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harnessing the explosive momentum of the internet , anime heralds a revolution in 21st century youth culture .
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paul 's true romantic feelings soon surface and jenny finds things to be a little more than she can handle .
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they have to prepare for some action as the there will be a full moon tonight . . .
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but as she comes home , she opens a mysterious door that leads her to an artificial world : the holo-deck .
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although she came back to the house in order to sell it , things begin to take a different direction : the house itself , the furniture and other equipment in it seem to become alive for anna , recalling images of her past , her beloved parents and her friend max , who once gave her shelter from the raging policemen when she took part as a photo journalist in a political demonstration in berlin .
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scared of death , winnie must choose between being immortal and being with jesse or following the circle of life and dying someday .
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the writers , director wally wolodarsky , and all the actors should start their own coeducational fraternity : kappa rho alpha phi .
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it is quickly agreed however , that selling chocolates door to door , or fire powered potato guns to children , may be too complicated .
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the minor figures surrounding [ bobby ] . . . form a gritty urban mosaic .
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a garden-fresh morality tale for the kids , with monty python-inspired humor .
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smart , sassy interpretation of the oscar wilde play .
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lan yu seems altogether too slight to be called any kind of masterpiece . it is , however , a completely honest , open-hearted film that should appeal to anyone willing to succumb to it .
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this spider-woman , secretly connected to the mob , has jealously controlled patricia 's life as well as the one of her husband , casino owner francis hiller ( timothy bottoms ) .
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but then the crew detects a break-in on their computer systems , and picard is captured by the romulans because shinzon needs him as his only matching supplier of genetic material .
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a romantic comedy that operates by the rules of its own self-contained universe .
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this 72-minute film does have some exciting scenes , but it 's a tad slow .
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john was one of the first porn stars to push for aids testing in the porn industry .
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the driver finds himself in a dangerous , yet highly political situation ; this time being pursued by a helicopter gunship while carrying a passenger with a suitcase . . .
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comedic high jinks ensue as the two go on the lam and start to fall in love .
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wounded by tom 's derision , michael befriends ex-convict everette hatch , who , recognizing opportunity , exploits michael 's ideas to his advantage .
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but a sassy hispanic angel in a mets cap and jacket wrestles joe in an alleyway and makes him listen to the divine message of the miraculous , `` fear not . ``
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she entranced the founder of the museum of art ( masp ) where the fashion parade was being held , and her career was hence launched .
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about schmidt is undoubtedly one of the finest films of the year . if you 're not deeply touched by this movie , check your pulse .
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what about charlotte : can pally let his heart take the lead ?
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schnitzler does a fine job contrasting the sleekness of the film 's present with the playful paranoia of the film 's past .
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the only way to find out though what really happened is to enter the site itself . . .
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mostly centered on indianapolis , this film puts this problem ( which many assume to be an urban phenomenon ) firmly in the heartland of the usa .
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slackers ' jokey approach to college education is disappointingly simplistic -- the film 's biggest problem -- and there are no unforgettably stupid stunts or uproariously rude lines of dialogue to remember it by .
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what should have been a cutting hollywood satire is instead about as fresh as last week 's issue of variety .
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when an international criminal ( dacascos ) kidnaps the daughter of a gang leader ( dmx ) as part of a diamond heist , it causes a city 's police to engage in an intensive search ( led by a government agent played by li ) , aided by the father 's gangsters .
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while she is away a strange man with an axe comes into the motel room and attacks matt .
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brosnan gives a portrayal as solid and as perfect as his outstanding performance as bond in die another day .
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for those who like quirky , slightly strange french films , this is a must !
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for the most part , director anne-sophie birot 's first feature is a sensitive , extraordinarily well-acted drama .
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a good-natured ensemble comedy that tries hard to make the most of a bumper cast , but never quite gets off the ground .
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adding to the situation is a killer hurricane bearing down on the island .
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`` the best disney movie since the lion king ``
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this is mild-mannered , been-there material given a pedestrian spin by a director who needed a touch of the flamboyant , the outrageous .
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andrew is infatuated with sannah and fantazises about her but believes there 's no chance she will like him if she gets to know him , so he decides it 's better they never meet for real . . .
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it is the first time ever that he leaves the desolate village in the balkan mountains .
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truth is stranger than fiction , so the old saying goes . in 'catch me if you can , ' it 's also more entertaining .
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large budget notwithstanding , the movie is such a blip on the year 's radar screen that it 's tempting just to go with it for the ride . but this time , the old mib label stands for milder is n't better .
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while the topic has grown heavier here , [ moretti 's ] touch has not , and that disparity is precisely what gives the film its sustained poignancy .
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a murder in the camp gives him the chance to set a risky plan in motion .
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hot on the trail of the principle villains , bond travels to iceland where he experiences at first hand the power of an amazing new weapon before a dramatic confrontation with his main adversary back in korea where it all started . . .
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partly because of the severe regime of a dreadful nurse , the five decide to escape from their new home and go back to the old one under their own steam .
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a profoundly stupid affair , populating its hackneyed and meanspirited storyline with cardboard characters and performers who value cash above credibility .
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de niro looks bored , murphy recycles murphy , and you mentally add showtime to the pile of hollywood dreck that represents nothing more than the art of the deal .
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this fairy tale beginning freefalls from happy to disastrous as the newlyweds are besieged by emotionally challenged children , a savagily jealous ex-wife and a drunken dad .
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fresh out of prison , dara is on a mission to scatter her mother 's ashes in lake superior .
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after discovering a passenger ship missing since 1962 floating adrift on the bering sea , salvagers claim the vessel as their own .
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it also touches on the encroachment of christianity brought by the missionaries , which is at odds with mepe 's tribal and traditional roots .
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the mushy finale turns john q into a movie-of-the-week tearjerker .
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the story is familiar from its many predecessors ; like them , it eventually culminates in the not-exactly -stunning insight that crime does n't pay .
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graM-gas M-`s interaM-gM-ues entre seus personagens , o filme torna-se nM-co apenas uma histM-sria divertida sobre uma curiosa perseguiM-gM-co , mas tambM-im um belo estudo de personagens .
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hawn lets it all hang out in this film and i have to admire her guts . sarandon is equally bold and daring in her portrayal of a woman who has lost her way in a closet full of beige suits .
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even if it is generally amusing from time to time , i spy has all the same problems the majority of action comedies have .
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it teaches the importance and understanding of life and death . it
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sure to stir up some controversy , callous sentiment is a true depiction of how violence can affect ones psyche .
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reign of fire may be little more than another platter of reheated aliens , but it 's still pretty tasty .
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now the inmates are retaliating , with seagal and ja rule leading them .
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concerned that his son is going to embarrass him during his campaign to become the governor of california , brad 's wealthy father and his campaign manager ( underwood ) , hire two juilliard-trained actors ( diggs and anderson ) to disguise themselves as `` real life gangstaz `` , and kidnap his son , dropping him off in the `` real hood `` in compton , in an effort to scare the ghettofied attitude and behavior out of him .
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after being handcuffed to new york city 's 'a ' train by his prep school friends ( keith , perabo , hayward ) , young karim ( mehta ) is forced to ride all the way to the last stop , far rockaway .
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the chateau cleverly probes the cross-cultural differences between gauls and yanks .
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an eager young englishman is dispatched to sarawak to become part of the british colonial government , encounters some unorthodox local traditions , and finds himself faced with tough decisions of the heart involving the beautiful young selima , the unwitting object of his affections .
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is anyone else out there getting tired of the whole slo-mo , double-pistoled , ballistic-pyrotechnic hong kong action aesthetic ?
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it does n't do a lot of deep thinking , but unlike many futuristic combos of sf and f/x , it does make a statement : freedom of opinion is a threat to totalitarian systems .
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it 's impossible to duplicate the shock of the 11-year-old lambs , but the new film succeeds at creating nerve-tightening moments of suspense .
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holland lets things peter out midway , but it 's notably better acted -- and far less crass - than some other recent efforts in the burgeoning genre of films about black urban professionals .
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it 's supposed to be post-feminist breezy but ends up as tedious as the chatter of parrots raised on oprah .
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only one person has the power to save the princess , a priestess .
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the kind of women that own every room they walk into , and who think of all men as 'boys ' .
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so saccharine , i 'm not sure i 'd be able to take it under normal conditions .
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young police officer filipo ( giovanni ribisi ) descends into philippa 's life , changing her bleak outlook on existence into one in search of tranquility among corruption , as they become unlikely soul mates and lovers .
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besides the fact that he is still disliked by professor snape ( alan rickman ) and hated by draco malfoy ( tom felton ) , harry gets off to a great start with his two best friends , ron weasly ( rupert grint ) and hermione granger ( emma watson ) , and famous writer gilderoy lockhart ( kenneth branagh ) has joined the hogwarts staff and is the new defense against the dark arts teacher .
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claude miller airs out a tight plot with an easy pace and a focus on character drama over crime-film complications .
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just teetering south of puberty , young thomas harris has discovered that instead of looking at stars , he can use his new telescope to study the beautiful woman next door .
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they call themselves d . e . b . s .
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it 's another stale , kill-by-numbers flick , complete with blade-thin characters and terrible , pun-laden dialogue .
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a light-hearted and high-spirited story , full of spice , sensuality and romance , viva zapato tells the tale of dolores , a beautiful cuban dancer who decides to leave her failing marriage and open a restaurant by the beach with her aunt from brazil .
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there 's a story that goes around the town of darkness falls about her , and she 's called the tooth fairy .
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if myers decides to make another austin powers movie , maybe he should just stick with austin and dr evil .
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after tracking down the assassin , she is killed before any information can be driven out of her .
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beautiful , angry and sad , with a curious sick poetry , as if the marquis de sade had gone in for pastel landscapes .
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this is lightweight filmmaking , to be sure , but it 's pleasant enough -- and oozing with attractive men .
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the result is just enough pixie dust to get this franchise filler off the ground , provided viewers have enough faith and trust in one of the studio 's most fondly remembered titles .
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the protagonist , sally amonte , is still mourning the loss of her deceased husband and though she is young and beautiful , has resigned herself to working in the textile mill , caring for her elderly mother , and worrying about her rebellious teenage daughter .
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and may bring claire face to face with her past .
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the film does n't show enough of the creative process or even of what was created for the non-fan to figure out what makes wilco a big deal .
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no aspirations to social import inform the movie version . this is a shameless sham , calculated to cash in on the popularity of its stars .
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as he navigates this decadent new world , he meets a host of characters , including david , an older gay man who desires him , and benjamin , a young hustler from texas who has also managed to find a place among the aristocracy .
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despite its title , punch-drunk love is never heavy-handed . the jabs it employs are short , carefully placed and dead-center .
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quite simply , a joy to watch and -- especially -- to listen to .
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there are a few chuckles , but not a single gag sequence that really scores , and the stars seem to be in two different movies .
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it wo n't hold up over the long haul , but in the moment , finch 's tale provides the forgettable pleasures of a saturday matinee .
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just like hearst 's enormous yacht , it 's slow and unwieldy and takes a long time to reach its destination .
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during an undercover drug buy mitch was working that trey botched by calling in for backup and drawing media attention , mitch 's partner is shot with a very exotic 12-gauge automatic weapon ; mitch then shoots the video camera out of the hands of a reporter filming the action when the cameraman refused to shut it down .
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the `` easiest `` ( and most dangerous ) way to get it is working for some drug-dealers .
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as comedic spotlights go , notorious c . h . o . hits all the verbal marks it should .
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a summer entertainment adults can see without feeling embarrassed , but it could have been more .
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