc_90

Passage 1: Ludwig II (2012 film) Ludwig II is a 2012 German-Austrian historical film directed by Peter Sehr and Marie Noëlle, starring Sabin Tambrea as the younger Bavarian King Ludwig II and Sebastian Schipper as the king in his later years. Plot Crown Prince Ludwig suffers under the authoritarian education of his father King Maximilian II and has no interest in his militaristic attitude. In addition, because of his love for music and the fine arts, Ludwig repeatedly incurs the displeasure of his father. For Ludwig, art is more important than daily bread. Maximilian II dies unexpectedly of erysipelas, so Ludwig, full of idealism, ascends the Bavarian throne at the age of 18. At a time when war and poverty are omnipresent, he believes in a better world and wants to use his power to ensure that his people can live in peace and happiness. He wants his kingdom to become a place where beauty, art and culture will flourish; instead of weapons, Ludwig wants to invest public money in theatre, music and education. He spends his free time with his young cousin, Sophie, the sister of the Austrian Empress Sissi. With her he can philosophise about music and the beauty of the world. Moreover, he has all of his rooms in the castle remodelled and designed according to his ideas. He loves Richard Wagner's operas, and his passion and admiration for the controversial composer's works and their legends are so great that he wants to bring Wagner to his court. To achieve this, he instructs the well-known music lover Johann von Lutz to track down Wagner and bring him to his court. He awaits the arrival of his idol impatiently and receives him with great respect. He settles Wagner's debts and obtains a pardon for the revolutionary and politically persecuted composer. However, his ministers rebel against his expensive sponsorship of the composer. At first, Ludwig throws himself into political business with enthusiasm. He initiates a school reform and distributesmusical instruments instead of weapons to his young cadets. He is of the opinion that if Bavaria should ever be attacked, the sound of Wagner's music will immediately disarm them. Even a conversation with his cousin, Elisabeth of Austria, who wants to ask for help in preventing Prussia from waging war against Austria, fails because of his naive belief that music alone is capable of keeping people's hearts in a peaceful . Ludwig's ministers are not satisfied with the power that Wagner's ideas seem to have over the young king. Ludwig increasingly neglects the affairs of government. The news of an impending war reaches him while he is on the road with Wagner in the Bavarian mountains. The composer suggests that he replace the ministers who now want to go to war. They in turn threaten to resign from their positions if Ludwig does not part with Wagner and his influence. Since the king fears for his friend's life, he urges him to leave Bavaria. He realises that circumstances are against him, and his beloved kingdom gets involved in the war with Prussia against his will. Disheartened, and showing first signs of delusional illnesses, Ludwig withdraws from public life. The news of the defeat of his army hits him hard, since he has spent the money that was intended for modern rifles on musical instruments. His stable master, Richard Hornig, is at his side and is willing to support him, but Ludwig does not want to admit his affection for men. In order to deal with the war defeat, he travels his country and shows himself to his people. Moreover, he plans his wedding with Sophie because he is convinced that the people expect this from him. As part of the wedding preparations, Wagner arrives at court again to take over the musical design. As a result, Ludwig meets a young singer, Heinrich Vogel, whom he wants to hear singing as Lohengrin, which incurs Wagner's displeasure. Sophie demands proof of love in the form of a kiss from her future husband. This leads to a scandal, and Ludwig cancels his already planned and longed-for wedding because he realises that, due to his homosexuality, which he does not confess to her or to others, he cannot have more than friendship with his fiancée. In a letter, he asks Sophie's forgiveness and understanding. In his opinion, she has the right to be happy, which would not be possible at his side in the long run. In addition to those private problems, political events are catching up with him again. Bavaria's defeat by Prussia forces the country to enter the 1870-71 war against France as a compulsory ally of Otto von Bismarck. Bismarck's efforts to create an all-German empire, headed by an emperor, destroys the dream of a sovereign Bavarian kingdom continuing to exist. Ludwig's brother Otto suffers a nervous breakdown and has to be taken to a sanatorium. The attending physician assumes that Otto will not recover from his mental derangement. Ludwig promises to build his brother a castle where he can be who he is, just as he also longs himself to have a place where he can be who he is. With this in mind, he has Neuschwanstein Castle built. Nevertheless, Ludwig does not achieve peace: the abysses of his soul are too deep, tormenting him and making him despair. Disillusioned, he retires again from public life and takes refuge in the world of opera melodies. He does not want to admit the financial problems that the state budget has to suffer due to his excessive construction activities. But reality catches up with him, and Ludwig's opponents team up to depose him and the castles in his dream realm of fantasy. Even his long-standing devotee Johann von Lutz, whom he had made minister, comes to doubt Ludwig's common sense. After a fire breaks out in the castle, Richard Hornig is seriously injured. The sadness of never being allowed to stand by his love for the stable master drives him even further into madness, which his opponents are now increasingly aware of. One of his ministers has a medical report drawn up in order to justify deposing the king. Ludwig senses the plan and intends to blow himself up with his castles before he can be chased away from them, but the project fails due to the inappropriate explosives. Following that, the minister succeeds in taking the king into medical care against his will in Castle Berg. Desperate about the disregard for his royal privileges, and his treatment as a "poor lunatic", he decided to escape his treatment. While taking a walk with his doctor, he escapes him and runs into Lake Starnberg, where he drowns. Historical inaccuracies The death of King Maximilian II, Ludwig's father, in the film is shown as if it were extremely sudden. Actually, the sickness which led to his death lasted for many weeks, during which Ludwig was criticized for the audiences he granted to the tenor Albert Niemann, a behaviour considered disrespectful towards his sick father. The meeting between Ludwig and Richard Hornig where Hornig himself finds Wagner, which in the film takes place in March 1864, happened instead in May 1867 In the film the famous official portrait of Ludwig is painted in 1867 while in reality it was already painted in 1865. In the film Richard Wagner is found by Hornig while in reality he was found by the king's minister Pfistermeister. Indeed, it was to him that Ludwig gave the photograph with the ruby to give to the composer, and not to Lutz as seen in the film. Ludwig decides to curl his hair for the arrival of Wagner, but this decision was actually made when he was still crown prince to hide his protruding ears, a physical defect that he could not bear. In the film Ludwig signs the famous Kaiserbrief in the Residenz, while it happened in Hohenschwangau, which is neither shown nor mentioned, although it was a castle very dear to Ludwig. Cast Sabin Tambrea as King Ludwig II (young) Sebastian Schipper as King Ludwig II Hannah Herzsprung as Empress Elisabeth of Austria Edgar Selge as Richard Wagner Tom Schilling as Prince Otto Justus von Dohnányi as Johann von Lutz Friedrich Mücke as Richard Hornig Samuel Finzi as Lorenz Mayr Christophe Malavoy as Napoleon III Axel Milberg as King Maximilian II Katharina Thalbach as Queen Marie Uwe Ochsenknecht as Prince Luitpold Paula Beer as Duchess Sophie in Bavaria August Wittgenstein as Alfred Eckbrecht von Dürckheim-Montmartin Passage 2: Marie of Prussia Marie of Prussia (German: Marie Friederike Franziska Auguste Hedwig von Preußen; October 15, 1825 – May 17, 1889) was Queen of Bavaria by marriage to Maximilian II of Bavaria, and the mother of Kings Ludwig II and Otto of Bavaria. Life Born and raised in Berlin, she was the daughter of Prince Wilhelm of Prussia, a younger brother of King Friedrich Wilhelm III of Prussia, and his wife, Landgravine Marie Anna of Hesse-Homburg. The family spent half of the year at Fischbach (today Karpniki) Castle in Silesia, where they loved to hike in the Giant Mountains. In her youth, Marie was seriously considered as a wife for Ernest II, Duke of Saxe-Coburg and Gotha, until her engagement to Maximilian was announced. Queen On 12 October 1842, she married the Crown Prince, and later King of Bavaria, Maximilian II. Marie was loved equally by both the Catholic and Protestant populations. (At that time, Bavaria was mostly Catholic, whilst Prussia was mostly Evangelical.) A specific emphasis of her "great social engagement" was a reactivation of the Bavarian Women's Association, which took place on 18 December 1869 with the aid of her son, Ludwig II. Its aim was "Pflege und Unterstützung der im Felde verwundeten und erkrankten Krieger" (Care and support of soldiers wounded and injured in the field). The Bavarian Red Cross was officially founded as a result of the Bavarian Women's Association. The Red Cross eventually took over for the Queen. Queen dowager With the sudden death of Maximilian II on 10 March 1864, Marie became a widow. On 12 October 1874, she converted to Catholicism. As a widow she lived at Nymphenburg Palace. She spent her summer holidays at Schloss Hohenschwangau near Füssen, a castle her husband had redecorated in Gothic Revival style, and at her country estate in Elbigenalp in the Lechtal Alps. She enjoyed hiking the mountains, which she had often done with her sons when they were young. Marie looked after her second son Otto, who was declared insane. She outlived her elder son, Ludwig II, by nearly three years; his unusual death occurring on 13 June 1886. He had not liked her very much (just as he disliked most of his other relatives) and had tried to avoid contact as far as possible. Marie died in 1889 in Hohenschwangau. She is interred in the Theatine Church in Munich in a side chapel opposite her husband. Issue Ludwig II of Bavaria (25 August 1845 - 13 June 1886); succeeded as King of Bavaria as Ludwig II. Declared mentally incompetent without examination and deposed in a coup in favour of his uncle, Prince Luitpold, on 10 June 1886; died under disputed circumstances. Otto I of Bavaria (27 April 1848 - 11 October 1916); succeeded as King of Bavaria as Otto I, but reigned only in name due to the regency of his uncle, Prince Luitpold. Declared mentally incompetent and deposed on 5 November 1913 by his cousin Prince Ludwig, later King Ludwig III of Bavaria. Honours Kingdom of Bavaria: Grand Mistress of the Order of Theresa Kingdom of Prussia:Dame of the Order of Louise, 1st Division Cross of Merit for Women and Girls Spain: Dame of the Order of Queen Maria Luisa, 17 June 1856 Kingdom of Saxony: Dame of the Order of Sidonia, 1871 Ancestry Passage 3: Ernst Lubitsch Ernst Lubitsch (; January 29, 1892 – November 30, 1947) was a German-born film director, producer, writer, and actor. His urbane comedies of manners gave him the reputation of being Hollywood's most elegant and sophisticated director; as his prestige grew, his films were promoted as having "the Lubitsch touch". Among his best known works are Trouble in Paradise (1932), Design for Living (1933), Ninotchka (1939), The Shop Around the Corner (1940), To Be or Not to Be (1942) and Heaven Can Wait (1943). He was nominated for the Academy Award for Best Director three times for The Patriot (1928), The Love Parade (1929), and Heaven Can Wait (1943). In 1946, he received an Honorary Academy Award for his distinguished contributions to the art of the motion picture. Early life Lubitsch was born in 1892 in Berlin, the son of Simon Lubitsch, a tailor, and Anna (née) Lindenstaedt. His family was Ashkenazi Jewish; his father was born in Grodno in the Russian Empire (now Belarus), and his mother was from Wriezen outside Berlin. He turned his back on his father's tailoring business to enter the theater, and by 1911 was a member of Max Reinhardt's Deutsches Theater. Career Early work, 1913–1921 In 1913, Lubitsch made his film debut as an actor in The Ideal Wife. He gradually abandoned acting to concentrate on directing. He appeared in approximately 30 films as an actor between 1912 and 1920. His last film appearance as an actor was in the 1920 drama Sumurun, opposite Pola Negri and Paul Wegener, which he also directed. In 1918, he made his mark as a serious director with Die Augen der Mumie Ma (The Eyes of the Mummy), starring Pola Negri. Lubitsch alternated between escapist comedies and large-scale historical dramas, enjoying great international success with both. His reputation as a grand master of world cinema reached a new peak after the release of his spectacles Madame Du Barry (retitled Passion, 1919) and Anna Boleyn (Deception, 1920). Both of these films found American distributorship by early 1921. They, along with Lubitsch's Carmen (released as Gypsy Blood in the U.S. in 1921) were selected by The New York Times on its list of the 15 most important movies of 1921. With glowing reviews under his belt and American money flowing his way, Lubitsch formed his own production company and set to work on the high-budget spectacular The Loves of Pharaoh (1921). Lubitsch sailed to the United States for the first time in December 1921 for what was intended as a lengthy publicity and professional factfinding tour, scheduled to culminate in the February premiere of Pharaoh. However, with World War I still fresh, and with a slew of German "New Wave" releases encroaching on American movie workers' livelihoods, Lubitsch was not gladly received. He cut his trip short after little more than three weeks and returned to Germany. But he had already seen enough of the American film industry to know that its resources far outstripped the spartan German companies. Hollywood silent films, 1922–1927 Lubitsch finally left Germany for Hollywood in 1922, contracted as a director by Mary Pickford. He directed Pickford in the film Rosita; the result was a critical and commercial success, but director and star clashed during its filming, and it ended up as the only project that they made together. A free agent after just one American film, Lubitsch was signed to a remarkable three-year, six-picture contract by Warner Brothers that guaranteed the director his choice of both cast and crew, and full editing control over the final cut. Settling in America, Lubitsch established his reputation for sophisticated comedy with such stylish films as The Marriage Circle (1924), Lady Windermere's Fan (1925), and So This Is Paris (1926). But his films were only marginally profitable for Warner Brothers, and Lubitsch's contract was eventually dissolved by mutual consent, with Metro-Goldwyn-Mayer and Paramount buying out the remainder. His first film for MGM, The Student Prince in Old Heidelberg (1927), was well regarded, but lost money. The Patriot (1928), produced by Paramount, earned him his first Academy Award nomination for Best Directing. Sound films, 1928–1940 Lubitsch seized upon the advent of sound films to direct musicals. With his first sound film, The Love Parade (1929), starring Maurice Chevalier and Jeanette MacDonald, Lubitsch hit his stride as a maker of worldly musical comedies (and earned himself another Oscar nomination). The Love Parade (1929), Monte Carlo (1930), and The Smiling Lieutenant (1931) were hailed by critics as masterpieces of the newly emerging musical genre. Lubitsch served on the faculty of the University of Southern California for a time. His next film was a romantic comedy, written with Samson Raphaelson, Trouble in Paradise (1932). Later described (approvingly) as "truly amoral" by critic David Thomson, the cynical comedy was popular both with critics and with audiences. But it was a project that could only have been made before the enforcement of the Production Code, and after 1935, Trouble in Paradise was withdrawn from circulation. It was not seen again until 1968. The film was never available on videocassette and only became available on DVD in 2003. Writing about Lubitsch's work, critic Michael Wilmington observed: At once elegant and ribald, sophisticated and earthy, urbane and bemused, frivolous yet profound. They were directed by a man who was amused by sex rather than frightened of it – and who taught a whole culture to be amused by it as well. Whether with music, as in MGM's opulent The Merry Widow (1934) and Paramount's One Hour with You (1932), or without, as in Design for Living (1933), Lubitsch continued to specialize in comedy. He made only one other dramatic film, the antiwar Broken Lullaby (also known as The Man I Killed, 1932). In 1935, he was appointed Paramount's production manager, thus becoming the only major Hollywood director to run a large studio. Lubitsch subsequently produced his own films and supervised the production of films of other directors. But Lubitsch had trouble delegating authority, which was a problem when he was overseeing sixty different films. He was fired after a year on the job, and returned to full-time moviemaking. In 1936, he became a naturalized citizen of the United States. On July 27, 1935, he married British actress Vivian Gaye. They had one daughter, Nicola Anne Patricia Lubitsch, on October 27, 1938. When war was declared in Europe, Vivian Lubitsch and her daughter were staying in London. Vivian sent her baby daughter, accompanied by her nursemaid, Consuela Strohmeier, to Montreal aboard the Donaldson Atlantic Line's SS Athenia, which was sunk by a German submarine on September 3, 1939 with a loss of 118 passengers. The child and the nurse survived. In 1939, Lubitsch moved to MGM, and directed Greta Garbo in Ninotchka. Garbo and Lubitsch were friendly and had hoped to work together on a movie for years, but this would be their only project. The film, co-written by Billy Wilder, is a satirical comedy in which the famously serious actress' laughing scene was promoted by studio publicists with the tagline "Garbo Laughs!" In 1940, he directed The Shop Around the Corner, an artful comedy of cross purposes. The film reunited Lubitsch with his Merry Widow screenwriter Raphaelson, and starred James Stewart and Margaret Sullavan as a pair of bickering co-workers in Budapest, each unaware that the other is their secret romantic correspondent. David Thomson wrote: The Shop Around the Corner...is among the greatest of films...This is a love story about a couple too much in love with love to fall tidily into each other's arms. Though it all works out finally, a mystery is left, plus the fear of how easily good people can miss their chances. Beautifully written (by Lubitsch's favorite writer, Samson Raphaelson), Shop Around the Corner is a treasury of hopes and anxieties based in the desperate faces of Stewart and Sullavan. It is a comedy so good it frightens us for them. The café conversation may be the best meeting in American film. The shot of Sullavan's gloved hand, and then her ruined face, searching an empty mail box for a letter is one of the most fragile moments in film. For an instant, the ravishing Sullavan looks old and ill, touched by loss. Later films, 1941–1947 Lubitsch next directed That Uncertain Feeling (1941), a remake of his 1925 film Kiss Me Again; an independent production by Lubitsch with Sol Lesser, it was not a commercial success. Lubitsch followed with a film that has become one of his best regarded comedies, To Be or Not to Be, a witty, dark and insightful film about a troupe of actors in Nazi-occupied Poland. He spent the balance of his career at 20th Century Fox, but a heart condition curtailed his activity, and he spent much of his time in supervisory capacities. His next picture was Heaven Can Wait (1943), his first color film and another Raphaelson collaboration. The film is about Henry Van Cleve (played by Don Ameche), who presents himself at the gates of Hell to recount his life and the women he has known from his mother onward, concentrating on his happy but sometimes difficult 25 years of marriage to Martha (Gene Tierney). After Heaven Can Wait, Lubitsch began work on A Royal Scandal (1945), a remake of his silent film Forbidden Paradise. Edwin Justus Mayer wrote the screenplay for A Royal Scandal and had worked with Lubitsch on To Be or Not to Be (1942). A Royal Scandal's pre-production and rehearsals were completed under Lubitsch, the original director of this film. He became ill during shooting, so Lubitsch hired Otto Preminger to finish the film. After A Royal Scandal, Lubitsch regained his health, and directed Cluny Brown (1946), with Charles Boyer and Jennifer Jones. In March 1947, Lubitsch was awarded a Special Academy Award for his "25-year contribution to motion pictures". Presenter Mervyn LeRoy, calling Lubitsch "a master of innuendo", described some of his attributes as a filmmaker: "He had an adult mind and a hatred of saying things the obvious way." Lubitsch was the subject of several interviews at that time, and consistently cited The Shop Around the Corner as his favorite of his films. Considering his overall career, he mused "I made sometimes pictures which were not up to my standard, but then it can only be said about a mediocrity that all his works live up to his standard." Death Lubitsch died of a heart attack on November 30, 1947, in Hollywood at the age of 55. His last film, That Lady in Ermine with Betty Grable, was completed by Otto Preminger and released posthumously in 1948. When leaving Lubitsch's funeral, William Wyler said "No more Lubitsch." Billy Wilder responded "Worse than that. No more Lubitsch pictures." Lubitsch is interred at Forest Lawn Memorial Park. On February 8, 1960, Lubitsch received a star on the Hollywood Walk of Fame for his contributions to the motion pictures industry, at 7040 Hollywood Blvd., Hollywood. Lubitsch touch Biographer Scott Eyman attempted to characterize the famed "Lubitsch touch": With few exceptions Lubitsch's movies take place neither in Europe nor America but in Lubitschland, a place of metaphor, benign grace, rueful wisdom... What came to preoccupy this anomalous artist was the comedy of manners and the society in which it transpired, a world of delicate sangfroid, where a breach of sexual or social propriety and the appropriate response are ritualized, but in unexpected ways, where the basest things are discussed in elegant whispers; of the rapier, never the broadsword... To the unsophisticated eye, Lubitsch's work can appear dated, simply because his characters belong to a world of formal sexual protocol. But his approach to film, to comedy, and to life was not so much ahead of its time as it was singular, and totally out of any time. Career assessment and legacy In 1946, he received an Honorary Academy Award for his distinguished contributions to the art of the motion picture. He was nominated three times for Best Director.The Ernst-Lubitsch-Prize, a German Comedy prize, was established in 1958 in an effort of Billy Wilder to keep the memory of his friend alive. Filmography Passage 4: Meyer from Berlin Meyer from Berlin (German: Meyer aus Berlin) is a 1919 German silent comedy film directed by Ernst Lubitsch and starring Lubitsch, Ossi Oswalda and Ethel Orff. It was part of the Sally series of films featuring Lubitsch as a sharp young Berliner of Jewish heritage. It was Lubitsch's penultimate film as an actor, after 1920 he devoted himself entirely to screenwriting and directing. Synopsis Sally Meyer, a young Berliner, persuades his Doctor to convince his wife that he is ill, so that he is able to take a holiday in the Austrian Alps in order to pursue women. Meyer dresses up in what he considers Tyrolean attire. However, he mistakenly travels to the Bavarian Alps rather than Austria. Meyer becomes infatuated with Kitty, a young, attractive woman at the hotel where he is staying. His pursuit of her angers many of her other suitors who are also staying at the hotel. In order to impress Kitty, Meyer agrees rather reluctantly to climb Mount Watzmann. While they are approaching the summit, both Meyer's wife and Kitty's fiancée unexpectedly arrive from Berlin. Cast Ernst Lubitsch as Sally Meyer Ethel Orff as Paula, his wife Heinz Landsmann as Harry Trude Troll as Kitty, his bride Ossi Oswalda Erich Schönfelder Passage 5: Eduard von Lutz Eduard Ritter von Lutz (13 January 1810 – 8 July 1893) was a Bavarian Major General and War Minister under Maximilian II of Bavaria and under Ludwig II of Bavaria. Biography Von Lutz was born in Neuburg an der Donau. After passing his company officer career, he was advanced to Major in 1855, and became Oberstleutnant and deputy commander of the Germersheim fortress in 1859. One year after that he became commander of the Kriegsschule. In 1862 he became Oberst and commander of the 2nd Infantry Regiment. Von Lutz was war minister after August 15, 1863. After the Prussian defeat of Bavaria he withdrew on August 1, 1866. He died in Starnberg. == References and notes == Passage 6: William Dieterle William Dieterle (July 15, 1893 – December 9, 1972) was a German-born actor and film director who emigrated to the United States in 1930 to leave a worsening political situation. He worked in Hollywood primarily as a director for much of his career, becoming a United States citizen in 1937. He moved back to Germany in the late 1950s. His best-known films include The Story of Louis Pasteur (1936), The Hunchback of Notre Dame (1939) and The Devil and Daniel Webster (1941). His film The Life of Emile Zola (1937) won the Academy Award for Best Picture, the second biographical feature to do so. Early life and career He was born Wilhelm Dieterle in Ludwigshafen, the youngest child of nine, to factory worker Jacob and Berthe (Doerr) Dieterle. As a child, he lived in considerable poverty and earned money by various means, including carpentry and as a scrap dealer. He became interested in theater early and would stage productions in the family barn for friends and family. At the age of sixteen, Dieterle had joined a traveling theater company as a handy-man, scene shifter, and apprentice actor. His striking good looks and ambition soon paved his way to gain roles as a leading romantic actor in theater productions. In 1919, he attracted the attention of theater director Max Reinhardt in Berlin, who hired him as an actor for his productions until 1924. He started acting in German films in 1921 to make more money and quickly became a popular character actor. He usually portrayed "country yokels" or simpletons with great gusto and popularity, but he was ambitious to begin a career as a director. In 1921, Dieterle married Charlotte Hagenbruch, an actress and later screenwriter. In 1923, Dieterle used his own money to make his first film, Der Mensch am Wege. Based on the Leo Tolstoy short story "Where Love Is, God Is", the film co-starred a young Marlene Dietrich. Years later Dieterle said of the film, "we were just four or five very young, enthusiastic, and revolutionary people who wanted to do something different. We brought it out; it didn't make any money, but was shown and it was an interesting experiment." In 1924, Dieterle left Reinhardt's company and formed his own theater company in Berlin, although it was unsuccessful and short lived. He also returned to film acting for several years and appeared in such notable German films as Das Wachsfigurenkabinett (Waxworks) (1924) and F. W. Murnau's Faust (1926). In 1927, Dieterle and his wife formed their own production company, Charrha-Film. Dieterle returned to directing films, such as Sex in Chains (1928), in which he also played the lead role. Hollywood career: 1930s In 1930, the political and economic situations in Germany worsened. Like many from the German film industry, Dieterle and his wife emigrated to the United States. Dieterle had said, "It was a running joke in Berlin...if the phone rang at a restaurant they said it must be Hollywood. Well, one night my wife and I were dining out and it really happened." Dieterle was offered a job at First National to make German-language dubbed versions of Hollywood films, as the studios were afraid of losing foreign business with the advent of sound films. But when Dieterle, his wife and a group of actors arrived, they found that the films had already been dubbed. They were chosen as actors in German-language versions of four Hollywood films, including Lloyd Bacon's Moby Dick (1930), in which Dieterle played Ahab. After the four films were completed, Warner Brothers' Vice President of Production Hal B. Wallis was so impressed that he invited Dieterle to stay in Hollywood. He became a US citizen in 1937. Dieterle adapted quickly to Hollywood filmmaking and directed his first film, The Last Flight in 1931. The film depicts four American fighter pilots who roam around Paris after World War I trying to put their lives back together. It starred Richard Barthelmess and Helen Chandler, and the plot was compared to the work of F. Scott Fitzgerald. Although not a success on its first run, it was hailed as a forgotten masterpiece at a 1970 revival screening. Dieterle's initial Hollywood career was neither successful nor notable. It included such films as the W. C. Fields musical Her Majesty, Love (1932), Jewel Robbery (1932), Adorable (1933), and Fog Over Frisco (1934) with Bette Davis. In 1934, Max Reinhardt was staging a version of A Midsummer Night's Dream at the Hollywood Bowl in Los Angeles. Dieterle convinced Warner Brothers to finance a big budget version of the film with an all-star cast. The resulting film, A Midsummer Night's Dream (1935), revitalized Dieterle's career and he became a major Hollywood director. Starring James Cagney, Olivia de Havilland, Joe E. Brown and a 15-year-old Mickey Rooney, the film had very mixed reviews for its "Americanization" of Shakespeare, but was a success on release. It is now considered a classic. During production, Reinhardt would rehearse the actors and then let Dieterle direct the film. Dieterle directed the first of his hugely successful "biography films" with actor Paul Muni, beginning with The Story of Louis Pasteur (1936). The film stars Muni as the scientist who discovered the principles of vaccination and struggled against a skeptical medical community. The film was a success both critically and financially, and earned Muni an Oscar for Best Actor. It also helped to establish Warner Brothers as a producer of "prestige pictures" after almost a decade of being known primarily for crime dramas. Dieterle was asked to direct several films which he did not like; he said "at Warners the moment you had a success they gave you something terrible to keep you from getting a swelled head." These films included the second version of Dashiell Hammett's The Maltese Falcon (Satan Met a Lady with Bette Davis), The Prince and the Pauper, and a bio-pic about Florence Nightingale, The White Angel. Dieterle made another bio-pic with Paul Muni, The Life of Emile Zola (1937). Based on the life of the French philosopher and novelist Zola, the film explores Zola's response to the Dreyfus affair, in which the falsely accused and convicted Jewish French officer was found guilty of treason and imprisoned. The film was an enormous success and critic Frank S. Nugent ranked it as "the finest historical film ever made and the greatest screen biography." It was nominated for 10 Academy Awards and won for Best Picture, Best Supporting Actor for Joseph Schildkraut (as Dreyfus) and Best Screenplay. Dieterle lost the award for Best Director to Leo McCarey. It was his only nomination. Dieterle's next film was Blockade (1938), starring Henry Fonda as a dedicated Loyalist fighter and Madeline Carroll as the reluctant Franco spy who falls in love with him during the Spanish Civil War. The film was openly anti-fascist and critical of nations that stood by and let fascist dictators commit atrocities. Its 1938 premiere at Grauman's Chinese Theater was abruptly and inexplicably cancelled, and it was mildly controversial upon release. During the late 1940s and 1950s it was cited as suspicious by Congressional committees investigating communist influence, such as the House Un-American Activities Committee. Both Dieterle and its screenwriter were viewed negatively. Juarez (1939) was the third biographical picture that Dieterle made with Muni, depicting the life of Mexican politician Benito Juárez and his conflict with Emperor Maximilian I. Upon its release, Dieterle was called "the quintessential liberal director of the 30s." When interviewed in the 1970s, Dieterle said of the movie, "it should be the biggest kind of picture right now—a big modern army worn down by guerrilla fighters. The parallel with Vietnam is so obvious."Dieterle found both financial and critical success with The Hunchback of Notre Dame (also 1939). The film stars Charles Laughton as Quasimodo and a 19-year-old Maureen O'Hara as Esmeralda. Dieterle made two more bio-pics, both starring Edward G. Robinson instead of Muni. Dr. Ehrlich's Magic Bullet (1940) is about Paul Ehrlich's discovery of Salvarsan, which made syphilis curable; and A Dispatch from Reuter's (also 1940), is about the man who established the first news agency. These were Dieterle's last films for Warner Brothers. Hollywood career: 1940s While many commentators at the time felt that his career had reached a peak in the 1930s, it is now believed that the films of this period contain some of his best work. David Thomson, for instance, has written that the bio-pics of the 1930s are "ponderous, Germanic works, suffering from staginess and the unrestrained histrionics of Paul Muni." By the time he was working for Selznick in the 1940s, the director's "sense of almost supernatural atmosphere" matched those of his producer, while his later works "all suggest, if not a late flowering, a realization that his talent was for the lavish romantic."The Devil and Daniel Webster (also known as All That Money Can Buy, 1941) is a gothic fantasy and loose adaptation of the Faust legend set in New Hampshire during the 1840s. It stars Walter Huston and Edward Arnold as the titular Prince of Darkness and early Congressman, who battle over the soul of Jabez Stone after an ill-conceived deal with the devil. Although unsuccessful upon its initial release, it is today a classic with Noirish cinematography by Joe August, Oscar-winning score by Bernard Herrmann, and still impressive special effects. After another bio-pic about President Andrew Johnson called Tennessee Johnson (1942) starring Van Heflin and Lionel Barrymore and a remake of Kismet (1944) with Ronald Colman and Marlene Dietrich, Love Letters (1945) stars Joseph Cotten as a soldier who writes love letters on behalf of a friend during World War II. Jennifer Jones stars as the recipient of the letters who falls in love with the writer. Years after the war, Cotten tracks down Jones only to find that she has lost her memory and apparently killed her husband. The film was produced by Jones's then husband David O. Selznick, who also produced Dieterle's next film. Portrait of Jennie (1948) stars Cotten and Jones as a painter and his muse. After meeting in Central Park one day, Cotten paints a portrait of Jones that makes him famous, but is unable to find his muse who he has fallen in love with. The film's budget dramatically increased during production and Selznick was forced to sell Dieterle's contract to Paramount Pictures, where his career never reached the heights of the previous 15 years. Later career Dieterle's career declined in the 1950s during the era of McCarthyism. Although he was never blacklisted directly, his Spanish Republic-sympathetic film Blockade (1938), in addition to people he had worked with, were thought to be suspect. Also, in the 1930s he and his wife had worked to help get people out of Nazi Germany and given aid to many left-wing friends, including Bertolt Brecht. Of this period, Dieterle said: "Although I was never to my knowledge on any blacklist, I must have been on some kind of gray list because I couldn't get any work."He continued to make American films in the 1950s, including the film noir The Turning Point (1952) and Salome (1953) with Rita Hayworth. Production for Elephant Walk (1954) with Elizabeth Taylor was held up for three months when the State Department would not allow Dieterle to travel to Ceylon. He made two more Hollywood films before moving back to Europe: a biopic of Richard Wagner, Magic Fire (1955) for Republic Pictures and Omar Khayyam (1957). He made some films in Germany and Italy, and an American flop, Quick, Let's Get Married (1964) – also known as The Confession or Seven Different Ways – with Ginger Rogers before retiring from film in 1965. He moved back to Germany and became the director of the Der Grüne Wagen theatre, then based in Taufkirchen near Munich, which he ran together with his wife, Charlotte Hagenbruch. After his wife's death in May 1968, he ran the theatre with his new wife, Elisabeth Daum, as a touring theatre. Dieterle directed the ensemble for several years, with Elisabeth Bergner as his leading lady.Dieterle is remembered for always wearing a large hat and white gloves on set. This was due to needing to quickly change roles from actor to technician without dirtying his hands during his early career. Selected filmography See also The Continental Players, co-founded by Dieterle Passage 7: Ludwig II, King of Bavaria Ludwig II, King of Bavaria (German: Ludwig der Zweite, König von Bayern) is a 1929 German silent historical film directed by William Dieterle and starring Dieterle, Theodor Loos and Eugen Burg. It portrays the life and reign of the monarch Ludwig II who ruled Bavaria from 1864 to 1886. It was made at the Bavaria Studios in Geiselgasteig, Munich. The production company was the German subsidiary of the American studio Universal Pictures. Cast Passage 8: Sophia Dorothea of Hanover Sophia Dorothea of Hanover (26 March [O.S. 16 March] 1687 – 28 June 1757) was Queen in Prussia and Electress of Brandenburg during the reign of her husband, King Frederick William I, from 1713 to 1740. She was the mother of Frederick the Great (King Frederick II of Prussia). At the time of Sophia's birth, her father was merely the son of a German prince, Ernest Augustus, Duke of Brunswick-Lüneburg. It was not until 1701 that the Act of Settlement placed him, through his mother, in line to inherit the throne of Great Britain. Sophia was twenty-seven years of age, and had already become the Queen of Prussia, as also the mother of many children, by the time her father became King George I of Great Britain in 1714. Life Sophia Dorothea was born on 16 March 1687 (O.S.), in Hanover. She was the only daughter of George Louis of Hanover, later King George I of Great Britain, and his wife, Sophia Dorothea of Celle. She was detested by her elder brother, King George II of Great Britain.After the divorce and imprisonment of her mother, she was raised in Hanover under the supervision of her paternal grandmother, Sophia of Hanover, and educated by her Huguenot teacher Madame de Sacetot. Marriage Sophia Dorothea married her cousin (her father's sister's son), Crown Prince Frederick William of Prussia, heir apparent to the Prussian throne, on 28 November 1706. They had met as children when Frederick William had spent some time in Hanover under the care of their grandmother, Sophia of Hanover, and though Sophia Dorothea disliked him, Frederick William had reportedly felt an attraction to her early on.When a marriage was to be arranged for Frederick William, he was given two alternatives: Princess Ulrika Eleonora of Sweden or Sophia Dorothea of Hanover. The Swedish match was preferred by his father, who wished to form a matrimonial alliance with Sweden, and thus the official Finck was sent to Stockholm under the pretext of an adjustment of the disputes regarding Pomerania, but in reality to observe the princess before issuing formal negotiations: Frederick William, however, preferred Sophia Dorothea and successfully tasked Finck with making such a deterring report of Ulrika Eleonora to his father that he would encounter less opposition when he informed his father of his choice. A marriage alliance between Prussia and Hanover was regarded as a noncontroversial choice by both courts and the negotiations were swiftly conducted. In order for Sophia Dorothea to make as good an impression as possible in Berlin, her grandmother, Electress Sophia, commissioned her niece Elizabeth Charlotte, Princess of the Palatinate to procure her trousseau in Paris. Her bridal paraphernalia attracted great attention and was referred to as the greatest of any German Princess yet. The wedding by proxy took place in Hanover on 28 November 1706, and she arrived in Berlin on 27 November, where she was welcomed by her groom and his family outside of the city gates and before making her entrance into the capital. Thereafter followed a second wedding, the stately torch-dance, and six weeks of banquets and balls. Crown Princess in Prussia Sophia Dorothea was described as tall, with a beautiful slender figure, graceful and dignified with big blue eyes. Though not regarded as strictly beautiful, she was seen as quite attractive at the time of her marriage and described as charming in her manners, making a good impression in Berlin. Frederick William often called her "Fiekchen".Sophia Dorothea and Frederick William differed from each other in every aspect and the marriage suffered as a result. Sophia Dorothea was interested in art, science, literature and fashion, while Frederick William was described as an unpolished, uneducated and spartan military man with rough manners. Though he was never unfaithful to her, he was unable to win her affection. One of the most important differences between them was that Sophia Dorothea, unlike her husband, loved entertainment, something he regarded to be frivolous. Frederick William contemplated divorcing her the same year they married and, judging by her letters, accused her of not wanting to be married to him. According to Morgenstern, "He had none of that astonishing complaisance by which lovers, whether husbands or friends, seek to win the favor of the beloved object. As far as can be gathered from the words he occasionally let drop, the crossing of his first love might have been the innocent cause of this; and as the object of this passion, by the directions of her mother and grandmother, treated him with harshness, where, then, could he learn to make love?"The birth of her firstborn son, Frederick Louis, in 1707 was celebrated greatly in Prussia, and Sophia Dorothea successfully asked the king to liberate the imprisoned minister Eberhard von Danckelmann. In 1708, after the death of her firstborn son, the physicians declared that Sophia Dorothea was not likely to conceive again, which prompted the remarriage of her father-in-law. However, she gave birth to several children in the following years, and finally to a son who survived in 1712. Queen in Prussia In 1713, her father-in-law Frederick I died and was succeeded by her spouse Frederick William I, making her queen in Prussia. At the time of the accession, Prussia was at war with Sweden, and Sophia Dorothea accompanied Frederick William during the campaign of 1715, though she soon returned to Berlin to give birth to her daughter. During the war, the king left directions to his ministers to consult her and take no action without her approval in the case of emergency. In 1717, she hosted Peter the Great on his visit to Berlin at her own palace Monbijou, as per the king's request, which was vandalized as a result. Sophia Dorothea's first favorite was her maid of honor, von Wagnitz, who was dismissed after an intrigue in which Kreutz and her mother tried to make her the king's mistress, as well as being a spy of the French ambassador Rothenburg.Queen Sophia Dorothea was admired for her gracious manners and nicknamed "Olympia" for her regal bearing, but scarred by smallpox and overweight with time, she was not called a beauty. She was known as extremely haughty, proud, and ambitious, but Frederick William greatly disliked her interference in politics, as it was his belief that women should be kept only for breeding, and kept submissive as they would otherwise dominate their husbands. The king was known for his parsimony and dislike of idleness to such a degree that he would beat people in the street as well as in the palace if he viewed them as lazy. The queen complained about the "horrible avarice" he pressed upon the household and as a result, according to Pollnitz, the queen's table was often so sparingly supplied that he had often given her money so that she could be able to have an omelette for supper.Frederick William viewed her interests in theater, dancing, jewelry and music as frivolous and resented any sign of her living a life independently from his authority: he particularly disliked her interest in gambling, and it is reported that she and her partners would have coffee beans ready on the table during gambling, so that if the king appeared, they could pretend to be playing with them rather than money. On one occasion, the queen took the opportunity of the king being ill to host a ball at Monbijou with dancing and music, and where she herself gambled while wearing her diamond set. When the king suddenly arrived, the dancing and music stopped immediately, and the queen unclasped her jewels and hid them in her pocket. His manner toward her was described as rough and so noted that when he displayed the opposite, it was seen as a surprise. Upon the death of her mother in 1726, Sophia Dorothea inherited a sum of three million, whereupon it attracted attention that Frederick William suddenly treated her very well: the Imperial ambassador reported that this was merely because he wanted her money, and when she never received it (as her brother refused to release the sum), Frederick William resumed his usual manner toward her. For her part, Sophia Dorothea did not have a high opinion of the king's military interest or skill, and at one occasion, when he spoke disparagingly of the English commanders retorted: "No doubt they must wish to give you the command of their army." Upon the illness of the king in Brandenburg during the campaign of 1719, he sent for Sophia Dorothea and entrusted her with his will, cautioning secrecy. Within the document, she was named regent during the minority of their son, with Charles VI, Holy Roman Emperor, and King George I of Great Britain as guardians to the Crown Prince. The king's favorites, military general Friedrich von Grumbkow and Leopold I of Anhalt-Dessau, offered the queen's favorite Madame de Blaspiel a bribe if she procured information for them and influenced the queen in their favor; she in turn informed the queen, who informed the king, who summoned von Grumbkow and the Prince and told them to return to Berlin. They then tasked Madame de Blaspiel's lover, Count de Manteufel, the Saxon ambassador, to acquire the document or at least find out its meaning: the queen did give de Blaspiel the document, and its contents were revealed to Grumbkow and Anhalt. Grumbkow and Anhalt, now wishing to lessen the queen's influence after learning of the will appointing her regent, unsuccessfully tried to accuse her before the king of having borrowed money and pawning a pair of earrings given to her by the king to pay her gambling debts. The queen countered by accusing Grumbkow of plotting against her.Concurrently, the Clement Affair took place, in which the alleged Hungarian nobleman Clement gained access to the king by use of false letters and convinced him that the courts of Vienna and Dresden were orchestrating a plot to depose him in favor of the crown prince who, under the guardianship of the Emperor, the queen, Grumbkow, and Arnhalt, was to then be raised a Catholic. All were accused of having been implicated in the plot before Clement was exposed as a con artist and summarily executed; another implicated was M. de Troschke, a gentleman of the chamber in service to the king, in whose possession was found a letter from Madame de Blaspiel expressing anger at the king's imprisonment of a suspected accomplice, Monsieur de Kamecke. Grumbkow, suspecting the queen's favorite to have exposed his plot against the queen, delivered the letter to the king, who had de Blaspiel arrested, imprisoned for a year at Spandau, and then banished. Her arrest forced the queen to remove the will of 1719 from the possession of Blaspiel before it was discovered there, to which end her chaplain procured it from the officer commissioned to seal up de Blaspiel's room. After this the queen replaced her as confidant with her daughter, Princess Wilhelmine. Sophia Dorothea had a very close relationship to her eldest son, Crown Prince Frederick, who was harshly treated by his father, who perceived him as effeminate. According to her daughter Wilhelmine, the queen widened the rift between the king and the crown prince by demonstrating that she viewed the king's demands as unfair: "Whatever my father ordered my brother to do, my mother commanded him to do the very reverse."Frederick William accused her of having damaged his relationship with his children, and therefore banned them from seeing her without his presence. When the king banned the queen from communicating with her son, she corresponded with him through her daughter Wilhelmine. When he refused to let her see her eldest children, she invited them to her rooms in secrecy; on at least one occasion, Frederick and Wilhelmine were forced to hide in the furniture in her rooms when Frederick William came to her room unexpectedly while they were there. At the same time, the queen's favorite, Madame de Ramen, acted as a spy for the king, causing their relationship to deteriorate sharply. Her children were terrorized and frequently beaten by Frederick William, who may have suffered from porphyria. During the latter years of the king's life, he was often seized by fits of violence during which he hit people with his cane and threw things at his children. This was a difficult situation for his family, as he often forced them to attend him, refusing to let them leave from 9 AM until bedtime. Anglo-Prussian marriage alliance Sophia Dorothea held a longtime ambition to arrange a double marriage of her eldest son, Crown Prince Frederick, to Princess Amelia of Great Britain, and her eldest daughter Wilhelmine to Frederick, future Prince of Wales. This was a project that had first been raised during the children's infancy and would result in a strong alliance between Prussia and Great Britain. Her plan was opposed by the king's favorites Grumbkow and Anhalt, who wished to arrange a marriage between Wilhelmine and Anhalt's nephew, Frederick William, Margrave of Brandenburg-Schwedt (the King's first cousin). He was next in line to inherit the throne after the crown prince, whose health was delicate. If he succeeded, Anhalt and Grumbkow hoped to come into a position of power.In 1723, the queen convinced the king to give his consent to the Prussian-British marriage alliance. In October of that year, they hosted a visit by George I in Berlin, who inspected Wilhelmine and agreed to the double marriage alliance if it was approved by Parliament. One day, Frederick William went to visit George I in Goehr. Sophia Dorothea did not accompany him, because she gave birth unexpectedly just before they were to leave. Sophia had been unaware of her pregnancy, leading to a rumor that she had tried to hide it. This caused Frederick William to suspect her of adultery. Upon his return, he had to be prevented from beating her by her chief lady-in-waiting, Sophie de Kameke, who held his arm and told him "if he had only come there to kill his wife, he had better have kept away." The king questioned the physician Stahl, his regimental surgeon Holzendorf, and de Kameke about the queen's suspected adultery, upon which de Kameke told him that "if he were not her king she would strangle him on the spot" for his accusation, which resulted in him making an apology to the queen and dismissing the affair.George I promised that the double marriage alliance would be formally agreed upon in connection with the Treaty of Hanover (1725). Sophia Dorothea accompanied Frederick William to meet George in Hanover to discuss the matter, and was left there to handle the negotiations when he returned to Berlin. However, she failed to accomplish anything, as the matter was avoided by both George I and his ministers. When she returned to Berlin, Frederick William was so discontent with her failure that he had the passage between their apartments walled up (it remained so for six weeks). Frederick, Prince of Wales, sent his agent La Motte to ask whether she would permit a secret visit by him to see his intended bride, Wilhelmine. The queen agreed, but made the mistake of saying so to the British ambassador Dubourguai, which obliged him to inform George I. George recalled Frederick to England, and had La Motte arrested and imprisoned. All this damaged the queen and the prospect of the marriage alliance in the eyes of the king, causing a great row between them. From 1726 until 1735, Friedrich Heinrich von Seckendorff was the Austrian ambassador in Berlin and the king's favorite. He came to be the main opponent of the queen, due to his opposition to the British-Prussian marriage alliance. The animosity between the queen and Seckendorff was well known and commented on by the king: "My wife and the whole world are against him; the Prince of Anhalt and my Fritz hate him like the pest, but he is a brave fellow, and loves me."In 1729, negotiations for the British marriage alliance were disrupted by the activities of Frederick William's army recruiters. Frederick William wanted tall soldiers for his army; his agents went all over Germany paying or even kidnapping such men. They snatched men from Hanover, whose ruler was also the king of Great Britain. This caused diplomatic incidents, and Frederick William stopped all negotiations. But the queen renewed them. When Grumbkow revealed her independent negotiations to the king, the king stated that he would marry Wilhelmine to either a prince of Schwedt or Weissenfels, and that Sophia could consent or be imprisoned for life.She was advised by Borck to suggest Prince Frederick of Bayreuth as an alternative, which she did. Then she wrote to the queen of Great Britain, claiming illness. The reply was unsatisfactory, and the king learned of her pretense. Frederick William beat Wilhelmine in Sophia's presence, and Sophia agreed to drop the British marriage, provided that Wilhelmine was married to Frederick of Bayreuth, not the Duke of Saxe-Weissenfels. She fell genuinely ill shortly afterward, and successfully asked him to reconcile with their eldest son and daughter, and afterwards beat them only in private.Matters changed when the British ambassador Hotham arrived and officially suggested marriage between Wilhelmine and the Prince of Wales, providing the king agreed to marriage between Crown Prince Frederick and Amelia of Great Britain, and the dismissal of his favorite, the anti-British Grumbkow, whom they accused of treason against him. The king agreed to the terms, if proof of Grumbkow's guilt was shown, and if his son was appointed governor of Hanover. Grumbkow allied with Seckendorff to prevent the marriage alliance and thus his own fall, while the latter informed the king that the British suggestion was a result of the queen's intrigues to depose him in favor of his son and make Prussia a de facto British province through "the vain and haughty English daughter-in-law", whose extravagance would ruin the state. When ambassador Hotham returned with the proof of Grumbkow's guilt, the king reportedly flew into a rage and beat the ambassador. The queen had the crown prince write to Hotham and unsuccessfully ask him to reconcile with the king; before departing Prussia, however, he left the evidence against Grumbkow with the queen. Escape attempt of the Crown Prince Sophia Dorothea spent many days talking to her eldest son in the library, and was informed of his plans to escape from his father's custody. In August 1730, during a tour he made with his father through the provinces, Frederick tried to escape from Prussia, and was brought back a prisoner. The king informed the queen of the event through Sophie de Kamecke before their arrival. There were compromising letters by the queen and princess Wilhelmine in Frederick's portefeuille, which was forwarded to them by a friend after the arrest of Frederick's accomplice Katte. They burned the letters and replaced them with fabricated and uncompromising ones. However, "as there were near fifteen hundred of the originals, although we worked very hard, not more than six hundred or seven hundred could be completed in the time". The portefeuille was also filled with ornamental articles. When the portefeuille was later opened, Frederick did not recognize its content. Grumbkow immediately suspected what had transpired and stated: "These cursed women have outwitted us!" When the king returned, he told the queen that her son was dead. She replied: "What! Have you murdered your son?" When given the reply: "He was not my son, he was only a miserable deserter," she became hysterical and screamed repeatedly: "Mon Dieu, mon fils! mon Dieu, mon fils!" The king then started to beat Wilhelmine and would possibly have killed her. Her siblings and ladies-in-waiting intervened. Frederick's accomplice Katte arrived as a prisoner, so the king beat him instead. When Frederick was imprisoned at the fortress in Küstrin, Grumbkow acted as mediator between Frederick and his parents, managing to reconcile them.The imprisonment was followed by continuous conflict between the king and the queen about the marriage of princess Wilhelmine. While the king pressed for a marriage to the Margrave of Schwedt or the Prince of Weissenfels, the queen exchanged secret messages with her daughter and urged her not to accept any other groom than the Prince of Wales. This conflict caused the king to threaten to beat the queen and have Mademoiselle Sonsfeld publicly whipped. Finally, Wilhelmine was formally offered the choice between the Margrave of Schwedt, the Duke of Weissenfels, or the Prince of Bayreuth. She chose to marry the latter (as she had not seen him but had seen and disliked the other two), on condition that her father free her brother. Her decision was made against the will of her mother, who threatened to disown her for what she considered to be her daughter's lack of courage, and ordered her not to speak to her future groom when he arrived. The king was furious at the cold demeanor of the queen during the following visit of the Prince of Bayreuth. After the betrothal of Wilhelmine and the Prince of Bayreuth, a message arrived in which George II consented to Wilhelmine marrying the Prince of Wales without her brother marrying his daughter Amelia. This message convinced the queen that a Prussian-British marriage alliance was possible. She therefore made a point of harassing the Prince of Bayreuth to stop the wedding. On the day of the wedding (20 November 1731), Sophia Dorothea tried to delay the ceremony by disarranging her daughter's hair every time it had been dressed, saying she was not satisfied with the effect, in the hope that a British courier might arrive in time to stop the ceremony.When Frederick was liberated after his sister's wedding, Sophia Dorothea resumed negotiations with Great Britain to marry him to Princess Amelia, and her next daughter, Philippine Charlotte, to the Prince of Wales, which would complete her life project of a Prussian-British marriage alliance. These plans was crushed in 1733, when Frederick William instead announced a marriage alliance with Brunswick by marrying Frederick to Elisabeth Christine of Brunswick-Wolfenbüttel-Bevern and Philippine Charlotte to Charles I, Duke of Brunswick-Wolfenbüttel. But Sophia continued to pursue a Prussian-British marriage alliance, accomplishing a "reconciliation between the houses of England and Prussia negotiated by the Queen", this time by the marriage of the Prince of Wales to her third daughter Louisa Ulrika: "La Herwein has conveyed the portrait of Ulrica to the Prince of Wales, and entertained Olympia (the Queen) with false hopes."This was crushed upon the marriage of the Prince of Wales in 1736 to Princess Augusta of Saxe-Gotha. Louisa Ulrika went on to become the Queen of Sweden. Sophia Dorothea favored the French side in the War of the Polish Succession of 1733–36, and disliked the king's participation in the war on the Austrian side. She openly declared her view when the king swore loyalty to Austria: "I shall live to make you, who are so incredulous, believe, and prove to you how you are deceived."During the last years of the king's life, he was afflicted with fits of illness which often forced him to use a wheelchair, and Sophia Dorothea was ordered to attend to him continuously. She seldom left his room for months before his death, save to follow him in his wheelchair; she bore with his impatience, soothed his suffering, and hers was the hand which, to the last, best smoothed the pillow, and administered the potion. In the beginning of November 1739, the king was attacked by his last illness. The queen sent for the crown prince on the night of the 26 May 1740, in consequence of a change which had taken place in the king. However, when Frederick arrived from Rheinsberg, whence he had travelled with all speed, he was astonished to find the king in his chair, in the garden; it was, however, but a momentary rally. He had a long final conversation with the Prince Royal, and took a solemn and tender leave of the Queen, his sons and daughters, and other relatives.On the day of his death, Frederick William ordered himself to be taken to the queen's apartment and told her: "Rise, I have but a few hours to live, and I would at least have the satisfaction of dying in your arms."However, the queen was led out of the room as Frederick William breathed his last in the arms of his son and successor. Queen Dowager On 31 May 1740, Frederick William died and was succeeded by her son, Frederick II (the Great). The loss of a husband, who, despite his frequent harsh treatment, had been sincerely attached to her, and who was endeared by the habitual intercourse of many years, deeply affected Sophia Dorothea. When the Marchioness of Bayreuth revisited Berlin, she found her mother clad in deep mourning, and with an air of profound dejection impressed upon her features.Sophia Dorothea had a very good relationship with her son, the new king. When she addressed him as "Your Majesty" after the funeral of his father, he interrupted her and told her: "Always call me your son, that title is dearer to me than the royal dignity." Frederick was known for his devotion to her, expressed his gratitude for her having raised him and never blamed her for his traumatic childhood, which he instead blamed on his father, and never allowed anyone to criticize her.Sophia Dorothea lost no importance as a queen dowager: wary of the great respect the king afforded his mother and his neglect of his wife, the foreign envoys and other supplicants considered attending the audience chamber and receptions as of the queen dowager as even more important than that of the queen. Until her death, he honored her as the first lady of his court and placed her before that of his wife, the queen. It was to his mother's chamber the king paid the first visit on his return from campaigns, summoning the queen to meet him there; he regularly invited his mother to his personal residence at Potsdam, where his wife was never invited, and while he seldom visited his wife, he regularly attended his mother at Monbijou, where he took off his hat and remained standing until she gave him permission to sit. Sophia Dorothea presided at the wedding of her son Prince William in 1742, and her daughter Louisa Ulrika in 1744. The relationship between Sophia Dorothea and her daughter-in-law queen Elisabeth Christine was not good during the first years of her son's reign, as she resented her daughter-in-law's precedence in rank, though her son assured it to be merely formal, but their relationship improved during the last years of her life. Sophia Dorothea saw her son for the last time after his first campaign in January 1757 during the Seven Years' War. At that point she was well, but soon after his departure, her health rapidly declined, and she died on 28 June 1757. Issue Ancestors Notes and sources Thea Leitner: Skandal bei Hof, Ueberreuter, 1993, ISBN 3-8000-3492-1 External links Media related to Sophia Dorothea of Hannover at Wikimedia Commons Portraits of Sophia Dorothea, Queen of Prussia at the National Portrait Gallery, London Passage 9: Therese of Saxe-Hildburghausen Therese Charlotte Luise of Saxony-Hildburghausen (8 July 1792 – 26 October 1854) was queen of Bavaria as the wife of King Ludwig I. Biography Therese was a daughter of Frederick, Duke of Saxe-Altenburg, and Duchess Charlotte Georgine of Mecklenburg-Strelitz, eldest daughter of Charles II, Grand Duke of Mecklenburg-Strelitz. In 1809, she was on the list of possible brides for Napoleon, but on 12 October 1810 married the Bavarian crown prince Ludwig. Their wedding was the occasion of the first ever Oktoberfest. She became queen in 1825. During the numerous love affairs of her husband, Therese suffered but tolerated the situation. She did not refrain, however, from demonstrating her disapproval in discreet ways; in 1831, she left town during one of his affairs, and she strictly rejected associating with the mistresses. Therese often assisted with the administration of the kingdom of Bavaria, especially when Ludwig was absent from Munich during his numerous journeys, and she did have some political influence and participated in political issues. She was very popular and was considered to embody an ideal image of queen, wife and mother. She was involved in a great number of charitable organizations for widows, orphans and the poor. She was the object of great sympathy during her husband's infidelity with Lola Montez, which was one of many factors that contributed to his unpopularity and his abdication in 1848. Children Therese and Ludwig had nine children: Maximilian (1811–1864), who married Princess Marie of Prussia (1825–1889); King of Bavaria as Maximilian II from 1848 to 1864. Mathilde Caroline (1813–1862), who married Ludwig III, Grand Duke of Hesse and by Rhine (1806–1877). Otto (1815–1867), who married Duchess Amalie of Oldenburg (1818–1875); King of Greece as Otto I from 1832 to 1862. Theodelinde (1816–1817). Luitpold (1821–1912), who married Archduchess Auguste of Austria (1825–1864); Prince Regent of Bavaria (1886–1912). Adelgunde (1823–1914), who married Francis V, Duke of Modena (1819–1875). Hildegard (1825–1864), who married Archduke Albert of Austria (1817–1895) Duke of Teschen. Alexandra (1826–1875). Adalbert (1828–1875), who married Infanta Amalia of Spain (1834–1905). Honours Kingdom of Bavaria : Sovereign of the Order of Saint Elizabeth Ancestry Passage 10: Adolf von Heinleth Adolf (or Adolph) Ritter von Heinleth (24 October 1823 – 26 February 1895) was a Bavarian General der Infanterie and War Minister under Ludwig II of Bavaria and under Otto of Bavaria. Biography Von Heinleth was born in Munich as son of a judicial counselor (Appellations-Gerichtsrat). He started his military career in the Infanterie-Leib-Regiment. After passing his company officer career, since 1858 in the rank of a Hauptmann, he became Major of the general staff in 1866. During the Franco-Prussian War he served in the rank of an Oberstleutnant, later in the rank Oberst, as chief of staff of the I Royal Bavarian Corps, which was led by General Von der Tann. After his advancement to Major General and Brigadier he stood with the occupation brigade in Metz after 1875. In 1878 he became Chief of the General Staff of the Army, and in 1882 he became Lieutenant General and division commander, before he served as war minister from 1 May 1885 to 9 May 1890. Ritter von Heinleth withdrew for health reasons. He died in Munich, where he was buried in the Old Southern Cemetery. Awards Military Order of Max Joseph Notes and references External links "Heinleth, Adolf von" at Wikisource. Allgemeine Deutsche Biographie (1905) (in German)

doc_91

Passage 1: Jesse E. Hobson Jesse Edward Hobson (May 2, 1911 – November 5, 1970) was the director of SRI International from 1947 to 1955. Prior to SRI, he was the director of the Armour Research Foundation. Early life and education Hobson was born in Marshall, Indiana. He received bachelor's and master's degrees in electrical engineering from Purdue University and a PhD in electrical engineering from the California Institute of Technology. Hobson was also selected as a nationally outstanding engineer.Hobson married Jessie Eugertha Bell on March 26, 1939, and they had five children. Career Awards and memberships Hobson was named an IEEE Fellow in 1948. Passage 2: Bobby Coleman Robert Moorhouse "Bobby" Coleman III (born May 5, 1997) is an American actor. He is best known for his roles as a child actor in the films Martian Child (2007), as the title character, and The Last Song (2010). Life and career Robert Coleman was born in Los Angeles, California, the son of Doris Berg and Robert Moorhouse Coleman Jr. He is the younger brother of actress Holliston Coleman, and lives with his family in the Los Angeles area. Coleman began acting at the age of five in commercials, and has since appeared in several film and television productions. He had brief appearances in a number of series such as Medium and JAG, before moving into film roles. He appeared in the feature films Must Love Dogs and Friends with Money, and also had a recurring role in the television series Surface, before taking leading roles in the films Glass House: The Good Mother and Take. He played the title lead role in the film Martian Child, his second role alongside John Cusack and is set to appear with his sister in Proving Ground: From the Adventures of Captain Redlocks, in which he will play the younger brother of his real-life sister. They are both set to star together again in the science-fiction adventure film, Robosapien: Rebooted. He appeared in the 2010 film The Last Song as Jonah Miller, the younger brother of Miley Cyrus's character. Filmography Awards 2008 Young Artist Award Best Performance in a Feature Film - Young Actor Age Ten or Younger for Martian Child — Nominated Passage 3: Martian Child Martian Child is a 2007 American comedy-drama film directed by Menno Meyjes and based on David Gerrold's 1994 novelette (not the expanded 2002 novel) of the same name. The film stars John Cusack as a writer who adopts a strange young boy (Bobby Coleman) who believes himself to be from Mars. The film was theatrically released on November 2, 2007, by New Line Cinema. Plot David Gordon, a popular science fiction author, widowed two years prior as they were trying to adopt a child, is finally matched with a young boy, Dennis. Initially hesitant to adopt alone, he is drawn to him, seeing aspects of himself in him. Believing he is from Mars, Dennis protects himself from the sun's harmful rays, wears weights to counter Earth's weak gravity, eats only Lucky Charms, and hangs upside down to facilitate circulation. He refers often to his mission to study Earth and its people, taking pictures, taking things to catalog, and spending time consulting an ambiguous toy-like device with flashing lights that produces seemingly unintelligible words. Once David decides to adopt Dennis, he spends time getting to know him, patiently coaxing him out of the large cardboard box he hides in. Soon, David is cleared to take Dennis home and meet David's dog, "Somewhere." In Dennis's bedroom is a projector of the solar system that he pronounces inaccurate. With the help of his friend Harlee and sister Liz, David tries to help Dennis overcome his delusion by both indulging it and encouraging him to act like everyone else. Dennis attends school but is quickly expelled for repeatedly 'stealing' items for his collection. Frustrated, David tells Liz that perhaps Dennis is from Mars. Meanwhile, David's literary agent, Jeff, pushes him to finish writing his commissioned sequel, which is due soon. He struggles to make time for writing, regularly pulled away from it to deal with Dennis. While sitting down to write, the flash from Dennis's Polaroid camera catches him off-guard and he accidentally breaks some glass. David picks Dennis up and carries him across the room. Upset by David's abrupt action, the boy fears he is going to be sent away. David explains that he was just worried he'd get cut by the glass and that he loves him more than his material possessions. Assuring him that he will never send him away, he encourages Dennis to break more things. They move to the kitchen and break dishes and then spray ketchup and dish detergent at each other. Lefkowitz, from Social Services, appears in the window and sees the mayhem. He rebukes David, setting up a case review. David encourages Dennis to be from Mars only at home; though he must be from Earth everywhere else. Passing his interview by saying he was pretending, he stays with David. Now his adoptive father, he insists Dennis acknowledge being from Earth, making him hurt and angry. David leaves him with Liz to attend the reveal of his new book, supposedly a sequel. He confesses to Tina, the publisher, that rather than being a sequel, it is a new book titled Martian Child, about Dennis. In her fury, Tina makes a scene, but takes the manuscript as David leaves to be with Dennis. Meanwhile, Dennis has left the house with his suitcase of earthly artifacts. When David arrives home, he finds the police and learns the boy is gone, he remembers the place he'd said he was found. David asks Harlee to drive him to the location, where they spot Dennis high up on the outside ledge of the museum's domed roof. David climbs up to him as the police and Liz arrive. Dennis points out a bright searchlight in a nearby cloud as someone coming to take him home, but David assures him it's just a helicopter. David professes his love for Dennis and asserts he will never ever leave him. Eventually Dennis trusts David and they hug. David's voiceover tells about the parallel of children who come into our world, struggling to understand it, being like little aliens. As Tina reads the manuscript aboard an airplane, she begins to cry. Cast In addition, Anjelica Huston plays Tina, David's publisher. Production Despite persistent misperceptions, this film is not based on David Gerrold's 2002 semi-autobiographical novel The Martian Child, (although it shares some of the same incidents) but rather is based on his 1994 fictional Hugo and Nebula Award-winning novella of the same name, which has caused much confusion about the source material, especially for Gerrold's fans in segments of the gay community. The short story does not specify the protagonist's sexual orientation. Only when, years later, Gerrold rewrote and expanded his story to novella length did he choose to include his sexuality. While Gerrold had, in real life, adopted a son as an openly gay man, in the film the protagonist is straight and has a female love interest. Because of the confusion surrounding the different publication dates of the original short story and the latter novella, some members of the gay community have criticized the lead role in the film being portrayed as straight, even though the main character in the short story was never identified as gay. Gerrold has expressed disappointment that the producers forced the protagonist to be changed from a gay man to a straight widower but felt it was a worthwhile trade-off to get published a story about a child in a group home needing a parent.The film began shooting in Vancouver on May 2, 2005, and completed filming in July 2005, with the studio repeatedly pushing back the release date. Jerry Zucker was hired to direct uncredited reshoots shortly before the film's release. Release Box office Martian Child opened in 2,020 venues on November 2, 2007 and earned $3,376,669 in its first weekend, ranking seventh in the domestic box office and third among the weekend's new releases. The film closed six weeks later on December 13, having grossed $7,500,310 domestically and $1,851,434 overseas, totaling $9,351,744 worldwide. Critical reception The film received mixed reviews from critics. On Rotten Tomatoes, the film has a 33% score, based on 106 reviews, with an average rating of 5/10. The site's consensus states: "Despite some charms, overt emotional manipulation and an inconsistent tone prevents Martian Child from being the heartfelt dramedy it aspires to be." Metacritic reports a 48 out of 100 rating, based on 26 critics, indicating "mixed or average reviews". Home media Martian Child was released on DVD on February 12, 2008. It opened at #20 the DVD sales chart, selling 69,000 units for revenue of $1.3 million. As per the latest figures, 400,000 DVD units have been sold, acquiring revenue of $7,613,945. This does not include DVD rentals/Blu-ray sales. The film is available on Netflix streaming. Awards Passage 4: Brian Kennedy (gallery director) Brian Patrick Kennedy (born 5 November 1961) is an Irish-born art museum director who has worked in Ireland and Australia, and now lives and works in the United States. He was the director of the Peabody Essex Museum in Salem for 17 months, resigning December 31, 2020. He was the director of the Toledo Museum of Art in Ohio from 2010 to 2019. He was the director of the Hood Museum of Art from 2005 to 2010, and the National Gallery of Australia (Canberra) from 1997 to 2004. Career Brian Kennedy currently lives and works in the United States after leaving Australia in 2005 to direct the Hood Museum of Art at Dartmouth College. In October 2010 he became the ninth Director of the Toledo Museum of Art. On 1 July 2019, he succeeded Dan Monroe as the executive director and CEO of the Peabody Essex Museum. Early life and career in Ireland Kennedy was born in Dublin and attended Clonkeen College. He received B.A. (1982), M.A. (1985) and PhD (1989) degrees from University College-Dublin, where he studied both art history and history. He worked in the Irish Department of Education (1982), the European Commission, Brussels (1983), and in Ireland at the Chester Beatty Library (1983–85), Government Publications Office (1985–86), and Department of Finance (1986–89). He married Mary Fiona Carlin in 1988.He was Assistant Director at the National Gallery of Ireland in Dublin from 1989 to 1997. He was Chair of the Irish Association of Art Historians from 1996 to 1997, and of the Council of Australian Art Museum Directors from 2001 to 2003. In September 1997 he became Director of the National Gallery of Australia. National Gallery of Australia (NGA) Kennedy expanded the traveling exhibitions and loans program throughout Australia, arranged for several major shows of Australian art abroad, increased the number of exhibitions at the museum itself and oversaw the development of an extensive multi-media site. Although he oversaw several years of the museum's highest ever annual visitation, he discontinued the emphasis of his predecessor, Betty Churcher, on showing "blockbuster" exhibitions. During his directorship, the NGA gained government support for improving the building and significant private donations and corporate sponsorship. However, the initial design for the building proved controversial generating a public dispute with the original architect on moral rights grounds. As a result, the project was not delivered during Dr Kennedy's tenure, with a significantly altered design completed some years later. Private funding supported two acquisitions of British art, including David Hockney's A Bigger Grand Canyon in 1999, and Lucian Freud's After Cézanne in 2001. Kennedy built on the established collections at the museum by acquiring the Holmgren-Spertus collection of Indonesian textiles; the Kenneth Tyler collection of editioned prints, screens, multiples and unique proofs; and the Australian Print Workshop Archive. He was also notable for campaigning for the construction of a new "front" entrance to the Gallery, facing King Edward Terrace, which was completed in 2010 (see reference to the building project above). Kennedy's cancellation of the "Sensation exhibition" (scheduled at the NGA from 2 June 2000 to 13 August 2000) was controversial, and seen by some as censorship. He claimed that the decision was due to the exhibition being "too close to the market" implying that a national cultural institution cannot exhibit the private collection of a speculative art investor. However, there were other exhibitions at the NGA during his tenure, which could have raised similar concerns. The exhibition featured the privately owned Young British Artists works belonging to Charles Saatchi and attracted large attendances in London and Brooklyn. Its most controversial work was Chris Ofili's The Holy Virgin Mary, a painting which used elephant dung and was accused of being blasphemous. The then-mayor of New York, Rudolph Giuliani, campaigned against the exhibition, claiming it was "Catholic-bashing" and an "aggressive, vicious, disgusting attack on religion." In November 1999, Kennedy cancelled the exhibition and stated that the events in New York had "obscured discussion of the artistic merit of the works of art". He has said that it "was the toughest decision of my professional life, so far."Kennedy was also repeatedly questioned on his management of a range of issues during the Australian Government's Senate Estimates process - particularly on the NGA's occupational health and safety record and concerns about the NGA's twenty-year-old air-conditioning system. The air-conditioning was finally renovated in 2003. Kennedy announced in 2002 that he would not seek extension of his contract beyond 2004, accepting a seven-year term as had his two predecessors.He became a joint Irish-Australian citizen in 2003. Toledo Museum of Art The Toledo Museum of Art is known for its exceptional collections of European and American paintings and sculpture, glass, antiquities, artist books, Japanese prints and netsuke. The museum offers free admission and is recognized for its historical leadership in the field of art education. During his tenure, Kennedy has focused the museum's art education efforts on visual literacy, which he defines as "learning to read, understand and write visual language." Initiatives have included baby and toddler tours, specialized training for all staff, docents, volunteers and the launch of a website, www.vislit.org. In November 2014, the museum hosted the International Visual Literacy Association (IVLA) conference, the first Museum to do so. Kennedy has been a frequent speaker on the topic, including 2010 and 2013 TEDx talks on visual and sensory literacy. Kennedy has expressed an interest in expanding the museum's collection of contemporary art and art by indigenous peoples. Works by Frank Stella, Sean Scully, Jaume Plensa, Ravinder Reddy and Mary Sibande have been acquired. In addition, the museum has made major acquisitions of Old Master paintings by Frans Hals and Luca Giordano.During his tenure the Toledo Museum of Art has announced the return of several objects from its collection due to claims the objects were stolen and/or illegally exported prior being sold to the museum. In 2011 a Meissen sweetmeat stand was returned to Germany followed by an Etruscan Kalpis or water jug to Italy (2013), an Indian sculpture of Ganesha (2014) and an astrological compendium to Germany in 2015. Hood Museum of Art Kennedy became Director of the Hood Museum of Art in July 2005. During his tenure, he implemented a series of large and small-scale exhibitions and oversaw the production of more than 20 publications to bring greater public attention to the museum's remarkable collections of the arts of America, Europe, Africa, Papua New Guinea and the Polar regions. At 70,000 objects, the Hood has one of the largest collections on any American college of university campus. The exhibition, Black Womanhood: Images, Icons, and Ideologies of the African Body, toured several US venues. Kennedy increased campus curricular use of works of art, with thousands of objects pulled from storage for classes annually. Numerous acquisitions were made with the museum's generous endowments, and he curated several exhibitions: including Wenda Gu: Forest of Stone Steles: Retranslation and Rewriting Tang Dynasty Poetry, Sean Scully: The Art of the Stripe, and Frank Stella: Irregular Polygons. Publications Kennedy has written or edited a number of books on art, including: Alfred Chester Beatty and Ireland 1950-1968: A study in cultural politics, Glendale Press (1988), ISBN 978-0-907606-49-9 Dreams and responsibilities: The state and arts in independent Ireland, Arts Council of Ireland (1990), ISBN 978-0-906627-32-7 Jack B Yeats: Jack Butler Yeats, 1871-1957 (Lives of Irish Artists), Unipub (October 1991), ISBN 978-0-948524-24-0 The Anatomy Lesson: Art and Medicine (with Davis Coakley), National Gallery of Ireland (January 1992), ISBN 978-0-903162-65-4 Ireland: Art into History (with Raymond Gillespie), Roberts Rinehart Publishers (1994), ISBN 978-1-57098-005-3 Irish Painting, Roberts Rinehart Publishers (November 1997), ISBN 978-1-86059-059-7 Sean Scully: The Art of the Stripe, Hood Museum of Art (October 2008), ISBN 978-0-944722-34-3 Frank Stella: Irregular Polygons, 1965-1966, Hood Museum of Art (October 2010), ISBN 978-0-944722-39-8 Honors and achievements Kennedy was awarded the Australian Centenary Medal in 2001 for service to Australian Society and its art. He is a trustee and treasurer of the Association of Art Museum Directors, a peer reviewer for the American Association of Museums and a member of the International Association of Art Critics. In 2013 he was appointed inaugural eminent professor at the University of Toledo and received an honorary doctorate from Lourdes University. Most recently, Kennedy received the 2014 Northwest Region, Ohio Art Education Association award for distinguished educator for art education. == Notes == Passage 5: Ian Barry (director) Ian Barry is an Australian director of film and TV. Select credits Waiting for Lucas (1973) (short) Stone (1974) (editor only) The Chain Reaction (1980) Whose Baby? (1986) (mini-series) Minnamurra (1989) Bodysurfer (1989) (mini-series) Ring of Scorpio (1990) (mini-series) Crimebroker (1993) Inferno (1998) (TV movie) Miss Lettie and Me (2002) (TV movie) Not Quite Hollywood: The Wild, Untold Story of Ozploitation! (2008) (documentary) The Doctor Blake Mysteries (2013) Passage 6: Peter Levin Peter Levin is an American director of film, television and theatre. Career Since 1967, Levin has amassed a large number of credits directing episodic television and television films. Some of his television series credits include Love Is a Many Splendored Thing, James at 15, The Paper Chase, Family, Starsky & Hutch, Lou Grant, Fame, Cagney & Lacey, Law & Order and Judging Amy.Some of his television film credits include Rape and Marriage: The Rideout Case (1980), A Reason to Live (1985), Popeye Doyle (1986), A Killer Among Us (1990), Queen Sized (2008) and among other films. He directed "Heart in Hiding", written by his wife Audrey Davis Levin, for which she received an Emmy for Best Day Time Special in the 1970s. Prior to becoming a director, Levin worked as an actor in several Broadway productions. He costarred with Susan Strasberg in "[The Diary of Ann Frank]" but had to leave the production when he was drafted into the Army. He trained at the Carnegie Mellon University. Eventually becoming a theatre director, he directed productions at the Long Wharf Theatre and the Pacific Resident Theatre Company. He also co-founded the off-off-Broadway Theatre [the Hardware Poets Playhouse] with his wife Audrey Davis Levin and was also an associate artist of The Interact Theatre Company. Passage 7: Marcus Child (field hockey) Marcus "Marky" Andrew Law Child (born 2 March 1991) is a retired New Zealand field hockey player, who played as a midfielder or forward for the New Zealand national team. Personal life Marcus Child was born and raised in Auckland, New Zealand. He has an older brother, Simon, who also plays representative hockey for New Zealand. Career Child started playing hockey when he was four years old. He plays for Auckland in the New Zealand Hockey League. In the 2018–19 season he played for Pinoké in the Dutch Hoofdklasse.Child made his senior international debut for the Black Sticks in 2010. Since his debut, he has been a regular inclusion in the side. In 2018, he was a silver medallist at the Commonwealth Games held in Gold Coast, Australia. In December 2020 he announced his retirement from the national team. Passage 8: S. N. Mathur S.N. Mathur was the Director of the Indian Intelligence Bureau between September 1975 and February 1980. He was also the Director General of Police in Punjab. Passage 9: Menno Meyjes Menno Meyjes (born 1954, Eindhoven) is a Dutch-born American screenwriter, film director, and film producer.Meyjes moved to the United States in 1972 and studied at San Francisco Art Institute. He was nominated for several awards for his screenplay to the 1985 film The Color Purple, adapted from the novel by Alice Walker. In 1989, he gained recognition for cowriting Indiana Jones and the Last Crusade with George Lucas and winning a Goya Award for El Sueño del mono loco. In 2002, Meyjes wrote and directed the film Max.He attended the San Francisco Art Institute, where he studied with George Kuchar, James Broughton, and Larry Jordan. Filmography Uncredited written works: Empire of the Sun (1987) El Sueño del mono loco (1989) Passage 10: Olav Aaraas Olav Aaraas (born 10 July 1950) is a Norwegian historian and museum director. He was born in Fredrikstad. From 1982 to 1993 he was the director of Sogn Folk Museum, from 1993 to 2010 he was the director of Maihaugen and from 2001 he has been the director of the Norwegian Museum of Cultural History. In 2010 he was decorated with the Royal Norwegian Order of St. Olav.

doc_92

Passage 1: Dana Blankstein Dana Blankstein-Cohen (born March 3, 1981) is the executive director of the Sam Spiegel Film and Television School. She was appointed by the board of directors in November 2019. Previously she was the CEO of the Israeli Academy of Film and Television. She is a film director, and an Israeli culture entrepreneur. Biography Dana Blankstein was born in Switzerland in 1981 to theatre director Dedi Baron and Professor Alexander Blankstein. She moved to Israel in 1983 and grew up in Tel Aviv. Blankstein graduated from the Sam Spiegel Film and Television School, Jerusalem in 2008 with high honors. During her studies she worked as a personal assistant to directors Savi Gabizon on his film Nina's Tragedies and to Renen Schorr on his film The Loners. She also directed and shot 'the making of' film on Gavison's film Lost and Found. Her debut film Camping competed at the Berlin International Film Festival, 2007. Film and academic career After her studies, Dana founded and directed the film and television department at the Kfar Saba municipality. The department encouraged and promoted productions filmed in the city of Kfar Saba, as well as the established cultural projects, and educational community activities. Blankstein directed the mini-series "Tel Aviviot" (2012). From 2016-2019 was the director of the Israeli Academy of Film and Television. In November 2019 Dana Blankstein Cohen was appointed the new director of the Sam Spiegel Film and Television School where she also oversees the Sam Spiegel International Film Lab. In 2022, she spearheaded the launch of the new Series Lab and the film preparatory program for Arabic speakers in east Jerusalem. Filmography Tel Aviviot (mini-series; director, 2012) Growing Pains (graduation film, Sam Spiegel; director and screenwriter, 2008) Camping (debut film, Sam Spiegel; director and screenwriter, 2006) Passage 2: Richard T. Jones Richard Timothy Jones (born January 16, 1972) is an American actor. He has worked extensively in both film and television productions since the early 1990s. His television roles include Ally McBeal (1997), Judging Amy (1998–2005), CSI: Miami (2006), Girlfriends (2007), Grey's Anatomy (2010), Hawaii Five-0 (2011–2014), Narcos (2015), and Criminal Minds (2017). Since 2018, he has played Police Sergeant Wade Grey on the ABC police drama The Rookie.His film roles include portrayals of Lamont Carr in Disney's Full Court Miracle (2003), Laveinio "Slim" Hightower in Rick Famuyiwa's coming-of-age film The Wood (1999), Mike in Tyler Perry's dramatic films Why Did I Get Married? (2007) and Why Did I Get Married Too? (2010), and Captain Russell Hampton in the Hollywood blockbuster Godzilla (2014). Early life Jones was born in Kobe, Japan, to American parents and grew up in Carson, California. He is the son of Lorene, a computer analyst, and Clarence Jones, a professional baseball player who at the time of Jones' birth was playing for the Nankai Hawks in Osaka. He has an older brother, Clarence Jones Jr., who works as a high school basketball coach. They would return to North America after Clarence's retirement following the 1978 season. His parents later divorced. Jones attended Bishop Montgomery High School in Torrance, California, then graduated from Tuskegee University. Career Since the early 1990s, Jones has worked in both film and television productions.His first television role was in a 1993 episode of the series California Dreams. That same year, he appeared as Ike Turner, Jr. in What's Love Got to Do with It. From 1999 to 2005, he starred as Bruce Calvin van Exel in the CBS legal drama series Judging Amy.Over the next two decades, Jones starred or guest-starred in high-profile television series such as Ally McBeal (1997), CSI: Miami (2006), Girlfriends (2007), Grey's Anatomy (2010), Hawaii Five-0 (2011–2014), Narcos (2015), and Criminal Minds (2017).His film roles include portrayals of Lamont Carr in the Disney film Full Court Miracle (2003), Laveinio "Slim" Hightower in Rick Famuyiwa's coming-of-age film The Wood (1999), and Mike in Tyler Perry's dramatic films Why Did I Get Married? (2007) and Why Did I Get Married Too? (2010), and Captain Russell Hampton in the Hollywood blockbuster Godzilla (2014).From 2017 to 2018, Jones played Detective Tommy Cavanaugh in the CBS drama series Wisdom of the Crowd.Since February 2018, Jones has played the role of Sergeant Wade Gray in the ABC police procedural drama series The Rookie with Nathan Fillion. Personal life Joshua Media Ministries claims that its leader, David E. Taylor, mentors Jones in ministry, and that Jones has donated $1 million to its efforts. Filmography Film Television Passage 3: Brian Kennedy (gallery director) Brian Patrick Kennedy (born 5 November 1961) is an Irish-born art museum director who has worked in Ireland and Australia, and now lives and works in the United States. He was the director of the Peabody Essex Museum in Salem for 17 months, resigning December 31, 2020. He was the director of the Toledo Museum of Art in Ohio from 2010 to 2019. He was the director of the Hood Museum of Art from 2005 to 2010, and the National Gallery of Australia (Canberra) from 1997 to 2004. Career Brian Kennedy currently lives and works in the United States after leaving Australia in 2005 to direct the Hood Museum of Art at Dartmouth College. In October 2010 he became the ninth Director of the Toledo Museum of Art. On 1 July 2019, he succeeded Dan Monroe as the executive director and CEO of the Peabody Essex Museum. Early life and career in Ireland Kennedy was born in Dublin and attended Clonkeen College. He received B.A. (1982), M.A. (1985) and PhD (1989) degrees from University College-Dublin, where he studied both art history and history. He worked in the Irish Department of Education (1982), the European Commission, Brussels (1983), and in Ireland at the Chester Beatty Library (1983–85), Government Publications Office (1985–86), and Department of Finance (1986–89). He married Mary Fiona Carlin in 1988.He was Assistant Director at the National Gallery of Ireland in Dublin from 1989 to 1997. He was Chair of the Irish Association of Art Historians from 1996 to 1997, and of the Council of Australian Art Museum Directors from 2001 to 2003. In September 1997 he became Director of the National Gallery of Australia. National Gallery of Australia (NGA) Kennedy expanded the traveling exhibitions and loans program throughout Australia, arranged for several major shows of Australian art abroad, increased the number of exhibitions at the museum itself and oversaw the development of an extensive multi-media site. Although he oversaw several years of the museum's highest ever annual visitation, he discontinued the emphasis of his predecessor, Betty Churcher, on showing "blockbuster" exhibitions. During his directorship, the NGA gained government support for improving the building and significant private donations and corporate sponsorship. However, the initial design for the building proved controversial generating a public dispute with the original architect on moral rights grounds. As a result, the project was not delivered during Dr Kennedy's tenure, with a significantly altered design completed some years later. Private funding supported two acquisitions of British art, including David Hockney's A Bigger Grand Canyon in 1999, and Lucian Freud's After Cézanne in 2001. Kennedy built on the established collections at the museum by acquiring the Holmgren-Spertus collection of Indonesian textiles; the Kenneth Tyler collection of editioned prints, screens, multiples and unique proofs; and the Australian Print Workshop Archive. He was also notable for campaigning for the construction of a new "front" entrance to the Gallery, facing King Edward Terrace, which was completed in 2010 (see reference to the building project above). Kennedy's cancellation of the "Sensation exhibition" (scheduled at the NGA from 2 June 2000 to 13 August 2000) was controversial, and seen by some as censorship. He claimed that the decision was due to the exhibition being "too close to the market" implying that a national cultural institution cannot exhibit the private collection of a speculative art investor. However, there were other exhibitions at the NGA during his tenure, which could have raised similar concerns. The exhibition featured the privately owned Young British Artists works belonging to Charles Saatchi and attracted large attendances in London and Brooklyn. Its most controversial work was Chris Ofili's The Holy Virgin Mary, a painting which used elephant dung and was accused of being blasphemous. The then-mayor of New York, Rudolph Giuliani, campaigned against the exhibition, claiming it was "Catholic-bashing" and an "aggressive, vicious, disgusting attack on religion." In November 1999, Kennedy cancelled the exhibition and stated that the events in New York had "obscured discussion of the artistic merit of the works of art". He has said that it "was the toughest decision of my professional life, so far."Kennedy was also repeatedly questioned on his management of a range of issues during the Australian Government's Senate Estimates process - particularly on the NGA's occupational health and safety record and concerns about the NGA's twenty-year-old air-conditioning system. The air-conditioning was finally renovated in 2003. Kennedy announced in 2002 that he would not seek extension of his contract beyond 2004, accepting a seven-year term as had his two predecessors.He became a joint Irish-Australian citizen in 2003. Toledo Museum of Art The Toledo Museum of Art is known for its exceptional collections of European and American paintings and sculpture, glass, antiquities, artist books, Japanese prints and netsuke. The museum offers free admission and is recognized for its historical leadership in the field of art education. During his tenure, Kennedy has focused the museum's art education efforts on visual literacy, which he defines as "learning to read, understand and write visual language." Initiatives have included baby and toddler tours, specialized training for all staff, docents, volunteers and the launch of a website, www.vislit.org. In November 2014, the museum hosted the International Visual Literacy Association (IVLA) conference, the first Museum to do so. Kennedy has been a frequent speaker on the topic, including 2010 and 2013 TEDx talks on visual and sensory literacy. Kennedy has expressed an interest in expanding the museum's collection of contemporary art and art by indigenous peoples. Works by Frank Stella, Sean Scully, Jaume Plensa, Ravinder Reddy and Mary Sibande have been acquired. In addition, the museum has made major acquisitions of Old Master paintings by Frans Hals and Luca Giordano.During his tenure the Toledo Museum of Art has announced the return of several objects from its collection due to claims the objects were stolen and/or illegally exported prior being sold to the museum. In 2011 a Meissen sweetmeat stand was returned to Germany followed by an Etruscan Kalpis or water jug to Italy (2013), an Indian sculpture of Ganesha (2014) and an astrological compendium to Germany in 2015. Hood Museum of Art Kennedy became Director of the Hood Museum of Art in July 2005. During his tenure, he implemented a series of large and small-scale exhibitions and oversaw the production of more than 20 publications to bring greater public attention to the museum's remarkable collections of the arts of America, Europe, Africa, Papua New Guinea and the Polar regions. At 70,000 objects, the Hood has one of the largest collections on any American college of university campus. The exhibition, Black Womanhood: Images, Icons, and Ideologies of the African Body, toured several US venues. Kennedy increased campus curricular use of works of art, with thousands of objects pulled from storage for classes annually. Numerous acquisitions were made with the museum's generous endowments, and he curated several exhibitions: including Wenda Gu: Forest of Stone Steles: Retranslation and Rewriting Tang Dynasty Poetry, Sean Scully: The Art of the Stripe, and Frank Stella: Irregular Polygons. Publications Kennedy has written or edited a number of books on art, including: Alfred Chester Beatty and Ireland 1950-1968: A study in cultural politics, Glendale Press (1988), ISBN 978-0-907606-49-9 Dreams and responsibilities: The state and arts in independent Ireland, Arts Council of Ireland (1990), ISBN 978-0-906627-32-7 Jack B Yeats: Jack Butler Yeats, 1871-1957 (Lives of Irish Artists), Unipub (October 1991), ISBN 978-0-948524-24-0 The Anatomy Lesson: Art and Medicine (with Davis Coakley), National Gallery of Ireland (January 1992), ISBN 978-0-903162-65-4 Ireland: Art into History (with Raymond Gillespie), Roberts Rinehart Publishers (1994), ISBN 978-1-57098-005-3 Irish Painting, Roberts Rinehart Publishers (November 1997), ISBN 978-1-86059-059-7 Sean Scully: The Art of the Stripe, Hood Museum of Art (October 2008), ISBN 978-0-944722-34-3 Frank Stella: Irregular Polygons, 1965-1966, Hood Museum of Art (October 2010), ISBN 978-0-944722-39-8 Honors and achievements Kennedy was awarded the Australian Centenary Medal in 2001 for service to Australian Society and its art. He is a trustee and treasurer of the Association of Art Museum Directors, a peer reviewer for the American Association of Museums and a member of the International Association of Art Critics. In 2013 he was appointed inaugural eminent professor at the University of Toledo and received an honorary doctorate from Lourdes University. Most recently, Kennedy received the 2014 Northwest Region, Ohio Art Education Association award for distinguished educator for art education. == Notes == Passage 4: Love on the Ground Love on the Ground (French: L'Amour par terre) is a 1984 French film directed by Jacques Rivette. The film stars Jane Birkin, Geraldine Chaplin, André Dussollier and Jean-Pierre Kalfon. It was released in France on 17 October 1984. Plot On the streets of Paris, a man mysteriously collects a group of people, finally leading them into a small apartment to witness a theatre performance. The audience, in close proximity to the actors, become voyeurs. As they walk from room to room, they watch as bumbling Silvano (Bo) attempts to hide his two girlfriends, Charlotte (Chaplin) and Emily (Birkin), from each other in this same crowded apartment. While the actors feel frustrated at the shambles of a set they must work with, the play's author, Clément Roquemaure (Kalfon), is silently auditioning them for his new play, to be held at his strangely empty mansion. After arriving at the unusual mansion, which has many wildly painted rooms, Charlotte and Emily start to experience disturbing visions, in part due to the presence of a magician, Paul, who also lives at the mansion. As the rehearsal progresses, the two actresses' visions start to unearth a romantic calamity that took place at the mansion. The final performance of the play places the two actresses into a possible tragic re-enactment of the very horror they are only now beginning to understand. Cast Geraldine Chaplin as Charlotte Jane Birkin as Emily André Dussollier as Paul Jean-Pierre Kalfon as Clément Roquemaure Isabelle Linnartz as Béatrice Sandra Montaigu as Eléonore László Szabó as Virgil Facundo Bo as Silvano Reception Janet Maslin of The New York Times noted that the screenplay "wittily affords the director a great many opportunities for a brand of gamesmanship that enlivens the film without trivializing it. Mr. Rivette is able to sustain a complex, shifting relationship between the real and the theatrical without losing the film's overriding sense of fun." Maslin continued her analysis; "The process by which Clement's theatrical work is molded to fit reality, and vice versa, is rendered in a clever, entertaining style that fits perfectly with the behavior of the participants, since Mr. Rivette displays a cool ingenuity that matches that of the performers. Even when it becomes entangled in the romances that take shape during the course of the week, the film sustains its trickiness and sophistication." Maslin also praised the casting; "Miss Birkin and Miss Chaplin make an invigorating team, and the combination of their offbeat styles is full of surprises."Colin Greenland reviewed L'amour par terre for Imagine magazine, and stated that "A teasing mystery, with wry, sensitive performances from Geraldine Chapman and Jane Birkin." Passage 5: Lamman Rucker Lamman Rucker (born October 6, 1971) is an American actor. Rucker began his career on the daytime soap operas As the World Turns and All My Children, before roles in The Temptations, Tyler Perry's films Why Did I Get Married?, Why Did I Get Married Too?, and Meet the Browns, and its television adaptation. In 2016, he began starring as Jacob Greenleaf in the Oprah Winfrey Network drama series, Greenleaf. Rucker is married to Kelly Davis Rucker, a graduate of Hampton University. As of 2022, he stars in BET+ drama The Black Hamptons. Early life Rucker was born in Pittsburgh, Pennsylvania, the son of Malaya (née Ray) and Eric Rucker. He has partial ancestry from Barbados. Rucker spent his formative years in the greater Washington, DC, Maryland area. He first had an interest in acting after he was placed in many child pageants. His first acting role was as Martin Luther King in the 4th grade. He was in the drama club in 7th grade and then attended high school at the Duke Ellington School of the Arts in Washington, D.C. Rucker studied at Carnegie-Mellon University and Duquesne University.On August 29, 2019, he shared personal life experiences that he credits for his success with the Hampton University football team. Career His major role came in 2002 when he assumed the role of attorney T. Marshall Travers on the CBS daytime soap opera As the World Turns opposite Tamara Tunie. He left the series the following year and portrayed Garret Williams on ABC soap opera All My Children in 2005. He also had the recurring roles on the UPN sitcoms All of Us and Half & Half. Rucker is best known for his roles in the Tyler Perry's films. He co-starred in Why Did I Get Married? (2007) and Why Did I Get Married Too? (2010). He played Will Brown in 2008 film Meet The Browns. He later had a starring role on Perry's sitcom Meet the Browns reprising his role as Will from 2009 to 2011. The following year after Meet the Browns, Rucker was cast in the male lead role opposite Anne Heche in the NBC comedy series Save Me, but left after pilot episode. He later had roles in a number of small movies and TV movies. Rucker also had regular role opposite Mena Suvari in the short-lived WE tv drama series, South of Hell.In 2015, Rucker was cast as one of leads in the Oprah Winfrey Network drama series, Greenleaf. He plays Jacob Greenleaf, the eldest son of Lynn Whitfield' and Keith David's characters. Filmography Film Television Award nominations Passage 6: Jacques Rivette Jacques Rivette (French: [ʒak ʁivɛt]; 1 March 1928 – 29 January 2016) was a French film director and film critic most commonly associated with the French New Wave and the film magazine Cahiers du Cinéma. He made twenty-nine films, including L'Amour fou (1969), Out 1 (1971), Celine and Julie Go Boating (1974), and La Belle Noiseuse (1991). His work is noted for its improvisation, loose narratives, and lengthy running times. Inspired by Jean Cocteau to become a filmmaker, Rivette shot his first short film at age twenty. He moved to Paris to pursue his career, frequenting Henri Langlois' Cinémathèque Française and other ciné-clubs; there, he met François Truffaut, Jean-Luc Godard, Éric Rohmer, Claude Chabrol and other future members of the New Wave. Rivette began writing film criticism, and was hired by André Bazin for Cahiers du Cinéma in 1953. In his criticism, he expressed an admiration for American films – especially those of genre directors such as John Ford, Alfred Hitchcock and Nicholas Ray – and was deeply critical of mainstream French cinema. Rivette's articles, admired by his peers, were considered the magazine's best and most aggressive writings, particularly his 1961 article "On Abjection" and his influential series of interviews with film directors co-written with Truffaut. He continued making short films, including Le Coup de Berger, which is often cited as the first New Wave film. Truffaut later credited Rivette with developing the movement. Although he was the first New Wave director to begin work on a feature film, Paris Belongs to Us was not released until 1961, by which time Chabrol, Truffaut and Godard released their own first features and popularised the movement worldwide. Rivette became editor of Cahiers du Cinéma during the early 1960s and publicly fought French censorship of his second feature film, The Nun (1966). He then re-evaluated his career, developing a unique cinematic style with L'amour fou. Influenced by the political turmoil of May 68, improvisational theatre and an in-depth interview with filmmaker Jean Renoir, Rivette began working with large groups of actors on character development and allowing events to unfold on camera. This technique led to the thirteen-hour Out 1 which, although rarely screened, is considered a Holy Grail of cinephiles. His films of the 1970s, such as Celine and Julie Go Boating, often incorporated fantasy and were better-regarded. After attempting to make four consecutive films, however, Rivette had a nervous breakdown and his career slowed for several years. During the early 1980s, he began a business partnership with producer Martine Marignac, who produced all his subsequent films. Rivette's output increased from then on, and his film La Belle Noiseuse received international praise. He retired after completing Around a Small Mountain (2009), and it was revealed three years later that he had Alzheimer's disease. Very private about his personal life, Rivette was briefly married to photographer and screenwriter Marilù Parolini during the early 1960s and later married Véronique Manniez. Biography 1928–1950: Early life and move to Paris Jacques Pierre Louis Rivette was born in Rouen, Seine-Maritime, France, to André Rivette and Andrée Amiard, into a family "where everyone is a pharmacist". According to childhood friend André Ruellan, Rivette's father was a skilled painter who loved opera. His younger sister said that their home in Rouen was next to a cinema theatre, where she remembered watching Pathé Baby's Felix le Chat cartoons with Rivette and their grandparents. Rivette, educated at the Lycée Pierre-Corneille, said that he briefly studied literature at the university "just to keep myself occupied". Inspired by Jean Cocteau's book about the filming of Beauty and the Beast (1946), Rivette decided to pursue filmmaking and began frequenting ciné-clubs. In 1948, he shot his first short film, Aux Quatre Coins, in Rouen's Côte Sainte-Catherine section. The following year, he moved to Paris with friend, Francis Bouchet, because "if you wanted to make films it was the only way". On the day of his arrival, he met future collaborator Jean Gruault, who invited him to see Les dames du Bois de Boulogne (1945) at the Ciné-Club du Quartier Latin. Éric Rohmer, whose film criticism Rivette admired, gave a talk at the screening.Although Rivette submitted his film to the Institut des Hautes Études Cinématographiques because it "was the kind of thing that would have pleased my parents", he was not accepted by the school. He took courses at the Sorbonne, but began frequenting screenings at Henri Langlois's Cinémathèque Française with Bouchet instead of attending classes. At the Cinémathèque, Rivette, Claude Chabrol, Jean-Luc Godard, François Truffaut, Suzanne Schiffman, Gruault and Bouchet were immersed in films from the silent and early "talkie" eras that they were previously unfamiliar with. He and this group of young cinephiles became acquainted as they customarily sat in the Cinématographique's front row for screenings; Rivette met Truffaut at a screening of The Rules of the Game (1939), and often sat next to Godard for several months without ever speaking to him before the latter introduced himself. Rivette was active in post-screening debates, and Rohmer said that, in film-quiz competitions at the Studio Parnasse he was "unbeatable". Rivette credited Langlois's screenings and lectures for helping him persevere during his early impoverishment in Paris: "A word from you saved me and opened the doors of the temple". Unlike his contemporaries, Rivette attended screenings at the Cinémathèque well into the 1970s.He and his friends also attended screenings at the Ciné-Club du Quartier Latin, which was run by Rohmer. Although Rivette began to write film criticism in 1950 for the Gazette du Cinéma, founded by Rohmer with Bouchet as his assistant, the magazine ceased publication after five issues; Rivette said that being a critic was never his aim, but called it "a good exercise". That year he made his second short film, Le Quadrille, produced by and starring Godard, who raised the money by stealing and selling his grandfather's collection of rare Paul Valéry first editions. Rivette described Le Quadrille as a film in which "absolutely nothing happens. It's just four people sitting around a table, looking at each other." According to film critic Tom Milne, it had "a certain hypnotic, obsessional quality as, for 40 minutes, it attempted to show what happens when nothing happens". When the film was screened at the Ciné-Club du Quartier Latin, Rivette recalled, "After ten minutes, people started to leave, and at the end, the only ones who stayed were Jean-Luc and a girl." Later calling it Lettrist, he said that Isidore Isou, the founder of Lettrism, considered the film "ingenious". 1950–1956: Film criticism and Le Coup du berger After casual acquaintanceship and collaboration, Rivette and his fellow cinephiles became close friends in September 1950 at the Festival Indépendant du Film Maudit (Independent Festival of Accursed Film), a film festival in Biarritz produced by film critics Jacques Doniol-Valcroze, André Bazin and members of Objectif 49 (a group of avant-garde artists). Rivette, Godard, Truffaut and future cinematographer Charles Bitsch, arriving at the gala event in casual dress, were refused entrance by the doorman until Cocteau allowed them to enter. Openly antagonistic to members of Objectif 49, they loudly criticised the festival. The evening cemented the group's friendship, earning them a reputation of bohemian "young Turks" and troublemakers. Chabrol, Grualult, Rohmer, and Jean Douchet also attended and roomed together at the Biarritz Lycée dormitory for the festival. Rivette criticised the festival in the November issue of Gazette du cinéma, calling Objectif 49 arrogant and claiming a victory over them. He was quickly considered the leader of the group, whom Bazin called the "Hitchcocko-Hawksians." Rivette and his new friends bonded by spending whole days watching repeated screenings of a film and walking home together talking about what they had seen.In 1951, Bazin founded a film magazine, Cahiers du Cinéma, and hired most of the "Hitchcocko–Hawksians"; Rivette began writing for the magazine in February 1953. Rivette championed Hollywood directors such as Howard Hawks and Fritz Lang and international directors such as Roberto Rossellini and Kenji Mizoguchi. He was highly critical of established qualité française directors, writing that they were afraid to take risks and were corrupted by money. According to Cahiers writer Fereydoun Hoveyda, early contributors to the magazine were politically right-wing except for Pierre Kast and Rivette. In early 1954, Rivette and Truffaut (nicknamed "Truffette and Rivaut") began a series of interviews with film directors whom they admired. The interviews, influential on film criticism, were recorded on a Grundig portable tape recorder weighing over 9 pounds (4.1 kg) which was never used by journalists. Although most entertainment reporting was limited to sound bites or anecdotes from film actors, Rivette and Truffaut became acquainted with the directors they interviewed and published their in-depth interviews verbatim. From 1954 to 1957, Cahiers du Cinéma published a series of interviews with noted film directors including Jacques Becker, Abel Gance, Hawks, Alfred Hitchcock, Fritz Lang, Jean Renoir, Roberto Rossellini and Orson Welles.While he wrote criticism, Rivette continued his filmmaking career; during the summer of 1952, he made his third short film, Le Divertissement. Charles Bitsch called it "a Rohmer-esque Marivaudage between young men and women." Rivette, an assistant to Jacques Becker and Jean Renoir, was a cinematographer on Truffaut's short film Une Visite (1954) and Rohmer's short Bérénice (1954). Eager to make a feature film, he talked about elaborate adaptions of works by André Gide, Raymond Radiguet and Ernst Jünger. With financial support from Chabrol and producer Pierre Braunberger, Rivette made the 35mm short film Le Coup du Berger (1956). Written by Rivette, Chabrol and Bitsch, the film is about a young girl who receives a mink coat from her lover and must hide it from her husband; spoken commentary by Rivette describes the action like moves in a chess game. Jacques Doniol-Valcroze and Jean-Claude Brialy appeared in the film, with Godard, Truffaut, Bitsch and Robert Lachenay as extras. Shot in two weeks in Chabrol's apartment, the budget went entirely to purchasing film stock. It was distributed by Braunberger in 1957. Truffaut called Le Coup du berger the inspiration for him, Chabrol, Alain Resnais and Georges Franju to make their first films: "It had begun. And it had begun thanks to Jacques Rivette. Of all of us, he was the most fiercely determined to move." Rohmer praised the film's mise-en-scene and wrote that it had "more truth and good cinema than in all the other French films released in the past year." 1957–1961: Paris Belongs to Us and the French New Wave In 1957, Italian neorealist director Roberto Rossellini announced that he wanted to produce a series of films about life in France. Several members of the French New Wave submitted scripts that would become their first films, including Chabrol's Le Beau Serge (1958), Rohmer's Sign of Leo (1959) and Truffaut's The 400 Blows (1959). Rivette was eager to make a film with Rossellini's help and met him along with co-writer Gruault to discuss the Cité Universitaire as a "melting pot of cultures and ideas" in Paris. Rossellini suggested that they research the project; shortly afterwards, they received ₣100,000 for their script, entitled La Cité, but Rossellini abandoned the project and went to India to make a film of his own.Rivette and Gruault revised their story based on Rossellini's critique, and wrote Paris Belongs to Us. Its title is a play on Charles Péguy's quote, "Paris belongs to no one." With borrowed equipment, a loan of ₣80,000 from Cahiers du Cinéma and short film-reel ends provided by Chabrol, the silent film was shot in the summer of 1958 and sound was added the following year. Among Rivette's filming locations were the roof of the Théâtre Sarah-Bernhardt, the Rue des Cannettes, the Place Sorbonne and the Arts bridge. He struggled to finish the film and find distributors.In Paris Belongs to Us, Anne (Betty Schneider), a young Parisian student rehearsing for a production of Shakespeare's Pericles, deals with the sudden death of the play's composer, a missing tape recording of its musical score, a secret society seeking world domination, an eccentric, paranoid American journalist, the suicide of the play's producer and the mysterious death of her brother. Chabrol, Godard, Jacques Demy and Rivette appear in minor roles.Le Beau Serge and The 400 Blows were successful, and at the 1959 Cannes Film Festival, Truffaut and Chabrol used their fame to promote Paris Belongs to Us and help Rivette finish the film. According to Truffaut, who obtained funds for its completion, "The release of Paris nous appartient is a score for every member of the Cahiers du cinéma team". He helped Rivette premiere it at the Studio des Ursulines on 16 December 1961, followed by a run at the Agriculteurs cinema in Paris. Although reviews of the film were mixed, it was praised by L'Express. Pierre Marcabru of Combat said, "The connection between image and sound has never been so striking, evocative or necessary", and Jeander of Libération praised the film's depiction of "the moral and intellectual confusion of these young people who are repressed by their epoch for more than their elders". Rivette, who later said "It's the film of a sixteen-year-old child, but maybe its naïveté is where its strength lies", won the Sutherland Trophy for best first film from the British Film Institute.Despite being the first of his friends to begin work on a feature, Chabrol, Truffaut and Godard had their feature-film debuts distributed before Rivette in what the French press called New Wave cinema. Rivette later compared the New Wave to impressionist painting; the availability of paint in tubes, which allowed artists to paint outdoors, was similar to technological advancements enabling filmmakers to shoot in the streets. Technical innovations such as faster film stock and the portable Nagra sound recorder became available after the director finished Paris Belongs to Us. 1962–1967: Editor of Cahiers du cinéma and The Nun controversy After the financial failure of Paris Belongs to Us, Rivette unsuccessfully pitched a film adaptation of Denis Diderot's novel La Religieuse to producer Georges de Beauregard. Undaunted, Rivette and co-writer Gruault began writing the script. In 1962, Rivette suggested that Godard's wife, Anna Karina, would be perfect in the lead role. Godard agreed, but de Beauregard and producer Eric Schulmberger rejected the idea after a Commission de Controle (the French censorship board) review said that it would be banned.Godard and Karina received funding from theatrical producer Antoine Bourseiller to produce a stage version of La Religieuse. Rivette directed and Godard produced the three-hour play, which opened at the Studio des Champs-Élysées on 6 February 1963 and closed on 5 March. Although the production was a financial failure, it received good reviews and Karina won several awards for her performance; Lotte Eisner called it "the most beautiful theatre I have seen since Bertolt Brecht". Rivette's staging, in the classical style of Marivaux, was intentionally simple. He and Gruault continued reworking the film script (which was finally passed by the censorship board), but Bourseiller could not afford to produce a film version, so the project was shelved.After André Bazin's death in 1958, Rohmer became editor-in-chief of Cahiers du cinéma. By 1962, Rohmer was often at odds with his staff for not promoting New Wave filmmakers. After several financial failures, the directors wanted better publicity, with Cahiers an "instrument of combat" of the New Wave. Rohmer profiled New Wave filmmakers in the December 1962 issue before his June 1963 resignation, when Rivette became his successor. Rohmer later said that the pressure to leave Cahiers was the best thing that ever happened to him as a film director.Under Rivette's leadership, Cahiers changed from a nonpolitical film magazine to a Marxist journal examining the relationship between politics and modern culture. Unlike Rohmer, Rivette allowed writers such as Michel Delahaye and Jean-Louis Comolli to publish articles gravitating towards politics and philosophy and not necessarily related to film. They wrote pieces on Martin Heidegger and Louis Althusser and interviewed non-filmmakers such as Roland Barthes and composer Pierre Boulez. Rivette and Delahaye's 1963 interview with Barthes is considered the turning point for Cahiers as a magazine analyzing film from a semiotic perspective. Rivette was an ambitious and financially irresponsible editor; shortly after an expensive, 250-page double issue on American films, Cahiers needed financial help. It was bought by teen-magazine owner Daniel Filipacchi, and its style became "splashier" and more youth-oriented. Rivette remained editor until April 1965, and was replaced by Jean-Louis Comolli and Jean Narboni. He contributed articles to the magazine until 1969.Immediately after Rivette left Cahiers, Beauregard was ready to make The Nun (1966) and Rivette and Gruault again revised their script. Rivette called the script a record of the stage play, with a "highly written texture". On 31 August 1965, the censors told Beauregard that the film "run[s] the risk of being totally or partially cut". Beauregard ignored the warning, and Rivette began shooting in October. The film was controversial before its completion; members of the Catholic Church in France began a letter-writing campaign in opposition, and pressurised Paris police commissioner Maurice Papon and Minister of Information Alain Peyrefitte to take action. Both said they would ban it.Rivette finished The Nun in 1966. Although it was approved twice by the censorship board in March, new Minister of Information Yvon Bourges overrode the approvals in April and banned the film. In response, Beauregard began a public campaign in its defense; many journalists, including Godard and Chabrol, wrote editorials demanding the film's release. A "Manifesto of the 1,789" in support was signed by Jacques Prévert, Raymond Queneau, Marguerite Duras and several major French book publishers, and many Catholic priests and nuns denounced the ban's effect on freedom of speech. Rivette told Le Figaro Magazine, "It was as though they had guillotined us", and in Rouen his father André vehemently defended the film against the city's efforts to ban it.Godard wrote a lengthy editorial criticising Minister of Culture André Malraux. Shortly afterwards, Malraux publicly defended The Nun, allowing it to premiere at the 1966 Cannes Film Festival, where it was not subject to censorship. At Cannes the film was critically praised, and Beauregard later successfully sued the censorship board. French President Charles de Gaulle called the controversy "silly", and ordered newly appointed Minister of Information Georges Gorce to lift the ban. The Nun was finally released on 26 July 1967, with the publicity helping make it Rivette's only hit film to that point. Although it received many good reviews, Guy Daussois of Le Populaire said that it was "marked by a schematisation and over-simplicity that is rarely encountered, with absolutely no human depth".The Nun starred Karina as Suzanne Simonin, as a young woman forced into a convent by her family, who is physically and psychologically tortured. She attempts to escape while dealing with her hateful mother, an empathetic mother superior, an indifferent attorney, a lesbian nun and a sympathetic-but-lustful monk. According to Rivette, "The shooting of La Religieuse was difficult ... I was troubled because we had done the piece before as a play with the sentiments, rehearsals, etc, and I realized when I shot the film that since the people were doing the same text, the same words, my mind was wandering and I was no longer listening to the words". Karina described Rivette's direction as hyperactive; he was constantly "darting in and out of all corners ... always looking at this or that detail."After the controversy surrounding The Nun, Rivette made a series of documentaries on director Jean Renoir for the French television series Cinéastes de notre temps which aired in 1966 as Jean Renoir, le patron. Around this time, Rivette and Gruault worked on a script for The Taking of Power by Louis XIV; Rivette decided that he did not want to direct another costume drama, and Rossellini directed the film in 1966. 1968–1972: Political activism and cinematic style In February 1968, Henri Langlois was ousted from the Cinémathèque Francaise by Malraux and Minister of Cultural Affairs Pierre Moinot; a government-appointed board of directors assumed control, and Rivette and his old friends reunited to fight for Langlois' reinstatement. With the Cahiers du Cinéma office as their headquarters, current and former staff members, including Rivette, Truffaut, Godard, Rohmer and Chabrol, began mass letter-writing and telephone campaigns to recruit support. Within days, filmmakers from around the world announced that they would halt screenings of their films unless Langlois was reinstated. Journalists from Le Monde and Combat expressed support, and on 12 February several hundred members of the film industry protested outside the Cinémathèque. Two days later, a protest by over 3,000 people was met by club-wielding police. Rivette spoke at a press conference and led a charge past one of the police barricades, briefly entering the Cinémathèque with Anne Wiazemsky. In March 1968, Rivette was appointed to an advisory committee, and the following month Langlois was reinstated in the Cinémathèque.The protests led to the creation of the Etats généraux du cinéma Francais, a committee of film-industry workers who wanted more freedom to make films and less control by the Centre national de la cinématographie. At a May meeting attended by Rivette, the committee called for a strike by film-industry workers and a shutdown of the 1968 Cannes Film Festival in solidarity. Rivette called Truffaut at Cannes with the news, and Truffaut, Godard and other directors stopped the festival. In Paris, the Etats généraux du cinéma Francais organised mass street protests as part of the May 68 protest movement.Rivette's next film was L'amour fou (1969). Frustrated by filmmaking convention, he wanted to create an improvisational atmosphere. Rivette dispensed with a script, shot list and specific direction, experimenting with scenarios and groups of actors. On a limited budget, he shot the film in five weeks. After seeing performances by director Marc'O's experimental-improvisational theatre group, Rivette cast Marc'O actors Jean-Pierre Kalfon and Bulle Ogier as the leads; other Marc'O performers appeared in supporting roles. According to the director, he cast Kalfon because of his dissimilarity to Rivette since he was self-conscious about the character's autobiographical aspects.The film has several layers, including a theatrical group rehearsing a production of Jean Racine's Andromaque; a TV documentary crew filming the making of the play in 16mm, and a backstage story about the relationship between the stage director (Kalfon) and his wife and lead actress (Ogier). The film ends with an hour-long argument between Kalfon and Ogier, during which they destroy their apartment and its contents. Kalfon was allowed to direct the stage play during filming. Rivette cast André S. Labarthe as the director of the TV crew after working with him on Cinéastes de notre temps, allowing him to direct the 16mm footage. Rivette and cinematographer Alain Levent then filmed the stage performers and TV crew in 35mm from a distance without intervening. The film was entirely improvised, including the scene in which Kalfon and Ogier destroy their apartment (which had to be done in a single take for budgetary reasons). Released in 1969, the 252-minute film received positive reviews. L'amour fou gave Rivette his second Sutherland Trophy from the British Film Institute.The director found his cinematic style during the making of this film. According to Rivette, "With improvisation, you automatically listen" and an author is an "analyst, a person who must listen to what the people say—all words are important. You must listen to all and not have any preconceived ideas as a director". Invigorated by his new filmmaking technique, Rivette invited over forty actors (including Jean-Pierre Leaud, Juliet Berto, Michael Lonsdale and Bulle Ogier) to each develop a character for a new film without a plot or interaction with each other. He then developed the basic structure for what would become Out 1 (1971). From April to June 1970, Rivette shot over 30 hours of 16mm footage as his cast improvised a story involving conspiracy theories and theatrical rehearsals.Out 1 starred Jean-Pierre Leaud as Colin, a Parisian con artist who pretends to be a deaf-mute and begins receiving anonymous messages referring to Lewis Carroll's The Hunting of the Snark and Honoré de Balzac's Histoire des Treize (The Thirteen). Colin becomes obsessed with the messages, and begins to believe that a Utopian secret society like the one in Balzac's short story is contacting him. He is led to a boutique and meets Frederique (Juliet Berto), a young thief. Colin and Frederique use stolen letters to track down what they believe is the secret group, Thirteen, at a house where two groups of actors are rehearsing productions of Aeschylus's Prometheus Bound and Seven Against Thebes.Out 1 was shown only once in its 760-minute original version at the Maison de la Culture in Le Havre, on 9–10 September 1971. Over 300 people attended the weekend-long premiere, and Martin Even of Le Monde called it a "voyage beyond cinema" because most of the audience had traveled from Paris to see it. Originally intended as a 12-part television broadcast, the Office de Radiodiffusion-Television Francaise refused to purchase it. With help from Suzanne Schiffman, Rivette spent over a year editing a 260-minute version entitled Out 1: Spectre and released in 1974. Out 1 was highly praised, and become a cult film. Because it was notoriously difficult to see in its entirety, and critics Jonathan Rosenbaum and Dennis Lim have called the film a "Holy Grail" for cinephiles. The first revival screening of the original version was at the Rotterdam Film Festival in February 1989. It was finally shown on French TV during the early 1990s and was first shown in the US at the Museum of the Moving Image in December 2006 to a sold-out audience. 1973–1982: Fantasy films and nervous breakdown During the summer of 1973, Rivette attempted to make Phénix, a film about the early-1900s Paris theatrical world which would have starred Jeanne Moreau. Due to budgetary constraints, he was forced to abandon the project. Rivette then made his most critically acclaimed film, Céline and Julie Go Boating (1974). "Aller en bateau" ("go boating") is French slang for "caught up in fiction" or "taken for a ride". Rivette met with friends, actresses Juliet Berto and Dominique Labourier, to develop two characters and created a plot and script with collaborator Eduardo de Gregorio. He later said that during this pre-production period, he "never had as much [fun]. I don’t believe I ever laughed as much". Unlike his previous two films, Rivette did not use improvisation during the filming and said that the plot was carefully constructed in advance.Filled with references to Alice in Wonderland, Jean Cocteau and Marcel Proust, Céline and Julie Go Boating begins when Julie (Labourier), and Céline (Berto) meet by chance and become friends. They begin to visit a mysterious "House of Fiction" where the same melodrama (based on two short stories by Henry James) plays out every day, ending with the murder of a young girl by the enigmatic Sophie (Marie-France Pisier). Shot in five weeks during the summer of 1973, Céline and Julie Go Boating won the Special Jury Prize at the 1974 Locarno International Film Festival. It was produced by Barbet Schroeder and distributed by Les films du losange. Jonathan Rosenbaum praised it, writing that he knew "many women who consider Céline et Julie vont en bateau their favourite film about female friendship".Rivette then conceived and obtained funding for a series of four films, Scènes de la vie parallèle. Each film would revolve around two female leads. Part one was to be a love story, part two a fantasy, part three an adventure and part four a musical comedy. According to Rivette, his intention for the film series was "to invent a new approach to film acting where speech, pared down to essential phrases, precise formulas, would play the role of poetic punctuation. Neither a return to silent cinema nor a pantomime, nor choreography: something else, where the movements of the bodies, their counterpoint and inscription in the space of the screen, will be the basis of [a] mise-en-scene." The tetralogy, reflecting the political situation in France, including the conservative backlash after May '68 and the election of Valéry Giscard d'Estaing, would be tied together by improvised musical scores. Rivette collaborated on the scenarios with de Gregorio and Parolini.In Duelle (Une quarantaine) (1976), the Queen of the Night (Juliet Berto) battles the Queen of the Sun (Bulle Ogier) over a magic diamond which will allow the winner to remain in modern-day Paris. In Noroît (Une vengeance) (1976), the pirate Morag (Geraldine Chaplin) seeks revenge against the pirate Giulia (Bernadette Lafont) for killing her brother. Duelle was filmed in March and April 1975, and Noroît was shot at Brittany in May. De Gregorio saw Cyril Tourneur's The Revenger's Tragedy, and suggested it to Rivette. The script, written in 15th-century English, caused some difficulty for the actresses.In August 1975, Rivette began filming part one of the series: Marie et Julien, a love story starring Albert Finney and Leslie Caron. After three days of shooting, Rivette broke down due to nervous exhaustion and production of the series was abandoned. Rivette later said that he "broke down physically.... I had overestimated my own strength." Although Marguerite Duras offered to finish the film, the actors refused to continue without Rivette. In 2003, he said that Marie et Julien was based on a true story of a woman who committed suicide. Rivette's musical-comedy fourth film would have starred Anna Karina and Jean Marais. Noroît premiered in London and was shown at the 1976 Cannes Film Festival, but was never distributed. It and Duelle received mediocre reviews, causing problems for Rivette with the series' producers. The director said that Susan Sontag enjoyed Noroît, and Jean Rouch recognised ancient African myths in its plot, where Rivette had included Celtic myths.According to the director, it took over a year to recover from his breakdown. Producer Stéphane Tchalgadjieff had renegotiated the contract for the Scènes de la vie parallèle series to require only one more film, the intended first or fourth part. Rivette decided that he wanted to film both or neither and made an unrelated film, Merry-Go-Round (1981). Tchalgadjieff had told him that Maria Schneider wanted to make a film with him and actor Joe Dallesandro and Rivette agreed. Shot in 1978 but not completed until 1981, the film is a detective story about a missing sister and inheritance. Rivette relied on improvisation during its production, which he described after a few days as "going very badly". Although Schneider was also recovering from an illness and she and Rivette wanted to abandon the project, they were persuaded to continue by the cast and crew. Rivette said, "There were two people in poor health during filming, and there wasn’t any money at all". Over a year after filming was completed, he added footage of the film's composers, Barre Phillips and John Surman, in performance despite its lack of relation to the plot or characters. Merry-Go-Round, theatrically released in 1981, received mediocre reviews.In 1980, Rivette decided to remake Out 1. Ogier, the only original-cast member available for the project, and her daughter Pascale Ogier worked with Rivette on the characters as the director had done a decade earlier. With co-screenwriter Suzanne Schiffman they made the 30-minute short film Paris s'en va (1980) as a sketch for the eventual feature Le Pont du Nord (1982), which was distributed in 1982. Le Pont du Nord starred Bulle and Pascale Ogier as two women who meet and investigate a strange Snakes and Ladders-like map of Paris and a mysterious man named Max. Rivette had difficulty finding financing, with the Centre national de la cinématographie refusing three times to fund the film. The director accommodated his tight budget by making Bulle Ogier's character claustrophobic, because he could not afford many interior scenes. According to Rivette biographer Mary Wiles, as Paris Belong to Us is a reflection of France during the 1950s and Out 1 the 1960s, Le Pont du Nord completes a trilogy by reflecting the social and political milieu of 1970s France. 1983–1991: Partnership with Marignac and increased recognition Rivette's difficulties in securing financial backing for his films during the late 1970s led him to a business partnership with Pierre Grise Productions and producer Martine Marignac (1946-2022). The company was the chief distributor and financier for all his subsequent films. Their first film, Love on the Ground (1984), again concerned a theatrical group and the blurring of fiction and reality. Geraldine Chaplin and Jane Birkin star as members of a theatrical troupe who are invited to appear in a new play resembling the real life of its director (Kalfon) and the mysterious disappearance of his wife. In a break from his experimental, complex style, Rivette next adapted Emily Brontë's Wuthering Heights. Based on the novel's first part and set in 1930s southern France, Hurlevent starred three unknown actors: Fabienne Babe as Catherine, Lucas Belvaux as Roch (Heathcliff) and Oliver Cruveiller as Catherine's brother, William. Hurlevent, Rivette's first film in years without his usual troupe of actors and technicians and modeled on Balthus' India ink illustrations, was released in 1985.Rivette received critical acclaim for his 1988 film La Bande des quatre (Gang of Four), about four drama students whose lives playfully alternate from theatre to real life and make-believe. According to the director, who wanted to make a film about young people working on a play, "The work is always much more interesting to show than the result". The film received an honorable mention at the 39th Berlin International Film Festival.He enjoyed working with the four young actresses in La Bande des quatre so much, that Rivette returned to the theatre. The actresses had performed a scene from Pierre Corneille's Suréna in La Bande des quatre, so Rivette, the actresses and additional performers rehearsed Corneille's Tite et Bérénice, Jean Racine's Bajazet and a play by Pierre de Marivaux (which was eventually dropped "because he was too hard"). After several weeks of rehearsals, the actresses were ready to perform the two plays, which ran at the Théâtre Gérard Philipe in Saint-Denis from 18 April to 20 May 1989. According to Rivette, Corneille's play was more interesting for the actresses; he was "very deep. He's an author I find very dense, so full of history, of thought".Saul Austerlitz called La Bande des quatre's success "Rivette’s second wind as a filmmaker"; it led to La Belle Noiseuse (The Beautiful Troublemaker) (1991), the most-acclaimed film of Rivette's later career. Loosely based on the Balzac short story "The Unknown Masterpiece", it depicts the relationship between reclusive, uninspired painter Frenhofer (Michel Piccoli), his wife and former model Liz (Birkin) and his new model, Marianne (Emmanuelle Béart). Marianne inspires Frenhofer to finish his long-abandoned magnum opus, La Belle Noiseuse, as Liz and Marianne's boyfriend become increasingly jealous. The four-hour film shows the painting's progress in real time, one brush stroke at a time, with hand close-ups by French abstract painter Bernard Dufour. According to Rivette, "We tried truly to make a film that did not talk about painting, but approached it". The film earned him the Grand Prix at the 1991 Cannes Film Festival and the Prix Méliès from the French Syndicate of Cinema Critics. It received five César Award nominations, including Best Picture and Best Director (Rivette's only nomination in that category). Shortly after its Cannes success, a two-hour version, La Belle Noiseuse: Divertimento, was theatrically released. 1992–2009: Later films and retirement Rivette then made a two-part film about the life of Joan of Arc entitled Joan the Maiden: Joan the Maiden, Part 1: The Battles and Joan the Maiden, Part 2: The Prisons (1994). Rivette's film differed from well-known interpretations of Joan by Carl Theodor Dreyer and Robert Bresson, focusing on her popularity in France rather than her suffering and martyrdom. Loosely based on Rivette's memories of Charles Péguy's books on Joan, the film was partially shot in his hometown of Rouen. Joan the Maiden, starring Sandrine Bonnaire, was released in 1994.With its large budget, the film was not a financial success. Because of this, Martine Marignac wanted to make a quick, inexpensive film; Rivette, short of ideas, began assembling a cast. He contacted Nathalie Richard, Marianne Denicourt and Laurence Côte, who gave him an idea for a film about 1920s New York City taxi dance halls; this led to Up, Down, Fragile (1995). Richard, Denicourt and Côte star as three women struggling to overcome personal obstacles, with musical numbers at a mysterious nightclub commenting on their lives. In the film, a nod to 1920s and 1930s Hollywood backstage musicals, Anna Karina appears as a nightclub singer whose songs refer to her previous films with Godard. Up, Down, Fragile was screened at the 19th Moscow International Film Festival.Rivette's film policier, Top Secret (1998), featured Bonnaire as a young scientist whose brother (Grégoire Colin) convinces her that their father was killed by Walser (Jerzy Radziwilowicz) and seeks revenge. Rivette said that the film, loosely based on the Electra myth, was influenced more by Jean Giraudoux's lesser-known play than on the classical versions by Aeschylus, Sophocles and Euripides. Top Secret pays tribute to Double Indemnity (1944), and biographer Mary Wiles saw influences from Hitchcock's Strangers on a Train (1951) and Vertigo (1958). Wiles called Rivette's three films with Bonnaire feminist, writing that they "reveal a deep personal connection with [Rivette]." Va savoir (2001) starred Jeanne Balibar and Sergio Castellitto as a couple caught up in romantic farce as they attempt to stage Luigi Pirandello's Come tu mi vuoi and search for a missing manuscript. Rivette pays tribute to Howard Hawks' screwball comedies, and includes a reference to It Happened One Night (1934). The film's theatrical-director character, Ugo, intentionally resembles Gerard in Paris Belongs to Us. A longer version, Va Savoir+ was released the following year. According to Saul Austerlitz, it is "a stunning film, and is yet another peak in Jacques Rivette's exceptional career."In 2002, Rivette published a book of scripts from three of his unmade films, including Marie et Julien. The script for Marie et Julien had never been completed, and the footage from the three days of shooting was lost; Rivette worked from "cryptic notes" taken by his assistant, Claire Denis, which cinematographer William Lubtchansky had kept for decades. His work on a readable script for the publication led him to resurrect the project. Rivette, Pascal Bonitzer and Christine Laurent collaborated on the script with the actors during production of the revised The Story of Marie and Julien (2003). Rivette cast Béart and Radziwilowicz in the lead roles, saying that it was "more interesting and more exciting" to work with actors with whom he had previously worked, and some dialogue in the original notes was unchanged. Although the film lacked the improvised musical score connecting the first two films, the Madame X character resembles the moon goddess and Marie the sun goddess. It premiered at the 2003 Toronto International Film Festival.In 2007, Rivette made The Duchess of Langeais, a faithful adaptation of Balzac's novel, and the second of Balzac's trilogy, Histoire des treize, the introduction to which inspired Out 1. Jeanne Balibar and Guillaume Depardieu star as lovers in early 1823 Majorca who are involved in a tormented, frustrating relationship. The film premiered at the 2007 Toronto International Film Festival. In 2009, Rivette made 36 vues du pic Saint-Loup; Jane Birkin starred as a woman who returns to her childhood circus troupe after her father dies, and begins a romance with a wealthy Italian drifter (Sergio Castellitto). The film, which premiered at the 66th Venice International Film Festival, was the director's last. Personal life Rivette's early years in Paris were impoverished and he was known to live ascetically on minimal resources; Chabrol said that he was very thin and hardly ate, comparing his smile to that of the Cheshire Cat. Gruault described Rivette as "slight, dark-haired and [having] very lively dark eyes in an emaciated visage of a waxy pallor...add to that a forced, nervous smile of someone who has to make constant efforts to win acceptance by a society that he seemed to regard as irremediably hostile." His opinions were highly regarded among his peers and according to Douchet, "[Rivette] was the great talker. He was the group's secret soul, the occult thinker, a bit of a censor." Godard said, "I might like a film very much, but if Rivette said 'It's no good' then I would agree with him ... it was as though he had a privileged access to cinematographic truth." Truffaut considered Rivette his best friend, and they were frequently seen at screenings. Truffaut said that in the 1950s, Rivette was the only member of the group already capable of directing a feature film.Rivette's friendship with Rohmer was complex due to Rivette's direct role in getting Rohmer fired from Cahiers du Cinéma. Rivette and Rohmer respected each other, but fought over Cahiers' political and aesthetical positions and financial issues. They became close friends again after Rohmer became interested in Rivette's improvisational films, praising L'amour fou and acting in Out 1. Rohmer later called Out 1 "a capitol monument in the history of modern cinema, an essential part of the cinematic heritage." Rivette also admired Rohmer's films and called Les Rendez-vous de Paris (1995) a "film of absolute grace." Several Cahiers writers during the Rohmer-era disliked him, such as Douchet, Jean Domarchi, Fereydoun Hoveyda, Phillippe Demonsablon, Claude Beylie and Phillippe d’Hugues, who said that Rivette "had a Saint-Just side, he was an intransigent Jacobin who considered you a moron if you didn’t agree with him. He determined what was moral and right, like a hall monitor." Antoine de Baecque wrote that these writers respected Rivette, but considered him "brusque, arrogant and dogmatic" and that he "did not hesitate to excommunicate adversaries or mediocrities." However Cahiers writers André Labarthe and Michel Delahaye praised him; Delahaye said that he "was the most brilliant, with a peerless charisma."According to David Thomson, Rivette was "famous for having little or no home life, certainly not a private life that overlaps with his work. On his own, he would rather sit in the dark with another movie"; in 1956, he was described as "too aloof and forbiddingly intellectual". Bulle Ogier described Rivette as very secretive about his life: "I've no idea what he does. I only see him when we're filming" or when she bumped into him in public, although she felt close to him. According to Ogier, he had neuroses and anxiety which often prevented him from answering the phone, and talking about his personal life would be indiscreet and a betrayal. Laurence Côte said that joining Rivette's inner circle of trusted friends was difficult and required "a number of hurdles to overcome and to respect codes." Martine Marignac said that Rivette was very modest and shy, and that his circle of close friends grew used to not hearing from him for prolonged periods of time. Marignac also said that "He spends his life going to the movies, but also reading, listening to music. It is clear that the world of reality assaults him." Jonathan Romney reported that in the 1970s "Rivette sometimes went AWOL from his own shoots, he would invariably be found watching some rarity in one of the Left Bank art cinemas." Jean-Pierre Léaud, who described Rivette as a close friend, said that he "was the only person who saw everything in a film. And he transmitted everything he saw to us, setting in march our own aesthetic ideas". The director was the subject of a 1990 documentary, Jacques Rivette, the Night Watchman, directed by Claire Denis and Serge Daney. Travis Mackenzie Hoover wrote that the documentary portrays Rivette with "lonerish tendencies" and as "a sort of transient with no home or country, wandering about or loitering in public space instead of staking out some personal terra firma."In 1960, he appeared briefly with girlfriend Marilù Parolini in Jean Rouch and Edgar Morin's cinéma-vérité documentary, Chronique d'un été. Parolini was a secretary at Cahiers and, later, an on-set still photographer for Rivette and other New Wave filmmakers. She and Rivette married, but they broke up shortly after the stage version of The Nun closed and eventually divorced. They continued a professional relationship; Parolini collaborated with Rivette on L'amour fou, Duelle, Noroît and Love on the Ground as a co-writer, and she took photographs on the sets of The Nun and Celine and Julie Go Boating. Parolini died in Italy on 21 April 2012.On 20 April 2012, film critic David Ehrenstein posted online that Rivette had Alzheimer's disease. Bonitzer and Marignac later said that he began to feel the disease's effects during the negative experience of filming 36 vues du pic Saint-Loup. Shooting days were four hours on average and Rivette often lost track of what had already been filmed, which led to the shorter running time than his previous films. In the mid-2000s, Rivette met his second wife Veronique Manniez. They married shortly after he was diagnosed with Alzheimer's. Marignac said that, "Thanks to her, he avoided hospitals and was able to stay home." Rivette and his wife lived in the Rue Cassette section of Paris, where caregivers and doctors attended to him for the last eight years of his life. Death Rivette died on 29 January 2016 from complications of Alzheimer's disease at the age of 87, in his home in Paris. He was memorialised by President François Hollande as "one of the greatest filmmakers" and praised by Minister of Culture Fleur Pellerin. Members of the French film industry eulogised him; Serge Toubiana said "Rivette was undoubtly the most reflective, thoughtful, the most intellectual figure of the New Wave." Bulle Ogier wrote that Rivette's "body of work was inventive, researched and well structured. Nothing but making films interested him." Isabelle Regnier wrote about Rivette's secretive nature, observing that the mystery about his life "prevails in his grave." Cinémathèque française director Frédéric Bonnaud called Rivette influential and said that he always tried to invent a new kind of cinema with every film he made. Longtime collaborator Pascale Bonitzer said that "he was a bit of an outsider in the Nouvelle Vague and, at the same time, he was its soul, one of the most radical ones, and the most confidential." Jean-Michel Frodon said that he incarnated "the spirit of the New Wave." Hélène Frappat praise his use of mise en scène in regards to his portrayal of women. Martin Scorsese called him a fascinating artist who was "the most experimental of the French New Wave directors."Richard Brody called Rivette "the most open and the most reticent of French filmmakers", claiming that all of Rivette's films "represent an effort to capture the fullness of an inner world, a lifetime’s range of obsessions and mysteries." Unlike other obituaries that focused mostly on his filmmaking career, Brody praised Rivette for his influence on film criticism, singling out his 1961 article "On Abjection", a review of Gillo Pontecorvo's holocaust film Kapò. Brody called it "a touchstone for discussing any film in which atrocities are committed." In France, Jean-Marie Pottier also praised "On Abjection" as "one of the most famous texts in the history of the French cinephile." Other film critics to have previously praised the article include Serge Daney and Antoine de Baecque, and Godard's famous quote "tracking shots are a question of morality" was influenced by the article. Locarno Film Festival artistic director Carlo Chatrian wrote that Rivette "made the first and best attempt to transpose the ideas of André Bazin into critical writings" and praised such articles as "The Genius of Howard Hawks" and "Letter on Rossellini."Rivette was buried on 5 February 2016 in the Montmartre Cemetery in Paris, not far from François Truffaut's grave. Bonitzer, Marignac and Narboni all spoke at the funeral. Rivette's sister and nephews also attended. Véronique Manniez-Rivette told the funeral goers that just as angels are said to sing during moments of silence at twenty minutes past the hour, Rivette had died at 12:20pm. The March 2016 issue of Cahiers du Cinéma was dedicated to him. In May 2016 the Cinémathèque française announced that Rivette's first three short films had been rediscovered by his widow and were being restored and then screened at the Festival Coté Court that June. Works Jacques Rivette filmography Jacques Rivette bibliography Themes and style in the works of Jacques Rivette Notes Passage 7: Ian Barry (director) Ian Barry is an Australian director of film and TV. Select credits Waiting for Lucas (1973) (short) Stone (1974) (editor only) The Chain Reaction (1980) Whose Baby? (1986) (mini-series) Minnamurra (1989) Bodysurfer (1989) (mini-series) Ring of Scorpio (1990) (mini-series) Crimebroker (1993) Inferno (1998) (TV movie) Miss Lettie and Me (2002) (TV movie) Not Quite Hollywood: The Wild, Untold Story of Ozploitation! (2008) (documentary) The Doctor Blake Mysteries (2013) Passage 8: Olav Aaraas Olav Aaraas (born 10 July 1950) is a Norwegian historian and museum director. He was born in Fredrikstad. From 1982 to 1993 he was the director of Sogn Folk Museum, from 1993 to 2010 he was the director of Maihaugen and from 2001 he has been the director of the Norwegian Museum of Cultural History. In 2010 he was decorated with the Royal Norwegian Order of St. Olav.

doc_93

Passage 1: Alexandru Cristea Alexandru Cristea (1890–1942) was the composer of the music for "Limba Noastră", current national anthem of Moldova. Biography A choir director, a composer and music teacher. Taught at the "Vasile Kormilov" music school (1928) with Gavriil Afanasiu and the "Unirea" Conservatory (1927–1929) in Chişinău with Alexandru Antonovschi (canto), he was the master of vocal music from Chişinău (1920–1940), professor of music and conductor of the choir in the boys gymnasium "Ion Heliade Rădulescu" in București (1940–1941). Later, between 1941 and 1942, he directed the choir at the "Queen Mother Elena" high school from Chişinău. In 1920, he was ordained as a deacon of the St. George Church in Chişinău, from 1927 to 1941 was a deacon holds the Metropolitan Cathedral of Chişinău. Creation His main creation is considered the music for "Limba Noastră", current national anthem of Moldova, composed in the lyrics of the priest-poet Alexei Mateevici. He was awarded the “Răsplata muncii pentru biserică”. Passage 2: Karl Wilhelm (conductor) Karl Wilhelm, also Carl Wilhelm (5 September 1815, Schmalkalden – 26 August 1873, Schmalkalden) was a German choral director. He is best known as the composer of the music of the song “Die Wacht am Rhein.” Biography Wilhelm was born in Schmalkalden. He studied at Cassel under Louis Spohr, and then in Frankfurt am Main with Aloys Schmitt and A. André. From 1841 to 1864 he was the director of the Krefeld Liedertafel for which he composed numerous male choruses. In Krefeld in 1854 he set to words “Die Wacht am Rhein,” the poem Max Schneckenburger wrote in 1840. In recognition of the success and the national importance of this song, he received the title of “Royal Prussian Musical Director” in 1860, and four years later received a gold medal from Queen (later Empress) Augusta. On 24 June 1871, he received a personal acknowledgement from Chancellor of the German Empire Otto von Bismarck. In the same year, he received an annual gift from the government of 3,000 marks, which was then more than four times a typical salary. From 1865 on, Wilhelm worked as the director of the music society in Schmalkalden, where he died eight years later. Notes Passage 3: Pydimarri Venkata Subba Rao Pydimarri Venkata Subba Rao (10 June 1916 – 1988) was a Telugu author who is best remembered as the composer of the National Pledge of India. Writer and polyglot Subba Rao was a native of Anneparthy village in the Nalgonda District of Telangana. He was a polyglot, having mastered Sanskrit, Telugu, English and Arabic. He was also a naturopathy doctor and a bureaucrat who wrote several books in Telugu, the most famous of which is the novel Kalabhairavudu. Composer of the National Pledge Subba Rao composed the National Pledge in Telugu in 1962 while he was serving as the District Treasury Officer of Vishakhapatnam District of Andhra Pradesh. He was a close associate of the nationalist leader Tenneti Viswanadham, who forwarded the pledge to the then Education Minister of Andhra Pradesh, P.V.G. Raju who was also known as the Raja Saheb of Vizianagaram. Raju directed all the schools in the district to have the students take the pledge and it was subsequently taken up at the national level. The Advisory Committee of the Department of Education, Government of India at its meeting in Bangalore in 1964 decided to introduce the pledge in all schools nationally from 26 January 1965. The Government of India had it translated into seven languages and directed that it be taken in schools every day. Curiously, Subba Rao himself remained unaware of the status of this pledge as the National Pledge. It was only when, after his retirement, he happened to hear his granddaughter read the pledge from a textbook that he and his family realised this. The records with the Union Human Resources Development Ministry also record him as the author of the Pledge although his family's letters to the central and state governments remained unanswered until his death in 1988. Golden Jubilee Celebrations 2012 marks the golden jubilee year of the National Pledge and there are plans afoot to commemorate it and the author as part of the celebrations. Passage 4: Alexander Courage Alexander Mair Courage Jr. (December 10, 1919 – May 15, 2008) familiarly known as "Sandy" Courage, was an American orchestrator, arranger, and composer of music, primarily for television and film. He is best known as the composer of the theme music for the original Star Trek series. Early life Courage was born in Philadelphia, Pennsylvania. He received a music degree from the Eastman School of Music in Rochester, New York, in 1941. He served in the United States Army Air Forces in the western United States during the Second World War. During that period, he also found the time to compose music for the radio. His credits in this medium include the programs Adventures of Sam Spade Detective, Broadway Is My Beat, Hollywood Soundstage, and Romance. Career Courage began as an orchestrator and arranger at MGM studios, which included work in such films as the 1951 Show Boat ("Life Upon the Wicked Stage" number); Hot Rod Rumble (1957 film); The Band Wagon ("I Guess I'll Have to Change My Plan"); Gigi (the can-can for the entrance of patrons at Maxim's); and the barn raising dance from Seven Brides for Seven Brothers. He frequently served as an orchestrator on films scored by André Previn (My Fair Lady, "The Circus is a Wacky World", and "You're Gonna Hear from Me" production numbers for Inside Daisy Clover), Adolph Deutsch (Funny Face, Some Like It Hot), John Williams (The Poseidon Adventure, Superman, Jurassic Park, and the Academy Award-nominated musical films Fiddler on the Roof and Tom Sawyer), and Jerry Goldsmith (Rudy, Mulan, The Mummy, et al.). He also arranged the Leslie Bricusse score (along with Lionel Newman) for Doctor Dolittle (1967).Apart from his work as a respected orchestrator, Courage also contributed original dramatic scores to films, including two westerns: Arthur Penn's The Left Handed Gun (1958) and André de Toth's Day of the Outlaw (1959), and the Connie Francis comedy Follow the Boys (1963). He continued writing music for movies throughout the 1980s and 1990s, including the score for Superman IV: The Quest for Peace (1987), which incorporated three new musical themes by John Williams in addition to Courage's adapted and original cues for the film. Courage's score for Superman IV: The Quest for Peace was released on CD in early 2008 by the Film Music Monthly company as part of its boxed set Superman - The Music, while La-La Land Records released a fully expanded restoration of the score on May 8, 2018, as part of Superman's 80th anniversary. Courage also worked as a composer on such television shows as Daniel Boone, The Brothers Brannagan, Lost in Space, Eight Is Enough, and Voyage to the Bottom of the Sea. Judd, for the Defense, Young Dr. Kildare and The Brothers Brannagan were the only television series besides Star Trek for which he composed the main theme. The composer Jerry Goldsmith and Courage teamed on the long-running television show The Waltons in which Goldsmith composed the theme and Courage the Aaron Copland-influenced incidental music. In 1988, Courage won an Emmy Award for his music direction on the special Julie Andrews: The Sound of Christmas. In the 1990s, Courage succeeded Arthur Morton as Goldsmith's primary orchestrator.Courage and Goldsmith collaborated again on orchestrations for Goldsmith's score for the 1997 film "The Edge." Courage frequently collaborated with John Williams during the latter's tenure with the Boston Pops Orchestra. Family At the age of 35, Courage married Mareile Beate Odlum on October 6, 1955. Mareile, born in Germany, was the daughter of Rudolf Wolff and Elisabeth Loechelt. After Wolff's suicide Elisabeth married Carl Wilhelm Richard Hülsenbeck, renowned for his involvement in the Dada movement in Europe. Hülsenbeck brought his wife (Elisabeth), son (Tom) and step-daughter (Mareile) to the United States in 1938 to avoid the political situation rapidly developing in Europe. After arriving in the US he changed his last name to Hulbeck. Mareile's marriage to Courage was her third. Her second marriage was to Bruce Odlum (son of financier Floyd Odlum) in 1944. That union produced two sons, Christopher (1947) and Brian (1949). When Courage married Mareile he accepted the responsibility of acting stepfather to them. The family originally lived together on Erskine Dr. in Pacific Palisades, but later moved to a mountainside home on Beverly Crest Drive in Beverly Hills. Aside from his musical abilities Courage was also an avid and accomplished photographer. He took many dramatic photos of bullfights and auto racing. He was a racing enthusiast, and his interest in that sport and photography brought him into contact with many racing personalities of the era, notably Phil Hill and Stirling Moss, both of whom he considered friends. Moss paid at least one social visit to the Erskine residence. Though a dedicated stepfather to Christopher and Brian, Courage's musical career took precedence over his familial responsibilities. He sought to interest his step-children in music, and was responsible for arranging Brian's first musical lessons, on alto saxophone. Later in life Brian became a composer of serious electronic music, though the vocation was not apparent during his childhood, as he was a poor saxophone student. Alexander and Mareile were divorced April 1, 1963. Courage subsequently married Kristin M. Zethren on July 14, 1967. That marriage also ended in divorce in 1972. Star Trek theme Courage is best known for writing the theme music for the original Star Trek series, and other music for that series. Courage was hired by Star Trek creator Gene Roddenberry to score the original series at Jerry Goldsmith's suggestion, after Goldsmith turned down the job. Courage went on to score incidental music for episodes "The Man Trap" and "The Naked Time" and some cues for "Mudd's Women." Courage reportedly became alienated from Roddenberry when Roddenberry claimed half of the theme music royalties. Roddenberry wrote words for Courage's theme, not because he expected the lyrics to be sung on television, but so that he (Roddenberry) could receive half of the royalties from the song by claiming credit as the composition's co-writer. Courage was replaced by composer Fred Steiner who was then hired to write the musical scores for the remainder of the first season. After sound editors had difficulty finding the right effect, Courage himself made the iconic "whoosh" sound heard while the Enterprise flies across the screen.He returned to Star Trek to score two more episodes for the show's third and final season, episodes "The Enterprise Incident" and "Plato's Stepchildren," allegedly as a courtesy to Producer Robert Justman. Notably, after later serving as Goldsmith's orchestrator, when Goldsmith composed the music for Star Trek: The Motion Picture, Courage orchestrated Goldsmith's adaptation of his original Star Trek theme. Following Star Trek: The Motion Picture, Courage's iconic opening fanfare to the Star Trek theme became one of the franchise's most famous and memorable musical cues. The fanfare has been used in multiple motion pictures and television series, notably Star Trek: The Next Generation and the four feature films based upon that series, three of which were scored by Goldsmith. Death Courage had been in declining health for several years before he died on May 15, 2008, at the Sunrise assisted-living facility in Pacific Palisades, California. He had suffered a series of strokes prior to his death. His mausoleum is in Westwood Village Memorial Park Cemetery. Passage 5: Petrus de Domarto Petrus de Domarto (fl. c. 1445–1455) was a Franco-Flemish composer of the Renaissance. He was a contemporary and probable acquaintance of Ockeghem, and was the composer of at least one of the first unified mass cycles to be written in continental Europe. Life Domarto's life is poorly documented. He was listed as a singer at the Church of Our Lady in Antwerp in 1449, five years after Ockeghem was known to be there, and there is evidence he was in Tournai in 1451. He had a high reputation (which makes the lack of documentation on his life curious), but even so was passed over for a post as master of the choirboys (in favor of Paulus Iuvenis). No other documentation on his life has yet come to light. Music and reputation Domarto's two mass settings, the Missa Spiritus almus and a Missa sine nomine, were famous at the time. The latter of the two may have been one of the earliest cyclic masses composed on the continent, most likely in the 1440s, and imitates some features of contemporary English composers such as Leonel Power. The Missa Spiritus almus, likely dating from the 1450s, is a cantus-firmus mass, with the melody always in the tenor, but with a changing rhythmic profile as it changes mensuration throughout the piece. The procedure was evidently influential on the next generation of composers, for it was still being copied in the 1480s, and Busnois may have based one of his own masses on the same method (the Missa O crux lignum). The theorist and writer Johannes Tinctoris criticised it for exactly the features that inspired other composers. The two surviving secular compositions by Domarto are both rondeaux, formes fixes of the type popular with the Burgundian School. Works Masses Missa Spiritus almus (four voices) Missa sine nomine (three voices) Secular Rondeaux, each for three voices: Chelui qui est tant plain de duel Je vis tous jours en esperance Notes Passage 6: Inescapable (song) "Inescapable" is a song by Australian recording artist Jessica Mauboy. It was written by Diane Warren and produced by Youngboyz, Anthony Egizii and David Musumeci. "Inescapable" was sent to Australian contemporary hit radio on 4 July 2011, and was released for digital download on 15 July 2011 as the first single from the deluxe edition of Mauboy's second studio album Get 'Em Girls. The song's lyrics revolve around "a relationship all gone wrong but also a celebration.""Inescapable" peaked at number four on the ARIA Singles Chart and became Mauboy's highest-charting single since 2008's "Burn". It was certified double platinum by the Australian Recording Industry Association (ARIA). The accompanying music video was directed by Mark Alston and features scenes of Mauboy on different coloured backdrops and a dedication to Jay Dee Springbett. Background and composition "Inescapable" was written by Diane Warren and produced by Youngboyz, Anthony Egizii and David Musumeci. It was one of the songs Warren and Mauboy worked on in Los Angeles for her second studio album Get 'Em Girls (2010). However, the song did not make the final track list on the standard edition of Get 'Em Girls and was later included on the deluxe edition. "Inescapable" is a pop song written in the key of E minor. Mauboy told The Daily Telegraph that it "is just about a relationship all gone wrong but also a celebration." Her manager David Champion said "Inescapable" was a dedication to Sony Music record-label executive Jay Dee Springbett, who was found dead at his Sydney apartment on 30 June 2011. Champion said, "Jess and JD worked very closely together on making 'Inescapable' and she is devastated by his passing... His spirit lives on in the recording." Reception Jonathon Moran of The Daily Telegraph praised "Inescapable" for being "catchy, sexy, [and] radio-friendly", while a writer for 97.3 FM called it "an absolute smash." For the week commencing 1 August 2011, "Inescapable" debuted at number 20 on the ARIA Singles Chart and number eight on the ARIA Urban Singles Chart. The song peaked at number four on the ARIA Singles Chart on 15 August 2011, and became Mauboy's fifth top-ten single. On the ARIA Urban Singles Chart, "Inescapable" peaked at number one. It was certified double platinum by the Australian Recording Industry Association (ARIA), for selling over 140,000 copies. Music video Background The music video was directed by Mark Alston and filmed in Sydney. A behind-the-scenes video of the shoot was posted on The Daily Telegraph website on 3 July 2011. The completed video premiered on Mauboy's Vevo account on 15 July 2011. Synopsis The video opens showing Mauboy on a blue backdrop singing with a gold microphone inside a gold cube without walls. The next scene shows her in front of a gold backdrop wearing a leopard-print dress with black boots; she is standing beside a man who is tied up and sings to him with a megaphone. Another scene shows Mauboy wearing a navy blue jumpsuit in a room full of mirrors. Throughout the video, Mauboy is seen with two male dancers performing choreography on a dark grey backdrop. The video ends with a dedication to Jay Dee Springbett saying, "To Jay, We did it! This is our song. Your forever in my heart. Love Jess." Reception A writer for 97.3 FM called the video "vibrant, fun, [and] colourful fantastic" and wrote that it "showcases Jess at her best & is exactly what the Australian public love about our girl." A biographer of Mauboy's for The Celebrity Bureau commented, "Her single 'Inescapable' was written by renowned US songwriter Diane Warren and went on to achieve DOUBLE PLATINUM sales and over 1 million views on YouTube/Vevo." Live performances Mauboy performed "Inescapable" live for the first time at the 2011 ASTRA Awards on 21 July 2011. On 2 August 2011, she performed the song on the Australia's Got Talent grand finale, wearing a leopard-print jacket, black dress and black heels. She also performed "Inescapable" on Sunrise on 9 August 2011, wearing a black and white dress with black heels. A live version of "Inescapable" was included on Mauboy's extended play iTunes Session (2014). Track listing Digital download"Inescapable" (Youngboyz Mix) – 3:35 "Inescapable" (OFM Mix) – 3:33 Charts Weekly charts Year-end charts Certifications Release history Passage 7: Michelangelo Faggioli Michelangelo Faggioli (1666–1733) was an Italian lawyer and celebrated amateur composer of humorous cantatas in Neapolitan dialect. A founder of a new genre of Neapolitan comedy, he was the composer of the opera buffa La Cilla in 1706. Passage 8: Diane Warren Diane Eve Warren (born September 7, 1956) is an American songwriter. She has won an Academy Honorary Award, Grammy Award, an Emmy Award, two Golden Globe Awards, and, three consecutive Billboard Music Awards for Songwriter of the Year. Warren's career was jump-started in 1985 with "Rhythm of the Night" by DeBarge. In the late 1980s, she joined forces with the UK music company EMI, where she became the first songwriter in the history of Billboard magazine to have seven hits, all by different artists, on the singles chart at the same time, prompting EMI's UK Chairman Peter Reichardt to call her "the most important songwriter in the world". She has been rated the third most successful female artist in the UK. Warren has written nine number-one songs and 32 top-10 songs on the Billboard Hot 100 including "If I Could Turn Back Time" (Cher, 1989), "Because You Loved Me" (Celine Dion, 1996), "How Do I Live" (LeAnn Rimes, 1997), and "I Don't Want to Miss a Thing" (Aerosmith, 1998). Two of the top 13 hits in the Hot 100's 57-year history were composed by Warren. She has been inducted into the Songwriters Hall of Fame and received a star on the Hollywood Walk of Fame. Her UK success saw her win an Ivor Novello Award when she received the Special International Award in 2008. Warren has been nominated for 14 competitive Academy Award nominations without a win; she received an honorary Oscar at the Governors Awards in November 2022.She controls the rights over her music through her publishing company, Realsongs. Her debut album was released on August 27, 2021. Early life Warren, the youngest of three daughters, was born to David, an insurance salesman, and Flora Warren, in the Los Angeles community of Van Nuys, where she said she felt misunderstood and "alienated" as a child growing up. Her family's surname "Warren" was originally "Wolfberg", but her father changed the name because he wanted it to sound less Jewish. Warren says she was rebellious as a child and told NPR's Scott Simon that she got into trouble and ran away as a teen but returned because she missed her cat. As a child, Warren loved listening and dreamed of performing on the radio herself. She was also influenced by music by her parents and her sisters, who would play music. She began writing music when she was 11 but took a more serious approach at 14, commenting "music saved me." Warren has said that her mother asked her to give up her dream of a songwriting career and take a secretarial job. However, her father continued to believe in her and encouraged her. In addition, he bought her a 12-string guitar and a metal shed for her to practice and took her to music auditions. She wrote Celine Dion's 1996 song "Because You Loved Me" as a tribute to her father for his encouragement.She attended Los Angeles Pierce College and graduated from California State University, Northridge in 1978, but largely considered her education a waste as she focused most of her time on improving her songwriting skills instead of on her education.On the February 12, 2016, edition of All Things Considered, Warren said that she had been molested at age 12 and had later experienced sexual harassment and assault by a sound engineer during her working career. Career Warren's first hit was "Solitaire", which Laura Branigan took to No. 7 in the US pop charts in 1983. She's actually more like the Emily Dickinson of Pop. As in the case of the great nineteenth-century reclusive New England poet known for her simple yet eloquent verses, Warren leads a life focused almost entirely on her art. The original name for her publishing company, Realsongs, was "Warren Piece" because "War and Peace" was already taken. In 1998, Realsongs and its international partner, EMI Music Publishing, distributed A Passion For Music, a six-CD box set showcasing her music. EMI Music's London office assisted in distributing 1,200 copies of the box set primarily to the film and television industry for consideration in soundtracks and other commercial endeavors. It was not marketed to consumers. As of 2011, Warren's music has appeared in the soundtracks of over sixty films. She was awarded a star on the Hollywood Walk of Fame in 2001.The Diane Warren Foundation, in conjunction with the ASCAP Foundation and the VH1 Save the Music Foundation created a joint initiative, beginning in 2000, called Music in the Schools. The initiative provides sheet music, band arrangements, folios, and method books to each of the schools that are already recipients of musical instruments from the VH1 Save the Music Foundation.In 2004, Warren released a compilation album of love songs titled Diane Warren Presents Love Songs, which includes several of her hits. Warren continues to write hit songs for and with artists of all mainstream genres, including Stevie B., Celine Dion, Cheap Trick, En Vogue, Whitney Houston, Belinda Carlisle, Taylor Dayne, Britney Spears, Marcia Hines, Alice Cooper, Christina Aguilera, Beyoncé, TLC, Aaliyah, Heart, Agnetha Fältskog, Elton John, Cher, Tina Turner, Bryan Adams, Selena, Jessica Simpson, Air Supply, Olivia Newton-John, Barbra Streisand, Aretha Franklin, Roberta Flack, Roy Orbison, Trisha Yearwood, Patti LaBelle, Michael Bolton, NSYNC, Rene Froger, Gloria Estefan, Reba McEntire, Enrique Iglesias, Paloma Faith, Russell Watson, Rod Stewart, RBD, Aerosmith, The Cult, Kiss, Ricky Martin, Faith Hill, Michael W. Smith, Meat Loaf, Sugababes, Mariah Carey, Toni Braxton, Exposé, Leigh Nash of Sixpence None the Richer, LeAnn Rimes, Gavin DeGraw, Kierra Sheard, Mandy Moore, Hilary Duff, Haylie Duff, Lindsay Lohan, Lady Gaga, Chrissy Metz, Claire Richards, Starship, and Westlife, producing some of the songs as well. Her songs have been covered by artists including Joe Cocker, Weezer, Edwin McCain, Milli Vanilli, Mark Chesnutt, and Sara Evans. Warren wrote three songs for Carrie Underwood's debut album, Some Hearts (2005) that were "Lessons Learned", "Whenever You Remember" and the title track, originally written for Marshall Crenshaw. In 2009, Warren co-wrote the United Kingdom's entry in the Eurovision Song Contest with Andrew Lloyd Webber. The song "It's My Time" was sung by Jade Ewen and achieved 5th place, the best for the UK since 2002.In 2010, Warren partnered with Avon Products as a celebrity judge for Avon Voices, Avon's global online singing talent search for women and songwriting competition for men and women. For the contest, Warren wrote a special anthem which was recorded by the finalists and produced by Humberto Gatica. Warren has been recognized six times as ASCAP Songwriter of the Year and four times as Billboard's Songwriter of the Year.In 2012, Warren wrote the song "Counterfeit" for Tulisa's debut solo album The Female Boss. Warren wrote Paloma Faith's 2014 song "Only Love Can Hurt Like This".Warren's success in the US has been paralleled in the UK, where she has been rated the third most successful female artist. Peter Reichardt, former Chairman of EMI Music Publishing UK, credited her as "the most important songwriter in the world."Warren is the first songwriter in the history of Billboard magazine to have seven hits, all by different artists, on the singles chart at the same time. Warren has had nine of her compositions hit #1 in the US Billboard Hot 100, all by different artists, and overall more than 30 of her songs have hit the US top ten. Additionally, two of the top 13 hits in the Hot 100's 57-year history were written by her - "How Do I Live" (number four) and "Un-Break My Heart" (number 13). She has had even more success on the US Adult Contemporary charts, where sixteen of her songs have gone to #1, and overall more than 40 songs have hit the top ten on that chart. Warren has had three #1 hits in the UK and more than 20 top ten hits. She has been inducted into the Songwriters Hall of Fame and received a star on the Hollywood Walk of Fame.Warren's debut studio album, Diane Warren: The Cave Sessions Vol. 1, was released on August 27, 2021, via Di-Namic Records and BMG. Its first single, "Times like This" with Darius Rucker, was released on November 10, 2020. The second single, "She's Fire" with G-Eazy and Carlos Santana, was released on July 13, 2021. The single "Seaside" with Rita Ora, Sofía Reyes, and Reik was released on the same day as the album. Personal life Warren has never married, and does not think of herself as a person of commitment. In interviews, she has said that she believes that her lack of a romantic life makes her more peculiar as a songwriter. She was in a relationship with songwriter and record producer Guy Roche that ended in 1992 and claims she has not had another relationship since, commenting "I've never been in love like in my songs. I'm not like normal people. I'm no good at relationships. I draw drama to me—it's the Jew in me". Warren considers herself to be cynical regarding romance, but she does not let this affect her songwriting and prefers to write alone rather than co-writing, commenting "When I write with other people, the experience is different. You have to compromise, which I have problems with. I'd rather listen to my own mind".In a 2000 interview, Warren explained that she never let go of music despite experiencing rejections, depression and poverty. In 1994, Warren's house was damaged by the Northridge earthquake, causing her to be miserable and homeless, drifting from hotels to rental houses. She has said that therapy helped her with songwriting. She has also revealed that she works 12–16 hours a day, always takes her keyboard whenever she travels and is "...more crazy and intense than I was at 20..."Warren does not usually allow anyone into her Hollywood Hills office, which she describes as a "cluttered, airless room". In 2012, Warren said that nothing in her office had been cleaned or moved for 17 years because she is superstitious; she prefers to think of that room as her "secret world". In that room, Warren records melodies with a tape recorder on which she plays them again and chooses the songs she likes the most. Warren did allow part of a 2016 interview with CBS News Sunday Morning correspondent Ben Tracy to be taped in the office.Warren is autistic and believes her condition made her a better songwriter. Legacy A jukebox musical is to be written by Joe DiPietro and directed by Kathleen Marshall, titled Obsessed, The Story of Diane Warren...so far. Warren has penned nine No. 1 and 32 top-10 hits on the Billboard Hot 100 chart since 1983. Awards and nominations Discography (as artist) Studio albums Compilation albums Singles Top-ten hits written by Diane Warren (Top-ten entry date – Song – Artist)May 14, 1983 – "Solitaire" – Laura Branigan Apr 06, 1985 – "Rhythm of the Night" – DeBarge Mar 14, 1987 – "Nothing's Gonna Stop Us Now" – Starship Oct 03, 1987 – "Who Will You Run To" – Heart Feb 27, 1988 – "I Get Weak" – Belinda Carlisle Aug 06, 1988 – "I Don't Wanna Live Without Your Love" – Chicago Nov 19, 1988 – "Look Away" – Chicago Sep 09, 1989 – "If I Could Turn Back Time" – Cher Oct 28, 1989 – "When I See You Smile" – Bad English Nov 11, 1989 – "Blame It on the Rain" – Milli Vanilli Dec 16, 1989 – "Just Like Jesse James" – Cher Mar 10, 1990 – "Love Will Lead You Back" – Taylor Dayne Apr 21, 1990 – "How Can We Be Lovers?" – Michael Bolton Jun 23, 1990 – "I'll Be Your Shelter" – Taylor Dayne Jul 21, 1990 – "When I'm Back on My Feet Again" – Michael Bolton Sep 07, 1991 – "Time, Love and Tenderness" – Michael Bolton Nov 09, 1991 – "Set the Night to Music" – Roberta Flack with Maxi Priest Jun 06, 1992 – "If You Asked Me To" – Celine Dion Dec 26, 1992 – "Saving Forever for You" – Shanice Jul 03, 1993 – "I'll Never Get Over You Getting Over Me" – Exposé Jun 04, 1994 – "Don't Turn Around" – Ace of Base Mar 16, 1996 – "Because You Loved Me" – Celine Dion Nov 02, 1996 – "Un-Break My Heart" – Toni Braxton Mar 15, 1997 – "For You I Will" – Monica Aug 09, 1997 – "How Do I Live" – LeAnn Rimes Nov 08, 1997 – "The One I Gave My Heart To" – Aaliyah May 16, 1998 – "The Arms of the One Who Loves You" – Xscape Sep 05, 1998 – "I Don't Want to Miss a Thing" – Aerosmith Dec 12, 1998 – "Have You Ever?" – Brandy Oct 16, 1999 – "Music of My Heart" – Gloria Estefan and NSYNC Jul 01, 2000 – "I Turn to You" – Christina Aguilera Jun 30, 2001 – "There You'll Be" – Faith HillNote: Bold denotes chart-topper. See also List of songs written by Diane Warren Because You Loved Me: The Songs of Diane Warren Nina Sings the Hits of Diane Warren When a Woman Loves Passage 9: Alonso Mudarra Alonso Mudarra (c. 1510 – April 1, 1580) was a Spanish composer of the Renaissance, and also played the vihuela, a guitar-shaped string instrument. He was an innovative composer of instrumental music as well as songs, and was the composer of the earliest surviving music for the guitar. Biography The place of his birth is not recorded, but he grew up in Guadalajara, and probably received his musical training there. He most likely went to Italy in 1529 with Charles V, in the company of the fourth Duke of the Infantado, Íñigo López de Mendoza, marqués de Santillana. When he returned to Spain he became a priest, receiving the post of canon at the cathedral in Seville in 1546, where he remained for the rest of his life. While at the cathedral, he directed all of the musical activities; many records remain of his musical activities there, which included hiring instrumentalists, buying and assembling a new organ, and working closely with composer Francisco Guerrero for various festivities. Mudarra died in Seville, and his sizable fortune was distributed to the poor of the city according to his will. Mudarra wrote numerous pieces for the vihuela and the four-course guitar, all contained in the collection Tres libros de musica en cifras para vihuela ("Three books of music in numbers for vihuela"), which he published on December 7, 1546 in Seville. These three books contain the first music ever published for the four-course guitar, which was then a relatively new instrument. The second book is noteworthy in that it contains eight multi-movement works, all arranged by "tono", or mode. Compositions represented in this publication include fantasias, variations (including a set on La Folia), tientos, pavanes and galliards, and songs. Modern listeners are probably most familiar with his Fantasia X, which has been a concert and recording mainstay for many years. The songs are in Latin, Spanish and Italian, and include romances, canciones (songs), villancicos, (popular songs) and sonetos (sonnets). Another innovation was the use of different signs for different tempos: slow, medium, and fast. References and further reading John Griffiths: "Alonso Mudarra", Grove Music Online ed. L. Macy (Accessed March 24, 2005), (subscription access) Gustave Reese, Music in the Renaissance. New York, W.W. Norton & Co., 1954. ISBN 0-393-09530-4 Guitar Music of the Sixteenth Century, Mel Bay Publications (transcribed by Keith Calmes) The Eight Masterpieces of Alonso Mudarra, Mel Bay Publications (transcribed by Keith Calmes) Fantasia VI in hypermedia (Shockwave Player required) at the BinAural Collaborative Hypertext Jacob Heringman and Catherine King: "Alonso Mudarra songs and solos". Magnatune.com (http://www.magnatune.com/artists/albums/heringman-mudarra/hifi_play) External links Free scores by Alonso Mudarra in the Choral Public Domain Library (ChoralWiki) Free scores by Alonso Mudarra at the International Music Score Library Project (IMSLP) Passage 10: Walter Robinson (composer) Walter Robinson is an American composer of the late 20th century. He is most notable for his 1977 song Harriet Tubman, which has been recorded by folk musicians such as Holly Near, John McCutcheon, and others. He is also the composer of several operas.

doc_94

Passage 1: Don River (North Queensland) The Don River is a river in North Queensland, Australia. Course and features The Don River rises in the Clarke Range, part of the Great Dividing Range, below Mount Roundhill and west of Proserpine. The river flows generally north by northeast through the Eungella National Park and is joined by thirteen minor tributaries, towards its mouth and empties into the Coral Sea north of Bowen. With a catchment area of 1,200 square kilometres (460 sq mi), the river descends 253 metres (830 ft) over its 60-kilometre (37 mi) course.High salinity levels have been recorded at the mouth of the river. Land use in the upper catchment is mostly beef cattle production with crops grown in the richer soils downstream.The river is crossed by the Bruce Highway via the Don River Bridge at Bowen. Flooding The highest recorded flood was in 1970 when the river reached 7.25 metres (23.8 ft) at the Bowen Pumping Station. The river delta is particularly vulnerable to flooding during cyclones.Floods in 2008 left deposits of sand which raised the riverbed considerably. Approval to dredge sand was granted by the Queensland Government, however only about half of that has been removed in recent years. A flood in 2008 lead the Whitsunday Regional Council to create a channel so that similar flooding could be avoided.A management plan for the river was established late in 2008. It included measures to encourage further sand extraction. See also List of rivers of Australia § Queensland Passage 2: Bowen River (Queensland) The Bowen River is a river in North Queensland, Australia. Course and features Formed by the confluence of the Broken River and the Little Bowen River near Tent Hill in the Normanby Range, part of the Great Dividing Range, the Bowen River flows in a north-westerly direction along the base of the range then flows west across Emu Plains and is crossed by the Bowen Developmental Road just north of Havilah. The river then flows north-west again between the Herbert Range and Leichhardt Range then discharges into the Burdekin River, south southeast of Ravenswood. The river descends 98 metres (322 ft) over its 129-kilometre (80 mi) course.The catchment area of the river occupies 9,452 square kilometres (3,649 sq mi) of which an area of 236 square kilometres (91 sq mi) is composed of riverine wetlands. The catchment is in poor condition with much of the riparian habitat having been cleared and prone to erosion. The area is mostly used for cattle grazing with the towns of Collinsville and Glendon both drawing their town water supply from the Bowen River Weir. The river has a mean annual discharge of 1,618 gigalitres (3.56×1011 imp gal; 4.27×1011 US gal).The Bowen River Weir supplies water to a coal mine, power station and the township of Collinsville. History The river was named in 1861 by the Queensland Government, derived from the name of the town Bowen which was named in honour of Sir George Bowen, a Governor of Queensland.In the 1860s, Richard Daintree made mineral discoveries along the river. Daintree made the first systematic examination of the Bowen River coal seams near Collinsville.Circa 1865, the Bowen River Hotel was built at the top of a steep bank of the river (20.534°S 147.5562°E / -20.534; 147.5562 (Bowen River Hotel)). The hotel is now listed on the Queensland Heritage Register.Construction of the Bowen River Weir commenced in April 1982 and was completed in August 1983. The A$6.5 million project is situated approximately 25 kilometres (16 mi) south of Collinsville and delivers water to the Newlands Coal Mine. See also List of rivers of Australia § Queensland Passage 3: Alder Creek (Siskiyou County, California) Alder Creek is a river located in Siskiyou County, California. Passage 4: Bighead River The Bighead River is a river in Grey County in southern Ontario, Canada, that flows from the Niagara Escarpment between the communities along Ontario Highway 10 of Arnott and Holland Centre in the township of Chatsworth to empty into Nottawasaga Bay, an inlet of Georgian Bay on Lake Huron, at Meaford. The river crosses the Bruce Trail in the valley between the Spey River Forest Area and the Walters Falls Conservation Area. Tributaries East Minniehill Creek (right) Minniehill Creek (right) Rocklyn Creek (right) Walters Creek (right) See also List of rivers of Ontario Passage 5: Aibiki River The Aibiki River (相引川, Aibiki-gawa) is a river located in Takamatsu, Kagawa, Japan. Name The river is named "Aibiki" (roughly translating as "mutual pulling") because both its source and its mouth are in the Seto Inland Sea. During low tide, the river flows towards both the mouth and the origin, making it seem like it is being pulled both ways. It is also said that the name came about during the Battle of Yashima, which was fought between the Minamoto and Taira clans. Passage 6: Haughton River The Haughton River is a river in North Queensland, Australia. Course and features The headwaters of the river rise in the Haughton Valley of the Leichhardt Range near Mingela and flow in a north easterly direction almost immediately crossing the Flinders Highway. The river then passes between Mount Prince Charles and Mount Norman then past Glendale. Major Creek discharges into the Haughton under Major Creek Mountain and the river continues crossing the Bruce Highway just south of Giru. The Haughton enters Bowling Green Bay National Park and finally discharges into Bowling Green Bay south of Townsville near Cungulla and then into the Coral Sea. The assessed catchment area of the river varies, with one estimate of the area at 8,690 square kilometres (3,360 sq mi) and another assessed at 4,051 square kilometres (1,564 sq mi). Of this latter area, 316 square kilometres (122 sq mi) is composed of estuarine wetlands.The floodplain area of the catchment also holds valuable wetlands, parts of the Bowling Green Bay National Park and Ramsar site (QDEH 1991) are listed in the Directory of Important Wetlands. The upper part of the catchment has few permanent waterholes. An estimated 77% of the catchment is cleared, cattle grazing is the dominant land use in the area, with the production of sugarcane and other forms of horticulture taking up most of the catchment area. An area of 328 square kilometres (127 sq mi) is protected.A total of 27 species of fish have been found in the river, including the glassfish, Pacific Short-finned Eel, blue catfish, milkfish, Fly-specked hardyhead, mouth almighty, Empire gudgeon, barred grunter, barramundi, oxeye herring, mangrove jack, eastern rainbowfish, Bony bream, Freshwater Longtom and Seven-spot Archerfish. Etymology The river was named in 1861 after Richard Houghton, a stockman, by his friend the pastoralist and explorer James Cassady. Originally named Houghton River it was renamed to the current spelling by the Surveyor General in 1950 at the request of local residents and the electoral office. See also List of rivers of Australia § Queensland Passage 7: Stuart River (Minnesota) The Stuart River is a river located in Minnesota, in the United States. See also List of rivers of Minnesota Passage 8: Kakwa River The Kakwa River is a tributary of the Smoky River in western Alberta, Canada. The river is named for Kakwa, the Cree word for porcupine. Porcupines are abundant in Kakwa Provincial Park and Protected Area. Tourism along the river revolves around bull trout fishing and white water rafting. Kakwa Falls (54.10913°N 119.92350°W / 54.10913; -119.92350 (Kakwa Falls)) are developed in the course of the river, over a 30-metre (98 ft) high ledge formed by an outcrop of the Cadomin Formation. The area was designated a protected wildland (Kakwa Wildland Park). It can be accessed through the forestry road network south of Highway 666, approximately 35 kilometres (22 mi) south of Two Lakes Provincial Park. Course The Kakwa River originates in Kakwa Lake, north of McBride, in British Columbia, at an elevation of 1,495 metres (4,905 ft). The surrounding area is protected by Kakwa Provincial Park and Protected Area. The river flows north-east into the province of Alberta in Kakwa Wildlands Park, then flows east and north-east through the foothills. It is crossed by the Bighorn Highway before it converges into the Smoky River, at an elevation of 670 metres (2,200 ft). Tributaries From its origins to its mouth, Kakwa River receives waters from: Kakwa Lake Cecilia Creek Mouse Cache Creek Musreau Creek Francis Peak Creek South Kakwa River Lynx Creek Ravine Creek Chicken Creek Daniel Creek Copton Creek Redrock Creek Route Creek Prairie Creek See also List of rivers of Alberta Passage 9: Dawson River (Queensland) The Dawson River is a river in Central Queensland, Australia. Course and features The Dawson River rises in the Carnarvon Range, draining through the Carnarvon National Park, northwest of the settlement of Upper Dawson. The flows generally south by east, crossed by the Carnarvon Highway and then flows generally east through the settlement of Taroom where the river is crossed by the Leichhardt Highway. The river then flows in a northerly direction through the settlement of Theodore where the river is again crossed by the Leichhardt Highway. The river flows north through the settlement of Baralaba and towards Duaringa, crossed by the Capricorn Highway. A little further north, the Dawson River forms confluence with the Mackenzie River to form the Fitzroy River. From source to mouth, the river is joined by sixty-four tributaries, including the Don River, and descends 587 metres (1,926 ft) over its 735-kilometre (457 mi) course. Several weirs have been constructed along the river to provide water for cotton and dairy farming in the region. The river catchment covers an area of 50,800 square kilometres (19,600 sq mi).Expedition National Park and the Precipice National Park are protected areas along the Dawson River. The Dawson River was one of a number of Queensland rivers affected by the 2010–11 Queensland floods. As the river inundated the town of Theodore it was completely evacuated, a first in Queensland's history. History Gungabula (also known as Kongabula and Khungabula) is an Australian Aboriginal language of the headwaters of the Dawson River in Central Queensland. The language region includes areas within the local government area of Maranoa Region, particularly the towns of Charleville, Augathella and Blackall and as well as the Carnarvon Range.Ludwig Leichhardt explored the area in 1844 and named the river in honour of Robert Dawson, one of Leichhardt's financial backers.In the 1920s, shortly after the First World War, Australian Labor Party politician Ted Theodore (1884-1950) launched an irrigation program on the Dawson River for returning soldiers. His intentions was to provide them with arable land along the river for them to take up farming, thus eschewing a post-war recession. After the 1922 Irrigation Act was passed, he started irrigation schemes on the Dawson River, for an initial 8,000 new farmers. However, the scheme was abandoned after he realized the soil was unsuitable for farming and the returning soldiers had no agrarian skills. See also Boggomoss List of rivers of Australia § Queensland Passage 10: Dee River (Queensland) The Dee River is a river in Central Queensland, Australia. Course and features Part of the Fitzroy River system, the Dee River rises in the Razorback Range south of Bouldercombe Gorge Resources Reserve near Mount Gavial, south of Bouldercombe. The river flows generally south by west through the mining settlement of Mount Morgan, Waluml and Dululu, where the river is crossed by the Burnett Highway. The river is joined by seven minor tributaries including Limestone Creek, Horse Creek, Hamilton Creek, Nine Mile Creek, Boulder Creek, Oaky Creek and Pruce Creek. The Dee River forms its confluence with the Don River near Rannes. The largest dam on the river is Number 7 Dam, built for the Mount Morgan Mine, which has a history of acid mine discharge from gold and copper mining entering the Dee River. Mine pit In January 2013, the mine pit overflowed. Approximately 700 millimetres (28 in) of rain fell after ex-tropical Cyclone Oswald resulted in the 2013 Eastern Australia floods. Towards the end of February the dam was spilling acid and heavy metals into the river. Concerns regarding the discolouration of the river's water and fears of contamination causing irreversible damage to the river were raised in mid-2011. See also List of rivers of Australia § Queensland

doc_95

Passage 1: Jesse E. Hobson Jesse Edward Hobson (May 2, 1911 – November 5, 1970) was the director of SRI International from 1947 to 1955. Prior to SRI, he was the director of the Armour Research Foundation. Early life and education Hobson was born in Marshall, Indiana. He received bachelor's and master's degrees in electrical engineering from Purdue University and a PhD in electrical engineering from the California Institute of Technology. Hobson was also selected as a nationally outstanding engineer.Hobson married Jessie Eugertha Bell on March 26, 1939, and they had five children. Career Awards and memberships Hobson was named an IEEE Fellow in 1948. Passage 2: The Time, the Place and the Girl (1946 film) The Time, the Place and the Girl is a 1946 American musical film directed in Technicolor by David Butler. It is unrelated to the 1929 film The Time, the Place and the Girl. Plot Steve and Jeff are about to open a nightclub when a man named Martin Drew who represents conductor Ladislaus Cassel claims that Cassel, who is living next door, objects to the club's music and that it disturbs his granddaughter, Victoria, an aspiring opera singer. It turns out that Cassel himself is fine with the club but Vicki's grandmother Lucia is against it. Cassel also urges Vicki not to marry Andrew, her fiance, without being certain. After she meets Steve, she is attracted to him. Steve has a girlfriend, Elaine Winters, who is trying to persuade John Braden, a rich Texan, to finance the club. Elaine is upset about Vicki's presence and threatens to marry Braden. Jeff and his girlfriend, singer Sue Jackson, hope to get a new show off the ground, but both Vicky's grandmother and Steve's girl Elaine keep interfering. Cassel offers to finance the show provided Vicky can be in it. Lucia is livid until she reluctantly attends the show, at which she is charmed and gives her approval. Cast Soundtrack "A Rainy Night in Rio"'Music by Arthur Schwartz Lyrics by Leo Robin Performed by Jack Carson, Dennis Morgan, Janis Page and Martha Vickers (dubbed by Sally Sweetland)"Oh, But I Do"Music by Arthur Schwartz Lyrics by Leo Robin Sung by Dennis Morgan"A Gal in Calico" (Nominated for an Academy Award for Best Original Song of 1948)Music by Arthur Schwartz Lyrics by Leo Robin Performed by Dennis Morgan, Jack Carson, Martha Vickers (dubbed by Sally Sweetland) and chorus"Through a Thousand Dreams"Music by Arthur Schwartz Lyrics by Leo Robin"A Solid Citizen of the Solid South"Music by Arthur Schwartz Lyrics by Leo Robin Performed by Jack Carson and the Condos Brothers"I Happened to Walk Down First Street"Music by Arthur Schwartz Lyrics by Leo Robin Box office According to Warner Bros. records, it was the studio's most financially successful film of 1946–47, earning $3,461,000 domestically and $1,370,000 in foreign territories. Passage 3: The Divine Nymph The Divine Nymph (Italian: Divina creatura) is a 1975 Italian drama film directed by Giuseppe Patroni Griffi and starring Laura Antonelli, Marcello Mastroianni, Michele Placido and Terence Stamp. It was entered into the 26th Berlin International Film Festival. It was distributed in the U.S. by Analysis Film Releasing Corp. Plot During the Roaring Twenties, a beautiful woman (Laura Antonelli) is engaged to one man, but has an affair with both a young nobleman (Terence Stamp) and later his cousin (Marcello Mastroianni), playing them against each other. Cast Laura Antonelli - Manoela Roderighi Terence Stamp - Dany di Bagnasco Michele Placido - Martino Ghiondelli Duilio Del Prete - Armellini Ettore Manni - Marco Pisani Carlo Tamberlani - Majordomo Pasqualino Cecilia Polizzi - Dany's Maid Piero Di Iorio - Cameriere di Stefano Marina Berti - Manoela's Aunt Doris Duranti - Signora Fones Marcello Mastroianni - Michele Barra Tina Aumont Rita Silva Corrado Annicelli Gino Cassani See also List of Italian films of 1975 Passage 4: Giuseppe Patroni Griffi Giuseppe Patroni Griffi (26 February 1921 – 15 December 2005) was an Italian playwright, screenwriter, director and author.He was born in Naples in an aristocratic family and moved to Rome immediately after the end of World War II and spent his professional life there. Patroni Griffi is considered one of the most prominent contributors to Italian theater and film in post-war Italy. Roberto Rossellini made a film from his play Anima nera. His first listed film writing credit was on the 1952 musical Canzoni di mezzo secolo. Patroni Griffi would later direct Charlotte Rampling, Elizabeth Taylor, Marcello Mastroianni, Laura Antonelli, Florinda Bolkan, Terence Stamp, Fabio Testi. Patroni Griffi was also involved with numerous television productions of lyric opera, including Verdi's La Traviata. His many theatrical productions include works by Pirandello, Eduardo De Filippo, Jean Cocteau and Tennessee Williams. As a writer, he published a first collection of stories in 1955, Ragazzo di Trastevere. Later, he contributed significantly to the body of Italian gay literature with Scende giù per Toledo and La morte della bellezza, both set in Naples. He died in Rome. Selected filmography As a director, he is most noted for: Il Mare (1962) Metti una sera a cena (1969) Addio, fratello crudele (1971, film adaptation of 'Tis Pity She's a Whore with Charlotte Rampling and Oliver Tobias) Identikit (1974) with Elizabeth Taylor The Divine Nymph (1975) La gabbia (1985) La romana (1988) Tosca (1992) La traviata (2000) Passage 5: S. N. Mathur S.N. Mathur was the Director of the Indian Intelligence Bureau between September 1975 and February 1980. He was also the Director General of Police in Punjab. Passage 6: Brian Kennedy (gallery director) Brian Patrick Kennedy (born 5 November 1961) is an Irish-born art museum director who has worked in Ireland and Australia, and now lives and works in the United States. He was the director of the Peabody Essex Museum in Salem for 17 months, resigning December 31, 2020. He was the director of the Toledo Museum of Art in Ohio from 2010 to 2019. He was the director of the Hood Museum of Art from 2005 to 2010, and the National Gallery of Australia (Canberra) from 1997 to 2004. Career Brian Kennedy currently lives and works in the United States after leaving Australia in 2005 to direct the Hood Museum of Art at Dartmouth College. In October 2010 he became the ninth Director of the Toledo Museum of Art. On 1 July 2019, he succeeded Dan Monroe as the executive director and CEO of the Peabody Essex Museum. Early life and career in Ireland Kennedy was born in Dublin and attended Clonkeen College. He received B.A. (1982), M.A. (1985) and PhD (1989) degrees from University College-Dublin, where he studied both art history and history. He worked in the Irish Department of Education (1982), the European Commission, Brussels (1983), and in Ireland at the Chester Beatty Library (1983–85), Government Publications Office (1985–86), and Department of Finance (1986–89). He married Mary Fiona Carlin in 1988.He was Assistant Director at the National Gallery of Ireland in Dublin from 1989 to 1997. He was Chair of the Irish Association of Art Historians from 1996 to 1997, and of the Council of Australian Art Museum Directors from 2001 to 2003. In September 1997 he became Director of the National Gallery of Australia. National Gallery of Australia (NGA) Kennedy expanded the traveling exhibitions and loans program throughout Australia, arranged for several major shows of Australian art abroad, increased the number of exhibitions at the museum itself and oversaw the development of an extensive multi-media site. Although he oversaw several years of the museum's highest ever annual visitation, he discontinued the emphasis of his predecessor, Betty Churcher, on showing "blockbuster" exhibitions. During his directorship, the NGA gained government support for improving the building and significant private donations and corporate sponsorship. However, the initial design for the building proved controversial generating a public dispute with the original architect on moral rights grounds. As a result, the project was not delivered during Dr Kennedy's tenure, with a significantly altered design completed some years later. Private funding supported two acquisitions of British art, including David Hockney's A Bigger Grand Canyon in 1999, and Lucian Freud's After Cézanne in 2001. Kennedy built on the established collections at the museum by acquiring the Holmgren-Spertus collection of Indonesian textiles; the Kenneth Tyler collection of editioned prints, screens, multiples and unique proofs; and the Australian Print Workshop Archive. He was also notable for campaigning for the construction of a new "front" entrance to the Gallery, facing King Edward Terrace, which was completed in 2010 (see reference to the building project above). Kennedy's cancellation of the "Sensation exhibition" (scheduled at the NGA from 2 June 2000 to 13 August 2000) was controversial, and seen by some as censorship. He claimed that the decision was due to the exhibition being "too close to the market" implying that a national cultural institution cannot exhibit the private collection of a speculative art investor. However, there were other exhibitions at the NGA during his tenure, which could have raised similar concerns. The exhibition featured the privately owned Young British Artists works belonging to Charles Saatchi and attracted large attendances in London and Brooklyn. Its most controversial work was Chris Ofili's The Holy Virgin Mary, a painting which used elephant dung and was accused of being blasphemous. The then-mayor of New York, Rudolph Giuliani, campaigned against the exhibition, claiming it was "Catholic-bashing" and an "aggressive, vicious, disgusting attack on religion." In November 1999, Kennedy cancelled the exhibition and stated that the events in New York had "obscured discussion of the artistic merit of the works of art". He has said that it "was the toughest decision of my professional life, so far."Kennedy was also repeatedly questioned on his management of a range of issues during the Australian Government's Senate Estimates process - particularly on the NGA's occupational health and safety record and concerns about the NGA's twenty-year-old air-conditioning system. The air-conditioning was finally renovated in 2003. Kennedy announced in 2002 that he would not seek extension of his contract beyond 2004, accepting a seven-year term as had his two predecessors.He became a joint Irish-Australian citizen in 2003. Toledo Museum of Art The Toledo Museum of Art is known for its exceptional collections of European and American paintings and sculpture, glass, antiquities, artist books, Japanese prints and netsuke. The museum offers free admission and is recognized for its historical leadership in the field of art education. During his tenure, Kennedy has focused the museum's art education efforts on visual literacy, which he defines as "learning to read, understand and write visual language." Initiatives have included baby and toddler tours, specialized training for all staff, docents, volunteers and the launch of a website, www.vislit.org. In November 2014, the museum hosted the International Visual Literacy Association (IVLA) conference, the first Museum to do so. Kennedy has been a frequent speaker on the topic, including 2010 and 2013 TEDx talks on visual and sensory literacy. Kennedy has expressed an interest in expanding the museum's collection of contemporary art and art by indigenous peoples. Works by Frank Stella, Sean Scully, Jaume Plensa, Ravinder Reddy and Mary Sibande have been acquired. In addition, the museum has made major acquisitions of Old Master paintings by Frans Hals and Luca Giordano.During his tenure the Toledo Museum of Art has announced the return of several objects from its collection due to claims the objects were stolen and/or illegally exported prior being sold to the museum. In 2011 a Meissen sweetmeat stand was returned to Germany followed by an Etruscan Kalpis or water jug to Italy (2013), an Indian sculpture of Ganesha (2014) and an astrological compendium to Germany in 2015. Hood Museum of Art Kennedy became Director of the Hood Museum of Art in July 2005. During his tenure, he implemented a series of large and small-scale exhibitions and oversaw the production of more than 20 publications to bring greater public attention to the museum's remarkable collections of the arts of America, Europe, Africa, Papua New Guinea and the Polar regions. At 70,000 objects, the Hood has one of the largest collections on any American college of university campus. The exhibition, Black Womanhood: Images, Icons, and Ideologies of the African Body, toured several US venues. Kennedy increased campus curricular use of works of art, with thousands of objects pulled from storage for classes annually. Numerous acquisitions were made with the museum's generous endowments, and he curated several exhibitions: including Wenda Gu: Forest of Stone Steles: Retranslation and Rewriting Tang Dynasty Poetry, Sean Scully: The Art of the Stripe, and Frank Stella: Irregular Polygons. Publications Kennedy has written or edited a number of books on art, including: Alfred Chester Beatty and Ireland 1950-1968: A study in cultural politics, Glendale Press (1988), ISBN 978-0-907606-49-9 Dreams and responsibilities: The state and arts in independent Ireland, Arts Council of Ireland (1990), ISBN 978-0-906627-32-7 Jack B Yeats: Jack Butler Yeats, 1871-1957 (Lives of Irish Artists), Unipub (October 1991), ISBN 978-0-948524-24-0 The Anatomy Lesson: Art and Medicine (with Davis Coakley), National Gallery of Ireland (January 1992), ISBN 978-0-903162-65-4 Ireland: Art into History (with Raymond Gillespie), Roberts Rinehart Publishers (1994), ISBN 978-1-57098-005-3 Irish Painting, Roberts Rinehart Publishers (November 1997), ISBN 978-1-86059-059-7 Sean Scully: The Art of the Stripe, Hood Museum of Art (October 2008), ISBN 978-0-944722-34-3 Frank Stella: Irregular Polygons, 1965-1966, Hood Museum of Art (October 2010), ISBN 978-0-944722-39-8 Honors and achievements Kennedy was awarded the Australian Centenary Medal in 2001 for service to Australian Society and its art. He is a trustee and treasurer of the Association of Art Museum Directors, a peer reviewer for the American Association of Museums and a member of the International Association of Art Critics. In 2013 he was appointed inaugural eminent professor at the University of Toledo and received an honorary doctorate from Lourdes University. Most recently, Kennedy received the 2014 Northwest Region, Ohio Art Education Association award for distinguished educator for art education. == Notes == Passage 7: Peter Levin Peter Levin is an American director of film, television and theatre. Career Since 1967, Levin has amassed a large number of credits directing episodic television and television films. Some of his television series credits include Love Is a Many Splendored Thing, James at 15, The Paper Chase, Family, Starsky & Hutch, Lou Grant, Fame, Cagney & Lacey, Law & Order and Judging Amy.Some of his television film credits include Rape and Marriage: The Rideout Case (1980), A Reason to Live (1985), Popeye Doyle (1986), A Killer Among Us (1990), Queen Sized (2008) and among other films. He directed "Heart in Hiding", written by his wife Audrey Davis Levin, for which she received an Emmy for Best Day Time Special in the 1970s. Prior to becoming a director, Levin worked as an actor in several Broadway productions. He costarred with Susan Strasberg in "[The Diary of Ann Frank]" but had to leave the production when he was drafted into the Army. He trained at the Carnegie Mellon University. Eventually becoming a theatre director, he directed productions at the Long Wharf Theatre and the Pacific Resident Theatre Company. He also co-founded the off-off-Broadway Theatre [the Hardware Poets Playhouse] with his wife Audrey Davis Levin and was also an associate artist of The Interact Theatre Company. Passage 8: Dana Blankstein Dana Blankstein-Cohen (born March 3, 1981) is the executive director of the Sam Spiegel Film and Television School. She was appointed by the board of directors in November 2019. Previously she was the CEO of the Israeli Academy of Film and Television. She is a film director, and an Israeli culture entrepreneur. Biography Dana Blankstein was born in Switzerland in 1981 to theatre director Dedi Baron and Professor Alexander Blankstein. She moved to Israel in 1983 and grew up in Tel Aviv. Blankstein graduated from the Sam Spiegel Film and Television School, Jerusalem in 2008 with high honors. During her studies she worked as a personal assistant to directors Savi Gabizon on his film Nina's Tragedies and to Renen Schorr on his film The Loners. She also directed and shot 'the making of' film on Gavison's film Lost and Found. Her debut film Camping competed at the Berlin International Film Festival, 2007. Film and academic career After her studies, Dana founded and directed the film and television department at the Kfar Saba municipality. The department encouraged and promoted productions filmed in the city of Kfar Saba, as well as the established cultural projects, and educational community activities. Blankstein directed the mini-series "Tel Aviviot" (2012). From 2016-2019 was the director of the Israeli Academy of Film and Television. In November 2019 Dana Blankstein Cohen was appointed the new director of the Sam Spiegel Film and Television School where she also oversees the Sam Spiegel International Film Lab. In 2022, she spearheaded the launch of the new Series Lab and the film preparatory program for Arabic speakers in east Jerusalem. Filmography Tel Aviviot (mini-series; director, 2012) Growing Pains (graduation film, Sam Spiegel; director and screenwriter, 2008) Camping (debut film, Sam Spiegel; director and screenwriter, 2006) Passage 9: Ian Barry (director) Ian Barry is an Australian director of film and TV. Select credits Waiting for Lucas (1973) (short) Stone (1974) (editor only) The Chain Reaction (1980) Whose Baby? (1986) (mini-series) Minnamurra (1989) Bodysurfer (1989) (mini-series) Ring of Scorpio (1990) (mini-series) Crimebroker (1993) Inferno (1998) (TV movie) Miss Lettie and Me (2002) (TV movie) Not Quite Hollywood: The Wild, Untold Story of Ozploitation! (2008) (documentary) The Doctor Blake Mysteries (2013) Passage 10: Olav Aaraas Olav Aaraas (born 10 July 1950) is a Norwegian historian and museum director. He was born in Fredrikstad. From 1982 to 1993 he was the director of Sogn Folk Museum, from 1993 to 2010 he was the director of Maihaugen and from 2001 he has been the director of the Norwegian Museum of Cultural History. In 2010 he was decorated with the Royal Norwegian Order of St. Olav.

doc_96

Passage 1: Shaadi Ka Laddoo Shaadi Ka Laddoo is a 2004 Indian Hindi comedy film directed by Raj Kaushal. The film was released on 23 April 2004. Plot Summary Shomu and his wife Meenu are a happily married couple with two children. Shomu decides to travel to Britain for business purposes, as well as to meet his childhood friend, Ravi Kapoor. Once in Britain, Shomu finds himself getting close to single women, and realises that he is now ready for an extra-marital affair. His friend, Ravi Kapoor, on the contrary believes that Shomu is the luckiest man on earth, as he is in love with his wife, and their marriage is rock steady. Not trusting her husband, Meenu asks a U.K. based friend to check up on him. The friend reports back that Shomu is involved with a woman named Tara. Meenu decides to go to Britain as well and catch Shomu red-handed. In the meantime, Ravi meets with a waitress named Menaka Choudhary and decides to propose marriage to her, apprehensive that she too will turn him down. The stage is all set for sparks to fly, and emotions to rise. Cast Sanjay Suri as Som Dutta Mandira Bedi as Tara Aashish Chaudhary as Ravi Kapoor Divya Dutta as Geetu Samita Bangargi as Meneka Choudhary Sameer Malhotra as Geetu's Uncle Negar Khan as Sheena John Clubb Soundtrack Passage 2: Gertrude of Bavaria Gertrude of Bavaria (Danish and German: Gertrud; 1152/55–1197) was Duchess of Swabia as the spouse of Duke Frederick IV, and Queen of Denmark as the spouse of King Canute VI. Gertrude was born to Henry the Lion of Bavaria and Saxony and Clementia of Zähringen in either 1152 or 1155. She was married to Frederick IV, Duke of Swabia, in 1166, and became a widow in 1167. In 1171 she was engaged and in February 1177 married to Canute of Denmark in Lund. The couple lived the first years in Skåne. On 12 May 1182, they became king and queen. She did not have any children. During her second marriage, she chose to live in chastity and celibacy with her husband. Arnold of Lübeck remarked of their marriage, that her spouse was: "The most chaste one, living thus his days with his chaste spouse" in eternal chastity. Passage 3: Marie-Louise Coidavid Queen Marie Louise Coidavid (1778 – 11 March 1851) was the Queen of the Kingdom of Haiti 1811–20 as the spouse of Henri Christophe. Early life Marie-Louise was born into a free black family; her father was the owner of Hotel de la Couronne, Cap-Haïtien. Henri Christophe was a slave purchased by her father. Supposedly, he earned enough money in tips from his duties at the hotel that he was able to purchase his freedom before the Haitian Revolution. They married in Cap-Haïtien in 1793, having had a relationship with him from the year prior. They had four children: François Ferdinand (born 1794), Françoise-Améthyste (d. 1831), Athénaïs (d. 1839) and Victor-Henri. At her spouse's new position in 1798, she moved to the Sans-Souci Palace. During the French invasion, she and her children lived underground until 1803. Queen In 1811, Marie-Louise was given the title of queen upon the creation of the Kingdom of Haiti. Her new status gave her ceremonial tasks to perform, ladies-in-waiting, a secretary and her own court. She took her position seriously, and stated that the title "given to her by the nation" also gave her responsibilities and duties to perform. She served as the hostess of the ceremonial royal court life performed at the Sans-Souci Palace. She did not involve herself in the affairs of state. She was given the position of Regent should her son succeed her spouse while still being a minor. However, as her son became of age before the death of his father, this was never to materialize.After the death of the king in 1820, she remained with her daughters Améthyste and Athénaïs at the palace until they were escorted from it by his followers together with his corpse; after their departure, the palace was attacked and plundered. Marie-Louise and her daughters were given the property Lambert outside Cap. She was visited by president Jean Pierre Boyer, who offered her his protection; he denied the spurs of gold she gave him, stating that he was the leader of poor people. They were allowed to settle in Port-au-Prince. Marie-Louise was described as calm and resigned, but her daughters, especially Athénaïs, were described as vengeful. Exile The Queen was in exile for 30 years. In August 1821, the former queen left Haiti with her daughters under the protection of the British admiral Sir Home Popham, and travelled to London. There were rumours that she was searching for the money, three million, deposited by her spouse in Europe. Whatever the case, she did live the rest of her life without economic difficulties. The English climate and pollution during the Industrial Revolution was determintal to Améthyste's health, and eventually they decided to leave.In 1824, Marie-Louise and her daughters moved in Pisa in Italy, where they lived for the rest of their lives, Améthyste dying shortly after their arrival and Athénaïs in 1839. They lived discreetly for the most part, but were occasionally bothered by fortune hunters and throne claimers who wanted their fortune. Shortly before her death, she wrote to Haiti for permission to return. She never did, however, before she died in Italy. She is buried in the church of San Donnino. A historical marker was installed in front of the church on April 23, 2023 to commemorate the Queen, her daughter and her sister. See also Marie-Claire Heureuse Félicité Adélina Lévêque Passage 4: Raj Kaushal Raj Kaushal (15 August 1970 – 30 June 2021) was an Indian director, producer who was active during the 1990s and mid 2000s. He was married to actress and TV presenter Mandira Bedi. He died on 30 June 2021 due to a heart attack. Filmography Passage 5: Samita Bangargi Samita Bangargi is an Indian actress who is most known for her roles in Ramji Londonwaley (2005), Shaadi Ka Laddoo (2004) and Yeh Kya Ho Raha Hai? (2002). Personal life Samita Bangargi married Ashish Chaudhary on 27 January 2006. The couple has 3 children, a son born in 2008 and twin daughters in 2014. Ashish lost his sister and brother in law in the 26 November attacks in 2008, since then Ashish's nephew and niece also live with them. Filmography Passage 6: Princess Auguste of Bavaria (1875–1964) Princess Auguste of Bavaria (German: Auguste Maria Luise Prinzessin von Bayern; 28 April 1875 – 25 June 1964) was a member of the Bavarian Royal House of Wittelsbach and the spouse of Archduke Joseph August of Austria. Birth and family Auguste was born in Munich, Bavaria, the second child of Prince Leopold of Bavaria and his wife, Archduchess Gisela of Austria. She had one older sister, Princess Elisabeth Marie of Bavaria and two younger brothers, Prince Georg of Bavaria and Prince Konrad of Bavaria. Marriage and issue She married Joseph August, Archduke of Austria, on 15 November 1893 in Munich. The couple had six children; Archduke Joseph Francis of Austria, born on 28 March 1895; died on 25 September 1957(1957-09-25) (aged 62) Archduchess Gisela Auguste Anna Maria, born on 5 July 1897; died on 30 March 1901(1901-03-30) (aged 3) Archduchess Sophie Klementine Elisabeth Klothilde Maria, born on 11 March 1899; died on 19 April 1978(1978-04-19) (aged 79) Archduke Ladislaus Luitpold, born on 3 January 1901; died on 29 August 1946(1946-08-29) (aged 44) Archduke Matthias Joseph Albrecht Anton Ignatius, born on 26 June 1904; died on 7 October 1905(1905-10-07) (aged 1) Archduchess Magdalena Maria Raineria, born on 6 September 1909; died on 11 May 2000(2000-05-11) (aged 90) Ancestry World War I On the outbreak of war with Italy in 1915, Augusta Maria Louise, though in her 40s and the mother of a son serving as an officer, went to the front with the cavalry regiment of which her husband, the Archduke Josef August, a corps commander, was honorary colonel, and served a common soldier, wearing a saber and riding astride, until the end of the war. Passage 7: Mehdi Abrishamchi Mehdi Abrishamchi (Persian: مهدی ابریشم‌چی born in 1947 in Tehran) is a high-ranking member of the People's Mujahedin of Iran (MEK). Early life Abrishamchi came from a well-known anti-Shah bazaari family in Tehran, and participated in June 5, 1963, demonstrations in Iran. He became a member of Hojjatieh, and left it to join the People's Mujahedin of Iran (MEK) in 1969. In 1972 he was imprisoned for being a MEK member, and spent time in jail until 1979. Career Shortly after Iranian Revolution, he became one of the senior members of the MEK. He is now an official in the National Council of Resistance of Iran. Electoral history Personal life Abrishamchi was married to Maryam Rajavi from 1980 to 1985. Shortly after, he married Mousa Khiabani's younger sister Azar. Legacy Abrishamchi credited Massoud Rajavi for saving the People's Mojahedin Organization of Iran after the "great schism". Passage 8: Heather D. Gibson Heather Denise Gibson (Greek: Χέδερ Ντενίζ Γκίμπσον) is a Scottish economist currently serving as Director-Advisor to the Bank of Greece (since 2011). She was the spouse of Euclid Tsakalotos, former Greek Minister of Finance. Academic career Before assuming her duties at the Bank of Greece and alternating child-rearing duties with her husband, Gibson worked at the University of Kent, where she published two volumes on international exchange rate mechanisms and wrote numerous articles on this and other topics, sometimes in cooperation with her husband, who was teaching at Kent at the time. Personal life Gibson first came to Greece in 1993, with her husband, with whom she took turns away from their respective economic studies to raise their three children while the other worked.The couple maintain two homes in Kifisia, along with an office in Athens and a vacation home in Preveza. In 2013, this proved detrimental to Tsakalotos and his party when his critics began calling him «αριστερός αριστοκράτης» (aristeros aristokratis, "aristocrat of the left"), while newspapers opposed to the Syriza party seized on his property holdings as a chance to accuse the couple of hypocrisy for enjoying a generous lifestyle in private while criticizing the "ethic of austerity" in public. One opposition newspaper published on the front page criticism reasoning that Tsakalotos own family wealth came from the same sort of investments in companies as made by financial institutions JP Morgan and BlackRock. Works Editor Economic Bulletin, Bank of Greece Books The Eurocurrency Markets, Domestic Financial Policy and International Instability (London, etc., Longman: 1989) ISBN 0312028261 International Finance: Exchange Rates and Financial Flows in the International Financial System (London, etc., Longman: 1996) ISBN 0582218136 Economic Transformation, Democratization and Integration into the European Union (London: Palgrave Macmillan: 2001) ISBN 9780333801222 Articles and papers "Fundamentally Wrong: Market Pricing of Sovereigns and the Greek Financial Crisis," Journal of Macroeconomics, Elsevier, vol. 39(PB), pp. 405–419 (with Stephen G. & Tavlas, George S., 2014) "Capital flows and speculative attacks in prospective EU member states" (with Euclid Tsakalotos, Economics of Transition Volume 12, Issue 3, pages 559–586, September 2004) "A Unifying Framework for Analysing Offsetting Capital Flows and Sterilisation: Germany and the ERM" (with Sophocles Brissimis & Euclid Tsakalotos, International Journal of Finance & Economics, 2002, vol. 7, issue 1, pp. 63–78) "Internal vs External Financing of Acquisitions: Do Managers Squander Retained Profits" (with Andrew Dickerson and Euclid Tsakalotos, Studies in Economics, 1996; Oxford Bulletin of Economics and Statistics, 2000) "Are Aggregate Consumption Relationships Similar Across the European Union" (with Alan Carruth & Euclid Tsakalotos, Regional Studies, Volume 33, Issue 1, 1999) Takeover Risk and the Market for Corporate Control: The Experience of British Firms in the 1970s and 1980 (with Andrew Dickerson and Euclid Tsakalotos, 1998) PDF "The Impact of Acquisitions on Company Performance: Evidence from a Large Panel of UK Firms" (with Andrew Dickerson and Euclid Tsakalotos, Oxford Economic Papers New Series, Vol. 49, No. 3 (Jul., 1997), pp. 344–361) "Short-Termism and Underinvestment: The Influence of Financial Systems" (with Andrew Dickerson and Euclid Tsakalotos, The Manchester School of Economic & Social Studies, 1995, vol. 63, issue 4, pp. 351–67) "Testing a Flow Model of Capital Flight in Five European Countries" (with Euclid Tsakalotos, The Manchester School of Economic and Social Studies, Volume 61, Issue 2, pp. 144–166, June 1993) Full list of articles by Heather D Gibson. researchgate.net. Recovered 7 July 2015 Passage 9: Sophia Magdalena of Denmark Sophia Magdalena of Denmark (Danish: Sophie Magdalene; Swedish: Sofia Magdalena; 3 July 1746 – 21 August 1813) was Queen of Sweden from 1771 to 1792 as the wife of King Gustav III. Born into the House of Oldenburg, the royal family of Denmark-Norway, Sophia Magdalena was the first daughter of King Frederick V of Denmark and Norway and his first consort, Princess Louise of Great Britain. Already at the age of five, she was betrothed to Gustav, the heir apparent to the throne of Sweden, as part of an attempt to improve the traditionally tense relationship between the two Scandinavian realms. She was subsequently brought up to be the Queen of Sweden, and they married in 1766. In 1771, Sophia's husband ascended to the throne and became King of Sweden, making Sophia Queen of Sweden. Their coronation was on 29 May 1772. The politically arranged marriage was unsuccessful. The desired political consequences for the mutual relations between the two countries did not materialize, and on a personal level the union also proved to be unhappy. Sophia Magdalena was of a quiet and serious nature, and found it difficult to adjust to her husband's pleasure seeking court. She dutifully performed her ceremonial duties but did not care for social life and was most comfortable in quiet surroundings with a few friends. However, she was liked by many in the Caps party, believing she was a symbol of virtue and religion. The relationship between the spouses improved somewhat in the years from 1775 to 1783, but subsequently deteriorated again. After her husband was assassinated in 1792, Sophia Magdalena withdrew from public life, and led a quiet life as dowager queen until her death in 1813. Early life Princess Sophie Magdalene was born on 3 July 1746 at her parents' residence Charlottenborg Palace, located at the large square, Kongens Nytorv, in central Copenhagen. She was the second child and first daughter of Crown Prince Frederick of Denmark and his first consort, the former Princess Louise of Great Britain, and was named for her grandmother, Queen Sophie Magdalene. She received her own royal household at birth. Just one month after her birth, her grandfather King Christian VI died, and Princess Sophie Magdalene's father ascended the throne as King Frederick V. She was the heir presumptive to the throne of Denmark from the death of her elder brother in 1747 until the birth of her second brother in 1749, and retained her status as next in line to the Danish throne after her brother until her marriage. She was therefore often referred to as Crown Princess of Denmark.In the spring of 1751, at the age of five, she was betrothed to Gustav, the heir apparent to the throne of Sweden, and she was brought up to be the Queen of Sweden. The marriage was arranged by the Riksdag of the Estates, not by the Swedish royal family. The marriage was arranged as a way of creating peace between Sweden and Denmark, which had a long history of war and which had strained relations following the election of an heir to the Swedish throne in 1743, where the Danish candidate had lost. The engagement was met with some worry from Queen Louise, who feared that her daughter would be mistreated by the Queen of Sweden, Louisa Ulrika of Prussia. The match was known to be disliked by the Queen of Sweden, who was in constant conflict with the Parliament; and who was known in Denmark for her pride, dominant personality and hatred of anything Danish, which she demonstrated in her treatment of the Danish ambassadors in Stockholm.After the death of her mother early in her life, Sophia Magdalena was given a very strict and religious upbringing by her grandmother and her stepmother, who considered her father and brother to be morally degenerate. She is noted to have had good relationships with her siblings, her grandmother and her stepmother; her father, however, often frightened her when he came before her drunk, and was reportedly known to set his dogs upon her, causing in her a lifelong phobia. In 1760, the betrothal was again brought up by Denmark, which regarded it as a matter of prestige. The negotiations were made between Denmark and the Swedish Queen, as King Adolf Frederick of Sweden was never considered to be of any more than purely formal importance. Louisa Ulrika favored a match between Gustav and her niece Philippine of Brandenburg-Schwedt instead, and claimed that she regarded the engagement to be void and forced upon her by Carl Gustaf Tessin. She negotiated with Catherine the Great and her brother Frederick the Great to create some political benefit for Denmark in exchange for a broken engagement. However, the Swedish public was very favorable to the match due to expectations Sophia Magdalena would be like the last Danish-born Queen of Sweden, Ulrika Eleonora of Denmark, who was very loved for her kindness and charity. This view was supported by the Caps political party, which expected Sophia Magdalena to be an example of a virtuous and religious representative of the monarchy in contrast to the haughty Louisa Ulrika. Fredrick V of Denmark was also eager to complete the match: "His Danish Majesty could not have the interests of his daughter sacrificed because of the prejudices and whims of the Swedish Queen". In 1764 Crown Prince Gustav, who was at this point eager to free himself from his mother and form his own household, used the public opinion to state to his mother that he wished to honor the engagement, and on 3 April 1766, the engagement was officially celebrated. When a portrait of Sophia Magdalena was displayed in Stockholm, Louisa Ulrika commented: "why Gustav, you seem to be already in love with her! She looks stupid", after which she turned to Prince Charles and added: "She would suit you better!" Crown Princess On 1 October 1766, Sophia Magdalena was married to Gustav by proxy at Christiansborg Palace in Copenhagen with her brother Frederick, Hereditary Prince of Denmark, as representative of her groom. She traveled in the royal golden sloop from Kronborg in Denmark over Öresund to Hälsingborg in Sweden; when she was halfway, the Danish cannon salute ended, and the Swedish started to fire. In Helsingborg, she was welcomed by her brother-in-law Prince Charles of Hesse, who had crossed the sea shortly before her, the Danish envoy in Stockholm, Baron Schack, as well as Crown Prince Gustav himself. As she was about to set foot on ground, Gustav was afraid that she would fall, and he therefore reached her his hand with the words: "Watch out, Madame!", a reply which quickly became a topic of gossip at the Swedish court. The couple then traveled by land toward Stockholm, being celebrated on the way. She met her father-in-law the King and her brothers-in-law at Stäket Manor on 27 October, and she continued to be well-treated and liked by them all during her life in Sweden. Thereafter, she met her mother-in-law the Queen and her sister-in-law at Säby Manor, and on the 28th, she was formally presented for the Swedish royal court at Drottningholm Palace. At this occasion, Countess Ebba Bonde noted that the impression about her was: "By God, how beautiful she is!", but that her appearance was affected by the fact that she had a: "terrible fear of the Queen". On 4 November 1766, she was officially welcomed to the capital of Stockholm, where she was married to Gustav in person in the Royal Chapel at Stockholm Royal Palace.Sophia Magdalena initially made a good impression upon the Swedish nobility with her beauty, elegance and skillful dance; but her shy, silent, and reserved nature soon made her a disappointment in the society life. Being of a reserved nature, she was considered cold and arrogant. Her mother-in-law Queen Louisa Ulrika, who once stated that she could comprehend nothing more humiliating than the position of a Queen Dowager, harassed her in many ways: a typical example was when she invited Gustav to her birthday celebrations, but asked him to make Sophia Magdalena excuse herself by pretending to be too ill to attend. Louisa Ulrika encouraged a distance between the couple in various ways, and Gustav largely ignored her so as not to make his mother jealous. Sophia Magdalena was known to be popular with the Caps, who were supported by Denmark, while Louisa Ulrika and Gustav sided with the Hats. The Caps regarded Sophia Magdalena to be a symbol of virtue and religion in a degenerated royal court, and officially demonstrated their support. Sophia Magdalena was advised by the Danish ambassador not to involve herself in politics, and when the spies of Louisa Ulrika reported that Sophia Magdalena received letters from the Danish ambassador through her Danish entourage, the Queen regarded her to be a sympathizer of the Danish-supported Caps: she was isolated from any contact with the Danish embassy, and the Queen encouraged Gustav to force her to send her Danish servants home. This she did not do until 1770, and his demand contributed to their tense and distant relationship. In 1768, Charlotta Sparre tried to reconcile the couple at their summer residence Ekolsund Castle, but the marriage remained unconsummated.After King Adolf Frederick of Sweden died in 1771, Gustav III became King of Sweden. The following year, on 29 May, Sophia Magdalena was crowned Queen. Early reign as Queen The coronation of Gustav III and Sophia Magdalena took place on 29 May 1772. She was not informed about the coup of Gustav III, which reinstated absolute monarchy and ended the parliamentary rule of the Estates in the revolution of 1772. At the time she was deemed as suspicious and politically untrustworthy in the eyes of the King, primarily by her mother-in-law, who painted her as pro-Danish. Denmark was presumed to oppose the coup; there were also plans to conquer Norway from Denmark. Sophia Magdalena was informed about politics nonetheless: she expressed herself pleased with the 1772 parliament because Count Fredrik Ribbing, for whom she had taken an interest, had regained his seat. The conflict between her and her mother-in-law was publicly known and disliked, and the sympathies were on her side. In the contemporary paper Dagligt Allehanda, a fable was presented about Rävinnan och Turturduvan ("The She Fox and the Turtle Dove"). The fable was about the innocent turtle dove (Sophia Magdalena) who was slandered by the wicked she fox (Louisa Ulrika), who was supported by the second she fox (Anna Maria Hjärne) and the other foxes (the nobility). The fable was believed to have been sent from the Caps party.Queen Sophia Magdalena was of a shy and reserved character, and was never a member of the King's inner circle. At the famous amateur court theater of Gustav III, Sophia Magdalena is occasionally named as participator in the documents. In 1777, for example, she dressed as an Italian sailor and participated in a battle between Italian and Spanish sailors. Usually it was rather her role to act as the passive lady of games and tournaments, and to decorate the winner with the award. She did her ceremonial duties, but disliked the vivid lifestyle of the court around her outgoing spouse.As queen, she was expected to do a great deal of representation – more than what had been expected from previous queens due to her husband's adoration of representation. On formal occasions, she was at her best: she performed beautifully according to royal court etiquette, and was seen as dignified and impressive. For instance, on 17 September 1784, she cut the cord to let off the first air balloons from the Stockholm observatory. During the King's Italian journey in 1783–84, she hosted a grand formal public dinner every two weeks. During that time, she appeared at the Royal Swedish Opera and at the French Theater, but otherwise preferred her solitude. This attracted attention as during the absence of the King she had been expected to represent the royal couple all the more. Sophia appeared to have enjoyed nature trips in the country side with only one lady-in-waiting and two footmen, however, her country side visitations were stopped because it was deemed 'unsuitable'. Several of her ladies-in-waiting were well known Swedish women of the era, among them The Three Graces: Augusta von Fersen, Ulla von Höpken and Lovisa Meijerfelt, as well as Marianne Ehrenström and Charlotta Cedercreutz, who were known artists. Sophia Magdalena was a popular Queen: on 22 July 1788, for example, during the absence of her spouse in Finland, several members of the Royal Dramatic Theater and the musical society Augustibröder, among them Bellman, took a spontaneous trip by boat from the capital to Ulriksdal Palace, where she was, and performed a poem by Bellman to her honor at the occasion of her name day. In the famous diary of her sister-in-law, Princess Hedwig Elizabeth Charlotte, Sophia Magdalena is described as beautiful, cold, silent and haughty, very polite and formal, reserved and unsociable. When she performed her duties as Queen, her sister-in-law, Hedwig Elizabeth Charlotte of Holstein-Gottorp, described her as "Forced to meet people".Sophia Magdalena preferred to spend her days in solitude whenever she could. She had two very intimate friends, Maria Aurora Uggla and Baroness Virginia Charlotta Manderström, but otherwise rarely participated in any social life outside of what was absolutely necessary to perform her representational duties. She frequently visited the theater, and she also had a great interest for fashion. As a result of this, she was somewhat criticized for being too vain: even when she had no representational duties to dress up for and spend her days alone in her rooms, she is said to have changed costumes several times daily, and according her chamberlain Adolf Ludvig Hamilton, she never passed a mirror without studying herself in it. She was also interested in literature, and educated herself in various subjects: her library contained works about geography, genealogy and history. She educated herself in Swedish, English, German and Italian, and regularly read French magazines. According to Augusta von Fersen, Sophia Magdalena was quite educated, but she was not perceived as such because she rarely engaged in conversation.In 1784, after the King had returned from his trip to Italy and France, the relationship between the King and Queen soured. At this time, Gustav III spent more and more time with male favorites. In 1786, this came to an open conflict. The King had taken to spend more time at intimate evenings with his favorite Gustaf Mauritz Armfelt, from which he excluded her company. When he gave some of her rooms at the Royal Palace to Armfelt, Sophia Magdalena refused to participate in any representation until the rooms were given back to her, and she also banned her ladies-in-waiting from accepting his invitations without her permission. In 1787, she threatened him with asking for the support of the parliament against him if he took their son with him to Finland, which she opposed, and the year after, she successfully prevented him from doing so. She also reprimanded him from allowing his male favorites to slander her before him. Queen Sophia Magdalena was never involved in politics, except for one on one occasion. In August 1788, during the Russo-Swedish War (1788–1790), the King gave her the task to enter in negotiations with Denmark to prevent a declaration of war from Denmark during the ongoing war against Russia. He asked her to call upon the Danish ambassador Reventlow and give him a letter to be read in the Danish royal council before her brother, the Danish King. He gave her the freedom to write as she wished, but to use the argument that she spoke as a sister and mother to a son with the right to the Danish throne and upon her own initiative. Sophia Magdalena called upon the Danish ambassador, held a speech to him followed by a long conversation and then handed him a letter written as a "warm appeal" to her brother. A copy was sent to Gustav III, and her letter was read in the royal Danish council, where it reportedly made a good impression. However, her mission was still unsuccessful, as the Russo-Danish alliance made it unavoidable for Denmark to declare war shortly afterward. At the time, there was a note that she met two Russian prisoners of war in the park of the Haga Palace, and gave them 100 kronor each. At the parliament of 1789 Gustav III united the other estates against the nobility and to gain support for the war and for his constitutional reform. Coming into conflict with the nobility, he had many of its representatives imprisoned. This act led to a social boycott of the monarch by the female members of the aristocracy, who followed the example of Jeanna von Lantingshausen as well as the King's sister and sister-in-law, Sophie Albertine of Sweden and Hedvig Elisabeth Charlotte. The Queen did not participate in this political demonstration and refused to allow any talk of politics in her presence. She was nevertheless involved in the conflict. When the King informed his son about the event, he discovered the child to be already informed in other ways than what he had intended. He suspected Sophia Magdalena to be responsible, and asked the governor of the prince, Count Nils Gyldenstolpe, to speak to her. Gyldenstolpe, however, sent one of the king's favorites, Baron Erik Boye. The Queen, who despised the favorites of the King, furiously told Boye that she spoke to her son how she wished and that only her contempt for him prevented her from having him thrown out of the window. She was known to dislike the reforms of 1789, and she did let it be known to its representatives. At the celebrations of the Victory at Fredrikshamn in 1790, she refused to be escorted by riksråd Count Joakim Beck-Friis, who was in favor of the reform, and demanded to be escorted by Count Axel von Fersen the Elder, who was in opposition to it. In the autumn of 1790, the King chose to remain in the summer residence of Drottningholm Palace well in to the autumn because of the social boycott. Finally, the Queen returned to the capital without his consent. He accused her of having been manipulated by the female courtiers into participating in the political demonstration, and refusing him the company of her ladies-in-waiting by leaving. This applied especially to Hedvig Ulrika De la Gardie and Augusta von Fersen, who did not participate in the boycott: he suspected Hedvig Eleonora von Fersen to have persuaded the Queen to participate in the boycott. This is however is not considered to have been true: though the Queen did oppose to the act of 1789, she is reported never to have allowed any one to speak of politics in her presence. The reason to why she wished to leave was reportedly due to her health, as Drottningholm was quite cold by that time of the year and she had been afflicted by an ear infection. The King did in any case suspect her of being in political opposition to him, and before his trip to Aachen in 1791, he ordered that his son was to be separated from her during his absence abroad. When she was made aware of this, Sophia Magdalena caused a public scene when she visited him in his box at the opera and demanded to be given access to her son. This led to a heated argument and she left the box with the words: "I will have my vengeance, monsieur! I give you my sacred vow on that!" Succession issues Sophia Magdalena is mostly known in Swedish history for the scandal created around the consummation of her marriage and the questioned legitimacy of her son. Her marriage was a then normal arranged royal match for political convenience, in which Sophia Magdalena at first was described by her spouse as "cold as ice". Sophia Magdalena's religious upbringing and introverted character made her avoid the lively and spontaneous Gustavian court life, which made her even less attractive in the eyes of her outgoing spouse.Their marriage was not consummated until 1775, nine years after the wedding. The status quo between Gustav III and his consort was nurtured by the Queen Dowager, Louisa Ulrika, who did not want competition in her influence over her son. There were rumors that the King was a homosexual or sexually underdeveloped. His sexuality, which had much effect on Sophia Magdalena's life, as a royal marriage was designed to produce offspring, has been much debated. His sexual inexperience has been blamed on immaturity or him also being asexual. As a teenager, Gustav had a crush on Axel von Fersen's mother, Hedvig Catharina De la Gardie, though this affection was never physical. In 1768, he had another infatuation with the noble Charlotte Du Rietz, but this is not believed to have been sexually consummated either. Various documents written during his lifetime alleged that he was bisexual or homosexual. His sister-in-law, Princess Charlotte, claims that the King did participate in homosexual activity after his trip to Italy in 1784 and that there were several rumors about this: she claims that she herself had witnessed that the park at Drottningholm Palace had become a place where male courtiers searched for homosexual partners, and in a letter to Sophie von Fersen, she writes in code: "It is said that the King recently attacked a young man in the park at night and offered him the post of chamberlain to the Queen if he agreed to his lusts, but the young man preferred to leave. Agree that this is to take things too far. It is said that the trips to Svartsjö Palace are made to be provide privacy, it is unbelievable, but it is what it is said. I could tell you a million things about this." In 1791, Sophia Magdalena herself paid a surprise visit to the King during his stay at the Gustav III's Pavilion, where the King had spent more time since he came in conflict with the nobility after the 1789 parliament; and where he was reputed to indulge in orgies. She found the King in bed, and he asked one of his favorites, Count Fabian Wrede, to show her around. In the King's private chamber, however, the Queen found the actor and page of the King, Lars Hjortsberg, sleeping, naked. The Queen reacted by interrupting the tour by saying to Wrede that he apparently did not know his way around Haga, as he had obviously showed her the chamber of the staff rather than the King by mistake.Some sources explain that both the Queen and the King had serious anatomical problems resulting in erotic complications. Erik Lönnroth has concluded that there is no factual proof for the rumors that Gustav III was inclined toward homosexuality or bisexuality, nor that Gustav Adolf was illegitimate. During the Coup of Gustav III on 19 August 1772, Sophia Magdalena was at Ekolsund Castle. After having been told of the successful coup where her consort had reinstated absolute monarchy, she confided to her Mistress of the Robes, Countess Anna Maria Hjärne, that she was afraid that she would now be divorced by Gustav, because she knew she was not liked by him, because she had not given birth, and because she knew she was being slandered before him. Gustav III was told of this and her words led to a conflict. At a following ball at Ekolsund, the King told Count Axel von Fersen the Elder, that he did plan to divorce her on the grounds of pro-Danish plots and adultery with riksråd Count Fredrik Sparre and Marcus Gerhard Rosencrone of the Danish legation in Stockholm. Von Fersen, however, convinced him not to by saying that she should not be regarded to participate in pro-Danish plots just for her love of her Danish chamber-maids, and that as a neglected wife, she should not be blamed for enjoying the compliments of Count Ribbing, which were not grounds for suspicions of adultery. During this period, it had been noted that Count Ribbing was often seen in the company of the Queen and had paid her compliments and made her laugh, among other things by caricaturing her Mistress of the Robes Countess Anna Maria Hjärne. Countess Hjärne had informed the King that the Queen was pregnant, "And the riksråd Ribbing is her favorite."The King had given Countess Ulrica Catharina Stromberg the task to investigate this, and she was told by the chamber madame of Sophia Magdalena, Charlotta Hellman, that: "information, which where dubious, especially since the clearest evidence could be gathered from the linen of the Queen". Her contact with Rosencrone is said to have been restricted to the fact that he handled her correspondence with Denmark. After the reconciliation of Sophia Magdalena and Gustav III, he apologized to her for having believed these rumors. In 1774, the King arranged the marriage between his brother, the future Charles XIII of Sweden, and Hedwig Elizabeth Charlotte of Holstein-Gottorp, to solve, for the time being, the immediate question of an heir to the throne. The Duchess had false pregnancies and miscarriages only, which may have hastened the King to expedite the consummation of his own marriage and produce a son of his own. In 1778, Sophia Magdalena gave birth to Gustav Adolf, successor to the throne, and in 1782, she gave birth to a second son, Charles Gustav, who only lived for one year. It was suggested in some circles that King Gustav's first son was sired by someone else. When the heir was born, the father was believed, by the Queen Dowager among others, to be Count Adolf Fredrik Munck af Fulkila, then Riksstallmästare. This rumor was believed by elements of the public and the royal court, and her acquiescence to it led to a year-long break between the Queen Dowager and her son. Succession scandal The King, claiming to be sexually inexperienced, called upon Munck to help him with a reconciliation with his spouse, instruct the couple in the ways of sexual intercourse, and physically show them how to consummate their marriage. Munck, a Finnish nobleman and, at the time, a stable master was, at that point, the lover of Anna Sofia Ramström, the Queen's chamber maid. Through Anna Sofia Ramström, Munck contacted Ingrid Maria Wenner, who was assigned to inform the queen of the king's wish, because she was married and the confidant of the queen. Munck and Ramström were to be present in a room close to the bedchamber, ready to be of assistance when needed, and he was, at some points, called into the bedchamber. Munck himself writes in his written account, which is preserved at the National Archives of Sweden, that to succeed, he was obliged to touch them both physically.When it became known that Munck participated in the reconciliation between the royal couple, there were rumours that he was the father of Sophia Magdalena's firstborn.These became the subject of accusations from the political opposition, as late as in 1786 and 1789,: 132  where it was claimed that the whole nation was aware of the rumour that the King had asked Munck to make the Queen pregnant.: 118  Pamphlets to that end were posted on street corners all over Stockholm.: 143 This was also caricatured by Carl August Ehrensvärd in private letters discovered later – his drawing was published in 1987 —, where he passed on a number of rumors and jokes about Gustav III, Sophia Magdalena and Munck without inferring that he believed they were true. There was also a rumour that the King and Queen had divorced in secret and that the Queen had married Munck.There is no proof that Munck was the father of the crown prince. Erik Lönnroth has suggested that the anatomical problems mentioned in Munck's account, known only to a few initiated persons, were the primary factor in their delay in producing an heir. At the time, the rumors became more persistent, however, when the royal couple presented Munck with gifts: the King promoted him, and the Queen gave Munck a pension, a diamond ring, and a watch with her image.A few socialites took the Queen Mother's side in supporting and spreading the rumors, such as Anna Charlotta Schröderheim and Eva Helena Löwen.The circle around the King's brother, Duke Charles, the future Charles XIII of Sweden, who desired the throne, also encouraged these rumors. Their mother was quoted as saying, during the pregnancy of Sophia Magdalena, that there were rumors among the public that the future child was illegitimate, and that she herself believed that the King had hired Munck to impregnate the Queen, and that she would never accept that the throne would come into the hands of "a common nobleman's illegitimate offspring".: 103–4 The Queen Mother ordered Duke Charles to interrogate Munck, and word spread to the King, who was shocked. Sophia Magdalena was equally shocked by the accusations. She swore she would never speak to the Queen Dowager again, and indeed she never did. The King arranged for his mother to make a public apology for her accusation in the presence of the rest of the Royal Family the 12 May 1778. The scene gained a lot of attention and broke the bonds between Gustav III and his mother. The scandal disturbed celebrations, as did an accident with the public banquet. The public was invited to a great feast to celebrate the birth of the heir, but too many people were let in, and the crowd panicked. Between sixty and one hundred people were trampled to death in the crowd. Sven Anders Hedin, a medical doctor at the royal court, and married to one of the Queen's chambermaids, Charlotta Hellman, contributed two statements which have been quoted in connection with the scandal. In the summer of 1780, during the King's absence abroad, he passed through the private apartments of the Queen, which were expected to be empty at that hour. There, he claimed to have seen the Queen and Baron Munck embracing each other through the not-quite closed door to her bedroom. To warn them that they were not alone, he hummed a tune and pretended to speak to himself, saying that he would be in trouble if the Queen discovered him there, and then left the room. He claimed to have found three expensive court costumes in his room a few days after this event. In October 1781, Hedin met the King in the corridor on his way to the Queen's bedchamber. Gustav III asked Hedin what time it was, and Hedin claims to have added to his reply: "In nine months, I will be able to answer exactly!" in which Hedin insinuated that the King had expected him to remember the time should the fatherhood of the next child be questioned. In 1782, Sophia Magdalena had a second son. After the death of her younger son in 1783, her marriage deteriorated. In May 1784, Sophia Magdalena is believed to have had a miscarriage, and after this, there are no further notes of any pregnancies. A brief reconciliation in 1787 was deemed by Duchess Hedwig Elizabeth Charlotte in her diaries as temporary, with no hope of being complete and lasting,: 191  as the King was not "receptive to female charm": another insinuation that he was homosexual. In 1787, Sophia Magdalena deposited a sum of 50.000 riksdaler in an account for Munck, which was generally rumoured to be a "farewell gift".: 156–7  At this point, Munck had started an affair with the ballerina Giovanna Bassi, to whom Sophia Magdalena showed great dislike.: 157  The King was terrified when he heard that the Queen had made that deposit, and he tried to prevent the transaction from becoming public knowledge, which, however, did not succeed.: 157  Munck was, however, continued to be used as a go-between and a messenger between the King and the Queen, especially during conflicts. A child of Giovanna Bassi's, rumored to be the child of Munck, bore a strong likeness to the Crown Prince. Queen Dowager On 16 March 1792 Gustav III was attacked and mortally wounded. Sophia Magdalena was reportedly shocked and horrified by the attack. The conspirators intended to make her the regent of her son during his minority.: 443  As a Guardian government had been necessary by putting a minor monarch on the throne, their plan was to offer this role to Sophia Magdalena by taking military control and offering the Queen dowager the role of presiding over the guardian council instead of her brother-in-law Duke Charles. Directly after she was told of the attack, Sophia Magdalena sent for the king's favorite, Gustav Mauritz Armfelt, and was taken by him to the sick bed of the King. There, she took the hands of the King between hers and cried out to Armfelt: "How horrifying! Such a cruel atrocity!" She was kept informed of his state by Armfelt, but she was prevented from further visits because Gustav did not wish to receive visits from women because of the smell from his wounds. At the death of Gustav III 29 March 1792, she attempted to visit him, but she was blocked by her brother-in-law Duke Charles, who fell on his knees before her to stop her from entering the bed room. Sophia Magdalena caused a scandal as it was noted that she did not dress in mourning except when she was forced to do so at visits and on formal occasions.: 442  This criticism was likely worsened because she was exposed to some suspicions, as it was known that the conspirators had planned to make her regent. As Queen Dowager, it was a relief to Sophia Magdalena to withdraw from public life. Her brother-in-law, Duke Charles, became regent, and she eschewed a political role. As a widow, Sophia Magdalena lived a withdrawn life. She did not wish to take part in any representational duties, and she gave up her quarters at Drottningholm Palace to be relieved of them. She lived in the Royal Palace in Stockholm during the winter, and at Ulriksdal Palace during the summer. She lived in a circle of her own court, and seldom entertained any guests other than her lifelong friends Maria Aurora Uggla and Virginia Manderström. It is noted that, although she had hated the male favorites of her spouse during his lifetime, she gave several of them positions in her court as a widow. Sophia Magdalena had a close relationship with her son, King Gustav IV Adolf, who visited her regularly and with whom she shared an interest in religion. In 1797, she insisted on skipping the protocol at the reception of her daughter-in-law, Frederica of Baden. The etiquette demanded that as Queen Dowager, she should not greet her daughter-in-law at the stair of the royal palace with the rest of the royal family, but wait for her in her own salon, but she refused: "I know myself how I suffered, when I arrived to Sweden, and how painfully I reacted to the cold reception I was given by Queen Louisa Ulrika. As for my daughter-in-law, I have decided to spare her from having to experience such bitter emotions!" During the reign of her son, she seldom showed herself at court except on Sundays and at court presentations, and preferred to stay at her estate. She regularly met her son and his family on family visits, but she did not participate in court life. In 1809 she witnessed the coup and following abdication of her son, King Gustav IV Adolf of Sweden, after Sweden lost Finland to Russia. She was deeply affected by his deposition. On the day of the coup, she was informed by her friend Maria Aurora Uggla, and in her company she immediately rushed to the quarters of her son. She was prevented from seeing him by guards, and burst into tears in the arms of Uggla. Shortly after, she was visited in her quarters by Duke Charles in the company of guards, who officially told her what had happened and made her burst into tears again by officially banning her from seeing her son. When she, during the captivity of her son, formally applied for permission to see him, and was told by Charles that she could not unless given permission by the government, she publicly commented: "The government was not asked for permission for the murder of my husband, neither any permission was sought to depose and imprison my son, but I must have their permission, to speak to my child." She was never to see her son again, but she corresponded with him for the rest of her life. He was sent into exile and replaced by his paternal uncle Charles XIII, but she remained in Sweden until her death. She did, however, say goodbye to her daughter-in-law and her grandchildren when they left Stockholm to join Gustav Adolf. In January 1810, she was presented to the elected heir to the throne, Charles August, Crown Prince of Sweden. During his visit, he stopped before the portrait of her grandson Gustav, and informed her that he wished to adopt him for his successor. Later that year (2 November 1810), she was presented to the next elected heir to the throne, Jean Baptiste Bernadotte. He regarded her with suspicion and believed that she did not wish to see him, but she commented: "I am grateful for the sensitivity of the Crown prince, but he is mistaken, if he believes that I do not wish to see him! It would be unfair if I were to hold the least bit of dislike toward him, for it is not he who has deposed my son!" At the meeting, her face was said to have turned white, but at the end, she is said to have been delighted by his charm. In 1811, she was one of the few in the Swedish Court who were nice to Désirée Clary. In September 1812, Germaine de Staël was presented to her, and gave her the impression of her: "Her Majesty analyzed my books as an educated woman, whose judgement showed as much thoroughness as well as delicate feeling. Never has any one impressed me such as your Queen! I almost dared not reply to her, so taken was I by the royal glory around her – it gave me such respect, that I shivered!" When the Crown Prince banned any contact between Swedes and the former royal family, Germaine de Staël asked that an exception was to be made for Sophia Magdalena, and it was: her letters were however read by foreign minister Lars von Engeström. Later life and death Sophia Magdalena lived more isolated towards the end of her life and was affected by worsened health. From 1812, she devoted much of her time to her friendship with the young amateur botanic Baron Anton Fredrik Wrangel. She never fully recovered after having suffered a stroke in May 1813. Children In popular culture The affair of the consummation of her marriage and the succession scandal was portrayed in SVT's period drama production of "Gustav III:s äktenskap" (The Marriage of Gustav III) in 2001, where Sophia Magdalena was portrayed by Danish actress Iben Hjejle. It was also used to inspire the novel Drottningens juvelsmycke, famous in Sweden, where the character of Tintomara is portrayed as a half sibling of Gustav IV Adolf through Count Munck. Ancestry Inline references Bibliographic references Alm, Mikael (2003–2006). Sophia Magdalena. Svenskt biografiskt lexikon (in Swedish). Vol. 32. Retrieved 28 April 2022. Bech, Claus (1983). Sophie Magdalene. Dansk Biografisk Leksikon (in Danish). Vol. 13 (3 ed.). Copenhagen: Gyldendals Forlag. ISBN 8700055514. Jørgensen, Harald (1942). Sophie Magdalene (PDF). Dansk Biografisk Leksikon (in Danish). Vol. 22 (2 ed.). Copenhagen: J.H. Schultz Forlag. pp. 314–315. Laursen, Laurs (1902). "Sophie Magdalene af Danmark". Dansk biografisk Lexikon, tillige omfattende Norge for tidsrummet 1537-1814 (in Danish) (1st ed.). Copenhagen: Gyldendalske Boghandels Forlag. XVI: 179–180. Svenskt biografiskt handlexikon [Swedish biographical dictionary] (in Swedish), Runeberg, 1906 Stålberg, Wilhelmina (1864), Anteckningar om svenska qvinnor [Notes on Swedish women] (in Swedish), Runeberg. Munk (in Swedish), SE: Passagen, archived from the original on 9 January 2001 Personakt för Gustav III av >> Holstein-Gottorp, Född 1746-01-24 (in Swedish), NU: Historiska Personer, archived from the original on 9 November 2007, retrieved 9 November 2007 Starbäck, Carl Georg; Bäckström, Per Olof (1885–1986), "Nionde bandet. Gustaf III. Gustaf IV Adolf", Berättelser ur svenska historien [Tales from the history of Sweden] (in Swedish) Svenskt biografiskt handlexikon [Swedish biographical hand-dictionary] (in Swedish), Runeber, 1906 Andersson, Ingvar (1979). Gustavianskt [The Gustavian age] (in Swedish). Fletcher & Son. ISBN 91-46-13373-9. Ribbing, Gerd, Gustav III:s hustru Sofia Magdalena [Sophia Madalena, wife of Gustav III] Hartmann, Godfred (1993). "Gode Dronning" – Om den svenske konge Gustaf III's dronning Sophie Magdalene (1746–1813) og hendes ulykkelige skæbne ["Good Queen" – About the Swedish king Gustaf III's queen Sophie Magdalene (1746–1813) and her unfortunate fate] (in Danish). København: Gyldendal. ISBN 87-00-15758-9. Primary sources af Klercker, Cecilia, ed. (1942). Hedvig Elisabeth Charlottas Dagbok [The diaries of Hedvig Elizabeth Charlotte] (in Swedish). Vol. IX. PA Norstedt & Söners förlag. Unknown ID 412070. on WorldCat Further reading Sophia Magdalena of Denmark at Svenskt kvinnobiografiskt lexikon Passage 10: Maria Teresa, Grand Duchess of Luxembourg Maria Teresa (born María Teresa Mestre y Batista; 22 March 1956) is the Grand Duchess of Luxembourg as the wife of Grand Duke Henri, who acceded to the throne in 2000. Early life and education Maria Teresa was born on 22 March 1956 in Marianao, Havana, Cuba, to José Antonio Mestre y Álvarez (1926–1993) and wife María Teresa Batista y Falla de Mestre (1928–1988), both from bourgeois families of Spanish descent. She is also the granddaughter of Agustín Batista y González de Mendoza, who was the founder of the Trust Company of Cuba, the most powerful Cuban bank prior to the Cuban Revolution.In October 1959, at the time of the Cuban Revolution, Maria Teresa Mestre’s parents left Cuba with their children, because the new government headed by Fidel Castro confiscated their properties. The family settled in New York City, where as a young girl she was a pupil at Marymount School. From 1961 she carried on her studies at the Lycée Français de New York. In her childhood, Maria Teresa Mestre took ballet and singing courses. She practices skiing, ice-skating and water sports. She later lived in Santander, Spain, and in Geneva, Switzerland, where she became a Swiss citizen.In 1980, Maria Teresa graduated from the Graduate Institute of International and Development Studies in Geneva with a degree in political sciences. While studying there, she met her future husband Henri of Luxembourg. Social and humanitarian interests Soon after her marriage, Maria Teresa and the then Hereditary Grand Duke Henri established The Prince Henri and Princess Maria Teresa Foundation to help those with special needs integrate fully into society. In 2001, she and her husband created The Grand Duke and Grand Duchess Foundation, launched upon the accession of the couple as the new Grand Duke and Duchess of Luxembourg. In 2004, the Grand Duke Henri and the Grand Duchess Maria Teresa Foundation was created after the merging of the two previous foundations. In 1997, Maria Teresa was made a special ambassador for UNESCO, working to expand education for young girls and women and help to fight poverty.Since 2005, Maria Teresa has been the chairwoman of the international jury of the European Microfinance Award, which annually awards holders of microfinance and inclusive finance initiatives in developing countries. Also, since 2006, Maria Teresa has been honorary president of the LuxFLAG (Luxembourg Fund Labeling Agency), the first agency to label responsible microfinance investment funds around the world.On 19 April 2007, the Grand Duchess was appointed UNICEF Eminent Advocate for Children, in which role she has visited Brazil (2007), China (2008), and Burundi (2009).She is a member of the Honorary Board of the International Paralympic Committee and a patron of the Ligue Luxembourgeoise de Prévention et d’Action medico-sociales and SOS Villages d’Enfants Monde. The Grand Duchess and her husband Grand Duke Henri are the members of the Mentor Foundation (London), created under the patronage of the World Health Organization. She is also the president of the Luxembourg Red Cross and the Cancer Foundation. In 2016, she organized the first international forum on learning disabilities in Luxembourg.The Grand Duchess supports the UNESCO “Breaking the Poverty Cycle of Women” project in Bangladesh, India, Nepal and Pakistan. The purpose of this project is to improve the living conditions of girls, women and their families. As honorary president of her own foundation, Grand Duchess Maria Teresa set up a project called Projet de la Main Tendue after visiting the Bujumbura prison in 2009 in Burundi. The purpose of this project is to liberate minor people from prison and to give them new opportunities for their future. In October 2016, Maria Teresa accepted an invitation to join the eminent international Council of Patrons of the Asian University for Women (AUW) in Chittagong, Bangladesh. The university, which is the product of east-west foundational partnerships (Bill and Melinda Gates Foundation, Open Society Foundation, IKEA Foundation, etc.) and regional cooperation, serves extraordinarily talented women from 15 countries across Asia and the Middle East.In 2019, Maria Teresa presented her initiative "Stand Speak Rise Up!" to end sexual violence in fragile environments, launched in cooperation with the Women’s Forum and with the support of the Luxembourg government. The conference is in partnership with the Dr. Denis Mukwege Foundation and We Are Not Weapons of War.In 2020 the Prime Minister of Luxembourg commissioned a report into the Cour le Grand Ducal following concerns over its working. The report found that up to 1/3 of employees had left since 2015 and that "The most important decisions in the field of personnel management, whether at the level of recruitment, assignment to the various departments or even at the dismissal level are taken by HRH the Grand Duchess.” Several newspaper reports at the time highlighted a 'culture of fear' around the Grand Duchess and "that no-one bar the Prime Minister dared confront her". The report also raised concerns about the use of public funds to pay for the Grand Duchess' personal website and that this had been prioritised over the Cour's own official website. There were also allegations that staff at the Court has been subject to physical abuse and these reports were investigated by the Luxembourg judicial police. In February 2023 it was reported by several Luxembourg based media that the Grand Duchess had once again been accused of treating staff poorly during an outfit fitting in October 22. The incident even involved the Prime Minister of Luxembourg having to speak to the Grand Duke and Grand Duchess about the treatment of the staff and commissioning a report into it. Family Maria Teresa married Prince Henri of Luxembourg in a civil ceremony on 4 February 1981 and a religious ceremony on 14 February 1981, since Valentine's Day was their favourite holiday. The consent of the Grand Duke had been previously given on 7 November 1980. She received a bouquet of red roses and a sugarcane as a wedding gift from Cuban leader, Fidel Castro. The couple has five children: Guillaume, Hereditary Grand Duke of Luxembourg, Prince Félix of Luxembourg, Prince Louis of Luxembourg, Princess Alexandra of Luxembourg, and Prince Sébastien of Luxembourg, They were born at Maternity Hospital in Luxembourg City. Honours National Luxembourg: Knight of the Order of the Gold Lion of the House of Nassau Grand Cross of the Order of Adolphe of Nassau Foreign Austria: Grand Star of the Decoration of Honour for Services to the Republic of Austria Belgium: Grand Cordon of the Order of Leopold I Brazil: Grand Cross of the Order of the Southern Cross Denmark: Knight of the Order of the Elephant Finland: Grand Cross of the Order of the White Rose of Finland France: Grand Cross of the Order of National Merit Greece: Grand Cross of the Order of Beneficence Italy: Knight Grand Cross of the Order of Merit of the Italian Republic Japan: Grand Cordon (Paulownia) of the Order of the Precious Crown Latvia: Commander Grand Cross of the Order of the Three Stars Netherlands: Knight Grand Cross of the Order of the Netherlands Lion Grand Cross of the Order of the Crown Norway: Grand Cross of the Order of Saint Olav Portugal- Portuguese Royal Family: Dame Grand Cross of the Royal Order of Saint Isabel Portugal: Grand Cross of the Order of Christ Grand Cross of the Order of Saint James of the Sword Grand Cross of the Order of Infante Henry Grand Cross of the Order of Camões Romania: Grand Cross of the Order of the Star of Romania Spain: Dame Grand Cross of the Order of Charles III Sweden: Member of the Royal Order of the Seraphim Commander Grand Cross of the Royal Order of the Polar Star Recipient of the 50th Birthday Badge Medal of King Carl XVI Gustaf Footnotes External links Media related to Maria Teresa, Grand Duchess of Luxembourg at Wikimedia Commons Official website The Mentor Foundation charity website

doc_97

Passage 1: Shaheen Khan Shaheen Khan may refer to: Shaheen Khan (Indian actress), Indian actress Shaheen Khan (Pakistani actress) (born 1960), Pakistani actress Shaheen Khan (British actress) (born 1960), British actress Shaheen Khan (cricketer) (born 1987), South African cricketer Passage 2: Brooks, Meadows and Lovely Faces Brooks, Meadows and Lovely Faces (Arabic: الماء والخضرة والوجه الحسن, translit. Brooks, Meadows and Lovely Faces) is a 2016 Egyptian comedy film directed by Yousry Nasrallah. It was selected to be screened in the Contemporary World Cinema section at the 2016 Toronto International Film Festival. Cast Laila Eloui Bassem Samra Menna Shalabi Passage 3: Thou Wast Mild and Lovely Thou Wast Mild and Lovely is a 2014 experimental thriller film written and directed by Josephine Decker and starring Joe Swanberg, Sophie Traub, and Robert Longstreet. Cast Joe Swanberg as Akin Sophie Traub as Sarah Robert Longstreet as Jeremiah Kristin Slaysman as Drew Matt Orme as Caren Geoff Marslett as Richard Plot Akin is hired to work a summer job on a farm owned by Jeremiah and his daughter Sarah. As he arrives at the property, he removes his wedding ring before getting out of the car, and tells the other two he is single and has no children. He is given a room to live at the farm for the summer. Jeremiah drinks a lot, and gives Akin the nickname "shoulders" because he thinks the man's shoulders are always tense from keeping a secret. Akin tries to talk to his wife Drew on the phone, but the poor cell service makes it difficult. Sarah and Akin become interested in each other from afar, and spy on each other multiple times. While the two of them are tracking down a lost cow at the edge of the property, Sarah finds a frog and bites its head off, which causes Akin to finally kiss her and ultimately rape her. She smiles afterwards. When Akin tells the other two at dinner that he has a roommate, Jeremiah reveals that he knows Akin's secret: the tan line on his finger makes it obvious that he's married. Jeremiah jokes that he too has a roommate that he has kept alive for a long time by continuing to clean his wounds. Sarah finds a family photo in Akin's room the next day, which shows he also has a son. Sarah and Akin continue to spend time together, and she teaches him how to improve his horseback skills. The landline phone rings, and Drew is on the other end explaining that she's been trying to contact them because she hasn't heard from Akin in a while. She tells him that she and their son are going to come visit the farm. The visit goes well at first, but during dinner when Drew comments about Akin being "quiet", Sarah responds that he has been very talkative to her. Jeremiah explains that Akin had been lying about his marriage to get closer to Sarah, causing an awkward silence. That night, Drew is lying on the couch drunk, barely conscious. Jeremiah starts saying vulgar, sexual things about her, so Akin carries her to his room. He awakes later to an empty bed, and finds Drew back in the house chatting with Sarah. They mention that Drew and Akin had a daughter who had passed away. Sarah blindfolds Akin and the three of them begin to have sex together. In the middle of the act, Akin removes the blindfold and sees that Jeremiah and a neighbor have been watching them. Jeremiah attacks the neighbor and tries to force himself on Drew. Akin tries to carry Drew away, but Jeremiah knocks him out. Akin awakes tied up inside the barn, where he sees a man's face that is covered in wounds and blood. Sarah appears and cuts Akin loose. They return to the house to find Jeremiah with a knife. He stabs Akin, but Sarah reacts by shooting him. As Sarah is crying over Jeremiah's dying body, Drew storms in with an axe and swings it on both Sarah and Jeremiah. Akin and Drew grab their son who is wandering the yard crying, and drive away. Production To raise money for the film's post-production, Decker ran a crowdfunding campaign on the website Kickstarter with a goal of $15,500. The campaign closed on August 22, 2013, having successfully raised $18,517. Decker has cited John Steinbeck's novel East of Eden as inspiration for elements of the film, though David Rooney of The Hollywood Reporter has compared the visuals of the film to the works of Terrence Malick. The visual style continues some of the experimental camera techniques Decker and cinematographer Ashley Connor had used in their previous collaboration, Butter on the Latch, including some shots that were recorded without a lens on the camera. Release Media In September 2014, Thou Wast Mild and Lovely was picked up for theatrical and VOD distribution by Cinelicious Pics along with Decker's 2013 film Butter on the Latch with a release set for November 2014. Reception Critical response Thou Wast Mild and Lovely received a positive response from critics. Richard Brody of The New Yorker highly praised the film, saying "Like most classic stories, this one is simple, but its realization is so surprising in its details, so original in its visual invention, as to make most other movies seem shot by the numbers." and "Normally it would be an insult to say that a movie that runs a mere hour and a quarter feels as if it were much longer, but here it’s both accurate and high praise: vast realms of emotional experience are condensed into the movie’s brief span." In a subsequent piece for The New Yorker, Brody named Thou Wast Mild and Lovely the second best film of 2014, just behind Wes Anderson's The Grand Budapest Hotel. Brody also listed Robert Longstreet as "Best Supporting Actor"; Ashley Connor in "Best Cinematography". Decker's other 2014 film, Butter on the Latch, also made the Brody's top ten, clocking in at tenth place. Subsequent to its Berlinale 2014 premiere, Peter Knegt of Indiewire called Thou Wast Mild and Lovely "The talk of the Berlin International Film Festival… with tense eroticism and experimental, largely free-form filmmaking". Josh Slater-Williams of Sound on Sight called it "one of the strongest, most striking American Gothic works of recent memory." In his review of the film, Eric Kohn of Indiewire gave the film a B+ rating and commented, "Its labyrinthine characteristics suggest the unholy marriage of Ingmar Bergman and David Lynch" and "Decker concocts a wholly enveloping vision of isolation told with a grimly poetic style that wanders all over the place but never stops playing by its own eerie rulebook." Jenni Miller of The A.V. Club moderately praised the film and described Sophie Traub's Sarah as "fascinating", despite noting "There are a few too many experimental flourishes to effectively build the sort of tension that’s necessary to really make the ending pay off." Nicolas Rapold of The New York Times gave the film a more mixed review, noting "The setup's clichés grow harder to ignore, despite a welcome mischievous streak and some bucolic imagery." David Rooney of The Hollywood Reporter stated, "It's not uninteresting but too self-consciously arty to rank Decker as a mature filmmaking voice." Accolades Thou Wast Mild and Lovely premiered in the U.S. at the Sarasota Film Festival, and internationally at the 2014 Berlin International Film Festival in the Forum section. It has also played at the AFI Fest, the BFI London Film Festival, the Torino Film Festival, the Hong Kong International Film Festival, the Gothenburg Film Festival, the Athens International Film Festival, the Denver Film Festival, the Dallas VideoFest, the Flyway Film Festival, the Sidewalk Film Festival, the Fantasia International Film Festival, the Galway Film Fleadh, the BAMcinemFest and the Imagine Film Festival in the Netherlands. The film was nominated for the FIPRESCI prize at the Hong Kong International Film Festival, and has won awards on the festival circuit, including the Dallas VideoFest Winner 2014: Best Narrative Feature, Sarasota Film Festival 2014 Winner: Independent Visions Grand Prize & Tangerine Entertainment's Juice Award, Flyway Film Festival 2014: Breakout Filmmaker, Indie Memphis Film Festival 2014: Craig Brewer Emerging Filmmaker Award. It was acquired by Cinelicious Pics in fall of 2014. Passage 4: Mark Lewis (filmmaker) Mark Lewis is an Australian documentary film and television producer, director and writer. He is famous for his film Cane Toads: An Unnatural History and for his body of work on animals. Unlike many other producers of nature films, his films do not attempt to document the animals in question or their behaviors but rather the complex relationships between people and society and the animals they interact with.His films have earned him many awards, including a British Academy Award nomination, a nomination from the Directors Guild of America, two Emmy's for Outstanding Direction in documentary film, and an Emmy Award for Outstanding Science Program on American Television. As a student Lewis helped planning Philippe Petit's famous 1974 high-wire walk between the Twin Towers of the World Trade Center. He talks about his involvement in the acclaimed documentary Man on Wire (2008). Filmography (2010) Cane Toads: The Conquest (2007) The Pursuit of Excellence (2006) The Floating Brothel (2006) The Standard of Perfection: Show Cats (2006) The Standard of Perfection - Show Cattle (2000) The Natural History of the Chicken (1999) Animalicious (1998) Rat (1994) Gordy. (1990) The Wonderful World of Dogs (1989) Round the Twist (1988) Cane Toads: An Unnatural History Passage 5: Mike Judge Michael Craig Judge (born October 17, 1962) is an American actor, animator, filmmaker, and musician. He is the creator of the animated television series Beavis and Butt-Head (1993–1997, 2011, 2022–present), and the co-creator of the television series King of the Hill (1997–2010, 2023–present), The Goode Family (2009), Silicon Valley (2014–2019), and Mike Judge Presents: Tales from the Tour Bus (2017–2018). He wrote and directed the films Beavis and Butt-Head Do America (1996), Office Space (1999), Idiocracy (2006), and Extract (2009), and co-wrote the screenplay to Beavis and Butt-Head Do the Universe (2022). Judge was born in Guayaquil, Ecuador, and raised in the U.S. state of New Mexico. He graduated from the University of California, San Diego, where he studied physics. After losing interest in a career in science, Judge focused on animation and short films. His animated short Frog Baseball was developed into the successful MTV series Beavis and Butt-Head, and the spin-off series Daria (with which Judge had no involvement). In 1995, Judge and the former Simpsons writer Greg Daniels developed King of the Hill, which debuted on Fox in 1997 and quickly became popular with both critics and audiences. Running for 13 seasons, it became one of the longest-running American animated series. During the run of the show, Judge took time off to write and direct Office Space, Idiocracy and Extract. As King of the Hill was coming to an end, Judge created his third show, ABC's The Goode Family, which received mixed reviews and was cancelled after 13 episodes. After a four-year hiatus, he created his fourth show, the live-action Silicon Valley for HBO, which has received critical acclaim. In 2017, Judge's fourth animated series, the music-themed Tales from the Tour Bus, premiered on Cinemax, to acclaim. Judge has won a Primetime Emmy Award and two Annie Awards for King of the Hill and two Critics' Choice Television Awards and Satellite Awards for Silicon Valley. Early life Michael Craig Judge was born on October 17, 1962, in Guayaquil, Ecuador. He is the middle of three children born to Margaret Yvonne (née Blue), a librarian, and William James Judge, an archaeologist. At the time of his birth, his father was working for a nonprofit organization in Guayaquil and other parts of Ecuador, promoting agricultural development. Judge was raised from age three in Albuquerque, New Mexico, where he spent a small portion of his life working on a chicken farm. He attended St. Pius X High School and graduated with a Bachelor of Science in physics from the University of California, San Diego, (UCSD) in 1985. Career 1985–1997: Early science career; musician; animation and Beavis and Butt-Head After graduating from the University of California, San Diego, in 1985, he held several brief jobs in physics and mechanical engineering, but found himself growing bored with science. In 1987, he moved to Silicon Valley to join Parallax Graphics, a startup video card company with about 40 employees based in Santa Clara, California. Disliking the company's culture and his colleagues, Judge quit after less than three months, describing it as, "The people I met were like Stepford Wives. They were true believers in something, and I don't know what it was". Shortly after quitting his job, he became a bass player with a touring blues band. He was a part of Anson Funderburgh's band for two years, playing on their 1990 Black Top Records release Rack 'Em Up, while taking graduate math classes at the University of Texas at Dallas. He was planning to earn a master's degree as "a back-up plan" to become a community college math teacher after relocating to the north Dallas area for his ex-wife's new job. In 1989, after seeing animation cels on display in a movie theater, Judge purchased a Bolex 16 mm film camera and began creating his own animated shorts in his home in Richardson, Texas. In 1991, his short film Office Space (also known as the Milton series of shorts) was acquired by Comedy Central, following an animation festival in Dallas. Shortly thereafter, he dropped out of school to focus on his career. In the early 1990s, he was playing blues bass with Doyle Bramhall.In 1992, he developed Frog Baseball, a short film featuring the characters Beavis and Butt-Head, which was to be featured on Liquid Television, a 1990s animation showcase that appeared on MTV. The short led to the creation of the Beavis and Butt-Head series on MTV, in which Judge voiced both title characters as well as the majority of supporting characters and wrote and directed the majority of the episodes. The show centers on two socially incompetent, heavy metal-loving teenage wannabe delinquents, Beavis and Butt-Head, who live in the fictional town of Highland, Texas. The two have no adult supervision, are dim-witted, sex-obsessed, uneducated, barely literate, and lack any empathy or moral scruples, even regarding each other. Over its run, Beavis and Butt-Head drew a notable amount of both positive and negative reaction from the public with its combination of lewd humor and implied criticism of society.Judge himself is highly critical of the animation and quality of earlier episodes, in particular the first two – Blood Drive/Give Blood and Door to Door – which he described as "awful, I don't know why anybody liked it ... I was burying my head in the sand." The series spawned the feature-length film Beavis and Butt-Head Do America and the spin-off show Daria.After two decades, the series aired its new season on October 27, 2011. The premiere was a ratings hit, with an audience of 3.3 million total viewers. On January 10, 2014, Judge announced that there is still a chance to pitch Beavis and Butt-Head to another network and that he wouldn't mind making more episodes. 1997–2009: King of the Hill, Office Space, and Idiocracy In early 1995, after the successful first run of Beavis and Butt-Head, Judge decided to create another animated series, King of the Hill. Judge conceived the idea for the show, drew the main characters, and wrote a pilot script. Fox was uncertain of the viability of Judge's concept for an animated comedy based in reality and set in the American South, so the network teamed him up with The Simpsons writer Greg Daniels. Judge was a former resident of Garland, Texas, upon which the fictional community of Arlen was loosely based, but as Judge stated in a later interview, the show was based more specifically on the Dallas suburb of Richardson. Judge voiced characters Hank Hill and Jeff Boomhauer. The show is about a middle-class Methodist family named the Hills living in a small town called Arlen, Texas. It attempts to retain a naturalistic approach, seeking humor in the conventional and mundane aspects of everyday life while dealing with issues comically. After its debut in 1997, the series became a large success for Fox and was named one of the best television series of the year by various publications, including Entertainment Weekly, Time, and TV Guide.For the 1997–1998 season, the series became one of Fox's highest-rated programs and even briefly outperformed The Simpsons in ratings. Although ratings remained consistent throughout the 10th, 11th and 12th seasons and had begun to rise in the overall Nielsen ratings (up to the 105th most watched series on television, from 118 in season 8), Fox abruptly announced in 2008 that King of the Hill had been cancelled. The cancellation coincided with the announcement that Seth MacFarlane, creator of Family Guy and American Dad!, would be creating a Family Guy spin-off called The Cleveland Show, which would take over King of the Hill's time slot. Hopes to keep the show afloat surfaced as sources indicated that ABC (which was already airing Judge's new animated comedy, The Goode Family) was interested in securing the rights to the show, but in January 2009, ABC president Steve McPherson said he had "no plans to pick up the animated comedy." On April 30, 2009, it was announced that Fox ordered at least two more episodes to give the show a proper finale. The show's 14th season was supposed to air sometime in the 2009–10 season, but Fox later announced that it would not air the episodes, opting instead for syndication. On August 10, 2009, however, Fox released a statement that the network would air a one-hour series finale (which consisted of a regular 30-minute episode followed by a 30-minute finale) on September 13, 2009. The four remaining episodes of the series aired in syndication the week of May 3, 2010, and again on Adult Swim during the week of May 17, 2010. During the panel discussion for the return of Beavis and Butt-Head at Comic-Con 2011, Mike Judge said that no current plans exist to revive King of the Hill, although he would not rule out the possibility of it returning.Judge began to develop one of his four animated short films titled Milton, about an office drone named Milton that Judge created, which first aired on Liquid Television and Night After Night with Allan Havey and later aired on Saturday Night Live. The inspiration came from a temp job he once had that involved alphabetizing purchase orders and a job he had as an engineer for three months in the San Francisco Bay Area during the 1980s, "just in the heart of Silicon Valley and in the middle of that overachiever yuppie thing, it was just awful". Judge sold the completed film Office Space to 20th Century Fox based on his script and a cast that included Jennifer Aniston, Ron Livingston, and David Herman. Originally, the studio wanted to make a film out of the Milton character but Judge was not interested, opting instead to make more of an ensemble cast–based film. The studio suggested that he should make a film like Car Wash but "just set in an office". Judge made the relatively painless transition from animation to live-action with the help of the film's director of photography who taught him about lenses and where to put the camera. Judge says, "I had a great crew, and it's good going into it not pretending you're an expert." Studio executives were not happy with the footage Judge was getting. He remembers them telling him, "More energy! More energy! We gotta reshoot it! You're failing! You're failing!" In addition, Fox did not like the gangsta rap music used in the film until a focus group approved of it. Judge hated the ending and felt that a complete rewrite of the third act was necessary. In the film, he made a cameo appearance as Stan (complete with hairpiece and fake mustache), the manager of Chotchkie's, a fictionalized parody of chain restaurants like Chili's, Applebee's and TGI Friday's, and the boss of Jennifer Aniston's character, whom he continually undermines and interrogates over her lack of sufficient enthusiasm for the job and the insufficient quantity of "flair" (buttons, ribbons, etc.) she wears on her uniform. The film was released on February 19, 1999, and it was well received by critics. Although not particularly successful at the box office, it sold well on VHS and DVD, and it has come to be recognized as a cult classic.Beginning in fall 2003, Judge and fellow animator Don Hertzfeldt created an animation festival called "The Animation Show". "The Animation Show" toured the country annually for several years, screening animated shorts. In 2005, Judge was presented with the Austin Film Festival's Outstanding Television Writer Award by Johnny Hardwick.Judge has made supporting and cameo appearances in numerous films. Judge had a voice cameo as Kenny in South Park: Bigger, Longer and Uncut (1999), the feature-length film adaptation of the popular Comedy Central series; he voiced Kenny McCormick when he was unhooded towards the end of the film. He later acted in the science-fiction family comedy franchise Spy Kids, where he played Donnagon Giggles in the first three films. His next film appearance was Serving Sara (2002) where he played a motel manager. He later appeared in the comedy Jackass Number Two (2006), in which he can be seen during the closing credits. An extended version of his sequence can be seen in Jackass 2.5 (2007) which was a direct-to-video release. Judge also created a video clip of Beavis and Butt-Head ripping into Steve-O for his video Poke the Puss, where the two try imagining if they would like the video better if they were black. The clip aired as a part of Jackassworld.com: 24-Hour Takeover, a February 23, 2008, television special on MTV to coincide with the official launch of jackassworld.com. The characters appeared again in the third Jackass film, titled Jackass 3D, at the beginning of the film, telling viewers to put on their 3D glasses for the film.Judge's third film, Idiocracy, a dystopian comedy starring Luke Wilson and Maya Rudolph, was given a limited release theatrically by 20th Century Fox in September 2006, two years after production. The film's original release date was intended to be on August 5, 2005, according to Mike Judge.In April 2006, a release date was set for September 1, 2006. The film was released without a trailer or substantial marketing campaign. The film was not screened for critics beforehand as is usually done. Lack of concrete information from Fox led to speculation that the distributor may have actively attempted to keep the film from being seen by a large audience, while fulfilling a contractual obligation for theatrical release ahead of a DVD release, according to Ryan Pearson of the AP.That speculation was followed by open criticism of the studio's lack of support from Ain't It Cool News, Time, and Esquire. Time's Joel Stein wrote "the film's ads and trailers tested atrociously", but "still, abandoning Idiocracy seems particularly unjust, since Judge has made a lot of money for Fox." Despite the film not being screened for critics, the film received positive reviews and was a minor box-office success.In the U.S., the film was released to DVD in January 2007 and later aired on premium-television, multiplex channels Cinemax in September 2007 and HBO in January 2008. Since then, it has gained a cult following. 2009–2013: The Goode Family, Extract, and other projects Judge's fourth directorial effort was 2009's Extract. Shortly after completing Office Space, Judge was already about 40 pages into his follow-up script, set in the world of an extract factory, when he was convinced by his representative team that he needed to shelve that and concentrate on something more commercial. Over the next several years, he focused his energy on developing Idiocracy. But years later, by the time of the film's release, audiences had decided that Office Space had struck a chord, so they were ready to see Judge return to on-the-job humor, and thus the Extract script was given new life.Seeking to keep Extract below the radar of the studio system, Judge and his producers set up a production company, Ternion Productions, and arranged private financing while partnering with Miramax for domestic distribution of the film. Judge relied heavily on his own personal knowledge of the industrial world to bring the story to life. "I actually worked in a factory a little bit myself ... I hopefully write stuff that is recognizable as the archetypes of this world," Judge stated.Keeping true to this baseline of reality, Extract was shot in a working factory, in this case a water bottling plant south of Los Angeles, in the City of Commerce. He makes an uncredited appearance as Jim, a union organizer. The film premiered on September 4, 2009, and received mixed to positive reviews from critics and was a minor commercial success.Judge's third television series, The Goode Family, debuted on ABC but was cancelled after one season. Comedy Central first aired the series in reruns on January 4, 2010. However, the series was pulled off the schedule shortly thereafter. It was confirmed on The Goode Family Facebook page that Comedy Central had picked up the reruns of the series, which were to be evaluated for a chance of being renewed for a second season. On August 8, 2009, however, ABC Entertainment President Steve McPherson stated that the show, along with Surviving Suburbia, had officially been canceled due to low ratings.In 2010, reruns of The Goode Family aired Monday nights at 10 pm on Comedy Central, beginning January 4. It departed the network's primetime schedule after four weeks, returning occasionally in low-trafficked timeslots.In 2012, Judge directed the music video (animation by Titmouse) for country music group Zac Brown Band's "The Wind". In 2013, Judge collaborated with Seth MacFarlane on a mashup episode of Family Guy, in which, complete with a Hill-themed opening, Judge reprises his role as Hank Hill. Earlier in 2010 and 2012, Judge played cameos as Hank on two episodes of MacFarlane's The Cleveland Show. 2014–2019: Silicon Valley and Tales from the Tour Bus Judge created his fourth show, Silicon Valley, with King of the Hill executive producers John Altschuler and Dave Krinsky. The HBO comedy is a single-camera live-action sitcom set in Northern California. One of its main themes is the idea that "the people most qualified to succeed are the least capable of handling success". The first season of Silicon Valley was 8 episodes long and received critical and public acclaim. Silicon Valley was renewed for a second season on April 21, 2014, and a third season on April 13, 2015. Silicon Valley aired its fourth season, which premiered on April 23, 2017. The series was renewed for a fifth season, which premiered on March 25, 2018, and a sixth season, which premiered on October 27, 2019, and served as its final season.On January 12, 2017, Deadline confirmed that Cinemax ordered 8 episodes of Judge's new animated series, Mike Judge Presents: Tales from the Tour Bus. The series premiered on September 22, 2017. Judge wrote the story for Action Point, the film was released in 2018. In 2018, he starred in the film, The Front Runner. In 2019, Judge announced he had been developing two projects for HBO: QualityLand and A5, both of which were later scrapped by HBO in 2021. 2020–present: Beavis and Butt-Head and King of the Hill revivals In June 2020, Comedy Central announced it had ordered a second revival of Beavis and Butt-Head consisting of two new seasons along with spin-offs and specials. In the new series, Beavis and Butt-Head will enter a "whole new Gen Z world" with meta-themes that are said to be relatable to both new fans, who may be unfamiliar with the original series, and old.In February 2022, it was announced that the revival would instead premiere on Paramount+, following a second Beavis and Butt-Head feature film entitled Beavis and Butt-Head Do the Universe. Originally, Paramount executives wanted a live-action Beavis and Butt-Head movie. Judge held auditions over Zoom for the project. He eventually talked the company into doing an animated movie instead to reestablish the characters first, with a future live-action movie still a possibility. In June 2022, it was confirmed that new episodes would debut later that year, along with the full library of over 227 original episodes, newly remastered, with music videos intact. One month later, it was announced that the revival would premiere on August 4, 2022. Season 9 continues the concept of the Beavis and Butt-Head multiverse initially explored in Beavis and Butt-Head Do the Universe. Teenage Beavis and Butt-Head, Old Beavis and Butt-Head, and Smart Beavis and Butt-Head all get their own dedicated episodes in the revival.In January 2022, Judge and Daniels announced the forming of a new company called Bandera Entertainment, with a revival of King of the Hill being one of several series in development. During a panel at the San Diego Comic-Con in 2022, Judge stated that the show "has a very good chance of coming back." In September 2022, Fox Entertainment president Michael Thorn confirmed that the series would not air on Fox, with the reason being that Fox prefers to have full ownership of whatever new shows they air. On January 31, 2023, a revival on Hulu was officially confirmed to be ordered. Personal life Judge married Francesca Morocco in 1989; they divorced in 2009. Together they have two daughters and a son. The family resides in Austin, Texas, and Santa Monica, California, having previously resided in Malibu. Political views While King of the Hill is often a satire of protagonist Hank Hill, identifiable as a conservative, and his The Goode Family is essentially a satire centered around a liberal family, Judge avoids discussing his own political leanings.In reviewing Idiocracy, Salon stated, "Judge's gimlet eye is so ruthless that at times his politics seem to border on South Park libertarianism". A writer for the libertarian magazine Reason seems to agree, comparing King of the Hill to the anti-authoritarian point of view of South Park and The Simpsons, though he calls the show more populist, noting the disdain King of the Hill seems to have for bureaucrats, professionals, and big-box chains.Still, Judge denies having political messages in his shows, saying in 2006 in an IGN interview about King of the Hill: "I try to not let the show get too political. To me, it's more social than political I guess you'd say, because that's funnier. I don't really like political reference humor that much. Although I liked the episode "Hank's Bully" where Hank's talking to the mailman and he says, 'Why would anyone want to lick a stamp that has Bill Clinton on it?' To me that's just like more of a character thing about Hank than it is a political joke or anything. I don't want to do a bunch of stuff about the war, particularly." In June 2016, before the presidential election in November, Etan Cohen told BuzzFeed that he and Judge would produce Idiocracy-themed campaign advertisements mocking Donald Trump's presidential campaign if given permission from 20th Century Fox to do so. It was later reported by Business Insider that they would not have been campaign ads, would have mocked all of the candidates, and would not go forward. Filmography Film Television Other appearances Awards and nominations Passage 6: Josephine Decker Josephine Decker (born April 2, 1981) is an English–born American filmmaker and performance artist. Films she has directed include Butter on the Latch (2013), Thou Wast Mild and Lovely (2014), Madeline's Madeline (2018), Shirley (2020), and The Sky is Everywhere (2022). She also co-directed the documentary Bi the Way (2008) with Brittany Blockman. Early life Decker was born in London and raised in Texas. As a child, she played the piano and dreamed of being a writer, as well as a photographer for National Geographic. She graduated from Highland Park High School in 1999 and Princeton University in 2003, where she aspired to become a conductor and applied for a conducting class. She was inspired to become a filmmaker after watching Monsters, Inc. Career Film Decker produced and directed her first short film, Naked Princeton, in 2005. In 2008, Decker co-directed the documentary Bi the Way with Brittany Blockman, which focused on bisexuality in the United States. Despite being described by Variety's Joe Leydon as a "once-over-lightly examination of an alleged cultural phenomenon", the film went on to win the Alternative Spirit Grand Prize at the Rhode Island International Film Festival.Decker wrote and directed her second short film, Where Are You Going, Elena?, in 2009. In 2012, she wrote and directed the short film Me the Terrible, which Richard Brody of The New Yorker called a "wondrous short film."In 2013, Decker wrote, produced, and directed her first feature film, the experimental psychological thriller Butter on the Latch. The film garnered praise from Eric Kohn of Indiewire, who said Decker's career was "one to keep an eye on", and Peter Debruge of Variety, who wrote that "Decker has fashioned the kind of feature debut the film industry simply doesn’t support, but would do well to encourage: a visually poetic, virtually free-form groove in which emotion, rather than narrative, guides viewers through a young woman’s visit to a Balkan folk music camp." Decker was included in Filmmaker Magazine's 2013 list of 25 New Faces in Independent Film.In early 2014, she completed her second theatrical film, the experimental erotic thriller Thou Wast Mild and Lovely, starring Sophie Traub and Decker's frequent collaborator Joe Swanberg. To raise money for the film's post-production, Decker ran a crowdfunding campaign on Kickstarter with a goal of $15,500. The campaign closed on August 22, 2013, having raised $18,517. In his review, Kohn gave the film a B+ and commented, "Its labyrinthine characteristics suggest the unholy marriage of Ingmar Bergman and David Lynch. While nowhere near the same level of refinement as those giants, Decker concocts a wholly enveloping vision of isolation told with a grimly poetic style that wanders all over the place but never stops playing by its own eerie rulebook."In September, 2014, it was announced that Butter on the Latch and Thou Wast Mild and Lovely had been picked up for a theatrical and VOD distribution by Cinelicious Pics with a planned release set for November, 2014.Decker has also appeared as an actor in many independent films, including Joe Swanberg's Uncle Kent, Onur Tukel's Richard's Wedding, Saturday Morning Mystery, the romantic tragedy Loves Her Gun, and Stephen Cone's Black Box. In November 2015, Decker served on the Jury of the 33rd Torino Film Festival. The festival had paid tribute to her work in the Onde section in 2014. Decker co-directed with Zefrey Throwell the 2017 documentary Flames. As Deadline put it, "Shot over the course of five years, the project charts the immensely passionate and profound relationship between the two artists, watching the spectacular romance, excitement and adventure of their relationship at its peak, and the fallout as Decker and Throwell clash, falling out of love with each other."Decker’s third feature film, Madeline's Madeline, screened at the Sundance and Berlin film festivals in early 2018. It features Molly Parker and Miranda July, and introduces 19-year-old Helena Howard as a troubled acting student whose "class exercises become increasingly immersive and personal".In 2020, Neon distributed Decker's feature Shirley, inspired by the life of author Shirley Jackson. The film starred Elisabeth Moss and Michael Stuhlbarg, and was produced by Christine Vachon and executive produced by Martin Scorsese. On RogerEbert.com, critic Sheila O'Malley called it Decker's "most ambitious film to date."In a change of pace, Decker directed the coming-of-age drama The Sky is Everywhere, which was released in 2022 by Apple+ and A24. In an interview, Decker said, "I think I was really ready to make something that was a little lighter and had more lightness and less gritty, dark, violent, sexual. Probably for my next movie, I’ll go back into it hard, but this was a nice little respite." Performance art In May 2010, Decker attended the last day of Marina Abramović's retrospective The Artist Is Present at MoMA. As she sat down across from Abramovic, Decker immediately disrobed and stood naked in the middle of the museum until seven security guards escorted her out over the museum’s no-nudity policy. Decker declared that her goal was to be "as vulnerable to [Abramovic] as she constantly makes herself to us." Influences Decker cites Antichrist, Days of Heaven, Eternal Sunshine of the Spotless Mind, and Silent Light as her primary influences, as well as the novel East of Eden, director Joe Swanberg, and frequent collaborator Sarah Small. She cited Black Swan as a particular influence on Butter on the Latch. Personal life Decker grew up as a Christian, and is now a Buddhist, having practiced the religion since at least 2011. Filmography Television Passage 7: Ohad Edelstein Ohad Edelstein (Hebrew: אוהד אדלשטיין; born 25 May 1992) is an Israeli footballer who currently plays at Maccabi Yavne. External links Ohad Edelstein – Israel Football Association league player details Passage 8: Jack Shea (director) Jack Shea (August 1, 1928 – April 28, 2013) was an American film and television director. He was the president of the Directors Guild of America from 1997 to 2002. Life and career Born John Francis Shea, Jr., Shea's father was a traveling salesman and his mother a bookkeeper. He received a parochial high school education, later attaining a degree in history from Fordham University. Shea broke into the entertainment industry in 1951, initially as a stage manager for the TV series Philco Playhouse, and, following two years of service with the United States Air Force, serving from 1952 to 1954, during the Korean War, making instructional films in Los Angeles, and later becoming an associate director. Among the TV shows he contributed to during this period include The Jerry Lewis Show and The Bob Hope Specials, where he later shared a Primetime Emmy Award nomination for in 1961. By the late 1950s, Shea had become instrumental in forming the Radio and Television Directors Guild (merged with the Screen Directors Guild in 1960 to form The Directors Guild of America) and was a strong voice for the hiring of minorities in the industry. During the 1970s, he began an association with producers Bud Yorkin and Norman Lear, directing episodes from two of their projects in the 1970s, the series Sanford and Son and The Jeffersons (110 episodes for the latter). Among his other credits include The Waltons, Silver Spoons (91 episodes), Growing Pains and Designing Women, the last earning him a second Primetime Emmy Award nomination. From 1997 until 2002, he served as president of the Directors Guild.A lifelong Catholic, Shea was a co-founder, with his wife Patt and other prominent Catholics in the Hollywood entertainment community, of the Hollywood-based Catholics in Media Associates (CIMA), which he was also past president of. Shea and Patt Shea jointly received the CIMA Lifetime Achievement Award in 2002 from the organization of Catholic entertainment industry professionals which celebrates its 20th anniversary in 2013. Shea was also a former member of the United States Conference of Catholic Bishops Committee for Communications. Personal life and family On January 2, 1954, Shea married the former Patricia C. Carmody, who, later known as Patt Shea, became a three-time Humanitas Award-nominated screenwriter whose credits include the CBS-TV series All in the Family, story editor and/or writer for 38 episodes of Archie Bunker's Place, in addition to screenwriter for episodes of Lou Grant, Valerie, Cagney & Lacey, In The Heat of The Night, Bagdad Café, and the CBS pilot for Gloria, Sally Struthers’ spin-off from the popular All In The Family TV series, among many other television series. The couple, who resided in Studio City, CA for over 30 years, have five children, three of whom are currently DGA members* and 1st Assistant Directors*: Shawn Shea*; Elizabeth (now deceased); William (“Bill”) Shea*; Michael J. Shea* and John Francis (“Jay”) Shea III. Death Shea died of complications from Alzheimer's disease. Passage 9: Geoff Marslett Geoff Marslett is an American film director, writer, producer, animator and actor. His early career started with the animated short Monkey vs. Robot which was distributed internationally by "Spike and Mike's Classic Festival of Animation" on video. and "Spike and Mike's Sick and Twisted Festival of Animation" in theatres. More recently he directed several successful narrative feature films including MARS as well as producing and acting in the experimental documentary Yakona. He appears onscreen in Josephine Decker's Thou Wast Mild and Lovely which is being released theatrically in 2014. He currently resides in Austin, Texas and splits his time between filmmaking and teaching at the University of Colorado at Boulder. Bio Geoff Marslett grew up in North Texas. After high school he studied philosophy and math at St. John's College in Santa Fe, New Mexico and Annapolis, Maryland where he earned his BA from their Great Books Program in 1996. In 2000 he received his MFA in film production from the University of Texas at Austin. Career While in graduate school he completed his first animated short Monkey vs. Robot (not to be confused with Nate Pommer's live action version that came out a few months later). This 2+1⁄2-minute short was based on a song by musician and comic artist James Kochalka. The short was completed in 1999 and went on to play over a dozen major film festivals including Palm Springs Shorts Festival (1999), The Dallas Video Fest (1999), Taos Talking Pictures Film Festival (2000), South by Southwest Film Festival (2000), and Slamdance Film Festival (2001). It won jury awards at MicroCine Film Festival in Baltimore, Maryland and CinemaTexas in Austin, Texas and was then included as a part of Spike and Mike's Classic Festival of Animation vol. 7 and "Spike and Mike's Sick and Twisted Festival of Animation" in theatres. It also appeared on television including airing on PBS' Egg Arts Show, Univision, and HBO Central Europe. It won jury awards at Cinematexas Film Festival and Microcine Film Festival in 1999. The Phoenix New Times said "it should become the new national anthem" and Cashiers du Cinemart said "that it's something I'd like to start my mornings with every day for the rest of my life." MARS Marslett's first feature film was the animated, sci-fi, romantic comedy MARS which premiered at the South By Southwest Film Festival in 2010. The film stars Mark Duplass, Paul Gordon, Zoe Simpson, Howe Gelb, Michael Dolan, Liza Weil, James Kochalka, Cynthia Watros, and Kinky Friedman with appearances by Nicole Atkins and Don Hertzfeldt. MARS went on to play at over 50 festivals including BAMCinemafest, Sitges Festival International de Cinema Fantastic de Catalunya, BFI London Film Festival, Sidewalk Moving Pictures, and The Maryland Film Festival. It won several jury awards including honors from IndieMemphis, The Dallas Video Fest, The San Francisco Independent Film Festival and Just For Laughs Chicago. It received generally favorable press including being called "realistic, but still stylized and dreamlike" by Wired. The Village Voice describes MARS as "an inter-planetary indie that takes place in a world—and a format—of his [Marslett's] invention" and calls the look and tone "spacey, soothing, and strange.". Time Out London writes "‘Mars’ isn't just visually striking, it's also full of humour, heart and super-cute cartoon Martians.", and New York Magazine made it a critics pick when it played in Brooklyn. MARS was often noted for its visual style that the Washington Post said "eschews the mildly trippy look in favor of bold outlines, solid colors and a comic-book sensibility".The increasing popularity of Mark Duplass as an actor and the strange animation style have made the film something of a cult film for sci-fi genre fans four years later.It is worth noting that Marslett also co-wrote (with Tray Duncan) some of the software they used to animate MARS. Loves Her Gun Marslett's second feature film was a live action drama Loves Her Gun in which all the dialogue was improvised. The film starred Trieste Kelly Dunn, Francisco Barreiro, Ashley Rae Spillers, Melissa Bisagni and Marslett. It premiered at The 2013 South by Southwest Film Festival. At SXSW Loves Her Gun won the prestigious Louis Black Lone Star Filmmaker Award. After playing a dozen Film Festivals and winning several additional awards it opened commercially in New York City. Though critics were more divided on this film than on Marslett's previous work, the majority gave it positive reviews. The New York Times made it a critic's pick and said Loves Her Gun is one of the most soothing examinations of fear you're ever likely to see. Adopting an appealingly low-key approach to a high-stakes subject, this gently observant drama from Geoff Marslett takes its sweet time introducing the girl to the gun, but when it does, we’re all but guaranteed to care." Think Progress referred to it as "An essential film about women and violence". However, The Hollywood Reporter said the "Meandering film is at odds with its subject's psychological tension." The actors' performances and Marslett's direction of them were praised even by critics who had other critiques of the film. Yakona Marslett worked as one of the producers of the feature-length documentary Yakona (directed by Anlo Sepulveda and Paul Collins). Yakona premiered at the South by Southwest Film Festival in 2014 and won the Audience Choice Award for the Visions category. Yakona is an experimental documentary told from the point of view of the San Marcos river without the use of dialogue or voice overs. Yakona won additional awards at the Oak Cliff Film Festival for Best Documentary and the Muybridge Award for Best Cinematography and at The Rainer Independent Film Fest for Best Cinematography. Yakona made its Canadian premiere at the Vancouver International Film Festival and was the closing night film for Diego Luna and Gael Garcia Bernal's traveling documentary film festival Ambulante, California in Los Angeles. Acting Marslett has also appeared in front of the camera in several productions. He appears briefly in his own film MARS as Casey's dad and has a supporting role in his own film Loves Her Gun as Danny. He also plays the angry grad student in his segment of the Slacker 2011 remake of Richard Linklater's 1991 film Slacker. He has acted for other directors. He played the Shanty Santa in the short film The Quiet Girl's Guide to Violence which premiered at the 2012 Fantastic Fest. His comedic effort in SXSW 2012's Theatre Bum film bumpers was popular enough that it was included again in 2013's collection of best bumpers from the last 20 years. He played Jack "Coffee" Hays in the reenactments for the feature documentary Yakona. His most recent role is Richard in Josephine Decker's Thou Wast Mild and Lovely which premiered at the Berlin Film Festival in 2014 and is being released in theatres by IFP as part of the Screen Forward program. Other film-related work All of Marslett's films (as a director or producer) including MARS, Loves Her Gun, Yakona, and his Slacker 2011 segment have been noted for their strong attachment to and representation of the locations they take place in. They are also noted for their sense of whimsy and their meandering and soothing tone. His continuing work in independent film earned him a spot on Filmmaker Magazine's "25 New Faces of Independent Film" in 2009Marslett has served on the jury for several festivals including The South by Southwest Film Festival, Hell's Half Mile, Cine Las Americas, and Future Places (in Porto, Portugal). He is also on the ambassador's council for the Cucalorus Film festival in Wilmington, North Carolina. Teaching In addition to making films, Geoff has taught in the Radio-Television-Film department at The University of Texas at Austin since 2001. In 2009 he was awarded the university's top undergraduate teaching award "The Board of Regents Outstanding Teaching Award". He teaches currently at the University of Colorado at Boulder. Notable filmography (as director or producer) Monkey vs. Robot (animated short) (2000) Six in Austin (directed the Out of Bounds segment)(2004) Eight Movements (experimental documentary short co-director with photographer Melanie West)(2005) Bubblecraft (animated short) (2006) MARS (narrative animated feature) (2010) Slacker 2011 (directed TV Backpacker segment) (2011) SXSW Film Trailers (shorts) (2012) Loves Her Gun (narrative feature) (2013) Yakona (feature documentary) (2014) Everything Changes (animated/experimental short) (2018) The Phantom 52 (animated short) (2019) Passage 10: Extract (film) Extract is a 2009 American comedy film written and directed by Mike Judge, and starring an ensemble cast featuring Jason Bateman, Mila Kunis, Kristen Wiig, and Ben Affleck, with J. K. Simmons, Clifton Collins, Jr., and Dustin Milligan. Said to be Judge's companion piece to Office Space, the film received generally positive reviews from critics and grossed $10.8 million worldwide against a budget of $8 million.The film was theatrically released in the United States on September 4, 2009. Plot Joel Reynolds is the owner and founder of Reynolds Extract, a flavoring extracts company. Although his business is successful, his marriage lacks passion. He is also often accosted by his annoying neighbor, Nathan. One day, a series of mishaps occur at the extract factory, resulting in an employee, Step, losing a testicle. Cindy, a con artist, reads a news story about the accident. Hatching a get-rich-quick scheme, she gets a temporary job at the factory, manipulating Joel into giving her more information about Step. She also begins a series of petty thefts from her co-workers, who openly accuse each other of the thefts. Although Step initially decides not to sue the company, he changes his mind after a meeting with Cindy, which she sets up in order to meet and flirt with him. Under Cindy's influence, Step hires attorney Joe Adler. Joel, mistaking Cindy's manipulations for genuine attraction to him, entertains the idea of an affair with her; however, he still loves his wife, and wants to avoid actions that would leave him with regrets later. While visiting his friend Dean and complaining about his situation, Dean suggests that Joel hire a gigolo to seduce his wife, so that Joel can then have a guilt-free "revenge" affair. Joel initially balks at the idea; but, after his judgment is impaired after ingesting a ketamine tablet that Dean mistakenly told him was Xanax, Joel agrees. The friends hire Brad to seduce his wife, Suzie, into an affair, while posing as the pool cleaner. The next morning, Joel sobers up, realizes what he has done, and tries to stop Brad from going to his house; by then, Brad and Suzie have already begun an affair. Brad falls in love with Suzie and wants to run away with her. After smoking marijuana with Dean and his friend Willie, Joel attempts to call Cindy, but soon realizes that he is calling Willie's number. Just then, Cindy walks into the apartment. Willie discovers Joel's intentions, and punches Joel in the face. Joel meets with Adler and his associates to discuss the terms of the settlement for Step. The workers, believing that the meeting is about a buy-out of the factory by General Mills, organize a strike. Frustrated by Adler's uncompromising negotiating style and the growing disrespect from his employees, Joel storms out and goes home—where Suzie admits her affair with Brad. Joel admits to Suzie that he hired Brad to do it, then leaves after arguing with his wife. Joel moves into a motel, where he spots Cindy, staying in another room. When he goes to her room, he notices a purse stolen from one of his employees, along with other stolen items, and realizes that Cindy is not only a thief, but is also behind many of the company's problems. Joel threatens to call the police, but softens when Cindy breaks down in tears. Cindy promises to talk to Step and get him to drop the lawsuit. Ultimately, the two spend the night together. The next morning, Cindy disappears, but leaves the stolen items behind. Step meets with Joel at the factory, where he offers to drop the lawsuit if Joel promotes him to floor manager. Meanwhile, Nathan stops by Joel's house, making Suzie lose her temper and finally tell him what she really thinks of him. Just as she finishes her tirade, he collapses and dies; feeling guilty, Suzie attends the funeral, where she runs into Joel. After an awkward moment, the two agree to share a ride. It is revealed that Cindy has stolen Adler's luxury car, leaving him Step's truck in its place. Cast Production Principal photography began on August 25, 2008 in Los Angeles. Shortly after completing Office Space (1999), director Mike Judge was already about 40 pages into his follow-up script, set in the world of an extract factory, when he was convinced by his representative team that he needed to shelve that and concentrate on something more commercial. "The only idea that I had that anyone was interested in was what eventually became Idiocracy," says Judge. Over the next several years he focused his energy on developing Idiocracy. But years later, by the time of the film's release, audiences had decided that Office Space had struck a chord, and they were ready to see Judge return to on-the-job humor and thus the Extract script was given new life.Seeking to keep Extract below the radar of the studio system, Judge and his producers set up a production company, Ternion Productions, and arranged private financing—while partnering with Miramax for domestic distribution of the film. Judge relied heavily on his own personal knowledge of the industrial world to bring the story to life. "I actually worked in a factory a little bit myself," the director stated. "I hopefully write stuff that is recognizable as the archetypes of this world." Keeping true to this baseline of reality, Extract was shot in a working factory, in this case a water bottling plant south of Los Angeles, in the City of Commerce. Judge took the authenticity one step further by using the plant's employees as extras in the scenes' backgrounds. "Those people were actually running, doing some bottling while we were shooting. There were people working on machines that were so loud in there they couldn't hear anyone call 'action' or 'cut.' They were just doing their job." Shooting on the factory set led Judge to some epiphanies about what made the story resonate for him: "Office Space was told from the point of view of the employees looking up at management as the 'bad guys'. This is told from the point of view of the owner of the place and the workers are the big pain in the butt to him. I think partly it was inspired by that point in my life where I suddenly had a large number of people working for me and realizing you can't be a 'cool guy boss'. It just doesn't work. So this is my more sympathetic take on the boss." Release The film was released on September 4, 2009 in the United States. Marketing Leading up to the film's release, Affleck went on a promotional tour of various cities, starting in Vancouver, Washington, on August 20, 2009, and ending in Los Angeles on September 14, 2009. In an effort to promote the film, Judge released a promotional short which featured his characters Beavis and Butt-head who summarize, and critique, the events depicted in the film. Home media Extract was released on DVD and Blu-ray Disc on December 22, 2009. Reception Box office Extract made $4.3 million during its opening weekend and $7.1 million in its first week of release, with a total worldwide gross of $10.8 million, against a production budget of $8 million. Critical response On review aggregation website Rotten Tomatoes, the film has an approval rating of 62% based on 189 reviews, with an average rating of 5.90/10. The site's critical consensus reads, "Extract has some very funny moments and several fine performances, but the film feels slighter and more uneven than Mike Judge's previous work." On Metacritic, which assigns a normalized rating to reviews, the film has a weighted average score of 61 out of 100, based on 33 critics, indicating "generally favorable reviews."Dan Zak of The Washington Post, called it "the most disappointing American comedy of the decade". On the other end of the spectrum, Michael Phillips of the Chicago Tribune called it "the funniest American comedy of the summer".

doc_98

Passage 1: Valley of Death Valley of Death may refer to: Places Valley of Death (Bydgoszcz), the site of a 1939 Nazi mass murder and mass grave site in northern Poland Valley of Death (Crimea), the site of the Charge of the Light Brigade in the 1854 Battle of Balaclava Valley of Death (Gettysburg), the 1863 Gettysburg Battlefield landform of Plum Run Valley of Death (Dukla Pass), the site of a tank battle during the Battle of the Dukla Pass in 1944 (World War II) The Valley of Death, an area of poisonous volcanic gas near the Kikhpinych volcano in Russia The Valley of Death, an area of poisonous volcanic gas near the Tangkuban Perahu volcano in Indonesia Valley of Death, a nickname for the highly polluted city of Cubatão, Brazil Other uses The Valley of Death (audio drama), a Doctor Who audio play The Valley of Death (film), a 1968 western film "Valley of Death", the flawed NewsStand: CNN & Time debut program that caused the Operation Tailwind controversy A literary element of "The Charge of the Light Brigade" by Alfred, Lord Tennyson A reference to the difficulty of covering negative cash flow in the early stages of a start-up company; see Venture capital "The Valley of Death", a song by the Swedish heavy metal band Sabaton from the 2022 album The War to End All Wars See also All pages with titles containing Valley of Death Death Valley (disambiguation) Valley of the Shadow of Death (disambiguation) Passage 2: Beaulieu-sur-Loire Beaulieu-sur-Loire (French pronunciation: ​[boljø syʁ lwaʁ], literally Beaulieu on Loire) is a commune in the Loiret department in north-central France. It is the place of death of Jacques MacDonald, a French general who served in the Napoleonic Wars. Population See also Communes of the Loiret department Passage 3: Place of origin In Switzerland, the place of origin (German: Heimatort or Bürgerort, literally "home place" or "citizen place"; French: Lieu d'origine; Italian: Luogo di attinenza) denotes where a Swiss citizen has their municipal citizenship, usually inherited from previous generations. It is not to be confused with the place of birth or place of residence, although two or all three of these locations may be identical depending on the person's circumstances. Acquisition of municipal citizenship Swiss citizenship has three tiers. For a person applying to naturalise as a Swiss citizen, these tiers are as follows: Municipal citizenship, granted by the place of residence after fulfilling several preconditions, such as sufficient knowledge of the local language, integration into local society, and a minimum number of years lived in said municipality. Cantonal (state) citizenship, for which a Swiss municipal citizenship is required. This requires a certain number of years lived in said canton. Country citizenship, for which both of the above are required, also requires a certain number of years lived in Switzerland (except for people married to a Swiss citizen, who may obtain simplified naturalisation without having to reside in Switzerland), and involves a criminal background check.The last two kinds of citizenship are a mere formality, while municipal citizenship is the most significant step in becoming a Swiss citizen. Nowadays the place of residence determines the municipality where citizenship is acquired, for a new applicant, whereas previously there was a historical reason for preserving the municipal citizenship from earlier generations in the family line, namely to specify which municipality held the responsibility of providing social welfare. The law has now been changed, eliminating this form of allocating responsibility to a municipality other than that of the place of residence. Care needs to be taken when translating the term in Swiss documents which list the historical "Heimatort" instead of the usual place of birth and place of residence. However, any Swiss citizen can apply for a second, a third or even more municipal citizenships for prestige reasons or to show their connection to the place they currently live – and thus have several places of origin. As the legal significance of the place of origin has waned (see below), Swiss citizens can often apply for municipal citizenship for no more than 100 Swiss francs after having lived in the same municipality for one or two years. In the past, it was common to have to pay between 2,000 and 4,000 Swiss francs as a citizenship fee, because of the financial obligations incumbent on the municipality to grant the citizenship. A child born to two Swiss parents is automatically granted the citizenship of the parent whose last name they hold, so the child gets either the mother's or the father's place of origin. A child born to one Swiss parent and one foreign parent acquires the citizenship, and thus the place of origin, of the Swiss parent. International confusion Almost uniquely in the world (with the exception of Japan, which lists one's Registered Domicile; and Sweden, which lists the mother's place of domicile as place of birth), the Swiss identity card, passport and driving licence do not show the holder's birthplace, but only their place of origin. The vast majority of countries show the holder's actual birthplace on identity documents. This can lead to administrative issues for Swiss citizens abroad when asked to demonstrate their actual place of birth, as no such information exists on any official Swiss identification documents. Only a minority of Swiss citizens have a place of origin identical to their birthplace. More confusion comes into play through the fact that people can have more than one place of origin. Significance and history A citizen of a municipality does not enjoy a larger set of rights than a non-citizen of the same municipality. To vote in communal, cantonal or national matters, only the current place of residence matters – or in the case of citizens abroad, the last Swiss place of residence. The law previously required that a citizen's place of origin continued to bear all their social welfare costs for two years after the citizen moved away. In 2012, the National Council voted by 151 to 9 votes to abolish this law. The place of domicile is now the sole payer of welfare costs.In 1923, 1937, 1959 and 1967, more cantons signed treaties that assured that the place of domicile had to pay welfare costs instead of the place of origin, reflecting the fact that fewer and fewer people lived in their place of origin (1860: 59%, in 1910: 34%).In 1681, the Tagsatzung – the then Swiss parliament – decided that beggars should be deported to their place of origin, especially if they were insufficiently cared for by their residential community.In the 19th century, Swiss municipalities even offered free emigration to the United States if the Swiss citizen agreed to renounce municipal citizenship, and with that the right to receive welfare. See also Ancestral home (Chinese) Bon-gwan Registered domicile == Notes and references == Passage 4: Sennedjem Sennedjem was an Ancient Egyptian artisan who was active during the reigns of Seti I and Ramesses II. He lived in Set Maat (translated as "The Place of Truth"), contemporary Deir el-Medina, on the west bank of the Nile, opposite Thebes. Sennedjem had the title "Servant in the Place of Truth". He was buried along with his wife, Iyneferti, and members of his family in a tomb in the village necropolis. His tomb was discovered January 31, 1886. When Sennedjem's tomb was found, it contained furniture from his home, including a stool and a bed, which he used when he was alive.His titles included Servant in the Place of Truth, meaning that he worked on the excavation and decoration of the nearby royal tombs. See also TT1 – (Tomb of Sennedjem, family and wife) Passage 5: Place of birth The place of birth (POB) or birthplace is the place where a person was born. This place is often used in legal documents, together with name and date of birth, to uniquely identify a person. Practice regarding whether this place should be a country, a territory or a city/town/locality differs in different countries, but often city or territory is used for native-born citizen passports and countries for foreign-born ones. As a general rule with respect to passports, if the place of birth is to be a country, it's determined to be the country that currently has sovereignty over the actual place of birth, regardless of when the birth actually occurred. The place of birth is not necessarily the place where the parents of the new baby live. If the baby is born in a hospital in another place, that place is the place of birth. In many countries, this also means that the government requires that the birth of the new baby is registered in the place of birth. Some countries place less or no importance on the place of birth, instead using alternative geographical characteristics for the purpose of identity documents. For example, Sweden has used the concept of födelsehemort ("domicile of birth") since 1947. This means that the domicile of the baby's mother is the registered place of birth. The location of the maternity ward or other physical birthplace is considered unimportant. Similarly, Switzerland uses the concept of place of origin. A child born to Swiss parents is automatically assigned the place of origin of the parent with the same last name, so the child either gets their mother's or father's place of origin. A child born to one Swiss parent and one foreign parent acquires the place of origin of their Swiss parent. In a Swiss passport and identity card, the holder's place of origin is stated, not their place of birth. In Japan, the registered domicile is a similar concept. In some countries (primarily in the Americas), the place of birth automatically determines the nationality of the baby, a practice often referred to by the Latin phrase jus soli. Almost all countries outside the Americas instead attribute nationality based on the nationality(-ies) of the baby's parents (referred to as jus sanguinis). There can be some confusion regarding the place of birth if the birth takes place in an unusual way: when babies are born on an airplane or at sea, difficulties can arise. The place of birth of such a person depends on the law of the countries involved, which include the nationality of the plane or ship, the nationality(-ies) of the parents and/or the location of the plane or ship (if the birth occurs in the territorial waters or airspace of a country). Some administrative forms may request the applicant's "country of birth". It is important to determine from the requester whether the information requested refers to the applicant's "place of birth" or "nationality at birth". For example, US citizens born abroad who acquire US citizenship at the time of birth, the nationality at birth will be USA (American), while the place of birth would be the country in which the actual birth takes place. Reference list 8 FAM 403.4 Place of Birth Passage 6: Dance of Death (disambiguation) Dance of Death, also called Danse Macabre, is a late-medieval allegory of the universality of death. Dance of Death or The Dance of Death may also refer to: Books Dance of Death, a 1938 novel by Helen McCloy Dance of Death (Stine novel), a 1997 novel by R. L. Stine Dance of Death (novel), a 2005 novel by Douglas Preston and Lincoln Child Theatre and film The Dance of Death (Strindberg play), a 1900 play by August Strindberg The Dance of Death, a 1908 play by Frank Wedekind The Dance of Death (Auden play), a 1933 play by W. H. Auden Film The Death Dance, a 1918 drama starring Alice Brady The Dance of Death (1912 film), a German silent film The Dance of Death (1919 film), an Austrian silent film The Dance of Death (1938 film), crime drama starring Vesta Victoria; screenplay by Ralph Dawson The Dance of Death (1948 film), French-Italian drama based on Strindberg's play, starring Erich von Stroheim The Dance of Death (1967 film), a West German drama film Dance of Death or House of Evil, 1968 Mexican horror film starring Boris Karloff Dance of Death (1969 film), a film based on Strindberg's play, starring Laurence Olivier Dance of Death (1979 film), a Hong Kong film featuring Paul Chun Music Dance of Death (album), a 2003 album by Iron Maiden, or the title song The Dance of Death & Other Plantation Favorites, a 1964 album by John Fahey The Dance of Death (Scaramanga Six album) "Death Dance", a 2016 song by Sevendust See also Dance of the Dead (disambiguation) Danse Macabre (disambiguation) Bon Odori, a Japanese traditional dance welcoming the spirits of the dead La danse des morts, an oratorio by Arthur Honegger Totentanz (disambiguation) Passage 7: Rainiharo Field Marshal Rainiharo (died on 18 October 1852 in Rabodomiarana) was from 1833 to 1852 prime minister of the Kingdom of Imerina in the central highlands of Madagascar. Biography Rainiharo was born as Ravoninahitriniarivo into the Hova (freeman) class of the Merina people in the central highlands of Madagascar. His father, Andriantsilavonandriana, served as an adviser to the king Andrianampoinimerina. After distinguishing himself as a military officer in a series of campaigns of pacification in the southeastern part of the island, he was chosen as a spouse by Queen Ranavalona I following the death of her first husband in 1833, and was thereupon promoted to Commander-in-Chief of the military and Prime Minister of Madagascar. He retained these roles until his death in 1853, when he was interred in a distinctive tomb constructed in central Antananarivo by Frenchman Jean Laborde. This tomb would later hold the bodies of Rainiharo's two sons, Rainivoninahitriniony and Rainilaiarivony, who would each succeed him as Commander-in-Chief, Prime Minister and consort.He was buried in Fasan-dRainiharo, Isoraka. Literary Rainiharo is mentioned in The Fugitives by R. M. Ballantyne. Passage 8: Motherland (disambiguation) Motherland is the place of one's birth, the place of one's ancestors, or the place of origin of an ethnic group. Motherland may also refer to: Music "Motherland" (anthem), the national anthem of Mauritius National Song (Montserrat), also called "Motherland" Motherland (Natalie Merchant album), 2001 Motherland (Arsonists Get All the Girls album), 2011 Motherland (Daedalus album), 2011 "Motherland" (Crystal Kay song), 2004 Film and television Motherland (1927 film), a 1927 British silent war film Motherland (2010 film), a 2010 documentary film Motherland (2015 film), a 2015 Turkish drama Motherland (2022 film), a 2022 documentary film about the Second Nagorno-Karabakh War Motherland (TV series), a 2016 British television series Motherland: Fort Salem, a 2020 American science fiction drama series Other uses Motherland Party (disambiguation), the name of several political groups Personifications of Russia, including a list of monuments called Motherland See also All pages with titles containing Motherland Mother Country (disambiguation) Passage 9: Rainilaiarivony Rainilaiarivony (30 January 1828 – 17 July 1896) was a Malagasy politician who served as the prime minister of Madagascar from 1864 to 1895, succeeding his older brother Rainivoninahitriniony, who had held the post for thirteen years. His career mirrored that of his father Rainiharo, a renowned military man who became prime minister during the reign of Queen Ranavalona I. Despite a childhood marked by ostracism from his family, as a young man Rainilaiarivony was elevated to a position of high authority and confidence in the royal court, serving alongside his father and brother. He co-led a critical military expedition with Rainivoninahitriniony at the age of 24 and was promoted to commander-in-chief of the army following the death of the queen in 1861. In that position he oversaw continuing efforts to maintain royal authority in the outlying regions of Madagascar and acted as adviser to his brother, who had been promoted to prime minister in 1852. He also influenced the transformation of the kingdom's government from an absolute monarchy to a constitutional one, in which power was shared between the sovereign and the prime minister. Rainilaiarivony and Queen Rasoherina worked together to depose Rainivoninahitriniony for his abuses of office in 1864. Taking his brother's place as prime minister, Rainilaiarivony remained in power as Madagascar's longest-serving prime minister for the next 31 years by marrying three queens in succession: Rasoherina, Ranavalona II and Ranavalona III. As prime minister, Rainilaiarivony actively sought to modernize the administration of the state, in order to strengthen and ensure Madagascar remained independent from foreign colonial empires who wished to absorb it. The army was reorganized and professionalized, public schooling was made mandatory, a series of legal codes patterned on English law were enacted and three courts were established in Antananarivo. The statesman exercised care not to offend traditional norms, while gradually limiting traditional practices, such as slavery, polygamy, and unilateral repudiation of wives. He legislated the Christianization of the monarchy under Ranavalona II. His diplomatic skills and military acumen assured the defense of Madagascar during the Franco-Hova Wars, successfully preserving his country's sovereignty until a French column captured the royal palace in September 1895. Although holding him in high esteem, the French colonial authority deposed the prime minister and exiled him to French Algeria, where he died less than a year later in August 1896. Early life Rainilaiarivony was born on 30 January 1828 in the Merina village of Ilafy, one of the twelve sacred hills of Imerina, into a family of statesmen. His father, Rainiharo, was a high-ranking military officer and a deeply influential conservative political adviser to the reigning monarch, Queen Ranavalona I, at the time that his wife, Rabodomiarana (daughter of Ramamonjy), gave birth to Rainilaiarivony. Five years later Rainiharo was promoted to the position of prime minister, a role he retained from 1833 until his death in 1852. During his tenure as prime minister, Rainiharo was chosen by the queen to become her consort, but he retained Rabodomiarana as his wife according to local customs that allowed polygamy. Rainilaiarivony's paternal grandfather, Andriatsilavo, had likewise been a privileged adviser to the great King Andrianampoinimerina (1787–1810). Rainilaiarivony and his relatives issued from the Andafiavaratra family clan of Ilafy who, alongside the Andrefandrova clan of Ambohimanga, constituted the two most influential hova (commoner) families in the 19th-century Kingdom of Imerina. The majority of political positions not assigned to andriana (nobles) were held by members of these two families.According to oral history, Rainilaiarivony was born on a day of the week traditionally viewed as inauspicious for births. Custom in much of Madagascar dictated that such unlucky children had to be subjected to a trial by ordeal, such as prolonged exposure to the elements, since it was believed the misfortune of their day of birth would ensure a short and cursed life for the child and its family. But rather than leave the child to die, Rainilaiarivony's father reportedly followed the advice of an ombiasy (astrologer) and instead amputated a joint from two fingers on his infant son's left hand to dispel the ill omen. The infant was nonetheless kept outside the house to avert the possibility that evil might still befall the family if the child remained under their roof. Relatives took pity and adopted Rainilaiarivony to raise him within their own home. Meanwhile, Rainilaiarivony's older brother Rainivoninahitriniony enjoyed the double privilege of his status as elder son and freedom from a predestined evil fate. Rainiharo selected and groomed his elder son to follow in his footsteps as commander-in-chief and prime minister, while Rainilaiarivony was left to make his way in the world by his own merits.At age six, Rainilaiarivony began two years of study at one of the new schools opened by the London Missionary Society (LMS) for the children of the noble class at the royal palace in Antananarivo. Ranavalona shut down the mission schools in 1836, but the boy continued to study privately with an older missionary student. When Rainilaiarivony reached age 11 or 12, the relatives who had raised him decided he was old enough to make his own way in the world. Beginning with the purchase and resale of a few bars of soap, the boy gradually grew his business and expanded into the more profitable resale of fabric. The young Rainilaiarivony's reputation for tenacity and industriousness, as he fought against his predestined misfortunes, eventually reached the palace, where at the age of 14 the boy was invited to meet Queen Ranavalona I. She was favorably impressed, awarding him the official ranking of Sixth Honor title of Officer of the Palace. At 16 he was promoted to Seventh Honor, then promoted twice again to Eighth and Ninth Honor at age 19, an unprecedented ascent through the ranks.As a regular among the foreigners at the palace, young Rainilaiarivony was tasked by an English merchant as a courier for his confidential business correspondence. The merchant was impressed by the young man's punctuality and integrity and would regularly refer to him as the boy who "deals fair." With the addition of the Malagasy honorific "ra", the expression was transformed into a sobriquet—"Radilifera"—that Rainilaiarivony adopted for himself and transmitted to a son and grandson. The arrival of a doctor from Mauritius in 1848 provided Rainilaiarivony with the opportunity to study medicine over the course of three years. With this knowledge he became indispensable at the palace, where he provided modern medical care to the Queen and other members of the aristocracy. Successfully curing the Queen of a particularly grievous illness earned him a promotion to Tenth Honor in April 1851, thereby qualifying him for more responsible positions within the monarch's closest circle. Rainiharo took advantage of this trust to successfully encourage friendship between his own sons and the only child and heir apparent of the queen, her son Radama II, who was one year Rainilaiarivony's junior. Marriage and family Around 1848—the exact date of his marriage is not recorded—Rainilaiarivony, then around 20 or 21 years old and having adopted the name Radilifera, concluded a marriage with his paternal cousin Rasoanalina. They had sixteen children over the course of their marriage. In addition, a one-year-old son that Rasoanalina had conceived with another man prior to the union, Ratsimatahodriaka (Radriaka), was adopted by Rainilaiarivony as his own. As a young man, Ratsimatahodriaka was groomed by Rainilaiarivony to become his successor, but the youth fell from a balcony while intoxicated and died in his early twenties.Most of Rainilaiarivony's children failed to achieve their full potential. One son, Rafozehana, died young of delirium tremens, and sons Ratsimandresy and Ralaiarivony both met violent ends while still in their youth. Randravalahy, to whom Rainilaiarivony later ascribed the name Radilifera, was sent to France to study but returned before earning his diploma and faded into obscurity among the upper classes of Imerina. Ramangalahy studied medicine and was on his way to becoming a successful doctor, but died of illness in his twenties. Three brothers turned to crime: Rajoelina, who violated the laws of his country to enrich himself by selling contraband gold to an English company; Penoelina, who studied in England before health issues recalled him to Madagascar, where he and his friends engaged in sexual assault and theft; and Ramariavelo (Mariavelo), who organized a group of bandits to rob the houses of common citizens. One of Rainilaiarivony's daughters died in her twenties following a self-induced abortion, and the rest married and lived quiet lives out of public view. Military career The February 1852 death of Prime Minister Rainiharo left the queen without her consort, long-time political adviser and military Commander-in-Chief. She consequently awarded Rainilaiarivony a double promotion to Twelfth Honor ten days afterward, in preparation for an increase in military and political responsibilities. Shortly thereafter the queen expressed romantic interest in Rainilaiarivony and proposed that he assume the former role of his father as consort and prime minister. The young man refused on the double basis of their age difference, as well as the perceived impropriety of becoming intimate with his father's former lover. Ranavalona continued to harbor feelings for him throughout her lifetime but she did not express resentment over his refusal to reciprocate them and went on to take another high-ranking official as consort: Rainijohary, who was jointly awarded the role of prime minister along with the new Commander-in-Chief, Rainivoninahitriniony. Within a year the queen had assigned the 24-year-old Rainilaiarivony to his first position of responsibility within the military, and promoted him to Royal Secretary, keeper of the Royal Seal, and supervisor to the Royal Treasurer.Several years prior to his death, former Prime Minister Rainiharo had led military campaigns to bring the peoples of the south under Merina control. Strong military campaigns on both sides of the conflict had concluded in a peace agreement between the Merina armies and those of the Bara people of the central southern highlands, who were accorded semi-autonomous status in exchange for serving as a buffer between the Sakalava to the west and the Tanala, Antemoro, Antefasy and other ethnic groups to the southeast. Upon learning of Rainiharo's death, disgruntled southeastern factions rose up against the Merina military stationed at posts within their territory. Queen Ranavalona responded by sending Rainivoninahitriniony and Rainilaiarivony on their first military expedition to liberate the besieged Merina colonists and quell the uprising.Under the brothers' joint command were ten thousand soldiers armed with muskets and another thousand carrying swords. An additional 80,000 porters, cooks, servants and other support staff accompanied the army throughout the massive campaign. Over 10,000 were killed by Merina soldiers in the campaign, and according to custom numerous women and children were captured to be sold into slavery in Imerina. Rainilaiarivony took 80 slaves, while his older brother took more than 160. However, the campaign was only partly successful in pacifying the region and the Merina hold over the outlying areas of the island remained tenuous throughout the 19th century. First thwarted coup attempt As the queen's son Radama grew to adulthood, he became increasingly disillusioned by the high death toll of his mother's military campaigns and traditional measures of justice, and was frustrated by her unilateral rejection of European influence. The young prince developed sympathetic relationships with the handful of Europeans permitted by Ranavalona to frequent her court, namely Jean Laborde and Joseph-François Lambert, with whom he privately concluded the lucrative Lambert Charter. The charter, which would come into effect upon Radama's accession to the throne, granted Lambert large tracts of land and exclusive rights to road construction, mineral extraction, timber harvesting and other activities on the island. In May 1857, when Rainilaiarivony was 29 years old, Lambert consequently invited Prince Radama, Rainivoninahitriniony, Rainilaiarivony and a number of other officers to conspire with him in a plot to overthrow Ranavalona.On the eve of the coup, Rainivoninahitriniony informed Lambert that he could not guarantee the support of the army and that the plot should be aborted. One of the officers believed the brothers had betrayed them and sought to exonerate himself by notifying the queen of the failed conspiracy. She reacted by expelling the foreigners from the island and subjecting all the implicated Merina officers to the tangena ordeal in which they were forced to swallow a poison to determine their guilt or innocence. Rainilaiarivony and his brother were excepted from this and remained, like her son Radama, in the queen's confidence for the few remaining years of her life. Second thwarted coup attempt In the summer of 1861, when Rainilaiarivony was 33 years old, Queen Ranavalona's advanced age and acute illness produced speculation about who would succeed her. Ranavalona had repeatedly stated her intention that her progressive and pro-European son, Radama II, would be her successor, much to the chagrin of the conservative faction at court. The conservatives privately rallied behind the queen's nephew and adoptive son Ramboasalama, whom the queen had initially declared heir apparent some years prior, and who had never abandoned hope to one day reclaim the right that had briefly been accorded to him.According to custom, pretenders to the throne had historically been put to death upon the naming of a new sovereign. Radama was opposed to this practice and asked the brothers to help ensure his accession to the throne with minimum bloodshed on the day of the queen's death. Rainilaiarivony successfully maintained authority over the palace guards anxiously awaiting the command from either faction to slaughter the other. When the queen's attendant quietly informed him that her final moments were approaching, Rainilaiarivony discreetly summoned Radama and Rainivoninahitriniony from the Prime Minister's Palace to the royal Rova compound and ordered the prince crowned before the gathered soldiers, just as the queen was pronounced dead. Ramboasalama was promptly escorted to the palace where he was obliged to publicly swear allegiance to King Radama.Rainilaiarivony was made responsible for the tribunal where Ramboasalama's supporters were tried, convicted of subversion and sentenced to banishment and other punishments. Ramboasalama was sent to live with his wife Ramatoa Rasoaray—Rainilaiarivony's sister—in the distant highland village of Ambohimirimo, where he died in April 1862. Rainijohary, the former prime minister and consort of Ranavalona, was relieved of his rank and exiled, leaving his co-minister Rainivoninahitriniony as the sole prime minister. At the same time, Rainilaiarivony was promoted by Radama to the position of Commander-in-Chief of the military. Creation of a limited monarchy As Commander-in-Chief, Rainilaiarivony maintained a distance from politics throughout the reign of the new monarch, Radama II, instead preferring to focus on his military responsibilities. Meanwhile, disputes between Prime Minister Rainivoninahitriniony and King Radama grew frequent as the young sovereign pursued radical reforms that had begun to foment displeasure among the traditional masses. The situation came to a head on 7 May 1863, when Radama insisted on legalizing duels, despite widespread concern among the king's advisers that the innovation would lead to anarchy. The prime minister initiated the arrest of the menamaso, the prince's influential advisers, while Rainilaiarivony enacted his brother's instructions to keep the peace in the capital city. However, the situation deteriorated in dramatic fashion and, by the morning of 12 May, King Radama II was declared dead, having been strangled on the prime minister's orders.Not having been involved in the coup d'état, Rainilaiarivony provided direction for his brother and the rest of the court as they grappled with the gravity of their acts. He proposed that future monarchs would no longer have absolute power but would instead rule by the consent of the nobles. A series of terms were proposed by Rainilaiarivony that the nobles agreed to impose on Radama's widow, Rasoherina. Under Rainilaiarivony's new monarchy, a sovereign required the consent of the nobles to issue a death sentence or promulgate a new law, and was forbidden to disband the army. The new power sharing agreement was concluded by a political marriage between the queen and the prime minister.Because of the new limitations placed on future Merina monarchs by Rainilaiarivony and the Hova courtiers, Radama's strangling represented more than a simple coup d'état. The ruling conditions imposed on Rasoherina reflected a power shift toward the oligarchs of the Hova commoner class and away from the Andriana sovereigns, who had traditionally drawn their legitimacy from the deeply held cultural belief that the royal line was imbued with hasina, a sacred authority bestowed by the ray aman-dreny (ancestors). In this respect, the new political structure in Imerina embodied the erosion of certain traditional social values among the Merina elite, who had gained exposure to contemporary European political thought and assimilated a number of Western governance principles. It also signalled the expansion of a rift between the pro-European, progressive elite to which Rainilaiarivony and his brother belonged, and the majority of the population in Madagascar, for whom traditional values such as hasina remained integral to determining the legitimacy of a government—a divide that would deepen in the decades to come through Rainilaiarivony's efforts to effect a modernizing political and social transformation on a nationwide scale. Tenure as prime minister Rise to power Rainivoninahitriniony's tenure as sole prime minister was short lived. His violent tendencies, irritability and insolence toward Rasoherina, in addition to lingering popular resentment over Rainivoninahitriniony's role in the violent end to Radama's rule, gradually turned the opinion of the nobles against him. As Commander-in-Chief, Rainilaiarivony attempted to counsel his brother, while simultaneously overseeing diplomatic and military efforts to re-pacify the agitated Sakalava and other peoples, who viewed the coup as an indication of weakening Merina control. The prime minister repaid these efforts by repeatedly castigating high-ranking officers and even threatening Rainilaiarivony with his sword.Two of Rainilaiarivony's cousins urged him to take his elder brother's place in order to end the shame that Rainivoninahitriniony's behavior was bringing upon their family. After weighing the idea, Rainilaiarivony approached Rasoherina with the proposal. The queen readily consented and lent her assistance in rallying the support of the nobles at court. On 14 July 1864, little more than a year after the coup, Rasoherina deposed and divorced Rainivoninahitriniony, then exiled the fallen minister the following year. Rainilaiarivony was promoted to prime minister. The arrangement was sealed when Rainilaiarivony took Rasoherina as his bride and demoted his longtime spouse Rasoanalina to the status of second wife. Rainilaiarivony confided in a friend shortly before his death that he deeply loved his first wife and came to share the same degree of feeling toward Rasoherina as well, but never developed the same affection for the subsequent queens he married. None of his royal spouses bore him any children.By taking this new role, Rainilaiarivony became the first Hova to concurrently serve as both prime minister and Commander-in-Chief. The sociopolitical transformation that had been triggered by the strangling of Radama II reached its zenith with Rainilaiarivony's consolidation of administrative power. Rasoherina and her successors remained the figureheads of traditional authority, participated in political councils and provided official approval for policies. The prime minister issued new policies and laws in the Queen's name. However, the day-to-day governance, security and diplomatic activities of the kingdom principally originated with, and were managed by, Rainilaiarivony and his counselors. This new level of authority enabled the prime minister to amass a vast personal fortune, whether through inheritance, gifts or purchase, including 57 houses, large plantations and rice paddies, numerous cattle and thousands of slaves. The most prominent of Rainilaiarivony's properties was the Andafiavaratra Palace, constructed for him on the slope just below the royal Rova compound by English architect William Pool in 1873. Policies and reforms Government administration and bureaucracy was strengthened under Rainilaiarivony's leadership. In March 1876, Rainilaiarivony established eight cabinet ministries to manage foreign affairs, the interior, education, war, justice, commerce and industry, finance, and legislation. State envoys were installed throughout the island's provinces to manage administrative affairs, ensure the application of law, collect taxes and provide regular reports back to Antananarivo on the local state of affairs. The traditional method of tax collection through local administrators was expanded in the provinces, bringing in new revenues, most commonly in the form of locally produced goods such as woven mats, fish, or wood. Rainilaiarivony actively encouraged Merina settlement in the coastal provinces, but coastal peoples were not invited to participate in political administration of the territories they inhabited. Approximately one third of the island had no Merina presence and retained de facto independence from the authority of the crown, including parts of the western provinces of Ambongo and Menabe, and areas in the southern Bara, Tanala, Antandroy and Mahafaly lands.Rainilaiarivony's first royal wife, Queen Rasoherina, died on 1 April 1868, and was succeeded by her cousin Ranavalona II (crowned on 3 September 1868) who, like Rasoherina, was a widow of Radama II. Ranavalona II was a pupil of Protestant missionaries and had converted to Christianity. Rainilaiarivony recognized the growing power of Christianity on the island and identified the need to bring it under his influence in order to avert destabilizing cultural and political power struggles. The prime minister encouraged the new queen to Christianize the court through a public baptism ceremony at Andohalo on 21 February 1869, the day of their marriage. In this ceremony the supernatural royal talismans were ordered to be destroyed and replaced by the Bible. The Christianization of the court and the establishment of the independent royal Protestant chapel on the palace grounds prompted the wide-scale conversion of hundreds of thousands of Malagasy. These conversions were commonly motivated by a desire to express political allegiance to the Crown, and as such were largely nominal, with the majority of converts practicing a syncretic blend of Christian and traditional religions. Rainilaiarivony's biographers conclude that the prime minister's own conversion was also largely a political gesture and most likely did not denote a genuine spiritual shift until late in his life, if ever. Some local officials attempted to force conversions to Protestantism by mandating church attendance and persecuting Catholics, but Rainilaiarivony quickly responded to quell these overzealous practices. The prime minister's criminalization of polygamy and alcohol consumption, as well as the declaration of Sunday as a day of rest, were likewise inspired by the growing British and Protestant influences in the country. The Christianization of the court came at a steep personal price: with the outlawing of polygamy, Rainilaiarivony was forced to repudiate his first wife. The prime minister was deeply saddened by this necessity and by the consequent souring of his relationships with Rasoanalina and their children after the divorce.The prime minister recognized that the modernization of Madagascar and its system of state administration could strengthen the country against invasion by a Western power and directed his energy to this end. In 1877, he outlawed the enslavement of the Makoa community. Rainilaiarivony expanded the public education system, declaring school attendance mandatory in 1881 and forming a cadre of school inspectors the following year to ensure education quality. The island's first pharmacy was established by LMS missionaries in 1862, and the first hospital was inaugurated in Antananarivo three years later, followed by the launching in 1875 of a state medical system staffed by civil servant clinicians. Rainilaiarivony enacted a series of new legal codes over the course of his administration that sought to create a more humane social order. The number of capital offenses was reduced from eighteen to thirteen, and he put an end to the tradition of collective family punishment for the crimes of one individual. Fines were fixed for specific offenses and corporal punishment was limited to being locked in irons. The structure of legal administration was reorganized so that matters that exceeded the authority of the traditional community courts at the level of the fokonolona village collective, administered by local magistrates and village heads, would be referred to the three high courts established in the capital in 1876, although final judicial authority remained with Rainilaiarivony. The Code of 305 Laws established that same year would form the basis of the legal system applied in Madagascar for the remainder of the 19th century and throughout much of the colonial period. To strengthen rule of law, the prime minister introduced a rural police force, modernized the court system and eliminated certain unjust privileges that had disproportionately benefited the noble class.Beginning in 1872, Rainilaiarivony worked to modernize the army with the assistance of a British military instructor, who was hired to recruit, train and manage its soldiers. Rainilaiarivony purchased new local and imported firearms, reintroduced regular exercises and reorganized the ranking system. He prohibited the purchasing of rank promotions or exemptions from military service and instituted free medical care for soldiers in 1876. The following year Rainilaiarivony introduced the mandatory conscription of 5,000 Malagasy from each of the island's six provinces to serve five years in the royal army, swelling its ranks to over 30,000 soldiers. Foreign relations During his time in power, Rainilaiarivony proved himself a competent and temperate leader, administrator and diplomat. In foreign affairs he exercised acumen and prudent diplomacy, successfully forestalling French colonial designs upon Madagascar for nearly three decades. Rainilaiarivony established embassies in Mauritius, France and Britain, while treaties of friendship and trade were concluded with Britain and France in 1862 and revised in 1865 and 1868 respectively. Upon the arrival of the first American plenipotentiary in Antananarivo, a treaty between the United States and Madagascar was agreed in 1867. A British contemporary observed that his diplomatic communication skills were particularly evident in his political speeches, describing Rainilaiarivony as a "Great orator among a nation of orators".The early years of Rainilaiarivony's tenure as prime minister saw a reduction in French influence on the island, to the benefit of the British, whose alliance he strongly preferred. Contributing factors to the eclipse of French presence included a military defeat in 1870 and economic constraints that forced an end to French government subsidy of Catholic missions in Madagascar in 1871. He permitted foreigners to lease Malagasy land for 99 years but forbade its sale to non-citizens. The decision not to undertake the construction of roads connecting coastal towns to the capital was adopted as a deliberate strategy to protect Antananarivo from potential invasion by foreign armies.Despite the strong presence of British missionaries, military advisers and diplomats in Antananarivo in the early part of Rainilaiarivony's administration, the 1869 opening of the Suez Canal led the British to shift their focus to combating French presence in Egypt, at the expense of their own long-standing interests in Madagascar. When Jean Laborde died in 1878 and Rainilaiarivony refused to allow his heirs to inherit Malagasy land accorded him under Radama II's Lambert Charter, France had a pretext for invasion. Rainilaiarivony sent a diplomatic mission to England and France to negotiate release of their claims on Malagasy lands and was successful in brokering a new agreement with the British. Talks with the French conducted between November 1881 and August 1882 broke down without reaching consensus on the status of French land claims. Consequently, France launched the First Franco-Hova War in 1883 and occupied the coastal port towns of Mahajanga, Antsiranana, Toamasina and Vohemar. Queen Ranavalona II died during the height of these hostilities in July 1883. Rainilaiarivony chose her 22-year-old niece, Princess Razafindrahety, to replace her under the throne name Ranavalona III. It was widely rumored that Rainilaiarivony may have ordered the poisoning of Razafindrahety's first husband in order to free the princess to become his spouse and queen. Thirty-three years younger than her new husband, Ranavalona III was relegated to a largely ceremonial role during her reign, while the prime minister continued to manage the critical affairs of state. In December 1885, Rainilaiarivony successfully negotiated the cessation of hostilities in the first Franco-Hova War.The agreement drafted between the French and Malagasy governments did not clearly establish a French protectorate over the island, partly because recent French military involvement in the Tonkin Campaign had begun to turn popular opinion against French colonial expansion. The Malagasy crown agreed to pay ten million francs to France to settle the dispute, a sum that was partly raised through the unpopular decision to increase fanampoana (forced labor in lieu of cash taxes) to mobilize the populace in panning for gold in the kingdom's rivers. This expense, coupled with Rainilaiarivony's removal of $50,000 in silver and gold coins from the tomb of Ranavalona I to offset the cost of purchasing arms in the run-up to the First Franco-Hova War, effectively emptied the royal treasury reserves. Capitalizing on Madagascar's weakened position, the French government then occupied the port town of Antsiranana and installed French Resident-General Le Myre de Vilers in Antananarivo, citing vague sections of the treaty as justification. The Resident-General was empowered by the French government to control international trade and foreign affairs on the island, although the monarchy's authority over internal administration was left unchallenged. Refusing to acknowledge the validity of the French interpretation of the treaty, Rainilaiarivony continued managing trade and international relations and unsuccessfully solicited assistance from the United States in maintaining the island's sovereignty. In 1894, the French government pressed Rainilaiarivony to unconditionally accept the status of Madagascar as a French protectorate. In response, Rainilaiarivony broke off all diplomatic relations with France in November 1894. Deposition and exile The cessation of diplomatic relations between France and Madagascar prompted immediate French military action in a campaign that became known as the Second Franco-Hova War. The expedition ended eleven months later in September 1895 when a French military column reached Antananarivo and bombarded the royal palace with heavy artillery, blasting a hole through the roof of the queen's quarters and inflicting heavy casualties among the numerous courtiers gathered in the palace courtyard. Rainilaiarivony sent an interpreter to carry a white flag to the French commander and entreat his clemency. Forty-five minutes later he was joined by Radilifera, the prime minister's son, to request the conditions of surrender; these were immediately accepted. The following day Queen Ranavalona signed a treaty accepting the French protectorate over Madagascar. She and her court were permitted to remain at the palace and administer the country according to French dictates.Upon the queen's signing of the treaty, the French government deposed Rainilaiarivony from his position as prime minister and commander-in-chief. The minister of foreign affairs, an elderly man named Rainitsimbazafy, was jointly selected by the French and Ranavalona as his replacement. The French ordered Rainilaiarivony to be exiled to French Algeria, although he initially remained in Antananarivo for several months after the treaty was signed. On 15 October 1895 the former prime minister was placed under house arrest and put under the guard of Senegalese soldiers at his home in Amboditsiry. On 6 February 1896, at the age of 68, Rainilaiarivony boarded a ship bound for Algiers and left his island for the first time in his life. He was accompanied by his grandson, Ratelifera, as well as an interpreter and four servants. On 17 March 1896 the ship docked at the port of Algiers, where he would live out the few remaining months of his life.The French government installed Rainilaiarivony in the Geryville neighborhood of Algiers, one of the derelict parts of town. He was assigned a French attendant and guard named Joseph Vassé, who maintained detailed documentation on the personality and activities of Rainilaiarivony throughout his exile in French Algeria. Vassé described the former prime minister as a man of great spontaneity, sincere friendliness, and openness of heart, but also prone to mood swings, touchiness, and a tendency to be demanding, especially in regard to his particular tastes in clothing. His intelligence, tact and leadership qualities won him the admiration of many who knew him, including Le Myre des Vilers, who referred to him as both an enemy and a friend. Upon learning of Rainilaiarivony's living situation in Algiers, Le Myre de Vilers privately lobbied the French government for better accommodation. Consequently, Vassé found a new home for the former prime minister at the elegant estate called Villa des Fleurs ("Villa of the Flowers") in the upscale Mustapha Supérieur neighborhood, neighboring the residence of the exiled former king of Annam.The beauty of his Villa des Fleurs home and the warm reception he received in French Algeria pleased Rainilaiarivony and contributed to a positive impression of his new life in Algiers. He quickly developed an excellent reputation among the local high society, who perceived him as a kind, intelligent, generous and charming figure. The Governor-General of French Algeria regularly invited him to diplomatic balls and social events where Rainilaiarivony danced with the enthusiasm and endurance of a much younger man. When not busy with diverse social engagements, Rainilaiarivony avidly read the newspaper and corresponded with contacts in Madagascar. As an insurrection in Madagascar emerged against French rule, the former prime minister wrote a letter published in a Malagasy newspaper on 5 July 1896 that condemned the participants as ungrateful for the benefits that contact with the French would bring to the island. His last outing in Algiers was on 14 July 1896 to watch the Bastille Day fireworks show. As he walked through the streets to join other spectators in his party, he was greeted with cheers and calls of "Vive le Ministre!" ("Long live the Minister!") from admiring onlookers. Death The intense heat at the outdoor Bastille Day event on 14 July exhausted the former prime minister, and that evening Rainilaiarivony developed a fever. He slept poorly, disturbed by a dream in which he saw the former queen Rasoherina stand beside his bed, saying, "In the name of your brother, Rainivoninahitriniony, be ready." One of Rainilaiarivony's servants reported the dream to Vassé, explaining it as a premonition that foretold Rainilaiarivony's impending death. The former prime minister remained in bed and rapidly weakened over the next several days as his fever worsened and he developed a headache. He was constantly attended by his closest friends and loved ones. Rainilaiarivony died in his sleep on 17 July 1896.Rainilaiarivony's body was initially interred within a stone tomb in Algiers. In 1900, the former prime minister's remains were exhumed and transported to Madagascar, where they were interred in the family tomb constructed by Jean Laborde in the Isotry neighborhood of Antananarivo. French colonial governor General Gallieni and Rainilaiarivony's grandson both spoke at the funeral, which was heavily attended by French and Malagasy dignitaries. In his eulogy, Gallieni expressed esteem for the former prime minister in the following terms: "Rainilaiarivony was worthy of leading you. In the years to come, will there be a monument erected in his memory? This should be an obligation for the Malagasy who will have the freedom to do so. France has now taken Madagascar, come what may, but it's a credit to Rainilaiarivony to have protected it the way he did." Following the funeral a commemorative plaque was installed at Rainilaiarivony's family tomb, engraved with the words "Rainilairivony, ex Premier Ministre et Commandant en chef de Madagascar, Commandeur de la Légion d'honneur" ("former Prime Minister and Commander-in-Chief of Madagascar, Commander of the Legion of Honor"). External links Registers of Rainilaiarinony (1864-1895) (British Library - Endangered Archives Programme) Notes Passage 10: Where Was I "Where Was I?" may refer to: Books "Where Was I?", essay by David Hawley Sanford from The Mind's I Where Was I?, book by John Haycraft 2006 Where was I?!, book by Terry Wogan 2009 Film and TV Where Was I? (film), 1925 film directed by William A. Seiter. With Reginald Denny, Marian Nixon, Pauline Garon, Lee Moran. Where Was I? (2001 film), biography about songwriter Tim Rose Where Was I? (TV series) 1952–1953 Quiz show with the panelists attempting to guess a location by looking at photos "Where Was I?" episode of Shoestring (TV series) 1980 Music "Where was I", song by W. Franke Harling and Al Dubin performed by Ruby Newman and His Orchestra with vocal chorus by Larry Taylor and Peggy McCall 1939 "Where Was I", single from Charley Pride discography 1988 "Where Was I" (song), a 1994 song by Ricky Van Shelton "Where Was I (Donde Estuve Yo)", song by Joe Pass from Simplicity (Joe Pass album) "Where Was I?", song by Guttermouth from The Album Formerly Known as a Full Length LP (Guttermouth album) "Where Was I", song by Sawyer Brown (Billy Maddox, Paul Thorn, Anne Graham) from Can You Hear Me Now 2002 "Where Was I?", song by Kenny Wayne Shepherd from Live On 1999 "Where Was I", song by Melanie Laine (Victoria Banks, Steve Fox) from Time Flies (Melanie Laine album) "Where Was I", song by Rosie Thomas from With Love (Rosie Thomas album)

doc_99

Passage 1: W. Augustus Barratt W. Augustus Barratt (3 June 1873 – 12 April 1947) was a Scottish-born, later American, songwriter and musician. Early life and songs Walter Augustus Barratt was born 3 June 1873 in Kilmarnock, the son of composer John Barratt; the family later lived in Paisley. In 1893 he won a scholarship for composition to the Royal College of Music. In his early twenties he contributed to The Scottish Students' Song Book, with three of his own song compositions and numerous arrangements. By the end of 1897 he had published dozens of songs, such as Sir Patrick Spens, The Death of Cuthullin, an album of his own compositions, and arrangements of ten songs by Samuel Lover. He then, living in London, turned his attention to staged musical comedy, co-creating, with Adrian Ross, The Tree Dumas Skiteers, a skit, based on Sydney Grundy's The Musketeers that starred Herbert Beerbohm Tree. He co-composed with Howard Talbot the successful Kitty Grey (1900).He continued to write songs and to receive recognition for them. The 1901 and 1902 BBC Promenade Concerts, "The Proms", included four of his compositions, namely Come back, sweet Love, The Mermaid, My Peggy and Private Donald. His setting of My Ships, a poem by Ella Wheeler Wilcox, was performed by Clara Butt and republished several times. It also appeared four times, with different singers, in the 1913 and 1914 Proms. America In September 1904 he went to live in New York City, finding employment with shows on Broadway, including the following roles: on-stage actor (Sir Benjamin Backbite) in Lady Teazle (1904-1905), a musical version of The School for Scandal; musical director of The Little Michus (1907), also featuring songs by Barratt; co-composer of Miss Pocahontas (1907), a musical comedy; musical director of The Love Cure (1909–1910), a musical romance; composer of The Girl and the Drummer (1910), a musical romance with book by George Broadhurst. Tried out in Chicago and elsewhere, it did not do well and never reached Broadway; musical director of The Quaker Girl (1911–1912); co-composer and musical director of My Best Girl (1912); musical director of The Sunshine Girl (1913); musical director of The Girl who Smiles (1915), a musical comedy; musical director and contributor to music and lyrics of Her Soldier Boy (1916–1917); composer, lyricist and musical director of Fancy Free (1918), with book by Dorothy Donnelly and Edgar Smith; contributor of a song to The Passing Show of 1918; composer and musical director of Little Simplicity (1918), with book and lyrics by Rida Johnson Young; contributor of lyrics to The Melting of Molly (1918–1919), a musical comedy; musical director of What's in a Name? (1920), a musical revue 1921 in London Though domiciled in the US, he made several visits back to England. During an extended stay in 1921 he played a major part in the creation of two shows, both produced by Charles B. Cochran, namely League of Notions, at the New Oxford Theatre, for which he composed the music and co-wrote, with John Murray Anderson, the lyrics; Fun of the Fayre, at the London Pavilion, for which similarly he wrote the music and co-wrote the lyrics Back to Broadway Back in the US he returned to Broadway, working as composer and lyricist of Jack and Jill (1923), a musical comedy; musical director of The Silver Swan (1929), a musical romance Radio plays In later years he wrote plays and operettas mostly for radio, such as: Snapshots: a radioperetta (1929) Sushannah and the Brush Wielders: a play in 1 act (1929) The Magic Voice: a radio series (1933) Men of Action: a series of radio sketches (1933) Say, Uncle: a radio series (1933) Sealed Orders: a radio drama (1934) Sergeant Gabriel (with Hugh Abercrombie) (1945) Personal In 1897 in London he married Lizzie May Stoner. They had one son. In 1904 he emigrated to the US and lived in New York City. His first marriage ended in divorce in 1915 and, in 1918, he married Ethel J Moore, who was American. In 1924, he became a naturalized American citizen. He died on 12 April 1947 in New York City. Note on his first name The book British Musical Biography by Brown & Stratton (1897) in its entry for John Barratt refers to "his son William Augustus Barratt" with details that make it clear that Walter Augustus Barratt is the same person and that a "William" Augustus Barratt is a mistake. For professional purposes up to about 1900 he appears to have written as "W. Augustus Barratt", and thereafter mostly as simply "Augustus Barratt". Passage 2: Alludugaru Alludugaru or Alludu Garu is a 1990 Indian Telugu-language drama film directed by K. Raghavendra Rao and produced by Mohan Babu under Lakshmi Prasanna Films. This film stars Mohan Babu and Shobhana in lead roles, while Ramya Krishna also appeared in an important supporting role. It was commercially and critically successful running for more than 100 days. The music of the movie was composed by K. V. Mahadevan.This film is a remake of Malayalam blockbuster Chithram. Cast Mohan Babu as Vishnu Shobana as Kalyani Ramya Krishna as Revathi Jaggayya as Ramachandra Prasad Chandramohan as Anand Kaikala Satyanarayana as Jailer Gollapudi Maruthi Rao Sudhakar Nizhalgal Ravi Soundtrack Soundtrack composed by K. V. Mahadevan is owned by Aditya Music. Awards K. J. Yesudas won Nandi Award for Best Male Playback Singer for the song "Muddabanthi Navvulo". Passage 3: The Laughing Policeman (film) The Laughing Policeman (released in the UK as An Investigation of Murder) is a 1973 American neo-noir thriller film loosely based on the 1968 novel of the same name by Maj Sjöwall and Per Wahlöö. The setting of the story is transplanted from Stockholm to San Francisco. It was directed by Stuart Rosenberg and features Walter Matthau as Detective Jake Martin. Plot A busload of passengers, including off-duty police detective Dave Evans, are gunned down and killed. Evans, on his own time, has been following a man named Gus Niles in search of information linking businessman Henry Camarero to the murder of his wife, Teresa, two years earlier. Evans was the partner of Detective Sergeant Jake Martin, a veteran but cynical member of the Homicide Detail working the bus massacre investigation. Jake originally investigated the Teresa Camarero case and has been obsessed with his failure to "make" Camarero for the murder. Jake returns to it after many dead-end leads (including a disastrous confrontation with a deranged amputee who takes hostages at gunpoint) in the bus investigation. Niles was killed on the bus as well, and it was Niles who provided the alibi that enabled Camarero to cover up his wife's murder. The sullen Jake and enthusiastic but impulsive Inspector Leo Larsen are paired to interview suspects. Jake shuts out Larsen from his deductions, while Larsen, despite a loose-on-the-rules and brutal side, tries to understand and gain the confidence of his new partner. Defying the orders of their police superior Lt. Steiner, they seek, find and then smoke out Camarero, leading to a chase through the streets of San Francisco and a confrontation aboard another bus. Cast Walter Matthau as Sgt. Jake Martin (Martin Beck in the novel) Bruce Dern as Insp. Leo Larsen (Gunvald Larsson in the novel) Louis Gossett Jr. as Insp. James Larrimore Anthony Zerbe as Lt. Nat Steiner Albert Paulsen as Henry Camerero Val Avery as Insp. John Pappas Paul Koslo as Duane Haygood Cathy Lee Crosby as Kay Butler Joanna Cassidy as Monica Clifton James as Maloney Gregory Sierra as Ken Vickery Matt Clark as Coroner Reception On review aggregator website Rotten Tomatoes the film has a score of 57% based on reviews from 14 critics, with an average rating of 5.5/10. Roger Ebert of the Chicago Sun-Times said, The Laughing Policeman is an awfully good police movie: taut, off-key, filled with laconic performances. It provides the special delight we get from gradually unraveling a complicated case... The direction is by Stuart Rosenberg, and marks a comeback of sorts... With The Laughing Policeman, he takes a labyrinthine plot and leads us through it at a gallop; he respects our intelligence and doesn't bother to throw in a lot of scenes where everything is explained. All the pieces in the puzzle do fit together, you realize after the movie is over, and part of the fun is assembling them yourself. And there are a couple of scenes that are really stunning, like the bus shooting, and an emergency room operation, and scenes where the partners try to shake up street people to get a lead out of them. Police movies so often depend on sheer escapist action that it's fun to find a good one. Variety praised the film saying that "After an extremely overdone prolog of violent mass murder on a bus, The Laughing Policeman becomes a handsomely made manhunt actioner, starring Walter Matthau and Bruce Dern in excellent performances as two San Francisco detectives".According to Chris Petit of Time Out, "By the end, complete with car chase and split-second shooting, the film has become indistinguishable from all those movies it's trying so hard to disown".The Laughing Policeman was released on Blu-ray on November 15, 2016. Matthew Hartman of High-Def Digest, who reviewed it, wrote "[the film] could have been a great and gritty 70s thriller, unfortunately, it's primary story doesn't live up to the potential of the opening scene". See also List of American films of 1973 Passage 4: Piero Schivazappa Piero Schivazappa (born 14 April 1935) is an Italian film and television director and screenwriter. Life and career Born in Colorno, Schivazappa entered the film industry in 1959 as an assistant director, collaborating with Valerio Zurlini, Mario Monicelli and Carlo Lizzani, among others. In 1963, he started collaborating with RAI for news reports and documentaries.Schivazappa made his feature film debut in 1969, with the controversial BDSM-themed The Laughing Woman, which at the time had many problems with censorship. Following the success of his 1973 miniseries Vino e pane, in the following years he focused on television films and TV-series. In 1986 Schivazappa directed Serena Grandi in the erotic drama La signora della notte , produced by Giovanni Bertolucci. Personal life Schivazappa is married to actress Scilla Gabel. Selected filmography L'Odissea (TV, 1968) The Laughing Woman (1969) Una sera c'incontrammo (1975) Dov'è Anna? (TV, 1976) Lady of the Night (1986) An American Love (TV, 1994) Passage 5: The Laughing Cavalier (film) The Laughing Cavalier is a 1917 British silent adventure film directed by A. V. Bramble and Eliot Stannard and starring Mercy Hatton, Edward O'Neill and George Bellamy. It is an adaptation of the 1913 novel The Laughing Cavalier by Baroness Emmuska Orczy. Cast Mercy Hatton - Gilda Beresteyn George Bellamy - Lord Stoutenberg Edward O'Neill - Governor Beresteyn A.V. Bramble - Diogenes Frederick Sargent - Nicholas Beresteyn Eva Westlake - Lady Stoutenberg Passage 6: The Laughing Woman The Laughing Woman (Latin: Femina ridens), also known as The Frightened Woman, is a 1969 Italian erotic thriller film directed by Piero Schivazappa. Plot Dr. Sayer, the director of a philanthropic foundation, spends his weekends at his luxurious villa outside of Rome toying with sadistic fantasies. His games are usually acted out with the help of a prostitute conversant with his desires. When his regular prostitute becomes unavailable at the last minute, Sayer substitutes Maria, a young journalist on his staff. After the drugged Maria regains consciousness at his villa, Sayer realizes that he now has a real victim on his hands. She is subjected to his unpleasant games but soon begins subverting him. Cast Philippe Leroy: Doctor Sayer Dagmar Lassander: Mary Lorenza Guerrieri: Gida Varo Soleri: Administrator Maria Cumani Quasimodo: Sayer's Secretary Mirella Pamphili: Streetwalker Soundtrack The soundtrack to the film was composed by Stelvio Cipriani and released in 1969. Track listing Side A Week-End With Mary Love Symbol Hot Skin Chorus And Brass "Fugato" Rendez-Vous In The Castle Sophisticated Shake Side B "Femina Ridens" Song Mary's Theme The Shower The Run In The Alley Fight Of Love Passage 7: Rumbi Katedza Rumbi Katedza is a Zimbabwean Film Producer and Director who was born on 17 January 1974. Early life and education She did her Primary and Secondary Education in Harare, Zimbabwe. Katedza graduated with a Bachelor of Arts in English from McGill University, Canada in 1995. In 2008 Katedza received the Chevening Scholarship that enabled her to further her studies in film. She also holds a MA in Filmmaking from Goldsmiths College, London University. Work and filmography Katedza has experience in Film and TV Production, Directing, Writing as well as Producing and presenting Radio shows. From 1994 to 2000, She produced and presented radio shows on Women's issues, Arts and Culture, Hip Hop and Acid Jazz for the CKUT (Montreal) and ZBC Radio 3 (Zimbabwe). From 2004 - 2006, she served as the Festival Director of the Zimbabwe International Film Festival. Whilst there, she produced the Postcards from Zimbabwe Series. In 2008, Katedza founded Mai Jai Films and has produced numerous films and television productions under the banner namely Tariro (2008); Big House, Small House (2009); The Axe and the Tree (2011); The Team (2011) Playing Warriors (2012)Her early works include: Danai (2002); Postcards from Zimbabwe (2006); Trapped (2006 – Rumbi Katedza, Marcus Korhonen); Asylum (2007); Insecurity Guard (2007)Rumbi Katedza is a part-time lecturer at the University of Zimbabwe, in the department of Theatre Arts. She is a judge and monitor at the National Arts Merit Awards, responsible for monitoring new film and TV productions throughout the year on behalf of the National Arts Council of Zimbabwe. She has also lobbied Zimbabwean government to actively support the film industry. Passage 8: Hassan Zee Hassan "Doctor" Zee is a Pakistani-American film director who was born in Chakwal, Pakistan. Early life Doctor Zee grew up in Chakwal, a small village in Punjab, Pakistan. as one of seven brothers and sisters His father was in the military and this fact required the family to move often to different cities. As a child Zee was forbidden from watching cinema because his father believed movies were a bad influence on children. At age 13, Doctor Zee got his start in the world of entertainment at Radio Pakistan where he wrote and produced radio dramas and musical programs. It was then that he realized his passion for storytelling At the age of 26, Doctor Zee earned his medical doctorate degree and did his residency in a burn unit at the Pakistan Institute of Medical Sciences. He cared for women who were victims of "Bride Burning," the archaic practice used as a form of punishment against women who fail to provide sufficient dowry to their in-laws after marriage or fail to provide offspring. He also witnessed how his country’s transgender and intersex people, called “hijras”, were banned from having jobs and forced to beg to survive. These experiences inspired Doctor Zee to tackle the issues of women’s empowerment and gender inequality in his films.In 1999, he came to San Francisco to pursue his dream of filmmaking and made San Francisco his home Education He received his early education from Jinnah Public School, Chakwal. He got his medical doctor degree at Rawalpindi Medical College, Pakistan. Film career Doctor Zee's first film titled Night of Henna was released in 2005. The theme of the film dealt with "the conflict between Old World immigrant customs and modern Western ways..." Night of Henna focused on the problems of Pakistani expatriates who found it hard to adjust in American culture. Many often landed themselves in trouble when it came to marrying off their children. His second film Bicycle Bride came out in 2010, which was about "the clash between the bonds of family and the weight of tradition." His third film House of Temptation that came out in 2014 was about a family which struggles against the temptations of the Devil. His fourth film “Good Morning Pakistan”, concerned a young American’s journey back to Pakistan where he confronts the contradictory nature of a beautiful and ancient culture that's marred by economic, educational and gender inequality His upcoming fifth film, "Ghost in San Francisco" is a supernatural thriller starring Felissa Rose, Dave Sheridan, and Kyle Lowder where a soldier comes home from Afghanistan to discover that his wife is having an affair with his best friend. While battling with his inner ghosts and demons, he meets a mysterious woman in San Francisco who promises him a ritual for his cure. Passage 9: Edward Yates Edward J. Yates (September 16, 1918 – June 2, 2006) was an American television director who was the director of the ABC television program American Bandstand from 1952 until 1969. Biography Yates became a still photographer after graduating from high school in 1936. After serving in World War II, he became employed by Philadelphia's WFIL-TV as a boom microphone operator. He was later promoted to cameraman (important as most programming was done live and local during the early years of television) and earned a bachelor's degree in communications in 1950 from the University of Pennsylvania. In October 1952, Yates volunteered to direct Bandstand, a new concept featuring local teens dancing to the latest hits patterned after the "950 Club" on WPEN-AM. The show debuted with Bob Horn as host and took off after Dick Clark, already a radio veteran at age 26, took over in 1956. It was broadcast live in its early years, even after it became part of the ABC network's weekday afternoon lineup in 1957 as American Bandstand. Yates pulled records, directed the cameras, queued the commercials and communicated with Clark via a private line telephone located on his podium. In 1964, Clark moved the show to Los Angeles, taking Yates with him. Yates retired from American Bandstand in 1969, and moved his family to the Philadelphia suburb of West Chester. He died in 2006 at a nursing home where he had been for the last two months of his life. External links Edward Yates at IMDb Passage 10: K. Raghavendra Rao Kovelamudi Raghavendra Rao (born 23 May 1942) is an Indian film director, screenwriter, and producer known for his works predominantly in Telugu cinema besides having directed a few Hindi films. He has garnered four state Nandi Awards and five Filmfare Awards South. In a film career spanning more than four decades, Rao has directed more than a hundred feature films across multiple genres such as romantic comedy, fantasy, melodrama, action thriller, biographical and romance films.Rao received the state Nandi Award for Best Director for his works such as Bobbili Brahmanna (1984), and Pelli Sandadi (1996). He garnered the Filmfare Award for Best Director – Telugu for the drama film Prema Lekhalu (1977), the fantasy film Jagadeka Veerudu Athiloka Sundari (1990), and the romance film Allari Priyudu (1993). Rao is known for his works in hagiographical films such as Annamayya (1997), which won two National Film Awards, and was also showcased at the 1998 International Film Festival of India in the mainstream section. Rao also received the Nandi Award for Best Direction, the Filmfare Award for Best Direction for his work in the film. His other hagiographic works such as Sri Manjunatha (2001), Sri Ramadasu (2006), Shirdi Sai (2012) and Om Namo Venkatesaya (2017), received several state honours. His mainstream works such as the 1987 social problem film Agni Putrudu, and the 1988 action thriller Aakhari Poratam, were screened at the 11th and 12th International Film Festival of India respectively in the mainstream section. In 1992, he directed the melodrama Gharana Mogudu which premiered at the 1993 International Film Festival of India in the mainstream section. It became the first Telugu film to gross over ₹10 crore (US$1.3 million) at the box office. Next, he directed the instant hit Allari Priyudu (1993), which also premiered at the 1994 International Film Festival of India in the mainstream section.He is also credited with introducing many actors, actresses, and technicians to the Telugu film industry, like Sridevi, Tabu, Tapsee Pannu, Manchu Lakshmi, Sreeleela, Venkatesh, Mahesh Babu, Allu Arjun, S. S. Rajamouli, and Marthand K. Venkatesh. Personal life Raghavendra Rao was born on 23 May 1942 to veteran director K. S. Prakash Rao and Koteswaramma. He is also the father of actor turned filmmaker Prakash Kovelamudi. Raghavendra Rao was an executive member in the Tirumala Tirupati Devasthanams Board from 2015 to 2019. Awards and honors Nandi AwardsNTR National Award - 2015 B. N. Reddy National Award for lifetime contribution to Telugu cinema (2009) Best Director – Annamayya (1997) Best Choreographer – Pelli Sandadi (1996) Best Director – Pelli Sandadi (1996) Best Director – Allari Priyudu (1993) Best Director – Bobbili Brahmanna (1984)Filmfare Awards SouthBest Director – Prema Lekhalu (1977) Best Director – Jagadeka Veerudu Athiloka Sundari (1990) Best Director – Allari Priyudu (1993) Best Director – Annamayya (1997) Lifetime Achievement Award (2002)IIFA AwardsOutstanding contribution to Indian cinema (2017)SIIMA AwardsLifetime Achievement Award (2014)CineMAA AwardsLifetime Contribution Award – (2012) Best Film (Jury) – Shirdi Sai – (2013)Other AwardsAllu Rama Lingaiah Award (2016) Filmography Director Actor Supervisor of direction Associate director Producer Presenter Choreographer Television 2002: Santhi Nivasam (ETV Telugu) 2010: Arundathi (ETV Kannada) 2013: Mangammagari Manavaralu (Zee telugu) 2014: Soundrya Lahari (ETV Telugu) 2016: Koyilamma (MAA TV) 2017: Sye Sye Sayyare (ETV Telugu) 2017: Agnisakshi (Star MAA) 2018: Siri Siri Muvvalu (Star MAA) 2020: C/o Anasuya (Star MAA) 2021: Krishna Tulasi (Zee telugu)